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Its said that it all comes out in the wash. Well, it all got put out there tonight on Suits of Woe, but nothing got clean. With just two episodes left in the series, there are only crossroads.
With all of the mature, violent, sexual content filling up each episode of FXs Sons of Anarchy, youd think the Parents Television Council would have a direct line to series creator Kurt Sutters office, where each of their complaints could be addressed accordingly. Here's the latest kerfuffle.
Sons of Anarchy fans likely dont need anyone stoking the flames of anticipation for the FX dramas final episode ever, but one of the stars is raining praise on the final few episodes.
Without question, celebrities receive a more transparent form of communication from other people, namely fans wanting to prove themselves more diehard than the next person. Sons of Anarchy star Charlie Hunnam took a particularly bold earful at one point from a fan, which he shared on Conan.
Conan just rewrote the un-script on giving a TV cast a proper tribute with an episode-long focus on Sons of Anarchy and its crowded cast of rugged miscreants. Kicking it all off was this outlandish cold open, for which Conan OBrien dons the ugliest mustache Movember has ever known.
If TV episodes could be judged by the rampant anticipation that spontaneously erupts for the next weeks installment, then tonights ep could be considered the best in the series. It doesn't work that way, of course, but "Faith and Despondency" is still a solid chunk of TV.
Billy Brown, who plays the ruthless crime lord August Marks, shared a story from the Sons of Anarchy set that he'll always remember, and it involves one of the most devastating deaths the series has delivered yet, plus a lot of laughs.
If Ive learned anything tonight, its that this final season makes my stomach hurt far too often. And tonight's episode was no different, as another Sons of Anarchy character bites the dust.
The writing is on the wall for SAMCRO as it takes its final ride or #FinalRide if you will and the only thing thats written is one long, unending eulogy. Find out why the awfulness in tonight's episode was actually a good thing for the show moving forward.
Its all about the next five weeks for Sons of Anarchy fans, as the adrenaline-fueled biker drama will be coming to a close on December 9. Production on the series finale recently wrapped, and show creator Kurt Sutter has been posting quietly somber images to accompany the shows impending conclusion, as if we needed more to get choked up about.
Here at Cinema Blend, we're tipping out hats and raising our straight blades to the 25 most masculine mustaches that have ever graced our television screens. As any man will tell you, it's not just about how big and thick it is -- Wilford Brimley would like to run counterpoint on that -- but it's also a combination of the performer and what they're representing.
The Separation of Crows is quite possibly Sons of Anarchys most sullen episode to date, and it spends a lot of its runtime staring down at the ground with eyes glossed over with the sting of compounded regrets. At least, when people aren't getting cut up and shot.
If youre not watching Sons of Anarchys corpse-heavy final season, then Im going to assume its because you missed a few of the final episodes in Season 6, as any other reason would be unjustified. Find that and more in this week's column.
Its impossible for me to hold back my disgust for tonights episode, Greensleeves. Not that it was a terrible hour of television or anything, but the plots took turns for the worse.
Drea De Matteo is one lucky TV actress, starring in not one but several fan-favorite TV shows that have resonated with viewers. Due to her popularity on HBOs The Sopranos as well as FXs more recent series Sons of Anarchy, Matteo has been able to take home some pretty sweet props over the years.


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The Talk About Porn And Porn Stars With Brittany And Mariah
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Tonight we will se what these two striaght girls think about and stars.
Talk about Porn and Porn Stars with Brittnay and Mariah. (Two striaght girls)
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Interview with Nartan that many have seen from Boys First Time, Spunk Stars, as well as Bound Up Boys. Nartan is in the DVD called Home Town Hole Wreakers. Come and have a good laugh as we talk about how has been for him and what he feels about all together.
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Hi I'm your host Vera M. and this is my new show called Couch Konvo! As a host on this show, I am prepared to do my best to take all of you on a couch potato ride with my out spoken thoughts! Okay. So, let me tell you that this show will be rated R…Now Couch Konvo is all about sarcasm, reads, commentary, my thoughts on certain Cable TV, regular TV shows, internet stuff, reviews. Plus I will let you guys in on my personal conversations with myself; plus my opinions on, celebrities, news, gossip, rumors, & I will discuss with you the good, the bad, the beautiful, the ugly, & whatever else that I can possibly speak on. LOL! But, seriously it's all in fun! So, I would love for all of you to Join me and listen in every Tuesday at various times to the Couch Konvo show. I will post the Tuesday show times when I pre-schedule my shows. So be sure to follow me on here or on twitter to get my show schedules. But, wait! I have more! Check me out every Wednesday at 6:30PM EST to listen in on The 4gotten Stars: Where Are They Now? Show. & That is all 4 now.
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way of the Stars--the second Arrow
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a self-help and spirituality resource focusing on healing & health from indigenous and mystical traditions. Diva Brenda Kelly will guide us in yearly, monthly & daily Feng Shui for yourself & home--including Flying Stars, 24 mountain stars & elemental luck of Earth, Heaven and the Human Being. Pathfinder (Canku Woksape) will share spiritual healing technologies of holistic, indigenous and mystical sources--including Reiki, Universal & Spiritual Laws, the Seven Arrows, ethnomedicine & shamanism, spiritual interpreting & relationship with the Mystic, Real World. Find out more about us: http://www.pathfinder1111.moonfruit.com/# and like our Aloha Healers Network community facebook page! Mahalo
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The Listening PostSmoke and mirrors: The bin Laden death story What do we really know about what happened in Abbottabad, and will the news media ever get the facts? 07 May 2011 12:17 GMT | Politics, US & Canada, Bahrain, Libya, Pakistan On this week's Listening Post: What do we really know about the Osama bin Laden death story, and how do we know it? Also, a before and after look at the media movement that brought down the Tunisian regime. When word of Osama bin Laden's death broke on Sunday, May 1, it shot straight to the top of the global media's news agenda. But after the initial reporting of his death, journalists then had to provide an insatiable news audience with the facts. But the facts were unverifiable because the only people who really knew them were either the US government, the US troops involved or members of bin Laden's entourage present at the compound the Abbottabad, Pakistan. What ensued was an array of conflicting accounts and narratives that seeped into the global news coverage. The focus of our News Divide this week is establishing what we really know about what happened in Abbottabad, and how we know it. In our News Bytes this week we start by clearing up last a report we did last week. We said that a Nigerian newspaper owner is accused of selling favourable reporting in his publication, but we did not say that he has refuted those allegations and they have not been proven. Then we look at the conditions that led to the closure of a leading opposition newspaper in Bahrain. An update on two of our journalists held in Syria and Libya and we end with some of the best bits from the White House Correspondents Dinner in Washington DC. Just a few months ago one man's act of desperation triggered an uprising that spread across North Africa and the Middle East. Although Mohammed Bouazizi setting himself on fire is what sparked the revolution in Tunisia, what kept it going – and helped it spread to other countries – was an online informational infrastructure developed years before by Tunisian activists. It was their way of circumventing the tight media controls put in place by former President Ben Ali's government. But it also served as crucial source of information for the international media and that is how it managed to stay in the headlines. The Listening Post's Nashwa Nasreldine's report not only looks at how a shackled Tunisian media started an a series of regional revolutions but also what the future holds for it, in a post-Ben Ali era. Finally for Internet Video of the Week this week, we have done things a little differently. Instead of selecting one online video like we usually do, we compiled a few of the inevitable news bloopers that followed the death of Osama bin Laden. When you consider the fact that there is only a one-letter difference between the first name of the fallen al-Qaeda leader and the surname of the man who brought about his demise, a tongue-tripping media free for all was bound to follow. We hope you enjoy the show!Listening Post can be seen each week at the following times GMT: Saturday: 0830, 1930; Sunday: 1430; Monday: 0430.Source: Al Jazeera
Nailing Osama: The media's delight The circumstances and timing of Osama bin Laden's death can be explained by one word: Politics. Politics, US & Canada, Afghanistan, Iraq, Pakistan
The Osama drama: Is the play over? Bin Laden's death may not spell the end of al-Qaeda, as actors with smaller roles look to stage further violent scenes. Politics, US & Canada, Afghanistan, Egypt, Iraq
Climate change, food shortages, and conflict in Mali Rainfall has dropped by 30 percent since 1998 in the West African country, leaving nearly 2 million in need of food aid. War & Conflict, Poverty & Development, Africa
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sr56 intr
(By Senator Chafin)
Recognizing Virginia L. Branham-Lewis for her commitment and dedication to public service.
Whereas, Virginia L. Branham-Lewis has been an honorable, diligent and loyal public servant since 1978 when she was hired by the Mingo County Commission as a secretary/clerk for the Housing Authority of Mingo County; and
Whereas, Virginia L. Branham-Lewis became executive director of the Housing Authority of Mingo County in 1981 and has expanded the authority to provide rental assistance to over 1,400 families in a five-county region; and
Whereas, Under the guidance of Virginia L. Branham-Lewis, the Housing Authority of Mingo County tenaciously pursued funds to purchase a 35-unit public housing complex and gut and remodel a 10,000 square foot building which has become the administrative offices of the authority; and
Whereas, Since 2001, Virginia L. Branham-Lewis has coordinated efforts between various agencies to provide loans to qualified borrowers totaling $13,360,702, making the American dream of home ownership a reality for many individuals and families; and Whereas, Virginia L. Branham-Lewis has been instrumental in securing more than $25 million in water projects for Mingo County and bringing public transportation to the area through Tri-Rivers Transit; and
Whereas, Virginia L. Branham-Lewis has served as Vice President of the Mingo County Redevelopment Authority, Vice President/Treasurer of the West Virginia Association of Housing Agencies and Secretary of the West Virginia Affordable Housing Trust Fund; and
Whereas, Virginia L. Branham-Lewis has been a role model to her colleagues and the people she serves and her high degree of professional integrity exemplifies the public's expectations for the conduct of a public servant; and
Whereas, After 31 years of public service, Virginia L. Branham-Lewis will enjoy the fruits of her labor through well- deserved retirement; therefore, be it
Resolved by the Senate:
That the Senate hereby recognizes Virginia L. Branham-Lewis for her commitment and dedication to public service; and, be it
Further Resolved,
The Senate extends its sincere appreciation to Virginia L. Branham-Lewis for her exemplary service and expresses its best wishes to her on the occasion of her retirement and for any future endeavors she may choose to undertake; and, be it
Further Resolved,
That the Clerk is hereby directed to forward a copy of this resolution to Virginia L. Branham-Lewis.
This Web site is maintained by the
West Virginia Legislature's Office of Reference & Information.
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If you've been investing for a while, you've probably been exposed to both stocks and mutual funds. And, at times, you may have wondered which of these investments is more appropriate. Does one offer more advantages than the other? If so, are you putting your money in the right place?
There's no one "right" answer for everyone. In truth, both mutual funds and stocks offer distinct benefits. Let's take a quick look at some of them:
Advantages of Mutual Funds
• Diversification — When you buy a mutual fund, you automatically achieve a degree of diversification, because each fund may invest in dozens, or even hundreds, of different securities — stocks, bonds, Treasury bills, money market accounts, etc. This diversification can help lessen the impact of downturns that affect one particular type of financial asset.
• Professional management — Mutual funds are run by professional money managers who possess years of experience in analyzing the markets and selecting the mix of securities needed to achieve a fund's particular goals — growth, income, growth and income, etc. Of course, there's no guarantee that your fund's managers will live up to your expectations. Yet, there's no denying the fact that, just by investing in a mutual fund, you are putting a great deal of expertise to work on your behalf.
• Affordability — It doesn't take much money to invest in mutual funds. In fact, you can set up a bank authorization to automatically invest as little as $25 per month in some funds. Thus, it's easy to invest in a variety of mutual funds — which will further diversify your portfolio.
Advantages of Stocks
• Potential for bigger gains — If you own an individual stock, and it doubles in price, then you've made a 100 percent profit. But if your mutual fund owns that same stock, the overall value of the fund may only increase slightly, if at all. However, the price of your single stock also could drop by half. If this same stock were in a mutual fund, the drop would not result in such a drastic decline in the fund's net asset value.
•‑Lower investment costs — When you buy a mutual fund, you may have to pay a sales charge — also known as a "load" — along with operating expenses, which include management fees and 12b-1 fees (to cover marketing costs). Together, these charges can reduce your overall return. But when you buy a stock, you typically pay only a one-time commission — and the same is true when you sell the stock. Consequently, more of your money is working for you.
• Greater control over taxes — Mutual fund managers constantly buy and sell securities to boost the performance of their funds. Although you have no control over these trades, they may have tax consequences for you, in the form of capital gains. But when you buy a stock, you're also the one who will decide when to sell it. Therefore, you'll control when you pay taxes on your gains.
As with any type of investment, stocks and mutual funds carry risks, including the potential loss of principal. It's important to understand these risks, as well as the potential benefits, before you invest. Your investment professional can help you evaluate your situation to determine if mutual funds and stocks are suitable for you. Ultimately, you may find that a combination of funds and stocks will help you meet your long-term goals.


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Genre/Form: | Spy films Action and adventure films Film adaptations Feature films Fiction films Video recordings for the hearing impaired Drama |
Named Person: | James Bond, (Fictitious character); Ian Fleming; Ian Fleming; James Bond, (Fictitious character) |
Material Type: | Videorecording |
Document Type: | Visual material |
All Authors / Contributors: |
Lewis Gilbert; Albert R Broccoli; Michael G Wilson; Christopher Wood; Jean Tournier; John Glen; John Barry; Shirley Bassey; Hal David; Ken Adam; Roger Moore; Lois Chiles; Michaël Lonsdale; Richard Kiel; Corinne Clery; Emily Bolton; Geoffrey Keen; Lois Maxwell; Bernard Lee; Desmond Llewelyn; Jean-Pierre Castaldi; Ian Fleming; Metro-Goldwyn-Mayer.; United Artists Corporation.; Danjaq, LLC.; Productions Artistes associés.; Eon Productions (Firm); MGM Home Entertainment Inc.; Twentieth Century Fox Home Entertainment, Inc. |
OCLC Number: | 817948673 |
Language Note: | In English or French dialogue with optional English (SDH), French, Spanish, Chinese, Korean, or Thai subtitles. |
Notes: | Based on the novel by Ian Fleming. Originally released as a motion picture in 1979. Issued as part of the box set: Bond 50 : celebrating five decades of Bond. Special features: Audio commentary featuring Sir Roger Moore ; audio commentary featuring director Lewis Gilbert and members of the cast and crew; Commentary subtitles; previews. |
Credits: | Director of photography, Jean Tournier ; editor, John Glen ; music by John Barry ; song performed by Shirley Bassey, composed by John Barry, lyrics by Hal David ; production designed by Ken Adam. |
Cast: | Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel, Corinne Clery, Emily Bolton, Geoffrey Keen, Toshiro Suga, Lois Maxwell, Irka Bochenko, Nicholas Arbez, Bernard Lee, Desmond Llewelyn, Blance Ravalec, Anne Lonnberg, Michael Marshall, Jean Pierre Castaldi, Leila Shenna. |
Target Audience: | MPAA rating: PG. |
Description: | 1 videodisc (121 min.) : sd., col. ; 4 3/4 in. |
Details: | DVD; region 1, NTSC; widescreen (2.35:1) presentation; Dolby digital 5.1, DTS. |
Series Title: | Bond 50, disc 11. |
Other Titles: | Moonraker (Motion picture) Moonraker James Bond 007 in Ian Fleming's Moonraker |
Responsibility: | Metro Goldwyn Mayer ; United Artists ; Danjaq S.A. ; a Franco-British co-production made by Les Productions Artistes associés and Eon Productions Ltd. ; produced by Albert R. Broccoli ; executive producer, Michael G. Wilson ; screenplay by Christopher Wood ; directed by Lewis Gilbert. |
James Bond joins forces with NASA scientist Holly Goodhead to prevent a power-mad industrialist from destroying human life on Earth.
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Related Subjects:(10)
- Bond, James -- (Fictitious character) -- Drama.
- Spies -- Great Britain -- Drama.
- Women scientists -- United States -- Drama.
- Fleming, Ian, -- 1908-1964 -- Film adaptations.
- Fleming, Ian, -- 1908-1964.
- Bond, James -- (Fictitious character)
- Spies.
- Women scientists.
- Great Britain.
- United States.


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Dalmally | |
Scottish Gaelic: Clachan an Dìseirt, Dail Mhàilidh | |
Scots: Dulmally | |
Dalmally shown within Argyll and Bute
OS grid reference | NN165275 |
Council area | Argyll and Bute |
Lieutenancy area | Argyll and Bute |
Country | Scotland |
Sovereign state | United Kingdom |
Post town | Dalmally |
Postcode district | PA33 |
Dialling code | 01838 |
Police | Scottish |
Fire | Scottish |
Ambulance | Scottish |
EU Parliament | Scotland |
UK Parliament | Argyll and Bute |
Scottish Parliament | Argyll and Bute |
Coordinates: 56°24′15″N 4°58′27″W / 56.404167°N 4.974167°W
Dalmally (Scottish Gaelic: Clachan an Dìseirt or Dail Mhàilidh) is a village in Argyll and Bute, Scotland. It is located near the A85 road and is served by Dalmally railway station.
Former Labour Party leader John Smith was born in Dalmally in 1938. The village is the location of the Craig Lodge Community Family House of Prayer, a Roman Catholic retreat house. The charity Scottish International Relief, also known as Mary's Meals, is based in Dalmally. Glenorchy Camanachd, a shinty team, play their home games in the village at Mart Park.
Historic buildings[edit]
Glenorchy Parish Church stands on an island site between the rivers Orchy and Orchy Bheag near the village. The category A listed building, constructed 1810-11 on the site of at least two earlier churches, is a rare example of an octagonal plan with adjoining tower.[1] The little-altered, white-harled (roughcast) church has been restored to its original appearance in recent years. The site is probably early Christian in origin, and is associated with Saint Conan. The large churchyard contains examples of medieval grave-slabs in the 'West Highland' style, which may have originally covered the graves of early chiefs of the Clan MacGregor and their relatives. They show warriors in contemporary armour, interlace and other motifs.
While there are a few more modern houses, most of the residents' homes are stone cottages. One of the oldest buildings in Dalmally is the house above the station square. It was once rundown and old but has now been restored.
Kilchurn Castle, dating from the 15th century and now maintained by Historic Scotland, stands on a peninsula (formerly an island) in Loch Awe, 2 miles (3 km) west of the village, and is open to the public in summer.[2]
Dalmally Bridge over the River Orchy was built by Ludovic Picard, an architect who worked for Lord Breadalbane. In 1781 he built various edifices at the western end of the Breadalbane Estates: Dalmally Bridge, the Bridge of Awe, which was swept away in 1992, Dalmally Inn, a renovated church, and several other houses in the area. Dalmally Bridge was built to make movements of cattle and troops easier: it was on the military road between Tyndrum and Oban. Since 1781, Dalmally Bridge has been strengthened and repaired. It withstands the force of the river in spate, and is a favourite spot from which to look for trout and salmon.
There are four castles on Loch Awe: from north to south, Kilchurn (the best-known), Fraoch Eilean, Innisconnel, and Fincharn. There may also have been a castle near where Castle Farm now stands. There was also a castle at Achallader, at the head of Glen Orchy. The castles on Loch Awe were once served by boats, probably galleys - the island near Innisconnel is Innis-Sea-Rhamach, the island of the six-oared galleys. Kilchurn was built, probably in 1437, by Sir Colin Campbell, the First Laird of Glenurquhay. Fraoch Eilean is a 13th-century hall house with a defensive wall, granted to Gillechrist MacNachdan by Alexander III in 1267. Innisconnel was built by the Campbells of Argyll, then taken by the MacDougalls, and finally granted again to the Campbells by Robert the Bruce, whom they had helped in his battles. Fincharn Castle is probably 13th century. According to legend, soon after it was built it was burned down in a quarrel between rival families, and has never been inhabited since. Only Kilchurn is easily accessible. Fincharn requires permission from the farm, while Fraoch Eilean and Innisconnel need boats.
- ^ "Glenorchy Kirk: Listed Building Report". Historic Scotland. Retrieved 2 November 2011.
- ^ "Kilchurn Castle". Historic Scotland. Retrieved 2 November 2011.
Wikimedia Commons has media related to Dalmally. |


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Jan 12 5:47 PM ET Email Print Comments14 By Dan Graziano The Dallas Cowboys officially announced the hiring of assistant coaches Bill Callahan and Jerome Henderson, and the official press release came with a mild surprise. Callahan's title will be offensive coordinator/offensive line coach. We knew he was coming in to coach the offensive line (and Henderson to coach defensive backs), but "offensive coordinator" is a title that current Cowboys head coach Jason Garrett has held since 2007 and kept this past year even after moving into the big job. There was much discussion toward the end of this season, as questionable in-game decisions mounted, about whether Garrett could or should be asked to continue handling his play-calling responsibilities as offensive coordinator along with the considerable responsibilities of the head coach. So the fact that Callahan gets the coordinator title is an eyebrow-raiser. Read the rest: http://espn.go.com/blog/nfceast/post/_/id/35181/so-bill-callahans-title-is-interesting
The effectiveness of the game to move along, just improved. No one coming onto the Dallas coaching staff, gets a paper title. Callahan will now both be paid as a Coordinator by this report, and be given workup/prep responsibilities as well. That will expand applications during games. Garrett will have a functional imput on selections for games now. That has to help.. and thanks for the legwork, WG. Yea, I'm saying you have beautiful legs.
In The Fold Staff Hires Announced; Callahan Gets OC Title Rob Phillips http://www.dallascowboys.com/news/news.cfm?id=D4353D08-CAB6-D9E4-4C4C41D55660C990 IRVING, Texas- The Cowboys on Thursday announced the expected hirings of offensive line coach Bill Callahan and secondary coach Jerome Henderson. Callahan's title also includes offensive coordinator, though there is no indication yet that head coach Jason Garrett will relinquish significant play-calling influence. Tight ends coach John Garrett and newly-retired offensive line coach Hudson Houck split pass-and-run coordinator titles last year, but their duties involved mostly game-planning during the week. Callahan has no direct ties to Garrett, but both previously worked with Jon Gruden - Callahan as the Raiders' offensive coordinator from 1998-2001 and Garrett as the Buccaneers' backup quarterback under Gruden in 2004....
What??? Head Coach Jason Garrett? Eveyone knows Jerruh runs the team. He makes the final call on just about everything and handicaps his head coaches.
This is a bad hire if you're a Demarco Murray fan. Callahan will pass, pass, pass, and then pass some more. He was lousy at Nebraska and proved that Frank Solich is a better coach than him. typical JJ and JG hire: head scratcher. Callahan is Bruce Coslet and Frank Verducci rolled into one. Remember those two clowns in 2002? This deal with callahan isn't going to end well.
Is that why as OC of Oakland they had a very good rushing team? Not to mention his time with the Jets were they put together a good rushing team. Your knowledge of Callahan evidently does not further than Nebraska if you look at his career as an OC he has put together some good offenses.
Maybe you should research Callahan as an OC in the NFL a little more thoroughly. Also, I'm pretty sure the duties will be shared anyway...no that helps Murray. Nevertheless, Callahan's stint as a college head coach does not factor in here nearly as much as his NFL OC background. I'm in more of a wait and see mode.
I always do. I'm not ensuring anything but your view comes about by his time as HC at Nebraska I'm looking at his overall career and what he has done. Wade Phillips is a great defensive coach hard to tell that last year when the defense struggled as the HC/DC. Callahan in this role has had success over all in his career
All I remeber is watching a few Jets games this year and thinking I was glad we didn't have their offense.
They rightly have no confidence in their QB, so it was worse than it may have been. Swap Romo (or those better than Romo) and the Jets may have won a SB with that team.


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Hey everybodyy... I was just wondering, since harvest is coming soon.. When I chop and hang dry upside down. Is it ok to do it outside? and how long should it take hanging before i go to the curing stage? Thanks!
hang outdoors for about a week until stem snaps..no into 2 but snaps if it bends nd dosent snap give it a few more days
as long as it's not exposed to moisture or extreme heat,and the best way is to let the buds dry till the outside feels crispy yet spongy and the stems snap but do not break,then into jars over night then open for a day the reapeat unil they are cured
It depends wher you live. If you hang outside in so cal it will dry too fast. If your in western oregon it will dry too slow outside. Its best indoors at about 80deg with a little air circulation for about 4-5 days. Then put in paper bags and let dry more for 2-3 days. At this point the stems should snap when you bend them. If not dry some more in paper bags until they do snap. When you put it in plastic bags or glass jars you dont want it to moisten up again, that seems to take away the smell and flavor. You dont want extra crispy either so check often. Its better to dry too fast then too slow.
well if u guna hang them outside lol obviosly make sure there covered from rain unless u like soaking wet bud xD
yehhhhhhhh LOL that would be the worst smoke u culd sossible get "hang for a min" <<< ok then... "put in a jar for an hour" <<< yea sure then smoke lol yea nice SOAKED BUD xD
well im just sayin when i smoke the dankest white widow i grew, and its fresh and dried for about 2 days, mmmmmmmhmmm nothin gets me higher then a slow burning moist bowlpack of fire
"hang it for a few min."? i think you are on the crack cocain, i am no pro at drying but i know it will take atleast a few days hangin and a week or so in jars. THIS IS BAD INFORMATION DO NOT DO THIS
i would't hangem outside. the plant needs to hang in the dark. keep air circulating and wait for the snap however long it takes.
the best thing to do is just cut, hang for a few min, put into a jar for an hour and smoke... a good lulz whatever year it is ^^
Also consider not all buds are the same, your small buds are going to dry fast, sometimes overnight and ready for the jars. Your giant buds will need more time in the open air before they are ready for the jar. Be slective and go to youtube and watch a few videos they are very informative and you will get it right away as they all say the same thing. No where have I read or seen anyone that waits till the branch snaps rather wait till it seems as it is about to crack than jar up. The moisture in the stems has canaboind and you will rehydrate in the jar and the smell will apear letting you know it is party time. Also just dont put them in jars, 12 hours than open jars for a couple hours and let the cycle begin again for another 12 and so on. If you just put them in jars and leave them you will mold them up bad. Do research on youtube and google you have worked hard and dont want to mess them up now. Good luck
if you chop down the whole plant at the soil line and then hang the whole intact plant to dry it will dry slowly and start the cure while drying...makes it take longer before it is dry enough for jars...but when it is dry enough for jars it really is dry enough for jars...there should be no reason to have to open and close and wait and open and close again the same way that you have to with jars when you wet trim...
Who says they have to hang in the dark. From my experience just as long as they are not in direct light they should be fine. Show me info why they have to be put in the dark to support your claim. The room can have a little light without having any problems. Just wondering who says the room has to be completely dark.
I hang mine in a dry, cool dark room my laundry room actually....... I hang them until when I bend the stem between the buds, it snaps like a broken limb. A clean "snap" not like bends then breaks/tears. Then I trim the nugs off the shoot and place into glass jars for curing...... This depending on the weather, bud / shoot size, etc. can be 5-15+ days..... generally 5-7 days with another at least 4 or 5 in the jar...... if not more! Oh yeah, I wet manicure everything!!! I do it all by hand, also I flush for at least a week, some strains 2........ before harvesting, and like to harvest either early lights on, or right before lights on to limit the amout of chlorphyl and chlorphyl production that has occured, hopefully limiting any excess minerals, nutes, or etc from being inside the leaves, flowers, calyx and etc. at time for harvest for a smoother, softer smoke. Light and excess heat degrade thc, and thc production which is actually still occuring even after the plant is chopped.


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Stock Trading Understanding Stock Order Types Editor | There are quite a few stock order types and it can take a while to remember the differences between them and even which one to use above and Read More
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By profession, I'm an engineer currently working with the use of ultrasound in connection with man-machine interfaces: the idea is being able to "talk" to your computer using gestures. It's rather fascinating, professionally, and actually quite fun.
On my spare time, I like going to a play; an occasional concert really defines a memorable evening; any most social events are appreciated. However, a lot of time is spent reading - various kinds of books. For instance, "Thinking fast and slow" by D. Kahneman right now - and it's very interesting, while my last novel was by Nuruddin Farah: Crossbones.
Travel has its attractions although I tend to do so less, now - have lived abroad for some years too (France, mainly).


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Ca-ching: College football coaches salaries on the rise
Let the annual flabbergasting begin.
USA Today's college football coaches' salary survey is out, and once again the profession has bucked the national trend of a slow-growing economy.
Salaries have jumped 90 percent since 2006. The average compensation package for a major-college head coach is $1.81 million, about a 10 percent growth over last year.
A few coaches in the area cracked the top 25 in salary, starting at No. 18 with Nebraska's
Bo Pelini, who is earning $2.975 million.
Kansas State's
Bill Snyder is 19th at $2.803 million and Missouri's Gary Pinkel20th at $2.8 million.
Kansas coach
Charlie Weis' salary of $2,503,727 ranks 31st. But some might say his salary is really $4.5 million this year.
Weis also will earn about $2 million annually from Notre Dame, as part of a settlement from his 2009 dismissal, according to the Chicago Tribune. Weis is still due annual settlements of $2 million from Notre Dame through 2015, and his KU contract runs through 2016.
The highest-paid coach this season is Alabama's
Nick Saban at $5,545,852 with Texas' Mack Brown second at $5,453,750 and Arkansas' Bret Bielemathird at $5,185,863.
Are these coaches overpaid?
They oversee the most valuable sport in college athletics, with Texas' revenue reaching $153 million. Alabama recorded revenue of $124 million for athletics in 2012 and a $19 million profit.
Saban's name has been linked to Texas, but Saban said Wednesday that he remains "very committed to the University of Alabama" and disputed an account by his agent that Saban was under "special pressure" at Alabama.
Either way, he'll be well-paid.
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I planing on going to Island Dragway to run the New Blower on Friday 4-3-09 . If anyone wonna Meet up let me know and I hope to see you there . I go to Island alot so mostely on Friday Nites . http://www.islanddragway.com/ Mark
im sure i will see you there this summer sometime. Its hard to get up there while im at school tho. give it hell dude!
Ill have to get up there this summer to meet up with you guys. Let us know how the new blower runs @ the track good luck.


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Genre/Form: | Feature films Comedy films Musical films Biographical films Fiction films Video recordings for the hearing impaired Drama Biography Drama |
Named Person: | W S Gilbert; Arthur Sullivan; Arthur Sullivan |
Material Type: | Videorecording |
Document Type: | Visual material |
All Authors / Contributors: |
Simon Channing-Williams; Mike Leigh; Jim Broadbent; Allan Corduner; Timothy Spall; Lesley Manville; Ron Cook; Shirley Henderson; Wendy Nottingham; Kevin McKidd; Dorothy Atkinson, (Actress); Martin Savage, (Actor); Eleanor David; Arthur Sullivan; W S Gilbert; Carl Davis; Dick Pope, B.S.C.; Robin Sales; Francesca Jaynes; Gary Yershon; Lindy Hemming; Eve Stewart; Thin Man Films (Firm); Greenlight Fund (Firm); Newmarket Capital Group LP.; USA Home Entertainment (Firm) |
OCLC Number: | 44722195 |
Language Note: | Dialogue in English with optional subtitles in French and Spanish. Closed-captioned. |
Notes: | Videodisc release of the 1999 motion picture. Includes theatrical trailer, TV spots, featurette, photo gallery, cast & crew biographies and filmographies. |
Credits: | Music, Carl Davis, from the works of Arthur Sullivan ; songs, Arthur Sullivan and W.S. Gilbert ; cinematography, Dick Pope ; editor, Robin Sales ; choreography, Francesca Jaynes ; musical director, Gary Yershon ; costume designer, Lindy Hemming ; production designer, Eve Stewart. |
Cast: | Jim Broadbent, Allan Corduner, Timothy Spall, Lesley Manville, Ron Cook, Wendy Nottingham, Kevin McKidd, Shirley Henderson, Dorothy Atkinson, Martin Savage, Eleanor David. |
Awards: | Academy Awards, 2000: Best costume design; Best make-up. |
Description: | 1 videodisc (161 min.) : sd., col. ; 4 3/4 in. |
Details: | DVD, NTSC. |
Other Titles: | Topsy-turvy (Motion picture) |
Responsibility: | Thin Man Films, the Greenlight Fund, Newmarket Capital Group present ; a Simon Channing-Williams production ; a film by Mike Leigh ; produced by Simon Channing-Williams ; written & directed by Mike Leigh. |
Tensions abound and the music swells in the story about the famous musical team of Gilbert and Sullivan. The two men who were extremely different in size and stature were even more different in temperament and style. Yet, they still managed to create memorable theater. This is the story of the making of one of their most famous collaborations, The Mikado.
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Related Subjects:(7)
- Gilbert, W. S. -- (William Schwenck), -- 1836-1911 -- Drama.
- Sullivan, Arthur, -- 1842-1900 -- Drama.
- Sullivan, Arthur, -- 1842-1900. -- Mikado -- Drama.
- Musical theater -- England -- Drama.
- Composers -- Great Britain -- Biography -- Drama.
- Librettists -- Great Britain -- Biography -- Drama.
- Topsy-turvy (Motion picture)


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US 7465971 B2 Abstract A configuration memory cell ("CRAM") for a field programmable gate array ("FPGA") integrated circuit ("IC") device is given increased resistance to single event upset ("SEU"). A portion of the gate structure of the input node of the CRAM is increased in size relative to the nominal size of the remainder of the gate structure. Part of the enlarged gate structure is located capacitively adjacent to an N-well region of the IC, and another part is located capacitively adjacent to a P-well region of the IC. This arrangement gives the input node increased capacitance to resist SEU, regardless of the logical level of the input node. The invention is also applicable to any node of any type of memory cell for which increased resistance to SEU is desired.
Claims(13) 1. Integrated circuitry for controlling signal-routing pass transistors that are also part of the integrated circuitry comprising:
first and second PMOS transistors;
first and second NMOS transistors, each of which is connected in series with a respective one of the PMOS transistors between a source of relatively high potential and a source of relatively low potential;
an output node connected in series between the second PMOS transistor and the second NMOS transistor, the output node also being connected to gate circuitry of the first PMOS transistor, the first NMOS transistor, and the pass transistors; and
an input node connected in series between the first PMOS transistor and the first NMOS transistor, the input node also being connected to gate circuitry of the second PMOS transistor and the second NMOS transistor, the gate circuitry of at least one of the second PMOS and second NMOS transistors including a portion that is enlarged to increase capacitance of the input node.
2. The integrated circuitry defined in
3. The integrated circuitry defined in
4. The integrated circuitry defined in
5. The integrated circuitry defined in
6. The integrated circuitry defined in
7. The integrated circuitry defined in
an N-well region capacitively proximate to a first part of the portion and connected to a source of relatively high potential; and
a P-well region capacitively proximate to a second part of the portion and connected to a source of relatively low potential.
8. The integrated circuitry defined in
9. The integrated circuitry defined in
10. The integrated circuitry defined in
11. The integrated circuitry defined in
12. The integrated circuitry defined in
13. The integrated circuitry defined in
Description This is a division of, commonly-assigned U.S. patent application Ser. No. 10/883,091, filed Jul. 1, 2004, now U.S. Pat. No. 7,319,253, which is hereby incorporated by reference herein in its entirety. This invention relates to integrated circuit ("IC") devices, and more particularly IC structures that increase the resistance of the IC to certain kinds of memory errors due to such causes as alpha particles and atmospheric neutrons. An event such as an alpha particle or atmospheric neutron travelling through the material of an IC can cause ionization of that material in the vicinity of the event. The electrical charge(s) resulting from that ionization can flow to the electrical circuitry of the IC and cause errors in that circuitry. For example, a memory cell may depend on a node of the memory cell remaining at a certain electrical potential (voltage) in order for the memory cell to hold a stored data value. A sufficiently rapid flow of a sufficiently large amount of electrical charge to that node as a result of an event like that described above may cause the node to deviate from the required potential and thereby cause the memory cell to "flip" to outputting an incorrect data value. This type of occurrence may be referred to as a single event upset ("SEU"). It may also be known as a soft error upset, soft error rate ("SER"), or the like. An SEU can cause the affected IC to malfunction. This can cause a system that includes the affected IC to malfunction. ICs tend to become more susceptible to SEU as IC feature sized decreases, which, of course, is one of the more important trends in IC fabrication. In accordance with this invention, an IC node that may be susceptible to SEU is given increased resistance to such an event by increasing its capacitance. Moreover, this capacitance preferably includes two portions. One portion includes having a first capacitor terminal connected to a source of relatively high or positive potential (e.g., VCC). A second portion includes having a second capacitor terminal connected to a source of relatively low or negative potential (e.g., VSS). The IC circuit node being protected against SEU is a third capacitor terminal that is capacitively couplable to either the first terminal or the second terminal. As a consequence of this arrangement, whichever potential (or logical) state the IC circuit node is intended to be in, its capacitance is significantly increased by its capacitive coupling to the first or second terminal having opposite potential. This increased capacitance of the IC node gives that node greater robustness to resist SEU. Further features of the invention, its nature and various advantages will be more apparent from the accompanying drawings and the following detailed description. When it is desired to write data into cell 10, that data is applied to bit lines 50 a and 50 b in complementary form, and transistors 40 a and 40 b are enabled by a word line signal applied to their gates. This impresses the data to be written on cell 10 (regardless of the cell's previous state). For example, if bit line 50 a is high (logic 1) and bit line 50 b is low (logic 0) when transistors 40 a and 40 b are enabled, then node 22 a is driven high and node 22 b is driven low. When transistors 40 a and 40 b are subsequently disabled, memory cell 10 continues to hold nodes 22 a and 22 b in these states. The memory cell can be subsequently read by again enabling transistors 40 a and 40 b, this time with no other significant drive applied to bit lines 50 a and 50 b. This allows the memory cell to drive the bit lines to the complementary potentials of nodes 22 a and 22 b. The content of the memory cell can thereby be read by sensing the logic levels of bit lines 50 a and 50 b. Although SRAM cell 10 is stable in either of two states (i.e., node 22 a high and node 22 b low, or node 22 a low and node 22 b high) in the absence of external, data-writing drive from bit lines 50 a and 50 b as described above, SEU can erroneously change the state of such a cell, and the risk of such an error tends to increase as the components of the cell are made smaller. This is so because the smaller the components of the cell become, the less inherent capacitance the circuit has to resist SEU. Many memory cells in FPGAs are provided for "routing") circuitry of the FPGA. Indeed, in many FPGA architectures there can be significantly more of this type of "configuration RAM" or "CRAM" cells than other types of memory cells. A typical CRAM cell 100 of this type is shown in CRAM cell 100 is programmed (or reprogrammed) by enabling NMOS transistor 140 a (using a gate-enabling address signal applied to the gate of that transistor). This allows a data in signal to be applied to node 122 a of the cell, thereby programming (or reprogramming) the cell to the data in value. The cell can be cleared (to subsequently output logic 0) by applying a clear signal to the gate of NMOS transistor 140 b, This connects node 122 b to VSS, which causes the cell to thereafter output logic 0, at least until different data is stored in the cell from the data in lead as described above. CRAM cells like 100 are typically programmed/reprogrammed/cleared relatively infrequently. For example, they may be cleared and then programmed each time the FPGA, of which they are part, is turned on (powered); and they may also be cleared and then programmed/reprogrammed under certain device clear/reset/restart conditions. Again, however, these programming/reprogramming/clearing events tend to be relatively infrequent and less speed-critical than the normal-operating-mode operations of the device. In other words, it is generally acceptable for the response time of memory cells like CRAM 100 to clearing, programming, and/or reprogramming to be longer than the response time (during normal operations) of user RAM and other circuitry on the device. Nevertheless, because there are typically so many CRAMs like 100 on an FPGA, there is constant pressure to reduce the size of these cells (just as there is pressure to reduce the size of these cells (just as there is pressure to reduce the size of all other components that contribute significantly to the overall size of the device. Because output node 122 b is typically connected to the gates of several pass transistors 160 as shown in The table below correlates various features shown in
In order to increase the capacitance of node 122 a ( The portion of gate 220 b shown in Enlarging gate 220 b as described above significantly increases the capacitance of input node 122 a. This is so because this enlargement of gate 220 b increases the capacitive coupling between the gate and either N-well 230 or P-well 260, depending on the potential of the gate. For example, if gate 220 b is at or near logic 0, there is increased capacitive coupling to N-well 230 (at VCC or VDD) due to the enlargement of gate 220 b over N-well 230. This helps prevent gate 220 b from changing state to logic 1 in the event of a rush of positive charge to gate 220 b due to SEU. Similarly, if gate 220 b is at or near logic 1, there is increased capacitive coupling to P-well 260 (at VSS or ground) due to the enlargement of gate 220 b over P-well 260. This helps prevent gate 220 b from changing state to logic 0 in the event of a rush of negative charge to gate 220 b due to SEU. Node 122 a is thereby given greater resistance to SEU. (Node 122 b already has greater resistance to SEU due to its connection to the gates of several routing pass gates 160 as described earlier in this specification.) Adding capacitance to CRAM 100 as described above is not a performance issue because (as mentioned earlier) the speed of operation of CRAMs is not as important as the speed of operation of other memory cells that are used during normal operation of the device. Adding capacitance to CRAM 100 as described above also does not increase the area occupied by the CRAM on the IC that includes it. Gate 220 b has been enlarged in CRAM 100 at a location where the CRAM can accept that enlargement without the CRAM itself becoming any larger. For example, the spacings of contacts 210 a-210 j in both the vertical and horizontal directions can be the same or substantially the same after addition of the invention as prior to addition of the invention. Although W and L ( Other strategies for increasing resistance to SEU can be used together with what is described above if desired. One of these strategies is the use of folded gates. Examples of folded gates are shown in It will be understood that the foregoing is only illustrative of the principles of the invention, and that various modifications can be made by those skilled in the art without departing from the scope and spirit of the invention. For example, the arrangement of contacts 210 and gates 220 shown in Patent Citations
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Archaeoligical Site The area has been inhabited for thousands of years.
Ecology in Harmony Volunteers assist with waste management. |
2015 Mexico Peace Index by Reposted from Borderland Beat from content developed and distributed by Vision of Humanity's Mexico Peace Index. Playa Viva is located in the State of Guerrero which is rated as the ... Read this full entry |
Playa Viva, un hotel de exito sustentable
July, 2013 - Las Paginas Verdes / Noticias Verdes - Playa Viva, un hotel de éxito sustentablePlaya Viva, un hotel de éxito sustentable... Read this full entry |


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********** is an iOS and Android app used to earn "Junocredits" towards gift cards to some stores. It's fairly new as when you download and install it you will notice the price of some of the rewards, they're pretty low. Ways to earn: Download apps - Ranges between 0.16 - 0.22 JunoCredits per download (maybe higher) Invite people - You get 0.50 JunoCredits per referral and they get a bonus of 0.25 Like Facebook pages - 0.25 JunoCredits per like Watch videos - (coming soon) What you can redeem: $10/$20 Starbucks Card $10/$15/$25 iTunes Gift Card 1600 Microsoft Point Card $20 Nintendo 3DS Prepaid Card 3 Month Gold XBL Membership $10/$15/$25 iTunes Gift Card Restaurant Gift Cards (only participating restaurants within the program) TO GET AN ADDITIONAL 0.25 JUNOCREDITS, USE MY INVITE CODE VS805251 Thanks
Yessss!!!!! Finally managed to hack my code instead of 0.25 cents you get ten dollars!!!!!! Code: JD1055932


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Fall is Here!
Mia Harper is the face of Fall on hallmarkbaby.com! Fall Essentials are available for your little one today
Mini Models for Hallmark
A couple of Hoffman's baby stars are currently featured on hallmarkbaby.com! Astro Pratt can be seen on the homepage, while Jack Wilder is on the banner for the Little Boy section. Our little guys rock the latest Hallmark Baby fashions so well!
Top 12~Miss America 2015
Hoffman Model Alex Eppler placed in the Top 12 at the Miss America 2015 competition! Click here to see her official profile. Congratulations, Alex! The full Top 12 list can be viewed here: http://www.missamerica.org/compete/default.aspx
Hallmark Halloween
We welcome the approach of Halloween with this Trick-or-Treater Greeter spot featuring Hoffman model and actor Misty Dimitt!
Standard Style
Congratulations to Hoffman model Christina Johnson for her consistent bookings with Standard Style! Click here for their official Facebook page with look book images featuring Christina.
AMTC Highlights
As the summer comes to a close, we look back on some exciting highlights of the season. Did you know the top 3 female AMTC fashion finalists (1st, 2nd and 3rd place) were all Hoffman models? Congratulations to Sophia Dominguez-Heithoff, Grace Adams and Shanley Lenart! Overall winner was Sophia Dominguez-Heithoff.
Baldwin Denim
See Hoffman model Isaac Tullis in Baldwin Denim's online LookBook: www.facebook.com/baldwindenim. In other news… CONGRATULATIONS to Isaac for recently signing with Kim Dawson Agency in Dallas, TX!
Labor Day Hours
Hoffman International will be closed for Labor Day on Monday, September 1st and will re-open for normal business hours on Tuesday, September 2nd at 10am. Enjoy your Labor Day Weekend!
Are You Wearing Sunscreen?
This video takes on an interesting perspective about the importance of wearing sunscreen. It shows what skin looks like under ultraviolet light and reveals not-yet-visible changes caused by exposure to UV rays. Discover how the sun sees you!
Jae Feinberg Photo Movement Seminar
World renowned photographer Jae Feinberg will hold an exclusive Photo Movement Seminar at Hoffman on THURSDAY, NOVEMBER 6th from 5:00pm-8:00pm! ***ALL talent (ages 10+) are eligible to participate in this session, whether or not you are shooting with Jae's team this fall or have attended one of her seminars in the past*** It is a
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Get up, get going, and get your bidding on early this morning with Artie McDonnell on Your Morning Buzz, when he has both Blue Moon Trio and Last Free Exit on the show to perform live sets starting at 7AM! Open that wallet and pick up that phone to bid on these fabulous local bands! 888-931-0901.
PLAYLISTON Your Morning Buzz: Thursday | April 17, 2014 | 6:00 am