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The breast size may decrease due to childbirth or significant weight loss. There are also women who have small breasts, due to a lack of tissue (hypoplasia). Many women opt for breast augmentation or breast wound because they are not happy in the volume or shape of their breasts. It is a very personal decision that leads to drastic consequences.
The breasts are composed of fatty tissue, glandular tissue, blood vessels, nerves, ducts and lymph nodes, but they contain no muscle tissue. That is why the exercises did not work back and augmentative. You cannot enhance your breasts or increase the volume of your breasts by exercise or ointments. On the other hand, hormone therapy is not recommended because of its severe side effects. Only breast augmentation ensures a beautiful and effective results.
During the first consultation, the Beverly Hills Plastic Surgeons shall explain the benefits and risks of breast augmentation and he listens to your motivations. Moreover, it presents the different types of breast implants, since they vary depending on the filling, shape, size and type of surface. To achieve the desired result, the Beverly Hills Plastic Surgeons you asked about your medical history and evaluate your physical condition. Thus, the surgeon seeks all with you the best solution to guarantee a satisfactory result.
Thanks to a well executed that meets the rigorous principles of surgery and with Beverly Hills Plastic Surgeons help, you can get within a flexible, in most cases will look very natural.


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|Rep. McDermed in Springfield with Ashley Crossett and her family
On Tuesday State Representative McDermed passed House Resolution 40, designating October 2017 as "Dysautonomia Awareness Month" in the State of Illinois.
Dysautonomia is an umbrella term used to describe several different medical conditions that cause a malfunction of the Autonomic Nervous System (ANS)
The ANS is responsible for controlling the "automatic" functions of the human body, including, but not limited to, heart rate, blood pressure, and kidney function. Various types of Dysautonomia result in the inability of the body to regulate these systems which may lead to lightheadedness, fainting, unstable blood pressure, abnormal heart rates, malnutrition, and even in some cases death.
The resolution was inspired by Ashley Crossett, a constituent in Frankfort, who suffers from Dysautonomia and is committed to raising awareness in Illinois. Over 70 million people worldwide have some type of Dysautonomia. There is no known cure for Dysautonomia.

subset: commoncrawl


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Fonts - Guitar/Vox
Tori - Bass
Rob - Drums
Ash - Trumpet
Catylyst - Trombone
Clare - Sax
Chris - "Unknown?"
Mr Shiraz are an 8-piece Band hailing from Huddersfield. After a short labour the band exploded out in November 1999, playing gigs around England,they soon developed a strong following from the UK Ska/Core scene. First described by the YEP as a cross between "Slipknot meets The Selector" they soon developed a sound and energetic style all their own.
These days the group can boast gig's with a host of national and international bands including Therapy?, The Slackers, Left Over Crack, Alkaline Trio, Reel Big Fish, The Pilfers, Crackout, Voodoo Glow Skulls, King Prawn etc.
With the band receiving more and more national and more widely European attention, Mr.Shiraz played a hugely acclaimed set at this years Carling Festival which really put the band up there with some of their former peers.
Mr.Shiraz have just completed a second hugely successful European tour in November where the band covered a staggering 8 countries in just 2 weeks (and even got themselves thrown out of the Czech Republic - twice!), the band have a energy fuelled live show which has to be seen to be believed and have also been crowned this years 'MeanFiddler' "FutureSound 2001 Champions" beating off stiff competition from over 350 bands from around the UK.
Having finished recording their second EP titled "Nelly's Kitchen" which was launched with a sell-out show at The Cockpit (Leeds), is currently receiving rave reviews and radio play across Germany, Belgium and the Czech Republic, Mr.Shiraz are in now in demand which has forced the band to extend their planned UK tour in early 2002 and are now planning at least three European tours next year as well as a tour of New York and Chicago in April 2002 with Warner Records "Standpipe Siamese".
With an amazing year coming to an end, 2002 is going to be bigger and better with more UK & European tours planned and even a bite of American Pie around the corner in April. Mr.Shiraz are a refreshing break from the norm, which is why the producers at "RealLife TV" (Ch.4 & MTV) have decided to jump in with both feet and follow Mr.Shiraz for a behind the scenes warts n' all documentary to be screened in Autumn 2002.


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Located on Queensland's beautiful Gold Coast, Inforum's English language school provides innovative and enjoyable language solutions for learning English in Australia. Our truly multicultural mix of students loves the combination of our high-quality English language studies and real-life experiences to improve their English skills while enjoying our amazing beaches and lifestyle here on the Gold Coast.
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Dreamworld is a theme park situated on the Gold Coast in Queensland. It is Australia's largest theme park with over 40 rides and attractions, including five roller coasters! Enjoy the fastest, most action-packed, adrenaline inducing rides!
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Friday, August 12 – "Hiking the Horizontal" by Liz Lerman
I spent Friday morning dealing with the always-lovely SOFO, and then I worked out before treating myself to a milkshake and laying on my absurdly soft carpet to read "Hiking the Horizontal." I read it this past quarter for an independent study, but it never hurts to re-read.
The notion behind the title may be my favorite part of this book. Lerman starts her introduction by talking about how there's often this conception of art as existing on a vertical spectrum–"low art" at the bottom, and "high art" at the top. The goal seems to be to reach the top, and the art at the top is supposed to be inherently more valuable than the art at the bottom. Lerman, however, argues that we should think about art as existing on a horizontal spectrum–no art is ranked higher than any other art, but they're just different types of art that all have the same value. We can even turn the line into a circle, and explore all the different parts of it.
Lerman also talks about being an accidental feminist, or her dances having "quiet feminism" (12). She talks about how she did not set out to create a feminist work, but she is proud of the fact that people read that in her work–that she created a work that "made it okay for dance to be sexy as well as about ideas" (12). In contrast with some of the former choreographers who seemed to be adamantly against being called feminists, this was a refreshing change.
I will leave you with one last, really long quote.
A really intriguing thing that Liz Lerman writes about is when she was commissioned to create a piece about the Nuremberg trials. She writes a letter to the woman who commissioned her and asks why she thinks a dance about the Nuremberg trials will be useful, to which the woman replies:
"These are my hopes: that a dance would reach people who seldom think about mass atrocities–students, lawyers–with the chance to be drawn in emotionally and intellectually, with the pacing that can allow people to absorb or begin to absorb the incomprehensible scales of atrocity, the limits of legal responses but also the dignity in the effort to frame and respond to atrocities through law. For those who think about these matters often . . . the chance to imagine images and voices about these things, and to have a shared experience with others who seldom attend these issues, would be a gift. The central problematics rather than more information would be a valuable focus. And rather than the typical academic discussion that implies the capacity of logic, empiricism, and argument to contain, resolve or manage an issue, the dance might give people experience dwelling with the problematics" (Lerman 88).


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Welcome to Pine Design
Pine Design Truss and Timber is an Adelaide based timber supply company that manufactures quality roof and floor trusses in support of many South Australia builders. The business also stocks multiple other building products to provide a
one-stop solution option for builders.
In last the bi-annual Frame & Truss Manufacturers Association (FTMA) national conference, we were recognised for our outstanding achievements with awards for
Best Medium National Fabricator, Occupational Health & Safety policies, and runners-up in
Best Overall National Fabricator.


text:
One of the most important selling tools you have for selling a house in Thailand is the internet. Through the internet you can reach millions potentially, although sometimes it is hard to get more than a handful of people to your site everyday.
That just got harder with the new changes this April to the Google Algorithm. The change seems to penalize those who try to boost there position in the SERPS. Those who don't regularly send links to there sites are unaffected; but those who were seeing good progress in their position in Google for keywords have, in many cases, seen the carpet pulled out from under their feet. Do not panic is the old seo wisdom - the site will be back. I'm not so sure. Some of my sites have been down for the longest time. If Google preferred genuine content above you, then you would have less reason to grumble; but often that is not the case. Here is what I'm more certain about:
Good original content
1) Google is trying to find a way mathematically to discern shit from shinola. The better you can write and the more originality and value you can add to your writing the more you will be rewarded both now and in the future with good SERPS position and Page Rank.
2) If you just continue sending backlinks to your site or sites then over time they will come back. The key is to hit a variety of key phrases. If you just keep linking 'property for sale in Thailand' then you will be forever penalized by Google. You must spread your links over lots of related keywords and phrases related to your niche. Variety.
Aged Domains
3) The new (and not so new) idea in SEO is to fool Google by buying age and page rank. Every day valuable sites and URLs just get discontinued because someone lost interest or just plain forgot to renew their URL address. In auctions you can buy sites with 100s if not 1,000s of backlinks. You can find sites with page rank up to 5. If you buy a site with age it will soak up the links and will not be penalized so readily by Google. It may seem like starting again but you will be surprised how much difference age makes in the SERPS. You can also just move shop as it were, by redirecting your old site to your newly acquired aged domain.
Other Sources of Traffic
4) The final bit of advice is to find ways to not rely on Google. Lots of people make a good living from their sites and they are poorly placed in Google. How do they do this? The answer is through referrals. If you can get your links on sites with high traffic then you can see good traffic just from people clicking through to your site. The future is that more and more people will just pay for targeted traffic. Adwords is about this very topic.
Don't Dispair
You can make a sale. It is only a matter of time and hard work. The internet is only one way to sell your house. It is an important way no doubt and there is no reason to think that you cannot compete with 'the big boys'. The internet is a level playing field.


text:
You can do this.
The NHC HealthCare, Mauldin Rehab Team distinguishes itself by providing patients with a level of care and service that enables them to regain their independence and good health, while aging with grace and dignity. Our staff consists of highly skilled, licensed and certified physical, occupational and speech therapists.
Our specialty certifications include state and national boards as well as:
We offer therapy 5-6 days a week and utilize a variety of treatment approaches to help patients achieve their goals. We feel that family and caregiver involvement is crucial to each patient's rehabilitation and we encourage family and caregivers to observe therapy at any time.
Our therapists work closely with Social Services to ensure a seamless discharge to home as well as providing extensive caregiver education to ensure safety and the highest level of independence in the discharge environment.
At NHC HealthCare, Mauldin Rehab we are committed to treating every patient with genuine compassion and integrity by using our knowledge, insight and abilities to enable our patients to achieve the results they desire.
NHC HealthCare, Mauldin Rehab provides both inpatient and outpatient rehabilitaton services. We look forward to the opportunity to provide you or your loved one with excellent, high quality rehabilitation services.
Please call us today at (864) 675-6421 for more information or to set up a tour of our health care center.
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August 19, 2018
- crudités (noun)
- \kroo-dih-TAY\
- What does it mean?
- : pieces of raw vegetables (as celery or carrot sticks) served as an hors d'oeuvre often with a dip
- How do you use it?
- Whenever we have guests for dinner, Mom likes to serve crudités before the main meal.
- Are you a word wiz?
"Crudités" has been part of the English language for only about 50 years. From which of the following languages do you think English-speakers borrowed it?Answer B is the one that whets our appetite. "Crudités" comes from the plural of the French word "crudité," meaning "rawness." "Crudité" traces back to the Latin word "cruditas," meaning "indigestion"not a very appropriate ancestor for a tasty treat! Latin "cruditas" derives from "crudus," meaning "raw." This Latin word is the source of several other English words including "crude" and "cruel," and is akin to the word "raw" itself. Another word that English borrowed from French was used in the definition of "crudités." "Hors d'oeuvre" is defined as "any of various tasty foods usually served as appetizers," and it comes from a French phrase meaning "something extra."


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Honda Car Forum
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Honda Racing: RealTime Racing Acura NSX GT3 Has Best Weekend of 2017 Season
This release contains: 1 Related Document, 1 Photo
The RealTime Racing Acura NSX GT3 machines had been showing steady progress in their maiden season of Pirelli World Challenge competition, and signs of improvement got brighter and louder this weekend at Lime Rock Park.
The Acura squad had its best weekend of 2017 at the tricky little track nestled in the Berkshires, putting both cars in the top six in Friday's opener and then finishing with a fifth- and a seventh-place run in Saturday's finale. The results were the season's strongest demonstration of the improvements made by RealTime Racing and Honda Performance Development through their first year with the new American-built supercar.
"A great weekend overall at Lime Rock. The hard work of RTR and HPD is clearly paying off, with both cars finishing well in both races," said NSX GT3 Project Leader Lee Niffenegger of HPD. "Race 2 was especially promising, as the #43 car ran in the top three for a good part of the race and the #93 was the fastest car on the track towards the end, and ran down the race for fourth. Unfortunately, at Lime Rock it is so tough to pass, and they just couldn't move both cars into the top five. Regardless, this weekend was a clear step forward."
Ryan Eversley and Tom Dyer had their best qualifying session of the year in Friday's opener, negotiating a wet track to claim the fourth spot on the starting grid. A deft move to avoid a crash at the start dropped their #43 back in the early part of the race, but Dyer found a way around the always-tough Ryan Dalziel late in the race to finish fifth.
"Passing on the outside is always a tricky proposition, but with the way Turns One and Two are laid out at Lime Rock Park, the grip is there," Dyer explained. "I was able to pull up alongside [Dalziel] under braking and hold that position through Turns One and Two, and then had the preferred line going into Turn Three, where I took the spot."
The team of Peter Kox and Mark Wilkins made up five positions in a tightly-packed field to place seventh on Friday, and as he did in Canada last week, Wilkins gained three spots in the #93 Acura on Saturday's start, putting himself and teammate Peter Kox in position to move up and eventually challenge for a top-five result.
"In both races, we made significant moves forward and executed very well on our pit stops that helped us through the field," reported Wilkins. "Our Race Two pit stop in the #93 was perfect, and Peter put in some stellar laps to get us into the battle for fourth near the end. Ryan and Tom executed all weekend long with a pair of top fives [finishes], and the RealTime Racing crew was spot on all weekend. Everything just seemed to click!"
The series' new SprintX format that required mid-race driver changes had not been much of a problem for the Acura team so far this year, but last weekend, the pit-road changes provided the only hiccups for the #43 car.
Eversley got caught in a belt trying to hand off to Dyer on Friday, costing the team three spots. Saturday, when he took the third-place car from Dyer, the belt mechanism would not lock right away, dropping them from third to fifth.
Undeterred, Eversley took up the chase and climbed to the rear bumper of Vincent Abril's Bentley, but the tight track allowed for very few passing opportunities, and the #43 settled for fifth, with Kox in the #93 following right behind.
"I'm very excited and happy to end the weekend with two top-five finishes in our #43 RealTime Racing Acura NSX," Eversley said. "The team has come a long way with our brand new car, and I'm very thankful for the effort from everyone involved to help us get here. Hopefully, we can continue with our strong pace towards our home race at Road America, which is next up on the schedule."
The team has good reason to look forward to Road America as it dominated the PWC GT weekend there last year, with Eversley storming to a pair of wins in the Acura TLX. The Road America race, which takes place June 24-25, is a return to the single-driver format and will serve as Rounds 4 and 5 of the PWC GT championship.
The Acura NSX GT3 racecar utilizes the production NSX's lightweight multi-material body with aluminum-intensive space frame, and is powered by a 3.5-liter, 75-degree, twin-turbocharged DOHC V-6 engine. The engine uses the same design specifications as the production 2017 Acura NSX, including the block, heads, valve train, crankshaft, pistons and dry-sump lubrication system. The engine is paired with a 6-speed, sequential-shift racing gearbox, delivering power to the rear wheels. The Acura NSX is produced at the Performance Manufacturing Center in Ohio.
SprintX Results Friday:
SprintX Results Saturday:
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text:
Our Services
Kay Real Estate Inc
Main Office: (315)-363 -9191
Kay Real Estate, Inc.
126 Main Street
Oneida, NY 13421
Fax: (315-)363-1613
Hello and thank you for visiting! It is our goal as your full service real estate company specializing in the Oneida, Canastota, Vernon-Verona-Sherrill, Stockbridge/Munnsville, Sylvan/Verona Beach and surrounding areas, to provide you with superior service at all times. Our local expertise and extensive real estate experience will benefit you whether you are serious about buying or selling a home at this time, or are a returning client checking out the many homeowner resources we offer.
Buying a home? We look forward to helping you select the home of your dreams by taking time to listen to your needs and desires.
Selling a home? Our real estate expertise and many effective marketing programs will give you the exposure and edge you need to sell your home quickly for top dollar.
Returning Client? We appreciate the opportunity to continue to serve you and hope you take advantage of the valuable resources we provide. Come back to visit often!
We consider this community an excellent place to reside and would love to share with you our enthusiasm for the many neighborhoods that encompass it. we pride ourselves on providing unparalleled service and look forward to developing a long-term relationship with you. Please feel free to contact us if you would like to discuss how we can best assist you with your real estate needs.
Kay Real Estate ,Inc.


text:
Ah, Toma. Or as I nicknamed him, "the psycho boyfriend." (I also called him Stalker-san for a bit, which kind of gives you the impression of what he's like.)
My first playthrough was the Diamond world, for a couple of reasons. As I've mentioned, character design does a lot to show what kind of person the love interest probably is like, and factors into the selection process for the player. Toma had the most appealing character design for me.
Also, the suit he's associated with is diamonds, which was my childhood favorite, so it seemed like a good bonus. My adult favorite is spades, but I didn't like Ikki's design much, so Toma it was.
Of course, if you've read my comments on Shin's route, or seen his bad ending yourself, you can guess I was in for a rough shock, and I was going in blind.
The beginning was entertaining enough, trying to figure out details of the protagonist's past and why she was getting these mysterious threats, all while trying not to cause Toma to freak out. I got halfway through the month before I stopped playing for the night.
Unbeknownst to me, I had picked a really good time to take a break.
In this world, Toma is an older brother figure of the protagonist, and it becomes clear through early dialogue with a third party that he is not her boyfriend. He says he can't get interested in her because they grew up together, and the protagonist's brief flashes of recovering memory tells her that she liked someone who was having trouble seeing her as a woman.
When she gets around to asking him if she liked him before she lost her memory, he tells her that they were a couple, which contradicts what he had said previously.
Playing through Toma's route was fascinating, because choosing the right dialogue choices reveals that there is a lot that Toma is hiding from her, but it's also clear that despite not being her boyfriend, he cares a lot about her. He says and does all kinds of contradictory things (he says he's her boyfriend, but also mentions that they haven't held hands in years) and resists all attempts at intimacy.
It made for a compelling read. I loved it. I was pretty sure he was ultimately on the protagonist's side and had a good reason for his deception, but then I hit the second half of his route.
You see, Toma's route is the problematic one that I alluded to in my first post, and it makes the game difficult to recommend because I'm not down with attempted rape perpetrated by the love interest.
Toma is, in anime fandom terms, yandere. It's a type of character that normally comes off as sweet until jealousy or overprotectiveness unlocks their crazy side.
And no matter what the player does, he will be a bastard to the protagonist in the second half of the route. Unless enough correct choices are made throughout the story (walkthrough probably needed) he is not redeemable. One of the other characters even lampshades this by telling the protagonist that Toma is the least frequent of the love interests to have a happy ending with her in all the worlds.
I was... rather shocked and disbelieving when Toma locked my protagonist in a large dog cage to stop her from leaving his apartment. It's not exactly where I wanted to spend a third of my playthrough.
Because of the memories I had unlocked so far, I was pretty sure that Toma was doing this because it was his sick and twisted way of protecting the protagonist, but there's no getting away from the sick and twisted. He reveals just how much he's been observing the protagonist, and in subsequent playthroughs of his route (I got his bad ending first and wanted to try for his good ending later) his attentiveness to everything she likes comes off far more sinister than the first time through.
He also acknowledges that what he's doing isn't what she wants, but he doesn't care as long as it protects her.
Even if the protagonist is still sympathetic towards Toma, she chooses to escape on the last day of the route and is nearly run over by a motorcycle, causing a number of scrapes and bruises. What happens then is messed up, no matter the good, bad, or normal ending.
If it's the bad ending, Toma catches her outside and locks her up so she can never escape again. If he seemed yandere before, it's nothing compared to his facial expression when he finds her, and makes it clear that he was holding back earlier. And that he won't hold back anymore. The ending illustration is seriously creepy, with the protagonist suspended in chains while Toma is clinging on to her.
The good/normal endings aren't much better. In those the protagonist is not found by Toma and returns to the cage hoping that he won't notice when he gets home, but because he's hyperattentive, he does. He makes her strip to her underwear so he can see all her injuries and then tells her that since she's disregarded his own pain in trying to protect her, he's going to disregard hers. And, it's pretty clear from the illustration of him pinning her on the bed and his dialogue that he intends to rape her.
In the normal ending, there's a sound effect of her breaking free and she runs out the door, bumping into Shin, who helps her escape (I like to think she kicked Toma in the nuts). A lot of the mysteries in the storyline are then resolved in exposition and Toma disappears from her life.
To get the good ending, the protagonist needs to completely trust Toma despite knowing everything he's lying about (if that's not a contradictory set of requirements I don't know what is) and if she does, she doesn't run out of the rape scene. Instead she asks him to help her, and during the resulting moment of shock on his part, she accidentally knocks her diary off a shelf.
The diary reveals (almost) everything that the protagonist had been trying to sort out since she lost her memory.
In a way, Toma's storyline is tragic. It's clear from his actions that he cares about her (it may be twisted to all heck, but it's there) and the diary reveals to both of them that the protagonist loved him too, but she was having trouble confessing her feelings to him. The day they met at the start of the storyline was supposed to be the day she would tell him her feelings, except that it got disrupted by Orion's arrival and the onset of her amnesia, then amplified by unrelated harassment from other girls in a club and stuff related to the fifth storyline that crosses all realities.
Everything snowballed from there, making Toma feel like he had to take extreme measures to protect the protagonist, and causing him to mistakenly think she was in love with someone else (he resisted all her advances because he thought she was someone else's girlfriend) when he was the one she was in love with the whole time.
Since Toma reads the diary as well, he comes back to his senses and participates in the epilogue to set everything right.
But that doesn't excuse everything that he did along the way. I'm surprised how easily the protagonist forgives him (her own voice comes out a lot once she has her memories back) and when she decides to stay with him after everything that's happened, even he admits she has poor taste in men.
What I didn't like about the ending was that Toma reverts completely from psycho wannabe boyfriend back to his earlier affectionate personality. (Five minutes earlier he was ordering her to strip and suddenly he's uncomfortable kissing her when she's not dressed?) It happens so easily that the unfortunate implication is he can switch between the two at the drop of a hat, and when you replay the route, it's easy to see that his psycho side was always there, buried just beneath the surface. Even when he and the protagonist are in their final scene together he admits he's afraid he'll be unable to handle it if she ever leaves him.
It makes me want to shake the protagonist and say, "Did you forget what he almost did you, what he did do to you? Don't you realize that the crazy side of him hasn't gone away?"
I might have been okay with this if Toma had been the bonus/villain route unlocked for subsequent playthroughs, as I expect a certain amount of twistedness in those, but Toma was a regular love interest so this completely blindsided me.
For what it's worth, his storyline is well written and probably worth playing twice so you can see how far ahead he begins manipulating the protagonist (proof that his psycho side was not a sudden snap), but I have mixed feelings about not knowing how dark his route can get. On the one side, not knowing is effective because of the shock it elicits, but on other, it makes this game the "attempted rape by a love interest" game so I'm going to have to include that qualifier whenever talking to anyone interested in playing it.
I've seen characters with yandere tendencies in otome before, but Toma goes so much farther than any of the others. And that's saying something considering that there is a bonus route in this game with a love interest whose split personality wants to kill the protagonist. Ukyo's route is up next week!


text:
- Artist
- Augustus Saint-Gaudens 1848–1907
- Medium
- Bronze and oak
- Dimensions
- Object: 1097 x 1097 x 70 mm
- Collection
- Tate
- Acquisition
- Presented by Miss Mary Hoadley Dodge 1919
- Reference
Robert Louis Stevenson is a bronze tondo portrait relief by the Irish-born American sculptor Augustus Saint-Gaudens. Most of the nearly circular pictorial space is occupied by a male figure, presumed to be the writer Stevenson, shown in profile from the left, clothed and sitting in bed. His back is almost straight and his head is upright and alert. Three cushions support the figure and bed covers are draped across the lower half of his body. His left hand steadies sheaves of paper that are balanced on his raised knees, while his right arm is bent at the elbow and poised with what appears to be a cigarette in his hand. He gazes into the distance, as if in contemplation. The top half of the portrait is framed with an ivy border, while the lower and right sides are edged by long rectangles representing the frame of the bed. The relief is mounted on a wooden backing and inscribed with the dedication 'TO | SIDNEY COLVIN', 'ROBERT LOUIS | STEVENSON'. Further inscriptions include several stanzas from Stevenson's 1887 collection of poems Underwoods, beginning 'YOUTH NOW FLEES ON FEATHERED FOOT', and these words fill the pictorial space into which Stevenson stares and above his head. The statement 'COPYRIGHT BY AUGUSTUS ST GAUDENS 1892' also appears towards the bottom of the relief.
Robert Louis Stevenson was made by Saint-Gaudens in c.1887–93. The artist had met Stevenson in the autumn of 1887 after reading his collection of short stories The New Arabian Nights (1882). Saint-Gaudens claimed the book 'set me aflame as have few things in literature' and he became determined to memorialise the author (quoted in Tolles 2010, p.229). The two were introduced by a mutual friend, the American painter William H. Low, in New York and Saint-Gaudens began work on the relief immediately. At this point Saint-Gaudens only had time to model Stevenson's head, over the course of five short sittings at Stevenson's rooms in the Hotel Albert, before Stevenson's visit to New York concluded. The following year Saint-Gaudens visited Stevenson in New Jersey, where the writer was staying, to draw and cast the design for the relief, making the work larger and including Stevenson's hands (Tolles 2010, p.229). A commercially successful bronze, the relief was issued in unlimited editions in varying dimensions (Tolles 2010, p.229). This version is dedicated to Sidney Colvin, then Keeper of the Print Room at the British Museum, London. The artist later remodelled it in a number of forms, concluding with a large memorial relief housed at St Giles's Cathedral, Edinburgh: the Robert Louis Stevenson Memorial 1904 (reproduced in Tolles 2010, p.230).
Saint-Gaudens was born in Dublin to a French father and an Irish mother. When he was six months old the family emigrated to the United States. Saint-Gaudens was apprenticed to the French cameo maker Louis Avet in 1861, later working for Jules LeBreton, another cameo maker, while taking evening classes in drawing at the National Academy of Design and the Cooper Union, New York. In 1867–75 he travelled to Paris and Rome to further his artistic training. Upon his return to America in 1875 Saint-Gaudens launched his career in the making of public monuments with a celebrated statue of naval commander Admiral David Glasgow Farragut. Since American bronze founding was still in its infancy, Saint-Gaudens returned to Paris in 1877 to fulfil this new commission. The Farragut monument was eventually unveiled in Madison Square Park, New York, in 1881. Commissions for other public monuments followed, including those of Abraham Lincoln and Colonel Robert Gould Shaw.
Robert Louis Stevenson was exhibited in the Ninth Exhibition of the International Society of Sculptors, Painters and Gravers at the New Gallery, London, from January to February 1909.
Further reading
Augustus Saint-Gaudens Memorial Exhibition, exhibition catalogue, Art Institute of Chicago, Chicago 1909.
Eric Gibson, 'Augustus Saint-Gaudens and the American Monument', New Criterion, October 2009, pp.43–6.
Thayler Tolles, '"Mingled Feelings": Augustus Saint-Gaudens, American Sculptors and Britain', Visual Culture in Britain, vol.11, no.2, 2010, pp.219–37, reproduced p.230.
Beth Williamson
January 2017
Supported by the Terra Foundation for American Art.
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Catalogue entry
N03431 Robert Louis Stevenson c.1887-93
Inscribed 'TO | SIDNEY COLVIN', 'ROBERT LOUIS | STEVENSON', and the poem beginning 'YOUTH NOW FLEES ON FEATHERED FOOT'; also 'COPYRIGHT BY AUGUSTUS ST GAUDENS 1892' near bottom
Bronze relief, almost circular, 35 7/8 x 35 1/2 x 1 3/4 (91.2 x 90.2 x 4.5) on wooden backing
Presented by Miss Mary Hoadley Dodge 1919
Prov: Sir Sidney Colvin, London; Miss Mary Hoadley Dodge, London
Exh: Ninth Exhibition, International Society, New Gallery, London, January-February 1909 (329)
Lit: Sidney Colvin (ed.), The Letters of Robert Louis Stevenson (London 1900), Vol.2, pp.65-6, 72, 77, 289-90, 305-6, 340; Royal Cortissoz, Augustus Saint-Gaudens (Boston-New York 1907), pp.17-18, 25, repr. p.25; C. Lewis Hind, Augustus Saint-Gaudens (London-New York 1908), pp.27-8, 40-1; Homer Saint-Gaudens (ed.), The Reminiscences of Augustus Saint-Gaudens (London 1913), Vol.1, pp.373-8, 384-9, plaster repr. p.380; exh. catalogue Augustus Saint-Gaudens: the Portrait Reliefs, National Portrait Gallery, Washington, DC, 1969, notes on nos.39-41
Repr: The Century Illustrated Monthly Magazine, LIV, 1897, p.189 (the plaster)
Robert Louis Stevenson (1850-94), the novelist, essayist, poet and traveller. Augustus Saint-Gaudens has described how he came to meet Stevenson in the autumn of 1887, after reading The New Arabian Nights. He had told his friend Will H. Low, who knew the author quite well, that if Stevenson ever crossed the Atlantic he would consider it an honour to make his portrait. Only a few weeks later, Stevenson arrived in America on his way to the Adirondacks and accepted the offer at once. All that Saint-Gaudens had time to do from him then was the head, which was modelled in five sittings of two or three hours each in Stevenson's rooms in the Hotel Albert in New York. Shortly afterwards Stevenson went to Saranac, then in April-May 1888 took a house at Manasquan, New Jersey. As he wanted to make the medallion large enough to include the hands, Saint-Gaudens paid at least one visit to Manasquan to make a drawing and some casts. Stevenson lay as usual on rather a high monumental bed and being asked to write something in order to assume a more natural pose, took advantage of the occasion to compose a charming letter addressed to the artist's son, Homer Saint-Gaudens, who was then a boy.
As the medallion of Stevenson became one of Saint-Gaudens' most popular works, the sculptor remodelled it in a number of forms, culminating in a large relief placed in memory of the author on the wall of St Giles Cathedral in Edinburgh. According to Homer Saint-Gaudens, op. cit., p.384: 'First my father made the original head, slightly smaller than life-size. Then he designed an oblong composition which showed Stevenson propped up in bed, his manuscript before him, a cigarette in his hand, and which bore some of his verses beginning, "Youth now flees on feathered foot". Next followed a round variation, three feet in diameter, representing the whole bed, with the poem composed in a different form, and a winged Pegasus added. After that appeared other small replicas of the round and oblong forms, with the drapery and verses once more altered. And finally two arrangements of the big relief were created in which the bed gave place to a couch, the blanket to a rug, and, in deference to the site in a church, the cigarette to a quill pen, and the poem to a prayer.' Homer Saint-Gaudens subsequently added, in a letter to the compiler of 16 March 1953, that no two of these variations are ever alike, as slight changes were always made in the drapery or the lettering. The present version is dedicated to Sir Sidney Colvin (1845-1927), the Keeper of the Print Room at the British Museum. In a letter from Samoa dated 29 May 1893, Stevenson asked Saint-Gaudens for a 'couple of copies of my medallion, as gilt-edged and high-toned as it is possible to make them', one for himself and the other for his friend Sidney Colvin: this relief is presumably the latter. (It has a label on the back written and signed by Colvin and addressed to C.E. Hall? at the New Gallery). Further copies of the circular medallion of this size belong to the Saint-Gaudens National Historic Site, Cornish, New Hampshire; the Metropolitan Museum, New York; the John Herron Art Institute, Indianapolis; Princeton University Library, Princeton, New Jersey; the American Academy of Arts and Letters, New York; and the Robert Louis Stevenson School, Carmel, California, among others. Such was the popularity of this bas-relief portrait, that Saint-Gaudens began in 1898 to make a series of reductions which were sold individually and at Tiffany's in New York and Doll and Richards in Boston. These included two smaller versions of the circular medallion, one about eighteen inches and the other about twelve inches in diameter (45.7 and 30.5cm respectively).
The poem beginning 'Youth now flees on feathered foot' which appears on this relief is from Stevenson's Underwoods published in 1887, and is dedicated to Will H. Low, who, as mentioned above, was a mutual friend of Stevenson and the sculptor.
Published in:
Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.669-70, reproduced p.669
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BREXIT notice: UK passport holders
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Play at Plunder the Sea Scratch cards game
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Assume that an application runs on a single computer and you want to convert it to run in a "distributed" manner on a network. This example shows the stepwise conversion of this program that writes a message to the system console. The following code example shows the original program.
/* printmsg.c: print a message on the console */ #include <stdio.h> main(argc, argv) int argc; char *argv[]; { char *message; if (argc != 2) { fprintf(stderr, "usage: %s <message>\n", argv[0]); exit(1); } message = argv[1]; if (!printmessage(message)) { fprintf(stderr,"%s: couldn't print your message\n",argv[0]); exit(1); } printf("Message Delivered!\n"); exit(0); } /* Print a message to the console. * Return a boolean indicating whether * the message was actually printed. */ printmessage(msg) char *msg; { FILE *f; f = fopen("/dev/console", "w"); if (f == (FILE *)NULL) { return (0); } fprintf(f, "%s\n", msg); fclose(f); return(1);}
For local use on a single machine, this program could be compiled and executed as follows:
$ cc printmsg.c -o printmsg $ printmsg "Hello, there." Message delivered! $
If the printmessage() function is turned into a remote procedure, the function can be called from anywhere in the network.
First, determine the data types of all procedure-calling arguments and the resulting argument. The calling argument of printmessage() is a string, and the result is an integer. You can write a protocol specification in the RPC language that describes the remote version of printmessage(). The RPC language source code for such a specification is:
/* msg.x: Remote msg printing protocol */ program MESSAGEPROG { version PRINTMESSAGEVERS { int PRINTMESSAGE(string) = 1; } = 1; } = 0x20000001;
Remote procedures are always declared as part of remote programs. The previous code declares an entire remote program that contains the single procedure PRINTMESSAGE. In this example, the PRINTMESSAGE procedure is declared to be procedure 1, in version 1 of the remote program MESSAGEPROG, with the program number 0x20000001. See Appendix B, RPC Protocol and Language Specification for guidance on choosing program numbers.
Version numbers are incremented when functionality is changed in the remote program. Existing procedures can be changed or new ones can be added. More than one version of a remote program can be defined and a version can have more than one procedure defined.
Note that the program and procedure names are declared with all capital letters.
Note also that the argument type is
string and not
char * as it would be in C. This is because a
char * in
C is ambiguous.
char usually means an array of characters, but
it could also represent a pointer to a single character. In the RPC language,
a null-terminated array of
char is called a
You have just two more programs to write:
The remote procedure itself
The main client program that calls it
Example 3–2 is a remote procedure that implements the PRINTMESSAGE procedure in Example 3–1.
/* * msg_proc.c: implementation of the * remote procedure "printmessage" */ #include <stdio.h> #include "msg.h" /* msg.h generated by rpcgen */ int * printmessage_1(msg, req) char **msg; struct svc_req *req; /* details of call */ { static int result; /* must be static! */ FILE *f; f = fopen("/dev/console", "w"); if (f == (FILE *)NULL) { result = 0; return (&result); } fprintf(f, "%s\n", *msg); fclose(f); result = 1; return (&result);}
The declaration of the remote procedure printmessage_1() differs from that of the local procedure printmessage() in four ways:
printmessage_1() takes a pointer to the
character array instead of the pointer itself. This principle is true of all
remote procedures when the -N option is not used. These procedures
always take pointers to their arguments rather than the arguments themselves.
Without the -N option, remote procedures are always called
with a single argument. If more than one argument is required the arguments
must be passed in a
printmessage_1() is called with two arguments. The second argument contains information on the context of an invocation: the program, version, and procedure numbers; raw and canonical credentials; and an SVCXPRT structure pointer. The SVCXPRT structure contains transport information. All of the information is made available in case the invoked procedure requires it to perform the request.
printmessage_1() returns a pointer to an
integer instead of the integer itself. This principle is also true of remote
procedures when the -N option is not used. These procedures
return pointers to the result. The result should be declared
static unless the -M (multithread) or -A
(Auto mode) options are used. Ordinarily, if the result is declared local
to the remote procedure, references to the result by the server stub are invalid
after the remote procedure returns. In the case of -M and -A options, a pointer to the result is passed as a third argument
to the procedure, so the result is not declared in the procedure.
An _1 is appended to the printmessage_1() name. In general, all remote procedures calls generated by rpcgen are named as follows: the procedure name in the program definition (here PRINTMESSAGE) is converted to all lowercase letters, an underbar (_) is appended to it, and the version number (here 1) is appended. This naming scheme enables you to have multiple versions of the same procedure.
The following code example shows the main client program that calls the remote procedure.
/* * rprintmsg.c: remote version * of "printmsg.c" */ #include <stdio.h> #include "msg.h" /* msg.h generated by rpcgen */ main(argc, argv) int argc; char *argv[]; { CLIENT *clnt; int *result; char *server; char *message; if (argc != 3) { fprintf(stderr, "usage: %s host message\n", argv[0]); exit(1); } server = argv[1]; message = argv[2]; /* * Create client "handle" used for * calling MESSAGEPROG on the server * designated on the command line. */ clnt = clnt_create(server, MESSAGEPROG, PRINTMESSAGEVERS, "visible"); if (clnt == (CLIENT *)NULL) { /* * Couldn't establish connection * with server. * Print error message and die. */ clnt_pcreateerror(server); exit(1); } /* * Call the remote procedure * "printmessage" on the server */ result = printmessage_1(&message, clnt); if (result == (int *)NULL) { /* * An error occurred while calling * the server. * Print error message and die. */ clnt_perror(clnt, server); exit(1); } /* Okay, we successfully called * the remote procedure. */ if (*result == 0) { /* * Server was unable to print * our message. * Print error message and die. */ fprintf(stderr, "%s: could not print your message\n",argv[0]); exit(1); } /* The message got printed on the * server's console */ printf("Message delivered to %s\n", server); clnt_destroy( clnt ); exit(0);}
In the example code, a client handle is created by the RPC library routine clnt_create(). This client handle is passed to the stub routine that calls the remote procedure. See Chapter 4, Programmer's Interface to RPC for details on how the client handle can be created in other ways. If no more calls are to be made using the client handle, destroy it with a call to clnt_destroy() to conserve system resources.
The last parameter to clnt_create() is visible, which specifies that any transport noted as visible in /etc/netconfig can be used. For further information on transports, see the /etc/netconfig file and its description in Programming Interfaces Guide.
The remote procedure printmessage_1() is called exactly the same way as it is declared in msg_proc.c, except for the inserted client handle as the second argument. The remote procedure also returns a pointer to the result instead of the result.
The remote procedure call can fail in two ways. The RPC mechanism can fail or an error can occur in the execution of the remote procedure. In the former case, the remote procedure printmessage_1() returns a NULL. In the latter case, the error reporting is application dependent. Here, the error is returned through *result.
The compile commands for the printmsg example are:
$ rpcgen msg.x $ cc rprintmsg.c msg_clnt.c -o rprintmsg -lnsl $ cc msg_proc.c msg_svc.c -o msg_server -lnsl
rpcgen is used to generate the header files (msg.h), client stub (msg_clnt.c), and server stub (msg_svc.c). Then, two programs are compiled: the client program rprintmsg and the server program msg_server. The C object files must be linked with the library libnsl, which contains all of the networking functions, including those for RPC and XDR.
In this example, no XDR routines were generated because the application uses only the basic types that are included in libnsl.
rpcgen received the input file msg.x and created:
A header file called msg.h that contained #define statements for MESSAGEPROG, MESSAGEVERS, and PRINTMESSAGE for use in the other modules. This file must be included by both the client and server modules.
The client stub routines in the msg_clnt.c file. Only one routine, the printmessage_1() routine, was called from the rprintmsg client program. If the name of an rpcgen input file is FOO.x, the client stub's output file is called FOO_clnt.c.
The server program in msg_svc.c that calls printmessage_1() from msg_proc.c. The rule for naming the server output file is similar to that of the client: for an input file called FOO.x, the output server file is named FOO_svc.c.
After the server program is created, it is installed on a remote machine and run. If the machines are homogeneous, the server binary can just be copied. If they are not homogeneous, the server source files must be copied to and compiled on the remote machine. For this example, the remote machine is called remote and the local machine is called local. The server is started from the shell on the remote system:
remote$ msg_server
Server processes generated with rpcgen always run in the background. You do not have to follow the server's invocation with an ampersand (&). Servers generated by rpcgen can also be invoked by port monitors like listen() and inetd(), instead of from the command line.
Thereafter, a user on local can print a message on the console of machine remote as follows:
local$ rprintmsg remote "Hello, there."
Using rprintmsg, a user can print a message on any system console, including the local console, when the server msg_server is running on the target system.


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Scent City Launch | Alice and Peter Wicked Berry Perfume Review
Grab a cup of tea and get settled into the sofa girls, because today it's new launch time. And believe me when I tell you, it's a good'un. I've been looking forward to the launch of niche perfume retailer Scent City for quite some time now, as I think the idea behind the creation is a solid and original one. Based in London, Scent City is an online boutique specialising in niche perfumes for both men and women, as well as luxury fragrances for the home.
Scent City's promotional material really impressed me - the deep purple designs look sleek and sophisticated which embodies the brand perfectly. There's several different models used in their marketing, each of which have a distinct personality which is related to certain types of fragrances - for example, Ms Romance is 'Loving, with floral notes'. I think this is a really clever idea as you can pick a perfume based on the emotions you'd like it to make you feel or the situations in which you want to wear it the most.
One of the most exciting niche brands that is available from Scent City in my opinion is Alice and Peter. A small but perfectly formed collection of unique luxury perfumes, adorably packaged, currently exclusive to Scent City in the UK. Scent City kindly offered to gift me one of Alice and Peter's fragrances to try out so I could get a better idea of the types of perfume designers that will be stocked on the website. Alice and Peter's line contains five gorgeous scents inspired by cupcakes and confectionery - sweets and perfume, what's not to like?
All five sounded gorgeous (Showy Toffee and Fancy Choco anyone?) but the one I liked the sound of most was Wicked Berry*. My favourite fragrances are either floral or fruity, and this combined them both! At first spray, the citrus head notes mix with the berry scents and the perfume smells entirely fruity. However, this soon clears and the floral notes at the heart of the perfume are revealed. Lilac and blackberry are the most noticeable heart notes, and the scent reminds me slightly of my favourite childhood sweets, Parma Violets! Rose, freesia and raspberry notes are also detectable, and throughout the day the base notes of vanilla, amber, and white musk start to come through. I've really grown to like this perfume as it's such a unique scent, it makes me feel all summery, and of course, the bottle is the cutest!
As with all Alice and Peter products, Wicked Berry retails at £40 for 30ml - a little on the expensive side but considering the hard-to-get-hold-of designer brand and the quality I think it's a fair price. The longevity is more impressive than most of my perfumes, it's noticeable on the skin for over 10 hours, however it does start to fade after 5 or 6.
The perfume arrived in a large box and was very well protected with polystyrene. I was really pleased to see this, as the last few times I've bought perfumes online they've been delivered in a small parcel with absolutely no protective packaging whatsoever.
I'll certainly be ordering from Scent City in the future as I think it's a fantastic concept for a brand and the service/correspondence I've recieved from them has been second to none. By the time you've read this post Scent City will have officially launched and you can check them out at www.thescentcity.com.
*This product was sent to me for consideration by Scent City. All reviews are always 100% honest.


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The Department of Education and Skills has announced changes to the Leaving Certificate grading scale and the introduction of a revised Common Points Scale for entry into higher education. These apply to students who sit the Leaving Certificate from 2017.
The new scale has 8 grades, the highest grade is a Grade 1, the lowest grade a Grade 8. The
highest seven grades 1-7 divide the marks range 100% to 30% into seven equal grade bands 10% wide, with a grade 8 being awarded for percentage marks of less than 30%. The grades at higher level and ordinary level are distinguished by prefixing the grade with H or O respectively, giving H1-H8 at higher level, and O1-O8 at ordinary level.
Information leaflet outlining the changes is available here.
Frequently asked questions leaflet is available here.
CAO Points Calculator provided by Qualifax can be accessed here.
For more information visit www.transition.ie.


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Graphic Novels for Elementary and Middle School
Looking for graphic novels that will appeal to elementary and middle school? You are in luck! Prepare yourselves for meteors, talking dogs, and lovable skeletal horses. These graphic novels are just a few that will have kids and teens running to library shelves in anticipation.
If you have been looking for a middle-grade graphic novel that has themes similar to those in The Search for Wondla and Jellaby, Zita the Space Girl is your answer! The story starts out by Zita and her friend finding a meteor that has a red button remote. As you can imagine, Zita is like any other child and desperately wants to push the red button. After she does this, her best friend is sent to another planet. That will teach her, right? Not so much. In order to save her friend, Zita soon embarks on a journey into an extraordinary world. Children and tweens will love this graphic novel because of the full-color aspect and the unique characters that Zita encounters.
Malcolm (Mal) is an elementary school supergenius who has instructed his dog, Chad, to speak. Being the supergenius that he is, Mal is also very capable of making inventions that well-known scientists only wish they could invent. His time machine and mini-mega-morpher are two of his many accomplishments, but he chooses to keep it a secret from everyone except Chad. What will happen when they go all Honey I Shrunk the Kids and shrink themselves to microscopic size and travel through time? As anyone can guess, humor and danger ensue! Children will enjoy the laughable banter between Mal and Chad on their exciting adventure.
Ghostopolis focuses on Frank Gallows, a ghost wrangler, and Garth Hale, a terminally ill boy. Frank accidentally zaps Garth into the in-between dimension of Ghostopolis. In this spirit world, Garth discovers he has unbelievable powers that are capable of conquering Master Vaugner, the evil dictator. But Garth just wants to get back to the land of the living. Assisted by Skinny, a sweet skeletal horse, and the ghost of his grandfather, Garth embarks on a journey to get back home. Just when Garth has almost lost all hope, Frank appears with ghost mechanic Claire Voyant in a time machine. Will Master Vaugner let Garth leave or will Garth be destined to live in Ghostopolis forever? Teens will love this graphic novel for the adventure, romance, humor, and flatulent werewolves! This title is also one of the ALA's 2011 Top Ten Great Graphic Novels for Teens and will be a movie in 2013!
Ghostopolis. Doug TenNapel. 2010.
Mal and Chad: The Biggest Bestest Time Ever. Stephen McCranie. 2011.
Zita the SpaceGirl. Ben Hatke. 2011.


text: What Our Customers and Partners Say….. "I'd like to send our sincere thanks to Zoe and her colleague for making Ruth's birthday party such fun yesterday. Their coaching was positive, proactive and responsive to every child's needs. It was exemplary. They catered for my sons needs in a sensitive way too with great understanding and care. He has Aspergers and really enjoyed himself too. The room looked beautiful and we were grateful for the use of he kitchen too." "Just a quick letter of thanks for the very kind hospitality shown to me (at the Anniversary Celebration) on Saturday. I thoroughly enjoyed my afternoon and was very impressed with your new premises, with its vast array of equipment and additional activity spaces. It was good to be part of your Celebration and share in your achievements over the last year. I can see that you have made a tremendous leap, since my last visit to your former premises and can fully understand why you are now enjoying increased membership and growing success in competitions. It was a real pleasure to share the time with enthusiastic gymnasts of all ages and abilities, all keen to demonstrate their various skills, with quite a number showing tremendous future potential for greater success in higher level competition. I think the most memorable part of the afternoon was, not only the obvious enjoyment amongst gymnasts, parents and coaches, but the camaraderie, so clearly displayed by the support and encouragement given to one another, regardless of ability. I am certain that your Club will continue to enjoy even greater developments and look forward to hearing from you from time to time, about your future progress. In the meantime ,you can count on my support wherever needed, in my capacity as a councillor". "My daughter said these October Half Term Gym Camps were the best ones she's ever been to!" "Just a quick note to say well done to everyone. Especially Sue and Kev: your vision and commitment to the gym is helping to steer the gym to a fantastic future. Congratulations on your Club Mark I know how hard work that is having seen my nephew complete his as well as completing my own for our athletics club. The gymnasts of all levels of Wiltshire are lucky to have such a dedicated club". "What a fantastic party! My daughter, her friends and I were SO pleased with the whole experience: all the children were given the opportunity to use the equipment as well as to play fun games together. I got some great comments from other mums who thanked me for inviting their child to such an exciting and unique party. Needless to say, I had a very happy 6-year-old who will be asking for the same party again next year!" "My daughter had a great time at her birthday party. All of her friends enjoyed themselves and they got to use all the equipment. A couple of the older girls helped out and made it a really fun experience". "My daughter really loves her gymnastics class with Yvonne, thank you!"


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The Wizarding Apprentices' Surprising Discovery
Today, my students eagerly embraced their opportunity to whine loudly and plaintively about the upcoming exam in their wizarding potions lab course (er, chemistry), claiming that it interfered with their scheduled weekend entertainment; reading the newest Harry Potter book, which is being released in a couple days (but you already knew that, unless you have been living under a rock for the past 10 months). I pretended to sympathize with them and whined to them about sacrificing my own perfectly good Harry Potter weekend plans that I had made approximately nine months ago, by being forced to write their lab midterm exam for them (I neglected to mention that the midterm is already written, but they don't know that, hahaha).
So dear readers, you might imagine that there was plenty of championship whining and griping happening in lab today (which there was), but that was nothing compared to what happened after the lecture professor walked into the lab to speak to me about the upcoming exam. He apparently overheard me tell my disgruntled students that they could imagine themselves as wizard's apprentices at Hogwart's School of Magic and imagine that I am the cruel and greasy (yet mysteriously sexy -- at least in the movies) Professor Snape.
Basically, the lecture professor is an older gentleman who is shorter than me (almost everyone is shorter than me, but he is much shorter), round, nearly bald, and is a reservist in the army. Of all the people employed by my little school on the hill, he is the least likely to be accused of understanding or enjoying any of the Harry Potter books. In fact, I would have guessed that he had no clue whatsoever who this Harry Potter character is. In essence, the lecture professor reminds me of Hogwart's Professor Binns.
So imagine our collective surprise when Professor Binns, er, the lecture professor casually mentioned that he owns a copy of Harry Potter and the Half-blood Prince, thanks to a good friend of his in the publishing industry, and that he has already been reading this book to his grandson at bedtime for one week. Immediately, all whining ceased. Silence descended upon the lab like a blanket dropping from the heavens. We were thunderstruck, especially when Professor Binns made it clear that despite our voiced threats of student riots, of student slumber parties held nightly at his house and possible book burglary, he steadfastly refused to tell us who dies in the book, he would not reveal any titbit about the story nor would he even breathe one word about the book to us (except to lean closer to me and admit in a conspiratorial sort of way that "the plot has many surprising twists and turns").
We all stared at him silently, mouths open in wonder at the unfairness of it all. The only sounds to be heard in the lab came from the boiling water necessary to one of our experiments and the rapid, cheery songs from the Northern mockingbird standing in the tree outside the window. After a moment of silence, I delivered my suddenly less-than-inspiring lecture about the many wonders of carbon chemistry.
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Issue 33.
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technorati tags: teaching-carnival, science, biology
© 2004, 2005, 2006 by GrrlScientist


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Sequel to the best-selling Angelology (2010), wherein a dedicated cadre of Angelologists battle the beautiful yet sadomasochistically evil angel-human hybrids who've controlled human affairs since Noah's flood.
In Paris, angel hunter V.A. Verlaine searches for former nun Evangeline, once a normal, wingless, red-blooded human, now somehow metamorphosed into a winged, blue-blooded, angel-powered Nephilim. Evangeline presents Verlaine with a fabulous Fabergé egg before allowing herself to be captured by Eno, the blackhearted, lesser-angel servant of the Grigori family, the most powerful Nephilim. Since Eno will convey Evangeline to the panopticon, the Grigoris' vast prison/research center in Siberia where she will face torture and experimentation, the egg is an important clue. Where better to research the egg, Verlaine reasons, than the Hermitage museum in St. Petersburg? The egg, it emerges, contains the secret to an elixir that may prove decisive in the struggle against the Nephilim. Another key to the elixir is found in an old album of jottings and pressed flowers left by Rasputin, but some of the plants mentioned in the recipe are now extinct. But wait! Fortunately, Noah didn't just pack all the animals aboard his ark, he also grabbed plants and seeds! So, while Verlaine climbs aboard the train to Siberia to rescue Evangeline, his colleagues head for the Black Sea, where settlements flourished before Noah's flood. The plot, of which the foregoing is barely a hint, twisting itself into knots trying, and failing, not to contradict itself, and upon which an ordinary world beyond eggs, floods, documents, battling angels, pressed flowers and what-all barely impinges. Despite the frequent violence, the action consists largely of antagonists whose main objective, seemingly, is not to defeat, kill or seriously inconvenience their opponents. Expect pages and pages of abstruse discussion about Fabergé eggs, Noah, genetics and angelic anatomy.
Even Angelology addicts likely face disappointment. Then again, maybe not.


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The Whale Story
Originally I wasn't going to have a post for today, but now at the last possible second, I see this animation and recognize a few of the frames with the whale all tied up and it was driving me mad for about 20 seconds thinking about where'd I'd seen it before, because I knew I hadn't seen this vid ever. Then I remembered I'd seen it here in Seattle at Cal Anderson Park on Capitol Hill. WHAAA
So I wanted to share some sweet sweet local talent with you BossnotBossers. Let this be a lesson to you: if you throw your talent up on a wall in Seattle, I might see it and I might post about it :)
Big shout to Tess Martin and everyone who helped out on this animation!!!


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A New Jersey tanning business owner reported in July 2011 that an undercover investigator who phoned her salon alleging to be a 16-year-old prospective customer badgered her into attempting to make false statements about tanning — a charge that now appears to be leveled at an investigative report issued Feb. 1 by four U.S. Congress members and which could make the report's findings fraudulent.
Smart Tan member Courtney Gilmartin, owner of International Tan in Point Pleasant, NJ, took a call July 21, 2011 from a woman who alleged she was 16, was new to the area and wanted to tan even though her parents would not allow it. Gilmartin knew the call was bogus and that it originated from a Washington, D.C., phone number and reported the suspicious call to Smart Tan, which ran a story on SmartTan.com July 29, 2011.
Here is that story in the SmartTan.com archive.
After the story ran, Smart Tan members nationwide reported receiving suspicious calls from the same Washington, D.C., phone number. Reports to Smart Tan indicated the callers did not follow a set script, asked completely different questions to different salons and typically re-directed questions attempting to get positive answers — charges that, if connected to the report issued by four Democratic members of the U.S. House of Representatives Energy and Commerce Committee this week, could constitute academic fraud.
The report issued Tuesday alleged that indoor tanning facility operators mislead clients about the risks and benefits of UV exposure and indoor tanning — calling for regulators to enact an under-18 ban on indoor tanning. Smart Tan reported Wednesday that the report itself contained factually inaccurate information. Here is the link to that story.
To produce the report, congressional staff made phone calls to 300 tanning salons nationwide alleging on the phone that they were 16-year-old women who wanted to tan. Callers did not actually visit a tanning salon. The sample group was not random, nor did the survey appear to follow any uniform script, which is standard practice for such a survey. (See standards for this type of market research as published by the Marketing Research Association:).
Based on the reports to Smart Tan in July 2011 it is clear no script was followed and appears that investigators randomly re-directed questions to mine for positive answers, which would be fraudulent.
"I knew from her voice she was not 16," Gilmartin told Smart Tan in July. "But I let her go on." Gilmartin read her the New Jersey regulations, which require a tanner aged 14-18 to bring a parent to the salon with them prior to tanning. "She was definitely trying to get me to say something," Gilmartin said.
Despite clearly being told she couldn't tan without a parent's permission, the caller kept re-structuring the question to try to get Gilmartin to re-phrase her answer. "She went on to say, ok, I have really fair skin, so am I still allowed to go tanning?" Gilmartin said in the July interview. "I said I'd have to see you in person. That we'd need to learn your skin type and see if you are skin type I."
That's when Gilmartin knew she was definitely being toyed with. "And then after that she said, 'I have acne and would tanning help. It was just so by book. No 16-year-old would ask questions that way."
So Gilmartin decided to end the charade. "I asked her, 'So you're 16. What's your date of birth?' It was silent for a second and she fumbled around and I heard someone in the background, and then she hung up. I could tell she was in her 20s."
Gilmartin called the 202-area-code number back. A man answered and alleged he was a New Jersey-based cleaning business. When pressed for details about the call she received, the man hung up.
Smart Tan believes the survey questions as asked to Gilmartin and others completely destroy the credibility of the Report issued Tuesday. "It does not appear the bogus caller followed a standard script — which would be key to uniformity in this kind of study and is standard procedure in collecting survey data," Smart Tan Vice President Joseph Levy said. "Because it appears this survey was not done not in a random fashion, but as a fishing expedition designed to support an agenda, they data collected from this project should be dismissed and those involved could actually be liable for legal or other disciplinary action."
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Holidaycottages.co.uk is a family-owned business with over 100 cottages in Dorset, set in some of the most beautiful rural and coastal locations. Their collection extends to over 2,000 across the UK, so even when you're venturing further afield, you can be sure there'll be a comfortable cottage waiting for you.
Their Dorset cottages include huge group properties, gorgeous family houses and cosy romantic retreats. Over half are dog-friendly, so you needn't leave behind that very important member of your family. Hot tubs, swimming pools, woodburners and sea views are special features of some of the cottages, which can make your holiday even more memorable.
Each cottage is individually inspected to ensure that standards meet and often exceed your expectations. Holidaycottages.co.uk received a Gold Trusted Merchant Award from independent review company Feefo for a superb customer service rating of 98%.
Visit their website, holidaycottages.co.uk, to browse their cottages.


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Would you like to know what those who have already been think about our hotels? Choose the hotel that interests you the most and discover what experiences other clients have lived and highlighted.
Best Transfers • Best Relaxation & Spa • Best Family • Best Groups • Best Hotels Club • Online Guaranteed


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FOIA Request-Hillary Clinton's Emails 2009-2013
Number of Pages:3
Date Created:March 4, 2015
Date Uploaded to the Library:March 05, 2015
Donate now to keep these documents public!
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Autogenerated text from PDF
Department State March 1015 respect each allegedly exempt record portion thereof allow assess the propriety the claimed exemption. lg/111 Roreti, 484 F.2d 820 (D. Cir. 197. cert. deriied. 415 US. 977 (1974). addition, reasonably segre able portion responsive reco must provided. after redaction any alleged inpt material. U.S.C. 5S2(b). For purposes ofthis requ the tei1n ord shall mean: (1) any written, primed. typed material any kind. including thout limitation all correspondence. memoranda. notes. message. letters. cards. facsimiles. papers. forms. telephone messages. diaries. schedule calendar chronological data. minutes. books. reports. charts lcdgers, invoices. Worksheets. receipts, retums. computer printouts. printed matter, .pectuses. statements. checks. istics surveys. affidavits. contracts. agreements, transcrip magazine newspaper articles, press release any electronically. magnetic-allv mechanicall stored mate ial any kind. i!1ClllL without limitation all electronic mail mail; (3) any audio. aural. visual. video records. recordings. representations any kind; (4) any graphic materials and data compilations from which information can obtained: and (5) any materials using other means preserving thought expression. Judicial Watch also hereby requests aiver botl search and duplication fees pursuant U.S.C. (a)(4)(A)(ii)([I) and (a)(4)(A)( Jud Wat entitled waiver search ees under SC. 5(a)(4)(A)(ii)(ll) because member the news media. Deparmmzt Dcffiwise. 880 F.2d 1381. 1387 (DC. Cir. l989)(defining news media within FOIA context). idicial Watch has also been recognized member the news media other OIA litigation. See. Jiuliciul Wurclz, Inc. Department afJ1i,s !iLe. 133 Supp.7d D.C. 2000). and. Jmiidal Watch, Inc. Department (3/ D:f/ ei1.i 2006 44003, (_D.D.C. June 28. 2006). Judicial Watch regular_ obtains infonnation about the opera and ties vernment through and other means, uses editorial skills turn this information into distinct woi publ hes and disseminates these the public. intends likewise ith the records receives response Judicial Watch also entitled complete wan both search fee and duplication fees pursuant at(4)(A)( Under this prov ion, records: shall furnished without any charge charge reduced below the fees established under clause (ii) disclosure the information the public interest because likely contribute significantl public understanding the operations act goveinment and not primarily the coinmercial interest the requester. U.S,C. (a)(4)(A)( iii).


text: On 3/11/2010 8:09 AM, Karanbir Singh wrote: > On 03/11/2010 03:35 PM, Todd Cary wrote: > >> I have no experience "disabling an entry in the repo"; I do have the >> syntax for enabling. Could you give me some detail on how to do that? >> > how did you enable it in the first place ? looking at your past emails, > it looks like you added some content into /etc/yum.repos.d/ a file > called CentOS-Testing.repo ? that file would have a line starting with > 'enabled=' which you set to 1; make that a 0 and the repo is disabled. > > You can find this, and *all* other yum config details by looking at 'man > yum.conf' and you can get all yum commands by looking at 'man yum'. > > - KB > _______________________________________________ > CentOS mailing list > CentOS at centos.org > http://lists.centos.org/mailman/listinfo/centos > > > I am obviously missing something since a cat of the repo file shows it disabled and I still get the same errors. [testing] name=CentOS-$releasever - Testing arch=$basearch&repo=testing baseurl=http://dev.centos.org/centos/$releasever/testing/$basearch/ gpgcheck=1 enable=0 gpgkey=http://dev.centos.org/centos/RPM-GPG-KEY-CentOS-testing Todd -- Ariste Software Petaluma, CA 94952 http://www.toddcary.com/aristephotography/


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Prince going great marriage, the bride was unfortunately infected with the dreaded disease, painful to death. Prince heartbroken, but he know from a mysterious oriental monks who traveled the world, within 20 days as long as to take the bride from hell inner tube, and perhaps there is a chance of survival. So, with the help of the monks, the brave prince entered the gates of hell. Face into a zombie bride, Prince still wants to bring her dawn the bounds of yin and yang to get the fire of light.Dear Warriors,can rescue your bride?
Prince - 'A,D'to move,'W'to jump
bride - '←,→'to move,'↑'to jump
Welcome to the Frozen dress. Frozen is a 2013 American 3D computer-animated musical fantasy-comedy movie created by Walt Disney Computer animation Studios and launched by Walt Disney Pictures. It is the 53rd computer animated attribute in the Walt Disney Animated Classics series. Loosely based on Hans Christian Andersen's fairy tale The Snow Queen, and featuring the voices of Kristen Alarm, Idina Menzel, Jonathan Groff, Josh Gad, and Santino Fontana, the movie informs the story of a fearless princess which sets off on a legendary quest together with a rugged, thrill-seeking mountain man, his devoted animal reindeer, and a hapless snowman to find her separated sis, whose icy powers have actually trapped the kingdom in everlasting winter.
frozendress.org is a general page of all frozen dress games that we and our members updated from internet, Including characters as Elsa, Anna, Olaf, Kristoff, Hans, Duke... We promise to adhere when using copyrighted content.
© Copyright 2015 frozen dress up games.


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Leak Detection
Sometimes pipes spring leaks from age and the usual wear and tear they endure. Other times, pipes were installed poorly or incorrectly when they were constructed. The heavy machinery used during other construction could have jarred the pipes. Plants growing around pipes can cause damage. There are a number of factors that you can't control.
Fortunately, you don't have to wait until pools of water are in your basement to find out you have a leak. Call a pro from Altstadt Hoffman Plumbing if you suspect piping, sink, toilet or tub and shower leak problems. With our state of the art equipment and leak detection methods, we draw on our years of experience to find and fix those leaks. Altstadt Hoffman Plumbing has the latest equipment for finding leaks.
Leak detection is our specialty. We service all kinds of systems that can spring a leak. We will find those leaky pipes no matter the location. With the latest tools, we can look:
- Behind the walls
- Under concrete slabs and asphalt
- In irrigation systems
- In radiant heating systems
- In swimming pools
- And much more
Signs that you may have a pipe leak:
- Water bills that seem unusually high.
- Water meter readings changing when not using water.
- Sewer backup problems that become chronic.
- Running toilets and dripping faucets.
- Running water sounds when nothing is in use.
- Spongy, soft, or discolored walls.
- Musty odors from floors, walls near drains, or sewers.
- Cracked, or unusually damp foundation or slab.
- Warm areas on concrete floors, mildew, or excessive moisture under carpets.
- In the yard, particularly wet or moist areas that are unusually wet or moist, often with very healthy (or unusual) plant or grass growth.
Altstadt Hoffman Plumbing Will Respect You and Your Property
We don't like to create and leave big messes. When the leak is found, we affect as little of your property as possible. We will clean up the messes we make, too. If we brought it in, we will take it out.
Your time is just as valuable as your property. You can't stand around all day waiting for us to arrive. We promise we will arrive when scheduled.
When you call us to find and fix leaks, we help you save water. We may even be saving you from making costly home repairs. An undetected leak will ruin walls, rot floors, and cause other extensive property damage.
Don't wait until that happens! Call us for leak detection services at the first sign of a leak. We can detect and repair leaks in any residential, commercial, or industrial setting. Remember, it's better to be safe than sorry.