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subset: commoncrawl


text: During the period of Jun. 18-22, our company sent Quality dept. Mrs. Yao Qianqian to the US FDA international Food Safety Training Laboratory, to participate the training of light filth in paprika, After 5 days of the theoretical and practical training, passed the FDA certification and assessment, got the "Hands-on Filth Analysis for Food Safety"certificate, our test equipment in lab is constantly updating and technology on test keep improving, we always be strict in quality, let the customers to rest assured.


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|October 4th, 2003, 10:33 PM
Regular Crew
Join Date: Oct 2003
Location: Hooper, UT
Posts: 177
Thanks! Really enjoying the posts. Lots to look into on this board.
|October 7th, 2003, 03:34 PM
RED Code Chef
Join Date: Oct 2001
Location: Holland
Posts: 12,514
That little movie was the bomb! Well done and quite funny. Now
that's what I should've done with my LEGO back in the days.
Hmmm.. my little brothers still have my Lego <g>
Did you guys see the other stopmotion movie that was made
by Josh Bass here @ DVi? That one really rocks the cradle as
I'd say you two are our stopmotion experts here! <g>
Rob Lohman, firstname.lastname@example.com
DV Info Wrangler & RED Code Chef
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|October 9th, 2003, 06:00 AM
Join Date: Aug 2003
Posts: 1,483
Hi guys. I've been following this thread. I do find intriguing Shawn's idea of collecting some better consumer cams, each with its own sweet spot, and using it where it would be most appropriate. Oh, the flexibility.
Anyways, I'm writing in to let y'all know that I'm just finishing up a low-light comparison of a handfull of the consumer mini-dv cams out now which are in the $300 - $700 range. Now, I'm sure this is something any of you could've done, but seeing as no one has (with current models anyway, that I know of) and I'm looking for a cam in this range -- with low light capabilities a concern -- I went ahead and did it myself. I was originally only doing this for myself to help with a purchase, but the results were so interesting that I just had to share.
The factors I looked at are the average luminance (or brightness) of a still using a histogram, image sharpness, color desaturation, and grain size. Without giving too much away, I was surprised to find how consistent the manufacturers are between models so far as the low light image. There was more variation between brands than there was between models, with one exception: I was surprised to see that the overall best image was produced by one of the cheapest cams compared, and the overall worst was produced by a more expensive model of the same brand. And I found a gem for the movie maker on a budget.
Of course all this is subjective. I'm just going to pass on what I saw. If I can help just one person here to avoid a purchase mistake, or help them to find that cam with the sweet spot for their application, that's fine. And that's all. For now.
|October 9th, 2003, 06:21 AM
Major Player
Join Date: Nov 2002
Location: Toronto, Canada
Posts: 484
low light performance
It might be interesting, Dave, to compare your results where the models exist, with those of B&H/Camcorderinfo.com's current analysis of camcorders by price band:
There are three price categories studied so far and more to come, in both good and low light, with images.
David Hurdon
|October 9th, 2003, 06:46 AM
Join Date: Aug 2003
Posts: 1,483
Those *are* my subjects. I just took the time to organize it,
run the luminance tests, magnify stills, and catalog the results.
In the process, I ignored cost, number of pixels, CCD size, manufacturer, "nightshot", et cetera, and focused only on image quality.
Like I said, anyone could've done it. My summary will be for the person who can't/won't take the time or the hobbiest who may not have histogram/magnification tools.
|October 9th, 2003, 10:42 AM
RED Code Chef
Join Date: Oct 2001
Location: Holland
Posts: 12,514
So can you tell us some more on this, Dave? Especially the gem
for the movie maker sounds interesting...
Rob Lohman, firstname.lastname@example.com
DV Info Wrangler & RED Code Chef
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|October 9th, 2003, 02:05 PM
Regular Crew
Join Date: Sep 2003
Location: Quebec, QC, Canada
Posts: 123
I hope you take the time to use each camcorder at its best, and not shoot "Full Automatic" like Robin did at B&H.
For instance, in the low light test of Sony low-end cams, if you leave the SteadyShot on (default setting), you'll have heavy grain because the shutter speed is kept at 1/100... Turn it OFF and you get good low light picture.
Norm :)
|October 13th, 2003, 02:34 AM
Join Date: Aug 2003
Posts: 1,483
Unfortunately, what I looked at are those very same B&H images
you mentioned.
You make a good point about the tests Robin did not being exactly fair. In looking at the posts Robin got regarding the testing procedures, the reaction was a mixed bag, with some people finding value in the results for those who just want to point and shoot. Part of the problem, I know, was lack of manual exposure control on many of the models. For example, I believe the most expensive model tested -- a Sony -- has no manual shutter control. Someone made the comment to me that most people buying these cameras would only use the auto mode so, for them, this is how they would prefer the tests be done.
I know there were many posts there where people complained of not being able to see anything at all in the test images other than black. I must say, the tests *were* done in quite dim light. They say it was 15 lux, which is what, maybe like a dark moonlit night? I've heard that the average lux in an American home is 120 lux. Luckily, I was able to see the test results quite clearly.
And I saw that there were major differences between brands as far as sharpness and grain. I do wish I knew what the shutter speeds were. I'm going to make a seperate post regarding the speed issue to make sure that the results aren't grossly unfair.
Now, Norm, is it all the Sony 1-chippers that are limited to 1/100th? Or which models do you know of?
|October 13th, 2003, 02:38 AM
Join Date: Aug 2003
Posts: 1,483
Rob, before I get into any more about the gem, I want to try to find out more about this shutter speed/fairness issue that Norm brought up.
|October 14th, 2003, 06:51 AM
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Join Date: Sep 2003
Location: Quebec, QC, Canada
Posts: 123
I was refering to all the Sony cams (and other brands too) that use an Electronic Image Stabiliser, as opposed to the more expensive Optical Image Stabiliser which does not influence the shutter speed. I discovered that limitation on my TRV320 (D8), but soon learned that all EIS equipped camcorders had the same behaviour (1/100 shutter) to avoid blurred image in movement.
Then, on a french Web site, I found a procedure to trick the shutter speed down to a normal 1/60 with SteadyShot On, and I now manage to get VERY good indoor shots without disabling the EIS. I also always use the "Soft Portrait" AE program to get less edge enhancement artifacts and richer colors.
What Robin did at B&H was turn the cam On and shoot as is.
Anyone can expect poor colours and heavy grain in these conditions if they use anything but a VX2000!
Norm :)
|October 14th, 2003, 08:21 AM
Join Date: Aug 2003
Posts: 1,483
So you're saying that all the Sony, Sharp, JVC, and Panasonic cams with EIS have their bottom limit at 1/100th? Now, off hand, I'm not sure which of those cameras in Robin's tests have EIS, but from what I gather from you're saying is that, all the ones that do have the EIS could be compared -- maybe not so much
as absolute low light reach -- but seeing as they all had the same "handicap", they should still be comparable fairly *between themselves* as to brightness (i.e. measured luminance) of image and tendency to form grain?
Regarding the complaints from Robin's viewers that they were unable to bring up any low-light test images on their monitors -- you know they said "everything was just black boxes" -- were you able to see them okay?
I am glad that you brought up the shutter issue before I passed along my "findings" only later to wind up with egg on my face due to the original test setup being grossly unfair.
|October 14th, 2003, 09:19 AM
Regular Crew
Join Date: Sep 2003
Location: Quebec, QC, Canada
Posts: 123
In comparison, if Robin tested cars for fuel economy, would she omit to use the overdrive gear in the transmission of those equipped with it and only compare their performance in 4th gear?... Well it does make a difference! I want to know what it can do at its best.
Every camcorder has its limitations, and if you take the time to learn how to overcome them, then you can achieve better pictures than the default settings will allow.
As for the low-light test images on CamcorderInfo's site, my computer shows me some very dark pictures from which I can faintly distinguish the test pattern. Even the darkest ones reveal something: none is totally black.
Norm :)
|October 14th, 2003, 11:40 AM
Join Date: Aug 2003
Posts: 1,483
Norm, I appreciate your input on this whole matter, as I've said.
You may or may not know that I've done what I could to ascertain the particulars of the individual cameras' programmed reactions to the situations they were placed in. Despite my throwing it out there for input from actual owners, I haven't had much success as far as concrete helpful feedback. My next step is to go audition the ostensible "winner" myself, and if I find out that this "Cam X" was actually running at 1/100th second, I'm gonna call a spade a spade and go forth with what I've found. I figure if no cam was shooting at faster than 1/100th -- and I doubt any were -- and this cam more-or-less ran the table: no sense in not declaring it. Like I said, this is all predicated on what I find to be the "winners' " actual response to 15 lux. (I hope that the cams in this range are able to report their shutter speeds; I would think so, but I won't know for sure till I try.)
|October 14th, 2003, 08:08 PM
Regular Crew
Join Date: Jul 2003
Location: St. Louis, MO
Posts: 54
French trick
"Then, on a french Web site, I found a procedure to trick the shutter speed down to a normal 1/60 with SteadyShot On, and I now manage to get VERY good indoor shots without disabling the EIS. "
I'd be interested in knowing what this trick is.
Thanks in advance.
Joe Kras
St. Louis, MO USA
|October 15th, 2003, 01:51 AM
Join Date: Aug 2003
Posts: 1,483
Hi again.
I just heard from a helpful guy on another thread that his
not-expensive 1CCD cam has video gain that goes up to +18dB.
Just wondering. Do all or most of these "low end" cams have gain available to use when the lighting gets low? I had thought this was something found mostly on the higher end.
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text:
The CBI's special court on Monday convicted Ranjan Daimary and 14 others in the 30th October Serial Bomb Blast that shook Assam and claimed the lives of 88 people.
The other 14 convicts are George Bodo, Jayanta Brahma, Ajay Basumatary, Prabhat Bodo, Raju Sarkar, Khargeshwar Basumatary, Rajen Goyary, B Thorai alias Baisagi, Lok Basumatary, Mathuram Brahma, Mridul Goyary, Nilim Daimary, Ansai Bodo and Indra Bodo.
The Court will pronounce the punishment on January 30.
The CBI's special court pronounce its judgement after 10 years of hearings against the National Democratic Front of Boroland (NDFB) chief Ranjan Daimari and fifteen others accused under section 120(B), 121, 122, 123 and 302 of the IPC.
Details awaited…


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The People's Paraoa Project began as a series of devised theatre workshops focusing on big puppetry, Maori myths and spectacle. The key aim was to bring together an intercultural group of artists in Whangarei, lead by Ivan Thorley and Hayley Clarke, to discuss what a Taniwha might be in a contemporary context. The project attracted a diverse and talented group of artists who participated in the facilitated process, identifying key themes, narratives, performance ideas and designs. The momentum of the collaborative ensemble was energetic and stretched across generations, with young people joining the practically lead design process. The project consulted with Te Warihi Hetaraka from Ngātiwai, who is widely respected for his profound knowledge of tikanga Māori.
The process then moved into practically lead design strategies and open storyboarding. The group then began building a 2D people's Paraoa, which is a giant 9m puppet, as a focal point for exploring Maori myths and community. The puppet is multidimensional, acting as the centre point around which different performance-based activities and responses can be explored, across music, song, dance and theatre. During the final outcome, different local groups perform during the big puppet during the nighttime promenade through Whangarei's Town Basin. One exciting engagement idea is creating individualized navigation charts with young people, based loosely on Polynesian navigation stick charts, made from Rata or traditional weaving materials and then embedded in the structure of the people's Paraoa.
The ensemble also spoke about a Taniwha spirit or Manaia (potentially as kite based light sculpture) that inhabits the inside the 9m puppet, which is revealed during the final moment of transformation during the nighttime spectacle. Overall, the R&D activities explored the multidisciplinary nature of big puppetry, Maori storytelling and the potential for citywide inclusiveness.
Cast & Creative
Creative team:
Ivan Thorley- Co Director and Puppetry
Hayley Clarke- Co Director
Fiona Douglas- Sistemia Music
Leonard Murupaenga- Visual Artist
Papanui Polamalu- Consultant and Documentation
Arana Horncy- Visual Artist
Victor Te Paa- Visual Artist
Chris Schreuder- Theatre Maker
Rachel Pederson- Theatre Maker
Auckland Big Puppet Workshop:
Lynn Cardy- ATC
Participants: Michele Powles, Aaron Richardson, Aiwa Pooamorn, Alyx Duncan, Hannah Grant, Chye-Ling Huan, Albertine Jonas, Rachael Longshaw Park, Catherine Ellis
Supported By


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Tuesday, August 5, 2008
My friend Riley!!
Posted by Javablustamper at 6:12 PM
9 comments:
- Unknown said...
This is so cute! I have a few Riley's too if you want more images!
By the way, "LLL" was just my abbreviation for that live, laugh, love stamp! :)
- August 5, 2008 at 9:11 PM
- Meli Palmer said...
That paper piecing is awesome!! And again, your blog is just so beautiful.
- August 6, 2008 at 11:00 AM
- Debby said...
Ah I feel the angst! I too am an SU demo but feel the call of other stamps! EGADS! Can it be? Yes...it can. We all have different tastes and interests and it's a-okay to branch out and like something else AS WELL!!!! We are all individual and that is what makes the world go round :-)
- August 6, 2008 at 9:20 PM
- Denise Clark said...
Awwwww...Riley, one of my favorite little guys and certainly my favorite moose! You did a great job with him!
- August 7, 2008 at 8:40 AM
- (tinxmagic) Laura said...
Love your blog! I have to subscribe... or atleast check back often... Love your Bellas!
- August 8, 2008 at 12:10 PM
- Mandy said...
So cute! I LOVE the tent! Have a great time in MB!!
- August 11, 2008 at 8:56 PM
- Kim said...
Love your Riley! Great job! I have a surprise for you on my blog..please stop by~
Hugs~ Kim
- August 12, 2008 at 12:01 PM
- Unknown said...
Are you still on vacation? Just checking. :)
- August 15, 2008 at 8:25 PM
- Anonymous said...
This Riley is wayyy tooo cute!
- August 24, 2008 at 12:10 AM


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55 word fiction: Butterfly Kisses
"Ever been butterfly kissed?" He asked. This seemed a promising way to end date three. She blushed, he leaned in and she closed her eyes, waiting, but when she felt an insect on her cheek, she jumped and swatted—it was his fluttering eyelashes. "Nice, right?" There was no real kiss and no date four.