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First came the pain -- a decade of torture, torment and terror for three captive women and one of their young daughters.
Now comes the prosecution and -- if there's a conviction -- punishment for the man accused of being responsible for their hell.
Ariel Castro appeared silently in court Thursday, his head down, as he was arraigned on four counts of kidnapping and three counts of rape, accused of holding the women captive in his Cleveland home. Cleveland Municipal Court Judge Lauren Moore ordered Castro held on $8 million bond -- $2 million for each of the three women and the child born to Amanda Berry before they were freed Monday evening.
Hours later, the top prosecutor in Cuyahoga County, Ohio, announced he'd press for more charges -- "for each and every act of sexual violence ... each day of kidnapping, every felonious assault (and) all his attempted murders."
Furthermore, Prosecutor Timothy McGinty said he'd try to persuade a grand jury to indict the 52-year-old Castro for "aggravated murder" for the termination of his captives' pregnancies. He cited a state law that a person can be charged with murder -- a conviction that could lead to the death penalty in Ohio -- for killing unborn children.
According to an initial incident report obtained by CNN, Michelle Knight said she became pregnant at least five times while in Castro's 1,400-square-foot home. When that happened, she told investigators, Castro "starved her for at least two weeks, then he repeatedly punched her in the stomach until she miscarried."
It is not known how many times, if any, the other two women got pregnant only to miscarry. One of them, Berry, gave birth to a daughter while in captivity.
That's just one of the brutal tales reported so far about the women's captivity, which McGinty described as "beyond comprehension."
"The child kidnapper operated a torture chamber and private prison in the heart of the city," he told reporters. "The horrific brutality and torture that the victims endured for a decade is beyond comprehension."
Castro's own mother is among those trying to make sense of the horror.
"I have a sick son who has done something serious," she told Univision and Telemundo. "I'm suffering very much. I ask for forgiveness from those mothers; may those girls forgive me."
Source: Writings detail actions, reasons behind them
So what was going through the suspect's mind, when he allegedly lured three women into a car between 2002 and 2004, took them to his home three miles away and held them there -- where they were chained, threatened and repeatedly sexually assaulted?
Neither Castro, his attorneys nor police have spelled out a motive publicly.
The suspect has talked with investigators, confessing to some of the actions of which he's accused, said a law enforcement source closely involved with the investigation. The source did not describe precisely what Castro confessed to when he was interrogated.
Plus, investigators have asked the state crime lab to expedite tests to create a DNA profile of Castro -- something that typically takes 20 days, but should be back Friday -- said Ohio Attorney General's office spokesman Dan Tierney.
They're also poring over evidence, including more than 200 items seized from Castro's Seymour Avenue home. Among them are writings authorities believe were written by the suspect, said two law enforcement sources closely involved in the case.
Those contain "specific detailing of actions and reasons behind actions" tied to the women's abduction and their kidnapper's behavior toward them, one of the law enforcement sources said. The author cites his own history of abuse by family members as justification.
The source -- who described the "pretty lengthy" writings as "more of a diary" -- said they included talk of suicide, though that's just one of many aspects.
Authorities are working "meticulously" to see whether others were involved in the kidnapping plot. Two of Castro's brothers, Pedro and Onil, were initially arrested in the case only to be released Thursday -- after appearing in court on unrelated cases -- when investigators found nothing, including from the victims' interviews, linking them to the abductions.
One of his daughters, Angie Gregg, told CNN that she "just wanted to die" upon hearing her father had been implicated.
But looking back, she thinks there were signs of something awry -- such as how her father "kept his house locked down so tight" and would sometimes leave mysteriously for an hour or so, then return, with "no explanation."
"Everything's making sense now," Gregg said. "It's all adding up, and I'm just disgusted."
Source: Death threat if newborn died
According to the initial incident report, the women said Castro first chained them in the basement but later let them live upstairs on the second floor.


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Original Release Date: September 27, 2011
Track Listing
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Mofi wrote:But there is one more method to open quickly 1 or more files using a file name specifiation... File - Quick Open


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Murray: Budget deal rolls back sequester cuts
Deal means no government shutdown in January: Ryan
Budget deal does not raise taxes: Ryan
Paul Ryan: We have reached a budget agreement
Australia S&P/ASX 200 down 0.2% at 5,132.30 early
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Ratification of Vermont Constitution to be re-enacted today in WindsorJuly 06,2013WINDSOR Performers will re-enact the signing and ratification of Vermonts first constitution from 11 a.m. to 3 p.m., today on North Main Street in Windsor.
Re-enactors will be in authentic colonial clothing, conducting tours and simulating activities of the colonial era. According to event organizers, a special messenger will be arriving at 2:30 p.m. from Ticonderoga, N.Y., to warn the delegates about a British invasion.
For more information on todays re-enactment, contact Town Manager Tom Marsh at firstname.lastname@example.com IN This Just InRUTLAND- The federal prosecutor's office in Vermont says a 31-year-old man is going to prison for... Full StoryMONTPELIER-Vermont's education secretary has announced the four high school seniors who have been... Full Story -
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Europe's top regional packaging show returns to Madrid:
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More than 3,800 packaging profesionals attended the 2009 edition!
easyFairs® EMPACK brings national and international suppliers into face-to-face contact with buyers in Europe's top packaging consumer regions.
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text: This is the page i will be discussing my artwork on. I am an artist who draws mostly everything, but i prefer (and usually) draw people, mostly rock stars, and I specialize in portraits of David Bowie. I also write three webcomics, Cracked Actor, Cracked Actor: Wonderland, and Outside: The Diary of Nathan Adler. Yes, they all feature the wonderful Mr. Bowie. I do take commissions and art trades! Along with drawing people, i love to draw animals and fantasy art.


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Skip to content, or skip to search.
Skip to content, or skip to search.
Or maybe he was just trying to be nice to John McCain.
"America's sheriff" is no stranger to death threats.
Reasons cited: pedophiles, small business, "the law of society."
"The majority of the people had no dream that Bill Clinton did what he did until a young lady had a blue dress and proved he did."
Ron Barber has been declared the winner of his extremely close Arizona race.
It will no longer sell to Obama voters.
Betting on donations, prison inmate labor.
Somehow, this is supposed to clear up the confusion.
The "show me your papers" part of the law can move forward, but may be subject to future legal challenges.
Giffords joined her former aide Ron Barber over the weekend.
Now onto Romney's birth certificate, right?
"The President will be on the ballot this November in Arizona alongside Mitt Romney."
Through legislation called the Whole Woman's Health Funding Priority Act.
It's only gone blue once in 60 years, but Obama is tied with Romney there.


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News Release: Indiana Dunes National Lakeshore Fire Management staff will be conducting a prescribed fire in Hobart today (Wednesday Nov 28 2012). The 178 acre Hobart Prairie Grove prescribed fire will be on the west side of Lake George, just east of Liverpool Rd and south of 49th Avenue, along the Lake County Parks' Oak Savannah Trail. The burn is intended to restore the ecosystem and reduce the number of invasive species of plants in the area.
Smoke may been seen from I65 and downtown Hobart starting around 10 am and lasting thru the afternoon.
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SOURCE South Plains Fair
LUBBOCK, Texas, Sept. 12, 2013 /PRNewswire/ -- The 2013 South Plains Fair is set for September 20-28 and time is running out for Fair carnival enthusiasts to purchase a Mega Pass for $65. For the first time ever, Mega Pass purchases may be made using Visa or MasterCard credit cards. The final day to purchase a Mega Pass is Saturday, September 14.
The 2013 Mega Pass is a pay-one-price picture ID that is valid for a wristband for unlimited rides each day of the Fair. Mega Pass holders also receive a wristband good for preview night, Thursday, September 19 from 6-11 p.m.
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Each year hundreds of thousands of people walk through the gates at the South Plains Fair during nine days of fun filled activities. The Fair brings together showmen and thrill seekers alike from the many exhibitors in the stock shows to over 50 rides on the carnival midway. Of course, no Fair experience is complete without sampling the delicious foods available to fair goers. All of the food booths are operated by non-profits who use the Fair as a means for their fundraising efforts.
Visit www.southplainsfair.com for more information about the 2013 South Plains Fair and Mega Pass.
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text:
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Chapter 4 Beyond Rescue Djuna Barnes
1. Series 1, Box 9, Djuna Barnes Collection, University of Maryland, College Park. [BACK]
2. Phillip Herring, Djuna: The Life and Work of Djuna Barnes (New York: Viking, 1995), 233. [BACK]
3. T. S. Eliot, Introduction to Djuna Barnes, Nightwood (New York: New Directions, 1937), xi. I cite this edition only for Eliot's introduction. For all other references to Nightwood , I cite the new corrected edition: Djuna Barnes, Nightwood: The Original Version and Related Drafts , ed. Cheryl J. Plumb (Normal, Ill.: Dalkey Archive Press, 1995). References to this edition are noted in my text as N followed by the page number. [BACK]
4. Critics have had great difficulty in characterizing Barnes's work in literary historical terms. Louis Kannenstine, for example, describes it as "transitional": "As Miss Barnes's art can be seen as both related to its time and yet apart from it, it can be concluded that she is a transitional writer whose purpose was to get out of the mainstream and participate in a great tradition, and who now takes a place in her own time between the early innovators of this century and the later generations of experimental writers." Kannenstine, The Art of Djuna Barnes: Duality and Damnation (New York: New York University Press, 1977), xvii. Douglas Messerli takes Nightwood (along with Wyndham Lewis's The Apes of God , notably) as an exemplary instance of "non-modernist fiction." This term refers to works with an intrusive authorial voice that exceeds the boundaries of modernist personae and concerns itself more immediately with the reader. Messerli, "The Role of Voice in Non-Modernist Fiction," Contemporary Literature 25, no. 3 (1984): 281-304. Marilyn Reizbaum, following Jane Marcus, speaks of Barnes's ''modernism of marginality," which compels a reexamination of the central categories by which modernism has been described and its canon selected. Reizbaum, "A 'Modernism of Marginality': The Link between James Joyce and Djuna Barnes," in New Alliances in Joyce Studies , ed. Bonnie Kime Scott (Cranbury, N.J.: Associated University Presses, 1988), 179-189. Most recently, Donna Gerstenberger describes Barnes as having a ''free-floating relation" to both modernism and postmodernism: "Barnes clearly shares time and space with those we call our British and American modernist writers, a definition that has been increasingly generalized with the circulation of descriptive notions of postmodernism. What Barnes does not share is a clear adherence to some central tenets of modernism, even given modernism's shifting critical constructions." Gerstenberger, "Modern (Post) Modern: Djuna Barnes among the Others," Review of Contemporary Fiction 13, no. 3 (1993): 33-40. [BACK]
5. I refer, of course, to Eliot's renowned essay of 1919, "Tradition and the Individual Talent." I cite freely from the text as printed in Selected Prose of T. S. Eliot , ed. Frank Kermode (New York: Harcourt Brace Jovanovich, 1975), 37-44. [BACK]
6. Paul Mann, The Theory-Death of the Avant-Garde (Bloomington: Indiana University Press, 1991), 64. [BACK]
7. Craig Owens, "The Allegorical Impulse: Towards a Theory of Post-Modernism," in Art After Modernism: Rethinking Representation , ed. Brian Wallis (New York: New Museum of Contemporary Art, 1984), 235. [BACK]
8. Owens, "Allegorical Impulse," 235. [BACK]
9. Djuna Barnes, Ladies Almanack (Elmwood Park, Ill.: Dalkey Archive Press, 1992), 55. Cited in text as LA. [BACK]
10. In a notebook jotting, probably from November 1917, Barnes writes: "Even God could not keep straight the things he had planned in a line—." Series 1, Box 1, Djuna Barnes Collection, University of Maryland, College Park. [BACK]
11. Georg Lukács, The Theory of the Novel , trans. Anna Bostock (Cambridge, Mass.: MIT Press, 1971), 40-41. [BACK]
12. "The face is what anglers catch in the daylight, but the sea is the night!" (N, 79). [BACK]
13. Elsewhere, to Felix, O'Connor speaks of "the almost fossilized state of our recollection" ( N , 100). [BACK]
14. Djuna Barnes, "When the Puppets Come to Town," Morning Telegraph , 8 July 1917. [BACK]
15. Dietmar Voss and Jochen C. Schütze argue that the family provides a privileged space for the bourgeois novel's presentation of individual fate as typical: "The novel is forced, according to its logic of form, to orient itself toward social spaces corresponding to the basic character of that familial space in which individual and class history were still mediated in a particular way." Voss and Schütze, "Postmodernism in Context: Perspectives of a Structural Change in Society, Literature, and Literary Criticism," New German Critique 47 (1989): 122. In the modernist novel, they argue, familial space is still crucial, but the link between class and individual becomes problematic, and subjective consciousness and memory take on a preponderant importance (122-123). Only with such "advanced montage novels'' as those of Alfred Döblin and John Dos Passos, they conclude, is the "image space" of the novel "emancipated from the horizon of the individually experienceable" (123), and thus logically also from its familial focus. [BACK]
16. Henry Adams, The Education of Henry Adams: An Autobiography (Boston: Houghton Mifflin, 1961), 446. [BACK]
17. Walter Benjamin, "Central Park," trans. Lloyd Spencer, New German Critique 34 (1985): 35. [BACK]
18. Gertrude Stein, "The Gradual Making of the Making of Americans," in Selected Writings of Gertrude Stein , ed. Carl Van Vechten (New York: Vintage Books, 1962), 252. [BACK]
19. Djuna Barnes, Ryder [1928] (Normal, Ill.: Dalkey Archive Press, 1990). Cited in text as R. [BACK]
20. Kannenstine, "The Art of Djuna Barnes," 36. [BACK]
21. For a discussion of filiation and affiliation in modern literature, see Edward Said, The Text, the World, and the Critic (Cambridge, Mass.: Harvard University Press, 1983), 16-17. [BACK]
22. See M. M. Bakhtin, The Dialogic Imagination , trans. Caryl Emerson and Michael Holquist (Austin: University of Texas Press, 1981), 172ff., for Rabelais's use of this technique. [BACK]
23. In her poem "The Ineffectual Marriage," Barnes's friend Mina Loy satirized the futurist writer Giovanni Papini in an analogous way. "Miovanni" pompously declares his visionary independence of time and space, including the mundane matter of the dinner "Gina" has cooked for him. The poem breaks off with an ironic note to the reader: "This narrative halted when I learned that the house which inspired it was the home of a mad woman?' Loy's poem appeared originally in Others: An Anthology of the New Verse , ed. Alfred Kreymborg (New York: Alfred A. Knopf, 1917). [BACK]
24. In returning to the settings and characters of Ryder in a tragic mood in her post-World War II play The Antiphon , Barnes will make this Noah analogy explicit. The father-polygamist in that play calls his house "Titus's Ark." [BACK]
25. Elsewhere Sophia offers the following portrait of the artist: "[Wendell] plays, he writes, he can do many things; he has, only imagine! operas to his credit, with full orchestral directions planned, and executed amid the din of hungry children, on a deal table, littered with nothing more than the never-out-of-sight-of-the-hungry-and-the-distressed, bread and water" (178). [BACK]
26. Barnes, like Beckett, at times saw the invention of speech—which for humanism differentiated humans from the animals—as a natural-historical disaster. In a film review, she once wrote of a mute character: "So exceedingly painful and poignant he makes silence, that I begin to wonder if we as a race have not made a great mistake in becoming articulate." Quoted in Kannenstine, "The Art of Djuna Barnes," 15. Wendell Ryder threatens to generalize this mistake to the whole of creation. [BACK]
27. In certain respects, this boy anticipates Felix's son Guido in Nightwood , who, in his feebleness and his desire to become a priest, destroys his father's vision of perpetuating the Volkbein lineage. [BACK]
28. Letter to Peter Heggie, 5 September 1970, Series 1, Box 1, Djuna Barnes Collection, University of Maryland, College Park. [BACK]
29. For discussion of the various figures to whom Ladies Almanack is "keyed," see the essays by Frances M. Doughty, Susan Sniader Lanser, Frann Michel, and Karla Jay in Silence and Power: A Reevluation of Djuna Barnes , ed. Mary Lynn Broe (Carbondale: Southern Illinois University Press, 1991), 137-193. [BACK]
30. Though not funded by Natalie Barney, as Bridget Elliott and Jo-Ann Wallace claim in Women Artists and Writers: Modernist (im) positionings (New York: Routledge, 1994), 154. According to Phillip Herring, "Barney had nothing to do with its publication." It was paid for by Robert McAlmon, with Barnes herself footing the bill for reproduction of the drawings and William Bird supplying some production help. See Herring, Djuna , 149-153. [BACK]
31. Karla Jay, for example, argues that on both social and economic grounds Barnes had to be careful about identifying herself as a lesbian. Jay, "The Outsider Among the Expatriates: Djuna Barnes' Satire on the Ladies of the Almahack, " in Broe, Silence and Power , 193. [BACK]
32. Charles Baudelaire, "The Painter of Modern Life," in The Painter of Modern Life and Other Essays , trans. Jonathan Mayne (New York: Da Capo, 1964), 12. [BACK]
33. Guillaume Apollinaire, The Poet Assassinated and Other Stories , trans. Ron Padgett (London: Grafton Books, 1985), 46-47. [BACK]
34. The OED gives as variant spellings of the word almanac : "almenak, almanch(e), amminick, almanacke, and almanack." [BACK]
35. See Herring, Djuna , 112-116, for Barnes and yon Freytag-Loringhoven. [BACK]
36. Steven Watson, Strange Bedfellows: The First American Avant-Garde (New York: Abbeville Press, 1991), 270. [BACK]
37. Walter Benjamin, "Surrealism: The Last Snapshot of the European Intelligentsia," in Reflections , ed. Peter Demetz, trans. Edmund Jephcott (New York: Schocken Books, 1986), 192. [BACK]
38. Theodor W. Adorno, "Looking Back on Surrealism," in Notes to Literature , vol. 1, ed. Rolf Tiedemann, trans. Shierry Weber Nicolsen (New York: Columbia University Press, 1991), 88. [BACK]
39. Herring, Djuna , 218. [BACK]
40. On this point, see Vincent P. Pecora, Self and Form in Modern Narrative (Baltimore: Johns Hopkins University Press, 1989), 17. [BACK]
41. As Alan Wilde writes, "What we confront finally is a different kind of complexity: the heroism of consciousness making art of its own uncertainty and expressing in its very form, in the express rejection of an easy resolution, the difficult aesthetics of crisis." Wilde, Horizons of Assent: Modernism, Post-modernism, and the Ironic Imagination (Baltimore: Johns Hopkins University Press, 1981), 27. [BACK]
42. Pecora, Self and Form in Modern Narrative , 30. In quite different terms, Leo Bersani has also criticized the redemptive appeal in modernism, as a devaluation of both art and historical experience: "The catastrophes of history matter much less if they are somehow compensated for in art, and art itself gets reduced to a kind of superior patching function, is enslaved to those very materials to which it presumably imparts value." The Culture of Redemption (Cambridge, Mass.: Harvard University Press, 1990), 1. [BACK]
43. On this tradition, see Robert Pogue Harrison, Forests: The Shadow of Civilization (Chicago: University of Chicago Press, 1992). [BACK]
44. In Following Djuna: Women Lovers and the Erotics of Loss (Bloomington: Indiana University Press, 1996), Carolyn Allen offers a sophisticated discussion of the problematic of identification in lesbian fiction, including that of Djuna Barnes. She seeks to reveal the "erotics of reading" set in play by lesbian fictions. The reader, in her oscillation between surrender to the text and mastery of it, is seduced by it; the movements of desire shaped by the reading are integral to the meaning of the text, and, alternately, the formal and figural elements of the text evoke certain perturbations of desire. This kind of reading, in turn, has given rise to a tradition of lesbian writing, as in the case of Bertha Harris, who was "seduced" in this way by the example of Barnes and her Nightwood . Although she places ''identification" in scare quotes, and emphasizes "resemblance" over "sameness,'' Allen nonetheless envisages primarily identificatory ways of reading these texts, ways of reading in which the reader's erotic desire is directly engaged. Methodologically, she employs a homology between lived relations between women, representations of characters' relations with one another, and the relation of the reader to the lesbian text. My interpretation of Nightwood parts company with Allen's otherwise salutary focus on dynamics of reading at just this latter point. For in her treatment of the diegetic relations of characters in Nightwood , Allen treats them as empirically given and uses psychoanalytic concepts to analyze them. Her interest in the "exemplary" value of literary representations for questions of lesbian erotics as such overshadows a key aspect of the characters in Nightwood : they are, through and through, readers—obsessive producers, consumers, transmitters, interpreters, and advocates of texts. I would argue that through her handling of character-readers, Barnes puts obstacles in the way of her text's functioning as "exemplary." As I suggest in what follows, Barnes pushes this problem to the brink of a radical uncoupling of desire from the text, at the cost of its deconstruction as a meaningful narrative and the acceptance of its derisive loss of sense. [BACK]
45. Cf. the opening chapter of Ryder , "Jesus Mundane," in which an unidentified voice delivers a homily on the image, which, read against Felix's statement, seems a warning for his sort: "Reach not beyond the image. For these idols and these lambrequins and these fluted candles . . . and the altar, and the chancel, and the nave, and aisles, are not for thee in the spirit, but for thee only in the outward manifestation; nor are the Beasts for thee, with the eyes back and the eyes front, nor for thee the bleeding of the heart, with its fire and its ice" (3-4 ). [BACK]
46. In a striking letter of 1919 in which Barnes tells of a bedside vigil with a dying woman, she reveals her horrified fascination with the uncanny idea of life-in-death: "Mary has been given up by z nurses, z doctors and a score of others at least 10 days back, but she still breathes. . . . It looks as if I might be left alone with her in the last hours. . . . The last doctor said that he could not see how she still lived—She sleeps with open eyes and has to gasp for every breath and no longer gets any clots up neither do her bowels move and she has not eaten more than half a glass of milk a day for 5 days—She is delirious but knows it is delirium while she is going through it, and she suffers a great deal—and yesterday she about killed me by trying to put her arms around me saying 'You see the way it is with me' and then 'Can't you help me?' Of course the most terrible—is that she has lived beyond her own death." Letter to Courtenay Lemon, 1919, Series I, Box 9, Djuna Barnes Collection, University of Maryland, College Park. [BACK]
47. As Cheryl Plumb notes, this arrangement of chapters was not Barnes's original order but rather a suggestion of the editors: see pages xii-xiii of her introduction to Nightwood . Nonetheless, Barnes accepted this suggestion and never amended it in any later edition. Therefore, whatever the conditions of genesis of this particular ordering of the work, effects of the arrangement, such as I discuss here, must be seen as arising out of an objective situation of the text. [BACK]
48. Barnes's flirtation with Catholicism as an answer should be seen in the context of a neo-Catholic tendency within modernism advocating a "rappel à l'ordre": Cocteau, de Chirico, and Eliot, most prominently. Barnes's mother, interestingly, gave a cultic interpretation of Nightwood's significance for modern humanity: "Some day you will produce the almighty man or woman who will go down the ages as the typical character for man to emulate. And then you will have started a new religion, which we need more than ever since they—meaning mankind—has swept Christ into limbo."—Letter to Djuna Barnes, 3 November 1936, Series I, Box z, Djuna Barnes Collection, University of Maryland, College Park. [BACK]
49. Michel de Certeau, "The Arts of Dying: Celibatory Machines," in Heterologies: Discourse on the Other , trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1986), 159. [BACK]
50. In a letter to her mother, Barnes expressed her view of life as something "monstrous" and "obscene," "with the most obscene track of the end." Letter of 19 February 1923, Series 1, Box 2, Djuna Barnes Collection, University of Maryland, College Park. More directly relevant here, however, is Barnes's strong resistance to T. S. Eliot's suggestion that she change her description of Robin's final fit of laughter as ''obscene" to ''unclean." Barnes glossed Eliot's page proof correction thus: "Sample of T.S.E.'s 'lack of imagination' (as he said)." Series II, Box 4, Djuna Barnes Collection, University of Maryland, College Park. [BACK]
51. Alan Singer, A Metaphorics of Fiction: Discontinuity and Discourse in the Modern Novel (Tallahassee: Florida State University Press, 1983), 58. [BACK]
52. Georges Bataille, "The Practice of Joy Before Death," in Visions of Excess: Selected Writings, 1927-1939 , trans. Allan Stoekl (Minneapolis: University of Minnesota Press, 1985), 235-239. [BACK]
53. Luce Irigaray, Speculum of the Other Woman , trans. Gillian C. Gill (Ithaca: Cornell University Press, 1985), 198. [BACK]
54. This incoherence is especially manifest in the editions previous to the recent restored edition. A connecting anecdote was cut, which exacerbates the gap between Felix's question and O'Connor's answer. However, the difference between the editions is a matter of degree, not of essence. Shortly after the "horse that knew too much" anecdote, Barnes herself underscores the mono-logic nature of O'Connor's response, indicating that she intended his answers to seem inappropriate and incongruous: "The doctor, as he grew older, in answering a question seemed, as old people do, to be speaking more and more to himself" ( N , 101). [BACK]
55. In this respect, O'Connor's fallible mysticism could be seen to cast its shadow over the spiritual interpretation urged on Barnes by her friend Emily Coleman. Coleman felt that Nightwood , despite its evident genius, failed to realize the tragic potential in the love of Robin and Nora; Dr. O'Connor's storytelling and homilizing distracted, Coleman thought, from this "central" tragic node. Coleman even went so far as to edit out some of O'Connor's more ribald stories before submitting the manuscript to Eliot (putatively anticipating his response) and to offer Eliot her own views about which passages might be cut. Coleman, however, believed that Barnes was capable of achieving a genuinely religious pathos. Thus, in a letter of 1 August 1935, Coleman told Barnes: "Poetry changes life for me: it is moral. I can never be quite the same after reading your chapter on Night, and what you say in your book about evil." In another letter of 27 August 1935, Coleman tells Barnes explicitly: "Your writing is original mystic poetic writing." Barnes was considerably irritated over what she perceived as Coleman's meddling (despite Coleman's heroic efforts to get Nightwood published). I believe this irritation came not just from Barnes's legendary testiness and suspicion but also from Coleman's insistent failure to grasp the book's overall satiric design. (The correspondence with Coleman is in Series 1, Box 3; Coleman's essay, in Series 1, Box 4, Djuna Barnes Collection, University of Maryland, College Park.) [BACK]
56. Maurice Blanchot, "Literature and the Right to Death," in The Gaze of Orpheus , trans. Lydia Davis (Barrytown, N.Y.: Station Hill, 1981), 39. [BACK]
57. With his machinic assemblages, the Swiss artist lean Tinguely explored a terrain analogous to Duchamp's. In mockery of claims made by modernist critics that abstract expressionist paintings gave access to the subconscious, archetypal depths of the painter's mind, Tinguely assembled a painting machine to produce huge numbers of technically perfect abstract paintings, each as "new" as the last. His ramshackle musical machines, in contrast, parodied modernist serial music in its appeal to a rational, mathematical ideality. In both cases, however, Tinguely's mechanical supplanting of the creative artist satirizes modernism's appeals to a transcendent source of meaning for the artwork, wherever that source might be situated. [BACK]
58. De Certeau, "The Arts of Dying," 161. For an insightful discussion of an author less equivocally committed to this mode than Barnes, see Michel Foucault, Death and the Labyrinth: The World of Raymond Roussel , trans. Charles Ruas (Garden City, N.Y.: Doubleday, 1986). [BACK]
59. Jean-François Lyotard, Duchamp's TRANS/formers , trans. Ian McLeod (Venice, Calif.: Lapis Press, 1990), 65, continued on 68. [BACK]
60. Lyotard defines a simple machine as a device of two or more parts that produce effects disjunctively distributed; that is, its parts move in opposed directions. Hence the most rudimentary possibility for making a machine is to erect a transparent partition, which both joins and disjoins the two halves. Duchamp's TRANS/formers , 41-47. [BACK]
61. Leo Bersani and Ulysse Dutoit trace the connection between violence and representation in Bersani and Dutoit, The Forms of Violence: Narrative in Assyrian Art and Modern Culture (New York: Schocken Books, 1985). Bersani develops this perspective further in his provocative study, The Culture of Redemption . [BACK]


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Faggit Wings.
I went there and wasn't impressed. You ever go to Hurricane Wings on Long Island bro? Back when you used to enjoy food?
I admit, the TVs were nice and they had a great beer selection but they are not called Buffalo Wild TVs and Beer so they should improve their wings a little.
calm down, bud. It's just chicken.
This space for rent.
bro's all food nazi right now but one day he's going to crash and he's going to crash hard. I hope he doesn't eat a garbage truck when his body finally rebels cause he's denying himself everything.
This space for rent.
I don't fry my wings anymore. I found an oven version that works better.
This space for rent.


text:
Archived Boards and Threads... > SMF Feedback and Discussion
Lets Talk About Extreme condition of smf
HEllo Friends,
This topic related to discussion of Possible problems occur in smf.
lets Think about boards. How many boards we can add in smf. If it depends on that particular database, then how to decide that limit. What are the possible errors & difficulties in such huge number of boards.
Arantor Beeblebrox the First:
Theoretically you can add a maximum of 65534 boards. Practically, any more than 100 or so is going to give you performance problems and it's going to be hard for users to find anything. History shows that humans simply cannot mentally process too many choices at once and at any given time, going above 6 items without some kind of a break is simply too hard for our brains to easily deal with.
Instead of asking what the 'possible' problems are, why not ask about your actual plans and I'll tell you whether SMF can accommodate them or not? That way instead of getting 'probably' useful answers, you'll get actually useful ones.
That is quite a reply
--- Quote from: Arantor on June 09, 2012, 09:13:48 PM ---Instead of asking what the 'possible' problems are, why not ask about your actual plans and I'll tell
--- End quote ---
Ok. please visit my site www.shrinkdworld.com Now i am needed to add 38 new boards. This site is about indexing of pages. I prefer forum system because availability of lots of plugins & facilities. And mainly this is free.
i discuss this topic so any problem could come i can know it.
2) Next condition is how may post the smf system can handle without any difficulty??
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Puzzle Levels
- Level 5 - Easy
- Level 6 - Tricky
- Level 7 - Challenging
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- Level 9 - Gruelling
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Cast Box
Product Information
Object | Remove the Ring |
Difficulty | Level 6 - Tricky |
Brand | Hanayama |
Types | Hanayama Metal Puzzles, Akira Yuta |
Dimensions | 1.4 in cubed / 3.6 cm cubed. The ring is 2 in / 5 cm in diameter |
Product Description
A ring is tangled in a cubic frame. The ring moves freely within the cubic space and makes you feel that time is infinite. Begin with the ring tangled around START and try to successfully remove the ring.
Theme: The box
Designed by Akira Yuta from Japan
Customer Reviews |
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4 out of 5 stars
Disclaimer: These reviews are written by our customers. Puzzle Master makes every attempt to keep these posts informative and relevant. If you find a post objectionable or inappropriate, please let us know by sending an email to firstname.lastname@example.com
On Sunday February 3rd Andrew Parr wrote,
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text:
Ack, that American pole vaulting chick looks so much like a classmate I hated!
I really liked the piece about Greenwich and longitude. There is a good book about Harrison and his clocks here - http://www.amazon.com/Longitude-Geni...ison+longitude
OK - so when all of you are tuning out for a while, what are you tuning into instead?
NBC is trying to convince us that the 400M hurdle winner is really an American. We'll take the credit.
Creating drama!
Gymnastics on!
UB finals.
(apparently rings still do not exist )
Felix Sanchez had something other than a picture of his his grandmother stuffed in that suit.
"Michelle would never be caught with sausage grease staining her Vera Wang." - rfisher
Gymnastics!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! It's here, and that damn song. I hate this song with an epic, epic passion.
If you can't set a good example, you can at least be a horrible warning. ~ my dating life, in a nutshell.
Like Gabby and all, but DAVVVAAAIIII MUSTY!!!!
If you can't set a good example, you can at least be a horrible warning. ~ my dating life, in a nutshell.
Switching athletics and swimming would be genius. I'm always frantic trying to keep up with everything the first week and then bored the second week.
I managed to get distracted during the gabby fluff and missed the start of He. Oh sure, now that they're finally playing gymnastics. Thank goodness for DVR.
NBC milking the wait for Komova's score for all it's worth...
and commercial...
Komova looks like the sad heroine of some tragic Hans Christian Anderson short story.
Komova's nongold Olympics makes me so
So did they take off for Komova hitting the bar? This is when I want to see deductions. I assume so, since she would have had around 8 tenths in deductions without the hit. That is actually too little (for that routine) but I don't see 1.3 in deductions without something being taken for hitting the bar. They probably took it easy on the rest of her deductions, though.
"Michelle would never be caught with sausage grease staining her Vera Wang." - rfisher


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Sporting revised exterior and interior styling, the 2013 Audi S5 is a compact luxury sports car is a performance variant of the S5 available in coupe and cabriolet trim levels. The S5 is powered by a 4.2-liter V8 engine that delivers 354 hp and 325 lb-ft of torque, for a 0-60 time of 4.9 seconds. Transmission options consist of a standard six-speed manual transmission an optional 6-speed automatic transmission with sport shift. Equipped with permanent all-wheel-drive, the S5 fuel mileage falls within an EPA estimated range of 14 mpg city to 24 mpg highway, depending on transmission selection. Features include LED turn signals, adaptive xenon headlights, 19-inch alloy wheels, 12-way power seat, tilting panorama sunroof, heated front seats, three-zone automatic climate control, 14-speaker sound system, sports rear differential, carbon fiber inlays, and adaptive cruise control. Safety is comprised of parking sensors, dual-stage front airbags, thorax airbags, electronic stability control, electronic brake distribution, and anti-lock braking. The S5 is backed by a 4-year/50,000-mile warranty.
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Lamps provide a versatile way to change the ambiance of any room. You have the option of table, floor, or suspended lamps, which alter where the light is coming from, and how it bounces around the space. Then there are accent lights that can be used to highlight art or certain architectural features. Lamps can be art in their own right. Contemporary … [Read more...]
Shower Lights Bring Flair Into the Bathroom
An often neglected aspect during a bathroom renovation is shower lighting. Like all bathroom lighting, shower lights must be durable and water resistant. Shower lights don't have to be boring. Use this opportunity to add another creative element to your bathroom design. Use Colors: Consider adding a splash of color in the lighting fixture, or even in … [Read more...]


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Mountain pose
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Stand up straight with your legs together or slightly apart, parallel to each other. Straighten your shoulders. Extend your backbone and the entire body up from the crown of your head. Realize your balance point, when your body is steady, and relax maintaining your stability.


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Carl Edwards is Chief Technology Officer (CTO) at Chameleon, a London-based digital agency focused on the charity sector. I asked him to walk us through an average day, and to give us some background on what a CTO does.
If you're looking for a new challenge then be sure to take a look at the hundreds of open positions listen on Econsultancy's digital jobs board.
Read more...
by Chris Lake 15 July 2013 12:09pm 0 comments
After a bit of a break I'm working on a new side project. It is in a very competitive space and I have decided that the user experience needs to be the core USP, for it to attract the kind of crowd - and content - required to establish a presence in the market.
This has made me think once again about what makes for a good user experience. Broadly speaking, it is pretty much all about reducing friction, to help people get from A to B in the most straightforward way possible.
But is 'good' what we should all be aiming for? Why not aim a bit higher?
So what makes a great user experience? I'd say it was all of the above - a friction-free journey - as well as a smattering of pleasant surprises along the way; surprises that delight the user. They say good design is invisible, but I think that great design can leave quite an impression on people.
I'm constantly amazed by my own reaction to the little details in life. The smallest of things can have a disproportionate influence on how I perceive things, both positively and negatively. I'm a stickler for detail, and have been looking for examples of micro design, as a source of inspiration for my own project.
To this end, two sites in particular have been particularly useful: Codepen, and CSSDeck. Many of these 17 examples can be found over there, and some are very lean indeed, using just CSS to achieve the desired effects.
Ok, let's check them out...
by Chris Lake 10 July 2013 12:14pm 5 comments
Jimmy Coultas is News Editor at Skiddle, the ticket sales company based in Preston.
Here he explains what he does in a typical day in the office.
If you're looking for a new challenge in the digital industry then be sure to check out our internet / marketing jobs board, which lists hundreds of open positions.
by Chris Lake 08 July 2013 12:11pm 1 comment
In the past few years broadcasters of all shapes and sizes have accelerated their investment into digital as an audience development channel.
But what should they be focusing on? Content distribution via digital? Social? Second screen engagement? Big data? Mobile? What are the big opportunities on the horizon?
This is a question that our friends over at the BBC Radio 4 are mulling over, to try to extend engagement beyond the linear listening experience, and to portray itself in a different light to new audiences. So what is the future of radio in an age of digital content?
To help find some answers the BBC Radio 4 team has decided to host a kind of hack day, to mine the brains of digital experts.
by Chris Lake 26 June 2013 11:10am 1 comment
A decade and a half ago Jakob Nielsen announced to the world that people don't actually read websites in a linear way. Instead, they prefer to skim read, scanning the page to find what they're looking for.
As such, content creators were advised to format articles in a way that encourages readers to avoid reaching for the back button. This meant using bullet points, meaningful sub-headers, and highlighting key phrases / words in bold.
Roll things forward a few years, and Oliver Reichenstein published an article that contains one of my favourite quotes: "Web Design is 95% Typography."
In his article he says: "A great web designer knows how to work with text not just as content, he treats text as a user interface." This still resonates so strongly with me, as a creator of content, as somebody who is deeply interested in web design, and as a heavy web user.
But does the 95% quote still stand up? I fear that recent design trends have stomped all over text and typography, and that pictures have deposed words.
by Chris Lake 25 June 2013 14:45pm 27 comments
Have you tried to dream up a brand name recently? It's harder than ever. Not only is there domain name availability to contend with, but you also need to bag the appropriate user profiles on the main social platforms.
I have been trying for some considerable time to brainstorm a domain name for a new side project, and having identified one I've had second thoughts (it contains the word 'freak' in the title, which might be perceived negatively by some people).
As such, I wanted to change it prior to the launch, and I've unearthed some new (at least to me) domain name tools that are proving rather useful. I thought I'd share them with you.
by Chris Lake 25 June 2013 12:36pm 12 comments
I recently wrote about agile marketing, focusing on reactive campaigns. Many of the 26 examples I highlighted in my post used a news trigger as a kind of jumping off point for a marketing campaign ('campaign' isn't quite the right word for some of them, e.g. a single tweet).
This made me think about the other types of triggers that exist, which provide brands with the opportunity to reach existing and prospective customers. I was surprised by how many there are, and no doubt I have missed dozens of others.
What's a trigger, exactly? It is, simply, an opportunity to contact somebody. Trigger-based marketing is all about being reactive, and targeted, rather than just pushing out arbitrary brand messages to big audiences.
Triggers might be based around individual or group behaviour. They could be time-specific. Triggered comms may be activated post-purchase, or post-abandonment. They often factor in customer data and will be highly personalised (though let's not write off segmentation). They can be automated, or they can produced manually, and made to measure.
As with all forms of marketing communication, there is a balance to strike. Everybody loathes spam, but people do like to be rewarded, to be entertained, and to feel valued. So be careful, be meaningful, and be generous. And test, test, test.
Before we look at the triggers, let's first think about some common formats for marketing campaigns / comms. How, exactly, might you communicate to a customer (or customers) once a trigger has been pulled?
by Chris Lake 20 June 2013 14:17pm 0 comments
Pete Low is a Games Designer at Chunk, a digital content agency based in Glasgow. Here he explains what he does for a living, and why he loves his job after 17 years in the games industry.
If you're on the hunt for a new challenge then check out Econsultancy's digital jobs board.
by Chris Lake 18 June 2013 13:56pm 0 comments
I read a brilliant article the other day... one of the very funniest things I have read in ages. It was all about how companies in the hospitality sector should play sound to make visitors feel "secure". Sound, it says, "can help your website achieve major impact".
Here's another quote from the article in question:
Website audio can make your website stand out from your competition's site while reinforcing the marketing and customer service strategies you're already using.
After pulling myself together I decided to reconsider my views on autosound, which I have up until now considered to be one of the worst user experience mistakes you can make. I set about to find some examples that would make me - and you - see the light (and, ahem, hear the sound).
So then, here are 10 automatic audio experiences on hotel websites that will presumably make you reach for your bank card to book a room. Make sure you have your sound turned up, especially if you're in the office.
by Chris Lake 18 June 2013 11:51am 14 comments
I was genuinely blown away by the simplicity and usability of the government's GOV.UK website, when it relaunched last year. The new site was underpinned by 10 design principles, which the web team created to make their websites more consistent and user-friendly.
What are design principles, exactly? I rather like Henk Wijnholds' description:
Design principles describe the experience core values of a product or a service. They should be written in a short and memorable way. As a designer you should know them by heart while doing a project. Good design principles are cross-feature but specific. Therefore we should always try harder than 'Easy-to-use'. Design principles are non-conflicting.
Many companies - especially tech firms - have their own design principles, and I thought I'd compile some of the best ones in a handy cut-out-and-keep list. I've also dropped in a few sage quotes from the great and good in the world of design and user experience.
by Chris Lake 11 June 2013 11:41am 5 comments


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Rosie !!! Hope you had a great day
Rosie !!! Hope you had a great day
Teri, Remus, Loki, Leopold
3 cats - Rumor, Serenity, & Thor
sweet Rosie. Hope you're spoiled this weekend
Darcy - Blenheim - 17th Sept 2005
'Life is a balance of holding on and letting go'
Rosie's photo almost cries out DAD forgot Me
A very Happy Birthday to a soon to be spoiled beauty!
Heather R
Poor Rosie, you really look unloved and neglected. Make sure you get an extra birthday treat and a nice long walk from your forgetful Dad.
Margaret C
Cavaliers......Tommy Tuppence 2000-2012 and a half share of Faith.
Japanese Chins.... Dandy, Benny, Bridgette and Hana.
She is looking gorgeous, lovely photo of her.
Belated Rosie hope you are getting spoiled rotten.
Minnie-May (6yrs) & Rosie the Rescue (approx 6 yrs)
My Darling Cinders and Lady Jane waiting at the Bridge
Rosie, fancy your Dad forgetting your Birthday, hope he gives you a very special weekend.
and my two special boys Jasper age 13 and Ollie age 3.
hope you get spoilt loads on the weekend (and don't worry, i thought bentleys birthday was on the 3/7/08 and only yesterday did i look at his cert and saw it's 1/7/08!! thats 2 years in a row i have celebrated it wrong ) xx
owned by bentley (tri) 'he makes me smile every day, even on those days when nothing else can'
sullivan (lab) 'you have left a huge paw print on my heart and the pain is just a reminder that i loved and love you always'
Wow! that first pic is a heart stopper
Rosie you are indeed a very very beautiful girl and I wish you a very
Happy 3rd Birthday
Once owned by Rudeepoohs
then rescued by CaraMia and Minnie Moo.
Missing all my girls every day....
Rosie asked me to say a BIG THANK YOU to all you kind people who wished her Happy Birthday and said she sends big hugs and licks to all .
Warmest Thanks and Best Wishes
Brian M
Poppy the Tri, Daisy the Blen, Rosie the Ruby and Lily the B & T


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Yes, boys and germs, it's with a heavy heart and far-too-light bank balance that I must put the guts of my system up for sale. I have this nasty addiction to eating and living indoors, you see. *sigh*
Here's the specs:
Modified Enlight 7233 Case - 80mm blowhole, 250W PS, mid-tower, removable mobo tray.
Soyo SY-7VCA (used) - plenty of OC BIOS toys for the FC-PGA crowd.
cB0 P3 650 guaranteed to do 898MHz with a Gorb and plain old Radio Shack thermal paste. I ran this chip 24/7 cracking RC5 keys and played a fair amount of Q3A and UT, and it was rock steady at 138FSB.
Pics of the box are available at http://home.adelphia.net/~rafe/overclock.html
Other hardware also available - email for more info.


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Wednesday, Dec. 11, 2013 | 8:21 a.m.
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Updated: 10:27 p.m. Thursday, Aug. 16, 2012 | Posted: 1:16 a.m. Friday, Aug. 17, 2012
By Denise Mann, Reviewed by Louise Chang, MD
WebMD Medical News
Aug. 16, 2012 —
Effective immediately, all U.S. baby boomers should get a one-time blood test for the hepatitis C virus, the CDC says.
One in 30 baby boomers born between 1945 through 1965 has been infected with hepatitis C, and most have no clue. Hepatitis C can go undetected without symptoms, but slowly causes serious liver diseases, including liver cancer. It is also the leading cause of liver transplants in the U.S.
"Three-quarters of all hepatitis C infections and three-quarters of hepatitis C deaths occur in baby boomers," CDC Director Thomas R. Frieden, MD, MPH, said today during a conference call with reporters. "Baby boomers are five times more likely to have Hepatitis C than other adult Americans."
The new recommendations strengthen existing guidelines that state that all people at high risk for hepatitis C should be tested. "While we continue to recommend testing for high-risk individuals, baby boomers are now added to the list," Frieden says. This move could help identify 800,000 more Americans with hepatitis C.
New Therapies Can Cure Hepatitis C
"The sooner you know, the more you can protect your liver and your life," Frieden says.
If the test is positive, people can lower their risk of liver cancer and cirrhosis by:
New therapies can cure up to 75% of infections. Frieden says the expanded testing, along with appropriate care and treatment, could save more than 120,000 lives.
Frieden, a baby boomer himself, plans to get tested at his next well visit.
Are You at Risk for Hepatitis C?
Risk factors for this silent but potentially lethal infection include:
"Some baby boomers may not remember or know of the events that place them at risk," says John Ward, MD. He directs the division of viral hepatitis at the National Center for HIV/ AIDS, Viral Hepatitis, STD, and TB Prevention in Atlanta.
"Hepatitis C can live for decades in the body, slowly destroying the liver and causing no symptoms," he says. "The earlier the treatment is provided, the more effective it can be at reducing risk for liver damage and liver cancer."
The final recommendations appear in CDC's Morbidity and Mortality Weekly Report. Their release dovetails with a new phase in the CDC's "No More Hepatitis" campaign.
Hepatitis C Experts Get Behind New Recommendations
Eugene R. Schiff, MD, directs the Schiff Center for Liver Diseases at the University of Miami School of Medicine, and is the vice president of the Chronic Liver Disease Foundation. He is 100% behind the new recommendation.
By the time this gets implemented, there will be more hepatitis C drugs available with fewer side effects than existing medications, Schiff says. "It will be test and treat like with HIV."
Former hepatitis C patient Martha Saly also lauds the new recommendation. "This is something we have been waiting for," says Saly, who is the director of the National Viral Hepatitis Roundtable in Rohnert Park, Calif.
"Getting diagnosed is really important because there are many things you can do to maintain your health even if you have hepatitis C," she says. "Stop drinking, stop smoking, lose weight, and you can really help your liver to not progress so quickly. ... Alcohol is like putting gas on the fire when you already have liver damage."
SOURCES: John Ward, MD, director, division, Viral Hepatitis at the National Center for HIV/ AIDS Viral Hepatitis, STD and TB Prevention, CDC, Atlanta.Thomas R. Frieden, MD, MPH, director, CDC, Atlanta.Martha Saly director, National Viral Hepatitis Roundtable in Rohnert Park, Calif.Eugene R. Schiff, MD, director, Schiff Center for Liver Diseases, University of Miami School of Medicine; Vice President of the Chronic Liver Disease Foundation, Miami.Morbidity and Mortality Weekly Report, Aug. 17, 2012.CDC Fact Sheet, Hepatitis C: "Expansion of Testing Recommendations, 2012."CDC: "Hepatitis C FAQs for the Public."
© 2012 WebMD, LLC. All rights reserved.
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2013 Kia Sorento New Car Review Read more
The updated 2014 Kia Sorento midsize crossover features 80-percent new or redesigned parts. Read more
The 2013 Kia Sorento does everything the competition does but with more style and for less money. Read more
We talk a lot about what it's like to drive our long-term Sorento, but what is it like for the passengers? Read more


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Cellar/Tasting Notes A major sleeper of the vintage, this outstanding wine from the Aubert family in St.-Emilion has terrific plum, black cherry and cassis fruit as well as hints of earth and flowers. Supple-textured, opulent and savory, it is a heady, fleshy wine to drink over the next 3-5 years.
Cellar/Tasting Notes "... it displays plenty of kirsch, sweet cherries and red currants along with some sandy/loamy soil and roasted herb notes in a very sexy, up-front, lush, medium to full-bodied style. There's not a hard edge to be found in this La Croix de Gay ..."
Cellar/Tasting Notes "...A blend of 95% Merlot and 5% Cabernet Franc from this well-situated vineyard on the plateau of Pomerol, which is owned by Chantal Lebreton, this wine has 13.5% alcohol, somewhat low in this vintage, but it displays plenty of kirsch, sweet cherries and red currants along with some sandy/loamy..


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- Musician's Friend Best Selection, Price & Service. Guaranteed.
Need Help? Ask our Experts or call 800-449-9128
Asistencia en Español 866-226-2919
Need Help? Ask our Experts or call 800-449-9128
A familier silhouette, authentic sound and special color finishes.
Professional guitarists in all musical genres have relied on the Fender Telecaster guitar since its early 1950s introduction for its powerful tone and smooth playability. The Standard Telecaster Satin Electric Guitar combines the best of old and new, with hotter single-coil pickups, shielded body cavities, medium jumbo frets, six-saddle strings-through-body bridge, cast/sealed tuners, tinted neck, parchment pickguard and control knobs, '70s-style headstock logo and some exciting finishes.
Add some color to your collection. Order today.
Our product catalog varies by country due to manufacturer restrictions. If you change the Ship-To country, some or all of the items in your cart may not ship to the new destination.


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These peep toe platform heels are alluring and undeniably haute. Be it the mall, the office, school, etc.., these attention grabbers are sure to put you on top! Leather upper, peep toe, studded decor, ankle adjustable wrap.1.5", 4"heel. All man made materials.
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Men & Womens Shoes Size Conversion Chart
Kid's Shoes Conversion Chart
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Resources for All > Manipulatives
In a classroom or at home build understanding and solidify learning with manipulatives from Kaplan Toys. Students will be able to place math concepts into their long term memory after snapping together Place Value Flip Charts or Place Value Rods, rolling extra large soft dice such as our Fraction Dice or wrapping strings with our Wrap Ups. Learning the continents and oceans is fun with our Inflatable Labeling Globe.
Magnetic Base Ten Dowling Magnets Price: $5.95 In Stock Place Value Rods Activity Set Learning Resources Price: $24.95 In Stock Desktop Abacus Learning Resources Price: $12.95 In Stock Magnetic Apple Fractions Learning Resources Price: $24.95 In Stock Unifix® Cubes (100 count) Didax Educational Resources Price: $12.95 In Stock Place Value Flip Stand Didax Educational Resources Price: $16.95 In Stock Tangrams Classroom Set Learning Advantage Price: $28.95 In Stock Place Value Number Structure Set Didax Educational Resources Price: $24.95 In Stock Stacking Counters Jar Learning Advantage Price: $19.95 In Stock Foam Counters Jar (200 Pieces) Learning Advantage Price: $10.95 In Stock 1 cm Interlocking Unit Cubes (Set of 1000) Learning Resources Price: $29.95 In Stock Primary Calculator Kaplan Early Learning Company Price: $4.95 In Stock Magnetic Daily Word-Building Center Scholastic Price: $51.95 In Stock Fraction Wrap-Ups Learning Wrap Ups Price: $9.95 In Stock 240 Unifix® Cubes Didax Educational Resources Price: $32.95 In Stock Colored Rubber Bands Learning Resources Price: $5.95 In Stock Plastic Geoboards (Set of 10) Learning Resources Price: $25.95 In Stock Montessori Sorting Box Marvel Education Company Price: $83.95 In Stock Bean Counters Learning Resources Price: $9.95 Sale Price: $6.95 In Stock Place Value Jumbo Dice Price: $10.95 In Stock Hundreds Number Board Learning Resources Price: $22.95 In Stock Number Line Price: $8.95 In Stock AlphaMagnets Uppercase (42 pieces) Educational Insights Price: $9.95 In Stock AlphaMagnets Lowercase (42 pieces) Educational Insights Price: $9.95 In Stock


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- Photos: 6
- Floorplans: 0
5 bedroom detached house for sale Wenvoe, Vale of Glamorgan. CF5 6DE.
Secluded and within very pleasant well balanced gardens with a security controlled entrance, stands this substantial and indeed versatile five bedroom detached residence. Of a Georgian appearance, the property extends from a Portico entrance, impressive hall with hardwood staircase and cloakroom... More details ›
- Photos: 9
- Floorplans: 0
5 bedroom detached house for sale 5 Old Port Road, Wenvoe
A surprisingly spacious and much improved 4/5 dormer bungalow set on a large plot. Comprises L shaped hallway, large lounge/conservatory, kitchen/breakfasting room/informal sitting room, utility and shower room/wc, two bedrooms on ground floor, master bedroom with en-suite bathroom, three furthe... More details ›
- Photos: 18
- Floorplans: 0
5 bedroom detached house for sale Wenvoe Close, Wenvoe, CF5
We are delighted to offer this substantial detached residence located at the end of a small select close in the established village of Wenvoe some 7 miles from Cardiff Civic Centre. More details ›
- Photos: 25
- Floorplans: 0
5 bedroom detached house for sale Is Y Coed, Wenvoe, Vale Of Glamorgan, CF5 6DL
Executive five bedroom detached residence built in 1997 situated on a private road in a cul de sac location within the village of Wenvoe. Accommodation comprising; Entrance Hallway. Inner Hallway. Study. Cloakroom. Lounge. Dining Room. Family Room. Kitchen/Breakfast Room. Utility Room. Family Bat... More details ›
4 bedroom detached house for sale 18 Walston Road, Wenvoe
A sympathetically refurbished and extended 3/4 bedroom converted former Estate Office and is of significant historical interest, situated in the heart of Wenvoe village. Creating a comfortable, stylish and spacious family house. Comprises central hallway with large original safe providing walk-... More details ›
5 bedroom semi-detached house for sale 4 Station Road West, Wenvoe, Cardiff
Spacious an flexible four/five bedroom house with large private garden plot, extensive parking and detached double garage. Appealing village location, with schools in walking distance and with easy commuting access to Cardiff. EPC Rating E. More details ›
3 bedroom detached bungalow for sale Old Port Road, Wenvoe, CF5
A most attractive THREE BEDROOM DETACHED BUNGALOW enjoying a pleasant location in the centre of this popular semi rural village and set in delightful gardens with excellent frontage and a good size rear garden. More details ›
- Photos: 4
- Floorplans: 0
4 bedroom semi-detached house for sale Old Port Road, Wenvoe, Cardiff
Situated in the heart of the village, stands this beautiful stone built cottage with its own private swimming pool. The property boasts three spacious reception rooms, a fully fitted kitchen with space for breakfast table, utility room and cloakroom. First floor comprises four good sized bedrooms... More details ›
5 bedroom semi-detached house for sale Wenvoe Close, Wenvoe, Vale Of Glamorgan
REDUCED!!!!! - WENVOE. An exceptionally well proportioned extended Family Home being ideally located in a cul-de-sac setting in the popular Vale village of Wenvoe.The property has been improved and extended over the years and offers accommodation presented to high standards comprising of entranc... More details ›
4 bedroom cottage for sale Old Port Road, Wenvoe. CF5 6AL.
Being one of a pair in the heart of the village, complete with a secluded and private swimming pool, stands this stone built former estate workers cottage, boasting very spacious four bedroom accommodation. Extended, the accommodation offers three significantly proportioned and separate receptio... More details ›