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22 Mar 2016
La Juive in Lyon
Though all big opera is called grand opera, French grand opera itself is a very specific genre. It is an ephemeral style not at all easy to bring to life. For example . . .
Why did Jean Sibelius suppress Kullervo (Op. 7, 1892)? There are many theories why he didn't allow it to be heard after its initial performances, though he referred to it fondly in private. This new recording, from Hyperion with Thomas Dausgaard conducting the BBC Scottish Symphony Orchestra, soloists Helena Juntunen and Benjamin Appl and the Lund Male Chorus, is a good new addition to the ever-growing awareness of Kullervo, on recording and in live performance.
"Oh! I do like to be beside the seaside! I do like to be beside the sea!" And, it was off to the Victorian seaside that we went for Hampstead Garden Opera's production of Handel's Partenope - not so much for a stroll along the prom, rather for boisterous battles on the beach and skirmishes by the shore.
A song of love and death, loss and renewal. Opera was born from the ambition of Renaissance humanists to recreate the oratorical and cathartic power of Greek tragedy, so it is no surprise that Greek myths have captivated composers of opera, past and present, offering as they do an opportunity to engage with the essential human questions in contexts removed from both the sacred and the mundane.
Is it in any sense aspirational to imitate - or even to try to create something original - based on one of Stockhausen's works? This was a question I tried to grapple with at the world premiere of Actress x Stockhausen Sin {x} II.
The biblical account of the Exodus of the Israelites from Egypt is the defining event of Jewish history. By contrast, Handel's oratorio Israel in Egypt has struggled to find its 'identity', hampered as it is by what might be termed the 'Part 1 conundrum', and the oratorio has not - despite its repute and the scholarly respect bestowed upon it - consistently or fully satisfied audiences, historic or modern.
A rather charming story recently appeared in the USA of a nine-year old boy who, at a concert given by Boston's Handel and Haydn Society, let out a very audible "wow" at the end of Mozart's Masonic Funeral Music. I mention this only because music – whether you are neurotypical or not – leads to people, of any age, expressing themselves in concerts relative to the extraordinary power of the music they hear. Measha Brueggergosman's recital very much had the "wow" factor, and on many distinct levels.
The quincentennial of the death Leonardo da Vinci is one of the major events this year – though it doesn't noticeably seem to be acknowledged in new music being written for this.
Not the familiar version of Mahler's Symphony no 1, but the "real" Mahler Titan at last, as it might have sounded in Mahler's time! François-Xavier Roth and Les Siècles present the symphony in its second version, based on the Hamburg/Weimar performances of 1893-94. This score is edited by Reinhold Kubik and Stephen E.Hefling for Universal Edition AG. Wien.
In 1982, while studying in Germany, I had the good fortune to see Aribert Reimann's opera Lear sung in München by the original cast, which included Dietrich Fischer-Dieskau, Júlia Várady and Helga Dernesch. A few years later, I heard it again in San Francisco, with Thomas Stewart in the title role. Despite the luxury casting, the harshly atonal music—filled with quarter-tones, long note rows, and thick chords—utterly baffled my twenty-something self.
It was high time the Royal Concertgebouw Orchestra programmed Hector Berlioz's Grande Messe des morts. They hadn't performed it since 1989, and what better year to take it up again than in 2019, the 150th anniversary of Berlioz's death?
I was very much looking forward to this concert at Temple Church, curated by bass Matthew Rose and designed to celebrate music for voice commissioned by the Michael Cuddigan Trust, not least because it offered the opportunity to listen again to compositions heard recently - some for the first time - in different settings, and to experience works discussed coming to fruition in performance.
There seems little to connect the aesthetics of French neoclassical theatre of the late-seventeenth century and English oratorio of the early-eighteenth. But, in the early 1730s Handel produced several compositions based on Racine's plays, chief among them his Israelite-oratorios, Esther (1732) and Athalia (1733).
It has often been the case that the destruction wrought by wars, especially the Second World War, has been treated unevenly by composers. Theodor Adorno's often quoted remark, from his essay Prisms, that "to write poetry after Auschwitz would be barbaric" - if widely misinterpreted - is limited by its scope and in a somewhat profound way composers have looked on the events of World War II in the same way.
Although this concert was devoted to a single composer, Ravel, I was initially a little surprised by how it had been programmed. Thematically, all the works had the essence of Spain running through them - but chronologically they didn't logically follow on from each other.
Renaissance patronage was a phenomenon at once cultural, social, political and economic. Wealthy women played an important part in court culture and in religious and secular life. In particular, music, musical performances and publications offered a female ruler or aristocrat an important means of 'self-fashioning'. Moreover, such women could exercise significant influence on the shaping of vernacular taste.
Leonel Power, Bittering, Roy Henry ['Henry Roi'?], John Pyamour, John Plummer, John Trouluffe, Walter Lambe: such names are not likely to be well-known to audiences but alongside the more familiar John Dunstaple, they were members of the generation of Englishmen during the Middle Ages whose compositions were greatly admired by their fellow musicians on the continent.
Manitoba Opera capped its season on a high note with its latest production of Rossini's The Barber of Seville, sung in the key of goofiness that has inspired even a certain "pesky wabbit," a.k.a. Bugs Bunny's The Rabbit of Seville.
From Leonardo vs. Michelangelo to Picasso vs. Matisse; from Mozart vs. Salieri to Reich v. Glass: whether it's Maria Callas vs. Renata Tebaldi or Herbert von Karajan vs. Wilhelm Furtwängler, the history of culture is also a history of rivalries nurtured and reputations derided - more often by coteries and aficionados than by the artists themselves.
"Billy always attracted me, of course, the radiant young figure; I felt there was going to be quite an opportunity for writing nice dark music for Claggart; but I must admit that Vere, who has what seems to me the main moral problem of the whole work, round [him] the drama was going to centre."
It is hard to imagine a more beautifully sung Cio-Cio-San than Elena Stikhina's.
Though all big opera is called grand opera, French grand opera itself is a very specific genre. It is an ephemeral style not at all easy to bring to life. For example . . .
The first production (1835) of La Juive at the Paris Opera demanded 20 horses on stage (in Lyon there was not even one!). In 1835 Paris la juive and Eléazar, her father threw themselves into a cauldron of water boiling upon a huge fire (in Lyon there was no leap, no cauldron or flame, the victims merely strode up stage into vague wisps of theatrical fog).
Not that the Opéra de Lyon was economizing as the sets were huge and complicated. Huge scenic elements moved continuously on and off a cross-stage moving belt, upstage there was another belt moving a forest of huge burned tree carcasses back and forth almost constantly. All of this was elevated 8 feet (2 1/2 meters) above the stage floor. An enormous bank of steps crossing the entire down stage descended to the stage floor (there was a net covering the orchestra pit to catch anyone who might trip and tumble). Not to mention the huge flat that hung flat way up above the stage, lighted spectacularly from time to time (surely a lighting designer's nightmare).
Roberto Scandiuzzi as Cardinal Brogni (production design by Pierre-André Weitz)
And surely a conductor's nightmare in his attempts to coordinate the pit with the stage where in addition to the initial 8' elevation much singing occurred on the additional three levels of a tower from which la juive and her father did not fling themselves into the cauldron [our assumption when we saw the tower in the first act was that it surely would serve such purpose].
The pit however was where the strengths of the production emanated. 33 year-old conductor Daniele Rustioni (music director designate of the Opéra de Lyon) ran a tight ship, feeling and communicating every quiver of musical emotion and energy from the soles of his feet to tips of his fingers (he conducted without stick). [I sat above the pit for the first act and had full view of this amazing young conductor.]
Metteur en scène Olivier Py and his designer Pierre-André Weitz envisioned Halévy's opera in tones of black, the color of traditional European Jewish clothing, allowing only Cardinal Brogni and the catholic congregation to be clothed in light or white tones of generic modern dress. La juive's nemesis, the Princess Eudoxie was in a lacy black gown allowing flesh to be seen (a lot of it from time to time), and she was wigged like a gangster moll. In her seduction of Leopold she slithered into brilliant red stockings [fueling our expectation that there would be red flames for la juive's immolation though of course finally there were no flames].
The plot: Leopold returns victorious from a war to be received as a hero by the Christian people and Princess Eudoxie. He is however in love with la juive so he must pretend to be a Jew. When this pretense is discovered he flees to the palace into the arms of the princess. The Christians hear the news and condemn Leopold, la juive and her father to death. La juive and Princess Eudoxie agree that la juive will exonerate Leopold, sacrificing herself to the [absent] flames. When it is too late la juive's father Eléazar tells the Cardinal Brogni that the juive is in fact the cardinal's long lost daughter.
Nikolai Schukoff as Eléazar, Sabina Puértolas as Princess Eudoxie
Evidently all this is not really about religious tolerance. It is about making a story with emotive moments without inciting public judgement about Christians immolating Jews or Jews murdering anyone who profanes their rites. It is about love, forgiveness and sacrifice. French grand opera is purely about opportunities to sing and there were lots of them — declarations of love, denunciations of love, of vengeance, of pity, of anger, trios and sextets of frustration, incomprehension or comprehension. And huge choruses of support for all the above.
The cast for this grand opera event in Lyon generally lacked the power of voice, the color of voice and the stamina of voice to guide us safely through the musical intricacies of Halévy's lengthy, singerly score (vocally it lies between Rossini and early Wagner). Agility for coloratura is a prime requirement, but equally important there must also be stamina for carving out longer phrases. Plus as characters have specific motivations voices must be those that add appropriate color to words and actions. Not that there was not a lot of fine singing. It was simply that most of the singing did not create big enough effect.
French grand opera composers structured the arias and ensembles to impress audiences who would then respond with applause. Few of the arias or ensemble in Lyon got applause, and when there was applause it was tepid. The hugest scene, the finale of Act III with all principles and the chorus of Christians on stage, had little effect because the too small voices of the principals could not soar over the chorus — blame also the place on the stage where the chorus was seated. It was a perfect megaphone, amplifying the chorus voices to the point that they shattered (sound waves colliding), ruining this magnificent scene.
Still it was a French grand opera and it is not often that these lengthy, difficult operas are staged in any manner. N.B There was no ballet, an integral component of French grand opera, though I am not sure where it should have occurred.
La Juive is the centerpiece of the Opéra de Lyon's mid-winter festival, this year Festival pour l'Humanité, with the theme of tolerance. Metteur en scène Olivier Py could not help editorializing — in the Act I finale the Christian chorus places itself down stage center with placards urging "France for the French," "Out with the Jews" [read Muslims], and in the silence prior to Act V (the death by fire) hundreds of shoes [the death-oven image] fell from the rafters. In coincidence both La Juive and Benjamin, Dernière Nuit used the library image to establish the presence of humanity in this Festival pour l'Humanité.
Michael Milenski
Casts and production information:
Eléazar: Nikolai Schukoff; Rachel: Rachel Harnisch; Princesse Eudoxie: Sabina Puértolas; Leopold: Enea Scala; Cardinal Brogni: Roberto Scandiuzzi; Ruggiero: Vincent Le Texier; Albert: Charles Rice. Chorus and Orchestra of the Opéra de Lyon. Conductor: Daniele Rustione; Mise en scène: Olivier Py; Scenery and costumes: Pierre-André Weitz; Lighting; Bertrand Killy. Opéra de Lyon, March 19, 2016.


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Overnight Low The much anticipated follow-up to "Real Strong Stuff" hits consistent highs. In the title track, Colvin sings about the time he "rode his thumb" across country. The horn section shines here, but the story is the thing and Colvin tells it masterfully. Autobiographical songs carry the listener along, including the inspired "Destiny" and the darker, jazz-influenced, "Still Ready", where Colvin remembers driving his father home from the local bars as a child. Ultimately though, it's tracks 7 and 8 that might show Big Hands at his best. "Heaven" features Colvin's smoky vocals, and some of the record's heaviest lyrics, and "Diamonds in the Sand" moves like a modern spiritual, riding Colvin's voice and the incredible fiddle of guest artist, Julie Beaver.
Colvin has been on the road too long for overnight success, but with Overnight Low he continues to establish himself as one of the more interesting independent singer-songwriters around. --Johnny "Michigan" Morris. - JMM
The Big Hands Colvin Band's new CD "Rainy Days" is both fresh and familiar. With Jesse Savage on guitar, Tyrone Hall on stand-up bass, and Randall Ireland on percussion, Big Hands takes on standards like " The Beat Goes On, " shares regrets on tracks like "I Didn't Know," and takes us on a trip back in time with the poignant "This Town." Influences range from country to jazz, but every song is unmistakably Big Hands. If you've caught one of the live shows then you've had a taste of Colvin's sense of humor--which is front and center in the break-up song "Selfish Bitch," and the ball-and-chain ballad "Thangs." The Big Hands Colvin Band has been busy with their live shows as well--opening up for acts like Johnny Winter, selling out their own shows, and being featured on National Public Radio's " West Coast Live." Big Hands Colvin's music is available at CD Baby, Itunes, Sony Connect, MSN Music and all fine music distributors.
Like Marc Cohn, Lyle Lovett and Bonnie Raitt, Big Hands Colvin's musical style is difficult to define—a little bit blues, a little bit country, a little bit soul. Whether he's songwriting, singing, playing sax or guitar—Big Hands is a big talent.
Colvin was formerly a frontman for the Central California based Big Daddy's Blues Band. Colvin has played with or opened for a number of well-known artists including: Johnny Winter, Geoff Muldaur, Tom Scott, Jesse Colin Young, and Nelson Braxton.
Big Hands Colvin has also toured extensively as a member of the Cardiff Reefers, Rock Steady Posse and Eric Ellsworth Band. He is a professional songwriter with an impressive collection of solid originals—and the voice to compete with anyone in the genre.
He and his wife live in Northern Washington

subset: commoncrawl


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Certain Views Clarified.
U Hla Maung, B.A.
Vol. III, No. 3, 1956
Here we give the views of a rather broad-minded theist, who has made strong strictures on "The Good Life without belief in God" theory of the modern humanist. We have been asked to state the Buddhist position vis-a-vis the position of the humanist. Our task is made fairly easy, as the enquirer has very considerately defined the attitude and the prevailing views of those liberal-minded Christians who hold 'renovated' or 'watered-down' ideas of God and Church.
Our theist begins with the humanist's Moratorium on God'. He answers the humanist's explicit question 'What if modern humanity were to declare a moratorium on God for fifty years, and see if, without theology, man might not be morally improved ?' The theist is not shocked by the clear distrust shown in regard to theism's ethical consequence. The influence of much of the popular belief in God, he admits, is not moral but immoral ; and the reason is that not a few God-believers are very lazily inclined and put too much on the shoulders of a kindly deity and shirk moral observances and duties. To him the old type of theism means concepts of right and wrong rigidly defined by Infallible Revelation. There was too much of obeying the letter and not the spirit so that the humanists are not unreasonable in much of their attack on current theism. Our enquirer, however, contends that the matter is not so simple that it can be disposed of effectively by the humanist's moratorium on God'.
While yielding to the view that ultimately an ethic of high ideals, if supported with enthusiasm and unflagging devotion, does not depend on the supernatural direction of a code or on a system of divine rewards and punishments or on a picture of God as king, law-giver and judge, he yet claims that this ethic of high ideals must and does depend on reverence for personality, which after all forms the crux of the whole matter.
The theist goes on to add that right and wrong are basically a scale of values ; and ideas concerning them depend on what the individual and the society he lives in regard as valuable so that ultimately morals, both in the individual and social aspects, depend on the worth of Personality. He warns the humanist that the worth of Personality cannot be dictated by the whims and fancies or ideologies of a school of thought or by the fiat of any state. It must be a value - accompanying his 'Cosmic Creed'.
Having enunciated his own position, he stigmatises the humanist's ethic of high ideals as mere wishful thinking rendered ridiculous by its own factors. For what is personality '' to a humanist ? Does not his scientific materialism say that it is a fortuitous by-product of a purposeless universe ? Does not the mental or spiritual life begin and end suddenly in a meaningless way and is not this short earthly course only an unexplained interlude between two annihilations ? What meaning or essence has his life, whether lived heroically or basely ? Are not the chaotic conditions now prevailing in the world, repercussions of such a material philosophy ? Is then human life a lost cause in the natural universe ? Is man suffering and struggling against a vast indifference ?
Finally, the theist sums up his position for us. For him the two decisive questions are whether Personality is not the great central fact of the universe and whether this Personality should not be coupled with 'the Eternal Spirit' or whether it is only a 'chance spark ' struck off from the activities and collisions of the merely physical. He is convinced that atheism is no solution of the problem and that behind a partial and inadequate idea of God, is God. Yet again, there is, he feels, the need for a positive presentation of a creditable idea of God. He himself frankly despairs of being able to toss off on demand a statement of theism philosophically adequate to the NEW AMAZING UNIVERSE. He thinks the solution of the problem will require the work of the best minds of the age.
The question put to us was 'What has Buddhism, or, rather, what have I as a Buddhist to say on the points raised in the foregoing ? 'The Buddha's discovery of Truth 2,500 years ago provides an over-all answer to the main points involved. This restatement marked the culminating point between the conflicting views of pure materialism on the one side and of the various forms and vogues of theism on the other. Theism with its 'First Cause' had gradually developed out of Animism, rising into Polytheism and then into what may be classed as Pantheism. But the First Cause itself was a serious ground for controversy. One of the schools rejected the First Cause but ardently retained the soul-theory, side by side with the tenet of the eternity of Prakrit or Matter. Another school maintained that only God was everlasting; the world itself was a phantom, as it were, a dream and a delusion, having its real existence only in God while the souls themselves had no independent existence. They were God itself. So the claim, on one side, was for the Primordial Prakrit with independent and separately existing souls, and on the other side was only for God in a world of delusion.
These differences are made clear by Dr. Rhys Davids in his exposition of "Religious Theories in India ", a chapter well-worth reading in his "Buddhism". This cautious scholar emphasised the view that Buddhism represented a logical clearness and a moral fearlessness in that it took a deliberate and exclusive stand against the contending theories of soul and God. He further points out that one of the most important Dialogues given by the Buddha to his disciples is known as the Brahma Jala— meaning 'The Perfect Net' with meshes which are so fine that no folly of superstition, however subtle, can slip through. In it, are set out sixty-two variations of existing hypotheses, and, after each of them has been rejected by the Buddha, the doctrine of Arahatship is put forward as the right solution.
From this we see that Buddhism put a moratorium on theism 2,500 years ago. It refuted, be it noted, a highly developed theory of theistic monism, more highly developed, in Dr. Rhys Davids' opinion, than the Hebrew theory.
The Buddha was well-qualified to be authoritative on this subject. The story of his life, his great renunciation and his painstaking search for a workable truth in regard to the problem of life and Personality ending with his Enlightenment are entitled to our greatest respect and undoubting trust. In making Arahatship the crowning phase of his doctrine, the Buddha gave a very clear and precise view of Personality devoid of an identity known as soul in its unqualified sense. In fact, the Buddha held all discussions on this subject to be not only vain and useless but also 'actually inimical to the only ideal worth striving after— the ideal of a perfect life, here and now, in the present world, in Arahatship'.
"Of all the things that proceed from a Cause,
The Buddha that Cause hath told;
And he tells too, each shall come to its end.
Such alone is the word of the sage."Mahavagga, Vinaya Pitaka.
The theist's question is " How far or near is the Buddhist position to that of the humanist's 'High Ethical Life' ? "It must be noted in the first place that Buddhism with its ideal of Arahatship instead of sapping morality and ethic to an almost vanishing point (as is nearly the case of the modern moratorium on God in the West) has been the citadel of spirituality over large areas of the world. It has not in any way contributed to the moral and political chaos now prevailing in the world. The striving after Arahatship among Buddhists has been continuous. One may say that the ideal seems to be growing in predominantly Buddhist countries, and is a very promising factor in bringing the Buddhist principles of life and conduct more and more into the forefront. It may not be an idle hope that this will help to bring about a significant change in the so-called 'world Views'.
The 'High Ethic of Humanism' artificed for a materialistic-scientific view of life has no affinity whatever with the Arahat type of Ethic. Arahatship represents a mental evolution set in a cosmos which knows no beginning and no ending. There is a chain of causation at work, and man with his Personality (his character) is the invariable accompanier of this chain of causation.
Humanism is wedged between the void of "No Before" and the void of "No After". It is as our friend, the theist puts it, 'an interlude between two annihilations'. Its finest faiths are comforting fantasies by which it tries to escape from the world of fact to the world of 'Desire' ; for is it not founded on matter as the prime substance of the universe?
In Arahatship of sustained mental evolution, spanning vast stretches of time, there is only the ideal and belief in the annihilation of craving and attachment, the nexus of sorrow.
What difference is there between the Personality which the theist says is 'the crux of the whole problem' and Personality known and accepted in the Buddhist sense ? There is a world of difference between the two. Personality for the theist is the functioning of his soul. His soul, dependent on a Creator, functions during a short earth-life and faces an unending eternity within the favour of its Creator or away from that favour. It seems an arbitrary proceeding, and much also depends upon Faith and God's grace. It carries with it the vainglorious idea of 'immortality' of the soul. Why should we hanker after immortality? Immortality can only be a concept very strange and out of place to the human mind which understands only temporal sequences. To work for non-mortality is the Buddhist ideal. The pressing business for humanity was, is and always has been the challenging assertion of life— life ever and again renewing itself in a chain or round of 'birth and death', which constitutes the sorrow of Samsara. To break this chain of attachment to ever- asserting—really an attachment to egoism and its claims propped up against the seen and known world—one must transcend Loka (the world) by Lokuttara. That is to say, we are required to negate not life as such for life in itself is a mere process. What we have to negate is the deluding element in this process — the belief in an ego which sets up a world of delusions for itself. Anyone who speaks in terms of immortality is flagrantly pleading for the cause of "self" as an everlasting soul.
In the Buddhist sense, Personality does not mean what I would like to term "Personity" —an unchanging identity. We may think of Personality in terms of 'character' or that which makes for and accompanies the process of "Becoming ". Since there are no souls there are really no "Beings" but only "Becomings". So the most that we can ascribe in the way of an essence to 'character' is not anything of a permanent substance but only as a Principle expressing itself as a momentum or propulsion or a cause for continuity of life. Dr. Grimm tries to give Personality a more real and tangible basis than to the fluxing and changing elements of Body and Mind, but in the final analysis it is quite clear that it is nothing at all of a soul or an unchanging identity.
The world is now grappling with a mass of theories covering every phase of life and nature. There is a confusion of paradoxes and anomalies which do not at all help in arriving at Truth.
We cannot hope to eradicate greed, anger and delusion in ourselves or in the world by logical reasoning or by scientific investigation. Our only hope lies in going along the road of purity and wisdom in the eightfold development of Sila, Samadhi and Panna clearly defined by the Buddha. The followers of the Eightfold Path will at their respective paces advance towards Arahatship The state of an Arahat is described thus
"And for a disciple thus freed, in whose heart dwells peace, there is nothing to be added to what has been done, and naught more remains for him to do. Just as a rock of solid mass remains unshaken by the wind, even so neither forms, nor sounds, nor odours, nor tastes, nor contacts of any kind, neither the desired nor the undesired can cause an One to waver. Steadfast is his mind, gained is deliverance.
And he who has considered all the contrasts on this earth, and is no more disturbed by anything whatever in the world, the peaceful One, freed from rage, from sorrow, and from longing, he has passed beyond birth and decay."


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We've been witnesses of a terrible robbery in this hotel. In the night between the 9 and 10 of February, we were sleeping, when suddenly we woke up for the screams of terror of people in the hotel. A group of 4-5 people got inside the hotel and entered in two bungalows (fortunately not in our!!) . They were armed with machetes and bars and used violence to those people who where inside the affected bungalows, causing serious injuries and damages. We were terrified and we couldn't call any help cause in our bungalow there wasn't telephone and we decided to close ourselves in the bathroom. No one of the staff members were pratically present, a part few Masaai and the security guard (which obviously weren't enough). The manager Meri was absent, and she arrived very late. Same for the pólice!!! Lack of CCTV security system, which is something unbeliveable for an hotel. They should gurantee the customers safety at any time and under any circumstances!!!! Zanbluu is an hotel without proper management, and proper security!!!More
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text: Miss my p bass. Have an alembic epic 4 I would like to trade for a us p bass. Fender or lakland would be cool and cash on your end. A vintage p will also be Cool with probably a lot less or no cash needed Specs of the Epic are in one of the photos Comes With a decent Levi's gig bag


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Arab Israeli Conflict
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idf in nablus 298.88.
(photo credit: AP [file])
Dear Reader,
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In a widespread operation waged against the Islamic Jihad and Fatah Tanzim in Nablus on Monday, security forces killed one senior fugitive and arrested seven involved in planning imminent attacks in Israel and manufacturing bombs, the army said.
Since the recent Hamas victory in the Palestinian Legislative Council elections, Hizbullah and Iran, as well as the Islamic Jihad echelon in Damascus, have stepped up their support, increased funds and issued orders to cell members operating in the Nablus region, a senior IDF commander said.
"In recent weeks we have seen a significant increase in attempts by terror organizations operating in the area to launch attacks inside Israel. Hizbullah and Iran and the Islamic Jihad echelon in Damascus Syria have stepped up their efforts, supplying increased funds and instructions to launch attacks," Col. Yuval Bazak, the Samaria district commander told The Jerusalem Post.
Nablus, always considered one of the hotbeds of terror, has become the main center for manufacturing explosive belts and bombs to be used in terror attacks in Israel in recent months. Some of the belts have made their way to other terror cells operating elsewhere in the West Bank, details released by the Shin Bet (Israel Security Agency) and the army on Monday revealed. The information demonstrated the closed-knit ties and cooperation that exists between the two terror groups, aimed at strengthening and improving their capabilities to launch attacks against Israeli targets.
Late Sunday night in the old-city quarters of Nablus, troops engaged in a gun battle and subsequently killed Ahmed Abu Shrah, 30, a senior Tanzim fugitive and known bomb and explosives expert, according to the IDF.
Following the gun battle, soldiers pursued other fugitives accompanying Shrah, who fled to a nearby building, Bazak said. Soldiers surrounded the building and the fugitives surrendered, he added.
Abu Shrah, who the army contents was one of the masterminds of the suicide bomb attack near the old bus station in Tel Aviv in January this year. Considered an expert bomb maker who excelled in manufacturing bomb belts, he received orders from the Islamic Jihad headquarters in Damascus, Syria.
Three fugitives have been killed and nine arrested since Operation Northern Lights began on Saturday in Nablus and the adjacent Balata refugee camp. Security forces have also confiscated an array of weapons including three M16 rifles and a handgun.
In the past three days, soldiers have encountered fierce resistance, engaged in gun battles with armed fugitives and have come away unscathed from several bomb attacks, the army said. In addition, security forces have with sporadic clashes involving Palestinian mobs throwing stones and firebombs at them.
Ahmed Adaisha Marshud, 22, head of the Islamic Jihad in Nablus, who masterminded a number of suicide-bomb attacks in the past, and was in the midst of planning further bomb attacks to be carried out in Israel in the coming days, was one of seven fugitives arrested late Sunday night and early Monday.
Marshud, a resident of the refugee camp, was believed to be the planner of numerous terror attacks, including the suicide bombing at the old bus station in Tel Aviv on January 19 this year in which 30 civilians were wounded.
He was also responsible for detonating a bomb near an IDF jeep in Nablus last November, according to the army, moderately wounding the deputy paratrooper company commander operating in the city. Marshud planned the attempted infiltration in Har Bracha in January this year that was thwarted by security forces, the IDF said.
Security officials believe that Mashud received instructions and orders from Islamic Jihad operatives in the Gaza Strip as well as from the organization's headquarters in Damascus.
Other fugitives arrested in the raid include Ibrahim Abu Dara'a, 19, a member of the Islamic Jihad who was sent by Mashud in January to infiltrate Har Bracha.
Kassam Zaban, 20, and Mahmoud Matamda, 30, both members of the Fatah Tanzim were involved in detonating bombs near soldiers operating in the Nablus area. Both operated under instructions received from Abu Shrah.
Iyad Masimi, 28, a member of Fatah Tanzim and an expert bomb maker was also involved in manufacturing bomb belts to be used in future attacks in Israel. The bomb belt worn by the suicide bomber that blew up in Tel Aviv in January this year, the IDF believes, was made by Masimi.
Fatah Tanzim member Ahmed Hosni Halil, 20, involved in a number of bomb attacks against IDF units operating in Nablus in recent years, was in the midst of planning a suicide bomb attack to be carried out in Israel in the near future when he was caught, the army said.
Elsewhere in the region on Monday, two Palestinians, a male and female, were wounded by IDF gunfire after soldiers spotted the former throwing a firebomb at an Israeli bus on Road 60 near the El Fawar camp south of Hebron. The girl who stood next to the youth was also hit. Both were treated at the site and taken to hospital in Jerusalem.
In the morning, security forces arrested six Palestinian fugitives affiliated with Islamic Jihad and Fatah in raids in Kabbatiyah, south of Jenin, Bani Naim, southeast of Hebron, Tsurif, southwest of Bethlehem and the Al Azza refugee camp in Bethlehem.
In the Gaza Strip, IDF artillery units shelled unpopulated areas in northern Gaza in an attempt to prevent Kassam rockets from being fired at Israel, after two rockets were fired at the western Negev. No one was wounded and no damage reported.
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Published at Tuesday, November 06th 2018, 03:17:01 AM by Quentin Bourque. Mirror. There are innumerable possibilities of how you can use framed wall mirror in white enhancers. For instance, you could cover an entire wall by alternating panels of mirrors with different sections of textured wood or paint or even wallpaper. Use a delicately framed mirror in place of a painting or a work of art. You could also create an impression of a doorway where there is none. Simply get the right-sized mirror within a door jamb.
Published at Friday, December 14th 2018, 09:57:44 AM. Pillows and Throws By Magali Courbis. The interior décor of homes and one's dressing sense reflects one's aesthetic taste. In order to maintain the upbeat in entire milieu, it is essential to remain updated with the latest trends. It is also important to carry oneself in sync with the current trends in vogue. Dresses reflect ones persona and carry a unique style statement. The Printed soft cotton scarves are a great way to accessorize any outfit. Available in diverse designs, colors, prints, checks etc., these offer a sassy and casual look that blends well with different attires.
Published at Friday, December 14th 2018, 09:57:37 AM. Area Rugs and Pads By Fabien Dubos. There are several different kinds of rug pads for different types of floors and floor covering like thick rugs and oriental rugs for any type of flooring, cushions and carpet liners for hardwood, bamboo and ceramic tile floors, non-skid for organic hard floors and pads for outdoor patio, porch or deck floors among others.
Published at Friday, December 14th 2018, 09:57:20 AM. Mirror By Nathalie Bombelles. Hunt for your unique pieces.You don't need to spend a lot of money in your mirror, or buy it straight from the furniture store. Mirrors come in all shapes, styles and sizes and can be found anywhere from discount retailers and garage sales to flea markets. They should be chosen based on the size and decor of your room. Full-length mirrors make a room seem larger. A full-mirrored wall will optically expand and add glamour to a room. Consider adding a folding screen of mirrored panels to the corner of a room to add light and dimension. Just glue molding around each full-length mirror and secure each side with hinges.
Published at Friday, December 14th 2018, 09:57:14 AM. Area Rugs and Pads By Quentin Bourque. Area rugs are a great way to show your more adventurous side. Bold and colourful patterns may take you out of your comfort zone, but they are a great piece for adding a bit of the unexpected to a room. Still, you'll want to choose colours that blend with other design elements of your room so that even as a focal point your rug ties in with your overall décor.
Published at Friday, December 14th 2018, 09:57:10 AM. Fall Decor By Robin Rapace. Also with this time of year are the new candle scents that are being introduced. Some of the scents I have seen are Autumn in the Park, Crisp Morning Air, Sweater Weather, Marshmallow Fireside, Pumpkin Pit Stop and Apple Tree Picnic. We cannot forget the flowers that bloom in the fall. These perennials are Aster, Red Spider Lily, Fall Crocus and Toad Lily and will be back year after year for our pleasure and enjoyment. Not to mention their decorative properties.
Published at Friday, December 14th 2018, 09:57:03 AM. Home Accent By Marine Jacquier. The end tables are not just a nice addition for our rooms but it also have a special role in revamping any place. It can hold any of our lamps, plants, vases and frames. Now, an Accent coffee table can help us accommodate our guest and leaving them a nice impression with this. Both can add a personal touch for our home and provide the service we need.
Published at Friday, December 14th 2018, 09:46:31 AM. Kids Room Decor By Magali Courbis. Decorative items can help teach your children about style and design and, what's more, they look great when they're hung in a stunning and enjoyable games room that has been designed especially for the kids. Mirror wall panels will catch the light and shine it onto the walls creating a unique lighting experience too.
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Find travel inspiration and trip-planning help with our FREE Western Montana and Glacier National Park Travel Guide. Discover the best places to stay, where to eat and what to do in Montana, with detailed information about our charming small-town communities. Plus, we've included a comprehensive listing of lodging amenities. So if you're looking for a pet-friendly hotel with a pool, Wi-Fi and a complimentary breakfast, or you want a river's-edge cabin with fly-fishing and hiking trails outside your door, we can help guide you in the right direction.
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etc.). It is not particularly interesting for tutors to read in essays only what they have said in class, particularly if this is reproduced in a flat, unconvincing, and unconvinced manner. You essays about being interpersonal communication may want to gloss, explain, qualify or modify the"d words, or you may have included"tions whose assumptions or arguments you strongly disagree with. Have everyone edit it: your teacher, your friends, your parents, your dog. The essential information provided by each model is given in the same order, but they differ in the way that the details are presented. It will include only points which are relevant to the subject, so be careful to get rid of material that is not directly relevant.
Whichever model you choose or are instructed to use ensure that you stay consistent. It has been thoroughly revised for the new, standards-referenced HSC. To do this it can be useful to try to think of a title for your essay. Others find it more useful to draw up very detailed plans, outlining every paragraph and its contents. These"tions can obviously add much to the texture and quality of your work, but they are often handled very badly by students. If youre having trouble finding your voice, go and physically talk to someone. Sample essays, including a sample exam essay, with explanations relating to the Common Area of StudyDiscoveryfor HSC Standard and Advanced English. It is important to realise that this is a skill which has to be learnt and practised, and that therefore you should apply yourselves from the very beginning, as you will be writing essays for which you will be graded from the early weeks.
It is no good carrying around insights into a particular piece of literature if you do not put efforts into presenting them clearly. This is the second of five simple and easy to follow videos that will show you how you can improve your writing. At the broadest level no one is unique. "Antipodean Feminism." New Left Review 206 (July/August 1994 127-33 Fussel, Paul.
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You should explore 34 ideas but spend the bulk of your time writing ONE essay. (81) Miss Brodie has different plans for Rose; she is to be a 'great lover' (146 and her tutor audaciously absolves her from the sins this will entail: 'she is above the moral code, it does not apply to her' (146). Both these approaches take time, if the essays are to be done well. A short, well organised and structured essay focusing on some of the main points is far better than an over-long and unwieldy attempt to say a little about everything. Tutors have read widely on the subjects you company law research papers will be writing on and are very likely to recognise when you are plagiarising. Your own voice should be heard. If so, cut out and/or reduce some of the text. Perhaps the evidence is conflicting. "The Uses and Abuses of Omniscience: Method and Meaning in Muriel Spark's The Prime of Miss Jean Brodie " in David Lodge The Novelist at the Crossroads and Other Essays on Fiction and Criticism. If so, say. If you cannot decide, then say so, outlining why you cannot decide. Of course if you use university resources it is even more important to start your essay early in order to avoid the last minute rush as most students, not only from this department, search for terminals in a panic on the Friday before a Monday.
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Seems like this year theres a huge abundance of interest in Chinese New Year that I havent really seen before. We begin, rather, over a thousand years ago. Pine trees were, at theRead more
He cannot take it, and finally screams for O'Brien to put someone else in his place - anyone, even Julia. There is no hope for their relationship. For now, however, he chooses toRead more
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One of the key ways in which the two worlds can interact will be through the nanobots. Plan to Stick Around Most of you (again Im using the plural form of the word)Read more


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Two missed penalties in the shoot-out by Papy Faty and Terror Fanteni saw the Clever Boys miss out on a semi-final spot in the competition.
Luyolo Nomandela scored with the fifth penalty for the visitors to win.
The first 45 minutes produced very little goal mouth action, but despite the lack of play in front of goal, Wits were certainly the better team as they passed the ball around confidently with the backing of their home support.
Neither side was able to create a clear-cut goal scoring chance in the first-half.
Wits did create the first opening as in the fourth minute when Mzikayise Mashaba produced a good cross from the wing, but no one was there to tuck it home for the Students.
Stars were virtual spectators for the first half hour and only created their first chance on goal in the 36th minute as Dove Wome created some space down the wing, but his cross found no one in the box as the ball harmlessly went out for a throw-in.
The best chance in the first 45 minutes fell to Free State Stars in the dying seconds of the half as Moeketsi Mvula headed over from close-range from a right wing cross.
Stars started the second 45 in a more positive manner and Katlego Mashego hit the crossbar in the 50th minute.
In the 73rd minute Calvin Kadi thought he had broken the deadlock when he found the back of the net, but his goal was disallowed as he was ruled offside.
Three minutes from time, Stars looked the better side and again they looked like they had grabbed the winner, but Wome's effort bounced off the crossbar for the second time.
As no team could find the winner in the 90 minutes the game moved into extra-time.
The same kind of temperament persisted throughout extra-time as neither side could score and the match moved into a penalty shoot-out.
In the end Free State ran out winners, beating Wits 4-3 in the penalty shoot-out.


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text: "Steph" <Steph Fox btinternet com> writes: > Sorry, this is still (fairly) alien territory. When is GTK 2 likely > to have a stable release? We keep getting the answer to that wrong. ;-) It's in a fairly serious feature/API freeze at the moment. So not too far away now. Havoc


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How To
How to effectively choose batteries to Store Solar Energy for Maximum Benefit?
The popularity of solar energy is surging tremendously. With new technologies emerging every day and a push from government authorities to make it a viable renewable source, there is no denying that solar is the energy of the future.
Everyone knows the benefits of solar energy and how the energy is consumed; the question which arises more often is their reliability when sunshine is not performing its best.
There are many technologies invented to consume solar energy, among all these inventions, a grid-tied photovoltaic system has gained popularity.
To understand how to effectively store solar energy, you need to first understand how a typical grid-tied photovoltaic system works?
How does a grid-tied photovoltaic system work?
The system consists of a set of solar panels, an inverter and a box to house all the wiring of the system. The solar panels collect the energy from the sun and turn it into electricity, which is passed through the inverter and converted into a form that can be utilized by a household.
Most of the solar PV systems are connected to a power grid, so when your solar panels are producing extra energy than your home needs the surplus is sent to the power grid and when your solar panels generated less energy the power grid supplies the additional energy required by your home. This process is called net-metering.
So what happens when the sun is absent that is at night or when the grid system is shut-off?
How do you continue to consume solar power in such cases?
The solution to this problem is to add or replace the power grid with a battery, so you will be able to have electricity even when the grid is off.
So the next question arises…
How do batteries store solar energy?
To understand how batteries store solar energy, you need to first know how batteries work.
Basically, electrochemical cells consist of two electrodes separated by a distance in a container. The space between the electrodes is filled with an electrolyte – an ionic liquid that conducts electricity. One electrode – the anode possess the ability to donate an electron, another electrode – cathode possesses the ability to receive an electron. The energy is stored in the compound formed as a result of this electrolysis, which is a combination of the compounds that make the anode, cathode and the electrolyte.
Simply put, the chemical energy at the anode makes it choose an electron and the reaction at cathode makes it receive an electron the path taken by an electron to travel from anode to cathode is captured in the form of electricity by an external circuit and the liquid electrolyte. This process continues until the anode loses all its electrons.
So now you understand how batteries store energy, it will be easier for you to understand how it stores solar energy.
Once the sunlight hits the solar panels, it loses electrons; due to the interaction between photons and electrons the electron travels in the form of direct current through solar cells. These electrons are then captured by the bars in the panels and sent through electrical wires to the charge controller.
A charge controller is a device used to charge the batteries in such a way that the exact current flows in and the voltage is maintained within acceptable boundaries.
How Many Batteries do you need for your PV solar system?
This depends on the various factors such as;
- Type of your PV System – If you have a grid-connected system, you don't need a big battery backup. The grid handles major electricity requirements. If your system is off-grid you require a big battery backup, as these systems are independent to store their own electricity.
- Energy Demand – You need to calculate the average energy your household demands. Calculate the power demands each device requires, calculate the number of hours you want to use the devices without grid power in Watt-hours. Once you get the Watt-hours of individual devices, add them up and that sum total is your average energy demand.
- Capacity – Capacity is usually measured in Ampere-hours (Ah). If you would like to know the power it can deliver in Watt-hours, just multiply its capacity with the voltage it handles. You need to choose battery capacity which matches your energy demand.
- Autonomy – This represents the number of days you want to spend without the power grid
- Voltage – Voltage depends on the power required by your household. If you know the power of the battery and your current requirements, then you can use the formula P= I*V to find the voltage. Where P = Power, I = Current and V = Voltage
When you calculate all these details, you can use the below two formulas to calculate the number of batteries.
Cb = LD * A /PD*ɳrb*ɳinv
LD = Load Demand
ED = Your Calculated energy Demand
V = Voltage of the System
Cb = Required Capacity of the battery
A = Autonomy Days
Pd =Depth of discharge ( The amount a battery can deliver in a single cycle without getting damaged)
ɳrb = Efficiency of the charge controller and battery (around 85%)
ɳinv = efficiency of the inverter (around 90%)
The next step is to choose a battery and note down its capacity and the voltage. This will help you calculate the number of batteries you need.
Number of batteries = NB,P * NB,P
NB,P = Number of batteries connected in parallel.
CB = Required capacity of the battery
CCB = Capacity of chosen battery
NB,S = Number of batteries connected in serial
V = Voltage of the system
VB = Voltage of the selected battery
The Best Batteries to store solar energy
In general, lead-acid batteries are considered to be the best for solar energy storage.
But when you are selecting a particular battery, you need to keep this criterion in mind.
- The specification of your inverter
- The voltage produced by your solar panels
- Autonomy
- Operating temperature
- Maintenance cost
- Battery lifetime
- Cost
- Self-discharge
- Size of your solar panels
- Maximum depth of discharge
- The efficiency of your battery and solar panel
I hope this blog post helped you understand how batteries work and how you can select the one best suitable for you.
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- 5 beds
- 3.5 baths
- $749,000 price
- 3489677 mls id
- Half Baths: 1
- Square Feet: 3,004 sqft
- Year Built: 1920
- Lot Size: 0.06 acres
- Status: Active
Great Montford contemporary taken down to the foundation and given a brand new life. This property boasts two residences under one roof. Please see attached floor plan. The main two-story residence has a beautiful, light-filled, open floor plan with master on the main & added living/work space and bedrooms on the second floor. Pristine hardwoods, granite counter tops & updated wood-like ceramic tile bring a relevant, sophisticated feel to the property. The fully finished basement apartment has separate entrance, utilities & parking from the main house with 2 bedrooms, laundry in full bathroom & great living area brightly accented by the 9-foot ceilings. Great long-term rental potential while living in the main house. Magnolia Park is across the street with Reed Creek Greenway & Montford Park walking distance away making this location convenient, walkable and close to downtown Asheville and its amenities.
- Site Link
- Property SubType Duplex
Related Listings
32 Pictures
Well maintained Arts and Crafts style house in Montford with 5 one-bedroom apartments. Live in one and rent out others or renovate to create a great single-family home. Less than ½ mile to downtown Asheville; it is a short walk to grocery stories, downtown businesses and restaurants, great...
69 Elizabeth Street Asheville, NC
5 beds, 5 baths, 2,837 sqft, $795,000
Courtesy of: Preferred Properties
Office Phone: 8282582953
Listing Agent: Ashley Dotson
Updated: 18th May, 2019 11:46 PM.
229 Flint Street Asheville, NC


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Bobrisky replies Nigerian singer who accused him of scamming him | Latest Gists
Today, a US-based Nigerian musician, King Holywood, posted a video on IG, claiming Bobrisky scammed him of his hard earned money. In his post, the musician threatened to attack Bobrisky wherever he sees him.Bobrisky has now fired back. Read his response below''Good morning…. Nigerians I woke to see dis man rant about paying him his money he cannot mention (50k) . Okay two months ago dis man send me a dm to help him post his song which we agreed for one day post on Instagram for 50,000. His team beg me for more days that they want me to play his song for 1week. And I told them If they want more than a day it has to be on snap since I have more views on snap daily…..I played the guys song on Snapchat for four days only for me to read a message from them after one week, that they want me to post on my Ig not Snapchat.And I was like I already carried out you guys jobs on snap….if u want Ig then wait at my comfortable time. Ever since then dis guy keep asking me to pay them the 50,000 he paid to me. Hey mr man your 50k is absolutely nothing to me rant from now to next year…is your business. Secondly I don't scam people is not in my my blood. I hustle hard that some of u had once castigated me but after watching me grow in success then u are bringing small change deal . I'm still waiting to see ur worst. You are shouting 50k do u know how much I give people everyday just to assist them without knowing who they are ? Anyways u already had your way enjoy the few hours of fame. Going back to bed cheers Watch the video of the man accusing Bobrisky of scam below View this post on Instagram Musician King Hollywood accuses Bobrisky of scamming him.A post shared by LIB – Linda Ikeji Blog (@lindaikejiblog) on Nov 2, 2018 at 1:09am PDTThe post Bobrisky replies Nigerian singer who accused him of scamming him appeared first on Linda Ikeji Blog.
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text: Focus on Nursery 16 October 2014 Pre-Nursery and Nursery children have been having so much fun during the last couple of weeks! We have been talking about two really special subjects: TOYS and FOOD! TOY STORY We had our first ever "Show and Tell" session with our favourite toys. In came cuddly teddy bears, toy cars, games, dollies, balls and many others. We showed them to our friends and tried to answer all the questions they were asking. We played together and enjoyed sharing our little treasures with each other. We discussed toys we had played with as a baby and toys that we have now. We played with puppets and tried to use different voices for different characters. FOOD, GLORIOUS FOOD Oh, we do like talking about food! All those yummy pizzas, fish fingers, chicken drumsticks and French fries! But we did not forget about the most healthy stuff: fruit and vegetables. We compared their sizes and colours, we chopped them to make delicious salad, even squeezed them into juice! We made a cardboard pizza with different toppings and a "menu" for our home corner restaurant. We enjoyed singing a song called "Do you like broccoli ice-cream?'', it was so funny! This week we have been trying to find answers to questions like ''Why is food important?'', ''How do we feel when we are hungry?'' and ''Where does food come from?''. They were not so easy… FALL INTO AUTUMN Nursery children have enjoyed looking for the signs of autumn an admiring all those beautiful colours around Dabrowskiego playground. We have been excited to find out about, and look at all the different sizes of the leaves. We have been setting these out into the correct size order. We have been playing in the leaves, throwing them high in the sky and making lots of mess. We have also learnt how to take photos with our I-pads! Categories Early Years News School News Discover more PTA Corner 24 May 2019 Next academic year, the school is introducing a new PE uniform design, samples will be available for viewing and dates are detai ... Swimathon 2019 Completed 24 May 2019 Congratulations to all primary, secondary students and teachers that participated in our annual Swimathon! Message from the Acting Head of Primary 24 May 2019 Commencing countdown... Message from Head of Secondary - Alison Fox 24 May 2019 This evening, quite possibly as you are reading this, our Year 13 students will be attending their IB Graduation Ceremony.


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Vacancy Number:
Special Education Coordinator
Central Administration - 900 Watervliet Shaker Road
Basic Function:
1. Reports directly to Director of Special Education.
2. Serve as an active member of the special education leadership team and assigned committees.
3. Responsible for the intake process for the special education division.
4. Testing coordination for NYS Exams (3-8 ELA/Mathematics/Science) and NYSAA.
5. Organization of professional development for the division.
6. Itinerant staff supervision.
7. Evaluation of staff (APPR and others).
8. Other duties as assigned.
A. Graduation from a regionally accredited college or university or one accredited by new York State to grant degrees, with a degree in educational leadership or a related field.
B. New York State certification in educational administration required (i.e., School Building Leader or School Administrator/Supervisor).
C. 3 years of experience in either Special Education or administration preferred.
- Serve in support of the special education leadership team.
- Comply with and administer the appropriate laws, regulations, policies and procedures affecting the Special Education Division.
Start Date:
July 1, 2019 (anticipated start date)
Application Deadline:
May 24, 2019
Starting Salary:
$65,000 – $72,000 prorated to the amount of service rendered.
The selected applicant will be subject to a fingerprint supported criminal history background check in accordance with SAVE Legislation effective July 1, 2001.
Apply To:
Further Information Contact:
Capital Region BOCES
900 Watervliet-Shaker Road
Albany, New York 12205
May 10, 2019


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Pictures by Amy Parks Photography OUTFIT DETAILS Coral High-Low Blouse (on sale for $16 and comes in 3 colors), Gold Bib Necklace , Distressed Skinny Jeans, Michael Kors Watch, Kendra Scott Cuff, Jacket is sold out (similar here and vest option here ), Heels are sold out (similar SUPER cute options here and here and MUST-HAVE WEDGES FOR UNDER $50 VIEW POST
Weekend Wishlist
This edition of the Weekend Wishlist is all about one-piece swimsuits. As pool season quickly approaches, I've been on the hunt for some cute and flattering one-piece swimsuit options. As I get older I tend to dread having to wear a bikini so I'm very thankful that one-piece suits are all the rage right now. They're very popular and the options are VIEW POST
Boho Flare
It's F-R-I-D-A-Y and the 1st day of a new month, which makes happy. I, for the first time this week, had a good nights rest and woke up ready to conquer the world. I have a fun weekend ahead, which is much needed after a not-so-great week. Some girl time is good for my soul and that's exactly what I'll be having tomorrow night. I hope everyone is VIEW POST
Meals and Marriage
Do you ever see the "easy meal" videos that float around Facebook? They're pretty fantastic and always seem relatively simple, which led me to believe that I could easily whip up a Cheesy Chicken Mexican Lasagna. A few ingredients and a few simple steps and voila. There is only one issue. I don't cook. Ever. It's not a strength of mine. I suck. VIEW POST


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Troubles in social communication as well as deficits in the cognitive treatment of emotions are supposed to be a fundamental part of autism. We present a case study based on multimodal interaction between a mobile robot and a child with autism in spontaneous, free game play. This case study tells us that the robot mediates the interaction between the autistic child and therapist once the robot-child interaction has been established. In addition, the child uses the robot as a mediator to express positive emotion playing with the therapist. It is thought that the three-pronged interaction i.e., child-robot-therapist could better facilitate the transfer of social and emotional abilities to real life settings. Robot therapy has a high potential to improve the condition of brain activity in autistic children.
Giannopulu, I., & Pradel, G. (2012). From child-robot interaction to child-robot-therapist interaction: A case study in autism. Applied Bionics and Biomechanics, 9(2), 173–179. https://doi.org/10.3233/JAD-2011-0042
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59th Japan Magazine Advertising Awards / 55th JAA Advertising Awards: Consumer-Evaluated Competition
Advertising Museum Tokyo
This event has ended.
This exhibit features prizewinning works from the 55th JAA Advertising Awards Consumer-Evaluated Competition, sponsored by Japan Advertisers Association Inc., and the 59th Japan Magazine Advertising Awards, sponsored by Japan Magazine Advertising Association. Both awards boast a history going back over half a century, recognizing advertising works from their unique perspectives over many years and selecting advertisements through an assessment of their roles and values based on the viewpoints of consumers and readers. The JAA Advertising Awards put particular emphasis on consumers, allowing them to select the award winners from works submitted by advertisers, media and advertising companies. The evaluation this year focused on "creative work that draws you in before you know it" and "empathy-based instant purchase behavior" in order to select the most "emotionally resonant advertisements" of the year.
from 3月 03, 2017 at 11:00 to 3月 25, 2017 at 16:30
Closed on Sundays, Mondays and Public Holidays.


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Not Rated | | Drama, Romance
A hotel room in the center of Rome serves as the setting for two young and recently acquainted women to have a physical adventure that touches their very souls.
The song sung by Natasha/Dasha and Alba in the shower is "Nel Blu Dipinto Di Blu," commonly known as "Volare" in the U.S. It was a worldwide hit (including number one in the U.S.) for Domenico Modugno in 1958. The lyrics describe a dream that the singer knows will never happen again in which he is painted blue and flying ("volare") and singing ("cantare") in the sky. A non-literal English translation of the song was a hit by Bobby Rydell in the U.S. in 1960.
Natasha, never before, in my whole life, I've known a love like this. Not this way. And it can't be for nothing.
In what's meant to be the same scene shown from two different angles, when Natacha's sat on the balcony, she can be seen from the bathroom, but not vice versa where there's a curtain in the way and it's clearly a separate set as there's no trace of the bedroom.
English, Spanish, Italian, Russian, Basque, Arabic
$257,347 (Spain) (7 May 2010)
Kevin Smith and "Good Girls" star Retta have your summer Watchlist covered, as they share the blockbusters and sleeper hits they recommend when you need to escape the heat.
See what TV shows editors are excited about this month and check out our guide to Star Wars, video games, and more.