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Trading Terms
1.1 Garmin.co.uk (the Site) is operated by Garmin (Europe) Ltd. (we and us). Terms of Use. You should also read our Privacy Policy.
1.2 The terms contained in this document (Trading Terms) apply to all transactions for the purchase of products from the Site. Please read these Trading Terms carefully before ordering from the Site. By ordering any products from the Site you are indicating your acceptance to be bound by these Trading Terms. They form a legal agreement between you and us and can only be amended with our consent. You can print a copy of these terms and conditions by selecting the 'print' option from the file menu of your browser.
1.3 Your use of the Site itself is subject to our website
1.4 We reserve the right to change these Trading Terms from time to time without prior notice by changing them on the Site, provided that any such change will not affect any purchases you have made before the change is implemented.
2.1 You may place an order to purchase a product advertised for sale on the Site by following the onscreen prompts after clicking on the item you are interested in. You will have an opportunity to check and correct any input errors in your order up until the point at which you submit your order by clicking the "Submit Order" button on the checkout page.
2.2 All orders placed by you are subject to acceptance by us. We may choose not to accept your order for any reason and will not be liable to you or to anyone else in those circumstances.
2.3 After submitting an order to us, you will be sent an order acknowledgement email. Please note, this email is an acknowledgement and is not an acceptance of your order.
2.4 If your order includes products which are not available from stock, we will contact you to ask you how you wish to proceed. You will have the option to wait until the products are available from stock, or cancel your order.
2.5 Acceptance of your order and the formation of a contract between us will take place when we send you an email confirming that the products you have ordered are being despatched to you, unless we have notified you that we do not accept your order or you have already cancelled it in accordance with the provisions below (see Cancellations and returns below).
2.6 You can check the status of an outstanding order at any time by locating the relevant order after logging into the myGarmin section of the Site, using the username and password which you will have been asked to create to become a registered customer of the Site.
Prices and Payment
3.1 The prices of products advertised for sale on the Site are as set out on the Site. All prices are in pounds (£) sterling, inclusive of VAT (unless stated otherwise), and exclude delivery charges. Delivery charges, where applicable, are set out in Delivery Information below. Delivery charges will be added to the total amount due once you have selected a delivery service from the available options as set out in Delivery Information.
3.2 Prices may change at any time prior to (but not after) acceptance of your order.
3.3 We cannot accept your order until you have paid for it in full. Payment can be made by most major credit or debit cards by completing the relevant details on the checkout page. [We do not accept credit/debit cards where the address registered with the card issuer for the statement is outside the United Kingdom.
3.4 By using a credit/debit card to pay for your order, you warrant and confirm that the card being used is yours. All credit/debit card holders are subject to validation checks and authorisation by the card issuer. If the issuer of your card refuses to authorise payment we will not accept your order, we will not be obliged to inform you of the reason for the refusal, and we will not be liable for non-delivery. We are not responsible for your card issuer or bank charging you as a result of our processing of your credit/debit card payment in accordance with your order.
3.5 In the unlikely event that the price of an item has been incorrectly advertised on the Site, we will contact you to ask whether you wish to proceed with the order at the correct price. If you are not happy to proceed, or we are unable to obtain your instructions, we will cancel the order. Unless we have already confirmed despatch of your order, we will not be obliged to supply products at the incorrect price.
4.1 Subject to availability, we will use all reasonable endeavours to deliver the products you have ordered as soon as possible after your order is accepted by us. Delivery will normally be made within 3-8 working days if the items are in stock. We will usually deliver all products comprised in your order in one delivery, unless your order consists of multiple products, some of which are not available from stock, in which case, if all products are not in stock within 5 days of you placing your order, we will separately despatch those items that are.
4.2 Once delivered, the products ordered will become your property (provided they have been paid for in full) and your responsibility and, except in relation to products that are damaged or faulty when delivered or have been incorrectly delivered, we will not accept any liability for their loss, damage or destruction after they have been delivered.
4.3 Delivery Charges: Delivery will be as stated at point of order.
4.4 We will deliver to the address specified in your order. We are only able to deliver to address in the United Kingdom. [We can not deliver to BFPO addresses.].
4.5 You can typically expect a courier delivery to arrive within 3-8 working days of order receipt and the vast majority of deliveries do arrive well within this timeframe, however, it can sometimes take longer. If your order does not arrive within this period please be patient. We will not consider a courier shipment potentially lost until 10 WORKING days have passed from the shipped date. If an item is delayed, we cannot take any action until 10 working days have passed.
Cancellations and Returns
5.1 Except in relation to the products specified in the next paragraph, you may cancel your order (or any part of it) at any stage before the products are delivered to you, and up to 14 days afterwards. You may do so either by notifying us (How to contact us), giving us your full name, address and order reference, or, alternatively, by returning the products (Customers must contact Product Support to obtain a reference number in order to return the item for a refund), in accordance with the provisions below (see section 5.4). You do not need to give any reason for cancelling your order, but a brief explanation will help us improve the service we offer to customers in the future.
5.2 You may not cancel your order if:
5.2.1 you have taken any software out of the sealed packaging in which it was delivered to you; or
5.2.2 [your order is for software downloaded from the Site.] unless such products were faulty when delivered to you or have been incorrectly delivered.
5.3 If you cancel your order, any sum debited by us from your credit/debit card will be refunded in full to the same card.
5.4 Where you decide to cancel an order after we have despatched the products, you will be under a duty to return them to us at your own risk and cost. All such products should be returned within 14 days of you cancelling your order (where you choose to cancel by notifying us - How to contact us) and, in any event, no later than 28 days after the products have been delivered to you. Until such time as they are returned, you must retain possession of the products and take reasonable care of them. You should return the products to us unused (except to the extent reasonably necessary to examine them) and together with the original product packaging, in accordance with the process set forth in the warranty terms despatched with the products (Customers must contact Product Support to obtain a reference number in order to return the item for a refund).
Faulty Products
6.1 If any product you purchase is damaged or faulty when delivered to you we may offer a repair, exchange or refund as appropriate, in accordance with your legal rights and the Warranty. If you believe a product is faulty, you should notify us (see How to contact us) OR return the product in accordance with the provisions above (see section 5.4).
6.2 Our policy on faulty products does not affect your legal rights.
Product Information
7.1 We have taken reasonable steps to display as accurately as possible the colours and other detailing of our products in the images that appear on the Site. However, as the actual colours and detailing you see onscreen will depend on your monitor, we cannot guarantee that your monitor's display of any colour or other detailing will exactly reflect the colour or detailing of the product upon delivery.
7.2 Any information on the Site regarding sizing of products is included as a guide only. If you are in any doubt as to the size of any product you require, we recommend that you contact us prior to placing an order (How to contact us).
9.1 We understand that you may have concerns about security on the internet. The Site uses a secure server [that implements secure sockets layer (SSL) technology] in our online ordering process to protect your personal information. (see our Privacy Policy for more details).
9.2 We recommend that you do not communicate your payment card details to anyone, including us, by email. We cannot be responsible for any losses you may incur in transmitting information to us by internet link or email. Any such loss shall be entirely your responsibility.
Our Liability
10.1 We will not be liable to you where performance of any of our obligations is prevented or restricted by any circumstance or cause beyond our reasonable control.
10.2 You are responsible for the use you make of the products you order. To the extent not prohibited by law, we accept no liability for any loss which is not reasonably foreseeable or for any business loss (which includes loss of profits, contracts, goodwill, opportunity and other similar losses).
10.3 We accept liability for death or personal injury caused by our negligence and responsibility for fraudulent misrepresentation and any other liability that cannot, under English law, be excluded.
10.4 Nothing in this section or elsewhere in our Trading Terms affects your statutory legal rights.
11.1 Garmin (Europe) Ltd. is a company registered in England. Our registered number is 2724437 and our registered office address is Liberty House, Hounsdown Business Park, Southampton, SO40 9LR. Our VAT registration number is 568 6978 58.
11.2 Any formal legal notices should be sent to us at the address at the end of these Trading Terms by email and confirmed by post.
11.3 Failure by us to enforce a right does not result in waiver of such right. You may not assign or transfer your rights under these Trading Terms.
11.4 If any part of these Trading Terms is found to be unenforceable as a matter of law, all other parts of these Trading Terms shall be unaffected and shall remain in force.
11.5 You and we agree that English law applies to these Trading Terms and that any dispute between us arising out of or in connection with these Trading Terms will only be dealt with by the English courts, unless you are resident in another part of the United Kingdom, in which case the applicable law of that part of the United Kingdom will apply and any dispute will be brought before the courts there. We are required by law to inform you that purchases can be concluded in English only and that no public filing requirements apply.
Please feel free to contact us in any of the following ways:
Telephone: 0808 238 0000.
Mail: Liberty House, Hounsdown Business Park, Southampton, SO40 9LR.
These Trading Terms were last updated on 10 January 2008.


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It's tough to break into the fashion industry, and only labels that fill a void have a chance at making it.
That's what the co-founders of Quincy Apparel are banking on.
The key difference between Quincy and any other brand is its sizing concept. The company measures a woman's size by her bust, waist and height ratios. The result is custom-style clothing for a fraction of the price.
Click here to see how Quincy's clothes are made >
Quincy's mix-and-match pieces range from slightly under $100 to $250.
"If it doesn't fit you, it doesn't matter how trendy it is — it doesn't look good. Fit is where we start everything as the fundamental to good style," co-founder Christina Wallace told us. "We want to bring in some of the trends you see on the runway, the details you see at the designer price points and be able to offer them at a much more accessible price."
For their tops, the brand uses a bust-cup and torso length system, so women will "finally be able to button their suits and jackets" (For example, a 36A-B Tall.)
"Every brand today only does A-B cup sizes. Every jacket is for a B-cup or smaller," co-founder Alex Nelson says. "We've added the C-D sizes, which allows us to reach 50 percent of the population, because most women are a C-cup or larger."
For bottom pieces, the two entrepreneurs decided to use a system that measures women's body shape, waist and height (For example, an "hourglass-fit, 28-inch waist, 36-inch inseams").
To be more relatable to the majority of the population, the brand is also making it a priority to use models with different body shapes, ethnicities and hair color.
"When you go to our site and look at a jacket in a certain size, you'll be able to see a model wearing that exact size," Nelson says. "From a smaller woman with a B-cup to a larger busted woman with a D-cup. I don't know any other brands that does that. Usually it's one model, she's stick thin and a lot of women don't relate to her."
The original idea came to co-founder Nelson about a year ago when she was riding a double decker bus down Oxford Street in London. At the time, she was working in retail management for the Boston Consulting Group, and realized there was a demand for better professional attire for women. She eventually called Wallace — a friend from Harvard Business School who was also working for BCG — and they decided to meet in Miami to talk over the idea.
After an intense brainstorming session, Nelson returned to London and Wallace went back to Washington D.C., but the two spoke every weekend, putting together business plans. A couple of months later, they began to raise money and Quincy's first batch of samples were created.
They brought on Althea Harper, who's worked for high-end designers like Alexander McQueen, Vivienne Westwood and Nicole Miller, and was runner-up for Project Runway season six. Harper is also known for designing fashionable pieces for curvy women.
"Our customers are everywhere from the 22-year-old straight out of college working her butt off at a bank downtown to the 29-year-old who has a creative job," Wallace says. "The one thing that they all have in common is that they're ambitious and they're going somewhere. They're style-conscious. They want to look great while they do it. But they have a lot to do. They're on a fast-track to really become someone awesome."
Nelson and Wallace also wanted to create a brand where young professionals could purchase pieces that would work for their office as well as their date after the work day.
"That's one thing we really heard from our customers is that they have such a busy schedule, they have so much going on, they need a wardrobe that will transition with them throughout the day," Nelson said. "A lot of women feel like they have to change their clothes. They're embarrassed to wear what they wear to work out for drinks. We're giving women an entire brand where they have lots of choices."
All of the orders are returnable and the brand even includes prepaid label boxes along with orders so consumers can buy multiple sizes at first to find their perfect fit.

subset: commoncrawl


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Sep 30, 2012
The wallpaper of this week is an amazing image created by our friend Vigan Tafili aka nagiViTy, a young Digital Artist from Peja a city based in Kosovo. His first contact with computer arts was on young age. He started like a photographer continued as photo editor, then finally became a digital artist, what he does today.
For more information visit http://www.behance.net/nagiViTy
Desktop Version


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It is always nice to have great favors for your guests when you entertain so here are some great ideas for your July 4th celebration. These would be great to send your guests home with or to let them enjoy at the celebration!
Kids will love these firecracker favors made from Life Savers found at Family Fun.
Amanda from Amanda's Parties to Go share a great tutorial for these Firework Favors using Pringles cans.
If you are using a vintage theme, then these Firecracker Favors from Country Living would be great!
Have fun crafting this July 4th Rocket Favor from Homework.
I love this gumball favor from She's Kinda Crafty!
You can always find some great ideas from Martha Stewart like these Flag Favors made from candy.
If you have push pop containers then this is the perfect project for you from Kara's Party Ideas.
Let the fireworks begin!!!


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Description:2 x Fujitsu 146GB Serial Attached SCSI (SAS) 2.5-inch SFF 6G 10K Hot-Plug Hard DrivePart Number(s)
Fujitsu Part# MBD2147RC
Overview:Enabling point-to-point connections Fujitsu SAS hard disk drives help enterprises develop new solutions and maintain flexibility. These 2.5 HDDs offer up to 147GB of storage and 10K RPM spindle speed ideal for high-end mission-critical applications residing on database servers storage arrays and NAS and SAN systems. Additionally lower power consumption per drive and smaller form factor reduces system cooling requirements.


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The findings of a wow wealth survey were published by Golden Crusade recently, and it indicates some interesting things about how much gold players in wow have. It also has some stats on how many of the respondents did some of the nefarious activities like botting, buying gold, item duplication, and some other deeds not well likes by the terms of service.
Essentially there are some very rich players in game, but the typical player is not even close to as wealthy as the raw average might indicate (i.e. median value is far lower than the average gold amount).
In summary:
The World of Warcraft Wealth Survey 2012 ran Sunday, October 28th, 2012 through Saturday, November 10th, 2012 and collected 11,344 usable results. Given these results the study found:
The average player gold is 302,593
Median player gold was 80,000 gold
81.63% of players are below average
If you're feeling the pinch of being constantly using all the gold that you generate then I'd say you're not alone. Most players are in a similar situation, where they are gradually building wealth, rather than hyper-building wealth quickly.
81% of players (not characters) are under the average of 300k total, and that 39% of players were under 50k. I know many players who are happy with 15k.
I sit typically in the middle of that range, where I think 30-40k total is not enough to have flexibility should I need it, but over 100K is far more gold than I think is needed for my typical game-play.
Funny that the numbers line up a little isn't it. Would I like more gold? Sure, but I know I'd spend it right back down to the level I have now, as amassing a huge amount of gold does not offer a radically different play experience from what I am enjoying now. I have a repair mount, two legendary items, 4x character with epic flying, and all sorts of minor toys and purchased and craftable gear.
A large bank-roll is a good and worthy challenge for players, but essentially I do not know of anything which requires 500,000g to complete.
The survey findings are worth reviewing. Happy Killing.


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Exclusion FAQ's
Please find Exclusion FAQ's below. The QUT Guild, as your personal uni wingman, explain as much as possible so that you can navigate your degree with as little stress as possible.
If you can't see the information you need, contact the Student Rights Hub and we can answer all your questions for you. The QUT Guild Wingman service is confidential. Your information will not be shared with QUT.


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Full Movie Million Dollar Arm Full Movie HDWatch Movie Million Dollar Arm Streaming In HD with duration 124 Min and broadcast on 2014-05-09 and MPAA rating is 50.
- Original Title : Million Dollar Arm
- Movie title in your country : Million Dollar Arm
- Year of movie : 2014
- Genres of movie : Drama, Sport,
- Status of movie : Released
- Release date of movie : 2014-05-09
- Companies of movie : Walt Disney Pictures,
- Countries of movie : United States of America,
- Language of movie : हिन्दी, English,
- Durationof movie : 124 Min
- Average vote of movie : 6.8
- Translation of movie : EN,FR,RU,ES,BG,DE,ZH,PT,IT,TR,NL,PL,EL,HE,SV,
- Actors of movie :
- Jon Hamm ( J. B. Bernstein )
- Bill Paxton ( Tom House )
- Lake Bell ( Brenda Paauwe )
- Suraj Sharma ( Rinku )
- Aasif Mandvi ( Ash Vasudevan )
- Madhur Mittal ( Dinesh )
- Pitobash ( Amit )
- Alan Arkin ( Ray Arkin )
- Bar Paly ( Lisette )
- Al Sapienza ( Pete )
- Tzi Ma ( Chang )
- Allyn Rachel ( Theresa )
Million Dollar Arm Synopsis:
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Million Dollar Arm


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Dave White Profile
Dave White
Your Movies.com Man at the Multiplex
Dave White's first movie review was of the animated feature Snoopy Come Home. He was seven years old...Read full profile
Your Movies.com Man at the Multiplex
Dave White's first movie review was of the animated feature Snoopy Come Home. He was seven years old...Read full profile
Lost in the woods. Read full review
Grae Drake Profile
Grae Drake
Movie maven about town
Grae Drake began her love affair with cinema as a wee bairn, as she spent every weekend corralling her friends over to the local...Read full profile
Movie maven about town
Grae Drake began her love affair with cinema as a wee bairn, as she spent every weekend corralling her friends over to the local...Read full profile
No bite whatsoever Read full review
Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.
out of 100
Metascore®Generally unfavorable reviewsbased on a weighted average of allcritic review scores.
This tedious retelling of the venerable fairy tale-"Twilight" with Oedipal kinks-takes place in a medieval village that is plagued by a werewolf, and that looks like a shtetl settled by California actors.
Read Full Review
As it thuds along from one wolf attack to the next, Catherine Hardwicke's first film since taking leave of Bella and her toothy friends adamantly refuses to provide any wit, humor or fun.
Red Riding Hood goes from trite to triter, a plot collapse that overtakes any of the visual prettiness from cinematographer Mandy Walker (Beastly).
The best that can be said is that the production design is striking. Otherwise, it's a foolish story, marred by a strange blend of overacting and bland, offhand performances.
See all Red Riding Hood reviews at Metacritic.com
Iffy for 13+
Twilight-esque fairy-tale thriller mixes sexuality, horror.
What Parents Need to Know
Parents need to know that this teen twist on Little Red Riding Hood from Twilight director Catherine Hardwicke is a romance-and-horror mix that's not for young kids. While there are no overt love scenes, there are several scenes of the main couple kissing, groping, and breathing heavily in each other's presence; at one point, the lead boy is about to undress his girl but is interrupted. But the sexuality pales in comparison with the violence, which is frequent and disturbing and features dismembered limbs, torture, and a high body count. What's more, the movie's overall message of "love conquers all" is buried beneath the dangerous-for-teens idea that if you love someone, you should be willing to leave your family and home to be with them.
Messages: Many of the movie's messages are focused on relationships, and they aren't necessarily positive for adolescents. Valerie says things like "I'd do anything to be with you," and Peter affirms that they should run away, leaving everyone and everything behind to be together. That's not a healthy message for teens already inundated with messages that Twilight-level obsessiveness equals the pinnacle of romance. Then there's the wolf, who, when revealed, expresses a desire to have a partner in using the vicious power to kill, terrorize, and reign over people.
Role models: Many of the characters act selfishly -- even Valerie, who is willing to leave everyone behind for love one moment but willing to sacrifice herself the next. Father Solomon means well, but his methods are ruthless; Father Auguste tries to save some of his parishioners, but he's too late; Henry and Peter act courageously some times and selfishly others, but as a whole are genuinely trying to help Valerie.
Violence: The werewolf attacks the village many times, killing dozens of citizens. People are dismembered, decapitated, stabbed, and tortured to death. The violence is edited in a way that minimizes some of the more graphic, gorier deaths, but the audience still sees many people get killed, including a man whose arm is ripped off, a young man who's burned alive, and a few characters who are killed by loved ones or associates because of their connection to the wolf.
Sex: Valerie and Peter flirt as children and, as young adults, touch and kiss quite passionately several times, occasionally saying sexually charged things to each other. At one point he kisses her so fiercely that he picks her up; she wraps her legs around him, and he says, "I could eat you up." In another scene, they get horizontal, and she asks "Don't you want me?" which prompts him to start unfastening her top, until they're interrupted. Valerie also hugs Henry and gives him a kiss on the cheek, and Valerie and Prudence dance provocatively while Peter dances with Rose. A young woman offers her body in exchange for her brother's release, but she's refused.
Language: Insulting language (particularly to young women) includes "slut," "harlot," "witch," "devil's daughter," "coward," and more. Also "oh my God."
Consumerism: Not an issue
Drinking, drugs and smoking: In several scenes, men and women drink -- in many cases to excess -- at the town pub and during a hedonistic celebration. A few men look drunk, and one character is shown passed out next to a pool of vomit.
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© Common Sense Media Inc. 2010. All rights reserved.
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Open Debate on Threats to international peace and security caused by terrorist acts
(New York, February 20, 2003)
Statement by Ambassador Luis Guillermo Giraldo, Permanent Representative of Colombia
Mr. President,
Colombia subscribes to the statement made by the Permanent Representative of Perú on behalf of the Rio Group. However, the Government of Colombia has decided to speak in this open debate of the Security Council in connection with the item "Threats to international peace and security caused by terrorist acts", since the terrorist acts that my country has been suffering lately highlight the international dimension of the Colombian internal conflict.
Mr. President,
Allow me, in the name of the people and the Government of Colombia to thank this Council for the adoption last Thursday of resolution 1465 (2003) condemning the terrorist attack in Bogota on February 7 in which 35 people were killed and close to 200 were injured.
Unfortunately the very day after to the adoption of this resolution, that was last Friday, we had to lament, another bomb attack in the city of Neiva, south of Colombia, that left 15 dead, more than 50 wounded and destroyed more than 70 houses belonging to people with limited resources.
Our country is living a terrorist wave mainly due to the FARC guerrillas. These so-called "Revolutionary Armed Forces of Colombia" have announced more terrorist attacks of this nature.
Mr. President,
In this open debate of the Security Council on terrorism the Government of Colombia would like to contribute with some thoughts about this issue.
Today, two inseparable elements exist in our protracted conflict: the internal aspect and the external aspect.
Generally only the first one is considered. Deaths, attacks, terrorism, bomb, antipersonnel mines, kidnappings, extortion, illicit drug trafficking, all that is committed by the illegal armed groups in our territory.
With regard to this aspect, the Government of Colombia recognizes its obligations. Having as paradigm the respect of our Constitution, for the laws, international treaties, human rights and international humanitarian law, my Government is stepping up the States presence with more soldiers and policemen, better trained, with the mission to protect all Colombians. Democratic Security for civilians, unionists, human rights defenders, businessmen and workers. This aspect, the internal one, is one that we Colombians have to tackle and control.
But there is yet another aspect to our internal conflict that generally is not considered: the external one. The terrorist attacks that we are suffering are possible because of the deadly alliance that exist between illicit drug trafficking and the guerrillas, who derive their financing from that activity. The explosives were negotiated and acquired externally and were paid using international bank accounts fed by the narcotrafficking. The chemical precursors, indispensable to produce the illicit drugs, arrive to Colombia through similar process. Generally speaking, the arms that fuel our conflict also get into Colombia that way.
This is why Colombia cannot stand alone in its fight against terrorism and its inseparable ally within the inside and outside of the country: the world drug problem.
Without the cooperation of the international community, not money terms, but with the use of effective judicial and police actions such as those imposed by resolution 1373 (2001), we are unable to fight against terrorism and its sponsor: drug trafficking.
For this reason, we turn to the United Nations so that, as it has done in other difficult situations, in regard to the international aspects of the Colombian internal conflict, it indicates alternatives and induces the international community to support the peoples and the States that work to preserve the high principles of the Organization and that strive daily to protect the dignity of human beings.
Mr. President,
As we reiterate our support to the work of the Security Council and its Counter Terrorism Committee to combat this universal scourge, support that we expressed throughout the period when we acted as a non permanent member of the Council, I wish to state with certainty, that the Security Council will respond to our peoples' expectations related to the historic role that it should be playing in the fight against terrorism in all the regions of the world.


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Crane & Hoisting Equipment Operator - Boom Truck
The Crane & Hoisting Equipment Operator - Boom Truck program will train you to service and operate the hoist and swing equipment that is used to move machinery, materials and other large objects. Boom truck operator students are taught to set up, service and operate truck-mounted hydraulic booms that are capable of moving heavy loads.
NAIT's Crane & Hoisting Equipment Operator - Boom Truck program is specifically for apprentices who operate boom trucks with a capacity between 5 and 45 tons.
Application Deadlines
All application deadlines, start dates and training schedules are posted on the Tradesecrets website.
Career Options
Boom truck operators are employed by general contractors and subcontractors in the forestry, mining, construction and oil industries, as well as by crane rental companies.
Experienced boom truck operators may advance to supervisory positions or set up their own crane rental businesses.
Grad Employment Rate
Employment rates reported by NAIT alumni are for information purposes and do not guarantee future employment opportunities.
Median Journeyman Salary
Salaries reported by NAIT alumni are for information purposes and are not a guarantee of future alumni income.
Tuition & Fees (Cost per semester)
Tuition Cap: $588.00
Tuition International
Entrance Requirements
All applicants are required to meet the following academic and subject prerequisites.
This program has additional entrance requirements in addition to academic prerequisites.


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Thank you everyone so much for the encouragement from the last post. I'm doing my best and I will be sure to let you know how the progression goes.
As promised, I will share Asian Pizza (mentioned in the homemade pizza dough post) today! Yay. The idea of this topping came from Magdalena from Tasty Colours, and my good friend who made Tomyum chicken as a topping. Magdalena gave me the idea of green curry pizza, according to her quote, "Eric Kayser- French baker and pastry chef makes Thai style chicken tart". The dough has curry paste and the topping are eggplant and curry chicken.
It couldn't be more perfect regarding making this pizza. My friend who her friend's mom made her a homemade green curry paste. She brought it back from Chicago and shared some with me. I have to admit shamelessly that this was my first time trying homemade curry paste. It's flavorful, spicy, and savory. You can really tell the difference between homemade paste and store bought paste. Note to self: I need to make my own paste!
3 tbs coconut creme. If you're using canned coconut creme, use the creme that is on top.
1 tbs homemade green curry paste or 2 tbs store-bought paste
1.5 tbs fish sauce
1 lb chicken breast, thinly sliced
1/4 black pepper
1 Serrano pepper, cored, thinly sliced
1 bell pepper, cored, sliced lengthwise
1 Japanese eggplant, sliced diagonally to about 1/2 inch thickness
1.5 cup shredded mozzarella cheese, divided.
1/4 cup or more fresh basil, chiffon and slice
Salt and pepper
Olive oil to brush
Pepper flake (optional) for sprinkle
Parmesan cheese (optional) for sprinkle
Homemade pizza dough, recipe here
3 tbs corn flour
Baking sheet
Cast Iron pizza pan
- Leave your pizza dough out at room temperature for at least half hour to one hour.
- Pre-heat oven to 500 F.
- Line baking tray with foil. Place eggplants and bell pepper on the tray. Sprinkle with salt and pepper. Drizzle olive oil over them. Bake for 15 mins.
- Heat up skillet on medium heat. Add curry paste and coconut creme. Stir fry for a few mins until it's all mixed and create a fragrance.
- Add chicken and saute until the chicken is all cooked through. Season with fish sauce, and black pepper. If the sauce is too thick, add a little more of coconut creme. Set aside.
- Pre-heat iron cast pizza for 10 mins.
- Take it out from oven. Sprinkle with with corn flour on the pizza pan.
- Roll out the dough on flour space to your desire thickness. I like thin crust so I roll it to 1/4 inch thickness.
- Brush with olive oil. Add the curry sauce and chicken all over the dough.
- Spread half of the cheese over.
- Place eggplant and bell pepper on top. Sprinkle with the remaining cheese.
- Bake for 10-12 mins.
- Sprinkle with fresh basil and Serrano pepper.
|Sprinkle the pan with corn flour
|The curry chicken is ready
|The veggie is also ready. This is after 15 mins of baking
|I ate all the four pieces
|Enjoy the pizza time!


text:
Last month, the National Latina Institute for Reproductive Health (NLIRH) joined allies across the nation in recognizing LGBTQ Pride Month – our nation's annual awareness month and celebration of LGBTQ people, culture, history, and achievements. During Pride NLIRH hosted and participated in a bevy of activities, including marching in the Capital Pride Parade and organizing a Google Hangout about the connection between reproductive justice and LGBTQ liberation. After this peak of activity, we asked Sebastian Velasquez, our Policy Analyst and lead on NLIRH LGBTQ liberation work, to reflect on the significance of Pride and how we celebrated it this year.
By Sebastian Velasquez
In the midst of a more sexually liberated and inclusive United States, Pride is a space where we center solely on celebrating our existence outside of an underground world and the victories brought by the LGBTQ liberation movement. Much of the current approach to combat homophobia is focused on raising awareness and educating others about the incredible diversity within the fluid spectrums of sexual orientation and gender identity. While this is undoubtedly important and essential work, the public displays of affection and acceptance during Pride go beyond this standard in order to celebrate our community.
Pride is an opportunity for people of color, immigrants, and transgender individuals to diversify the faces of LGBTQ people, who confront different forms of systematic oppression. It is for this reason that having multiple ethnic, racial, and ideological transgender and queer groups present during Pride activities provides added value to a movement that – without us – is incomplete in its approach to social justice. During Washington, D.C.'s Capital Pride Parade NLIRH staff organized a reproductive justice contingent, which was led by women and composed by LGBTQ-friendly faith groups, undocumented queers, and gender non-conforming individuals. Our very presence, which is outside of the idealized cisgender Anglo-descendent gay male, was a revolutionary act in itself.
On a daily basis, we continue to push mainstream LGBTQ organizations to be more involved in identity politics that transcend marriage equality and exclusively focus on sexual orientation. As a result, our LGBTQ liberation movement grows stronger in numbers and vision for a more accepting world for ALL people, regardless of their gender identity, sexual orientation, race/ethnicity, socioeconomic status, or immigration status.
Our approach to Pride was comprised of community and coalition building, civic engagement, and leadership gathering. It was an act of courage and joy to see the people in our RJ contingent that not only understood intersectional work, but also lived in the intersections in their daily lives. This was particularly important because we served as a visual representation of our theme, which was multi-dimensional LGBTQ liberation. Our contingent was comprised of allies from Queer Undocumented Immigrant Project (QUIP), Advocates for Youth, the National Center for Lesbian Rights, and the Religious Coalition for Reproductive Choice – all of whom were able to reconcile the complex identities held by diverse groups of LGBTQ people from many walks of life.
As an undocumented, queer, Catholic, humanist, and secularist Latin@, I marched next to herman@s who have helped me walk with my chin up and feel proud of every aspect of who I am. For once in an LGBTQ space, I was walking as a whole and not forced to choose between my multiple identities. Our participation in Pride attests to the always growing and comprehensive fight for justice and rights. May the rainbow and all of its colors continue to illuminate our pathway for equity.


text:
This page is intended to help packagers manage existing or future packages that embed font files. It was written at the occasion of the Fedora 11 fonts packaging guidelines change and answers most questions asked during the subsequent distribution font audit.
- 1 Is this page a Fedora guideline?
- 2 What is a font file?
- 3 What does Fedora require of me?
- 4 Do I need to change my package in stable releases in addition to Rawhide/devel?
- 5 Can I import my new package in stable releases in addition to Rawhide/devel?
- 6 What is a compliant font (sub)package?
- 7 What is this font family thing?
- 8 How many font files can I put in a font (sub)package?
- 9 I can not comply, the tools my package uses force a specific font file installation!
- 10 But my application crashes if I remove the font file(s)!
- 11 Where should my fonts symlinks point?
- 12 Should I use package name or file name dependencies?
- 13 My dependency does not work in Rawhide, I'll try later!
- 14 Why should I bother, my font use is limited/private/controlled/hidden/etc?
- 15 How can I check if my fonts present a legal risk?
- 16 How can I identify a font file?
- 17 How can I check if a font file is already available in the distribution?
- 18 What if my package bundles Bitstream Vera, Arev, DejaVu LGC or another Bitstream Vera font derivative?
- 19 What if my package bundles FreeSans, Linux Libertine, Droid or Liberation fonts?
- 20 What if my package bundles a modified version of an existing Fedora font?
- 21 What if my package bundles the same font in several different formats?
- 22 But I really do not want to take part in this fonts packaging business!
- 23 Is there a simpler way?
- 24 I activated fontconfig in my application, should I remove font package dependencies? That feels unsafe!
- 25 But what if the fonts needed by a script are not installed?
- 26 The fontconfig stuff the font guidelines suggest seems complex. Can I avoid it?
- 27 Can I just put all my fonts in a -fonts subpackage?
- 28 How should I name my fonts (sub)package(s)?
- 29 But my package has always worked this way!
- 30 But other distributions do not bother!
- 31 This is too much work!
- 32 Getting new font packages reviewed is going to take ages!
- 33 How can I get a new font package included in Fedora/OLPC/EPEL?
- 34 The %_font_pkg is forcing choices on me!
- 35 Where is the rest of the subpackaging bits in spectemplate-fonts-multi.spec?
- 36 What happened to the fc-cache scriptlets listed in previous guidelines?
- 37 Where are the %files sections of my font (sub)packages?
- 38 rpmbuild complains of font files being listed twice!
- 39 rpmbuild fails with Package does not exist: %post fonts[-…]-fonts
- 40 The templates must be wrong, rpmbuild crashes/fails!
- 41 I have unowned directories!
- 42 If I make my font subpackage noarch koji crashes!
- 43 rpmlint complains of absolute symbolic links!
- 44 No font (sub)package is created in mock/koji!
- 45 How about console/X11 core fonts/TEX/ghostscript fonts packaging or registration?
- 46 Fedora fonts are broken anyway, my application crashes!
- 47 Why all naming churn, font packages got renamed twice?
- 48 Why were Provides for the old package names not added during naming changes?
- 49 Why did the %_font_pkg macro behaviour change after fontpackages version 1.13 ?
- 50 Why did the multi-fonts-families template change after fontpackages version 1.13 ?
- 51 What font packaging changes are needed with post-1.13 fontpackages ?
- 52 I have other questions/who can help me?
Is this page a Fedora guideline?
Even though this page is not itself an official Fedora guideline, it was written to explain the rationale behind our current guidelines, and should not conflict with them. In case of conflict the guidelines pages always take precedence.
What is a font file?
For the purposes of this page a font file is a file using the .ttf, otf, .ttc, .pfa or .pfb extensions[1].
What does Fedora require of me?
Fedora guidelines require packaging of every font file in the distribution in a font package or subpackage complying with our fonts packaging guidelines.
Do I need to change my package in stable releases in addition to Rawhide/devel?
You should only perform fonts guidelines conformance changes of existing packages in Rawhide, unless you identify a licensing problem that needs to be taken care of in all branches.
Can I import my new package in stable releases in addition to Rawhide/devel?
Importing new packages will work in all branches. Our guidelines are compatible with the font stacks available in all our current supported releases[2].
What is a compliant font (sub)package?
- A guidelines-compliant font (sub)package contains a single font family, packed with the %_font_pkg rpm macro, and no other material (except for eventual directory ownership and licensing or other documentation files).
- It is named according to our naming guidelines for fonts.
- It is referenced in the appropriate comps group.
- It has a page in the wiki we can reference in release notes. To create such a page use this template.
What is this font family thing?
- A font family corresponds to one entry in GUI font lists. For example, DejaVu Sans, DejaVu Serif and DejaVu Sans Mono are three different font families.
- A font family is subdivided in faces or styles. DejaVu Sans Normal, DejaVu Sans Bold, DejaVu Sans Condensed Italic are three faces of the DejaVu Sans font family.
- A font-metadata aware tool such as gnome-font-viewer[3] or fontforge[4] can be used to check the font family name and the font face/style declared by a font file.
How many font files can I put in a font (sub)package?
You can put as many font files in a font (sub)package as you want, as long as they correspond to the same font family. If your srpm includes files associated to different font families, you need to create one subpackage per font family.
See also our official font package splitting guidelines.
I can not comply, the tools my package uses force a specific font file installation!
Tools have bugs and limitations and this has never been a good reason to ignore distribution guidelines. You are responsible for your packaging and all the scripts and other tools involved in this process. If their operational mode conflicts with Fedora guidelines it's your responsibility to report the problem upstream to get it fixed, and work around the problems in your package in the meanwhile.
But my application crashes if I remove the font file(s)!
Then add dependencies on the guidelines-compliant font (sub)packages that provide the files you need, and either patch your application to look for them here or add symlinks with the filenames it expects in your package. See also this question.
Where should my fonts symlinks point?
A properly packaged font file will be installed in a subdirectory of %_fontbasedir. %_fontbasedir is defined by the fontpackages-devel package.
Should I use package name or file name dependencies?
It seems package names are preferred right now.
My dependency does not work in Rawhide, I'll try later!
Many font packages were reorganised in Rawhide during the Fedora 11 cycle so dependencies on pre-Fedora 11 package names are likely to fail. It won't get better later, just check the package names in Rawhide and adapt your package.
Bundling of font files falls into one of the following categories:
- private copies of font files already packaged in the distribution. Since fonts are bulky and compress poorly, you're wasting precious Fedora and user resources (bandwidth, mirror/disk space, etc). Also, application authors tend to copy fonts once and forget about them, so your copies are unlikely to be up to date, and will miss the fixes present in the dedicated Fedora font package.
- private copies of font files that could be packaged in Fedora, but aren't yet. This is the right time to package those fonts properly so your application is not the only one benefiting from them. No font cant be assumed beforehand not to be useful to someone else.
- private copies of font files that could not be packaged in Fedora, usually for legal reasons. You need to remove those at once as they are just as dangerous hidden inside a package as they would be exposed in a dedicated package.
Basically there is no good reason to pack fonts in non-font packages, and lots of drawbacks, which is why our guidelines are written the way they are. The deeper a font file is hidden inside an application the more likely it is to have escaped auditing so far and thus to present problems.
How can I check if my fonts present a legal risk?
You can't without identifying the fonts and tracing their source and licensing, which is the hard part of packaging fonts. Once you've done it packaging the fonts properly is only a little step, that will get you a review by people with more fonts licensing experience than you.
Do not assume the licensing of your fonts is the same as the rest of the package. It is almost never the case (besides software licenses do not apply well to fonts anyway).
How can I identify a font file?
When it works the gnome-font-viewer command will tell you the font family name declared by a file, its style/face, and some copyright information. The fontforge font editor may provide more complete info if necessary[5].
Use this information to check if the font is already packaged, and if not what the actual font upstream is and if it is suitable for packaging (web search engines are your friends).
How can I check if a font file is already available in the distribution?
If you're lucky your project didn't rename the font files and a simple repoquery on rawhide will find other packages that include them:
$ repoquery --repoid=rawhide -f '*DejaVuSansMono.ttf' dejavu-fonts-sans-mono-0:2.28-1.fc11.noarch
You need to have the rawhide/fedora-devel repository configured and enabled for this command to work.
Also, repoquery won't distinguish between actual files and symlinks. When a font file is symlinked in several packages you need to look inside them to check which one ships the symlink target.
Unfortunately font file renaming is common, so repoquery won't always be enough. In that case you need to look inside the files themselves to know their content. Once you've identified a font a yum or web search will help you find eventual packages already shipping it.
What if my package bundles Bitstream Vera, Arev, DejaVu LGC or another Bitstream Vera font derivative?
In that case it is a good idea to replace the font files with symlinks to the corresponding DejaVu (full) packages. DejaVu (full) is the most complete fork of Bitstream Vera. It should include all the material present in Vera and its other derivatives, plus multiple fixes. Since we install the DejaVu (full) packages by default, dependencies on them will usually not pull in new packages on user systems.
What if my package bundles FreeSans, Linux Libertine, Droid or Liberation fonts?
Those are all general-purpose fonts. Replacing them with symlinks to the corresponding DejaVu (full) packages is usually the best solution, as the DejaVu (full) packages are our default general-purpose font set.
Nevertheless, do check with upstream if it had a specific reason to bundle those particular fonts (other than using the first general-purpose fonts on hand).
What if my package bundles a modified version of an existing Fedora font?
Assuming the modifications complied with the original font license and that you need them you can create a separate (sub)package for this font variant. fontconfig can manage several versions of the same font.
Though it's much better to convince the upstreams working on the same font to work together, or at least use different font names for each of the fork.
What if my package bundles the same font in several different formats?
If your application needs all those different formats, and you can not consolidate on a single one, you should probably package each different format in a separate (sub)package, so applications that do not have this limitation can only install one of them.
But I really do not want to take part in this fonts packaging business!
You're right that most packagers should not have to bother about font problems. And, actually, they don't! Any application that uses fontconfig will discover automatically where the fonts its author wanted are on system, and fallback transparently without crashes or breakage to other fonts if they're not present. Our fontconfig-aware packages do not need to bundle font files, symlinks, or dependencies on font packages.
If your upstream bundles specific font files, it is not using fontconfig. This will be a problem for you as fontconfig is the main *nix font system and the only one Fedora does heavy QA on. Alternatives are very prone to failure, each one of which will result in a bug open against your package.
Save yourself some work and convince your upstream to use fontconfig instead of other font discovery methods. And since fontconfig is a low-level library, upstream will usually want to use it through a higher-level library such as pangocairo.
Is there a simpler way?
See here.
I activated fontconfig in my application, should I remove font package dependencies? That feels unsafe!
You do not need any special font package dependency or symlink in a fontconfig-aware application. fontconfig is a very resilient system and will only fail if there is no font at all on-system that provides the glyphs needed to render your text. And in that case it will just not display text instead of crashing. Besides the fonts comps group is part of the default Fedora base install and should provide enough fonts to display most world scripts.
However, if your application has a preference for the style or metrics of a particular font, you can add a dependency on it to make sure it is installed and fontconfig does not have to fall back on another font.
But what if the fonts needed by a script are not installed?
Then Fedora will prompt users to install them. No need to add a specific dependency to your package.
The fontconfig stuff the font guidelines suggest seems complex. Can I avoid it?
There are good and simple commented fontconfig templates in the fontpackages-devel package. They only require you to fill in your font name and its category (so fontconfig and CSS aliases just work). So adding a fontconfig file should really be trivial (don't forget to send it to the font usptream for inclusion afterwards). We also have a wiki documentation page on the subject.
Nevertheless, this part is optional in the guidelines, to take into account the fonts which are already configured in the upstream fontconfig ruleset.
Can I just put all my fonts in a -fonts subpackage?
No, our actual requirements are deeper than that. Just moving font files in a separate subpackage, without making this subpackage comply with guidelines, is useless.
How should I name my fonts (sub)package(s)?
See requirements.
But my package has always worked this way!
Fedora fonts handling has long-standing problems but is slowly getting fixed. Please contribute to this fixing by bringing your package into line.
But other distributions do not bother!
Fedora is not other distributions. It is intended to lead[…] the advancement of free, open software and content[6].
This is too much work!
The amount of work necessary to make a package conform to our font guidelines is usually proportional to the amount of problems in a particular package, so if there is a lot of work to do that indicates a problem package we should really not ship in its current state.
Getting new font packages reviewed is going to take ages!
Packagers that follow our font packaging workflow get reviewed by a dedicated team in days, and will get merged just as fast if the submitter is responsive to the review comments.
How can I get a new font package included in Fedora/OLPC/EPEL?
Just follow the process outlined here.
The %_font_pkg is forcing choices on me!
This is the intent. We added this macro to purge all the custom font scriptlets in the distribution, since the variations packagers introduced almost invariably produced unforeseen bugs.
Where is the rest of the subpackaging bits in spectemplate-fonts-multi.spec?
The %_font_pkg macro is taking care of this for you.
What happened to the fc-cache scriptlets listed in previous guidelines?
The %_font_pkg macro is taking care of this for you.
Where are the %files sections of my font (sub)packages?
The %_font_pkg macro has an integrated %files section. It starts in the macro itself and continues till the beginning of the next rpm section. You can add additional content to a (sub)package created with %_font_pkg by listing it after the %_font_pkg call line[7].
rpmbuild complains of font files being listed twice!
You probably listed the font files in a manual %files section instead of letting %_font_pkg take care of them for you. Read this.
rpmbuild fails with Package does not exist: %post fonts[-…]-fonts
You've been bitten by this change. The fix is documented here.
The templates must be wrong, rpmbuild crashes/fails!
It is unfortunately rather easy to make rpm crash when using macros. The documented syntax works and has been tested on dozens of packages. Trying to change it, however, will likely lead you to rpm crash land.
Try to not deviate from the documented syntax[8]:
- for new packages, make sure you've added all the elements required in the templates.
- when adaptating existing packages, make sure you've removed all the old %files %post %postun etc parts that may conflict with the new templates.
- in all cases, check you've not cut and pasted the same subpackage name twice. rpm really does not like that
I have unowned directories!
You should not. If you follow our guidelines carefully, the font (sub)packages should own their font directory (if there is a single font family in the srpm) or depend on a common subpackage that owns it (if there are several font families in the srpm, resulting in multiple font packages).
If I make my font subpackage noarch koji crashes!
Don't do that. Our infrastructure is getting fixed to support this case, but can not handle it (yet).
rpmlint complains of absolute symbolic links!
The future of this particular warning is being discussed by FPC right now (ideally rpmbuild should convert absolute symlinks to relative ones transparently). You can ignore it for now.
No font (sub)package is created in mock/koji!
You've forgotten to include the template (build)requires on fontpackages-*.
How about console/X11 core fonts/TEX/ghostscript fonts packaging or registration?
No one cared enough about those so far to write corresponding Fedora packaging guidelines[9]. You are free to add whatever you want about them to your packages, as long as it's not in the guidelines-compliant font (sub)package.
To add the overlay corresponding to another font system to a Fedora fonts (sub)package, create a separate (sub)package that contains this overlay and depends on the corresponding fonts guidelines-compliant (sub)packages (and not the reverse)[10].
Fedora fonts are broken anyway, my application crashes!
A crashing application is a symptom of an application not converted to fontconfig yet. Save yourself some grief and have your upstream/ISV convert it to fontconfig now.
Since the vast majority of our applications started using fontconfig quite long time ago, Fedora does not install the complete legacy X11 core fonts set by default anymore. If your application or package depends on it it has to request the associated packages explicitly[11].
Why all naming churn, font packages got renamed twice?
FPC unexpectedly refused to approve a proposal that put into writing the package naming rules for fonts we had been using in the past years[12]. Those rules were implied by packaging macros and templates FESCO and FPC had previously approved.
The revised naming rules adopted after taking into account the changes requested by FPC required renaming of several font packages, including recently created ones.
Why were Provides for the old package names not added during naming changes?
The historic density of font package dependencies in Fedora is small and the changes were announced at the beginning of the Fedora 11 cycle so we feel it is quite possible and desirable to do a clean break and not carry on indefinitely old provides in the repository metadata.
This is even more true for transient package names that only existed a few weeks before FPC made us rename them.
As an exception the default Fedora font set, DejaVu, will carry provides for its old names till just before Fedora 11 beta, to give people time to adapt. Packagers who followed previously published advice have therefore a few weeks to transition.
Why did the %_font_pkg macro behaviour change after fontpackages version 1.13 ?
See here.
Why did the multi-fonts-families template change after fontpackages version 1.13 ?
See here.
What font packaging changes are needed with post-1.13 fontpackages ?
|Example, for the foo font family
|Old pattern
|New pattern
|Single-font-family fonts packages
|No changes
|Multi-font-families fonts packages
%package foo […] %description foo
%package -n %{fontname}-foo-fonts […] Obsoletes: %{name}-foo < thisversion-thisrelease %description -n %{fontname}-foo-fonts
|Fonts subpackages of non-font source packages
%package fonts-foo […] %description fonts-foo […] %_font_pkg -n fonts-foo …
%package foo-fonts […] %description foo-fonts […] %_font_pkg -n foo …
I have other questions/who can help me?
If this page does not answer all your questions you can always ask for help on the Fedora fonts mailing list.
- ↑ .pfa or .pfb Type1 fonts may have other companion files.
- ↑ At this time Fedora 9 and 10.
- ↑ Simple, but sadly not available in each and every Fedora release.
- ↑ Type <CTRL> + <SHIFT> + <F> to open the font metadata window in fontforge.
- ↑ CTRL + SHIFT + F, then look at Names, TTF Names, etc.
- ↑ Though Debian for example started auditing its fonts in 2005, so we have to do some catching-up first.
- ↑ This is how the basic template handles %doc and ownership of the font directory
- ↑ Package reviewers will thank you, especially if a visual diff between your spec and the official template is minimalistic.
- ↑ Volunteers would be very welcome!
- ↑ For example, since the fonts guidelines will put all the fonts provided by the same srpm in the same directory, and core fonts only allow one fonts.scale index per directory, you can not have a core fonts overlay per subpackage, but only one per srpm.
- ↑ Via package dependencies for Fedora packages, or in whatever it uses as installation procedure for third-party software.
- ↑ For example, by the Stix fonts package.


text:
For the first time EVER, baseball fans can drink from the barrel of a baseball bat! The Thompson Mug Company has created one of a kind BAT MUGS with the Grapefruit League logo laser engraved in the side.
Officially licensed by Major League Baseball, made from the highest quality North American Birchwood, and complete with a lifetime warranty. Our products are bold, impressive, and an absolute must-own for any diehard baseball fan!
MLB WINE MUGS ==> Click HERE to See Grapefruit League Wine Mug
Major League Baseball trademarks and copyrights are used with permission of MLB Advanced Media, L.P. All rights reserved.


text:
|Home > Florida Then & Now > A Short History of Florida > Great Depression and The New Deal
Great Depression and the New Deal
- The students will be able to identify causes of the Great Depression.
- The students will be able to name the programs created by the New Deal.
Sunshine State Standards Benchmarks:SS.A.1.2.1 - SS.A.5.2.5 - SS.A.6.2.3 - SS.D.1.2.5 - SS.D.2.2.2
outbreak quarantine imposed depression legalized preserves redevelop
Suggested Activities:
- Have the students complete a two-column notes activity using the information found in the passage.
- Have the students create a timeline detailing the events of the Great Depression.
- Have the students organize the information about the New Deal using a graphic organizer.
- Contact a local resident who lived through the Great Depression to come and speak to the students about the hardships he experienced.
- Complete and review FCAT questions.
(Note: Actual FCAT practice passages are wrtten at the students' independent reading level. These Florida History selections are written at the students' instructional reading level. Therefore, students should not be asked to complete the questions until after receiving class instruction on the vocabulary and content of the passage. Students should also read the Florida History selection independently before answering the FCAT questions and be permited to return to the selection for rereading as they answer.)
|Home > Florida Then & Now > A Short History of Florida > Great Depression and The New Deal
Florida: A Social Studies Resource for Students and Teachers
Produced by the Florida Center for Instructional Technology,
College of Education, University of South Florida © 2002.


text: How in the world do you join strips with a totally-directional stripe? Is there a tip here, ladies and gents? I have ripped and ripped. I always seem to be about 1/4" off. What am I doing wrong? Should I have cut it on the bias or would that help at all?


text:
KOTATSU - Japanese Yunomi Tea Cup, Cylindrical
|Approx. 2.88" Diameter, 3.25" H
Dai's Irabo glaze ceramics capture the Japanese admiration for the imperfect and the withered. Entirely handmade in Takayama, Japan, these pieces age beautifully with use, as their texture smoothens and colors deepen. Look closely and one can appreciate the artisanal details such as small divets where Dai's fingers carefully suspended the piece in mid-air as he painted it.
Dai believes that the beauty of Japanese pottery comes from its "harmony with nature". In keeping with this philosophy, Dai does not compromise when it comes to selecting his ingredients, whether it be clay from a particular hill 20km away or ash that is produced naturally and locally. He also shuns all tools of mass production, even opting for the mechanically-operated wheel over its electronic counterpart.
A tall, cylindrical-shaped Japanese yunomi tea cup. "Kotatsu" is a Japanese heated table covered by a futon blanket, which often becomes the center of family life during the cold winters in Japan. Somehow this tea cup seems like it belongs atop a kotatsu - filled with some freshly made green tea, and steam rising from it like a chimney.


text:
ORLANDO, FL -- At the Athletic Business Conference and Expo last December in Orlando, a pre-conference tour featured the University of Central Florida's athletic facilities. The campus's state-of-the-art, 84,000-square-foot recreation and wellness center was among those facilities.
The center has been a major attraction for Central Florida students, so much so that they're shunning their campus workout facility to work out elsewhere, according to the Orlando Sentinel.
"I feel that the UCF gym is a great addition to the school, but it should have been expanded a while ago," student Josh Roller told the newspaper. "There are always people waiting, depending on what time you go."
The recreation and wellness center features four indoor multipurpose courts, an indoor track, a 3,000-square-foot cardio floor and a 12,000-square-foot weight floor.
Jim Wilkening, the director of the center, tells the newspaper that design work has begun for the center's expansion, but that it will not be completed until the spring of 2010 at the earliest.
Some students choose to work out at neighboring clubs, such as LA Fitness, Planet Fitness and the YMCA, the newspaper reported.


text:
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the act of searching the internet for one's own name or for information containing it to see what happens
how did ego surfing catch on?
by The Return of Light Joker August 18, 2009
Surfing the net for data or pages about yourself.
After 3 hours of egosurfing I'm having a bad case of the Dorito Syndrome
by Mudit January 31, 2005
Using a search engine to find references to oneself on the internet
I'm ego-surfing on google
by Egomaniac September 18, 2003
buy the domain for your art site
Continual, excessive monitoring of responses to one's own posts on an internet forum or blog. This behavior is motivated primarily by vanity, self-absorption and concern about one's own online image or reputation.
Jeff logs onto his favorite board each day and spends most of his time ego-surfing.
by Mick Jaegermeister July 23, 2006
Searching the internet for things describing oneself; also using search engines to answer people's questions on forums in order to appear knowledgeable in the subject, unlike the dumbsh1t you really are.
Toxis must be an intelligent man.
No, he just uses ego-surfing because he's a twat.
No, he just uses ego-surfing because he's a twat.
by WhiteBoy88 November 21, 2005


text:
Barcelona has given its backing to FIFA's plans to expand the Club World Cup to a 24-team competition played every four years.
Barcelona's board of directors says the expanded tournament would be "exciting, dynamic, inclusive and prestigious."
The Liga champion regards as favorable the subsequent elimination of "two FIFA competitions, the Confederations Cup (for national teams) and the current Club World Cup" played every year by seven clubs in December.
Barcelona says FIFA's plans would also "create a global platform for clubs to contribute to the growth of their brands."
Rival Spanish powerhouse Real Madrid has also said it likes the proposal.
The Pakistan Cricket Board expressed its disappointment over the ban
He has vowed to comeback stronger and improved man after his ban
He was welcomed by 200 fans at the airport
The Pakistan skipper, who was banned by the ICC following his racist remarks against South Africa all-rounder Andile Phehlukwayo during the second one-day international, has vowed to comeback stronger and improved man after his ban.
The Pakistan Cricket Board expressed its disappointment over the ban, saying ban was not required as the two players had resolved the issue.
He was welcomed by 200 fans at the airport who were holding placards condemning ICC's decision.
"Whatever happened has happened," Sarfraz told media at the airport after landing from Cape Town. "I accepted my mistake and ICC's decision is in front of you. "I will improve myself and my performance in the future and I thank my supporters for their backing."
He will have to attend an education programme as directed by the ICC to promote the understanding and awareness of issues directly relevant to the offence that he has committed.
Harmanpreet Kaur is blazing all guns in the shortest format of the game
Women in Blue have been paired with Australia, New Zealand, Sri Lanka and a team yet to qualify team
Former Aussie skipper Alex Blackwell has praised the Indian skipper
Harmanpreet Kaur is blazing all guns in the shortest format of the game and is at the peak of her batting prowess.
She will lead India in the ICC Women's T20 World Cup in 2020. Women in Blue have been paired with Australia, New Zealand, Sri Lanka and a team yet to qualify team.
Former Aussie skipper Alex Blackwell has praised the Indian skipper. "India are positioned to make a final. Sometimes we see Harmanpreet Kaur play within herself. But when she goes out there 100 per cent, she has proven to be very hard to stop," Blackwell said.
Mitchell Starc's wife and Australia's wicket-keeper batswoman Alyssa Healy has cautioned her side from India's top batswoman. "When I saw the fixtures announcement, I said, 'Damnit!' I was hoping to avoid them. India are such a powerhouse in the cricketing world, on the rise in the women's game, which I think is special," said Healy. "They have got some serious players which they are going to unleash. It is Harmanpreet Kaur's home ground (from the Women's Big Bash League), the Spotless Stadium, so definitely one to watch," added Healy.
MS Dhoni is likely to miss fourth ODI as the team management wants him to completely recover
He scored 33-ball unbeaten 48 in the second ODI against New Zealand
India are expected to make couple of changes in the fourth ODI match against the Kiwis
MS Dhoni is likely to miss fourth ODI as the team management wants him to completely recover from his hamstring injury ahead of a hectic season.
Dhoni, who was declared Man of the Series in India's ODI assignment against Australia, didn't play in the third match. He had scored 33-ball unbeaten 48 in the second ODI against New Zealand.
In his absence, Dinesh Karthik will continue as the wicket-keeper batsman for Men in Blue and Shubman Gill will make his debut. India are expected to make couple of changes in the fourth ODI match against the Kiwis.
Gill is expected to replace Virat Kohli in the playing XI. Team India's regular skipper has been rested owing to workload. The visitors are leading 3-0 in the five-match series.
Shikhar Dhawan has lauded his partnership with Rohit Sharma
He shared a throwback picture with Hitman
The duo surpassed Sachin Tendulkar and Virender Sehwag in the second ODI
Shikhar Dhawan has lauded his partnership with Rohit Sharma ahead of the fourth ODI match against New Zealand.
He shared a throwback picture with Hitman to show their journey for Men in Blue. "Partners in crime! Jodi no.1. #partnership #friends #cricket #teamindia," Dhawan wrote with pictures of them from past and present.
The duo surpassed Sachin Tendulkar and Virender Sehwag in the second ODI with their 14th 100-run partnership. Sehwag and Sachin had shared 13 100-run partnerships as an opening pair.
A 154-run opening partnership between Shikhar Dhawan and Rohit Sharma set India on course to a 90-run win over New Zealand in the second one-day cricket international on Saturday and a 2-0 lead in the five-match series.
Sharma made 87 and Dhawan 66 as India posted 324-4 after winning the toss and opting to bat. New Zealand mustered only 234 from 40.2 overs in reply for its second heavy defeat after losing the first match of the series by eight wickets.
Khaleel Ahmed shared a fun filled picture with former skipper MS Dhoni
The visitors are leading 3-0 in the five-match ODI series
MS Dhoni was back at the training session but is expected to miss the upcoming match
India's new speedster Khaleel Ahmed shared a fun filled picture with former skipper MS Dhoni ahead of the fourth ODI against New Zealand.
The visitors are leading 3-0 in the five-match ODI series and will look to win the remaining matches.
He uploaded a picture on Twitter with Dhoni and wrote: 'Nobody like him #MahiBhai #Legend #IndianCricketTeam #BCCI'.
MS Dhoni was back at the training session but is expected to miss the upcoming match as team management wants him to fully recover from his hamstring injury.
They don't want to take any risk considering Team India's hectic limited overs schedule.
Rahul Dravid had to get back to the dugout
Players protected themselves by bending downwards
Five fans were taken to hospital for medical care
The cricket match between India A and England Lions was halted because of an attack by bees. Due to the invasion, there was no play for 15 minutes.
None of the players, match officials and support staff were injured but five fans were taken to hospital for medical care. This incident took place in the 28th over of the England Lions innings when a group of five people threw something at the beehive that led to the attack giving little time to the victims to hide somewhere.
Rahul Dravid had to get back to the dugout, while the players protected themselves by bending downwards and waited around the pitch to let the swarm clear out. The India A team is leading 4-0 against the England Lions in the five-match series.
Chasing 222 to win, the home side successfully chased the target in 46.3 overs and won the game by six wickets.
Indian cricket fans are the harshest critics in the world and it often takes them just a single opportunity to lash out at the team and certain individuals. When India lost the Test series against South Africa and England away from home in 2018, there were too much criticisms on offer from both fans and pundits alike. But the moment India won in Australia and the Asia Cup, things changed.
Recently in the tour of Australia, fans were too harsh on MS Dhoni in the first ODI at the SCG. People blamed him for India's loss and accused him of slowing things down. Not many realized that he hardly played any cricket coming into that game and also had to do recovery job with India reeling at 4/3.
The same Dhoni then went on to win the series for India after scores of 55* and 87*. People jumped into conclusions too early and suggested Rishabh Pant should be included and that Dhoni should be dropped from the squad to be selected for the World Cup. Next moment when Pant will fail, then he too won't be spared.
The much of the hatred stems on social media sites like Twitter. Several fans, who do or don't understand cricket are quickly to shun anybody in order to prove their point. Their baseless comments are often mixed with abuses and social media aggressions. This is the reality we are living in. Not long ago, former Aussie cricketer Dean Jones pointed out that Indian fans are just too critical and hard.
When India lost the ODIs against England last year, Dhoni was booed off despite the batsmen coming on before him failed to do anything substantial. One feels that he is one of their favourite targets. Besides Dhoni, several fans and pundits alike went too hard on Hardik Pandya and KL Rahul recently regarding the Koffee With Karan controversy.
Pandya asked for apology and the BCCI also suspended the two cricketers. One should leave it till there, but no things went too far. Another major issue fans in particular have is regarding team selection matters and are quick to lash out at the captain and the management. India's overseas form, comments regarding short pitch balls and many more are subject of the criticisms.
Recently Cheteshwar Pujara was called a cheater because of him not walking off after nicking a delivery to the keeper. Isn't that the job of the umpire? Why he gets the blame? The same Pujara was India's hero in Australia in the Test series. So quickly fans shift their focus and rely on anything to spill their venom at.
The question is that can we leave the cricketers alone and let them play the game. Can we for one moment enjoy the cricket and don't utter any judgement? Can we learn to accept defeats as much as enjoy wins? The Indian team needs to be lauded for what they achieved in Australia and now in New Zealand. We need to support the side and the players. That's where sanity and sense prevails.
The World Cup starts from May 30 onwards, and we need to be behind the side as much as we can and stop this blame game and hate.
The West Indies women's team arrived in Karachi to play three Twenty20 matches as Pakistan once again bids to showcase its ability to host international cricket.
There was a heavy security presence between the airport and the team hotel, and traffic on one of Karachi's busiest roads was halted while the visiting squad travelled through on bullet-proof buses.
"The security system is top class," West Indies stand-in captain Merissa Aguilleira said. "There was security on both sides of the roads and these things show that everybody has put (security) things in place."
A terrorist attack in March 2009 on the Sri Lanka test cricket team's bus in Lahore killed six policeman and two civilians and injured six members of the touring group.
Pakistan has hosted only short limited-overs series against Zimbabwe, Sri Lanka, a World XI and the West Indies since the attacks.
A women's team from Bangladesh also toured Pakistan in October 2015 for a limited-overs series.
West Indies regular captain Stafanie Taylor is skipping the T20 matches this week in Karachi because of security concerns but will rejoin the squad for a series of three one-day internationals against Pakistan in Dubai next month.
"Of course we will always miss our skipper," Aguielleira said. "But after all I think this is a good opportunity for the players to step up ... I really believe in the potential of this team and we are willing to go forward and make sure go there and represent the people of the Caribbean to the best of our ability."
The West Indies team was warmly received by the officials of the PCB before they were whisked from the airport in tight security.
Aguielleira said the security issue came up for discussion before the team travelled to Pakistan.
"Everyone had some issues about it, being honest, but after all collectively we joined together as a team," she said. "We had discussion and we are happy to be here."
The West Indies captain said she would have been "disappointed" had she not agreed to tour Pakistan despite Taylor showing her reservations to compete in Karachi.
"When I'm looking at it right now if I don't come to Pakistan I would have been so disappointed," she said with a smile. "Away from Pakistan you can be like, 'There's so much going on,' but when you are here you just get lost in the moment so I really urge other teams to really come back to Pakistan because the people (in Pakistan) they love cricket and which is the most important."
The Board of Control for Cricket in India (BCCI) shared the latest video of Chahal TV on Twitter. It is an interview series hosted by Chahal. The latest episode of this series features Indian youngsters Shubman Gill, Khaleel Ahmed and Kuldeep Yadav with Rohit Sharma as the cameraman.
The BCCI captioned the video on Twitter: "On our latest episode of Chahal TV, we talk to #TeamIndia's young brigade with @ImRo45 donning cameraman duties and our host and dost @yuzi_chahal behind the mic."
Shubman Gill in the interview said, "We follow a schedule to maintain our fitness. The training has been good so far. I am feeling wonderful as I received a warm welcome from everyone in the team."
Kuldeep Yadav said, "Our seniors like Rohit bhai, Virat bhai motivate youngsters like us a lot. When they do so, we too feel that we need give our best (on being fit)."
Khaleel Ahmed said, "Anytime you can get a chance to play in a match, you have to maintain yourself. You need to keep yourself fit every time."
An uneasy calm must settle around Hardik Pandya. His partner in crime as it were, KL Rahul, can breathe easy, not under the spotlight as much, an odd advantage to not being considered in form enough to make the team.
After all after the hullabaloo about the quantum of punishment to be meted out to the young duo after their rather ludicrous, ill-informed and ignorant remarks on a scandalous talk show known for spurning gossip, the public castigation seemed to have the duo stitched up in knots, not because the Board of Control for Cricket in India (BCCI) had a code of conduct or laws as laid down in the constitution for such mishaps but because they had publicly revealed what people suspected about the mindset of a generation that has grown up on easy glitz and glamour and less on the grassroots that shaped the men before them.
Now even as some suggested that the ICC Cricket World Cup could be out of bounds for the motor mouth, braggadocios Hardik Pandya, the BCCI decision to bring the players back into contention is not necessarily a pardoning of their public gaffes but rather a way for BCCI to buy time as they figure out not only the unusual scenario that elicited such public vilification of the duo but also, their own internal matters that have grown awry in the face of confusion, mayhem and power struggles.
It is hard not to see the present scenario where the players are in limbo because the mechanisms are not in place as a situation where the power in the hands of the two member Committee of Administrators, set up to redress the issues appears to have gone to their head. However, the truth may be closer to home in that given the unusual situation that Vinod Rai and Diana Edulji have found themselves in with the overall operations of the BCCI, they may have been in need of guidance themselves in operating a system that had long been run like a personal fiefdom. It is not surprising that while the former got caught up in the age limit fiasco, the latter has embroiled herself in selection bungles that may have sealed her own fate and could back at a time to bite her at a time when the BCCI's bigwigs are looking for a back door to make their comeback.
For the moment, it appears to be back to business for Hardik Pandya and KL Rahul and perhaps in hindsight, it is a better strategy to keep the players busy and harnessed to their primary jobs while the BCCI's operating duo figure out the way forward and also, help set an order and precedent whereby the players and the BCCI are more sensitive when talking and handling about such issues.
That brings back to the table the contentious issue still simmering the background about the muddled manner in which the BCCI CEO, Rahul Johri, was cleared of misconduct and inappropriate behaviour and yet assigned to undergo sensitivity training which speaks to the contrary. With that counseling yet to get underway, the BCCI presently appears to be running amok a bit not unlike a headless chicken, which is no surprise why some in the old guard are rearing their ugly heads in the prospect of a way to claw back into the game.
New Zealand all-rounder Mitchell Santner, who recently returned to the senior team after recovering from an injury, has showered praise on the Indian team, which has an unbeatable lead of 3-0 in the five-match ODI series.
He feels Black Caps' inability to strike upfront and get into the Indian middle order early has cost them the ongoing series.
Santner said, "We are playing a very good side … I do think we're not too far off. I think the plans have been pretty solid – maybe the execution's been off at times. I guess the key for us is to keep taking wickets through the middle, keep being aggressive. They obviously hate getting out – just got to find ways to try and get wickets."
"With the bat, it's trying to build those partnerships throughout. We saw a good one between Ross [Taylor] and Tom [Latham] last game, then we lost a couple and we fell over a bit. They've bowled very well in the top 10 and we haven't really got away so if we can get through the first 10 [overs] with wickets in hand then set up the back-end where we've got some power hitters that we can get to a pretty good total," he added.
This is only the second time in India's One-day cricket history that they have registered a bilateral triumph in New Zealand.
Indian all-rounder Hardik Pandya made a rocking return to the Indian side. He was named in India's XI for the third ODI against New Zealand in place of Vijay Shankar. And the lanky player impressed one and all with his excellent fielding and bowling. He took a brilliant catch to get rid of the Kiwi skipper Kane Williamson in last ODI.
On the bowling front, Pandya ended up with figures of 2/45 in his quota of 10 overs. The Baroda lad had a very disciplined start and gave away just 9 runs in his first five overs and in his last five overs scalped two wickets though he was slightly on the expensive side.
India's fielding coach R Sridhar explained to the media what was going through Pandya's mind before the third ODI. Sridhar was quoted by cricbuzz as saying, "No one was more keen than Hardik Pandya to play that game. He's been working very hard during the time he got back home and the kind of energy he brought into the team, the desperation he brought was magnificent to see. He's always been a good fielder. He was just dying to get into the thick of things and be a part of this and get back to what he loves doing, that is to play cricket and play it best he can."
"That catch – he made a very difficult catch look easy. By no means an easy catch and then also the fact that it was Kane Williamson's catch; the extra pressure of one of the best batsmen in the world. I think that was a turning point. I would say piece of magic from Hardik Pandya. He's known for that. He's one of the best fielders as we have in the country. If you also notice, he hit the stumps on quite a few occasions in his comeback match, which was very pleasing to see," he added.
The Men in Blue have been in blazing form so far in the ODI series against New Zealand. India won the five-match ODI series after they clinched the third ODI at Bay Oval, which means the next two games are going to be dead rubbers. And it might be a perfect time for them to try out reserve players and India's fielding coach, R Sridhar has also indicated to something of that sort.
"See, winning is a habit which we would obviously want to continue. When you're one-up or three-up against a team, you want to continue with the form; you want to don't want to let down the intensity. At the same time, we also need to give game-time to our reserves. There's just seven games remaining for us before we play our first World Cup game. We should not end up in a situation where the main eleven has played and the reserves have not got enough game time, and then suddenly they have to play an important crucial game in the World Cup," Sridhar said on the eve of the fourth ODI.
"And that is what we would like to achieve from the remaining two games in this series and no better place than New Zealand to simulate the conditions in England in June," he added.
Players like Mohammed Siraj, Khaleel Ahmed, Ravindra Jadeja, and Shubman Gill have not got a chance to play in the ongoing series so far. Shubman Gill is likely to make his ODI debut tomorrow given India would like to test him before the 2019 Cricket World Cup.
Mohammed Shami might get some rest after he has featured in India's XI in last six ODIs. He was also part of the team in all the four Tests against Australia. Khaleel Ahmed, who impressed one and all last year in home series against Windies might get preference over Mohammed Siraj, who looked sluggish in the only ODI he played in Australia.
Given the fact that India have got back an all-rounder in form of Hardik Pandya, and the wrist-spin duo of Chahal and Kuldeep is doing extremely well, Jadeja might not get a go in the fourth ODI.
Limited overs specialist Rashid Khan is looking forward to take on Australia in Whites next year. Being the newest member of the Test playing nations, Rashid reckons it is more than a dream to play Australia in Australia.
"From Afghanistan, playing Test cricket against Australia in Australia it's more than a dream. Afghanistan got the full membership and last we played against India in India and now we're playing against Ireland in India and then Australia here," Cricket.com.au quoted Rashid, as saying.
"Being a player, it means a lot. Against Australia, playing Test matches is a huge achievement and me and the players are really looking forward (to it). We played here (in T20 games) a lot but, Test cricket is very different. Pretty excited to face the quick bowlers here, big bouncy wickets," he added.
He said wickets in Australia are bowling friendly and he is hoping to not get a juicy track like Perth when they take on the home team.
"As we have seen against India, I think wickets are very tough here to bat on, especially in the Test cricket. I hope that we don't play in Perth, we play somewhere else on a good wicket to make some runs and a little bit good for the spinner as well," Rashid said.
Former England skipper Michael Vaughan mocked Sanjay Manjrekar after he criticized the current English coach Trevor Bayliss for his take on Sam Curran's performance in the first Test against the Windies. England lost the series opener in the Caribbean by 381 runs. They scored 77 and 246 in the first and second innings respectively. The management was lambasted for preferring Sam Curran over Stuart Broad in the playing XI. After facing humiliating defeat, coach Bayliss had defended Curran's selection stating that he had the first bad game of his career.
"It was down to Curran and Broad [for the final seamer]. Our gut feel was Curran as he has done well for us over the last six or seven games. It didn't work out like that, the young bloke has had his first bad Test in his career. It won't be his last but he's a good young player who will learn from it," Bayliss had said after the game.
However, his words didn't go down well with the former Indian player, Sanjay Manjrekar, who took to Twitter to point out flawed approach adopted by the visitors.
"Trevor Bayliss said that Sam Curran has endured the first bad game of his career. Curran has 15 wickets in 15 innings. So it's more his batting Bayliss is talking about…Curran bats at no 8 & 9. Highlights the flawed thinking & approach of England. #ENGvWI," wrote Manjrekar.
He was given an apt response by Michael Vaughan, who reminded him of Curran's performance against India. Curran was adjudged Player of the Series for his remarkable performance in England's 4-1 win over India.
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The Administration GUI provides the following two logging options:
Option 1 — Log stdout (System.out.print) content to the event log
Option 2 — Log stderr (System.err.print) content to the event log
When these options are set, stdout and stderr messages are written to the server.log file. (The event log is a syslog daemon on Solaris and Event Log on Microsoft Windows.)
If the above options are not set:
Anything written to stdout or stderr (that is, using System.out or System.err) will not appear in the logs.
Messages logged with the JDK logger will appear in the logs.
Messages written to stdout or stderr appear with the INFO level, but do not have a message ID.


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USB Thermoelectric Cooler & Warmer
The Just-So Soda
- Small one-can cooler/warmer for your desk
- USB power keeps your drink at the perfect temperature
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The shared refrigerator in your office cools a lot of stuff. Food, science experiments once known as food, and your secret stash... of drinks. But you never want an entire case of soda at once. You just need one can. Plug in this small single-can beverage cooler/warmer into a USB port and keep a can on your desk for when you really need it.
The LED Beverage Cooler is retro styled and has a small blue LED inside. So add a little style to your desk and keep your drink cold at the same time.
Product Specifications
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- Capacity: Fits 1 US standard 12 oz. can
- Materials: Plastic exterior and metal for the temperature pad
- Powered by 5V 500mA 2.5W USB port
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