Alberto Quintero (born in October 1970 in Palencia, Spain) is a Spanish composer, arranger, music producer, musical director and conductor.

Biography

Although most of his career has been focused on recording, he has recently focused on the world of theatre, experiencing some success. This includes two nominations for the Max Awards of the Scenic Arts (2001–2002) as Best Musical Director, and for his work in My Fair Lady, the musical.

As his musical growth progressed, he made his first attempt as an arranger of musicals with Rock Quijote, the musical, in his home town of Palencia. Later, he moved to Madrid to further develop his skills. He studied piano with Ricard Miralles, harmony and arrangement with Felix Santos, singing with Maria Luisa Castellanos, and conducting with Miquel Ortega in Madrid and Antoni Ros-Marbà in Barcelona.

Works

Records

Since 1992, he has taken part in many productions as an arranger, composer and producer. Among the artists with whom he has worked with are:
 Il Divo, (disc Timeless, 2018)
 Il Divo, (disc Amor & Pasión, 2015)
 Sébastien Izambard, Darren Hayes, Natalie Bassingthwaighte, Pete Murray, Ella Hooper, Diesel, David Campbell, Alex Lloyd, Christine Anu, Luke Steele, Katy Steele, Casey Donovan, Damien Leith, Marlisa, Nathaniel, The Australian Children's Choir, Flea (Hope For Isla & Jude, 2014)
 Il Divo, Vincent Niclo, Florent Pagny, Helene Segara, Natasha St-Pier, Anggun, Lisa Angell, Sonia Lacen (disc A Musical Affair French Edition, 2014)
 Il Divo (disc Live in Japan, 2014)
 Innocence (disc Live in México, 2014)
 Matina (disc Ven Conmigo, 2014)
 Il Divo, Juan Gabriel (song Amor Eterno, 2014)
 Il Divo, Lea Salonga (song  A Whole New World, 2014)
 Il Divo, Lea Salonga (song  Can You Feel The Love Tonight, 2013)
 Il Divo, Helene Fischer (song Can You Feel The Love Tonight, 2013)
 Il Divo, Engelbert Humperdick (song  Spanish Eyes, 2013)
 Il Divo, Kristin Chenoweth, Heather Headley, Nicole Scherzinger (disc A Musical Affair, 2013)
 Innocence (disc This Is Love, 2013)
 Il Divo (disc The Greatest Hits, 2012)
 Ana Gabriel (disc Huelo a Soledad, 2001)
 Paloma San Basilio (disc Escorpio, 2001)
 Francisco (disc Mi reina, 1998)

Pianist

As a pianist, Quintero has collaborated with many acknowledged artists, including:

 Javier Gurruchaga and his Orquesta Mondragón
 Carlos Baute
 Cristina del Valle (Ex-Amistades Peligrosas) among others...

Theatre

From 1999, he has been an arranger, producer, music director and conductor of some successful musicals released in Gran Vía of Madrid, known as little Spanish Broadway.  These include:

 Grease (Lope de Vega Theater, 1999)
Leading roles: JG (Danny) and Geraldine Larrosa (Sandy), Carlos Marín (Vince Fontaine), Pablo Puyol (Kenickie), Marta Rivera (Rizzo), Victor Ullate (Sonny), Raquel Grijalba (Marty) and Ignasi Vidal (Doody).
 Peter Pan (Lope de Vega & New Apolo Theaters, 1999 – 2000)
Leading roles:  Raquel Grijalba (Peter), Carlos Marín (le Captain Hook & Mr. Darling), Virginia Martinez (Wendy Moira Angela Darling), Marta Rivera (Mrs. Darling) and Beatriz Luengo (Slightly).
 La Magia de Broadway (Lara Theater, 1999)
Leading roles: Pablo Abraira, Mia Patterson, Pedro Ruy-Blas, Gema Castaño and Virginia Martinez.
 La Magia de Broadway (Lara and New Apollo Theatres 2000)
Leading roles: Marta Sanchez, Serafín Zubiri, Carlos Marín, Geraldine Larrosa, Luis Amando, Paco Arrojo, Beatriz Luengo, Marta Rivera, Raquel Grijalba, Enrique Sequero and Nacho Vidal.
 My Fair Lady (Theatre Coliseum, 2001 – 2003)
Leading roles: Paloma San Basilio (Eliza Doolitle), Jose Sacristán (Teacher Higgins), Joan Crosas (Alfred Doolitle), Nicolás Dueñas (Colonel Pickering), Victor Díaz (Freddy), Carmen Bernardos (Mrs. Higgings) and Selica Torcal (Mrs. Pearce).
 Kerala (Aranjuez's Great Casino 2005)
musical mixture of Circus and Theatre ambient in the India and led for: Kris Horrigan and Christelle (acrobatic Duo).
 Maribel y la extraña familia (Apollo Theater 2005)
Leading roles: Andoni Ferreño (Marcelino), Amparo Saizar (Maribel), Ester Bellver (Rufi), Raquel Grijalba (Nini), Chus Herranz (Pili), Selica Torcal (Paula) and Milagros Ponti (Matilde).

TV

Very recently, his career has focused mainly on television. As a composer, he has worked for several national, autonomic channels and new channels of TDT. Some standouts from his work on television are:

 TV Programs
 El Juego del Euromillón (TV5MONDE)
 Club Disney (TV5MONDE)
 Escuela de Actores (Antena 3)
 Escuela de Cocina Telva (Veo TV)
 Formula Marca (Veo TV)
 Zapineox (Antena.neox)
 Zapinueb (IB3 Autonomic Television of Balearics)
 4-4-2 (IB3 Autonomic Television of Balearics)
 Veo las Noticias (Veo TV)
 Muévete en Casa (Antena.nova)
 Joc i Gols (IB3 Autonomic Television of Balearics)
 Total Esports (IB3 Autonomic Television of Balearics)
 7 de Notícies (IB3 Autonomic Television of Balearics)
 Parella de 3 (IB3 Autonomic Television of Balearics)
 Como el Perro y el Gato (Antena.neox)

 Continuity
 Corporate music, Veo TV
 Corporate continuity, Veo TV
 Continuity Christmas 2005 (IB3 Autonomic Television of Balearics)
 Promos Spring 2006 (IB3 Autonomic Television of Balearics)
 Promos Summer 2006 (IB3 Autonomic Television of Balearics)
 Promos Autumn 2006 (IB3 Autonomic Television of Balearics)
 Promos Christmas and Winter 2006 (IB3 Autonomic Television of Balearics)
 Continuity Winter 2006–2007 (IB3 Autonomic Television of Balearics)

 SitComs

 La Vida en el Aire (TVE2) (directed for Ignacio Mercero)
 La Virtud del Asesino (TVE1) (directed for Antonio Bodegas)

Films

As arranger, he also has done incursions into cinema's world and among his works:

 El Palomo Cojo (directed by Jaime de Armiñan)
 La Sal de la Vida (directed by Eugenio Martín)

Commercials

As composer of music for commercials he has also been employed by different agencies at campaigns for companies like:

 Disney
 Grupo Skoda
 Magneti Marelli

Awards

 1999 – Arranger and Musical Director of Peter Pan, the musical, rewarded with the Max Award of the Scenic Arts to the Best Children's Musical.

 2001 – Nomination to the Max Award of Scenic Arts as Best Musical Director for My Fair Lady, the musical (Coliseum Theater, Madrid).

 2002 – Nomination to the Max Award of Scenic Arts as Best Musical Director for My Fair Lady, the musical (Coliseum Theater, Madrid).

External links
 Official page of Alberto Quintero.
 TONOPRO Music Production – Musical Production Company property of Alberto Quintero.
 Koala Studios — Recording Studios of Alberto Quintero
 TONOPRO Music Production Internacional – Musical Production Company property of Alberto Quintero.
 Official page of Max Awards.

References

1970 births
Living people
People from Palencia
Spanish composers
Spanish male composers

Alberto Quintero


A marina is a place for docking pleasure boats.

Marina may also refer to:

Places

Italy
Bova Marina
 Cirò Marina
 Isca Marina
 Marciana Marina
 Marina di Bibbona
 Marina di Camerota
 Marina di Campo
 Marina di Campo Airport
 Marina di Casalvelino
 Marina di Castagneto Carducci
 Marina di Carrara
 Marina di Cecina
 Marina di Gioiosa Ionica
 Marina di Grosseto
 Marina di Massa
 Marina di Pietrasanta
 Marina di Pisa
 Marina di Posada
 Marina di Ragusa
 Marina di Scilla
 Rio Marina
 Sellia Marina
 Vibo Marina

United States
 Marina, California, a small city on the central coast of California
 Marina, San Diego, California, a neighborhood in San Diego
 Marina Club, a neighborhood in Tampa, Florida
 Marina del Rey, California, a small town on the coast of southern California, near Los Angeles
 Marina District, San Francisco, California

Elsewhere
 Marina Bay, Singapore
 Marina Square, a shopping mall in Singapore
 Marina Alta, a comarca in the province of Alicante, Spain
 Marina Baixa (Spanish: Marina Baja), a comarca in the province of Alicante, Spain
 Marina, Croatia, a municipality and tourist town on the Adriatic
 Marina, Egypt, a Mediterranean beach and resort village
 Marina, Estonia, a village in Saarde Parish, Pärnu County, Estonia
 1202 Marina, an asteroid
 Marina Beach, a beach in Chennai, India
 Marina Beach, a coastal village in KwaZulu-Natal, South Africa
 Marina Point, a low rocky point of Galindez Island, Antarctica
 Dubai Marina, a place in Dubai

People
 Marina (given name), including a list of people with the name

Mononym

 Marina Diamandis (born 1985), Welsh singer-songwriter known as Marina (often stylised as MARINA)
 Marina (Japanese singer) (born 1987), real name Marina Nakamura
 Marina (Polish singer) (born 1989), stylised as MaRina, real name Marina Łuczenko-Szczęsna

Surname
 Alcide Marina (1887–1950), Catholic educator and Vatican diplomat
 Alfonso Marina, American soccer player
 Anya Marina (born 1976), American singer and songwriter
 Justinian Marina (1901–1977), Romanian Orthodox prelate
 Roberto Marina (born 1961), Spanish football player

Spanish surname variants
 Fernando de Andrade de las Mariñas (1477–1549), Galician nobleman and military commander
 Luis Mariñas (1947–2010), Spanish journalist

Arts, entertainment, and media

Films
 Marina (1945 film), a 1945 Mexican comedy film
 Marina (1960 film), a 1960 German musical film
 Marina (2012 film), a 2012 Tamil-language film
 Marina (2013 film), a 2013 Flemish film about the Belgian artist Rocco Granata

Television
 Marina (1974 TV series), a Mexican telenovela
 Marina (2004 TV series), a Philippine TV series
 Marina (2006 TV series), a Spanish-language TV series

Other arts, entertainment, and media
 "Marina" (Rocco Granata song), 1959
 "Marína", a 19th-century poem by Slovak author Andrej Sládkovič (Andrej Braxatoris)
 Marina Records, a record label
 Marina (novel), a 1999 young adult fiction novel by Carlos Ruiz Zafón
 "Marina", a song by +/- from Xs on Your Eyes, 2008

Biology
 Marina (plant), a genus of legumes
 Blechnum penna-marina (the pinque), a fern species from Chile and Argentina

Brands and enterprises
 Morris Marina, a British car
 Marina Hotel, a former hotel/casino in Las Vegas

Maritime
 Marina (ship), a number of ships
 "Marina" means "navy" in Italian and Spanish:
 Marina de Guerra Revolucionaria, the Cuban Navy
 Marina de guerra de Guinea Ecuatorial, the Equatoguinean Navy
 Marina Militare, the Italian Navy
 Real Marina (Kingdom of the Two Sicilies)
 Marina Nazionale Repubblicana, Navy of the Italian Social Republic (1943-1945)
 Marina de Guerra del Peru, the Peruvian Navy
 Marina de Guerra de la República Española, the former Spanish Republican Navy (1931-1939)

Other uses
 MARINA, an NSA database
 Maritime Industry Authority (Philippines), abbreviated as MARINA

See also

 Marine (disambiguation)
 Mariner (disambiguation)
 Marines
 Marina Bay (disambiguation)
 Marinha de Guerra (disambiguation)

Marina (disambiguation)


The Ewoks (singular: Ewok) are a fictional species of small, furry, mammaloid, bipeds in the Star Wars universe. They inhabit the forest moon of Endor and live in arboreal huts and other simple dwellings, being seen as primitive in comparison with other sentient species. Ewoks debuted in the 1983 feature film Return of the Jedi and have since appeared in two made-for-television films, The Ewok Adventure (1984) and Ewoks: The Battle for Endor (1985), as well as a 2D animated series, several books and games, and briefly in the 2019 feature film Star Wars: The Rise of Skywalker.

Concept and creation
George Lucas created the Ewoks because he wanted Return of the Jedi to feature a tribe of primitive creatures that bring down the technological Empire. He had originally intended the scenes to be set on the Wookiee home planet, but as the film series evolved, the Wookiees became technologically skilled. Lucas reversed the syllables to designate a new species, which rhymes with the Miwok, a Native American tribe indigenous to the Redwood forest in which the Endor scenes were filmed for Return of the Jedi. He also based the Ewoks' defeat of the Galactic Empire on the actions of the Viet Cong guerrillas who fought against American soldiers during the Vietnam War.

As Wookiees were tall, Lucas wanted the new species short. Using the image of the Griffon Bruxellois, a dog breed which Lucas owned, the Ewok was developed by renowned make-up artist Stuart Freeborn. As presented in the films, Ewoks appear as stocky, sapient bipeds which stand about one metre tall. They have flat faces, are completely covered in fur, and have large jewel-like eyes. Both their fur and their eyes come in a variety of earth tones, primarily brown, white, grey, gold, and black. Only the costume of the Ewok portrayed by Warwick Davis had moving facial features, though the 2011 Blu-ray release of Return of the Jedi added eye blinks to all of the Ewoks. Despite their small size, Ewoks are strong; in the climactic battle scene of the film, they are shown physically overpowering and once even throwing Imperial stormtroopers, though this detail is not consistent throughout the film. Ewoks live high among the trees of their home moon's forests, in villages built on platforms between the closely spaced trees.

Ewokese language

An Ewokese language was created for the films by Return of the Jedi sound designer Ben Burtt. On the commentary track for the DVD of Return of the Jedi, Burtt explains that the language is based on Kalmyk, a Mongolic language spoken by the Kalmyk people of Russia. Burtt heard the language in a documentary and liked its sound, which seems very alien to Western ears. After some research, he identified an 80-year-old Kalmyk refugee. Burtt recorded her telling folk stories in her native language, and then used the recordings as a basis for sounds that became the Ewok language and were performed by voice actors who imitated the old woman's voice in different styles. For the scene in which  speaks Ewokese, actor Anthony Daniels worked with Burtt and invented words, based on the Kalmyk recordings.

Separately, it has been reported that the speech of Ewoks in Return of the Jedi utilizes Nepalese and some sped-up Tibetan phrases, the latter oddly including the phrase "there is lots of money here".

Appearances

Return of the Jedi

The Ewoks are involved in a large portion of the final installment in Lucasfilm's Star Wars trilogy. When the Empire begins operations on the moon of Endor, prior to the events depicted in the film, it ignores the primitive Ewoks. Princess Leia, part of a Rebel strike team, then befriends the Ewok Wicket W. Warrick, a scout from Bright Tree Village, and is taken to meet the other Ewoks. The Ewoks capture Han Solo, Chewbacca, Luke and the droids in a trap, and take them back to the village. As Ewoks are a carnivorous race that considers humanoid flesh a delicacy, they prepare fires in anticipation of eating Han, Luke and Chewbacca to absorb their power.

The Ewoks worship the protocol droid C-3PO, thinking he is a god due to his golden, metallic body and later display of power arranged by Luke Skywalker through the Force. C-3PO tells the Council of Elders the adventures of the rebel heroes Skywalker, Princess Leia, and Han Solo. The Ewoks accept the Rebels into their tribe and ally themselves to their cause. They then help in the ground battle to destroy the Imperial shield generator on the forest floor, and their primitive weapons fell the Imperial stormtroopers and the AT-ST walkers of the Empire. This assistance paves the way to victory at the Battle of Endor. Later that night, the Ewoks are shown holding a huge celebration.

Ewoks speak their native language of Ewokese, a fictional language created for the film. This language is understood by C-3PO, but not the humans in the film.

The word Ewok is not mentioned anywhere in the film, nor are any individuals referred to by name, except in the end titles, where names of the more prominent characters (Wicket, Paploo, Teebo, Logray and Chirpa) are shown, while the others are just listed as Ewoks.

The Rise of Skywalker
Wicket W. Warrick and another Ewok appear briefly at the end of The Rise of Skywalker.

Television films and animated series

After the release of Return of the Jedi, the Ewoks starred in two made-for-TV movies, both of which starred Warwick Davis reprising his role as Wicket from Return of the Jedi. The first film, The Ewok Adventure, was released in November 1984, followed by Ewoks: The Battle for Endor the next year. The Ewoks also starred in cartoon series on ABC known simply as Ewoks. Their rival species in the series, the Duloks, are explained by official sources to be distant cousins of the Ewoks.

A teddy bear-like Ewok doll appears in the animated series Star Wars Resistance.

Comics
The Ewoks animated series had a comic book series, one issue of which crosses over with the comic for Ewoks' sister animated series, Droids.

In a (non-canon) Star Wars Tales comic entitled Apocalypse Endor, an Imperial veteran of Endor refers to the moon being devastated by the impact of falling debris from the Death Star, which was blown up while in orbit around the moon, causing devastation to the Ewoks. However, another character dismisses this as a myth, saying that most of the Death Star's mass was obliterated in the explosion, and that the Rebels "took care of the rest".

A canon Ewoks-themed comic spun off from Return of the Jedi is scheduled for release in April 2023.

Reception
The Ewoks are seen to be a controversial element of Return of the Jedi and the Star Wars universe in general, and are seen by some to be the weakest part of the original trilogy. According to Tami Katzoff of MTV News, "a prevailing theory among Ewok-haters is that the creatures were originally conceived as a sure way to appeal to small children and sell plush toys to their parents." Others enjoy the Ewoks, and they have proven to be very popular with children from their introduction in 1983 to the present day.

Emmy Awards
Caravan of Courage: An Ewok Adventure was one of four films to be juried-awarded Emmys for Outstanding Special Visual Effects at the 37th Primetime Emmy Awards. The film was additionally nominated for Outstanding Children's Program, but lost in this category to an episode of American Playhouse.

At the 38th Primetime Emmy Awards, Ewoks: The Battle for Endor and the CBS documentary Dinosaur! were both juried-awarded Emmys for Outstanding Special Visual Effects. The film additionally received two nominations for Outstanding Children's Program and Outstanding Sound Mixing for a Miniseries or a Special.

Notable Ewoks
Several Ewoks have received a higher level of definition and recognition in Star Wars media.

Wicket

Wicket is the most prominently featured Ewok in Return of The Jedi. During his travels, he encounters Princess Leia in the forest. He helps her to the relative safety of his village, and notices her courage and compassion. Wicket has good knowledge of the terrain of Endor, leading him to be essential during the Rebellion's attack on the Imperial forces.
Wicket was portrayed by actor Warwick Davis.

Teebo
Teebo is described by the Star Wars: The Complete Visual Dictionary as being 'A watcher of the stars and a poet at heart.' His ability to make a sound practical judgement has caused him to have a position as a leader within the tribe. He wears a Gurreck skull headdress.
Teebo was portrayed by Jack Purvis.

Chief Chirpa
Chief Chirpa has been the leader of the Ewok tribe for a total of 42 seasons. He has a large amount of wisdom and good judgement, but he has become forgetful due to his old age. He allows the Ewok tribe the authority to fight against the Empire. Chief Chirpa has a medallion signifying he is the chief of the Ewoks.
Chirpa was played by Jane Busby.

Logray
Logray is the Ewok tribal shaman, who relies on ancient magic in order to assist his tribe. He is suspicious of all outsiders, which is reinforced due to the arrival of Imperial troops.
Logray was portrayed by Mike Edmonds who also was "tail-puppeteer" for Jabba the Hutt.

Paploo
Paploo is Chief Chirpa's nephew and a scout who, along with Wicket, helps lead the Rebels to the shield generator protecting the second Death Star. Although his effort to lure four Imperial scouts away from the bunker could have compromised the attack, it was relatively successful as he stole a speeder bike and forced three of the scouts to give chase, allowing the rebels to overpower the last guard and gain entrance. Paploo is seen later helping the Ewoks fight the Empire.

Nippet
Nippet is a baby Ewok who gets her name in the vintage era. Nippet is the daughter of Lumat.

Lumat
Lumat is the chief woodcutter of the tribe, and is the father of Nippet.

See also

 List of Star Wars planets and moons

Notes

References

Further reading

External links
 Endor at the Star Wars Databank

 Endor 'Holocaust' at Star Wars Technical Commentaries

 Action Figure Archive – Ewoks cartoon series action figure guide

Fictional extraterrestrial life forms
Fictional humanoids
Fictional mammals
Fictional warrior races
Film characters introduced in 1983
Return of the Jedi
Star Wars species
Ewoks

Ewok


Golmaal Again () is a 2017 Indian Hindi-language horror action comedy movie. It was written and directed by Rohit Shetty and produced by Rohit Shetty Pictures, Mangal Murti Films and Reliance Entertainment. Made on a total budget of 69 crores including production and marketing costs, it is the fourth installment of the Golmaal franchise and stars Tabu, Ajay Devgn, Parineeti Chopra, Arshad Warsi, Tusshar Kapoor, Shreyas Talpade, Kunal Khemu. This movie is also the sequel to Golmaal 3.

Filming
The movie's filming began in March 2017. The movie was theatrically released worldwide with a runtime of 152 minutes on October 20, 2017, coinciding with Diwali. Despite clashing with Aamir Khan's Secret Superstar, Golmaal Again became one of the year's highest grossers and was a blockbuster at the box office. Its lifetime domestic net collection was more than 205 crores, while the worldwide gross ended at 311 crores. The film received mixed reviews from critics with praise for its humour and performances and criticism for its flaws in the technical aspects. In 2019, a show based on the Golmaal film series was made and it was called Golmaal Jr, which is a show about  two rival prank gangs of kids, headed by Gopal and Madhav. A spin-off film titled Cirkus was released on 23 December 2022.

Plot

Gopal, Madhav, Lucky, Laxman and Laxman 2 are orphans in an orphanage in Ooty managed by businessman Jamnadas. Gopal is afraid of ghosts. Lucky is mute and Laxman has a speech impediment. The boys find a baby girl and take her in, naming her Khushi. They care for her and are also aware of librarian Anna's ability to see ghosts and spirits. One day, when Madhav pranks and scares the timid Gopal in an empty bungalow, a fight ensues between the boys. Gopal gets punished, which prompts Gopal and Laxman to leave the orphanage, and soon, Madhav, Lucky and Laxman also do the same. Khushi is later adopted by the loving Colonel Chauhan and his wife.

Years later
Some years later, Gopal and Laxman work with Babli Bhai and Madhav, Lucky and Laxman work with Vasooli Bhai. The group reunites after learning about Jamnadas' demise. Returning to the orphanage after 25 years, they meet Col. Chauhan, Anna and Pappi, another orphan from the orphanage who has frequent memory loss. They meet a girl who they think is the bungalow's caretaker, Damini and learn about Khushi's demise. At an event after Jamnadas' funeral, businessman Vasu Reddy reveals the orphanage would be demolished and moved elsewhere in plans to make his own building. When the group leaves the orphanage and returns, a ghost possesses Laxman and speak in Nana Patekar's voice which scares Gopal. Next, the ghost possesses Madhav and prompts Vasooli to give them a task, indirectly bringing the three back to Ooty. A scared Gopal calls Anna, who reveals that there is a spirit in their house and suggests him and Laxman to move to Col. Chauhan's house. Upon reaching Ooty, the two groups start fighting each other out of anger. The three try to scare Gopal into leaving the house, but Gopal gets possessed and beats Lucky and Laxman badly. Later, Vasu Reddy assigns Madhav, Lucky and Laxman to burn down the house. But things go awry when Lucky gets possessed by the spirit and starts talking, which scares the group. The two groups then decide to leave, but Anna and Damini convince them to stay for the birthday celebration, and the group makes amends. The four find that Gopal has fallen in love with Damini and force him to confess his feelings. Pappi arrives and reveals that the girl they assumed to be Damini is actually Khushi, who is dead, while the real Damini is Pappi's girlfriend. The boys get terrified and try to escape the house along with Pappi, Babli Bhai and Vasooli Bhai after Damini confesses it herself. Anna arrives and stops them and explains to them that the ghost is none other than their childhood friend Khushi.

Flashback
A flashback narrated by Khushi explains how her boyfriend, Nikhil Surana, a young businessman and Jamnadas' nephew, killed him in order to obtain the orphanage in his name and demolish it for the construction of a site. Upon confronting him and threatening to go to the police, Khushi was strangled to death by Nikhil. With the help of Vasu Reddy, he managed to prove the killings to be accidents. However, Khushi's spirit came for help to Anna, who was surprised that the boys could see Khushi and eventually brought them to the house to help get justice for Khushi.

Back to the present
Back to the present, Gopal thrashes the goons sent by Vasu Reddy while the rest of the boys, who wanted to stay away from the matter, get emotionally convinced to stay. They convince Gopal to stop chasing the goons and later almost manage to scare Vasu into confessing the truth, but Nikhil arrives before they can and reveals there's no evidence to prove him guilty. This leads to a fight, during which Khushi attacks and nearly kills Nikhil but is calmed down by Anna, and Vasu convinces Nikhil to confess. With the orphanage saved, Khushi's spirit departs to heaven after bidding goodbye to the boys and Anna.

Cast

Main
 Ajay Devgn as Gopal "Gopu" Kumar Santoshi
 Tabu as Anna Mathew/the narrator
 Diksha Sharma as little Anna
 Parineeti Chopra as Khushi Chauhan/Damini Jaisingh (fake)
 Arshad Warsi as Madhav Singh Ghai
 Shreyas Talpade as Laxman Prasad Santoshi
 Tusshar Kapoor as Lucky Singh Ghai
 Kunal Khemu as Laxman Singh Ghai
 Neil Nitin Mukesh as Nikhil Surana
 Johny Lever as Pappi Bhai
 Prakash Raj as Vasu Reddy

Recurring

 Sanjay Mishra as Babli Bhai
 Mukesh Tiwari as Vasooli Jhinga
 Vrajesh Hirjee as Pandu Ranga
 Murali Sharma as Inspector Mohan Dande
 Vijay Patkar as Havaldar Jaikanth Gandhari
 Uday Tikekar as Jamnadas Bansal
 Sachin Khedekar as Colonel Chauhan
 Ashwini Kalsekar as Damini Jaisingh
 Nana Patekar as Himself; the voice of the ghost
 Mohan Ram as a ghost
 Shreya Anchan as himself (special appearance)

Sequel
On November 7, 2021, Rohit announced that the fifth film of Golmaal series will be called Phir Golmaal. He also announced on that same day that it will be about Gopal, Madhav, Laxman, Lucky, and their new friend, who is named Vicky solving a case of them being accused of a murder as they keep on getting into trouble while solving it.

References

2010s Hindi-language movies
2010s Indian movies
2017 movies

Golmaal Again


Brick Man was an Antony Gormley sculpture proposed in the 1980s for the city of Leeds, West Yorkshire, England.

A male human figure standing over 100 feet (30 m) high, it would have stood on a triangle of land bounded by railway lines in the Holbeck area of the city, greeting travellers arriving at Leeds railway station. It would have cost £600,000 and been the largest sculpture in the UK at the time.

The sculpture was one of twenty designs produced in response to a competition to find an artwork for the site, but the proposal was ultimately rejected by Leeds City Council in 1988. Conservative councillor Richard Hughes-Rowlands said at the time: "If Mr Gormley is talking about it [Brick Man] going somewhere else, my eyes won't exactly be weeping tears."

Gormley has blamed "lack of nerve" for the rejection of his idea, adding: "I think of it still as my best attempt to allude to the collective body." The idea of an iconic landmark sculpture of the human form later saw the light of day in Gormley's Angel of the North.

A maquette for the sculpture can be seen in Leeds City Art Gallery.

References

Sculptures by Antony Gormley
Buildings and structures in Leeds
Outdoor sculptures in England

Brick Man


Indian Field Methodist Campground is a camp meeting site for the Methodist Church in Dorchester County, South Carolina. It is on SC Route S-18-73, off US Route 15, about  north of Saint George. Indian Field was built in 1848 and has been a site for religious gatherings for over 160 years. It is associated with the Indian Field United Methodist Church located on U.S. Highway 15 about 2 miles (3 km) north of the campground and just south of U.S. Highway 178. It was named a historic district of the National Register of Historic Places on March 30, 1973.

History

Religious camp meetings played an important role in the growth of some Protestant denominations in the early 19th century in rural parts of the United States. These meetings served a much wider population than a single church. Camp meetings usually lasted around a week and were social as well as religious occasions for the participants. A typical camp meeting site started with a brush arbor surrounded by tents and wagons. Often a chapel or tabernacle was built to replace the arbor and wooden cabins called "tents" were built to replace actual tents.

The Indian Field United Methodist Church is located on U.S. Highway 15 about  north of the campground and just south of U.S. Highway 178. This church began in 1787. Its first building was about  east of the unincorporated Rosinville community at the intersection of U.S. Highways 15 and 178. The second church was built around 1819 near the current church. The third church was finished in 1886. The current church was completed in 1955.

The first Indian Field Campground was  held on a farm in the late 18th century. It was probably located near the first church building. Bishop Francis Asbury noted in his journal that he preached at "Indian Fields" on December 21, 1801 and January 13, 1803. His journal does not say if he preached at the campground or the church. Other sources indicate that this campground was established in 1810.

In 1838, the campground was moved to the present site.  The existing campground was constructed in 1848. It was restored in 1970.

On February 25, 1995, an intentional fire burned several structures at the campground. The person who set the fire was never apprehended.

Architecture

The existing campground consists of the central tabernacle surrounded by ninety-nine cabins of wooden construction.  These cabins are referred to as "tents". Although is frequently stated that the tents are arrayed in a circle, they are actually arranged roughly in an octagon.

The tabernacle  is a wooden pavilion with a gablet roof. The roof has exposed rafters and is supported by wooden posts. The pavilion has a raised preacher's stand at its northern end and three sections of wooden pews. It seats over 1,000.

The "tents" have a metal roof and are of two stories. The internal layout of each tent varies, but typically each has two upstairs bedrooms with a central stairway.  The downstairs usually has a dining area towards the front and another bedroom at the rear.  Historically the occupants of the upstairs bedrooms were divided by gender, while the downstairs bedroom was reserved for the older members of the family.  The downstairs rooms may be connected with a hallway, or the rooms may have individual exterior doors. The downstairs areas have dirt floors that are typically covered with straw during camp meetings. The cooking area is below a shed attached to the rear of the tent.  There is a wood-burning brick or cinderblock fireplace under the cook shed, and usually a small room for the cook's quarters. A typical floor plan of the larger cabin has been published.

The single-story preacher's cabin is larger and taller than the other cabins. It has a four-panel door flanked by two-over-two light windows.

There is a paved road around the campground. Outside this road, each cabin has a privy. Historically there were shared water wells in front of the cabins and stands for blazing pine knots to light the area at dark, however currently each tent has water and electric service.

Additional pictures of the campground have been published.

See also
 Camp Welfare: AME Zion camp meeting ground in Fairfield County, South Carolina
 Cattle Creek Campground: United Methodist camp meeting ground in Orangeburg County, South Carolina
 Cypress Camp Ground: Methodist camp meeting ground in Dorchester County, South Carolina
 Mount Carmel Campground: AME Zion camp meeting ground in Lancaster County, South Carolina
 St. Paul Camp Ground: AME camp meeting ground in Dorchester County, South Carolina

References

External links
 Indian Old Field Methodist Camp Grounds - Dorchester County, S.C.

Historic American Buildings Survey in South Carolina
Properties of religious function on the National Register of Historic Places in South Carolina
1848 establishments in South Carolina
Buildings and structures in Dorchester County, South Carolina
Methodism in South Carolina
Historic districts on the National Register of Historic Places in South Carolina
National Register of Historic Places in Dorchester County, South Carolina
Camp meeting grounds
Campgrounds in South Carolina
United Methodist Church

Indian Fields Methodist Campground


University of Cape Coast () yɛ Ghana suapɔn. Suapɔn yi wɔ Cape Coast wɔ Mfinmfini Mantam wɔ Ghana

University of Cape Coast yɛ amansan nyinaa collegiate suapɔn no mu baako a ɛwɔ kuro a yɛfrɛ no Cape Coast a ɛwɔ  abakwasɛm beberee. Suapɔn no wɔ mpoano a sɛ wohwɛ firi Atlantic Ocean a wobɛhunu sɛ ɛgu bepo so. Suapɔn no wɔ mmea ahodoɔ mmienu a asuafoɔ no kɔgye nteteɛ: deɛ ɛwɔ Anaafoɔ fam (Old Site) ɛne deɛ ɛwɔ Atifi fam (New Site). Mmea ahodoɔ mmienu a agye din na ɛwɔ abakwasɛm pii wɔ Ghana bi ne Elmina ne Cape Coast Castle, a ɛyɛ anamon tiawa bi, sɛ wofiri suapɔn no mu rekɔ hɔ a.

Wɔtee suapɔn yi wɔ Ahinimie bosome no mu wɔ afe apem ahankron aduosia mmienu (1962) mu berɛ a na ɔman Ghana hia nnipa wɔwɔ nteteɛ ama wɔn abɛboa Ghana nwomasua no. Ne botae titiri ne sɛ ɔbɛtete akyerɛkyerɛfoɔ de ama Ghana ntoasoɔ sukuu ahodoɔ no.

wɔ ɛbɔ bosome no mu wɔ afe mpem mmienu ne aduonu baako mu no,suapɔn no gyee abasobɔdeɛ ahodoɔ pii a ɛbi na ɛdidi soɔ yi:
1. The No. 1 University in Africa for research influence (Globally)
2. The No. 1 University in Ghana
3. The No. 1 University in West Africa
4. Ranked amongst the top 5 Universities in Africa.

Abakwasɛm
Wɔsii Cape Coast Suapɔn wɔ Ahinime bosome, wɔ afe apem ahankron ne aduosia mmienu (1962) mu sɛ suapɔn kɔlegye na na ɛne University of Ghana, Legon wɔ nkitahodie soronko. Wɔ Ahinime bosome ne da a adi kan wɔ afe apem ahankron ne aduoson baako (1971) mu no, kɔlegye (college) no nyaa dibea a adi mu na agyina ne ho so sɛ Suapɔn, na enyaa tumi sɛ ɛma abɔdin nkrataa wɔ n'ankasa degrees, diploma ne abɔdin nkrataa firi Act of Parliament hɔ. Wɔsii suapɔn no ɛnam hia a na ehia qualified ne skilled manpower a ɛwɔ soro wɔ nnwomasua mu. Ne asɛdeɛ pa ara yɛ sɛ ɛbɛtete graduate akyerɛkyerɛfoɔ ama Ghana second cycle asukuu ne asoeɛ a ɛhwɛ nnwomasua so sɛdea wɔbetumi ahyia ɔman no manpower ahiadeɛ ahyɛ nnwomasua dwumadie mu kena wɔ saa berɛ no mu. Ɛnnɛ, ɛnam sɛ wɔn abue bue wɔn Faculties/Sukuu ne wɔn dwumadie ahodoɔ mu nti, Suapɔn no enya ahoɔden a wɔbetumi de ayɛ asoeɛ foforo ne nnwumakuo a ɛwɔ ɔman no mu manpower adwuma, ɛka asoeɛ a ɛhwɛ nnwomsua ho deɛ ho. Efiri suafoɔ dodoɔ ɔha aduonum num (155) wɔ afe apem ahankron ne aduosia mmiɛnsa (1963) mu a wɔde wɔn hyɛɛ aseɛ, Cape Coast Suapɔn no wɔ asuafoɔ dodoɔ bɛyɛ mpem aduowɔtwe (80,00). Suapɔn no de departments mmienu na ɛhyɛɛ aseɛ,  wɔn ne: Arts ne Science. Saa departments yi kɔɔ anim bɛyɛɛ Faculties wɔ mfeɛ 1963 mu. Sɛdea wɔbetumi enya wɔn anisoadehunu, wɔ afe 1964 mu, suapɔn no sane tee Faculties mmienu kaa ho, wɔn ne:Education ne Economics & Social Studies [now Faculty of Social Sciences]. faculty a ɛtɔ so num [School of Agriculture] wɔsii no wɔ afe 1975. Wɔkyekyɛɛ Faculty of Science mu nyaa Schools of Physical and Biological Sciences wɔ 2002/2003 adesua afe no mu berɛ a Department of Business Studies nso wɔpagya mu yɛɛ no School of Business a ɛhyɛɛ aseɛ wɔ 2003/2004 adesua afe no mu. Medical School, faculty of Law ne school of economics ne afoforo nso abɛka ho. Suapɔn no tete doctors ne health care professionals seesei, ne education planners, administrators, agriculturalists, Accountants, lawyers etc. Ministers of State, High Commissioners, CEOs, and Members of Parliament ka Cape Coast Suapɔn (UCC) graduatefoɔ ho.

Asukuufoɔ dodoɔ
Asukuufoɔ a wɔgyee wɔn wɔ sukuu no ahyɛase wɔ afe apem ahankron ne aduosia mmiɛnsa (1963) mu dodoɔ yɛ 155, Cape Coast Suapɔn no wɔ asukuufoɔ dodoɔ mpem aduoson nan, ahason ne aduonu (74,720). Ne nkyekyɛmu na adidi soɔ yi: 18,949 regular undergraduate students, 1445 sandwich undergraduate students, 1014 regular postgraduate students, 2773 sandwich postgraduate students 48,989 distance undergraduate students and 1540 postgraduate distance students. Suapɔn no gyee asukuufoɔ dodoɔ 24,723 ɛwɔ wɔn dwumadie ahadoɔ mu wɔ 2016/2017 adesua afe no mu.

NWOMASUA
Cape Coast Suapɔn no kɔlɛgy anaa akuokuo nsia. kɔlɛgy biara wɔ ɔno ara ne faculties, sukuu ahodoɔ ɛne department ahodoɔ hyehyɛ wɔn ase, ɛbinom ne;

College of Agriculture & Natural Sciences [CANS]

School of Physical Sciences
 Department of Physics
 Department of Mathematics
 Department of Statistics
 Department of Laboratory Technology
 Department of Computer Science & Information Technology
 Department of Chemistry
 Laser & Fibre Optics Centre
 Industrial Chemistry Programme

School of Biological Sciences
 Department of Molecular Biology and Biotechnology
 Department of Fisheries & Aquatic Sciences
 Department of Environmental Sciences
 Department of Entomology & Wildlife
 Department of Biomedical & Forensic Sciences
 Department of Biochemistry

School of Agriculture
 Department of Soil Science
 Department of Crop Science
 Department of Animal Science
 Department of Agricultural Engineering
 Department of Agricultural Economics and Extension
 Technology Village
 Supervise Enterprise Projects (SEPs)
 Meat Processing Unit (MPU)

College of Distance Education [CoDE]
 Department of Business studies
 Department of Education
 Department of Mathematics and Science

College of Education Studies [CES]

Faculty of Educational Foundations
 Centre for Child Development Research and Referral
 Counselling Centre
 Department of Basic Education
 Department of Education & Psychology
 Department of Guidance and Counseling

Faculty of Humanities & Social Sciences Education
 Department of Arts Education
 Department of Business and Social Sciences Education

Faculty of Science & Technology Education
 Department of Health Science Education
 Department of Health, Physical Education & Recreation
 Department of Mathematics & ICT Education
 Department of Science Education
 Department of Vocational & Technical Education

School of Educational Development & Outreach
 Centre for Educational Research, Evaluation and Development
 Centre for Teacher Professional Development
 Centre for Teaching Support
 Institute of Education

College of Humanities and Legal Studies [CHLS]

Faculty of Social Sciences
 Institute for Oil and Gas Studies
 Institute for Development Studies (IDS)
 Department of Sociology & Anthropology
 Department of Population & Health
 Department of Hospitality & Tourism Management
 Department of Geography & Regional Planning
 Department of Economics
 Centre for Gender, Research, Advocacy and Documentation (CEGRAD)
 Micro-finance Unit
 Centre for Data Archiving, Management, Analysis and Advocacy (C-DAMAA)

Faculty of Arts
 Information & Literacy Skills
 Department of Theatre & Film Studies
 Department of Religion and Human Values
 Department of Music & Dance
 Department of History
 Department of Ghanaian Languages & Linguistics
 Department of French
 Department of English
 Department of Communication Studies
 Department of Classics & Philosophy
 Centre for African and International Studies

Faculty of Law
 Department of Law
 Law Clinic & Department for Legal Extension
 Centre for Legal Research
 Law Library & Information Centre

School of Business
 Department of Management
 Department of Accounting
Department of Finance

Department of Marketing & Supply Chain Management

Department of Human Resource Management
 Professional & Management Development Unit (PMDU)
 Centre for Entrepreneurship and Small Enterprise Development (CESED)

College of Health & Allied Sciences [CoHAS]

School of Medical Sciences
 Department of Nurse Anaesthesia
 Department of Anaesthesia & Pain Management
 Department of Anatomy & Cell Biology
 Department of Medical Biochemistry & Molecular Biology
 Department Of Obstetrics & Gynaecology & Fetal Medicine
 Department of Internal Medicine & Therapeutics
 Department of Chemical Pathology
  Department of Community Medicine
  Department of Internal Medicine & Therapeutics
  Department of Medical Education & Information Technology
  Department of Microbiology & Immunology
  Department of Pharmacology
  Department of Paediatrics
  Department of Morbid Anatomy & Histopathology
  Department of Surgery
  Department of Psychological Medicine & Mental Health
  Department of Physiology

School of Nursing & Midwifery
 Department of Nursing

School of Allied Health Sciences
  Department of Sports Science
  Department of Physician Assistant Studies
  Department of Nutrition and Dietetics
  Department of Medical Laboratory Technology
  Department of Medical Imaging
  Department of Health Information Management
  Department of Optometry

School of Graduate Studies and Research
The School of Graduate Studies (SGS) a ɛwɔ Cape Coast Suapɔn no mu baeɛ wɔ Ɔsanaa bosome ne da a adi kan wɔ mfeɛ mpem mmienu ne nwɔtwe (2008) mu. Ɛhyɛɛ aseɛ sɛ Higher Degrees agyinatukuo (committee),  a na wɔn asɛdeɛ ne sɛ wɔbetu Suapɔn no graduate policy fo na wɔn agye Suapɔn no scholarship abasobɔdeɛ no atum. Wɔ 1992, wɔsesaa agyinatukuo a ɛhwɛ Higher Degrees so bɛyɛɛ Board of Graduate Studies. Saa kuo yi, agyinatukuo ketewa a ɛhyɛ Academic Board ase, wɔde asɛdeɛ hyɛɛ wɔn nsa a ɛyɛ graduatefoɔ adesua nnyeeɛ mu wɔ Suapɔn no mu, kɔsi sɛ wɔpagyaa dibea no mu bɛyɛɛ sukuu wɔ Ɔsanaa bosome ne da adi kan wɔ mfeɛ mpem mmienu ne nwɔtwe (2008) mu. Sukuu no wɔ tumi sɛ ɛhyehyɛ graduate-level adesua dwumadie ma kɔlegyi (College) nyinaa wɔ Suapɔn no mu. Ɛsane so ma afotuo na ɛyɛ adwuma sɛdeɛ ɛsɛ wɔ graduate programmes a ɛwɔ Cape Coast Suapɔn no mu a wɔne wɔn di dwuma.

Sɛdeɛ wɔbenya wɔn anisoadehunu ne wɔn botaeɛ, sukuu no wɔ dwumadie nkyekyɛmu nan (4):

 Draft regulations for all higher degrees with a view to ensuring that acceptable academic standards are maintained.
 Receive reports and consider recommendations pertaining to higher degrees and graduate diplomas from Departmental and Faculty Committee of Graduate Studies.
 Determine the results of higher degrees and graduate diplomas.
 Make recommendations to the Academic Board for the award of higher degrees and graduate diplomas.

Suapɔn no de two-semester system na adi dwuma ma regular graduate programmes. Semester a adi kan no hyɛ aseɛ firi Ɔsanaa bosome no mu de kɔsi Ɔpɛnimma bosome no mu na Second Semester nso ahyɛ aseɛ efiri Ɔpɛpɔn bosome no mu de akɔsi Kotonimma bosome mu. Suapɔn no ma Master of Arts (M.A.), Master of Science (M.Sc.), Master of Education (M.Ed.), Master of Business Administration (M.B.A.), Master of Philosophy (M.Phil.), Master of Commerce (M.Com.) ne Doctor of Philosophy (PhD) degrees abasobɔdeɛ wɔ ekuokuo yi mu.

M.A./M.Ed./M.Sc. dwumadie tae fa semesters mmienu a course work (nine months) dea adi akyi yɛ  project or dissertation (three months).

The Master of Philosophy (M.Phil.) dwumadie no wɔ nkyekyɛmu mmienu. Ɔfa a adi kan no bɛfa semesters mmienu a ɛwɔ course work ma full-time students ne semesters nan course work ma part-time students. Ɔfa a ɛtɔ so mmienu no bɛboro abosome dummienu a ɛyɛ research ne presentation of the thesis. Doctor of Philosophy (Ph.D.) dwumadie no ho hia ma nhwehwɛmu. Ɛberɛ a wɔdesua ma full-time asuafoɔ no yɛ mfeɛ mmiɛnsa ne nan ntam na part-time asuafoɔ nso deɛ yɛ mfeɛ nan ne num ntam.

Center for International Education
Centre for International Education (CIE), a ɛwɔ Cape Coast Suapɔn no mu, wɔsiiɛ sɛ ebepia, aboa na ahwɛ amanaman adesua ho dwumadie wɔ Suapɔn no mu. Dea ɛka dwumadie yi ho bi ne amanaman asuafoɔ ne adwumayɛfoɔ nsesaeɛ, wɔbɛyɛ nhwehwɛmu abɔ mu ne publications, ne nsɛm kyɛ ho, wɔ ne nyinaa mu botaeɛ ne sɛ ɛbɛma amanaman mfonini akɔ soro wɔ Suapɔn no mu. Centre for International Education | Centre for International Education

Mfeɛ a abɛsene kɔ no, na Center no ne adesua beaeɛ a ɛwɔ soro wɔ adesua mu firi USA, China, UK, Sweden, Germany, Liberia, Nigeria ne Senegal ne afoforo bebree wɔ ayɔnkofa a tema ne nteaseɛ wɔ mu.

Beaeɛ (Centre) no ma dwumadie mmoa a ɛsom bɔ ma inbound ne outbound nsesaeɛ no nsɛm ma adesuafoɔ ne adwumayɛfoɔ a ɛwɔ Suapɔn no mu bi te sɛ, na mmom wɔnnya wei nso nto hɔ, sɛ wɔ bɛ kyerɛkyerɛ wɔ nnoɔma ani so, Suapɔn no mu akwanya, nnyeeɛ, beaeɛ a wɔn bɛ da, pastoral care, pre-departure briefings and post-return debriefings ma inbound and outbound exchange students ne staff.

Dwumadie
The Centre:

 Wɔhwɛ nsɛm a ɛfa dwumadie a ɛfa amanaman adesua ho nyinaa siesie.
 Agyina hɔ sɛ afutuo kuo ma nnwomasua nkyekyɛmu wɔ nsesaeɛ ne wɔn adwuma a wɔyɛ bom mu.
 Agyina hɔ sɛ service provider wɔ campus ma adesuafoɔ a efiri amanaman ne wɔn a wɔreba nsrahwɛ, faculty members ne adwumayɛfoɔ.
 Na sɛdeɛ ne sɛ ɛbɛma Memorandum of Understanding anaa wɔn ne afoforo nhyehyɛeɛ ho nteaseɛ wɔ sukuu a ɛwɔ Ghana ne neɛ ɛwɔ abɔnten ho nsɛm akɔ anim.
 Ɛhwɛ wɔn ne nnwomasua beaeɛ a wɔn ne wɔn wɔ nkitahodie ho nsɛm a ɛfa adwumayɛfoɔ ne adesuafoɔ nsesaeɛ ho.
 Wɔhyehyɛ  international workshops, seminars ne conferences.
University of Cape Coast di dwuma ma asuafoɔ a efiri amanaman nsesaeɛ ho dwuma a wɔn a wɔ ka ho bi no firi, Europe, North America, ne abibiman afoforo mu. Adesuafoɔ a wɔfiri amanaman ba no wɔgye wɔn ka asuafoɔ ne campus life na wɔsane so ma wɔn abasobɔdeɛ a ɛkyerɛ sɛ wɔwie wɔn adesua wɔ nkunimdie mu wɔ UCC.

NTOASOƆ SUKUU AHODOƆ A WƆNE WƆN DI DWUMA
All Colleges of Education in Ghana
Pentecost University College
Christian Service University College
Palm Institute
Synergies Institute-Ghana
Fountainhead Christian College
Institute for Development and Technology Management
Institute for Security, Disaster and Emergency Studies (ISDES)
Klintaps University College
Nana Afia Kobi Serwaa Ampem II Nursing Training College
Nduom School of Business and Technology
College of Health and Well-Being
College of Health, Yamfo

Mmeaɛ ahodoɔ a adesuafoɔ no da
Oguaa Hall
Atlantic Hall
Adehye Hall
Casely Hayford Hall(Casford)
Kwame Nkrumah Hall
Valco Hall
SRC Hall
Supernuation hall
Sasakawa Hall
Valco Trust Hall
PSI Hall

Atitire a ɛwie sukuu wɔ ha

 Edmund Abaka, a photographer and historian of Africa at the University of Miami.
 Rosina Acheampong, a Ghanaian educationist and former Headmistress of Wesley Girls High School.
 Alfred P. Addaquay, a Ghanaian classical keyboardist, composer, arranger, conductor, choral director and singer.
 Emmanuel Addow-Obeng - a Ghanaian academic, administrator and cleric. He was the Vice-Chancellor of the University of Cape Coast and served as the Pro-Vice-Chancellor of the Central University of Ghana.
 Mercy Catherine Adjabeng - author, magazine editor-in-chief and managing editor
 Jane Naana Opoku Agyemang - Former Minister of Education of the Republic of Ghana; First Female Vice Chancellor of a Public University in Ghana; First Female Vice Presidential Candidate for the National Democratic Congress. (The Largest Opposition Party in Ghana)
 Kofi Akpabli - Ghanaian journalist, writer and publisher.
 Kwesi Ahwoi - Ghana's High Commissioner to South Africa; Former Minister of Interior of the Republic in Ghana.
 Aba Andam – a Ghanaian particle physicist
 Samuel Kobina Annim, Government Statistician and a former Associate Professor of Economics.
 Dr. Yaw Ansong Jnr, Physician-scientist, inventor, and entrepreneur.
 Juliet Asante, an award-winning filmmaker, entrepreneur and activist. She is also an avid blogger for the Huffington Post, an Aspen Global Leadership Fellow, a Legatum Institute Fellow, an alumnus of the Fortune 500/State Department Mentorship program, and Vital Voices Global leaders forum
 Kojo Armah - Ghanaian lawyer, diplomat and former member of parliament.
 George Aryee, Director General of the Ghana Broadcasting Corporation (1991–1992)
 Kweku Asiamah – Minister of Transport.
 Barbara Asher Ayisi - Ghanaian politician, educationist and Deputy Minister of Education.
 Michael Okyere Baafi, a Ghanaian politician and Executive Secretary of the Ghana Free Zones Board.
 Emmanuel Kwasi Bandua - Ghanaian lawyer, politician and member of parliament.
 Ama Afo Blay, former Director-General of the Ghana Education Service.
 Johnson Nyarko Boampong, Ghanaian pharmacist, biomedical scientist and the current Vice Chancellor of the University of Cape Coast.
 Rosemond Aboagyewa Boohene, Ghanaian accountant, entreprenuership scholar and the current Pro Vice Chancellor of the University of Cape Coast.
 Doris Dartey, a former Ghanaian communication educator, consultant and onetime member and chairperson of GJA Awards Committee. She was the former chairperson of the Graphic Communications Group Limited in Ghana.
 Nana Amba Eyiaba I - Ghanaian traditional ruler (Queen-mother), educationist and former member of the Electoral Commission of Ghana.
 Dora Francisca Edu-Buandoh, current Pro-Vice-Chancellor, University of Cape Coast and professor of English.
 Millison Narh - Deputy Governor of the Bank of Ghana
 Abdul-Rashid Pelpuo - Member of Parliament and Minister of State for Private Public Partnership
 Yvonne Nduom, a Ghanaian public figure known chiefly as the wife of the leader of the Progressive People's Party and is currently the Executive Chairperson of Coconut Grove Hotels
 Kojo Oppong Nkrumah, a Ghanaian politician, Lawyer, member of parliament and the Minister of Information in the administration of Nana Akufo-Addo
 William Quaitoo, a Ghanaian politician, and former Deputy Minister of Agriculture.
 Kwabena Sarpong-Anane, acting Director General of the Ghana Broadcasting Corporation (2010–2011)
 Seth Terkper – Former Minister of Finance, MOFEP (2012– to 2016)
 Joseph Whittal - a Ghanaian who has been the Commissioner of Human Rights and Administrative Justice of Ghana since December 2016
 Daniel A. Wubah, President, Millersville University of Pennsylvania, USA
 Malik Al-Hassan Yakubu, a former Speaker of Parliament, a former Minister of Interior and a former member of parliament.
 Kwadwo Opoku- Agyemang, Professor of English.

Baabi a menyaa mmoa firiiɛ

University of Cape Coast


Vat. Ar. abbreviates Vaticani arabi, a collection within the Vatican Library. Notable works within this collection include the following:

Vat. Ar. 5, Psalter in Arabic
Vat. Ar. 182, Al-Razi's Al-Tibb al-Ruhani
Vat. Ar. 204, Naskh-Ottoman Quran manuscript
Vat. Ar. 230, Quran manuscript
Vat. ar. 319, 13th century diagram of the Tusi couple, by Tusi
Vat. Ar. 368, The Story of Bayad and Riyad, 13th-century Arabic love story
Vat. ar. 657, Eliya ibn ʿUbaid's  Concordance of Faith
Vat. Ar. 709, Quran manuscript
Vat. Ar. 782, 16thC copy of Galland Manuscript
Vat. Ar. 924, Quran manuscript, small circle of 45mm diameter, Octagonal case
Vat. Ar. 931, Quran manuscript
Vat. Ar. 1484, Quran manuscript, largest in library, 540x420mm.
Vat. Ar. 1605/1, additional folia to the Codex Parisino-petropolitanus

Manuscripts of the Vatican Library

Vat. Ar.


Gustavo Miguel Alatriste (25 August 1922 – 22 July 2006) was a Mexican actor, director, and producer of films.

Biography
He was married from 1961 through 1967 to the actress Silvia Pinal. They had one daughter, actress Viridiana Alatriste (1963–1982).

He was married several other times, to actresses Ariadne Welter, and Sonia Infante (the latter for 18 years) and had more than 20 other children, most of them in Mexico city and Guadalajara. Multiple sons have his name.

He began his career producing Luis Buñuel's Viridiana (1961), which starred his then-wife, actress Silvia Pinal. The film, considered one of the greatest in Cinema of Spain, was the first of three films by the trio.

In the eighties, Alatriste was named vice president of the Mexican CANACINE film organization.

Alatriste died of pancreatic cancer on 22 July 2006 in Houston, Texas, although it was not made public until July 25, leading to confusion about the true date. La Crònica de hoy gives the date and time of death as Saturday, 22 July at 11:45pm, according to Alatriste's ex-wife Sonia Infante. It was actually 11:45AM, according to medical records.

Filmography

Producer
La casa de Bernarda Alba (1980)
La grilla (1980)
Human (1976)
Tecnologías pesqueras (1975)
Quien resulte responsable (1971)
La güera Xóchitl (1971)
Simón del desierto (1965)
El ángel exterminador (1962)
Viridiana (1961)

Director
La combi asesina (1982)
Historia de una mujer escandalosa (1982)
Toña, nacida virgen (Del oficio) (1982)
Aquel famoso Remington (1981)
La casa de Bernarda Alba (1980)
La grilla (1979)
En la cuerda del hambre (1978)
México, México, ra, ra, ra (1975)
Las tecnologías pesqueras (1975)
Los privilegiados (1973)
Entre violetas (1973)
Victorino (Las calles no se siembran) (1973)
Human (1971)
Q.R.R (Quien resulte responsable) (1970)
Los adelantados (Citintabchén)

Actor
Historia de una mujer escandalosa (1982)
Aquel famoso Remington (1981)
Victorino  (Las calles no se siembran) (1973)

Writer
Aquel famoso Remington (1981)

References

External links
Spanish profile on the page of the Mexican Academy of Cinematographic Arts and Sciences.

1922 births
2006 deaths
Deaths from pancreatic cancer in Texas
Mexican expatriates in the United States
Mexican film directors

Gustavo Alatriste


In video games and other games, the passage of time must be handled in a way that players find fair and easy to understand. This is usually done in one of the two ways: real-time and turn-based.

Real-time

Real-time games have game time progress continuously according to the game clock. One example of such a game is the sandbox game Terraria, where one day-night cycle of 24 hours is equal to 24 minutes in real time. Players perform actions simultaneously as opposed to in sequential units or turns. Players must perform actions with the consideration that their opponents are actively working against them in real time, and may act at any moment. This introduces time management considerations and additional challenges (such as physical coordination in the case of video games).

Real-time gameplay is the dominant form of time-keeping found in simulation video games, and has to a large degree supplanted turn-based systems in other video game genres as well (for instance real-time strategy). Time is an important factor in most sports; many, such as soccer or basketball, are almost entirely simultaneous in nature, retaining only a very limited notion of turns in specific instances, such as the free kick in soccer and the free throw and shot clock in basketball. In the card games Nerts and Ligretto, players must compete to discard their cards as quickly as possible and do not take turns.

While game time in video games is in fact subdivided into discrete units due to the sequential nature of computing, these intervals or units are typically so small as to be imperceptible.

Turn-based

Turn-based games have game flow that is partitioned into defined parts, called turns, moves, or plays. A player of a turn-based game is allowed a period of analysis (sometimes bounded, sometimes unbounded) before committing to a game action, ensuring a separation between the game flow and the thinking process, which in turn presumably leads to better choices. Once every player has taken their turn, that round of play is over, and any special shared processing is done. This is followed by the next round of play. In games where the game flow unit is time, turns may represent periods such as years, months, weeks or days.

Turn-based games come in two main forms depending on whether, play is simultaneous or sequential. The former games fall under the category of simultaneously executed games (also called phase-based or "We-Go"), with Diplomacy being a notable example. The latter games fall into player-alternated games (also called "I-Go-You-Go", or "IGOUGO" for short), and are further subdivided into (A) ranked, (B) round-robin start and (C) random—the difference being the order under which players start within a turn: (A) the first player being the same every time, (B) the first player selection policy is round-robin, and (C) the first player is randomly selected. Some games also base the order of play on an "initiative" score that may in part be based on players' attributes or positions within the game or other, outside factors as well as dice rolls. Wizard101 is an example of this style.

The term turn-based gaming is also used in play-by-mail games and use browser-based gaming sites that allow for gameplay to extend beyond a single session, over long periods of time, often requiring months to complete games such as Go, chess, and infinite chess.

Sub-types
Various adaptations of the real-time and turn-based systems have been implemented to address common or perceived shortcomings of these systems (though they often introduce new issues that did not exist before). These include:

Timed turns and time compression
Timed turns are designed to resolve issues of fairness where one player uses a greater amount of time to complete their turn than another player. In chess, for instance, a pair of stop clocks may be used in order to place an upper limit on game length.

In exchange chess, four players on two teams play on two boards with each team taking one white and one black side. Any taken piece is given to a teammate, and can be placed on their board as a standard move (in any position that does not put their opponent in check). A common strategy is to gain a temporary material advantage, pass it on to a teammate, and then stop playing on one's own board—thereby allowing the teammate to use the advantage for many future moves on their board. To avoid this, players are often limited to ten seconds per move—with their opponent being allowed to remove one of the player's pawns from the board for each additional ten seconds consumed.

The turn-based strategy game Utopia (1982) featured an early example of timed turns. The early Ultima role-playing video games were strictly turn-based, but starting with Ultima III: Exodus (1983), if the player waited too long to issue a command, the game would issue a "pass" command automatically, thereby allowing enemies to take their turns while the player character did nothing. Further, many browser-based games allocate a number of turns that can be played within a certain period of time, called a tick.

Time compression is a feature commonly found in real-time games such as flight simulators. It allows the player to speed up the game time by some (usually adjustable) factor. This permits the player to shorten the subjective duration of long and relatively uneventful periods of gameplay.

Ticks and rounds
A tick-based game is a game that is played using ticks, or units of time. Not to be confused with a game round, a tick can be any measurement of real time, from seconds to days or even months, and is the basic unit upon which all important game actions take place. Players in tick-based games are allocated a certain number of turns per tick, which are subsequently refreshed at the beginning of each new tick. Predominantly found in browser-based MMORPGs, tick-based games differ from other turn-based games in that ticks always occur after the same amount of time has expired. Conversely, in a typical turn-based game, a turn would end only once every player has made all of their moves. In real-time games players are not limited, time-wise, in the number of actions they can take.

In some real-time games, a notion of rounds exists, whereby game actions are timed according to a common interval that is longer than 'real time'. For instance, units might only begin or cease to act at the beginning or end of a round. In video games such as the Baldur's Gate (1998–2001) and Neverwinter Nights (2002–2008) series, the notion of rounds is carried over in part from the pen-and-paper rule systems they are based upon; a similar (but unrelated) example is when a game unit's ability to act is limited by the length of its combat animation, in which case the unit may become unresponsive until the animation has completed.

Online turn-based gaming uses the term rounds differently: in these games a round refers to when a new game begins following the completion of a previous one (i.e. after someone or some group of people has "won").

Active Time Battle
The "Active Time Battle" (ATB) system was introduced by Hiroyuki Ito in Final Fantasy IV (1991). The system discarded the discrete turn-based battles of the first three entries in favour of a continuous flow of actions and variable wait times. The fact that enemies can attack or be attacked at any time is credited with injecting urgency and excitement into the combat system. The ATB system was fully developed in Final Fantasy V (1992), which improved it by introducing a time gauge to indicate to the player which character's turn is next. The ATB system has since been used in VI (1994), VII (1997), VIII (1999), IX (2000), and X-2 (2003). Both Final Fantasy XII (2006) and XIII (2009) used heavily modified versions of the system. The ATB system was also used in Chrono Trigger (1995).

Simultaneously executed and clock-based turns
In simultaneously executed games (also called "phase-based", "We-Go" or "Turn-based WeGo"), turns are separated into two distinct phases: decision and execution. During the decision phase each player plans and determines their units' actions. The decision phase occurs at the same time for everyone, so there is little wait for anyone to finish. In the execution phase, all players' decisions are put into action, and these actions are performed more or less automatically and at the same time. The execution phase is non-interactive, and there is no waiting for other players to complete their turns. One early example is the 1959 board game Diplomacy. Video game examples include Laser Squad Nemesis (2003), the Combat Mission series (2000–), Master of Orion (1993–2003) series, Star Hammer: The Vanguard Prophecy (2015) and Battlestar Galactica Deadlock (2017).

Clock-based games tie all unit actions directly to the game clock. Turns begin and end depending on the duration specified for each action, resulting in a sequence of turns that is highly variable and has no set order. This system is frequently cited for its realism when compared to other turn-based systems. It is also possible in this system for different players' actions to occur at the same time with respect to the game clock, as in real-time or simultaneously executed games. Examples of video games that use this type of system include Typhoon of Steel (1988) and MechForce (1991), both originally for the Amiga.

Unit initiative and acting outside one's turn
In some games the sequence of turns depends on the initiative statistic of each unit no matter which side the unit belongs to. Games of this type are still technically sequential (e.g. "I-Go-You-Go"), as only one unit can perform an action at a time, and the duration of actions is not tied to the game clock. Examples include the video games The Temple of Elemental Evil (2003) and Final Fantasy Tactics (1997).

Some games—notably, the X-COM series (1993–1998) of video games and the board wargame, Advanced Squad Leader (1985)—allow players to act outside of their normal turn by providing a means of interrupting an opponent's turn and executing additional actions. Typically, the number and type of actions a player may take during an interrupt sequence is limited by the number of points remaining in the player's action point pool (or something similar) carried over from the previous turn. A mild version of this is the ability to perform attacks of opportunity in systems based on Dungeons & Dragons (DnD). Newer editions of DnD also allow a Ready-action to prepare an action to be executed during the enemy's turn – this is also implemented in some video games like Solasta: Crown of the Magister (2020).

The Silent Storm (2003–2004) video game series includes an "Interrupt" statistic for each character to determine the likelihood of out-of-turn action. In the video game M.A.X. (1996), defensive units may be set to fire out of turn at the expense of being able to fire in their own turn. In the board game Tide of Iron, the player  may play a card that allows him to interrupt an opponent's turn and perform an action. In the Mario & Luigi series, the player often has the opportunity to "counterattack" on the enemy's turn, causing damage and often halting the attack.

Special turns and phases
In some turn-based games, not all turns are alike. The board game Imperium Romanum II (1985), for instance, features a "Taxation and Mobilization" phase in every third turn (month), which does not occur in the other turns. The videogame King Arthur: The Role-Playing Wargame (2009) features something similar, where every fourth turn, the season turns to winter, which is the only time when buildings can be constructed and taxes are collected, while it is not possible to move units. In the board game Napoleon (1974), every third player turn is "night turn" where combat is not allowed.

Other turn-based games feature several phases dedicated to different types of activities within each turn. In the Battle Isle (1991–2001) series of video games players issue movement orders for all units in one phase, and attack orders in a later phase. In the board game Agricola (2007) turns are divided into three phases: "Upkeep", "Replenishing" and "Work". A fourth phase, "Harvest", occurs every few turns.

Partially or optionally turn-based and real-time
Many other games that are not generally turn-based retain the notion of turn-based play during specific sequences. For example, the role-playing video games Fallout (1997), Silent Storm (2003) and Baldur's Gate 3 are turn-based during the combat phase, and real-time throughout the remainder of the game. This speeds up portions of the game (such as exploration) where the careful timing of actions is not crucial to player success. Some turn-based games have been criticized for omitting this feature.

Other video games, such as the Total War series (2000–2011), X-COM (1993) and Jagged Alliance 2 (1999), combine a turn-based strategic layer with real-time tactical combat or vice versa.

Lastly, the video games X-COM: Apocalypse (1997), Fallout Tactics (2001) and Arcanum: Of Steamworks and Magick Obscura (2001) offered players the option to play in either turn-based or real-time mode via a configuration setting. The latter also offered a "fast turn-based" mode, though all three of the game's modes were criticized for being poorly balanced and oversimplified. Newer games that offer a choice between turn-based and (pausable) real-time include Pillars of Eternity II: Deadfire (2018), Pathfinder: Kingmaker (2018, added later per patch) and Pathfinder: Wrath of the Righteous (2021).

Pausable real-time
In real-time games with an active pause system (also called "pausable real-time" or "real-time with pause"), players are able to pause the game and issue orders such that once a game is un-paused, orders are automatically put into effect. This type of system can offer additional tactical options, and can resolve issues that arise in other real-time games where orders must be given to multiple units at the same time (normally an impossibility in real-time games). It can also help players who desire extra time for analysis before issuing actions.

There are several variations of pausable real-time combat. Among mouse-driven party-based computer role-playing games, the pausable real-time system was popularized by the Baldur's Gate series (1998–2001), though the same mechanic was also present in earlier role-playing games such as in Knights of Xentar (1991), Darklands (1992), Tales of Phantasia (1995), and as well in the real-time strategy games Total Annihilation (1997) and Homeworld (1999). In Baldur's Gate, players also have the option to allow the artificial intelligence to take control during combat, though they can press the spacebar at any time to regain control of their characters. Further, in Baldur's Gate, players are able to configure the game to automatically pause when certain conditions are met, such as at the end of a round or upon the death of a non-player character. A variation of active pause, called "Smart Pause Mode" or SPM, is an advertised feature of Apeiron's Brigade E5: New Jagged Union (2006) and 7.62: High Calibre (2007).

Among strategy video games, it is used exclusively in the slow-paced grand strategy games developed by Paradox Interactive, and was the originally intended mode of the Civilization series (1991-) before the developers decided to switch to turn-based. Among construction and management simulations, it has been present in the SimCity series since SimCity (1989), as well as the Transport Tycoon and RollerCoaster Tycoon series.

In the single-character console RPGs, Parasite Eve (1998) and Vagrant Story (2000), the player can pause the game to take aim with a weapon. In Vagrant Story's case, this allows players to target specific body parts while the game is paused—a similar mechanic was later used in the real-time role-playing game Last Rebellion (2010). Jagged Alliance 2 (1999)) and Fallout (1997) allow players to target individual body parts during turn-based combat, the latter led to the creation of the V.A.T.S system in the real-time RPG Fallout 3, where you could pause the game to target individual body parts. Final Fantasy XII (2006) expanded on active pause combat with its "gambits" system, which allows players to collect and apply preferences to the artificial intelligence routines of partner characters, who will then perform certain actions in response to certain conditions. A similar "tactics" system later appeared in Dragon Age: Origins (2009) and Dragon Age II (2011). Knights of Xentar (1991) and Secret of Mana (1993) also allow an adjustable artificial intelligence to take control during combat.

Real-time vs. turn-based gameplay
A debate has emerged between fans of real-time and turn-based video games (usually some type of strategy or role-playing game) based on the merits of each system.

Various arguments are made by proponents. Arguments made in favor of turn-based systems include:
 The extra time available to players in turn-based systems allow them to plan their moves to a greater degree, and permit game designers to offer additional tactical and gameplay options. The same options when used in combination with the time-pressures of real-time games, on the other hand, can cause new players to feel overwhelmed.
 Games are fairer due to a lack of reliance upon player reflexes. A player with slower reflexes is not at a disadvantage compared to faster players; rather, only the ability to think through and solve the current problem is important.
 Games can in theory have better artificial intelligence due to the greater amount of computer processing power available to them.
 It is more realistic to control multiple units intelligently using this system, as players do not have to divide their attention among multiple independent units all moving simultaneously. Likewise, it is easier to keep track of what the enemy is doing at all times since the player is typically informed of every move in advance (not taking into account fog of war).

Arguments made in favor of real-time systems include:
 Armies pausing mid-combat to take turns and act in a sequential manner is unrealistic. Real-life combat occurs simultaneously with no side pausing to let the other side move, but this only pertains to sequential turn-based systems, not "we-go" systems.
 Thinking (and acting) quickly is part of the strategy and constitutes an additional element of challenge.
 Real-time systems are viscerally exciting and add to players' sense of immersion. In essence, players feel more like they are really "there" and experiencing game events first-hand.
 Turn-based games have too many rules and are difficult to master.
 Real-time games are more multiplayer-friendly; sitting around and waiting while other players take their turns can become tiresome.
 The added element of a shared clock ensures that each situation cannot be reduced to an easily repeatable sequential series of steps. Rather, the reliance upon player timing ensures that outcomes are highly variable.

See also
 List of play-by-mail games
 Play-by-mail game
 Sequential game
 Simultaneous game

References

External links
 Time Systems - RogueBasin - discusses several different types of timing systems used in roguelikes.
 12 ways to improve turn-based RPG combat systems - editorial discussing how to design turn-based combat systems.
 Taking Turns (Or Yes, It IS Your Job to Make Me Have Fun) - editorial at Gamasutra.
 Turn Based Strategy Makes Me Care - editorial at Gamasutra.
 Turn-Based VS Real-Time at Gamasutra

Timekeeping
Video game culture
Video game gameplay

Timekeeping in games


Maxwelltoun () wis umwhile a burgh o barony an a polis burgh, an the lairgest toon in the historical coonty o Kirkcoubrieshire in Scotland. In 1929 Maxwelltoun wis mellt wi Dumfries.

Maxwelltoun lies til the wast o the River Nith. The river wis umwhile the boond o Kirkcoubrieshire and Dumfriesshire. Maxwelltoun wis a clachan kent as Brigend up until 1810, in that year it wis made intil a burgh o barony unner its praisent name. Maxwelltoun comprises several suburbs, includin Summerhill, Troqueer, Janefield, Lochside, Lincluden, Sandside, an Summerville.

The auldest remeenin biggin within the Dumfries urban aurie is on the Maxwelltoun side o the Nith, Lincluden Aibey. The fitbaw grund o the Queen of the South F.C. is on the Maxwelltoun side an aw. Some o the maist namely players for the club come fae the same side o the Nith, includin Ian Dickson, Billy Houliston, an Ted McMinn. Ither namely biggins is the umwhile Dumfries Mill, noo the Robert Burns Centre, wi veesitor centre, museum, film theatre, an a restaurant. Dumfries Museum an Oberservatory and the Camera Obscura is forder up on the hill as is the Sinclair Memorial. The umwhile Benedictine Convent o the Immaculate Conception staunds on a kenspeckle poseetion on Corbelly Hill. HMP Dumfries is at Jessiefield an the umwhile Maxwelltoun Burgh Coort Hoose is noo apairtments. Maxwelltoun railwey station in the Summerhill aurie on the Castle Douglas and Dumfries Railway closed in 1965.

References

External links
 Maxwelltoun in the Gazetteer for Scotland
The Robert Burns Centre Film Theatre
Maxwelltoun entry in South West Scotland futur museum

Burghs
Dumfries
Kirkcoubrieshire
Dumfries an Gallowa
Places o Scotland

Maxwelltoun


Frederick Dennis Greene (January 11, 1949 – September 5, 2015) was an American singer who was a member of Sha Na Na who were formed in 1969 at Columbia University in New York as the Columbia Kingsmen. The name change to Sha Na Na occurred because of another group with a similar name, which was known for the song "Louie Louie".

The television show Sha Na Na aired from 1978 to 1981.  Greene choreographed most of the moves for the show, on which he was known simply as Denny.  Denny was portrayed in the series as the most intelligent member of Sha Na Na.  He sang lead in the song "Tears on My Pillow" when he appeared with Sha Na Na in the movie Grease, in 1978.  Denny also performed at Woodstock with Sha Na Na, just before Jimi Hendrix.

Education

Greene was born in New York, New York and raised in Harlem and the Bronx. He received his high school diploma from the Hotchkiss School.  He obtained a BA degree from Columbia University in 1971.  After he left Sha Na Na, he earned a Master of Education from Harvard University in 1984.  He then attended law school, which he had been interested in doing since childhood, graduating with a J.D. from Yale Law School in 1987.

Career

After Greene graduated from Yale Law School, he worked as Vice President of Production and Features at Columbia Pictures.  Following that, he was President at Lenox/Greene films.  He taught at Florida A&M University and the University of Oregon School of Law where he taught entertainment law, "Race, Mass Media, and the Law", and other courses. He was also a visiting professor at several other universities including Ohio State, Seton Hall, and the University of Connecticut.

Greene also served on the Board of Directors for the Society of American Law Teachers and is listed in Who's Who Among African-Americans.

From December 2007 until his death, Greene was a Professor of Law at the University of Dayton School of Law, teaching classes such as Torts, Entertainment Law, and Constitutional Law.

Greene died in Dayton on September 5, 2015, from esophageal cancer just a few weeks after his diagnosis. He was 66.

Movie appearances

 1970 - Woodstock  - as himself with Sha Na Na
 1972 - Dynamite Chicken  - as himself with Sha Na Na
 1977 - Greased Lightning  - Slack
 1978 - Grease  -  with Sha Na Na as Johnny Casino and the Gamblers
 1994 -  Woodstock Diary  - as himself with Sha Na Na
 2003 -  Festival Express - as himself with Sha Na Na

Publications

 1994 Tragically Hip: Hollywood and African American Film
 1996 The Resurrection of Gunga Din, 81 Iowa Law Review
 1997 Immigrants in Chains: Afrophobia in American Legal History, 76 Oregon Law Review
 1998 Cultural Colonization in the Hollywood Film, 5 Asian Law Journal

References

External links

 University of Dayton School of Law
 The Shawnee News-Star Online
 Sha Na Na official site

1949 births
2015 deaths
American rock singers
Professional a cappella groups
Hotchkiss School alumni
Columbia University alumni
Harvard Graduate School of Education alumni
Sha Na Na members
University of Dayton faculty
Florida A&M University faculty
University of Oregon School of Law faculty
Yale Law School alumni
African-American rock musicians
Singers from New York City
20th-century African-American people
21st-century African-American people

Denny Greene


Rosen is a given name. This is a unique name (not in the top 1000 newborn names in the US in 2021).

People
Last names:
 Al Rosen, Jewish-American baseball player
 Beatrice Rosen, American-French actress
 Daphne Rosen, Jewish-American pornographic actress
 Elsa-Marianne von Rosen, Swedish ballet dancer, choreographer and actress
 Magnus Rosén, Swedish bassist
 Michael Rosen, Jewish-English children's novelist and poet
 Sam Rosen, Jewish-American sportscaster
 Yisrael Rosen, Israeli rabbi and journalist

First name:
 Rosen Plevneliev, former President of Bulgaria

References

Surnames
Given names

Rosen


Gial Ackbar was a Mon Calamari male admiral from Star Wars. Ackbar was an admiral for the Rebel Alliance and led the rebel attack on the Death Star in Star Wars Episode VI: Return of the Jedi. He was born on the planet called Mon Cala, Ackbar helped his people during a battle against the Confederacy of Independent Systems and led the Mon Calamari ships escape the planet many years later from  the Galactic Empire. The ships went on to become the Rebel Alliance fleet. After the Battle of Endor, Ackbar continued his helping the Rebel Alliance when it became the New Republic. He led the Republic fleet to victory over the last Imperial armies at the Battle of Jakku before retiring to his home planet. During his retirement he had a son named Aftab. About 25 years later Ackbar joined Princess Leia Organa when she asked him to stop the threat of the First Order, joining her Resistance. Ackbar was in the movie Star Wars: The Force Awakens helping the Resistance destroy the First Order's Starkiller Base and he was there during the evacuation of the Resistance base. But when the Resistance fleet was stopped by the fleet of the First Order, Ackbar was killed in the attack that happened.

Behind the scenes
Gial Ackbar is played by Tim Rose in Star Wars episodes, VI, VII and VIII. Erik Bauersfeld also voiced the character in episodes, VI and VII before passing away in 2016 and Tom Kane voicing the character for Star Wars: The Last Jedi.

References

Fictional characters introduced in the 1980s
Star Wars characters
Star Wars Skywalker Saga characters

Admiral Ackbar


Pipe and tabor is a pair of instruments played by a single player, consisting of a three-hole pipe played with one hand, and a small drum played with the other. The tabor (drum) hangs on the performer's left arm or around the neck, leaving the hands free to beat the drum with a stick in the right hand and play the pipe with thumb and first two fingers of the left hand.
Flutes

Three-hole pipe


JOOY-DTV, virtual channel 4 (UHF digital channel 16), branded as  (formerly  until 23 July 2011), is the Kansai region key station of the Japan News Network, owned by Mainichi Broadcasting System, Inc.

Overview
MBS is a core station of the Japan News Network (JNN), with TBS TV as its key station. MBS is a member of the "Five Company Federation" (comprising it, TBS, HBC, CBC and RKB) and is also a major shareholder of TBS Holdings. It distributes G-Guide EPG data, and used to distribute analog G-Guide program data to Tokushima Prefecture, where the only commercial TV station is affiliated to NNN/NNS.

During the 16 years and one month from the start of TV broadcasting until the network affair was resolved, it was a key station of NET (now TV Asahi) and was subsequently affiliated to the All-Nippon News Network (ANN) upon its opening. At the same time, Tokyo Channel 12 (currently TV Tokyo) was also connected to the station.

With the complete transition to digital terrestrial broadcasting on July 24, 2011 , the notation of newspapers and TV information magazines on the same date changed from "Mainichi TV" (or "Mainichi") , which has been used since the start of television broadcasting), to "MBS TV" (or "MBS"). In the terrestrial digital TV G-Guide , it is written as "MBS Mainichi Broadcasting". Until July 23, 2011 , the general name was Mainichi Broadcasting Television , and when it was simply called MBS, in the analog era, it was written as Mainichi TV in the radio and television columns of newspapers.

On April 1, 2017, the trade name was changed to "MBS Media Holdings", and both TV and radio broadcasting businesses were taken over by "(New) Mainichi Broadcasting". After that, on April 1, 2021, "MBS Radio Co., Ltd.", which was newly established as a wholly-owned subsidiary of MBS Media Holdings, took over the radio broadcasting license and business that Mainichi Broadcasting had held, and moved exclusively to television (JOOR-DTV changed to JOOY-DTV).

Among the broadcasting stations in Osaka, the company, Asahi Broadcasting Television, and Kansai Television are three companies that opened earlier than their respective key stations in Tokyo (TBS Television, TV Asahi, Fuji Television). This is because these three companies and the three key stations had nothing to do with each other at the time of their establishment. However, despite being the oldest station in Japan to start radio broadcasting, it was the fourth station in Osaka to start TV broadcasting. It was almost the same time as Asahi (Nippon Educational Television (NET TV) at that time), but it was one month behind. On the other hand, Yomiuri TV and TV Osaka were established with the intention of their respective key stations, so they opened later than the key stations.

It has a strong connection with RKB Mainichi Broadcasting, co-produced and co-sold radio programs, and on television, even during the pre-1975 affair era, Kyushu Asahi Broadcasting (KBC) sold in-house programs that were not organized or sponsored net. , and jointly established a health insurance union, and are presenting aspects of sister companies. In addition, the remote control key ID for analog master stations and digital broadcasting is also "4". It has a close relationship with Mitsubishi UFJ Bank and Resona Bank.

MBS was involved in the establishment of FM802 as a major shareholder along with Nippon Broadcasting System . At the time of its establishment, it was organized by Nippon Broadcasting System, and the person in charge of sales was seconded from Mainichi Broadcasting System. Even now, we often co-host events. In July 2019 , a disaster information sharing partnership agreement was signed between FM802 and FM COCOLO operated by the company.

Corporate information

Main office
Location: 17-1 Chayamachi , Kita Ward, Osaka City, Osaka Prefecture 530-8304
Transportation: About 5 minutes on foot from Osaka Umeda Station (Hankyu) Chayamachi Exit. About a 10-minute walk from JR West Osaka Station , Osaka-Umeda Station (Hanshin) , and Osaka Municipal Rapid Transit Umeda Station , Nakatsu Station , Higashi-Umeda Station , and Nishi-Umeda Station .
Some programs have a "program-only zip code" (MBS Baseball Park (radio program), Chichin Puipui, etc.).

Among the TV stations in Osaka, it is located in a busy area, and the front of the head office is also used by commuters on weekdays. In the neighborhood, there are business and commercial facilities such as "Chayamachi Applause" where the Umeda Arts Theater is located , Hankyu Corporation headquarters building, Umeda Loft, NU Chayamachi, etc. The current office building can be seen from inside the trains running between stations and between Osaka Station and Shin-Osaka Station on the JR Kyoto Line. The upper part is shaped like the letter "M". There are some documents that say that the building was modeled on the image of "Mainichi", but at the time NTT's radio frequencies were being transmitted in this airspace, and there were restrictions on the height of the building, this design was chosen.

History
The current company building was completed on September 1, 1990 on the site of the Hankyu Department Store Distribution Center in Chayamachi, Kita-ku, Osaka. Headquarter functions such as sales and accounting at Mainichi Osaka Kaikan, departments such as the news department at Senrioka Broadcasting Center, and some television and radio programs produced at Senrioka were moved to the new company building in Chayamachi. From the same day, a special program was produced and broadcast for two days on television and five days on radio to commemorate the 40th anniversary of the opening of the station and the start of broadcasting in the new building.

Since the grand opening on the same day, most of the first floor has been used as an "atrium" (open space) for live broadcasting and recording of TV and radio programs and various events. "MBS Goods Shop" (former name was "Mzono Shop" → "Nebula") and a branch of Tully's Coffee (when it opened in 1990, it was a restaurant called "Starship") were also occupied. On the second floor, when it first opened, it was given the function of a concert hall under the name "Galaxy Hall". Later, it was diverted to "Galaxy Studio". It was used for live TV programs, public recordings, and events.

In July 2010, the company announced that it would construct a new building with a base isolation structure of 15 floors above ground and 1 floor below ground on the north side of the head office . Osaka City applied the "Business/University Location Promotion Subsidy Program", and construction began in April 2011 and was completed on September 4, 2013. Along with the new building being named the "B Building", the main building was named the "M building". The names "M Building" and "B Building" are derived from the initials MBS. At the time of the start of operation of the B Building, there is no actual facility or building officially named "S Building".

The B Building had its grand opening on April 4, 2014 at 11:07:09, named after MBS TV's channel number (4) and MBS Radio's frequency (1179).

In the B building, there are two studios for TV programs, offices, heliport, height of about 36m (about 117m above ground), radio towers, etc. In addition, the relay truck depot in Senrioka was also consolidated, and the conventional office building (named "M Building" after the completion of the "B Building") is replaced by connecting corridors on the 2nd, 12th and 13th floors. On April 20, 2015, the main control room (master) was updated to the new master in the B Building.

From 2018, with the 60th anniversary of MBS TV, the second floor of the M Building was renovated as a "live center" for the purpose of responding to live broadcasting and strengthening cooperation between news and production stations . Start construction. After remodeling the space including Studio C (Galaxy Studio) into an "Information Floor" linked to live information programs, it was operated from January 28, 2019. In addition, the "Chapla Stage" on the 1st floor of the M Building was also renovated on the premise of incorporating it into the "Live Center".

Programming

 Animeism

 Drama Shower

History
 See Mainichi Broadcasting System#History of MBS.

Availability

Digital
JOOY-DTV (previously JOOR-DTV)
Mt. Ikoma: Channel 16 (Remote controller button: 4)

Analog
 Data as of the time of the shutdown of analog signals in Japan (July 24, 2011).
JOOR-TV
Mt. Ikoma: Channel 4

About the channel frequency
VHF channel 4 of analog television broadcasting in the Osaka area was originally used by the NHK General station in Osaka. Osaka Television Broadcasting (OTV) (currently Asahi Broadcasting Television, channel 6), which had already been established, and Daikansai Television Broadcasting (currently Kansai Television Broadcasting, channel 8), which had already been established, followed followed the NHK station between 1956 and 1958. Over channel 4, New Osaka Television Broadcasting (NOTV) of Osaka Yomiuri Newspaper (renamed to Yomiuri Television Broadcasting (YTV) just before the opening of the station), Kinki Educational Culture Television and Kansai Educational Culture Broadcasting competed and the situation deteriorated. When it got stiff, NOTV suggested bringing channel 2, which had been assigned to NHK in Himeji, Hyogo Prefecture, to the Osaka area. As a result of this, channel 2 was assigned to NHK Osaka (analog General Television), and in the Osaka area, 2 frequencies, channel 4 and channel 10 were licensed as a quasi-educational station.

However, regarding the treatment of the two educational bureaus, Kakuei Tanaka, then Minister of Posts and Telecommunications, suggested that MBS and NOTV merge, respectively, but NOTV firmly refused. Next, the two education companies merged and merged with either MBS or NOTV) (Kanto wide area including Tokyo area ), instead of abandoning the same channel 4, chose the path of independent opening. This caused the channel numbers of the NTV and NET series to be reversed on a series basis in the Tokyo and Osaka areas until the network affair was resolved. After that, the TBS affiliate also had different channel numbers (TBS is 6 and MBS is 4), and only the Fuji TV system had the same channel number in the Tokyo and Osaka areas.

The reason why MBS chose channel 4 was that many TV receivers at that time had only 6-channel tuners, and channel 10, which was the end number, was said to be disadvantageous in terms of sales policy, and that NHK TV had not used it before.

Since its opening, MBS has emphasized 4 by introducing the "4 mark". In the April 1975 reorganization when the network affair was dissolved, The Drifters used the catchphrase "Channel 4 from April!". In this way, "Channel 4" was established, and the remote control key ID for digital TV broadcasting became "4" (all other Osaka wide area stations also used the same remote control key ID as analog).

In addition to the remote control key ID "4", RKB Mainichi Broadcasting in Fukuoka Prefecture uses "4" for the same reason.

In principle, the remote control key ID "4" is used by many Nippon Television affiliates , but the remote control key ID for Yomiuri TV broadcasting of the same Osaka wide area station and Nippon Television affiliated quasi-key station is the parent of the analog broadcasting channel. The same "10" as the analog station is used.

See also
 MBS Radio (Japan)

References

External links

Mainichi Broadcasting System
Kansai region
Japan News Network
Companies based in Osaka
Television in Japan
Television channels and stations established in 1959
1959 establishments in Japan

MBS TV


The Libyan Division was a formation of colonial troops raised by the Italians in their colony in Libya. It participated in the invasion of Ethiopia in the Second Italo-Abyssinian War. The formation was reorganized into the 1st Libyan Division by the beginning of Italy's entry into World War II. In September 1940, the 1st Libyan Division, together with its sister-division 2nd Libyan Division, participated in the Italian invasion of Egypt. By December, the division was dug in at Maktila and was forced to surrender during Operation Compass.

Origins
Following the Italo-Turkish War of 1911-12, Italy occupied the coastal zones of the twin provinces of Tripolitania and Cyrenaica, constituting modern Libya. The Italians continued to face very strong opposition from the Senussi, especially in Cyrenaica. From the beginning the Italian Army made use of the former Turkish organised Arab gendarmerie as auxiliaries, augmenting them with regular colonial units recruited amongst the indigenous peoples of Libya. By 1913 these comprised seven battalions of infantry, three squadrons of savari cavalry, one squadron of meharistes (camel troops), a mountain artillery battery and a section of camel artillery.

By the 1930s the Libyan units had been brought together into the "Royal Corps of Libyan Troops" comprising infantry, cavalry, artillery, motorised troops and support services. A battalion of Libyan parachutists was raised shortly before World War II, the first force of this kind to be created in Africa. Libyans also served in zaptie (carabinieri), Sahariani (desert troops) and spahi (irregular cavalry) units

Order of Battle 3 October 1935
Libyan Division - Guglielmo Nasi
 1st Libyan Infantry Regiment
 II Libyan Battalion
 III Libyan Battalion
 2nd Libyan Infantry Regiment
 IV Libyan Battalion
 V Libyan Battalion
 3rd Libyan Infantry Regiment
 VIII Libyan Battalion
 IX Libyan Battalion
 X Libyan Battalion
 1st Libyan Artillery Regiment

References

Divisions of Italy in World War II
Libya in World War II
Italy–Libya relations
Divisions of Italy of the Second Italo-Ethiopian War
Italian Libya

Italian Libyan Colonial Division