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Peanut Allergic reaction Analysis as well as Screening
A typical query individuals possess is actually "How will i understand basically possess a enthusiast allergic reaction? inch, the ones frequently have a much official peanut allergic reaction screening through their own physician. This might not necessarily end up being required.
A brief history is actually the most crucial element right here. In the event that somebody regularly will get signs and symptoms of the allergic attack — the allergy, face inflammation, trouble inhaling and exhaling — soon after exposure in order to nut products after that that's really effective of the response as well as official peanut allergic reaction screening might be unneeded unless of course there's question in regards to what ingredients are participating. It ought to be mentioned which responses tend to be unknown, which is feasible for somebody to possess a moderate response in the beginning after which an infinitely more serious response next time, therefore you shouldn't 'taste test' meals, as well as a good evidently moderate allergic reaction in order to nut products ought to be used critically because they perform possess the possible to build up with time.
Peanut allergic reaction screening could be useful actually within circumstances exactly where a good allergic reaction appears most likely since it enables checking with time; this really is much more helpful within kids that a few percentage might outgrow the condition, even though that's instead questionable.
Much more official healthcare screening entails Pores and skin Prick Assessments (SPT) as well as IgE assessments (a bloodstream test). Taking a look at your skin prick check very first, the hook can be used in order to expose a tiny bit of the actual material just below your skin, as well as how big the actual group elevated can be used being an sign from the level of hypersensitive reaction to this. Meaning of the check could be a small very subjective, as well as it may be suffering from medicines for example antihistamines. Research happen to be carried out to recognize the actual dimensions associated with group which means that that the substantial allergic attack is probably.
IgE screening steps the actual amounts of antibodies within the bloodstream in order to allergenic ingredients, for example peanut proteins. This isn't suffering from antihistamines, as well as creates the depend associated with antibodies that is split right into a 'grade' through 0-6, along with 0 becoming absolutely no substantial quantity of antibodies as well as 6 becoming a lot. Occasionally the particular quantity of antibodies is actually provided rather.
Nevertheless, each pores and skin prick assessments as well as IgE peanut allergic reaction screening provide a sign associated with the probability of the response, also it doesn't invariably imply that the response would have been a serious 1, even though somebody includes a quality 6 IgE in order to peanut.
Lastly, in the event that outcomes do not nylon uppers using the background, the official problem can be achieved within medical center. These types of include a tiny bit of the actual material becoming handled towards the pores and skin, after which towards the top, a decrease becoming eaten, after that much more, and so on. This really is carried out really gradually on the amount of several hours, and also the check is actually forgotten if your response obviously happens. These types of ought to just be achieved within medical center simply because, mentionened above previously prior to, there's a danger of the substantial response. They're additionally accustomed to show which somebody are now able to consume the meals properly.
To sum up, a brief history is actually the most crucial element in identifying in the event that somebody will probably come with an allergic attack to some material. Bloodstream assessments or even pores and skin prick assessments may be used to provide a sign associated with the probability of the response although not always exactly how serious the actual response is actually. Meals problems are utilized to recognize in the event that somebody is continuing to grow from a good allergic attack to some material, and really should just end up being carried out within closely watched problems for example inside a medical center.


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Having more Coast teams in KPL will cut huge costs
Sunday October 20 2019
How I wish the Football Kenya Federation Coast branches could by now have realised their dream of having additional two or three teams in the country's top league - the Kenyan Premier League.
That all the 20 teams have to travel for so many kilometres to the Coast to honour only one match is foolhardy and is part of the reason most teams have struggled to play Bandari Football Club at their KPA Mbaraki backyard.
As Bandari, we are not used to freebies and are, therefore, not excited that Chemelil Sugar FC donated to us the three points after they failed to travel to Mombasa for their league match last Saturday.
We have a very crucial Caf Confederation Cup play-off match against battle-hardened Horoya Football Club next Saturday. We would have loved to face Chemelil Sugar, who have always been worthy opponents to prepare for the continental assignment but that is now history.
Having more than two Premier League teams in the top-tier could reduce the teams' expenses when they come down to the Coast since they would be assured of two or three matches at a go.
This used to happen when we had Alaskan FC from Malindi, Coast Stars, Mombasa Heroes and Bandari in the top league and this helped to cushion the teams travelling to the Coast for league matches.
It is, therefore, very sad that top Coast football officials have often engaged themselves in the politics of how Bandari FC can be run by the Coast community but have totally no clue how the two Coast teams Modern Coast Rangers and Coast Stima are performing in their quest for promotion.
The two clubs are pathetically languishing at the bottom of the National Super League and have little chance of getting promoted in the near future, meaning that Bandari FC will still be the only team from the region in the top league for a while.
There is word on the street that the same officials who have failed to revive the once vibrant football activities at the Coast are positioning themselves to take up new positions at county level.
Apart from outgoing South Coast branch chairman Gabriel Mghendi who has been very busy with matters Bandari FC on how best it can be run and Secretary Lilian Nandudu, who has worked hard to develop women football in the region, I want to confess here that the majority of the branch officials disappeared immediately after elections and should not have any moral authority to gun for any positions in the next polls.
Like Bandari FC Chief Executive Officer Edward Oduor correctly put it, teams travelling to the Coast for more than one fixture would save a lot especially now that the league has no sponsors.
This, he says, will also reduce the number of trips Bandari makes upcountry and thus give the team a realistic chance of winning the league.
Meanwhile, let me also take this opportunity to wish Bandari the very best of luck when they travel to Guinea Conakry to face Horoya next weekend. I am confident the Dockers will win. The two friendly matches that they played helped boost the players' morale.

subset: commoncrawl


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So how happy would you be to stumble upon a new Camaro ZL1 sitting all by it's lonesome? You-tuber flybya stumbled upon this black beast in Perry Michigan last week with plenty of time to snap pics, film a quick walk around video, and of course drool.
Just in case you find this video a little boring, this walking burnout should more than make up for it here.
The 650 Horsepower 2017 Camaro ZL1 goes on sale this fall and we can't wait to get our hands on it shortly!


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Lady Layton: The Millionaire Ariadone's Conspiracy
Fans of the Professor Layton series have a new face to get familiar with, as Katrielle Layton is taking over for the next installment. Our first look at the game gives a taste of the changes to come.
Lady Layton: The Millionaire Ariadone's Conspiracy comes from the same team behind previous Layton adventures at Level-5, and introduces a whole new cast of characters. While the heroine is the only named character at the moment, you can get a look at some of the new team in the trailer and concept art below.
The game is coming first to Japan in spring 2017, and to the rest of the world later in the year. In addition to 3DS, it is planned for an iOS and Android release. Not much about the game's story is known, but Level-5's press release promises ta more comical tone than other Professor Layton games and let players explore the lives of London's citizens.


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The problem is that this doesn't allow us to run code when the dialog closes. We could use modal dialogs, but these are not supported in Chrome. Instead what I've done is created a manageable function for running a dialog, which allows us to run code when the dialog is closed.
To download the JavaScript library, check out the project on CodePlex: https://processjs.codeplex.com/
It works by popping the dialog in a CRM light-box, which makes it look natural and seamless. When the dialog is closed, a callback function which we specify can be executed.
If the code runs inside outlook, where CRM light-boxes are not supported, a modal dialog is instead used, which still allows us to run our callback function when the dialog closes.
Call Dialog
Opens the specified dialog for a particular record in a CRM light-box, or Modal Dialog if run from Outlook. Once the dialog is closed, a custom callback function can be executed, e.g. to refresh the form with new data set by the dialog.
Parameters: Dialog ID/Guid, Entity Name, Record ID/Guid, Callback function, CRM Base URL (not required on forms/views)
Process.callDialog("C50B3473-F346-429F-8AC7-17CCB1CA45BC", "contact", Xrm.Page.data.entity.getId(), function () { Xrm.Page.data.refresh(); });
To download the JavaScript library, check out the project on CodePlex: https://processjs.codeplex.com/


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I am a certified personal trainer and boxing coach with years of experience. I take your fitness goals seriously and believe strongly in personally accountabilty and integrity. I understand that losing weight and gaining muscle can be challenging. My number one priority is to educate and motivate my client in reaching healthy goals safely and effective.
With years of success and experience, I am capable of analyzing your body type, BMI and metabolism to create an individual fitness plan that will help you reach your goals. Most plans include healthy eating and exercise, to ensure the best results for my clients. I will work with you to keep you on track and motivated to reach all your healthy fitness goals.
I understand that adapting new fitness habits is difficult and often times fails. My goal is to change your view on fitness, so that it becomes apart of who you are and your lifestyle. I strongly believe that if you practice healthy habits, you will be able to obtain a healthy lifestyle.
WORK TIME!!! We are READY, are you!
Km Elite Training
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Rule 138E bars regular and composition taxpayers from generating E-way Bill w.e.f. 21.06.2019 on failure to furnish GST Returns for 2 consecutive tax period/quarters respectively.
Vide Notification no 74/2018 dated 31.12.2018, a new Rule 138E was inserted by the Government, which has the salient features as follows:
- If the GST Returns for last 2 months have not been furnished by a regular dealer; or
- If the GST returns for last 2 quarters have not been furnished by a composition dealer,
- then such taxpayer will not be allowed to generate E-way Bill on the GST E-way bill portal.


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Peter joined Tuffnells earlier this month as Chief Executive Officer and will lead on the company's new operations and network strategy.
The appointment was made following a re-structure announcement by Tuffnells' parent company Connect Group and signals the start of a new chapter for the irregular consignment specialist.
Peter's wealth of experience spans both distribution and retail, having held senior executive positions at successful companies such as Premier Farnell, Staples and 3M. His knowledge in the logistics industry will be invaluable to driving Tuffnells forward into FY19 with an invigorated customer-centric approach.
The announcement comes after a series of investments into Tuffnells, including the expansion of its management and leadership teams. Allan Blakeley joined the company as Operations Director in September and will work with Peter and the wider operations team to strengthen the focus of the business.


text: Back to results Scroll Items 13195 of 13195 Family Members REFLECTIONS Centerpiece $2500.00 REFLECTIONS Centerpiece $1600.00 This item is no longer available. This popular style was discontinued by the manufacturer as of 04/2019 For suggestions of replacements, see related product links (below) or email email@example.com. Main view Product Details Designed by Martin Ryan, the beautiful Reflections limited edition collection is inspired by his deep affection for the rich diversity of the Irish countryside with its leafy woodlands, sparkling streams and rugged coastline. The collection features deep faceted patterns of sparkling diamonds and cascading olive cuts. The Cookie Jar is a limited edition of 100 pieces and handmade at the House of Waterford® Crystal, a stunning statement piece. Made in Ireland. Shipped in signature Waterford® signature packaging. SendAFrame carries the complete Waterford® crystal picture frame collection and related gift items, (like this special cookie jar) at our everyday lowest price. Guaranteed. To view the complete collection, click: Waterford® Crystal Collection. SendAFrame is a Waterford Platinum Retailer, Waterford's highest distinction for sales and service excellence. Waterford®, the Seahorse design, Lismore, and other Waterford pattern names are registered trademarks of Waterford Wedgwood Plc, Kilbarry, Waterford, Ireland. Crystal REFLECTIONS Cookie Jar by Waterford® Model #87383066 $2,500.00 This item is no longer available. This popular style was discontinued by the manufacturer as of 04/2019 For suggestions of replacements, see related product links (below) or email firstname.lastname@example.com. Your Price Match is Active Your request for a price of $0.00 for a minimum quantity of has been accepted. You have [time] left to purchase this item for $0.00 Find a Lower Price? We BEAT All Authorized Retailers [?] Brand: Waterford® Material: Crystal (fine) Display Type: not applicable n/a Color: Clear Approx. Overall Dimensions:9 3/8"x13 3/8"x9 3/8" This item ships in its own box Buy More - Save More * Add this item to your cart for the full details of this promotion. Conditions may apply. SHARE THIS ITEM Share on Facebook View more items Family Members Compatible Items Tags - Similar Searches Family Members Compatible Items Tags - Similar Searches REFLECTIONS Centerpiece - $2500.00 REFLECTIONS Centerpiece - $1600.00 LISMORE DIAMOND 8in Bowl - $225.00 Lismore Diamond Ice Bucket & tongs - $400.00 EASTBRIDGE 8in Bowl - $109.90 EASTBRIDGE 8in Vase - $109.00 8-in ROSE BOWL - WITH LOVE FROM IRELAND - $595.00 9in MARKHAM Bowl - $50.00 Lismore 6in Bowl - $185.00 10in Lismore Salad Bowl - $350.00 Round BISCUIT BARREL - $285.00 LISMORE BISCUIT BARREL - $285.00 REFLECTIONS Centerpiece - $1600.00 crystal glass Anniversary Bridal


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By Suzan Edeh
THE immediate past Director-General of Federal Radio Corporation of Nigeria, FRCN, Dr Ladan Salihu, has emerged the candidate of Peoples Democratic Party, PDP, for the Bauchi South Senatorial by-election scheduled for August 11.
Ladan Salihu polled 575 votes at the party primaries to defeat Garba Dahiru, a former Commissioner for Finance in the immediate past PDP administration led by former governor of Bauchi State, Isa Yuguda, and Hajara Yakubu Wanka, who also served as Senior Special Assistant in the same administration.
While announcing the results of the primaries held at Command Guest House, Bauchi, yesterday, Chairman of PDP Bauchi South Senatorial by-election Committee, Victor Kwon, disclosed that 772 delegates were accredited for the primaries, out of which 769 actually cast their votes.
Victor Kwon said Hajara Yakubu Wanka got 35 votes, while Dahiru Garba polled 96 votes.
He added that while Salihu polled a total of 575 votes to emerge winner, 63 votes were voided.
In his post-election speech, Salihu thanked the delegates for considering him worthy, assuring them that he will do everything humanly possible to get victory for the party and pledged good representation if elected.


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Aurangabad is a great holiday place to visit and discover. It is known as a historic city in Maharashtra state of India for its famed monuments Ajeta and Ellora Caves which are part of the UNESCO World Heritage Sites. It's also famous for its art and crafts, traditional cuisine, gardens and temples. Aurangabad has a great transport system that includes trains, buses, taxis and auto-rickshaws.
Aurangabad has a direct rail that links the city to important cities in India like Mumbai, New Delhi and others. The trains are very comfortable, fast and extremely cheap.
Aurangabad Municipal Transport is the company that offers bus service in the city. The buses are well organized and can take you to various areas and famous monuments within the city. Also there are bus tours if you want to see Ellora and Ajanta caves.
The most convenient way of travelling in the city is by taxi or an auto-rickshaw. They are not very expensive and pretty much every taxi is air-conditioned.
Auto-rickshaw is another way to travel in the city. They are a three wheeler taxis that can be found at the railway station or at the central bus stands.
Aurangabad Airport is located 5km from the city centre and 11km from the Aurangabad Railway Station. Once you land you can get airport taxi, uber or private airport transfer to take you to the city centre.
You have the option to take airport taxis and ubers which are available just outside the terminals. The travel to the city centre takes about 6 min and they charge extra if you have luggage.
The best and most recommended way to get to your to your chosen location in Aurangabad is by booking a private airport transfer with us. We offer door-to-door transport that includes meet and greet at the arrivals gate, free cancelation, free updates and flight monitoring for delays. Our price for the private airport taxi is fixed per vehicle and you don't have additional costs. A private airport transfer from Aurangabad Airport to Aurangabad City Centre costs around 39 USD for two passengers.
Some of the destinations in India where we offer private transportation are:Agra, Ahmedabad, Bangalore, Bhopal, Chennai, Hyderabad, Kolkata, Nagpur, New Delhi, Pune and many more available here.
Aurangabad private tailor made tours, excursions and guided tours of Aurangabad are available from Airports Taxi Transfers.
AirportsTaxiTransfers.com offers reliable transportation services from Aurangabad airport at fixed and fully inclusive prices. Book your Aurangabad airport taxi with us and save time and money. We specialise in private Aurangabad airport transfers and Aurangabad tours with professional drivers and luxury vehicles.


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All committee, coaches, team managers and other members are invited to attend the Annual General Meeting of Dodges Ferry Junior Soccer Club to be held on Friday 31st May at 7pm at Okines Community House, Dodges Ferry.
The AGM is a critical part of keeping our club running so we can provide our kids with the opportunity to have fun playing and learning soccer.
There will be a short meeting, a few formalities (but no pressure) and we'll share a tasty meal. Kids welcome too.
At the meeting:
- the committee will report on the previous year including the activities and financial position of the club
- two motions will be proposed:
- to adopt an updated constitution including a six member committee, smaller quorums and a Jul-Jun financial year to better reflect the way the club now operates (see below)
- to apply for audit exemption as a small not-for-profit organisation with turnover well under $40000 per annum (see below)
- all committee positions will be declared vacant, nominations for new committee members will be invited and a new committee will be elected (President, Vice-President, Secretary and Treasurer plus two general members)
Please consider nominating to join the committee – all positions will be open and with at least one committee member stepping down it's time for someone else to step up!
If you have any questions or would like to discuss any of these details, please contact one of the committee members.
Constitution update:
- committee is the 4 office holders + 2 other members (quorum for meetings is 4)
- a quorum for general meetings including AGM is 7 including at least 3 office holders
- a special general meeting can be requisitioned by 10% of members
- financial year July-June with AGM by 30 Sept
- the public officer is the secretary
- no cash payments over $50, all other transactions by cheque
- any association rules not specified by the updated constitution defaults to the model rules for associations
Audit Exemption:
"We request the Commissioner for Corporate Affairs exempt our association from an audit for the last financial year. We confirm we comply with the following requirements:
- our total revenue is $40000 or less;
- our total assets (not including real property) is $40000 or less; and
- the association has provision in their rules for members to requisition a special general meeting."


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A last gasp equaliser from Phnom Penh Crown's Keo Sokgnorn Tuesday completed Phouchung Neak's winless season
Photo by: Nick Sells (www.nicksellsphotography.com)
Phnom Penh Crown's Keo Sokngorn (left) takes on two Phouchung Neak players during the final CPL game of the season Tuesday.
PHOUCHUNG Neak's miserable Cambodian Premier League season was confirmed, as Phnom Penh Crown grabbed a stoppage time equaliser through U19 national star Keo Sokngorn, to deny the Navy side their only win of the campaign with a 3-3 draw Tuesday.
The match kicked off before a paltry crowd, and Phounchung got off the blocks fast with Wilson Mene's shot well saved by the outstretched leg of Sos Brothim inside 40 seconds.
It was not until the tenth minute before Crown's second eleven churned out their first attempt at goal, albeit against the run of play, when Hong Rathana saw his weak shot picked up easily by Thai Sineth in goal for the Navy.
The game dragged its feet in the first 15. Crown's Srey Veasna knocked in a looping cross that eluded everyone including the goalkeeper, only for Chan Chhaya to fail to get the vital touch. Navy struck back immediately, with a shot from Mene which Sos Brothim held onto firmly.
Moments later, Srey Veasna was brought down 20 yards out, and Chea Virath picked his spot superbly from the resultant free kick to curl over the wall and clip the post on the way in to put Crown in the driving seat.
Phouchung were not deterred and fought back hard to equalise with 12 minutes left in the half. Tuy Som raced down the left wing and hit a cross-come-shot than stunned Sos Brothim, sailing into the top corner at the near side.
Six minutes later, the Navy missed a glorious chance to go ahead when Sos Brothim fumbled a cross, only for Tith Dyna to shoot wide with the goal at his mercy, leaving both sides to go into the break all square.
Phouching Neak's Joesph Olatubosn (right) celebrates his goal against Phnom Penh Crown with teammates Tuesday. AFP
The second half was much lively, as Crown came on heavy. However, the league leaders were surprised again by the relegated club. Mene was brought down on one of his darting runs, and Kao Niso's free kick cannoned off the cross bar to fall invitingly for Joseph Olatubosn, who wasted no time in tapping it in.
Chea Virat then proved his first wasn't a fluke, as he once again bent it like Beckham into the top corner to draw Crown level.
The Navy side pushed forward, and got their just rewards as Kao Niso, in one of his numerous overlapping runs, got past two Crown defenders to knock a through ball Mene, who blasted home.
Crown boss Makara Be responded by bringing on two of his big guns, Chan Rithy and Tunji Ayoyinka. Their introduction altered the shape of the game, but with ten minutes remaining, Ayoyinka was stretchered off after a head collision with Kao Niso that required six stitches to force Crown to play out the game a man short.
Phouchung wasted a golden chances to put the game beyond Crown, when Heng Sokly's looping shot to hit the post in stoppage time. However, from the resultant counter attack, Keo Sokgnorn was left in a world of space to sprint down the left before unleashing an unstoppable shot to end the game with the points shared.
Phouchung were left cursing themselves, forfeiting their last chance to record a win in the CPL before prepare for life in the Division 1A.
"This is really unfortunate," said Navy coach Solomon Demagudu after the game Tuesday. "We came all out to win this match, but just like it has been all season, we are going back empty-handed."


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Focusing on the Future with Wiltshire Council
It would be good to have a high turn-out of local people attending these meetings as it's really important that we hear the views of our residents and tax payersPhilip Whitehead - Wiltshire Council's cabinet member for finance
Wiltshire Council welcomes local residents to join its senior leaders at a series of events to discuss the services that the council provides and its plans for future years.
The Focusing on the Future public meetings will be spread across four dates in four locations around Wiltshire in November.
Philip Whitehead - Wiltshire Council's cabinet member for finance will focus on how the council is changing to provide the services that taxpayers expect and need both now and in the years ahead.
The discussion will include:
- Decision making how the council allocates your tax to offer services
- Diligence how it spends wisely to balance the budget
- Difference how it's changing
- Digital how the council is making it easier for you to book, pay and do on line when you want to
- Devolution how parish and town councils and communities can provide more services locally
- Delivery how the council will continue to do what it says it will
Cllr Whitehead said: "It would be good to have a high turn-out of local people attending these meetings as it's really important that we hear the views of our residents and tax payers. We also welcome their questions and look forward to discussing the future plans that the council is putting in place to make sure that it can continue to delivery vital front line services."
Wiltshire Council Focusing on the Future: dates and venues
15 November 2018
Cotswold Room, County Hall
6pm 7.30pm
22 November 2018
Council Chamber, Monkton Park
5.30pm 7pm
26 November 2018
Devizes Community Hub and Library
5.30pm 7pm
29 November 2018
The Banqueting Room, Salisbury Guildhall
5.30pm 7pm
Please email email@example.com if you'd like to attend refreshments will be available.
For more information please contact the Wiltshire Council communications team on 01225 713115/6 or 01225 713370.


text: Are you an agenda, notetaker kind of organizer? The traditional, paper and pen kind of organizer? If so, I am right there in the boat with you. It's satisfying to write down your tasks and check them off after you complete them. It's an "Ah, it's complete!" satisfaction. But...is it the most efficient way to organize?


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Host of FOX Business Network's The Claman Countdown, Liz Claman sat down with Caroline Hirsch, owner of the famous New York City comedy club, Caroline's on Broadway. Caroline shares her story of opening the comedy club in the eighties, the famous faces who popped in over the years and how the club became the go-to spot for up and coming comedians.
Follow Liz on Twitter: @LizClaman


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Fibre optic network builder Independent Fibre Networks Ltd. (IFNL), which deploys ultrafast broadband ISP services to new build UK home developments using Fibre-to-the-Home (FTTH) technology, has today rebranded to Open Fibre Networks Ltd. in order to "more closely reflect its position and offering in the market".
The open access Gigabit (1Gbps) capable fibre infrastructure that OFNL builds is usually ordered by consumers through their more familiar wholesale partners, such as UK ISP Direct Save Telecom, Seethelight and Pure Broadband etc. The company is also part of the wider Brookfield Utilities UK Group (BUUK), which includes utility infrastructure provider GTC.
We don't know exactly how many premises the OFNL / GTC network covers, although somewhere around 20,000 to 30,000 may be a reasonable assumption given past announcements. The "full fibre" infrastructure they build is also designed to handle voice and data traffic from all sorts of other services, such as IPTV, alarms, CCTV, building management systems, public WiFi and so forth.
In other cases GTC / OFNL also have an agreement with Sky (Sky Broadband), which means that the broadcaster's Satellite TV channels can be distributed over their fibre network via a centralised Fibre Integrated Reception System (FIRS). This works well, although we have seen the odd gripe about delays in getting the TV service fixed when the centralised distribution system falls over.
Andrew Robinson, Commercial Operations Director at OFNL, said:
"We entered the market in response to growing market concerns around the long delays customers were experiencing when subscribing to broadband services when moving into their new homes.
We now provide a real alternative to traditional players in the market and offer a full Fibre-to-the-Home network solution that provides a cost-effective alternative for house builders, as well as a more efficient and hassle-free installation, and a better overall experience for residents.
It seems fitting that our brand should reflect this and we are proud to now be known as Open Fibre Networks Ltd."
At this stage we're unclear on how much difference simply changing 'Independent' to 'Open' in the brand name will actually make, although it's worth remembering that IFNL are one of the oldest and most established names in the UK FTTH / FTTP market. Check out our 2015 interview for a bit more background on the operator and their position (here).
The company has been connecting new build developments across the UK to their ultra-fast fibre network since as far back as 2008, although they now face significantly more competition than before from the likes of Openreach, Cityfibre, Hyperoptic, Virgin Media and so forth.
Do you think OFNL will ever get some well-known service providers ?
Currently, its a bunch of niche providers who could fix prices between themselves !!
None of these deals you listed on the website are available to us 🙁
Hyperoptic – £15.00 (*22.00)
Avg. Speed: 30Mbps | Unlimited
TalkTalk – £19.95
Avg. Speed: 36Mbps | Unlimited
Vodafone – £20.00 (*22.00)
Avg. Speed: 35Mbps | Unlimited
Plusnet – £23.99 (*34.98)
Avg. Speed: 36Mbps | Unlimited


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Battle Scars
16 January 2018
Battle Scars is a self-harm support group. Our aim is to support anybody affected by self-harmWe are currently running peer support groups for adults (18+), a Facebook support group for all ages and we offer training to professionals, parents and carers. We provide as much support as we can to schools and other organisations (including the NHS, Leeds City Council, DWP, and numerous voluntary sector organisations). If you are interested in our services please check out our website www.battle-scars-self-harm.org.uk We are looking into setting up services for the under 18s and we need to speak to those working with children and young people (and hopefully to young people) to help us determine which services would be the most effective. We are at the very beginning of this process and your input would be very much appreciated. If you can help please contact us email@example.com


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Last Sunday was Imbolc, the first festival of Spring marking the transition into the active time of the year. The word means Ewe's milk, because in days of old the first lambs were born and there would be milk to drink again. New life emerges, even as winter temperatures continue.
Celebrating the Sabbats has become a large part of the modern pagan tradition. I have written before here how, besides giving me something to celebrate every few weeks, I enjoy their connecting me to the cycles and rhythms of the natural world and to the gods and goddesses of the land. However I sometimes wonder whether they are relevant to me as a witch (rather than just as a pagan) since if I want to make changes in my life the moon is the celestial body I am more likely to work with. So this Imbolc I was pleased to have reason for a special ceremony in the garden.
Imbolc celebrates the reigniting of the divine spark, bringing our intuitive, unconscious energies into a manifest conscious reality that may grow as the sun's power grows. This is all on a much bigger scale than the 29-day moon cycles. Candles are lit to symbolise the divine spark of the returning light – and act as a focus for our inspiration, creativity and intuition. Some years I have needed to symbolically relight my own internal fire from this candle, if I have been struggling through a long, dark winter, although I'm glad to say I didn't feel such a need on this occasion. I made a cross for Brigid, the keeper of the light, because Imbolc is really her festival. We lit three beeswax candles to stand by her cross in the evening, representing her three aspects of inspiration, healing and smithcraft. Then the next day I took the cross into the garden and had a small ceremony to announce my intentions for each of the three main areas of the garden and ask for the help of the nature spirits to work in partnership with me. It was then placed under the Rowan tree, an area I have promised to leave as undisturbed as possible.
This marks the start of my co-operative gardening experiment and while I don't anticipate a Findhorn or Perelandra here (my communication skills have a long way to go) I hope to grow a richer and more healthful, harmonious, balanced garden that will develop over the next few years. Time, and M's growing capabilities and interests being the main factors in the speed and direction of development. Successes and / or lessons learned will no doubt be reported here…


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The Olympia Tumwater Foundation is now the largest high school scholarship provider in the region, having reached the $2M milestone with its latest scholarship awards.
Today, the foundation is presenting $140,000 in scholarships to 17 Thurston County graduating high school seniors as part of its education scholarship program, which began in 1967.
The scholarships range from $5,000-15,000 and will be awarded during a ceremony at the Schmidt House in Tumwater. The foundation was established in 1950 in honor of the Schmidt family, who founded the Olympia Brewing Company.


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"On Wednesday night, me and two of my friends were at the Den, celebrating the end of the first day of U of C 101. We met people at the Den, and decided to go to Rundle afterwards," said student Jim Bailey. "We were a bit loud, the Community Assistant told us to be quiet, and we were giving them a hard time, harassing them jokingly."
Bailey, a U of C 101 team leader and Students' Union Communication and Culture Faculty Representative was en route to a friends' apartment when he was told by the Residence Life Co-ordinator that he and his friends were being too loud.
"It was Wednesday and school hadn't
started yet," Bailey protested.
Bailey and his colleagues were given two choices: Leave immediately, or their friend in residence would be "interviewed" in the morning. Bailey and company left, and were told never to return.
RLC Camille McFarlane would not comment specifically on the case, citing privacy issues, but instead referred to the Residence Student Handbook.
The Handbook states: "It is illegal to be intoxicated in a public place or common areas of the Residence Complex," and "Guests who violate the Community Standards may by banned from the Residence Complex."
Bailey was officially told to stay away from the residence complex on Thu., Sept. 12. After classes started, a lecturer announced that Campus Security was waiting to see Bailey outside the classroom for the purpose of having him sign a document before Campus Security and officials from residence, agreeing that he would never return to the residences, nor use the Dining Centre except while performing his U of C 101 or SU duties. His ban comes amidst complaints from some residence inhabitants that the rules are being enforced too strictly.
"They're cracking down a bit too much and are being anally-retentive," said a former residence inhabitant who did not wish to be identified out of fear of reprisal by CAs. "Last year, they were known as a cult who no one could approach."
Bailey agrees.
"They're cutting down on the Rez experience, which makes things that much more fun," he said. "I loved my first year in Rez but I wouldn't go back if things had been like this year."
(They declined to comment.)
I think this clearly is not a biased recall of the events. Rez refused to comment, citing privacy issues. That's what he wrote. They were given the opportunity to comment and they didn't, whether it was due to FOIPP (which would be in keeping with "privacy issues"), or matters of policy is, right now, unkown. If the writer had assumed either and claimed it as fact, it would have been irresponsible. Also, if the writer had left the comment out--suggesting that rez services were not contacted at all--that would be irresponsible (and, let's hear it, BIASED!), as well.
I'm not sure what your complaint is, or what could have been done differently. Maybe you'd like to clarify. Perhaps I have misunderstood you.
It was news. We reported it. We never claimed the university was at fault or refused to comment for "evil" reasons, just that they declined comment for privacy issues. Unfortunately, we can't make up quotes. Would you have perfered that?
Or, his rez friend was one of the people he was traveling with. Your version requires him to break in to rez without anyone noticing, nor filing B+E charges afterwards.
In response to this rant, and the stuff you wrote previously which could be construed as logical arguments, Mr. Bailey was reported on because he was a public official whose ability to serve in that capacity may be hampered by his banishment from rez, as was stated in the story, not because he belongs to any fraternal group.
What part of "Bailey... was en route to a friends' apartment..." do you not understand?
If he was not with a friend who was living in rez at the time, he could not have gained access to rez without bypassing the access control device on the door (B+E) and then he would be trespassing.
Also, the original poster (and you) seem to be confused (hence the weird tresspassing assumption) about the fact that Mr. Bailey can have both a rez friend in his party, and another rez friend who he could visit in rez.
(Reading conveys information about things you don't observe directly.)
I don't know for sure whether or not the banning was appropriate. BUT, if it was, then I have no sympathy for his situation. If you're involved in U of C 101 or the SU, don't do things that will get you banned from places you need to work in. If an SU official did something to get banned from Mac Hall, the same logic would apply. Just b/c they NEED to be somewhere, doesn't make them exempt from respecting the space.
Again, the REAL story should be whether or not the decision was legit. IF it was, how it will adversely affect his life, SU, U of C 101 or otherwise, is up to him to deal with. If it was wrong, then it should be fixed.


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Building in the Digital Era at Windows, Doors and Facades Event 2017
Reynaers Middle East is all set to participate in the most dedicated fair to take place within the Windows, Doors and Facades industry.
Windows, Doors and Facades 2017 (WDF) will take place from 25th to 27th September, at the Dubai World Trade Center. This year, we have some major expansion projects which have taken place at the company on group level, commented, Mr. Ali Khalaf, Managing Director, Reynaers Middle East
WDF - 2017 will provide us the opportunity to highlight these latest innovations to our Middle Eastern counterparts. Technological advancement must be at the forefront of every progressive institution and Reynaers consistently strives to introduce the latest technologies which will help enhance and streamline its daily operations, explained Khalaf.
Additionally, this year, a new stand design has been launched to showcase the company's diverse range of products. Reynaers group unveils a different stand design every three years in keeping with the group's brand guidelines. The idea is to bring about a unique touch and feel experience of Reynaers highly sophisticated product portfolio in a customized setting which encompasses a wide variety of Aluminum Systems ranging from the economical to the luxury series of curtain wall variants, sliding systems, doors and windows, added, Khalaf.
Last year, Reynaers, was the only company to exhibit a multi-level eye-catching Façade which kept our visitors engaged and curious about its features and performances, this year as well, the plan is to demonstrate something different and worth the visit, hinted, Khalaf without divulging more details.
The theme of this year's show is 'Building in the Digital Era' to emphasize the major steps taken by the company towards a stimuli-enriched environment which is the latest trend in almost all aspects of people's lives.
We are also very confident that some of the major developments that have taken place at the company on group level will also strike a chord with our Middle Eastern customers and partners. The company has adapted the term "Reynaers Campus", but only due to an in exhaustive list of expansions and changes that have taken place at the company, adds Khalaf.
The Reynaers Campus is the new name of the centralized headquarters of the Reynaers Group. It is the inspiring and dynamic work environment where all Reynaers employees are welcome and feel at home and a place for partners to experience the latest products and innovations in full interactivity.
The Reynaers Campus includes:
Operations Center: to serve Reynaers customers worldwide by a
- Logistics Center: 62.000m2 warehouses and quality control
- Production Center: the insulation center of excellence, ERAP (Reynaers Insulation Company)
Research and Development:
The Reynaers Institute is now renamed and known as:
- Technology Center: caters towards increasing knowledge and to officially certify Reynaers solutions
- Training and Automation Center: to share knowledge and assist customers
Experience Centre:
Avalon: This room at the Reynaers campus lets project owners, designers and fabricators, visit future building through a shared Virtual Reality experience.
The WDF 2017 theme is based on this facility which promotes building in the digital era by making informed and choosing the most appropriate solutions for their projects.
Experience Room: a digitally enhanced product showroom which will allow visitors to experience Reynaers solutions up close and offers inspiration by showing their application is various project types.
This room is equipped with a product finder, world of Reynaers, color wall, sample Wall and various product elements.
Sales, Technical support and Customer service of Reynaers Aluminium
Head Office with strategic, supply chain, ICT and controlling departments supporting the Reynaers Group
This new name 'Reynaers Campus' allows the company to strengthen the innovative and high-tech positioning of the Reynaers brand and associate all group activities.
Some of the systems that will be showcased include the door and window variants of the recently launched
MasterLine 8
"MasterLine 8 offers designers exceptional architectural freedom with numerous design variants and scores particularly high in terms of energy-efficiency. Special attention was given to the manufacturing and installation of the variants, which provide an optimised production process that includes a time- and cost-efficient assembly and simplified installation of the finished elements," he explained.
To further enhance smart manufacturing, Reynaers introduced ReynaFlow, its dedicated software package, designed to optimise, control and improve the production process, Khalaf added.
Visitors to its stand will also have the opportunity to see numerous other door, window, façade, and bespoke solutions, which feature innovative enhancements in terms insulation, fireproofing, air and wind resistance, ventilation, and water drainage solutions.
"New approaches to opening up space through the use of large glass surfaces, often without fixed corner elements, yet without loss in insulation values, are featured in several of the products on display," he says.
The Hi-Finity door, which features an ultra-slim design and offers an infinite view, will be in the spotlight. This system is burglar-resistant, conforming to Class RC2.
Also displayed will be the CF 77 folding doors series offers optimum space utilisation while maximizing on daylight. The standalone solution, which offers high insulation values, comprises new profiles, accessories and insulation technologies that have specifically been designed for folding systems. Other systems to be displayed include the sliding series CP 130 and CP 155-LS, the Windows and Doors series CS 77.
On the local front, Reynaers Middle East has executed some state of the art project in several GCC and Middle Eastern countries which includes the prestigious Essence of Dilmunia in Bahrain, Sparkle Tower and Ministry of National Defense in UAE, King Abdul Aziz University Buildings in Saudi Arabia, Kempinski Hotel and Apartments in Oman, Awtad Tower in Kuwait, Beirut 700 Tower in Lebanon, and the Estisalat HQ in Egypt.
Reynaers will exhibit at Stand 7A281 at WDF 2017.
To register for the event, please visit the event website.


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SCHOOL CRIME ALERT – Florida middle school girls plotted to kill up to 15 students, drink their blood
Two middle school students in Florida were arrested Tuesday after they concocted a "plot to kill students" via a variety of weapons, including a pizza cutter, police said.
The girls — ages 11 and 12 years old — "wanted to kill at least 15 people," Bartown Police Chief Joe Hall said at a news conference Wednesday. The two "were waiting in the bathroom for (an) opportunity to find smaller kids that they could overpower to be their victims."
Both girls were searched in a Bartow Middle School office, where a butcher knife was located on one of the students. Knives, scissors and a pizza cutter were also found, according to Fox 13.
The girls admitted to investigators that they were "Satan-worshippers." The girls, Hall claimed, said "they were willing to drink blood, and possibly eat flesh."
"As I sat there last night [and] watched these interviews, I do not believe this was a joke," Hall said.
After the girls were taken into custody, authorities reportedly searched their houses and discovered more additional attack plans. A hand-drawn map of the school was allegedly discovered with the words, "Go to kill in bathroom," written on top of it.
One of the text messages exchanged in a conversation found by authorities reportedly read: "We will leave body parts at the entrance and then we will kill ourselves."
In a statement posted to Facebook, Hall said no one was harmed in the incident, and thanked school staff for "thwarting this plot from becoming a tragedy."
The police chief said that all safety protocols put in place worked on Tuesday, and reiterated the key law enforcement phrase: "If you see something, say something."
"It worked in this incident," he said.


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Around 57 percent of Delhi's population live in their own accommodation, 94 per cent of households have toilet facilities and 92 per cent families have pucca structures.
These are some of the interesting facts mentioned in a report, "Housing Conditions in Delhi," released by Urban Development Minister.
The report, prepared by the Directorate of Economics and Statistics on the basis of a survey conducted under 65th National Sample Survey Round during July 2008-June 2009, has vital information on various aspects of housing conditions in the capital city.
According to the report, there were 39.23 lakh households in Delhi out of which only 1.80 lakh were in rural areas and rest 37.43 lakh in urban areas.
Delhi has small families, the report said, adding that average size of per household is 4.44 persons. Further majority of the households in Delhi are nuclear family households instead of joint family culture. In urban areas, around 76 per cent of the total households were having one married couple, 8 per cent having two married couples and 2 per cent having three or more married couples," the report said.
The capital has around 92 per cent of total households with pucca structure, 5 per cent with semi-pucca structure and only 3 per cent having 'kuccha' structure.
Most of the buildings in which families were staying were being used only for residential purposes. About 89 per cent buildings were being used for residential purposes and 10 per cent for residential-cum-commercial purposes, the report said.
While 51 per cent (20 lakh) of total households were residing in independent houses, 18 per cent (7.17 lakh) were in flats.
As regards ownership of buildings where households were residing was concerned, around 37 per cent (14.41 lakh) were in hired accommodation, 11.5 per cent (1.66 lakh) were in employer's quarters and around 57 per cent (22 lakh) were residing in their own accommodation, the report said.
The survey revealed that in case of 79 per cent of the total households, the age of their dwelling units was less than 20 years, in case of 18 per cent it was between 20-40 years and in case of 4 per cent, it was more than 40 years.
Further it revealed that in case of 80 per cent of the total households, plinth area of their houses was up to 75 sq. Metres and for the remaining 20 per cent it was more than 75 sq. Metres.
The survey said around 90 per cent families in the megametropolis have toilet facilities.
It revealed that 63 per cent of the total houses were having this facility exclusively for themselves, while 20 per cent were using shared facilities and 9 per cent were using public toilets.
As far as occupation of households was concerned, about 27 per cent total households were senior officers and managers, 5 per cent each were professionals, technicians and office assistants whereas 12 per cent were sales workers.
The survey said while 44 per cent to the total households travel up to 5 km from their residence to their workplace, 26 per cent covered distances between 5 to 10 kms, 11 per cent between 10 to 15 kms and 3 per cent from 15-30 kms.
It means around 70 per cent of the total households were having their place of work within reasonable distance. Around 60 per cent of the total households were engaged in service sector, 21 per cent in manufacturing sector and 8 per cent in construction activities," it said.


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TEXT _ Stephanie Bailey
IMAGE _ provided by Suki Seokyeong Kang & One and J. Gallery
In June 2018, Suki Seokyeong Kang was awarded the 'Baloise Art Prize' at 《Art Basel》, alongside Lawrence Abu Hamdan: an annual award given to two emerging artists exhibited in the fair's Statements sector. Showing with One and J. Gallery, Kang presented an installation of abstract sculptures including 〈GRANDMOTHER TOWER–tow #18-02〉 (2018), composed of painted steel tubes forming three drum shapes with a triangle 'face', each perched on top of the other. 〈GRANDMOTHER TOWER–tow #18-02〉 stems from the ongoing series 〈Grandmother Tower〉. The first 〈Grandmother Tower〉(2010) comprises a stack of discarded dish racks wrapped in thread to create enough friction to produce a curved, freestanding stack assembled to mimic Kang's grandmother's posture and height. These sculptures honour a woman who was born in the 1920s, and lived through colonisation and the Korean War. As Kang explains, her grandmother always responded to questions about her life with answers that were 'oriented towards the future', and she encouraged Kang to 'focus on how to cope with the present in which [she] belong[s].'
The idea of systematising roles, bodies, temporalities, and gazes through the arrangement of elements within a given space is a thread that runs through Kang's practice, right down to the use of titles, which follows a calculated system of sorting. ('Each object has its own name, such as Heavy Round, and Warm Round', Kang notes; 'and when the units are combined, the works can be renewed with titles such as Round Cliff and Poking Square.') The grid is a guiding and organisational principle—something that is evident in Black Mat Oriole, a five-year research project (2011–2016) presented at the 《Gwangju Biennale》 in 2016, which explores the power and politics of space. It is also the basis for her exploration of 'Jeongganbo'—a musical notation system invented in the Joseon Dynasty in Korea that codifies the pitch of musical notes. Between 28 February and 7 April 2018, Tina Kim Gallery in New York presented Kang's investigation into Jeongganbo through her use of the Chinese character Jeong (井)—a visual reference to the musical notation's grid system.
Black Mat Oriole had its US premiere in 2018 at the Institute of Contemporary Art in Philadelphia (27 April–12 August 2018). The show included sculptural assemblages made from a variety of materials, including urethane-painted steel and polished wood, and a video in which these constructions are presented in a black box, with near-invisible bodies moving through, around, and with them—a three-dimensional visualisation of a composed picture plane. The exhibition launched with a special 'activation' performance by two choreographers on works inspired by the hwamunseok, a traditional handwoven mat whose cultural legacy stems from the Goryeo period, when the chunaengmu dance was performed on it. (About two metres long and wide, the hwamunseok serves as the physical boundary restricting the movements of the dancer—a restriction that Kang plays with when deciding on the specific measurements of her own mats.) Part of Black Mat Oriole is about honouring a dying craft, since hwamunseok are now mass-produced rather than hand-woven. To create the woven elements of her installations, Kang works with three female artisans traditionally trained to make these mats.
In this conversation, Kang reflects on the core ideas behind her projects, and discusses her installations at the 《12th Gwangju Biennale: Imagined Borders (7 September–11 November 2018)》 and the 《10th Liverpool Biennial, Beautiful world, where are you? (14 July–28 October 2018)》.
What are you showing at the 《2018 Gwangju Biennale》?
I am showing a new series called 〈Mat Black Mat〉 alongside a three-channel video entitled 〈Black Mat Oriole〉. This new series is combined with nine units from the series 'Mat 61 x 81' (2017–2018); each unit has a specific position, with the direction, angle, size, and structure acting as a notation for a pattern. The overall structure, which is positioned on the floor and the wall, serves as a form of painting in combination with the hwamunseok, with the angle of each Mat 61 x 81 depending on the hwamunseok's weight and length. This setting indicates how to contemplate the unique position and area of each set.
〈Mat Black Mat〉 evolves from Black Mat Oriole, which is based on the idea of encompassing one's weight and movement into a square grid or the minimal space of the mat. Each 'mat' in 'Mat 61 x 81' presents the smallest platform that could be activated by an individual, and the series follows a strict ratio. As a whole, the series considers the space provided to individuals in society, upon which each person can stand and sustain their own weight. The work is less focused on generating limitation as it is on expressing the persistent possibility of systematising roles in space through the body, its positioning, and the gaze itself.
This idea of systematising the body through the form of the hwamunseok relates to the reference that you make to the traditional chunaengmu court dance in the Black Mat Oriole project, too. The chunaengmu is a dance that was performed by one person on a small hwamunseok, as a means to commemorate the arrival of spring, right?
Chunaengmu (春鶯舞), the conceptual foundation of Black Mat Oriole—is a royal dance conceived in 1828 by Prince Hyomyeong of the Joseon Dynasty, the last dynasty of pre-modern Korea, which lasted from 1392 to 1910. The name literally translates to 'the dance of a spring oriole', and it was originally known in English as 'the nightingale dance'. As a solo dance, a very rare form among Korean royal dances, 'chunaengmu' is a collection of extremely refined movements performed within the confined space of a hwamunseok mat. In the Joseon Dynasty, each dance was documented through letters, and 'chunaengmu' was portrayed in particularly poetic terms. Among such terms was the expression 'hwajeontae', which signifies the image of an oriole perched on top of a flower. When translated back into choreography, this poetic verse requires the dancer to clasp her hands behind her back and smile. This is the highlight of the dance, and is also a gesture that was very hard to witness in other court dances, since no dancer was allowed to open one's mouth in front of the king, let alone smile.
In the chunaengmu dance, the squared mat is a restricted space, which I translate into a platform in Black Mat Oriole: a representation of a limited ground in which an individual can express his or her own voice and movement. The conceptual foundation of this project is the notion of individual space. But while this idea of space allotted for each individual serves as the primary grammar of my art, it also addresses the social contexts and conditions of each individual life.
Could you expand on how 〈Black Mat Oriole〉 draws out connections between past and present?
When I apply the traditional performance of chunaengmu to our current society, it becomes about the movement and voice that an individual makes in order to sustain their life. The work is carefully structured with a concern for how each individual can move forward with history, worries, and anxieties that are situated in the vertical time of a person's life. The work is metaphorical—as an artist, I am working through the dilemma of existing in a society where history and the present coexist.
The minimal grid I employ in my own mats is infinitely expandable as the individual expands the range of her or his movements. The movements on the mat serve as the blueprint for other visual manifestations, including painting and installation. As the conceptual space expands, the materialised form of the visual objects that constitutes this project is also transformed and diversified. As such, the project is a series of developments driven by the movements of individuals as they constantly pursue a state of further expansion.
How does 〈Land Sand Strand (2018)〉 at the Liverpool Biennial compare to Black Mat Oriole?
〈Land Sand Strand〉 shares the same departure point as 〈Black Mat Oriole〉, but it also signals a beginning. While I focused on individual space and movement in Black Mat Oriole, for 〈Land Sand Strand〉 I created a work through which to concentrate on conditions and surroundings where there is no clear boundary.
A new hwamunseok, called 〈Mat (2017–2018)〉, became an important setting—or 'land'—for 〈Land Sand Strand〉. On the hwamunseok, weaving and notation is composed and positioned as a constellation. This thought process derives from my cognition of painting as a 'land'—depending on the audience's movement, visitors can activate Land Sand Strand as both an exhibition space and a performative realm not unlike the space of the hwamunseok.
You have said that 〈Black Mat Oriole〉 started as a reflection on the size of 〈Black Mat (2016)〉, a rectangular platform lying on the floor that you have said was informed by the principles of painting. Could you talk about how painting fits into your practice?
In terms of my practice, I think of painting as a compressed methodology containing a multitude of thoughts on how a painting can be activated to embrace the space in which it is placed. By projecting painting into the space, I attempt to realise a form of spatial notation that aspires toward balance and harmony.
For me, reading and navigating a space requires an explanation of how I describe space as a form of painting. I began to study traditional Korean painting in Ewha Womans University in 1996, where I am teaching now. By studying the aesthetics, philosophies, and ideologies contained in my own cultural tradition, I was able to see the different ways of looking through the vast timeline between tradition and contemporary in vertical way, which also indicates how I see the difference between my cultural roots and the place on which I stand now, as a form of vertical orientation.
Literary ink painting generates a possibility to see the present, and to learn how to think critically about the present through an engagement with the past. For me, it is a tool to navigate the present with a literary way of thinking. Although I use the term 'painting', I consider the starting point of painting from a slightly different place. Instead of representing something that already exists, traditional Korean painting has more to do with how you use paper as a vessel for your thoughts. Painting, as both a visible and invisible logic in my work, is a manifestation of the grid and the many layers that constitute a representation.
How does the square fit into this? It is a shape that occurs frequently in your work.
I employ the square unit in my art as the formal unit of a painting. Each square is a space embracing the movements and the voice of each individual, and as a set these squares operate like a visual system that seeks a balance that allows individuals to coexist. It is through this structure of logic that I explore the contradictions and conflicts in society, and try to build a structure of condensed harmony. I wish to portray the anxiety of the present while also nurturing a hope for the future.
It was through the 〈Black Mat〉 that I began to explore how paintings move and expand throughout a plane, and also how I could convey the sense of time that crosses through that plane.
How did spatial notation become such a core part of your artistic practice?
Since 2014, I have created a series of daily paintings called 'Mora', whose planes develop within the minimum ratio of 55 x 40 centimetres. I specifically chose these dimensions as they can hide a body or torso. In this work, paintings function as the space that embraces time and where narrative piles up. As the size of the painting expands, both two-dimensionally and three-dimensionally, so does the space of time and narrative contained within the frame.
How does this relate to the way you see painting as an act of creating spatial depth?
Since I produce all my paintings with the canvas laid down on the table—that is, the wood pane and stretched canvas with mulberry paper placed on top—the four sides of each painting hold the paint with the force of gravity. This way of production allows me to face the space of painting as if looking down a well.
The 〈Mora〉 paintings, which are actually bereft of painting, evolved into an idea for the 〈Jeong〉 series (2014–ongoing), which employs square frames called 'jeong (井)', meaning 'water well'. By removing image and surface, the frames become a manifestation of the grid, which in turn embraces the many layers that constitute a painting. Each frame does not only address the painting that explicitly exists as an artwork—it also addresses the movement of the people inhabiting the space that the work is placed in, the boundary between the work and another, and spatial divisions or interventions that occur in and around it. The square frames can be piled on top of one another, expanding their overall spatial existence both horizontally and vertically in a given room. Built of similar but different ratios, each frame functions as a tool that expands the space it stands on.
This returns us to the use of notation in your work, and how it manifests at every level, from the compositions of objects that make up various series or installations, to the historic references you make. The 〈Jeong〉 series is very much based on 'jeongganbo', a traditional system of musical notation, right?
Jeongganbo is a system of musical notation that was developed in the Joseon Dynasty by King Sejong, who also created the Korean alphabet called Hangeul. I was attracted to the structure of this notation system—'jeongganbo' notates not only the pitch and length of each note but also the gesture or action required of the musician to play each note. The lyrics are also written inside the square.
I understand this system as a method for a spatial attitude—one that indicates how to talk, sing, and situate movements and choreographies within a timely, rectangular space. Within each square, a condensation and harmony of various elements constitutes each note. This set of squares thus operates as a spatial construction of narrative and rhythm.
Could you elaborate on how you turn your works into series, and how they in turn manifest as installations or sculptural assemblages that combine objects with videos and performances when you exhibit?
It is a constant process of performing and moving the units of a given work. When I imagine how each unit can be placed, and how it might take a role within the space, I always think about how to assign time to still objects.
When developing these ideas, I conceived of the space of video as containing time, movement, and also restrained movement. And that 'space' is accompanied with a black rectangle consisting of time and narration, which I call a horizontal narrative. Video animates the art I make, and extends it to the next page of the story. The intention is that video operates as the platform to make and use the work, or to create a space of possibility, as well as to embody personal thoughts and voices.
You did not start 〈Black Mat Oriole〉 with a preconceived outcome in mind. Could you talk about how this approach influences your practice in general?
A concern for how to convey meaning and direction through my work is always present. I often use the term 'evaporate' when I explain my works. Concepts and thoughts, as well as many branches that existed within the process of art-making, all 'evaporate' when the work reaches a certain point. The narration that 'evaporates' remains as an essence.
'Activation' is a word you use often to describe the functionality of your work. Has your definition of 'activation' changed or developed with time?
When I approach my art-making process, I consider looking and thinking as two starting points. Expressing how these two aspects 'do' and 'act' as a work is the least I can do as an artist. Also, to me, 'doing' does not end at finishing one work, but includes the process of continued research and efforts to make the work. Though some of my works convey the time put into the process of development and making, there are instances when it is unseen. Even if the process is unclear from the finished work, I hope my viewers engage with their own thoughts to find out what they need to do or think in order to interpret the work. The focus on the individual in my work is a precondition for finding out how we can protect our own hearts while relying on each other to walk forward together. —[O]


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'Anger Management' renewal 'very likely'; Martin Sheen to join full time
Anger Management
- Movie
In the 100-episode dash of FX's Anger Management, Charlie Sheen is clearing the ratings hurdles.
FX president and general manager John Landgraf says the new comedy series is exceeding the undisclosed ratings threshold required to pick up the show. FX had agreed to order 90 more episodes of the series if the show cleared a certain audience level. According to data for the first six episodes, Sheen is on target to stay on FX for a long time.
"We won't make a decision on the 90 episodes until all 10 have aired but the series up until now has given us every indication [that it will return]," Landgraf told critics at the TCA press tour in Beverly Hills on Saturday.
Landgraf went on to describe the pickup as "very likely." And in the biggest indication that the show's renewal is all but certain, Landgraf said that Sheen's father, veteran actor Martin Sheen, who's appearing in the show's ninth episode (playing, naturally, Charlie's dad), will join the comedy full time as a series regular for the remaining 90 episodes.
"What the entry of Martin Sheen's character will do is it will give an extra dimension to the show and make it a multi-generational family show," Landgraf said. "The show will still deal with his relationship with his patients and the women in his life, but will also [expand to focus on his family]."
Later, Charlie Sheen himself took the stage and added: "I'm excited as hell. I don't think 90 is going to be enough. I feel we've started that we've barely scratched the surface."
Asked for the millionth time about the meltdown that led from his exodus from CBS' Men, Sheen said: "It was a crazy time and it was like a dream I couldn't wake up from … like a runaway train I couldn't get off of — and I was the conductor. It'll never happen again — that's the cool thing … I'm not insane anymore."
FX also announced the renewal of Louie and gave an update on some its other shows. More on that here.
Anger Management


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Dan was soooo good today! It's awesome that he's growing up and learning but sad at the same time. I miss my widdle baby. But he's a whole heck of a lot of fun. :)
He hung out in the trailer for a good 2.5 hrs while I rode Fleck. Oops! Luckily he had a big bag full of timothy/alfalfa, a bucket of water and was in the shade with a lovely breeze. He didn't complain once either. I let him graze while I brushed him and then tacked him up and off we went.
We hacked around the little lake and then headed to the XC field. I wanted to work on w/t/c in the field. Although it's not necessarily the open spaces that sets him off. I think it's the excitement of others in the field. But... baby steps. ;) And I was the only one there so I didn't have a choice. So we walked and trotted and cantered. He was lovely. He was a little resistant to bend right but once I bent myself right (yep... I MUST remember that I need to bend myself too!) he was better. Then we got both leads multiple times and they were much more uphill. I was focusing on lifting my hips. So then we worked on the walk to canter transitions. It wasn't pretty, but we're getting better. :) And his canters were quite lovely! Still very big, but uphill and lovely. :) Wheee. We did some more trotting and one more canter transition in each direction. Then we headed to the lake for some splash time.
Dan splashed briefly and headed out, so off we went. I was getting hungry so I headed back home. We ended up in the XC field again by the ditches so I walked him past the trakehner. He eyeballed it a bit. I can't blame him. ;) So then I walked him over the novice ditch. Then I thought I might try the training ditch. He walked right up to it and "Whoa!" and stopped. Hee hee. But after investigating it for about 3 seconds, grabbing a bite to eat, he plopped over it. He didn't walk into it, which was probably good, but just hopped over it. He didn't even land in a trot. So then I turned him around and we trotted over it. Easy peasy, like it was no big deal. Yay! So then I turned him back to it and trotted it and then we cantered over the log. Wheeee!! That's technically training level, though it is Ashland, so probably more novice. But still! And what's even better is that he landed politely in a canter and we cantered ever so politely up the hill a bit. I asked for a trot and he came back down and we trotted politely up the hill. :)
If I could just horse show by ourselves... without all the other competitors, we'd be golden. Ha! We'll get there.
Such a good boy. I let him graze after our ride too.


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"The increase in fines (fixed penalty notices) for littering is welcome as we aim to create a cleaner Renfrewshire," said Councillor Kenny MacLaren (SNP – Paisley Northwest) highlighting the number of FPNs for littering in September 2019 (according to the recent Information Bulletin issued by Renfrewshire Council).
Every month Renfrewshire Council issues an Information Bulletin which includes details on issues such as the number of Fixed Penalty Notices issued. The latest figures (September 2019) highlight that 42 fines have been issued for littering in Renfrewshire, 41 of which were issued in the Paisley North area. There have also been 15 fines issued for flytipping and 4 fines for dog fouling.
Councillor Kenny MacLaren said:
"We all want to live and work in a cleaner environment and sometimes parts of Paisley are a disgrace with the amount of litter lying around. Normally less than a dozen or so fines are issued for littering across Renfrewshire so it is a massive jump to 42 in September, with all but one of them issued in the Paisley North area.
"This is a massive increase in action from council wardens and they have to be congratulated for enforcing these fines. There is no excuse for dropping you rubbish on the street. I would hope that this level of action continues until everyone realises it is unacceptable to litter our streets."
Councillor Will Mylet added:
"I've been calling for more action to tackle those who litter in our communities and I'm pleased to see this response. The Paisley North area covers the town centre so it is good to see that the wardens are being proactive and targeting those who are making our town look a mess.
"I would like to congratulate the wardens on their action and with the Your Home, Your Street, Our Community project starting up in the centre of Paisley I would hope that the focus on tackling those who drop litter continues."


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This detailed manual will help water gardeners select, cultivate, and care for aquatic plants.
Extensivly illustrated directories list commonly available submerged aquatic plants for ornamental ponds, floating aquatics, hardy and tropical water lilies, lotuses, marginal aquatics, and much more.
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Get the latest tips & apps for your Smartphone
Kyocera Brigadier For Verizon Leaked By @evleaks, Might Steal The Ugly Crown From Casio G'zOne
Android Police Ryan Whitwam Apr 24, 2014
Android Police Apr 24, 2014
Ryan Whitwam Apr 24, 2014 Read Source
Apr 24, 2014
There is an unspoken rule that a ruggedized phone must be ugly as sin. The leaked Kyocera Brigadier sure looks ruggedized, as evidenced by the less than attractive design. What's it look like? Imagine a Casio G'zOne, but perhaps even uglier.
We don't know anything about the Verizon-bound Kyocera Brigadier other than the name and that it's headed for Big Red (the only time the heavy Verizon branding does any good).
Done With This Post? You Might Also Like These:
- Evleaks Shows Off Front Fascia Of The 'HTC First' - Yep, This Looks Like The So-Called Facebook Phone
- Possible Look At Sense On HTC's M8 Courtesy Of @evleaks Confirms On-Screen Buttons
- White Nexus 5 And Possible November 1 Release Date Tipped By @evleaks
- Upcoming Samsung Galaxy Tab 4 7.0 Renders Posted By @evleaks
Kyocera Brigadier For Verizon Leaked By @evleaks, Might Steal The Ugly Crown From Casio G'zOne was written by the awesome team at Android Police.


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Fingerprinting oil promises to boost shale industry
Faye Liu and Jiang Wu are revealing the secret lives of oil wells from chemical fingerprints gathered thousands of feet below the Earth's surface.
The information produced by their company, RevoChem, helps address some of the biggest problems facing the shale oil industry by assisting companies to drill fewer wells, extract more oil and potentially market crude by its point of origin.
RevoChem can identify where a drop of crude originated within 10-to-15 feet of accuracy. The secret is understanding that oil comes from plants and animals, which came to rest millennia ago between different layers of rock.
"There are actually thousands of compounds that are in crude oil that are naturally occurring that you can understand as a natural tracer," said Liu, a geochemist with a doctorate from Indiana University. "Each of the layers is carrying different geochemical information because, as we jokingly say, a different dinosaur died there, so it's coming from a different biological source."
On HoustonChronicle.com: A dog groomer's search for cleaner power leads to a clean energy start-up
Experts have long graded oil by viscosity, sulfur content and a few other chemical properties. But until recently, geochemists have not looked any closer.
"Traditionally, the geochemistry method can resolve about a hundred compounds; we are able to resolve over 2,000," Liu said.
Liu first worked on chemical fingerprints while employed by ConocoPhillips, where she examined how the oil's chemical make-up changed through the lifespan of a well. But she theorized that a closer analysis could reveal what was happening more than 5,000 feet below the surface and a half-mile from the wellhead.
Liu shared her theories with her husband Jiang Wu, who has a doctorate in biochemistry and was working to improve medical imaging at the Texas Medical Center.
Wu knew from his work that he could build the better instrument Liu needed. In March 2018, despite having a mortgage and a 2-year-old daughter, Liu and Wu quit their jobs to build a new instrument, write specialized code and develop a database that would allow them to change the oil industry.
Wu's instruments can take oil from a gram of rock — collected during drilling — and identify over 2,000 compounds. Liu has built a library of over 3,000 rock samples from 260 wells in nine oil basins.
"If you give me a drop of crude oil, I can immediately tell you where it's coming from, which layer it's coming from, and which basin," Liu, RevoChem's CEO, said.
The information can help companies improve efficiency.
North American oil companies drill long, horizontal wells along seams of oil in shale rock and then use hydraulic pressure to break the oil out. But no one knows for sure the size of the fracture or where the oil will flow.
Companies drill parallel wells to maximize production. If petroleum engineers space them too far apart, they leave oil behind. If they space them too close, the oil flows from one well into another, and they've wasted money. Until now, engineers could only guess at what's happening below the surface.
By chemically fingerprinting the oil from an exploration well, RevoChem can identify which oil comes from 5,000 feet, 5,050 feet, 5,100, and so on. If oil from 5,100 feet is showing up in a fractured well drilled at 5,000 feet, the engineer can avoid spacing wells too close together.
"Using RevoChem technology, we're able to identify where the better-quality rocks are and where more oil is," Ed Caamano, senior vice president for geoscience at Advance Energy Partners, said. "I don't know of another company that can provide this level of resolution to the oils that are within the formation."
On HoustonChronicle.com: Beware Silicon Valley bros offering riches
The data can also help engineers understand why a well produces a lot in the beginning, but then peters out, by monitoring where the oil is coming.
Well spacing, fracturing technique and oil flow are the biggest challenges facing the shale industry. In its first year, RevoChem worked with 14 of the 20 largest producers in the prolific Permian Basin. The company is operating from labs at the University of Houston Technology Bridge until it finishes construction on a new lab.
RevoChem's technology can also help address another growing question: what oil comes from which location. Buyers are beginning to ask for unblended barrels from specific locations, the Reuters news agency reported.
Liu and Wu, both Chinese immigrants who met in the U.S., took an enormous risk starting their own business. But they are a classic Houston story: Immigrants who came to work in the energy and health care sectors but ended up starting their own revolutionary company.
Tomlinson writes commentary about business, economics and policy. firstname.lastname@example.com twitter.com/cltomlinson
Tomlinson writes commentary about business, economics and policy.


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Universal has unveiled their official site for the 25th anniversary of Jaws. They've got some pretty cool stuff over there: behind-the-scenes footage, a photo gallery, the original theatrical trailer, screensavers, trivia and more. Check it out.
Since 1974, when I was 8, and our family's babysitter (I have many younger siblings) came back from Martha's Vineyard and told us about this mechanical shark that's been spotted around the island, I've been fascinated by Jaws. Late in the summer of '74 my family went over to the Vineyard and I recall seeing the rows of tents on the state beach (the Fourth of July beach in the film). It was explained to me that this is where they filmed Jaws. The tents are no longer there. They've been replaced by a dilapidated volleyball net. And still today there are "Amity" Jaws props can be spotted in various places around Edgartown. It could be concluded that Jaws is really a part of the Island's history.
Needless to say, I'm pretty psyched about the forthcoming DVD release. It's one of those "must haves."
-- Steve is still wary of the water.


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Never-broadcast episode of Only Fools and Horses to be shown on TV for first time after being 'lost' since 1984
The 'forgotten' episode Licensed to Drill, never before shown on TV, features Del Boy's scheme to get rich from a second-hand oil rig, and will feature in a show on October 3
ONLY Fools and Horses fans are in for a treat as a "lost" episode of the classic sitcom is due to air for the first time on telly.
The rare 1984 episode Licensed to Drill is said to have been lying on a dusty shelf for years before it was discovered recently.
It features Del Boy, Rodney and Grandad at the top of their game, and is especially significant as it was Lennard Pearce's final appearance as Grandad before his death.
In the episode, Del Boy, played by David Jason, thinks he's on to a winner when he reveals his new get-rich-quick scheme.
He has bought an oil rig for the "bargain" price of £400 and plans to extract some black gold of his own.
Del says: "We just lay low in our boat for a while and we wait for one of the big oil companies to move off the oil field and then we whip in a bit lively and use their hole."
But unfortunately for the Trotters, they soon realise there's not much in the way of oil in Peckham and Del Boy realises he's been conned.
The 19-minute episode - never shown on TV - was produced by the Maureen Oilfield Consortium and was exclusively made for British schools to teach them about the oil industry.
In addition to airing scenes from the forgotten episode, UKTV Gold's The Story Of Only Fools And Horses also features interviews with the cast and some of the best outtakes.
In one of the bloopers David Jason forgets his lines and exclaims: "We might as well start again because I've gone now."
Nicholas Lyndhurst, who played Rodders, mispronounces his onscreen wife's name as "Ker-sai" instead of Cassie.
Acknowledging it wasn't all plain sailing during filming, Lyndhurst tells the documentary: "So you think we shot one perfectly every week? uh uh."
Gwyneth Strong, who played Cassandra, said: "The outtakes brought back loads of memories for us, memories that you don't even realise are there until you start seeing that material.
"I kept saying 'Who knew!' all the way through watching it."
Executive producer John Quinn said: "Thanks to the late John Sullivan's family, we have access to some exclusive behind-the-scenes material - driven by first-hand insights and anecdotes by many of those who were there."
Gold's Steve North said: "I am so excited to be working with the Sullivan family to help celebrate Gold's 25th birthday this year, and really delve into the archives one of the most loved shows on the channel. Gold viewers will get a real treat."
ONLY FOOLS GOLD As Del Boy's flat makes a mint, can you guess the value of other TV and film properties from Sherlock's to Bridget Jones'?
The Story of Only Fools and Horses airs on UKTV's Gold Channel on Tuesdays at 8pm until October 3, which is when scenes from Licensed to Drill will be shown for the first time.
Earlier this year Boycie actor John Challis revealed Only Fools writer John Sullivan had planned a farewell episode that would have brought all the old gang back to Peckham one last time.
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