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CCBW Maps
You can use the CCBW maps to find events that you would like to check out.
You can use the CCBW maps to find events that you would like to check out.
Check out the schedule of events to find exactly what type of event you want to participate in.
If you're planning to hold an event at your bar or restaurant, register a free account and start adding your events to the schedule.
If you "favorite" an event on the site or the app, you can save it to your personal list. Then you can share that list with friends.
Look for the Heart icon near each event when you've created your account.
It's #CCBW Love.
Download the offical CCBW Application for iOS or Android.
Note: The current app will be updated to the newest version in early April 2014.
Register to win prizes. Send photos to instagram with the #CCBW hashtag and we'll pick winners each day of Chicago Craft Beer Week.
Become eligible to win in early May 2014.
Here are some events we think you should be interested in.
The official opening event for Chicago Craft Beer Week. At Garfield Park Conservatory, drink some of the regions best beer under glass.
Join Gordon Biersch Brewer John Wyzkiewicz as he gives tours of the brewhouse and explains the brewing process.
Chain O'Lakes Brewing Co will release a small batch of it's Brewery Corner Revival Bock. Revival Bock brings back one of McHenry Brewing Company last beers before it shut its doors in 1942 as a result of World War II.
Step right up! The Lagunitas Beer Circus is coming to town! It's part circus, with a big top full of freaktacular entertainment from Vau de Vire Society, Mucca Pazza, Redmoon, Cornmeal... And it's part craft beer festival, featuring Chicago's finest local breweries, tasty food, and much more.
Join Goose Island for a Sunday Funday and help us kick off Chicago Craft Beer Week at our New Barrel Warehouse. Live music, mini golf, food trucks and a "Battle of the Breweries" Dodgeball Tournament!
Join us for a private ride on Chicago's historic "L" train for a "Brew Line" tour that will visit some of Chicago's best craft beer bars. Because the train is ours for the duration of the trip, we've planned an a-typical route that will take us on the Green, Orange, Brown and Red Lines... all in the same train!
Bring your four legged friends and join us every Third Monday of the month (weather permitting) as we let the Olympic go to the dogs.
GET SOUR! on Tuesday, May 20th, 6pm! We welcome the brewers from DESTIHL & Transient Artisain Ales as we tap 10 sour and brett beers! Get your ass in here and get sour!
Local leaders from three sustainability associations will present their views on sustainable practices that not only affect our local breweries, but our City as a whole. Rare beers from Goose Island Brewing Company will be on tap at Beer Bistro North.
Come join the pack with Lagunitas Brewing Company and Metropolitan Brewing for a Dog Friendly Beer Week event! Bring your dirty pups and thirsty cups to LagunitasChicago for a fundraising Dog Wash to benefit animal rescue.
Join us for a craft brews cruise on the Mystic Blue. Enjoy beers, including some rare selections, from America's top craft brewers including Goose Island, Brooklyn Brewery, Against the Grain, Jolly Pumpkin, Ommegang, Uinta & much more. They'll be poured by the folks behind the brewery including some founders and brewmasters, so bring your questions. All this, while taking in the Chicago skyline as we cruise along Lake Michigan.
This is the ultimate educational experience for home brewers and fans of craft beer, alike. Nunzino Pizza, owner of Hop Head Farms in Hickory Farms, MI, will walk participants through a brewer's hop rubbing process. A truly unique experience usually offered to only professional brewers, Nunzino will bring education and his expertise to the public.
The official closing event for CCBW. The city's largest craft beer outdoor block party will commence with a VIP event beginning at 12:00pm
We'll be offering a special brunch menu, paired with our house brewed beers! Reservations highly recommended.


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Latest 'the words' News
Weekend Box Office Wrap Up: September 16, 2012
Here's our box office report for the weekend of September 14th, 2012 – featuring new releases 'Resident Evil: Retribution' and 'Finding Nemo 3D' as well as returning films like 'The Possession.'
by Niall Browne | 2 years ago42 Comments
Weekend Box Office Wrap Up: September 9, 2012
Our box office report for the weekend of September 7th, 2012 features new releases 'The Words' and 'The Cold Light of Day', as well as holdovers like "The Possession' and the rest of the box office top ten .
by Niall Browne | 2 years ago9 Comments
'The Words' Review
Read our review of 'The Words' to find out if the Bradley Cooper starring drama delivers a captivating story – instead of just borrowing from its predecessors.
by Ben Kendrick | 2 years ago17 Comments
'The Words' Teaser Trailer: Bradley Cooper Plagiarizes
In this new trailer for 'The Words' Bradley Cooper comes under fire for plagiarizing the work of Jeremy Irons.
by Greg Payne | 2 years ago4 Comments
'The Words' Trailer Teases An Enigmatic, Star-Studded Drama
Bradley Cooper plays a writer who steals another's novel, then suffers the consequences (in odd ways) in the trailer for the Sundance breakout flick, 'The Words'.
by Sandy Schaefer | 2 years ago6 Comments
Release Dates: 'Jurassic Park 3D', 'Oblivion', Seven Psychopaths & More
Check out release dates for 'Jurassic Park 3D', 'Seven Psychopaths' (from the director of 'In Bruges'), Tom Cruise's new sci-fi movie 'Oblivion' and more.
by Kofi Outlaw | 3 years ago13 Comments
Weekend Movie News Wrap Up: June 5th, 2011
Here's our box office report for the weekend of June 3, 2011 – as well as various movie news tidbits we may have missed.
by Niall Browne | 3 years ago63 Comments

subset: commoncrawl


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Carlisle would like to open its arms to you and give you the opportunity to work at a wonderful place filled with warm faces, great benefits and a stable environment.
At Carlisle, we are dedicated to designing and making professional grade products with the people who have to use them every day in mind. Products that have real value and that can help make other companies operations run smoother, more efficiently, more profitably.
Interested in joining the Carlisle Team?
We invite you to explore career opportunities at Carlisle's various companies.
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SPOKANE-- Former Spokane Police Officer Karl Thompson petitioned a judge for a new trial on Friday, ten months after being convicted in federal court of using excessive force and lying to investigators. The charges are connected to the 2006 death of Otto Zehm.
The defense filed two motions hoping for an acquittal or a new trial.
Thompson's attorneys tried to poke holes in the government's case claiming they kept information hidden that could have been in Thompson's favor.
Thompson's defense team alleged the government did not disclose expert witness opinion. They argued that the prosecution retained FBI academy instructor Grant Fredericks, a forensics video analyst. Fredericks produced a report on the video showing Thompson using his baton.
Fredericks did not believe the baton strikes happened when the prosecution claimed they did, argued the defense.
Fredericks also said the quality of the video could have been distorted, and hard for the average person to determine when the baton strikes actually happened according to the defense. Fredericks said an expert would have to make that decision.
The defense claimed the FBI knew their witness didn't agree with their theory, and didn't inform the defense. Defense attorney Carl Oreskovich argued, "People were misled" by the prosecution.
The defense questioned the fairness of Thompson's conviction, and whether justice was delivered.
Oreskovich said Fredericks believed his report was in turn "fabricated" by the FBI, calling it "inaccurate."
The prosecution claimed it was their right not to call Fredericks as a witness and they never suppressed any information.
The prosecution said Fredericks changed his story of the baton video, and blamed his inconsistencies for not using Fredericks as a witness.
The government argued they had other expert witnesses that would talk on the same subject matter, but were only allowed to have a certain number of witnesses.
Defense attorneys alleged several jurors considered outside information when convicting Thompson.
The three jurors in question deny any misconduct.
The judge did not make any decision Friday.


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AAF Transfer 2.0.6 Release Notes
From BorisFX
Supported Operating Systems:
Apple Macintosh OS 10.5 or greater
Supported Hosts:
Apple Final Cut Pro 6 or greater (FCP 7 recommended)
New with this version:
Improved support for AMA linked media in FCP
Improved support for importing AMA linked media into Final Cut Pro by fixing media timecodes of AMA clips after the sequence has been transcoded. Media timecodes are now imported into FCP correctly for all situations – both AMA and non-‐AMA.
Improved support for audio and video time warp
In previous versions of the software, audio and video clips that had been subjected to time warp speed changes in Avid were not relinking correctly in FCP. This issue has been fixed with this release.
Fix for disappearing clips in FCP
Clips in an Avid timeline that had been retimed or to which a transition effect had been applied were not appearing in the FCP timeline after import. This issue has been fixed with this release.
Fix for local media relinking
Files that were stored on a local HD were not relinking in FCP. This issue has been fixed with this release.
Fix for cases where % was used in a media file name
Media files or sequences whose names included the % character were not relinking in FCP. This issue has been fixed with this version of the software and all media elements now appear as expected.
Fix for MXF media relinking
Avid MXF files that included spaces in the file name were not automatically relinking upon import into Final Cut Pro, with the result being that files that fit this description were showing up as off-‐line and had to be manually relinked. This version of the software resolves that issue and media files will now relink as expected. The exception to this being file names that include special characters. This version also includes a fix for cases where AAF Transfer was unexpectedly adding %20 to file names where it found a space in the name. File names are now preserved as expected regardless of the presence of spaces in the name.
Fix for MXF issue for FCP import
Avid MXF files were not being correctly handled by AAF Transfer, resulting in the original MXF files either not relinking in FCP or appearing as Quicktime files instead of the original MXF files. This issue has been fixed and users can now elect, on import into FCP, to either relink to the original Avid MXF media or to the Quicktime media.
Fix for codec issue
Media clips that were imported into Avid using the 1:1 10b RGB MXF codec were being replaced during the transfer to Final Cut Pro with slug tracks. This issue has been fixed and media clips that use this codec now transfer as expected into FCP.
Import AAF plugin
With AAF Transfer 2.0, users can now import AAF sequences from Avid editing and finishing systems into Apple Final Cut Pro, thereby completing the round-‐trip transfer of live sequences between these two hosts.
To Export an AAF file from Final Cut Pro:
1) In Final Cut, select the sequence you want to import, making sure it is highlighted by the cursor.
2) Right-‐click and select to Export –> Boris AAF Transfer or (instead of right-‐ clicking) go to File –> Export –> Boris AAF Transfer
3) When you see the dialog, select the Avid project setting in which you plan on later importing this AAF file. Also select the destination of the file and type the name you wish the file to have. Please do not type the ".aaf" extension -‐ file name only.
4) Click the button titled "Export ".
To Import an AAF File Into Avid:
1) In Avid, right-‐click in your preferred bin and selected "Import".
2) Upon seeing the import dialog, select the AAF file you wish to import. No import options are necessary -‐ the AAF file will override any options chosen by the user in this dialog.
3) The sequence should show up in your bin, along with any clips that were used. Media will be offline.
To Get Your Clips Online in Avid:
1) Select everything you wish to be online (It's OK to select the sequence too…Avid will only connect media that is offline, no matter what is selected).
2) Go to Clip –> Batch Import and when the prompt shows up, select "Offline Only".
3) The file paths of your clips should already be correct (the path is correct is it shows up in black). If so, just click the button titled "Import" at the bottom of the dialog. If for some reason your clip's file path is in red (meaning Avid doesn't know the original path of the file), click the button titled "Set File Location" to select the path of the File. Then press "Import".
4) After a few seconds, Avid will connect your media and bring it online.
To Export an AAF file from Avid:
1) In Avid, right-‐click on the sequence you want to export and choose "Export…"
2) Make sure the file extension says ".aaf" and the Export Setting drop down says "Untitled"
3) Click on the "Options…" button to change any options
4) Save the file
To Import an AAF file into Final Cut:
1) In Final Cut, right-‐click and select Import –> Boris AAF Transfer
2) When you see the dialog, select the file you want imported and change any import options
3) Click the "Import/Open" button
4) When the next dialog comes up, choose the Final Cut project you want the file imported into or choose "Create New Project"
AMA Workflow:
• Launch FCP Import a clip (apple ProRes 422 [HQ] is the only codec confirmed work so far)
• Add clip to sequence (make sure sequence has same settings Export AAF (Compressor shouldn't matter)
• Launch Avid Create Project that has same settings (frame size, rate, etc.)
• Open Bin Import exported AAF file Go to File→Link to AMA File(s)… Find file on drive
• Delete AMA file (MASTER CLIPS ONLY, this is not be necessary, but will clean up bin)
• Select clip (or clips) you want to relink and select "Relink" and use relink settings below
Relink settings:
• Media on drive -‐ Select drive your media is on (All Available Drives works)
• Master clips -‐ Checked
• Relink only to media from the current project -‐ Unchecked
• Relink by -‐ Start Timecode and Tape Allow relinking of Imported/AMA clips by Source file name -‐ Checked
• Version Separator -‐ Empty
• Match case when comparing tape and source file names -‐ Unchecked
• Relink to -‐ Any video format
• Relink method -‐ Highest Quality
Click OK
All of your clips should now be online
Currently, Boris AAF Transfer can accurately transfer keyframed 3rd party effects from the Boris Continuum Complete (BCC) FxPlug product in Final Cut Pro over to the Boris Continuum Complete (BCC) AVX product in Avid Media Composer. The reverse is also true -‐ BCC AVX effects can be transferred from Avid Media Composer into Final Cut Pro BCC FxPlug filter effects and transitions, preserving any keyframed changes that have been applied to the effect or transition in the sequence.
There are several caveats that should be noted regarding the transfer of effects from Apple Final Cut Pro to Avid Media Composer.
Time warp and 3rd party filter effects:
Applying 3rd party filter effects to clips that have been subject to time warp effects will generate unexpected results. For instance, if you apply a variable timewarp to a clip in Avid, then apply a BCC filter to the timewarped clip, the transferred sequence in FCP will not match the original sequence in Avid. We hope to offer a solution for this issue with a future update to the software.
Mixing keyframe interpolation types: In Final Cut Pro, users can mix different keyframe interpolation types within a single instance of an effect. What this means is that a single effect parameter can be subject to several different types of keyframe interpolation, such as Linear or Bezier. Currently in Avid Media Composer, only one type of keyframe interpolation is supported for any parameter. This may be Linear or Bezier but not both. If an effect in Final Cut Pro has been set to use mixed interpolation, in Media Composer all keyframe interpolation for that parameter will be set to use the interpolation that was used in the first keyframe.
BCC 3D Objects: Currently the 3D Objects category of filters will indeed come across from Final Cut Pro into Media Composer however for any of the 3D Objects filters that use text, you will need to re-‐enter the text data in the filter within the Media Composer timeline. For 3D Objects filters that access a file from the desktop or another folder, such as the Extrude EPS filter, the EPS file must be reselected manually after the sequence transfer. Textures and material options for 3D Objects filters are not currently being transferred with the 3D Objects filter between Final Cut Pro and Media Composer however the textures and other material options can be manually loaded by accessing the filter user interface controls in the Media Composer Effects Control Window. To get an exact match between the FCP instance of a BCC 3D Object and the transferred version of the filter in Media Composer, the suggested workflow is that you save the 3D Object material / texture setting using the built-‐in preset load save mechanism in the filter and then manually load the saved setting into the effect in the Media Composer effects control window.
Multi-cam clips: Multi-‐cam clips are transferred into Media Composer and will appear exactly as they look in Final Cut Pro however, if you need to edit them you must first convert them into an Avid Grouped Clip in the Media Composer. To do this, you need to select all clips in the bin of which you want to become the multi-‐cam angles and select Clip -‐-‐> Group Clips. Then, double-‐click on the newly created Grouped Clip in the bin; this shows the media of the first angle in the source monitor. Finally, to see all the angles at once, either hit Shift -‐-‐> Command -‐-‐> M, or go to Special -‐-‐> MultiCamera Mode. Thus, Camera angles from the transferred Final Cut Pro sequence can then be modified in the Media Composer timeline just as one would expect.
Grouped clips: Grouped clips that originate in Avid Media Composer are not supported in AAF Transfer. Any media that is part of a grouped clip will be replaced with slugs, thereby preserving the timing of other media elements in the sequence.
Titles: Although FCP generated text is supported during the FCP program transfer to Media Composer, the following text styles are not supported and will not be transferred: Crawl, Lower 3rd, Outline Text, Scrolling Text, or Typewriter. If you have any of these types of text in the transferred sequence, they will be replaced with blank instances of the Avid text tool, however the text itself will need to be regenerated with Media Composer. For all text objects, changes that have been applied to the Motion Tab are not preserved. The position of text in the frame is also not preserved from FCP into Media Composer. The table below shows exactly what text features are preserved during the transfer:
|Feature in FCP
|Feature Transferred to Media Composer
|Motion Tab
|Lower 3rd
|Outline Text
|Scrolling - Text
Note that after transferring a title from FCP into Media Composer, to get title to appear in Avid Media Composer, you must follow these steps:
• Select the imported title, open the Effect Editor and click on the Edit Title button
• Select the arrow tool and click on the text box
• With the text box selected, go to the Alignment menu in the toolbar and select Center Frame Vert. Then select Center Frame Horiz.
This forces the text to appear in the center of the screen. From here the text can be repositioned to match the alignment in the Final Cut Pro sequence.
• Importer supports Timewarp with keyframes (variable speed changes) while Exporter does not (constant speed changes only).
• Apple Final Cut Pro allows speed changes on audio clips, while Avid does not. Therefore, speed changes applied to audio clips will not be transferred to the Avid.
• Importer Title Tool supported features are Text, Size, Font, Color, Alignment, Font Style, Leading, and Position; Exporter supports only Text, Size, Font, Color, and Alignment.
• Importer supports both Linear and Bezier interpolation, while Exporter supports only Linear.
• Final Cut Pro allows the creation of Freeze Frames from clips with alpha, while Avid does not. Therefore, if a Freeze Frame from an alpha clip is created in Final Cut Pro, exported to AAF and brought into Avid, the alpha clip remains but there will be no Freeze Frame effect. Therefore, if brought back into Final Cut Pro, the Freeze Frame effect will not be applied, even though it was applied in the original Final Cut Pro sequence.
• Final Cut Pro allows timeline clips to be named individually from their master clips, while Avid does not. Therefore, if a Final Cut Pro timeline clip is named something other than it's master clip name, the clip name in Avid will be that of the master clip.
• Final Cut Pro has separate effects for Audio Levels and Audio Gain, while Avid uses Gain to represent both. Therefore, if in Final Cut Pro both Gain and Levels are used, they will be combined into one when brought into Avid. If then re-‐exported from Avid and re-‐imported into Final Cut Pro, the combined effect will be brought in as Audio Levels only. The result is the same.
• Final Cut Pro allows Audio Levels and Audio Pan to both be applied at the same time to a clip, and the same is true when applied in Avid, but the way Avid imports an AAF, having an Audio Pan cancels out any Level information. Therefore, if in Avid both Audio Pan and Audio Levels are used and imported into Final Cut Pro, the re-‐ export from Final Cut Pro cannot contain both effects; the user must choose one from the option in the export dialog audio tab.
• Final Cut Pro AAF Importer supports Dip to Color, Fade from Color, Fade to Color (all black only), but the Exporter does not. Thus importing from Avid will have these transitions, but in the re-‐export from Final Cut Pro, they will not be applied.
• Final Cut Pro AAF Exporter supports the following Final Cut Pro native transitions: Cross Iris, Diamond Iris, Oval Iris, Rectangle Iris, Band Wipe, Center Wipe, Clock Wipe, Edge Wipe, Inset Wipe, and Jaws Wipe. The Avid transitions used in place of these (4 Corners, Diamond, Circle, Center Box, Horizontal Bands, Vert Open, Clock, Horizontal, Top Left to Bottom Right, Vert or Horiz OpenSawtooth, respectively) are not supported for the Importer. Therefore, if any of these are applied in Final Cut Pro, exported to Avid, re-‐exported from Avid and imported back to Final Cut Pro, they will not be applied.
• Photoshop files in Final Cut Pro are represented by either a single still or a nested sequence. If a nested sequence, each clip represents a layer in the PSD file, but they all reference the same master clip. In Avid, normal behavior imports each PSD layer separately, so that the bin contains a master clip for each layer. Therefore, going from Final Cut Pro to Avid with a 3 layer PSD file, the one representative master clip in Final Cut Pro becomes 3 master clips in Avid, and if re-‐exported from Avid and imported back into Final Cut Pro, the 3 master clips remain. Additionally, starting in Final Cut Pro, each PSD layer is editable individually -‐ on the other hand, when brought from Final Cut Pro to Avid, each layer, though having it's own master clip, references the same underlying source file as the other layers, and is not editable individually. For example, in Final Cut Pro with a 3 layer PSD file, looking at layer 1 only, you will see only layer 1. When brought into Avid, looking at layer 1 only, you will see all 3 layers. In summary, each layer is essentially flattened into one image when brought into Avid.


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About the BA (hons) and MA Graphic Design programmes
The BA (Hons) Graphic Design programme has a longstanding reputation for producing high-calibre graduates who've gone on to make a difference in the design world. Students build confidence throughout the programme by engaging with the detail and craftsmanship of design, design processes and professional practice; so that they are able to deliver high impact design solutions to meet the demands of client and audience. Our students have achieved successes in international awards schemes such as the Royal Society of Arts (RSA), Design and Art Direction (D&AD), International Society of Typographic Designers (ISTD) and the Young Creative Network (YCN). Further information can be found at http://www.lincoln.ac.uk/home/course/gragraub/
Starting in September 2013 the new MA Graphic Design 1 year programme launches. Students on this programme are encouraged to develop a critical design practice and tailor their learning in a way that is relevant to them and their specific career aspiration. The programme addresses practical, commercial and theoretical design contexts and problems at an advanced level; especially promoting design innovation, practice-led research, entrepreneurship and enterprise in Graphic Design. Further information can be found by downloading the programme leaflet. Information about fees, Alumni discounts and funding can be found at http://www.lincoln.ac.uk/home/course/gradesma/


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White Chocolate Oatmeal Cookies
More From Oxmoor House
Nutritional Information
Amount per serving
- Calories: 102
- Calories from fat: 32%
- Fat: 3.6g
- Saturated fat: 1.3g
- Monounsaturated fat: 0.0g
- Polyunsaturated fat: 0.0g
- Protein: 1.8g
- Carbohydrate: 15.4g
- Fiber: 0.0g
- Cholesterol: 0.0mg
- Iron: 0.0mg
- Sodium: 117mg
- Calcium: 0.0mg
- 2 tablespoons brown sugar
- 1 tablespoon margarine, softened
- 1 tablespoon frozen egg substitute, thawed
- 1/8 teaspoon vanilla extract
- 3 tablespoons all-purpose flour
- 1/8 teaspoon baking soda
- Dash of salt
- 1/4 cup quick-cooking oats, uncooked
- 2 tablespoons white chocolate mini-morsels
- 2 tablespoons crisp rice cereal
- Vegetable cooking spray
- Beat brown sugar and margarine at medium speed of an electric mixer until fluffy; gradually add egg substitute and vanilla, beating well.
- Combine flour, soda, and salt; gradually add to margarine mixture. Stir in oats, white chocolate morsels, and cereal.
- Drop dough by rounded tablespoonfuls, 2 inches apart, onto a cookie sheet coated with cooking spray. Bake at 350° for 7 to 8 minutes or until lightly browned. Cool on cookie sheet 5 minutes. Remove to wire racks, and let cool completely.
My Notes
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More Recipes Like This
Ultimate Chocolate Chip CookiesSouthern Living
No-Bake Chocolate-Oatmeal CookiesOxmoor House
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By mitchp
via agile.dzone.com
Published: Feb 13 2013 / 08:36
Every day we solve problems. Some people solve many problems, some few. Most likely in your project there is a person, who solves most of the problems. Sometimes it's a Business Analyst, sometimes it's a Designer, most often it's a Product Owner.


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At this point in the Giants' lost season, isn't whatever disappointment S.F. fans took from the Giants' 5-0 loss in Arizona on Tuesday night outweighed by the satisfaction of having the Dodgers lose twice in Colorado, particularly because the second game ended on Todd Helton's two-out, two-run homer in the ninth?
San Francisco Giants: The Splash
All about the San Francisco Giants


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Categories > Celebrities > My Chemical Romance > you can keep my brother
Halloween.3 Reviews
Phantom of the opera and Jack are fighting...Why? And how Christine is involved?
"Where?", I took off my mask and stood on my toes to gain better view ahead of me.
"There", she stuck out her arm and waved.
I smiled, "OK".
"Go talk to him", she pushed me forward.
"About what?", I looked at her puzzled.
"About me", she shrieked like she can believe I dare to ask something so obvious.
"Oh right", I shrugged and wondered off to look for Cole.
I found him standing alone in a corner scanning the room with his eyes.
"And who are you supposed to be?", I slapped his arm playfully.
"The phantom of the opera", he whispered with something close to what I pictured the phantom sounded like, "You?".
"Christine actually", I swirled on the spot to show him my costume.
"Soul mates think alike", his blue eyes sparkled. I swear the sparkle was mesmorizing, it's like you could stare into them forever.
I nodded, "You make a good phantom".
"You're just beautiful", he smiled sweetly.
"Aw thank you", I blushed and looked down.
"Let's go somewhere quieter", he winced when some sunflower threw up all over the table next to which we stood.
I made a face as well at the the puking sunflower and nodded.
Cole grabbed my hand and led me upstairs.
Yeah, I know, I'm not stupid! I know what you usually do upstairs at parties like these but Cole's not like that. We're just friends!
Cole tried a few doors, still holding my hand. Some were locked, some occupied.
He finally found an empty bedroom, I was surprised it was empty, it had all you need for a romantic quick party fuck, a bed, a door and a light switch.
Cole let go of my hand and turned on the light, he looked around the room smirking, "Umm yeah, cozy".
I chuckled nervously, what I really know about Cole? I mean, most of the times we went out, I was too wasted to understand what he was saying, I know he's polite, has nice eyes and went through the trouble of returning my boot.
So he returned my boot...Is that a reason to stay here at the isolated fuck room with him all alone? I should just go back to Alison.
But I didn't. I figured it would be rude to leave so soon, I didn't want to hurt his feelings.
So I stayed, standing awkwardly by the door, "You don't enjoy the party?".
He shook his head, examining the room, "I don't like loud parties. I'm more quiet night in type of guy".
I smiled, nodding, "I know the guy who throws the party. nice guy".
Random much?
"Yeah, Eddie something. Haley's cousin", he walked over to stare out of the window with his back turned on me. I pressed myself to the wall like a scared mouse.
I recalled the reason I was actually there, "So...umm...you're here alone?".
He turned around, smiling shyly, "Yes. And you?".
"Just with Alison", I shrugged against the wall, "Remember my friend?".
he looked puzzled.
"The girl you met in the coffee shop the other day", some more blank staring, "With the green hair?", some blinking.
How many people with green hair did he know?,"You know when you returned me back my boot?!".
"Ohh", he nodded, remembering.
"Thanks for that by the way", I gave him a wide smile.
"Don't mention it", he sat on the edge of the bed.
More silence. I fiddled with my mask, feeling his eye on me.
"She's nice", I muttered.
"Who?", Cole looked like I woke him up or something.
"Ali", I said.
"Oh yeah", he nodded slowly, "She seems nice".
"She is", I mumbled, "Very nice. You gotta talk to her sometime".
"Will it make you happy?", he asked casually.
What the fuck?
"Um...I guess", I frowned.
"Then I will", he shrugged.
"OK thanks", I smiled, "She's here tonight".
"Who?", he wore his puzzled expression again.
"Ali", I exclaimed.
"Cool", he licked his bottom lip and it sparkled in the dim light.
"Do you want to go look for her?", I shifted my weight from one hand to another, still standing by the door.
"In a while".
"So...Um...Why did you came with Ali?", he asked
"Cause she's real nice. And she owns her own instrument store", it was her dad but what the hell, "And you know she's so talented and smart and funny", I carried on with the kissing Ali's ass campaign, allowing myself to pace a little, "And believe it or not she doesn't date anyone", Wait...that sounded bad like she's a nun or can't find a date, "Well, she did date one of my best friends a while ago but not anymore", Oh great mention the ex, "It just didn't work out. He's out of the city more than he's in, you know, and she's such a catch she needed to be watched", Great..Make her sound like a cheater too, "I mean you know, she needs someone to be there. If I was a guy I would be all over her", Now, that bit was genuine, "So...Um I bet she won't stay single for much longer...So umm if I was a guy, I would've seized the moment".
Cole looked...I don't know how we looked but he kept starring at me, his eyes wide and month hanging slightly open, I guess I really impressed him with all that Ali talk. And I thought I suck at speeches, "So let's go find her", I motioned to the door, better seal the deal while he's so impressed and not distracted.
"Come sit", he patted a spot where he wanted me to sit next to him.
I walked over and sat there, the minute I did he got closer, "So what such a beautiful girl does all alone in a party like this?".
"She's single at the moment but she came with a friend", I winked.
Guys are so weird, one minute he doesn't even remember her and the next she's beautiful?
"Every queen needs a maiden", he ran his eyes over me.
Now that's rude! I might not be as beautiful as Ali but I refuse to be referred to as the maiden.
Bah! But I gotta score this for Ali, she haven't had a date since Ray dumped her and that was ages ago, and besides Cole's the first guy she was that excited about.
I gotta score her this date even if I'm labelled as the maiden, "And every queen needs her king".
"I bet she has these kings line up for her", he sighed, looking into my eyes.
Must we be that dramatic? Queens? Kings? Just ask her out, dude!, "Yeah, but she's looking for the right king".
"She's so wonderful and wasn't able to find a guy?", he moved his hand closer to my hand on the bed, "I don't believe it".
"She's picky", I shrugged, "She won't fall for any kind of guy. She needs someone special. Someone like you"
"Really?", he looked like I just told him he won a million dollars.
Ali deserves admiring dude, she's really unique, "Yeah"
"Am I that special?", he leaned a little bit forward.
Awwww he's insecure that a girl like her could love a guy like him, "Of course, Cole", I stroked his hand, "You're nice and funny and smart and handsome and you know how to treat a girl. Any girl would be lucky to have you".
"Even the most beautiful girl in the party?", he took my hand in his.
He never appeared to be the shy insecure guy...But what do I know, most of the times I was around him, I was wasted beyond belief, "Particularly she, Cole. She thinks your special".
"And I think she's special", he smiled and looked down at my hand.
"Aww Cole", I cooed at him, "But you gotta do something about it".
"And you think she'd go with me?", he squeezed my hand.
"I'm positive, Cole", I leaned a little to whisper in his ear, "and she told me a little secret".
"What secret?", he whispered back in my ear.
His breath sent chills down my spine, it was warm and...ughh focus!, "She told me she thinks you're hot".
"Really?", he brushed his lips against my ear.
I felt alarmed but you know, accidents happen, "Yeah".
"I think she's beyond hot", he got closer, "I think we will good together.
"I think so too", I breathed out, I was so hot...I mean literally, it felt like all the air was drained from the room, and I haven't seen Gerard in a while so I haven't been that close to a guy for weeks and weeks...It was such a rush, my whole body went on high alert and blood flooded to my head.
"You do?", his lips brushed against my cheek.
Accident...Again? The reason they call it accident it because it happens once without a warning but um...Twice?...Maybe he's an accident prone, "I do".
All of the sudden he grabbed my chin and turned it to him, I froze with shock.
What the fuck!
And that exactly what Ali wanted to know when she flung the door open.
I jumped off the bed, "Ali".
Her jaw hung open, and eyes popped, she was holding her mask limply in her hand, "How could you?!"
"Ali I did it for you!", I gasped. I mean, I know what it looked like but I did the whole thing for her.
"For me?!", she yelled, "You little bitch! You did it for me?".
Cole stood up behind me and put a hand on my shoulder, we both turned to look at him in rage, "Don't call her a bitch".
I shook my head.
Ali laughed bitterly, "You pretend to be a little innocent nun but you're nothing but a whore! Sleazy back stabbing slut!", she left the room with the trail of her green hair behind her.
The room went blurry behind the wall of tears began forming in my eyes.
A whore. A slut. A bitch.
These words rang so many bells I had to shut my ears, but it didn't cut the mustard, they were inside my head. Echoing.
My mother's voice interfered with Ali's voice. Both screaming.
A whore. A slut. A good for nothing bitch.
Maybe they were right. If one person say that, it doesn't mean shit but when two people who doesn't even know each other think that...There's probably some truth in it.
"Baby, are you OK?".
For a moment I thought Gerard was here but I opened my eyes to see Cole and I lost it. Completely lost it, "What the fuck were you doing??".
"I...I.. ", he mumbled, "I just wanted to kiss you".
"And who the fuck said you could", I began to cry. I felt dirty but sluts gotta be used to it. I wanted Gerard so badly it hurt.
"You said", he looked confused, "You said you think I'm hot, that I'm special".
"No!", I roared, sobbing hard, "Alison said that".
"But..What?", he crushed on the bed.
"Alison", I held my head in my hands, "The girl that was there. She's crushing on you".
"then why did you say these things to me?", he looked hurt.
"To let you know she liked you", I wailed, "You called her a queen, the most beautiful girl in the party".
"No", he shook his head, "I was talking about you, Skyler".
It caused me to sob even harder, "But I was talking about her. I'm married".
His jaw dropped, "You're...Married?"
I nodded, "To Gerard Way, the love of my life".
He wrinkled his forehead then laughed like he's relieved, "Aren't all girls".
I frowned and wiped my face with my hands, "He's my husband, Cole".
"He's that singer, right?", Cole stood up sharply.
I nodded, "yeah. I'm married to him".
"cut the shit, Skyler", he barked at me, "if you don't want me just say so. you don't have to make up stories".
"But I'm not making this up", tears streamed down my face again and I felt like shit for letting him see me cry, "I'm married to him".
"Sure and I'm married to Angelina Jolie", Cole shook his head.
"No, see?", I flipped him my wedding ring finger, "But it's a secret no one supposed to know".
"Including him?", Cole smirked at me.
"I'm not lying", I dropped on the bed, "It's true".
"You're a liar", he snapped at me, "I get the hint, OK? You don't have to marry celebrities", he was about to storm out of the room when Frank appeared in the door way.
He was the only one home. He was sick the past week and the guys decided to let him spend his birthday home. I didn't even know he came, I left him an invitation but thought he'd rather stay home with Janet.
He was still pale and weak but you couldn't tell partly because he wore make up and partly because he looked so angry, he didn't even looked like Frank.
He glanced at me crying on the bed and on Cole at the door, "what did you do to her?".
"Out of my way", Cole growled at him.
Frank was like 5 inches shorter than Cole, and Cole was ex boxing champion, fucking jock, he could knock Frankie out with one touch.
"What did you do to her, motherfucker", Frank pushed Cole into the room.
Cole was surprised but it didn't take him much time to recover and he charged at Frank.
I jumped up and ran to stand between them. They squashed me between them, pushing and glaring, "Stop. Stop!"
"What happened here?", Frank grunted, "Alison said you were fucking him"
Cole let out a snort, "As if..Apparently she's married to Gerard Way".
Frank blinked at me.
"I had to tell him something", I shrugged.
"To stop him doing what?", Frank resumed the pushing.
"Fucking her smoking body", Cole said sarcastically and rolled his eyes.
I had to physically push them apart, "Fucking stop!".
"Back off bitch", Cole grunted at me. Or maybe at Frank cause he glared at him when he said it but I'm pretty sure he meant me.
Well Frank just exploded, he pushed me out of the way and literally jumped on Cole knocking him to the floor.
He straddled him and just punched like there's no tomorrow, they both got tangled in Cole's cape. Then Cole reached out and grabbed Frank by the throat, Frank turned red and started chocking and coughing.
After I got past my first sensation of overwhelming fear, I rushed to drag Frank off Cole.
I finally managed and hugged Frank, that way neither one of them would be able to hurt the other.
Cole scrambled to his feet, bloody nose and eyebrow, "This isn't the end of it, motherfucker!"
I began sobbing hard. Frank hugged me, he was breathing heavy, "Shh sunshine. Tell me what happened so I can kill that son of a bitch".
After I calmed down a little I told him what happened, Frank kept shaking his head all through the story.
"What?", I sniffled.
"How you manage to put yourself through shit like this every single time?", Frank rubbed my back and used his Jack costume to wipe my tears away.
"I thought he was talking about Alison", I shrugged pathetically.
"Oh and that Alison chick!", he cried out, "The fucker comes running to me the minute she sees me to tell me you're cheating on Gee! Now don't get me wrong, I don't believe you could but she's supposed to be your friend! Not sell you out the second she can"
"No Frankie", I shook my head, "That was my fault"
"Sky", he pushed the hair that stuck to my face away, "You have even lower self esteem than Gerard. Friends don't do shit like that. Friends lock themselves in rooms with motherfuckers just to set you a date".


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Maine Environmental Education Association
MEEA Has a Blog!
2013 Environmental Education Awards
MEEA presented awards for 2013's most outstanding environmental educator, school, business and environmental program in the state of Maine.
Jim Chandler, Director of the Auburn Land Lab, was honored with a special Lifetime Achievement Award.
This year's award winners include:
MEEA to host the
The Better Together Summit
October 24-26, 2014
Pineland Farms, New Gloucester, Maine
Together we will inform, inspire and foster collaborations among organizations and leaders from many different sectors and fields. These organizations may focus on different approaches and serve vastly different audiences, but they share the goal of enhancing the relationships among people, communities, and the land. We hope to see all the organizations who use education (or interpretation, instruction, communication, media, etc) as essential tools in carrying out their mission of connecting people to their environment.
Watch for more details soon.
Pathways to Environmental Literacy:
Over 150 teachers, environmental education providers, leaders and other professionals participated in MEEA's 2013 Annual Conference held at Chewonki Foundation in Wiscasett.
This year's theme focused on how our individual stories connect us and impact our collective work in promoting environmental literacy for the future. The conference featured not one, but seven keynote speakers -- a diverse group of environmental educators from around the state, offering vastly different perspectives on environmental education. Each spoke briefly and engagingly to the whole conference. Everyone then joined one of seven breakout groups to continue the dialogue with the keynoters as they responded to the question "How do you stay fresh and inspired in an ever-changing educational, cultural, political, and environmental climate?"
The seven conference keynoters were (clockwise from rear left) Barry Dana, Penobscot Indian and wilderness guide; Anne Stires, School Founder and Director, Juniper Hill School; Matt Polstein, CEO, New England Outdoor Center; Kara Woldrick, Executive Director, Portland Trails'; Carol Leone, Founder, Teens to Trails; Carey Kish, journalist; and Craig Lapine, Executive Director, Cultivating Community.
Conference participants took part in 27 different workshops. They discussed wide-ranging ideas and best-practices, from "How to Green Your School" to "Play-based Exploration" and "Effective Leaders in the Workplace." Participants also considered ways to expand environmental literacy in Maine, in many different workshops such as "Taking the Steps to Implementing the Maine Environmental Literacy Plan", "Doing Environmental Education Research in Public Schools" and "Family Nature Groups: Building Community and Fostering Connections to Nature."
The Maine Environmental Education Association (MEEA) facilitates and promotes environmental education in Maine through the sharing of ideas, resources, information, and cooperative programs among educators, organizations, and concerned individuals. MEEA is built on the strengths and contributions of our members.
MEEA is an affiliate of the New England Environmental Education Alliance and the North American Association of Environmental Education.


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Glowhouse - The Shadows Left Me Alive
This dark and lovely album was made by a dear friend of mine, and is available completely free on Bandcamp right now. It shares hints of style with James Blake, Bon Iver, and The Weeknd, yet is unique and wonderful in many ways of it's own. Please go download this, you won't be disappointed.
"all circles presuppose they'll end where they begin but only in their leaving can they ever come back 'round, all circles presuppose…"
-inspired by the lovely new mewithoutYou record.
Maurice helps build the ark.
One of my long-standing favorite bands.
Tower and Rings.
Tortilla Flat.
I was recently greatly inspired by reading this hilarious and heartbreaking novel for the first time.
Abominable Snowman and Bunneh.
Grotesque Moon.
Tower of Babel.
Modified illustration taken from a Children's Bible.
Modified Bookmark: Bookshelf.
Modified Bookmark: Monster.
Self-Name-Portrait. It's FONTastic.
Playing with lines.


text:
General Info
I love to be naked!
Hi XTube people...ready to enjoy my pics and vids?
About myself
Marital Status
Yes, and they live at home
About my Partner
Looking for
Male, Female
Sexual Interests
Sexual Orientation
Sexually Daring
I'll try most anything once
Sexual Activities
Butt Play, Exhibitionism, Gangbangs, Group Sex, Giving Oral Sex, Handcuffs/Shackles, Making Movies, Naturism/Nudism, Public sex, Receiving Anal Sex, Receiving Oral Sex, Threesomes, Toys
Sex, How often?
Practice Safe Sex
Dirty talk during sex?
Is a must during sex!
Making home videos/pics
I'm practically a pornstar
Bars or pubs, Swinging clubs, Swinging, Strip clubs
Top Comments
All Comments
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Live Chat:login to chat
2 years ago
2 years ago
2 years ago
2 years ago


text:
Primetime Preview: Beauty and the Beast, Sleepy Hollow and More
Which shows will you watch tonight?
Welcome to Primetime Preview, RT's compendium of the primetime shows that are worth your time. This evening's slate includes a couple of season premieres (Beauty and the Beast, Hart of Dixie) and a bunch of returning favorites (2 Broke Girls, Castle, How I Met Your Mother), so grab your remote, find your favorite spot on the couch, and tune in for lots of television goodness!
Premiering Tonight:
Beauty and the Beast: Season 2 No Score Yet
The critics found the first season of Beauty and the Beast to be a middling fantasy series , but the show (and one of its leads) gets a clean slate on tonight's premiere, when Vincent Keller (Jay Ryan) emerges from his kidnapping with his memory wiped and a mysterious new mission on his mind. More
Hart of Dixie: Season 3 No Score Yet
Rachel Bilson is back for the third season of this fish-out-of-water comedy about a hotshot heart surgeon in a small town in Alabama; on tonight's premiere, Zoe (Bilson) hopes to get a reference from Brick (Tim Matheson) for a new job, but first she must help him find George (Scott Porter). More
New Episodes Tonight:
2 Broke Girls: Season 3 No Score Yet
Once again, Kat Dennings and Beth Behrs are female and financially insolvent; in tonight's episode, our heroines haggle over what to do with a stray cat in their appartment. More
The Blacklist: Season 1 82%
Critics say James Spader is riveting as a criminal-turned-informant, and his presence goes a long way toward making this twisty but occasionally implausible crime procedural compelling. On tonight's episode Red (Spader) is on the trail of a Chinese spy who may be after classified information. More
Bones: Season 9 83%
The venerable crime solving couple of Emily Deschanel and David Boreanaz is back, and they've got a bunch of new supporting players. On tonight's episode, our heroes stage a crime scene in an attempt to snare an old adversary. More
Castle: Season 6 86%
Now that Castle (Nathan Fillion) has popped the question to Beckett (Stana Katic), will our heroes be able to solve crimes while reflecting on their personal lives? Tonight, our heroes investigate the slaying of a former child star. More
Hostages: Season 1 57%
The critics say Hostages has an intriguing premise and handsome production values, but its twisty plot sometimes strains credulity. Tonight, Duncan (Dylan McDermott) implores Ellen (Toni Collette) to make sure she remains the president's surgeon -- or else. More
How I Met Your Mother: Season 9 80%
This is the season in which we finally meet the mother of the title. In tonight's episode, Barney (Neil Patrick Harris) discovers that Ted (Josh Radnor) still carries a torch for Robin (Cobie Smulders), and decides to clean him out in a poker game. More
Mom: Season 1 67%
Anna Faris and Allison Janney share an undeniable comedic chemistry, and if the jokes are sometimes too crass, Mom represents a sincere (and often witty) attempt to address addiction issues. Tonight, Christy (Faris) goes on her first date since becoming clean and sober. More
Sleepy Hollow: Season 1 77%
Despite its overstuffed plot, critics find Sleepy Hollow to be a fun romp with exciting action scenes and sparkling production values. Tonight, a Continental Army officer from the 1790s finds himself in the present day -- and in the crosshairs of an old nemesis. Discuss the show here! More
We Are Men: Season 1 4%
The critics say that We Are Men suffers from regressive bro humor and cliched midlife crisis jokes that are too shopworn to be enlivened by its talented cast. Tonight, Stuart (Jerry O'Connell) is told by his ex-wife that she'll finalize their divorce if she gets to keep his beloved dog. More


text:
Shelter earns United Way affiliation
By Ben Orcutt -- firstname.lastname@example.com
Kevin Gray, a homeless man who has been at the House of Hope in Front Royal for a few days, relaxes in the day room at the facility. The House of Hope has become a United Way affiliate agency. Dennis Grundman/Daily
FRONT ROYAL -- The House of Hope's recent designation as an affiliate United Way member is a shot in the arm for the men's homeless shelter on Warren Avenue.
"I am so excited," said Wanda Moloney, a House of Hope volunteer and board member. "Being accepted to me is exciting because the donor can actually walk in and see where their dollars are at work."
The House of Hope was started by Leslie Gardner in December 2006. Gardner served as executive director until stepping down earlier this year. Moloney said with the United Way affiliation, the House of Hope is heading in a positive direction.
"Yes, with this happening," Moloney said. "We've come a long way. It's a lot of work. Leslie thought of it and worked hard at it and we've kept it going."
Lee Smith-Osina, executive director of the Front Royal/Warren County United Way, said the House of Hope can begin receiving funding immediately if donors designate the shelter as a recipient. Otherwise, the House of Hope will have to wait until next spring, when it becomes a full member, to receive allocations from the upcoming 2009 campaign that kicks off on Sept. 15.
"It took them about three years to get all of their legal ducks in a row," Smith-Osina said. "I am very happy for them. I'm happy for us. Since I came on board in 2007, the focus of the United Way has been homelessness. The bottom line is they've worked hard."
Moloney said the shelter at 722 Warren Ave. can accommodate seven men, most of whom have jobs. The overnight shelter next door can hold 16 men who stay for various lengths of time.
"We have zero alcohol tolerance and we do drug screens," Moloney added.
Kevin Gray, 52, who was laid off from Rubbermaid in Winchester, says the House of Hope was a godsend following his recent heart attack.
"Yes, it has been," Gray said. "Otherwise, I'd of been out in the street. Actually, this is not a bad place. I mean it's a nice and relaxed atmosphere. The food's good. The guys seem to be pretty nice. It's a lot better than a couple of other places I've been. I'll just leave it at that."
Alex Phillips, 34, a native of Alexandria, has been at the House of Hope for three weeks after being laid off from his previous job. Phillips now has a job at a local restaurant and, thanks to the House of Hope, a place to live.
"It's a great thing," Phillips said of the United Way designation. "A lot of guys don't have the opportunity that most of us guys have here."
Melvin McCracken, 56, formerly of Mountain City, Tenn., will second that. McCracken is in the process of applying for disability due to a stroke he suffered and has been at the House of Hope for about four months.
"I recommend 'em very highly, I really do," he said of the shelter. "If you can't make it here, something's bad wrong. Everything's furnished to you. All you have to do is try to get your life together."
For more information about the House of Hope and its programs, call the shelter at 635-2466 or visit its Web site at www.warren countyhomeless.org.


text:
October 5, 2007Americus -- A former office worker at Georgia Southwestern State University is charged with stealing from the school.
35-year-old Stephanie Jackson Young is charged with 28 counts of first degree forgery and 28 counts of theft by deception.
Investigators say Young forged her GSW supervisor's name on invoices made to the Plains Junior Woman's Club, and worked for the University under the Elderhostel Program.
She was Plains Woman of the Year several years ago.
Feedback: firstname.lastname@example.com?subject=GSWtheft-JE
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By MCN -
General news
17 July 2013 16:54
MCN's Fantasy Road Race competition run in association with RAC Insurance is in full swing with competition for the coveted star price of a new Honda CB500X, CB500F or CBR500R hotting up.
With the 2013 season shaping up to be one of the best playing MCN's Fantasy Road Race and having your own team makes watching the racing even more exciting.
2013 is also proving to be a golden year of racing with Cal Crutchlow running at the front of MotoGP having already secured three podiums including a brilliant second place at Le Mans MotoGP. Valentino is also back to his best having secured his first win for over two years at Assen – his 80th premier class victory of his distinguished career.
In WSB it's turning into a Brit fest with Tom Sykes having won four out of the last six races with fellow British and Irish riders Jonathan Rea, Eugene Laverty, Chaz Davies and Leon Haslam playing the perfect supporting cast. And the action in BSB is no less intense with Shane Byrne remaining the benchmark hotly pursued by Australian Josh Brookes and hard charger Alex Lowes.
The winner of the latest Game Round is James Ormrod who's brilliant team selection of Cal Crutchlow and Marc Marqez in MotoGP, Sylvain Guintioli and Eugene Laverty in WSB and Shane Byrne and Aaron Zanotti in BSB has won a set of Pirelli tyres plus two tickets to a 2013 or 2014 BSB round of their choice, including a paddock and garage tour.
The overall leader of the Fantasy Road Race competition prior to this weeks Sachsenring MotoGP round in Dean Headworth who's team of Cal Crutchlow, Alvaro Bautista, Sylvain Guintoli, Loris Baz, Shane Byrne and Alex Lowes puts him in current pole position to win the Honda CB500 which has a RRP of £4995.
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By Wainwright Jeffers - bio | email ALBANY, GA (WALB) - The outspoken Dougherty County Taxpayers Association promised to put up candidates to oust Albany and Dougherty County leaders.
They couldn't find any of their members to run for office, but they are now backing two city commission candidates.
"They want responsibility, transparency and accountability in government," said Terry Heart, Ward 5 Commission Candidate.
Heart is running for the ward five seat against Bob Langstaff.
"We need expertise in the handling of government funds," said Heart.
He says his more than 30 years of executive and management experience will help him run the city. He signed an agreement with the taxpayers association and says he was spurred to run by one commissioner's criticism of that group.
"The thing that put it over the top is when he called the group terrorists, anytime a group of citizens voice their concerns and they're referred to as terrorists, I have a problem with that," said Heart.
"The object is to get people to support you that have the best interest of the city at heart, it's fair we hear what they have to say," said Christopher Pike, Ward 3 Commission Candidate.
Pike is running for the ward three commission seat begin vacated by Morris Gurr and has the group's support.
"I was going to run before I met with the group, and I met with them as I would any group," said Pike.
Pike hasn't signed the contract with the taxpayers association but says he will work for all citizens and push for more development downtown.
"We need to work on the residential areas, because business will come where there are people who have disposable income and need their products and services," said Pike.
"Running a city is an art and at this point I think we need a little art appreciation and by that I mean accountability, responsibility and transparency," said Heart.
And with the support of all citizens both hope to make Albany a better place to live.
"They're improvements that need to be made and that would probably be true after I leave office," said Pike.
Commissioner Dorothy Hubbard is running unopposed; she has met with the Taxpayers Association but did not sign their contract.
©2009 WALB News. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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Want a $45,000 new vehicle but don't want to pay for it? Easy! Have your constituents pay for it. Of course, this requires
US Representative Stephen Lynch has been seen wheeling around in a Chrysler Aspen. We wouldn't care so much, but it appears that while the car is registered to Congressman Lynch, his
[Source: Boston.com]


text:
Is A Little Objective Reporting Too Much To Ask From ESPN Dallas/Fort Worth?
Cowboys fans are well aware of the hating that goes on from the mainstream media. We see it whenever we tune in to watch the games whether on FOX, NBC or ESPN. Honestly, I've become so used to it that my mind just automatically filters it out now. I understand that the anti-Cowboys sentiment is here to stay and it's not going away anythime soon.
What gets me though is one particular clown who just so happens to be a Cowboys beat writer. You would think any beat writer would show a little partiality to the team they cover, not a ton of it, but just enough to keep the fanbase appeased and feeling like hey, let everyone else hate us, at least we have this guy in our corner. But no such luck for these Cowboys…
Our fanbase was cursed with the likes of Jean-Jacques Taylor: Cowboys Hater Extraordinaire.
It's no surprise to most Cowboys fans that this season hasn't played out the way most of us expected. Poor 4th quarter play and lack of concentration has added at least three games to the loss column that should have easily been wins. So instead of being 7-1 we find ourselves at 4-4.
Yesterday's victory against the Seattle Seahawks was a must-win game for the Cowboys. If they lose that one, it's a given that any remaining hope for this season would have been snuffed out and eliminated. So in that regard it was good win.
There were some good stories to take away from this game including the continued emergence of DeMarco Murray who posted his second 100+ yard effort in three contests. It could have easily been three straight 100-yarders, but he only got nine carries against the Eagles, but still managed 75 yards.
Anyway, back to my point…
Here is how JJT chose to open his recap of yesterday's action:
When it was over, the scoreboard showed the Dallas Cowboys beat the sorry Seattle Seahawks by 10 points. Big whoop-de-do.
A good team would've trounced Seattle by three touchdowns. A great team would've won by even more. Your Cowboys?
They settled for a 23-13 victory at Cowboys Stadium.
Are you freaking kidding me or what???
How does ESPN Dallas/Fort Worth allow this poor excuse for a beat writer to continue tormenting Cowboys fans, rather than providing them with any substantive and objective inside opinion based on his access to the team?
I'm not asking for much… Just a little bit of objectivity and not the same kind of Cowboys reporting that I would expect to find on an Eagles or Redskins blog.
Is that really asking for too much?
I was so excited when ESPN decided to regionalize their sports coverage and launched ESPN Dallas, but now I think I've had enough of it. I can no longer put up with all the knocks on our team, the cruel jokes and all of the incessant snark.
The Cowboys needed a win, and they got a win, and for JJT to knock it only shows he has an agenda.
He's being paid to cover the Cowboys, not constantly put them down and denigrate them.
We have enough outlets that do that against our team, the last thing we need is our own beat writers joining the fray.
ESPN should be ashamed of themselves… The worldwide leader in sports should concentrate on being the worldwide leader in objective reporting and professionalism.
Another reason I dont watch ESPN
i watched the video this morning of him and todd archer. those two clowns are just sad, pathetic little men. ya know now that i think of it, if i looked like jjt and for sure didnt get any…EVER…id probably be a hater too…
Taylor is such a clown. I've ruffled his feathers a few times on twitter, questioning his amateur analysis. He gets very offended when his "expertise." There's a reason he is an EX writer for the Dallas Morning News. Clarence Hill is another condescending local writer that I can't stand. The arrogance of these two is staggering
When his "expertise" is questioned is what I meant to say
Lets just say I wasn't surprise when I saw that article come out.
I don't know, some days these idots with negative comments is just what I want to see. It often validates some of my own frustrations towards what seems to be a pretty average football team that thinks they deserve the respct of a champion. Year after year they find new ways to lose while continuing to do the same stupid things i.e., penalties, not recognizing young talent/heart and bad decision making. In all honesty, I expected more from the Cowboys against Seattle. It WAS disappointing. This collection of players can't seem to find the motivation to get up for games that are deemed "big" games. They lack consistency and strong vocal leaders. Hopefully some of this young talent will change that mentality. The future is looking a little brighter.
Abuse is part of a Championship tradition. I've accepted that as a Boys fan. I've learned even though we "should have put up 50 points on Team X", I've learned never to take a win for granted. The other team gets paid as well, and is playing hard for the chance to beat "America's Team."
Nothing surprises me anymore. "Fans" that don't even remember what it was like in the 70s will harken back to those days when they probably weren't even alive. People gloss over the 80s as we trended downward into the basement of football, only to spring back to life in the 90′s. Now here we are. A seemingly average team, that has won 2 NFC East titles under Wade "Cupcake" Phillips and now are looking for some magic with young players who are under the largest microscope in football.
We're the Yankees of football. No matter what you do, it's simply not good enough. You get a little tired of it, but what can you do? Most of the frustration comes out of wanting our team to perform well and shut someone up. But when they do, they'll wonder why we didn't score an extra touchdown or whatever. It is what it is. I love my Boys and no matter what, I'll always cheer and stomp my feet. The pinnacle is coming. And when it happens, we'll all stand there and nod with our arms crossed, saying, "Yeah…How Bout Them Cowboys! SUCKAS!"
Well said Ron. I too really expected them to come out and hammer the Seahawks after getting embarrassed in Philly. Tied at 6 at half was incredibly frustrating. A win is a win in this league but it was antclimactic. Truth be told, they deserve some criticism for again playing sloppy and for what seems to be uninspired football.
we didnt even have highlight on espns blitz, there all biased and thats why i rarely watch espn, and what disgusting more is vick is not conciderd a choker WTF!!!! espn is a joke
They didn't even have the Cowboys/Seahawks game on that childish Swami's Picks segment either. Oh well, guess they didn't have a game Sunday. Morons


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A Boutique Coffee Bean Roaster, El Segundo, CA
How did Jack Bean Roasting Begin?
Andrea (the A in JACK) was inspired by a segment from the radio program 'The Splendid Table'. She was out walking and listening to a podcast featuring the owner of Sweet Maria's. The topic was the home roaster. The "aahha" moment came when the host posed the rhetorical question "You could turn this into a home business?" Andrea stopped, right in front of the high school, answered the question out loud with a triumphant "Yes!". In less than a week she had convinced Jamie this was it, the business they could start together. A week later a sample green Bali Blue Moon coffee beans arrived and Jack Bean Roasting was born.
Tagged: Jack Bean Roasting Bali Blue Moon Sweet Maria's The Splendid Table coffee roast
Posted on June 9, 2012
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Feminine and luxurious, this eye-catching bracelet is made of palladium-plated links and an edgy chain link in Metallic Blue crystal. Designed in the exclusive Pointiage® technique, it offers a different perspective from every angle, creating a virtual animation.
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Khyam Allami is an active London-based musician of Iraqi descent. Allami was the first recipient of the BBC Radio 3 World Routes Academy mentorship programme and has performed at WOMAD and the 2010 BBC Proms. He is currently an oud instructor at SOAS. This concert was held to launch Allami's debut album, titled Resonance/Dissonance. Released through Nawa Recordings, this album dropped on June 6th. The album is performed here in its entirety, completing with an improvised piece. Accompanying Allami in this performance is Vasilis Sarikis playing percussion.
Click here to listen to the entire concert as recorded by SOAS Radio.


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AV Integrators is a systems design build firm providing custom Pro AV, Broadcast, Videoconferencing, Display, Digital Signage, and Audio systems. We specialize in sales and support for corporate, university, House of Worship, and government clients in the San Francisco Bay Area and Northern California. We have the experience and the knowledge to create solutions to solve audio and video problems.
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2012 San Francisco International Conference on Chanoyu and Tea Cultures
Date: Saturday, November 10, 2012
Time: 09:00 AM - 09:00 PM
Time: 09:00 AM - 09:00 PM
Location: Room 133, Humanities Building
Cost: $10 general; $5 students (with ID) . Discount if you register before Oct. 17
Web: http://japanese.sfsu.edu/current-event
Sponsor: Japanese Program, Dilena Takeyama Center for the Study of Japan and Japanese Culture
Contact: Midori McKeon, Department of Foreign Languages
E-mail: firstname.lastname@example.com
Phone: (415) 338-1346
This academic conference, which will be held under the joint sponsorship of two universities in San Francisco and the Dilena Takeyama Center for the Study of Japan and Japanese Culture, will be the first ever event of its kind on chanoyu (Japanese tea ceremony) and tea culture on the West Coast of the United States. The research presentations and a special Korean tea ceremony will take place during the morning and afternoon of Nov. 10 at San Francisco State University. Following the conclusion of this program, the University of San Francisco, a private Jesuit university located just north of Golden Gate Park, will host an evening reception and dinner banquet for conference attendees. Two renowned specialists have been invited to give keynote lectures: Dr. Asao Kōzu, widely known for his expertise in the history of tea, and Dr. Tamaki Yano, who has gained universal recognition for his research on Kundaikansouchōki, a text dating from the Muromachi period. Speaking in Japanese, Dr. Kōzu will present a new perspective on the wabi-cha of Sen no Rikyū, while Dr. Yano will deliver his lecture on the records of famous tea objects in English. Additional presentations by researchers from Japan and the U.S. will cover topics such as calligraphy scrolls, flower arrangement, bamboo baskets and various aspects of tea ritual. The entire program is open to the general public. We strongly encourage anyone with an interest in the topic to attend; you need not be affiliated with a tea school or to have ever participated in a tea ceremony. Please note that we will limit attendees to ages 18 and above. We have set aside a Q & A session after each presentation. To encourage the greatest possible number of attendees, we have set the admission fee at very reasonable $10 ($5 for students) for those who pre-register by Oct. 17, and $20 ($10 students) for on-site registrations. The Conference Program and the Registration Form are downloadable from http//japanese.sfsu.edu/current-event We firmly believe that chanoyu's spirit of sincerity extending between host and guest can transcend borders and contribute to harmony among people all around the world, thereby promoting world peace. We look forward to seeing you there! For further information, please contact firstname.lastname@example.com; (415) 338-1346
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Date: Every Sunday, Wednesday, Friday, Saturday, Circa '21 Dinner Playhouse, 1828 3rd Ave., Rock Island, will present the musical Peter Pan, based on J. M. Barrie's play, from June 17-Aug. 29. There are evening performances on Wednesdays, Fridays, Saturdays, and Sundays, and matinees on Wednesdays. See the website for times and ticket prices. For tickets, call (309) 786-7733, ext. 2 or order online.
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See the figure above. The point M is the midpoint of the
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cannot since it goes on indefinitely in both directions, and so has no midpoint.
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Problems of Cultural Integration in Transition Societies – Case Study of Bulgaria
AbstractThe paper studies the opportunities of integrating minorities with the rest of the population, turning them into an indivisible part of the society. To realize better this integration many conditions are needed including change in the social attitude to minorities, a rise in their standard of living, overcoming the prejudices existing in society toward them, etc. Creating new jobs and proper investment in the regions populated with minorities would facilitate their cultural integration as the first step in this process. Its efficient realization depends strongly on social capital generated in these communities as a precondition for formal and informal associating with the rest of population. Social capital is expected to play the role of feedback, which would steer the adequacy of the process of integration. Its study is of paramount importance to reveal the mechanism of integration of minorities with the rest of society. The results of the quantitative and qualitativ analysis based on collected primary data are presented for detailed study of the mechanisms of social capital and the way the minorities could be integrated. Among the measures, which could help to cope with the situation are: rise in the access to education, increasing opportunities to find a suitable job, more adequate participation in the political and economic life of the country, etc. In conclusion recommendations are formulated to change the policy toward minorities and to improve the overall economic conditions allowing better social realization and integration.
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Bibliographic InfoArticle provided by University of Craiova, Faculty of Economics and Business Administration in its journal Annals of Computational Economics.
Volume (Year): 1 (2008)
Issue (Month): 36 (May)
Pages: 87-101
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Related researchKeywords: cultural integration; gypsy minority; social capital study;
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- J61 - Labor and Demographic Economics - - Mobility, Unemployment, Vacancies, and Immigrant Workers - - - Geographic Labor Mobility; Immigrant Workers
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2011 Old Plains Shiraz Raw Power
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A Criminal Act - Child Soldiers
The Zimbabwe Child Soldier Victim Foundation
The Zimbabwe Child Soldier Victim Foundation is a non-profit organisation aimed at creating global awareness of the plight of children used as Child Soldiers in the Zimbabwe Youth Militia and at assisting those who have managed to escape the militia camps with a recovery plan, as well as assisting the victims persecuted by the child soldiers.
The main objective of the Zimbabwe Child Soldier Victim Foundation is to have the militia camps closed down with immediate effect and to help every victimised child into a rehabilitation program.
For the fugitive former child soldiers who are refugees in South Africa, a rehabilitation programme is being put into place; this includes counselling, reconciliation, reuniting them with their families, art and drama therapy, as well as essential food and shelter.
These are stills of MUGABE INSPECTING A YOUTH MILITIA CAMP taken from a BBC Panorama programme broadcast on BBC One on Sunday, 29 February 2004 at 2215 GMT. The secretely filmed programme was titled Secrets of the Camps. Green bomber is the name given to Mugabe's youth militia.
Zimbabwe Child Soldiers Speak Out
Click on the links above to hear their stories
Government estimates suggest that 80 000 youths have been through these training camps since 2001 but the actual numbers are thought to be much greater.
The Zimbabwe government, under the 30-year rule of dictator Robert Mugabe, has announced through its Ministry of Defence, that Youth Militia training be compulsory and should involve weaponry tuition, and that all youth must form a reserve force under military command to defend their nation against imperialists and neo-colonialists, as well as any political opposition party. The age indicated by government policy is as young as 10 years old. The Youth Militia falls under the Youth Training Act, which is administered by the Ministry of Gender, Youth Development and Employment Creation. Children are forced into the camps under this regulation; those that do not comply are abducted under force from the streets, their homes, schools and even churches.
If you believe the Zimbabwe Child Soldier Victim Foundation is a just cause in calling for Peace and international pressure against the use of child soldiers in Zimbabwe, then please support us with your name and country, which will automatically be added to our Peace & Solidarity Page: firstname.lastname@example.com The Zimbabwe Child Soldier Victim Foundation thanks you for your interest in our campaign. Should you require any further information, please contact us: firstname.lastname@example.com


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By Karen Cohilas - bio | email ALBANY, GA (WALB) – Many of us are getting a major shock as we open our utility bills for the month of January. Georgia Power customers' energy use jumped 28% from December to January. Some people saw their bills double, even triple.
The power bill is one of those monthly expenses most of us dread, more this month than most after we had some of the coldest temperatures in more than 20 years last month.
As the outside temps dropped in January, many South Georgians bumped the thermostats up... which sent their bills in the same direction. "I usually keep it at 68-70, and we just wrap up in blankets, trying to save money."
Even so, Eva Jackson's bill went up more than she wanted. "It did. Probably about $100. I'm used to paying a $180 bill, well I just paid a $253 bill so it has really went up."
And she's not alone. On average, Georgia Power customers used 28% more power in January over December, which means their bills went up that much too. "Most of 'em are real stunned."
Brenda Courson is a customer Service Representative at Georgia Power, and right now, she's dealing with some pretty unhappy customers. "Oh yes, they are very upset, because they don't have the money to pay the bill they cannot figure out how to pay it."
Especially when some people's bills more than doubled. "I seen one this week that was over $900 and his bill the month before was $400, so that's a big increase." said Courson.
Some people are able to work out a payment plan to handle the bills, and many are signing up for a program that averages out the previous year's bills, so one flat rate is paid. It's a program Jackson plans to join. "Because I'll know exactly how much my bill is going to be every month."
As for this month, she'll be keeping the thermostat steady. "It's hard, but we're still going to keep it at 68." And here's why 68º is a good place for your thermostat to stay.
Raising your thermostat increases your bill, by about three to four percent for each degree you raise the temperature.
While power usage for Georgia power increased 28% from December to January, it was also up 23% this year over last, indicating just how cold of a winter we've had.
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Written by:
Though the lightning comes
Though the thunder roars
The willow still remains.
Though the rain pounds down
Though the wind howls round
The willow stands the pain.
The weather tries to hurt
Tries to bring it down
But never has the luck.
It tries and tries
For the willow's soul
But from its roots it cannot pluck.
It doesn't realize
Causing pain
Cannot outlast the fight.
The fight to stay
Rooted in
The ground with all your might.


text: "Maybe you're my cure." Niall slurs against Zayn's throat when he half carries him into his bedroom. Zayn just smiles at him and doesn't point out that he's been up nearly twenty four hours straight, just tucks him in and slides into the middle of the bed beside him. Niall curls into him, lips pressing softly to the meat of his shoulder in a goodnight kiss before he's completely out for the count.(How Can You Swallow So Much Sleep)


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- Below Deck Meet the New Crew Member Tuesdays 9/8c
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Korto WINS! She created an extremely sophisticated look: a white cotton/linen blend pant, a stretch satin camisole, and a white leather vest with red shoulder insets and a black mandarin collar. There was an unexpected aspect to the all-white look, and the construction and fit were perfection. Furthermore, you could easily see how this look could successfully morph into menswear, which is not an unimportant element in this challenge. Congratulations, Korto!


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A key aspect of working with sex offenders is assessing and minimizing the likelihood of re-offending. Our courses teach you how to score the most widely-used actuarial risk and needs scales for the assessment of sexual offenders and how to apply those results to case supervision.
Who Should Take These Courses
Our sex offender courses have been designed for professionals conducting risk assessments and/or providing case planning and supervision with sexual offenders, including probation officers, parole officers, police officers, institutional classification officers, forensic social workers, psychologists, and those persons who work in the justice system.
Courses are directed both to those with no prior experience with risk/needs assessment measures and case planning and to current users seeking to refine and consolidate their expertise. The courses are also suitable for organizations who would like to train their staff and contractors as a group.
Dr. R. Karl Hanson, the co-creator of STATIC-99R, STABLE-2007 and ACUTE-2007, has a video message for those interested in taking these courses. If you can play and hear Dr. Karl Hanson's video introduction below, you likely have the computer requirements to play the video clips in these online courses.
Courses are offered part-time, consisting of self-study, group interaction and online instruction. Students may download all course materials. Each course is self-paced and guided by a trained professional working in the field of sex offender risk/needs assessment and case supervision.
Course Overviews
STATIC-99R: Sex Offender Risk Assessment (SOAP105)
Participants learn how to score and interpret the STATIC-99R risk assessment tool with adult male sexual offenders.
STABLE-2007/ACUTE-2007: Sex Offender Needs Assessment (SOAP106)
This training provides detailed instruction and practical experience in the use of the STABLE-2007 and the ACUTE-2007 needs assessment tools.
Sex Offender Case Planning (SOAP108)
Participants learn to develop dynamic, effective case plans that focus on the unique risk and needs of sexual offenders who have been assessed using STATIC-99R, STABLE-2007 and ACUTE-2007.
Computer Requirements
Participants must be comfortable using computers and the Internet.
Check to see if you meet the other minimum computer requirements for this course.
To register, contact the JIBC Registration Office at firstname.lastname@example.com or 604.528.5590, toll-free 1.877.528.5591 (North America only).
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Last updated July 30, 2013


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