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Consultation Paper on Proposed Amendments to the Code on Real Estate Investment Trusts
Click here to download the consultation paper
We welcome comments from market participants and interested parties on the subject consultation.
Please note:
- If you wish to submit the viewpoints or ideas of the organisation you represent, please make sure you include the name of the organisation in your submission.
- If you wish to suggest alternative approaches, we encourage you to send proposed amendments to the consultation document for our consideration.
- The names of the respondents and the content submitted may be published on the SFC Web site and in other documents published by the SFC. Please see Personal Information Collection Statement for details.
If you wish to remain anonymous as a respondent, please so indicate in your submission.
The deadline for submitting your input is on or before 10 Aug 2020.
Page last updated : 9 Jun 2020


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Former Huskies react to Blaney's retirement
News of George Blaney's retirement spread quickly on Thursday.
Several former UConn Huskies shared their reaction on Twitter.
Here's what they had to say:
Kemba Walker: "Congrats to Coach Blaney on his retirement. Taught me a lot during my college days. One of the best guys I've ever been around."
Jeff Adrien: "Congratulation to Coach Blaney on his retirement. One of the best teachers to the game of basketball."
Hasheem Thabeet tweeted twice:
"Congrats to Coach Blaney on his retirement. Im so happy for him. It was great to be coached by him. History."
" I was Coach Blaney favorite Tanzanian. LOL The Only Tanzanian he knew at that point."
-- And here's some reaction from the college basketball world:
ESPN's Jay Bilas; "One of the truly great basketball minds and an even better person. No one I respect more."
ESPN's Seth Greenberg, a former Virginia Tech coach: "George Blaney is one of the great ambassadors for the game of college basketball. Great coach, teacher, mentor and better person. #class"
-- Here's hoping that Blaney, a first-class coach and person, enjoys his retirement after 43 years in the coaching business, including the last 12 at UConn.
-- After making his decision to retire, Blaney called an old friend, Jud Heathcote, the former Michigan State head coach, yesterday.
Heathcote always used to tell Blaney that he would retire when he had a bad team.
"I'm not taking your advice, because we had a really, really good team," Blaney told Heathcote, "and I'm going to (retire). I just think it's the right time. I'm happy with it."
Blaney filled in as head coach whenever Jim Calhoun was on a medical leave of absence, including the 2009 NCAA tournament first round game against Tennessee-Chattanooga in Philadelphia. Calhoun was sick and in the hospital.
UConn won by 56.
When Calhoun called Blaney the next morning and informed him that he would be ready to coach the next game, Blaney didn't say a word.
"He tells the story all the time, that I wasn't too excited about him getting out of the hospital," Blaney said. "It was a big thing to me that he had enough faith in me that he allowed me to coach and it was a big thing that the players responded. But it was always Jim's team. I tried to do what he would have done. I had to do it in my own personality and how I do things."
-- Blaney thoroughly enjoyed coaching all the talented players that came through UConn during his tenure. He remembered when Emeka Okafor showed up on campus the summer before the center's freshman season.
"To this day, I remember the first week I was here. Emeka had come up for summer camp. Usually 9 o'clock at night they started playing games.
"Jim was out on the road and I went in and was watching him play. I watched Emeka play for five minutes and I walked out and walked into (Calhoun's) office and left a note on his desk.
I said, `Emeka. Oh My God.' He was just that good."
"It was just so fun to go to practice every single day and have that kind of talent. To be wowed by guys at practice sometime, they're just that good.
-- What was the highlight of Blaney's career?
He pointed to UConn's last two national championship games.
"To step on the floor for the national championship, that probably was as good a feeling as any that I've had," Blaney said.
Reader Comments
For The Rivergods, playing music is better than doing laundry

subset: commoncrawl


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This new species could also easily be confused with the Dimetrodon - both have four stubby limbs and tall fins on their backs. However, it had an unusually narrow skull - hence the nickname "Fox-Faced Finback" - which was probably used for some kind of adapted feeding strategy, like burrowing.
(c) Robert T. Bakker
And, instead of the Dimetrodon's enlarged killing fangs, Secodontosaurus had a long row of small teeth, each sharp-edged like a little knife blade.
This species is also much more rare than Dimetrodon, fossils of which are all over the Texas Red Beds. The last fossil of Secodontosaurus found there was unearthed in 1936.
That is, until dig team member and teacher Nancy Lauletta Bowen discovered a piece of one in 2006. This is the first Secodontosaurus fossil found in 70 years, and it's the first excavated with modern, CSI methods - which means that much more diverse information has been preserved about this fossil than any other of its kind.
Lauletta Bowen and Dr. Bakker point to her Secodontosaurus find. Detailed image below.


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12 Days of Christmas Beer: Great Lakes Christmas Ale
Editor's Note: To help you get in the spirit, we'll be featuring a Christmas beer or a Winter Warmer every day for 12 days. Got a favorite seasonal brew? Let us know in the comments.
Great Lakes Christmas Ale smells spicy and packs a gingery punch, but isn't sweet or syrupy, and has enough crispness and piney-hop bitterness to remain refreshing. It's like a more sophisticated version of Old Fezziwig, with more subtle spicing and a grainier body, plus much more bitter bite.
This one teeters on the line between cookie-like Christmas beers and beer-like Christmas beers—the question is, does that please those who fall on either side of the Christmas Beer Debate? Given its ample bitterness, food pairing is a bit tricky with this beer—try it with salty pretzels with mustard and ham, fried chicken, or bratwurst charred on a grill.
More Christmas Beer
Schlafly Christmas Ale »
Great Divide Hibernation »
Sly Fox Christmas Ale »
Ridgeway Lump of Coal Dark Holiday Stout »
Kerstmutske Christmas Nightcap »
Shiner Holiday Cheer »
Goose Island Mild Winter »
De Ranke Père Noël »
Bell's Christmas Ale »
All products linked here have been independently selected by our editors. We may earn a commission on purchases, as described in our affiliate policy.


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A PCB (printed circuit board) D-sub connector is a type of electrical connectorthat has built-in solder points for easy mounting on a PCB. This type of connector is suitable for a range of uses including military, industrial and commercial applications and in computer interfacing.
Features of PCB D-sub connectors
PCB D-sub connectors usually have a housing made from strong thermoplastic and a steel- or tin-plated front shell. They also have several pins which are used for the electrical connection and can be mounted to your printed circuit board using solder.
PCB D-sub connectors have a D-shaped shell that's mainly used in video connections in the computing field, for example between a monitor and a PC.
Types of PCB D-sub connectors
You can choose from a range of different types of PCB D-sub connectors, depending on their size, the number of contacts you need and how you plan to connect your connector to your PCB. Styles of PCB D-sub connectors include:
- surface mount
- through-hole mount
- plug-in mount
- cable mount
- straddle mount


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It's halftime in New Orleans, and Kentucky leads Louisville 35-28. The Wildcats would be spanking the turnover-prone Cardinals even worse if it wasn't for this late Russ Smith steal, Chris Smith behind-the-back feed, and Gorgui Dieng dunk (which drew a foul from UK's Darius Miller). UL's got a ways to go, but at least they provided us with something for the highlight reel. [CBS]
More from Deadspin


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CHANTILLY, Va. (AP) — The plane parked outside the airport looks more like a giant exotic insect or maybe an outsized balsa wood toy airplane.
When it's in flight, there's no roar of jet engines. It's strangely quiet. And as it crisscrosses America, the spindly plane doesn't use a drop of fuel. Day, and even night, it flies on the power of the sun.
And it's that fact that has the U.S. energy secretary, and the plane's two pilots and fans around the world, so excited.
The one-man craft called Solar Impulse has been flying cross-country in short hops as part of a 13-year privately funded European project that is expected to cost $150 million.
Ernest Moniz, who heads the U.S. Department of Energy, praised the effort at a news conference Monday at Dulles International airport where the plane landed in the dark early Sunday morning. Moniz said it highlighted a cleaner energy future for the nation.
"It's also a poetic project," said Bertrand Piccard, one of the pilots taking turns flying this aircraft across the United States. "It's about flying with the sun. It's about flying with no fuel."
It's not that the experimental European plane is going to change the way the rest of us fly, Moniz said. But it may change the way we drive and the buildings we live in sooner than we think.
The high-flying lightweight technology will pay off on the ground far more readily than in the air. This project should lead to cleaner appliances, greener cars and more energy-efficient building, said Solar Impulse CEO Andre Borschberg, who also is one of the pilots.
In an in-flight interview Friday, while he was over Indiana at 30,000 feet and controlling the plane with just two fingers, Borschberg said this experiment isn't about aviation being cleaner; airplanes only produce 3 percent of the world's heat-trapping gases, he said.
"The potential is on the ground, the potential is not in aviation," he said in the interview with The Associated Press. "On the ground, the potential is huge and is readily available."
Perhaps as early as 2015, an updated version of this solar plane will be flown around the world. This year's practice runs have this prototype flying from San Francisco to New York with five stops in between. Most recently, the plane flew from St. Louis to Cincinnati and then suburban Washington. In a couple of weeks, it will make the final leg, landing in New York City.
Last year, the same plane flew from Switzerland to Morocco.
When he first came up with the idea a decade ago, Borschberg said he was told by experts: "Your project is impossible."
Now instead, Moniz said, Solar Impulse is highlighting four high-tech green energy fields that his office is trying to promote: solar power itself, better batteries that allowed Solar Impulse to fly at night, lightweight materials and integrating everything together.
They'll pay off on the ground quickly, Moniz said. Take the lightweight carbon fiber and lighter solar cells. Once applied to rooftop solar panels, that will bring down costs for houses because much of the problem currently is the size and weight of the panels, he said.
Solar Impulse carries more than 11,000 solar cells — 10,746 of them on the long wing that stretches 208 feet. Although it has the wingspan of a jumbo jet, the entire plane weighs just 3,500 pounds, the size of a small car.


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Description of the illustration bp_ht_present.gif
The image shows the Presentation section of the Human Task Editor. On the left are the following links from top to bottom: General, Data, Assignment, Presentation, Deadlines, Notification, Access, Events, and Documents.
On the right is the Resource Bundle section, with an Add icon in the upper right corner. Below this is the Stylesheet for Attachments section, which includes a drop-down list with Word ML selected and a Search icon to the far right.


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New London shows off historic inn, seeking potential buyer
New London - Touring the Lighthouse Inn on Wednesday morning, real estate agent Kathy Matyas said she could see potential in the more-than-100-year-old Guthrie Place property, which has been vacant for nearly six years.
"It's a shame," said Matyas, who lives in New London. "There aren't many of these places left."
The city, which currently owns the property, has invited developers to bid on the landmark inn, which is listed on the National Register of Historic Places. The city has set the minimum acceptable bid at $500,000.
Matyas, a sales associate for William Pitt Sotheby's International Realty, said she had a client who might be interested.
"Everything is here; it has the beds, all the kitchen equipment, an alarm system that works," she said. "It needs a lot of window replacements, but this could be a really good thing for him."
The 1902 inn, which closed to the public in 2008, was once a cherished dining spot and drinking establishment and, most recently, a resort. Its three buildings - the mansion, a beauty salon and a carriage house - comprise about 32,922 square feet of living space and 51 guest rooms.
The inn has been largely untouched since it was vacated in October 2008. On Wednesday, it was still decorated for Christmas with a fake fir tree assembled in the main dining room. Most of the guest beds were neatly made and the barroom taps were still connected to partially-full beer kegs in the basement.
Mayor Daryl Justin Finizio has been pushing to get the inn, which has an assessed value of $3,076,920, back on the city's tax rolls. As a condition of the sale, the property must remain taxable regardless of the buyer.
The city took title to the historic property last year after a tax auction failed to elicit a single bid at the minimum price of roughly $577,000. It has invested $67,800 to clean up and repair the inn.
"We've cleaned it up quite a lot because they pretty much shut the door and locked it in October 2008," said Ned Hammond, the city's economic development coordinator.
On Wednesday, Hammond led the third and final walkthrough of the inn and its grounds. Twelve to 15 potential buyers have toured the property, he said, and there is "definitely some interest."
Sealed bids for the inn must be submitted to the city by 2 p.m. on May 28. They will be opened later that afternoon.
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WASHINGTON — He was a quiet, unassuming everyman, and it showed.
Other political news of note
Animated Boehner: 'There's nothing complex about the Keystone Pipeline!'
House Speaker John Boehner became animated Tuesday over the proposed Keystone Pipeline, castigating the Obama administration for not having approved the project yet.
- Budget deficits shrinking but set to grow after 2015
- Senate readies another volley on unemployment aid
- Obama faces Syria standstill
- Fluke files to run in California
- Animated Boehner: 'There's nothing complex about the Keystone Pipeline!'
Gerald R. Ford, who died Tuesday night at 93, was the first president of the television era to wear his humanity on his sleeve, and his label as the "accidental president" was fitting: In 29 short months in the Oval Office, he earned a reputation for both physical and verbal gaffes.
Footage of him stumbling on the stairs of Air Force One, tumbling down a ski slope and bumping his head on a helicopter gave TV news and comedy shows — particularly "Saturday Night Live" Ford impersonator Chevy Chase — plenty of fodder.
His errant golf shot was notorious among both spectators (he was captured on camera dinging at least one person with a golf ball) and the celebrities he shared carts with.
"He barely missed me a couple times. I wasn't sure if he was trying to hit me or not," golfer Arnold Palmer joked in an interview with The Associated Press. The four-time Masters winner said he played golf with Ford on the last day of his presidency.
Bob Hope, another golfing friend of Ford, once quipped: "It's not hard to find Jerry Ford on a golf course — you just follow the wounded."
As he teed off with former presidents Bill Clinton and George H.W. Bush, Ford promptly hit the ball into the crowd, grimacing and yelling, "Fore!"
'Perception of me as a stumbler'
Sometimes his words were errant, too.
"I always watch the Detroit Tigers on the radio," he once said. At a celebration for Lincoln's birthday, he told the audience: "If Lincoln were alive today, he'd roll over in his grave."
One of his most famous verbal gaffes helped Jimmy Carter win the presidency. "There is no Soviet domination of Eastern Europe and there never will be under a Ford administration," Ford said during the second presidential debate in October 1976, still the height of the Cold War.
The audience gasped, but when the moderator gave Ford the opportunity to clarify his answer, he went on to say that Poland was "independent or autonomous."
Ford had a sense of humor about his golf game — "Back on my home course in Grand Rapids, Michigan, they don't yell "Fore!" they yell "Ford!"' he joked at a dinner at the World Golf Hall of Fame in 1974.
In reality, he was one of the most athletic presidents in history. He played football for the University of Michigan, where his team won two national championships and he was named the 1934 Wolverines' most valuable player.
According to his 1979 memoir, "A Time to Heal: The Autobiography of Gerald R. Ford," he didn't enjoy jokes about his clumsiness.
"There was no doubt in my mind that I was the most athletic president to occupy the White House in years ... (but) every time I stumbled or bumped my head or fell in the snow, reporters zeroed in on that to the exclusion of almost everything else," he wrote. "The news coverage was harmful ... (and) helped create the public perception of me as a stumbler. And that wasn't funny."
But just as time has burnished his legacy as the nation's post-Watergate healer, Ford eventually warmed to the jokes. In 1986, he invited comedians — Chevy Chase included — and former presidential aides to a symposium on humor and the presidency.
There, a decade after Chase left "SNL" and his stumbling Ford impersonation behind, Ford staged the last laugh: To open the second day's events, he stuck out his leg and tripped Chase.
© 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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The first Peterson patents awarded to Peters in the 1890's would revolutionise the pipe-making world and turn a fledgling idea into what has become the oldest continuously operating pipe-maker in the world.
Peterson are the oldest briar pipe makers in the world, still using hand tools for each and every pipe, and still checking everything by eye.
One of the earliest pipe shapes and still remains popular. The overall length of the mouthpiece ensures a pleasant cool smoke, particularly suitable for an evenings relaxation. Perfect if you are starting out with pipe smoking or if you prefer a cool smoke.
Presented in an original Peterson box.
This pipe has been individually photographed, so that the pipe you see in the picture is the pipe you will receive.We accept PayPal payments to firstname.lastname@example.com


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There may be a hold on a student's account that is blocking enrollment into the payment plan or the student has a past due balance on their account.
Yes, the 50 percent down payment is just a minimum requirement to enroll into the payment plan.
There is one payment plan offered each semester. Students are not obligated to enroll in a payment plan. The payment plan is an option for those students who cannot pay their balance in full by registration cancellation date.
No, students must enroll directly online through WebPay. If a student does not have a personal computer, there are computer labs available on campus that students can use.
Yes, every time students enroll in a payment plan they must pay the $50 nonrefundable set up fee.
Students' payment plan balances do not include all charges. There are some charges, such as bookstore charges, fines, clinical fees, miscellaneous housing fees, etc. that are not covered by the payment plan. A student's current balance includes both the charges covered by the payment plan and the charges outside of the payment plan.
A student's account will show a balance if charges not covered by the payment plan have not been paid.
Installments can reopen if the installment due date has not passed and new charges have been incurred.
The installment payment plan is designed to recalculate whenever a new charge or payment is applied to a student's account. Any time a new charge is applied to a student's account, their installments amount will increase. Any time a payment or credit is applied to the student's account, their installment amounts will decrease.
If I drop a class and my first installment is paid off, does that credit go toward my next installment or do I receive a refund?
Any credits applied to the student's payment plan will reduce the student's installment amounts. Refunds will only be issued when the account balance is paid in full.
Students can make payments of any size toward their installments at any time as long the installment is paid off by the due date.
No, students can pay in person with cash, check, or credit cards. However, paying online is the simplest and most convenient way to make a payment.
Financial aid is distributed equally across all installments.
If a student's financial aid has not yet been awarded, the student should enroll in the payment plan to avoid being dropped from their classes due to registration cancellation. Any financial aid payments made to their student account after they enroll in the payment plan will reduce their installment payment plan amounts.
Yes, third party contract payments can apply toward payment plans. Third party contracts will distribute equally across all installments.
Electronic checking, debit/credit card, and cash
Yes, you can. Just follow these instructions:
- Once in WebPay Online Bill Payment, click on the My Profiles tab
- Click the Saved Payment Methods section under Profile Settings
- Then follow the instructions
An authorized user is a person that the student has given permission to access all or part of their financial records online. He/she can view and make payments to the student's account. Anyone the student chooses can be an authorized user as long as the authorized user has a valid email address. Students are not required to set up authorized users. Setting up a person as an authorized user is not the same as signing the Authorization to Release Educational Record Information Form with the Registrar's Office
Students cannot make payments toward an authorized user's plan. If your authorized user enrolled in the plan, you can see it, but the authorized user must make the payments. Therefore, it is best practice that a student enrolls into the payment plan and then adds an authorized user so that both the student and authorized user can make payments.
Students must contact the Office of Student Accounts to cancel a plan. However, they are still responsible for any balance due after the plan has been cancelled.
No, the system will only allow an individual to enroll in the payment plan using one payment method.
Why do I receive an error code message when I try to enroll in the payment plan or make an online payment?
An error code that begins with 17, such as (1765, 1766, 1767, 1777, etc.), is issued by the financial institution that issued the credit or debit card. Verify that your credit/debit card information including card number, name printed on card, and expiration date is correct. If this information is correct, call the Customer Service number (usually located on the back of the card) and explain to them the error message and the amount of the transaction you were trying to make to fix your problem.
During the enrollment process, you have the option to set up payments to be automatically paid on the installment due dates. If you select YES, your bank account or credit/debit card will be automatically charged for each installment payment on the due dates.
If you select NO, you are responsible for making each installment payment by the due date. If you decide to set up automatic schedule payments, DO NOT make a payment when one has been scheduled in advance, unless you are paying the installment off before the due date. Any payments you make on the same day the installment is scheduled to pay will result in both payments being withdrawn from your bank account or debit/credit card and can cause your account to be overdrawn and NSF fees.
Students have until 11:30 pm on the enrollment end date to enroll in the payment plan. However, it is highly recommended that students enroll in the payment plan by 5:00 pm on the enrollment end date to avoid any problems and to receive assistance from the Office of Student Accounts. If a student has a problem enrolling in the payment plan after the Office of Student Accounts is closed and they are not able to enroll by the enrollment end date, he/she runs the risk of having their classes dropped due to failure to meet the requirements of registration cancellation.
I paid 50% of my balance before enrolling in the payment plan. Why do I still have to pay a down payment?
Any payments made prior to enrolling in the payment plan only reduce your overall balance. Therefore, when you enroll in the payment plan the system is still going to require you to pay 50% of your current balance.


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Case vacanze
This unique setting which featured in the film Un homme et une femme, the beach at Deauville is recognised far and wide thanks to the colourful umbrellas and the boards featuring the names of film stars. Deauville beach is one of the most popular in Normandy. It never ceases to attract tourists and film stars on holiday with family or friends, enjoying the sandy beach.
The beach itself is incredibly long and wide, and thus ideal for joggers. It appears a little different with every tide and at every hour of the day ensuring an ever varied panorama. Horses and riders gallop along the edge of the water while kids play with kites among the famous blue and red umbrellas.
The cool water of the Normandy beach is especially invigorating and is an ideal place for children to swim as the sea in sunny Deauville is often very calm.
The Duke de Morny, brother to Napoleon III, sponsored the construction of the Longchamp Racecourse in 1857, conceived and funded the Paris Grand Prix in 1863 and was responsible for the introduction of Deauville races.
The race courses were laid out and the stands built over 66 hectares on old reclaimed marshland at the foot of green hills. An express train linked Paris with the Trouville station rendering the course accessible to the Parisian public. Thus, the two very first race meetings were held on the banks of the river Touques on Sunday 14th and Monday 15th of August 1864.
The hippodrome at Touques reopened on July 30th 1995 after extensive renovation carried out between racing seasons. This introduced two new features, a restaurant boasting a panoramic view and a new race track.
This new track was soon replaced by a 2000 metre long sand track opened on July 6th 2003. It was used for training and races whatever the weather, even in winter, and helped to preserve the grass courses. Hence, it was possible for the first time in 2003 to schedule race meetings in December and January.
A visit to Deauville instantly brings the celluloid stars to mind as you enjoy a leisurely stroll along the famous Deauville boardwalk! Bordering the sandy beach, the boardwalk, which was created in 1923, became a fashionable place to see and be seen. The pretty bathing huts on the beach are named for the big stars who have participated in the Deauville American Film Festival.
Cycles Jamme lets you rent bikes to make the most of the Deauville region. You will be able to choose between the different types of bike: town bikes, mountain bikes or hybrid bikes. And for the children, there is the option of adding a trailer to these bikes to transport them.
This family store, founded in 1971, offers a comprehensive service in addition to the bicycle rental: the sale and repair of kick scooters, scooters and bicycles...
To make the most of the advantages of the sea and its thousand year-old benefits, plan a stop at the Thalasso de Deauville. Renovated in 2013, it offers all the next generation equipment.
The establishment offers stopovers, therapies and bespoke treatments for your well-being and relaxation.
The teams of professionals within this unique place will put everything in place for an original experience in the heart of the legendary seaside resort of the Norman coast.


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Ion Drum Rocker Review
It's hard to believe I linked to first review of the premium $299 Ion Drum Rocker almost three years ago!
Although I've been happy with the Rock Band 3 Pro drumkit (with cymbals), I finally decided to take my drumming to the next level and adopt the Ion Drum Rocker kit. One advantage of waiting this long, at least — the kit that was originally $299 is now only $249.
The Ion Drum Rocker, although super premium by gaming standards, is extremely low end in the real world of drums. I knew that, and I wasn't expecting much when I unpacked the (zillion!) boxes. But my first reaction to the Ion Drum Rocker was "wow, this thing is rock solid". It's a huge step up in quality, construction, and feel from a stock Rock Band 3 pro drumkit. Consider that you're going from this:
to this:
It is, in a word, beefy. One of the reasons I upgraded is because our 2.5 year old son enjoys whacking on the drums with us, and I wasn't convinced the stock kit could continue to survive his tender mercies for a whole lot longer. Well, there's no way any toddler can harm this Ion kit; it's all ridged aluminum frame and multi-point bolted joints.
It's also way, way more complicated than the simple Rock Band 3 kit. Check out the assembly diagram, below (click through for a larger version):
Here's a full visual inventory of all the parts in the box. And after building it up, you're not done — you still have to connect everything together, and that's one distinct wire for …
- 4 pads
- 3 cymbals (the third cymbal is a highly recommended $45 addition)
- 1 pedal
… eight wires and eight connections all told, as you can see in this visual diagram.
Alesis, the underlying manufacturer, is known for inexpensive but good quality electronic drum kits; the Ion Drum Rocker is effectively their most inexpensive electronic kit. Given the heritage, it is every bit as reliable and satisfying to play as you might expect. That part didn't surprise me. What did surprise me, however, was how ridiculously configurable this kit is.
Apparently not all real world drum kits are arranged in the layout of a Rock Band 3 drumkit! I'm sure this is totally obvious to any real world drummer in retrospect, but drum kit positioning is often a matter of preference, musical genre, even song! On the Ion drum kit, the frame, the pads, the cymbals — all can be adjusted, tweaked, and arranged in an almost infinite number of ways. (Not to mention that some drummers can have literally dozens of drums and cymbals in their kit.) This was a whole new world for me! If I'm going to spend the dough on a fancyish kit, I want to do this right — I want to learn something approximating real drum motions and proper standard drum layouts. But then I belatedly realized I have no idea what that is. So I asked a question on music.stackexchange to determine what the "standard" or "typical" drum kit layout is.
I'll save you all the angst and give you the short version: the Rock Band 3 layout is fairly close to a typical drum kit, but the biggest difference is that the snare (red) drum should be under the first tom (yellow) and lower, between the drummer's legs. And really there should be a pedal under each foot, too! As you can see in this diagram:
I'm still tweaking my layout, but the snare positioning and the general layout pictured above is what you want to shoot for. Bear in mind that most drum kits have four cymbals, which means two crashes (green cymbals) on the left and right. So at some level having just one green cymbal is kind of fundamentally incorrect, and you may feel it's on the "wrong" side depending on the song. In a perfect world you'd have a duplicate green cymbal on the left, too.
It's been a much more substantial upgrade than I ever expected; not only does it work great (and it's surprisingly quiet, arguably quieter than even the Rock Band 3 Pro drumkit in play), but the kit has encouraged me to learn more about real world drumming. The only thing you give up is the wireless connectivity, and any semblance of easy portability. Neither of these are very important to an avid drummer so I heartily recommend the Ion Drum Rocker.
I have a few more tips for new Drum Rocker owners based on my experience:
- Once you get the kit, prepare to spend the first few days tweaking the layout to taste. Trust me, that little adjustment tool they include will be your best friend for a while. Just like a real drum kit, all those knobs and adjustments are fascinating — do not tie anything down until you're absolutely sure you've got the layout just right!
- Use a silver sharpie marker to measure and mark intervals on the frame crossbars, so you can get the alignment just right. And if you don't have a silver sharpie yet, for shame. Go get one! Silver sharpies = awesome.
- Only the foot pedal cable has a color band; I thought that was really clever and matched the colored inputs perfectly, so I bought some Scotch Vinyl Colored Tape in red, green, yellow, and blue to mark both ends of all the cables so I always knew which pad or cymbal it was going to.
- Rather than using the supplied zip-ties, I found it was simpler and faster to wind the extra cables around the frame.
I'm enjoying these baby steps into the world of real music and real musicians tremendously. In the end, with the Ion Drum Rocker you're paying ~$300 (once you factor in that important 3rd cymbal) to get a reasonably complete, good quality basic electronic drum kit. It's only a little more than 2x the price of the default Rock Band 3 pro drum kit ($129), and what you get is way more than 2 times as configurable, reliable, and realistic. That's a great deal in my book!
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There seem to be three major camps in this debate (at least). Those who map the morphology of both extant and extinct feathers to compare and contrast the presence, absence and shape of the biological paint-pots (melanosomes) that once might have held pigment (remember that an albino would have no pigment, but still have melanosomes). The second group of folks seem to favour chemistry, given it might well be possible to identify the remnant chemistry of pigments, locked in the degraded keratinous tissues of fossil feathers. The third group, looks at both structure and chemistry.
|Biological paint-pots or bacterial contamination, that is the question?
|The eumelanin pigment molecule with its central copper atom.
Group 2 have been using chemistry to aid in their interpretation of possible pigments preserved in fossil feathers. This is a powerful technique, if it is possible to constrain elements/compounds that are linked to, or are breakdown products of original pigments. Some chemical techniques can only map small areas of fossils and are often not sensitive enough to detect the dilute concentrations of trace-metals that might well be associated with pigments. The x-ray analysers (such as EDAX) on many ESEM's only allow a rough guide as to the presence or absence of elements and are often difficult (if not impossible) to map over large areas. The EDAX is also unable to constrain the oxidation state of elements, which is so critical to the elucidation of their organic or inorganic origins.
|ESEM and EDS can provide valuable information, but not to the same resolution or
sensitivity of synchrotron based imaging.
|Print me out and download the FREE App 'Chemical Ghosts' from the iTunes store....and watch me come alive!
It is clear that the different groups are all generating new and exciting data. This is splendid. As more data gets published, more information becomes available to the wider scientific community. Hopefully within this growing sink of evidence, more robust hypotheses can be constructed as to the preservation of feathers and the possibility of a whiff of colour.


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Our company president created Bloat. in roughly twenty-two hours at TOJam 4, a weekend-long game development expo.
[SWF]http://www.untoldentertainment.com/games/bloat/bloat.swf, 550, 400[/SWF]
Our company president created Bloat. in roughly twenty-two hours at TOJam 4, a weekend-long game development expo.
>> When choosing a Flash game vendor, it's often tempting to go with the least expensive team. When speed and quality matter most, Untold Entertainment is your best choice.
Hear, hear. :) Well, I'd put my own development on the table, too, but I've got less to show for it. And I don't think I could have done Bloat on my own in 22 hours.
Great job, Ryan! Dropping Unity was a wise decision – you don't need extra handicaps, the TOJam is already challenging enough!
The level progression was quite nice, and from a design standpoint, you have variety, risk, and reward…all in less than a day. You get 3 brownie points ;)
Love it! The level progression makes me feel good about myself while still stepping up the challenge. Nicely done. I'm very drawn to this game and the visual style is quite appealing.
I think that doing a zillion tiny games would bring in great variety, volume and growing ad revenue. Will you do the "Pimp My Game" treatment on Bloat? I've noticed you've thrown in MochiAds. Was that a part of the 22 hours spent making the game?
Thanks, Mark!
i spent a few hours today making those level orbs clickable so that you can re-visit levels, and integrating MochiAds. i set aside the whole day for publishing/deployment, which included two blog posts, cross-promotion on the message boards, and a bit o' Twittering.
i AM actually considering giving it the Pimp My Game treatment, but first i want to make a few modifications. There's still zero money to be made in the free-to-play model.
Still, great game. Once I've finished it, I feel like I've just graduated and now I'm ready for the real world. The real world for Bloat means more levels. I guess it's another one that can eventually get the iPhone treatment.
I really enjoy the surprise of the ravenous Blimples eating other Blimples and then continuing to putter on as they were as innocent as before. It's very endearing.
You are too kind!
That truly is a great game! :) You must have had that idea in your head before you got to the expo though right? If it were me, I'd have wasted lots of time just thinking of that.
No, actually! The scariest part of the weekend was suddenly abandoning my iPhone app plans, and then abandoning my Unity3D plans, and then sitting in a dark room with the jam going on all around me trying to cook up a viable game idea on the spot, and not knowing whether it would work!
You can read all about it in the Making of Bloat article here:
I'd say he probably discarded about 5 other fairly well developed ideas before going with this one. There is no lack of Ideas at Untold. Time is the limiting factor.
I really miss a save feature (my browser crashed 3 times now, and it's not that fun to complete most of them again). This is a must! (I don't think it's the problem, but if you don't know how, check out MJWs' post 11 in his avoider game series.)
Besides that, I really love the game, I think that you should have considered getting it sponsored by some one (APMID got 150$ for some game worse than this – http://www.apmid.org/100000-flash-game-experiment-part-2.html)
This is really fun! I love the chomp noise. NYOM!
I didn't realise you made the sounds yourself! I figured you used SFXR or something like that. Hahaha, that makes it even better.
would be nice
Bloat was definitely one of my top picks from the event and I was very surprised it didnt snag a peoples choice award. Look forward to seeing you next year.
coolest game!!
I played Bloat at the TOJam Arcade and it was one of my favorites! I loved how the progression of the game was logical and the goal for each level was clearly defined. It also had a very appealing look to it and fun! I probably giggled the entire time I played it! I can't wait to see what else you've created!
There's an event you can detect for when the mouse leaves the SWF. You should have that turn off the dragging. I keep dragging off the screen and then the blimple I was dragging is stuck even though I released the mouse. I have to click again to fix it.
Thanks, Scarybug! What's the event? MOUSE_LEAVE? We've had problems detecting the event in other games. Our game dev Jeff was just building a game where the MOUSE_LEAVE event wasn't firing reliably. He changed the wmode in the embed tag to something other than "opaque", and it fixed the problem in Firefox. Any perspectives on this? (Or hacks. i'll take hacks.)
Nice game Ryan!
It's impressive how you came up with such a good concept and how you managed to develop it in that short time window.
Gotta love the lil' money poopers!
Keep on the good work :)
Nice work Ryan. I've often read your posts on LinkedIn so good to see some of your stuff.
Thanks, Nick! Is it just me, or is the usefulness of LinkedIn petering out a bit? The groups i belong to used to be must-reads, but lately they've just been packed with people promoting their own work in the guise of articles. i've done that once or twice, but i also try to contribute actual content – Q&A kinda stuff. Looks like marketing is winning out over content in a big way. (Or do i just belong to the wrong groups?)
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Ryan, I agree with you completely about marketing winning out over content on LinkedIn. I get so damned angry every time I look at a LinkedIn update in my inbox it's full of people telling you "why you didn't get that last job" or "how to screw up an interview in 5 mins". Nice. It didn't used to be like that at all. I'm in a ton of groups and very few are NOT like that.
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From the Seamen's Church Institute in New York and Newark: Recovering in the Port
Despite a waterlogged seafarers' center, the Seamen's Church Institute continues steadfast in its mission to help seafarers, greeting vessels returning to the East Coast's largest port after Hurricane Sandy shut it down for a week.
As the largest Atlantic hurricane on record crossed the ocean, it laid waste to hundreds of land miles in the Caribbean, Mid-Atlantic, northeastern United States and eastern Canada. Hurricane Sandy destroyed lives, livelihoods and caused billions of dollars in damage. Among those affected by the storm, the Seamen's Church Institute's (SCI) International Seafarers' Center in Port Newark sustained significant damage.
October's 'superstorm' left the port in widespread disrepair. It closed channels, destroyed cargo and equipment and left infrastructure inoperable. The Port's closure cut off the East Coast's largest doorway to the world. Sadly, this delayed resources for those who needed them most in the wake of the storm's destruction.
For days following the storm, the port remained closed leaving SCI without access to the heart of its operations within the port. In the interim, the Institute established a telephone hotline for seafarers affected by the storm and in need of assistance, sending out messages to the Port Authority of New York and New Jersey, the United States Coast Guard, the International Transport Workers' Federation and other seafarers' organizations to let them know of SCI's availability to assist seafarers with needs.
Weighing the Damage
When the Port Authority allowed SCI access, those first to enter the building reported a flood that filled the Center with three feet of water. The storm ravaged the entire first floor and its contents. It also engulfed three transportation vans now presumed a loss.
Shortly thereafter, ten members of SCI staff arrived at the Center to assess damage and begin cleanup. They mopped, ripped up carpet and removed debris. They scrubbed, moved and cleaned stored artifacts and unpacked many wet Christmas at Sea packages of knitted hats and scarves, preparing them for laundering. (Watch their cleanup here.) An estimated 7,500 handknits remain to be laundered for possible salvaging.
Getting Back to Work
On Monday, November 5, the Port reopened, and SCI resumed its services to seafarers. The building remained closed (still without any electricity or heat), but ship visiting recommenced with no break in enthusiasm. The Rev. David M. Rider and the Rev. Marjorie Lindstrom (pictured) boarded the MV Haydar, a bulker ship that rode out the storm in port. Rider reported the crew in good spirits as they loaded scrap steel for their return journey to Turkey. Chaplains also visited other ships newly in port after weathering the storm at sea. Unfortunately, with only two vehicles at their disposal and severe fuel limitations, ship visitors could not offer transportation to seafarers, restricting their only means for critical shore access.
Restoring to Wholeness
Cleanup from Hurricane Sandy reveals damage far greater than initial reports conveyed. The hurricane has adversely impacted millions, many of whom remain unseen and unidentified. Among those likely to be forgotten are seafarers.
SCI's International Seafarers' Center plays a significant role in the Port's smooth operation. Transporting around 3 million containers each year, workers in the maritime industry move with clockwork accuracy to deliver goods on time. In the midst of this intensity, SCI's Center and its staff attend to the welfare of the seafarers, port workers and truckers who make it all happen, providing a lifeline to services available only on dry land.
Although crippled by the storm, SCI continues reaching out to seafarers who need its services. Ramping back up to full capacity will require a complete damage assessment and likely thousands of dollars in repair work. If you would like to help in SCI's recovery and rebuilding efforts, donate online at http://donate.seamenschurch.org or by mail to The Seamen's Church Institute, 74 Trinity Place, Suite 1414, New York, NY 10006.
About SCI
Founded in 1834 and affiliated with the Episcopal Church, though nondenominational in terms of its trustees, staff and service to mariners, the Seamen's Church Institute of New York & New Jersey (SCI) is the largest, most comprehensive mariners' agency in North America. Annually, its chaplains visit thousands of vessels in the Port of New York and New Jersey, the Port of Oakland, and along 2,200 miles of America's inland waterways and into the Gulf of Mexico. SCI's maritime education facilities provide navigational training to nearly 1,600 mariners each year through simulator-based facilities located in Houston, TX and Paducah, KY. The Institute and its maritime attorneys are recognized as leading advocates for merchant mariners by the United States Government, including the US Congress, the US Coast Guard, and the Department of Homeland Security, as well as the United Nations, the International Maritime Organization, the International Labor Organization and maritime trade associations.


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Pure DWTS Season 13 – Who are your Dancing With The Stars "Dream Couples"?
Yesterday, in the new Melissa Gilbert Rumor Post, PureDWTS reader Evaine asked if we were going to have a new "Dream Couples" Post. She mentioned she'd like to see Adam Lambert and Lacey Schwimmer dance together at Twitter. Nathan posted he'd like to see Giada DeLaurentiis preferably dance with Derek Hough. What do you think? Who are your Dancing With The Stars "Dream Couples"? Tell us all of your wishes in the comments and then we'll submit this post to ABC next week sometime.
As for my Dream Couples, here's who I'd like to see dance together for starters. I might add more later;
Karina and Johnny Weir
Dimitry or Alec and Katerina Witt
David Cassidy and Kym
Chris Evert and Derek
Georgia May Jagger and Damian
Gisele Bündchen and Maks
Nick Carter and Peta
Henry Winkler and Cheryl
Susan Dey or Faye Dunaway and Alec
Barry Williams and Edyta
Enrique Iglesias and Peta (woudn't that be a hot combination)
Kim Zimmer and Tony
Thanks Evaine!!! 😉


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Trademark Graphics started in 1949 as a graphic supplier to the Police and Sheriff industry for squad lettering, striping and star graphics. We have specialized in that industry to offer the best quality at the best price. We have always been on the forefront in offering the latest designs and custom car kits to this industry. Our digital capabilities have allowed us to create our "Digi-Badge". This allows you to use your existing metal badge recreated as an exact duplicate, then printed on high performance reflective vinyl to apply to the outside of your cruisers. Keeping inline with the clean look of having officers match the vehicles overall appearance.
We have also invented "Ghost Kits" for use with unmarked vehicles. Using the same color reflective material as the squad makes the markings almost undetectable until hit with headlights or a flashlight. Keeping safe when needed but not as obvious as a marked squad.
We are the ONLY company still offering raised detail Gold & Silver Mylar badges as a stock item and will continue to do so. Look at the details on page 3 of our Fleet Vehicle catalog.
Our success in fleet graphics has led us to open into other markets which includes full color banners, signs, commercial fleet graphics, decals and stickers along with promotional and commercial item marking for the ad specialty industries and much more! Please see our 135 page FULL LINE catalog.
So if you need to mark a squad or brand 10,000 widgets we can do it, cost effectively and within your time limits.


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Drew Ramz Talks New Jam "Luv", Songwriting & More — Interview
Independent rapper Drew Ramz has premiered a new jam you might enjoy titled, "Luv". Best of all, it's filled with chill vibes from start to end. I got the opportunity to interview the emerging artist who shares his views on this romantic song, his songwriting approaches, and much more. Happy reading!
1 – As an artist, how have you adjusted to these tough times of pandemic?
2020 has been a wild year. It's been mentally and physically exhausting each month. In a different light though, it has given me a lot of time to focus on writing music. I took a year away to find myself as an artist and 2020 has taught me that nothing is guaranteed. I have found my voice during these times and I started creating music that I like, compared to the stuff that will make me fit in.
2 – You've said in other interviews that you use music to cope with depression. How does the process of music help you?
I am in a constant battle with anxiety and depression. My mind moves at a mile a minute and there are days where it's hard to focus. Music allows me to express my feelings in ways that I could not normally do. Getting to write down my thoughts to a beat, allows me to express myself to the greatest extent & it eases my mind. I'm super grateful for this outlet.
3 – When it comes to writing lyrics, do you use unconventional methods?
I wouldn't call them unconventional, I write the thoughts that surround my mind. Whatever I'm feeling that day, I try to write about it. Again, it's a therapy in a way that allows me to express my inner thoughts freely. I've loved writing since I was a kid and my imagination is never-ending. Getting to write lyrics is a great way to tell a story & I love being able to write stories that are true to me and that other people can relate to.
4 – What themes inspire you to write lyrics?
I'm a huge believer in love. My wife and children are the greatest things to ever happen to me. A lot of the music I write has to do with my wife Jackie. She is an integral part of my life and without her, I'd be lost. Getting to tell our story through music has been a great adventure. I love that I get to write songs about her, she's my biggest inspiration.
5 – Why people must listen to your new single "Luv"?
"Luv" is a love letter to my wife Jackie. We all have that one person we cherish in our lives & to me, that's my wife. Sometimes in relationships, words aren't enough & for me, I got to write a song dedicated to the girl of my dreams. "Luv" speaks to that audience, the people that miss old school songs that are just about being in love. There's no talk about chains, money, clubbing… it's simply a man expressing his love to his wife. "Luv" is perfect for anyone that just needs to remind their significant other that they are their world.
6 – Is there any message behind this jam?
Don't be afraid to tell that person that you have feelings for how you really feel. People tend to throw around the word love a lot, but what do you love about that person? "Luv" to me was just expressing to Jackie all the things I love about her & how she makes me feel like her husband. She's an incredible wife and this song is all about her.
7 – How does it compare to anything else you have put out before?
After I released "Brand New" back in 2019, I took a break from music because I needed to find myself as an artist. I had always love to sing but I never really tried to sing on a track before. With "Luv" and a lot of my new tracks, I took a step out of my comfort zone & just wanted to be me. I didn't want to be a cookie-cutter rapper or artist. I wanted to express myself through singing and rapping.
"Luv" is the first release that I've sung on, so it's nerve-racking, but it's me. It's honestly the most real I've ever been on a track, it's just me speaking from the heart. The rest of my releases that follow will be the same, just me telling a story or expressing feelings that are true to me. I'm not gonna rap or sing about millions of dollars or a Lamborghini because I can't relate to any of that, but I can relate to being in love with my amazing wife.
8 – When do you hope to put out more new music
My release schedule is kind of inspired by the artist Russ. When he was starting he would just drop a track month after month. I'm going to follow suit. I think it's brilliant. Every month is a new chapter in the story of Drew Ramz. My release schedule as of now looks like this:
9/15/20: "Luv"
10/2/20: "20 Something"
10/23/20: "Lowkey"
11/23/20: "Hoodie Weather"
9 – What would your dream music video look like right now?
A dream music video is something paying homage to my favorite TV show, "It's Always Sunny in Philadelphia." I love sarcastic comedy & I'm hoping to drop a single that fits the comedy scheme of that show. Once I do, I'm gonna go all out and just show my love and appreciation to that show!
10 – Finally, how do you see yourself in the next 10 years?
I'm going to continue to release music and be the best artist I can be. At the same time, I'm a family man and my family comes first. I will be starting my Master's Degree in January, with the hopes of being a principal of school one day. Providing my family is my number one goal & that's what I signed up for. I hope that one day my music takes off and I can provide for them as an artist, but in the meantime, I'm working my way up to help shape the future generations.
Mou5ZyZZ Reveals Details Of His Upcoming Single "Melbourne Overdose" — Interview
Mou5ZyZZ aka Andrew Niman is making huge waves in the electronic music world. With his high energetic charisma and enthusiasm, he never fails to inject positivity during his live DJ sets. Indeed, the independent artist has achieved something that few in the industry can claim to do: playing in front of 95,000 ravers. Furthermore, it wouldn't surprise me that he is still ghosting producing for renowned international acts.
Currently, Mou5ZyZZ has a pretty big release coming up soon entitled "Melbourne Overdose", out on September 30th. Do you want to know more about it? Then, scroll down and read this exclusive interview.
1 — For newcomers, how would you best describe your sound?
Highly explosive EDM music.
2 — Please tell us more about the inspiration behind your upcoming single, "Melbourne Overdose"
The track deals with the excitement and mysteriousness of meeting a stranger in a crowd of thousands of people. Despite the number of people, you somehow feel attracted to this stranger. The track is building up to its climax while enumerating all of the things you want to do and want to be for that stranger. Thinking you could rock their world. But finally, you come to the realization, that when it's said and done, that stranger will be too much to handle for you. 🎵 MELBOURNE OVERDOSE 🔥🔥🔥💗💗
3 — Was it hard to stay inspired over the lockdown period?
It was actually easier to be inspired for us as artists since we are producers and usually work behind closed doors in music production, etc.
4 — What was it like working with Yago Music?
This is the second track that I've worked with Yago. Me and Yago worked together on a past track called "In The Dust" + featuring DJ Waffles.
5 — Do you have a favourite lyric from this track?
My favorite lyrics are "I don't know you, but I know what I want". 👆😜💗💗💗🐭
6 — Were there any challenges producing "Melbourne Overdose"?
There were some challenges but it only came at the end of the track with mastering. I had to take 5 different vocal tracks that Jakob Faber or Yago Music sent me, it was just a bit tricky trying to combine all, but it sounded good at the end of mastering the track. Plus, with a little bit of time and work, I created the perfect master.
7 — Do the fans should expect something different on this new release?
To answer this question I would see as far as the fans go yes this is gonna be in itself a new surprise all alone. This is my 1st Melbourne Bounce release for Mou5ZyZZ as well as Yago Music. 🥳 🥳
8 — What are your views on ghost producing? Do you still do it?
I'm fine with ghost producing since I have been doing it back in 2006, so I think it is definitely good business for me because I'm good at production as well as mastering. So, it's very easy for me to make good tracks to potential other artists worldwide. Honestly, I think I'm one of the very first producers to come out and talk about it so freely. I honestly love creating artwork for the world to hear even if it doesn't have my name on it just knowing that somebody else out there has taken my artwork and created it into something of their own a spectacular honestly. 💯💯💯🙌👻🐭💗
9 — Are there any plans in the making for virtual DJ sets?
Yes, most definitely I am currently working on other things at the moment which has been hard for me since I'm only one person, but yes I do plan on doing more live DJ sets as well as creating more virtual DJ sets. I have been working on making my own custom visuals for a full hour in a 5-minute long set. This was going to be truly awesome when finished. Currently, I'm working on many other projects and haven't had time for the DJing side project.
10 — How can new artists submit their music to your label Mou5 Chee5e Records? Is there any special requirement?
As far as being an artist on my label it's very simple all you need to do is to contact me through my messages either on my personal Instagram or via my record label's Instagram account. you can also e-mail me or even call me directly… firstname.lastname@example.com / 5053043630
Exclusive Q&A: Kilo House Reveals All In This Interview!
Check out our exclusive interview with producer and DJ Kilo House. He's an alumni of the Icon Collective Music Production School. Definitely, his life is an example of perseverance and effort. Highly influenced by his musical background in the Deathcore scene, he's now into dark Bass sounds. Frankly, there are many things I have been anxious to know about this enigmatic artist, so he brings to light his best answers. Happy reading!
1 – Let's start off with your artistic name, where did Kilo House come from?
The name Kilo actually comes from the name of one of my pit bull rescues that I rescued from dogfighting but had to send to a pit bull reserve in New England due to the fact that I lived in an apartment. That was the hardest thing I ever had to do and actually started me on my path to production due to a great bout of depression I fell into. I chose that name because I wanted to embody his great strength love and unbreakable spirit. And House is a reference to the show house and my battle with a great deal of drug addiction at a young age.
2 – Is music production and DJing your full-time career?
Yes, but I also have a life coaching degree.
3 – Were there any obstacles that you had to overcome to establish your goals as an artist?
Yes, way too many to name brotha, I have lost friends, money, my health, and even experienced someone taking my best friend's life, R.I.P. Raw Ronnie 🙁
4 – What has changed the most over your musical influences?
I think the fact that I am now influenced by my own music and my own inspiring story is the biggest change. Due to chronic pain some days it is hard to even get out of bed but I remember that I AM NOT A VICTIM but like you graciously put it I AM A WARRIOR.
5 – What kind of sonic atmosphere are you trying to approach in your DJ sets?
I am an open format DJ. I'm DJing everything from Trap and Dubstep to Metal and House. As long as it has high energy, big drops, and a fun vibe.
6 – Tell us more about your latest single "The CHiLDREN", are you a fan of the sampling technique?
Yes, the use of horror movies and other samples dates back to my days as a Deathcore drummer. Back in the day, Deathcore used a lot of movie samples and I brought that with me over to the Trap genre. Also the freedom I feel when watching a good horror film is the feeling I hope to give my listeners.
7 – How many days did it take you to record this banger?
To be totally honest less than 24 hours brotha.
8 – What else can we expect from your upcoming releases?
I think you can expect more of the same high energy drops, but "maybe" a few with a bit more silly funny samples.
9 – What release are you most proud of that you produced and what's the story behind it?
I am proud of them all. My songs are like my children, I birth them, watched them grow, and then released them out into the world to spread light and positivity. So, you can't pick a favorite child, well the same with the songs you birth as an artist.
10 – Finally, how do you entertain yourself away from music?
First and foremost, I spend all the time in the world with my "best friend" my pit bull rescue named FLEX also I am a huge UFC fan so I try to make time as much as I can to watch the fights with my family.
I love working out and eating healthily and also am a quite good long-boarder. Plus, I also love expanding my mind by reading about different religions and philosophies.
But for the most part, I try to live a humble and modest lifestyle spending my downtime with my friends, family, and of course FLEX.
COY Swede & Matthew Titmouse Talk New Single "You Are" In Interview
EDM Producer and Songwriter Thom Maximus aka COY Swede reveals everything about his newly released song "You Are". In this exclusive interview, vocalist Matthew Titmouse also shares his insights on this Dance-Pop tune whose powerful message will definitely touch your heart. Scroll down the page and get all facts straight away.
1 – How does it feel to be working again with Matthew Titmouse on this new single?
I have been working with a lot of different artists and singers, but when I heard Matthew the first time on my demo "World On Fire" and he sent me just a short outline, I knew he was suitable for this project. I can tell quite fast if a singer has something unique and natural base quality. Plus he understands lyrics and the importance of some poetry and words that talk!
So I knew that he could perform perfectly with "You Are". This upcoming track is totally different and we worked hard together back and forth to get the correct sound and feeling with the vox. Mat is like a brother to me now!
2 – I know your father had a great impact on your life, is this song a tribute to fathers who have passed away?
My father was very generous actually to all people he knew. And I remember that I felt that vacuum when he passed away. I realized I can't talk to him anymore. At the end of the day, we came closer in some way. He traveled a lot when he was well. I guess he discovered things about me and I about him more real. He always knew I was into music, he supported me like mom did when I was young.
I remember when I was younger we played some of ACDC, KISS records, which we played in the car when mom wasn't in it! It ended up with him playing those songs alone…when mom wasn't in it. 🙂
So yes, its a tribute and in fact to all we lost. And at the same time a tribute to all of us that are still here! And now they all will hear this song "You Are" through the vast space of the universe!
3 – Did Avicii also inspired you to write "You Are"?
Tim is by far my music brother in terms of genre. A little brother humanly, but a big brother musically, respect! There is a deeper layer also. I tell those who it concerns when I meet them in private, out of respect!
4 – How do you hold yourself up in situations of grief and loss?
The way I see it, you sometimes just can't! Life forces us to deal with it, we have no choice! Like the lyrics of my track "Lose Heart", we need to go through it! And the only way is forward! You have to find your way and method to cope with it. And only you decide!
But one thing I have learned is that, don't hide your feelings to tight and keep them in too long. It's better to get them out. If you don't have anyone at all you can do that towards, just pick one you don't know!
If my song, "You Are" will just pick one person up I'm glad!
5 – In your opinion, is this song a good fit for radio stations, clubs, or somewhere else?
Fit for all! A special live version is already made. Radio it's the same. The question I have, will they play it? It's not up to me.
6 – What challenges did you face in producing "You Are"? Was COVID-19 an obstacle?
Non, my vision was clear from the start, I had this melody in my head that needed to come out! Yeah, working in a studio with the singer is much easier. But Matthew and I had no problem through distance, we used some online sessions.
7 – Are you planning to release a lyric video or remixes?
Yes, a music video is planned with a very creative special team, but we have no date for it yet.
8 – Is there a venue or festival you dream to play in?
Not directly, the listeners have to decide that. And if I'm asked to come. I have had a vision though, doing it on the ocean on a boat towards a beach would be cool! 🙂
But of course, without this period of the pandemic, we all are in. Safety is important and comes first!
9 – What are your current projects for the rest of 2020?
Instrumental projects. There are tons of music on the way, it's just the result from many years of work. I can't go into more details at this moment. All I can say is that one of the projects is crazy and, just out of this world! 🙂
10 – Finally, what's that special message you want to portray with "You Are"?
They live with or within us now, FOREVER!
Matthew Titmouse's answers:
1 – What is the best thing about working with COY Swede?
It is a tough question because we immediately found the common language between each other both musically and personally. If I had to pick the best thing about working with Coy Swede I would say that besides that he is a professional music arranger, songwriter, he is also an exceptional man and he got a gentle manner which helped me not to stress over the task but unleash my creative energies.
2 – Your voice is really great btw, what is your own musical background?
It makes me happy and grateful when I hear similar things, thank you for the kind words. You know every voice has its unique quality and our job is to train in a way that the character of our voice could unfold.
I began my career with gritty Rock tones like Green Day kind of stuff, then I switched to Kings of Leon. Nowadays, I am a huge fan of Coldplay and One Republic. Shortly that was my musical journey through the years.
3 – Will we see both of you and COY Swede perform live in the future with this song "You Are"?
Well "You are" was a challenging but refreshing song to me and I've never been to Sweden yet, so yes I am completely open to this idea! Live performances with him are in sight but it depends on a lot of factors especially in this pandemic situation.
Manjit Makhni Opens Up On Techno Banger "The Frog Prince" In Interview
The story of Manjit Makhni with electronic music started two decades ago as a pioneer DJ at the London's rave scene. Today he is focused entirely on music production. Some years ago, he was diagnosed with rheumatoid arthritis (RA), but this is not a major impediment for him when it comes to creating brilliant Techno releases like "The Frog Prince". Learn more below in this exclusive interview.
1 – When did you discover you have a passion for music?
It was around the late 1990s just after I started clubbing. I started putting on my own parties and ended up buying a pair of Technics 1210s, collecting vinyl, and beginning to learn how to mix.
2 – We know you were active in the underground music scene two decades ago. What is something you really miss from those times?
I miss the parties, the vibe, and the friends I made. Clubbing in London in the late 1990s was truly special. It is now such a long time ago, I'm just glad I had that experience which shaped my future in being involved with electronic music.
3 – How long did it take you to complete your recent Techno track "The Frog Prince"?
I think it was about a week from start to finish. Although I did it in a few different settings. It was one of the first few occasions I started doing my own sound design rather than using presets. So at times, it became frustrating trying to get the sound just right and make it fit within my mix.
4 – What inspired you to come up with that song title?
The credit for the names of the tracks must go entirely to my wife, she is amazing. When she occasionally chills in my studio with a glass of wine, I make her listen to my new stuff and we have a drink and chat about the track, and voila! she comes up with cool names.
5 – What was the process of recording "The Frog Prince" like?
I finally got my head around LFO modulation so it was fun experimenting with different bass wobbles and then making the patch and sound fit to the melody I wanted. There are some little melodic stabs that sound like a frog jumping into the pond. I like to make a sound and then pick a name with the artwork that tells a story. I want you to get lost in both the sound and image I tend to showcase.
6 – Do you have any tips for creating great Techno beats?
There is a lot of Techno that is made today with just one note. Although that's okay sometimes if the track is heavily drum oriented but I generally like harmony and melody in my music. So my biggest tip would be to learn the basics of music theory because that will help you generate new ideas all the time and avoid a mental block. You see a lot of midi packs on sale these days but if you know how to write your own then I think your music goes a long way and sounds more cohesive.
7 – If you could work with any producer to remix "The Frog Prince", who would it be?
Ah… there are a few but if I had to pick just one then it probably has to be the awesome Stephan Bodzin.
8 – Are you still active as a DJ? What's the longest set you have played?
No, unfortunately, I don't DJ anymore. I retired in 2012 when my RA became too severe. But this also gave me a lot of time to spend on learning and making music. I found that in music theory, synthesis, sound design, and Techno I could get lost and not think about my pain much. This really helped and as a result, I have ended up making a lot of music. Although some days it's almost impossible as the pain of my RA is just too much.
The longest set I ever played was a very long time ago in the early part of 2000 for around 4 hours plus at a very underground club called The Kool Eddy's on Tottenham Court Road, in London.
9 – What's your honest opinion on mainstream dance music?
Now I don't go out much so wouldn't really know. I have never been much into the mainstream, I always preferred the smaller, underground parties like in the old days.
But I know many underground producers and DJs in the scene and believe the club scene in London is not what it used to be. The great vibe now is with the bigger festivals which have put Techno on the mainstream like Tomorrowland, The Junction, and Cercle around the world. Although Covid-19 has changed that too. I don't know if the dance music scene will really ever recover to its former glory. I hope it will.
10 – Are you working on new projects?
Yes, many. I have a new release coming out every two to three weeks up until November. I am just about to finish some tracks that I will be looking to release at the end of November and December.
So far out these releases are confirmed.
'Perfect Elasticity' 4-track EP releases on 4th September 2020
"Amphibian" single releases on 25th September 2020
"Swarm" 4-track EP releases on 9th October 2020
"Going Downtown" single releases on 14th October 2020
I include a link to all my new projects releasing soon 👇
Interview | Questions & Answers With Jack Rayner
"Klassy" is a collaboration between Jonte' Moaning and accomplished songwriter and producer Jack Rayner, whose long list of credits include work done with Katy Perry, Britney Spears, and Avril Lavigne. I got the opportunity to talk with Jack in order to learn more about this super cool song. In my view, lyrics are pretty relatable and empowering to most people, especially in today's crazy world.
1 – I loved the energy and the creativity behind the music video for "Klassy". What is this song about?
"Klassy" is about maintaining your dignity even when faced with bigoted, racist, or homophobic behavior. Basically, kill em' with kindness/how fabulous you are!
2 – How many days did it take you to shoot the whole clip?
1 day. 8 hours. Unbelievably fast IMHO.
3 – Are the visuals somehow inspired by Beyonce?
As inspiring as she is, no. We were inspired by Paris Is Burning and wanted a smokey, film-noir MV that was unlike most of the glossy media attached to Jonté's projects.
4 – Besides music, do you also have experience in other artistic fields?
I started as a dancer and choreographer at age 14 and did music as well just to make my dance mixes. It was tape-to-tape back then. I self-taught myself music production in my late teens and early 20's, choreographing and teaching dance in the day and locked in my studio at night.
5 – How did you meet and come to collaborate with Jonte' on "Klassy"?
Because we were both in the dance field, a friend made the introduction when Jonté had just been signed to a Japanese label. He asked me to make him a song so my partner at the time Raistalla and I made "Bitch U Betta" with Jonté.
6 – What is your wish music collab that you want to happen in the near future?
The Weeknd or SZA would be amazing. Honestly, though, anyone that is an artist and has a vibe and flow. The best part of my job is watching an artist's colors shine in the booth.
7 – What is your favorite lyric line from this song? Why?
"Separated from these fucking lames." I think that line is relatable to everyone in some regard be it a relationship, job, record label, or a friend(s). Everyone likes to walk away with their head held high!
8 – Don't you think it will be cool to give "Klassy" the remix treatment?
I would love to hear other producers take on it!
9 – What is the first thing you look forward to doing when the pandemic ends?
Have the biggest pool party with and invite ALL my friends. I miss mixing friend circles and meeting new people.
10 – What's next for Jack Rayner?
I'm finishing up work on America's Got Talent for the 15th season then headed down under to open Magic Mike Live Australia! We also have to re-open the London, Berlin, and Las Vegas versions as soon as all this madness is over. Time to get back on stage with dancers, laughs, and of course, music!
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DeKALB – Don Faulhaber can't keep the smile from his face when he thinks about his first day as a DeKalb firefighter.
Lately, the 18-year veteran who started as a paramedic and moved up the ranks to fire captain and vehicle maintenance coordinator has been peppered with reminders.
"When you get new guys, it makes you think about your first day and how excited you were, the nervous energy and all that stuff," he said. "It's infectious, and it affects everybody. You need stuff like that to prop you up once in a while."
Between welcoming and training new recruits and helping to design, prepare and put to work new equipment, Faulhaber sees a department that had been doing more with less for the past several years starting to turn around.
"Baby steps," he said.
After years of budget cuts, overtime and worn equipment, the DeKalb Fire Department looks to be coming out of a rebuilding period. Renovation projects, new heavy equipment and increased staffing levels have firefighters such as Faulhaber confident that the department can meet the needs of a bustling city.
"The city has invested heavily in public safety over the last few years," Fire Chief Eric Hicks said. "They've done the police station, they've done the fire station addition, they're purchasing new equipment. Those are the kinds of things that you need to operate efficient public safety."
Adorned in DeKalb Fire Department livery and freshly-scrubbed chrome, a new fire engine and a new ambulance both entered service for the department last week.
The $253,000 custom Alexis engine, which is housed at Station 1, was purchased using a 15-year no-interest loan that the city obtained from the state. The new truck is expected to serve as a front-line vehicle for 10 years before moving to the reserves. The new American Emergency Vehicles ambulance, which makes its home at Station 3, is expected to be on the front line for five to seven years.
It's the first time since 2007 that the department has replaced one of its three fire engines and the first time since 2011 that one of six ambulances has been replaced, Hicks said. Both vehicles had been in the works for about a year, since the custom manufacturing process takes time, he said.
One of the department's other ambulances, which has been in service since 2005, has racked up 75,000 miles and 6,900 operating hours just within the city limits.
"It's really nice to see, and it really helps our operation out," Hicks said. "When you have really old vehicles with high miles, the maintenance costs are high – the down time is there."
The department also has the go-ahead from the city to increase its staffing levels by five firefighters – from 52 to 57 – which would almost bring it to pre-recession levels. In 2008, the department employed 60 firefighters, but the numbers dwindled to 51 in 2012 – and overtime went way up.
Firefighters racked up 11,000 hours of overtime in 2012 when responses reached an all-time high of 8,521 – up from 7,675 in 2011.
"I'm pleased that we have been able to reinstate some positions, doing some additional hires to increase our ranks as well as some equipment acquisitions," DeKalb Mayor John Rey said. "That ensures that we're able to provide valuable services to our community in a sustainable way."
In addition to the new equipment and new hires, a $254,000 renovation project is underway at Fire Station 2 to increase living quarter space and add new bathrooms. Renovations at Fire Station 3, which included a new roof, took place in the spring.
The last piece in the puzzle will be to replace the department's dinosaur of a ladder truck, which has been making the rounds since 1990. While it isn't often called and has passed yearly testing, mounting maintenance costs and harder-to-find parts are putting pressure on finding funding for a replacement, Faulhaber said.
"Part of our pride is in trying to take care of that stuff, but some of the mechanical parts only last so long," Faulhaber said. "You can polish all you want on it, but stuff still breaks down."
Rey said the city has looked into finding funding sources for the aging ladder truck, but that other communities with still older equipment still are getting more priority from the state.
"Our equipment isn't old enough, but it's a priority," he said.
By the numbers
2013 custom Alexis Fire Engine
Cost: $253,000
Water capacity: 750 gallons
Pump speed: 1,500 gallons a minute
Crew capacity: Four
Hose capacity: 2,000 feet
Power: 330 horsepower


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Hey, Get a Clue!
This story appears in the January 2004 issue of Entrepreneur. Subscribe »
If you're seriously considering purchasing a franchised business, you have a marvelous advantage over buyers of independent businesses: You receive a Uniform Franchise Offering Circular (UFOC) from the franchisor at least a couple of weeks prior to closing on your purchase. This document is designed to make your franchise investment a fully informed decision, and for prospective franchisees, it's worth its weight in Big Macs.
Since 1979, federal franchise law has required franchisors in the United States to deliver this document to all prospective franchisees. The fundamental pre-sale disclosure approach to franchise sales regulation hasn't changed in 25 years, but the UFOC has changed considerably over that time.
Here's what hasn't changed: The UFOC is still a sandwich of three important components: 1) a 23-item narrative disclosure describing various aspects of the franchise offering, 2) up to three years of the franchisor's audited financial statements, and 3) the franchise agreement form and other contracts you're required to sign to become a franchisee.
The UFOC was actually written and first published in 1975 by the Midwest Securities Commissioners Association, predecessor to the group that now periodically reviews and publishes the UFOC, the North American Securities Administrators Association. The disclosure format was created in response to the disparate disclosure requirements that an increasing number of states were adopting in the early 1970s. Since then, the UFOC has been embraced by all the state and federal authorities regulating franchising in the United States, and it has been imitated by a dozen different countries around the globe that now regulate franchise sales.
This author was just emerging from law school and testing his wings as a lobbyist for the franchise community. At about the same time, the FTC was considering its now well-established Franchise Rule, which requires delivery of a disclosure document for every franchise transaction in the country.
Within the 25 years since the FTC adopted it, the UFOC has helped countless investors, and regulators have tweaked its design so it's an even better investor tool than when it was originally designed. In that time, I have written dozens and dozens of UFOCs for my franchisor clients, and I've always felt some sections of the UFOC contained vital investor information, while others were less important. I'm also convinced key pieces of information about the franchise and its systems do not appear in the UFOC. It's by no means a perfect document and should not be relied on to the exclusion of other research steps that all franchise investors are well-advised to take, such as interviewing existing franchisees.
Still, in 2004, it has never been more important to carefully review and understand the UFOC before buying a franchise. It may be cold comfort as you sit down to read this thick prospectus, but you're far better off than a 1979 investor in at least one important aspect: Since the 1993 revisions to the UFOC guidelines, the disclosure documents must be written in "plain English." In the past decade, an entire generation of franchise attorneys (including yours truly) had to break a lifetime of outdated UFOC writing habits. It wasn't pretty. To give you an idea of what my colleagues and I were up against, the 1993 plain-English rules prohibited the use of any word or phrase appearing on a long list of 60 "legal antiques," which included obvious legalisms such as "condition precedent," "hereinafter," "heretofore," but also included some perfectly serviceable (and plainly understood) words and phrases such as "commence," "so long as," "relating to," "on behalf of" and "prior to." In the 1990s, armed with this list, state franchise examiners became scolding schoolmarms fussing over the banned words and phrases, with franchise attorneys as their reluctant pupils.
In desperation, some California franchise regulators started requiring submission of the word processing file of the UFOC narrative so they could pull it up and, with far too much relish, edit out all the passive voice writing and specific legalese that the new UFOC guidelines banned. They would then e-mail back your UFOC, bleeding from every section with redlined revisions. But the result is a document that's far more readable in 2004 than the turgid tomes we turned out in the 1980s.
Breaking It Down
Let's take a closer look at the more important sections of the UFOC:
- Items 1 through 4 describe the franchisor and provide an overview of the franchise offering and the laws and regulations that directly affect your franchised business. You'll find a list of key franchisor executives and directors in Item 2, and Item 3 reveals the 10-year litigation history of the franchisor, its affiliates and the people listed in Item 2. Item 4 discloses any bankruptcies of the franchisor and its officers. The modern version of the UFOC is broader in litigation scope than the early versions and includes arbitration proceedings as well as traditional court cases and agency actions.
- Items 5, 6 and 7 give you a good idea of the costs and fees typically incurred by franchise investors in the program. Items 5 and 6 cover fees paid to the franchisor, and Item 7 is a valuable chart summarizing the overall costs of establishing a new business. This chart has served as the heart of the UFOC since its first iteration and is a very useful tool for the investor.
- Item 8 is the most difficult section of the UFOC for the franchisor's legal team to write, and it tends to draw the most attention from examiners reviewing the UFOC. This item requires disclosure of the limitations and dynamics of product sourcing and product specifications by the franchisor. Read this section carefully, and make sure you understand the limitations on your purchase of inventory and equipment.
- Item 9 is a relatively useless cross-reference chart showing where a list of "Franchisee's Obligations" is addressed in the narrative items and the franchise agreement. Charts became big in the 1993 version of the UFOC. By then, we all had word processing software that could actually create a chart.
- Item 10 tells you about any financing the franchisor provides, a rarity in franchising. When a very sophisticated franchisor does offer financing, the details this section demands make it nightmarish to write (translating the dense legalese of banking documents into breezy UFOC-style plain English is nearly impossible), and reading the item is guaranteed to make your eyes slam shut. I've found the UFOC is geared well for straightforward franchise businesses but is woefully inadequate for the franchisor in a highly technical and complex business (such as our major client offerings in the petroleum and telecommunications industries). No allowance is made for a highly sophisticated offering to huge "franchisee" organizations with teams of in-house lawyers, and several states have no exemptions that offer relief from registration review.
- Item 11 describes the "Franchisor's Obligations" and is the longest, most illuminating and most exasperating section of the venerable UFOC. It's effectively a translation (plain English, please) of the major portion of the franchise agreement and pins down the franchisor on any number of service-related subjects. If the franchisor is short or long on contractual obligations to its franchisees, it will be evident as you read Item 11.
- Items 12, 13 and 14 detail the intangible rights you receive as a franchisee: trademarks, patents, confidential information and territorial rights around your business location. The older versions of the UFOC listed virtually all trademarks associated with the program; now just the principal marks are disclosed. The territorial description in Item 12 can be tricky and easily misunderstood, so read it carefully and go over it with your legal counselor.
- Item 17 is a useful multipage chart that cross-references and summarizes provisions of the franchise agreement on the topics of "Renewal, Termination, Transfer and Dispute Resolution." This streamlined, insightful disclosure item replaces the worst of the prior format: a complete regurgitation of huge slugs of legalese from the agreement. Breeze through the chart in Item 17, and count your blessings.
- Item 19, disclosing "Earnings Claims," has seen the most radical changes in the UFOC's 25 years. The rule is this: The franchisor can't talk about the future earning potential or past performance of its franchisees unless the information is presented here in Item 19, appropriately footnoted with its bases, assumptions and limitations.
In past versions of the UFOC, franchises found it far more difficult to comply with the disclosure standards in this item. This series of changes has been driven by a shift in the underlying policy consensus on the use and disclosure of earnings information. In the '70s, regulators reacted to the most flagrant abuses in the franchise marketplace: the wild and unfounded claims about the money to be made in a franchised business. The early versions of the UFOC made disclosure compliance so difficult, only a few brave franchisors even attempted it. Through the '80s and '90s, that regulation has loosened, simplifying the disclosure requirements and allowing ease of compliance, so now a healthy percentage of franchisors (the best estimates put it at more than 25 percent) include earnings information in their documents. The states have seriously considered requiring franchisors to include earnings information in the UFOC. That hasn't happened yet, but it sure tells me the pendulum has made a remarkable full swing over the past 25 years on this single most sensitive issue in franchise regulation. Read this item carefully, and make sure you understand the information (if there is anything there).
- Item 20 gives you complete statistical information about the expansion or contraction of the franchise system over the past three years as well as projections of the states in which franchise sales will occur in the coming year. The franchise stats are reduced to a complicated, dense little chart that's difficult to read, but at least it's all in one place. This section also contains full lists and contact information for existing franchisees and those who left the system for any reason in the past year.
- Item 21 contains the franchisor's audited financials. Plan to take them to an accountant who can evaluate them and tell you about the strength or weakness of the company's financial status.
- Finally, Item 22 provides samples of all the contracts you'll be asked to sign. These are not required to be in plain English and may be difficult to understand. Ask an experienced attorney to look them over and explain them to you.
The UFOC is aging well, and 25 years later, it's still smoothing the way for franchise investors. The next step for the time-honored document is the leap into electronic disclosure, but that has been slow in coming. Maybe the regulators don't want to mess with a solid, reliable success story.
Andrew A. Caffey is a franchise attorney in the Washington,
DC, area and is author of Franchises & Business Opportunities.


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Wow Dalia- your mom must have cried when she saw how hard you worked to put this birthday party decor together! The feminine pink cherry blossom napkins are reminding me that Tu Bishvat is coming up! (Friday night, January 25 2013). Love the pearl napkin rings and the LEBAS filled glass slipper! The ruffled pink placemats are the perfect touch. As many Sephardic women know, LEBAS is a symbol of happy occasions, and we frequently display these candied almond at our festive events. They come in many colors to match the occasion. If you don't have live near a kosher market, you can buy KOSHER JORDAN ALMONDS HERE.
If any of my hostesses are looking for some party cupcake ideas, check out this book that I just found on Amazon!
Thanks again, Dalia! Marlene
Hi Marlene,
I wanted to do something special for my mom's birthday this year to show her how much we appreciate her.
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