text:
Who Should Attend:
Property Managers
Brokers and Real Estate Professionals
Real Estate Owners and Developers
Landlords and Tenants
Ned M. Barnes, Program Co-Chair, is a senior partner at Witherspoon Kelley Davenport & Toole PS. He practices primarily in the fields of banking, corporate, and real estate law. He is currently a Fellow in the American College of Real Estate Lawyers and is listed in The Best Lawyers in America.
James S. Black, Program Co-Chair, is the supervising attorney for the Lukins & Annis PS Real Estate Practice Group. He also focuses his practice in the areas of Business, Estate Planning and Tax. He is listed in the Best Lawyers in America and has been identified as a "Super Lawyer" for four years by Washington Law & Politics.
Eric M. Steven, Program Co-Chair, Eric M. Steven PS, is a sole practitioner in Spokane with a practice emphasis in the area of landlord-tenant law and housing. He practices in the state and federal courts litigating cases involving administrative law, bankruptcy, commercial litigation, ejectment, eviction, fair housing claims, and a variety of other landlord-tenant issues.
Brian C. Balch is an attorney with Layman Law Firm, PLLP where his areas of practice include real property, commercial transactions, construction and property development. He has past experience in insurance defense matters, having handled professional negligence claims against realtors and title insurers, personal injury and defect claims against contractors, product liability actions, civil rights and premises liability actions, escalator and elevator accidents, and employment disputes.
John M. Bennett, CPM, is President and Chief Operating Officer for Black Realty Management, Inc. an NAI Black company, and is a principal in the company. He is a member of the International Council of Shopping Centers; NAI Global's Asset Services Council Leadership Board; the Washington Policy Center's Eastern Washington Advisory Board; a former Chair of the Downtown Spokane Partnership, and is a Trustee and former Chair of the Spokane-Kootenai Real Estate Research Committee.
David R. Black, CCIM, CRB, SIOR,is CEO and a Principal of Black Realty, Inc.; Black Commercial, Inc.; Black Realty Management, Inc., and Black Management Services, Inc., all doing business as NAI Black. The organization specializes in the sales and leasing of retail, office, industrial, and multifamily properties; property, facilities, and asset management; consulting; and real estate development. NAI Black is the premier full-service commercial real estate company in the Inland Northwest.
Gordon Hester is Director of Commercial Management and a Partner at Kiemle & Hagood Company. He is a licensed REALTOR® and has worked in commercial property management, sales, and leasing for nineteen years. In addition to overseeing the management and leasing operations of the Chase Financial Center, he oversees the regulatory compliance, safety planning, and general operational issues in the Commercial Property Management Division, and oversees the operations of K&H Facility Services, a wholly owned subsidiary of Kiemle & Hagood Company.
Bruce C. Jolicoeur, MAI, is a real estate analyst, appraiser, and consultant with Auble Jolicoeur & Gentry in Spokane, Washington. He has been with the firm since its inception in 1984 and was named president in 2010. His practice focuses on condemnation, litigation support, and on urban properties including market rent and rent restricted multi-family housing, retirement communities, hotels/motels, development properties, and various income producing properties throughout the Inland Northwest.
Nicholas R. Knapton, MACC, CFF, ABV, CPA, Nicholas Knapton PS, specializes in taxation, valuation, and attestation services. He is Accredited in Business Valuation (ABV) and Certified in Financial Forensics (CFF) by the American Institute of Certified Public Accountants. He is a Principal of his own firm and has worked for over a decade locally in Spokane in the field of public accounting.
Timothy M. Lawlor is a principal with Witherspoon Kelley. He practices in the areas of commercial, labor and employment, eminent domain, and class action litigation. He has successfully represented clients in a wide variety of complex commercial disputes. He has successfully defended class actions in Wisconsin, Washington, and California.
Ian Ledlin is Principal at Phillabaum Ledlin Matthews & Sheldon PLLC, he has an extensive bankruptcy background in both creditor and debtor rights. He is the former Standing Chapter 13 Trustee and a Panel Chapter 7 Trustee for the U.S. Bankruptcy Court, Eastern District of Washington.
John H. Loeffler is a founding member of the firm Olson Loeffler & Landis PS. His practice encompasses all phases of litigation, with emphasis on civil litigation and commercial and residential real estate litigation. He also practices in business transactions, estate planning and landlord tenant issues including commercial and residential lease preparation and negotiation.
Mark Pinch, CCIM, is a developer with NAI Black. He serves users and investors in acquisition and disposition; tenant representation; property, asset and facilities management. He holds degrees in Accounting, Economics & Business, and is a Certified Public Accountant.
Spencer A. Stromberg is co-founder of Sullivan Stromberg PLLC and licensed to practice in both Washington and Idaho. His practice focuses on business and real estate law, including asset and real estate purchase and sales transactions.
Peter W. Wong is principal of Peter W. Wong Associates, Inc., an affiliate of INTERVEST-Mortgage Investment Company. His career in commercial real estate mortgage lending spans 30 years.
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The pilot had not flown for six months prior to the accident flight so he decided to remain in the airport traffic pattern where he performed six approaches. He continued to perform approaches until he was confident that he could remain on the runway centerline in preparation for his first landing attempt. During a landing on runway 18, the airplane airspeed decreased "more quickly" than the pilot expected, which resulted in a hard landing. The airplane sustained substantial damage, including deformation to the fuselage.
The National Transportation Safety Board determines the probable cause(s) of this accident to be:
Index for Jun2010 | Index of months

subset: commoncrawl


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The Pediatric Surgery Research Laboratory is headed by two Principal Investigators, Gail Besner, MD and David Brigstock, PhD. Basic research is broadly focused on mechanisms of cell growth regulation, with special emphasis on the role of polypeptide growth factors. Laboratory personnel include surgical residents, post-doctoral residents, research associates, and graduate students. In addition, undergraduate and medical students are given the opportunity to work on projects during the summer months. The research laboratories are located in The Research Institute at Nationwide Children's Hospital, a multi-disciplinary research facility that is attached to Children's Hospital. All of the laboratories in The Research Institute are occupied by research groups that are headed by full-time geographic faculty members of the Ohio State University's Department of Pediatrics and Department of Surgery. The Pediatric Surgery Laboratories occupy approximately 2000 sq. ft. and expertise spans the broad areas of cell biology, biochemistry and molecular biology.
The Besner research group is interested in a growth factor known as heparin-binding EGF-like growth factor (HB-EGF), which Dr. Besner initially identified in 1990. The focus of Dr. Besner's research is on the effect of HB-EGF in the intestine, as a cytoprotective factor against intestinal injury. The translational component of Dr. Besner's research involves a disease process known as neonatal necrotizing enterocolitis (NEC), which results in intestinal necrosis in newborn babies, especially those born prematurely. The long-range goal of Dr. Besner's work is the prophylactic and therapeutic treatment of high-risk neonates with HB-EGF, in order to prevent and treat this often devastating disease. Clinical trials of HB-EGF therapy for the prevention of NEC are scheduled to begin in 2008.
Dr. Brigstock's group is investigating the biology of connective tissue growth factor (CTGF). CTGF acts to promote fibroblast proliferation, migration, adhesion, and extracellular matrix formation, and its over-production is proposed to play a major role in pathways that lead to fibrosis, especially those that are TGF-beta-dependent. This includes fibrosis of major organs, fibro-proliferative diseases, and scarring. CTGF also appears to play a role in extracellular matrix remodeling that occurs in normal physiological processes such as embryogenesis, implantation, and wound healing. CTGF has been implicated in a diverse variety of processes that include neovascularization, transdifferentiation, neuronal scarring, atherosclerosis, cartilage differentiation, and endochondral ossification. Broad areas of focus in Dr. Brigstock's lab include structure-function analysis of the CTGF protein, CTGF transcriptional regulation, CTGF signaling pathways, and the role of CTGF in driving fibrosis in the liver and pancreas. Molecular, cellular and biochemical approaches are used to study CTGF actions in cell culture systems as well as for investigating the role of CTGF in vivo in rodent fibrosis models, including CTGF transgenic mice. Novel anti-fibrotic therapies that target CTGF biosynthetic or signaling pathways are currently under development.


text: Sublime sounds from Booker T & The MGs – the group's first five albums, laid out in one totally package! The progression in Memphis soul here is wonderful – as the package starts with the initial Green Onions set – a record that grew out of a famous jam from Book and the group in the studio – then moves through Soul Dressing, And Now, Hip Hug Her, and Doin Our Thing – records that get funkier and funkier at each new spin – showing how the group really tightened up their style, and helped transform the sound of instrumental soul in the process! Loads of great Hammond from Booker T, mixed with killer guitar from Steve Cropper – and a motherlode of great cuts that include "Green Onions", "Comin Home Baby", "Can't Be Still", "Home Grown", "Think", "Soul Jam", "Taboo", "One Mint Julep", "Plum Nellie", "Outrage", "Night Owl Walk", "Double Or Nothing", "Sunny", "Pigmy", "Slim Jenkins Place", "Hip Hug Her", "Soul Sanction", "The Beat Goes On", "Blue Or Green", "Ode To Billie Joe", "Never My Love", and "I Can Dig It". All albums in tiny LP sleeves too! © 1996-2014, Dusty Groove, Inc.


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Comparison of aerobic base steps performed with and without Kangoo Jumps.
Conducted by the University of Lausanne Switzerland
Center for the Analysis of Sports Science
Geneva, Switzerland
The musical cadence for the basic aerobic steps (without Kangoo Jumps) are:
136 bpm during 5 minutes
140 bpm during 5 minutes
142 bpm during 5 minutes
142 bpm during 2 minutes
The musical cadence for the basic aerobic steps performed with the Kangoo Jumps is:
120 bpm during the whole exercise.
The first part of the exercise is made without Kangoo Jumps, during 16 minutes.
Every 2 minutes a new step is engaged. After the end of the first exercise, the same base steps are repeated in the same sequence, for 16 minutes , with Kangoo Jumps.
The basic aerobic steps studied were:
1. Jogging in place (arms low)
2. Jogging in place (arms lifted)
3. Jogging (forward, backward)
4. Grape Jump
5. Jumping Jacks 4
6. Kick (low)
7. Jumping Jacks 2
8. Knee ups
The charts and graphs that follow this report show the average cardiac frequencies (CF) of each subject for each step. In order to check if the differences of CF between "KA" and "SA KA", smaller than 5, are not due to the stagnation of the CF, characteristic to subjects attaining their CF maximum, the CF obtained by each subject at each step is represented according to the CF maximum of each subject. The increase of the CF related to the effort tends to diminish when values reach the threshold anaerobe of the subjects.
In general, it is less economic to execute basic steps with Kangoo Jumps than without. This difference is about 10 beats/minute, and varies, according to the step, from 6 to 17 beats/minute. The difference of CF is increased for steps 4, 6 and 7. Only a slight difference is found between basic steps 1 and 2. Moreover, the two latter steps have no high energetic cost (from 137 to 150 beats/minute). Also, the subjects are far from their CF max. (75% for step 1 and 79% for step 2, see table 1). This difference is principally due to male subjects (subjects 2 and 3). Both of them obtain a negative difference. It would be interesting to study, in greater detail, this difference in order to determine if the "sex factor" clearly influences the results for these two steps.
Step 5 requires a lot of energy, with or without Kangoo Jumps. Despite the relatively high value, between 82% and 99%, the average difference is only of 4%, which can be explained by the fact that the values (beats/minute) that are near the CF maximum of each subject have reached the highest point.
Subject 1 had, on an average, 18 more beats/minute with Kangoo Jumps, which represents the highest difference among all subjects. On the other hand, subject 3 only obtains a difference of 5 beats/minute. Indeed, this subject is less economic without Kangoo Jumps for steps 1, 2 and 3.
The highest variation of CF between both ways of executing the steps are also observed with subject 1. This difference is of 30 beats/minute for basic step 6. Such a difference could be explained by the lack of experience using Kangoo Jumps. Subject 2 has 26 more beats/minute with Kangoo Jumps for step 4, which is rather high, but the factor "beginner" cannot be applied to this subject, because the average that was obtained for all basic steps is only of 9 beats/minute.
Note that the exercise was executed uninterruptedly, which may have influenced the beats for the following steps. Though, for the 4 last steps, we obtain relative values higher than 80%. Another study that would reverse the steps order, would permit us to determine if the results of the study are influenced by the order itself.
Chérif Zouaoui, January 1998
Kangoo Jumps Official World Site · Public Area
Copyright © 1998-2013 - RDM SA, Switzerland - All Rights Reserved


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Nachtfalter, Op 157 [6'36]
Man lebt nur einmal, Op 167 [7'11]
Wahlstimmen, Op 250 [9'35]
Die Fledermaus [12'10]
Other recommended albums
Glazunov: The Complete Solo Piano Music, Vol. 1
Helios (Hyperion's budget label)CDH55221
Glazunov: The Complete Solo Piano Music, Vol. 2
Helios (Hyperion's budget label)CDH55222
Glazunov: The Complete Solo Piano Music, Vol. 4
Helios (Hyperion's budget label)CDH55224
Nikolai Demidenko live at Wigmore Hall
2CDs Dyad (2 for the price of 1)CDD22024
The present recital offers eight Viennese bonbons in the most elegant and cultivated of pianistic wrappings. All are by great pianist-composersas opposed to composer-pianists, another breed which included the broader creative reaches of Liszt, Busoni, Rachmaninov and Dohnányi. Both types, however, had but two aims in taking a piece of music and transforming its orchestral or vocal origins into a persuasive pianistic composition: to show off their particular keyboard skills and to provide their listeners with an ear-tickling frisson.
The genesis of the nineteenth-century virtuoso transcription is clear: from the fairly straightforward arrangements of themes from the latest operas and symphonies (the only way that people in outlying areas could get to hear new music) to the heavily personalized fantasies and reminiscences of Liszt and Thalberg from the 1830s onwards. Here the transcriber moulded the material to suit his own whim or to make his own comment on the music. The tradition extended to the first few decades of the twentieth century and major composers like Ravel, Stravinsky and Prokofiev went to pains to make elaborate piano versions of some of their own work.
Probably no composer has been used more frequently for these pianistic firework displays than Johann Strauss II. He composed very little piano music himself, but what a wealth of piano literature he was indirectly responsible for! The lilting Viennese waltz and Strausss unforgettable melodies proved to be seductive forces which few of the pianistic lions of the day could resist. The best of these transcriptions make you forget the orchestral original, convincing you that the keyboard acrobatic high-wire act was born in the heart of the instrument. This is not surprising, for the finest were written by pianists who knew the piano inside out and exactly how to exploit it to their advantage. Of these, the most distinguished were Alfred Grünfeld (18521924), Eduard Schütt (18561933), Ernst von Dohnányi (18771960) and the five pianist-composers featured on this recording.
Strangely, the all-embracing Liszt made no arrangements of Strausss music but left it instead to his favourite pupil, the extravagantly gifted Carl Tausig (18411871), and the three earliest examples in this recital are by him. It is a scandal that so few pianists think to include Tausig in their repertoire these days. There was a time when his Pastorale and Capriccio (delicate touchings-up of two Scarlatti sonatas), the magnificently pianistic transfiguration of Bachs Toccata and Fugue in D minor, the grandiose version of Schuberts Marche Militaire and Andantino and Variations (wonderfully recorded by Egon Petri), Schumanns song Der Contrabandiste and the witty decoration of Webers Invitation to the Dance were regularly played by the great artists of pre-war days. Not any more. Yet these were epoch-making transcriptions for their time, extending the lyrical and dramatic potential of the piano. (Someday, someone will champion Tausigs original works and show precisely what a talent was lost at the age of thirty.)
Two other Tausig transcriptions have clung to the fringe of todays programmes. In the early 1860s he made arrangements of three waltzes by Johann Strauss IINachtfalter (Night Moth, Op 157), Man lebt nur einmal (Man only lives once, Op 167) and Wahlstimmen (Election votes, Op 250). Collectively entitled Nouvelles Soirées de Vienne: Valses-Caprices daprès J. Strauss, they were dedicated to Liszt and, indeed, can be seen as a pendant to Liszts own Soirées de Vienne based on Schubert waltzes. Two further Valses-Caprices, dedicated to Hans von Bülow, were published posthumously (Nos 4 in E major and 5 in A major in an edition by Balakirev). All five have been recorded but it is only the first two that have ever been part of the virtuoso repertoire, Man lebt nur einmal graced by Rachmaninovs alchemy in a 1927 recording that was outstanding even by his standards.
Perhaps the best-known piano transcription of a Strauss waltz is that by a pupil of Tausig, the Polish Andrei Schulz-Evler who was born in Radom in December 1852 and died in Warsaw in May 1905. Little is known of Schulz-Evlers life after his studies at the Warsaw Conservatoire and with Tausig in Berlin. He became a professor at the Kharkov School of Music where he taught from 1888 until the year before his death. He composed fifty-two piano pieces and songs which have disappeared without trace with one notable exceptionthe fabulous Concert Arabesques on themes by Johann Strauss By the Beautiful Blue Danube. (Coincidentally, here is a second Strauss re-working that has provided the gramophone with one of its greatest treasures. The Schulz-Evler was a speciality of Josef Lhévinne and his 1928 RCA Victor disc is a spellbinding tour de force whose final page still leaves many a seasoned artist wondering how he did it.)
The Strauss-Tausig-Polish connection continues with a third pianist-composer. Moriz Rosenthal (18621946) not only studied with Karol Mikuli (a pupil of Chopin) but also, after his family moved to Vienna in 1875, with Rafael Joseffy, another pupil of Tausig who taught Rosenthal according to Tausigs method. Rosenthal must have taken the Schulz-Evler version of The Blue Danube as a role model for his own fantastic elaborationsthe Fantasie um Johann Strauss über die Walzer An der schönen blauen Donau, Freut euch des Lebens, Fledermaus, to give it its full title (but also identified in places somewhat confusingly as Paraphrase on The Blue Danube). Technically even more demanding than the Schulz-Evler (and some would say overloaded with elaborate pianistic configurations), Rosenthal develops the genre a stage further, amusing himself by combining the opening theme of The Blue Danube with another from Die Fledermaus in an ingenious contrapuntal display, though somewhat at the expense of the essential nature of the original. Rosenthals score is peppered with terrifying passages (including ascending semiquaver thirds in the left hand andlaterascending semiquaver sixths in the right, both marked legatissimo quasi glissando, fearsome repeated notes and concluding indications to play triomfante and con somma bravura). In a second even more outrageous confection, Carnaval de Vienne (slyly subtitled Humoresque), he manages to surpass himself and briefly combine three themes simultaneously. First composed in May 1889, this was Rosenthals calling cardone which, though he never played it the same way twice, was much admired by Johann Strauss himself, who had become a close friend.
The Tausig-Strauss line is broken by the next and greatest of all piano transcribers, the Polish-born Leopold Godowsky (18701938). Virtually self-taught, he first burst upon the European musical scene after a spectacular debut in Berlin in 1900. Part of the reason behind the sensation he caused were his elaborations of a handful of Chopins Studies. Some he arranged for the left hand alone, some with a separate voice woven into the original fabric and, in a couple of items, he played two Studies simultaneously. Later in the programme he gave the ecstatic Berlin audience his Contrapuntal paraphrase on that seminal Viennese piano waltz, Webers Invitation to the Dance. The polyphonic ingenuity Godowsky put on show went far beyond the flashy entertainments of Moriz Rosenthal, then at the height of his fame (and who, incidentally, was keen to pave the way for Godowskys European triumph).
Godowskys expertise in pianistic contrapuntal writing was put to good use in elaborate treatments of themes from three Johann Strauss operettas, Künstlerleben, Die Fledermaus and Wein, Weib und Gesang. (A fourth was written much later in 1928 for the left hand alone on the Schatz-Walzer themes from The Gypsy Baron; yet a fifth on The Blue Danube was completed but lost when Godowsky was unable to return to Vienna at the outbreak of the First World Warhe never sought to recapture the contents of the manuscript.) He called these paraphrases Symphonic Metamorphoses, a solemn but accurate description, for they are symphonic in texture, and in the dense interplay of their harmonic and thematic ideas. Johann Strauss waltzing with Johann Bach, one writer called them; these are probably the last word in terpsichorean counterpoint.
My Metamorphoses differ from the Eduard Schütt concert-paraphrases of some of the Strauss waltzes, said Godowsky in an interview with The American Musical Courier in 1920:
The Schütt paraphrases seem to me to be just what I disapprove of: shallowly brilliant drawing-room pieces of virtuoso cast, whereas virtuosity, as such, is the least part of the Metamorphoses, where everything is developed out of Strausss own music in an endeavour to build up a living, pulsing, colourful transformation of the simple original legitimately, by means of theme inversion and theme development, rich and glorified instrumental counterpoint, imitation and embellishment. Hear Josef Hofmann play the Fledermaus symphonic metamorphosis and you will understand why the term symphonic is used in the title of these free fantasies!
Godowsky completed the Symphonic Metamorphosis on Die Fledermaus in 1907 but had evidently been working on it for some time. He wrote to his disciple Maurice Aronson in November:
This morning I wired you that the Valse (Fledermaus) was ready for the Berlin recital. I just finished writing it. I believe I have done something quite good. Aside from what you know of the Valse, I have added several original features. Between the second theme of the first valse and the first theme of the second valse, I have introduced a very short parody on Richard Strauss (something like Till Eulenspiegel and a bit of Salomé cacophony). It is rather amusing, not unmusical but queer, stranger than the beginning.
The transition between the second theme of the second valse and the theme of the third valse is perhaps the most delicately impassioned passage I have ever writtenit has genuine vitality! I think the end is a complete success. You know how long I worry to bring a work like this to a proper climax This part is almost unplayable, but will sound well when I can play it. A sudden modulation from E flat to E major, from ff to p, from bravura playing to poetry, and after several measures the real climax comes on gradually until it bursts into a triumph with a Steigerung quite Wagnerian, I think it very successful. I may be mistaken.
Godowsky dedicated the piece to his friend Adele Strauss, the widow of Johann.
The fifth of our Polish Strauss transcribers was born in 1882 in Podgorze near Cracow. Ignaz Friedman, a mercurial and original artist, studied in Vienna with the great Theodor Leschetizky before embarking on an international career that kept him busy until his death in 1948 in Sydney, Australia. Writing nearly two decades after Godowsky and presumably prompted by the centenary of Strausss birth, Friedman published his transcription of Frühlingsstimmen (Voices of Spring) in 1925, dedicating it to the pianist William Backhaus. Two further Strauss Concert arrangements appeared in 1933: O schöner Mai (dedicated to Vladimir Horowitz) and the Schatz-Walzer (dedicated to Benno Moiseiwitsch). All three make charming and undemanding listening, owing a debt to both Rosenthals athleticism and Godowskys contrapuntal skills without showing an advance on either.
Like Godowsky, Friedman was captivated by the Viennese waltz and its pianistic possibilities. His six Viennese Dances on themes by his friend Eduard Gärtner were once popular and Godowsky wrote Twenty-four Tone Fantasies in 3/4 time (Walzermasken he called them) which are permeated with the spirit of the Waltz City. Independently, both men wrote short pieces entitled Alt Wien (Old Vienna), evoking the magic of the pre-First World War capital. They are sad, wistful little essays remembering happier days.
The fashion for Strauss paraphrases passed away with the Austro-Hungarian Empire. All the more reason why this box of Sacherpralinen from Piers Lane should be available to everyone with a sweet tooth and a sense of fun and fantasy. Now we can press a button and be transported back in an instant to the make-believe world of Die Fledermaus and the elegant, cultured, waltz-crazy world of nineteenth-century Vienna where the great pianists of the time were treated like todays rock idols.
Jeremy Nicholas © 1995


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First version of new API set to enable developers to execute rich media ads more autonomously.
Mobile rich media advertising and analytics firm Celtra has released the inaugural version of its Javascript Creative API for its AdCreator advertising platform.
The new Javascript API is designed to allow developers and designers to execute rich media ads more autonomously and with greater efficiency.
Matevz Klanjsek, co-founder and chief product officer of Celtra, commented: "The Celtra Javascript API gives advertisers and agencies maximum creative flexibility. Although AdCreator has powerful out-of-the box capabilities, many of our clients want to develop unique creative executions to address specific marketing goals. The Celtra Javascript API instantly puts the power of Celtra's most popular functionality into the hands of our partners who want to be more hands-on in building compelling rich media mobile advertisements."
Adam Soroca, chief product officer, Jumptap, said: "Celtra's Javascript API will be a strong resource for creating dynamic rich media campaigns. Jumptap's in-house design team has built some exceptional rich media units by leveraging Celtra, and we look forward to using this technology to take those ads to the next level.
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text:
Contact: Michael E. Newman
National Institute of Standards and Technology (NIST)
Caption: These are examples of fingerprint images (left column) on which a color-coded "quality map" has been superimposed (right column). The color coding provides forensic examiners with a means of marking the quality of the data that can obtained from the friction ridge details seen in the images. Blue areas are excellent, green are satisfactory, yellow may potentially contain false or missed features, and red have no value at all.
Credit: NIST
Usage Restrictions: None
Related news release: NIST guides seek interoperability for automated fingerprint ID systems


text:
November 27, 2014
Scammers pretending to be from the Department of Energy want your money.
Now the DOE wants to warn you about the email you'll want to delete right away. The email tempts you with a promise to save you money on your heating bills.
The sender's email address reads "refund- @energy.gov"with a subject line of "Urgent Notification". The email says you are entitled to a refund of $480.58 from an analysis of your bills.
Then you're asked to click on the message to receive the refund; doing so infects your computer according to the DOE. The DOE says they never collect money or give refunds by emailing the public.
If you find this email in your account, delete it to save your computer from the virus.
KKCO firmly believes in freedom of speech for all and we are happy to provide this forum for the community to share opinions and facts. We ask that commenters keep it clean, keep it truthful, stay on topic and be responsible. Comments left here do not necessarily represent the viewpoint of KKCO 11News.powered by Disqus
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text:
Is the answer to climate change in the clubs?
With progress largely stalled on reaching a global, meaningful, and enforceable agreement on cutting carbon emissions, could smaller multilateral groups, or "climate clubs" be the answer? Jennifer Morgan and Lutz Weischer of the World Resources Institute discuss:
More and more climate-related clubs are emerging. For example, in February, the United States and five other governments launched the Climate and Clean Air Coalition to Reduce Short-Lived Climate Pollutants. In August, the German environment minister announced plans to create an "international club of states committed to promoting the expansion of renewable energy." And alongside the "Pre-COP" meeting, the Global Green Growth Institute held its first Assembly and Council meetings since the Seoul-based think tank was transformed into an international organization with 18 member countries.
However, they're not very optimistic about the current group of clubs, writing that "Their mandates and configurations are not focused on significantly increasing ambition, but rather on various pieces of the bigger puzzle. They do not dramatically reduce emissions at the scale and speed required to keep global temperature rise below 2°C."
The propose the establishment of more ambitious "two degrees clubs," in which small groups of countries would band together around specific emissions reductions. Countries could be enticed into membership through pledges on trade, investment, or technology sharing.
Of course, with CO2 levels passing 400 parts per million, it's certainly worth a try. Though it's also worth keeping in mind that over 40 percent of global emissions come from a very exclusive club of two.
ADEK BERRY/AFP/Getty Images


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NORTH FORT MYERS, Fla. - P.A.W.S. of Lee County, a low-cost spay and neuter clinic is hosting a pet owner and adoption open house Saturday, March 1 at its office in North Fort Myers.
From 10 a.m. to 2 p.m., pet owners and prospective owners can take advantage of the low-cost vaccination and microchip clinic, a dog wash, and Q-and-A with a local veterinarian.
The open house will also feature animal trainers, pet rescue groups with adoptable pets, and a pet food drive. PAWS is looking to stuff a truck with dog and cat food.
PAWS of Lee County is located at 965 Pondella Road, North Fort Myers.
For more information on the event or PAWS services call (239) 652-6722.
To donate a free spay or neuter visit, onefreespay.org.


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What is it?
Three cylinder engines, so long an oddball configuration, seem soon to become the norm. Vauxhall, VW and Ford have them and we can now add Peugeot. And you'll not need more than a minute in the Peugeot 208 1.2VTI to see why.
Here is a cracking little engine, as full of fizz at its redline as its four pot brethren are of protestation. It's smooth, easy on the ear and capable of conferring performance quite beyond its apparently modest output.
What's it like?
And this is illusory only in part. Of course its infectious enthusiasm helps create the mere perception of speed, but its nature also means you're egged on into actually using its power while the less smooth fours always tempt you to change up. But here's the killer: the 1.2-litre three cylinder 208 is so much lighter than the 1.4-litre four, their power to weight ratios are a meaningless 3bhp/tonne apart. But while the 1.4 does 50.4mpg, the 1.2 does 62.7mpg.
Given the price advantage too, the case for three over four would already be unanswerable. But it doesn't stop there: the three lightens the car by an astounding 95kg – almost 10 per cent of its entire weight - and every gramme of it off the front end. In a light car like this, the effect on handling is transformative. It has balance and poise unknown to other 208s, and steering of a different order.
Should I buy one?
Forget all the figures and instead hear this: for decades we've been searching for the small Peugeot hatch that's actively fun to drive, like once they all were. And at last it's here. It's not a GTI and it doesn't need to be. It is said that less is often more, but rarely more so than in the brave new world of the Peugeot 208.
Peugeot 208 1.2 VTi Active 5dr
Price: £11,600 approx; 0-62mph: 12.2sec; Top speed: 108mph; Economy: 62.7mpg; Co2: 104g/km; Kerbweight: 975kg; Engine type: front, transverse, 3cyls, 1199cc; Power: 82bhp at 6000rpm; Torque: 87lb ft at 2750rpm; Gearbox: 5-speed manual
Join the debate
Re: Peugeot 208 1.2 VTi
It's as much an indication of how poor the Peugeot's 1.4 is, as how good the 1.2 is. There are so many 4 cylinders willing to rev, it doesn't mean they all do though, same with three cylinder. I doubt Ford's 1.0 ecoboost creates such a substantial weight difference compared to the 1.6, as the 1.2 and 1.4 here.
Re: Peugeot 208 1.2 VTi
Interesting performance / economy from this non-turbo 3 pot. Imagine a small turbo bolted on - minimal extra weight but with 25% more power, now that could be modern GTi with - by modern standards - warm hatch figures.
Re: Peugeot 208 1.2 VTi
so far this looks to be the sweet spot in the range, and once stop start gets fitted it will fall well below the magic 100g/km too, which in a car the size of a 208 with petrol power is unheard of.
I too would like to see a bigger of turbo'd version of this new 3 pot, that would make the car truely amazing.
I would also like to see this engine find its way into the current 107 before it dies. That could be the power unit for the sporty version that car has been crying out for.
Re: Peugeot 208 1.2 VTi
This engine appears to be great, and the car it's in seems equally fantastic. I'm glad Peugeot has kept the weight down as well. I think this car will be best in its class.
Re: Peugeot 208 1.2 VTi
Re: Peugeot 208 1.2 VTi
"The creative adult is the child who survived."
Re: Peugeot 208 1.2 VTi
The 1.4 wasn't exactly the best engine around and this make the comparison easier for the new 1.2 3 cylinders. I experienced the 3 cylinders in the last Polo, my sister owns one. It's ok for the city but out town and in motorway it feels low powered. The extra bhp of this may be useful.
Re: Peugeot 208 1.2 VTi
As far as i'm aware, that will happen soon-ish. Probably with the launch of the new 308/1 next year, or maybe even with the 2008 later this year.
Having seen the car this week ( i had a drive near the place where the test drives are happening ) i have to say it looks better in real life. Less busy. But that greyish pink color is truly hideous.
Re: Peugeot 208 1.2 VTi
Have we forgotten the 107?
Re: Peugeot 208 1.2 VTi
The fact that its a Daihatsu engine and not used in any other Peugeot is why its not mentioned.
This new Peugeot engine sounds impressive though compared to the 107's given the very simelar CO2 figures, yet superior performance in a much bigger car.


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Research Project Summary Information
Norbord is a major supplier of medium density fiberboard (MDF), which is made by compressing recovered and recycled wood fibers with urea formaldehyde or other synthetic resins as bonding agents. There are two major sources of emissions from the MDF manufacture. These are associated with wood particle drying prior to addition of bonding agents and hot pressing of the fiber boards. The use of regenerative thermal and catalytic oxidizers (RTOs & RCOs) to control the release of volatile organic compounds from the drying and pressing operations at their Deposit, NY facility, has been identified as use of the most applicable control technologies. Currently, Norbord is planning to install a RTO even though RCO is a more efficient technology, as the oxidizer can be maintained at a lower temperature, and is more suited to the temperature of emissions from the pressing and drying operations. The RCO, however, is more expensive and NYSERDA support would help cover the differential cost, supporting the adoption of a more efficient control technology.
Map Error
The scope of work consists of four tasks in addition to reporting, management, and technology transfer. These tasks include: conducting detailed technology assessment; developing detailed engineering plans and specifications; conducting construction activities; and monitoring and analyzing system performance. Norbord has competitively selected an equipment supplier for the RCO technology.
About 39,000 decatherms of natural gas is expected to be saved annually, compared to operation of a conventional RTO on the same emission source. These benefits could be multiplied to the extent that other facilities in NYS with RTO adopt RCO technology as retrofits. Operating data will be collected and analyzed, and the results compared with data on performance in other published reports.
A final report documenting operation of the RCO/RTO at Norbord was received. Norbord has, however, ceased production of stranded and medium density fiber board at the facility.
Norbord Industries, Inc.1 Toronto Street, Suite 600 Toronto, ON M9W 1E8
Sheri Weeks
Project Type:
Product Demonstration
Technologies Types:
Waste Management and Pollution PreventionEmission controls
Richard firstname.lastname@example.com
R&D -Transport & Power Systems
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The Vikings have made a number of exciting additions this offseason. The changes to the coaching staff might make the biggest overall impact, and the free agent signings might see more playing time, but I want to know which of the Vikings draft selections (and maybe even UDFA's) might make the biggest impact as a rookie.
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RICHMOND, Va. (AP) - Virginians are getting their annual opportunity view the holiday decorations at the Executive Manson.
Gov. Bob McDonnell and First Lady Maureen McDonnell will host a public open house at the mansion after the annual tree lighting ceremony Friday.
This year's ceremony on at the Capitol also will feature a tribute to the military. The event will feature appearances by Santa Claus and music from a Virginia National Guard band.
The festivities begin at 5 p.m.
(Copyright 2012 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.)


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In among the bluebells, you'll find one of nature's best spring foods – wild garlic. The leaves add a wonderfully subtle, tangy flavour to sandwiches, salads, stir-fries and soups, says Tom Norrington-Davies.
How times have changed. Just three years ago, when I first wrote in delicious. about wild garlic, I remember going crazy trying to find some and turned to the internet. Back then, just about all one could find on Google was instructions on how to eradicate it from dairy farms in the USA (it taints the milk if the cows eat too much of it). It's a different story now. Most search engines will direct you straight to any number of scrummy recipes. Why? Because wild or – to use the trendy terminology – foraged food is so fashionable.
Not that wild garlic takes much foraging. If you pass by any bit of British woodland in the spring, chances are you will catch its scent on the wind. The first time this happens, it can be mildly disconcerting. It seems strange to smell garlic miles away from a kitchen.
Allium ursinum, aka ramson, jack-by-hedge and 'bear's garlic' (so-called because bears eat it after hibernating to get their digestive tract back into gear) is a perennial, as hardy and fast-growing as chives. It tends to grow in woods, often near or among patches of bluebells. First come the luscious and drooping leaves – which can form a dense canopy over the forest floor – then a burst of white flowers indicates the end of the growing season.
The plant self-seeds and dies back. It is edible at all stages of this growth but, unlike domestic garlic, it is the leaves, rather than the bulbs, that are prized. The bulbs are delicious, too, but very small and fiddly. The leaves and flowers make a great addition to salads or – as they have traditionally been used for centuries – as a garnish for cheese sandwiches. In fact, some Cornish Yarg cheeses are wrapped in the leaves as they mature, giving them a tangy, garlicky edge.
Wild garlic doesn't take much foraging. If you pass by any bit of British woodland in the spring, chances are you will catch its scent on the wind.
The taste of wild garlic leaves is very similar to the domestic bulb, but not quite as hot on the palate. That said, wild garlic has many (and some say more) of the same health-giving properties. If you have never tried it before, give it a whirl this spring.
Getting hold of wild garlic
Foraging for wild garlic is easy and pretty much hazard-free. Avoid lily-of-the-valley, which looks similar but doesn't smell of garlic and is toxic. Be wary of slightly bleary-eyed and hungry grizzlies!
If, like me, you are trapped in the urban rat race then you can buy wild garlic online. One of the stalls at my nearest farmers' market sells it by the bag for a song. It keeps well in the fridge and don't be afraid of buying what seems like a lot, especially if you plan to cook with it. Like any green, it wilts and shrinks a lot in the heat. If you live near any Asian supermarkets, there is a leaf known as gau choi or Chinese leek, which tastes similar. After two summers of working in Devon, I missed the real thing enough to plant some in my tiny London garden, but be warned that wild garlic is as invasive as mint and should stay in a pot.
Once you get wild garlic into the kitchen, what should you do with it? While it is in season, I tend to replace domestic garlic with the heady sweetness of the leaves.
In casseroles, leave out any bulbs of garlic at the top of the recipe and wilt in the leaves at the last minute. Try adding some to a pesto or chop it into mayonnaise. It stir-fries beautifully and can be deep-fried for an interesting garnish.
There is one recipe I turn to every year when I get the first wild garlic, between late January and March. The leaves have a natural affinity with many soups, especially when you wilt them in, off the heat at the last minute. This soup is so unbelievably simple, it actually champions their flavour.
This subtle potato, bread and wild garlic soup is just the job for those bright but cool spring days.
This easy recipe for wild leaves is adapted from Sunday Suppers At Lucques, by Suzanne Goin. Make it as a reward for a hard day's foraging.
Please register or sign-in to leave a comment. We'd love to hear what you think.
May 7
Shredded and blended with butter it can be frozen and pulled out for garlic bread (although it needs a longer cooking time and lower temperature because it's quicker to burn).
March 22
We have a small wood (Wild Garlic Wood!) on our organic farm in Dorset and during the season, sell wild garlic either as leaves or the bulbs for planting. Please contact me email@example.com for further details if you would like some.
June 14
hello, thank you for your wonderful article on wild garlic. i know it seems like i'm nit-picking but you also referred to jack by the hedge as being wild garlic. its latin name is actually alliaria petiolata, and is described more as the garlic mustard plant. wild garlic has a more distinct smell and flavour of garlic too. just thought i'd mention it. on a good note though, i loved the potato and bread soup with wild garlic recipe! delish!!
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Covington & Burling LLP1201 Pennsylvania Avenue, NW Washington, DC 20004-2401
Ethan Posner, named by the American Lawyer as a "Rising Litigation Star," is co-chair of Covington's White Collar Defense and Investigations and Pharmaceutical Litigation & Investigations practice groups. He represents numerous major pharmaceutical companies and health care organizations in federal and state criminal and civil government investigations, False Claims Act cases, and related private class actions. Mr. Posner also has handled several recent major congressional investigations and hearings on behalf of pharmaceutical and health care clients before House and Senate Committees.


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Tagged Under : Marge drunk, marge xxx, Sex of Marge
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May 26th, 2010 | microlog, Work
Apparently this is out this week (don't ask me what makes this a "director's cut," I have no idea — presumably there's yummy process stuff from Adi in there):
I wish I could store things in my bones other than marrow. I'd find that very useful. Not 'lets me control an Iron Man suit' useful, more like 'good thing I have this backup apartment key in my femur'.
WARREN ELLIS is a graphic novelist, author and columnist. His new novel, GUN MACHINE, available now from Mulholland Books, is being developed for television by Chernin Entertainment and FOX. His first non-fiction book, from FSG, is due in 2014. RED 2, the sequel to the Bruce Willis-Helen Mirren film RED based on his book of the same name, will be released in August 2013.
WarrenEllis.com runs on a Wordpress engine. If you've read the whole page you may want to return to the top, subscribe via RSS, or find Warren on Twitter @warrenellis.


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What are the hundred things everyone should do in Colorado before they die? We posed this question to our writers and editors, and over the next week, we'll be rolling out the answers across our blogs. Check back on tomorrow for the full list -- and in the meantime, feel free to post your own sugges ... More >>
After debuting Lipgloss as an indie-rock, '80s-underground dance night in 2001, co-founders Michael Trundle (aka boyhollow) and Tyler Jacobson slowly built their once-monthly dance night into an award-winning weekly Denver institution, one of the first to embrace the dance-punk craze of the mid-2000 ... More >>
Johnny Marr is an iconic and influential guitarist best known for his work in The Smiths, which broke up in 1987. His guitar phrases and his genius for crafting textured and tonally rich rhythmic leads has influenced countless rock guitarists of the last quarter century. After leaving The Smiths, Ma ... More >>
In the nearly eleven years that Lipgloss has been adding spice to Denver's Friday nights, it has played host to some of the finest guest DJs in the music industry, from Mani of the Stone Roses/Primal Scream fame to the Go-Go's adorable guitarist Jane Wieldin to members of Cut Copy and Franz Ferdinan ... More >>
Yesterday, Eryc Eyl discussed Michael Trundle's debut remix. Today, he delves into Trundle's musical background a bit and unveils the remix itself."The entire song is there," says Trundle, with a hint of pride. "In some places, it's separated by some beats, but it's all there." The DJ is now working ... More >>
How to get chicks, in one easy lesson.
Peter Hook has found a new way to move the masses -- as a DJ.
DJ D-Stroyer kills the dance floor with a set of mostly local music.
Andy Rourke
Andy Rourke and Mike Joyce


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"Grey's Anatomy" minicap: "Can't Fight Biologyâ€
While chopping into Jake's leg (I had to turn away from some of this scene several times) Arizona admits that she doesn't like Mark. Callie says that Arizona hasn't even tried to like Mark and she should at least make an effort.
Arizona brings up an important point; "Mark stares at my boobs when we talk. He stares at my face but then somewhere along the way he gets distracted and ends up on my boobs. And I love them, I love them."
Many of us do.
She continues, "But I have tried my whole life to avoid the boob staring guy. Biology even helped me by making me gay. But now my girlfriend's best friend is THAT guy. And I don't think I need to apologize for the fact that the only person I want staring at my boobs is you." No apology needed for me!
Callie: Boobs? Boobs, really? You're making this about boobs?
Arizona: He stares at them!
Callie: Cuz they're good boobs.
Alex: Can I leave now?
Alex exits, and I rewind that scene and watch it again.
Thankfully, all the patients in the laundromat accident are on the road to recovery. Lexi tells Mrs. Fisher that she'll talk to the police for her and Mrs. Fisher reveals she lied to them about what happened during the accident. Mrs. Fisher's husband left her for another woman, and while driving to the bank she saw his car outside a laundromat. Mrs. Fisher turned into the parking lot and saw him inside doing his mistress's laundry and she got so upset that she intentionally rammed her car into the laundromat. Mrs. Fisher thinks her confession is protected by the doctor-patient confidentiality. But Lexi tells her that doctor-patient confidentiality only applies to medicine.
A shirtless Avery is chillin with his 8-pack abs in the locker room and Teddy walks in on him. Avery makes no effort to hide his chiseled body so Teddy scolds him for flirting with her. Avery, if you really want to impress Teddy just take her on a date to the cafeteria.
Cristina tries to save WormMan's worms and Meredith walks in and asks her to take her blood to find out if she has the Alzheimer's gene. Cristina takes Meredith's blood and I wince. Meredith checks in on Ms. Huntington and gives her medication for her shaky hands. Ms. Huntington is still going to go on her vacation and I hope she does in fact use condoms.
Bailey instructs WormMan to end his research. Cristina gives him a clear jar of all his dead worms and apologizes that they couldn't be saved. He cries and says he's going to continue his research no matter what. Cristina asks why would he want to put himself through all this pain again. WormMan replies, "Because I love what I do. More than anything."
Come on Cristina, pick up on the subtext. You have to go back to being an awesome surgeon. Seattle Grace needs you! I need you! Wait, I've said too much.
Alex tells Arizona that Mark isn't a bad guy. Then Alex tells Arizona that she does have hot boobs (duh!) and he stares at them too. The Seattle Grace staff needs to have a mandatory sexual harassment class.
Mrs. Fisher talks to the police while April and Lexi look on. Meredith walks up, and Lexi tells Meredith that she's jealous of her relationship with April. Meredith tells her that the only reason April knew about her doctor's appointment is because April was there when she had her miscarriage. Lexi feels alone and crazy.
Meredith tells her, "You're not crazy Lexi. You're a Grey."
Callie and Mark go to exit the hospital and Arizona shouts out that there has been a change of plans. Arizona wants to have a private dinner with Mark to get to know him better. Mark says, "Fine, but you're buying." What a class act!
Arizona kisses Callie on the cheek and Callie thanks Arizona for making an effort. Arizona walks off with Mark and immediately scolds him for checking out her boobs.
Derek comes home and crawls into bed with Meredith. Meredith tells him that she's getting tested for Alzheimer's disease. His response to this news is; Screw the odds! Screw the science! No more doctors' appointments. Let's just have a lot of sex! (The McDreamys are into strange foreplay.)
Owen returns to the dilapidated fire station to find Cristina popping champagne. Cristina announces that she bought the fire station for Owen and that this is going to be their new home.
Cristina says, "I don't care where we live. I really don't, but you do. You love this place. And I love you." Owen shakes him head and kisses Cristina. And my icy heart melts. Am I beginning to like the Crowen family?


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10 E. Exchange St.
St. Paul, MN 55101
Category: Theaters
Region: St. Paul (Downtown)
Snarling and sneering out particularly literate bile while his lithe band of pub rockers negotiated insidiously enthralling pop hooks, Graham Parker rocketed out of England in 1976 with a pair of memorable albums that slightly presaged punk and kicked off a career that is just now coming full circle. Parker and the intact Rumour — guitarists Brinsley Schwarz and Martin Belmont, keyboardist Bob Andrews, drummer Steve Goulding, bassist Andrew Bodnar — have reunited after 32 years, with a new album, Three Chords Good, and a key role in Judd Apatow's new film, This Is 40. Parker and the band split in 1980 after four studio albums, including '76's Howlin' Wind and Heat Treatment; the Rumour to other pursuits, Parker eventually to upstate New York and a singer-songwriter existence, albeit with a cult following, his withering invectives undiminished. The Rumour is still a particularly supple band, easily slipping into reggae, soul, and jazz, with a measure of the old careening rock surfacing on "Coathangers," a clever harangue against "reptilian brains...ready to strip your rights away" from Parker, who clearly hasn't mellowed. Live, expect lots of rummaging through those first four albums. (Photo by Jeff Fasano)
Wed., Dec. 19, 7:30 p.m., 2012


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Miss Suzie Kopf
About me:
Politics junkie
Exhibit change by:
Fighting the good fight
I'm passionate about:
It would be easier to answer, "What issues am I not passionate about?"
What Difference Do Women Make?
29 posts | Tuesday, February 24, 2009 3:02 AM
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text: The rear-seated student pilot was taking off in the experimental light sport weight-shift control airplane with a flight instructor seated in the front seat. According to the flight instructor, the aircraft lifted off the runway and began to drift to the left toward an airport windsock. He told the student pilot that he was assuming control and attempted to correct the flight path and climb, but the student pilot remained frozen on the control bar. The control bar pressure then reversed, and the aircraft suddenly pitched up rapidly, stalled, and impacted the ground left wing first. The aircraft sustained substantial damage to the left wing. The student pilot stated that he remained on the controls during the entire accident sequence and he was not aware that the flight instructor was attempting to assume control of the aircraft. Neither pilot reported any mechanical malfunctions during the flight. The flight instructor reported 308 hours of total flight experience, which included 17 hours in the same make and model as the accident aircraft. The student pilot reported that he had previously held a private pilot certificate and accumulated about 175 hours in single-engine airplanes, but he had not actively flown for about 24 years. At the time of the accident, he had accumulated about 5 hours in weight-shift control aircraft.


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Press Releases
This page displays news from Amgueddfa Cymru — National Museum Wales. Please select a title to display the full article.
64 articles. Page: 1 2 3 4 5 6 7 8 9 10 11
Open Council and Court meeting
Big Pit celebrates its best ever season
Family Fun at the National Woollen Museum
Launch of Llwybrau Llafar Sain Ffagan: Welsh Language Teaching Resource
Oakdale Workmen's Institute, Museum of Welsh Life
Wednesday 6 October 11.00 a.m.
with Alun Pugh, Welsh Assembly Government Minister for Culture, Welsh Language and Sport
and Jane Davidson, Welsh Assembly Government Minister for Education & Lifelong Learning


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As the lunchtime line stretched across the main pavilion of Headwaters Park, Tim Beauchot had no doubt about what he was ordering Saturday at Fort Wayne's Greek Fest.
His choice was listed on a hand-lettered sign on the back of a paper plate posted near the front of the cafeteria-style service area: Grilled Octopus Dinner $10.
Sufferin' cephalopods!
It's the only reason I'm here, the Albion resident said, describing the taste of octopus as unbelievable.
It's a delicacy, a true Greek delicacy, he said.
Saturday was also the only day the annual festival, which features Greek food favorites from dolmades (stuffed grape leaves) to spanakopitas (spinach- and cheese-filled phyllo dough), was able to serve up octopus, which hasn't been on the menu for several years, said food preparer George Gogos of Fort Wayne.
We used to serve 400 to 500 pounds, said Gogos, a native of Greece and member of the festival's sponsor, Holy Trinity Greek Orthodox Church.
Octopus went on hiatus because it's hard to get and costly.
You have to buy it from Chicago, he said, noting there are actually two kinds: so-called baby octopus, preferred by many people, and regular octopus.
Octopus comes frozen and is defrosted and boiled until soft. But not too much; otherwise, it turns tough, Gogos said.
Then it's marinated in olive oil and Greek seasoning and put on the grill. The dish is usually an appetizer, he said.
Many Greeks drizzle it with a little lemon juice, as Americans might lobster or fish, he added.
Beauchot said octopus, especially baby octopus, is perfect when you taste a bit of sweetness mixed with a little acid and oregano flavor. You can tell baby octopus, which come in pieces about the size of a woman's little finger, from older octopus by the suction cups on larger pieces, he said.
Beauchot said the flavor is like fish, with a texture both soft and coarse – the older the octopus, the coarser the texture.
And obviously, you need Greek wine with Greek food, he said.
Bill Freeman, owner of St. James Restaurant in Avilla and accompanied by his wife, Chris, said his friend Beauchot coaxed him into trying octopus for the first time.
Freeman said he liked the dish but added that it wouldn't be showing up on his restaurant menu anytime soon.
We'd sell some, probably, he said. But he didn't think they'd sell enough to make it worth the trouble to procure.
Seated nearby, Carol Garcia, 58, and her son Lucas Garcia, 22, both of Fort Wayne, weren't adventuresome enough to try octopus.
Lucas ordered a chicken kebab and the pastitsio, a pasta dish with ground meat, tomato and white sauce spiked with nutmeg. His mother went for a gyro with baklava for dessert.
We weren't brave enough to try the octopus, she said. But if someone told me this was great, I'd probably be brave enough to try it.
Lucas wouldn't be. I just don't think the texture would go, he said. I've heard people say the texture is kind of strange.
It's just too weird for me.


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Elijah Moshinsky returns to Australia with his lavish production of Don Carlos, a sumptuous affair, rich in detail like a Velázquez painting.
Light gleams off dark marble monuments and the terror of the Spanish inquisition is captured in a stage beset with shadows.
Verdi's music masterfully controls the twisting and turning story. Vivid orchestral colours and affecting melodies manipulate his audience to devastating effect: we love, we hate, we turn and sympathise as each note reveals a little more of these complex, charismatic characters.
The opera is testament to Verdi's ability to create light and dark in a single moment, and to sing it, you need a huge cast of extraordinary performers. Leading the cast of seventeen principal singers is Ferruccio Furlanetto, the most famous Philip II of our time, who recently sang the role in New York, London, and Vienna.
With nearly 200 performers, this will be our biggest production since The Ring Cycle.
While marriage brings peace between France and Spain, it sparks war between father and son. And as secrets are revealed, passion and politics run riot on a grand scale in the 16th-century royal court of Spain.
|Andrea Licata
|Elijah Moshinsky
|Revival Director
|Roger Press
|Set & Costume Designer
|Paul Brown
|Lighting Designer
|Nigel Levings
|Elisabeth de Valois
|Latonia Moore
|Princess Eboli
|Milijana Nikolic
|Don Carlos
|Diego Torre
|Rodrigo, Count of Posa
|José Carbó
|Philip II
|Ferruccio Furlanetto
|Grand Inquisitor
|Daniel Sumegi
|David Parkin
|Anna Dowsley
|Voice from Heaven
|Julie Lea Goodwin
|John Longmuir
|Simon Kim
|Deputy 1
|Pelham Andrews
|Deputy 2
|Luke Gabbedy
|Deputy 3
|Richard Anderson
|Deputy 4
|Adrian Tamburini
|Deputy 5
|Andrew Moran
|Deputy 6
|Shane Lowrencev
Australian Opera and Ballet Orchestra
Running time: approximately 4 hours & 20 minutes, including two 20-minute intervals.
Performed in Italian with English surtitles.


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The pilot reported that as the airplane had accelerated to lift-off speed a deer appeared directly in front of the propeller. The airplane struck the deer and veered left. The airplane's left wing was substantially damaged when it subsequently impacted a tree. The pilot reported that there were no mechanical malfunctions of the airplane before the deer strike.
The National Transportation Safety Board determines the probable cause(s) of this accident to be:
Index for May2012 | Index of months


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Thornhill Community Academy is situated just outside Dewsbury, West Yorkshire, within easy access of both the M1 and M62 motorways. The Academy serves both the urban and rural areas of Dewsbury and draws from the villages of Thornhill, Thornhill Lees and Savile Town.
The Academy is extremely proud of its buildings and facilities. The site has been subject to a major building programme in recent years and has seen investment of £4.5M under the Public Private Partnership Initiative. All the buildings have been completely upgraded and refurbished including new build areas in Design Technology, Creative and Expressive Arts, Humanities and a Learning Resource Centre. A brand new four-court Sports Hall opened in May 2007.
The Academy has:-
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London 2012 Construction Well Underway
Construction started more than a month early on the foundations of the International Broadcast Centre (IBC) for the London 2012 Summer Olympic Games, as well as the large five Olympic Park venues.
Construction on the Olympic Park "big build" foundations is on track with the Olympic Stadium, Aquatics Centre and Olympic Village and the foundations of the Velodrome well underway.
This summer work will begin on the steel frame of the IBC. The IBC and Main Press Centre (MPC) will support about 20,000 broadcasters, photographers and journalists communicating the Games to an audience of four billion people worldwide, according to London 2012.
ODA Chief Executive Dave Higgins said, "the 'big build' is right on track as we make steady progress on the venues and infrastructure needed both for the London 2012 Games and the regenerations of this part of east London.
"The Olympic Stadium, Aquatics Centre and Olympic Village are already taking shape against the skyline and building started earlier this year on the Velodrome. With the start of construction of the IBC/MPC, all of the big five venues on the Olympic Park are now underway".
Sebastian Coe, Chairman of London 2012 said, "this is a significant step towards the provision of the best possible working environment and technology for the 20,000 members of the world's broadcasters, press and photographers in the summer of 2012. Millions of people around the world rely on the international media to relay the stories of human endeavour on the field of play. The impressive facilities we have planned will give us the best possible foundations for telling all the stories from the London 2012 Games whilst leaving high performance workspace for the east of London".
Olympics Minister Tessa Jowell said, "construction of the Olympic site continues to make excellent progress and with work on the media centre now underway the Park is really starting to take shape. The media centre will provide top quality facilities for the thousands of press who will be in London during the Olympic and Paralympic Games beaming the story of the 2012 Games across the world.
"After the Games the media centre will be an exciting new office space with state-of-the-art digital technology, providing a unique opportunity for those looking to be part of the new urban park that will be created in legacy".Write or read comments about this article
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Scientists Discover 'Polar Bear' Tyrannosaur in Arctic
A much smaller relative of the Tyrannosaurus rex appears to have lived as far north as the Arctic Circle. The dinosaur discovery was given the name Nanuqsaurus hoglundi, after the Inupiat word for polar bear. The fossils, first discovered in 2006, in North Slope, Alaska, included skull and jaw fragments. N. hoglundi's skull measured about 25 inches, whereas the skull of the T. rex measured 60 inches. As for body size from nose to tail, the N.


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TG goes on a BMW M3 power trip
TG goes on a BMW M3 power trip
The new, tech-laden BMW M3 is here. It's fast, nice to the environment and way more entertaining thanRead More
Latest news
BMW M4 Coupe beats M3 'Ring time
New turbocharged M4 gets around the Nürburgring really quite quickly indeed .More
Driven: BMW M3
Fast, economical and still a whole lot of fun to drive, the BMW M3 manages to have the cake and eat it.More
First drive: the new BMW M3 and
There's a turbo under the bonnet for the first time - is the magic still there? TG reports .More
BMW: there won't be an M3/M4
Confirmation that lightweight road-rocket not in the plans for new super coupe and saloon .More
BMW M3: Signing off
The BMW M3 coupe will not exist anymore. You thought we'd let it go just like that?.More
The new BMW M3 and M4 are here
UPDATE: BMW releases full details about the newest of the 'M' breed .More
A brief history of the BMW M3
The fifth generation of BMW's supercar killer is finally here. Meet its glorious forebears.More
Pics: BMW M3 and M4
Here are the first official images of BMW M's newest babies.More
G-Power gives M3 Coupe 600bhp
30th anniversary of G-Power's tuning services bids powerful goodbye to M3 Coupe .More


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November 28, 2014
Stay Connected Anywhere
LAWRENCE, Kan. (AP) _ A long-range plan for the state's highways suggests that Kansas Highway 10 between Lawrence and Johnson County become a partial toll road.
The Kansas Department of Transportation said Thursday that the highway should be widened in the next 20 years to six lanes.
The plan would add high occupancy toll lanes, or HOT lanes, in each direction. The HOT lanes would be free for mass transit vehicles and carpool lanes. But single-occupant vehicles would have to pay a toll.
The Lawrence Journal-World reports (http://bit.ly/1ada1fv ) the recommendation is part of the Five County Regional Transportation Study. That's a project by the transportation department, the Lawrence-Douglas County Metropolitan Planning Office and the Mid-America Regional Council.
The report identifies projects for future years, after the current state roads program ends in 2020.
Information from: Lawrence (Kan.) Journal-World, http://www.ljworld.com
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