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214 ads for
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iPhone 5 64gb white mint £360
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IPhone 5, 16GB, white
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Iphone 5
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iPhone 5
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Older than today
iPhone 5 on O2 network ( black )
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iPhone 5 16g perfect condition.
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wanted,white iphone 5...unlocked or on THREE
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iPhone 5 16gb Factory Unlocked
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Iphone 5
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Iphone 5 in Merchant City, All Classifieds (214 ads posted)


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George Zimmerman trial: Six women weigh a silent man's future
The George Zimmerman jury has resumed deliberations in Sanford, Fla. Six women have an unenviable task: Measure justice in the case of a neighborhood watch captain who kills an unarmed teenager.
Nationally engrossing for its commentary on race relations and gun rights, the trial of George Zimmerman for the murder of Trayvon Martin inched closer to resolution on Saturday as six jurors – all women, five of them mothers – continued to deliberate the extent to which, if any, Mr. Zimmerman bore responsibility for the death of Trayvon Martin, or whether he lawfully defended himself from an attack.
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In Pictures Florida vs. George Zimmerman: Case closed?
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In the middle of the Zimmerman murder trial is a cone of silence, a two minute span that was never illuminated or explained during the trial by the lone survivor of a deadly encounter between two people – one an armed neighborhood watch captain, the other a black teenager minding his own business – on a rainy winter night in Sanford, Florida, in 2012.
Jurors have three paths they can take as a group: Murder 2, if they find Zimmerman had, as prosecutor John Guy said, "hate in his heart" when he followed, confronted, then shot Trayvon after a fight; manslaughter, if they find Zimmerman acted recklessly and without justification; and not guilty.
Legal experts who watched the entirety of the trial, which ended with closing arguments on Thursday and Friday, say that within those options lies the potential for a just verdict.
"Juries are famous for coming back with compromised verdicts, which means they have different ideas about what the evidence is," says Bob Dekle, a trial expert and law professor at the University of Florida, in Gainesville. "But even in those cases, what often happens is they work out a middle ground, which in this case could be manslaughter."
According to Dekle, Zimmerman has a solid self-defense case, given injuries to his nose and face. But the jury, he says, may also, within the boundaries of manslaughter, find that he exhibited "culpable negligence" – in other words, that his negligent decisions set in motion a series of events that culminated with the death of a person legally defined as a child.
"What is that when a grown man, frustrated, angry, with hate in his heart, gets out of his car with a loaded gun and follows a child?" said prosecutor John Guy, who had the last word to the jury before they took the case Friday. "A stranger? In the dark? And shoots him through his heart? What is that?"

subset: commoncrawl


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After 15 years in service, a defunct Russian satellite plummeted towards Earth on 7 April »
This enormous tornado erupting from the surface of the sun is big enough to swallow the Earth. In fact, it could swallow five Earths »
What clues about life in our solar system are encased in the millions of tonnes of meteorite that pummel our atmosphere every day? Wired.co.uk met astrobiologist Zita Martins at the Royal Society's Objects in Space exhibition to find out »
Nasa has announced that 1,091 new transiting extrasolar planet candidates have emerged in data received from planet-hunting space telescope, Kepler. It brings the total count up to 2,321 exoplanet candidates. »
On 2 March in 1972, Nasa launched Pioneer 10, an unmanned robotic space probe that was sent to explore the outer solar system. To commemorate this launch, Wired.co.uk is launching a competition to test our readers' creative flair »
GJ 1214b, a planet some 40 light-years from Earth, is a water world. It's almost entirely made of liquid, is boiled to an estimated temperature of 230C and is enshrouded by a steamy atmosphere »
US president Barack Obama has unveiled his proposed 2013 budget for Nasa. If approved by Congress, Obama would cut the space agency's budget by $59 million, slash scientific exploration of Mars, but increase human exploration of the solar system »
In recent weeks, a pair of high-resolution images of the Earth has captivated the public. Taken by the Suomi NPP satellite, these pictures portray our planet's incredible beauty »
Responding to public demand, Nasa has created a companion image to its recently-released Blue Marble 2012: this time focusing its lens towards the East and showing Africa, Saudi Arabia and India »
Nasa has released this incredible high-res image of the Earth, taken by the recently launched Earth-observing satellite, Suomi NPP »
Geologists have discovered that the enormous Ubehebe Crater in California's Death Valley was created far more recently than previously thought. In fact, most estimates were about 5,000 years off »
A violent sunspot eruption on the surface of the Sun has kicked up a solar flare, caused a coronal mass ejection to fling itself towards Earth and started the strongest solar radiation storm since September 2005 »
The International Earth Rotation and Reference Systems Service (IERS) in Paris -- the grand arbiters of time on our big blue marble -- has declared that a leap second will be introduced on 30 June, 2012 »
Fragments of Russia's ill-fated Phobos-Grunt spacecraft, which suffered from an engine failure after launching towards Mars last year, could fall to Earth on 15 January according to a spokesman from Russia's military space forces »
Looking more like a painting than an astronomy photograph, the Omega nebula glows with vivid colours in this new image from the European Southern Observatory's Very Large Telescope »
Using data from Nasa's Kepler space telescope, Astronomers have discovered two cosmic super-survivors. A pair of deep-fried planets that were engulfed in the violent death throes of their parental star, and lived to tell the tale »
Nasa's Kepler space telescope has detected two extrasolar planets that are not much larger than Earth, and possibly smaller, making them the smallest exoplanets found to date »
Delegates from more than 190 countries reached a last-minute agreement over climate change responsibilities on 11 December, at the UN Framework Convention on Climate Change (UNFCCC) in Durban, South Africa »
This rainbow-coloured map of the asteroid Vesta, obtained by Nasa's Dawn spacecraft, offers proof that the pumpkin-shaped rock is more like a terrestrial planet than most of its asteroid belt siblings »
Games might just be the best way to get the point across about climate change, pollution and other-such environmental concerns. Yes, even better than an Al Gore movie. »
So, you've decided you need an iPad. Here's the rock-bottom cheapest way that it's possible to get it »
If you're designing futuristic aircraft, it helps if your research lab looks like one, too. Dutch designers Frank Havermans and Ronald Rietveld created this mobile studio to tread the runway of a former Royal Netherlands Air Force base near Utrecht »
Wired.co.uk looks at the best Android tablets for kids on the UK market in December 2013 in this buying guide »


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michael, you know the old time/money/quality equation, right? you can get two of the three. so given that it's gonna be great, be prepared that it will take a long time. just hang in there.
The Mentoring Room - Ask the Working Pros
This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.
In reply to Kaoru Wang's post on Fri 16 Apr 2010 :
Kaoru, as I had mentioned before you went to Sundance, you have a great idea and how you tell the story is more important than getting grant app samples. If you can mold a compelling story, the grant will come. How you write a grant for your app will be different from someone else's project. I'd focus on galvanizing the story and be innovative on your distribution strategy. Most of us are still swimming in DIY confusion, so if you think you have a handle on it already, then write it down. I also think your logline is still too vague. I think "Society" and "a world that doesn't exist" are too general. Once you get a better handle on your story, then the logline will be easier to write. Mostly, funding takes time. We all get rejected, sometimes multiple times, before landing funding. If your heart is in the story, it'll get done, with or without, funding.
In reply to Marina Pessoa's post on Mon 5 Apr 2010 :
Marina, in Lima and Arequipa you don't need to bother with permits unless you're looking to film in a national park. The Peruvian national parks usually ask for between US$ 500 and US$ 1,000 a day. If you are in that situation, get in touch with the park beforehand as there is almost always a way of working around these fees. As for a van driver in Lima, unless you are planning on setting up to shoot from the van, you're best off just using taxis. You will never be without one in Perú.
Hi, I am currently directing a documentary film on the Indian side of Kashmir on local artists in the aftermath of the conflict. I was wondering if any filmmakers had any fool-proof methods to list and organize Mini-DV tapes and also to import and organize footage on FCP? I feel like somtimes I don't know whether I am organizing things properly and in a useful manner for when I start to edit. Anyone have any tips?Thank you!
You are smart to think about this now. It will save you a lot of frustration down the road. I don't know your level of knowledge, but make sure you number the tapes and change the "reel number" when digitizing so that the clips correspond with the tapes. Use the log notes or comment section since they are searchable. Name the clips by subject, date or however you want to organize your movie.
There are loads of tips out there, and I bought this DVD to get me started. It's pretty good, albeit overpriced, but I was desperate at the time.
I'm a PhD student who's a budding visual anthropologist/documentary filmmaking. I've saved up money for a camera, and I'd love some advice.
I've saved close to 10k for a camera. That being said, I won't be doing the bulk of my shooting for my dissertation for another 2-3 years. I'm tempted to spend around 2k for a camera now, save my money, and make the big splurge in 2-3 years time. I figure the technology will be better for the price if I wait.
Should I do that, what is a good camera in the 2k range? I'd love something with two audio inputs and something gives me multiple options for fps and something with a detachable lens. I'm guessing a 2/3rds chip is insanely greedy given my price range, although if it wasn't too much more or if people thought it was that much better, I'd think about it.
Any thoughts? I've been making movies for a year, so the world is still new to me, but I'm trying to learn as much as I can so any word of advice would be appreciated.
In reply to Noam Osband's post on Sun 25 Apr 2010 :
Noam, my advice is to save your money until you are ready to make the big purchase. The technology landscape is changing so rapidly that postponing your purchase for 2-3 years until you need the gear will save you money and buy you significantly more product when you are finally ready to spend. If you must get your hands on something now I would suggest one of two routes.
(1) Get the Canon Rebel DSLR (T1I), and a decent lens or two for it, and start getting comfortable with the format and the shortcomings. That's what I would do if that money was burning a hole in my pocket. Then in a couple of years you can upgrade to the best bang for your buck equivalent to the 1D/5D/7D and you'll already be comfortable with the format and have lenses that fit your upgrade. You will not go wrong with DSLR as a format choice. The adoption rate there with filmmakers is phenomenal.
(2) Alternately, go low end and get a flip HD camera. It is small, cheap, and gives decent enough output. The advantages are that you are more likely to carry it with you, and it would not be obtrusive when you do break it out. This would allow you to cheaply spend the next couple of years getting comfortable busting out your video camera and thinking about shooting always. In my opinion, documentary is as much about the quality of the equipment as it is about the visual eye of the cinematographer and just being there with a camera shooting. This would allow you to spend a few years learning on the cheap and developing a visual eye, so when you are ready to spend more bucks you have developed a better sense of what your priorities are.
Also don't neglect sound in your budget. You'll need an external sound recorder and higher end mics, which means less to spend on a camera. If you did end up spending $10k on a setup, I'd recommend 60:40 ratio of spend on video to audio at least. Audio is far too neglected by new filmmakers, and it's at least half of your presentation in a film.
I'm skeptical of the DSLR's because you can only shoot 12 minutes at a time. Similarly, the HD camera is way below what I want equipment-wise, both in terms of image quality, but far more importantly, sound. I'm hoping to find a camera that has XLR inputs. With that in mind, are there any cameras you can think of that do HD, have XLR inputs, and get good HD images in the 2-2.5k range?
thanks for the help!
In reply to Noam Osband's post on Tue 27 Apr 2010 :
I was skeptical of the 12 minute limit too, but it's proven to be less of a practical concern than I anticipated. There is a long history (and workflows) for dealing with those types of issues ... super-8 and 16 both had carts with similar constraints. You are doing yourself a disservice ruling out the platform for that reason alone. Also, the Panasonic GH1 does not suffer from the exact same issue.
I don't know of anything that meets your criteria. Any camera in that price range, even if it has XLR in, is going to make audio sacrifices. You're better off with an external recorder and sync sound, using the camera for dual-system to make the sync easier in post.
Don't rule out a flip video camera either. If you spend the next two years indoctrinating yourself to bring the camera everywhere and to use it always and focusing on your technique, you'll get a lot more for a lot less – and you'll know exactly what you want/need when the time comes to buy the full setup. It's less about the gear and more about the mindset and "eye" than you might think.
Thanks for help with thinking about a camera. Some audio advice would be helpful too. Vis-a-vis audio, my thinking is that I'd like a shotgun mic, two wireless lavs, and a sound mixer. I'm thinking of a shotgun attached to the camera and not a boom pole because much, if not most, of the shooting I'll be doing in the near future will be a solo job.
A few questions then:
1 – In looking at a camera, should I only want something with XLR inputs or is something like a Beachtek sufficient if the camera has no XLR inputs
2 – Even if it does have XLR inputs, is an audio mixer a good idea? It seems from speaking with the people I've spoken to that it is.
3 – In many ways, what I buy depends on my budget which isn't yet set. I'm willing to spend a couple thousand on audio if it is that much of a step up from cheaper things, although I'm not planning on buying top of the line. I have no sense for how much better a $1,000 shotgun is from a $500. With that in mind, any recommendation for any of the audio equipment?
In terms of what I'm shooting, I'd like versatility. The longer project/dissertation is a documentary about migration to Arkansas which will include both individual interviews and crowd scenes at events. I'd love to have versatility with my equipment so I feel like I can have a decent chance at getting good sound no matter what I'm shooting.
Any advice would be greatly appreciated!!!!
In reply to Noam Osband's post on Wed 28 Apr 2010 :
Noam, my best advice is find an audio geek local to you, pick their brain, and see if they can demonstrate the differences in quality of different pieces of gear to you.
So, I've been doing research all week on buying my first shooting setup, relying in part on the friendly advice from this site, and I think I'm close to making decisions and I figured I'd ask to see what people thought.
Panasonic AG-HMC40 and its XLR adapter (I considered the Panasonic AGHMC70U, but reviews I read seemed to steer me in the other direction. Let me know if you disagree!)
I'm going to get a bunch of SDHC-6 cards. I have not heard any recommendations about brand.
Either the Manfrotto TRIREMOTEKIT Aluminum Video Tripod Kit or Manfrotto BO055XB503H 055XDB Pro Tripod with 503HDV Fluid Video Head. The first one has the ability to do remote panning and tilting, although I wonder if that's a feature I'd ever use.
Audio equipment:
For a shotgun mic, I'm deciding between the Rode 2 or 3. I have the money for the 3, and I'm inclined to do so for that reason.
For wireless lavaliers, I'm thinking either Senn Evolution G3 100 wireless or the Sony UWP-V1. Both have been recommended to me.
I'm also tempted to bring around a handheld mic for interviews on the go, when I can't wire someone with a lav. I'd use the shotgun on the camera and have them hold a handheld. In that case, I'm considering either buying a EV-RE50 or just using the Shure SM58 I have at home for music recording.
Regarding cables, are there any brands one recommends for XLR cables?
As for my work, I'm doing documentary work in rural Arkansas and will often be shooting solo, so I'm not going to get an audio mixer.
Regarding all of the above, I have more money to spend if someone thought I really should upgrade something. However, I'd just as soon not spend it so that I have money for more gear in the future. I'm planning on buying a much higher quality camera in about two and a half years, and any money I don't spend now can go to that. I also think I'm going to buy new and look for used for peace of mind, although if someone thinks that's dumb, please don't hesitate in telling me so.
Sennheiser G3 is solid- used on plenty of pro productions, which the Sony isn't. Get yourself some manicuring scissors and moleskin, and do a little research to learn how to best mount the lav- that will make a bigger impact on your sound than the choice of brand. Wouldn't recommend having subjects hold a mic. If you don't have time to place a lav, just get your Rode on-cam mic as close as possible (keeping in mind the pickup pattern of the mic) and try to find the quietest place nearby. You'll probably need a sound-isolating shock mount for your Rode or you'll hear camera handling noise and possibly lens noise. And you'll need wind protection for it if you'll be shooting outside- get something like this that fits your mic. Turn off auto gain control on your cam and set levels manually.
D-word can help with tech stuff, but is better suited for creative issues. You'll find more detailed tech advice at a place like dvinfo or dvxuser. Good luck, and come back and post some of your work when you're ready!
Also, take a listen to your mics before you invest in them. They'll last you awhile and you don't want to get stuck with one that doesn't sound as good as it might seem from reading a review. I just did that with a MKH-416, NTG-3, and NTG-2. And while I liked the sound of the MKH-416, I couldn't justify its price in relation to the other two, and of the two Rode mics, I was surprised to find that I liked the NTG-2's sound quality better for what I was planning to do (and ended up saving even more money that I used for a boom, shock mount, softie, etc.). If you make a trip to NY in the future, Pro-Sound in NYC will let you audition a bunch of different mics. There might be a place in Philly that will even do that (a rental house, perhaps), though I can't speak to that from experience. Good luck!
B and H in New York will also let you test all the mics that you consider. THey have an audio room.
You could go to Videosmith in Philadelphia. They are a dealer for Sennheiser, Lectrosonics, and other manufacturers. In the past, they've come very close to matching B&H prices with the added advantage of being local and offering local support. Tell Chris I sent you.
Hi everyone I am in need of some guidance. I am working on a documentary "Life In The Balance" and so far we have received over $30,000 in grants and have a funding trailer set up and 501(c)(3) status through our fiscal sponsor, Fractured Atlas. yeay...BUT we need more money and soon, we wanted to shoot this summer so we can get into post by the fall ... Does anyone one have any advice on where to go for money, who to ask.. our project focuses on a testing procedure that can determine what cancer treatment will actually be effective to the the individual, basically tailored chemotherapy. Any and all advice will be welcome..Follow the link below to view our funding trailer which we created from research footage shot on a basic consumer camera If you or anyone you know are interested i will certainly send more info and a proposal your way..
i have also provided a link to our information/donation page through Fractured Atlas
perhaps you know this already, but since you are working in NYC, you should probably start applying for funds from both the NY Foundation for the Arts and the Jerome Foundation . there's no way that you would get money from them in time to shoot this summer, but it's good to get those applications in the queue now. since your doc also deals with science, you might want to try for funding from the Sloan Foundation
thanks so much I'm going to look into those 3 straight away, i have heard of them but i know that they won't provide funding in time... i think im gonna have to hold some fundraisers if you or anyone out there know of people who would like to invest in such a project let me know..
Yixi, you have enough experience to register for full membership here. It will give you access to our discussions on fundraising and many many more.
hi everyone! i'm currently a grad student in new york (working on my mfa for doc studies), but i'm coming home to the boston area for summer. anybody have any suggestions for summer work?
But seriously, Stephanie, if you mean an internship or, heaven forbid, paid work with a Boston area doc filmmaker, I recommend you post something in the Classifieds topic. And give people here a good reason to want to hire you.
In reply to michael gatti's post on Sun 18 Apr 2010 :
Michael Gatti...My suggestion to you if you need stock footage to make your film complete, gather the footage from any source you can find and cut the movie that you want to make. Later on down the road, you can show the finished film to investors or you may find that you can fair use that footage if it meets the right criteria. Don't let stock footage hold you back. Watch Bigger Stronger Faster and look at all of the big movie clips we were able to use and not get into trouble. A great lawyer can go a long way...I really think your doc is a great idea. It's something that frustrates me everyday...maybe people at the call center in India can also help you with your dilemma...haha...Good Luck!
In reply to Elayne McCabe's post on Wed 21 Apr 2010 :Why don't you ask me??I've sent you so many friendly mails offering my help to you and knowing your situation it's hard to believe that you did not reply then only to the one I asked my things back.Did you really got all my mails or has somebody tampered with your account?Please reply to my emailadress.Thanks
Sorry if this is off topic for here but I can't find an answer anywhere.
It's about editing audio in Vegas Pro 9.
I added a sound track and recorded voice over to it quite OK.
But something has changed and now when I select Arm Record it arms record for ALL tracks not just the one selected.
So the question is : How to select which track gets armed for recording ?
Again sorry if this is off topic but I have tried all the Sony help services.
I wanted to make sure early-career filmmakers participating in this discussion are aware of our Reach Film Fellowship program at Cinereach. It's for emerging filmmakers making short films with socially relevant themes and provides not only funding, but also mentorship and advising from industry veterans. All the info can be found here: http://www.cinereach.org/the-reach-film-fellowship. Deadline to apply is July 12.
Prospective applicants, please feel free to contact me if you have questions. I'm firstname.lastname@example.com.
I'm a first time independent documentary maker and am currently working on a feature length project. I'm almost at a point where my filming/editing/writing skills have taken me as far as possible and was wondering whether there was any other type of lab support programs, similar to the one Sundance run where I could work with experienced professionals in developing/finishing the film.
Being a first time film-maker and based in Australia, it's tricky to get placement in the few that i've found – generally for basic requirement reasons.
Teaming with a production house could obviously provide the equipment and know-how to complete the film, but I'd like to remain independent and in control for as long as possible. Which essentially is because I want to experience and learn the entire process, from start to festivals, or sale.
I have quite a unique project, in that I lived in one of the few remaining prehistoric, hunter-gatherer societies still surviving for an extended period. From what I can see there is very little known about these people, and their culture. So there's attraction in that aspect. I've been so intrenched in the whole experience for such a long time, that some external perspective from credible industry professionals would be invaluable at this point.
If anybody knows of any programs as such, that will support first time film-makers to help produce the best film possible with professional advice, guidance & potentially the equipment , I'd love to hear from you.
I'm in Australia, but happy to travel if it's what i'm searching for.
Its support that I can be involved in and learn, not grants that i'm after.
Hi Rob,
Sounds like you need to bring on an experienced producer or executive producer, who is keyed into the film industry and can guide you through completion. You're saying you're not interested in grants, but regardless, all the things you're seeking (professional assistance, equipment, etc) would be much easier to acquire if you had a budget with which to acquire them. Additionally, though granting is highly competitive and is in no way a sure thing, it does force you to collect your thoughts and sample work in order to pitch your project to those with not only funds, but connections and other means of helping you to the next stage. Even grantmakers without an official lab program, will have an incentive to help you advance your project. Receiving a grant also demonstrates the potential of your project and helps rally other support. This is one of the best ways to take your project to the next step.
If funds are really not an issue for you, I suggest you hire an experienced Producer who has worked on similar project and has a connection to international broadcast networks, etc. If your project is not funded, why not apply for grants? It can only help.
In the meantime, Cinereach has a grant deadline for feature fiction and nonfiction films. It is open to international filmmakers at any stage of the production process. Sounds like you are new to the field, but if you have compelling sample work to show, and it is in line with the Cinereach mission, it is worth filling out our short, two-page letter of inquiry form and submitting a work sample. Here's the how to apply page:
You might also want to explore Britdoc, The Fledgling Fund and others like them. We also have two resource lists on our web site that you can explore:
Best of luck,
rob, i have no idea what kinds of filmmaker mentoring programs are available in australia, but you should definitely apply for a Sundance production grant. even if you don't need the funds – is that possible? – getting a grant from Sundance means that you then qualify for their filmmaking labs. (they only invite filmmakers who have received money from them.) with your incredible access, and hopefully your filmmaking ability, Sundance would certainly be interested in your documentary. so, get an application into them ASAP!
In reply to Christopher Wong's post on Tue 25 May 2010 :
In reply to Reva Goldberg's post on Tue 25 May 2010 :
Hey Chris & Reva,
Thanks for your time.
Let me clear something up, I probably should have written 'first and foremost, it's support i'm after, even before grants'. Of course a grant would be fantastic! It's all borrowed money thus far.
Anyhoo, I wasn't aware of that with the labs at Sundance Chris, I will look at sending in an application for the July period.
Some great points Reva, I guess I have just been avoiding the time and energy commitment into chasing grants as I have been able to get by up until now. So with a new-found inspiration I have structured a written proposal to apply, just need to work on the budget; which is a little daunting as I have never seen quotes or estimates for post production services before. Will be great to have once completed though, as you pointed out.
I look forward to thoroughly researching cinereach in the coming week also.
I am almost finished the film's website which will help support my proposal too, and with building awareness going forward.
I gather you're working with Cinereach at the moment Rena?
What about yourself Chris? Are you a film-maker?
All the best,
Rob – click on a D-Worder's icon to get their background and films
Also no need to sign your posts with your initials as your own icon gives your name.
Hi Rob,
Yes, I guess I can say that I'm a filmmaker now that I just finished my first film last year. My doc (WHATEVER IT TAKES) just aired nationally on public television here in the U.S. For my film, I received a production grant from Sundance in 2007, and I attended Sundance's Story/Composer's Lab in 2008.
Good luck in getting your application in. It's obviously a VERY competitive process, but you definitely have a unique subject and rare access which should help your application stand out from the crowd. Don't worry too much about the budget numbers – they don't over them in great detail at this point. But if you need approximate budget numbers, feel free to ask this community for figures.
In reply to Christopher Wong's post on Thu 27 May 2010 :
Hey Chris,
Yeah I had a look through the WIT website, congratulations on your success. I look forward to viewing the film. I spent some time scribbling out a rough budget this afternoon so I've almost got a proposal together now. Definitely an exciting stage or the process.
I'm looking at applying with Cinereach too.
Thanks for your help.
just so you know, documentaries produced here in the U.S. routinely cost anywhere from $300,000 – $500,000 to make. so, make sure that you compensate yourself fairly in the budget (for each and every job you performed, even if it was a one-man band), and don't budget for too low a figure. if your figure is TOO low, that might be a red flag to funders that you don't know what you are doing... for me, i remember originally budgeting for $120,000 (when i was young and clueless); however, my final budget came in at just under $400,000.
Mmm interesting, thanks Chris.
I've listed the following budget categories for the films completion;
- Editing
- Sound
- Music
- Color Grading
- Animation, Graphic Design
- Format Transfers
- Festivals (Appl. fees, Shipping, Other expenses)
- Travel (Airfares, Accomodation, Expenses)
- Marketing
- Publicity
- Legal Fees
- Insurance
Is there anything I'll left out that you think should be added?
The figure is currently hovering just above your 'young and clueless' total so I may need to reevaluate. Starting with the figure allocated for my own workload!
In reply to Rob Henry's post on Thu 27 May 2010 :
Best to become a member. It'll give you access to invaluable information on the nuts and bolts of all aspects of doc filmmaking. I've learned boatloads.
In reply to jade wu's post on Fri 28 May 2010 :
Thanks Jade, I have applied.
I'm trying to figure out a light tripod setup and i wonder if you guys have any thoughts:
My plan is to get either a Manfrotto 503HDV head or a Libec H38
I want to combine it with one of the following 3 legs I found used on B&H. Any advice would be welcome. I feel like I'm sure one of the links below is going to be laughably wrong for me:
Is a documentary showcase like IDA's DOCUWEEKS a good opportunity for filmmakers?
All of the Libec stuff I've seen is utter crap. I would avoid their products. Gitzo makes great stuff. Should last a lifetime.
Noam, I actually checked out those Gitzo legs today at B&H. I'm not sure what camera you're using, but I wouldn't put much weight on those- they're pencil thin. I needed a lightweight travel tripod for my 5d, and put the Manfrotto 701 head (not recommended unless you really need to cut down on weight) on the Gitzo 2531LVL legs. This setup also gives you a ball leveling mechanism, which is crucial for fast setup, so you don't have to spend a bunch of time messing with the legs. Whatever you get, you should get something with a leveling mechanism (usually in video, you get a head with a ball level base, and attach it to legs that have the proper size bowl- probably 75mm for you).
I just finished my 2nd short documentary! 'Filipino Rice Policy', It discusses the corruption behind this massive monopoly in the Philippine rice trade and the future of Agriculture Policy in the Philippines. I would love to hear your criticism and thoughts on what I should do with it. It's only 23-minutes
you can email me at: firstname.lastname@example.com
link: http://www.vimeo.com/11989163
Magee Clegg
I'm currently working on a series of small segments for my website, all of which are documentary-style segments that have to do with cars and motoring. During some of the filming, we will be on a race track that a friend of mine manages, and some of the other filming will be done on the road leading to the track. It's a very remote road that not that many people go on, but what I'm worried about is if someone does drive down the road when we are filming. I'll have basically myself along with a camera car, and two people setup on tripods along the road. How worried should I be about if someone drives by when we are filming, or something like that? It would be quite difficult to chase them down and ask them for a release, obviously..
Wouldn't worry a bit about that, Matt. If they don't speak on camera, or featured prominently, I don't go after them with releases.
an art school (that i am not a member from) is interested in giving me financial support for a documentary about a new school classical music concert from one of their students. they were very vague about the amount of money they wont to spend on my film.
so my question is: do you think it is more clever to get there with a detailed and rather expensive budget or should i go and propose a small budget?
its my first business talk like that and i would be thankful for some directions in the policy of such meetings..
thanks for the help,
They probably have no idea of the amount of work this can entail – have they said, for instance, how long they want the finished film to be? Also a "new school classical music concert" is not necessarily even a film.
The bottom line is to decide what is in it for you – a calling card, for instance or because you like the music student? Either way, it's unlikely you will make much money from this. Try and draw up a ball-park figure of the projected number of shooting days.
thanks john
yes, it is because the student is a good friend of mine.. and i am definitely not doing it to make much money, but of course, i'd like to get the most from them, also to get the best result out of it.
since they leave me a lot of freedom in deciding how the final film is gonna look like, i think i'll go in there and draw up three different possibilities, a cheap, a middle and an expensive one.. and i will take it from there and see how they react.
but thanks for the hint with the shooting days,, i think thats a good approach to the discussion.. and i will definitely do that..
I am starting on my second documentary, and running into some difficulties that I didn't come up against on my first one. I have been in preproduction for a documentary about this monument in the Nevada desert. The man who made the place-it was his home and somewhat of a commune in the 1970s, died in the late 80s and willed the place to his son. His son has made it into a park for people to visit while traveling by. I want to make a documentary about how the place affected the people, who lived there, help build it, and traveled by. The son and I have been talking for a year, and we finally met last weekend for a video tour of the place and an interview with him. He wouldn't sign the release, and sent me a release he would be willing to sign. The altered release he sent me said that he would only allow me to do the documentary if I only covered certain things. It was very limited to me as the filmmaker. I traveled there 24 years ago and spoke with his father, the artist, and he let me take pictures, while he told my father his story. The artist had 16 children, 5 of which, wear raised at the monument.
My question is, do I need the owner to sign the release? What rights does he need to give me (if any) to use the place and his fathers history in my documentary?
I would think that his siblings stories are just as valid as his, and I have the right to tell their story if the share it with me. Also I have experience with the place, so can't I be telling my story and reference the place?
Thanks for any help you want to offer
My wife and I are working on our first full length documentary and would love your feedback. We've been successful with short documentaries so we're trying our hand at a longer project http://www.youtube.com/watch?v=rZf5WMplJhQ
Hey Doug, I'm not sure what kind of feedback you're really looking for. It'd also depend on how you define documentary film and who your target audience is. Perhaps you should have a showing with some people in your target audience and get feedback from them. Right now the film feels like a marketing piece for the Out of Africa Wildlife Park. Even from that perspective, the film feels much too long. Part of the problem, for me, is that it's really unstructured, repetitive in what is being talked about and the images you're showing, and takes a long time to present any new information--and the information that is presented is insufficient to sustain a 1hr20 film. You may also want to place the park in a larger context. Anyway, just some thoughts. Good luck with your project.
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How about a bi-weekly mortgage payment?
Jan 20, 2012
After refinancing my house with a low-rate, conventional 15-year mortgage, I received an offer to set up bi-weekly or weekly payments. What are the benefits and pitfalls of such a plan? Ron, Richmond Hill, GA
When money goals collide
Jan 19, 2012
We have achieved the goal of $10,000 in our emergency fund and now we're looking to put that extra money into retirement. However, in this uncertain market with dwindling returns, we're not sure that a long-term retirement fund is the best place to dump all our eggs. ... We have a fairly good mortgage rate of 4.75 percent. Our question is: Would it be better to focus on paying off our mortgage early while the market is so volatile instead of putting all that money into retirement? Every penny paid off to the mortgage early is money we aren't paying interest on, after all. Cathy, Bogart, GA
Cordray's plans for the CFPB
Interview by
Jan 13, 2012
Richard Cordray, chief of the Consumer Financial Protection Bureau, discusses what powers he'll have and how he plans to use them.
Goodbye, bank
Jan 13, 2012
My mortgage is down to $27,000, which I can pay off after topping off my cash reserve (1 year of expenses). Is there any reason not to do this? My interest rate is 4 3/8 percent. I'm getting about 1 percent in my money market account. I have no other debt, and my 401(k) and IRA are maxed out. Ken, Portland, OR
Should I rent to move?
Jan 10, 2012
We'd like to move into a new home, but we aren't confident that we could sell our existing home without taking a large beating on our down payment. I know there's a dollar/cost average play here (i.e., the house we'd buy would be depressed as well), but I just don't like that. So lately I've been considering purchasing a second home and renting our current one as a way to get past the current housing slump. Question is: If I reduce my 401(k) contributions to save for the down payment and eventually fund the new mortgage, (say, down to 6 percent or so to meet the match minimum), is that a good idea, an OK idea, a bad idea or a really bad idea? Thanks! Dean, Atlanta, GA
Time to lock in mortgage rates?
Jan 5, 2012
I bought a condo in Bozeman, Mont., 7 years ago using a 5/1 ARM. When the 5-year period ended, I let it roll over into a 1-year ARM because the rate went down from 4.5 to 3.25. Then, last year, I did the same -- only from 3.25 to 3 percent. Come March, the 1-year period will expire again and I wonder if I should let this happen again, since rates will probably be low. Or should I bite the bullet, pay approximately $2,500 in closing costs to lock in a low rate for 15 or 30 years, but make higher payments? (My payments are ridiculously low.) Cindy, West Yellowstone, MT
Not many apartments available to rent
Jan 5, 2012
The vacancy rate for apartment fell to its lowest since 2001 in the fourth quarter as more people rented. But mortgage rates are also falling, so will people choose buying over renting soon?
2012: Good days ahead for housing
Hosted By
Dec 29, 2011
Gerard Cassidy thinks today's NAR Pending Home Sales index numbers are a sign that 2012 is the year the housing market recovers.
Rental rates one strong sign in weak housing market
Interview with
Dec 27, 2011
Home sales fell again in October, with one bright spot in the mix being the rise in rental rates.
Some regions show stronger home sales than others
Interview by
Dec 27, 2011
The S&P Case-Schiller Index is out today, and it shows home prices in October fell in 19 out of 20 major cities.


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Final Test - Hard
Name: _____________________________ | Period: ___________________________ |
This quiz consists of 5 short answer questions and 1 (of 3) essay topics.
Short Answer Questions
1. It is important for a man to remember that he should not dwell with whom?
2. What is the most important thing when making an agreement with a friend?
3. Who is accused of having vanity as a pain?
4. If a person is willing to be ____, he will be able to have whatever he wants.
5. What is the object of which the ancient tale speaks?
Essay Topics
Great disasters often start with small problems. Franklin refers to a leak in a ship and how it can turn into a catastrophe. The Titanic is a good example of this theory. Create a presentation about the Titanic, including the efforts made by divers to recover lost cargo and valuables. Discuss.
Along with his thoughts on creating good and honest relationships, Franklin also discusses friendship. In Franklin's opinion, friendships should be made carefully, nurtured and cherished. Some examples are as follows: "A father's a treasure; a brother's a comfort; a friend is both;" "Be slow in choosing a friend, slower in changing;" and "Thou canst not joke an enemy into a friend; but thou may'st a friend into an enemy."
Explain what Franklin means in each of these proverbs. How do they apply to your friendships? On what do you base a friendship? Do you make friends easily or is it difficult? Are you a good friend or a fair weather friend?
Franklin had a lot to say about using one's time well. This thought appears in several different areas, from being industrious to making time for leisure and through to being outright lazy. Following are three of Franklin's many citations on the topic. Explain each. Also describe what Franklin meant by laziness and leisure. Compare and contrast the two items.
"Up, sluggard, and waste not life; in the grave will be sleeping enough."
"O Lazy-Bones! Dost thou think God would have given thee Arms and Legs, if he had not design'd thou should'st use them."
"A life of leisure and a life of laziness, are two things."
This section contains 372 words (approx. 2 pages at 300 words per page) |


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The vice-president of Dessau, one of Quebec's largest construction and engineering firms, says the system of false invoicing to pay for political donations was a "cancer" that had spread "everywhere" by 2009.
Rosaire Sauriol, the second-in-command at Dessau, told Quebec's corruption commission this afternoon that his firm was involved in a false-invoicing practice to free up cash for political-party fundraising for five years.
But in 2011, with the mounting pressure of police investigations and media reports, the firm decided to come clean and proactively disclose the $2 million dollars it paid out in phony bills to get cash back, Sauriol testified.
The company paid back all the taxes it owed on that money, as well as interest and taxes that weren't recovered from the business that supplied the false bills and kept 10 per cent as its cut.
"That total was almost the total of the [fake] bills we paid," Sauriol told the commission. "So it cost the company $2 million."
Dessau, based on Montreal's South Shore, is a big engineering-construction firm that deals in large-scale transportation, building and infrastructure projects. The company grew rapidly, Sauriol said, and through the acquisition of other companies, it expanded into the rest of Canada and Latin America.
About 65 per cent of Dessau's business is in the public sector, Sauriol said.
During that expansion period, as the company was moving into more and more territory in Quebec — and more and more electoral ridings — the pressure to contribute to political parties intensified, Sauriol said.
"The pressure continued," he said. "The only way we had, or, the way we decided to come up [with the cash] was to, unfortunately, do false invoicing."
Sauriol said he had a contact that had a "network of businesses" involved in the practice of invoicing for cash.
The company got bills, all of which were classified under its sales and marketing department, and paid them out by cheque. A few days later, it got that money back in cash, minus the 10 per cent fee.
Sauriol admitted he knew the practice was illegal and maintained that only himself and his brother, the president of the company, knew about it.
"It stayed at a high level," he said. "I was responsible. You said it is a criminal act? You're right."
In 2009, the company started reviewing all of its business practices and its ethics code. It brought in external consultants and made a decision to stop all political financing, he said.
In 2010, it discussed the files with its lawyers and, the next year, voluntarily disclosed the fake invoicing to fiscal authorities.
Sauriol's testimony continues tomorrow.
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jeez i would love to order that thing online, but i don't know what size to order it in because women's clothing sizes are determined by the alignments of the planets in relation to the fuck you galaxy
no but what pisses me off is when parents dont let boys and girls hang out as friends like especially when it comes to sleepovers
like no i dont want his dick in me i want to sit on my floor and throw board game pieces at him when i lose
finally someone said it
I never thought id see someone say "no i dont want his dick in me" on this site
reblogging for that^
So this guy started talking to me on kik and it wasn't that nice really. As you can see he called me all sorts of stuff as fat, told me to cut my wrists and to go back being anorexic. I told him I'd post our convo on my tumblr and he begged me not to since he was afraid he's gf would see it, and I don't want to ruin their relathionship but I'm not gonna be silent about this either. So when i told him id post it he posted a little bit of our convo instead where I called him a bitch, so now I'm getting shit for it. And not just this, he even called his own gf horrible. I'd be very very happy if you could spread this, apparently I'm not the first one.
A donor heart beating in a mechanical system which keeps it warm, oxygenated, with nutrient enriched blood pumping through.
kind of fucked how one of those is in my chest…


text:
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Clawson becomes the 32nd Head Coach in school history.
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On Tuesday, the heir to the Petty racing throne was born at High Point Regional.
Amanda Knox's memoir, 'Waiting to be Heard', hit US bookshelves Tuesday. The former American exchange student, who was first acquitted but will now be retried for the 2007 murder of her British housemate in Italy, was reportedly paid a $3.8 million a


text:
2013 Year-End Special: Get 1 year of unlimited access for $399 [Save $73 + 1 month free]*
*Introductory rate valid for new individual subscribers only. Corporate accounts not eligible.
game, you will want to pay attention to the JavaScript debugging tools. Because, it is hoped, you are doing some experimentation with the JavaScript canvas API, I thought it would be worth going over (briefly) some of the tools that are out there to help you write "better" code and find bugs in your codebase. I cover aspects of these tools in future chapters, but I introduce some of the tools here for the impatient.


text:
Tour d'Italia Class: Spring Risotto to Arnacini
The Brooklyn Kitchen »Price: |
Start date: |
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Location: |
100 Frost St New York, NY 11211 (Map) |
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- Booking is safe. When you book with us your details are protected by a secure connection.
- Lowest price guaranteed. Classes on CourseHorse are never marked up.
- This class will earn you 750 points. Points give you money off your next class!
Class Information
- Class Level: All levels
- Age Requirements: 21 and older
- Average Class Size: 12
What you'll learn in this italian cooking class:
Whether you've mastered risotto and are looking for the next step, or starting from square uno, this class will keep you full and fully engaged. Our resident Italian chef, Amelia De Marco, shares her springtime favorites, like a classic risotto, and her method for making rich arancini (classic sicilian fried rice balls) with a spring vegetable filling.You'll learn the first steps and be able to branch out with any of the season's bounty! Amelia is out resident Italian food and wine expert. Before moving to America to work as a wine distributor, Amelia worked for several tourism companies pairing food and wine at vinyard vacation spots. In this demo/hands-on class you will get to roll up your sleeves and make your own arancini. Plus with Amelia's wine pairing skills she's picked out a great bottle for you to enjoy with your meal.
Type: World Cuisine
- Panzanella
- Pappa al Pomodoro
- Insalata di farro
*this menu is vegetarian friendly
Please note:
All Class attendees receive a 10% discount on anything in the store the day of the class (excludes special orders and meat & dairy).
Cancellation Policy
If cancellation is made at least 3 days before the class, we will honor a store credit for the full value of the class. If you cancel less than 3 days (72 hours) before the class we do not offer any refund. If you are registering three or more people for a class, a two (2) week notice is required for cancellation. You are always welcome to send someone else in your place.Teacher: Amelia DiMarco
See Classes Taught by This Teacher »Before moving to the US, Amelia hosted winery tours thoughout Italy, where students learned how to craft Italian meals with great Italian wines. Now she is here teaching you some of the most traditional Tuscan dishes.
Start Dates (0)
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Williamsburg, Brooklyn
100 Frost St
Btwn Manhattan Ave & Leonard St
New York, NY 11211
All classes at this location
Questions about this class?
Get help now from a knowledgeable expert!
School: The Brooklyn Kitchen
Preparing for our annual New Year's Day Chili Party in 2005, we (Taylor and Harry) lamented the lack of a neighborhood kitchenware store. Taylor was tiring of her job as a construction project manager, and Harry a freelancer always up for a new project and adventure was happy to fan the flames of ...
Read more about The Brooklyn Kitchen »
This school has been carefully vetted by CourseHorse and is a verified NYC educator. |
Reviews of Classes at The Brooklyn Kitchen
27 out of 29
Attended: Sourdough Bread Class
This was a great course! Bread, of course, takes more than 2 hours to make; sourdough, in particular, is quite time-consuming. The teacher got around this by preparing materials for each step of the way so she could demonstrate the whole thing, minus the waiting. A professional baker for a decade and a food chemistry engineer before that, the instructor had enough experience and knowledge to answer everyone's questions very clearly, and to a great level of detail. Honestly, I left the class feeling I could make perfect sourdough on my first try. (First try hasn't happened yet so I can't verify this.) Haven't ever taken a cooking class before, so I can't compare the facilities to anywhere else. That said, everything seemed pretty on target--and most importantly, it seemed like everyone could see the teacher's hands with no problem. Course also came with bread made that morning according to the recipe we learned in class; beer & selzer; and we were sent home with a little vat of starter. Highly recommended!
Attended: Thai Street Food Class
It was a great way to meet new people. The instructor and fellow table mates were very friendly, helpful, and accommodating when my boyfriend and I were running late. Even if you had never used a wok before or dealt with some of the ingredients being used, it was really easy to catch on or learn from watching others. The food we made was delicious and fun to have some beer to enjoy while we were cooking. The kitchen was really neat and the tools/utensils we were using were nice.
Attended: Churros, Eclairs & Cream Puffs Class
This course was amazing! You really can't go wrong!
Attended: Halloween Candy
This was so fun and seriously yummy candy!! I hope they do a Christmas cookie or candy class. That would be awesome! The instructor was sweet and easily understood! Also the store was amazing.
Attended: Sausage Making Class
Great learning experience and overall fun time! The instructors were very friendly and informative -- obvious experts. The facilities are clean and spacious and well-prepared for the class. I look forward to taking more classes here -- this time I'll bring some friends.


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A new poll involving young Americans is dominating the headlines.


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From NBC's Athena Jones
The Treasury Department released a long-awaited plan to help deal with the troubled assets at the root of the credit crunch that's crippling the economy.
The plan would use a combination of public and private money to encourage the purchase of as much as $1 trillion in bad loans, or "toxic assets" -- which the administration calls "legacy assets" from banks.
Video: Geithner explains details of the Obama administration's plans to mock up toxic assets.
"We believe this is one more element that is going to be absolutely critical in getting credit flowing again," President Obama told reporters after his daily economic briefing, where he was joined by Treasury Secretary Timothy Geithner, FDIC chair Sheila Bair, Fed chair Ben Bernanke, and other economic advisers. "It's not gonna happen overnight. There's still great fragility in financial systems, but we think that we are moving in the right direction."
Getting banks to lend again is key to future economic growth. The Public-Private Partnership Investment Program is the latest in a series of programs the administration has introduced to try to reverse a slowdown that has cost millions of jobs. The other plans include one geared toward reducing home foreclosures, another designed to help jumpstart consumer and business lending, and a third to strengthen banks' balance sheets with capital injections.
Both Obama and Geithner have highlighted some areas of progress as a result of these programs, such as signs of stabilization in the housing market.
Under the latest program, the Treasury Department -- working with the Federal Deposit Insurance Corporation and the Federal Reserve -- will use $75 to $100 billion in TARP capital, combined with capital from private investors to generate an initial $500 billion in purchasing power to buy bad assets. The value of these assets would be set by the market and any risk or gain associated with them would be shared by taxpayers and private investors.
In a Wall Street Journal op-ed today, Geithner explained that the program would provide a market for these assets that does not now exist, thereby helping to improve asset values over time, increasing banks' lending capacity, and lessening the uncertainty about the size of losses on bank balance sheets.
If the new plan works, banks will start lending again; consumers will be able to get the money they need to buy cars and homes and send their children to school; and businesses will get financing to expand inventories, keep up with their payrolls, and start hiring new workers.
The question, though, is whether the federal financing will encourage enough private investors to take part in the program and just how quickly or extensively it will boost bank lending.
The market appeared to be responding positively to the plan, but economist Paul Krugman, a New York Times op-ed contributor and frequent Obama critic, was brutal. He wrote that the "hocus pocus" plan filled him "with a sense of despair," compared it to what he called the "cash for trash" plan proposed and abandoned six months ago by former Treasury Secretary Henry Paulson and said it would not work and would only result in further squandering Obama's credibility when time was of the essence.
"[T]he Geithner scheme would offer a one-way bet: if asset values go up, the investors profit, but if they go down, the investors can walk away from their debt," Krugman argued. "So this isn't really about letting markets work. It's just an indirect, disguised way to subsidize purchases of bad assets."
In an interview with CNBC, Geithner said the alternative to this plan would be letting these toxic assets remain on banks' balance sheets, which he argued would create a "much longer, deeper recession."


text:
It's autumn, and as we have said goodbye to summer, our minds have naturally turned back to business. One aspect of this focus is the desire to get more out of our websites, and of course, for those who are not happy with their current site, website redesign is a popular option.
Knowing when to redesign your website is not the focus of this post, but my rule of thumb is, if you cannot quantify what your website is doing for your business, it's time to put your site under a microscope. Understanding conversion rates, and leads generated is an absolute minimum. In 2011-2012, to be effective your website should be creating revenue for you–if it's not, fix it.
There are, of course, many aspects to properly redesigning your website, but here is a short list that should not be overlooked; after all, if you're going to spend the time and money on redesigning your website, be sure that you do it right. Correctly redesigning your company's website will reward you with more visitors, a higher conversion rate of visitors to qualified leads, and more revenue.


text:
Videos > Rebecca Linares > Rebecca Linares attack by a group of wild cocks
Sperm Glazed These hot pornstars are gonna need a bath after this little lot!! See their sexy faces get glazed with cum as it drips from their luscious lips!!
Featured Pornstars:
- Rebecca Linares
COMING SOON Download options coming soon!


text:
REFILE-UPDATE 1-Growth in Spain and Italy boost 888 revenues
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LONDON Feb 4 (Reuters) - Online gaming company 888 Holdings said expansion in Spain and Italy and growth in business on mobile devices had helped to drive a 13 percent rise in annual revenues last year.
The online casino and poker company on Monday said fourth quarter revenue rose 7 percent to $97 million, while 2012 revenues jumped to $376 million.
"Our success in Spain and Italy shows that we have the right product and technology led marketing to make significant inroads into new markets, and we will look to repeat that success in other regulating territories," chief executive Brian Mattingley said.
"2013 has started strongly and we therefore remain confident of future growth."
In December 888 said it was teaming up with Facebook in Britain to allow players on the social media site to use real money for bingo, casino and slot games. Players on the site had previously played only for points or fun - what is known as social gaming.
The agreement boosted shares in 888, which has a market capitalisation of around 400 million pounds ($630 million), but prompted concerns it could tempt children into gambling.
888 is one of a number of companies with a licence to operate in the northern German state of Schleswig-Holstein, the only part of the country to open up its gambling market.
- Air strike kills 15 civilians in Yemen by mistake: officials
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- North Korea says Jang Song Thaek, uncle of leader Kim Jong Un, executed
- Probation for drunk Texas teen driver who killed four sparks backlash
- North Korea executes leader's powerful uncle in rare public purge |


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Click here to vote for the best play from Sideline ...
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SANFORD, Fla. - Jury selection in the murder trial of George Zimmerman will continue at 9 a.m. today at the Seminole County Criminal Justice Center in Sanford.
Zimmerman has plead not guilty to second-degree murder charges after the shooting death of 17-year-old Trayvon Martin in February 2012.
Zimmerman has admitted he shot and killed the teenager, but has contended since the beginning it was in self-defense.
So far, only four potential jurors have been questioned in court, which means this process could take a while.
A total of 500 potential jurors were pooled initially for this high profile case.
The court is bringing in the potential jurors day by day as needed to fill out questionnaires in groups of 100 at a time.
The reason it appears to be taking so long, according to First Coast News' legal sources, is question number four on the questionnaire.
That question deals with any prior knowledge of the case the potential jurors might have, including conversations with friends or family and consumption of news media.
Prosecutors and the defense combined are spending roughly 45 minutes interviewing each potential juror.
So far, they've had mixed reactions to the questions.
Some have claimed to have little to no knowledge of the case. Others have admitted to knowing who the key players are and roughly what transpired the night Martin was killed.
It is unclear yet if any jurors have been dismissed or disqualified.
The court is seating six for this case and four alternates. No timeline has been given for when the jury needs to be complete.
First Coast News


text:
Wed, Jan 1, 2014
When you buy anything online a small portion of your purchase goes to search engines like Google, Yahoo, or Bing...
At the southern tip of
There are countless trails, country roads and byways that make for great biking in the Adirondacks. From paved roads to mountainous terrain, the whole family can take in the scenic landscapes and natural beauty of the region. Here are a few of our favorites:
For those who enjoy RV camping, the Lake George RV Park is conveniently located near the Warren County bike trail system and offers 3 miles of paved bike trails on their premises. |


text: There's nothing quite as cool as finding a new band you really like that hasn't existed for years. For their 100th release as a label, Sacred Bones are unleashing a secret cache of coolness, in the form of a lost album from NY post-punk act The Hunt. The band split in 2009 after two years of touring and recording, and The Hunt Begins would have been their first full-length release. The title might be heaps more ironic, but the sound is full-tilt catharsis, sung with the intensity of the town-crier on the way to the gallows. Pick it up November 12th via Sacred Bones.


text:
- Review of Michael Lander's PEACOCK starring Cillian Murphy and Ellen Page
- GODZILLA Emerges In Excellent First Trailer
- GODZILLA Emerges In Excellent First Trailer
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- GODZILLA Unleashes Viral Campaign & New Images
- Expand Your Universe with First Trailer for The Wachowskis' JUPITER ASCENDING
- GODZILLA Trailer Re-Emerges
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- WORLD WAR Z Sequel is Go With New Director
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- Jason Figgis' CHILDREN OF A DARKER DAWN Hits DVD in Dec.
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- Interview with Jeff Renfroe, Director of THE COLONY
- THE COLONY Hits Theaters This Weekend!
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- 12 MONKEYS TV Pilot Greenlit by SyFy
- WFF 2013: Russian Soldiers Kick Ass In Awesome ICE SOLDIERS [Review]
- WFF 2013: Mutated Creatures Havoc In THE STATION [Review]
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- WFF 2013: River Phonix Memorable in Otherwise Bland DARK BLOOD [Review]
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agentorange [Celluloid 05.10.11] movie trailer scifi action
The full trailer for Shawn Levys robot boxing movie Real Steel starring Hugh Jackman has landed. It's your classic underdog sports movie with one twist. Robots in the ring, baby.
Hugh Jackman plays Charlie Kenton, a washed-up fighter who lost his chance at a title when 2000-pound, 8-foot-tall steel robots took over the ring. Now nothing but a small-time promoter, Charlie earns just enough money piecing together low-end bots from scrap metal to get from one underground boxing venue to the next. When Charlie hits rock bottom, he reluctantly teams up with his estranged son Max (Dakota Goyo) to build and train a championship contender. As the stakes in the brutal, no-holds-barred arena are raised, Charlie and Max, against all odds, get one last shot at a comeback.
Apparently the studio is so happy with Real Steel that a sequel is alreay in the works.
Check out the Real Steel movie trailer after the break.
Robot JoxRobot & Android Movies & TV)
Trailer found at /Film
You might also like
soma (2 years ago) Reply
haha. I think that looks good you know.
coelacanth1938 (2 years ago) Reply
The robot's name is Adam?
A tribute to Adam Link?


text:
Villa | 4 bedrooms | sleeps 8
Key Info |
Lovingly rebuilt to high standard with the traditional teracotta tiles and chestnut beams with all modern facilities. There are 4 bedrooms, all with electric fans, 2 doubles with private en suite bathrooms, and 2 twin rooms that can also be made into doubles. The underfloor heating is perfect for low season and open fire for cosy winter months, and all bathrooms have heated towel rails. The kitchen is well-equippped for self-catering, although we can also recommend a cook!
All bath towels and pool towels are included, we also provide hairdryers in each bedroom, & we offer WIFI for personal use. The terrace is perfect for dining al fresco with stunning views of the lush countryside & valley below. There is also a fully functional pizza oven for a family fun meal! The beautiful salt water pool is in the proximity to the Farmhouse Villa, set in lovely gardens. Perfect setting for peace, solitude, relaxing and sunbathing, but close enough to the busy ancient walled city of Lucca. Thriving with exciting shops, and history for the avid sight-seeing guests.
Size | Sleeps up to 8, 4 bedrooms |
Nearest beach | Viareggio 25 km |
Access | Car essential |
Nearest Amenities | 500 m |
Nearest travel links | Nearest airport: PISA 55 km, Nearest railway: LUCCA 14 km |
Family friendly | Suitable for children over 5 |
Notes | Pets welcome, No smoking at this property |
Features and Facilities
Luxuries | Log fire, Internet access, DVD player |
Pool | Private outdoor pool (unheated) |
General | Central heating, TV, CD player, Wi-Fi available |
Standard | Kettle, Toaster, Iron, Hair dryer |
Utilities | Dishwasher, Cooker, Fridge, Freezer, Washing machine |
Rooms | 4 bedrooms, 4 bathrooms of which 2 Family bathrooms and 2 En suites |
Furniture | Single beds (4), Double beds (2), Cots (2), Dining seats for 8, Lounge seats for 8 |
Other | Linen provided, Towels provided, High chair |
Outdoors | Private outdoor pool (unheated), Balcony or terrace, Private garden, BBQ |
Access | Secure parking |
Further details indoors | Garden room is the perfect place for morning coffee, checking emails, afternoon siesta, pre-dinner drinks or after dinner coffee...the choice is yours. There is also a dining room inside for the low season, although the terrace is perfect for eating outside in summer season. The living room is spacious & comfortable with open fireplace, TV, DVD. The kitchen is perfect for the ambitious cook as very well-equipped. There are 2 double bedrooms with en suite bathrooms, and 2 twin rooms that can also be made into doubles if necessary, with private bathrooms. |
Further details outdoors | BBQ & pizza oven, grass garden area by salt water pool 12 x 6 m |
Further details | 25% deposit on confirmation & 25% 5 months prior to arrival, then 50% 6 weeks prior to arrival |
The Tuscany region
The area offers you the chance to live the Tuscan dream, steeped in history, with ancient walled town of LUCCA nearby to explore. Local wine tasting, culinary delights, relaxing & sunbathing in the temperate climate.
This ideal location makes Florence, Siena, San Gimignano & Pisa easily reachable for days trips.
The beaches of Versilia - Viareggio, Torre del Lago and Forte dei Marmi are near enough, if you would like a day at the sea.
This luxury FARMHOUSE villa will ensure that your time spent in Tuscany will be truly memorable.
San Martino in Freddana, just 2 km away, although small, is well served with the largest supermarket in the area. There is also a BAKERY, post office, CHEMIST, church, school, GARAGE, coffee shop, BANK, and laundry, flower/garden shop. Events & local activities in the nearby area are as follows.....something to suit everyone!
Puccini Music Festival
Skiing Abetone
Viareggio Carnival
Thermal baths
Bird watching
Nature Reserves & protected areas Tuscany
Arezzo Parks, Florence Parks, Grosseto Parks, Livorno Parks, Pistoia Prato and Siena
Lucca Parks, Apuan Alps Natural Park, Orecchiella park, Massa Parks, Pisa Parks
Local markets
check the local British magazine "grapevine" & Tuscany magazine
Wine tasting
Truffle hunting
Sight seeing
Table tennis at La Pianella VILLA
Cookery demonstrations
Concerts & events
check the local British magazine "grapevine" & Tuscany magazine
Lucca Festival
Ice skating in winter Lucca Napoleon Square
Horse riding
Mill museum in village
Pizza making fun at la Pianella Estate with pizza bread base bought from the supermarket....easy!
Italian courses in Lucca
http://www.it-schools.com/sections/ask-info/italian-language/luccais-lan-eng.shtml and Viareggio
Painting, drawing & Sculpture
Kosher shopping & restaurants
Designer outlet shopping
Enduro riding in Lucca area