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Green Hippo acquired by Spitfire Creative Technologies
Spitfire Creative Technologies has acquired Green Hippo, a developer and manufacturer of award-winning media servers and digital display products with offices in the UK and the US, in a deal advised by BCMS.
The strategic move further expands Spitfire's reach across commercial integration, live events and creative video technology.
Emma Marlow, CEO of Green Hippo said: "For 18 years Green Hippo and Hippotizer have been part of live events around the world. We have grown well and want to continue growing. Becoming a member of the Spitfire family allows Green Hippo to focus on growing further and faster. We look forward to their strong organisational support, so we can do more to help our customers and users around the world deliver the best live video experiences."
Spitfire also owns tvONE and Magenta Research, well-known manufacturers of premium video processing and signal distribution products. With complementary technologies, all addressing cutting-edge audio and video, the combined companies will better address a wide range of markets globally from broadcast to large venue entertainment.
"Green Hippo and tvONE each have core competencies in technology and customer focus that, when combined, provide superior solutions for both fixed installation and live events customers," said Denise Nemchev, President and CEO of tvONE. "Most important is the comprehensive value we bring our customers across the combined platform."
The companies will continue to go to market with sales, branding, and distribution independently as further growth synergies materialize over the next few quarters.
Green Hippo was advised by BCMS, with legal advice from Bracher Rawlins. The price and terms are undisclosed.
Emma Tipper of BCMS, who led the transaction, commented: "With its blue-chip customer base, sector-leading products and long track record of innovation, Green Hippo was always likely to attract significant investment interest from across the broadcast, events and media markets. Alongside trade acquirers from continental Europe, North America and the UK, BCMS received advanced-level interest from numerous private equity funds, attracted by the products and the business' ongoing potential in a fast-moving, tech-led sector. That said, it was clear from early negotiations that tvONE, with its exceptional R&D record, complementary product hardware, and reach in adjacent markets was the ideal acquirer for this dynamic, innovative business. We wish all parties the very best moving forward together."
Discover more BCMS audiovisual and events deals
- Event tech - PSAV acquires UK live event tech specialist Concise
- Event tech - Jonas Software acquires UK event ticketing software firm Show Data Systems
- Event management - Leading event organiser Allworld Exhibitions sold to UBM PLC
- Event production – Shepard expands AV division with acquisition of equipment supplier Production Associates


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Google+ may have 90 million registered users, but they're not spending much time at the site.
We've been seeing and reporting statistics about this since last summer.
Anecdotally, it seems that Google+ is used a lot by Googlers, plus a few celebrities and bloggers, but not by normal people.
Now, ComScore seems to confirm it. According to ComScore's research, as reported by the Wall Street Journal, users with personal computers spent an average of 3 minutes per month on Google+ over the last six months.
That's compared with 7 hours a month on Facebook, almost 90 minutes on Tumblr, and 17 minutes on LinkedIn. Even MySpace users spend an average of 8 minutes a month.
Google would probably respond by saying that Google+ isn't a social network, so this isn't an apples to apples comparison. The point of Google+ is to gather information about Google users and their social connections in order to make other services, like Google Search, better.
Fine. But if nobody's spending very much time at Google+, then the information Google is gathering won't be very useful or accurate.
Get the latest Google stock price here.

subset: commoncrawl


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Sustainable Urban Mobility Plan (SUMP) is a strategic plan designed to satisfy the mobility needs of people and businesses in cities and their surroundings for a better quality of life. It builds on existing planning practices and takes due consideration of integration, participation, and evaluation principles.
National SUMP Network participants:
City of Bauska
City of Daugavpils
|City of Jelgava
Solvita Lūriņa
Telephone:+371 6 300 5565
City website:http://www.jelgava.lv/
Political representative: Andris Rāviņš, Chairman of Jelgava City Council
City of Riga
Vidzeme Planning Region
Would you like to join the SUMP Network of Latvia? Contact us:
Dr.sc.ing. prof. Irina Jackiva
Transport and Telecommunication Institute
Fax: +(371)-67100660
E-mail: email@example.com
Download SUMP related documents:
SUMP Guidelines in Latvian
National SUMP Network Events and News


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I have finally finished my art quilt! I had it done in time for my Art Critique Group last week- they had seen it in progress and had made some suggestions. I took one of the suggestions and it did improve the overall look.
But this concept and its construction was something that I had come up with a few months back. I have been keeping an inspirations journal for my quilting; every time I have a thought or idea, I make notes and sketches.
Now the weird part is that even though this finished wall hanging is somewhat what I first imagined, it is quite different overall. I did step by step, leaving it hung up on my design wall in between. Sometimes an idea of what to do next just came to me, other times I took ideas from other quilts I saw at the guild or in a magazine- not exactly of course. Just that seeing others' work helps me to imagine more widely what I could do in my own work.
This piece is called "Reborn" and is full of symbolism, which I love. I played with textures and machine quilting, there is a little embroidery and beading, and most of all, I let myself out of the pattern box and into the unknown territory of my imagination.
There is already another work in progress on my design wall, and I have been making notes like mad this week! Of course, this has been a big week, with the Front Range Contemporary Quilters Guild meeting, our Art Critique Group, and then our ATC trading group just this morning. (More on that later). LOTS of creativity and exceptional talent being shared with some brilliant techniques I can't wait to try...
4 hours ago


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NASHVILLE (AP) - The state attorney general's office says a vetoed bill that took aim at Vanderbilt University's treatment of religious student groups is "constitutionally suspect."
The proposal was the result of a controversy that flared up after a gay Vanderbilt student was thrown out of a Christian fraternity. That caused the school to begin more strictly enforcing its "all-comers" policy. Vanderbilt's policy requires its student groups to allow any student to become a member and hold office, regardless of the student's beliefs.
Christian groups have protested the policy, which essentially forces them to allow gay members, and at least two groups have ended their affiliation with the university because of the policy.
The bill would have given religious student groups the right to allow only those sharing their beliefs to become members and leaders. It applied to state schools as well as private institutions receiving state funds in excess of $24 million a year.
The bill was passed by the General Assembly in May but vetoed by Gov. Bill Haslam, who said he disagreed with Vanderbilt's policy but thought it was "inappropriate for government to mandate the policies of a private institution."
In the Friday opinion, the attorney general's office says that while the law likely would be upheld as applied to state institutions of higher learning, it was "constitutionally suspect" as applied to private schools.
According to the opinion, it is likely that a court would find that the proposed law violated private schools' First Amendment protections to free association. It adds that a state cannot make the surrender of a constitutional right a condition of receiving state funds.
The opinion also says a court could find that the law discriminates against certain universities because it applies only to those receiving more than $24 million a year.
The opinion was requested by state Rep. Mark Pody, of Lebanon, who sponsored the bill along with fellow Republican Sen. Mae Beavers, of Mt. Juliet.
Neither Pody nor Beavers were immediately available for comment.
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For those who are interested in this kind of thing might want to keep an eye on the sky this week as the Perseid meteor shower is expected to peak on august 12! Perseids is a meteor shower that happens every year in august. It's actually already started and can be seen everyday this week although the big show will be on friday.
Read more about it here: http://www.cute-calendar.com/event/peak ... world.html
There is gonna be a full moon on friday which can make it hard to see so you might wanna read more about it here for more info on other good days to watch it: http://urbanastronomer.blogspot.com/201 ... -2011.html


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Green light for Brenner Base Tunnel
Vice-President Siim Kallas, responsible for transport, and European Coordinator Pat Cox attended today a ceremony in Innsbruck to launch the works on the Brenner Base Tunnel. The Brenner Base Tunnel is a low-gradient rail tunnel with two parallel tubes between Innsbruck (Austria) and Fortezza (Italy). The cross-border tunnel will remove a major bottleneck for both freight and passenger transit between Austria and Italy. Vice-President Kallas welcomed the decision taken by Austria and Italy to start the tunnelling works as an important step towards more resource-efficient and sustainable transport in the sensitive alpine region.
2011-04-18 Austria and Italy officially approved the launch of the works on the 55 km long rail tunnel. This decision follows agreement between the two countries on the total cost and financing of the project. The total cost of the Brenner Base Tunnel has been agreed at €8 billion, including risk provisions. This amount includes the €786 million committed by the EU from the TEN-T budget during the financial perspective 2007-13. Overall, the EU committed €1 billion to Priority Project 1, including subsidies to the European Rail Traffic Management System (ERTMS). The tunnel is the centrepiece of Priority Project 1, the high-capacity rail axis from Berlin to Palermo which is part of the Trans-European Transport Network (TEN-T). When connected south of Innsbruck with the already existing underground bypass, the world's longest underground railway will be created, with a total length of 64 km.
Excavation works on the exploratory and access tunnels already started in 2008 and are making good progress. With today's decision, works on the main tunnel can now begin, starting from Innsbruck in the north and from Fortezza in the south. As from 2016 the central part of the tunnel between Ahrental and Trens will be excavated. The tunnel is scheduled to be completed in 2025.
Vice-President Kallas said: "This decision marks an important step forward. In these economically difficult times, investing in a sustainable European transport policy is more important than ever. In line with the objectives of the White Paper on the Future of Transport the Brenner Base Tunnel will deliver a crucial contribution for rail transport to play its part in more resource efficient and sustainable alpine transport."
Mr Cox, European Coordinator for Priority Project 1 and former President of the European Parliament, added: "Today's decision reflects the progress made by Austria and Italy in recent months as well as by the Brenner Corridor Platform and other stakeholders since the start of this important TEN-T Priority Project. It is a tribute to all those who have worked with such commitment to ensure the realisation of one of Europe's major future rail corridors. I would also like to use this opportunity to pay tribute to my predecessor, the late Karel Van Miert, who was instrumental in keeping this complex process moving forward at every stage."
Priority Project 1 is among the 30 Priority Projects chosen by the European Union both according to their European added-value and their contribution to the sustainable development of transport. Their completion will improve the economic efficiency of the European transport system and provide direct benefits for European citizens.
For more information


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Cleaning & maintenance for on-the-go and at home
For removing light soiling from the bicycle frame, spokes and mudguards, our SONAX BIKE Cleaning & Care Cloth is ideally suitable. Just wipe over all the surfaces to be treated with the cloth.
Pro Tip:
For stubborn dirt we recommend SONAX BIKE Cleaner.
Powerful cleaner for the entire bicycle
First you spray the dry bicycle with the BIKE Cleaner. Allow the product to work in for 5 – 10 minutes and for stubborn dirt rub in with a brush or soft sponge. Afterwards spray over the bicycle with the (garden) hose. The SONAX BIKE Cleaner is especially gentle on materials and can be used, therefore, on all surfaces on the bicycle.
Pro Tip:
Never spray with high pressure cleaning equipment, as the high pressure forces the water into the sealed bearings and other gaps. After cleaning the chain the lubrication should be renewed.
Cleaning and lubricating the chain
The SONAX BIKE Chain Spray is suitable both for cleaning and for lubricating the chain. To clean the chain, spray the BIKE Chain Spray into a cloth and pull it over the chain several times, or hold a new, clean cloth behind the chain, on the inner side, so that no lubricant gets on the tyres, and spray it on.
Pro Tip:
To avoid getting oil splashes on the brake disc or brake calipers, it is recommended to cover them thoroughly before the application. Always wipe over thoroughly. Excess material leads to the attraction of unwanted dirt and accompanying increase in wear and tear.
Special chain spray for E bikes
For lubricating and protecting highly stressed e-bike chains and electronic contacts, we recommend our SONAX E-BIKE Chain Spray. Spray the product onto the chain and allow to work in briefly. So that no lubricant gets on the tyres, hold a clean cloth behind the chain, on the inner side.
Pro Tip:
To avoid getting oil splashes on the brake disc or brake calipers, it is recommended to cover them thoroughly before the application. Always wipe over thoroughly afterwards. Excess material leads to unwanted dirt attraction.
Extreme Stresses
For extreme stresses on the chain use the SONAX BIKE Silicone Chain Care Oil ultra. Sprinkle the product onto the chain and spin it several times.
Pro Tip:
The chain lubrication will last longer if you seal it afterwards with the SONAX BIKE Spray Wax.
Gear shifters, shifter cables, suspension forks etc.
For lubricating moving components such as e.g. gear shifters, shifter cables, suspension forks, brake levers etc. the SONAX SONAX BIKE Special Oil is ideally suitable. For this simply sprinkle the product onto the appropriate areas.
And to finish: long lasting protection
To lastingly protect the freshly cleaned and maintained bicycle against climatic influences, you can apply the SONAX BIKE Spray Wax. Apply with a cloth, spray product into the cloth and wipe over. Remove any excess product afterwards.


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MFI ID (Monetary Financial Institution Identifier) is a code, unique to each institution in the MFI list provided by ECB (European Central Bank). MFI ID is hence applicable to MFIs resident in the European Union.
The code is alphanumerical, with the first two digits representing the two-digit ISO code for the country of residence of the MFI and the remaining number of digits (no limit has been specified) is any combination of alphanumerical characters.
MFI ID of easybank AG Niederlassung Deutschland is shown in the table below.


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Grey Silo Golf Club
2001 University Ave East
Waterloo, ON N2K 4K4
Phone: (888) 833-8787
Fax: (705) 443-4267
The Grey Silo Golf Club presents golfers with 18 breathtaking holes of championship golf. The links styled course has gained an outstanding reputation and respect from players of all abilities. The Grand River coupled with an unspoiled environment creates a setting for the game that is unprecedented.
If it is golf that you desire, Grey Silo is the ideal venue for your tournament. Whether you're hosting a tour group of 12 or a tournament for 144, our Guest Services Team will provide your guests an enjoyable outing not soon forgotten. The pristine golf course, first-class facility and experienced staff will match your every need. Contact us today and learn more about the unique all-inclusive tournament packages available. We look forward to discussing event options with you in the near future and would be pleased to put together a detailed proposal upon your request.


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Straightforward, categorized, easy to find new product information. So you are always updated on fresh solutions for your applications.
Improvement, amendment, enhancement ... Continuous development so we can provide you with premium versions of existing products. Some SMC series leave us, but they are replaced by superior models.
Feeling eager about the new products that will be in the light soon? Then do not miss our "Soon with you" section.


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Tee-off in this fantastic free golf game for real courses, real-time multiplayer duels, tournaments and our unique Golf Royale mode!
Blow the enemy to pieces as you battle your way across the ruins of the Western Front! World War I has just broken out, and it's up to you to capture occupied territory in a series of missions. Don't forget to keep an eye on the sky - ground troops aren't the only forces gunning for you. This action-packed war game is full of enemies and explosions. You'll have to use all the weapons at your disposal to single-handedly win the battles of the front lines!
By clicking "Add Western Front 1914 to Your Website", you agree to the Webmaster Terms and Conditions.Add Western Front 1914 to Your Website Help
There are 3 awards in Western Front 1914. View All Awards


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Pet Advice
Find the latest pet health advice to help keep your pet happy and healthy!
Find the latest pet advice
Have You Pet Proofed Your Festive Season?
Have you pet proofed your festive season to avoid any accidents or more serious incidents? Contact one of our Vets4Pets surgeries to find out more.
How to Treat Skin Allergies
Itchy skin can be very irritating for your pets. Learn how to spot symptoms and treatments for your pet's skin allergies by following our tips from experts.
Spring Cleaning Dangers For Pets
Spring is now upon us and families across the UK are ready to give their house a good clear out and enjoy more time in the garden, many with their pets.
Winter Health Advice
Click through to check out our 'Winter Watch Outs' handy tips to help you make sure your pet is happy and healthy during the chilly winter months.
Helping Your Pet Cope In Groups Of People
We'd encourage pet owners to make sure their pet is in a safe, warm place, away from any potential stress inducing activity.


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In today's show, we delve back into the StoryWonk Daily archive for an encore performance of episode 30, What We Do With Beats. The daily show will return next week!
StoryWonk Daily is brought to you by Lucy March and Alastair Stephens, and is a StoryWonk production. Send your questions and comments to email@example.com or join the Wonks on the StoryWonk forum.
Download the mp3 here, subscribe to the show via RSS or find us on iTunes.
Don't forget our upcoming classes! Starting May 8th, Lucy will be teaching two new four-week classes expanding upon her popular Discovery class: Making Magic and Discovery Writing. For more information, or to book your place, visit StoryWonk!


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Richard struggles in Padres' win over Angels
PEORIA, Ariz. (AP) -- Peter Bourjos likes the makeup of the Los Angeles Angels lineup.
Bourjos homered, Mike Trout had a double and a triple and the star-studded Angels roughed up Clayton Richard early but the San Diego Padres rallied for an 8-6 win Wednesday.
"We have a lot of weapons," Bourjos said. "We have speed at the top and bottom of the order and a ton of guys who can hit the ball long. Sometimes, too, the speed and power overlap. If we get rolling in the regular season, we have a chance to be pretty good."
Albert Pujols and Josh Hamilton both went 1 for 3 with an RBI for the formidable order that was similar to the one that will be used in the regular season. The only starter missing was Erick Aybar, who's with the Dominican Republic in the World Baseball Classic.
Pujols, serving as the designated hitter, ran the bases for the first time in a game. Recovering from offseason knee surgery, the Angels had received permission to use a runner for Pujols when he reached base before Wednesday.
Bourjos hit a two-run homer off Richard in the fourth. He knows that he won't be counted on to provide the pop in this order: Hamilton hit 43 home runs last year for Texas. Trout and Pujols hit 30 each. Mark Trumbo went deep 32 times.
"I don't think the exact order matters right now, as long as the individuals are making progress and getting their work in," Bourjos said. "But when you see all those names on the lineup card, it is pretty impressive."
Richard was making his second start of the spring. His previous start, on Friday, was wiped out by inclement weather.
Focusing primarily on low-strike fastballs and his changeup, Richard produced mixed results. He allowed five runs and nine hits in five innings.
"I like that he got his pitch count up and got through five," Padres manager Bud Black said. "He left some pitches up, but he'll get them down. Clayton has three starts left in the spring, and he'll be able to make the progress needed to be ready when it matters most."
Los Angeles starter Joe Blanton allowed two runs on five hits in five innings.
The Padres took the lead in the eighth inning on a three-run error by left fielder Matt Young on a deep fly hit by minor leaguer Daniel Robertson.
NOTES: Padres CF Cameron Maybin, sidelined in recent games with a back strain, is expected to play Thursday or Friday. . RF Will Venable (side) is also expected to play this week. . LF Carlos Quentin (knee) remains out of game play with minor discomfort and there is no timetable for his return. The Padres are being cautious with Quentin's health this offseason. . Angels INF-OF Bill Hall was unavailable due to tightness in his left calf. He's missed a few weeks due to various injuries. . Padres SS Cody Ransom was pulled after the first inning with a discomfort in his side, but the injury is not considered serious.


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Kuroda, defense hold fort until Yanks put away Sox
Righty tosses seven solid innings, aided by two outs recorded at plate
BOSTON -- There is a good case to be made that Hiroki Kuroda deserved to be added to the American League's All-Star Game roster, but the Yankees right-hander never expressed any issue with the snub, saying that he'd use the time to rest for the second half.
That turned out to be bad news for the Red Sox on Saturday. Backed by a rare 12-hit attack from the Yankees' lineup, Kuroda pitched seven strong innings to earn his first career win at Fenway Park, helping New York to a 5-2 victory.
"It was a close game all along, so I had to be careful with my pitches," Kuroda said through an interpreter. "When they gave me the run support, I think I was able to be more bold."
Brett Gardner, Lyle Overbay and Eduardo Nunez each had three hits for the Yankees, who snapped a three-game losing streak to improve to 3-5 this season against Boston and move back within six games of the division-leading Sox.
"We've just got to give ourselves chances to score runs," Overbay said. "We gave ourselves a lot of chances and we didn't come through every time, but the more chances you get, the more opportunities [for it] to happen."
On a day of unconventional outs, Yankees catcher Chris Stewart made the slickest highlight-reel play in the eighth, reaching into the stands to snare Dustin Pedroia's foul pop, then firing to second base to complete a double play by cutting down Daniel Nava.
"That's really big, especially with [David] Ortiz on deck right there as the tying run," Stewart said. "I was just glad I caught it. I saw [Nava] go, so I decided to fire it down there and make it close and we beat it. I don't think I've ever seen it turned. One of those rare things that happened."
But even Stewart's catch and throw, coming after Nava's overaggressive decision to tag up, were arguably surpassed on the scale of extraordinary events in the ninth inning as Mariano Rivera entered to a standing ovation from the largely pro-Red Sox crowd.
Rivera appreciated that warm reception, but it didn't stop him from setting the Red Sox down around a single with two strikeouts, recording his 31st save of the year in 33 opportunities and converting his 12th straight Fenway save dating back to June 3, 2007.
"Definitely, I have tremendous respect for the organization, for the fans here and the field," Rivera said. "Great games. When we come here, it's a battle and beautiful games."
Kuroda pitched six brilliant innings before the Red Sox put up a pair of runs in the seventh, ending his 18-inning scoreless streak. He permitted just one walk, striking out four while hitting a batter.
"[Kuroda] had everything today," Yankees manager Joe Girardi said. "His stuff was really crisp. He kept his pitch count down in the early innings. His stuff was really sharp."
Jonny Gomes had a seventh-inning sacrifice fly and Mike Carp scored on one of Kuroda's two wild pitches to account for the only runs off the veteran, who is 3-3 with a 2.63 ERA in his 10 starts since May 28.
"What was most impressive," Red Sox manager John Farrell said, "was even in that sixth and seventh inning, in these conditions, to be able to reach back and touch 95 and 96 [mph] against the meat of our lineup when he needed that extra velocity, he was able to get it."
Both teams had runners cut down at home plate early. Vernon Wells threw out Nava attempting to score from second base on Ortiz's first-inning single, and Nunez was tagged out as he came home on Luis Cruz's fifth-inning groundout.
The Yankees broke through against John Lackey in the fifth as Gardner stroked a two-out single to center field, scoring Cruz. Boston had another runner gunned down in the fifth on an errant pitch that Stewart tracked down and tossed to Kuroda, who slapped a tag on Carp trying to score.
"The ball didn't go all the way to the backstop," Stewart said. "Fortunately it stayed somewhat close to where I could pounce on it pretty quickly."
New York added three runs in the seventh to close the book on Lackey, who allowed four runs and 10 hits in 6 1/3 innings. Cruz singled home Nunez for the second run, while Robinson Cano and Overbay rapped RBI singles off lefty Matt Thornton.
"He's so good," Lackey said of Cano. "He's one of those guys who almost has to get himself out. You try to make the odds go in your favor a little bit, but you just try to execute pitches and hope he hits it at somebody."
Cano's second RBI of the game, coming on a ninth-inning sac fly, gave Rivera a three-run lead to protect.
"That's what we have to do," Girardi said. "There's not too many nights when we're going to slug. That's not who we are. We have to pitch extremely well. We have to get distance from our starter and allow our bullpen to go to work and have a lead. Having a lead is really important."


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Before we carry out any work, we will fully diagnose any issues, take the time to understand your requirements and offer a range of solutions to help you make an informed decision.
We cover all areas in and around Kilmarnock – Perhaps you've already seen our vans with your local engineer.
We pride ourselves on a rapid, professional service and our highly competitive 'no hidden costs' prices. Because we have built our business around the customer, we now enjoy being one of the largest Aerial & Satellite companies in Kilmarnock.
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From a simple TV Aerial or Satellite through to full home installation – Our expert team are ready to assist you.
HDS Kilmarnock provides services for all your TV reception requirements whether via an aerial or satellite dish. From aerial and satellite dish installations through to simple repairs, extra TV points and TV wall mounting. Our expert team of installers will provide you with a great service for the best TV reception in your home.
Our customers enjoy trouble free viewing and come back to us time and again – get in touch today and find out how we can help you!
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Amazing service! Very speedy installation and super friendly technician – Brian. He went over and above a week later helping me tune my TV – he took a good 20 mins out of his own time to talk me through it!
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First class service.
The operative was a very polite, knowledgeable and competent person. Would not hesitate to recommend.
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We accept most major credit cards. You can pay on the day by card or cash!


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We carry entire selection of PleaserUSA shoes, Ellie Shoes & The Highest Heel shoes - These are the best brands when it comes to Sexy shoes, High Heels, Platform Shoes, Boots, Costume Shoes, ballet heels, black mary janes, creepers, GoGo boots. If you are looking for an unrivaled variety of dressy, elegant, fashionable, sensual and retro styles shoes, you are in the right place. Attention to detail, superb craftsmanship, fine materials, unique designs and unbeatable prices have made these shoes as the top choice among performers and sexy shoe enthusiasts. Every shoe matters and every shoe has a purpose. Find your purpose and allow the perfect shoes to complement the rest of you.
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Pleaser Shoes boasts an amazing selection of sexy shoes including sexy stiletto shoes, high heels, vintage-inspired pumps and pinup heels, prom shoes, stripper shoes, exotic dancer shoes, boots, Go Go boots, platform shoes, platform sandals, knee high boots, thigh high boots, fetish footwear, and shoes and boots for your Halloween costume.


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#wordpress #wordpressthemes #cssinspire #webdesign #cms
WP Fresco is a powerful portfolio theme purpose built to showcase your work whether it be images or video, and its fully responsive to boot! Put the focus on your work and not the theme.
Retina Display Support!
The only theme on ThemeForest that features Foresight.js, if a user is on a iPad 3 or IPhone 4+ and has a fast enough connection a beautiful high-res image is served up!
Get up and running in minutes!
Theme Features
- WordPress 3.3+
- Retina Display Support
- Unlimited Skins & Patterns
- Unbranded AJAX Powered Admin Options Panel, Preview
- Flex Slider with Touch Support
- Several Widget Ready Sidebars
- Filterable Portfolio, supports Images & Video
- Single Portfolio, option for Static (Stacked) Images or Flex Slider
- 6 Custom Page Templates
- Contact
- Left Sidebar
- Right Sidebar
- Three Column
- Full Width
- Sitemap
- 10 Custom Widgets
- Ad Space
- Author Info
- Company Contact Info
- Dribbble
- Flickr
- CSS Inspire
- Portfolio
- Search
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- 40+ Custom Google Fonts
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- Tweet this, Google +1 & LinkedIn Share
- Child Theme Creator – Checkout the Screencast
- Video Ready
- Two Custom Menu Locations (Main & Footer)
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- Extensive Documentation
Thanks for purchasing one of my premium themes! I pride myself on supporting my customers — if you're experiencing trouble getting setup, I'll do my best to answer your questions as soon as possible. Support covers getting setup, trouble using any features and bug fixes. I unfortunately can't provide support for modifications or 3rd party plugins.
Theme support is only offered to verified customers, through http://support.contempographicdesign.com — any other method will be redirected back there. Please search the knowledge base before submitting a ticket.
I actively update my themes with new features and additions, if you have any suggestions please leave a comment or shoot me a message via my profile.


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Depeche Mode were among the winners at last night's MTV Europe Music Awards.
The veteran synth-rock trio took home the award for the Best Group category at the Justin Timberlake-hosted event in Copenhagen. Recently in the news for totally non-musical reasons sort Madonna was nominated in three categories - Best Pop Act, Best Female and Best Album - yet won nothing.
Bo Selecta comic Avid Merrion mocked the singer, who didn't attend the ceremony anyway, by dressing as her and saying: "I'm getting too old for this shit. I've been getting a lot of hoo-ha from the press recently just because I bought a baby. But I'm Madonna. If I want to buy a baby, I buy a flipping baby."
A flipping baby? Can little kids do that without gymnastic training? Only Africans? Cool.
Alongside Depeche Mode, the only other British winners were Muse, who triumphed in the Best Alternative Act category, and The Kooks won the award for Best UK and Ireland Act.
All award-winners were chosen by MTV viewers. The full list of winners, as advertised in that headline, is below...
Best Male Justin Timberlake
Best Group Depeche Mode
Best Hip-Hop Act Kanye West
Best Song Gnarls Barkley Crazy
Best Pop Act Justin Timberlake
Best Female Christina Aguilera
Best Rock Act The Killers
Best Alternative Act Muse
Best R&B Act Rihanna
Best Album Red Hot Chili Peppers Stadium Arcadium
Best Video Justice Vs Simian We Are Your Friends
Best UK & Ireland Act The Kooks


text:
TLC has renewed the hit series EXTREME COUPONING for a second season. To date, EXTREME COUPONING, which reveals the dramatic shopping skills of everyday people who clip and save their way to shocking savings - and massive stockpiles, has averaged a 1.4 HH rating and 1.9M P2+ viewers and has become a pop culture phenomenon.
"EXTREME COUPONING has struck a chord with our viewers and has sparked a passion in people who are looking for creative ways to save money," said Amy Winter, GM, TLC. "The series is creating even more super shoppers and we are lining our shelves with their remarkable stories."
TLC has ordered 12 episodes for the second season; production has already begun and is expected to premiere in September. The current season has two episodes left:
June 8
All-new episode premieres at 9:30pm ET/PT
"Joni & Angelique"
Ohio's Joni supports her family of nine along with her charities through couponing. She tries to get $3,100 worth of groceries for less than $100. In Washington state, Angelique stays up all night planning for her shopping trip.
June 16
Marathon of the series begins at 3:00pm ET/PT
"Scott & Jen"
Scott, from Long Island, NY, gears up for one last shopping trip before his wife Amy gives birth. Meanwhile, in Las Vegas, Jen uses couponing to home school her twin six-year-olds.
EXTREME COUPONING is produced for TLC by Sharp Entertainment.


text:
Los Angeles (CNN) -- Betty White is alive and acting despite trending on Twitter as having died.
Some White fans misread the headline of a satirical story published by Empire News on Wednesday that said the 92-year-old actress "Dyes Peacefully In Her Los Angeles Home."
Many took to Twitter to spread their distress, not realizing that "dyes" is not "dies" and without reading the story which only revealed that White "is not a natural blonde."
The story included an alleged quote from White's agent, Jeff Witjas, saying that she "has been dying her own hair in her home for decades."
"Betty has often told me she feels it is relaxing and soothing to dye her own hair, peacefully in her home, where she can laugh and enjoy time with her animals," the satire quotes Witjas as saying.
Witjas is actually White's agent, but he told CNN that he never dished to the Empire News writer about his client's hair coloring.
Witjas gave a real comment to CNN Thursday, saying White "will outlive us all."
"Betty and I have an understanding," Witjas said. "I have told her that I have already booked her when she turns 100 and there is no out clause. Betty never backs out of a date."
White, who has enjoyed a resurgence of late, has been busy acting in her hit sitcom "Hot in Cleveland," which just reached the 100-episode milestone.
The Twitter distress about White calmed down by Thursday, transitioning more to the raising of eyebrows about how it could have happened and to joking about it.
Why on earth would people ever make a hoax about Betty white dying? People are so dumb...— Brandi Diem (@brandidiem) September 4, 2014
"Why on earth would people ever make a hoax about Betty white dying? People are so dumb..." Brandi Diem tweeted.
RIP, Betty. (Rinse In Peace.) http://t.co/detHxj4mmD— Andrew Klavan (@andrewklavan) September 4, 2014
"RIP, Betty. (Rinse In Peace.)" read a clever tweet by Andrew Klavan.
A little thankful that Betty white trending isn't because she had some photos hacked.— Bad Bad Leeroy Brown (@bdbdleeroybrown) September 4, 2014
"A little thankful that Betty white trending isn't because she had some photos hacked," @bdbdleeroybrown tweeted
CNN's Carolyn Sung contributed to this report.


text:
Airodump-ng is one of favorite tools in hacking wireless network. When I upgrade my ubuntu from Gutsy to Intrepid, I can't run this application anymore. It's not application error because I can run it in Gutsy version before. My wireless card chip set is 'ipw3945'.
The error message is a bit complicated as you see below.
ioctl(SIOCSIWMODE) failed: Device or resource busy
ARP linktype is set to 1 (Ethernet) – expected ARPHRD_IEEE80211,
ARPHRD_IEEE80211_FULL or ARPHRD_IEEE80211_PRISM instead. Make
sure RFMON is enabled: run 'airmon-ng start wlan0 <#>'
Sysfs injection support was not found either.
Mean that if you want your airodump-ng run, you will need to try to fix the bolds problems above. Your problem may be one of it but in my case not even one of the error message.
Try to figure out the answer quite some times which is actually is very simple.
It's only change the ipw3945 chip set mode from 'Managed' to 'monitor'.


text:
Human bones that were found Monday near an area homeless shelter have been identified.
Sheriff Wendell Beam Reports:
On April 29 after the recovery of human bones that were found near the Highland Mill Bridge in Griffin, investigators had been working with the Georgia State Crime Lab and the Coroner's Office to identify the remains.
Human bones found near shelter identified
No Trackbacks


text:
Welcome to another post to the Archaeology Data Service (ADS) Day of Archaeology blog 2012
If you want a quick introduction to the ADS and what we do see last year's post.
We have contributions from two members of staff from the ADS this year, one from Stuart Jeffrey ADS deputy Director (Access) and this one from Ray Moore one of the ADS Digital Archivists.
As a digital archivist at the Archaeology Data Service, my day to day activities involve the accessioning the digital data and other outcomes of archaeological research that individuals and institutions deposit with us, developing a preservation programme for that data, but also curating existing ADS collections.
Today, and indeed for the past week, I have spent much of my time working on the Grey Literature Library (or GLL). The GLL is an important resource for those amateur and professional archaeologists working in archaeology today providing access to the many thousands of unpublished fieldwork reports, or grey literature, produced during the various assessments, surveys and fieldwork carried out throughout the country. These activities are recorded using OASIS (or Online AccesS to the Index of archaeological investigationS) and after passing through a process of validation and checking the reports produced in these projects arrive at the ADS. On first impressions then the digital archive may seem like an 'end point', a place where archaeological grey literature goes to die, but the ADS, through the GLL, makes these reports available to other archaeologists and the wider community allowing the grey literature to inform future research. At the same time as a digital archive we take steps to preserve these reports so that future generations can continue to use the information that they contain; an important job as many of these reports do not exist in a printed form.
So what does digitally archiving a grey literature report entail? Initially all the grey literature reports must be transferred from OASIS to the ADS archive; the easiest part of the process. More often than not the report comes in a Portable Document Format (or PDF) form, and while this is useful for sharing documents electronically it is pretty useless as preservation format for archiving. One of my jobs is to convert these files into a special archival form of PDF, called PDF/A (the A standing for Archive). Sound's easy, but often it can take some work to get from PDF to PDF/A (my all time record is 2 hours producing a 900mb PDF/A file). These conversions must also be documented in the ADS' Collection Management System so that other archivists can see what I did to the file to preserve the file and its content. While OASIS collects metadata associated with project, the ADS uses a series of tools to generate file level metadata specific to the creation of the file, so that we can understand what and how the file was created. Only once these processes are complete can the file be transferred to the archive, with a version also added to the GLL so that people can download and read the report. With a through flow of some 5 to 600 reports per month the difficulties of the task should become apparent; and all this alongside my other duties as a digital archivist. This month's release includes an interesting report on The Olympic Park Waterways and Associated Built Heritage Structures which stood on the site now occupied by the Olympic Park. Anyway I'd better get back to it!


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View More:
Canberra suite no. 2, from the series Canberra suite 1980-81
printed circa 1984
Ian North
New Zealand, Australia
1945 -
Ian North is an Adjunct Professor of Visual Arts at both the University of Adelaide and the University of South Australia. He is a photographer, painter and writer, and was the founding curator of photography at the National Gallery of Australia 1980 -1984. Throughout his career, he has been concerned with the legacy of Australian landscape, the impact of colonial narratives and their established visual conventions and, as a consequence, the politics of representing the subject.
'Pseudo Panorama. Cazneaux series' examines the emblematic history of landscape imagery in Australia. Reappropriating a Hans Heysen painting and a Harold Cazneaux photograph, North demonstrates how pictorialist artists idealised the bush as urban refuge and nationalist reverie – attempting to create an identity outside of European values. By juxtaposing two media, North analyses the processes of making images and icons. His title highlights the work's irony, that Heysen's and Cazneaux's project of self-determination inadvertently projected European aesthetics and paradigms onto the Australian landscape. In discussing North's related 'Australia' series, Lee Marks and Gerald Lang recognised North's self-conscious reflection on the historical precedents that inspire an artist's intentions, and that equalising photography and painting in a single work 'create[s] tension'[1].
North's methodology is concerned with the processes of vision and interaction as they have shaped the landscape. In 'Canberra Suite' North presents an encyclopaedic record of Walter Burley Griffin's intricately designed city, exploring the spatial interface between nature and humanity. The works are absent of human life – reminiscent of Ed Ruscha's 'Twenty-six Gasoline Stations'. The emotional ambivalence of the images is reflected in their use of colour, like that of postcards. As one of the first instances of larger format colour art photography in Australia, the images topographically map space as a depersonalised, banal subject. Yet their colour, like that of landscape painting, highlights flora, revealing the number of non-native plants included in Canberra's design. As such, these artefacts of North's private wanderings and systemic mode of looking are able to subtly critique colonialism.
1. Lang, G & Marks, L. 'New realities: Hand coloured photographs' 1839 to the present. University of Wyoming Art Museum. Wyoming 1997
printed circa 1984
Media category
Materials used
type C photograph
37.0 x 45.7 cm image; 57.0 x 65.0 cm frame
Signature & date
Signed and dated l.r. verso, "Ian North... 1980". Signed label u.l. verso frame "Ian North".
Gift of the artist 2010
Not on display
Accession number
© Ian North
Shown in 2 exhibitions
Exhibition history
Canberra Suite and Canberra Coda 1980-1981, Greenaway Art Gallery, Kent Town, 04 Mar 2005–27 Mar 2005
Photography & place, Art Gallery of New South Wales, Sydney, 17 Mar 2011–29 May 2011
Referenced in 5 publications
Georgina Downey, Photofile 75, 'Ian North's Canberra Suite and Canberra Coda 1980-1981', pg.69-70, Sydney, Spring 2005, 69-70.
Vigen Galstyan, Look, 'Earth scans and bush relevances. Photograohy & place in Australia, 1970s til now', pg.26-29, Sydney, Mar 2011, 29 (colour illus.).
Mark Kimber, Picture this, 1999.
Ian North and Daniel Palmer, Canberra Suite and Canberra Coda 1980-1981, 2005.
Kate Rhodes, Good Looking: Narrative Photographs Past and Present, 2004.


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Difference between revisions of "Magazines"
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===UK Based===
===UK Based===
Practical Electronics (PE)
Practical Electronics (PE)
Electronics Today International (ETI)
Electronics Today International (ETI)
Everyday Electronics (EE)
Everyday Electronics (EE)
Electronics & Music Maker (E&MM)
Electronics & Music Maker (E&MM)
Wireless World
Wireless World
===US Based===
===US Based===
Revision as of 14:15, 21 June 2015
There have been many articles related to Synth DIY and other Electro-Music projects over the years, even today. But the pre-eminent period for this kind of project was in the 1970's when Electronic hobbyist magazines such as Practical Electronics (PE), Wireless World, Electronics Today International (ETI) and Elektor were at the forefront, publishing designs for the synth builder. There were even synth designs in Early Hi-Fi for Pleasure magazines. In the 80's projects became more computer based, but even here many MIDI and controller designs became available to Synth DIYers, often the output of Synth DIYers themselves.
UK Based
- Practical Electronics (PE)
- Electronics Today International (ETI)
- Elektor
- Everyday Electronics (EE)
- Electronics & Music Maker (E&MM)
- Wireless World
US Based
Nuts & Volts
Other Counties
Elektor was available in many other countries with local names, such as in Germany France and Italy ETI actually started in Australia before the UK version was printed.
See also
External links
Anything maybe worth reading to learn about SDIY goes here. If a link is dead, you might find the site preserved on the Internet Archive's Wayback Machine.
- Nuts & Volts magazine downloads
- Eight issues of Modulus
- A selection of articles from Synapse Magazine
- Electronic Music Review, edited by Reynold Weidenaar and Robert Moog,
- Magazine, some here, search by directory.


text:
Accessing senior care in Green Mountain Falls is great for those wishing to place their loved ones within familiar surroundings. Home Instead Senior Care offers expert care via experts capable of delivering home-care options as group home alternatives. Often, seniors need to remain within their homes to access friendly companionship, housework and cooking assistance, medication reminders and medical appointment reminders. When a beloved senior requires extra support, our CAREGivers provide loving and professional care for seniors to improve both time and quality of life.
Our specialized and family-friendly CAREGivers can deliver quality care for beloved elders, and Home Instead Senior Care offers meticulous screening to ensure high-quality service providers. Each CAREGiver is routinely inspected, and each passes thorough background checks to ensure safety and professionalism. For additional security, each CAREGiver is bound to a specified senior, and an extensive matching process is undertaken to ensure great matches for each couple. Every provider is well-fitted for their senior, and each elder CAREGiver is trained within CPR and first aid to place your relatives within safe hands. Though we are widely considered a service, we offer providers able to receive continuous training with Alzheimer's care to provide maximum-quality care while specializing in dementia treatment to provide well-rounded treatments for seniors.
Often, a senior requires dignity throughout the aging process, and friends and family can help. A senior needs trustworthy, consistent and friendly care, and families may impact a senior's life by balancing their senior's care with both their own and their children's lives. Sometimes, such an impact can mean the well-being and health of those family members who've previously completed many objectives and have delivered care. To improve and maintained a senior's life quality, call Home Instead Senior Care in Green Mountain Falls to access caring, professional senior home care services.
Home Instead offers free monthly newsletters with tips and advice for caregivers of elderly loved ones. (Privacy Policy)


text:
"Missing the World Cup," Liahona, June 2007, 37
Missing the World Cup
There is one sport that everyone in Brazil loves—football. And there is no bigger football event than the World Cup. So when Fabiana Silva, a member of the Brasil Ward, Vitória da Conquista Brazil Stake, won a contest and got to attend the 1998 World Cup in France, she was thrilled! But she had no idea it would become a missionary opportunity.
The other contest winners couldn't help noticing Fabiana's standards as they attended football game after football game, and Brazil headed to the final game against France. They respected her modest dress, her positive attitude, and her clean language. That respect turned to disbelief, though, when she told them she would not be attending the championship because it was going to be held on Sunday.
Despite pressure and even ridicule from the group, Fabiana stood firm. Sunday found her reading scriptures in her hotel room because she didn't know where to find a local chapel. Brazil lost; the group went home.
A few weeks later Fabiana was surprised to receive a letter from Fábio Fan, another contest winner from across the country. He told her he was impressed by her standards and that he was investigating the Church. Later he sent another letter—he had been baptized. Fábio then helped bring members of his family into the Church and served a mission.
Fabiana also served a mission, to Campinas, Brazil, where she was well prepared because she had already learned that "the most effective tract we will carry will be the goodness of our own lives and example."1


text:
|"Sughidonh ndadz xo'in viyił ntasiyo. How I went with my husband." Part 2 of 2. Told by Ellen Savage at her home in Anchorage, AK, October 2002.
|Recorded by Alice Taff and Donna Miller MacAlpine. Transcribed and translated by Donna Miller MacAlpine, Ellen Savage, Edna Deacon, and Alice Taff. (words added for clarification), {false start}, [note]
|TO REPLAY A PHRASE, click on its speaker icon.
|Yit tr'anxiyiniłtanh ts'i xiłdik.
|Then they took him out of there.
|Xełedz nixiyiniłtanh.
|Nicely they laid him out.
|nq'oxdina' ye xinaxidilighusr,
|people are talking,
|"Gila ngido' Deloy Chet,
|"Down there to Holy Cross,
|nuxdał ts'i.
|you folks (should) go.
|Gho xuxłdhoyh.
|Tell about him.
|The priest
|will talk
|xandinałchidhinh oqo,"
|(to) the marshall on his behalf,"
|xi'ne ts'in'.
|they are saying.
|Ts'i yitots'i,
|So then,
|ngido' xitathdatl itl'e yixi.
|downriver they went perhaps.
|Ngido' yit Deloy Chet,
|Downriver there (at) Holy Cross,
|getiy valgats chux longh.
|(there were) really lots of big boats.
|ngine' ntididił yi'itux yił,
|some of the boats that go upriver,
|uxitiy yił yuxudz nił an-ghididił,
|they meet up with each other,
|Deloy Chet.
|(at) Holy Cross.
|Iy, steamboat chux xiyił,
|It, the big steamboat then,
|ts'i yitots'i yit dhitonh.
|it's sitting there.
|A sughidhidonh ghiluq xiłdik, anh,
|My dear husband, that one,
|(on) it,
|giłiggi iy ye noghinik;
|the one he works on,
|xiye noghinik xiy.
|that he works on.
|uxidedig che yit xididltth'e xiłdik.
|others (crew) too, they are staying in there.
|Xiye nigitolał ts'i.
|In it they are going to load things (from the bigger boat that comes down the Yukon from Nenana.)
|"Ngidiq xonet,"
|"For upriver," [Up the Innoko River]
|xiyił iy, sinughił di'ne.
|then, he's telling me.
|"Up there,
|yux qay xits'i tr'inedatl.
|to your village we will go.
|Ditltelinh oxo naxidilighusr," ne.
|The one who got shot they are talking about," he says.
|Ts'i yitots'i ngidiq
|So then up there (at the mission house),
|tiginilayinh ixidighene'.
|the priest they told.
|Ndadz sre' dit'anh yitots'i xiyił.
|I don't know what he does then.
|Yitots'i ngitthing xiłdik, iy valgats chux ye,
|Then down the bank, into that big boat,
|with that,
|I guess yixiyil {gidi-}, xunik xighenek.
|I guess with that, they got the news.
|Diggiy yi xo'ot gashagh xit'an yiggidhido an.
|Over there a white man is sitting down.
|Yiggidhido iłt'et, yit,
|He's sitting down always, there,
|diq'uxalyayh xingo.
|while they're unloading.
|Xiy dughił didighene' idedig itl'e.
|They tell him too maybe.
|"Digganidi'elnek," yiłne,
|"Get up," he tells him,
|sughidhidonh, anh.
|my husband, that one.
|Ts'i yitots'i deg xidhi'onh xiyił
|So then after a while,
|iy valgats chux xiye, steamboat chux xiye xits'i.
|in the big boat, into the big steamboat,
|{Xi-} "Diq'onithiyo," yiłne,
|"Go up the bank," he told him,
|"Xandinałchidhinh q'i ithitl'enh ts'i," yiłne.
|"Like a policeman he is dressed," he told him.
|"Xandinałchidhinh lo chenh.
|"A policeman sure enough.
|Vantr'itr'ixuneg," iłne.
|We didn't know (he was)," he says.
|Ts'i yitots'in', an, dinaqay xits'i nedatlin,
|So then, they, the people who came from our village,
|an ughi tr'iye ghidiyo ts'i ngidiq,
|he (the marshall) got into their the boat to go up (the Innoko River).
|dinaqay xits'its nixitithidatl.
|to our village they are going.
|Yit nixiyiłtanh xiłdik anh, xandinałchidhinh.
|There they arrived then (with) that one, the marshall.
|Yitots'i q'unt'ux xitithiyo.
|Then around (to the houses) he started to walk.
|yeg sraqay, tuxiyił, idiłqit.
|(even) the kids among them, he asks.
|Dina idiłqit.
|Us he's asking.
|Yuxudz xiłdi vinughił ditr'ine.
|Everything then we are telling him.
|Ts'i yitots'i,
|So then,
|yitotl'ogh xiłdik che,
|after that then,
|they picked him up (in the boat).
|Yuxudz ixet'a xiyił.
|It was like that then.
|Ndadz, ndadz sre', xinadhoł xiyił,
|(After) how many, how many I don't know, nights passed,
|ginat'uq yiggin {q'igin} q'unt'ux xiy, ninat'uq.
|the plane that flies around, it landed.
|Viye tthitr'inedatl che yuxudz.
|From the airplane they were coming out.
|Xandinałchidhinh yan' xiye tthinedatl.
|Only marshalls came out.
|Yitots'i iy dinaqay xiłdi che donxididatl.
|People got out.
|Ts'i yixi yitots'i che,
|Around there,
|they start talking.
|Gixidiłqit, gixidiłqit
|They're asking and asking,
|dałche yuxudz yeg,
|diva ine' xantr'ixuneg.
|but nobody knows.
|Ndadz sre' dixideyoq ts'in'.
|They don't know what happened.
|Yiq'i giłigginh xiłdi iłt'et,
|That one guy always, (pointing fingers)
|anh xidal a didiyoq.
|it's that one who did it.
|"Yan' che," xi'ne.
|"Only that one," they say.
|Anh xiłdi xiłchet.
|They took him.
|Iy, q'unt'ux xiyen xiyaghiłtanh ts'i.
|That, plane in it they took him.
|Xiyił ntithidatl.
|They left with him.
|Ts'an ts'in'.
|That was all.
|sanhtux xitadhit.
|summer is passing.
|Sanhdi xigithxodhił ts'in'.
|The heat of the summer is coming.
|Around there
|xiyhts'in' nonxididhit.
|fall comes.
|around there
|it starts to freeze up.
|Yuxudz xiyh nonxididhit, xiyhts'in'.
|Then winter came, wintertime.
|Iy {iy agh}
|dran chux
|big day
|Christmas xałne xiy,
|Christmas they call it,
|iy ts'an xididił,
|it is coming,
|xingo, gilegiq {naghi} {telephone rings}
|meanwhile, paper...
|Xiyhts'in' nonxididhit ts'i yitots'i,
|Falltime came then,
|gilegiq naghinedatl.
|the mail came.
|(From) upriver,
|Fairbanks xits'in',
|from the Fairbanks area,
|"Ngo ngine' tuxdił."
|"Well, upriver you guys will go."
|"Yit xiłdik,
|"There then,
|gixolyaxdi xinadidixilighusr,"
|(at) the jail house [lit. where they keep one] you guys will talk,"
|dina xi'ne.
|they tell us.
|Iy gilegiq q'idz
|On that paper (letter)
|yitots'i tr'ine,
|then they say,
|q'unt'ux xiy,
|the plane,
|q'ugandiyił xiye
|the airplane in it,
|xits'in' {dina-} dinatolzreyh.
|there it will pick up people.
|Eh, singonh ghiluq yuxudz yeg,
|Oh, my poor mother with everything,
|(it's) too much!
|Sughi ts'i xenadił'anh.
|About me she worries.
|Gil dałine',
|Even so,
|"Xełedz xineg dingit'anh," siłne.
|"You better do right," she tells me.
|iy yit xinangił'andi xiyan', xoxinehayh,"
|that which you saw then only, talk about that,"
|she told me.
|Ts'i yitots'i,
|So then,
|dina q'uginat'uq.
|our plane came.
|Iy xiłdik xiye tr'ighidatl.
|Then in it we went.
|Ngine' xiłdi dina yił enitht'uq.
|Upriver with us it's flying.
|And then,
|ine' che dranh,
|but the day,
|dranh q'idz xelanh xiyhts'in' tux.
|days are short during winter time.
|Ts'i yitots'i, dinayił genot'ux xiyił.
|So then, with us it's flying.
|Tsighiłda tidhi'on'.
|It's getting dark.
|Deg ndagh sre' xiyił, a yixi,
|Around I don't know where, down there,
|qay xiq'id xiq'idz, dinayił ginat'uq.
|a village like, above it we flew.
|Yit xiłdik,
|There then,
|anh, engthi ginołdohin,
|that one, the pilot, [lit. the one who sits up there]
|yit ne'inot'uq xiq'i dingit'a ts'i yitots'i,
|there it's like he's going to land and,
|ngiyiggi ts'i ditadhinen'.
|it's descending.
|Ts'i yitots'i, yiggi yixotthegh
|So then, down there
|tinh q'idz
|on the ice
|dinayił niginighiłt'uq.
|with us he landed.
|Yitots'i, yit xiłdik, {diggitr'athdatl xotr'a, iy izr}
|So, there then,
|Iy q'unt'ux xiye tr'itr'inedatl.
|We get out of that plane.
|"Gil got ntidhuxilyo ngidiq.
|"OK, stay right here.
|Xadinałchidhinh, yuxughi tohoł.
|The marshall, to you all he'll come.
|Yitots'i yit enoxeł," dina iłne.
|So here you will camp," he tells us.
|Ts'i an yit nazritlyo che getiy, che xiyh; izre!
|So there we are standing really, and winter; it's cold!
|With that,
|Deg Xit'an dina ghineyo.
|A Native person came to us.
|"E, izre getiy.
|"Yes, it's really cold.
|Ndadz xo sre' izre nduxlanh," dina iłne.
|Aren't you awfully cold," he says to us.
|"E," ivazrne.
|"Yes," we tell him.
|"Gila ngidixi,
|"OK up there,
|my older sister
|yix, xiyił xitasoł.
|(to her) house with you I'll go.
|Yit xituxltth'e.
|There you will stay.
|Yitots'i yit xits'i xiłdik, an,
|After that then, from there, that one,
|the marshall,
|tr'al yuxitoho," dina iłne.
|in a little bit he'll come for you all," he tells us.
|Ts'i yitots'i ngidixi xitr'athdatl.
|So then we walk up.
|Nq'ołonh neg oxo xidinanelo.
|A nice woman, to her he brought us.
|Getiy nq'ołonh ngizrenh.
|A really pretty woman.
|Deg Xit'an neg.
|A nice Native.
|Yit tr'ididltth'e xingo xiłdik,
|There we stay until,
|xandinałchidhinh oxo dhiyo.
|the marshall he came for us.
|Ngi'in xiłdik,
|Over there then,
|yix xichux.
|(there was) a big house.
|Yuxudz ye getiy yix xichuxdi
|A really big house where
|{xi-, dina-} dina nelo.
|he took us.
|"Gogide di'enuxiłdi," dina iłne.
|"Here is where you all spend the night," he tells us.
|Ts'i an xiditr'inedatl.
|Then we went in with him.
|Gee, ngidiq xiyił.
|Gee, with upstairs.
|Ngidiq xiyił xelanhdi lo che.
|There is an upstairs place sure enough.
|Yitots'i, "Ngidixi xelanh xe.
|Then, "There's an upstairs.
|Yit 'n a enuxdrił," dina iłne, anh,
|There is where you all are going to go to bed," he tells us, that one,
|dina iłne anh, xandinałchidhinh.
|he told us, the marshall.
|yiq'it ngiyixi ginixołnik.
|right there downstairs they are cooking.
|"Gogide gituxłnoł xidetthat,
|"Right here you guys will eat first,
|yitotl'ogh xiłdi nuxdret.
|afterwards then you guys will go to bed.
|Xiq'a duxt'a da'," dina iłne.
|If you want it like that," he says to us.
|Ts'i yitots'i gitr'ighiłno'.
|So then we ate.
|How nice!
|Vav neg yuxudz.
|All good food.
|Vantr'ixusneg iy.
|I don't know it (what it is).
|Dits'in xiq'iy yił tr'igiłno',
|Just like goose we eat,
|ine' che getiy liq'uł.
|but it's really white.
|Gan sre'
|What (it is) I don't know
|ine' getiy dinaxogh ngizrenh ts'i tr'ighiłno'.
|but to us it's very tasty so we ate it. [It was turkey.]
|Yit venhdi xiłdik ngine' dinayił nigenitht'uq.
|The next day then upriver with us (the airplane) flew.
|Qay xiłdik Fairbanks tr'inedatl.
|(At) the village then, Fairbanks, we arrived.
|Yit xiłdik, tr'idaghiłtth'e.
|There then, we stayed.
|Xiłdidik, an xandinałchidhinh ye,
|Then, those marshalls,
|iłt'e dina xidiłqit, dina xidiłqit xingo.
|they keep questioning us and questioning us.
|Xidigał xizron che,
|Finally, at last,
|giłiggi no'oy yixididinek
|one month is gone.
|Dałche tth'e dina diliqit.
|Even still they are still questioning us.
|Dałche tth'e,
|Even still,
|divan an xiy tr'ixuneg
|nobody knows
|ndadz sre' xaxa didiyoq ts'in'.
|(they) don't know how it happened.
|Xidigał xizron che,
|Finally, at last,
|the moon,
|iy no'oy che che, ni'it'on' xiy che.
|the moon again, the new moon came up.
|Iy che che ye che,
|tr'ididltth'e, ine' tth'e,
|we stay, but still,
|tth'e nixidhet xingo xiłdik.
|still the time never came (to leave).
|Xidigał xizron che dałts'idz
|Finally this way (to the village)
|dinayił nigenitht'uq.
|with us it's going to fly.
|Xiłdik q'ixelnek ts'in'.
|Then they finished.
|Q'unt'ux xiye {nagh... dina on nonxidit...}
|The airplane, in it
|they put us.
|Dina qay xits'idz,
|To our village,
|dinayił genitht'uq; nigenitht'uq.
|with us it took off; it flew back.
|Ts'i yitots'i qay nitr'ididatl,
|So then (to) the village we came back,
|(to) our village.
|Yit yitots'i yuxudz,
|There then we all,
|we start to stay.
|Deg xulegg xidhi'onh xiyił.
|Around there it is spring then.
|Xo'in, sughidon, anh, iłt'e enedz ni'edoyh ine'.
|Because of that, my husband, that one, always comes downriver.
|Yuxudz, yixin q'u'edoyh.
|Always he's walking around there.
|Dinayił xinayh.
|With us he talks.
|Yuxudz dina ogh xiyił q'u'edoyh ine'.
|All close to us he's walking around too.
|Xiyił 'n at singonh, anh,
|Then my mother, that one,
|"Agide vonh, sanhdong,
|"OK, his mother, last summer,
|go deg nixididiłdong,
|when they were passing here,
|siyił xughighingo', vonh, vito' yił,
|they talked with me, his mother and his father,
|they say,
|ngił ngitiłchith ts'i xiq'a di'ne,"
|with you he wants to get married he says,"
|she tells me.
|"Yiqi!" vidisne singonh anh.
|"As if!" I say to my mother.
|"Ngo sitr'iłche ts'i xiq'a dist'a ts'in'," vidisne.
|"I don't want to get married," I say to her.
|"A nginh, ngo, {a} ngin an a dingidiyoq," siłne.
|"It's you, well, you're the one who did it," she says to me.
|"Gan layin viyił xinehayh?
|"Why did you talk with him?
|Viyił xinehay ts'i xo'in an a.
|Your talking with him is the reason.
|Yuxudz xo'in an a ngiłche ts'i xiq'a di'ne," siłne.
|That's why he wants to marry you he says," she tells me.
|"Vughi gideghdhe dodo yuxudz, atithnel ts'in'.
|"If you stayed away from him, he wouldn't talk that way.
|Agide ngigho 'n at," siłne.
|So it's on account of you," she tells me.
|"Dałine' vitl'otehoł.
|"Even so you'll marry him.
|Ngo, vito' getiy diyin ngichux," siłne.
|Well, his father is big shaman," she tells me.
|Ts'i yitots'i xulegg nonxididhit.
|So then spring came.
|Xiyił che enedz ni'idiyo.
|Again down he comes.
|Dina yix xiłdi xidineyo.
|(To) our house then he comes in.
|Singonh yił xighengo'.
|My mother with her he talked.
|Singonh xiłdi disiłne,
|My mother then she tells it to me,
|"Agide ngoqo ni'idiyo.
|"OK for you he came down.
|Ngoqo neyo.
|For you he came.
|Ngine' tr'ine viyił ntedoł.
|Upriver he says with him you'll go.
|Xuleggdi xiłdik ngid'o
|In springtime downriver
|ngiłon yixdiłtał,"
|you'll get married,"
|siłne. Mama anh siłne.
|she tells me. Mama she tells me.
|E, yuxudz ye getiy.
|Yes, that's really something.
|Ndadz go ghiluq ditasnel ts'in'.
|Poor me I don't know what I'm going to do.
|Dałine' yuxudz,
|But all,
|che q'idong,
|(is decided) already,
|ts'i yitots'i viyił ntasiyo.
|so then I went with him.
|{vig} łek,
|digiłek, gidon ideylo,
|his dogs, he hitched them up
|xutl yił yet.
|to the sled.
|Xełedz xineg nixine'onh ts'i yitots'i.
|A nice place he made in the sled and then,
|iy ye sughiłtanh.
|he put me in it.
|Go gil yiggidhedo.
|"Go ahead and sit down.
|Go xutl yet," siłne.
|Here in the sled," he says to me.
|"Ngo ditidhehol ts'i.
|"You're not getting off (the sled).
|Ngo izre ngichux," siłne.
|It's too cold," he tells me.
|Ts'i yitots'i viyił ntasiyo.
|So then I go with him.
|Viyił {na} ngine' ts'i
|With him upriver
|Xiyeghelinghdi xits'idz.
|to Holikachuk.
|Yitots'i yit xiłdik, Xiyeghelinghdi tr'inedatl.
|So there then, to Holikachuk we come.
|{gi} An xiłdi yit gidiqad yix,
|That person at the store,
|an yan' nughidhido,
|that one he stayed with all the time,
|giyiqadinh, gidiqad.
|the storekeeper, (at) the store.
|Yitots'i yit ntr'inedatl ts'i xiłdik, yit.
|So we got there.
|We spent the night.
|Nałt'adi sre' tr'inadoł.
|I don't know how many nights we spent.
|Xitl'ogh xiłdi nginiq,
|After that then back there,
|viqay xits'an tr'itididił.
|to his village we go back.
|Ts'i yitots'i nosrithidatl nginiq.
|So then we start to go back there.
|Deg yuxudz ntr'ididił,
|All around there we're going,
|xutl axa łeg xiyił, xiyh.
|with the sled and dogs, wintertime.
|Ditr'itidił xiyił, tsighiłda tidhi'on'.
|While we're going, it's getting dark.
|Yuxudz xo'in xiłdik,
|That's why then,
|deloy k'idz xiłdi q'idz nixinedatl.
|a little mountain then on top of it we went.
|"Gogide xiviq'idz, yitr'inexeł ts'i. Xiyan' xiy, xi'ne."
|"Here on top of it, (is where) we always camp. It's the only place, they say."
|Ts'i yitots'i yitinh gidaghiłcheth ts'i.
|So then there he put up a tent.
|Yit tr'inadhoł.
|There we camp.
|Ts'i yitots'i yit venhda xiłdik che,
|So then the next day again,
|che che nosrithidatl.
|once again we left.
|Deg ndagh sre' ntr'ididił.
|Around there I don't know where we're going.
|Xidigał xizron che,
|Finally at last,
|yuxudz yeg, tsighiłda tidhi'on che che.
|with all that, it's getting dark again.
|With that,
|"Che ntr'enodił,"
|"Again we'll camp,"
|ne anh, sughidhidonh.
|says he, my husband.
|Deg xiyił,
|Around there,
|yix xik'idz xughi tr'inedatl.
|a little house we came upon.
|"Gogide yix xik'idz yit.
|"Here is this little house here.
|Longhin getiy go {ningin}
|Lots of people
|nixinindił," siłne.
|camp here," he tells me.
|"Gogide, tr'enohił, got."
|"Here it is, we will camp, here."
|Ts'i yitots'i yit tr'inadhoł.
|So then we camp there.
|Yit venhda' xiłdi nosrithidatl.
|The next day we go.
|Deg dran
|All day
|dinayił nginiq eniq,
|with us further back,
|tinh q'idz dinayił,
|on the ice with us,
|łek dinayił ghidił.
|the dogs with us (the sled) is going.
|Tinh q'idz xiyan' tr'ughidił.
|Only on the ice we are going.
|Deg xidhi'onh xiyił,
|All that time,
|xidigał xizron che,
|finally at last,
|diq'on tr'ithidatl ngidiggi ts'in'.
|the bank, we climbed up it.
|Ndagh sre',
|I don't know where,
|deg ntr'itidił xiyił.
|we have come to.
|Yuxudz che,
|tritr yił xighela' ts'in'.
|forest there isn't any.
|Antr'an yeg,
|Just like
|noqogg, niq'oy.
|rocks, stones.
|Noqogg q'udixet'a.
|Rocks are all around.
|Go deg tr'ughidił xiyił.
|Around there we're going.
|Srixino' k'idz,
|A little creek,
|from it
|we go upon it.
|Che, che,
|che, che, tinh q'idz tr'antr'ididatl.
|again onto the ice on it back we go.
|"Ay'o gide datthet,
|"Way down there,
|ay'o ado gide,
|over there down there,
|siqay, dinaqay," siłne.
|(that's) my village, our village," he tells me.
|Ts'i yitots'i xiłdik,
|So then,
|yixisits'i titltanh.
|he brought me down there.
|Yit xiłdik,
|There then,
|{ntr'ath- diq'utr'i-} diq'o tr'itathdatl xiyił.
|up the bank we start to go.
|Vonh neg,
|His pretty mother,
|nq'ołonh neg,
|a pretty woman,
|xełedz xiyił idhitl'an ts'i,
|I never looked at her good,
|sraqay k'idz itl'anh dong.
|when I was a little child.
|Nq'ołonh neg sughin nineyo.
|(This) nice woman came to me.
|Yuxudz yeg, sughi ghetr'ot xineg ts'i xiyił,
|She gave me a nice kiss,
|getiy sughi xisrigidisdhet xiq'i.
|as if she is sure thankful to have me.
|Ts'i yitots'i yit tr'atidltth'e'.
|So then we stay there.
|Xotl'ogh xiłdik,
|After that,
|it started to break up.
|Out there (on the river)
|yititldaq ts'i xiyił.
|the ice starts to move.
|Yixitl'ogh xiłdik,
|After that then,
|vałgats yił xełedz nonxinetonh ts'in'.
|they put in their boats nicely.
|dina qay xits'an tr'itididił," xi'ne.
|to our village we'll go back," they say.
|Tr'iye ntr'ixolyax ts'i xiyił ts'i yuxudz.
|Into the canoe we load up everything.
|Yitots'i, nixitithidatl.
|Then, we left.
|Dinayił nigitithighuł.
|Together we start to go down by boat.
|It's going down,
|ine' che getiy nedho xe.
|but it's really far.
|Xiq'ay che tr'inihił,
|Half way
|around there,
|nodi tr'inadhoł xitl'ogh xiyił xiłdik,
|two nights we camped then,
|Xeyighelinghdi ntr'ididatl.
|(to) Holikachuk we came.
|Ts'i yitots'i yit tr'ididaghiłtth'e.
|So then we stayed there.
|Uxitiy iy,
|Those things,
|uxitiy iy,
|those things,
|yuxudz dixiyał'an xiy,
|everything that he trapped,
|iy gidiqad xiłdik,
|that store then,
|xivigho iy diqat.
|bought them.
|Iy noya',
|The beaver,
|yuxudz, uxitiy dixiyał'an xiy,
|all, those things (furs) that they got,
|xivigho iy yidiqat ts'i yitots'i,
|(the storekeeper) bought them so,
|Xiy axa xiłdik, vav iłzreyh.
|with that then, they exchange for food.
|Xitl'ogh xiłdik,
|After that,
|nosrithidatl ngido' ts'in'.
|we start to go down.
|Axiłdi siqay che ntr'itidatl.
|Then we arrive at my village.
|Iy che tr'inadhoł.
|There we camp.
|Nodida tr'inadhoł.
|Two nights we camp.
|Yit xits'i xiłdi, ngido' che nosrithidatl.
|From there then, we start to go down.
|An Deloy Chet xits'idz, viqay.
|Holy Cross towards, his village.
|Ts'i yitots'i,
|So then,
|xiłts'in' xiyił xiłdik,
|in the evening time,
|Deloy Chet xoq'osin,
|across from Holy Cross,
|dinayił nigineghułdi.
|with us (the boat arrived at) the landing place.
|{yit tr'-} Yit xiłdik,
|There then,
|yit xildi tr'inathdrit.
|there then we go to bed.
|We camp.
|Yit venhdi xiłdik vinixiłyiq engan,
|There the next day then, early in the morning across,
|Deloy Chet xits'in' tr'inedatl.
|to Holy Cross we crossed.
|Ts'i yitots'i sughidhidonh, anh,
|So then my husband, that one,
|"Gila ngidiq.
|"Let's go up (the river bank).
|tiginilayin ghoxo xidasrodił.
|For the priest we'll go.
|{natl'o} Xitl'on dinatiłtał,"
|We're going to get married,"
|{dina iłne} siłne.
|he tells me.
|Ts'i yitots'i ngidiq viyił taso.
|So then up there with him I start to go.
|diq'uy che che, dinayił dit'anh.
|his auntie also, along with us she went.
|Yitots'i, vilinh che dinayił dit'anh.
|And, his brother-in-law also with us he went.
|Ngidiq yitots'i tiginilayin gho xiditr'inedatl.
|Up there for the priest we went inside.
|Ts'i yitots'i tiginilayin yił xitidhingo.
|So then with the priest they start to talk.
|Iy vaxa natl'onh gidiłtal gilegiq xiyił igheqat.
|To get married, he bought a paper. [license]
|Xitl'ogh xiłdi tiginilayin iłne,
|After that (to) the priest he says,
|"Gila xiłdik,
|"OK then,
|here it is.
|Niłt'on dina telał," yiłne.
|You're going to marry us," he says.
|"He'? Diva yił?"
|"Oh? Who with?"
|ne anh tiginilayinh.
|says that priest.
|"Go danh.
|"This one.
|Gogide an."
|Here is the one."
|Dałine' tiginilayin tr'isidiłt'ix.
|But the priest doesn't like me.
|"Xiłdik gidegh qay xit'an," siłne ts'in'.
|"Then a person of another village," he says to me.
|"Gan layin a itiłchil?
|"Why are you going to marry her?
|Ngi'in ithe,
|(From) over there why not,
|dina gho didltth'en sraqay ye yitr'iniłyaxin.
|staying with us are children we're raising. [The children in the mission.]
|Giłiggin ithe ingiłchet.
|One of them you should get.
|Uxitiy niłon yixitatlał xełedz xineg," yiłne.
|You'll have a really nice marriage," he said to him.
|Sughidhidonh a xiłdik di'ne,
|My husband then he says,
|"Ngo xiviq'a dist'a ts'i an.
|"I don't like them.
|Go danhinh at.
|This one here.
|Itatlchił," yiłne.
|I'll take her," he says to him.
|"Ngo yitl'on ixtidhatlal ts'in'," dina iłne.
|"Well, I won't marry you," he tells us.
|"Gila an a dughit'a iy," yiłne sughidhidonh.
|"That's all right," says my husband.
|"Nginiq xigidix, Flat,
|"Up there, at Flat,
|xivigidinatiy xelanh.
|their boss [the commissioner] is there.
|Yi anh, tr'al dinatl'on dina gitolał," yiłne.
|That one, by and by he'll marry us," he tells him.
|Xiyił che sughidhidonh, che anh che di'ne,
|Then again my husband, that one again tells him,
|"Ane' qay,
|"That upriver village,
|ane' a, Anvik qay,
|upriver ah, in Anvik village,
|yit an go xidedo,"
|there she belongs (to that church),"
|go sughidhidonh, lay hin, yiłne.
|thus my husband, (to) the priest, he tells him.
|"Ane' nosrodał ts'i yitots'i.
|"Upriver we'll go and,
|an tiginilayin tr'al niłon dinatolał.
|that priest eventually will marry us.
|Gil an a dughit'a iy," yiłne.
|That's OK," he tells him.
|Xiyił yuxudz, vinjit didlidhith q'i dingit'a.
|All at once, (the priest) got scared just like.
|"Gila got.
|"OK here.
|{yigginuxdoł} Yigginuxdox," dina iłne.
|Kneel down," he tells us.
|Ts'i yitots'i yuxudz ditr'idiyoq.
|So then we did that.
|Ndadz sre' dinaxo didighene, xiy k'idz.
|I don't know what he said for us, a little something.
|"Agide, niłon yuxgaghiłt'anh," dina iłne.
|"OK, you're married," he said to us.
|"Agide. A xudzan a,"
|"OK. Goodbye,"
|sughidhidonh tl'oghiso.
|(said) my husband whom I married.
|There it is.