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Archive for category Uncategorized
feminist science fiction
Posted by Alexis Lothian in Uncategorized on November 10, 2013
I've just come back from the 40th Anniversary Celebration of the University of Oregon's Center for the Study of Women in Society, where I was invited to participate in the Sally Miller Gearhart "Worlds Beyond World" Symposium on Feminist Utopian Thought. It was a really wonderful weekend, gathering together writers and thinkers from several generations; I was quite overwhelmed to be wandering around the same space as the writers whose work has shaped my intellectual world. Most of all Ursula K. Le Guin, but also Suzy McKee Charnas, Vonda McIntyre, Kate Wilhelm, Sally Miller Gearhart herself, Larissa Lai, Andrea Hairston, and L. Timmel Duchamp. And I participated in a quite joyous panel with Grace Dillon, Joan Haran, Andrea Hairston, and Kathryn Allan; it was wonderful to share our scholarly speculative excitement with an audience of academics, writers, and fans.
I was in Oregon in large part because I have just finished editing a special issue of the UO-based Fembot Collective's online open access journal Ada: A Journal of Gender, New Media and Technology. I'm very proud and very exhausted; we worked through an intense peer review process to publish 12 essays in a time period far shorter than most academic journals are able to manage. The essays vary from dense, lyrical scholarly works on the history of physics, new media art, and somatic capitalism, reproductive futurism, and Margaret Atwood to multimedia performance; there is an audio interview about Octavia Butler, a cyborgian dollhouse, and pieces on Lois McMaster Bujold, Cabin in the Woods, Sue Lange's novella We, Robots, brainwave-scanning technology. There's even a piece by the grand dame of feminist science fiction theory, Donna Haraway, and a collectively written review of a new book on her work.
Here's some of my introduction, and Jeanne Gomoll's wonderful cover. I hope you will read more…
"The boundary between science fiction and social reality is an optical illusion" (149). So Donna Haraway wrote in 1985 in "A Cyborg Manifesto." When I composed a call for papers around this evocative line, I hoped to solicit work that would address the continuities and the transformations between the chimeric time of Haraway's 1980s and our own uneven present, more than 20 years on. The response was successful beyond my wildest hopes. Feminist science fiction, in the collective analysis of the writers gathered here, proves to be a diverse and amorphous category in which real and imagined science and technology bleed into one another. The essays call attention to the ways in which fictions and realities of scientific speculation shape how we experience the nexus of gender, new media, and technology––from the gendered history of physics to the migration of brain-scanning technology out of laboratories and into the world, from imagined visions of reproductive technologies to sentient robots to the social consequences of cataclysmic change in urban landscapes.
Samuel R. Delany wrote in 1984 that science fiction is not about the future, but is rather a "significant distortion of the present" (177). In a world where not only technologies and their marketing but also social and political discourse draw continually from popular culture's science fictions, this insight has grown ever more important. How do science fictions distort our perceptions of what is real and what is possible––and how should we mediate those distortions? Which should we critique and which should we embrace? If our times are science fictional, then the feminisms they demand must be technological and ripe for speculation. Joan Haran and Katie King's essay calls for "science fiction feminisms" as well as "feminist science fictions" and "feminist sustainability": this issue showcases the diversity of meanings contained in all three of these phrases.
the first of a few upcoming publication announcements
Posted by Alexis Lothian in Uncategorized on November 4, 2013
Since this semester began, I've been in one of those phases where as soon as one piece of work finishes, you dash madly on to the next deadline without raising your head. I've created several half-finished blog posts during that time, including notes from my time at the second Critical Ethnic Studies conference––that one at least will eventually be posted.
For the moment, though, I want to share one of the products of my recent busy-ness (well, of last semester's busy-ness, really).
In the dim and distant past when I was working on my first dissertation chapter, I talked about it with L. Timmel Duchamp, who runs the feminist science fiction publisher at Aqueduct Press. I told her about the earliest text I had worked on in my historical exploration of popular feminist utopias, Elizabeth Burgoyne Corbett's 1889 New Amazonia: A Foretaste of the Future. She was intrigued; I shared the PDF version I had scanned from microfiche with her; and it just so happens that Aqueduct has a fairly new Heirloom Books imprint with this set of goals:
Aqueduct Press's series of Heirloom Books aims to bring back into print and preserve work that has helped make feminist science fiction what it is today —work that though clearly of its time is still pleasurable to read, work that is thought-provoking, work that can still speak powerfully to readers. The series takes its name from the seeds of old- er strains of vegetables, so valuable and in danger of being lost. Our hope is to keep these books from being lost, as works that do not make it into the canon so often are.
Fast forward a couple of years, and New Amazonia will be the third volume in the Heirloom series. Details are here; it will be in print in early 2014. I will post again and share more of the details when it actually comes out…
Futurities in love…
Posted by Alexis Lothian in Uncategorized on August 29, 2013
I spend a lot of time talking about gay marriage. Thinking, writing, teaching about the history and critiques of the idea that marriage is a political issue, a civil right to be fought for; reading and engaging and discussing queer critiques of marriage on Facebook and Twitter, in conversation with friends and family, in classrooms.
I'm also a bit of a closet romantic. Well, perhaps not so closet any more. I tend to find myself weeping helplessly when I see pictures of queer couples growing old together. I tend to think that it's possible to wax sentimental and joyous about partnership on a personal level while acknowledging everything that is wrong with marriage as a political horizon for activism.
And last weekend, two of the people I most admire in the world invited me to be a part of their very queer and very geeky wedding celebration. It was a weekend in the redwoods in Northern California, and included some of the best features of academic conferences (a roundtable on queerness and marriage) and fan conventions (a vid show with new fanvids premiering inclucing Radioactive (Wizard of Oz) ) as well as the traditional dancing, speeches, and cake. There was a time travel theme; there were costumes.
I'm sharing the speech I wrote for the ceremony, because I feel like I was trying to articulate all the convergences of queerness and science fiction at their most utopian.
where I've been recently
Posted by Alexis Lothian in Uncategorized on July 30, 2013
I'm taking a brief pause to breathe after my first year as a tenure-track assistant professor.
Going directly from defending my dissertation to being a graduate faculty member in a large and understaffed department at a public university has been quite an overwhelming transition, though a welcome and often exhilarating one. In the past year, I have taught seven classes, ranging from four sections of freshman composition through to two doctoral-level seminars (one on speculative fiction and one on queer theory). I'm a member of seven comprehensive exam committees and two dissertation committees. I've attended four conferences, one of them virtually; had one review and two articles come out (one print, one online); written an introduction to a reprinted novel that will be coming out later in the year; worked on revisions for two articles, one of which ought to come out in the not too distant future and one of which has shifted so much since the initial idea that I may decide to submit it to a different journal. I wrote a book proposal, though I still have some way to go before I can fully transform my dissertation into the book I want it to be. And I'm currently buried in the feminist science fiction special issue of Ada: A Journal of Gender, New Media and Technology, which will be launching in November.
I made that list because it has been a strange transition not to feel myself progressing each year toward the identifiable goal of a degree. This year has also been one where I have tried to move away from the purely mental focus that academia so often encourages us to have. I've been building a home in a new city; building a relationship with my partner and her dog (we moved in together a month ago). I've been growing plants and cooking and thinking about how knowledge is contained in different modes of being.
To be continued…
HASTAC 2013: Building Academic Community (a virtual contribution)
Posted by Alexis Lothian in Uncategorized on April 27, 2013
The fifth HASTAC conference, HASTAC 2013: The Storm of Progress, is taking place in Toronto this weekend. I can't be there, but Fiona Barnett, the amazing and wonderful director of the HASTAC Scholars program, invited me to contribute to a panel on building scholarly community via a recorded video message. Thanks to Twitter, I got to see my face on a terrifyingly large screen, here with panelists Viola Lasmana and Amanda Phillips:
I discovered that I wasn't able to speak into a camera directly without a script, so I wrote out what I wanted to say in advance. Here it is (and if you really want to see the video, you can download and unzip the Quicktime file):
Hi, I'm Alexis Lothian. I was a HASTAC Scholar from 2010 to 2012 and I am now Assistant Professor of English at Indiana University of Pennsylvania. I'm recording this in Pittsburgh and I'm really sad I can't be with you all in Toronto. Thanks Fiona for inviting me to be a part of it anyway.
Fiona asked us 1) Why building community is important — both personally and politically. Why do it? Why are people scared of doing it?
2) How you've built community specifically
3) What you've learned in the process — how can others do the same? How can they start small? How can they get connected? What are the potential pitfalls?How have I built community? I never really did it on purpose; I was drawn into academia by the communities and knowledge networks I was a part of, rather than looking for them once I was there. I came to my academic projects through science fiction and fan studies, in which I was been part of online communities; when I entered academia it was via queer and feminist and ethnic studies work that is connected to political and artistic grass roots movements, and I'd been a participant in queer and feminist online communities since undergrad. It was that experience of online community, the way the personal and intellectual and political were mixed up there, that started me thinking and writing about digital media.
When I started to explore DH as a graduate student I found HASTAC, and I was suspicious at first of what it would mean to try and organize a network of scholars, because it seemed like something that should happen on its own. But I realized as I got more involved in HASTAC that the network was doing something incredibly special, giving an institutional and recognizable home to the work of community building that some of us were doing anyway, and making it open to more and more diverse scholars and students.
Together with blogging and being on Twitter, HASTAC gave me the tools to turn online conversations not just into real friendships but into critical and scholarly interventions in academic fields. — meeting Amanda and Marta because we were tweeting queer studies panels at MLA, and that leading to THATCamp and to TransformDH.
Why is community important? Tara McPherson, one of the members of the HASTAC steering committee, talks often about the dangers of academic silos, of intellectual work only being counted insofar as it contributes to restrictively defined degrees, departments, disciplines, institutions. When we make interpersonal connections with others whose work is different from but related to our own, we begin to build the potential to break that down. And if we are graduate students or junior scholars we get to see that the hierarchies in which our work is counted and the ways in which it is valued are not universal. We can get support for what we are trying to do even if everyone in our immediate vicinity thinks we are off our heads.
I think community is also important for the world beyond scholarship, though: conversations beyond what we consider to be our field can keep us accountable. Scholars whose work is connected to marginalized communities are more used to thinking about accountability, but I feel as if it applies to everyone, and that being open to being held accountable is part of what we need to build in to community. It might mean asking us to define terms that we think are obvious but that we have a hard time explaining when it comes right down to it; it might mean learning to expect that when we write about somebody's experience or somebody's creation, we're beginning a conversation with them as well as about them. It might mean letting go of ownership of what we think is our work, what we think of our fields.
One of Fiona's questions was why are people afraid of building community, of moving out from departments and disciplines? If they are, I think probably it's because that potential for what I am calling accountability is a scary thing for scholars. What if you're writing about a community and someone in that community disagrees? What if you make an idea public and somebody takes it out of context, or claims it as their own? With TransformDH, one of the tensions I think all of us in the originating group have had to contend with is: are we doing this for our CVs or is it something we should let go of, something bigger than us? I think we've chosen the second option.
Maybe it's safer to think of ourselves as working individually, especially given the scarcity of academic jobs and funding that we are competing for. But it's also lonely.
Eaton/SFRA 2013: my talk on critical fandom
Posted by Alexis Lothian in Uncategorized on April 19, 2013
I had a wonderful and inspiring time at the Eaton/Science Fiction Research Association conference in Riverside last weekend.
I want to start by posting my own paper, though, which I gave at a morning panel on the first day of the conference. Roxanne Samer, Amanda Phillips, and I put together a panel on feminist fan cultures, where Roxanne talked about the historical context and queer and trans resonances of James Tiptree, Jr's "great sex muddle" and Amanda explored fan-created imagery of FemShep from Mass Effect 3.
My talk was titled "Media Love or Media Justice? Toward a Genealogy of Critical Fandom" and was an attempt to work through some conversations about gender, desire, and violence in creative fan cultures that I think will be important to the larger project on critical fan production that I am slowly developing.
The abstract:
Media Love or Media Justice? Toward a Genealogy of Critical Fandom
"Fandom" is usually taken to denote an uncritically positive relationship to a text, genre, or cultural form. To be a fan is to be in a position of emotional excess, invested in a text, genre, or cultural form to the point of identifying oneself with it. When we talk about being a fan, we are talking about love as part of the machinery that keeps us invested in whatever we happen to be a fan of. For fans of popular media, more often than not, this means keeping us invested not just in corporate capital but in white supremacy, heteronormativity, US imperialism, neoliberalism, and other structures embedded in the representation and production of popular culture. And if fannish love turns sour, it is more likely to turn to crushing disappointment or vitriolic hate than to objectivity or indifference. "Critical fandom," then, would seem to be an oxymoron, whether the "critical" in question is the counterhegemonic rigor of critical theory or the academic requirement of critical distance. In this paper I will draw on the recent history of science fiction media fan cultures to argue that critical fandom is, in fact, a vibrant set of intersecting on and offline cultures of transmedia creativity and grassroots critique. In fact, scholars may have something to learn from its navigation of contradictions and ambivalences around affect and politics.
My talk will draw primarily on feminist interventions within the subcultural artform of fannish vidding to unpack and trace the development of critical fandom as a mode of knowledge production. Much feminist and queer scholarship has centered on the interrelationship of gender, politics, and the erotic; emergent practices of critical fan production have had their own versions of these debates, and I will discuss the production and reception of three videos that profoundly shaped them. Luminosity and Sisabet's 2007 vid "Women's Work" critiqued the eroticization of violence against women in the horror TV show Supernatural and, by extension, all media. The vid became comparatively well known beyond fan communities, perhaps because its critique seems straightforwardly to repudiate the affective ties of fandom.
Sisabet and Sweetestdrain's "On the Prowl" (2010) also highlights violence, with a different critical impetus. Directed at the eroticization of injured male bodies that are a particular point of interest and desire among mostly-female communities creating homoerotic slash fan fiction, the vid asked fans to face and explore the violence within their desire, and it become the center for intense debate over gender, pornography, and BDSM in fan culture.
Finally, Thingswithwings's "The Price" (2011) focused on the gendering of emotion in genre film and television, using comic effects to critical ends to highlight the contradictory practices of feminist fandom. In the differences between these vids and the ways in which they wrestle, with increasing sophistication, to hold the figures of feminist critic and appreciative fan together within the same gaze, I suggest that we are witnessing the emergence of new media lexicons for critical affect and affective critique.
I have made the text of the talk as I gave it available in PDF format at this link. Bear in mind that this is work in its early stages –– and please do read in conjunction with the visuals if you can.
can digital humanities mean transformative critique?
Posted by Alexis Lothian in Uncategorized on April 16, 2013
While I was at the Eaton/SFRA conference on science fiction media this past weekend (of which more soon), the new Journal of e-Media Studies, a special issue on Computational Cultures After the Cloud edited by Jentery Sayers, came out. It includes some really wonderful pieces, both full essays and less formal interviews.
I'm especially excited to read Nick Marx's Storage Wars: Clouds, Cyberlockers, and Media Piracy in the Digital Economy and Anne Cong-Huyen's "Dark Mass," or the Problems with Creative Cloud Labor, which I was lucky enough to hear as an MLA presentation in 2012. And Adeline Koh's interview with Wendy Chun is wonderful and includes an important critique of the exhortation But there's plenty more to explore as well as those pieces.
Of course, though, one reason I am making this post is for self promotion. My coauthored essay with Amanda Phillips, Can Digital Humanities Mean Transformative Critique?, is part of the issue. It's part manifesto, part list: we wrote about our history with and hopes for #transformDH and gathered together some examples of digital humanities projects (broadly defined!) that center marginalized perspectives in a transformative way. Here's the abstract:
What would digital scholarship and the humanities disciplines be like if they centered around processes and possibilities of social and cultural transformation as well as institutional preservation? If they centered around questions of labor, race, and gender and justice at personal, local, and global scales? If their practitioners considered not only how the academy might reach out to underserved communities, but also how the kinds of knowledge production nurtured elsewhere could transform the academy itself? Exploring the conversations that have centered around the Twitter hashtag #transformDH in the past two years, this essay argues that such questions are not hypothetical and that these digital humanities already exist. With the intention of inspiring further work in a similar vein, we offer a curated list of projects, people, and collaborations that suggest the possibilities of a transformative digital humanities.
an interesting video: sound and vision
Posted by Alexis Lothian in Uncategorized on April 1, 2013
I haven't posted here in a while; most of my blog-related energy has been going into my teaching. And this is not necessarily a queerly geeky post of the kind I usually make; just a brief excerpt from my day's web wandering. But a video by Todd Selby, at which I arrived via this wonderful forum on disability, technology, and academia, has been fascinating me. It shows some of the work and process of Christine Sun Kim, an artist who is deaf and works with sound, with the ways it can be felt and seen. The video itself uses both ambient sound and music to create images of the artist at work that I find quite hypnotic.
I don't especially have ways to connect this to my work, although I have been thinking about the ways vidders use music in conjunction with visuals, and wondering what ways there might be to engage that beyond the focus on lyrics that is easiest to access. I just love the way she talks about her visceral, embodied experience of sound, and all the technological and painterly tinkering that is her process of making art with it.
Ada: A Journal of Gender, New Media and Technology. Feminist science fiction issue.
Posted by Alexis Lothian in Uncategorized on February 2, 2013
I'm incredibly excited to announce a new project. I've been invited to guest-edit a special issue of the open access online journal Ada: A Journal of Gender, New Media and Technology, on feminist science fiction. Ada is just one of the projects from the FemBot collective, a group of feminist academics, activists and artists working on media and technology; I'm proud to be a part of the collective.
To bring new media studies together with speculative fiction in a venue like this one is an absolute dream of mine –– albeit one I didn't realize I had until Carol Stabile invited me to work on the issue. Its success is dependent on the submissions we get, of course. Please write to me at firstname.lastname@example.com if you are interested in contributing, even if all you have so far is an amorphous idea.
The full call for papers is posted at the FemBot collective's website, and I have also pasted it below.
Ada: A Journal of Gender, New Media, and Technology | adanewmedia.org
Issue 3: Feminist Science Fiction.
In the 1985 essay that defined the terms for feminist thinking about science and technology in the decades since, Donna Haraway observed that "the boundary between science fiction and social reality is an optical illusion." She drew together the cybernetic organisms of fact and fiction, the beings of shiny technology and messy biological stuff, and her terms and her ideas came as much from the creative thinkers of feminist science fiction (Octavia Butler, Joanna Russ) as they did from technologists, political thinkers, and philosophers.
It's 2013, and the cyborg manifesto is old enough to vote. Where are feminist science fictions now, and what can they tell us about feminism and technology? New media make our experiences of social reality resonant with classics of speculative fiction, particularly works that accounted for the uneven distribution of futuristic technologies and their participation in hierarchies of race, gender, capital, and ability. Literary scholars continue to explore the intricacies of works by Octavia Butler, James Tiptree Jr., Joanna Russ, et al., while the aesthetic and political techniques of critical and creative speculative thinking that these writers pioneered are taken up in multiple forms. Fiction writers like Nalo Hopkinson, Andrea Hairston, L. Timmel Duchamp, and many more bring questions of language, culture, race, and violence into the fray, as social media platforms like blogs, twitter, and Facebook deepen conversations between writers and fans. Small presses continue to support the older technology of the printed page and to articulate why written visions matter for a possible feminist future.
Feminist science fiction has never only existed between the bindings of books, however. Fictional speculation is part of how we understand ourselves in relationship to technology; from the way our smartphones seem to extend our embodied being, to the difference it makes when we shift our perspective and think instead of the being of the gendered bodies who made them, to the imaginative constructions we produce of the wireless waves and fiber optic cables that link us to collaborators, interlocutors, and friends. Ada is published by the Fembot Collective's academic network, which is itself a feminist science fiction. An imagined array of co-conspirators made real, its name indexes the power in reworking the venerable sci-fi trope of the gendered automaton. Technological speculation is our social reality, and feminist science fiction has the tools to code it to the specifications of our politics.
Feminist science fiction describes a diverse landscape of multimodal, multiplatform, multifaceted cultural production. It is a means for thinking marked bodies into technological contexts, from Ada Lovelace herself to Janelle Monae's racialized android Cindi Merriweather. It is also the visual and conversational online cultures that endlessly repeat, reblog, argue, and fight back about what real and imagined futures of gender, race, technology, and representation ought to be like. It may even be the new philosophical modalities of materialist speculation, when they acknowledge that the hierarchized markings on bodies we name as race and gender are not limited to some narrowly defined conception of the human. And it is the unpredictable future of what cybernetics and organisms could be and could become, in the flesh and in plastic, silicon, steel.
The third issue of Ada: A Journal of Gender, New Media and Technology seeks essays on any of these and more. We welcome unpublished work from scholars of any discipline and background, including collaborative, nontraditional, or multimodal approaches that can especially benefit from the journal's open access online status.
Topics and approaches might include, but are not limited to:
• Key works of feminist science fiction and their relevance for new media and technology studies
• Gender, race, sexuality, and/or disability in science fiction literature, film, and television
• Feminist speculation in new media production
• Feminist science fiction's online fan cultures
• Speculative or science-fictional tropes in new media and technology theory and practice
General Submission Requirements
Authors should submit essays of 4000-9000 words directly to the editor in Rich Text Format (.rtf) or MS Word format (.doc) by 1 May 2013 (preliminary deadline). We encourage you to discuss potential contributions in advance of the submission deadline. Contributions in formats other than the traditional essay are encouraged; please contact the editor to discuss specifications.
Full submissions should be accompanied by the following information in the email message with your submission attachment:
• Name(s), affiliation(s), email address(es) of the person(s) submitting.
• Title of the text and the issue for which it is submitted.
• An abstract of no more than 100 words.
• A short paragraph (40-60 words) about the contributor(s).
Further guidelines for submission format can be found here: http://adanewmedia.org/submissions/ Please include text descriptions for images and transcripts or subtitles for audio or video files.
Send submissions and correspondence to Alexis Lothian: firstname.lastname@example.com
About Ada
Ada is an online, open access, open source, peer-reviewed journal run on a nonprofit basis by feminist media scholars from Canada, the UK, and the US. The journal's first issue was published online in November 2012 and has so far received more than 75,000 page views. Ada operates a review process that combines the feminist mentorship of fan communities with the rigor of peer review. Read more at http://adanewmedia.org/beta-reader-and-review-policy/. We do not — and will never — charge fees for publishing your materials, and we will share those materials using a Creative Commons License.
#MLA13: The Dark Side of Digital Humanities
Posted by Alexis Lothian in Uncategorized on January 5, 2013
This panel inspired some intensely heated discussions on Twitter. Knowing that the talks from these great speakers were likely to be complex and dense, I decided to make notes offline rather than try to keep up with what I knew would be a vibrant backchannel. I then spent most of Q&A trying to figure out how and why some digital humanists in the audience had been offended by this interpretation of their dark side, so I don't have such detailed notes for that part. Here, though, is what the panelists said, as I heard it.
Richard Grusin
Wendy Hui Kyung Chun
Patrick Jagoda
Rita Raley
(Tara McPherson couldn't make it)
Read the rest of this entry »


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Star of the West Recreation Area
By: Corbet Deary - Outdoor writer - The Sentinel-Record
The Sentinel-Record/Corbet DearyBASS HABITAT: The Little Missouri River creates a thriving habitat for smallmouth bass.
The Sentinel-Record/Corbet DearyNO FRILLS: Star of the West Recreation Area offers primitive camping.
Published: 10/04/2012
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Maureen P. Harnisch Is Wed to John J. Foley Jr.
Maureen Patricia Harnisch and John Joseph Foley Jr., both of Atlanta, were married there yesterday in the Roman Catholic Cathedral of Christ the King. The Rev. Leo J. Bulger performed the ceremony, assisted by Msgr. John F. McDonough.
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Album Cover: Janelle Monáe – 'The ArchAndroid'All bow in the presence of Janelle Monáe. The alien princess rules the cover of her full-length debut album The ArchAndroid, in stores May 18. Janelle will open on select dates of Erykah Badu's "Out My Mind, Just In Time" summer tour and play Lilith Fair in Atlanta on August 8. TweetYou can leave a response, or trackback from your own site. 18 Comments
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Vintages Wine Panel: This red from Sardinia is 100% Cannonau, which is the local name for Grenache. Garnet coloured, it boasts pretty aromas of cassis and herbs with floral notes. Flavours of spicy blackcurrant, raspberry and strawberry, along with some floral highlights continue to surface right up to its tangy, cleansing finish. This is a refreshing red with ripe tannins and a medium body. My note: terrific value with rich, full-bodied goodness! Dark berries and smoke with a smooth texture. Cannonau food pairings: beef teriyaki, barbecued short ribs.This Santa Maria La Palma Villassunta Cannonau Di Sardegna Cannonau 2008 was reviewed August 7, 2010 by Natalie MacLean
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Fundraising Advice 8 June 2012
One stop shop for fundraising advice
NICVA's Fundraising Advice staff will be providing free training and consultancy support across Northern Ireland in the coming weeks and months. Below are some of the dates already scheduled but we would like to add more. If your venue or organisation would like to host a clinic please get in touch with Neil Irwin by email at firstname.lastname@example.com or call 028 9087 7777. Book now to get your appointment for free consultancy advice on everything from grant applications to running raffles.
Upcoming clinics:
- 6 June 2012: Enniskillen: Fundraising Advice Clinic, Intec Centre
- 12 June 2012: East Belfast and Castlereagh Advice Clinic, Ballybeen Women's Centre
For more information or to book a session at any of the clinics please click on the links above or visit www.fundraisingni.org.


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#GivingTuesday started last year as a charitable answer to the retail shopping ...
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ATLANTA -- He is at peace, now.
Rashad Santiago, 25, is always telling people to get the blood test for HIV. He works in a pharmacy in the West End of Atlanta. He counsels those who test negative to get tested every six months. He provides life-saving medicines to people who test positive.
But Rashad Santiago's secret was that he was too scared to get tested, himself.
Until --
"Last Tuesday, actually."
Rashad Santiago laughed with relief.
He tested negative.
"I feel good about it now," he said Friday evening. "But during and before, I was extremely nervous. It's a nerve-wracking experience" emotionally, not medically. "But I'm so, so glad I did it."
He said he is finally practicing what he's been preaching.
"I just want everyone to get tested. I think this is extremely important. Even if you do have it, it's not a death sentence. You can take medication, you can live a long, healthy life."
He is well aware of the alarming numbers announced this week by the CDC in Atlanta:
Males in their teens and early 20s now comprise one-fourth of all new HIV infections every year.
And 60 percent of them don't know they're positive, many of them are too scared to get tested.
The Georgia Department of Public Health just received a grant of $2.5 Million a year, for three years, from the CDC to promote HIV testing, and to help people who test positive get the treatments, the medicines, that will save their lives.
The Director of Health Protection for the Department of Public Health, J. Patrick O'Neal, M.D., said Georgia is one of eight states that received the grant.
"Georgia is very fortunate" to receive the grant, he said. "The good news is that when patients are effectively being treated with those drugs, not only do they have better outcomes, but they reduce their ability to transmit the disease by as much as 95 to 96 percent.... We have the resources to turn this epidemic around."
"People need to realize sometimes they can be infected even after they test negative," Santiago said. "Sometimes it takes up to five or ten weeks to show up in your system, so it's just important to get tested every six months... It's great to get tested. If I did it, anyone can do it."
Dr. O'Neal said that in two to three years, "I hope that I'm able to see that we've tested a lot more folks, and identified those that are HIV positive, that we've gotten them into care, and that we're actually on the verge of seeing the opportunity to stop this epidemic."
Link: Georgia Department of Public Health HIV Unit
Link: HIV/AIDS Prevention


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Law students who participate in the Civil Litigation Program's Housing, Employment, Family and Disability Clinic work for credit under the supervision of four full-time BU clinical faculty. They can represent anyone from tenants in eviction defenses in housing court, to parties in divorces in probate court. Host David Yas, a BU Law alum, former publisher of Massachusetts Lawyers Weekly and a V.P. at Bernstein Global Wealth, sits down with Professor Robert G. Burdick, director of the Civil Law Clinical Program, to talk about how the clinic works, and the real life training that students gain by participating in this clinic.
Podcast: Play in new window | Download (Duration: 32:13 — 28.4MB)
In this week's podcast, Suffolk Law Professor Sarah Boonin discusses the newly established Health Law clinic. Click Here to learn more about the Health Law clinic and our Clinical Programs.
Podcast: Play in new window | Download (Duration: 3:55 — 1.8MB)


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DALLAS (AP) - The Texas Department of Agriculture is hoping its first map detailing high-speed Internet access around the state will be a boost for unserved rural areas.
Texas Agriculture Commissioner Todd Staples unveiled the map Wednesday in Austin.
The interactive map allows computer users to pinpoint availability in small areas, even down to a specific rural home. Staples says the tool could lead service providers to target future investment.
Staples says 96 percent of Texas households have high-speed, or broadband, Internet access. But he says that doesn't mean much to the roughly 250,000 homes without it. He says he wants to "bridge the digital divide for rural communities."
State officials are asking Texans to provide input to keep the map relevant. ---
Connected Texas high-speed Internet map
(Copyright 2010 by The Associated Press. All Rights Reserved.)


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Budget Accommodation Europe Scotland Edinburgh Budget Hotels Regent House Hotel
Very close to center of town, well located
Small and dark room even though the weather was beautiful. Very basic
Bathroom needs freshening up.
Poor breakfast: bad coffee, tin fruit and only fresh apples, no eggs
Expensive for what we got
Private Rooms From US$45 Photos Description Map Guest Reviews
A warm welcome awaits you at this attractive 17 room family-run hotel, where the original Georgian style has been fully restored, offering comfortable Bed & Breakfast accommodation in a quiet cobbled street in the heart of Edinburgh, Scotland's beautiful Capital City.
The building housing the Regent House Hotel was built in 1805 by the architect William Burn who also designed many houses in Forth Street and a number of Georgian and Palladian houses in the countryside.
During the Victorian times it was run as a sea-captains' house while around the 1890s, the tea room was converted into a grocery shop.
Directions to Edinburgh EH13JX, UK
0.5 mi – about 10 mins
Directions by car or by foot:
1.From Waverly Railway Station head north on A7/North Bridge toward A8/Waterloo Pl.
2.Then Turn right at A1/A8/Waterloo Pl and go 108 feet for a total of 0.1 miles.
3.Turn left at A900/Leith St and carry on for 26 feet at a total of 0.1 miles.
4. Make a slight left to stay on A900/Leith St and continue for about 4 minutes at a total of 0.2 miles until you reach Picardy Place Roundabout.
5. At Picardy Place Roundabout, take the 1st exit onto B901/Broughton St and continue for about 3 minutes at a total of 0.1 miles.
6.Turn right at Forth St and the Regent House Hotel will be on the right by 180 feet.
Regent House Hotel will be on the right.
From Edinburgh Airport:
There are several regular bus services between Edinburgh airport and the city centre. The bus stands can be found in the front of the terminal building outside the UK arrivals lounge.
The number 100 bus is a regular shuttle which runs between the airport and the city (close to the bus and train stations and the high street.) This service runs 24 hours a day, 7 days a week, every ten minutes during peak hours and every half an hour off-peak. Once you arrive in the city centre, the Regent House Hotel is only 10 minutes by foot.
7 day cancellation policy applies. Cancellations made within 7 days of arrival or no shows will be charged 50% of the total reservation. If the booking is made just for 1 night the total amount will be charged. An administration charge of £20 fee applies to all cancellations made within the 7 day cancellation period and no shows. 2% charge when paying credit card.
The peak season (New Year/Marathon/Rugby/Special Events/Festival in August):
A 21 day cancellation policy applies unless 100% is charged. We advise all guests to insure against financial losses due to cancellation. All cancellations must be made in writing.
All credit /debit cards shall be pre authorized and must be valid for time of stay or shall be deemed invalid.
Customers can cancel their reservation free of charge up to 7 Days before arrival. After this date, charges will be applied by the property up to the full cost of the reservation. Deposits paid are non refundable.
3-5 Forth Street
Click here to enlarge map
This is a Trusted Review. Why?
Very close to center of town, well located
Small and dark room even though the weather was beautiful. Very basic
Bathroom needs freshening up.
Poor breakfast: bad coffee, tin fruit and only fresh apples, no eggs
Expensive for what we got
This is a Trusted Review. Why?
as my first stay in Edinburgh, I am not able to say if it was decent price or too expensive, but location was perfect, comfortable beds, quiet place, plenty of food for breakfast, we were satisfied very much indeed :-)
Have you stayed here? Write a review
* The Customer Satisfaction score is based on a combination of ratings from Travellerspoint and external websites. The score of 83% for this property is based on ratings provided by 24 guests.
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Location: El Paso, TX | Tickets: 0 | RSVP Tweet
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Speaking Rock Entertainment Center 122 South Old Pueblo Road El Paso, TX
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Pier Six Pavilion, Baltimore, Md. James P. Hendershot
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Its matter of gratitude Glittering Hollywood tribute to Roy-Sumana to Its a Matter of Love by Roy de Silva
View more movie pictures and movie trailers ...
�It�s matter of gratitude� Glittering Hollywood tribute to Roy-Sumana to It�s a Matter of Love by Roy de Silva
The world premiere of the latest Sri Lankan English movie �It�s a Matter of Love� directed by veteran actor and filmmaker Roy de Silva, ably supported by his star wife Sumana Amerasinghe was recently held in Los Angeles amidst a large and distinguished gathering.
This was the first time that a Sri Lankan movie was premiered in the US and the feedback has been excellent according to sources in Los Angeles.
The highpoint of the series of events held in connection with the month-long US tour of veteran artistes Roy and Sumana came at the Vista Theatre in Los Angeles on January 15 when the popular, veteran duo were felicitated at a glittering ceremony attended by distinguished guests and the Sri Lankan community living in the US. The event was meticulously organized by none other than US-based Keith Ranga who had been introduced to the cinema by Roy de Silva.
The felicitation awards and certificates were presented to the star couple by Jeff M. Goonewardena � (Consul General of Sri Lanka to the Western States of USA, Chief coordinator to the President of Sri Lanka on USA, Mayor to City of Oceanside, California, and Mayor to Baton Rouge, Louisiana, USA) prior to the screening of the movie �It�s a Matter of Love� which came for praise from all quarters.
�This is indeed a memorable milestone in our lives. Keith Ranga had organized the event and given ample publicity resulting in the Vista Theatre almost overflowing with Sri Lankan and US filmgoers. We also had a discussion with Warner Bros. which was keen about the purchase of our film which came for praise, especially regarding the quality of English in the script and the capabilities of the artistes. I am grateful to Praveen Jayaratne for doing a wonderful job by processing the film in Sri Lanka. Similar events were held in other cities and we were invited again to make a film using young talent in the US,� Roy de Silva told Reel Life.
�It�s a Matter of Love� is the second part of Roy�s previous English movie �It�s a Matter of Time�
The romantic movie with a passionate storyline features Saranga Dissasekara and Anarkalli Aakarssha as teenage lovers together with senior artistes Iranganie Serasinghe, Lucky Dias, Rosy Senanayake, Vijaya Nandasiri, Ronnie Leitch, Corrine Almeida, Nehara Peiris and others including Ronnie Leitch�s daughter Keshiya Leitch who makes an outstanding debut performance in the movie.
Ruwini JAYAWARDANA
The romance, the comedy and the intrigue behind Roy de Silva�s 1990s hit, �It�s a Matter of Time� will be revived with its sequel, `It�s a Matter of Love�, which had begun shooting these days in locations in the city.
View more movie pictures and movie trailers ...
`It�s a Matter of Love� stars Anarkali and Saranga Dissasekara in the lead with Lucky Dias and Vijaya Nandasiri in supporting roles. Rosy Senanayake, who took up one of the leads opposite Kamal Addaraarachchi, Sangeetha Weeraratne and Gamini Fonseka in `It�s a Matter of Time�, will continue the part in the sequel.
Irangani Serasinghe, Ronnie Leitch, Coreen Almeida and Mahinda Pathirage take up significant roles while the movie introduces talented actors Nehara Peiris, Keshiya Amanda, Menaka Maduwanthie, Sudharshana Bandara and Gloria Hewspatha to cinema.
The story is based on a series of incidents focusing on the themes of youth romance and trustworthiness.
Malan is the only son of Dhanawardana, a wealthy businessman who harbours the dream of seeing his son taking over the reins of his business empire.
Therefore he decides to send his son to America for further studies and training. However, he has yet to learn that his son is engaged in a serious relationship with Natasha, a 17 year old lass, the daughter of Rossie.
Twice widowed Rossie is unaware that Malan refuses to leave the country due to his commitment towards Natasha. Dharmawardana is furious after discovering facts about the lovers and threatens to send away Malan by force.
Meanwhile, the idea of a marriage at such a young age does not appeal to Natasha. More drama unfolds as clashes between parents and lovers take center stage. As signs of the dust settling down finally comes in view Natasha is gripped with a sudden suspicion. She suspects that there is a love affair between her best friend Chathuri and Malan.
�It�s a `Matter of Love� is my second English movie as `It�s a Matter of Time� was the first. I wanted to shoot a sequel to the first movie some time back but was unable to find an actress for the main role�.
Anarkali is quite suited to the character and speaks fluent English,� Director Roy expressed at the sets of his newest production.
He also said that a number of flashback scenes taken from `It�s a Matter of Time� will be included in his latest project.
�It is unfortunate that Gamini is not alive to portray, the character he portrayed in `It�s a Matter of Time�. However the tale is woven in a manner so that his contribution to the previous movie is constantly kept alive with the audience,� he added.
Roy�s comedy movie, `Sir, Last Chance� is drawing in crowds at theatres while his movie based on legendary vocalist H. R. Jothipala�s life story, is ready for release. However Roy stated that it is `It�s a Matter of Love� which will follow `Sir, Last Chance� to the wide screen.
�We hope to release the movie in May or June at Savoy, Wellawatte and EAP circuit cinemas islandwide. My next challenge will be to shoot an English comedy,� he revealed.
The editor of the production is Praveen Jayaratne of Dil Films while Rajaguru Pushpakumara is the Director of Photography.
Sumana Amarasinghe is the production executive and costume designer, Priyantha Pathirage is the assistant director, Indika Udara Lanka, the make up artist, Chaminda Wijesinghe and Shan Karannangoda the art and costume assistants.
Sohan Weerasingha and Yasmin de Silva will provide background vocals to the music of Sohan and the X-Periments.
Shobie Perera is the recording engineer.
Anarkali�s costumes are designed by her mother Indrani Jayatilake.
The still photographs are by Mahesh Nishantha. The studio and laboratory is provided by Dil Films International and the movie is produced by Roy and Sumana on behalf of Devadithya Films.
View more movie pictures and movie trailers ...
Incoming search terms for movie, film and cinema:
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2 comments so far - add yours!
Tags: Director Roy De Silva, Kamal Addararachchi, Rosy Senanayake, Roy de Silva, Sumana Amerasinghe
Most Popular Search Terms for Sri Lankan Movies, Films and Cinema.
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2 Comments
thank you, and i will try do keep them coming
I agree, this is a great article.A successful blog needs unique, useful content that interests the readers


text: Air New Zealand hobbitBy Meredith Woerner PO Edit12L Air New Zealand's insane, hobbit-filled flight safety video WETA paired up with Air NZ to bring us this totally nuts Hobbit-centric flight safety video. How close do you think New Zealand is to just renaming the whole country Peter Jackson Land? Discuss… 10/31/12 12:58pm 10/31/12 12:58pm


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One of my friends is obsessed with the Grateful Dead and he found this dubstep mix to one of their songs. Freddy Todd released this chill dubstep mix to Truckin, which puts the song on a whole other level. Its hard to change such a classic song but Todd wasn't trying to take away from it, just add to it. With the filthy wombs and a nice bass in the background its hard not to like it. This mix has been out for a while but just recently has been given a lot more credit. So for a minute forget that a classic song has been changed, because I'm pretty sure you will have a hard time not liking it. Enjoy!
Download: Grateful Dead- Truckin (Freddy Todd Remix) |Mediafire|
ShareThisTags: Dubstep · electronic · Rock · SIAustinNo Comments


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General Growth Properties, Inc. 8-K 2012 UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 8-K CURRENT REPORT December 3, 2012 Date of Report (Date of earliest event reported) General Growth Properties, Inc. (Exact name of registrant as specified in its charter)
(312) 960-5000 (Registrants telephone number, including area code) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2. below): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c))
Hugh K. Zwieg resigned from his position of Executive Vice President, Capital Markets of General Growth Properties, Inc. (the Company), effective December 31, 2012. The Company issued a press release announcing Mr. Zwiegs resignation, a copy of which is being furnished as Exhibit 99.1 to this report, which is hereby incorporated and referenced. Item 9.01 Financial Statements and Exhibits (d) Exhibits
SIGNATURES Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned hereunto duly authorized.
Date: December 3, 2012 |


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Troy Trujillo, Luis Flores, Gailon Justus, and David Flores will headed to Oahu for the Pacific Ink Expo in August. If you would like to get tattooed Email us @email@example.com
yellow rose tattoo
Sunday, July 14, 2013
Thursday, November 1, 2012
David Flores....tour of duty Nov. 15-19
Holler at the shop and get tattooed by our homey who's been comming out to grace us with his good looks and professional-ism. Get a good look at lots more here..... Davidfloresatc.com
Friday, October 26, 2012
Luis Keys coming Nov. 8-12
Our friend Luis from Eugene, Oregon will be visiting us Nov 8-12. If you would like to get tattooed, call the shop to make an appt. or just roll through and get tattooed. Luis face book
Friday, October 19, 2012
Thursday, September 20, 2012
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i enabled Vanderpool technology and i'm able to boot in sli mode but...cannot find sli mode in nvidia control panel..i can change only physx
i was able to sli my msi 870a-g54,have not found one more on the web that did it so i thought i would post
Hi All!!Merry Christmas to All!! i need some help please.i have done all the above as u say but nothing shows up for me. no sli option.only the boot seems to modified. steps i follow: 1)install 285.38 drivers(clean install) 2)apply sli patch 1.5 beta. 3)install 285.38 modded drivers 4)start cry.. all steps with restart between expt step 4 what's the wrong with me?as i see many ppl do it fine!damn my system: asus p5q3 deluxe 2x gtx295 q9550 8gb ram ddr3 1333 dc win 7 64x Thanks
Not sure what is wrong orpheas, although sometimes the hack just doesn't work for some. The correct way to install this is to attach a sli bridge to the cards, then install latest nvidia driver (no modded driver!), then install hypersli 0.7, then reboot and enable sli. You may have to try this on a clean windows install at this point for it to work.
Sooooooooooooooo thanks to anatolymic and all member that helped me hypersli the fix was 195.62 driver (for now it's working this one) and changed position of videocards my system Asus P5E64WS EVO intel Q9650 4GB Corsair dominator 2x9800gtx+ from asus now in sli Win xp x64
i have already try this my friend but nothing for me.. SAZ very nice man glad to here that ...........
hi! finally i made it!!i have sli on. i remove everything and i install 280.26 drivers.after that the hypersli patch.then reboot->sli enabled. BUT when i try to join Crysis Wars(the only game that i play) everything stuck.no game running no pc respond.nothing.alt+ctrl+delete nothing.i have to restart with the button.wtf? what do you thing guys?
In my experience, you have to run your applications full screen or you run into the issue you noted. So if it's windowed, or you alt-tab out, your PC will lock up.
Thanks for your answer but i dont get it i run it full screen always.the very first time the game start into main menu and then boom. after the restart i never see the main menu again..when i press the game exe after 10 sec everything stuck... ps:if i turn hypersli off i can join the game normally... wtf:
If I recall correctly, after first time run failure, Crysis would run again in windowed mode until you set it up again. I could be wrong, but this is just what I remember of Crysis, and what happened on my PC before I upgraded to fully SLI capable components.
so windowed mode BSOD(=alt+tab or windows keys) is not only my problem... i am bagging u... we need update...
No update will fix this, it is more then likely due to SLI on CF only board. Some games I can ALT+TAB and others I cannot, so I do not.
try this out fix all my issues i had with sli on cf mobo (http://forums.electronicarts.co.uk/...723-bf3-nvidia-sli-fps-slowdown-solution.html )
I didnt have much time to finish HyperSLI 0.8 this year but it will be soon. Thanks and Happy New Year to everybody!
Hello. Great work, all is working perfectly under my setup with 285.63 drivers. All games run, no minimize issues. specs are: Asus M4A88T-V EVO mobo Evga 570 GTX x2 12GB ram AMD Phenom II 1090t Rosewell 1200wt psu The only game that gives me the slightest issue is BF3, where it'll occasionally slow down and make audio sound like it is "tearing." but I am to the point of writing this off as the game not the software.
try this merlino211 bf3 was the only game i had issues with too, this fix every thing for me (http://forums.electronicarts.co.uk/b...-solution.html ) and also improved some other games fps too.
First of all, Happy New Year for everyone. I bet your new year resolution will be the same as mine, get the HyperSli working, either for self or for others. To continue SaZ's dicussion I have the X48 board, too. ASUS P5E DELUXE I faced a different problem, though. (please see my older post) Long story short, the HyperSli seems to work with the latest official driver, by looking at the Nvidia control penal and GPU-Z. However, the BIOS time got reset after installing 2nd GFX card and the system cannot be shut down properly after it. It reboots right after everything quiet down. I removed the driver, 2nd GFX and found many discussions on web to resolve the the shutdown-reboot issue but none of them worked. Finally decided to flush the BIOS with the switch on board. And it WORKS. I got my system back!! Now the question is, does it means the 2nd Nvidia GFX will never work with my MB? Any suggestion? I had updated the BIOS after removing the 2nd GFX, it did not help to resolve the shut-down problem. I will give the 2nd GFX another try later this week.


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Hyperpigmented Area Red After Hydroquinone Application
- Asked by pipinghotveggie in chattanooga, TN
- 4 years ago
I was burnt around the mouth area about half a year ago. I was given a hydroquinone cream by my aesthetician. She said it might help with the hyperpigmentation which resulted from the burn. I was instructed to apply it to the area twice daily.
I woke up this morning and I noticed that the area seemed to be three times more reddish. It is a day later and it looks the same. Will this go away, or is this going to be permanent?
Inflammation from Hydroquinone: Red area
This is most likely inflammation and commonly ocurrs with Hydroquinone or Retin-A whichare common ingredients in "bleaching" formulas.
Oftentimes these medications are combined with steroid creams to lessen the effect of the irratation. Some of these are formulated in triple preparations. One of these is called Triluma.
Typically over-the-counter steroid creams are not strong enough to counter the effects.
The redness should be treated or you could possibly develop post-inflammatory hyperpigmentation. This should be prescribed and monitored by your practitioner.
Also, you may want to consider cessation of the product but please consult with your cosmetic provider.
These answers are for educational purposes and should not be relied upon as a substitute for medical advice you may receive from your physician. If you have a medical emergency, please call 911. These answers do not constitute or initiate a patient/doctor relationship.


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Opened 6 years ago
Closed 6 years ago
#4798 closed defect (bug) (fixed)
Give tag cloud links a particular class
Reported by: | filosofo | Owned by: | anonymous |
Priority: | normal | Milestone: | 2.3 |
Component: | Administration | Version: | 2.3 |
Severity: | normal | Keywords: | tag-cloud tags has-patch commit |
Cc: | filosofo |
The tag cloud links needs some way to identify the term ids of its links, in case one wants to do ajaxy things with the tag cloud.
My attached patch adds a class to the link in the form of class="tag-link-5" where that link's term id is 5. (I've used class instead of id because someone might invoke wp_generate_tag_cloud more than once per page with different arguments, which could duplicate ids).
Attachments (1)
Change History (5)
Note: See
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The death of the static homepage, immigrant entrepreneurs, and health care's sticker shock—here's what I've been reading lately.
The Static Website Is Dead—Long Live Personalized Content
For the past few years, I have been telling businesses that they need content on their website's homepage updated often. This article takes that to the next level: personalized content.
Web Surfers Think It's a Swell Idea to Talk Business in Wetsuits
Is surfing the new golf? This is a cool article on some NYC area entrepreneurs that are bonding over waves. What's next? Chess? Ping pong?
A disproportionate percentage of immigrants to the US are entrepreneurs. We need to make it easier for them to immigrate here.
One of the best articles I have read in a long time. True story about leadership and government and a businessman standing up to Congress.
Peeling Away Health Care's Sticker Shock
I have said for a long time that the Affordable Care Act solved less than 50 percent of the problems with health care and made the system worse for most people. This article does a great job of tackling the challenge that should have been dealt with first: rising costs.
Related Articles |
Robert Levin is the Editor-in-Chief and Publisher of The New York Enterprise Report. Levin has extensive experience with midsize and small businesses, having previously held CEO, CFO, and COO positions with companies in several industries. He is also a contributor for The Huffington Post. Levin can be reached at firstname.lastname@example.com and (212) 307-6760.


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Boston Brew Tours
1035 Cambridge St, Suite #1, Cambridge, MA 02141
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Boston Brew Tours is New England's only all-inclusive beer adventure. Whether you're a light beer person or connoisseur, Boston Brew Tours provides a safe and comfortable way to visit the region's top breweries. From Pilsners to Stouts, our beer geeks will introduce you to award-winning beers of all styles. Each Tour Includes a tasting and an in-depth analysis of over 20 different beers, lunch at the Meadhall, and round-trip transportation. On behalf of everyone at Boston Brew Tours, drink local and get beer-educated with us
Holiday Tree Lightings in Boston
Holiday Tree Lightings are a fun and inexpensive way to get into the holiday spirit....
Search All Listings Here.


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Product Code: 16669Brand: adidasUpdated: 07/11/2013Status: In stockDelivery: Next Day Optional Final postal dates for pre-Christmas delivery:Non-personalised: Monday 23rd Dec before 1.00pm Personalised: Wednesday 18th Dec before 5.00pmMore details of Christmas delivery deadlines
For players looking to speed up their play and footwork, adidas have have released the perfect offering with their F50 adiZero XTRX SG Leather Rugby Boot. An upgrade of their best selling speed boot, the F50 AdiZero XTRX SG is made from ultralight and soft leather for a supreme fit which moulds to the contours of your foot. A slightly off-centre lacing system further enhances the comfort and fitting with protection created in the form of a heel counter.One of the key strengths and an indication of a high-end performance rugby boot, is the inclusion of adidas's Sprintframe outsole construction, focusing on stability and lightweight through geometry. To ensure maximum grip and acceleration across soft natural surfaces, the F50 XTRX SG utilises a hybrid configuration of exchangeable metal studs alongside moulded ones, strategically positioned across the sole. Those across the front of the foot ensure power is achieved in your play whilst the four over the heel deliver all-important stability which is essential in any position.Harking back to a more traditional and classic design, this latest offering is much more understated than previous releases but still has an imposing presence. A timeless black look to the upper sits aside strikes of infra red running around the ankle and heel whilst the famous adidas three stripes are given a fresh white decoration. As a further enhancement to these rugby boots, they are also compatible with the adidas miCoach chip which fits discreetly beneath the inner sole and can be purchased separately. Your boots now have the ability to report back on all your progress in training and match environments including time, speed, distance, speed zones and number of sprints. These are all recorded and can be monitored by simply connecting the miCoach chip to your PC or iPhone. There's nowhere to hide now as your every move is monitored. Please note that this boot does not contain the adidas miCoach Chip, which needs to be purchased separately (product code 11437/11438).This boot weighs 232g (UK size 8).
Christmas Orders
Don't miss out over the festive period and please take time to view our Christmas posting deadlines, opening hours and returns policy. Remember that you have until 15th January 2014 to make any exchange or refund so there's plenty of time to return any unwanted gifts.
Non-personalised UK orders must be received by 1pm on Monday 23rd December to ensure dispatch with the evenings post. Please be aware that UK orders placed between 3pm on Wednesday 18th December and 1pm on Monday 23rd December will require our Express Delivery Option to guarantee Christmas delivery.
Personalised UK orders must be received by 5pm on Wednesday 18th December to ensure dispatch for pre Christmas delivery. Please be aware that orders placed on or after Friday 13th December will require our Express Delivery Option to guarantee Christmas delivery.
Full details of overseas postal deadlines can be viewed here .
Delivery information
We aim to deliver goods to UK addresses within 5 working days of receiving payment for your order, for non-UK addresses and international deliveries please contact customer services at Lovell Rugby. You should only be able to order items that are in stock, but if there is some other delay in processing your order we will contact you as soon as possible to keep you informed. We strive hard to keep to our delivery times but with third party involvement sometimes situations are beyond our control. Should late or non-delivery occur please contact our customer services to discuss the situation and to track the consignment.
When we have received payment for your order, we will deliver your goods using Royal Mail First Class, Second Class, Nightspeed Courier Services or Business Post for British delivery addresses.
For more details please see the help page.
Orders with personalised items can take up to 7-10 working days before dispatch.
If you don't want to personalise this item, return to the product details and add it to your basket by clicking on the 'ADD TO CART' button.
Terms and conditions for personalised items:
This does not affect your statutory rights.
Adidas Regulate SG Rugby Boots Kids Black/Blue
Zero VAT £11.99 RRP: £38.99
Adidas World Cup SG Football Boots
Adidas F50 adizero XTRX SG Football Boots Vivid Yellow/Green Zest/Black
Adidas F50 adizero TRX FG Leather Football Boots Vivid Yellow/Green Zest/Black
Adidas F50 adiZero TRX FG Football Boots Vivid Yellow/Green Zest/Black
Adidas F50 adiZero XTRX Leather SG Football Boots Vivid Yellow/Green Zest/Black
Adidas Predator LZ Lethal Zone XTRX SG Football Boots Bright Blue /Running White/ Infra Red
Adidas Copa Mundial Moulded FG Football Boots
Adidas F50 adizero XTRX Hybrid SG Leather Football Boots High Energy/White/Electricity
Adidas Kaiser 5 Liga Moulded FG Football Boots
Adidas Kaiser 5 Cup SG Football Boots
Adidas F50 adizero TRX FG Football Boots Black/Green Zest/Running White
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Facility Rental
Facility Rentals: Meeting Rooms, Pool, Gymnasium, Playgrounds Camps Pavilions and Parks
The Greater Baltimore Jewish Community Centers have two convenient locations with multiple indoor and outdoor resources to meet the diverse needs for many types of events, classes, and life cycle experiences.
Harry and Jeanette Weinberg JCC - Facility Rentals
The Harry and Jeanette Weinberg JCC is located at 5700 Park Heights Avenue Baltimore, MD 21215 410-542-4900 in the heart of Baltimore's vibrant and fast growing Jewish community.
With easy access from both the Baltimore beltway (route 695) and route 83 at Northern Parkway, the PH JCC provides an ideal location for most special events; a short hop to downtown Baltimore City's inner harbor, downtown hotels, and neighborhood Kosher restaurants and shopping.
Among the amenities available at the Weinberg JCC are:
The Straus Auditorium: Complete with a built-in a stage, sound system, stage lighting, retractable screen, theatre seating for 390 or banquet seating for 260, the Straus is our largest and most versatile room. (WiFi friendly).
Community Room: This state of the art multi-purpose room, with projector, retractable screen, sound system, and room divider, seats up to 150 theater style, or 80 conference style. (WiFi friendly).
Main Lobby: This naturally lit open space is also ideal for small receptions or cocktail parties
Board Room: Perfect for meetings of up to 35 conference style or 80 theatre style this attractive room is also wifi friendly.
Eating Together Room: With seating at round tables this room will accommodate up to 80 people.
Gymnasium: This professional-size athletic facility is fitted with six regulation height basketball hoops. Full court or half court (with full dividing curtain) rentals for leagues or sports parties are perfect for this location.
Indoor Pool: Heated pool available for pool party rentals. (POOL RENTALS ARE ONLY AVAILABLE TO MEMBERS)
Classrooms: Up to six classrooms/meeting rooms with seating capacities from 12 to 20 are also available for breakout sessions or small group meetings.
Parking: Ample parking is available at no additional charge. Our spacious lot is well lit and has close to 400 spaces with 14 reserved for handicapped use.
Ben and Esther Rosenbloom JCC - Facility Rentals
The Ben and Esther Rosenbloom JCC is in scenic, suburban Owing Mills at 3506 Gwynbrook Avenue Owings Mills, MD 21117.
Located eleven miles from our Park Heights facility, three miles west of Reisterstown Road, this spacious campus is situated adjacent to open athletic fields, tennis courts, and our beautiful outdoor recreational park.
Among the amenities available at the Rosenbloom JCC are:
Adalman Performa: This recently renovated, (black box theatre room) licensed as a performance space, can be used for large meetings, events, and seminars (50 to 125). Optional black drapery surrounds the perimeter and theatre lighting, wifi, and retractable screen are available.
Beit Midrash: Designed as an adult learning space and library, this room is ideal for comfortable small meetings (up to 25). (WiFifriendly)
Fine Arts Room: This multi – purpose space can seat 125 theatre style or 100 banquet style. It can also be divided into two rooms.
Teen Conference Room: This meeting space is equipped with a kitchenette and can seat up to 25 conference style.
Teen Lounge: This teen friendly space is equipped with a large TV screen, pool table, ping-pong table, video games and air hockey table.
Meeting Rooms: Five classrooms with seating capacities from 15 to 50 can be used for adult and youth programs. Perfect for breakout sessions.
Main Gymnasium: This professional sized athletic facility is fitted with six regulation height basketball hoops. Full court or half court (with full dividing curtain) rentals for leagues or sports parties are perfect for this location.
Multi-purpose Gymnasium: This padded floor gym with six regulation height basketball hoops and retractable room divider is perfect for sports parties and informal gatherings.
Indoor Pool: Heated pool available for pool party rentals.(POOL RENTALS ARE ONLY AVAILABLE TO MEMBERS)
Shapiro Recreation Park: Open from Memorial Day to Labor Day, this spacious outdoor facility includes six pools, (family pool, adult lap pool, "I" pool, and three kiddy pools) and tennis courts, is available for private parties and special events. (POOL RENTALS ARE ONLY AVAILABLE TO MEMBERS)
Biblical Playground: Located adjacent to the Shapiro Rec park, is an exciting child oriented play area with multiple climbing experiences and kid-friendly equipment. Roller Hockey Rink: This newly resurfaced rink is available for rental from April to October.
Plant/Davison Athletic Fields: These expansive upper and lower fields are available for soccer, lacrosse, softball, and related outdoor activities for leagues or private parties.
Weinberg-Fine Stadium: This beautiful fenced stadium, with dugouts and stadium seating is perfect for softball or little league programs.
Main Lobby: Adjacent to the Adalman Performa, this naturally lit open space is also ideal for small receptions or cocktail parties.
Parking: Ample parking is available at no additional charge. Our spacious lot is well lit and has close to 575 spaces with 23 reserved for handicapped use.
For more information, contact Linda Snyder: 410.559.35o4 or firstname.lastname@example.com.
Camp Milldale in Reisterstown - Facility Rentals
Camp Milldale is located on 155 acres of rolling countryside in Reisterstown, Maryland just 20 minutes from Baltimore city. We can accommodate parties of up to 6000 people during the summer and 75 during the winter. Camp Milldale is the ideal location for family reunions, company picnics, corporate retreats, birthday parties, Church/Synagogue events or get-togethers, Bar or Bat Mitzvah Parties, Sweet Sixteen Parties and more. Parking is provided on the grounds for parties of all sizes. The rental fee includes use of all facilities except for the pool and lake which are available for an additional fee in season. Click here to get answers to your Milldale rental questions in 1 business day!
Gather together and relax and picnic beneath one of our three sheltered pavilions. Each pavilion is equipped with picnic tables and nearby restrooms. The Pavilion rental is included in your fee.
Big Toys Playground
Younger children will climb, swing and slide away the time in our Big Toys Playground. They can enjoy tubular slides, suspension bridges, a zip line and more.
Sports Facilities
Our extensive sports facilities include softball diamonds, basketball courts, volleyball nets and open grass fields. Athletic equipment is available at no extra cost.
Swimming Pools – additional fee
Your entire group can swim and play for hours in our three large pools, then relax on our spacious deck area. Locker rooms, showers and rest rooms are just steps away.
Canoeing and boating – additional fee
Enjoy fun in the sun while you paddle on our two-acre lake. Canoesare avalible. Certified lifeguards supervise the lake at all times when rented.


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The Deal
- $10.99 for an MLB six-pack cooler ($15 list price)
- Click here to view an image all 17 team options.
MLB Six-Pack Cooler
An FDA-approved PEVA liner swaddles six-packs of soda, beer, or laughing gas inside coolers emblazoned with 1 of 17 Major League Baseball team logos. Woven from 420-denier polyester, the durable bags also include a carrying handle for easy transport and mesh pockets for additional storage.
- Cooler ideal for storing six-packs of beer, soda, or juice
- Bears the logo of 1 of 17 Major League Baseball teams
- FDA-approved PEVA liner keeps drinks frosty
- Durable 420-denier-polyester construction
- Includes carrying handle and mesh pockets
- May also be used to transport bag lunches, picnic food, and baby polar bears
- Dimensions: 17"x11"x2"
How to get your goods: by purchasing this Groupon and providing your name and shipping address, your order is complete!
For questions pertaining to this deal, please visit the deal Q&A on this page. For post-purchase inquiries, please contact Groupon customer service. View the Groupon Goods FAQ for additional information, including how list price is determined.
In a Nutshell
Coolers with a carrying handle and the logo of 1 of 17 Major League Baseball teams; ideal for storing six-packs or bag lunches
The Fine Print
Doesn't expire. Limit 1 per person. $4.99 flat-rate shipping not included. Ships within Canada only. Most orders are delivered within 2 1/2 weeks of the purchase date. Does not ship to PO boxes. Final sale. No returns unless defective. See return policy. Must pay applicable tax and provide name and shipping address at checkout, which will be shared to facilitate shipping. Ships from US. Goods sold by Groupon Goods. See the rules that apply to all deals.


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Childrens Rights
Amount Raised: $7.95
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330 Seventh Avenue 4th FloorNew York, NY 10001
We are a national advocacy group working to reform failing child welfare systems on behalf of the hundreds of thousands of abused and neglected children who depend on them for protection and care. For more than a decade, we have been fighting to enshrine in the law of the land every child's right to be protected from abuse and neglect and to grow up in a safe, stable, permanent home. Through tough legal action complemented by substantive policy expertise, we have won landmark victories and brought about sweeping improvements in the lives of abused and neglected children in more than a dozen states across the nation.
Children & Youth, Crime & Legal-Related, Human Rights


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Updated 3/1/13:
The blocks are headed back out in the mail today! So look for them to be arriving in a few days. I've been super busy and haven't written up the instructions for the quilt setting I had originally shown with the swap. I'll do that this weekend and post a copy of it in the files on TQP for those members so those of you who swapped can find it if you want to use it when your blocks arrive and also will post it on my blog for the nonTQP swappers to find so check for an update on this page with those instructions later this weekend.
There will be those I'm sure who will be a bit disappointed — I had to return portions of some swap packages unswapped — if you get some of your blocks returned unswapped it's because the size was not correct. There were quite a few that measured more like 8.5 x 8.25 — not square. Or three corners would hit the mark but the fourth was short (looked like maybe the seam allowances when adding the corner pieces on that side were too deep) so one corner would be 8.25 so the block looked skewed. And one swapper's set didn't follow the pressing rules so they went back.
But there were a lot of lovely batiks and a really good variety of them – only a couple where more than one swapper had the same batiks as others and I "think" I managed not to give you one back from someone else if you had used the same batik in your set. But don't hold me to that since after 3 hours of measuring and swapping my brain was getting addled.
Updated yet again 3/1/13 — Here's the Pattern instructions for swappers to put together their swap blocks.
The center block pattern was only available to those who participated in the swap.
Hope you enjoy your finished quilt!


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성장기/ 과일왕좋아햇~♥-fruits/TV/사진,동영상-4to,video/design,graphic/글꼴-type/친환경-eco/배움-learn/ ㅋ는 레알 웃기거나 공감갈때만 쓰는 나의 표현방법~ 빠라삐리뽕! Dokdo,Republic Of KOREA!
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Welcoming a new baby to your family creates a whirlwind of exhaustion and excitement. Hear parents talk about the first 24 hours with their newborn and the moment they fell in love with their little one. Plus, learn about your post-baby body: how your body has changed and why you might be experiencing unexpected symptoms like night sweats and incontinence. You'll also find strategies for coping with your tiring new schedule and discover foods that can help boost your mood.
How we announced our baby's birth Hear real parents answer the question "When and how did you announce your baby's birth?" Watch the video |
The first 24 hours home with our newborn Hear real parents answer the question "What were the first 24 hours like after bringing your baby home?" Watch the video |
The moment I fell in love with my baby Hear real parents answer the question "When did you know you'd fallen in love with your baby?" Watch the video |


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Corn harvest at L.W. Living History Museum
History buffs got their harvest on Saturday morning.
Dozens of Coastal Carolina University students helped out at the L.W. Living History Museum's fall corn harvest. They shucked corn from the stalks, and then groups loaded the crop into a mule drawn cart.
The volunteers said it was very hard work.
"When I was imagining it when I signed our group up, I pictured just the straight rows of corn and just picking it nice and green and pretty, but this is a lot different. I guess because in older ages there's not all modern technology so, there's a lot of weeds that are taller than me," volunteer Chris Jones said.
The museum is representative of what farming was like between 1900 to 1955. The farm is located at Harris Shortcut Road on Highway 701 North in Horry County.


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SkinCeuticals Clarifying Clay Masque Has More Than One Use!
I realized with my dry skin I'm always telling you guys about hydrating masks or radiance masks for sallow, dull skin. I love both of those so much. The hydrating masks give me the much needed moisturization and the radiance masks brighten my skin brilliantly but sometimes I only feel like doing a mask just to firm my skin. I've come to realize that the best masks to firm are masques that harden and the former usually are still kind of soupy when you remove them. So when I want to firm I head straight for a clay mask that is typically used for oily or blemished skin.
SkinCeuticals has always been one of my all time favorite brands and I would never be without my CE Ferulic serum and quite a few other SkinCeuticals Correct products! But when it comes to counting on firming up my skin I also use a SkinCeuticals product that wasn't particularly formulated for firming.
SkinCeuticals Clarifying Clay Masque was actually formulated for the treatment of blemished, congested and oily skin. It's used to lift impurities from the pores (which it does extremely well), diminish pore size, lift away dead skin cells, soaks up excess oil, and wipes out acne and blemishes brilliantly. But that's not why I use it. I mean I love minimizing the size of my big ole stretched out pores and pulling off a ton of dead skin cells but my favorite reason for using it is the firming effect I discovered merely by accident.
I didn't get enough sleep one night and had a really important next day. I searched my drawers for a mask that was specifically used to firm up and tone the elasticity of the skin and didn't have a single one. I came across the SkinCeuticals Clarifying Masque and thought it would have to do. Besides I remember using a hardening mask as a professional firming treatment years ago so I thought just maybe I'd have at least a fraction of that same result. What I discovered was amazing. My skin was so firm and radiant that I just couldn't believe it. I used it just today for that specific purpose and once again was not let down. My skin firmed up beautifully and I told myself I just have to tell my blog readers about this cool little secondary use of product.
So when you're in the mood for a little (make that a lot of) lift you can count on SkinCeuticals Clarifying Clay Masque!


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Barbara Mozdyniewicz Student vita
Born in Cracow/ Poland in 1984 and moved to Upper Austria with family in 1993. In 2003 finished a technical school for Interior Design and Woodtechnology in Hallstatt, Upper Austria and worked for the designer Hannes Rohringer afterwards. Later, moved to Vienna and studied Translations (Polish, English) at the Vienna University and Media Art at the University of Applied Arts, before switching to Industrial Design in 2005. <br> Visited the Class for Graphic Design at the University of Applied Arts in the summer term of 2008. Interships and jobs for design offices, carpentries and building companies. projects
Lisa Schmied Student vita
I was born on 5th of December 1989 in St.Pölten/ Lower Austria. In 2008 I finished Bundesrealgymnasium for Art in St.Pölten and in the same year I started studying at University of Applied Arts in Vienna, department Industrial design. Beside the studies I am working for a fashion label named Mango. contact email: projects
Lukas Pressler Student vita
Coming from Wr. Neustadt, Lower Austria, I graduated from a humanistic highschool. After doing the design foundation course in St Pölten (ndu), I was accepted at the department of ID2 in 2008. I like street art, climbing, fencing and playing football. contact phone: +43 (0)650 639 10 20 email: projects
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text: I absolutely loved this place. Quiet, peaceful and absolutely beautiful. The waterfall after the rain put you in a spiritual place. We returned on our way out of town just for one last look and a little more peace. We went to mass on Sunday morning at 10:30. It was very simple and didn't at all cater to tourists. Everything... More