text: New cast for One Man, Two Guvnors Posted on Dec 7, 2012 | By London Theatre Direct From 4 February 2013 a new cast will perform in Nicholas Hytner's One Man, Two Guvnors at the Theatre Royal Haymarket. As previously announced, Rufus Hound will take the lead as loveable chancer Francis Henshall. He will join new cast members Sam Alexander, Ian Burfield, Amy Cudden, Harry Kershaw, Kelly Price and Hugh Sachs. Martin Barrass will return to the production to play Alfie, and current cast members David Benson, Rhona Croker and Derek Elroy will continue. Mensah Bediako, Owen Brazendale, Gillian Budd, Max Hutchinson, Tom Lorcan, Aimee Parkes and Claire Sundin complete the ensemble. Richard Bean's award-winning version of Carlo Goldoni's classic Italian comedy The Servant of Two Masters has songs by Grant Olding performed by The Craze. The physical comedy director on One Man, Two Guvnors is Cal McCrystal, with designs by Mark Thompson, lighting by Mark Henderson, sound design by Paul Arditti, fight direction by Kate Waters and choreography and associate direction by Adam Penford. Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancee's dad. But Roscoe is really his sister Rachel posing as her own dead brother, who's been killed by her boyfriend Stanley Stubbers. Holed up at the Cricketers' Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple. Sam Alexander (Stanley Stubbers) was last on stage in No Naughty Bits at Hampstead Theatre. His other theatre credits include The Bacchae for the Royal Exchange Theatre and Hay Fever at Chichester Festival Theatre. He has also worked extensively for the Royal Shakespeare Company where his credits include Twelfth Night, Love's Labour's Lost and A Midsummer Night's Dream. At Shakespeare's Globe his credits include The Comedy of Errors, A Winter's Tale and Troilus and Cressida. His television credits include Criminal Justice, Lewis, Skins, The Marchioness Disaster and Hamlet. Martin Barrass (Alfie) returns to the Theatre Royal Haymarket to reprise his role as Alfie. His previous theatre credits include Peter Pan, Stan Laurel in Laurel and Hardy, The Railway Children and Toad in The Wind in the Willows all for the Theatre Royal York. He also appeared in Richard Bean's Toast for Hull Truck Theatre Company. His television credits include Emmerdale, Angels and The Bill. David Benson (Gareth) has been a member of the One Man, Two Guvnors company since its premiere at the National Theatre. His other theatre credits include Future Me for Theatre 503, Same Time Next Year for the Theatre Royal Winchester and Loot for Derby Playhouse. He has won two Fringe First awards for his one man shows Think No Evil of Us: My Life with Kenneth Williams and Lockerbie: Unfinished Business. His television credits include Bremner, Bird and Fortune and Goodnight Sweetheart. Ian Burfield (Charlie Clench) has worked extensively in theatre, television and film. His previous National Theatre credits include The Comedy of Errors, The Kitchen, Napoli Milionaria, and Richard III. He also starred in Journey's End at Playhouse Theatre and A Streetcar Named Desire at Bristol Old Vic. His extensive television credits include Way to Go, The Secret of Crickley Hall, Him & Her, Public Enemies, Merlin, New Tricks, My Family, Heartbeat and The Fixer. His film credits include Mercenaries, Acts of Godfrey, V for Vendetta, The International, Circus and The Krays. Rhona Croker (Pauline) has been a member of the One Man, Two Guvnors company since September 2012. In 2008, Rhona toured the British comedy circuits with her show Croker & Jory: The Love Shepherds. Her other theatre credits include The Roman Bath at the Arcola Theatre, The Hub at Edinburgh's Pleasance Theatre, Spyski at the Lyric Hammersmith, Pot Noodle: The Musical at the Assembly Rooms, Edinburgh, Playback at the Salisbury Playhouse as well as Cinderella and Twelfth Night both for the Cheltenham Everyman Theatre. Her television credits include The Wrong Door, Watson and Oliver, My Family and Micro Men and has appeared in the film Prometheus. Amy Cudden's (Rachel Crabbe) theatre credits include The Village Bike for Sheffield Theatre and Shallow Slumber for Soho Theatre. On television her credits include Doctor Who, Casualty and Phone Shop. Derek Elroy (Lloyd) has been a member of the One Man, Two Guvnors company since its premiere at the National Theatre. Previously his theatre credits include The Harder They Come, Red Riding Hood and Aladdin for the Theatre Royal Stratford East, Dick Whittington and His Cat at the Barbican and I Was Looking at the Ceiling for Southwark Playhouse. His television credits include Rev, If…., Buried Treasure and The Bill. His film credits include Breakfast on Pluto and Bridget Jones's Diary. Rufus Hound (Francis Henshall) is currently playing Francis Henshall in the UK tour of One Man, Two Guvnors. He is best known as a comedian, TV and radio personality, where his work includes seven series of the award-winning Celebrity Juice, the BBC sitcom Hounded, 8 out of 10 Cats, Never Mind the Buzzcocks and ITV1 primetime hit comedy show Mad Mad World. He is soon to be seen in the second series of A Touch of Cloth for Sky. His radio credits include Act Your Age and My Teenage Diary for BBC Radio 4, as well as his own comedy show What's So Funny. Hound's film credits include Wedding Video and My Big Fat Gypsy Gangster. In addition Hound has presented Top of the Pops, Glastonbury Live and Out Take TV, all for the BBC. Harry Kershaw (Alan Dangle), a recent RADA graduate, will be making his professional stage debut in One Man, Two Guvnors. His television credits include Switch, Endeavor and Wallander. On film he has appeared in Skyfall, Blue Monday and Great Expectations. Kelly Price (Dolly) was last on stage in the West End at the Garrick Theatre in A Little Night Music which transferred from the Menier Chocolate Factory. Her other theatre credits include Company for Sheffield Theatres, Perchance to Dream for the Finborough Theatre, Stepping Out for Salisbury Playhouse, The Misanthrope at the Comedy Theatre, Chicago at the Cambridge Theatre, Guys and Dolls for the Donmar Warehouse, Mamma Mia at the Prince Edward Theatre and Woman in White at the Palace Theatre. Her television credits include Hollyoaks, Midsomer Murders, Waterloo Road and Accused. And on film she has been seen in A Bunch of Amateurs. Hugh Sachs (Harry Dangle) was last on stage in A Woman Killed with Kindness at the National Theatre where he has previously appeared in Peter Pan. His other theatre credits include See How They Run at the Royal Exchange Theatre and Privates on Parade at the Donmar Warehouse. On television Sachs is best known for playing the role of Gavin in five series of Benidorm. His other television credits include Foyles War, My Family, The Catherine Tate Show, Rome and City of Vice. Amongst his film credits areYou Will Meet a Tall Stranger, The Nutcracker - The Untold Story, The Libertine and Mad Dogs and Englishmen. Richard Bean's plays include England People Very Nice for the National, The Heretic, Harvest (winner of the Critics' Circle Award for Best New Play), Honeymoon Suite, Under the Whaleback and Toast for the Royal Court and The Big Fellah for Out of Joint at the Lyric Hammersmith and on tour. He adapted David Mamet's House of Games and wrote a new version of The Hypochondriac for the Almeida Theatre. Bean won the 2011 Evening Standard Award for Best Play for One Man, Two Guvnors and The Heretic. Since he became Director of the National in April 2003, Nicholas Hytner has directed Henry V, His Dark Materials, The History Boys, Stuff Happens, Henry IV, Southwark Fair, The Alchemist, The Man of Mode, The Rose Tattoo (with Stephen Pimlott), Rafta, Rafta… , Much Ado About Nothing, Major Barbara, England People Very Nice, Phèdre, The Habit of Art, London Assurance, Hamlet, Collaborators, Travelling Light ,Timon of Athens and People. One Man, Two Guvnors opened at the National Theatre in May 2011. In November last year, after its first UK tour, the show opened in the West End at the Adelphi Theatre where it completed a sell out run. Since 2 March 2012 the show has been playing at the Theatre Royal Haymarket. The Broadway production of One Man, Two Guvnors recently completed its successful run at the Music Box Theater, where James Corden won the Tony Award for Best Actor. A second UK tour continues to February 2013 with the show embarking on an international tour immediately afterwards. News Casting Announcements


text:
[Verse 1]
I woke up one day in Vacaville
Round the corner from the pen, phat house on the hill
All the homies in the pen straight locked down
But I gotta get dressed and hit the Oaktown
I called Randy Austin on the telephone
Early in the morning but he still ain't home
So I called Ant Banks to see what's up
He said meet me at the studio at two o'clock
I got dressed, smoking on some serious dank
Grabbed my keys off the table and a big old bank
I hit Interstate 80 and I'm rolling
Joint's still burning and I'm smoking
I was on my way to San Jose
To the stereo shop that make my music play
Cause one amp shut down and the bass ain't playing
Didn't take long, for Joel and Janks to have me slumping
So I called up Boo--"What's up nigga, what you bout to do?"
He said, "just kicking back waiting on the fellas
Bout to go eat at Della's"
I said, "it sure sounds good to me
I can't go though, gotta hit Myrtle Street"
Passed the Acorns on my way, bitch, it's just another day
Every day in the motherfucking Oak-town, just another motherfucking day for Short Dog, you know what I'm saying? Roll up to the studio, lay down some funky beats
Drink some of that Old English, smoke some fat ones, fuck wit my partner
[Verse 2]
Big Banks came through and started mixing
Sitting in the studio kick back listening
To some funky ass shit from the Dangerous Crew
Debbie D came through, with FM Blue
Shorty B rolled up smoking fat ones
Pee-Wee had a crew in the back room
Goldie had the tramps giving head, breaking off
Rappin' Ron and Diddley-Dog
Twin One and Two is telling stories
Bout beating down niggas for the glory
Had to catch a plane that night and roll out of town
Everybody getting high, trying hard to clown
I had to go shop before its time to leave
I dipped to the mall, flipped me some jeans
Rolled on out like a playa
Hot ass day, bitches everywhere
I'm leaning hard to the left like a big shot
Checking out the hoes seeing who'll get knocked
Cause when you fuck with Short you get fucked quick
I run some drama on your ass and make ya suck dick
Ride through the OZ beaming it slow
Talking that shit how niggas on the four
Drive crazy, trying to tear up shit
It's just another day in Oakland, bitch
Yeah them niggas from East Oakland be driving crazier than a mothafucker man
Niggas over there on 84 beamin niggas always talkin about uhh: "This how we
Drive on the '4 mayne, y'know." Doing donuts and shit, running all up on the curb
Breaking up news cars and shit nigga. Really though though, that's some Oakland shit bitch
[Verse 3]
It was me, Jaque, Beamin and Tilo
Boo-Kicky, Slow Motion and PO
Spud, Ju-Ju, Frog and Big-E
Getting high on Orral Street
Bug, Joe-A, Ce-Ce and Mark
Rolling four deep from Sobrante Park
Howard came through from the B-Town
Motherfuckas getting high, it's going down
It's the same everyday everyday it's the same
But that night we hit the hoop game
Who was playing: Seattle versus Golden State
Hollered at the home boy Gary Payton
After the game, we went to his house
NBA Jams, turned us out
Niggas talking bout slamming bones
Any kinda way to get your gamble on
Bet, all you kept hearing was bet
Dice game on the pool table? fuck that shit
I ain't going outta town broke
I gotta have a bank get some dank to smoke
Think I'm gambling, you must be insane
It started getting late I had to catch that plane
So I cut to the airport
Just another day for Too Short
Yeah I do that kind of shit y'know, it ain't no thing but a chicken wing little bitch. Short Dog's in the motherfucking house, kicking it with QDIII on the LA scene, ain't no thing baby, cause uh, we coming up in the game that's how we do, we getting money, and we go here and there, and we clock the bank you know what I'm sayin?.............Bitch
[Verse 4]
I was high as fuck on the airplane
Thinking to myself 'bout street game
How a black man'll do you in a minute
Walk around the corner see some shit and get in it
How the police always trying to catch us
Fell asleep and woke up in Houston, Texas
Gangsta ass niggas from the fifth and the third
Take yo ass there nigga, fuck what ya heard
Next night we did a show, in New Orleans
Same gangstas same old scene
Yelling at seventh at ninth ward
I see my homies from the third and the fourth
It was me, Big Dog and the 8-Guard posse
Having fun and you just can't stop me
I did a show in Birmingham, Alabama
Then caught an airplane in Atlanta
I heard about the motherfucking freaknick
Popped that pussy ho, fuck that weak shit
You shoulda seen all the bitches on the street
Niggas from Detroit was deep
All my partners from the O flew up
And they was slanging that danky stuff
Getting high with some brothers from Miami and Cleveland
Kicking back, talking 'bout we ain't leaving, bitch
We ain't going nowhere, we gonna stay here another day y'know, it's just another day, oh you know, guess I'll uhhhh, get through and roll back to the Oak-town
Ridin with the Cadillac Club or something, you know, F-R-O-G, old school, Too Clean in the house biatch, QDIII on the beat, I wanna say what's up to little Darrell, my partner D, what's up D baby, all my partners in the pen: North County, Santa Rita. My brother Wayne Loc, it's just another day....bitch
As you can find in many places, Too Short worked with Randy Austin at Dangerous Music:

subset: commoncrawl


text:
Most 9/11 tributes don't involve a toy you last played with as a kid, but artist Rob Surette wanted to stand out from the crowd. Enter the Lite-Brite pegs, and a canvas measuring 20 x 10 feet and weighing 1,750lbs.
Exactly 504,000 pegs were plugged into the glowing board—pegs of different colors, to denote people of different races. The previous record-breaker had plugged in a measly 374,004 pegs for her big shoe picture, and lest anyone think Surette topped her from her pedestal deliberately, he apparently apologized for doing so. What a man—taking his tribute's message of peace personally. [Patch via Oddity Central via Geekosystem]


text:
INDIAN WELLS, Calif., March 8 (UPI) -- Lleyton Hewitt and David Nalbandian led a wave of unseeded players into the second round Thursday on the opening day of men's action at the BNP Paribas Open.
Hewitt was tested before disposing of Lukas Rosol 6-4, 3-6, 6-1 and Nalbandian advanced with a 6-4, 6-2 winner over Marcel Granollers.
No. 15 seed John Isner will meet Hewitt in the second round and Nalbandian's opponent will be 24th-seeded Jerzy Janowicz.
All of the seeded players in this Masters series tournament receive a bye into the second round.
Denis Istomin earned a match against No. 2 Roger Federer by getting past Vasek Pospisil 7-6 (7-5), 6-3 and Kevin Anderson will take on No. 4 David Ferrer after disposing of Victor Hanescu 7-6 (8-6), 6-3.
Also advancing into the second round were Mischa Zverev, David Goffin, Bernard Tomic, Paolo Lorenzi, Jarkko Nieminen, Ivan Dodig, Wayne Odesnik, Ernests Gulbis and Leandro Mayer.


text:
In the period between the writing of the Old and New Testaments HEBREW was replaced as the everyday language of the Jews by Aramaic. But the rabbis continued to use Hebrew in their learned deliberations, as we see from the Mishnah, the book of law written in that language. The majority of the Essene sect documents found among the Dead Sea Scrolls were written in Hebrew. When the actual words spoken are quoted in the New Testament they are often Aramaic, not Hebrew.
ARAMAIC is a Semitic language, originally used by the Aramaeans of Syria, which became widespread throughout the Near East as an international language. Because its alphabet was easier to use than the cumbersome cuneiform scripts used by the Assyrians and the Persians, they adopted it for diplomacy and commerce.
IMPERIAL ARAMAIC (700-200 BC) was quite uniform and is found on inscriptions from as far away as Anatolia and Afghanistan. Some passages in the Old Testament books of Ezra and of Daniel are written in this dialect. Other periods and dialects included:
MIDDLE ARAMAIC (200 BC-AD 200). After Alexander the Great had conquered the Near East and Greek had spread widely, various local dialects of Aramaic developed. From this period comes the Aramaic of the New Testament, of some of the Dead Sea Scrolls, of the Bar Cochba texts, of the Nabateans and of the Palmyreneans.
LATE ARAMAIC (AD 200-700). In this era the western branch of Aramaic included Samaritan, and Christian Palestinian Aramaic; the eastern branch included Syriac, Babylonian Talmudic Aramaic and Mandaic. When Jesus cried out on the cross 'My God, my God, why have you forsaken me?' (Eloi, Eloi, lama sabachthani), He was speaking Aramaic. Many words in the New Testament are transliterations from the Aramaic. Peter's name Cephas is from 'kepha' (rock); Thomas is from 'toma' (twin). 'Bar' the Aramaic word for (son) occurs in such names as Bartholomew, Bar- Jonas, Barabbas and Bartimaeus. (The Hebrew word for son is 'ben' ). Golgotha is from 'golgolta' (skull); and Maranatha comes from 'maran' (our Lord) and 'eta' (come).
Apart from some of the Dead Sea Scrolls, and the Bar-Cochba texts, only one extensive writing in Aramaic survives from Palestine in the New Testament period - the 'Megillat Tacanit' (The Scroll of Fasting). Almost all other Aramaic texts surviving are short inscriptions on the limestone boxes used for the deposit of the bones of the dead (ossuaries) dating from 100 BC to 70 AD. Of the twenty-nine inscribed ossuaries recovered on the Mount of Olives by one archaeologist, eleven were in Aramaic, seven in Hebrew and eleven in Greek.
Some time after the exile of the Jews to Babylon, Aramaic translations and paraphrases of the Hebrew Scriptures, called TARGUMS, were made for those who understood Aramaic better than Hebrew. We have targums for all the Old Testament books except Daniel, Ezra, and Nehemiah. The earliest extant targums are from Qumran on the Dead Sea. An extensive targum on portions of Job came from one cave and dates from 150-100 BC
The major- targum of the first five books of the Old Testament, the Pentateuch, is known as Onkelos. It is quite a literal translation of the Hebrew and seems to have originated in Palestine, but was Later edited in Babylonia between the second and fifth centuries AD. The major targum of the books of the prophets is known as Jonathan. It was modeled on Onkelos, but is a less literal translation.© 1995-1996 The Bible Knowledge Accelerator ( Registered )
The Life of Jesus
An Outline of The Life of Jesus in Harmony
"I marvel that whereas the ambitious dreams of myself, Caesar, and Alexander should have vanished into thin air, a Judean peasant - Jesus should be able to stretch his hands across the centuries and control the destinies of men and nations." - Napoleon I Bonaparte (1809)
The Birth of John the Baptist
Gabriel Announces John's Birth (Lk 1:5-25)
The History of the Birth of Jesus
The Genealogy of Jesus (Mat 1:1-17; Lk 3:23-38).
NazarethGabriel Announces to Mary (Lk 1:26-38).
Mary Visits Elizabeth (Lk 1:39-56).
An Angel Comes to Joseph (Mat 1:18-25)
BethlehemThe Decree of Augustus Caesar and the Birth of Christ (Lk 2:1-7).
The First Visitors - Shepherds (Lk 2:8-20).The Second Visitors - Magi (Mat 2:1-12).
JerusalemJesus is Circumcised and Presented in the Temple (Lk 2:21-38).
EgyptOut of Egypt (Mat 2:13-23).
Jesus' Early YearsJerusalem
The Boy Jesus at the Temple (Lk 2:41-52).The Beginning of His Ministry
The JordanJesus is Baptized in the Jordan (Mat 3:13-17; Mk 1:9-11; Lk 3:21-23).
The WildernessThe Temptation in the Wilderness (Mat 4:1-11; Mk 1:12, 13; Lk 4:1-13). The Testimony of John (Jn 1:19-34).
The First Disciples (Jn 1:35-51).Cana
Turning Water to Wine (Jn 2:1-12).Jesus Visits Jerusalem
The First PassoverJerusalem A House of Merchandise (Jn 2:13-25).
Unless One is Born Again (Jn 3:1-21).Jesus Baptizes (Jn 3:22, with 4:2).
GalileeHe Departed Again to Galilee (Mat 4:12; Mk 1:14; Lk 4:14; Jn 4:1-3).
SamariaThe Woman at the Well (Jn 4:4-42).
He Taught in Their Synagogues (Mt 4:17; Mk 1:14,15; Lk 4:14,15; Jn 4:43-45).Nazareth
A Certain Nobleman (Jn 4:46-54)Physician, Heal Yourself! (Mat 4:13-16; Lk 4:16-31).
Sea of GalileePeter, Andrew, James, and John (Mat 4:18-22; Mk 1:16-20; Lk 5:1-11).
GalileeAnd Jesus Went About All Galilee . . Teaching (Mat 4:23-25; Mk 1:35-39, Lk 4:42-44).
A Man With an Unclean Spirit (Mk 1:21-28; Lk 4:31-37).Capernaum
Simon's Wife's Mother Lay Sick (Mat 8:14-17; Mk 1:29-34; Lk 4:38-41).Then a Leper Came to Him (Mat 8:2-4; Mk 1:40-45; Lk 5:12- 16).
They Brought to Him a Paralytic (Mat 9:2-8; Mk 2:1-12; Lk 5:17-26).Capernaum
Matthew the Tax Collector (Mat 9:9; Mk 2:13, 14; Lk 5:27, 28).The Second Passover
JerusalemHealing at the Pool of Bethesda on the Sabbath Day (Jn 5:1-47).
Healing in the Synagogue on the Sabbath Day (Mat 12:9-14; Mk 3:1-6, Lk 6:6-11).And in His Name Gentiles Will Trust (Mat 12:15-21; Mk 3:7-12)
Then He Appointed Twelve (Mat 10:2-4; Mk 3:13-19; Lk 6: 12-19).The Sermon on the Mount (Mat 5-7; Lk 6:20-49).
A Certain Centurion's Servant (Mat 8:5-13; Lk 7:1-10).Nain
Jesus Raises the Dead Son at Nain (Lk 7:11-17).
Are You the Coming One? (Mat 11:2-19; Lk 7:18-35).My Yoke is Easy and My Burden is Light (Mat 11:20-30).
CapernaumThe Woman With the Alabaster Flask (Lk 7:36-50).
Mary Called Magdalene (Lk 8:1-3).The Blasphemy of the Holy Spirit (Mat 12:22-37; Mk 3: 19-30; Lk 11:14-20).
Teacher, We Want to See a Sign From You (Mat 12:38-45; Lk 11:16-36).Woe to You, Scribes and Pharisees, Hypocrites (Lk 11:37-54).
He Began to Say to His Disciples (Lk 12:1-59).Parable of the Fig Tree (Lk 13:6-9).
Parable of the Sower (Mat 13:1-23; Mk 4:1-25; Lk 8:4-18).Many Such Parables (Mat 13:24-53; Mk 4:26-34).
Sea of GalileeJesus Rebukes the Storm (Mat 8:18-27; Mk 4:35-41; Lk 8:22-25). The Herd of Many Swine (Mat 8:28-33; Mk 5:1-21; Lk 8:26-40).
NazarethHe Came Again to His Own City (Mat 9:1; Mk 5:21 Lk 8:40).
The Parable of the Wineskins (Mat 9:10-17; Mk 2:15-22; Lk 5:29-39).Jairus' Daughter and the Woman With the Flow of Blood (Mat 9:18-26; Mk 5:22-43; Lk 8:41-56).
The Blind and the Mute (Mat 9:27-34).A Prophet is Not Without Honor Except in His Own Country (Mat 13:53-58; Mk 6:1-6).
He Was Moved With Compassion For Them (Mat 9:35-38)Sent His Disciples Out With Power and Authority (Mat 10; Mk 6:6-13, Lk 9:1-6).
MachaerusJohn the Baptist is Beheaded (Mat 14:1, 2, 6-12, Mk 6:14-16, 21-29; Lk 9:7-9).
Near BethsaidaThe Disciples Return, Feeding Five Thousand (Mat 14:13-21; Mk 6:30-44; Lk 9:10-17, Jn 6:1-14).
Sea of GalileeThey Saw Him Walking on the Sea (Mat 14:22-36; Mk 6:45-56; Jn 6:15-21).
I Am the Bread of Life (Jn 6:22-65).Do you also want to go away? (Jn 6:66-71).
Unwashed Hands (Mat 15:1-20; Mk 7:1-23).A Woman of Canaan (Mat 15:21-28; Mk 7:24-30).
Then Great Multitudes Came to Him (Mat 15:29-31, Mk 7:31-37).Feeding Four Thousand (Mat 15:32-39; Mk 8:1-9).
Seeking From Him a Sign From Heaven (Mat 16:1-4; Mk 8:10-12).
The Leaven of the Pharisees and Sadducees (Mat 16:4-12; Mk 8:13-21).Bethsaida
Heals a Blind Man at Bethsaida (Mk 8:22-26).Caesarea Philippi
Jesus Reveals Who He is at Caesarea Philippi (Mat 16:13-20; Mk 8:27-30; Lk 9:18-21).
He Must Go to Jerusalem and Be Killed (Mat 16:21-28; Mk 8:31-38; 9:1; Lk 9:21-27).And He Was Transfigured (Mat 17:1-13; Mk 9:2-13; Lk 9:28-36).
And Jesus Rebuked the Demon (Mat 17:14-21; Mk 9:14-29; Lk 9:37-43).Speaks Again of His Death (Mat 17:22, 23; Mk 9:30-32; Lk 9:43-45).
CapernaumMiracle of the Coin in the Fish's Mouth (Mat 17:24-27).
Which One is the Greatest? (Mat 18:1-35; Mk 9:33-50; Lk 9:46-50).He Who is Not Against Us is On Our Side (Mk 9:38, 39; Lk 9:49, 50).
The Feast of TabernaclesJerusalem
Set His Face to Go to Jerusalem (Lk 9:51-62; Jn 7:2-11).The Lord Appointed Seventy Others (Lk 10:1-16). Teaches in the Temple at the Feast of Tabernacles (Jn 7:14-53; 8:1-59).
The Parable of the Good Samaritan (Lk 10:25-37).The Report of the Seventy (Lk 10:17-24).
BethanyThe House of Mary and Martha (Lk 10:38-42).
Jesus Teaches His Disciples to Pray (Lk 11:1-13).The Feast of Dedication
JerusalemI Was Blind, Now I See (Jn 9:1-41).
My Sheep Hear My Voice (Jn 9:39-41; 10:1-21).They Picked Up Stones To Stone Him (Jn 10:22-39).
BethabaraBeyond the Jordan (Jn 10:40-42; 11:3-16).
BethanyJesus Raises Lazarus from the Dead (Jn 11:1-46).
EphraimThe Declaration of Caiaphas (Jn 11:47-54).
JudeaThe Woman Who Was Bent Over (Mat 19:1, 2; Mk 10:1; Lk 13:10-35).
Take the Lowest Seat (Lk 14:1-24).Count the Cost (Lk 14:25-35).
More Parables, Prodigal Son (Lk 15:1-32; 16:1-13).Exposes the Hypocrisy of the Pharisees (Lk 16:14-18).
The Rich Man and Lazarus (Lk 16:19-31).Increase Our Faith (Lk 17:1-10).
Teaches the Pharisees About the Coming of the Kingdom (Lk 17:20-37).
The Pharisee and the Tax Collector (Lk 18:1-14).Marriage and Divorce (Mat 19:3-12; Mk 10:2-12).
Let the Little Children Come to Me (Mat 19:13-15; Mk 10:13-16; Lk 18:15-17).Rich Young Ruler (Mat 19:16-22; Mk 10:17-22; Lk 18:18-24).
The Parable of the Vineyard (Mat 20:1-16).Again Foretelling His Death (Mat 20:17-19; Mk 10:32-34; Lk 18:31-34).
Can I Sit at Your Right Hand? (Mat 20:20-28; Mk 10:35-45).Jericho
Blind Bartimaeus (Mat 20:29-34; Mk 10:46-50; Lk 18:35-43).Zacchaeus who was a Chief Tax Collector (Lk 19:1-10).
The Parable of the Minas (Lk 19:11-28).Bethany
Mary Anoints the Feet of Jesus (Jn 12:1-9).Jerusalem
Triumphal Entry into Jerusalem (Mat 21:1-11; Mk 11:1-11; Lk 19:29-44; Jn 12:12-19).Jesus Enters the Temple (Mat 21:12, Mk 11:11; Lk 19:45).
Drives the Vendors Out of the Temple (Mat 21:12, 13; Lk 19:45, 46).The Blind and Lame Came to Him (Mat 21:14).
He Was Teaching Daily in the Temple (Lk 19:47, 48).The Withered Fig Tree (Mat 21:17-22; Mk 11:12-14, 20-22).
The Parable of the Two Sons (Mat 21:28-31);The Parable of the Vinedressers (Mat 21:33-46; Mk 12:1-12; Lk 20:9-19); The Parable of the Great Supper (Mat 22:1-14; Lk 14:16-24).
Tested By the Pharisees (Mat 22:15-22; Mk 12:13-17; Lk 20:20-26).Tested By the Sadducees (Mat 22:23-33; Mk 12:18-27; Lk 20:27-40);
Tested By a Lawyer (Mat 22:34-40; Mk 12:28-34).Beware of the Scribes and the Pharisees (Mat 23; Mk 12:38-40; Lk 20:45-47).
A Certain Poor Widow (Mk 12:41-44; Lk 21:1-4).The Prophecy of Isaiah About their Blindness (Jn 12:37-50).
Foretells the Destruction of the Temple and Jerusalem (Mat 24; Mk 13; Lk 21:5-36).He Saw the City and Wept Over It (Mat 23:37; Lk 19:41-44).
The Parables of the Ten Virgins and The Talents (Mat 25:1-30).The Sheep and the Goats (Mat 25:31-46).
Anointed with the Flask of Spikenard (Mat 26:6-13; Mk 14:3-9; Jn 12:1-8).The Last Passover
JerusalemThe Last Passover (Mat 26:17-30; Mk 14:12-25; Lk 22:7-20).
Began to Wash the Disciples' Feet (Jn 13:1-17).The Hand of My Betrayer is With Me (Mat 26:23; Mk 14:18-21; Lk 22:21; Jn 13:18). What You Do . . Do Quickly (Mat 26:21-25; Mk 14:18-21; Lk 22:21-23; Jn 13:21-30).
Teaches About the Holy Spirit (Jn 14; 15; 16).Jesus' Intercession (Jn 17).
The Prayer in Gethsemane (Mat 26:30, 36-46; Mk 14:26, 32-42; Lk 22:39-46; Jn 18:1).Betrayed and Taken (Mat 26:47-56; Mk 14:43-54, 66-72; Lk 22:47-53; Jn 18:2-12).
The Trial (Mat 26:57, 58, 69-75; Mk 14:53, 54, 66-72; Lk 22:54-62; Jn 18:13-18, 25-27).
Delivered to Pilate (Mat 27:1, 2, 11-14; Mk 15:1-5; Lk 23:1-5; Jn 18:28-38).He Sent Him to Herod (Lk 23:6-12).
Tried Before Pilate (Mat 27:15-26; Mk 15:6-15; Lk 23:13-25; Jn 18:39, 40; 19:1-16).
Mocked by the Soldiers (Mat 27:27-31; Mk 15:16-20).
Led Him Away to be Crucified (Mat 27:31-34; Mk 15:20-23; Lk 23:26-32; Jn 19:16, 17).
Crucified (Mat 27:35-56; Mk 15:24-41; Lk 23:33-49; Jn 19:18-30).Joseph of Arimathea (Mat 27:57-66; Mk 15:42-47; Lk 23:50-56; Jn 19:31-42).
The Resurrection
He is Risen (Mat 28:2-15, Mk 16:1-11 Lk 24:1-12; Jn 20:1-18).Has Appeared to Simon (Lk 24:34; 1Cor 15:5).
Road to EmmausAppears to Two Disciples on the Road to Emmaus (Mk 16:12, 13: Lk 24:13-35).
© 1995-1996 The Bible Knowledge Accelerator ( Registered )


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The Microtech UTX-70 is the most compact out-the-front automatic knife on the market. The Microtech UTX-70 gets its name because it is 70 percent the size of the Ultratech. This knife also comes with a pocket clip.
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DURANGO, CO. — Ska Brewing Co., a seventeen-year old Colorado craft brewer, produced 25,770 bbls in 2012—a 21.2% increase over 2011 (21,257 bbls.) Dollar sales increased 20.4% over the same period.
The Durango-based company released its numbers on the same day The Brewers Association (BA), the trade association representing small and independent American brewers, released 2012 data on U.S. craft brewing┬╣ growth. According to the BA, in a year when the total U.S. beer market grew by one percent, craft brewers saw a 15 percent rise in volume┬▓ and a 17 percent increase in dollar growth.
Craft brewers reached 6.5 percent volume of the total U.S. beer market, up from 5.7 percent the previous year. Additionally, craft dollar share of the total U.S. beer market reached 10.2 percent in 2012.
"We're proud of the industry for reaching 10% dollar share of the overall beer market, and we're even more proud that we contributed .0719696% of that ourselves," said Ska President and co-founder Dave Thibodeau.
┬╣The definition of a craft brewer as stated by the Brewers Association: An American craft brewer is small, independent, and traditional. Small: Annual production of beer less than 6 million barrels. Beer production is attributed to a brewer according to the rules of alternating proprietorships. Flavored malt beverages are not considered beer for purposes of this definition. Independent: Less than 25 percent of the craft brewery is owned or controlled (or equivalent economic interest) by an alcoholic beverage industry member who is not themselves a craft brewer. Traditional: A brewer who has either an all malt flagship (the beer which represents the greatest volume among that brewers brands) or has at least 50 percent of its volume in either all malt beers or in beers which use adjuncts to enhance rather than lighten flavor.
┬▓ Volume by craft brewers represent total taxable production.
About Ska Brewing
Based in Durango, Colorado, Ska Brewing was founded in 1995 and now produces over a dozen medal-winning beers including the Pinstripe Red Ale, True Blonde Ale and Steel Toe Stout. Four Ska beers are now widely available in cans: ESB Special Ale, True Blonde, Modus Hoperandi IPA and the winter seasonal Euphoria Pale Ale. For information, music and a good time, visit www.skabrewing.com. Chat us up and get the latest news atfacebook.com/skabrew and twitter.com/skabrewing.


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§597. Rules and regulations; cooperation with other agencies; compensation of officers and employees; effect on other laws
The Secretary may make such rules, regulations, and orders, and require such reports, as may be necessary to carry out the provisions of this chapter, and may cooperate with any department or agency of the Government, any State, Territory, District, or possession, or department, agency, or political subdivision thereof, or any person, whether operating in one or more jurisdictions; and shall have the power to appoint, remove, and fix the compensation of such officers and employees not in conflict with existing law, and make such expenditures for rent outside the District of Columbia, printing, binding, telegrams, telephones, law books, books of reference, publications, furniture, stationery, office equipment, travel, and other supplies and expenses including reporting services, as shall be necessary to the administration of this chapter in the District of Columbia and elsewhere, and as may be appropriated for by Congress. This chapter shall not abrogate nor nullify any other statute, whether State or Federal, dealing with the same subjects as this chapter; but it is intended that all such statutes shall remain in full force and effect except insofar as they are inconsistent herewith or repugnant hereto.


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Once the highlight of every autumn, Halloween has begun to lose its charm. Once an opportunity to escape into an alternate persona, collect hordes of sweet treats, and explore new neighborhoods filled with bright lights and wild decorations, now it's little more than a note on a calender page. Much of that has to do with simply growing older no doubt, an unfortunate side effect of becoming too mature or too serious. More than that, however, the great prize at the end of the journey holds little allure now. Artificially flavored, colored, and pumped full of unsavory fillers, not to mention the sad prevalence of animal products in mainstream options, the whole song and dance seems somehow hollow without that great candy climax to look forward to. For someone with an active and voracious sweet tooth to reject free candy has got to say something.
Rest assured, not all candy has lost its appeal. The homemade, hand-crafted stuff is in a category of its own, especially since it's the sort that no parent would allow their child to take on a trick-or-treat outing. Ironic that the mass-produced junk would be considered a safer, better option. Fine by me though, because that only means I get to horde more of the choice picks for myself, such as these lightly spiced pumpkin pâte de fruits. Gummy candies all grown up, these seasonal treats are perfect for the entire autumn season, not just the standard Halloween sugar high.
Soft yet toothsome, the crunch of sugar coating the outside gives way to smooth pumpkin jelly, tinged with cinnamon, ginger, and nutmeg. A hint of molasses adds depth, contrasted by a bright splash of cider vinegar. Unlike so many other "pumpkin spice" novelties, these edible orange jewels genuinely taste like the gourd of their namesake.
Pumpkin Pâte de Fruits
1/4 Cup Solid-Packed (Canned) Pumpkin Puree
3/4 Cup Pumpkin Juice*
1 Teaspoon Apple Cider Vinegar
2 Teaspoons Molasses
2 Cups Granulated Sugar, Plus Extra to Coat
3/4 Teaspoon Ground Cinnamon
1/4 Teaspoon Ground Ginger
Pinch Ground Nutmeg
1 3-Ounce Package Liquid Pectin
*I ran about 1/4 of a medium-sized sugar pumpkin, gutted, peeled, and sliced into 1-inch strips, through my juicer to yield around 1 cup of pumpkin juice. If you don't have a juicer, don't fret! You can also chop up the raw pumpkin into piece, toss them into a food processor or blender, and thoroughly puree. Strain from a very fine-meshed sieve or nut milk bag, and save the solid pulp for another use. It's great for making crackers or dog treats!
Line a 4 x 8-inch loaf pan with aluminum foil, and lightly grease; Set aside.
Place the pumpkin puree, pumpkin juice, cider vinegar, molasses, sugar, and all the spices in a medium saucepan, stirring to combine. From this point forward though, keep that spatula out of the pot until the very end, lest you create nasty sugar crystals while the candy is forming. Set the pan over medium heat and cook, gently swirling the pot periodically, until the mixture reaches 238 degrees (soft ball stage.) At last, pour in the pectin, and stir briefly to incorporate. Continue cooking at a steady boil 2 minutes longer.
Transfer the hot, liquid candy into your prepared pan, and let sit at room temperature until completely cool. It should be solid enough to pull out of the pan at this point, using the foil as a sling. Use a very sharp knife, lightly coated in oil, to slice the rectangle into small, two-bite squares. Toss the squares in additional granulated sugar to coat, and store in an air-tight container at room temperature. The candies will last for about 1 week… If you can keep the ghouls and goblins away!


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Watch CBSN Live
Philip Seymour Hoffman is seen at the Los Angeles premiere
of "The Hunger Games: Catching Fire," at Nokia Theatre LA Live on
Monday, Nov. 18, 2013.
The Academy Award-winning actor was found dead in his
apartment in New York City on
Sunday, February 2, 2014, of an apparent drug overdose,
according to the New York Police Department. He was 46.
By CBSNews.com senior producer David Morgan
Credit: Jordan Strauss/Invision/AP
Born in 1967 in
Fairport, New York, Hoffman was interested in acting from an early age, mesmerized
at 12 by a local production of Arthur Miller's "All My Sons." He
studied theater as a teenager, then majored in drama at New York University.
In his Oscar
acceptance speech for "Capote" (pictured left), he thanked his mother
for raising him and his three siblings alone, and for taking him to his first
play. Hoffman's parents divorced when he was 9.
Credit: Sony Pictures Classics
Hoffman's first onscreen acting
job was as a drug dealer defendant in "Law and Order." He played a
prep school student in the Al Pacino film, "Scent of a Woman," and
was in the cast of "Boogie Nights" (left), Paul Thomas
Anderson's 1997 drama about the pornographic film industry. It would be one of
several Anderson films in which Hoffman starred.
Credit: New Line Cinema
Credit: Gramercy Pictures
Credit: Killer Films
Credit: MGM
Credit: Fine Line Fatures
Credit: Dreamworks
Credit: Buena Vista
Philip Seymour Hoffman and Ben
Stiller in "Along Came Polly" (2004).
Some actors look like Hollywood
stars no matter whom they play. Not Hoffman. "Yeah, I just try to look the
way that the part is supposed to look," he told "Sunday Morning"'s Mo Rocca in 2012. "And I think most people don't look put together in normal life. For
most people, their hair is a little uncomfortable. Unless they are people who
have jobs and are in front of the camera, most people are kind of walking
around looking like people."
Credit: Universal Pictures
In "Capote" (2005), Philip Seymour
Hoffman stared as writer Truman Capote researching the notorious murders that
would form the spine of his greatest success, the true-live crime novel,
"In Cold Blood."
Hoffman told Mo Rocca that he resisted the role of Capote at
first: "I'm very far away from him in so many ways. I'm like 5'10", and
I weigh like 230. You know, I'm a big guy. And that was the least of it. It was
really just, was I going to be able to understand and pull it off? I was just
concerned about that.
"And then eventually I go, 'All
right, let's just do it.' And then you kind of realize that your gut leads the
way and you trust that. And that's what I did."
Credit: Paramount Pictures
Philip Seymour Hoffman and Laura Linney as
siblings coping with a father suffering from dementia in "The
Savages" (2007) - and it was hard
to believe the two weren't related.
"There`s something about us that was like siblings, an immediate trust,
quirkiness, and a similar sense of humor," Hoffman said. "It was as
if we had experienced similar things growing up that formed us."
Credit: Fox Searchlight
Credit: THINKFilm
Credit: Miramax
Meryl Streep as Sister Aloysius Beauvier and Philip Seymour
Hoffman as Father Flynn in "Doubt" (2008), directed by playwright
John Patrick Shanley.
Credit: Icon Entertainment
Credit: Relativity
Credit: Columbia PIctures
Credit: AP Photo/Charles Sykes
Credit: The Weinstein Company
Credit: Getty Images
Credit: Opening Night Productions
Credit: AP Photo
Philip Seymour Hoffman as Plutarch Heavensbee, the head
Gamemaker, with Donald Sutherland as President Snow, in the 2013 science
fiction film, "The Hunger Games: Catching Fire."
Credit: Lionsgate
Philip Seymour
Hoffman and Woody Harrelson in "The Hunger Games: Catching Fire."
Hoffman was due to
reprise that role in the two-part sequel, "The Hunger Games:
Mockingjay," which was already in production.
Willem Dafoe, Rachel
McAdams and Philip Seymour Hoffman, of the film "A Most Wanted Man,"
pose for a portrait during the 2014 Sundance Film Festival at the WireImage
Portrait Studio at the Village At The Lift on January 19, 2014 in Park City,
In addition to
"A Most Wanted Man," another film featuring Hoffman, "God's
Pocket," also premiered at Sundance.
Credit: Larry Busacca/Getty Images
In a 2006 interview with "60 Minutes," Hoffman
told Steve Kroft that he went into rehab at a very early age - 22 - because he
feared his substance abuse would kill him – and he had so much he still wanted to
Last May, after more than two decades clean and sober, Hoffman
reportedly checked himself into rehab.
Hoffman was found dead in his New York City apartment on
Sunday, Feb. 2, 2014.
Credit: Monica Schipper/Getty Images


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QUEBEC – A topless protest against the Parti Quebecois values charter erupted inside the Quebec legislature in a screaming, semi-nude act of defiance that derailed the daily question period Tuesday.
Women began removing their clothes while Premier Pauline Marois was answering a question.
The premier had been asked about a payroll tax and had just uttered the words, "(We're) taking action now," when shouts erupted in the gallery and everyone's eyes, including the premier's, drifted upward.
As the protesters disrobed, they chanted a slogan against the presence of the crucifix in the chamber: "Crucifix, decalisse," they repeated in a crude, sacrilegious Quebecois expression loosely translatable as, "Crucifix, get the hell out of here."
The demonstration was quelled, as numerous security guards pulled a trio of still-half-naked protesters away from the chamber and struggled to dress them.
The whole affair was in reaction to the Parti Quebecois' uneven approach to state secularism, which has been called hypocritical by its detractors.
The PQ's proposal would leave the Christian symbol looming above the chamber where Quebec's laws are passed; Christmas trees would remain in public offices; and the giant cross would stay on the public land above Montreal's Mount Royal.
That's because those Christian symbols are part of Quebec's heritage, the PQ says.
However, lower-level employees of the state would be forced to remove their hijabs, turbans, yarmulkes, and larger-than-average Christian necklaces.
The plan is unlikely to pass the legislature in its current form. That means it could either be watered down, or preserved for use in the PQ's next election platform.
The group "Femen Quebec" claimed reponsibility for the bare-breasted brouhaha.
"(We're) an organization of artists-activists fighting for democracy, for the affirmation of a Quebec identity influenced by cultural diversity, for the liberation of women from contemporary aesthetic dogma and for better communication between men and women," said a Facebook page.
It also dismissed the idea that the national assembly cross was integral to the Quebecois identity.
It noted that the crucifix was only placed there under the Duplessis regime after 1936, as a symbol of the pact between his now-defunct Union Nationale party and the church.
"(This) crucifix stems from the Great Darkness," the group said, employing a term commonly used to describe Maurice Duplessis' pre-Quiet Revolution Quebec.
"(It's) a painful memory, especially for women. That renewal of the pact between the church and the state is not at all a heritage worth honouring. No to a government that accepts the presence of religion at its bosom. Yes to state secularism!"
One of the photos posted on Tuesday shows a statue of former Quebec premier Maurice Duplessis with a semi-naked protester holding a sign that reads, "I may be dead, but my crucifix lives on."


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Sold Out
This wooden sign is customized using birch plywood and pine framing. The painted surface of the sign measures 8" x 8" and the finished framed piece measures 9.5" x 9.5". The frame is stained with high quality water based stains & the sign is painted with Dixie Belle paints. Each sign is made to order using the colors you select. Turn around time is 7-10 business days for production and shipping.
When ordering please include the following information:
Background paint/stain color, text paint color(s) and frame paint/stain.
Shown in photo:
Background: Cotton
Text Color(s): Midnight
Frame stain: Medium Brown


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FlashForge Extruder Aluminum Strip
Aluminum strip for dual-extruder.
Please note that it does not include the bracket. Bracket will be sold separately.
**Product images are for illustrative purposes only and may differ from the actual product. Due to product enhancement and differences in monitors.**
Prepaid Shipping for FlashForge 3D Printers (Limited Time Offer)
FlashForge USA is offering prepaid shipping for all FlashForge 3D printers within the U.S. and international. No coupon codes necessary. We offer free shipping on orders $25 and over to lower 48 states. The shipping methods offered during checkout may differ based on your shipping address and items selected.
Refund for returning items will be deducted for all prepaid shipping fees from the original full amount.
Shipping Method
FlashForge USA uses United Parcel Service (UPS) and Federal Express (Fedex) as its standard shipping providers. FlashForge USA reserves the right to use other shipping services at its own discretion to deliver packages to our customers in a timely manner.
Will-Call Order
Will-call is available at our City of Industry facility in California. If you placed an order using the will-call option, please call us at 626-322-3855 extension 1 to confirm the pick-up availability. Most will-call orders, if placed before 11 AM PST, can be picked up on the same day. Will call hours are 9:30 AM to 4:30 PM PST. Allow 2 hours after order is placed.
Where We Ship
FlashForge USA ships internationally. We strive to get your orders to you as quickly as possible. Most orders are shipped on the same day if placed before noon Pacific Standard Time (PST). Orders placed after noon PST will be shipped the following business day. Customers will be able to select from the three major carriers (UPS, FedEx and USPS) we work with and the shipping options will be shown at checkout.
Cutoff time for orders required to be shipped out same day with the options of Express, Next Day Air, and 2-Day is 11:00 am PST.
Customers will be notified by one of our specialists in the event of backorder. FlashForge USA will notify its customers once orders are in stock and ready to ship.
Return Policy
FlashForge USA stands behind the products we make. Items must be returned within 30 days of purchase in brand new condition. For 3D printers, it must not have been operated, have marks or show signs of use. FlashForge USA does not cover ordinary damages caused by improper use or accidents. If an item has a manufacturing defect in its materials or workmanship, please contact our support technician, and we will resolve the issue in a timely manner.
All returned products are subject to a 20% restocking fee and the return shipping must be pre-paid.
To request for return of an order, please write to firstname.lastname@example.com
Returning or Exchanging Items
Customers must provide a proof of purchase (store receipt or shipping invoice) for all returns and exchange. Please also provide us the serial number of the machine when contacting us.
All returning items must be sent back with a return merchandise authorization number (RMA #). An RMA number will be assigned by our support technician. Items returned without an RMA number will not be processed.
Customer is responsible for any freight charges for returning any items back to us after an return authorization number is assigned and the return is approved by our company.
Filament Return Policy
FlashForge USA does not accept returns on filaments that have been used or the package opened.
Parts & Accessories Return Policy
All of the FlashForge components are guaranteed to work on FlashForge 3D printers. For compatibility with other brands of 3D printers, FlashForge USA highly recommends customers to consult with the manufacturers of their 3D printers before making a purchase. Images of products are for illustration purposes only, and actual product may differ.
Returns and Exchanges by Mail
All packages must be shipped with a carrier that can provide a valid tracking number and insurance. FlashForge USA is not responsible for packages lost or damaged in transit. Packages must be shipped out within 5 days of issuance of the RMA number.
All returns must include original factory box, original factory packaging (foam, plastic, wrappings, etc.) blank, unfilled warranty cards, all instruction booklets and paperwork. Please do not deface original factory cartons or packaging in any manner. We will not accept a return if packaging is not in its original condition.
If the returned merchandise does not meet the conditions of the requirement, it will be sent back to the customer at his or her expense.
Each Flashforge 3D printer is manufactured with the strictest production standards and goes through vigorous quality control procedures before it is shipped out. To give Flashforge owners an assurance for their investments, all Flashforge 3D printers are shipped with a standard 180-Day manufacturer's warranty. Warranty extensions are available through our ProCare Extended Warranty program.
Please review the warranty terms and conditions below for more details.
ProCare Extended Warranty
Available to all Flashforge 3D printer owners, ProCare Extended Warranty programs are offered to those seeking a peace of mind for their investments. Through extended warranty, Flashforge owners can rest assured that their beloved machines will be fully protected under the same perks as the standard 180-Day warranty and guaranteed to continue operating at its maximum potential.
*FLASHFORGE USA reserves the right to modify and update the terms and conditions for its standard 180-Day warranty, ProCare 6-month Extended Warranty, and ProCare 12-month Extended Warranty program (herein referred to as Warranty Programs). The terms and conditions outlined below are effective as of March 5, 2014.
Filing for Warranty Claim
3D printing is very exciting and can be quite addicting (just ask our technicians who are constantly printing in our 35,000 sq. ft. facility). FLASHFORGE USA fully understands that the nature of warranty claims can be a hassle for our customers and leaves them without a machine for the duration of the claim. Most of the time, issues can be resolved by reaching out to our Product Specialists. Our team of experts is here to assist with any challenges you may be facing with your machines and help you overcome it. If the issue cannot be resolved, the Flashforge Product Specialist will initiate the warranty claim and walk you through the process.
Warranty Terms & Condition
- Warranty Programs only apply to units purchased from FLASHFORGE USA and its authorized resellers and distributors. For units purchased outside of the authorized network, please contact the respective vendor for warranty work. Note: FLASHFORGE USA and its authorized service centers also provide service and repair. Please contact us for more detail.
- Warranty Programs are valid for the original purchaser of Flashforge products and cannot be transferred. The product must be purchased brand new with original invoice and serial number (if applicable).
- Warranty claims will be serviced through the repair or replacement of the defective part. FLASHFORGE USA shall determine, at its sole discretion, the method of servicing that will be applied to the claim.
- The duration of the standard 180-Day warranty begins on the date of the original purchase. ProCare extended warranty begins the moment following the expiration of the standard 180-Day warranty. Parts that are replaced under the Warranty Programs also fall under its original warranty duration and do not restart.
- For quality control purposes, FLASHFORGE USA reserves the right to request return on defective parts in exchange for new parts.
- *Warranty claims must go through FLASHFORGE USA before servicing can be performed. Any RMA received as a warranty claim without approval from FLASHFORGE USA shall be denied, no exceptions.
Causes that void warranty claim include
- Damage caused by accidents, submerging in water, acts of nature or negligence
- Tampering of the serial number and/or removal of identification stickers.
- Product failure as a result of installing aftermarket components.
- Unit(s) or part(s) received that is in working condition and not defective. FLASHFORGE USA reserves the right to collect service or return shipping charges at the expense of the customer.
- The customer is responsible for shipping or delivery of the unit(s) or part(s) to FLASHFORGE USA designated service location.
- FLASHFORGE USA will choose the shipping method back to the customer and incur any shipping charges.
- Please notify our RMA department for shipping to an address other than what was on the original invoice. Additional documents are required as proof of address change.
- FLASHFORGE USA is not liable for damages caused by the shipping provider during transit back to our customer.


text:
This resource is no longer available
How Security Leaders Justify Expenditures - Panel Video
When investing in a security solution, your organization needs to balance performance needs with budgetary restraints. Unfortunately, the necessity of comprehensive security may not be apparent to everyone in your organization.
Watch this informative video to hear industry leaders share their insights, challenges, and best practices for security and efficiency. This segment asks top security professionals what advice they would give on how to justify security expenditures to the rest of the business.


text:
Don't let Los Angeles traffic ruin your day, let us bring you the best plants out there. We cover Downtown LA, Hollywood, Silver Lake, Venice, Los Feliz, Brentwood, Echo Park and beyond.
We deliver every Tuesday, Thursday and Saturday – morning or afternoon. Select your plants, select a date of delivery and our delivery team will come to your house to set up the plants for you.


text:
Sign in or register to enroll
Kompassi dog school trainings are organised in a warm, indoor premises in Helsinki Konala. Every week about 500 happy doggies step through our front gate, so welcome to join us!
Camilla Leijona OyKonalankuja 4 00390 Helsinki
©2020 Camilla Leijona Oy This service is provided by aimget Oy. Get your own course management site at doggso


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💨 Double-tap your jump button to Double Jump! (PC = Spacebar, Mobile = Jump Button, Xbox = 'A' Button) ⚔⚡LATEST-UPDATE: - 30 NEW Swords! - NEW 'Inner Peace Island' - Contains x30 Sell Area! - NEW 'SHADOWSTORM' Pet Evolution! Combine x30 DARK-ELEMENT to create one! x50 Stats of a DARK-ELEMENT! The most OP evolution on Roblox to date! Only Q-STRIKE+ Tier pets can become SHADOWSTORM! - NEW 'Skyblade Legends' Pet Pack! Find it in the Packs menu! Contains the most OP Pets on Roblox yet! - NEW 'Skyblade' Pet Tier! - NEW 'Ultra Shockwave' Pet Crystal! Contains a Skyblade! - 2 NEW RANKS! - New Belts! - New Skills - A new secret Pet Crystal has spawned! It's not in a regular location! Only 0.000001% of Ninjas will find this Crystal! - Older Pack Pets can now be sold to free up inventory space! ⭐ Follow the game to be notified of new updates! 🎁 Join Scriptbloxian Studios to unlock the group rewards chest in-game! https://www.roblox.com/groups/4705120/Scriptbloxian-Studios
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Revere has ability to spark Phillies' lineup
CLEARWATER, Fla. -- Here are the facts, and nothing but: After getting off to a slow start last season, center fielder Ben Revere got hot. From May 19 through July 13, he batted .345 with a .371 on base percentage from the leadoff spot. The Phillies had a winning record (26-25) in that stretch.
Then Revere fouled a ball off his right foot. He underwent surgery to repair the fracture and missed the rest of the season. The Phillies went 27-41 in his absence.
Baseball is a team game. And there are multiple reasons why the Phillies faded in the second half. But clearly, it helps any team to have its leadoff hitter getting on base.
"His offense came along as he adapted to the National League," said manager Ryne Sandberg. "The best baseball we played was last year when he got hot. We got back to .500 at the All-Star break and he was in the middle of all that, hitting the ball well and creating some havoc on the basepaths. Getting two or three hits a game, stealing bases and scoring runs, really creating a spark."
Sandberg noted that Revere was missed defensively as well.
"He was coming along very well, showing improvement out there. I think it took him a while to get used to the home ball park and the National League as far as playing defense," Sandberg said. "He's working on getting really good at charging the ball. He's also really good at having a good release to hold the baserunners. And I've seen some improvement in his arm out there."


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Database Management : An Elementary Approach
In preparation for this issue's feature article on database management, we came up with the most vague question possible to ask printers: How do you add value to your customers' jobs through database management?
You can almost see the panic that crosses the respondent's eyes. There are a number of ways the subject can be approached, and there's no one-size-fits-all answer. But, there is a universal solution—whatever your definition of management, as long as your company can (in its custodial duties) enable clients to get the most return out a relevant, fresh and accurate customer file, call it whatever you wish.
There's a correlation between database management and education. Think of a client's data as an elementary school student. You're dealing with someone else's baby. This child needs to be kept safe and secure. He/she must be manipulated (taught) to perform at its highest level. And, as its "teacher," it is up to you to find out what your "pupil" wants to achieve in life and provide guidance to attain those goals. Do all of these well, and it will be your competition that's taken to school.
Not surprisingly, there are printing/marketing services firms that have taken their data management capabilities to a higher level. GLS Companies, a Brooklyn Park, MN-based printing, direct mail and marketing firm, recently underwent a stringent review of its procedures to underscore its commitment to client data security. The review adheres to the Service Organization Controls (SOC 2) standards and replaces the reports generated under the SAS 70 (Statement on Auditing Standards).
Developed by the American Institute of CPAs, the SOC 2 standards enable GLS clients to review reports of procedures used to secure data such as client and customer mailing lists, proprietary product and marketing information, as well as physical assets. Two key areas are covered under SOC 2 reports: physical access to client data and network security. The audit reviewed the way GLS collects, processes, transmits, stores, organizes, maintains and disposes of customer information. Reports also analyze plant security procedures.


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Ayurved is the traditional system of medicine that comes from Hindu culture. It follows the ideology of maintaining a balance in the body systems. Ayurved uses dietary changes, yoga breathing, and herbal treatments to treat illnesses. The words Ayur and Veda mean longevity or knowledge. Some of the wide ranges of acute and chronic problems that can be treated by Ayurved are sinusitis, acidity, heartburn, poor digestion, nausea, constipation, sprains, body ache, headaches, period disorders, sleep disorders, respiratory infections, throat infections, and many other chronic problems. Patients can consult online with an ayurvedic doctor for non-emergency problems, ayurvedic doctor advice, for the second opinion of the ayurvedic doctor, and for follow-ups cases.
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Patients can consult online with an Ayurveda doctor for non-emergency problems such as fever, stomach pain, hair fall, body pain, etc.
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Yes, If a person has Arthritis of any kind one needs to consult with an Ayurveda doctor.
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An Ayurveda doctor also treats skin problems.
4- How can we consult the best an Ayurveda doctor online through DoctoriDuniya.com?
At DoctoriDuniya, you can access verified best Ayurveda doctors online, write your health problem/complaints /symptom of disease, fill your basic details, and pay consultation fees online and get an instant online consult with the doctor.
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Cancer, in most of the cases, does not show its symptoms on early stages and that makes this disease a life-threatening condition. So it is recommended by cancer experts to keep eyes on any abnormal or unusual changes in the body. You can highly reduce the chances of future's serious complication if you go through proper screening of your health on detecting abnormal changes in the body. Consulting a cancer doctor after being suspicious about your health condition would also ensure your good health.
Though, cancer can affect any part of the body. But some of the most common types of cancer that affect majority of the people are skin cancer, lung cancer, breast cancer, prostate cancer, colorectal cancer, bladder cancer, kidney cancer, leukemia, ovarian cancer etc.
Unexplained weight loss, fever, fatigue, a lump, skin changes, intense pain, bleeding, indigestion, cough or hoarseness, pain during urination, blood in urine, indigestion, bloating, breast changes, fever etc are some of the most common symptoms of cancer which should not be ignored at any cost.
There is a spectrum of conditions that highly put people on the risk of developing liver cancer. Some of the top risk factors include aging, hepatitis infection, family history, diabetes, fatty liver, alcohol consumption, smoking, etc.
There are ranges of tests your doctor may recommend you depending on the infected body part. Some of the common tests include barium enema, biopsy, bone marrow aspiration and biopsy, bone scan, breast MRI, colonoscopy, computed tomography (ct) scan, digital rectal exam (DRE), EKG and echocardiogram, fecal occult blood tests, magnetic resonance imaging (MRI), mammography, MUGA scan, pap test, sigmoidoscopy, tumor marker tests, ultrasound, upper endoscopy, etc.
At doctoriduniya, you can access a list of best cancer doctor, book online appointment and consult with them. In any medical emergency feel free to visit www.doctoriduniya.com.


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Staten Island, NY – A TV station in British Columbia tonight will air the Priests for Life 60-second video, "Everyone Against Abortion, Please Raise Your Hand." The pro-life ad features the hand and forearm of an aborted child.
"This is a breakthrough moment," said Fr. Frank Pavone, National Director of Priests for Life. "We tried and tried to have this ad televised in the United States and met only resistance. That Canadian pro-lifers would take the spot and get their government's approval to air it is a great step forward in helping people see what abortion truly is."
The ad has been available on the Priests for Life website (http://www.unborn.info/) for months and when advertised on the Drudge Report last year, received hundreds of thousands of viewings, but has been rejected for viewing by American television stations.
"Perhaps the Canadian government's decision and CBS's broadcast of Focus on the Family's Tim Tebow ad will spark a new openness to allowing the pro-life view to be seen and heard," said Fr. Pavone. "For decades, abortion advocates have had their perspective advertised in the scripts of countless television shows. Fairness and the fact that over half of the American public calls itself pro-life will hopefully spur more airing of projects showing that the baby in the womb is fully human and, therefore, deserving of love and respect."
Priests for Life is the nation's largest Catholic pro-life organization dedicated to ending abortion and euthanasia. For more information, visit www.priestsforlife.org.


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Results tagged ' MLB Relocation '
Montreal, San Antonio May Hold Keys to Solving Athletics, Rays Stadium Problems
Fans who want baseball to return to Montreal have circled March 28 and 29 on their baseball calendars, the two dates when former MLB ballpark Olympic Stadium (using the ballpark term loosely), will once again play host to the great game which was last on display on its artificial surface for the final Montreal Expos home game on Wednesday September 29, 2004, a loss to the Florida Marlins. Nine and one half years will have passed between that final Expos game and the two-game exhibition series between the Toronto Blue Jays and New York Mets. For its criticisms, at least the Big Owe did not turn into a sewage dump like the Oakland Coliseum and if the Athletics ever did leave the Bay Area, the one city that thinks it has a suitable temporary stadium big enough for Big League ball is Montreal. Of course such a relocation would be tied to a new stadium that would eventually become home to the new Expos and sadly one of the great logos and team names tied to the long and glorious history of the Athletics would be lost. That is assuming that the Athletics moved to Montreal.
ON those same dates of March 28 and 29, San Antonio is trying to sell baseball on its viability as a future home to a Big League franchise such as the Athletics. San Antonio managed to transform its white elephant known as the Alamo dome into a temporary baseball park, as the stadium built in 1990 was intended to bring football and keep the NBA Spurs in town, but it was never even considered for baseball. IN fact, baseball was the only major North American sport that the venue genuinely could not hold under its original configuration and design. Yet a year earlier in 2013, the stadium hosted a two-game exhibition series between the Texas Rangers and San Diego Padres, a series that drew 35,000 the same night the Spurs were in town and then pulled in another 40,000 the next afternoon. This year while the Jays and Mets are playing in Montreal, San Antonio plays hosts to the two existing Big League teams from the Lone Star State as the Rangers face the Houston Astros. The Alamodome too would be just a temporary site if San Antonio were to obtain a team in Major League Baseball, as a stadium designed truly for baseball would have to be built.
A second franchise though will closely be watching the unfolding of events in Montreal and San Antonio; the Tampa Bay Rays WHO HAVE PLAYED IN A LESS THAN IDEAL BASEBALL SETTING SINCE THEIR 1998 INCEPTION. From almost the beginning, the Rays ownership groups found out a hard lesson in baseball real estate, its location stupid and it's also about having a truly available local fan base that didn't already have a team to call its own. Tropicana Field when it was built was supposed to be the modern baseball domed stadium, only it was built before the region even had a chance at a team, built before the new modern take on ballparks in Baltimore, Cleveland, Arlington and Denver forever changed the way a ballpark is designed. Worse, the stadium was built in a location that lacked desirable fan experiences outside the ballpark and it was a night mare to travel to the facility from Tampa by public transit. Even with its problems though, fan attendance more than anything showed how the Tampa area was not ready for Major League Baseball. Average attendance in the expansion season of 1998 was around 30,000, dropping sharply to 18,000 the next year and average attendance has never again touched even 20,000 despite the Rays posting winning and contending seasons now for six straight years. Montreal averaged more than 25,000 a game during its high point from 1979-1983 and for several other seasons between 1984-1997, the Expos averaged more fans than what the Rays have drawn since their second year in St. Petersburg. As much as Florida fans are rightly criticized, Miami had an excuse in that the stadium was not truly built for baseball when the Marlins moved into Joe Robbie starting in 1993. Miami drew 37,000 that season, 32,000 in 1994 and even after the strike, they drew over 20,000 in 1995 and 1996, peaking at 29,000 in 1997. If ownership didn't tear down a championship franchise, Marlins attendance would not have been ruined as it would be for years to come, a situation only further inflamed by the breaking down of the 2012 team after the new ballpark opened in south Florida. The Miami fans can be forgiven for not trusting their local team's ownership to do right by the fans, the same cannot be said for Tampa. Miami for its first 19 years had a genuine issue of not knowing if the rain would wash out the game, Tampa fans did not have that problem to deal with either. Comparing the Rays fans to the Diamondbacks and Rockies fans in their franchise history is an insult to the fans of the Rockies and Diamondbacks, though one can argue with some truth that those teams both quickly rose to successful heights.
What the Rockies and Diamondbacks have though is something the Marlins lacked and something the Rays truly lack, a genuine local fan base with local roots. Many Arizona and Colorado fans did not have teams of their own to cheer on growing up, they watched and listen to games play by teams far away. Many of the fans in Florida though did not grow up in Florida, but rather in cities like Boston, New York, Philadelphia, Chicago, St. Louis, and thus those fans cheer for their favorite home town nine when their heroes pay a visit to Miami and especially to St. Petersburg.
Could baseball expand again to 32 teams and perhaps give those franchises to San Antonio and Montreal, sure it could, but this season marks 16 years since the 1998 expansion and next season will be year 17; 16 years was the previous record time between new franchise additions from 1977-1993. Thus, the more likely result for San Antonio and or Montreal is to obtain and relocate an existing franchise and the Athletics and Rays are both primed picking.
The loss of the original Athletics name would not of course be a new thing for baseball, because while the Braves, Giants, Dodgers and Athletics have maintained their team names following relocation, the Browns changed to the Orioles when they transferred from St. Louis to Baltimore and both of the franchises that left Washington took on new names as the Twins and Rangers. So while Montreal could bring back Le Expos, San Antonio's team would also probably take on a local flavor in its identity and the top candidate would be Missions, in honor of the long time minor league team name that is inspired by the cities long history with the old Mexican missions and presidios.
How would this impact alignment? Montreal would be a natural fit in the AL East with Boston, the Yanks, Baltimore and Toronto. If the Rays go to Montreal, it is just a natural progression, while if the Athletics went to Quebec, the Rays would be moved to the Central and the Royals would have to shift west. An Athletics move to San Antonio would require no change in division alignments and Texas would have three teams in the same division, I would recommend a flip of Houston or the new San Antonio franchise to the NL and a transfer of Arizona or Colorado to the AL. If Tampa moves to San Antonio and Oakland stays put on the west coast, that franchise would have to move into the AL West with Texas and Houston, thus pushing the Astros to the NL Central, moving the Brewers to the AL Central and moving the Tigers back to the AL East, so that your divisions would be as follows: AL West: Seattle, Oakland, LA Angels, Texas, San Antonio…AL Central: Kansas City, Minnesota, Chicago Sox, Milwaukee, Cleveland…AL East, Detroit, Toronto, Boston, New York Yankees, Baltimore…NL West, San Francisco, LA Dodgers, San Diego, Arizona, Colorado…NL Central, Houston, St. Louis, Chicago Cubs, Cincinnati, Pittsburgh…NL East, New York Mets, Philadelphia, Washington, Atlanta, Miami.
March 28-29 will mean a lot to observers in many cities, in New York at the Office of the Commissioner of Baseball, in Oakland, in St. Petersburg. But it will mean more perhaps to those in Montreal and San Antonio than anywhere else, as they make their case for expansion or relocation into Major League Baseball. They won't have Spurs basketball or Canadiens hockey to compete with, the former plays a road game on Friday and will be home Saturday night after the 1:05 start for baseball in San Antonio, the ladder is off Friday and plays a Saturday night road game after the 1:05 start of baseball in Montreal.
Given the unlikely chance that two different franchises would relocate at the same time, Montreal and San Antonio will be competing in one major column that shows up in the boxscore and it is not runs, hits, errors, or runners left on base, no its that very last number on the page, ATT. Which stands for attendance.


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Patz Corporation recently introduced their largest twin screw trailer mixer in the Patz Vertical Mixer Series: 1,100 cu. ft. (31.1 m3) 2400 Series II Trailer Twin Screw Vertical Mixer. The addition of optional steel/rubber side extensions boosts its capacity to 1,270 cu. ft. (36 m3).
The 2400 Series II offers the flexibility to incorporate a wider variety of ingredients, including alternative feeds, into rations. Using two patent pending Vortex™ Screws and patented baffles, ingredients are mixed quickly without compromising feed quality. This unique mixing design ensures a complete, thorough TMR, regardless of batch size.
Featuring four super single truck tires, the mixer has a self-steering rear axle to improve turning radius and minimize tire wear, stresses on axles, hubs, spindles, and suspension. Also contributing to this mixer's low maintenance design, the primary PTO driveline features an automatic cutout clutch, eliminating the need to replace shear bolts.
Engineered for optimal performance, it includes a 2-speed drive package, available with or without an optional oil cooling system. Another standard feature, a Bull-Pull™ articulating implement hitch prevents backlash for precise control.
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For more information, visit www.patzcorp.com.


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Crews work long hours to clean up I-89 accident
Pieces of tractor-trailer lifted out of Winooski river
Cleanup after a Monday night accident that caused a tractor-trailer to plunge 50 feet to the banks of the Winooski River continued well into Tuesday.
Vermont Authority of Transportation and Charlebois trucking company cranes lifted mangled remnants of the 18-wheeler out from under the Winooski River Bridge on I-89 South, near mile marker 90.
The scene left an impression on the seasoned road workers.
"(I've seen) none quite to this extent. I mean, it's pretty dramatic, that's for sure," said Art Danyow, the general manager of VTrans District 5 office.
Are you using the WPTZ app? Click here to watch the video on your mobile device.
Police believe that around 9 p.m. Monday, the semi struck a car that had stopped after it was involved in another crash involving two other vehicles. The tractor-trailer went through the bridge's guard rails, crashing about 20 feet away from the river below.
Three of the four drivers were taken to Fletcher Allen. The tractor-trailer driver remains in critical condition. The two others had non-life-threatening injuries.
As highway crews picked up the physical pieces of the wreck, Vermont State Police tried to figure out what led to the crash.
"We are trying to piece the puzzle together to determine the root of the cause," said Paul Badger of the Vermont State Police.
The state police crash reconstruction team hoped to do that by analyzing evidence on the roadway and what witnesses reported seeing.


text: Some weeks ago I installed a new ispconfig3 server with posfix/dovecot, the problem was with the mail traffic, it was on "0" for all accounts, I readed on the furum that is not posible to generate the mail traffic with dovecot server, For this reason I removed dovecot and I installed Courier on my server and I did the following: 1) I downloaded ispconfig and ran the ispconfig update.php script. I Choosed yes when the updater asked me to reconfigure services. 2) The maildir structure of dovecot and courier are not compatible, I moved all files which are in the "Maildir" subfolder to the root folder of the maildir accounts. E.g.: mv /var/vmail/domain.tld/user/Maildir/* /var/vmail/domain.tld/user/ 3) I Edited the postfix main.cf and comment out the line that contains the authentication "private/auth" and I replace the "smtpd_sasl_type" from "dovecot" to "cyrus": smtpd_sasl_type = cyrus #smtpd_sasl_path = private/auth Then I restarted postfix. Evereting works, Accounts send and receive emails, not big problem and now the system is generating the mail traffic. BUT the problem start when I created a new account, the sistem create the root folder for the account normaly but the folders .Send .Draft .Trash are being generate inside of Maildir folder and the Courier do not detects this folder inside of Maildir, I have to move it to the root directory manually How can I solve this issue?


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Editor's Note: The following is the first of a two-part article by Jim Spencer sharing practical tips for bucket use to make your life as a trapper much simpler. To read Part II, Click Here.
Buckets and 'coon trapping go together like pancakes and maple syrup. But there are tricks to the trade that can make or break you, and after nearly 20 years of bucketing 'coons, I'm still working the kinks out.
My trapping partner and I come up with new ideas every year about bucket trapping. Not all the ideas pan out, but some of them do, and every year Bill and I gain proficiency at catching 'coons in buckets. If we can just live long enough, we might eventually get pretty good.
The tips and tricks that follow are strictly personal opinion. Not even Bill and I agree on all of them. But I bet some of them will work for you.
Use #160s
Not #120s, not #220s. The in-between trap is best. The #120 isn't enough gun, and the #220 is too much. I've caught coons in #120s and #220s, like you have, but neither is the best choice.
The problem with the #120 is obvious; it's not big enough. If it's the largest bodygripper your state allows, you can make it work — sometimes — by positioning the trigger wires to one side and/or bending them into the bucket, so the 'coon will get his head far enough into the trap for the jaw to catch him behind the ears. But many 'coons will simply refuse to enter the trap or else they'll reach in and get caught by a front leg, almost always resulting in a miss and an educated 'coon.
The #220 is big enough, but there's the matter of non-target catches. In a perfect world, no trapper should ever make a lethal-type set where there's a likelihood of catching domestic animals, but the reality is that unless you're trapping on the moon, there's almost always a remote chance it could happen. A #220 is much less friendly than a #160 in this undesirable situation.
Anyway, #220s are heavier and considerably more expensive than #160s, — two disadvantages you can't ignore. The standard #160 is plenty for even the largest 'coon, and it's stout enough for the occasional bobcat, otter or gray fox that sticks its head in there.
Use Square Buckets
When I first started using buckets, I used the round 5-gallon variety. What a pain. They didn't stack well, they took up too much room, they were too bulky, the opening was too big for #160s and, being round, they were prone to roll around even when braced into place with sticks and rocks.
Square buckets solve those problems. Most of the ones available today have a 9-inch by 9-inch opening and are 13 inches deep, and are just right for #160s. (Actually, #220s fit even better, but re-read the preceding section before you use them.)
Some trappers have good luck with the flimsy black potting containers used by nurseries and gardeners, but they're too lightweight to last long under trapline conditions, and most are too shallow besides. You can also build wooden "buckets" that fit your traps perfectly, but they'll be heavy. Unless you're only going to use a few, they'll load you down in a hurry. If you're serious about using buckets for 'coons, use square plastic buckets. Period.
Where Do You Get 'Em?
Short answer: practically anywhere. Fast-food restaurants like Wendy's get pickles, condiments and other things in buckets. Bakeries often get doughnut icing and shortening in square buckets.
Veterinarians and boarding kennels often buy kitty litter in square buckets. Put on your thinking cap; there's a business in your area that buys stuff in plastic buckets. They're usually happy for you to haul them away.
Or, you can almost always find plenty of buckets at the larger trapper conventions, but buying them at a convention is the most expensive option — a dollar at least, often $2 per bucket.
Proper Bucket Modification
When I switched over to square buckets, I'd done enough reading and talked to enough other trappers to know notching the buckets was the way to go.
At first, though, I cut the notches too wide and deep, and the traps were wobbly and were too far inside the buckets. A width of about ¼ inch and a depth of about 2 inches is best, but Bill and I don't agree on the best shape for the notch. I think a notch that tapers down to a point is better, because I believe it wedges the trap springs more securely.
Bill likes a square-backed notch with a uniform ¼-inch width all the way back. He says if the notch is narrower at the back, it tends to shove the trap forward and out of the bucket. Maybe he's right. But we catch good numbers of 'coons with both types of notch, so maybe we're over-thinking it.
We're on the right track with the 2-inch maximum depth, though. If the notch is deeper, it goes beyond the bucket rim's molded reinforcement rings, and it also positions the trap too deep in the bucket. With the trap too far in, the 'coon can get closer to the bait before entering the trap.
At some point, he's going to try to reach in with a paw instead of sticking his head in. Not good.
Other suggested modifications: Remove the bails so they'll stack better. Drill a ½-inch hole on the sides of the buckets that aren't notched, close to the bottom of the bucket. These provide drainage and let you fasten bait in back, or stake the buckets down with ½-inch or 3/8-inch rebar.
To Paint or Not to Paint?
In high-theft or high-competition areas, yes, paint your buckets. The best colors we've found are Sand and Khaki, in spray cans. Sometimes we'll add a few swipes of flat black, olive drab or dull brown. Avoid regular green, it almost never blends in.
However, if you're trapping inside barns or outbuildings, or in a secure area, don't bother painting. The 'coons don't care, and in fact white buckets may well serve as visual attractors.
Make Snap-On Cables
Like many other trappers, Bill and I originally used a 6-foot length of 14-gauge wire on each bodygripper. When we'd set a bucket for 'coons, we'd unwrap the wire, twist it around a root, tree, limb or trap stake, then make the set. That was time-consuming and the wire was stiff, kinked and hard to work with.
Here's a better way: Pre-rig lengths of 5/64 7×7 snare cable, about 6-feet long, with a 2-inch loop on one end and a quick-snap connector on the other. This length of cable can be coiled up and twisted around itself like a snare and is ready to use in a second. Run the cable around the tie-off point — rock, tree, limb, trap stake — then clip it to the chain or spring of the trap. It seems a 'coon would open the snap when caught, but Bill and I have never had it happen.
We make these fastener cables during the off-season and have a couple hundred ready to go at all times. They're re-usable, but eventually the cable gets kinked and warped the same way beaver snares do. When this happens, cut the snap off, fit it to another 30 cents worth of cable and presto, it's brand-new.
Bait Socks
One of the biggest problems we have using buckets is what we call "reachers" — 'coons who try to grab the bait with a front paw, keeping their head outside the bucket. They'll eventually spring the trap, but you get few catches this way.
As mentioned above, having the bait too close to the trap is one of the main causes for this behavior. You can pile the bait in back all you want, but mice and small birds often find it and scatter it. If a 'coon can reach it with a paw, he'll likely try.
Wiring large baits like fish chunks or fish heads to the back of the bucket is one solution, but it's time-consuming and you always have to get the fish.
Bill and I use cheap, dry dog food soaked with fish oil. We make bait holders from discarded socks, sleeves from old shirts and the like, and we put a handful of dog food inside of them. Then we attach 6 inches of 14-gauge wire and stack as many of these bait socks as we can in a gallon bucket and cover the socks with fish oil.
This fish-oil permeated bait can be suspended in the back of the bucket, off the floor. Even if a mouse does chew a hole in the sock, he usually doesn't get all the bait. If he does, there's still the oil-soaked sock itself.
Late last season, I helped a friend test a new product he calls the Bait Safe, a small metal container with holes in it that is meant to hold bait at cubby-type sets. It worked well. I don't know when it will be commercially available, but it will be a good tool for bucket trappers.
Trigger Configuration
It's important that the 'coon not spring the trap too soon, so you need to get the triggers out of his face. Bill and I have been all over the board here, and what's worked best for us is keeping both trigger wires close together and as far to one side as possible, with the trigger wires on bottom and on the jaw farthest into the bucket. We get the best strikes and highest catch percentage this way.
Jim Spencer is executive editor of Trapper & Predator Caller. To read more articles by Spencer or our other experts, Subscribe Now. What bucket tricks have you used to fool critters? Share your thoughts on this article and tips from the field in the Trapping Forum. To read Part II of this story, Click Here.
Discover new techniques for finding and trapping more fur, how to make the most of your catch with harvest trends and prices, skinning techniques that can increase the value of your furs and more all in Trapper & Predator Caller. Subscribe Now


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Material: High Quality Emery Board
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Coulter-Nile to make Aus T20 debut
Nathan Coulter-Nile and Ben Rohrer are set to make their international cricket debuts in Brisbane on Wednesday when Australia hosts West Indies in a Twenty20 clash.
Western Australia allrounder Coulter-Nile and NSW batsman Rohrer are the newcomers in the Australian squad for the final international cricket fixture of the summer.
It will be a severely understrength Australian side, with the entire 17-man Test squad having already arrived in India for the upcoming four-Test tour.
"Ben Rohrer had an outstanding (Big Bash League) season with the Melbourne Renegades in the middle order and Nathan Coulter-Nile has shown very good form in all three formats throughout the summer," chairman of selectors John Inverarity said.
Retired star Mike Hussey on Thursday hailed Coulter-Nile as a Test-quality paceman after bowling Western Australia to a remarkable comeback victory over Sheffield Shield leaders Queensland.
"He's our most influential player at the moment," the 79-Test batsman said.
"I couldn't be more impressed with the way he's gone about it.
"He's definitely good enough to play for Australia."
Brad Haddin will be the side's wicketkeeper in the absence of Matthew Wade, while Clint McKay and Josh Hazlewood spearhead the attack.
"Brad Haddin and Clint McKay are experienced campaigners and Josh Hazlewood is one of our very promising young pace bowlers who has recently regained full fitness," Inverarity said.
Hazlewood, 22, joined the Test squad in Perth last year, but selectors opted to instead hand a baggy green to Victoria's John Hastings in the series-deciding loss to South Africa.
A foot injury then sidelined him for over a month.
Hazlewood debuted for NSW at the age of 17 and played an ODI game for Australia at the age of 19 - before fellow upstart quicks James Pattinson and Pat Cummins burst onto the scene.
Australia squad: George Bailey (capt), Nathan Coulter-Nile, Ben Cutting, James Faulkner, Aaron Finch, Brad Haddin, Josh Hazlewood, Ben Laughlin, Clint McKay, Shaun Marsh, Ben Rohrer, Adam Voges.
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This month's edition of SolidWorks Support News covers a few of the most common questions and issues handled by the support team over the past month, as well as recent updates to the SolidWorks Knowledge Base.
Top questions and issues
1) The SolidWorks 2012 Beta Program has just recently concluded and now SolidWorks 2012 has started Pre-Release. SolidWorks 2012 Pre-Release 1 is available for download.
Congratulations to all the Beta Program contest winners and thanks to all participants. You helped make this year's Beta Program our best ever.
2) The support team has been receiving additional operating system related questions pertaining to the transition of Windows XP to Windows 7. To continue on the information previously provided in the February edition of this blog within Knowledge Base Solution S-052387, another reference page for information and informative links has been added on the SolidWorks website:http://www.solidworks.com/sw/support/move-to-windows-7.htm to assist those currently using Windows XP and considering a move to Windows 7.
New Knowledge Base articles
1) Why is the SolidWorks 2011 mate command less responsive (slower) with some assemblies compared to SolidWorks 2010 or SolidWorks 2009?
This is known issue which occurred in SolidWorks 2011. The delay is due to calculation of mass properties during creation of mates. It can occur with assemblies created in (or converted to) SolidWorks 2011. The problem was originally reported as SPR 590652, and is fixed in SolidWorks 2011 SP5 (targeted for release in October). Additionally, a SolidWorks 2011 SP4 hotfix is available, please see the attached HotFix_590652.exe
To find out more or to access the hotfix (for those using SolidWorks 2011 SP4), please click here.
2) How can a custom mesh appearance be created in PhotoView 360 and/or RealView?
In the "Surface Finish" tab of an appearance there are two predefined mesh patterns "circular hole mesh" and "diamond hole mesh". If neither these are suitable for the rendering it is possible to choose the "Custom hole mesh" surface finish type; this allows the user to use any image to create a hole mesh of any pattern.
To find out more, please click here.
3) What causes the Content (index) search to fail in Enterprise PDM with the following error "A communication link failure occurred when accessing the database server"?
If Enterprise PDM is configured to use an index server on a different system than the SQL server and the index server has a hostname containing hyphens ( - ) it is possible that search will fail with following error:
"A communication link failure occurred when accessing the database server. The database service might have been restarted or the network might have gone down. Please try the operation again and contact your system administrator if the problem persists. "EPDMVault".
To find out more, please click here.
Thanks for reading this month's SolidWorks Support Monthly FAQ. If you need additional help with these issues or any others, please contact your SolidWorks Value Added Reseller. You can also visit the SolidWorks website to learn more about SolidWorks Subscription Service.