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|New International Reader's Version (NIRV)
|New International Version (NIV)
|12 A man doesn't know when trouble will come to him. Fish are caught in nets. Birds are taken in traps. And people are trapped by hard times that come when they don't expect them.
|12 Moreover, no man knows when his hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so men are trapped by evil times that fall unexpectedly upon them.
|Holy Bible, New International Reader's Version® Copyright © 1995, 1996, 1998 by Biblica. All rights reserved worldwide. (New International Reader's Version Bible Online)
|Scripture quoted by permission. Quotations designated (NIV) are from THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide. (New International Version Bible Online)


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Heihachi Mishima voice actor, Daisuke Gouri, is reported to have died this weekend in Tokyo. He was found bloodstained, wandering the streets before collapsing. He was 57 years old.
Over the course of his career Gouri had also lent his vocal chords to Bass Armstrong from the Dead or Alive series and Mister Hercule Satan in Dragon Ball Z: Budokai. He also worked on Metal Gear Solid 2, Soulcalibur and Final Fantasy XII.
According to the Tokyo Shimbun (via Kotaku), a knife or something similar was found at the scene as well as Gouri's last will and testament. Authorities are said to be treating it as a possible suicide.

subset: commoncrawl


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There are 15 results - Show results on a map Print this page
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This charming restaurant with rooms has the River Test at its rear and serves great food. In addition, the luxury bedrooms are generally spacious, beautifully styled and come with a host of extras. Ba...More about The Greyhound on the Test
Currently the rating for this establishment is not confirmed. This may be due to a change of ownership or because it has only recently joined the AA rating scheme. ...More about The Barleycorn Inn


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The Black Keys' video for their seven-minute Turn Blue power ballad "Weight Of Love" begins the same way their "Fever" video ended: With a grainy televised image of frontman Dan Auerbach as a sweaty evangelical preacher. And even though Auerbach is only barely in the new video, it seems to be about a cult of young women who serve as his acolytes. The clip follows these frequently-topless white-clad ladies — supermodel Lara Stone chief among them — as they indulge in culty activities like group exercises and prayer circles. In its own way, the video itself is as horny as anything that would've aired on BET Uncut back in the day, but it seems to aspire to deeper things. Rolling Stone family scion Theo Wenner directed the video, just as he did with "Fever." Watch it below.
Turn Blue is out now on Nonesuch.
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CityJet offer flights to Avignon in the summer months.
Our top five activities
Travel on your own or join a guided tasting tour (ask at the tourist office) to big-name Côte du Rhône wine villages. One of the nearest is the great Châteauneuf du Pape.
Visitors are welcome to pay a one-day green fee to enjoy top-quality 9- and 18-hole golf at the agreeable Garden Golf club on the edge of the city (near Montfavet). 1596 route de Châteaublanc, 04 9033 3908
Enjoy horse-riding on the big river island, Ile de la Barthelasse, just minutes from the city centre. Avignon Riding Centre offers afternoon courses on Wednesday and Saturday. Chemin du Mont Blanc, 04 9085 8348
See the Rocher des Doms from below and pass beneath the Pont d'Avignon on a thrilling kayaking outing on the Rhône River. The starting point is Barthelasse Island.
Cookery courses
Some Avignon chefs share their secrets, giving short courses on Provençal cuisine. On summer Saturdays, informal cookery lessons take place in the bustling covered market (Place Pie).
Rue de la République, the Old Town's busy main street, is the place to find fashion chains, Monoprix and FNAC department stores and many tempting gourmet food shops. There are classy little boutiques on the side turnings, especially Rue Joseph-Vernet and Rue St Agricol. Les Halles, the city's traditional indoor produce market, is open daily (except Sunday) on Place Pie. Outside, it has a spectacular green 'living wall'. Inside, discerning locals pick and choose the best of regional food and wine at dozens of stalls. At weekends, colourful street markets spring up at Rempart St Michel and place des Carmes.
Food & Drink
Avignon's local cuisine is richly favoured with garlic, oil and fresh Provençal herbs like thyme and rosemary. Succulent meat and fish stews are popular, with plenty of local vegetables, among them green peppers, aubergines, courgettes and large, juicy tomatoes. Try savoury fougasse bread, sweet candied fruits and 'Papalines d'Avignon' liqueur chocolates. La Mirande (4 place de l'Amirande, 04 9014 2020) and Christian Etienne (10 rue de Mons, 04 9086 1650) are two of Avignon's clutch of gastronomic restaurants known for skilful and imaginative Provençal haute cuisine, both in luxurious historic settings close to the Papal Palace.
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October 2014
Appointment of Faculty Associates
The Haffenreffer Museum of Anthropology is pleased to announce the appointment of three Faculty Associates, Professor William Simmons, Professor Steven Lubar and Assistant Professor Elizabeth Hoover.
Faculty Associates are current faculty members who have demonstrated a special commitment to the mission of the Museum. Faculty Associates have special prerogatives including access to the collections and archives. They also have opportunities for curating special exhibitions. The appointment is for a three-year (renewable) term.
Professor William Simmons (Department of Anthropology) has been associated with the Haffenreffer Museum since his time as a Brown undergraduate student. He served as Interim Director of the Museum from 2012-2013. More recently, he served as the Curator of the "In Deo Speramus: Symbols and Ceremonies of Brown University" Exhibition (ongoing).
Professor Steven Lubar (Departments of American Studies, History, and History of Art and Architecture) served as Museum Director from 2010-2012. During this period, he professionalized many aspects of the museum as well as completing and collections relocation program and establishing satellite exhibition spaces.
Assistant Professor Elizabeth Hoover (Department of American Studies) has been associated with the Museum since her days as graduate student when she served as a Museum Proctor. She curated the student class exhibition "Thawing the Frozen Indian: Native American Representations" which ran from 2012-2013. She was one of the inaugural Faculty Fellows appointed for the 2013-1014 academic year.
September 2014
Mellon Fellow Call for Applications
Andrew W. Mellon Teaching Fellowships
Deadline Extended to October 10!
The RISD Museum and the Haffenreffer Museum of Anthropology invite interested RISD and Brown University faculty to apply for one-year Teaching Fellowships as part of a collaborative project, Assemblages, funded by the Mellon Foundation, focusing on the evolving field of object-based teaching and research. Two fellowships are available (one from each institution) in this cycle (academic year 2014-15).
There is an increasing appreciation in the academy of the power and efficacy of object-based teaching. Teaching with objects, whether they are art objects or ethnographic artifacts, can make abstract concepts material in ways that engage the senses. This "hands on experience" can provide students with a form of knowledge that they might not otherwise acquire. Objects can also be used to inspire discussion, group/team work and lateral thinking, all of which are valuable, transferable skills.
The RISD Teaching Fellow will be affiliated with a curatorial department in the Haffenreffer Museum and the Brown Teaching Fellow will be affiliated with a curatorial department in the RISD Museum, with the expectation of using the relevant collection and conducting research and teaching related to it and their area of expertise. The Fellows will receive one course teaching release (in consultation with their Department chairs) to enable them to develop courses and course components that make use of museum objects in their instructional pedagogy. Each Fellow will also provide a written report on the results of the fellowship. Fellows will each receive a research and travel fund of $1,000. During the one-year appointment, Fellows are expected to engage audiences in the academic and museum communities and beyond, to both broaden and deepen access to the collections by sharing their work through articles, blog posts or other forms of dissemination. Fellows will collaborate with staff to select objects for their classroom use, lead a workshop, and participate with their students in an annual seminar.
Full-time faculty members with a demonstrated interest in teaching and learning with objects are eligible to apply. An Advisory Board composed of members from RISD and Brown will select two Teaching Fellows for 2014-15.
Application Requirements
1) A statement of interest (750 words maximum) describing:– The qualifications and experiences that will enable you to participate in the mission of the selected department, including evidence of your interest in teaching and learning with and from objects;- How the Mellon Teaching Fellowship will support your work and teaching practice, and the kind of research you envision during the Fellowship period;– What you intend to offer to the curatorial department, the academic community and the public.
2) A letter from your Dean supporting the application. *Please consult with your Dean and Department Head in advance of submitting an application so that departmental course tables can be adjusted accordingly.
Applications for Mellon Teaching Fellowships will be due October 10, 2014. The selection committee will interview finalists and recipients will be notified in late November 2014, for fellowships commencing January 2015.
For more information or to submit applications for the Haffenreffer Museum, RISD faculty should contact:
Tracie Costantino, Assistant Dean of Faculty
For more information or to submit applications for the RISD Museum, Brown Faculty should contact:
Robert Preucel, Director of the Haffenreffer Museum of Anthropology
May 2014
Mellon Foundation grant initiates 'Assemblages' collaboration
Haffenreffer Museum and RISD Museum to further object-based education and research
The Haffenreffer Museum of Anthropology at Brown University and the RISD Museum at the Rhode Island School of Design (RISD) have each received grants totaling $500,000 from The Andrew W. Mellon Foundation for "Assemblages," a four-year collaborative initiative focusing on the new and evolving field of object-based teaching and research.
The Mellon Foundation grant makes possible the first major academic partnership between the two museums, led by Robert Preucel, Director of the Haffenreffer Museum, and John W. Smith, Director of the RISD Museum. The grant supports Faculty Teaching Fellows, Postgraduate Photography Fellows, innovative courses, teaching workshops, and annual academic seminars during the years 2014 to 2017.
"The goals of our project are to explore how objects and digital media can be used to interrogate the boundaries of academic fields in the humanities and social sciences," says Preucel.
Smith adds, "We are interested in developing new ways in which faculty and students can foster deeper relationships with art objects, artifacts, and digital representations."
The Haffenreffer and RISD museums, located on neighboring campuses, have a long history of partnerships on a smaller scale, including exhibition loans, individual class visits, and K-12 curricular development. As the first significant alliance between the two museums, "Assemblages" will help break down existing boundaries, rethink our collections, and create new modes of collaboration and exhibition.
Between 2014 and 2017, "Assemblages" will:
• Create a group of Teaching Fellows, drawn from both institutions, that uses both collections (both objects and their digital forms) in their teaching pedagogy. About 100 students are expected to benefit from these innovative courses over the term of the project.
• Establish annual teaching workshops led by museum staff to introduce fellows and interested faculty to best practices related to object-based teaching. Fellows will also lead a workshop reporting on the outcomes their pedagogical experiences at the end of their appointment.
·Create an annual seminar engaging the fellows, undergraduate and graduate students from Brown and RISD, and nationally recognized scholars on significant problems or questions related to object-based teaching and the digital interfaces of art, anthropology, and society.
• Communicate the teaching and research outcomes of the project to the public, scholars, and museum professionals through online material and collaborative publications and projects.
About the Partner Museums
The Haffenreffer Museum of Anthropology is one of the leading university-based anthropology museums in the country. Founded in the early 1900s, it holds more than one million ethnographic objects, archaeological specimens, and images from all parts of the world, with particular strengths in the Americas, Africa, and Southeast Asia. The Museum seeks to inspire creative and critical thinking about culture by fostering interdisciplinary research and education to increase our understanding of the material world. It provides opportunities for faculty and students to work with collections and the public, teaching through objects and programs in classrooms, in the gallery in Manning Hall on campus, and at the Collections Research Center in Bristol, RI. For more information, please visit brown.edu/facilities/haffenreffer.
The RISD Museum is an internationally renowned art museum distinguished by its relationship to one of the world's leading colleges of art and design. Founded with RISD in 1877, the Museum houses seven curatorial departments and more than 91,000 objects ranging from 3700 BCE to the present day, and featuring major figures in the history of visual art and culture. Highlights include one of the nation's finest collections of costume and textiles, with more than 26,000 objects created since 1500 BCE; the world's largest collection of Gorham silver, housed in the first museum wing devoted to American decorative arts; a 12-century seated Buddha, one of the largest Japanese statues in the United States; and significant collections of ancient Egyptian objects, Impressionist paintings, contemporary British art, 20th-century design, and more. As the only comprehensive art museum in southeastern New England, the RISD Museum is a vital cultural resource with a rich and varied program of exhibitions, lectures, workshops, special events, and publications to educate and inspire artists, designers, students, scholars, and the greater community. For more information, please visit risdmuseum.org.
About the Museum Directors
Robert Preucel is Director of the Haffenreffer Museum of Anthropology and Professor of Anthropology at Brown University. Trained as an anthropological archaeologist, he is particularly interested in the relationships of archaeology and society. His fieldwork projects include the archaeology of a utopian community in Massachusetts (the Brook Farm Project) and a post Pueblo Revolt community in New Mexico (the Kotyiti Research Project).
Preucel received his B.A. in anthropology from the University of Pennsylvania in 1978, his M.A. in Social Science from the University of Chicago, and his Ph.D. in archaeology from UCLA in 1988. He was the 6th Annual CAI Visiting Scholar at SIU Carbondale in 1989 and organized a conference on the Processual/Postprocessual debate. In 1990, he took an Assistant Professor position at Harvard University. In 1995, he left Harvard for an Associate Professor position at the University of Pennsylvania. There, he was appointed Sally and Alvin V. Shoemaker Professor of Anthropology in 2009 and served as Chair of the Department (2009-2012) and Gregory Annenberg Weingarten Curator-in-charge of the American Section at University of Pennsylvania Museum of Anthropology and Archaeology (2010-2012).
John W. Smith joined the RISD Museum in September 2011, and has devoted his attention to strengthening the Museum's relationship with RISD and the greater community, increasing access through free admission policies, overseeing the design and development of new online initiatives, and expanding the Museum's curatorial expertise. From 2006 to 2011, Smith served as Director of the Smithsonian Institution's Archives of American Art, the world's leading research center devoted to the study of the visual arts of America. During his tenure, the Archives significantly increased online access to the collection and established its first programs for publications and traveling exhibitions.
Smith previously served for 11 years at The Andy Warhol Museum in Pittsburgh, Pennsylvania, as assistant director for collections, exhibitions, and research—and, in 1995-1996, as interim director. He organized numerous exhibitions for the Warhol Museum, and published extensively on Warhol and his circle. Smith has also held positions as chief archivist at the Art Institute of Chicago (1990-1994), visiting archivist at the Royal Opera House in Covent Garden, London (1991), and founding curator of special collections and archives at the Chicago Park District (1988-1990). He received his B.A. in English at Southern Illinois University, and did graduate work at the University of Illinois.
About The Andrew W. Mellon Foundation
The Andrew W. Mellon Foundation currently makes grants in four core program areas: Higher Education and Scholarship; Scholarly Communications and Information Technology; Art History, Conservation, and Museums; Performing Arts. Within each of its core programs, the Foundation concentrates most of its grantmaking in a few areas. Institutions and programs receiving support are often leaders in fields of Foundation activity, but they may also be promising newcomers, or in a position to demonstrate new ways of overcoming obstacles to achieve program goals. The Foundation's grantmaking philosophy is to build, strengthen and sustain institutions and their core capacities, rather than be a source for narrowly defined projects.
March 2014
Haffenreffer Museum Research Associate Michèle Hayeur Smith awarded major, three-year National Science Foundation research grant to study women and women's work across the North Atlantic.
Michèle Hayeur Smith, a research associate at the Haffenreffer Museum of Anthropology at Brown University, has been awarded a three-year, $605,000 research grant from the National Science Foundation's Arctic Social Sciences program to examine women's roles in the production and trade of cloth across the North Atlantic from the Viking Age until the early 1800s. This is the largest federal research grant ever received by the Haffenreffer Museum and expands the museum's role in cutting-edge investigations in the northern circumpolar zone, where it has undertaken pioneering research since joining Brown in 1955.
Dr. Hayeur Smith's new project, Weaving Islands of Cloth, Textiles and Trade Across the North Atlantic from the Viking Age to the Early Modern Period expands upon a successful, 3-year (2010-2013) collections-based archaeological project also funded by NSF's Arctic Social Sciences program. That project, Rags to Riches – An Archaeological Study of Textiles and Gender in Iceland AD 874 -1800 ($485,000), analyzed archaeological textile assemblages from 31 Icelandic sites spanning 1,000 years and generated new information on the roles of men and women in Icelandic society, the structure of Viking Age and medieval textile production, the role of Icelandic textiles and women in international trade and Iceland's economy, creative approaches developed by Icelandic women as sustainable responses to climate change during the Little Ice Age, and changes through time in Icelandic dress. One of the key findings of Rags to Riches, according to Dr. Hayeur Smith is that in medieval Iceland textiles were currency and although "men wrote about how this currency was used, dictated how it was to be created and established the legal standards regulating it, it was women who made it. This research has shown through close examination of the archaeological record not only the key roles that women played in this northern society's economy but also how intensively all households were engaged in production for international and internal trade."
Weaving Islands of Cloth takes knowledge gained from Rags to Riches to the next logical level: a comparative, three-year examination of textiles as primary evidence for women's labor and roles in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD and developed, over the following millennium, into the modern nations of Scotland, the Faroe Islands, Iceland, and Greenland. Through collaborative research with senior scholars at research institutions in Denmark, Norway, the United Kingdom, Iceland, Greenland, Canada, and the United States, and with opportunities for student training, Weaving Islands of Cloth will integrate comparative analyses of existing collections with isotopic approaches to trace movements of cloth across this vast region. Through these, it will provide new insights into the ways these island nations developed, while exploring womens' roles in creating the foundations of international trade, developing national identities through the transformation of cloth into clothing, and creating sustainable solutions to climate change that contributed to the survival of all but one of the Norse settlements through the Little Ice Age.
Dr. Hayeur Smith says that studying Icelandic textiles and textiles from the North Atlantic is not just about describing cloth or counting threads. Rather, she says, "these textiles encode important information about society, cultural interaction and adaptation. They are eloquent historical texts in their own right, providing new insights into cultural change, women's creative and productive roles, climate change, and trade across a vast expanse of time and space."
Dr. Hayeur Smith graduated from Glasgow University, Scotland with a PhD in Archaeology in 2003 and has been working as an archaeologist since. Her research interests are in material culture, dress, the body, and gender. Her doctoral research, conducted on jewelry, and dress from Viking Age Icelandic burials, looked at items of dress for clues about the projection of social and cultural identity. Her postdoctoral research addressed these same theoretical issues, but applied to Aboriginal populations along the Gulf of the St. Lawrence prior and after the contact period.
About the Haffenreffer Museum
The Haffenreffer Museum of Anthropology is Brown's research and teaching museum, holding nearly one million objects that represent the world's cultures and cultural development over the course of nearly 400,000 years. Since coming to Brown in 1955, the Haffenreffer Museum has engaged students and faculty in hundreds of successful exhibits and long-standing programs of research, especially within the northern circumpolar region. More information on the Haffenreffer Museum's collections, research, exhibitions, and educational outreach programs can be found at www.brown.edu/Haffenreffer.
July 2013
The Haffenreffer Museum Welcomes a New Director
The Haffenreffer Museum is pleased to announce the appointment of Robert Preucel as its new Director beginning July 1, 2013.
Bob comes to us from the University of Pennsylvania where he was Chair of the Department of Anthropology, Curator-in-charge of the American Section at the Penn Museum, and Director of the Center for Native American Studies.
Bob is a Southwestern archaeologist well known for his work on the archaeology of the Pueblo Revolt of 1680. For the past seventeen years, he has been conducting collaborative research with the Pueblo of Cochiti in New Mexico focusing on the history and cultural significance of Kotyiti Pueblo, their mesa top village occupied just after the revolt.
Welcome Bob!
June 2013
Masks and Mask Makers of Bangwa
Follow link to article at Brown University. http://news.brown.edu/pressreleases/2013/06/masks
Masks and mask makers of Bangwa from Brown University on Vimeo.
April 2013
Call for Applications for New Faculty Fellows Program
The Haffenreffer Museum of Anthropology is pleased to invite proposals from tenure-track faculty at Brown University for a Faculty Fellows Program to support the development of courses and course components using the Haffenreffer's collections. The Provost and Dean of the College, in support of this initiative, have provided funds for five fellow awards for 2013-2014. Each fellow will be provided with a stipend of $2000 that may be used either for supplemental salary or research development expenses.
We will hold informational meetings for interested faculty at the Haffenreffer in Manning Hall on Friday, April 12, from 12-2, and on Friday, April 19 from 12-2. Please RSVP to Jennifer Stampe, Postdoctoral Fellow in Anthropology (firstname.lastname@example.com) if you plan to attend one of these two sessions. If you cannot attend either session but are interested in applying, please let her know.
Proposals are due by 5 p.m. on Friday, April 26, to William Simmons, Interim Director of the Haffenreffer and Professor of Anthropology, Box 1921, or firstname.lastname@example.com.
See http://www.brown.edu/Facilities/Haffenreffer/FacultyFellows.htm for more information and full application instructions.
September 2011
Graduate Student Collects Objects from Taiwan for Museum Exhibit
Anthropology graduate student Christy DeLair spent her summer in Taiwan collecting contemporary indigenous craftwork for the Haffenreffer Museum. Christy's interests include indigenous identity and the role of material culture in shaping relations within and between communities. She has conducted fieldwork among Aboriginal craft workshops in Taitung, Taiwan for her dissertation research (beginning in 2009 with funding from the Fulbright Foundation and the Chiang Ching-Kuo Foundation). Christy received a Collections Grant from the Museum to return to Taiwan over the summer and visit indigenous workshops around the island to collect pieces which are now part of the Museum's permanent collections and represent material culture of the Atayal, Saisiat, Rukai, Paiwan, Puyuma, Amis, Bunun, and Taroko tribes. In addition, Christy will curate an exhibit at the Museum featuring these works and her research. Be on the lookout for announcements for this upcoming exhibit, opening in November.
May 2011
New Student Exhibit Looks to Brown Students
Seeing Ourselves, Showing Ourselves: Brown's Culture on Display was curated by graduate students from Brown's public humanities program. It explores a local and familiar culture – the culture of Brown undergraduates - through the trail of information left by found and archived objects. The students picked three categories of artifacts, categories traditional to anthropology museums, and turned them into mirrors, not lenses. They focused on objects of group identity; objects that create an official record by memorialization or archiving; and remnants, archaeological or collected. Objects came from the Brown University Archives, from the Joukowsky Institute of Archaeology and the Ancient World, and from what museums call "field collecting," acquiring things left behind at, for example, Brown's infamous SexPowerGod fall ritual.
They then selected objects from the Haffenreffer Museum's own collection that fit into these same categories, showing how objects from cultures around the world share these functions and purposes. Items as diverse as Native American initiation dress, an Ashanti stool, cuneiform tablets, and Taíno pottery sherds reiterated the same categories.
March 2011
The Museum Participates in a University-Wide exhibition on Haitian Art
As a part of the exhibition Reframing Haiti: Art, History, Performativity Boston-based Manbo Asagwe (high ranking Vodou priestess) installed an altar for the Vodou spirit Lasiren in the Haffenreffer Museum, using objects from our collections as well as objects from Evans' ounfò (temple). The altar is a part of an installation meant to educate the audience about Haitian Vodou, which serves more generally to "reframe" prejudices against Haitian history and religion.
December 2010
Haffenreffer Museum is Featured in the New Roberts Campus Center
The Unviveristy has given the Museum a space to place an exhibit disply in a prominent location at the new Roberts Campus Center. The first exhibit is Exquisite Things: Connecting Collections / Collecting Connections. The objects in Exquisite Things were chosen using a variation of the Surrealist game exquisite corpse. Nine people (a museum curator and eight students) each selected one thing - in sequence, one after another. Rather than following a specific theme, each person chose an object based on how they thought it connected to the object chosen just before them. The result is not only a collection of objects from the museum, but also a collection of the connections students make between things and how we perceive meaning through these connections.
The students designed the exhibition to invite others to encounter the objects they chose in an unexpected context, prompting visitors to wonder why they were chosen. An online interactive exhibition (http://exquisitethings.info) was also developed to allow visitors to submit their thoughts about how each object connects to the rest, creating a collection of connections that reveal the multiple ways visitors interpret and perceive relationships within museum exhibitions.
October 2010
New Student Exhibition at the Haffenreffer Museum: Reimagining Columbus, Reimagining Columbus Day
Controversy erupted last year when, in response to students' protests of the university's celebration of Columbus Day, Brown changed the name of the holiday to "Fall Weekend." This exhibition continues the discussion about the history and future of Columbus Day. It provides historical background to help understand how our national holidays, which we sometimes take for granted, are invented, and how they reflect changing ideas about what's important in the American past. Visitors will see why and how Italian Americans lobbied the nation to celebrate Columbus, learn about the rise of American Indian activism, and see why the celebration of Columbus is problematic for contemporary Native Americans. The exhibition showcases objects from Haffenreffer Museum and from the University's special collections and archives.
"Reimagining Columbus, Reimagining Columbus Day" is part of the larger exhibition "Reimagining the Americas," which explores innovative anthropological ideas and evocative artifacts from the Amazon to the Arctic show recent interpretations of the Americas before European contact.
The Haffenreffer Museum of Anthropology hosts changing exhibitions curated by Brown University students working with the Haffenreffer Museum's staff. Located on Brown's main green, it is open Tuesdays through Sundays from 10 a.m. to 4 p.m.; closed Mondays and Brown University Holidays. Admission is free. The gallery phone number is 401-863-2065.
Note: The Haffenreffer Museum is open Monday, Columbus Day.
August 2010
An Update on the Museum's Facilities in Bristol
For nearly 80 years, Rudolf Haffenreffer's buildings on the Mount Hope Grant in Bristol, Rhode Island, were the public face of the Haffenreffer Museum. Exhibitions, lectures and education programs provided venues for the public to explore its collections and opportunities to visit Mt. Hope itself. Behind the scenes, Haffenreffer's buildings provided safe storage for the Museum's collections and workspaces for its staff, students, researchers, and interns.
In 2008, the Museum closed its Bristol exhibition space, following the town of Bristol's determination that the building did not meet fire code for a public facility. The Museum's public face is now its gallery in Manning Hall on the university's main campus, and the programs it provides on campus and at schools across Rhode Island and southeastern Massachusetts.
The former galleries are now transformed into secure, climate controlled, storage facilities that will provide our collections with the museum-quality environment they deserve. Our beautiful new storage units will allow us to manage our collections more effectively and enhance access for researchers and exhibition development. The move has given us the opportunity to rediscover treasures we had forgotten about, to rehouse them properly, and to photograph them, the first steps toward making our collections accessible through the internet to scholars, collectors, and students. Look here for a link to our on-line collections, coming soon.
July 2010
Prof. Steven Lubar Appointed New Director
Steven Lubar, professor of American civilization and director of the John Nicholas Brown Center for Public Humanities and Cultural Heritage, will begin serving a two-year term as director of the Haffenreffer Museum of Anthropology on July 1. He succeeds Shepard Krech III, professor of anthropology, who is retiring as director.
Since coming to Brown in 2004, Lubar has developed Brown's public humanities program and established a robust program of student-designed exhibitions and programs. Previously, Lubar was a curator and department chair at the Smithsonian Institution's National Museum of American History.
For more on the new director's vision for the Haffenreffer Museum, see: http://today.brown.edu/articles/2010/06/lubar
June 2010
Haffenreffer Museum Receives Grant from the Rhode Island Council for the Humanities to Develop Curriculum Materials
In June, 2010, the Haffenreffer Museum of Anthropology received a grant for the 2010-2011 school year from the Rhode Island Council for the Humanities to support the development of on-line curricular materials that will complement the Museum's Culture CaraVan program, Sankofa: African Americans in Rhode Island. The materials will be available to teachers for free on the Museum's website. In addition, twenty teachers from ten schools will receive stipends to attend a Sankofa workshop and their classes will participate in a free Sankofa outreach program from the Haffenreffer Museum. History/Social Studies teachers in grades six through eight who would like to take advantage of this opportunity should contact Geralyn Hoffman at 401-253-8388.
This project is made possible by major funding support from the Rhode Island council for the Humanities, an independent state affiliate of the National Endowment for the Humanities.
May 2010
New Exhibit Opening at the Haffenreffer Museum of Anthropology at Brown University: Reimagining the Americas
PROVIDENCE, R.I — May 29 and 30 is opening weekend for the Haffenreffer Museum of Anthropology's newest exhibit. Reimagining the Americas brings together innovative anthropological ideas and evocative artifacts from the Amazon to the Arctic to plumb the cultural diversity of the Americas before European contact and explore the forgotten histories of its indigenous people. Building on recent discoveries and methods developed by anthropologists over the past decades, Reimagining the Americas uses cutting-edge perspectives to illustrate intriguing, often complex, histories through artifacts of ceramic and stone, jade and gold, bone and textiles that illuminate the past and expose themes that resonate with present and future concerns. From the arrival of humans in the Americas to the rediscovery of ancient Amazonian cultures and the deciphering of lost histories written by the Maya and Aztec, Reimagining the Americas challenges us to rethink the past and to recognize 13,000 years of indigenous achievements before Europe looked to the west.
The Haffenreffer Museum of Anthropology at Manning Hall is located on the Main Green at Brown University. Beginning May 29, the Museum's hours will be Tuesdays through Sundays, 10 a.m. to 4 p.m., closed Mondays and Brown University holidays.
What a difference a year makes!
For nearly 80 years, Rudolf Haffenreffer's buildings on the Mount Hope Grant in Bristol, Rhode Island, were the public face of the Haffenreffer Museum. Exhibitions, lectures and education programs provided venues for the public to explore its collections and opportunities to visit Mt. Hope itself. Behind the scenes, Haffenreffer's buildings provided safe storage for the Museum's collections and work spaces for its staff, students, researchers, and interns. However, following the tragic Station Nightclub fire in 2002, Rhode Island re-thought fire safety standards and enforcement. In 2007, the town of Bristol determined that the Museum was sub-standard in fire suppression, fire alarm, and ADA requirements and that Brown would have to make changes or close to the public. The Museum was proving deficient in another important way: we had had an outbreak of mold in an over-packed storage area that was going to be costly to remediate.
As a result, the museum in Bristol closed to the public in August 2008. However, the staff and the collections remain and thanks to significant investments from Brown University we are hard at work cleaning out former exhibition galleries and relocating collections to transform Rudolf Haffenreffer's buildings into secure, climate controlled, storage facilities that will help us manage our collections and enhance access for researchers and exhibition development.
Over the next four months we will complete the conversion of galleries into storage; oversee installation of HVAC equipment in both main buildings to reduce temperature and humidity fluctuations; expand space for exhibition development; and begin to move our collections into their new homes. By July 2010, we expect the Museum's collections to be better protected and more efficiently stored and catalogued. This will improve our ability to support research and exhibitions. And we hope to go digital to make collections maximally accessible through the internet to scholars, collectors, and students.
As we redirect our focus inward, we will not forget the campus or the larger public. As for the first, Manning Hall, on the Brown University campus, remains our showcase for the collections. Despite the need for full involvement of our staff in the project of converting a museum to a storage site, we will open a new exhibition on New World antiquities in May 2010. The lead curator is a graduate student in anthropology. As for the latter, while on-site education programs are no longer possible in Bristol, education staff are redirecting energy into a retooled outreach program for schools.


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Coca-Cola Recipe Revealed
Coca-Cola denied the public radio program had unearthed its secret recipe.
Spokeswoman Kerry Tressler said that "many third parties have tried over time to crack our secret formula," according to a report in ABC News. "Try as they might, there's only one real thing. And that was not it."
"The company has always said, and as far as I know it's true, that at any given time only two people know how to mix the 7X flavoring ingredient," Mark Pendergrast, historian and author of For God, Country and Coke told This American Life. "Those two people never travel on the same plane in case it crashes; it's this carefully passed-on secret ritual and the formula is kept in a bank vault."
Pendergast claimed he found the original Coca-Cola recipe in 1993 while researching his book, finding it in Coke's archives.The show's producers asked Jones Soda (JSDA) and privately held Sovereign Flavors to try to replicate the recipe they unearthed. One batch tasted too medicinal, leading producers to question the potency of essential oils available in today's market, compared with their counterparts over a century ago. Another blind taste test attempt, using weakened ingredients, led one taster to be fooled, unable to tell the difference between "the real thing" and the re-enactment. In the end, however, the show's staff claimed failure. Certainly one key ingredient, fluid extract of coca, was nearly impossible to replicate for Jones Soda or Sovereign Flavors. It involves stripping coca leaves of cocaine. Apparently Coca-Cola has an arrangement with the U.S. Drug Enforcement Administration whereby the company is permitted to import the leaves, but only one factory processes those leaves and does so exclusively for Coca-Cola. Click to the next page to see the recipe.
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text:
Blue Bomber Report Record: 7–11–0
Winnipeg Free Press - PRINT EDITION
Small glitch at new stadium
About 157 seats have obstructed views
There's not a bad seat in the house.
OK, make that about 157.
The Winnipeg Football Club, on the verge of jettisoning Canad Inns Stadium for the new 33,000-seat Investors Group Field at the University of Manitoba, is contacting those season-ticket holders to give them the bad news -- their bird's-eye view of the playing field might be partially blocked by either a stair railing or a guardrail.
Most of those seats are in the upper deck where handicapped seating is located and adjacent to the access points -- called vomitories -- to the seating areas.
For the handicapped sections, the front guardrail was raised for safety reasons. In other sections, stair railings partially hinder a spectator's view depending where the play is on the field, but only if they're sitting.
"Every new stadium or new arena built in North America has some obstructed views issues," Buchko said. "They're all to code. We're building a stadium that's to code. We wouldn't get occupancy unless it was code. And that's the challenge. When you have railings based on code, it's caused some obstruction, but we have to build it right, we have to build it safe."
Over the past month, as seats were being installed, Blue Bombers officials have taken affected fans to their new seats to show them the obstruction first-hand. In exchange for staying in the seats, the Bombers have agreed to discount their seats 50 per cent.
"Eighty-five per cent of the people who've sat in the seats said, 'These aren't bad. We'll sit in these seats and we'll gladly take 50 per cent off these seats,' " Buchko said. "They're quite happy to sit in them."
For those not happy, the Bombers have upgraded their seat, but keeping it at the same price they paid for the obstructed seat, he added.
Fin Paterson, the Bomber's vice-president and director of sales, said TV camera perches may also obstruct a view of the game for some fans.
"It's all very subjective," he said. "Some people think it's a challenge and other people say, 'No. I'm good with it.' We've had a high acceptance rate. It's been very positive so far."
The first concert booked for Investors Group Field is Taylor Swift on June 22, just days after the first Bombers exhibition game in the new stadium. Her stage will be in the north end zone and fans will get to their seats via temporary stairs located at points along the main grandstands.
Buchko said the Bombers will run about a half-dozen test events.
There's been some comments on the Blue Bombers forum on obstructed views with most saying the Bombers are doing the right thing by addressing the issue now.
"There are obstructed views in some MTS Centre seats because of handrails. I've sat in them, not a huge deal," one poster said.
Blue Bombers general manager Joe Mack should know before the Grey Cup whether he's still employed in 2013, team president Garth Buchko said Monday.
"The team's record overall is disappointing and it's not acceptable and we will review everything in the whole organization, including football operations," Buchko told the media after a quick show-and-tell of the newly installed turf and goal posts at the new Investors Group Field at the University of Manitoba.
"The board and myself will meet and we'll make a decision very shortly. It'll be before the Grey Cup (Nov. 25), for sure."
Mack has been a target of Bomber fans' ire not only because of the team's poor performance this season -- the Bombers were in the Grey Cup last year and dove head-first into the CFL basement this season -- but because of his sacking of head coach Paul LaPolice at the end of August.
Buchko said the Bombers will review Mack's record since he was hired in January 2010 plus look at the stats of the team's players.
"I think we have some great talent," he said. "We have the youngest team in the CFL."
Mack's first year on the job saw a 4-14 season in 2010 and a loss to B.C. in the Grey Cup the next. This year the Bombers have a 5-12 record with one game left.
He added besides Mack's future, the Bombers are reviewing other aspects of its operations as it prepares to move into Investors Group Field next season.
"Everything is under review, our business operations and our football operations, everything is currently under review. We'll put forward our plan very shortly.
"We need to be a better, sustainable business."
Republished from the Winnipeg Free Press print edition October 30, 2012 C2
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Bombers extend Feoli-Gudino's contract12/23/2014 12:54 PM 0
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AirTalk for July 11, 2014
Is Amazon responsible for the charges kids rack up making in-app purchases?
David Ryder/Getty Images
Amazon.com founder and CEO Jeff Bezos presents the company's first smartphone, the Fire Phone, on June 18, 2014 in Seattle, Washington.
The FTC is suing Amazon over in-app purchases in children's gaming apps. In-app purchases have frequently been a frustrating issue for parents, many of whom see hundreds of dollars in unapproved charges when their children buy things within a tablet app. Complaints say that children often don't realize that they are making real purchases when they buy gold coins, special character outfits, or acorns, but for parents, the cost is real. Even after Amazon began requiring passwords for purchases over $20, customer criticism steadily rolled in.
The FTC claims that Amazon's process for refunding purchases is too difficult to negotiate. The suit against Amazon seeks a repayment to customers and new rules about regulating in-app purchases and takes a very similar approach to a suit against Apple on the same topic from earlier this year. Amazon has expressed disappointment with the charges, saying that the cases are different, and that the FTC's "unwillingness to depart from the precedent it set with Apple despite our very different facts leaves us no choice but to defend our approach in court."
What should be the rules for in-app purchases? Is it ethical to include easy exchanges of money in children's games? Will this case play out like Apple's in-app suit settlement, or are Amazon's policies different enough to set a new precedent?
Cecilia Kang, technology reporter for the Washington Post


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Here is an all original one owner 1986 Volkswagen Cabriolet convertible. It is powered with a 1.8L 4 cylinder engine, and a automatic transmission.... More
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text:
Loving Rescue Me's Diane Farr as the new behavioral scientist. What a great addition to this male-dominated show. And an extra bonus is that she's not quirky like Sabrina Lloyd; instead, she's smart and seems to work well with Charlie by adding a personality to his equations. She may not get every mathematical word that he says, but she's a good sounding board for his theories. I'm not quite loving Colby, the new FBI agent, though. He's too aggressive and too much the stereotypical rookie cop. Hopefully he'll mellow out a bit if he sticks around. Characters like that are the reason I stop watching these shows, and here I'm more interested in the unusual ways they solve these "ripped from the headlines" crimes than in the standard criminal procedures. How else would they have managed to uncover those two completely unrelated suspects in those great big stacks of people who might want to get back at the judge? And on a random funny note, I love listeni
read more
Question: Calamity! Catastrophe! How, I ask you, will Rescue Me survive Diane Farr's departure? This show, currently on my must-see list, is one that I initially had to force myself to watch week after week. The male characters' collectively detestable behavior sometimes threatened to overwhelm the excellent acting, writing and directing. But the arrival of Laura made watching a treat instead of a chore. Not only did she balance out the guys' obnoxiousness, her presence allowed me to get more deeply involved with and sympathetic to the quandaries of Tommy, Garrity, Franco et al. Farr's Jan played much the same role on The Job, another Denis Leary show that, for all its high quality, might have been scream-inducing without her presence. What will losing Rescue Me's most likable character do to the show?
Answer: Let's hope it challenges the writers and producers to create another strong female character who can stand up to these guys and, as you noted, provide a fresh perspective on th ...
read more
Question: Did Diane Farr sign on to Numbers before or after she shot the season finale of Rescue Me? Is her character written off at the end of this season, or will her disappearance be explained at the beginning of next season? David E. Kelley is notorious for writing out characters between seasons with no explantion (Lara Flynn Boyle, Lisa Gay Hamilton, Taye Diggs, to name a few). Now that ABC held onto the last five episodes of Boston Legal and they will run into Season 2, will he explain the absence of Tara and Lori?
Answer: Without wanting to get too deep into the why and how so as not to have any surprises ruined for me or you, it's fair to say that Diane Farr knew she was taking a new gig before production wrapped on Rescue Me this season, so her character's fate will be resolved on or by the Sept. 13 finale. With Boston Legal, there was some retooling of the episodes left over from last season to incorporate some of the show's new characters as well as to lay the groundwork for
read more
Question: Did Diane Farr sign on to Numbers before or after she shot the season finale of Rescue Me? I guess what I'm asking is, will she be written out in the Sept. 13 season finale or will her exit be explained in the beginning of the third season?
Answer: Farr's story line will be wrapped up in the finale. "I told them at Episode 8 [that I was leaving], so they had five episodes to finish the arc of my character," she says, adding that, "The whole relationship [between Laura and Franco] is laying the groundwork for my exit."
Question: Any scoop on how Diane Farr will be written out of Rescue Me now that she's replacing Sabrina Lloyd on Numbers?
Answer: All Farr would tell me plotwise is that "Laura and Franco (Daniel Sunjata) go through a wild ride" as we approach the Sept. 13 finale (aka Farr's last episode).
Rescue Me's Diane Farr is joining the cast of CBS' Numbers this fall, replacing Sabrina Lloyd. Per Variety, she'll play Special Agent Megan Reeves, a Quantico grad assigned to the Los Angeles FBI office. A Rescue Me rep, meanwhile, confirms that Farr won't be back next year. Yeah, her character never could take the heat. (Someone was gonna say it, might as well be me.)
read more
Rescue Me firefighter Diane Farr is joining the cast of CBS' Numbers this fall, replacing Sabrina Lloyd. Per Variety, she'll play Special Agent Megan Reeves, a Quantico grad assigned to the Los Angeles FBI office. A Rescue Me rep, meanwhile, confirms that Farr won't be back next year. Yeah, her character never could take the heat. (Someone was gonna say it, may as well have been me.)
read more
The words "Rescue Me" would have had an entirely different meaning for Diane Farr if she'd auditioned for Desperate Housewives. "I told my agent, 'No, I'd really be terrified to be with that many actresses at once,'" Farr says. "Boys are so much easier."
Denis Leary and his fellow firemen may dominate FX's dramedy, but their female costars rival the ladies of Wisteria Lane for sheer fierceness. In addition to Farr, who plays Laura, the fire crew's sole distaff member, three other actresses have major roles this season: Callie Thorne as 9/11 widow Sheila, who's expecting a baby with Leary's Tommy Gavin, her late husband's cousin; Andrea Roth as Tommy's ex-wife Janet, who's run off with their children; and Ashlie Atkinson as Theresa, a self-confident, sexy, plus-size woman carrying on a torrid affair with FDNY hottie Mike, aka "the Probie" (Michael Lombardi). "These women have depth," says Thorne, a veteran of Homicide: Life
read more
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Cube - LomoKino
Music: David Holmes – Rip RipFilmed by sunnycyl. These tags describe this LomoKino movie: lomokino, lomo, movie, movie camera, 35mm, lomography cn 400 asa analogue, analog, lomo movie, analogue movie, lomography, sunnycyl, and taiwan.
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9 people like this movie
Liking movies helps us to present the best ones to you and others. 9 people like this movie. 9 people like this movie: moonshell, merder, kylewis, meado, eva_eva, adzfar, aanum, tenguman880806, and imliss.


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Buy flats in Poole Road, Upton, Poole BH16 - 1 bedroom
Poole Road, Upton, Poole BH16Flat for sale - 1 bedrooms
Its with pleasure that we bring to the market this well appointed purpose built one bedroom second floor apartment. The property would make an ideal first time buy or rental investment and is currently let for £550 pcm. More details
Note: Distances are straight line measurements
- Hamworthy (0.9 miles)
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Marketed by Arden Nicholson, BH16. Call 01202 618156


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Saturday, December 27, 2014
In the wake of the retirement of champion Accordion Etoile, three high-calibre racehorses vie to become top racer at the Toberona Stables. Ardalan is the diminutive underdog. Too brave for his own good, he insists on jumping the big fences. Highly attuned Cuan na Grai, still recovering from a tendon injury, is the sensitive and sometimes even a self-harming, head case. Lastly, Joncol is the gentle giant and might be the stable's best bet to win. Here, we follow a year in the life of these three horses who are always one race away from a win or one injury away from retirement. ~ Baseline StudioSystems


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- Study at Deakin
- Life at Deakin
- Research
- Alumni
- Industry and community
- About Deakin
Note: The 2012, 2013, 2014 publications have not been audited.
Jump to: Publications | Grants and Consultancies | HDR completions
Pekka Oja may be from another institution or only recently joined Deakin University.
2004 External
Owen, N.*, Humpel, N.*, Salmon, J. and Oja, P.* (2004) Environmental influences on physical activity, in Oja, Pekka and Borms, Jan (eds), Health enhancing physical activity, pp. 393-426, International Council of Sport Science and Physical Education, Oxford, Eng. [B1.1]
DRO entry for this publication
2000 External
Lee, R.*, Salmon, J., Oja, P.*, Pratt, M.* and Sallis, J.* (2000) Context Counts: Environmental approaches in the promotion of physical activity, in Ulf Lundberg (ed.), Sixth International Congress of Behavioural Medicine, p. 11, Lawrence Erlbaum Associates, Publishers, Brisbane, Australia [E3]
no DRO entry yet for this publication
No grants and/or consultancies found or audited – the 2014 HERDC financial return has not been completed or loaded as yet.
No completions found or audited.
DRO to publications collection last synchronised: Thursday 18th December 2014 10:04pm


text:
|09 Apr 2011
Fresh install from Windows Vista Home Basic
Hi, I have a HP Computer G3660d I would like to fresh install from the windows Home basic to Windows 7 Professional. Can this be done with just upgrading?
|My System Specs
|09 Apr 2011
Yes, see here: http://technet.microsoft.com/en-us/library/dd772579(WS.10).aspx
From Home Basic to Home Premium, Professional, Ultimate
|My System Specs
|10 Apr 2011
|My System Specs
|10 Apr 2011
You can use the Win7 Upgrade version, but you must clean install: Clean Install Windows 7
|My System Specs
|10 Apr 2011
Theog, the snap you posted is for Vista to Win 7, not Win 7 to Win 7. Look at the link I posted please:
Edit: That sounded harsh, sorry, was not meant that way.
|My System Specs
|11 Apr 2011
Theog, the snap you posted is for Vista to Win 7, not Win 7 to Win 7. Look at the link I posted please:
Attachment 148388
Edit: That sounded harsh, sorry, was not meant that way.
|My System Specs
|12 Apr 2011
Information about the windows 7 upgrade
this is the report.
let me know why I have to upgrade to Win 7 ultimate?
because this computer is used in the office environment.
simon yee
|My System Specs
|12 Apr 2011
You can use Upgrade version to install Pro but it would be a clean install since the path is not supported for an in-place Upgrade. But a "fresh install" is what you said you wanted anyway.
Back up your files externally, make your Recovery Disks so you have a path back to factory condition, or save a Backup Image of the entire HD first.
Boot the Windows 7 installer, choose Custom Install, then Drive Options (Advanced) to Delete all partitions not needed, following illustrated steps given here: Clean Install Windows 7
If you Delete all partitions to create New ones and Format, the installer will issue a 100mb System Reserved boot partition which conveniently places the Repair Console (normally only on the DVD or Repair CD) on the F8 Advanced Boot Tools menu. Partition as you wish and Format before installing to first OS partition.
The installer is mostly driver-complete, with newer arriving quickly via optional Windows Updates. Just in case, have your Wireless driver on flash stick or CD so you can get online quickly. Then enable hardware driver auto-updating and check for optional Updates several times.
Any drivers still missing in Device Manager can be found on the Support Downloads webpage for your model computer or device. Driver Install - Device Manager
Install updates and then programs slowly over time to gauge performance changes after each. Don't let any programs write themselves into msconfig>Startup as they slow startup, become freeloaders on your RAM/CPU and can spy on you. I only allow AV and gadgets. Startup Programs - Change
Use a lightweight free AV like MS Security Essentials which works perfectly with Windows 7 Firewall. http://www.microsoft.com/security_essentials/
When it is finished, clean and order the HD perfectly using state-of-the-art free CCleaner Disk and Registry tabs, then Puran boot-time defragger after adding it's Intelligent Optimizer on Additional Operations tab.
CCleaner - Free software downloads and software reviews - CNET Download.com
Finally save a Windows 7 Backup image externally so you never have to reinstall again, just reimage the HD (or replacement) using DVD/Repair CD with the stored image. Backup Complete Computer - Create an Image Backup
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Crap, hope this doesn't lag...
Imagine the largest Warhammer40k scale battles topped with balance for all races. Can you imagine your enemies being nuked by your own superweapon, or steamrolling them with many titans fighting other titans with complete balance? Then this is your mod.
Crap, hope this doesn't lag...
It lags a little bit, but not too much.
World without lag, that will be a dream come true.
I just sometimes stop drinking and it removes lag for a while :D
1.71 made my pc lag to ****... and mines damn good D:
Same here... XD
Guess my pc ain't good enough after all. :P
1.71 or DOW in general?
DOW has a below average frame rate thing, aka, the DOW engine. Take a couple units in battle and it will cause lag.
i'm guessing it's just the DOW engine in general, it made a gtx 680/i7 3770k lag like hell! ;)
Remastered Hive Fleet coding, FX, and more!


text:
- Large Image
Hydra the Three-Headed Dragon Child Costume
Warning: Product Safety Information View Details
- WARNING: CHOKING HAZARD – Small parts. Not for children under 3 yrs.
- Was:
- $59.99
- Price:
- $48.99
- Prod ID:
- 804121
Hydra the Three-Headed Dragon Child Costume
Select one or more items and submit your email address to be notified when the product is available.
Lizard or Monster?
Your little serpent will have a monstrous opponent overcome by a heroic deity in this disguise. The Hydra the Three-Headed Dragon Child Costume includes a red jumpsuit with dragon head hood, attached dragon head gloves, as well as attached dragon feet. 1-piece set. Polyester. Spot clean.
Does not include shoes.
- Product Number
- #804121
- Availability
- X-Small (4) (216478), Small (6) (216479), Medium (8) (216480) Orders placed by 4pm CT usually ship same day.
- Material
- 100% Polyester
- Care Instructions
- Spot Clean
- Air Shippable
- Yes
- Oversized
- No
- Express/Premium Surcharge
- $0.00
- Return Eligibile
- Yes
- Available International
- Yes
Pre-Order Items:
The following items are pre-ordered items. Pre-ordered items are estimated to ship 1-2 business days after the in-stock date listed. View more details in our FAQ section
Item Description Qty Unit Price Total


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Loading ...
A salon and spa where the customers really do come first. A staff of well rounded girls who are looking forward to making this a great start to your holiday season.
The stylists and aestheticians at Head Quarters Salon and Spa cosset clients from head to toe with myriad luxurious hair and spa treatments. Like samurai, stylists at Head Quarters are classified in levels according to experience, education, and facility with a bo staff. Clients will spend up to two hours with either a Next Generation- or Designer-level stylist, who will rein in locks and clip away excess curls to achieve an elegant new 'do. Upon completion of the fibrous hair art, naturally derived hair color and distilled sunlight assist the stylist in highlighting swaths of hair for maximum eye-catching appeal. Call ahead for an appointment.
The barbers at Catanza's Barber Shop tame head tresses with cuts, colors, and shaves in an old-fashioned barbershop atmosphere; their follicular services and nostalgic décor won them 2nd place in the Best Barber category of Fox-8 Cleveland's Hot List in 2008. Undergo meticulous scissor snips for a dudely 'do (a $16 value), then evict unruly stubble with a refreshing shave (a $20 value). The shop's walls are adorned with pictures of famed Ohio athletes striking their best collector-card poses, and the shelves are lined with bobbleheads that are too risky to buzzcut. A waiting-area television provides customers with entertainment and style ideas from their favorite cartoons.
Artistic prowess doesn't just appear overnight. It takes years of practice. That's why each of Dino Palmieri's salons, including the Dino Palmieri Salon & Spa, employs stylists dedicated to staying at the top of their games. The skilled stylists give each client one-on-one attention to ensure every hair service comes as close to the client's vision as possible, which is why it was named by readers of Cleveland Scene as the best hair salon in the city. The stylists add depth to hair with highlights, smooth rebellious strands with GKhair treatments, and apply expert perms to reshape hair's texture until each strand would turn Louis XIV green with baroque envy. That same level of personalized attention carries over into the salon's meticulous nail services, which clients can upgrade with moisturizing white-tea masks or herbal foot peels. Waxing sessions use body-safe Nufree botanical wax to keep skin calm and collected while hair says its goodbyes. Deep-cleansing Darphin facials can be infused with essential oils and plant ingredients such as orange blossom and licorice to relax clients and bring them closer to nature than sharing a hibernation den with their favorite grizzly family.
Ladies, gents, and kids can be found in the swivel chairs at Dimanti Salon's, getting their inaugural haircut, their color touched up, or their split ends snipped away. The stylists here keep their diverse clientele on-trend with a full menu of salon services, in addition to manicures, pedicures, and facials. Following a grand opening in June 2013, the salon staff stays busy painting nails, applying highlights, and conditioning dry locks.


text:
On Sat, Mar 3, 2012 at 5:20 PM, Albert Graef wrote:
this general language is the whole problem.
you can't send OSC to "an OSC capable plugin" or "an external OSC
application" in any generalized sense, because there is no shared
format for the messages.
the sequence of messages that you record may make sense to Pure Data,
but make absolutely no sense to, say, CSound.
the motivation to develop the infrastructure for recording, playback,
disk storage and editing of such messages is not very strong when any
given sequence can only target one particular OSC receiver. the
motivation isn't zero, to be clear. but it just isn't that strong.
> I don't know if it's of practical use for anyone else, but time and again I
then its about time that people using OSC start defining some
standardized messages. MIDI did this from the start, and for all of
its limitations, its been a wild success. the OSC community has
self-consciously avoided doing this - lets queue up another pointless
argument about how to represent notes/frequencies/intervals - and as a
result is still only a niche protocol with every transmitter and
receiver defining their own messages. double fail ...
LINUX® is a registered trademark of Linus Torvalds in the USA and other countries.
Linuxaudio.org logo copyright Thorsten Wilms © 2006.
Hosting provided by the Virginia Tech Department of Music and DISIS.


text:
It was an easygoing night on the town for British buds Harry Styles, 19, & Robert Pattinson, 27, stopping in at Chateau Marmont for a drink together!
When two stars this good-looking are out together, who could look away? Twitter sightings reported that Rob and Harry were having drinks together at Chateau Marmont in LA. Read on for more details!
Harry Styles & Robert Pattinson Spotted At The Chateau Marmont
So where did Harry Styles and Robert Pattinson, two of Hollywood's hottest British hunks, go for a classy night out together? The Chateau Marmont, of course!
@1DUpdaterGirls tweeted on Sept.11, "Harry Styles was at the Chateau Marrmont Hotel!!! With Robert Pattinson having a drink and talking. They argued over who was paying."
Sounds like fun, guys! Something tells us the polite buds had no serious qualms over paying.
@Socialite_LA tweeted on Sept. 11, "So all that drama outside Chateau Marmont was cuz Harry Styles & Robert Pattinson were just there spotted together #WestHollywood #WhoCares"
We certainly care — the stars could have been discussing any number of things: their exes Kristen Stewart and Taylor Swift, current love interests like Cara Delevingne, Rob's upcoming movies, or One Direction's upcoming album, Midnight Memories. Whatever it was — it couldn't have been a boring conversation!
Harry Styles & Robert Pattinson: Partying & Dating
Rob Pattinson has been spotted out in LA, reportedly enjoying himself on a date with two women in early September, but has no interest in seriously dating anyone now. Harry Styles is also dating Cara Delevingne on the down low, who he seems to be smitten with. "They have great chemistry. Sure, they've always agreed to keep things super casual and private because of their crazy worlds, but Harry genuinely likes Cara a lot — he has done ever since they met three years ago," a source tells Look magazine.
Looks like both guy's dating and work lives are going swimmingly!
What do YOU think, HollywoodLifers? Do you think Rob and Harry talked business or pleasure at Chateau Marmont?
WATCH: Dior Homme – Behind the scenes (Official)
– Ivy Jacobson
More Robert Pattinson & Harry Styles News:
- Harry Styles Regrets Letting Taylor Swift Go — Report
- Harry Styles Went On A Hot Theatre Date With Cara Delevingne — Pics
- Robert Pattinson Has No Interest In Dating After Kristen Stewart Split
View Comment
Posted at 11:34 AM on September 17, 2013
Samuelle 40
Posted at 4:44 AM on September 16, 2013
So they spent the evening together talking not flirting not getting drunk ,good for them so they are both British what's that got to do with anything ,neither causing any trouble ,Harry could have been drinking soft drinks who knows anything nobody again strange that!!No photos of anybody leaving ,where were all the paps strange that !, For goodness sake what happened to a quiet night out in the pub that we British are used to.not partying just enjoying a chat with a drink with a friend to catch up news.None of these other rediculous comments were called for.Give thm both a break.
Posted at 2:17 AM on September 17, 2013
me again
Posted at 7:03 PM on September 15, 2013
Posted at 3:42 PM on September 14, 2013
Posted at 3:42 PM on September 14, 2013
Posted at 1:11 PM on September 16, 2013
Posted at 3:50 PM on September 22, 2013
Posted at 12:07 AM on September 14, 2013
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'Mad Money Lightning Round': Go for American Capital Agency
To see the full "Mad Money" Recap, please
NEW YORK ( TheStreet) -- Here's what Jim Cramer had to say about some of the stocks that callers offered up during the "Mad Money Lightning Round" Thursday evening.
Weatherford International (WFT): "Accounting irregularities equals sell so I say sell, sell, sell."
Threshold Pharmaceuticals (THLD): "Classic speculation that you should be involved in. I bless that trade."American Capital Agency (AGNC): "I've endorsed this company. I still like Annaly Capital (NLY) but I think the yield at AGNC is good." AstraZeneca (AZN): "This is like a high-yielding bond. They need some growth over there." Quiksilver (ZQK): "I will tell you a million times: This one is too hard for me. " --Written by Scott Rutt in Washington, D.C. To contact the writer of this article, click here: Scott Rutt. Follow TheStreet on Twitter and become a fan on Facebook. To submit a news tip, send an email to: firstname.lastname@example.com.
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text:
Tambakaki, Paulina (2008) Engendering civic solidarity. In: Manchester Workshops in Political Theory, 5th Annual Conference, 10 - 12 Sep 2008, Manchester Metropolitan University. (Unpublished)
Full text not available from this repository.
|Item Type:
|Conference or Workshop Item (Paper)
|Research Community:
|University of Westminster > Social Sciences, Humanities and Languages, School of
|ID Code:
|Deposited On:
|05 May 2009 12:26
|Last Modified:
|05 May 2009 12:26
Repository Staff Only: item control page


text: Personalised Map Guest Book by Atlas & I £95$181.25€125.08$159.05 In stock £2.75$5.24€3.62$4.60 mainland UK delivery - Order now and receive this item on or before Monday 12 January £2.75$5.24€3.62$4.60 mainland UK deliveryEstimated delivery: 10-14 days International delivery available postcode for personalisation (required) house/family name to appear below maphouse/family name to appear below map (required)Yes I would like the House/Family Name underneathNo just the Map and no text is neededhouse/family name to appear below map (required)Yes I would like the House/Family Name underneathNo just the Map and no text is neededhouse/family name to appear below map (required)Yes I would like the House/Family Name underneathNo just the Map and no text is neededhouse/family name to appear below map (required)Yes I would like the House/Family Name underneathNo just the Map and no text is needed house/family name to be inserted below map quantity by Atlas & I Location: London, GB read seller's profile see seller's complete range more items from this seller Personalised Refillable Vintage Map Diary £45$85.85€59.25$75.34 Personalised Leather Photo Album £90$171.71€118.50$150.68 Personalised Map Address Book £52$99.21€68.46$87.06 Personalised Vintage Map Photo Album £95$181.25€125.08$159.05 Cricketer Print Personalised Map Location £75$143.09€98.75$125.57 Personalised Map Photo Album £70$133.55€92.16$117.20 view all you may also like PRODUCT DETAILS CUSTOMER REVIEWS DELIVERY RETURNS Made in Britain can be personalised ask seller a question This personalised leather visitors book is printed with any vintage map location in Great Britain and comes packaged in a gift box. The chosen location will be featured on the centre of the front page of the book along with a house name and number. The perfect wedding gift for a couple moving into a new house or the ideal house warming present for a great friend. The map can either feature their street in London or the whole of the area they have moved to in the countryside. Many of the maps we use are Old Series Maps created in the 18th Century so please be aware that not all locations or names feature on all maps as they may not have been built when the map was drawn. To avoid disappointment it is best to specify an area alongside a specific postcode when placing your order. Please note this product can only be personalised to focus on locations in Great Britain but does not include Northern Ireland. Please note that the street maps of London differ from the maps we use of outside London. Please see product images for the different designs. made from: 100% real leather. Please be aware that all these products are hand made out of real cowhides and so can have tiny defects in the leather, these are not very noticeable and add to the products charm. dimensions: Dimensions: h22 x w26.5 cm (2cm thick) There are 100 pages in this visitors book. product code: 222178 1 customer review Mon 14 Oct 2013 Really pleased with product - highly recommended read about our product rating system ratings guide trusted independent customer feedbackforum excellent bad good poor This product is dispatched to you by Atlas & I. Please note that even if express delivery is chosen, the time it takes to create a personalised map product is still 7-10 days. Once the product is ready to be dispatched, by choosing express delivery it will ensure it is delivered to you by the next day. MAINLAND UK order now and receive this item on or before price Standard Delivery Monday 12 January £2.75$5.24€3.62$4.60 NON-MAINLAND UK estimated delivery price Highlands & Islands of Scotland 2-5 daysfrom dispatch £2.75$5.24€3.62$4.60 Northern Ireland 2-5 daysfrom dispatch £2.75$5.24€3.62$4.60 Other UK Islands 2-5 daysfrom dispatch £4.95$9.44€6.51$8.28 INTERNATIONAL DELIVERY estimated delivery price Western Europe 2-5 daysfrom dispatch £9.95$18.98€13.10$16.65 Rest of Europe 5-10 daysfrom dispatch £9.95$18.98€13.10$16.65 USA & Canada 5-10 daysfrom dispatch £17.95$34.24€23.63$30.05 Far East & Australasia 5-10 daysfrom dispatch £17.95$34.24€23.63$30.05 Rest of the world 5-14 daysfrom dispatch £17.95$34.24€23.63$30.05 You have 28 days, from receipt of cancellable goods, to notify the seller if you wish to cancel your order or exchange an item. Please note: goods that are personalised, bespoke or made-to-order to your specific requirements, perishable products and personal items sold with a hygiene seal (cosmetics, underwear) in instances where the seal is broken are non-refundable, unless faulty. Read more about our returns policy.Should you choose to return or exchange your order you will need to deliver the item(s) to the UK, where this seller is based. Atlas & I's return policy


text:
St. Augustine grandmother accused of child abuse
Updated On: Feb 24 2014 01:29:09 PM EST
A 52-year-old woman is charged with abusing her granddaughter after a school nurse reported to officials the girl had a large bruise on her back.
St. Augustine police said staff at Webster Elementary School observed the child was withdrawn and quiet. When asked what was wrong, the girl said her back hurt.
Police say an examination in nurse's clinic showed a 4-inch by 2-inch red and purple bruising up and down her back. When asked, the child said her grandmother had hit her with a belt.
Earlier that morning while getting the child ready for school the girl's mother also saw the bruising and asked her mother, Debra O'Sickey, who stated that the child had fallen on a toy.
Photos were taken and placed into evidence and detectives from the St. Augustine Police Department obtained an arrest warrant.
O'Sickey was arrested and booked into the St. Johns County Jail, where bond was set at $10,000.
O'Sickey is also the grandmother of 2-year-old Dixie Wallace, who has made a full recovery after being pulled unconscious from a retention pond behind O'Sickey's home in late January. Her story was told earlier this month in a special report titled Dixie's Miracle.
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text:
What if someone asked you "What do you want?" You can have anything that you want?
Would you specifically know?
When the question is asked a popular answer is often loads of money … and when people say that to me I ask "Why? To buy what?" They don't need money, they need money for something else…..
So why is this question so relevant to businesses……
Not what you offer. Not in general terms e.g. a gift. Not what the tangible 'thing' looks like BUT what the 'thing' brings to their life.
Let's take the idea of a gift. A gift is more than the gift itself. It conveys something. It conveys friendship or love. It conveys that you really have thought about what would make that person happy. It conveys how much you value that person. Understanding your customer is more than demographics.
Unless you know then you can't market your goods and services to that person. Marketing needs to address specific reasons.
Marketing needs to speak to the want not the product. (Tweet this)
Understanding your customer is more than sales channels.
You use the words that they would like to feel after the purchase. You move them from how they are feeling now to how they will feel after they have purchased it. Why do you think blog posts often start with Frustrated … or Simple … or Improve … or Maximise.
People want something from you. They are looking at your website because they need something. They need you to show that you understand and that by choosing YOU, they will be transformed in some way.
This works for widgets, works for food, works for car maintenance or legal services. There is always a need that requires satisfying.
Today think about whether you can truly answer
Understanding your customer is about understanding the specific need, feeling and trigger….once you have those 3 answers….market away!
For more tips, for more simple, easy guidance to creating the brand you dream of (!!!) Let me write to you each Wednesday with a quick tip for business success.