Albert Tougard, né le  à Canteleu et mort le  à Rouen, est un prêtre catholique et historien français.

Biographie
Albert Tougard est ordonné prêtre en 1866. Il est professeur au Petit séminaire du Mont-aux-Malades. Il obtient le titre de docteur ès lettres en 1874. Il est coauteur avec l'abbé Joseph Bunel d'une importante Géographie de la Seine-Inférieure en plusieurs tomes. Il est nommé chanoine honoraire en 1896.

Il meurt au 41 route de Neufchâtel à Rouen et est inhumé au cimetière de Bonsecours.

Distinctions

Publications
 Nouveaux documents inédits sur le patrimoine de Pierre Corneille, Rouen, E. Cagniard, 1868.
 Catalogue des Saints du diocèse de Rouen, etc., Rouen, 1872.
 Quelques notes sur la chapelle et la commanderie de Sainte-Vaubourg, au Val-de-la-Haye, près Rouen, Rouen, E. Cagniard, 1873.
 (avec Joseph Bunel), Géographie du département de la Seine-Inférieure, 1877 ; 1991 En ligne
 Arques. Site, monuments, histoire, Rouen, E. Cagniard, 1877.
 Essai sur l'hagiographie légendaire du diocèse de Rouen, Dieppe, P. Leprêtre, 1884.
 L'hellénisme dans les écrivains du Moyen Âge, du VIIe au XIIe siècle, Paris, V. Lecoffre, 1886.
 La persécution iconoclaste d'après la correspondance de Saint Théodore Studit, Paris, Lecoffre, 1891.
 Notices présentées aux assises de Caumont (Rouen, 15-18 juin 1896), Rouen, P. Leprêtre, 1896.
 Le Graduel de l'église cathédrale de Rouen au XIIIe siècle, Évreux, L. Odieuvre, 1907.
 Documents concernant l'histoire littéraire du XVIIIe siècle, conservés aux archives de l'Académie de Rouen, Rouen, A. Lestringant, 1912.

Notes et références

Annexes

Bibliographie
 .

Liens externes

Historien français du XIXe siècle
Historien français du XXe siècle
Historien normand
Historien de la Normandie
Chanoine de Rouen
Officier d'Académie
Membre de l'Académie des sciences, belles-lettres et arts de Rouen
Naissance en décembre 1841
Naissance dans la Seine-Maritime
Décès en décembre 1920
Décès à Rouen

Albert Tougard


Khaled Mashal (arap.: خالد مشعل), (Ramallah, 28. svibnja 1956.), predsjednik je palestinske sunitsko-islamističke fundamentalističke organizacije, kao i predsjedavajući sirijskog ogranka Hamasa. Živi u egzilu u Damasku.

Mashal je rođen u Ramallahi, ali je odrastao u Kuvajtu, gdje je obitelj pobjegla 1967. Studirao je fiziku i postao član Muslimanskog bratstva. U Jordan seli 1990., i postaje vremenom jedan od vođa Hamasa. Izraelski agenti su 1997. pokušali izvršiti atentat na njega. Atentat nije uspio, dok su agenti uhićeni i kasnije zamijenjeni za tadašnjeg vođu Hamasa Ahmeda Jasina. Mashal je i dalje napredovao u Hamasu, ali otkad su Izraelci likvidirali dvojicu Hamasovih vođa 1994., Hamas službeno nema nekog vođu. Mashal se ipak neslužbeno smatra vođom Hamasa i glasnogovornikom političkog ogranka Hamasa. Prema izraelskim izvorima odgovoran je za više samoubilačkih bombaških napada u Izraelu i, među ostalim, za otmicu jednog izraelskog vojnika u pojasu Gaze.

Palestinski političari
Hamas

Khaled Mashal


Donald W. Branigan, né en 1933 à  en Saskatchewan et mort le  à Carcross au Yukon, est un homme politique et un médecin canadien. Il a notamment été maire de Whitehorse, la capitale du Yukon. En tant que médecin, il a notamment été connu pour ses conflits légaux fréquents avec les corps de médecine s'opposant à ses approches holistiques telles que l'acupuncture.

Biographie
Donald W. Branigan est né en 1933 à , un hameau de la  en Saskatchewan. Il a étudié la médecine à l'Université de l'Alberta. Il a été médecin de famille en milieu rural. Il a été maire de Manning en Alberta.

Lors des élections fédérales canadiennes de 1968, il a été candidat pour le Parti libéral du Canada dans la circonscription de Peace River en Alberta. En 1969, il a été candidat au leadership du Parti libéral de l'Alberta.

Après son déménagement à Whitehorse au Yukon, il a repris la pratique de la médecine. Au cours de cette période, il a commencé à introduire des thérapies holistiques à sa pratique, ce qui causa des conflits fréquents avec le Conseil médical du Yukon et d'autres autorités.

Il se présenta comme candidat aux élections générales yukonnaises de 1970 et il perdit contre . Il se présenta comme candidat aux élections fédérales canadiennes de 1972 pour la circonscription du Yukon avec le Parti libéral du Canada. Il se présenta aux  et il perdit contre Willard Phelps. Il alors porta plainte contre l'élection de ce dernier pour cause de conflits d'intérêts, ce qui causa l'annulation de l'élection de Pehlps en 1975. Don Branigan se présenta à l'élection partielle pour le remplacer, mais il perdit contre .

En 1979, l' lui retira ses privilèges d'hôpital. L'hôpital a démenti que cette révocation était reliée à ses pratiques holistiques, mais a refusé de déclarer publiquement d'autres raisons.

En 1979, il fut élu maire de Whitehorse et demeura à cette fonction jusqu'en 1982. Lors des élections générales yukonnaises de 1982, il se présenta comme candidat indépendant pour l'Assemblée législative du Yukon pour la circonscription de . En 1984, il fut à nouveau élu maire de Whitehorse et demeura alors à cette fonction jusqu'en 1991.

En 1985, le Conseil médical du Yukon lui a retiré sa licence pour pratiquer la médecine, mais celle-ci lui a été remise à nouveau un mois plus tard.

Lors d'une élection partielle fédérale en 1987 pour la circonscription du Yukon suivant la démission d'Erik Nielsen, Don Branigan fut un candidat avec le Parti libéral du Canada.

En 1988, le conseil porta  de fraude reliée à ses facturations médicales. 42 de ces accusations furent retirées durant la phase de procès et Donald Branigan fut acquitté des 61 autres accusations l'année suivante.

Il se présenta comme candidat aux élections générales yukonnaises de 1989 avec le Parti libéral du Yukon. Il se présenta aux élections fédérales canadiennes de 1993 pour la circonscription du Yukon avec le Parti libéral du Canada. Il se présenta aussi aux élections fédérales canadiennes de 1997 pour la circonscription du Yukon, mais cette fois comme candidat indépendant.

À sa retraite comme médecin, il déménagea à Carcross au Yukon où il décéda le  des suites d'une crise cardiaque.

Notes et références

Naissance en 1933
Décès en juin 1999
Maire de Whitehorse
Personnalité politique albertaine
Médecin canadien du XXe siècle
Personnalité du Parti libéral du Canada
Personnalité politique yukonnaise

Don Branigan


Yerküpe Mağarası, Muğla ilinin Yatağan ilçesi sınırlarındaki Yerküpe Yaylası'nda yer alan geçit konumlu yarı aktif bir mağaradır. Genç bir mağara olan Yerküpe Mağarası, 100 m uzunlukta tek bir galeriden oluşur. Genişliği 3–10 m yüksekliği ise 2–8 m'dir. Mağaranın giriş ve çıkış bacaları arasında 17 m.lik bir yükseklik farkı vardır.

Muğla valiliği ve Menteşe belediyesince yapılan çalışmalar, mağaranın aydınlatılmasına ve geçiş düzenlemelerine yöneliktir.

Mağaranın tabanından su birikintileri, çakıl ve kum, yan yüzeylerde ise sarkıt ve dikitler bulunmaktadır.

Muğla'daki mağaralar
Yatağan
Türkiye'deki mağaralar

Yerküpe Mağarası


A silver medal, in sports and other similar areas involving competition, is a medal made of, or plated with, silver awarded to the second-place finisher, or runner-up, of contests or competitions such as the Olympic Games, Commonwealth Games, etc. The outright winner receives a gold medal and the third place a bronze medal. More generally, silver is traditionally a metal sometimes used for all types of high-quality medals, including artistic ones.

Sports

Olympic Games

During the first Olympic event in 1896, number one achievers or winners' medals were in fact made of silver metal. The custom of gold-silver-bronze for the first three places dates from the 1904 games and has been copied for many other sporting events. Minting the medals is the responsibility of the host city. From 1928 to 1968 the design was always the same: the obverse showed a generic design by Florentine artist Giuseppe Cassioli with text giving the host city; the reverse showed another generic design of an Olympic champion. From 1972–2000, Cassioli's design (or a slight reworking) remained on the obverse with a custom design by the host city on the reverse. Noting that Cassioli's design showed a Roman amphitheatre for what was originally a Greek games, a new obverse design was commissioned for the Athens Games. Winter Olympics medals have been of more varied design.

The Open Championship
In The Open Championship golf tournament, the Silver Medal is an award presented to the lowest scoring amateur player at the tournament.

Rejection of silver medals

In many sports with an elimination tournament, including those with a third place playoff (such as Olympic ice hockey, Olympic soccer, FIFA World Cup), silver is the only medal given to a team that loses its final game, whereas gold and bronze are earned by teams winning their final matches. Notable athletes such as Jocelyne Larocque (2018 Olympics) removed their runners-up/silver medals right after receiving them; Larocque was later ordered by the International Ice Hockey Federation official to put her silver medal back on.

Military and government

Some countries present military and civilian decorations known as Silver Medals. These include:

 Austria′s Silver Medal for Services to the Republic of Austria
 Italy′s Silver Medal of Military Valor
 South Africa′s Silver Medal for Merit
 The Civil Air Patrol′s Silver Medal of Valor in the United States.

Other awards

The Zoological Society of London awards a Silver Medal "to a Fellow of the Society or any other person for contributions to the understanding and appreciation of zoology, including such activities as public education in natural history, and wildlife conservation."

The Royal Academy of Engineering awards a Silver Medal "for an outstanding and demonstrated personal contribution to UK engineering, which results in successful market exploitation, by an engineer with less than 22 years in full-time employment or equivalent."

See also
 Runner-up

References

External links
 Medal Designs for all Olympic Games

Olympic medals
Sports terminology
Medals
Medal

Silver medal


is a 1955 Japanese kaiju film directed by Motoyoshi Oda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the second film in the Godzilla franchise. The film stars Hiroshi Koizumi, Setsuko Wakayama, Minoru Chiaki, and Takashi Shimura, with Haruo Nakajima as Godzilla and Katsumi Tezuka as Anguirus. In the film, Japan struggles to survive Godzilla's return, as well as its destructive battle against its ancient foe Anguirus.

Executive producer Iwao Mori instructed producer Tomoyuki Tanaka to immediately commence production on a second Godzilla film, fearing to lose the momentum of the first film's success. Oda was chosen to direct the film as Ishirō Honda was busy directing Lovetide.

Godzilla Raids Again was released theatrically in Japan on April 24, 1955. A re-edited, English dubbed version was released theatrically in the United States on June 2, 1959, by Warner Bros. Pictures, under the title Gigantis, the Fire Monster.

The film was followed by King Kong vs. Godzilla, released on August 11, 1962.

Plot
Working for the Kaiyo Fishing, Inc., a pilot named Shoichi Tsukioka guides a fishing trawler towards a school of Bonito. Koji Kobayashi, another pilot, faces engine troubles and makes an emergency landing on Iwato Island. Tsukioka is sent to rescue Kobayashi, but they both encounter two giant dinosaur-like creatures locked in battle: Godzilla and a new quadruped monster. The pilots escape as the monsters tumble into the sea.

Tsukioka and Kobayashi go to Osaka to help Dr. Yamane and the authorities investigate the encounter. The new monster is identified as an Ankylosaurus and is named Anguirus. Dr. Yamane shows the authorities footage of the first Godzilla attack and notes that it was killed by the Oxygen Destroyer, but its inventor died, and that there are no proven countermeasures left against Godzilla. Dr. Yamane suggests issuing a blackout and using drop flares to lure Godzilla away due to the first Godzilla being sensitive to light.

Tsukioka's girlfriend, Hidemi, expresses her concern for Osaka to him, and he reveals that he thought about her when he thought he might die on Iwato Island. They watch as the Japan Air Self-Defense Force (JASDF) takeoff to find Godzilla, but scientists note that it may prove difficult due to the possibility of Godzilla hiding in caves within the seabed. Later, Godzilla is spotted heading for the Kii Channel between Shikoku and Wakayama Prefecture. Yamaji, Tsukioka's boss and Hidemi's father, notes that if Godzilla wreaks havoc in those waters, their fishing company will lose valuable fishing ground and strike a blow at production.

Later, an alert is issued for the Osaka region as Godzilla changes course for Osaka Bay. The Japan Self-Defense Forces (JSDF) cut off the lights in the city and lure Godzilla with flares. Tsukioka leaves Hidemi at her home for safety and leaves with Kobayashi to meet Yamaji at his cannery. Convicts escape from their transport and lead police on a chase that ends with a few convicts crashing into an oil refinery, triggering an explosion, while other convicts escape into Osaka. The explosion lures Godzilla back to Osaka, forcing the JSDF to attack it. Attracted by the flares, Anguirus emerges and engages Godzilla. The monsters battle throughout the city, destroying Yamaji's cannery and killing the convicts in the process. Godzilla kills Anguirus and returns to the sea after burning the body with its atomic breath.

In the aftermath, Yamaji moves operations to Hokkaido to make full use of the fisheries and cannery, and also sends Kobayashi to guide trawlers. During a company dinner, Tsukioka reunites with Tajima, a friend from college, and the war. Kobayashi hints to Hidemi that he's fallen in love with a certain woman. The dinner is interrupted by news that a ship was sunk by Godzilla. The following morning, Tsukioka helps the JASDF search for Godzilla and tracks its location on Kamiko Island. Kobayashi departs to aide Tsukioka but leaves his notebook behind. Hidemi peeks at the notebook and discovers a picture of her inside.

Kobayashi attempts to stop Godzilla from escaping but is struck by Godzilla's atomic breath and crashes into the mountaintop, killing him. The crash creates a small avalanche that engulfs Godzilla, inspiring the JASDF to bury it with a bigger avalanche but lack firepower. The JASDF return to base to reload missiles and Tajima reluctantly accepts Tsukioka's request to take him. The JSDF creates a wall of fire to block Godzilla's escape, while the JASDF triggers avalanches by blasting the mountaintops. Godzilla exhales one last atomic breath before being completely buried by the last avalanche triggered by Tsukioka. Relieved, Tsukioka lets Kobayashi's spirit know that they have finally defeated Godzilla.

Cast

Cast taken from Japan's Favorite Mon-star, except where cited otherwise.

Production

Crew

 Motoyoshi Oda – director
 Eiji Tsuburaya – special effects director
 Eiji Iwashiro – assistant director
 Kazuo Baba – production coordinator
 Takeo Kita – art director
 Sadamasa Arikawa – special effects photography
 Akira Watanabe – special effects art director
 Kiroshi Mukoyama – optical effects
 Masayoshi Onuma – lighting
 Masanobu Miyazawa – sound recording
 Ichiro Mitsunawa – sound effects

Personnel taken from Japan's Favorite Mon-star.

Development

A few weeks after Godzilla was released in November 1954, a welcome home party was held for executive producer Iwao Mori. During the party, Mori instructed producer Tomoyuki Tanaka to produce a sequel, due to Mori being pleased with the box office results for the first film.

Ishirō Honda, director of the first Godzilla film, was unavailable to return to direct the sequel due to directing Lovetide at the time. Japanese publications indicated that Tanaka attached Motoyoshi Oda to direct the film, rather than waiting for Honda, due to Mori fearing to lose the momentum of the first Godzilla film's success. Film historians Steve Ryfle and David Kalat deduced that Oda was chosen to direct due to his experience with effects-driven films such as Eagle of the Pacific, and his then-latest film The Invisible Avenger. Kalat added that Oda was a director content with accepting B–picture level assignments, stating, "putting such a man in charge of the Godzilla sequel then was a clear signal of intent: This was to be a quickie profit center, not an artistic indulgence."

Screenwriter Takeo Murata originally wanted to show a scene of chaos and looting in the middle of the monster battle, but time and budget limitations forced him to drop this idea. The Dinosaur Book by Edwin H. Colbert was used during the film's conference scene.

Special effects

The film's special effects were directed by Eiji Tsuburaya. Some of the effects footage was shot at a slower speed, 18 frames per second. Three cameras were set to capture the effects footage. Two cameras were set at high speed, while the third was indirectly left at slow speed. Despite the error, Tsuburaya felt the slow speed footage was usable and since then, used different camera speeds for different scenes. Some Japanese publications identified Yoichi Manoda as the cameraman who accidentally left the third camera on slow speed, while others identified Koichi Takano as the culprit.

Haruo Nakajima portrayed Godzilla and Katsumi Tezuka portrayed Anguirus, respectively. Nakajima and Tezuka were able to move in the suits more fluidly due to the suits being made from lighter materials, as well as casting them from plaster molds to fit the suit performers' physiques. For Godzilla, the new design was sculpted by Teizo Toshimitsu. The Godzilla suit was constructed with a cloth-base where latex was applied over it. A motor was built into the head to move the eyes and mouth, with the batteries built at the base of the tail. Due to this, Nakajima felt discomfort each time he jumped in the suit. For Anguirus, Tezuka had to crawl on his knees with the bottom of his feet exposed. The effects crew hid this by placing trees, buildings, and other obstacles in the foreground and filming from certain angles that hid the hind legs.

Hand puppets were built for close-up shots. The Godzilla puppet had a spray built in to depict the atomic breath. Some of the monster battles were photographed from low angles to emphasize size and scale. The Osaka miniature set was constructed at Toho's then-new soundstage No. 8, which allowed the effects crew more space to work in. The Osaka castle miniature failed to crumble as planned. Wires were attached to the castle that ran beneath the platform. Due to heavy construction, the model failed to collapse even when the suit performers rammed into it as the crew members pulled the wires. Tsuburaya ordered to "cut" but the crew members did not hear him and the castle model collapsed when camera were not rolling. Due to this, the model had to be partially rebuilt. The ice island battle was partially filmed on an outdoor set. To bury Godzilla in ice, an ice machine was borrowed from the Tokyo skating rink.

For the opening scene, Nakajima and Tezuka were required to be in the suits as they plummeted into the water in order to avoid having the suits float upon impact. Several handlers were on-set to prevent Nakajima and Tezuka from drowning. A Godzilla prop equipped with a wind up motor was built to walk during the ice island scenes, however, the prop malfunctioned and was filmed in a stationary position instead. Real snow was added for the ice island set. Several shots of Godzilla reacting to the ice canyon explosions were filmed outdoors in order to avoid filming the roof of the studio set.

Release

Theatrical
Godzilla Raids Again was distributed theatrically in Japan by Toho on April 24, 1955. The film generated 8.3 million tickets, less than what the first Godzilla film drew but still considered moderate business. The film drew little enthusiasm from audiences, the press, and Toho staff. Tanaka later admitted that the crew had little time to prepare and hardly considers the film a success. The Japanese version was released to Japanese speaking theaters in the United States prior to the altered American version. The film was Toho's fourth highest-grossing film of the year domestically, and the 10th highest grossing Japanese release domestically.

A re-edited English dubbed version titled Gigantis, the Fire Monster was released theatrically in the United States by Warner Bros. Pictures on May 21, 1959, where it played as a double feature with Teenagers from Outer Space. Some drive-ins paired the film with Rodan.

American version

The North American rights to the film were purchased by Harry Rybnick, Richard Kay, Edward Barison, Paul Schreibman, and Edmund Goldman, the same producers who acquired the rights to Godzilla and released it as Godzilla, King of the Monsters!. Instead of dubbing the film, the producers first planned to produce a new film titled The Volcano Monsters, while utilizing the effects footage from the original Japanese film. The producers announced in Variety that filming was expected to commence on June 17, 1957. Rybnick hired Ib Melchior and Edwin Watson to write the screenplay.

Melchior and Watson spent hours watching the Japanese version on a Moviola to build an American story around the footage and to note down footage of the monsters, military mobilization, crowds fleeing, and jets flying and attacking. The duo completed a 129 paged script, dated May 7, 1957, with instructions for the editor of where the Japanese footage was to be used. In their script, Godzilla and Anguirus were changed to dinosaurs, with Godzilla identified as a female Tyrannosaurus. All shots of Godzilla using his atomic breath were eliminated, to be replaced with new footage of Godzilla swiping his claws at jets. Panic, disaster, and military mobilization scenes from news reels were to be included between the Japanese monster footage. The blackout was re-written to signify that the monsters destroyed a power plant. The new effects footage was to be shot at Howard A. Anderson's special effects studio.

Toho approved of the idea and in early 1957, shipped the Godzilla and Anguirus suits to Los Angeles for additional photography. While filming Invasion of the Saucer Men, Bob Burns III and Paul Blaisdell recalled stumbling upon two crates holding the Godzilla and Anguirus suits. Burns recalls that the suits were made out of rubber over canvas and had already been used due to significant burns and damages. Howard A. Anderson Jr. told Burns that they recently received them at the time and were intended for "shooting some inserts."

Rybnick and Barison initially struck a deal with AB-PT Pictures Corp. to co-finance the film but the company closed shop in 1957. Schreibman, Goldman, and then-new financier Newton P. Jacobs decided to dub the film instead. Hugo Grimaldi was hired to oversee the dubbing and editing of the film. Masaru Sato's original music was replaced (except for a couple of tracks) with stock music from various libraries, including the MUTEL library, as well as music from films such as Kronos (1957), Project Moonbase (1958) and The Deerslayer (1957). Godzilla's roar was largely replaced with Anguirus' roar. This version had the working title of Godzilla Raids Again, but was changed to Gigantis, the Fire Monster upon its release. Schreibman took full credit for changing Godzilla's name to Gigantis, which was an attempt to convince audiences that "Gigantis" was a brand new monster, stating, "We called it 'Gigantis' because we did not want it to be confused with 'Godzilla' [who had clearly been killed irreparably by the oxygenator]." At one point, Schreibman inaccurately told reporters that the original Japanese film was called Angirus.

The film was dubbed at Ryder Sound Services in New York and featured the voice talents of Keye Luke, Paul Frees, and George Takei. The English dialogue was based on a loose interpretation, rather than an accurate translation, of the original Japanese dialogue. Credit for the English dialogue script had not been revealed since the release of the film. According to Takei, the word "banana oil" was created by the dub's director due to having difficulty finding a word to match the lip movement of the original Japanese word "bakayaro". Takei stated that people laughed during the recording due to the word being an outdated expression. The English version utilizes stock footage from various films, such as Unknown Island and the first Godzilla film, as well as news reels, military footage, the space program, and educational films.

Prior to the film's release, Schreibman approached Bill Foreman (then-President of Pacific Theaters) and convinced him to purchase the theatrical and television rights to both Gigantis and Teenagers from Outer Space and helped Foreman sell the theatrical rights to Warner Bros. According to the deal, Foreman agreed to show both films in all of his theaters while Warner Bros. would distribute the films to other theaters and were given the American and Latin American theatrical rights to both films for four years.

After the film reverted to Foreman and his attorney Harry B. Swerdlow (who became designated owner of both films because Foreman did not want his name to appear on the copyright notices), they did not pursue any interest in continuing to sell the television rights, which resulted in Gigantis the Fire Monster disappearing from American theatres and television for two decades until the rights reverted to Toho in the mid-1980s.

Critical response
On review aggregator Rotten Tomatoes, the film has an approval rating of 64% based on 11 reviews, with an average rating of 5.00/10.

From contemporary reviews in the United States, Joe R. Patrick of Des Moines Tribune described the film as "amateurish", finding the acting to be "confined primarily to facial expressions, in tight close-ups" and that the film "suffers most of all from dubbed-in English." The review did praise the animation of the monsters as "at times very good, at other times poor," and concluded that the film was not as well made as its double feature, Rodan. Donald Willis of Variety declared the film as being "inept and tedious" but declared the miniature work as "remarkably good" specifically that scenes of "the dinosaur-like animal crunching his way through houses, traffic and high-tension wires are interesting and exciting."

Film critic Glenn Erickson wrote in DVD Talk that the film was an "underappreciated, action filled sequel to the original," and that although "the human plot [...] is a series of forgettable scenes about two pilots and their girlfriends, material so poorly organized that it's difficult to remember at all," the "design and execution of the monster battles is quite exciting [featuring] wonderfully dynamic battle scenes with excellent optical superimposures." Writing for AllMovie, critic Bruce Eder noted that although "[t]here are interesting elements to this movie, few [...] are explored adequately in the rather slipshod screenplay," that "we never get far enough inside [the characters] to take advantage of the thematic material," and that "the poorer special effects, plus an indifferent music score, made the movie considerably less than its predecessor." A review in TV Guide described the film as a "lukewarm sequel" and "strictly second-rate, lacking both the drama of the first film and the goofy panache of later entries."

Ishirō Honda (director of the previous Godzilla film) noted that reviews for Godzilla Raids Again were more positive compared to the previous film, stating that it was considered "stupid" by the media for a director to add "ideas or themes" into a science fiction film, he commented, "That's why I think that the first Godzilla was only considered a 'weird' movie. That's probably why they liked the second movie much better." Film historian Steve Ryfle noted that some writers felt that while Godzilla (1954) was a metaphor for the Hiroshima bombing, Godzilla Raids Again serves as metaphor for the Nagasaki bombing. Ryfle noted the scene of Hidemi gazing at the flames of Osaka strikes parallels with the imagery of a mushroom cloud.

Home media

Japan
In 1982, the Japanese version was released on VHS in Japan by Toho. In 1986, Toho released the film on LaserDisc. In 1991, Toho reissued the film on VHS. In 1993, Toho released a new master of the film on LaserDisc. In 2001, Toho released the film on DVD. In 2005, Toho included the film on the Godzilla Final Box DVD Set. In 2014, Toho released the film on Blu-ray.

In 2008, Toho remastered the film in High-definition and premiered it on the Japanese Movie Speciality Channel, along with the rest of the Godzilla films also remastered in HD.

United States
In 1989, Video Treasures released the American version on EP and LP VHS in the United States and Canada. In 2007, Classic Media and Sony BMG Home Entertainment released both the Japanese and American versions on DVD in the United States and Canada. The special features include an audio commentary by Steve Ryfle, a featurette titled The Art of Suit Acting by Ed Godziszewski and Bill Gudmundson, and a slideshow of the film's theatrical posters. Per Toho's request, the original title card for Gigantis, the Fire Monster was replaced with a new title card sporting the film's official English title.

In 2017, Janus Films and The Criterion Collection acquired the film, as well as other Godzilla titles, to stream on Starz and FilmStruck. In 2019, the Japanese version was included as part of a Blu-ray box set released by The Criterion Collection, which includes all 15 films from the franchise's Shōwa era. In May 2020, the Japanese version became available on HBO Max upon its launch.

Legacy
The film was followed by King Kong vs. Godzilla, released on August 11, 1962. Godzilla Raids Again introduced the monster vs. monster formula that would be become prominent and synonymous with the franchise. After the release of the film, Toho featured Anguirus in various multimedia (see Appearances).

Notes

References

Sources

External links

 Godzilla Raids Again at the official Godzilla website by Toho Co., Ltd.

1955 films
1950s science fiction films
Films scored by Masaru Sato
Films directed by Motoyoshi Oda
Puppet films
Films produced by Tomoyuki Tanaka
Films set in Osaka
Giant monster films
Godzilla films
Japanese black-and-white films
1950s Japanese-language films
Japanese sequel films
Kaiju films
1950s monster movies
Toho films
1950s Japanese films

Godzilla Raids Again


Coco i velika tajna (engleski: Coco) američki je animirani film iz 2017. redatelja Lee Unkrich, a režiju potpisuje Adrian Molina, u produkciji Pixar Animation Studija, u koprodukciji s Walt Disney Picturesom, distribuira Walt Disney Studios Motion Pictures u Americi, dok u Hrvatskoj 2i Film.

Ovo je Pixarov 19. dugometražni film. Objavljen 2017. godine zajedno s Autima 3, drugi je put da su iste godine objavljena 2 Pixarova filma.

Film govori o dječaku po imenu Miguel, koji je slučajno prevezen u svijet mrtvih, gdje traži pomoć svog prapradjeda glazbenika da se vrati u zemlju živih i da može uvjeriti svoju obitelj da prihvati njegovu strast prema glazbi.

Koncept filma inspiriran je meksičkim praznikom poznatim kao Dìa de Los Muertos. Pixar je počeo razvijati animaciju 2016. godine; Unkrich i neki članovi filmske ekipe posjetili su Meksiko radi istraživanja. Koštajući 175-225 milijuna američkih dolara, Coco je prvi film s deveteroznamenkastim proračunom u kojem će se pojaviti glavna glumačka postava latinoamerikanaca.

Coco je premijerno prikazan 20. listopada 2017. u Moreliji u Meksiku, a u kinima je objavljen u Meksiku tjedan kasnije, vikend prije Dana mrtvih, u Sjedinjenim Državama 22. studenog 2017, a u Hrvatskoj dan kasnije. Film je hvaljen zbog svoje animacije, sinkronizacije, glazbe, vizuala, emocionalne priče i poštovanja prema meksičkoj kulturi. Zaradio je više od 814 milijuna američkih dolara širom svijeta, postavši 16. animirani film s najvećom zaradom ikada u vrijeme objavljivanja. Dobitnik brojnih nagrada, Coco je Nacionalni odbor recenzije odabrao za najbolji animirani film 2017. godine. Film je osvojio dva Oscara na 90. dodjela Oscara, 2018. godine: za najbolji animirani film (drugi za Leeja Unkricha nakon Priče o igračkama 3) i Najbolju pjesmu (Ti pamti me (eng.: Remember Me)) koju su napisali Kristen Anderson-Lopez i Robert Lopez (druga, nakon Puštam sve (eng.: Let it Go iz Snježnog kraljevstva)); Zlatni globus, Nagradu BAFTA i Annie u istoj kategoriji.

Radnja
Film govori o dječaku po imenu Miguel koji živi na selu i sanja da postane glazbenik. No, u njegovoj obitelji glazbu se smatra prokletstvom, pa nikome ne priča o svom snu. I odjednom dječak sazna da postoji veza između njega i njegovog pokojnog idola i Miguel ga odlazi tražiti.

Uloge

Ostali hrvatski glasovi

 Ana Vučak
 Ivona Kundert
 Dora Jakobović
 Marko Jelić
 Dragan Brnas
 Tihana Fraculj
 Boris Barberić
 Nađa Josimović
 Anja Nigović
 Kristina Habuš
 Dragan Peka
 Ivana Čabraja
 Petra Vukelić
 Petra Dugandžić
 Mima Karaula
 Goran Vrbanić
 Vladimir Pavelić
 Daria Hodnik Marinković
 Rina Serdarević

Izvori

Američki animirani filmovi 2010-ih

Coco i velika tajna


Una boquilla es un tubo en el que por un extremo se coloca un cigarrillo, y que por el otro cambia de forma para adaptarse a los labios. Las boquillas o filtros para cigarrillos de cannabis son coloquialmente llamadas cartajas.

Muchas boquillas presentan un sistema retráctil con muelle similar al de los bolígrafos de "clic" que permite la liberación automática del cigarrillo una vez fumado sin falta de tocarlo con los dedos. Con ello, además de glamour, uno de los fines buscados, se consigue que los dedos no huelan a tabaco. A tenor de esta última reflexión cabe mencionar el uso práctico de las boquillas en cuanto a la reducción de la transferencia de sustancias del tabaco a dedos y labios. La transmisión del olor y el "amarilleado" del tabaco en dedos y bigotes de grandes fumadores se ve claramente reducido pues parte de las breas se quedan en la boquilla.

Las boquillas largas formaron parte de la moda femenina desde los años 20 hasta principios de los años 60, y siguen siendo utilizadas en la moda japonesa.

Louise Brooks, Marlene Dietrich y Rita Hayworth fueron algunas de las actrices que las usaban con frecuencia.

Las cortas son más propias de caballeros destacando los diseños discretos de marfil o con acabados plateados. Algunos de los más famosos fumadores de cigarrillos con boquilla fueron el cantante Willy DeVille, el escritor y diplomático Rodolfo Usigli, y el botánico William Fawcett.

Pueden verse personajes fumando con boquillas en películas como El último cuplé, Breakfast at Tiffany's, 101 dálmatas, entre muchas otras, y en series animadas como La pantera rosa. Asimismo, en las esculturas de personas y animales fumadores de fantasía glam, más conocidas como Tom´s Drag, del artista Thomas Hoffman (Tom´s Company) es habitual la presencia de boquillas. El personaje de DC Comics y villano de Batman, El Pingüino, también suele ser representado a menudo portando y fumando una boquilla.

Enlaces externos

Artículos de fumador

Boquilla (fumar)


Gamborg Nor er et  omkring 19 hektar stort  nor knap syv km sydøst for Middelfart på Vestfyn. Noret gennemløbes af Viby Å , lige før den løber ud i Gamborg Fjord (Lillebælt), der ligger syd for noret.  Gamborg Nor er var oprindelig en fjordarm, (en forlængelse af Ellebæk Vig) der blev inddæmmet i slutningen af 1700-tallet med dæmninger, mod nordvest fra Gamborg til Svinø, og mod syd Fra Rosnæs til Svinø. Formålet var formentlig at Wedellsborg Gods ønskede at tørlægge det til landbrugsdrift, men det skete aldrig, og  det blev fredet som vildtreservat i 1940.  Gamborg Nor Vildtreservat   omfatter hele inddæmningen og et 100 meter bredt bælte omkring, i alt ca. 130 hektar..
Gamborg Nor ligger i Natura 2000 -område nr. 112 Lillebælt.

Der har i årene 2007 til 2013 været gennemført et naturgenopretningsprojekt omkring Gamborg Nor og de omkringliggende arealer og en med blandt andet genslyngning af en del af Viby Å. Målet har været at  sikre og udvide arealet med naturtypen rigkær samt forbedre vandkvaliteten i Gamborg Nor og Lillebælt, der er udpeget som habitatområde. I tagrørssumpen findes rigkær, hvor der bl.a. er stor forekomst af den fredede orkidé majgøgeurt.

Kilder og henvisninger

 Kort over området

Lokaliteter i Middelfart Kommune
Lillebælt
Nor
Vådområder i Danmark
Naturgenopretning i Danmark
Vildtreservater i Danmark

Gamborg Nor


El término Violet puede referirse a:

 Violet, localidad de Luisiana, Estados Unidos.
 Violet, personaje ficticio de Tekken.
 Violet, canción de la banda Hole de 1995.
 Violet, álbum de la banda We the Lion de 2016.
 Violet, película de Luiso Berdejo de 2013.

Violet


Trilobitler (Trilobita), eklembacaklılar (Arthropoda) şubesinin fosil sınıfıdır. Erken Kambriyen'den Geç Permiyen'e kadar yayılış gösterirler.

Sınıflandırma

 Takım: Agnostida
 Alt takım: Agnostina
 Üst familya: Agnostoidea
 Familya: Agnostidae
 Familya: Ptychagnostidae
 Familya: Peronopsidae
 Familya: Doryagnostidae
 Familya: Diplagnostidae
 Familya: Clavagnostidae
 Familya: Metagnostidae
 Üst familya: Condylopygoidea
 Familya: Condylopygidae
 Alt takım: Eodiscina
 Üst familya: Eodiscoidea
 Familya: Tsunyidiscidae
 Familya: Hebediscidae
 Familya: Calodiscidae
 Familya: Weymouthiidae
 Familya: Yukoniidae
 Familya: Eodiscidae
 Üst familya: Incertae sedis
 Familya: Sphaeragnostidae
 Takım: Redlichiida
 Alt takım: Olenellina
 Üst familya: Olenelloidea
 Familya: Olenellidae
 Familya: Holmiidae
 Üst familya: Fallotaspidoidea
 Familya: Archaeaspididae
 Familya: Fallotaspididae
 Familya: Judomiidae
 Familya: Neltneriidae
 Familya: Nevadiidae
 Alt takım: Redlichiina
 Üst familya: Emuelloidea
 Familya: Emuellidae
 Familya: Megapharanaspidae
 Üst familya: Redlichioidea
 Familya: Redlichiidae
 Familya: Redlichinidae
 Familya: Dolerolenidae
 Familya: Yinitidae
 Familya: Mayiellidae
 Familya: Gigantopygidae
 Familya: Saukiandidae
 Familya: Metadoxididae
 Familya: Redlichinidae
 Familya: Metadoxididae
 Familya: Kuechowiidae
 Familya: Menneraspididae
 Familya: Chengkouaspidae
 Üst familya: Paradoxidoidea
 Familya: Paradoxididae
 Familya: Centropleuridae
 Familya: Xystriduridae
 Takım: Corynexochida
 Alt takım: Corynexochina
 Üst familya: Corynexochoidea
 Familya: Amgaspididae
 Familya: Amgaspididae
 Familya: Chengkouiidae
 Familya: Dinesidae
 Familya: Dolichometopidae
 Familya: Dorypygidae
 Familya: Edelsteinaspidae
 Familya: Jakutidae
 Familya: Oryctocephalidae
 Familya: Zacanthoididae
 Alt takım: Illaenina
 Üst familya: Illaenoidea
 Familya: Scutelluidae
 Familya: Styginidae
 Familya: Illaenidae
 Familya: Panderidae
 Familya: Tsinaniidae
 Alt takım: Leiostegiina
 Üst familya: Leiostegioidea
 Familya: Cheilocephalidae
 Familya: Illaenuridae
 Familya: Kaolishaniidae
 Familya: Leiostegiidae
 Familya: Pagodiidae
 Familya: Ordosiidae
 Familya: Shirakellidae
 Takım: Phacopida
 Alt takım: Calymenina
 Üst familya: Calymenoidea
 Familya: Calymenidae
 Familya: Pharostomatidae
 Familya: Homalonotidae
 Familya: Bavarillidae
 Familya: Bathycheilidae
 Alt takım: Phacopina
 Üst familya: Phacopoidea
 Familya: Phacopidae
 Familya: Pterygometopidae
 Üst familya: Dalmanitoidea
 Familya: Dalmanitidae
 Familya: Prosopiscidae
 Familya: Diaphanometopidae
 Üst familya: Acastoidea
 Familya: Acastidae
 Familya: Calmoniidae
 Alt takım: Cheirurina
 Üst familya: Cheiruroidea
 Familya: Cheiruridae
 Familya: Pliomeridae
 Familya: Pilekiidae
 Familya: Encrinuridae
 Takım: Lichida
 Üst familya: Lichoidea
 Familya: Lichakephalidae
 Familya: Lichidae
 Üst familya: Odontopleuroidea
 Familya: Odontopleuridae
 Üst familya: Dameselloidea
 Familya: Damesellidae
 Takım: Proetida
 Üst familya: Proetoidea
 Familya: Proetidae
 Familya: Phillipsiidae
 Familya: Tropidocoryphidae
 Üst familya: Aulacopleuroidea
 Familya: Aulacopleuridae
 Familya: Brachymetopidae
 Familya: Rorringtoniidae
 Üst familya: Bathyuroidea
 Familya: Bathyuridae
 Familya: Dimeropygidae
 Familya: Holotrachelidae
 Familya: Hystricuridae
 Familya: Raymondinidae
 Familya: Telephinidae
 Familya: Toernquistiidae
 Takım: Harpetida
 Alt takım: Harpetina
 Üst familya: Harpetioidea
 Familya:  Harpetidae
 Takım: Ptychopariida
 Alt takım: Ptychopariina
 Üst familya: Ellipsocephaloidea
 Familya: Agraulidae
 Familya: Bigotinidae
 Familya: Chengkouiidae
 Familya: Ellipsocephalidae
 Familya: Estaingiidae
 Familya: Palaeolenidae
 Familya: Yunnanocephalidae
 Üst familya: Ptychparioidea
 Familya: Alokistocaridae
 Familya: Antagmidae
 Familya: Asaphiscidae
 Familya: Atopidae
 Familya: Bolaspididae
 Familya: Cedariidae
 Familya: Changshaniidae
 Familya: Conocoryphidae
 Familya: Crepicephalidae
 Familya: Diceratocephalidae
 Familya: Elviniidae
 Familya: Eulomidae
 Familya: Ignotogregatidae
 Familya: Inouyiidae
 Familya: Isocolidae
 Familya: Kingstoniidae
 Familya: Lisaniidae
 Familya: Llanoasppididae
 Familya: Lonchocehalidae
 Familya: Lorenzellidae
 Familya: Mapaniidae
 Familya: Marjumiidae
 Familya: Menomoniidae
 Familya: Nepeidae
 Familya: Norwoodiidae
 Familya: Papyriaspididae
 Familya: Phylacteridae
 Familya: Proasaphiscidae
 Familya: Ptychopariidae
 Familya: Shumardiidae
 Familya: Solenopleuridae
 Familya: Tricrepicephalidae
 Familya: Utiidae
 Familya: Wuaniidae
 Alt takım: Olenina
 Familya: Olenidae
 Familya: Prosopiscidae
 Familya: Diaphanometopidae
 Alt takım: Incertae sedis
 Familya: Avoninidae
 Familya: Catillicephalidae
 Familya: Ityophoridae
 Familya: Plethopeltidae
 Takım: Asaphida
 Alt takım: Asaphina
 Üst familya: Anomocaroidea
 Familya: Andrarinidae
 Familya: Anomocarellidae
 Familya: Anomocaridae
 Familya: Aphelaspididae
 Familya: Parabolinoididae
 Familya: Pterocephalidae
 Üst familya: Asaphoidea
 Familya: Asaphidae
 Familya: Ceratopygidae
 Üst familya: Cyclopygoidea
 Familya: Cyclopygidae
 Familya: Nileidae
 Familya: Loganellidae
 Familya: Taishunghaniidae
 Üst familya: Dikelokephaloidea
 Familya: Dikelokephalidae
 Familya: Eurekiidae
 Familya: Loganellidae
 Familya: Ptychaspididae
 Familya: Saukiidae
 Üst familya: Remopleuridioidea
 Familya: Auritamiidae
 Familya: Bohemillidae
 Familya: Hungaiidae
 Familya: Idahoiidae
 Familya: Remopleurididae
 Üst familya: Trinucleioidea
 Familya: Alsataspididae
 Familya: Dionididae
 Familya: Liostracinidae
 Familya: Raphiophoridae
 Familya: Trinucleidae

Dipnotlar

Trilobitler


An Vitekorchis aurifera in uska species han Liliopsida nga syahan ginhulagway ni Heinrich Gustav Reichenbach, ngan ginhatag han pagkayana nga asya nga ngaran ni Ined.. An Vitekorchis aurifera in nahilalakip ha genus nga Vitekorchis, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Vitekorchis

Vitekorchis aurifera


කෝකසස් කඳු වනාහී, යුරේසියාව තුල,  කෝකසස් පළාතෙහි, කඵ මුහුද සහ කැස්පියන් මුහුද අතර විහිදෙමින් පිහිටන කඳු වැටියකි.

කෝකසස් කඳු වල කොටස් වශයෙන්  උතුරු දිශාවෙන් පවතින  මහා කෝකසස් සහ දකුණු දිශාවෙන් පවතින සුළු කෝකසස් දැක්විය හැක. බටහිර-වයඹ දිශාවෙහි සිට නැගෙනහිර-ගිණිකොණ දිශාවට දිවෙන මහා කෝකසස් වැටිය,  කළු මුහුදෙහි ඊසාන දිග වෙරළෙහි සෝචී අසබඩ කෝකසියානු ස්වාභාවික ආරක්ෂිත ප‍්‍රදේශයෙහි සිට කැප්සිකන් මුහුදෙහි  බකූ සමීප ප්‍රදේශය දක්වා විහිදෙයි. සුළු කෝකසස් වැටිය දිවෙන්නේ මහා කෝකසස් වැටියට සමාන්තරව 100 කිමී (62 සැත) පමණ දකුණු දිශාවටය.

සටහන්

කෝකසස් කඳු


Jumping Into the World é o primeiro álbum especial (ou álbum 1.5) da cantora sul-coreana BoA, lançado em 8 de março de 2001. Consiste de oito faixas inéditas ao lado de versões em inglês e chinês das canções "Don't Start Now", "사라 (SARA)" e "ID; Peace B". Na Coreia, o álbum foi intitulado Don't Start Now.

Lista de faixas

Paradas musicais

Paradas semanais

Paradas mensais

Histórico de lançamento

Álbuns de 2001
Álbuns de BoA
Álbuns de K-pop
Álbuns lançados pela SM Entertainment

Jumping into the World


විදේශ ප්‍රතිපත්තිය විශ්ලේශණය කිරීම යනු විදේශ ප්‍රතිපත්තියේ න්‍යායන් හා ක්‍රියාවලීන්විධිමත්ව අධ්‍යනය කිරීම හා පර්යේෂණය කිරීමයි.

රජයක් විසින් විදේශ ප්‍රතිපත්තිය නිර්මාණය කරන ආකාරය අධ්‍යනය කිරීම විදේශ ප්‍රතිපත්තිය විශ්ලේෂණය කිරීම හා සම්බන්ධ වේ.FPA අන්තර්ජාතික හා දේශීය දේශපාලනය අධ්‍යනය කිරීම හා සම්බන්ධ වන නිසා,ශ්‍රාස්ත්‍රීය පුහුණුව පිහිටන්නේ අන්තර්ජාතික සම්බන්ධතා හා මහජන ප්‍රතිපත්තිය එකට ඡදනය වන විටය.එමෙන්ම FPA	උපායශ්‍රීලිත්වය,යුද්ධය, රජයන් අතර සංවිධාන හා ආර්ථික සම්බාධක අධ්‍යනය කිරීම හා සම්බන්ධ වන අතර එම කරුණු සියල්ල රජයක් විදේශ ප්‍රතිපත්තිය ක්‍රියාත්මක කිරීම කෙරෙහි බපානු ලබයි. ශ්‍රාස්ත්‍රානුකූලව,විදේශ ප්‍රතිප්තිය විශ්ලේෂණය දේශපාලන විද්‍යාවේදී හෝ දේශපාලන අධ්‍යනයේදී සහ අන්තර්ජාතික සම්බන්ධතා යන විෂයන්හිදී පොදුවේ උගන්වනු ලබයි.

විදේශ ප්‍රතිපත්තිය විශ්ලේශණය


Argentina has a vast territory and a variety of climates and microclimates ranging from tundra and polar in the south to the tropical climate in the north, through a vast expanse of temperate climate. Natural wonders include the Aconcagua, the highest mountain in the world outside the Himalayas, the widest river and estuary of the planet (the River Plate), the Iguazú Falls,  the Humid Pampas, and the Argentine Sea. Visitors enjoy the culture, customs and Argentine cuisine.

The Argentine territory stretches from the highest peaks of the Andes in the west to colitis del Norte rivers and extensive beaches and cliffs of Argentine Sea in the east; from the tropical rainforest of the Yungas north to the valleys, glaciers, lakes and cold forests of Andean Patagonia in the south, and to Argentine Antarctica. Through the warm landscapes of tropical climates contrasting, in a huge gradient microclimates, the polar climates or extensive and very fertile grasslands with the World's most flatter plains contrasting with the highest mountains outside Asia, contrasted with also vast desert areas plethoric of geoforms for the annual running extensive and extreme Dakar rally race, the high mountain ranges, the pleasant Pampeanas mountains and the temperate Atlantic beaches and its extensive coastlines. The huge distances require in most cases air travel. The Misiones rainforest, Argentine Yungas, and areas of the Andean Patagonia are scientifically considered as biodiversity hotspots large areas worldwide. The great biodiversity and a large number of different landscapes and climates make Argentina a diverse country.

Argentina received 5.80 million tourists in 2011 according to the World Tourism Organization, the first most visited country in South America and the second most visited of all of Latin America, after Mexico.

Main destinations

 City of Buenos Aires is in the midst of a tourism boom, according to the World Travel & Tourism Council,  it reveals strong growth for Argentina Travel and Tourism in 2007  and in coming years,  and the prestigious travel and tourism publication; Travel + Leisure Magazine, a monthly publication leader in the worldwide market of travel magazines,  travelers voted Buenos Aires the second most desirable city to visit after Florence, Italy. Buenos Aires, regarded as the "Paris of South America," offers elegant architecture, exquisite cuisine,  legendary nightlife, and fashionable shopping.

The most popular tourist sites are found in the historic city core, comprising Montserrat and San Telmo. The city was originally constructed around the Plaza de Mayo, the administrative center of the Spanish Empire. To the east of the square is the Casa Rosada, the official seat of the executive branch of the government of Argentina. To the north, the Catedral Metropolitana which has stood in the same location since colonial times, and the Banco de la Nación Argentina building, a parcel of land originally owned by Juan de Garay. Other important colonial institutions were Cabildo, to the west, which was renovated during the construction of Avenida de Mayo and Julio A. Roca. To the south is the Congreso de la Nación (National Congress), which currently houses the Academia Nacional de la Historia (National Academy of History). Lastly, to the northwest, is City Hall.

Avenida de Mayo links the Casa Rosada with the Argentine National Congress. On this avenue there are several buildings of cultural, architectural and historical importance, such as Casa de la Cultura, the Palacio Barolo and Café Tortoni. Underneath the avenue, the first subte (metro) line   in South America, was opened in 1913. The avenue ends at Plaza del Congreso, which features a number of monuments and sculptures, including one of Auguste Rodin's few surviving original casts of "The Thinker".

The Manzana de las Luces ("Illuminated Block") area features the San Ignacio church, the Colegio Nacional Buenos Aires and the old city council building (1894 to 1931). This area features tunnels and catacombs, which crossed underneath the Plaza de Mayo during colonial times.
In the neighborhood of San Telmo, Plaza Dorrego hosts an antique fair on Sundays, complete with tango shows. They also have tango shows daily at the famous plaza. On weekends they involve many tourists to learn how to dance. Frequent tours and activities are also available at the Church of Nuestra Señora de Bethlehem, the San Pedro Telmo Parish and the Antonio Ballvé Penitentiary Museum. The National Historical Museum in Parque Lezama is a few blocks south. The Ayres Porteños Hostel is a very famous hostel and a tourist attraction, it is decorated and painted by artists from La Boca and possesses a unique collection of local paintings among its walls.

The borough of Recoleta is home to a number of places of interest, including the Museo Nacional de Bellas Artes, the Biblioteca Nacional, the Centro Cultural Recoleta, the Faculty of Law of the Universidad de Buenos Aires, the Basílica Nuestra Señora de Pilar, the Palais de Glace, the Café La Biela and the Cementerio de la Recoleta, where Eva Perón's crypt can be visited, among those of many other Argentine historical and cultural figures.
 Iguazú Falls, located in the northeast, area of subtropical forest, on the border with Brazil are one of the world's natural wonders, has good infrastructure development and touristic with very different walks. Lined with dense forests, the Iguazú river flows into 275 waterfalls, plunging more than 70 meters with a deafening noise over 2.7  km. As this huge volume of water reaches the bottom, the spray rises, and rainbows are formed in the sky. A variety of the original fauna and flora completes the setting for the waterfalls within the protection of the Iguazú National Park. This park, located eighteen kilometers from Puerto Iguazú, was declared Natural Heritage of Humanity by UNESCO. The famous falls are inside this park. The frontier with Brazil goes through the Garganta del Diablo (Devil's Throat). The National Park is full of the exotic subtropical vegetation which surrounds the falls and has 2,000 plant species - gigantic trees, ferns, lianas, orchids, - 400 bird species - parrots, hummingbirds, toucans - jaguars and yacarés (caimans) from the area. Its most impressive fall is called Garganta del Diablo. Other important is called Dos Hermanas, Bossetti or Álvar Núñez in honor of its discoverer, Álvar Núñez Cabeza de Vaca.

 Salta is a city of colonial architecture with tourist attractions such as: Quebrada de San Lorenzo, Calchaquí Valleys, Reservoir Cabra Corral (Embalse General Belgrano), Cafayate, Salinas Grandes, Iruya (step bound by the Quebrada de Humahuaca and Purmamarca) Cachi (through the Cuesta del Obispo) Molinos, La Caldera, Los Cardones National Park, El Rey National Park or Baritú National Pand the hrk, hot springs of Rosario de la Frontera. The Tren a las Nubes is a train ride through the area of the Puna. Puna, a land full of mountain ranges, steep mountain paths, valleys,  and gorges. Villages have been built in the small valleys with multi-colored and monochromatic hills covered with huge cacti on the slopes surrounding the village. This region offers landscapes full of contrast, from the high peaks to the salt pans, and the subtropical rain forests, where Latin American culture took root, located in the Northern provinces (Jujuy, Salta, Catamarca, Tucumán and Santiago del Estero). In Northern provinces feature traces of pre-Columbian cultures, mingled with ruins of natives' villages, as well as forts and constructions dating back to the time of the Conquest and Colonization. The service of this train was interrupted momentarily in July 2005 for repairs, reactivated quickly. Currently, the final destination is the city of San Antonio de Los Cobres. The whole Northern provinces combine natural attractions with suitable areas for diverse activities such as mountaineering, trekking, horseback riding, mountain biking, ecotourism, bird-watching, rural tourism, archaeological trips, sailing, canoeing and windsurfing.

 Perito Moreno Glacier, a part of Southern Patagonian Ice Field is a huge glacier that bisects the Argentino Lake and cyclically locks until it produces the breaking of the ice plug. It is located in the Los Glaciares National Park near the Argentine Patagonian city of El Calafate. In any season of the year continuous landslides of huge blocks of ice are produced from massive glaciers forming beautiful icebergs in Argentine lakes. The Perito Moreno Glacier and its neighbors is framed by a landscape of rugged mountains like the Chaltén and large lakes.
 Bariloche: This city is the capital of the southern lakes and important part of the tourist circuit of the Seven Lakes with Villa La Angostura and mountains (Tronador, Cerro Catedral, Cerro López). It is famous for skiing but also great for family trips for older children and sight-seeing, water sports, winter sports, fishing, windsurfing, trekking or hiking, climbing, camping in the Andean forest, sky diving, boat tours and private boats, horseback riding and scuba diving and more. Cerro Catedral is one of the most important ski  centers in South America.  Today, thanks to the investments of entrepreneurs and of municipality has a large tourist flow throughout the year. Also it make similar activities in San Martín de los Andes, Junín de los Andes, El Bolsón, Esquel, Trevelin, Los Antiguos activities are also developed Copahue, Caviahue.

 Ushuaia, The southernmost city in the world, in Tierra del Fuego, typical destination of the south of the country, attracts visitors with a very important tourist with excursions and gastronomy. North of the island, the city of Rio Grande is attracted by the old neighborhood of wooden houses painted varied or subtly and by excellent trout fishing. Further south, it is famous railway from Ushuaia and reaches the Tierra del Fuego National Park, bayside of Lapataia. Cruises are also offered by the Beagle Channel, observing colonies of South American sea lions, and a visit to Lighthouse Les Eclareurs, the beautiful Lake Fagnano (or Kami) or almost inaccessible Staten Island where is the Lighthouse of the End of the World, the landscape of Fueguan forests takes an almost magical appearance during the austral autumn to be covered with reddish the foliage of the dense forests.

 Sierras de Córdoba,  A mountain range of mild climate and landscapes ranging from the bucolic and wild, there are the main tourist centers: Villa General Belgrano and La Cumbrecita, touristic towns with large central European influence in the Sierras de Córdoba. Other major cities are Villa Carlos Paz, Cosquín, La Falda, Capilla del Monte, Mina Clavero, Jesús María or the Great Salt Lake of Mar Chiquita. The Unidad Turística Embalse is the destination of social tourism. the Córdoba Province It has little towns, historical antiques and cave paintings are found in a pleasant valley landscape, high plains and gorges. The City of Córdoba also has a great tourist attraction, especially in its valuable building of colonial period or in its urban landscapes. It also has a very good tourist infrastructure with major 5 star hotels, shopping centers of excellence, as well as highlights in the field of gastronomy and fun. The city of Córdoba is one of the most picturesque of Argentina because it has a historical center with beautiful Baroque Colonial architecture mixed with tall modern buildings that give the city a great tourist attraction. With many contrasting features— it is both a cultural and tourist-like destination, a traditional and modern city, with an industrialized as well as a home-made production. Large portions of landscape and favorable weather conditions are distinctive in Córdoba, natural sceneries are mixed with colonial monuments. They are part of the "Sierras pampeanas" mountain range, reaching 2,790 m high in the Champaqui hill. These hills are fertile valleys, deserts and salt mines. All along the way northward, many 17th and 18th century chapels and farmhouses inherited from the Jesuits can be found.

The Jesuit estancias (large cattle ranches) in Córdoba are a singular sample of the productive organization of the religious members of Compañía de Jesús in the country, and this can still be seen in a preserved architecture. Though history demonstrated that the farms were acquired for economic purposes in order to support schools and universities, the estancias were of course used "for missionary purposes, thus turning into religious centers." Estancias in Jesús María, Caroya, Santa Catalina, La Candelaria and Alta Gracia can be visited along a 250 km circuit. These farms that date back to the 17th century —together with the Jesuit Block in the City of Córdoba— are all national historical monuments that were declared World Cultural Heritage in 2000.

 Ischigualasto, also known as The Moon Valley, offers a strange landscape where the scarcity of vegetation and the more varied range vegetation of its soils plus the unusual forms of its rocks (geoforms) and mountains, make this a favorite place for tourists, both domestic and foreign. This provincial park, declared World Heritage Site by UNESCO, is located at the northern end of the province of San Juan. It is also a major paleontological center became famous because it is the only place where it can be seen completely exposed and perfectly differentiated the whole Triassic period as complete and orderly, where the oldest fossils in the world were found. The Moon Valley, so named because of the diverse forms and colours of its landscape shaped by erosion, continues in the Argentinian province of La Rioja with the Talampaya National Park. The Talampaya River Canyon reveals multi-shaped layers in its high red walls. Pink flamingos, Andean ducks, "vicuñas" and "guanacos" cohabit freely in parks and natural reserves, while condors fly over the area.

The Quebrada de Humahuaca, the Calchaquí Valleys, the Puna de Atacama (including cono de Arita, the Laguna de Pozuelos, the Campo de Piedra Pómez etc.), Ischigualasto, Talampaya, the Aconcagua, Caviahue and Copahue, near snow-capped mountains with temperate rainforests and glacial lakes; Andean Patagonic national parks, etc. constitute the tourist corridor called the Andean Footprint (Huella Andina) which is largely covered by National Route 40.

Other destinations

Mar del Plata is a tourist city with large beaches on the Atlantic.  Other beaches on the Argentine Atlantic Coast include as Necochea, Cariló, Villa Gesell, Monte Hermoso, Pehuen-Có, Las Grutas (in Río Negro), Rada Tilly in Chubut.  Other destinatios include the Aconcagua (6,959 m), the highest peak in America. Its steep slopes are renowned and respected by mountain climbers worldwide. Las Leñas; Talampaya, of great geological interest; San Rafael heart of Mendoza, where the best wines in Argentina are made, with its imposing Atuel Canyon, the valleys of Barreal of Iglesia, in San Juan highlighting the adventure tourism. Whales-watching in Puerto Madryn on the coast of Argentine Patagonia.
Other very attractive destinations are the valley of Tafí in Tucumán, ancient populations of Yavi and Iruya, the ruins of ancient pre-Columbian cities like Tastil, Tilcara, Shincal, the Pucará of Aconquija, a fort built by the humahuacas.
In La Rioja, the path of Riojan warlords, with Olta and Malanzán as main cities. In the first are monuments to Chacho Penaloza and the tango Caminito, inspired there, while in Malanzán is the birthplace of Facundo Quiroga.
It can also visit the oldest city in Argentina, the mother of cities Santiago del Estero, between the city Santiago del Estero halfway to San Miguel de Tucumán is located one of the most famous tourist destinations of mild winter in Argentina: the Hot springs of Río Hondo.

Are very attractive traditional events like the fair of Simoca in Tucumán, the Fiesta of the Lord and the Virgin of the Miracle in Salta or the pilgrimages to Luján and Punta Corral in Jujuy, the parade of faith to the Difunta Correa. An ample diversity of natural landscapes and dramatic contrasts such as the densely vegetated Yunga forests, or the mountains, hills and brooks of the Calchaquí Valleys, provide great conditions for fishing for sport fishing. Sport fishing of sea and river (of trout and sea bass in the Fueguan city of Río Grande, or dorado in Paso de la Patria, Juramento, Lipeo, Iruya and Bermejo). For it part -it has been said- Ushuaia is a privileged access to the Argentine Antarctica, the picturesque Route of the Adobe and the Tatón Dunes in the Province of Catamarca; rugged adventure tourism in the provinces of Santiago del Estero and La Pampa or in the Yungas and Calchaquí Valleys, the high Andean desert and jungles of Chaco, the northern Entre Ríos (Montiel Forest) and Misiones.

The Province of Buenos Aires is the most populous and largest province of Argentina (if territorial claims in the Antarctica and South Atlantic islands are not taken into account). The nation's rail and road network fans out from Buenos Aires and into the province, the area centered on the Pampas. This region is characterized by its estancias (large cattle ranches) the oldest of them being featured in architectural styles, located in the middle of the Pampas. The province is also known by its many and different beaches in the coast of the Atlantic Ocean (the most visited being Mar del Plata). The hilly region of Tandil and Ventana offers golf courses, paragliding rides and trekking. They are very different landscapes from each other and distant from the mouth of the Paraná River, which islands are also visited by tourists.

Many ruins of the ancient Jesuit missions - some of which have been covered by the jungle - are located near Posadas. The most well-known ruins are in San Ignacio Miní, 56 km away from the province's capital. The ones in Candelaria, Loreto, Santa Ana and Santa María are also very interesting. These Jesuit reductions were declared World Heritage by the UNESCO.

Fifty kilometers to the north of Colón lies El Palmar National Park, housing the last samples of Yatay palm trees, which are almost eight centuries old. The city of Concordia is connected to the city of Salto (Uruguay) through the Salto Grande hydroelectric plant.

The Esteros del Iberá, a humid zone of 700.000 hectares can be reached from Posadas, Concepción or Mercedes. In Guaraní, Iberá means "Shining water". Its lagoons cover 31,500 hectares, its marshlands 52,000, and its inlands 260,000. This eco-system which gives life to turtles, yacarés (caimans), monkeys, swamp deer, capybaras - the largest rodent in the world - and up to 400 bird species, besides an extraordinary flora, extends over one million hectares.

The city of Rosario lies on the banks of the Paraná River in the Province of Santa Fe. It has developed into an industrial and commercial center and destination for a significant number of people on business. On its riverside promenade stands the Monumento Nacional a la Bandera (National Monument to the Flag), where the Argentine National Flag was raised for the first time. Parque Independencia has statues, a racecourse, and the Provincial History Museum.

Punta Tombo is a coastal location where abundant wildlife congregates-specifically the seasonal breeding ground of large numbers of Magellanic penguins.

Peninsula Valdés is widely considered to be one of the best places in the world for the observation of wildlife, mainly sea mammals. Although southern right whales are the main attraction elephant seals, sea lions, Magellanic penguins and orcas are also well represented.

Laguna del Carbon (the lowest geographical point in the Americas), Mount Fitz Roy, and the Petrified Forests National Monument, as well as the vast patagonian plateau.

Main circuits

Overall Argentina has the following tourist circuits (north to south):
 The Argentine Northwest, with contrasting landscapes like walking the Tren a las Nubes (train to the clouds) the arid and the cold of high embellished by curious landforms, saline, alkaline lakes where abound flamingos, geysers and high volcanoes, the transition zone of Valleys and Quebradas with mild climates as for cultivation of vine in Cafayate and good vegetation and, further east the dense rainforest called the Yungas. The spectacular cuestas as Obispo (in Salta) or the Portezuelo, Piedras Blancas and Capillitas in Catamarca or the Miranda in the Argentine province of La Rioja.
 The Argentine Northeast that is characterized by its warm subtropical climate, its dense forests, parks, wetlands (marshes), large rivers with abundant fishing and big waterfalls.
 The sphere of the Sierras de Córdoba and San Luis, with Mediterranean climate-type and abundant natural attractions.
 The circuit of Cuyo with the highest mountains of America, rugged landscapes (canyons like the Atuel, or the Jáchal, several spectacular landforms: bridges like the Puente del Inca and castles like Castillos de Pincheira of natural rocks), ice formations like Los Penitentes, caves and caverns, large volcanic extensions as in the Payún, ski resorts or pleasant valleys where stand crops temperate fruits, olive trees and vines.
 The Pampas: a vast plain of temperate climate crossed by million cattle, dotted with numerous lakes and possessing a long coastline with long sandy beaches and dunes where thriving cities and seaside villages.
 The Western Patagonia and more precisely Andean Patagonia, with beautiful landscapes who meet mountains always snowy, ice fields, glaciers, cold forests, large and deep lakes of glacial origin and very running rivers, winter sports centers and beautiful "alpine" aspect towns.
 The Eastern Patagonia or outAndean: large region of plateaus, mountains, canyons, moors and steppes whose coastline has high cliffs, gulfs, peninsulas where seabirds abound (especially penguins) pinnipeds, and whales.

Carnivals
Carnivals in Argentina are very important and usually take place during the last days of February (before the lent), at a time that remains still quite summer (summer in the Southern Hemisphere). Almost every carnival in Argentina comes from European carnivals in Spain and Italy, so it is spoken in them of murgas and corsos, with its masquerades and cabezudos although there have also influences of African elements from colonial times (the rate of drum in the murgas is almost obviously of African origin), and in the Quebrada de Humahuaca (in the northern province of Jujuy) and in the small town of Chamical (in Argentine La Rioja) are held a "carnavalito"  and a "chaya" more influenced by Andean American Indians. During the second half of the 20th century the cities of the province of Corrientes (mainly Paso de los Libres) and the Province of Entre Ríos have had a strong influence from the Rio carnival in Brazil the same way as the Carnival de Río in San Luis generally celebrated on the banks of Potrero de los Funes Lake in Province of San Luis.

World Heritage

These are the UNESCO's World Heritage Sites in Argentina:

Los Glaciares National Park (1981)
Jesuit reductions: San Ignacio Mini, Nuestra Señora de Santa Ana, Nuestra Señora de Loreto and Santa María la Mayor (1984)
Iguazú National Park (1984)
Cave of the Hands (1999)
Península Valdés (1999)
Ischigualasto / Talampaya National Parks (2000)
Jesuit Block and Estancias of Córdoba (2000)
Quebrada de Humahuaca (2003)
Los Alerces National Park (2017)

Ethical traveler destination
Argentina has been included in 2010, 2011 and 2012 in the list of "The Developing World's 10 Best Ethical Destinations". This is an annual ranking produced by Ethical Traveler magazine, which is based on studies of developing nations which attempt to identify the best tourism destinations using categories such as environmental protection, social welfare, and human rights.

Safety and security
The U.S. Department of State warns travelers in Argentina that "drivers frequently ignore traffic laws and vehicles often travel at excessive speeds... traffic accidents are the primary threat to life and limb in Argentina." Argentina has the highest traffic mortality rate in South America, with Argentine drivers causing 20 deaths each day (about 7,000 a year), with more than 120,000 people injured or maimed each year. These deaths have included tourists from various parts of the world.

See also
Visa policy of Argentina
Culture of Argentina
Cuisine of Argentina

References

Sources
  Instituto Nacional de Estadística y Censos (INDEC), Encuesta de Turismo Internacional (ETI)

External links

 Argentina National Tourism Promotion Institute
 Ministry of Tourism and Sports

Argentina

Tourism in Argentina


الوسادة الخالية، فيلم مصري قديم من إنتاج عام 1957، من إخراج صلاح أبو سيف وبطولة عبد الحليم حافظ و لبنى عبد العزيز.

ملخص الفيلم

صلاح طالب في كلية التجارة يتعرف بالطالبة سميحة. فيتبادلان العهود والدبل الفضة والقبلات.. وتمر الأيام عى العاشقين وفجأة يرتطم الحب على صخرة عاتية ويتحطم. يتقدم لسميحة عريس ناجح هو الدكتور فؤاد وترفض الفتاة العريس في سبيل حبها، ولكن إرادة أهلها تتغلب على عنادها، ويجد صلاح نفسه محطما.. فيغرق أحزانه في كؤوس الخمر ويستسلم لأحضان راقصة شابة حتى تدهمه نوبة مفاجأة فينتقل إلى المستشفى حيث يجرى له العملية الدكتور فؤاد ويفوق صلاح من أحلامه على فكرة ثانية هي : لماذا لا يجعل سميحة تندم على اختيارها فؤاد؟.. ينتهى من دراسته الجامعية ويحصل على البكالوريوس ولا يقنع صلاح بما وصل إليه. ويمضي يومه موظفًا في شركة الشرق الأوسط للأعمال الفنية. ثم يروح ليلا يدرس للماجستير ويحصل على الشهادة العالية وعلى مركز رئيس حسابات الشركة. ثم سكرتيرها العام. كل هذا والصدافة بنيه وبين فؤاد تتضاعف.. يخطب صلاح درية ابنة رئيس الشركة، ويدعو صلاح وعروسه الدكتور فؤاد وزوجته، وحين يأوي صلاح كل ليلة لا ينام وحديا، رغم إصراره على النوم في غرفة منفصلة عن مخدع زوجته. فهناك طيف حبه الغارب يوسد رأسه الجميل الوسادة الخالية وتكتشف درية قصة حب زوجها الأول من الدبلة الفضية التي تحمل اسم سميحة والتي نسيها ذات مرة في الحمام. من تصرفاته واعتزازه بمخلفات الذكريات. ولكن درية تطوي القلب على الجرح حتى تدهمها آلام الوضع قبل موعدها بشهرين. تنقل درية إلى المستشفى حيث تجرى لها جراحة خطيره.. وحين يجلس صلاح وحيدا ينتظر نتيجة الجراحة يكتشف أن سميحة ليست المخلوق الوحيد في حياته، فهناك درية والجنين الذي من صلبه. وحين يموت الجنين وتنقذ الزوجة يجد صلاح نفسه أمام حقيقة كبرى هي أن المشاركة في ألم أقوى من الحب وعندما يدخل سريره ولأول مرة منذ رأى سميحة. يطيل النظر إلى الوسادة الخالية فلا يرى حبه الأول وإنما الوجه الشاحب للحب الأخير وينام صلاح ملء جفنيه.. فقلبه لم يعد مريضا بالحب الأول.

طاقم العمل
 الإخراج: صلاح أبو سيف (إخراج) / طلبة رضوان (مساعد مخرج)
 التأليف: إحسان عبد القدوس (قصة) / السيد بدير (سيناريو وحوار)
 تاريخ الإصدار: 7 أكتوبر 1957 م
 عبد الحليم حافظ (صلاح)
 لبنى عبد العزيز (سميحة)
 زهرة العلا (درية)
 أحمد رمزي
 عمر الحريري (فؤاد)
 عصمت محمود
 عايدة كامل
 كوثر شفيق
 عزيزة حلمي
 ليلى كريم
 رفيعة الشال
 عبد الوارث عسر
 عبد المنعم إبراهيم

أغاني الفيلم

مراجع

وصلات خارجية

أفلام أحمد رمزي
أفلام مصرية إنتاج 1957
أفلام مصرية بالأبيض والأسود
أفلام عبد الحليم حافظ
أفلام لبنى عبد العزيز
أفلام عن راقصات
أفلام عن الزواج
أفلام عن أطباء
أفلام باللغة العربية في عقد 1950
أفلام دراما مصرية
أفلام زهرة العلا
أفلام عمر الحريري
أفلام رفيعة الشال
أفلام عبد المنعم إبراهيم
أفلام عايدة كامل
أفلام عبد الوارث عسر

الوسادة الخالية (فيلم)


Das Taufbecken des Fürsten Višeslav ist ein Taufbecken von historisch-kultureller Bedeutung für Kroatien. Seine Inschrift erwähnt zum ersten Mal einen kroatischen Herrscher, den Fürsten Višeslav. Ursprünglicher Standort des Taufbeckens war das Baptisterium (Kapelle des hl. Johannes des Täufers) neben dem Dom von Nin, der ersten Residenzstadt kroatisch-dalmatinischer Fürsten.

Das Taufbecken entstand somit höchstwahrscheinlich nach der Gründung (ca. 864–867) des Bistums von Nin und spätestens vor Ende des 10. Jahrhunderts, also in der Zeit der Christianisierung der Kroaten. Der kroatische Historiker Ljubo Karaman kam daher zu dem Schluss . Des Weiteren ist es ein bedeutendes Kunstwerk und Zeugnis für die Verwendung des Kroatischen Flechtwerks.

Geschichte
Aus dem handschriftlichen Bericht des Notars Ivan Sorari (1773–1847) aus Zadar aus dem Jahr 1793, als man die Reste des Baptisteriums von Nin noch in situ sehen konnte, sowie durch Ausgrabungen im Jahr 1910 weiß man, dass das Baptisterium einen Vierblattgrundriss und eine Kuppel hatte. In der Mitte des Baptisteriums stand das Taufbecken, zu dem man über fünf Stufen hinabsteigen musste.

Im Jahr 1742 wurde das zuletzt als Begräbnisstätte dienende Baptisterium abgerissen und das Taufbecken abgebaut, um eine Verbreiterung der Sakristei des Domes zu ermöglichen. Im Jahr 1853 wurde das Taufbecken im Kapuzinerkloster Il Redentore in Venedig gefunden und dann im Museo Civico Correr ausgestellt. Im Jahr 1942 übergab Italien das Taufbecken an seinen damaligen politischen Verbündeten, den sogenannten Unabhängigen Staat Kroatien. Das Taufbecken stand von da an, bis weit nach dem Zweiten Weltkrieg, im Atrium des Palastes der Kroatischen Akademie der Wissenschaften und Künste in der kroatischen Hauptstadt Zagreb. Heute steht das Taufbecken in der kroatischen Hafenstadt Split, im Museum für Archäologische Denkmäler Kroatiens.

Form und Maße
Das Taufbecken ist aus einem einzigen Stück Marmor gemeißelt und hat eine sechseckige Form. In einer Nebenseite ist ein (heute verschlossenes) unregelmäßiges Loch, durch das wahrscheinlich Wasser eingelassen wurde. Die Bodenmitte hat ein rundes Loch für den Wasserabfluss. Oben am Saum der Öffnung sind einige Löcher, die Eisenreste enthalten. Möglicherweise sind es die Reste einer Befestigung für einen Deckel oder ein Geländer und vermutlich stammen sie nicht aus der Entstehungszeit des Beckens.

Die Höhe beträgt 88 cm, der Durchmesser der Öffnung 136 cm, die Tiefe im Innern 76 cm und die Seitenbreite ca. 70 cm.

Dekoration
Jede der sechs Seiten, ausgenommen die hintere, ist links und rechts durch ein mit Schrägfurchen versehenes, wie von einer Schnur umwickeltes Reliefsäulchen mit einer einfachen Basis und einem Kapitell mit zwei Seitenvoluten eingerahmt. Diese Säulchen tragen einen einfach profilierten Architrav, auf dem als Schmuck nur ein Astragal zu finden ist.

Auf der vorderen zentralen Fläche befindet sich ein Reliefkreuz im Stil eines Vortragekreuzes. Der obere und die beiden Seitenschenkel tragen an ihren Enden je zwei Voluten, die dem unteren Schenkel fehlen. Die Schenkelflächen sind mit dem Kroatischen Flechtwerk ausgefüllt. Der untere, längere Schenkel steht auf einem ebenfalls mit Schrägfurchen versehenen, wie von einer Schnur umwickelten Fuß, der sich verjüngt.

Inschrift
Der Architrav, der gleichzeitig auch den Saum der Öffnung bildet, trägt die lateinische Inschrift:

+ HEC FONS NEMPE SVMIT INFIRMOS VT REDDATILLVMINATOS · HIC EXPIANT SCELERA SVA QVODDE PRIMO SVMPSERVNT PARENTE · VT EFFICIANTVR XPISTICOLE SALVBRITER CONFITENDO TRINVM PERHENNE · HOC IOHANNES PRESBITER SVB TEMPORE VVISSASCLAVO DVCI OPVS BENE COMPOSVIT DEVOTE

Auf der fünften Seite des Taufbeckens, das heißt unter der fünften Zeile, steht:

IN HONORE VIDELICET SANCTI

Die sechste Seite trägt das Ende der Inschrift in zwei Zeilen:

IOHANNIS BAPTISTE, VT INTERCEDAT PRO EOCLIENTVLOQVE SVO

Die Inschrift ist in einer regelmäßigen Capitalis rustica gemeißelt und die Höhe der Buchstaben variiert dabei zwischen 6,0 und 6,5 cm. Der Steinmetz verwendete dabei eine große Anzahl Ligaturen, Kontraktionen, Suspensionen, das Abkürzungszeichen für TRINVM (Dreieinigkeit) und das besondere Zeichen für den Wortbestandteil PER im Wort PERHENNE (ewige).

Die deutsche Übersetzung der Inschrift lautet:

Diese Quelle nimmt die Schwachen auf, um sie als Erleuchtete zurückzugeben. Hier sühnen sie die Missetaten, die sie vom ersten Vater übernommen haben, damit sie Christi Anhänger werden, heilsam bezeugend die ewige Dreieinigkeit. Dieses Werk hat in Demut schön angefertigt der Priester Johann in der Zeit des Fürsten Višeslav, und zwar zur Ehre des heiligen Johannes des Täufers, damit er sein und seines Schützlings Fürsprecher werde.

Die Römisch-katholische Kirche in Kroatien meint zur Inschrift am :

Sonstiges

Das auf dem Taufbecken abgebildete Kreuz enthält das Kroatische Flechtwerk und wird daher als "Kroatisches Kreuz" (Hrvatski križ) bezeichnet. Es steht als nationales Symbol unter anderem für den Glauben, das Kunstschaffen und die Geschichte Kroatiens.

Es wird daher in Kroatien von kirchlichen Einrichtungen, aber auch als allgemeines nationales Symbol verwendet. So findet es sich auf offiziellen Verleihungsurkunden der Republik Kroatien oder man kann man das Kreuz auch als Halsschmuck oder Wanddekoration erwerben.

Literatur

Einzelnachweise

Nationales Symbol (Kroatien)
Taufbecken
Bildende Kunst (Kroatien)
Christentum in Kroatien
Tourismus (Split)

Taufbecken des Fürsten Višeslav


Die Gereformeerde Gemeenten (deutsch: Reformierte Gemeinden) ist ein niederländischer Kirchenverband, der den Reformierten Kirchen zugehört. Er entstand 1907 durch Zusammenschluss der Ledeboerianer und der Gereformeerde Gemeenten onder het Kruis. Ihre Wurzeln gehen auf die 1834 erfolgte Afscheiding (Abtrennung) von der Niederländisch-reformierten Kirche zurück. 1953 spalteten sich die Gereformeerde Gemeenten in Nederland (Reformierte Gemeinden in den Niederlanden) ab.

Die Kirchen aus dem streng calvinistischen Milieu, zu dem u. a. noch die Altreformierten Gemeinden in den Niederlanden und die Christelijke Gereformeerde Kerken gehören, werden auch (abwertend) als Schwarzestrümpfekirchen bezeichnet. Das soziale Leben ihrer Mitglieder spielt sich zum größten Teil untereinander ab. Man trifft sich vor allem in der Kirche, Schule, Verein und auch bei der Arbeit. Im politischen Bereich wählen viele Mitglieder der Kirche die Staatkundig Gereformeerde Partij. Sonntäglich finden zwei Gottesdienste statt, in denen die Wortverkündigung im Zentrum steht. Der Kirchenbesuch ist überdurchschnittlich.

Die derzeit 152 Gemeinden  in den Niederlanden haben 106.782 Mitglieder und beschäftigen 60 Pastoren. Unter dem Namen The Netherlands Reformed Congregations gehören auch 28 Gemeinden in den USA und Kanada zum Kirchenverband. Er unterhält eine Missionsorganisation (Zending Gereformeerde Gemeenten), die missionarisch in Papua-Neuguinea und Ecuador aktiv ist.

Größte Gemeinden 2011

Mitglieder
 1953 – 67.144
 1954 – 58.760
 1966 – 69.512
 1972 – 78.766
 1973 – 79.036
 1974 – 80.008
 1978 – 81.265
 1979 – 81.869
 2000 – 98.495
 2001 – 99.185
 2002 – 100.191
 2003 – 101.008
 2004 – 102.070
 2005 – 102.797
 2006 – 103.272
 2007 – 103.930
 2008 – 104.281
 2009 – 104.770
 2010 – 105.371
 2011 – 105.784
 2015 – 107.299

Weblinks
 Informationen zur Geschichte (niederländisch)
 Offizielle Website der Missionsorganisation des Gemeindeverbands Zending Gereformeerde Gemeenten (niederländisch)
 Offizielle Website der Jugendorganisation des Gemeindeverbands Jeugdbond Gereformeerde Gemeenten(niederländisch)
 Informationen auf kerkzoeker.nl (niederländisch)

Siehe auch
 Liste der niederländischen reformierten Kirchen
 Bibelgürtel (Niederlande)

Reformiertentum in den Niederlanden
Niederlande

Gereformeerde Gemeenten


Galibîlik, İstanbul'un Beylikdüzü ilçesinde Galip Hasan Kuşçuoğlu tarafından kurulmuş tarikattir. Kuşçuoğlu, 1993 yılında kendi adıyla, yeni bir tarikat kurduğunu ilân etti ve tarikatine Gâlibîlik ismini verdi.

Galibîliğin kuruluşu
Galip Hasan Kuşçuoğlu, 1950 yılında Ali Sezai Kurtaran'ın halifesi Maraşlı Hacı Mustafa Yardımedici'ye biat etti. 1956 yılında kendisine irşâd vazifesi verildiğini ilân etti ve 1993 yılına kadar mürşid olarak faaliyet gösterdi. 1993 yılında kendini pîr ilân ederek kendi tarikatını kurdu. Ölümünden sonra yerine halifeleri Atıf Uzunömeroğlu geçti.

Galibîlik, Kuşçuoğlu'nun tarifiyle itikadda Maturidî, amelde Hanefî, meşrepte Alevî bir yol olup, Kadirîlik ile Rufâîlik'in birleşiminden oluşturulmuştur. Kuşçuoğlu, mensuplarının İslam'ın amelî ve itikadı şartlarına kayıtsız, şartsız uyulmasını ve lakin bu uyumun zamanın şartları ile yoğrulması gerektiğini de vazetmiştir.

Zikir şekli cehrî olan Gâlibîlik'i ve onun genel prensipleri Galip Hasan Kuşçuoğlu tarafından şu şekilde açıklanmıştır:"Ahad olan Hz. Allah'a O'nun gönderdiği peygamberi Hz. Muhammed (s.a.v.)'e ona indirdiği Hz. Kur'an'a acabasız iman ile bağlıyız. Edille-i şer'iyyeye uyumlu Kitap, Sünnet, zamana uyumlu icma, kıyas-ı fukaha prensibi ile, itikatta mezhebimiz İmam Maturidi, amelde mezhebimiz İmam Ebu Hanife, meşrebimiz Alevi ("Ben ilim şehriyim Ali kapısı" hitab-ı Resul'e uyarak). Yol olarak Kadiri ve Rufai tariklerinin birleşiminden lütfedilen Tarik-i Galibi.Gâlibîlik, günümüzde İstanbul Gâlibî Vakfı adıyla bir vakıf çatısı altında hizmet vermektedir. Ankara'da kurulan vakıf ilk olarak Ankara, Çorum ve İstanbul'da faaliyete başladıktan sonra, bugün Türkiye'nin birçok şehrinde hizmetlerine devam etmektedir.

Dış bağlantılar

 Galiba Vakfı'nın resmî internet adresi

Kaynakça

Galibîlik


Bleach, Nirvana grubunun 1989 yılının Haziran ayında piyasaya sürülen ilk albümüdür.

Floyd the Barber, Paper Cuts ve Downer adlı parçalarda davulda Dale Crover vardır. Albümdeki bütün şarkılarda gitar ve vokalde Kurt Cobain, bas gitarda ise Krist Novoselic vardır. Dale Crover'la kaydedilen şarkılar dışındaki bütün şarkılarda davulda Chad Channing vardır. Albüm tamı tamına 606 dolar 17 cent'e kaydedilmiştir. Bu masrafı ödeyemeyecek durumda olan grubun yardımına, bir dönem bu grupta da çalmış olan Jason Everman yetişmiştir. Albümün kayıt parasını karşılaması karşılığında albümün arka kapağına ismi gitarist olarak geçirilmiştir.

Şarkılar

 "Blew" (Kurt Cobain) – 2:54
 "Floyd the Barber" (Kurt Cobain) – 2:18
 "About a Girl" (Kurt Cobain) – 2:48
 "School" (Kurt Cobain) – 2:42
 "Love Buzz" (Robbie van Leeuwen) – 3:35
 "Paper Cuts" (Kurt Cobain) – 4:06
 "Negative Creep" (Kurt Cobain) – 2:56
 "Scoff" (Kurt Cobain) – 4:10
 "Swap Meet" (Kurt Cobain) – 3:03
 "Mr. Moustache" (Kurt Cobain) – 3:24
 "Sifting" (Kurt Cobain) – 5:22
 "Big Cheese" (Kurt Cobain) – 3:42
 "Downer" (Kurt Cobain) -sadece CD sürümünde- – 1:43

Nirvana albümleri
1989 albümleri

Bleach (albüm)


Tüfek, hafif ateşli bir silahtır. Omuza dayanarak, elde veya kucakta kullanılır. Kullanıldığı yerlere göre piyade tüfeği, su altı tüfeği, av tüfeği gibi adlar alır. Mekanizma, kundak, dipçik ve namlu olmak üzere dört ana parçadan meydana gelir. Mekanizma ateşlemeyi ve kovanı dışarı atmayı sağlar. Kundağın muhafaza ettiği namlu mermiye yön vermeye, dipçik ise tüfeğin omuza dayanarak tepkisini hafifletmeye yarar. Çeşitli tüfekler bulunur.

16. yüzyılın sonlarında kullanılmaya başlanan tüfek ilk zamanlar ağızdan doldurulan, yivsiz ve ağır bir yapıya sahipti. Ateşleme dışarıdan yapılıyordu. Bu sebeple ancak savunmada kullanılabilmekteydi. Zamanla hem savunmada, hem de taarruzda kullanılmaya başlandı. Dışarıdan ateşlemenin mahzurlarını gidermek için birbirine çarpan iki demirin çıkardığı kıvılcımla ateşlenen çakmaklı tüfekler yapıldı. Daha sonraları aynı çalışma sisteminde çakmak taşı kullanılarak daha iyi bir ateşleme mekanizması elde edildi. Buna rağmen ateş hız ve gücü hâlâ yetersizdi. Bu gayeyle tüfeklerde pek çok değişiklikler kaydedildi. Doldurmanın ağız yerine kuyruktan yapılması, namluya helezonik yiv yapılması, madenî kovanlı fişeklerin kullanılması, iğne ve kapsül sistemine geçilmesi belli başlı gelişmelerdir. Fişek hazneleri ve mekanizma sistemlerinin tüfeklerde kullanılmasıyla mermilerin art arda ateşlenmesi mümkün oldu. Buna göre 1900'lere doğru yapılan Alman Mauser ve Fransız Lebel tüfekleriyle 2000 m menzile erişildi. I. Dünya Savaşı'nda piyade tüfeklerinin yerini Makineli tüfekler aldı. II. Dünya Savaşı'nda ise tüfek artık otomatik silahlarla bir bütün haline geldi. Otomatik ve yarı otomatik tüfeklerde, atışın otomatik olarak yapılmasını sağlamak için ilk atışta meydana gelen barut gazından faydalanılır.

Osmanlı ordusunda tüfekçi denen ve savaşta önemli rol oynayan ordu birlikleri bulunurdu. Silahların bakım ve tamiratına çok önem verildiğinden, başlarında tüfekçibaşı bulunan, bu işlerle ilgili birlikler de vardı. Kanuni Sultan Süleyman zamanında tüfek imalatına ağırlık verildi. 19. yüzyılın sonlarına doğru eldeki tüfekler Avrupa'ya göre geri kaldığından Sultan II. Abdülhamid'in gayretleriyle daha modern Alman Mauser tüfekleri alındı. I. Dünya Savaşı'nda, Osmanlılar pek çok çeşitte tüfek kullandı. Daha öncekilerine ilave olarak 1930'ların sonunda Türk Silah Fabrikalarında, Alman Mauser tüfeği kalitesinde tüfekler imal edildi.

Tüfekler, hala savaşlarda belirli görevler için muharip sınıfların yanlarında devamlı bulundurdukları silahlardır. Ayrıca tüfeğe dürbün takılarak hedefi daha yakına getirip isabet ihtimalinin artması, tüfeğe bomba takılarak (Tüfek bombası) bombaatar haline getirilmesi ve özel dürbünlerle gece bile hedefi görüp ateş edebilmek bu konudaki önemli gelişmelerdir. Piyade tüfeği dışındaki diğer av ve su altı tüfekleri de zamanla pek çok değişikliğe uğradı. Av tüfeklerinin tek ve çifte denen çift namlulu olanları vardır. Kullanıldığı yere göre kısa menzilli, uzun menzilli gibi değişik özelliklere sahiptir. Su altı tüfekleriyse su altında avlanırken tüfeğe naylon iple bağlı zıpkını atmaya yarar. Bunlar deniz içinde bilhassa balıkların avlanmasında kullanılır.

Ülkelerine göre tüfekler

 Almanya: Alman tüfekleri çoğu kişiye göre dünyanın en marifetli tüfeklerindendir. Özellikle Mauser ve Heckler & Koch Almanların en tanınmış tüfek üreticileridir. Alman tüfeklerine örnek olarak G36, Kar98k ve G3 gösterilebilir
 ABD: ABD dünyada ilk elle taşınabilen otomatik tüfek M1918 Browning'in ve ilk yarı otomatik tüfek M1 Garand'ın anavatanıdır. Fakat II. Dünya Savaşı'ndan sonra ürettikleri M16 ve M4 gibi tüfekler beklenen başarıyı yakalayamadı. İkisinin de üretim sayısı 8.000.000'u aşmadı.
 Birleşik Krallık: İngiliz yapımı tüfek sayısı azdır. Fakat İngilizler kaliteli ve fazla bakım istemeyen tüfekler yaparlar. İngiliz tüfeklerine örnek olarak L1 tüfek, SA-80 ve Lee-Enfield örnek verilebilir.
 Rusya: Rus tüfekleri kaliteli, sağlam ve uzun ömürlü olur. Ayrıca çok uzun süre hizmette kalabilir. Örnek olarak Mosin-Nagant 1891 yılında Rus İmparatorluğu'nda hizmete girmiş ve 1998'de yani 107 sene sonra Irak'ta hizmet dışı edilmiştir. Ayrıca RPD, AK-47 ve AKM kaliteli 60 yıldan uzun bir süredir kullanılan tüfeklerdir. AK-47'nin üretim sayısı 100 milyonu geçmiştir.
 Türkiye: Osmanlı İmparatorluğu'nda ve Türkiye'nin ilk yıllarında Alman yapımı Gewehr 98 (Mavzer) ve Rus yapımı Mosin-Nagant sıklıkla kullanılmıştır. 1950 yılında Türkiye'nin Kore Savaşı'na katılmasıyla Türk Silahlı Kuvvetleri'nin envanterine Amerikan yapımı M1 Garand tüfeği eklenmiştir. M1'ler 1980'li yıllara kadar kullanılmış, daha sonra ise sadece sembolik olarak Türk askerleri tarafından geçit törenlerinde kullanılmaya başlanmıştır. Yakın zamanlardan beri Türkiye, Türk Silahlı Kuvvetleri'nin ihtiyacını karşılamak amacıyla yerli tüfek tasarımı yapmaktadır. Türkiye'nin 2014 yılında ürettiği MPT-76, yerli piyade tüfeklerinden biridir.

Ayrıca bakınız
Ağız tüfeği

Galeri

Kaynakça

Tüfek


Ieropigí, en , est un village du dème de Kastoriá, district régional de Kastoriá, en Macédoine-Occidentale, Grèce.

Selon le recensement de 2011, la population du village compte .

En 1996, la mine de Kastoriá est mise en service, avec l'exploitation du gisement de latérite nickelifère de Ieropigí. Au début du , elle comprend deux gisements, dont deux sont exploités en ciel ouverts à l'est du village. La production annuelle de cette mine se situe entre  de minerai d'une teneur en nickel d'environ 1,35 %.

Notes et références

Voir aussi

Liens externes

Village en Macédoine-Occidentale

Ieropigí


Der Glasowbach verläuft zwischen dem Selchower See und dem Rangsdorfer See, dessen einzigen größeren Zufluss er bildet.

Er ist Teil des 2009 erklärten Naturschutzgebiet Glasowbachniederung mit einer Größe von rund 92 Hektar.

Der Glasowbach verläuft zunächst westlich von seinem namensgebenden Ort Glasow, der ein Gemeindeteil von Mahlow ist, was wiederum einen Ortsteil von Blankenfelde-Mahlow bildet. Im weiteren Verlauf bildet er die östliche Grenze des Ortsteils Blankenfelde.

Hinter Blankenfelde fließt er durch den ehemaligen Blankenfelder See, der noch bis in die 1930er Jahre ein offenes Gewässer war. Inzwischen ist er durch ein Sinken des Wasserstandes verlandet und bildet ein langgestrecktes Niedermoorgebiet. In diesem Bereich befindet sich der Naturpfad "Rund um den Blankenfelder See".

Er mündet in die Krumme Lanke, eine nördliche Ausbuchtung des Rangsdorfer Sees.

Weblinks

Einzelnachweise

Gewässer im Landkreis Teltow-Fläming
2Glasowbach

Glasowbach


Planina Hua (kineski: 华山; pinyin: Huà Shān; tj. "Planina lotusa") je planina velikog povijesnog i kulturnog značaja za Kineze. Nalazi se iznad grada Huayina (120 kilometara od Xi'ana) u pokrajini Shaanxi (Kina) i jedna je od "Pet svetih planina". Huashan je dobio ime po svojih pet vrhova koji, kad se gledaju izdaleka, podsjećaju na lotosov cvijet. Od njih najviši je Južni vrh visine 2.154,9 m.

Još od ranog 2.  tisućljeća pr. Kr. na planini Hua je postojao taoistički hram poznat kao "Svetište zapadnog vrha", smješten u podnožju Zapadnog vrha. Taoisti su vjerovali kako na planini živi bog podzemlja, te je hram služio za kontakt medija s ovim bogom. Na planini Hua postoje različiti hramovi i druge vjerske građevine na njegovim liticama i vrhovima. Tako je na obronku planine i "Klaustar izvora žada" (玉泉院), posvećen Chen Tuanu, taoističkom monahu koji je proveo svoje zadnje dane na Zapadnom vrhu. Za razliku od Taishana, koji je postao mjestom hodočašća, Huashan je zbog nepristupačnosti svojih litica imao ograničen broj posjetitelja, tek neki dvorjani i lokalni hodočasnici. No, Huashan je postao slavan po svojim ljekovitim biljkama od kojih se dobivaju moćni lijekovi. Naime, Taoisti su je poznavali kao planinu bogatstva jer se prema tradiciji bogatstvo mjeri raznolikošću vrsta koje žive na zemlji. Zbog toga je Huashan stoljećima obožavan kao mjesto prirodnog bogatstva i 2001. godine predloženo je da postane UNESCO-ova svjetska baština u Kini

Prirodne odlike

Zemljopisno područje je formacija stijena tipičnih granitnih oblika koji su se počeli stvarati prije 70 milijuna godina (mezozoik), uzrokujući njezinu strmost. Trenutno su u Huashanu zabilježene 323 glavne prirodne ljepote i jako dobro sačuvan ekosustav.
Vegetacija Huashana ima tipičnu vertikalnu distribuciju zbog strmine planine. Njegova raznolikost učinila je Huashan idealnim mjestom za proučavanje i istraživanje biološke evolucije i geografske raspodjele biljaka. Planina broji oko 1200 biljnih vrsta, a složenost i jedinstvenost okoliša Huashana vrlo je povoljna za diferencijaciju i razvoj novih vrsta (na planini se može pronaći oko 90 vrsta mutacija). Tu se nalazi pet endemskih vrsta i četrnaest kvazi-jedinstvenih vrsta. Dvije vrste nalaze se na popisu biljaka pod zaštitom države prve kategorije, a 17 vrsta pripadaju drugoj kategoriji. Na Huashanu postoji 474 vrsta ljekovitih biljaka, a oko 200 vrsta lako se može sakupiti na planini.
Huashan je nastanjen mnogim vrstama divljih životinja od koji su 204 vrste kralježnjaka koje pripadaju u 24 obitelji i 65 redova. To uključuje više od 83 vrste životinja koje se tradicionalno povezuju s kineskom medicinom. Na planini se mogu pronaći 122 vrste ptica iz 14 obitelji i 36 redova, te 52 vrsta sisavaca iz 5 obitelji i 17 redova, 20 vrsta vodozemnih gmazova, 9 vrsta riba i preko 1500 vrsta insekata koji pripadaju u oko 20 obitelji. Zabilježeno su 123 rijetke i vrijedne vrste, od kojih su 3 na popisu državne zaštite prve kategorije, a 20 je u drugoj kategoriji i jedna je zaštićena na razini provincije.

Izvori

Vanjske poveznice
 HuaShan put dasaka

Planine u Kini
Taoizam
Nacionalni parkovi u Kini

Hua Shan


Takuro Kikuoka (født 30. juni 1985) er en japansk fodboldspiller, som spiller for den japanske fodboldklub SC Sagamihara.

Referencer

Eksterne henvisninger

Fodboldspillere fra Japan

Takuro Kikuoka


Cuyanopuga bilobata, unique représentant du genre Cuyanopuga, est une espèce de solifuges de la famille des Ammotrechidae.

Distribution
Cette espèce est endémique d'Argentine. Elle se rencontre dans les provinces de San Juan, de Mendoza et de Córdoba.

Description
Le mâle holotype mesure .

Systématique et taxinomie
Cette espèce a été décrite par Iuri en 2021.

Ce genre a été décrit par Iuri en 2021 dans les Ammotrechidae.

Publication originale
 Iuri, Ramírez, Mattoni & Ojanguren-Affilastro, 2021 : « Revision and cladistic analysis of subfamily Nothopuginae (Solifugae, Ammotrechidae). » Zoologischer Anzeiger, , .

Notes et références

Ammotrechidae
Espèce de solifuges (nom scientifique)
Faune endémique d'Argentine

Cuyanopuga bilobata


Mark Henrich, eigentlich Markus Antonius Henrich, (* 22. Juli 1961 in Attendorn) ist ein ehemaliger deutscher Sprinter, der sich auf den 400-Meter-Lauf spezialisiert hatte.
1982 wurde Henrich Deutscher Hallenmeister mit der 4-mal-400-Meter-Staffel.
1987 wurde er bei den Halleneuropameisterschaften in Liévin Fünfter und kam bei den Weltmeisterschaften in Rom mit der bundesdeutschen Mannschaft in der 4-mal-400-Meter-Staffel auf den vierten Platz. Bei den Olympischen Spielen 1988 wurde er in der 4-mal-400-Meter-Staffel im Vorlauf und im Halbfinale eingesetzt und trug somit zum Gewinn der Bronzemedaille für das bundesdeutsche Team bei. 1987 wurde er Deutscher Meister, 1988 Vizemeister. In der Halle holte er 1987 und 1988 den nationalen Titel.

Mark Henrich startete für den TV Attendorn, den OSC Thier Dortmund, den VfL Kamen, den Hull Athletics Club (England), den New York Athletics Club (USA) und Eintracht Frankfurt. In der erfolgreichen Zeit von 1984 bis 1989 trat er für den VfL Kamen an.

Henrich ist Eigentümer und Manager eines Stromversorgers im Bereich erneuerbare Energie.

Persönliche Bestzeiten
 200 m: 21,01 s, 16. August 1987, Köln
 400 m: 45,42 s, 19. August 1987, Zürich
 400 m Halle: 46,25 s, 7. Februar 1987, Karlsruhe
 Dreisprung  14,98 m in Kuwait (Kuwait) im Jahr 1980 und Hangzhou (China) im Jahr 1987 (zufällig die gleiche Weite gesprungen) jeweils nach den 400-Meter-Läufen dort. Das waren die beiden einzigen Dreisprungwettbewerbe, an denen er jemals teilgenommen hat.

Weblinks

Dreispringer (Deutschland)
Sprinter (Deutschland)
400-Meter-Läufer (Deutschland)
4-mal-400-Meter-Staffel-Läufer (Deutschland)
Olympiateilnehmer (Deutschland)
Teilnehmer der Olympischen Sommerspiele 1988
Deutscher Meister (Leichtathletik)
Deutscher
Geboren 1961
Mann

Mark Henrich


Jean Elias (født 5. december 1969) er en tidligere brasiliansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Cerezo Osaka.

Eksterne henvisninger

Fodboldspillere fra Brasilien

Jean Elias


20 – 20 ක්‍රිකට් තරඟ ක්‍රිකට්වල එක් කාණ්ඩයකි. මුලින්ම මෙය හඳුන්වා දුන්නේ එංගලන්තයේ දී වෘත්තීය ක්‍රිකට් ක්‍රිඩකයන් අතර රට තුළ දීම පවත්වන , ක්‍රිකට් තරඟයක් වශයෙනි. ප්‍රථම වතාවට , 2003 වර්ෂයේ දී එංගලන්තය සහ වෙල්ස් ක්‍රිකට් මණ්ඩලය අතර පළමු තරඟය පවත්වන ලදී. කණ්ඩායම් 2ටම එක තරඟ වාරයක් ලෙස උපරිම වශයෙන් ඕවර 20 ක් පන්දුවට පහර දීමට මෙහි දී අවස්ථාව ලබා දුණි.
20 – 20 තරඟ වාරයක් සම්පූර්ණ කිරීම සඳහා පැය තුනක පමණ කාලයක් ගත විය. එක් ඉනිමක ක්‍රියා කිරීමට මිනිත්තු 75 ක් පමණ කාලයක් ගත කරනුයේ එය අනෙකුත් ප්‍රසිද්ධ කණ්ඩායම් ක්‍රීඩා, එනම් පාපන්දු වැනි ක්‍රීඩාවකට ගතවන කාලයට කිට්ටු කාලයක් ලබා දීම සඳහාය.
මෙය හඳුන්වාදීම මඟින් ක්‍රීඩාවේ ජවය ඇති කර පිටියේ සහ රූපවාහිනියේ මෙය නරඹන්නන්ගේ සිත් ඇද තබා ගැනීමට සමත් වීම මඟින් මෙය ජයග්‍රාහීභාවයට පත්ව ඇත. එංගලන්ත මණ්ඩලය අදහස් කරන ආකාරයට වෙනත් කිසිම ක්‍රීඩාවක් 20 – 20. ක්‍රිකට් තරඟ සඳහා ස්ථානගත කළ හැකි නොවන බවයි. එම නිසා මෙම ක්‍රීඩාව දිගටම පවතිනු ඇති බව සිතිය හැක.
මෙම ක්‍රීඩාව ක්‍රිකට් ලෝකය පුරා පැතිරී පවතී. බොහෝ අන්තර්ජාතික ක්‍රිකට් චාරිකාවල 20 -2 20 ක්‍රිකට් තරඟ පැවැත්වේ. එලෙසම බොහෝ ටෙස්ට් ක්‍රිකට් ක්‍රීඩා කරන ජාතීන් ගෘහස්ත ක්‍රීඩා තරඟ ලෙස මෙය පවත්වයි. පළමු අන්තර්ජාතික ක්‍රිකට් කවුන්සිලය මඟින් පවත්වන ලද 20 – 20 තරඟයක් 2007 වර්ෂයේ දී පැවැත්වූයේ දකුණු අප්‍රිකාව සහ ඉන්දියාව සමඟයි. එම තරඟයේ අවසන් තරඟයේ දී පකිස්ථානය පරාජයට පත් කරන ලදී.

References
http://en.wikipedia.org/wiki/Twenty20

ක්‍රිකට් 20 – 20


Vinaninony-Atsimo ist eine Gemeinde Madagaskar. Sie hat 32.000 Einwohner im Jahr 2001.

Einzelnachweise

Ort in Vakinankaratra
Ort in Afrika

Vinaninony-Atsimo


72596 Zilkha este un asteroid din centura principală de asteroizi.

Descriere
72596 Zilkha este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Needville de Joseph A. Dellinger și Keith Rivich. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 2,40 ua, o excentricitate de 0,19 și o înclinație de 14,6° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 72001-73000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 2001
Centura de asteroizi

72596 Zilkha


An Syngonanthus chrysanthus in uska species han Liliopsida nga syahan ginhulagway ni August Gustav Heinrich von Bongard, ngan ginhatag han pagkayana nga asya nga ngaran ni Wilhelm Willy Otto Eugen Ruhland. An Syngonanthus chrysanthus in nahilalakip ha genus nga Syngonanthus, ngan familia nga Eriocaulaceae.

Subspecies

Ini nga species ginbahin ha masunod nga subspecies:

 S. c. castrensis
 S. c. chrysanthus

Mga kasarigan

Mga sumpay ha gawas

Syngonanthus

Syngonanthus chrysanthus


Giric (škot. Griogair mac Dhunghail), poznat i kao Grgur Veliki (? - ?, oko 890.), kralj Pikta i vjerojatno Albe od 878. do 889. godine. Podaci o njegovom životu su površni pa, osim što nije poznato je li doista bio kralj škotskog kraljevstva Albe, nije poznato ni je li vladao sam ili zajedno s Eochaidom, koji se u izvorima spominju u približno istom razdoblju.

Vanjske poveznice

 Kralj Eochaid i kralj Giric - undiscoveredscotland.co.uk

Škotski vladari

Giric


An Gastrodia shimizuana in uska species han Liliopsida nga ginhulagway ni Takasi Tuyama. An Gastrodia shimizuana in nahilalakip ha genus nga Gastrodia, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Gastrodia

Gastrodia shimizuana


Heid ist ein Ortsteil der Stadt Eisfeld im Landkreis Hildburghausen in Thüringen.

Lage
Heid liegt südöstlich von Eisfeld an der Kreisstraße 530 am Fuß der Vorberge zum Thüringer Schiefergebirge im Werratal. Die Bahnstrecke der Bahnstrecke Eisfeld–Sonneberg führt direkt nördlich am Dorf vorbei.

Geschichte
Die urkundliche Ersterwähnung von Heid fand 929 statt. 60 Personen leben im Ortsteil, der 1957 nach Eisfeld eingemeindet wurde.

Weblinks

Einzelnachweise

Ort im Landkreis Hildburghausen
Geographie (Eisfeld)
Ehemalige Gemeinde (Landkreis Hildburghausen)
Ersterwähnung 929
Gemeindeauflösung 1957

Heid (Eisfeld)