text:
For the latest updates to Global Public Square, including show information and Fareed's Take, visit the new GPS site on CNN.com.
BTW I eat doggie poo poo and drink cow pee pee from India
But Modi poo poo is my favorite. .
Wonder if Modi received the latest shipment of Blue Saffron s hitt. Nice and chewy and savoury.
A kangaroo fukked Modi. He is pregnant with a mule. A hindoo mule.
Hi one and all. I eat kitty poo poo from India. ..
Tastes like chicken LMFAO!
Oh. And i drink Modi's pee pee from India
Chrissy my dear. You just NAILED IT!
Actually Modi has nice poop. His boogers are awesome. Salty gooey moist boogers from India Tastes like chicken LMFAO!
I am Blue Saffron and I eat Hindu boogers from India
Blue Saffron. .Sir U are a pig. P.I.G. pig!
A rhino fukked Modi. He is pregnant with a cokroach. A hindoo roach.
Blue Saffron's s hitt is served on a china platter to Modi with gold leaf on it. Modi says it is very creamy, sweet and creamy like tira masu.
I just took a dump. Gonna wipe my ass.s with my hand.
I don't use toilet paper. It's too expensive
Modi eats Blue Saffron excrete with much delight. Everyday. Even for snacks.
You cheap dirty Hindu Jew.
..i eat cow poop Tastes like chicken
Actually Modi licks Blue Saffron azz after taking a s hitt. No need for toilet paper though it may be more hygienic.
I wipe my as.s with Blue Saffron's mother's tongue.
Be careful that tramp doesn't give you a tongue disease banasy.
Blue Saffron eats my salty gooey moist boogers.
A skunk just fukked Modi. A rat was born.
Modi is a chicken f ukker
Blue Saffron's s hitt is served to Modi as desert every hour on the hour.
I fukk my mother
I sukk Modi's 8' big fat Indian DI CK. Delicious!
I sukk rupert's big 9' DI CK. Delightful!
After Modi takes a sh it. I lic k his ass.s crack clean..
I smear Modi's poop all over my little di ck and master bate
OMG! I do that too.
Blue Saffron. .shame on u


text:
Household Edition of David Copperfield (Chapter LXIV, "A Last Retrospect," p. 433). Scanned image and text by Philip V. Allingham. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]1872. Sixtieth illustration by Fred Barnard for the
Dickens, Charles. David Copperfield, with 61 illustrations by Fred Barnard. Household Edition. London: Chapman and Hall, 1872. Vol. 3.
The copy of the Household Edition from which this picture was scanned was the gift of George Gorniak, proprietor of The Dickens Magazine, whose subject for the fifth series, beginning in January 2010, is this novel.
Last modified 17 August 2016

subset: commoncrawl


text:
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Kenzie Reeves Squirts A Fountain For Her Stepbrother


text:
Um, if you didn't notice, my 20 Weeks of Organizing went to hell in a hand-basket. Yeah. The idea was to make a list of 20 things, one to be completed each week, and then DO THEM! Back in March, when I started, I even gave out the rules, including, "Keep the projects small – don't list "organize office," that's too broad."
So, naturally, I put items like "# 11) Completely gut and reorganize that junk room in the basement into a guest room, while simultaneously making the former office into a nursery" on my list.
Ok, so I didn't really. I kept my list to the rules. The problem is, I got ahead of myself, which gave me a couple extra weeks. And while I really wanted to listen to the wisdom of friends, telling me to taking it easy, not get in over my head, I mentally added #11 to the list, and then proceeded to work on it. Dummy.
Then I got overwhelmed. The basement and it's junk room took over our lives. I got obsessed. Suddenly I was on a first name basis with the donation guy at the Goodwill, I was sewing curtains, my husband moved cabinets and counter tops to the garage. I even called my mom over for reinforcements (and then wouldn't let her do anything), like I said, Dummy. I scoured craigslist for shelving. I moved and rearranged and scrubbed walls. I painted. I panted. I felt like passing out and giving up. I gave up. Then I read this post last week by the Organizing Junkie and I got up and did a little bit more.
There is still more to do, but I am to the point where I'm calling it good enough, so I can MOVE ON with my life and maybe get something else done.
So, here is the before of my basement junk room:
Suffice it to say that the other side of this room was equal to or greater than the mess you see above.
This is the other half DURING the work:
You can see that I set up a bed, painted a wall, and found a place to store canning supplies. Hey – canning storage was #14 on my list! I got to cross something off!
Here is the basement today – guest room. I still need to hang the curtains that are sitting on my sewing table in the second window, and a couple of pictures, but you get the idea.
It's done enough. Next week I'll post pictures of the nursery, and then I'm getting back on the wagon. One small, specific item, that's actually written on the list, per week. From now on. Oy! Wish me luck!


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The latest report from ratings firm Nielsen reveals that the number of web and mobile video viewers is up, and the time spent watching video on the internet is increasing. But the overwhelming majority of video is still viewed on a television. And Americans are watching more TV than ever.
About 131 million people are watching an average of three hours of video per month via the Internet, according to Nielsen's data. That's up from 116 million watching a monthly average of two hours this same time last year. Additionally, about 13 million mobile phone subscribers—up 52 percent from nearly 9 million last year—report watching an average of 3.5 hours of video a month on a mobile phone (time measurements are not available from Q1 last year).
Those are significant increases. The main factors fueling these changes are increases in broadband availability and bandwidth nationwide, increased exposure of services like Hulu and YouTube, and an increased proliferation of advanced, video-capable smartphones for mobile phone viewing.
But those increases pale in comparison to television, which Americans watch more than ever, averaging about 153.5 hours in front of the boob tube in a month. "Television is still the dominant choice for Americans who watch video," according to Nielsen's report. "Almost 99 percent of the video watched in the US is still done on television." You can see how the amount of TV watched by Americans dwarfs the small amount viewed online and the even smaller amount viewed via a mobile phone in the chart below.
It should come as little surprise; the TV is still the center of most living rooms, and is connected to cable boxes, DVRs, DVD players, and video game consoles (among other sources). As Conan O'Brien quipped—rather ironically, given Nielsen's results—in a recent commercial for his move to The Tonight Show, "Television allows you to watch things just as you would on your computer or cell phone, except while seated in a more comfortable chair."
Anecdotally, my own TV viewing is split between cable, watching DVDs, and streaming movies and TV shows from both Netflix and Amazon VOD via my Roku player. I have streamed hundreds of movies and TV episodes to my TV from Netflix, and streamed exactly one to my computer. And while I've watched a few TV shows via Hulu, I'd just as soon stream it from Netflix or Amazon—even if I have to pay extra. It looks better on my TV screen, sounds better pumped through my stereo, and—like Conan says—is more comfortable to watch while stretched out on my couch.
Other interesting notes from the report:
- Average monthly TV viewing increases from about 108 hours for kids aged 2-11 to over 210 hours for the 65 and over set.
- The biggest users of DVRs are folks aged 25-45, watching about 11-12 hours of time-shifted television per month.
- Unsurprisingly, the group watching the most video online are those aged 18-24, clocking just over five hours a month on average.
- And the group among those watching mobile video on mobile phones that are spending the most time squinting at a tiny screen are those aged 13-17, watching an average of 6.5 hours per month—more than double the overall average of three hours per month.
Of course, Nielsen's data doesn't account for the amount of video pulled down via file sharing. But with so many eyes planted for so long in front of a TV, it's a wonder why such a fuss is made about the Internet and how it will spell the death knell for TV networks. There's no doubt that consumers are increasingly expecting to be able to watch video when and where they want, as evidenced in particular by the online and mobile viewing habits of the younger generation. But the television still rules the video viewing roost, for now and the foreseeable future.
Further Reading:
- A PDF is available of Nielsen's A2/M2 Three Screen Report for Q1'09.
Listing image by Photo illustration includes an image by Wynand Delport.


text:
Lost in the Twilight Zone
August 26, 2009
Last year saw the publication of a valuable new book called The Twilight Zone: Unlocking the Door to a Television Classic. The author, Martin Grams, Jr., has written or co-written histories of various radio series as well as television shows like I Led Three Lives and Have Gun, Will Travel. Most of those programs had not been the subject of a book-length account before Grams, a remarkably prolific young historian, turned his attention to them.
For that reason I was somewhat surprised to find The Twilight Zone under Grams's microscope, because the show's history had already been ably chronicled in Marc Scott Zicree's The Twilight Zone Companion. Zicree's book, which has been reprinted several times since its publication in 1982, offered a highly readable history and appreciation of The Twilight Zone. Indeed, The Twilight Zone Companion launched the television episode guide as a literary genre and established a format that scores of books (some terrific, some worthless) about old TV shows would follow.
Had anyone asked, I would have guessed that little of substance could be added to Zicree's research. Grams has proven me wrong, by unearthing a multitude of previously unreported facts and providing some new insights into how The Twilight Zone was made. Here are a few examples that I found particularly fascinating:
- Two highly regarded third season shows, "The Grave" and "Nothing in the Dark," were actually produced during the second year and shelved, apparently because the network wanted to stockpile some strong shows for the new season.
- Rod Serling and producer Buck Houghton went into a panic after seeing the rough cut of "To Serve Man," an episode that ends on an infamously droll punchline but is, otherwise, kinda stupid. James Sheldon (who was himself replaced, ironically, on a subsequent episode, "I Sing the Body Electric") directed uncredited reshoots, the footage was extensively re-edited, and alien giant Richard Kiel's voice was replaced with that of another familiar character actor, Joseph Ruskin.
- A rather absurd legal conflict over a G. E. Theatre episode also entitled "The Eye of the Beholder" is finally revealed as the reason why the rerun broadcast of the famous Twilight Zone segment, and later some syndicated prints, bore the alternate title "A Private World of Darkness." Grams also examines the plagiarism claims, covered vaguely or not at all by Zicree, that led to the exclusion of four episodes from syndication for many years.
- On several occasions where actors played dual roles, a performer of note was engaged to supply an on-stage performance as the "double," one which would be replaced by optical effects and never seen by the public. Joseph Sargent, later a major film and television director, doubled for George Grizzard in "In His Image," and Brian G. Hutton (the director of Where Eagles Dare) filled in as the "mirror version" of Joe Mantell in "Nervous Man in a Four Dollar Room." And Keenan Wynn gave the off-camera performances in Ed Wynn's mirror scenes in "Ninety Years Without Slumbering" while visiting his sickly father on the set! (Zicree's book reported the part about Sargent, but the others were news to me.)
Grams has re-interviewed surviving Twilight Zone cast and crew members, albeit somewhat selectively (Collin Wilcox's recollections of the show, for instance, remain exclusive to this blog). His primary source material is a trove of correspondence, memoranda, and other paperwork, some of it apparently acquired on eBay, although the book is perhaps murkier than it should be about the provenance of the archival sources.
The centerpiece of Grams's research shelf was a set of ledgers from Serling's accounting firm, which break down the budgets of most of the Twilight Zone episodes. Grams records these figures and, although he rarely dwells on their significance, the reader can have a lot of fun crunching numbers. Why did some episodes cost far more than others, and were the results were worth it? In the first season, for instance, the classic "Walking Distance" toted up to a whopping $74,485, while the cute season finale, "A World of His Own," likely slapped together as a bottle show, cost a meager $33,438. Grams also reports the actual shooting dates of the episodes, and in doing so he confirms one of my long-standing suspicions about Zicree's The Twilight Zone Companion: that, apart from grouping them by season, it presents the episodes in no particular order. (Why? I have no idea.)
Much of the above may seem trivial. But Grams also probes into more substantive behind-the-scenes happenings. Extensive quotations from production memoranda and private correspondence offer far more detailed glimpses than we have had before of the personalities of The Twilight Zone's creative minds. Buck Houghton, producer of the first three seasons, seems much the same man as he did in Zicree's account: a sage line producer gifted with an unflappable pragmatism and an uncommonly good story mind. Charles Beaumont, who served as a sort of informal ambassador between The Twilight Zone and the world of science fiction fandom, proved a shrewd salesman for both the series and for his own talent. Richard Matheson was a virtual geyser of grievances who managed to find fault with the execution of nearly all his scripts.
Grams's depiction of Rod Serling has more complex shadings than I expected. His reputation as an all-around nice guy, and an especially generous ally to fellow writers, is confirmed in the many letters quoted in Unlocking the Door. But Serling's correspondence also wallows in an extreme form of self-deprecation that comes across as masochistic in some instances, phony in others. He wasted a great deal of time replying (and often apologizing) to viewers who wrote in with picayune complaints about each week's episode.
But Serling's humility did not extend to his fame. Previous accounts have depicted Serling as a default choice to host The Twilight Zone, but Grams makes it clear that Serling plotted from the start, over the sponsors' objections, to insert himself in front of the camera. There is ample evidence that Serling relished his status as a celebrity; Grams quotes an especially shameless letter to an old teacher in which Serling faux-sheepishly plugs an upcoming appearance on The Garry Moore Show. In some people, an outsized ego might be a small imperfection. For Serling – the frequency of whose media appearances during and after The Twilight Zone can be measured neatly in inverse proportion to the quality of his writing – it was a flaw that took on Shakespearean dimensions.
Grams's coverage of the individual Twilight Zone episodes varies in length and quality, but I admired his attention to some of the tangents and failures that other scholars have neglected. The coverage here of "Mr. Bevis," the unfunny comedy spinoff about a hapless guardian angel, and Serling's distaff rehash of the same premise two years later (as the Carol Burnett vehicle "Cavender Is Coming"), is exemplary. Grams reprints plot summaries for unmade episodes of the potential "Mr. Bevis" series, and casting suggestions for the starring roles in both pilots. He quotes Serling's lacerating confessions as to why both versions failed creatively, although just why Serling remained so attached to his bungling angel idea as to make it twice remains a mystery. ("Bevis" originated via a sweetheart deal between CBS and a potential sponsor, Prudential Insurance, which may explain how it bypassed the usual common-sense scrutiny that might have nixed such a slim premise.) In a note to Carol Burnett, Serling admitted that "Cavender" was "lousy," adding that "I feel like Napoleon surveying the aftermath of Waterloo, except at least I get residuals – all he got was Elba." Even in his letters, the poor man wasn't funny.
After three seasons during which it ran smoothly and excelled creatively, The Twilight Zone fell into chaos. Dropped by CBS in the fall of 1962, the series returned the following January in an hour-long format, and limped along (as a half-hour again) for a fifth year. During the half-season in which The Twilight Zone appeared to be dead, both Houghton and Serling took other jobs. Houghton was replaced by three successive producers, none of them as good. Serling, on the other hand, exiled himself in dramatic fashion, taking a teaching job in far-away Antioch College (in Yellow Springs, Ohio) and declaring to the press that he was burned out on television.
In The Twilight Zone Companion, Zicree describes Houghton's immediate replacement, Herbert Hirschman, as a talented producer who disagreed mildly with Serling over the series' creative direction. On Hirschman's successors, Bert Granet and William Froug, Zicree remains noncommittal. The most important sections of Grams's book are those that expand Zicree's and other sources' minimal coverage of the final two seasons (widely viewed by fans as inferior to the first three) into a dramatic struggle for control of a troubled series.
In actuality, Hirschman fell immediately out of favor with Serling, who began – in exasperated and (for him) harshly worded memoranda – to question Hirschman's compatibility with The Twilight Zone's elements of fantasy and the macabre. Serling was right, I think, based on his specific disagreements with Hirschman over the scripts for "The Thirty Fathom Grave," "The Incredible World of Horace Ford," and "The Bard." In each case, Hirschman favored the more pedestrian approach. Serling lobbied to have Hirschman fired, and after a few months the producer was unceremoniously ousted. But Serling's move backfired. Serling's choice as Hirschman's replacement, a CBS insider and (unusually) sometime director named Perry Lafferty, was passed over in favor of Granet, a CBS executive already assigned to the show. (Granet, marking his territory, insisted on the right to recut Hirschman's episodes.)
What's fascinating about this account is how effectively the network took advantage of Serling's physical absence to distance him from his own show. Serling still had to supply scripts and commute to Los Angeles to film his introductions, but the new regime did not consult with him on casting, production, or other writers' scripts. Many key decisions previously made by Serling and Houghton fell not just to the new producers, but to CBS executives above them in the food chain, including Robert F. Lewine, Boris Kaplan, and George Amy (a distinguished film editor who must have been supervising post-production for the network). Kaplan, formerly a TV producer at Revue (of Riverboat and 87th Precinct), seems to have played a critical role, and yet I don't believe his contributions to The Twilight Zone have ever been examined in detail.
Ultimately Serling was reduced to fuming impotently in letters to production manager Ralph W. Nelson, a Houghton-era holdover who loyally supplied back-channel reports from the set. Serling's anger at being exploited as a figurehead on his later series Night Gallery has been well documented, and I think Grams's work recasts Serling's Night Gallery unhappiness as a rerun of his role during the fourth and fifth seasons of The Twilight Zone. That invites the question of why Serling would allow himself to be trapped in the same limbo twice. The answer seems to be that Serling wanted to wield his influence from afar without battling in the trenches; and the tragedy was that television doesn't work that way.
Can a well-researched book that's bigger than two bricks fail to become the definitive account of its subject? Sadly, I think that may be the case here. I remember a great line from a review of David Fincher's Zodiac, to the effect that watching the film was like being trapped inside a file cabinet. That's how I often felt as I macheted my way through the eight hundred pages of Grams's book.
It's a common peril for an author to get bogged down in the minutiae of his topic, and the biggest problem with Unlocking the Door is simply that it contains too much information. In my own work, I have sometimes made the case for detail at the expense of readability. But does anyone really need to know the dates on which "Queen of the Nile"'s hand inserts were filmed, or that the production staff may have neglected to pay MGM for the rental of the episode's Egyptian props? Or that Serling's original narration for "Sounds and Silences" gave the protagonist's weight at 217 pounds, instead of 220 in the filmed version? Grams's book is so choked with this kind of junk data that it becomes nearly impossible to read for pleasure.
In a post on the Classic Horror Film Board, Grams enumerated with what I can only describe as glee a list of factual errors in The Twilight Zone Companion; a few of them significant, but most of them very minor, like the omission of an article from an episode title or an obvious typo in an airdate. Reading that screed, one gets the sense that scratching his itch of Wite-Outing those mistakes was the true raison d'etre for the new book, even more than any passion for the series itself. More to the point, while there are indeed areas where Zicree was regrettably sloppy or incurious, the blizzard of trivia in Grams's book also, at times, has the effect of obscuring the truth. On three occasions, Grams lists names submitted for specific roles in Twilight Zone episodes by a talent agent named Robert Longenecker. As Grams points out, none of those actors (with one exception) landed a part on The Twilight Zone. Judging by the names on his list, Longenecker managed a stable of bit players. Ethel Winant, The Twilight Zone's casting director, had the budget and the clout to attract top actors to the show, and she likely filed Longenecker's correspondence away without giving it serious consideration. But Grams neglects to provide that context, and the casual reader may assume that these were actors were real contenders for major roles on the series.
In the forum post I cited above and in his introduction to the book, Grams takes particular exception to an erroneous figure in The Twilight Zone Companion. Zicree, evidently sourcing only the memory of producer William Froug, wrote that The Twilight Zone purchased the rights to Robert Enrico's short French film "An Occurrence at Owl Creek Bridge" for $10,000. Grams documents that the actual price was $20,000, plus an additional $5,000 in post-production costs. The correction is welcome. But even the $25,000 figure falls well below the halfway point of an average fifth-year Zone episode's budget. In fussing over the amount, Grams distracts the reader from the larger point, conveyed succinctly in Zicree's account, that the acquisition of "Occurrence" was a clever coup that both rescued The Twilight Zone's annual bottom line and introduced mainstream American viewers to a terrific foreign film most of them would not otherwise have seen. (Even Grams's secondary rebuke of Zicree on this matter, that he let Froug steal the credit for turning the Enrico film into a Twilight Zone from Serling, sort of gets lost in the weeds.)
Grams compounds this sort of pedantry by organizing his material in a sequence that is only roughly chronological, and often follows no other structure that I can discern. Essential, well-written chronologies of the series' production alternate with gobs of trivia that should have been consigned to an appendix or cut altogether. Chapter Six, for example, begins with an overview of plans for The Twilight Zone's second season, then segues into sections on: letters from agents and actors plying Rod Serling for jobs; Serling's transition into on-camera hosting; the various clothing manufacturers who supplied Serling's suits; Serling's charitable activities; a Shakespearean sonnet sent in by a fan; fan clubs; the soundtrack album; and so on. The seasonal introductory material, and even the production histories of some episodes, read as if a clipping file had simply been emptied onto the pages.
It's discouraging to see books on important subjects like The Twilight Zone wind up self-published, or on tiny imprints, for the obvious reason that not enough people will read them. (OTR Publishing, which issued Unlocking the Door, is Grams's own company). But it is equally relevant, I think, that many of those books are not as good as they could be because their authors do not have the input of a seasoned editor.
In his introduction to Unlocking the Door, Martin Grams presents a sort of mission statement that guided his writing. Grams eschewed earlier published histories of The Twilight Zone and consulted only primary documents. He avoided the kind of shorthand that blurs the opinions of the historian and their sources. Most radically, he decided that he would not attempt "to offer a critical analysis of the episodes."
In an era where many alleged journalists source their information from Wikipedia, I applaud authors who stake out a rigorous methodology for themselves and stick to it. But in Unlocking the Door, Grams's "just the facts, ma'am" approach is too dry. A historian who has immersed himself in his subject for years has earned the right to present reasonable, thoughtfully argued opinions. In fact, he may owe them to his readers. It would be unthinkable, for instance, for the biographer of a major film director not to take a position on which of that director's works are canonical; or for a professor in a media history class to offer only data without context or analysis. Surely Grams, after studying The Twilight Zone so closely, has some compelling ideas on where the show succeeded and failed, and why. It's a shame he felt the need to deprive us of them.
While fact-checking some of what I have written above, I pulled out my copy of The Twilight Zone Companion. Immediately, I found myself getting drawn in by Zicree's clean, clever prose, just as I did decades ago, when I began reading his book for the first time (at a middle school bus stop, in case anyone cares, on a frigid morning in the winter of 1988-89). Yes, Zicree's four-line dismissals of some episodes and his overpraise of others can be infuriating, but they are part of why his book is so enjoyable. And, at least during the years before the internet, Zicree's reviews also dominated the conversation about The Twilight Zone; I realize now that my own initial thoughts about the individual episodes formed very much in agreement with or in opposition to what Zicree wrote. Much more than his facts, I would have liked this new Twilight Zone book to rebut Zicree's opinions.
Some of my criticisms of Unlocking the Door may sound harsh. But as a work of research, this is a worthwhile book, a cornucopia of factlets that will delight hardcore Twilight Zone wonks. Luckily, there are a multitude of worthwhile resources on this classic show. For new fans crossing over into The Twilight Zone for the first time, Zicree's The Twilight Zone Companion remains the essential intro. For supplemental, intermediate-level studies, there are Stewart Stanyard's Dimensions Behind the Twilight Zone: A Backstage Tribute to Television's Groundbreaking Series (an astonishing trove of behind-the-scenes photos), the rival biographies of Serling by Gordon F. Sander (nice) and Joel Engel (mean), and the special edition DVD and Blu-rays, which are crammed with new and vintage video and audio interviews with the show's creators. And now, finally, for the advanced scholars who feel ready to begin a post-graduate course in Zoneology, Martin Grams, Jr., has published their textbook.
Author's note: Updated and lightly revised in April 2021 and January 2023.
3 Responses to "Lost in the Twilight Zone"
January 3, 2011 at 2:45 am
Stephen, didn't know where to post this to notify you and your readers….
And I know that Tise Vahamigi wrote some brilliant pieces about the show in the UK magazines of the '80s and is a follower of the blog and I'm sure others are too.
For those that haven't heard…After the success of last year's blog 'A Thriller A Day' celebrating the release of 'Thriller' – the second greatest horror show in the history of TV, today sees the birth of the sequel…the 'Citizen Kane' of SF TV and the fantastical….'The Outer Limits'…
The 'Thriller' allowed all to watch one per day and comment on it, anyone could participate. And it was run by two authors – experts in pulps – who edit horror magazines such as Bare-Bones, ect.
As of today, they are launching 'The Outer Limits', an episode per day from Mon to Fri. Among the authors will be David Schow, who wrote the classic companion, Gary Gerani, who wrote landmark 'Fantastic TV' and numerous luminary authors, including the author of the recent 'Richard Matheson on Film'; it's probably the most star-studded blog fun to be had. So, dust off your boxed dvds sets and if you don't have them – find a way to watch one of the most extraordinary television experiences to be had (next to 'The Wire', 'I, Claudius', 'Bilko', 'Seinfeld', ect)…
February 14, 2012 at 12:02 am
Your criticism of Grams' hard work is spot on. He'd be an invaluable research assistant to a strong writer.
April 14, 2021 at 4:13 am
This is a great piece on the differences between substantial research, relevant information and mere trivia. But anyways i wonder if there's still a great Serling biography covering not just the TZ years but the previous – emerging teleplayer and way before, radio writer – and the late – Hollywood's great liberal writer and finally the lost soul wandering unconvinced through the Night Gallery production. Is there any place where I can start?
Thank you very much,


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Today's News: Our Take - Quentin Tarantino: Hollywood "Didn't Want to Deal With" Slavery in Movies
Director Quentin Tarantino says the inspiration for his new movie, Django Unchained, came from a growing frustration withWestern films "ignoring" the issue of slavery.
"Hollywood didn't want to deal with it because it was too ugly and too messy," Tarantino recently told The Daily Beast. "But how can you ignore such a huge part of American history when telling a story in that time period? It made no sense."
Matthew McConaughey's so skinny! See other celebs who transformed their body for movie roles
Django Unchained, which hits theaters on Christmas Day, stars Jamie Foxx as the title character, a slave in the pre-Civil War South who, upon being freed, embarks on a journey to find his wife who's been sold to another plantation and seeks revenge on his captors along the way. Tarantino and Django Unchained executive producer Reginald Hudlin, who is black, harbor equal resentment toward the miniseries Roots, which is considered by many to be a landmark film in its depiction of slavery.
"When you look at Roots, nothing about it rings true in the storytelling, and none of the performances ring true for me either," said Tarantino, never one to shy away from controversy. "I didn't see it when it first came on, but when I did, I couldn't get over how oversimplified they made everything about that time. It didn't move me because it claimed to be something it wasn't."
Photos: Everybody's posing nude! Check out Rihanna and other stars who've bared all
In fact, Tarantino and Hudlin both go as far as to call the film "bulls---" for one of its final scenes, in which the character Chicken George is given the opportunity to beat his master and declines. Spoiler alert: a similar scenario is presented in Django Unchained and has a much different outcome. "No way he becomes the bigger man at that moment," Tarantino said. "Anyone knows that would never happen in that situation. And in Django Unchained we make that clear."
Tarantino is already prepared for potential backlash about the film, and says he welcomes it. "I may take flak but I always do on some level with my work," he said. "Wouldn't be a Tarantino film without some flak and criticism. I bet anyone who sees the film won't be able to forget it - and that's the point."
Django Unchained also stars Kerry Washington, Samuel L. Jackson and Leonardo DiCaprio.
View original Quentin Tarantino: Hollywood "Didn't Want to Deal With" Slavery in Movies at TVGuide.com
Other Links From TVGuide.com


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For the latest updates to Global Public Square, including show information and Fareed's Take, visit the new GPS site on CNN.com.
The first men in the USA to be diagnosed as having AIDS were the gay men used in those experiments.
UN should investigate the Gujarat genocide in India and put Modi on trial for murders of innocent civilians. Shame on Modi. Shame on India.
Ich Bin Ein Gujarati.
India picked up from where Nazis left off. Holocausts in Gujarat, India and in Indian Held Kashmir. Everything is not well in this world.
Ich Bin Ein Kashmiri.
The NAZIs never left off. NAZI leaders of industry, science, druggery, etc. were smuggled into the USA and kept on going.
Meanwhile the UN International Criminal Court IS investigating murderous Jews of the IDF. I can't wait for their public executions. Am going to bring popcorn and candy.
I eat dog sh it. I am Hindu and from Colorado.
I am fatso
No. You are nothing more than a fat American. You and we know how overly obese you are, Adsm. Deal with it somewhere else thank you fat Fock.
Our Surgeons General wanted to quarantine them just as is done for Ebola virus. But The Supreme Court would not allow it. So those gay men then spread AIDS into the world.
yes most all doctors and government men are evil.
FYI the first ever recorded death by AIDS was in 1956 Germany. After WW2 the US government smuggled evil NAZI doctors into the USA. Those were the doctors running the Viral Cancer Research Project. Just as NAZI rocket scientists like Werner Von Braun ran NASA.
How long have you had AIDS?
Who knows? There's no way of really knowing if you have AIDS until you start dying from it. Of course you wouldn't know that because you are dumber than a box of rocks.
I am Hindu and from India. .i eat Philips poop and Modi's big hairy ba lls. .
I love Modi very much
NAZIs also developed and manufactured hundreds of flying saucers. Their plan was to trick the world into thinking that aliens from outer space had sided with them.
Those NAZI war criminals were also smuggled into the USA after WW2 by secret US gov operation "Paperclip".
Today both American and Russian government men mass produce "UFOs" in secret underground facilities...60 trillion dollars worth that were built during the so-called "Cold War" between Russia and the USA.
They plan on launching thousands of flying saucers and scaring the world into uniting as one to defeat "Invading Terrorists from outer space".
The New World Order, it's called.
How long have you been paranoid schizophrenic
A scientist named Tesla invented a "Blue Beam" that could make gasoline explode from miles away. But only if 10% ethanol was mixed in the gasoline. Then he was killed and government men confiscated all of his belongings and years later government men started making us mix 10% ethanol in our gasoline.
When you see flying saucers firing blue beams at cars and making them explode DO NOT become afraid. Those will not be aliens from outer space. Those will be your own programmed and kidnapped children altered to look like little green aliens. Programmed by XBOX and PlayStation.
How do you manage to put your pants on in the morning you insane fuck
How overly obese are. You now, Adam. And are you still living with your mom?
My mother is dead you Dumb fuck and I weigh as much as your ego
You live with your dead mother? That's kind of strange but whatever dude.
No, dipshit my mom's dead and your still an asshole fer bringing her up.
Nobody will ever kidnap me because I am a fat slob and the space ship couldn't lift me.
I eat kitty poop from Milwaukee
Bullshat. Even international terrorists are smart enough to use cheap and effective chemical and biological weapons rather than ultra expensive nukes. You average US adults are a bunch of dummies.
Your not American? Figures. Terrorist ISIS mouthpiece
India is a pariah nation like South Africa was. Massacring minorities. Killing innocent civilians. Subjugating the freedom of speech. Trampling the rights of women.
Nazis and hindus were and are a match made in heaven. They feed off each other. They share identical philosophies. They are both anti humanists. Hindus are the nouveau Nazis. Modi is their leader.
I do not like black people nor Muslims.
Put them in a big boat and ship them all back to Africa and the Middle East.
Bunch of mother fkers
Except for the pretty females. I want them
True that. The average African woman is far prettier than the average US woman. And weighs about half as much.
That starving Ethiopian look is so trendy
As is the Ogra Windfree look here in America.
American women are so fat now they have to have their very own Fat Lady Beauty Contests. Wayyyy to obese and grotesque and disgusting to appear in real beauty pageants. David's Bridal, a world leading wedding gown outlet, now make their mannequins made fat to better represent what their gowns would look like on the average US fat lady. A new development in human history.
We should ship all of our racist swine to the penal island Australia.
Get on that boat irs welfare cheat.
Say something that has informational value for once, @fat Adam. All you ever do is harp on people.
Silly hindus going about rayping each other. No contribution to this world. Just a burden on world resources. Eating away the granaries sent to them as aid. Worth more dead than alive on the organ market.
Silly homyosezual American church leaders never going to prison even after getting caught statutorily rayping underaged males. China executes theirs and so have very few left.
Hi. I am Sam Sanderpaul. I eat Philips poop and I drink his pee pee
I love India
Never liked them hindus from India.
I dislike nig gers, ch inks, and wet backs. I think Irish people should not even exist. Hang em all!!!
Put them all in a big boat and ship them out along with mother fuking Philip the azzhole.
I never really did like those "Christians" from N. America either. They think it's ok to become drug addicts as long as non-Christian doctors say it's ok. And they think God wants them to be fat and rich. Kind of disgusting, really.
Hey. Ya think if I pay a doctor to say im "bipolar" then i could sit on my fat ass and live off of the US taxpayer?
Hi. I am fat Blue Saffron. I sit my fat hairy ugly asss crack on Philip ' s face. Then I fart. He inhales the gas. ..
1. India holds more poor than the entire population of the African continent
2. India is 4th worst country for women to live in after Afghanistan and Somalia
3. India's gender equality is worse than Bangladesh.
Howdy all.
I get on my knees and su ck Modi's big di ck. .i just love his warm thick goey white love juice. .delicious!
Hi. I am Kumin Kumar. I do not like Muslims. .they are all evil.
I drink toilet water. .mmmmm good
1. 96% Indians still do not have simple toilets in this day and age
2. India has the most slavery -more than any nation in the world
3. India's Per Capita GDP – lowest 138 out of 183 countries. The bottom countries include Somalia, Afghanistan...
Hindoos are mostly mother fukkers.
Hi. I li ck Modi's poop and Modi's salty gooey moist boogers from India. .
I eat Hindu boogers from Bombay
The statistics are"astounding' and far worse than I thought previously. Per CNN, 20% of women in India (140 million !!!!) have either been rayped or gang rayped. This is about half the population of USA !!! UNBELIEVABLE !!!! Where has the world been? Why have all the news agencies been ignoring this issue.
700.000 US children are abducteed each year according to FBI. Americans are the worst child molesters in all of history. Get a clue you hater of India
Modi's buddhist boyfriend from Myanmar rubbed butter on Modi's a zz and fukked him hard. He is pregnant with a dog.
Oh God will get you for that one you lazy piece of work
Ya'll signing off for good. God bless. Love ya'll.
Hi. Had to sign off to go and eat toilet sh it from India.
Americans Fock boys.
I work in a capacity of a mortician ..I fukk dead bodies all the time.
i just love it..
Gay Americans butt frock boys all the time. Who gives a rats ass what Imdia does.
Hi. I am Phil. I sukk Narendra Modi from his an us..
Tastes like chicken LMFAO! !
Americans are fat and stupid. Care to debate as an adult?
I am Hindu now.
I li ck Modi's assscrack
I truly believe that India is beautiful and great.
I have converted to Hinduism cuz Muslim is evil.
I am Hindu happy now.
Praise Shiva and Modi and India
I get on my knees and su ck Modi's indian di ck. .
Fascinating thing
Hi I am Adam. Lol
Omg Adam is so stupid.
Phil ffrom Colorado is a FAT Hindu boy.
He eats his own boogers.
I did eat my own boogers cuz my mom was spun on Rx pharmacy drugs and f"d whatever wiggled am glad they didn't have Zanax back then.
I eat camel poop from Bombay Tastes like chicken LMFAO! ! !
Viva India! I am Hindu now
I am Adam and I can still smell my dead mom. It affects me.


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Insulin antibody
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Spoiler - Porsche (95B-807-061-K-1E0)
- Genuine:
- Other Names: Front Spoiler Black
- Description:
2015-18, bumper & trim, without front skid plate, without front skid plate.
- Replaces: 95B-807-061-1E0
- Sold In Quantity: 1
Also Purchased
Vehicle Fitment
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President Barack Obama is hosting a series of meetings this week with lawmakers, privacy advocates and intelligence officials as he nears a final decision on changes to the government's controversial surveillance programs.
Obama could announce the changes as early as next week. He's weighing more than 40 recommendations from a presidential review board that proposed restrictions on the National Security Agency's collection of telephone records from millions of Americans.
A separate task force appointed by Congress has also undertaken its own review of the NSA's vast powers. However, the Privacy and Civil Liberties Oversight Board doesn't expect to issue its report until late January at the earliest, meaning Obama will announce his recommendations before receiving the group's final report.
Board members were meeting with the president at the White House Wednesday and have also held previous meetings with administration officials. Obama was also scheduled to huddle Wednesday with members of the intelligence community, many of whom have been pushing to keep the NSA surveillance programs intact.
On Thursday, Obama planned to meet with a handful of lawmakers. And representatives from privacy groups were scheduled to meet Thursday afternoon with Obama's top lawyer, Kathryn Ruemmler, who has been heading the internal legal review.
That review was spurred by former NSA contractor Edward Snowden, who leaked details of several secret government programs. Snowden faces espionage charges in the U.S., but has been granted temporary asylum in Russia.
White House spokeswoman Caitlin Hayden said this week's meetings "offer the president an opportunity to hear from groups who play an important role in addressing these issues as we begin to wrap up our review."
Sascha Meinrath, a civil liberties advocate who attended previous White House meetings on surveillance, said administration officials could "test the waters" for its planned tweaks.
"This would be their chance to springboard some ideas for what the president is going to say," said Meinrath, director of the Open Technology Institute. Meinrath will not be at Thursday's meeting, though one of his colleagues planned to attend.
White House officials say Obama is considering nearly all of the review group's recommendations, which include stripping the NSA of its ability to store data in its own facilities and instead shift that storage to the private phone companies. In comments late last year, Obama indicated he may be open to significant changes.
"There are ways we can do it, potentially, that gives people greater assurance that there are checks and balances — that there's sufficient oversight and sufficient transparency," Obama said during a Dec. 20 news conference. He added that programs like the bulk collection of phone records "could be redesigned in ways that give you the same information when you need it without creating these potentials for abuse."
It's unclear why Obama will announce his recommendations before receiving the report from the privacy and civil liberties board. That panel had originally planned to issue its recommendations by December.
One official familiar with the review process acknowledged that some White House officials were puzzled by the board's delay. But they said the report would likely still have strong weight in Congress, where legislators are grappling with several bills aimed at dismantling or preserving the NSA's authority.
The official insisted on anonymity because he was not authorized to comment on the board's work by name.


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LOS ANGELES — It's a surreal sight residents won't soon forget: A hulking space shuttle strutting down city streets, pausing every so often to get its bearings as it creeps toward retirement.
Endeavour's terrestrial journey began before dawn Friday when it departed from the Los Angeles International Airport, rolling on a 160-wheeled carrier past diamond-shaped "Shuttle Xing" signs.
Hundreds of camera-toting spectators, some with pajama-clad children in tow, gaped as the 170,000-pound Endeavour inched by with its tail towering over streetlights and its wings spanning the roadway.
Over two days, it will trundle 12 miles at a top speed of 2 mph to its final destination — the California Science Center where it will be the centerpiece of a new exhibit.
After an initial bumpy ride and a brief delay, the shuttle pulled off a massive feat of parallel parking by backing into a shopping center parking lot for a layover as crowds cheered on.
"This is unlike anything we've ever moved before," said Jim Hennessy, a spokesman for Sarens, the contract mover.
Spectators flocked to the parking lot in the Westchester neighborhood to get a glimpse of Endeavour, which was guarded by an entourage of police, private security and construction crews.
Janet Dion, a family therapist from nearby Manhattan Beach, marveled at the shuttle, its exterior weathered by millions of miles in space and two dozen re-entries.
"You can sense the magnitude of where it's been," Dion said, fixated on the heat tiles that protected the shuttle during the return to Earth.
James Nieuwdorp, a technician for a transit agency, saw Endeavour's aerial victory lap around California last month and traveled to see it again before it becomes a museum piece.
He enjoyed how the shuttle brought strangers together. There was "lot of camaraderie — something that's hard to be seen these days," he said.
After a nine-hour layover, Endeavour hit the streets Friday afternoon toward the suburb of Inglewood, home of the iconic Randy's Donuts shop. As it rolled past front lawns, some homeowners climbed on their roofs for a better view.
The shuttle will take another hours-long break as crews re-route power lines, causing temporary outages to several hundred homes. It will later be transferred to a special dolly towed by Toyota pickup truck for the move over Interstate 405. The automaker received a permit to film a commercial.
Shuffling a five-story-tall shuttle through urban streets was an undertaking that took nearly a year to plan. Because the 78-foot wingspan hangs over sidewalks in some locations, police enforced rolling street and sidewalk closures along the route.
The limited access frustrated some businesses that counted on huge crowds lining the curbs to boost business.
Saturday is typically the busiest day for James Fugate, who co-owns Eso Won Books in South Los Angeles. But with Endeavour expected to pass through, Fugate braced for a ho-hum day in sales.
"We don't close because we're slow. That's when you pull out a book to read," he said.
The baby of the shuttle fleet, Endeavour replaced Challenger, which exploded during liftoff in 1986, killing seven astronauts. It thundered off the launch pad 25 times, orbited Earth nearly 4,700 times and racked up 123 million miles.
Transporting Endeavour required a specialized carrier typically used to haul oil rigs, bridges and heavy equipment. The wheels can spin in any direction, allowing the shuttle to zigzag past obstacles. An operator walks alongside, controlling the movements via joystick. Several spotters along the wings are on the lookout for hazards.
Before Endeavour could travel through the streets, some 400 trees were chopped down, cable and telephone lines were hoisted, and steel plates were laid down to protect the streets and underground utilities.
Endeavour will mostly travel on wide boulevards with some boasting as many lanes as a freeway. While there have been advance preparations, there was remaining work to be done during the move, including de-energizing power lines.
One of the trickiest parts occurs Saturday when Endeavour treks through a narrow residential street with apartment buildings on both sides. With its wings expected to intrude into driveways, residents have been told to stay indoors until the shuttle passes.
The route was selected after ruling out other options. Dismantling the shuttle would have ruined the delicate heat tiles. Helicoptering it to its destination was not feasible. Neither was crossing on freeways since the shuttle is too big to fit through the underpasses. The cost of transporting it cross-town was estimated at over $10 million.
As complex as the latest endeavor is, Southern California is no stranger to moving heavy things.
In 1946, Howard Hughes' "Spruce Goose" aircraft was built in sections and hauled from Culver City to Long Beach, 30 miles away. In 1984, an old United Airlines DC-8, with its wings and tail disassembled, was towed from Long Beach to the science center.
Earlier this year, a two-story-tall chunk of granite was hauled 105 miles from a rock quarry to the Los Angeles County Museum of Art.
Associated Press Writer Raquel Maria Dillon in Los Angeles contributed to this story.
Alicia Chang can be followed at http://twitter.com/SciWriAlicia .


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Find Your 255/65-15 Tires
The right tire is just around the corner
Goodyear has a large tire catalog complete with all-season tires, winter tires, sport performance tires, and more. Enter your location and we'll help you find:
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You're all still here! Joy!
Today's story is a little less straightforward than the last one, but definitely not less strange. It happened about a year ago.
As many of you know, I've been doing research for a biographical piece on my favorite Hot Dead Guy, Robert Cornelius.
Although he's dreamy and delightful, he hasn't made things easy for me because he didn't leave any papers behind. So I've had to cast a pretty wide net to find correspondence from him or pertaining to him.
After a while I hit a wall. I had exhausted all of the possibilities I could think of. One afternoon I was particularly frustrated and I sat at my desk, stewing.
All of a sudden I got an idea about where to look next. And then another idea. That happens sometimes. If you give your mind time to work on a problem, it can come up with solutions more easily. So that's what I assumed it was.
But I became aware of an odd sensation around me. It felt like static, but not really. I heard a faint buzzing noise, but the room was completely quiet. I got the impression of a hazy, bluish veil around me, but nothing was visible. And I couldn't help feeling that someone was in the room with me.
After another idea popped into my head from seemingly nowhere, I wondered, "What if these ideas aren't coming from me? What if they've been given to me by whoever or whatever is here?" But that would be nuts. That doesn't happen except in movies and stuff. My brain was obviously just playing tricks on me.
So I decided to debunk my own theory. I said, "Okay, if there's someone here, tell me something that I don't know, but that I can easily verify." So there. My brain, though crafty and wily, wouldn't be able to fake that. I sat quietly for a few minutes, waiting. Nothing. See? I knew it. I let my imagination get the best of me, that's all.
But then I heard a male voice, very clearly, in my head: There's a church on the corner of 17th and Spruce.
This is in reference to Philadelphia, by the way. Robert Cornelius lived there his whole life, so I've traveled to Philly many times to do research. I had never been on Spruce Street. 17th Street, on the other hand, was well-known to me; it's dotted with hotels and I've stayed there many times.
Aha! I call bullshit on you, brain. 17th Street was the first street that occurred to you since I've been there so often. And Spruce Street is just the first "tree" street you happened to think of (a lot of cross streets in Center City are named after trees). But that was stupid, because I have no idea what's on Spruce, therefore neither do you. This will be an easy one to disprove. You're busted, brain, busted! Hahahahahahahahahahaha!!!
So I pulled up Philadelphia on Google Maps and looked to see what was at that intersection.
Yeah. This is the Tenth Presbyterian Church, on the southwest corner of 17th and Spruce. It's been there since 1855.
My stomach lurched as I stared at the street view photo on Google Maps. It could have been a wild guess that happened to be correct against all odds. But somehow I didn't think so.
My friends, I can absolutely guarantee that I did not have this information before this incident. I had never been at or near this intersection. I didn't know about this church. Robert Cornelius was a Presbyterian but he wasn't a member of the Tenth Presbyterian; his church was much further uptown.
Meanwhile I still had the sensation of not being alone—the static, the buzzing, and the gauzy veil were all still there—but the energy had shifted somewhat. Now it felt like whoever was in the room was gloating. It had a "See? Told ya so" kind of vibe.
The energy gradually dissipated and I felt like I was by myself again. And that was it.
I've had a few other visits from this same mystery guest since then, but those have felt more like someone dropping in to say, "Hey, how's it going?" and then leaving. Believe me when I tell you that this has all been Deeply Weird.
So who's my mystery guest? Is it Robert Cornelius saying hello to his #1 fan? Possibly. Or maybe it's someone else who decided to lend a helping hand. I don't think I'll ever know for sure. All I know is that he's friendly, helpful, and kind of a smartass.
So that's my story for Part II. I'm saving the eeriest story for Part III………


text:
Bailey Creek Golf Course | Lake Almanor, CA
Bailey Creek Golf Course is a beautiful 18-hole golf course located in Lake Almanor, California
These unique, watercolor-style golf course maps are collectable pieces of art, perfect for any golfer or golf fan. It's a keepsake and personal memento that you can proudly display on the wall of your home or office!
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If you would like a change to the wording or orientation, send me a message and I will be happy to work with you!


text:
I don't much care for rules. These are more like… guidelines. Some of the following admonitions are personal and apply only to my own crochet designing (#25 in particular), but most may be generalized.
I ignore #2, #7 and #11 all the time and as a result I end up breaking #5.
In no particular order of importance, here's a rundown of Doris' Crochet Caveats:
Rule #1: No time spent crocheting is ever wasted.
Rule #2: Keep track of your markers.
Rule #3: That's not a mistake, that's a design element.
Rule #4: There's no such thing as too much yarn.
Rule #5: There's no crying in crochet.
Rule #6: Never start a project without at least two hooks in the required size.
Rule #7: No coffee within 10 feet of yarn, projects, patterns or critical paperwork.
Rule #8: Block that puppy.
Rule #9: If the hook is not moving easily and smoothly in and out of the stitches, you are crocheting too tightly. Relax.
Rule #10: If it hurts, stop.
Rule #11: Check your work. Often.
Rule #12: Seam crochet only when absolutely unavoidable.
Rule #13: Cut yarn only when absolutely unavoidable (see special circumstance Rule #19).
Rule #14: The private should look as good as the public.
Rule #15: Whenever doable, obtain twice as much yarn as you think the project will require (a corollary to Rule #4).
Rule #16: There is no right way or wrong way, but there is the way to get the same results as shown.
Rule #17: Listen to the yarn.
Rule #18: Yarn sometimes lies.
Rule #19: Exterminate all knots and wonky sections as they arise from a skein.
Rule #20: UFOs that have not spoken to you for more than a year may be considered stash in pre-crocheted form.
Rule #21: Read the fracking pattern.
Rule #22: The pattern could be wrong.
Rule #23: Get it when you see it because when you come back next time it might not be there (another corollary to Rule #4).
Rule #24: Life is too short to mess with indifferent yarn.
Rule #25: Sweat the details.
Rule #26: Crochet is not dumb and neither are crocheters.
Rule #27: Knitting is not the enemy.
Rule #28: Anyone who doesn't get Rule #26 is the enemy.
Rule #29: Pay attention to the information on the yarn label.
Rule #30: Yarn labels sometimes lie.
Rule #31: The sworn enemy of crochet, eclipsing all others for viciousness and cruelty (including coffee, hot irons and the CEO of the US division of Clover), is Velcro.
Rule #32: Have dessert first. Dessert while crocheting never works out too well (a sort of sidebar to Rule #7).


text:
Source: Data from Hitwise, reported in their blog, 26th December 2011
dentsu 2022 Media Trends
1 year ago
I love the smell of data in the morning! Interesting and surprising statistics about digital media and devices. Compiled & curated by Dan Calladine, Aegis Media - firstname.lastname@example.com - All views expressed are my own. Please email me if you have any queries, amendments or suggestions. Follow me on twitter - I'm @dancall


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Coronavirus Update: We will stay open to ship all packages as normal for the time being. We are located in California and Indianapolis so we will be shipping, accepting returns, and answering emails as long as we are not forced otherwise. Please give extra time for any delays the shipping companies may experience.Note: We will not be answering phone calls but will attend to all emails within 24 hours. Email: email@example.com: (310)971-9249
DISCOUNTED: This board is discounted because of a damaged plastic connector (CN3), but the board is still usable. It does not affect the board's circuitry.
|Part Type
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|Inverter Board
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We are here to help! If you're unsure of how to diagnose and troubleshoot the TV message or call us for more assistance!
*NOTE* LG & Vizio TVs must be plugged in for 5 minutes before it will turn on*
*For main board replacements check firmware upgrades online - We can not pre-install them*
1. Inspect ALL Ribbons and connectors. Any tears or bad connections between boards must be replaced FIRST
2. If you have any of these boards, it should be the first board to be replaced
A) T-Con Board - Video Problems (No Video with standby light on, audio but no video, grainy, distorted, or color problems in screen)
B) X or Y Buffer Board (Plasma TVs only) - Standby light is on but no power
C) Backlight Inverter / LED Driver - No Video with standby light on
3. Main Video Board
- Standby light is on but no power
- Either video or audio does not work (if no T-Con in TV. If audio but no video it is T-Con)
4. Power Board - No power AND standby light does NOT turn on. If standby light is on try other boards above
5. Panel - No power, distorted picture, lines, slow motion, half screen, faded in / out. Panel problems are usually not worth replacing the panel.


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text:
Some time ago, Saudi Aramco changed its hiring procedures to include something called a "HireVue interview".
The purpose of these video or one-way interviews is to save everyone time. You don't have to travel to an office for an in-person interview if the Saudi Aramco hiring manager has already made up their mind on another applicant. And the hiring manager doesn't have to sit through an interview with someone that clearly isn't interested in the job.
So it's a win-win right?
Sort of.
HireVue interviews can be very stressful for applicants since there is no live interviewer asking questions. Many applicants have told us this gives them anxiety since there is no way to know if your answers were solid or could be improved.
You can gain some confidence before your interview by practicing for Saudi Aramco's HireVue interview on a platform like Voomer, where you can practice on Saudi Aramco sample questions and get instant, AI-powered feedback on your answers.
Let's walk you through the Saudi Aramco HireVue interview and at the end of this article you can take a look at a few sample Saudi Aramco HireVue interview questions.
What happens in a Saudi Aramco HireVue interview?
In a HireVue interview, you'll record yourself answering questions.
Those questions might be shown to you as a couple of lines of text or they might be displayed as a pre-recorded video by someone at Saudi Aramco asking you that question.
Then, you'll get around 30 seconds to prepare your answer and around two minutes to answer.
The number of questions varies, so be ready to answer anything from 2 to 5 questions.
You can answer on your cell phone, laptop, or desktop computer – as long as it has a camera.
Saudi Aramco's HireVue interview specifics
The questions asked will be mostly behavioral ones, so make sure you are brushed up on how to answer those. The best way to answer them is via the STAR method – if you aren't familiar with how to ace every question using that method, check out the video below.
You also want to be aware of Saudi Aramco's corporate values. You want to answer the behavioral questions on HireVue through the lens of those values. This will make the hiring manager's life very easy as they are looking for those values in every person they evaluate.
You can find Saudi Aramco's corporate values on its website. Also take a look at their website to familiarize yourself with Saudi Aramco's history and corporate goals, because knowledge of those can be extremely helpful in an interview.
How to prepare for Saudi Aramco's HireVue interview
Start with what you can control.
Start your interview in a place that is quiet – away from kids, pets, lawnmowers, etc. Not only will the person viewing your video have a hard time understanding you, loud noises right when you are about to answer a question might sap your confidence.
Even though you might be at home, dress as if you were at an in-person interview. People viewing your answers appreciate the professionalism of someone that took the time to think about this issue and record using appropriate clothing.
Lighting is absolutely key. If you record in an environment with low light, you'll come across as a blurry, barely recognizable mess on video – which does not help your chances of getting hired. Open your curtains to let in lots of natural light or turn on lights to brighten up the environment. When it comes to lighting, more is always better – as long as the lights aren't pointed at your camera!
Saudi Aramco HireVue interview questions
Below are some Saudi Aramco sample questions.
- Tell me about yourself (a classic Hirevue question)
- What was the toughest challenge you've faced
- Tell me about a time you faced a problem with a team member
- Tell me something that is not on your resume
- Access more of these questions at Voomer!
Pro-tip & conclusion
Practice makes perfect – boost your confidence before the interview by practicing for your Saudi Aramco HireVue interview on a tool like Voomer.
You can browse our question database with company-specific questions and practice for them in an environment that is extremely similar to Hirevue's.
You can also get AI-powered feedback on your answers to help you land that dream job!
Good luck with your interview!


text:
Thursday, June 17, 2010
Southwestern Cilantro Rice Salad
From the kitchen of One Perfect Bite...I first had this salad in New York City at a restaurant called Arizona 206. Chef Brendan Walsh was head of the kitchen at that time and one of the restaurant's signature dishes was this lovely cilantro rice. I had the rice so often that I was able to reconstruct it in my own kitchen from taste memory. I liked it then, and I like it now, because it's an easy and inexpensive way to feed a large number of people. It's also a wonderful accompaniment to Southwestern or Mexican meals. While I doubt this will become your favorite rice dish, it's great for church suppers, block parties and other large gatherings where refrigerator and oven space space is at a premium. This rice salad is one of those rare dishes that is actually better when served at room temperature. The version of the recipe I have in my files feeds 36 people. I re-sized it earlier this week to serve with a Southwestern-style meal I had planned for four people. I thought you might like to have a copy of the smaller recipe for your files. Without further ado, here's how we make Southwestern Cilantro Rice Salad. Oh, and should you like the recipe for 36, multiply all ingredients, save the lime zest, by four.
Southwestern Cilantro Rice Salad...from the kitchen of One Perfect Bite, inspired by Brendan Walsh
2 cups cold water
1 cup long grain or basmati rice
1 teaspoon kosher salt + salt to taste
3/4 cup chopped fresh cilantro
1/2 cup diced red bell pepper, cut in 1/4-inch dice
1/2 cup diced yellow bell pepper, cut in 1/4-inch rice
1/4 cup olive oil
3 tablespoons tablespoons fresh lime juice
Zest of 1 lime
Freshly cracked pepper to taste
1) Bring water to a boil in a 3-quart pan set over high heat. Stir in rice and salt and bring back to a boil. Immediately cover pan and lower heat. Simmer for 20 minutes. Remove from heat. Let rice sit, covered, for another 10 minutes.
2) Transfer rice to a large pan. I use a roasting pan to assure enough space to thoroughly mix rice with other ingredients. Add cilantro, red and yellow peppers, olive oil, lime zest and juice and salt and pepper to taste. Mix well. Serve immediately or cover and let sit at room temperature until ready to serve. Yield: 4 servings.
You might also enjoy these recipes:
Moors and Christians - One Perfect Bite
Forbidden Rice and Jewel Toned Grains - One Perfect Bite
Arroz con Pollo - One Perfect Bite
64 comments :
- Rue said...
I love cilantro - this would be a good summer dish!
- June 17, 2010 at 12:57 AM
- Monet said...
This would pair perfectly with our favorite enchilada dish. Thanks for sharing a great summer side dish!
- June 17, 2010 at 1:09 AM
- chamki said...
Lime and cilantro go so well together also with fresh mint and basil - that's what i usually do. Very fresh dish. Ciao!
- June 17, 2010 at 1:24 AM
- Mami said...
Thanks for stopping by.
i am Japanese,so I have rice everyday.
This rice salad is the new recipe for me. Not sure tastes seems sushi?
I'll try it soon.:)
- June 17, 2010 at 2:14 AM
- Priya Suresh said...
Very delicious and yummy salad..
- June 17, 2010 at 4:09 AM
- pigpigscorner said...
Must be so fragrant with the cilantro! Very refreshing.
- June 17, 2010 at 4:13 AM
- Diane said...
I am very much a cilantro fan so this will be a good recipe for me. Thanks. Have a good day. Diane
- June 17, 2010 at 5:13 AM
- Sushma Mallya said...
Rice looks absolutely divine and use of cilantro must have made it so flavourful and nice :)...i just loved the click :)
- June 17, 2010 at 5:25 AM
- Sonia ~ Nasi Lemak Lover said...
rice become salad, this is new to me. anyway, this look beuatiful and healthy!
- June 17, 2010 at 5:59 AM
- Allie and Pattie said...
We actually have a block party coming up so for 36 it is! Thank you Mary!
xoxo Pattie
- June 17, 2010 at 6:07 AM
- Rachana said...
The rice salad looks so refreshing and delicious. I loved the click :-)
- June 17, 2010 at 6:12 AM
- Joanne said...
You know, between the cilantro, lime, and pepper, this might just become my favorite rice dish. Throw in some black beans and it would be a perfect lunch salad!
- June 17, 2010 at 6:55 AM
- Rita said...
I must say your pictures and recipe are very inviting!this one is on my must try list;thank you.
- June 17, 2010 at 6:57 AM
- tata | bonitafood said...
I thought it was a fried rice post when I saw it for the first time without reading the title. Ah, you got me! Ha ha. Looks drooling as always btw :D
- June 17, 2010 at 7:09 AM
- Mausi said...
I love cilantro and this looks like a perfect dish for hot summer day!
- June 17, 2010 at 7:14 AM
- Julie said...
Hi, Mary! Beautiful salad. Love the colors. We're not big cilantro fans at my house. I am going to try this using basil and serving it warm.
- June 17, 2010 at 7:19 AM
- Martha said...
This looks really good -- I'm so tired of "Spanish rice" with Mexican meals -- this looks yummy and fresh!
- June 17, 2010 at 7:22 AM
- FOODESSA said...
Minus the cilantro...sorry not a fan...everything else looks delicious!
Mary you do cook so much...I wouldn't mind being your neighbour...especially when I'm not exactly in the mood for being in the kitchen ;0)
Flavourful wishes, Claudia
- June 17, 2010 at 7:40 AM
- penny aka jeroxie said...
Very refreshing indeed! Makes a great side dish for fish too.
- June 17, 2010 at 7:56 AM
- Schnitzel and the Trout said...
Mary, how wonderful of you to share this recipe. It has everything I love and I always need one of those recipes for the block party gatherings. Thanks.
- June 17, 2010 at 7:59 AM
- Valerie Harrison (bellini) said...
It is easy to see why you would make this time and time again Mary. I believe I have stopped my search for a recipe to go with my Mexican tosados.
- June 17, 2010 at 8:21 AM
- Debbi Does Dinner Healthy said...
I love cilantro and this rice looks awesome! SO PRETTY! I like pretty food!
- June 17, 2010 at 8:21 AM
Originally feeds 36 people!! Love those kind of recipes. I have "baked ziti for 4,000" from the West Point cookbook. Good stuff.
Funny how tastes work ... my mom thinks cilantro tastes like dirt, but i could put it in anything. Cilantro-lime ice cream, maybe?
This is one of those great dishes to make in a big batch, then use it as a side for a couple or three dinners. Or grill one extra chicken breast, chop it up, and add it to the salad for lunch.
Someone needs to invent an app so i can bookmark all of everyone else's recipes into one convenient, searchable format. I know, I could just bookmark them on my browser, but it needs to be searchable.
- June 17, 2010 at 8:31 AM
- pam said...
What a pretty colorful salad. I am always looking for rice sidedishes for Mexican food.
- June 17, 2010 at 8:45 AM
- Foley said...
Happy you showed the recipe for the smaller version - Sounds like a great side dish with a different twist!
- June 17, 2010 at 9:12 AM
- Lorraine said...
Hi. Thanks for stopping by my blog.
Wonderful rice recipe. I am always looking for new sides to serve with the Mexican dishes I prepare. This will work perfectly:) Thanks!
- June 17, 2010 at 9:14 AM
- A SPICY PERSPECTIVE said...
So fresh and yummy! I love adding nutty basmati rice to non-Indian dishes. Brilliant!
- June 17, 2010 at 10:04 AM
- Taylor said...
This looks delicious! I love anything with cilantro in it...and I bet those peppers really add a lot of flavor :)
- June 17, 2010 at 10:15 AM
- T.W. Barritt at Culinary Types said...
This has the best of summer's ingredients - what a colorful addition to the meal!
- June 17, 2010 at 10:19 AM
- Sushma Mallya said...
Looks so beautiful...sorry couldnt come to your blog all these days as i wasnt feeling well...have a nice day mary,take care
- June 17, 2010 at 10:21 AM
- Lucie said...
I would be tempted to make the 36 servings just for myself...this is a perfect summer rice salad! Thanks for sharing, Mary!
- June 17, 2010 at 10:23 AM
- Miss Meat and Potatoes said...
This makes the Texan in me very happy. Wonderful flavors in this one. Thanks for sharing!
- June 17, 2010 at 10:23 AM
- PranisKitchen said...
i am grt fan of rice. so this rice salad is my favorite too..what a nice flavorful combination of ingredients mary..sure its tsate super yum
- June 17, 2010 at 10:33 AM
- Jeannie said...
Lovely all the colors!I would be enticed to try some too!
- June 17, 2010 at 11:06 AM
- Eliana said...
This looks so full of flavor Mary. Especially with all that cilantro running through it - my favorite herb.
- June 17, 2010 at 11:23 AM
- Salsa Verde said...
Fantastic rice. The colours are amazing and it sounds so delicious!!
- June 17, 2010 at 12:15 PM
- ☺lani☺ said...
I don't know why I don't like the taste of cilantro or probably the smell... maybe I'll try to appreciate it, because most of my recipes need cilantro but I'm skipping it!
This looks good!
- June 17, 2010 at 12:19 PM
- Jennifer said...
Man just looking at that salad I an almost taste how fresh and yummy it is!
- June 17, 2010 at 12:28 PM
- Cooking with Kait said...
This would be great for a block party especially since it's best at room temperature. Thanks for the recipe!
- June 17, 2010 at 12:29 PM
- The Blonde Duck said...
I love SW dishes!
- June 17, 2010 at 12:32 PM
- eleni said...
What an excellent refreshing rice salad... well done with this healthy food!!
- June 17, 2010 at 1:05 PM
- RamblingTart said...
This is so light and fresh and cooling, Mary. I think it's a perfect summery dish. :-) And I would love to take it to work with me for quick lunches.
- June 17, 2010 at 1:41 PM
- Barbara said...
I love those southwest flavors, Mary, but must admit I am not a fan of cilantro. Perhaps some parsley and maybe some cumin will make the salad perfect for me. The lime must make this taste so fresh!
Have a lovely weekend!
- June 17, 2010 at 1:41 PM
- Ana Powell said...
Wow what a lovely coriander rice recipe.
Awesome photo too.
Excellent work ♥
- June 17, 2010 at 2:14 PM
- MyExperimentsWithFood said...
Looks very simple and sounds delicious.
- June 17, 2010 at 2:22 PM
- FOODalogue said...
Looks delicious and so nice + fluffy. I used to go Arizona 206 too. It was very cutting edge in its day.
- June 17, 2010 at 3:32 PM
- Maria said...
So colorful and tasty too:)
- June 17, 2010 at 3:52 PM
- Unknown said...
This looks great Mary. Thanks for the recipe.
- June 17, 2010 at 5:16 PM
- Jen_from_NJ said...
I love how colorful this rice is. The photo is stunning! I just know that my family will enjoy this one. I love recreating favorite restaurant dishes also.
- June 17, 2010 at 6:20 PM
- Tasha said...
My husband LOVES rice and I am always on the lookout for new recipes using it. This would be a hit in my house, I am sure!
- June 17, 2010 at 6:27 PM
- Pam said...
This is my kind of recipe Mary... I can't wait to try it.
- June 17, 2010 at 6:45 PM
- The Words Crafter said...
Wow, even I can do this one!!! Thanks so much-just in time for a dinner at work!
- June 17, 2010 at 6:57 PM
- nanny said...
sounds like it could easily become my favorite....i love all of the flavors...and in one dish....yum!
- June 17, 2010 at 9:22 PM
- Baking is my Zen...sweet nibbles for the soul said...
The rice salad looks colorful...and i can't get enough cilantro...sooo good!
Montauk was beautiful...my room was right on the ocean...breathtaking!
- June 17, 2010 at 10:17 PM
- We Are Not Martha said...
I love when rice is pretty! This is perfect for a Mexican feast :) Love the lime and cilantro combo!
- June 17, 2010 at 10:32 PM
- Kim said...
The bell peppers look like little colorful pieces of confetti! A very pretty salad indeed.
- June 17, 2010 at 10:56 PM
- Andrea said...
This looks so wonderful! I also wanted to thank you for your comment on my blog, which was one of the nicest I've ever received. Also, I love recipes like this, because I'm always looking for things that pack well for lunch, and this definitely fits the bill
- June 17, 2010 at 11:00 PM
- Diana's Cocina said...
Oh Mary, I have a feeling you made this just for me! My Pork Chile Verde recipe would be complete with this rice salad.
- June 18, 2010 at 12:05 AM
- Devaki said...
Dear Mary - This is such a great and simple salad for any accompaniment from enchiladas to adobo to roast chicken!
Love your summer recipes.
Ciao, Devaki @ weavethousandflavors
- June 18, 2010 at 12:24 AM
- Anna said...
This dish make me hungry! I love rice and here in Liguria it's very used to make risotto...
thanks for the recipe. A presto, Anna
- June 18, 2010 at 4:26 AM
- Lana said...
This would be a great variation on Mexican rice, now that the temperature is inching up. Good one for my veggie-head, too!
- June 19, 2010 at 7:14 PM
- Karen said...
Pretty colors in this salad and yes, I think it'd be great for a potluck or BBQ!
- June 21, 2010 at 7:52 PM
- Candace said...
This look amazing! The perfect dish for my weekend. Thanks so much for sharing this recipe.
- June 30, 2010 at 12:14 PM
- Ima Wannabe Cook said...
I've made this recipe several times usually just as a light and easy to prepare side dish. It is wonderful. Leftovers are just as good the next day with the addition of a spritz of lime juice and a pinch of salt.
It is going to be made as a "palate cleanser" later on this month for a chili cook-off. I figure it'll be appreciate between samples of the competing chilis.
- September 11, 2017 at 11:52 PM