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Agriculture Department Budget
Agriculture Department officials talked with reporters about their budget request for the next fiscal year. They took questions from the press.
People in this video
- Stephen B. Dewhurst Director Department of Agriculture->Budget Analysis
- Dan Glickman Secretary Department of Agriculture
- Richard Rominger Deputy Secretary Department of Agriculture
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Don't miss KLRU-Q's programs on Wednesday (11/12) evening! Here's the line-up:
8 pm: On Globe Trekker Food Hour, Bobby samples oysters in Galway, fishes for salmon in Connemara, plays a tune or two with The Chieftains in Westport, visits the Nenagh Agricultural Show, judges a baking competition in Tipperary and learns the history of Guinness in Dublin.
9 pm: Wisconsin Supper Clubs: An Old Fashioned Experience shows why supper clubs are such a big part of Wisconsin's food culture and the full experience of supper club dining: a brandy old fashioned sweet at the bar, relish trays at the table, huge portions of steaks, seafood and game, and the friendly, loyal customers who have been dining at their favorite places for so many years.
10 pm: The Maryland Harvest is a delicious documentary about farms, farmers, and the chefs who love them!
KLRU Q is broadcast channel 18.3. It is also available to digital cable subscribers of Grande on 284 and Time Warner on 20.

subset: commoncrawl


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We're transitioning to the Editors Canada brand. Over the next few months you'll find our new look and messaging taking shape in our national and regional literature, emails and social media presence. Later this year we'll be launching a fresh new website. Learn more about this exciting project.
EAC CertificationFR
Latest News
Certification Quick Links
EAC Certification
Between 2010 and 2012, EAC adapted its certification program to reflect new Professional Editorial Standards (PES) which came into effect on January 1, 2010. Learn more about the changes.
Download EAC's Current Policy on Certification (PDF, 17 KB)
Register Now!
Register online now. The copy editing and stylistic editing tests will be written on Saturday, November 14, 2015, in Vancouver, Edmonton, Calgary, Saskatoon, Winnipeg, Toronto, Ottawa, Montreal, and Halifax.
Download a printable registration form (PDF, 180 KB) to submit your registration by mail or fax.
Registration closes Friday, October 23, 2015.
Benefits of Certification
Whether you're an editor or someone who hires editors, you can benefit from EAC's landmark certification program.
EAC certification sets objective standards for recognizing high levels of knowledge and skill. It's the gold standard of editing.
If you're an editor, EAC certification:
If you hire in-house or contract editors, EAC certification:
If you supervise in-house editors, EAC certification:
Recognizing Excellence
EAC certification identifies editors who are masters of their craft.
It's therefore not surprising that certified editors are finding new opportunities and making more money than ever before. They're able to demonstrate to employers and clients that they provide immense value.
The Government of Nova Scotia, the Government of Ontario, several national non-governmental organizations and the Certified General Accountants' Association of Canada are just some of the organizations that recognize the value of EAC certification when they hire editors.
Read what certified editors are saying about the benefits of certification.
EAC certification is for editors of written material who work in English. It's available to both EAC members and non-members.
There are five credentials. To earn an editing credential, you must pass the required test(s), as indicated in the table below.
Because EAC certification tests for excellence (rather than proficiency), we recommend that you have at least five years of full-time experience as a working editor before taking a certification test.
Your credential year is the one after the administration of your successful test. If you successfully write a test in 2013, for example, you will be awarded the credential in 2014.
Test Fees for the 2015 and 2016 tests
Test Locations
Demand and resources permitting, tests are offered each November in Vancouver, Edmonton, Calgary, Saskatoon, Winnipeg, Toronto, Ottawa, Montreal and Halifax.
Upcoming Tests
Two of the certification tests will be offered on Saturday, November 14, 2015:
The other two tests will be offered in November 2016:
The tests are offered every November, in two-year rotations.
What They're Saying About EAC Certification
"EAC certification has opened many doors for me. Presenting myself as a Certified Professional Editor gives me credibility, confidence and a steady stream of clients."
Anne Louise Mahoney, CPE
"Certification earned me extra points when bidding on a federal government standing offer for English editing services. Believe me, every point counts! I eventually won the standing offer."
Marion Soublière
"I received a call from a prospective client who chose me from the online directory because I was a certified proofreader. This confirmed for me that certification means something to clients."
Donna Dawson
"My certification in copy editing gives employers confidence that I can handle a job correctly and with authority. Also, it has earned me respect from my peers."
Beverly Ensom
"My clients are assured that, as a Certified Proofreader, I am recognized by the Editors' Association of Canada for professional excellence in editing accuracy, judgment, skills and experience."
Alan Yoshioka, PhD
"I found it heartening to have my skills validated by an external measure. The process of preparing for certification was also valuable, giving me the occasion, motivation and many of the tools for a productive bout of professional development."
Laura Cappello Bromling
One Person's Experience
"Being certified," Donna Dawson recalls, "would show potential clients—and myself—that I am a good editor."


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WSBI BiosBack to WSBI Bios
Derrick Heggans
• Received Bachelor of Arts from Duke University in 1992.
• September 1992- April 1994 worked at global advertising agency, D'Arcy, Masius, Benton, and Bowles, Inc. ("DMB&B"), helping to manage Cadillac Motor Car Division's sponsorship of the Sr. PGA Tour and various other golf activities.
• After leaving DMB&B, served as a Client Manager/NBPA Player Agent in the basketball division of Advantage International, now "Octagon" for 3 ½ years.
• Graduate of George Washington University's School of Law (Evening Division).
• May 1998 began working at NFL Properties, the marketing and licensing division of the National Football League in the Legal & Business Affairs Department in Staff Attorney role primarily serving as business affairs counsel for Corporate Sponsorships, Marketing and Special Events.
• May 2001 moved to Office of the Commissioner of the National Football League as Asst.Counsel for Broadcast Operations and Policy. Chief responsibilities include assisting Broadcasting Department, NFL Films, and NFL Enterprises in negotiating, structuring and administering various League media contracts; advise clubs on broadcast issues; manage League participation in copyright tribunals in the United States, Canada and elsewhere; serve as chief business affairs counsel for implementation of Super Bowl, Pro Bowl and other NFL run special events. Served on Super Bowl Policy Committee.
• Served as Chief Operating Officer for Collegiate Images, licensing agency for archived collegiate sports media images from March 2004-March 2005
• July 2005, joined the Legal Department of AOL, handling a variety of transactional matters, including sports content deals.
• December 2007, became General Manager of AOL's Sports Channel, overseeing all business and programming operations. In 2008, was named by Sports Business Journal as one of the "20 Most Influential in Sports Digital Media". Left AOL in March of 2009.
• In March 2009, named to Sports Business Journal 2009 "Forty Under 40" list of most dynamic young executives in business of Sports under the age of 40.
• In March 2009, formed Heggans and Company Enterprises (H.A.C.E.) as consultancy on sports and media related matters. Some current clients include "T-Time Productions"-Serves as a consultant and Executive Producer on "Third and Long" documentary about the history of African American Professional Football Players, former WTA tennis player, Chanda Rubin, and XCO SportsLink, a sports focused smart phone mobile solutions developer.
• Served as Adjunct Lecturer at George Washington University from 2006-2010.
• In April 2010, joined The Wharton School at the University of Pennsylvania as Managing Director of the Wharton Sports Business Initiative.
• Resides in Northwest, Washington, D.C. with wife, Tanya and son, Timothy.


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Free Shipping
Product Information:
The multipurpose collection of Glossy Tables is characterized by a light, sophisticated design and elegant finishing. A notable design element in all the Glossy Tables is a criss-crossed steel structure that connects the legs and forms a stable support for either a polished polyester or laminate top. Table tops come in square, oval and round versions and three sophisticated colors. This broadly appealing table can function in any number of home or office settings and easily coordinates with Kartell seating.
Weights & Dimensions
|Product Type: Training desk
|Shape: Round
Top Material: Laminate
Base Material: Other
|Number of Items Included: 1
|Exterior Shelves Included: No
|Cabinets Included: No
|Wheels Included: No
|Drawers Included: No
|Keyboard Tray: No
|Modesty Panel: No
|Flip Top: No
|Folding: Yes
|Modular: No
|Standing Height: No
|Cable Management: No
|Eco-Friendly: Yes
|Product Care: Easy to clean and require only simple care to remain in excellent condition.
|Country of Manufacture: Italy
|Additional Parts Required: No
About the ManufacturerProducts designed with creativity, quality and innovation. A combination of extraordinary factors together with a strategic vision of distribution has contributed to the lasting success of Kartell. A leader in design, Kartell addresses an international clientele with a collection unique in originality, variety, size and range. These products are multifunctional and cross-sectional, easy-to-use and with undeniable visual appeal. Colors, irony, a feast for the senses, transparency effects and unique shapes for unique items. Kartell items are immediately recognized throughout the world for their emotional character, durable functionality and undisputed quality. Continual evolution in the use of materials and experimentation with new technology aimed at discovering their hidden qualities, are fundamental for the development of Kartell products.
A creative team of world famous designers including Ferruccio Laviani, Alberto Meda and Philippe Stark, together with Kartell, have developed a special intuition through dialogue and the continual exchange of design ideas. This has served to establish a perfect equilibrium between the designers' project experience, their ability to and the demands of the company.
In its 55 years of existence, Kartell has won prestigious international awards including 9 Gold Compass awards. Today Kartell exports 75 percent of its products to 85 countries worldwide. Lasting success and a daring challenge on the market combine with the continual desire to innovate and reinvent.
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Americans and Mexicans enjoy a friendly game of volleyball over the 2.8 million dollar per mile border fence.
This makes me smile :) FUCK Nationalism!
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I always get a kick out of people who hate inanimate objects with conviction and vociferousness.
post #78946 of 117668
11/4/12 at 9:12pm
i don't usually hate items, i hate the concept and the people that would indulge in such things, and the attitude and mindset that they carry along with it
but really, my hatred knows no bounds
i would hate the other millions that got off on the idea that the food they were feeding starving people was "like totally cute, you know?"
can I answer later? I'm making totally cute buffalo chicken sliders. This way everyone gets to have a bit and feel sooo not guilty! I've got a toppings bar, and you can pick your spiciness level, and even method of ingestion~ (oral, anal, vaginal, osmosis)
sorry for being rude, my roommate just has me watching too many british shows and I've been swearing more and having impulses to call everyone a wanker


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Visitor Information
Museum Location
Beloit, Wisconsin, at the corner of College Street and Bushnell Street. From I-90 take exit 185A (Hwy 81 - Milwaukee Road) and follow signs to Beloit College.
Logan Museum is open 11 AM - 4 PM Tuesday through Sunday
Closed Mondays and College Holidays
For General Recorded Information: (608) 363-2677


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Events & Festivals
Find Events & Festivals
1 May 2014 - 31 May 2014
Contact Details : TAT Call Ceneter 1672
TAT Rayong Office
Tel. +66 3865 5420-1, +66 3866 4585
Category : Food & Drink,Fairs & Festivals
Scale : Local
Submit inquiries and request for more information for this
he fair features contests of fruit decorated floats, beauty queens, Eastern famous fruits such as rambutan, durian, mangosteen, Rakam and Sala zalaccas and varieties of santol and Thai ridgeback dog, as well as booth displays of gems and jewellery and other farmer housewife groups.
** The contents of this publication are subject to change without notice **


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Astoria resident Michael Lynche made it to "American Idol's" top 12 last week and wants people to just have a good time when they watch him perform.
"It feels amazing," Lynche told The Queens Courier on Monday, March 15 in between rehearsals. "It's just a really big checkpoint in my journey and my goals."
The performance that earned Lynche, also known as "Big Mike" on the show, a spot in the top 12 was Maxwell's "This Woman's Work." The song brought judge Kara DioGuardi to tears as she praised Lynche's performance.
Lynche, 26, said the song was a surprise for his wife Christa, who was in the audience, and said it is one of the couple's favorite songs. All of the judges gave Lynche positive feedback, which he described as cool and surprising.
That same night has also provided Lynche with his most memorable moment so far. He said that it was seeing his wife walk out into the audience and be greeted by people who recognized her. During the audition process, viewers saw Lynche talking to his wife on numerous occasions, including after the birth of their child.
When it comes to the biggest challenge he faces on "American Idol," Lynche said that it is the same for all of the contestants – time management. Lynche said that, when there is down time, it is a matter of making good use of it so that they can put on a good show.
"I want people to have a good time always," Lynche said of what he hopes people get from his performances. "I'm a man of the people."
As a contestant on the show, Lynche said that he is just trying to be himself, adding that if that is something people can look up to, he is happy to be that person.
Lynche has high aspirations for his future in entertainment and said that he feels good about what he can bring to music.
"I want to go through the stratosphere with my music," Lynche told The Courier. "I want to go everywhere and do everything. I don't want to put any limits on what I can do."
Lynche's "American Idol" journey will continue this week as the contestants perform songs by the Rolling Stones. The show airs on FOX on Tuesdays at 8 p.m. and Wednesdays at 9 p.m.
To find out more about Lynche and his fellow contestants, visit www.americanidol.com.


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U.S. Trade and Development Agency
1000 Wilson Boulevard, Suite 1600 * Arlington, Virginia 22209
Telephone (703) 875-4357 * Fax (703) 875-4009
NAIROBI – (June 26, 2006) The expansion of communications infrastructure in Kenya in support of the country's economic development is the goal of two separate grants awarded last week by the U.S. Trade and Development Agency (USTDA). The grants, totaling $374,082, seek to increase Internet access in response to growing service demand and expand broadcasting coverage to reach less-populated regions.
The grants were conferred during separate signing ceremonies at the U.S. Embassy in Nairobi. USTDA Regional Director for Sub-Saharan Africa Ned Cabot signed the agreements on behalf of the U.S. government.
The first grant, in the amount of $160,000, was awarded to Wananchi Online Limited, Kenya's largest Internet Service Provider (ISP) on June 22, 2006. Wananchi Chairman James Gachui signed the grant agreement on behalf of the company. The grant supports the Kenyan government's efforts to liberalize and improve the Internet sector. As a result of ongoing reforms, Kenya has become the fastest growing Internet market in Sub-Saharan Africa with 1.5 million users, up from 500,000 just one year ago. Growth is expected to continue at a rate of more than 30 percent per year.
To meet the growing demand for ISPs in Kenya, Wananchi plans to provide a new pallet of value-added voice and data services based on the Microsoft Hosted Exchange (HE) Solution platform. Operating as a business solution provider with the Microsoft HE solution will allow Wananchi to offer a unique business solution not currently available in Kenya. The USTDA grant will be used to provide Wananchi with technical assistance in transforming itself from an infrastructure provider to a customer service provider.
Under a second USTDA grant awarded on June 23, 2006, Kenya Broadcasting Corporation (KBC), the Kenyan pubic broadcasting company, will receive technical assistance in developing a business plan to expand its signal to reach all geographical regions of Kenya and to increase its programming in local languages. KBC Acting Managing Director Hezekiah Oira signed the $214,082 grant agreement on behalf of the grant recipient.
At present, KBC's television signal reaches approximately 35 percent of Kenya's population, while 70 percent is reached by its radio signal. Although competition from private broadcasters is keen in well-populated areas, commercial broadcasters have shown little interest in investing in less-populated areas. The Kenyan government is committed to supporting KBC by expanding its signal to reach the entire population and increasing its programming in local languages. The technical assistance funded by the USTDA grant will assist KBC in developing a business plan to achieve these goals.
The opportunities to provide technical assistance to Wanachi and KBC will be competed separately on the Federal Business Opportunities website at www.fedbizopps.gov. Interested U.S. firms should submit proposals according to the instructions contained in each Federal Business Opportunities announcement. Wanachi and KBC will select the U.S. contractors that will provide the USTDA-funded assistance associated with each of their respective grants.
The U.S. Trade and Development Agency advances economic development and U.S. commercial interests in developing and middle-income countries. The agency funds various forms of technical assistance, feasibility studies, training, orientation visits and business workshops that support the development of a modern infrastructure and a fair and open trading environment. USTDA's strategic use of foreign assistance funds to support sound investment policy and decision-making in host countries creates an enabling environment for trade, investment and sustainable economic development. In carrying out its mission, USTDA gives emphasis to economic sectors that may benefit from U.S. exports of goods and services.


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Warm waves wash ashore on the beach of the 4-star Omni Hilton Head Oceanfront Resort, where current rates have been cut by 50%. Travel dates for this exclusively negotiated offer go into June, one of the most picturesque times to visit Hilton Head.
Visit March 21 - May 2, including weekends, for $169 per night. Stay May 5 - June 27 for $10 more per night. This rate includes breakfast for two.
At 530 square feet, these studio suites come with mini-kitchens and private balconies. Upgrade to a room with ocean views for $30 more per night.
As part of the Palmetto Dunes community, the hotel has three championship golf courses, 25 tennis courts and an 11-mile lagoon system for kayaking or canoeing.
Hilton Head is 45 minutes from Savannah and two hours from Charleston.
Note: The hotel is in the final phase of a $17 million renovation. The renovation may impact one of the hotel pools, but at least one pool is open at all times. The pool area is scheduled to be completely finished by April 10. The rest of the hotel's renovations -- which include updates to the motor entrance, lobby, meeting facilities and spa -- are already complete. An $18 nightly resort fee is additional and covers parking, Internet, shuttle service and beach and spa access.
Not available on: April 19-20
Please go to your email and confirm your subscription.


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Manhunt yields fugitive's capture
29-year-old is suspected of attemptedmurder
After a manhunt that began Friday with the U.S. Marshal's Service out of the Dallas/Fort Worth area, a fugitive from justice on an attempted murder charge out of Richland County, South Carolina, was captured by the Texas Department of Public Safety Saturday night.
Subscribe to the Times Record News
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Need Help? Call us at 1-877-710-6181.
Monday-Friday: 5:30am-8pm / Saturday: 6am-1pm / Sunday: 6am-1pm


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Knowing your calorie enemy before consuming is an easy trick.
Every morning I plan my day. I plan what I am going to eat for each meal and then I pre-track it on my Mobile App. I use Weight Watchers, but it would work with Spark People too. So far I have lost 17 pounds. I have about 40 more to go. Keep Sparking!!!!!!
It may sound boring but this one little thing has saved me a liot of time and $.I pick a breakfast of the week, healthy and well balanced, and I eat it all week and pre track it. I try to get a lot of fiber in it, a hard point with me.Saves shopping, planning , time and $.
I pre-plan all my meals, shop in advance, I have to especially now that I live in the country, it keeps my honest and on track~


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James Kaklamanos
James Kaklamanos
Assistant Professor
Department of Civil Engineering
Email: KaklamanosJ @ merrimack.edu
Phone: (978) 837-3401
Office: Mendel 123
2012: Ph.D., Civil and Environmental Engineering, Tufts University
2010: M.S., Civil and Environmental Engineering, Tufts University
2008: BSCE, Civil Engineering, Tufts University
Jim Kaklamanos joined the faculty of the Department of Civil Engineering (formerly the Department of Civil and Mechanical Engineering) at Merrimack College in fall 2012. Jim completed his Ph.D. in Civil and Environmental Engineering at Tufts University in Medford, Mass. He specializes in geotechnical engineering, and his research focuses in the area of geotechnical earthquake engineering, specifically on the improvement of models for predicting earthquake-induced ground motions. His published work has included research on ground-motion prediction equations, site response analyses, and uncertainty in earthquake engineering. At Merrimack, Jim has taught courses in geotechnical engineering, foundation engineering, earth retaining structures, earthquake engineering, engineering mechanics, and engineering probability and statistics. He also serves as the faculty advisor to the Merrimack College chapter of the American Society of Civil Engineers (ASCE). For more information on Jim's research and teaching, please visit his website: www.kaklamanos.com.
Courses taught:
CEN 3020 Geotechnical Engineering
CEN 3020L Geotechnical Engineering Lab
CEN 5020 Foundation Engineering
CEN 5022 Earth Slopes and Retaining Structures
GEN 1001L Introduction to Engineering Lab
GEN 2012 Mechanics of Materials (Mechanics II)
GEN 2012L Mechanics of Materials Lab
GEN 6010 Earthquake Engineering
MTH 1505 Applied Statistics and Probability for Engineers


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Tick, deer engorged on the skin
This is an engorged deer tick (Ixodes dammini) embedded in the skin of a human host. In the United States, these ticks are the primary source of Lyme disease. (Image courtesy of the Centers for Disease Control and Prevention and M. Fergione.)
Last reviewed 2/27/2012 by David C. Dugdale, III, MD, Professor of Medicine, Division of General Medicine, Department of Medicine, University of Washington School of Medicine; and Jatin M. Vyas, MD, PhD, Assistant Professor in Medicine, Division of Infectious Disease, Department of Medicine, Massachusetts General Hospital. Also reviewed by David Zieve, MD, MHA, Medical Director, A.D.A.M., Inc.
- The information provided herein should not be used during any medical emergency or for the diagnosis or treatment of any medical condition.
- A licensed medical professional should be consulted for diagnosis and treatment of any and all medical conditions.
- Call 911 for all medical emergencies.
- Links to other sites are provided for information only -- they do not constitute endorsements of those other sites.
©1997 - A.D.A.M., Inc.Any duplication or distribution of the information contained herein is strictly prohibited.


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It's hard to believe, but E3 2012 is nearly upon us! In addition to all of the big gaming news and brand-new media, those attending this year's E3 (or anyone in or around LA for that matter) can also look forward to enhanced edition of Video Games Live. Basically, Video Games Live Creator/Executive Producer Tommy Tallarico and company are pulling out all the stops for its annual Los Angeles show by announcing a cavalcade of special guests, first time ever music premieres, industry stars, new interactive technology, and even "incredible prizes". The performance will take place on Wednesday, June 6th at the Nokia Theatre located right across the street from E3.
Here's an excerpt for the rather long press release:
Aside from fan favorites such as Castlevania, Halo, Sonic and Chrono Trigger/Chrono Cross, audience members will be treated to new live premieres from such titles as the award winning The Elder Scrolls V: Skyrim, the 90's cult classic Earthworm Jim, the Billboard and iTunes chart topping music from Journey, as well as Blizzard Entertainment's Diablo III, and upcoming World of Warcraft: Mists of Pandaria. The original composers will be making appearances and performing on stage with over 110 musicians. Video Games Live will be celebrating the 25th Anniversary of Street Fighter with its hard rocking symphonic Street Fighter II medley including special guest appearances. To celebrate the recent induction into the Classic FM Hall of Fame (at #16 of all time!), Nobou Uematsu's Aerith's Theme will be presented in a new exclusive symphonic Video Games Live arrangement. The newly created Pokemon Symphonic Suite will be making its Los Angeles debut as well as some very special guest performers for the award winning song "Still Alive" from Portal. Original Toto founder/songwriter/pianist/vocalist David Paich and friends will be joining the symphony and choir to perform "Hold the Line" alongside the winner of the pre-show Guitar Hero competition.
"Since starting VGL in 2002, this particular show is turning out to be one of our most exciting and spectacular shows ever!" stated Tallarico. "There really is something for everyone in this show no matter what era or genre of gaming you're into. Being partnered with E3 and the ESA allows us to bring the entire industry together for a complete celebration of the gaming world. If ever there was a Video Games Live to attend, this is the one!"
Interested in finding out more or picking up some tickets? You can do so over on the official VGL website.


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Fashion plate Michelle Harper happily showed off her Numéro editorial on Instagram yesterday. But after just one day, the picture sharing site took it down due to the fact that Harper was, well, topless.
Numéro, which has been making headlines for a controversial blackface spread, photographed Harper topless, and on a bed with only a bedsheet to cover her other bits. Per Instagram's policy against posting partially nude pics, the site was forced to take down the black-and-white photo.
So what does Harper do? Post the pic on Twitter, which has no rules against nipples! Crisis averted.
Check out Harper's picture below, and tell us if you think it should've been taken down on Instagram:


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Tampa Bay Rays v Los Angeles Angels of Anaheim
Johnny Rzeznik singer and lead guitarist of the Goo Goo Dolls... News PhotoActivity,American League,Anaheim - California,Angel Stadium,Baseball - Sport,California,Concert,Goo Goo Dolls,Guitarist,John Rzeznik,Los Angeles Angels of Anaheim,Major League Baseball,Match - Sport,Motion,Performance,Sport,Stadium,Tampa Bay Devil Rays,USA,Vertical,Waist UpPhotographer Paul SpinelliCollection: Major League Baseball 2012 Major League Baseball PhotosANAHEIM, CA - JULY 28: Johnny Rzeznik singer and lead guitarist of the Goo Goo Dolls performs during a concert after the Los Angeles Angels of Anaheim game against the Tampa Bay Rays on July 28, 2012 at Angel Stadium in Anaheim, California. The Rays won the game 3-0. (Photo by Paul Spinelli/MLB Photos via Getty Images)


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Buy Item $1.99 Retail:
Save 83% ($10.00)
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If you're a 20 something who wants to fully embrace your walk with Christ, you'll want to read What You Didn't Learn from your Parents about Christianity. In it, Matthew Paul Turner presents a unique reference guide to the basics of the Christian faith. From historical facts, to the sacraments, to knowing Presbyterians from Pentecostals, Matthew provides foundational truths and practical insights that are infused with his knowing wit and honesty. So whether you're a new believer, or someone who's had his or her own "section" in the pew for years, you'll gain a deeper and more personal understanding.
|Format: Paperback
Number of Pages: 283
Vendor: NavPress
Publication Date: 2006
|Dimensions: 7.00 X 5.00 (inches)
Availability: In Stock


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Tell us about your award-winning design business, Jennifer Gilmer Kitchen & Bath, Ltd.
The key to an award winning business is to be completely motivated by the craft itself, not by the money that it generates. When a company comes from this frame of mind, it feels alive and welcoming when a person walks in. Then, through the design process, pleasing our clients through creating unique and beautiful kitchens and baths further generates this good energy. What makes it so wonderful for me and for my designers is the collaboration with our clients. Truly enjoying what we do and enjoying interesting people that we meet is very satisfying for us.
Getting the word out there is also key to a company's success. Almost from the beginning (25 years ago), I made it a point to get my work professionally photographed, and, eventually, this perpetuated even more success. I realized many years ago, that I had all of this great work to show but I wasn't getting it out there. So, I hired a marketing person, Priya Gupta, and, through her ability to make contacts and to get my work showcased, she has really been a big part of putting me and my company on the map. The way that she's presented JGKB in our ads and through the editorial that she's helped to get published, it becomes apparent to the public that we, the designers, are exceptionally talented. This is very contagious, first from a potential client looking at this published work, then coming in and meeting us and finally seeing that we share their excitement. Throughout the entire process, our clients rest assured that we are dedicated to doing the best job possible and at the same time, they are amazed at how we can make a typically stressful process inspiring and joyful.
Also, the follow-through is very, very important throughout the entire project and beyond. We are big on communication and respond immediately to phone calls and emails. If someone calls and needs some kind of service work, we get our service manager, who happens to be my husband, over to the home within 24 hours. They see that he, too, is just as dedicated, and, they can't believe that we do business the old fashioned way – taking care of our customers because we care . We will provide this service as long as the client needs us, and, at no charge. Our philosophy is that, since the client came to us and believed in us, then, it's our job to show them that same unfailing dedication. This word spreads like crazy so much so that I've had many clients tell me (through the last 13 years) that one of the reasons they decided to work with us is because they heard that we take care our clients, even years after the work is completed.
What inspired you to pursue this business?
I am a very visual and creative person who also loves math and engineering. I also really enjoy meeting people and helping them to realize their dream kitchen or bath. So, all of these attributes are necessary in a business that demands the use of all of these skills. I knew that I wanted to go into some kind of design when I was 12, discovered that I loved to draft in high school, and, through pursuing that, found out about the kitchen design business. As soon as I landed my first job in the business, I discovered that I was a natural at it. Starting my own business was necessary so that I could create the kind of atmosphere that felt good to me and to my clients. I worked at great places as a training ground, but, all of the places I worked were "sales" oriented, not committed to design first, knowing that this naturally makes the sale. It took some time, but, I eventually put together an excellent and dedicated staff . When we had more clients then I could handle, I was blessed with finding designers who are just as talented and who share my same philosophies.
Was owning your own design business always a dream you aspired to?
Not really, I was a little reticent to do this since I saw my two former bosses struggle with the responsibilities that come with owning a business. As it turned out, though, because I was able to put into place an excellent staff and design team with a very stringent system of operation, the business pretty much runs itself. If so, could you briefly share with our readers your business success story? A lot of hard, hard work and a lot of hours. Mainly though, it's a dedication to our clients that drive us, along with a dedication on our part to make an extra effort to make every job a beautiful one. I noticed that a lot of other similar companies don't make an effort to market themselves. I spend a lot of money on photographing projects and then getting the work out there. I found that this pays of, tremendously. After all, what good is it to create masterpieces if you don't share them with the world? This may sound self aggrandizing, but, it actually took me years to realize that, as long as it's true, there's nothing wrong with announcing it with confidence.
It's also very important to find a great location. Because I grew up in Chevy Chase, MD, I realize that people from this area and further north don't like to go downtown where parking and traffic are always a frustration. I was invited to open a showroom at a couple of design centers downtown, but, after considering it, I came to the conclusion that the location would be a hindrance to constantly overcome. So, the location that I found is only a mile north of Washington, D.C, right on a main road, Wisconsin Avenue. This make it easy for those who live just outside of D.C. and also easy for those who live downtown to reach our location. With two store front windows where the traffic jams up every morning and every evening, people have nothing to look at while sitting in traffic, so, they look into our showroom and other storefronts. I've had many clients tell me that they had been admiring our displays for years and couldn't wait for the day that they were ready to come in and start their project!
Today you are a recognized as one of the top design talents in the country -one that inspires so many other designers.
Why, thank you!
Do you have any advice for those designers who are inspired by what you have achieved and hope to someday reach your level of success?
Oh, yes. First of all, LISTEN to your clients and RESPOND to their needs. I'm a firm believer that I'm simply the tool that's able to create for them that which they love. By listening, you can meld with them, get into their head and create a space that totally reflects their inner beauty. They may not know what they want, but, it's my job to decipher that through our having very meaningful communication in several meetings. Our business is a service business and I never feel put out if a client can't make up their mind right away because that's why they need us, to do what it takes to get them to a point where they can make decisions without any doubts. So, always be supportive and responsive without fail. So, if you come from this frame of mind with everything you do and say, the clients will feel supported and appreciative and the work will naturally shine. If you handle yourself as a professional in this way, the referrals will pour in, and, thus, the success will follow.
As far as skills, I can't emphasize enough that it's very important to learn how to hand draft. When the designer can draw concepts – whether they be in plan view, in elevation view or a small perspective – this breeds confidence in their client. They just know that they are in talented and capable hands. Also, the client can understand concepts that are difficult to explain, so, they feel more comfortable that they have properly interpreted the ideas that are being presented.
So, this leads me to giving out a big secret to all of the designers out there. When I work on the design, I do this right in front of the client in the showroom. I feel that design time behind the scenes is a waste of time. Why not have the people you're designing for be present as the ideas are explored. This is a huge time saver since you'll never spend time, going down the wrong road, most likely drafting something that they may not like. What we do first is we focus on the mechanics of the floor plan, using tracing paper to "play" with the space. This way, the client is there to see why I'm recommending something other than what they thought they wanted. The client also can have input as we're working together so that I can understand better how they use their space, and then, we can decide together if what they are asking for really works or not. At the end of this meeting, we have a layout,and, they thoroughly understand how it evolved . Most importantly, they are confident that it's the best that it can possibly be for them and for how they function in their home.
The next step is to have the plan view drafted on Autocad, which includes very simple elevations. These drawings hardly have any detail (what I call "skeleton" elevations). In the next meeting, I use the same technique, placing tracing paper over the elevations and then work out all of the aesthetics with the client (door styles, mouldings, counter thicknesses, hoods, etc) while they watch and engage in the design details. At the end of this appointment, I have a scroll of tracing paper with elevations of their new kitchen all hand drawn, and, on occasion, I'll draw some perspectives to help understand a difficult concept. This scroll makes it easy for the client to understand and imagine their new space.
The biggest advantage of using this technique is that the client has played an active role in the creation of their kitchen and/or bath. They feel as though they were a co-designer (which in fact, they were!!). Most of all, they feel like the new space is a true reflection of their personality. Now, the design is done, and, all you have to do is finish up the formal drawings. This works like magic and makes the clients so happy that they don't hesitate to move forward. If you have an experience with a client who can't make up their mind and can't move forward, it's because something doesn't feel right to them with the design, but, they can't figure out what it is. This technique clears up any and all ambiguity. It's a very inspiring experience for everyone. Even after 25 years of doing this kind of work, I still get chills and goose bumps when great ideas fly around the design table throughout the process.
You recently launched an interesting new web-based kitchen design service, Kitchen Design Online (KDOL). What was your inspiration for creating this online service?
Throughout the years, I've been hearing people grumbling about not being able to afford going to an experienced designer mainly because they equate this with having to pay a higher price for better quality materials. I've had clients come into me saying this after meeting with someone at a big box store, a discount cabinet store, or a lumber company. They are always pleasantly surprised that I can offer them great design along with less expensive products. They also are amazed at how the plan for their new kitchen is so much better then what they though they'd ever be able to have.
How does KDOL help DIYers looking to remodel their kitchen or bath?
So, for those people who, unfortunately, don't realize that they can work with and can afford experienced kitchen designers, I got the brainstorm to offer kitchen design on the internet at a reasonable price. I thought that this would be a great way to bring excellent design to the masses, all over the world. I also realized that this is the wave of the future, communicating, working and shopping on the internet in the comfort of your own home. This site only focuses on the design and is not a place to buy cabinets. By having a great design in hand, the client has the freedom to take these plans anywhere to be able to compare prices, and, can rest assured that whatever company eventually supplies the cabinets, the design will work, from execution to completion.
This is also a wonderful tool for other professionals in related businesses:
Design Build firms – These companies typically have their own sources for cabinets, so, they won't go to a showroom since they only design if that company provides the cabinets. They can save themselves time and money by using our service. This is because their specialty is designing a structure, and, even though they can design a kitchen, it just isn't something that they do on a daily basis where they have the level of knowledge and skills that kitchen designers have. So, they either decide to design the kitchen themselves, which takes up precious time where they could be working on the bigger picture or overseeing another project -or- they could add a kitchen/interior designer to their staff, whose salary would cost the company a lot of money per year.
Either way, many times, the client will not get the best end product possible. There are always firms around that are exceptions to this but, I find that they are few and far between. Many times I've heard people say that, while they liked working with their Design Build firm and liked the outcome, they wished that they had a kitchen designer work on the kitchen part of their project. They say this because, in the end, they realize that the kitchen could have been better. Clients dedicate a lot of time and spend a lot of money on their project, so, for them to have any regrets or reservations does not reflect well on the company that they hired and relied on.
KDOL can spend the time communicating with the client, design a kitchen that the client will inevitably love, save the Design Build firm time and money, and, along with all of this, ensure more referrals for their company. It's a totally win-win situation for everyone involved!
Interior Designers – A lot of people don't realize that interior design is a completely different business than kitchen design. Interior designers specialize in fabrics, furniture, wall coverings and space planning in rooms other than the kitchen. There are exceptions to this as well where the interior designer can design a beautiful and, we hope, a functional kitchen, but, again, these designers are few and far between. I would never try to design any other room other than the kitchen because I don't do that every day and therefore, my lack of knowledge would be a disservice to the client. So, KDOL can be a compliment to the interior designer, expanding this professional's offerings in a way that otherwise wouldn't be possible. We offer to work with their client directly, or, to work with the designers behind the scenes so that they can have complete control of the project. We have one designer in Canada who uses our service and chooses to work with us behind the scenes. We even add her logo to the drawings (she LOVES this). We make her look very good, she can take the design to the cabinet supplier, get a better discount since the cabinet supplier didn't have to do the design work, sell the cabinets to her client and make more money. This also frees her up to be able to work on another project while we prepare the kitchen plans.
KDOL can spend the time communicating with the client and/or with the designer, save the designer time and ensure referrals to the company. Again, a win-win situation for everyone involved.
Architects – I'm always amazed at how much knowledge architects are required to have about all aspects of designing and building structures. They have to spend an enormous amount of time drawing designs, preparing a gazillion details, researching and specifying products, and keeping up with new requirements in building codes and simply staying current with their profession (that's only the beginning of what they have to know). Since they need to know so much, how can they also spend time being a specialist in kitchen designing? Some are able to design beautiful and, we hope, functional kitchens, but again, this is usually the exception. So, the benefits for Architects using KDOL's services are very similar to how we help builders and interior designers. We save them time so they can get other work done, or, can spend more time with the client or at their job sites. The collaboration of working with KDOL, whether with their client or directly with them behind the scenes, always ensures a successful outcome and a happy client. For architects, we almost always use their logo or more often, send the plans via AutoCad so that they can incorporate the plans in with all of the other house plans.
Where do you find inspiration for your designs?
Traveling to new places is always a great inspiration, no matter where it is. Looking at other kitchen designs or any interior design magazine can spark ideas. Just walking around or going out to a restaurant while being aware of the surroundings will give me ideas. Just t he other day, I was in a restaurant and was admiring the ceiling detail and the type of wood they used. Working with other professionals opens up the door to new resources, new products or even old ones that I was never aware of before. Working with architects and seeing the design of the house to be built, or, an existing house and it's character. I'm doing a kitchen in a French Normandy style home, and, we're using the same stone as the stone walls outside as well as the brackets on the porches. and overhangs.
Tell us about a favorite home decorating or remodeling project.
Wow, there are SO many! I have to say, however, that my favorite project is my own home. It was through this process that I realized how important the collaboration is with other professionals. My architect, Amy Gardner, with whom I now work with on a regular basis, was such an inspiration. She helped me to refine the designs for my kitchen and my baths in a way that taught me more about contemporary design. Washington D.C. had been renowned for years as a place where most people want traditional design in their traditional houses, so, I had more experience in this kind of design. For me to learn more at this point in my career was very, very inspiring. She, too, said that she learned a lot from me, so, the symbiotic relationship was such a joyful experience. Being able to live in a space that we designed for me reminds me every day of how much I enjoy what I do. This was also the first project where I was introduced to and used green products. Amy is one of the first in her field to be a LEED certified architect, so, what better teacher could I have had!
What's your favorite color? I always struggle with this question because I love so many colors. I find it interesting that trends in colors changes as time goes on. In the '60s it was olive green and harvest gold, in the '70s it was brown, orange and yellow, in the '80s it was black and mauve in the '90s it was ochre and tomato soup red, in the 21st century it's been dark brown and aqua and now it's orange and gray and light ice blue. It's important to go with colors that speak to you rather then just going with the trends so that your home won't be dated. I can't tell you how many homes I've been in that still have the mauve and black theme, and, I know that the last time the house was updated was back in the '80s. Not only is it dated, but, it reminds me of a time when design went through a very bad period, so, it has such a bad connotation for me and I'm sure it does the same for others.
I believe that people have colors that compliment and resonate with them, like, fall colors, pastel colors, natural colors, etc. For me, I fluctuate between natural muted colors like blue/gray (periwinkle), sea foam green or vibrant royal colors like turquoise and orange. I find that various shades of soft green are safe colors when designing since a lot of people seem to like that color.
What are your five favorite pieces of home décor from your home or elsewhere?
In my home I absolutely love the antiques that were handed down from my parents. These inspired me at a young age to notice details, so, they bring back good memories for me. They are also an excellent example of craftsmanship, something that is precious these days since it's presence in our world today is waning. I love the reclaimed oak floors and wood beams in my house because it has a lot of character and had been in some other structure somewhere at some time in the past, so, it has some mystery about it that intrigues me. The same goes for the antique light fixtures that I bought for various rooms, especially the chandelier in my dining room, they feel as though they have always been in my house and have that same craftsman character that antiques tend to have. I bought an antique bronze sculpture of Pan by a famous French sculptor, Durnot, and this is in the middle of my antique mahogany, round dining room table under my favorite chandelier. Every day when I walk in, I admire these items and their arrangement.
There is a certain amount of satisfaction and joy that comes from surrounding yourself with items that resonate with you and at the same time, compliment your home. I truly believe that spaces have a certain energy which can be affected positively or negatively depending on whether it truly resonates with you and compliments the home. This is the key to great kitchens too, they do just this, and, I often joke that my secret to great design is that I use Western Fung Shui. Many people in the western world don't understand this philosophy. For us, the concept of "things" having an energy of their own and that they can affect a space based on their placement, is foreign to us. It's a subtle energy that feels good, so, pay attention to the next time you walk into a room that makes you feel good, and remember that this is exactly why.
What's your favorite room at home?
Of course, my favorite room is the kitchen/family room including the butler's pantry. It's a space that is open yet warm where I can cook and socialize at the same time or just settle in and be comfortable in the morning and in the evening. It's a space that's filled with wonderful memories of family and friends. It's also a space that I'm very proud of. It's a reflection of my inner self, so, through admiring it, I'm admiring my own spirit. This is what I offer to my clients, a place where they can feel inspired, feel present, feel comfortable and safe and see in it, a reflection of themselves.
Who are your favorite designers (past and/or present)-those that have inspired you?
I am often asked this question, and, I have a very hard time answering it. I was never a student of other people's work, although I studied some of them throughout school, but, I never focused on who they were and therefore could never really remember names. All I remembered was the visual stimulation and what I got from it that I incoporate into my own work. So, I'm funny that way, I'm kind of on my own island focusing mainly on my work. Just the other day, someone was asking me about this designer and that artist and I didn't know most of them, which was a little strange to this person (and a bit embarassing). One time years ago, I went to the Interior Designer Awards in NYC, and, I hardly knew any of them. I guess I don't compare myself to anyone, just like my signature in design, which really is, "no signature at all" . Every design that I work on is unique and original and solely based on any inspiration in the moment of its creation. I so have to say, that years ago, I was blown away by Fu Tung Cheng's work, he's an architect, kitchen designer and has a line of hoods that are fabulous and also sells concrete counter tops, fireplaces, walls, and other items that are simply elegant. When you look at this, you'll see what I mean! I also admire the work of my architect, Amy Gardner.
What's your personal design style?
Another difficult question, since, I appreciate all design as long as it's done well. My personal design style tends to change based on my life experience or based on what I'm exposed to. I have to say that I now prefer clean and warm contemporary, a preference that I can thank Amy Gardner for, the architect for my major home renovation. Has it evolved over time? Yes, it certainly has, and, the only way that it couldn't have evolved is if I were either stuck in a rut or dead! I've gone from leaning toward classical/traditional style to the clean and warm contemporary style.
I believe that the absolute joy of living this life is the evolution of our spirit through our lives by being open to learn and being open to give ourselves the freedom to welcome all experiences, good , bad or different. The reason I'm getting a little deep here is because, I've witnessed clients, and, other professionals, who are afraid to try something different than what they are comfortable with or have been surrounded by all of their lives. These people will say, "you know, I really love these contemporary kitchens, but, I'm afraid to do it in my own home." I have to admit that I too, was kind of like this when I approached Amy to take charge of my renovation since my house is a very traditional bungalow.
I honestly thought that I had no choice in the matter since the kitchen needed to compliment this very traditional American style. She knew that I had an affinity for Asian contemporary, particularly Japanese contemporary, through our initial conversations. When we had our first meeting to discuss the exterior of the house, I was totally and completely amazed! I had learned through school that Japanese architecture was an inspiration for the American Bungalow style, BUT, I had forgotten about this. Well, Amy reminded me about the history of the Bungalow style(she's also a professor of architecture at the University of Maryland). I was pleasantly surprised because here I have a Bungalow and I also love Japanese architecture! So, she got out the elevations of the front of the house, and, VOILA, my bungalow was turned into a Japanese Tea House that still looked like a bungalow! And then, she told me that the addition on the back can be contemporary, which pleased me even more. So, Amy did for me that which I do for my clients…a sign of a true professional…she tuned into my likes and dislikes and brought out in my project that which resonated with me! Finally, the contemporary design in the back where the new kitchen would be located, allowed us to design a contemporary kitchen and this, for me, was a Breath of Fresh Air! So, you see, if I stayed locked into my traditional taste and didn't allow her to explore a different style than I expected, then, I would have missed the opportunity for my style to evolve.
Many of us have a product we've bought for our home-that now makes us think-"what was I thinking" – do you have one?
Yes, I certainly do, even designers make these mistakes. I remembered a cowhide rug that my parents brought back from brazil. I was always fond of it and thought that this type of rug would look great in my new family room. I found a company (Kyle Bunting) that makes these rugs in all kinds of absolutely beautiful patterns and colors. I was in awe and just had to get one, so, I did. What I didn't realize is that these rugs are only good to use in low traffic areas since, otherwise, they'll eventually go bald, literally! I made that same mistake with my Corbusier Lounger, it has pony hide on it, and, that's balding too. Then, the whole animal skin theme these days is really not kosher if it's authentic. This I realized when I brought a client over who is active in the Humane Society and is a vegetarian, and, the worst moment was when I showed her my sheep skin rug in my bedroom (made by Kyle Bunting). It was an aha moment for me. I justified it by saying, well, at least I'm honoring the animal by putting it's hide to good use and admiring it. That went over like a lead balloon!
I also… 1. put a second dishwasher in the butler pantry, and, I never use it. 2. put a dark cork floor in the upstairs addition and it's fading from the sun that comes in the sliding glass door. 3. Put a tub with a wood surround in my very large master shower and the wood isn't treated well enough to withstand the moisture. I assumed that if it's made to go around a tub that they used a Durata finish which is impenetrable. So, I should have asked. 4. Put in a prep sink with a pot filler that never gets used (was hoping my husband would make salad while I cooked…yeah, right!) 5. Oiled and waxed the reclaimed oak floors instead of polyurethane, it looks absolutely beautiful…for the pictures. Needs to be re-waxed at least twice a year. I was told about this, but, did it anyway. This is a good example of form over function, and, I'd probably do it again knowing me. We put in a stereo system, not thinking about new technology like Apple TV or similar technology.
Describe your dream room.
I didn't think that I had one, but, after thinking about it, I actually do!
I'd love to have a master bath combined with the master bedroom that is a contemporary Asian style, somewhat minimalist. The bed and bathroom would be one big room divided by a large but very simple double faced limestone fireplace. It will also have a glass Nana wall all along the back, the entire span of the bath and bedroom, as well as on the end of the just the bathroom which would allow the walls to be completely opened up to the outdoors on one long and one short wall. It would have a water feature on the opposite long wall, almost the entire length of the room, that runs down a horizontally ridged granite wall so that the water would have a ripply, fairly quiet, sheet of water flow along the entire granite slab. The water would flow under the room and then come out at the back in a troth through the deck and patio and into a medium si zed outdoor infinity pool. There would be a beautiful garden with bamboo and fragrant flowers, like orange blossoms, when in bloom.
Going back into the interior, the ceiling would have dark reclaimed walnut beams that sit on square posts in various places and at the corners of the room. One of these would go between the two Nana walls that open up. there would be another large double faced limestone fireplace, very simply done, on the back wall near where the water flows out into the troth. There will be reclaimed wide plank walnut floors stained fairly dark. Close to the interior fireplace will be a platform made using limestone with two very wide steps up, and, in the middle would be a recess that would contain a teak Ofuro soaking tub large enough for two, sunken down a bit with a 12″ border of loose, heated, black river rocks surrounding the tub at the bottom. The shower would have two parts to it, one part would be completely open, near the ofuro tub, and, the other part would have glass to the ceiling and would contain a steam feature.
The bedroom would have the master closet at the short end, the entire wall will have sliding, shoji-like doors, made using natural teak and frosted glass. Behind these doors will be a very well organized master closet with a large, square, teak chest of drawers in the middle of the room and a combination of teak shelves, drawers and hanging rods around the perimeter. The floor will be a rug that looks and feels like a tatami matt.
The furniture would be built in, a fairly low bed, recessed in the floor much like the ofuro soaking tub and built in teak tables with beautiful rice paper hanging pendants for lighting above the end tables. There would be a built in, low bench with a back on it and is the right size for a double futon. This bench would be low like the bed and will have many large throw pillows on it, comfortable for lounging, napping or reading a book. It would also be able to be adjusted up to a higher level to the correct height for massages.
I have to go now and start drawing this room, LOL!
What are your favorite blogs or home design/improvement websites?
I am a loyal fan of your website, you offer people informative, meaningful and realistic information. I have my own blog, but, am having difficulty finding time to keep up with it. Once I have more viewers and participants, I think that will inspire me to be more loyal to keeping it updated. The only other blog that I like is the one from one of my cabinet lines, Premier Custom Built, and the Premier CB designer's Blog. Their website is wonderful too. If you'd like to see my house, and, get more inspiration checkout Amy Gardner's projects. For lighting fixtures, I like to go to Lighting Universe . It's fun to look at rugs at Kyle Bunting's site. If you're curious about wall systems, then go to Nana Walls. For more inspiration, go to Cheng Designs , or my website, Jennifer Gilmer There are so many more websites that I like to use, but, these are the ones that come to mind at the moment.
What are your favorite books, design shows and/or magazines?
Sarah Susanka and all of her "Not So Big House" books. She shows one of my projects in the Home by Design book which I did in Pescadero, CA. It's an Asian style, of course. I also like Fu Tung Chengs books and another designer, Mick de Guilio, has a new book out which I haven't had a chance to read yet, but , I'm sure that it's a good one. I like a lot of magazines, I like Southern Living (they featured my house in this last October issue), and Trends, Trends Bathrooms, Trends Kitchens, Elle, Dwell our local publication, Home and Design I'm sure there are more that I'm not recollecting at the moment.
Do you have a kitchen or bath design or remodeling tip you'd like to share with The Decorating Diva.com readers?
Yes, use a kitchen designer, don't DIY unless you've done it before on your own. Don't hesitate to go to a high end firm to consult about your kitchen, always bring a copy of your space to scale, or, a sketch of the space with dimensions written in. Make sure the designer is listening to you, if not, don't use that person and go to the next place. If you find one who listens, then, make sure you find out if they are good at following through with details, for instance, do they call you right back or reply quickly to emails? Ask them what other professionals work with them (architect, interior designer, contractor) since this is alone can be a good sign of their ability, but, it's also a good idea to call that professional to inquire about who you're selecting to work with you.
Contact Details:
- Website: Jennifer Gilmer Kitchens
- Jennifer's Kitchen Design Blog
- Kitchen Design Online
- Jennifer's Column 'Kitchen Design Secrets Revealed' on The Decorating Diva.


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Dr. NTR UNIVERSITY OF HEALTH SCIENCE


text:
Chapter One: The Gift of Letting Go
Deep breath. Adoption.
I knew this wouldn't be an easy subject to write about, even though it's Chapter One of my story. The subject is bittersweet, poignant and if over-examined, can become a sappy made-for-TV movie titled, "I Love Family Long Time!" (Brace yourself for some tongue-in-cheek ethnic humor. Don't get me wrong, I'm proud of my culture and have taken a few jabs for it. I also feel I've earned the right to ask a Chinese girl at LAX why her outfit looks like it was rescued from a pile of debris, yet she's carrying this season's $2,000 Gucci handbag.)
But I digress…
Adoption is a difficult subject to write about because of its complex duality—its joy is rooted in another's loss. It's a story that begins with another's end, and whether it's domestic or international adoption, the central character is the child who is given love through two conflicting actions: letting go and taking hold. See? Tricky. I believe to really understand adoption, one has to be a character in its plot.
Can I stop a second to tell you how much I love this photo of Katherine Heigl and her daughter Naleigh? It reduces me to a puddle of blubbering, happy tears EVERY SINGLE TIME.So, my Chapter One, abridged: I was born in Seoul, South Korea, in 1978. My birthmother was single, destitute and without family support. According to my adoption papers, her only wish/blessing/request was, "Please make sure she has a sweet home." I can sense how helpless and alone she must have felt. My heart aches deeply as I imagine her making the final decision to leave the hospital with empty arms.
From there, I was sent to a Korean orphanage where I spent the first few months of my life. Soon after, I was adopted, sent to America and landed in the smack-dab middle of the map, the Midwest, where the term "smack-dab middle" is used A LOT.
This is the very first photo my parents received of me before I arrived. My birth name is Hyo Bee Im, which translated means "Modest Queen." However, I'm pretty sure the more accurate translation is "Sriracha Sarah."
My "sweet home." AKA, Lovely Mom and Dashing Dad.
Here's me, adjusting poorly to my Javier Bardem, "No Country for Old Men" unibangs. Long live the torrid '80s.
So I grew up in a small city in the Smack-Dab Middle and was part of the 0.000005% Asian population in my town. I think there were others. I'm not sure. Maybe I kept seeing the same one. Sadly, we never connected or formed an Asian gang.
Truly, I am very proud and honored to be adopted. When I think of those I lived with in the orphanage who remained there, well, I just can't go there. Also, I don't think adopted kids are more special than anyone else. They just took a longer route to get home.
This post is the beginning. Others will follow. I want to write to parents who have adopted children (or are thinking about adopting), and those of you out there who are adopted. I'm currently in the process of doing an in-depth search to locate my birth mom in Korea. Hopefully I'll have some updates next time we meet.
So, consider this post a first date. Let's do this again soon, yes? I'll call you. Promise.
Thank you for tuning in, HelloGigglers, and for following me on this journey.
Photo via istock.com
Photo via posh24.com


text:
Alikunhi, K H and Chaudhuri, H and Ramachandran, V (1955) On the mortality of carp fry in nursery ponds and the role of plankton in their survival and growth. Indian Journal of Fisheries , 2 (2). pp. 257-313.
As in China, collection of millions of early fry of major carps from rivers and stocking them in nurseries for rearing is a common |practice in India, particularly in Bengal, Bihar and Orissa. Different types of ponds, small or large, seasonal or perennial, shallow or deep, are used as nurseries; and different methods of preparation of the ponds are followed. There is, however, very little reliable information about these practices, most of which are known only to a few farmers who keep the information as family secrets handed down from generation to generation. On such important aspects like the density of stocking and percentage of survival, also, our information is meagre. Even the expert fish farmer is unable to ensure that his nursery pond will yield a satisfactory return every year.
|Item Type:
|Uncontrolled Keywords:
|mortality; carp fry; nursery ponds; plankton; growth
|Aquaculture > Hatchery
|CMFRI-Cochin > Mariculture
|ID Code:
|Deposited By:
|Dr. V Mohan
|Deposited On:
|12 Aug 2010 16:30
|Last Modified:
|12 Aug 2010 16:30
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