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Storefront for Art and Architecture
97 Kenmare Street
New York, NY 10012
Tel. 212.431.5795
Tues. – Sat. 11:00AM – 6:00PM
Closed Sunday and Monday
Winners: WorldWide Storefront
Friday May 16, 2014 – Sunday November 23, 2014
Winners World Wide Storefront
Storefront for Art and Architecture announces the 10 selected projects that will be part of WorldWide Storefront ("WWSf"), a new initiative to provide a simultaneous, multi-locus of alternative spaces around the globe and a digital platform for the expression and exchange of latent desires within contemporary art and architecture practices.
A jury composed of Beatrice Galilee, Joseph Grima, Jimenez Lai and Marina Otero has selected a group of ten proposals around the globe. From the study of different states of abandonment in Athens to the discussion around urban growth in Santo Domingo, from the occupation of a public residual space in the city of Los Angeles to a traveling production space aboard a commercial container carrier, from individuals to collectives across the globe, the ten projects constitute a group of curatorial visions that articulate alternative positions within their particular context.
From September 19 to November 21, 2014, all selected entries throughout the world will simultaneously open and have a two-month program of exhibitions and events. All events will be recorded and broadcast through the WorldWide Storefront online platform and presented at the Storefront for Art and Architecture Gallery embedded in the installation WWSf Portal, a collaborative design by Marc Fornes and Jana Winderen.
Container Art Residency / itinerant
Maayan Strauss
An artist residency that will invite artists to travel on board commercial freight ships to worldwide destinations along various shipping routes, addressing questions of isolation and transportation as a way of redefining the contemporary artist studio.
Gallery Attachment / Los Angeles, USA
Andrew Kovacs, Laurel Consuelo Broughton
A space designed and constructed by the authors under a bridge in Los Angeles will serve simultaneously as an architectural object and as a container for a series of events, exhibitions and performances.
Host: Natural Histories / Los Angeles, USA
Mimi Zeiger ( Los Angeles Forum for Architecture and Urban Design), Leonardo Bravo and River Jukes-Hudson (Big City Forum), Sarah Lorenzen (VDL Research House)
Located at The Neutra VDL Research Site in the Silverlake district of Los Angeles, the project explores the multivalent meaning of the word "host": a talk-show host, a parasitic host body, and host house or city, via an exhibition and series of events.
Microgeographies / Athens, Greece
Hariklia Hari
Reacting to the states of abandonment of cities in Greece as a result of personal and social crisis, and reflecting on the gradual reconstruction processes occurring in southern Europe, Microgeographies will present a series micro-exhibitions, actions, installations and performances in public and domestic spaces.
Next Station / Tel Aviv, Israel
Onya Collective [Avigail Roubini, Gil Cohen, Robert Ungar, Neta Steingart, Adam Kalderon]
A series of small interventions in and around the Tel-Aviv Central Bus Station in Neve Shaanan exploring different ways of embedding agriculture and natural ecologies in urban environments.
The Portal / Toronto, Canada
Megan Torza
The Portal will activate Toronto's under recognized ravine landscape through a series of interventions and discussions occupying the entrance of an architecture studio.
Storefront Marketplace / St. Paul, Minnesota, USA, Thessaloniki, Greece and Berlin, Germany
Sandra Teitge
Storefront Marketplace implements itself into three different market environments in the US and Europe. Starting at a Hmong market in St. Paul, Minnesota, it travels to Thessaloniki, Greece and integrates itself into the city's urban fabric and multi-layered, multi-cultural history. It resumes in Berlin, Germany, in an old restored indoor market. Its interest lies in investigating and experimenting with the marketplace as a space for exchange through performances, food, sound, and objects. An artist run program of films, lectures, performative interventions, radio programs, and culinary events engages and addresses large, central civic constituencies.
The Spectacle Syndicate / itinerant
Circus for Construction [Ann Lui, Ashley Mendelsohn, Larisa Ovalles, Craig Reschke, Benjamin Widger]
Located on the back of a custom-built truck trailer, the Spectacle Syndicate will stop in five cities over the course of two months (Ithaca, Providence, Provincetown, Portland, Buffalo, and Boston) hosting forums, exhibitions and workshops coordinated with local experts.
A to B - Crossing the railway / Montreal, Canada
Vincent Lalonde-Dupuy, Pierre Horo-Lin, Xavier Coulombe-Hurray, Camille Angibaud
A cartographic urban project along the Canadian Pacific's Railway, made by citizens and users crossing legally and illegally the railway, will map and discuss the urban landscape and biodiversity of the site.
Tropical Ghosts / Santo Domingo, Santo Domingo
Laura Castro, Monica de Moya, Engel Leonardo, and Maurice Sánchez
A series of site-specific urban interventions and meetings in Polígono Central, Santo Domingo will explore issues of growth, identity and systems of sharing in the tropical communities.
About the Jury
Beatrice Galilee
Beatrice Galilee (*1982, London) is a London-based curator, writer, critic, consultant and lecturer of contemporary architecture and design. Trained in Architecture at Bath University, and in History of Architecture MSc at the Bartlett School of Architecture, UCL, Beatrice specialises in the dissemination of architecture and design through city-wide projects, media, curatorial practice, research, editing and teaching.
Beatrice is the Chief Curator of the 2013 Lisbon Architecture Triennale, Close, Closer. She was co-curator at 2011 Gwangju Design Biennale, 2009 Shenzhen Hong Kong Bi-City Biennale of Architecture and Urbanism, and curator of the experimental performance design projects Hacked and Afrofuture at Milan Design Week. She is the co-founder and director of The Gopher Hole, an exhibition and project space in London, and is associate lecturer at Central Saint Martins.
From 2006-2009 Beatrice was Architecture Editor for Icon Magazine, one of Europe's leading publications in architecture and design. In 2008 she won the IBP Architectural Journalist of the Year Award.
Joseph Grima
Since studying architecture at the Architectural Association in London, Joseph Grima has pursued an international career as a curator, essayist, critic and researcher in the fields of architecture, art and design.
Between 2007 and 2010, he directed Storefront for Art and Architecture, the New York gallery which is globally renowned for its role in supporting experimental practices in architecture and contemporary art. Since April 2011, he has been the editor of Domus. He is also co-curator of the first edition of the Istanbul Design Biennial.
As a curator and independent researcher, Grima has designed and planned installations for events and institutions of international significance, including the Venice Architecture Biennial, the Shenzhen/Hong Kong Biennial of Urbanism and Architecture, and the Beijing Museum of Urban Planning. He is the author of several books, including Instant Asia (Skira, Milan, 2007), a critical overview of work by young and emerging architecture students in Asia, and Shift: SANAA and the New Museum (Lars Müller, Zurich, 2008); he has also contributed to a range of other books and publications.
Jimenez Lai
Jimenez Lai (Leader) is an Assistant Professor at University of Illinois at Chicago and Leader of Bureau Spectacular. He graduated with a Master of Architecture from University of Toronto. Previously, Jimenez Lai has lived and worked in a desert shelter at Taliesin and resided in a shipping container at Atelier Van Lieshout on the piers of Rotterdam. Before founding Bureau Spectacular, Lai worked for various international offices, including OMA. In the past years, Lai has built numerous installations as well as being widely exhibited and published around the world, including the MoMA-collected White Elephant. His first manifesto, Citizens of No Place, was published by Princeton Architectural Press with a grant from the Graham Foundation. Draft II of this book has been archived at the New Museum as a part of the show Younger Than Jesus. In 2012, Jimenez Lai has been named a winner to the Architectural League Prize for Young Architects. Lai won the Debut Award at the Lisbon Triennale in 2013. Lai was the curator and designer for the 2014 Taiwan Pavilion at the 14th Venice Architectural Biennale.
Marina Otero
Marina Otero is an architect trained in New York (Columbia University), Delft (TU) and Madrid (ESTAM), where she is completing her doctorate in architecture with a focus on contemporary cultures of circulation. In 2013, and as a Fulbright grantee, she graduated from Masters of Science in Critical, Curatorial and Conceptual Practices in Architecture at GSAPP, receiving the Program Award. Her professional and academic work has been published by Domus, Quaderns, Circo, Arquitectura Viva and El País, includes collaborations with the New Museum, The Glass House, the Istanbul Design Biennial, and has been awarded in different competitions including Europan. Marina became the director of the Global Network Programming in September 2013.
Winners: Competition of Competitions
Tuesday April 29, 2014 – Tuesday April 29, 2014
Photo by Wesley G. Deploy Yourself, Not Your Designs. The Coalition for the Improvement of Refugee Camps [Mary Monroe, Lee Dykxhoorn]
With more than 100 entries and 18 finalists, Storefront is pleased to announce the winners of the Competition of Competitions.
1st PRIZE
Deploy Yourself, Not Your Designs
The Coalition for the Improvement of Refugee Camps
[Marcy Monroe, Lee Dykxhoorn]
2nd PRIZE
[Annie Charleston, William McCommon, Megan McDonough, Shota Vashakmadze]
3rd PRIZE
Civic Projects
[Kati Rubinyi, Deborah Richmond , Michael Powell, Ewan E. Branda]
Open Source Open Space: Hacking the Built Environment
[Nicole Lindahl, Louise Mackie and Samantha Senn]
The City is The Room. The Room is The City
[Elena Palacios Carral, Manijeh Verghese]
dePOLITIsign: An open call for the redesign of a USCIS office
Min Chen & Kristin Enright
Off-the-Radar: The Architecture of Non-Existing Space
[Mireille Roddier, Keith Mitnick]
Gretchen Wilkins
[with Ian Nazareth and students Matthew Ellis, Ken Yip Lai, Sarah Moussa, Francisca Rodriguez, Nicholas Stathopoulos]
Rezoning the 5th Facade: Redefining New York's City Roof Scape
[Matthias Neumann in collaboration with Shane T. Umman]
El Corbusier
Into the Void: An Architectural Competition on Emptiness
[Felipe Orensanz, Rodrigo Duran]
Competition of Competitions: Finalists
Friday January 31, 2014 – Friday January 31, 2014
With more than 100 entries and a long process of selection, Storefront presents the 18 finalists of the Competition of Competitions.
The finalists' submissions were exhibited as part of Letters to the Mayor, an exhibition focusing on the relationship between architecture and politics.
Learn more about the competition here.
The 18 Finalists of the Competition of Competitions are:
ReDesign the Discipline of Architecture
The Architecture Lobby
Open Source Open Space: Hacking the Built Environment
Boot/Trunk [Nicole Lindahl, Louise Mackie and Samantha Senn]
dePOLITIsign: An open call for the redesign of a USCIS office
Min Chen & Kristin Enright
Civic Projects [Kati Rubinyi, Deborah Richmond , Michael Powell, Ewan E. Branda]
Deploy Yourself, Not Your Designs
The Coalition for the Improvement of Refugee Camps [Marcy Monroe, Lee Dykxhoorn]
El Corbusier
The City is The Room. The Room is The City.
FormFictionFormat [Elena Palacios Carral, Manijeh Verghese]
grey_matter(s) [Annie Charleston, William McCommon, Megan McDonough, Shota Vashakmadze]
NO TITLES, A Campaign for Illegal Architecture
GroundLAB [Sean Billy Kizy, Sara Lum, Rakia Seaborn, Nicholas Sharma]
Local Provision Studio [Valeria Federighi, Janet Yoon]
Metonymy's Architecture [Tom Nurmi, Jeffrey Dunn, Meagan Lehr, Erika Wilder]
Off-the-Radar: The Architecture of Non-Existing Space
Mitnick-Roddier [Mireille Roddier, Keith Mitnick]
Rezoning the 5th Façade: Redefining New York's City Roof Scape
normaldesign [Matthias Neumann in collaboration with Shane T. Umman]
The Thirteenth Hour
Gretchen Wilkins [with Ian Nazareth and students Matthew Ellis, Ken Yip Lai, Sarah Moussa, Francisca Rodriguez, Nicholas Stathopoulos]
BLISS: Better Living through Intuitive Soft Surveillance
Yeadon Space Agency
Into the Void: An Architectural Competition on Emptiness
Zooburbia [Felipe Orensanz, Rodrigo Duran]
WorldWide Storefront - Call for Proposals
Tuesday October 8, 2013 – Friday January 31, 2014
WorldWide Storefront
September 19 – November 21, 2014
Deadline for Proposals: January 31, 2014
$1,000 in Seed Funding Available
Storefront for Art and Architecture announces a call for proposals for WorldWide Storefront ("WWSF"), a new initiative to provide a simultaneous, multi-locus of alternative spaces around the globe and a digital platform for the expression and exchange of latent desires within contemporary art and architecture practices.
WorldWide Storefront is a mode of action; its aim is to unveil, produce and discuss experimental cultural works on a global scale from local points of view. By using the ability of contemporary means of communication to join space, undo place and avoid time, WorldWide Storefront provides leadership in imagining future modes of cultural production.
Storefront is seeking proposals from individuals or collectives across the globe with curatorial visions that articulate alternative positions within their particular context. Proposals should contain a two-month installation, series of exhibitions and/or events and identify a specific site where the project will be realized in relationship to the curatorial vision. Strong proposals will explore new spaces of cultural action that defy traditional notions of "gallery," "pavilion," or "cultural institution." Proposals should also propose new and innovative ways to digitally engage audiences globally.
All proposals will be reviewed by an international jury of notables in the fields of art and architecture. Selected entries will be part of the WorldWide Storefront program and individuals will receive $1,000 in seed funding to start their project, as well as strategic outreach support and technical and logistical mentorship. From September 19 to November 21, 2014, all selected entries throughout the world will simultaneously open and have a two-month program of exhibitions and events. All events will be recorded and broadcast through the WorldWide Storefront online platform and presented at the Storefront for Art and Architecture Gallery in New York, which will operate as the central situation room.
For additional information and instruction on how to submit, please download the document on the right hand side of this page. All proposals must be received by January 31, 2014.
[list in formation]
Nora Akawi
Lucinda Correia
Ceren Erdem
Pedro Gadanho
Beatrice Galilee
Urtzi Grau
Edgar Gonzalez
Rubén Hernández Fontana
Eric Ho
Steven Holl
Jens Holm
Juulia Kauste
Jan Kennis
Adrian Lahoud
Chus Martinez
Juergen Mayer H.
Josiah McElheny
Mariana Pestana
Fernando Portal
Pedro Rivera
Emil Rodriguez Garabot
David Ross
Joel Sanders
Nato Thompson
Christine Tohme
Gregory Wessner
OFFICEUS: Call for Partners
Monday October 7, 2013 – Monday December 2, 2013
A call for Partner applications for OfficeUS, the U.S. Pavilion at the 2014 Venice Architecture Biennale
Call for Applications. Courtesy of OfficeUS and Storefront for Art and Architecture, 2013.
This call is now closed.
Learn about the OfficeUS Partners here.
OfficeUS is seeking five partners to take on the role of Partners during the 2014 Venice Biennale at the US Pavilion. From May 23, 2014 through November 23, 2014, the Partners will speculate on and project new futures of a history of American architectural exports on exhibit at the pavilion. The work of OfficeUS - historical, critical and projective- will be published as a book and exhibited at Storefront for Art and Architecture in the spring of 2015.
The five Partners are emerging architects in the early to middle stages of their careers (less than 15 years out of school) with proven ability as creative hurricanes, tinkerers, provocateurs, code makers, code breakers or party hosts whose work represents the highest standard of excellence in design. Applicants must be able to balance engaging the biennale audience with the ability to focus on design work.
The position of Partner in OfficeUS offers architect-designer-scholars with outstanding talent in the disciplines of architecture, design, urban planning, urban design and landscape design an opportunity to immerse themselves in the critical discourse generated within the Biennale community and to draw on their colleagues' expertise and experience.
Partners are chosen from the disciplines of architecture, design, urbanism and landscape architecture in order to rework, recast, reinvent, and discuss projects produced by American architects world wide during the last 100 years contained in the Repository of OfficeUS.
Partners are responsible for the intellectual and creative production of OfficeUS. OfficeUS will function within the context of a global network of collaborators including five external rotating onsite experts. Throughout the six months of its operation more than 300 experts in architecture, engineering, policy, politics, philosophy and the arts will participate in the office's activities.
Each partner will receive a $15,000 stipend for the six-month period. Housing assistance will be provided.
An open, national, jury will be organized by the curators to select prizewinners. Jury members are prominent members of the discipline and drawn from all regions of the country. The jury convenes in January and finalists may be required to come to New York at OfficeUS's expense for interviews. Winners will be announced in early February.
Applicants must submit the following:
- Application form (Annex #1, which can be downloaded on the upper right corner of this page)
- Letter of intent describing the applicant's strengths and position in relation to contemporary architectural practice. (2-page maximum)
- CV: 5 pages maximum
- Portfolio (20 pages maximum)
- $50 application fee
All applicants must submit both a paper and a digital copy.
Send a bound hard copy to:
c/o Storefront for Art and Architecture
611 Broadway #634
Applications must be postmarked by December 2, 2013
Email a digital copy of the application as a single pdf, less than 20MB to:
firstname.lastname@example.com with the subject "Application"
Digital applications must be submitted by midnight, December 2, 2013
• Applicants must have a professional degree or equivalent in Architecture, Landscape Architecture or Urban Design.
• Applicants must have graduated in the last 15 years.
• Applicants must be proficient in written and spoken English.
Deadline to Submit Questions>>>>>>>>>>>>>>October 15, 2013
Common Answers Publication on Website>>>>>November 1, 2013
Competition Submission Deadline>>>>>>>>>>>December 2, 2013
Winner Announcement>>>>>>>>>>>>>>>>>>>Mid-February, 2014
Partner Work Period>>>>>>>>>>>>>>>>>>>>>>>May 23 –November 23, 2014
Younger than Storefront: Five-Day Artist Residencies
Friday September 20, 2013 – Wednesday December 4, 2013
Call for People (Under 30): Artist Residencies
Cameron Blaylock and Dolan Morgan. Photo by Miguel de Guzmán. imagensubliminal.com.
11 contemporary portfolios
Five-Day Residencies
From October 11, 2013 – January 14, 2014
"Junk Mail Machine"
Di Fang
"Word bites picture"
Katya Tylevich
"The Weathermen Turn Themselves In"
Dolan Morgan and Cameron Blaylock
Week 07-08 / Nov 26 –Dec 7
No residency
"Expanded Objects for Shared Living"
Miryana Todorova
Week 10 / Dec 17-21
studio nāv
Nick Axel
Week 11 / Jan 7-11
Andrew Kovacs
Lauren Thorson
For updates on each week's residency, visit Facebook / Twitter / Flickr.
Being under 30 is not only a fact, it is also a state of mind. Storefront for Art and Architecture launched a call for 11 people under 30 whose work would benefit from being exposed through a five-day residency at the Storefront Gallery. As part of the exhibition Being, an exhibition that looks into the history of Storefront as a place to amplify, question, unveil, connect, disrupt, merge, react and experiment with individuals, ideas and things from the past 30 years, Storefront sought 11 individuals whose work represents contemporary radical positions.
CONTEXT OF THE RESIDENCY: Being engages with nine actions that reflect Storefront's mission and how it operates. By creating a series of rooms addressing each of these actions, the installation designed by Bittertang gives understanding to the mechanisms, methodologies and aspirations of an institution dedicated to the production of radical and alternative practices while inviting and enabling the visitor to act. From a waterbed of unfulfilled dreams (containing unsuccessful grant applications, unrealized exhibition proposals or unfulfilled conversations and encounters) where visitors can dream themselves, to a compilation of instructions on how to disrupt the neighborhood, to a TV Broadcast studio installed in the basement that unveils relevant contemporary issues through weekly broadcasts, the exhibition aims to bring together all the individuals invested in the discussion and production of alternative work to propose new ways of action.
PARTICIPATION: The artists-in-residence have the opportunity to live, work and play in Storefront's Gallery for five days during the exhibition. The artists-in-residence work in the corner space of the gallery at Kenmare and Cleveland, which is exposed to the street and will be open to gallery visitors and passersby. Artists-in-residence are expected to adapt to the temperature and weather changes that will take place throughout the course of the exhibition. Artists-in-residence are expected to fully document their work through digital photography and or video and to provide updates to Sf staff on their progress daily for public dissemination through social media. Artists may be asked to participate in public events produced in conjunction with the exhibition.
COMPENSATION: All artists receive a $100 fee and a studio space to develop their project within the Storefront exhibition. All completed works produced during the residency will be placed in the exhibition by the curators.
WHAT WE SEARCHED FOR: Storefront looked for artists/architects/writers and citizens at large or collectives younger than Storefront, who are interested in engaging in a storefront setting to disseminate their work and mission.
Applications are now closed.
Being is a part of the Critical History Project and supported in part by an award from the National Endowment for the Arts. Art Works.
The Critical History Project, a conference, exhibition, film and publication celebrating 30 years of Storefront for Art and Architecture is made possible by The Andy Warhol Foundation for the Visual Arts, F.J. Sciame Construction Co., Inc., the Graham Foundation for the Advanced Studies in the Fine Arts and through generous contributions from a group of individuals directly supporting 30 years of Storefront including David Adjaye, Claudia Gould, Steven Holl, Steve Incontro, David Joselit, Galia Solomonoff, Mabel Wilson, and Karen Wong.
NYSCA Grants Available
Thursday March 28, 2013 – Saturday April 20, 2013
Independent Projects Grants
Deadline: April 20, 2013
Storefront is pleased to act as a fiscal sponsor for select individuals who wish to apply to the NEW YORK STATE COUNCIL ON THE ARTS for an Independent Projects Award in the Architecture + Design Program for the 2013-2014 fiscal year. Project grants are available for professionals in the design field through the Independent Projects Category.
General Information
Grants of up to $10,000 are available for architects, landscape architects, graphic designers, fashion designers, industrial designers, and interior designers to creatively explore or research an issue or problem in the design, planning and/or historic preservation fields which advances the design field and contributes to the public's understanding of the built environment. The category seeks projects that are innovative in nature and emphasize the artistry of design excellence.
Prerequisites for applying through Storefront
New York State resident with New York State address (please note there are required documents that will need to be submitted with your final application to verify residency: http://www.nysca.org/public/guidelines/individual_artists/index.htm )
Practicing architecture, design and/or historic preservation professional
You may not be applying for another NYSCA project with another team or with another fiscal sponsor organization.
Ineligible Projects include:
- Student projects
- Projects by visual artists
- Projects that request NYSCA funds for out-of-state travel expenses. (Please note out-of-state travel expenses may be involved in your project; however, you should be prepared to note how you will cover these expenses with funds outside of NYSCA.)
For more information about this funding opportunity and application instructions, see the Architecture + Design Program's guidelines for the Independent Projects Category on the New York State Council on the Arts' web site,
ht tp:// nysca.org/public/guidelines/architecture/independent_projects.htm
NYSCA Independent Projects Application Instructions
Please note individuals who do not follow instructions for submission as listed will not be considered.
April 20, 2013
Request for Proposals
If you are interested in applying through Storefront for NYSCA funding, please answer all questions in the application form available on the right corner of this webpage and email email@example.com answers to each question. Applications should be submitted in a word document with the email subject line "NYSCA Independent Project Application Request" by midnight on April 20th to be considered. Please note selected individuals will be asked to submit additional application information by May 10, 2013. By submitting an application form, individuals agree to submit additional application materials requested to Storefront by this date.
April 25, 2013
Storefront will select 20 projects from the RFP to apply for support through NYSCA. Individuals and projects selected to receive sponsorship from Storefront will be notified by April 25, 2013 and will be required to submit additional information. If your project is not selected; you are free to apply with another organization, should you choose.
May 10, 2013
Storefront will email all registered applicants to request additional information to complete a full application. This will include a additional project information, a detailed budget and support materials.
November 2013
In recent years, NYSCA has made grant reward annoncements in
November. Should your project receive funding, you will be contacted and
required to submit to Storefront a W9 to receive funds. Funds will be
distributed as they are received.
September 2014
Final Report
Funded applicants will be required to submit a final project report to NYSCA in September 2014. Storefront will coordinate final report submission with recipients as necessary.
Monday March 25, 2013 – Thursday April 11, 2013
Ideas City Festival 2013: Untapped Capital
On Nothingness / On Somethingness
On Somethingness:
A traffic jam + a dating agency + a carpooling project = Great time with less carbon footprint
On Nothingness:
A traffic jam + recording machine + chairs = Concerto Piece
Untapped Capital is synonymous with innovation. To innovate is to identify and create new opportunities where no one saw them before. On Somethingness/On Nothingness was a one-day event which took place on Saturday, May 4th during the Ideas City Festival that brought into the public a different way to organize and perceive the world around us. Either by remixing existing conditions in new forms or by unveiling invisible forces, On Somethingness/On Nothingness offered to the public a new catalog of Untapped Capital for the future of cities and citizens.
On May 4th at the Sara D. Roosevelt Park, within the footprint of the StreetFest and as part of the 2013 Ideas City Festival, Storefront for Art and Architecture presented a daylong series of performances and talks by artists, architects and citizens at large that attempted to bring new ways of understanding, perceiving and acting on the city that surrounds us.
For this daylong event, Storefront invited individuals and collectives to submit proposals for one of the two complementary projects presented as part of the IDEAS CITY 2013: The Spacebuster: On Nothingness, and The Speechbuster: On Somethingness. On Nothingness allows for noise, confusion and illegibility, to see something there where others see nothing. On Somethingness brought people together around subjects and ideas with which we are all familiar in inventive ways, including folklore, technology, recycling, or other resourceful ways. To view the full Call for Projects, please click on the link to the right of this page.
The Call for Projects is now closed.
Selected artists to present projects include:
| On Nothingness
The 2013 iteration of IDEAS CITY, the biennial festival created to explore the future city and to effect change, will take place in downtown New York from May 1-4, 2013. The theme for IDEAS CITY 2013 is Untapped Capital. Rather than focusing on deficits, IDEAS CITY 2013 will encourage intensive examination of surplus resources that may be under-recognized or underutilized: Untapped Capital. There are many ways of thinking about what might define "untapped capital," ranging from people and raw materials, to ideas, networks, varied resources, and modes of communication. The topic of Untapped Capital provides a touchstone for alternative thinking about new methodologies, new solutions, and new goals.
Storefront for Art and Architecture is one of the Ideas City Festival Executive Committee institutions with the New Museum, The Architectural League, the Poetry Bowery Club, the Drawing Center and NYU Wagner.
Competition of Competitions
Thursday February 21, 2013 – Thursday August 15, 2013
Redefining Briefs, Clients and Agents
Competition of Competitions
Redefining Briefs, Clients and Agents
by Storefront for Art and Architecture for the AAAI! *
//////Competition Results will be announced on April 29, 2014 at the opening of Letters to the Mayor, an exhibition at Storefont's gallery//////
Throughout history, competitions have constructed a relationship of servitude between architects and the structures of economic, political and cultural power.
The competition brief has served as the initial document for the manifestation of desires either through programmatic, economic or formal needs. Often, the role of the architect has been reduced to answer a question that someone else has asked. In exceptional occasions, the architect's ability to reinvent and produce new desires has occurred in the form of rebellion against the brief. In an act of bravura, architects have broken the rules, driven by the pure belief that the real needs were contained outside of the given principles.
Given competitions operate in a confined space for experimentation, they have perpetuated and sometimes repeated ad nauseam a series of programmatic and social needs – from Museums to Concert Halls - without actually asking what needs of society architecture should aspire to serve.
This competition claims that the true desires of our present society are outside of the current taxonomy of competition briefs and that architects should be participants in the construction of the questions they are asked to answer.
If a competition is the articulation of society's desires in space, what new desires should we consider? What are the questions of our time that we should be asking to architects, urban planners and policy makers to redefine the way in which we build our cities and territories? What underrepresented spaces, individuals or collectives need to be explored? And, what are the agents, authorities or organizations from which the competitions should be promoted?
The intention of "The Competition of Competitions" is to provide and deliver new and relevant forms of engagement and content to the economic, politic and social systems that currently act as the voice of authority for the development of our cities. "Competition of Competitions" asks architects, artists, economists, philosophers, writers, and citizens at large to create interdisciplinary teams to formulate the questions of our time and define the agents that should pursue the task to ask and commission the visions for the future in the form of a competition brief.
Participants are to rethink the format, content and agent/s that constitute the basis for the way competitions and commissions are organized.
This is a conceptually based bureaucratic competition. The scales or sites of operation that each submission might choose to engage has no limits and should be specified by each participant in the brief.
DELIVERABLES: How to write your brief.
Each entry will be able to define the necessary elements for the articulation of the competition brief. Each submission should not be longer than 10 one-sided pages, including text, images and/or drawings.
The following points summarize the general parameters to be addressed throughout the brief. When not applicable or appropriate, applicants might decide to respond differently to the following requirements.
1. Title: List the title and, if desired, subtitle of the competition.
2. Political Agent: Describe the individual, corporation, organization or collective (real or fictional) in charge of organizing or commissioning the proposed competition. Please provide the CV or mission statement of the organizing entity or individual.
3. User-Subject: Describe the individual, corporation, organization or collective (real or fictional) to whom the competition brief is addressed.
4. What: State a general description of the competition. This might include, but is not limited to, ideological, programmatic, material or formal principles.
5. Scale: Delimit the competition site (physical or conceptual)
6. Deliverables: Enumerate the necessary documents to be produced to establish a proper judgment of the future possible entries.
7. Temporality: List the start date, deadline, phases, schedule, etc.
8. Economics: Outline the prize[s] and budgetary constraints, if any.
9. Rules/Laws: State the competition rules. Briefs might respond to current laws or might assume the creation of new laws, rules or regulations of existing or fictional governing authorities. Submissions should specify, if necessary, the applicable rules the brief needs to obey.
10. Eligibility: State entrant's eligibility. Requirements for entry need to specify who can and cannot participate. Please, specify conflicts of interest or any other policies applicable.
11. Jury members: Indicate individual names or generic categories with brief descriptions.
12. Evaluation guidelines: Indicate the criteria used to evaluate the entries.
13. Questions: Establish formats of communication between the organizing entity and the entrants.
14. Registration: Define the protocols of subscription and entry.
15. Anonymity: Address the notion of authorship, recognition and identity by identifying the mode in which authors might or might not be identified.
Once payment and registration form have been received, entries must be submitted in 2 formats:
1. Through an online platfrom (link provided after registration)
2. By sending a pdf file of no more than 10 pages.
Competition launch: February 22, 2013
Early registration: March 22, 2013, 5pm EST [50 USD]
Late registration: August 15, 2013 [100 USD]
Relevant Questions: Answers will be published periodically
Final Submissions: August 30, 2013
First Prize 2,000 USD
Second Prize 1,000 USD
Third Prize 500 USD
7 Honorable Mentions
1 Storefront Special Prize
The jury will select 10 projects (3 Prizes and 7 Honorable Mentions) and a Storefront Special Prize: "The Competition of Competitions of Competitions Prize." All selected projects will be publicized and given support to reach the pertinent agents and authorities.
The Special Storefront Prize "Competition of Competitions of Competitions" will be awarded to a Competition Brief that resonates with Storefront's mission. The recipients of the Special Storefront Prize will be commissioned to organize and run the submitted competition as part of the 2014 Storefront for Art and Architecture program calendar.
1. All submissions should be sent in English. Please, provide translation footnotes if native language is deemed necessary at points within the submission.
2. There is no limit to the number of submissions a given organization, team, or individual may submit, but each submission must be registered separately and be accompanied by a unique Identification Number and separate registration fee payment.
3. No entrant shall receive or be entitled to receive any payment as a result of a submission or for granting the promoters any right here in or associated with the competition except an award pursuant to the rules herein.
4. All registration fees are non-refundable and nontransferable.
5. Ineligible participants include any staff or directives of SFAA (Storefront for Art and Architecture) or of AAAI*, any jury members and direct employees or relatives.
6. Storefront for Art and Architecture has the right to publish without prior consent all materials submitted to this competition.
7. Submissions shall not be published or made public until a final decision by the jury is made public.
8. By entering the Competition, any and all entrants, and where applicable, their predecessors, successors, assigns, heirs, officers, directors, attorneys, agents, affiliates, parents, subsidiaries, employees, shareholders, and any other person or entity similarly situated, agree in full to these Rules and Brief.
1. All submitting teams must be at least formed by 2 people (real or fictional).
2. Each submitting team must have at least two people from the following disciplines: economy, philosophy, architecture, anthropology or art history.
3. Additional team members from other disciplines, ways of life and expertise are encouraged.
The decision of the jury shall be final and binding on all parties, and no disputes shall be entertained.
The jury might declare the competition deserted and reject any and all proposals received in response to this competition.
The jury might waive or modify any irregularities in proposals received or any other aspect of this competition.
Submissions will be evaluated based on the following criteria:
· Difficulty: Originality, innovation and risk.
· Style: Thoroughness, clarity and consistency.
Registration is now closed.
Competitors must not communicate with the jury about the competition in any way until a public announcement of the winners is made.
* "Association Against Architectural Irrelevance!" is a fictional association still to be founded that defends the role of architects in contemporary society.
Newsprint graphic design by Juan Astasio Soriano.
StreetFest Competition - IDEAS CITY 2013
Friday November 30, 2012 – Saturday February 9, 2013
Temporary Outdoor Structures for IDEAS CITY 2013
The Competition
The 2013 iteration of IDEAS CITY, the biennial festival created to explore the future city and to effect change, will take place in downtown New York from May 1-4, 2013.
The theme for IDEAS CITY 2013 is Untapped Capital. As the world's resources continue to be endangered, depleted, and destroyed, we all need to imagine new solutions and develop innovative approaches and practices. Rather than focusing on deficits, IDEAS CITY 2013 will encourage intensive examination of surplus resources that may be under-recognized or underutilized: Untapped Capital. There are many ways of thinking about what might define "untapped capital," ranging from people and raw materials, to ideas, networks, varied resources, and modes of communication. The topic of Untapped Capital provides a touchstone for alternative thinking about new methodologies, new solutions, and new goals.
For the occasion of the 2013 IDEAS CITY, Storefront for Art and Architecture jointly with the New Museum are launching the StreetFest competition for the design, management, and construction of temporary outdoor spaces that produce new ways for collective gathering and city engagement.
On Saturday, May 4, 2013, one winning entry will occupy designated outdoor space along the Bowery near the New Museum during the StreetFest. We envision fabricating a minimum of ten structures that will cover approximately 1000-1500 square feet.
These temporary outdoor structures will accommodate a multiplicity of activities including: vendors, workshop areas, outdoor classrooms, demonstrations, installations, music, and other performances and exhibitions.
The Challenge
Prefabricated tenting structures have proliferated in the last years as the only solution to temporary affordable outdoor shelter. The resulting landscape of street fairs or temporary events throughout cities and neighborhoods has been a spatially, geometrically, chromatically, and materially homogeneous environment that simply enables activities to happen without generating a playful engagement with the city or its citizens.
This competition asks for designs that envision street tents not only as shelters but also as active elements within the collective construction and understanding of the city. StreetFest makes a call to Architects, Artists and Engineers to re-envision the performativity-the material, social, and educational possibilities-of temporary outdoor structures.
The winning entry will have these characteristics:
1. Aspires to reinvent the typical street fair tent
2. Is modular; one unit can become three can become seven, providing scalability and the ability to go from an intimate platform to a larger one
3. Is conscientious of the materials used and their impact on the environment
4. Is easy to produce and install
The selected project will work closely with the StreetFest Task Force committee and will be commissioned to produce, construct, install, and disassemble the final design.
Site Description and Scope
The competition aims to reinvent a site-less typology with a call for projects able to propose new modes of site engagement without a particular site limit.
During the Festival, and facilitated by street closures TBD [see annex 1], the StreetFest will be roughly located around the New Museum and its surrounding streets. The information provided in the map is for orientation only and is subject to change.
However, it is important to consider the dimension of the streets, sidewalks, fire egress lines, trees, street furniture and lighting, etc.
Registration Deadline [Extended]>>>>>>>>>>>February 2, 2013
Deadline to Submit Questions>>>>>>>>>>>> January 21, 2013
Common Answers Publication on Website>>> January 23, 2013
Competition Submission Deadline>>>>>>>>>February 8-9, 2013
Winner Announcement>>>>>>>>>>>>>>>> >>Late February-early March, 2013
Design-Management-Construction period>>> March-April 30, 2013
StreetFest Date>>>>>>>>>>>>>>>>>>>>>>>> May 4, 2013
Design Considerations
The design must provide a covered area of 1000-1500 square feet. The competition asks for an amount of 10 units (minimum). While traditional tents have a clear modulation in relation to street vendors and other functions, the competition is seeking designs that are able to provide for multiple spatial configurations, from freestanding units to large collective areas.
Program: The formal configurations or typologies to be developed can vary in form and size and should be able to accommodate the following programs as well as propose new functions:
- Exhibitors who are likely to present workshops, classrooms, exhibits, and/or performances
- Eating/talking areas related to parked food trucks
- Vendors who will sell products
- Several performances areas
Requirements: Due to the outdoor nature of the project and its situation in the public realm, submissions must comply with the following requirements:
- Comply with the NYC Building Code for its type of structure and shall be prepared for permit applications
- Allow for a fifteen-foot wide fire egress lane on every street and allow clearance for all existing fire hydrants
- Provide shelter from wind and water
- Incorporate flexible design parts for vertical coverage
- Structures must be self-standing without the need of making modifications on the street or sidewalk
- Accommodate electric wiring, lighting, and other amenities
- A thorough understanding of the materials used in the project and their life cycle need to be an integral part of the project
- Assembly, disassembly (two hours or less each), storage, and transport need to be an integral part of the design
- The design and proposed installation methodology of the Structure shall be subject to an engineering review and certification by the engineer who is part of the winning team
Other considerations: Original ideas on new tent uses are encouraged
Submission Requirements
All submission materials must have a Title and include the Identification Number (provided to Entrants via e-mail between January 21-February 5, 2013).
No names or identifying information should be placed on any document except on the form inside the identification envelope.
Two portrait 34 x 44" panels mounted on hard board. These will have the project title and identification number on the top right of the front and must contain the necessary drawings for the execution of the project including but not limited to:
1. Plans, sections and details. Recommended scales: 1"=1'0" , 1/4"=1'-0", 3/32"=1'0"
2. Two visual representations of the project that convey its use.
3. A structural study
4. A regulations compliance statement [each project is responsible for demonstrating a total control and awareness of the rules and regulations that affect the proposal]
5. A production and assembly time schedule
6. A detailed execution budget
7. A 300-word description of the project
A bound project documentation book of 5 pages minimum and 30 page maxiumum in portrait format 11 x 17". The book must contain all the information presented in the panels plus any additional information necessary to evaluate the project in its full scale and scope. Please include the Title and Identification Number on the cover page.
Identification Envelope
A sealed envelope containing the signed Identification Form & Privacy and Release Statement.
The outside of the envelope should include the Title and Identification Number only.
A cd containing three folders [panels/book/envelope] with digital copies in pdf and jpg format of all documents mentioned above [300 dpi] . All files should be labeled with [identification code_document name_number.file extension], example:
12345_Book.pdf [all pages in one single file]
12345_Book_page1.jpg [each page should have a jpg file]
12345_Identification Form.pdf
1. Each submitting team must have as a team leader an Architect and at least one Artist or one Engineer.
2. Additional team members from other disciplines are encouraged.
3. The team leader must have graduated or have started an independent practice within the last ten years. At least one of the team members is living or practicing within New York City or its boroughs.
4. There is no limit on the number of Submissions a given organization, team, or individual may submit, but each Submission must be registered separately and be accompanied by a unique Identification Number, separate registration fee payment and each submission must meet every Competition requirement.
5. Eligible person(s) or Firm(s) shall go through detailed guidelines and shall need to agree to abide by the conditions mentioned therein before registration. Upon acceptance and after registering such person(s) or Firm(s) shall qualify to enter the competition.
6. To be eligible, each Submission must strictly read and comply with all the imperatives of the StreetFest as given in the Competition Guidelines. In case any entry is found to be noncompliant, it shall be disqualified from entering the competition. In case any Entrant(s) is found to have provided false information before or after registration, they shall be liable to be disqualified.
7. The Architect must be willing to observe and comply with all laws, rules, regulations, requirements, orders, and directions of any governmental authority that may pertain to the Architect's activities and will require, and will be responsible for such observance and compliance from each agent, employee, contractor, or subcontractor engaged by the Architect in connection with the project.
8. By entering the Competition, any and all entrants, and where applicable, their predecessors, successors, assigns, heirs, officers, directors, attorneys, agents, affiliates, parents, subsidiaries, employees, shareholders, and any other person or entity similarly situated, agree in full to these Terms and Conditions.
9. No Entrant shall receive or be entitled to receive any payment as a result of a submission or for granting the promoters any right here in or associated with the competition except an award pursuant to the rules herein.
10. All registration fees, are non-refundable and nontransferable.
Budget / Prize
The total budget for design, construction, assembly, and disassembly is $20,000.
Any costs in excess thereof are the sole responsibility of the Architect.
The winner Architect will work with the StreetFest task force committee to realize the design and work with the organizers to obtain all permits and will be responsible for project management with manufacturers/vendors to produce the project.
All other production and fabrication expenses, exceeding $20,000, shall be assumed by the Architect.
Additionally, the selected team will be awarded a design/construction/managing fee in the amount of $7,500.
All questions should be e-mailed to firstname.lastname@example.com by January 21, 2013. Relevant questions and answers will be posted on the StreetFest page found on the www.storefrontnews.org and on architizer.com websites on January 23, 2013.
Competitors are required to register their intention to enter. This registration must be received by January 18, 2013 before midnight, by sending the registration form [Annex 3] to email@example.com, which includes a $50 registration fee payable via PayPal. Projects will not be juried without valid registration. After registration, each Entrant will be provided with a registration confirmation and assigned a unique Identification Code by January 23, 2013.
Competitors must not communicate with the jury about the competition in any way until a public announcement of the winners is made.
No partner, associate, or employee of any jury member may participate in the competition.
The jury members include:
Cristobal Correa, Associate Principal
Buro Happold Consulting Engineers
Eva Franch i Gilabert, Director
Storefront for Art and Architecture
Michael Manfredi
Mary Miss
City as Living Laboratory
Lisa Phillips, Toby Devan Lewis Director
New Museum
The decision of the jury shall be final and binding on all parties, and no disputes shall be entertained.
The jury might declare the competition deserted and reject any and all proposals received in response to this competition.
The jury might waive or modify any irregularities in proposals received or any other aspect of this competition.
Additional Information
The StreetFest Competition is organized by Storefront for Art and Architecture, sponsored by the New Museum, and supported by Architizer.
Copyrights regarding the Projects shall remain the property of the Architect.
The actual structure will become the property of the New Museum and will be utilized by Storefront for Art and Architecture and other institutions for future events and venues.
Submitted materials shall not be released nor exposed in public, press or other media before the announcement of a winning entry or the cancellation of the competition.
The Architect agrees to permit competition sponsors to use the submitted materials for public posting, publication, or exhibition or for archival, promotional, educational, and such other purposes as such institutions shall determine.
The Jury and/or Storefront for Art and Architecture reserve the right to cancel or suspend the Competition for any reason, including those causes beyond the organizer's control that could corrupt the administration, security, or proper participation in the Competition.
The organization assumes no responsibility for postal, e-mail, electronic, technical, or natural conditions that prevent the receipt or judging of a competition submission or any part thereof.
The organization reserves the right to amend these Guidelines at any time without notice.
No information contained in submissions shall be deemed confidential and such information may be shared with other governmental entities. Therefore, please do not submit any information that may be deemed proprietary in nature.
Competition sponsors shall not be liable for any costs incurred by any respondent in the preparation, submittal, presentation, or revision of its submission. Competition sponsors shall not be obligated to pay and shall not pay any costs in connection with the preparation of such submissions.
About Ideas City 2013
Formerly known as the Festival of Ideas for the New City, IDEAS CITY was founded by the New Museum as a major collaboration between dozens of downtown arts, education, and community organizations to harness the power of the creative community and imagine our collective future. This initiative is built upon the core belief that arts and culture constitute a driving force behind the vitality of urban centers worldwide.
The inaugural festival was launched in May 2011. It included a three-day conference of symposia, lectures, and workshops with visionaries and leaders, including exemplary mayors, architects, artists, and technology experts; an innovative StreetFest along the Bowery featuring over 100 organizations and small businesses presenting model products and practices for a better city; and hundreds of independent projects and public events attracting over 70,000 participants. The overwhelmingly positive response led to the festival's establishment as a unique biennial event in New York City.
Submissions must be delivered to Storefront for Art and Architecture on February 8 or February 9, 2013 between 11 a.m. and 6 p.m. EST.
Storefront for Art and Architecture
97 Kenmare Street
New York, NY, 10012
The winning entry will be directly contacted in mid-February, 2013, followed by a public announcement.
Frequently Asked Questions
Where do I find the regulations compliance form?
There is no standard form. Entrants provide a document stating that their submission complies to all laws, rules, regulations, requirements, orders, and directions of any governmental authority that may pertain to the Architect's activities.
Where do I find the the Privacy and Release Statement?
The Privacy and Release Statement is part of the Identification Form found on page 9 of the Competition Brief.
Recent competitions
- Winners: WorldWide Storefront
- Winners: Competition of Competitions
- Competition of Competitions: Finalists
- WorldWide Storefront - Call for Proposals
- OFFICEUS: Call for Partners
- Younger than Storefront: Five-Day Artist Residencies
- NYSCA Grants Available
- Competition of Competitions
- StreetFest Competition - IDEAS CITY 2013


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Keep up the pictures. You are going to have one awesome keezer.
Make Beer, Not War.
So I mostly finished it up tonight. Before I mounted the board I put a circle of that self expanding insulation can foam down then put the board on, it made a wonderful seal. I mounted the board and the tower tonight and tomorrow I am going to get some vinyl adhesive tile to put down around the board. There are a few marks and scratches on the surface that I do not want to show up. Plus the wood on white is just ugly.
So this is one of the dummy bolts. I could not mount the board on the back side because of where the rear wall of the freezer was. So I cut off the shafts on the rear bolts and used construction adhesive to mount them in the holes. First I filled the holes with spray insulation.
This is the finished product before the tower mounting. The hole through the wood and top was a pain in the ass. The hole saw that I had was super crappy and it took a while to get through the lid. The front bolts in this picture are real the rears are dummys
Everything went great with the tower, except that the hole in the wood and the lid was to small to fit my ball lock fitting through, So I chopped them off and reattached them once the lines where in. When I was mounting the wood for the final time I layed down a circle of spray insulation foam around the hole between the lid and the wood. This expanded great and will stop any air from escaping from the keezer without first going into the tower.
The underside was a bit of a pain. I didnt want to take this liner out because the foam under it was crumbling easily. So the nuts and washers did not get as tight as they should of. But the tower bolts are anchoring both the tower and wood firmly in to the lid.
Today I am going to get some vinyl tile to lay down on the top of the lid. Its pretty grimey and scratched up. Now I just have to decide what kind or style of tile I want to put down.
The tile sounds like a good idea. Are you going to try to do anything to tie it into the sides of the freezer? It might help to put some simple 90 degree edging around the edges so the vinyl tile isn't exposed (I'm thinking something like the plastic edging you put on corners where wallpaper ends). I'd be worried that the exposed vinyl would tend to pull up over time.
Yeah I was thinking about that, with self adhesive tile if it gets a little dirt under the edge then its game over, the whole tile starts to peel up. I was thinking about the plastic clear corner guards for drywall, and using clear epoxy to hold it down.
Well I went with the self adhesive tile and put it all around the top of the lid. I also, to protect the edges of the tile, put wooden 3/4" stained corner molding that matches the top. I tossed my keg of apfelwein in there and carbonated it and its great. Pictures tomorrow.
Hmmm.... i wonder if my parents will let me do this to there freezer at their house. Since my bro and i both moved out 5 or 6 years ago...they never use the chest freezer anymore. It would prove to be a useful tool when we all end up back at the parents house for holidays and stuff to at least dispense commercial kegs and whatnot.

subset: commoncrawl


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Southeast Florida Articles
Showing 1-1 of 1 Villas and Condos
The Seagate Hotel & Spa
Luxury guest rooms and suites feature a private balcony, modern decor and flat-screen televisions during your stay at the Seagate Hotel & Spa. Relaxed elegance flows through the design in each of these comfortable accommodation options. You won't find a better option than this luxury boutique hotel!... more
- Wifi
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- Property Size 154 units
- Conference Facility
- Kids Allowed
- Nearby City Delray Beach
- Nearby Water Atlantic Ocean
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Destination Almeria
To see
A 10th century fortress with three large areas of land, gardens, and the walls of Hayrán. Splendid view of the city and the harbour, and legendary sunsets. Address: Calle Almanzor
With its towers, buttresses and solid walls, the 16th century cathedral served as a strongpoint against attacks from pirates. Address: Plaza de la Catedral
Alijbes Arabes
Well preserved 11th century Moorish reservoirs. Address: Calle Tenor Iribarne
Museo del Aceite de Oliva (Olive Oil Museum)
Olive presses, followed by tapas in the café. Address: Calle Real 15
Centro de Arte
Modern art, with alternating exhibitions. Address: Plaza Barcelona
Cowboy country
From Lawrence of Arabia to David Beckham's Pepsi advert, innumerous films have been shot in this desolate hinterland. Old movie sets have been turned into theme parks. Address: A7, km464, Tabernas. Bus to Tabernas from the bus station.
Nature at its finest
The 34,000 hectare nature park of Cabo de Gata-Nijar has beautiful beaches, lagoons which are a haven for birds, and mountains falling steeply down to the sea. Buses depart for the villages and the lively Mojácar, or hire a bike or a car to really get to know the area. Free Visitor Centre


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By now you should be aware that Pharrell likes jewelry, a lot of jewelry. As much as we think the era of bling is over, Pharrell certainly represents a new, if not different generation in those regards. Just recently we showed you his collaborative artwork with Takashi Murakami, where he turned every day objects with the help of Jacob & Co. into jewelry. The same holds true for his customization of his G-Shock watches. The rather cheap plastic watch (in comparison to the rest of the luxury watch market) gets the ultimate upgrade in the form of precious metals and diamonds. For some reason we find the amount of bling on the G-Shock less disturbing than your regular blinged out watch. What do you think?
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Most Popular
.- The archbishop of Guadalajara, Cardinal Juan Sandoval Íñiguez, said he would continue to call those who promote the crime of abortion "children of darkness," and that if members of the Democratic Revolution Party (PRD) felt he was referring to them, it was their problem, since he said he was speaking as he was supposed to as a bishop.
"I called those who promote abortion children of darkness and I will continue to do so because abortion is murder, it is a crime and it is homicide. The Gospel of St. John says it is the devil, who is the prince of darkness, and those who promote homicide are children of darkness," the cardinal said.
Likewise, he said he has not been contacted by the government to respond the lawsuit filed against him by members of the PRD in Jalisco over his comments on abortion. He called the lawsuit a tactic to divert attention away from the issue. "I don't respond to gossip," the cardinal said. "A bishop can't say anything different than what I said," he added.
* The number of messages that can be online is limited. CNA reserves the right to edit messages for content and tone. Comments and opinions expressed by users do not necessarily reflect the opinions or beliefs of CNA. CNA will not publish comments with abusive language, insults or links to other pages


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Definitions for byssiferous
This page provides all possible meanings and translations of the word byssiferous
Webster Dictionary
bearing a byssus or tuft
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"byssiferous." Definitions.net. STANDS4 LLC, 2014. Web. 20 Dec. 2014. <http://www.definitions.net/definition/byssiferous>.


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Spring to Life
Spring to Life is our flagship mental health recovery project for young people suffering mental health trauma.
This programme is currently on hold while we seek continued funding. Funding news will be posted on this page.
Spring to Life is a project directed at young people who have experienced some form of mental health distress or may be having a tough time of it at home, work, school or socially. You may be a carer or have direct personal experience, this project helps you realise the recovery potential that positive time spent in the outdoors can have. The project draws on the stunning natural environment of Sharpham and the approach of 'Take a Moment' adopted by the staff team to help you through your difficulties.
Individuals are referred onto the programmes for one day per week, with programmes lasing up to 12 weeks. The project progresses you at your own pace through a programme of activities on the Sharpham Estate that hopes to improve your physical and mental health while supporting environmental conservation activities. Programmes are designed in consultation with a mental health specialist and other young people, and delivered in part by volunteer mentors with experience of mental health distress themselves.
The Sharpham Estate is 550 acres of woodlands, rivers, gardens, farmland and built heritage, offering an broad range of environmental activities including: conservation projects (e.g. tree planting, wildlife habitat enhancement), site management (creative sign work, woodland arts), woodland crafts (stool making, wood carving), willow weaving (basketry, sculptures), bush craft and survival skills (fire, shelter building, wild food cookery), outdoor sports (canoeing, fishing, orienteering), horticulture (organic gardening, orchard management), agriculture, health and well-being workshops (mindfulness, yoga), team-building and trust development.
Outcomes of the project are profound (link to case studies), making life enhancing change to young people's lives.
Young people are referred to us via many varied routes and we are developing ways of continuing the project once project funding runs out. Our programmes lasted until November 2013.


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All along, the Cubs insisted Kris Bryant wouldn't be getting a September call-up, and he's not walking through the door after a monster season at Triple-A Iowa.
NEW YORK – The flavor-of-the-week obsession with prospects means someone will always be coming for Starlin Castro's job.
The Chicago Cubs announced Saturday that pitcher Dan Straily has been recalled and outfielder Junior Lake has been optioned to Triple-A.
NEW YORK – Does Jorge Soler become the next man up with the Cubs sending Junior Lake down to Triple-A Iowa?


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Search Results: 'trombone method book'
100 Etudes for Trombone - Vol. 1
Paperback: $15.95
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The first fifty of one hundred etudes in all 12 keys. Recommended for the advanced trombone player.
Scales You Need to Know for Trombone
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A new more visual approach to scales and arpeggios for the trombonist.
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This method book provides rehearsal and practical techniques using a variety of western musical concepts and terminology. You will find pitch tendencies in for each major, natural minor, chromatic... More > scales, and full range chromatic to visually see tendencies per each tonality. Also there are variations of scale patterns through each tonality with exercises for technical agility for wind band.< Less
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Mr.B's Beginning Trombone Book is the perfect starter book for the new trombone player. It can also be used for students who are switching to trombone, from another instrument. Presents new skills... More > in a logical manner, with tons of playable exercises. Free mp3 accompaniments available on Mr.B's website!< Less
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'Notes You Need to Know' is a proven and effective method for learning to read music for trombonists. Using the simple tools including in this book you'll be reading melodies in no time at all!
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73 tiny little studies for trombone. Recommended for the beginner trombone player.
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After committing to and finishing his first novel, Lambda, Drew Shields decided to err on the short side. This book includes short stories, poems, and quips of misguided sage advice, compiled over a... More > three-month writing class. After rejecting some of the stories and carefully refining others, Drew now presents his polished and well-rounded second book: I Drew a Blank. Read the following stories and poems in I DREW A BLANK: The Interview, Method to the Madness, A Series of Letters, A Love Poem, The Stroke of Death, Thermonuclear Porridge, Death of a Haircut, The Lone Trombone, Fifty Five Fiction, Illegal Lethal Imbecile, ABC, A Fairy Tale, The Punisher, Mi Hermano, Pen Heavy, What the Old Guys Said, Goodbye, Loss< Less
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Topic: Mujhe Kuch Kehna Hai
In Bollywood word of mouth is more important: Tusshar Kapoor
Posted by FilmiTown.com | July 21, 2012 | 0
Mumbai, July 21 When a bad film doesn't work, it doesn't upset Tusshar Kapoor. But… more »
I've made mistakes in career: Tusshar Kapoor
Posted by FilmiTown.com | March 8, 2012 | 0
New Delhi, March 8 His father Jeetendra was a yesteryears icon, while his sister Ekta… more »
Lack of innovation as TV serials name on Bollywood movies & songs
Posted by FilmiTown.com | February 13, 2012 | 0
The telly industry has off late launched many serials but it retains a patch of… more »
Super hit Hindi movie songs, now titles of TV shows
Posted by FilmiTown.com | January 4, 2012 | 0
New Delhi, Jan 4 Just what happens to creativity when it comes to titles? From… more »


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Car break-ins investigated in Southbury
SOUTHBURY -- Police are investigating a string of car break-ins that occurred over the weekend.
Police said several cars were reported to have had items stolen including golf clubs, an E-Z pass and a wallet sometime early Saturday.
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Luxurious Clubhouse Designed by Kay Green Announced for Latest Intimate Naples Community Raffia Preserve
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The Raffia Preserve community will feature a state of the art intimate clubhouse with top shelf amenities designed by the acclaimed Kay Green according to a recent announcement.
Naples., May 25, 2014 - (PressReleasePoint) - - The perfect complement to the already compellingly beautiful Raffia Preserve master planned community in Naples, is a luxurious clubhouse designed by Kay Green packed with the latest amenities according to Equity Realty. The recent announcement of this feature of the community has raised already high interest in what Raffia Preserve has to offer, for those "in the know" in the Naples real estate market and beyond.
"You can see the plans for the clubhouse on our website at http://raffiapreserve.com/clubhouse.html - it's going to be incredible," commented Tim Ryan, owner of Equity Realty. "The Raffia Preserve community is exciting in all the best ways you can imagine."
The North Naples community has 363 single family homes and the 7,400 square foot clubhouse is planned as a center piece of the community. The clubhouse features a 2,000 square foot fitness center stacked with top of the line equipment, a club room with catering facilities, fireplace and standing bar. A free standing pool covered by a patio is sure to be popular with the Raffia Preserve residents looking to cool off or enjoy a leisurely day.
Kay Green Design are known for their outstanding work done throughout Florida and in Naples in particular. Their eye for detail is present in the clubhouse's design choices, featuring shades of gray; fine tile work and an orientation that works around the fireplace as a centerpiece of the clubhouse's aesthetics.
News of the clubhouse is certainly drawing attention.
Diane Stein of Naples, observed, "I was already excited about Raffia Preserve, but to hear about the clubhouse makes it even more intriguing. I can't wait to see to see it first-hand. This could be the deciding factor where we decide to relocate."
Homes in the Raffia Preserve start in the mid $300,000s.
For more information visit http://raffiapreserve.com or call Equity Realty at (239) 963-4070.
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Equity Realty
10600 Tamiami Trail N #603
Naples, FL 34108
(239) 963-4070
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HOME » I-Club Project Cars » Project STI - 2006
Best Bang for the Buck from Buschur Racing
A stock STI is a great package form the start. Starting the modification process with a stock car isn't as easy as most will think. Any project needs an end goal in order to be successful. The main goal behind the 2006 I-Club Project STI is to have a capable street performer and to wreak havoc at weekend driving events (including time attack). With that in mind the best thing to do is to start simple. Our first stop was with Buschur Racing. BR carries a strong reputation in the Evo & DSM world for building some of the fastest cars in the industry. Being new to the Subaru market, we wanted to give their products a try to see what kind of results we could get. Keeping things as simple as possible, we decided to start with Buschur's 3-inch turbo back exhaust (with high flow cat), 2 ¼ inch up-pipe, and cold air intake. To keep things in perspective we wanted to run the car with the current setup on the dyno to start off with a base line. Then we installed each product (one at a time) and dyno'd the car to see what kind of power we could get out of each part. Stock Dyno Graph: Buschur Turbo Back Exhaust & Up-Pipe The build quality is excellent (welds are perfect and bends are top notch) and most don't compare to the overall build standards of the BR exhaust. One thing this exhaust is not is a polished dressed up visual perfection that you normally see under a car entered at a hot import night's event. Making power is serious business and this exhaust doesn't steer away from that concept. On paper the turbo back exhaust boasts a weight savings of about 39 pounds over the stock system, which is a great benefit when you have a double duty car that spends time on track. Installing the exhaust was fairly easy and didn't take much time at all. We did have to trim back the rear black plastic diffuser to make sure we got enough clearance, which is the only issue we ran into. Other then that it was a perfect fit. Next we decided to add the up-pipe. In order to fit the entire test in one day we weren't able to dyno the car with just exhaust separately from the up-pipe, so we had to install the up-pipe at the same time as the exhaust. Installation for the up-pipe took the most amount of time mainly because of its location. Once we got the exhaust and up-pipe on the car it was time to start it up and get it on the dyno. Once the car was started, the exhaust tone belted out the meanest sound across the shop in a very good way. The BR exhaust accentuated the boxer motor sound. Dyno Graph: 24 whp & 34 lb tq is a substantial gain for just a up-pipe and turbo back exhaust. So far so good and it was now time to get the intake installed. Buschur Cold Air Intake First impression of the intake build quality was very good. Since this was an item that could be seen it did help that the part looked more polished. Installation was very easy and took about 30-45 minutes to install. After the install we strapped the project STI back on the dyno to get some more numbers: Graph: With the intake we were able to extract another 5whp but we did lose 5 lb tq at the wheels. Conclusion At the end of the day the results speak for themselves. A whopping 29whp gain over stock and 29 lb tq at the wheels without tuning. BR really has come up with the best combo to get the STI to produce substantial gains without having to dig too deep into your wallet. Getting the car on the road also proved even more impressive impressions. Throttle response was much more crisp and felt like the car was freer revving. The car picked up more lower end torque and had more juice up in the rpm range. With a custom tune we can expect higher numbers but for now this setup was much better then with what we started with. Whenever the modding process is begun, always make sure to think through your plan before you get started. Simple may not sound exciting but with the power we gained, you can't argue with the end result.
Buschur Racing http://www.buschurracing.com 24 West Main St. Wakeman, OH 44889 (440) 839-1900
CBRD SpeedFactory http://www.cbrdspeedfactory.com 1650 Whiteford RD York, PA 17402 (717) 751-2345
Dynamic Power Solutions (DPS) http://www.dpstuning.com 8033-C Snouffer School Road Gaithersburg, MD 20879 (301) 977-5601
Powered by: vBulletin Version 3.6.5Copyright ©2000 - 2008, Jelsoft Enterprises Ltd.-= NOT AUTHORIZED OR APPROVED BY OR AFFILIATED WITH SUBARU OF AMERICA OR FUJI HEAVY INDUSTRIES LTD. =-


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Fashion Advice For Men Got You Tangled In Knots? Learn To Tie A Tie With 2TieATie.comby Fashion Finds
2TieATie.com is a website startup by a group of young teenagers who understand what it means to be mortified when you have no idea how to get the perfect knot (or any at all) into your necktie before a major fashion event. Not only does this fun fashion website help men overcome their shortfalls with neckties, it teaches them that being fashionable isn't just for the fairer sex after all
Study Finds Guys Aren't That Into Girls Who Drinkby Rane
Praying with the Birds: For The Birds or Great Idea?by Cosetta
Beautiful Girl Clock Ensures You Wont 'Miss' a Minuteby Steve Levenstein
Russian Pirates Beware: Shiver Your Own Timbers!by M Dee Dubroff
Bizarre, Elongated Skulls Found In Siberiaby M Dee Dubroff
Karaoke: Inspirational Invention or Just Plain Annoying?by M Dee Dubroff
Dance with Robots and Never Be Alone: Great Idea?by Cosetta
Pretend You Own a Camera? Great Idea?by Cosetta
Eyealike.com: Matchmaker Turns On Daters Using Facial Recognitionby Beth Graddon-Hodgson
Carry the Family DNA With You Wherever You Go: Great Idea?by Cosetta
History of the Rubik's Cube: Madness, Fun and One Man's Obsessionby M Dee Dubroff
Rubik's Cube is an invention that has been torturing puzzle-lovers for decades, but one man in England has surely broken the record for perseverance. It took him 26 years to solve the mystery and he as well as his enduring wife are very relieved that it is all over. If you are a puzzle fan read on, and if you are not, read on anyway and be amazed at how deeply this silly toy has permeated our cultural psyches.


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Last Call: Clearance Items for men, women, and home
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White Cliffside Fitted Stretch Pique Polo ShirtThis white women's slim fit polo shirt is made from a great stretch pique material. Polo shirt features a 3 button placket. Available in an assortment of solid colors. 95% cotton, 5% lycra. Learn More
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A Knight's Tale - Region 1 DVD
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Laura Fraser (II)
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Description: There's no rule against rock anthems from the 1970s in the soundtrack for a movie about a medieval jousting champion, but if you're going to attempt such jarring anachronisms, you'd better establish acceptable ground rules. Writer-director Brian Helgeland does precisely that in A Knight's Tale and pulls off this trick with such giddy ... (more)
Manufacturer: Sony Pictures
Release date: 4 June 2002
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Silgan To Release Fourth Quarter And Full Year 2011 Earnings Results On January 31, 2012
Silgan Holdings Inc. (Nasdaq:SLGN), a leading supplier of rigid consumer goods packaging products, will release its fourth quarter and full year 2011 earnings results on Tuesday, January 31, 2012, after the U.S. markets close. On the following morning, Wednesday, February 1, 2012, Silgan will hold a conference call at 11:00 A.M. eastern time to discuss the Company's results and performance for these periods.
The toll free number for those in the U.S. and Canada is (800) 263-8506, and international callers should dial (719) 325-2352. For those unable to listen to the live call, a taped rebroadcast will be available through February 16, 2012. To access the rebroadcast, U.S. and Canadian callers should dial (888) 203-1112, and international callers should dial (719) 457-0820. The pass code is 4184078.
Silgan Holdings is a leading supplier of rigid packaging for consumer goods products with annual net sales of approximately $3.1 billion in 2010. Silgan operates 82 manufacturing facilities in North and South America, Europe and Asia. Silgan is a leading supplier of metal containers in North America and Europe, and a leading worldwide supplier of metal, composite and plastic vacuum closures for food and beverage products. In addition, Silgan is a leading supplier of plastic containers for personal care products in North America.
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Where's The Outrage Over Bush's Knowledge And Approval Of Torture? Please Join C&L And The ACLU: Time To Write...
By John Amato April 12, 2008 2:15 pm -
Please join the ACLU and CrooksandLiars and demand a call for an Independent Counsel to investigate the Administration's approval of Torture and Abu
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FOXNews Sunday: Bill Kristol Says Iraq Is "Good" For McCain; Williams Says Kristol "Strains Credibility"
Why Does Stephen Hadley Focus On the Nepal Instead Of Tibet In The Olympics Controversy?


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If you like the itinerary below please quote REF AFRICA 45 when enquiring for further details.
Alternatively you may like modify this trip with your own Holiday Wish List
Welcome to Tanzania! We will collect you from Kilimanjaro airport and transfer you to your hotel in Moshi for this evening. Rest of the day at leisure to rest before your trek begins tomorrow. Overnight - Keys Hotel (Moshi)
Transfer to Machame gate to starting Kili climbing. Overnight at Machame Camp.
Overnight at Shira Camp.
Overnight at Barranco Camp
Overnight at Barranco Camp
Overnight at Barafu Camp
Overnight at Mweka Camp
Return from Kili and transfer to Keys Hotel for dinner and overnight. Overnight - Keys Hotel (Moshi)
Transfer to JRO airport for your flight back home.


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