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Twiddler – Setup & ConfigurationPosted: February 5, 2013 Filed under: Uncategorized | Tags: fiddler, twiddler 1 Comment
"Twiddler" (aptly named by Devin Rader, a Twilio Evangelist) was created as a Fiddler 4.0 extension to simplify the development of Twilio applications. It allows you to receive a Twilio web hook anywhere there is an internet connection. This includes public hotspots, or even those created by your mobile phone. If you have access to the internet, your laptop via Twiddler becomes accessible from Twilio. I think it's a fascinating leveraging of technology that still amazes me.
In brief, Twilio applications allows you to use the telephone as easily (or even easier) than you browser. In fact, with a Twilio, the scope of users that can use your application increases to anyone that knows how to use a phone. The possibilities are endless, and we are only at the tip of the iceberg!
Twilio works via a webhook, which turns a phone ringing into a web POST/GET to a web server of your choice. With this web POST/GET, enough information is received so that a web application can react and build an IVR system (Interactive Voice Recognition).
The catch is that a webhook requires a "publicly accessible web server". That means a web server that is typically hosted in the cloud. However in development, we typically don't have a public webs server. Typically we are working with a web server on our workstation, and it's behind NAT routers and firewalls. The job of "routing in a request" from the internet is not trivial as it often requires configuration of routers. This involves Port forwarding, or protocols (like TURN/STUN servers) to manage the routing. This all requires a learning curve that typically makes a simple investigation into an overly long process that is simply not that fun, and is typically out of the realm of a hobbyist developer.
I build Twiddler because I am a consultant, and I'm always traveling with my laptop. If I wanted to do a bit of develop using Twilio, I was unable to do so because I was away from my home resources where I have configured my hardware appropriately. I wanted something so that I could turn on my laptop, and start working regardless of where I am, and start receiving those webhooks.
Twiddler does that for me via the Azure Service Bus, and much, much more! This takes no configuration other than simply creating:
1) An Azure account (free here WindowsAzure.com), and
a. Establishing a Service Bus endpoint (detailed setup follows).
2) A Twilio Account (free Twilio.com),
3) The fabulous Fiddler 4 (free Fiddler2.com) application, and
4) Twiddler (on https://github.com/ITBatman/Twiddler/)
That may seem to be a long list for a newbie, but it's taken me 4-6 months of evening and weekends to put Twiddler together to a point that I feel is simple enough to explain in blog post.
Azure Setup
1) Create a Windows Azure Account
a. Using a Live ID, create an Azure Account via www.windowsazure.com
figure 1
b. After you have created an account, the intro starts
figure 2
click through each of the tabs for a quick overview of Azure capabilities are.
c. In the end you should see the main portal page
figure 3
Click on the Service Bus, and click on "Create a new Namespace"
d. New Service Bus Namespace
figure 4
i. NameSpace Name Enter a new namespace name. This can be anything you want, but it must be unique. The portal will validate the name, and will indicate if the name you have entered is OK (check mark will appear, see next screen shot) NOTE: Directly under the NameSpace Name, the full URL will be displayed. All ServiceBus namespaces are suffixed with ".servicebus.windows.net" to create a fully specified HOST. This will be your "public" endpoint that Twilio will issue the webhook to. Twiddler (not Twilio but Twiddler the Fiddler extension) will take all activity directed to this endpoint, and "relay" it to a local workstation URL.
ii. Region Select the geographical region that you are closest to.
e. Azure Service Bus endpoint created!
figure 5
and back to the portal
figure 6
f. Get a Copy of the Access Key The Access Key is needed later when Twiddler is configured. The key allows Twiddler to communicate with the ServiceBus and setup relay for you.
i. Select the Service Bus NameSpace This will highlight the row and activate the Access Key button. NOTE: The NameSpace must be specified as "Active" for this to work. If you just created the NameSpace, this may take 10-30 seconds.
ii. Click on the Access key near the bottom of the screen
figure 7
iii. Copy the "Default Key" and paste it where it can be recalled later when Twidder is being configured
figure 8
Note: I've had to blur out the key, otherwise I may not like my credit card next month!
Your done setting up an Azure ServiceBus! NOTE: Make sure you remember the Servicebus Namespace name, as well as the Default key, as it will be needed later when we configure the Twiddler extension.
Create A Twilio Account
1) Navigate over to Twilio.com
figure 9
figure 10
2) To verify the Account, Twilio needs to call you. Simply enter a phone number where you can be reached:
figure 11
Click the "Call Me" button
3) A verification number will display
figure 12
And shortly thereafter (like within 30 seconds) the phone number that you entered will ring! Listen to the instructions, and enter the verification code when prompted
and enter the verification code that was given via the web page:
figure 13
At this point in time, the Twilio number that you were given is active, and your almost ready to roll.
If you want to try it out, click on the "Get Started" button, and you will see the following dashboard that will allow you to "test drive" your Twilio number:
Figure 14
After you are done, click on the "Go To Your Account" to see the Twilio "Dashboard" for your account.
4) On the Twilio DashBoard, each Twilio account is given an:
a. Account SID A unique identifier for the an account with Twilio
b. Authorization Token A unique "password" that, along with the Account SID, allow you to use the Twilio API.
figure 15
NOTE: For security reasons, the Auth Token should never be displayed publically. Click on the Lock icon to see the actual number. You will need return to this page (DashBoard via the menu bar at top) as you will need to cut and past the Account SID, and Authorization Token into Twiddler later on.
Install Fiddler
NOTE: If you have Fiddler already installed, make sure it's Fiddler 4.0 (Beta) application. Twiddler will NOT work with versions previous to version 4.0
1) Navigate To: http://www.fiddler2.com/fiddler2/version.asp
figure 16
3) Unblock the ZIP file (EDIT: as Eric Law has commented, this is not a required step!)
a. Right click the filename, and select Properties
figure 17
b. Now double click on the file, and accept all defaults.
c. Navigate to the Scripts Folder After installing Fiddler, a folder called Scripts will be created in your Documents folder under your profile name (mine is rreukema). Keep this path Open as you will require to navigate here shortly
figure 18
NOTE: Do NOT start Fiddler quite yet… the extension code needs to be copied to this folder before Fiddler is started.
Installing Twiddler
1) Navigate to https://github.com/ITBatman/Twiddler
2) Download Twiddler Twiddler is available with complete source code, or only the Binary files necessary to run Twiddler.
a. Binary Files Only
i. Download the file "PutInFiddlerScriptsFolder.zip"as per below:
figure 19
ii. Save the file to the Fiddler Scripts folder as identified above (and duplicated here)
figure 20
iii. Unblock the File
1. Right Click the file, and select Properties
2. Click on the Unblock button
figure 21
NOTE: If you cannot see this Tab, please see the section on Fiddler trouble shooting later in this document
b. Complete Source
i. Download all Files
ii. Ensure the following SDK's are installed:
- Azure SDK
- Twilio API
- Microsoft.ServiceBus
- Fiddler.exe Create a reference to Fiddler.exe via the Browse functionality of "Add Reference"
- Post Build command The Project has a post build command that copies the Twiddler code from VS directory, to the default Fiddler script folder. NOTE: If Fiddler is running, the copy command will error out
Configuring Twiddler
Twiddler has three tabs:
- ·
Service BusTwidder Parameters (Edit: I updated the name of the tab) Used to authorize Twiddler to set-up a Service Bus relay on your Azure account
- · Twilio Phone Numbers Used to authorize Twiddler to setup Twilio parameters on your Twilio Account.
- · Twilio Debugger Retrieves Twilio Notifications – used for debugging Twilio applications when something goes wrong on the Twilio side of the exchange.
Twiddler was configured this way to provide as much functionality via Twiddler, and minimize the effort to build and debug Twilio applications. Without Twiddler functionality, I was always jumping between numerous web browsers to debug and develop the application. Twiddler minimizes these interactions so that development can occur between your development environment (Visual Studio), and Twiddler.
Service Bus Configuration
The Service Bus tab assists in the creation of the first URL that is used to enter the Twilio Voice URL
Field Definitions
As noted during the creation of the Azure Account, please enter the following fields:
1) Name Space Row
a. Name Space (first field) Type in the Service Bus name space name as it appears in the portal (without the ".servicebus.windows.net" suffix)
b. EndPoint Name/Service Path Name (second field) Within in a Service Bus Namespace, you must specify an EndPoint Name, and it can be anything you like (no special characters). This field is used to create multiple endpoints within a single namespace. Within Twidder, we only require one.
c. Controller (third field) This is the name of the MVC controller that the Twilio request will be directed to. Please enter the name of the controller, with the "controller" suffix removed. The URL that we are creating for use in Twilio is being created directly below the current line.
d. Action (fourth field) This is the name of the MVC controller that the Twilio request will be directed to. This is the Action that will be called when the Twilio phone number is called.l
Directly below these 4 fields, an URL is being created. This URL is the URL that must be entered into Twilio as the Voice URL of your application (could also be the SMS URL, depending on the type of Application you are creating). For your convenience, clicking the clipboard button to the right will put this line into the clipboard, make it ready to paste into the Twiddler parameters side of things.
2) Issuer Name Enter the issuer name as it appears on the credentials popup (default to owner). When Security becomes a concern, this name should be change when a new issuer name is created with minimal security rights.
3) Issuer Key As noted during the creation of the Azure account, use the "Access Key" button near the bottom of the Windows Azure portal.
4) Redirect To: Type in the full root of the MVC or WebAPI host that is listening for requests. This will typically be Http://localhost/XXXXXX where XXXXX is the name of the web project in your solution. NOTE: if you enter localhost, Twiddler will replace it with "ip4.fiddler". This is done to ensure Fiddler directs the request correctly to the localhost and avoids the issue of the loopback adapter.
Command Buttons
- Start Providing the Issuer Name is correct, as well as the Issuer Key – Twiddler will establish a Service Bus endpoint that is hosted within Azure. This is a public endpoint that will route all web requests directly to your local workstation. If the endpoint is established successfully, a message will appear stating "Service Bus listener has started successfully". Should an error occur, a message box will appear directly underneath the Start button.
- End Simply stops the service, and the public endpoint is no longer accessible (and will not continue to accumulate "relay hours")
- Save Settings Saves the definition of all fields entered. When Fiddler/Twiddler is re-started, the fields will be populated from the last time this button was pressed.
After the "Start" button is pressed, a public endpoint is created using the NameSpace name, as well as the EndPoint name. The complete "Twilio URL" should be used to configure the "Voice URL" of the Twilio account (see the Twilio Phone Numbers tab for assistance in setting this URL within Twilio). After the Service Bus Relay has been started, your local workstation is now listening on that endpoint for any requests that may be issued to that endpoint. Upon receiving that request, Twiddler will redirect the request (doing an URL rewrite), and route it directly to the host that was specified in "Redirect To" ( the NameSpace name, and the EndPoint name are replaced with the "Redirect To" host that was specified). NOTE: The URL in "Redirect To" need not be sent to a local web service, but could be redirected to ANY web service that is properly configured. For example, after my solution was deployed to Azure, I choose to have Twilio send the request to the Service Bus endpoint, where I then redirected the request to my Azure account.
Twilio Configuration
Field Definitions
- Account SID As previously noted during the Twilio configuration, copy and paste in the Account SID from the Twilio Account that was created.
- Auth Token As previously noted during the Twilio configuration, copy and paste the Auth Token from the Twilio Account that was created. NOTE: Click on the lock Icon first to unlock the contents, which will reveal the code. Copy this field only after it has been unlocked.
- Voice URL Twilio will use this URL when someone dials the phone number which is selected on the left.
- Status Call Back URL An optional URL that Twilio will use when the user hangs up the phone.
- Fall Back URL An optional URL that Twilio will use should the Voice URL have a failure of some type. If not specified, Twilio has a default message that will be relayed.
- SMS URL An optional URL that Twilio will use should some send a text to the phone number which is selected on the left.
- SMS Fallback URL Same as the Voice Fallback URL, but only used if the Twilio application has a failure processing the SMS URL.
- Get Twilio Number URLs During the Twilio configuration, a Twilio number was purchased. If you click on the button, all phone numbers purchased from Twilio will be displayed in the list box. The fields on the right will be populated with URLs that were previously saved. Initially these fields will be blank.
- Update All Twilio Number URLs This button will update all the Twilio fields for each phone number listed in the list box.
- Save Settings Saves the Account SID, and Auth Token fields. When Fiddler/Twiddler is re-started, the fields will be populated from the last time this button was pressed.
Command Buttons
1) Click on the "Get Twilio Number URLs" to retrieve all purchased phone numbers on the Twilio account specified (Account SID, Auth Token combination), along with the URLs that may be associated with each phone number.
2) Select the phone number within the list box.
3) From the Service Bus parameter tab of Twiddler, copy the "Twilio URL" to the clipboard (click on the clipboard button on the right).
4) Paste that URL into the Voice URL (or perhaps the SMS URL depending on your application).
5) Click on the "Update All Twilio Number URLs". This will take the current URL information for each phone number, and transfer this information to Twilio. Should errors occur, an error message will appear directly under the buttons.
(Edit: New Feature – not in screen shot….)
- Call Via (followed by a text box) This button will SIMULATE a call to your website, and simplifies calling your application. Enter your phone number (which should be verified by Twilio), and click the button. NOTE: The From/To fields of the Twilio post as flipped when using means of calling your site. As this call is TO the developers phone, and the FROM field is the phone number selected from the list. This is the reverse of what occurs when the call is made FROM you phone, TO the Twilio application. This is a work in progress, and I'm hoping to use the computer resources (microphone and speakers) to enable this call, which would elminate this problem.
Twilio Debugger
When an error occurs during a Twilio exchange, Twilio will capture the error on their side, and record it. This tab allows for the retrieval of those errors without having to bring up the Twilio web site in another browser.
Field Definitions
- Request URL The URL Twilio used in which the error occurred.
- Request Method Twilio can use either a GET or POST method. This field indicated which method was used.
- Message Text The error message as it was retrieved from Twilio.
- More Info Any type of information that was captured from the Twilio request that may prove helpful in debugging the application
- # to Get Simply the number of errors to retrieve – errors are retrieved in reverse chronological order.
- Twilio Debugger Uses the Account SID/Auth Token to retrieve the number of errors specified on the left. Date and time is listed on the left, and detail information of the error is listed on the right.
Command Buttons
1) Account SID/Auth Token Ensure that these fields have been specified under the Twilio Debugger tab.
2) Click the "Twilio Debugger" command button to retrieve errors from the Twilio Account.
Trouble Shooting
As explained here, Fiddler by default ignores all errors within extensions and silently fails should an error occur. If you want a little more info from Fiddler, you have to set some preferences in order to display the error messages. In the "Debugging your Extensions" section, it indicates that you need to set the "fiddler.debug.extensions.showerrors" preference to true, as well as "fiddler.debug.extensions.verbose" preference to true. In order to do this, type the following commands into the QuickExec box (see here for UI help).
Enter the following commands:
Set Pref fiddler.debug.extensions.showerrors true
Set Pref fiddler.debug.extensions.verbose true
One Comment on "Twiddler – Setup & Configuration"
There shouldn't be any need to manually remove the Mark-of-the-Web from Fiddler4BetaSetup.exe (referred to above as "Unblock the ZIP file"). Windows will simply show you my digital signature before asking you to run it.


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bio & news / music / contact / facebook / twitter / soundcloud
Coming on strong, like a blank stare. Diminished is Relentless and immediate, forging an introspective journey of broken chords, sparse beats, and synthesized soundscapes.
Imagine a combination of Massive Attack, HTRK, and Jean Michel Jarre ... That's kinda what Diminished's 'Cinematic' sounds like
Diminished [aka Ben Clark] resides in Adelaide, Australia. He is a synth enthusiast, music producer, and co-founder of Sounds Out of Hours; a site dedicated to helping other independent musicians release music.
cover art from Diminished's Cinematic
About Cinematic
At the core Diminished is about synthesizer music. Cinematic is one realization of that. The stripped back synth-scapes are reminiscent of 1970's analogue synth pioneers such as Jean Michel Jarre and Tangerine Dream; however that's not the only thing going on here.
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11/21/2012 - 11/25/2012Fall Exploration DaysIn: Midland ,MIAddress:400 S. Badour Rd.Midland, MI 48640
Get Directions
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"Where Fillmore County News Comes First"
Online Edition
Friday, April 25th, 2014
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Do you think that chain stores in small communities undermine the sales of locally owned retailers?
Notice to Residents of Carimona Township
Fri, Nov 22nd, 2013
Posted in All Legals
Posted in All Legals
Until further notice the monthly board meetings will be held at 7pm on the 1st Monday of each month at the Preston Emergency Services Building.
The December 2nd meeting will be held at 7pm at the Arlynn Hovey Residence.
Linda Marzolf
Carimona Township Clerk
Publish 25,2
The December 2nd meeting will be held at 7pm at the Arlynn Hovey Residence.
Linda Marzolf
Carimona Township Clerk
Publish 25,2


text:
LLI Management
A Board of Directors, volunteers elected annually from the membership, sets policies and controls our finances. Day-to-day work is done by committees manned by members. Board of Directors meetings are held on the second Wednesday of every month. All LLI members are welcome to attend.
LLI Bylaws.
Board of Directors
President: Charles Lamb
1st Vice President: Lee Larchevesque
2nd Vice President: Morhan Corrigan
Secretary: Gary Lishnoff
Treasurer: Ann Bello
NCC liaison: Lynn Boyar, Director, Extended Studies Programs
Mark Albertson
Roger Cohn
Jackie Labatt-Simon
Celia Maddox
Ralph Loomis
Board of Directors
President: Gary Lishnoff
1st Vice President: Lee Larchevesque
2nd Vice President: Norm Glover
Secretary: Celia Maddox
Treasurer: Budd Schwartz
NCC liaison: Lynn Boyar, Director, Extended Studies Programs
Ann Bello
Edward Delyonas
Bob Dubiel
Andre Guilbert
Heather Hopkins
Maxine Tobias
Committee Chairs
Administration -Â Charlotte Cooper
Catalog -Â Gil Herman
Communications, Members -Â Vacant
Communications, Media -Â Andre Guilbert
Curriculum - Katherine Golomb, Maryjane Pacifico
Finance -Â Ann Bello
Hospitality -Â Vacant
Human Resources -Â Vacant
Membership -Â Ann Bello
Newsletter – Morgan Corrigan
Policy -Â Gary Lishnoff
Recruitment -Â Jim Nixon
Scholarship -Â Bettina Gangi
Special Events – Ed Delyonas, Norm Glover
Volunteers -Â Gigi Gallagher
Election Board -Â resolution
Nominating -Â Per bylaws
Past Presidents
1992-93Â - Saul Dursht
1993-94 -Â Marion Cohen
1994-95 -Â Bob Mulligan
1995-96 -Â Bert Moldow
1996-97 -Â Dick Di Vecchio
1997-98 -Â Dick Di Vecchio
1998-99 -Â Nancy Gluck
1999-00 -Â Nancy Gluck
2000-01 -Â Stan Locke
2001-02 -Â Nancy Gluck
2002-03 -Â Michael Mugnolo
2003-04 -Â Michael Mugnolo
2004-05 -Â John Sutton
2005-06 -Â John Sutton
2006-07 -Â Charles Lamb
2007-08 -Â Charles Lamb
2008-09 -Â Vivian Williams
2009-10 -Â Vivian Williams
2010-11 -Â Michael Mugnolo
2011-12 – Gary Lishnoff


text:
How Much?
There is maximum funding of $5.2 million from 2013-15 for the ongoing delivery of Broadband for Seniors services.
Through the Supporting Senior Australians - Keeping Seniors Connected Budget measure, announced in the 2013 Budget, an additional $8 million is available from 1 July 2013 to 30 June 2015 for the rollout of new technology and the one-off $2,000 training grants (GST exclusive). This funding is available to up to 2,000 Broadband for Seniors Kiosks.
Apply When?
From 1 July 2013 to 31 August 2013.
Who to Contact?
Email: email@example.com
Broadband for Seniors Hotline: 1800 803 664 (Mon-Fri 9.00am – 5.00pm AEST). Calls from mobiles may incur additional charges.
Broadband for Seniors and Keeping Seniors Connected
Organisations hosting a Broadband for Seniors Kiosk as at 30 June 2013 will be invited to continue to deliver Broadband for Seniors until 30 June 2015. These organisations will also be eligible to apply for:
- one new computer with touchscreen; and
- a one-off $2,000 training grant to assist with the delivery of training to senior Australians on how to use computers and the internet, in particular on topics of significant concern to seniors such as cyber security and cybersafety.
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In addition, all Kiosks that provide their own internet connection will also be eligible to receive an annual payment of $360 as a contribution towards the cost of their internet connection.
Broadband for Seniors aims to increase the participation of senior Australians in the digital economy by ensuring they have access to the latest computing technology and training to increase their confidence and skills.
Senior Australians, aged 50 years and over, are provided with free access to computers, the internet and personalised training at Broadband for Seniors Kiosks across Australia.
Guidance and ongoing support is provided in a friendly face-to-face environment by Volunteer Tutors either individually or in small groups. Training is tailored to the needs of senior Australians and covers topics such as how to use a computer, send emails, surf the internet, use videoconferencing tools and how to stay safe online. Senior Australians also have access to training materials to enable them to learn at their own pace.
Broadband for Seniors maintains a network of up to 2,000 internet Kiosks located across Australia in places frequented by senior Australians, such as community centres, retirement villages, libraries and local clubs. These organisations receive computer equipment and support infrastructure to enable them to deliver Broadband for Seniors services.
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- Part A: Allowances, Concessions and Services for Seniors
- Part B: Information for Applicants Broadband for Seniors
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Frequently Asked Questions are also provided for your information.
National Relay Service and TTY users
The Department uses the National Relay Service (NRS) to ensure Department contact numbers are accessible to people who are deaf or have a hearing or speech impairment.
To access the Broadband for Seniors Hotline:
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To be perfectly honest, this is a cheap product and it is NOT the holy grail that everyone makes it out to be! It is a simple translucent setting powder - that's it. It is not a miracle worker that will instantly turn you into Kim Kardashian (sorry).
The bottle it comes in is just a cheap plastic bottle; for the price point that's totally fine but it's a pain to get it out of the sifter top without it going absolutely everywhere or releasing more product than you need. The powder is categorised as being translucent with a tinge of pigment - not a lot, you won't get a heavy (or even a medium) coverage with this, though it is not suitable for all skin tones, despite what some people believe! If you have very dark skin, this will make you ashy.
It's fine if you just want a facial setting powder but don't be fooled into thinking this will solve all your problems. It is just a loose powder. That's it!
2 out of 2 people found this review helpful. Did you? Yes No
This is super powdery, a cloud of yellow haze when releasing the powder. It's great because it's super matte, but that also means I can only use it on my T-zone or my face ends up looking too powdery and fake. No problems with breaking out so far.
1 out of 1 people found this review helpful. Did you? Yes No
I bought this product as I had heard great reviews.
I am an Indian woman and every foundation I would use would make me look too orange or ashy...so I bought this more as a corrector (and because I have an oily t zone).
Pros:It did make correct the tone of my skin - the yellow really helped. It seemed to stay on pretty much all night and set my make up really well.
Cons: I don't like the bottle it comes in - the powder either does everywhere or too much comes out etc. It did dry my skin out too.
Please note: I only brought this product in the winter months so maybe in the spring it will be better on my skin as my skin has been really dry lately!
2 out of 2 people found this review helpful. Did you? Yes No
I thought that I had previously reviewed this but realized an oversight on my part. I have been using Ben Nye's banana powder for years as this always helped counteract any unwanted redness from use of Retinol products or atmospheric irritants that wreck havoc on my sensitive skin. Especially redness that was not well covered with light foundations. I have even used this product on its own on days when I didn't feel like applying foundation or tinted moisturizer and still felt the need to do something to counteract redness.
The yellow tint of the banana powder is not for all skin tones and works best with medium tones or like me, those suffering from redness. If you are very fair or very deep toned, Ben Nye has a complete line of Luxury Powders that give the same smooth and pore-less finish in other colors. I will occasionally mix Cameo and Banana together for a less yellow tinged color and still see the smooth finish I desire.
I have learned a couple of different ways to apply, depending on what I wish to accomplish. If I am just setting my make-up for a smooth, pore-less, I will shake a bit in the palm of my hand and take my powder brush and lightly dust across my face. If I am working to reduce redness, I will sprinkle a bit into a velour powder pouf while holding like a taco shell. I will then rub the sides of the pouf together to evenly distribute the powder and then turn the pouf inside out with the powdered side facing my face for application. I gently roll the pouf across my cheeks to push the powder into my face to get heavier application. Once I get the results I desire take my powder brush and gently sweep across the area to dust away any loose powder. This method definitely gives a heavier application for hiding severe redness but if not done correctly can end up looking cakey so be careful and do a little at a time to achieve coverage without going too thick.
3 out of 3 people found this review helpful. Did you? Yes No
I have been very happy with Ben Nye products. Bana Visage powder has treated me very nicely. The powder itself is very fine and has a pale/yellowish tint. This ensures that your foundation will not be changed and if you need something for under your eyes for your bags, I highly recommend.
A little goes a long ways!!
1 out of 1 people found this review helpful. Did you? Yes No
This didn't work at all for me, but i am giving it a 3 because I can see it being great for someone with medium-dark to dark skin-tones with normal to very oily skin. FWIW, I'm quite fair (but not a total PPP) with what they call "peaches and cream" complexion (a nice way to say ones skin is pale/light with a tendency to get rosy, or lets be honest, downright ruddy if not careful!). I also have dry skin - especially in the colder months.
I bought this in my neverending quest to find an exact dupe (or better) to the old version of Everyday Minerals Finishing Dust in 'Sunlight' (circa 2008-09 version) which was simply AMAZING for despite having very little yellow tones in my skin.
However, this just wasn't what I was hoping for. As I said above, Ben Nye's Bella Luxury Powder in 'Banana' is not necessarily a bad product at all in my opinion; it's just not a good one for me, personally, is all.
And so, my 'Sunlight' dupe quest continues…
I can't fall in love with this powder. I know it's meant for deeper skin tones than mine, but I thought it might be a nice corrective powder for my under eyes, or for setting foundation that is too pink on me (aka nearly everything from the drugstore). I just find that my concealer under my eyes creases when I use this to set it, and it also clings to any areas of my face that have concealer applied to them, and oxidizes throughout the day. I end up with yellowy looking patches where I've concealed. It does do a great job at getting rid of the redness in my cheeks, but so does just about any powder with a hint of coverage to it. I find that the packaging is also a nightmare to work with.
2 out of 2 people found this review helpful. Did you? Yes No
So I didn't want to fall onto the bandwagon with this one but I finally gave in and tried it. It's amazing! I had been using the Bare Minerals Well Rested powder but it made my eyes look kind of white. This does not do that. It also makes the under eye area look smoother! I tried it on my mom as well and it had the same effect. I have fair skin but it doesn't look too yellow on me. I also tried it on other areas of my face I had highlighted and it worked great! I don't like the packaging though. It's pretty messy. I also don't like the fact that I can't buy this at a store but other than that it's awesome!
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More reviews by TheStyleChronicles
If you are very pale, fair skinned. Try the "Cameo" shade of this powder for the same effect, only not yellow. Banana is yellow toned, so it is great for medium to darker complexions. The "Cameo," shade is more white, pink based so it works better for lighter colors.
3 out of 3 people found this review helpful. Did you? Yes No
Ben Nye is famous for it's Banana powder, but the makeup line is designed for theater people who need makeup to last long in bright lights, lots of dancing and singing, bright color payoff, and to just stay put all night. After looking around the site I was so excited to try this product and was SO impressed when I tried it. It is so creamy and blends extremely well, but what really sold me was HOW THIS PRODUCT CAN ERASE ANY TRACE OF OIL AND SHINE ON MY FACE and I freaking looooooove it for that!!! The main ingredient is talc, and if you can remember from chemistry class what talc feels like, then that totally explains why this product works so well because it's so powdery and it just soaks up any oil on your face no problem. OILY WOMEN OF THE WORLD, YOU NEED TO GET THIS PRODUCT RIGHT NOW. This is my go to when I get oily, It's like magic how this works.
BUT my only problem.......
This is very powdery, that's why it works so well with absorbing any and every oil on your face.... but I noticed that when I get close to my face, it leaves a slight "powdery" residue finish where I applied it on my concealer and around my nose, and if I rub that area to try and blend it out with my finger, it smudges kinda bad, and from a distance you can tell it's uneven.
Overall: I little goes a LONG WAY, this stuff is amazing, but be light handed, because this stuff is legit and just a little will do just fine.
5 out of 5 people found this review helpful. Did you? Yes No


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Pic 17 Thoughts on what you would do in His situation? Me …
- Tags: Censorship, Comparison, DVD Extras, Image Gallery, Imouto ga Iru!, Marketing, Oppai
Comment on Imouto ga Iru Fully Nipplified by Anonymous:
pic 17 Thoughts on what you would do in His situation? Me id jumper her amongst other things :D
Anonymous made other comments on this post:
- Imouto ga Iru Fully Nipplified:
How the hell is One Piece art 'generic'? It looks pretty different to anything I've ever seen and you know what it is as soon as you see it, whether you like it or not. This art just looks like it could belong to any shitty show like it.
- Imouto ga Iru Fully Nipplified:
so… actually we already see them naked. just, we missing the crucial part. their nipple.. oh invisible ninja
- Imouto ga Iru Fully Nipplified:
No. Generic is: Naruto, Bleach, One Piece, Toriko, Sword art online, and others
- Imouto ga Iru Fully Nipplified:
can someone please asnwer my question Is the voice actress that did female Ranma the same as the one that did Sakura Ichiko from bimbougami?
- Imouto ga Iru Fully Nipplified:
needs to be ANALized
Recent comments by Anonymous:
- Justin Bieber at Yasukuni: "It Just Looked Pretty, Honest!":
In the US, that's pretty much bullshit. Any grocery store will have a full spectrum of available foods. I am in college in some backwoods town and I can still get by pretty well and healthily on 5 dollars a day. Three meals a day. Rice, bread, vegetables, fruits, beans and some selection of meat… It's VERY doable. Back to what I was saying, people are becoming idiots… They more likely pay MORE at fatty fast food restaurants than pay less for healthier food at the store. And they want to …
- Black Bullet Lovable Loli Anime:
Need more scene with that Yomi look alike.
- Justin Bieber at Yasukuni: "It Just Looked Pretty, Honest!":
I don't see why having a group memorial for dead soldiers is the slightest bit controversial, even if some of those soldiers were literally Hitler. Respect the dead.
- Pink Pineapple Oppai Mousepad "Most Realistic Ever":
The ones I've felt in stores litearlly feel like beanbags, I dont see the appeal at all.
- Top 20 Anime of Spring 2014 So Far, According to Sony:
are you serious? This season is a giant let-down, all the shows have been pretty mediocre. I mean spring seasons are usually never that interesting anyway, but man, you must have low standards.


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French Montana - Ain't Worried About Nothin
Artist: French Montana
Producer: Earl & E
Album: Excuse My French
Avg Rating: 1.8 ( 10 total votes )
"Bonjour," "oui," "Dijon" and a few other words are the extent of my knowledge of the French language. A new record off French Montana's forthcoming album, Excuse My French? Well, now we're speaking the same language. For Ain't Worried About Nothin, production twosome Earl & E cook up a trap-based beat whose slow pace is perfectly matched to Montana's distinctly syrupy flow. The brash, against-the-grain style Montana showcases here gives this cut a totally different vibe than his last feature, the Nicki Minaj-assisted Freaks. Excuse My French, the Bad Boy signee's debut album, is set for a May 21 release.
Listen to More: French Montana , Street Banger Written by Lucas G.
Bad Boy/Interscope
First DJ Booth Appearance:
"New York Minute ft. Jadakiss" (2009)
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Lane Montessori School
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Lane Montessori School is a kindergarten program. Classrooms are located around back of St. Mark's United Methodist Church. The school has four different classrooms and a vary large playground located next to the parking lot.
2220 Sproul Rd, Broomall, PA 19008
(610) 359-1300
- Accessibility Details: Ramp located at the entrance
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History's Shadow AB1, 2010 C-print frame: 41 x 31 inches / photo: 40 x 30 inches Ed. of 7
David Maisel photographs the forgotten, the unseen, and the invisible. In 2006, he captured the unclaimed copper canisters containing the ashes of patients who died at a state-run psychiatric hospital, originally known as the Oregon State Insane Asylum, between 1883 and the 1970s. The result was Library of Dust, a gorgeous oversized book and exhibition. Then in 2008, Maisel collected a series of "Black Maps," huge aerial photographs of strip mines, lake beds, and other large features that aren't easily recognizable out of context but reveal curious and provocative patterns and topographies. His latest project is History's Shadow, an exploration of memory and excavation through x-rays of artifacts from San Francisco's Asian Art Museum. History's Shadow is on display at the Haines Gallery in San Francisco until June 4. Later this year, Nazraeli Press will publish the series as a monograph, including a short story by Jonathan Lethem. We are thrilled to present Maisel's ghostly images and his commentary on Boing Boing. — David Pescovitz
History's Shadow GM16, 2010 C-print frame: 31 x 41 inches / photo: 30 x 40 inches Ed. of 7
As a documentarian of sorts, my photographic projects present what might be considered technical, abstract images seen through a metaphoric eye. The ongoing themes of my work concern the dual processes of memory and excavation, as I examine what societies leave behind as artifacts and evidence of their cultures. In my current project, History's Shadow, I have utilized scientific images from art conservation archives to create new photographs. Specifically, in this series I have re-photographed x-rays depicting sculpture and artifacts from antiquity, scanning and digitally manipulating the selected source material.
History's Shadow AB2, 2010 C-print frame: 41 x 31 inches / photo: 40 x 30 inches Ed. of 7
Through the x-ray process, the artworks of origin become de-familiarized and de-contextualized, yet acutely alive and renewed. The ghostly images of these x-rays seem to surpass the power of the original objects of art.
History's Shadow GM12, 2010 Archival Pigment Prints Image: 40 x 30 inches / Frame: 41 x 31 inches Ed. of 7
These spectral renderings become transmissions from the distant past, conveying messages across time, and revealing the essential components that comprise these objects' core.
History's Shadow GM10, 2010 C-print frame: 41 x 31 inches / photo: 40 x 30 inches Ed. of 7
My x-ray-derived photographs fuse the temporal, the artistic and the scientific, permitting us to see into previously invisible realms. The shadow-worlds they occupy are informed by the black space surrounding the images, which in some instances becomes a vast nether world, and in others becomes the velvety ground of some kind of brain scan/portrait.
History's Shadow GM3, 2010 C-print frame: 31 x 41 inches / photo: 30 x 40 inches Ed. of 7
I began this series while a Scholar in Residence at the Getty Research Institute, and have continued it by working with material from the Asian Art Museum of San Francisco. I plan to develop this series over time, by collaborating with museums around the world whose holdings reflect the past of a broad range of cultures.
History's Shadow AV4, 2010 C-print frame: 41 x 31 inches / photo: 40 x 30 inches Ed. of 7
X-rays have historically been used for structural examination of art and artifacts, as they reveal losses, replacements, methods of construction, and internal trauma not visible to the naked eye.
History's Shadow AV3, 2010 C-print frame: 31 x 41 inches / photo: 30 x 40 inches Ed. of 7
By transcribing the inner and outer surfaces of their subjects simultaneously, these images form spectral images of indeterminate space, depth, and scale.
History's Shadow AB8a & AB8b, 2010 Archival Pigment Prints Image, each: 40 x 30 inches / Frame, each: 41 x 31 inches Ed. of 7
The more deeply we see inside objects from the distant past of human culture, the more fully these renderings transcend their documentary function, allowing us to glimpse the invisible.
History's Shadow GM20, 2010. C-print. frame: 31 x 41 inches / photo: 30 x 40 inches. Ed. of 7
Images courtesy of the artist and Haines Gallery
Creepy-cool. I needed that first thing at work. Thanks, gents!
I've been enjoying BoingBoing for years now. The general content appeals to me and there are always seems to be a good balance between light topics and heavier topics.
I have (although) always had problems with BoingBoings clumsy graphic design ethic. I know there are a lot of elements to juggle, but it always seems a bit difficult for me to navigate the BB sight. These new monumental Boing Boing "features" are a case in point. Personally I've never seen website pages (by anyone) presented in such an overwhelming manner
For instance, this David Malsel feature seems to me to be about one-third larger than it needs to be. I use a smaller 17-inch screen and have difficulty handling the huge photographs and type.This sort of large format layout has been a hallmark of the other new BB features. I see this way of designing interruptive to content and needed to voice my thoughts. Malsel's photos are quite provocative and nice.
I'll second your comment on layout. I'm on a 1440×900 display and can't view the entirety of some images.
Which is by the way why I saw the first image as a big butt in a TSA scanner.
You guys need to get bigger monitors or iPads and suck up some of that big-picture love.
Oh come on. The top picture is 1293 pixels high! Here are W3 Scools's most recent 2011 stats on the high-end screen resolutions of internet visitors: they don't even list any resolutions with a hight greater than 1200. And no, it won't show on the iPad either, which is 1024 pixels wide.
It's not a big deal, except for the defensiveness of your posts. You want to pictures on your site to be too big for 95% of your visitors, that's fine, though a bit odd. But you're making it sound like we're coming to BB on computers from the early '90s or something.
I think the issue is that you yourself probably have a nice big monitor. I run into this all the time as a educational software programmer: what do you mean it's slow on your high school's network? It runs really fast at my office with multiple FiOS lines!
The human body X-rayed is much more interesting than these things, which have relatively few internal features. I hope there are more body parts!
Unfortunately not (the license would apply only to our own work, i.e. the posts, design and any original images or other 'creative' we develop for the site ourselves) But I bet the artist would be pleased to hear from you.
Oh shiz. Well, I've written him. Hopefully I can get permission.
And I think this page looks great on my tiny laptop.
I love these special features. I look at them to learn how to make better pages.
Speaking of – does the CC-BY-NC-ND license mean that I can use one of these photos in a non-commercial work with attribution and without modification or would that be considered a derivative work?
The pics are never wider than your browser window, so making the window thinner is one way to view these images in full if you don't like extremely large images.
To add to my comment, it's clear that BoingBoing wants to give these new, special features a more dramatic graphic feel, in order to match their very serious tone. If I recall correctly, the first of these features was about photos of deceased children and the overall feel was super heavy and almost too serious (in my view) – I know HTML and advanced HTML techniques limit what one can do drama-wise and graphic-wise. I'm just not sure if this new over-the-top mode/mood fits BoingBoing. Thanks!
Actually, Mark Dery's "Ghost Babies" feature was published just a month ago while the first of these special features, Maggie Koerth-Baker's "Cassini: Trip Reset," appeared more than a year ago (February, 2010). The entire archive of our special features is linked to at the very top of the front page, in the navigation bar.
You said:
"Personally I've never seen website pages (by anyone) presented in such an overwhelming manner"
Rob, I'd take that as a compliment! ; )
Well, overwhelming in the sense that the graphics lord over
the concepts, ideas and actual text. As the best lovers know,
sometimes bigger isn't necessarily better. I've always thought
BoingBoing works best in subtle form, not in bold statements.
Graphic design for ANY website is a difficult boat to row,
especially because websites have to be constantly updated
and modernized (and fine tuned) in order to stay relevant.
This is many kinds of beautiful. And I love the detail coming through from the size of the pics. Two thumbs up.
A) Really pretty work
B) If you clip off the Buddha pic from the bottom of the pic to the bottom of his nose, it looks like a Baby Got Back inspired TSA scan picture.
Beautiful, fresh. Congratulations!
And David gave me permission!
It is a poem about the importance of filling out proper paperwork.
Who can told me….what is this things???
You know what, I really like these features, but I'll third the suggestion that the photos are too large in this one.
I'm viewing with a full-sized browser window on a fairly huge 1680×1050 display. I cannot see the entirety of the first picture (Buddha?) nor the third picture.
As Rob says, I can make my browser window much, much thinner to auto-shrink the images (it needs to get to about a third of the width of my screen before it starts changing), but that seems like bad design, not a feature.
When I switched to 1440×900, a fairly common smaller size, everything was just ridiculously too big.
I do like the format of the BB features, I think they're great. In this case, though, some of the pictures just happen to be too big. It's true.
On a related note, was the cropped Buddha picture at the top of the main BB site cropped deliberately to look like a male crotch in an x-ray machine. Maybe it's just me…
I forgot to say: I really like these photos. I particularly like the woman in the fourth photo. The inner core gives a sense of how the sculture was made, how the layers were added, and simultaneously looks like a brain and start to the spinal column.
Teh webz, you're doing it wrong!
While I appreciate that my 24″ secondary LCD screen is rotated to a portrait aspect instead of landscape, allowing me to view this page without going totally squirrely, I have to echo the other complaints – this is not a very useful layout. "Smaller picture – click for bigger if you're interested in the details" is a web design standard on graphics heavy pages for a reason.
iPads are actually 1024 pixels tall when used properly. You're not "rotating" it, are you? That's wrong.
The top image says that it's 970px × 1,293px (scaled to 720px × 960px). On a 1280 by 1024 monitor, for example, all the browser bits cut the viewing area down to less than 960px.


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Third-year McNamara girls' basketball Coach Gary Lee, whose Mustangs upset then-No. 2 St. John's last year but fell to a 3-23 record this season with a young team, has stepped down, citing parental pressure.
Lee said he made the decision about two weeks ago and will meet with parents and players next week to formally announce his resignation.


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Topic: James Purefoy
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Culture Cafe 'The Following': The season finale goes in an unexpected direction
'The Following' finished its first season with a twist. 'The Following' has been renewed by its network, Fox, for a second season.
Culture Cafe Kevin Bacon apology: The actor said sorry for tweeting a key 'Following' spoiler
Kevin Bacon offered an apology to fans on his Twitter page and website for retweeting a comment that gave away a 'Following' plot twist. 'I just wasn't thinking,' Kevin Bacon wrote in his apology, 'Won't happen again.'
Culture Cafe Kevin Bacon on subway: He isn't the only famous face to take public transportation (+video)
Kevin Bacon says he goes on the subway every day. Bacon said that when he is on the subway, he plays games like Angry Birds and backgammon.


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Naples Realtor
Mike Duffin of Downing Frye Realty in Naples specializes in helping folks buy or sell Real Estate in South West Florida. Mike Duffin has been a licensed realtor since 1977. Mike Duffin is also licensed in Illinois. I believe in the principle of the golden rule and I treat my clients as the most important people in the world; because to me. They are. My website is www.naplesrealtyguide.com or you can email me at [email removed] or call 239-206-1788. I can program the mls to send you listings daily.
Apr 8 -
Looking to help out with tile work, repairs, yard work, and just about anything you need. I am a well rounded individual and a hard worker. Email me and we can discuss the work you need done. Bless you and have a great day!
Apr 24 -
Lakeland :
Allegro Music Academy is looking for an experienced Piano Teacher with at least a bachelors degree in music. We are located at 241 Whitfield Ave., Sarasota, Florida 34243. NW Corner of HWY 41 and Whitfield Ave. Please bring resume either in person or send by email.
Apr 18 -
Sarasota :
Allegro Music Academy is looking for an experienced Voice Teacher with at least a bachelors degree in music. We are located at 241 Whitfield Ave., Sarasota, Florida 34243. NW Corner of HWY 41 and Whitfield Ave. Please bring resume either in person or send by email.
Steven Burd
140 SW 96 Terrace
Plantation, Florida 33324
(954)472-8947 [email removed]
Skilled in full accounting cycle including collections, bank reconciliations, journal entries, AP/AR, general ledger, preparation and analysis of GAAP financial statements, month/year closings, budgets & audits. I am skilled in human resources, including multi-state payroll, administration of employee benefits, 401(k) contributions, cost accounting, fixed assets and inventory valuations. ...
Apr 18 -
Miami :
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Anthony Skuya
Port St Lucie, FL 34986
Cell: 561-880-1320
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Skilled security professional with 10+ years providing security services and management in corporate settings and retail
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Port St. Lucie :
Port Saint Lucie
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Gregory Caines
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Miramar, Fl 33023
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2/2007 - 5/2007- United Protection Group, Inc
Guarded a construction site by patrolling
the premises. Investigated and reported suspicious activities.
1/2007 - 2/2007- Allied Barton Security
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Miami :
Did you recently start your own business and you are not sure where to start? Are you confused when it comes to accounting, payroll and taxes for your business? Are you too busy running your business and you don't have enough time to keep up on your business accounting? Are you feeling overwhelmed with the day to day operations of running your business? Are you paying high dollar accountant rates? Are you tired of paying $50 per hour or more for accounting services with a CPA?
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Native german tutor!
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Allegro Music Academy is looking for an experienced Cello Teacher with at least a bachelors degree in music. We are located at 241 Whitfield Ave., Sarasota, Florida 34243. NW Corner of HWY 41 and Whitfield Ave. Please bring resume either in person or send by email.
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Sarasota :
My name is Nicole, and I am skilled in quite a few areas that may be of help to someone out there. Some of my abilities are as follows:
*Animal care, walking, grooming, trips to the vet, even pickup and dropoff to and from a doggy daycare. Heck we have dogs at home I can even save you money by being a doggy daycare.
Not limited to dogs though obviously we cannot have cats in the home. I can care for reptiles, rodents including rabbits, rats, mice, hampsters etc, birds including wing clipping. ...
Mar 29 -
Cape Coral :
Lehigh Acres
My name is Parker Yates and I am an HD camera operator living in Orlando. I own a good amount of equipment and would love to help you out on your next production. You can find out more information on my website, http://www.parkeryates.com/ my email is pyatesfl at aol.com
Mar 27 -
Orlando :
Winter Park
Allegro Music Academy is looking for an experienced Woodwinds and Brass Teacher with at least a bachelors degree in music. We are located at 241 Whitfield Ave., Sarasota, Florida 34243. NW Corner of HWY 41 and Whitfield Ave. Please bring resume either in person or send by email.
Mar 24 -
Sarasota :
Looking for people that can type fast and create blogs, social media campaigns, constant contacts, You tube videos, etc.
Please send me an email with your resume to
DJ at [email removed]
Mar 23 -
Tampa Bay :
Saint Petersburg
Antique sailboat with character, custom made by Bill Healy in Key Largo in 1972
Hull: Wood (3 layers: 1'' bars + 1/4'' plywood + 1/4'' plywood) covered with 1/4'' fiberglass
Inboard Diesel Engine - Perkins 4.107, 50 HP, 4 cyl., rebuilt in 2012
80 gal. diesel fuel storage
50 gal. water tank with new freshwater pump
Beam is 11
Draft is 3.5
Keel is fixed, long
It is anchored in Key Largo, FL, now, and I can move it anywhere you want.
In 2013, I painted and varnished the inside, the deck, and the hull; ...
Mar 22 -
Miami :
Key Largo
Allegro Music Academy is looking for an experienced Violin Teacher with at least a bachelors degree in music. We are located at 241 Whitfield Ave., Sarasota, Florida 34243. NW Corner of HWY 41 and Whitfield Ave. Please bring resume either in person or send by email.
Mar 21 -
Sarasota :
Marlon V. Williams
1400 Mariner Bay Blvd Fort Pierce, FL 34949 (347) 732 2246 mvdubu AT gmail.com
OBJECTIVE: To work for a growing company in a fun position that has duties in customer service, sales and/or operations
COMPUTER SKILLS Operating systems: Microsoft Windows 9X, 2000 Professional, XP
Software: Microsoft Office Enterprise 2007, Firefox, Internet Explorer, Opera
Fieldsolutions Georgia/Bronx, NY 2002-Present
Self Employed Contractor
• Assist individuals, retailers ...
Mar 19 -
Port St. Lucie :
Fort Pierce
Man of many hats and interests seeks a compatible and mutually rewarding position. I have much to offer to the individual or business that would take a chance. Artist, musician, professional driver, compassionate to others, appreciative of vintage, period things. I can thrive in a calm, creative space but am well versed in labor intensive environs.
Mar 14 -
Sarasota :
Allegro Music Academy is seeking experienced Dance Teachers, such as tap, ballet, jazz, hip-hop, Zumba fitness instructor (preschool group ages 4-7, children's group, adult groups)
NOTE: Please send resume for potential interview. Please put dance type in "subject line" Thank you
AERIALNOWFLORIDA.com is my profile and examples of images.
use contact us, for inquires, state your interest under message.
Mar 9 -
Orlando :
Would you like to land the job you're looking for?
Would you like to earn a paycheck within the next month?
Would you like a competent professional team to write your next resume and cover letter?
To avoid your resume from ending up in the trash or being over looked, it must be written correctly. Your resume and cover letter must tell a story about you in a professional manner. We would like to help you create that memorable resume. A resume that ...
Mar 3 -
Miami :
Boca Raton
3125 N.Washington St #207
Zellwood,Florida 32798
Email:[email removed]
Career Objective: To initiate and implement the tasks of Sales Management with hands on, using my skills, intelligence, training and education with the maximum results and optimal objectives.
Hot Off the Press/Gourmet Graphiques/Menus etc., Inc.
1990 - present, South Florida
These three projects and businesses in the Printing and Graphics Industries involve many
functions dealing with various human ...
Feb 28 -
Orlando :
I have all the experience required to do any type of construction work,such
*painting *construction *floors *brick barbecues & more
I work backyards,apartments,houses,offices,buildings
Call for a free estimate
Kissimmee/Orlando area
Carlos Jaque
Also speak spanish
(I add a few pictures of my most recent work on floors)
Partial Payment will be required to start the work
(if don't agree,please don't call)
Feb 27 -
Orlando :


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Books on Science Fiction and Black Speculative Critical Analysis
1. The Black Imagination: Science Fiction, Futurism and the Speculative (Black Studies and Critical Thinking) (2011) by Sandra Jackson - This critical collection covers a broad spectrum of works, both literary and cinematic, and issues from writers, directors, and artists who claim the science fiction, speculative fiction, and Afro-futurist genres.
2. Black Space: Imagining Race in Science Fiction Film (2008) by Adilifu Nama - The first book-length study of African American representation in science fiction film, Black Space demonstrates that SF cinema has become an important field of racial analysis, a site where definitions of race can be contested and post-civil rights race relations (re)imagined.
3. Race in American Science Fiction (2011) by Isiah Lavender III - Race in American Science Fiction offers a systematic classification of ways that race appears and how it is silenced in science fiction, while developing a critical vocabulary designed to focus attention on often-overlooked racial implications. These focused readings of science fiction contextualize race within the genre's better-known master narratives and agendas.
4. Horror Noire: Blacks in American Horror Films from 1890s to Present (2011) by Robin Means Coleman - Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre's racialized imagery, as well as the narratives that make up popular culture's commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films.
So basically Im bout to spend all the money on the books Ive sold so far, on these books. Needs alla this.
(via howtobeterrell)
My darling, can you picture this?
(Source: ripopgodazippa, via katherinekier)


text:
DOWN behind the grain together,
In the sunny summer weather,
It is pleasant, on my word,
Even if we lose the bird.
Shall we catch him ? None can tell us,
They are such suspicious fellows, —
Birds of every note and feather,
In the golden summer weather.
There,—you stirred, and scared him.— Who?
It was but the wind that blew,
Trampling through the rustling grain:
See! he lifts his head again.
Whether he will go or stay,
Neither he nor we can say,—
Of the same uncertain feather,
Creatures of the summer weather.
R. H. Stoddard.
Our Young Folks
August 1867, p. 461


text:
May 13 Post-Legislative Session Event: The Good, The Bad, and The Ugly
Join us for a post-legislative session wrap up event, where we'll be talking story on the Good, the Bad, and the Ugly of the 2013 Legislative Session, including the passage of the innovative Open Data bill, the death and resurrection!) of the Transparency for SuperPACs bill, the morphing and eventual death of the Media Shield Law, and the mutated "Frankenstein" bills that were created.Date/time: Monday, May 13, 5:30-7:30 p.m.
Location: Hawaii Public Radio, 738 Kaheka Street, Ste. 101
Cost: Free, but donations appreciated: www.commoncause.org/HI/donate
Parking: Street parking is available on metered stalls along Makaloa and Kaheka Street, and a couple of public garages nearby. Sorry, no guest parking is available in the building. Please do not park at Don Quijote, because they tow vehicles.
RSVP requested by: Friday, May 10, 2013, http://ow.ly/kI777


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I was enthusiastic, u can find everything u need about DVDs, Video games, Music and more +++
Unbeatable prices and really fast delivery.
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Decode the complex challenges of vaccine development with Covance. As the field of vaccine research continues to evolve, when you choose Covance you tap into a legacy of scientific and technical expertise to guide you through development, no matter what type of vaccine you are investigating.
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