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Explore - Outdoor
Coming Home
Famed photographer Bruce Weber branches out into the world of video with this fun-filled romp for Dedon's new outdoor collection.03.24.10
Design Leader: Kate Orff
Landscape architect Kate Orff marries urbanism and environmentalism, creating instances of nature among skyscrapers and concrete.02.20.09
Basic Instincts
Matt Jacobson doesn't just abide by the mantra "less is more," he wholeheartedly embraces it. His Southern California home is a compact ode to minimal living.written by: Jordan Kushinsphotos by: Dave Lauridsen05.19.11
Coop Dreams
Switching coasts from Brooklyn to Portland gave architects Mitchell Snyder and Shelley Martin a new set of unexpected clients: three young hens.photos by: John Clark10.18.10
Diamond in the Rough (and Ready)
Architect Ken Meffan's ten-years-in-the-making home is in the tiny Northern California town of Rough and Ready—a term that might as aptly refer to the house itself.written by: David A. Greenephotos by: Todd Hido09.21.09
Modern Chicken Coop
With all the talk of chickens being kept as pets in urban areas, it's nice to know there's a modern chicken coop alternative.written by: Laure Joliet11.30.08
On the Waterfront
After purchasing a revered archetypal lake house designed by American architect Richard Meier, a retired couple launches into the home's second renovation in 35 years.written by: J. Michael Weltonphotos by: Dean Kaufman08.22.11
Creative Re-Use in Oakland
Stephen Shoup is the kind of person to see potential in things that others might miss. In 2005, looking for a property that would house himself and his design/build firm, building Lab inc., he...written by: Kelly Vencill Sanchez02.28.11
Modern NASA-Inspired Cricket Trailer
Part tent, part RV, the NASA-inspired Cricket Trailer is the go-to camper for the modern road tripper.photos by: Sarah Wilson08.30.11
Living in Marina del Rey
When Joe Borst saw an affordable bungalow in a Marina del Ray neighborhood filled with either condos or mansions, he knew he found a perfect place for him and his girlfriend Maria Torres to live in...written by: Carren Jao03.08.12
Andrea Cochran Landscapes
Just like modern homes often bring the outside in, San Francisco landscape architect Andrea Cochran's exterior designs extend the modern aesthetic from indoors to the outdoors. A new book by...03.06.09
Come Sail Away
On a quest to create a weekend house for herself and her husband, Nancy Church scaled back her design fantasies and discovered creative ways to build on a budget.written by: Lisa Skolnikphotos by: David Robert Elliot05.16.11
Floating House, Lake Huron
On the edge of a tiny island accessible only by boat, this buoyant summer home lives the life aquatic.written by: Alex Bozikovicphotos by: Raimund Koch02.26.09
Supplant Your Lawn
It's both water-wise and wallet-wise to consider alternatives to a grassy lawn. As more homeowners reach this conclusion, inventive designers are finding new ways to achieve beautiful,...written by: Amber Bravo02.21.10
Pod Space Prefab Garden Sheds
Two years ago, Ben Lord surveyed the garden sheds on the market in his native England and didn't like what he saw. Cookie-cutter designs and drab interiors dominated even as habits were...written by: William Lamb09.16.09
Powell St. Parklet
San Francisco's thriving Pavement to Parks initiative—dozens of street parking spaces have been transformed into small, hardscaped parks the city over—arrived on center stage Wednesday....written by: Aaron Britt07.14.11
Chicken Chapel
Architect Keith Moskow grew up doing grunt construction work. His dad was a builder and after his first year of college, he helped build their family's summer home. "I was doing lowly work,...09.20.11
The Birds and The Beavers
Connecticut birders happily swap their waterlogged Wellies and foggy field glass for the Wesleyan student–designed SplitFrame, a viewing platform in a former cranberry bog.written by: Amber Bravo10.01.09
Seattle's Next-Wave Design Firm?
A year and a half ago, while on sabbatical from Olson Kundig Architects, Kevin Scott conceived of Röllerhaus Pictureworks & Design Co. A mix of design firm, artist/designer collective, and...written by: Jaime Gillin05.07.12
His-Her Collage and Ceramics Studio
Just as water and oil don't mix, neither do the crafts of collage and ceramics. Nevertheless, a combination of the two was precisely what one creative couple living on Long Island requested...02.22.11


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If you want a green card through immigration, you have to take years process due to the fact that there are many things that must be obeyed although you had been married. You need to know some information about the immigration green card process will lessen your way and acquire the best conclusion. When you enter the United States on a K-1 fiance visa or a K-3 passport, the procedure can take a long period and, when you choose to start with an immigration lawyer, may cause duplicating expenses and forms. retaining a legal professional is a smart way to solve this difficulty, so it will be better for you to obtain a green card compared to coming into the United States with these types of visas. Ned Ogueri immigration lawyer in Atlanta
Aviation Accidents Require the Assistance of an Expert
If your family has in some way been involved with an aviation accident you might have been involved in one of the most devastating events of your life. Often, in such accidents, no one survives. Or, in most cases, the chances of survival are slim. In major accidents it can be difficult to conduct an investigation as the damage has been so extensive. In a situation like this it is wise to turn to an aviation accident attorney. This person can assist you throughout the process. Georgia personal injury lawyer
Tips: Personal Injury Cases:
Personal injury Attorneys Useful Car Wreck Tips
1 Make an effort to drive only when you've enough time in your hands
If you don't have enough time when going in a specific location, you will likely tend to drive faster than usual. It is a dangerous thing to do, especially throughout the night. Ensure you have plenty of time when you want to drive to a specific destination. Try to estimate any delays, that might occur and adhere to the time that you're going to set for driving this means you might not need to cover for time missed by driving too fast. You will not only arrive at your destination early or perhaps on time, but you will also avoid personal injury from car accidents.

subset: commoncrawl


text: Customer Appreciation Day Sale! Save 15% one day only: Tuesday, August 20 EDT. Discount applies to online and in-store orders placed on August 20, 2014 between 12:01 a.m. EDT and 11:59 p.m. EDT. Discount does not apply to gelato, cakes, gift certificates, chocolate clubs, shipping fees, phone orders, already-placed orders, or purchases made at Artisan Gelato by Norman Love. Cannot be combined with any other offer or already discounted items.


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Whatever your goals, a grasp of English grammar is important if you want to improve your speaking and writing skills. This course will help you gain confidence in your ability to produce clean, grammatically correct work. You'll explore the basics of English grammar—like sentence structure and punctuation—as well as more sophisticated concepts—like logic and clarity. A patient instructor, memorable lessons, vivid examples, and interactive exercises will give you ample opportunity to put what you learn into practice. Reacquaint yourself with old, forgotten rules, meet some new ones, and discover your own grammatical strengths.
Complete the form below and click the Reset Password button. If
we find your password, we'll send password reset instructions to the e-mail address
we have on record for you.


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Truly, your God is One! [Qur'an 37:4]. Voice of Islam
#islam, muslim, islamic, wallpapers, naat, quraan
Islamic Art - Exclusive Graphic Designs, Free Islamic Graphics, Poems and Short Stories by Muslim Sisters, Islamic Art for Children.
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Find safety at the heart of Islam
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Apply the required amount of granules evenly on top of soil, incorporate thoroughly into top soil layer, then water in thoroughly. For flower beds, sprinkle granules evenly over bed. For container plants. Spread required amount of product evenly over the potting soil around the base of plant foliage and water thoroughly.
For new plants, apply when planting. For established plants, use before pest damage occurs or immediately when seen. Repeat applications every 8 weeks during the growing season.
Apply every 8 weeks during the growing season.
Use this product on roses, shrubs and plantings around homes and residential areas to control listed pests.
4lb. container treats up to 32 rose bushes
Insects: KILLS: Adelgids, Aphids, Armored scales (supression), Fungus gnats, Japanese Beetles adults, Lacebugs, Leaf beetles (including Elm, Viburnum and Lily), Leafhoppers (including Glassy-winged sharpshooter), Leafminers (including Birch, Boxwood, and Holly), Mealybugs, Pine tip moth larvae, Psyllids, Root weevil larvae (including Black vine weevils), Sawflies (larvae), Soft scales (including Lobate lac scales), Thrips, White grub larvae (such as Japanese beetle, Oriental beetles, and Asiatic garden beetles), and Whiteflies.
Use this product on roses, shrubs and plantings around homes and residential areas
For best results always read and follow label directions.
0.2% Imidacloprid
If empty: Nonrefillable. Do not reuse or refill this container. Place in trash or offer for recycling if available. If partly filled: Call your local solid waste disposal company for disposal instructions. Never place unused product down any indoor or outdoor drain.
Need an answer to a product question? Scotts experts are always available by email and phone in our Help Center.


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Home / Products & Services / Financial
Helping financial organizations prosper
Financial & Risk provides solutions to the global financial community - delivering critical news, information and analytics, enabling transactions and connecting communities of trading, investing, financial and corporate professionals.
We help our customers generate superior returns, improve risk and compliance management, increase access to liquidity and create efficient, reliable infrastructures in increasingly global, electronic and multi-asset class markets, through our market-leading Thomson Reuters Eikon, Thomson Reuters Elektron and Thomson Reuters Accelus.
Top 50 Global Financial Institutions end with positive sentiment for the second consecutive quarter. Trust sentiment in top financial institutions spikes in Asia, while negative news sends European institutions lower.
Thomson Reuters Financial and Risk business explores how broker/dealers can efficiently tackle the regulatory onslaught.
Celebrating the finalists at the European Women in Sales Awards and honouring Zhanna Martyniuk as the Financial Sales winner. Read more on the awards
Financial markets are known to show systematic and repeating patterns that are apparently irrational – or "non-optimal" in academic parlance.
The financial industry has been buzzing with news that some financial institutions may ban the use of chat rooms and instant messaging, returning, instead, to voice communications.
Thomson Reuters Accelus annual board governance survey indicates organizations lack understanding of security risks surrounding board materials.
Institute for New Economic Thinking and Washington Ideas engage in new forums on the topic of trust.
David Craig comments on the 9th Annual Compliance Awards, which brought together over 350 of the industry's leading compliance professionals, regulators and professionals from related industries.
A new Thomson Reuters Eikon app uses data visualization to deliver information to the commodities industry.
In this paper we examine why robust classifications – such as Lipper's 159 U.S. open-end classifications – are vital to boards' ability to meet their 15(c) fiduciary responsibilities.
The well-known Forward Premium Puzzle states that foreign exchange spot prices seem to be irrational. Sentiment may be the key to understanding this. We test this hypothesis.
Using proprietary data, analytics, and media sentiment, our new quarterly TRust Index benchmarks the state of trust.
What the Global Financial Community Needs to Drive Profits, Connect and Manage Risk. Our new white paper tells you how – and where – to find it.
Thomson Reuters Accelus surveyed more than 1,100 internal audit practitioners worldwide in February and March 2013 to canvass their views on the state of internal audit and their greatest challenges for the year ahead.
Board responsibility for risk governance is a fundamental part of the corporate oversight role of boards. Learn how risk is being handled – across the board.
There's a new confidence about the way that the financial sector is embracing hosted and managed services. Discover why this has happened, and what are the success factors.
Click here for a complete list of our upcoming events and conferences.
Register for a Free Messenger Account
Geared for policymakers and stakeholders, this piece covers the increasingly important – and controversial topic of carbon taxes.
Read our white paper on the challenges of identity and its growing importance to the financial industry.
The basic processes supporting trading decisions have always been the same, with data quality being a key requirement for any strategy.
Read our white paper exploring the challenges facing global financial institutions today and how to move forward to the opportunities of tomorrow.
Thomson Reuters Annual Board Governance survey shows increasing burden driven by governance expectations.
Coverage of key ag, energy and metals markets, with news and commentary, exchange and price data and more
Specialized news and financial content combined with a strong local presence in new and emerging BRIC markets
Supporting the specific needs of the Equity markets with focused, relevant news, analysis, & financial content
Fixed income content and tools in a single view: market news, pricing data, credit and rates, plus Tradeweb
We connect customers to powerful content, the largest counterparty community, new venues and liquidity pools
Our customers have access to a unique mix content that helps them find new ideas, strategies, and markets
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Solutions that help brokers, financial advisors and individual investors make the most profitable moves
Our customers know more about the companies they invest in with access to more fundamentals and other key data
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Reuters News covers the global market in depth, so our customers know and act on important news first
Global coverage of every major market and instrument type, including reference, real-time and historical data
Expert, independent, transparent and accurate pricing of individual instruments as well as entire portfolios
Trusted cross-asset class indices and related services for benchmarking and investment strategies
Real-time news and commentary, expert analysis, broad in-depth and up-to-date company and market data and more
Information and tools for complying with the regulations that govern order management and order completion
Our customers instant message and do deals with over 190,000 colleagues via Messenger – free and open to all
Open and connected, it delivers powerful mix of information, analytics & exclusive news on financial markets
High speed, low latency network that feeds financial content and news data to the mobile or desktop
The premier provider of independent research, global collective investment content and evaluation tools
The world's leading peer-to-peer conversational trading is quick, intuitive and secure
A free and open professional network of more than 190,000 financial contacts who share messages & more


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HP Officejet 100 Mobile Printer - L411a(CN551A)
Produce professional-quality documents on the go, using built-in Bluetooth® wireless technology. Print from a variety of selected notebooks and smartphones.[1]
Impressive features bundled in one mobile product.
Stay productive on the go with a 500-page monthly duty-cycle and a 50-sheet paper tray.
Power your printer without the hassle of multiple adapters.
Monitor battery life with an indicator light and disconnect quickly with the Bluetooth® On/Off button.
Expect great performance—this printer is tested to operate in tough conditions.
Print at your convenience while on the go, using built-in Bluetooth® wireless technology.[1]
Rely on a long-life, lithium ion battery—print up to 500 pages when the battery is fully charged.
Do more—produce professional-quality documents on the go, using Original HP high-capacity ink cartridges.
Print at up to 22 ppm black/18 ppm color and ISO (laser-comparable) speeds up to 5 ppm black/3.5 ppm color.[4]
Professional-quality documents from mobile devices.[1]
Use Bluetooth® technology to produce professional-quality documents from selected notebooks or netbooks.[1]
Print high-quality documents from selected smartphones and mobile phones, using Bluetooth® technology.[1]
Print directly from Windows Mobile® phones, Android and BlackBerry smartphones.[1]
Reliable mobile printing made easy.
[1]Notebook or netbook must be Bluetooth enabled. Includes Windows Mobile® phones. Additional fee required through 3rd party service provider for Android and BlackBerry smartphones.
[2]Not included, please purchase separately.
[3]High-capacity cartridges and ColorLok® paper not included. Please purchase separately.
[4]After first page or after first set of ISO test pages. For more information, see http://www.hp.com/go/printerclaims.
[5]Based on paper-industry predictions for acid-free papers and Original HP inks; colorant stability data at room temperature based on similar systems tested per ISO 11798 and ISO 18909.
[6]On photo paper only.
|Printing specifications
|Print speed black (draft, letter):
|Up to 22 ppm
|Print speed color (draft, letter):
|Up to 18 ppm[1]
|Print speed footnote:
|[1] Either after first page or after first set of ISO test pages. For details see http://www.hp.com/go/printerclaims.
|Print languages, standard:
|Print resolution, black:
|Up to 600 x 600 rendered dpi (when printing from a computer)
|Print resolution, color:
|Up to 4800 x 1200 optimized dpi color (when printing from a computer on selected HP photo papers and 1200 input dpi)
|Monthly duty cycle:
|Up to 500 pages
|Ink cartridges:
|2 (1 black, 1 cyan, magenta, yellow)
|Compatible cartridges:
|HP 98 Black Inkjet Print Cartridge (~420 pages); HP 95 Tri-color Inkjet Print Cartridge (~330 pages); HP 94 Black Inkjet Print Cartridge (~480 pages); HP 97 Tri-color Inkjet Print Cartridge (~560 pages); HP 99 Photo Inkjet Print Cartridge (~130 pages). [Average based on ISO/IEC 24711 or HP testing methodology and continuous printing. Actual yield varies considerably based on content of printed pages and other factors. Some ink from included cartridge is used to start up the printer. For details see hp.com/go/learnaboutsupplies]
|Processor speed:
|220 MHz
|Memory, standard:
|Paper handling
|Input capacity, standard:
|Up to 50 sheets
|Duplex printing (printing on both sides of paper):
|Manual (driver support provided)
|Borderless Printing:
|Yes (up to 4 x 6 in)
|Media sizes, standard:
|Letter, legal, statement, executive, envelopes (No. 10, Monarch), cards (3 x 5 in, 4 x 6 in, 5 x 8 in), photo (5 x 7 in, 4 x 6 in)
|Media sizes, custom:
|3 x 4 to 8.5 x 14 in
|Media types:
|Paper (inkjet, photo, plain), cards (greeting, index), envelopes, brochures
|Media weight, recommended:
|20 lb
|HP ePrint capability:
|Connectivity, standard:
|1 USB 2.0; 1 PictBridge; 1 Bluetooth 2.0 + EDR
|Power and operating requirements
|Compatible Operating Systems:
|Microsoft® Windows NT® 4.0, Windows® 98, Windows® Me, Windows® XP, Windows® Server 2003; Novell NetWare 3.2, 4.2, 5.x, 6; Mac OS 8.6; Linux Red Hat Linux 6.x and higher; SuSE Linux 6.x and higher; UNIX HP-UX 10.20, 11.x; Solaris 2.5x, 2.6, 7, 8 (SPARC systems only); IBM AIX 3.2.
|Minimum system requirements:
|PC: Microsoft® Windows® 7: 1 GHz 32-bit (x86) or 64-bit (x64) processor; 1 GB (32-bit) or 2 GB (64-bit) RAM, 1.0 GB hard disk space, CD-ROM/DVD drive or internet connection, USB port; Microsoft® Windows Vista®: 800 MHz 32-bit (x86) or 64-bit (x64) processor; 512 MB RAM, 900 MB hard disk space, CD-ROM/DVD drive or internet connection, USB port; Windows® XP (32-bit) Service Pack 2: Intel® Pentium® II, Celeron® or compatible processor; 233 MHz or higher; 512 MB RAM, 500 MB hard disk space, CD-ROM/DVD drive or internet connection, USB port
Macintosh: Mac OS X v 10.5.8, v 10.6: PowerPC G4, G5, or Intel Core processor, 300 MB free hard disk space
|Operating humidity:
|15 to 95% RH
|Power consumption:
|40 watts maximum, 15 watts (Active), 0.34 watts (Manual-Off), 5.8 watts (Standby), 2.6 watts (Sleep)[2]
|Acoustic power emissions:
|5.8 B(A) (Best); 6.3 B(A) (Normal); 6.5 B(A) (Fast Draft)
|Battery Recharge Time:
|Approximately 3 hours (fully charged)
|Dimensions and weight
|Dimensions (W x D x H):
|13.7 x 6.91 x 3.32 in (34.8 x 17.5 x 8.4 cm)
|5.1 lb (5.5 lb with battery) (2.3 kg (2.5 kg with battery))
|What's included
|One-year limited hardware warranty backed by HP Customer Care, service and support; one-year technical phone support
|What's in the box:
|HP Officejet 100 Mobile Printer; HP 98 Black Print Cartridge (~440 pages); HP 95 Tri-Color Print Cartridge (~330 pages); Starter CD with printer drivers; User documentation; AC adapter; power cord; HP Lithium-ion battery. [Average based on ISO/IEC 24711 or HP testing methodology and continuous printing. Actual yield varies considerably based on content of printed pages and other factors. Some ink from included cartridge is used to start up the printer. For details see http://www.hp.com/go/learnaboutsupplies]
|Cable included?:
|No, please purchase USB cable separately
* HP is not liable for pricing errors. If you place an order for a product that was incorrectly priced, we will cancel your order and credit you for any charges. In the event that we inadvertently ship an order based on a pricing error, we will issue a revised invoice to you for the correct price and contact you to obtain your authorization for the additional charge, or assist you with return of the product. If the pricing error results in an overcharge to you, HP will credit your account for the amount overcharged.
** Lease products available through Hewlett-Packard Financial Services Company (HPFS) to qualified commercial customers in the U.S. and are subject to credit approval and execution of standard HPFS documentation. Lease prices shown are based upon HPFS' current lease rates for premium risk rating customers (as determined by HPFS in its sole discretion). All customers may not qualify for this pricing. HPFS lease rates may vary depending upon HPFS' credit review and approval of the customer and the transaction. Other restrictions may apply. HPFS reserves the right to change or cancel this program at any time without notice.
To download the latest Adobe® Reader® please go to the Adobe website at http://www.adobe.com. Adobe and Reader are trademarks of Adobe Systems Incorporated.
© 2014 Hewlett-Packard Development Company, L.P.


text:
Fast online mouse mat makers of full colour mouse mats and stickers printed and delivered to Louth at very competitive mouse mats printing rates.
Fast online full colour mouse mat makers of high quality self adhesive mouse mats at low printing prices, delivered to Louth within six or eleven working days.
0808 144 2926
Alternatively send an e-mail.
- Notepads
- A6 notepads
- A5 notepads
- Deskpads
- A4 deskpads
- A3 deskpads
- A2 deskpads
- Bookmarks
- Bookmarks 210 x 99mm
- Mousemats
- Mousemats 262 x 193mm
- Tray Inserts
- A3 Tray Inserts
- Drinks Mats
- Drinks Mats
- Rulers
- Rulers
- Door Hangers
- Door Hangers
we will accept all major debit and credit cards, including American Express and PayPal. We also accept Company cheques and bank transfers.
UK nationwide printing service with online prices.
We supply mouse mats anywhere in the United Kingdom. All mouse mats printing prices include delivery. We us next day couriers to dispatch your print work.
- Graphic Services.
- Colour Copying.
- Stock Photography.
- Vinyl Printing.
- Label Printing.
- UK Safety Signs.
- Banner Printing.
- Sign Making
- Vehicle Graphics.
- Exhibition Displays.
- Web Design.
- Competitive exhibition, sign and display print services.
- Screen printers of safety signs UK.
- T shirts & all types of mouse mats.
Mouse mats printing for delivery to Louth.
If you are looking for competitive prices use our 7 to 10 day printing service.
|262 x 193mm mouse mats.
Full colour one sided mouse mats, printed onto 100 gsm bond paper.
7 to 10 day printing service prices based on supplied artwork.
For a faster print service use our 3 to 5 day printing service.
|262 x 193mm mouse mats.
Full colour one sided mouse mats, printed onto 100 gsm bond paper.
3 to 5 day printing service prices, based on supplied artwork.
How to place an order and commission artwork services for our mouse mat makers.
If you click on a price that relates to the quantity and service that you require, this will start our secure online ordering system. Then you will be able to select the type of artwork service that you require.
Basic artwork - we will create headings, import text and images into boxes.
Premier artwork - we will creatively design effective, high quality artwork for your mouse mats. Please refer to our artwork guidelines. Before supplying artwork files as we check only PDF files that are supplied correctly free of charge. Artwork instructions.
Online mouse mats artwork proofing system.To check that the artwork you have sent us is suitable to print from, we will send you a low resolution image of the artwork. We will require you to approve this image before we commence printing.
To supply us artwork or a brief for our graphic designers to create artwork, you can e-mail up to 10 mega bytes, alternatively use our file transfer server.
We offer a competitive nationwide mouse mats printing service to the following areas of the United Kingdom.Termonfeckin | Lough | Dundalk | Drogheda | Carlingford | Ardee |
printers supplying full colour printing services to companies in Louth
We offer either a seven to ten day or a three to five day full colour printing service. Subject to terms and conditions.


text:
Secretary of Defense Chuck Hagel, Deputy Secretary of Defense Bob Work and Chairman of the Joint Chiefs of Staff Army Gen. Martin E. Dempsey have no public or media events on their schedules.
Use Pick a Day to go to a
different day. Check Other Events
for additional listings, including air shows, band concerts, Congressional
hearings, reunions and much more.
Joint Training at Camp Pendleton
℠2014- Marine Light Attack Helicopter Squadron 267 and...
Patient Credits Air Force Base Cancer Center With Saving Her Life
℠2014 - Wright-Patterson Air Force Base has a state of...
Hagel: Iraqis, Kurds Take Offensive Against ISIL
℠2014 - Defense Secretary Chuck Hagel says Iraqi and...
U.S. Troops Well Prepared to Help Combat Ebola Virus
℠2014 - Even though service members will not have...
Contacts Additions and corrections for Today in the Department
of Defense are invited and should be directed to the press desk by calling
+1 (703) 697-5131 or +1 (703) 697-5132.
Media Questions News media representatives with questions for the
Department of Defense may reach our press desk by calling +1 (703) 697-5131. Media
representatives with questions after work hours should call +1 (703) 678-6162 for
Public Inquiries All others are invited to contact our public
inquiries section by phone or U.S. mail or through the web. See our comment
page for details.


text:
Benjamin Steakhouse
Online Reservations
• DescriptionOur main dining room, which seats up to 120 guests, features a 10-foot roaring fireplace along with high vaulted ceilings and dark wood paneling. To book the entire main dining room, a guarantee of 100 guests is required. Alternatively, you may book a portion of the dining room, and thus not have to commit to guaranteeing a minimum larger than your group.
The Mezzanine Level, seating a maximum of 66 guests, is situated on the 2nd floor of our restaurant, overlooking the main dining room in the form of a balcony. While the Mezzanine event space feeds from the energy of the main dining room, at the same time it offers a sense of intimacy and warmth, which is ideal for all manner of celebratory occasions, as well as casual dinners.
The Third Floor Conference Room, seating a maximum of 50 guests, is ideal for events where a "behind closed doors setting" is required, such as business meetings where speakers are involved, presentations dinners, etc. The Third floor conference room also offers full AV equipment upon request, and is always subject to availability, as it is in fact property of the Dylan hotel.


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To raise money for our final year degree show me and Seb have organised an auction with donations from some amazing designers. We have items from:
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Visit www.soldbath.com or follow us @SOLD_Bath and bid on some amazing items for a good cause!
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text: Criminal – Assault with intent to rape By: admin February 19, 2007 Assault with intent to rape Subscribe Login Email Address: Password: Already a paid subscriber but not registered for online access yet? For instructions on how to get premium web access, click here.Forgot your password? Share this:EmailPrintFacebookLinkedInTwitterGoogle +1 1:00 am Mon, February 19, 2007 Massachusetts Lawyers Weekly admin


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I am thinking about trying a P-loop or a torqueless loop. I have read some articles on them, and I am sure that you guys have some experience with them.
I am thinking about trying a P-loop or a torqueless loop. I have read some articles on them, and I am sure that you guys have some experience with them.
You're not talking about one of those metal gizmos that clamp onto the string are you? Yikes!!!! Don't do it!
Martin 06 Slayer, Nitrous C, shoot thru, 63lb, Quiktune 3000, HAA OL 5519, Beman ICS Hunter
Martin 06 Slayer, Nitrous C, Shoot thru, 55lb, Quiktune 3000, HHA OL 5519 2X, Easton A/C/C
Ben Pearson 1968 'Cougar' 62" 45#s @ 28" recurve, parallel shaft POC, Zwickey 'Eskimo' 2 blade
The P-loop is basically a loop that is made of bowstring and serving that attaches to the bowstring below a tied in set of nock points. It attaches at one point and can freely rotate around the string but is served in to not move up and down. Some claim that they last a lot longer and they do not cause torque caused by different angles in the release hand. Someone did a study with a shooting machine varying the angle of the release at 60 yds and saw a pretty good change to the group size using it over a regular d-loop.
Years ago when I first learned of this loop style I heard it referred to as a "Pro loop." It does essentially the same thing as using a regular loop with a tied nock inside the loop under the arrow nock. It to puts little down pressure on the arrow nock point when you draw. I did'nt like it, other than shooting FOB as it help get the FOB away from my face. I perfered the D loop type, as it 's easy to tie and can be replaced in the field if needed. Look @ archery report Catfish/Touqeless loops. Goggle it.
Last edited by Tosi; 01-30-2013 at 09:32 AM.
Ranger 6
2011 Fire Cat 400 (Custom)
2005 Martin SlayR
2012 Mathews z7 Magnum
2014 Mathews Creed
2001 PSE Excellerator
i used a catfish-loop and liked it because you can actually measure and control the exact length of the loop. i used it for 'drawlength micro tuning' in order to be able to use the exact same anchor point every time (even if i had to replace the loop).
with an adjustable draw stop peg of course, this isnt necessary any more, you can fine tune your draw length with the peg..
the fact that normal tied d-loops can stretch and get longer sometimes, when you draw your bow the first few times with it, is still a bit anoying though.


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text: AIDS SERVICE FOUNDATION OF GREATER KANSAS CITY Kansas City, MO | EIN: 43-1613911 AIDS Service Foundation of Greater Kansas City The mission of the AIDS Service Foundation is to raise awareness and funds for local AIDS service organizations which provide nutrition, shelter, medical care and emergency services to the women, men and children living with HIV/AIDS in our community. Our beneficiaries include Hope Care Center, SAVE, Inc., Good Samaritan Project and Kansas City Care Clinic. Learn More


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Phil Delaney is President and Chief Executive Officer of Northern Trust Florida in Sarasota and Manatee Counties.
Phil joined Northern Trust Bank in Chicago in 1977, and spent the first fourteen years of his career within the Chicago Commercial Banking Operation. He held relationship management positions in the Middle Market Chicago Group and the Western States Division, and he served as Manager of the Central States Division. He moved to the Chicago Private Banking Group as Manager in 1991, and was named Senior Vice President in 1993. Phil assumed his current responsibilities in Sarasota in September, 1999.
A graduate of the University of Notre Dame, Phil received his B.B.A. degree in 1976, and was also awarded an Illinois CPA Certificate in 1976. Phil received his M.B.A. degree from Kellogg Graduate School of Management in 1977.
Phil serves on the Board of Directors of the Van Wezel Foundation, New College Foundation, the Community Foundation of Sarasota, the Sarasota Memorial Healthcare Foundation and the United Way of Sarasota County.


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Dear Friends,
Our last reminder about the Bloomington, IN hurdy gurdy workshop in April 20-22nd, with Robert Green, Juan Wijngaard and Tom Lozano.
The deadline for subscription is April 9th, 2012.
Tom Lozano
Blog following the progress of a hurdy-gurdy being constructed from scratch, from plans. More here.
Festival of traditional musics and folk dances, 13-15 July 2012
La Châtre, France
Instrument-makers, concerts, folk dances and a unique atmosphere, the festival has become THE meeting place of traditional music in Europe. A unique show of instrument makers which welcomes 130 instrument makers from the whole world presenting and selling their instruments: bagpipes, hurdy-gurdies, accordions, wind instruments, percussion and many more…
30 concerts and folk dances are scheduled, providing an opportunity to hear the variety and the wealth of traditional music. Various activities are scheduled during the day, including : dance workshops, presentation of instruments, competitions, folk dances for children, Apérosol, meetings with the musicians.
More here.
The Lark Camp music festival publishes a set of traditional French tunes suitable for the hurdy-gurdy. You can download it here.
Over the Water Hurdy-gurdy festival is an annual week-long gathering of hurdy-gurdy players in September of each year in Washington state. As well as offering a fantastic event, they also publish the music for a standard set of bourrees, schottisches, valses and other tunes used as the basis for their jam sessions. You can download PDF or ABC versions of the tunes here.
A collection of traditional and modern tunes selected for the hurdy-gurdy as part of Ina Lemm's resource site for her hurdy-gurdy tuition DVD.
See here.
A great collection of folk and traditional tunes from the UK and Europe. His collections include:
Check out the site here.
UK hurdy-gurdy luthier, Chris Allen, hosts a couple of collections of tunes for the hurdy-gurdy on his website here. These include 50 tunes collected by Graham Whyte (aka Jamie Hammond) and a collection of Ukraine and Lemko tunes for hurdy-gurdy from the Werner Icking Music archive.
Richard Haynes Music Services are offering a series of 18th Century pieces for hurdy-gurdy that Richard has transcribed from original scores written on the French violin clef. He makes a nominal charge for the music, which is available for download from his website here. Pieces include:
Barnaby Walters is hosting a sheet music database dedicated to the hurdy-gurdy. To find a tune, use the Search function (and if you don't enter any particular search string it will return all the tunes in the database). Tunes are returned in abc notation (described in my previous posting) so you'll need to use an application to render them as a score.
British hurdy-gurdy maker, Mike Gilpin, has compiled a collection of 152 traditional French dance tunes from the Morvan region of France. This is available from his website here for £8.95 plus package and posting (worldwide shipping). Payment by UK cheque or PayPal.
British hurdy-gurdy maker, Neil Brook, has a number of good music resources on his website. These include:
Much of the music available on the Internet is stored in "abc notation". This format dates from the early 1990's and is a way of representing complex musical scores using normal text characters - which can then easily be emailed or shown on a web page. ABC notation is not designed to be human readable, and so having downloaded the music you use software to convert the text into a conventional musical score. Fortunately there are many free applications available for Windows, MacOS and Linux. A good starting point is the abc notation home page (maintained by Chris Walshaw, original inventor of the notation) or the official ABC Music project pages on Sourceforge (for the more technical minded).
Some good starter music pages include:
After a few months of waiting, my new Chris Allen Symphonie arrived this week. It's a beautiful instrument and so I thought I'd post some photographs and provide some initial impressions. The Symphonie is modeled on the earliest form of hurdy-gurdy, the mediaeval symphonie, which was in use from the 12th Century onwards. Little is known about exactly how they were configured, but this model is based on a modern stringing - with two chanterelles (tuned together in g), and with a drone in G and trompette in C, all strung with oiled gut. The drone and trompette are fitted with capos to allow them to be changed to C and D respectively - allowing the instrument to be played in the keys of Gmaj/Gmin and Cmaj/Cmin.
The instrument is very quiet - a characteristic of Symphonies - with a delicate, sweet tone. It is well suited to practicing in a household shared with others, for accompanying singing or for use in mediaeval reenactments. The trompette reacts very easily and the chien produces a pleasant rasping buzz when it sounds. A tirant allows the sensitivity to be quickly adjusted - a must, particularly when engaging or disengaging the capo.
One of the most delightful aspects of the instrument is the keyboard, which is is beautifully smooth and has a fantastically light and fast response. Although full-sized, it feels small and compact and makes playing around the two-octave range a joy. I found no difficulty playing the full range of notes, with even the highest notes having a clean sound.
The tangents are made from wood and screwed into the key, which should prevent issues of loose tangents and buzzes with humidity changes. The key travel is damped with a green felt strip, and the resulting action is very quiet.
You can play the instrument with or without the lid attached. Playing with the lid on provides a slightly quieter, softer tone, with the chanterelles sounding relatively quieter (compared to the drone and trompette) than with the lid off. With the lid off, you get brighter sounding chanterelles, with less noticeable difference on the trompette and drone. I haven't yet decided which I prefer.
The strings are tuned with four standard mechanical tuning pegs. There's no fancy geared tuning pegs on this instrument (in keeping with its mediaeval design) and so I've cheated and fitted some violin fine tuners which clip onto the chanterelles and trompette and allow me to easily make fine tuning adjustments. At only €1.60 each, I thoroughly recommend them for any hurdy-gurdy - although you may need to find a good luthier to get hold of them, as most violins use fine-tuners that mount in the tail-piece.
Overall, this is a delightful instrument. If you are after a loud instrument for dance music or playing in sessions, then this is not for you. However, if you want an instrument to accompany singing, to practice without disturbing the family or to carry about whilst dressed as a wandering minstrel, this is the instrument for you.
More details on Chris Allen's website.
RootsWorld have a nice review of the album, le maîtres de la vielle baroque(French Music for hurdy-gurdy) online. They say:
Both tackling the hurdy-gurdy repertoire with extensive backgrounds in a variety of musical forms, Loibner and Delfino shed light on some of the gems of the baroque hurdy-gurdy on this album. The composers are hardly commonplace, but on listening to the selections recorded here, the listener must wonder why not. With all the drama and complexity expected of the baroque era, these pieces are sophisticated, subtle, expressive, and utterly charming. Loibner and Delfino match the quality of the compositions with their blend of solid musical-historical knowledge, exceptional technique and innate musicality. From the melancholy yearning expressed in Dupuits's Oeuvre 3, 1ère, Ariette "Gracieusement" to the vigorously regal Oeuvre 2, 4eme, Allegro "La Bully" by Buterne, Loibner and Delfino demonstrate their mastery of the instrument as well as their strong connection to the music.
More online here.
RootsWorld have a nice review of Loibner's album, vielle à roué online. They say:
In Vielle à roué Matthias Loibner's versatile musicianship is highlighted in thirteen recordings of solo hurdy-gurdy. Ranging from traditional klezmer music to his own compositions, along with arrangements and improvisations, Loibner's music is at times melancholic, sometimes ecstatic, often stark (for instance the opening track, "Zhe Krevari de Fã" an arrangement of a Savoyard song), and sometimes wistful, as it is on "Förer Frühling", his impressions of the North Sea island of Föhr. Loibner takes full advantage of the idioms available to the instrument, including lively counter-rhythms played on the "dog" strings, long melodic notes, and haunting drones. At times, as in his own "Katzensilber", he evokes a Philip Glass-like sound of delicate arpeggiated runs, mesmerizing in the same way that a good performance of Bach's Prelude in C Major can be. His take on medieval music, as heard on "Salzarello", an arrangement of a 14th century Italian dance, uses repeated motifs over the constant drones to balance the needs of straightforward dance music with the demands of modern art music listeners.
More online here.
Introduction to the full RootsWorld review series on Loibner's work here.
Matthias Loibner and Natasa Mirkovic-De Ro have released a wonderful recording of Schubert's Winterreise for voice and hurdy-gurdy. It's one of my favourite hurdy-gurdy recordings - but don't take my word for it. Classics Today have written a glowing review of it:
Okay. A new recording of Schubert's Winterreise. Fine. And a rare venture by a soprano—a Bosnian singer I've never heard of—into this song cycle's near-exclusive male-voice domain. Terrific. And now, who's the pianist? Wait a minute…there is no pianist. The accompanist is—a hurdy-gurdy-ist? On one hand this is brilliant: taking a cue from the cycle's last song, the performers re-cast all of the songs to the plaintive, rustic, poignant sound of a real hurdy-gurdy, whose unique voice lends an eerie, earthy character that haunts the singer's every mood and step and emotion. The droning, the crude yet spot-on articulation of melody, the rudimentary suggestion of Schubert's harmony—all of this combined with soprano Nataša Mirkovic-De Ro's extraordinary expressive versatility—adds up to a performance that successfully rethinks, reconstructs, and returns these songs to roots that even Schubert might not have known they had.
More here.
Christa Muths sent me this review of Spanish hurdy-gurdy player, Abel Garcia - probably the first hurdy-gurdy player to use it for playing flamenco!
The instrument and the music: the hurdy and flamenco have much in common, says Abel, who is the first hurdy gurdy player to play flamenco. Both, he says, the instrument and the music are of unknown origin and they share another characteristic: nomadism. Just like flamenco, the hurdy is linked to gypsy music and its "migrating personality" is fused with pagan, religion, folk and traditional music of many countries.
Abel's ethnographic studies led him to investigate gypsy music which started in India and he followed its footprints across the Middle East, eastern and central Europe to the Iberian Peninsula and northern Maghreb. He studied the baglama in Istanbul under Devrim Aydin and Ergan Ogum and Efren Lopez in Spain and continued his musical range by studying Ottoman, Mevlevi, Turkish and also Greek music under Hristos Barbas and Stelios Petrakis.
Abel's band Krama fuses Flamenco with sounds from Greece, Bulgaria and India. Spyros Kaniaris is the composer of some of the music the band plays and he plays different instruments such as the Flamenco guitar, pontros lira and the Camance. Playing the melody of these songs based on the fusion of Flamenco, Balcanic and Greek sounds forces the hurdy-gurdy player to find new ways to understand and play his instrument.
Abel Garcia also plays the hurdy in the "Compañia de Baile Flamenco Manuel Serena", where the instrument mingles with the "cante" (vocals), the "toque" (guitar), the cajón flamenco and the dance developed by the company's director, Manuel Serena.
Abel plays in other bands like ALM, a project with hurdy-gurdies, dolçainas and other string instruments like the lauto, the tar, the santur and the baglama.
Abel is a member of the group Afluencies which was rewarded with the Mediterranean Music Price at the Manresa Festival, and the Ovidi Montlor Price for the best folk album 2010.
Abel music ability covers a very wide range of styles, he collaborates with other Early Music projects like Ensemble Pelegrí (Early music of the three cultures), Longa Organa (oriental medieval music with electronic sound) and Short tale (rock band.)
Abel is also the musical producer of the soundtrack of some theatrical productions. In 2010 he produced the music for the play Miss Julie, by August Strindberg. The hurdy-gurdy is the starting point of the musical composition. Every single sound, melody, atmosphere and special effects come from the wheel and the keys of the hurdy-gurdy, thanks to the sound effects and the creative possibilities of the Loop Station.
Christa Muths 2010
Reader Christa Muths sent me a review of possibly the best hurdy-gurdy player in Spain, Marc Egea. All the text that follows is from Christa:
Marc Egea (Barcelona 1973) is the leading Catalan musician and composer playing the hurdy-gurdy.
Marc started playing the hurdy-gurdy when he was 22 and soon recognised its enormous possibilities and followed in the foot steps of the great French hurdy-gurdy master Valentin Clastrier. The hurdy-gurdy, a medieval instrument is widely played across Europe and the US as folk, dance and street music instrument.
Marc writes mainly in Catalan, but also in Spanish and uses in his compositions many of the traditional Catalan and Spanish instruments.
He plays a variety of traditions, types and styles of music and expands his range to Jazz, modern dance tunes, accompaniments to poetry and experimental music.
Before becoming a full time musician Marc studied philosophy at the University of Barcelona and with his band Kalakau he also plays "philosophical" music: these tunes are like meditation and they take you into a world of melody and rhythm as well as thought and reflection. You do not want the music to stop as the melody relaxes while the rhythm carries you to another level of awareness at the same time and the sequence of the music takes you into a world of calm and yet alert reflection.
When combining just the hurdy with his voice his songs create an electrifying field.
He has produced 8 CD's, the newest one will be released shortly:
His teaching book how to play the hurdy (Introducció a la viola de roda) was published in 2008 in Catalan, the sequence of the exercises are very helpful to learn to understand the instrument and its range.
Marc is not only an excellent technical musician, but he has a deep feeling for the instrument and for the effects of music and sound.
MySpace: http://myspace.com/marcegea2
You also find him on YouTube and Facebook.
Christa Muths 2010
There's a great video interview with hurdy-gurdy virtuoso, Matthias Loibner over at interMuse - see here. Interesting description of the instrument and some fantastic playing. Well worth a watch!
Whilst you're thinking about Loibner, there are a couple of nice videos on Vimeo of his Winterreise recording. See here and here.
Charming 1953 news footage of the International Eisteddfod in Llangollen, Wales, featuring footage of a number of French hurdy-gurdy players accompanying dancers (about 1 minute into the clip). See here.
And more footage, this one from French Week in Jersey - the "hokey kokey of its period". See here.
and footage from the Paris Exhibition of 1937, including hurdy-gurdy and dancers. See here.
The UK hurdy-gurdy forum has recently added a terrific new Resources page, with links to other sites, makers, artists, music and more. Check it out here.
The hurdy-gurdy is the 18th Century English slang term for the instrument, but it is known by a whole variety of terms in English as well as other languages. Here is what I've stumbled across:
From Dictionary of Scots Language via posting from Geoff Turner here:
DSL - DOST Symphio(u)n, n. Also: sumphion. [Altered form of ME symphan (Manning), symfan (c1330), e.m.E. cymphan (1509), OF simphoine (OED), f. as SYMPHONY n.] = SYMPHONY n. a. —- Psaltery symphion & claroun … Befor the barne all playit thai; Seven S. 2523. Symphioun; ROLLAND Seven S. 627. Jhonn Robertsoun, thesaurer, to by and delyuer to John Mowatt, blindman, ane symphioun to play vpoun; 1582 Edinb. B. Rec. IV 564. —- With instruments melodious, The seistar and the sumphion [etc.]; BUREL Queen's Entry 137
Volume III of "London Labour and the London Poor" by Victorian journalist Henry Mayhew has an interesting interview with a French hurdy-gurdy player from London circa 1850 (see pp.171-174). A touching insight into the life of a street musician. You can find the whole book on Google here but what follows is the relevant section:
French Hurdy-gurdy Player, With Dancing Children
"I play on the same instrument as the Savoyards play, only, you understand, you can have good and bad instruments; and to have a good one you must put the price. The one I play on cost me 60 francs in Paris. There are many more handsome, but none better. This is all that there is of the best. The man who made it has been dead sixty years. It is the time that makes the value of it.
"My wife plays on the violin. She is a very good player. I am her second husband. She is an Italian by birth. She played on the violin when she was with her first husband. He used to accompany her on the organ, and that produced a very fine effect.
"The hurdy-gurdy is like the violin - it improves with age. My wife told me that she once played on a very old violin, and the difference between that and her own was curious for sound. She was playing, with her husband accompanying her on the organ, near the chateau of an old marquis; and when he heard the sound of the violin he asked them in. Then he said, 'Here, try my violin,' and handed her the old violin. My wife said that when she touched it with the bow, she cried, 'Ah, how fine it is!' It was the greatest enjoyment she had known for years. You understand, the good violins all bridge where the bridge is placed, but the new violins sink there, and the tune is altered by it. They call the violins that sink the 'consumptive' ones.
"I am Dijon. The vineyard of Clos Nangent is near to Dijon. You have heard of that wine. Oh, yes, of course you have! That clos belongs to a young man of twenty-two, and he could sell it for 2,500,000 francs if he liked. At Dijon the bottles sell for 7 francs.
"My mother and father did not live happily together. My father died when I had three years, and then my mother, who only had twenty years of age, married again, and you know how it often happens, the second father does not love the first family of his wife. Some Savoyards passed through our village, and I was sold to them. I was their slave for ten years. I learned to play the hurdy-gurdy with them. I used to accompany an organ. I picked out note for note with the organ. When I heard an air, too, which I liked, I used to go to my room and follow the air from my memory upon the instrument. I went to Paris afterwards.
"You see I play on only one string in my hurdy-gurdy. Those which the Savoyards play have several strings, and that is what makes them drone. The hurdy-gurdy is the same as the violin in principle. You see the wheel of wood which I turn with the handle is like its bow, for it grates on the string, and the keys press on the string like the fingers, and produce the notes. I used to play on a droning hurdy-gurdy at first, but one night I went into a cafe at Paris, and the gentlemen there cried out, 'Ah! the noise!' Then I thought to myself - I had fifteen years - if I play on one string it will not produce so much noise as on two. Then I removed one string, and when I went the next night the gentlemen said 'Ah, that is much better!' and that is why I play on one string.
"I used to sing in Paris. I learnt all that of new in the style of romances, and I accompanied myself on the hurdy-gurdy. At Paris I met my wife. She was a widow then. I told her I would marry her when her mourning was over, which lasted nine months. I was not twenty then. I went about playing at cafes, and put by money. But when we went to be married, the priests would not marry us unless we had our parents' consents. I did not know whether my mother was dead. I hunted everywhere. As I could not find out, I lived with my wife the same as if we had been married. I am married to her now, but my children were all born before marriage. At last I went to the Catholic priest at Dover, and told him my life, and that I had four children, and wished to marry my wife, and he consented to marry us if I would get the consent of the priest of the place where I had lived last. That was Calais, and I wrote to the priest there, and he gave his consent, and now my children are legitimate. By the law of France, a marriage makes legitimate all the children born by the woman with whom you are united. My children were present at my marriage, and that produced a very droll effect. I have always been faithful to my wife, and she to me, though we were not married.
"When my wife is well, she goes out with me, and plays on the violin. It produces a very good effect. She plays the seconds. But she has so much to do at home with the children, that she does not come out with me much.
"My age is twenty-five, and I have voyaged for seventeen years. There are three months since I came in England. I was at Calais and at Boulogne, and it is there that I had the idea to come to England. Many persons who counselled us, told us that in England we should gain a great deal of money. That is why I came. It took three weeks before I could get the permission to be married, and during that time I worked at the different towns. I did pretty well at Dover; and after that I went to Ramsgate, and I did very well there. Yes, I took a great deal of money on the sands of a morning. I have been married a month now - for I left Ramsgate to go to be married. At Ramsgate they understood my playing. Unless I have educated people to play to, I do not make much success with my instrument. I play before a public-house, or before a cottage, and they say, 'That's all very well;' but they do not know that to make a hurdy-gurdy sound like a violin requires great art and patience. Besides, I play airs from operas, and they do not know the Italian music. Now if I was alone with my hurdy-gurdy, I should only gain a few pence; but it is by my children that I do pretty well.
"We came to London when the season was over in the country, and now we go everywhere in the town. I cannot speak English; but I have my address in my pocket, if I lose myself. Je m'elance dans la ville. To day I went by a big park, where there is a chateau of the Queen. If I lose my way, I show my written address, and they go on speaking English, but I do the pointed finger; and when I get near home, then I recognise the quarter.
"My little girl will have six years next February, and the little boy is only four years and a-half. She is a very clever little girl, and she notices everything. Before I was married, shed heard me speaking to my wife about when we were to be married; and she'd say, constantly, 'Ah, papa, when are you going to be married to mamma?' We had a pudding on our marriage-day, and she liked it so much that now she very often says, 'Oh, papa, I should like a pudding like that I had when you married mamma.' That is compromising, but she doesn't know any better.
"It was my little girl Eugenie who taught her brother Paul to dance. He liked it very much; but he is young yet, and heavy in his movements; but she is graceful, and very clever. At Boulogne she was much beloved, and the English ladies would give her packets of sugar-plums and cakes. When they dance, they first of all polk together, and then they do the Varsovienne together, and after that she does the Cachuca and the Mazurka alone. I first of all taught my girl to do the Polka, for in my time I like the dance pretty well. As soon as the girl had learnt it, she taught her brother. They like dancing above all, when I encourage them, for I say, 'Now, my children, dance well; and, above all, dance gracefully, and then I will buy you some cakes.' Then, if they take a fancy to anything, if it is not too dear, I buy it for them, and that encourages them. Besides, when she says 'Papa, when shall we go to France and see my little brother who is out at nurse?' then I say, 'When we have earned enough money; so you must dance well, and, above all, gracefully, and when we have taken plenty of money we will be off.' That encourages them, for they like to see me take plenty of money. The little girl accompanies the music on the castanets in the Cachuca. It is astonishing how well she plays them. I have heard grown-up artists in the cafes chantants, who don't play them as well as she does. It is wonderful in so young a child. You will say she has learnt my style of playing on the hurdy-gurdy, and my movements; but it is the same thing, for she is as clever to other music. Sometimes, when she has danced, ladies come up and kiss her, and even carry her off into their houses, and I have to wait hours for her. When she sees that I gain money, she has much more courage. When the little girl has done dancing with my Paul, then he, when she is dancing alone, takes the plate and asks for money. He is very laughable, for he can already say, 'If you please, misses.' Sometimes the ladies begin to speak to him, he says, 'Yes! yes!' three or four times, and then he runs up to me and says, 'Papa, that lady speaks English;' and then I have to say, 'No speak English.' But he is contented if he hears anybody speak French. Then he runs up to me, and says, 'Papa, papa, Monsieur speaks French.'
"My little girl has embroidered trowsers and petticoats. You won't believe it, but I worked all that. The ends of the trowsers, the trimmings to her petticoats, her collars and sleeves, all I have worked. I do it at night, when we get home. The evenings are long and I do a little, and at the end of the week it becomes much. If I had to buy that it would cost too much. It was my wife who taught me to do it. She said the children must be well dressed, and we have no money to buy these things. Then she taught me: at first is seemed droll to me, and I was ashamed, but then I thought, I do it for my business; and now I am accustomed to do it. You would fancy, too, that the children are cold, going about in the streets dressed as they are, but then the jumping warms them. They would tell me directly if they were cold. I always ask them.
"The day I was married a very singular circumstance happened. I had bought my wife a new dress, and she, poor thing, sat up all night to make it. All night! It cost me five shillings, the stuff did. I had a very bad coat, and she kept saying, 'I shall be gay, but you, my poor friend, how will you look?' My coat was very old. I said, 'I shall do as I am;' but it made her sad that I had no coat to appear in style at our marriage. Our landlord offered to lend me his coat, but he was twice as stout as I am, and I looked worse than in my own coat. Just as we were going to start for the church, a man came to the house with a coat to sell - the same as I have on now. The landlord sent him to me. It is nearly new, and had not been on more than three or four times. He asked 12s., and I offered 8s.; at last he took 9s. My wife, who is very religious, said, 'It is the good God who sent that man, to reward us for always trying to get married.'
"Since I have been here, my affairs have gone pretty well. I have taken some days 5s., others 6s., and even 8s.; but then some days rain has fallen, and on others it has been wet under foot, and I have only taken 4s. My general sum is 5s. 6d. the day, or 6s. Every night when I get home I give my wife what I have taken, and I say, 'Here, my girl, is 3s. for to-morrow's food,' and then we put the remainder on one side to save up. We pay 5s. a-week for our room, and that is dear, for we are there very bad! very bad! for we sleep almost on the boards. It is lonely for her to be by herself in the day, but she is near her confinement, and she cannot go out.
"It makes me laugh, when I think of our first coming to this country. She only wore linen caps, but I was obliged to buy her a bonnet. It was a very good straw one, and cost 1s. It made her laugh to see everybody wearing a bonnet.
"When I first got to London, I did not know where to go to get lodgings. I speak Italian very well, for my wife taught me. I spoke to an Italian at Ramsgate, and he told me to go to Woolwich, and there I found an Italian lodging-house. There the landlord gave me a letter to a friend in London, and I went and paid 2s. 6d. in advance, and took the room, and when we went there to live I gave another 2s. 6d., so as to pay the 5s. in advance. It seems strange to us to have to pay rent in advance - but it is a custom.
"It costs me something to clothe my children. My girl has six different skirts, all of silk, of different colours, grey, blue, red, and yellow. They last the year. The artificial flowers on her head are arranged by her mamma. The boots cost the most money. She has a pair every month. Here they are 3s., but in France they are dearer. It is about the same for the little boy; only as he does not work as much as his sister, he is not dressed in so distinguished a style. He is clean, but not so elegant, for we give the best to the girl.
"My children are very good at home. Their mother adores them, and lets them do as they like. They are very good, indeed.
"On Sunday, they are dressed like other children. In the morning we go to mass, and then we go and walk a little, and see London. I have, as yet, made no friends in London. I know no French people. I have met some, but they don't speak to me. We confine ourselves to our family.
"When I am in the streets with good houses in them, and see anybody looking at the windows, then if I see them listening, I play pieces from the operas on my hurdy-gurdy. I do this between the dances. Those who go to the opera and frequent the theatres, like to hear distinguished music."
Graham Whyte has posted a wonderful piece on "Old Sarah" - a blind hurdy-gurdy player from London, born in 1786, taken from "London Labour and the London Poor" by Henry Mayhew.
" I was born the 4th April, 1786 (it was Good Friday that year), at a small chandler's shop, facing the White Horse, Stuart's-rents, Drury-lane. Father was a hatter, and mother an artificial-flower maker and feather finisher. When I was but a day old, the nurse took me out of the warm bed and carried me to the window, to show some people how like I was to father. The cold flew to my eyes and I caught inflammation in them. Owing to mother being forced to be from home all day at her work, I was put out to dry-nurse when I was three weeks old. My eyes were then very bad, by all accounts, and some neighbours told the woman I was with, that Turner's cerate would do them good. She got some and put it on my eyes, and when poor mother came to suckle me at her dinner-hour, my eyes was all 'a gore of blood.' From that time I never see afterwards. She did it, poor woman, for the best; it was no fault of her'n, and I'm sure I bears her no malice for it. I stayed at home with mother until I was thirteen, when I was put to the Blind-school, but I only kept there nine months; they turned me out because I was not clever with my hands, and I could not learn to spin or make sash-lines; my hands was ocker'd like"


text:
welcome to xbox 360 cheats - over 7254 xbox 360 cheats and codes!
you are here: home > Call of Duty: Modern Warfare 2 cheats > Carnival: Crenellated Wall (Resurgence MP)
Call of Duty: Modern Warfare 2
Carnival: Crenellated Wall (Resurgence MP)
Go to the drawbridge of the castle. Go inside through there, stay left, make a left up the curved stairs on your left.
|Unmazing on Fri, 27th August 2010 03:45 PM
|Feel free to comment on the Carnival: Crenellated Wall (Resurgence MP) cheat for Call of Duty: Modern Warfare 2 - however please keep it respectful! Comments are moderated.
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|10,000 Exp in Splitscreen
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text:
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With an online nursing degree from Capella University, you can build advanced capabilities, expand your career options, and meet the growing demand for highly skilled nursing professionals. See the difference a Capella nursing degree can make for your career.
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The Institute of Medicine's (IOM)is calling for health care organizations to increase their bachelor's-prepared RN staff to 80%, and double the number of their nurses with a doctorate by 2020*. Capella's online nursing programs are designed to help you meet this challenge head-on.
With the common goal of preparing a well-educated, highly skilled nursing workforce, we have aligned with employers, including hundreds of hospitals, clinics, care centers, and national nursing associations that recognize that our online nursing programs are designed to meet and exceed the IOM recommendations. Because of this, we're highly regarded within the nursing profession for producing well-educated, highly skilled nurses who can assume the responsibilities of their job from day one.
Capella's online nursing programs put every tool at your disposal, allowing you to take a proactive approach to the changing landscape of nursing.
* Institute of Medicine. (2010). The Future of Nursing: Leading Change, Advancing Health. Washington, DC: National Academies Press.
Explore Programs
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Capella University is accredited by the Higher Learning Commission.
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*The BSN, MSN and DNP degree programs at Capella University are accredited by the Commission on Collegiate Nursing Education, One Dupont Circle, NW, Suite 530, Washington, DC 20036, (202) 887-6791 http://www.aacn.nche.edu/ccne-accreditation.
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text:
Like the hostages jetting from Iran the day Reagan raised his right hand, America's economy is about to bust its chains.
Not everyone will celebrate, even though they should.
America wants to recover.
In all our history, recoveries follow crashes. Usually, the deeper the dip, the steeper the climb back out. The only crisis with a recovery worse than Obama's is the one that led to policies even more collectively transformative than his.
Builders, growers, producers, achievers—that is, employers--don't know whether the next blow from the White House will aim at their taxes, their energy, their emissions, their employees' tort rights,...


text:
Timothy Erdel
- Title
Professor of Religion & Philosophy
Archivist & Theological Librarian
Committee on the Humanities
- Work Phone 574.807.7153
- Office Wiekamp Athletic Complex, Room 123 1001 Bethel Circle Mishawaka IN 46545 USA EST
- Send an email
Timothy Paul Erdel spent his formative years in Ecuador, where three generations of his family have lived. He holds degrees from Fort Wayne Bible College, Trinity Evangelical Divinity School, The University of Chicago, and the University of Illinois at Urbana-Champaign.
Mr. Erdel is a licensed minister with (1973-), and the denominational archivist for the Missionary Church, Inc. He was formerly a missionary with World Partners to Jamaica and an inner city pastor in Chicago. He currently attends St. Mark Missionary Church, Mishawaka, Indiana. Since 1993 he has also undertaken short-term ministry trips to Puerto Rico, to Trinidad & Tobago, to Jamaica, to immigrant populations in the New York City area, to the Dominican Republic, to Cuba, and to Ecuador.
Before coming to Bethel in 1994, Mr. Erdel served at the Jesuit-Krauss (Lutheran)-McCormick Library and McCormick Theological Seminary, at Trinity Evangelical Divinity School, and at the Jamaica Theological Seminary and the Caribbean Graduate School of Theology. He has also held special or visiting appointments at some twenty other schools and helped lead a study tour to England and Scotland.
Mr. Erdel publishes in a variety of scholarly, popular, and religious forums, and has been an editor of Trinity Journal, JLA News, JLA Occasional Papers, Jamaica Library Association Bulletin, Journal of Religious & Theological Information, Reflections, and Philosophia Christi.
Mr. Erdel takes great pleasure in his marriage to Sally Elizabeth Erdel, who teaches in the School of Nursing at Bethel College, and in their three children, all Bethel graduates, Sarah Beth (Mrs. Matthew Getz) '04, Rachel (Mrs. Peter Martens) '07, and Matthew '09, and in their grandchildren, "Jack" Lewis Samuel Getz, Peter Nathaniel Martens, and Chloetta Elizabeth Getz. His lifelong passion for basketball finds expression in noontime pickup games at Bethel College.


text:
Wayne Hinshaw explores the Sugar Shack
he little frame building sits some 150 yards from the backwaters of the Yadkin River near the parking lot of T.J. High Rock Lake Restaurant and Lounge off Providence Church Road.
The little building is like a magnet for a photographer looking for something a little different that has its own character and personality. A building with character and personality?
This building appears to be built of white weatherboarding or clapboard, but someone has added strips of logs, deceiving you into thinking it is a log house. Most of the roof is red, rusting tin with the porch hanging at a dangerously low angle. There is a string of Christmas lights from the past hanging from the roof over the porch.
One side of the building, which is all white clapboard, seems to be dipping its foundation into the brown, muddy waters of a small pond. Maybe the pond has grown larger and is invading the sovereignty of the building. A dinner-plate-sized terrapin, sunning on a log, slides into the water, out of sight of the approaching photographer.
The grounds surrounding the building are well maintained, showing a love from someone for the little building. There is an aging, old-fashioned "outhouse" sitting in back of the building, thus earning the title of the "little house out back." Someone must have spent a good deal of time in the big house and "the little house out back." The outhouse, too, is unpainted and needing some repairs. Well, a lot of repairs to bring it up to code.
As the spring sunshine filters through the tall pine trees that edge the pond, they make crisscrossing patterns on the water. The building makes an unclear, blurry reflection in the reddish brown waters. You wonder, why a boat house on a pond so small?
Answers, answers!
Jack Phillips, one of the owners of T.J. High Rock Lake Restaurant and Lounge, provides the information.
At one time, the little house was the meeting place for a small group of men who came up with the idea to start the first High Rock Boat and Ski Club. They constructed the first phase of the current building that has had many additions and add-ons. There have been even more renovations recently.
The little building was the original High Rock Boat and Ski Club. Jack says that little building was nicknamed "The Sugar Shack" by the men who gathered there. Now this little building has a lot of character and personality and it has its own stories to tell.


text:
OlliGrasping, Teethers and Rattles
List price: $14.49
Our price: $13.76
You save: $0.73 (5.04%)
|Average customer review:
Fun little toy
This is a fun little toy for a 6 month to 1 yr old. He springs back and forth and is very cute. He didn't seem to keep my daughters attention for long at first, but the older she got the more she laughed. My nephew seemed to enjoy it from the start.! It is very well made and makes a great shower gift. Moms seem to enjoy the simplicity of it as well.
Great Olli
Very nicely made wooden toy. For now, my baby only uses it as a pacifier - i.e. chewing on the hat. I am sure in a month, she will learn to appreciate it more. It is also a fun decor for your desk at work!
Ollie Is So Cute!
My one-year-old loves Ollie! Every little kid who walks into our house BEELINES for this toy--there is something charming about the simplicity of concept. I would say the age range is about 6 months to 1 year. My son is old enough to make Ollie rock back and forth; this is a good one for beginning sitters, also. Well-constructed and sturdy--also comes in a little box that would make a perfect gift.
Good old Olli
Olli was purchased for my 7 month old and she immediately started sucking on his hat, these days she tends to favor his hands. He is nicely put together and spins well. One word of caution... my daughter tends to throw things when she is done with them and Olli is heavy! I was surprised at first just how heavy he is but my daughter can pick him up with no problems so I guess not too heavy, but definitely not something to be tossed from a highchair. We like this little guy and he charms visitors with his colors and craftsmanship.


text:
Cardio Knockout Short
$59.00 $19.99
This item is currently out of stock.
Our Cardio Knockout Short is a hard-working short within a short that can do anything and keep you covered while you're at it.
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