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Itinerary (Port Blair- Havelock)
Sightseeing Programme for 04 Nights / 05 Days Package
Day 1: Arrive Port Blair Arrival at Port Blair in the morning by flight/ship & transfer to hotel. After lunch, visit the Corbyn's Cove Beach - 9 kms from Port Blair - a coconut palm fringed beach, ideal for swimming, sun-basking & bathing. Then proceed for a leisurely cruise (Harbour Cruise) in a steamer along the Port Blair Harbour - which takes one to Viper Island. The gallows atop a hillock here is sight to watch. Day 2: Port Blair - Coral Island + Ross Island - Port Blair Start after breakfast for a full-day Excursion to North Bay (Coral Island) - to see coral reefs, exotic varieties of beautiful ornamental fishes and other marine life. The glass bottom boat ride helps one to take a closer look at the vast coral colonies. Optional Activities - Snorkelling, Swimming, Trekking + visit Ross Island - from where the Britishers' governed the entire A&N islands, prior to India's Independence. This island is an ideal destination for nature walk amidst sylvan surroundings with deers, peacocks, exotic birds, etc Day 3: Port Blair After breakfast, start for a full-day tour of places in & around Port Blair (City Tour) - covering the famous Cellular Jail, Saw Mill (one of the oldest & largest in Asia), Forest Museum, Mini Zoo, Anthropological Museum, Fisheries (Marine) Museum, Naval Marine Museum (Samudrika), Andaman Water Sports Complex (for water & adventure sports like water-skiing, boats, water scooters, tube rides, etc.) and the Cottage Industries Emporium (Sagarika) - for shopping & souvenirs. In the evening, attend the enthralling Sound and Light Show at Cellular Jail - where the heroic saga of the Indian freedom struggle is brought alive. Day 4: Port Blair- Havelock- Port Blair Early morning departure by private ferry to Havelock Island (57 kms by sea from Port Blair) + Visit to Radhanagar Beach at Havelock Island + Return from Havelock to Port Blair in the afternoon & transfer to hotel. Day 5: Depart Port Blair Transfer to Airport/Harbour for return flight/voyage

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Chapter 3 The Self Condemned Wyndham Lewis
1. Letter of Lewis to Julian Symons, 21 November 1937, in The Letters of Wyndham Lewis , ed. W. K. Rose (New York: New Directions, 1963), 246. [BACK]
2. Wyndham Lewis, Rude Assignment: An Intellectual Autobiography , ed. Toby Foshay (Santa Barbara: Black Sparrow Press, 1984), 148-149. Cited in text as RA. [BACK]
3. Wyndham Lewis, Blasting and Bombardiering: An Autobiography, 1914-1926 (London: John Calder, 1937), 6. Cited in text as B&B . [BACK]
4. Lewis advances a political analysis of male homosexuality in The Art of Being Ruled , especially the section entitled "Man and Shaman": The Art of Being Ruled , ed. Reed Way Dasenbrock (Santa Rosa: Black Sparrow Press, 1989), 239-273. [BACK]
5. Virginia Woolf, Mrs. Dalloway [1925] (San Diego: Harcourt Brace Jovanovich, 1981), 81. [BACK]
6. Wyndham Lewis, The Apes of God [1930] (Santa Barbara: Black Sparrow Press, 1984), 624. Cited in text as AOG . [BACK]
7. Antonio Gramsci, Selections from the Prison Notebooks , ed. Quintin Hoare and Geoffrey Nowell Smith (New York: International Publishers, 1971), 223. [BACK]
8. Oswald Mosley, The Greater Britain (Chelsea: British Union of Fascists, 1932), 23-24. [BACK]
9. By June 1930, according to Stevenson and Cook, there were z million out of work in Britain and a total of 11 million in 33 countries. John Stevenson and Chris Cook, Britain in the Depression: Society and Politics, 1929-1939 (London: Longman, 1977, 1994), 9. [BACK]
10. See Mosley, The Greater Britain , 19: "The Modern Movement is by no means confined to Great Britain; it comes to all the great countries in turn as their hour of crisis approaches, and in each country it naturally assumes a form and a character suited to that nation. As a world-wide movement, it has come to be known as Fascism, and it is therefore right to use that name." [BACK]
11. This question has become, perhaps, the crucial question for the Lewis criticism. Attempts to answer it have included a number of source-influence and contextual studies, most prominently: Geoffrey Wagner, Wyndham Lewis: A Portrait of the Artist as the Enemy (New Haven: Yale University Press, 1957), derives his political views from French neoclassicism; Vincent Sherry, Ezra Pound, Wyndham Lewis, and Radical Modernism , follows Wagner's lead on this point; D. G. Bridson, The Filibuster: A Study of the Political Ideas of Wyndham Lewis (New York: Oxford University Press, 1993), challenges the conclusions of Wagner by considering the precise context in which Lewis's political statements were made; Fredric Jameson, Fables of Aggression: Wyndham Lewis, the Modernist as Fascist (Berkeley: University of California Press, 1979), interprets Lewis's work as exemplifying the historical affiliations between fascism and modernism while cogently criticizing modernism's evasion of politics; SueEllen Campbell, The Enemy Opposite: The Outlaw Criticism of Wyndham Lewis (Athens: Ohio University Press, 1988), focuses on the rhetorical and critical strategies of Lewis's "Enemy criticism"; Tom Normand, Wyndham Lewis the Artist: Holding the Mirror Up to Politics (Cambridge: Cambridge University Press, 1992), considers Lewis's development of a political iconography in his art and literary works to reflect and comment on current social life; David Ayers, Wyndham Lewis and Western Man (London: Macmillan, 1992), argues that anti-Semitism was central to Lewis's literary and political ideas; Reed Way Dasenbrock, "Wyndham Lewis's Fascist Imagination and the Fiction of Paranoia," in Fascism, Aesthetics, and Culture , ed. Richard J. Golsan (Hanover: University Press of New England, 1992), 81-97, considers the paradoxes of Lewis's radical suspicion of ideology and its tendency to shade over into political paranoia; Andrew Hewitt, ''Wyndham Lewis: Fascism, Modernism, and the Politics of Homosexuality," ELH 60 (1993): 527-544, concentrates on Lewis's attitudes toward homosexuality as the pivotal aspect of his fascist allegiances. This list is by no means exhaustive; it is intended to illustrate the scope and diversity of positions about the problem of Lewis's political views and the relation of his writing to them. [BACK]
12. See Lewis's letter to the Jonathan Cape director, G. Wren Howard, of November 1936 in The Letters of Wyndham Lewis , 240. [BACK]
13. Wyndham Lewis, Men Without Art [1934], ed. Seamus Cooney (Santa Rosa: Black Sparrow Press, 1987), 137. Cited in text as MWA . [BACK]
14. Richards himself was relatively positive about Lewis's work, and in the forties and fifties struck up a correspondence and friendship. See the fascinating documentation published in Wyndham Lewis and I. A. Richards: A Friendship Documented, 1928-57 , ed. John Constable and S. J. M. Watson (Cambridge: Skate Press, 1989). Included in this collection is Richards's approving review of Time and Western Man in the 9 March 1928 issue of the Cambridge Review . In the twenties and thirties, however, the admiration was not mutual. Constable and Watson suggest that Lewis may have seen Richards as a rival for the attention and friendship of T. S. Eliot, whom Lewis saw as a potential ally against those on whom he was waging polemical warfare. Lewis even went so far as to offer to share with Eliot the masthead of his periodical The Enemy when it seemed that The Criterion would fold. "Last week after hearing of its suspension, I saw Eliot," Lewis wrote. "I suggested that he and a few of the more important of his staff of reviewers, should come over into The Enemy lock stock and barrel." Letter of 16 December 1927 to Herbert Read, Letters of Wyndham Lewis , 172-173. Cited in text as LWL. [BACK]
15. William Empson, "The Cult of Unnaturalism," in Argufing: Essays on Literature and Culture , ed. John Haffenden (Iowa City: University of Iowa Press, 1987), 627. [BACK]
16. F. R. Leavis, "Mr. Eliot, Mr. Wyndham Lewis and Lawrence" (1934), reprinted in The Common Pursuit (London: Hogarth Press, 1952), 243. [BACK]
17. T. R. Barnes, Review of Porteus ( ~933 ), in A Selection from Scrutiny I, ed. F. R. Leavis (Cambridge: Cambridge University Press, 1968), 131 [BACK]
18. Normand, Wyndham Lewis the Artist , 51. [BACK]
19. Paul Edwards, Afterword, in Wyndham Lewis, Time and Western Man , ed. Paul Edwards (Santa Rosa: Black Sparrow Press, 1993), 482. [BACK]
20. Edwards, in his afterword to Time and Western Man , 481-498, presents a detailed account of the transformation of The Man of the World into separately published texts. My synthesis, which has somewhat different emphases than Edwards's essay, is indebted to his philological research. [BACK]
21. Wyndham Lewis, Letter to Ezra Pound, 29 April 1925, in Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis , ed. Timothy Materer (New York: New Directions, 1985), 144. Cited in text as P/L . [BACK]
22. See Lewis's letter to Pound, 7 May 1925, in Pound/Lewis , 147. Enemy of the Stars would not be reissued until 1932, when it appeared with Desmond Harmsworth. [BACK]
23. For biographical discussion of these figures and their activities, see Hugh Ford, Published in Paris: American and British Writers, Printers, and Publishers in Paris , 1920-1939 (New York: Pushcart Press, 1975 ); Noel Riley Fitch, Sylvia Beach and the Lost Generation: A History of Literary Paris in the Twenties and Thirties (New York: W. W. Norton, 1983); and Shari Benstock, Women of the Left Bank: Paris , 1900-1940 (Austin: University of Texas Press, 1986). [BACK]
24. Edwards, Afterword to Time and Western Man , 487. On the convergence and divergence of the "men of 1914," see Dennis Brown, Intertextual Dynamics Within the Literary Group — Joyce, Lewis, Pound and Eliot (Hound-mills: Macmillan, 1990); Julian Symons, Makers of the New: The Revolution in Literature , 1912-1939 (London: André Deutsch, 1987). [BACK]
25. Pound to Lewis, 6 June 1925, in Pound/Lewis , 149. [BACK]
26. Lewis to Pound, 11 June 1925, in Pound/Lewis , 150. [BACK]
27. As Edwards points out, Lewis was also granted patronage by Sir Nicholas and Lady Waterhouse in 1926, which gave him greater financial independence from the modernist community in Paris and London (afterword to Time and Western Man , 489). [BACK]
28. Tom Normand suggests an analogous trajectory toward "naturalism" in Lewis's painting: "In the final years of the 1930s Lewis was to produce his most accomplished work as a painter. Subtly unorthodox, cerebral and censorious, this work was all the more remarkable because it was completed in a portraiture that bordered on the naturalistic" ( Wyndham Lewis the Artist , 128). [BACK]
29. On Lewis's late turn away from satire, see Reed Way Dasenbrock, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting (Baltimore : Johns Hopkins University Press, 1985), 183-190. [BACK]
30. Edwards, afterword to Time and Western Man , 463 [BACK]
31. Edwards, afterword to Time and Western Man , 463. Of course, aside from purely ideological differences, the mimetic, "realist" bias of much Marxist criticism would have precluded a sympathetic view of Lewis's far-from-classical fictional prose. [BACK]
32. Ferenc Fehér, "Ideology as Demiurge in Modern Art," Praxis 3 (1976): 185-186. [BACK]
33. Stephen Spender, "Writers and Politics," Partisan Review 34, no. 3 (1967): 359-381. [BACK]
34. Virginia Woolf, The Waves (San Diego: Harcourt Brace Jovanovich, 1931), 135. [BACK]
35. For a similar point with respect to academic readings of Joyce and Pound, see Bob Perelman, The Trouble with Genius: Reading Pound, Joyce, Stein, and Zukofsky (Berkeley: University of California Press, 1994). [BACK]
36. Peter Nicholls, Modernisms: A Literary Guide (Berkeley: University of California Press, 1995), 11. [BACK]
37. Astradur Eysteinsson, The Concept of Modernism (Ithaca: Cornell University Press, 1990), 6-7. [BACK]
38. Bernard Lafourcade, "Metaphor-Metonymy-Collage: Post-Modernist Aspects of Lewis's Style," Enemy News 25 (1987): 7. [BACK]
39. Daniel Schenker, Wyndham Lewis.' Religion and Modernism (Tuscaloosa: University of Alabama Press, 1992), 45- [BACK]
40. Timothy Materer, Wyndham Lewis the Novelist (Detroit: Wayne State University Press, 1976), 161. [BACK]
41. Dasenbrock, Literary Vorticism , 135. [BACK]
42. David Graver has characterized well the performative aspects of the original format of the play. He sees in the presentation of Enemy of the Stars a "displacement of performance" onto the page and its semiotic elements. See "Vor-ficist Performance and Aesthetic Turbulence in Enemy of the Stars," PMLA 107, no. 3 (1992): 482-496. [BACK]
43. For the complex relations of professionalism and modernism, see Lawrence Rainey, "The Price of Modernism: Reconsidering the Publication of The Waste Land," Critical Quarterly 31, no. 4 (1989): 21-47; Bruce Robbins, "Modernism in History, Modernism in Power," in Modernism Reconsidered , ed. Robert Kiely (Cambridge, Mass.: Harvard University Press, 1983), 229-245; David A. Hollinger, "The Canon and Its Keepers: Modernism and Mid-Twentieth Century," in In the American Province: Studies in the History and Historiography of Ideas (Baltimore: Johns Hopkins University Press, 1985), 74-91; Lisa Tickner, "Men's Work? Masculinity and Modernism,'' Differences 4, no. 5 (1992): 1-37; and Bridget Elliott and Jo-Ann Wallace, ''Professionalism, Genre, and the Sister(s') Arts," in Elliott and Wallace, Women Artists and Writers: Modernist (Im)positionings (New York: Routledge, 1994), 56-89. [BACK]
44. Reprinted in The Letters of Ezra Pound , 1907-1941, ed. D. D. Paige (New York: Harcourt, Brace, and World, 1950), 43-44. [BACK]
45. U.S. copyright © 1963 by Wyndham Lewis. Used by permission of New Directions Publishing Corporation. U.K. and elsewhere © Wyndham Lewis and the Estate of Mrs. G. A. Wyndham Lewis, by kind permission of the Wyndham Lewis Memorial Trust (a registered charity). [BACK]
46. On this point, see Jennifer Wicke, Advertising Fictions: Literature, Advertisement, and Social Reading (New York: Columbia University Press, 1988), 124: "By the time of the writing of Ulysses advertising . . . [is] so firmly ensconced as the necessary accompaniment to production of all kinds that literature begins to be colonized by it. Ulysses records this process, but by no means succumbs passively to advertising's takeover. The novel incorporates the interloper, and puts advertising language to work for its own purposes." [BACK]
47. Bradford Morrow and Bernard Lafourcade, A Bibliography of the Writings of Wyndham Lewis (Santa Barbara: Black Sparrow Press, 1978), 57-58. See also Omar S. Pound and Philip Grover, Wyndham Lewis: A Descriptive Bibliography (Folkestone, Kent: Archon Books, 1978). [BACK]
48. Wyndham Lewis, Paleface: The Philosophy of the 'Melting-Pot ' (London: Chatto & Windus, 1929), 100. [BACK]
49. Northrop Frye, "Neo-Classical Agony," Hudson Review so, no. 4 (1957): 597-598. [BACK]
50. Lewis felt a kinship in this respect to the painter Francis Bacon. In a review of Bacon from 17 November 1949, Lewis wrote: "Liquid whitish accents are delicately dropped upon the sable ground, like blobs of mucus—or else there is the cold white glitter of an eyeball, or of an eye distended with despairing insult behind a shouting mouth, distended also to hurl insults. Otherwise, it is a baleful regard from the mask of a decayed clubman or business executive—so decayed that usually part of the head is rotting away into space." Wyndham Lewis, "Round the Galleries," in Wyndham Lewis on Art: Collected Writings, 1913-1956 , ed. Walter Michel and C. J. Fox (New York: Funk and Wagnalls, 1969), 393-394. Stylistically, the language of this review is far closer to the expressionistic prose of The Childermass or The Apes of God than to most of Lewis's fictional prose of the 1940s. [BACK]
51. Dasenbrock, Literary Vorticism , 158. [BACK]
52. Dasenbrock, Literary Vorticism , 165-168. [BACK]
53. Douglas Messerli, "The Role of Voice in Nonmodernist Fiction," Contemporary Literature 25, no. 3 (1984): 281-304; see also Norman Friedman, "Point of View in Fiction: The Development of a Critical Concept," in The Novel.' Modern Essays in Criticism , ed. Robert Murray Davis (Englewood Cliffs, N.J.: Prentice-Hall, 1969), 142-171. [BACK]
54. Messerli, "The Role of Voice," 289. [BACK]
55. Messerli, "The Role of Voice," 286. [BACK]
56. David Bordwell, Narration in the Fiction Film (Madison: University of Wisconsin Press, 1985), 4-7. [BACK]
57. Bordwell, Narration in the Fiction Film , 7-9. [BACK]
58. Wayne C. Booth, The Rhetoric of Fiction (Chicago: University of Chicago Press, 1961), 149-165. [BACK]
59. Christian Metz, "The Impersonal Enunciation, or the Site of Film (In the margin of recent works on enunciation in cinema)," New Literary History 22, no. 3 (1991): 747. [BACK]
60. On this point, see Jacques Aumont et al., Aesthetics of Film , trans. and rev. Richard Neupert (Austin: University of Texas Press, 1992), 35-36; see also Michel Chion, Audio-Vision: Sound on Screen , trans. Claudia Gorbman (New York: Columbia University Press, 1994). [BACK]
61. Details about this work have been drawn from Elizabeth Salter, Edith Sitwell (London: Bloomsbury Books, 1979) and The Sitwells and the Arts of the 1920s and 1930s (London: National Portrait Gallery, ca. 1994), as well as from Sitwell's autobiography, cited below. [BACK]
62. Edith Sitwell, I Was Taken Care Of(New York: Atheneum, 1965), 140. [BACK]
63. Leavis, quoted in Salter, Edith Sitwell , 12. [BACK]
64. O. Pound and Grover, Wyndham Lewis: A Descriptive Bibliography , 165-166. [BACK]
65. Wyndham Lewis, Engine Fight-Talk. The Song of the Militant Romance. If So the Man You Are. One-Way Song. Envoi . (London: Faber and Faber, 1933), 25. [BACK]
66. Wyndham Lewis, Time and Western Man [1927], ed. Paul Edwards (Santa Rosa: Black Sparrow Press, 1993) 249-250. Cited in text as TWM . [BACK]
67. See "The Prose-Song of Gertrude Stein" and "An Analysis of the Mind of James Joyce," in Time and Western Man , 59-66 and 73-110. For the Joyce-Lewis relationship, see Paul Edwards, " 'Clodoveo' and 'Belcanto': Wyndham Lewis and James Joyce," Blast 3: 126-133; and Scott W. Klein, The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design (Cambridge: Cambridge University Press, 1994). Lewis might have found an example ready-to-hand in the "Hades'' chapter of Ulysses , in which Leopold Bloom thinks of the gramophone as the auditory equivalent of the photograph, and of both as a means of preserving the memory of the dead against forgetting: "Have a gramophone in every grave or keep it in the house. After dinner on a Sunday. Put on poor old greatgrandfather. Kraahraark! Hellohellohello amawfullyglad kraark awfullygladaseeagain hellohello amawf krpthsth. Remind you of the voice like the photograph reminds you of the face." James Joyce, Ulysses: The Corrected Text , ed. Hans Walter Gabler, with Wolfhard Steppe and Claus Melchior (New York: Vintage Books, 1986), 93. Indeed, in an 1878 article for the North American Review , Thomas Edison had already mentioned this function as one among ten that he projected for the newly invented phonograph: ''The 'Family Record'—a registry of sayings, reminiscences, etc., by members of a family in their own voices, and of the last words of dying persons." Edison, quoted in Michael Chanan, Repeated Takes: A Short History of Recording and Its Effects on Music (London: Verso, 1995), 3. See also Jacques Derrida, "Ulysses Gramophone: Her Say Yes in Joyce," in Acts of Literature , ed. Derek Attridge (New York: Routledge, 1992), 253-309, for a discussion of Joyce's novel as a "gramophonic," "anamnestic and hypermnesic" machine. [BACK]
68. Steve Neale, Cinema and Technology: Image, Sound, Color (Bloomington: Indiana University Press, 1985), 73. See also Patrick Ogle, "The Development of Sound Systems: The Commercial Era," Film Reader 2 (1977): 198-212; and Douglas Gomery, "Failure and Success: Vocafilm and RCA Photophone Innovate Sound," Film Reader 2 (1977): 213-221. [BACK]
69. Ogle, "Development of Sound Systems," 203. [BACK]
70. Wyndham Lewis, The Childermass (London: John Calder, 1928), 63. [BACK]
71. U.S. copyright © 1963 by Wyndham Lewis. Used by permission of New Directions Publishing Corporation. U.K. and elsewhere © Wyndham Lewis and the Estate of Mrs. G. A. Wyndham Lewis, by kind permission of the Wyndham Lewis Memorial Trust (a registered charity). [BACK]
72. Fredric Jameson's term. [BACK]
73. The Childermass , 18. Cited in text as Ch . [BACK]
74. The similarity (which may indicate influence) between passages like these in The Apes of God and Beckett's free-floating dialogues in Waiting for Godot and Endgame is striking. Both Lewis and Beckett explore the seepage of theater into human relations, rendering action inconsequential and conversation unreal. Such conversations, since they are "scripted" in advance, are also infinitely repeatable—eventually, as Beckett suggests in Krapp's Last Tape and several of the late plays, even when the speaker is dead. [BACK]
75. Samuel Beckett, Watt (New York: Grove Press, 1953), 156. [BACK]
76. Wagner, Wyndham Lewis: A Portrait of the Artist as the Enemy , 73. [BACK]
77. On these issues of Starr-Smith's identity, see James English's excellent discussion of The Apes of God in Comic Transactions: Literature, Humor, and the Politics of Community in Twentieth-Century Britain (Ithaca: Cornell University Press, 1994), 67-97, esp. 96-97. [BACK]
78. Joan Riviere, "Womanliness as a Masquerade," International Journal of Psychoanalysis 10 (1929): 303-313; cf. Stephen Heath, "Joan Riviere and the Masquerade," in Formations of Fantasy , ed. Victor Burgin, James Donald, and Cora Kaplan (London: Routledge, 1986), 45-61. [BACK]
79. According to James English, Mosley was taken to fashioning himself after the German socialist leader Ferdinand Lasalle. Comic Transactions , 96. [BACK]
80. Dasenbrock, "Wyndham Lewis's Fascist Imagination," 89. [BACK]
81. Schcnker, Wyndham Lewis: Religion and Modernism , 78. [BACK]
82. Julian Symons, "The Thirties Novels," Agenda 7/3-8/1 (1969-1970): 47. [BACK]


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Regional Leadership Summits Filling Up Fast!
Aligning systems, through postsecondary partnerships, for student success. You are invited to assemble a secondary or postsecondary team to deepen our common understandings of newly-enacted legislation and to explore opportunities for new or expanded partnerships between our E-12 and postsecondary systems that will better prepare our continuum of learners to be career and college-ready. Register Soon! -- Spots still available in Fergus Falls, Brainerd and Rochester.
Copyright 2013
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Model Train Display | |
Event Type: YS Community Age Group(s): All ages Date: 1/27/2013 Start Time: 12:00 PM End Time: 4:30 PM Description: All Aboard! The Midwest Division of the Train Collector's Association will return with their hands-on train layout. You may even bring your own Lionel train for a free tune-up.
Location: Huntley Meeting Room / All - Lower Level Other Information: Numbers will be available in Youth Services when Library opens each day.


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Top : Mango . Shorts : Glitz . Socks : unbranded . Glasses : from magazine . Shoes : Shooz
I'm currently in love with my clogs. It makes me look taller and also it doesn't hurt. Which shoes of yours are you in love with at the moment?
Anyhoo, if you're following my Twitter, you'll know that I'm not going to study at a fashion college. I'm going to study finance in Bei Jing. I know, they're really different. But thinking of studying outside Indonesia makes me excited. I'm honestly kinda sick of living here. So I really hope my life will get better there. Please wish me luck for everything! And I will wish you luck back. Haha.
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Replies to This Discussion
I will try to make the sunday meetup. I switch because the wilson I was using was hurting my arm. So far so good.
great news I found a pair on Ebay with a leather grip selling for $210 in the right grip size so it should be here next week :) I know I need to add lead tape cuz i can really feel a difference from the EXO3 and my Prince graphite in stableness. Probably go very low in tension too so i can get more power. Thanks for the advice Nhein!
wheres my invite :O haha
Hi Phillip,
Where do you want to hit? How about San Marino High? Can you also bring your Prue Drive racket? I am thinking of getting the plus.
anyone want hit this afternoon?
Hey guys it's a hot friday but would love to hit for a couple hours today starting around 4pm? anyone game?
ok great Rock and I are going to hit today at 4:30 at Orange Grove Park in south pasadena if anyone wants to join. we should be there till about 6:30 :)
hi , i am a usta 3.5 player looking to play some doubles in the burbank/glendale/pasadena area. looking for something monday or tuesday mornings or evenings , or on the the weekend days.... Chris 909-322-8854
Sounds good. Might be up all night, but...
I can hit Wed A.M
We'll be there at 8 am. Come on by. I wonder if we could wrangle one more?
*Flat tire*... will be late to work? Anyone? :-)
© 2013 Created by Mark / The Mayor.


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In the News
KASH Conference
4th KASH CONFERENCE
KEMRI Hosts Chemical, Biological and Nuclear Workshop |
By: Rhoda Ityang' The Kenya Medical Research Institute (KEMRI) hosted a four day Chemical, Biological, Radiological, Nuclear and Explosives Commodity Identification Training (CBRNe), which was held on August 4th -8th 2013 at the Training Centre. The CBRNe workshop was sponsored by the US Department of Energy and the US National Nuclear Security Administration (NASA). Read More |
By Davis Mkoji
Cabinet Secretary of Health Mr. James Macharia (middle) cutting a cake to celebrate the KEMRI certification for the ISO 9001:2008 (QMS) at KEMRI Headquarters yesterday. From (left) Board Member & CEO, NACOSTI Prof. Shaukat Abdulrazak, Director, KEMRI Prof. Solomon Mpoke, Principle Secretary of Health, Prof. Fred Segor, KEMRI Chairperson Prof. Ruth Nduati, and a Board member Prof. Norah Olembo (far right) among other staff.


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Archived News (16/10/2013) : Kelantan Sultan Attends Aidiladha Sacrificial Ritual
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December 27, 2012
Corey Albertson CatsIllustrated.com
Trey Lyles won a recent battle of two Midwestern five-stars, with Kentucky coach John Calipari in the stands. ...More... To continue reading this article you must be a member. Sign Up Now for a FREE Trial
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1. | Practical RichFaces, Second Edition By: Max Katz; Ilya Shaikovsky Publisher: Apress Publication Date: 23-AUG-2011 Insert Date: 24-AUG-2011 Slots: 1.0 | Overview: Practical RichFaces, Second Edition
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JBoss RichFaces is a rich JSF component library that helps developers quickly develop next-generation web applications. Practical RichFaces describes how to best take advantage of RichFaces, the integration of the Ajax4jsf and RichFaces libraries, to create a flexible and powerful programs. Assuming some JSF background, it shows you how you can radically reduce programming time and effort to create rich AJAX based applications.
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Organizational rankings and top 10 prospects per team
Player Power Rankings column archives.
November 25, 2011
by Timo Seppa
Mike Smith and Pekka Rinne are the new top two among goaltenders, while Nikolai Khabibulin slips off the list.
November 16, 2011
by Tom Awad and ESPN Insider
Phil Kessel and Tyler Seguin are linked again, sitting atop our rankings.
November 7, 2011
by Tom Awad
Nearly 39 years old, Nikolai Khabibulin is making us think of Spring 2004.
October 31, 2011
Hot starts for goaltenders tend to fuel optimisim for teams. You don't expect Kari Lehtonen and Nikolai Khabibulin to play this well in the long run, do you?
October 25, 2011
by Timo Seppa and Tom Awad
A few strange names still make the list, but they're not quite as outlandish any more.
October 17, 2011
It's only a handful of games, but Phil Kessel's hot start is sure making VUKOTA look good.
October 5, 2011
by Timo Seppa and ESPN Insider
Rebound season for Ovi lies ahead, while Jeff Skinner should add to his early stardom.
April 12, 2011
As regular season wraps up, numbers say Canucks winger deserves the Hart.
April 5, 2011
The ageless Martin St. Louis is now the highest-ratest player on his team.
March 29, 2011
The Ducks forward has helped Anaheim back into the playoff picture.
March 22, 2011
The Penguins' star finally takes a tumble down the rankings.
March 15, 2011
The Canucks forward reigns as the NHL's top player.
March 8, 2011
The Blackhawks forward has been the NHL MVP since mid-January.
March 1, 2011
The Los Angeles Kings' center moves onto the top-10 skater list.
February 24, 2011
Season after Henrik claims scoring title, Daniel on pace to lead league in 2010-11.
February 15, 2011
The Tampa Bay Lightning forward regains the top spot in the rankings.
February 8, 2011
Canucks' forward jumps Steven Stamkos and Sidney Crosby on latest edition of PPR.
January 25, 2011
Player Power Rankings sees two familiar faces head the skaters and goalies lists.
January 18, 2011
Rangers stopper rise up goalie rankings as injured Sidney Crosby still tops skaters.
January 11, 2011
Player Power Rankings has the Sedins and Ryan Kesler all on the list now.


text: O Lauri Apple on Jezebel Fuck you anyhow Gwyneth paltrow not popular Celebrity Country strong actresses GOOP Time Magazine america's sweetheart Gettypic Cee lo green fuck you 1/08/11 12:00pm 1/08/11 12:00pm Edit18,918g1154LEShare to KinjajFacebookiTwitterkTumblrK Poor Gwyneth Paltrow"If there's an opposite of America's Sweetheart, she's it," says Time in its review of Paltrow's new movie, My Acoustic Guitar and I Are on a 14-Day Elimination Diet. Burn! Gwyneth should send them a copy of her new song. LDiscuss


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Thursday, April 5, 2012
Saratoga Citizen wins Charter change appeal. Vote up for the fall?
Well Pat Kane will be celebrating. I will say he deserves too. No one fought harder for this than him.
So congratulations Pat.
Just stay off Caroline Street, it's not safe you know.
Let me the first of no doubt many to nominate my good friend Ed Spychalski for City Manager
Full Decision HERE
21 comments:
Ron Kim for city manager and Lew Benton for Mayor.
Let the good times role - April 5, 2012 at 12:06 PM
Oh, shit
- April 5, 2012 at 12:15 PM
Somewhere Val Keehn is smiling
- April 5, 2012 at 12:16 PM
Group homes will now be running the city,nice job Scott you should resign.
- April 5, 2012 at 12:24 PM
It's interesting that the courts, according to the Saratogian website, didn't say that the charteristas had filed an adequate financial statement instead they said THEY DIDN'T HAVE TO GIVE ANY FINANCIAL ACCOUNTING OF WHAT THEIR CHANGE IN GOVERNMENT MIGHT COST. Wow! This group from the beginning has suspiciously refused to give any serious answer as to what this plan would cost the city. How sad that the courts have ruled this is unnecessary. Just because the court said this doesn't mean it's right. Hopefully the public will see that not only are they presenting a sloppy unfinished document but will keep asking the question--what will it cost??
- April 5, 2012 at 12:35 PM
- April 5, 2012 at 12:46 PM
So how is the government proposed in this charter change like the SSHA? Let me count the ways. Well, there are the staggered board terms making it impossible to remove the whole board/city council at the same time or even to get a new majority in place in a timely manner. Then there's the set up that the board/council chooses the Executive Director/ City Manager (alwalys an exemplary person no doubt). And then there's the contract that has to be dealt with to get rid of an undeisrable Executive Director/City Manager....
Oh, but we will always have a city council made up of outstanding citizens (a professor, a nun, and a not for profit former exec dir perhaps) who will choose the perfect, faultless person to govern the city and who will have the perfict contract that will both have enough benefits to attract the perfect faultless person for the perfect affordable salary (better than a principal??) and yet have the perfect escape clause so the perfect faultless person can be let go at any time without penalty to the city. Not that you would ever want to because the perfect, faultless city council members would never have to fire the perfect faultless city manager in the Land of the New Charter. - April 5, 2012 at 1:08 PM
- Kyle York said...
QUICK, Mayor Johnson-- To the Barricades!!! To the City Treasury!!! Better yet, To The SUPREME COURT!!!
NOW is no time to give up on your Superior Wisdom! SPEND like there's No Tomorrow... and one day you're BOUND to be right. - April 5, 2012 at 1:26 PM
Kyle you are a DICK as usual and good for Pat Kane. Maybe Eddie can get his son a job for the police with all his experience in security and all. Eddie for city manager. Great choice. Of course we will have to send him for training somewhere extravagant.
- April 5, 2012 at 3:02 PM
I got 400 voters that are voting for a change, this form of govt. is ancient & way passed its usefulness
- April 5, 2012 at 3:22 PM
If we do get a new form of government the last thing we would need is any of these current council members. We need a CEO type with many years of experience. Not John Franck or Scott Johnson.
- April 5, 2012 at 4:28 PM
Looking for a CEO type to run our city government? What a great idea. You mean the kind of smart guys who ruined our economy with all those very smart derivitive moves? Why don't you try Goldman Sacks or Bank of America. I'm sure they have a bunch of smart CEO types hanging around you could interview for the job.
- April 5, 2012 at 5:09 PM
I think the Mayor was very smart to try this lawsuit. Wasn't the city joined in the suit by an association of local governments all concerned about the same thing--a bunch of irresponsible crazies getting something on the ballot without being held accountable for telling the voters what the financial impact would be. If they don't have to do it by law they should so it anyway. Why wouldn't they unless they're afraid the numbers would scare away voters..
- April 5, 2012 at 5:13 PM
An unelected group not accountable to anyone will be responsible for changing the government to fit their standards and job decriptions. Don't forget along the the City Manager comes an assisitant city manager, a budget director and at least two administrative people that would be additional. The balance of the positions will be held by current staff. Will not each department need someone to generate a department budget for the City Manager to critique and review or does this one person run the Planning Department, the recreation department, the new HR Director, follow up on all contracts etc. etc. What will be the search charges and commission, relocation charges of at least one person, rolling contract???(who would relocate without any guarantedd contract or buyout and on and on. The new Council will show up once a month with no ongoing knowledge of what has transpired operationally in the City and in their eight hour meeting will bestow their wisdom on the new City Manager. You can't make this stuff up. We will get all of this for only $110,000 for the City Manager who obviously will be given a bicycle to ride to work because he will be able to live on affordable 5th Ave.
- April 5, 2012 at 7:45 PM
For $110,000 you get a cop (who earns overtime)
For a city manager, you pay a lot more. Heck, Ed gets $152,000, a couple of trucks, expense paid trips a couple times a year, etc. - April 5, 2012 at 8:29 PM
on the article in the saratogian today on wilton raising the city of saratoga springs taxes,well well...how does it feel?its been happening to all of us law-abiding taxpayers since polititions arrived on this planet. as far as frank saying $60,000 thats sombodies salary..i hope he wasnt referring to the jobs over at the housing athority!!!!! hahaha lol
- April 5, 2012 at 9:23 PM
Franck is losing it! He is power hungry and is knee deep in the plan on South Broadway. Lets buy up all the property along there with Parillo and we then have our own little monopoly. He is on our council as it exists now and is about scam the taxpayer all to line his pockets. Sorry Johnny boy. We the taxpayer is watching.
- April 5, 2012 at 9:43 PM
If the Appellate Division ruled for the Mayor, Saratoga Citizen would have appealed to the Court of Appeals and the current City Council would not have funded representation for the City.
Clearly, the current City Council will not fund an Appeal of the Decision in favor of Saratoga Citizen.
The Mayor's only choice, I would say his obligation, is to appoint a Charter Review Commission, and direct that their work product be available for a vote this November.
This is the Mayor's prerogative and will engage and enlighten the general public.
The Saratoga Citizen "proposal" is undemocratic, horrendously expensive and designed to line the pockets of, guess who: It's sneaky,leaky (Democrat and Republican) financial supporters. - April 6, 2012 at 12:41 AM
The Mayor has promised a certain group in the Community that HE would form a Charter reveiw committee and HE will be held to that,I would have never thought a judge would have ruled in favor of a group hell bent on a vendetta against Mayor Johnson that would throw the City into a financial abyss.The model government that Saratoga Citizen has copied is a carbon copy of the SSHA's ruling body it ='s corruption,no transperancy and accountable to no one just what the taxpayers of Saratoga Springs is looking for...put it on the ballot and lets send in down the road along with Spychowski and Brunnell.
- April 6, 2012 at 9:02 AM
Well, ironically, Scott Johnson fought this. However, if it passes, he will be THE MAYOR. a real Mayor, like Jerry Jennings. Franck, Mathieson, Madison???? Little, at large, city counsel members. We will probably increase the number of cousel members further marginalizing these folk. Mathieson will not run the fire and police departments anymore. Good times ahead.
- April 6, 2012 at 2:44 PM
Actuallly the Mayor won't be a mayor like Jennings. The unelected City Manager will do ALL the hiring and firing in city hall. The mayor under the proposed charter won't have any more power than now but actually less as the unelected City Manager takes over some of the duties currently ascribed to our elected Mayor. Democracy in decline
- April 6, 2012 at 6:56 PM