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The American Fiddle Method, Volume 2 - Fiddle DVD. (Intermediate Fiddle Tunes and Techniques). By Brian Wicklund. For Fiddle. Methods. American Fiddle Method. Bluegrass & Country. Intermediate. DVD. Duration 118 minutes. Published by Mel Bay Publications, Inc (MB.99472DVD).
Brian Wicklund is widely regarded as one of the top fiddle teachers in the country. He shares his knowledge in this DVD supplement to his critically acclaimed American Fiddle Method Volume 2. Brian continues and expands the skills introduced in Volume 1 and shares his pointers and shortcuts to help you learn to play the right stuff faster and better. Contents include: 27 intermediate/advanced tunes, rhythmic slur combinations; tricks for playing in tune; secrets of great tone; fluid bowing; backup and chops; playing in flatted keys; and powerful double stops.
Instruments: Violin, Fiddle, Strings, Folk
Genres: Americana, Bluegrass, Folk, Country
The American Fiddle Method Vol. 2 Piano Accompaniment by Brian Wicklund and Bob Walser. For Keyboard (Piano). Methods. American Fiddle Method. Bluegrass & Country. Beginning. Book. 72 pages. Published by Mel Bay Publications, Inc (MB.99472PA).
ISBN 9781840038774. Bluegrass & Country. 8.75x11.75 inches.
Private studio teachers, school string programs and Suzuki teachers preparing for recitals will welcome these tasteful piano accompaniments for the violin, viola and cello editions of Volume 2 of Brian Wicklund's American Fiddle Method. Acknowledged as the most widely used fiddle method in the country, Wicklund became aware of the increasing demand for a parallel piano accompaniment series and engaged his friend Bob Walser to take on the task of writing it. Collaborating closely with Wicklund, Walser was encouraged to adhere to the chord progressions suggested in the original books, but given leeway to add interesting variations in rhythm and harmony. The result is a book of arrangements that welcomes pianists to the jamming circle. Piano playing teachers, parents and siblings can now join in the fun, and fiddle tunes can be featured in concerts and recitals with the support of an accompanist. In addition, principals of accompaniment learned by playing these arrangements can be applied to accompanying other tunes, the voice or other instruments. The American Fiddle Method itself provides the beginner with the elements needed to become a proficient fiddler. Based on many years of teaching experience, the author introduces concepts and techniques that yield solid results. This method encourages creativity in the student by including variations of the tunes to illustrate how they can serve as a basis for improvisation.
Pages: 72
Instruments: Piano Accompaniment, Organ, Fiddle, Piano, Piano and Keyboard, Folk
Genres: Americana, Bluegrass, Folk, Country
Modern 5-String Banjo Method Grade 1 Book/2-CD Set by Alan Munde. For Banjo (5-String). Methods. Modern Method. Bluegrass. Beginning. Book/CD Set. 112 pages. Published by Mel Bay Publications, Inc (MB.21639BCD).
ISBN 9780786677689. Bluegrass. 8.75x11.75 inches.
This method is designed for learning the finger style five-string banjo in a larger musical context than previous single style based methods. The Modern 5-String Banjo Method builds the theoretical and technical foundations needed to play in many styles. Beginning with a thorough grounding in the scales and chords coupled with well thought out fingerings in the keys of C, Am, and G, the student is presented with melodies, chord melodies, the folk strum, arpeggios, and the beginnings of the bluegrass banjo style. The varied and beautiful musical studies and exercises come from many traditions and offer a logical and organic approach to learning the five-string banjo leading the student to an authentic understanding of the processes and techniques needed for creating music on the five-string banjo. The Modern Method for Five-String Banjo is in tablature only.
Pages: 112
Instruments: 5-String Banjo, Banjo, Folk
Genres: Bluegrass, Country
Bluegrass Mandolin by Various. For mandolin. Instrumental Solo Part and CD. Published by Music Minus One (MO.MMOCD5303).
Here are some of the great classics for bluegrass mandolin. Listen to these wonderful interpretations, then you pick up your mandolin and play with the band!
Instruments: Mandolin, Folk
Genres: Bluegrass, Country
Texas Style Fiddlin' Workshop Book/CD Set by Jeanine R. Orme. For Fiddle. Technic. Country. Intermediate. Book/CD Set. 80 pages. Published by Mel Bay Publications, Inc (MB.20315BCD).
ISBN 9780786677450. Country. 8.75x11.75 inches.
This book was written to be used as a learning tool and a reference for intermediate level fiddle players who have reading ability. It presents tunes with bowing and fingering specific to this style, and progresses in difficulty with each tune. This book provides information about bowing styles and playing in fiddle contests. Many of the tunes are transcribed from the playing of Herman Johnson, a five time National Fiddle Champion, as well as other great fiddlers. Using the CD that is included with this book will be helpful for understanding the bowings and the style of the tunes. The tunes are played by Jeanine Orme at a moderate tempo. --Learning tool and a reference for intermediate level fiddle players --Presents tunes with bowing and fingering specific to Texas-style fiddling --Book progresses in difficulty with each tune --Tunes appropriate for fiddle contests --Many tunes in the style of Herman Johnson and other great fiddlers.
Pages: 80
Instruments: Violin, Fiddle, Strings, Folk
Genres: Country
Bluegrass On Hammered Dulcimer by Jeanne Page. For Dulcimer (Hammered). Solos. Bluegrass. Intermediate. Book. 56 pages. Published by Mel Bay Publications, Inc (MB.20807).
ISBN 9780786668502. Bluegrass. 8.75" x 11.75" inches.
Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as "A Man of Constant Sorrow," "Angel Band," "Keep on the Sunny Side," and "Will the Circle be Unbroken," are included along side hot instrumentals such as "Jerusalem Ridge," "Rawhide," "Big Mon," and "Blue Grass Stomp." Even traditional tunes that you think you know already such as "Bill Cheatham," "Farewell to Whiskey," "Forked Deer," and "Salty Dog" are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes and performing them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass style and players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only.
Pages: 56
Instruments: Hammered Dulcimer, Dulcimer, Folk
Genres: Bluegrass, Country
First Jams: Fiddle by Lee Drew Andrews. For Fiddle. Improvisation. First Jams. Bluegrass. Beginning. Book/CD Set. 24 pages. Published by Mel Bay Publications, Inc (MB.22079BCD).
ISBN 9780786682409. Bluegrass. 8.75" x 11.75" inches.
The First Jam series was created to give children and beginners of all ages a book of simple, common tunes to learn. These are standard "Jam" tunes in the Bluegrass/Old Time music styles. All the books in this series are written in the same keys; they can all be played together without any problems. So get your friends or family who play guitar, fiddle, mandolin, banjo, ukulele, dulcimer or Dobro together, grab these books and start jamming. Improvisation - Another idea behind writing the First Jam series was to provide a number of tunes that were easy to learn, but that are also a great to begin working on improvising. Each books offer the melody for that particular instrument as well as back-up chords for another instrument to accompany you. Each song is represented in notation with chord symbols. The accompanying CD has two tracks for each song. The first playing the song with the melody line, the second track offers just the backup so you can play the melody over it or even improvise. Tunes include: Cripple Creek, Old Joe Clark, Will the Circle Be Unbroken and many more.
Pages: 24
Instruments: Violin, Fiddle, Strings, Folk
Genres: Bluegrass, Country
Fiddling Chords Made Easy, Large Print Edition by William Bay. For Fiddle. Chord Book. Bill's Music Shelf. Country. Beginning. Book. 96 pages. Published by Mel Bay Publications, Inc (MB.22092).
ISBN 9780786681914. Country. 8.5x11 inches.
A comprehensive 96-page, large print perfect-bound chord dictionary for today's fiddle player. Contains basic major, minor and dominant 7th chord forms plus extensions such as minor 7b5, 9th, 11th, etc.
Pages: 96
Instruments: Violin, Fiddle, Strings, Folk
Genres: Country
By Karl Kurth and Neil Griffin. For Banjo (5-String). Solos. Bill's Music Shelf. Bluegrass. Beginning. Book. 96 pages. Published by Mel Bay Publications, Inc
Pages: 96
Instruments: 5-String Banjo, Banjo, Folk
Genres: Bluegrass, Country
Bluegrass Fiddle and Beyond. (Etudes and Ideas for the Modern Fiddler). For Fiddle, Violin. Berklee Guide. Softcover with CD. 50 pages. Published by Berklee Press (HL.50449602).
ISBN 0876391080. 9x12 inches.
Improvise with more expression and freedom in bluegrass and related styles. These ideas, exercises, and etudes will help you expand your palette of improvisational techniques and sounds. Develop your fingerboard versatility, and master harmonic and rhythmic ideas on the violin. The CD has demonstration and play-along tracks, performed by an all-star bluegrass band. You will learn to build solos using techniques such as: uncovering a melody's most defining notes, and using them in a new context; reharmonizing chords and changing modes; breaking down, rearranging and varying melodic and rhythmic cells; using position shifts, string crossings and double stops; drawing from tetrachords, guide-tone lines, and other constructs.
Pages: 50
Instruments: Bluegrass Fiddle, Fiddle, Folk
Genres: Bluegrass, Country
101 Ukulele Licks. (Essential Blues, Jazz, Country, Bluegrass, and Rock 'n' Roll Licks for the Uke). For Ukulele. Ukulele. Softcover with CD. 48 pages. Published by Hal Leonard (HL.696373).
ISBN 1423482646. 9x12 inches.
From blues to bluegrass, uke can play it all! In this one-of-a-kind book and CD pack, you get over a hundred authentic licks notated for the ukulele in standard notation and tablature. Plus there are tons of extras – common chord progressions, scales, uke history, recommended listening, information on uke builders, blogs, websites, and more! The accompanying CD features a demo of every lick, as well as play-along tracks with chord progressions for practicing and jamming.
Pages: 48
Instruments: Ukulele, Folk
Genres: Bluegrass, Country
Alfred's Teach Yourself to Play Ukulele, C-Tuning. (Everything You Need to Know to Start Playing Now!). By Morton Manus and Ron Manus. For Ukulele. Book; CD; Method/Instruction; Ukulele Method or Supplement. Teach Yourself Series. Blues; Country; Folk. Beginner. 64 pages. Published by Alfred Music Publishing (AP.37133).
ISBN 0739077538. Blues; Country; Folk.
Learn to play the ukulele and open up a brand new world of musical knowledge with this exciting method from Alfred. Beginners of all ages can start their journey to a lifetime of musical enjoyment. Beginning with the fundamentals, you will learn about the history of the ukulele, its components, how to hold and tune it, and getting acquainted with standard musical notation. You will then move right along to playing different notes, chords, scales, and songs, lesson by lesson, all while continuing to increase your ever-growing knowledge of reading and understanding standard musical notation and playing a variety of well-known songs. You will learn different strumming techniques to help you play in a variety of musical styles. The book also contains a section teaching you how to play by ear. Upon completion of the book, you will be able to play your favorite songs on the ukulele in any key and know how to read music. The book features the following resources for reference during and after your lessons: * Transposition chart* Dictionary of tablature techniques* Ukulele fingerboard chart* Complete ukulele chord dictionary The accompanying CD includes beautiful recordings of all the music in the book and can be played on your CD player or downloaded to your iPod® or other mp3 player.This book teaches entirely in C tuning. The D tuning edition of Alfred's Teach Yourself to Play Ukulele (item 14135) is available from your favorite music retailer and at Alfred.com. Be your own teacher, and let Alfred be your resource every step of the way.
Instruments: Ukulele, Folk
Genres: Blues, Country, Folk, Jazz & Blues
Famous Fiddle Solos Made Easy - Big Note/Large Print Edition by Craig Duncan. For Fiddle. Solos. Bill's Music Shelf. Country. Beginning. Book + Online Audio. 64 pages. Published by Mel Bay Publications, Inc (MB.22145).
ISBN 9780786682843. Country. 8.5" x 11" inches.
This big note, large print book offers 43 traditional fiddle solos in standard notation with chord symbols. Selections include: Arkansas Traveler; Back Up and Push; The Blarney Pilgrim; Beaumont Rag; Bill Cheatham; Billy in the Lowground; Blackberry Blossom; Bonaparte's Retreat; Cotton-eyed Joe; Cripple Creek; Down Yonder; Dill Pickle Rag; Drowsy Maggie; Durham's Bull; Eighth of January; Fisher's Hornpipe; Fire on the Mountain; Garry Owen; Haste to the Wedding; Jolie Blond; Maidens Prayer; and more. The free on line audio recording available from the publisher contains performances of all the tunes in the book.
Pages: 64
Instruments: Violin, Fiddle, Strings, Folk
Genres: Country
Beyond Bluegrass Mandolin. (Etudes and Ideas for the Modern Mandolinist). For Mandolin. Berklee Guide. Softcover with CD. Guitar tablature. 64 pages. Published by Berklee Press (HL.50449609).
ISBN 0876391137. With guitar tablature. 9x12 inches.
Improvise with more expression and freedom in bluegrass and related styles. These ideas, exercises, and etudes will help you expand your palette of improvisational techniques and sounds. Develop your versatility over the fingerboard, and master harmonic and rhythmic ideas on the mandolin. The CD has demonstration and play-along tracks, performed by an all-star band.
Pages: 64
Instruments: Mandolin, Folk
Genres: Bluegrass, Country
Beyond Bluegrass Banjo. (Etudes and Ideas for the Modern Banjo Player). For Banjo. Berklee Guide. Softcover with CD. Guitar tablature. 72 pages. Published by Berklee Press (HL.50449610).
ISBN 0876391188. With guitar tablature. 9x12 inches.
Play and improvise with more expression and freedom in bluegrass and related styles. These ideas, exercises and etudes will help you expand your palette of improvisational and compositional techniques and sounds. Develop your versatility over the fingerboard, and master rhythmic ideas on the banjo. The CD features demo and play-along tracks performed by an all-star bluegrass band!"This book opens up new vistas on the banjo, particularly useful for advanced players."– Tony Trischka, Banjo Great.
Pages: 72
Instruments: Banjo, Folk
Genres: Bluegrass, Country
School of Banjo: Bluegrass Melodic Style by Janet Davis. For Banjo (5-String). Methods. School Of. Bluegrass. Beginning-Intermediate. Book & 2-CD Set. 92 pages. Published by Mel Bay Publications, Inc (MB.21549BCD).
ISBN 9780786682706. Bluegrass. 8.75" x 11.75" inches.
The melodic style is a beautiful three finger picking style which can be traced to the early 1900's and became a fully accepted style for playing the five-string banjo in the 1960's, and is today an integral part of the three-finger style of many banjo players at all playing levels. Plus, the songs arranged in this style are easy and fun to learn. Although the melodic style may sound impossible with all of those notes coming from it, surprisingly you will find that it is not that difficult to learn and no previous musical knowledge is needed. This course covers the melodic style from the very basics of this picking style to the advanced techniques and provides many fun to play and well-known songs arranged in the three-finger melodic style for upper level beginning players through advanced level players.
Pages: 92
Instruments: 5-String Banjo, Banjo, Folk
Genres: Bluegrass, Country
Modern Mandolin Method Grade 1 by Joe Carr. For Mandolin. Methods. Modern Method. Bluegrass. Beginning. Book/CD Set. 64 pages. Published by Mel Bay Publications, Inc (MB.21497BCD).
ISBN 9780786678273. Bluegrass. 8.75" x 11.75" inches.
The mandolin is used in nearly every type of music today so it is a great choice of instrument whether you like jazz, folk, classical, country, bluegrass, rock, blues, Irish or many kinds of world music. Much of this music is available only in standard notation so that is where this book starts; TAB comes later. By learning the basic information presented in this volume, you will be prepared to approach any style. This book introduces the student to the instrument, explaining basics such as tuning and how to hold the instrument. The student is introduced to notes on each string and various left- and right-hand techniques. Chords, scales and arpeggios are introduced and students begin applying their new skills to real world repertoire in a variety of keys. 64 pages with audio.
Pages: 64
Instruments: Mandolin, Folk
Genres: Bluegrass, Country
My First Fiddle Picking Songs by Steve Kaufman and Conny Ottway. For Fiddle. Songbook. Bluegrass & Country. Beginning. Book/CD Set. 36 pages. Published by Mel Bay Publications, Inc (MB.20796BCD).
ISBN 9780786682980. Bluegrass & Country. 8.75" x 11.75" inches.
This fun and easy bluegrass fiddle book and CD takes you from the very beginning. Starting with an introduction to the instrument, the book teaches you basic fiddle technique such as holding the bow, and provides scales and exercises setting the foundation for the repertoire found in the book. Featuring classics such as "Boil E'm Cabbage Down", "Cripple Creek" and "Old Joe Clark", this book will get you playing in no time!
Pages: 36
Instruments: Violin, Fiddle, Strings, Folk
Genres: Bluegrass, Country
School of Mandolin: Bluegrass Classics by Joe Carr. For Mandolin. Solos. School Of. Bluegrass. Beginning-Intermediate. Book/CD Set. 32 pages. Published by Mel Bay Publications, Inc (MB.21999BCD).
ISBN 9780786682614. Bluegrass. 8.75" x 11.75" inches.
In this addition to the popular School of Mandolin series, author Joe Carr presents special arrangements of 29 classic bluegrass instrumentals The basic melody is presented using quarter notes and a maximum of four consecutive eighth notes resulting in very playable and true arrangements for beginning to intermediate players.
Pages: 32
Instruments: Mandolin, Folk
Genres: Bluegrass, Country
Starting Bluegrass Banjo from Scratch by Anonymous. Edited by Wayne Erbsen. For Banjo. Bluegrass. Student book. Tablature. 80 pages. Published by Carl Fischer (CF.PCB104).
ISBN 0825800013. With Tablature. bluegrass.
Pages: 80
Instruments: Banjo, Folk
Genres: Bluegrass, Country
Roy Clark Complete Bluegrass Banjo Bible by Roy Clark. For Banjo. Published by Santorella Publications (SP.TS113).
No one likes every style of music, but everyone loves the sound of the five string banjo. The pleasantly addictive twang of the instrument is unmatched in its ability to generate smiles and happiness. And the experience is even more fun when you're the one making those sounds. In the hands of a capable player, the banjo is a virtuoso instrument with a broad expressive range. An uptempo breakdown, a snappy jig, a plaintive blues, a pretty gospel song - - each different in its own way, but all equally at home on the banjo. For nearly half a century, Roy Clark has been counted among the kings of the five string banjo. From the National Country Music Banjo Championship in 1948 and 1949 to 25 years as co-host on the popular television show Hee Haw, Roy's banjo wizardry has long thrilled millions of devoted fans. Historically speaking, it would simply be impossible to name another person who has done more to advance the popularity of the five string banjo. You, too, can experience the joy of playing the banjo with the help of Roy Clark's Bluegrass Banjo Bible . Roy's "information packed" instruction book published by Santorella Publications is loaded with informative lessons and great bluegrass tunes. Roy Clark's Bluegrass Banjo method follows a logical, step by step approach that promotes systematic, efficient and enjoyable learning. This comprehensive, professional approach is sure to contribute to your musical versatility and growth in the years to come.
Instruments: Banjo, Folk
Genres: Bluegrass, Country
Complete Bluegrass Banjo Method CD by Neil Griffin. For Banjo (5-String). Methods. Complete. Bluegrass. Compact Disc. Published by Mel Bay Publications, Inc (MB.93345CD).
ISBN 9780786616190. Bluegrass. 5.5x5 inches.
A stereo recording which includes Acoustic Bass, Acoustic Guitar, and a Beat track as well as the 5-string Banjo. All songs and most exer- cises are included in this "teaching recording" at a slow enough pace that the student should, in a short time, be able to enjoy "playing along".
Instruments: 5-String Banjo, Banjo, Folk
Genres: Bluegrass, Country
Easy Banjo Solos Book/CD Set by Dick Weissman. For Banjo (5-String). Solos. Value Line. Bluegrass & Country. Beginning. Book/CD Set. 32 pages. Published by Mel Bay Publications, Inc (MB.96548BCD).
ISBN 9780786626946. Bluegrass & Country. 8.75x11.75 inches.
This book presents a selection of original 5-string banjo tunes that can be played by the beginning student familiar with basic chords in G tuning. The author introduces a variety of styles and banjo techniques including hammer-ons, pull-offs, string bending and slides - all in standard notation and banjo tab. Banjo chords are shown in diagram format and suggested chord changes for an accompaniment instrument are provided. With the exception of three frailing pieces, all selections employ the up-picking right-hand technique. A companion CD is included at the unbeatable Mel Bay Value Line price!
Pages: 32
Instruments: 5-String Banjo, Banjo, Folk
Genres: Bluegrass, Country
ASAP Fiddle Tunes Made Easy for Bluegrass Banjo. (Learn How to Play the Bluegrass Way). For Banjo. Fiddle. Softcover with CD. Guitar tablature. 44 pages. Published by Centerstream Publications (HL.1459).
ISBN 1574242601. With guitar tablature. 9x12 inches.
This book/CD pack provides beginning and intermediate banjo players with two versions of 18 of the most popular fiddle tunes heard at bluegrass jam sessions. The "basic" solos generally begin on the first beat, contain lots of quarter notes, and use only simple rolls. The "intermediate" solos use more 8th notes and complex roles, and require more difficult formations of the left hand. Tunes include: Arkansas Traveler • Old Joe Clark • Red Wing • Salt Creek • Soldier's Joys • and more!
Pages: 44
Instruments: Banjo, Bluegrass Fiddle, Folk, Fiddle
Genres: Bluegrass, Country


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Longhorn Leather Shop601 A Colombo St, Christchurch, New Zealand Phone: 0-3-366 6342 Website - Not Available Email - Not Available About Longhorn Leather ShopIf you have a question or comment about leather or suede service in the Christchurch area, contact Longhorn Leather Shop and find answers quick. Location Products & ServicesClothing - Fabric - Leather - Suede Photo GalleryNo photos have been uploaded yet. Latest Articles/NewsNo news or articles are available right now. [Listing #20875]
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This page contains Sonic Adventure Hints for Dreamcast called "Easy rings with E-102" and has been posted or updated on Oct 5, 2006 by Draegon. Let us know what you think of this Hint by thumbs voting.
- Developer: Sonic Team
- Genre: Action Platformer
- Release Date: Sep 9, 1999
- ESRB: Everyone
- Other Platforms
Easy rings with E-102
When you complete the game, go to the Egg Carrier by taking the boat from Station Square or the lower level of the Mystic Ruins train station. The boat is available when Egg Carrier crashes. Go to the place where the pool used to be located, then jump, hover, press X, and release. If done correctly, you should get some ring capsule shot. There are some on top of the pool, by the emblem. The pool room is by the Golden bridge.
Stuck on this game? Set a specific, clearly defined question and let others answer your question or view answers to previously asked questions. If you think you are an Sonic Adventure expert then please try to help others with their questions.
Sonic Adventure - Gameplay
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Sonic Adventure - Commercial
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Sonic Adventure - Cutscenes
- May 24, 2014, Views: 89
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The majestic appearance of the Linden tree inspired this Linden Single-Handle Pull-Out Sprayer Kitchen Faucet in Venetian Bronze, a fresh design that will bring life to any kitchen. This elegant yet approachable faucet brings a delightful personality to the kitchen. A toggle on a Multi-Flow wand increases the stream from the standard 1.5GPM to a higher flow to more quickly fill the sink as well as pots, vases, or other large containers. Toggle back to 1.5 GPM for normal, everyday use. The innovative Multi-Flow feature can be found on a variety of Delta kitchen faucets. Delta's exclusive DIAMOND Seal Technology uses a valve with a tough diamond coating. InnoFlex PEX waterways keep water inside the faucet out of contact with potential metal contaminants. This powerful combination brings you a faucet built to last up to five million uses. Only Delta faucets are equipped with Touch-Clean soft, rubber nubbins that allow you to easily wipe away calcium and lime build-up with the touch of a finger. The included escutcheon completes the ensemble for a more finished look.
Assembled Depth (in.) | 9.88 in | Assembled Height (in.) | 12.31 in |
Assembled Width (in.) | 10.5 in | Connection size (in.) | 3/8 In. |
Extension length (in.) | 54 | Spout height (in.) | 12.31 |
Adjustable flow rate | Yes | Built-in Water Filter | No |
Color Family | Bronze | Color/Finish | Venetian Bronze |
Commercial / Residential | Residential | Cover Plate Included | Yes |
Faucet Features | Adjustable Flow Rate | Faucet Included Components | Cover Plate,Handles,Supply Lines |
Faucet type | Kitchen Faucet | Flow rate (gallons per minute) | 1.5 |
Handle Type | Lever | Handles included | Yes |
Housing Material | Metal | Housing Material | Metal |
Kitchen Faucet Type | Pull Out | Number of Faucet Holes Required | 1,3 |
Returnable | 90-Day | Soap Dispenser Included | No |
Spout Reach (in.) | 9.88 in | Spout Type | High Arc |
Supply lines included | Yes | Touchless/Touch On | Neither |
Valve material | Ceramic |
Certifications and Listings | ADA Compliant,CSA Certified,IAPMO Certified | Manufacturer Warranty | Lifetime limited |
Standard Shipping includes delivery by small parcel service. Processing time varies by product.
Orders for this item may be expedited for an additional fee.
Other Delivery Options:
Express and Expedited shipping options are also available. Estimated arrival times are available in checkout.
If product is eligible for shipping to AK, HI and US Territories additional transit time and remote surcharges may apply.


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Technology Transfer Network - OAR Policy and Guidance
OAR Policy and Guidance Metarecord
Document Title/Subject:
Primary Copper Smelters: Air Toxics Rule: Final Rule Related Documents: |
Signed by: Administrator Christine Todd Whitman
Signature Date: May 15, 2002
Contact: |
http://www.epa.gov/ttn/oarpg/t3/fr_notices/pcs_fr.pdf URL(s): |
Regulatory Authority: Title 3 |
Division/Director: Emission Standards Division (OAQPS) / Sally Shaver |
Submitted By: Crumpler.Gene |
OGC Contact: Mike Thrift OGC Phone#: (202) 564-3596 |
Internet Contact: Jeff Clark |
Document Type: Proposed & Final Preambles & Rules, |
EPA Document Number: Federal Register: |
Supersedes: | ||
Subject Category: AIR |
Keywords: Metal processing industry Copper Smelting |
Terms: Air pollutants |
Abstract: The EPA is issuing a final rule to reduce emissions of toxic air pollutants from primary copper smelters. Primary copper smelting is the industry which refines copper concentrate from mined ore to anode grade copper, using pyrometallic processes. EPA's final regulation will reduce emissions of eleven toxic air pollutants, including compounds containing antimony, arsenic, beryllium, cadmium, chromium, cobalt, lead, manganese, mercury, nickel, and selenium. |


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Mass for Year 4 on Thursday 16 April.
Welcome to St Thomas More Catholic Primary School
Dear Parents
At St Thomas More Catholic Primary School we provide a welcoming and safe learning environment, one in which the talents of all children and staff are recognised and developed to the full. The children enjoy the learning process and are guided by caring, enthusiastic and highly motivated staff.
Click here for the full letter.


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Top off your child's game-day look with the New Era� Training youth bucket hat. This adjustable hat features a sporty contrast-colored brim and a strap under the chin. His favorite NFL� team's...More
Quick Glance | |
Product Type | Fan Headwear, Strap |
Age | Kids |
Football NFL Team | San diego chargers, san francisco 49ers |
Additional Specifications | |
Sizing Category | Junior's |
Equestrian Apparel | Hats |
Baseball National League | San diego padres, san francisco giants |
Ncaa apparel | Headwear |
Golf Club Users | Junior golfers |
Find, Compare, Read Reviews & Buy the Youth New Era San Diego Chargers Training Bucket Hat Online @ Yahoo Shopping Want to see your products in Yahoo Shopping? Advertise with us. Sitemap All Brands
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Welcome, Sign In
Brutal Baseball Bat Attack Caught On Camera
Description:A pair of women were attempting to enter their apartment complex when they were brutally attacked with a baseball bat. The man is seen on camera belting one woman in the head from behind before striking the other. (0:28)
Source: PIX11
Tags: attack on camera , baseball bat attack , brutal robbery , caught on camera


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Shickshinny Health
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I had lunch with several long-time readers and supporters of Sojourners, people who in their own lives have been living out the gospel for decades. It was a humbling experience for me to sit with these people -- many of them in their 70s -- and hear their stories of making a difference. The Sawyers of outside Boston and the Friends of outside Philadelphia talked of their work in housing advocacy, employment training, and women's empowerment, which have helped literally thousands of people in this and other countries. Mr. Sawyer even gave a local pastor at our table some impromptu advice on working with local zoning laws for a low-income housing development. Pragmatic, humble, hopeful people who have been getting things done for years, despite substantial obstacles. Just one moment at one table in an event that has brought together so many similar people and stories: people living out the Gospel, finding ways around the walls they encounter, and changing lives for the better. And then teaching the rest of us how it's done.
These are Legacy Christians, men and women who are leaving an impression in this world. May God bless them, and continue to work through them.
[1] http://sojo.net/blogs/gods-politics
[2] http://sojo.net/biography/ed-spivey-jr
[3] http://sojo.net/blogs/2009/04/27/m2ep-live-meeting-sojo-supporters#comment-covenant
[4] http://sojo.net/letter-to-web-editor?post=M2EP%20LIVE%3A%20Meeting%20Sojo%20Supporters
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Released: Mar 07th, 2008
Running Time: 137 Min.
Director: Khan Tusion
Companies: Pariah, Pariah Pictures, JM Productions
Leah Luv, Savannah Gold, Amber Rayne, Cassandra Cruz, Kurt Lockwood, Carmella Bing, Maria Belucci, Ben English, Eva Angelina, Chloe Chanel
Critical Rating: AAAA
Genre: Gonzo
This edition explodes out of the gate with an incredible session of sodomy in which colon-starved Amber Rayne makes even the incredibly slutty Leah Luv seem tame, while adding Kurt Lockwood to the pile only amps up the intensity. The three remaining scenes also totally deliver on the outrageous title of the series.


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Katherine Sessor
Katherine Sessor
(March 14,1990 / Virginia)
Is It Okay To Cry?
Since I was little, I was laughed at and teased
Just because I held my heart on my sleeves
Any single tears that fell from my eyes
They would shout, 'Look! She's about to cry! '
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My name is Mel and I am the voice behind MelRodStyle.com. I began my blog in 2010 as a creative outlet… sort of like a fashion diary to express my personal style, showcase my DIYs and inspiration. Since then, it has continued as a personal style blog as well as a place for me to document the things I love from fashion to beauty and everything in between.
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Genre/Form: | Sources |
Additional Physical Format: | Online version: German expressionism. New York : G.K. Hall ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, c1993 (OCoLC)622626419 |
Document Type: | Book |
All Authors / Contributors: |
Rose-Carol Washton Long; Ida Katherine Rigby; Stephanie Barron |
OCLC Number: | 26097548 |
Description: | xxiv, 349 p. : ill. ; 25 cm. |
Contents: | Pt. 1. Early Manifestations. I. First Identifiers. 1. Carl Vinnen, "Quonsque Tandem," from A Protest of German Artists, 1911. 2. Wilhelm Worringer, "The Historical Development of Modern Art," The Struggle for Art: The Answer to the "Protest of German Artists," 1911. 3. Paul Ferdinand Schmidt, "The Expressionists," Der Sturm, 1912. 4. Richart Reiche, "Foreword," International Exhibition of the Sonderbund, Cologne, 1912. 5. Max Deri, "Cubists and Expressionism," Pan, 1912. II. The Brucke. 6. E. L. Kirchner: program of the artist group, Brucke, 1906; "Chronicle of the Brucke," 1913; letter to Erich Heckel and Max Pechstein, March 31, 1910; letters to Gustav Schiefler, June 27, 1911 and March 16, 1913. 7. Karl Schmidt-Rottluff, postcard to Cuno Amiet, January 8, 1909, and letter to Gustav Schiefler, ca. 1913. 8. Erich Heckel letters to Franz Marc, Spring 1912 to Winter 1912/13. 9. Max Pechstein (transcribed by W. Heymann), "What Is Picasso Up To?", Pan, 1912. III. Neue Kunstler Vereinigung Munchen and the Blaue Reiter. 10. Wassily Kandinsky, "Foreword," Neue Kunstler Vereinigung exhibition catalogue, 1909-10, and untitled essay, The Struggle for Art: The Answer to the "Protest of German Artists", 1911. 11. Kubin-Kandinsky letters, May 5, 1910, and August 13, 1911. 12. Wassily Kandinsky and Franz Marc, preface (not printed), ca. October 1911, for the Blaue Reiter almanac; and Franz Marc, subscription prospectus, January 1912, for the Blaue Reiter almanac. 13. Franz Marc letter to Reinhard Piper, April 20, 1910, and to Wassily Kandinsky, October 5, 1912. 14. Paul Klee, "Exhibition of the Modern League in the Zurich Kunsthaus," Die Alpen, 1912. IV. Der Sturm. 15. Herwarth Walden, "Introduction," First German Autumn Salon, 1913, and letter from August Macke, April 21, 1913. 16. Adolf Behne, "German Expressionists, Lecture for the Opening of the New Sturm Exhibition," Der Sturm, 1914. 17. [Rudolf Blumner], from Der Sturm: An Introduction, 1917 -- Pt. 2. The Expansion of Expressionism. I. German Criticism through World War 1. 18. Ludwig Rubiner, "Painters Build Barricades," Die Aktion, 1914. 19. Paul Fechter, from Der Expressionismus, 1914. 20. Theodor Daubler, "Expressionism," Der Neue Standpunkt, 1916. 21. Hermann Bahr, from Expressionismus, 1916. 22. G. F. Hartlaub, "Art and the New Gnosis," Das Kunstblatt, 1917. II. Painting. 23. Essays by Franz Marc and Max Beckmann in Pan, 1912. 24. Ludwig Meidner, "An Introduction to Painting the Metropolis," Kunst und Kunstler, 1914. 25. Johannes Molzahn, "The Manifesto of Absolute Expressionism," Der Sturm, 1919. III. Sculpture / Stephanie Barron. 26. Ernst Barlach, excerpts from letters and diary, 1911-15. 27. Carl Einstein, from Negerplastik, 1915. 28. [Rudolf Blumner], "Expressionist Sculpture," 1917, and Oswald Herzog, "Abstract Expressionism," Der Sturm, 1919. 29. L. de Marsalle [E. L. Kirchner], "On the Sculpture of E. L. Kirchner," Der Cicerone, 1925. IV. Expressionist Architecture / Rosemarie Haag Bletter. 30. Bruno Taut, "A Necessity," Der Sturm, 1914. 31. Paul Scheerbart, from Glass Architecture, 1914. 32. Bruno Taut, from Alpine Architecture, 1919. 33. Erich Mendelsohn, letter to Luise Mendelsohn, August 26, 1917, and extract from Arbeitsrat lecture, "The Problem of a New Architecture," 1919. 34. From the Glass Chain letters: Bruno Taut, November 24, 1919; Paul Goesch, May 1920; Wenzil Hablik, July 22, 1920. V. Printmaking / Ida Katherine Rigby. 35. Gustav Hartlaub, from The New German Print, 1920. 36. L. de Marsalle (E. L. Kirchner], "On Kirchner's Prints," Genius, 1921. 37. Paul Westheim, "Kokoschka's Prints," Das graphische Jahrbuch. 38. Rosa Schapire, "Schmidt-Rottluff's Religious Woodcuts," Die Rote Erde, 1919. 39. Paul F. Schmidt, "Max Beckmann's Hell," Der Cicerone, 1920 -- Pt. 3. War, Revolution, and Expressionism. I. The War Experience / Ida Katherine Rigby. 40. Franz Marc, letters from the front, 1914-15. 41. Kathe Kollwitz, letter and diary entries, 1914, 1916, 1917, 1920, 1922. 42. Conrad Felixmuller, "Military Hospital Orderly Felixmuller," Menschen, 1918. 43. Ludwig Meidner, "Hymn of Brotherly Love," from September -- Cry, 1920. II. Critics, Artists and the Revolution / Ida Katherine Rigby. 44. Ludwig Meidner, "To All Artists, Musicians, Poets," Das Kunstblatt, 1919. 45. Herbert Kuhn, "Expressionism and Socialism," Neue Blatter fur Kunst und Dichtung, 1919. 46. Kurt Eisner, "The Socialist Nation and the Artist," An alle Kunstler!, 1919. 47. Georg Tappert, letter to Franz Pfemfert, November 23, 1918. 48. Editorial, Menschen, 1919. 49. Kathe Kollwitz, diary entries, 1918, 1919, 1920. 50. Hans Friedeberger, "The Artists' Posters of the Revolutionary Days," Das Plakat, 1919. III. Arbeitsrat fur Kunst. 51. [Bruno Taut], Arbeitsrat fur Kunst program, 1918 and Bruno Taut, from An Architecture Program, 1919. 52. Walter Gropius, "Architecture in a Free Republic," 1919; letters, to Dr. Walter Rathenau, February 23, 1919, to Ludwig Meidner, February 26, 1919; speech to the membership meeting of the Arbeitsrat, March 22, 1919. 53. Adolf Behne: "Unknown Architects," Sozialistische Monatshefte, 1919; "General Announcement" from the flyer for the periodical Bauen, 1919. 54. Questions from YES! Voices of the Arbeitsrat fur Kunst, and excerpts from the responses of Karl Schmidt-Rottluff and Georg Tappert, 1919. IV. Novembergruppe / Ida Katherine Rigby. 55. Draft of the manifesto of the Novembergruppe, 1918; circular letter, 1918; guidelines, 1919. 56. Max Pechstein, "What We Want," An alle Kunstler!, 1919. 57. Peter Leu, Guide to the Novembergruppe Art Exhibition, 1920. 58. "Open Letter to the Novembergruppe," 1920-21. V. Dresden Secession Gruppe 1919 / Peter Chametzky. 59. "Regulations," Dresden Secession, 1919 and statement of purpose, 1919. 60. Hugo Zehder, "The Journal 1919 Neue Blatter fur Kunst und Dichtung," and [Hugo Zehder?] and D. P. Sterenberg, "A Call from Russian Artists," 1919. 61. Walter Rheiner, statement of purpose for the journal Menschen, 1918, and "The New World," Sezession Gruppe 1919, 1919. 62. Conrad FelixmuIler, "To Art," Die Schone Raritat, 1918. 63. Otto Dix, letter to Kurt Gunther, ca. 1919. 64. Will Grohmann, "Prints of 'Gruppe 1919' Dresden," Menschen, 1919 -- Pt. 4. Reactions to Expressionism. I. The Weimar Bauhaus. 65. Walter Gropius, Bauhaus Program, 1919; speech to Bauhaus students, July 1919; [Anonymous], Bauhaus fund solicitation pamphlet, 1921. 66. [Anonymous], "The State Bauhaus in Weimar," supplement to the Thuringer Tageszeitung, 1920. 67. Johannes Itten, "Analyses of Old Masters," Utopia: Documents of Reality, 1921. 68. Oskar Schlemmer, letter to Otto Meyer, December 7, 1921; manifesto in the publicity pamphlet for the first Bauhaus exhibition in Weimar, 1923. II. Dada. 69. Hugo Ball, "Kandinsky," lecture, April 7, 1917. 70. Richard Huelsenbeck, "Dada Manifesto" [1918], Dada Almanach, 1920. 71. Raoul Hausmann, "The German PHILISTINE is Annoyed," Der Dada, December 1919. 72. Wieland Herzfelde, "Introduction," First International Dada Fair, 1920. 73. George Grosz, "My New Pictures," Das Kunstblatt, 1921. 74. Kurt Schwitters, "Merz-Painting," Der Zweemann, 1919. III. The Critics and the "Demise" of Expressionism. 75. Wilhelm Hausenstein, "Art of this Moment," Der Neue Merkur, 1919. 76. Wilhelm Worringer, from Current Questions on Art, 1921. 77. Iwan Goll, "Expressionism Is Dying," Zenit 1921. 78. G. F. Hartlaub, preface to catalogue of Neue Sachlichkeit exhibition, Mannheim, 1925. 79. Franz Roh, from Post-Expressionism, Magic Realism: Problems of Recent European Painting, 1925. IV. Expressionism and the Third Reich / Ida Katherine Rigby. 80. Kathe Kollwitz, excerpts from diaries and letters, 1933. 81. Paul Schultze-Naumburg, from Art and Race, 1928. 82. A. Rosenberg, "Revolution in the Visual Arts," Volkische Beobachter, 1933. 83. Robert Scholz, from Vital Questions about the Visual Arts, 1937. 84. Emil Nolde, letter to the president of the Prussian Academy of Arts, 1937. 85. Fritz Kaiser, Guide to the Degenerate Art Exhibition, 1937. V. The Left and the Debate over Expressionism in the Thirties |
Series Title: | Documents of 20th century art. |
Responsibility: | edited and annotated by Rose-Carol Washton Long with the assistance of Ida Katherine Rigby and contributions by Stephanie Barron, Rosemarie Haag Bletter, and Peter Chametzky ; translations from the German edited by Nancy Roth. |
More information: |
German Expressionism, one of the most significant movements of early European modernism, was an enormously powerful element in Germany's cultural life, stretching from the end of the Wilhelmine Empire to the rise of Hitler's Third Reich. While the movement embraced such diverse artists as E.L. Kirchner, Wassily Kandinsky, Kathe Kollwitz, and George Grosz, all the participants shared an almost messianic belief in the power of art to change society. Once hailed as modern and experimental, utopian and international, and anarchic and socialist, Expressionism later became characterized instead as apolitical, romantic, subjective, and wildly irrational. After the Second World War, art historians, disillusioned by the earlier ideological battles, tended to emphasize Expressionism only for its aesthetic viability. Recently, however, the parameters of Expressionism have undergone reevaluation and significant questions about the relationship of Expressionism in the visual arts to Germany's political and cultural history have been raised. But many of the basic documents have either not been translated into English or appear in editions no longer in print. Other important documents exist only in archives neither published nor catalogued and have therefore never been accessible to an interested public. Rose-Carol Washton Long has drawn together over eighty documents crucial to the understanding of German Expressionism, many of them translated for the first time into English. These documents, gathered from contemporaneous exhibition catalogues, group manifestos, letters, diaries, reviews, and critiques, help to explain Expressionism's power and presence in Germany's cultural life. Annotations prepared by Washton Long with the assistance of Ida K. Rigby, Stephanie Barron, Rose-Marie Bletter, and Peter Chametzky should provide a stimulus and guide for further study. Organized into four parts, the book begins by focusing on the reception of Expressionism before the First World War and includes essays by Wilhelm Worringer and Herwarth Walden. The second part, with essays by Rosa Schapire and Bruno Taut, concentrates on the spread of Expressionistic concepts from painting into the other visual arts. The third, with letters by Walter Gropius and Otto Dix, reflects the involvement of Expressionists with the extraordinary political, social, and economic events of this period. And the fourth part, drawing from material written by critics such as G.E Hartlaub and Georg Lukacs, testifies to the continuing impact of Expressionism upon Dada artists, Bauhaus educators, Neue Sachlichkeit definers, and political activists. This volume of documents superbly supplements and enhances the recent reinterpretations of German Expressionism by providing not only the dominant voices but also the paradoxical and contradictory tones that lie within any movement.
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What materials did you use? This is a project for the ones who love fine knitting and is using one of the new fashionable yarns by Vanna White named Glamour. As always could be substituted by any other yarn by the same or similar weight. This yarn was purchased through my knitting group. I fell in love with the sparkle and just had to have it not knowing what I was going to make. I gravitated towards yet another doll sweater and tried several decorative stitches and couple of various sweater shapes until I settled on the final version. I used 2 different colors of the same yarn.
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Smartphone Photos Emerge As True Art
Description:Mobile phone photography, better known as iPhoneography, is a snapshot away from becoming the newest form of art. Now leading magazines are publishing smartphone photos, and there are classes to enable you to get more from your Instagram app. (April 2) (2:24)
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- Training local politics, Ukraine
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Policy Papers
The EFF is member of the European Network of Political Foundations (ENoP). ENoP provides you with various papers outlining the work of political foundations. Please find the papers here: http://www.enop.eu/en/activities/enop-publications/policy-paper


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drives only in 1,3,5 gear
3 Answers
dandyoun answered 2 years ago
Probably broke selector cable. Not sure about yours but most Manuel trans use two cables one is a shifter and the other a selector. When one breaks it will not lift the linkage to select between gears. 1 3 5 is on either the up or down selection and 2 4 and reverse is on the other selection. Have some one watch cable ends at trans as you shift from 1 to 2. Both cables should move but I feel only one of yours is going to move. Hope this helps.
tenspeed answered 2 years ago
I had a problem with my GM manual transmission shifting recently. The GM unit uses two cables. One cable is the 1/N/2, 3/N/4, 5/N/R. The other cable moves it between the three gates. If VW uses a similar set up, both cables are attached. My problem was that the mechanism at the transmission needed lubrication. I oiled everything that moved and a few things that didn't. I got it freed up and put wheel bearing grease everywhere I could to keep it lubricated. If your cables both work, try lubrication.
Matthew answered 2 years ago
they dont have cables. check top of the gbox to make sure none of the clips have broke orpopped off the ball joints
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Please use this identifier to cite or link to this item: http://hdl.handle.net/1783.1/3430
Stencil mask design method and under bump metallurgy for C4 solder bump
Authors | Xiao, Guo Wei
Chan, Philip Ching-Ho |
Issue Date | 2006-11-14 | ||||||||
Source | US Patent, 7,135,355 B2, 2006 | ||||||||
Summary | A method for the fine-pitch stencil mask design for stencil printing bumping technology for eutectic Sn/Pb and lead-free solder material is described. In the method, a reflowing enhancement layer is introduced to improve the solder quality and reduce the pitch of solder bumps. The method of forming the layer is described as well as the forming method of matching under-bump metallurgy layer. The method of stencil mask design can match various sizes and pitch of the solder bumps. The designed mask is fixed on the stencil printer to deposit the solder materials with the required patterns. This method can increase the solder paste volume to increase the height of solder bumps after the reflowing process. | ||||||||
Subjects | |||||||||
Language | English |
Format | Patent | ||||||||
Access |
View details via HKUST Technology Transfer Center Patent SearchFiles in this item:


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If you have a general inquiry or would like to speak to a Bank Representative, please call your local bank.
Offices & ATM Locations
There are five locations for Bank of New Mexico. Grants State Bank has three branches conveniently located in Grants and Milan. Gallup State Bank is located in Gallup and Sunrise Bank of Albuquerque is located in downtown Albuquerque.
Grants State Bank (Main Office)
824 W. Santa Fe Ave.
Grants, NM 87020
(505) 285-6611
(877) 285-6611
(505) 287-2260 (Fax)
1 drive up and 1 in bank lobby
Grants State Bank (Roosevelt Office)
1015 E. Roosevelt Ave.
Grants, NM 87020
(505) 287-7884
1 drive up ATM
Grants State Bank (Milan Office)
609 W. Highway 66
Milan, NM 87021
(505) 287-9445
1 walkup ATM
Sunrise Bank of Albuquerque
219 Central Ave NW, Suite 100
Albuquerque, NM 87102


text:
Nessarose Thropp
this wiki
Nessarose Thropp | |
Also Known As |
Nessa |
Gender |
Female |
Hair color |
Brown |
Born |
Munchkinland, raised in Quadling Country |
Died | |
Family |
Melena (mother) |
Relationships | |
Title(s) |
Governor of Munckinland |
Job |
Witch, Governor of Munchkinland |
Affiliation | |
First appearance |
Wicked: The Life and Times of the Wicked Witch of the West (1995) |
Last appearance |
'Wicked: The Life and Times of the Wicked Witch of the West (1995) |
Portrayer |
Michelle Federer(original Broadway cast) |
Nessarose Thropp aka the Wicked Witch of the East is a character and antagonist originally from L. Frank Baum's 1900 book, The Wonderful Wizard of Oz and mostly the 1939 MGM film, The Wizard of Oz. She also appeared in the 1995 book titled Wicked: The Life and Times of the Wicked Witch of the West by author Gregory Maguire.
She is a main character in the novel and the very successful Broadway Musical of the same name, Wicked. Nessarose is the spoiled younger sister of Elphaba, aka the Wicked Witch of the West. In both the play and the novel, Elphaba is considered a pale, tomboy second to her very beautiful and attractive but delicately handicapped sister, and is often expected to put Nessarose's needs before her own.
In the novel, Nessarose and Elphaba have a younger brother named Shell who after the Wizard left, temporarily became Emperor of Oz until the long lost Princess Ozma was finally found and put back into her rightful place as the official ruler of Oz. In both the novel and the musical, Nessarose is called by the nickname Nessa, although in the book, she also goes by Nessie. During her rule of Munchkinland, she is dubbed "The Wicked Witch of the East ", for her one sided business deals and cruel ways and overall use of sorcery to control her people. In both the musical and the novel, Nessarose meets her demise when Dorothy Gale's farmhouse which was carried by a Kansas cyclone, unexpectedly lands in Oz and tragically crushes her to death. Thus, enabling Dorothy to become the new owner of her magic slippers. Unlike Wicked, the Wicked Witch of the East never made her appearance in L. Frank Baum's 1900 book titled The Wonderful Wizard of Oz, or its 1939 musical movie version by MGM, The Wizard of Oz. In both stories, she is only seen with her feet sticking out from under the fallen house. In the book she wore "Silver Shoes" while in the movie she wore "Ruby Slippers".
[show]Nessarose Thropp of OzEdit
In Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West, Nessarose was born at Colwen Grounds, and was the second child of Melena Thropp, and the eldest child of Frexspar The Godly, though her father believes her to be his second child. Like her older sister, she was born with a deformity, though her deformity was that she had no arms. It's implied this was due to the medicine that her mother took to prevent another green-skinned child. In the play production she is crippled in her leg and has to be pushed in a wheelchair. She spent most of her early life in the Quadling Country due to her parents' missionary work. Her mother died when she was young, and her father and Nanny lavish attention on her. Frexspar would later explain that this was because he did not know for sure whether she was his child, so he instead saw her as the child of him, Melena and her parents' lover, Turtle Heart, and a symbol of his love for both.
Shiz and Magic SlippersEdit
Nessarose is enrolled at Crage Hall at the tender age of fourteen, due to Nanny replacing Ama Clutch. she is described as fashionable, shy, proper, and as pious as her father. Because of her spoiled upbringing, Elphaba and Nanny insist on changing the room around for her, much to Glinda's chagrin. As a parting gift, her father sends her a pair of slippers decorated with silver glass beads. The slippers are dazzling and have a chameleon effect so that they appear in different colors according to the lighting. This is likely a tribute to the fact that the slippers are different colors in the Oz novels and the 1939 movie
Nessarose eventually becomes part of Elphaba's social circle, though her piety causes some conflict, mainly with Glinda's choice to study sorcery. After Ama Clutch's death, she is called into Madame Morrible's office and offered the chance to become an Adept of Magic, a secret ministerial position where she would reign from behind the scenes, though a spell is cast on her so she will not remember until the madame wishes. She is devastated by Elphaba's abandonment and takes comfort with Glinda, who becomes a close friend, though she also falls deeper into religion and drives away most of her other friends.
Becoming the Wicked Witch of the EastEdit
With Elphaba missing and presumed dead, Nessarose eventually inherits her great-grandfather's title of Eminent Thropp. During her reign in Munchkinland, she secedes from Munchkinland from Oz, and becomes the ruler of the newly formed nation. One day, Glinda comes for a visit and notices her slippers are coming apart, and casts a spell on them to fix them. This also gives Nessarose the power to walk without support. In addition, despite her religion conviction, she has become a sorceress, though she sees her magic as miracles from the Unnamed God.As Eminence, she regularly takes requests of magic from her subjects. One such act was to cast a spell on the axe of Nick Chopper, so that it would kill him. Nick Chopper would later become the Tin Woodsman because of the accident. When Elphaba visits her, she offers her a chance to stay with her and join her in ruling, though Elphaba refuses. She also promises to leave her slippers to Elphaba when she dies.
Due to her magical power, those who oppose her call her "Wicked Witch of the East", a title which she seems to take no offense to.
The Matter of Dorothy and The Aftermath of Her LegacyEdit
During a ceremony to honor perfect attendance at religious classes, Nessarose is killed when Dorothy Gale 's house falls on her. After her death, her ministers claim the title of Eminent Thropp is extinct, though their right to do this is dubious. She is also remembered negatively due to her use of magic and religious fervor to subdue her people. In the 1939 film The Wizard of Oz, the munchkin coroner examined her corpse and confirmed she's not only merely dead, she's really most sincerely dead. The Munchkins cheered by singing "Ding Dong the Witch is dead" and thanked Dorothy for killing her. However in Wicked, Glinda sent Dorothy back home to avoid being in trouble with killing Nessarose. By the time of Out of Oz, she is apparently become a national hero, which leads to Dorothy being put on trial for killing her.
In the MusicalEdit
When Nessa first appears, her father, Frex, gives her silver shoes to wear as a parting gift, while giving Elphaba nothing. Nessa, feeling guilty, tries to talk to her sister but is waved off. Madame Morrible, the headmistress of Shiz, has decided that since she is in a wheelchair and the favorite daughter of Governor Thropp,
it would be best for her to share Morrible's accommodations. No arrangements have been made for Elphaba, and Galinda accidentally offers to share her private suite. Elphaba is angry, as she has always looked after her sister. When Morrible tries to wheel Nessarose away, Elphaba uses her uncontrollable powers to bring her sister back to her. This impresses Morrible, who notes that Elphaba's talents may be of use to the Wizard of Oz; she promises to give Elphaba private sorcery lessons.
Fiyero, a Winkie prince, arrives at Shiz and immediately impresses his own brand of cavalier, carefree living on the students, organizing a party at a local ballroom. Galinda convinces a Munchkin student named Boq to take Nessarose to the party, more to avoid unwanted attention from Boq than out of any desire to be kind. Nessa has a crush on Boq and is so overjoyed to be invited that she asks Elphaba if there is any way to repay what she perceives as Galinda's kindness. Boq has no affection for Nessarose, and when he tries to tell Nessarose what happened, he ends up telling her how much he loves her because she predicts that he did it feeling sorry for her. At the dance, Elphaba arrives wearing the hat Galinda had given her, only to be ridiculed and laughed at, embarrassing Nessa. Nevertheless, Elphaba defiantly proceeds to dance alone without any music. After the dance, Galinda and Elphaba talk in their room. Elphaba reveals that her father hates her because of her green skin and that he had forced her mother to eat milk flowers to ensure that Nessarose was not born the same. The milk flowers caused Nessa to be born early, crippling her, and their mother had died in childbirth.
At the train station, Galinda, Nessa, Boq, and Fiyero see Elphaba off to the Emerald City. After Galinda says Boq will keep Nessa company during Elphaba's absence, Boq, claiming he can't "do this anymore" storms off angrily. Galinda tells Nessa that Boq might not be right for her, to which she replies that it is her that is not right. Nessa exits the stage, creating a chance for the actors to perform One Short Day.
Nessa isn't seen for a while afterwards, but finally reappears after Thank Goodness in Act II. Elphaba arrives at the governor's residence in Munchkinland seeking refuge, after being on the run for several years after defying the Wizard during her trip to the Emerald City, reluctantly trying to ask her father for help. But Nessa, now the governor of Munchkinland, harshly reveals that he died of shame due to Elphaba's actions at the Emerald City. Nessa refuses to help hide a fugitive, citing her status as an unelected official, and criticizes Elphaba for not using magic to help her overcome her disability. To assuage her feelings of guilt, Elphaba enchants Nessa's jeweled shoes, turning them from silver to ruby red and enabling her to walk. Boq, who is now Nessa's servant, is summoned and reveals that a ball is being held for Glinda and Fiyero's engagement and he must go tell that his heart lies with Glinda. Furious, Nessa casts a mispronounced spell from the Grimmerie, causing Boq's heart to shrink. While Elphaba attempts to save him, Nessa reflects on how her obsession with Boq has led her to oppress the Munchkin people. Elphaba saves Boq by turning him into the Tin Woodman – horrified, Nessa lays the blame on Elphaba, knowing that Elphaba is leaving not to free the Monkeys, but to find Fiyero.
This is her last live appearance, as she is soon after crushed by Dorothy's flying house caused by a tornado whipped up by Madame Morrible and dies.Book to Musical Differences Edit
Like many other characters in the Broadway adaptation of Wicked, Nessarose is portrayed very differently from the novel. She was originally played by Michelle Federer. In the musical, Nessarose is not chosen as a sorceress by Madame Morrible, and while the character of the musical does have arms, she is instead bound to a wheelchair. As in the novel, she is seen as beautiful, but the adaptation presents her as a more tragic character, attending Shiz University with Elphaba, who often embarrasses her in her attempts to "make a difference". In an effort to shoo away a persistent love-struck Munchkin named Boq so that her own relationship with Fiyero can develop, Galinda arranges a date between him and Nessarose. Thereafter, Boq unhappily becomes a point of love obsession for Nessarose, unlike in the novel, where she had little contact with Boq. Because her father was governor of Munchkinland, Nessarose takes control of the province following his death, and during her rule, she slowly becomes evil and tyrannical. She enslaves Boq, and in an attempt to use Elphaba's spells to punish him for professing his love for Glinda, accidentally causes his heart to disappear. As Elphaba begins to save Boq by turning him into the Tin Woodman, Nessarose declares herself 'The Wicked Witch of the East'.
As in the novel, Nessarose receives the magical slippers as a gift from her father, but they are enchanted by Elphaba, rather than Glinda, to give her the ability to walk. The musical does not refer to Turtle Heart or Shell, and thus it is implied that Nessarose was the legitimate child of Frex and Melena. The musical also shows that it was Madame Morrible who created the fateful cyclone, as a trap to draw Elphaba out of hiding.
It is also interesting to note that, in the novel, it is heavily hinted at that the Grimmerie comes from the other world (our world), and that Elphaba's ability to read only a portion of it is because of her half-human, half-Ozian birth. In contrast, in the musical, the Grimmerie is obviously a book from Oz (since it is stated that The Wizard cannot read it), though Elphaba is, once again, the only one who can read it (both Madame Morrible and Glinda admit that they either cannot or can only read very little). This would make Nessarose's ability to read it, albeit backwards, in the Wicked Witch of the East scene a bit incongruous.
Solos (In A Group Number)Edit
- Dancing Through Life (Fiyero, Glinda, Boq, Elphaba, and Students of Shiz)
- Wicked Witch of the East (Elphaba and Boq)*
- Dear Old Shiz (Glinda and Students of Shiz)
*Wicked Witch of the East is not on the Wicked Broadway Cast or any of the subsequent recordings.
Trivia Edit
- Nessarose's wheelchair changes from Act 1 to Act 2.
- Most understudies for Nessarose also understudy something else (i.e-Glinda, Elphaba, the Witch's Mother, etc)
- Marcie Dodd is the only actress to play both Nessarose and Elphaba full time.
- Both Eden Espinosa and Shoshana Bean, when the standby for Elphaba on Broadway, understudied Nessarose.
- The spell Elphaba uses to make Nessarose walk is Ambulahn Dare Pahto Pahpoot Ambulahn Dasca Caldapess Lahfenahto Lahfenahtum Pede Pede Caldapess (repeated).
- The wheelchair Nessarose has with her when she arrives at Shiz is actually being remote controlled by someone offstage. She is the one moving it until the person with the remote flips the switch turning on the remote. This particular feature is used when Elphaba is moving the wheelchair around. After this scene, she switches to a different wheelchair for the rest of act one. In the 1939 film when the Munchkin Coroner reveals her death certificate, it says she died on May 6, 1938. It is unknown if that's the year the story takes place or it is an homage to Oz author L. Frank Baum's death, he died on May 6 1919. In L. Frank Baum's 1900 book, the Wicked Witches of the West and East are not sisters.
- In the 2013 Disney prequel to the 1939 film, Oz the Great and Powerful, Nessarose's name was changed to Evanora and she is Elphaba's (Theodora's) sister, not half-sister. The prequel ignores the events of Wicked. She is played by actress Rachael Weisz.
Portrayers Edit
Broadway ProductionEdit
- Michelle Federer (2003-2006, 2009-2010)
- Cristy Candler (2006, 2007-2008, 2009)
- Jenna Leigh Green (2006)
- Brynn O'Malley (2008-2009)
- Jenny Fellner (2010-2011)
- Cristy Candler (2011, temporary)
- Jenny Fellner (2011-2012)
- Catherine Charlebois (2012-2014, 2015)
- Kelli Barrett (2014-2015)
- Arielle Jacobs (2015-Current)
Broadway Understudies:Edit
- Eden Espinosa (also standby for Elphaba)
- Shoshana Bean (also standby for Elphaba)
- Cristy Candler (also Witch's Mother)
- Tiffany Haas
- Stacie Morgain Lewis (also u/s Glinda)
- Megan Sikora (also u/s Glinda)
- Briana Yacavone (universal swing, also u/s Midwife)
- Robin Wilner
- Amanda Rose
- Lori Ann Ferreri
- Katie Webber (also Witch's Mother)
- Catherine Charlebois (universal swing)
- Jenny Florkowski
- Alicia L. Albright (Current-also Dance Captain, u/s Midwife, u/s Witch's Mother, Swing)
- Tess Ferrell (universal swing, also u/s Midwife)
- Emily Ferranti (also u/s Glinda)
- Brenda Jean Hamilton
- Desi Oakley (Current-also u/s Midwife, Swing)
1st National TourEdit
- Jenna Leigh Green (2005-2006; also u/s Elphaba)
- Jennifer Waldman (2006)
- Deedee Magno Hall (2006-2008)
- Kristine Reese (2008-2009)
- Amanda Rose (2009)
- Brynn O'Malley (2009-2010)
- Michelle London (2010)
- Stefanie Brown (2010-2011)
- Cristy Candler (2011)
- Emily Ferranti (2011-2012; also temp. u/s Glinda)
- Demaree Hill (2012-2013)
- Jaime Rosenstein (2013-2014)
- Jenny Florkowski (2014-2015)
1st National Tour UnderstudiesEdit
- Maria Eberline (also u/s Elphaba)
- Laura Dysarczyk
- Lori Holmes (also Witch's Mother)
- Erin Davie
- Chelsea Krombach
- Marcie Dodd (also u/s Elphaba)
- Ashley Fox Linton
- Stefanie Brown (also u/s Glinda)
- Kristine Reese
- Lesley McKinnell
- Emily Ferranti (also u/s Glinda)
- Catherine Charlebois (universal swing)
- Carla Stickler (also u/s Elphaba, standby for Elphaba)
- Brenda Jean Hamilton (Current-Swing)
- Courtney Iventosch (also Witch's Mother)
- Tess Ferrell (universal swing)
- Jenny Florkowski
- Laurel Harris
- Shayla Beck (also u/s Elphaba)
- Cassie Okenka (Current-also u/s Glinda)
Chicago ProductionEdit
- Heidi Kettenring (2005-2007, 2008-2009)
- Summer Naomi Smart (2007-2008)
Chicago UnderstudiesEdit
- Sara Jean Ford (also u/s Glinda)
- Jacqui Graziano
- Jennifer DiNoia (also u/s Elphaba)
- Megan Sikora (also u/s Glinda)
- Kate Loprest (also u/s Glinda)
- Betsy Struxness
West End (London) ProductionEdit
- Katie Rowley Jones (2006-2008; 2012-Present - also u/s Elphaba)
- Caroline Keiff (2008 - 2009; also u/s Glinda)
- Natalie Anderson (2009-2010)
- Cassandra Compton (2010-2011)
- Stevie Tate Bauer (2010; Temp. - also u/s Elphaba)
- Zoe Rainey (2011; also u/s Glinda)
- Lillie Flynn (2011-2012)
West End UnderstudiesEdit
- Caroline Keiff (also u/s Glinda)
- Cassidy Janson (also u/s Elphaba)
- Sarah Earnshaw (also u/s Glinda)
- Kady-Jo Jackson
- Emily Tierney
- Lauren James-Ray
- Stevie Tate-Bauer (also u/s Elphaba)
- Gemma Atkins (also u/s Elphaba)
- Charlotte Scott (also u/s Glinda)
- Florence Andrews (also u/s Glinda)
- Michelle Francis (also u/s Glinda)
- Lauren James (also u/s Glinda)
Los Angeles ProductionEdit
- Jenna Leigh Green (2007)
- Marcie Dodd (2007-2008 - also u/s Elphaba)
- Briana Yacavone (2008-2009)
Los Angeles UnderstudiesEdit
- Natalie Daradich (also u/s Glinda, standby for Glinda)
- Laura Dysarczyk
- Marcie Dodd (also standby for Elphaba)
Stuttgart ProductionEdit
- Nicole Radeschnig (2007-2009)
- Janine Tippl (2009-2010)
Stuttgart UnderstudiesEdit
- Lanie Sumalinog
- Maike Switzer
- Barbara Schmid
Melbourne ProductionEdit
- Penny McNamee (2008-2009)
Melbourne UnderstudiesEdit
- Christina Tan
- Suzanne Steele
San Francisco ProductionEdit
- Deedee Magno Hall (2009-2010)
San Francisco UnderstudiesEdit
- Natalie Daradich (also standby for Glinda)
- Laura Dysarczyk
- Besty Struxness
- Catherine Charlebois (universal swing)
- Neka Zang (also Witch's Mother)
2nd National TourEdit
- Kristine Reese (2009-2010)
- Michelle London (2010, Temp - also u/s Glinda; 2010-2011)
- Emily Ferranti (2011)
- Catherine Charlebois (2012)
- Zarah Mahler (2012-2013)
- Jenny Fellner (temporary 2013)
- Emily Behny (2013-2014; 2014-Current)
- Catherine Charlebois (temporary; 2014)
- Liana Hunt (2015-Present)
2nd National Tour UnderstudiesEdit
- Michelle London (also u/s Glinda)
- Jacqui Graziano
- Lesley McKinnell (also u/s Glinda)
- Tiffany Haas (also u/s Glinda)
- Lauren Haughton (Current-Swing)
- Laurel Harris (also u/s Elphaba)
- Catherine Charlebois (universal swing)
- Lisa Livesay (also u/s Glinda)
- Anna Eilinsfeld (also u/s Elphaba)
- Jillian Kates (also u/s Glinda)
- Tess Ferrell (universal swing)
- Kelly D. Felthous (also u/s Glinda)
- Beka Burnham (Current-also Glinda u/s)
Tokyo (2013)Edit
- Hoshiro Sakaya
UK/Ireland TourEdit
- Carina Gillespie (also u/s Glinda)
UK/Ireland Tour UnderstudiesEdit
- Natasha Ferguson (1st cover)
- Zoë George (2nd cover; also u/s Elphaba)
Australasian Tour (Auckland, Manila, Melbourne)Edit
- Emily Cascarino
Australasian Tour UnderstudiesEdit
- Emma Hawthorne
- Rachel Cole
Mexico CityEdit
- Marisol Meneses
Seoul, South KoreaEdit
- Lee Yea Eun
Sydney ProductionEdit
- Penny McNamee (2009-2010)
- Elisa Colla (2010)
Sydney UnderstudiesEdit
- Christina Tan
- Suzanne Steele
- Ellen Simpson
- Gretel Scarlett
Oberhausen ProductionEdit
- Janine Tippl (2010-2011)
Oberhausen UnderstudiesEdit
- Lanie Sumalinog
- Janna Yngwe
- Theano Makariou
Australian TourEdit
- Elisa Colla
Australian Tour UnderstudiesEdit
- Suzanne Steele
- Gretel Scarlett
Scheveningen ProductionEdit
- Christanne de Bruijn (2011-2013)
Scheveningen UndersudyEdit
- Myrthe Maljers (2011-2013)
Helsinki City Theatre ProductionEdit
- Vuokko Hovatta (2010-2011)
Helsinki UnderstudiesEdit
- Tiina Peltonen
Copenhagen, Denmark ProductionEdit
- Anais Lueken (2011)
Asian TourEdit
- Ellisa Colla
Asian Tour UnderstudiesEdit
- Gretel Scarlett (also u/s Elphaba)
- Stephanie Morrison
Mexico City Edit
- Marisol Meneses (Original)


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Product Information
- Type: Combo Pack
- Designer: Kreations by Sparky
- Download Size: 201.3 MB (approximate)
Design Elements
- Digital Papers: 18
- Page Elements: 49
Designer Notes
Rainbow Sherbert is a fun loving kit full of cheer just waiting for your memories
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Model: 57711 Item: ESS57711
Report portfolios let you keep loose papers with fastened report. Leatherette-grained stock for a rich feel. Business card slot on inside front pocket. This product was made from wood that came from a certified managed forest. Front Cover Color(s): Red; Back Cover Color(s): Red; Sheet Size: 11 x 8 1/2; Capacity (text): 135 Sheets.
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text: Close Career W-L53-38 Career ERA3.72 Name Jair JurrjensBorn 1/29/1986Height 6-1Weight 200Number 41Position SPBats RThrows RReg. SeasonPostseasonGame LogSplitsBatterUmpireNotes7/18/2013 7:13:00 PMDescription: Jair Jurrjens has decided to become a free agent. SOURCE: Roch Kubatko, MASNInsight: The Orioles designated him for assignment last week but he refused his demotion to Triple-A Norfolk. Jurrjens' career has been in free-fall since his great first half in 2011 (12-3, 1.87 before, 4-7, 6.31 in 97 innings after). 7/12/2013 8:47:00 PMDescription: The Orioles designated Jair Jurrjens for assignment on Friday.Insight: After a shaky season with Atlanta last year, Jurrjens was hoping to resurrect his career with Baltimore. Instead, he only appeared in two games, collecting a 4.91 ERA in 7 1/3 innings. The 27-year-old seems to be running out of options. 5/18/2013 9:13:00 PMDescription: Orioles right-hander Jair Jurrjens gave up four runs on six hits in five innings in his 2013 debut. He struck out five and walked one.Insight: Jurrjens made the NL All-Star team in 2011, when he went 13-6 with a 2.96 ERA, but he collapsed and had a 6.89 ERA and a 1.86 WHIP in 48 1/3 innings last year with the Braves. He shouldn't be owned in most fantasy leagues. 2/25/2013 1:45:00 PMDescription: Orioles righty Jair Jurrjens was happy with his work in Sunday's spring training game, according to Adam Berry of MLB.com.Insight: Jurrjens (knee) had to settle for a minor league deal after Baltimore wasn't satisfied with his physical, but was clocked between 91-93 m.p.h. Jurrjens had some good years in Atlanta and could turn out to be a nice pickup for the Orioles. Fantasy owners should take a wait-and-see attitude, but if he looks good throughout the spring, he could be a viable fifth starter on your roster. 2/17/2013 7:23:00 PMDescription: Orioles righty Jair Jurrjens tossed a 45-pitch bullpen session Sunday. SOURCE: MLB.comInsight: Jurrjens (knee) had to settle for a minor league deal after Baltimore wasn't satisfied with his physical. Jurrjens said he's trying to get back to his mechanics from before his right knee injury. He estimated that he has thrown 15 bullpen sessions already this offseason to prove he's healthy. 2/15/2013 9:37:00 PMDescription: The Orioles have signed Jair Jurrjens to a minor league contract with an invitation to spring training. SOURCE: Brittany GhiroliInsight: Jurrjens agreed to a one-year, $1.5 million contract with Baltimore in January but the team wasn't satisfied with his physical due to concerns about his knee. He's a near-lock to make the roster. 1/24/2013 10:47:00 PMDescription: The Orioles have reportedly signed right-hander Jair Jurrjens to a one-year, $1.5 million contract. SOURCE: Jon Heyman, CBSSports.comInsight: While Jurrjens posted a 13-6 record and 2.96 ERA and made the NL All-Star team in 2011, we can't recommend drafting him coming off a season in which he had a 6.89 ERA in 48 1/3 innings. 11/7/2012 10:04:00 PMDescription: Braves righthander Jair Jurrjens is drawing trade interest according to Jon Paul Morosi from Fox Sports.Insight: Jurrjens became expendable once Kris Medlen emerged late in the season. Jurrjens was an All-Star in 2011 and he's still just 26, so the potential is there. He just needs to find more consistency. Perhaps he'll find it by getting a fresh start somewhere else. 7/28/2012 8:03:00 PMDescription: Atlanta righthander Jair Jurrjens has been demoted to the bullpen.Insight: Jurrjens (3-4, 7.04 ERA) teased us with a pair of strong outings against the Red Sox and Diamondbacks in late June, but since then he's been his usual erratic self (2-2, 8.66 ERA in his last four starts). You can safely drop Jurrjens from your fantasy roster. Cold7/22/2012 5:48:00 PMDescription: Braves starter Jair Jurrjens was tagged for nine hits and six runs in 2 1/3 innings Sunday against Washington.Insight: Jurrjens (3-4, 7.04 ERA) has allowed 14 earned runs on 17 hits in 5 2/3 innings over his last two starts after putting together four straight solid outings. It's time to move on for good from the Atlanta right-hander. Even he shows some improvement in his next few starts, the potential payoff doesn't justify the risk. 7/17/2012 10:24:00 PMDescription: Braves starter Jair Jurrjens allowed eight runs on eight hits in 3 1/3 innings against the Giants Tuesday in his first start of the second half.Insight: Jurrjens returned to early season form Tuesday, and that's not a good thing. The right-hander went 3-0 with a 2.13 ERA after he was recalled from the minors so you can hold onto him for now, but one or two more poor starts will make him waiver-wire fodder again. 7/8/2012 4:52:00 PMDescription: Braves starter Jair Jurrjens won his third straight decision Sunday against Philadelphia.Insight: At this point last season, Jurrjens was headed to the All-Star game. After spending all of May and most of June this season at Triple-A, the right-hander has rounded back to form with a 3-0 record and 2.13 ERA in his last four starts. 6/22/2012 11:29:00 PMDescription: Braves starter Jair Jurrjens allowed one run on three hits in 7 2/3 innings Friday against Boston. Jurrjens walked one and struck out four in his big league return.Insight: Atlanta called up Jurrjens from Triple-A to replace Brandon Beachy even though he went 3-4 with a 5.27 ERA in nine starts with Triple-A Gwinnett. Because of that performance, and because of his 9.37 ERA in four major league starts in April, this effort is a major surprise. Perhaps the right-hander, an All-Star in 2011, will have fantasy value in deeper leagues after all. Don't pounce just yet, but keep him on your radar. 6/17/2012 2:45:00 PMDescription: The Braves have announced that Jair Jurrjens will start in Brandon Beachy's place Friday night against Boston. Jurrjens was 0-2 with a 9.37 ERA in four starts before being demoted to Triple-A in late April.Insight: We figured that start would go to either Kris Medlen (1-1, 3.26 ERA) or Julio Teheran (0-0, 8.31 ERA) but it looks like Atlanta is going with Jurrjens instead. Jurrjens is 3-4 with a 5.27 ERA in nine starts with Triple-A Gwinnett this season, including a frighteningly awful performance June 1st against Charlotte (4.2 IP, 12 H, 10 R, 2 BBs, 0 Ks). It's hard to believe this guy was an NL All-Star last season. You can ignore Jurrjens in fantasy. In fact, we'd recommend you ignore him. 6/2/2012 9:58:00 PMDescription: Braves pitcher Jair Jurrjens was knocked around by Triple-A Charlotte on Friday. The Knights got to Gwinnett's Jurrjens for 10 runs (six earned) on 12 hits (three homers) in 4 2/3 innings.Insight: Jurrjens was sent to the minors in April to work out some issues after he gave up 17 runs in 16 1/3 innings in his first four starts of the season. It's gone just as poorly for Jurrjens at Triple-A. The right-hander, who went 13-6 with a 2.96 ERA last season and was drafted in 98 percent of Yahoo! leagues this year, has a 5.56 ERA in seven starts for Gwinnett. He's allowed 28 runs (22 earned) on 38 hits in his last 21 2/3 innings. Those holding onto Jurrjens hoping he can return to form can safely drop the righty now, as there's no guarantee he'll return to the major leagues this season. 3/16/2012 11:31:00 AMDescription: Jair Jurrjens got hit pretty hard Thursday against the Phillies. He allowed four runs on nine hits in four innings.Insight: It's been a tough spring for Jurrjens, who has a 9.73 ERA in his three starts. Which Jurrjens will we see this season, the one who had a 1.87 ERA before the All-Star break, or the one who had an ERA of 5.88 after the break? It's been a Jekyll and Hyde tale for Jurrjens. Hopefully you've got better starting pitching options because right now Jurrjens is a huge fantasy risk. 8/17/2011 10:45:00 AMDescription: Atlanta Braves pitcher Jair Jurrjens is expected to start on Wednesday against the San Francisco Giants.Insight: Jurrjens has pitched very well this season (12-4, 2.63 ERA, 1.145 WHIP) and the light-hitting Giants are a good matchup for his return. 8/6/2011 11:37:00 PMDescription: Atlanta Braves pitcher Jair Jurrjens was placed on the disabled list retroactive to August 2nd with a strained right knee.Insight: This one is going to hurt fantasy owners. Jurrjens was having an excellent season, going 12-4 with an ERA of 2.63 and a WHIP of 1.145. It's the same knee he had surgery on last fall. 7/7/2011 11:08:00 AMDescription: Braves SP Jair Jurrgens allowed one run and five hits, walking just two over six innings of work as the Braves rocked the Rockies, 9-1, Wednesday night.Insight: Jurrjens is now 12-3 on the season and has allowed no more than one run in four straight starts, leaving his NL-leading ERA at 1.87. The ironic thing is that manager Freddie Gonzalez didn't think Jurrjens had his best stuff last night. That shows you how good he's been recently. "He was good. Maybe not as good as we've seen him," said Gonzalez of Jurrjens. Jurrjens took a no-hitter into the seventh inning of his 4-0, one-hit shutout of Baltimore on Friday night. He also was strong early against the Rockies, recording 10 straight outs before giving up Jonathan Herrera's single with one out in the fourth. 5/25/2011 9:56:00 AMDescription: Jurrjens throws another gem on Tuesday night against the Pirates as he worked 7 2/3 innings and struck out six without allowing a run.Insight: The latest stud for the Braves pitching staff now lowers his ERA to 1.56 on the year.