Disney comics are comic books and comic strips featuring characters created by the Walt Disney Company, including Mickey Mouse, Donald Duck and Uncle Scrooge.

The first Disney comics were newspaper strips appearing from 1930 on, starting with the Mickey Mouse comic strip. Mickey Mouse Magazine, the first American newsstand publication with Disney comics, launched in 1935. In 1940, Western Publishing launched the long-running flagship comic book, Walt Disney's Comics and Stories, which reached 750 issues in September 2019. Uncle Scrooge, launched in 1952, reached issue #450 in June 2019. In recent decades, Disney comics have seen a decline of popularity in the United States. In the rest of the world Disney comics have remained very successful, especially in Europe, where weekly Disney comics magazines and monthly paperback digests are national best sellers.

Disney comics have been the basis for academic theory, cultural criticism, and fan-created databases.

U.S. comic strips
The first Disney comics appeared in daily newspapers, syndicated by King Features with production done in-house by a Disney comic strip department at the studio. Initially Floyd Gottfredson along with his responsibilities for the Mickey Mouse comic strip oversaw the Disney comic strip department from 1930 to 1945, then Frank Reilly was brought in to administer the burgeoning department from January 1946 to 1975. Greg Crosby headed the department from 1979 to 1989.

Mickey Mouse

The Mickey Mouse daily comic strip began on January 13, 1930, featuring Mickey as an optimistic, adventure-seeking young mouse. It was initially written by Walt Disney with art by Ub Iwerks and Win Smith. Beginning with the May 5, 1930, installment the art chores were taken up by Floyd Gottfredson (often aided by various inkers), who also either wrote or supervised the story continuities (relying on various writers to flesh out his plots). Gottfredson continued with the strip until 1975. By 1931, the Mickey Mouse strip was published in 60 newspapers in the United States, as well as papers in twenty other countries.

From the beginning, the strips were parts of long continuing stories. These introduced characters such as the Phantom Blot, Eega Beeva, and the Bat Bandit, which Gottfredson created; Disney created Eli Squinch, Mickey's nephews, Morty and Ferdie Fieldmouse, and Sylvester Shyster, which were also introduced in the comic.

Starting in the 1950s, Gottfredson and writer Bill Walsh were instructed to drop the storylines and do only daily gags. Gottfredson continued illustrating the daily strip until he retired on October 1, 1975.

After Gottfredson retired, the strip was written and drawn by many other creators. The Sunday page went into reprints in February 1992, and the daily strip ended on July 29, 1995.

In 2011, Fantagraphics Books began the Walt Disney's Mickey Mouse series, a hardback collection of Gottfredson's run on the strip. A total of 14 volumes were published between 2011 and 2018, collecting the entirety of Gottfredson's Sunday color work (two volumes) and all of his serialized story-themed daily strips (12 volumes). The collection doesn't include any of Gottfredson's gag-oriented material from 1955 onwards.

Silly Symphony

The Mickey Mouse Sunday strip started on January 10, 1932, with a topper Silly Symphony strip.Silly Symphony initially related the adventures of Bucky Bug, the first Disney character to originate in the comics. It went on to print more adaptations of Silly Symphony shorts, often using the characters and setting of the original shorts, but adding new plotlines and incidents. It also went on to print adaptations of the feature films, as well as periods of gag strips featuring Donald Duck and Pluto. By late 1935 the strip was a standalone half-page, not strictly a topper for the Mickey Sunday.

The strip was initially titled Silly Symphonies; after two years, the name was changed to Silly Symphony. The switch happened in the February 18, 1934, strip, just three weeks before Bucky Bug would be replaced with a new storyline, "Birds of a Feather".

The complete rundown of Silly Symphony strips, from 1932 to 1945:

 Bucky Bug (January 10, 1932 – March 4, 1934)
 Birds of a Feather (March 11 – June 17, 1934)
 Penguin Isle (July 1 – September 9, 1934)
 The Wise Little Hen (September 16 – December 16, 1934)
 The Boarding-School Mystery (December 23, 1934 – Feb 17, 1935)
 The Robber Kitten (Feb 24 – April 21, 1935)
 Cookieland (April 28 – July 21, 1935)
 Three Little Kittens (July 28 – October 20, 1935)
 The Life and Adventures of Elmer the Elephant (October 27, 1935 – January 12, 1936)
 The Further Adventures of the Three Little Pigs (January 19 – August 23, 1936)
 Donald Duck (August 30, 1936 – December 5, 1937)
 Snow White and the Seven Dwarfs (December 12, 1937 – April 24, 1938)
 The Practical Pig! (May 1 – August 7, 1938)
 Mother Pluto (August 14 – October 16, 1938)
 Farmyard Symphony (October 23 – November 27, 1938)
 Timid Elmer (December 4, 1938 – Feb 12, 1939)
 Pluto the Pup (Feb 19 – March 19, 1939)
 The Ugly Duckling (March 26 – April 16, 1939)
 Pluto the Pup (April 23 – December 17, 1939)
 Pinocchio (December 24, 1939 – April 7, 1940)
 Pluto the Pup (April 14 – November 3, 1940)
 Little Hiawatha (November 10, 1940 – July 12, 1942)
 Bambi (July 19 – October 4, 1942)
 José Carioca (October 11, 1942 – October 1, 1944)
 Panchito (October 8, 1944 – October 7, 1945)

The Silly Symphony Sunday strip ended on October 7, 1945, and was replaced by Uncle Remus and His Tales of Br'er Rabbit.

Three of the Silly Symphony stories inspired long-running features in Walt Disney's Comics and Stories. Original Bucky Bug stories first appeared in issue #39 (Dec 1943) and appeared every month for seven years, wrapping up with issue #120 (Sept 1950). "The Three Little Pigs" feature inspired the creation of Li'l Bad Wolf, the Big Bad Wolf's errant son, who wants to be friends with the Pigs. Li'l Bad Wolf's adventures began in issue #52 (Jan 1945), and he made regular appearances until almost the end of the comic's original run, issue #259 (April 1962). Finally, Little Hiawatha had his own monthly story for two years, from issue #143 (Aug 1952) to #168 (September 1954).

The complete strip has been reprinted in four hardcover collections, Silly Symphonies: The Complete Disney Classics, published by IDW Publishing's Library of American Comics imprint. The first volume, published in 2016, includes all of the strips from "Bucky Bug" (1932) to "Cookieland" (1935). Volume 2, published in 2017, includes "Three Little Kittens" (1935) to "Timid Elmer" (1939). Volume 3, published in 2018, includes "Pluto the Pup" (1939) to "Little Hiawatha" (1942). The fourth volume, published in 2019, concludes the series with "Bambi" (1942) through Panchito" (1945).

Donald Duck

Donald Duck made his first comics appearance in the Silly Symphony adaptation of the 1934 Disney short The Wise Little Hen (Sept. 16, 1934-Dec. 16, 1934). As Donald's popularity grew, he became the star of the Silly Symphony strip for an extended run (August 1936 to December 1937), and then got his own daily strip starting on February 7, 1938. A Donald Sunday strip premiered December 10, 1939. Carl Barks, known to fans as "The Duck Man," wrote at least 20 of the strips between 1938 and 1940. Donald Duck ran until May 2005, when it went into reprints.

Starting in 2015, IDW Publishing's Library of American Comics imprint has been publishing hardcover collections of the Donald Duck strip. As of 2019, five volumes of Donald Duck: The Complete Daily Newspaper Comics and two volumes of Donald Duck: The Complete Sunday Comics have been released.

Uncle Remus and His Tales of Br'er Rabbit

Uncle Remus and His Tales of Br'er Rabbit was launched as a Sunday strip on October 14, 1945, as a preview of the upcoming 1946 film Song of the South. The Uncle Remus strip began, like Silly Symphony, as a topper for the Mickey Mouse strip, but after the first few years, almost always appeared on its own.

The previous comic strip adaptations of Disney films lasted for four or five months, but the Uncle Remus strip continued for almost thirty years, telling new stories of Br'er Rabbit and friends, until the strip was discontinued on December 31, 1972.

Walt Disney's Treasury of Classic Tales

In 1950, Disney distributed a limited-time Sunday strip adaptations of their new animated feature Cinderella, and followed the next year with Alice in Wonderland. Judged a success, the experiment was turned into an ongoing feature in 1952 -- Walt Disney's Treasury of Classic Tales—beginning with The Story of Robin Hood.

The Sunday strip ran for thirty-five years, from July 13, 1952, to February 15, 1987. The animated features adapted for the strip include Peter Pan (1953), Lady and the Tramp (1955), Sleeping Beauty (1958), The Sword in the Stone (1963) and The Jungle Book (1968). Classic Tales also featured animated shorts, including Lambert the Sheepish Lion (1956) and Ben and Me (1953), and featurettes like Peter & The Wolf (1954) and Winnie the Pooh and the Honey Tree (1966). The 1979-80 adaptation of The Black Hole was particularly notable for featuring pencil art by comics icon Jack Kirby, with Mike Royer inking.

Treasury of Classic Tales also adapted live-action films like Old Yeller (1957–58), Swiss Family Robinson (1960), Mary Poppins (1964) and The Love Bug (1969). The strip transitioned from historical dramas like The Sword and the Rose (1953) and Kidnapped (1960) to comedies like The Shaggy Dog (1959) and The Parent Trap (1961).

In 2016, IDW Publishing and their imprint The Library of American Comics (LoAC) began to collect all the Treasury of Classic Tales stories in a definitive hardcover reprint series. As of 2019, three volumes have been published, reprinting all the stories from Robin Hood (1952) through In Search of the Castaways (1962). In April 2018, it was announced that, due to the sales goal of the series not being met, the third volume may be the last one to be published.

Scamp

In 1955, the animated film Lady and the Tramp inspired a new comic strip based on an adorable, unnamed puppy glimpsed at the end of the movie. Scamp debuted in newspapers on October 31, 1955, and ran for more than 30 years, ending on June 25, 1988. The strip was created by Ward Greene, a King Features Syndicate editor who wrote the original magazine story, Happy Dan, the Whistling Dog, and Miss Patsy, the Beautiful Spaniel, which inspired the film. Greene and artist Dick Moores produced the strip for eight months as a continuing story. Starting in May 1956, other creators took over, and the strip moved to a gag-a-day format.

Disney Christmas Story

Beginning in 1960, a special daily strip with a holiday theme utilizing the Disney characters was offered each year through 1987. It generally ran for three to four weeks with the concluding strip appearing a day or two before Christmas, often promoting the latest Disney release or re-release. These were unique in that in some cases, they showcased the crossover of Disney characters that otherwise rarely interacted.

The tradition was revived in 1992 as Disney Holiday Story to publicize contemporary Disney feature animated films.

In 2017, the Christmas stories were collected in a hardback volume, Disney's Christmas Classics, published by IDW Publishing. The collection includes all of the Christmas stories except for 1986's story based on Song of the South.

Winnie the Pooh

Disney created a Winnie the Pooh comic strip for King Features Syndicate starting June 19, 1978. Based on the Disney adaptations of the characters, the strip was written by Don Ferguson and drawn by Richard Moore. In addition to the regular cast of characters, Ferguson and Moore also added a knight named Sir Brian, and his worrywart dragon. The strip lasted for almost ten years, ending on April 2, 1988.

Other comic strips
Other Disney strips distributed over the years included (chronologically by start date):
 Merry Menagerie [humorous daily panel featuring anthropomorphic animals, but no Disney characters] (Jan. 13, 1947-March 17, 1962).
 True Life Adventures [daily panel] (March 14, 1955 – February 27, 1973)
 Mickey Mouse and His Friends [pantomime aimed at an international audience, gag strips featuring Mickey, Minnie, Goofy and Pluto] (September 1, 1958 – March 17, 1962).
 Gummi Bears (Sept. 1, 1986–April 1, 1989)

A proposed Roger Rabbit strip underwent development but cancellation of the sequel led King Features to pass on it.

The Disney comic strip department closed in January 1990. The last two strips, Mickey Mouse and Donald Duck, continued to be supervised by King Features. The Donald strip was drawn by Larry Knighton with King Features staffers writing it. The Donald strip was discontinued in the mid-1990s. In this period the Mickey strip had Floyd Norman as the writer and art rotating between Rick Hoover and Alex Howell. Norman convinced the syndicate to allow him to drop the gag-a-day format in favor of adventure continuities of up to four weeks, much in the style of the classic Gottfredson era. By 1994 the strip was running in only 30 newspapers and by mutual agreement of Disney and King Features it ended. Both strips continued with reprints.

In recent years Creators Syndicate has offered reprints of the Donald Duck, Mickey Mouse and Winnie the Pooh strips as part of a "classics" package and posts the current strip on its site (without archiving). Domestically the strips have 20-30 clients at any one time; they also appear in many newspapers outside the United States (exact number unknown).

U.S. comic books

Mickey Mouse Magazine

Mickey Mouse Magazine (1933–1940) was the first Disney comics publication, and preceded the popular 1940 anthology comic book Walt Disney's Comics and Stories. The concept was created by Kay Kamen, a Disney merchandiser. There were three versions of the title: two promotional giveaway magazines published from 1933 to 1935, and a newsstand magazine published from 1935 to 1940. The publication gradually evolved from a 16-page booklet of illustrated text stories and single-page comic panels into a 64-page comic book featuring reprints of the Mickey Mouse and Donald Duck comic strips.

Walt Disney's Comics and Stories

In October 1940, Western rebranded Mickey Mouse Magazine as Walt Disney's Comics and Stories, an anthology comic book series featuring an assortment of Disney characters, including Donald Duck, Scrooge McDuck, Mickey Mouse, Chip 'n Dale, Li'l Bad Wolf, Scamp, Bucky Bug, Grandma Duck, Brer Rabbit, Winnie the Pooh, and others. With more than 700 issues, Walt Disney's Comics & Stories is the longest-running Disney comic book in the United States.

By the mid-1950s, WDC&S was the best selling comic book in America, with a circulation hovering around three million a month (with the highest level reached being 3,038,000 for the Sept. 1953 issue). It's regarded as one of the best-selling comic books of all time.

The book was originally published by Dell Comics (1940–1962), and there have been many revivals over the years, continuing the same legacy numbering. The revivals have been published by Gold Key Comics (1962–1984), Gladstone Publishing (1986–1990), Disney Comics (1990–1993), back to Gladstone Publishing (1993–1999), Gemstone Publishing (2003–2008), Boom! Studios (2009–2011) and IDW Publishing (2015–2020), where it was relaunched as Disney Comics and Stories in September 2018.

Four Color

When Walt Disney's Comics and Stories launched in 1940 as a partnership between Dell Comics and Western Publishing, the comic only reprinted existing Mickey Mouse, Donald Duck and Silly Symphony comic strips, rather than creating original stories specifically for the comic book form. This was common for comic books at the time.

Dell also had an anthology series, Four Color, which started in 1939 as a series of "one-shot" specials, each focused on a particular character. In the early days, Four Color mostly featured comic strip reprints of Dick Tracy, Little Orphan Annie, Terry and the Pirates and others. The first series included two issues of Disney comic strips -- Donald Duck strips were reprinted in issue #4 (Feb 1940), and Gottfredson's Mickey Mouse serial Mickey Mouse Outwits the Phantom Blot was colored, reformatted into comic form and released as issue #16 (1941).

In 1941, Four Color published the two earliest Disney comic book stories, based on new Disney films. Issue #13 featured an adaptation of The Reluctant Dragon, and a Dumbo adaptation was the focus of issue #17. Both of these stories were assembled by using a film-editing machine called the Moviola, and having artist Irving Tripp trace the actual frames of the film to make up each panel. Each issue also had additional short back-up features—the Reluctant Dragon issue included comic adaptations of the 1941 shorts Old MacDonald Duck and Goofy's How to Ride a Horse, and Dumbo of the Circus had an illustrated text adaptation of the Donald Duck short The Village Smithy, as well as some filler comic strips from Silly Symphony and Mickey Mouse.

The next story specifically created for Disney comic books was Pluto Saves the Ship, published in Dell Comics' Large Feature Comics #7 in July 1942. The story was written by Disney animators Carl Barks, Jack Hannah and Nick George; it was Barks's first comic book work.

Four Color relaunched with a new numbering system in 1942, and in October, Dell published "Donald Duck Finds Pirate Gold" as issue #9 of the second series. This 64-page story was the first Donald Duck story drawn (but not yet written) by Barks.

Four Color went on to produce more than 1,000 issues from 1942 to 1962, and the major ongoing Disney comics series were all launched as individual issues of the Four Color series. "Donald Duck Finds Pirate Gold" eventually became the first Donald Duck comic, Mickey Mouse began as issue #27 (1943), and the first Uncle Scrooge comic was issue #386 (March 1952). Scamp also began as a Four Color one-shot with issue #703 (May 1956), which turned into a series in 1958. When they each "graduated" to their own comic books, Dell continued their numbering as if they had been part of a series all along.

There were many other Disney characters featured in issues of Four Color. This list shows the first issue for each character:

 Bambi: issue #12 (1942)
 Thumper: issue #19 (1943)
 Bambi's Children: issue #30 (1943)
 Snow White and the Seven Dwarfs: issue #49 (1944)
 The Three Caballeros: issue #71 (1945)
 Pinocchio: issue #92 (Jan 1946)
 Uncle Remus and His Tales of Br'er Rabbit: issue #129 (Dec 1946)
 Three Little Pigs: issue #218 (March 1949)
 Cinderella: issue #272 (April 1950)
 Alice in Wonderland: issue #331 (May 1951)
 Duck Album: issue 353 (Nov 1951)
 Li'l Bad Wolf: issue #403 (June 1952)
 Pluto: issue #429 (Oct 1952)
 Little Hiawatha: issue #439 (Dec 1952)
 Peter Pan: issue #442 (Dec 1952)
 Goofy: issue #468 (May 1953)
 Chip 'n' Dale: issue #517 (Nov 1953)
 Daisy Duck's Diary: issue 600 (Nov 1954)
 Lady and the Tramp: issue 629 (May 1955)
 Dumbo: issue #668 (Dec 1955)
 Jiminy Cricket: issue #701 (May 1956)
 Bongo and Lumpjaw: issue #706 (June 1956)
 Grandma Duck's Farm Friends: issue #763 (Jan 1957)
 The Adventures of Tinker Bell: issue #896 (April 1958)
 Sleeping Beauty: issue #973 (May 1959)
 Sleeping Beauty's Fairy Godmothers: issue #984 (April 1959)
 Vacation in Disneyland: issue #1025 (Aug 1959)
 Gyro Gearloose: issue #1047 (Nov 1959)

Donald Duck

Donald Duck (1942–2017) first appeared as part of the Four Color one-shot series, beginning in issue #9 (Oct 1942). Carl Barks, the first great figure among Disney comic book creators, wrote all of his early long stories for the Donald Duck one-shots, including Donald Duck and the Mummy's Ring (1943), The Terror of the River! (1946), Volcano Valley (1947), The Ghost of the Grotto (1947), Christmas on Bear Mountain (1947), The Old Castle's Secret (1948), Sheriff of Bullet Valley (1948), Lost in the Andes! (1949), Voodoo Hoodoo (1949) and Luck of the North (1949).

The title received its own numbering system with issue #26 (1953) and ended with issue #388 (June 2017).

Mickey Mouse

Mickey Mouse (1943–2017) first appeared as part of the Four Color one-shot series, beginning in issue #27 (1943). It received its own numbering system with issue #28 (December 1952), and after many iterations with various publishers, ended with #330 (June 2017) from IDW Publishing.

Dell Giants
In 1949, Dell began a tradition of publishing occasional "Disney Giants", plus-size comic books with more pages and a higher price. The first Giant was Walt Disney's Christmas Parade #1 (Nov 1949). This was a 132-page square-bound comic that sold for 25 cents, considerably higher than the typical 10-cent comics. Christmas Parade had a cover by Walt Kelly, and began with a Carl Barks-penned Donald Duck story, "Letter to Santa".

Christmas Parade was a success, and Dell followed up the next year with Walt Disney's Vacation Parade #1 (July 1950) and Christmas Parade #2 (Nov 1950). Dell also introduced Bugs Bunny's Christmas Funnies in 1950, and soon all of Dell's top-selling characters had regular annuals and giant issues.

Christmas Parade ran for ten issues from 1949 to 1959, and was followed by Walt Disney's Merry Christmas (Dec 1960) and Donald Duck Merry Christmas (Dec 1961).

Vacation Parade ran for five annual issues from 1950 to 1954, before being retitled Picnic Party from 1955 to 1957, Mickey Mouse Summer Fun (1958), Walt Disney's Summer Fun (1959), Daisy Duck and Uncle Scrooge Picnic Time (1960) and Mickey and Donald in Vacationland (1961). There were also six annual issues of Donald Duck Beach Party from 1954 to 1959.

Dell also published nine annual issues of Silly Symphonies (1952–1959).

When Disneyland, the first Disney theme park, opened in 1955, Dell celebrated with the Giant Donald Duck in Disneyland (Sept 1955), and made frequent returns to the park over the next few years, including Mickey Mouse in Frontierland (May 1956), Mickey Mouse in Fantasyland (May 1957), Uncle Scrooge Goes to Disneyland (Aug 1957), Christmas in Disneyland (a one-time retitle of Christmas Parade, Nov 1957) Donald and Mickey in Disneyland on Tom Sawyer Island (May 1958), Vacation in Disneyland (Aug 1958), Disneyland Birthday Party (Oct 1958) and Disneyland U.S.A. (June 1960).

There were also three annual issues of Huey, Dewey and Louie Back To School in October 1959, 1960 and 1961, and a number of one-shot Giants, including Peter Pan's Treasure Chest (Jan 1953), Mickey Mouse Birthday Party (Sept 1953), Mickey Mouse Club Parade (Dec 1955), Mickey Mouse Almanac (Dec 1957) and Daisy Duck and Uncle Scrooge Showboat (Sept 1961).

Uncle Scrooge

Carl Barks introduced Donald's Uncle Scrooge in the story "Christmas on Bear Mountain", published in Four Color #178 (Dec 1947). Scrooge made regular returns to both the Donald Duck comic and Barks's stories in Walt Disney's Comics and Stories over the next few years, and he finally received his own title in Four Color #386 (March 1952).

The spin-off title was very popular, and by issue #4 Uncle Scrooge shed its Four Color association and became its own independent book. Scrooge is one of the longest-running American Disney comics books, and is still presently ongoing, reaching issue #450 in June 2019.

The book has been produced under the aegis of several different publishers, including Western Publishing (initially in association with Dell Comics and later under its own subsidiary, Gold Key Comics and its Whitman imprint), Gladstone Publishing, Disney Comics, Gemstone Publishing, Boom! Studios, and IDW Publishing, and has undergone several hiatuses of varying length. Despite this, it has maintained the same numbering scheme throughout its six decade history, with only IDW adding a secondary numbering that started at #1.

Gold Key / Whitman era
By the late 1950s, relations between Dell and Western had become strained. Former Western writer Mark Evanier states part of this was due to "... a small battle going on between the two companies over the ownership of properties in non-licensed comics." In 1962 Western, ended the partnership and continued their comic book line under the Gold Key Comics label. Comic book historian Joe Torcivia has dubbed the mid-1960s "... a period of creativity for Western Publishing's Disney line not seen since its formation, and never seen again."

Western continued publishing Dell's four main titles: Walt Disney's Comics and Stories (starting with issue #264, Sept 1962), Mickey Mouse (issue #85, Nov 1962), Donald Duck (issue #85, Dec 1962) and Uncle Scrooge (issue #40, Jan 1963). They also started (or restarted) several titles:

 The Beagle Boys (47 issues, 1964–1979)
 The Phantom Blot (7 issues, 1964–1966)
 Chip 'n' Dale (83 issues, 1967–1984)
 Moby Duck (30 issues, 1967–1978)
 Scamp (45 issues, 1967–1979)
 O'Malley and the Alley Cats (9 issues, 1971–1974)
 Daisy and Donald (59 issues, 1973–1984)
 Winnie the Pooh (33 issues, 1977–1984)
 The Beagle Boys vs Uncle Scrooge (12 issues, 1979–1980)
 Huey, Dewey and Louie: Junior Woodchucks (81 issues, 1966–1984)
 Moby Duck (30 issues, 1967–1978)
 Ludwig Von Drake (4 issues, 1961–1962)
 Super Goof (74 issues, 1965–1984)

By the 1970s, Disney comics were undergoing a steep decline in circulation, with newsstand distribution discontinued in 1981. Western thereafter released its comics under the Whitman label, distributing them to candy stores and other outlets in bags containing three comics and also eventually distributed them to the emerging network of comic book stores. Western ceased publishing comics in 1984.

Disney Studio Program
From 1962 to 1990 the Walt Disney Studio had a unit producing comic book stories exclusively for foreign consumption, the Disney Studio Program, in response to complaints of foreign comic book licensees that Western Publishing was producing fewer stories that they could reprint.

Many European publishers saw a great demand for Disney comics, and it was a typical pattern for a company to publish a comic once a month, then add regular specials, then phase out the specials and publish the comic biweekly, and finally turn it into a weekly magazine. France's Le Journal de Mickey and the Netherlands' Donald Duck Weekblad started the trend, publishing weekly comics in 1952, and the others followed in the late 1950s. Germany's Micky Maus turned weekly in 1957, Denmark's Anders And & Co. in 1958, Sweden's Kalle Anka & C:o in 1959, and Italy's Topolino in 1960. By the early 1960s, the weeklies' voracious need for material was using up the available inventory of stories.

George Sherman, head of Disney's Publications Department at the time, hired Tom Golberg to run the program. Sherman noted the purpose of the program was "We [will] use new characters in our foreign comics, characters that we don't have [in the United States].... to bring out facets of existing characters, [and to] give the stories more variety."

Tony Strobl, Cliff Voorhees, Al Hubbard, Paul Murry, Jack Bradbury, Carson Van Osten, Ellis Eringer and Romano Scarpa were among the artists during its early years; Carl Fallberg, Floyd Norman, Ed Nofziger, Cecil Beard, Jim Fanning, Dick Kinney, Diana Gabaldon and Mark Evanier were among those who at some point did scripts for it. From the late 1970s on, the Jaime Diaz Studios of Argentina drew most of the stories.

In a few instances, Studio Program stories were reprinted in the United States in promotional giveaways of Gulf Oil (Wonderful World of Disney) in the late 1960s and Procter & Gamble (Disney Magazine) in the mid-1970s. Mickey and the Sleuth stories were published by Gold Key in Walt Disney Showcase #38, 39 and 42 (1977–1978). Besides the Sleuth, other characters created for the program include Donald's cousin Fethry Duck and the hillbilly hermit Hard Haid Moe. Also, while Carl Barks created John D. Rockerduck, he used the character only in a single story ("Boat Buster", Walt Disney's Comics and Stories #255, Dec. 1961) while the program subsequently created numerous stories with the Scrooge McDuck rival and helped refine him (along with stories by Brazilian and Italian Disney comic book licensees).

Domestic printing of Studio Program stories became common starting in the late 1980s as the Disney comics published by Gladstone and Gemstone have featured them on a regular basis, along with reprints from Gold Key/Dell and material produced by foreign licensees.

This program was merged into Disney Comics, and is the precursor of the comics that subsequently appeared in Disney Adventures.

Revivals
Starting in 1986, Disney comics in the United States were published by Gladstone Publishing (a subsidiary of Another Rainbow Publishing dedicated solely to Carl Barks). Impressed by Gladstone's unanticipated success, Disney revoked their license in 1990 to publish the comics themselves by the subsidiary W. D. Publications, Inc. under the name "Disney Comics", and a large expansion was planned. However, following the Disney Implosion in 1991, Disney gradually returned licensing to Gladstone again (for the classic characters) and Marvel Comics (for the modern characters). Respectively, reprints of classic Barks stories were licensed to Gladstone again from 1991, while it took Gladstone until the demise of Disney Comics in 1993 to regain a license also for other stories containing the classic characters. Gladstone from then on remained publishing Disney comics until 1998.

In 2003, after a few years' hiatus, regular publication was restarted by Gemstone Publishing, a reformed version of Gladstone. Gemstone's two monthly Disney titles were Walt Disney's Comics and Stories and Uncle Scrooge, but the license was not renewed with the last releases dated Nov. 2008.

More recently, Disney licensed some of their modern properties to Slave Labor Graphics (Gargoyles) and BOOM! Kids (The Muppet Show, The Incredibles, and Cars). Boom eventually also got the license for the classic characters, and began publishing comic books with them in 2009. Although cancelling two titles previously published by Gladstone and Gemstone (Donald Duck Adventures and Uncle $crooge Adventures), Boom! expanded their Disney portfolio in 2010-'11 by launching three new titles based upon the 1990s Disney Afternoon TV format (Darkwing Duck, Chip 'n Dale Rescue Rangers, and DuckTales). However, in August 2011, it was reported that Disney and Boom! were to end the licensing agreement, leaving the future of comics including their classic characters as well as those from the Disney Afternoon format uncertain.

In October 2014, Comic Book Resources (CBR) reported that Joe Books, a small new Canadian publisher founded by former BOOM! vice president Adam Fortier, had acquired the rights to a "remastered" omnibus reprint of BOOM's entire Darkwing Duck comic series that would lead into an all-new on-going Darkwing Duck series produced by Joe Comics, and in February 2015, CBR ran an interview with series artist James Silvani and series writer Aaron Sparrow on the new "remastered" omnibus collection published by Joe Books that month, as well as their plans for the announced new series. As the November 2014 edition of the Overstreet Comic Book Price Guide also contained ads for Joe Books comic adaptations of two theatrical Disney features, observers have expressed rumors that Joe Books has acquired the full North-American comic license to all Disney animated and live-action properties.

In January 2015, IDW Publishing announced on their public Facebook account that they were to start publishing all the classic-characters Disney titles, starting with Uncle $crooge in April of that year and focussing on reprints of European Disney comics with these characters by artists such as Marco Rota and Romano Scarpa. The rights to North-American reprints of Carl Barks and Don Rosa comics are currently (2015) held by Fantagraphics Books.

Disney has also begun publishing a bimonthly magazine based on Phineas and Ferb, featuring comic stories based on the show. Between 1999 and 2005, Dark Horse Comics published occasional adaptations of Disney's new movies.

The Disney Studio launched Kingdom Comics division in May 2008 led by writer-actor Ahmet Zappa, TV executive Harris Katleman and writer-editor Christian Beranek. Kingdom was designed to create new properties for possible film development and reimagine and redevelop existing Disney library movies with Disney Publishing Worldwide getting a first look for publishing.

Peachtree Playthings in Marietta, Georgia, published several issues of Mickey Mouse, Frozen, DuckTales, Toy Story and Disney Princess in 2019–20. Dynamite Entertainment in Mt. Laurel, New Jersey, began publishing a new monthly Darkwing Duck series in January 2023. Dynamite also publishes comic books featuring Scar, Hades, Maleficent, Gargoyles and Cruella De Vil..

Disney Afternoon comics
There have been many comic books based on the popular 1990–1997 "Disney Afternoon" slate of afternoon television cartoon series:

 Chip 'n Dale: Rescue Rangers
 Disney Comics: 19 issues (1990–1991)
 Boom!: 8 issues (2010–2011)
 Darkwing Duck
 Disney Comics: 4 issues (1991–1992)
 Boom!: 18 issues & 1 Annual (2010–2011)
 Joe Books: 8 issues (2016–2017)
 Peachtree Playthings: 5 issues (2019–20)
 Dynamite Entertainment (2023)
 DuckTales
 Gladstone: 13 issues (1988–1990)
 Disney Comics: 18 issues (1990–1991)
 Boom!: 6 issues (2011)
 IDW: ongoing (2017–18)
 Peachtree Playthings: 5 issues (2019–20)
 Gargoyles
 Marvel Comics: 11 issues (1995)
 Slave Labor Comics: 12 issues (2006–08) [#9-12 TPB-only]
 Slave Labor Comics: Gargoyles: Bad Guys: 6 issues (2007–08) [#5/6 TPB-only]
 Tale Spin
 Disney Comics: 4-issue miniseries and 7-issue series (1991)

More comic books
Notable American Disney comic book writers and artists include Carl Barks, Tony Strobl, Paul Murry, William Van Horn, and Don Rosa.

Disney comic titles in the United States include:

 Donald and Mickey (1945–1949, 1987–1990, 1993–1997, 2017–?) [*Note: originally a giveaway comic (alternate titles = Mickey & Donald/Donald Duck & Mickey Mouse)]
 Huey, Dewey and Louie Junior Woodchucks (1966–1984)
 Walt Disney Comics Digest (1968–1976)
 Uncle Scrooge Adventures (1987–1990, 1993–1997)
 Donald Duck Adventures (1988–1990, 1993–1998, 2003–2006)
 Mickey Mouse Adventures (1990–1991, 2004–2006)
 Walt Disney Giant (1995–1996)

Europe

United Kingdom
Disney comics first appeared in the United Kingdom in the Mickey Mouse Annual, which published 18 editions between 1930 and 1947. The books were published by Dean & Son, and illustrated by Wilfred Haughton.

Inspired by the 1935 launch of the newsstand-version of Mickey Mouse Magazine, UK publisher Odhams Press established Mickey Mouse Weekly, a large-size 12-page comics magazine, with four pages in full-color photogravure. Wilfred Haughton contributed to this publication as well, which featured the full range of characters from the Mickey Mouse and Silly Symphony cartoons. The magazine included new material—both Disney and non-Disney—as well as reprints of the American comic strips. Mickey Mouse Weekly featured the first ever Donald Duck comic book serial, originally called Donald and Donna, which began in issue #67 (May 15, 1937), drawn by William A. Ward. There were 15 weekly parts of this first serial featuring Donald and his girlfriend Donna, an early version of Daisy Duck. Donna left the series after the first story, which was continued as Donald Duck, Donald and Mac and Donald Duck with Mac for the next three years, ending in issue #222 (May 4, 1940). Goofy and Toby Tortoise also had their own strip, The Defective Agency, and so did Elmer Elephant, Pinocchio, Thumper and the mice from Cinderella, Jaq and Gus. The popular magazine ended in 1957, after 920 issues, because of a copyright dispute with Disney. Ronald Nielsen had been producing painted comic book pages in Floyd Gottfredson's 1940s style, as well as of characters from Disney animated films, during the mid-1950s until the magazine lost its license.

Immediately after the close of Mickey Mouse Weekly, another Disney comics magazine was launched: Walt Disney's Mickey Mouse, which ran for 55 issues from 1958 to 1959, and then changed title to Walt Disney's Weekly, publishing another 111 issues until 1961.

Other Disney comics published in the UK include:

 Disneyland Magazine (1971–1976)
 Donald and Mickey (1972–1975)
 Goofy (and also Pluto) (1973–1974); merged as Donald and Mickey (and also Goofy)
 Mickey Mouse (1975–1981)
 Donald Duck (IPC Magazines) (1975–1976)
 Donald Duck (London Editions) (1987–1990)
 Mickey Mouse and Friends (1989–1990)
 The Disney Weekly (1991–1992)
 Mickey and Friends (1992–1996)

Of contributors to American Disney comics who were born in the UK, Ted Thwaites was an inker for Floyd Gottfredson in the early Disney comic strip department, and Frank McSavage from Scotland drew a number of Grandma Duck, Bongo and other stories for the American comic books.

British writers for Egmont include Paul Halas, Gail Renard and Jack Sutter.

British Webcomic creator Sarah Jolley has introduced a romance between Gladstone Gander and Magica De Spell. Her popular online comics, that she calls 'duck doodles', have won praise from Disney artists.

Scandinavia

Denmark
Danish publisher Egmont (previously Gutenberghus) has one of the largest productions of Disney comics in the world. This production is not only for Denmark proper, but nearly identical magazines are being published simultaneously every week for all the Nordic countries, Germany (see below), and since the fall of the Berlin Wall in 1989, Eastern Europe. The Danish company started publishing their own series in the early 1960s. Most of Egmont's content has come from several outside sources: reprints of classic Carl Barks stories, reprinted Barks-style stories from the Netherlands, American artist/writers such as Don Rosa and William Van Horn, and the outsourced production of art for Egmont's scripts from Barks-style artists' studios, such as Vicar in Chile, Daniel Branca in Argentina and several studios in Spain. Italian stories are often featured in digest formatted pocket books.

Artists from Denmark include Freddy Milton (penname of Fredy Milton Larsen), who worked for the Dutch studio with Daan Jippes, and Flemming Andersen who draws in a personalized version of the Italian Disney style. In addition to Donald Duck stories, Freddy Milton has utilized his highly Barks-reminiscent style for other series that he has written and drawn, including Woody Woodpecker, his own series, Gnuff, and several titles involving a human character named Villiams Verden. The Scandinavian countries are among those in which Donald Duck is more popular than Mickey Mouse. Danish writers include Lars Jensen, Maya Åstrup, Tom Anderson and Gorm Transgaard (Jensen created Scrooge's opponent Velma Vanderduck, amongst other characters).

Disney titles published in Denmark include:
  (Donald Duck & Co.) (1949–present): The flagship magazine launched in March 1949 as a monthly, which became bi-weekly in 1956, and weekly in 1958. The weekly publishes new Disney stories produced by Egmont.
  (One-Shots) (1953–1956): A series of "one-shot" comics similar to Dell's Four Color; reprinted much U.S. material of the 1940s and '50s.
  (Walt Disney's Monthly Issue) (1967–1970): Another series reprinting a range of American stories.
 Jumbobog (1968–present): The popular pocket book format was launched in Denmark in 1968, and translated/distributed in many other European countries. This is a 250-page monthly paperback that publishes mostly Italian stories, as well as new stories produced for Egmont.
 Anders And Ekstra (1977–2014): A monthly magazine launched in 1977, which used to publish new extra-long stories, but then moved to mostly reprints.

Sweden

Sweden was the first Scandinavian country to publish a Disney comic book—the flagship comic Kalle Anka & C:o (Donald Duck & Co), which started in September 1948. The comic began as a monthly, became bimonthly in 1957, and then a weekly magazine in July 1959. The comic is now identical to Anders And & C:o from Denmark and Donald Duck & C:o from Norway. All are published by the Scandinavian corporate group founded in 1878 as Gutenberghus; the name changed to Egmont in 1992. The Finnish Aku Ankka is published separately, but is largely the same.

In the 1950s, Swedish Disney comics reprinted existing material from America, both in Kalle Anka & C:o and a monthly series, Walt Disney's serier (Walt Disney's Comics). When the supply of American comics started to dry up in the 1960s, Denmark's publishing house Gutenberghus began producing original series, followed by Italy's Mondadori and Disney's own "Disney Studio" program. The pocket book Kalle Anka's Pocket was introduced in 1968, and is still running today. A second pocket book, Farbror Joakim (Uncle Scrooge) was added in 1976. In 1980, Musse Pigg & C:o (Mickey Mouse & Co) was added as a monthly comic, and it continues as a bimonthly. Other current titles are Kalle Anka Extra and Kalle Anka Junior.

Per Erik Hedman is a writer from Sweden, and artist Tony Cronstam draws in a Carl Barks style. Editor/writer Stefan Printz-Påhlson wrote a time machine series with fellow editor/writer Lars Bergström; the former also created the reoccurring Stone Age character, Princess Oona. Per Starbäck compiled Disney comic book indexes into the Disney Comics Mailing List, expanded by Dutch programmer Harry Fluks into the online database, Inducks.

Finland
Thanks to a multitalented editor, Markku Kivekäs, who was also a skilled translator, essayist and restorationist, comic book stories about Donald Duck, along with the work of Carl Barks, became extremely popular in Finland, more so than in any other country in the world (per capita), and are accepted as part of the mainstream culture. It was estimated in 2002, that a quarter of the population of Finland was reading the Donald Duck magazine, Aku Ankka. Like the Netherlands, Finland publishes their own Disney comics apart from Egmont. Cameos of local celebrities are common. Kari Korhonen has mostly drawn in a Barksian style and also writes some of the stories he illustrates. Songwriter Tuomas Holopainen has written and composed a Scrooge McDuck comic book soundtrack that went Gold, Music Inspired by the Life and Times of Scrooge.

Norway
Norway has the comic , which started back in 1948 and is still active. There are several pocket books, amongst them being Donald Pocket from 1968 to the present day. Mickey Mouse also had a comic, specifically Mikke Mus månedshefte (Mickey Mouse monthly booklet) which lasted from 1980 until 2009.

Arild Midthun is a Norwegian artist who works in a Barksian style. He has written some of the stories that he has drawn, as well as illustrating stories by other Norwegian writers. Midthun has created popular stories about Viking history, and about Scrooge's days in the Klondike gold rush. Carl Barks books, clubs and fanzines first appeared in Norway, the home of Donaldism, a Disney comics fandom movement founded by analyst Jon Gisle (1st fanzine, 1973; 1st club, 1975).

Italy
Italy is a major source for original Disney comic stories. The first Italian Disney comics were published in the early 1930s, and Federico Pedrocchi wrote and illustrated the first Italian Donald Duck adventure comic as early as 1937—a story called "Paolino Paperino e il mistero di Marte" ("Donald Duck and the Secret of Mars") in the weekly paper Paperino e altre avventure (Donald Duck and Other Adventures).

Italy has introduced several new characters to the Disney universe, including Donald's superhero alter ego Duck Avenger (original name Paperinik), created in 1969. Production has been handled by Nerbini (1932–1937), Mondadori (1937–1988), Disney Italy (1988–2013) and Panini Comics (2013–present).

Topolino is the main Italian Disney publication, and its first incarnation was a weekly newspaper published from 1932 to 1949, for a total of 738 issues. In 1949, Topolino switched to a digest-sized format and its numbering restarted at #1: originally a monthly, it became a biweekly in 1952 and a weekly in 1960. The second incarnation of Topolino reached its 3500th issue in 2022. At first, Topolino alternated between translations of foreign stories and original stories produced by Italian authors, however since the early 1990s foreign stories have mostly disappeared from it.

Italy's digest-sized format has been adopted by many other countries in the long running Donald Duck pocket book series.

In the late 1990s, Disney Italy launched several new lines, including PKNA: Paperinik New Adventures (a comic book version of Paperinik aimed at a slightly older audience), MM Mickey Mouse Mystery Magazine (a noir series starring Mickey Mouse as detective), Wizards of Mickey, DoubleDuck, and W.I.T.C.H., plus the comics published under the imprint Buena Vista Comics (including the original Monster Allergy comic series and a few other titles, such as Kylion and a comic inspired by the Alias TV show).

The Disney comics published in Italy include:

  (newspaper) (1932–1949)
  (The Three Little Pigs) (1935–1937)
 Paperino e altre avventure (Donald Duck and Other Adventures) (1937–1940)
  (comic) (1949–present)
  (1957–present)
  (Walt Disney Classics) (1957–present)
  (Uncle Scrooge) (1988–2008)
 Paperinik (Donald Duck's superhero identity) (1993–2005)
 PKNA: Paperinik New Adventures (1996–2001)
 MM Mickey Mouse Mystery Magazine (1999–2001)
 W.I.T.C.H. (2001–2012)
  (2001–2002)
  (2002–2005)
 Monster Allergy (2003–2015)
  (2005–2011)
  (2012–2016)
  (2017–present)

Netherlands
The Netherlands (current publisher: DPG Media) has a significant school of Disney comics. The first Dutch Disney comics appeared in 1953. In 1975, Daan Jippes became the art director for production of these comics, and created a heavily Barks-inspired line that remains the best-known Dutch Disney style. Donald Duck is the most popular Disney character in the Netherlands, but Sanoma also produces comics starring lesser-known characters such as Li'l Bad Wolf. Other productive Dutch artists who have worked in a Barksian style include Mark De Jonge, Sander Gulien, brothers Bas and Mau Heymans and Ben Verhagen. Freddy Milton from Denmark also worked with Jippes as a team for both scripts and art. Wilma Van Den Bosch produced art for a Dutch Daisy Duck title. Frank Jonker and Jan Kruse, among others, have provided scripts.

The Disney comics published in the Netherlands include:
 Donald Duck Weekblad (1952–present), the flagship weekly magazine, first published on October 25, 1952. The magazine was originally published by the staff of the women's magazine Margriet, and every Margriet subscriber received the first issue for free. The comic is mainly aimed at younger children, and includes a letters page from readers. In 2019, the magazine reached its 3,500th issue.
 Donald Duck Pocket (1970–present), a 250-page pocket book that prints mostly comics from Italy, featuring characters that don't usually appear in Dutch comics, like Superdonald/Fantomerik, Otto von Drakenstein, John Rockerduck, Brigitta, Indiana Goofy and DD Dubbelduck. This became a monthly publication in 2006. These books are the same pocket books published by Egmont in the Netherlands.
  (1982–present), a monthly magazine featuring longer or more unusual stories. Don Rosa's "Life and Times of Scrooge McDuck" stories ran in the Extra, as did William Van Horn and Marco Rota stories. The magazine started in February 1982 as Stripgoed, but changed to Donald Duck Extra with issue #37.
  (1996–present), a 500-page pocket book that's twice as large as the regular Donald Duck Pocket book. Originally published twice a year, the book was increased to four times a year in 2006.
  (1999–present), a monthly magazine for girls aged 8–12, starring Katrien (Daisy Duck) and her three nieces Lizzy, Juultje and Babetje (April, May and June). The comic first appeared on July 19, 1999, as a bimonthly magazine, but became monthly in 2016.
  (2008–present), a biweekly version of Donald Duck for younger readers, with shorter stories and bigger print.
  (2016–present), a special pocket book published five times a year. Each issue prints (or reprints) stories featuring one of four series: Superdonald, Mickey's Mysteries, Darkwing Duck and DubbleDuck. These are generally darker, action-oriented stories about Mickey and Donald as detectives, superheroes and secret agents.

While the Donald Duck comics thrive in the Netherlands, the audience for Mickey Mouse has been relatively weak. A monthly magazine, Mickey Maandblad, was published in several formats from 1976 to 1989, finally dropped for lack of sales.

Dutch programmer Harry Fluks created the online Disney Comics Database, Inducks (launched 1994), expanded from the Disney Comics Mailing List based in Sweden.

Germany
Mickey Mouse was a popular character in Germany since his first appearance in 1929, and a few comic strips were printed in some German newspapers (e.g. the Kölner Illustrierte Zeitung). In 1937, the Swiss Micky Maus Zeitung was published in German by Bollmann.

By 1948, the Danish magazine publisher Egmont (then called Gutenberghus) secured a license to print Disney comics in Scandinavia. In September 1951, Ehapa Verlag in Stuttgart, West Germany, a subsidiary of Egmont, started the monthly publication Micky Maus, a format similar to Walt Disney's Comics & Stories. From the start, it featured stories by Carl Barks, translated by chief editor Dr. Erika Fuchs. The comic book was published on a biweekly basis 1956/57, and from 1958 on it changed into a weekly. Renamed Micky Maus Magazin, it is still published today by the Egmont Ehapa publishing company (now in Berlin) and is the longest running comic book in Germany. In its heyday (early 1990s), its weekly circulation number rose to one million copies. In spite of the name, most stories of Micky Maus feature Donald Duck, as he is the most popular Disney character in Germany.

Many other titles have been published by the company, most notably Die tollsten Geschichten von Donald Duck ('The Best stories of Donald Duck', 1965-today), the Lustige Taschenbuch ('Funny Paperback', a digest title mostly reprinting Italian pocket books; 1967-today) and many other series.

Volker Reiche and Jan Gulbransson are local artist/writers who have worked in a Carl Barks style. Gulbransson drew an 8-part series wherein Scrooge and kin visit regional German cities and wrote/drew a 4-part series set in the Alps and a story where Scrooge finances a team in the German soccer league, and many others. Barks-fan Volker Reiche wrote and drew a batch of stories in his signature scruffy version of Barks's 1940s style. A popular graphic novel adventure series, Tales From Uncle Scrooge's Treasure Chest was conceptualized, plotted and produced by Ehapa editor Adolf Kabatek. Although the art was outsourced, it was made sure to be in a Barksian style. Ulrich Schröder relocated to Paris to become the art director of Disney Publishing Worldwide, the company's European headquarters, and has produced comic covers, story and editorial art for Disney comics in Germany and France.  Schröder has worked with Dutch artist Daan Jippes.

Austrian abstract artist Gottfried Helnwein held a Barks comic art touring exhibition in Germany, that along with a similar exhibit that was being shown at the time, was seen by over half a million people (over 400,000 and over 100,000, respectively). Erika Fuchs's translation work was highly influential, and she incorporated many aspects of German culture into her translations. Many of her 'Fuchisms' have become part of the German language. The Donaldist group, D.O.N.A.L.D. claims to be the preservers of the non-commercial original Donaldism and even hold congresses, knight contributors to children's literature and infiltrate conservative newspaper columns (that members contribute) with Fuchisms.

Some of the Disney comics from Germany include:

 Micky Maus (main title, 1951–present)
  (The Best Stories of Donald Duck, 1965–present)
 Lustiges Taschenbuch ('Funny Paperback' pocket book, 1967–present)
 Lustiges Tachenbuch Classic! Die Comics von Carl Barks (Funny Paparback Classic! The Comics of Carl Barks, 2019–present)

France
French-produced stories started in 1952, as a one-pager comic published in each issue of Le Journal de Mickey, drawn by Louis Santel (Tenas) and written by Pierre Fallot. After a few issues, a new series started (Mickey à travers les siècles) and continued up to 1978, drawn almost entirely by Pierre Nicolas and written by Fallot and Jean-Michel le Corfec.

Later in the beginning of the 1980s, a new production started, led by Patrice Valli and Pierre Nicolas as editors with adventures of Mickey Mouse, Uncle Scrooge, Donald Duck. Among the best artists, one recalls Claude Marin, or Claude Chebille (known as Gen-Clo), and Italian artists like Giorgio Cavazzano. Some of the best writers were Michel Motti and Pierre-Yves Gabrion. In the late 1980s up to now, an increasing number of Spanish artist from the Comicup studio provided the art, while the writing stayed to French authors.

Disney comics published in France include:

 Le Journal de Mickey (1934–present): created in October 1934 (with a break in publication from 1945 to 1952), the weekly Le Journal de Mickey is a cultural institution in France.
  (1966–1979, 1980–present): The first version of Mickey Parade was originally an extra supplement to Le Journal de Mickey, published irregularly by Edi-Monde. It became quarterly in 1968, and transitioned to a bimonthly comic. Edi-Monde ceased publication of Mickey Parade in 1979. In 1980, the magazine was reintroduced as a monthly by Hachette Media, who restarted the numbering. In January 2002, with issue #265, the comic became Mickey Parade Géant—a larger, thicker paperback, published bimonthly.
 Picsou Magazine (1972–present): A best-selling monthly children's magazine that includes comics about Uncle Scrooge (Picsou in French) along with video game reviews and information on new movies. In 2018, the magazine went bimonthly.

Spain
The original flagship comic was Dumbo (aka Colleción Dumbo Historietas Comicas de Walt Disney), which was published by Ediciones Recreativas S.A. (ERSA) from 1947 to 1965. Initially bimonthly, Dumbo increased frequency to approximately 40 issues a year, and the comic ran for 527 issues. Starting October 1965, ERSA rebooted with a second version of Dumbo, published monthly. The second series ran for 144 issues, until December 1976. A third series of Dumbo, published in 46 issues by Montena from July 1978 to April 1982, was released as monthly hardbound books (originally 100 pages, then dropping to 68 pages).

ESRA also published a large-format 16-page bimonthly magazine, Pato Donald, which lasted from 1965 to April 1966. ESRA rebooted with a second version of Pato Donald in May 1966, now a 36-page weekly. The second Pato Donald ran for 231 issues, until December 1975. Montena also published the weekly Don Miki for 638 issues, from October 1976 to December 1988, and Don Donald for 136 issues, from 1979 to 1985.

In September 1989, Primavera began publishing Mickey and Pato Donald; Mickey lasted for 17 issues until January 1991, and Pato Donald for 46 issues until June 1992. RBA tried to revive the line in 2002, publishing 22 issues of Mickey and 4 issues of Pato Donald.

Several comic studios in Spain produced story art for Disney comic scripts. Some artists became independent, such as Paco Rodriguez, who utilizes Daniel Branca's Barksian style.

Greece
The weekly Miky Maous (Μίκυ Μάους) comic was first published on July 1, 1966, and remained in print for more than 45 years, eventually being ended by struggling publisher Nea Aktina A. E. on September 6, 2013, with issue #2460-61. In 2014, the title was relaunched by Kathimerini, starting the numbering again from #1.

Belgium
Louis Santel (Ténas) created new material in the 1950s.

Yugoslavia
Vlastimir Belkić produced original content in the 1930s.

Latin America

Brazil
The first Mickey Mouse stories were published in Brazil in 1930, in the comics anthology O Tico Tico, under the name Ratinho Curioso (the Curious Mouse). The magazine reprinted comic strips by Floyd Gottfredson.

In Brazil, through the publisher Abril, national stories have been published since the 1950s, with artists like Jorge Kato inspired by Carl Barks. In the 1960s and 1970s, Renato Canini drew a number of stories in a style inspired by the popular abstract design of the era. He also developed a universe around José Carioca, a very popular character in Brazil. Abril increased production in the 1970s and 1980s. Except for José Carioca, recurring characters included Daisy (turned feminist) and Fethry Duck. Among the most prolfic authors were the writer Arthur Faria Jr. and the artist Irineu Soares Rodriguez. Brazil is also known to have retained many "obscure" characters, largely forgotten elsewhere, besides Portugal. "O Pato Donald" (The Donald Duck) was initially published in comic book format, then from issue #22 began to be published in digest-sized format.

At the end of the 1990s, the Brazilian production ceased, and then restarted for a short while in the 2000s. After an absence of almost 10 years, with just a few special events stories, production again started up at the end of 2012. During the 2010s Abril was also responsible for publishing Disney's manga in Brazil (some unpublished in other countries outside Japan), including titles like Kingdom Hearts, Big Hero 6, Kilala Princess, Stitch!, Miriya and Marie, Star Wars and others.

Disney comics were published by Editora Abril since 1950, but the company stopped publishing them in 2018, facing financial difficulties. The next year, however, the comics returned through the publisher Culturama. José Carioca's title was not continued by Culturama, but new stories returned in September, 2020, in the comic book Aventuras Disney.

The best-known titles include:

  (1950–2018; 2019–present); 1st series, 2481 issues
 Mickey (1952–2018; 2019–present); 1st series, 911 issues
 Zé Carioca (1961–2018); 1st series, 2446 issues
 Tio Patinhas (Uncle Scrooge) (1963–2018; 2019–present); 1st series, 637 issues
 Pateta (Goofy) (1982–1984; 2004–2007; 2011–2018; 2019–present); 1st series, 56 issues; 2nd, 26 issues; 3rd, 87 issues
 Peninha (Fethry Duck) (1982–1984; 2004–2007); 1st series, 56 issues; 2nd, 19 issues
 Margarida (Daisy Duck) (1986–1997; 2004–7); 1st series, 257 issues; 2nd, 25 issues
 Urtigão (Hard Haid Moe) (1987–1994; 2006); 1st series, 169 issues; 2nd, 6 issues
 Minnie (2004–2006; 2011–2018); 1st series, 29 issues; 2nd, 81 issues

Argentina
Luis Destuet was an early artist in the 1940s (Some stories were reprinted in Brazil and Italy). Around the turn of the decade, Destuet moved to Brazil and started production there by training new artists. In the 1980s, Daniel Branca set up a prolific and influential story art production studio, influenced by Daan Jippes to create expressive artwork in Carl Barks' 1950s style.

Chile
The pre-war "Álbum Mickey" series contained various short strips that were possibly locally produced, according to Inducks, as well as some Zorro stories in the 1970s. Vicar set up a prolific Carl Barks–style story art production studio in the 1970s.

Australia, Africa and Asia

Australia
The main Australian publisher was W.G. Publications (Wogan Publications from 1974). A number of series reflecting equivalents in the U.S. included Mickey Mouse and Donald Duck. The most significant series, however, are Walt Disney Comics (1946–1978); and the "Giant" (1951 to 1978).

Walt Disney Comics mixed and matched covers and stories from its sister U.S. publication, rather than just reprinting them. The "Giant" presented selections from various U.S. series, from film promotions such as Robin Hood to Uncle Scrooge, Beagle Boys and Junior Woodchucks. In some cases these were mere reprints. In others, an extra story was added to increase the page count; for instance, W MM 97-04 "Par for the Course", in No. 570 The Beagle Boys.

This practice of adding an extra story to an issue otherwise identical the U.S. one is common elsewhere; as an example, in the "Film Preview Series", the first Robin Hood issue has W OS 1055-03 "The Double Date" added.

Egypt
Mickey Mouse was introduced to the Arab world through a comic book called Samir, which published Samir Presents Mickey #1 in April 1958. This series published 24 issues in 1958 and 1959. Mickey proved very popular in Egypt, and in 1959 he got a weekly comic book, ميكي (Mickey). After 44 years of publication, the publisher Dar-Al-Hilal stopped publication in 2003, after disputes with Disney (The last issue being #2188, published in March, 2003).

In 2004, publisher Nahdat Masr acquired the Disney license, and the first issues were sold out in less than 8 hours. The new version of Mickey published issue #0 in December, 2003, and issue #1 in December 2004. As of 2018, the magazine had reached more than 700 issues. Besides the publication of the weekly magazine, two monthly magazines are published:  مجلد سوبر ميكى (SuperMickey) and Mickey Geib "Pocket Mickey" (a pocket sized magazine).

In the 60s and 70s, original material was created (in Egyptian Arabic), most notably by Ahmed Hijazi, a folk-style artist.

Japan
Many Disney comics originally by American or European authors have been entirely re-drawn by Japanese artists for local publication. The Italian manga-inspired series, W.I.T.C.H., was submitted to the same kind of treatment, giving birth to a Japanese-exclusive adaptation with art by Haruko Iida and published by Kadokawa Shoten.

Japan also produced completely original Disney material, such as the manga adaptation of the videogame Kingdom Hearts by Shiro Amano, published by Bros Comics EX (and later translated in English by Tokyopop) and Jun Asaga's adaptation of Tim Burton's The Nightmare Before Christmas (originally published by Kodansha, English version by Disney Press).

Vietnam
Donald và bạn hữu (Vietnamese for "Donald and friends") is a bilingual weekly Disney comics magazine in Vietnamese and English published by Tre Publishing House in co-operation with The Saigon Times under license from the Walt Disney Company since 1998.

India
On December 8, 2010, DPW's India unit signed a multi-year contract with India Today Group to print and distribute Disney comics in India.

Cataloguing

Story codes
Starting in the 1970s, as production of new Disney comics stories moved from a mostly-American, centralized publishing model to a group of international publishers sharing work, it became a practice to give each Disney comics story a unique letter-number code that would help identify a single story across languages. (Disney requires all licensees to facilitating international reprinting by providing the reproducible materials at cost.) The code is usually printed at the bottom of the story's first panel, and it consists of one or more letters, representing the publisher or country of origin, followed by a multi-digit number. In some cases, the code ends with another letter.

The main publishers are:

Fan databases
Multiple fan databases exist. Notable examples are I.N.D.U.C.K.S. and Don Markstein's Toonopedia.

Notable artists and writers

Argentina
 Daniel Branca (1951–2005) influential Barks-style artist and studio director
  (1937–2009) studio director
  (b.1969)

Belgium
  (1926–2012) cover artist

Brazil
 Renato Canini (1936–2013) José Carioca artist
 José Carlos (1884–1950) created José Carioca
  (b.1958) Hard Haid Moe artist
  (b.1956) artist; worked w/ writers , Ivan Saidenberg, and  (bro: )
  (b.1969) Barks-style artist

Chile
 Vicar (1934–2012) Barks-style artist/studio director; created Princess Oona w/ writer Stefan Printz-Påhlson

Denmark
 Flemming Andersen (b.1968) multi-style artist
 Freddy Milton (b.1948) Barks-style artist/writer; also made Barks-style stories w/ Woody Woodpecker and his own characters, Gnuff

Egypt
 Ahmed Hijazi (1936–2011) folk-style artist

Finland
 Tuomas Holopainen (b.1976) songwriter; wrote and produced the Gold album Music Inspired by the Life and Times of Scrooge
 Kari Korhonen (b.1973) mostly a Barks-style artist
  (1947–2008) influential Barks translator/restorer/essayist/editor

France
  (b.1950) Gottfredson-style artist/writer (b.Switzerland)
  (1921–1990) Gottfredson-style artist and studio director
 Régis Loisel (b.1951) Gottfredson-style artist/writer
 Claude Marin (1931–2001) editorial artist; also drew many  comic pages w/ Gen-Clo (b.Algiers) and , as well as other stories
  (born 1966) Gottfredson-style artist (b.Lebanon)

Germany
 Erika Fuchs (1906–2005) Barks translator
  (b.1949) Barks-style artist/writer
  (1931–1997) produced a series of Barks-style Scrooge McDuck graphic novels, Tales From Uncle Scrooge's Treasure Chest (b.Czech)
  (b.1944) Barks-style artist/writer
  (b.1964) artist and studio director

Italy
 Giovan Battista Carpi (1927–1999) multi-style artist; created Paperinik w/ writer Guido Martina
 Luciano Bottaro (1931–2006) multi-style artist
  (b.1967) Scarpa-style artist/writer (early scripts drawn by others); created Eurasia Toft and Charlie Doublejoke
 Giorgio Cavazzano (b.1947) artist; developed an abstract style widely adopted in Italy; worked w/ writer ; (cous: )
 Carlo Chendi (1933–2021) writer
 Giulio Chierchini (1928–2019) multi-style artist
 Pier Lorenzo De Vita (1909–1990) Scarpa-style artist (son: )
  (b.1962) multi-style artist/writer
  (b.1934) multi-style artist
  (b.1967) Fantomius artist/writer
 Elisabetta Gnone (b.1965) writer/editorial director; created Disney Italia's W.I.T.C.H. comics
 Corrado Mastantuono (b.1962) Cavazzano-style artist/writer; created Boomer Buff
 Federico Pedrocchi (1907–1945) Gottfredson-style early artist/writer (b.Argentina)
 Giuseppe Perego (1915–1996) multi-style artist; worked w/ writer
  (b.1949) saga writer
 Marco Rota (b.1942) Barks-style artist; created Andold "Wild Duck" Temerary w/ editor
  (b.1954) saga writer
  (1936–2001) Scarpa-style artist
 Romano Scarpa (1927–2005) influential Gottfredson-style/Barks-influenced artist; created Brigitta MacBridge, Dickie Duck, Gideon McDuck, Kildare Coot, Ellroy, Trudy Van Tubb and Portis
 Silvia Ziche (b.1967) soap opera artist/writer

Japan
 Siro Amano (b.1976) artist/writer; adapted Kingdom Hearts video games into manga
  (b.1971) Barks-style artist/writer

Netherlands
  (b.1974) Barks-style artist
 Mau Heymans (b.1961) Barks-style artist (bro: )
 Daan Jippes (b.1945) influential Barks-style artist/writer and studio director; popularized the replication of Barks's art style for Disney comics; redrew stories Barks only wrote and several of his unfinished scripts
  (b.1965) writer
  (b.1956) Daisy Duck artist; editorial/cover artist (b.Canada)
  (b.1949) Barks-style artist

Norway
 Arild Midthun (b.1964) – Barks-style artist

Spain
 César Ferioli (b.1959) multi-style artist
  (1915–?) multi-style artist
  (b.1951) multi-style artist
  (b.1967) Barks-style artist

Sweden
 Tony Cronstam (b.1969) Barks-style artist
 Per Erik Hedman (b.1959) writer
 Stefan Printz-Påhlson (b.1950) editor/writer; created a time machine series w/ editor/writer Lars Bergström

United Kingdom
  (b.1949) writer
  (1887–1958) early artist/writer; created the 1st Donald Duck comic book story

United States
 Pete Alvarado (1920–2003) artist; drew stories based on Disney animated films
 Carl Barks (1901–2000) foundational Disney comics artist/writer; lead screenwriter/storyboard artist for the early Donald Duck cartoons; developed Donald Duck and created Daisy Duck, Huey, Dewey and Louie, Scrooge McDuck and the supporting cast of Duckburg, including April, May and June, Gyro Gearloose, the Junior Woodchucks, Gladstone Gander, the Beagle Boys, Magica De Spell, Flintheart Glomgold, Glittering Goldie, John D. Rockerduck, Neighbor Jones, Gus Goose, Clinton Coot, the McDuck Money Bin and the character arcs and story arcs of the duck 'universe'
  (1917–1993) landscape artist who lettered and inked backgrounds and solids in Barks's stories; wife of Carl Barks
 Jack Bradbury (1914–2004) artist
  (1905–1965) art director; created Li'l Bad Wolf w/ Dorothy Strebe (see also, Gil Turner)
 Pinto Colvig (1892–1967) actor/artist; created Goofy
 Phil DeLara (1914–1973) most prolific Chip 'n' Dale artist
 Walt Disney (1901–1966) film producer; 1st writer for the Mickey Mouse comic strip; created Sylvester Shyster w/ artist Floyd Gottfredson; co-created some of the original Mickey Mouse cast w/ animator Ub Iwerks
 Norm Ferguson (1902–1957) lead animator; developed Pluto, Peg-Leg Pete and the Big Bad Wolf
 Manuel Gonzales (1913–1993) Gottfredson studio artist (b.Spain); created Ellsworth for the Mickey Mouse Sunday pages w/ writer Bill Walsh
 Floyd Gottfredson (1905–1986) foundational artist/writer and studio director; most known for drawing and plotting the Mickey Mouse comic strip and establishing the art style and high standards of the Disney newspaper comics; created Morty and Ferdie Fieldmouse; also, Doctor Einmug, Captain Doberman, Gloomy the mechanic and Eli Squinch w/ co-writer Ted Osborne; and Chief O'Hara, Detective Casey & The Phantom Blot w/ co-writer Merrill De Maris
 Bob Gregory (1921–2003) artist/writer; wrote over a dozen stories that were re-scripted/drawn by Barks
 Jack Hannah (1913–1994) animation director; co-artist of Carl Barks' 1st comic art (Donald Duck Finds Pirate Gold); directed Donald Duck films written by Barks
  (1913–1984) artist; created Fethry Duck, Hard Haid Moe and 0.0. Duck w/ writer Dick Kinney; created Belle Duck w/ writer (?); created The Sleuth w/ writer Carl Fallberg
  (1888–1941) designer (b.Switzerland); created Donald Duck w/ voice actor Clarence Nash
 Ub Iwerks (1901–1971) lead animator; created Mickey Mouse, Minnie Mouse, Horace Horsecollar and Clarabelle Cow w/ producer Walt Disney; 1st artist for Disney comics and the Mickey Mouse comic strip w/ artist  (b.Canada)
 Walt Kelly (1913–1973) cover artist
 Dick Moores (1909–1986) Mickey Mouse artist/writer; Brer Rabbit artist; created Scamp w/ Ward Greene
 Paul Murry (1911–1989) artist for Mickey Mouse stories w/ writer Carl Fallberg; created Super Goof w/ writer/editorial director
 Floyd Norman (b.1935) writer; re-introduced serialized adventures to the Mickey Mouse dailies (early 1990's)
 Don Rosa (b.1951) popular artist/writer and Scrooge McDuck chronologist; wrote and drew the award-winning series, The Life and Times of Scrooge McDuck; created sequels to Barks's classic stories
 Dan Spiegel (1920–2017) drew Disney comics based on live-action series and films, incl. realist settings for Mickey Mouse stories w/ Paul Murry
 Tony Strobl (1915–1991) artist; created Moby Duck w/ writer Vic Lockman
 Al Taliaferro (1905–1969) Gottfredson-style artist for the Donald Duck comic strip; created Grandma Duck w/ writer Bob Karp; proposed idea for the film Donald's Nephews, leading to the creation of Huey, Dewey and Louie; 1st to draw Donald Duck in the comics; created Bucky Bug w/ artist/writer Earl Duvall
 Alex Toth (1928–2006) Zorro artist
 William Van Horn (b.1939) Barks-style artist/writer; influenced by George Herriman (son: Noel)
 Bill Walsh (1913–1975) writer for the Mickey Mouse comic strip in the 1940s; created Eega Beeva and the Rhyming Man w/ artist Floyd Gottfredson
  (1917–1984) Gottfredson studio artist; Gottfredson-style comic book artist
 David Gerstein (b.1974) writer for Egmont; editor/translator
 Dick Kinney (1916–1985) writer of Studio stories
 John Lustig (b.1953) writer for Egmont; completed unfinished scripts by Carl Barks
  (1953–2021) writer for Egmont w/ wife
 Jerry Siegel (1914–1996) writer for Mondadori

Yugoslavia
  (1896–1946) Gottfredson-style artist

See also
List of Disney comics by Carl Barks
List of Disney comics by Don Rosa
How to Read Donald Duck – a 1971 critique of Disney comics as capitalist propagana

References

Further reading

 Frank Reilly, "The Walt Disney Comic Strips," Cartoonist PROfiles #1 (Winter 1969), pp. 14–18; an early article.
 Note: comics-related magazines and fanzines from around the world have featured many articles and interviews.

External links
 I.N.D.U.C.K.S., the Disney comics database
 Disney comic artists in the Comiclopedia
 Disney Comics Worldwide
 Overview of Disney Christmas strips

Disney comics


Angus L. Bowmer (September 25, 1904 – May 26, 1979) was the founder of the Oregon Shakespeare Festival in Ashland, Oregon, United States.  During his tenure as artistic director, he produced all 37 of William Shakespeare's plays and performed 32 Shakespearean roles in 43 separate stagings.

Biography
Angus Livingston Bowmer was born in Bellingham, Washington, on September 25, 1904.  He was the only child of Charles C. Bowmer (born August 19, 1880, Nevada; died February 1967, Portland, Oregon) and Florence "Flora" Priest (born Dec 1880, Wisconsin; died June 5, 1958, Portland, Oregon).  He moved with his family at least twice, living in Mount Vernon, Washington, in 1910 and Oak Harbor, Washington, by 1920.  He graduated from the Washington State Normal School at Bellingham (now Western Washington University) in 1923.

Bowmer attended the University of Washington in Seattle in the 1930s, acting in at least two of its Shakespeare productions, Love's Labor's Lost and Cymbeline under guest director Ben Iden Payne, an Englishman whose ideas for neo-Elizabethan staging of Shakespeare's plays provided inspiration later in Bowmer's life as he began producing the plays that became the Oregon Shakespeare Festival.

In 1931, Bowmer was invited to become an instructor in English at Southern Oregon Normal School, a predecessor to Southern Oregon University, in Ashland, Oregon. Bowmer married Gertrude Butler prior to enlisting in the Army July 20, 1942, where he served as a Warrant Officer. After serving his country and returning to Oregon, Bowmer organized theater activities in Ashland and continued teaching at the college until he retired in 1971. Bowmer befriended Fred C. Adams who came to Ashland to observe the festival's operations prior to Adams founding the Utah Shakespearean Festival in 1961.

Bowmer remained active in the festival until his death in 1979.  His wife, secretary, assistant, and festival hostess, Gertrude Butler Bowmer, died August 19, 1994.

Beginnings of the Shakespeare Festival
The remains of an old Chautauqua building in Ashland's Lithia Park gave Bowmer the idea of staging Shakespeare plays on an outdoor Elizabethan stage.  In 1935 he persuaded the government of Ashland to revive the tradition of July 4th celebrations with an important addition: a Shakespearean Festival.

The Works Progress Administration helped construct a makeshift Elizabethan stage on the Chautauqua site and Bowmer, college students, teachers, and Ashland citizens mounted two plays, The Merchant of Venice and Twelfth Night, for three performances.  Bowmer directed and played the roles of Shylock and Sir Toby Belch. Several hundred people attended the First Annual Shakespearean Festival.  When Bowmer died in 1979, the OSF had performed Shakespeare's entire canon twice.

Bibliography
Bowmer, A. L. (1932). Andrew Jackson; an historical drama in nine scenes.
Bowmer, A. L. (1933). Angus Bowmer scrapbook.
Bowmer, A. L. (1934). Oregon diamond jubilee: official program. [S.l: s.n.]
Bowmer, A. L. (1975). As I remember, Adam: an autobiography of a festival. Ashland: Oregon Shakespearean Festival Association.
Bowmer, A. L. (1978). The Ashland Elizabethan stage: its genesis, development, and use. Shreds and patches, chapbook 1. Ashland, Or: Oregon Shakespearean Festival Association.
Bowmer, A. L. (1979). Acting and directing on the Ashland Elizabethan stage. Shreds and patches, chapbook 2. Ashland, Or: Oregon Shakespearean Festival Association.

Awards
1961, the University of Oregon Distinguished Service Award.
1964, Edith Knight Hill Memorial Award, for outstanding contribution to Oregon, by Portland Professional Chapter Theta Sigma Phi
1974, presidential appointee to the National Council of the Arts
1977, the First Annual Governor's Award for Significant Contributions to the Advancement of the Arts in Oregon, a joint resolution by the Oregon Legislature
2000, Western Washington University, Alumni of the Century

References

American theatre directors
People from Ashland, Oregon
Southern Oregon University faculty
Western Washington University alumni
1904 births
1979 deaths
Male actors from Oregon
20th-century American male actors

Angus L. Bowmer


Louis Anthony DeSimone (February 21, 1922 – October 5, 2018) was an American prelate of the Roman Catholic Church. He served as an auxiliary bishop of Philadelphia from 1981 to 1997.

Biography
DeSimone was born in Philadelphia, Pennsylvania and raised in Bridgeport. He has two brothers, Russell and Salvatore, both of whom also chose ecclesiastical careers; the former is an Augustinian professor at the Pontifical Lateran University and the latter (d. 1989) was a pastor in New Jersey. He attended Bridgeport High School and Villanova University before becoming a sergeant in the Army during World War II, serving for two years in Italy with the Fifth Army Headquarters. Upon his return to the United States, DeSimone entered St. Charles Borromeo Seminary in Wynnewood, and was ordained to the priesthood on May 10, 1952.

He then taught at St. Thomas More High School in Philadelphia, as well as serving as assistant pastor at St. Donato Parish in Philadelphia and at Ss. Cosmas and Damian Parish in Conshohocken. He became a member of the archdiocesan Executive Committee of the Catholic Charities Appeal in 1961, pastor of Ss. Cosmas and Damian Parish in 1968, and director of Catholic Relief Services in 1971. In 1975, DeSimone was made chairman of the Heritage Group Committee for the forty-first International Eucharistic Congress, which was held in Philadelphia in August 1976. He was raised to the rank of Honorary Prelate of His Holiness during that same year. John Cardinal Krol later named him coordinator of the Italian Earthquake Relief Fund for Friuli, his work for which earned him the Commendatore al Merito della Repubblica Italiana from the Italian government.

He became pastor of St. Monica Church in Philadelphia in November 1976, and consultor to the Council of Managers of the Archdiocesan Office for Development in 1979. He also sat on the board of directors of Pennsylvania Hospital and of Methodist Hospital for several years, and was Vice-President of the United Way of Southeastern Pennsylvania.

On June 27, 1981, DeSimone was appointed Auxiliary Bishop of Philadelphia and Titular Bishop of Cillium by Pope John Paul II. He received his episcopal consecration on the following August 12 from Cardinal Krol, with Bishops John Graham and Martin Nicholas Lohmuller serving as co-consecrators, in the Cathedral-Basilica of Sts. Peter and Paul.

In addition to his duties as an auxiliary, De Simone was named vicar general of the Archdiocese and later chairman of the Catholic Charities Appeal in 1982. He resigned his post on April 5, 1997, after fifteen years of service and reaching the mandatory retirement age of 75. On October 5, 2018, he died at the age of 96 at St. Thomas Monastery in Villanova, Pennsylvania.

See also

 Catholic Church hierarchy
 Catholic Church in the United States
 Historical list of the Catholic bishops of the United States
 List of Catholic bishops of the United States
 Lists of patriarchs, archbishops, and bishops

References
Web

Barry Award Recipients

External links
 Roman Catholic Archdiocese of Philadelphia Official Site

Episcopal succession

1922 births
2018 deaths
Villanova University alumni
Clergy from Philadelphia
20th-century Roman Catholic bishops in the United States
American people of Italian descent
People from Bridgeport, Pennsylvania
Military personnel from Philadelphia
St. Charles Borromeo Seminary alumni
Catholics from Pennsylvania

Louis A. DeSimone


Jonathan Edwards (May 26, 1745 – August 1, 1801) was an American theologian and linguist.

Life and career
Born in Northampton, Massachusetts Bay, he was the ninth child and second son of Jonathan Edwards and Sarah (Pierpont) Edwards. In 1751, the family moved to Stockbridge, Massachusetts, where his exposure to language variation began. Both of Edwards' parents died during the year of 1758. He graduated from Princeton in 1765, after which he studied theology under Joseph Bellamy of Bethlehem, Connecticut. He was a tutor at Princeton from 1767 to 1769, and a pastor in New Haven, Connecticut from 1769 to 1795, where he was dismissed from this position due to doctrinal conflicts in the church. Despite this dismissal, he was called back to another church in Colebrook, Connecticut that same year. After serving as pastor in Colebrook, Connecticut from 1795 to 1799, he moved to Schenectady, New York to serve as the president of Union College.

Edwards died on August 1, 1801, and was buried in the churchyard of the First Presbyterian Church in Schenectady, New York.

Contribution to theology
As a theologian, his fame rests upon his reply to Charles Chauncy upon the salvation of all men, in which he defended the orthodox evangelical doctrine, his reply to Samuel West's Essays on Liberty and Necessity, in which he largely modified his father's theory of the will by giving it a liberal interpretation, and upon his sermons on the atonement. A great deal of religious controversy raged in New England during his lifetime. His works were published at Andover in two volumes, and were later re-published together along with a memoir by Tryon Edwards.

Unlike his father, who was a slave-owner, Jonathan Edwards the younger supported abolition of the slave trade and of slavery. His anti-slavery viewpoint was first evidenced in 1773, when he wrote a series of articles entitled "Some Observations upon the Slavery of Negroes" in the Connecticut Journal and the New-Haven Post-Boy (Gamertsfelder, p. 137). These views were further articulated in his 1791 sermon, "The Injustice and Impolicy of the Slave trade." It was his work and some of Samuel Hopkins's which were among the first direct appeals to the freedom of slaves from the New England ministry. While much of his work was spent defending the works of his father Jonathan Edwards, Joseph Bellamy, and Samuel Hopkins, he was a key part of the 1801 Plan of Union.
He died in 1801.

Contribution to linguistics
Edwards was a pioneer in the historical linguistics of Native North America. He was raised in the community of Stockbridge, Massachusetts, where Native American speakers of the Mohican language were the majority, and he became fluent in that language as a child. In 1755, Edwards's father sent him to stay in the Iroquois settlement of Onohoquaga, with the purpose of training him for future missionary work. Through this experience, Edwards acquired first-hand knowledge of both Iroquoian and Algonquian languages.

In 1787, Edwards published a study of the Mohican language, which he referred to as Muhhekaneew. In it, he chronicled basic vocabulary and grammar rules and recorded the marked differences between Mohican and English. He argued against the misconception that Native Americans had no distinct parts of speech in their language, writing, "It has been said that savages have no parts of speech beside the substantive and the verb. This is not true concerning the Mohegans, nor concerning any other tribe of Indians, of whose language I have any knowledge. The Mohegans have all the eight parts of speech, to be found in other languages; though prepositions are so rarely used, except in composition, that I once determined that part of speech to be wanting."

In 1787, Edwards published a study of the Mohican language. In it, he presented evidence for the relatedness of Algonquian languages throughout northeastern North America and their distinctness from the neighboring Iroquoian languages. Edwards' work on New World linguistic classification paralleled that of his contemporary, William Jones, on the Indo-European languages.

In his report, "Observation on the Language of the Muhhekaneew Indians...", Jonathan Edwards observes the Mohican language "have no diversity of gender, either in nouns or pronouns". He also observed that Mohican can also use plural forms just by adding an extra morpheme to the singular form. Such as the singular word for boy is penumpaufoo and the plural form is penumpaufoouk for boys. The Mohican language does not contain any adjectives, instead neuter verbs are used to express the qualities.

References

 Edwards, Jonathan, 1787. Observations on the Language of the Muhhekaneew Indians, in Which the Extent of that Language in North America is Shewn, its Genius is Grammatically Traced, Some of its Peculiarities, and Some Instances of Analogy between that and the Hebrew are Pointed out. Josiah Meigs, New Haven, Connecticut.
 Gamertsfelder, Sarah.  http://www.gilderlehrman.org/teachers/scholars/HSP03.EAA6.Gamertsfelder.pdf.
America's God: From Jonathan Edwards to Abraham Lincoln. Mark A. Noll. New York: Oxford University Press
Edwards, Tryon (1842). The Works of Jonathan Edwards, with a Memoir of His Life and Character by Tryon Edwards. Allen, Morrill, and Wardwell.

Ferm, Robert L (1745). Jonathan Edwards the Younger, 1745-1801: A Colonial Pastor.
Campbell, Lyle (1997).  The Historical Linguistics of Native America. Oxford University Press.

External links
Digitized copy of Observations on the Language of the Muhhekaneew Indians held at the John Carter Brown Library

1745 births
1801 deaths
American theologians
Linguists from the United States
People of colonial Connecticut
American people of English descent
People from Northampton, Massachusetts
People from Schenectady, New York
Princeton University alumni
Burials in New York (state)
Jonathan Edwards family
Linguists of Algic languages
Presidents of Union College (New York)

Jonathan Edwards (the younger)


Harry Peacock (14 February 1909–6 March 1996) was a Welsh international rugby union flanker who played rugby union for Newport. He won six caps for Wales and faced two international touring teams with Newport.

Peacock played with several club and invitational teams throughout his rugby career. His first major club team was Pontypool, before moving to Newport in 1925. While with Newport, Peacock faced the touring New South Wales Waratahs in 1927 and he was chosen to play against the 1931 touring South Africans. As a police officer he was also selected to play with police teams such as the Monmouthshire Police and also turned out for invitational team Crawshays

Personal history
Born in Newport in 1909, Peacock was educated at St Woolos School and then Municipal Secondary School. From school he became an apprentice engineer before then joining the Monmouthshire Constabulary as a police officer. He joined the British Army in 1943, remaining in the Forces until 1946, holding the rank of major on demobilisation. He was seconded to the Allied Military Government for Germany, where he served for 11 years. On retirement he moved to Jersey, dying in France in 1996.

International career
Peacock was first capped for Wales against Scotland on 2 February 1929 at St Helens. Wales beat the Scottish team, and in doing so denied the Scots the Grand Slam. Peacock scored a try on his debut and was selected to play in the next two games of the Championship under the captaincy of Guy Morgan. The next season Peacock was not selected for the opening game of the 1930 Five Nations Championship against England, but again was selected for the remaining games against Scotland, Ireland and France. Although losing to Scotland, Wales won the next two games. During the game against Ireland, Peacock scored a joint try with Swansea's Howie Jones; both men dived for the ball and the referee could not decide on the actual scorer. The record books show the try as a joint score. The final game of the tournament was against France and Wales won an overly violent match to finish the Championship in second place behind England. This was Peacock's last game for Wales.

International matches played
Wales
 1929, 1930
 1929, 1930
 1929, 1930

Bibliography

References

1909 births
1996 deaths
British Army personnel of World War II
Crawshays RFC players
Newport RFC players
Rugby union players from Newport, Wales
Pontypool RFC players
Rugby union flankers
Wales international rugby union players
Welsh police officers
Welsh rugby union players
Monmouthshire Constabulary officers

Harry Peacock


Anna Christina Warg (23March 17035February 1769), better known as Cajsa (or Kajsa) Warg, was a Swedish cookbook author and one of the best-known cooks in the Swedish culinary history. Born in Örebro in Sweden, she worked as a cook and housekeeper for notable individuals in Stockholm. She is particularly renowned for her famous cookbook titled Hjelpreda i Hushållningen för Unga Fruentimber (Helpful Guide in Housekeeping for Young Women), published in 1755. An essential reference for homemakers in 18th-century Sweden, this book had several editions and was also translated in German, Danish and Estonian.

Early life
Warg was born in Örebro, the younger of two daughters, to accountant Anders Warg (died 1708) and Karin Livijn (died 1755). In 1710, her mother married the nobleman Eric Rosenstråle, with whom she had seven more children and moved with to Borggård Manor outside Finspång.

Career
Warg left home early to be the cook and housekeeper for several powerful people in Stockholm, such as the general Count Wolter Reinhold von Stackelberg. It is not known when she started her career, but von Stackelberg had previously served with her father as an officer in the army, and it is considered likely that she was employed by him as his cook by the time he married and settled down in Stockholm in 1735. She was later employed by von Stackelberg's elder brother marshal Baron Berndt Otto von Stackelberg, and from the late 1740s, by the State Secretary and General Post Master Baron Leonard Klinckowström, whose wife Catharina Ehrenpreus was the cousin of her mother. von Stackelberg was the brother-in-law of Hedvig Taube, and Warg's abilities as a cook had good opportunity to become known in influential circles. He was described as a great gourmet and also hosted many receptions for Stockholm's cultural elite, who praised the cookery art there—one of them was Carl Michael Bellman, who wrote a poem about the food at the receptions, though he did not mention Warg by name. After the death of her last employer Klinckowström in 1759, she acquired his apartment, where she lived on her royalties and by renting out rooms. She died in Stockholm.

Cookbook
In 1755, Warg inherited 5000 daler from her mother when she died. The same year, she published Hjelpreda I Hushållningen För Unga Fruentimber ("Guide to Housekeeping for Young Women") which was published in fourteen editions of which the last version was printed in 1822. It was also translated into German, which came out in four editions, and one Estonian edition. The book mostly contains food recipes but also includes instructions on dyeing textiles and other things related to household maintenance. From the third edition (1762), it included an appendix with the title Underrättelse om Färgning ("instruction on dyeing"). The appendix on dyeing was translated into Danish with two editions (1773 and 1794).

Warg's work was the leading cookbook for several generations and remained relevant until the late 19th century when new household goods, industrially manufactured kitchen stoves and changes in cuisine made most of its recipes outdated.

Editions
Swedish
first edition, 1755 (also published in a facsimile edition in 1970)
second edition, 1759
third edition, 1762 (expansion with an appendix on dyeing textiles)
fourth edition, 1765 (expansion with an appendix with more recipes)
fifth edition, 1770
sixth edition, 1773 (from this edition described as "å nyo öfwersedd, förbättrad och tilökt", "again reviewed, improved and expanded")
seventh edition, 1780
eighth edition, 1781
ninth edition, 1790
tenth edition, 1795
eleventh edition, 1800
twelfth edition, 1809
thirteenth edition, 1814
fourteenth edition, 1822

German
Schwedisches Koch- und Haushaltungs-Buch, first edition (1772)
second edition (1778)
third edition (1789)
fourth edition (1805)

Danish (only the appendix on textile dyeing)
Den paa Kundskab og Erfaring grundede nye Farve-Bog, first edition (1773)
second edition (1794)

Estonian
Köki ja Kokka Ramat, mis Rootsi Kelest Eesti-ma Kele üllespandud on (1781)

Legacy
Tradition has attributed the saying man tager vad man haver ("you use whatever you have") to Warg, though there are no accounts of her having used that expression. Although these precise words have become strongly associated with her, the saying is not mentioned in her book.

See also
List of women cookbook writers
Anna Maria Rückerschöld
Hanna Winsnes, Norway's "Cajsa Warg"
Hannah Glasse, contemporary English cookbook author
Swedish cuisine
Early modern European cuisine

References
 Ärlemalm, Ingrid Cajsa Warg, Hiram och de andra: om svenska kokboksförfattarinnor. Ordalaget, Bromma. 2000.
 Palmær, Margit, Cajsa Warg och hennes kokbok. Cajsa Wargs kokbok utgiven i urval med kulturhistorisk inledning. Stockholm. 1985.
 Du Rietz, Richard, Gastronomisk spegel: historisk översikt jämte förteckning över svenska kok- och hushållsböcker fram till 1850. Stockholm. 1953.
 Öjvind Swahn, Jan, Man tager vad man haver (1970)

Further reading

1703 births
1769 deaths
18th-century Swedish women writers
Swedish chefs
Swedish food writers
18th-century Swedish writers
Women food writers
Women cookbook writers
Age of Liberty people

Cajsa Warg


Liste over fylker i Wisconsin. Det er 72 fylker i den amerikanske delstaten Wisconsin.

Adams County
Ashland County
Barron County
Bayfield County
Brown County
Buffalo County
Burnett County
Calumet County
Chippewa County
Clark County
Columbia County
Crawford County
Dane County
Dodge County
Door County
Douglas County
Dunn County
Eau Claire County
Florence County
Fond du Lac County
Forest County
Grant County
Green County
Green Lake County
Iowa County
Iron County
Jackson County
Jefferson County
Juneau County
Kenosha County
Kewaunee County
La Crosse County
Lafayette County
Langlade County
Lincoln County
Manitowoc County
Marathon County
Marinette County
Marquette County
Menominee County
Milwaukee County
Monroe County
Oconto County
Oneida County
Outagamie County
Ozaukee County
Pepin County
Pierce County
Polk County
Portage County
Price County
Racine County
Richland County
Rock County
Rusk County
Sauk County
Sawyer County
Shawano County
Sheboygan County
St. Croix County
Taylor County
Trempealeau County
Vernon County
Vilas County
Walworth County
Washburn County
Washington County
Waukesha County
Waupaca County
Waushara County
Winnebago County
Wood County

Referanser

Wisconsin

Liste over fylker i Wisconsin


Kalle Stropp, Grodan Boll och deras vänner is a 1956 Swedish live-action/stop-motion feature film directed by after an original script by Thomas Funck, using Funck's already well-established characters. It was followed by a shorter animated film in 1987, Kalle Stropp och Grodan Boll räddar Hönan. This is the first time since before 1987 where a Kalle Stropp production features voice acting by others than only Funck himself, only with the exception of children that had participated in other productions as well.

Plot
Thomas Funck sits with two children and finishes writing the film's subtitles. He begins to tell:It's early in the morning. A lot of baker-clad children collect eggs in a chicken farm. Then they go to the sleeping baker and wake him up, and the baking of the day's bread can begin. When the children later go out to deliver the bread to the customers and the bakery is empty, Kalle Stropp arrives there together with Grodan Boll, Plåt-Niklas, Räven and Papegojan. They are like little insects in the big bakery. But Plåt-Nikla's cure for this. He utters a magic formula, and immediately the bakery shrinks so that the little friends can work unhindered in it. Namely, they will bake a cake to court the guard parade who turns four years old. Without the bakers noticing anything, two sotis, Sot and Tos, sneak into the bakery and steal Plåt-Niklas' propeller which he carries on his back. Then they disappear. Plåt-Niklas discovers the loss, when it's time to whip cream, and becomes very sad. Shortly afterwards, the sotis make themselves known. They have taken care of the propeller, they say. And now they will disappear forever. They should only turn off the light first. They blow - and the electric light goes out. The sotis come to Kalle Stropp's meadow, where they find an egg that they crack, empty and then hide in. Kalle Stropp, Grodan Boll, Plåt-Niklas, Räven and Papegojan come to the meadow. The fox carries the freshly baked cake. Here they meet Hönan who complains that an egg has been stolen from the chicken farm. Kalle Stropp picks up a magnifying glass and starts scouting - and soon finds the egg, the sotis' hiding place. The hen gets the egg back. While Hönan is sleeping, however, the sotis manage to escape, and then they also seize the cake, "guarded" by the equally sleeping Räven. The sotis are discovered, but they go to the beach, jump into the water and disappear with their prey. Now Kalle Stropp gets an idea. From an old boot, he and his friends build a submarine that takes them to the opposite shore. There they chase into a secret passage that they follow, guided by vultures. The aisle ends with Gubben Glömsk and Gumman Kom ihsj who offer a ride in their car - which Plåt-Niklas f ö recognizes as his aunt. Soon, however, the car stops. The petrol is out. Kalle Stropp and his friends can continue on foot. The Sotis have left clear traces that they follow. They come to a tower, and the tracks continue up the tower wall. They climb up - and are captured and bound by the sotis. But now comes the rescue in the form of the guard parade. The captain fires a cannon and threatens to fire a pea unless the sotis release their prisoners. A moment later, Kalle Stropp and his friends are freed, and Plåt-Niklas regains his propeller. The fox has saved the cake. And Frog Boll gets the conciliatory inspiration that the sotis may not be so mean after all - only they can wash themselves. The guard parade's birthday is celebrated with cake and song in a toy store. Kalle Stropp and his friends are of course there - as are the sotis, clean-washed and party-dressed. The end is good, everything is good, says Grodan Boll.

Cast
 Erik Sjögren – Kalle Stropp
 Thor Zackrisson – Grodan Boll
 Sten Ardenstam – Plåt-Niklas
 Thore Segelström – Räven
 Tyyne Talvo Cramér – Papegojan
 John Starck – bagaren
 Ewert Ellman – Sot, sotis
 Stig Grybe – Tos, sotis
 Elsie Höök (krediterad som Elsie Ståhlberg) – Hönan och Gumman Kom-ihåg
 Rutger Nygren – Gubben Glömsk
 Sten Mattsson – Kapten
 Thomas Funck – Sig själv och alla rösterna

Other websites
Swedish movies

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