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Bourbon Barrel Barleywine Ale
- Central Waters Brewing Co.
Displayed for educational use only; do not reuse.
1,202 Ratings
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Ratings: 1202
Reviews: 487
rAvg: 4.31
pDev: 9.51%
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Brewed by:
Central Waters Brewing Co.
United States
Style | ABV
American Barleywine
| 11.50%
bottle (483)
on-tap (4)
Notes/Commercial Description:
Aged for 1 year in used bourbon barrels.
(Beer added by: Atron67 on 03-02-2008)
(28) |
(16) |
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Ratings: 1,202
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United Kingdom (England)
look: 4 | smell: 4 | taste: 4.25 | feel: 4.25 | overall: 4.25
Received a 2013 from mishuggah as an extra in a trade; thank you sir!
Enjoyed in my favorite DeMolen tall tulip glass.
A-The coloring was red-orange and foggy, lingering white head with light, lacing.
S-Super welcoming, warm aroma of dark fruits, caramel, toffee, bourbon.
T-Sticky, brown sugar, candied bourbon, sweet caramel, very appealing and relaxing flavors as a whole, malts and some floral aspects. The abv flavor was very subdued. The taste develops nicely as it warms up.
M-Medium bodied, low carbonation, thick and chewy.
O-Excellent, top notch beer that does well in a style that's crowded with competition.
Serving type: bottle
04-13-2013 11:04:42 |
More by mtbdonn
look: 4.75 | smell: 4.25 | taste: 4.25 | feel: 4.25 | overall: 4.25
Dark brown-red with small yellow-ish head.
Tons of oaked vanilla, almonds, nutty, creamy, lactic. . . Odd, yet unique.
Lots of resinous raisin, sticky, biting, bitter, perky amount of vanilla, high bourbon heat, carbonation is a bit too much for me. A touch on the overly sweet side.
Recommended. but not overwhelming... Thanks for this one mr. parker.
Serving type: bottle
04-01-2013 03:16:52 |
More by chugalug06
look: 4.25 | smell: 4.25 | taste: 4 | feel: 3.5 | overall: 4
2012 Vintage from MatttYCE. Thanks man!
A: pours a murky caramel in color, with touches of ruby tints, with about 1/2 fingers worth of head formation. without much lacing.
S: big caramel/toffee and vanilla right up front. there is a some oak and bourbon barrel presence as well, but it takes a back seat to the primary characters. i also pick up a slight hop note.
T: caramel sweetness right up front with a oaky bourbon presence coming out much more. i also pick up on more hop qualities here than what I was expecting from the smell. and the finish is vanilla creaminess. alcohol is definitely present.
M: flat, very thin for its style, and it doesnt quite coat the palate as it should.
O: its a nice brew. and this would be a great introductory barleywine to people who aren't familiar with the style.. and it has high drinkability.
Serving type: bottle
04-01-2013 02:54:56 |
More by tut2528
look: 4 | smell: 3.75 | taste: 4 | feel: 4 | overall: 4
12 fl oz brown glass bottle with standard unbranded gold pressure cap and simple straightforward label served into a flared stem-tulip glass in me gaff in low altitude Los Feliz, Los Angeles, California. Acquired from Duff27 in a recent trade; thanks, buddy! "Malt beverage aged in used oak bourbon barrels." 2013 vintage. Label is an orange-brown and differs from the photo currently used on this webpage. Expectations are quite high; I loved the Y2K barleywine I had from Central Waters.
Served slightly chilled; I like my barleywines a bit warmer. Side-poured with standard vigor as no carbonation issues are anticipated.
A: Pours a 1.5 finger light khaki colour head of nice cream and thickness, and very good retention (~5-6 minutes) for the high ABV. Even lacing sticks to the sides of the glass as the head slowly recedes. Body colour is a refined rich amber. Looks like a fine brandy. Semitransparent. Translucent. No yeast particles are visible. No bubble show. I'm impressed with the head. It looks as a barleywine ought to; understated and classy. Though the translucency/transparency is atypical of the style.
Sm: A bit of candi sweetness, candied fruits, subtle vanilla from the bourbon barrel, light toasted oak (less prominent than I'd like), caramel, toffee, maple, and rich malts. Refined and appealing, but I'm concerned about the sweetness. No yeast character or alcohol is detectable; this is shockingly un-boozy for its ABV. I like the fruits and vanilla. They play well together. A mild strength aroma.
T: The candi sweetness is problematic, but not to the degree I feared. Light vanilla. Very buried toasted oak notes. Caramel, toffee, and a heavy rich malt build. Sweet up front. Fruity on the climax, but these notes really fall off towards the finish, never quite feeling seamless in the build. No hop notes are detectable; maybe some minimal floral hopping at most. Some syrupy maple on the finish. ABV is decently hidden; some alcohol does come through. No yeast character. I want more from the oak; the bourbon notes are well integrated but shallow. It's balanced, if overly sweet. Well built for the style with good barrel aging execution.
More aggressive hopping is needed here to add bitterness and thereby balance the malty sweetness.
Mf: Silky. Refined. Smooth and wet. Even a biteen creamy. Good presence on the palate. Good thickness. Perfect carbonation. A well done texture for a barleywine. Good body.
Dr: Drinkable for the ABV, but I can tell this one needs some time to age. The sweetness is just too high at the moment. Don't get me wrong though; this one is definitely a sipper - you couldn't chug it. It'll probably take me a good half hour to finish the bottle. It's a fine barleywine with good bourbon notes, but it just needs to develop more. I'd like to revisit this one with some age on it - no more than five years. Fans of the style will love this one - even fresh. Another solid brew from Central Waters. There's serious potential here. Thanks for the bottle, Duff27!
High B+
Serving type: bottle
03-31-2013 00:40:18 |
More by kojevergas
look: 4.25 | smell: 4.75 | taste: 4.25 | feel: 4 | overall: 4.25
Appearance: Hits all the checkpoint that a great barleywine should. Very dark brown amber color. Light lacing on the edge of the glass as this one was enjoyed. Thin head on the pour which quickly dissipated. Some of the most active carbonation I've seen in a barleywine, extremely active carbonation throughout for a barleywine.
Smell: Simply outstanding. The front is a rounded and full caramel and molasses brightness. They standout but are perfectly balanced, do not overtake the aroma. Some smokey malt and perfect accents of bourbon on the undertones. All of the major players in this aroma are in perfect balance. The high abv fits in perfectly, adding a little danger and intimidation to this brew.
Taste: The front of this brew is an extremely bright molasses thickness very similar to the aroma. The sweetness builds up and reaches a strong crescendo as you hit the body of this brew. Once you are in deep, a medium bodied hop bitterness clings to the palette. The finish is a dry alcohol and some slightly funky/sticky hops continue to bound around. I think the body could be a bit stronger but overall really fantastic.
Mouthfeel: Quite a widely varying experience. Goes from a full bodied front to a slight thin dry feeling toward the end. Enjoyable but could be slightly better.
Overall: One of the better barleywines I've had in a while. As a bourbon fan, I really enjoy the barrel accents in this brew. It stands out but is in no way offensive. By far the best Central Waters product I have had. They will get some more opportunities after how much I enjoyed this one.
Serving type: bottle
03-29-2013 23:32:03 |
More by KFBR392
look: 3.75 | smell: 3.75 | taste: 4 | feel: 4 | overall: 4
2013 bottle, poured into a wine glass.
The appearance is dark red-brown with a thin tannish head. Its` nose comes off with malts, a good deal of bourbon, vanilla, brown sugar and raisins. Tipping this one back and it tastes of caramel, syrup, more malts, alcohol. Mouthfeel is rich and full bodied, finishes with oak and bourbon. A nice barleywine from this brewery out of Wisconsin, had to pick this one up while passing through PA.
Serving type: bottle
03-27-2013 23:18:38 |
More by mltobin
look: 4 | smell: 4.25 | taste: 4.5 | feel: 4.25 | overall: 4.25
This poured out as a hazy brown color with a cream colored head. There was a decent retention as well as some lacing for a while. There was some oily legs on the glass as well. The smell of the beer is boozy, lots of ethanol on the nose, hints of vanilla and caramel. The taste of the beer is sweet, malty with more vanilla and some subtle hop bitterness. The mouthfeel smooth, oily, moderate carbonation and kind of thick. Overall this beer is really quite good, big amounts of flavors. Has a lot of the characteristics of a solid barley wine. Worth trying for sure!
Serving type: bottle
03-26-2013 02:30:32 |
More by Knapp85
New Mexico
look: 4.25 | smell: 4.25 | taste: 4 | feel: 4.25 | overall: 4
12oz bottle into a large wine glass. 2012 vintage I think.
A - kind of a brown ruby red color. Very dark in the glass, when held to the light the red shows through. Minimal head, but a crown retains for quite a while, good amount of lacing.
S - lots of caramel and vanilla. Fairly boozy.
T - follows the nose with vanilla and caramel, bourbon booziness, there is a hint of dark cherries. There is a large hop bite, almost acidity in the bitterness. That being said, not offensive, but it doesn't really blend with the mellow flavors up front.
M - quite good. Medium body, low carbonation. Good.
O - I think this will really round out in about a year. The hop bitterness is not bad, but the front it so mellow that the moderate hop bit at the end seems more pronounced. I think with some time, this will move from an A- to an A/A+
Serving type: bottle
03-25-2013 01:30:18 |
More by Beerandboards
look: 4 | smell: 4.5 | taste: 4.25 | feel: 4 | overall: 4.25
2013 vintage, 12 oz bottle into a tulip glass. Huge thanks to ObiWanKushnobi!!
A - Pours a dark and murky red body. A quick pour yields three fingers worth of dense khaki foam. Settles into a thin cap with super sticky lacing and long lasting retention. Looks pretty damn good.
S - Ohhhh, this beer is not messing around. Rich dark fruits, caramel, toffee, butterscotch, vanilla, and a huge bourbon burn. This is the BCBS equivalent of bourbon barrel barley wines. Just a solid barleywine base with a HUGE and unrelenting bourbon presence. Its really brash, bold, and boozy, and quite excellent.
T - Layers of butterscotch and vanilla bourbon intertwine with a rich and decadent toffee and dark fruit rich base beer. A bit of oak, vanilla, and piney hops thrown in for good measure. This is really tasty, but the alcohol catches up quick. Medium bodied with solid carbonation.
O - The best 12 oz. BA BW I have had to date. Not as refined or complex as the rarer examples, but this is a totally unforgiving bourbon bomb of a barleywine and I like that a lot!
Serving type: bottle
03-24-2013 05:13:14 |
More by davey101
New York
look: 4.25 | smell: 4.25 | taste: 3.5 | feel: 3.75 | overall: 4
12 oz bottle poured into two snifters. Big thanks to Ethan for two bottles of this; I asked for four Abrasive, and instead I get three and two CW BBBW. What a great friend!
A - good looking brew. Looks more like a scotch ale than anything, super brown with little head on the forced pour. The carbonation is constant and visible, but, unlike most BBA beers, it's very translucent.
S - a lot of bourbon and a lot of alcohol. If I was doing a blind taste testing, I wouldn't guess that this was a barleywine. Harsh throughout.
T - the harshness continues. CW BBBW pounds the senses with intensity: alcohol, bourbon, and only a hint of the hops that one normally would expect from a barleywine. The malt and barley really hit hard, not in a good way. This baby needs at least a year in the cellar.
M - again, the alcohol really detracts here. Too much booze and carbonation, which isn't faithful to the other brews in the style. It's a harsh drinking experience.
O - this is a perfect candidate for the cellar, but I don't think I'd get another one fresh, even on tap. It hits hard and bitter.
Serving type: bottle
03-22-2013 01:18:48 |
More by JamesShoemaker
look: 3.75 | smell: 4.5 | taste: 4 | feel: 4.5 | overall: 4.25
2013 12oz bottle.
The beer pours clear amber red with about an inch of cappuccino-colored head. Head died quick with only a little lacing. Sweet, smoky, fruity and exciting. I can clearly smell honey, vanilla, and oak. A full, rich nose. Flavor is pretty boozy at this point. Not a ton of heat, but there is a huge bourbon flavor. The flavor also matches the smell, but I love that the barleywine is not too sweet. Very good profile which will be amazing with some age. Creamy, medium-bodied, and leaves syrup on the tongue. Already and very good beer. I can't wait for the booze and heat to mellow out. It will be fantastic.
Serving type: bottle
03-20-2013 03:16:43 |
More by lunarbrew
look: 4.25 | smell: 4.5 | taste: 4.5 | feel: 4.5 | overall: 4.5
12 oz bottle poured into a Half Acre 12 oz snifter. $15/4pack.
A: Dark dark ruby body with a light tan head of less than a finger with quick dissipation leaving a rim of foam and a small amount of lacing.
S: Bourbon-forward with sweet malty notes, vanilla, and some hops on the nose that complement well.
T: Sweet malts are the first on the palate, vanilla and oaky notes, and the barrel characters blend nicely into a bourbon finish. Lots of heat on the back end of this. A little bitter and dry on the finish, representing some of the hops of the brew.
M: Very smooth, medium carbonation, sticky and dry finish. Very nice and drinkable.
O: A fantastic barleywine that is complemented very nicely by bourbon barrel aging. Best bourbon barrel aged barleywine I've tried to date, although I do have Sucaba and barrel-aged Bigfoot waiting in my cellar. I inherently hate Central Waters for their terrible customer service, but they make a damn good BBBW
Serving type: bottle
03-18-2013 01:23:18 |
More by MCain04
look: 4.25 | smell: 4.25 | taste: 4 | feel: 4.5 | overall: 4
12 oz bottle into tulip. 2013 vintage.
A: dark orange/ terra cotta hued body. slightly hazed. head pours a bit underwhelming with a light brown/orange/white hue. retention is limited, but present. spots of lacing left behind.
S: dark fruit. plums. a lot of bourbon oak. a LOT of oak. but good, the wood is welcomed and works great with all this sweetness. no hop aroma at all, not that I mind one bit, this thing is all about big beer and bourbon.
T: holy hell, the first sip is fucking rocket fuel. straight ethanol. hope a few more sips will get me better acquainted. ahh, that's a little better. bourbon warmth/flavor for sure. similar to the nose, lots of bourbon-y oak flavor. a little bit of caramel sneaks out when it can. lingering brown sugar and alcohol heat.
M: carb is mellow and works well with this big guy. full bodied to the gills.
D: this would definitely be a prime candidate for cellaring. as soon as I took my first sip I thought maybe I opened this too soon. oh well, live and learn. regardless, there are some really good aromas/flavors going on here that im sure would develop some nice complexities over time. grab a few if you can.
Serving type: bottle
03-15-2013 14:14:44 |
More by Jimmys
New Jersey
look: 4.5 | smell: 4.75 | taste: 4.5 | feel: 4.25 | overall: 4.5
Reviewed from notes from 3/14/13
A- Pours a deep amber with ruby hues, a decent sized head with impressive retention for being barrel aged. Also excellent lacing is left in the glass.
S- The aroma is incredibly alluring, instantly bringing to mind ripe figs, raisins, sweet prunes, caramel, toffee, thick dark breadiness, and maybe a hint of dried apricot. There's also smooth vanilla from the bourbon barrel, and definitely some hefty booze in the aroma.
T- The taste is a malt lover's dream, with thick breadiness, toffee, dark honey, and caramel dominating. The vanilla is mild, but it is present just enough to mellow this out alongside the bourbon. The fruits noticed in the nose are present, but you have to search for them in this complex brew. Lastly there is just a bit of earthy/spicy hop bitterness to prevent this from being overly sweet.
M- The mouthfeel is thick, creamy, and chewy, with only slight carbonation. It has a bite of bitterness and booze at the end, but it fades to mellow bourbon/vanilla aftertaste.
O- Overall this is one of the better BA Barleywines I've had, and I can't wait to have some more!
Serving type: bottle
03-15-2013 04:24:17 |
More by SadMachine
look: 3.75 | smell: 4 | taste: 3.5 | feel: 4.25 | overall: 4
12 oz bottle poured into arrogant bastard snifter. 2013 vintage
A- A muddy red pond water appearance. Almost no head on an average pour. A slight tan head bubbles to the surface.
S-Upon warming, she really starts to come to life. Carmel, bourbon, peppercorn, floods the nostrils. Digging a little deeper, I catch a whiff of scotch tape. Weird I know, but I smell it none the less.
T-This is way too bitter and harsh if your just pulling it out of the fridge. Needs to warm up a bit. Upon warming shes a bit alcoholic, and bitter as wormwood. Hot and spicey down the gullet with a soothing burn. The hot alcohol covers up the subtle flavors that will reveal itself with time. Flan, caramel, and alcoholic sweetness are major flavors now but give it 3-4 years and I think she will really shine.
O- Lay her down and I think this will be great in a few years. She is surely hot to say the least and strongly bittered to boot.
Serving type: bottle
03-15-2013 02:31:31 |
More by nicnut45
look: 4.5 | smell: 4.25 | taste: 4.25 | feel: 4.5 | overall: 4.25
2013 vintage served in a snifter. This amber-ruby beauty pours w a half-finger of khaki head that recedes quickly and is retained w decent legs and spotty lacing. The aroma is of burnt brown sugar, figs, and rum-soaked raisins w a hint of vanilla. The flavor is caramel, smoky bourbon, and a lot more hops than other reviews would have led me to believe. I'm sure this ages well, but this is pretty hot fresh. Still very very good, and worth the acclaim.
Serving type: bottle
03-15-2013 02:01:08 |
More by AJacob81
look: 4.5 | smell: 4.25 | taste: 5 | feel: 4.75 | overall: 4.75
Big thanks to Zander for a few bottles of 2013 and 2012.
Pours about 3 fingers of head. Dark Maroonish brown
Smell- Bourbon, fig, booze
Taste- Plenty of carbonation, medium heat. The sweetness of the bourbon really adds to the traditional ABW flavor. Incredibly drinkable for 11.5% and a powerful beer. Compared to BA Numbskull this just has that donkey kick oomph in it. This is a big beer, just my liking.
Mouthfeel- high carbonation, medium build, flavor attack
Overall- Amazing beer and a perma-want
Serving type: bottle
03-09-2013 03:46:47 |
More by OneBeertoRTA
Rhode Island
look: 4 | smell: 4.25 | taste: 4.75 | feel: 4.5 | overall: 4.5
Served from a 12oz bottle into a snifter.
Appearance- Cloudy Amber/brown with little to no head. Good lacing.
Smell- Caramel and vanilla (bourbon), some mild chocolate, light booze, no hops, and light maltiness.
Taste- Ohh very smooth vanilla bourbon notes. Lots of caramel and malts. No real hop presence here. Can't taste the booze, but can feel it go down.
Mouthfeel- Full body and smooth with mild heat at the back of the throat.
Overall- This is great, very smooth and flavorful. Nice extra from a recent trade!
Serving type: bottle
03-08-2013 17:20:46 |
More by Seanniek91
look: 4 | smell: 4 | taste: 4.5 | feel: 4 | overall: 4.25
2013 12oz bottle poured into New Belgium Snifter
A - pours a deep amber, thin tan head.
S - bourbon is prominent, sweetness of caramel and fruit.
T - Lots of flavor, sweetness, malty, and a good amount of bourbon heat coming through.
M - Enough flavor to compliment the alcohol. Medium carbonation.
O - Great barleywine, perfect for sipping. A bit boozy, but I like that.
Serving type: bottle
03-06-2013 21:14:05 |
More by kodt
look: 3.75 | smell: 4.25 | taste: 3.75 | feel: 4.5 | overall: 4
12oz bottle poured into a snifter glass. Bottled in 2013 is all that is described. Excited to judge this versus the y2k barleywine.
A - Hazy brown in color with some amber highlights. Smaller vanilla colored head from a gentle pour. Left some bits of lacing.
S - That barrel smell is beautiful. Toasty malt holds up well to those smells though. I get some cigar tobacco mellow tones.
T - Has a short bit of caramel and toasty malts early on but the barrel flavors begin to take over. Midway through some hops try to peek in but are overwhelmed by the huge whiskey barrel flavors. A lot of the toasty oak and spicy booze warmth last well into the aftertaste.
M - Full bodied, medium carbonation, a touch of sweetness early that dried up at the finish.
O - This beer seems a little young and could use a bit of time to really tame down and let some maltiness come through better. The booziness is getting a little too much for me. All in all, the beer has complexity and I would love to age one of these bottles to see what it can morph into.
Serving type: bottle
03-06-2013 02:16:06 |
More by Jparker37
look: 4.25 | smell: 3.75 | taste: 4.25 | feel: 4.5 | overall: 4.25
2013 vintage. Poured from a 12 oz. bottle into my Half Acre snifter.
A - pours a dark toffee or burnt caramel with a half finger off-white head that dissipates quickly.
S - bourbon and oak are most noticeable, with a nice sweetness of caramel & dark fruits.
T - wow, great barrel character here. Nicely balanced with the base beer without being overpowering. Also manages to rein in the sweetness. A bit of heat on the aftertaste, but it doesn't detract too much.
M - sticky, but not too thick. Lots of carbonation here for a barrel-aged beer.
O - really liked this one. Nicely warming without impeding the drinkability. Great for a snowy winter day.
Serving type: bottle
03-04-2013 02:36:39 |
More by wyatt13
look: 4 | smell: 4.25 | taste: 4.5 | feel: 4.25 | overall: 4.25
12oz bottle from a couple of awesome MN BA traders!
Ruby red elixir poured into Hoppin' Frog snifter. Clear liquid, minimal lacing, thin, white rim hugs the edge.
Wonderful complex aromas: oak, vanilla, dried fruit, bourbon, caramel. Could sniff this all night.
The caramel and vanilla are right up front, then comes a nice bourbon bitterness that really balances the brew. The bourbon pleasantly lingers.
Medium body, smooth, sticky, like toffee.
This really hits the spot. Complex melding of flavors. Was thinking of sitting on a couple, but really drinking well right now.
Serving type: bottle
03-02-2013 21:42:21 |
More by CaptCleveland
look: 4.25 | smell: 4.25 | taste: 4.5 | feel: 4 | overall: 4.25
A - Nice tawny ruby color. Small to medium sized, tight, creamy, smooth, off-white head. Average retention leaving a very nice layer of lace.
S - Strong toffee/caramel backbone. Interplay between vanilla and dried cherries and dates. Aroma is very fruity with touches of alcohol and bourbon. Slightly sweet with just that subtle hint of booze in the back.
T - Oaky flavors off the bat, with subtle notes of vanilla in the back. Gives way to a nice dried fruit flavor. Cherries, dates, raisins providing a definite sweetness. Strong toffee and butterscotch malt throughout. Finishes on a slightly tart and boozy note with bourbon and caramel flavors sticking on the tongue.
M - Medium body. Average carbonation. Slightly wet and slick feel.
D - Pretty drinkable, although it is more of a sipping beer. Flavors meld nicely. Bourbon is definitely present but it doesn't overpower or have too harsh of a burn. Strong malt backbone and fairly sweet but nowhere near cloying.
Notes: Much more of an English BA barleywine in my view. Nice for a sweet sipping beer that definitely presents bourbon flavors but isn't too harsh. Nor does it necessarily rely on the bourbon (although I'm not sure if it'd be anything special as a regular barleywine). It's a nice treat, but it isn't anything earth-shattering for the style.
Serving type: bottle
03-02-2013 02:54:42 |
More by FreshHawk
look: 4.5 | smell: 5 | taste: 4.75 | feel: 4 | overall: 4.5
A: small carbonation, reddish/brown color. Dark enough that you can't see through the glass. Has almost no head.
S: caramel and vanilla aroma are opulent, mixed in with some cherries and toffee
T: Notes of caramel and vanilla just like the smell. some notes of butterscotch and sweet fruits. Really not noticing too much of the oak barrels its very light but you do taste it more as you drink.
M: palate feels balanced, has a large body but really creamy and has some tangginess
O: slightly boozy for 11.2% abv very very nice. the caramel and vanilla flavor is amazing
Serving type: bottle
02-28-2013 01:07:36 |
More by King_KongDCO93
look: 4.25 | smell: 4.25 | taste: 4.25 | feel: 4.25 | overall: 4.25
A - Minimal head. The color of burnt sienna. Had to go into my children's Crayolas for that description.
S - Like Bourbon.
T - Like Bourbon, with a vanilla finish. Not as hoppy as I'd expected from an American Barleywine. The sweetness of the finish negates any over-hopped flavor.
M - Medium body and carbonation
O - This is a wickedly good beer because it's essentially like drinking Bourbon. If you like Bourbon, you'll enjoy this one and because the ABV is so high, I can only enjoy one.
Serving type: bottle
02-28-2013 01:06:22 |
More by Belgianbeerbunny
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Is anybody else waiting to see how good the Special Features really are before buying the big set?
No. I'm buying them for the features. I don't know how you'd see 'em before you buy the set because if you put something like that on youtube, Shout! Factory will take legal action against you.
"See" could mean reading reviews/detailed descriptions as well.
My credit card was declined (I use it all the time...wtf). So I called TimeLife (very nice lady helped me out) and they will ship in 24-48 hours once my credit card gets approved. She then told me it would take 3 weeks, maximum, for the set to get to me, and there is no upgrading the shipping because I live in Canada.
Please don't ever use TimeLife again Shout! Use Amazon..please
adamthejohnson, most of the bonus features are awesome! Check out my review links that NightMere10 posted for details on the Box Set and the bonus features.
Dang it, those do sound pretty awesome. I had forgotten all about the live tour (I attended one of the shows way back when.)
Just ordered mine.
I want to personally thank everyone who purchased the Box Sets via our affiliate banners on RangerCrew and Samurai Cast (http://www.samuraicast.com/dvd/timelife-dvd.php).
I had the shipping address changed to the Sheraton in Pasadena when everyone didn't know when they'd be shipped. Now mine was shipped and it was sent there. I'll just have to hope it's still at the hotel when I get there Thursday night.

subset: commoncrawl


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CY Market made its debut in 2009 and is on its way to become a trendsetter in the Durbanville area. In 2010 visitors from all over traveled through this market place enjoying the Retro/French ambience. In 2011 we reached new heights by expanding in size and the amount of exhibitors displaying their handmade pieces.
Last year we moved shop from Alba Guest Farm to Welbeloond Farm. This change enabled us to incorporate fresh ideas and make positive changes. This market is a wonderful and loved shopping story.
The name was chosen for the specific purpose of being part of the new Durbanville that blooms with creativity, style and passion. We appreciate old and new and believe in the creation of simple items that speak of accessibility, functionality and beauty.
Thank you to all our loyal supporters that come back each year for another addition of CY. Ons doel is om 'n storie te vertel van al die mooigoed en mense wat ons vorm.
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Bacon Patties
Tasty, easy to make and the kids love them.
Read 2 Reviews Review Recipe Add to Planner Add to Recipe Book
These are really, really nice!
Reviewed by: LizzieT, Oct 1 2013 7:49PM (more reviews by LizzieT)
"These are lovely little morsels. So easy to make and very tasty. I tossed the patties in plain flour before pan frying in some oil. They came out crunchy and lovely. Served with mash and steamed veggies and gravy. Yummy! Thanks for a super easy and tasty recipe."
Reviewed by: jssellen, Oct 28 2011 6:53PM (more reviews by jssellen)
"These are a must try! With 4 ingredients this could not be simpler, and the flavour is out of this world! I did dust the patties in flour before frying and they were nice and crunchy."


text: Long-time death metalers, who should need no introduction, Incantation, have thrown a new monster into the mix, appropriately entitled Blasphemy. Incantation is known by many for their brutal attack, along with some ominously slow passages throughout their songs. Blasphemy seems to follow the same trends followed throughout everything else I've heard by the band (although this is my first full length album experience with them). Blasphemy is definitely a huge ideal behind this album, you can tell just by looking at the cover art of the CD, not to mention the word is mentioned many times in the lyrics of the album. The lyrics of the entire CD follow around the concepts of blasphemy and destroying Christ/Christianity. I have absolutely no problem with these lyrics (I'm not exactly a very religious man myself), but the concept does get old after awhile. After about the third song of hearing about Christ rotting, the idea does get a little old. But as I've said before, lyrics don't necessarily make or break an album for me; although I never hold it against a band if they really want to wow me with some insightful and interesting lyrics. As I mentioned above, this album contains really brutal and fast guitar riffing, but also some really slow doom-style stuff too. The slow riffing is really standout in songs like Misanthropic Indulgence and Uprising Heresy. Despite the fact that they slow to a crawl, most actually are quite enthralling. I usually tend to enjoy my music more mid to fast paced, but it's not written in stone. Kyle Severn does a solid job behind the kit. He really helps add to that ominous feel given by much of the guitars with some great double kick parts like in the song Deciever. Mike Saez throws pretty much the basic death growl at you. His voice is nothing to get too excited about in my book although it's not bad by any means either. My one real complaint with this album is the production. The band has been around for over ten years now, and you think they could throw one album out there with some decent production. As I understand it, this is some of the best production they've had with their recent albums so I'd hate to hear what their old stuff sounds like. Production like this in this day in age is inexcusable. The guitars are really muddy, the harmonics never really hit their full potential, and the overall feel is very primitive and raw. I know some people out there just don't think its metal unless it sounds like it's been recorded in a YMCA shower room (this is most apparent with Black Metal bands), but come on guys, good production never hurt anyone. I know some bands just can't afford, or aren't given the studio time to really turn out a good product, but despite that, the technology is out there to get a better recording than this. Other than that last complaint this is a pretty good album, it's just too bad the experience is marred by the bad production. To me there are no real stand out tracks, and this particular album doesn't necessarily make me want to dig into Incantation's back catalogue, but I have a feeling I'll give it a spin every now and than for good measure.


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Feb. 26, 2013 — An estimated 80 or 90 Lassen County residents recently packed the dining room at the Pizza Factory to attend a TEA Party Patriots meeting featuring a presentation by Lassen County Sheriff Dean Growdon.
With gun control proposals coming from both the federal and state governments and reports of gun violence taking up lots of bandwidth in the national media these days, it's not surprising many TEA Party Patriots expressed their concern about this issue and their constitutional right to keep and bear arms.
Some praised Modoc County Sheriff Mike Poindexter who recently took a defiant stand in a couple of letters that he "absolutely will not tolerate any infringement upon your liberties pertaining to accessing or legally hunting on your public lands" — regardless of federal laws which regulate hunting on federal lands in his county. He advised hunters to "cooperate but stand their ground and call the sheriff's office" if federal law enforcement officers detained them. Poindexter also wrote to Vice President Joe Biden that he will not enforce federal gun control regulations he believes are unconstitutional.
According to Poindexter's letter to Biden, "politicians are exhibiting a 'knee jerk reaction' and attempting to punish the masses and usurp our sacred Constitution … We will not stand idly by while our citizens are turned into criminals due to the misguided intentions of politicians who choose to ignore their sacred oath of office, to wit the Second and Tenth Amendments to the United States Constitution."
Growdon says he has a justly earned reputation as a "pro-gun sheriff," and he offers an alternative to Poindexter and the other so-called "Constitutional Sheriffs" who have also said they also will not enforce federal gun laws with which they disagree.
Growdon said he will protect the Second Amendment rights of gun owners in Lassen County, and he even said he would resign before he would go around the county confiscating weapons.
Growdon told the TEA Party Patriots he is a member of the California State Sheriffs Association, and the group's approach is to meet and talk face-to-face with decision-makers and attempt to influence their opinions on proposed legislation.
But having said that, Growdon shared the concerns of the TEA Party members regarding possible gun control legislation at both the state and federal level.
It may be a bitter pill to swallow, but the TEA Party Patriots and the Constitutional Sheriffs across the country need to recognize our society and our nation are based upon the rule of law. While we may not agree with every law passed by our elected officials, we must obey them nonetheless. We step off onto a slippery slope toward chaos and anarchy if we allow or encourage law enforcement officials to decide which laws they will enforce.
The Founding Fathers created three branches of government to serve as checks and balances against each other. The judicial branch has the jurisdiction and authority to declare a law unconstitutional. If these sheriffs and their supporters believe a law is unconstitutional, the courts provide the proper venue to address their concerns.
We hope Growdon and others like him who are willing to sit down and discuss the issues of the day can prevail in their efforts to steer lawmakers in the right direction.
- Grizzlies look back on football season
- Supervisors exercise option to end relationship with County Administrative Officer
- Lassen High wrestling hosts Purple and Gold Scrimmage
- Postal Service offers packaging tips
- Prepare for winter driving conditions
- County's attorney responds to Stone's complaint
- Doyle man charged with murder
- Remember When for Dec. 10, 2013
- Newspapers are a vital instrument of free speech
- Biznews for Dec. 10, 2013
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Matrons back in charge of wards at Eastbourne and St Leonards hospitals (From The Argus)
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Matrons back in charge of wards at Eastbourne and St Leonards hospitals
1:10pm Friday 27th April 2012 in News By Siobhan Ryan
Old-fashioned matrons are making a return to hospital wards.
Bosses at Eastbourne District General Hospital and the Conquest Hospital in St Leonards hope stepping back into the past will make it easier for patients to know who is in charge.
Most people associate the role with the Carry On films but the matrons who will be running today's wards will have a much more serious role.
They will be responsible for making sure the wards are running smoothly and high standards of hygiene are kept.
Managers say many patients understand and recognise the title and what it means.
Members of staff who previously held the roles of ward sisters, ward managers and charge nurses will now be known as ward matrons instead.
Matrons used to be widely used in the health service until they were abolished in the late 1960s.
The role used to be held by the most senior nurse in the hospital who would oversee all the nurses and domestic staff.
The term matron was re-introduced at East Sussex Healthcare NHS Trust in recent years as "clinical matrons," who were senior nurses overseeing a number of wards within the hospital.
Restructure This role was dropped by the trust last year as part of a restructure of the organisation.
Brighton and Sussex University Hospitals and Western Sussex Hospitals NHS Trust both continue to have these types of matrons in place while sisters run the wards.
East Sussex director of nursing Jane Hentley, said: "We are delighted that this new title will reflect the autonomy and clinical focus that this post deserves.
"The individuals we have in these roles have a very important part to play in the delivery of care, they are critical to our success."
Trust chief executive Darren Grayson said: "Our new ward matrons have a pivotal role to play to ensure that we provide all our patients with the highest standards of care, privacy, dignity and respect in all our wards and departments all of the time.
"They are accountable for the care delivered on their wards and it is through their strong leadership that we will ensure standards are consistently met and maintained. It's what all our patients deserve and have a right to expect."
A spokesman for the Patient Action Group said: "It is a good idea. People always associate matrons with high standards of the past and having them around and about on the wards again will create a good impression.


text:
Click Here for Community Plan Sheet (PDF Download)
Click Here for Standard Features (PDF Download)
Nestle Woods features two acre, wooded home sites in Falling Waters, West Virginia. Nestle Woods is conveniently located five minutes from Interstate 81, and is only ten minutes from Interstate 70 and Hagerstown, MD. Martinsburg, WV, and the MARC train station are just ten minutes to the south.
Nestle Woods features unique, built-in energy saving amenities and community features, such as low West Virginia taxes, a private septic, NO Home Owners Association and the availability of wooded, quiet lots including two-acre wooded lots.
Value in your new home, Manor House Builders offers a better quality home, with excellent included features, at a great price, making the home of your dreams affordable & achievable. We provide a quality commitment to a full pre-settlement inspection of your home, including a 10-year "Quality Builders Warranty." Community features include no city taxes, and no sewer bill because of public water and private septic.
Sales info
Nestle Woods homes are selling from our sister community Amberfield. Please visit the Amberfield model to learn more about Nestle Woods: The Model Home hours are Thursdays from 4:00 PM to 7:00 PM, and Fridays through Sundays from 12:00 PM to 5:00 PM. To arrange a private showing, or for more info visit our Contact Us Page for more info.
Driving directions to our new model at 345 Dorchester Drive, Falling Waters, WV 25419
FROM HAGERSTOWN, MD, and points north:
Take I-70 to I-81 South to WV Exit 23 (Marlowe/Falling Waters). Turn right off the ramp and then turn left onto Grade Road. Go 1.5 miles, then left at large Amberfield Sign. Community is 1/4 mile on the right
FROM MARTINSBURG, WV and points south:
I-81 North to WV Exit 23 (Marlowe/Falling Waters).Turn left off the ramp and then turn left onto Grade Road. Go 1.5 miles, then left at large Amberfield Sign. Community is 1/4 mile on the right.


text:
Sorry, I just couldn't help myself.
Every time I see 'Winner' I think 'Weiner.'
Thank you Pioneer Woman.
But let's get to the reason you're here... the winner of the 'My Husband Rocks' t-shirt giveaway.
The winner of the t-shirt contest is… Shannon @ S and G Photography. Here was Shannon's response:
Hey girl! I'm just catching up on the blogs I follow (like two weeks worth!) after my exhausting Friday and Saturday of photo shoots, phone calls & editing! The twins are being fabulous too playing and having fun every spare moment I can give them.
Well, any life that's surrounded by photography and children is busy, and I can just imagine with twins. Congrats, Shannon and thank you Union 28 tees!
And remember, if you didn't win, Union 28 has offered Fresh Mommy readers a discount of %15 off any 2 items by using code 300fresh15 at checkout, and that offer is good through October 25!
Enjoy shopping!!


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Plutarch Against Colotes: A Lesson in History of Philosophy. By Eleni Kechagia. Oxford Classical Monographs. Oxford and New York: Oxford University Press, 2011. Pp. xviii + 359. £70.00/$135.00. ISBN 978-0-19-959723-9.
Reviewed by Jan Opsomer, University of Leuven
Plutarch's polemical text against the Epicurean Colotes is a precious source for fragments and testimonies from Colotes and from the philosophers attacked by the latter. Kechagia has produced the first book-length study that studies Plutarch's "anti-Epicurean pamphlet" in its own right and not just as a source for other philosophers. She discusses Plutarch's strategies in defending the other philosophers and attacking Colotes. Kechagia wants to do justice to Plutarch as a historian of philosophy, who teaches his readers "how (not) to do (history of) philosophy" (p. 12). Plutarch indeed exposes Colotes' disingenuity and ignorance, and explains that a serious philosophical discussion should be based on careful reading and comparison of texts. Plutarch's own treatise is meant to set a didactic example for his own pupils (p. 167). That is not to say, of course, that his account of his philosophical opponents would satisfy present-day scholarly standards.
Besides a fine general study of the work, Kechagia provides in-depth discussions of the sections on Democritus, Plato, and the Cyrenaics (for whose epistemology Plutarch is the principal source). Her reader is given precious insights into ancient philosophical polemics. Kechagia does a good job at disentangling different layers: (1) the philosophical doctrines attacked by Colotes; (2a) Colotes' criticism of those doctrines, carried out against the background of (2b) his own, Epicurean, philosophical persuasion; (3a) Plutarch's defence of the other philosophers against Colotes and (3b) his criticism of Colotes' own views and tactics, carried out against the background of (3c) Plutarch's own philosophical views. Plutarch not only vindicates the other philosophers by showing that Colotes has misunderstood or deliberately misrepresented them, but usually also turns the tables on Colotes (the "overturning argument") by arguing that the Epicureans are themselves guilty of the charges they bring against others and do not even realize how inconsistent and shameless they are.
Kechagia lucidly explains Colotes' philosophical reasons for criticising the views of the other philosophers: Colotes thinks that their doctrines make life impossible. This may seem grotesque, but becomes more understandable when seen in the context of the Epicurean idea that philosophy should serve life. Claims that neither the world as we know it nor we, human beings, really exist would indeed undermine the project of philosophy as therapy. For the same reason scepticism was perceived to be a threat. Hence the Epicureans require that our cognitive access to the world be fully reliable and informative. The main worry behind Colotes' polemic would be that philosophy became insulated from life.
It is usually assumed that Arcesilaus was Colotes' main target and that most if not all of the other philosophers included in Colotes' attack were included because of the fact that Arcesilaus considered them as predecessors for his own brand of scepticism or because of perceived similarities with Arcesilaus' position. Plutarch is fully aware of this situation and in defending the other philosophers also vindicates his own Academic roots. Kechagia acknowledges this background of the polemic, which only makes her choice not to subject the Arcesilaus section to a close study all the more surprising. For thus she deprives herself of the possibility to offer detailed comparisons with the polemical arguments and strategies deployed to attack and to defend Democritus, Plato, and the Cyrenaics.
There were some notorious omissions in Colotes' pamphlets against the other philosophers: neither Aristotle and the Peripatetics nor the Stoics were targeted. The common view was that he left them out because the first were simply considered as Platonists and the second were not yet recognised as an important school, but rather as a sect branching of from the Cynics. Kechagia surmises that there may also be a more philosophical explanation: neither school was seen to threaten life. This is probably right, but the reason could also be that they could not be used for a polemic with Arcesilaus.
Kechagia offers useful discussions of Colotes' attack on, and Plutarch's vindication of, Platonic ontology; of Plutarch's reading of Democritus' νόμῳ-thesis as being eliminitavist about all sensible beings deriving from atoms (for which she cites some interesting parallels, pp. 191-2); of Cyrenaic epistemology (assessing Plutarch's report slightly differently from the received view, p. 254). Kechagia's ideas about the structuring principle of Plutarch's text are interesting. Kechagia argues that by changing the order in which he defends the philosophers targeted by Colotes Plutarch has created a dialectical and a physical group. If we add the fact that Plutarch discusses ethical topics in the epilogue of the work, we can see that Plutarch structured his work in accordance with the traditional tripartition of philosophy. This interpretation requires Kechagia to claim that Plutarch considers Democritus' theses as primarily ontological; and that Plutarch's omits Melissus so as not to destroy the nice thematic arrangement (p. 163). Possibly a different explanation of the structure is called for: Plutarch wanted to create smaller thematic groups, the larger structure of two main parts being merely a by-product.
Kechagia provides a rich and thought-provoking study of an important text. The common view according to which Colotes' book was merely anti-sceptical is rejected by her as being too narrow. Her analyses of the sections on Plato and Democritus convincingly show this assessment to be correct.


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Love your works Eric! This one is superb like your others! Witty pictorial moments uniquely expressed and certainly skillfully put onto paper. I very much enjoy them. *;-)
Thank you Andre, Judith, KunstFabrik, Brooke, gwenola, David, Libertad, Texnotropia, Matt, and vintagepink! :)
With the desire to send more customers to your S6 store, I've posted this image at: http://pinterest.com/pixel404/s6-random-favorites/ Here's another link that might be of interest: http://blog.shareaholic.com/2012/01/p...l-traffic/ The data in the shareaholic article is from January... Pinterest has grown considerably since then! Cheers!
Eric, can I post this on my blog (I will include proper credits and create a link so that if anybody clicks on the picture, it will take them to your S6 store page)?


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These siblings know there's no place like home. Government-sponsored enterprises (GSEs) Freddie Mac (officially Federal Home Loan Mortgage Corporation) and Fannie Mae were established to buy residential mortgages and boost the housing market. They do so by purchasing mortgages from lenders and packaging them for resale, thereby mitigating risk and allowing lenders to provide mortgages to those who may not otherwise qualify. The agency also provides assistance for affordable rental housing. Together, Fannie and Freddie guarantee some 70% of all new home loans in the US. Due...More
This is the employer's chance to tell you why you should work for them. The information provided is from their perspective.
Salaries in GBP | Avg. Salary | £22k
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Accepted Offer – Interviewed in McLean, VA (US) Mar 2011 – Reviewed 4 weeks ago
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"It's really nice to win things occasionally, none of us is above that," declared a beaming Jeanette Winterson.
The author is dangling the medal she has just been awarded for a career in prose by Hay Festival, in honour of its 25th year.
Pointing out that "it's only a little younger than Oranges are Not The Only Fruit" - her 1985 novel which she wrote as a 25-year-old - Winterson was in a buoyant mood and enraptured the audience with readings from her new memoir Why Be Happy When You Could be Normal?
She explained that the title came from the moment she left home as a 16-year-old in love with another girl. When her obsessively religious and "flamboyantly depressive" mother asked why she was doing it, she said "because it makes me happy", and her mother replied, "Jeanette, why be happy when you could be normal?".
Winterson said she had spent the next 35 years trying to figure out "that the whole premise [of that belief] is false".
Mrs Winterson's salty sayings scattered the younger Winterson's event ("Mrs Winterson, like all Shakespeare's villains, had the best lines"), not least her telling her adopted daughter "the devil lead us to the wrong crib".
Winterson revealed a lifelong love of reading ("books became a raft and a lifeline"), not least T S Eliot's Murder in the Cathedral which reduced her to tears as a lonely teenager, and also discussed how she came to forgive her mother when writing the memoir. Apart from a happy ending, she said: "there are only three endings to a story: revenge, tragedy or forgiveness."
"Forgiveness is really hard work - revenge and tragedy are easier, I don't know why that is," she said. "We need so much energy to love and forgive - the things that really matter."
Recalling the first line of her novel Written on the Body, she said "I no longer believe that the 'measure of love is loss', and that's a huge change.
"It took me a long time to realise that love can be as reliable as the sun, that you can have a daily rising of love."
Why Be Happy When You Could Be Normal? by Jeanette Winterson is published by Jonathan Cape.


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Thu, Jun 23, 2005
Connecticut Governor M. Jodi Rell Thursday ordered homeland security inspections of all airports in the state after police say a 20-year old man, along with two 16-year olds, stole an airplane and went on a drunken joyride that ended in New York some three hours later.
As ANN reported in real time Thursday, the pilot, Phillipe Patricio, was arrested at Westchester County Executive Airport and charged with DUI -- the state has no law pertaining to flying while drunk, so he was nabbed for operating the aircraft on the unlit taxiway where he landed. Police said his blood-alcohol content measured 0.15, twice the legal limit for operating a motor vehicle in New York.
"Had the person who stole that plane had other intentions, we could have had a very serious situation on our hands," Governor Rell said. "I want to be certain that every precaution is taken and every safeguard is in place at our airports. We cannot risk any threat to our citizens and public safety."
The Governor has asked DEMHS Commissioner James M. "Skip" Thomas to assemble teams to visit every one of the dozens of small and mid-sized airports around Connecticut, assess security at and around the airports and then make recommendations for improvements wherever necessary. Most of the airports are privately owned; some are state- or municipally owned, such as Danbury.
"Public safety is always paramount, and if there are ways we can help our local airports, we will do it," Governor Rell said. "Airport security remains a top priority, and I'm certain that there are steps that can be taken so that all of us can rest a little easier."
The Governor said that all precautions large and small -– from "booting" all planes on the ground to high-tech security and surveillance measures -– will be reviewed and considered for action. She said that Commissioner Thomas' teams will come back with recommendations later this summer.
Aero-TV: Jack Pelton -- Is It Time For The FAA To Revamp LSA?
Aero-TV: Perfecting The Heli-Sim - Redbird Redefines The State Of The Art
Airborne 12.10.13: TBirds To Oshkosh 2014!, Brad Pitt's Spitfire, Fake Pilot In 737 Crash?
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Phoning Home In-Flight? No Published: Wed, Dec 11 2013
The Cornerstone of the New Published: Tue, Dec 10 2013
FAA Testing GPS in Southea Published: Sun, Dec 08 2013
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Deborah Cox
Deborah Cox
Deborah Cox
Original Release Date: September 12, 1995
Track Listing
1. Sentimental
2. Who Do U Love [album]
3. I'm Your Natural Woman
4. Sound of My Tears
5. Call Me
6. My Radio
7. Never Gonna Break Your Heart Again
8. It Could've Been You
9. My First Night With You
10. Just Be Good to Me
11. Who Do U Love [Morales Mix]
12. Where Do You Go from Here
Babyface: Keyboards
Ada Dyer: Vocals (Background)
Audrey Wheeler: Vocals (Background)
Val Young: Vocals (Background)
Keith Andes: Keyboards
Dallas Austin: Composer, Multi Instruments
Darryl Brundidge: Keyboards
Keith Crouch: Percussion, Keyboards
Valerie Davis: Vocals (Background)
Sherree Ford-Payne: Vocals (Background)
Dean Gant: Synthesizer
Ronnie Garrett: Bass
Ben Garrison: Drums
Mark Hammond: Drums
Vincent Herbert: Drums
Debra Killings: Vocals (Background)
Alvin Parker: Organ
Scherrie Payne: Vocals (Background)
Bob Robinson: Keyboards
Rick Sheppard: Synthesizer
Daryl Simmons: Drums, Keyboards
John Jubu Smith: Guitar
Vance Taylor: Piano
Colin Wolfe: Bass, Composer
Derrick Edmondson: Saxophone
Deborah Cox: Composer, Vocals
Lisa Bernard: Vocals (Background)
Tann Simmons: Vocals (Background)
Sam Simms: Bass
Tim Kelly: Drums, Keyboards


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CLOK's Orienteering Development Programme started in January 1997, with the objective of furthering the sport of orienteering throughout the general community in CLOK's area.
To download one of the Annual Reports on the Orienteering Development Programme, right-click on the appropriate link below and then select Save target as from the pop-up menu. |
>> | Annual Report 2007 | PDF format |
>> | Annual Report 2006 | PDF format |
>> | Annual Report 2005 | |
>> | Annual Report 2004 | PDF format |
The programme started out on a voluntary basis, and there is still a
substantial input from CLOK volunteers --- Mike Hardy puts in more than
20 hours per week and other CLOK members assist at events. This
voluntary input is now supplemented by the work of two part-time
professional officers, whose costs are covered by grants from the
British Orienteering Federation and several other funding bodies.
With the support of a number of partners --- including the Local Authorities
of Darlington, Hambleton, Hartlepool, Middlesbrough, Redcar and Cleveland,
Richmondshire and Stockton-on-Tees, together with The Tees Forest, Forest
Enterprise and the National Trust --- over the last seven years the
Orienteering Development Programme has delivered:
>> | 12 permanent courses suitable for trail orienteering. |
>> | 25 regular permanent orienteering courses. |
>> | 1 canoe-orienteering course (on the River Tees in Stockton). |
>> |
Orienteering maps of 10 special schools, 87 primary schools and 52
secondary schools. (Some of this work is currently in progress.) |
>> | 31 Teacher/Leader courses and 12 Instructor courses for teachers, community group leaders and Local Authority personnel. |
If you would like further information about the Orienteering Development Programme then contact Mike Hardy via phone (01287-624521), fax (01287-625301) or email. |
Go to the CLOK home page


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Product Details:
Format: CD
Manufacturer: Shout! Factory/sbme
Sku: 220191271
Release Date: 4/5/2011
See more in Pop
Song Listing
Disc 1
Song Title
1. Take the Highway ~ The Marshall Tucker Band
2. Blue Ridge Mountain Sky ~ The Marshall Tucker Band
3. In My Own Way ~ The Marshall Tucker Band
4. Fire On the Mountain ~ The Marshall Tucker Band
5. Heard It in a Love Song [Single Version] ~ The Marshall Tucker Band
6. Ramblin' ~ The Marshall Tucker Band
7. Searchin' for a Rainbow [Single Version] ~ The Marshall Tucker Band
8. I Should Have Never Started Lovin' You ~ The Marshall Tucker Band
9. 24 Hours At a Time ~ The Marshall Tucker Band
10. Long Hard Ride [Single Version] ~ The Marshall Tucker Band
11. Can't You See [Single Version] ~ The Marshall Tucker Band
12. Too Stubborn ~ The Marshall Tucker Band
13. This Ol' Cowboy [Single Version] ~ The Marshall Tucker Band
14. Desert Skies ~ The Marshall Tucker Band
Album Notes and Credits
Notes & Personnel Info |
Personnel: Toy Caldwell (vocals, guitar, acoustic guitar, steel guitar); Doug Gray (vocals, percussion); George McCorkle (acoustic guitar, percussion, background vocals); Jerry Eubanks (flute, alto saxophone, percussion, background vocals); Paul Riddle (drums); Tommy Caldwell (percussion, background vocals). | |
Liner Note Author: Barry Alfonso. | |
For those who purchased the original CD version of the Marshal Tucker Band's Greatest Hits compilation -- taken directly from the Capricorn LP version and distributed by K-Tel -- be aware that this 21st century Shout Factory version is a very different, more authoritative, and satisfying document. This version of Greatest Hits contains 14 tracks compared to the original's eight. It contains the actual single versions of "Heard It in a Love Song," "Searchin' for a Rainbow," "Long Hard Ride," "Can't You See," and "This 'Ol Cowboy." Instead of following a strict chronological line, producer Ron Rainey assembles these tracks in a manner that makes for an ultimate MTB playlist. Along with the singles, it contains select top-notch album cuts including "In My Own Way" (with a guest spot by Charlie Daniels on fiddle) the blues "Too Stubborn," "Desert Skies," and "I Should Never Have Started Lovin' You," from Carolina Dreams, the latter showcasing the sheer versatility of the band with its jazz overtones. It contains only cuts recorded by the original sextet of Doug Gray, brothers Toy and Tommy Caldwell, George McCorkle, Paul Riddle, and Jerry Eubanks between 1973 and 1977 (all Capricorn, no Warner). In addition to a stellar track selection, the sound has been brilliantly remastered by Buddy Strong and Gray. Hearing "Fire on the Mountain," "Ramblin'," "24 Hours at a Time," and "Take the Highway" in this context reveals MTB not so much as a "Southern Rock Band" with all the excesses and cliches that implies, but as a highly skilled, very ambitious group of musicians who were influenced by everything from country and blues to jazz, pop, and even soul. For hardcore fans, more than likely there isn't anything here you don't already have, but for anyone curious or looking for a truly representative single-disc compilation, this one is head and shoulders above anything else out there. ~ Thom Jurek |
Compilation Appearances
Blow | |
Gold | |
Goin' South: Platinum Edition | |
Outlaw Country |
Associated Artists and Works
Daniels, Charlie |
Technical Info
Release Date : 04/05/2011 | |
Original Release Date : 2011 | |
Catalog ID : 12403 | |
Label : Shout! Factory | |
Number of Discs : 1 | |
Studio/Live : Studio | |
Mono/Stereo : Stereo | |
SPAR Code : n/a | |
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