text:
Telephone (song)
"Telephone" | |||||||||||
Single by Lady Gaga featuring Beyoncé | |||||||||||
from the album The Fame Monster | |||||||||||
Released | January 26, 2010 | ||||||||||
Format | CD single, digital download, 7" | ||||||||||
Recorded | 2009; Darkchild Studios, Los Angeles, California | ||||||||||
Genre | |||||||||||
Length | 3:41 | ||||||||||
Label |
Writer(s) |
Producer | Darkchild | ||||||||||
Lady Gaga singles chronology | |||||||||||
"Telephone" is a song recorded by Lady Gaga features American R&B singer Beyoncé for Gaga's third EP, The Fame Monster (2009). The song was written by Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin and Knowles. Inspired by her "Fear of Suffocation Monster,"[1] Gaga explained that the lyrics portray herself preferring the dance floor instead of answering her lover's phone call and noted that the telephone addressed in the lyrics of the song is, in reality, a person telling her to continue working harder. Musically, "Telephone" consists of an expanded bridge, verse-rap and an epilogue where the voice of an operator announces that the phone line is unreachable. Knowles appears in the middle of the song, singing the verses in a rapid-fire way, accompanied by double beats.
The song was critically acclaimed, with most contemporary critics frequently noting "Telephone" as a stand-out track from The Fame Monster. "Telephone" was Grammy-nominated for Best Pop Collaboration with Vocals in 2011. "Telephone" charted in a number of countries due to digital sales following the album's release, namely in the United States, Australia, Canada, the Netherlands, New Zealand, Sweden and Hungary. The song was particularly successful in Europe where it reached the top of the charts in Belgium, Denmark, Hungary, Ireland, Netherlands, Norway and the United Kingdom. According to the International Federation of the Phonographic Industry, the single sold 7.4 million digital copies worldwide in 2010, making it one of Gaga's best-selling singles.[2]
The accompanying music video is a continuation of the video for her 2009 song "Paparazzi" and is also shot as a short film. After being bailed out of prison by Beyoncé, she and Gaga go to a diner where they kill the guests having breakfast. Upon escape from the diner, the two end up in a high speed police chase. The video referenced Quentin Tarantino and his films Kill Bill: Vol. 1 (2003) and Pulp Fiction (1994). Many critics praised the video, but some criticized its violence and themes. In memory of Alexander McQueen, Gaga performed an acoustic rendition of "Telephone" mixed with "Dance in the Dark" at the 2010 BRIT Awards. It was also added to the set list of The Monster Ball Tour in 2010 and the Born This Way Ball in 2012. Originally, Gaga wrote the song for Britney Spears, who recorded a demo of "Telephone". After Spears rejected the track, it leaked onto the web in May 2010.
The song "Telephone" was written by Lady Gaga, who originally wrote the song for Britney Spears's Circus album, but Spears rejected it.[3] A demo version of the song with Spears vocals of leaked onto the web. Later, Gaga recorded the song as a collaboration with Beyoncé Knowles for The Fame Monster.[4] Gaga said, "I wrote it for her [Spears] a long time ago and she just didn't use it for her album. It's fine because I love the song and I get to perform it now."[5] Additionally, the guest vocalist was originally going to be Spears, but ultimately Gaga made Knowles the featured vocalist instead.[6][7] The main inspiration behind the song was Gaga's fear of suffocation as she felt that she seldom found time to just let loose and have fun.
Fear of suffocation—something that I have or fear is never being able to enjoy myself, ... 'Cause I love my work so much, I find it really hard to go out and have a good time. ... I don't go to nightclubs, ... You don't see pictures of me falling out of a club drunk. I don't go—and that's because I usually go and then, you know, a whiskey and a half into it, I got to get back to work.[1]
In May 2011, Gaga said her "emotional connection" with the song was difficult. When she was asked if it was because the song was originally written for Britney Spears, she answered: "Well that's not exactly what happened, but I don't want to delve into that. I could delve into it if you turn that (motions to recorder) off... But ultimately the mix and the process of getting the production finished was very stressful for me. So when I say it's my worst song it has nothing to do with the song, just my emotional connection to it."[8]
A 22 second sample to "Telephone" featuring the chorus where Gaga sings the line "Stop calling, stop calling, I don't want to talk anymore."
Problems playing this file? See media help. |
"Telephone" was written by Lady Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin and Knowles.[9] Although constructed as a duet, Knowles' first appearance is in the middle verse. She sings her lyrics through a brief interlude, and later backs the chorus during the rest of the song.[10] The song starts off unassumingly, with Gaga singing in a solemn voice over a harp melody, which changes immediately to a pounding beat.[11] Essentially, Gaga is in a club and her boyfriend keeps calling, but she cannot talk as she was drinking and dancing to her favorite song. The chorus runs as follows: "Stop calling, stop calling, I don't want to talk anymore." "Telephone" consists of an expanded bridge, verse-rap and an epilogue where a voice announces that the telephone line is not reachable at that moment.[10] According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time, with a tempo of 122 beats per minute. Gaga's vocals range from the low-note of F3 to the high-note of C5. It is set in the key of F minor, specifically, F Dorian mode, and has a basic sequence of Fm–A♭–B♭–Fm as its chord progression.[12]
"Telephone"'s lyrics relate to the singer preferring the dance floor to answering someone's call.[13] She further tells her lover that she left her head and her heart on the dance floor.[14] The verses are sung in a rapid-fire way, accompanied by double beats.[13] According to Gaga, the phone addressed in the lyrics of the song is not just a physical phone, but also a person in her head telling her to keep working harder and harder. Gaga explained, "That's my fear—that the phone's ringing and my head's ringing, ... Whether it's a telephone or it's just the thoughts in your head, that's another fear."[1]
Critical reception[edit]
The song has garnered general acclaim from music critics. Michael Hubbard from MusicOMH said that the song was "probably the best thing here [on The Fame Monster]." He also complimented the "brilliant bridge" and the ending of the song where the caller gets through to her voicemail.[10] Popjustice gave the song a positive review: "It's a little bit like Gwen's 'What You Waiting For?' meets Timbaland's 'The Way I Are' meets about fifty other things ... The structure's quite exciting ... there is something tumultuously brilliant about Beyoncé's contribution that makes everything seem fine and as if it was the plan all along."[6] Evan Sawdey from PopMatters said that "The much talked-about Beyoncé collaboration 'Telephone', which—with its double-time beat and rapid-fire verses—proves to be one of the most adrenaline-pumped songs that Gaga has yet crafted, the whole thing feeling like it's about to veer of [sic] the tracks at any moment simply due to the giddy excitement shared between the two divas, easily turning it into the unquestioned highlight of The Fame Monster".[15]
Amy Phillips from Pitchfork Media placed "Telephone" at number 55 in its "Top Tracks of 2010" saying it was "one of the less weird tracks on The Fame Monster..." [16] Bill Lamb from About.com listed it among the top tracks on the album and said: "The Beyoncé assisted 'Telephone' is a club stomper that will draw in R&B and Hip Hop fans as well on the radio."[16] In a separate review, he compared it to the "Just Dance" era and commented: "An odd track for a lot of reasons. Lyrically, it is a successor to 'Just Dance'. The lyrics involve Gaga talking about not wanting to use her phone in the club. Having a track like this, when it feels like 'Just Dance' was so long ago and a different Gaga, is a little awkward. Especially when it is a planned single ... It's fun and disposable but there are better tracks on The Fame Monster to offer as singles".[17] Mikael Woods from Los Angeles Times felt that "Telephone" is " a carefully considered meditation on how annoying it is when a dude keeps calling you while you're throwing down at the club."[18] The New York Times' Jon Caramanica commented that "Video Phone" and "Telephone", "promised a new direction, but all Beyoncé did was show up to prove she could out-Gaga Gaga, then return to her comfort zone."[19]
Nicki Escuerdo from Phoenix New Times listed "Telephone" as a stand-out track from the album.[20] Sarah Hajibagheri from The Times and Armond White, music and film critic for the New York Press, were not impressed with the song. Hajibagheri said "The appearance of Beyoncé's vocal alongside ringtones on Telephone adds to the sense of utter chaos."[21] White elaborated that "[The song] celebrates a heedless refusal to communicate; to mindlessly, heartlessly indulge pop culture—Tarantino style."[22] Melanie Bertoldi from Billboard gave the song a positive review, stating "Much like Kesha's 'Blah Blah Blah', 'Telephone' sets out to silence bugaboos, with whom featured artist Beyoncé is all too familiar. ... By the time "Telephone" surges through a wall of cellular bleeps to return to its simple introduction, Gaga and Beyoncé have left the listener with just one option: surrender to the dancefloor."[23] "Telephone" was ranked at number three by Rob Sheffield of Rolling Stone on his Top 25 Singles of the 2010 list.[14] Sheffield further stated that "Telephone" was a "communication breakdown on the dance floor" and added, "Beyonce, the most egregiously non-crazy pop star of our time, gets to pretend she's as nuts as Gaga for a few minutes."[14] The single received a Grammy nomination for Best Pop Collaboration with Vocals.[24] On April 26, 2011, Gary Trust of Billboard listed "Telephone" at the fourth position on his list of the 10 All-Female Hit Collaborations."[25]
Chart performance[edit]
In November 2009 due to strong digital sales, the song charted in Ireland, Australia, and the United Kingdom, debuting at numbers twenty-six, twenty-nine, and thirty respectively.[26] The song became the top debut on the U.S. Billboard Hot 100 issue dated December 12, 2009, at number thirty-five, due to digital sales.[27] After a few weeks fluctuating up the charts, "Telephone" reached a peak of three, becoming Gaga's sixth consecutive top ten hit in the United States.[28] The song peaked at number one on the Hot Dance Club Songs chart on the issue dated February 27, 2010.[29] On March 15, 2010, Billboard announced that the song reached number one on the Pop Songs chart, thus becoming Gaga's sixth consecutive number-one on the chart, making her the only artist in history to do this. It also became Beyoncé's sixth number-one on Pop Songs. With this, Gaga and Beyoncé tied with Mariah Carey for most number-ones since the Nielsen BDS-based Top 40 airplay chart launched in 1992.[30] As of August 2013, "Telephone" has sold 3,268,000 digital downloads in the United States.[31]
In Australia, the song has reached a peak of three.[32] "Telephone" was certified three-times platinum by the Australian Recording Industry Association (ARIA) for shipments of 210,000 copies of the single.[33] In New Zealand, the song debuted at thirty-one, becoming the highest debut of that week.[34] On April 5, 2010, the song reached a peak of three on the chart.[35] "Telephone" debuted at number fourteen on the Canadian Hot 100[26] and moved to a peak of three, making it Gaga's sixth consecutive top three single there.[36] The song has been certified three times platinum by the Canadian Recording Industry Association (CRIA) for sales of 240,000 digital downloads.[37]
In the United Kingdom, "Telephone" reached number twelve on the UK Singles Chart on March 14, 2010 ― for the week ending date March 20, 2010.[38] The single climbed to number one the chart the following week, becoming Gaga's fourth number-one single―and Knowles's fifth―in Britain. It has sold 690,000 copies as of July 2013 in the UK.[39] In Ireland, the song debuted at number twenty-six, and moved up to number two[40] before reaching the summit of the chart the following week.[40] "Telephone" debuted at thirty-three on the Swedish charts,[26] and in the top-ten at number three on the Hungarian charts.[41] According to the International Federation of the Phonographic Industry, the song has sold 7.4 million copies across the world in 2010.[42]
Music video[edit]
Background and development[edit]
The music video was filmed on January 28, 2010, and directed by Jonas Åkerlund.[43][44] New York magazine reported that the concept of the video involved Beyoncé as she bails Gaga out of jail. In published photos from the set, Gaga and Knowles were seen shooting in a car called the "Pussy Wagon", which Uma Thurman's character drove in Quentin Tarantino's 2003 film Kill Bill: Vol. 1.[45] Other concepts of the video involve scenes at a diner, a cameo from singer Tyrese Gibson, and a prison shower scene. Gaga and Knowles wore "destroyed denim pieces", designed by Frank Fernández and Oscar Olima.[46] In an interview with E! Online, Gaga explained the deeper meaning behind the video.
There was this really amazing quality in 'Paparazzi', where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture ... I wanted to do the same thing with this video ... There certainly is a Tarantino-inspired quality in the ['Telephone'] video ... His direct involvement in [it] came from him lending me the Pussy Wagon. We were having lunch one day in Los Angeles and I was telling him about my concept for the video and he loved it so much he said, "You gotta use the Pussy Wagon."[47]
On February 5, 2010, Gaga was interviewed by Ryan Seacrest on KIIS-FM. She commented on the video, saying, "What I like about it is it's a real true pop event, and when I was younger, I was always excited when there was a big giant event happening in pop music and that's what I wanted this to be."[48] Gaga also said that her intent was to take "the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are."[47]
Rock band Semi Precious Weapons confirmed to MTV News that they would have a cameo role in the music video.[49] On February 15, 2010, three film stills from the music video were posted on Gaga's website. The stills depicted Gaga in three separate scenes: a kitchen scene where she wears a plastic chef's hat and a telephone made entirely of hair on her head, a scene in a diner with her dancers, where she is seen wearing an American flag patterned bikini and bandana, and a black-and-white photo of Gaga wearing a hat made from multiple triangles and corded telephones.[50] The video was originally slated to premiere in February 2010 but was pushed back to March 2010 instead.[51][52][53] On March 9, 2010, more stills of the video were posted online. The video premiered on E! News and Vevo on March 11, 2010.[54]
The music video is over nine minutes long[55] and begins where "Paparazzi" left off after Gaga was arrested for killing her boyfriend by poisoning his drink. Gaga is taken to a women's prison, where she is led to her cell by two prison guards, who strip her of shoulder-padded dress and left lying nude, while she is mocked by the other women prison inmates. One of the guards comments: "I told you she didn't have a dick", referring to the rumors that Gaga is intersex.[55][56] For the video's first three minutes, it shows Gaga's activities in the prison—including kissing a lesbian prisoner (Heather Cassils)[57] in the exercise yard, wearing sunglasses made out of half-smoked cigarettes, and watching catfights in the commissary. Gaga's sister, Natali Germanotta, makes a cameo in the commissary scene.[58] Gaga's jacket in this scene is decorated with the anarchist circle a. After that, Gaga answers a call from Knowles, and begins to sing the song. She performs the first verse and chorus with other scantily clad inmates, followed by a bridge featuring Gaga wearing only yellow "Caution" tape.[55]
Gaga is bailed out and exits to find Knowles waiting for her in the "Pussy Wagon". Knowles is nicknamed Honey Bee, a reference to the character Honey Bunny in Tarantino's 1994 crime film Pulp Fiction.[59] After an exchange of dialogues, Gaga and Knowles travel through the desert and pull over at a diner.[56] Knowles sits opposite to her boyfriend, Gibson, but becomes tired of his stupidity and poisons him, but it does not kill him like she had hoped.[56] The video later shifts to an intermediate sequence called "Let's Make a Sandwich",[55] where Gaga stands in a kitchen, wearing a folded-up telephone on her head, while dancers cavort behind her, holding salad tongs and assorted cutlery. Ultimately, Gaga prepares a sandwich and eats it, after a dance sequence.[55] In the meantime, Gaga mixes poison into all of the dishes she is preparing for the unsuspecting customers causing Gibson and everybody else, including characters played by Semi Precious Weapons and her Great Dane, Lava, to die. Gaga and Knowles perform another dance sequence, wearing American flag inspired garments and shredded denims, while strutting around the dead bodies.[56] Gaga and Knowles leave the diner in the "Pussy Wagon" and travel on a highway as a news reporter (played by Jai Rodriguez) reports the murders at the diner. The final shots shows Gaga and Knowles travelling through the desert with police sirens wailing in the background. The video ends with the line "To Be Continued ..." followed by end credits.[55]
"Gaga turned this companion piece to 'Paparazzi' into a pop culture event, roping in the Pussy Wagon from Kill Bill and a fancy co-star in Beyoncé. The Thelma and Louise arc has Beyoncé bailing Gaga out of jail to poison a diner full of customers, who look practically sepia-toned next to the bird-in-heat style costumes Beyonce and Gaga shimmy around in. What with its evasive dialogue and the gobs of hype leading up to its release, the video itself feels sort of like an elaborate inside joke we're all supposed to be in on."
James Montogomery from MTV commented: "With 'Telephone', Gaga has entered the rarest of pop stratospheres, up there with the Madonnas and the Michael Jacksons."[55] Matt Donnelly from Los Angeles Times wrote that the "Telephone" music video is a "visual feast, packed with fantastic fashion, girl fights, poisoned diner food, an army of headpieces and lots of Gaga goodness."[61] Amy Odell from New York magazine felt that "This is Gaga's video, but Beyoncé is the best part: she actually shows the angry, crazy side that we just knew lurked beneath her too-perfect facade."[56] Monica Herrera from Billboard wrote: "[The video] more than measures up to the hype. ... 'Telephone' clip is chock full of intrigue, prison fights, makeout scenes, mass poisoning and plenty of skin-baring versions of what you might call 'outfits'."[62] Tanner Stransky from Entertainment Weekly commented: "Is it as good as her epic 'Bad Romance' video? Sadly, I don't think so. But it's better than anything else out there."[63] Bill Lamb from About.com felt that "It would be nearly impossible for it to live up to the advanced hype, but the Lady Gaga video for 'Telephone' has arrived, and, to these eyes, it is worth watching."[64] Jennifer Cady of the website E! Online praised Knowles' "always fierce" look during the video.[65] A writer of The Huffington Post wrote, "As usual there is murder, masturbation, product placement, Tarantino referencing and lots of impractical headwear."[66]
Sandy Rios, president of the Culture Campaign criticized the video on Fox News in an interview with Megyn Kelly, calling it "disgusting ... poison for the minds of our kids".[67] Critic Armond White, of the New York Press, described the video as "cruel and ugly" also stating that it "epitomizes the insanity of the contemporary pop mainstream" and pays "homage to Tarantino's influence" in distorting "pop culture pleasure into nonsense".[22] William Goodman of Spin called the video a "Whitman's sampler of pop nuggets" and found a "boom-pow effect of brightly-colored Japanese television."[68] He finished his review by concluding that the "video must have cost a fortune" and described it as a "big-budget, pop masterwork".[68] Caryn Ganz of Rolling Stone called the video a "mash-up of lesbian prison porn, campy sexploitation flicks and insidery winks at the two divas' public personas."[59] He noted that "If Quentin Tarantino and Russ Meyer remade Thelma & Louise as an orgy of product placement with fiercely choreographed interludes, this would be the result."[59] Ganz finished his review by saying that "The clip is certainly cinematic and oddly feminist, and gasps at a larger statement about consumer culture."[59]
In May 2011, Gaga expressed some dissatisfaction with the video in an interview with Time Out, saying: "I can't even watch the Telephone video, I hate it so much. Beyonce and I are great together. But there are so many ideas in that video and all I see in that video is my brain throbbing with ideas and I wish I had edited myself a little bit more."[69]
Recognition and accolades[edit]
The video was placed at number three on NME's list of "50 Best Music Videos of 2010" along with the comment that it's "nearly ten minutes of product placements, a Thelma and Louise storyline, bizarre outfits and some uniquely Gaga-esque dance moves."[70] It was also placed at number 17 on NME's list of "100 Greatest Music Videos" and the writer concluded, "'Telephone' eschews all the overreaching cosmic weirdness of her recent clips and settles for a nine-minute lesbo action-filled Tarantino rip-off."[71] On Spin's list of "The 20 Best Music Videos of 2010", the video was put at number seven along with the comment that "the decision to enlist the normally buttoned-up Beyoncé in Gaga's lezzie jailbird fantasia was genius."[72] The writers of Pitchfork Media also put the video on their list of "The Top Music Videos of 2010".[73] On August 3, 2010, the video received three nominations at the 2010 MTV Video Music Awards, in the categories of Best Choreography, Video of the Year and Best Collaboration, winning the latter and losing the former to Gaga's own "Bad Romance" video.[74]
Live performances[edit]
Gaga performed "Telephone" at the BRIT Awards on February 16, 2010, at Earls Court Exhibition Centre. The performance was inspired by the recent death of her friend, fashion designer Alexander McQueen. Initially she had planned a different version of the performance, but changed the concept at the last minute, since she wanted to pay tribute to McQueen.[75] Hence she chose an acoustic version of "Telephone" and a remix of "Dance in the Dark". Before the show, she posted a message on her Twitter account: "Tonight's performance is inspired by our friend. Mask by Phillip Treacy, Sculpture by Nick Knight, Music by Lady Gaga. We miss you."[76] She started the performance by announcing "This is for Alexander McQueen." Gaga was dressed in a complete white outfit with a huge Marie-Antoinette style wig.[77] The whole performance was low-key in comparison to her previous ones.[75]
Gaga added the song to The Monster Ball Tour's setlist, for the European leg. It was performed in the second act, titled "Subway". She was dressed in black and played a keytar.[78][79] "Telephone", as well as "Brown Eyes" (from The Fame), was also performed on the British comedy chat show Friday Night with Jonathan Ross, on March 3, 2010, for an episode that aired two days later.[80] Gaga performed "Telephone" on the Japanese television show Music Station on April 16, 2010. She wore a lace cat suit and a pair of plastic batwing shoulders, designed by Somarta and Yuima Nakazato respectively.[81] In May 2011, Gaga performed the song during Radio 1's Big Weekend in Carlisle, Cumbria.[82] On June 26, 2011, Knowles performed the song during the Glastonbury Festival in front of more than 175,000 fans.[83] The song was also performed on Gaga's 2012 Born This Way Ball Tour with the same dance choreography.[84]
Other versions[edit]
On May 2, 2010, a Britney Spears demo of "Telephone" leaked onto the web.[85] After suggestions that the demo may be a fake, the producer of the song, Rodney Jerkins, confirmed the authenticity of the song, via Twitter. He added that the leaked version "was an early demo stage of the version [and that] it wasn't even a mixed version", moreover, denied leaking the song, arguing that, despite the fact that he has been asked to leak the full song, he did not do it.[86][87] The musical style of the demo was compared with Spears' 2007 single "Piece of Me", and the song itself generated comparisons with Spears' sound in her fifth studio album Blackout.[88] Rob Sheffield of Rolling Stone praised Spears' version.[88] He later included the song at number twenty-five on his Top 25 Singles of the 2010 list.[14] Kidz Bop covered "Telephone" on their eleventh studio album Kidz Bop 18 (2007).[89]
Other cover version recordings include those by HelenaMaria,[90] Aston,[91] Bangin Productions,[92] and Pomplamoose.[93] X Factor winner Joe McElderry covered the song in the Live Lounge tent at Radio 1's Big Weekend,[94] and in 2010 the final fourteen of series seven covered the song during the result show.[95]
Little Mix blended "Telephone" with Queen's "Radio Ga Ga" (1984) during the eighth series of the British The X Factor[96][97] and later released this version as a single.[98] "Telephone" was covered by Lea Michele as Rachel Berry and Charice Pempengco as Sunshine Corazon for the American TV show Glee episode "Audition", which aired on September 21, 2010.[99] This version was released as a single, and reached number seventeen in Canada, eighteen in Ireland, twenty-three in the US, and thirty in Australia.[100][101][102] The song was included in Glee: The Music, The Complete Season Two.
Bono, U2's lead singer, performed a cover of the song in a duet with his wife to serenade their daughter Eve at her 21st birthday celebration in a club at Las Vegas in 2012.[103]
Track listing and formats[edit]
Credits and personnel[edit]
- Lady Gaga – lead vocals, songwriter, co-producer
- Beyoncé Knowles – lead vocals and songwriter
- Rodney "Darkchild" Jerkins – songwriter, producer, composition, audio mixing
- LaShawn Daniels – songwriter
- Lazonate Franklin – songwriter
- Paul Foley – recording at Darkchild Studios, Los Angeles, California
- Mike "Handz" Donaldson – recording (Gaga's vocals) at 2nd Floor Studios, Los Angeles, California; special effects
- Hisashi Mizoguchi – recording (Knowles' vocals) at Studio Groove, Osaka, Japan
- Mark "Spike" Stent – audio mixing at Chalice Studios, Los Angeles, California
- Gene Grimaldi – audio mastering at Oasis Mastering, Burbank, California
- Takayuki Matsushima – assistant
- Matty Green – assistant
Credits adapted from The Fame Monster album liner notes.[9]
Charts and certifications[edit]
Chart succession[edit]
Order of precedence | ||
Preceded by "Russian Roulette" by Rihanna |
US Billboard Hot Dance Club Songs number-one single February 27, 2010 – March 6, 2010 |
Succeeded by "Hard" by Rihanna featuring Jeezy |
Preceded by "Pass Out" by Tinie Tempah |
UK Singles Chart number-one single March 21, 2010 – April 3, 2010 |
Succeeded by "This Ain't a Love Song" by Scouting for Girls |
Preceded by "Gave It All Away" by Boyzone |
Irish Singles Chart number-one single March 25, 2010 – April 15, 2010 |
Succeeded by "Gives You Hell" by Glee Cast |
Preceded by "Yes Man" by Bjørn Johan Muri |
Norwegian Singles Chart number-one single March 31, 2010 – April 14, 2010 |
Succeeded by "Fight for This Love" by Cheryl Cole |
Preceded by "Tik Tok" by Kesha |
US Billboard Pop Songs number-one single March 27, 2010 – April 24, 2010 |
Succeeded by "In My Head" by Jason Derulo |
Preceded by "Memories" by David Guetta featuring Kid Cudi "Alors on danse" by Stromae |
Belgian Singles Chart (Wallonia) number-one single April 3, 2010 – May 1, 2010 (first run) May 15, 2010 – May 2, 2010 (second run) |
Succeeded by "Alors on danse" by Stromae "Alors on danse" by Stromae |
Preceded by "Me and My Guitar" by Tom Dice |
Belgian Singles Chart (Flanders) number-one single April 3, 2010 – May 1, 2010 |
Succeeded by "Alors on danse" by Stromae |
Preceded by "My Dream" by Thomas Ring |
Danish Singles Chart number-one single April 16, 2010 – April 23, 2010 |
Succeeded by "Mest ondt" by Burhan G and Medina |
Preceded by "Alors on danse" by Stromae |
European Hot 100 number-one single April 24, 2010 – May 8, 2010 |
Succeeded by "Alors on danse" by Stromae |
Release history[edit]
Region | Date | Format |
United States | January 26, 2010 | Top 40,[168] rhythmic,[169] urban,[170] hot AC[171] |
France | February 15, 2010 | Digital download[172] |
United States | March 2, 2010 | The Remixes EP – digital download |
United Kingdom[173] | ||
Canada[174] | ||
France[175] | ||
Denmark[176] | ||
Sweden[177] | ||
Switzerland[178] | ||
Belgium[179] | ||
Ireland[180] | ||
Netherlands[181] | ||
United Kingdom | March 15, 2010 | CD single,[182] 7 inch, digital download[183] |
United States | March 30, 2010 | The Remixes EP – CD single[115] |
Germany | April 2, 2010 | CD single[184] |
France | April 5, 2010 | Digital download[185] |
April 6, 2010 | CD single[186] |
- ^ a b c Vena, Jocelyn; Calloway, Sway (2009-11-25). "Lady Gaga Explains Inspiration Behind Beyoncé Collabo, 'Telephone'". MTV (MTV Networks). Retrieved 2009-12-01.
- ^ "IFPI publishes Digital Music Report 2011". International Federation of the Phonographic Industry. 2011-01-20. Retrieved 2011-02-15.
- ^ Lipshutz, Jason (28 February 2013). "20 Hit Songs Meant For Other Singers". Billboard. Prometheus Global Media. Retrieved 1 March 2013.
- ^ Greenblatt, Leah (2009-11-16). "New Lady Gaga, 'Telephone': Stream It Here". Entertainment Weekly (Time Inc.). Retrieved 2009-12-01.
- ^ India, Press Trust (2009-11-26). "Pop princess Britney Spears snubbed Lady Gaga". Zee News (Zee Entertainment Enterprises). Retrieved 2009-12-01.
- ^ a b Reporter, Staff (2009-10-26). "Lady Gaga's 'Fame Monster' – it's a proper album (and a very good one at that)". Popjustice. Retrieved 2009-11-30.
- ^ Staff Reporter (2010-01-09). "Lady Gaga – Telephone". Popjustice. Retrieved 2010-01-20.
- ^ "Lady Gaga Interview". Popjustice. 2011-05-24. Retrieved 2011-05-24.
- ^ a b The Fame Monster (Liner Notes). Lady Gaga. Interscope Records. 2009.
- ^ a b c Hubbard, Michael (2009-11-23). "Lady Gaga: The Fame Monster, track-by-track". MusicOMH. Retrieved 2009-11-24.
- ^ "Single review: Lady Gaga – Telephone (feat. Beyoncé)". BBC (BBC Online). 2010-03-15. Retrieved 2010-03-16.
- ^ "Digital Sheet Music – Lady Gaga – Telephone". Musicnotes.com. Sony/ATV Music Publishing.
- ^ a b Cinquemani, Sal (2009-11-18). "Lady Gaga: The Fame Monster". Slant Magazine. Retrieved 2009-11-19.
- ^ a b c d Sheffield, Rob (2010-12-20). "Rob Sheffield's Top 25 Singles of the 2010 | Rolling Stone Culture | Pop Life | Rob Sheffield on TV and Pop Culture". Rolling Stone. Jann Wenner. Retrieved 2010-12-26.
- ^ Sawdey, Evan (2009-11-23). "Lady Gaga: The Fame Monster < Reviews". PopMatters. Retrieved 2009-11-23.
- ^ a b "Staff Lists – The Top 100 Tracks of 2010". Pitchfork Media. 2010-12-13. Retrieved 2010-12-13.
- ^ Lamb, Bill (2009-11-28). "Lady Gaga – "The Fame Monster" Review". About.com. The New York Times Company. Retrieved 2010-03-02.
- ^ Wood, Mikael (2009-11-23). "Album review: Lady Gaga's 'The Fame Monster'". Los Angeles Times (Tribune Company). Retrieved 2009-11-24.
- ^ Caramanica, Jon (2011-06-27). "On '4,' Beyoncé Bids Farewell (for Now) to Her Old Selves". The New York Times (The New York Times Company). Retrieved 2011-12-06.
- ^ Escuerdo, Nicki (2009-11-30). "Lady Gaga Sexy, Vulnerable on 'The Fame Monster'". Phoenix New Times (Village Voice Media). Retrieved 2009-12-01.
- ^ Hajibagheri, Sarah (2009-11-21). "Lady GaGa: The Fame Monster". The Times (News Corporation). Retrieved 2009-11-23.
- ^ a b White, Armond (2010-04-16). "Going Gaga". New York Press. Retrieved 2010-04-20.
- ^ Bertoldi, Melanie (2010-03-05). "Lady Gaga featuring Beyoncé, "Telephone"". Billboard (Nielsen Business Media, Inc). Retrieved 2010-03-10.
- ^ "2010 Grammy Award Nominations". USA Today. Retrieved 2010-12-02.
- ^ Gary Trust (April 26, 2011). "10 All-Female Hit Collaborations". Billboard. Prometheus Global Media. Retrieved May 2, 2011.
- ^ a b c "Lady Gaga and Beyoncé – Telephone – Music Charts". αCharts.us. Retrieved 2009-12-27.
- ^ Pietrolungo, Silvio (2009-12-03). "Jay-Z And Alicia Keys' 'Empire' Stays Put On Hot 100". Billboard (Nielsen Business Media, Inc). Retrieved 2009-12-04.
- ^ a b Pietrolungo, Silvio (2010-03-25). "Rihanna Remains Atop Hot 100". Billboard (Nielsen Business Media, Inc). Retrieved 2010-03-26.
- ^ a b "Billboard Hot Dance Club Songs: Week Ending February 27, 2010". Billboard (Nielsen Business Media, Inc). 2010-02-27. Retrieved 2010-11-10.
- ^ a b Trust, Gary (2010-03-15). "Lady Gaga, Beyoncé Match Mariah's Record". Billboard (Nielsen Business Media, Inc). Retrieved 2010-03-18.
- ^ Trust, Gary (2013-08-23). "Ask Billboard: Who's Sold More, Katy Perry Or Lady Gaga?". Billboard. Prometheus Global Media. Retrieved 2013-08-24.
- ^ a b "Australia Singles Top 50". Australian Recording Industry Association. acharts.us. 2010-03-29. Retrieved 2010-03-29.
- ^ a b "ARIA Charts – Accreditations – 2011 Singles". Australian Record Industry Association. Retrieved 2011-05-02.
- ^ "Chart# 1701 – Top 40 Singles Chart". Recording Industry Association of New Zealand. RIANZ.org.nz. 2009-12-28. Retrieved 2009-12-30.
- ^ a b "Chart# 1715 – Top 40 Singles Chart". Recording Industry Association of New Zealand. RIANZ.org.nz. 2010-04-05. Retrieved 2010-04-06.
- ^ a b "Canadian Hot 100 Update". Billboard. Nielsen Business Media, Inc. 2010-03-26. Retrieved 2010-03-24.
- ^ a b "CRIA Certifications (April 2010)". Canadian Recording Industry Association. Retrieved 2010-06-15.
- ^ a b "Lady Gaga – Telephone – UK Singles Chart". The Official Charts Company. Chart Stats. 2009-12-05. Archived from the original on 2012-03-24. Retrieved 2010-02-12.
- ^ Myers, Justin (2013-07-05). "The Official Beyoncé and Destiny's Child Top 40 Revealed!". Official Charts Company. Retrieved 2013-08-01.
- ^ a b c "Top 50 Singles-Week ending 25th March 2010". Irish Recorded Music Association. Retrieved 2010-03-28.
- ^ a b "Single (track) Top 10 lista – 2009. 52. hét". Mahasz (in Hungarian). Magyar Hanglemezkiadók Szövetsége. 2009-12-27. Retrieved 2010-02-03.
- ^ "IFPI publishes Digital Music Report 2011". International Federation of the Phonographic Industry. 2011-01-20. Retrieved 2011-01-20.
- ^ Em (2010-01-25). "Parceria com Alicia Keys e Lady GaGa: Beyoncé grava dois clipes nessa semana". MTV (in Spanish) (MTV Networks). Retrieved 2010-01-27.
- ^ Kaufman, Gil (2010-01-27). "Lady Gaga Says She Raised $500,000 For Haiti Relief". MTV (MTV Networks). Retrieved 2010-01-28.
- ^ Vena, Jocelyn (2010-02-01). "Beyoncé, Lady Gaga 'Telephone' Video Pics Revealed". MTV (MTV Networks). Retrieved 2010-02-02.
- ^ Odell, Amy (2010-02-02). "Beyoncé Will Reportedly Rescue Lady Gaga in 'Telephone' Video". New York. Retrieved 2010-02-02.
- ^ a b Candy, Jennifer (2010-03-12). "Lady Gaga on "Telephone" and Its Hidden Meaning". E! Online. Retrieved 2010-03-12.
- ^ Taylor, J.R. (2010-02-08). "Lady Gaga Says 'Telephone' Video Will Top 'Bad Romance'". Rap-Up (Devin Lazerine). Retrieved 2010-02-09.
- ^ Vena, Jocelyn; Montalto, Daniel (2010-02-12). "Beyoncé, Lady Gaga Are 'Magical' In 'Telephone' Video, Semi Precious Weapons Say". MTV (MTV Networks). Retrieved 2010-02-15.
- ^ "Lady Gaga: Telephone Video pics". Ladygaga.com. 2010-02-15. Retrieved 2010-02-15.
- ^ Reporter, Rap-Up (2010-02-02). "Lady Gaga Says 'Telephone' Video Will Top 'Bad Romance'". Rap-Up (Devin Lazerine). Retrieved 2010-03-02.
- ^ Reporter, Rap-Up (2010-02-24). "Lady Gaga's 'Monster Ball' Invades Liverpool". Rap-Up (Devin Lazerine). Retrieved 2010-03-01.
- ^ Shawhan, Jason (2010-02-17). "Lady Gaga gets on the Telephone for new music video". Metro (Associated Newspapers). Retrieved 2010-02-19.
- ^ Vena, Jocelyn (2010-03-08). "Lady Gaga's 'Telephone' Video To Premiere Thursday Night". MTV (MTV Networks). Retrieved 2010-03-08.
- ^ a b c d e f g Montogomery, Jason (2010-03-11). "Lady Gaga Premieres Epic, Outrageous 'Telephone' Video". MTV (MTV Networks). Retrieved 2010-03-12.
- ^ a b c d e Odell, Amy (2010-03-11). "The Ten Best Things About Lady Gaga and Beyoncé's 'Telephone' Video". New York (New York Media Holdings). Retrieved 2010-03-12.
- ^ http://www.out.com/entertainment/interviews/2010/03/15/heather-cassils-lady-gagas-prison-yard-girlfriend
- ^ Candy, Jennifer (2010-03-12). "Lady Gaga's Sis Makes Cameo in Telephone". E! Online. Retrieved 2010-03-17.
- ^ a b c d Ganz, Caryn (2010-03-11). "Lady Gaga and Beyoncé Unleash Orgy of Sex, Violence, Product Placement in "Telephone" Video". Rolling Stone (Jann Wenner). Retrieved 2010-03-14.
- ^ Rao, Mallika. "Lady Gaga's Music Videos: A Complete Guide". Rolling Stone. Wenner Media. p. 9. Archived from the original on May 25, 2011. Retrieved 2011-12-07.
- ^ Donnelly, Matt (2010-03-11). "Lady Gaga, Beyoncé world premiere their 'Telephone' video". Los Angeles Times (Tribune Company). Retrieved 2010-03-12.
- ^ Herrera, Monica (2010-03-14). "Lady Gaga's Hot New Video Goes To Prison". Billboard (Nielsen Business Media, Inc). Retrieved 2010-03-15.
- ^ Stransky, Tanner (2010-03-12). "Lady Gaga and Beyoncé's 'Telephone' video: Beautiful cigarette sunglasses, Honey Buns, and sandwich-making". Entertainment Weekly (Time Inc). Retrieved 2010-03-15.
- ^ "Lady Gaga's "Telephone" Video With Beyoncé Finally Debuts". About.com. The New York Times Company. 2010-02-12. Retrieved 2010-02-15.
- ^ Cady, Jennifer (2010-03-11). "Lady Gaga & Beyoncé Kill in "Telephone"". E! Online. E!. Retrieved 2011-12-09.
- ^ "Lady Gaga's 'Telephone' Video Featuring Beyonce Is Beyond, NSFW". The Huffington Post. 2010-05-12. Retrieved 2011-12-09.
- ^ "Fox News' Latest Senseless Culture Wars Battle Invokes La Gaga". Fox News. Retrieved 2010-04-19.
- ^ a b Goodman, William (2010-03-12). "WATCH: Lady Gaga Premieres Epic "Telephone" Video". Spin. Spin Media LLC. Retrieved 2011-12-07.
- ^ "Lady Gaga Hates Beyonce Telephone Video". Marie Claire. 2011-05-22. Retrieved 2011-05-25.
- ^ "50 Best Music Videos of 2010". NME. IPC Media. p. 5. Retrieved 2011-12-07.
- ^ "100 Greatest Music Videos". NME. IPC Media. p. 9. Retrieved 2011-12-07.
- ^ Reilly, Phoebe (2010-12-20). "The 20 Best Music Videos of 2010". Spin. Spin Media LLC. p. 3. Retrieved 2011-12-07.
- ^ "Staff Lists: The Top Music Videos of 2010". Pitchfork Media. 2010-12-01. Retrieved 2011-12-09.
- ^ Herrera, Monica (2010-08-04). "Lady Gaga Earns Record 13 MTV VMA Nominations". Billboard (Nielsen Business Media, Inc). Retrieved 2010-08-04.
- ^ a b WSJ Staff (2010-02-16). "Lady Gaga Performs "Telephone," "Dance in the Dark" As Tribute to Alexander McQueen at Brit Awards". The Wall Street Journal (Dow Jones & Company). Retrieved 2010-02-17.
- ^ Vena, Jocelyn (2010-02-16). "Lady Gaga Pays Tribute To Alexander McQueen At Brit Awards". MTV (MTV Networks). Retrieved 2010-02-17.
- ^ Johnson, Chris; Cable, Simon (2010-02-17). "Brit Awards 2010: Lily Allen finally wins her first Brit as emotional Lady Gaga cleans up with three gongs". Daily Mail (Associated Newspapers). Retrieved 2010-02-17.
- ^ Kreps, Daniel (2010-02-18). "Lady Gaga Amps Up "Electro-Opera" Monster Ball for Arena Tour". Rolling Stone (Jann Wenner). ISSN 0035-791X.
- ^ Savage, Mark (2010-02-19). "Lady Gaga: The Monster Ball meets Manchester". BBC (BBC Online). Retrieved 2010-02-22.
- ^ Thomas, Liz (2010-03-04). "So, Lady Gaga, the new single you're promoting wouldn't happen to be about telephones by any chance?". Daily Mail (Associated Newspapers). Retrieved 2010-03-04.
- ^ Reporter, Daily Mail (2010-04-17). "Lady Gaga goes batty in bizarre winged outfit... as she breaks YouTube records with 1bn views". Daily Mail (Associated Newspapers). Retrieved 2010-04-19.
- ^ Sperling, Daniel (2011-05-16). "Lady GaGa closes Radio 1's Big Weekend". Digital Spy. Hachette Filipacchi Médias. Retrieved 2011-05-16.
- ^ "Beyonce covers Kings Of Leon and Prince at Glastonbury". NME (IPC Media (Time Warner)). 2011-06-27. Retrieved 2011-09-05.
- ^ Shepard, Dense (2013-01-12). "Lady Gaga Kicks Off Her Born This Way Ball in North America". Rolling Stone (Wenner Media). Retrieved 2013-01-12.
- ^ Levine, Nick (2010-05-03). "Britney's 'Telephone' leaks onto web?". Digital Spy. Hachette Filipacchi Médias. Retrieved 2010-05-07.
- ^ Skewer, Jonathan (2010-05-06). "Britney Spears' Demo of Lady Gaga's "Telephone" Hits the Web". Rolling Stone (Jann Wenner). Retrieved 2010-05-07.
- ^ Vena, Jocelyn (2010-05-05). "Britney Spears' Leaked 'Telephone' Demo Confirmed By Producer Rodney Jerkins". MTV (MTV Networks). Retrieved 2010-05-07.
- ^ a b Sheffield, Rob (2010-05-06). "Britney Phone Home: Why Spears' "Telephone" Beats Lady Gaga's By a Robo-Mile". Rolling Stone. Jann Wenner. Retrieved 2010-05-07.
- ^ Reges, Margaret. "Kidz Bop Kids - Kidz Bop, Vol. 11". Allmusic. Rovi Corporation. Retrieved October 23, 2012.
- ^ "HelenaMaria – Lady Gaga Telephone". iTunes Store. (US) Apple Inc. Retrieved 2010-05-28.
- ^ "Aston – Lady Gaga Telephone". iTunes Store (Australia). Apple Inc. Retrieved 2010-05-28.
- ^ "Bangin Productions – Lady Gaga Telephone". iTunes Store (US). Apple Inc. Retrieved 2010-05-28.
- ^ "Pomplamoose – Lady Gaga Telephone". iTunes Store (US). Apple Inc. Retrieved 2010-05-28.
- ^ "Joe's Big Weekend". BBC Radio 1. 2010-05-24. Retrieved 2010-06-01.
- ^ McGarry, Lisa (2010-10-17). "X Factor 2010: Final 14 perform Telephone by Lady Gaga & Beyonce (VIDEO)". Unreality TV. Retrieved 2011-11-14.
- ^ Bell, Amy (2011-11-13). "'X Factor' poll results: Amelia Lily was best on GaGa vs Queen week". Digital Spy. Hachette Filipacchi Médias. Retrieved 2012-01-16.
- ^ "Little Mix - Telephone/Radio Ga Ga". The X Factor. Season 8. Episode 5. November 12 and 13.
- ^ "Radio Ga Ga / Telephone (Medley) [X Factor Performance] - Single by Little Mix". iTunes Store. (UK) Apple Inc. Retrieved 2012-01-16.
- ^ "Glee: Fall Preview". Fox News Channel. 2010-09-04. Retrieved 2010-09-04.
- ^ "Canadian Hot 100: Week of October 09, 2010 (Biggest Jump)". Retrieved 2010-10-01.
- ^ "Chart Track: Top 50 Singles, Week Ending 23 September 2010". Irish Singles Chart. GfK. Retrieved 2010-10-01.
- ^ "Glee Cast – Telephone (Song)". Australian-charts.com. Hung Medien. Retrieved 2010-10-03.
- ^ "Bono unveils 'Gaga' duet". New York Post. 10 July 2012.
- ^ "Lady Gaga – Telephone – UK CD Single". EIL.com. Retrieved 2010-03-01.
- ^ "Telephone (feat. Beyoncé) – Single by Lady GaGa". iTunes Store. (UK) Apple Inc. Retrieved 2010-03-18.
- ^ "Telephone Feat. Beyoncé Knowles (Alphabeat Extended Remix)". Amazon.co.uk. Retrieved 2010-03-22.
- ^ "Telephone (Crookers Vocal Remix) – Single de Lady GaGa & Beyoncé –". iTunes Store (France). Apple Inc. Retrieved 2010-03-18.
- ^ "Telephone Feat. Beyoncé Knowles (DJ Dan Extended Vocal Remix)". Amazon.co.uk. Retrieved 2010-03-22.
- ^ "Telephone (Electrolightz Remix) – Single de Lady GaGa & Beyoncé". iTunes Store. (France) Apple Inc. Retrieved 2010-03-18.
- ^ "Telephone (Kaskade Extended Remix) – Single de Lady GaGa & Beyoncé –". iTunes Store. (France) Apple Inc. Retrieved 2010-03-18.
- ^ "Telephone (Ming Extended Remix) – Single de Lady GaGa & Beyoncé". iTunes Store. (France) Apple Inc. Retrieved 2010-03-18.
- ^ "Telephone (Passion Pit Remix) – Single de Lady GaGa & Beyoncé". iTunes Store (France) Apple Inc. Retrieved 2010-03-18.
- ^ "Telephone (Tom Neville's Ear Ringer Radio Remix) – Single de Lady GaGa & Beyoncé". iTunes Store (France). Apple Inc. Retrieved 2010-03-18.
- ^ "Lady Gaga – Telephone – UK 7 inch Vinyl". EIL.com. Retrieved 2010-03-01.
- ^ a b "US Remixes EP – Lady Gaga – Telephone". Amazon.com. Retrieved 2010-03-24.
- ^ "Telephone (The Remixes): Lady Gaga: MP3 Downloads". Amazon.com. Retrieved 2010-03-24.
- ^ "Telephone (The DJ Remixes)". Masterbeat.com. Retrieved 2010-04-01.
- ^ a b c d e f g h i j "Lady Gaga feat. Beyoncé – "Telephone" World Charts". Ultratop. Hung Medien. Retrieved 2010-04-02.
- ^ "Brasil Hot 100 Airplay". Billboard Brasil (in Portuguese) (Sao Paolo) 2: 84. Agosto de 2010.
- ^ "Bulgarian Charts – WEEK21 24.05–30.05.2010". Bamp-Bg.org. 2010-05-30. Retrieved 2010-06-05.
- ^ "RADIO TOP100 Oficiální Czech Republic". International Federation of the Phonographic Industry. 2010-03-31. Retrieved 2010-04-19.
- ^ "De Nederlandse Top 40". Dutch Top 40 (in Dutch). Radio 538. 2010 – week 15. Retrieved 2010-04-07.
- ^ "Billboard – Telephone – Lady Gaga Song Information". Billboard. Nielsen Business Media, Inc. Retrieved 2010-03-26.
- ^ Reporter, SNEP (2010-04-02). "Tops: Stromae et Maé restent n°1 avec respectivement 12 913 et 31" (in French). Syndicat National de l'Édition Phonographique. Retrieved 2010-04-19.
- ^ Presse, News (2010-04-02). "Metal-Oper Avantasia auf Platz zwei der Album-Charts" (in German). Media Control Charts. Retrieved 2010-04-19.
- ^ "CHART SEARCH RESULTS - Greece Digital Songs". Billboard.biz (Nielsen Business Media, Inc). 2010-04-10. Retrieved 2012-11-03.
- ^ "CHART SEARCH RESULTS - Luxembourg Digital Songs". Billboard.biz (Nielsen Business Media, Inc). 2010-04-10. Retrieved 2012-11-03.
- ^ "Media Forest: Airplay chart". mediaforest.biz.
- ^ "Billboard Japan Hot 100". Billboard. Nielsen Business Media, Inc. 2010-04-22. Retrieved 2010-04-23.
- ^ "ZPAV Top5 Airplay 08.05. – 14.05.2010". Polish Music Charts. 2010-05-17. Retrieved 2010-05-17.
- ^ "Top 5 video (08.05. – 14.05.2010)". Polish Music Charts. Retrieved 2012-10-02.
- ^ "RADIO TOP100 Oficiální Slovak Republic". International Federation of the Phonographic Industry. Retrieved 2010-04-04.
- ^ "Promusicae (Week: January 1, 2009)". Retrieved July 13, 2009.
- ^ "CHART SEARCH RESULTS - Rhythmic Top 40". Billboard.biz (Nielsen Business Media, Inc). 2010-04-10. Retrieved 2012-11-03.
- ^ a b "Billboard – Lady Gaga feat. Beyonce – Telephone". Billboard (Nielsen Business Media, Inc). 2010-04-26. Retrieved 2010-04-27.
- ^ "Gold and Platinum Certifications – Singles – 2010". Ultratop. Hung Medien. Retrieved 2010-08-12.
- ^ "Certificeringer" (in Danish). IFPI Denmark. p. 37. Retrieved July 20, 2013.
- ^ "French Certification". Syndicat National de l'Édition Phonographique. 2010. Retrieved 2011-11-14.
- ^ "Bundesverband Musikindustrie: Gold-/Platin-Datenbank" (in German). Bundesverband Musikindustrie. 2011-01-12. Retrieved 2011-01-12.
- ^ "Certificazioni Download FIMI" (PDF). Federation of the Italian Music Industry. 2010-08-29. Retrieved 2010-09-07.
- ^ "Digital sales certification in May 2010". Recording Industry Association of Japan. 2010-06-20. Retrieved 2010-09-12.
- ^ "Digital sales certification in August 2010". Recording Industry Association of Japan. 2010-09-21. Retrieved 2010-09-22.
- ^ "Latest Gold / Platinum Singles". RadioScope. Retrieved 2010-08-11.
- ^ "Promusicae SEMANA 25:del 27.12.2010 al 02.01.2011" (PDF) (in Spanish). Retrieved 2011-12-15.
- ^ "Swiss Certifications – Awards 2009". International Federation of the Phonographic Industry. Retrieved 2010-10-03.
- ^ "BPI – searchable datadase". British Phonographic Industry. Retrieved 2010-01-11.
- ^ "ARIA Charts – End Of Year Charts – Top 100 Singles". Australian Recording Industry Association. Retrieved 2011-01-11.
- ^ "Jahreshitparade 2010". Hitradio Ö3 (in German). Hung Medien. Retrieved 2011-01-02.
- ^ "Jaaroverzichten 2010 (Flanders)" (in Dutch). Ultratop. Hung Medien. Retrieved 2010-12-26.
- ^ "Rapports annuels 2010 – Singles" (in French). Ultratop. Retrieved 26 December 2010.
- ^ "2010 Year-End Canadian Hot 100 Songs". Billboard. Nielsen Business Media, Inc. 2009-12-09. Retrieved 2010-12-09.
- ^ "Track 2010 Top-50". Tracklisten (in Danish). Nielsen Music Control. 2010. Archived from the original on 2010-01-22.
- ^ "2010 Dutch Year-end chart" (in Dutch). Top40jaarlijsten.nl. Hung Medien. Retrieved 2010-12-26.
- ^ "2010 Year-End European Hot 100 Songs". Billboard. Nielsen Business Media, Inc. Retrieved 2010-12-09.
- ^ "Classement Singles - année 2010" (in French). SNEP. Retrieved 2012-10-09.
- ^ "2010 Year-End German Charts" (in German). Media Control Charts. Viva.tv. Retrieved 2011-01-07.
- ^ "MAHASZ Rádiós TOP 100 2010" (in Hungarian). Mahasz. Retrieved 10 March 2011.
- ^ "2010 Year-End Irish Charts". IRMA. Retrieved 2011-01-26.
- ^ "Hit Parade Italia – Top Annuali Single: 2010" (in Italian). Federation of the Italian Music Industry. 2010-05-15. Retrieved 2011-11-14.
- ^ "2010 Year-End Japan Hot 100 Songs". Billboard. Nielsen Business Media, Inc. Retrieved 2010-12-09.
- ^ "Topul celor mai difuzate piese în România în 2010" (in Romanian). România Liberă. Retrieved 21 January 2011.
- ^ "2010 Spanish Year-end charts" (PDF) (in Spanish). PROMUSICAE. 2010-12-29. Retrieved 2011-01-31.
- ^ "2010 Year End Swiss Singles Chart". Swiss Music Charts. 2011. Retrieved 2011-01-12.
- ^ "UK Year-End Charts 2010". BBC. Retrieved 2011-06-22.
- ^ "2010 Year-End Hot 100 Songs". Billboard. Nielsen Business Media, Inc. Retrieved 2010-12-09.
- ^ "2010 Year-End Hot Dance Club Songs". Billboard. Prometheus Global Media. 2009-12-09. Retrieved 2010-12-09.
- ^ "2010 Year-End Pop Songs". Billboard. Nielsen Business Media, Inc. Retrieved 2010-12-09.
- ^ "R&R :: Going For Adds :: CHR/Top 40". Gfa.radioandrecords.com. 2010-01-26. Retrieved 2010-03-27.
- ^ "R&R :: Going For Adds :: Rhythmic". Gfa.radioandrecords.com. 2010-01-26. Retrieved 2010-03-27.
- ^ "R&R :: Going For Adds :: Urban". Gfa.radioandrecords.com. 2010-01-26. Retrieved 2010-03-27.
- ^ "R&R :: Going For Adds :: Hot AC". Gfa.radioandrecords.com. 2010-01-26. Retrieved 2010-03-27.
- ^ "Telephone (feat. Beyoncé) – Single Lady GaGa – France digital release". iTunes Store. (France) Apple Inc. 2010-02-15. Retrieved 2010-02-18.
- ^ "Telephone (The Remixes) by Lady GaGa & Beyoncé". iTunes Store. (UK) Apple Inc. 2010-03-02. Retrieved 2010-04-07.
- ^ "Telephone (The Remixes) by Lady GaGa & Beyoncé". iTunes Store. (Canada) Apple Inc. 2010-03-02. Retrieved 2010-04-07.
- ^ "Telephone (The Remixes) de Lady GaGa & Beyoncé". iTunes Store. (France) Apple Inc. Retrieved 2010-04-07.
- ^ "Telephone (The Remixes) by Lady GaGa & Beyoncé". iTunes Store. (Denmark) Apple Inc. 2010-03-02. Retrieved 2010-04-07.
- ^ "Telephone (The Remixes) by Lady GaGa & Beyoncé". iTunes Store. (Sweden) Apple Inc. 1981-09-04. Retrieved 2010-04-07.
- ^ "Telephone (The Remixes) von Lady GaGa & Beyoncé". iTunes Store. (Switzerland) Apple Inc. 1981-09-04. Retrieved 2010-04-07.
- ^ "Telephone (The DJ Remixes) by Lady GaGa & Beyoncé". iTunes Store. (Belgium) Apple Inc. 2010-03-02. Retrieved 2010-04-07.
- ^ "Telephone (The Remixes) by Lady GaGa & Beyoncé". iTunes Store. (Ireland) Apple Inc. 2010-03-02. Retrieved 2010-04-07.
- ^ "Telephone (The Remixes) van Lady GaGa & Beyoncé". iTunes Store. (Netherlands) Apple Inc. 1981-09-04. Retrieved 2010-04-07.
- ^ "Lady Gaga – Telephone (Feat Beyoncé) – CD Single". HMV. Retrieved 2010-02-13.
- ^ "Lady Gaga – Telephone (Feat Beyoncé)-(2010)". HMV. Retrieved 2010-02-13.
- ^ "Lady Gaga – Telephone – (CD Single)". Universal Music Germany. Retrieved 2010-03-15.
- ^ "Lady Gaga: Telephone French CD single". Amazon.fr. Retrieved 2010-05-25.
- ^ "French CD single". Musique. FNAC.com. Retrieved 2010-03-25.
External links[edit]
- 2010 singles
- Lady Gaga songs
- Beyoncé Knowles songs
- Billboard Hot Dance Club Songs number-one singles
- European Hot 100 Singles number-one singles
- Irish Singles Chart number-one singles
- Number-one singles in Denmark
- Number-one singles in Norway
- UK Singles Chart number-one singles
- Ultratop 50 Singles (Wallonia) number-one singles
- Ultratop 50 Singles (Flanders) number-one singles
- Singles certified gold by the Belgian Entertainment Association
- Singles certified gold by the Bundesverband Musikindustrie
- Singles certified gold by the International Federation of the Phonographic Industry of Denmark
- Singles certified gold by the International Federation of the Phonographic Industry of Switzerland
- Singles certified gold by the Productores de Música de España
- Singles certified gold by the Recording Industry Association of Japan
- Singles certified gold by the Syndicat National de l'Édition Phonographique
- Singles certified platinum by the Federation of the Italian Music Industry
- Singles certified platinum by Recorded Music NZ
- Singles certified triple platinum by the Australian Recording Industry Association
- Singles certified triple platinum by the Canadian Recording Industry Association
- Music videos directed by Jonas Åkerlund
- Song recordings produced by Rodney Jerkins
- Songs written by Beyoncé Knowles
- Songs written by Lady Gaga
- Songs written by Rodney Jerkins
- Songs about telephones
- Dance-pop songs
- Interscope Records singles
- Song recordings produced by Lady Gaga
- Songs about telephone calls


text:
License & Warranty Policy
Grant of License: | ScadaTEC, INC. hereby grants the purchaser a license to use the RUNTIME portion of this software on one computer, continuously. Your right to use the Licensed Software terminates upon the violation of any provision of this License. If any provision of this License shall be held to be unenforceable, such holding shall not affect the enforceability of any other provisions of this License. |
Ownership: | Customer agrees that he/she does not have any title or ownership of the software, other than ownership of the physical media. Customer acknowledges and agrees that the software is copyrighted and protected under the copyright laws. |
Transfer of Rights: | Customer may transfer rights in the software to a third party by getting an agreement from the third party that they will be bound by the terms of this License Agreement, and notifying ScadaTEC of the transfer. When such a transfer occurs, Customer agrees that his/her rights in the software are terminated and that he/she will either destroy his/her copies or deliver them to the third party. |
Termination: | ScadaTEC may terminate this software license for failure to comply with any of these terms provided ScadaTEC has requested Customer to cure the failure and Customer has failed to do so within thirty (30) days of such notice. |
Proprietary Rights: | You agree to take all steps necessary to ensure that the provisions of this License are not violated by you or by any person under your control or in your service, and you shall cause or permit no such person to disassemble, reverse compile or tamper with the Licensed Software. All copyright, patent, trade secret, trademark and other intellectual property and proprietary rights in the Licensed Software are and shall remain the valuable property of ScadaTEC, Inc - a Reno Nevada corporation. |
Authorization Code: | ScadaTEC will issue you an Authorization Code that allows full use of the software based on a computer key (a 6 character code generated by the ScadaTEC software) furnished to us. The Authorization Code allows you to run this software continuously on one computer. Without an Authorization Code, the software will only run for a limited amount of time. It then has to be restarted. You have the right to transfer the license to another computer using the "Transfer Authorization Code" procedure built into the software. |
Use of Multiple copies | This software may be duplicated as many times as needed. It does not require a separate license or authorization to run in the DEVELOPMENT mode or the RUNTIME mode for a limited amount of time. |
Lost Authorization Code: | If the authorization code is lost due to a hard disk crash or other fatal computer problem, please contact ScadaTEC technical support for a replacement. You will need to provide the date that the original key was purchased, the name of the company the key was purchased through, and the current software version number. Technical support may ask additional questions to verify previous ownership and that the software is being used on only one PC. |
Limited Warranty: | ScadaTEC warrants the media on which the Licensed Software is provided to be free from defects in materials and workmanship for one (1) year after delivery. Defective media may be returned for replacement without charge during the one (1) year warranty period unless the media have been damaged by accident or misuse. ScadaTEC warrants, for one (1) year after purchase, that the unaltered Licensed Software conforms to the documentation and is without material defects. |
Disclaimer & Limitation of Liability: | Due to the complex nature of computer software, ScadaTEC does not warrant that the Licensed Software is completely error-free, will operate without interruption or is compatible with all equipment or software configurations. Repair, replacement or refund (at the option of ScadaTEC) is the exclusive remedy if there is a defect. ScadaTEC MAKES NO OTHER WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO THE LICENSED SOFTWARE, ITS MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. IN NO EVENT WILL ScadaTEC BE LIABLE FOR INDIRECT OR CONSEQUENTIAL DAMAGES, INCLUDING, WITHOUT LIMITATION, LOSS OF INCOME, USE, OR INFORMATION, NOR SHALL THE LIABILITY OF ScadaTEC EXCEED THE AMOUNT PAID FOR THE LICENSED SOFTWARE. Some states do not allow the exclusion or limitation of incidental or consequential damages or limitations on how long an implied warranty lasts, so the above limitation or exclusion may not apply to you. These warranties give you specific legal rights; you may have other rights which vary from state to state. |
Governing Law: |
This License shall be governed by and interpreted in accordance with the laws of the State of Nevada, U.S.A. |
Integration: | This License constitutes the entire agreement between ScadaTEC and you and supersedes any prior agreement. |
Registration & Updates: | As part of your original purchase, you are entitled to updates for one year from the date of purchase. Extension of the warranty and upgrade privileges is available for an annual maintenance fee. The current maintenance fee is $200 US, payable in advance, but may be changed without notice. ScadaTEC will notify you near the end of the current warranty period by renewal invoice. |

subset: commoncrawl


text:
The Mission of Anderson Center
The Anderson Center is committed to hosting and staging world-class performances in theater, dance and music — and to enhancing the Binghamton University student experience as well as the lives of people in its community.
Designed to exacting standards to meet the needs of every type of performance — ranging from solo acts to large theatrical productions complemented by a full orchestra — the Anderson Center opened in 1985. The facility boasts three distinct theater venues: Watters Theater, Chamber Hall and the Osterhout Concert Theater, which features a glass rear wall that opens to a sloping knoll, creating a unique open-air summer concert experience and turning a 1,200-seat theater into a 2,700-seat theater.
The Center's administration books major national and international music, theater and dance performances as part of a world-class concert series for regional audiences. The staff also hosts critically acclaimed festivals featuring the performing arts of specific foreign countries. The Scottish festival became a model for other British Council partnerships in more than 110 countries, and the Greek festival marked the first time Greece has ever collaborated on such an endeavor anywhere in the world. The influence of these festivals continues The Mission of the Anderson Center through international exchange programs they spurred at the University.
In addition to performances planned by the Center's staff, numerous community and university organizations also perform in the Anderson Center's theaters. These range from the Binghamton Philharmonic's concert season to the Summer Youth Musical Workshop to plays and performances by the University's Departments of Theatre and Music.
With all its programming, the Anderson Center strives to keep ticket prices affordable so performances are accessible to as many people as possible. As a primarily self-supporting facility, however, the Anderson Center relies in large part on private funding to bring the world to the local stage. Outside of salaries, the state provides only [5 percent] of the Center's operating budget.
Points of Pride
- "There are so few new concert halls that provide even
competent acoustics for musical performance that when
a rare exception is created such as the Anderson Center, it
is worth going on record praising it."


text:
Reading Programs & Storytimes
Library Branch
Stories, songs and rhymes for children age 19 months to 3 years with their parents and caregivers. This program encourages a lifelong love of reading, builds reading readiness in children, and shows adults how to help childr...
Wed Mar 26
Wed Apr 02
Wed Apr 09
Wed Apr 16
In person registration begins on Wed. March 19, 2014 at 10 a.m.
La danse du jongleur est un mélange parfait de musique, comédie et jonglerie! Ce spectacle interactif est parfait pour faire connaitre aux tout-petits le monde merveilleux des arts de performance....
March Break Programs.
Thu Mar 13
Fri Mar 14
Thomas vous invite à suivre les aventures de ses amis, les marionnettes Georges, Joséphine et Malmain, et vous laissez émerveiller par les acrobaties de son compagnon imaginaire, Delphus Lapuce. L'inscription commence le 13 f...
Bedtime stories, songs, rhymes and activities for children age 5 and under with their parents or caregivers. Register in person or by phone. Space is limited
Mon Mar 10
Mon Mar 17
Mon Mar 24
Mon Mar 31
Mon Apr 07
Dress in pink or red and join us for Valentine stories and much more!
An hour-long program of stories and crafts for children of all ages. Parents and care-givers welcome. Drop-in. Contact the branch at 416-396-3865 for more information.
Sat Jan 25
Sat Feb 22
Sat Mar 22
Sat Apr 19
This one hour program is for babies from birth to 18 months with their parents or caregiver. The first half hour consists of bouncing and tickling rhymes, songs and stories. During the second half hour a Toronto Public Health...
Wed Jan 22
Wed Jan 29
Wed Feb 05
Wed Feb 12
Wed Feb 19


text:
COM/media Video Resources
The Department of Communication Studies provides a range of equipment options for students to utilize in their coursework. The department also offers an Edit Suite in Leutze 248, which houses 7 fully equipped stations for students to learn and collaborate on. Student digital multi-media projects are created in programs such as Adobe's Photoshop, Illustrator & InDesign as well as Lightwave 3D animation. Other applications available include Final Cut Pro, & Motion. The following is a brief list of equipment available for student reservation.
Below you can watch videos that group of 5 COM studies students created. These projects are a series of zombie-themed promotional videos for Seahawk Adventures outdoor adventure office at UNCW. It was produced Spring 2013.
Productions By:
Connor Buss
Colby Murdock
Jessica Ferrer
Luke Brown
Catherine Echols
Seahawk Adventures: Yoga
Seahawk Adventures: Camp Cooking
Seahawk Adventures: Kayaking


text:
Your cart is empty. How do I get started?
ORDER NOW for Christmas delivery
Already own it?
Sell it on your site?
A Graphic Adaptation Based on the Novel by F Scott Fitzgerald
By Nicki Greenberg
We will email you if this item comes back into stock.
'...an incredibly faithful adaptation of Fitzgerald's expose of high society...charming, sepia-toned touch...Charming, original and faithful all at the same time...a debut novel to be proud of.'Junior Bookseller and Publisher, August 2007
Their Email:
Already own this item? Sell Yours and earn some cash. It's fast and free to list! (Learn More.)
Get Deals to Your Inbox
Thanks, your email was successfully added
You will receive special offers to your inbox daily.


text:
About London Keys
London Keys is an Asian American pornstar who is part Japanese and part Caucasian and she comes from Seattle, Washington. She has lovely natural tits giving her a 36C bust size and is all natural except for some tattoos and body piercings. She began her adult career when she was around the age of twenty and one of her first films was "Brand New Faces 14" from Vivid Video. She appears in a scene with friend Victoria Shay and Trent Tesoro and turns it into a threesome sex scene. The three would also appear a couple of years later in episode 16 of the series.
London Keys@LondonKeyes
Made it to @CheerleaderPHL watch me shake it http://t.co/0zPBdVaSGQ
- 3 hours ago
- · reply
- · retweet
- · favorite
Page Views: 336,699 | Ranking: 0082 | Measurements: 36C-25-36 | Height: 5'4" | Date of Birth: 08|18|1989


text:
New Hope Mills
Sugar Free Pancake and Waffle Mix
Having been diagnosed with diabetes, it's been difficult to find something to eat for breakfast that won't shoot my blood sugar through the roof. I then found New Hope Mills Pancake Mix! Hot, fluffy pancakes and crispy waffles without loads of carbs.
Love pancakes and waffles drenched in syrup but hate the idea of all that refined flour and sugar? Then New Hope Mills Pancake and Waffle Mix is for you. They use wheat gluten and a low glycemic cornstarch which are much higher in protein and lower in carbs than traditional flour. So, go ahead, enjoy your pancakes and waffles. You'll be doing your body and your taste buds a favor.
Serving size: 1/4 Cup Mix makes 3-4 Pancakes
80 Calories 6 Carbs
Ingredients: Wheat Gluten, Cornstarch, Milk Protein, (Casein Protein, Whey Protein), Leavening (Baking Soda, Sodium Aluminum Phosphate, Monocalcium Phosphate) Natural & Artificial Flavor, Sucralose.


text:
Premium Virgin Hair Collection 100% Virgin Unprocessed Hair
When only the best will do. Our premium stock lace wigs feature premium unprocessed human hair. The Premium Virgin Collection is the best of the best. We hand select all human hair used to make every unit in this collection to insure the highest quality available. You may custom color, or perm any unit in this collection. These units are truly an investment. Lace Wigs in this collection are expected to last over 100+ washings if properly maintained (individual results may vary).
Premium Pure Remy Illusions Collection 100% Remy (cuticle)
Our Remy Illusion Collection features Remy Hair that has its cuticle intact and running in the same direction "unidirectional cuticle" to prevent tangling. Each lace wig design is gently processed, careful not to damage the cuticles. Lace Wigs in the Pure Remy Illusions Stock Collection will last approximately 6 to 12 months if maintained (individual results may vary).
Bella Maven / Allure Human Hair Collection 100% Human Hair
The Bella Maven / Allure Collection is the perfect choice for the budget conscious lace wig buyer. This collection features 100% human hair. All human hair in this lace wig collection is hand chosen and processed using a special technique developed by Model Lace Wigs and Hair to preserve the integrity of each hair shaft longer than most. Lace Wigs in the Allure Human Hair Collection will last approximately 3 to 5 months if maintained (individual results may vary).
High Quality Premium Synthetic Collection 100% High Quality Synthetic Fiber
Our Premium Synthetic Lace Front Collection features High Quality Synthetic Hair that tolerates high heat application up to 400F. Lace Wigs in the Premium Synthetic Stock Lace Front Collection will last approximately 1 to 3 months. This all depends on how often you wear your wig, how long you wear it and how much care you give your wig. It will last longer if you only wear it occasionally. (individual results may vary).
We have several units available in the Las Vegas store that may not be posted here at any one time. We attempt to post all units as quickly as possible, however, should you have an inquiry about a specific lace wig or item, please feel free to contact us.


text:
iPad Apple ID Management
Hi everyone,
I've been doing a ton of research and have even called Apple about this. What is the best way to do Apple IDs when deploying about 20 or so iPads? Our company does not need VPP and we already have a way to manage security and settings using Microsoft ActiveSync. We don't want to have the employees use their personal Apple IDs, but don't wish to tie a corporate credit card to the accounts. Is there a way to create IDs without having to add any kind of credit card?
- Login or register to post comments
- Post to Twitter
Credit Card Free iTunes Account
Yes, you can create an Apple ID that is NOT associated with a credit card.
Doing so does NOT mean you don't want to use VPP though. VPP is a way you can get apps for 1/2 price, tax free (in education). Whether you use 1 Apple ID on 20 iPads or 20 Apple IDs on 20 iPads doesn't matter. If you have 20 iPads, you still need 20 licenses (redemption codes), and VPP is the way to do that economically.
If you won't want employees using their own Apple IDs, you will need to create Apple IDs to be used on the iPads. Creating Credit Card Free Apple IDs will accomplish what you want.
Bryan VonDeylen
Computer Specialist
Neenah Joint School District
Neenah, WI 54956


text:
Director Brings His Film And Anti-Bullying Message To Civic
Director Lee Hirsch brought himself and his Bully documentary to town Sept. 6, and more than 1,000 people who were packed into the Civic Auditorium shared the experience of this powerful evening. The Community Conversation, sponsored by Facing History and Ourselves and the Allstate Foundation, included a screening of the movie and a discussion afterward with Hirsch.
Hirsch looked out onto the crowded Civic as he stepped to the podium prior to the film screening and blurted out, "This is awesome!" when he saw how many had come to support his efforts to raise awareness of bullying and find ways to fight it. He shared his own story of being physically abused by bullies as a child and cited it as the reason why he did his film, which follows the lives of three students and their families as they cope with the consequences – sometimes tragic ones – of bullying.
From his own experience, he learned the importance of having at least one adult who will listen. He has also found through his own life and those he has observed while filming Bully, that "if kids are talking about being bullied, assume it's much worse" than they are telling you.
Although disturbing in many parts, the movie ultimately leaves one with a positive message that we can all help ignite change, one person at a time. "We can turn the tide," Hirsch said.
After the film, Hirsch sat to talk with four Lakewood High School students – Darnelle Crenshaw, Jazmyn Paoli, Emma Price and Lubna Quadri – and answered questions from each one as well as questions written down by the audience. Hirsch emphasized that schools must present a united front where every single staff member is on the same page about bullying. The message that it is not acceptable must be clear from the principal on down. "Every member of the building needs to work to create a school that feels safe," he said.
Lakewood City Schools' commitment to bullying prevention is a strong one, evidenced not only by its role in helping to bring the Bully Community Conversation to Lakewood, but also by the recent $10,000 grant Garfield Middle School was awarded to continue its bullying prevention program, which is based on a nationally recognized curriculum, taught at Garfield by Campus Impact. The district is also bringing Rachel's Challenge, a national bullying and violence abatement organization, to Lakewood Civic Auditorium on Sept. 24 to give its presentation on choosing compassion and kindness rather than conflict and aggression.
Hirsch remarked that "it takes an act of community to stand together" against bullying. That night in the Civic, Lakewood was standing together.


text:
This New York Times article discusses the current executive carousal running in Hollywood:
Like most earthquakes, these changes appear to have had no clear trigger. There has notably been no precipitating economic crisis. The North American box office is sluggish, but that has become normal;…
"When we make decisions, it's not a battle of people trying to break us out of our value system. We all want to double down on these values, whose aim is to make things simpler, more focused. Those are spoken and unspoken mantras in all the discussions we have. You can call that Steve's legacy, but it's Apple is the culture.."
Jony Ive: The man behind Apple's magic curtain
I've said this before… The true legacy of Steve Jobs is the culture of Apple.
(via minimalmac)


text:
Quality Inn Convention Center New York
442 W 36TH ST New York, NY 10018
New York City: Chelsea - Madison Square Garden
Hotel DescriptionDining Options
Hotel Description
56 rooms, 15 floors
Located just two blocks from the Jacob K. Javits Convention Center, the Quality Inn Convention Center is an ideal place for both business and leisure travelers. This New York City, NY hotel is less than two miles from the Empire State Building, the Statue of Liberty, Times Square, Madison Square Garden arena and the Broadway Theater district. Additional nearby points of interest include Grand Central Station, Rockefeller Center, Radio City Music Hall, Central Park and Yankee Stadium. Visitors will enjoy world-class shopping on New York's famous Fifth Avenue. The John F. Kennedy International Airport (JFK) and the LaGuardia Airport (LGA) are 15 miles from the hotel. A variety of restaurants, entertainment options, and cocktail lounges are located in the surrounding area. Ask the hotel's front desk agent about tickets for the Empire State Building, NYC bus tours, helicopter rides, water tours, Broadway shows, sports games and more.
Hotel amenities and features include free hot breakfast, wireless high-speed Internet access, weekday newspaper and local calls.
All guest rooms have irons, ironing boards, safes, desks, coffee makers, hair dryers and cable television. This New York City, NY hotel's staff and management are committed to providing a great lodging experience at a friendly price.
Dining Options
Skylite Diner
Open 24 Hours
The View Lounge
Open 17:00 to 00:00
Uncle Jacks Steakhouse
Open 11:30 to 23:00
Nearby Attractions
- JFK - 15 Mi / 24 Km
- LGA - 10 Mi / 16 Km
- EWR - 10 Mi / 16 Km
- NYC - 1 Mi / 2 Km
- Empire State Building - 0 Mi / 0 Km
- Rockefeller Center - 2 Mi / 3 Km
- Radio City Music Hall - 2 Mi / 3 Km
- Madison Square Garden - 0 Mi / 0 Km
- New York - 1 Mi / 2 Km
- Times Square - 1 Mi / 2 Km
- Brooklyn - 9 Mi / 14 Km


text:
Definición de eth in Inglés
Pronunciación: /ɛð/
(also edh)
- an Old English letter, ð or Ð, representing the dental fricatives /ð/ and /θ/. It was superseded by the digraph th, but is now used as a phonetic symbol for the voiced dental fricative /ð/. Compare with thorn (sense 3).
from Danish edh, perhaps representing the sound of the letter


text:
Los Alamitos January, 2013 calendar: Special Council Meeting, Commissions, More
January 2, 2013 in Community Calendar & Bulletin Board, Restaurants and food trucks, Your reporting and comments By: Dave Emerson
(1/2/2013, Los Alamitos by Dave Emerson) Time for our monthly calendar & bulletin board. I've got a couple of things that are time urgent that I'll get up now, with more to be added in the next day or two.
In the meantime, you can use a comment to post any upcoming event you think might be of interest to Los Alamitos or Rossmoor residents or businesses.
Here's what we've got so far:
- Wednesday, January 2: No Parks , Rec, & Cultural Affairs Meeting this month.
- Thursday, January 3: Trash pickup pushed back a day due to New Years. Put your trash out Thursday night, along with your Christmas Tree, stand removed.
- Thursday, January 3: No "Picnic at the Plaza." Los Alamitos Thursday night food trucks will return a week later on January 10. I just got this today straight from the chief honcho's keyboard, so I'm pretty sure we got it right this time, no matter what the Patch says!
- Friday, January 4: Street Sweeper will be by, but most likely ticketing will be suspended again for the day. Hopefully the street sweeper will come after the Christmas trees are picked up. Tip: I pull any uncollected trash "cans" into our driveway apron before the street sweeper comes.
- Friday, 1/4/2013: City Hall Closed.
- Monday, 1/7/2013, 6 pm, Special Council Meeting on Management Salaries, Mayoral selection procedure & more. Broadcast live on LosAlTV3!
- Wednesday, 1/9/2013 , 7 pm, Traffic Commission
- Monday, 1/14/2013, 7 pm, Planning Commission, City Council Chambers
- Friday, 1/18/2013: City Hall Closed.
- Monday, 1/21/2013: City Hall Closed, City Council Regular Meeting moved to Tuesday?
- Friday, 2/1/2013: City Hall Closed.
- Check back for updates as the month progresses. Even better, add your own events in a comment below!


text:
This post is part of a weekly series, Fetching Friday, featuring the resources mashup, #FollowFriday recommendations, PageRank updates & SEO stuff, and previews for next week's posts on kikolani.com.
The Resources Mashup
Here are some of the best articles I have stumbledupon this week.
Blogging / Design
- WordPress 2.8: Upcoming Features and Enhancements
- Insert your post title in read more links easily
- WordPress theme development frameworks
- 40 exceptional cms enabling plugins for WordPress
- 36 eye-catching Jquery navigation menus


text:
Related Sections: | Chittenango | Madison County |
Woodcrest Golf Club
Cheese Factory RdChittenango, NY 13037
Phone: (315)687-3086
This course was built atop rolling hills. It has a combination of wide and narrow fairways, and the rough is generally cut relatively short. Some of the fairways are lined with hickory, oak, and maple trees which can measure as high as seventy feet. Water hazards (ponds and creeks) come into play on seven holes. There are only a few elevated tees, yet many holes offer exceptional views of Lake Oneida, the largest lake within the State of New York. This yardage is an estimate until a new scorecard is available.
Holes: 18 | Greens: Bent Grass | Fairways: Bent Grass |
Greens Fees: | $20 or Less |
Course Type: | public |
Dress Code: | No tank tops or cutoffs |
Season: | Apr 1 to Oct 31 |
Guest Policy: |
* Update this Course: Update/modify the details for this golf course's listing.
Course reviews for Woodcrest Golf Club
Average Golfer Review (4.0 Stars):
Number of Reviews: 1
Review this course and share your experience with other golfers.
23 of 26 people found the following review helpful: |
Fun and breathtaking..., Aug 03, 2004 |
reviewer: TR
from Syracuse, NY USA |
A friend and I were given directions by the pro at Green Lakes. It was a great recommendation! Some of the bunkers were clearly under repair, but the fairways and greens were in good shape. This course plays on two levels, and trekking between them (we walked) is a chore--up and down four times, but well worth it. This course challenges players in club selection and shot making. For eample, the par 4 #10 is 185 yards downhill to the 100 yard marker, but then it takes a 90 degree left turn over a creek to the green. Trees prevent long hitters from hitting the green in 1. Holes vary in style and challenge. I shot a 41/49 back/front (because that was the order of the day), which was a good score for me this season. The people were friendly, and there were very few people for a Friday. |


text:
Quick Index Board Index Home FAQ Site Map
How so
Written by Robbin
(4/24/2010 11:31 p.m.)
in consequence of the missive, It remains to be seen..., penned by Anne-Marie
Mrs. Bennet does not seem perceptive enough to know that Lizzy would not be happy with Mr. Collins. Perhaps Charlotte has more in common with Mrs. Bennet on the subject of marriage than with Lizzy. (:D) |
Groupread is maintained by Myretta with WebBBS 3.21.


text:
Posted by Deneb on June 15, 2009, at 2:33:42
In reply to I wish I could be anorexic thin, posted by Deneb on June 14, 2009, at 23:46:56
I posted this on PC and people say my thinking is disordered. I also think I want attention from getting thin.
I really don't want to die. I think right now I'm just going to get to 99 pounds and hope I will stop losing. I'll get help if I want to go below normal weight.
Sorry about posting. I need to be more careful about what I post because it might upset people.
URL: http://www.dr-bob.org/babble/social/20090604/msgs/901062.html


text:
The house is lovely with two living rooms for the use of guests. Our bedroom was very impressive and beautifully decorated and comfortable. The bathroom was also surprisingly large with lots of useful accessories including cotton wool, eye makeup remover and very nice lquid shower soap and shampoo. Jill spoilt us at breakfast with a delicious array of fruit including... More
- Also Known As:
- Gilmore House Blairgowrie, Scotland
- Official Description (provided by the hotel):
- Traditional detached late Victorian family home, offering bed and breakfast in 3 en-suite rooms. Comfy, homely and warm ambience. Well situated to explore Perthshire and beyond. Within walking distance of town centre. ... more less


text:
We're used to seeing health care costs of older Americans flying out of control, but according to one study, children's health care costs have become the fastest growing in the U.S. now. How? The Bixlers found out after one of their children suffered a head injury:
Two years ago, the seizures started. So did the never-ending medical expenses.
The Bixler family is just one example of how a child's chronic illness can strain a family emotionally and financially — and children represent the fastest growing health care spending group in America, according to a new report.
Bixler is a professional violinist, her husband teaches music at a local college; they now live in Bowling Green, Ohio. Their children are covered under his insurance, but the coverage doesn't include everything Sean needs to be healthy — they could end up paying $50,000 or more this year alone, depending on what their insurance ends up covering.
And Sean's mother can't work because someone needs to be with Sean at all times. She estimates that between 30% to 50% of the family income goes toward care for Sean; most of the costs have been out-of-pocket.
Cost of children's health care hitting families harder
How much is your child's health care costing these days? Tell us about it in our discussion forum!
Related posts:
- What Is the Cost of Non-Vaccination? A Study in Choosing Not to Vaccinate Your Child
- Hard Times Force Shriners Hospitals to Start Charging Health Insurers for Medical Care
- Are You Being Realistic About How Much Long-Term Care Will Cost? 3 Tips On Moving Your Parent Into An Assisted Living Facility
- Are You Being Realistic About How Much Long-Term Care May Cost? 3 Tips For Helping Your Parents Move Into an Assisted Living Facility
- Flu Season's Around the Corner: Where to Find Free and/or Low-Cost Flu Shots


text:
- January 2, 2013
- 6:36 p.m.
- Suggest removal
- Reply to this post
ednbgst1#475290 writes:
in response to janebedinger:
Unfortunately, most of the schools around here have very open campuses with dozens of doors opening to the outside. Not to mention portables scattered around. Much less single foyer entry.
Simply providing trained security guards for Kitsap schools will likely run over $5m per year, not to mention the other minimum security improvements you suggest. Plus training all around.
If people seriously want to protect our schools, they need to prepare themselves to pay increased property taxes.
Plus we need to be prepared to pay for much better mental healthcare to try to catch these disturbed people before they strike. That will not be cheap.
Plus better enforcement of existing gun laws, such as banning high-capacity magazines, creating a national gun registry.
There is not going to be a single easy cheap solution. People are kidding themselves.
"Plus better enforcement of existing gun laws, such as banning high-capacity magazines, creating a national gun registry."
These would be NEW laws Jane...did you mean enforce existing laws, AND pass new laws such as banning...creating a national gun registry.
I agree we need to look at all options, but I'm leary of anyone calling for new laws, until the US shows it will enforce existing laws.
Thanks Jane!
Want to participate in the conversation? Become a subscriber today. Subscribers can read and comment on any story, anytime. Non-subscribers will only be able to view comments on select stories.


text:
Dear City Council Members and Staff,I've been reading more and more about this process in the LA Times, LA Weekly and Facebook and I'm disappointed with our city's leadership who doesn't seem to want to listen to anybody in the actual community. I believed that with Council member Wesson being promoted to the presidency, more transparency and inclusiveness would reign. In this most important first test, this doesn't seem to hold true.
What I have found with the proposal of how the Wilshire Center/ Koreatown neighborhood will be divided into 4 CCDs, is nothing short of disappointing and an injustice that serves to further minimize the heavily ESL and immigrant populations in this great neighborhood. They are the hard-working people who are the engine for the masses that come to the neighborhood for tacos, late night drinks, karaoke or concerts at the Wiltern.
We are immensely diverse (Latino, Bangladeshi, Black, Korean, etc.) and our interests would be most challenging to meet by one council member, let alone the 4 different ones we work with now. One only needs to walk on particular streets (walk on Oxford between #rd and Wilshire) that are broken glass-strewn, alleyways of torn and used furniture sitting on the sidewalks for weeks, and huge graffiti tags, famous potholes to see that the basic needs of current residents aren't being met. One only look at Hancock Park to see what an organized and voting constituency can make their streets look like. Many don't speak English, work 12-13 hours/day or are just plain husting (in a good way) to make ends meet. Walk on the sidestreets of historic Filipino Town. You'll see that these neighborhoods which need basic services and outreach are being neglected.
My parents have been here for 30 years, taking less than 2 or 3 sick and vacation days a year to pave the way for my and my brother's careers in public services. They work their fingers to the bone but don't have time to write eloquent letters or vote. I won't be making that mistake and you can guarantee that this generation, which is just coming of age, will remember these injustices of the past.
I ask that you reconsider your commission's proposed boundaries. Please support the redistricting lines proposed by APALC that was done through a much more inclusive and fair process than the one you are currently holding.


text:
Tropical Gem Dance Company was founded by Rafael Gonzalez and Fernando Sosa in May 2000. The group made their debut performance just one month later at the World Salsa Congress, Milan, bringing to the stage an innovative style characterized by great strength, captivating energy, eye catching costumes and acute attention to detail. They were also recognized as one of the first dance companies in this genre to incorporate other rhythms (rumba, afro, hip-hop, etc.) into their choreographies. Since then they have quickly established themselves at the forefront of breathtaking precision dance and innovative salsa choreography.
Styles: Salsa
Mostly seen in Salsa festivals in Southern Europe and Western Europe.
Featured festivals:


text:
Drum Major design made of text.
This great product in deep heather from our department Women and T-Shirt category can be printed just for you in the size and style you like. The design Drum Major was created by marchingbandstuff and uploaded to Spreadshirt for you to have printed on a T-Shirt. Next to a host of other great designs, you can find this Drum Major design in Spreadshirt's Miscellaneous category. If you are interested in topics like band or band camp, then you'll love Drum Major designs by marchingbandstuff. Spreadshirt also offers a huge selection of t-shirts, hoodies and accessories for the category Miscellaneous as well as top band geek clothing. marchingbandstuff's designs have already impressed many of our customers, so we are sure that we've got right stuff for you! Spreadshirt is your address for great designs of all kinds – whether it's band, band camp or band geek. We are sure that you will find something nice in our shop, there are many amazing Miscellaneous t-shirts, hoodies or accessories for you to find!Tags: Design ID: 2575168
Bass Clarinet Ninja Designed by marchingbandstuff
Piccolo Definition Designed by marchingbandstuff
Lick My Reed Designed by marchingbandstuff
I'm With the Band Designed by marchingbandstuff
Swirly Saxophone Designed by marchingbandstuff
Peace Love Trumpet Designed by marchingbandstuff
Definition of Clarinet Designed by marchingbandstuff
The Few. The Proud. The Band Nerds. Designed by marchingbandstuff
Definition of a Drum Major Designed by marchingbandstuff
Shiny Clarinet Designed by marchingbandstuff
The relaxed fit t-shirt for women has a narrow neck rib, tailored sleeves and a redesigned cut for a better ladies fit. With plenty of extra room, this shirt is ideal for most body types. The fabric is made from 100% pre-shrunk cotton (deep heather is 50% cotton/50%polyester) and has a fabric weight of 5.4 oz.


text:
When it comes to decrying the spillover from Japan's recent loose "Abenomics" monetary policy, no country is more vocal than South Korea.
Rhee Chang-yong, the Asian Development Bank's chief economist, isn't part of the chorus.
The return of Shinzo Abe as Japan's prime minister made the front pages of all the major South Korean newspapers Monday, with most expressing fears of a deterioration of ties between the neighbors as a result.
One also said it was concerned about the erosion of South Korea's currency advantage due to Mr. Abe's aggressive support for monetary easing.
Japanese car makers are stepping up efforts to battle the effect of a strong yen on overseas sales, with the country's three largest auto producers turning to U.S.-built vehicles in South Korea.
Honda Motor Co. joins bigger rivals Nissan Motor Co. and Toyota Motor Corp. in importing more vehicles from the U.S. into Korea, after Asia's fourth-biggest economy and Washington signed a bilateral free-trade pact early this year.
The yen's strength hurts the competitiveness of Japanese-made products abroad and decreases the value of overseas earnings when they are repatriated to Japan.
Japan is only a short hop from South Korea, but Toyota Motor says the soaring yen and other factors mean it now makes financial sense to ship cars from the U.S. and Europe rather than Japan to sell in Korea.
South Korea's free trade agreement with the European Union and a pending open trade pact with the U.S. have also helped tipped the balance in favor of imports from those locations as tariffs come down.
The South Korean won's slide the last two weeks might feel disconcerting, but it's likely great news for Korea's massive export engine as a cheap currency makes exports more competitive. It's also yet another punch in the gut for Korea's big export rival, Japan.
While everyone is focused on the won's slide versus the dollar (the dollar has risen 8.5% against the won in the past month, including another 2.5% Thursday), the more important figure to watch is the won's level with the yen. After all, Korea competes in many of the same areas as Japan. Think Hyundai vs. Honda, Samsung vs. Sony.
The effect of Japan's earthquake and tsunami on South Korea's economy seemed small on the first day of business since the twin disasters. South Korea's benchmark stock index, the Kospi, initially traded lower Monday. But as the day wore on, investors gained confidence that the South Korean businesses would experience few effects, stock prices recovered and the Kospi ended the day at 1,917, up almost 1% from Friday's close of 1,955.
Korea Real Time provides sharp analysis and insight into what's making news on the Korean peninsula. We chronicle the growing pains of South Korea — a country that has skyrocketed into the club of the world's richest nations but now faces significant headwinds, and shine a spotlight on one of the world's biggest geopolitical flashpoints: North Korea. Drawing on the expertise of The Wall Street Journal and Dow Jones Newswires, we'll tell the stories behind the headlines in business, economics, politics, culture and lifestyle. You can contact the editors at email@example.com