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Android application
Budget €8-30 EUR
Create an Android application that act as service and scan for near devices by bluetooth/BLE and return distance in meter by RSSI signal.
Need service and minimal interface
The service have to store a log of the RSSI level of devices discovered appending Mac address and Timestamp.
If the RSSI of device discovered is strong over -60dB the service play a sound every 5 secs.
The interface nedd contain a simple switch and a list of first five devices found sorted by RSSI level.
The interface should have the option to send the log via email.
7 freelancere byder i gennemsnit €420 timen for dette job
Hi, Greetings! I am an expert in developing Android, Iphone and Ipad apps. My skills include Android SDK, OpenGL ES, Cocoa Framework, XCode, iPhone SDK, Cocos2D, Master Databases (MySQL ; SQLite), Geolocation (MapKit Flere
Hi, I have made the social distancing app for Android which will alert you as soon as you come close to app defined distance. The app uses BLE to scan and alert nearby devices. I have gone through your description and Flere
I will complete your bluetooth scanner app. Please contact me to discuss some point. Thanks. .
This is Ajay posting behalf of my team member Praveen i have team of 3 people we work from home and working for nearly 5yrs in the same field , we work on all kind of web & graphics designing ,editing and php developme Flere
almost ready: I have already almost finished it. The distance measurement is logically a bit inaccurate, but it works. I can send you screenshots. finished: [login to view URL] - scan for near devices by bluetooth/BLE -~ distanc Flere
Hi, we work specifically on solutions consisting BLE devices and mobile applications. Based on our previous experiences, calculating distance based on RSSI is not accurate at all, specially for Android devices. If you Flere

subset: commoncrawl


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Henry: Portrait of a Serial Killer
Based on the true life serial killer, Henry Lee Lucas, who murders scores of people, men, women and children, as he travels through the country. The film is actually one of the most disturbing and terrifying examinations of mass murderers ever filmed.
Genres: Crime, Drama, Biography
Actors: Michael Rooker
Directors: John McNaughton
Country: United States
Duration: 83 min
Quality: HD
Release: 1970
IMDb: 7


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Cape Town - A provisional restraint order has been granted against former Western Cape police commissioner Arno Lamoer and his co-accused in their corruption case, it emerged on Tuesday.
The Asset Forfeiture Unit (AFU) brought the application under the Prevention of Organised Crime Act in November 2016.
Advocate Billy Downer told the Western Cape High Court that they were ready to start the trial in March and that witnesses had been subpoenaed.
However, some parties indicated the order had set them back. The State's attitude was that the order made provision for them to apply for funds for living and legal expenses.
Lamoer and three brigadiers - Darius van der Ross, Sharon Govender and her husband Colin Govender - together with businessman Salim Dawjee, face 109 charges of corruption, racketeering, and money laundering involving R1.6m. All of them are out on bail.
Cash and expensive gifts
The high-ranking officers allegedly received cash and expensive gifts from Dawjee in exchange for special treatment.
Lamoer was appointed to the post in November 2010 and retired in November 2015. He had been in the service for 25 years.
The restraint order was limited to R179 912 for Dawjee, Towbars Cape CC and Towbars King CC; R75 524 for Lamoer; and R7 324 for Van der Ross.
The order against the Govenders, including their interests in annuities and gratuities from their pension fund, was limited to R1.37m.
On February 21, the parties will have a chance to argue why the provisional order should not be confirmed pending the outcome of the trial.
Lawyer William Booth, for Dawjee, said the provisional order came as a complete shock and had a "catastrophic impact" on the sale of his client's property.
Judge Robert Henney advised the lawyers to apply to the curator to have funds released for legal representation. They were asked to draw up a timetable.
"I am not going to let the process of asset forfeiture delay this trial," he said.
Mxolisi Getye, of the AFU, said the curator was concerned whether there was enough money in the relevant bank accounts.
"The curator said that all the bank accounts he had been able to trace have debit balances, which are negative balances," he said.
"If the parties are talking about cash sitting in bank accounts then we might have a problem."
Henney replied: "If they say their money is locked up in there, they must show you where they are."
The court heard that the SA Police Service had decided to proceed with disciplinary hearings against the brigadiers last week.
Henney said police should be informed that the hearings must take place after hours, on the weekend, or during court recess, to ensure there were no delays in the court process.
The case was postponed to February 14 for another pre-trial hearing.


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Hotels join the green bandwagon
With more travellers looking for eco-friendly options, more hotels are being built and run that way to meet the demand
Gone are the days when urging guests to reuse their towels earned hotels an environmental stamp of approval.
These days, more travellers are seeking hotel accommodation in line with their desire to reduce their ecological footprint.
Travel search engine Kayak, which has an "eco-friendly" filter for hotels, says there has been a 30 per cent growth in Singapore-based searches for such hotels, compared with last year.
The trend can be seen globally as well.
An AccorHotels study published last year found that out of the more than 7,000 hotel guests surveyed in seven countries - including Germany, Australia and Indonesia - twothirds were willing to pay higher rates for a hotel with green practices, such as recycling waste water, minimising the use of plastic and purchasing local produce.
In its Sustainable Travel Report published last year, Booking.com revealed that 68 per cent of 10,000 responders said they would be more likely to choose accommodations if they knew they were eco-friendly.
Fortunately, these travellers now have more options.
High demand prompted hotel group Soneva (www.soneva.com) to open its third sustainable hotel - and second in the Maldives - last year. The 25 villas at the new Soneva Jani resort are made from sustainable wood. The hotel also has organic vegetable gardens and a waste management facility - it aims to eventually be zero-waste - and will soon install a new solar plant.
On a larger scale, 98 per cent of AccorHotels' 4,100 hotels globally now stock guestrooms with ecolabelled products, 89 per cent now recycle their waste and 99 per cent have banned endangered seafood from their menus - targets set in 2011 and met in 2015.
In that five-year period, there was also a 5.5 per cent cut in the hotel group's energy use and a 6.2 per cent drop in carbon emissions.
The company plans to do more: It will cut energy consumption a room and water consumption a night by 5 per cent by next year, reduce food waste by 30 per cent by 2021 and plant 10 million trees by 2021.
The Carlson Rezidor Hotel Group started offsetting the carbon footprint of meetings and events held at its properties in 2013.
So far, the group, with 1,100 hotels around the world, has offset 35,000 tonnes of carbon globally, with initiatives such as investing in renewable wind energy in India and planting trees in the Great Rift Valley in Kenya. It has also cut energy use by 21.5 per cent across 26 of its Asia-Pacific hotels since 2009 - the equivalent energy needs of 25,658 four-people households in a developed country for a year - and reduced water use by 11 per cent.
These changes meant US$6.9 million (S$9.8 million) in savings over seven years for the group, which intends to lower its carbon footprint by 10 per cent globally by 2020.
Ms Nathalie Leung Shing, AccorHotels' director of communications and corporate social responsibility in the Asia-Pacific, says such initiatives are important as the environment is the raw material of tourism.
"The biggest challenge the industry faces is the fast rate of development, which by its nature puts demands on the environment. We must ensure we play our part in educating developers, our guests and our staff on how they can limit their impact," she says.
Boutique hotel groups are also ramping up their green initiatives.
In September last year, the boutique luxury Alila Hotels & Resorts (www.alilahotels.com) rolled out a new waste-management system across its five hotels in Bali. Waste plastics, such as wraps and films, are converted into crude oil, which can be distilled for reuse as fuel in the hotels. This, and other green initiatives, saved Alila more than US$220,000 in operational costs at one hotel alone, over five years.
Travel search engine TripAdvisor now has more than 12,000 listed properties on its Green Leaders programme, which it started four years ago to highlight hotels and bed and breakfasts with environment- friendly practices.
Environmental consultancies such as EarthCheck, Greenview and Green Key, which help hotels to trim resource use, are also seeing more customers. There are now 465 EarthCheck-certified members across 70 countries and Mr Stewart Moore, chief executive and founder of EarthCheck, says the 30-year-old company has seen membership increase by about 70 per cent over the past decade.
Green Key, an international environmental consultancy and rating agency based in Denmark, says the number of its clients has grown about 10 per cent annually since 2013. More than half of the 2,550 Green Key establishments worldwide - including restaurants and attractions - are hostels and hotels.
And Greenview, with offices in Singapore and the United States providing sustainability reports and strategies for the hospitality industry, has nearly doubled its business in volume and revenue over the last three years.
In Singapore, innovative environmental enterprise Papayapaths is changing the way hotels get rid of waste. Through its H3Rs programme, it provides a platform for hotels to connect with local charities so that good-quality furnishings will go to people in need during refurbishments.
So far, the programme has diverted 18 tonnes of furniture from the landfill - including providing beds for senior citizens and old towels and linen to an animal shelter. Forty-seven charitable organisations have subscribed to the programme, with another 50 hotels expected to come on board this year.
Hotels are going green, says Mr Gevin Png, course manager of hospitality and tourism management at Temasek Polytechnic, to cut costs and as a branding exercise.
"It's good to be seen as a brand leader, to win green awards and to be included in green lists, which have influence on customers' choices," he says.
"Hotels and resorts, particularly those with golf courses, are one of the biggest users of resources, especially in developing countries, where big resorts often take up a significant amount of the local water and power supplies," he says. "So if hotels take their eco-initiatives seriously, it will benefit the local communities and the world in general.
"Such hotels also serve as a way to educate guests about their impact on the environment."
But more must be done, say environmental experts, who point out that the travel industry is growing.
Hotels and resorts, many of which operate around the clock, 365 days a year, consume a large amount of resources and produce a lot of waste.
In 2015, the total carbon dioxide emissions from global passenger air travel was 566 million tonnes, a figure that is set to rise given that, since 2009, international tourist arrivals have increased by 4 per cent or more each year.
It is bad news for the environment if hotels in Asia continue to manage their resources the way they do. An EarthCheck study conducted last year found that hotels in Asia use twice as much water a guest a night, compared with hotels in Australia and New Zealand.
According to Mr Moore, if the environmental footprint made by the world tourism industry was compared with the footprint of a country, tourism would be the fifth-biggest polluter worldwide.
"Sustainability has changed from a well-intentioned discussion to a critical need for immediate action. The vast majority of operators are still not doing enough, despite consumer expectations of more responsible tourism and increasing vocal concerns from local communities," he says.
Ms Grace Kang, managing partner of Greenview, says the biggest challenge is convincing hotel managements that sustainability should sit at the core of their business model and is not an expensive undertaking. "They don't know where to start or don't have the right tools. Some hotels have this misconception that it will be costly to be sustainable," she says.
As someone who seeks to minimise her environmental impact wherever possible, Ms Erica Wong tries to pick environment-friendly hotels for business and leisure trips, as long as they are comparable in facilities, location and price.
But the 38-year-old, who works in publishing, says a lot boils down to the individual. "Sometimes, a hotel may say it is eco- friendly, but its hallways are lit all the time and it still produces a lot of waste.
"I think it is about how you use, or don't use, the resources and amenities. Not using the single-use toothbrush, for example, or making sure to tell the cleaning staff that sheets and towels do not have to be changed daily, are important."
Singaporean Shermain Pea, 28, general manager of Meguru Corporation, a start-up that helps to build sustainable towns and societies in Japan, is always on the lookout for eco-conscious accommodation, restaurants and activities when she travels.
The hotel industry, she says, can do more to educate travellers. "There should be more eco tours available for people to learn about what eco initiatives are and be inspired by them," she says.
Song Saa Private Island
Song Saa Private Island (songsaa.com), a 24-villa luxury resort, opened on two small islands in Cambodia's Koh Rong Archipelago in the Gulf of Thailand in late 2012.
Co-founded by Australian husband-and-wife team Rory and Melita Hunter, each villa was built using local timber and sandstone and decorated with artwork and furniture made of driftwood and repurposed local materials, which Ms Hunter, a designer, crafted by hand.
Low energy light-emitting diode (LED) lights are used in every room and the resort gets its water from an aquifer on the nearby island, Koh Rong. The water is pumped and filtered according to demand at the hotel's filtration plant.
To reduce freshwater usage, the water for each of the villa's pools is half fresh water, half salt water, and used water is passed through a multi-stage sewage treatment plant. Waste water is stored for irrigation and flushing.
No non-recyclable materials are used on the islands and all organic waste is turned into compost.
Much of the produce served in the resort's restaurant is grown locally and in an on-site garden, and even the drinking straws are locally made out of bamboo.
Through their non-profit Song Saa Foundation for sustainable development, the couple also helped create Koh Ouen Marine Reserve, Cambodia's first marine-protected area, which now covers 200 sq km around the islands and aids in coral reef conservation, the clean-up and restoration of mangroves and seagrass beds, sponsoring of marine research and monitoring of the impacts of climate change.
The foundation also provides healthcare, education, stationery, water filters and a solid-waste management system to surrounding villages.
Prices for villas at the resort start at US$1,000 (S$1,420) a night and include meals.
For more than 45 years, American architect Michael Reynolds has been using natural and recycled materials, such as dirt, used car tyres and glass bottles, to create radical homes that are fully sustainable.
Completely cut off from the electric and water grids, the houses - known as Earthships - produce their own electricity, collect their own water, treat their own sewage and grow their own food.
Solar panels, strategically placed glass and densely packed walls regulate the buildings' internal temperature, making them remarkably energy-efficient.
Through a simple yet efficient network of channels and pipes, every drop of water that lands on an Earthship roof is reserved and used four times, from washing at the sink to watering plants in the greenhouse to flushing the toilet, so homes do not need to take a single drop of water from the ground.
Guests have been able to rent Earthships for overnight stays since 1996. Five are available through Earthship Biotecture (earthship.org) at the company's headquarters in Taos, New Mexico (pictured), while others can be found through home-sharing platform Airbnb.
The cost of a nightly rental varies by location and size, and start at about US$150 (S$210) a night.
Bushmans Kloof Wilderness Reserve & Wellness Retreat
Three hours north of Cape Town in South Africa, in the wilderness of the Cederberg Mountains, the award-winning Bushmans Kloof Wilderness Reserve & Wellness Retreat (www.bushmanskloof.co.za) is a sanctuary for humans and wildlife alike.
The 7,500ha property contains vast fields of wild flowers and more than 130 ancient Bushman rock art sites.
It is home to more than 150 kinds of birds, 750 plant species and more than 35 species of mammals, including the Cape Mountain Zebra, an endemic species down to just 400 members 30 years ago, but of which there are now 1,200 worldwide. Bushmans Kloof owns one of the world's largest privately owned herds of the animal.
The luxurious, 16-room hotel - prices start at 8,790 rand (S$940) a night - also helps to track and rejuvenate the elusive Cape leopard population, which is thought to be less than 1,000-strong; plants the endangered native Clanwilliam cedar tree; and restocks endemic fish populations in lakes and rivers.
At the hotel's Bushmans Kloof Heritage Centre, guests can learn about the extraordinary collection of ancient Bushman artefacts, including jewellery, dancing sticks, hunting kits, musical instruments and paraphernalia, and gain insight into the lives of the ancient Bushman tribes who lived in these mountains for 120,000 years.
The hotel is one of 55 National Geographic Unique Lodges of the World and only guests are allowed to enter the reserve, which limits human impact on the environment.
Any food waste is sent to a nearby pig farm; paper and plastics are recycled; and waste water is used to irrigate the hotel's gardens, so guests can sit back and admire the raw beauty of the environment guilt-free.
Cempedak Island
Leveraging on the expertise gained over 10 years in operating Nikoi Island (www.nikoi.com), the award-winning eco-luxury island resort off Bintan, Nikoi's sustainability-focused owners have opened a brand-new resort.
Cempedak Island (www.cempedak.com), which opens this month, is also located in the Riau Archipelago and is poised to outshine its elder sibling's eco- friendly credentials. Getting there requires an hour-long ferry ride to Bintan, about an hour's drive to the east coast of Bintan and then a 25-minute speedboat ride.
There are 20 villas on the adults-only island, which accommodates a maximum of 40 guests. Each 150 sq m, two-storey villa ($600 a night), with a broad deck, a plunge pool and expansive sea views, has been handcrafted using locally sourced and sustainable bamboo.
Tucked into the privacy of the jungle, the villas are designed to blend into the environment and maximise natural airflow, negating the use of air-conditioners.
Solar panels provide water heating and the resort plans to install additional high-energy solar panels and battery banks that will allow the island's generator to be switched off for up to 12 hours a day, further minimising energy consumption. Cempedak buys almost all its supplies at local markets from small traders and directly from farmers when possible. The resort has its own fruit and vegetable garden, makes its own tonic water and cuts its own straw out of bamboo.
It collects rainwater and stores enough to provide up to two months' water supply. Its recycling and reuse of water, combined with water-efficient equipment, means it is water self-sufficient.
Plastic or aluminium is recycled. Glass is crushed and reused to make cement, food waste is processed into chicken and fish meal, and all other organic waste is composted.
Whitepod Eco-luxury hotel & Alpine experience
At 1,400m above sea level in the mountains of southern Switzerland, the igloo-like accommodation at the Whitepod Eco-luxury hotel & Alpine experience (www.whitepod.com) provides guests with a unique eco-tourism adventure and unforgettable views of the surrounding countryside.
An hour's drive from Lausanne and a 1½- hour's drive from Geneva International Airport, the 15-pod resort is embedded in nature, away from crowds, busy streets and cars. Guests must walk along the mountain side from the reception to their dome-shaped tents - made of steel, fabric and plastic thermoshield lining - which are individual bedrooms equipped with wood-burning stoves, organic luxury bedding, fully serviced bathrooms and a large terrace with views of the Alps.
The eco-hotel has energy- efficient fireplaces, electrical devices and water boilers; uses local spring water on low-flow appliances; engages local food and beverage suppliers; uses only biodegradable cleaning products; and sources sustainable paper products - everything from printing paper to brochures, tissue and toilet paper.
The colour of the pods change so they blend in with the seasons - white in winter and green in the summer, and the pods can be dismantled with little impact to the environment.
A night in a pod starts at 290 Swiss francs (S$405) in summer and 405 francs in winter.
Correction note: In an earlier version of the story, we said that 47 hotels had subscribed to the programme instead of 47 charitable organisations. This has been corrected. We are sorry for the error.


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This Dissertation is intended to fix a Short thesis, on how Lights make the scene alive at dark. It is all about measuring the realistic environments in the darks at different locations and therefore intermixing them all in one best shooting that could be of major usage in the coincident Computer generated undertaking 'The Bang ' .Making a well established illuming temper at the threshold of moonshine, makes the undertaking innovate the ups and downs of existent life locations.
It goes about researching the midst and thins of narrow and broad streets at the dent of Eve. The streets of all categories busy, residential, classy and crowded etc.This thesis includes the analysis of different state of affairss. The assorted ways in which the visible radiations in an exterior location increase the sense of temper at dark in an Indian environment.The research will carry through the critical rating of illuming in the computing machine generated environment excessively.There will be a graphic comparing of both the environments in order to convey an appealing dark scene of a street in the undertaking, the knock.B| IntroductionThe literary content on dark illuming seems to be really small as other information available in detailed signifier. I have researched many Numberss of books covering with digital art and the topic of dark illuming merely of all time seems to be touched on that excessively really lightly.
The system of utilizing low key without invention merely leaves the scene dark. It makes the scene more of a dark cemetery instead than a deepawali, Gothic or Halloween dark. Therefore I came frontward with the intent to research more in this aspect, and experiment with the digital universe to convey out a perfect apparatus for flashing dark.
PurposeThis thesis aims to convey out a comfy temper of illuming in the dark. This will be at the same time good for the 3d life undertaking done for graduation.AimsAnalysis of different state of affairss of visible radiations at dark in exterior location..
Critical rating of illuming in a Computer Generated environment?Analyze and bring forth effectual illuming apparatus of an exterior street in dark.Statement of the jobLighting the outside at NightSignificance of thy surveyThe survey is based on illuming which helps in the lighting of the graduation undertaking. It increases the entreaty of the scenes by coveted lighting..Research inquiriesResearch will be conducted on the undermentioned topicsThe fluctuation of temper with alteration in the lighting?Comparison of illuming in twenty-four hours and dark?Impact of visible radiations in an exterior scene?How do they heighten the entreaty of an environment?How it helps the undertaking to go better?C| Review of LiteratureThe content displayed digitally or in books sing illuming system normally quotes the old expression of 3 point lighting, doing the scene lit in subdued decrease of brightness.
But few 3d Artists have surpassed the old repetitive regulations and have tried new ways of decorating the scene with visible radiations. I would wish to coin Jeremy Birn 's name at the first in this row.His works display an array of originative glorification brought to the 3d environment with proper proficient apprehension and believing tool that lies in the encephalon.
Train in Sewer hypertext transfer protocol: //www.3drender.com/light/index.htmlBirn, Jeremy ( 2004 ) in Digital Lighting & A ; RenderingThe key to this scene was the lighting. He was seeking for a " bulb shooting " expression. An highly drawn-out exposure that could do the colour of dim visible radiations appears richer, and could overexpose around any ordinary visible radiation beginning. Even so there are fundamentally three typical visible radiation beginnings ( a key visible radiation from the bulb, the ruddy signal visible radiation from dorsum of the camera.
The 3rd one is a bluish fill light further down the path. He besides used a assortment of small fill visible radiations near surfaces such as brilliantly lit alcove walls to imitate reflected visible radiation. The chief intent for these excess visible radiations was to soften the slump of coming from the chief points. The geometry of objects like the ties on the paths is beveled. It is about impossible to make a truly good occupation of illuming a scene if the borders of things ca n't catch a high spot.Subway tunnel isone of many sets that he created as environments forhis undertaking at The Art Center College of Design.
Lanier, Lee ( 2009 ) Advanced Maya Texturing and LightingIt includes illuming constructs that offers elaborate accounts of Maya 's legion vieled characteristics so astonishing consequences can be achieved rapidly. Even alone geographic expedition of Maya 's hyper shadiness is elaborated. Can larn make connexions between shaders, texture maps, visible radiations, cameras, and geometryGallardo, Arnold ( 2002 ) in 3D Light: History, Concepts, and TechniquesThe construct of three point lighting, incorporating the chief key visible radiation, another fill visible radiation and the 3rd rim visible radiation.hypertext transfer protocol: //www.itchy-animation.co.uk/tutorials/light03.
htmI itchy lifes provide the descriptive information on the footing of how light can be used in temper creative activity.Brooker, Darren Focal Press, 2003Essential CG Lighting Techniques particularly after hearing one reviewer comparison it to " Digital Lighting & A ; Rendering " . Alternatively, I found coverage of theory which seemed to This book is truly good. I was looking for the sort of tips included in it. It is a spot old but good to larn from that we think already know about lighting.Learn both the art and the scientific discipline of illuming CG environmentsMohd Fairuz Shiratuddin, Kevin Kitchens, Desmond FletcherVirtual Architecture: Mold and Creation of Real-Time 3D Interactive Worlds 2008
This book was written to back up the development of art assets and practical environments for Serious Games and Architectural Visualization. It caters to those who do non hold any experience with 3D mold, texturing and scene edifice in a real-time practical environment. This book focuses on using Autodesk 's 3DS Max as the 3D mold tool, Allegorithmic 's MapZone as the texture creative activity tool, and Terathon 's C4 Engineas the real-time practical environment scene builder.
Many of the chapters in thisbook were written independent of one another to let pupils to research, and utilize their creativeness and imaginativeness in making theirown practical environments.
Inspired 3D lighting and compositing
David A. Parrish6 ReappraisalsPremier Press, 2002the proficient and artistic accomplishments necessary to make credible ocular effectsThis geographic expedition of the daily workings of veterans in the ocular effects industry makes Inspired 3D Lighting and Compositing a great tool for anyone looking to interrupt into the field.Itchy lifes
D|Research Methodology
This chapter discusses the Qualitative attack made for this research papers.This thesis is based on the cognition gathered through documents, books and magazines on the relevant topic. Other portion was its execution by experimentation of the needed theory in order to measure the working of practical visible radiation set up in the practical environment.
Existing Information
Existing information was gathered from the cyberspace websites that scope from educational to forums and networking sites largely and some books. The hunt consequences were evaluated. I took the relevant information from them.There is non much survey stuff available in chiefly dark illuming. However the few that I used were really utile and discussed the field slightly.
Through Experiment
Experiment included playing logically with the visible radiation set up of the 3d environment used in the graduation undertaking, The Bang.While experimentation the phases were divided into three phases.
First one was in which testing was done with the visible radiation set up of the 3d environment.E| Lighting in general
Light qualities
The linguistic communication of visible radiationAmbient luminescence, focal freshness, drama of brilAliants. These are the rules of qualitative illuming design. In the 1950s, illuming interior decorator Richard Kelly borrowed thoughts from perceptual experience psychological science and phase lighting and combined them into a unvarying construct for illuming design, thereby separating the qualities of visible radiation into three basic maps: ambient luminescence, focal freshness and drama of brilliants.Ambient luminescence concerns the gen-eral lighting of the milieus. In qualitative lighting design, ambient luminescence is non the concluding end but merely serves to supply a background canvas for a more extended lightAing design.
Ambient luminescence ensures that the basic demand for physical orientation within a infinite is met.Focal freshness goes beyond the general ambiAent lighting: directed light accentuates attention-getting characteristics and creates hierarchies of perceptual experience. Important countries are emphasised while unimportant 1s fade into the backAground.
Accent lighting can be used for the presentation of goods and aesthetic objects.Play of brilliants: cosmetic lighting effects with colorss, forms and dynamic alterations create atmosphere and charming. Possible light beginnings for this include lighting tools for lightAing effects ( e.g. projectors ) or even cosmetic luminaires ( pendants ) , or merely a taper.
It is merely when ambient luminescence, focal freshness and the drama of brilliants are combined that a lighting construct is complete.There are less guidelines and ordinances for the lighting of eating houses or hotels than for office or mill workplaces. But there are ever subjects and constructs that can be comAmunicated to the invitees and clients utilizing spacial and lighting design. To guarantee a successAful lighting construct for gastronomic scenes it is critical to believe in the linguistic communication of visible radiation.Types of tempersLighting constructs are mostly based on making tempers and ambiances.
As a tool for the visual image and communicating of tempers, temper boards play a cardinal function in the originative procedure. They are used to capture feelings, describe emotions, signifier ironss of association and excite the imaginativeness.A free montage on a pin board, for illustration, is based on a cardinal subject in the signifier of a image or a construct and made up of images, studies, stuffs, colorss and cants. To make different tempers as particular effects in a room, the motives can be consistently grouped in subjects to concentrate on interestAing contrasts. In this manner, the illuming interior decorator can underscore the conceptual statement with a temper board for each different light scene.While the temper board ab initio focuses on the straightforward aggregation of images and the free flow of ideas to collate subjects, the procedure of rating and concentration is more analytical. The images provide information on the needed visible radiation belongingss and effects: the advantage of diffuse visible radiation as opposed to passages full of contrast and shadows, the inclination toward specific light colorss with pastel or saturated tones, and thoughts for specific light effects.
Silhouettes on exposures, for examAple, can be produced in the lighting design through projected lighting effects.Light tempers depicted and outlined as light scenes utilizing temper boards can be integrated seamlessly into the sequence and spacial organAisation of the narrative board.The fluctuation of temper with alteration in the lightingLighting plays a major function in picturing the emotion of the image, or existent life. Someone sitting in the dark, entirely is said to be a symbol of solitariness. Bright colorful and aflicker visible radiations at a jubilation quotes for a homosexual and happy ambiance.It is a whole broad part to research, because the shadiness of illuming dramas a cardinal country in ensuing in a good, bad, skittish or any other sort of of course happening light apparatuss.F| Comparison of illuming in twenty-four hours and darkAdvantage of dark visible radiationG| Impact of visible radiations in an exterior sceneThe back beadsThe Environment
1 ) Natural visible radiation
The first measure is to take a background image of a sky.For this tutorial I have used the image holla:Now put the coveted image into the environment slot ( 3d soap 's environment slot, non in vray 's ) .
In the vray scenes, cheque planetary light, choice lightcache for secondary bouncinesss, irradiance map for primary ( you could besides utilize beastly force, but it will take longer to render ) .In the planetary switches check, do certain that " default visible radiations " is unbridled.Last but non least travel to the vray environment slot and look into " GI environment ( skylight ) override. In the slot right beside put a gradient ( dark blue in the upper slot, a lighter blue in the center and a pale orange or purple in the lower place )If you hit render, you will stop up with something like this:
2 ) Adding unreal visible radiations inside
As you notice, it is get downing excessively look like a dark rendition, but at the minute it lacks unreal illuming so the infinites look deserted.We will get down by adding mental beam visible radiations inside the house, to imitate unreal lighting.
The of import thing to maintain in head at this point is that unreal visible radiation can look different from one instance to another depending on many factors ( strength, colour temperature, size of the infinite that is really illuminated, etc. ) so you should n't set a light beginning and case it all over the topographic point. Be originative and drama with parametric quantities like strength multipliers, filter colourss, etc.For this scene I have used spherical mental beam visible radiations with strength multipliers changing from 1 to 2, filter colourss with orange, xanthous and bluish shades and different a radius for each one.If you hit another render you will stop up with something really similar to the followers.
3 ) Imitating unreal visible radiation " distributing " from inside
Now we have light inside the house, but the visible radiation does n't look to " come out " plenty.
Therefore we will put mental beam planar visible radiations merely in forepart of the Windowss, indicating towards the outside, like in the undermentioned image.Hit another trial rendition and you should hold something similar to the render holla:They enhance the entreaty of environment
Adding unreal visible radiations in the courtyard
We are acquiring closer. What does n't look right at the minute is the fact that the courtyard is excessively dark. Depending on your scene, you may hold exterior lighting fixtures ( like the illuming stations that I have in this scene ) , or even exterior limelights that illuminate the building.
A If you do n't hold specific instructions for these, you could put visible radiations someplace behind the camera, so that you give the feeling that the infinite is having light from neighbouring beginnings ( street visible radiations, auto visible radiations, or even other edifices ) .In this peculiar scene, adding visible radiations to the illuming little garden illuming stations should be plenty.First I have assigned them a mental raylight stuff with a gradient map ; than I have placed mental beam spherical visible radiations over each one. For each mental beam visible radiation in the courtyard I have excluded the illuming station bellow it. This is sort of a sham, but in the terminal it looks right, and that 's all that affairs.
Hiting a trial render at this phase you should obtain something like this:
Photoshop touches
a ) Add a elusive glow consequence to the seeable unreal visible radiation beginnings ( in this instance, the little lighting stations ) . You can make this utilizing the diffuse glow filter.B ) In a new bed, add a additive gradient from underside to someplace at the center from orange to transparent. Put the bed on " colour " and play with the transparence until you like the consequence. If you are experiencing originative, you can besides seek some elusive coppice shots, with different shades of ruddy, xanthous or orange to make diverseness.
After holding done all of the above, here is the concluding image.If you think that I have missed something, experience free to post a remark and allow me cognize.H| Its aid in the undertaking to go betterProblems EncounteredNight picture taking has the ability to take a scene and cast it in an unusual visible radiation — much like the " aureate hr " environing dawn and sundown can add an component of temper and singularity to a sunstruck scene.A Just as how athleticss and landscape picture taking push the camera 's bounds for shutter velocity and aperture, severally, dark picture taking frequently demands proficient extremes in both ( see below ) .
Due to miss of acquaintance and since dark exposures are frequently extremely proficient, many lensmans merely put their camera off and " name it a twenty-four hours " after sunset.A This subdivision aims to familiarise the lensman with obstructions they might meet at dark, and discusses how to overcome many.
Night picture taking is capable to the same set of restraints as daylight picture taking — viz. aperture, shutter velocity and light sensitiveness — although these are all frequently pushed to their extremes.A For this ground, the copiousness and diverseness of dark picture taking has been closely tied to the progress of photographic technology.
A Early on movie lensmans shied off from capturing dark scenes because these require prohibitively long exposures to keep equal deepness of field, or produced unacceptable sums of image noise.A Furthermore, a job with movie called " reciprocality failure " means that increasingly more visible radiation has to make the movie as the exposure clip additions — taking to decreasing returns compared to shorter exposures.A Finally, even if a proper exposure had been achieved, the lensman would so hold to wait for the movie to be developed to measure whether it had been captured to their liking — a grade of uncertainly which is frequently prohibitory after one has stayed up late and exhausted proceedingss to hours exposing each exposure.
Tradeoff IN DIGITAL NIGHT PHOTOGRAPHY
Fortunately, times have changed since the early yearss of dark photography.A Modern digital cameras are no longer limited by reciprocality failure and supply instant feedback — greatly increasing the enjoyment and take downing the hazard of puting the clip to take exposure at uneven hours.AEven with all these progresss, digital dark picture taking is still non without its proficient limitations.
A Photos are inescapably limited by the tradeoff between deepness of field, exposure clip and image noise.A The diagram below illustrates all available combinations of these for a typical dark exposure under a full Moon, with changeless exposure:Note the tradeoff incurred by traveling in the way of any of the four scenarios above.A Most inactive nightscape exposures have to take between scenarios 2, 3 and 4.
A A Each scenario frequently has a technique which can minimise the tradeoff ; these include image averaging, stacking and multiple focal planes ( to be added ) .A Besides note how even the lower limit possible exposure clip above is one second — doing a hardy camera tripod indispensable for any exposures at dark.The diagram does non see extra restraints: decreased declaration due to diffraction and increased susceptibleness to fixed pattern noise with longer exposures.A Fixed form noise is the lone disadvantage to increasingly longer exposures in digital picture taking ( other than besides perchance being impractical ) , much like the tradeoff of reciprocality failure in film.A Furthermore, Moon motion and star trails ( see below ) can both restrict the maximal exposure clip.
Merely as how daylight lensmans pay attending to the place and angle of the Sun, dark lensmans should besides pay careful attending to the moon.A A low-laying Moon can make long shadows on cross-lit objects, whereas an overhead Moon creates harsher, downward shadows.An extra variable is that the Moon can hold changing grades of strength, depending where it is during its 29.
5 twenty-four hours rhythm of waxing and waning.A A full Moon can be a savior for cut downing the needed exposure clip and leting for extended deepness of field, while a moonless dark greatly increases star visibility.A Furthermore, the strength of the Moon can be chosen at a clip which provides the ideal balance between unreal visible radiation ( streetlamps ) and moonshine.
Estimating exposure times during a full Moon can be slippery ; utilize f/2.0 and 30 seconds at ISO100 as a starting point ( if topic is diffuse and straight lit ) , so adjust towards scenarios 1-4 consequently if OK.Another factor seldom noticed during daytime is motion of the light beginning ( Sun or Moon ) .A The long exposure clip required for moonlight picture taking frequently means that the Moon may hold moved significantly over the class of the exposure.
A Moon motion softens rough shadows, nevertheless excessively much motion can make apparently level visible radiation.
Crop of Tree Shadows on Path:Choose Exposure Time:Photograph Under a Full Moon1 minute4 proceedingssNote how the 1 minute exposure above clearly shows high contrast and shadows from even the smaller subdivisions, whereas the 4 minute exposure is at lower contrast and merely shows the larger branches.A The pick of exposure clip can besides change by much more than a factor of four — greatly overstating the above consequence.Shootings which include the Moon in the frame are besides susceptible to daydream movement.
A A regulation of pollex is that the Moon appears to travel its ain diameter approximately every 2 minutes.A As a consequence, it can rapidly look elongated if this exposure clip is approached.
Tools RequiredDesired ConsequencesJ| ConclusionRendering an outside at dark can be really slippery. The best attack in my sentiment is to take it consistently by get downing with natural visible radiation, and adding unreal visible radiations one by one during the procedure.
Otherwise, you may happen yourself lost non cognizing where you did something wrong.I can non emphasize adequate how of import is to hold a few illustrations of professional architectural picture taking at manus and expression at them at every phase of the procedure.Here are some general guidelines that I ever keep in head when I 'm making a dark rendition:1 ) Even at dark clip the fanlight still casts a elusive shadow.
2 ) Never make the sky 100 % black ; it should hold either a blue or a violet shade.3 ) If there are no unreal visible radiations on the land, the sky will ever be brighter and the land would " borrow " a blue or violet shade from the sky4 ) The lighting is a mixture of dark purple/bluish shades at the upper portion and orange/yellow on the land and on the edifice ( s ) . That is because the natural light blends with unreal visible radiation beginnings placed on the land.5 ) The colourss are more concentrated in a dark rendering that in a daytime one.
6 ) Artificial visible radiation beginnings have a elusive freshness around them.7 ) If you have " moving objects " in your scene, do n't be afraid to utilize gesture fuzz. If you know a spot about picture taking, you are cognizant that at dark clip lensmans use high exposure times when they target architectural topics ; this causes all traveling things around ( autos, people, etc ) to look with gesture fuzz.hypertext transfer protocol: //www.digitaltutors.com/forum/showthread.php? 16569-Night-Scene-Lighting-Setuphypertext transfer protocol: //www.cambridgeincolour.com/techniques/night-photography.htm


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A patch is being installed for the Robbit client which adds new features and bug fixes to the game. The patch notes below are provided for your convenience. Please take the time to read them in order to familiarize yourself with the changes made to Robbit in this patch.
Robbit "Exciting Eclair" Patch 26 Hotfix 9 (14 December 2014) [r3842]
This is a minor patch which addresses some issues discovered with the 1.7 release. Not everything got fixed... I'll keep working on it.
Bug Fixes and General Changes
- The game will no longer launch under any launcher except Asterion Launcher in order to prevent launcher tampering.
- Fixed a bug where emerald credits were not being synchronized to the client correctly.
- The PvP faction power restore time has been changed from 90 seconds to 5 minutes.
- Trimmed Iron Armour now registers as metallic, which allows it to be used with the Magnetizer.
- The reset time of the Advent Calendar is now 08:00 UTC instead of 00:00 UTC in order to make it less confusing for US players.
- Clickable links which don't start with http will no longer cause a crash.
- It is now possible to sleep in the mining world in order to set a home there. To get back, use /home mw.
- The skin server should now report forwarded IPs properly in the server log.
- Fixed a bug where Robbit Tools handsaws could be duplicated by trying to repair them.
- Fixed a bug where the Dinner Plate could be used to morph food items into having other metadatas or NBT tags.
- Fixed a bug where the dispenser would send armour to the wrong slot, replacing whatever was in there before.
- Fixed a sync bug with custom non-living entities where the network packets would get mangled.
- Fixed a bug where the server description would overlap with the Robbit icon in the network lobby.
- Fixed a bug where the wrong dimension type would be sent to the client when respawning.
- Fixed the texture stitching algorithm wasting space in video memory with larger texture packs.
- Fixed a bug where pick-blocking a Command Block Minecart would return the wrong item.
- Fixed a bug where client-only commands would bleed through to the server.
- The IC2 toolbox will now recognize Hoes, Fishing Rods, Shears and Handsaws as valid tools.
- Added commands "/f me" and "/g me" which are shortcuts for "/f who myfaction" and "/g who mygroup".
- Fixed a really annoying desync bug with microblocks and other multiparts. (ChickenBones is a derp.)


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Girl's undue jailing exemplifies plight of foster youth in custody
A 14-year-old foster youth arrested at a long-troubled San Joaquin County children's shelter was held in jail for weeks after a court had approved her release, simply because child welfare officials were unable to find a suitable home for her.
The girl's incarceration ended abruptly Wednesday, hours after a reporter contacted officials at the local juvenile hall to inquire about her case. But the problem of youths being locked up because they have no parents to retrieve them and no placement in the foster care system underscores the serious consequences often facing children arrested at state-licensed facilities.
A Chronicle investigation last year documented thousands of calls for runaway foster youth and hundreds of questionable arrests at shelters for abused and neglected children in California. In response, a state lawmaker introduced a bill Thursday that would declare a three-year moratorium on arrests for minor misbehavior at shelters and group homes — settings that can become gateways to the criminal justice system.
The young teen in San Joaquin County would not have been protected under the proposed law. She was arrested at the Mary Graham Children's Shelter outside of Stockton on Jan. 2 after she ran away with several other residents and was charged with committing property crimes at an adjacent hospital.
Still, attorneys who reviewed the case said, she appeared to be releasable to Child Protective Services just days after being booked into juvenile hall. They also said they believed there was no legal basis for keeping her detained for weeks after she pleaded guilty to the crimes.
The only reason she remained jailed, they said, was that the county failed to find a foster care placement — a situation contrary to the intent of a 2014 law that specifies foster youth cannot be held in juvenile hall just because child welfare agencies cannot find appropriate housing.
For a young person, the experience of being arrested, handcuffed and jailed can have lifelong consequences, legal experts say, particularly for youth who have been pulled from their families and whose lives are in limbo at a temporary shelter facility.
"Courts are reluctant to want to release a kid when they know the kid doesn't have a parent, which disproportionately affects the kid, because they're being held because they're in foster care — not because they did something serious," Carolyn Levenberg, a San Diego attorney with lengthy experience representing children and parents in the foster care system, said in an interview last year. "I've seen kids do weeks in custody for things that are 'cite and release' usually, like a petty theft — it's a whole culture of thinking these kids are more of a risk than they are."
The Chronicle is not naming the San Joaquin County teen because she is a minor and probation officials and prosecutors declined to discuss details of the case, citing confidentiality laws. Reporters were unable to speak directly to the girl.
The questionable detention occurred despite ongoing scrutiny of the local child welfare system. In August, a division of the California Department of Social Services found that San Joaquin County was not properly caring for its foster youth and gave officials one month to propose reforms to an array of deficiencies, from the failure of social workers to manage cases to poor monitoring of mental health and educational needs.
In response, county child welfare leaders sent a letter to state officials in September saying Mary Graham was providing more mental health services and had taken steps to reduce the number of runaways from the shelter, among other changes.
Michael Miller, director of the San Joaquin County Human Services Agency, which oversees the Mary Graham shelter, could not be reached for comment. In the past, he has said the county is working to identify and support families "willing and able to accept our more challenging foster youth."
The Chronicle was able to confirm that the teenager was sent to Mary Graham in October after authorities determined it was in her best interest to be removed from her home. During her months-long stay at the shelter — which is intended only for short-term emergency placements — the girl repeatedly ran away from the unlocked facility, her mother said.
On Jan. 2, the teenager, who had no previous criminal record, left Mary Graham with a group of youngsters who broke into an empty building at a nearby hospital, vandalized it and stole items. She was arrested and charged with five felony property crimes.
"If her needs were met in the shelter, she might not have run away," said Tracey Feild, director of child welfare at the national Annie E. Casey Foundation, which advocates for at-risk children and families. "And if she hadn't run away, she wouldn't have committed the crimes."
The Chronicle's investigation documented thousands of reported runaways from the 60-bed facility in 2015 and 2016. In recent months, children have been arrested after running away from Mary Graham and allegedly committing crimes at the adjacent hospital, including one case where children broke into a shed and hot-wired golf carts.
After being detained for weeks, on Jan. 22 the San Joaquin County teenager pleaded guilty to the five charges she faced and agreed to be placed on a form of probation. Such a deal typically results in release, experts said, but the girl continued to be held until Feb. 14, as social workers searched for a foster care placement.
While locked up, the teenager would sing to herself to keep her spirits up, her mother said, and she constantly begged her social worker and juvenile hall employees to explain why she was not being freed.
"The fact she stayed in because CPS couldn't place her flies in the face of recent reforms intended to make sure that kids in the dependency system aren't further criminalized," said Ji Seon Song, a fellow and lecturer at Stanford Law School who focuses on juvenile and criminal justice.
The case is similar to one handled by Levenberg in 2015, which involved two 13-year-old girls who were arrested and jailed for tipping over a vending machine and snatching some chips at San Diego County's foster care shelter, the A.B. and Jessie Polinsky Children's Center.
When prosecutors charged the girls with two misdemeanors, petty theft and vandalism, Levenberg's office filed a habeas corpus petition to the Fourth District Court of Appeal to secure their release. The appeals court ordered the two girls immediately freed, determining that the facts "strongly suggest" they were "detained in Juvenile Hall based on the facts they are dependents of the court and their social workers have been unable to find placements for them."
There has been little research on the predicament faced by foster youth who remain jailed because suitable placements cannot be found. A 2001 Vera Institute of Justice report on 4,653 youth found that children in the foster care system were detained more often than their peers, even though their crimes were no more severe.
Tim Ross, a co-author of the report, acknowledged that it can be hard for agencies to find housing for some troubled teens, but said the traumatic experience of being jailed cannot be undone.
"Being held against your will and not being able to move freely is something that can impact kids for a long time," said Ross, now the managing partner of Action Research Partners, a child welfare and research policy think tank in New York. "These are kids who are losing their liberty, not because of what they did, but because of a systemic failure."
Joaquin Palomino, Cynthia Dizikes and Karen de Sá are San Francisco Chronicle staff writers. Email: email@example.com, firstname.lastname@example.com, firstname.lastname@example.com Twitter: @JoaquinPalomino, @cdizikes
Fostering Failure
Read The Chronicle's in-depth, multimedia investigation of how California's foster care shelters have criminalized hundreds of children: www.sfchronicle.com/fostering-failure
Contact us
Have an investigative news tip for The Chronicle? Email email@example.com, or, to contact us confidentially: https://projects.sfchronicle.com/newstips/


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William Blair & Company initiated research coverage of Black Knight Financial Services, Inc. (BKFS $43.05), a holding company that engages in the provision of integrated technology, workflow automation, and data and analytics to the mortgage industry.
Analyst Brandon Dobell estimated the company would generate adjusted earnings per share of $1.40 in 2017 and $1.62 in 2018.
"We believe Black Knight is well positioned to continue to take market share in an evolving mortgage industry," Dobell said, "thanks to its role in loan origination and servicing and its analytics that allow for timely and effective business decisions. The processes associated with underwriting and servicing a mortgage continue to be labor-intensive and expensive. We believe that the moving tides of regulation are creating an expansive market opportunity for integrated service providers to automate and expedite much of the manual and expensive processes that underlie the loan life cycle. Black Knight Financial Services offers integrated technology solutions and workflow automation as a single source for mission-critical procedures across the entire mortgage loan life cycle, from origination to asset disposition."
Dobell continued, "Black Knight primarily operates as a commercial software developer, characterized by high revenue visibility, EBITDA margins above 45%, significant operating leverage, and attractive capital efficiency. We expect Black Knight will continue to deploy its strong free cash flow in shareholder-friendly ways. As the U.S. mortgage industry evolves and adopts more technology, data, and analytics, we believe Black Knight will benefit from strong organic growth among its current client base, with an added layer of new client wins and new product offerings. Primary growth drivers through 2020, in our view, will be growth in first and second lien market share, bundled enterprise deals, and origination technology penetration into existing client wallets."
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- Ethereum worth is buying and selling within the pink, up Zero.40% the session on Tuesday.
- ETH/USD bulls should break down chunky every day resistance at $195 for greater upside momentum.
- Worth motion has been shifting inside consolidation mode since the again finish of September.
ETH/USD every day chart
The bulls have to this point been hit inside rejection on the main barrier is eyed at $195, monitoring on the potential neckline of a every day double backside.
ETH/USD 60-minute chart
Worth motion is shifting a narrowing range-block construction, topic to a breakout.
Spot charge: 182.62
Relative change: -Zero.50%
Excessive: 185.56
Low: 178.10


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I'm the gronk and AP owner I'm looking to stack kelce and Mahomes, should I try doing the trade? The kelce owner doesn't have many good RBs. My other RBs are Kamara Hyde Lynch Lewis and Foreman
Why would you do this? Gronk is still a top flight Tight End and will still most likely finish there. This is a lateral move and giving away a RB. Dont do this.
1 Like
What about my RBs should I try to move one and a WR for an upgrade? If u think so who should I try to move?
Who are your WRs?
1 Like
I have Adams Gordon Edelman Ridley and Coutee
If I were to make a trade with someone without one of the top 3 TE's(maybe the Njoku owner?) and trade Gronk and Hyde or Lynch for their TE and a Better RB.


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Belinda Nuttall / Events / Wed 22 Mar 2017 to Thu 31 Dec 2020 (4 years)
Light Years Adult Dance Class - Hertford
Tim Blowfield studied at Doreen Bird College and London Contemporary Dance School. He performed with AMP (now New Adventures) in Matthew Bourne's "Swan Lake" and "The Car-Man". Tim also danced with Diversions Dance Company. He now teaches and is Head of A'Level Dance and Contemporary Dance at Tring Park School for the Performing Arts. Tim also teaches regularly at New Adventures and has his own company.
Tim teaches in Hertford every Wednesday, working with the Light Years Dance Group. Class is held every Wednesday from 10.00 am - 12.00 pm with a coffee break in the middle of the session. The group is aimed at ages 40 + and beginners are welcome.
The class consists of short exercises, sequences, and longer dances that are all designed to be fun and enjoyable. The style of the class is influenced by Tim's experience in Contemporary, Jazz and Ballet, and the content is inspired by a range of musical styles enjoyed by the class members.
Cost: £9.00 weekly.
Please feel free to drop in for a taster session! Call Tim, or just drop in to class. You will be very welcome.
For more information visit http://www.carterschoolofdance.co.uk/Lightyears.html
Event Location
St John's Hall
All Saint's Church,
Telephone: 07855 322 168
Website: http://www.carterschoolofdance.co.uk/Lightyears.html