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Who we are
APLSCD is an association that caters for the medical and welfare needs of persons living with sickle cell disorder, and dully registered with Nigerian Corporate Affairs Commission with the registration number 12345.
Founded in June 2015 by the Coordinator Aisha Edwards after witnessing the neglect and stigmatization meted on persons living with sickle cell disorder. Being a victim of this neglect and stigmatization from NGOs, Government and the society, it became not pertinent to have an association where all members are victims of this disorder, to cater for their needs, and create a loud voice for these persons in the society, while propagating for the sensitization on this disorder, so as to end the proliferation the disorder.
The Association began a wide outreach and sensitization campaign covering all the local government areas in Anambra State and spanning to Enugu, Rivers, Adamawa and Ebonyi states, evident from the attendance of sickle cell persons from these states during the World Sickle Day, which was organized by APLSCD at Nnamdi Azikiwe University, Awka, Anambra State.
The Association since inception has not only taken the sensitization as a call of duty, but also as a burning passion, as we hope to end the proliferation of this disorder. Being victims of this scourge and understanding our daily pain, it became necessary to propagate the genotype education to avoid further procreation of our kind, who when they arrive this world are left to suffer varying untold hardship for a cause they didn't inflict on themselves.
Our sensitization campaign started Last Year, with the Anambra Walk to Life in collaboration with the Anambra State Broadcasting Coorporation and sponsored by the Wife of the State Governor, Chief Mrs Ebele Obiano, who has become one of our biggest benefactors. The walk launched us into the campaign and has continued strengthening us since then. We have toured all Local Government Areas sharing our Fliers and spreading the message of genotype during the August meetings, and these we achieved with the support of the various Catholic and Anglican Bishops in Anambra State.
Our sensitization did not end in Anambra as the CWO, of the Catholic Diocese of Enugu invited us to sensitize their members during their Mothers Day Celebration this year, and this we did and earned the love of the Deputy Governor of Enugu State who was present at the Sensitization Campaign.
We further printed books, which contained vital information on the sickle cell disorder and our activities thus far. Ten thousand (10, 000) copies of this book has already been circulated across the LGAs in Anambra state, and further production of Thirty Thousand Copies (30, 000) are underway for onward distribution across all missionary schools in Anambra State as already approved by the Catholic and Anglican Bishops in the State.
Our sensitization campaigns, which we ensure are published on various National dailies every week endeared us to the favour of Philanthropist Prince. Engr. Arthur Eze, who built and donated a sickle cell clinic for us, and he didn't stop at that, as he defrayed the medical registration costs of all registered sickle cell persons in Anambra state. This implies that any registered sickle cell patient in the state can receive basic medical care for free at Nnamdi Azikiwe University Teaching Hospital Ukpo.
He didn't stop at that, as he constantly ensures that we get the best of care money can buy in our condition, and has overtime assumed the role of a father to our association.
APLSCD is not just an NGO, but an Association where every member is a victim of the sickle cell disorder, thus we understand our pain ad work together to ease the stress and proliferation of the disorder in Nigeria.


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Carly Severn
KQED Contributor
Carly writes and makes radio/podcasts about odd places, unexpected histories and not-so-popular culture for The California Report Magazine, Bay Curious and KQED Arts. She's also the host of The Cooler podcast, and is KQED's Senior Social Media Strategist. Carly previously worked in digital content and engagement at San Francisco Ballet and before that, the museum world back in the UK where she grew up. She received her master's degree in English from Cambridge University, UK.

subset: commoncrawl


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Tiering Up the Road Week 10
Working 60 hours this week and I beat the bonus bar? This is why you can't depend on. cyborgs. I say 80k
The tiers explained:
Tier 1: Ricky Bobby
Tier 2: Dark Horses
Tier 3: Average Joes
Tier 4: Eating Dust
Wednesday Tiers
Tier 1
Bohemian Rhapsody
Miss Bala
The Upside
What Men Want
Tier 2
Green Book
The Prodigy
Tier 3
A Dog's Way Home
Cold Pursuit
Tier 4
Escape Room
Lego Movie 2
Mary Poppins Returns
The Kid Who Would Be King
83 Replies
Reply #1
These tiers seem wack to me. Tier 4 for Lego Movie 2? Tier 1 for Bala? Tier 2 for Glass? Tier 4 for ER?
Alllllright Furi. You do you.Feb 6, 2019, 2:41pm PST
Reply #2
Well you are on the throne, but even a king has his faultsFeb 6, 2019, 2:46pm PST
Reply #3
Feb 6, 2019, 3:27pm PST
Reply #4
I have small quibbles down low but we agree on nearly everything.Feb 6, 2019, 3:38pm PST
Reply #5
Glass tier 2 is probably the worst thing I've seen today, and that includes the superheroes are **** threadFeb 6, 2019, 3:43pm PST
Reply #6
No kidding! Where is that damn bonus bar thread and the week 10 Megathread?!Feb 6, 2019, 3:47pm PST
Reply #7
These tiers seem wack to me. Tier 4 for Lego Movie 2? Tier 1 for Bala? Tier 2 for Glass? Tier 4 for ER?
Alllllright Furi. You do you.
Let's see them Devil Tiers. Or Devil posts in general ?Feb 6, 2019, 4:27pm PST
Reply #8
Yeah uh...you wilin for these tiersFeb 6, 2019, 4:31pm PST
Reply #9
I will post a bonus bar as soon as I am sure there won't be a tantrum about it.Feb 6, 2019, 4:51pm PST
Reply #10
Yeah uh...you wilin for these tiers
I didn't want to do this friend...Feb 6, 2019, 5:05pm PST


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Appreciating Time in a New Way
By: Judy Bobrow
My mother often quoted a philosophy she called the Law of Compensation. It was her way of rationalizing what we saw as the negatives in life by turning them into positives - and sometimes it drove me crazy. But I'm trying to employ that philosophy today, as I recover from recent back surgery. Suddenly, I am transformed from a busy, physically active person, into someone who needs to walk slowly and constantly monitor every movement. My new normal is: Don't Bend! Don't Lift! Don't Reach! Walk Carefully! So, I'm looking for the positives, and here's what's been revealed.
Slowing down can be good! Imagine that!! The whole process has made me appreciate time in a new way. Instead of keeping one eye on the clock to make sure I get to the next activity on time, I am reading whole books in one sitting and writing with a much clearer mind. Most important I have time to think about the things that require the luxury of time for pondering and appreciating the small things – like watching the birds at my feeders and the slow rising of the sun in the early morning when I can't sleep.
I certainly don't want to go through surgery again any time soon – back or otherwise – but there is an important lesson for me in my mother's Law of Compensation. It is possible to turn negatives into positives if I just allow myself the time. And perhaps the biggest positive is that lengthening my time now is good training for the future, older me.
Thanks Mom! JB
Using Reader Reviews
I sometimes wonder what makes a story good? Why do I stay up all night reading one book, while another I find so dull? As a writer, I want to know how to keep readers turning the pages. So, I decided to scan some reader reviews, searching for the answers.
Many of the responses suggested the pace was sluggish. In fact it seemed to be the number one complaint. Here are some of those review excerpts:
So the pace of the story is very important. What slows the tempo? What causes the story to lag? Here are some more detailed reviews.
Ok, so too many details, or too much description can cause a story to lag, become boring. Then what makes the story good?
By studying what reviewers say about books they like, or don't like, I found what to watch for in my own writing. - LG
Photo credit: Pixabay.com
Muse Crew Write-In
I've been having a rough time concentrating at home lately. There always seems to be things that take priority over my writing - AKA laundry, cleaning, you know real life stuff. Thing is, I can't just let the house stuff go, and if I do, it eats at me. But it also eats at me if I'm not able to write. As a matter of fact, I pretty much turn into a snarling grizzly. AKA it gets scary ugly. So, my writing friends and I came up with an idea...
The Muse Crew is hosting a write-in every week at our local community center in Hamburg, MI. We provide a quiet place to work on projects and the writers bring the rest! We are there every Sunday, from 11:30 to 4:30 and take a short break in the middle of the session to allow for open discussion/feedback on the projects being worked on. It is our hope that some satellite writing groups will form from the interaction, but at the very least it will be a supportive place to work on our projects and bring some consistency into our writing lives.
Our plan is to have an educational element once a month as well, and invite speakers to discuss writing, publishing, marketing or any other topic the group finds interesting. We are only a few weeks in so I don't have much to report, but will provide regular updates on the Muse Crew blog as well as on Facebook and Twitter. At this time, there is no cost to participate.
For anyone interested in participating, or speaking at this type of event (free of charge), please feel free to email the crew at email@example.com or follow them at the following social media links:
Facebook: https://www.facebook.com/themusecrew/
Twitter: @themusecrew
Please be sure to sign up for email updates on the Muse Crew Facebook page!
The post will be pinned to the top of our feed. Happy writing! - DH
In 2017, the published authors of the Muse Crew decided to dabble in some self-promotion and participate in book events. We started by asking our local librarians and searching on the internet to determine which events had the most potential for positive results. We also looked for events whose charges would be the most cost effective for us. We made a list and applied for the events as soon as their registration processes started.
Out of our group, there were four of us that participated regularly, and we ended up with a list of seven events from June to November, ranging in costs from $0.00 to $150.00 per space. Most were specifically book events, while some had other things to see and do, such as craft shows, festivals and food events.
We found that the best way to tackle in-person events was to share the burden of cost, set-up, and customer interaction, which we managed pretty effectively. We purchased a banner and matching table cloth that represented the group, decided on common display elements, and decorated each quarter of the space based on our individual book offerings. If members weren't available to participate at a particular event, the members who were there represented them and were prepared to take a credit card sales by listing the other author's books in their square accounts. A supply of everyone's books were at each event, even if the author was unavailable.
I have found that participating in the events was well worth it even if I didn't sell a book, and especially when entered into as a group. Here's why:
Help with set-up: I have been doing events like these, for various products, off and on my entire adult life. I can tell you from experience they are a lot of work. There is a lot of preparation that goes into designing a functional and mobile display. Depending on the venue, there could be quite a distance between where you park and your booth space so it is always helpful to have more than one set of hands to help with the work, or at the very least a wagon. Be sure to do a trial run of what your table will look like prior to your first event, and have other members of the group present. That way, everyone in the group will know how the set-up works and will be able to create a consistent and professional looking display, no matter who is able to participate with the event.
It lowers the cost: This was important for each of us. We are all just starting out and don't have huge book sales or budgets to offset the expense of doing costly events. We are also aware of how many books we need to sell to meet the "break even" point, which did sway our decision on some of the more expensive book shows. Being able to split the cost four ways for the season of events allowed us to participate in more shows than would have been possible individually.
You have someone to talk to about the craft: This by far was my favorite reason for doing these events with my writing group, since we were able to chat all day about the issues we were having with our WIPs (works in progress). Our bi-monthly meetings are invaluable to dissect and receive feedback on a particular scene, but time doesn't always warrant a deep dive into plot structure or character development. Being at an event for 6 to 8 hours allowed for a lot of down time between customers to work out issues I was having on book 3 in my Power of Four series. A special thanks goes out to Madelyn March for helping me navigate the finer points of elemental magick and guiding me toward creating believable back stories for all my baddies. I had a blast at the Kerrytown Bookfest!
Networking: Extremely important! Can't stress this enough! Writers, you need to get out of your house and get out there with other writers! There are so many talented people out in the world to connect to, most of which have at least one thing in common with you… their love of writing! I was able to connect with many talented and gifted writers who were happy to mentor me in the things I felt I needed help with. They directed me to online writing resources, offered to do author interviews on their blogs, and provided direction on conferences and events that would be most beneficial to me when building my author business. I would like to send a special shout out to Melissa Keir, S.J. Lomas, and Sylvia Hubbard, who each, in their own way, pointed me in the right direction at the just right time in my journey.
Some must haves for book events:
These events were not always money makers for me, in fact, there were times that I didn't sell one book. I suppose Fantasy Romance isn't everybody's cup of tea, although I find that thought impossible to consider. But even if my sales were low, I came out of each of these events with one more idea, one more contact, even one more challenge that I was able to overcome. One of these events even led to a speaking engagement, which was an awesome and nerve-wracking experience. It offered me the opportunity to level-up in my professionalism as an author, practice my public speaking skill-set, and now I am more empowered to meet the next challenge head on! These lessons, about writing, business, and even myself, are invaluable to me. They are giving me the building blocks I need to make tweaks in my business model and, at the end of the day, sell more books. These experiences also put me in the best position to connect to readers who are interested in hearing about the stories I have to tell. There couldn't be anything more important than that in my mind, it is what writing is all about for me. DH
Genre: Historical Fiction
By: Linda Grischy
I thoroughly enjoyed this novel! The journey takes you deep into the world of 1676 New England.
James Bailey, an agent and spy of the King of England, is sent to Boston to investigate the details surrounding the death of Sir Benjamin Cotton, another of the King's agents. James and his trusted friend Peter Church, a Native American and Quaker who is traveling with him, quickly find themselves in a hostile land surrounded by danger.
Prudence Cotton, wife of the deceased Sir Benjamin Cotton, is anxious for the King's agents to help her find her young daughter, who she believes is living with the Nipmuk or Abenaki people.
The characters are rich and lively, the setting wild and fascinating. An adventure into the untamed New England territory ensues, as the truth of what happened to the village of Winton and Crow Hollow unravels. - LG
Sculpting Prose
Michelangelo went out and got himself a big rock and started sculpting—cutting a little here, chiseling a little there. Us writers have to make our own rocks before we can even begin to chip away. It's called a "first draft." Only after that do we get to make art. That's okay: I like to revise. I like to polish even better. Right now I have a draft of a novel that looks like I got tired at the end. I look forward to getting out my trusty Rockbiter chisel and my wet stone cutter and taking on my rock. So fun! SQ
Taking Ourselves Seriously...kind of
We've written together for years. YEARS! That means we have an inner window into each other's minds that can only be gained after sharing all parts of the writing process. When you do that, you really put yourself out there. That is a vulnerable feeling. Yet, it's the only way to grow! And goodness, have we grown! We've worked through scenes where characters have had life-altering experiences, gotten lost within themselves, had hot sex, and faced a plethora of life's challenges. That not only brings a group together--it makes us all stronger writers.
Now, we're ready to take on another challenge. We're going to share our unique group with others. What makes us unique? We're a group of women who come to the writing table from vastly different life experiences and writing endeavors. The differences in our expertise is what makes us stronger together. As a group, we can critique stories through so many lenses…teacher, wife, business woman, psychologist, editor, parent…the list goes on. These are only some of the things that make this group amazing. Ok, enough boasting. (Yes, you can tell I love these women.)
So, putting ourselves out there means we're going to open a window into our conversations through our blog. It will be a place where we muse about writing and discuss topics important to writers. On our website, we'll review high-quality books, which will help writers looking for reviews, and readers looking for a good book. (There are so many good books out there!)
We look forward to our next Muse Crew journey and invite you to follow along. If you have suggestions on topics you'd like us to add to our list, please feel free to offer them in the comments.
Happy Writing (and Reading),
Madelyn March
The Muse Crew
Welcome to The Muse Crew Blog. We're happy to have you. Sit back and scroll through our thoughts and ideas. If you like the post, please consider sharing it. Comments are always welcome!


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As the Bank of Canada's key interest rate rises, Canadian Utilities fall.
Shares of utilities companies plummeted following the Bank of Canada's third-rate hike in six months. This news is chilling investors as Canadian companies in the sector have borrowed a lot of money over the last few years for investments in infrastructure estimated at US$ 20 trillion between 2016 and 2040.
The Bank of Canada raised its rate to 1.25% on Wednesday, January 17 2018, representing a quarter-point increase. This is bad news for Utilities companies, which have taken advantage of the extremely low rates in recent years to make massive investments in their infrastructure, borrowing large sums of money. The impact of such an announcement by the Canadian financial institution has been felt in the markets in recent weeks.
In fact, the shares of the sector's three largest Canadian companies, Fortis Inc. (TSX: FTS), Hydro One Ltd. (TSX: H) and Canadian Utilities Limited (TSX: CU) fell 4.6%, 2.2% and 3.9%, respectively, since the beginning of 2018. Unfortunately, key rates may increase further in 2018 and will likely increase to 1.75% or 2% by the end of the year, following two or three increases of a quarter point. Although they usually represent a long-term investment, it will be interesting to see how these companies' stocks perform in the coming months.
Bibliography :
La presse. (2018). Banque du Canada: troisième hausse de taux en six mois. Tiré de : http://www.lapresse.ca/affaires/economie/canada/201801/17/01-5150341-banque-du-canada-troisieme-hausse-de-taux-en-six-mois.php
The Motley Fool. (2018). How Do Utilities Look After an Early Rate Hike? Tiré de : https://www.fool.ca/2018/01/21/how-do-utilities-look-after-an-early-rate-hike/
EY. (2018). Spotlight on Canadian power and utility megaprojects. Tiré de : http://www.ey.com/ca/en/industries/power—utilities/ey-spotlight-canadian-p-and-u-megaprojects


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The forum has been archived. For discussion, please visit https://discord.atlantiss.org/ and https://reddit.com/r/Atlantiss
Search the Community
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<HELLO> Recruitment post [EU]Dear Atlantiss Community HELLO will have a recruitment post so you always can be updated about what is needed the most. About us We're a semi-hardcore raiding guild with alot of experience from the private server community. We got some of the fastest cleartimes on warname. Since we just started here are we looking for new exceptional and dedicated players to fill out our rooster for SSC. Raid days --> Sunday & thursday 7-11pm servertime. Furthermore will we be doing bg-premades since we have alot of gladiator players around. Progression 11/11 Karazhan - 2/2 Gruul's Lair - first raid 1/1 Mag 4/6 SSC - What to Expect Experienced leadership Fair treatment if you are dedicated we don't favour anyone in the guild Loot Council with role options to optimize guild progression. Recruitment - last updated 22-04-2019 The classes we need the most at the moment is: Resto: Full BM: Full Full Holy: Need 1 Healer: Need 1 Full Resto: Need 1 Need 1 Tank: Full Tank: Need 1 Surv: Need 1 Tank: Full DPS: Full DPSe: Full DPS: Full DPSb: Need 1 DPS: Full DPSenh: Full Your application will be an interview over discord with Xalt or Skrk Discord: Skrk#6026 Xalt#0708 Xaisty#1152 Guild Streams: https://www.twitch.tv/skurkentv https://www.twitch.tv/xalttv https://www.twitch.tv/ravnen8 http://www.twtich.com/jkks If you have any questions please contact Skrk/skurken or Xalt ingame. Best Regards from HELLO


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To say that a professional race-car driver running out of gas in a street car is like an NBA star missing a layup would be somewhat inaccurate. It's more like an NBA star missing a layup on a four-foot goal with bright, illuminated signs all around the rim saying "BALL GOES HERE."
You see, drivers don't have to rely on a crew chief or pit crew for knowing when and how to fuel the everyday street cars you see out on the road. Street cars come with these handy-dandy tools that tell you how warm your engine is, what speed you're driving, and, gasp, how much fuel is in the tank.
But that wasn't enough for Verizon IndyCar Series driver Conor Daly, who managed to casually run a street car out of gas the other day. He posted a tweet of shame about it, ending it with "#shouldhavepitted."
Yes, Conor, that probably would have been a good idea.


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What can you do with 50 cent a day? Send a child to school!
What can you do with 50 cent a day?
Send a child to school for 50 cent a day!
The situation of most children living in Acholi quarter is heartbreaking, but with only 50 cent a day we can send a child to a good primary school.
During my last visit to Uganda we visited the stone quarry, where I have found most of our kids working before we managed to send them to school, and where also their parents still work. Many children who are not YET in our program were sitting there in dirt. Crashing stones.
"The room was full with people, I was at the back listening to stories about myself"
I am in tears. The last days were so overwhelming and hectic. I have been at my own funeral, kind of, a room full with people, who all came for me. But as I don't speak the language, I was hiding at the back of the room with my camera, taking some pictures and listening. Listening to what David said about me (he spoke Luganda and English, which than Susan translated into Luo). Hearing stories about myself. What type of person I actually am. Where I was born. How I grew up. Why I came to Uganda. Why I decided to help. How my life as a nomad looks like. I heard especially a lot of good things dispact the fact that I am 32 years old and not married and have no kids.haha. So this 'funeral' was actually our parent conference.
"We held a parent conference in Acholi Quarter, Kampala"
We got all parents/caretakers of our kids together of Kampala's Acholi Quarter slum (internally displaced camp for war victims from northern Uganda). Many of the parents are also part of our artisan team, making jewellery for 22STARS. The school started this week, so we wanted to speak with them about their responsibilities, and also what we do and our challenges. Susan spoke some strict words to the parents, but overall there was a lot of laughter and happiness and cheering and dancing. People thanking me and telling me how grateful they are.
The biggest gift a parent can make to their child is not about money, but about raising them into good human beings
I also had to speak a few words to the parents. As I dont speak Luo Susan and David translated my words. I didn't really had a speech prepared and there I stood, quite overwhelmed. So I told the parents why I love their kids. It's not about how much money you can give to your kid. But how much love. And which values and manners you teach them. I gave them some examples about kids who are not loved, and kids who have rude behavior, disrepect others and are dishonest; they get no where. Where as our kids in Acholi Quarter are for real the cutest, thanks to their parents raising them like this. They always shake my hand, come in and thank me, come running to me to carry my bag, share their cookies with others, take care of each other and are motivated.
On Sunday we were together with all kids and a priest came to bless them for the new school term
The next day all kids came to our office for their usual weekly Sunday meal and we got a pastor over to bless them for the new school year. Susan and me made final payments to the schools, which has to be done in cash to avoid fraud, we talked with the teachers and I took tons of pictures of happy kids. The kids thanked me and told me to say hi to their sponsor and that they hope he/she will come one day to visit them. I had a five hour meeting with David and Susan and we have many updates to share with you soon! We also have some difficult decisions to make: use extra donation money to send more kids to school or to give our current sponsored kids a mattress to sleep on?
In Acholi Quarter so many parents tried desperately to sell some things, to still raise enough money and those last 50 cent for the fees of their children who are not yet sponsored by us.
Then we walked around Acholi Quarter. The whole area was so active. So many parents desperately trying to sell some things to get money together to send also their kids (who are not sponsored by us) to school. Some missing only 20.000 ugx (5 euro). Our phone was ringing the whole day, whether we can still put one more kid in our program. We visited the stone quarry, where I have found most of our kids working before we send them to school and where also their parents still work. Many children who are not YET in our program were sitting there in dirt. Crashing stones. Little toddlers of 3 years walking around crying, cause they don't know where their mother is. Kids crying while crashing stones.
Children are crashing stones instead of being in school in order to earn money for food.
A grandmother putting in front of me three of her grandchildren who lost their parents, bagging me to send them to school. Little girls grabbing my hand asking me to please also take their picture and show it to sponsors. I took their pictures and was about to cry in front of them, but I didn't do it and I stayed strong. And told my self, "Come on Stella, we Europeans saw these pictures now tons of time by Unicef. We are not having feelings anymore for that. You probably feel like crying, because you didn't slept so much the last days." Who nowadays still cares about kids without food sitting in a stone quarry instead of school?!
People earn not even an euro a day, so for them 50 cent a day for school fees is A LOT! But what is it for you?
You know what's crazy? With only 0.50 euro cent a day we can send a child to a good primary school; only 50 cent!! Which is way too much for people living in the slums on a dollar a day. For a Jerrycan that is full with crashed stones they just make around 5 cent! So they need to get 10 Jerrycans full a day fo that.


text: Like I have been saying all along, these people mean business and are going to force you to ''register'' your farm if you want to raise food [livestock]. This will allow them full access to your private property to ensure compliance [searches and seizures], even if you don't have any disease! It could be bad records, lost ear tags, non-compliance, and on and on. We already have programs that work for God's sake! They can go anywhere now if there is disease, they want this for total control and money, this is out of control Government at it's worst! This program will drain Billions of dollars from the millions of small farmers in America! They get rich, you get poor, this is how NAIS will work. We have done the math, it will destroy small farmers! One goat, one horse, one pig, anything that can get sick will be registered, chipped, and tracked, no exceptions! Costs? Chips, labor, computer sytems, readers, extra hours in sale barns for animals getting RFID chips read, record keeping for 14 events within 24 hours [full traceability]. Costs for data base holders and employees, costs for USDA employees to run the programs, costs everywhere in the billions but THEY say it will make everyone more money because it will ''protect us in case''. I could go on and on with costs and labor issues, not to mention the constitutional violations. Again, they get everyone to testify that supports it. NOT ONE SMALL PRODUCER WAS THERE! This is your future! If you raise your food or eat food, you need to pay attention! This will devastate small producers and run them out of business because they won't do the mountain of costs and regulations! If you are a small farmer, you will be out of business, if you are a consumer, I hope they give you bailout money to buy your food because you won't have enough after they destroy 30% of our food supply! Please join with me to stop NAIS! Call, write, and for God's sake VOTE THESE PEOPLE OUT OF OFFICE AND FIRE THE REST OF THESE SOCIALISTS/FACISTS! Bob Parker Lifetime Rancher/farmer/ in Missouri Realtor Please pass this on to everyone on your lists...most have not even heard of NAIS! for more information go to www.nonais.org


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Genetically modified(GM) foods - are they safe or harmful? While regulatory authorities have approved GM food that is on the market, some people are concerned that there is risk of harm. Most foods we eat may contain ingredients derived from genetically modified organisms (GMOs). If you live in Europe, avoiding GM foods is easier since laws require labeling. In the US and Canada, however, food manufacturers are not required to label if their food is genetically modified or not. Here are some guidelines for steering clear of GM foods in your diet, if that is your choice.
Step One:
Become familiar with the most common applications of genetic modification. These are the products (and their derivatives) that are most likely to be genetically modified:
Step Two:
Buy food labeled 100% organic. The US and Canadian governments do not allow manufacturers to label something 100% organic if that food has been genetically modified or been fed genetically modified feed. Also, just because something says "organic" on it does not mean that it does not contain GMs. In fact, it can still contain up to 30% GMs, so be sure the labels say 100% organic.
Trusted Organic Certification institutions include QAI, Oregon Tilth, and CCOF. Look for their mark of approval on the label of the product. USDA Organic standards pale in comparison , do not consider a product 100% organic if it is only USDA Organic Certified.
This applies to eggs, as well. Eggs labeled "free-range", "natural", or "cage-free" are not necessarily GE-free; look for eggs to be 100% organic.
Step Three:
Recognize fruit and vegetable label numbers.
If it is a 4-digit number, the food is conventionally produced.
If it is a 5-digit number beginning with an 8, it is GM. However, do not trust that GE foods will have a PLU identifying it as such, because PLU labeling is optional.
If it is a 5-digit number beginning with a 9, it is
Step Four:
Purchase beef that is 100% grass-fed. Most cattle are grass-fed, but spend the last portion of their lives in feedlots where they may be given GM corn, the purpose of which is to increase intramuscular fat and marbling. If you're looking to stay away from GMOs, make sure the cattle were 100% grass-fed or pasture-fed (sometimes referred to as grass-finished or pasture-finished). The same applies to meat from other herbivores such as sheep. There is also the slight possibility that the animals were fed GM alfalfa, although this is less likely if you buy meat locally. With non-ruminants like pigs and poultry that cannot be 100% grass-fed, it's better to look for meat that is 100% organic.
Step Five:
Seek products that are specifically labeled as non-GM or GMO-free. However, it is rare to find products labeled as such. You can also research websites that list companies and foods that do not use genetically modified foods, but be aware that information is often incomplete and conflicting interests may not be declared.
Step Six:
Shop locally. Although more than half of all GM foods are produced in the US and in Canada, most of it comes from large, industrial farms. By shopping at farmers' markets, signing up for a subscription from a local Community Supported Agriculture (CSA) farm, or patronizing a local co-op, you may be able to avoid GM products and possibly save money at the same time. More and more small farms are offering grains and meat directly to customers, in addition to the usual fare (vegetables, fruit, herbs). Shopping locally may also give you the opportunity to speak to the farmer and find out how he or she feels about GMOs and whether or not they use them in their own operation.
Step Seven:
Buy whole foods. Favour foods that you can cook and prepare yourself, rather than foods that are processed or prepared (e.g. anything that comes in a box or a bag, including fast food). What you lose in convenience, you may recover in money saved and satisfaction gained, as well as increased peace of mind. Try cooking a meal from scratch once or twice a week--you may enjoy it and decide to do it more often.
Step Eight:
Grow your own food. This way you know exactly what was grown, and what went into growing it. If you are growing your own plants from seed, make sure the company has taken the "safe seed pledge
Step Nine:
At chain and non-chain restaurants, you can ask which, if any, of their foods contain GMs, but the waiters/waitresses and kitchen staff are not likely to know. Ask them to find out what oils they cook with. It is usually one of the big four: corn, soy, canola or cottonseed. You may request butter to be used instead, though these are often products of cow that ate GM corn feed, it is a secondary product.
Step Ten:
Baked goods: Often has one or more of the common GM ingredients in them. Why do we need corn or soy in our bread, snacks or desserts? It's hard to find mixes to use as well. Some brands avoid GMs, find one you like and try to stick with it. Organic is one option, learning how to cook brownies, etc, from scratch with your own organic oils is another.
Note: This information on GMO is changing all the time. We recommend joining a local group in your area and stay informed with the recent changes to our food and GMO foods.


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The Lancet Reports On U.S. Cuts To Palestinian Aid
The Lancet: Funds cut for aid in the occupied Palestinian territory
"The U.S. State Department said on Aug. 31 that it would cut US$300 million in funding this year intended for the U.N. Relief and Works Agency for Palestine Refugees in the Near East (UNRWA). … The cut to UNRWA funds was one in a series of cuts to aid that supports Palestinian health services. … Pierre Krähenbühl, UNRWA commissioner general, said in an open letter on Sept. 1 that the U.S. cuts 'represented an evident politicization of humanitarian aid'…" (Devi, 9/15).


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Do you use a stand when you stitch? If so, tell us about it and share pictures if you've got them. If not, would you like to try using a stand? Do you have any tips or tricks around using a stand versus not using a stand?
I love my stand. I use it whenever I can (which is when I'm sitting in my stitching chair at home). I don't take it out on the balcony as there isn't enough room. But it lets me stitch two handed, which means I'm faster. I'm a slow stitcher to start with, and I want to be faster. So I use my stand to help me with that. It's awesome to be able to go faster. I'm not a huge fan of my stand. It's just a little cheapie, and it doesn't do everything I would like. So I love it for the thirty dollars I paid for it, and I really want to get a better one so I can easily reach the back of my work. I'm currently trying to save up the money to get a better stand. (It's not going so well due to my HAED addiction. I'm thinking of asking my mom to hold the money for me, as I think that may be the only way.) Tips: Get a stand with a good base. If it keeps tipping over, it's of no use to you. Get a stand that you can easily reach the back of. It can be a real pain to reach the back on some of them, and you have to reach the back every time you start and stop a thread. And lastly, find a stand that fits with your lifestyle. For me, I had to have a stand that was easy to change projects with, and a stand that was Q-snap friendly. I take my stitching all over the place (pharmacy, mom's house, David's house, out on the balcony with Yes Dear), and I needed a stand where I could take my Q-snap and go. I once tried using a scroll frame for something, but it's hard to use without a stand, and I didn't like trying to carry it everywhere as it didn't fit in my bag. Dust, dirt, water, it could have gotten anything on it. So now I make sure my stand is Q-snap friendly as that's what I use (they're nice and portable). Also, make sure your stitching space is big enough for the stand you choose, and make sure the base will fit around/under your stitching chair. After all, if the legs of the base are too thick for you to get them under your chair, you won't be able to have the stand be close enough!! Enjoy them too. They're great!!
You can see all the blog hop participants at their own little blogs below. Thanks to STNA for hosting it.
Visit all the blogs in this round of the Stitching the Night Away Stitching Blogger Blog Hop:
Find the instructions on how to participate in this round by clicking here.
And lastly, but certainly not leastly, I've been doing some work on my blog today. I changed my rotation, y'all. I want to see more progress, so I decided to cut my rotation down to ten projects. Six of the twenty I needed to keep, so I put the other fifteen names in a list and randomized them. I saved that list to a document, and then put in the ten projects that are in my new rotation and randomized again. So now I have one list of my rotation as it is now, and another list of UFOs in the order they'll enter my rotation as other things get finished. I'm happy with the way it turned out. For those of you that are curious, my six projects were:
- Desert Landscapes Mandala~because it's in honor of my dad who died a couple of years ago.
- Country Bloomers~because it was a gift from Christine M. Wilson, and she's an awesome friend, so I want her to see it getting worked on.
- Rosa~because it's a gift for Rosa whom it was named after. I want to get it finished for her so I can give it to her.
- Memorial for Dad~because of the obvious reason.
- Story Keeper~because it's a SAL with Julie. Sort of. She works on it every once in a while, and I work on it every once in a while. It's not a set day of the week, but we're pretty close to the same place on it, so it's all good. This one will probably fall out of my rotation when I finish the first page so Julie can keep up with me.
- Shore Patrol~because it's the same sort of Sal with Evalina. We both have it in progress, but it's not assigned a day or anything like that.


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A Roman miniature, perhaps votive, axe-shaped chisel was found here by metal detecting.
December 1986. Part of large scatter NHER 3565. Metal detecting on arable. In southwest angle of road junction.Miniature votive? tool, like axe shaped chisel. Copper alloy. Circular top, diameter 8mm, length 21mm.E. M. James (KLM) 27 April 1987.
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This postcard shows Wolfe Hall at the College of the Sisters of Bethany in Topeka, Kansas. The stone and concrete addition to Wolfe Hall's porch could possibly be credited to Kansas City architect Louis Curtiss. The building was located at Ninth and Polk Streets and was completed in 1872 to provide an Episcopalian education to young women from kindergarten through their second year of college. For a number of years classes were taught in the college's main building until a decline in enrollment forced the school to close its doors in 1928. Wolfe Hall was demolished in 1959.
Date: Between 1911 and 1928
Item Number: 310958
Call Number: FK2.S5 T.76 BC *22
KSHS Identifier: DaRT ID: 310958
Built Environment - Areas of Significance - Education
Built Environment - Function - Education - College or University
Collections - Photograph
Date - 1910s
Date - 1920s
Education - Higher education - Institutions - Bethany College, Topeka, Kansas
Education - Private - Religious
Objects and Artifacts - Communication Artifacts - Documentary Artifact - Photograph
Objects and Artifacts - Communication Artifacts - Documentary Artifact - Postcard
Places - Cities and towns - Topeka
Places - Counties - Shawnee
Type of Material - Photographs
Type of Material - Postcards


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James Norris, who graduated from YSJ Theatre this year, has featured in a special article for OneandOther magazine. You can read the full article here, and follow James work on tumblr at a-mothers-trace.tumblr.com
Monthly Archives: August 2014
Year in Review 2013-14 Part 3
Trying to condense a whole year of Theatre at York St John into one blog post isn't easy, so we've condensed it into three! In this third and final year in review post we show a sample of the brilliant achievements our Theatre Students have made over the last academic year. We haven't included everything but instead present a range of projects, events and achievements from the last academic year.
Part 3 – Student Achievements
Graduating Student company Juniper Theatre present their work 'The Wood between 2 Worlds' at Deer Shed Festival in North Yorkshire. Starring graduating theatre students Lizzy Wynes, Johnny Curd & Mikhail Lim.
4th Annual Graduate Theatre Prize
York St John University and York Theatre Royal are delighted to announce the winner of the 2014 Graduate Theatre Prize: Meander Indoors for Arthur Author
(Meander Indoors are Jonny Curd, Kym Kitching, Ben Rosenfield, Elizabeth Whynes, Charlotte Goodland and Simon Bedwell.)
The prize is awarded each year to a final year student or student theatre company studying at York St John University. As well as recognising the excellence of work produced by YSJU theatre students, the prize also represents both organisations commitment to assisting creative individual in the post-graduation transition to professional arts practice.
The Prize is judged by a panel including the Artistic and Associate Directors of the Theatre Royal. The prize winners will receive a period of artistic mentoring at the York Theatre Royal and the opportunity to present work at a platform event hosted by the theatre in autumn 2014.
Associate Director Juliet Forster said, "The company have created a piece that is both original, theatrical and precise, high production values were shown throughout and they were clear winners. Damian Cruden and myself are looking forward to working with them and seeing how the piece can develop further."
This year, a runner-up prize has also been awarded to Jim Jams Theatre Company (Adam Waslin, Michaela Pascall and Alex Holderness), in recognition of their ambition to create high quality theatre for children. Jim Jams have also performed Little Red Riding Hood at the Deershed Festival, The York Pauline Quirke Academy, Park Grove and Lord Deramores primary schools.
Prison Partnership
final year students James Aconley and Melissa Mallin were employed on the Prison Partnership Project to deliver a summer programme of weekly drama and singing workshops with the residents at HMP Askham Grange.
Melissa Mallin was successful in her application to be the student researcher on the Prison Partnership Project.
Recent theatre graduate Lisa Thornton was successful in becoming the student intern on the Prison Partnership's "On the Out" project working alongside lecturers Rachel Conlon and Jules Dorey Richmond.
Out Of Character
Out of Character perform with our students at the International Network Toward Alternatives and Recovery Conference, Liverpool, June 2014
99 Nauman, Recite, Loop, Shift
Theatre Students Kirsty Wolf, Jess Chaney, Jonny Curd, James Norris, Charlotte Goodlad and Orlando Wind-Cowie wrote and composed 99 Nauman. Recite, Loop, Shift in collaboration with Dr. Claire Hind.
Taking the Artist Rooms' Bruce Nauman exhibition as inspiration, 6 students (writers and performers) composed physical, written and spoken responses to the works on display at York St Mary's with the specific task of thinking through some of Bruce Nauman's forms and influences.
Year In Review 2013-14 Part 2
Trying to condense a whole year of Theatre at York St John into one blog post isn't easy, so we've condensed it into three! In this second post we give examples of the amazing opportunities available to theatre students at York St John. We haven't included everything but instead present a range of projects, events, stories and achievements from the last academic year.
Part 2 – Student Enhancement
Field Trips
- Level 1 Students visit Featherstone Castle for three days of site-specific devised work
- Level 1 Students day trip to Scarborough as part of the Introduction to Performance Writing module
- Level 2 Students visit Krakow Poland and visit Auschwitz Concentration Camp as part of the module Artist as Witness
- Level 2 Students visit Matt Fraser performance at WYP and meet the artist afterward for a post-show conversation
- Level 3 Students visit London for a three-day research trip to meet theatre companies and practitioners to interview. They also see as many performances as possible.
Performing House
Our in-house theatre Performing House shows touring work by emerging and established theatre artists.
- Layla Cole & Aby Watson – Dust yourself off and try again & What a fanny
- Atom-R – The Operature
- Jules Dorey Richmond & David Richmond – Terrorists of the Heart
- Instant Dissidence – Caramel
- Nathan Walker – Sneck Stairs
- Ridiculusmus – The Eradication of Schizophrenia in Western Lapland
Visiting Artists:
Chicago-based artists and theatre makers Mark Jeffery and Judd Morrissey/ATOM-R were here in October for a workshop and performance with Level 2 Multimedia students and some other Level 2 and 3 students. You can see an example of their work with our students in the video above.
Artist Ella Finer and practitioner Ollie Smith work on contemporary text strategies with Level 1 Performance Writing students.
Mole Wetherell, director of theatre company Reckless Sleepers, worked with Level 3 Contemporary Theatre Project students
Artist and writer Claire Macdonald delivered a workshop for Level 2 students studying Texts, Scripts & Scores module.
Both Staff and students were fortunate enough to participate in a workshop renowned theatre makers Cardboard Citizens at York Theatre Royal.
Storyteller Shonaleigh performed at York St John University as part of Holocaust Memorial Day
Level 2 and level 3 applied theatre students had the opportunity to work with nationally acclaimed theatre companies Clean Break, Graeae and Cardboard Citizens within their modules.
Greaea in collaboration with the NYCC FUSE project provided a week long training programme to students working with SEN young people exploring Integrated Arts practice.
Cardboard Citizens delivered to students on the Level 2 'Schools' module, training in the devising and delivery of Forum Theatre.
Clean Break Theatre offered the opportunity for Level 3 students to participate in a 3-day residency as part of their prison engagement work around their nationally acclaimed play "Billy the Girl" in HMP Askham Grange. Students also went to the Manchester Royal Exchange to see their latest performance of Vivienne Franzman's play "Pests".
Students were also fortunate to work with theatre practitioners Jill Adamson and Stephen Burke, exploring accessible arts practice and devising for Theatre in Education.
York Mystery Plays – Directed and performed in YSJU's Wagon Play Performance of The Woman taken in Adultery and the Raising of Lazarus, which involved undergraduate and postgraduate students and was performed on the streets of York on Sunday 13th and 20th July, as well as a special charity performance at YSJU on Friday 18th
This last semester we hosted Theatre Hullabaloo's latest play 'Tiny Treasures' which was devised after a research process with young carers, it was to launch their tour and to share their work with York City Council, teachers form York Schools and for young people who are young carers. This was a collaboration project between Theatre Hullabaloo, Inspired Youth and York Young Carers. Students were able to see the performance and attend the drama workshop and Q and A afterwards.
Level 2 students studying autobiographical work on the module 'Performance of the Self' were fortunate enough to work with visiting Performing House artists Layla Cole & Aby Watson.
'Performance of the Self' students also participated in a workshop delivered by the wonderful artist Adrian Howells.
Adrian Howells (1962-2014)
Adrian's relationship with us at York St John University nearly spanned 10-years and over that period he has given most generously of his time and experience as a performance-maker who created work that often promoted intimacy, vulnerability, mutual nurturing and genuine exchange with an audience, most notably in a one-to-one, autobiographical, or confessional context.
For those of us who were lucky enough to work alongside Adrian, or were privileged to hear one of his artist's talks here at YSJU, or simply chat with him over a coffee in the canteen, we can testify to his warmth, generosity and of course wicked sense of humour. It is extremely sad that he is no longer with us, he was a good friend and he will be sorely missed.
Year in Review 2013-14 – Part 1
Trying to condense a whole year of Theatre at York St John into one blog post isn't easy, so we've condensed it into three! In the next three posts we will document the innovative and diverse theatre practices taking place both on and off campus. We haven't included everything but instead present a range of projects, events and achievements from the last academic year.
Part 1 – Staff Research & Practice
Dr. Claire Hind
The International Symposium Infinite Record, Archive Memory, Performance was hosted by York St John University and welcomed Berlin Based Artist Arnold Dreyblatt, Performer Sxip Shirey, Composer Trevor Wishart and academic Astrid Schmetterling. Faculty of Arts MA students were involved in the technical running of the symposium and MA student Emily Rowan presented a sound installation over the 3 days to international guests.
An exhibition and presentation of York St John staff members was curated by Dr. Claire Hind. Dr. Matthew Reason and Dr. Justin McKeown delivered papers and Nathan Walker premiered his work the Action Score Generator. The conference also saw a presentation of 'Dream Yards' a walking tour by Gary Winters and Claire Hind which included Theatre student Jess Chaney.
Dream Yards has also been touring the UK's studio theatres, playfully delving into the hidden worlds and narratives connected to iconic figures and fictional characters. The work premiered at York Theatre Royal and will go to Theatre in the Mill Bradford later in the year. Theatre graduate Richard Wade worked on this touring show as the stage manager.
Dr. Nick Rowe
Nick's project Converge, which forms relationships between YSJ and local mental health service providers, was shortlisted for Times Higher Excellence and Innovation in the Arts Award.
Dr. Eirini Nedekopolou
Eirini has recently completed a collaborative project with KMA as part of Yorkshire Innovation Fund and there is a research outcome linked to it. This is related to the conference paper 'Performing Participation into the Open Air. KMA's Congregation', delivered at Onassis Cultural Centre, Athens, May 2014.
Eirini has also delivered her research 'Re-routing Intermedial Participation: (Anti) Social Generosity in Six Acts', at the International Federation for Theatre Research (IFTR), Re-Routing Performance Conference, Institut del Teatre, Barcelona, Spain, July 2013, and
Eirini Co-convened the TaPRA Performance and New Technologies, University of Glasgow, September 2013 with the theme of Embodied Engagement: Participatory and Immersive Performance.
Eirini is also contributing a chapter on participation, digital art and public sphere to a book she is co-editing – Performance & Phenomenology: Traditions and Transformations, Routledge 2015.
Jules Dorey Richmond & David Richmond
As part of the Cultures of Memory Symposium 2013 Jules and David co-authored a paper Talking back the Y(t)ears – on their collaborative Theatre of Witness series of works with WW2 veterans, witnesses and survivors, which David presented at Syracuse University London. They also performed their autobiographical duet terrorists of the heart – a meditation on parenthood, ageing, grief and loss, as well as a political manifesto with some Morris dancing, which was shown at York St John's Performing House. Jules also exhibited her Memory Drawings, which explored the relationship between the feelings of a memory, mark making and repetition.
Jules and David are currently working on The Personal Archive Project, which is a paper, exhibition and catalogue document of personal objects and narratives, which chart their embedded lives together, which will premier at the forth coming Cultures of Memory Symposium 2014.
Jules and David are working on a chapter for a book: The Self in Performance: Autobiographical, Self-Revelatory, & Auto-Ethnographic forms of Therapeutic Theatre. Co-Editors: Susana Pendzik, Renee Emunah, David Johnson. To be published in 2015.
David Richmond exhibited his photographs at City Screen to mark Holocaust Memorial Day, depicting his annual secular pilgrimage to Auschwitz and the subsequent work made with students on the Artist as Witness module.
Jules Dorey Richmond, along with Rachel Conlon conducted consultations with various local agencies and delivered a series of 12 taster workshops with 3 different groups in York: YACRO Women's House; Changing Lives; and Blossoms at Life line, as part of On the Out – a project which places creativity at the centre of working with women on the fringes of the criminal justice system. Jules is currently working on a visual document of this project to be disseminated as part of the forthcoming I-CAN event at the Theatre Royal on narrative and criminal justice.
Professor Matthew Reason
Elusive Evidence – On 10th June Matthew Reason and Nick Rowe co-convened a symposium exploring how artists and researchers can document, measure and evaluate arts practice in social context. Ten invited speakers presented papers, along with staff from York St John University in theatre, fine art, music and dance.
International Centre for Arts and Narrative (ICAN) Run in collaboration between York St John University and York Theatre Royal, ICAN runs events, workshops and talks exploring narrative in and through the arts. This academic year ICAN ran four public talks on Narrative &… ( & food; & mental health; & adolescence; & alternative futures) and between January and July ran weekly workshops to schools, community and other groups. See www.artsandnarrative.co.uk
Storytelling and Adolescence – In September 2013, York St John University and York Theatre Royal received Arts and Humanities Research Council funding for a collaborative doctoral studentship on the theme of storytelling and adolescence. Cath Heinemeyer is now working on this project. You can visit Cath's blog here www.storytellingwithadolescents.blogspot.com.
Nathan Walker
Nathan has presented his practice-led research in computer generated text and performance scores at Modular Form Symposium, Roehampton University, London and at TaPRA Performance and New Technologies, Royal Holloway, London. (forthcoming) This research discusses the context and history around his work the Action Score Generator which was presented at York St John as part of Infinite Record Conference, curated by Dr Claire Hind.
Nathan was commissioned to make a new large scale performance at Performance Space, London which resulted in new work NAPE a 6 hour durational install-action.
Nathan premiered the performance of a new play 'SNECK STAIRS' with artist Emma Bennett at York St John's Performing House and also presented new writing at The Other Room, Manchester.
Rachel Conlon
Rachel launched The Prison Partnership Project in September 2013 and has provided theatre and fine arts students the opportunity to gain experience from working inside HMP Askham Grange. Clean Break's play 'Billy the Girl' was performed at the launch and students and staff attended the performance in HMP Askham Grange. Run in collaboration with the nationally acclaimed theatre company Clean Break and HMP Askham Grange, the project was born out of the desire to provide a unique, creative partnership between education, the arts and the prison service. The project aims to give students the invaluable experience of working in the community and provides a real-world understanding of the impact of the arts within a criminal justice setting. The project aims to provide the women residents the opportunity to develop creative and life skills through the arts, in line with their resettlement plans approaching release into the community.
The partnership has just been awarded funding for the next year from the North Yorkshire Police and Crime Commissioners Office to deliver three arts projects on a weekly basis in theatre, singing and fine art.
Rachel also secured funding from the Joseph Rowntree Foundation Trust to deliver the 'On the Out' project with colleague Jules Dorey Richmond – working with women who have had an experience of the criminal justice system or who are in recovery and living in the wider York community. It had come to Rachel and Jules' attention that there was no such provision in York for women post release to engage in an arts process. So following on from the arts delivery at HMP Askham Grange and after a wide consultation with service providers in York, the project began and has grown in strength working with the local organisations Changing Lives, Lifeline and YACRO.
Both projects offer the opportunity for two different kinds of communities to come together – university students and women, with the aim of participants coming together to engage in an arts process and gain understandings and encounters and to be part of a transformative learning experience that emphasises collaboration, dialogue and addresses issues of social concern.


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Home Accommodation Deluxe(Single Room Use)
The deluxe rooms are characterized by elegant atmospheres and soothing colors.
Simple and elegant atmosphere, natural materials, relaxing colors, to isolate themselves from the outside world once the door is closed.
Low season: € 150 per Night
High season: € 180 per Night
Room size: 25 m²
Who has been in Bali can not forget his beautiful colors: green, blue, bright pink flowers. The dark and fragrant woods of the furnishings. This room is made for them. And for those who have not been there yet.
A room created as a theatrical set design. All furnishings are designed and give the environment a very strong impact. The relaxation area is equipped with a large bath and is independent of the bathroom.
Room from
Per Night


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Scouts receive Arrow of Light award
Some local scouts are moving to the next level. Cub Scout Pack 336 recently participated in the Arrow of Light ceremonies, the highest obtainable award available to Cub Scouts.
This is the official transition into Boy Scouts. Pack 336 is sponsored by the Kiwanis Club.
Read or Share this story: http://www.hometownlife.com/story/news/local/south-lyon/2016/03/15/local-scouts-receive-arrow-light-award/81803260/


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E3 ? excitement, exuberance, excessive?
The lads over at ShackNews have been kind enough to throw together a collection of E3-related links for your perusal. In case you've missed it, the highlights are something like this:
- Nintendo and Sony announced new handheld systems. The Nintendo system features Bluetooth, WiFi, a microphone, a second touch-sensitive screen, and backwards compatability with current Game Boy Advance games. The Sony PSP has USB 2.0, an Infrared port, 802.11b, and (in an echo of the PlayStation vs. Nintendo 64 war) the PSP utilizes an Optical Disc in place of Nintendo's conventional cartridge. Cartridges are more durable and power-friendly, both key for mobile systems, but optical discs, with their incredible capacity and ease-of-production hold several significant financial advantages. In the end, it will come down to who can leverage their new technologies to make a more enjoyable gaming experience. Doesn't it always?
- Doom 3 will definitely come out this summer. If it's done. I'll believe them, because I want to.
- Half-life 2 will also definitely come out this summer. This is straight from the mouth of the man who told you it would be out last year. I don't believe them, even though I want to. In a shocker to no one, the sequel to the incredibly popular mod Counter-Strike will also be available at the HL2 launch. The first Wall Hack for CS2 will be available approximately 37 minutes after launch.
All-in-all there's a ton of announcements, far too many to try to track. Judging by what I see, though, we could be in for the best year of PC gaming ever.
Knights of the Old Republic returns, with A twist
[Calvin] GameSpot is reporting that a KOTOR sequel is on the way, but it won't be developed by the Jedi-like talent at Bioware. Instead, the original engine has been licensed by the new developers, Obsidian Entertainment, who plan on placing the player in dire straits:
Darker in tone than the original, The Sith Lords will pick up five years after the first game's conclusion, with players slipping on the robes of the galaxy's last Jedi. They will have to travel to seven different worlds in their efforts to defend the now-turmoil-plagued Old Republic against the machinations of the Sith Lords. Several characters from the original KOTOR will return in the sequel, although LucasArts did not say which ones specifically.
I'm going to be honest with you ? KOTOR was one of my two favorite games from last year (along with Prince of Persia), and I'm expecting big things from this game. If Episode 3 sucks, and we know it will (midichlorians my butt), I've lost US$9 and 3 hours of time. But given the wonderful history of Star Wars games, their price, and the time I invest in them, I hold them to a much higher standard. I don't expect every release to be as good as Tie Fighter, but I definitely expect better than Force Commander. Bioware created such a rich world, a good story, solid game play, and subtle humor (Gerlon Two-Fingers) that I would hate to see ruined by a subpar sequel. At this point, the Star Wars games are bigger to me than the movies, and I hope KOTOR 2 can continue that.
As an aside to the Mac users out there ? Aspyr is working on a Mac version of KOTOR, and it's due out late summer. If you like Star Wars or RPGs, I highly recommend it.
A Phantom for real?
[Calvin] Yahoo is reporting that the Phantom Console, long rumored and often questioned, is due to launch on November 18th, 2004. Even better, they've set a price: US$199 without a subscription. That's right ? the console itself does nothing.
The service, starting at $29.95 a month, will offer users certain basic content for free, and access to either buy premium games at prices comparable to regular retail or rent them, usually $5 for three days. "When I look at the company, what I see is a services company," Bachus said. "People were excited about the idea, but they were skeptical about the company's ability to execute."
Sure, I was skeptical about the company delivering a product. Now that they (seem) to have done that, I'm skeptical about them coming up with US$30 worth of content for me every month. On the flip side, the plan seems to be financially sound, as long as people subscribe. Too often a company comes out promising the world for the low, low price of $X dollars a month, only to go out of business because they really needed $5X a month to stay afloat.
Whatever your opinion on the company, two big hurdles remain: first getting basic and premium content that people will pay for, and then getting their name out as a serious competitor in a crowded market.
The Force is strong with... this one or that one?
[Calvin] Here are another two games for all you Star Wars fans:
Of course, what will get Star Wars fans hot under the collar is the fact that the game contains such a heaping helping of the characters (such as those just mentioned) and locales they know and love. Taking place across ten worlds, with sixteen different maps, Game A represents a huge chunk of Star Wars real estate. The developers have decided to leave no one out in the cold, either, when it comes to the game's timeframe; you can choose to play the original movie trilogy timeline or the Episode I-III period.
To bring these environments to life, the developers started by watching the five currently available movies multiple times and thinking about which scenes and locations would make for the most epic, engrossing maps and battles in a video game. LucasArts provided reference materials for the artists at Pandemic to work off of, and design of the game began.
Since some locales aren't featured in one continuity or the other, you won't be able to access all the planets at any time. Geonosis, for example, which is desert world featured largely in the last third of Episode II, will only be open if you're fighting in that continuity. Yavin 4, where a Rebel base is secreted in the original films, is also featured in the game, for the original trilogy time period. Its canopy of trees, with sunlight streaming through, and scattered ruins -- which the Rebels used as bases -- are quite striking even this early in development.
On the other hand, Tatooine features in both eras, although, of course, what vehicles you can use changes depending which era you're fighting in. Naboo, as seen in Episode II, is filled with courtyards, stone edifices, and nooks, crannies, and balconies to fight from. While creating levels the designers decide whether the locale would be better for straight infantry or vehicle-based fighting and design appropriately, keeping the appearances of the areas in the films in mind.
Wait, here's another:
Game B will put you in the role of an every day soldier in the Star Wars universe. You will be able to choose between the Galactic Civil war and The Clone Wars and fight by either means of Land or Air in many of the Vehicles you can see throughout the Star Wars universe
Now you might be thinking "why would Lucas Arts license two titles so close in content and genre at the same time?" I certainly was, and it wasn't until I read more closely that I discovered that Game A was Star Wars Battlefront, a title in development by Pandemic Studios, a professional video game development house. Game B, on the other hand, is BattleField Galactic Conquest, a mod for BattleField 1942, being developed by some fans. This is the first time I can think of that two teams, one professional and one amateur, have tackled a project so similar in style and material, and it raises some interesting questions.
For starters, which game will be more enjoyable? I think there's a clear edge for the professionals in the graphics and sound department, as they probably have incredible access to the vast Lucas Art's archives of models, images, and sounds. But there's more to pretty graphics and cool sounds ? there's the underlying engine, which is a proven quantity in the case of Galactic Conquest, and gives them a preformed audience that can play the game for free. In addition, the mod team has more freedom to play with the Star Wars universe and lore. They can alter the rules any way they choose. Fans might complain, but if Lucas doesn't like it, what can he do?
The biggest question, though, might be financial. Many promising games have been rushed out the door, buggy and incomplete and far less than their hype led us to believe. Can a group of people doing this for their own passion create something better than the pros? The amateurs have a stable feature base to start from, no deadlines, no publishers leaning on them, no licenses to pay off, no restrictions at all on how much time they take, save their real jobs. They don't have to worry about "dumbing down" the title to snag a wider sales base, as many accused Deus Ex 2 of doing.
If, indeed, the mod (Galactic Conquest) is as good as, or better, than the licensed product (Star Wars BattleFront), then it may cannibalize the sales of BattleFront. If this happens, we may see lawsuits in the future designed to keep some mods from getting of the ground. While this would be good for business, it would be bad for gamers.
Soooo close, yet so far away!
[Calvin] Hall & Oates never knew, when they penned those lyrics, that they would get stuck in my head for some ungodly reason. Yet they're all-too-descriptive of my current dilemma regarding those sexy, sexy new video cards being released from ATI and Nvidia. The only problem is that despite all the hubbub, most of the cards won't actually be in stores for a while.
This is the first time since 1998 that I've been so excited about a video card upgrade. Back then I was going from an ATI Mach 64 to a Mach 64 + Voodoo 2 card, and since then I've tried to buy cards used or mid-lifecycle. My GF4 4200 is a bit too wimpy to handle games like Far Cry, and I suspect Half-Life 2 and Doom 3 will be equally punishing.
I also suspect that many of you are similarly interested, as these new cards are head-and-shoulders over what was "top-of-the-line" only two months ago. My new credit card billing cycle starts in just a few days, so I'll do my best to get one and let you know how fantastic it is ;)
Is the future of Internet gaming destined to repeat itself?
[Calvin] While I was out trotting the globe, Vivendi Universal, commonly the "Bad Guy" in copyright stories, did something unexpected: they released Tribes and Tribes 2 for free via magazine pack-ins and the Internet. While I never liked either game, there is a hardcore following for them and they had some undeniably-great game play, if you liked team games.
This release, and some discussions with our Official Ars Slacker Pauli, got me thinking ? are we going to be playing the same games in the future? I don't mean sequels to these games, or games in the same genre, I mean the exact same games.
Think about it like this: Quake had a ton of awesome mods made for it. So too did Half-Life, and Quake 2 and 3, and there are some excellent games out right now (BF1942, UT2k4). The major difference between these titles is how much processing power, both graphical and otherwise, they require. A Quake server, which used to be a dedicated machine somewhere, could run in the background of a modern server. The other games are more stressful, but how long do you think it will be until you could conceivably run a UT2k4 server on 5% of your system's CPU power? How long will it be until you can run it from your PDA or cell phone?
Fuzz, long-time gamer and one of the "Big Cheeses" over at the gaming enthusiast site Arsclan.net, has started up a 12-person Tribes server on a Duron 800. He's told me it uses about 30Kbps of bandwidth, which isn't much these days. In fact, a look at the newly-announced PSP handheld from Sony reveals that it has a 333MHz CPU and 32MB of RAM. I know you can't blindly compare MHz across platforms, but I think we're only two generations from squeezing the power of Fuzz's server into a handheld.
It may seem crazy ? I have trouble wrapping my head around how far we've come ? but if "Moore's Law" continues, we will have more and more computing power squeezing into smaller and smaller areas. Eventually we'll have the power needed to run these games in unexpected places, but will we do it? The games of my childhood say "Yes."
Work waster
Forum-goer, admin of the Ars Technica UT2k4 server, and general all-around-good-guy Mr. Determination pointed me to a cool little web game: Hydrophobia. The graphics are a touch plain, but serve their purpose, the music is infectious, and the game play is not too tough, but not too simple. You play as a frog who's scared of water, jumping from lily pad to lily pad and eating flies. If you fall in the water you die. Of course, I learned in school that frogs that don't have wet skin die, so I think our hero is doomed, phobia or not.


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We like staying up-to-date with the latest weight loss trends and tips. With so many people struggling to lose weight, it seems like there is a new weight loss "fad" coming out every month! The latest weight loss tip that we've been hearing about is using garcinia cambogia and apple cider vinegar to drop pounds rapidly. When we first heard of this trick, we had two initial questions: "What in the world is garcinia cambogia?" and "Does this really work?" We did our research and we're giving you the full scoop below!
Garcinia Cambogia and Weight Loss
Garcinia cambogia is derived from the gamboge fruit, a melon-like fruit that grows in tropical regions of Asia and Southern Africa. Gamboge is a popular fruit amongst the people in these areas and also the animals! In fact, it is called the "monkey fruit" because monkeys often steal the gamboge melons!
Extracted from the rind of the gamboge fruit, garcinia cambogia contains a high content of hydroxycitric acid, or HCA. HCA is a natural compound that is known for suppressing appetite and increasing energy. Suppressing appetite encourages weight loss by discouraging over-eating and snacking throughout the day. Obviously increased energy is beneficial for weight loss because it makes it easier to exercise more frequently and for longer durations. In addition to suppressing appetite and increasing energy, HCA's primary weight loss benefit is boosting metabolism. Increased metabolism is especially beneficial for older individuals whose metabolism has slowed down and led to weight gain.
Apple Cider Vinegar and Weight Loss
Apple cider vinegar is a solution that is made from apples and yeast. It has long been known for its health benefits, including its ability to prevent infection. It has recently been regarded for its numerous weight loss benefits.
Studies have shown that regularly consuming a small amount of apple cider vinegar can encourage weight loss by boosting metabolism and suppressing appetite. It can also accelerate weight loss by acting as a dietary cleanse, ridding the body of harmful toxins that weigh the body down.
Using Garcinia Cambogia With Apple Cider Vinegar For Accelerated Weight Loss
When used in conjunction, garcinia cambogia and apple cider vinegar can effectively lead to significant and rapid weight loss. While apple cider vinegar is easily accessible, being available at most grocery stores, not everyone can get their hands on garcinia cambogia. We don't all live in the tropical regions in which it naturally grows. Since more and more research has come out showing the dietary benefits of garcinia, many brands in the weight loss industry have started to produce garcinia cambogia supplements. These simple supplements can be taken once or twice daily along with a teaspoon of apple cider vinegar with each meal. This will help to accelerate your weight loss by as much as one pound per day!
Don't Forget!
There are a few important things you need to remember when using garcinia cambogia and apple cider vinegar to lose weight. The first thing is that you should always check with your doctor before starting any new weight loss regimen or taking any new supplement. You need to make sure that you are in optimal health to ensure that you have the best results! It is also important that you do not exceed recommended dosages of either garcinia cambogia or apple cider vinegar. While both are natural and have no reported side effects when taken as recommended, they can produce gastrointestinal upset if taken in excess. The final important thing to remember is that you want to do your research before purchasing or consuming either garcinia cambogia supplements or apple cider vinegar. Read customer reviews and read all product labels. You want to make sure that you are using all-natural garcinia supplements with the highest concentration of pure garcinia. This will not only ensure your safety, but will yield the best results.


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The parliamentary inquiry into the music and arts economy held its Newcastle hearing on Thursday.
The dwindling number of live music venues, and strict noise regulations dampening the city's music scene in the city, were tabled.
The New South Wales government inquiry was launched in November 2017 to look into the red tape surrounding the industry and to create possible policies to support the music and arts scene.
Labor committee member John Graham said "we have a music venue crisis" across New South Wales.
"There aren't enough places that are open where musicians can work to be able to sustain the grass roots of the music industry," Mr Graham said.
"That's the real issue the committee is hoping to tackle."
Strict lock-out laws were imposed on Newcastle city venues a decade ago. Violence has steeply decrease, but the night-time economy tumbled with it.
Sydney followed suit on the laws six years later in 2014. The city also faces the same issues in the aftermath.
"There is simply no plan in place to tackle this problem," Mr Graham said.
"It's quite a surprise that Parliament had never spoken directly to the music industry before, and it's overdue."
Newcastle's own Live Music Taskforce presented its findings to the hearing.
Residential development booming in the inner city was a major issue for the group compiled of musicians, venue owners, local, state, and federal politicians.
Screaming Jets co-founder and member of the taskforce Grant Walmsley said "it's not about awareness, this is about real change at a legislative level".
"We're very concerned about this unbridled property development boom that's come in and telling established venues like the Lass O'Gowrie, The Wickham Park Hotel, The Cambridge, like Lizzotte's, that they can't make noise anymore," he said.
It is also an issue also for Newcastle MP Tim Crackanthorp.
"We need to ensure somewhere like the Lass O'Gorwrie won't be shut down by over 100 apartments coming onto their back fence," he said.
"When people move into these areas they need to know that cafes, restaurants and night clubs are there, you have to expect it when you move in.
"We want to make sure Newcastle's voice is heard in the inquiry and comes through in the recommendations."
The inquiry has held hearings in Sydney, Byron Bay, Woollongong and will soon do so in Tamworth.
It has journeyed to Melbourne to see how the arts-friendly city deals with the same issues.
The government inquiry received 422 public submissions.
"This'll be one of the biggest inquiries the parliament conducts this term by the way of submissions," Mr Graham said.
According to Mr. Graham, hundreds of venues across the state are banned from hosting live music due to strict regulations.
"We're making it far too hard. Too many unnecessary rules and regulations that mean there are restrictions in keeping venues open, or allowing musicians to work," he said.
The parliamentary inquiry continues in Sydney today, and Tamworth on September 13. It is due to conclude in the coming months.


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