text:
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text:
PCC Wait List - page 3
Hi, Has anyone who is a PCC alternate heard yet? Does anyone know when we might start hearing? On the edge of my seat (still!)... Read More
- 0Aug 24, '11 by jimithing112Oh wow! Well best of luck to you!
- 0Aug 25, '11 by KellT1203JDNurse2Be,
If I were you I would have chosen OHSU too. I have heard A LOT of their graduates get hired at OHSU if you are interested in working there.
I start their RN to BSN program in September. I am so excited. I graduated last year with my ADN, didn't think I would be headed back for my BSN so soon.
Good luck to you, and to everyone else joining this great career.

subset: commoncrawl


text:
Cheap Monday
Women's Cheap Monday 'Shape' Lace Racerback Bra
Details & Care
Seaming structures a low-cut lace racerback bra, the perfect compromise between sporty and sultry. A logo skull charm suspends from the V-neckline. Color(s): pink. Brand: Cheap Monday. Style Name: Cheap Monday 'Shape' Lace Racerback Bra. Style Number: 816165.See More Details


text:
RCBS Ultrasonic Case Cleaning Solution 32 oz Liquid
Product #: 134991 RCBS #: 87058 UPC #: 076683870582
Product Information
The RCBS Ultrasonic Case Cleaner is the perfect cleaner for the reloader looking to clean their brass with ultrasonic cleaning solutions. This 32 oz. bottle of concentrate will make up to 10 gallons of case cleaning solution and can be used in any ultrasonic case cleaner. This cleaner is specially formulated to remove carbon buildup, metal oxides and tarnish from brass cases. Ultrasonic cleaners clean the inside and outside of cartridge cases and even clean the dense build-up of carbon in the primer pockets (when primers are removed prior to cleaning). The formula is non-corrosive, non-combustible and is shipped in a nice thick plastic bottle that has a built in measuring cup.
Technical Information
Use: Designed for use in any Ultrasonic Cleaner
1 quart makes up to 10 gallons of case cleaning solutions
Ultrasonic case cleaning cleans brass cases, it does not polish them. To get a nice bright shine on cases, they will need to be polished after the ultrasonic case cleaning process
Technical Information
Use: Designed for use in any Ultrasonic Cleaner
Delivery Information
The total weight of the product, including the product's packaging as it sits on our shelf. Since some products ship directly from the Manufacturer, their weight may be unavailable. Because of variations in the manufacturing process, similar products may have differing weights. Unless the product is designated as "Ships Alone", Shipping Weight does not include the shipping box or packing materials associated with your order.
Product ships from MidwayUSA, separate from any other products on your order due to its size. Products that are Shipped Alone incur separate "Per Order" and "Per Pound" shipping charges.
Product is regulated by the US Department of Transportation (DOT) and cannot be shipped via USPS or air shipping methods. DOT-Regulated products must ship UPS Ground.
Product is restricted by shipping carriers and cannot be shipped to certain locations or via certain shipping methods.
Additional shipping charge for HazMat products. Carriers charge extra to ship packages with products they consider hazardous, such as reloading powder and primers.
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Hi all, Following Doug's email about TPAC registration in Santa Clara http://lists.w3.org/Archives/Public/public-audio/2011JulSep/0037.html Attendance for the Audio Working Group F2F meeting on Monday, 31 October is still *very low*: Only two participants - Thierry Michel <firstname.lastname@example.com> (W3C/ERCIM) - Alistair MacDonald <email@example.com> (W3C Invited Experts) If you plan to attend this meeting please voice now. If attendance remains at this critical level, we will have to cancel this F2F meeting, to avoid extra costs. Thierry.Received on Thursday, 6 October 2011 08:29:09 GMT
This archive was generated by hypermail 2.2.0+W3C-0.50 : Thursday, 6 October 2011 08:29:10 GMT


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Trip Out: Aaron Tveit Returning to Gossip Girlby Steve Marsi at . Comments
Aaron Tveit is returning to Gossip Girl as Trip van der Bilt, Nate's politically ambitious and scandal-prone cousin. He will appear in a multi-episode arc this season, although it's not clear exactly when.
It's also unclear why he's back, but if he still has big-time political aspirations, his family's involvement with media mogul Diana Payne (Elizabeth Hurley) and Dan's tell-all book could pose problems.
Just a theory there. Or he could just be returning to woo Serena.
Trip's affair with Serena - who was termed a teenage Rielle Hunter by Lily in one of our all-time favorite Gossip Girl quotes - threatened both his political career and his marriage in Season Three.
It didn't end well for him. Nate, in one of his best moments to date, punched his cousin after Trip and Serena got into a car accident and he made it look like she was driving to avoid a scandal.
Maybe he and Nate will throw down again this season. What do you think? Are you excited for the return of Trip? What do you think brings him back to Gossip Girl in Season 5? Comment below!
Steve Marsi is the Managing Editor of TV Fanatic. Follow him on Google+ or email him here.Tags: Gossip Girl, Casting News, Spoilers
@ robyn.stahley: the name was Gabriel Serrano, and he was played by Armmie Hammer who made a breakthrough in The Social Network and is a rising star at the moment, the thing is, when Armmie played Gabriel, his haircut was not impressive, but now he looks way better.
But he's still better than weird guy Serena thought she married, the one who dated Poppy. His name isn't coming to me.
That guy is so dorky.
Hopefully this will lead to "The Grandfather Part III", fingers crossed. @ Uncle Jackass: you have to admit, a good thing about Nate and Raina was that it proved Nate can throw a smoldering look to a woman, like he did to Raina in the pot scene in 3x16, I mean that was some look he gave her. And Diana Payne served a similar purpose in the last episode, boy that kid flirted with her, the "sex for the interview" dialogue kinda shocked me, the fact that it come from Nate I mean.
diana probally wants to ruin the archibalds /van der Bilt 's in some way and thats why she wants nate, since she prob heard that he likes sexy cougers
I love Trip and William Vanderbilt! I really hope that Nate gets a good storyline for once. The books focused on Nate... I love how the writers are bringing back the stoner side of him though :)
Oh god no I hated him.
Perhaps this will ignite the Serenate ships back together. I never did like the whole Diana Payne, Future Charlie, Raina, Wife of a Lord relationship sagas'. Chace's character deserves better. A white knight to defend against the stalker Tripp would seem somewhat interesting.
Good maybe this will give Nate something to do other than hangout and be a pawn in other peoples schemes last season he was Juliet's puppet this season it appears that Diana has started pulling his strings
Hmmm. Very interesting. I hope Nate gets the chance to stand up for Serena again, he was so sexy when he did that. I hope Nate gets out of his obsession with this Diana. It's pathetic seeing him crawl around like a lovestruck puppy just because of some good sex. As for Tripp...who knows why he's back? I think that since Serena has not guy around, Tripp might try to woo her a bit. It'll be interesting to see how he shakes things up. If he does, anyways.


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£235,000 Sold 2 Bedrooms Mouse Cottage, Grafton, Hereford
The property itself is a 2-Bedroom semi-detached cottage which is serviced by oil central heating and a septic tank. Downstairs there is a Kitchen / Diner, which leads into a Living Room and opens into a bespoke conservatory which enjoys wonderful rural
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Male , 18-21
Feeling depressed
NY United States
Its my birthday... And im already crying
Last Seen Dec 1
Member Since Nov 14, 2012
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Profile Whiteboard Recent Activity 11 Stories 23 Experiences 15 Friends 4 Confessions 2 Questions Trophies
Scarlett.... Im sorry for everything ive done.... ive hidden a lot from you that i should have told you sooner.... you are absolute love of my life..... you make me happy... you make my world go round... [more]
I'm Kinda Sick Of It At This Point I find it really, how do I say... Depressing that every girl I know goes for a guy that either uses them for sex and hurts them, or cheats and treats them like dirt, then they complain to me about it … [more]
Was I Born To This Family?... I'm the youngest of 5 of us, me being 16 year old only... I have both my parents alive and well. All my siblings are happy... Then there is oddball me... The kid who does do anything… [more]
I Just Want A Simple Hug....... A Long Hug... I just need a hug... I don't get very frequent hugs and when I do, they are short and half assed... I have not ever had a hug that basically tells me: "your lying, i KNOW something is wrong now."… [more]
I Am In a Long Distance Relationship:'( I've been in this long distance relationship for 2 years. It's pathetic, we are two states away (she lives in Indiana and I live in New York)... This girl was one of the best things that happened to m… [more]
I can't hold it anymoreI'm looking for someone who honestly cares for me. Someone who will stay by my side no matter what happens. Someone, anyone... :(… [more]


text:
Definitions for magnetomotive force unit
This page provides all possible meanings and translations of the word magnetomotive force unit
Princeton's WordNet
magnetomotive force unit(noun)
a unit of measurement of magnetomotive force
Find a translation for the magnetomotive force unit definition in other languages:
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"magnetomotive force unit." Definitions.net. STANDS4 LLC, 2014. Web. 18 Dec. 2014. <http://www.definitions.net/definition/magnetomotive force unit>.


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Maxwell Technolgies Files Amended Form 10-K For Fiscal Year 2012
SAN DIEGO, Oct. 10, 2013 /PRNewswire/ -- Maxwell Technologies, Inc. (Nasdaq: MXWL) filed an amendment to its annual report on Form 10-K for the year ended December 31, 2012 with the Securities and Exchange Commission today solely to update the report of its independent registered public accounting firm on the financial statements to reference the fact that the December 31, 2011 financial information contains restated numbers, in response to a comment from the Staff of the Securities and Exchange Commission. The financial statements previously filed in our 2012 Form 10-K have not changed and no other item or disclosure appearing in the 2012 annual report on Form 10-K is affected by this amendment.
(Logo: http://photos.prnewswire.com/prnh/20121018/LA91771LOGO)
About Maxwell Technologies, Inc.
Maxwell is a global leader in the development and manufacture of innovative, cost effective energy storage and power delivery solutions. Our ultracapacitor products provide safe and reliable power solutions for applications in consumer and industrial electronics, transportation, renewable energy and information technology. Our high-voltage capacitor products help to ensure the safety and reliability of electric utility infrastructure and other applications involving transport, distribution and measurement of high-voltage electrical energy. Our radiation-mitigated microelectronic products include power modules, memory modules and single board computers that incorporate powerful commercial silicon for superior performance and high reliability in aerospace applications. For more information, please visit our website: www.maxwell.com .Media & Investor Contact: Michael Sund +1 (858) 503-3233; firstname.lastname@example.com SOURCE Maxwell Technologies, Inc.
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In 9.54 and 9.55-pre tar files, there is no subdirectory libwww\modules\idn\, but file libwww.dsp looks for source code under this directory name. This caused the compilation to fail. Did I miss something or do things in a wrong way? Thanks, --ChengReceived on Wednesday, 20 June 2007 07:14:19 GMT
This archive was generated by hypermail 2.2.0+W3C-0.50 : Monday, 7 December 2009 10:49:02 GMT


text:
Kairosoft can take 16-bit graphics and a few scripts and turn them into fun over and over again without fail. This time the Japanese mobile game developer has strayed a bit from its typical approach, though, by combining its world builder-style titles with a Pokemon-esque RPG element. Yeah, it's weird.
Back in July, popular game developer Kairosoft released a new game called Oh! Edo Towns. Much to the surprise of Kairosoft-lovers, however, it was region locked to Japan.
But not anymore. Now, Oh! Edo Towns is available in the Play Store for all users.
Oh! Edo Towns keeps that familiar (and loved) Kairosoft style, but goes back in time to the Japan's Edo days. Build houses, castles, and all other sorts of old-school architecture, and place building side-by-side to create "combos." It's your town - build it how you see fit!
Quick. Name the top three most time-consuming video games you can. Did you say RPGs, sims and "anything that even remotely looks like Farmville"? Well, one, Farmville already is kind of a sim so that doesn't really count and two, yes! Now, what happens if you mix all of these together into one big, colorful Japanese game? You get Kairobotica.
Part of the game takes place in a sim space colony where you build shops, tech, and bolster your forces for missions.
Have you ever dreamed of creating and managing your own imaginary school? No? Well Kairosoft has launched a game that lets you do just that, regardless.
Indeed, Kairosoft, who has in recent memory brought us such releases as Dungeon Village and Cafeteria Nipponica, today made available a "management simulation game" called Pocket Academy. As its name suggests, with the app, you can use your phone to create a school that matches your dreams perfectly.
If you've ever taken a look at the top Android games (or if you just follow Android news closely), you've almost certainly heard of Kairosoft before. They're the developer behind major hits like Game Dev Story and Grand Prix story. Now the company is back with a new title: Dungeon Village.
The game looks quite similar to the other titles, but they seem to think it has a bit of an RPG flair to it (though we can't figure out how):
So, who's ready for another Story game from Kairosoft? This go around you're not developing games, managing a spa and inn, or racing your way to glory - this time you get an entire planet to yourself!
Epic Astro Story puts you on an untamed planet, and it's your job to make it livable. Once you've made your ideal habitat, the game isn't over - you have to protect it.
Kairosoft, maker of the many popular Story games (such as Game Dev Story and Grand Prix Story), has released a new game called World Cruise Story. As with the other games, the title really says it all: your objective is to manage a cruise liner from top to bottom in order to meet objectives and make money, much like old-school games such as Sim City or Roller Coaster Tycoon.


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Ok so I am about 4 days into my first batch of wine and the fermentation seems to be going strong. However, the smell coming out of the fermenter is not what I expected. It does smell faintly of grape juice and yeast...but it almost smells a little "off". Not sure how it is supposed to smell but it does not smell like wine. Am I just fretting over nothing?
God invented whiskey to keep the Irish from ruling the world.
Are you using a new(er) airlock?? I get that new rubber smell for quite a while but I can distinguish it from the others. It shouldn't affect your wine as long as the liquid isn't touching the rubber stopper.
I'm doing it in a bucket so no rubber. It is a new airlock though
You could hang a dozen roses in there and it will still smell just the same.
Its the smell we wine makers love, the faint rotten grape with deviled eggs thrown in.
It will go away in a week. Not to worry...
Ok yes, that is kinda what it smells like. Glad to hear it is normal. Thanks!
My house smells like a bakery making the morning bread when I make it.


text:
Kwikset Circa 788A Single Dummy Knob
The Kwikset Circa 788CA single dummy knob's smooth circular design adds a necessary touch to just about any door.
Dummy: Utilize this single dummy lever to create a uniform look throughout your home in the areas that do not require mechanical systems. Dummy levers are surface mounted with no locking mechanism and are used primarily for the inactive door in a double door installation serving as a pull.
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Review Summary
These glamorous peep-toe pumps treat you to an on-trend look and the padded insole gives a truly comfortable fit. Slip it on and step out for the evening.
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Returns are easy on belk.com. Easy returns
More from: Bandolino


text:
Senior Member
How come every release that riot is the most proud of happens to be a Piltover champion?
Jayce was labeled as innovative and new, and now the same is being said about Vi.
Grand Viper
Hmkay...Two questions. How would she feel in regards to the other two champions who punch, Udyr and Lee Sin? (I know he's more kick oriented, but come on, he punches too!)
And my second question is who would she find the most interesting champion in the League to be? Or top few, or something on those lines, really.
Who does she have the hots for? Any current champions?
If she played Bloody Knuckles with Lee Sin; who would win?
Also-- there are some champions in the league that look like really bad news. Like, beyond punchable news. Xerath, the almost-god, Syndra, a transcedent mage, Zed, a ninja who unlocked some forbidden arts, Hecarim, an shadow centaur-thing, Karthus, a lich, and the new Thresh, an undead-soulstealer. Does she really think she can punch her way through these guys if they ever decided to give her trouble? I'm not sure even trying to punch half the people from the Shadow Isles would even do anything.
Or put it this way-- If Vi ever comes across a problem she can't punch to bits, how would she react? Especially if this problem was trying to kill her?
What does Vi think of her fellow Piltovernians (correct term?)
Has Vi developed a certain kind of fighting style or is it just "punch as much as you can" thing?
What does she think of Syndra and Xerath?
Does she remember her parents or miss them?
How are Vi and Jayce connected????, rivalry, bf and go, siblings, etc. What is it!?!?!?!?
Please tell me more about this rag tag group of criminals! Knowing this will help me understand if there is any bandits in the world of League of Legends. Is Rob Blackblade connected to Vi in any way?
Who punches harder- Vi or Blitzcrank?
© 2014 Riot Games, Inc. All rights reserved. Riot Games, League of Legends and PvP.net are trademarks, services marks, or registered trademarks of Riot Games, Inc.


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Reviewed Carrot and Pineapple Cake
Jul 28, 2012 in Food Network Community Toolbox on FoodNetwork.com
"I made this cake for my husband's birthday because he loves carrot cake. I have found a winner! This cake is like the one my mother maked when I was a child. The pineapples are a must. Cake is moist and very flavorful. I modifiy the icing by adding powdered sugar to taste. I am no where near a pound of sugar. This is a keeper that I am teac""
Reviewed Butter and Jam Thumbprints
Dec 18, 2011 in Food Network Community Toolbox on FoodNetwork.com
"i just finished my first batch. Tthey turned just perfect. followed directions to a T. I made sure to make my thumbprint pretty deep so I didn't have ant problems with jelly leaking overboard. Make the balls one inch in size so the well is deep for the jelly. Loved these cookies, this is a keeper!"""
Reviewed Pumpkin Bars
Nov 14, 2011 in Food Network Community Toolbox on FoodNetwork.com
"Very easy recipe to follow. I added a little nutmeg for spice and made whipped cream instead of icing. Sweetened whip was prefect topping. (My husband wouldn't eat a piece without it. Very moist and didn't last long. I'm glad I found this recipe."""


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Installing Apache And ColdFusion 9 On Ubuntu 9.04
Submitted by Paul_k (Contact Author) (Forums) on Fri, 2009-10-09 15:38. :: Ubuntu | Apache
Installing Apache And ColdFusion 9 On Ubuntu 9.04
Ubuntu is now an officially support Operating system for ColdFusion 9. This is a guide on installing Apache and ColdFusion 9 on a clean install of Ubuntu 9.04. This starts with a clean install on Ubuntu 9.04 with no additional options selected during the install.
If you are planning on running PHP side by side with ColdFusion my recommendation is to set up PHP first then ColdFusion.
Update the server:
sudo apt-get update
sudo apt-get upgrade
Install ssh server so we can work remotely:
sudo apt-get install openssh-server
Install a slightly better version of Vim (not needed if you don't use vi):
sudo apt-get install apt-get install vim-nox
Reboot to apply any changes from the upgrade.
sudo reboot
At this point I switch to a remote ssh client (putty Windows or terminal on OSX). We are now ready to install Apache.
sudo apt-get install apache2
I like to make one change to the default index.html for testing:
sudo vi /var/www/index.html
Test the Apache install:
OK Apache is functioning.
There is one additional library required for C++ custom tags, webservices and some cfimage functionality to work properly. If you do not install this you will be warned in the installer process:
sudo apt-get install libstdc++5
At this point you need to download ColdFusion 9. This example is using the 32 bit Linux version. I don't need ftp on this server so I will use scp to move the ColdFusion 9 installer to my home directory.
Make the installer file executable:
chmod +x ColdFusion_9_WWE_linux.bin
Run the installer:
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I will install the standard version with jrun.
I will install all the default components. If you do not need a subcomponent opt it out.
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This Is England 2013: We've Become a Nation of Concentrics
Jason Holmes | Posted 22.03.2013 | Home
Read More: James Bond, Charles Dickens, Britain, Jeremy Paxman, Society, UK Culture, UK Media, The British, Home News
A holiday based around an emotion? Can the British cope with that? We can only just manage Valentine's Day. Having to express both romance and gratitude in one year might overload us. We're not great at giving thanks, at least not when it matters. I've said thank you to shop assistants probably a hundred times in the last year. Have I thanked my parents for bringing me up in that time, or my partner for his support? Of course not.


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niccisix's Mom Answers Activity
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After reading these comments, I'm feeling more secure in my desire for a planned c section. Ppl who tell me that I wouldn't tear...posted by Daniellekca
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Category Archives: General Information
Library Catalog Downtime
Starting the morning of Sunday, December 21, the Libraries' Catalog will be unavailable due to a systems upgrade and migration until Saturday, December 27.
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Journal List for the Institute for Student Centered Learning Conference
BU Subject Librarians compiled a list of journals pertaining to pedagogy, teaching, and education in a variety of humanities, social science and science disciplines. The more widely indexed journals include: American Biology Teacher Anthropology and Education Quarterly Career Development Quarterly College … Continue reading
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June 18, 2013
Sammy is a Poodle-mix and he's had just about the worst hair day ever. He desperately needs a trip to the beauty salon, but the folks at Animal Control say he looked even worse when he first came to the shelter. Obviously he has been neglected and needs some tender loving care. He is very sweet and gentle and will make a wonderful family pet. He's only a year old and weighs about 10 pounds. His adoptive parents should plan on minimal grooming, but he'll be worth it. Under all that matted fur is a gorgeous boy that deserves a better life. He can be rescued and adopted at Newton County Animal Shelter, located at 210 Lower River Road in Covington. The shelter usually has between 20 to 30 dogs and an equal number of cats eligible for adoption. The adoption fee for a dog or puppy is $25 and $10 for a cat or kitten. Spaying/neutering is mandatory for all animals. The shelter is open from 11 a.m. to 4:30 p.m. Monday through Friday and from 10 a.m. to 1 p.m. on Saturdays. The phone number is 770-786-9514. Anyone who has lost a pet is urged to go to the center and bring a photo of the missing animal.
Stories this photo appears in:
Sammy, Smokey need new homes
A variety of dogs and cats are available for adoption at the Rockdale and Newton animal shelters this week.
Use the comment form below to begin a discussion about this content.


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Tue, Dec 06, 2011
One of aviation's pioneer women passed away November 17th. Betty
Haas Pfister, who served as a WASP during WWII, died at her home in
Aspen, CO, at the age of 90.
Smithsonian Image
Ms. Haas Pfister began her aviation career while a student at
Bennington College in Vermont in 1942. According to a bio posted on
the website of the Aspen Hall of Fame, she joined the WASPs in
1942, and ferried aircraft ranging from fighters to B-17 bombers as
a 21-year-old woman. The New York Times reports that, after the
program was shut down in 1944, she found work as an airplane
mechanic and occasionally flew cargo planes, as well as becoming a
flight instructor. In 1948, she became a flight attendant for Pan
America Airlines, one of the few women in that role with more than
1000 hours PIC time in her logbook.
She purchased a surplus P-39 in 1946 for $750, and flew
"Galloping Gertie" in air shows and races around the country. The
airplane has since been donated to the Smithsonian, which loaned it
to the Niagara Aerospace Museum in Niagara Falls, NY.
Among the awards and accolades bestowed on Ms. Haas Pfister were
the Elder Statesman of Aviation Award, and induction in the
Colorado Aviation Hall of Fame in 1984. In 2010, she was one of the
WASPs to attend the Congressional Gold Medal ceremony in
Washington, D.C.
She married Art Pfister in 1954 and had three daughters.
Among her pilot ratings were commercial rotorcraft, gliders, and
balloons. She founded the Pitkin County Air Rescue Group, a
volunteer organization which assisted in SAR efforts for downed
aircraft and skiers lost in the Colorado mountains. She was also
the founder and first member of the Aspen Chapter of The
Airborne 12.19.14: Falcon 8X Unveiled, Sporty's 172LITE, Bizarre CA AvGas Lawsuit Settled
Aero-TV: Redbird's Roger Sharp -- Pushing The Aero-Educational Envelope
Airborne 12.17.14: Evergreen Woes, Foolish Pilot Tricks, No 757 Replacement -- Yet
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That's awesome. Our city's book is nowhere near as awesome. I'm struggling to build up the enthusiasm to read it.
San Francisco has got it together.
Comment by Dan O — September 14, 2013 @ 5:17 am
913374 272134Couldn?t be developed any much better. Reading this post reminds me of my old room mate! He always kept talking about this. I will forward this report to him. Pretty certain he will possess a great read. Thanks for sharing! 563648
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by October 17, 2014
Survey Innovation Series Part 1 It used to be that paper and postcard surveys were the way to go for gathering event feedback. The challenge with this approach? Receiving attendee feedback after the fact when the excitement has worn down and specific details are faded from memory. These days, thanks...read more
by October 15, 2014
For both B2B and consumer market researchers the question that lies in the back of our minds is to what degree is our sample a reasonable measure of the population(s) we are interested in? All aspects of our projects can be spot on, but if the respondents do not form a representative sample then the...read more
by October 14, 2014
Our faithful friend, the Cvent Web Surveys blog, turned six this month. So what better way to wish it happy birthday than to look back at six of the best posts of the year. Enjoy these reads and feel free to comment below to let us know what you'd like to see/read about in our blog for this coming...read more
by September 26, 2014
When considering the type of data needed from a survey question we have several choices; nominal, ordinal, interval and ratio. In addition to the type of data, most survey platforms offer the survey author a wide variety of visual presentations. This post focuses on the use of numerical scales...read more
by September 19, 2014
Tinder, the prolific online dating app that found its way onto the phones of millions of Americans searching for romance in one form or another, has revolutionized the dating scene for better or worse. And it's really a simple concept. The app integrates with Facebook, pulling in users' Facebook...read more
by September 17, 2014
How valuable is your proposition? Value propositions are a two-way street. From the company they are a promise of value to be delivered and from the customer's perspective they are a belief that value will be experienced. These all important statements can apply to your entire organization, or parts...read more
by August 18, 2014
Inter-generational differences between Baby Boomers, Generation X, and Generation Y are especially pronounced in the workplace. It's not hard to see why. The sheer range of communications styles, skill sets, aspirations, and values of different employees sitting side-by-side, confined within the...read more
by August 6, 2014
Don't push that button! Or should we? Research conducted by Marketing Experiments sheds interesting light on this design question. In this example there was a direct comparison in the form of an A/B factorial test of radio buttons versus drop down menus on an order form. The research question was...read more
by July 14, 2014
Market research studies serve many purposes. With each purpose comes its own set of unique survey questions and design challenges. The tracking study is one of those projects that are commonly employed in both consumer and B2B market research settings. Consistent with its name, researchers who...read more
by April 22, 2014
Are we a thing of the past? Will big data replace survey research as we know it? This question is being thrown about through all of the marketing research circles. There is no doubt that big data will impact the way marketing moves through its next evolution. For context, the same questions arose in...read more


text:
Central European Distribution Corporation Working With RTL And Holders Of Senior Secured Notes On Restructuring Proposal
MT. LAUREL, N.J., March 4, 2013 /PRNewswire/ -- Central European Distribution Corporation (NASDAQ: CEDC) confirmed today that it has received a proposal for a financial restructuring of CEDC and CEDC Finance Corporation International, Inc. ("CEDC FinCo") from Roust Trading Ltd. ("Roust Trading") that is also supported by certain beneficial owners of the $380 million 9.125% senior secured notes and €430 million 8.875% senior secured notes, each due 2016 issued by CEDC FinCo (the "2016 Steering Committee").
CEDC is evaluating this proposal and expects to make a final determination on its merits within the coming days. In the interim, CEDC's advisors are working with the advisors to Roust Trading and the 2016 Steering Committee to position CEDC to implement a revised consensual transaction consistent with the timing described in the offering memorandum distributed by CEDC in respect of the exchange offers launched on February 25, 2013.
This press release is for informational purposes only and is neither an offer to buy nor a solicitation of an offer to sell the notes or any other securities of CEDC.
Contacts:Sitrick And Company Thomas Mulligan email@example.com+1 212 573 6100 Central European Distribution Corporation Anna ZaluskaCorporate PR Manager+48 22 456 6061 SOURCE Central European Distribution Corporation
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text:
Damian's 78s (and a few early LPs)
Contact meRead my blog
Landon Ronald was a hugely important figure in British musical life for the first third of the 20th Century. He was a longstanding Principal of the Guildhall School of Music, and a vital contributor to the classical activities of the Gramophone Company, recording extensively with the New Symphony Orchestra (later the Royal Albert Hall Orchestra) both in purely orchestral works, and as concerto and vocal accompanist. He also recorded extensively as a piano accompanist in the first years of the gramophone. He recorded many works both acoustically and electrically, waxing accounts of Beethoven's 5th Symphony, Dvorak's New World, Tchaikovsky's 4th, 5th and 6th Symphonies amongst the longer works.
Landon Ronald's conducting is discussed in Filson Young's 1911 study of music and musicians, "More Mastersingers", within a section on The Art of the Conductor. Young divides conductors into three broad types, exemplified by Henry Wood, Landon Ronald and Hans Richter.
A fairly complete Landon Ronald discography is also available on this site.
Mozart – Le Nozze di Figaro – overtureNew Symphony Orchestra, Landon Ronald
His Master's Voice D 141Matrix ac5551f (single side number 0682)Recorded 7th October 1911
Sibelius – Finlandia (abridged)New Symphony Orchestra, Landon Ronald
His Master's Voice 0683Matrix ac5553fRecorded 7th October 1911
Beethoven – Leonore Overture No.3 (slightly abridged)New Symphony Orchestra, Landon Ronald
His Master's Voice 0701 to 0703Matrices Ac 5598f, 5599f, 5600fRecorded 21st October 1911, London
The first side contains the slow introduction. The second has the Allegro up to the end of the first trumpet call. The third side starts after the 2nd trumpet call (so the passage between the 2 trumpet calls and the 2nd call are omitted, bars 278-299). It then proceeds to the end, except for cutting from the bar before G (bar 401) to the bar before H (bar 451). By having side joins at slightly more awkward places, the overture can be fitted complete on 3 sides (as Klemperer managed, for example) but these were early days! It's a vigorous performance, as one comes to expect from Ronald, with fine orchestral playing, and a fair amount of portamento. The records are obviously very old, and particularly noisy at the start of each side, but I've done what I can to make it listenable.
Ronald recorded this work again electrically in the autumn of 1925, again taking 3 sides, though I'm unsure whether or not the later version was uncut.
This recording was made at Ronald's 3rd acoustic orchestral recording session.
Liszt - Hungarian Rhapsody No.2New Symphony Orchestra, Landon Ronald.
Available to download from Historic Recordings
His Master's Voice D 144Matrices ac 5597f (single side number 0726)Recorded 27th October 1911
This was Ronald's one and only take of this work.
Weber - Oberon OvertureRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 154Matrices Ac 5829f (single side numbers 0724)Recorded 16th December 1911
The Oberon overture is substantially cut. The following bars are included: b23-82, b91-122, b162-182, b207-221(end). It was Ronald's only account of this score.
Debussy - "Prélude à l'après-midi d'un faune"Royal Albert Hall Orchestra, Landon Ronald
Debussy - Prelude a l'apres-midi d'un faune - Ronald (1911/16)
(mp3 file – click to play, or right click the link, then select "Save as")
His Master's Voice D130 (earlier version)Matrices Ac 5827f and HO 1836aoRecorded 16th December 1911 and 6th May 1916.
As far as I can tell, three issued recordings (1911/16, 1922, 1926) represent the whole of Ronald's published discography of the Faune. He recorded it slightly abridged on 2 sides in 1911. There was clearly a problem with the second side: further unsuccessful attempts were made at this side in 1912. In March 1914, the first side was issued in Germany, both single-sided, and coupled with Ronald's 1912 recording of the Prelude and Minuetto from Bizet's L'Arlesienne (see below). The successful remake of side 2 in 1916 was not issued until 1918. The "complete" recording was first issued on two single-sided records, 0722 in July, and 0723 in September 1918, with the double-sided D130 following later, along with a double-sided issue in France, W317, in December 1919.
The same double-sided catalogue number, D130, was used when the work was re-recorded in 1922. The same abridgement was used, but there is a distinct improvement in sound quality.
It was perhaps no surprise that this work was a prime candidate for re-recording when the electrical process was introduced, and indeed we find Ronald back in the studio in the autumn of 1926 to record a complete account of the score.
The two acoustic versions contain the following:Side 1: bars 1-4, 8-30, 37-51Side 2: bars 55-78, 94-110 (end)27 bars in total are therefore cut from the score.
It is noticeable that in the 1922 version the strings and harp are more prominent, providing a better overall balance to the sound. The flute phrases the main theme better, breathing in a less awkward place than in 1911. The bassoon trills at bar 28 (2'16" in 1922) are more audible than in both 1911 (at 2'33") and 1926 (also around 2'33"). Curiously, the cymbales antiques are much less audible in the 1922 recording, particularly when compared to their prominence in 1916. In 1926, the higher of the two cymbals antiques (in B) comes through particularly well, but the lower (in E) is not very prominent.
Berlioz - Marche Hongroise (from La Damnation de Faust)New Symphony Orchestra, Landon Ronald
Download - Berlioz - Marche Hongroise - Landon Ronald
(mp3 file – right click the link, then select "Save as")
His Master's Voice M 203 (Indian pressing from Calcutta plant)Matrix Ai 5867f (single side numbers 0746)Recorded 6th January 1912, London
This was coupled with Joszka Szigeti's 1912 recording of Sibelius's Valse Triste
Beethoven – Egmont – overtureNew Symphony Orchestra, Landon Ronald
His Master's Voice D 141Matrix al5935f (single side number 0734)Recorded 20th January 1912
Schubert – Symphony No.8 in B minor "Unfinished" (abridged)I – Allegro moderato (2 sides)II – Andante con moto (1 side)Royal Albert Hall Orchestra (late New Symphony Orchestra), Landon Ronald
His Master's Voice D164-5Matrices ac5931f, HO 1055ac, Cc 1620-1 (0731, 0732, 0733)Recorded 20th January 1912, 18th September 1915, 7th July 1922
Ronald's legacy of Schubert recordings is narrow. There were recordings of the Marche Militaire in 1913 and 1923, an unsuccessful Rosamunde G major ballet in 1919, and a second successful, electrical attempt in 1925. There was also a Rosamunde Overture in 1924. Other than this, there were two recordings of the Unfinished Symphony – an abridged version recorded in 1912, 1915 and 1922, and a complete version recorded in 1923 and 1924. The abridged version cuts bars 115 to 170 of the first movement, and does not take the exposition repeat. In fact the second side of the abridged version and the third side of the full version contain exactly the same music. In the second movement bars 61 to 201 are cut, using the first violin unaccompanied passage to cut from the end of the first subject in the exposition to the start of the second subject in the recapitulation.
This abridged recording appears to have gone through three different versions. All three sides were initially recorded on 20th January 1912. On 18th September 1915, two replacement takes for the second half of the first movement were recorded, the first of which was issued. A replacement take of the abridged second movement was not issued. Finally on 7th July 1922, a successful replacement was made for the 2nd movement. This abridged version of the symphony was superseded only 2 and a half years later by a complete acoustic version.
For its double sided issues, the second movement was variously coupled. In France it was backed with Ronald's accounts of Mendelssohn's Spring Song and Bee's Wedding, in Italy with the Gopak from Mussorgsky's Sorochintsy Fair, again conducted by Ronald. The Spanish issue saw an abridged Magic Flute overture from the Neues Tonkünstler-Orchester (Orquesta Sinfonica del Gramophone). In Germany only the first movement was issued, and in Russia, only the second, coupled with Ronald's recording of the 3rd movement of Tchaikovsky's 6th Symphony.
It was the British double sided issue, however, that has the most unexpected coupling: two Russian folk songs played by Andreieff's Balalaika Orchestra, recorded by Victor in New York in February 1911.
Wagner – Die Meistersinger overture (abridged)New Symphony Orchestra, Landon Ronald
Mediafire link for Wagner - Die Meistersinger Overture - Landon Ronald
(This is an mp3 file – left click the link, download the file)
Opera Disc 65365Matrices ac6117f, ac6119f (single-side numbers 040760, 04076)Recorded 2nd March 1912
There is a gap of several bars between the two sides. The first side finishes on the first beat of bar 89 (with a C major chord), and the second starts at bar 122 (with an E flat major chord). This prevents an adequate side join.This was issued by Opera Disc from Gramophone Company matrices held in Germany after the First World War.
Rossini – William Tell – Overture – Andante (Third section)New Symphony Orchestra, Landon Ronald
His Master's Voice 0753Matrix ai6189fRecorded 16th March 1912
Note the presence of a rather sour wrong note from the bassoon around 0:42 to 0:45
Ronald's recordings of the William Tell overture have a rather complex history:
New Symphony Orchestra:17th February 1912 – unsuccessful takes of the Andante (6037f), and the concluding Allegro (6038f) and a successful issued take of the same Allegro (ac6039f, 0754, 020694 040730 060621 2-0250577 D168 S4092 AB110)16th March 1912 – successful take of the Andante, given above (ai6189f, 040729 2-050517 060620 2-0250576 D168 S4092 AB110)7th December 1912 – two takes of The Storm (HO355al, 356al) of which the 2nd was issued (0827, 020737 030657 040758 2-050533 S4102)January 1913 – one take, issued of the opening andante (HO407ai, 0850, 020738 030656 040759 2-0250578 D167 S4094)February 1913 – unissued take of the opening andante (Opening for 5 celli) (HO453ai)28th July 1915 – unissued take of The Storm (HO1714ab), issued take of The Storm (HO978ac, 2-0560, 2-0250585 D167 S4102)
Royal Albert Hall Orchestra:14th June 1922Cc1468-1-2-3 – The stormTake 3 issued on 2-0560X D167 2-0250585X S4102Cc1469-1-2 – Opening andante
7th July 1922Cc1469-3-4-5 – Opening andanteTake 4 issued on 0850X D167 2-050519X 2-0250578X S4094
16th December 1922Cc2249-1 – Andante pastoraleIssued on 0753X D168 2-050518X 2-0250576X S4092
It can thus be seen that the various sections were available as follows:
Opening Andante:two issued takes, from 1913 and 1922, both of which were available on D167The Storm:three issued takes from 1912, 1915 and 1922, the first of which was only issued single-sided, and the other two both available on D167Andante (Pastorale):two issued takes from 1912 and 1922, both of which were available on D168Allegro:one issued take from 1912 - The 1912 final section must have been very good, not to be considered in need of replacement in 1922!
Bizet – L'Arlesienne Suite – Prelude and Minuet (2nd Movement); Adagietto for stringsRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D147Matrices HO 360aj, HO 391aj (0828, 0837)Recorded 7th December 1912 and 6th January 1913.
Ronald also recorded the Farandole, though I do not have it in my collection. The first of these sides was coupled in Germany with the first part of Debussy's Faune in the 1911 recording. To get the full effect, listen to the pre-1922 Faune stopping at 3'55" and then listen to the Prelude and Minuet!
Delibes - Sylvia - Cortège de BacchusRoyal Albert Hall Orchestra, Sir Landon Ronald
Delibes - Sylvia - Cortège de Bacchus - Ronald
(mp3 files – click to play, or right click the link, then select "Save as")
His Master's Voice D 160Matrices HO 406aj (side number 0845)Recorded January 1913Play at 76.6rpm
Coupled with Mendelssohn - Spring Song, Bees' Wedding (1923)
Delibes - Sylvia - Intermezzo and Valse Lente; PizzicatoRoyal Albert Hall Orchestra, Sir Landon Ronald
Delibes - Sylvia - Intermezzo and Valse Lente - RonaldDelibes - Sylvia - Pizzicato - Ronald
His Master's Voice D 161Matrices HO 427af, HO 448aj (side numbers 0849, 0852)Recorded January 1913, 3rd February 1913Play at 78.1rpm, 77.5rpm
Bizet - Carmen - PreludeRoyal Albert Hall Orchestra, Sir Landon Ronald
Bizet - Carmen - Prelude - Ronald
His Master's Voice D 137Matrices HO 456 aj (side number 0863)Recorded 8th February 1913Play at 77.8rpm
Coupled with Mascagni - Cavalleria Rusticana - Intermezzo (1923)
Mendelssohn – A Midsummer Night's Dream – Overture (abridged)New Symphony Orchestra, Landon Ronald
His Master's Voice 0853Matrix HO450ajRecorded 2nd March 1913
This is Ronald's only account of this work, sadly truncated to just one side. The following cuts are made: bb 142 – 157, bb 1964 – 5173, 566 – 585, 620 – end. (inclusive)
Weber - Invitation to the WaltzRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 144Matrices al 8042f (single side number 2-0518)Recorded 11th July 1914
The Weber is credited on label as Royal Albert Hall Orchestra (late New Symphony Orchestra) and plays at 84rpm. It was the second of Ronald's two attempts at the score on this date - an earlier attempt in January 1912 was not issued.
Jarnefelt - PraeludiumRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 154Matrices HO 1061ac (single side number 2-0551)Recorded 18th September 1915Royal Albert Hall Orchestra, Landon Ronald
Ronald made two unissued attempts at the Jarnefelt in May 1915, before two attempts on the 18th September 1915, of which the second was issued.
Delibes - Sylvia - Prelude les ChasseressesRoyal Albert Hall Orchestra, Sir Landon Ronald
Delibes - Sylvia - Prelude les Chasseresses - Ronald
His Master's Voice D 134Matrices HO 1867ac (side number 2-0698)Recorded 27th May 1916Play at 78.1rpm
Coupled with Bizet - Carmen - Intermezzos Acts 3 & 4 (1919)
Wagner – Flying Dutchman overture (abridged)Royal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 128Matrices HO 1980af, HO 1981af (single-side numbers 2-0761, 2-0762)Recorded 8th July 1916
There are several cuts of various sizes to fit this onto 2 sides – this includes a gap between the 2 sides.
Tchaikovsky – 1812 Overture Op.49(abridged on 3 sides)Tchaikovsky – Marche Slave Op.31Royal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 122-3Matrices HO 1871ac, 1978af, 1870ac, 2889af (single-side numbers 2-0660, 2-0664, 2-0674, 2-0834)Recorded 27th May 1916 (sides 1 & 3), 8th July 1916 (side 2), 29th September 1917 (Marche Slave), Hayes
These three sides making an abridged 1812 Overture are Ronald's complete studio time devoted to this work – all are first and only takes.Side 1 contains bars 1-7, 22-95Side 2 contains bars 96-1002, 1083-195, 200-2201Side 3 contains bars 307- 422(end)The Marche Slave (Slav March on the record label) is the second of two takes. Ronald made no other recordings of the work.
Hérold – Zampa – OvertureNew Symphony Orchestra, Landon Ronald
His Master's Voice 2-0571, 2-0572Matrices HO985ac, 986acRecorded 25th August 1916
This recording was made in just one take for each of its sides. The second side has a very clear fluff in the fanfare passage at 5:52 and again on the same chord at 5:58. When the passage returns around 6:30 the players get it right!
Tchaikovksy - Capriccio Italien Op.45Royal Albert Hall Orchestra, Landon Ronald
Mediafire link for Tchaikovsky - Capriccio Italien - Landon Ronald
His Master's Voice D 124Matrices HO 2891af, 2892af (single side numbers 2-0837, 2-0842)Recorded 29th September 1917, Hayes
The sides run at various speeds - the first side runs from about 80 down to 77rpm, while the second is around 75rpm
Rimsky-Korsakov - Scheherezade (Suite Symphonique) Op.35Royal Albert Hall Orchestra, Sir Landon Ronald
His Master's Voice D 131-2Matrices HO 2985af, HO3635af, Cc 2693-1, Cc 2694-II (2-0802, 2-0866, 2-0869, 2-0875)Recorded 24th November 1917 (side 1), 8th March 1919 (side 2), 13th March 1923 (sides 3, 4)
This acoustic recording of Scheherezade is substantially abridged, and omits the openings of the first and fourth movements, and finishes the finale movement early. Ronald attempted the last three movements in May 1916, before making issued versions of the third and fourth movements in July 1916. Successful takes of the first and second movements followed in 1917 and 1919 (as given here), and the last two movements were remade in 1923 (also as given here).
The parts of the score included in the recording are given below. Page references are to Hawkes Pocket Score – section letters appear common to all scores.
Part 1: bar 14 to 17 (p4); E (p19) to 6 after F (p26); 5 after H (p30) to M (p38); 11 after M (p39) to end (p41)
Part 2: start to bar 4 (p42-3); A (p44) to B (p45); C (p47) to D (p50); H (p62) to 16 after I (p68); 6 before L (p73) to L (p74); N (p79) to P (p87); R (p92) to end (p96)
Part 3: start (p97) to 8 after A (p100); 5 before B (p101) to B (p101); C (p105) to H (p116); I (p119) to K (p120); P (p133) to end (p134)
Part 4: 24 before A (p140) to A (p141); B (p142) to bar before E (p147); K (p158) to N (p168); P (p173) to bar before Q (p176); 12 before X (p203) to 10 after X (p213); 15 after X (p216) to 10 after Y (p221); Z (p222) to 6 after Z (p224)
Bizet - Carmen - Intermezzos, Acts 3 & 4Royal Albert Hall Orchestra, Sir Landon Ronald
Bizet - Carmen - Intermezzos, Acts 3 & 5 - Ronald
His Master's Voice D 134Matrices HO 3640af (side number 2-0912)Recorded 8th March 1919Play at 77.2rpm
Coupled with Delibes - Sylvia - Prelude les Chasseresses
Dvorak - Symphony No.5 (No.9) in E minor Op.95 "From the New World"
First Movement - Adagio - Allegro molto (2 sides)Second Movement - Largo (2 sides)Third Movement - Scherzo - Molto vivace (2 sides)Fourth Movement - Allegro con fuoco (2 sides)
Royal Albert Hall Orchestra, Landon Ronald
Mediafire link for Dvorak - New World - Landon Ronald (1919-22)
(This is a zip file – left click the link, download the file, then unzip when downloaded)
His Master's Voice D 536, 537, 587, 613Matrices HO 4065af, HO 4068af, Cc 2248-II, HO 4064af, Cc 454-III, Cc 455-IV, Cc 723-I, Cc 724-I (single side numbers 3-0589/92, 3-0669/70, 3-0712/3)Recorded 1st November 1919 (sides 1, 2, 4), 7th October 1921 (sides 5, 6), 29th November 1921 (side 7, 8), 6th December 1922 (side 3), Hayes
The originally issued take of the first part of the first movement was HO 4063af, recorded at the same session as the rest of the first two movements.
The first side of the first movement ends with emphatic cadential chords to round out the side.
With just two sides for each movement, all except for the Scherzo are cut slightly:
First Movement: Bars 76-83, 106-113, 285-288, 301-308, 335-342Second Movement: Bars 5-6, 27-35, 53-63, there is also a slight omission at the very end. (Only about twenty bars in all.)Fourth Movement: Bars 1-9, 49-59, 100-114, 128-167.
Percy Scholes gives a detailed study of this work and recording in his Second Book of the Gramophone Record.
It is worth noting that two different takes of the first part of the Slow movement were issued - my set contains the later version. Scholes notes that in the earlier version the A flat on the Cor Anglais hoots noticeably (possibly due to recording horn resonance, though Scholes blames the instrument!). This defect is not apparent in the later take. There is, however, a fluff in the triplet flute passage in the second side of the movement which was not re-recorded. On the whole the cuts do not have a major impact, except in the final movement where the loss of the first 9 bars makes for a startling opening after the Scherzo.
Dukas – L'Apprenti Sorcier (Scherzo Symphonique)Royal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 461Matrices HO 4108af, 4110 af (2-0960/1)Recorded 15th November 1919, HayesIssued May 1920
This recording has a number of cuts.
Side 1:
Side 2:
The cuts are mainly concerned with trimming down repeated sections of music, and also include Ronald's common choice of omitting a significant chunk of music between the 2 sides of a recording – in this case 120 bars. This obviously removes the possibility of an adequate side join. I have tried to ensure the gap between side 1 and 2 follows the 3 bar rhythm of the piece, in order not to make the break too jarring.
This is one of the earliest recordings of this great orchestral showpiece. It is a fine testament to Ronald's work with the Royal Albert Hall Orchestra, even in a slightly abridged acoustic recording. The earliest account of this work on disc was a single-sided version conducted by Henry Wood in 1917 (backed by the Flying Dutchman Overture). Ronald's version was the first 2-sided recording. It is curious that on the same day, the French arm of the Gramophone Company recorded the same work, also on 2 sides, with L'Orchestre Symphonique des Concerts Touche under the baton of Francis Touche. This version, however, needed another session in 1920 to complete the recording – it may be that one of the 1919 sides was unsatisfactory. Ronald's version was made with 2 takes of each side, all recorded on November 15th 1919. Both recordings were released around May 1920.
Two further acoustic recordings were made of this work – by Camille Chevillard and the Lamoureux Orchestra on four sides in 1922, and George Szell on three sides for Odeon in early 1926.
Liszt - Hungarian Fantasia (acoustic recording, slightly abridged)Arthur de Greef, pianoRoyal Albert Hall Orchestra, Sir Landon Ronald
Mediafire link for Liszt - Hungarian Fantasia - Arthur de Greef, Landon Ronald (acoustic recording)
His Master's Voice D 523, 528Matrices HO 4573af, 4574af-II, 4575af, 4576af-III (single side numbers 05654, 05655, 3-0582, 3-0583)Recorded 27th October 1920, Hayes
This acoustic recording omits one of the first three bars. As they're identical, it's hard to say which. It seems a bizarrely pointless cut - the side runs to just over 4 minutes, and could easily have accommodated the few extra seconds required.
De Greef elaborates slightly on the solo part, when compared to the score.
Wagner – Tristan and Isolde – Prelude Act 3Wagner – Tristan and Isolde – LiebestodRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 542Matrices HO 4721af, HO 4720af, single-side numbers 3-0597, 3-0598Recorded 29th January 1921
This and the record below are the sum total of Ronald's recordings of parts of Wagner's Tristan und Isolde.
Wagner – Tristan and Isolde – PreludeRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 592Matrices HO 4718-II af, Cc 539-II, single-side numbers 3-0692, 3-0693Recorded 29th January 1921 and 7th October 1921
Part 2 of the Prelude to the opera was also initially recorded on 29th January 1921, though this attempt was not issued. Curiously, side 1 contains bars 1-24 and 45-63 of the Prelude, lasting about 3:10, and side 2 contains bars 55 to the end, lasting 4 minutes. It is curious that there is such an overlap between the two sides, amounting to some 27 seconds of music. If side 1 had stopped at bar 55, there would probably have been enough room to avoid having a cut in the first side, and Ronald could have recorded the Prelude complete.
Grieg - Piano Concerto in A minor Op.16 (abridged acoustic recording)
I. Allegro molto moderato (2 sides)II. Adagio (1 side)III. Allegro moderato molto e marcato (1 side)
Arthur de Greef, pianoRoyal Albert Hall Orchestra, Sir Landon Ronald
Mediafire link for Grieg's Piano Concerto - Arthur de Greef, Landon Ronald (acoustic recording, and solo items)
His Master's Voice D 551-2Matrices Cc 78-I, 79-I, 80-II, 81-II (single side numbers 05663/6)Recorded 19th April 1921, Hayes, Room 1
This recording is cut to about half of its original length to fit on just four sides, rather than the eight of the electrical version.
Side 1 starts at bar 1, runs to 12 after A, then cuts to 21 after E (Animato), continuing through to the pause before the cadenza. The cut is from the Animato section of the Exposition to that in the Recapitulation.
Side 2 runs from the cadenza through to the end of the movement. Curiously, de Greef adds an extra half bar in the cadenza in bar 8, just before the descending octave passage leading to the fff repeat of the main theme. He does not do this in the electrical recording, so it must be a slight memory slip.
Side 3 starts 2 before A and runs to the end of the movement
Side 4 runs from the beginning(!) through to C, cuts to 8 before H, runs to 27 after H, cuts the 3/4 section, and resumes at K, continuing to the end of the movement.
Wagner – Tannhäuser Overture (abridged)Royal Albert Hall Orchestra, Landon Ronald
His Master's Voice D133Matrices Cc 1503-II, 1504-II (single-side numbers 2-0678, 0866)Recorded 20th June 1922, London
This recording replaced earlier versions which had also been issued as D133. Ronald's first recording was on 8th February 1913, again on just 2 sides. The 1st side was later replaced with a new recording made on 6th May 1916, before this 1922 version replaced it. I presume the abridgements reflect those also made on the 1913 recording. The first side contains bars 1 to 70, omitting the final 11 bars of the opening Andante maestoso section. Side 2 begins at the start of the Allegro, and by means of some serious pruning, gets to the end of the overture within the duration of the side. The side contains bars 81-179, 289-320 and 379-end. I've made no attempt to join the two sides together, given the 11 bar gap.
Thanks to the inspiration of Aaron Z Snyder's idea of using the beginning of the overture to provide the end of the Andante maestoso, I've now done my own version of this. As Aaron has commented, there's nothing one can do to patch the 170 or so bars omitted from the Allegro. My patched version can be downloaded by right-clicking here.
Debussy – "Prélude à l'après-midi d'un faune"Royal Albert Hall Orchestra, Landon Ronald
Debussy - Prelude a l'apres-midi d'un faune - Ronald (1922)
His Master's Voice D130 (1922 version)Matrices Cc 1802-II, 1803-II (0722, 0723)Recorded 8th September 1922.
Full details of Ronald's Faune recordings are given with the 1911 recording
Beethoven - Symphony No.5 in C minor Op.67
First Movement - Allegro con brio (2 sides)Second Movement - Andante con moto (2 sides)Third Movement - Allegro (Scherzo) (1½ sides)Fourth Movement - Allegro (Finale) (2½ sides)
Mediafire link for Beethoven - Symphony No.5 - Landon Ronald
His Master's Voice D 665/8Matrices Cc 1812-IV, 1813-III, 1814-IV, 1815-I, 1948-II, 1949-I, 1950-II, 2017-I (single side numbers 3-0798/0804)Recorded 24th October 1922 (sides 1, 2, 8), 10th October 1922 (sides 3, 5, 6, 7), 12th September 1922 (side 4), Hayes
Beethoven – Coriolan OvertureRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D690Matrices Cc 2176-III, 2177-II (single-side numbers 3-0834/5)Recorded 30th January 1923 and 21st November 1922, London
Mascagni - Cavalleria Rusticana - IntermezzoRoyal Albert Hall Orchestra, Sir Landon Ronald(label for Mascagni "late New Symphony Orchestra")
Mascagni - Cavalleria Rusticana - Intermezzo - Ronald
His Master's Voice D 137Matrices Cc 2755-I (side number 0739)Recorded 27th March 1923Play at 76.5rpm
This is the later of Ronald's two recordings of the Cavalleria Intermezzo
Coupled with Bizet - Carmen - Prelude (Act 1) (1913)
Mendelssohn - Spring Song, Bees' WeddingRoyal Albert Hall Orchestra, Sir Landon Ronald
Mendelssohn - Spring Song, Bees' Wedding - Ronald
His Master's Voice D 160Matrices Cc 2754-I (side number 0738)Recorded 27th March 1923Play at 77.2rpm
Coupled with Delibes - Sylvia - Cortège de Bacchus (1913)
Ronald recorded the Mendelssohn pieces on 18th November 1911, but this side was not issued. On 6th January 1912 the side was recorded twice more, with the second attempt being issued. The 1923 remake given here (the first of two takes made on the same day) was his last issued recording of these works.
Liszt - Piano Concerto No.1 in E flat major
1st movement - Allegro maestoso (1¾ sides)2nd movement - Quasi adagio (1¼ sides)3rd movement - Allegretto vivace - Allegro animato (1½ sides)4th movement - Allegro marziale animato (1½ sides)
Arthur de Greef, pianoNew Symphony Orchestra, Sir Landon Ronald
Mediafire link for Liszt Concerto No.1 - De Greef, Ronald
His Master's Voice D 890/2Matrices Cc 1804-III, 1805-III, 1806-III, 1810-IV, 1822-V, 1823-V (single side numbers 05803/8)Recorded 7th November 1922 (sides 1, 3), 11th September 1922 (side 2), 21st November 1922 (sides 4, 6), 21st September 1923 (side 5), Hayes
Beethoven – Violin Concerto in D major Op.61II. LarghettoRoyal Albert Hall Orchestra, Sir Landon RonaldIsolde Menges, violin
His Master's Voice D770 (from set D767-771)Matrices Cc 3407-II, 3408-III (single side numbers 3-07981/2)Recorded 6th and 21st September 1923, London
1. I. Allegro ma non troppo (Part I) – 4th September 1923, Cc 3392-I 2. I. Allegro ma non troppo (Part II) – 5th September 1923, Cc 3398-II3. I. Allegro ma non troppo (Part III) – 5th September 1923, Cc 3399-II4. I. Allegro ma non troppo (Part IV) – 21st September 1923, Cc 3400-III5. I. Allegro ma non troppo (Part V) – 5th September 1923, Cc 3401-II6. I. Allegro ma non troppo (Part VI) – 6th September 1923, Cc 3406-II7. II. Larghetto (Part I) – 6th September 1923, Cc 3407-II8. II. Larghetto (Part II) – 21st September 1923, Cc 3408-II9. III. Rondo (Part I) – 7th September 1923, Cc 3413-II10. III. Rondo (Part II) – 7th September 1923, Cc 3414-II(single side numbers 3-07975/84)
Schubert – Symphony No.8 in B minor "Unfinished"I – Allegro moderato (3 sides)II – Andante con moto (3 sides)Royal Albert Hall Orchestra, Landon Ronald
His Master's Voice D934-6Matrices Cc 3420-III, 3427-I, 3428-I, 3421-IV, 2422-IV, 3423-IV (4-0606/11)Recorded 9th September 1924 (sides 1 and 4 to 6), 12th September 1923 (sides 2 and 3)
Mendelssohn - Piano Concerto No.1 in G minor Op.25I. Molto allegro con fuoco (2 sides)II. Andante (2 sides)III. Presto: Molto allegro e vivace (2 sides)Royal Albert Hall Orchestra, Landon RonaldBenno Moiseiwitsch, piano
Download - Mendelssohn - Piano Concerto No.1 - 1st movement - Moiseiwitsch, Ronald
Download - Mendelssohn - Piano Concerto No.1 - 2nd movement - Moiseiwitsch, Ronald
Download - Mendelssohn - Piano Concerto No.1 - 3rd movement - Moiseiwitsch, Ronald
His Master's Voice D 969-71Matrices Cc 5655-III, 5656-II, 5657-I, 5658-I, 5659-II, 5660-II (single side numbers 05832/7)Recorded 27th January 1925
Tchaikovsky – Symphony No.4 in F minor Op.36I – Andante sostenuto – Moderato con anima (4 sides)II – Andantino in modo di canzone (2 sides)III – Scherzo: Pizzicato ostinato: Allegro (2 sides)IV – Finale: Allegro con fuoco (2 sides)Royal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 1037-1041Matrices Cc 6374-II, Cc 6375-III,Cc 6376-III, Cc 6377-II, Cc 6378-II, Cc 6379-II, Cc 6381-I, Cc 6410-I, Cc 6380-V, Cc 6382-II (single-side numbers 4-0736 to 4-0745)Recorded 20th July 1925 (sides 1-4), 21st July 1925 (sides 5-7), 27th July 1925 (side 8 & 10) and 9th September 1925 (side 9), Hayes
This recording is apparently the first electrical recording of a complete symphony. Ronald's Tchaikovsky discography is in fact quite large: he recorded the 5th Symphony in April 1928, the 6th acoustically in 1923, the 1st Piano Concerto in 1926 with Mark Hambourg and the Theme and Variations from the Suite in G in 1929 (coupled with the Chanson sans paroles). In the earlier part of the acoustic recording period he waxed an abridged Theme and Variations, the Nutcracker Suite (with various sides replaced at a later date), abridged movements from the 4th and 6th symphonies, an abridged 1812 Overture coupled with the Marche Slave, and an abridged Capriccio Italien. A number of these items will be appearing here in due course.
The recording is as dynamic as one comes to expect from Ronald. One of the most noticeable aspects of the recording, apart from the excellent sound achieved in this early electrical, is the range of timbres in the orchestra. In particular it's clear that French Buffet system bassoons are being used. The horn section includes Aubrey Brain – at the recording sessions for sides 8 to 10 he was also the soloist for Ronald's recording of Mendelssohn's Nocturne from Midsummer Night's Dream. (see below)
Mendelssohn – A Midsummer Night's Dream – NocturneRoyal Albert Hall Orchestra, Landon RonaldAubrey Brain, horn
His Master's Voice D 1034Matrices Cc 6411-V, 6412-II (4-0132/3)Recorded 9th September 1925, 27th July 1925
Grieg - Lyric Suite Op.54
No.1. Shepherd BoyNo.2. Norwegian Rustic MarchNo.3. NocturneNo.4. March of the Dwarfs
Royal Albert Hall Orchestra, Sir Landon Ronald
Mediafire link for Grieg - Lyric Suite - Landon Ronald 1925
His Master's Voice D 1081/2Matrices Cc 7229-II, 7230-II, 7254-II, 7255-I (single side numbers 4-0813/6)Recorded 10th November 1925 (Nos. 1 & 2) and 13th November 1925 (Nos. 3 & 4), Hayes
Sibelius – FinlandiaRoyal Albert Hall Orchestra, Landon Ronald
His Master's Voice D1089Matrices Cc 7261-II, 7263-II (single-side numbers 4-0824, 4-0825)Recorded 13th November 1925, London
This compete electrical recording superseded the earlier abridged acoustic version of 1911.
Beethoven – Symphony No.5 in C minor Op.67I. Allegro con brio (2 sides)II. Andante con moto (2 sides)III. Allegro (Scherzo) (1½ sides)IV. Allegro (Finale) (2½ sides)Royal Albert Hall Orchestra, Sir Landon Ronald
His Master's Voice Album Series No.27, D1150-3 and Electrola Album No.2, E.J. 67-70Matrices CR 718-I, 719-I, 720-IIA, 721-II, 722-IA, 723-II, 724-II, 725-I (single side numbers 4-0902/9)Recorded 24th September 1926, Kingsway Hall, London
I've used the best parts of two sets of this recording a British HMV set and a German Electrola set. Both sets are fairly worn in places, and the HMV has a significant scratch on side 2 – though it still provided better sound here than the Electrola which has greater surface noise.
Debussy - Prelude a l'apres-midi d'un faune - Ronald (1926)
His Master's Voice D1128 (electrical recording)Matrices CR 726-I, 727-IIA (4-0910/1)Recorded 24th September 1926.
Tchaikovksy – Piano Concerto No.1 in B flat minor Op.23 I – Allegro non troppo e molto maestoso (4 sides)II – Andantino semplice (2 sides)III – Allegro con fuoco (2 sides)Royal Albert Hall Orchestra, Sir Landon RonaldMark Hambourg, piano
Mediafire link for Tchaikovsky - Piano Concerto No.1 - Hambourg, Ronald
(These are zip files – left click the link, download the files, then unzip when downloaded)
His Master's Voice D 1130-33Matrices CR 736-IA, 737-I, 738-IA, 739-I, 732-IIA, 733-IA, 734-IA, 735-IA (single side numbers 05951/4, 05947/50)Recorded 28th September 1926, Kingsway Hall, London
Grieg - Piano Concerto in A minor Op.16
I. Allegro molto moderato (4 sides)II. Adagio (1½ sides)III. Allegro moderato molto e marcato (2½ sides)
Mediafire link for Grieg's Piano Concerto - Arthur de Greef, Landon Ronald (electrical recording)
His Master's Voice D 1237-40Matrices CR 918-I, 919-II, 920-I, 921-IA, 922-II, 923-IA, 924-IA, 925-IA (single side numbers 05982/9)Recorded 18th January 1927 (except side 2, 21st January) Queen's Hall, London
Liszt - Hungarian FantasiaArthur de Greef, pianoRoyal Albert Hall Orchestra, Sir Landon Ronald
Mediafire link for Liszt - Hungarian Fantasia - Arthur de Greef, Landon Ronald (electrical recording)
His Master's Voice D 1306-7Matrices CR 914-III, 915-II, 916-IA, 917-III (single side numbers 05978/81)Recorded 21st January 1927 (except side 3, 18th January) Queen's Hall, London
Bizet - Carmen - Preludes to Act 1 and 2Royal Albert Hall Orchestra, Landon Ronald
Bizet - Carmen - Prelude Act 1 - RonaldBizet - Carmen - Prelude Act 2 - Ronald
His Master's Voice E 461Matrices BR 936-IA, 937-II (single side numbers 6-830/1)Recorded 21st January 1927, Queen's Hall, London
Dvorak – Symphony No.5 (No.9) in E minor Op.95 "From the New World"I – Adagio – Allegro molto (2 sides)II – Largo (3 sides)III – Scherzo: Molto vivace (2 sides)IV – Allegro con fuoco (3 sides)Royal Albert Hall Orchestra, Landon Ronald
His Master's Voice D 1250-54 (Album Series No.43)Matrices CR 926-IA, 927-IA, 928-IA, 929-I, 930-II, 934-I, 935-I, 931-IA, 932-IA, 933-IA (single-side numbers 5-0514 to 5-0523)
Recorded 21st January 1927, Queen's Hall, London
Ronald made two recordings of Dvorak's New World Symphony. The first was a slightly abridged acoustic account from 1919 and 1921 (with one side of the Largo remade in 1922), and the second this complete electrical recording of 1927. Ronald's only other Dvorak recording was a late 1925 recording of the Carnaval Overture
Tchaikovsky - Symphony No.5 in E minor Op.64I. Andante - Allegro con anima (4 sides)II. Andante cantabile con alcuna licenza (3 sides)III. Valse: Allegro moderato (2 sides)IV. Finale: Andante maestoso - Allegro vivace - Andante maestoso - Moderato assai e molto maestoso (3 sides)New Symphony Orchestra, Sir Landon Ronald
Mediafire link for Tchaikovsky - Symphony No.5 - Landon Ronald
His Master's Voice D 1511-16 (Album 73)Matrices CR 1773-IA, 1774-I, 1775-III, 1776-IA, 1777-I, 1778-I, 1779-III, 1780-I, 1770-IA, 1781-II, 2006-IIA, 2007-I (single side numbers 5-0848/9, 5-0879, 5-0850/1, 5-0986, 5-0881, 5-0852, 5-0853, 5-0880, 5-0981/2)Recorded 18th April 1928 (sides 1, 2 and 4), 19th April 1928 (sides 5, 6, 8 and 9), 2nd May 1928 (sides 3, 7, 10, 11 and 12) Queen's Hall, London
There was some slight variation in recording speed (particularly on the 2nd day).
Saint-Saens - Piano Concerto No.2 in G minor Op.22
1st movement - Andante sostenuto (2½ sides)2nd movement - Allegro scherzando (1½ sides)3rd movement - Presto (2 sides)
Mediafire link for Saint-Saens Concerto - De Greef, Ronald
His Master's Voice D 7458/60 (issued on standard coupling as D 1590/2)Matrices CR 2110-I, 2111-IA, 2112-IIIA, 2114-I, 2113-IA, 2115-IIA (single side numbers 2-05644, 05645, 05646, 05648, 05647, 05649)Recorded 26th June 1928, Queen's Hall, London
Svendsen - Carnival in ParisHis Master's Voice DB 1759/60Matrices Cc 19735-II, 19736-II, 19737-II (single side numbers 32-1767/9)Recorded 17th September 1929, Kingsway Hall, London (Svendsen)London Symphony Orchestra, Sir Landon Ronald
Mediafire link for Svendsen - Carnival in Paris, Tchaikovsky - Polonaise - Landon Ronald, Eugene Goossens
His Master's Voice DB 1759/60Matrices Cc 19735-II, 19736-II, 19737-II, 2B 598-I (single side numbers 32-1767/9, 32-2303)Recorded 17th September 1929, Kingsway Hall, London (Svendsen)
The filler side to this was recording was Eugene Goossens's account of the Polonaise from Tchaikovsky's Eugene Onegin
Tchaikovsky - Theme and Variations from Suite No.3 in GTchaikovksy - Chanson sans paroles (Song without words)Side 1: Theme (Andante con moto) & Variations 1, 2, & 3Side 2: Variations 4, 5, 6 & 7Side 3: Variations 8, 9, & 10Side 4: Variations 11 & 12 (First Record)Side 5: Variation 12 (Second Record)Side 6: Chanson sans parolesLondon Symphony Orchestra, Sir Landon Ronald
Mediafire link for Tchaikovsky - Theme and Variations, Chanson sans paroles - Landon Ronald
His Master's Voice D 1798/1800Matrices Cc 17901-II, 17902-I, 17904-III, 17903-II, 17905-IA, 17906-IIA (single side numbers 32-1028/33)Recorded 3rd December 1929, Kingsway Hall, London
The Chanson sans paroles may well be Ronald's own orchestration.
Schumann - CarnavalSide 1: (1) Preambule (2) Pierrot (3) ArlequinSide 2: (4) Valse Noble (5) Eusebius (6) FlorestanSide 3: (7) Coquette (8) Papillons (9) Lettres dansante (10) ChiarinaSide 4: (11) Chopin (12) Estrella (13) ReconnaissanceSide 5: (14) Pantalon et Colombine (15) Valse Allemande (16) Paganini (17) AveuSide 6: (18) Promenade (19) Pause (20) Marche des Davidsbundler contre les PhilistinsLondon Symphony Orchestra, Sir Landon Ronald
Mediafire link for Schumann - Carnaval - Landon Ronald
His Master's Voice D 1840/2Matrices Cc 18734-III, 18735-I, 18736-III, 18745-III, 18746-II, 18747-II (single side numbers 32-1373/8)Recorded 8th (sides 1 and 2) and 11th (sides 3 to 6) April 1930, Kingsway Hall, London
Schumann's piano suite is orchestrated variously here by Glazunov, Rimsky-Korsakov, Liadov, Tcherepnin and Arensky. After Coquette, Replique is omitted, and Paganini includes the reprise of the Valse Allemande
German - Welsh RhapsodyLondon Symphony Orchestra, Sir Landon Ronald
Download - German - Welsh Rhapsody - Landon Ronald
(mp3 files – right click the link, then select "Save as")
His Master's Voice D 1939-40Recorded 17th September 1930Matrices Cc 19731-II, Cc 19732-II, Cc 19733-I, Cc 19734-1 (32-1763/6)
Edward German's "Welsh Rhapsody" was, surprisingly, not one of the many works that German himself conducted for the Gramophone Company. Pioneering acoustic versions were left to Dan Godfrey (on one side), Henry Gibson and the Mayfair Orchestra (2 sides) and Bainbridge Robinson with Boosey's Concert Orchestra (4 sides). Electrical recordings followed from Landon Ronald with the LSO and Basil Cameron with the Hastings Municipal Orchestra in 1930, and the City of Birmingham Orchestra under George Weldon came later. The July 1931 issue of The Gramophone had the following to say about Ronald's recording:
German is always likeable, because he knows his job inside out - the job of inventing good tunes, working them up into not-too-complex patterns, and orchestrating them in firm, bright colours (with a special ear to the values of the wind, as you may notice in this Rhapsody, which he wrote for the Cardiff Festival in 1904). This time he did not invent the tunes, but took them from the splendid folk store of Wales. The first movement builds on the air to "Loudly proclaim o'er land and sea This is the home of liberty" a capital, lusty opening. About a third of the way on side 2 we run right into the scherzo section, beginning with the fleet "Hunting the Hare" and using secondly "The Bells of Aberdovey" (with some neat combinations of the two). A minor-key reminiscence of the Bells tune, an inch in on side 3, changes the scene reflectively for the third movement, in which oboes and lower strings give out "David of the White Rock", which is briefly treated, and ends pp; directly, we know what is going to happen, for the instruments hint excitingly at "Men of Harlech", and then we sit back and, if we are not too blasé, feel a touch of the old patriotic thrill as the grand old march recalls the pageant of stormy history. All very simple and old-fashioned, you may say; but it is done by a man who, I repeat, knows his job inside out, and there are too few who have learnt their job as German did, graduating in the most valuable of all arenas, that of the theatre. Without over-smiting, the L.S.O. paints warmly and well, and no one could keep the thing in perspective better than Ronald. The tunes on which the movements are based should have been noted on the labels.
Glazunov - Chopiniana Op.46
No.1 Polonaise Op.40 No.1No.2 Nocturne Op.15 No.1No.3 Tarantelle Op.43
Mendelssohn - Spring Song Op.62 No.2; Spinning Song (Bees' Wedding) Op.67London Philharmonic Orchestra, Sir Landon Ronald
Mediafire link for Glazunov - Chopiniana, and Mendelssohn - Landon Ronald
His Master's Voice C 2638/9Matrices 2B 4639-IIIA, 4641-II, 4642-II, 4643-I (single side numbers 32-3919/22)Recorded 1933
London Philharmonic Orchestra, Sir Landon Ronald
Mediafire link for Grieg - Lyric Suite - Landon Ronald 1933
His Master's Voice C 2642/3Matrices 2B 4638-I, 4636-II, 4640-I, 4637-II (single side numbers 32-3917, 3915, 3918, 3916)Recorded 1933