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Patients who undergo surgery aren't keen on souvenirs. Most draw the line at a scar. But some will go home with an internal takeaway — a surgical sponge left inside them. The majority of U.S. hospitals still use traditional sponges that nurses count manually. (They also count instruments.) But an increasing number have switched to more technologically sophisticated sponge systems that automate the counting to enhance patient safety.
This spring, Memorial Sloan-Kettering Cancer Center (MSKCC) in New York City became the first hospital to switch to the SmartSponge System — a technology that features chip-embedded sponges — created by ClearCount Medical Solutions, a five-year-old company in Pittsburgh, Pa. It relies on radio-frequency identification (RFID) technology. "Ours is the only FDA-cleared system that uses radio-frequency identification to both count and locate surgical sponges," says David Palmer, ClearCount's CEO. He expects revenues to reach $8 million this year and $27 million in 2010.
(See pictures of ClearCount and its products.)
Using ClearCount's system, nurses scan packages of sponges before an operation. The technology verifies and counts each sponge's internal chip, recording the total in an In column on a display monitor. Used sponges are tossed — either singly or in a compressed wad — into a receptacle with a built-in sensing device that again verifies each chip and tallies the Outs. Ideally, the figures in those two columns match. If not, the number of missing sponges appears in a third column, aptly titled Find. That's a signal to spring for the wand, which digitally homes in on sponges still inside the patient.
For surgical nurses charged with counting sponges, the device has promise. "Nurses are willing to embrace new technology as long as it doesn't complicate their work flow or compromise the timing and sequence of their counting," says Steven Fleck, ClearCount's co-founder and CTO. At MSKCC, the prospect of improved patient safety and work efficiency won over Michelle Burke, director of perioperative services, and her staff. "One surgeon even tested the detection system for himself by hiding sponges in a corner of the operating room, and the technology located them," says Burke, who bought 21 of the $15,000 devices.
Large hospitals house 20 to 30 operating rooms and go through hundreds of thousands of sponges a year. Burke acknowledges that adopting the system will significantly escalate sponge costs, but for hospitals there's a cost-benefit trade-off. Using ClearCount sponges increases the cost of each surgical procedure by an average of $30. Yet the cost of surgical miscues may make the use of systems like ClearCount's a relative bargain. In 2008 the Centers for Medicare and Medicaid Services stopped reimbursing hospitals for some of the patient care tied to preventable complications, like those caused when objects are left inside patients during surgery. "Many hospitals have begun to more seriously address these 'never events' — as in 'never should happen,'" says ClearCount's Palmer. "There is a high cost — delays in the surgical schedule, as well as litigation and bad publicity — when hospitals do not take proactive measures."
At a hospital where 30,000 operations are performed a year, having three or four of these incidents annually is not uncommon, says Dr. Atul Gawande, a surgeon at Brigham and Women's Hospital in Boston, who has researched medical errors linked to surgical sponges. "Our studies show that automated sponge-counting systems make things markedly safer," he says. He believes these systems will be standard within five or 10 years.
ClearCount is banking on it. During the past year, the company has sent its SmartSponge System for evaluation to three dozen hospitals, several of which have committed to buy it. The company expects a similar response next year when it expands globally.
Sponges are yet another promising area where RFID has popped up in hospitals. ClearCount plans to expand its tracking to surgical instruments. And more applications await — for instance, ensuring that blood products are delivered with complete accuracy by equipping patients with an RFID device. After all, the first rule of medicine is to do no harm.
TIME's Coeli Carr profiles the ClearCount System


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Joint Protection & Arthritis
Stay Safe With These Fall-prevention Guidelines
Stay safe with the American Geriatrics Society and the British Geriatric Society's updated guidelines for preventing falls. Read More >>
16 Joint-protection Tips
Here are 16 simple ways to protect your joints, reduce strain and improve how you function. Read More >>
51 Ways to Be Good to Your Joints
In need of practical tips related to joint health and joint safety? Look no further. Read More >>
Self-help Arthritis Devices
Do you have mobility issues related to arthritis? Devices can make everyday tasks easier. From simple to elaborate, arthritis self-help devices help position joints correctly and extend range of motion. Read More >>
How to Choose the Right Cane
Get tips on how to buy and use a walking cane. Learn how to find the right fit and how to use it safely when walking or climbing stairs. Read More >>
How to Climb Stairs With a Cane
When walking with a cane, you may encounter stairs. Use these tips to go up and down stairs safely with a cane or crutches. Read More >>
How to Avoid Back Injury
Twisting at the waist is a prime cause of back injury. Help reduce your risk of joint injury or arthritis pain by following these tips. Read More >>
How to Pick Up Your Grandkids
Don't let arthritis keep you from lifting your children or grandchildren. Get step-by-step instructions on how to safely pick up kids. Read More >>
How to Squat Correctly
Do you squat correctly when you reach down to pick something up? Go easy on your knees – and your back – by learning the right way to squat. Practice with these wall squat exercises. Read More >>
Feet Hurt? Slip in Some Relief With Shoe Inserts
Orthotics – shoe inserts designed to ease foot pain and correct structural issues – may provide much-needed relief. Read More >>
When Knees Need Support
When your knees need support to help you be active with arthritis, look to a knee brace. Discover three ways knee bracing can help ease pain. Read More >>
Finger Joint Support
For finger arthritis, a splint can often help dexterity. Try a ring splint, a type of finger split, for a fashionable way to provide joint support. Read More >>
Osteoarthritis and Falls
Having osteoarthritis may make you more likely to suffer falls and fractures. Discover what the research shows and what you should do to help prevent falls. Read More >>

subset: commoncrawl


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A flight en route to an airport near Seattle took a turn for the silly last week when passengers busted out their tiny in-flight pillows and started a fight.
The pillow fight was captured by several cameras, but here's the footage that's making the rounds online.
According to several reports, the Continental Airlines flight took off from Phoenix and landed at Paine Field in Everett, Washington.
The troublemakers? Participants in the Star Mega Do 2010, a tour where passengers give airlines feedback in exchange for complimentary services. The video was posted on the organization's website with this comment:
I don't know who started it or why. But someone did, so as we started our descent into Paine Field on Friday a full-fledged pillow fight broke out. Suddenly the cabin was filled with pillows (and a blanket or two) flying back and forth. Quite entertaining to watch and participate in.
"No blankets," seemed to be the only rule I heard tossed about.


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My dress black cap toe J&M shoes recently went in for a resole, but before I did it, I started to think about replacing them with a pair of boots of similar style. Thursday has their Captain which looks perfect for what I want: 6 inch shaft, dress profile, speed hooks, dainite sole, cap toe.
The reviews seem fair to middling on the quality though. I have a pair of Red Wing blacksmiths that I've worn since July of 2015 and they just keep looking better. I'd like to find something with similar quality that will last and look great for years. I think the Captains could work, though their QC seems hit or miss.
Though the Captains are $200, I don't mind spending $300 or so for the right pair. Any other suggestions?


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New products introduced over the last week include a new global allocation fund from T. Rowe Price; two new Japan-focused ETFs from Direxion; and a covered call ETF from Horizons USA.
In addition, KKR is acquiring PRA International and WBI Investments launched two new funds.
Here are the latest developments of interest to advisors:
1) T. Rowe Price Launches Global Allocation Fund
T. Rowe Price announced that it has launched the Global Allocation Fund (RPGAX), a broadly diversified asset allocation fund that seeks long-term total return from investments in U.S. and international stocks, bonds, cash and alternative investments. The fund may serve as a core holding or complementary portfolio.
Typically, RPGAX will invest 60% of assets in stocks, 30% in bonds and cash, and 10% in alternative investments. Approximately 40% of the fund's total assets will be invested in international stocks and bonds across both developed and emerging markets. Its asset classes include international equities, diversified fixed income, and strategic diversifying asset classes.
Charles Shriver, who has 13 years of investment experience and has been with T. Rowe Price for 21 years, manages the fund. Stefan Hubrich, who is also the director of asset allocation research, will act as the associate portfolio manager.
2) Direxion Launches Japan-Focused ETFs
Direxion announced that it has launched two leveraged ETFs that track Japanese equity market performance. The Direxion Daily Japan Bull 3X Shares (JPNL) seeks to generate daily investment results, before fees and expenses, of 300% of the performance of the MSCI Daily TR Net Japan USD Index. The Direxion Daily Japan Bear 3X Shares (JPNS) attempts to achieve daily investment results, before fees and expenses, of 300% of the inverse of the performance of the same index, which is tied to the MSCI Japan Index, a free-float adjusted index designed to track the performance of Japanese company stocks listed on the Tokyo Stock Exchange, Osaka Stock Exchange, Nagoya Stock Exchange and JASDAQ.
The ETFs do not attempt to meet their investment goals over periods longer than one day, and there is no guarantee that their objectives will be met.
3) Horizons USA Launches Covered Call ETF
Horizons ETFs Management (USA), a member of the Horizons ETFs Group, announced that it has launched the Horizons S&P 500 Covered Call ETF (HSPX), an ETF that uses a covered call strategy designed to potentially generate additional income from the option-eligible stocks in the S&P 500.
HSPX generally seeks to provide exposure to the performance of the S&P 500 Stock Covered Call Index and will make monthly distributions of dividend and call option income. Horizons USA has an exclusive agreement with Standard & Poor's to offer an ETF in the U.S. based on the index. HSPX uses a replication strategy and invests substantially all of its total assets in same securities of the index. It will generally own all the securities of the S&P 500 in substantially similar weights to the index, and will sell or write covered call options on up to 100% of each of the option eligible securities in the portfolio.
Separately, Horizons USA announced that Adam Felesky has been appointed head of Americas for the Horizons ETFs businesses across the U.S., Canada and Latin America. He is CEO of Horizons ETFs Management (Canada). He founded Horizons Canada in 2005 and also acts as CEO and director of all Horizons Canada's operating subsidiaries.
4) KKR to Acquire PRA International
Clinical research organization PRA International announced recently that funds managed by KKR are acquiring PRA from San Francisco-based Genstar Capital. PRA is a global contract research organization (CRO) that provides outsourced clinical development services to the biotechnology and pharmaceutical industries. It has more than 5,300 employees located in over 50 offices worldwide.
The transaction, which is subject to regulatory approvals and other customary closing conditions, is expected to close in the third quarter.
5) WBI Investments Launches Two New Absolute Return Mutual Funds
WBI Investments announced the launch of two mutual funds, the WBI Absolute Return Balanced Plus Fund (no-load shares: WBPNX; institutional shares: WBBPX) and the WBI Absolute Return Dividend Income Fund (no-load shares: WBDNX; institutional shares: WBDIX).
Don Schreiber Jr., CEO and founder of the firm, will serve as co-portfolio manager for the funds, while Gary Stroik, vice president and portfolio manager for WBI Investments, will serve as lead.
WBPNX's investment objectives are to seek current income and long-term capital appreciation, while also seeking to protect principal during unfavorable market conditions. Under normal market conditions, it will invest 25% of its net assets in the equity securities of domestic and foreign dividend-paying companies of any size market capitalization that the advisor believes have the capacity to increase dividends over time, and at least 25% in domestic and foreign fixed-income securities. Approximately 10% may be invested in non-dividend-paying equities and/or in option strategies to enhance returns or mitigate risk and volatility.
WBDNX's investment objective is to seek long-term capital appreciation and current income. Under normal market conditions, it will invest at least 80% of its net assets in dividend-paying equity securities of foreign and domestic companies. Up to 20% may be invested in non-dividend-paying equities, domestic and foreign fixed income securities, ETFs, ETNs and/or option strategies.
Read the June 21 Portfolio Products Roundup at AdvisorOne.


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Copper Alloy: AWG-15Home | Directory | Career | News | Industrial
Glossary » Materials » Alloys » Copper Alloy » Wire » AWG-15
AWG-15 is a Round Copper Wire grade Wire Copper Alloy. Other designations of AWG-15 copper alloy include ASTM B1, ASTM B3, and ASTM B258.
Copper is one of the most useful metals known to man, and it was one of the first to be utilized. Copper is a reddish-yellow material and is extremely ductile. Copper has a face-centered-cubic (fcc) crystal structure and has the second best electrical conductivity of the metals, second only to silver compared to which it has a conductivity of 97%. The thermal conductivity of copper is very high, falling in between silver and gold. There are almost 400 different copper alloys depending on the commercial product made; rods, plates, sheets, strips, tubes, pipes, extrusions, foils, forgings, wires, and castings from foundries.
The typical elastic modulus of copper alloys at room temperature (25°C) is about 117 GPa. The typical density of copper alloys ranges from 8.8 to 8.94 g/cm3. The typical tensile strength varies between 172 and 220 MPa. The wide range of ultimate tensile strength is largely due to different heat treatment conditions.
Additional Information
Other common Wire Copper Alloys include AWG-1, AWG-1.0, AWG-10, AWG-11, AWG-12, AWG-13, AWG-14, AWG-16, AWG-17, AWG-18, AWG-19, AWG-2, AWG-2/0, AWG-20, AWG-21, AWG-22, AWG-23, AWG-24, AWG-25, AWG-26, AWG-27, AWG-28, AWG-29, AWG-3, AWG-3/0, AWG-30, AWG-31, AWG-32, AWG-33, AWG-34, AWG-35, AWG-36, AWG-37, AWG-38, AWG-39, AWG-4, AWG-4/0, AWG-40, AWG-41, AWG-42, AWG-43, AWG-44, AWG-5, AWG-6, AWG-7, AWG-8, and AWG-9.
Related Glossary Pages
Glossary: Materials: Alloys: Steel: Carbon Steel: AISI 15B37H
Glossary: Materials: Alloys: Steel: Stainless Steel
Glossary: Design: Oring: Material: Butyl
Glossary: Materials: Alloys: Steel: Alloy Steel
Glossary: Materials: Alloys: Steel: Alloy Steel: AISI 8637H
Glossary: Materials: Alloys: Steel: Tool Steel: AISI M10
Glossary: Materials: Alloys: Copper Alloy: Wire
Glossary: Materials: Polymers: Fluoroplastics: PE-CTFE
Glossary: Materials: Alloys: Aluminum Alloy: Wrought: AA 2036
Glossary: Materials: Alloys: Steel: Tool Steel: AISI M3 Class 2
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Earlier this morning, CBS announced their Fall 2012 schedule. Full trailers have now been unveiled for the network's new shows, including three dramas and one comedy. Briefly:
- Elementary – Jonny Lee Miller stars as Sherlock Holmes and Lucy Liu plays Dr. Joan Watson in this modern day drama about the crime-solving duo.
- Vegas – Dennis Quaid stars as a former military police officer who is called in by the Mayor of Las Vegas to look into the murder of a casino worker. Quaid clashes with a ruthless Chicago gangster (Michael Chiklis) in this 1960s drama.
- Made in Jersey – Janet Montgomery stars as an attorney who uses her street smarts to compete against her pedigreed Manhattan colleagues.
- Partners – This new comedy stars David Krumholtz and Michael Urie as two life-long best friends, one straight and one gay, whose friendship is tested when one of them gets engaged.
Hit the jump for synopses and full trailers for all the new shows.
In case you missed any of our preview upfronts coverage, here's a refresher:
- NBC's Fall 2012 Schedule
- Trailers for NBC's New Dramas
- Trailers for NBC's New Comedies
- Fox's Fall 2012 Schedule
- Trailers for Fox's New Comedies
- Trailers for Fox's New Dramas
- ABC's Fall 2012 Schedule
- Trailers for ABC's New Comedies
- Trailers for ABC's New Dramas
- CBS's Full Schedule
Here's the synopsis for Elementary:
ELEMENTARY stars Jonny Lee Miller as detective Sherlock Holmes and Lucy Liu as Dr. Joan Watson in a modern-day drama about a crime-solving duo that cracks the NYPD's most impossible cases. Following his fall from grace in London and a stint in rehab, eccentric Sherlock escapes to Manhattan where his wealthy father forces him to live with his worst nightmare – a sober companion, Dr. Watson. A successful surgeon until she lost a patient and her license three years ago, Watson views her current job as another opportunity to help people, as well as paying a penance. However, the restless Sherlock is nothing like her previous clients. He informs her that none of her expertise as an addiction specialist applies to him and he's devised his own post-rehab regimen – resuming his work as a police consultant in New York City. Watson has no choice but to accompany her irascible new charge on his jobs. But Sherlock finds her medical background helpful, and Watson realizes she has a knack for playing investigator. Sherlock's police contact, Capt. Tobias "Toby" Gregson (Aidan Quinn), knows from previous experience working with Scotland Yard that Sherlock is brilliant at closing cases, and welcomes him as part of the team. With the mischievous Sherlock Holmes now running free in New York solving crimes, it's simple deduction that he's going to need someone to keep him grounded, and it's elementary that it's a job for Watson. Rob Doherty, Sarah Timberman, Carl Beverly and Michael Cuesta, who directed the pilot, are executive producers for CBS Television Studios.
Here's the synopsis for Vegas:
Dennis Quaid and Michael Chiklis star in VEGAS, a drama inspired by the true story of former Las Vegas Sheriff Ralph Lamb, a fourth-generation rancher tasked with bringing order to Las Vegas in the 1960s, a gambling and entertainment mecca emerging from the tumbleweeds. Ralph Lamb (Quaid) wants to be left in peace to run his ranch, but Las Vegas is now swelling with outsiders and corruption which are intruding on his simple life. Recalling Lamb's command as a military police officer during World War II, the Mayor appeals to his sense of duty to look into a murder of a casino worker – and so begins Lamb's clash with Vincent Savino (Chiklis), a ruthless Chicago gangster who plans to make Vegas his own. Assisting Lamb in keeping law and order are his two deputies: his diplomatic, even-keeled brother Jack (Jason O'Mara) and his charming but impulsive son, Dixon (Taylor Handley). Ambitious Assistant District Attorney Katherine O'Connell (Carrie-Anne Moss), who grew up on the ranch next to the Lambs, also lends a hand in preserving justice. In Vegas, two powerful men – Lamb and Savino – are engaged in a fierce battle for control of the budding oasis, and for both of them, folding is not an option. Nicholas Pileggi, Greg Walker, Cathy Konrad, Arthur Sarkissian and James Mangold, who also directed the pilot, are the executive producers for CBS Television Studios.
Here's the synopsis for Made in Jersey:
MADE IN JERSEY is a drama about a young working-class woman who uses her street smarts to compete among her pedigreed Manhattan colleagues at a prestigious New York law firm. Martina Garretti (Janet Montgomery) finds her firm's cutthroat landscape challenging, but what she lacks in an Ivy League education she more than makes up for with tenacity and blue-collar insight. After just a few weeks, firm founder Donovan Stark (Kyle MacLachlan), takes note of Martina's ingenuity and resourcefulness, as does her sassy secretary Cyndi Vega (Toni Trucks). With the support of her big Italian family, including her sexy older sister Bonnie (Erin Cummings), Martina is able to stay true to her roots as a bold, passionate lawyer on the rise in a new intimidating environment. Jamie Tarses, Kevin Falls, Julia Franz and Mark Waters, who also directed the pilot, are the executive producers for Sony Pictures Television in association with CBS Television Studios. Pilot was written by creator and co-executive producer Dana Calvo.
Here's the synopsis for Partners:
PARTNERS is a comedy based on the lives of creators David Kohan and Max Mutchnick, about two life-long best friends and business partners whose "bromance" is tested when one of them is engaged to be married. Joe (David Krumholtz) is an accomplished architect who leads with his head and not his heart, especially in his love life. That's in stark contrast to his gay co-worker, Louis (Michael Urie), who is spontaneous, emotional and prone to exaggeration. Both have found joy in their love lives: Joe is newly engaged to Ali (Sophia Bush), a beautiful and sophisticated jewelry designer, while Louis is dating Wyatt (Brandon Routh), a vegan nurse who Louis insists is just a promotion away from becoming a doctor. As news of Joe's engagement settles, time will tell if their business and personal bond can adapt to the addition of two other important relationships. Emmy Award winners David Kohan and Max Mutchnick are executive producers for Warner Bros. Television. Emmy Award winner James Burrows directed the pilot.


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Hummingbird House: Design for Everyone Part III
A version of this article appears in the May/June 2010 issue of Home Energy Magazine.
May 03, 2010
Larry Weingarten (Image credit: Leslie Jackson) Leslie Jackson: Tell us about passive-solar siting. I hear you have a different view on it than I would think. The general orientation of the Hummingbird House—the house you designed and share with your wife, Suzanne, in the Monterey area—is not what I expect. While the roof and its solar panels face south, most of the glass is on the north side of the house.
To read complete online articles, you need to sign up for an Online Subscription.
Once an order has been placed there is an automatic $10 processing fee that will be deducted with any cancellation.
The Home Energy Online articles are for personal use only and may not be printed for distribution. For permission to reprint, please send an e-mail to email@example.com.


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Nick11534 brauchte ein neues Logo Design und hat einen Wettbewerb auf 99designs gestartet.
Aus 111 Designs von 21 Designern wurde eine Gewinner gewählt.
Pacific Shore Holdings, Inc.
Our focus is developing innovative, green, all natural products that make a difference in peoples lives. We are an established Consumer Products company with products on the shelves nation wide. Our products range in uses but one thing always remains the same, they are, all natural, effective and safe. We are a Southern California based company. We are firm believers in living a healthy lifestyle and being active. We appreciate the planet and all the natural useful ingredients it supplies us.
Our products span many categories, including home goods, beauty, health and more. With corporate relationships all over the globe, we are looking for a logo design that is going to showcase and represent who we are as a company and where we are headed in the future.
We pride ourselves in building professional, trustworthy long-lasting relationships.
This project is for our corporate logo. It will be used on everything from company letter heads, business cards, signs, websites, marketing materials and more. Our audience is major investors, major retail corporate buyers, vendors etc.
Our audience is typically, middle-aged professional, business people. Generally speaking these people get to the point. They don't mess around and expect only the best. They are decision makers.
We are a holding company so think - integrity, professional, secure, safe, prosperous, solid and strong.
At the same time we represent - innovation, natural, freshness, vibrant and therapeutic.
We want an icon to stand by. Something to truly symbolize the company as it grows and prospers.
Pacific is our location and name. That can help carry it. Trees, ocean, shore line, coast line, etc.
Stay away from reds, orange and yellows and earthy browns. Please nothing related to money, graphs etc.
We want something that represents a solid, secure, alive, all-natural, refreshing investment.
Run with this. Be creative and inspirational. Thanks for your time.
This is one of many projects that are slated for the near future. We are loyal and look forward to building a relationship with a solid designer.
Finden Sie heraus, wie ein Designwettbewerb funktioniert, oder lernen Sie mehr über unsere Logo-Design-Angebote.


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HummerSport necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 37 diseños de 9 diseñadores freelance.
We have the most popular soccer news website and email newsletter in the Mid-Atlantic USA called Potomac Soccer Wire (http://www.potomacsoccerwire.com), and now we have launched a version to cover similar soccer news for the entire USA. We specialize in covering "local" soccer news. Youth leagues, high school, adult leagues, tournaments. We will also be launching more "local market" versions of the Soccer Wire, but this NationalSoccerWire.com site should have it's own brand, so readers of our local sites still feel they have a reason to check out what's happening on a national basis. We also run another websites focused on local sports http://www.Report-a-Score.com.
Our target audience are youth soccer coaches, parents, and elite players. People who read our websites could be classified as "youth sports junkies", and almost always have a personal connection to the news and information they're consuming. They either play, referee, or coach in the leagues they're reading about, or they are related to someone who does. They are either reading about their organization, comparing/researching competing teams or organizations, participating in our discussion forums, or reading up on "how to" articles.
We are NOT targeting the more typical American sports "fan", "couch potato", or "fantasy sports nut". We don't want to cater to the 100% fan audience, and we do NOT want to be confused with an ESPN or FIFA.com or MLSSoccer.com.
The three websites we compete with most are socceramerica.com, topdrawersoccer.com and gotsoccer.com.
Literally need a logo that will fit into our website as it is already designed at http://www.nationalsoccerwire.com. The logo will go in the upper left corner of the website. The Leaderboard ad banner that is there can be pushed to the right to make some more room.
The logo should:
- Match the color/theme of the live website
- Made up primarily of the website name "National Soccer Wire", not a bunch of imagery or creative interpretations.
- Something that will also look good in print materials, printed in large scale on advertising banners, and on t-shirts.
- Try to stay between a 2:3 and 1:3 height:width ratio.
- Maintain some level of brand recognition with our Potomac Soccer Wire logo.
If possible, would also:
- Borrow some brand recognition from the competing websites socceramerica.com and/or topdrawersoccer.com
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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This week the froggy friends will have fun learning about fire safety while using activities from my FIREFIGHTER FUN Thematic Unit.
I'll post pictures later this week!
|Here's a picture of the students following along on the big screen to make the bear biscuit. We read the steps together.
|Into the oven!
|Bear-y yummy!
|The students will sort nouns and verbs to use in a bat list poem.
|The students will roll dice and compare numbers.
|The students will measure a bat with non-standard and standard units of measurement.
|Students will say the word and clap the syllables.
|The students will practice counting on from 10.
|Students will make a monster while practicing number words.
|Students will make a circle map of nocturnal animals.
|We labeled the parts of a leaf while practicing letter formation, handwriting, and phonics.
|We did an experiment with celery. We discovered that water travels in the veins of a leaf!
|We had fun with phoneme substitution using the Chicka, Chicka pocket chart. We learned our vowels with this cute ditty!
|We discovered what's in a name!
|We followed directions to paint a Chicka, Chicka tree.
|Fun ways to learn our letters!
|We made an anchor chart to help us when writing letters.
|The kids absolutely loved this activity - such a fun way to practice handwriting!!!
|Click here enjoy your FREEBIE!
|After reading the book, we made these anchor charts to use as a resource. I created these songs to help us remember odd and even numbers - sing to the tune of BINGO.
|Click here to enjoy this FREEBIE.
|We are nuts about FALL! See us cutting out our squirrels and marble painting leaves for our deciduous tree.
|We read lots of books about squirrels (fiction and non-fiction) then worked on our squirrel circle map.
|We labeled a leaf while practicing handwriting and phonics skills. We read a leaf poem and will complete our leaf circle map next week.
|Writing our color words!
|We practiced counting on from 5.
|Comparing numbers.
|Measuring with non-standard units of measurement.
|Making patterns using fall colors.


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Pedometer Accessories
Get the most from your pedometer with quality pedometer accessories and the Bodytronics QuickSteps walking program. Enhance your program without breaking the budget with our quantity discounts!
Page 1 of 1
Quicksteps Walking Program & Logbook
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Bodytronics Gadget Bungee v3 Safety Strap
Code: bungee-b
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Bodytronics Pedo-Belt Pedometer Belt
Code: pedobelt
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Pedometer Performance Pack
Code: pedpack
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Walk Yourself Thin Book
Code: thin
Price: $6.95
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The best place to start in your process of select a door suited to your home, performance needs, and budget. Use our selector to explore the options possible!Select Your Door
With so many choices, its easy to get lost. Our comparison center lets you narrow down and view the major feature differences between all of our doors.Compare Doors
Upload a photo of YOUR home or select one of our homes to test the look of our doors to see how it will look, and select the perfect style, color and windows for your home!Interactive Designer
We build incredible garage doors for both residential and commercial use. We have a combined total of over 100 years of engineering, sales and customer support experience in the garage door industry. Our new state of the art production line assures that we turn out consistent high quality products.
doorLink Manufacturing, Inc.
1501 Taney St. North Kansas City, MO 64116
(816) 474-3900


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Telephone Notifications for
Upcoming Street Sweeping
Minneapolis is using its Phone Alert System to notify residents about street sweeping.
- All listed phone numbers may receive a call the evening before their block is scheduled for street sweeping
- The system will leave a short, pre-recorded message
- Calls are never made after 9:00 PM
- If no one answers, the system will try to call again if time permits
This service is a courtesy call from the City of Minneapolis. The City of Minneapolis cannot guarantee that you will receive a phone call alerting you of street sweeping.
Last updated Sep 27, 2011


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We at The Escape Pod couldn't be more pleased with the reaction to our new Wheat Thins campaign.
I'm a 7K plus twitter veteran. I love twitter. Not every does. Not everyone gets it. I have also been blogging for years now. I love social media. To me it's fun and stimulating. I am one of those millions of busy online worker bees who just can't shut the f**k up. I help spread the online pollen, if I may ;-)
So the idea of combining video and twitter in a fun way had huge appeal for me personally.
I have also done more than my share of prank videos. I love doing that too. It's fun and yields great undeniably real reactions and energy you just can't get from contrived (ie, regular) commercials.
Every time we have done prank video there is ALWAYS a certain segment that is understandably leery and suspicious. They think that what we shot COULDN'T be real. And that it's fake. Fair enough. I can understand that. Advertising's biggest problem, in my estimation, is that it's usually just irrelevant bullshit. So everything we do is viewed with a certain amount of suspicion. Even when it's real.
This time round the online detectives have been quick to point out that one of our tweeters, Tabitha, only had one tweet on her twitter page. And that was her pro-Wheat Thins tweet. I know what they mean. I'd be suspicious too. But I can explain.
This is how we tracked down these people. Initially we hired a team of researchers to comb twitter every day for the most promising sounding pro Wheat Thins tweets all over the country. We wanted the mentions to be comparatively recent (may/april) so that people could check them out online and verify them for themselves. Because i knew they would!
As we got close to production of these budget realities dictated that we limit ourselves to tweets in the LA area so we could shoot more films. Which cut down our pool of candidates. The researchers then suggested expanding our search to include Facebook mentions too. But I wanted to keep it to Twitter to keep it focused.
So we did. Or we thought we did.
When we were near finishing the edits on these videos I searched all their Twitter accounts and nearly had a heart attack when I searched Tabitha's twitter home page and found it empty! WTF!!!! I went ballistic. What the hell happened???
We then found out that Tabitha was a facebook mention that had gotten confused as a tweet by the researcher and slipped through.
Now to those of us involved in the production who WEREN'T social media nuts this wasn't viewed as a big deal. But it was to me. Oh yes! I recall shouting loudly and uttering expletives. And I just knew someone like me would stumble upon this and blog about it. Just as I would. And sure enough they have.
Hence Tabitha's sole tweet on her Twitter account. When we knocked on her door we actually asked her if she had "tweeted" the statement she had in fact posted on Facebook. You'll notice she doesn't disagree. She did say it. Just not on Twitter.
And in a related matter, our air guitar hero Dan REMOVED his tweet (on the advice of his agent perhaps?) precipitating yet another heart attack in my part. He put it back but if you look at the date it was last week. (UPDATE: NO HE DIDN'T. SORRY DAN/BJORN!) This also nearly broke my heart. After all our efforts, and doing this is not easy, people would think these were staged. And they weren't. I can't imagine staging something like this. For the simple reasons that it would be no fun and you simply can't fake honest surprised reactions. Unless you have de Niro in your fake prank.
People talk endlessly about the need for transparency online. Well, there you have it folks. The whole story.
We did something new here. And it was largely out of our control. There will be glitches along the way. I will have a few heart attacks. But what's new?
I hope this clears this up to everyone's satisfaction. And thanks for all the online mentions and tweets.
Keep an eye out for that yellow van! You could be next.


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Issue 361 of Doctor Who Magazine, now on sale, confirms some TV series-related information:
Director Euros Lyn will work on two additional episodes, bringing his second series total up to four episodes, as the director of Block Four.
Zoe Wanamaker is indeed reprising her role as Cassandra in the first episode, still rumored to be titled "New Earth". She is joined by Michael Fitzgerald as Duke, Lucy Robinson as Clovis, Dona Croll as the Matron, Adjoa Andoh as the Sister, Anna Hope as the Novice, and Sean Gallagher as Chip. Additional casting updates: "The Christmas Invasion" will star Penelope Wilton as Harriet Jones, Adam Garcia as Alex Klein, Daniel Evans as Danny Llewellyn, Anita Briem as Sally, Chu Omambala as Major Blake, and Sean Glider. "School Reunion" features Elisabeth Sladen as Sarah Jane Smith, John Leeson as K9, Anthony Stewart Head as Mr. Finch, Eugene Washington as Mr Wagner, Joe Pickley as Kenny, Lucinda Dryzek as Melissa, Heather Cameron as Nina, Benjamin Smith as Luke, Clem Tibber Milo, Rod Arthur and Caroline Berry.
The issue confirms that Head will not play the Master, which Outpost Gallifrey reported some time ago (and contrary to reports on some other websites.)
Three new Doctor Who books will be released in the spring of 2006 featuring the Tenth Doctor as played by David Tennant. The novels include "The Genesis Casket" by Justin Richards, "The Ultimate Prophet" by Jacqueline Rayner and "Feast of the Drowned" by Stephen Cole. (Thanks to Nathan Baron and DWM)


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Roundup: Portable P.A. Systems
PLAYING LIVE shows is great—but moving gear stinks. Compound the backache with the aggravation of setting up and tearing down a P.A. system, and it's enough to make you want to tear your hair out. We can't help if you're running a Marshall double-stack in a cocktail lounge, but we can help you choose a small P.A. system that won't break your bank or your back. We're talking about what ElectronicMusician refers to as a "Portable P.A." system: a compact P.A. that won't require a truck to move—or a degree in physics to operate.
You'll find representative examples of this new breed of P.A.s sprinkled throughout this roundup (note that all prices are MSRP). Although these systems have many similarities, they also have many differences and special features that might be deciding factors in helping you determine which type of system will be best for your needs.
Ground Rules Conventional P.A.s are too big and complicated for quick, easy setup, and the investment isn't commensurate with the returns from the gig. Any band that carries its own P.A. knows the drill: Pack up the mics, mic stands, mixing console(s), outboard EQ and effects, power amps, speakers, and cables. Load everything into a van or small truck because it won't fit into a car. Arrive at the venue (allow plenty of time to set up), get help to unload the gear, unpack it, set it up, wire it, test it, tune it . . . there's a reason that engineers make money providing their gear and services.
If you're in a full band, a portable P.A. is probably not appropriate. But if you're a singer-songwriter, solo performer, DJ, or duo/trio playing gigs at coffee houses, small bars, clubs, or restaurants, a portable P.A. is the way to go.
Most of the portable P.A.s we examined run under a grand or two, so they won't suck up your profit margin—but choose wisely, and verify exactly what's included in the sticker price. Although stands, cables, and carry bags aren't big-ticket items, they can add up, and they may not be part of the package.
What Goes In Must Come Out Most portable P.A.s accommodate a minimal number of inputs (typically not more than six or eight, although there are exceptions), so evaluate whether the system has enough inputs for your needs. Many solo performers really need just two inputs—microphone and instrument— although if you use backing tracks (from a file player, drum machine, or arranger), or intend to work with another musician, you'll need additional ins. Some portable P.A.s support proprietary, optional-at extra- cost expansion mixers, while others might require that you add your own external mixer, then connect its output to the P.A.'s input—which kind of mitigates the easy-setup aspect.
Dedicated instrument inputs (e.g., for guitar or bass) obviate the need for direct boxes, simplify setup, and keep a hundred bucks in your pocket. An aux input (like RCA jacks or a 1/8-inch stereo mini-jack) that can accept an iPod or CD is useful for supplying pre-show music, music between sets, or backing tracks.
EQ on each channel is a must, but at best you'll get a fixed, 3-band (low/mid/ high) EQ. Fortunately, this is usually sufficient. The mixer may feature an onboard 5- or 7-band graphic EQ for the main outputs, but if it's not present, don't let that be a deal-breaker.
Not all portable P.A.s provide an input gain or trim control on each channel, and inputs with fixed sensitivity can be problematic. Microphone output levels vary widely, and a "hot" condenser or a wireless mic receiver could overload a channel's input stage. At the very least, look for a pad switch on the input; engaging this will let the input sensitivity accept hot signals. If possible, try your favorite mics with the system to ensure it can produce the desired volume level and still have a bit of headroom.
If karaoke is your main activity (hey, we all have to make a living), check for plenty of line-level inputs to accept the outputs of your disk player(s). Line inputs are also useful for connecting wireless mics, some of which may output a line-level signal only.
Other important mixer features include phantom power for condenser microphones; a polarity reverse (commonly referred to as "phase") switch, which may help reduce feedback in certain instances; and feedback detection. (More on that shortly.) Most portable P.A.s include onboard effects processing such as reverb or delay, but may be limited to a few programs; an effects level control on each channel lets you add reverb or delay only where desired. A master effects mute button or footswitch effects on/off jack is a must. Nothing sounds more ridiculous than a bar singer speaking to the crowd with echo on his or her voice. Effects send and return jacks facilitate connecting an external processor if you decide you don't like the onboard effects or need a wider variety.
A few portable P.A.s offer a "tape" output that's suitable for sending your mix to one of the commonly available, inexpensive handheld recorders—but don't expect facilities for multitrack recording, unless you're willing to spring for an external mixer. (Some offer FireWire or USB interfacing.) While a tape out might not net you a release-quality master, connecting a recorder for documenting gigs (and rehearsals) or swapping song ideas via MP3s can help you hone your craft.
Speak Up, Please Speakers for portable P.A. systems come in a variety of shapes and sizes, ranging from compact versions of the typical live sound box to long, skinny "pole" speakers. Speakers for portable P.A.s can be passive (i.e., the speaker requires a power amp) or active (the power amplification is built-in). Active cabinets tend to be heavier but require less setup, while passive cabinets may be lighter but require a power amp. Ultimately, you're probably lifting the same amount of weight!
Column-type loudspeakers tend to have a limited low-frequency response, and may require a subwoofer to produce meaningful low end. For these systems, ask yourself:
• How loud does the system need to play?
• Can speakers be daisy-chained for more volume or wider coverage?
• Do I need a subwoofer? If so, how will it be connected—and how many can I add?
• Is a crossover provided, or do I need to purchase one?
• Am I more concerned with amplifying vocals, or do I need to run a DJ system with thumping subs?
A dedicated subwoofer output makes it relatively painless to add low end when you need (and can afford) it, and may even feature automatic switching so that plugging a connector into the subwoofer output jack automatically applies a high-pass filter to the full-range speakers, relieving them of their low-end duties—and relieving you of dealing with a crossover.
Also consider the physical relationship between the sub and full-range speaker components. For example, the HK Audio Elements system can use either the power amp module or subwoofer cabinet as the base for mounting a pole that supports a full-range cabinet. This means you won't need to carry stands, and in this particular system HK Audio's unique "E-Connect" simultaneously provides the mechanical and electronic connection between sub, power amp, and full-range cabinets—making speaker cabling optional(!). A system like this is easy to expand for use in larger venues, while others may be more "closed" systems.
Amplifier power is important, but look past the raw power specs to how loud the system can actually play. As these systems integrate the power amp(s) and speakers, speaker sensitivity plays a huge role in the maximum achievable SPL—making the power rating less important than if you were mixing and matching power amps with traditional P.A. cabs. However, make sure your system isn't underpowered. If it starts distorting, the high frequencies that result from clipping can fry your high-frequency drivers.
Unfortunately, not every manufacturer publishes a maximum SPL spec, so you'll have to do something really radical: Listen to the system. Here's where having a relationship with a local music/audio retailer is a huge help, because a salesperson will be more likely to set up the system for you if you're a good customer. Failing that, you might propose renting a system with an "option to buy" so that you could try it in the field. As an alternative, see if any of your friends own one of these systems and check it out while they're doing a gig. This will also give you a handle (pardon the pun) on how easy or difficult it is to transport. While certain systems break down into many components, others from Fender and Alto mate the speaker cabs and mixer for transport, forming a single piece with a handle that requires only one trip.
Can You Hear Me Now? Every musician understands the importance of stage monitors, and a portable P.A.'s intended application defines your monitor requirements. When you're providing a system for karaoke, your . . . uh . . . "talent" probably won't be expecting a monitor mix, but it's a good idea if the system can at least support connecting to a monitor. There's a huge discrepancy in monitoring capabilities among portable P.A.s., ranging from "Monitors? What monitors?' to "You don't need a monitor because you'll hear yourself through the P.A. the same way that the audience hears you."
Mixers in certain portable P.A.s feature an aux send output for routing to a power amp or powered monitor speaker—a very good idea that could alternatively drive an in-ear monitor mix. You may not need a monitor for low-volume gigs, or if you can position the P.A. so that you can hear it without causing feedback (see setup tips below), but keep in mind that if your main axe is electronic—such as a stage piano sans built-in speakers—you need a way to hear your instrument. However, when playing an electronic keyboard, you can place the P.A. behind you without fear of feedback. On the other hand, acoustic guitar players will have to experiment to determine what's acceptable, or explore using a soundhole cover to reduce feedback. The Fishman SA220 cabinet features monitor in and out jacks, so one performer can send audio to another performer's cabinet for monitoring purposes.
Setup Tips The Prime Directive of Live Sound clearly states that in order to avoid feedback, the P.A. system must be in front of the musicians. It might be possible to place the speakers so both you and your audience can hear them—but if you can hear them, the microphone usually can, too. The exceptions are systems designed and voiced for placement behind the players. For example, the Bose L1 Model II system is intended to be placed next to a wall at a distance between three and eight feet from the musicians, so the musicians hear the house mix. Placing the subwoofer cabinet next to a wall reinforces bass response, though this characteristic is not unique to Bose; in general, anytime you move a speaker near a boundary you'll hear more low-frequency response. Move the sub into a corner, and you'll get tons of low end— but I make no claim that it's going to be clear and tight.
For P.A.s not necessarily intended for placement behind the performers, onboard feedback detection helps avoid feedback, but don't ask for miracles if you get overzealous with the volume. Ditto for the graphic EQ on the main left/right output, where notching down an EQ control can help pull out a problem frequency. And while we're on the subject of feedback, aim stage monitors toward the rear of the microphone, where the mic has maximum rejection of ambient sounds. (In a future issue we'll discuss mic polar patterns and monitor placement in detail.)
Almost all of the systems we profiled either come with, or require, stands to get the full-range component of the P.A. at ear height. Placing speakers on the floor guarantees poor results because sound won't project toward the rear of the room. A practical reason for setting the cabs at the correct height is that many systems locate the controls on the speaker's rear panel, and those controls should be easy for you to access. Do you always sit or stand when you play? Will you be bending down in a dark corner to find the volume control if you need to make adjustments? Is it likely that someone can spill a drink into the electronics? Yikes!
As with any pro audio product, portable P.A.s offer additional features as you spend more money: more power, extended low-frequency response, enhanced input channels, perhaps conveniences such as a tuner output, and the like. But remember that you're not trying to cover a crowd of 15,000; you're just trying to get your music across to your small audience and maintain your sanity by using a simple P.A. system. Fortunately, there are so many options, you'll almost certainly be able to find a system that works for you— and your sanity!
The original Triflex was one of the first portable P.A.s designed for more than just presenters; the Triflex II carries on the tradition, but with serious power and enough bass for DJs.
Peavey Triflex II
Basics 1,000W three-piece, 2-channel sound system with shared 15" subwoofer and pair of satellite speakers (10" woofer and 1.4" compression driver tweeter) with speaker pole stand adapters. (Speaker stands are sold separately, but 15-foot speaker cables are included.) Construction is typical Peavey—the company obviously doesn't want to see it again after it leaves the factory.
Special features DDT compression on the satellite power amps helps control overloading and distortion. The subwoofer has locking casters for easier transportation, and it has heavy-duty, four-pin, twist-lock connectors on the amplifier outputs and satellite inputs.
Bottom line There's enough bass and power for DJs, solo/duo acts, and smaller bands in mid-sized venues. You'll probably need help transporting it, but the extra weight pays off in a big sound.
The ELX112P is a good example of a high-power "P.A. system in a cabinet," with internal mixer and the option to daisy-chain.
Electro-Voice ELX112P
Basics 1,000W Class D amp with 12" woofer, 1.5" titanium compression driver, and selectable 100Hz high-pass filter to accommodate an external subwoofer. Inputs are two Neutrik XLR/TRS combo jacks with level controls, stereo RCA jacks, and an XLR link output for daisychaining speakers.
Special features Can be pole-mounted for stacking on top of an acoustically-matched Live X Series sub, and its angled design facilitates use as a floor monitor. Built-in side handles make for easier setup, breakdown, and transport.
Bottom line At 42 pounds, the 12" woofer provides extra bass for medium-sized venues, with the 1,000W amp providing enough power to give it more push than expected.
The L3t uses advances in networking and DSP to produce a "smart" speaker that can serve as a standalone P.A. or a part of a larger "live sound ecosystem."
Line 6 StageSource L3t
Basics 3-way, 1,400W tri-amp design with integrated multichannel mixer (includes 3-band EQ with sweepable mids, feedback suppression, acoustic guitar modeling, and more); DSP sound optimization controls the two 10" speakers (one optimized for lows, one for lows and mids) and 1" exit compression driver horn. An output limiter with 12-band feedback suppression provides protection.
Special features Part of the Line 6 "live sound ecosystem," the L3t is the basis of a scalable system that connects to other elements of the network, such as the Line 6 StageScape M20d digital mixer, via the L6 Link digital networking support. An onboard accelerometer and pole-mount sensors sense the speaker's orientation and set the speaker mode automatically;
Bottom line While designed for use with other elements of Line 6's live sound system, the L3t can stand alone as a portable P.A. that weighs 57.5 pounds, or be augmented for larger venues.
The SA220 is seriously portable, yet includes numerous extras intended for performing vocalists and instrumentalists.
Fishman SA220
Basics Line array with six 4" cone midrange drivers driven by 200W amp, and 1" neodymium softdome tweeter with 20W amp. Each of the two mic/ instrument channels has high/mid/low controls, anti-feedback controls, and pad, phase switch, and reverb. Phantom power is common for both. The system also features an additional aux input and monitor in/out.
Special features This is a very back-friendly unit, weighing 25 pounds, or 35 pounds with stand and carrying bag. Its mixer capabilities, including effects loop, DI out, tuner out, and four different reverbs, mean you probably won't need to pack extras.
Bottom line This is sometimes categorized as "I don't need something as big or expensive as a Bose L1," but it performs extremely well, given its size, weight, and cost. Setup and teardown is super-fast, but the system can fill small- to mid-sized venues if you don't need a lot of bass.
While the Mixpack Express has an extremely musician-friendly price tag, it still manages to put out significant sound levels without sacrificing sound quality.
Alto Professional Mixpack Express
Basics This is the least expensive portable P.A. in the roundup. It has two 10" speakers, 350W continuous power, and multiple inputs (balanced XLR, balanced/ unbalanced TRS, and unbalanced RCA—but no instrument input). It includes two mic cables and two speaker cables. The mixer has seven input channels.
Special features Speakers attach and detach to the amp/mixer module using latches, and the top handle lets you carry the entire unit with one hand. DSP effects include reverb, delay, and chorus, with output 7-band EQ and monitor out.
Bottom line For small venues, parties, house concerts, and presentations, this system is highly portable and cost-effective. Don't expect to shake the rafters—but the sound quality is there. Note: F-8 or F-3 speaker stands aren't included.
The back of the GSR10 reveals the poweramp heat sink, and control panel for the input and daisy-chaining option.
M-Audio GSR10
Basics Mixerless, single-input (dynamic mic or line-level signal) portable bass-reflex speaker cabinet with 250W Class D amp, 10" low-frequency driver, and 1" high-frequency titanium compression driver; can be pole-mounted but also has five fly points. Weighs 25 pounds.
Special features There are four EQ tunings: Normal, Hi-Fi, DJ, and Voice. Speakers can be stacked or pole-mounted on top of the GSR18 subwoofer to extend coverage; waveguide technology gives broader coverage, while the angled cabinet design allows use as a floor monitor.
Bottom line Putting this speaker on top of a pole mount gives a decent P.A. system for small- to medium-sized venues as long as you don't need to mix, or already have a mixer. Speakers can be daisy-chained to accommodate different-sized venues.
Bose originated the "line array for the rest of us," but the L1 Compact brings the company's technology to a less expensive— and more portable—price point.
Basics Six small drivers in a vertical enclosure and a sub in the power stand team with a 2-input mixer. (Channel 1 has XLR mic input, with ToneMatch preset optimized for dynamic mic; channel 2 has an instrument in, RCA stereo in, and one 1/8" stereo in, as well as a ToneMatch preset for acoustic guitar. )The mixer is on the rear of the speaker stand—one less box to carry around.
Special features Two setup options—extended or collapsed—accommodate various rooms. The system weighs 29 pounds, and sets up in less than a minute. Dispersion is extremely good, and allows placement behind the performer to eliminate the need for monitors.
Bottom line Although they were controversial when first introduced, few would now deny that the L1 and L1 Model II systems are outstanding—albeit pricey—systems for live performance. While not expandable like its bigger brothers, the L1 Compact is light, very portable, and hits an affordable price point.
Not only is the Stagepas the only mixer in the roundup with 10 inputs, but it includes Yamaha DSP for reverb and has a music/speech switch to optimize the system for different applications.
Yamaha Stagepas 500
Basics Each speaker cab has a 250W Class D power amp, 10" woofer, and 1" high-frequency driver. The speakers can be stand-mounted. The 10-channel mixer has four mono mic/line inputs with switchable phantom power and three stereo line inputs with monitor and record outputs, plus an auto limiter to prevent damage to speakers or amps.
Special features In addition to featuring more inputs than the average mixer, the Stagepas system lets you apply limiting or compression to channels 1 and 2; all channels have 2-band EQ, reverb switches for the onboard SPX reverb on channels 1-4, and overall reverb level mix control. A music/speech switch optimizes the system for the two applications.
Bottom lineIntended for medium-sized venues, the Stagepas 500 gets the nod when you need more than the usual 2-6 inputs typically found on similar portable P.A. systems, and at 53 pounds, it remains quite portable.
Although JBL is known for high-power, pro P.A. systems, the Eon brings the company's expertise to a portable P.A. system.
JBL Eon 210P
Basics Two bass-reflex speaker cabs, each with 150W Class D power amp, 10" woofer, 1.5" neodymium compression driver, 8-channel (four mono mic/line combo connectors, one stereo with paralleled balanced 1/4" TRS and unbalanced RCA, and one stereo with 1/8" minijack) powered mixer with digital effects; 30V phantom power.
Special features The mixer attaches to one speaker, with storage pod for cables to the other; includes onboard DSP limiter and multi-effects with four effects (inputs have reverb send controls). The entire system weighs in at 33 pounds (19 pounds for speaker/mixer, 14 pounds for speaker/storage pod).
Bottom line Significant volume, with clarity of sound, for up to medium-sized venues while being extremely portable due to light weight and "one unit per hand" carrying confi guration. Speakers can be pole-mounted (poles not included).
Behringer Europort EPA900
The 360W EPA900 is the highest-powered system in a trio of portable P.A.s that includes 150W and 300W models.
Basics Two speaker cabs, each with 360W RMS amps, 10" woofer, and 1.35" aluminum-diaphragm compression driver; an 8-channel (four mono with phantom power and pad and two stereo, plus an 1/8" minijack input) mixer, and 7-band output graphic EQ. Total weight is 82 pounds.
Special features The system includes a 24-bit stereo FX processor, feedback detection system that displays feedback frequency, lowpass-filtered output for subwoofer, integrated storage compartment, and voice canceler for karaoke. Includes XM1800S mic and 20' cable. 100/240V power supply works globally.
Bottom line The EPA900 has enough heft for mid-sized venues, with plenty of inputs for multiple instruments and effects.
Fender's Passport P.A. has been around for a while, but the latest version can record and play back performances with a USB flash drive.
Fender Passport 500 Pro
Basics Dual-speaker cabinets and mixer pack up into a single package that weighs less than 60 lbs. The 8-channel mixer (six mic/line, two stereo line in) feeds a 500W, Class D amp; speaker sections use a 10" woofer and 1.2" horn-loaded tweeter. Stand adapters are built into each speaker cabinet.
Special features Records performances in WAV format to a USB flash drive that can also provide WAV/MP3 playback; other features include an effects loop (preamp out/power in), output jack for an external powered subwoofer, onboard reverb, phantom power for mics (no instrument ins), and docking connector for Passport wireless receiver.
Bottom line Intended for presentations, solo acts, seminars, and ensemble performances in small venues. As long as you don't need to cover a big space (or lots of bass), this is a portable solution that can even be battery-powered.
The Soundcaddy One is derived from HK's high-end Elements scalable portableP.A. system, but is smaller, more portable, and less expensive.
HK Audio Soundcaddy One
Basics Line array/subwoofer combination with 600W Class D amp, three 6" bass speakers, and six 3.5" mid/high drivers. The mixer has two combo mic/instrument jacks and two stereo line inputs. Built-in wheels make it easy to move the Soundcaddy One into position.
Special features The line-array speakers and pole fit in the sub for transport, then pop up hydraulically for setup—set to the desired height, then lock in place. RCA out jacks are available, as is an XLR line out to feed a second Soundcaddy. The unit weighs in around 64 pounds—not bad, given the functionality.
Bottom line The Soundcaddy One is the most expensive portable P.A. in the lineup, but it boasts the lineage of HK's Elements Series. It's super-fast and easy to set up while delivering reasonable power (and clean sound quality) for smaller venues.
Steve La Cerra is an independent audio engineer based in NY. In addition to being an Electronic Musician contributor, he mixes front-of-house for Blue Oyster Cult and teaches audio at Mercy College White Plains campus. Craig Anderton is Executive Editor of Electronic Musician magazine as well as a musician, author, and consultant.


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Editor's note: Julian Zelizer is a professor of history and public affairs at Princeton University. He is the author of "Jimmy Carter" and of the new book "Governing America."
(CNN) -- Politics has returned to the water's edge. In the past week, we've seen how international events can suddenly dominate a political campaign, at least for a few days.
The uproar in the Middle East over a YouTube video that featured anti-Islamic messages triggered widespread protests. An attack on the U.S. consulate in Libya left four people dead, including U.S. Ambassador Christopher Stevens. Protests in Egypt were equally intense as some people in a crowd of more than 2,000 scaled the walls of the U.S. Embassy. Protests spread to 20 other countries in the Middle East and beyond. In Tunis, protesters destroyed a school run by Americans while in Afghanistan protesters lit with a torch an effigy of Obama, the U.S. leader once hailed as the president who would repair America's image in the world, and watched it burn up.
Added to this brew was Israeli Prime Minister Benjamin Netanyahu's warning that, in his mind, President Obama has refused to be tough enough with Iran on its nuclear program and the prospect that Israel could take military action against Iran on its own.
World: Where Obama, Romney stand on foreign policy challenges
These issues immediately entered into the campaign. Speaking of the tragedy in Libya, President Obama reiterated that "We reject all efforts to denigrate the religious beliefs of others. But there is absolutely no justification to this type of senseless violence. None."
Mitt Romney, mistakenly interpreting a statement released earlier by the U.S. Embassy in Egypt, before most of the protests, criticized the administration's statements as "akin to apology." Democrats complained that Romney was politicizing this tragedy. One of Obama's campaign officials, Ben LaBolt, said "We are shocked that, at a time when the United States of America is confronting the tragic death of one of our diplomatic officers in Libya, Gov. Romney would choose to launch a political attack."
When foreign policy crises intrude into presidential elections, they have the ability to shake up campaigns and force candidates to adjust their plans.
Sometimes foreign policy can benefit an incumbent. Republican Dwight Eisenhower, who was a military hero before becoming president, survived crises overseas in October 1956 and emerged on Election Day with a decisive victory. Eisenhower had come under criticism from congressional Democrats for being so consumed by balancing the budget that he had supported military cuts that they argued would endanger the nation.
In late October, Israeli and British forces attacked Egypt, which under President Gamal Abdel Nasser had taken over the Suez Canal and nationalized the British-owned corporation that managed the area. After the attacks on Egypt, and Soviet warnings that they would intervene, Eisenhower worked hard in public and behind-the-scenes to defuse the situation and force Britain, France and Israel to back down.
The other crisis, which also took place in late October and early November, was when the Soviets proceeded to crush a rebellion in Hungary against the communist regime. Eisenhower decided not to respond, fearing that U.S. interference could trigger a nuclear war. Democrats argued that the refusal to respond revealed that all the talk by conservatives about liberating Eastern European people was false. In Detroit, Eisenhower's opponent, Adlai Stevenson, warned that "whatever the provocation, aggression can no longer be tolerated in the atomic age."
But these crises only ended up bolstering the image of Eisenhower as a strong commander in chief who could coolly guide the nation through crisis. The president coasted to re-election with 457 electoral votes and 57.4 percent of the popular vote.
But on other occasions, a foreign policy crisis greatly damaged the incumbent. In December 1979, the Soviet Union invaded Afghanistan. The invasion, which took President Carter by surprise, played into the hands of Republicans, who were arguing that the White House didn't know how to handle these kinds of situations.
Even though Carter responded to the Soviets by calling for higher levels of defense spending and announcing a buildup of forces in the Persian Gulf, Republicans accused him of doing too little too late.
With U.S. hostages already being held in Iran, Ronald Reagan and other conservatives pointed to this as more evidence that Carter could not be trusted as leader. The Republican National Committee said that the "policy of patience" from Carter was the "policy of weakness." While this was certainly not the sole issue that handed Reagan his victory, it played an important role in pushing the electoral map in favor of the Republicans.
What will happen if the current crises continue or get even worse? For President Obama the risks are very clear. If the situation deteriorates, these hot spots will offer the GOP evidence that the president is not an effective leader. Republicans will argue that this proves all the talk about the successes of his foreign policy record is overblown. The danger is particularly acute with Libya and Egypt, two countries that have been described as relative success stories in the Obama era of foreign policy since autocratic leaders were overthrown. These crises will also force the president to devote more attention to working in the Oval Office rather than spending time on the campaign trail.
The risks are also great for Mitt Romney. The crises could easily benefit Obama just as they did Eisenhower.
Anything having to do with overseas issues takes attention away from the economy, the area where Obama is most vulnerable.
Opinion: What if U.S. stops policing the world?
As was evident in their convention, Democrats feel they now have the so-called national security advantage. The successful drone strikes against al-Qaeda, as well as the death of Osama bin Laden, have given the White House a foundation from which to say the president is better prepared to handle these challenges.
Mitt Romney has not helped his cause, since he made widely publicized mistakes during his trip abroad, such as insulting the British about how they were handling the Olympics and making controversial remarks asserting the cultural superiority of the Israelis over Palestinians. Then during his acceptance speech in Tampa, Romney failed to praise the work of U.S. troops in Afghanistan.
As was the case with Eisenhower, foreign policy crises, at least in the short term, can create a rally-around-the-leader effect while raising questions about whether Romney is ready for the White House.
If the crises subside, the campaign is likely to shift its focus back to what's going on Main Street. But if not, Obama and Romney will need to calibrate their responses so that foreign policy does not pose a damaging blow to their campaigns.
Follow @CNNOpinion on Twitter.
Join us at Facebook/CNNOpinion.
The opinions expressed in this commentary are solely those of Julian Zelizer.


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Explore how to teach about genocide. Featured are a resource guide, a reference section, sample curricula, information on video documentaries, a suggested reading list, and a genocide FAQ.
Examine the historical record. Photo collections, a detailed chronology, sample archival documents, international conventions, a survey of press coverage, and a guide to bibliographies are offered.
Survey official statements, resolutions, proclamations, and reports affirming the genocide. Excerpts from the 1919 Turkish Military Tribunal and the 1920 Treaty of Sèvres are included.
Visit the Armenian Genocide Museum of America. Dedicated to educating the public about the continuing consequences of the Armenian Genocide. Inaugurated online April 24, 2015, as a centenary project.
Learn about ANI's goals, programs, and organizational structure. FAQ on the organization is also available.


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by Shafia
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Jan 08, 20 03:45 AM
Various personality tests claim to be the best tools. However, none of them can be termed as an accurate personality test. Some may be closer to accuracy.
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I score barely above average on IQ tests but in all around knowledge tests I score in the 90's. Average is 95. So would one's employer prefer knowledge
Dec 09, 19 01:24 PM
Animal personality test is a fun test. You can identify what kind of animal attitude you have.


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Guide to the Genealogy Collection
Special Collections has many resources to help the genealogist research his or her family's history. The collection focuses mainly on material relating to Alexandria and Virginia in general, but other genealogy resources are available as well.
|General Resources
|Vital Records
|Religious Records
|Military Records
|Educational Records
|Census Records
General resources consist of guides for the genealogist, including books that explain the types of records involved in genealogical research and where they can be found; resources for each of the Virginia counties arranged by county or city; resources with limited coverage of Maryland, the District of Columbia, West Virginia, Kentucky, and North Carolina; dozens of genealogy journals.
These include birth, marriage and death records. There are several volumes that bring together this type of information for Alexandria residents; the collection also includes compilations of vital statistics for other Virginia counties and some neighboring states.
Another valuable resource is the obituary index to the Alexandria Gazette, the local newspaper. The printed version of the index, available in the library, covers the years 1784-1915; there is a continuation of the index online which covers 1916-1946, with more dates to come.
Genealogists will find useful data in collections of tombstone inscriptions and cemetery records. Information about members of individual congregations, compiled from church records, is also available. The library's collection also includes published histories of churches and synagogues, which may reveal information about an ancestor as well.
Military Records
The collection is strong in Civil War resources, especially those pertaining to the Confederacy. Useful works include the War of the Rebellion Official Record (the "OR"), which reproduces correspondence and other documents from the war, and histories of each Virginia regiment. Also available in Special Collections are several volumes containing service records and pension records for earlier American wars.
The collection includes records from some local private schools, in some instances including lists of students who attended them. Also of use to the genealogist is the collection of twentieth-century yearbooks from three local high schools; view an index of the students in the senior classes here.
Microfilm copies of the federal census are available for all the counties of Virginia and for the District of Columbia (of which Alexandria was a part from 1791-1846). The collection also includes copies of the 1860 federal census for all states.
The Periodical Source Index (PERSI) indexes almost 5000 different genealogy periodicals; the collection includes volumes covering dates from 1847-1996. Articles can be found based on the location they discuss, the type of information they include, and the family they describe. There is an index available indicating those periodicals which are available in Special Collections; those not available can be acquired from the library which publishes the PERSI index.
The collection also includes microfilm of the Alexandria Gazette from 1784-August 2008 (microfilm of the Gazette from more recent years can be found at the Beatley Central Library). Although the newspaper has not been indexed by subject, it is still an excellent resource for genealogists. Other useful periodicals include the Virginia Historical Index, the Confederate Veteran, and the Southern Historical Society Papers.
Special Collections sometimes schedules genealogy classes. Contact Special Collections for more information.


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SPP 1889 - Regional Sea Level Change and Society
Understanding regional sea level change and its impacts on societies requires new forms of integrated research between natural and social sciences. The Priority Program (SPP-1889) 'Regional Sea Level Change and Society (SeaLevel)', funded by the German Research Foundation (Deutsche Forschungsgemeinschaft, DFG) performs a comprehensive, interdisciplinary analysis to advance our knowledge on regional, climate-related sea level change, while taking into account the associated human-environment interactions and socio-economic developments in the coastal zone.
SeaLevel focuses on two study regions: the North and Baltic Seas with potential impacts on Germany, and the South-East Asia region, which encompasses several coastal megacities, low-lying islands and delta regions. These regions contrast developed and developing countries, and thus differ fundamentally in their societal impact, cultural and socio-politico-economic contexts, adaptation potential and response strategies towards sea level change.
Developing successful strategies to cope with sea level change in these two regions largely depends on advancing our understanding of processes influencing regional sea level, available scientific information on sea level change at the coastlines and their uncertainty, available resources and economic power, and on adequate planning and effective local governance structures.
> read more about the objectives of the SPP-1889 SeaLevel program
SeaLevel consists of 20 projects from 23 German research institutions, bringing together over 80 scientists from a wide range of disciplines, such as physical oceanography, geophysics, geodesy, hydrology, marine geology, coastal engineering, geography, sociology, economics and environmental management.
SeaLevel is organized along three work packages (WP), which interact with each other to create a scientific base for quantitative, integrated coastal zone management (ICZM) studies both in the study regions, but also applicable to many other endangered places globally.
Work Program
A general overview about the work program and the possibility to download the full proposal is given
> here


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Spanish Eye brauchte ein neues Anderes Design und hat einen Wettbewerb auf 99designs gestartet.
Aus 40 Designs von 6 Designern wurde eine Gewinner gewählt.
We are soon to be launching a new e-book all about renting out an overseas property. We need some professional graphics to accompany the product that we've been working on for months.
Fully Booked
We are soon to be launching a product all about renting your overseas holiday property.
It contains information for owners of properties overseas to help them get their properties rented out.
I need a full set of graphics as detailed below:
1. E-book cover
I need a 3D image (large and small size) to go on the sales page. This could be either gif or jpg format.
2. Website header and footer
I need a header image and a footer image for the sales page.
3. Banners
A set of banners to display on partner sites
- E-book cover must contain the name of the book "Fully Booked", the tagling "The Step-By-Step Guide To Maximising Your Holiday Rental Bookings" and the author name "Lisa Kilkenny".
- Sales page header should contain the same information as the e-book cover and be 750 x 200 pixels in size (although I'm flexible on the height dimension).
- Sales page footer only needs the name of the book "Fully Booked" and should be 750 2 115 pixels in height (again, I'm flexible on the height dimension)
- Banners, I need the following:
- 468 x 60: Should contain "Fully Booked" and "How To Get People Begging You To Rent Your Overseas Property"
- 120 x 600: Should containg "Fully Booked" and "How To Rent Your Overseas Property AND Make A Profit" and maybe "Click here"
- 160 x 600: Same as for 120 x 600
- 250 x 250: Should contain "Fully Booked" and "A 100% Complete Blueprint That Empowers Anyone To Make A Profit Renting Their Property Abroad"
- 125 x 125: Should contain "Fully Booked" and "Property Rentals Exposed"
As the target market is Europeans, I don't want any US style images. We need more of a European apartment type feel such as for Spain/ Bulgara/ Turkey, etc.


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Displaying 1 - 5 of 165 results
The conference intends to make use of the comprehensive OSCE approach to security allowing a cross-dimensional discussion on current counter-terrorism issues, including kidnappings for ransom, human rights and counter-terrorism, and "foreign fighters".
The objective of this conference is to stimulate and enhance international dialogue and co-operative efforts of relevant law enforcement agencies of the OSCE Mediterranean Partners for Co-operation and participating States on methods and good practices to increase their capacities to identify and counter emerging transnational threats
The aim of the conference is to assess the Police (and Customs) Co-operation Centres (P(C)CCs') technical and operational capacity to identify the gaps to be addressed in order to provide for better co-ordination, co-operation and real time information exchange mechanism among the border security and management services in the region.
The aim of this training is to enhance the skill level of investigators from the countries of South-Eastern Europe (Albania, Bosnia and Herzegovina, the former Yugoslav Republic of Macedonia, Montenegro, Serbia), who deal with highly complex computer crimes, as well as computer related crimes with an emphasis on digital forensics.


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Insider's Guide to Austin
Where to eat, sleep, shop and play in the quirky tech hub (and capital) of Texas
THERE MAY BE no more magnetic town in America today than the Texas capital. Austin anchors the fastest-growing metro area in the country, with a population that expanded by more than 2% in 2013. It's a perennial on "best city" lists, lauded for its job prospects and its friendliness to small business, its music and its barbecue and its breakfast tacos. It has also become a place of pilgrimage, especially during South by Southwest, the film, music and technology festival that swamps the town for three weeks each March.
More Journal Concierge Guides
A crossroads from its earliest days, Austin has a rich, layered culture that reflects its frontier spirit. The town celebrates weirdness—don't be surprised if your taxi driver tells you he is fluent in dog—and embraces outsiders. It has fostered talents as diverse as Michael Dell, who dropped out of the University of Texas before founding his eponymous PC company; novelist J.M. Coetzee, who got a Ph.D. at UT; and Willie Nelson, who found new musical life here in the 1970s after "retiring."
The city's architecture reflects Austin's character—history and innovation, past and present, side by side. Once, the dome of the 1888 Renaissance revival-style Capitol dominated the skyline. Now it seems almost overshadowed by the forest of new office and apartment buildings. New food trucks sit steps from restored Tudor revival homes and Craftsman-style bungalows from the 1920s and 1930s. A few blocks from Sixth Street's bars and clubs, you'll find the Bremond Block Historic District, with some of Austin's oldest dwellings—gracious 19th-century Victorians. From the city center, suburban subdivisions from subsequent decades spread outward, like tree rings marking eras of growth.
Worrying about the loss of oddness seems like its residents' unofficial pastime. But change has always been an Austin constant, and you don't have to be there long to find evidence that an idiosyncratic spirit endures.
—Jeff Chu
The Chef: Paul Qui
'Top Chef' winner, chef/owner of Qui, which opened in 2013
Late-Night Snack // Las Trancas. A taco trailer that's still open after I get off work. It's the perfect low-key spot to grab some tacos, quesadillas and tortas. They also serve grilled whole chickens on the weekends; the key is to go around noon, when they are fresh off the grill. 1210 E. Cesar Chavez St.
Meat Market // Salt and Time. The best butcher's shop, with the freshest meat in town. They always create new cuts for us to play with—flanken rib, heavy chops (this includes the pork belly with the chop), beef oysters. They also have beer and cold-brew Cuvée coffee—local roasters—on tap. 1912 E. Seventh St., saltandtime.com
Winning Dinner // Justine's. The best place to eat, drink, party and afterparty—just a really fun place to have a drink or a late dinner. It's a French brasserie with an amazing patio and a really intimate dining area. The music is played off records. I like ordering anything off the daily board. 4710 E. Fifth St., justines1937.com
Men's Shop // Service Menswear. I love that they pre-wash and dry all the clothes. They have Gitman Vintage and Naked and Famous oxfords, which I'm a big fan of. 1400 S. Congress Ave. #A160, servicemenswear.com
Boot Boutique // HELM Boots. I'm a boot freak, and this is a great company from Austin that makes them. I own about seven pairs of Helm boots. 900 E. Sixth St., Suite 101, helmboots.com
The Runner: Sanya Richards-Ross
Four-time Olympic gold-medalist, University of Texas at Austin alum, Austinite
Brunch Spot // Four Seasons Hotel Austin. They have a five-star brunch with great fresh seafood selections, made-to-order omelets and nice mimosas. It's where my husband, [Aaron] Ross, and I got married. 98 San Jacinto Blvd., fourseasons.com
Sips and Sides // Max's Wine Dive. I don't drink much, but this is one place I've been that's awesome. They have a variety of wines and really yummy appetizers. 207 San Jacinto Blvd., maxswinedive.com
Lyrical Evening // The Elephant Room. Ross and I love poetry nights in Austin. The Elephant Room has fun live shows, including jazz and poetry. 315 Congress Ave., elephantroom.com
Pool with a View // W Austin. It has a rooftop pool where you can rent a chic cabana for a couple of hours or the whole day, and just enjoy friends and the great service. 200 Lavaca St., whotelaustin.com
Floral Adventure // Zilker Botanical Garden. Town Lake has a beautiful botanical garden with flowers from all over the world. It's amazing—a very relaxing experience. Go for a walk or a jog, or perch on a bench to just enjoy nature. 2220 Barton Springs Rd., zilkergarden.org
Classic Hotel // The Driskill. Located on Austin's famous Sixth Street, it's very elegant, with great dining and fun amenities. 604 Brazos St., driskill.hyatt.com
The CEO: Blake Mycoskie
Founder and CEO of TOMS Shoes, part-time Austin resident
Sweet Swim // Barton Springs. The crystal-clear water here feels magical—some people believe it is a fountain of youth of sorts. I think the best time to go is early morning on a hot summer day, when the temperature difference between the air and the water creates a mystical fog. 2201 Barton Springs Rd.
CHIC Shop // Stag. The vibe here is hipster, confident, cool. They have everything from obscure magazines and books to swim trunks. The last thing I bought there was a Billykirk bag. 1423 S. Congress Ave., stagaustin.com
BBQ Spot // Franklin Barbecue. I usually order a full rack of ribs. The rubs they put on it are super-tasty, and the meat just falls off the bone. You have to get there early—they sell out by lunchtime. I think anytime you have to wait in line at 10 a.m. for barbecue, the anticipation helps make the taste better too! 900 E. 11th St., franklinbarbecue.com
Healthy Tip // The Daily Juice. People from all walks of life go here—you've got health nuts coming from Pilates classes and business guys trying to keep the pounds off. It's super-fresh ingredients and unique recipes in a great location. 205 W. Third St. and 3300 Bee Caves Rd. #245, dailyjuicecafe.com
Music Venue // Austin City Limits Live. My favorite live-music venue in town. I think the sound and acoustics are the best I have ever heard. I saw Jack Ingram there, which was really special. 310 W. Willie Nelson Blvd., austincitylimits.com
The Performer: BettySoo
Austin-based indie-folk singer and songwriter
Java and JAZZ // Strange Brew. It's half coffee-and-sandwich shop, half really beautiful listening room. There are great local brews on tap, and they really care about musicians and the music community. It's everything from solo singer-songwriters to rockin' gospel bands to jazz and funk and blues. 5326 Manchaca Rd., strangebrewaustin.com
Mexican Meal // La Cocina de Consuelo. Consuelo and her family cook all this fresh, beautiful food and serve it to you lovingly. It's inexpensive too! They have this amazing breakfast taco, which sounds generic but is not: roasted pepper and cactus, cotija cheese and avocado, served on a handmade tortilla. 4516 Burnet Rd., consueloskitchen.com
Movie House // Alamo Drafthouse Cinema.They bring you food during the previews, and you can order beer and wine during the movie. You can see new releases, but they also do late-night singalongs and quote-alongs. We went to a "Napoleon Dynamite" quote-along at midnight, and people were shouting along to the entire movie. 320 E. Sixth St., drafthouse.com
Funky Furnishings // Cool Stuff and Furniture. It's a terrible name, and it has one of those terrible banners outside with bad script. But you'll find funky Mexican imports and a giant teak table and Blues Brothers cutouts. It's the weirdest combination of new and used stuff. I want to buy a couple of metal dinosaurs so my neighbors will be like, "What?!" 8231 Burnet Rd., 832-969-4719
Plus Don't Miss...
Rainey Street This charming, tree-lined street of rehabbed 80-year-plus homes was rezoned about a decade ago and is now where you can find some of Austin's finest restaurants and bars. raineystbars.com
El Primo | Asking people in Austin to pick their favorite breakfast taco is like asking about religion—dangerous and divisive—but the morning tacos and tortas from this trailer on South First Street are delectable. (512) 299-2489
Harry Ransom Center at the University of Texas at Austin | Among the treasures in UT's rare-book collection are a complete Gutenberg Bible, a rare first edition of Lewis Carroll's "Alice's Adventures in Wonderland," and some of the archives of John Steinbeck and Evelyn Waugh. hrc.utexas.edu
Lyndon Baines Johnson Presidential Library & Museum | Housed in a landmarked Gordon Bunshaft building on the UT campus, the LBJ Library chronicles the life and memorable work of the 36th president. lbjlibrary.org
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Nakapan necesitaba un nuevo diseño de camiseta y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 37 diseños de 12 diseñadores freelance.
BETA Academy
BETA Academy is Washington DC's premiere Mixed Martial Arts, Thai Boxing, Brazilian Jiu-Jitsu, and Fitness training center. To learn more about us visit http://www.betaacademy.com
This shirt is for students who have enrolled in our school and who are part of the Combat Athlete Program (equivalent to Black Belt Club in most other martial arts schools.
We would like this shirt to be black but we are definitely open to other color recommendations. We would like the logo to be changed and appear more aggressive. The logo is the yin and yang are represented by Siamese Fighting Fish or BETTAs.
If possible we would like to incorporate the words "Combat Athlete". We teach Muay Thai, Brazilian Jiu-Jitsu and Mixed Martial Arts so you are welcome to use these words in the design. One idea might be to use the words Muay Thai, in Thai writing, across the side of the shirt.
Attached is our current shirt that we give to students who are non-fighters. The idea is to create exclusivity and highlight those who wish to fight by giving them the black shirt.
Since this shirt will be exclusive, we want it to look far "cooler" than the standard yellow shirt.
The design is for both the front and back. Material for shirt is at the discretion of the designer but we would like it to be nicer than the Yellow shirt. Please provide shirt template, color, and manufacturer.
EPS files of standard yellow shirt have been provided.


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This page uses TLS encryption to keep your data secure.
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Ismail Haniyeh (Arabic: إسماعيل هنية Ismaʻīl Haniyya; sometimes transliterated as Ismail Haniya or Ismail Haniyah) ( Arabic pronunciation (help·info)); (born January 29, 1963) is a senior political leader of Hamas and one of two disputed Prime Ministers of the Palestinian National Authority, the matter being under political and legal dispute. He became Prime Minister after the legislative elections of 2006 which Hamas won. President Mahmoud Abbas dismissed Haniyeh from office on 14 June 2007 at the height of the Fatah-Hamas conflict, but Haniyeh did not acknowledge the decree and continues to exercise prime ministerial authority in the Gaza Strip. The Palestinian Legislative Council also continues to recognise his authority.
Haniyeh was born in the Al-Shati refugee camp in the Gaza Strip. His parents became refugees after they fled their homes in Majdal (currently Ashkelon, Israel) during the 1948 Arab-Israeli War. In 1987, he graduated from the Islamic University of Gaza with a degree in Arabic literature. In 1989, he was imprisoned for three years by Israeli authorities for participation in the First Intifada and membership with Hamas. Following his release in 1992, he was deported to Lebanon with Ahmed Yassin, Abdel-Aziz al-Rantissi and other senior Hamas politicians. A year later, he returned to Gaza and was appointed as Dean of the Islamic University.
After Ahmed Yassin, Hamas' spiritual leader, was released from prison in 1997, Haniyeh was appointed to head his office. He was targeted by the Israel Defense Forces for his alleged involvement in attacks against Israeli citizens. Following a suicide bombing in Jerusalem in 2003, he was slightly injured on his hand by an Israeli Air Force bomb attack attempting to eliminate the Hamas leadership. His position within Hamas continued to strengthen during the Second Intifada due to his relationship with Yassin, and because of the assassinations of much of the Hamas leadership by the Israeli security forces. In December 2005, Haniyeh was elected to head the Hamas list, which won the Legislative Council elections the following month.


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Make sure every photo gets your good side with these tips for looking your best in pictures.
I often get on my soap-box about bad customer service. I also preach (sorry) that you should all expect more for your money, be it shopping online or grabbing the weekly groceries.
Whitening your teeth is not cheap. I've never had the dentist whiten my chompers, but I have used Crest Whitestrips, and they worked pretty darn well. They were also pretty darn expensive (around $30 or so). [more]
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$99.95 $200.00 You Save 50% ($100.05)
Have a little charm with your wardrobe by wearing this Chinese Dragon Bomber Jacket. It is made of polyester and spandex giving comfy and warm feel.
Please Note: The sizes on the tag are Asian sizes which are 3-time smaller than US sizes. For example, if you are in the USA and you usually wear Large (L), the recommended/right size for you is Japan XXXL / US L.
We ship your orders directly from our global partners (avoiding high handling fees and allowing amazing prices), it's possible your order may take 2-5 weeks to arrive.
Once your order is shipped, we'll send you a shipping confirmation email with your tracking number. You can track your order in our website, by entering your tracking number in our order status page.
We are so confident in the quality of our products that we offer a 90 days satisfaction guarantee. And the return fee is covered by us. If you are unsatisfied, simply contact us to return the product for a full refund.


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Grants at UIS
A Message for UIS Faculty and Staff
色姑娘综合网久久一个色综合亚洲色综合久久偷拍国产在线视频色姑娘综合站Because of your insight into your academic fields and student services fields, and your dedicated commitment to improving society and higher education, you have the ability to gather support from corporate and private foundations.
We are here to help you with resources, information, and assistance.
- Grant Seeking: How the Office of Advancement Can Help
- Grant Seeking: Quick Reference Guide
- Grant Seeking: Types of Support
- Grant Seeking: What Foundations Want
- Grant Seeking: Grantmaking Process and Proposal Development
- Grant Seeking: Grant Seeking and Grant Management at UIS
- Grant Seeking: FAQs
- Grant Seeking: Current Opportunities
Here we gather some Requests for Proposals from Foundations that we think someone at UIS might be interested in. Please contact the Office of Advancement if you have questions.