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EOS 7D Body
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A Whole New Class of EOS.
With a host of brand new features designed to enhance every facet of the photographic process, from still images to video, the new EOS 7D represents a whole new class of camera.
Made to be the tool of choice for serious photographers and semi-professionals, the EOS 7D features an all-new 18.0 Megapixel APS-C size CMOS sensor and Dual DIGIC 4 Image Processors, capturing tremendous images at up to ISO 12800 and speeds of up to 8 fps. The EOS 7D has a new all cross-type 19-point AF system with improved AI Servo II AF subject tracking and user-selectable AF area selection modes for sharp focus no matter the situation. The EOS 7D's Intelligent Viewfinder, an entirely newly-designed technology, provides approximately 100% coverage and displays user-selected AF modes as well as a spot metering circle and on demand grid lines. New iFCL Metering with 63-zone dual-layer metering system uses both focus and color information to provide accurate exposure even in difficult lighting. The EOS 7D also captures Full HD video at 30p (29.97 fps), 24p (23.976 fps) and 25p with an array of manual controls, including manual exposure during movie shooting and ISO speed selection. The EOS 7D features a magnesium alloy body that is dust- and weather-resistant and shutter durability of up to 150,000 cycles. Compatible with over 60 EF and EF-S lenses as well as with EOS System accessories, the creative opportunities - not just with stills but also with video - are beyond amazement.
The EOS 7D features a Canon-designed 18.0 Megapixel APS-C size CMOS sensor that captures such a high level of resolution it's easy to crop images for enlargement without concern of losing detail. A major factor in reducing noise, the CMOS sensor assures that images shot at highest sensitivity will be remarkably smooth. Dual DIGIC 4 Image Processors ensure that images are captured, processed and saved with remarkable speed. The EOS 7D's ability to capture and process data of images shot at 18.0 Megapixels at 8 fps, as well as Face Detection Live Mode, Full HD video recording, Auto Lighting Optimizer and Lens Peripheral optimization are all possible thanks to the Dual DIGIC 4 Image Processors.
Low Light Excellence.
With a broad range of ISO settings, the EOS 7D enables shooting from dawn through dusk and ensures capture of the finest detail. With enhanced, low-noise high-sensitivity optimization, shooting in situations previously possible only with flash becomes as simple as point and shoot.
The Speed You Need.
Capable of shooting up to 126 Large/JPEGs with a UDMA CF card and 15 RAW at 8 fps, the EOS 7D is a perfect camera for action. Canon's remarkable shutter, combined with speedy, sophisticated electronics, ensures instant response and performance. A rapidly-occurring scene can be captured moment by moment, second by second, so that even the briefest of opportunities are captured in perfect clarity.
HD Dreams Come True.
Boasting the most advanced EOS movie capturing features to date, the EOS 7D does not just shoot video clips, it offers the enhanced image quality, smooth frame rates and adaptive exposure compensation necessary in a professional movie-making tool. By shooting video with a large sensor camera, it's simple to take advantage of the image characteristics intrinsic to SLR photography and not necessarily to video cameras.
Spectacular eye-level view.
The EOS 7D features a phenomenal redesigned viewfinder that not only offers an approximate 100 percent coverage, 1x magnification, a 29.4° angle of view and user-controlled dioptric adjustment, it also features a newly-designed transparent LCD display which enables a number of viewfinder displays to be overlaid at the touch of a button. Whereas with other cameras the representation of AF points and metering areas are static, with the EOS 7D, they can be displayed, adjusted and hidden, in camera, with ease.
Faster, More Accurate AF.
Canon packed its most advanced technologies into the EOS 7D's AF system. With 19 high-precision, cross-type AF sensors, any of which can be selected automatically or manually, the EOS 7D is equipped to handle even the trickiest of focus situations with ease. The high-speed microcomputers in the EOS 7D use advanced algorithms that help ensure the fastest, most accurate AF performance under the widest variety of conditions.
More Information Ensures Accurate Exposure.
The EOS 7D features a new, 63 zone dual-layer sensor designed to complement the 19-point AF system. By taking into account the color and luminosity surrounding chosen AF points, this new system delivers an entirely new level of accuracy for better results even in difficult lighting situations. Since the metering sensor has a color measurement function, exposure errors and focus errors caused by different light sources are minimized; the EOS 7D gives stable exposure from shot to shot in situations where light changes, such as in a theater or concert hall.
CANON iMAGE GATEWAY Qualified
An online resource offering digital imaging education and photo and video sharing capabilities exclusively for registered owners of qualified Canon products. Members can read up on topics related to their products, how-to articles, and more.
Digital, AF/AE single-lens reflex camera with built-in flash
Recording Media
CF Card Type I and II, UDMA-compliant CF cards, via external media (USB v.2.0 hard drive, via optional Wireless File Transmitter WFT-E5A)
Image Format
22.3 x 14.9 mm (APS-C size)
Compatible Lenses
Canon EF lenses including EF-S lenses (35mm-equivalent focal length is approx. 1.6x the lens focal length)
Lens Mount
Canon EF mount
Image Sensor
High-sensitivity, high-resolution, large single-plate CMOS sensor
Effective pixels: Approx. 18.0 megapixels
Pixel Unit
4.3 µm square
Total Pixels
Approx. 19.0 megapixels
Aspect Ratio
3:2 (Horizontal: Vertical)
Color Filter System
RGB primary color filters
Low Pass Filter
Fixed position in front of the CMOS sensor
Dust Deletion Feature
(1) Automatic Sensor Cleaning
- Removes dust adhering to the low-pass filter.
- Self-cleaning executed automatically (taking 2 sec.) when power is turned on or off. Manual execution also possible (taking 6 sec.).
- Low-pass filter has a fluorine coating.
- The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
- The dust coordinate data appended to the image is used by the provided software to automatically erase the dust spots.
Recording System
Recording Format
Design rule for Camera File System 2.0 and Exif 2.21
Image Format
Still: JPEG, RAW (14-bit, Canon original), sRAW, mRAW, RAW+JPEG
Video: MOV (Image data: H.264, Audio: Linear PCM)
File Size
(1) Large: Approx. 17.90 Megapixels (5,184 x 3,456)
(2) Medium: Approx. 8.00 Megapixels (3,456 x 2,304)
(3) Small: Approx. 4.50 Megapixels (2,592 x 1,728)
(4) RAW: Approx. 17.90 Megapixels (5,184 x 3,456)
(5) M-RAW: Approx. 10.10 Megapixels (3,888 x 2,592)
(6) S-RAW: Approx. 4.50 Megapixels (2,592 x 1,728)
Exact file sizes depend on the subject, ISO speed, Picture Style, etc.
Recording Functions
Images record directly to the CF card. With the WFT-E5A attached, image recording to the CF card and to the USB external media connected to the WFT-E5A will be possible as follows:
(1) Standard
- No automatic switching of recording media.
- When the current recording media becomes full, it switches to another recording media automatically and continues recording.
- Each recording media can be set to record a specific image-recording quality for each shot.
- Images can also be recorded at the same size to both recording media. (RAW+JPEG, M RAW+JPEG or S RAW+JPEG is possible).
- Selected images, all images, and quick backup are possible.
Backup Recording
Enabled with Wireless File Transmitter WFT-E5A attached
File Numbering
Consecutive numbering, auto reset, manual reset.
Possible to create new folders and select folders in the CF card.
Firmware Version 2.0.X allows manually setting the file name, the first four alphanumeric characters, or the first three alphanumeric characters + image size.
Color Space
sRGB, Adobe RGB
Picture Style
Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
White Balance
Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature setting
Auto White Balance
Auto white balance with the image sensor
Color Temperature Compensation
White Balance Correction: ± up to 9 levels, in 1-step increments
White Balance Bracketing: ± up to 3 levels, in 1-step increments
Color Temperature Information Transmission
Eye-level pentaprism
Approximately 100%
Approx. 1.0x (-1m-1 with 50mm lens at infinity)/29.4° angle of view
Eye Point
Approx. 22mm (from eyepiece lens center)
Dioptric Adjustment Correction
-3.0 to +1.0m-1 (diopter)
Focusing Screen
Quick-return half mirror (transmission: reflection ratio of 40:60) with EF600mm f/4L IS USM or shorter lenses)
Viewfinder Information
AF information (AF points, focus confirmation light), Exposure information (Shutter speed, aperture, ISO speed, AE lock, exposure level, spot metering circle, exposure warning), Flash information (Flash-ready, flash exposure compensation, high-speed sync, FE lock, red-eye reduction light), Image information (Highlight tone priority, Monochrome shooting, maximum burst, white balance correction, CF card information), Composition information (Grid, electronic level), Battery check
Depth Of Field Preview
Enabled with depth-of-field preview button
TTL-CT-SIR AF-dedicated CMOS sensor
AF Points
19-point all cross-type AF (f/2.8 at center: Dual Cross Sensor)
AF Working Range
EV -0.5-18 (at 73°F/23°C, ISO 100)
Focusing Modes
(1) Autofocus
- One-Shot AF
- Predictive AI Servo AF
* For automatic AF point selection, the AF point to start the AI Servo II AF operation can be selected.
* For automatic AF point selection, the active AF point can be displayed.
- AI Focus AF (Switches between One-Shot AF and AI Servo II AF automatically)
(2) Manual focus (MF)
AF Point Selection
(1) Manual selection: Single point AF
(2) Manual selection: Spot AF
(3) Manual selection: AF point expansion
(4) Manual selection: Zone AF
(5) Automatic selection: 19 point AF
AF Function Registration/Switching
With a Custom Function, four types of AF function settings can be registered in a group: 1. AF area selection mode, 2. AI Servo tracking sensitivity, 3. AI Servo AF tracking method, and 4. AI Servo 1st/2nd img priority.
*This function can be assigned to the depth-of-field preview button or lens A stop button by customizing camera controls/buttons (Custom Controls).
Selected AF Point Display
Indicated by transmissive LCD display in the viewfinder and on the LCD panel
AF Assist Beam
When an external EOS-dedicated Speedlite is attached to the camera, the AF-assist beam from the Speedlite will be emitted when necessary.
Exposure Control
Metering Modes
63-zone SPC TTL metering with selectable modes
- Evaluative metering (uses all 63 zones; linked to active AF point)
- Partial metering (approx. 9.4% of viewfinder at center)
- Spot metering (approx. 2.3% of viewfinder at center)
- Center-weighted average metering
Metering Range
EV 1-20 (at 73°F/23°C with EF50mm f/1.4 USM lens, ISO 100)
Exposure Control Systems
Program AE (Shiftable), Shutter-priority AE, Aperture-priority AE, Creative Auto, Full auto, Manual exposure, E-TTL II autoflash program AE
ISO Speed Range
Manually set by user, in P, Tv, Av, and M modes — ISO 100 thru 6400 (in 1/3 or full-stop increments)
Automatic ISO setting in P, Tv, Av, and M modes — ISO 100â6400; User-defined maximum ISO limit can be set from 400 thru 6400, in full-step increments (Firmware Version 2.0.X is required)
When Highlight Tone Priority is active: minimum possible ISO is 200
Automatic ISO setting in Basic Zone modes — ISO 100 thru 3200
Note: In Creative Zone modes (P, Tv, Av, M, and B modes) the maximum settable ISO speed (400â6400) will vary within the automatic automatic ISO speed range.*
*Firmware upgrade (Version 2.0.X) is required.
Exposure Compensation
Up to ±5 stops in 1/3- or 1/2-stop increments (AEB ±3 stops)
* Indicated up to ±3 stops on the LCD panel and in the viewfinder.
AE Lock
Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved
User-applied: By AE lock button
Vertical-travel, mechanical, Electronically-controlled, focal-plane shutter
Shutter Speeds
30 seconds to 1/8000th second; user-settable in 1/3 or full-step increments (available shutter speeds vary by shooting mode); plus Bulb
X-sync at 1/250th second with EOS Speedlites
Shutter Release
Soft-touch electromagnetic release
Self Timer
10-sec. or 2-sec. delay
Shutter Lag Time
Approx. 0.059 sec., according to Canon Inc. test methods and criteria
Built in Flash
Retractable, auto pop-up flash
Flash Metering System
E-TTL II auto flash; Manual flash and Multi flash also possible.
Guide Number
12/39 (ISO 100, in meters/feet)
Recycling Time
Approx. 3 sec.
Flash Ready Indicator
Flash-ready icon lights in viewfinder
Flash Coverage
15mm lens angle of view (equivalent to approx. 24mm in 135 format)
FE Lock
Flash Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
External Speedlite
Zooming to Match Focal Length
Flash Metering
E-TTL II autoflash
Flash Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
FE Lock
External Flash Settings
Flash function settings, Flash C.Fn settings
PC Terminal
Drive System
Drive Modes
Single, High-speed continuous, Low-speed continuous, and Self-timer (10 sec. self-timer/remote control, or 2-sec. self-timer/remote control)
Continuous Shooting Speed
High-speed: Max. 8.0 shots/sec.
Low-speed: Max. 3.0 shots/sec.
Maximum Burst
JPEG (Large/Fine): approx. 110*/approx. 130**
RAW: approx. 23*/approx. 25**
RAW+JPEG (Large/Fine): approx. 17*/approx. 17**
*Figures based on Firmware upgrade (Version 2.0.X), ISO 100, Standard Picture Style and with 8GB CF memory card.
**Figures apply to 128GB UDMA 7 CF memory card.
Note: UDMA 7 CF memory card read/write speeds are not fully supported with the EOS 7D Digital SLR camera, if using UDMA 7 memory cards, the read/write speeds will be equivalent to UDMA 6
Live View Functions
Shooting Modes
Still photo shooting and video shooting
Quick mode (Phase-difference detection)
Live mode/Face detection Live mode (Contrast detection)
Face detection Live mode
Manual focusing (5x/10x magnification possible)
Metering Modes
Evaluative metering with the image sensor (still photos)
Center-weighted average metering (video)
Metering Range
EV 1-20 (at 73°F/23°C with EF 50mm f/1.4 USM lens, ISO 100)
Grid Display
Provided (Two-type grid displays)
Exposure Simulation
Silent Shooting
Provided (Mode 1 and 2)
Video Shooting
File Format
MOV (image data: H.264; audio: Linear PCM (monaural))
File Size
Recording Size: 1920 x 1080 (Full HD), 1280 x 720 (SD), 640 x 480 (SD)
Frame Rates
1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p, 1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 60p (59.94) / 50p
Continuous Shooting Time
Approx. 12 min. (Full HD); 12 min. (HD); 24 min. (SD)
Based on Canon's testing standards using a 4GB card.
Autofocus: Quick mode, Live mode, Face Detection Live mode; manual
Exposure Control
Program AE, Manual exposure
Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
LCD Monitor
TFT color, liquid-crystal monitor
Monitor Size
3.0 in.
Approx. 920,000 dots (VGA)
Approx. 100%
Viewing angle: 170°
Brightness Control
Auto: Brightness adjusted automatically by the light sensor, Manual: 7 levels provided
Anti-reflection, anti-dust coatings
Interface Languages
25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese)
Tilt Display
On LCD Monitor
Electronic level indicates up to 360° roll and ±10° pitch in 1° increments.
In Viewfinder
The AF point display is used to indicate up to ±6° roll and ±4° pitch in 1° increments (during vertical shooting, up to ±4° roll and ±6° pitch).
Display Format
Single image, Single image + Image-recording quality/shooting information, histogram, 4- or 9-image index, magnified view (approx. 1.5x-10x), rotated image (auto/manual), image jump (by 10/100 images, index screen, by shooting date, by folder), slide show (all images/selected by date/folder)
Highlight Alert
Provided (Overexposed highlights blink)
Quick Control Function
The following functions can be set (Press "Q" button to access Menu):
Shutter speed, aperture, ISO speed, exposure compensation, AEB, flash exposure compensation, AF point selection (including AF area selection modes), Picture Style, white balance, metering mode, Auto Lighting Optimizer, image-recording quality, AF mode, drive mode, and Custom Controls (camera controls/buttons customization).
Image Protection and Erase
Single images can be erase-protected or not
Single image, check-marked images or all images in the CF card can be erased (except protected images)
Direct Printing
Compatible Printers
PictBridge-compatible printers
Printable Images
JPEG images compliant to Design rule for Camera File System (DPOF printing possible) and RAW/sRAW images captured with the EOS 7D
Easy Print feature
DPOF: Digital Print Order Format
Version 1.1 compatible
Direct Image Transfer
Compatible Images
JPEG and RAW images
*Only JPEG images can be transferred as wallpaper on the personal computer screen
Custom Functions
Total 27
Custom Controls
The following camera controls can be customized by assigning the desired function: Shutter button halfway pressing, AF-ON button, AE lock button, depth-of-preview button, lens AF Stop button, Multifunction button, SET button, Main Dial, Quick Control Dial, and Multicontroller.
Camera User Settings
Register under Mode Dial's C1, C2 and C3 positions
My Menu Registration
USB Terminal
For personal computer communication and direct printing (USB 2.0 Hi-Speed), used for connecting the Canon GP-E2 GPS Receiver*
*Firmware upgrade (Version 2.0.X) is required
Video Out Terminal
(1) Video OUT terminal: NTSC/PAL selectable
(2) mini-HDMI OUT terminal
Extension System Terminal
For connection to optional Wireless File Transmitter WFT-E5A
Power Source
One Battery Pack LP-E6
AC power can be supplied via AC Adapter Kit ACK-E6
With Battery Grip BG-E7 attached.
Number of Shots
|Shooting Conditions
|50% use of built-in flash
|At 73° F/23° C
|approx. 1000
|approx. 800
|At 32° F/0° C
|approx. 900
|approx. 750
|Live View shooting at 73°F/23°C
|approx. 230
|approx. 220
|Live View shooting at 32°F/0°C
|approx. 220
|approx. 210
Battery Life
The above figures apply with a fully-charged Battery Pack LP-E6 without a Battery Grip
The figures above are based on CIPA (Camera & Imaging Products Association) testing standards
Battery Check
6-level display on top LCD panel.
"Battery Info" in Set-up Menu provides precise charge remaining indication, in 1% increments.
Power Saving
Provided. Power turns off after 1, 2, 4, 8, 15 or 30 min.
Date/Time Battery
One CR1616 lithium-ion battery
Start-up Time
Approx. 0.1 sec. (based on CIPA testing standards)
Dimensions and Weight
Dimensions (W x H x D)
Approx. 5.8 x 4.4 x 2.9 in./148.2 x 110.7 x 73.5mm
Approx. 28.9 oz./820g (body only)
Operating Environment
Working Temperature Range
Working Humidity Range
85% or less
|EOS 7D Kit Contents


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Nick`s Auto Sales Co / Hoboken, New Jersey
Driven to Perfection.
Welcome to Prestige Lexus, a New Jersey Lexus dealership that is Driven to Perfection by a long-standing tradition of excellence. We are a member of the Prestige family of automotive dealerships, which has served the New York metropolitan area for over 40 years. Prestige became one of the original Lexus dealers in the United States when we first opened our doors in Ramsey, NJ in 1989. Over the years, we?ˆ™ve helped thousands of people in the Northeast become proud, satisfied Lexus owners, while earning the renowned Elite of Lexus Award 18 times. Contact us today or stop by our location near Mahwah, NJ, to test drive any of our Lexus models and to experience the outstanding customer service that has become a hallmark of our dealership. Prestige maintains an incredible selection of new and pre-owned vehicles to fit your needs as well as your budget. We always have a wide array of Lexus specials and lease offers that will help you get behind the wheel of an invigorating, reliable luxury car or SUV for much less than you might think. Interested in a Lexus purchase near Rockland County, New York? Get an instant quote today from our financing experts on the model of your choice. Once you?ˆ™ve become a Lexus owner, you?ˆ™ll find that excellence is not only built into every part of our vehicles, but also into every part of our company. Our Lexus service and parts departments work hard to ensure long-term quality and minimize downtime through proper care and maintenance of your vehicle. Our knowledgeable technicians understand that fast service with uncompromising quality is of the utmost importance to our customers. That?ˆ™s why we never stop challenging ourselves to better serve you. The variety of service specials we provide adds value for loyal customers, and our dependable collision center is here to take care of you with timely, flawless auto repair in the event of an accident. The staff at Prestige would like to thank you for visiting our website. We look forward to serving you as a premier NY Lexus dealer for many years to come. Call us today at? 888-270-8229 or stop by our Bergen County, New Jersey location, serving Ridgewood and Paramus, to learn more about any of our vehicles or services.

subset: commoncrawl


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Related Suppliers
Because I've written about the basics of honing and its types in a past column, I dug a little deeper into honing to find a couple newer articles on the topic, in case you missed them in our print publication.
A feature called Controlled-Force honing, which works in concert with a machine's standard rate-feed system, is described in the article titled Tool Feed Technology Enhances Production Honing. It functions like cruise control to maintain the optimum cutting load on the honing abrasive throughout a cycle without regard to the incoming part's hardness, geometry or size variation. Designed by Sunnen Products Co., this feature allows a machine to detect what is happening in the bore when the abrasive contacts it, whereas with feed rate alone, the machine feeds the tool per the program, not according to the real conditions the part is experiencing.


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I have been working a lot with field recordings lately, especially the idea of sampling the space in which one is playing and using it in performance. A couple weeks ago, it occured to me that I could use a baby monitor, strategically placed, to pull in at will, sounds happening outside the performance space. I almost immediately went on ebay and purchased a Sony BabyCall monitor.
I selected this model because I've had good luck with being able to mod Sony's products in the past, and because this model was supposedly battery opperated, and thus, I figured, I could plant the transmitter anywhere I wanted without having to worry about power. But the listing was misleading and it ended up having a battery opperated receiver, and an AC opperated transmitter. A bit of a bummer, yes, but I think I might be able to mod it eventually.
The other night I got the idea to plant it in by back yard over night, and record the output on my computer upstairs. I quickly mounted an output with a switch inside the receiver and got to setting it up before bed. I put the transmitter outside and connected the receiver to my laptop. I set up Sound Studio to auto record when the input went above background noise level and went to bed.
The sounds that awaited me in the morning were great fun. Planes, busses, and car horns, dominated the soundscape, but the monitor warps everything in such a way that even these fairly plain sounds sounded magical to me.
I decided to set it up again, this time while i was at work, to capture the sounds in my backyard during the day. The sounds were much more of the same, cars, airplanes, trolleys, the occasional dog bark, some frequency disturbance of some kind, etc, but more frequent and louder i think. There was even some random talking that appeared (probably my neighbor). The one other thing that wound up on the recording, was my wife throwing some bottles and stuff in the recycling bin. This part was particularly interesting to me for it's haphazard percussive effect.
So far, this has been great fun. I think my next step is either to successfully mod my monitor so that it can be placed further from my house, or build one of these.
I am anxious to try these techniques in performance. I'm hoping when i do, it will be a nice source of random sounds, and i really like the idea that I'm interjecting something both real-time and random into the set. Enjoy the samples.


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? Reliable all-round fin for a diverse range of surfers, conditions and board types.
? Well proportioned template with Inside Foil Technology (IFT) delivering a balance of drive, pivot and hold.
? Designed for surfers wanting a combination of speed and maneuverability with flow between turns.
A wide range of conditions from beach breaks to point breaks.
Recommended for all board types. Please Note: this fin is designed to be used exclusively with the FCS II Fin System, and will not fit in the traditional FCS Dual Plug System. SMALL (55 - 70Kg / 120 - 155 Lbs)
MEDIUM (65 - 80Kg / 145 - 175 Lbs)
FIN SPECS: SMALL Base: 4.25" / 108mm
Depth: 4.43" / 112mm
Area: 14.03"² / 9054mm²
Sweep: 33.7º
Foil: Inside FIN SPECS: MEDIUM
Base: 4.37" / 111mm
Depth: 4.55" / 115mm
Area: 14.81"² / 9554mm²
Sweep: 33.7º
Foil: Inside


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Charlotte 2, Durham 1, 10 innings. The Bulls gave up a walk-off home run in the tenth inning. Their only run came on a wild-pitch. B. J. Upton was 0-1 with a walk and NO errors (must be a typo?). Delmon Young, was 1-4 with a double. Tim Corocoran had a strong outing, going 4.2 innings and giving up 2 hits and 3 walks, no runs and 4 strikeouts.
Montgomery 3, Mississippi 1. The Biscuits took their third straight from Mississippi in this five-game series. Jason Pridie was 1-4 with an RBI. Gabriel Martinez was 0-2 with 2 walks and his average is now down to .315. Veteran minor leaguer Jim Magrane had another solid outing going 8 innings to get the win and improve his record to 3-1. He surrendered 4 hits and no walks and no runs to lower his ERA to 1.88. 3B Wes Bankston had the day off but still managed to commit another error (ok, not really).
Visalia 6, Stockton 4. SS Reid Brignac, didn't start, but pinch hit going 0-1. The good news is that it is hard to commit an error sitting in the dugout.
Cedar Rapids 6, SW Michigan 1. C Matt Spring went 2-3 to raise his batting average to .315. Starter Jacob McGee took the loss going 4.2 innings, giving up 1 hit and 5 walks, which means he should be called up any day now and will fit right in with the parent club rotation.


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P-IC (Prod. by Afoe) - All I know [Skywalkin Music Group Submitted]
P-IC Brings you yet another banger of their highly
anticipated mixtape "Skyology 201' with features
from Big Krit, Smoke dza and more. This visual is
super "DOPE" shot in New York city, be on the
lookout this duo is about to make some noise in
Hip Hop everyone can relate to this kind of music
some straight feel good shit. " Mid-West stand up
you got one. "ALL I KNOW ISSSSSSS"
Song was Produced by Afoe producitions and video DIrected by Jace.
@UGskywalkin @ICskywalkin
Please click the "Report" button below if the video on this page is not working properly.
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Denver. This will be a hard game for both teams. They do not have Manning. We are missing Jules and Danny and Dion Lewis. We are the #1 scoring defense (by one point!) over Denver. However, we are also the #3 scoring offense (behind Arizona and Carolina). Denver, however, is #21. So, I do think we have the edge. A loss would not shock me. However, I expect us to win.
Weather could be a factor. It's expected to get to around 20 degrees tonight with light wind and a 60 percent chance of snow.
Our notable inactives are Julian Edelmann, Danny Amendola, and Jamie Collins. Collins was back to practice late this week, so with luck he'll be back for Philly.
For Denver, notables are Peyton Manning, Demarcus Ware and Christian Ponder. Denver signed Ponder to play back up QB until Manning is back. So, why make him inactive? What happens if Osweiler gets hurt?
Tony Corente is the ref. Al and Cris have the call.
Go Pats!


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Maybe there are not too many 8900 user here on the site for now, but anyway, i found this interesting, specially for those who likes to test different devices.
Pricing is said to be set at $149.99 but it is still unclear whether or not any rebates will be involved. Following the release of the 8900, is also suggested that AT&T will be dropping the price of a new Bold on June 1st from $299.99 to $199.99 on contract. $150 Curve 8900s, $200 Bolds?


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REAL ESTATE- ON THE BLOCK- No bluffing: Park your hybrid at Riverview
ADDRESS: 6 Riverside Avenue
NEIGHBORHOOD: Woolen Mills in Charlottesville
ASSESSMENT: n/a– new construction
SIZE: 2,277 fin. sq. ft., 1,221 unfin.
LAND: 0.12 acres
CURB APPEAL: 8.5 out of 10
AGENT: Roger Voisinet, RE/MAX Realty Specialists, 974-1500
Driving through Woolen Mills and up Riverside Avenue makes it apparent that the greenies have landed. Emerging from the Rivanna like our primordial ancestors– presumably also green– the eco-aware have established a beachhead of sorts along the eastern edge of the city.
While many contemporary homes have dotted the cityscape on this end of town for a few years, this recent wave of energy-efficient houses constructed with renewable and environmentally friendly materials has staked its claim at the corner of Chesapeake Street and Riverside Avenue, about a mile east of the Downtown Mall.
It's typical of Charlottesville that we have to distinguish between green developments: RiversEdge is not to be confused with RiverBluff, (recently visited in these pages), which also borders Riverview Park a few blocks farther up Riverside Avenue. (The Rivanna River is nearby, in case these names didn't tip you off).
This light yellow house, clad in Hardiplank with a standing seam metal roof, is one of ten planned for the development, two of which will be Habitat for Humanity projects.
On the open ground floor, large windows, brightly painted walls, and nine-foot ceilings welcome the daylight. A six-foot-high built-in entertainment center provides a sense of separation in the open floor plan without completely dividing the level or darkening either side. Pendant lights illuminate a granite kitchen island large enough to contain the sink.
Nice touches abound in the kitchen. Just below the microwave nook, for example, is a small butcher board counter, and there are enough plugs and data jacks to run a mail-order business.
A medium-sized deck overlooks the park and also provides, between the trees, a glimpse or two of the river beyond. Of the two bedrooms on this floor, one is for guests in front and a larger master is in the back corner.
The master bath features a tiled floor and marble counters, but alas, there's no water-hungry whirlpool or three-head shower. Folks who'll live here will conserve, after all. And the tiled stand-up shower– with only one (presumably low-flow) showerhead is separate from the regular-sized tub.
Upstairs, two bedrooms share a Jack-and-Jill bath– with his-and-hers sinks, no less. Jack had better draw a line on the marble lest Jill's beauty products encroach upon his space.
The basement features a massive bonus room the builder is open to customizing or leaving unfinished depending on the buyer's inclination. With the same large windows as upstairs and a door opening under the deck, either an office or a rental unit is a possibility thanks to the full bath. A smaller office with double doors directly beneath the master bedroom faces an open area that begs to be a screened-in porch, or perhaps a mini-garage to house one's solar-powered golf cart.
In the utility room, a dehumidifier stands in for the already hyper-efficient heat pump, ensuring the AC will run only during summer's dog days. To meet Earthcraft standards, even the tiny 0.16'' gaps between studs are filled with sealant to minimize air leakage. We pity the hungry mice. Behind those studs and the no-formaldehyde insulation, a layer of polyurethane sprayed on the block creates a hybrid insulation system. From top to bottom, this house's components combine to keep the house's carbon footprint small– as well as its utility bills. It will also qualify for lower city real estate taxes. That's the kind of green we like.
Older duplexes across the street create a stark contrast, one that brings to mind the World War II myth of the Polish horse cavalry facing German tanks. Aside from the architectural differences, how will the potentially different world views of neighbors coexist? How will the current residents welcome the environmentally conscious buyers now blocking their seasonal views of the park and river? For now, all that remains to be seen, a green– er, clean– slate.
Each week, a brave local seller invites the Hook to provide an impartial, warts-and-all look at their real estate listing. E-mail yours today!


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The purpose of the Management Consulting Division is to advance knowledge and understanding of management consulting, and to aid in the development of consultants from the perspectives of research, practice and teaching. The Division has a dual focus on both the process of consulting and the consulting industry.
Our members are concerned with interdisciplinary and integrative approaches related to established and major practice areas of consulting, ranging from strategy to information technology. Major topics include: the consulting process, ethical issues in consulting, the roles and responsibilities of academics in the field, the role of consultants in leading change initiatives, the management of consulting firms, the marketing of consulting, and the expanding role of consultants in organizations and society.
Learn more about the Management Consulting Division of the Academy of Management:
Domain Statement Officers Management Consulting Division Website Online Newsletter


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Log in to
What is pathology?
Home activity hub
Careers in pathology
Undergraduates and Foundation doctors
Blogs and videos
Public affairs
In this section
Glossary of terms
Information about post mortems for friends and relatives
In this section
Explore careers by theme
Careers for doctors
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Train to work in pathology
Meet the experts
Train to work in pathology
There are two main training routes into a career in pathology – becoming a medical doctor or becoming a clinical scientist. Both focus on the prevention, diagnosis and treatment of disease.
In this section
National Pathology Week
Public events calendar
Advertise your event
Funding for public events - our grant scheme
Public engagement training
Request a visit from a pathologist
Public Engagement Coordinators
Key awareness days and weeks
Past public events
Submit an event
Register your public engagement event to appear in our listings
In this section
Request promotional materials
Guidance for event organisers
Activities and resources
Event templates
Public engagement videos
Apply for a public engagement grant
We offer up to £1000 for creative and innovative projects that promote pathology. Proposals for both online and in-person events and activities are welcomed.
In this section
Essay competitions
Art of Pathology competition
Register your event and win a prize
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Benefits of membership
Become a member
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Membership FAQ
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Pay your subscription fee
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In this section
Pathology Undergraduate Curriculum
Undergraduate resources
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Join our pathology summer school
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Become an Undergraduate Member
Open to all undergraduates in a relevant subject, Undergraduate membership demonstrates the College's commitment to supporting and engaging students throughout their undergraduate careers.
In this section
Become a spokesperson for the College
Did you know?
That over 70% of diagnoses in NHS involves pathology
That pathologists perform almost 900 million tests each year in the UK.
In this section
Cancer diagnostics
The pathology workforce
IT and Laboratory Information Management Systems (LIMS)
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The Topol review
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We campaign to raise awareness amongst parliamentarians and policy makers of the vital role of pathology in prevention, diagnosis and treatment in health care.
COVID-19: information for trainees
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In this section
Examinations by Specialty
Examination News and Dates
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In this section
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specialist area
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About the College
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Log in to MyRCPath
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G141 Tissue pathways for non-neoplastic ophthalmic pathology specimens
G141 Tissue pathways for non-neoplastic ophthalmic pathology specimens
Cellular pathology
Clinical guidelines
Tissue pathways
June 2020
G141 Tissue pathways for non-neoplastic ophthalmic pathology specimens
June 2020
Also of interest
RCPath response to Infant Mortality Outputs Review from the Office for National Statistics
Published: July 2017
Published: July 2017
Opthalmic Pathology Annual Report 2014
Published: June 2015
Published: June 2015
Gastrointestinal (GI) Report
Published: January 2019
Published: January 2019
Human Tissue Act activity: ethical discussion cards
Published: December 2015
Published: December 2015
Dataset for histopathology reporting of mucosal malignancies of the nasal cavities and paranasal sinuses
Published: November 2013
Published: November 2013
More resources


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Posted 9 years ago
(310 items)
Back in 1972 on one of my many metal detecting excursions I got a strong hit on my detector. What I dug up was a metal box containing the items you see in the accompanying photographs. It was buried about 8 inches in the ground. The larger cross you see in the middle is extremely interesting to me and I do not know the significance of it, not being a religious historian. As you can see from the photograph, the cross unscrews from the bottom and there is a compartment inside. In that compartment is a small gold looking object and a piece of wood. The other crosses are made of what appears to be brass and what looks like a shell material. None of the items were attached to each other in the box. I think the string of beads is part of a very old Rosary, but again, I am not sure. Any help with identifying the significance of the large cross will be greatly appreciated. It has been a mystery to me for many years. I have always wondered why somebody would bury something like this.
Thank you,


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Now showing items 1-1 of 1
Flow Injection Analysis Coupled with Carbon Electrodes as the Tool for Analysis of Naphthoquinones with Respect to Their Content and Functions in Biological Samples
Naphthoquinones are one of the groups of secondary metabolites widespread in nature, where they mostly appear as chromatic pigments. They embody broad-range of biological actions from phytotoxic to fungicidal. An anticancer ...


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First of all - A Very Happy Birthday to Marti xxxxx
I never thought I would have a blog and resisted for quite a long time. I started my blog when my father was alive as a way for him and mum to keep up with the day to day goings on of our little family. Of course, he wasn't interested in my craft projects but when I visited my parents I would often see photographs (always of Gracia) that he had snaffled off my blog, on display in his home office. Gracia is my mum's only grandchild and as they live nearly 200 miles from us, blogging was an easy way to keep them up to date with our lives. I could blog at a convenient time to me and they could read it at a convenient time for them.
But through blogging, I have discovered some amazing and talented women, inspirational crafters, inspirational mothers, inspirational story tellers and also made some genuine friendships. Although these friends live many miles away they are still friends. We sometimes email, often comment on each others blogs, have skyped and last week I received a little supportive postcard.
One such friend is Deb.
Earlier this year her mom, Marti, was diagnosed with cancer. How can you support a friend who lives thousands of miles away? Deb, being the ingenious woman that she is, came up with the idea that if you wished you could wear a teal wrist band in support of Marti. Of course, I signed up for the wrist band and it came in the post with a letter asking all who received a band to post or facebook a photo of the band or you wearing the band on Marti's birthday - the 29th April 2011.
So here is my post and a layout I made in celebration of our friendship and of Marti's courageous fight.
So, if you are reading this, please take a moment out of your busy life to say a little prayer for Marti and her family so that positive thoughts come to her from all over the world.
Reasons to be cheerful:
1. Friends who although they are thousands of miles away can still be near enough to offer a little cyber support.
2. That more people use the internet for good than for bad.
3. Just knowing that someone, no matter how far away they live, is thinking positive thoughts about you.


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The Hope College Concert Series will feature William Fitzsimmons on Friday, Sept. 4, at 7:30 p.m. at the Knickerbocker Theatre in downtown Holland.
Admission is free with a Hope College ID, and tickets will cost $10 for the general public.
William Fitzsimmons grew up outside of Pittsburgh in a home with two blind parents. The result was a childhood immersed in a much more sonically emphasized environment than the typical American household. Being surrounded by instruments and timeless folk artists set the foundation for Fitzsimmons's songwriting.
As Fitzsimmons's Web site reports, "William draws from those early folks stylings of his mother's music, and the embellished instrumentation of his father's. He is often compared to contemporaries Sufjan Stevens, Iron & Wine, and the late Elliott Smith, not only for his unique style and skill in writing and proclivity to deal with substantive and evocative subject matter, but also for his use of organic and colorful melodies and arrangements..."
Fitzsimmons draws not only from his musical past but also his relational past to create his music. For example, his 2008 album "The Sparrow and the Crow" was written about and following his own divorce. Mark Jenkins of the "Washington Post" called "The Sparrow and the Crow" a "doleful but delicately lovely album," noting that the song "Just Not Each Other" "struggles about as far toward acceptance as the Pittsburgh-bred singer-songwriter can get."
Fitzsimmons has received mention in noted publications such as "Billboard," "Paste Magazine" and "Performing Songwriter Magazine." His music has been featured on a variety of television programs, including "Grey's Anatomy" and "Army Wives."
Opening the night will be special guests and Hope College act, Philip & Trixie, led by Jonathan Ytterock.
Tickets are on sale at the ticket office in the main lobby of the DeVos Fieldhouse, which is open weekdays from 10 a.m. to 5 p.m. and can be called at (616) 395-7890. Any remaining tickets will be sold at the door.
The DeVos Fieldhouse is located at 222 Fairbanks Ave., between Ninth and 11th streets. The Knickerbocker Theatre is located at 86 E. Eighth St.
The doors at the Knickerbocker will open at 7 p.m. on the night of the concert.


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13 min
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For an enhanced browsing experience, get the IMDb app on your smartphone or tablet.
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EUR40,000 (estimated)
Check out our gallery of the nominees in the leading and supporting acting categories in real life and as the characters they so brilliantly played.
View the full gallery


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IPS-series syringe pumps provides accurate and precise delivery of the desired amount of fluids, can be used in the types of applications that require smooth, non-pulsatile flow that is extremely accurate such as Electrospinning, Electrospraying, Dispensing, organ/tissue perfusion, Microfluidic applications…
The flow rate can be adjusted from the easy-to-use touch screen panel even during the process.
The model: IPS 14-RS is a programmable double channel pump that provides a wide flow rate range (0,732 µl/h – 4784,55 ml/h), the lowest flow rate can be reached using a 1ml syringe, the maximum can be reached using a 140ml syringe. It can hold two syringes of different sizes, each syringe is held by its own clamp and can be independently adjusted (possibility to use different flow rate for each syringe). This model enables saving the previous parameters and easily recall them for further operations, it also enables purging backward and forward (infusion and withdrawal).
- 4,3 inches touch screen with clear interface
- PLC control software
- Up to 100 ml syringe holding capacity
- High precise pumping
- Adjustable flow rate even during process
- Purging forward


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Latest News
We are the Exclusive Distributor of RS in Hong Kong, UK, and parts of Europe (2007-09-14)
Redwolf Airsoft is the Exclusive Distributor of RS products for the UK, Hong Kong and parts of Europe - Check out their NEW products!
RS, an abbreviation for Real Sword, are the new kid on the airsoft block, and from what we have seen of their upcoming products, we are quite confident that they are here to stay. They are a Hong Kong-based company with a fresh approach, and this is readily apparent in their soon-to-be-released first products - the first guns that they will be releasing are replicas of Chinese assault rifles: the Type 56, Type 56-1 and the Type 97, and the end product is quite simply astounding. A lot of time & effort was spent ensuring that each model is, in terms of aesthetics, a perfect replica of the real steel counterpart. Thus, these AEGs are as close you can get to the feel and look of the real thing, thanks to specially developed 7mm gearboxes which allow for a 100% real steel dimension. For the Type 56 & Type 56-1 AEGs, the manufacturing and chemical treatments are done in exactly the same way as the real steel equivalents by RS's factory - making for an incredibly real looking product. Even the spot welds and other minute details that you might think are irrelavant, are made relevant, and very meticulously so in this case. Of course, RS's guns look extremely real but can never be converted to fire real bullets. In essence, RS guns are so realistic that they are the equivalent of PTW's.
Redwolf Airsoft is honored to be appointed as Official Distributor of RS products for Hong Kong, the United Kingdom, and parts of Europe. The first load of products will be coming out very soon, so keep your eyes permanently peeled. We tested and inspected their new guns at length and they are VERY high quality. The external finishing, weight, method of manufacturing, and even the smell are exactly like the real thing. RS guns are designed to be more like PTW's and are extensively used by military organizations for training. For many who have never seen the standard assault rifle used by the Chinese military - the TYPE 97 - this is the best chance to get the real feel for it. RS's Type 97 is EXACTLY like the real thing dimensionally and operationally. You cannot tell the difference between the real version and this airsoft version until you pull the trigger!
|Product Name
|Brief Description
|RS Type 97
|NEW! This RS Type 97 is a faithful replica of the real steel. 100% of the dimensions, same materials used, a fantastic AEG!
|RS Type 56
|NEW! The dimensions of these RS AEGs are 100% true to the original, thanks to a specially developed 7mm gearbox. Features an all steel/real wood construction.
|RS Type 56-1
|NEW! This is a hot new product!! The parts from this RS Type 56-1 were made from using the same manufacturing processes as the real-steel. If you want ultra-authentic details, this is the one for you!
|RS M16/Type 97 130rds Steel Magazine
|These realistic steel mags are made to the same manufacturing process as the real-steel one! Ultra authentic!!
|RS M16/Type 97 300rds Steel Magazine
|These realistic steel mags are made to the same manufacturing process as the real-steel one! Ultra authentic!!
|RS AK/Type 51 150rds Steel Magazine
|These realistic steel mags are made to the same manufacturing process as the real-steel one! Ultra authentic!!
|RS AK/Type 51 500rds Steel Magazine
|These realistic steel mags are made to the same manufacturing process as the real-steel one! Ultra authentic!!
|RS 97 Series Gun Sling
|A perfect accessory for the RS Type 97 - a high quality sling for carrying it around with.
|RS Type 56 Spike Aluminum Bayonet for RS Type 56
|This high quality aluminum bayonet is a replacement for the standard plastic one on the RS Type 56.
|RS 97 Picatinny Mount Base for RS Type 97
|This CNC-machined rail will allow scopes to be added to the new RS Type 97!
|RS AK-47S Full Steel Folding Stock Kit for AK-47S
|Full Steel folding stock is suitable for all AK-47S AEGs on the market, and is an ideal replacement. This is made to the same spec as the real steel one!
Also, check out our in-depth review of the:


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Slack + Brainbi Integrations
In a matter of minutes and without a single line of code, Zapier allows you to automatically send info between Slack and Brainbi.
Connect Slack + Brainbi in Minutes
It's easy to connect Slack + Brainbi and requires absolutely zero coding experience—the only limit is your own imagination.
All Triggers & Actions
Triggers when a new message is posted to any public channel.
Triggers when a new message is posted to a specific #channel you choose.
Triggers when a new file is uploaded to your workspace.
Triggers when a new message is posted to a specific #private-channel or multi-dm.
Triggers when a reaction (aka reactji) is added to a message in a public #channel.
Triggers whenever a new #channel is created.
Triggers when a custom emoji has been added to a team.
Triggers when a username or highlight word is mentioned in a public #channel.
Triggers when you click the "Push to Zapier" button from a message in Slack.
Triggers when you save a message.
How Slack + Brainbi Integrations Work
- Step 1: Authenticate Slack + Brainbi.(30 seconds)
- Step 2: Pick one of the apps as a trigger, which will kick off your automation.(15 seconds)
- Step 3: Choose a resulting action from the other app.(15 seconds)
- Step 4: Select the data you want to send from one app to the other.(2 minutes)
- That's it! More time to work on other things.


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A Florida man was charged with domestic battery after an argument with his wife over Obama vs. Romney turns physical. WTVJ's David Jeannot reports.
HOLLYWOOD, Fla. -- An argument over the 2012 election led to a domestic battery charge for an elderly Hollywood man who struck his wife after yelling at her "about Obama and Romney," police said Wednesday.
Peter Schwartz, 74, was arrested at his home on Hillcrest Drive around 8 p.m. Tuesday, according to the Hollywood Police arrest report.
Schwartz's wife told police the two had gotten into a verbal argument about "politics" and she ran away when he started yelling at her about "Obama and Romney," the report said.
Read the original report | More from NBCMiami
Schwartz also told police that they had been arguing about the two presidential candidates and said his wife grabbed his shirt and he slapped her on the left side of her face with his open right hand, the report said.
He also pushed her in her chest, causing her to fall in the grass, the report said. She was then able to run away, she said.
"I fell in the grass and maybe hit my face," the woman told officers, according to the report. Officers noted in the report that she had redness and swelling on the left side of her face.
She refused to fill out a complaint affidavit but police arrested Schwartz anyway, the report said. He was being held on $1,000 bond Wednesday, and it was unknown whether he has an attorney.
Stay informed with the latest headlines; sign up for our newsletter
"You shouldn't talk about politics, sir, you really should not," Judge John Hurley told Schwartz.
Hurley ordered him to have only telephone contact with his wife and to stay 500 feet away from here. He was also not allowed to possess any guns or ammunition.
"I love this woman more than my own life," Schwartz said.
More content from NBCNews.com:
- Marijuana joint falls out of attorney's pocket - in court
- Calif.'s Department of Fish and Game gets name change -- and controversy
- No Halloween for sex offenders? They challenge California city's restrictions
- Pedestrians, bicyclists beware in New York, Los Angeles
- Video: Not all smoke detectors created equal
Follow US News from NBCNews.com on Twitter and Facebook


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I have some wonderful & exciting news! I am going to be teaching on Life Book 2016 next year! I'm thrilled to be a part of the vibrant community of artists that Tam of Willowing Arts has gathered together. Having friends who have participated in past years, I just know that the magic that this course generates really sifts down into every area of your studio practice. Its going to be packed full of juicy ways to connect with, celebrate and honor yourself through art journaling.
First let me tell you a bit more about Life Book in case you haven't heard about it yet! "Life Book, a celebration and honouring of YOU" is a year-long mixed media art class
organized by Tamara Laporte from Willowing Arts.
Tam is joined by 23 incredible art teachers who are all gearing up to share their mixed media techniques, tips and tricks with YOU! Themed around self-development and healing, you'll be creating several loose mixed media art journal pages per month which by the end of the year you will bind into a glorious journal (a Life Book)! You will have a wonderful keepsake that you can treasure for the rest of your life!
You can find out a lot more about this wildly popular course (it has been joined by over 8700 people in the past!) by clicking HERE.
I've had so much fun in the process of developing my Life Book class! My lesson will go live in the middle of February 2016, here's the description of what my lesson will be....
I'm also super excited to be offering a Bonus Lesson about painting on unconventional surfaces, exploring pattern painting on gathered leaves, this will air in the autumn of 2016!! Eeeeeep, so much fun!
Registration opens on October 5th 2015 and the class begins on January 1st 2016. There is so much exciting community over in the Facebook group, so much sharing of beautiful work, and really you can jump in at any time throughout the year!
So if you want to start this year with a fabulous creative BANG and spend 2016 with a wonderful creative community of like-minded souls, learning more about art and how to be kinder and more loving towards yourself, be sure to join once registration opens! :) Keep this page bookmarked so that you can sign up the moment it goes on sale! :)
Here is the list of the other amazing teachers who will be teaching on Life Book –
7 Sept 2015; Tamara Laporte http://www.willowing.org/
8 Sept 2015; Annie Hamman http://anniehamman.com/
9 Sept 2015; Kristin Dudish http://kristindudish.com/
10 Sept 2015; Effy Wild http://effywild.com/
YOU ARE HERE:: 11 Sept 2015; Faith Evans-Sills http://harmonyandfaith.blogspot.com/
12 Sept 2015; Gillian Lee Smith http://www.gillianleesmithartist.com/
13 Sept 2015; Ivy Newport http://ivynewport.com/
14 Sept 2015; Jane Davenport http://janedavenport.com/
15 Sept 2015; Jenny Grant http://www.flowbyjenny.com/
16 Sept 2015; Angela Kennedy (Pennystamper) http://pennystamper.blogspot.com
17 Sept 2015; Lisa Viger http://www.lisaviger.com/
18 Sept 2015; Martha Lever http://marthalever.blogspot.co.uk/
19 Sept 2015; Mary Beth Shaw http://www.mbshaw.com/
20 Sept 2015; Melody Ross http://bravegirlsclub.com/
21 Sept 2015; Pam Carriker http://pamcarriker.com/
22 Sept 2015; Pauline Agnew http://www.paulineagnew.com/blog/
23 Sept 2015; Rae Missigman http://rae-missigman.squarespace.com/
24 Sept 2015; Renata Loree http://renataloree.com/
25 Sept 2015; Roben-Marie Smith http://www.robenmarie.com/
26 Sept 2015; Roxanne Coble http://bybun.com/
27 Sept 2015; Shiloh Sophia McCloud http://www.shilohsophiastudios.com/blog
28 Sept 2015; Donna Downey http://donnadowney.typepad.com
29 Sept 2015; Tracy Verdugo http://artoftracyverdugo.blogspot.co.uk/
30 Sept 2015; Wyanne Thompson http://www.wyanne.com
Have a great time following the blog hop! I can't wait to see you in the classroom!


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Amalia Ulman's social media performance Excellences & Perfections is presented as part of First Look, the ongoing series of digital projects co-curated and copresented by Rhizome and the New Museum. For this presentation, Rhizome's new social media archiving tool was used to capture the Instagram portion of the performance. View that capture here.
Amalia Ulman, Excellences & Perfections, 2014 (detail). Performance: Instagram. Courtesy the artist.
On April 19, 2014, Amalia Ulman uploaded an image to her Instagram account of the words "Part I" in black serifed lettering on a white background. The caption read, cryptically, "Excellences & Perfections." It received twenty-eight likes.
For the next several months, she conducted a scripted online performance via her Instagram and Facebook profiles. As part of this project, titled Excellences & Perfections, Ulman underwent an extreme, semi-fictionalized makeover.
She pretended to have a breast augmentation, posting images of herself in a hospital gown and with a bandaged chest, using a padded bra and Photoshop to manipulate her image. Other elements of the makeover were not feigned; she followed the Zao Dha Diet strictly, for example, and went to pole-dancing lessons often.


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Lying in bed this morning, listening to the rain, eating a bowl of last night's stir fry, and playing Words with Friends on my iPhone, John Lennon starting singing in my head:
"It's been too long since we took the time
No one's to blame, I know time flies so quickly…"
I reached over and grabbed a Kleenex off the nightstand. A pity party began as a lump in my throat. I blew my nose and wiped a tear and thought, 'I miss my bike. I miss my elliptical. But it's been so long, my body's going to hate me. It will be just like starting over and I don't want to start over. I want to lie here and eat Chinese food and maybe some chocolate and I think I have real peanut butter downstairs…'
I caught it all the last three weeks – a cold that refuses to go away, two different stomach bugs, some weird flu-like thing with aches and a fever, AND…as if that wasn't enough fun…Aunt Flo came for a visit.
(You want to stop reading, don't you? I don't blame you. But I promise, it only goes uphill from here. Pinky swear.)
A pity party's a great tool for reflection…WHEN I don't wallow in the pity part too long. "Poor Me" has taught me many lessons over the years, such as what and who are most important in my life, and what I should let go of and what I should hold on to.
Today, Poor Me took me back to the days before I started exercising and how blah I felt all the time. Blah was my state of being. I didn't know there was a non-blah way to live until I got up one morning several years ago and deliberately walked a half a mile.
Poor Me reminded me that I don't want blah to be my lifestyle again. Then Poor Me asked me to dig a little deeper.
"Why haven't you hit the exercise – other than a few power walks – for three weeks?" she asked.
Well…I was sick.
"Yes…but what else?"
Um…in between illnesses, I didn't manage my time well enough to fit in a workout.
"OK…what else?"
I also…deep down inside…didn't want to exercise because it will suck starting over.
"It won't suck as much as you think," Poor Me assured me.
You're right. My mind needs to chillax and let my muscles do the work. I will work out…slowly…building up to where I was before, and in the meantime, reap the benefits of endorphins, as always happens, even in a short workout. How quickly I forget.
40-day "I Give Up" update:
I was happy to see so many of you here and on Lynn's Weigh on Facebook take the challenge to either give up a food you've been struggling with or reflect on a food-related behavior for the 40 days of Lent.
I'm hanging in there with my two resolutions. I've rejected all restaurant bread, which, to be honest, hasn't been too hard since I haven't been out much in just a week. The only temptation was on Saturday:
Two innocent looking (Look how small! Aren't they cute?) pieces of seasoned white focaccia bread arrived on my salad plate, which I quickly moved to another plate (Why yes, I order a side of steamed veggies every time I order a salad. I kid you not.).
That still wasn't far enough away, so I asked BF to remove them. So he hid them behind the ketchup.
As for sweets, again, I've done very well. I bought a quart of Breyer's fat-free strawberry ice cream and a bar of dark chocolate. I savor one bite of one (not both) of them every day. And I mean "savor" as in I am mindful of that bite to the very end.
Reflecting on my sweet tooth this week, I've realized that what I want to control is not my sweet tooth, but rather my actions. I've taken to heart the advice given by Millie Jackson, a Lynn's Weigh Facebook follower, who wrote in a post the other day: "I thought, 'Oh, I need to eat something sweet on Fat Tues.' And then I asked why? And didn't."
Sometimes all it takes to get past a craving or change a habit is to ask the simple question, "Why?" as the moment unfolds. It's amazing the answer you'll get when you're open to it.
John Lennon and I are off to end the blahs and hit the bike. Ah…my bike…
"We'll be together all alone again
Like we used to in the early days
(And) when I see you darling
It's like we both are falling in love again


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On a sunny afternoon, a rotund, tall man named Andre Brown had just stepped out of his Boca Raton apartment when a bronze-haired stranger approached him wearing a black suit, leather gloves, and an expression stitched with alarm. "Are you who I'm supposed to talk to?" the man asked in a heavy Russian accent, as he set down a briefcase and backed away. "You have 60 seconds!" the Russian yelled. "You have 60 seconds!"
It's a bomb! Brown thought, looking at the case at his feet.
"We gotta run!" the apparent Russian hit man shouted, taking cover beside a clay-colored building. Confused and terrified, Brown sprinted after him. But then, just as they were about to take off running again, the hit man pointed at a cameraman standing across the street and laughed. "You're on camera!"
Prankster Vitaly Zdorovetskiy Conquers YouTube With Borat-Style Videos
Brown didn't find this funny. "You trying to get a laugh?" he screamed, knuckling a fist and striking the Russian. "I'm not a motherfucker you can laugh at! If you keep filming me, I am going to fuck you up!"
What Brown didn't know then was that such antics have made Vitaly Zdorovetskiy the most famous YouTube celebrity in South Florida — outpacing, perhaps, even the Prancercise lady. And what Zdorovetskiy didn't know was that this encounter, which later became an online sensation called "Russian Hitman Prank Gone Wrong!," would ensnare him with two felony charges, cause Boca Raton to impound his green Isuzu Rodeo, and imprison him in a Key West jail for weeks for violating probation from an earlier offense. "Most police forces don't find bomb hoaxes to be a funny joke," says Boca Raton's assistant city manager, Mike Woika.
Your typical teenaged YouTube viewer, however, isn't a cop. At 21 years old, Vitaly Zdorovetskiy wields a social media following that spans the globe. In just two years of filming, he's marshaled an army of 1.7 million YouTube subscribers on his channel VitalyzdTv, taken in 114,000 "likes" on his Facebook page, and amassed more than 189 million clicks off 96 prank videos. In those, he's taught viewers "how to pick up black girls" and "how to get girls to kiss you," chased African-Americans in a "Miami Zombie Attack Prank!," and queried muscled oafs, "Bro, do you even lift?" Today, in terms of YouTube subscribers, he's more famous than Jennifer Lopez, more recognized than Jay Leno, and Justin Timberlake's equal.
For younger generations that eschew television and instead gorge on YouTube clips, Zdorovetskiy's highly shareable brand of physical comedy is the equivalent of online crack. It's a style that combines juvenile antics (think Jackass) with Borat-level brazenness and a heavy dose of frat-bro likability. And while most pop YouTube sensations founder after one hit, Zdorovetskiy has managed sustainability. His videos, which pack one individual joke and last roughly three minutes, aren't flukes. They're engineered to go viral, and the formula works every time.
But that's just about the only thing involving Zdorovetskiy that follows a pattern. Born in Murmansk, a city of 300,000 in northwestern Russia, Zdorovetskiy grew up fatherless in a one-room apartment with his mother. "He was a street boy," his mother, Elena Vulitsky, recalls. "Our lives were hard. He always wore the best clothes I could afford, but sometimes I made more money and sometimes less."
"All of my life, I've been poor," Zdorovetskiy agrees in a monotone baritone on a recent Friday afternoon, wearing cargo shorts and a black T-shirt, his hair just-out-of-bed messy. "My mom was a hairstylist; there weren't any opportunities for us there. I never thought I'd have my own car or cell phone."
So in 2004, when he and his mom landed in Delray Beach looking for better lives, the transition from North Russia to South Florida was debilitating. At Carver Middle School, he could barely shoehorn a single English sentence and found himself alone in ESL classes teeming with Haitians and Latin Americans — but no Russians. Despite the different surroundings, that same mischievousness that made him a "street kid" in Russia soon emerged in America, sparking conflict after conflict with authorities.
He took to skateboarding, and in 2010, he and two buddies were picked up by Boca Raton police for swimming in the Intracoastal Waterway, which was clogged with boat traffic, according to a police report. That same year, he also starred in a BangBus porno in which he anxiously tried — and failed — to get an erection, enduring every male's darkest fears while on camera.
"I wasn't supposed to get hard," he at first explains to New Times, then quickly changes stories. "There were so many people in the back [of the bus], and I got nervous. You know, it's not that easy... It was a dirty business, and I don't regret it." (Zdorovetskiy later called to clarify that he eventually did, in fact, "get hard" and "finished in her face.")
Around that time, pioneering YouTube celebrities like Jenna Marbles — who today has 10 million subscribers and collected 1 billion clicks — began poking out of obscurity with raw self-shot videos that teenagers and college students found eminently relatable. A short film called I Fucking Hate My Roommate was Marbles' first. When Zdorovetskiy saw such videos, he saw opportunity.
"I realized that I could do videos better than any of the others," says Zdorovetskiy, who ignored his mother's pleas for him to attend college and instead waited tables at Villagio at Boca Raton's Mizner Park. His project was unrefined, consisting of a few pals filming Zdorovetskiy with handheld cameras as he pranked random pedestrians. On August 10, 2011, Zdorovetskiy released his first video. It shows him, dripping confidence and deadpan, asking homeless men to kiss him while he wears a Scooby-Doo winter hat. "Yo, listen," he tells one disheveled gentleman resting against a fence, "I just want to kiss you."
Such buffoonery extended beyond YouTube. Months after this first video, on October 29, Zdorovetskiy was charged with disorderly conduct in Key West after trying to get into Rick's Bar on Duval Street with a fake ID, which bouncers confiscated. According to the police report, Zdorovetskiy became "aggressive" and was arrested. "While in custody," the document says, "Zdorovetskiy continued to scream and make threats toward officers and bystanders, outraging the public sense of decency." He was placed on probation.
But Zdorovetskiy had discovered that outraging public decency could work miracles on the internet. Over several months, he dispatched dozens of videos, labeling many of them "disturbing the peace." And, slowly, there rose a following across the nation's college campuses and high school cafeterias. His incredible ascent draws on themes of sex, delinquent humor, and profanity that define this new age of celebrity. And though Zdorovetskiy claims to have never studied the dynamics that drive the internet, he has a keen grasp of them. Videos and pictures that elicit "arousal emotions," Jonah Berger of the University of Pennsylvania found in 2011 — like surprise or amusement — deliver the most impact.
The biggest surprise came last June. Less than a week after the Miami Zombie attack on the MacArthur Causeway, Zdorovetskiy doused himself in fake blood and chased petrified African-Americans down Martin Luther King Jr. Boulevard in Miami. "People used to call me racist for always punking black people, but they always just gave me the best reactions," Zdorovetskiy says. "Black people tell you what they really think."
The video went Hiroshima. It got 23 million views and catapulted Zdorovetskiy into the stratosphere. He materialized on the popular show Tosh.0 on Comedy Central. "All the people on Facebook were talking about zombies," Zdorovetskiy told host Daniel Tosh. "So I had a feeling it would go viral."
Zdorovetskiy quit his job waiting tables and claims he was bringing in thousands every week off YouTube advertisements. Though the prankster declines to talk specifics, David Burch, a YouTube advertising expert with TubeMogul, estimates Zdorovetskiy made more than $60,000 in the past six months alone.
But such videos also exposed the immature cruelty of Zdorovetskiy's videos. The success of his clips hinges on the explosiveness of the reactions. The more someone buys the prank, the better the video. And to some degree, the people who offer the best responses become the greatest victims.
That's how Andre Brown felt after he thought Zdorovetskiy's briefcase carried a bomb last year. (Zdorovetskiy claims he never said there was a bomb.)
"I'm looking for someone who can help me sue this guy," Brown, 52, who works for the Boca Raton Housing Authority, says now. "I'm still being harassed because of this. Random people call me and pull pranks on me and my son or call me racial slurs. I was a private guy who didn't want to get involved with anything, and now I have to deal with this guy?"
Last week, though, Zdorovetskiy uploaded a video in which he treats a bedraggled but charismatic homeless man to new clothes, a haircut, and a steak dinner. By Monday, it had snared 3.8 million views, soared into Reddit's top ten posts, and for several hours was the dominant post on YouTube's homepage.
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In a note uploaded with the video, Zdorovetskiy wrote, "Since I am usually a d-bag in my vids... I also wanted to show people that I have a heart and I am a really nice guy." He explained that the homeless man, identified only as Martin, "wanted to get his teeth pulled more than anything in his life... Let's make this happen." Zdorovetskiy linked to an indiegogo fundraising page that sought to raise $2,500 for the man. Within three days, it raised almost $10,000.
But that may be one of the internet superstar's last videos in South Florida. He says he's moving out of his mom's Boca house to try acting in Los Angeles. "I'm going to do some television pilot auditions and just hustle," Zdorovetskiy explains on a recent afternoon while shooting a Russian hit-man video that involves his flashing a briefcase full of cash at strangers. For a moment, he mulls possibilities. No one has ever turned his brand of cyber celebrity into something on TV. Will it work?
"Either way, I'll keep pranking people," he says. "This is my full-time job, and I have to keep it up."
And besides, he says, too many people recognize him in South Florida. "I can't prank anyone younger than 30, guaranteed."


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The death of the Christian
"Thou shalt come to thy grave in a full age, like as a shock of corn cometh in his season." Job 5:26
Suggested Further Reading: 2 Corinthians 5:1-8
Wait a little, beloved. In a few more years you and I shall be carried through the heavens on the wings of angels. When I die, the angels approach. I am on the wings of cherubs. Oh, how they bear me up—how swiftly and yet how softly. I have left mortality with all its pains. Oh, how rapid is my flight! Just now I passed the morning star. Far behind me now the planets shine. Oh, how swiftly do I fly, and how sweetly! Cherubs! What sweet flight is yours, and what kind arms are these I lean upon. And on my way you kiss me with the kisses of love and affection.You call me brother. Cherubs; am I your brother? I who just now was captive in a tenement of clay—am I your brother? "Yes!" they say. Oh, hark, I hear music strangely harmonious! What sweet sounds come to my ears! I am nearing Paradise. Do not spirits approach with songs of joy? "Yes!" they say. And before they can answer, behold they come—a glorious convoy! I catch a sight of them as they are holding a great review at the gates of Paradise. And there is the golden gate. I enter in; and I see my blessed Lord. I can tell you no more. All else were things unlawful for flesh to utter. My Lord! I am with thee—plunged into thee—lost in thee just as a drop is swallowed in the ocean—as one single tint is lost in the glorious rainbow! Am I lost in thee, thou glorious Jesus? And is my bliss consummated? Is the wedding-day come at last? Have I really put on the marriage garments? And am I thine? Yes! I am.
For meditation: Are you looking forward to this time (Philippians 1:23)? You can if you are a Christian.The unbeliever has another prospect ahead (Hebrews 10:27). See the contrast in Luke 16:22,23.
Sermon no. 43
9 September (1855)365 Days with C.H. Spurgeon, Vol. 1: A Unique Collection of 365 Daily Readings from Sermons Preached by Charles Haddon Spurgeon from His New Park Street Pulpit (365 Days With Series); edited by Terence Peter Crosby; (c) Day One Publications, 1998.


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Is all hope for a Klaus-and-Caroline friendship officially gone?
In one of the most heartbreaking Vampire Diaries scenes, Caroline (Candice Accola) and Tyler (Michael Trevino) were forced to say goodbye — yet again — so that Tyler could leave town before Klaus (Joseph Morgan) could kill him. While it seems this act would be one of many final straws, Morgan says the dynamic between the two is much more complicated than that.
The Vampire Diaries: Who died, who left town and who returned?"There's always got to be a hint of hope [for them], hasn't there?" Morgan tells TVGuide.com in the video below. "I would like to think that she is understanding enough [because] this is the thing: No one is truly good or evil. There's always some redeeming quality somewhere, maybe buried very, very deep within someone. I was filming a scene with her the other day, so the characters are still interacting. Their relationship, and I'll use that term loosely, becomes much more complex the more we go on, which is so interesting to play."
Pilot Season: Claire Holt joins Vampire Diaries spin-off The OriginalsWhile the trio's drama was playing out in Mystic Falls, a very big enemy of Klaus' was returning out on the island. Just as Jeremy (Steven R. McQueen) was trying to get the cure free from Silas' fossilized hands, Katherine swooped in, grabbed the cure, and was gone before Jeremy could breathe his final breath. What does this all mean for the hybrid who despises the doppelganger? "Well, there are going to be interesting developments with that," Morgan says. "We've got to bear in mind this is someone who Klaus hunted down for 500 years. So she's going to want to do everything she can to avoid him, whether that's trying to kill him or make peace with him or trying to broker a deal with him, that remains to be seen, but absolutely not something that's brushed over."Watch this week's Vampire Diaries Bite:


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Blue Rose is an interactive 'visual novel', following the viewpoint of the female knight Lena as she enters an uknown world deep in the mountains. Lena is a Templar of the Blue Rose, living her life to fight and protect what is most important. But what is truly important to her is only just about to reveal itself. Pulled away from the frontlines of the war, Lena finds herself trapped in a secluded, unknown village in the mountains. For the first time she will make her own decisions – and face the consequences.
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This is a comprehensive practical course in translation for advanced students of German, which focuses on improving translation quality whilst clarifying the theoretical issues involved. This second edition brings the course up-to-date, and has been fully reworked to give clearer explanations of key terms and include revised chapters on genre, compensation and revision and editing. Based on detailed analysis of translation problems, Thinking German Translation features new material taken from a wide range of sources, including: business and politics press and publicity engineering tourism literary and consumer-oriented texts. Addressing a variety of translation issues such as cultural difference, register and dialect, Thinking German Translation is essential reading for all students wishing to perfect their translation skills. It is also an excellent foundation for those considering a career in translation.Higgins, Ian is the author of 'Thinking German Translation A Course in Translation Method German to English', published 2006 under ISBN 9780415341462 and ISBN 0415341469.[read more]
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Open auditions set for 'The Taming of the Shrew'
Proscenium Players will hold open auditions for their May production of Shakespeare's "The Taming of the Shrew" at 6 p.m. Thursday and 2 p.m. Sunday at the Silver State Charter School Performing Arts Center, 900 Mallory Road.
The production will be directed by Jeff Fast and done in the original Shakespearean language and style.
Actors must be 16 or older. Performances will be held at the Brewery Arts Center on May 10, 11, 12, 17, 18, 19, 24, 25 and 26.
For more information, call 775-220-3457.


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Today's podcast is a reflection of the reading from Genesis 9.
Today's Bible Readings: Genesis 9—10; Matthew 9; Ezra 9; Acts 9
Despite the comprehensiveness of the punishment it meted out, the Flood did not change human nature. God well knows that murder, first committed by Cain, will happen again. Now he prescribes capital punishment (Gen. 9:6), not as a deterrent—deterrence is not discussed—but as a signal that murder is in a class by itself, in that it kills a being made in the image of God. But there are other signs that sin continues. The promise God makes, sealed by the rainbow, not to destroy the race in this fashion again (9:12-17), is relevant not because the race has somehow been shocked into compliance, but precisely because God recognizes that the same degradation will occur again and again. And Noah himself, who with reference to his pre-Flood days can rightly be called a "preacher of righteousness" (2 Peter 2:5), is now depicted as a drunk, with family relationships already breaking down.
But there is another parallel between these chapters of Genesis and what took place before the Flood. Before the Flood, despite the grip of sin, there are individuals like Abel, whose sacrifice pleases God (Gen. 4); there are people who recognize their great need of God, and call upon the name of the Lord (4:26); there is Enoch, the seventh from Adam, who walked with God (5:22). In other words, there is a race within the race, a smaller race, not intrinsically superior to the other, but so relating to the living God that it heads in a quite different direction. Writing at the beginning of the fifth century A.D., Augustine of Hippo in North Africa traces back to these earliest chapters the beginning of two humanities, two cities—the city of God and the city of man. (See also the meditation for December 27.) That contrast develops and grows in various ways throughout the Bible, until the book of Revelation contrasts "Babylon" and the "new Jerusalem." Empirically, believers find they are citizens of both; in terms of allegiance, they belong to one or the other.
The same distinctions re-form after the Flood. The race soon demonstrates that the problems of rebellion and sin are deep-seated; they constitute part of our nature. Yet distinctions also begin to appear. While this covenant that God makes not to destroy the earth the same way again is between God and all living things (9:16), Noah's sons divide, much as Adam's had. The wearisome cycle begins again, but it is not without hope: the city of God never falls into utter abeyance, but anticipates the more explicit covenantal distinctions to come, now just around the corner, and the glorious climax to come at the end of redemptive history
This podcast is designed to be used alongside TGC's Read The Bible initiative (TGC.org/readthebible). The podcast features devotional commentaries from D.A. Carson's book For the Love of God (vol. 1) that follow the M'Cheyne Bible reading plan.


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'Iron Man 3' shows a soft side beneath the metal
- USA TODAY review%3A *** out of four
- Stars%3A Robert Downey Jr.%2C Gwyneth Paltrow%2C Don Cheadle%2C Ben Kingsley%2C Guy Pearce%2C Ty Simpkins
- Rated PG-13%3B Runtime%3A 2 hours%2C 10 minutes%3B Opens Thursday in select theaters and Friday nationwide
It's the winter of Tony Stark's discontent.
Amid the Christmas holidays, Tony, aka Iron Man, is suffering from anxiety attacks and chronic insomnia.
But, like another famous Tony — Soprano — the angst doesn't fully dent his swagger. He may be emotionally damaged, but it doesn't get in the way of his motivation and wry humor, nor the overall entertainment of the action-packed Iron Man 3 (*** out of four; rated PG-13; opens Thursday in some theaters and Friday nationwide).
Tony (Robert Downey Jr.) is still a genius superhero. He remains hot for Pepper. That's Pepper Potts (Gwyneth Paltrow), his former assistant who now runs his company, Stark Industries. He saved New York City from annihilation in The Avengers, but it left a psychic toll. His bluster masks trepidation that, in the event of another attack, he won't be able to save the one he loves. Beneath Tony's taut muscles and iron armature, there's a soft underbelly.
This third installment (after 2008's Iron Man and 2010's Iron Man 2) has such a surfeit of visual dazzle and eye-popping stunts that it teeters on overload. But Downey reins it all in with his perfectly-timed dry wit.
The Marvel universe is well-served here by director Shane Black as he pits the sardonic Stark against a corps of terrorists who take control of the airwaves. They bomb Tony's spectacular Malibu mansion to smithereens and viciously harm his top security guy, Happy Hogan (former Iron Man director Jon Favreau).
In his home lab Tony was accustomed to working knee-deep in holographic 3-D diagrams. But when he finds himself in a snowy corner of Tennessee, minus his high-tech gadgetry, Tony is forced to reconfigure his heroic alter-ego in fundamental ways. That's where he meets young Harley (Ty Simpkins), and his cheeky repartee with the boy is particularly acerbic.
Both Pepper and Col. James "Rhodey" Rhodes (Don Cheadle) move further into the spotlight, hitting all the right good-guy notes. Rhodey emerges almost as heroic as the iron-clad Tony. Ben Kingsley is terrific as an Osama bin Laden-style terrorist called The Mandarin. Guy Pearce is solid, but not memorable as Aldrich Killian, the head of Extremis, a biological enhancement project that creates fiery super-humans.
A massive wall of credits attests to the manpower required for the ubiquitous digital effects. Action sequences are impressive, particularly a scene involving an exploding plane and a dozen plummeting passengers who form a human chain.
The rambunctious Iron Man 3 is a briskly paced thrill ride until about 90 minutes in, when the excitement wanes. A few late-breaking surprises re-invigorate the tale, however.
While seemingly more explosive than its predecessors, it shoehorns in a couple of sedate scenes from the Masterpiece Theatre phenomenon Downton Abbey. It's a funny juxtaposition that helps the audience catch its collective breath.
But, it's also an intriguing reminder that it is possible to be both a Downton Abbey aficionado and an Iron Man fan.
And perhaps Iron Man 4 could use an assist from steely Maggie Smith.


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The world of science has come up with some pretty remarkable findings in the last couple of years. A few experiments caught my eye that dealt with the power of placebos.
We all know what placebos are. They are sugar pills that have absolutely no active ingredients – sort of like when a producer promises you a share of the net profits.
The first study dealt with asthma inhalers. The placebo group had useless inhalers. Despite the absence of any kind of medicine, the fake-inhaler group experienced a seven percent real relief of symptoms. More importantly for this discussion, the fake group had the same level of perceived benefit as the patients with the real inhalers.
The second experiment takes it a step further. They took a group of patients with IBS, which could be any actor during pilot season. They gave half of them placebos for their condition and told them straight out, "These are just sugar pills. Take them anyway." The bottles even said PLACEBO on them. It didn't matter. The placebo group reported more positive relief from symptoms than the group taking real medicine by a ratio of almost two to one (59 percent versus 35 percent).
The doctors who ran the study were perplexed. They couldn't even chalk this up to the power of positive thinking. The only theory that seemed to make sense was that the ritual of taking medicine carried its own invisible power.
I believe somewhere between the results of these two studies are keys for success for the actor.
In acting, any character in any play or film is nothing more than a placebo. It doesn't really exist, except on paper. To make an audience accept the placebo as real, we need to see our endeavor as real. In acting, what you see is what you get. If you can visualize the specifics of your character, if you imagine the world you are living in, if you can "see" what you want in the scene – it will happen, and we will see it as an audience.
On the business side, if you can imagine a successful audition, you will be far more confident walking into the room. You will believe in the life of your character more than any judgment of your character by a producer or casting director.
The second placebo experiment teaches that there is real value in honoring the ritual we use to work on a part. It carries an invisible power that extends beyond us. How do you do that? With time.
Simply put, an actor's ritual equals the time you spend thinking about your part. It is the respect you give to the discoveries that arise. The invisible aura this creates is the source of confidence and relaxation. It creates focus and enhances imagination.
That's the good news. Unfortunately, there was third study we have to take to heart as well. It involved the "nocebo effect." They took a group of patients and told them that half of them were getting real medicine, and half of them were getting sugar pills. They were further told that for some, the medicine might have unpleasant side effects: nausea, headaches, and diarrhea.***
You guessed it. Some of the patients improved, some showed no improvement, and some got sick. In truth, none of them were getting medicine. All of them were getting sugar pills.
The scientists seem to be trying to prove what Shakespeare knew four hundred years ago. As Hamlet says, "There is nothing either good or bad, but thinking makes it so." As actors the most important part of our training may not be acting exercises or scene work but the creation of an optimistic spirit.
How does someone do that? First, you have to have a good memory. Not for your lines but for remembering why you wanted to become an actor in the first place. Optimism never comes from ambition. It comes from remembering dreams in their infancy.
As for maintaining our belief in the possible? We already believe we are actors. That's the hardest part.
Stephen Tobolowsky has appeared in more than 200 movies and television shows. He is the author of "The Dangerous Animals Club," published by Simon and Schuster. He teaches improvisation and comedy for Kalmenson & Kalmenson.