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There are 94 naturally occurring elements, from hydrogen to plutonium. Their stories reveal the intimate details of our lives, our relationships with our natural resources, and the patterns of our economies. 94 Element…
Angus Keith, Graham Holt, Mike Paterson, Sarah George
William Hertling, author of Avogadro Corp: The Singularity is Closer than it Appears, will read from his new novel, A.I. Apocalypse. Nominated for the Prometheus Award for Best Novel, and recommended by luminaries such…
William Hertling
It's every filmmakers end goal to get their project out in front of as many eyes as possible and in an age where distribution is more DIY and in their hands than ever, how are studios and film distributors evolving along…
Arianna Bocco, Dan Guando, James Shapiro, Peter Van Steemburg, Bret Berg
Being well-branded and communicating that brand efficiently to the specific buyers of that brand is critically important so that you can relax and concentrate on the craft that inspired you in the first place. Join Los …
Beth Sepko, Bonnie Gillespie, Caroline O'Connor, Rochelle Rose
Hear first hand from previous SXSW filmmakers, producers and distributors about their journey with films from festivals and beyond. From fielding offers, to signing and making deals, to getting projects out there for the…
Mac McLean, Matthew A Cherry, Nicolas Gonda, Aaron Hillis
Amazing Things Will Happen is the new book from C.C. Chapman. It is a no nonsense guide to living a happier and more successful life. This book reading will give an overview of the philosophy of the book as well as answ…
CC Chapman
Kick off SXSW Film right on day one by getting insider tips, strategies and advice you can use to maximize your time at the film fest, straight from some of today's most influential film pundits. Offering up a "sneak pr…
Brian Salisbury, Dana Harris, Eugene Hernandez, Jen Yamato, Dave Karger
A basic foundation of animation is story but in an industry where the technology is constantly evolving, how are animation professionals bringing characters and story worlds to life? Join the discussion with those workin…
Darcy Prendergast, Ryan Quincy, Saschka Unseld, John Bernstein
Armed Response is an action series about a SWAT team battling a Mexican cartel at the Port of Long Beach. The series is told from the POV of helmet and security cameras. The idea is to combine a video game aesthetic with…
Greg Siegel, Justin Lutsky, Matt Michnovetz, Thomas Bannister
We know that it takes hard work, talent and the occasional dose of luck for someone to make it to the top of their chosen field...but is that all? To find out we asked dozens of extraordinary people including celebrities…
Camille Sweeney
Catch an exclusive sneak peek of the first episode of Bates Motel, the thrilling new series from A&E starring Vera Farmiga and Freddie Highmore. The contemporary prequel to the genre-defining film "Psycho," promises to g…
Carlton Cuse, Guy Slattery
This presentation by BBC reporter and video jouranlist Matt Danzico will discuss the neurological and evolutionary underpinnings of storytelling, i.e. what parts of the brain are affected when a narrative is told and why…
Amy O'Leary, Matthew Danzico
A nexus of discovery and collaborative energy, SXSW Film kicks off in high gear with their annual Beginner's Guide. Answering questions like how do I get around Austin during the fest? When should I arrive to get into my…
David Modigliani, Jette Kernion, Kimberley Jones, Yen Tan, Agnes Varnum
During this session authors Scott Stratten and John Morgan will reveal the 10 biggest marketing mistakes businesses make and show you how to avoid them. They'll cover actionable strategies that you can implement in your …
Scott Stratten
From visionary director Harmony Korine, comes a bold new vision of the seasonal American ritual known as spring break. Korine, joined by his cast, will discuss what it was to film amidst real-life revelers and create one…
Ashley Benson, Harmony Korine, Rachel Korine, Selena Gomez, Eric Kohn
You have just wrapped your small budget film, and you are ready to show it to the world but where do you start? What exactly do you need to know about the international film industry to distribute and make deals for your…
Andy Whittaker, Ryan Kampe, Sébastien Chesneau
For 48 hours, a fan video for the Miami band Jacuzzi Boys took the internet by storm. The video featuring singing vaginas, used as puppets and dressed like various pop icons, amassed almost 700,000 views on YouTube while…
Jillian Mayer, Lucas Leyva
On August 30th, 2012 over 10,000 people gathered at the Walker Art Center in Minneapolis for the first Internet Cat Video Festival (#catvidfest). What began as a social experiment testing the boundaries of online communi…
Katie Hill, Scott Stulen
Video is a powerful way to tell and share stories. Organizations around the globe are finding innovative ways to use collaborative video storytelling to make a difference in the world. With the explosion of online video …
Christopher Dubia, Mark Floisand, Tess Cacciatore
This latest TV season brought us one woman impersonating an underage hooker in bed (Girls) and another woman smashing her date's head into a car window (Louis C.K.). These were not trashy housewives or the recently arres…
Anna Camp, David Haglund, Noreen Malone, Sarah Shapiro, Alyssa Rosenberg
Top TV comedy hitmaker Chuck Lorre ("The Big Bang Theory," "Two and a Half Men," "Mike & Molly") makes his SXSW debut in a wide-ranging discussion with author Neil Gaiman ("Stardust," "Coraline," and the acclaimed comic …
Chuck Lorre, Neil Gaiman
There are over 1 billion people now with HD video phones connected through social networks… Could this make for an explosion of collaborative filmmaking? This session will explore the latest mobile platforms for making c…
Andrew Wallner, Ben Olsen, Marcelino Alvarez, Philip Marshall
Colors, textures and effects play a pivotal role in the way we experience film. The darker the color; the more somber the tone, the brighter the picture; the happier a scene may feel, a heightened color will draw the eye…
Parke Gregg, Steve Bannerman
We know that Comedy and the internet go hand in hand but is there more to this marriage than meets the eye? What's really behind the success of Funny or Die? , College Humor, and Cracked? Do Reddit, Tumblr, Facebook an…
Alf LaMont, Heather Knight, Joel Warner, Peter McGraw
Why do Cheerios generate more word of mouth than Disney World? Which emotional responses prompt a person to share a link to an article? Jonah Berger, a Wharton marketing professor and author of CONTAGIOUS: WHY THINGS CAT…
Jonah Berger
Academy Award® winning director Danny Boyle has spent the past 20 years pushing the creative boundaries in filmmaking with work as diverse as Trainspotting, Slumdog Millionaire and 127 Hours and most recently as Artistic…
Danny Boyle, David Carr
Matthew McConaughey is one of Hollywood's most sought after leading men - whose chance meeting in Austin with casting director and producer Don Phillips led him to director Richard Linklater, who launched his career in t…
Matthew McConaughey, Scott Foundas
SXSW Film and Music are excited to present Nick Cave in Conversation with New York based author Larry Ratso Sloman. Nick Cave is an internationally acclaimed author, composer, screenwriter and actor. In recent years, C…
Nick Cave, Larry Sloman
An auteur filmmaker with unlimited vision, Rob Zombie's unique voice has gained him unparalleled recognition across the mediums of film, music and publishing. Zombie's most recent cinematic feat, The Lords of Salem, is …
Rob Zombie, Drew McWeeny
Few politicians use social media as openly, or prolifically, as Cory Booker. As the mayor of Newark, New Jersey, he has used Twitter to interact with his constituents on a daily basis, responding to questions and complai…
Cory Booker, Steven Snyder
I describe myself as a web-friendly director. I studied filmmaking and self-taught myself programming. In the last years, I directed traditional films (INNI and MIROIR NOIR), developed web sites and created projects that…
Vincent Morisset
In the media age, the intersection between film critics and the film industry has never been more vocal. Opinions are given, read at a heightened rate and can have a hand in making or breaking the success of a project. J…
Marian Koltai-Levine, Melissa Hanson, Scott Weinberg, Simon Barrett, Matt Singer
We've lived with the donor form of Crowdfunding via IndieGoGo and Kickstarter for years. Now, thanks to the JOBS Act, there is a new form of Crowdfunding – one in which fans can become investors (not merely donors.) The …
Brian Meece, Dan Satorius
THE CULTURE GAME book is your culture hacking tutorial and reference guide. Culture hacking modifies culture, instead of modifying software. Software hackers in the 1970 s created code for personal use and for others to…
Dan Mezick
Documentaries have never been more influential. So no surprise that they are increasingly targeted-- both before and after their making-- by subjects who don't like their revelations. Whether you're facing big corpora…
Michael Donaldson, Nonso Christian Ugbode, Parker Higgins, Suzan Beraza, Patricia Aufderheide
This session presented by SXSW Music. Techno and technology adventurer and world-leading DJ Richie Hawtin engages on-stage with deadmau5 – one of the most globally-renowned electronic artists period. Each are innovators…
Richie Hawtin
Steve Jobs was famously quoted as saying "You watch television to turn your brain off and you work on your computer when you want to turn your brain on." The rapidly evolving field of Social TV is turning the belief that…
David Beck, Hermione Way, Jason Hoch, Jesse Redniss
When Intellectual Property (IP) and Copyright laws were created, content was static – the idea of a world filled with shares, posts, pins and tweets was inconceivable. Today, anyone can be a content creator, making the w…
Christian Castle, Jeff Roberts, Josh Wattles, Offir Gutelzon, Bill Rosenblatt
Graphics are key to the user experience of online content, especially now that users are accessing that content on a multitude of devices: smartphones, tablets, laptops, and desktops. During this quick session, Christo…
Christopher Schmitt
With so many choices, choosing your film's main locale can be a dizzying process. After much consideration and review, the magic happens, and everything starts to fall into place. Workshop speakers and participants will …
Jillian Longnecker, Ginger Sledge
Filmmakers are increasingly using digital marketing tools to make their films "sticky". Social media, contests and sweepstakes drive traffic to the filmmakers' sites. Solicitation of user-generated content keep fans inte…
Anne Moebes
When Louis C.K. released his comedy special "Live at the Beacon Theater" by himself on his website for $5, it was little more than a cautiously optimistic experiment. In just 12 days, it reaped more than $1 million. Alre…
Nick Nuciforo, Scot Richardson
Today, filmmakers have the unprecedented ability to utilize their greatest resource - their community. Crowdfunding and community-building platforms like Kickstarter and Seed & Spark are giving filmmakers a unique aven…
Chris Horton, Daniel Parnes, Emily Best, Matt Adams
Join a round table discussion of the Digital Revolution; how we got here, how the world has changed and what are the best ways forward in these contentious times. With Napster founders Shawn Fanning and Sean Parker, musi…
Alex Winter, John Perry Barlow, Sean Parker, Shawn Fanning, Eugene Hernandez
One of the most accessible pieces of equipment for filmmakers is the DSLR camera. At the right budget range for most independent filmmakers, they offer the ability to not only have professionally looking film, but becaus…
Lan Bui, Vu Bui
With the increase and development of mobile technology and digital platforms allowing anyone with a smart phone the ability to point, shoot and share - filmmaking is at the most accessible point it's ever been. Content c…
Andrea Allen, Hooman Khalili, Pat Gilles, Peter Ferris
This is a new paradigm based on forming two-person book clubs as a way to help you become happier and more successful. This kind of club can also help you figure out what you need to do in your life and in the world. …
Will Schwalbe
How do you tell the story of a PLACE? New technologies like geo-tagging, location-aware devices, interactive video and augmented reality are being combined with traditional storytelling methods like documentary film and …
Danny Harris, Liz Nord, Michel Reilhac, Mike Knowlton
Fair Use is an important doctrine allowing use of copyrighted works without the owner's consent in certain situations. But documentary filmmakers and producers of online content under utilize the fair use doctrine in the…
Julie Ahrens
If there's one piece of advice to keep as much personal data to yourself as possible, it's this: FAKE IT and don't become a datasexual! Separate the professional You from the private You, use pseudonyms, aliases and fict…
Pernille Tranberg, Steffan Heuer
After the Tampa Bay Times won a Pulitzer Prize for PolitiFact, its groundbreaking fact-checking operation, other newspapers wanted to get in the game and start their own PolitiFact sites. Editor Bill Adair had to figure …
Bill Adair, Steve Myers
The role of the filmmaker has, historically, focused on precision: crafting and controlling the viewer's experience down to the frame. And for good reason — one of the prime pleasures of cinema is surrendering to the vis…
Jason Brush
Moderated by Richard Lorber, CEO & President of Kino Lorber, he will explain the fragmented digital landscape and talk about the platforms that deliver audiences and money. He will outline the challenges to entry, the ch…
Eric Stein, Melanie Miller, Nick Savva, Steven Beckman, Richard Lorber
From funding to production, distribution to viewing, the opportunities for participating in filmmaking today that allow filmmakers to connect with and relate to their audiences in new and exciting ways are endless. Join…
Blake Whitman, Jamie Wilkinson, Simon Klose, Liz Miller
A year ago, Forbes introduced Daniel Ek to the world by putting him on the cover of its inaugural "30 Under 30" issue. Now the story's author interviews Ek, perhaps the most disruptive force in music right now, about the…
Daniel Ek, Steven Bertoni
Director of post production at CollegeHumor.com Michael Schaubach and composer Cheryl B. Engelhardt will examine the process of creating online hits like "The Fresh Prince of Downton Abbey" and "Katy Perry Puppet Sex" as…
Cheryl Engelhardt, Michael Schaubach
Eric Cheng has been exploring the limits of photography as a world-renowned underwater photographer and founder of WetPixel.com, traveling hundreds of feet underwater to capture rare and beautiful creatures. As the Dire…
Eric Cheng
Ready to take your entertainment startup to the next level? You'll probably need some capital to do so. Learn the tricks to getting investment from top venture capitalists and angel investors with experience funding ente…
Dana Settle, Matt Mazzeo, Patrick Chung, Thomas McInerney, Christina Chaey
The current studio and independent film distribution systems don't serve the evolving desires of a modern audience. This panel will discuss current and proposed alternatives that solve the gap between what audiences want…
Adam Klaff, David Hayes, Josh Braun, Paul Levering, Keith Calder
Once upon a time -- 2010, say -- building a TV section was easy. Figure out the 10 TV shows your readers like the best; hire a bunch of kids and pay them a hundred bucks to write recaps of those shows; watch the traffic …
Chris Rovzar, Jason Forbes, Stephanie Goodman, Willa Paskin, Dan Kois
Explore what the future holds for content creators and the distribution of video with leaders and talent at the forefront of the digital revolution. Investigate how you create a model that thrives and what advice can be …
Courtney Holt, Danny Zappin, KassemG , Shaycarl
Applying Scrum changes the day-to-day reality of agencies dramatically. If done well, it improves output and profitability like crazy. However, for agencies, Scrum dynamics are radically different from in-house design a…
Pieter Jongerius
A reading from "Gluten Is My Bitch: Rants, Recipes, & Ridiculousness for the Gluten-Free" -- as seen on the blog of the same name -- will include a hilarious romp through digestive maladies and plenty of opportunities f…
April Peveteaux
Join Dushan Zaric and Jason Kosmas, whose work is featured in Douglas Tirola's documentary "Hey Bartender" premiering Saturday March 9 in a book signing of SPEAKEASY - The Employees Only Guide to Classic Cocktails at th…
Dushan Zaric, Jason Kosmas
What does a major Hollywood studio look for in a technology provider? As senior digital executives at Warner Bros. Entertainment, Hiram Norman and Bob Mohler get hundreds of queries per year from B2B technology providers…
Bob Mohler, Hiram Norman
Combining fresh and pithy life lessons, often just a sentence or two, with deceptively simple diagrams and graphs, HOW TO BE INTERESTING is an inspiring guide that shows you how to lead a richer life. Passionate, posi…
Jessica Hagy
Think social marketing is worth it? Prove it. If your CEO hasn't demanded that yet, they will. Then what? Hand them some jive about "return on conversation" or "follower growth"? Think that'll fly? You'll be gone so fast…
Nichole Kelly
Building a web site doesn't guarantee that it will automatically be loved by search engines. Having some SEO (search engine optimization) savvy can be a big help. But SEO doesn't mean terrible design or black-magic trick…
Danny Sullivan, Duane Forrester, Matt Cutts
I would like to talk about how to program for the convergence of the Internet and television. In 5 years both mediums will be obsolete. The box we have at home -- call it Intervision -- will service our appetite for en…
Harvey Levin
Social media has had a dramatic impact on how we watch television, with Twitter leading the way for a social TV revolution. Social television - the term used to describe the symbiotic relationship between social media an…
Jenn Deering Davis
With 90 detailed hacks, expert web developers Jesse Cravens and Jeff Burtoft demonstrate intriguing uses of HTML5-related technologies. Each recipe provides a clear explanation, screenshots, and complete code examples fo…
Jeffrey Burtoft, Jesse Cravens
Bringing audiences inside the literal arena, sports filmmaking offers a unique inside look at the inherently relatable themes of triumph, tragedy, adversity and glory that go hand in hand with sports, where opponents are…
Connor Schell, Ken Rodgers, Ross Greenburg, Michael Hogan
Social media and the 24-hour news cycle have pushed the water cooler conversation into hyper-drive. It's happening around the clock with instantaneous reactions from professional critics and their armchair counterparts a…
Kyle Killen, Peter Lenkov, Tim Surette
As Ben Decker once said, "The Internet is not just another TV pipe." And that is why, particularly in the documentary genre, we've seen innovative filmmakers, journalists and other digital pioneers exploring the web and …
Bjarke Myrthu, Syb Groeneveld, Caspar Sonnen
What happens when big ambition meets limited budgets? A lot, as it turns out. Listen in as Josh Ruben and Vincent Peone (CollegeHumor's resident director/DP team) take us through their experiences as professional filmmak…
Josh Ruben, Vincent Peone
Infographics are timeless, but much like web design and development, practitioners must evolve to remain effective. When infographics were first added to the web-based content marketing arsenal, the novelty factor alone …
Jason Lankow
What are the biggest changes disrupting filmmaking today? From equipment to accessories to apps, the explosion and subsequent interweaving of film and technology is changing the filmmaking landscape at a frenetic pace. J…
Amit Man, Steve Bannerman, Steve Heiner, Lan Bui
Noah Robischon, executive editor of Fast Company, will moderate this in-depth discussion with seven-time entrepreneur Anthony Wood. Best known as the founder and CEO of Roku, which was just named one of the "50 Most Inno…
Anthony Wood, Noah Robischon
This book examines the user-centered design process from the perspective of the design student and design professional. It introduces the different UX players, outlines the user-centered design process from user research…
Jason Nunes
The talented comedians behind the JASH collective, Sarah Silverman, Tim & Eric, Michael Cera, and Reggie Watts, take us on a tour through their collaborative innovations in the digital space, highlighting their experienc…
Daniel Kellison, Eric Wareheim, Michael Cera, Reggie Watts, Sarah Silverman, Tim Heidecker, Ross Luippold
Jeffrey Tambor (Arrested Development, The Hangover) returns to SXSW Film 2013, continuing the tradition of his much loved acting and life workshop where he breaks down the performing process and explores the practical an…
Jeffrey Tambor, Lindsay Burdge, Michael Stahl-David
Cloud Chamber is a premium online mystery launching this spring. It aims to raise the bar of online fiction with international stars, feature film production values and a deep understanding of social media and gaming. Bu…
Christian Fonnesbech, Stinna Lassen
Kim Dotcom, the Megaupload founder busted by New Zealand police under FBI and US DOJ supervision and awaiting extradition to the United States and a potential 55 years in jail for copyright violation, piracy, conspiracy …
Charles Graeber
From the shopping mall to the corner bistro, knockoffs are everywhere in today's marketplace. Conventional wisdom holds that copying kills creativity, and that laws that protect against copies are essential to innovation…
Kal Raustiala
Investment firm Y Combinator is the most sought-after home for startups in Silicon Valley. Twice a year, it funds dozens of just-founded startups and provides three months of guid ance from Paul Graham, YC's impresario, …
Randall Stross
The world of business and commerce has never been more complex. We live in a constant state of stimulation and distraction. The choices and features we face daily are overwhelming. Living a "simple life" is no longer an …
Matthew May
Movie trailers remain one of the most potent ways to create interest and market a new film, yet with the evolving needs of today's filmmaker, there are a myriad of iterations a film trailer can go through to target diffe…
Evelyn Watters, Mark Woollen, Stephen Garrett
Nev Schulman is the subject of the acclaimed documentary CATFISH and host of MTV's CATFISH: THE TV SHOW. In a world of constant digital connection, social networks have made communicating easier while complicating the…
Nev Schulman
The Internet has grown exponentially throughout the years. It has gone from a place that no one understood to a world that no one can take their eyes off of. The Internet has evolved from a place to get your news, pay yo…
Pete Cashmore
How is the television industry changing to meet the changing tastes / demands of today's most wired consumers. Acclaimed businesswoman Lauren Zalaznick shares her insights about the future with industry insider Quincy Sm…
Lauren Zalaznick, Quincy Smith
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Alexa Fogel, Beth Sepko, Rochelle Rose
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Nicolas Gonda, Nikita Adams, Rodney Gibbs
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Dan Berger, Michael Barker, Vanessa Hope
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Christoph Terhechte, Ula Sniegowska, Scott Macaulay
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Andy Kleinman, John Sloss, Mark Olsen
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Matt Cowal, Ryan Werner, Joel Heller
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Amy Dotson, Lois Vossen, Ryan Long
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Al Reinert, Jeanie Finlay, Agnes Varnum
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Jessie McCormack, Mitchell Altieri, Chad Hartigan
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Sarah Green, Shannon McIntosh, Suzanne Weinert
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Dante Harper, Franklin Leonard, Tim McCanlies
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Andrew Kippen, Mark Achler, James Belfer
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Emily Best, Jake Lodwick, James Belfer, Malcolm Pullinger
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Tim Chang, William Hsu, Kevin Iwashina
New for 2013, Meet the Insiders is an opportunity to participate in vital discussions on the innovations and developments in the world of film across varying topics. Moderators will start by introducing and getting to kn…
Caspar Sonnen, Michel Reilhac, Ingrid Kopp
Have a question about beginning a project? In the middle and stuck? Meet with industry professionals who have experience aiding artists every step of the way. Mentor session signup is open to all Film, Gold and Platinum…
Chris Horton, Cullen Conly, Holly Herrick, Lindsey Ramey, Matt Bolish, Michael A Behrens, Nancy Schafer, Teresa Hollingsworth
From Interactive programs, to digital marketing - the digital age runs the gamut of directions filmmakers can go to bring their films to the masses, take the audience deeper, etc. Talk to those at the forefront of their …
Aaron Koblin, Elaine McMillion, Ingrid Kopp, Jigar Mehta, John Christiano, Keyvan Peymani, Laure Parsons, Logan Mulvey
Meet with industry professionals who can give advice and answer questions about distribution, distribution options, and more for Documentary Films. Mentor session signup is open to all Film, Gold and Platinum badge hold…
Amy Letourneau, Christine D'Souza, Greg Rubidge, Jill Burkhart, Josh Braun, Katie Ellen, Molly Thompson, Robert Rock
Meet with industry professionals who can give advice and answer questions about distribution, distribution options, and more for narrative films. Mentor session signup is open to all Film, Gold and Platinum badge holder…
Dylan Marchetti, Jerome Rougier, Keith Leopard, Matt Grady, Meghan Wurtz, Richard Abramowitz, Shyama Friedenson
Every filmmaker has a story to tell. Get advice, or share those stories with experienced filmmakers in our Documentary Filmmaker Mentor category. Mentor session signup is open to all Film, Gold and Platinum badge holder…
Bradley Beesley, Heather Courtney, Jeffrey Schwarz, Jillian Schlesinger, Malcolm Ingram, Paul Stekler, PJ Raval
Every filmmaker has a story to tell. Get advice, or share those stories with experienced filmmakers in our Narrative Filmmaker Mentor category. Mentor session signup is open to all Film, Gold and Platinum badge holders …
Cherie Saulter, David Lowery, Jennifer Cochis, Kelly Broad, Kristoffer Aaron Morgan, Kyle Henry, Robert Byington, Todd Rohal
Ask questions and talk with industry members about financing for film, different funding platforms, opportunities and ways to get your project off the ground. Mentor session signup is open to all Film, Gold and Platinum…
Holly Herrick, John Trigonis, Lois Vossen, Lu Lippold, Meghan Oliver, Scilla Andreen
Films are finding success abroad today - how do you make your film viable abroad, find the right distributor and capitalize on International markets? Find out here. Mentor session signup is open to all Film, Gold and Pl…
Andy Whittaker, Christine Davila, Cristina Garza, Danny Rhee, Diego Marambio, Hugues Barbier, Martijn Te Pas, Sheena Morjaria
There are countless legal pitfalls inherent in the world of film and video. Meet one on one with legal specialists for invaluable information to save you from costly problems in the future. Mentor session signup is open…
Anne Moebes, Annie Lin, Charles Prince, Dan Satorius, Deena Kalai, Emilio Nicolas, George Rush, Michael Saleman
As a filmmaker, the press can be your best friend or your worst nightmare. Learn how to make nice. Or, if you're an aspiring journalist, learn how to make a living. Mentor session signup is open to all Film, Gold and Pl…
Brandon Harris, Dan Kois, Farihah Zaman, Gerald Peary, John Gholson, Roger Erik Tinch, Scott Foundas
Film production runs the gamut from pre to post. Learn from industry professionals who have experience in the wide range of experiences film production entails. Mentor session signup is open to all Film, Gold and Platin…
Andrea Roa, Brady Dial, Brian Yang, Chris Ohlson, Gill Holland, Mark Bristol, Melissa Robyn Glassman, Yvonne Boudreaux
Film production runs the gamut from pre to post. Learn from industry professionals who have experience in the wide range of experiences film production entails. Mentor session signup is open to all Film, Gold and Platin…
Adam Donaghey, Christian Zak, David Fabelo, Dominic Buchanan, Lea Prainsack, Megan Gilbride, Sandra Adair
Festivals and markets are as vital as ever in today's filmmaking scene. Learn what to do - and more importantly, what not to do - when it comes to festival submissions, festival attendance, and beyond for Documentary Fil…
Basil Tsiokos, Charlie Phillips, Eric Hatch, Erik Jambor, Greg Rhem, Michael Lerman, Nancy Campbell
Festivals and markets are as vital as ever in today's filmmaking scene. Learn what to do - and more importantly, what not to do - when it comes to festival submissions, festival attendance, and beyond for narrative films…
Anderson Le, David Nugent, Dosin Pak, Karen Arikian, Lane Kneedler, Michael Hayden, Stephanie Trepanier, Wim De Witte
Do you need a publicist? Maybe so, and maybe no. Come get some hands-on information about the modern role of the PR person, and how that impacts filmmakers today. Mentor session signup is open to all Film, Gold and Pla…
Brandy Fons, Cynthia Swartz, David Magdael, Matt Johnstone, Mickey Cottrell, Rene Ridinger, Sylvia Desrochers, Weiman Seid
Learn about the nuts and bolts of the all-important packaging, marketing and selling of your film. Who you are selling to? How do you land that buyer? Who picks up the tab? Find out here. Mentor session signup is ope…
Hailey Wierengo, Jeff Deutchman, Keri Safran, Nicholas Ogiony, Peter Jarowey, Peter Trinh, Peter Van Steemburg, Ryan Kampe
MIT has launched a documentary lab. Why? Because at this moment of media change, the opportunities for documentarians have never been greater. Yet it is also a time of confusion, with narrative structures, technologies, …
Chris Boebel, Jesse Shapins, Katie Edgerton, Sarah Wolozin
What's the next step after directing one of the biggest films of the year? Gather some of your favorite actor friends in your home to film a contemporary take on a Shakespeare classic! Directly following the SXSW US Prem…
Alexis Denisof, Amy Acker, Clark Gregg, Joss Whedon, Nathan Fillion, Adam B Vary
This panel will discuss the evolution of music into a source of finance for independent film. Filmmakers rarely raise money from one source; debt, equity, grants, tax credits, rebates, and fan funding are well known sou…
David Kaplan, Goetz Grossman, Jennifer Dana, Mike Ventimiglia, John Sloss
No matter how you do the math, there's no ROI on a video that doesn't get any views. So you just have to make your video go 'viral', right? But counting on a video to go viral effortlessly is not so different from planni…
Bettina Hein, Eduardo Tobon, Kevin Doohan, Rob Ciampa
Gone is the golden age of movie trailers and posters. Social media are the new tools for film promotion. Vanity Fair's Senior West Coast Editor Krista Smith talks with those who have championed Twitter, Tumblr and beyond…
Jason Janego, Matt Jacobson, Natalie Bruss, Olivia Wilde, Krista Smith
Social influencers are starting to get involved in the startup ecosystem with the expectation that they will use their influence to attract new investors, users and revenue. This panel will discuss the benefits of gettin…
Chris Kantrowitz, Dhani Jones, Sophia Bush, Walter Delph, Adam Lilling
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This panel discussion springs from the newly released interactive documentary 48 Hour Games which takes place during the Nordic Game Jam, where teams are followed through their creative process, as they struggle to creat…
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The long- running debate about the power of film to effect real change in the world has 'jumped the shark' through the commercial and results-oriented success of numerous documentary and narrative films. From the widespr…
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Giving the audience the chance to go in-depth and experience the story in a different way alongside the film, join Rob Zombie as he signs copies of his latest book, The Lords of Salem and make sure to catch the film as a…
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Through advances in artificial intelligence and data science, Web sites and apps are evolving. There is a new breed of "robot" applications focused entirely on working on our behalf. Search robots like Siri turn mobile d…
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From a Pulitzer Prize–winning investigative reporter at The New York Times comes an engaging talk on the rise of the processed food industry and its link to the emerging obesity epidemic. Michael Moss reveals how compani…
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Billions of pieces of data, five years of research, and tens of thousands of readers and attendees in the making, The Science of Marketing will be the paramount presentation of inbound marketing data, statistics and scie…
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He has retired from pro basketball, but that doesn't mean Shaq has slowed down. Four-time NBA champion Shaquille O'Neal gives his opinions on social media, startups, online comedy, as well as all things hoops in a reveal…
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We have a high Military/Veterans aging in this area. " Snap" has helped local farmers grow, and local farm markets as customers can use snap as payments.
I am not sure I agree with your take on this situation, Jeremy. Let me propose a more political and sinister view of this situation and a proposed different outcome. First, Wiesner was added to the indictment for political purposes...the re is no detail of an allegation against him. The AG office would not let him testify so they could add his name without the grand jury stopping them. If he appeared and was cleared, they could not do that. Then the perp walk was scheduled and the media notified the day before to embarrass Wiesner and his wife, Maggie Brooks.
Then after violating the law by the perp walk, but getting what they needed for television, the AG office agreed to drop the charges because they were so blatandly political it was working against them. And, if they put together another grand jury after this handling of the first...they would be obviously more political!
I hope that the attorneys for the defendents, the judge, and the media come down hard on Eric Schneiderman and all concerned for such and abuse of power and public trust! Remember, he origninally wanted this show the week before the election, when, coincidentally, he would be in town at a seminar, He should be forced from office for all of this!
We live in a diverse country, some are theist, others are not. Non-denominational prayers should be offered before public meetings. This way, those who are theist, feel included in the political community. Public prayer has been a tradition practiced since the founding of the country, if the founders who penned the Bill of Rights believed this act contradicted the First Amendment, then surely they would have nipped this practice in the bud, or made a clause for an exception to public prayer.
The Democrats knew best what was good for the country when they unilaterally passed Obamacare. They knew what was in it before they passed it (even if they didn't read it). They own it lock, stock and barrel. Yet Obama has been continually re-defining and altering the law without bothering to involve Congress (how is this Constitutional?), exempting individuals and groups, delaying the business mandate but not the individual mandate, etc, etc. Now he flip flops to allow people to keep their coverage as he promised, shifting the blame to state insurance regulators and insurance companies themselves, as he attempts to provide political cover for Democrats in the voters' crosshairs. It won't work. This train wreck has to be stopped.
I've worked in the table games department in two different casinos. I am a table games supervisor. I worked for the Seneca nation for years. Sure, you get your regulars that come in. So what? You people that think bringing a casino into town is gonna devastate the area and make everyone poor is crazy. First, it brings construction jobs...than thousands of jobs that follow to operate it. I love what I do. People come for fun... and above all else the thrill of winning money. Why lose out on the money to other states when you can have your own. I can assure you that 95% of these people come to get away from there regular lives looking for nothing more than entertainment and fun. I would imagine your property value going up as well. As more jobs are created...
Look for story soon to break that Vacco's services are terminated by Monroe County. due to major scandal in Vacco's background. While he was US Attorney in Buffalo (1988-1993), Vacco refused to prosecute the NYAG's office for corruption.also involving the district court there ( despite having evidence that guaranteed convictions). Schneiderman knows all about the scandal and knows that Vacco can demand favors because of his prior protection of NYAG Abrams who was forced to resign his office in 1993 before the completion of his term, as was NYS Comptroller Ed Regan. email firstname.lastname@example.com
Sean, working people use food stamps.
Tom DiNaploi, state comptroller, has said that LDCs are ripe for fraud and abuse because they do not have to go through the same procurement process as the government. While we have to wait the review of all evidence by the courts to see if this investigation is politically motivated or a serious breech of the public trust, we do know that there is a history of favoritism with this county administration. Keeping property taxes level while adding to future pension costs may look better on paper than in reality.
Perhaps people who are so weak they need to take public money could try earning their living rather than being made weaker.
Rather interesting thing to say Ms. Towler, given that you were one of her critics when Mayor-Elect Warren laid plans to run nine months ago.
The latest unemployment rate in Atlantic City was 12.6%. The most recent unemployment rate in Las Vegas was 9.2%. The most recent unemployment rate in PA was 7.7% and drum roll please...the unemployment rate in NY was 7.6%.
I mentioned Atlantic City and Las Vegas because of their high profile status as casino gambling meccas. I mentioned Pennsylvania because of the fracking's promise of jobs. These unemployment figures kind of shoot down the lies told about fracking and casinos as job saviors. Yes, of course they create jobs, but many things create jobs.
And have you been to Atlantic City lately? It is still the tale of two worlds...on one side, there is the glitz of the casinos and right across the street are the homeless in extreme poverty.
Fracking and casinos are not solutions, they are problems and threats.
There is much misinformation written and or quoted in this article. Lima has always been a bedroom community of Rochester. Storefronts will never thrive in the village because of the lack of parking. The last major business development built in the village was in 1975. A new supermarket was built with ample parking on West Main Street. On East Main Street a "historical" house was moved to outside the village and a new diner was built with ample parking No, the new buildings did not match the "architecture", but it did bring many people into the village maybe because of the "ample parking" and modern buildings.
The Dollar General store repeatedly mentioned is 3/4 mile north of the village business district. The store sits among industrial buildings with steel roofing and steel/brick siding. The store fits the " architecture" that surrounds it. The print edition of this newspaper shows a good picture of the Dollar General storefront with many cars parked with the store's ample parking. Business is doing good there the picture shows
Lima's village storefront businesses slowly disappeared with the US recession in the 1970's/80's and never returned. They never will.
The pharmacy closed not because of the "big box" pharmacy in the next town. The bank closed not because of the lack of business. The hardware store (Western Auto) and dry cleaners closed 30 years ago.
Let's face it the modern living today will never bring retail business back to the storefronts in the village. The storefront signs say "No Parking".
A Republican spin that has brainwashed many. Just because the tax rate stays the same doesn't mean your property taxes are not going up. Maggie and her Republican friends need to stop talking about the tax rate and be honest about are taxes.
Let us all bow our heads for a moment of silence for the most cryptic piece of graffiti in the Rochester region, which once adorned this building:
"In 1999, the Euro was created..."
So the self-proclaimed Duffy Era "Dream Team" will be coming to an end. It began with such braggadocio. I recall Walker, et al, taking Mike Caputo, then at WXXI, to task for questioning their bold claim. As always, history will be the true judge of their success.
What was it Gary that you called Mike? Oh that's right, a "nattering nabob of negativism."
I voted for Lovely becasue she truly wants to be the Mayor of Rochester. Before the primary, I had never even heard of... now Mayor-Elect Warren. I just assumed that Tom Richerds would win and get my vote. But Richards didn't want the job and said " Of course, if I win... I will continue to serve as Mayor. Thanks, but NO!! We need a Mayor who actually wants the position. As a city resident, I am so glad that Lovely Warren is our new Mayor.
Jim, City Resident
What's wrong with CVS? I understand concerns about too many chains and big box architecture, but I think they did a pretty good job with the Rite Aid on Monroe Avenue. And the South Wedge currently has no drug stores.
Jim Rogala:
Yup, and Hilary Clinton is unfit for office because her husband was impeached. (he's also a liar and can't be trusted around other women)


text:
Conformity of AdV Metainformation System with INSPIRE
Date: 2009-01-21
Within the scope of the INSPIRE initiative to establish a European Infrastructure for Spatial Information, the metadata implementing rules have been published in the Official Journal of the EU on 4 December 2008. This Regulation is binding in its entirety, is directly applicable in all Member States and has entered into force on 24.12.2008. The time allowed to create metadata for spatial data sets corresponding to the topics listed in Annexes I and II will end on 3.12.2010.
The ISO-conformant Metainformation System of the AdV will be prepared for acquisition and provision of INSPIRE-conformant metadata by extending the AdV metadata profile to the ISO classes DQ_ConformanceResult and MD_SecurityConstraints. The mandatory entries for metadata elements and metadata datasets will then be tested and conformance with the required conditions will be evaluated.
For data metadata sets at least one keyword from the multilingual thesaurus GEMET shall be given referring to the annexed topics I to III. For service metadata sets the keywords shall definitely be chosen from the Implementing Rules List Part D4, and the INSPIRE Service Type from the Implementing Rules List Part D3.
Implementation of the Technical Guidance Document for INSPIRE Discovery Services will be done by extending the Catalogue Service of the AdV Metainformation System with the INSPIRE search attributes and the mandatory service operations Manager.Transaction and/or Manager.Harvest.


text:
We honestly figured someone like Nikki Finke would be breaking this before us (and our source was a little surprised as well), but she's been a little AWOL of late which leaves the door open.
Sources and friends close to the project tells us that Paul Greengrass has quit "Bourne 4" and walked away from the project. This actually happened more than a week ago, and we've been getting our ducks in a row before publishing this report (and again, we're shocked Finke or the Wrap didn't get wind of this yet and way before us).
If you've been following our Bourne reports of late, you know we've been hinting towards trouble on this project for some time now, but it's not hard to discern even as an outsider.
Two scripts have been written for the project, which is not exactly a vote of confidence. One penned by George Nolfi (who co-wrote 'Bourne 3' and is currently busy working with Matt Damon on "The Adjustment Bureau"), and a few months ago, Universal hired another scribe, Josh Zetumer, to write what they are diplomatically calling a "parallel" script. Zetumer has been a Black List favorite for several years, and has "The Infiltrator" in development with Leonard DiCaprio's company, Appian Way, and wrote Peter Berg's "Dune" — he is hot to say the least.
A small part of the problem? Greengrass, who has been busy toiling away on "Green Zone," was not consulted by Universal in the hiring of a new writer. This obviously did not make him happy, but that's only part of the issue that's been ongoing for some time (meanwhile, no one seems to love Nolfi's version).
Matt Damon has already said that "Green Zone," another Universal film that Greengrass directed, cost $100 million to make. But the price tag of this Iraq War-set thriller is actually much closer to $150 million — Greengrass has reshot several times (gets expensive) and has been tinkering away in the editing room for months spending Universal's money and testing their patience. This was supposed to be a smaller movie that Greengrass made in between 'Bourne' films, something Universal let Greengrass make to keep him happy and part of the Uni/Bourne family, but you can bet when he said, "(expensive) Iraq War thriller," the studio wasn't exactly jazzed, even if Matt Damon was the star.
Going further back, "The Bourne Ultimatum" was a huge hit, obviously, but again was made in a similar fashion: very expensive and lots of reshoots because no screenplay was finished. Greengrass is now infamous for "finding the movie" or "figuring it all out" during the middle of production. As in, shooting lots of various things and letting the story naturally and organically come to the surface. He's fine with continuing that approach on "Bourne 4," but after the "Green Zone" expense, the buttoning-up of budgets across the board and the major overhead of 'Bourne 3' (that had to be a huge hit to be successful), Universal does not want to take that risk once again and the studio and director have been butting heads on that point ever since. Considering everything Greengrass did with the Bourne franchise, he hasn't been happy how he's been treated on "Green Zone" and how hard the studio has been riding him. It seems like the straw has finally broken the camel's back.
So right now, they're citing "creative differences" and we expect this to hit the trades at any moment.
There's chatter about this all around CAA, and Universal surely doesn't want word to get out. The conventional wisdom is that Greengrass and Universal can kiss and make up and in a few months they could be right back at it, but as a rather famous director said this weekend, "So, I guess they're looking for a new 'Bourne' director, huh?"
What's Matt Damon's take on this? He's "loyal to Paul" which means he's likely not going to star in any "Bourne 4" film without him. Or at least not without his blessing and even then, it would have to be a spectacular script (and right now one of those doesn't exist, but Universal has been exploring other options....).
So with the recent Comcast/Universal deal on the horizon (Comcast will likely buy 51% of NBC Universal from General Electric, i.e. proposing to take majority control of the movie company) what does that mean? Well, one of the first things Comcast apparently did was call Patrick Whitesell (Damon's agent) within the last two weeks to ask if Matt was going to do the 'Bourne' film or not because it was going to figure in their valuation for the studio.
So there might be pressure there and it will probably behoove Universal to kowtow, kiss butt and make nice with Greengrass to bring him back into the fold. It could happen and it's not unreasonable to think that it might. Meanwhile, Greengrass has been sniffing around a biopic of [redacted] that we can't say anything else about.
Some have suggested Greengrass walking away is a "typical Paul move" and again, that he possibly could be back on the project in a few more months, but at the very least it does strongly indicate the tension and problems that have been brewing between the director and the studio for several months now.
"Bourne 4" is way off track. The studio, Greengrass and Damon's schedule (which he kept open) was hoping to shoot the film in the fall of 2010. With no script, that's unlikely going to happen (though anything's possible). Damon said earlier this fall (before Greengrasss quit) that the film was probably 18 months away from even going before the cameras. During TIFF he said two years. -- addition reporting by Kevin Jagernauth
So Paul Greengrass Has Quit 'Bourne 4'? Yes, At Least For Now...
Posted by Rodrigo Perez at 12:36 PM
Labels: Bourne 4, George Nolfi, Josh Zetumer, Matt Damon, Paul Greengrass
13 comments:
- Tristan Eldritch said...
Ha ha ha, even Greengrass is bored by the prospect of another extended episode of 24/video game with Matt running from one migraine inducing set-piece to another!
For Paul's sake, I'm really hoping Green Zone turns out good and takes bank. I loved the last two Bourne movies (it's what put him on my radar), but the idea of Bourne 4 always got a little groan out of me. Let's hope it doesn't brickwall him from major studio work after GZ.
I'd love to see him do something he's passionate about, so in the end, I'm down with this news (if it's totally true). - 2:49 PM EST
Why don't they just officially rename Greenzone to Bourne 4.
Problem solved.
Simples. - 4:41 PM EST
- Farzan said...
I really hope this isn't true and that Paul is still on board for Bourne 4. I mean Universal was nice enough to fund his war movie (Green Zone), which cost more than $100 million and we all know how bad war movies do at the box office. In my opinion, Paul owes Universal another Bourne film.
As much as I loved the Bourne Ultimatum, I felt the story wasn't as closed off as some may think. I definitely think theirs more story to tell in another Bourne movie. The first 3 films are great and this is one of the few rare trilogy where all films are good. I really hope Paul doesn't leave Bourne 4 because I'm almost certain Matt Damon would leave with him.
Besides, why should Paul care if Universal didn't tell him about hiring a new writer? I mean if the first script was bad than why would it matter considering the 3rd film didn't even finish filming with a proper script. I hope this is just a misunderstanding and that Paul returns to the directors chair for Bourne 4. - 4:48 PM EST
- RTM said...
Heh, when I saw Greenzone trailer I thought it was basically another Bourne. Like Bash said, might as well call it Bourne 4: The Iraq WMD Chronicle. Methink they should leave the franchise alone & move on. It'd be hard to top Bourne Ultimatum anyway.
Playlist, what's the harm of telling us the individual that Greengrass is looking to do a biopic about?
Comparing bourne to that preposterous 24 show is a terrible sin itself, but also comparing bourne to a video game movie? Does the bourne trilogy have terrible action scenes, insipid dialogue, no plot? I'm pretty sure the bourne trilogy presents itself in quite a clever and intelligent fahsion with some of the most entertaining fighting/car/chase scenes i've scene in a long time. Then again, i appreciate a good movie when i see one, but if the bourne trilogy appears to you like a 'video game' then you either haven't seen it, or you have quite a low attention span/ maturity level. A possible third option is that you are an elitist snob who is just looking for attention, we get quite a few of those on the ol' internet.
Amazing how it works...Comcast calling Matt Damon to see if he's interested in a movie with a studio they might own. I wonder what percentage of GE, or even Universal, does the 'Bourne' franchise make up. And how many millions of dollars for GE is a thumbs up from Damon worth?
Great photos with the story too, adds a nice behind-the-scenes touch.
My vote is for another quality Bourne movie getting made. It's a great action fix. - 12:01 AM EST
- misterglass said...
While this is believable, I also remember when someone posted about the problems on the set of the first Bourne movie and how it was probably going to tank and kill the idea of doing two more movies... that never happened either. Greengrass is a good director but there are plenty of other good directors. They'll find someone and make a good movie.... or it'll be another Mummy 3quel and be a mess. Who cares? It's not like Bourne is as iconic a character as Indiana Jones or anything.
- simonsays2 said...
Agree with Tristan & Bash. Skip the headaches and officially rename Greenzone to Desert Bourne.
- Devin said...
Am I the only one that doesn't like Paul "make an edit every .2 seconds" Greengrass? Bourne Identity was the best, then Paul came in and screwed up Supremacy (still a decent movie though), then redeemed himself with Ultimatum, but I still can't stand the way he shoots his films. The shaky camera and choppy editing during the action sequences make it impossible to see what is actually going on...it's just lazy film-making.
I also liked the way Bourne Ultimatum ended and would rather not have a 4th, but if it is a must, I am hoping this is true and we get a new director, but still manage to keep Damon. - 2:19 PM EST
- Astronomy said...
The Playlist reports that sources close to the production are indicating director Paul Greengrass has walked away from Bourne 4 , leaving a project that was already kind of up in the air significantly up in the air.
Without Greengrass directing I am not sure if I would watch the fourth Bourne because his unique way of camera angles is what made Bourne different from the Bond movies. It made you feel like you were in the action..... Universal studio are stupid to realize that they make their money back plus release good films. Please don't turn Bourne into x-men, spiderman, superman, or the old batmans before the last two. I will not watch the film in protest for ruining it. *P.S. if you read the novels why don't you work off the theme of the "jackal"? You could have the Jackal trying to kill Bourne..... just a thought =)


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Ellicott Wildlife rescues hundreds of wild animals each year. It's common to see foxes, owls, even eagles. But one pin there, unfortunately has a holiday theme.
"The ducks, geese and rooster came to us years ago after Easter," said Ellicott President Donna Ralph. "The time when people have figured out when they don't want them anymore."
Ellicott is not in the business of keeping domesticated animals. The fowl there are only used to help raise wild birds. And Donna wants to make sure that baby ducklings aren't given as Easter gifts without doing a lot of research first.
"They don't stay that size and frankly they're not all that fun," said Donna. "They don't interact with you like a cat or a dog would and people discover very quickly they don't want them in the house. Statistically 95% of these Easter gifts don't see their first birthday."
Pikes Peak Humane Society echoes the plea for education before adopting easter staples.
"We do see an increase of rabbits right after Easter," reported Gretchen Pressley. "And we really do want people who are going to take on the responsibility of having a pet to know what they're getting into and to be prepared for those challenges. If you're aware of the challenges, bunnies can be amazing in your household."
But if you do the research, Gretchen says that rabbits can make good family pets.
"With any animal adoption we would encourage you to do the research behind that animal first," said Pressley. "So if you're thinking about getting a rabbit make sure it's a good fit for your home. Make sure you know where you're gonna put the cage and how you're gonna interact with the rabbit."
But if you're not ready, Donna recommends another Easter gift option.
"Maybe a chocolate gift or a stuffed plush bunny of chick instead of a real one."


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from the May 26, 2009 Jerusalem Post
May 26, 2009
by Max Singer
An often-overlooked piece of Palestinian behavior is key to the pursuit of peace. The Palestinians teach their people that no Jewish kingdom ever existed in the land they call Palestine, and that there was never a Jewish temple on the Temple Mount in Jerusalem.
Presumably some Palestinians know these teachings are false, but for most they are "facts" learned in school and taken for granted. These falsehoods are deliberately spread by the Palestinian leadership. To publicly deny them is to be viewed as disloyal, and anyone who tries to assert the truth risks retribution.
This is not just a matter of ancient history - it's not merely an "alternative narrative" which needn't be contested because it's just talk. This false story helps explain the Palestinian refusal to make peace, because so long as Palestinians think the Jews were never here before, they will see Jews as a foreign colonial implant with no moral claim or right to the land. Modern Israel's claim to land in Palestine depends on the Jews' historic connection to the territory. Without this history, the nation of Israel would be merely foreign invaders, not a people who can be seen as returning home.
When a powerful foreigner comes and takes your territory just because he wants it, you have no honorable way to yield your rights. Accepting such a foreign invasion would be a cowardly sacrifice of honor. By insisting that this is what happened, the Palestinians' leaders are in effect burning their bridges behind them, so that their people will be forced by their honor to fight on, and prevented from making an honorable peace.
The Palestinian leadership's willingness to look foolish by denying well-known historic facts -- including basic Christian history -- demonstrates the importance to them of denying their people the moral and psychological basis for an honorable peace.
The United States can make an important step toward peace by publicly assuring the Palestinians that there were indeed ancient Jewish kingdoms in the land, and a Jewish temple on the Temple Mount before the birth of Muhammad. There are plenty of Muslim sources that the US can use to teach these facts.
Denial of the Jews' ancient connection to the land is much more important than Holocaust denial. Israel's claim to the land has nothing to do with the Holocaust. The international decision that Palestine should be a Jewish homeland was made by the League of Nations a generation before the Holocaust. Jews claim the land based on their continuous emotional and religious attachment to it since ancient times - not as compensation for six million dead.
Since Palestinians and other Arabs care about honor, we should make it possible for them to recognize that there can be an honorable peace with the Jews. (Although there would still be Muslim objections to Jewish rule in Israel.)
Israeli diplomats should call on the US to end the Palestinians' denial of history, even though the State Department apparently regards the truth as something offensive to Arabs.
What better public disagreement can Israel and the US have than a disagreement about whether to allow the Palestinians to continue denying Jewish history? What better diagnostic tool can there be to determine when Palestinians are truly ready to live with Israel than looking at whether they are willing to acknowledge the Jews' connection to the land?
Max Singer is a Senior Fellow and Trustee Emeritus at Hudson Institute. He founded Hudson with Herman Kahn in 1961.
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No objections were raised, some of the members actually loved it :-)
So the modifications we can do:
For the source English file we can have it like this:
<string id="392" context="Weather addon, chance of rain">Medium</string>
For the translation files we can have them like this.
<string id="392" source="Medium">Közepes</string>
@Viljo: Can you help me create a py script which fetches the English source string at specific revision, and also fetches the language file at latest git revision and creates the new language strings.xml file like the second sample format.
Also would be good if you could modify the source xliff creation script to be able to use the context attribute field I presented in the first sample format.
Well the best would be if we could implement to read these new format files in Transifex. As the xliff parser is pretty simple http://code.indifex.com/transifex/src/02...s/xliff.py we could directly use these new format xml files as we now have in one xml file the source and target not like before.
Viljo, can you help out, or should I start them it in C++ ?
Thanks in advance
ps.: I had Transifex working quite well on Fedora 16 using the current snapshot. I modified the Google shared doc, how I did it. I don't want to run it on a server, but for maybe implementing a native new xbmc strings.xml format it is needed to test the parser before we send to the Transifex developers.


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