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by Jeff Loch | 9th March 2020
A few days ago, Leica announced the release of its latest Medium Format DSLR camera: the Leica S3, which was first shown at Photokina 2018. This beast of a camera features a 64MP 30 x 45mm CMOS sensor, and it can shoot video in C4K at up to 24P in 4:2:2 8-bit. Unfortunately for filmmakers, the uncompressed HDMI output is limited to Full-HD resolution only. Let's take a closer look at Leica's latest flagship camera! Leica S3 – 64MP Medium Format Sensor Ten years after the release of the S2, Leica is finally launching its latest flagship Medium Format camera: the Leica S3. From the outside, the Leica S2, Leica S Typ 007, and the latest S3 look pretty similar. If you are a Leica shooter, you will probably feel right at home with this new version. However, things are different on the inside. The Leica S2 on the left, Leica S3 in the middle, and Leica S Typ 007 on the right. Image credit: Leica Indeed, the Leica S3 features a large 30 x 45mm Leica ProFormat CMOS sensor. You can capture stills at a maximum resolution of 64MP, which makes the S3 a direct competitor of the FUJIFILM GFX50 and GFX100. For video shooters, there is no lowpass filter in front of the sensor: therefore in video mode, there should be some moiré. In terms of sensitivity, the S3 can go from 100 up to 50,000 ISO. Also, Leica claims that the sensor can reach 15-stops of dynamic range. Image credit: Leica Leica S3 – Lens Mount and File Formats The Leica S3 features an S-mount. You can use every S-Lens you might already have, but you can also "mount lenses from other medium format systems with appropriate adapters," according to Leica. At the moment, Leica has several lens adapters available, including Contax 645, Hasselblad V and H, Mamiya 645, and Pentax 67. These lens adapters should at least support autofocus and aperture if your lenses are compatible. In video mode, there is a focus peaking guide to help you capture razor-sharp footage. Image credit: Leica You can choose to shoot stills in either lossless compressed DNG or JPEG. Your files are saved either on an SD (SDXC) card on the right side of the camera, a CF card (UDMA7) on the left side of the camera, or directly on a computer. To handle the massive files generated by such a huge sensor, the Leica S3 boasts a Maestro II image processor. The S3 is not made for sports shooters, as the camera's maximum burst mode is three frames per second, with a limit of only six frames continuously if you are shooting stills in lossless compressed DNG. There's no buffer limit if you are shooting in JPEG. Image credit: Leica Leica S3 – Video Capabilities With such a big sensor and image processor, the Leica S3 can shoot video in up to C4K (4096×2160) at up to 24 frames per second, and in Full-HD at up to 30P. For slow-motion lovers, sorry, there are no 50P (and higher) framerates available at the moment. In C4K, the Leica S3 uses the full sensor width (no crop) and records footage internally in 4:2:2 8-bit using a Motion JPEG codec encapsulated in a MOV file. You can record the uncompressed signal coming out of the mini-HDMI port (HDMI Type-C), but only in Full-HD resolution, and still in 8-bit 4:2:2. Therefore, there seems no real advantage in using that output for video recording. Image credit: Leica On the audio side, you'll need an audio adapter: the Leica Audio-Adapter S. This adapter plugs into the LEMO connector on the left side of the camera gives you a 3.5mm mini-jack microphone input as well as a 3.5mm headphone jack. According to Leica, if you are shooting stills, you can capture up to 1.000 shots with a single battery if you are not using Live View. There is no info about the estimated battery life in video mode. Image credit: Leica Finally, there is a little detail that caught my attention. Indeed, at the bottom of the camera, there are two mounting points: a 1/4-20″ and a 3/8-16″ screw holes. This is especially useful to mount a quick release plate at the bottom of the camera via two screws. Two screws ensure a rock-solid connection between your quick release plate and the camera, with no twist. It's a simple thing, but other DSLR/Mirrorless camera manufacturers should take high notes and implement this type of mounting plates onto their upcoming cameras. Price and Availability The Leica S3 should be available at the end of this month, and you can already pre-order it for $18.995. You got it, this camera is not for everybody, and you better have deep pockets if you want to start investing in the Leica S ecosystem. What do you think of the Leica S3? Did you ever shot video using a Medium Format camera? What are your thoughts about the future of Medium Format video? Let us know in the comments below!Read more
by Olaf von Voss | 31st January 2020
British company MTF is known for their high-end lens adapters and accessories. The latest addition to their lineup is a conversion kit that enables mounting FUJINON's popular MK zooms on to an L-Mount camera such as the Panasonic S1H. Furthermore, MTF has a new L-Mount to PL lens adapter on offer. image credit: MTF The first new product isn't called "adapter" for a reason. You have to (non-destructively) modify the back of your Fujinon MK zoom in order to mount it to any L-Mount camera, hence the name "conversion kit" rather than just "adapter". MTF FUJINON MK Zoom Conversion Kit This conversion kit comes as a set of two pieces plus needed accessories. First, you have to replace the rear part of the MK's housing (the green ring) with the supplied replacement collar. Then you have to add the also supplied stainless L-Mount. Done. All necessary screws are included plus you'll get an L-Mount rear lens cap. One thing to keep in mind here is that L-Mount equipped cameras such as Panasonic S1H, Panasonic S1, the Sigma fp, or LEICA SL2, do sport a full-frame sensor but the FUJINON MKs only cover s35 sized sensors. Therefore you'll have to switch your camera into crop-mode to avoid vignetting. Also, there's no real information if every mount option of the MKs (E-Mount, M4/3, and X-Mount) can be converted with this MTF kit. I guess since it's specifically called MK conversion kit, the MKX (Fuji X-Mount) version might fall short here. MTF L-Mount to PL Mount Adapter If you're more the pro cine glass type of guy, maybe this new PL adapter is for you. MTF has a new adapter on sale to mount PL glass to L-Mount quipped cameras. This time, it's a real adapter, just mount it in between camera and lens and you're all set. The adapter comes with a shim set for accurate back focus, an Arca Swiss-type support toe and an aluminium PL cap. image credit: MTF Since most PL lenses are designed for s35 sensors, the same warning as above applies here: The Panasonic S1H camera sports a full-frame sensor, you'll have to switch it to crop mode in order to work with s35 PL glass. Another warning which applies for both solutions, the MK conversion kit and the PL adapter: You might want to add some kind of lens support to your rig since larger lenses tend to put a lot of stress on the mount. Pricing and Availability Both new MTF solutions are available now and you can purchase them through their website. The FUJINON MK conversion kit is £225.00 (roughly $295.00), the L-Mount to PL Mount adapter is £365.00 (about $480.00). link: Website Is this something for you? Would you use such a camera with larger lenses like the FUJINON MK zooms? Share your thoughts in the comments below!Read more
by Johnnie Behiri | 4th December 2019
Slowly but surely, the year 2019 is fading out, and there is no better time to conclude and see if there is a camera we can declare as the clear winner of this year. Blackmagic Design, Panasonic, Leica, SIGMA, FUJIFILM and Sony – all those respected manufacturers worked hard to satisfy our (production) video needs. Did any of them do exceptionally well, catching our attention? Let's dive in and see. Large sensor photo cameras that can shoot high quality video? Touchy subject… Remember all those who predicted that VDSLRs or mirrorless cameras will be abandoned by users the moment "true" large sensor video cameras will appear? Well, the truth is quite the opposite. We've never seen such a wide selection of offerings fuelled by massive competition between camera manufacturers – in our hearts, as well as pockets. As active content creators who value the "tools", of course we should be happy. Technical progress is being made year after year, picture quality is getting better, functionality is being enhanced and prices, in general, are becoming comfortable. But is there a good reason for joy? The Future – Will Mobile Phones Eat Everybody's Lunch? I'm actually choosing to continue my article with a melancholic perspective. It is no secret that the traditional camera market is rapidly shrinking and sales are dropping sharply. Is there any single reason to take the blame? Is the giant quantum leap that mobile phone manufacturers have made, when it comes to capturing images, the reason? – Maybe. Reading the market, respected traditional camera manufacturers find themselves having to look for alternative sources of income. Even the ones who have never believed that video in stills cameras is valuable had to go along with the trend. But, is this move enough to survive in this market? Is there a way to "combat" the increasing dominance of mobile phones for anyone but professional photographers and video shooters? In my opinion, these are relevant questions – especially as smartphones have reached a level of functionality and speed where average users are content with the phone they have, the manufacturers' way to show progress is by enhancing the photo and video capabilities of their devices. The amount of money being poured into the development of smartphone cameras can't be matched by the investment of any traditional camera manufacturer! Now, if you've been asking yourself why am I drilling your brain instead of getting to the point (this article is about the best camera of the year, after all), it is because this may be the last year where our list consists of traditional cameras. I bet that 2020 or 2021 will look completely different, unless we as users will show responsibility and try to support those companies who are doing so much for us by planning, developing, manufacturing and selling their cameras. (And for complete transparency, we at cinema5D will cover, report and test upcoming mobile phone cameras too, yet at the same time, of course, without compromising the attention we give to more "traditional" filmmaking tools, too). OK, now that this is off my chest (not really, but as Elsa from Frozen said "let it go"), let's be reminded of what we've covered this year and believe me, it was an extremely busy one! Instead of going the "usual way" and divide entries by sensor sizes, I've decided on two strengths. Picture Quality and Technical Achievements are the sub categories I chose to go with. If you guys feels like I've missed or neglected anything, please don't hesitate to jump in. Please join the conversation and add your comment in the section down below. Camera of the Year 2019 – Technical Achievements Hope you guys will agree with me. There are NO bad cameras anymore. Some filming devices which do the job better than others, but all in all, we could have just dreamed about such performance and quality (especially for the price) a few years back. In fact, the best camera of the year 2018, the FUJIFILM X-T3 is still serving me very well. At times, I even wonder if any of the 2019 offerings really surpasses it, to the point where it's worth considering exchanging… Anyways. For me personally, three cameras stood out of the crowd when it comes to technical achievements. FUJIFILM with their GFX 100, SIGMA with their fp camera, and Panasonic with their S1H. Each one for very different reasons. The forth candidate is Sony with their advanced autofocus system that can be found in the new a6600 and a7R IV. (Animal lovers can surly appreciate the new Animal AF technology). FUJIFILM GFX 100 – Defining Large Sensor Video Recording ($9,999) During this year, I was lucky enough to document the birth of FUJIFILM's GFX 100 (please watch our BTS videos below and witness how magic happens). What really caught my attention during filming, was seeing how dedicated and committed the people behind the project are! For us the filmmaker crowd, 100 million pixels might prove to be not so relevant, but the large stabilized sensor size is of course revolutionary. Never before was it possible or so easy to pick up such a camera and shoot handheld video, with such clarity and quality. True, the price is not for everyone, but now that FUJIFILM have declared the medium format sensor format to be their "full frame device", I wish they will consider going the same path for a fully video orientated camera at a more affordable price. FUJIFILM GFX 100 Main Advantages: Large format sensor 4K (DCI), All Intra, 10-bit, up to 400 Mbps internal recording Excellent Internal Body Stabilisation System Eterna Picture Profile built in Good built-in audio I also want to encourage you guys to take a look at Philip Bloom's full length documentary,"Charmolipi: joy making sorrow". It was shot with the GFX 100 and is a great example of deploying it in the field! Below: Our 2 part documentary. How the FUJIFILM GFX 100 is being made: SIGMA fp – When Small Form Factor becomes Beautiful and Capable ($1,899) SIGMA have caught the filmmaking community by surprise. No one really expected the successful lens manufacturer to come up with a revolutionary filmmaking device. We were lucky enough to witness and document the process of manufacturing the camera and also given the opportunity to test and review one of the first units before it was commercially available. As an advocate of compact and capable filming cameras, I think that SIGMA brought some playful fresh wind into our traditional (ageing?) industry. Backed by its own supporting accessories, this "joyful to use" fp camera has the true potential to shake things up and pave its way to glory. It is the smallest full frame camera out there that supports internal and external Cinema DNG RAW recording, (external compressed RAW recording via HDMI will be available soon too). Of course, there are some shortcomings (no camera is perfect), and I would have loved seeing better autofocus and an internal body stabilisation system included, for example, but in this particular "Best Camera of the Year " article, seeing the full half of the cup is shading the empty part. SIGMA fp Main Advantages: Full frame TRUE pocket camera Uncompressed RAW recording (internal up to 8 bit and externally up to 12 bit) Lots of technology is packed into this little marvel, but what I like best is the support SIGMA is offering with their own custom made accessories. Additional SIGMA fp information – including our lab test – can be obtained by clicking here. Panasonic S1H – Feature-Packed and Ready for (Netflix) Show Time ($3,999) Waiting for the Sony a7S III? Well, the wait is over. The Panasonic S1H is here. (My humour has to be taken lightly…) This very capable, packed-with-features camera was introduced in segments, just a little at a time. Panasonic managed to equip the camera with an endless list of resolutions, bit and frame rates to choose from, all the way up to 6K. While the video quality this camera can produce is nice, I'll repeat mentioning its Achilles heel. The internal noise reduction being implemented within is simply too strong, up to the point of the image becoming too clean. Panasonic S1H Main Advantages: Internal high quality recording Very flexible camera. Choosing the desired recording mode/frame rate/resolution/bit rate is a breeze Excellent In Body Stabilisation System Excellent EVF Very good lowlight capability 3:2 sensor. A good match to anamorphic lenses Dual ISO sensor Additional Panasonic S1H information – including our lab test – can be obtained by clicking here. Sony – Taking Autofocus to the Next Possible Level Sony was very active this year by offering a variety of 1", APS-C and full frame mirrorless cameras but at the end of the day, the video functionality of all those cameras is rather equal. (Limited to 100 Mbps data rate, Long GOP encoding, up to 30 fps and more). The only noticeable field where Sony has shown advanced operation with their current offerings is the autofocus functionality. All of their newer cameras can autofocus nicely, but as a "proof of concept", I chose to include the following a6400 video: What's noteworthy about the current top-model of their APS-C cameras, the Sony a6600, it now has image stabilization built in, and uses the larger, MUCH better batteries now. In fact, I was so impressed with the autofocus performance of the a6400 when I tested it that I publicly (half-jokingly) asked our audience if the "End of manual focus lenses is near". This is yet to be seen, but for now, as we are under the Technical Achievements section, I feel this is where Sony should be placed. Camera of the Year 2019 – Picture Quality The more I review stuff, I think its fair to say, the more subjective I see and define things – and "picture quality" is indeed one of those things where subjectivity is important to remember. Having said that, with so many cameras going in an out of our hands, I think we have developed a certain sense for it. Blackmagic Design Pocket Cinema Camera 6K – Mojo, High Quality Internal Recording, APS-C sensor ($2,495) Let me start with sharing a small "behind the scenes" detail. It is no secret that we are proud to be affiliated with B&H and CVP. The affiliate income helps us move our boat forward (at no additional cost for you guys if you buy through any of our links). It also allows us to see what sells well, almost in real-time, and let me tell you, never in our cinema5D history, have we seen so many cameras being sold right after the official announcement. Obviously, from the filmmaking community's perspective, Blackmagic did something right! We can debate on which camera is more functional and attractive to buy, the BMPCC 4K or BMPCC 6K, but with no doubt, this family of cameras can produce amazing, high-quality footage "out of the box". In this regard, "mojo" (or texture of image) is very appealing, simply because it is very organic. BMPCC 6K Main Advantages: Small camera Excellent picture quality (very organic look) Robust recording codecs, including compressed RAW recording (BMRAW) and ProRes Dual ISO sensor Choice of recording media Additional Blackmagic Pocket Cinema Camera 6K information – including our lab test – can be obtained by clicking here. For the full camera review, please click here. Leica SL2 – Such an Appeal, If Only I had the Funds, Then…($5,995) As always, I'll be completely open and transparent with you guy and say that the Leica SL2 is the camera that excites me most (Alongside to the FUJIFILM GFX 100), when it comes to video footage aesthetics. True, I had a very short encounter with it and also true that if you look carefully, you will notice how the ugly head of Moiré is rising, BUT, a few things to remember: The original SL has already shown a very interesting organic look. In addition, Leica was kind enough to shed some light on and explain why the Moiré is happening. As a result of their explanation, I'm very eager to conduct a full camera review and see how the camera behaves while filming in full frame again, but this time together with less sharp lenses, or, in APS-C mode where the camera is supposed to deliver even cleaner video images. Seeing how closely Leica and Panasonic cooperate, even more so with the Leica SL2 (Panasonic S1R, anybody?), it is truly fascinating to witness the differences between those two cameras – especially when it comes to processing the video image. As mentioned before, while Panasonic is trying to keep it "super clean", the Leica SL2 is quite the opposite. No noise reduction is applied to the images and the result is very pleasing! Leica SL2 Main Advantages: Very organic filmic images Excellent IBIS (In Body Stabilisation System) Excellent EVF Minimalistic button layout yet easy to operate Well controlled rolling shutter effect For our first impression review, please click here. Mirrorless Camera of the Year 2019 – Panasonic S1 ($2,498) OK, time to reveal our choice and yes, this is correct, no mistake in writing was made here (just in case you thought we meant "S1H"). This year, it was not easy AT ALL to choose a winner. There are A LOT of good cameras out there, yet none that really shine in a way of completely shadowing others. Saying that, after lots of sleepless nights and miles and miles of walking up and down inside the office, we have made the decision of nominating the Panasonic S1 as our winner! (Congratulations, Panasonic.) At the end of the day, the included camera features backed by a relatively affordable price led us to the conclusion above. It can be that Panasonic took the S1 a bit too far, offering a set of video features that makes their own S1H camera a questionable buy for a lot more money. For us, this is the case. All in all the two cameras (S1H and S1) do share a lot, and depending on your usage, the S1 offers the better price/performance ratio. If you are serious about video making, pay the extra and get yourself the S1 upgrade that unlocks V-Log. Greater Dynamic Range, flexibility when coloring (As you can shoot in V-Log), 10-bit internal and external recoding, and even manual control when shooting high frame rate when downloading the latest firmware, all there! Panasonic S1 Main Advantages: Shares many of the video capabilities of its higher spec and more expensive sibling, the S1H Full frame camera Excellent In Body Stabilisation System Great EVF Flexibility of choosing from a wide range of recording codecs, frame and data rates Great lowlight capability Additional Panasonic S1 information – including our Rolling Shutter test – can be obtained by clicking here. For our complete Panasonic S1 review, please click here. That's it guys, here you go. We would love to hear your opinion on our decision. Now, we are looking forward to what 2020 will bring, and there is a lot to look forward to. All I can say is, the Tokyo Olympic games are happening in Japan next year and there is no better opportunity for Japanese manufacturers to show leadership and dominance. Stay tuned!Read more
by Johnnie Behiri | 21st November 2019
Edit: We have reached Leica seeking their official response to our findings and I have to say that the company was very fast to respond with very useful technical information (see their response at the bottom of the article). If you are interested in a full review of the SL2, keep an eye on this space. But on a personal note, this camera truly excites me. The images it can produce are simply engaging. I'm eager to receive the camera soon and put it through its paces. Leica's flagship camera the SL2 was announced earlier this month and there is a good chance that by the time you read our article, it has already arrived at your local dealer. With a variety of goodies like high resolutions (up to 5K), variable frame rates (up to 180 fps in full HD), variable data rate (up to 400 Mbps in H264), a modest selection of picture profiles including LOG and HLG (Hybrid Log-Gamma), 5 axis In Body Stabilisation System, 10bit 4:2:2 recording and more, I was eager to take this new camera for a short spin. I'll spoil now and summarise that this camera has A LOT to offer when it comes to video image quality, but moiré, in particular, needs to be eliminated badly. Leica SL2. Image credit: cinema5D Do you know that feeling when happiness is mixed with a bit of sadness? That's how I felt when putting my hands on the new Leica SL2. I got happy to see that Leica is showing commitment to our filming community by introducing what seems to be a very capable filming tool but, at the same time, sad as I got four years older since I've tested its predecessor, the SL… I can't believe how fast four years had flown since I shot the SL video review. That camera (The SL), left a great impression on me as the images that came out of it were the best I've ever seen from a mirrorless camera at that time. So obviously I was curious to see what Leica's new creation brings, hoping that nothing has been lost during the process of developing the new SL2. After all, a lot has changed in our industry since that time. The camera market shrank even more and current full frame options are larger than ever, bringing the competition on every purchase to new heights. It's Tokyo Baby It's Tuesday 10:58 a.m Japan time and I'm standing excited in front of Leica's flagship store at Ginza, Tokyo's luxury district for shopping. The store will open at 11:00 precisely like a German watch. A few minutes later and I'm already getting myself familiarise with the SL2 menu. The start is positive as there is a dedicated VIDEO/CINE structure menu so whatever is not relevant won't be shown. It looks as if Leica's engineers tried to keep the menu operation simple in order to fit it to the clean design of the camera itself. They did succeed, in a way as I was "up and running" tuning the camera to my liking in a relatively short time. Mind you that there are some quirks like showing a certain shooting mode, and while the visual description on the LCD claims that the camera can record internally to an SD card, in reality, when pressing the recording button an alert message pops up saying that this specific recording mode can be activated while using an external recording device only (high frame rate recording in various resolutions is a good example for that phenomenon). On top, there is also a malfunction when attempting to record high frame rate in LOG picture profile mode. All indicates that it is possible to do so up to the point of pressing the recording button. Then the camera "jumps" automatically into the "NAT" (natural) picture profile. Why is it happening? No clue. I want to believe that those kinds of faults can be solved with a firmware update. Leica SL2. Image credit:cinema5D Leica SL2, Minimalistic Design – (Almost) Max Performance Moving on to the camera itself and its minimalistic design, what can I say but bravo Leica! Externally, it looks as if they have changed only what considered for them fundamental for better and easier operation (like separate standard headphone and mic connectors. Rerouting the position of REC button to the shutter release button and in addition, the 4 soft keys surrounding the LCD of the SL are now a thing of the past. Instead, three "proper keys" are now resident on the LCD left-hand side). The SL 2 feels extremely robust and complete, it is simply a beautiful looking camera, one that I found myself looking at over and over again. Now, as you don't really buy a $5,995 camera just to look at, it was about time to go out of the shop and film a little bit with it. And when I write "little", please catch me in my word… I only had about 4 hours with the camera as I had to catch a flight right after. Well, I think it is better than nothing as this article and the inclosed footage are NOT meant to be a review in any way, just a quick first impression, something to satisfy my curiosity and see if its image aesthetic was kept from what I've remembered from the SL. Modesty and Pride. Image credit: cinema5D Does Family Roots Matters? It's no secret that Leica and Panasonic are cooperating VERY closely together and I won't be surprised if what we see here is a result of this cooperation. From sensor size to the number of pixels (Full Frame, 47.3 MP in both the SL2 and Panasonic's S1R), to the great EVF, responsive touch screen LCD and IBIS. Even the not so great autofocus performance is shared – contrast-detection type focus on both cameras. There are clues all over the place that the Leica SL2 and Panasonic range of Sxx cameras are related. That said, it seems like the actual processing of the image is COMPLETELY different! While Panasonic's Sxx line of cameras can produce beautiful footage, their archils hill is its strong unforgiving noise reduction which causes the image to look a bit "too clean". With Leica, the story is different. Of course, we haven't tested the SL2 in our lab yet, but to my eyes, the look has a strong "identity"! Unlike the previous model, it seems that the flat LOG picture profile has been tweaked and now it is not so "milky" as it used to be. In the above video, I applied our "custom made Leica SL LUT", manipulated the contrast and exposure a bit and Voilà, here is an image I can certainly write home about, UNLESS, well, keep reading on. Oh and on second thought, S1, S1H, S1R, SL2, all sounds a bit too similar, no? Leica SL2 – Beautiful image, ugly moiré By now, it is evident that I like what I see in this camera, but what about the weaknesses found during the short time I've spent with it? I've already mentioned the menu quirks. On top, watching the bit of high frame footage I took (180/150/120fps in full HD), well, none is really looking usable… I hope the day will come when non-usable frame rates won't be included in a camera for the sake of marketing purposes only. When it comes to powering, the supplied camera battery seems to do an OK job, but to my surprise, at a certain point when the battery level went low, the camera popped up a message saying that 4K video can not be recorded. I've tried switching to HD, and indeed, the camera was still functioning. So, take it into account, when you are out and about, what you see is not what you get battery indication wise. Those are the kind of issues that we filmmakers can live with (I think), but one noticeable drawback might be a cause for real concern, MOIRÉ. In all honesty, I did not expect from such a pedigreed modern camera to exhibit such kind of strong moiré. On top, it seems like this is not a high-performance lowlight camera of any sort, so calculate your shooting scenarios accordingly. Of course, there are other shortcomings like the exclusion of modern efficient codec like H265, or better yet, RAW recording, but hey, who knows, maybe some other goodies can be implemented within the next 4 years until the SL3 sees the light of day. The ultimate way to wait for the camera to charge Image credit: cinema5D In the Field – 5 Axis In-Body Stabilisation, AF, Ease of use and more I could spend only a short time with the SL2, but all in all, I really had fun filming with it! The IBIS is truly amazing (Panasonic Sxx anyone?) and the autofocus is working well as long as you don't stress it too much is AFC mode (continuous AF). Again, sounds Panasonic-ish somehow… Also, to my eyes, the rolling shutter performance looks good! (See the GIF below). Good Rolling Shutter Performance In regards to power consumption, it was nice to see that 25 minutes of a coffee break gave life back to the drained battery that refused to cooperate when filming 4K DCI before. Connected directly to the camera via USB-C, this "fast charging method" was what I needed in order to put me back on track and finish the day. When it comes to lowlight capability, I would say that it is safe to film around ISO 1600. Above that, the image becomes noticeably noisy – more pixels, small size, less light sensitive. We don't have the information concerning the native ISO of the camera, but ISO 400 is as low as one can go. Leica SL2 – 5K Filming Options. Image credit: cinema5D Leica SL2 – 4K DCI Filming Options. Image credit: cinema5D When it comes to actually choose a filming resolution and frame rate, I went with 4K DCI – this mode alongside 4K UHD will give you maximum performance in some frame rates, namely: All-I, 10bit, 4:2:2, up to 400 Mbps. If you aim to explore 5K filming, be aware that this option is limited to those settings to choose from: Long GOP, 200 Mbps 4:2:0, 8bit. I would also want to highlight the fantastic EVF, responsive touch screen LCD, joystick, and the three configurable buttons at the back. Each in its turn was very helpful in operating the camera fast and accurately. Leica SL2 – Easy Video Menu Mode. Image credit: cinema5D Back to the camera menu, depending on your working style, you can choose between "VIDEO" and "CINE" modes. Cine will allow reading the shutter speed information in degrees ISO in ASA and aperture in T stops. Leica VARIO ELMARIT-SL f/2.8-4 24-90mm Lens A camera will bring to the table some of the important ingredients for creating "a look", but of course the other vital component is the lens being used. For the above video, I used the Leica VARIO ELMARIT-SL f/2.8-4 24-90mm lens as I needed to be quick and also, I remember to enjoy working with it during my SL review and it did not let me down this time too. Although I have to say, that the situation then and now is totally different. Having the L alliance between Leica, Panasonic and SIGMA means greater lens offerings and I'm very much tending to try and use smaller lenses on those large size Leica and Panasonic camera bodies. To my knowledge, currently only SIGMA is producing a small capable L mount lens (The 45mm), but the alternative is using small Canon FD lenses together with a KIPON FD to L-mount adapter. This can reduce the overall camera/lens weight, keep the possibility to achieve high quality images (but a bit softer, which is not necessarily a bad thing), and of course, lower the total price of such a set. My colleague Gunther took the Panasonic S1 together with a KIPON adapter and his set of Canon FD lenses. Watch this space for his review and impressions for working in such a way. Leica VARIO ELMARIT. Image credit: cinema5D Final thought By no means, this is a review! I took the camera for a short spin, enjoyed using it and decided to share my thoughts with you guys. So, for now, I wouldn't want to come up with a solid conclusion but I think that if image quality is your main objective (and money is not an obstacle) then this camera should really be considered (as long as moiré can be controlled). I mean, I keep talking about "aesthetic" and "image identity" (Mojo anyone)? and in my opinion, this camera certainly has a lot going for it. The above video was shot HANDHELD on a Leica SL2, 4K DCI, 25p. Graded with our original "Leica SL LUT". Edit: Leica's response to my findings * Regarding L-Log: We do not believe that Log is helpful for 8 Bit video post production, so it is restricted to the 10 Bit modes only (Internal to SD recording or external via HDMI) * Moiré: The camera is designed without optical low pass filter in order to maximize the acutance for still images. When recording video in full frame mode, we use pixel mix to get the 4k resolution. But the camera offers as well a full scan option by switching to APS-C format (means roughly Super 35). We all know, that there is some demand for full frame 4k filming and SL2 does follow this demand in order to make the aesthetics of the large sensor available for specific applications. But if the aesthetics of the large format is not needed and a more technical approach regarding image quality is required, the APS-C option does deliver better performance with SL2´s high resolution sensor. It will provide video without pixel mix and on top better rolling shutter performance. (Rolling shutter is already pretty good in full frame with this camera vs. competition) On top, Leica SL lenses are designed for ultimate detail contrast, offering MTF >50% at 60 LP/mm. The drawback of such lenses is the tendency to produce Moiré if the lens resolution is better than the sensor resolution. Regarding Moiré for such periodic structures it is the best solution to use an optical low pass filter inside the camera or with a lens with low detail contrast performance. So it is tricky to find the right balance, but our philosophy is always to maintain as much as possible detail (same is true for the noise reduction, as you correctly reported in your article). So we do not necessarily see this as a weakness of the concept, but potential customers need to know the special characteristics of our product: If you would like to maintain maximum detail, this camera is most probably the best in the market and for non periodic structures it will not cause any issues. If average detail sharpness (and that does produce a somehow boring look) is required and the absence of any Moiré is most important, a camera with OPLF will serve such requirements much better. * Regarding compact lenses: We do have a full assortment of APS-C L-Mount lenses with very high optical performance. So in order to keep the video camera equipment small, there is no adaptation needed. The camera will select the APS-C mode by itself. So instead of choosing a slow full frame lens, it will be the better solution to use a slightly faster APS-C lens. The look will be the same, but size and technical IQ will be improved by APS-C mode. https://us.leica-camera.com/Photography/Leica-CL-TL2/Lenses-for-Leica-TL?/switchlanguage/to/corposite_eng_us/155573 The other option for compact lenses is the Leica M-lens adaptation: These are the most compact lenses for full frame on this planet and SL2 does support the lenses like our M-cameras. Lens type is automatically detected with the Leica M to L-Mount adaptor and these lenses offer unique classical rendering performance. The optical pass between lens and sensor surface is a unique Leica design with SL2 and supports the performance of M-lenses like no other mirrorless camera (except the Leica M). For usage in a typical movie camera setup, M-lenses are available from our sister company with modified mechanics: https://www.leitz-cine.com/m-08-cine-lenses/. With next lens firmware update our lenses will allow linear focusing (angle for infinity to close focus position is selectable) and do operate in Cine Mode with real T-Stop values instead of F-stop values in order to allow the integration in a movie camera setup. * Battery preference: tThe camera has some peak current requirements that can not be provided by the battery below a certain charging level. We did decide to go this way, because the majority of customer do use the camera as a still camera. This issue can only be solved by a bigger battery. This would mean for the majority of customers to carry a bigger and heavier camera body for a functionality, that they do not use. For serious video product we did implement the USB power supply option. From our point of view this is the best solution for such a versatile product. Leica SL2 – Ready for Street Filming. Image credit: cinema5D Music courtesy of MusicVine.com – Get 25% off any Pay-Per-Use license with code C5D25 (valid for one use per customer). A special thank you to Yuya Koike – Leica Professional Store Tokyo, and Osamu Tsukada – Leitz Guys, what do you think? Can you see yourself spending almost $6000 on the Leica SL2? Please share with us your thoughts in the comment section below.Read more
by Jakub Han | 18th November 2019
LockCircle MetalJacket 2 is a new cage for Leica SL2 mirrorless camera. Made out of a single piece of billet aluminium, it offers 150 threads 1/4"-20 and 7 threads 3/8"-16 for multi accessories mounting. With CineBlock it offers PL mount and it is compatible with LockCircle top handles, 15mm rods baseplate, and LockPort port savers. MetalJacket 2 – Cage for Leica SL2. Source: LockCircle From Leica's SL2 announcement at the beginning of November, we know that on top of being great stills camera, the Leica SL2 will be a fairly capable filmmaking device too. It will offer 10-bit video internally at up to 5K/30p and 4K/60p. As with other mirrorless and DSLR cameras, in order to improve their ergonomics, they usually have to be used with a cage. Italian camera accessories manufacturer LockCircle is among the first companies to introduce a cage for Leica SL2 – they call it MetalJacket 2. Let's take a short look at its features. LockCircle MetalJacket 2 LockCircle already offers a cage for the original Leica SL, so the MetalJacket 2 is an evolution of the first model. It is designed to fit like a glove around the camera and offer a combination between ergonomic handheld feeling and heavy-duty rigging with camera protection. MetalJacket 2 – Cage for Leica SL2. Source: LockCircle The MetalJacket 2 is lightweight and wrapped tightly around the camera, so LockCircle claims it doesn't need to be removed even for stills shooting. The cage offers 150 threads 1/4"-20 and 7 threads 3/8"-16 for multi accessories mounting. It is machined from billet aluminium. With the CineBlock interface mount, The MetalJacket 2 cage for Leica SL2 integrates the original Leitz Cine or Leica SL-PL Mount for solid connection when shooting with PL-Mount optics. The NovoBlock integrates the Novoflex and P+S Technik mounts. The cage integrates the MultiPort port savers for HDMI, USB 3.0, and Audio connectors. The LockPort offers a 90 degree rear output full-size HDMI adapter for port protection when using monitors or 4K outboard recorders. MetalJacket 2 – Cage for Leica SL2. Source: LockCircle The camera baseplate offers secure mounting (no twisting) with 1/4"-20 and 3/8"-16 threads (Titanium Grade 5 camera screws supplied). The baseplate has extra front and rear 1/4"-20 threads for other mounting applications. The MetalJacket 2 cage is available in black or Dura-T (Tactical grey) anodized finish. It is very lightweight (245 gr / 8.6 o.z.), and it has several threads to mount the (AC) tape measurement (titanium pin) hook at the exact sensor focal plane. An ultra-lightweight MicroMega-M baseplate for 15mm rods is available with the modular (joinable) 15mm rods system, CNC machined from Titanium Grade 5. An Arri BP-8 Baseplate Adapter is engineered to interface the MetalJacket 2 with the universal Arri 19mm rods ecosystem of accessories. MetalJacket 2 – Cage for Leica SL2. Source: LockCircle Price and Availability There is no information about the price or availability of the new MetalJacket 2 yet. We will update the article as soon as we find out. What do you think of the new Leica SL2 and LockCircle MetalJacket 2 cage? Are you planning to use that camera on a shoot? Let us know in the comments underneath the article.Read more
by Jakub Han | 7th November 2019
Leica has announced its new L-Mount full-frame mirrorless camera. The Leica SL2 features a 47MP full-frame CMOS sensor with 5-axis image stabilization. It is capable of recording 5K video at up to 30fps, 4K video at up to 60fps, and FullHD video at up to 180fps, all in 10-bit H.264. The camera features a high-resolution EVF, full-size HDMI port, two 3.5mm jack ports for headphones and microphone, and an all-metal magnesium body. It will be available from November 21st, 2019 for $5,995. Leica SL2 full-frame mirrorless camera. Source: Leica It has already been four years since the German premium brand introduced its Leica SL full-frame mirrorless camera. Our Leica SL review and Lab test articles from 2015 are a good reminder of its video capabilities. The newly announced Leica SL2 promises to bring even more video-oriented features. Let's take a look! Leica SL2 – 47MP Full-Frame Stabilized Sensor The new Leica SL2 features a 47.3MP 3:2 full-frame CMOS sensor and Maestro III image processor, which enables up to 20 fps continuous stills shooting with an electronic shutter, 10 fps with a mechanical shutter, and 6 fps with a mechanical shutter and AF-C, for up to 78 consecutive DNG files with a color depth of 14 bits per RGB channel. The sensor features a 5-axis sensor-shift image stabilization system, which minimizes the appearance of camera shakes when shooting handheld. Using sensor-shift stabilization technology, the SL2 features a Multishot mode to capture and compile eight separate exposures to create a single 187MP (16736 x 11168) RAW or JPEG file. This is suitable for static subjects and when working on a tripod. Leica claims that the new SL2 offers a 14-stop Dynamic Range. The sensor's design omits a low-pass filter for high degrees of sharpness and resolution. The ISO range is 50-50,000. Like its predecessor, the SL2 also uses Leica's L-mount. Compared to 2015, however, thanks to the L-mount alliance, there are now much more affordable native lens choices from SIGMA and Panasonic. Leica SL2 full-frame mirrorless camera. Source: Leica The new Leica Object Detection AF, which uses 225 selectable AF areas for fast and accurate performance, ensures a fast and reliable autofocus. In addition to an array of modes and features, including face recognition, the SL2's AF system also automatically detects whether a subject is stationary or in motion, and subsequently switches between motion and focus priority. Leica SL2 Video Capabilities We can really see that filmmakers are a very important segment for Leica. The SL2 seems to be a capable video camera with its 5K (4992 x 3744) 10-bit color depth video recording. The high-speed recording modes sound impressive as well – with UHD 4K60 (with 30 fps playback, 2x slow motion), and Full HD 180 fps (with 30 fps playback, 6x slow motion). Leica SL2 full-frame mirrorless camera. Source: Leica The list of internal recording modes looks impressive, too. All of the following modes are in H.264 with 10-bit color depth, with MOV quicktime codec (UHD and Full HD are also available in MP4): 5K (4992 x 3744) at 23.976p/25p/29.97p DCI 4K (4096 x 2160) at 24.00p/25p/29.97p/50p/59.94p UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/180p The camera, unfortunately, has a recording limit – up to 29 minutes. We don't know yet whether the SL2 uses 4:2:2 or 4:2:0 subsampling and what the exact bitrates for the recording modes are. We will update the article once we get this information. Leica SL2 main display. Source: Leica There is a "Cine mode", which (when activated) transforms the SL2 into a manually controlled cine camera as ISO becomes ASA, the shutter speed is marked in degrees on the rotary disk shutter, and the f-stops indicating the aperture ratio are replaced by T-stops, which measure the actual amount of light transmitted through the lens. The camera offers a dedicated Hybrid Log Gamma (HLG) Photo Style mode and L-Log gamma profile for higher Dynamic Range and greater flexibility for color grading. The Leica SL2 also outputs video signal (in DCI 4K (4096 x 2160) 10-bit up to 59.94p) over its full-size HDMI port, so using an external monitor or recording to an optional external recorder is possible. Finally, there are also dedicated 3.5mm jack ports for a microphone and headphones. Leica SL2 Ergonomy Another great feature is a high resolution electronic viewfinder – the Leica SL2 includes a new 5.76m-dot EyeRes OLED EVF with 0.78x configurable viewing magnification, along with 120 fps refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio. On the back, there is a large 3.2″ 2.1m-dot touchscreen LCD with durable Gorilla glass. Last but not least, on the top there is a 1.28″ top status LCD, which can be used for quick recognition of shooting settings – even when the camera is powered off. Leica SL2 top display. Source: Leica Leica SL2's durable, weather-sealed magnesium-alloy all-metal body is splash-, dust-, and freeze-proof with an IP54 certification. The SL2 is actually the only mirrorless camera designed and manufactured in Germany. The BP-SCL4 rechargeable lithium-ion battery is rated for approximately 370 shots per charge when working with the rear monitor. The camera offers dual UHS-II-compatible SD card slots. The USB Type-C port allows for fast file transferring, as well as high-speed in-camera battery charging. Additionally, built-in Wi-Fi and Bluetooth work in conjunction with the Leica FOTOS app (iOS and Android) for wireless file transferring and remote camera control. Leica HG-SCL6 Battery Grip Along with the launch of the Leica SL2 camera, the German camera manufacturer also announced a new battery grip for this camera. As one would expect, the HG-SCL6 grip offers both, extended battery life and a more comfortable grip when shooting in vertical orientation. It accepts one additional BP-SCL4 battery to effectively double the overall battery life. The grip's design maintains the same layout, fit, and finish as the camera body itself for seamless use, and incorporates a secondary shutter button and control dials. Leica HG-SCL6 battery grip. Source: Leica Price and Availability The Leica SL2 will available from November 21st 2019 on. It can already be pre-ordered now. The price for the camera has been set to be $5,995. I suppose the battery grip will be available at the same time. It is priced at $995 and can be pre-ordered now, as well. What do you think of the new Leica SL2? Have you worked with the original Leica SL? Let us know in the comments underneath the article.Read more
by Jeff Loch | 2nd October 2019
YUNEEC has just introduced a new drone, the Typhoon H3 co-engineered with Leica. This new engine features six rotors and boasts an impressive 20MP 4K Leica camera that can capture up to 10-bit YLog footage. Let's take a closer look at this powerful drone for photographers and filmmakers. Image credit: YUNEEC YUNEEC Typhoon H3 Features The Typhoon H3 (codename YUNTYH3EU) is YUNEEC's latest flagship six rotors drone. This sturdy beast weight close to two kilograms with the built-in camera, and can fly for up to 25 minutes. Despite its heavyweight, the aircraft can fly at an incredible speed of 72km/h (44mph). Also, more rotors mean more risks of failure. But if a rotor is damaged or fails, the Typhoon H3 automatically activates a 5-rotor mode to return home safely. Image credit: YUNEEC Like every modern drone nowadays, the Typhoon H3 is full of sensors to avoid obstacles and make your flight safer. Indeed, there are intelligent auto flight modes, similar to DJI's ones, like Follow Me/Orbit/Journey/Curve Cable Cam. Due to the camera's position, which is pretty low, there are two landing gears to take off and land the Typhoon H3 on any terrains. These landing gear are retractable once the aircraft is in the air so the camera can freely turn 360 degrees around the engine. To control the aircraft, the Typhoon H3 comes with a remote control that features a 7″ LCD screen, that can control the drone up to 2 km, and that runs on Android. So, the engine is excellent, but the power of this drone for filmmakers is in the camera, which is a first-time partnership between YUNEEC and Leica. Image credit: YUNEEC YUNEEC Partners with Leica The Typhoon H3 comes with an ION L1 Pro camera engineered in partnership with Leica. This camera features a 1″ CMOS sensor that can take 20MP photos and record 4K videos at up to 60 frames per second. The six rotors aircraft should be quite stable, but the camera is mounted on a 3-axis gimbal for more stability. The lens of ION L1 Pro is a 23mm Leica Elmarit-D glass, with a maximum F/2.8 aperture. Image credit: YUNEEC The camera can shoot stills in DNG Raw. On the video side, the camera stores your recordings on an SD card in H.264 and H.265 codecs at a bitrate up to 100Mbit. Various picture profiles are available, including normal, vivid, WDR, B&W, and 10-bit Log/YLog. The 10-bit Log picture profile is the one that provides you with the broadest dynamic range possible. According to YUNEEC, Leica developed the built-in software with features that "works now like a photographer is used to. Semi-Auto modes, ISO increments or EV intervals were made to feel like a regular camera." Of course, you can set all your settings to manual if you want full control over your image. Finally, there is an exciting feature that is called "Cruise Control" that keeps the speed of the drone constant. That way, you can concentrate on your shot and framing without having to worry about the drone trajectory or inconstant speed. Pricing and Availability The YUNEEC Typhoon H3 comes as a kit that contains the drone, the camera, the controller, and two batteries. It retails for $2599.00/2399€ and should start shipping by the end of October. What do you think of the YUNEEC Typhoon H3? Do you think it could be an interesting contender to the DJI Mavic Pro 2? Let us know in the comments!Read more
by Olaf von Voss | 30th April 2019
After last year's exclusive sneak peak, Leitz/Leica recently finally unveiled their new LEITZ PRIME lenses and LEITZ ZOOMs. While the PRIMEs come in a full set of 11 lenses, the ZOOMs come as two lenses covering focal lengths from 25mm to 125mm. And all 13 lenses are color-matched! Just a brief history course before we get started about these new primes and zooms: Regarding the company names Leitz and Leica, there might be some confusion, but to clarify things, here it is in a nutshell: it's basically the same company. It was founded as Ernst Leitz Wetzlar GmbH and –much later, in the 1980s– transformed into Leica (Leitz Camera). Leica and Leitz logos. Spot the difference! That's why the logos of Leitz and Leica look so similar. In 2008, CW Sonderoptic was founded in order to develop and manufacture Leitz-branded cine lenses, though now the name is Ernst Leitz Wetzlar GmbH once again. Ok, back to our set of new prime lenses and two new zooms! Leitz has just introduced a new set of primes, simply called LEITZ PRIME. They cover full frame/vista vision sensors and are color-matched to each other, plus to the other new line of zoom lenses Leitz unveiled, consequently called LEITZ ZOOM. LEITZ PRIME Lenses Leitz/Leica have some reputation regarding cine glass: Summilux-C, Summicron-C, Thalia and M 0.8 primes are their take on high-end cinema lenses. And now, the new PRIMEs and ZOOMs. Here's a list of features of the set of the 11 prime lenses: 11 lenses ranging from 18mm to 180mm T1.8 Choice of PL or LPL mount Support for Cooke/i and Arri LDS-2 data Color Matched with LEITZ ZOOM Breathing is minimal Distortion is exceptionally low Chromatic aberration is not visible LEITZ PRIME 135mm T1.8 with Macrolux +1 diopter attached. In order to decrease the minimum focus distance, you can deploy the newly designed Macrolux 114 adapters, which –just like the existing Macrolux 95 diopters– come in +0.5, +1 and +2 strengths. They are stackable and Leitz claims that they won't present any chromatic aberration. LEITZ ZOOM Lenses In addition to the full set of prime lenses, Leitz has introduced two new cine zoom lenses, called LEITZ ZOOM. The first lens covers focal lengths from 25-75mm, the second one takes over at 55mm and ranges all the way up to 125mm. More features include: 25-55mm T2.8 and 55-125mm T2.8 Choice of PL or LPL mount Support for Cooke/i and Arri LDS-2 data Color Matched with LEITZ PRIME No light loss (no ramping) over entire zoom range Parfocal Breathing is minimal Distortion is exceptionally low Chromatic aberration is not visible LEITZ ZOOM 25-75 T2.8 and 55-125mm T2.8. The major benefit of using these primes in conjunction with the two new zoom lenses is the fact that they match perfectly in terms of color. So you end up with a set of 13 lenses, which you can mix'n'match to taste and will always match on your timeline. Neat! Pricing and Availability No word on availability, yet. Pricing is not confirmed, either, but don't expect these lenses to be cheap. We're talking high-end cine lenses here and these usually come at a price. Maybe these lenses are targeted more towards rental houses than to individual customers, but in the end, it's nice to have some choice, isn't it? Pick the lens that suits your taste/budget/project best and off you go! Links: Leitz What do think of these new additions to the Leitz/Leica lineup? Share your thoughts in the comments below!Read more
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text:
Tom Stanley
Favorite Spot: Penn Museum
I am: A social media manager, runner, photographer, homebrewer, high-harmony vocalist, and shameless nerd.
Years in Philly: 3 1/2 in the city, plus about 26 in the 'burbs
Current home: East Passyunk Crossing
My Love Note
Dear Penn Museum,
When I was a kid, being a nerd wasn't very cool. I excelled in math class; I wore thick, plastic-rimmed glasses long before the advent of the hipster; I strove each day to be more like Data, the android from Star Trek: The Next Generation.
Some kids made my life as a nerd more difficult—but not you, Penn Museum. You made me feel welcome. You made my nerdiness feel like an accomplishment. You shocked me into attention at six years old, when you showed me my first mummy (and his very visible genitalia). You showed me how small I was, physically and temporally, during my 4th-grade tour of your Sphinx Gallery. And years later, you let me show off how cool a nerd can be, when I brought my soon-to-be fiancee to see what had captivated me through two decades of occasional, blissful visits.
You might be the nerdiest museum in town, and nowadays, thats a beautiful thing. At more than 100 years old, you wear your nerdiness with the proud distinction of a perfect bald spot.
Thanks for helping me to embrace who I really am—a nerd, and a happy one, at that.

subset: commoncrawl


text:
gary has some great stories. I met him where you see him: right in the middle of the road. originally from "the rock", gary left newfoundland behind for the lure of hamilton. he's pushing everything he owns on a small cart. gary tells me his wife left him two months ago; she took the dog and the guitar. "that sounds like a country & western song" I told him. gary says his church collected enough dough to buy him a replacement axe--that's the mann he's holding here. a new puppy is on the way anyday.
gary--guitar guy
Posted by Maggie Steele, owner Randy Steele Photography at 11:05 PM
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text:
The sixteenth annual Human Rights Campaign National Dinner will be held
Saturday, October 6, 2012 at the Walter E. Washington Convention Center in Washington, DC.
Info for the Dinner is here
I will be donating a piece to the auction and I encourage other artists to do so as well. The donation form is HERE
For more information, please contact email@example.com or call (202) 423-2875.


text:
How old do I have to be to join Fitness First?
To join a Fitness First club in the UAE you must be 16 years old and above. To promote fitness as part of your lifestyle from early age we offer a Junior Membership with the supervision of a Personal Trainer or parent/guardian. Our Community Clubs have also family membership options where you can enjoy your time with your kids following our club guidelines and Child Care Policy.
How much is membership at Fitness First?
Membership rates vary depending on the type of package that is best suited for you, corporate rates are also available. Please contact your preferred Fitness First club where our staff will be happy to discuss the various membership options available. Find a club >
How do I pay for my Fitness First membership?
Most members pay through auto debit on Credit Cards however Up-front payment options are also available. We also accommodate exclusive rates for our corporate partners.
When I join can I use all Fitness First clubs in UAE?
One of the great advantages of your membership is the reciprocal use of other clubs in our portfolio. Access to other clubs is determined by your membership package:
Platinum Plus – You can use All Fitness First Clubs
Platinum – You can use all Platinum and Plus Clubs
Plus - You can use all Plus Clubs
Community – You can use Community Clubs Only (The Lakes/Meadows & Town Centre)
Home Club: You can access your home club only
Can I workout while travelling overseas?
We've got hundreds of clubs worldwide, your Fitness First membership can come in handy when you're travelling internationally. Whether you're travelling for business or pleasure, you can visit a Fitness First club near you. Ask our reception team for an International Passport before leaving the country.
What is an International Passport and how do I use it?
The Fitness First International Passport enables you to access some of the 400 clubs around the globe when you travel. To obtain your passport, you can inform your home club prior to your departure. When you access a club overseas, you will need to present the International Passport and your active membership card. The passport is valid for 12 months from the date of issue and a maximum of 30 visits at international clubs is permitted. International fees might apply .
Can I put my membership on hold?
Yes you can. We call our hold option - freeze. At Fitness First, we believe that exercise is a lifelong habit however we understand that sometimes you will need a break due to personal circumstances. To accommodate that, you can put your membership on hold for a minimum of 1 month by giving us appropriate notice. For further information, please refer to our reception team. A freeze fee will be charged.
Am I obligated to a long-term contract when I join Fitness First?
You will get most value from fitness when it's part of your everyday life. That's why we offer a 12 month membership as standard. We also have short-term options available as we recognise that circumstances don't always allow for such a commitment.
What if I want to cancel my membership?
We hope that you achieved your health and fitness goals, enjoyed your time as Fitness First member and benefitted from all the facilities offered as part of your membership. If you decide to continue your fitness routine away from our club, we are still here for you!
You may cancel at any time provided you've reached your minimum contract period excluding any freeze period. Just before you leave us, we would like to remind you about some of the reasons to stay with Fitness First Middle East. There are some exciting fitness concepts you might not have tried yet, like XFit, our purpose built High Intensity Functional Training studio or MYZONE, an innovative tool to measure, track and review progress or The Swim Academy!
Please note that cancellation is by appointment only so contact our Front of House team to arrange a meeting with the Club General Manager. For all the details around cancelling please refer to our Terms and Conditions
How do I send my feedback about your products and services?
We love to know what we're doing well so do tell us about your success stories, share your positive thoughts or tell us who in our team made a real difference!
We welcome your feedback and we want to hear about ways we can assist you and answer to any concerns you may have. You can speak to any member of our club team or if you would prefer to speak with club management, please let our reception team know. If they aren't immediately available, they will ensure you are contacted as soon as possible.
Alternatively, please email us your query and we will respond as a matter of urgency.
What are the Terms and Conditions of a membership?
We call this our Club Rules and you can download a copy of it here
Can I bring a guest to the club?
Working out with a friend is more fun and helps keep you motivated. To bring a guest with you to the club, they will be required to sign the guest register and undergo a PARQ assessment prior to using the equipment or attending a GX class. Each guest can only visit the club once as your guest before they join as a member, but you can invite all of your friends and family to try our facilities as a guest. During special events held at your club, friends and family will be invited to attend for free.
Guests can also enter the club by using a guest pass obtained externally or by paying for each visit.
What are the club opening hours?
You have the flexibility of being able to workout any time, day or night. You can usually start exercising from as early 6am to as late as 11pm weekdays*, 7am to 9pm on weekends* and Public Holidays are generally 9am to 8pm*. It's best to check with your club for exact opening times.
* Some clubs may differ.
Do I need to pay for the Group Exercise Classes?
Fitness First offers a wide range of Group Exercise Classes. Majority of our classes are included in your membership, however payment options might be subject to membership package and club locations. At Fitness First we believe in the power of habit creation and the benefits of training in a group. So that is why we have created a number of programs like Freestyle Group Training. Plus, we offer over 500 free group exercise classes every week ranging from Zumba, Yoga, RPM, Belly Dancing and the ever popular Les Mills classes like Body Pump, Body Combat and Attack. We have created a number of programs like TUFF, HardcoreMax and many more so you can explore new ways of challenging yourself! For specific timings and bookings please view our Class Timetable or contact your club.
Can my children wait for me in the members' lounge while I workout?
Fitness First is an adult training facility with clear terms and conditions around it's use.
Who can I ask if I have trouble using the equipment?
Our highly qualified fitness team is always available, happy to help you and answer your questions. You can find them on the gym floor or approach the reception for any help.
Do I need to bring my own towel as a member?
A bath towel and a small towel are provided at every visit where you will be asked to leave your membership card in exchange. It is recommended to wipe down the equipment after use so it's sweat-free for the next user. Do remember to return towels to the designated collection bins/counter after use. Help protect our planet, be environmentally friendly by limiting use to one set per member/guest per visit.
How do I use the lockers?
Our lockers are code operated with instructions found on the locker doors. For safety reasons, we ask our members to select different lockers with different codes when visiting the club.
Note: lockers are only available for use during your workout and we will automatically open when the club closes in the evening. While care is taken to ensure the security of our lockers, we can't accept responsibility for items lost or damaged through theft or misplacement.
For further assistance, please speak our reception team in the club.
What happens if I lose something in the changing rooms?
Let reception know as soon as possible so we can check if someone's handed it in. Please remember that your belongings are your responsibilities at all times.
What if I lose my membership card?
Don't worry. Let reception know and they'll issue you with a new one for a replacement fee.
Which clubs have swimming pools?
Clubs with swimming pools currently include our community clubs, The Meadows, Town Center and The Lakes. Also available at Al Seef Village, Uptown Mirdif, Burjuman Center, Dubai Media City, Mirdif City Centre and Al Manzil.
What should I do if the fire alarm sounds?
Don't panic. Our fully trained team will tell you what to do and guide you to safety. From time to time, we will run tests and our team will notify you in such cases.
Are the team first aid trained?
Yes, we always have a number of first aiders on duty with a fully equipped first aid box located at the reception.
Are there any social events for members and staff?
Yes, they're great fun and an excellent way of getting to know everyone. To find out more about our fitness challenges, special themed classes, or club events, just keep an eye on the member notices around the club.
What is VAT?
VAT stands for Value Added Tax. VAT has been adopted in the Kingdom of Saudi Arabia (KSA) by the Ministry of Finance (MOF) under the common VAT agreement of the states of Gulf Co-operation Council, with effect from 1st January 2018, goods and services sold will incur 5% VAT. This will apply to all goods and services, unless specifically exempted by law.
How much is VAT?
VAT is charged at 5% of the value of the goods/services purchased and rendered.
Why are FF charging VAT?
Fitness First (including other service providers in the KSA are legally obliged to comply with government mandate on VAT from 1st January 2018 onwards.
This means that all goods and services provided by Fitness First will have VAT added. This will be applicable to all existing and new members of Fitness First.
When will VAT charges start from?
VAT will be applicable from the 1st January 2018. However, as per VAT legislation, from the 1st January 2018 onwards, any goods or service that has been paid for but not utilized, will also incur VAT. This means that if you purchased any services (as listed below) prior to 1st January 2018, and the same has remain proportionately unutilized, then from 1st January 2018 onwards you will be required to pay 5% VAT on the unutilized portion of those services on a pro rata basis. For example, if you have paid membership fee in advance for 12 months (period starting 1st November 2017 until 31st October 2018), then VAT will be due only for the unutilized portion of your membership i.e. for 10 months from 1st January 2018 until 31st October 2018 and VAT will be charged at 5% of that amount on a pro rata basis.If you are on a monthly payment plan, your monthly payments will automatically have VAT added from 1st January 2018 onwards.
Similarly, if you purchased a PT package previously and have any remaining sessions after the 1st January 2018, you will be required to pay VAT for those remaining sessions, to be utilized after 1st January 2018, on a pro rata basis
What services will VAT be charged?
VAT will apply to the following Fitness First goods and services, but not limited to:
- Membership (current membership, new purchase, upgrade and renewal)
- Personal Training – PT (current and renewals)
- MYZONE products
- Supplements and protein
- Swim Academy/Masters Swim classes
- All other paid classes
- All other paid goods/services
Fully subsidized corporates (VAT payment will be applicable through your company).
Are VIP memberships applicable for VAT?
Yes, VIP memberships are applicable for VAT. They will be required to pay 5% of the rack rate value of their membership. Payment is to be made via POS by checking the current rack rate of the membership as of 1st January 2018.
Are competition winners required to pay VAT?
Yes, competition winners who win contests from 1st January 2018 are required to pay VAT. They will be required to pay 5% of the rack rate value of their membership. Payment is to be made via POS by checking the current rack rate of the membership as of 1st January 2018.
Are memberships given through a barter deal required to pay VAT?
Yes, memberships given through a barter deal are applicable for VAT. They will be required to pay 5% of the rack rate value of their membership. Payment is to be made via POS by checking the current rack rate of the membership as of 1st January 2018. This applies to all existing and new barter deal memberships.
What if I purchased my membership before the 1st January 2018
As per VAT legislation, from the 1st January 2018 onwards, any goods or service that has been paid for but not utilized, will also incur VAT. This means that if you purchased any services prior to 1st January 2018, and the same has remain proportionately unutilized, then from 1st January 2018 onwards you will be required to pay 5% VAT on the unutilized portion of those services on a pro rata basis.
What if I purchased my PT package/Swim package/other package before the 1st January 2018?
As per VAT legislation, from the 1st January 2018 onwards, any goods or service that has been paid for but not utilized, will also incur VAT. This means that if you purchased any services (as listed below) prior to 1st January 2018, and the same has remain proportionately unutilized, then from 1st January 2018 onwards you will be required to pay 5% VAT on the unutilized portion of those services on a pro rata basis.
What about Corporate memberships?
Every service is applicable for VAT. Fully subsidised corporates will be applicable for VAT through the company who pays the membership, not the individual. Our CWP team is in contact with all Fully Subsidised Corporate accounts to collect the applicable VAT charge via an invoice.
For other corporate accounts where the member is not fully subsidised and on a corporate rate, the individual is required to pay VAT like all other members at 5% of the membership rate they are on. Again, on a pro rata from the 1st January 2018.
What happens to the VAT on a refund?
No refunds apply as per T&Cs. however, with any exceptional refunds, standard refund process is to be followed by clubs.
How will I pay VAT on new PT contracts purchased after 1st January 2018?
VAT will be added / included in the payment made at POS with the revised pricing.
How will I pay VAT on new Swim contracts purchased after 1st January 2018?
VAT will be added / included in the payment made at POS with the revised pricing.
For further information on VAT
Web: www.vat.gov.sa
FF Call centre for members: +97143872444 (9AM-6PM +400GMT)


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Digestive Disorders
Digestive disorders occur when your stomach and digestive tract do not process what you ingest correctly. These disorders differ in severity, and are not always necessarily lifelong ordeals. Most digestive disorders have similar and subtle symptoms, generally revolving around an upset stomach of varying degrees.
All Digestive Disorders Posts
by our physicians
By Ciarán Bradley, MD, FACS, Kashyap Katwala, MD, Rafi Ali, MD
Colorectal cancer is common, affecting approximately 1 in every 20 Americans over the course of their lifetime. Fortunately, there are ways you can reduce your risk of developing colorectal cancer by screenings, prompt diagnosis and treatment.
Topics and Subtopics: Cancer & Digestive Disorders
By Dr. Sandeep Devata
Gallstones are located in the gallbladder, which is an organ attached to the liver. The gallbladder stores bile which is used in digestion. Many people are told they have gallstones and are worried about what to do about them.
Topics and Subtopics: Digestive Disorders


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The fact that no action is being taken on complaints regarding the attacks on journalists raise the suspicion whether these attacks are committed with the blessing of the government , said the the CM, C.V. Wigneswaran .
A memorandum was submitted to the CM, at the end of a rally in protest of the attack on a journalist, held on yesterday ,Wednesday. The CM said as above after the handing over of the memorandum.
While saying that these attacks are being made to frighten the journalist, he also raised suspicion whether these incidents have a political background. He strongly condemned the attacks and said that he had asked The Senior DIG to take action regarding the incident. Noting that the police knew the persons who had made the attack, the CM insisted that action should be taken against them.


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As a homeowner, you surely know the importance of giving your home a special wow factor and improving its overall look and feel. For this, you will need to determine the accessories that reflect your style and set the mood for your house. Aside from things such as color, window treatments, and flooring, you should pay attention to door handles. Did you know that these handles can transform a plain, boring door into something that turns heads? Handles for interior doors have as much impact since most visitors spend more time inside your house than outside.
Whether you are planning a home improvement project or just searching for ways to update the lock in your house, the handles in your door make a huge difference. You are free to use the same handles throughout your house to give the space a seamless style. Also, you can choose door hardware which reflects the particular look of different rooms. If you choose the latter route, you will need to look for coordinated handles that have common themes. The decision to get the right handles is in your hand and you can use the following pointers to make the selection process a lot easier.
Consider Proportion
Before choosing handles for your door, measure the door first. Think about which size will work. You don't want to fit small, delicate handles to a big door without windows or panels. Also, big handles won't suit on some doors. Consider the amount of space the handles should take. How far up will the door will they go and where will you place the lock?
Think about Materials and Color
Handles for interior doors are available in a range of finishes that include classic silver, brass, and black. Consider the finish that works best with your home's other details such as switch plates and light fixtures. Makes sure your chosen handles will be visible against the door. You don't want to fit a dark handle on a dark-colored door. This can be annoying especially for family members who have vision issues. If you want your house to have a variety of door handle styles, think about using the same material throughout. This provides your home with a consistent, coordinated feel.
Take Overall Style into Account
Contemporary, sleek handles will not suit in an old home or rustic country cottage. However, modern door hardware will look great in homes built in the last five decades. You can make the right choice by considering your home's overall style. Is your house richly detailed or minimalist? Have you stuck to classic looks or added modern touches to it?
Pay Attention to Quality
No matter your preferred handle style, ensure the handles are of premium quality. Remember that handles get constant use. Nobody in your house may notice them when they are still working perfectly. However, when they get wonky, anybody who enters a room can be annoyed. Also, a faulty and old handle puts your home at risk of being intruded by strangers. Choose handles from renowned brands and check the quality rating.


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The Ecology of Belief
by Obi Kaufmann
Winter, 2019
Sierraville, Calif.
My relationship to the idea of belief is very specific. It has to be. I've worked a philosophy of belief to advance the agenda of my work. My work is the contemplation and celebration, through writing and painting, of earth's biodiversity and the larger movement to conserve that biodiversity against the crushing wave 21st century threats and ecological stressors. The single greatest of these threats, the threat umbrella under which can be found the milieu of all anthropogenic stressors, the original threat that spawned the sixth extinction of the Anthropocene and now threatens the very fabric that of the biosphere in its current configuration, is the human notion of belief. Belief being the measure by which all human effort is compelled. Belief, both its means and its ends, with its all-pervading ability to unite and divide, is the bedrock of every worldview. Forgive the hyperbole but stay with me when I say that belief doesn't need to be true to be true. Belief has no problem denying evidence. Belief doesn't require reason or validity. In relation to my work, questioning the nature of belief is necessary to uncover why this apparent cognitive dissonance is so rampant and also it is a necessary investigation into the nature of how we apprehend and interpret the cosmos.
I am not as much concerned with what people believe, but why people believe. Belief is a psychological pillar of the human mind. The mind, as it has evolved and was originally shaped by the environment of the African savanna since the advent of bipedalism four to six million years ago, underwent a revolution of cognition about 70,000 years ago with the birth of culture. It can be argued that the cognitive revolution is the dawn of human-belief systems. Culture itself is a belief system and is held together by this tribal glue of the common belief. Belief is so powerful that is often the solitary criteria for personal truth.
Religion, any faith-based truth, or any institutional tradition of a supernatural, cosmic order is only one strand in the vast braid of belief that weaves through all aspects of how we see the world. The structures and the forms of mind that project out, probing to build order, that invent stories to understand any work of human art, for example, are rooted in belief. A work of art, a product of the humanities, is any process or artifact constructed to its own end and created through the laborious interface of human conception and human manipulation through media. Religion is art, although religion is not part of the humanities.
Belief is a tool of mind that describes communal expectations in a social context and how we manage those expectations through narrative, both historical and personal, to anticipate the outcome of any relational situation. That anticipation is not temporal, meaning that we use belief to build ideas about both how things are going to unfold and how they've unfolded in the past. It is this conflict between expected result, and the process of experimentation that emancipates science from being a belief system.
Centuries of scientific progress suggests that the universe is a reasonable continuum of space and time. Even at both the quantum and the super-galactic levels, where the capacity of the human conceptualizing faculty is tested, we find an environment, a natural world that is investigable and subject to experimental query. While science is not a belief-system in that the results obtained through the correctly applied scientific method are true regardless of belief holding them to be so, that the world will continue to be revealed through scientific inquiry is a belief. The world, meaning the universe, has no responsibility to make sense to our human mind – in fact, it might be that the cosmic order is so vast that our cerebral capacity is simply unable to grasp and unify all of its knowledge.
Belief, as incalcitrant as it is, is subject to paradigm shift, to game-changing. There are moments in human history when we, humanity, begin to believe the truth has a certain orientation and our belief in that orientation is so powerful that we can never go back, we can never return to thinking of the world as we once did. 70,000 years ago, humanity began to believe in the very idea of fiction, or the ability to convey instinctive truths in language, art and narrative story. 10,000 years ago, humanity began to believe that through the technology of agriculture, it had the right and the ability to harness the nature bounty of the earth. 250 years ago, humanity began to believe that all the world's natural resources were open to industrial exploitation and that progress meant the domination and subjugation of the natural world to our own temporary, even consumable benefit. I see (or rather, I believe that) another seismic shift in the workings of our collective psyche, the mind that governs our society – or the other way around: the society that governs our mind – a slipping of the fault in our anthropocentric world view. At the beginning of the 21st century we are beginning to imagine our place in the world and our relationship to its resources, as we have never conceived before. We are beginning to believe that a reintegration into patterns of renewal, over patterns of extraction, is the path forward for humanity. Once the shift happens, once the ecological paradigm dawns, it will change everything in accordance with the precedent that has been set a number of times before. I am skeptical about how much choice we have about what we believe. The sticky brew that is tradition, heredity and culture is, according to my estimation, largely unescapable. I do, however, believe in epiphany. When, perhaps while experiencing aesthetic arrest, the eye-of-the-universe perceives the thing-of-the-universe and the two are made one and humanity is compelled to evolve and adapt.
Obi Kaufmann is the author and artist behind the best-selling and award winning California Field Atlas. He currently bounces between Oakland and Sierraville, where he is working on his next manuscripts. He is currently booking a book tour for the Summer of 2019 to support his next book: The State of Water, Understanding California's Most Precious Resourse. To contact Obi, please email email@example.com
Categories: ESSAYS


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It has been a while since I have posted any ikebana arrangements as there had been few special events of late. However, on April 18th, my friend and student, Miguel Ferrero organized a fundraising paella dinner for 100 guests, to benefit a girl's school in Nepal supported by an Edmonton Buddhist group. A week later, on April 25th, an earthquake hit the Kathmandu region, making relief help an immediate necessity. For the benefit dinner, Miguel had chosen some flower material which I arranged for him, the result being the above shoka shimputai of cucurma, bird nest fern and anthurium.
Last night, May 7th, we had a jiyuka (free style) lesson at the Edmonton Japanese Community Association's Ikebana Club and our arrangements can be viewed on the Club's web site.
Many ikebana events are coming over the next few months. At the end of May, I will be attending a special rikka workshop in Houston, Texas, during the local chapter's Fiftieth Anniversary Symposium. Our headmaster, Sen'ei Ikenobo, will be offering an extensive demonstration for the occasion. There will be much to report upon my return.
In early June, the EJCA Ikebana Club has been invited to participate in the Kurimoto Japanese Spring Festival, where my students and I will exhibit a number of arrangements. I will also be offering a 45 minute live demonstration, as well as contributing a large arrangement to be exhibited at the gate of the Kurimoto Garden.
On the weekend of August 7th to 9th we will take part in Animethon 22 with a demonstration a day on the 8th and 9th, just as we did last year. Much to be looking forward to.


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Posts Tagged 'rest'
10 Vital Habits for Building Muscle Mass and Losing Body Fat with Jason Leenaarts – Ep. 221
CLICK HERE TO GET 50% OFF ON THE SKY FIT CHALLENGE! Deal ends October 7th! 10 Vital Habits To Build Muscle Mass & Lose Body Fat "If you've got a grateful mindset, I think you'll be able to weather the peaks and valleys a lot better." – Jason Leenaarts I'm really excited for…Read More
Dave Asprey: Bulletproof Hacks for a Healthier Home and Life – Ep. 183
"In the end, after all of the research and self experiments, it all comes down to the fact that the system which powers your body is also the system that controls your sleep, emotions, cognitive function, hormone levels, whether or not you'll get a disease and frankly it controls your willpower. That system isn't you;…Read More
Adrenal Fatigue: What Is It and How Do You Heal? – Ep. 180
"With each new generation, things get more and more complicated with technology and we have to adjust to it. We have got to be the most stressed out society on the face of this planet with so much screen simulation, instant communication, 8-10 hour desk jobs, and multitasking all the time at work and…Read More
Blood Type Diet, Earthing, Over-Training & More – Ep. 168
This week, Devon and I took some time to answer questions submitted to us by members of our Open Sky Fitness Facebook Group. We discussed a huge variety of different topics from the Blood Type Diet to Earthing to discussing the great debate of what's better – free weights or machines? Plus, you'll find out how…Read More
11 Ways to Create Structure for a Crazy Schedule – Ep. 164
Creating Structure for Your Schedule "As an entrepreneur or a stay-at home parent, nothing gets done unless you plan it so why should your health and fitness be any different?" – Rob Dionne On today's episode, Devon and I are tackling the big question: How can you create a structure for your day…Read More


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As a child, I tried, then never ate again, cranberry sauce. In those days, it was usually that red wiggly jelled thing my mother popped out of a can. I didn't like the taste any more than I liked how it looked. Some years later, I learned that the yummy sweet bread she baked around the holidays had lots of chopped up cranberries in it. She chuckled when she showed me what she was putting together for the bread, and I have loved cranberries ever since.
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"Good bread is the most fundamentally satisfying of all foods; and good bread with fresh butter, the greatest of feasts."
~ James Beard


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Hidromaule, Inc., a non-conventional hydropower producer in Chile, sees renewable energy technologies as a good thing for the country, with a continuing future for hydropower in the mix
With the restriction of Argentinian exports of natural gas starting in 2006, the country had to quickly adapt to find an alternative power supply, throwing Chile into a severe energy crisis. First approaches to solve this crisis came through diesel powered plants, including the conversion into diesel of existing natural gas fired plants. At that time, no solar or wind alternatives were yet operating in the grid, and the system was lacking the expertise and data needed to develop these technologies. Investment costs were higher than other alternatives, such as hydropower or coal.
Because of its natural and geographic characteristics, Chile has always been heavily dependent on hydropower technology. With the introduction of low-cost natural gas in 1997, however, developments of hydropower technology were practically stalled. Natural gas was priced at barely $US2 per MBTU, making hydropower plants non-competitive.
Once the grid matrix was forced to adapt to allow a higher share of diesel, existing hydropower and coal projects in the pipeline became slowly available again.
The 2009 escalating energy prices, a five year drought, and the increase of diesel prices worldwide combined to provide new opportunities for the development of small hydro, solar and wind power projects. Chile also passed a non-conventional energy law in 2008, subsequently modified in 2013, that obligates electric companies to deliver up to 20% of all of their energy sales from renewable sources by the year 2025. The playing field immediately opened up from three main players to include many smaller ones.
The new renewables mix includes run-of-river hydropower plants like Hidromaule, Inc. and Besalco Energía (introduced in the last issue). Hidromaule, Inc. is one of the pioneers of Non-Conventional Renewable Energy (ERNC) certificates in Chile. It has three plants operating in the Maule region, all run on irrigation canals.
Run-of-river plants are one of the best renewables options currently possible for Chile, but not the only one. Chile has considerable potential for renewable energy production with its multiple river systems, the most irradiated deserts in the north, windy regions, and many geothermal possibilities all along the los Andes Mountains.
However, the integration of new power alternatives in the system requires a revamping of Chile's energy grid and energy legislation, which Hidromaule's Business Manager, Jose Manuel Contrado, appreciates. In an interview this month, he described the government's work to help new energy producers solve their PPA engagement for intermittent resources, via the regulated supply hourly bids. There is still a lot to be done with system coordination, increasing limited transmission lines, and solving the ever-present environmental concerns.
Hidromaule, itself, is located in San Clemente, halfway down the length of Chile in the lower side of the Maule region. It was formed by the Italian green energy developer, Sorgent.e Group, and Austral Andina Company, a Chilean investment group, each owning around half of the company. So far the company has built three plants in the Maule region, each using water rushing downhill through irrigation channels to produce energy: Lircay, Mariposas, and Providencia.
One of the biggest agricultural regions in the country, the Maule basin sports a vigourous irrigation canal system that feeds crops for near 2,200 farmers of the Asociación Canal Maule (ACM). With this association Hidromaule formed an agreement in 2006 to use their water and canals to produce electricity, without affecting the irrigation at all.
Hidromaule's run-of-river hydropower plants utilise gravity to pull irrigation water through turbines from high elevations to lower ones. Built in 2008, the Lircay plant has a capacity of 19 megawatts (MW) of power production. The 2012 Mariposas plant produces 6.3 MW and the 2013 Providencia plant can generate 13.8 MW of power. Power from the second two plants is routed through electric lines to a substation at the Lircay plant, which then forwards the combined power to the Chilean Central Interconnected System grid via a 27 kilometre (17 miles) transmission line. Together the three plants produce an average of 220 gigawatt hours (GWh) of energy per year.
In 2011 the company joined with other local energy generation companies to form GPM-AG, a union association for medium and small energy generators. The GPM-AG group aims to help members with technical, operational and regulatory matters, promoting a competitive market and long-term rules for system development. The group is actively participating with government authorities to create better rules and access to local energy markets.
Not only are the three power plants built to create power without harming the environment or the local community, but they also help lower carbon emissions in the air. Hidromaule contributes a total average emissions abatement of 124,000 tons of CO2e per year. Under the United Nation's Clean Development Mechanism (CDM) program and the Verified Carbon Standard (VCS), this enables the company to offer carbon offset credits for sale in the international markets.
Hidromaule's production helps the local community too. The ACM agreement works two ways. Hidromaule utilises ACM's irrigation waters and channels for power production and pays an annual fee to the association, which helps the association maintain its channels and cover operational and administrative costs. Hidromaule also provided, finance, labour and design expertise to improve the water distribution system, which has helped mitigate the impacts of recent and extended drought.
Within the community, itself, Hidromaule encourages educational and cultural development, starting with rebuilding a local school after a devastating fire in 2009. Ever since, the company has concerned itself mainly with student needs – providing infrastructure, educational tools, and support. It works especially with a local program that improves school performance and interpersonal relationships between its artistically talented students.
Hidromaule hires mainly locally for both technical and non-technical jobs, including mechanical and electrical technicians and auxiliary personnel. And it purchases regionally, including engineering, construction, and supervision services, and some electrical and mechanical equipment.
According to Business Manager Contardo, "Being all reputed local suppliers, there was no other abroad company that could better fit the required supply quality and delivery timings during project execution."
Hidromaule contracted with ICAFAL to construct the power plants, Transnet S.A. allowed the connection of the plants to the existing power grid, the power transformers were built by RHONA S.A., water gates by INAMAR, and transmission line supports were provided by BBOSCH. The turbines and generators, the heart of the power plants, were supplied by Austrian supplier Andritz Hydro, Ingeteam's Indar from Italy, and Alconza Berango from Spain.
On the financial end of it, the World Bank's International Finance Corporation (IFC) granted a Project Finance Scheme for the Lircay plant, after Hidromaule proved it could meet their environmental, labour, and community health standards. And Zurich Emerging Markets provided a pioneering insurance policy that allowed Hidromaule to obtain early financing from future emission reduction production. After the Lircay experience, local banking gradually started to create project finance schemes, thanks to the CORFO and KFW agreement. The second two power plants were financed locally through BICE for Mariposas and BCI for Providencia.
Recently other renewable technologies have presented themselves as viable alternatives, thereby increasing competition for Hidromaule and other run-of-river hydropower projects. However, Contardo believes that, "All renewable energy contributions are a good news for the country, as long they can demonstrate a sustainable and low cost alternative for the system development."
Solar and wind power projects have yet to prove their economic viability in Chile and their ability to reduce the use of carbon-producing supplementary power. Contardo notes that there are still technical and economic barriers affecting their performance, such as transmission restrictions and intermittent power production, where diesel powered backup systems are required, translating into peak system energy prices and higher average CO2 emissions. At the same time, Contardo acknowledges that there are no current legal restrictions for new players to enter the market, and he believes that Chile will find solutions that allow the development of an adequate balance of future energy supplies.
Written by:
Susette Horspool
TSBR Writer
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The Travellers Friend, Epping Green, Essex – Pub Review
Scratching brand on sale: KP – Double Roasted Pork Scratchings
Scratching location: To be found in the popular snack type shelf we se so much of these days.
Pub review: HBS Pub Night #2. Pub 2 of 8.
Used to have a round pool table back in the day. Why get rid of your USP. I suppose the rope round the pole will have to do.
The Travellers Friend Pub Links
The Travellers Friend Contact Details
Address: The Travellers Friend,
Epping Green,
Postcode: CM16 6PU
Telephone: 01992 572 462
Be the first to leave a review.


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No products
400g. Burns longer and hotter and solders faster than propane. Ideal gas for high performance soldering work.
400g. Industrial grade gas in a tough, impact resistant, disposable steel cylinder. Suitable for soldering work. 1 Year Manufacturer's Guarantee
Arctic Spray Pipe Freezer Kit ASK2 offers a quick and easy way to repair and extend Ø8-28mm pipework without the need of draining the system.
Fire cement is used for repairs to fire backs, internal flue pipes, solid fuel heaters and boilers which dries cement-like when exposed to heat. The asbestos free formulation creates smoke tight joints suitable for up to 1250c.
Chemically bonds certain types of plastic coving or trunking. For use with solvent weld waste products. Can achieve up to 55 joints per tub. Supplied with brush applicator.
Silicone Free 2 Spray Settings - Wide Spray or Straw Precision Displaces Moisture, Cleans & Protects Frees Sticky Mechanisms & Loosens Rusted Parts