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Cruise Itinerary
|Ports of call
|Fri, Feb 7 2020 11:00
|Hinchinbrook Channel
|Sat, Feb 8 2020 08:00
|Sat, Feb 8 2020 17:00
|Dunk Island
|Sun, Feb 9 2020 08:00
|Sun, Feb 9 2020 17:00
|Fitzroy Island
|Mon, Feb 10 2020 08:00
|Mon, Feb 10 2020 12:00
|Mon, Feb 10 2020 16:00
|Mon, Feb 10 2020 17:00
|Tue, Feb 11 2020 08:00
|Tue, Feb 11 2020 17:00
|Lizard Island
|Wed, Feb 12 2020 08:00
|Wed, Feb 12 2020 12:00
|Ribbon Reef
|Wed, Feb 12 2020 14:00
|Ribbon Reef
|Thu, Feb 13 2020 17:00
|Fri, Feb 14 2020 08:00
|Total length of cruise: 7 Nights
Great Barrier Reef Northbound
- Use of Glass Bottom Boat and Zodiac tender vessels
- Daily lectures and briefings
- Snorkelling & introductory scuba session
- All meals, chef-prepared on board
- 24 hour coffee and selection of teas
- Post-cruise transfers to CBD locations or Cairns Airport
- All entrance fees to National Parks and Ports
If you need flights to get to this cruise, talk to us. We have teamed up with JetAbroad to offer you a huge range of flights at the lowest prices. You can search flights by calling us today on our contact number above.
If you require accommodation the night(s) before or after your cruise, please let us know. Our sister website HotelSaleFinder.com offers a huge range of hotel options at the lowest web rates. You can search hotels by calling our contact number above.
|Vessel: Coral Expeditions II
|Length: 114ft
|Beam: 39.00ft
|Draft: 7.80ft
|Cruising speed: 10kn
|Onboard Currency: AUD
|Passenger Capacity: 44
|Bars and Lounges
|Gift Shop
|Glass Bottom Boat
|Open Bridge
|Sun Deck
ABOUT Coral Expeditions
Coral Expeditions is a 34-year-old Australian expedition cruise company with a fleet of three small ships taking guests to some of the most beautiful, yet undiscovered, regions of Asia-Pacific. Over 5,000 travellers from all over the world come to join Coral Expeditions every year for the relaxed small ship atmosphere and tailor-made itineraries which larger ships cannot replicate. The personal interactions with the expedition team and other guests creates a wonderfully intimate experience, which maximises the adventurous spirit and expedition atmosphere of Coral Expeditions' cruises.
Coral Expeditions' cuisine is prepared small batch on board, and while the style is down to earth, it reflects high-quality Australian produce and wine and meet Australian standards of safety with Australian senior crew wherever you go. Coral Expeditions was the first to offer interpretive programmes on cruises and to employ Expedition Leaders, Guest Lecturers, Marine Biologists, and Scuba Instructors – a tradition that continues today.
Oceanview Stateroom
Size range from 14 - 15 sqm, the oceanview staterooms are available on Deck B and C. You can choose from Deluxe Stateroom (Deck B), Upper Deck Stateroom (Deck B), Stateroom (Deck C) and Cabin (Deck C).
All staterooms feature with with wood panelling, picture windows for expansive ocean views along with a comfortable settee, desk, ample storage space and your choice of fixed double or twin beds (subject to availability).
Coral Expeditions II
Deck C
Oceanview Stateroom
Size range from 14 - 15 sqm, the oceanview staterooms are available on Deck B and C. You can choose from Deluxe Stateroom (Deck B), Upper Deck Stateroom (Deck B), Stateroom (Deck C) and Cabin (Deck C).
All staterooms feature with with wood panelling, picture windows for expansive ocean views along with a comfortable settee, desk, ample storage space and your choice of fixed double or twin beds (subject to availability).
The ship's spacious lounge is a great place to relax and enjoy a drink from the cocktail bar in air-conditioned comfort, and features a comprehensive reference library and plasma screens. The large Sun Deck is another popular place to relax and take in the sights, with comfortable deck chairs and teak furnishings. You will also enjoy the opportunity to dine al fresco under the magnificent stars over the Great Barrier Reef.
Coral Expeditions II Photos
Terms of booking on this website
Information disclaimer
The rates on this website are often heavily discounted. This is due to our negotiated rates and bulk buying power. On very rare occasions, a rate may be displayed incorrectly due to our, or the cruise operator's error. In such a case, if you make a reservation enquiry with us at a quoted rate that is incorrect, we will notify you of any price change and give you the option to proceed or cancel. We make every effort to keep information on our site up to date, but we cannot guarantee this website is free of errors or omissions and retain the right to update or change the information published at any time.
To the extent permitted by law we/the owners of this website will not be liable to you or to any third party (whether in contract, tort, or otherwise) for any direct, indirect or consequential loss or damage (including but not limited to any accident, injury, delay or loss of enjoyment) arising out of your reliance upon information contained on this website, including but not limited to your use (or inability to use) any products or services described or procured through this website. When making a reservation via this website or over the phone, we ask you to agree to the terms and conditions displayed. Your reservation and cruise holiday will be governed by the terms of the agreement and any other documentation or information provided to you before you depart. Our total liability to you in relation to your use of this website and the information contained on this website will not exceed the dollar amount of the deposit we have received from you in relation to your booking. Refunds will not be made for bookings cancelled due to inclement weather. Once your cruise has commenced, if the cruise line is required to change the itinerary or cancel the cruise due to safety, maritime law, severe weather or to protect human life or health, Cruise Republic will not be required to provide any compensation. We strongly recommend that you take out travel insurance. Your use of this website is governed by the laws of Victoria and the jurisdiction of the Victorian courts.
Booking information
To reserve a cabin(s), you must complete our reservations enquiry form which is easy to follow and secured with the latest encryption technology.
Alternative you can contact us by -
- Email Cruise Republic on firstname.lastname@example.com
- Telephone 1300 13 41 26 (Australia) or 0800 122 129 (New Zealand)
At the time of reservation you must provide us with your full name as it appears on your passport as well as your date of birth. By making a booking with us through any of the three methods you will be deemed to have agreed to our information, Terms and Conditions.
Once you have submitted your enquiry through our website, you will receive a CR reference number and a bounce back email to the email address provided. This reference number is confirmation we have received your enquiry and we will come back to you shortly with the details of your booking please be aware, this is not a confirmation and is only a summary of your booking request. We will hold the cabin in your name for up to 5 days as controlled by the cruise line themselves. On some cruises, the payment may be required on the day of booking or within 1-5 days of making the booking as controlled by the cruise line.
Once we have held a cabin, we will contact you via phone or email, to advise of availability and confirm the price and details. A booking is confirmed when you have been received an email confirmation notice and should you wish to proceed, we will provide you with our payment options to make your deposit payment (or full payment if the cruise is within 90 days). Your payment then becomes subject to the cancellation policy of the cruise line and Cruise Republic. These are stated in the terms and conditions. When your booking has been confirmed with a deposit payment we will send you your cruise booking number with the cruise line. Once you receive your confirmation, please check your details carefully and notify us immediately if there are any incorrect details, as it may not be possible to make changes at a later date without incurring a penalty. If you are booking via phone, please first make sure you have read the terms and conditions. Our reservations consultant will ask you if you have read the terms and agree to them before proceeding. The onus is always on the customer to ensure they make themselves fully aware of the terms displayed on our website.
Information disclosure
In booking on/via this website you acknowledge that we disclose your information to your selected Cruise Ship company/operator.
Once you have paid a deposit against your cruise, any changes made to the booking will incur an amendment fee of $50 plus any applicable fees set you by the cruise line. Please see the Cruise Company's terms and conditions for cancellation and amendment policy. All amendments are required to be sent in writing by the lead passenger in the booking. Fare amendments are subject to change until confirmed and paid. Any Name Changes must be completed a minimum 72 hours prior to departure
Transfer to a new cruise/fare
From time to time cruise lines may advertise lower promotional cruise fares; these fares are not always available to existing bookings, however Cruise Republic will endeavour to accommodate any request to change to the lower fare. Please note this request is at the discretion of the cruise lines so is not always possible. New promotional fares may affect your current booking, resulting in reduced on-board credit.
If we are able to transfer you at the lower promotional fare a fee of $100 will be applied to your booking. Once final payment has been made for your cruise we are unable to lower the fare.
If you choose to transfer your cruise deposit to an alternative cruise departure this will also incur a fee of $100.
Once a deposit is made towards your cruise holiday it is deemed that you have accepted our terms and conditions, so are subject to any cancellation fees. Bookings cancelled after the deposit is paid, will incur a cancellation fee of $200 per cabin plus any additional cancellation fees set out by the cruise line. There are no cool down periods. Please see the Cruise Company's terms and conditions for cancellation and amendment policy. All cancellations are required to be sent in writing by the lead passenger in the booking. Due to the issuing of refunds via Cheque by the cruiselines, refunds can take 4-6 weeks to reach us should you be entitled to any refund.
Payments towards your cruise holiday made by credit cards are subject to a transaction fee of 1.5% for Visa and Mastercard payments and 0.5% for Debit Cards. We also accept PayPal with a 1% transaction fee and AMEX which incur a 2.8% credit card fee. Payments made by domestic bank deposit do not incur any transaction fees nor do payments made using the BPAY payment system. Please be aware payments made via bank deposit or BPAY within 24 hours of your booking expiring will require a legitimate receipt/screen shot of payment emailed through.
We strongly recommend you purchase appropriate international travel insurance at the time you pay your deposit. If you do not purchase travel insurance, you may not be able to recover cancellation charges, medical costs, repatriation and other expenses that may arise if things do not go according to plan. Please note: medical care on board the ship is not covered by the Australian government or Medicare.
Some countries, such as New Caledonia, require proof of Insurance to be able to travel & cruise there. Lack of insurance may result in you being denied boarding.
Flights and Hotels
Flights and Accommodation cancellation fees and amendment fees will apply as set out by the airlines and hotels. An additional $50 per person cancellation fee applies to all hotel cancellations and flight cancellations. All fly/cruise packages are based on the best available flight and hotel at time of pricing and while we may not be able to get the exact airline or hotel we will book a similar acceptable option. Flight packages will all include a free checked baggage allowance and meals.
Onboard Credits
On selected departures we will offer you onboard credits & these may not be combinable with all cabin categories and promotions. We will send you through a confirmation which will confirm if the onboard credit is available against your booking. Making changes to your reservation could result in any onboard credits being removed. Once you have embarked the ship, the onboard credit will be applied to your onboard account to use towards any onboard purchases. Any unused portion of the Onboard Credit will expire at midnight on the last night of your cruise and is not redeemable for cash at any time.
'Guarantee' (GTY) Bookings
From time to time, we may offer you the option of making what we call a 'Guarantee (GTY) booking. This means you may book a stateroom of a guaranteed category type (Inside, Outside, Balcony) on your chosen ship and cruise. However, the exact grade, number and location of the stateroom on the ship will be allocated at the cruise lines discretion and at any time until checking in at the Port. Once your GTY stateroom has been allocated to you, we are unable to accept any changes requested by you. The benefits of a GTY stateroom are that after your booking has been confirmed, the cruise line may (at their discretion) upgrade your stateroom to a higher classed category to that originally booked at no extra charge to you. In any event, you are 'guaranteed' the minimum category you decide to book at the time of the cruise including obstructed view cabins.
If travelling with Family and Friends where you require cabins to be near one another we strongly recommend for you not to book on a Guarantee.
We cannot guarantee your cabins will be assigned near one another, on the same deck, same side or forward/aft on the ship nor accept any requests.
Complimentary Upgrades
Depending on any last minute availability the cruise lines will automatically upgrade cabins to higher categories. The upgrades can place you towards the front of the ship, midships or at the back of the ship and not necessarily on a higher deck level (i.e.: Insides Deck 10 may be upgraded to Ocean view Deck 5). As the cruise lines cannot upgrade every booking, you should book a category in which you are happy to sail.
Once the upgrade has been assigned, should you dislike the cabin location we are unable to accept any changes or requests and cannot be reversed.
If travelling with family and friends where you require cabins to be near one another we strongly recommend for you to decline the upgrades. The cruise line do not guarantee all of the cabins will be upgraded, or that they will be upgraded near one another.
Future Cruise Credits
While we are happy to apply your Future Cruise Credits from the cruiselines to your booking with us, this may affect your online discounted pricing. We will still do our best to provide competitive pricing based on the discount we can offer on the new cruise fare once the future cruise credits have been applied to your booking. Please note if Future Cruise Credits are applied after your deposit has been paid may affect your final balance.
Passport & Visa Requirements.
or all international cruises all passengers will require to be in possession of a valid passport. The passport must have 6 months validity on your return date back home.
Visa's may also be required and at the sole responsibility of the passenger. Please check with the relevant embassies or a Visa Services company for assistance.
Cruise Republic will not take any responsibility for passport or visa requirements.
Please visit the following websites for assistance -
- Passports: https://www.passports.gov.au
- Visas: Visa Link http://au.visacentral.com/?login=300041
New Zealand:
- Passports: http://www.passports.govt.nz
- Visas: Visa Direct www.visadirect.co.nz
Privacy of your information is an absolute priority to us. When you book we request whether you are interested in receiving further offers from us. If you decline, we will not email you with such offers. We also always give you the opportunity to unsubscribe and opt out of receiving these emails. We treat your details as confidential and we NEVER disclose your information to third parties other than the supplier who is fulfilling your cruise holiday.
All amendments and any cancellations must be approved through the first person named on the booking. In the case of any in-cabin disputes our contract is with the first person named on the booking and we will only follow instructions given by them.
To make a reservation you have to pay a deposit of 20% of the fare. The balance of the fare is due ninety (90) days prior to departure. All prices are quoted in Australian dollars.
Notification of cancellation must be received in writing. At the time we receive your cancellation the following penalties will apply:
- 14 to 30 days prior to departure – forfeit 20% of the relevant fare^*#.
- 7 to 13 days prior to departure – forfeit 50% of the fare^*#.
- No-show to 6 days prior to departure – forfeit 100% of the fare^*#.
Notification of cancellation must be received in writing. At the time we receive your cancellation the following penalties will apply:
- Up to 90 days prior to departure – forfeit your deposit of 20% of the fare^*#.
- 60 to 89 days prior to departure – forfeit 50% of the fare^*#.
- No-show to 59 days prior to departure – forfeit 100% of the fare^*#.
^Please note in instances where the deposit amount paid is higher than the 25%, 50% of the cruise fare, then the highest of the amounts is payable as the cancellation penalty.
* An additional Online Republic cancellation fee of $200.00 per cabin will apply.
#Any additional fees charged by airlines, hotels or transfer providers due to cancellations or changes, will also be passed on to the passengers.
Transfer Fees
- Date change fee made more than 90 days before departure – $500pp fee.
- Date change within 90 days of departure is considered a cancellation and standard Cancellation Policy applies.
- A name change/transfer of the booking to another person is considered a cancellation and Cancellation Penalties (as above) will apply.
- A $200 per person fee is applicable for any amendments not requiring a date change after booking is confirmed.
We strongly recommend that all passengers purchase cruise cancellation and interruption insurance as protection against any circumstance which may force you to cancel or leave an expedition whilst it is in progress.
Accommodation on the Ship is based on twin share occupancy. If you are travelling alone and wish to share accommodation, a room mate will be assigned to your cabin whenever possible. When pairing room mates we always pair participants of the same sex. In the event of a share partner not being found, standard twin share stateroom rate will be applied.
Upon payment of the fare for the Cruise and the confirmation of the booking by us or our authorised travel agent a Contract is concluded between us (the carrier) and you (the passenger) concerning the Cruise in terms of these Cruise Ticket Conditions. Any payment of the cruise fare implies acceptance of all Terms and Conditions.
In these Cruise Ticket Conditions:
- "brochure" means this brochure and any other promotional material published by the Carrier with reference to the Cruise.
- "carrier" means and includes Coral Expeditions, the Ship, the Ship's owners, operators, managers, charterers, agents, sub-contractors and employees.
- "Coral Expeditions" means Coral Princess Cruises (NQ) Pty Ltd (A.B.N 51 010 809 417) of Redden Street, Cairns, Queensland, Australia.
- "Cruise" means the passage agreed to be undertaken by the carrier in the Contract.
- "passenger" means each person purchasing or accepting the Contract entitled to board the Ship for the Cruise.
- "Queensland" means the State of Queensland in the Commonwealth of Australia.
- "the Ship" means the Cruise Ship used by the carrier to conduct the Cruise.
- "Unexpected Event" means any act, circumstance or event beyond the control of the carrier caused or arising from but not limited to acts of God, public enemies, government restraint, riots, strikes, lockouts, labour troubles, epidemic, civil disturbances, perils of the sea, harbours, rivers or other navigable waters, fuel shortages or abrupt and unexpected increases in fuel costs, collisions, stranding, fire, lightning, storm, rough and adverse sea conditions, tidal waves, cyclones, theft, barratry or any other crime by any person, faults or errors of navigation or management of the Ship or any other vessel, explosions, breakage of shafts or any defect or unseaworthiness in hull, machinery or appurtenances, equipment, furnishings or supplies of the Ship or launches or vehicles or any defect of the carrier's premises, fault or neglect of pilots, tugs, crew, agents or independent contractors, port closures, delays in allocation and permits to berth the Ship at ports on arrival and seizure of the Vessel under legal process.
Where this brochure contains particulars of our conditions or policy about reservation procedures, bookings, cancellations, refunds of fares and itineraries for the Cruise then it forms part of these Cruise Ticket Conditions and if there is any inconsistency these Cruise Ticket Conditions shall prevail.
Passengers do not have the right to transfer their rights and obligations under these Cruise Ticket Conditions. The fare paid shall not be refundable except as permitted in these Cruise Ticket Conditions and the carrier will not be liable to make any refund to the passenger if the passenger fails to embark on the Ship for the Cruise.
The carrier will endeavour to follow the Cruise itinerary as described in the brochure and the passenger accepts that the carrier has the right to change the itinerary, the Ship or cancel the Cruise as a result of some Unexpected Event or prevailing inclement weather conditions and the passenger accepts that the passenger will not be entitled to any compensation or a refund of the fare paid should this occur. If the carrier cancels the Cruise for any other reason the carrier will refund the fare paid and if the departure of a Cruise is delayed or if the Cruise itinerary is shortened for any other reason the carrier will refund part of the fare paid on a pro rata basis to allow for the time lost. So far as these Cruise Ticket Conditions constitute a contract for the supply of services then and in no event shall the liability of the carrier to the passenger for a breach of an express or implied condition or warranty in that respect exceed, at the election of the carrier:
- an obligation on the part of the carrier to supply the services again, or;
- the refund or payment to the passenger of an amount equal to the fare paid by the passenger for the Cruise.
The passenger admits a full understanding of the nature and character of the Ship and the scope of the activities contemplated by the passenger during the Cruise (including those relating to off Ship activities such as excursions in the Ship's tenders, snorkelling and diving) and assures and undertakes to the carrier:-
- that they are in good health and well able to undertake the Cruise and the contemplated activities;
- that they will effect travel insurance sufficient to cover any limitation of liability against them imposed by these Cruise Ticket Conditions should they wish to do so;
- that they accept the risk that they may suffer from sea sickness;
- that they have disclosed any physical or mental disability requiring special attention (including the use of a wheelchair) or treatment at the time when the reservation for the Cruise was made;
- that no passenger will be permitted to embark or continue on a voyage while their mental or physical condition is, in the opinion of any representative of the carrier, such as to render them incapable of caring for themselves, or whereby they become objectionable to other passengers, or they become a hazard to themselves or others. The carrier will not be responsible for any expenses resulting in such persons being precluded from completing the cruise;
- that the passenger accepts that a medical certificate certifying fitness for travel may be required at the carrier's request and if any passenger has had surgery less than twelve (12) months prior to sailing that passenger must submit a letter from a qualified physician stating that he or she is fit to travel and the carrier reserves the right to deny passage if a passenger requires care and attention which the carrier cannot adequately provide and this decision may be made by the carrier in its sole discretion;
- The carrier reserves the right to refuse or deny participation in activities or programmes either aboard the Ship or off Ship which are sponsored or promoted by the carrier to any passenger who has a past or present medical condition that may present risks if the passenger participates in those activities and any decision in this respect may be made by the carrier in its sole discretion;
- Any charges incurred by passengers for medical reasons including but not limited to physicians, surgeons, hospitals, off Ship accommodation, medication, diagnostic facilities, air ambulance evacuation or ground ambulance shall be the sole responsibility of the passenger;
- for the safety and comfort of passengers smoking is not permitted in the Ship except on designated open deck spaces outside all air-conditioned and sealed areas of the Ship;
- and the passenger agrees to indemnify the carrier from and against all claims, costs, charges, fines or penalties arising as a result of any claim made against the carrier in this respect.
The liability of the carrier to the passenger is limited with respect to both personal injury and damage to loss of property to the full extent permitted by law and in terms of these Cruise Ticket Conditions. The carrier accepts no responsibility or liability to the passenger for loss, death, or delay of, or injury to any passenger or loss, damage or delay to a passenger's baggage, personal effects or other property arising from or caused by an Unexpected Event. These Cruise Ticket Conditions remain in effect for all periods when the carrier is under any responsibility to the passenger or the passenger's property. No variation or waiver of any term or condition of these Cruise Ticket Conditions will have any effect unless they are in writing and signed by the carrier. No undertaking, guarantee or warranty is given or shall be implied as to the seaworthiness, fitness or condition of the Ship. In addition to any other limitation of liability contained in these Cruise Ticket Conditions the carrier shall have the benefit of any statutory limitation of liability available in Queensland including but not limited to the Limitation of Liability for Maritime Claims Act 1989 (Cwth). Where tours and services of operators other than the carrier are engaged e.g. tour operators and hoteliers, which are not under the control of the carrier, whilst the carrier takes all reasonable care in selecting these operators it cannot accept responsibility for those operators' conduct or the conduct of their representative employees or agents or for any ramifications of that conduct.
It is a requirement that all passengers have a valid passport and appropriate visa/travel permits for the countries to be visited. Passport must have a validity of more than six months beyond the duration of travel. The company cannot be responsible for any travel restrictions or expenses arising through passengers not having relevant documentation.
All baggage brought on board the Ship by a passenger remains in the possession and control of the passenger during the Cruise and must be stored and kept in the cabin allocated to the passenger. The carrier has made recommendations with respect to baggage in the brochure. Baggage should be prominently marked with the name and address of the passenger. The passenger must not bring on board the Ship in baggage or otherwise any dangerous or inflammable substance including any prohibited drug or non-prescribed drug. Liquor laws prohibit passengers from bringing supplies of alcohol or liquor on board the Ship. Baggage remaining unclaimed on arrival of the Ship will be stored at the passenger's sole risk and expense. The carrier is not responsible for money, jewellery, documents and any other valuables which passengers keep on their person, in their cabins or in their baggage and the carrier strongly recommends that passengers obtain adequate insurance to cover any loss or damage in this respect. In no event will the carrier's responsibility or liability to the passenger for loss of baggage or personal effects exceed $100 and the passenger agrees to indemnify and keep indemnified the carrier from and against any claims made against the carrier in excess of this amount in this respect.
The carrier will not be liable to passengers for any injuries or damage whichoccur while the passenger is participating in recreational activities aboard the Vessel or otherwise including but not limited to passenger participating in snorkelling or scuba diving programmes. By utilising these facilities passengers agree to assume all risks associated with those activities and fully release and discharge the carrier from any and all claims, demands, damages, causes of action, present or future, resulting from or arising out of the passenger's use of or participation in those facilities. The passenger may be required to sign a release or waiver prior to undertaking these activities and the carrier will be entitled to refuse to allow the passenger to participate in those activities if the waiver or release is not signed by the passenger prior to participation in those activities.
Should any provision of these Cruise Ticket Conditions be contrary to or invalid by virtue of the laws of Queensland or the Commonwealth of Australia or for any other reason the relevant provision will be deemed to be severed from these Cruise Ticket Conditions and shall be of no effect but all remaining provisions shall remain in full force and effect. These Cruise Ticket Conditions shall be governed in all respects by the laws of Queensland and the passenger agrees that any claims or disputes between the passenger and the carrier in connection with these Cruise Ticket Conditions shall be commenced, filed and litigated before a Court of proper jurisdiction in Queensland and if possible in the State of Queensland.
For most activities a relatively low level of exertion is required. You will need to climb into and out of zodiacs and other excursion tenders for excursions ashore: there will be staff and crew members on hand to assist. Ashore, you must be able to walk moderate distances over sometimes rough terrain. There are no lifts on Coral Expeditions ships and the stairways between decks are steep, so a reasonable agility is required. Participants will most enjoy the remarkable opportunities these expeditions offer if they travel with a spirit of adventure.
Notification of cancellation must be received in writing. At the time we receive your cancellation the following penalties will apply:
- 14 to 30 days prior to departure – forfeit 20% of the relevant fare^*#.
- 7 to 13 days prior to departure – forfeit 50% of the fare^*#.
- No-show to 6 days prior to departure – forfeit 100% of the fare^*#.
Notification of cancellation must be received in writing. At the time we receive your cancellation the following penalties will apply:
- Up to 90 days prior to departure – forfeit your deposit of 20% of the fare^*#.
- 60 to 89 days prior to departure – forfeit 50% of the fare^*#.
- No-show to 59 days prior to departure – forfeit 100% of the fare^*#.
^Please note in instances where the deposit amount paid is higher than the 25%, 50% of the cruise fare, then the highest of the amounts is payable as the cancellation penalty.
* An additional Online Republic cancellation fee of $200.00 per cabin will apply.
#Any additional fees charged by airlines, hotels or transfer providers due to cancellations or changes, will also be passed on to the passengers.
Find the exact price of your cabin in two simple steps:
No credit card is required to make a 'no obligations' reservation and we can hold a cabin for up to 5 days.
Twin Cabin price: 2 x Adult.
If this is not correct for you please repeat step 1
|Cabin Type
|Cabin Code
Single Cabin
Twin Cabin
Triple Cabin
Quad Cabin
|Deck C view
|Oceanview Stateroom view
|Enquire Now
|Deck C view
|Oceanview Stateroom view
|Enquire Now
|Deck B view
|Oceanview Stateroom view
|Enquire Now
|Deck B view
|Oceanview Stateroom view
|Enquire Now
*Please note: All prices featured are in AUD (unless otherwise stated), and include port taxes, government taxes and fees. Prices and availability are subject to change due to changes made by the Cruise Companies.


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DALLAS, March 10 /PRNewswire/ — Texas Instruments Incorporated (TI) (NYSE: TXN) today extended its digital audio portfolio with two digital-input audio power amplifiers that combine 32 bits of advanced audio processing with 20 watts of stereo output power into a single device. The TAS5709 and TAS5710 support speaker equalization (EQ) and dual-band dynamic range control (DRC) and offer TI's unique 3D and bass boost technology, which enhances the overall sound experience by widening the sound stage and improving bass response. The TAS5710 features TI's closed-loop architecture, which produces a rich, natural sound and lowers system cost by relaxing power supply performance requirements in consumer audio products, including high-definition televisions (HDTVs), media docking stations, digital radios and sound bars. (For more information on these amplifiers, please see www.ti.com/tas5710-pr.)
"PURE has consistently provided low power, integrated digital audio products that deliver great sound. TI's closed loop amplifier with advanced on-chip audio processing enables us to offer high quality audio within our latest Clearsound platform," said Colin Crawford, director of marketing for DAB digital radio manufacturer PURE.
Key features and benefits of the TAS5709 and TAS5710:
- 20-W stereo output power into 8 ohms at 18 V provides ample power at high efficiencies from a common supply rail. Closed-loop architectures maximize design flexibility and sound quality
- Up to nine biquad filters per channel equalizes speaker performance and compensates for less than ideal enclosure acoustics
- Dual-band DRC with selectable threshold, attack and decay protects speakers from damage and stops "bass rattling" of the cabinet/enclosure
- Royalty-free 3D and bass boost support widens the sound stage and improves bass response
- Store up to three sets of biquad coefficients for optimum audio performance over varying audio input frequencies. Sample rate changes are automatically detected and the correct coefficients selected without user intervention
- 2-channel I2S input provides a direct connection to the digital processor, which reduces bill of materials cost
source: PRNewsWire


text:
I count myself incredibly fortunate to have been exposed to the internet in 1995. In 16 years, I've been witness to, and played a part in, the phenomenal transformation of life online. I've seen, made and learned from a lot of mistakes in that time.
Back then, companies like AOL and CompuServe were stuffing CDs in computing magazines that promised to "get you online" for something like £19.99 a month plus the price of the phone calls. The trouble was that what I was seeing on their TV adverts wasn't the internet I recognised. It turned out that what they were offering was a "walled garden" experience – users could only get to a restricted subset of the available content. More importantly, communication was limited to people on the same service as you. There was no "internet mail" – if you were on CompuServe and your friend was on AOL, you were out of luck, better write them a letter instead. Fortunately, other providers like Demon Internet were offering the real thing and people realised this and shunned the walled gardens, forcing them to open up and interoperate. The web became a better, more open place as a result – if you doubt that, you need only take a look at some of the superhuman efforts the internet has enabled.
Later came IM networks like AIM, ICQ, Yahoo! Instant Messenger and MSN Messenger. These were again walled gardens, allowing users of a given network to interact only with users of the same network. Then along came Jabber, now formalised as the open standard XMPP, and suddenly anyone could set up their own IM server that would interoperate with thousands of others on the web. Now users of, for example, Google Talk have an XMPP account that interoperates in the same way.
And now we have the Social Networks. Facebook. Google Plus. Twitter. And again, we see the same problem – the networks are closed. Oh sure, you can install your Selective Tweets app for Facebook and have tweets designated with a specific hashtag duplicated on your Facebook wall. Or add GPlus Agent to your Google Plus circles. But replies posted on Facebook aren't visible to users on Twitter or Google Plus, or linked to the original tweet or post in any way. I've said before, the experience is fundamentally broken. These so-called "social" networks could hardly be less social! And that's before we even get into the questions of usage policies and privacy controls.
But fear not! As history has demonstrated, no matter how hard these companies try to control how you use the internet, people are working on projects to make it free again. In this case, they're called Federated or Distributed Social Networks and they work similarly to e-mail and XMPP – you create an account on your preferred server and post your status updates there, and people on other servers can subscribe to them. In fact, alongside projects such as Identica (based on the OStatus protocol) and Diaspora (which has its own federation protocol), there are projects that are using XMPP to solve this problem – a great choice of technology in my opinion.
My personal favourite, following the effective demise of OneSocialWeb (requiring server-specific plug-ins was a big mistake, in my opinion) is buddycloud. It's still under development, but a beta channel server is available – you can view my public buddycloud channel without an account, or you can set up your own server (projects such as FreedomBox aim to make this trivial) and create an account there, or create an account on an existing server. My instance is currently running the NodeJS channel server implementation, but there is a Java server implementation that also supports OStatus, and I am also working on a Python channel server which will drive my experimental channel (and eventually also support OStatus, and maybe provide gateways to the closed networks, and… and….)
As internet pioneer and EFF founding member John Gilmore said, "The Net interprets censorship as damage, and routes around it." If we "think like the internet", we can all help to give the internet the directions it needs.
Edit The Python channel server project is here.


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General Liability Insurance helps protect media and digital production businesses when a third party alleges that your business activities or products have caused them injury or damaged their property. This can have a serious financial impact in terms of legal costs and damages, so getting the right cover is important.
What if...
Cover typically includes:
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La Playa's specialist Mediatech team can help you protect your business with smart, flexible, high-performance insurance - with a friendly human UI. We understand the risks and pressures you face - and we speak your language. We'll support you with great advice - helping you make good decisions for your organization. Our specialist policies can help streamline costs, and we'll always help you stay ahead of the game in managing risk.
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Tech-based business is 24/7, global and borderless, always exposing you to new risks and liabilities - often in unfamiliar places. As the law struggles to keep pace with technology, insurance can provide a real safety net if you fall foul of changing legislation.


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Gardening is often described as a relaxing and beneficial hobby regardless of a person's age. While time outdoors in the garden can prove calming and enjoyable, there is a dark side to gardening as well. Namely the injuries that may result from various activities.
According to the Consumer Product Safety Commission, emergency rooms in the United States treat more than 400,000 outdoor garden-tool-related injuries each year. Additionally, the American Society for Surgery of the Hand has issued warnings that caution gardeners about hand-related injuries.
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Happy Monday! I am excited to share with you my newest addition to my site!
Divine Party Concepts is launching an Online Store!!!
I love the creative process of making items for a celebration and now I want to share them with you. I have already been selling some of these products and services but now it is officially available for everyone to see and order things.
The Online Store has handmade invitations, banners, and more! I am also excited to share my Party in a Box which is a custom product that is made to help you host the perfect party without all of the stress. Your party can be taken care of from the invitations to the thank you cards.
While shopping for your party in our Online Store, be sure to check out some of my other favorite party essentials at my Amazon Store.
I also still offer services such as custom inspiration boards , custom party plans and more!
A few reminders…
* Be sure to sign up for our newsletter to receive special updates and offers.
* You can also follow Divine Party Concepts on Facebook, Twitter, Google+ and Pinterest.
I will be adding items to the store often and will share anything new that we have to offer.
I hope that you enjoy it!!!


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Find out how image-file preparation and color-space conversion can affect color control in prepress and digital print production.
By Rick Mandel
Color management is all the buzz these days. After all, controlling the color on your digital printing devices is a big part of what you sell to your customers. But who exactly controls the color? Your client? The client's files?
Client assistance is one of the most advantageous means of preparing files and maximizing the quality of digitally printed graphics. During the course of working with customers we typically explain resolution, file size, and format, though we do not address color-space conversion from RGB to CMYK and resultant color space (gamut). This conversion is among the many elements we must control, and it's the facet of color management that I'll discuss.
Digital printing offers a less convoluted manufacturing process when compared to offset, screen, flexo, and other conventional methods. The complicated scenario with digital printing is that one file is produced and the client expects specific color reproduction without regard to the huge variety of devices that might be used to produce the print. While the devices are in the same family (i.e., wide-format solvent or flatbed UV inkjets), the deviations between them can be attributed to ink, resolution, RIP, and color-management decisions. Color management is a variable in which we can decrease the disparity between devices in the same family, especially in the conversion from RGB to CMYK.
We can construct graphics files in RGB or CMYK, so which is better? Let's back up a bit. RGB is color in its original form. The RGB color space is an additive color model in which we add red, green, and blue light together in various ways to reproduce a broad array of colors. The choice of primary colors is related to the physiology of the human eye. I would call RGB the first generation of color. Something gets lost as we go to second generations of anything. Color is no exception. In this case, we usually lose hue and color gamut.
CMYK is the color format of printing, as digital imaging devices are ultimately CMYK printers. Yes, many devices have six and seven colors to try to increase the color gamut, but however we dress it up, CMYK does the bulk of the print lifting.
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Lamm Industries was founded just over 17 years ago. They are currently located in Brooklyn, New York, one of my old stomping grounds. The lead designer and namesake Vladmir Lamm has a legendary, uncompromising vision. Mr. Lamm has quite a reputation as a very technical designer, but also as a music lover. Lamm offers a family of tubed and hybrid preamplifiers and amplifiers that are all well reviewed, and lusted after by audiophiles world wide lucky enough to afford them. Lamm is known for using very expensive parts, creating unique, clean circuit paths, and for dispensing with anything that could possibly interfere with the purity of the signal.
As a matter of fact, calling Vladamir Lamm a purist would be entirely accurate. His preamplifiers have no remote controls, fancy faceplates, or any feature that he would deem unnecessary and possibly detrimental to sonic performance. You can probably sum up the Lamm design ethos as an unrelenting drive to eliminate distortion from the signal chain that will interfere with musical enjoyment, and finding the simplest, most reliable circuit topology to accomplish this feat. Much of the information about their circuits, design philosophy, and theories on human hearing can be found on their website.
For this review, I took delivery of the Lamm LL2.1 amplifier in its Deluxe version, priced at $5990. There is a standard version available for $300 less. The deluxe version power supply energy storage is about twice that of the standard version and high quality polystyrene caps parallel the all film capacitors in critical paths. Besides that, the two versions are identical. On paper, without even an audition, it seems to me the extra $300 is a no brainer.
Design Update:
The LL2.1 is an update of the LL2 preamplifier. According to Lamm, the improvements and changes have been made are the addition of a trigger switch to power on and off Lamm amplifiers, newer, higher quality knobs, a slight schematic update, various updated parts, and most interestingly, a introduction of the attenuation for gain reduction by 15 dB. This to me is a potentially very useful feature especially for use with a very high sensitivity amplifier, like the Manley MAHI mono blocks I reviewed last year. I had a hard time finding a comfortable volume setting with my Audio Research preamp with the Manley monos. A flick of this switch and I would have been in heaven.
Some basics about the design. It is an all tube design, with rectification done by a 6X4/6202 tube and amplification duties are handled by 12AU7A (first stage), and 6DJ8 (second stage) tubes for each channel. The component offers single ended connections only, as I'm guessing Lamm considers the extra circuitry needed to create a true balanced design adds more, and undesirable complexity.
The front panel is very retro cool. There are a total of seven toggle switches that power on, switch inputs, select gain, and mute. The two big knobs on the front control volume separately for each channel. I guess this is a de facto balance control as well. The back panel has two main out puts, and three inputs, for Line 1, and Line 2, and most interestingly, a "Direct" input, which, again, staying in form with an obsession with sonic purity, routes the signal more directly to the volume control and gain stages. A Tape input and Record out are also included.
Set Up:
The LL2.1 was as plug and play as it gets. I set it up on my Symposium RollerBlocks for resonance control, made the connections, then powered up. Lamm strongly recommends powering up the LL2.1 first before any other component with the Mute switch engaged. There is a soft start feature that allows the circuitry to stabilize for about 60 seconds, and then you are ready to go. They also recommend powering off the preamplifier last, when all other components have been shut down. They also say the LL2.1 sounds its best after a 45 minute warm up.
I knew within the first five minutes why Lamm had garnered quite a reputation in high end audio circles. This was one of the most beautiful sounding preamplifiers I have heard, and recently, I have heard a few good ones. Specifically, the soundstage was the deepest I have heard from a preamp. There was more than enough low level detail, but presented in a very musical way. And it was very, very quiet. It was quieter than my Audio Research SP16 by a good margin. Working from recent memory, the Manley 300B preamp actually threw a wider soundstage, but the Lamm went deeper. Depth of soundstage is especially important because it allows for the listener to decipher spacial relationships between instruments and also information about the recording space, whether fabricated or real.
I also have recollections of the Ayre K-5xe solid state Preamplifier (approx $3500) that I had on loan last year. I remember it being hyper detailed, definitely more detailed than the Lamm, but fatiguing, and very analytical sounding. I found it difficult to listen for long periods. The Lamm, by contrast, is a music making machine. My listening periods were long, and late into the evening. What I really noticed was how well the Lamm unraveled complicated musical passages without breaking a sweat. There was plenty of low level detail retrieval, but with an utterly perfect amount of tube magic thrown in. By tube magic, I don't mean smoothed over transients or some sort of velvety padding. I mean a harmonic "rightness". This characteristic comes through when listening to recordings with acoustic instruments, as most music lovers will know when a human voice, an acoustic guitar, or a piano is being reproduced with realistic and accurate timbres.
Spinning my usual random CD picks I tried to touch on as my many genres as possible to see what the Lamm was capable of. I started off with the Robert Plant and Allison Krauss disc Raising Sand. I have always liked most of T Bone Burnett's productions, and this may be one of his best. I have actually never heard the mix sound so coherent. On other systems the album can sound thick, and a bit dark. The LL2.1 put me deeper inside the mix, and revealed a lot more shades then I knew were there. The bass was big and round, the guitars fuzzy, the cymbals crisp, and the harmonized vocals in a space exactly where they should have been.
I have really taken a liking to Elvis Costello's cable show Spectacle, and I decided to honor the man by pulling out his collaboration with legendary New Orleans songwriter, arranger, and producer Allen Touissant, The River in Reverse. It's an old school record with live instruments, funky grooves, ballads, and great sound. This was another album I planned on listening to the first few cuts on, then, before I knew it, the CD was on the last track. The LL2.1 just made it a breeze to sit through album after album with out any sense of urgency or the need to change program material.
Getting a bit more obscure, I checked out a few Tim Hardin CDs. Hardin was one of the most celebrated songwriters of his era, the late 60's. His best known compositions, "Reason to Believe" and especially "If I Were a Carpenter", are some of the most covered songs from that period. His own records were bluesy, psychedelic folk.
His voice was throaty and expressive, beautifully recorded by the engineers at the legendary Verve label. In sampling tracks from Hang on to a Dream: The Verve Recordings, I was struck by how much older Hardin sounded than someone in their mid twenties. The Lamm did a superb job of presenting the details of the mixes…the reverbs used, the microphone distortion, and interesting, "buried in the mix" details. But this was not at the expense of musical enjoyment. I also put on Tim Hardin 3: In Concert, an incredibly intimate performance recorded in 1968. For the first time, after having owned this on LP, I heard tape saturation, hall echo, and the proper relationship between the musicians on stage that night.
I wanted to hear more acoustic music, so I spun …Till Then by the brilliant jazz pianist Danilo Perez. It is a beautifully recorded and the playing displays restrained virtuosity. A superb band and some great material add to the mix. As an added treat, one of my favorite vocalists, Lizz Wright appears on two tracks. I really enjoyed how the LL2.1 seductively laid out the arrangements. The piano, voice, sax, bass, and drums, by the supremely talented Brian Blade, all retained their natural timbres.
The Lamm LL2.1 Deluxe preamplifier is Lamm Industries least expensive component. They produce a 4 chassis $42,000 preamplifier, and $139,000 mono block tube power amplifiers. No, that was not a misprint. Founder Vladamir Lamm seems hell bent on pushing the envelope on the state of the art, and he apparently refuses to compromise on parts quality, circuit development, and overall musicality. The company has been in business for 17 years and that to me indicates that the Lamm sound is has stood the test of time, as I promise you mediocre sounding, expensive, and unmusical sounding gear would be a door shutting proposal. While certainly not inexpensive at $5990, the LL2.1 is a very fairly priced preamp. And one can only know this if you have sampled the competition. It did the "Where is the preamp" trick similar to the Manley 300B, but in its own distinct way.
For this particular review, the operative word is refined. To me that sums up the sound of this component. I never found myself listening to it with furrowed brow, in reviewer mode. I found myself listening just to enjoy the music. Its overall transparency and superb sound staging really leave little to quibble about. Interestingly, the lack of remote was a non issue for me. The precision volume knobs for each channel made it is a cinch "set it and forget it" for each particular CD. There were plenty of detents to find the sweet spot. I also had a bunch of cables here that I will be reviewing in the coming months and the Lamm let me hear the differences between these cables as I gave them each a quick preliminary audition. The Lamm also nicely responded to important tweaks like isolation devices, and power cords. But I sure you the core sound of the LL2.1 is world class without any aftermarket expenditures. But such things can be used to extract the very last bits.
If refined is the operative word for this review, there are a few I could have picked as my second choices. The LL2.1 is rich sounding, it is elegant, and it stays out of the way of the music, probably what Vladamir Lamm had in mind. It is quiet, dependable, and comes with a 5 year warranty when purchased through an authorized dealer. Lamm says they have a rigorous process for selecting their tubes, and all are tested for microphony and quality. I should note, on two occasions I did hear evidence of a microphonic tube. I happen to know that the review sample has crossed the country and has been in a few reviewers' systems. I alerted Lamm and they offered to replace the tube, but the microphony did not appear again, however, I am pretty sure the tube in question will have to be replaced soon. That aside, the unit worked flawlessly.
If you are auditioning preamplifiers in the $5000-$6000 range, and you can live without a remote control, the LL2.1 should absolutely be on your list. I would love to have heard it with Lamm amplifiers, but alas, I don't have that kind of spare change. But it sounded wonderful with my Audio Research amp, and there is nothing in the design or any weird specifications that would preclude it performing with any number of other manufacturers gear. I loved the retro look, and the purist approach. Lastly, the build quality is superb, as befits a component of this caliber. Highly recommended, without reservation.
Lamm LL2.1 Deluxe Preamplifier Specifications:
•Manufacturers Website: www.Lammindustries.com
•Inputs: 3 Single-ended gold plated single-ended RCA connectors
•Input Impedance: 50 KOhms + 10%.
•Outputs: 2 Single-ended gold plated single-ended RCA connectors.
•Corrected Output Impedance typically 250 Ohms.
•Dimensions: 4.5 inches high x 19 inches wide x 13.875 deep .
•Unit weight: 20 Lbs (9.1 Kg).


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|Lock the paddles of your Elite controller
Watch the video "Lock the paddles of your Elite controller". Note This video is available in English only.
If you're putting your controller down to rest, you may want to lock your paddles to avoid accidentally pressing them. Simply double-tap the green Wireless Bind button. Your controller motors will vibrate a few times to confirm. To unlock the paddles, double-tap the Wireless Bind button again. It will vibrate once to confirm.
Note When you lock the paddles, no other buttons are affected.
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Sebastian County Remodeling Contractor
If you are looking for a remodeling contractor in Sebastian County you have come to the right place. Joshua Deatherage Builders is dedicated to the Sebastian County homeowner. If you would like to speak to a consultant who specializes in home remodeling in Sebastian County, please complete our online request form.
If your main goal in doing a remodel is to increase the sticker price of your home, you might want to do some research on which remodels give you more bang for your buck. Kitchen and bathroom remodels are a surefire bet, since they are valuable to home buyers today. These remodels typically pay back about 95% of their own cost when it comes time to appraise the home.
Kitchens and bathrooms go out of date fast, and are two of the most-often used rooms in a home. If you're scheduling a remodel, this is the initial place you must look.
Joshua Deatherage Builders – Sebastian County Remodeling
Kitchen and bathroom remodels are a surefire bet, since they are valuable to home buyers today. These remodels usually pay back about 95% of their own cost when it comes time to appraise the home. Kitchens and bathrooms go out of date quickly, and are two of the most-often used rooms in a home. If you're planning on a remodel, this is the first place you should look. Joshua Deatherage Builders are specialists in both kitchen and bathroom remodeling and can help you make the best decision on your home.
Sebastian County Kitchen Remodeling
Kitchen design is a difficult skill to master with many obstacles to overcome in order to achieve success. Despite every project being different there are a number of useful tips that apply across the board to all kitchen designs. First and foremost, like any design project you need to sit down with a pen and paper and make a list of the things you need in your kitchen, so when it comes to designing the layout, you don't miss anything. It's also a useful idea to list some of the things that you can do without in your kitchen to avoid creating a cluttered and overly busy design. This brings me neatly onto my next point – storage. This can be the make or break factor when designing a kitchen as the amount of storage is detriment to the final look and feel of the space. Too much storage will make your kitchen look tight and confining, which isn't an ideal place to work in. Not enough storage is also a problem because having random pots and pans lying around everywhere won't give you a sleek, well crafted finish. Once you've completed these first two steps of listing your kitchen essentials and determining how much storage you'll need, you're ready to work on the layout of your Sebastian County remodeling contractor. Most professional kitchen designers agree on a principle that is widely regarded as the "triangle theory". This involves creating a work-efficient space that is tailored to suit your specific needs.
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Sebastian County Bathroom Remodeling
A good way to bring a touch of style to a tired looking bathroom is to add an attractive piece of furniture, such as sink vanity or a new wall cabinet which can be installed by your Sebastian County remodeling contractor. These things are relatively straightforward to fit or replace, and can help give your bathroom a fresh new image without the expense and hassle of replacing all your fixtures and fittings. Bathroom vanities and cabinets come in a range of beautiful designs, including antique effect, country style and contemporary, and can be used to great effect to influence the character of your bathroom.
If you want to give your bathroom a makeover without blowing your budget, there are a number of things you could consider. For example, you may be surprised at the difference new faucets on your sink and tub can make. Shiny new faucets in a stylish design can instantly improve a bathroom's appearance, without the need to install a whole new bathroom suite. Another way to cut costs when remodeling, is to just replace your bathtub, leaving the sink and toilet in place. Bathtubs take up the most space in our bathrooms, and a well-chosen tub can become an attractive central feature of your bathroom's design.
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There are also many different tips to help you find the right Plato painting company. There are certain things that you need to look for in a good painting company. They have to be licensed, have liability insurance as well as workman's compensation insurance coverage. A good company will also be bonded. Bonding means that…Read More
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Mine began with toast, jam and watching 3 huge cooling towers disappear from sight out of our back bedroom window during controlled demolitions . So, y'know ... just an average ordinary Sunday ...
We did manage to snatch some photos of the disappearing act ... so watch this space. But, until then ... here's a page I made earlier.
It's been raining quite a lot lately, which is good for [at least] 2 reasons:
- [1] because there's been a lot of talk of droughts hitting the UK recently, so hopefully this is helping alleviate things for now; and
- [2] because when you don't get rain, you don't get rainbows.
So James turned off the main road as soon as he could and we drove along a country lane, trying to get closer to it:
This 7Gypsies rub-on quote seems to say it all:
The word 'Rainbow' in the title, the little snippet of rainbow beneath the photo and the words at the top:
If I'm honest, despite having lots to blog about, I've been suffering from an uncharacteristic bout of blogger's-block lately. But I'm sure I'll be back later this week with something ... or other ...


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The ORACLE STERLING SILVER is our most exclusive style with only 15 units made, engraved with the silver mark of .925. The quality and luxury of this design is undeniable. We chose the timeless aviator model for its simple perfection and flattering features that looks good on every face.
We stand behind our promise of quality. If a manufacturing defect arises within one year of ownership, we will replace the frames or lenses free of charge upon verification of the defect. Learn more about our warranty here.
Sunglasses collect tiny particles of sand, ocean salt, pool chemicals, lotion, and sweat. These elements can wear down your eyewear over time. Rinse with clean water and wipe dry with a microfiber cloth on a regular basis.
We do our best to provide you the fastest shipping experience possible. Once you place an order, please allow 1-2 days for order processing. A tracking number will be emailed to you so you can track your order to your door.
If for any reason you are not happy with your Dynamikos Sunglasses, return them no questions asked. Read more about shipping & returns.
Creating artisan handicrafts is an ancient, beloved tradition in Japan. That's why we chose craftsmen in Japan who are renowned for their skill, attention to detail, and quality parameters to make each pair of Dynamikos eyewear by hand.
The lenses of all of our Dynamikos eyewear are made from CR-39, a material that is almost entirely opaque in the ultraviolet range, transparent in the visible spectrum, and provide 100% UVA / UVB protection.
All our lenses are scratch resistant and can sustain continuous use in temperatures up to 212 °F and up to one hour in 266 °F. They are also resistant to gamma radiation, material fatigue, aging and most chemicals.
The world needs our help, and we're able to give it.
Each month, DYNAMIKOS donates 20% of their net profit to highly accredited partners who are dedicated to humanitarian and animal conservation efforts both Internationally and in The United States.
The organizations we partner with are chosen according to the amount of money they put back into the cause and for their boots on the ground efforts in championing those causes. The areas of focus range from the prevention of childhood blindness and the symptoms leading to it like malnutrition and preventable diseases of poverty. Basic eye care services like prescription eyeglasses, cataract surgery, to the screening and treatment are a priority. As a company, not only do we donate each month but each member of the DYNAMIKOS Team takes part in service days alongside these partners.
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