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Book and Lyrics by Timothy Mason Music by Mel Marvin Directed by James Vásquez Original Choreography by John DeLuca Original Production Conceived and Directed by Jack O'Brien
America's favorite holiday fable returns for its 16th joyous year!
Dr. Seuss' How the Grinch Stole Christmas!is a wonderful, whimsical musical based upon the classic Dr. Seuss book. Back for its 16th incredible year, the family favorite features the songs "This Time of Year," "Santa for a Day" and "Fah Who Doraze," the delightful carol from the popular animated version of How the Grinch Stole Christmas! Celebrate the holidays as the Old Globe Theatre is once again transformed into the snow-covered Whoville, right down to the last can of Who-hash.
11 a.m. matinee performances are open to ALL AGES.
Everyone must have a ticket. Children under age 3 will not be
admitted except during 11 a.m. performances.
Click here to download The Grinch performance calendar (with children cast schedule).
The Globe will offer an autism-friendly performance of The Grinch on December 14 at 10:30 a.m.
To learn more, click here.
Special thanks to Theatre Development Fund's Autism Theatre Initiative for serving as an advisor, www.tdf.org/autism.
GENEROUSLY SPONSORED BY Audrey S. Geisel
Dr. Seuss Properties TM & © 1957 and 2013. Dr. Seuss Enterprises, L.P. All Rights Reserved.
"Santa for a Day" Contest
The "Santa for a Day" contest is now closed. Thanks to everyone who entered and Merry Grinch-mas!
GENEROUSLY SPONSORED BY Audrey S. Geisel
Luke Babbitt is thrilled to be back in Whoville after performing in Dr. Seuss' How the Grinch Stole Christmas! ('11 and '12). He was most recently seen as Kurt in San Diego Musical Theatre's record-breaking production of The Sound of Music. His additional theatre credits include Guys and Dolls (Peter Pan Junior Theater), Seussical (Highland Players), Peter Pan Jr. (San Diego Junior Theatre), Les Misérables (Verge Theatre Company) and Joseph and the Amazing Technicolor Dreamcoat, Once on this Island Jr. and A Christmas Carol (Kroc Kids Junior Theatre Company). He is also very much looking forward to playing The Artful Dodger in Peter Pan Junior Theater's upcoming spring production of Oliver! Mr. Babbitt is 13 and currently attends La Mesa Middle School where he is a member of the Boy's Ensemble. When not performing, he likes to read and play volleyball. He would like to thank his family and friends for believing in him and The Old Globe for once again giving him the opportunity to be a part of this wonderful San Diego holiday tradition.
Steve Blanchard reprises his role as The Grinch from the 2011 and 2012 productions of Dr. Seuss' How the Grinch Stole Christmas! Mr. Blanchard has appeared on Broadway in Beauty and the Beast, Camelot, The Three Musketeers and A Christmas Carol. His National Tours include Little House on the Prairie, Camelot, The Phantom of the Opera, A Funny Thing Happened on the Way to the Forum and Hans Christian Andersen. His Off Broadway credits include Orphan Train, Johnny Guitar, Frankenstein, Treasure Island, Moby Dick and An Oak Tree. He has appeared regionally in Little House on the Prairie (Guthrie Theater), Tarzan (Lyric Theatre of Oklahoma) and Esmeralda (The Repertory Theatre of St. Louis). Blanchard's television credits include "Law & Order," "Third Watch," "Cupid," "Ed," "Sunset Beat," "Police Story," "Guiding Light," "One Life to Live" and "Another World." He has appeared in the films Those Who Wander, Dark Vengeance, Savva and Rap Master Ronnie: A Report Card for HBO. He can be heard on the original recordings of Johnny Guitar, Sundown, Frankenstein and Northbound Train.
Eileen Bowman feels so blessed to be back playing Grandma Who! She was last seen as Velma Von Tussle in Hairspray (Welk Resort Theatre) and, before that, as Amy in Company (Cygnet Theatre Company). Her other roles include Keely Stevens in Pete 'n' Keely, Miss Adelaide in Guys and Dolls, for which she won the San Diego Theatre Critics Circle Craig Noel Award, and the three leading ladies in Joe vs The Volcano, for which she also garnered a Craig Noel Award nomination (Lamb's Players Theatre). She also appeared in the National Tour of The Art of Broadway as well as Eliza Doolittle in My Fair Lady, Marian in The Music Man and Lina Lamont in Singin' in the Rain (Starlight Musical Theatre). She has done numerous national commercials as well as many television features. Thank you to God and to her perfect and handsome husband Marc and to her sweet and wonderful parents and family for their support and love. This performance is dedicated to her beloved mom-in-law, Virginia; thanks for her grace and courage and strength. "Who does he think he is...anyway?"
Jacob Caltrider previously appeared at the Globe with Dr. Seuss' How the Grinch Stole Christmas! ('11 and '12) and Richard O'Brien's The Rocky Horror Show. His local credits include Assassins, Parade, Little Shop of Horrors, Cabaret, Sweeney Todd and The History Boys (Cygnet Theatre Company), The 25th Annual Putnam County Spelling Bee (North Coast Repertory Theatre) and Marry Me a Little, Twist, Yank! and the original casts of Harmony, Kansas and The Daddy Machine (Diversionary Theatre).
Megan Carmitchel was recently seen at the Globe in The Last Goodbye. Her recent San Diego credits include Fiddler on the Roof (Lamb's Players Theatre), Pippin (Diversionary Theatre), South Pacific and Stepping Out (Welk Resort Theatre) and The Who's Tommy (San Diego Repertory Theatre). She is a graduate of San Francisco State University with a degree in vocal performance and was seen in the Bay Area in Peter Pan (Berkeley Playhouse) and City of Angels and Chess (San Francisco State University).
Geno Carr previously appeared at the Globe in Allegiance – A New American Musical and is tickled pink to return for a third year in Whoville! His other San Diego credits include The Servant of Two Masters (Craig Noel Award nomination), The Music Man and miXtape (Lamb's Players Theatre, Associate Artist), Assassins, Parade, Little Shop of Horrors and Sweeney Todd (Cygnet Theatre Company, Resident Artist), I Love You Because and A Christmas Carol ('08 and '09) (North Coast Repertory Theatre) and A Waltz Dream (Lyric Opera San Diego). Mr. Carr has appeared Off Broadway in Bush Wars and on the National Tours of Phantom, The Buddy Holly Story and Grease, and his favorite regional credits include Leo Bloom in The Producers, Harold Nichols in The Full Monty, Sparky in Forever Plaid, the title role in Bat Boy, Smee in Peter Pan, Feste in Twelfth Night, Buddy Fidler in City of Angels, Luther Billis in South Pacific, Man #2 in I Love You, You're Perfect, Now Change and Trevor Graydon in Thoroughly Modern Millie. He holds an M.F.A. in Acting and Directing from Sarah Lawrence College and a dual B.A. in Music and Theatre Arts from Hartwick College. GenoCarr.com.
Nancy Snow Carr was recently seen at The Old Globe in The Last Goodbye as Lady Montague and Dr. Seuss' How the Grinch Stole Christmas! ('11 and '12). Some of Ms. Carr's favorite credits include the National Tours of Phantom and The Buddy Holly Story, Dorothy in the Washington, DC premiere of Hunter Foster and David Kirshenbaum's Summer of '42 (Round House Theatre) and Lina Lamont in Singin' in the Rain (Merry-Go-Round Playhouse). Ms. Carr received her B.F.A. in Musical Theatre from Elon University and M.F.A. from San Diego State University. She is a proud member of Actors' Equity Association and the National Association of Teachers of Singing. Ms. Carr operates a private studio in San Diego where she offers voice lessons and audition preparation. nancysnowcarr.com.
David Coffey is thrilled to be making his Globe debut in Dr. Seuss' How the Grinch Stole Christmas! Earlier this year, Mr. Coffey played the role of Chucho in the North Coast Repertory Theatre's world premiere stage production of Becoming Cuba. In June, he was awarded a National Youth Arts Award for Outstanding Supporting Actor in a Musical for his portrayal of Pasko in San Diego Junior Theatre's highly acclaimed production of A Little Princess directed by Desha Crownover. This coming February he will play the role of Chet in SDJT's premiere production of The Burnt Part Boys, which will be directed by Executive Director James Saba. David also performed the lead role of Milo in SDJT's The Phantom Tollbooth, Dad in Tales of a Fourth Grade Nothing andJay Bird in Honk! and was a performer in this year's second annual JT Honors and Songs of the Season. Mr. Coffey is featured in the television series "Haven's Light,"produced by Turning Point Television Studios. Mr. Coffey is excited and honored to be part of this amazing cast of The Grinch!
(Silvia) is thrilled to make her Globe debut. She has appeared Off Broadway in Stop the Virgens (St. Ann's Warehouse) and regionally in the world premiere of Sing for Your Shakespeare directed by Mark Lamos (Westport Country Playhouse), Dreamgirls (The Marriott Theatre in Lincolnshire as well as Fulton Theatre/Maine State Music Theatre), Into the Woods (Center Stage/Westport Country Playhouse), Ain't Misbehavin' (Milwaukee Repertory Theater), The Last Days of Judas Iscariot (Stage 773), and Tarzan, Hairspray, State Fair; Big River, and All Shook Up (Wagon Wheel Theatre). Her other credits include Goddess (The Eugene O'Neill Theater Center/National Music Theater Conference), Ragtime, Into the Woods, See Rock City and Other Destinations, The Caucasian Chalk Circle, and Ella Minnow Pea (University of Michigan), and A Very Potter Musical, A Very Potter Sequel, A Very Potter 3D: A Very Potter Senior Year (UM Basement Arts/StarKid Productions). She received her B.F.A. in Musical Theatre from University of Michigan.
Remy Margaret Corbin is thrilled to be back as part of the Grinch family and to perform again at The Old Globe. She last performed here in the Dr. Seuss' How the Grinch Stole Christmas! as Cindy-Lou Who ('10 and '11). Her other roles include Posey in Christmas on My Mind (Lamb's Players Theatre) and Bielke in Fiddler on the Roof and Molly in Annie (Moonlight Stage Productions). When not dancing, singing or tumbling, Ms. Corbin likes to surf, hang out with friends and chase after her dog, who always steals her Young Max stuffed animal!
Kevin Davison is thrilled to be returning to The Old Globe for a third season and thanks the artistic team for an amazing experience. He was most recently seen as Randolph in Bye Bye Birdie. Some of his other favorite roles have been Jojo in Seussical (Pickwick Players), King Louie in Disney's The Jungle Book (Young Actors' Theatre) and The Mayor of Munchkinland in The Wizard of Oz and Michael Darling in Peter Pan (Christian Youth Theater). Mr. Davison, who is 13 years old, loves singing, dancing and writing music. When he isn't on stage he likes texting his friends, hanging out with his awesome sister Randi and taking golf lessons. He likes all kinds of movies ranging from Matilda to The Avengers. Mr. Davison hopes to be on Broadway someday but knows that wherever life takes him he will always have a song in his heart.
Gabriella Dimmick is a seven-year-old homeschooler who is absolutely thrilled to be spending her first holiday season in Whoville at The Old Globe this year! Ms. Dimmick loves singing, dancing, theatre and playing the piano. She recently played the role of Gretl in The Sound of Music with San Diego Musical Theatre. Performing since the age of four, Ms. Dimmick has been featured in The California Ballet Company's productions as Bon Bon-Waver and Baby Mouse in The Nutcracker, Dormouse in Alice in Wonderland and Vampire Victim in Dracula. She would like to wish everyone a very merry Grinchmas!
Sophia Dimmick is both honored and excited to return to The Old Globe for her second year in The Grinch! She is a nine-year-old homeschooler who loves playing the harp, dancing, singing and theatre and is an avid reader and writer. Earlier this year, she played the role of Janee in South Pacific at Welk Resort Theatre and has enjoyed an ensemble role in San Diego Junior Theatre's Honk! Ms. Dimmick has performed with The California Ballet Company in The Nutcracker (Bon Bon-Waver), Alice in Wonderland (Small Alice) and most recently in Dracula, (Villager and Vampire Victim). Ms. Dimmick was recently featured playing a harp solo The Africa Relief Concert at Sweetwater Community Church to benefit World Hope International. She would like to thank The Old Globe for allowing her to take part in this magical production!
Randall Dodge previously appeared at the Globe in Dr. Seuss' How the Grinch Stole Christmas! ('06-'07, '10-'12). His regional credits include Emile in South Pacific, Cowardly Lion in The Wizard of Oz, Billy Flynn in Chicago, Signor Naccarelli in The Light in the Piazza, Judge Turpin in Sweeney Todd, Daddy Warbucks in Annie, Trevor Graydon in Thoroughly Modern Millie, Captain von Trapp in The Sound of Music, Carl Magnus in A Little Night Music, Prince/Wolf in Into the Woods, Frank Butler in Annie Get Your Gun, Dr. Neville Craven in The Secret Garden, Gaston in Beauty and the Beast, Pirate King in The Pirates of Penzance, El Gallo in The Fantasticks, Father in Children of Eden, Joe in The Most Happy Fella, Bounder in The Scarlet Pimpernel, Chuck Baxter in Promises, Promises and Mr. Bratt in How to Succeed in Business Without Really Trying, as well as Kit in No Way to Treat a Lady and Pete 'n' Keely, both West Coast premieres. Mr. Dodge is a proud graduate of the American Academy of Dramatic Arts in New York City. RandallDodge.net.
Steve Gunderson has previously appeared at the Globe in Dr. Seuss' How the Grinch Stole Christmas! ('99, '00, '03, '05 and '07-'12), Suds: The Rocking '60s Musical Soap Opera (also co-writer/arranger), A Trip to Chinatown and Hadrian VII. His Off Broadway credits include Suds (original cast), Forever Plaid, Back to Bacharach and David (original cast, co-created with Kathy Najimy), Butley and Street Scene. Mr. Gunderson and Richard Dreyfuss battled it out as opposing attorneys in Dustin Lance Black's 8 at The Birch North Park Theatre. His additional credits include His Girl Friday, The Nightingale and Memphis (La Jolla Playhouse), Dirty Blonde, Parade and Sweeney Todd (Cygnet Theatre Company), Romance, Miss Witherspoon and A Christmas Carol (San Diego Repertory Theatre), An Ideal Husband (Lamb's Players Theatre), 1776 (Cabrillo Music Theatre), Birds of a Feather (Diversionary Theatre) and major roles at Pasadena Playhouse, Laguna Playhouse, Alliance Theatre, North Coast Repertory Theatre, New Village Arts and La Mirada Theatre. He played multiple roles in the National Tour of The Grapes of Wrath with Ed Harris and in the popular revue The Melinda & Steve Show with Melinda Gilb. His television credits include various voices on "King of the Hill" and the new "Beavis and Butt-Head." In 2010, Mr. Gunderson won the San Diego Theatre Critics Circle Craig Noel Award for Actor of the Year and for his performance as Wilbur in Hairspray (San Diego Repertory Theatre) and in 2011 for Outstanding Musical Direction for The Who's Tommy.
Kyrsten Hafso-Koppman has appeared in San Diego in A Midsummer Night's Dream, The Musical (Intrepid Shakespeare Company), Assassins (Cygnet Theatre Company), Pete 'n' Keely and Joe vs The Volcano (Lamb's Players Theatre), Sweeney Todd (Moonlight Stage Productions), King o' the Moon (North Coast Repertory Theatre), Joseph and the Amazing Technicolor Dreamcoat (Welk Resort Theatre), Spring Awakening (American Rose Theatre) and Into the Woods, A Class Act and Birds of Paradise (San Diego State University Theatre). Ms. Hafso-Koppman recently performed the role of Mary in Respighi's oratorio Laud to the Nativity in Spokane and Seattle. She earned her B.A. in Vocal Performance from Whitworth University and her M.F.A. in Musical Theatre from San Diego State University.
Brooke Henderson sat in awe at the age of three and watched Dr. Seuss How the Grinch Christmas! at The Old Globe. It was then she said "I want to do that!" This show inspired her to pursue musical theatre. She is honored and elated to be back in Whoville for a second year. She is a sixth grader at The Language Academy and is fluent in French. Her first love is musical theatre. Her theatre credits include Annie (Moonlight Stage Productions),Little Inezin Hairspray (Southwestern College), Alice's Daughter in Big River (California Youth Conservatory), Once Upon a Mattress (Actors' Conservatory Theatre – San Diego), a supporting role in an independent film and many productions at San Diego Junior Theatre. Merry Christmas!
Katelyn Katz is an 11-year-old sixth grader at Sage Canyon Elementary School. She was most recently seen as Brigitta in The Sound of Music (San Diego Musical Theatre). Her other theatre credits include The Stinky Cheese Man, Go, Dog Go!, Honk!, Annie and How I Became a Pirate (San Diego Junior Theatre), as well as The Wizard of Oz and Once Upon a Mattress (Actors' Conservatory Theatre – San Diego). In her spare time, Katelyn enjoys singing and tap dancing. This spring, she is looking forward to making her New Village Arts debut in the role of Scout in To Kill a Mockingbird. Ms. Katz is honored to be performing at The Old Globe for the first time and wishes everyone a happy holiday season.
Imahni King-Murillo is thrilled to make his Globe debut in the 2013 production of Dr. Seuss' How the Grinch Stole Christmas! He was recently featured as a member of Francine Maigue's Urban Dance Tribe in the opening of the 2013 Cox Cable live production of A Salute to Teachers at the Balboa Theatre in San Diego. Mr. King-Murillo's theatre credits include A Little Princess, Honk!, The Sound of Music and Flat Stanley (San Diego Junior Theatre). He believes this opportunity to work with The Old Globe is due to the support and powerful training he receives through Junior Theatre. He is 10 years old and learned tap and jazz with San Diego Civic Dance Association and is currently a student of Mr. Xavier at San Diego Civic Youth Ballet. He thanks all of these local cultural institutions for their inspiration and encouragement. Mr. King-Murillo is a fifth grader in Teofilo Mendoza Elementary School's Visual and Performing Arts Program in the South Bay Union School District. He enjoys reading, hanging out with friends and performing magic tricks.
Hourie Klijian has been coming to see The Grinch since before she was born and is honored to be a part of this year's production! She has also appeared in The Sound of Music (San Diego Musical Theatre), Christmas on my Mind (Lamb's Players Theatre), Fiddler on the Roof and The Wizard of Oz (Moonlight Stage Productions), Annie and Peter Pan Jr. (San Diego Junior Theatre), A Gala Musical Review (Kroc Kids Junior Theatre Company) and Celebrity Sonnets, and she has made solo vocal performances at a number of venues in San Diego. She sings regularly in her church choir and loves watching old musicals during family movie night. She thanks and gives her love to God and her family!
Gabi Leibowitz is proud and excited to be returning to The Old Globe for her third year. She has been performing in dance, musical theatre and film since the age of four and has been fortunate to work with professional and community theatre companies including Lyric Opera San Diego, San Diego Junior Theatre, J*Company Youth Theatre and Actors' Conservatory Theatre – San Diego. She recently played Emma in LEGO Friends LIVE and Hazel the Witchette in the Brick-or-Treat musical at LEGOLAND California. Some of her favorite roles include Betty-Lou Who in Dr. Seuss' How the Grinch Stole Christmas! ('11), the principal role of Ti Moune in Once on This Island (Francis Parker School), Shprintze in Fiddler on the Roof (Lyric Opera San Diego) and most recently Minnie Fae in Hello, Dolly! (J*Company). Ms. Leibowitz studies ballet, jazz and tap at The Dance Academy and has performed locally in The Nutcracker for eight years. Highlights of her achievements this year include San Diego Superstars Finalist, San Diego's Got Talent finalist, Carlsbad Community Talent winner and National Youth Theatre Award nominee. Ms. Leibowitz has been blessed with a wonderful community of family, friends, coaches and mentors and appreciates all of their love, guidance and inspiration.
Bets Malone is thrilled to be back in San Diego and making her debut at The Old Globe. Southern California theatregoers have seen her in such shows as Next to Normal, Sweeney Todd, 1776, Once Upon a Mattress, Company, Suds, Evita, Ragtime, Into the Woods, Annie Get Your Gun, All Shook Up, Children of Eden, Carousel, The Ten Commandments: The Musical and The Will Rogers Follies. Ms. Malone originated the role of Suzy in the Off Broadway production of The Marvelous Wonderettes and recorded the original cast album. She can also be heard on Winter Wonderettes and The Marvelous Wonderettes: Caps and Gowns. She is featured as Tallulah the monkey in Barbie as the Island Princess as well as the singing voice of Velma in Scooby-Doo! Music of the Vampire. Ms. Malone has recently moved back to San Diego with her husband Steven Glaudini, artistic director of Moonlight Stage Productions in Vista. betsmalone.com.
Caitlin McAuliffe is so thankful to return for her third season in this year's production of Dr. Seuss' How the Grinch Stole Christmas! She is so happy to be back performing with all of her friends from Whoville! Her first two years with The Grinch were as Cindy-Lou Who, and this year, she is very excited to play Cindy-Lou's big sister, Betty-Lou Who. Most recently, Ms. McAuliffe played Young Cosette in Les Misérables (California Youth Conservatory). She is beginning to branch out into film, recently completing a commercial for Nikken Sleep Systems and an anti-bullying video for college students studying psychology. Ms. McAuliffe is 10 years old and loves to sing and dance. She danced competitively for four years and is part of Leigh Scarritt Productions where she has performed at various San Diego venues. In her free time, she loves hanging out with her friends from school. She also cherishes her time with her three big brothers: Corey, Chris and Brad; and her three dogs: Coco, Faith and Sweets. She feels very blessed to be a part of this magical production and hopes that it brings joy to everyone's holiday season. Merry Grinchmas!
Dylan Nalbandian is thrilled to return to Dr. Seuss' How the Grinch Stole Christmas! for his fifth consecutive year, this year as Danny Who after playing Boo Who '09-'12. His previous favorite roles include Mowgli in The Jungle Book, Chip in Beauty and the Beast, White Rabbit in Alice in Wonderland and Michael Darling in Peter Pan (Broadway Theater Arts Academy). Recently he performed the role of Simon in the staged reading of Displacement at Pasadena Playhouse and has been performing the role of George Ewell in numerous staged readings of Death of a Midsummer Songbird, a play in development by Rachel VanWormer. Mr. Nalbandian will play the lead role of Jem Finch in To Kill a Mockingbird at New Village Arts this coming spring, and he just shot the role of Young Sean in the movie Love, Death and Bowling, which will be released in 2015. He is a seventh-grade honor student at Bear Valley Middle School and a script writer and on-air personality for BTV, his school's closed-circuit television station. He is also an award-winning competitive dancer at Georgia's School of Dance in Escondido. Mr. Nalbandian is grateful to everyone at the Globe and is honored to be back in Whoville with his Who family this holiday season.
Kürt Norby has previously appeared at The Old Globe in the world premiere of Allegiance – A New American Musical and Dr. Seuss' How the Grinch Stole Christmas! His regional credits include the world premieres of Limelight: The Story of Charlie Chaplin and Zhivago (La Jolla Playhouse), Company, Assassins, Man of La Mancha and Sweeney Todd (Cygnet Theatre Company), miXtape, Leaving Iowa, Room Service, Hello, Dolly!, The Voysey Inheritance and The Winslow Boy (Lamb's Players Theatre), Evita, The Desert Song and Bye Bye Birdie (Welk Resorts Theatre), Beauty and the Beast (Moonlight Amphitheater), Suds: The Rocking '60s Musical Soap Opera, Urinetown, Fiddler on the Roof and The Scarlet Pimpernel (Starlight Musical Theatre) and Miss Saigon (Fullerton Civic Light Opera). His film credits include 29th and Gay, U R Pre-Approved and Rubix Cube Dinner. He received his B.A. in Drama from UC Irvine. Love to Kyle. www.kurtnorby.com.
Kaitlyn O'Leary is thrilled to be a part of The Grinch for a second year as Annie Who. This summer she won the title of Ultimate Triple Threat at the San Diego County Fair and had the honor of singing the national anthem for the Southern California Open at La Costa Resort, the San Diego Chargers Bolt to the Q 5K race and the Los Angeles Clippers at the Staples Center. Ms. O'Leary's recent credits include performing with the Breakthrough Workshop Theatre at the Museum of Photographic Arts as well as a fundraising production for Kroc Kids Junior Theatre Company, A Gala Musical Revue, with Leigh Scarritt Productions. Ms. O'Leary's past credits include Ette in Legally Blonde, Youth Choir in Joseph and the Amazing Technicolor Dreamcoat at San Diego Musical Theatre, Celebrity Sonnets and San Diego Shakespeare Society's Musicale. She wishes all of you a very Merry Who Christmas!
Isabelle Simone Pizzurro is thrilled to make her Globe debut in Dr. Seuss' How the Grinch Stole Christmas! Most recently, she performed in The Wizard of Oz (Moonlight Stage Productions), Shrek (J*Company Youth Theatre) and The Nutcracker (The California Ballet Company). She is a 10-year-old fifth grader at Carrillo Elementary School. Ms. Pizzurro is passionate about singing, dancing and learning about history. She has been a competitive dancer for the last three years. She would like to thank all of her dance and singing teachers, as well as her family, for their inspiration and guidance along the path to Whoville this holiday season.
Nathan Riley is thrilled to be making his debut with The Old Globe in Dr. Seuss' How the Grinch Stole Christmas! A San Diego-based performer, Mr. Riley was most recently seen as Flute in Intrepid Shakespeare Company's production of A Midsummer Night's Dream, The Musical. Audiences can also catch him at California Adventure in Disney's Aladdin – A Musical Spectacular. His favorite credits include Winston in miXtape and Scranton Slim in Guys and Dolls (Lamb's Players Theatre), Smudge in Forever Plaid: Plaid Tidings (New Village Arts), Muleteer Man of La Mancha (Cygnet Theatre Company), Seaweed J. Stubbs in Hairspray (Moonlight Stage Productions), Matt in The Fantasticks and Duncan and Porter in Macbeth (University of Redlands Theatre). Mr. Riley has his B.A. in Music from the University of Redlands. nathan-riley.com.
Brandon Saldivar is a nine-year-old student at Adobe Bluffs Elementary School. He is honored to be making his Globe debut this holiday season. He was recently seen as Sam in Tales of a Fourth Grade Nothing and Gub Gub in Dr. Dolittle (San Diego Junior Theatre). Aside from acting and singing, he enjoys hanging out with friends, playing capoeira at Capoeira Brasil San Diego, going to Padres games and watching WWE shows.
Jeffrey Schecter, better known as "Shecky," previously appeared at The Old Globe as Willy Scarlatti in Robin and the 7 Hoods and was most recently seen on Broadway in Nice Work If You Can Get It starring Matthew Broderick and Kelli O'Hara. He is probably best known in New York for recreating the role of Mike Costa ("I Can Do That!") in the Broadway revival of A Chorus Line, and he can also be seen winning that role in the documentary film Every Little Step. He has also been seen on Broadway in The Pajama Game, Wonderful Town, Beauty and the Beast, Guys and Dolls, The People in the Picture and Anything Goes, as well as playing Ozzie in On the Town at Paper Mill Playhouse. In addition to performing on stage, Mr. Schecter is also a filmmaker. His first feature film, Farm Girl in New York (co-star and co-writer), appeared in several film festivals across the country and is now available on DVD. His latest film, Tyco Parks the Car, is currently making the film festival rounds and will have its world premiere at the Big Apple Film Festival in New York City. Love to Lena, Melly and Poppa Fred. jeffreyschecter.com.
Kendall Skye is nine years old and is making her debut at The Old Globe. After seeing so many shows from the seats, she is excited to finally be on stage. She has performed in various Christian Youth Theater productions such as The Lion King, Peter Pan, The Wizard of Oz and her favorite role, the title role in Annie. Her hobbies include singing, dancing, learning the guitar and treasuring every moment of this holiday theatrical experience. She hopes to continue in the entertainment industry. Enjoy the show!
Isabella Walther-Meade is thrilled to be in the 2013 cast of Dr. Seuss' How the Grinch Stole Christmas! She is nine years old and is in the fifth grade at St. John's Episcopal School in Chula Vista. Her past roles include Young Eponine in Les Misérables and Little Fiona in Shrek the Musical (California Youth Conservatory) and The Duchess of Definition in The Phantom Tollbooth (San Diego Junior Theatre). She loves to sing, play the guitar and dance at the Royal Dance Academy in Carmel Valley and is also fluent in Spanish. Ms. Walther-Meade is very excited to be performing at The Old Globe this holiday season and would like to thank everyone for their support and for coming to the show.
Elliot Weaver is thrilled and honored to fulfill his dream of making his professional stage debut at The Old Globe in Dr. Seuss' How the Grinch Stole Christmas! His strong desire to pursue acting surfaced at an early age where he would often watch movies until he had memorized the lines of his favorite parts. His passion pushed him to audition for a San Marcos Theatre West production that started his acting career with a lead role in Cinderella, If The Shoe Fits. His other recent theatre credits with TheatreWest include Chicken Little, Beauty and the Beast and Rapunzel. Mr. Weaver is an 11-year-old sixth grader at San Elijo Middle School in San Marcos. When not acting, he enjoys acrobats on the trampoline, gymnastics, tumbling, playing the piano and singing.
Timothy Mason has been represented at the Globe and on Broadway with the musical Dr. Seuss' How the Grinch Stole Christmas! His other theatre credits include Levitation, Only You, Bablyon Gardens with Timothy Hutton and Mary-Louise Parker, The Fiery Furnace starring Julie Harris (Circle Repertory Company), his five-play The Young Americans Cycle, comprised of Ascension Day, The Less Than Human Club, Time on Fire, Mullen's Alley and My Life in the Silents (American Conservatory Theater's Young Conservatory in San Francisco), Cannibals (Naked Eye Theatre in Chicago), Six (Guthrie Theater Lab), Actors Theatre of Louisville, South Coast Repertory, Seattle Repertory Theatre, Victory Gardens Theater, the Jungle Theatre in Minneapolis and the Royal National Theatre, London. Mr. Mason created many plays for young audiences at the Children's Theatre Company in Minneapolis, including several musicals in collaboration with Mel Marvin, and the first Dr. Seuss musical, The 500 Hats of Bartholomew Cubbins with composer Hiram Titus. Mr. Mason's novel for middle-school kids, The Last Synapsid, was published by Random House. His new novel, The Chorister, is a historical thriller for adults.
Mel Marvin has composed at the Globe for Dr. Seuss' How the Grinch Stole Christmas! and Tintypes. His Broadway credits include Yentl, A History of the American Film, Tintypes (Tony Award nomination), Fascinating Rhythm, Dr. Seuss' How the Grinch Stole Christmas! and Cymbeline (Lincoln Center Theater). He has also had nine shows produced Off Broadway. His other credits include scores for many of America's best-known regional theatres, including Arena Stage, The Guthrie Theater, American Repertory Theater, La Jolla Playhouse, Lincoln Center Theater and Mark Taper Forum, where he was an associate artist and wrote the original music for the premiere of Angels in America. Mr. Marvin's other projects include Guest from the Future, an opera with libretto by Jonathan Levi, which had its premiere in the Summerscape program at the new Fisher Center for the Arts in July 2004, and Buwalsky, an opera commissioned by Holland's Opera Spanga, which premiered in The Netherlands in August 2004 and subsequently toured the U.S., with performances in New Haven and New York City. His new musical, EDEN, set in New Orleans the week after Katrina, was done at the O'Neill Music Theater Conference in July 2010. Mr. Marvin is head faculty composer and producing director of the Graduate Musical Theatre Writing Program at NYU's Tisch School of the Arts. Dr. Seuss' How the Grinch Stole Christmas! is one of seven musicals for young audiences he has written for his daughter, Kate.
Jack O'Brien served as the Artistic Director of The Old Globe from 1982 through 2007. Mr. O'Brien most recently directed Ethan Hawke in Macbeth on Broadway this season. His Broadway credits also include: The Nance, Dead Accounts, Catch Me If You Can, Impressionism, The Coast of Utopia (Tony Award), Dr. Seuss' How the Grinch Stole Christmas!, Dirty Rotten Scoundrels (Tony nomination), Henry IV (Tony Award), Hairspray (Tony Award), Imaginary Friends, The Invention of Love (Tony nomination, Drama Desk Award), The Full Monty (Tony nomination), More to Love, Getting Away with Murder, Pride's Crossing, The Little Foxes, Hapgood (Lucille Lortel Award, Best Director), Damn Yankees, Two Shakespearean Actors (Tony nomination), Porgy and Bess (Tony Award). Metropolitan Opera: II Trittico. London: Love Never Dies, Hairspray (Olivier nomination). National Theatre: His Girl Friday. Six movies for PBS's "American Playhouse." Awards: 2008 Theatre Hall of Fame Inductee, 2005 John Houseman Award, ArtServe Michigan 2008 International Achievement Award, Honorary Doctorate, University of Michigan. Honorary Doctor of Humane Letters, University of San Diego. Film (actor): Sex and the City 2. Jack Be Nimble: The Accidental Education of an Unintentional Director, his memoir about the early years of his career, was released this summer by Farrar, Straus and Giroux.
James Vásquez has recreated the original musical staging of Dr. Seuss' How the Grinch Stole Christmas! since 2003. At the Globe, he directed Richard O'Brien's The Rocky Horror Show, served as Associate Director of Jane Austen's Emma – A Musical Romantic Comedy and provided musical staging for Boeing-Boeing and last summer's Shakespeare Festival production of A Midsummer Night's Dream. He received San Diego Theatre Critics Circle Award nominations for Outstanding Direction of a Musical for the world premiere of Harmony, Kansas and the West Coast premiere of [title of show] (Diversionary Theatre) and won the award in 2010 for Sweeney Todd (Cygnet Theatre Company). His other recent directing/choreography credits include the workshop of Harmony, Kansas (Goodspeed Musicals), Marry Me a Little, Birds of a Feather, Pippin and Next Fall (Diversionary), Hedwig and the Angry Inch and Little Shop of Horrors (Cygnet) and Into the Woods (New Village Arts). In 2004, Mr. Vásquez founded Daisy 3 Pictures with Mark Holmes and Carrie Preston. Their first two feature films, 29th and Gay (TLA Releasing, Here TV) and Ready? OK! (Wolfe Video, LOGO), have played national and international film festivals, with Ready? OK! winning Best Feature Film awards in Seattle, North Carolina and San Diego. Their latest feature film, That's What She Said, starring Anne Heche, made its world premiere at the 2012 Sundance Film Festival. As an actor, Mr. Vásquez has appeared on film, television, Off Broadway and regional and local stages. He is a graduate of The Juilliard School.
John DeLuca. Film: Pirates of the Caribbean: On Stranger Tides, Nine, Memoirs of a Geisha, Chicago, The Terminal. TV: "Tony Bennett: An American Classic," "The 75th Annual Academy Awards," "The Kennedy Center Honors." Broadway/NY theatre: Minnelli on Minnelli, Broadway Sings Elton John, Deborah Voight on Broadway, Sweet Adeline (City Center Encores!), Two Gentlemen of Verona (The Public). National tour: The Boy Friend, Chita and All That Jazz, Music of the Night, Brigadoon. American Stage Company: Oedipus Private Eye, Lucky Guy, The Gig. American Musical Theatre Award, Choreography Media Honors, American Choreography Award, two Emmy Awards. Currently producing the film version of Into the Woods.
Bob Richard has provided choreography for Dr. Seuss' How the Grinch Stole Christmas! at The Old Globe, on Broadway and on tour. Currently his work can be seen in the 50th Anniversary National Tour of Hello, Dolly! starring Sally Struthers. He is also the choreographer of season 3 of "LazyTown" for Turner Network Television, "The Tonight Show," "The Today Show" and Macy's Thanksgiving Day Parade. He has served as the resident choreographer for the past 15 years at Sacramento Music Circus, staging over 35 productions. This fall Mr. Richard will be returning to The 5th Avenue Theatre in Seattle to stage Oliver! following his wildly acclaimed production of The Music Man.His other notable theatre credits of late include Pioneer Theatre Company, North Shore Music Theatre, Theatre Under The Stars and Ordway Center for the Performing Arts. Mr. Richard's work has received a Bay Area Critics Circle Award, with the American Musical Theatre of San Jose, and an Ivey and Houston Area Theatre Award for Choreography for his tour of Cabaret. He spent part of this past summer as a guest master instructor with the one and only Chet Walker at the prestigious Jacob's Pillow Dance Festival. Dancing, teaching master classes worldwide and choreographing for 30 years in show business, Mr. Richard and his wife became Founding Artistic Directors of The American Musical Theatre Dance Company.Love to Robert Henry, their meaning of life and where Whoville lives in the eyes and hearts of children always!
Elan McMahan served as music director for the Globe's 2012 and 2013 Shakespeare Festivals.Ms. McMahan is the resident music director for Moonlight Stage Productions in Vista. Her work at Moonlight and the Globe has received critical acclaim, including this year's Craig Noel Award for Outstanding Musical Direction from the San Diego Theatre Critics Circle for a body of 2012 work that included the Globe's As You Like It and Moonlight's Fiddler on the Roof and Sweeney Todd. Ms. McMahan holds music degrees from Brigham Young University and the St. Louis Conservatory of Music.
John Lee Beatty has designed the Globe productions of Cornelia, Dancing in the Dark, Dr. Seuss' How the Grinch Stole Christmas! and Redwood Curtain. His Broadway credits include The Nance, The Columnist, Good People, Venus in Fur, Other Desert Cities, Times Stands Still, A View From the Bridge, The Royal Family, The Color Purple, Dr. Seuss' How the Grinch Stole Christmas!, Rabbit Hole, Doubt, Chicago, Dinner at Eight, Morning's at Seven, Proof, Footloose, The Little Foxes, The Last Night of Ballyhoo, A Delicate Balance, The Heiress, Abe Lincoln in Illinois, Anna Christie, Redwood Curtain, The Sisters Rosensweig, The Most Happy Fella, Penn and Teller (twice), Burn This, Ain't Misbehavin' (twice), Talley's Folly, Fifth of July and Crimes of the Heart. His Off Broadway credits include The Whipping Man, Sylvia, The Substance of Fire, Lips Together, Teeth Apart, The Road to Mecca, Song of Singapore, A Life in the Theatre, The Miss Firecracker Contest, 35 seasons at Manhattan Theatre Club and Circle Repertory Company and 18 seasons at City Center Encores! He has also designed at major regional theatres and in film, opera and TV. Mr. Beatty is the recipient of the Tony, Obie, Drama Desk, Outer Critics Circle Awards and is a member of the Theatre Hall of Fame. He is a graduate of Brown University and the Yale School of Drama.
Robert Morgan has designed the Broadway productions of Dr. Seuss' How the Grinch Stole Christmas!, The Full Monty, Imaginary Friends, I'm Not Rappaport and Sherlock's Last Case. His Off Broadway credits include Pride's Crossing and Saturn Returns (Lincoln Center Theater) and The Loves of Anatol (Circle in the Square Theatre). His television credits include American Playhouse, The Skin of Our Teeth and A Christmas Carol. He has designed internationally for the West End and Maria Theresa's Schönbrunn Palace Theater in Vienna. His regional credits include The Old Globe (Associate Artist), Ahmanson Theatre, American Conservatory Theater, American Players Theatre, The Denver Center for the Performing Arts, Guthrie Theater, Huntington Theatre Company, The John F. Kennedy Center for the Performing Arts, McCarter Theatre Center, Milwaukee Repertory Theatre, Oregon Shakespeare Festival, Portland Center Stage, Seattle Repertory Theatre, Studio Arena Theater and Williamstown Theatre Festival. He has received two Drama Desk nominations, 12 Drama-Logue Awards Prague and has exhibited at Prague Quadrennial. He is the former Director of Boston University's Theatre Arts Division, School for the Arts.
Pat Collins has designed the Globe productions of Twelfth Night, Cymbeline and Dr. Seuss' How the Grinch Stole Christmas! Her Broadway credits include Orphans, Good People, Dr. Seuss' How the Grinch Stole Christmas!, Doubt (Tony nomination), Sight Unseen, Proof, A Moon for the Misbegotten, A Delicate Balance, The Sisters Rosensweig, Conversations with My Father, The Heidi Chronicles, I'm Not Rappaport (Tony Award), Execution of Justice (Drama Desk Award), the original and 1988 revival of Ain't Misbehavin', Once Upon a Mattress, An American Daughter and many more. Her Lincoln Center Theater credits include Third, Ten Unknowns, Death and the King's Horseman, The Threepenny Opera (Tony nomination), The Floating Lightbulb and Measure for Measure. Her Off Broadway credits include The Foreigner, Doubt, Burn This, Quartermaine's Terms, How I Got That Story and A Life in the Theatre. Ms. Collins has designed lighting at theatres throughout the country, including the Mark Taper Forum, McCarter Theatre Center, Berkeley Repertory Theatre, Seattle Repertory Theatre, Hartford Stage, Alley Theatre, CENTERSTAGE Baltimore, Long Wharf Theatre, Guthrie Theater, Goodman Theatre, American Repertory Theater and Actor's Theatre of Louisville. She also designed Wagner's Ring Cycle at the Royal Opera House, Covent Garden and over 100 productions for opera companies throughout the world.
Paul Peterson has designed over 100 productions at The Old Globe, including Other Desert Cities, The Brothers Size, God of Carnage, Nobody Loves You, Odyssey, Engaging Shaw, Life of Riley, Plaid Tidings – A Special Holiday Edition of Forever Plaid, Welcome to Arroyo's, Brighton Beach Memoirs, Broadway Bound, The Last Romance, Lost in Yonkers, I Do! I Do!, The Mystery of Irma Vep, Kingdom, Six Degrees of Separation, The Women, Dr. Seuss' How the Grinch Stole Christmas!, Bell, Book and Candle, Two Trains Running, Hold Please, Restoration Comedy, Pig Farm, Moonlight and Magnolias, Vincent in Brixton, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty, The Boswell Sisters, Crumbs from the Table of Joy, and many more. His regional credits include designs for Milwaukee Repertory Theater, San Jose Repertory Theatre, CENTERSTAGE, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), Mo'olelo Performing Arts Company, San Diego Repertory Theatre, North Coast Repertory Theatre, Diversionary Theatre, TheatreWorks Silicon Valley, Malashock Dance, University of San Diego, San Diego State University and UCLA. Mr. Peterson received his B.F.A. in Drama with an emphasis in Technical Design from San Diego State University.
Anita Ruth is an orchestrator, arranger and musical director active in the Minneapolis/St. Paul area. She has prepared over 150 musicals in the last 30 years. She was the musical director of the Chanhassen Dinner Theatres from 1968 to 1988. Since then she has been a freelance music director and orchestrator at Guthrie Theater, Children's Theatre Company, Bloomington Civic Theatre and Theatre Mu among others. She has been the arranger/music director for three Shakespeare productions at the Guthrie as well as music directing their production of A Christmas Carol for the last seven years. In 2004 she orchestrated two operas composed by Mel Marvin—one presented in Holland and the other at Bard College.
Joshua Rosenblum has conducted 13 Broadway and Off Broadway shows, specializing in flying vehicles (Miss Saigon, Chitty Chitty Bang Bang and Dr. Seuss' How the Grinch Stole Christmas!). He is the composer/lyricist of the Off Broadway smash hit revue Bush is Bad, as well as the musicals Fermat's Last Tango, Einstein's Dreams and Garbo and Me. As a pianist, he has appeared with the New York Pops at Carnegie Hall, the Encores! series at New York City Center and in solo recitals at Symphony Space. He is a faculty member at the Yale University Department of Music and a contributing writer for Opera News. Mr. Rosenblum is the founder and music director of the Pit Stop Players and the recent recipient of a grant from Signature Theatre in Washington, DC as part of the American Musical Voices Project: the Next Generation.
David Krane (Dance Music Arranger) created the dance music and additional scoring for the Oscar-winning Chicago and the film of Nine, produced and arranged Michelle Williams' vocals for My Week with Marilyn and composed Aspire with Stephen Cole, the first American musical produced in the Middle East, and their musical comedy about that incredible experience, The Road to Qatar!, which was produced in Dallas and New York City. The CD, recorded by jayrecords.com, is available on iTunes. www.davidkrane.com.
recently cast the Globe productions of Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter's Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll's House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include It's Only a Play, Disgraced (upcoming), Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler's Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Second Stage Theatre, Atlantic Theater Company, LCT3, Ars Nova, Goodman Theatre, Arena Stage, Ford's Theatre, and three seasons with Williamstown Theatre Festival. Their recent film and television credits include HairBrained with Brendan Fraser, "Odyssey" (upcoming, NBC series), "How to Get Away with Murder" (ABC pilot), "Ironside" (NBC), and Steel Magnolias (Sony for Lifetime).
has previously worked on the Globe productions of Cornelia, The American Plan, Who's Afraid of Virginia Woolf?, Ace, The Violet Hour, Himself and Nora, Take Me Out, Dr. Seuss' How the Grinch Stole Christmas! (2004-2013), the 2004 Summer Shakespeare Festival, Resurrection Blues, Bus Stop, Much Ado About Nothing, Dirty Blonde, and Thinking Shakespeare Live! Her Broadway credits include Dirty Blonde, Amour, and One Mo' Time. Her regional credits include production supervisor of Dirty Blonde (national tour and West Yorkshire Playhouse); shows at Lincoln Center Theater, Manhattan Theatre Club, Roundabout Theatre Company, Second Stage Theatre, Berkeley Repertory Theatre, SITI Company, Playwrights Horizons, Huntington Theatre Company; and 11 seasons with Williamstown Theatre Festival. She received her education at Northwestern University.
served as stage manager for The Old Globe's Quartet, Vanya and Sonia and Masha and Spike, The Few, Pygmalion, God of Carnage, Anna Christie, Groundswell, and the 2010 production of Dr. Seuss' How the Grinch Stole Christmas! Her other Globe credits include A Gentleman's Guide to Love and Murder, Dr. Seuss' How the Grinch Stole Christmas! (2011-2013), Boeing-Boeing, The First Wives Club, Opus, Dancing in the Dark, Hay Fever, and the Summer Shakespeare Festivals 2008 and 2010-2013.
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Libertarians are always talking about the economic and moral consequences of government. However, I see no one or almost no one talking about the psychological consequences of this thing called the state. And for me they're at least as important as its economical consequences.
In my knowledge, the only one who has really treated this subject properly and extensively is Thomas Szasz. I saw an interview with him in one of his lasts years, where he said that the end of all psychological abuse wouldn't come until the state is finished. So, in his later years, he seemed to fully embrace voluntaryism as a means of achievieng a happier and more psychologically stable society.
So, what do you think? Does the state leave the individual in a state of fear? Prone to sadness? Alienated? Does it lower his self-esteem? Is taxation not only theft but emotional abuse?
Please note that the OP is only a very small sketch about the subject, it doesn't intend to shrink a big subject such as this to only a set amount of ideas. Feel free to talk about it and anything related as you wish. (:
I think this is a very important subject for libertarians to dig into. There's meat there, for sure.
I think the state subtly influences both the thinking and the decision-making of the individual, largely without them realizing it.
The state, it seems, also reinforces thought habits that exist in the population as cultural inheritances as well. Many foreign cultures not related to the english culture carried with them into the US a socialistic mindset, a view of society as just a large family that should all take care of each other--the same cultural thought-habits which prevented capitalism and individualism from taking grip throughout the centuries.
Because of this cultural influx, the US has steadily culturally and intellectually retreated from the individualism of the pre-revolutionary and industrial-revolution eras.
As for influencing the decisions of individuals, there is a psychological buy-in that develops in a person, and legitimacy is generally granted to systems one is born into.
I'd be interested in reading more Szaz, what works of his on this topic do you recommend?
I don't discuss psychology because I fear that most psychology might just be stuff that sounds nice but fails to explain how humans actually work.
@ Wheylous
Thomas Szasz wrote an entire book called Psychology: The Science of Lies.
Great topic. This could make a great VR piece.
a) The State as the ultimate bully. It wields its influence in a manner specifically intended to make people feel too intimidated to challenge it. This is, of course, not even disputed, the Hobbesian Leviathan is intended to work on the principle of overwhelming intimidation. Read Kafka's The Trial.
b) The State as the meddling busy-body.
c) The State as the all-caring nanny.
d) The State hypocrite par excellence.
If there is one effect that I think we can say the State has on the individual it is: demoralization.
Clayton -
This thread deserves way more attention, and I hope to give it exactly that when I'm not utterly intoxicated.
Stockholm effect.
Even if the state is a bully, it will never be realized as so if people dont become educated about it.
"Since people are concerned that 'X' will not be provided, 'X' will naturally be provided by those who are concerned by its absence.""The sweetest of minds can harbor the harshest of men."
At times I've been fascinated by the parallels between the free market and government intervention, and the growth of a child and parental intervention. Both involve self-directed processes that can't be understood in simple command-and-control terms, and when such intervention is attempted, the processes break down in ways that don't seem connected and thus aren't properly traced back to the intervention as the cause. It's hard to tell which drives the other, or if they're both self-sustaining: family environment indoctrinates/breaks person, so they perpetuate it as adults in the state, or the state beats parents down so that they perpetuate it in their children.
That's because psychology is the last resort of a scoudrel, it's for "Barnes and Noble scholars" who read a "splendid little book" and then blab on and on about nothing. Just watch Stephan Molyneaux.
"As in a kaleidoscope, the constellation of forces operating in the system as a whole is ever changing." - Ludwig Lachmann
"When A Man Dies A World Goes Out of Existence" - GLS Shackle
That post made me lol.
I'd like to hear your thoughts on the "right reactionaries" thread vive. One of your specialties seems to be thought history surrounding things vaguely like what we're talking about.
The state is soul-destroying.
Already had a VR piece in mind on this topic, but not so much of me writing about it as I'd be just quoting Carl Jung and Joseph Campbell. Jung had written a few things about the state vs the individual on individual development of the psyche. When I dig up some info I'll make a small post about it (busy as hell lately, so...)
I'll make a small post about it (busy as hell lately, so...)
That would be awesome. This could be a good recurring topic on VR.
I probably have opinions on this matter that differ from most others here. I think that:
1. Any unhappiness and negative psychological effects which the presence of the state cause PALE in comparison to what society does to people and what people do to each other and themselves in a healthy society. This is part of why I see RD's apparent exaltation of traditional cultural institutions in the right wing thread as disturbing. Although some traditional institutions and establishments are inevitable, all social practices need to be as flexible and individualized as possible.
2. I think that most psychological effects of the state are caused indirectly by the effects of what the state does, rather than the inherent knowledge of what it's doing.
3. The largest psychological effects which the state has upon people can be found in the public school system, which helps to entrench thought and subservience as destroying any semblance of original thought and flexible thought patterns. What we learn in high school isn't even compatible with what we learn in college
4. The state indirectly helps to enforce traditional modes of thought and institutions through its monopoly on law and since it represents the most inherently conservative institution of all
5. The effects of the welfare state upon a person are well known around here.


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Schizophrenia Health Center
Schizophrenia Medications
Other atypical antipsychotics include Abilify, Geodon, Invega, Latuda, Risperdal, Saphris, Seroquel, and Zyprexa. Another atypical antipsychotic, Fanapt, has been FDA-approved for acute (but not long-term) treatment of schizophrenia. The use of all of these medications has allowed successful treatment and release back to their homes and the community for many people suffering from schizophrenia.
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Because the risk of relapse of illness is higher when antipsychotic drugs are taken irregularly or discontinued, it is important that people with schizophrenia follow a treatment plan developed in collaboration with their doctors and with their families. The treatment plan will involve taking the prescribed medication in the correct amount and at the times recommended, attending follow-up appointments, and following other treatment recommendations.
People with schizophrenia often do not believe that they are ill or that they need treatment. Other possible things that may interfere with the treatment plan include side effects from medications, substance abuse, negative attitudes towards treatment from families and friends, or even unrealistic expectations. When present, these issues need to be acknowledged and addressed for the treatment to be successful.
WebMD Medical Reference


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You've all hit on, or at least around, the basic theme of the other thread I started; us 'commoners' have no conception of all the intricacies involved in bow strings, let alone the rest of the rig. The 'commoner' - let's use 'hobbyist' - buys a golf club, he/she expects to have to tweak himself, just as in archery, but doesn't expect to, nor is capable of 'tweaking' the club. Bet those deep into the sport can and do. We hobbyist expect equipment we buy to work out of the box, including the strings; we expect the Cam and bearings to be 'right'. Oh sure, we have to learn the basics of tuning and such, but to know all Sonny and you others know about the finer points and how to work them, is just beyond us. It's a hobby, and few take their hobby to the depth you all do; we just can't, work and family, time constraints. Sure, any can and many, I'm sure, do reserve their own strings; I even reserved the end of a cable, but to diagnose and be able to cure something like Sonny talked about in the starting post; uneven cable ends, re stretching them and all, that just takes expertise beyond what the typical 'hobbyist' has or aspires to have. Take it to a bow shop, IF you have one handy; the hobbyist would look at the strings that just 'blew up' on him, consider the cost of having a set of strings he'd still be worried about re-done, and he'd buy a new set. The set Sonny re-built that 'still have lots of shots left in them'; they'd be gone and Hutch'd be smiling. lol Same with cams and other components; not only is diagnosing a problem beyond us, the cure certainly is. Now, know this; a 'hobbyist' can have a good basic understanding of his equipment; enough to keep it running right IF it's built right to start with, he can be a whale of a shot and have a PHD in deer behavior, he can have freezers full of game he's expertly butchered, cut and wrapped himself. Ol' Hobbyist can be more expert in other aspects of the sport. He may enjoy other aspects as well as you all enjoy the technical aspects. You'll 'learn' what you enjoy. Anyway, as capable as I am to diagnose the weird wear in my Cougar's strings and the cut thread in the cable is that it may have to do with a short bow and longish draw length. That's as far as my string expertise goes.
As an afterthought; "At the shop I removed the serving of both cables and stretched the cables. The uneven cable evened out completely. Both were reserved with different serving material. All put back on the Shadowcat I lost about 5 fps, the different material robbing velocity, Still, 285 down to 280 fps was no big deal. The bow shoots great "
Are you sure those are Hammerhead strings or are they, perhaps, Sonny strings that have held up so well? Sounds like all you used was the original cable material, the building back correctly from there on up was all Sonny.
Interesting, to me anyway, thread, btw; the old and new mix, I always find interesting. I have more time nowadays to delve deeper into my hobby, I just don't know if I have the capacity to learn much of what you all have to teach! lol..... o
Just came to me that title might be taken wrong; I'm jokingly referring to me; the rambler on'er!


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Wednesday, 19 December 2012 14:24
Nothing could be sadder, more painful, and more revolting than the murder of innocent little children. There never has been any justifiable reason for such depraved behavior and there never will be!
The politicians, school officials, and citizens are in agreement that something must be done! However we must not rush to a solution that would destroy our second amendment rights of self-protection in this very dangerous world.
America has open borders and we really have no idea how many criminals are in our country at the present time. Surely, most of us would agree that we need personal protection. Some people say, "Let law enforcement handle it." It's a known fact law enforcement can't be everywhere a crime is being committed and this is the primary reason for self-defense. In areas of our country where concealed carry is legal, the crime rate has decreased.
In England and Australia where guns have been confiscated, quite an increase in crime is experienced.
We must consider an improvement to the situation that would work for America.
Israel's schoolteachers are trained in small arms protections techniques. Teachers wear pistols in their schools. Could this method also work for the United States? Mentally disturbed individuals who attack innocent people always select a gun free zone. Disarming the American population will not solve the problem that we have. When Germany elected Adolph Hitler, the citizens were disarmed and the result is history. After the recent atrocity in Connecticut, there has been continuous debate about the dilemma of correcting this problem.
One retired, law enforcement official said that our constitution is obsolete. The United States Constitution is still the great document that has provided us with freedom and prosperity. Freedom and prosperity will NEVER be outdated!
"A free people ought to be armed." –George Washington, 1790.
"This year will go down in history for the first time, a civilized nation has full gun registration. Our streets will be safer, our police more efficient, and the world will follow our lead into the future." –Adolf Hitler, 1935.
"The great object is that every man be armed." –Patrick Henry.
"The best we can hope for concerning the people at large is that they be properly armed." –Alexander Hamilton.
"The disarm the people is the best and most effective way to enslave them." –George Mason.
"No free man should ever be debarred the use of arms." –Thomas Jefferson.
"The Constitution preserves the advantage of being armed, which places Americans over the people of almost every other nation where the governments are afraid to trust the people with arms." –James Madison.
The strongest reason for people to retain the right to keep and bear arms is, at a last resort, to protect themselves against tyranny in government." –Thomas Jefferson
"I don't believe gun control is the answer. A crazy will always be able to their hands on a gun." –Margy Miller.
"He who has no sword, let him sell his garment and buy one." –Jesus Christ, Luke 22:36.
"My people are destroyed from lack of knowledge." Hosea 4:6.
Ted Garrison
Manchester, KY.
Wednesday, 03 October 2012 12:37
With nine children, Daddy, Mother and Grandmother all living in one house, we had to grow everything we could to live. Every level piece of gorund was planted in something. There were four pieces of ground that we used. One had only the driveway between it and the house.
We mowed very little, what we called the 'yard' or lawn. One Saturday for many years, we 'swept' the yard. We actually took a broom and swept in front of the house.
Daddy plowed the fields with a pony and a plow. He never talked about buying a tractor, or tiller. Daddy's job was plowing the garden, the hoeing and planting was done by Mother and us children. The pony ate on pasture land in the summer and sweet feed, corn and fodder in the winter months.
I cannot remember, but there must have been a time when Daddy did not own a car. He walked to the 'cut', the junction of 1524 and 421 at Goose Rock, to catch a ride to the mines. A distance of at least three or four miles one way. When needed, he would carry a 25 lb. bag of flour or meal from the store. Next time he carried a 50 lb. stand of lard.
He bought groceries from these stores: Bob Howards', Raleigh Walkers', J.D. Walkers' or Chester Corums' store. Daddy could get anything from these stores, on credit. He had a good name for paying his depts..
We always had a cow for our own milk and butter. Chickens for their meat and eggs. It was not unusual for Mother and Grandmother to get up before breakfast to kill a chicken to fry. We feed 'slop' to our hog. In our home, Thanksgiving was not a day for a turkey dinner, but it was hog killing time. We worked all day, in cold wind and sometimes snow, to get the hog butchered.
That night we ate fresh hog meat, until we would say that it went to our 'heads'. We didn't know it then, but the pork made our blood pressure go up. I have watched our grandmothers dip bread in pure meat grease and eat it, but back then, we worked hard and worked the grease out of us.
We ate 'poke' salad, picked blackberries and gathered walnuts and whatever else God provided. There was not as much 'give away' then as there is now. Or at least, we didn't know about it. No food stamps. There was a program, where the government gave away food. People would say they were going to get their 'commodies'.
This was free food, but we did not receive much of it and not every month, like people do now. I remember we receive cans of roast beef and cans of peanut butter. One time a man was running for sheriff and he was promising, that if elected, he would see that the 'commodies' were of a better quality.
On a radio ad, he asked voters, "Does your peanut butter have holes in it?"
I am serious, this actually happened, but with or without the help of the government, we survived. Daddy provided for this family and taught his children that the world did not owe us a living, but just an opportunity to work for what we got.
Charlie Murphy Jr.
Wednesday, 26 September 2012 12:19
Martins Creek Memories
This article is in response to this newspaper asking people in Clay County to write about things from the past. Since I seem to live in the past as much as I do in the present, it is ideal for me to write. I hope someone gets enjoyment out of it.
Most of my childhood was lived on Martins Creek (Highway 2000), on Lipps Branch. Daddy rented a house from Carlo 'Peanut' Lipps. For the longest time I remember that we only paid ten dollars a month for rent. Not much compared to today, but we're talking about the 1950's and 60's. Paying such a small amount of rent, Daddy made any repairs that the house needed. It was rare that Daddy asked Peanut to buy anything for the house.
I have a picture of the old house, which had long since been torn down. If you could see the old house, you would think it was a barn. As a matter of fact, when my brother started dating his wife, he gave her a picture of himself in front of the house. At which, she asked him why he took a picture in front of a barn.
But for me it holds many childhood memories. it may have looked bad on the outside, but inside it was filled with love. Daddy worked in the mines. Mother never worked out of our home, her and Daddy had nine children, so Mother had a career, her family. To her it was the most important job.
It was a four room house, but the living room and a bedroom were actually two large rooms, with no door to divide them. In those days we had beds in the living room. One or two of us children slept with Mother until we were considered to be too old. Brothers slept together and so did sisters. It was unheard of for each child to have their own room.
Heated by a large stove in the middle of the house, in the winter time we slept under several thick home-made quilts. We didn't dare try to turn over under those quilts.
In the winter months, Mother and grandmother (who lived with us) set up a large quilting frame across the living room. To get passed it, to other parts of the house, we had to stoop down and go under it. No fancy store-bought material for quilts, they used whatever material they could find. If pants, shirts and coats became un-wearable, they were cut up and made into quilts. But we never froze to death.
I was already married, when one day I thought about how that in winter months when we got out of bed, breakfast was ready and the house was warm, because Mother had gotten up early and made things ready for her family.
Ah! The old home place, how I would like to spend one more night there. Under those home-made quilts without a care in the world.
Charlie Murphy Jr.
Wednesday, 05 September 2012 12:42
Do you have a small corner where your readers can express the positives they've encountered? It could be something during an ordinary day that made it extraordinary, during a difficult time when the encounter uplifted and encouraged, or just an insignificant gesture that brightened a dreary day?
My shout out would go to Oneida Baptist Institute cooks. I recently fractured my foot, had it immobilized in a cast, and was ordered to avoid weight bearing. Subsequently, I walked on one leg and wobbled on crutches for four weeks. That rendered me hand-less at the bathroom door, exit and entrance doors, and even at the cafeteria food line. OBI cooks learned my work schedule and held hydraulic doors, ladled food, carted away empty trays and beverage glasses, carried my folders, and even volunteered to carry out garbage and mop my kitchen floor. Some days they simply slowed down and walked alongside to keep me steady. It has been a difficult four weeks, but their acts of kindness has been a constant ray of sunshine. They were my temporary angels, and hopefully, my lifetime friends. They rock!!
Hazel Bowling
Oneida, Ky.
Wednesday, 05 September 2012 12:41
Dear Editor,
I'm writing in response to an article published in the Wednesday, August 22nd paper about Jimbo Lyttle. Jimbo would have been my father-in-law this coming November, although he already was in my mind. When I first read your article, I wanted to write a letter chastising you and your staff for the complete inappropriateness of such an article, to write such horrible things about a man who is not here to defend himself and to attack a family that has already been through so much is unbelievable in my mind. But then I decided that your actions by putting the article in the paper spoke volumes louder about the lack of morals and general lack of sense than any letter that I could ever write. So I will let your actions speak for themselves, and I instead would like to write a letter inspired by a verse.
"Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs, that it may benefit those who listen." –Ephesians 4:29
After seeing this I thought, wow, what if everyone only spoke in a way that would help others, or build other up. So that is exactly what I intend to do.
Anyone who knew Jimbo knew what a wonderful person he was. A man with those kinds of morals and manners only comes along once in a lifetime. Of the 5 years that I knew him, he always called me, "Ms. Steph," and would jump up at any opportunity to help me with something. If I even stood up to get off the couch he would say, "what do you need Ms. Steph, I can get it!" Jimbo always wanted to help others, and always put everyone before himself. I can't tell you how many stories I have heard from people in this town about a time when they were down and Jimbo helped, or a time that they needed a strong back and he volunteered. Jimbo was also the friendliest man I have ever been around. He knew no strangers, and would speak to anyone rather than standing to the side and seeming rude. Sometimes he would get to talking to a stranger in the mall, and JW would have to go interrupt so that we could go on to the next store. Jimbo was first and foremost a family man. He adored his wife and their 2 boys, as well as all of his extended family. I've never seen someone work so hard to try and provide for his family, and it was something I admired in him.
No matter what is written, or what is said, or who knows this story or that story, no one can change my mind about the man I knew. He was kind, funny, friendly, loving, and he adored his family more than life itself. I challenge everyone that knew him to hang on to those memories, and to never allow anyone to change your opinion. Rather than jumping at an opportunity to gossip or say negative things, let's remember the good memories and share them with his family, in hope that it will build them up in their time of need.
Stephanie Huntsman
Page 5 of 8


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Runners turn in fast times at Millbridge Elementary 5K
Cool and threatening skies only brought a light drizzle as runners covered 3.1 miles on the rural roads in the Lazy 5 Vets Millbridge Elementary School 5K Saturday morning.
Robert Miller blistered the course in 17 minutes and 24 seconds to take top overall honors.
"I was much stronger than last week at Knox," Miller said. "It felt good out there and my goal was to not let anyone get away. This was a good race."
Rebekah Julian led the females with a time of 21 minutes and 55 seconds.
"I wasn't as fast as last year. I've just started back doing speed work so it was really good to get the win," said Julian after her second straight win.
In one of the largest and most competitive fun runs in the area, Ethan Bancroft blitzed the half mile course in 3 minutes and 13 seconds as 55 participated.
Race director Claire Watts was pleased with the turnout. "Nearly all of the staff at the school was here to help," she said. "Atwell Fire Department did their usual spectacular job taking care of the runners on the course. We certainly hope all the participants had a great time."
Other sponsors were Gerry Wood Auto Group, Spay/Neuter Clinic and Adoption Center, Patterson Farm Inc. Market and Tours, LL Goodnight and Sons, Incorporated, Concord Trophy Center, Concord Printing Co., Sudden Impact Auto Body & Paint Shop and Mault Brothers Service Station.
Complete results are available at www.salisburyrowanrunners.org.


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