Športski centar bazeni Poljud, športski centar u Splitu. Nalaze se na Poljudu, tik sjeverno od Gradskog stadiona u Poljudu. Zapadno je franjevački samostan i crkva sv. Ante i Umjetnička gimnazija Ars animae. Sjeverno su vojarna Lora i Hrvatski hidrografski institut. Sjeveroistočno, preko ceste je Upravni sud, a jugoistočno, također preko ceste su Industrijska škola, Pomorska škola i Pomorski fakultet i nešto dalje crkva sv. Trojice.

Podignuti su rujna 1979. godine za potrebe Mediteranskih igara održanih 1979. godine. Prostiru se na oko 32.254,00 m². Arhitektonski su izvedeni da sliče na val. Uz bazene tu su razne dvorane. Športski sadržaj u bazenima je raznolik i od ukupne površine zauzima 24.645,00 m².

Športski sadržaji u ŠC su tri unutarnja bazena, od kojih je olimpijski bazen unutar kompleksa i ima tribine s 2000 mjesta za sjedenje. Bazen za vaterpolo je na istočnoj strani unutarnjeg kompleksa i ima gledalište od kapaciteta 650 sjedećih mjesta. Između olimpijskog i vaterpolskog bazena je nalazi bazen za neplivače. Izvana je vanjski bazen sa skakaonicom za skokove u vodu. Gledalište mu je kapaciteta od 330 sjedećih mjesta, a danas se može koristiti i zimi jer je natkriven balonom.

Na dolnjem zapadnom nivou kompleksa su tri dvorane s malim gledalištima. To su dvorana za judo i hrvanje sa 150 sjedećih mjesta, polivalentna dvorana s 330 sjedećih mjesta i dvorana za gimnastiku sa 192 sjedeća mjesta u gledalištu.

Neposredno uz te dvorane su dvije dvorane za ples i boks koje su smještene u južnom dijelu donjeg nivoa bazena. Kuglana je na južnom dijelu športskog centra i do nje se dolazi s vanjske prometnice koja je nalazi između stadiona i ŠC-a. Kuglana je rekonstruirana, što je bilo najveće ulaganje Grada Splita u športske objekte 2012. godine. Ima šest staza. Preuređenjem je deset muških i jedan ženski kuglački klub dobilo prostor za treniranje i organiziranje službenih natjecanja. Iznad unutarnjih bazena su dvorana za mačevanje i prostor za badminton. U športskom centru bazeni je i streljana. Ispred ŠC-a je veliko parkiralište.

Športskim centrom upravlja Javna ustanova Športski objekti Split.

Izvori

Športski objekti u Splitu
Športski objekti za vodene športove u Hrvatskoj

Športski centar Bazeni Poljud


Sugözü, Adana ilinin Yumurtalık ilçesine bağlı bir mahalledir.

Tarihçe
Köy nüfusunun büyük çoğunluğu yörük olup farklı boylara mensuptur. Mahallenin kuruluşu cumhuriyetin ilk dönemine rastlamaktadır. Ermenilerin bölgeden çekilmesinin ardından yörükler hayvanlarını hırsızlardan daha uzak bir noktada tutmak amacıyla bugün "İçme Deresi" olarak bilinen bölgede konaklamışlardır. Bu bölgede tam bir yerleşik düzene geçilmemiş olup, Türkiye Cumhuriyeti'nin yer tesis etmesiyle Sugözü Köyü bugünkü yerine kurulmuştur. Köy o dönemlerden yakın zamana kadar "Hunutlu" olarak anılsa da günümüzde resmi adı "Sugözü" olarak değiştirilmiştir. Köylüler yerleşik düzene geçilmesiyle birlikte tepelerdeki makilik arazileri tarıma açmışlar ve Gölovası Köyü ile Hamzalı Köyü arasındaki ova topraklarında tarım yapmaya başlamışlardır.  (Tekeli Yörükleri, Çakallı, Haylazlı, Hayta).

Coğrafya

Adana iline 65 km, Yumurtalık ilçesine 17 km uzaklıktadır.

Nüfus

Yumurtalık'ın mahalleleri

Sugözü, Yumurtalık


منطقة أحد هي أحد مناطق أمانة عمان الكبرى، وتقع في الجزء الشرقي من العاصمة الأردنية عمّان . تتكون من عدة احياء أو تجمعات سكنية وعددها 9 .

مساحتها
تبلغ مساحتها (250 كم مربع) من مجموع مساحة أمانة عمان الكبرى وبعدد سكان (40 الف نسمة).

الحدود التنظيمية
تحدها تنظيمياً عدد من المناطق هي منطقة سحاب، الرصيفة، ماركا، النصر، القويسمة، الموقر، الأدعم.

مراجع

مناطق مدينة عمان

أحد (عمان)


NGC 6677 je spiralna galaktika u zviježđu Zmaju.

Izvori

Vanjske poveznice

  Hartmut Frommert: Revidirani Novi opći katalog
  Izvangalaktička baza podataka NASA-e i IPAC-a
  Astronomska baza podataka SIMBAD
   VizieR
 DSS-ova slika NGC 6677
  Auke Slotegraaf: NGC 6677 Deep Sky Observer's Companion
  NGC 6677  DSO-tražilica
  Courtney Seligman: Objekti Novog općeg kataloga: NGC 6650 - 6699

6677

NGC 6677


Cantanhede  belediyesi, Portekiz'in Centro bölgesine bağlı Baixo Mondego altbölgesinin belediyelerinden biridir.

Bucaklar
Belediyede 19 bucak (Por.: freguesia) yer almaktadır.

 Ançã
 Bolho
 Cadima
 Camarneira
 Cantanhede
 Cordinhã
 Corticeiro de Cima
 Covões
 Febres
 Murtede
 Ourentã
 Outil
 Pocariça
 Portunhos
 Sanguinheira
 São Caetano
 Sepins
 Tocha
 Vilamar

Dış bağlantılar

 Cantanhede şehrinin fotoğrafları

Baixo Mondego'nun belediyeleri

Cantanhede


Die Madagassischen Badmintonmeisterschaften sind die nationalen Meisterschaften von Madagaskar im Badminton. Sie werden seit den 1990er Jahren ausgetragen und sind damit eine der jüngsten nationalen Titelkämpfe im Badminton.

Die Meister

Weblinks

 lexpressmada.com

Liste (Badminton)

Madagassische Badmintonmeisterschaft


İstanbul Antlaşması, 29 Eylül 1913 tarihinde Osmanlı İmparatorluğu ve Bulgaristan Krallığı arasında II. Balkan Savaşı sonunda yapılmış bir antlaşmadır. Bu antlaşma ile Osmanlı, Doğu Trakya'ya yeniden hâkim olsa da; Batı Trakya ve Dedeağaç Bulgaristan toprağı olarak kalmaya devam ederek; Osmanlı hâkimiyeti içerisine bir daha girememiştir.

Bu antlaşmanın bazı şartları şunlardır:
 Edirne, Dimetoka, Kırklareli Osmanlılarda kalacak.
 Kavala ve Dedeağaç Bulgaristan'a bırakılacak.
 Meriç nehri iki ülke arasında sınır kabul edilecek.
 Bulgaristan Krallığı'ndaki Türkler'in siyasi, dini ve sosyal hakları korunacak.

Osmanlı İmparatorluğu'nun antlaşmaları
Bulgaristan antlaşmaları
Barış antlaşmaları
Balkan Savaşları
Antlaşma (1913)
1913'te Osmanlı İmparatorluğu
1913'te antlaşmalar

İstanbul Antlaşması (1913)


Stephen James Murphy (* 11. Dezember 1981 in Dundee, Schottland) ist ein britischer Eishockeytorwart, der seit 2009 bei den Belfast Giants in der Elite Ice Hockey League unter Vertrag steht. Sein Cousin Colin Shields ist ebenfalls professioneller Eishockeyspieler.

Karriere
Stephen Murphy begann seine Karriere als Eishockeyspieler in der British Hockey League, in der er von 1997 bis 2004 für die Paisley Pirates, Fife Flyers, mit denen er 2000 sowohl die Hauptrunde, als auch die Playoffs der Liga gewann und auch in das All-Star-Team der Liga gewählt wurde, Dundee Stars, mit denen er 2002 ebenfalls Hauptrunde und Playoffs gewinnen konnte und sowohl von den Trainern, als auch von seinen Spielerkollegen zum Spieler des Jahres gewählt wurde, und Bracknell Bees aktiv war. Zur Saison 2004/05 wechselte der Torwart zum Bräcke IK aus der Division 1, der dritten schwedischen Spielklasse. Parallel kam er zudem zu fünf Einsätzen für IF Björklöven aus der zweitklassigen Allsvenskan. Die folgende Spielzeit verbrachte er beim schwedischen Zweitligisten IFK Arboga. Zur Saison 2006/07 kehrte der Nationalspieler in seine britische Heimat zurück und schloss sich den Edinburgh Capitals aus der Elite Ice Hockey League an. 2007 wurde er erstmals zum Torwart des Jahres in Großbritannien gewählt. In der Saison 2007/08 stand er für Stjernen Hockey in der norwegischen GET-ligaen zwischen den Pfosten. Die Saison 2008/09 verbrachte Murphy bei den Manchester Phoenix aus der EIHL und wurde erneut zum britischen Torwart des Jahres gewählt. Seither spielt er für deren Ligarivalen Belfast Giants, mit denen er 2010 die Playoffs der EIHL gewann, wozu er mit dem besten Gegentorschnitt und der besten Fangquote der Liga maßgeblich beitrug. Auch 2011 erreichte er den niedrigsten Gegentorschnitt der EIHL. 2012 und 2014 errang er mit seinem Team mit dem Gewinn der EIHL-Hauptrunde den Britischen Meistertitel. In beiden Jahren erzielte er erneut die geringste Gegentorrate und wurde folgerichtig 2012 in das First-All-Star-Team und 2014 in das Second-All-Star-Team gewählt. 2010, 2011, 2012, 2013 und 2014 wurde er zudem erneut zum Torwart des Jahres in Großbritannien gekürt.

International
Für Großbritannien nahm Murphy im Juniorenbereich an der U18-Junioren-B-Weltmeisterschaft 1999 sowie der U20-Junioren-C-Weltmeisterschaft 2000 und nach Umstellung auf das heutige Divisionssystem der Division II der U20-Junioren-Weltmeisterschaft 2001 teil.

Im Seniorenbereich stand er im Aufgebot seines Landes bei den Weltmeisterschaften der Division I 2001, 2002, 2003, als er aber ohne Spieleinsatz blieb, 2005, 2006, 2007, als er jedoch zu keinem Einsatz kam, 2008, als er mit der besten Fangquote aller Torhüter in das All-Star-Team des Turniers gewählt wurde, 2010, als er mit der zweitbesten Fangquote hinter dem Ungarn Zoltán Hetényi zum besten Torhüter des Turniers gewählt wurde, 2011, als er mit der erneut besten Fangquote und dem zweitbesten Gegentorschnitt des Turniers (nach dem Kasachen Witali Jeremejew) erneut als bester Torhüter des Turniers gekürt wurde, 2012, 2013, 2014 und 2017, als er mit der besten Fangquote und dem geringsten Gegentorschnitt des Turniers maßgeblich zum Aufstieg der Briten von der B- in die A-Gruppe der Division I beitrug.

Zudem vertrat Murphy seine Farben bei den Qualifikationsturnieren für die Olympischen Winterspiele in Vancouver 2010 und in Sotschi 2014.

Erfolge und Auszeichnungen

International

Weblinks

Eishockeynationaltorwart (Vereinigtes Königreich)
Eishockeytorwart (Fife Flyers)
Eishockeytorwart (Dundee Stars)
Eishockeytorwart (Bracknell Bees)
Eishockeytorwart (IF Björklöven)
Eishockeytorwart (IFK Arboga IK)
Eishockeytorwart (Edinburgh Capitals)
Eishockeytorwart (Stjernen Hockey)
Eishockeytorwart (Manchester Phoenix)
Eishockeytorwart (Belfast Giants)
Britischer Meister (Eishockey)
Brite
Schotte
Geboren 1981
Mann

Stephen Murphy (Eishockeyspieler)


Baroneasa Alida Maria Laura Altenburger von Marckenstein-Frauenberg (), cunoscută sub numele ei de scenă Alida Valli (sau simplu Valli), a fost o actriță italiană de teatru și film, care a apărut în peste 100 de filme, incluzând Luiza lui Mario Soldati, Cazul Paradine de Alfred Hitchcock, Al treilea om de Carol Reed, Strigătul de Michelangelo Antonioni, Senso de Luchino Visconti, 1900 de Bernardo Bertolucci și Suspiria de Dario Argento.

Biografie
Alida Valli s-a născut în Pola, Istria, Italia (azi în Croația). A avut descendenți austrieci, sloveni și italieni. Bunicul său patern a fost baronul Luigi Altenburger (sau Altemburger), austro-italian din Trento, descendent al conților d'Arco, iar bunica sa a fost Elisa Tomasi din Trento, o verișoară a senatorului italian Ettore Tolomei. Mama Alidei Valli a fost pianista Silvia Oberecker (Obrekar) Della Martina, născută în Pola, o casnică "sofisticată cultural", cu descendență slovenă și italiană. Tatăl Alidei a fost profesorul de filosofie și critic muzical baron Gino Altenburger von Marckenstein  und Franenberg.

Alida Valli cunoștea mai multe limbi, între care slovena, italiana și germana și vorbea fluent sârbo-croata, franceza și engleza. A fost botezată Altenburger von Marckenstein-Franenberg. A obținut  titlurile de doctor honoris causa al Universității din Roma III, Cavaler al Artelor și Literelor în Franța și Cavaler al Republicii Italia.

S-a căsătorit cu Oscar de  Mejo în 1943, însă a divorțat de acesta în 1952. Apoi s-a recăsătorit cu regizorul italian Giancarlo Zagni la începutul decadei 1960, de care a divorțat în 1970.

Filmografie selectivă

Premii și nominalizări
 1947 Nastro d'argento
 cea mai bună actriță în rol principal pentru Eugenia Grandet
 1955 - Grolla d'oro
 pentru Livia (Senso)
 1957 Nastro d'argento
 candidată la cea mai bună actriță într-un rol secundar pentru La diga sul Pacifico
 1964 Globul de Aur
 nominalizare pentru cea mai bună actriță - Dramă  pentru L'uomo di carta
 1977 Nastro d'argento
 candidată pentru  cea mai bună actriță într-un rol secundar pentru 1900
 1982 David di Donatello
 cea mai bună actriță într-un rol secundar pentru La caduta degli angeli ribelli
 1991 David di Donatello
 candidată pentru  cea mai bună actriță într-un rol secundar pentru La bocca
 1997 Festivalul de film din Veneția - Al 54-lea Festival de la Veneția
 :it:Leone d'oro alla carriera
 1991 David di Donatello - :it:David di Donatello alla carriera

Referințe

Legături externe

Nașteri în 1921
Decese în 2006
Actrițe italiene

Alida Valli


Sir Jack Arnold Hayward  (14 June 1923 – 13 January 2015) was an English businessman, property developer, philanthropist, and president of English football club Wolverhampton Wanderers.

Biography

Early life

The only son of Charles William Hayward, an industrialist, Hayward was born in the Whitmore Reans area of Wolverhampton  and educated at Northaw Preparatory School and later Stowe School in Buckinghamshire.

At the outbreak of the Second World War, he cycled to Oxford to volunteer to fight, eventually joining the Royal Air Force (RAF), and going on to receive flight training in Yorkshire and Clewiston, Florida. He served first as a pilot officer in 671 Squadron operating under South East Asia Command (SEAC) in India, flying Dakota transporter aircraft for the supply of the 14th Army in Burma, and in 1946 was demobilised as a flight lieutenant.

Career
After demobilisation he began work in Rotary Hoes, part of the Firth Cleveland group of companies formed by his father, Sir Charles Hayward, as an agricultural equipment salesman in South Africa. In 1951 he founded the American arm of the group in New York, where he was based for five years before relocating to the Bahamas as it was a sterling area. His father began the family involvement with the Bahamas during the 1950s, after relocating his business from the United States. Jack arrived in Grand Bahama in 1956 and became a vice-president of the Grand Bahama Port Authority, which helped promote the development of Freeport. Jack took over his father's interests in the Bahamas and continued to play an active role in Freeport.

In addition to his home in Freeport, in England he owned a farm in Sussex and in Scotland was Laird of Dunmaglass, a 14,000-acre estate near Inverness. The Sunday Times Rich List placed him as 125th richest in Britain with an estimated £160 million fortune in 2009.

Wolverhampton Wanderers F.C.
Hayward twice could have become the owner of his boyhood football club Wolverhampton Wanderers, whom he had first watched aged 5. In 1982, when Wolves were in financial difficulties, he was reportedly offered 400 shares for around £40,000 but declined to buy them.  When Wolves went into receivership later that year, Hayward was reportedly behind one of the consortia interested in buying the club, but it was ultimately bought by the Bhatti brothers in an unsuccessful rescue attempt fronted by former Wolves player Derek Dougan.

Hayward became the owner and chairman of Wolves after buying the club in May 1990 for £2.11 million. It is estimated that he spent well in excess of £70m of his personal finance on redeveloping their Molineux Stadium, writing off annual debts, and purchasing players for the club during the 17 years in which he was the owner. His reign saw seven different managers employ his resources in attempts to make the club a top-flight side. In the event, they only managed one season at the highest level (2003–04), despite his riches having enabled Wolves to invest in many players who would normally have been beyond the financial reach of non-Premier League clubs. In May 2007 it was announced that he had sold control of the club to businessman Steve Morgan for a nominal £10 fee, in exchange for a conditional £30m of investment in the club. Hayward had originally offered the club for sale in September 2003, but had struggled to find suitable takers. Morgan's takeover was formally completed on 9 August 2007. Hayward remained the life president of Wolverhampton Wanderers and was later inducted into the club's Hall of Fame.

By the time he retired as chairman at Molineux, Hayward was recognised as one of a select group of football benefactors who had spent huge fortunes of time and money on rescuing their hometown boyhood club from obscurity. Other such benefactors include Jack Walker (Blackburn Rovers), Lionel Pickering (Derby County), Steve Gibson (Middlesbrough) and Dave Whelan (Wigan Athletic).

Charity
Hayward was knighted in 1986 – adding to his 1968 OBE award – for his charitable actions, having donated money in 1969 to buy Lundy Island for the National Trust, to buy the SS Great Britain and, more recently, £500,000 to the Vulcan to the Sky fund. He also put funds into repairing the King Edward VII Memorial Hospital on the Falkland Islands after the Falklands War and was named as the mystery benefactor of £1 million to the South Atlantic Fund to aid families of British serviceman killed or injured in that war.

He funded three international racing yachts, Great Britain I, II and III, spent £100,000 on saving the sloop Gannet (the Royal Navy's only survivor of the transition from sail to steam) and contributed another £100,000 to help raise the Mary Rose. After befriending fellow Wulfrunian and cricketer Rachael Heyhoe Flint, he financed tours of the West Indies by the England women's cricket team in 1969–70 and 1970–71, and in 1973 sponsored the first-ever Women's Cricket World Cup, two years before the first World Cup in the men's game.

Hayward appeared in the 1970 BBC Chronicle programme; "The Great Iron Ship" which documented the recovery and subsequent voyage of the SS Great Britain from the Falklands to Bristol.

Political associations
Hayward was a donor to the Liberal Party in the 1970s, having met its leader, Jeremy Thorpe, one of the West Country MPs who campaigned to get Lundy Island purchased for the nation, in 1969. He backed the party in the October 1974 General Election campaign, enabling Thorpe to travel round the coast by hovercraft on speaking tours and the party to field a record number of parliamentary candidates, although only 13 were returned as MPs. Thorpe and his wife Marion were guests at Hayward's Bahamas home and Thorpe offered – unsuccessfully – to find a buyer for Freeport in return for payment when Hayward and his colleagues were considering selling. In 1979, Hayward gave evidence for the Crown in court when Thorpe was implicated in the Norman Scott case, letters from Thorpe that Hayward had kept being among exhibits.

Hayward was awarded £50,000 in libel damages against the Sunday Telegraph after an article published in 1978 accused him of being the paymaster in the alleged conspiracy to murder Scott, of which Thorpe was cleared. In 2013, Hayward boasted that he would have founded a party "far more right-wing than Margaret Thatcher".

Style
Hayward was nicknamed "Union Jack" in the Bahamas media for his British patriotism. He imported 10 red London buses to Freeport and was permitted by the General Post Office to install British-style red telephone and pillar boxes.  Visiting seamen from the Royal Navy were always given dinner at a local restaurant "with the compliments of Sir Jack". Back in Britain, Hayward drove a Range Rover bearing the bumper sticker: "Buy abroad — sack a Brit". In Who's Who, he declared his recreations as, mainly, "promoting British endeavours, mainly in sport...protecting the British landscape, keeping all things bright, beautiful and British".

With his crumpled clothes and pockets stuffed with bits of paper, it was observed of Hayward that he looked "more like an absent-minded retired geography teacher than one of the richest men in the world". He relaxed by watching cricket — he was a life member of Surrey County Cricket Club — and taking part in amateur dramatics — he built a modern theatre at Freeport for the local Players' Guild, of which he was a leading actor. He banned non-British vehicles from his estate in Sussex and refused to drink French wine or mineral water.

Family
Hayward married Jean Mary Forder in 1948 and had two sons, Rick and Jonathan, and a daughter Susan. Both his sons have also been involved with Wolverhampton Wanderers. Jonathan joined the board upon his father's takeover in 1990 and later served as chairman, before resigning in 1997. In 1999 his father controversially sued him for £237,000, claiming he was responsible for financial irregularities. The matter was settled out of court in favour of the elder Hayward. His elder son Rick later became chairman of the club in 2003 during the Premier League, taking over from his father, but stepped down in 2006. His grandson Rupert joined the board in the reshuffle following Steve Morgan's takeover but resigned a year later.

Hayward was awarded the freedom of the City of Wolverhampton on 9 July 2003.

In January 2011 Hayward was in a court battle for over £100 million of his own personal fortune, after being sued by his daughter Susan Heath, then aged 62, elder son Rick, 59, and six of his grandchildren after they had been removed as beneficiaries from trusts set up by him. The fallout between Hayward and his family started over the £10 sale of Wolverhampton Wanderers F.C. to Steve Morgan.

Hayward died on 13 January 2015 in Fort Lauderdale, Florida, aged 91.

Legacy

The Sir Jack Hayward High School in Freeport, Bahamas, was named after him in 1998. Wolverhampton Wanderers' training complex at Compton is also named after him, as is Jack Hayward Way, a street beside the Molineux ground, previously Molineux Way, that was renamed in commemoration of his 80th birthday in 2003.

The Grand Bahama Highway Bridge is to be renamed the Sir Jack Hayward Bridge. Hayward had campaigned for its building for 10 years before it was launched with a contract signing ceremony in May 2014 at which he was present. The bridge was commissioned in March 2016.

The South Bank of Molineux, known as the Jack Harris Stand at the time, was renamed the Sir Jack Hayward Stand after his death.

See also
List of residents of Wolverhampton
Dunmaglass Shooting Estate

References

1923 births
2015 deaths
British chief executives
British expatriates in the United States
Royal Air Force pilots of World War II
Businesspeople awarded knighthoods
English football chairmen and investors
English investors
Military personnel from Wolverhampton
Knights Bachelor
Officers of the Order of the British Empire
People educated at Stowe School
People from Wolverhampton
Royal Air Force officers
Wolverhampton Wanderers F.C. directors and chairmen
20th-century British philanthropists
20th-century English businesspeople
Chairmen and investors of football clubs in England

Jack Hayward


إعلانات الوسائط الغنية\الفيديو (rich media/video ad) هي إعلانات تقوم بتوظيف تقنية flash (فلاش), DHTML, (جافا)java والعروض الصوتية أو الصورية.

مقدمة

استخدام إعلانات الفيديو والوسائط الغنية هو الأسرع نموا من وسائل الإعلان على شبكة الإنترنت, على الرغم من أن   المبلغ الذي يتم إنفاقه في هذا المجال لا يزال يبلغ خمس إجمالي الإيرادات الإعلانية على الشبكة والذي يملك إعلانات محركات البحث الحصة الأكبر فيه. وحتى مع ظهور هذه التقنية الجديدة نجد أن إعلانات البانر التقليدية سوف تبقى الصيغة المسيطرة لبعض الوقت.
هذه الطريقة الجديدة من الإعلان تتجه بشكل متزايد نحو التفاعلية التي تسعى إلى إشراك المستخدم بشكل أعمق بإجباره على التفاعل مع الإعلان على نحو ما، مثل مطالبة المستخدم بتجميع الكائنات على الشاشة أو النقر على بعض المواضع المتعلقة, لذلك نجد أن هذه النوعية من الإعلانات تميل إلى أن تكوين تعلق بالعلامة التجارية أكثر من دفع عجلة نمو المبيعات.

أنواع إعلانات الفيديو

أصدرت (Interactive Advertising Bureau (AIB مجموعة من توجيهات ومعايير اختيارية للتسهيل من عملية بيع وشراء إعلانات الفيديو الإلكترونية.

 إعلان فيديو خطي

يتم تقديم الإعلان إما  قبل، في منتصف  أو بعد مشاهدة محتوى الفيديو كاملا من قبل المستخدم، وإلى حد كبير بنفس طريقة التلفزيون التجارية والذي  يتم تقديمه قبل، أثناء أو بعد البرنامج المقدم. واحدة من الخصائص الرئيسية لإعلانات الفيديوالخطية هي أن المستخدم يشاهد الإعلان رغما عنه مع المحتوى حيث أن الإعلان يعرض على مساحة كاملة من الفيديو. ومن تنسيقات هذا النوع: اختيار حيّز في مشغل الفيديو لعرض الإعلان قبل تشغيل الفيديو, أو بأن يتم عرض الإعلان فوق الفيديو لمدة وجيزة.

 إعلان فيديو غير خطي

الإعلان يتزامن مع محتوى الفيديو حيث أن المستخدمين يرون الإعلان أثناء عرض المحتوى. يمكن لإعلانات الفيديو غير الخطية عرضها  كنص، إعلانات مصورة، أو من خلال أشرطة فيديو. وتشمل تنسيقات إعلانات الفيديو غير الخطية ما يلي: بأن يغطي الإعلان بشكل مباشر على الفيديو، أو وضع الإعلان ضمن محتويات الفيديو نفسه.

 إعلان فيديو في بانر

يعرض الإعلان بداخل البانر, وقد يتم في بعض الأحيان توسيعه خارجا. ويوضع البانر في صفحة الويب محاطا بمحتوياتها.

 إعلان فيديو في نص

يعرض الإعلان عندما يمرر المستخدم مؤشر الفأرة فوق النص المرتبط به. ويستخدم ضمن صفحة الويب مع تحديد الكلمات المتعلقة به.

أنواع أخرى من إعلانات الوسائط الغنية

الإعلان الخلالي (interstitial ad) هي وسيلة لوضع رسالة صفحة كاملة بين الصفحة الحالية والصفحة المقصودة من قبل المستخدم. وعادة ما يدرج داخل الموقع الواحد، وعرضها على المستخدم عند تنقله من صفحة إلى أخرى. وينتقل غالبا تلقائيا إلى صفحة المستخدم المطلوبة بعد إتاحة الوقت الكافي لقراءة الإعلان. كما يمكن أن يتم استخدامها في الشبكات الدعائية والظهورللمستخدمين عند التنقل بين المواقع المشتركة في هذه الشبكة.

مزايا الإعلان في الوسائط الغنية

1- توصيل الرسالة الإعلانية بشكل أكبر واكثف وذلك بسب توفر الوسائل والطرق المختلفة لتقديم الإعلان (فديو، إعلان صوتي،....الخ).

2- المستخدمين ينجزبون بشكل كبير للإعلانات التي يتم عرضها في الوسائط الغنية وذلك لانها تشد انتباههم من غير أن تسبب أي إزعاج لهم وهذا يعود على المعلن بالربح لزيادة عدد المشاهدين للإعلان وبالتالي عددالمتافعلين أو المشترين لما يعرضه الإعلان.

3- خلق علامة تجارية قوية : هذا النوع من الإعلانات يجذب المستخدمين ويرسخ اسم المنتج والشركة المصنعة له في اذهانهم وبالتالي هذا يكسب الشركة المنتجة علامة تجاريه تزيد من ربحهاحتى لو يتم النقر على الإعلان من قبل المستخدمين.

المصادر

 kenneth C. Laudon، Carol Guercio Traver (2009). E-COMMERCE, Buisness. Technology. Society
 online video ad formats iab guidelines and metrics to monetize online videos/
 IAB Guidlines

دعاية وإعلان

إعلانات الوسائط الغنية (الفيديو)


Erweichungspunkt bezeichnet:
 die Glasübergangstemperatur (TG), bei der ein anorganisches Glas oder organisches Glas wie amorpher Kunststoff die größte Änderung der Verformungsfähigkeit aufweist.
 speziell bei anorganischen Gläsern eine Grenztemperatur des Transformationsbereiches.
 den Erweichungspunkt RuK, einen Messwert zur Klassifizierung von Bitumen.

Erweichungspunkt


El parque nacional Alaungdaw Kathapa posee una superficie de 1.605 kilómetros cuadrados, y es el parque nacional más grande de Birmania (Myanmar). El parque se compone de la Reserva forestal Patolon y la adyacente reserva forestal Taungdwin.

La Reserva Forestal Patolon se estableció originalmente el 21 de julio de 1893 y fue ampliada en 1917. La reserva forestal Taungdwin por su parte se estableció el 1 diciembre de 1893. En 1941, Taungdwin fue convertido en un santuario de vida silvestre por el gobierno colonial británico, y obtuvo el estatus de un parque nacional en 1984 por disposición del gobierno birmano.

Véase también
Geografía de Birmania
Geografía de Asia

Referencias

Alaungdaw Kathapa
Áreas protegidas establecidas en 1893
Birmania en 1984

Parque nacional Alaungdaw Kathapa


Die New Zealand Open 2006 im Badminton fanden vom 1. bis zum 6. August 2006 in Auckland, Neuseeland, statt. Das Preisgeld betrug 30.000 US-Dollar.

Finalresultate

Weblinks
 http://www.badminton.de/12-06-NZL-Open.746.0.html
 http://www.tournamentsoftware.com/sport/matches.aspx?id=96D55250-04B8-4570-977A-3D59E9446B21&d=20060806

World Badminton Grand Prix 2006
2006
Badmintonwettbewerb in Auckland

New Zealand Open 2006


Beşelma, Tunceli ilinin Hozat ilçesine bağlı bir köydür.

Tarihçe
Köyün eski ismi "Hopik"tir. 1897-1923 yılları arasında nahiye merkezi konumunda olan yerleşim, Türkiye Cumhuriyeti'nin kurulmasıyla Hozat'a bağlı köy statüsünü sürdürmektedir. Uzun yıllar Hopik adıyla anılan yerleşim, 1960 yılı nüfus sayımından itibaren günümüzdeki adıyla kayıtlarda yer almaktadır.

Coğrafya
Tunceli iline 45 km, Hozat ilçesine 7 km uzaklıktadır.

Nüfus

Kaynakça

Dış bağlantılar
 Yerelnet

Hozat belde ve köyleri

Beşelma, Hozat


MÖ 1. yüzyıl | 1. yüzyıl | 2. yüzyıl
48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58

Olaylar

Doğumlar
 18 Eylül - Trajan, Roma İmparatoru (ö. 117)
 tarihi bilinmeyen
 Domitia Longina, Roma İmparatoriçesi ve İmparator Domitian'ın 2. karısı

Ölümler
 Mobon, Koguryo Krallığı'nın beşinci hükümdarı

als:50er#53

53


Gilbert and George (o Gilbert & George) es una pareja de artistas británicos compuesta por Gilbert Proesch (San Martín de Tor, Italia, 17 de septiembre de 1943) y George Passmore (Plymouth, Reino Unido, 8 de enero de 1942), que han desarrollado su labor dentro del arte conceptual, la performance y el body art, siendo famosos principalmente por ejercer de «esculturas vivientes».

Biografía

Se conocieron siendo estudiantes en la escuela de arte St. Martin's de Londres, y desde 1968 viven juntos y realizan su labor profesional como dúo artístico. Una de sus primeras realizaciones fue The Singing Sculpture (La escultura que canta, 1969), en la que la pareja de artistas bailaban y cantaban Underneath the Arches, un éxito musical de los años 1930. Desde entonces se han forjado una sólida reputación como esculturas vivas, convirtiéndose a sí mismos en obras de arte, expuestas durante diversos intervalos de tiempo a la contemplación del público. Por lo general suelen aparecer impecablemente vestidos con traje y corbata, adoptando diversas posturas en las que permanecen inmóviles, aunque a veces también se mueven o leen algún texto, y en ocasiones aparecen en montajes o instalaciones de diversa índole.

Además de su faceta «escultórica», Gilbert and George también realizan obras pictóricas, collages y fotomontajes, donde a menudo se representan a sí mismos, junto a diversos elementos de su entorno más inmediato, con referencias a la cultura urbana y un fuerte componente reivindicativo, donde abordan temas como el sexo, la raza, la muerte y el sida, la religión o la política, criticando a menudo al gobierno británico y el poder establecido. En ese sentido, su serie más prolífica y ambiciosa ha sido Jack Freak Pictures, donde tienen una presencia constante los colores rojo, blanco y azul de la bandera británica.

Gilbert and George han realizado exposiciones en algunos de los mejores museos y galerías del mundo, como el Stedelijk van Abbemuseum de Eindhoven (1980), la Hayward Gallery de Londres (1987), la Tate Modern (2007), etc. Han participado diversas ocasiones en la Documenta de Kassel (nos 5, 6 y 7), y en 2005 representaron a su país en la Bienal de Venecia. en 1986 fueron ganadores del Premio Turner.

Bibliografía

 Baudino, Isabelle; Gautheron, Marie, eds. (2005), Gilbert & George, E1, Lyon: ENS Editions
 Dutt, Robin (2004), Gilbert & George: obsessions & compulsions. London: Philip Wilson Publishers
 Farson, Daniel (1999), Gilbert & George: a Portrait, London: Harper Collins
 Farson, Daniel (1991), With Gilbert & George in Moscow, London: Bloomsbury
 Fuchs, Rudi (2007), Gilbert & George: the Complete Pictures,
 Gilbert & George (1987) The Words of Gilbert & George, Violette Editions, London,
 Jahn, Wolf (1989), The Art of Gilbert & George. New York: Thames & Hudson
 Jonquet, François (2005), Intimate Conversation, London: Phaidon
 Rosenblum, Robert (2004), Introducing Gilbert & George, London: Thames & Hudson

Enlaces externos

 Gilbert & Georgefor THE SEEN Journal, February 2016
2007
Gilbert and George: Major Exhibition at Tate Modern, London, 2007
Gilbert and George's film "The World of Gilbert and George" as a RealMedia stream at Tate Online
'Gilbert and George unveil new hoodie art' – UK Guardian website, 23/5/2005
Gilbert & George works in the Guggenheim Collection

Artistas del Reino Unido
Escultores del Reino Unido del siglo XX
Parejas famosas gais
Personas homosexuales de Reino Unido

Gilbert and George


Alejandro Romay (născut Alejandro Argentino Saúl; ) a fost un om de afaceri și mogul mass-media argentinian. El a lucrat timp de mai mulți ani la Canal 9 (cunoscut sub conducerea lui cu numele de Canal 9 Libertad) și a devenit cunoscut ca "Țarul televiziunii".

Biografie

Romay și-a început cariera în anul 1940 ca gazdă a unei emisiuni de la LV 7 Radio Tucumán din provincia Tucumán. El a cumpărat LV 12 Radio Aconquija în 1945 și doi ani mai târziu s-a mutat la Buenos Aires. A continuat să lucreze ca gazdă de emisiuni radiofonice, dar a început să lucreze și ca producător de radio, TV și teatru. El a devenit principalul acționar al Canal 9 în 1963 și director al postului de televiziune. A pierdut postul TV atunci când acesta a fost naționalizat în 1974 și s-a mutat în Puerto Rico, unde a cumpărat două posturi de radio.

Romay a revenit la Buenos Aires în 1983, când Raul Alfonsin a preluat puterea, și a dobândit înapoi Canal 9. El a creat Telearte S.A. pentru a produce emisiunile de televiziune, iar Canal 9 a devenit televiziunea cu cel mai mare rating din Argentina pentru restul anilor 1980. Imperiul media al lui Romay s-a extins în anii 1990: a dobândit Radio Belgrano, care fusese deținut de stat, precum și o companie de televiziune prin cablu din Buenos Aires (BAC). În plus, el a cumpărat un post de televiziune la Miami, WJAN, care a fost condus mai târziu de fiul său, Omar Romay. El a deținut, de asemenea, un teatru la Buenos Aires și un altul la Madrid.

În 1997 Romay s-a pensionat și a început să-și vândă activele mass-media. Posturile de radio au fost cumpărate de Grupo CIE din Mexic, în timp ce Canal 9 Libertad a fost vândut către Prime Television din Australia, iar compania de cablu Multicanal al Grupo Clarín a absorbit BAC. El a fost distins cu Premiul onorific Martín Fierro în 2003.

La momentul morții sale, în iunie 2015, lucra la scrierea autobiografiei.

Referințe

Nașteri în 1927
Decese în 2015
Evrei argentinieni
Cioturi Biografii Argentinieni

Alejandro Romay


Belldandy (ベルダンディー - Berudandī) Ah! Tanrıçam mangasında ve mangadan yola çıkılarak hazırlanmış aynı adlı tv serisindeki başrol karakterlerinden biri. Aslında Kikuko Inoue (井上喜久子) tarafından seslendirilmiştir. Dünyaya bir öğrenciyle birlikte yaşamak için gelen üç tanrıçadan biridir. Keiichi Morisato adlı bir öğrencinin yanlışlıkla "Tanrıça Dilek Hattı"nı araması ve gelen Tanrıça'dan onun gibi bir kız arkadaş istemesi sonucu Tanrıça onunla kalır. Hikâyenin bazı sürümleri, Keiichi'nin Belldandy'i kazara mı çağırdığını, yoksa Kami-sama tarafından mı bir araya getirildiğini sorgular. Bu hikâyenin üzerine kurulu manganın, yardıma gelen tanrıçası Belldany'dir. Açık kahverengi saçlı, mavi gözlü olarak çizilmiştir. Kontrol ettiği element havadır.

Tarihi
Belldandy, Keiichi ve kızkardeşleriyle, Tokyo yakınlarındaki Chiba bölgesinde bulunan Nekomi şehrindeki Tariki Hongan Tapınağı'nda yaşar. Tapınak, Belldandy'nin ruhunun masumiyetinden, tapınağın mihrabını parlatmada, yemek pişirmede ve Zazen meditasyonundaki ustalığından etkilenmiş bir Budist rahip olan resmi koruyucusu Koshian'dan Belldandy'ye geçmiştir. Tapınağı, gerçek doğasının tanrıçalık olduğunu farketmediği bu mükemmel hanımefendiye bırakarak, ruhsal kusursuzluğa erişmek için hac yolculuğuna çıkar.

Holy Bell'in görünüşleri
Holy Bellin göründüğü bölümler.

Dış bağlantılar
  Belldandy resmî Ah! My Goddess sitesinde
  Belldandy Oh My Goddess! wikisinden
 Belldandy  NobleScarlet.net hayran sitesinden
  Sake, Bugs and Angels extensive fan site
  Anime On DVD  reviews of anime including Oh! My Goddess and Ah! My Goddess the Movie reviews

Ah! Tanrıçam karakterleri
Kurgusal kadın karakterler
Empati yapabilen kurgusal karakterler
Kurgusal melekler
Kurgusal tanrıçalar
Popüler kültürde mitoloji
1988'de tanıtılan kurgusal karakterler

Belldandy


زيت الزيتون المكرر هو عبارة عن زيت زيتون بكر ذي حموضة عالية تم تكريره بطرق كيميائية. وهذه الأصناف من الزيوت فقدت مواصفاتها الأصلية وخواصها الطبيعية من لون ورائحة وطعم الخ...

أنواعه
 زيت الزيتون المكرر: ذي حموضة عالية تم تكريره بطرق كيميائية
 زيت الزيتون : مزيج من زيوت الزيتون البكر مختلفة الأصناف (عدا قليلة الجودة وزيت الزيتون المكرر) ذات حموضة لا تتجاوز 1.5 .وهذا هو النوع الأكثر استهلاك في إسبانيا.
 زيت العصارة الخام: يحصل على هذا النوع عن طريق تحليل عصارة الزيتون ـ التي هي إحدى مشتقات الزيتون ـ وزيوت أخرى متباينة المصادر غير مكررة.
 زيت العصارة المكرر: يتم الحصول على هذا النوع بتكرير زيت العصارة الخام ،بحيث لا تتعدى الحموضة نصف درجة.
 زيت عصارة الزيتون : مزيج من زيت العصارة المكرر وزيت الزيتون البكر (عدا قليل الجودة)،بحيث لا تتعدى الحموضة 1.5 درجة.

انظر أيضاً
 زيت الزيتون

مراجع

زيوت

زيت الزيتون المكرر


Mercato (talijanski za "tržnicu") je susjedstvo ili kvart Napulja, južna Italija. Nalazi se u jugoistočnom dijelu grada, s juga omeđen industrijskom lukom Napulja.

U središtu područja nalazi se Piazza del Mercato ili "tržni trg", srednjovjekovna gradska tržnica. Na vrhu polumjeseca trga nalazi se crkva Santa Croce e Purgatorio al Mercato. Na istoku i zapadu vidljivi su zvonici i dijelovi pročelja crkve Sant'Eligio Maggiore i crkve Santa Maria del Carmine. Trg je bio mjesto pogubljenja Conradina.

To je također mjesto gdje je izbila Masaniellova pobuna i također mjesto pogubljenja nakon rojalističkog ponovnog preuzimanja kraljevstva nakon pada Napuljske Republike 1799. godine.

Područje je donekle odsječeno od ostatka grada, u unutrašnjosti, urbanom obnovom () ranih 1900-ih. Također, teško je oštećena bombardiranjem u Drugom svjetskom ratu.

Izvori

Literatura

 Napoli ei Luoghi Celebri delle sue Vicinanze, Napoli 1845 online verzija
Napuljske četvrti

Mercato (Napulj)


Third Ear er en dansk podcast, hvis faste redaktion består af de to stiftere Krister Molzen og Tim Hinman. Alexander Forsberg står for web, grafik og online management. Third Ear trækker på teknikker fra den klassiske radiomontage.

Molzen og Hinman arbejdede sammen på Ultralyd, et montage-program på DR, der lukkede i 2007. I 2009 fik de under navnet Third Ear penge af Kunstrådet til at starte et internetmagasin. Deres første podcastfortælling hed "Guldhornene" og handlede om Guldhornene og om Sonni, der i 2006 stjal dem.

Third Ear har haft stor succes, især med de to serier "Kvinden med den tunge kuffert" og "I et forhold med ...".

"I et forhold med ..." blev i 2017 filmatiseret under titlen "En fremmed flytter ind" med manuskript af Krister Molzen og instruktøren Nicole Horanyi.

Priser
Third Ear har både i 2010 og 2011 vundet Prix Marulic i kategorien dokumentar ved den internationale radiofestival, der bliver afholdt af den kroatiske radio HRT og European Broadcasting Union.

I 2012 modtog podcasten et etårigt legat fra Statens Kunstfond, og i 2015 modtog podcastduoen Statens Kunstfonds treårige arbejdslegat.

I 2016 vandt Third Ear podcasten "Dobbeltgænger" af Thomas Arent Andersen prisen for bedste fremmedsprogede dokumentar på den amerikanske radio- og podcastfestival Third Coast. "Dobbeltgænger" handler om to unge mænd, der hedder det samme og som kommer i håndgemæng.

Third Ear modtog i 2017 en af Kronprinsparrets Priser, nemlig Kronprinsparrets Stjernedryspris.

Referencer

Podcasts
Etableret i 2009

Third Ear


Holzbunge Almanya'nın kuzeyinde Schleswig-Holstein eyaletinde, Rendsburg-Eckernförde iline bağlı bölge. 5,19 km² yüzölçüme sahiptir. Nüfusu, 31 Aralık 2008 itibarıyla yaklaşık 321 olarak tespit edilmiştir. Kilometrekare başına 62 kişilik bir nüfus yoğunluğuna sahiptir. Belediye Başkanlığı Klaus Koll tarafından yürütülmektedir.

Dış bağlantılar
 www.amt-wittensee.de

Rendsburg-Eckernförde iline bağlı yerleşim birimleri

Holzbunge


Tú may refer to:

 Tú (Canadian band)
 "Tú" (Noelia song), 1999
 "Tú" (Shakira song), 1998
 "Tú", a 2008 song by Belle Perez
 "Tú", an habanera written by Eduardo Sánchez de Fuentes
 "Tú", a 1987 song by Juan Luis Guerra from Mientras Más Lo Pienso...Tú
 "Tú", a 2007 song by Jeremías from Un día más en el gran circo
 "Tú", a 2007 song by Kudai from Sobrevive
 "Tú", a 1991 song by Mecano from Aidalai
 "Tú", a 2010 song by Sara Tunes from Butterfly
 The familiar form of "you" in the Spanish language
 "La Incondicional", a 1989 song by Luis Miguel, sometimes confused by fans as being named "Tú"
 Tú, a Chinese surname

See also
Tu (disambiguation)

Tú


The César Award for Best Actress in a Supporting Role (French: César de la meilleure actrice dans un second rôle) is one of the César Awards, presented annually by the Académie des Arts et Techniques du Cinéma to recognize the outstanding performance in a supporting role of an actress who has worked within the French film industry during the year preceding the ceremony. Nominees and winner are selected via a run-off voting by all the members of the Académie.

History

Superlatives

As of 2019, 137 actresses have been nominated in the category, with a total of 34 different winners. The average age at first nomination is 41 and the average age of winners at first win is 38.

With three wins (1991, 1993, 1999), Dominique Blanc holds the record of most César Award for Best Supporting Actress. Eight actresses have won the César twice: Marie-France Pisier (1976, 1977), Nathalie Baye (1981, 1982), Suzanne Flon (1984, 1990), Annie Girardot (1996, 2002), Valérie Lemercier (1994, 2007), Julie Depardieu (2004, 2008), Anne Alvaro (2001, 2011) and Karin Viard (2003, 2019).

Marie-France Pisier and Nathalie Baye have won their two awards in consecutive years. Along with Adèle Haenel, they are the only three performers to have won two competitive acting César in a row. Including her Best Actress César won in 1983, Nathalie Baye is also the only performer to have won an acting César in three consecutive years, in 1981, 1982 and 1983.

Noémie Lvovsky and Karin Viard tie for the record of most nominations with 6, Lvovsky also holding the record of most nominations without ever winning the award. Stéphane Audran holds the record of most consecutive nominations with 3 (1982, 1983, 1984).

Nine women have won both the César Award for Best Supporting Actress and the César Award for Best Actress:
 Nathalie Baye (Best Supporting Actress in 1981 and 1982, Best Actress in 1983 and 2006),
 Annie Girardot (Best Actress in 1977, Best Supporting Actress in 1996 and 2002),
 Dominique Blanc (Best Supporting Actress in 1991, 1993 and 1999, Best Actress in 2001),
 Karin Viard (Best Actress in 2000, Best Supporting Actress in 2003 and 2019),
 Marion Cotillard (Best Supporting Actress in 2005, Best Actress in 2008),
 Emmanuelle Devos (Best Actress in 2002, Best Supporting Actress in 2010),
 Adèle Haenel (Best Supporting Actress in 2014, Best Actress in 2015),
 Catherine Frot (Best Supporting Actress in 1997, Best Actress in 2016).
 Fanny Ardant (Best Actress in 1997, Best Supporting Actress in 2020),

Nathalie Baye is the only actress with multiple wins in both categories.

Three films have received both accolades: One Deadly Summer in 1984 (Best Actress to Isabelle Adjani, Best Supporting Actress to Suzanne Flon), Indochine in 1993 (Best Actress to Catherine Deneuve, Best Supporting Actress to Dominique Blanc) and Queen Margot in 1995 (Best Actress to Isabelle Adjani, Best Supporting Actress to Virna Lisi).

Three women have won the César Award for Best Supporting Actress after previously winning the César Award for Most Promising Actress:
 Charlotte Gainsbourg (Most Promising Actress in 1986, Best Supporting Actress in 2000),
 Julie Depardieu (Most Promising Actress in 2004, Best Supporting Actress in 2004 and 2008),
 Cécile de France (Most Promising Actress in 2003, Best Supporting Actress in 2006).

Both Cécile de France and Julie Depardieu have won their two awards with a same role: Isabelle, an Erasmus student, in The Spanish Apartment (Most Promising Actress) and its sequel The Russian Dolls (Best Supporting Actress) for de France, and Jeanne-Marie in Little Lili (both awards) for Depardieu.

Therefore, Depardieu is the only individual to have won two acting César for the same performance. This achievement is no longer possible as the Académie has since modified nomination rules to ensure that no individual could be nominated in more than one acting category (Best Actor/Actress or Best Supporting Actor/Actress or Most Promising Actor/Actress) for the same film.

Three films has received both accolades: An Impudent Girl in 1986 (Best Supporting Actress to Bernadette Lafont, Most Promising Actress to Charlotte Gainsbourg), Life Is a Long Quiet River in 1989 (Best Supporting Actress to Hélène Vincent, Most Promising Actress to Catherine Jacob) and Little Lili in 2004 (both awards to Julie Depardieu).

Thirteen women have received nominations in the three competitive acting categories: Best Actress, Best Supporting Actress and Most Promising Actress. They are Emmanuelle Béart, Charlotte Gainsbourg, Dominique Blanc, Anne Brochet, Karin Viard, Sandrine Kiberlain, Emmanuelle Devos, Cécile de France, Marion Cotillard, Sylvie Testud, Emilie Dequenne, Sara Forestier and Adèle Haenel. So far, no actress has achieved to win the three awards.

To date, the most long-lived winner is Suzanne Flon, who died at 87, and the most short-lived is Valérie Benguigui, who died at 47. The oldest alive winner is Hélène Vincent, aged 75, and the earliest alive winner is Nicole Garcia (Le Cavaleur, 1980).

International presence
As the César Awards are centered on the French Cinema, the majority of recipients are French and performed in French language. However, the Best Supporting Actress César has been awarded five times to a non-French actress:
 in 1995 to Italian actress Virna Lisi for her performance in Queen Margot;
 in 2006 to Belgian actress Cécile de France for her performance in The Russian Dolls;
 in 2012 to Spanish actress Carmen Maura for her performance in The Women on the 6th Floor;
 in 2015 to American actress Kristen Stewart for her performance in Clouds of Sils Maria;
 in 2016 to Danish actress Sidse Babett Knudsen for her performance in Courted.

The Best Supporting Actress César has been awarded only once for a full foreign-language performance with Kristen Stewart's English-language performance. Nevertheless, Virna Lisi's and Carmen Maura's roles included some parts of Italian-language and Spanish-language, respectively.

International actresses who have received nominations are:
 Belgium: Emilie Dequenne, Cécile de France, Virginie Efira (she holds dual Belgian-French citizenship),
 Canada: Francine Racette, Charlotte Le Bon,
 Denmark: Sidse Babett Knudsen,
 Italy: Virna Lisi,
 Netherlands: Maruschka Detmers,
 Spain: Victoria Abril, Carmen Maura,
 Switzerland: Nelly Borgeaud,
 United Kingdom: Jane Birkin, Jacqueline Bisset, Charlotte Rampling, Kelly Reilly,
 United States: Kristen Stewart.

Winners and nominees
Following the AATC's practice, the films below are listed by year of ceremony, which corresponds to the year following the film's year of release. For example, the César for Best Supporting Actress of 2010 was awarded on February 27, 2010 for a performance in a film released between January 1, 2009 and December 31, 2009.

Actresses are selected via a two-round vote: first round to choose the nominees, second round to designate the winner. All the members of the Académie, without regard to their branch, are eligible to vote on both rounds. Initially set to four, the number of nominees was expanded to five in 1984.

Winners are listed first in bold, followed by the other nominees in alphabetic order.

1970s

1980s

1990s

2000s

2010s

2020s

Multiple wins and nominations

The following individuals received two or more Best Supporting Actress awards:

The following individuals received three or more Best Supporting Actress nominations:

See also
Academy Award for Best Supporting Actress
BAFTA Award for Best Actress in a Supporting Role

References

External links

 César Award for Best Supporting Actress at AlloCiné

Actress in supporting role

Film awards for supporting actress

César Award for Best Supporting Actress


Alexandra Nice (nacida el 31 de octubre de 1972 en Gdynia, Polonia) es una actriz pornográfica estadounidense de origen polaco.

Biografía

Su verdadero nombre es Alexandra Groth. Criada en una familia de creencias católicas, donde el sexo era algo tabú. Su primer contacto con el sexo lo tuvo al visionar una cinta erótica que encontró en un armario.

A la edad de 19 años emigró a los Estados Unidos donde se dedicó a la enseñanza de su lengua natal a los niños estadounidenses de origen polaco. Su carrera en la industria del sexo comenzó en 1995 a los 23 años, hizo bastantes películas hasta el año 2003.

Su serie favorita era "I Love Lucy", gracias a ver la serie fue como aprendió inglés con fluidez.

Ha participado en más de 200 películas pornográficas, hardcore, gonzo y anal, habiendo trabajado con más de cien actores tanto femeninos como masculinos en sus diferentes películas.

Se casó dos veces y se divorció las dos veces.

Actualmente vive en Boca Raton, Florida.

Premios
 2000 AVN Award Nominada – Mejor Escena de Sexo de Chicas, Video – Slutwoman, con Roxanne Hall.
 2001 AVN Award Nominada – Mejor Escena de Sexo de Chicas, Video – Shayla's Web, con Shayla LaVeaux & Keri Windsor.
 2001 AVN Award Nominada – Mejor Escena de Sexo de Parejas, Video – Wickedgirl.com, con Lexington Steele.

Referencias

Enlaces externos

Actrices pornográficas de Estados Unidos
Nacidos en Gdynia

Alexandra Nice


Stadionul Tineretului steht für:

Stadionul Tineretului (Brașov), Fußballstadion in Brașov, Rumänien
Stadionul Tineretului (Urziceni), Fußballstadion in Urziceni, Rumänien

Stadionul Tineretului


خضر عبد العزيز حسين الدوري (مواليد 1944) وخريج الكلية العسكرية العراقية، ويرجع نسبه إلى مدينة الدور في العراق من قبيلة المجمع. وهو الأخ الشقيق لصابر عبد العزيز الدوري. وقد كان خضر عبد العزيز الدوري من المقربين إلى الرئيس الراحل صدام حسين.

كان خضر عبد العزيز الدوري، أحد قيادي حزب البعث العربي في العراق خاصة من عام 1991 حين أصبح عضوا في قيادة قطر العراق للحزب إلى عام 1994.

استلم مناصب مهمة في حياته منها:
 مدير الاستخبارات العسكرية العامة سنة 1986.
 عميد كلية الأمن القومي
 محافظ ديالى
 مسؤول المنطقة الشمالية لحزب البعث
 عضو قيادة قطرية لحزب البعث الاشتراكي.

وقد اعتقل سنة 2003 مع شقيقه صابر عبد العزيز الدوري والآن الدوري وعائلته في مدينة عمان بالمملكة الأردنية الهاشمية وله ما يقارب 6 أبناء، منهم ابنه الأكبر هو الدكتور عادل خضر الدوري.

المصادر

أشخاص على قيد الحياة
أشخاص من الدور
أعضاء حزب البعث العربي الاشتراكي (العراق)
عسكريون عراقيون
محافظو ديالى
مسلمون سنة عراقيون
مواليد 1944

خضر عبد العزيز الدوري


Dolores Claiborne este un film american psihologic thriller din 1995 regizat de Taylor Hackford. Rolurile principale au fost interpretate de actorii Kathy Bates, Jennifer Jason Leigh, Christopher Plummer, David Strathairn, Judy Parfitt, John C. Reilly și Eric Bogosian. Este bazat pe un roman omonim de Stephen King.

Prezentare

Dolores Claiborne lucrează ca servitoare pentru o bătrână bogată din Maine. Când este acuzată de uciderea bătrânei, fiica lui Dolores, Selena, se întoarce din New York, unde lucrează ca ziaristă de succes. În timp ce cercetează ce s-a întâmplat, Selena începe să-și pună întrebări despre propria sa copilărie nefericită. Mai multe lucruri dureroase ies la iveală legate de trecutul familiei sale, inclusiv despre moartea suspecta a tatălui ei, în urmă cu 20 de ani, dispărut în timpul unei eclipse.

Distribuție

Producție
Filmările au avut loc în Nova Scotia, Canada. Cheltuielile de producție s-au ridicat la 13 milioane $.

Primire
A avut încasări de 46.4 milioane $.

Note

Referințe

Legături externe

Vezi și
Listă de filme bazate pe lucrările lui Stephen King

Filme din 1995
Filme americane
Filme în limba engleză
Filme regizate de Taylor Hackford
Filme thriller din anii 1990
Filme Columbia Pictures
Filme psihologice
Filme dramatice americane
Lucrări inspirate de Stephen King

Dolores Claiborne (film)


Afrostyrax kamerunensis, biljna vrsta iz porodice Huaceae, dio reda ceceljolike (Oxalidales). Drvo je srednje veličine, svjetložutih cvjetova koje raste po šumama zapadne tropske Afrike (Kamerun, Gabon, DR Kongo.

Izvori

Vanjske poveznice

Huaceae
Flora Kameruna
Flora Gabona
Flora DR Konga

Afrostyrax kamerunensis


Shobhana Bhartia (4 de janeiro de 1957) é uma empresária indiana. Ela é a presidente e diretora editorial do HT Media, um dos maiores jornais da Índia, que ela herdou de seu pai.

Intimamente associada ao partido do Congresso, Shobhana foi nomeada por Rajya Sabha a câmara alta do parlamento indiano de 2006 a 2012. Em 2016, ela foi listada como a 93ª mulher mais poderosa do mundo pela Forbes. Ela é casada com Shyam Sunder Bhartia, proprietário do Jubilant Bhartia Group, com sede em Noida.

Biografia
Nascida em uma família Marwari em 4 de janeiro de 1957, Bhartia é filha do industrial e membro do Partido do Congresso KK Birla, e neta de GD Birla, um dos patriarcas da família Birla. A família Birla possuía 75,36% de participação na HT Media, avaliada em Rs 8,34 bilhões em 2004. Ela cresceu em Calcutá e estudou na Loreto House. Ela é graduada pela Universidade de Calcutá e é casada com Shyam Sunder Bhartia, presidente da empresa farmacêutica de Rs 14 bilhões, Jubilant LifeScience (um spin-off da empresa química anterior Vam Organics). Shyam Sunder Bhartia é filho do falecido Mohan Lal Bhartia. Eles tem dois filhos, Priyavrat Bhartiya, nascido em 4 de outubro de 1976, e Shamit Bhartiya, nascido em 27 de abril de 1979. Seu filho Shamit Bhartia também é diretor do grupo HT Media e cuida de outros negócios, como a franquia Domino's Pizza. Em 2013, Shamit Bhartia casou-se com Nayantara Kothari, filha de Bhadrashyam Kothari, um industrial de Chennai, filha de Dhirubhai Ambani.

Careira

Carreira na mídia
Bhartia ingressou no Hindustan Times em 1986, aos 29 anos, diretamente como CEO. Ela foi a primeira mulher executiva-chefe de um jornal nacional e provavelmente uma das mais jovens. Ela é considerada uma das forças por trás da transformação do Hindustan Times "em um jornal jovem e brilhante". Ela cuida dos aspectos editoriais e financeiros, e é creditada com o levantamento de Rs. 4 bilhões através de um lançamento de capital público da HT Media em setembro de 2005.

Ela recebeu o prêmio Líder Global do Amanhã do Fórum Econômico Mundial (1996). Ela também recebeu os prêmios Melhor Empresária do Ano (2001) pela PHD Chamber of Commerce & Industry, Prêmio Nacional de Imprensa da Índia (1992), Mulher de Negócios do The Economic Times Awards (2007).  Ela foi nomeada uma das 50 mulheres notórias pela Forbes Asia e recebeu o Prêmio Mulheres da Década em Delhi (2013) da ASSOCHAM Ladies League em reconhecimento por sua excelência na construção de nações por meio de mídia e liderança.

Carreira política
Shobhana foi uma das primeiras indicadas ao prêmio Padma Shri em 2005. O prêmio foi concedido ao jornalismo. No ano seguinte, em fevereiro de 2006, Shobhana foi nomeada para o Rajya Sabha, a câmara alta do parlamento, por recomendação da Aliança Progressista Unida, liderada por Sonia Gandhi. A nomeação, reservada a personalidades eminentes das áreas da literatura, ciência, arte e serviço social, foi contestada no Supremo Tribunal da Índia sob a alegação de que ela era uma "baronesa da mídia" e não jornalista, e que era politicamente filiado ao Congresso Nacional Indiano. No entanto, o tribunal rejeitou o recurso na própria fase de admissão, dizendo que o escopo do "serviço social" era amplo o suficiente para incluí-la. Ela apresentou "O Casamento Infantil (Abolição) e Lei de Provisões Diversas, 2006". Entre seus amigos íntimos estava o político do BJP Arun Jaitley.

Ligações externas

 Shobhana Bhartia na Forbes

Alunos da Universidade de Calcutá
Pessoas vivas
Nascidos em 1957
!Mais Teoria da História na Wiki (Mulheres)

Shobhana Bhartia


Lorenzo Collado Vázquez (Cuevas del Almanzora, Almería, España,  es un actor, escenógrafo, director de escena, autor, pintor e ilustrador español, dedicado fundamentalmente al teatro clásico y musical.

Biografía

De estirpe materna granadina (Motril) y paterna almeriense (Cuevas del Almanzora) , pasa su infancia en este último. Bachiller en ciencias y letras por el instituto "Ibáñez Martín " de Lorca (Murcia). Estudia Filosofía Scholástica en el Seminario Mayor de "San Indalecio" de Almería. A finales del 1965 se desplaza a Madrid, donde se matricula en la Real Escuela Superior de Arte Dramático y Danza, aunque su intención primera era hacerlo en la Escuela de Bellas Artes de San Fernando. Hace primer curso oficial con profesores como Manuel Dicenta y Fernando Fernández de Córdoba, pero, por consejo de la actriz Josíta Hernán, marcha a París y estudia en el Conservatoire Superieur d'Art Dramatique. Un deseo febríl de aprovechar su estancia le hace matricularse en inabarcables cursos, para completar su formación de actor y para pasar los estudios religiosos a civiles. En el Conservatorio recibe la enseñanza de Louis Seignier, de Lise Delamare y sobre todo de Georges Chamarat. En el departamento de la Rue Blanche practica Escenografía. Curso de expresión corporal con Jacques Lecoq y de escenografía con Olga Chaumansky. En medio de todo, asistiendo a una representación de las marionetas del "Bunraku" en el teatro Odeón, conecta con Daniel Cohn-Bendit y participa, como todo estudiante , en las manifestaciones de Mayo del 68.
De vuelta a Madrid termina interpretación en el Conservatorio. Después cursaría Escenografía en el mismo centro bajo las directrices de Francisco Nieva.
Los primeros 70's forma parte de diversas compañías, Juan Guerrero Zamora–Nuria Torray,  Amelia de la Torre–Enrique Diosdado, Maricarmen Prendes-Rafael Somoza, Manuel Canseco y otras. La última parte de la década y mitad de la siguiente se dedica casi exclusivamente a decoración y figurinismo de Cine. Como intérprete participa con las compañías de Antonio Amengual y Antonio Guirau. Los últimos 80's y los 90's, suma al diseño la dirección escénica con una vertiginosa sucesión de títulos de Opera y Zarzuela, sobre todo con las compañías de María Dolores Travesedo y José Luis Moreno. Consigue intercalar diversos montajes de obras clásicas de la compañía de Francisco Portes. El diseño de multitudinarios eventos con los directores Manuel Canseco y Fernando Rojas, así como Terra Mítica, ocupan la década del 2000.

Obra

Diseño escenográfico y/o figurines

Ópera
La Traviata. G. Verdi. (1990, 1992, 1993) Dir. L. Collado. (1995) Dir. J. L. Moreno.
Rigoletto. G. Verdi. (1991, 1995) Dir. L. Collado.(1996) Dir. J. L. Moreno
Tosca. G. Puccini.(1991) Dir. L. Collado.(1997) Dir. J. L. Moreno.
Il Trovatore. G. Verdi. (1992) Dir. L. Collado. (1996) Dir. J. L. Moreno.
Otello. G. Verdi. (1997) Dir. J. L. Moreno.
Aida. G. Verdi ( 1997, 2010) Dir : J.L.Moreno
La Forza Del Destino. G. Verdi.(1998) Dir. J. L. Moreno.
La Bohème. G. Puccini. (1995) Dir. J L. Moreno.
Lucia Di Lammenmoor. G. Donizetti.(1998) Dir. J. L. Moreno.
Norma. G. Bellini. (1998) Dir. J. L. Moreno.
Don Giovanni.  W. A. Mozart. (1998) Dir. J. L. Moreno.
Il Barbiere Di Seviglia. G. Rossini. (1998) Dir. J. L. Moreno.
Pagliacci. R. Leoncavallo. (1997) Dir. J. L. Moreno.
Cavalleria Rusticana. P. Mascagni.(1197) Dir. J. L. Moreno.
L´Elisir D'amore. G. Donizetti. (1997). Dir. J. L. Moreno.
Manon Lescaut. G. Puccini. (1998). Dir. J. L. Moreno.
Carmen. G. Bizet.(1997). Dir. J. L. Moreno.
Marina. E. Arrieta. Dir. L. Collado.  Dir. J. L. Moreno.
Maruxa. A. Vives. Dir. L. Collado.

Teatro
Los Encantos De La Culpa. Calderón de la Barca (1970)
El gran teatro del mundo. Calderón de la Barca. (1964) Dir. L. Collado.(1969) Dir. J. Reviriego.
Asesinato en la catedral. T.S. Eliot. (1965) Dir. L. Collado.
Andrócles Y El León. G. B. Show. (1970)
La Ucronía. L. Collado. (1970). Dir. L. Collado.
La Orestiada. Esquilo. (1980). Dir. M. Canseco
Edipo rey. Sófocles. (2003). Dir. M. Canseco.
Edipo en Colono. Sófocles. (2003). Dir. M. Canseco.
Siete Contra Tebas. Esquilo(2003). Dir. M. Canseco.
Asinaria. T. M. Plauto.(1982). Dir. J. Álvarez.
Aulularia. T. M. Plauto.(1983). Dir L. Collado.
La asamblea de mujeres. Aristófanes. (1986)
Romulo Magno. F. Dürrenmartt. (1983).
Antigua Cosa Es Amor. Varios. (1974).
Recuerde El Alma Dormida. J. Manrique. Dir. M. Canseco.
Querellas Ante El Dios Amor. Varios. (2004). Dir. M. Canseco.
La Celestina. Fernando de Rojas. (1990). F. Rojas.
Fuenteovejuna. Lope de Vega. (1964)Dir. L. Collado.(1984) José Osuna.(2000) Dir.F. Rojas. (2006) Dir. M. L. Travesedo. (2009) Dir. F. Rojas.
Rueda De Farsas. Varios.
El lindo Don Diego. Agustín Moreto. (1985, 1990, 1992). Dir. F. Portes
Y No Lo Decimos Por Mal. F. De Quevedo. (1973) Cía. Canon.
El avaro. Molière.(1991). Dir. F. Portes.
El alcalde de Zalamea. Calderón de la Barca. (2000). Dir. F. Portes.
El Burgués Gentilhombre. Molière. (2002). Dir. F. Portes.
Casa con dos puertas mala es de guardar. Calderón De La Barca. (1978, 2002, 2006). Dir. M. Canseco.
No Puede Ser El Guardar A Una Mujer. Calderón De La Barca. Dir. F. Portes.
El Mágico Prodigioso. Calderón De La Barca. (1989). Dir. M. Canseco.
El galán fantasma. Calderón De La Barca. Dir. A. Guirau.
La Villana De Getafe. Lope De Vega.(1979). Dir. R. Cores.
Caballero de milagro. Lope De Vega. (1980). J. Caride.
Intimidad. Adamov
Farsa De Patelin. Anónimo. Dir. A. Medina.
La Dama Duende. Calderón De La Barca. Dir. A. Guirau.
La Cisma De Ingalaterra. Calderón De La Barca. Dir. M. Canseco.
El perro del hortelano. Lope De Vega. (1978) Dir. M. Canseco.(1992) Dir. F. Portes.
Volpone. Ben Johnson. (1998). Dir. F. Portes.
La Posada Del Arenal. (1990). Dir. F. Rojas.
Miau. Benito Pérez Galdós (1984). Dir. M. Canseco.
Don Juan Tenorio. J. Zorrilla. (1980). J. Caride.
El Horroroso Crimen De Peñaranda. Pio Baroja. (1974)
Los intereses creados. Jacinto Benavente. (1878). Dir. R. Cores.
Exiliados. (1985)
¿Quién teme a Virginia Woolf? Edward Albee. Dir. E. Polls
La Feria De Cuernicabra. Alfredo Mañas. (1975) Dir. J. L. Alonso.(1976) Dir. M. Canseco.
Pablo Iglesias. (1982).
Proceso a Besteriro. J.A. Pérez Mateos. (1985). Dir. M. Canseco.
Madrid, claro que sí. Musical de Antoñita Moreno. Dir. José Osuna
Un Hombre En El Puerta. Jaime Salon. (1981). Dir. M. Canseco.
Títeres De La Luna. Jorge Márquez. (1994). Dir. M. Canseco.
Que Vienen Los Cómicos. Entremeses. Dir. M. S. Arillo.
Acreedores. A. Strindberg.(1983) Dir. J. Yagüe
Roman Paladino. (2001). Dir. F. Rojas.
Trama Animada De La Celestina. (2002). Dir. F. Rojas.
Rossini Alla Carta. (2001) Dir. M. Canseco.
El Escondido Y La Tapada. Calderón De La Barca (2002). Dir. M. Canseco.
Serafín, el pinturero. C. Arniches. (2002). Dir. M. Canseco.
Cornudo, Apaleado Y Satisfecho. Varios.(2003). Dir. F. Rojas.
Quijote. Cervantes – L. Collado.(2005). Dir. L. Collado.
La Huella. (2009)

Zarzuela
LA VIUDA ALEGRE. F. Lehàr. (Opereta)
LA VERBENA DE LA PALOMA. T. Bretón.
LA REVOLTOSA. R. Chapí.
LA ROSA DEL AZAFRÁN. J. Guerrero.
LA DOLOROSA. J. Serrano.
MOLINOS DE VIENTO. P. Luna.
LA DEL SOTO DEL PARRAL. R. Soutullo – J. Vert.
LA DEL MANOJO DE ROSAS. P. Sorozabal. Dir. L. Collado.
LA CALESERA. F. Alonso.
LUISA FERNANDA. F. Moreno Torroba.
EL BARBERILLO DE LAVAPIÉS. F. A. Barbieri.
LA PARRANDA. F. Alonso. Dir. L. Collado.
EL ASOMBRO DE DAMASCO. P. Luna.
LA VIEJECITA. M. F. Caballero.
EL NIÑO JUDÍO. P. Luna.
DOÑA FRANCISQUITA. A Vives.
EL CASERÍO. J. Guridi.
LOS GAVILANES. J. Serrano.
EL BARBERO DE SEVILLA. M. Nieto – G. Palacios.
LA TABERNERA DEL PUERTO. P. Sorozabal.
LA REINA MORA. J. Serrano. Dir. L. Collado.
DON MANOLITO. P. Sorozabal. Dir. L. Collado.
EL SANTO DE LA ISIDRA. T. López Torregosa. (1991)
KATIUSKA. P. Sorozabal. (Opereta). Dir. L. Collado.
AGUA, AZUCARILLOS Y AGUARDIENTE. F. Chueca.
LA GENERALA. A. Vives. (Opereta). Dir. L. Collado.
LOS CLAVELES. J. Serrano. Dir. L. Collado.
LA CANCIÓN DEL OLVIDO. J. Serrano.
LA ALEGRIA DE LA HUERTA. F. Chueca. Dir. L. Collado.
LA CORTE DE FARAÓN. V. Lleó. (1974, 2006)
LA PATRIA CHICA. R. Chapí. Dir. L. Collado.
FUENTEOVEJUNA. M. Moreno-Buendìa. (2006). Dir. M. D. Travesedo.

Comedia actual
Las Vacaciones De Josefa. D. Laurent. (2009). Dir. Jaime Azpilicueta.
Una pareja de miedo. (2009)
A media luz los tres. M. Mihura. (2008). Dir. A. L. Yusta.
Cuatro corazones con freno y marcha atrás. E. Jardiel. (2006). Dir. Manuel Canseco.
Cuerdos De Atar. J. Moreno Arenas. (2006). Dir. A. L. Yusta.
La decente. M. Mihura. (2005). Dir. M. Canseco
Tú y yo somos tres. E. Jardiel. (2004). Dir. M. Canseco
Usted tiene ojos de mujer fatal E. Jardiel (2003). Dir. M. Canseco
Madrid, claro que sí. Musical de Antoñita Moreno. Dir. José Osuna
Ninette y un señor de Murcia. M. Mihura. (2003). Dir. A. Medina
Diálogos De Matrimonio. S. Moncada. (2003). Dir. A. L. Yusta. El cianuro... ¿solo o con leche?. J. A. Millán (2003). Dir. J. A. Millán.La Ley De La Selva. (1997). Dir. A. L. Yusta.Ceporro Y Rosalina. (1997). Dir. A. L. Yusta.El Baúl De Los Cuentos. (1996). Dir. A. L. Yusta.Amor Con Humor. A. L. Yusta. (1995). Dir. A. L. YustaEl Último Tranvía. (1993). Dir. A. L. Yusta.Eva, Adan Y Pepe. Tono. (1991). Dir. A. L. Yusta.Camila, Mi Amor. Dir. L. Collado.Los extremeños se tocan. Pedro Muñoz Seca.Cosas de papá y mamá. Alfonso Paso. Dir. M.CansecoEl Sinvergüenza En Palacio. A. L. Yusta. (1991)El Cid Trampeador. A. L. Yusta. (1990)Don Juan Ligorio. A. L. Yusta. (1989)Desde Isabel Con Amor. A. Paso.(1988) Dir. A. L. Yusta.El Verdugo De Sevilla. Muñoz Seca. (1986). Dir. D. OrtegaEl Ingeniero Y Galgo Don Quijote De La Mancha. A. L. Yusta. (1986)La Filipéndula. (1986). Dir. A. L. Yusta.La Hija De Hamlet. (1985). Dir. M. Canseco.La Cantante Calva. E. Ionesco. (1984). Dir. M. Canseco.Kaskamila. M. Pozón Andrade. (1980). Dir. M. Pozón.Cuento De Cuentos. (1979)

 Espectáculos musicales EL ROLLO DE LAVAPIES. ( 1979). R. De la Cruz – J.A. Castro. Dir. L. Collado.BARBIERI, UN CASTIZO EN LA CORTE ISABELINA. Dir. M. CansecoMADRID, CLARO QUE SÍ. (Antoñita Moreno). Dir. J. OsunaDE MADRID AL CIELO. (1985) (Paquita Rico). Dir. Victor CatenaMadrid, claro que sí. Musical de Antoñita Moreno. Dir. José Osuna

 Otros FIESTA DE LA INDEPENDENCIA. Móstoles (2000). Dir. F. Rojas.DRAMÁTICOS Y DESFILES, TERRA MÍTICA. Benidorm. (2000). Producción J. L. Moreno.V CENTENARIO DE ISABEL LA CATÓLICA. Segovia. (2004). Dir. M. Canseco.EMBAJADA MEDIEVAL. México. (2006). Dir. M. Canseco.
 Ballet LA CONSAGRACIÓN DE LA PRIMAVERA. I. Stravinski.DOÑA GRACIA- BEATRIZ DE LUNA.FLAMENCO CONTEMPORANEO. J. Maya.POETA EN NUEVA YORK. G. Lorca.CARMINA BURANA. K. Off.YO, LA REINA. (1999)LA BELLA DURMIENTE. P. I. Tchaikovski. (2002). Dir. Lauren Guinea.EL CASCANUECES. P. I. Tchaikovski.(2002). Dir. Lauren Guinea.
 Cine y Televisión Emilia Parada Y Fonda. (1976) Angelino Fons.Gulliver (1976). Alfonso Ungría.El Perro (1976). Antonio Isasi.Haz La Loca Y No La Guerra (1976). José Truchado.El Bengador Gusticiero (1977). Antonio Fraguas "Forges".La Inquisición (1977). Jacinto Molina.Eva, Limpia Como Los Chorros Del Oro. (1977). José Truchado.La Violación (1977). Germán Lorente.Dulcinea (1978). J. Guerrero Zamora.Ifigenia (1978). J. Guerrero Zamora.Alcestes (1978). J. Guerrero Zamora.Fedra (1978). J. Guerrero Zamora.Antigona (1978). J. Guerrero Zamora.El Tiempo (1978). J. Guerrero Zamora.El Diputado (1978). Eloy de la Iglesia.Nora (1979). J. Guerrero Zamora.Electra (1979). J. Guerrero Zamora.Numancia (1979). J. Guerrero Zamora.Gea (1979). J. Guerrero Zamora.Medea (1979). J. Guerrero Zamora.Tres Días De Noviembre (1980). León Klimovsky.Mas Allá Del Terror (1980). Tomás Aznar.Pasos Largos. (1984). Dir: Fco CanudasEliminators. (1986). Peter Manoongian.Dueños Del Silencio (1989). José Antonio Páramo.Encuentros (1989). Enrique Brasó.Cosas Que Pasan (1990). Josefina Molina.The Monk (1990). Francisco Lara Polop.Ni Se Te Ocurra (1990). Luis María Delgado.Yo Me Bajo En La Próxima (1992). José Sacristán.Una Chica Entre Un Millón (1993). Álvaro Sáenz De Heredia.La Leyenda De La Doncella (1994). Juan Pinzás.Los Mitos (1978-79). Juan Guerrero Zamora.Coup De Foundre (1990). Varios.El Joven Picasso (1992) Juan Antonio Bardem.La Banda De Pérez (1995) Ricardo Palacios.Vecinos. (19 ). Varios.

 Dirección Escénica
 Ópera
La Traviata.- Rigoletto.- Il Trovatore.- Tosca.- Maruxa.- Marina
 Teatro
 La cena del rey Baltasar.
 El gran teatro del mundo.
 Asesinato en la catedral.
 La Ucronía.
 El rollo de Lavapiés.
 El hombre y la muerte.
 Fuenteovejuna.
 Aulularia.
 Quijote.

Zarzuela
La viuda alegre.- La verbena de la Paloma.- La Revoltosa.- La rosa del azafrán.- La dolorosa.- Molinos de viento.- La del soto del parral.- La del manojo de rosas.- Luisa Fernanda.- Doña Francisquita.- El barbero de Sevilla.- La tabernera del puerto.- La reina mora.- Don Manolito.- Agua azucarillos y aguardiente.- La generala.- Katiuska.- Los claveles.- La Parranda.- La alegría de la huerta.- La patria chica.

Interpretación
Asinaria. (Plauto) Dir: José Álvarez
La Olla. (Plauto) Dir: L. Collado
Y no lo Decimos por Mal. (Quevedo) Dir: Miguel Arrieta
Rueda de Farsas. (1968) (Clásicas). Dir: A. Fernández Montesinos
Guillermo Tell tiene los ojos tristes. (1969). (Alfonso Sastre) . Dir: A. Malonda
El Hombre y la Guerra. (1967) Dir. J. A. García Núñez
Los dos Verdugos.(1967) (Fernando Arrabal) Dir: Manuel Fdez Gil
Concierto experimental. (1970) (Gerardo Combau) Dir: Miguel Arrieta
Tiempo de Noventa y Ocho. (1971) (J. A. Castro) Dir: J. Manuel Garrido
Altazor. Dir: Carlos Lamas
Antigua cosa es amor. (Romancero) Dir: F. Gómez Valdivielso
Cuando las estrellas miran hacia abajo. (1971) Dir: Carlos Lamas
El Galán Fantasma. (Calderón de la Barca) Dir: Jaime Azpilicueta
El Galán Fantasma. (Calderón de la Barca) Dir: Antonio Guirau
El Lindo don Diego. (A. Moreto) Dir: Fco Abad
Cuento de Cuentos. (1973) Dir : Carlos Lamas
La Cisma de Ingalaterra. (Calderón de la Barca) Dir: Manuel Canseco
Casa con dos Puertas Mala es de Guardar. (Calderón) Dir: Manuel Canseco
El Perro del Hortelano. (Lope de Vega) Dir: Manuel Canseco
La Discreta Enamorada. Dir: Antonio Guirau
El Café. (Goldoni)(TV)
Se Vuelve a Llevar la Guerra Larga. (J. A. Millán) Dir: J. Alonso Millán
El Triunfador. (Luca de Tena) Dir: Enrique Diosdado
El Okapi. (Ana Diosdado) Dir: Enrique Diosdado
La Feria de Cuernicabra.   Dir: Manuel Canseco
Numancia. (TVE) Dir. J. Guerrero Zamora
Los Intereses Creados. (J. Benavente). 1980 Dir. Rafael Cores.
Recuerde el Alma Dormida. (1979) (J. Manrique) Dir: Manuel Canseco
Pícaros y comediantes. Dir: M. Sánchez Arillo
Murcios, embaucadores y cofrades del hampa. Dir: M. Sánchez Arillo
Que Vienen los Cómicos. Dir: M. Sánchez Arillo
Cornudo Apaleado y Satisfecho. Dir. Frenando Rojas
El Sabio y el Aduanero.(B. Brecht) Dir: Antonio Malonda
Miguel Servet. Dir: Antonio Malonda
Miserere para medio Fraile.(C. Muníz) Dir: Julio Reviriego
El Gran Teatro el Mundo. (Calderón de la Barca) Dir: J.J. Valverde
Tesmoforias. Dir: Manuel Canseco
Luisa Frenanda. Dir: L. Collado
Luisa Fernanda. Dir: Antonio Amengual
La del Soto del Parral. Dir: Evelio Esteve
La del Soto del Parral. Dir: Antonio Amengual
El Rollo de Lavapiés.(1979) (J. A. Castro) Dir: L. Collado
El huésped del sevillano. Dir. Antonio Amengual
La Tabernera del Puerto. Dir. Evelio Esteve
La Tabernera del Puerto. Dir: Antonio Amengual
La del Manojo de Rosas. Dir: Antonio Amengual
La Rosa del Azafrán. Dir: Antonio Amengual
El Caserío. Dir: Antonio Amengual
Agua Azucarillos y Aguardiente. Dir. Antonio Amengual
La Revoltosa. Dir: Antonio Amengual
La Verbena de la Paloma. Dir. Antonio Amengual
Doña Francisquita. Dir. Antonio Amengual
Gigantes y Cabezudos. Dir. Antonio Amengual
El Cantar del arriero. Dir. Antonio Amengual
Los Gavilanes. Dir: Antonio Amengual
La Parranda. Dir: Antonio Amengual
La Canción del Olvido. Dir: Antonio Amengual
La Viuda Alegre. Dir: Antonio Amengual
El Cuento de Nunca Acabar. Dir: Carlos Lamas
El chorro de Sangre. (A. Artaud). Dir. J. A. García Núñez
La salida y sus problemas. (TVE)
La buena música. (RTVE)
La Dama Duende. Dir. Antonio Guirau
Ligazón. (Valle-Inclán) Dir: J. A. García Núñez
Androcles y el León.  (B. Shaw) Dir: Mercedes Prendes
Romeo y Julieta. Dir: Esteban Polls
Kaskamila. (M. Pozón Andrade) Dir: L. Collado
Mirandolina en su Posada Hace lo que le da la Gana. (Goldoni) Dir: J. Guerrero Zamora
Quijote. (Cervantes-Collado). Dir: L. Collado
La excepción y la regla. (1966). (B. Brecht) Dir: Antonio Malonda
CORTOMETRAJE:  La partida (2010)

Labor docente
Cursos en:
Universidad Autónoma de Madrid
Universidad Ciudad Juárez (Méjico)
Almagro, Directores grupos amateurs
Universidad de Alcalá de Henares (Cursos de verano, Sigüenza) (2)
Universidad laboral de Cáceres
Universidad laboral de Tarragona
Universidad laboral de Cheste
Universidad laboral de Éibar
Conservatorio Superior de Canto de Salamanca (2)

Referencias

Bibliografía
 PELÁEZ MARTÍN, Andrés (dir).: Historia de los Teatros Nacionales (volumen segundo) 1960-1985. Centro de Documentación Teatral, Ministerio de Cultura, Madrid, 1995. pags. 269, 291, 388.
 Figurines para La feria de Cuernicabra, en Escenografía Teatral Española 1940-1977. '[Catálogo exposición] Galería Multitud . Madrid, 1977
 GARCÍA LORENZO, Luciano. Estado actual de los estudios calderonianos. Edition Reichenbert, 2000. pgs. 374-379
 GARCÍA LORENZO, Luciano. El figurón, texto y puesta en escena. Fundamentos Monografías Resad, 2007 Madrid, pag. 427-430
 II Congreso Iberoamericano de Teatro, América y el teatro español del Siglo de Oro. Patronato del Festival Iberoamericano de Teatro de Cádiz, 1998. pag. 505
 El escritor y la escena VIII Congreso de la AITENSO 3 al 6 de marzo de 1999, estudios sobre teatro español y novohispano. Isla Campbell (eds.) Universidad Autónoma de Ciudad Juárez 1999, pag. 8
 IRIARTE, Tomás: Fábulas, Collado, Lorenzo (ilus, adap.)   Dintel 1982, 41p. ISBN 84-7532-045-7, 9788475320458
 SALGARI, Emilio: El León de Damasco, Mañas, Juan José (Ver.), Collado, Lorenzo (ilus.). Dintel, Madrid 1982

Enlaces externos
 / Web oficial de Lorenzo Collado

 The New York Times, Movies & TV

Escritores de Andalucía
Dibujantes de España
Escenógrafos de España
Actores de teatro de España
Actores de cine de España
Nacidos en Cuevas del Almanzora

Lorenzo Collado


Un grand timide (titre original : The Narrow Street) est un film muet américain réalisé par William Beaudine, sorti en 1925.

Synopsis
Simon Haldane, qui travaille chez Faulkner Iron Works, a été élevé par ses deux jeunes tantes de manière extrêmement protégée. Il a fondamentalement peur de tout et de tout le monde. Un matin, il trouve une jeune fille étrange toute tremblante dans sa chambre, et bien qu'il soit terrifié par elle, il parvient à appeler un médecin. C'est le départ d'une rumeur selon laquelle Simon serait le mari de cette fille.

Fiche technique
 Titre : Un grand timide
 Titre original : The Narrow Street
 Réalisation : William Beaudine
 Scénario : Julien Josephson, d'après le roman d'Edwin Bateman Morris
 Photographie : Ray June
 Société de production et de distribution : Warner Bros.
 Pays d'origine :
 Format : Noir et blanc — 35 mm — 1,33:1 — Muet
 Genre : Comédie
 Durée : 70 minutes
 Dates de sortie :  :

Distribution
 Matt Moore : Simon Haldane
 Dorothy Devore : Doris
 David Butler : Ray Wyeth
 George Pearce : Edgar Deems
 Russell Simpson : Gaarvey
 Gertrude Short : Nell Mangan
 Joe Butterworth : Office Boy
 Kate Toncray : tante Albina
 Tempe Pigott : tante Agnes
 Madame Sul-Te-Wan : Easter
 William Orlamond : Docteur

Liens externes

Film américain sorti en 1925
Comédie américaine
Film réalisé par William Beaudine
Film muet américain
Film américain en noir et blanc
Film de Warner Bros

Un grand timide


"A few acres of snow" (in the original French, "", , with "") is one of several quotations from 18th-century writer French Voltaire, indicative of his sneering evaluation of the colony of Canada as lacking economic value and strategic importance to 18th-century France.

In Voltaire's time, Canada was the name of a territory of New France that covered most of modern-day southern Quebec. However, "Canada" was also commonly used as a generic term to cover all of New France, including the whole of the Louisiana territory, as well as modern-day southern Ontario, Labrador, New Brunswick, and Prince Edward Island. The meaning of "Canada" that Voltaire intended is a matter of some dispute.

The exact phrase "" first appears in 1759 in chapter 23 of Voltaire's book Candide, but the phrase "a few acres of ice" appeared in a letter he wrote in 1757. Voltaire wrote similar sarcastic remarks in other works.

Background
In Voltaire's day, New France included Canada, Acadia, Louisiana, and other territories. All of those colonies were the object of Voltaire's sarcastic comments at one point or another.

Through all his writings on the subject, Voltaire's basic idea about France's Canadian colony always remained the same. It can be summarized as comprising an economic premise and a strategic premise, both of which concur to a practical conclusion, as follows:

 Almost the entirety of Canada's territory is and will remain an unproductive and useless frozen wasteland.
 Great Britain, having establishing colonies on the more productive territories to the south and to the east (the Thirteen Colonies), and provided them with a much larger population, will not tolerate the presence of another European power in that area and will relentlessly attack Canada until such presence is ousted. Given the enormous disproportion in population and material resources between the French and British colonies in North America, the impossibility of modifying that imbalance in the foreseeable future and Britain's generally-better control of the maritime routes to Europe, Britain will inevitably prevail sooner or later.
 Therefore, an effective defence of Canada by France requires an extraordinarily large commitment of resources in comparison to the scant economic value in return, and any resources thus expended, even if they allowed victories in the short term, are wasted as they can serve at best only to postpone for a few more decades the handing over of Canada to Britain, which is inevitable in the long term. Consequently, sound economic policy dictates handing over Canada to Britain as soon as possible and concentrating France's resources in its West Indian colonies, which are more valuable economically and more readily defensible.

The year 1758 included the Battle of Fort Frontenac (August 26–28, a French defeat) and French naval secretary 's October refusal to provide  with much-needed reinforcements to defend Quebec City. According to Berryer, "we don't try to save the stables when the fire is at the house" (infamously, ). The British siege of Québec City ended in a French defeat in the Battle of the Plains of Abraham in September 1759, and Montréal surrendered the next year.

Today's critics of Voltaire's opinion are directed primarily at his economic assessment of the Canadian colony. Voltaire's idea of the Canadian colony based essentially on fur trade was even during his own writings already outdated by almost a century. Thus, although it may be difficult to determine exactly what part of his depiction of Canada might be attributed to deliberate exaggeration for polemical purposes, attachment to a preconceived idea, or mere misinformation, his few writings on the subject seem to display a certain level of short-sightedness regarding the actual level of economic evolution that had already been reached in the settled parts of Canada and about the colony's potential for further development.

On the other hand, Voltaire's assessment of the heavy financial burden required for France's military defence of Canada and of the practical impossibility of such defence in the long term remains valid. Consequently, if he had espoused a more favourable idea of the economic potential of the colony, it would likely not have changed his general conclusion.

Voltaire's famous quotations about New France were for the most part written between 1753 and 1763, shortly before and then during the Seven Years' War. Voltaire was living in Switzerland during most of that period. During the war, he sometimes appeared to favor King Frederick II of Prussia, who was allied with Britain against France. They maintained a regular personal correspondence during the war and were on better terms again after their quarrel of 1753.

Voltaire was also then in correspondence with some French ministers. He thus corresponded with both sides of the belligerents in the war although mostly on personal and literary levels, rather than a political level. Thinking that the war was a mistake for France, he used several opportunities to ask the French ministers to simply quit the war. Boundary disputes in their American colonies had been an early  between Britain and France in 1754 in the war, which was in 1756 further complicated by purely-European considerations and ended in 1763. Voltaire's position that France should let go of its North American colonies was in accord with his position about the war in general. For Voltaire, handing over New France would appease Britain. His position about the European war likely increased his tendency to paint New France as being of little value.

Quotations in their textual context
These quotations are presented in chronological order.

1753 —
Chapter 151 — Of the possessions of the French in America:

1756 — Letter to
In this letter to , written at , near , dated January 29, 1756, Voltaire mentions the earthquake that destroyed Lisbon, Portugal, on November 1, 1755.

1757 — Letter to Mr
This letter from Voltaire to  (1687–1770), written at , near Lausanne, on March 27, 1757, contains the first known direct use by Voltaire of his famous turn of phrase "a few acres of ice in Canada." Also of note is the clear preposition of location "in Canada." The relevant passage of the letter reads as follows:

The sentence from Voltaire's letter to Moncrif has been quoted often. The 19th-century writer Jules Verne (1828–1905) quoted it in his novel A Family without a name (), published in 1889, which was set in the Canada of 1837 during the Lower Canada Rebellion. The famous sentence is quoted in Chapter 1 of the novel, which has likely contributed to the quotation's popularity.

1758 —
Voltaire used his "few acres of ice" phrase again the following year, slightly modified, in his novel  (written in 1758 and published in 1759) although "ice" was now replaced by "snow". The "snow" version of 1758 has generally become better known today in Canada than the "ice" version of 1757, perhaps because  is sometimes used in high school courses. The relevant passage appears in chapter 23 of , l when two characters of the novel are exchanging thoughts about France and Britain:

In the original French version, Voltaire uses the phrase "," and the preposition "" did not have the usual meaning that it now has in French. Instead, "" was commonly used by Voltaire in his writings to express a general meaning of vagueness about an area in the general sense of "somewhere in or around the general area." It is apparent from the whole of his writings that he viewed or pretended to view, Canada as a vast icy and snowy area. Thus, it is immaterial to ponder if by "a few acres" Voltaire had in mind one of the areas in dispute in 1754, such as the Ohio Valley (in itself hardly an insignificant patch of land) or the Acadian border. By 1758, the war had extended to all possessions of the belligerents. Under Voltaire's pen, the term is deliberately vague, and the point of using it is to convey the idea that any acres of land in the general area of Canada are so unimportant that even their location is not worth worrying about.

1760 — Letter from
Although not a Voltaire quotation, this letter from  (1719–1785), French Secretary of State (minister) for Foreign Affairs, to Voltaire, is an example of the correspondence between Voltaire and the French ministry and of 's dry humour in the manner he informs Voltaire of the fall of Canada:

1760 — Letter to the
In this letter to  (1716–1773), written at , Voltaire's property near Geneva, on November 3, 1760, Voltaire writes:

1762 — Letter to
This letter from Voltaire to  (1712–1785), who had replaced his cousin  as French Secretary of State for Foreign Affairs in 1761, was written at , on September 6, 1762 and is one of the best known of Voltaire's letters about Canada and is mentioned anecdotally in some high school history textbooks. A short letter, it can be quoted in full:

1763 —
The  was written by Voltaire over several years. These relevant passages were likely written in or after 1763.

1763 — Letter to
Although the quotation is not directly in it, this letter from Voltaire to  (date uncertain, likely around 1763) illustrates Voltaire's position and actions about the matter:

Modern usage
The phrase continues to be referenced in the modern era. Canadian poet  paid himself a revenge on Voltaire in his poem "" ("Under the statue of Voltaire"), published in  (1887).

 is the title of a 1972 movie by Denis Héroux, also known by the English title The Rebels. "" is a 1972 song by , written for the film.

In the 1980s, the marketers of the Quebec edition of the game Trivial Pursuit punningly named their product "" (A few acres of traps).

The name of the board game A Few Acres of Snow is derived from this phrase. Designed by Martin Wallace, it is about the French and British conflict over what is now Canada.

Notes

References

External links
A few examples of quotations of Voltaire's writings about Canada in the Canadian media:
 Quartier Libre
 Robert Leckie, A Few Acres of Snow: The Saga of the French and Indian Wars. Wiley, 2000, .
 The People of New France by Allan Greer

New France
Canadian political phrases
Acadian history
Canadian identity
Candide

A few acres of snow


هنري لمنس (بالفرنسية: Henri Lammens) ولد في جنت، بلجيكيا عام 1862, توفي في بيروت سنة 1937. يسوعي بلجيكي ومستشرق.

إنضم في سن الخامسة عشر لجماعة اليسوعيين في بيروت واستقر بعد ذلك في لبنان. درس اللغة العربية، اللاتينية واليونانية ثماني سنوات. أول أعماله كانت قاموسا عربيا سنة 1889. أصدر من بيروت جريدة البشير وأصبح بعد العديد من الرحلات مستشرقا في كلية الدراسات الشرقية لجامعة القديس يوسف.

قام بعدة دراسات عن الأمويين وعن الجزيرة العربية ما قبل الإسلام. كتب العديد من المقالات للطبعة الأولى من موسوعة الإسلام إضافة إلى مساهمات في عدة مطبوعات متخصصة. أعتبرت مساهماته لدى مؤرخي الإسلام بالهامة جدا، وهذا من ناحية كونه من أشد المتحاملين على الإسلام حتى يُتهم كثيرا بالتزوير والتزييف، وبالذات في دراساته في السيرة النبوية والتاريخ الأموي.

و أخطأ لما توصل لمنس إلى قناعة أن حادثة السقيفة هي في الواقع مؤامرة حاكها أبو بكر، عمر بن الخطاب وأبو عبيدة بن الجراح في سقيفة بني ساعدة. حيث اتفقوا على الاستيلاء على الخلافة وتقاسم السلطة. ابتدع في كتابه «سورية» مصطلح سورية الكبرى كإقليم يقع ضمن حدود بطريركية أنطاكية. هذا المصطلح تم تسييسه من قبل أنطون سعادة لبرنامجه السياسي.

انتقده العديد من المستشرقين ومن المسلمين وقالوا بأنه لم يكن أمينا في عرض الوقائع وتحليلها.

من مؤلفاته
 فرائد اللغة بيروت 1889
 سورية وأهميتها الجغرافية لورين 1904
La republique marchande de la Mecque vers l'an 600 de notre ere, Alexandrie 1910, s.a.
 فاطمة وبنات محمد بيروت 1912
L'évolution historique de la nationalité syrienne », La Revue Phénicienne, décembre1919,Beyrouth
 سورية التاريخ الشامل بيروت 1921
La Cité arabe de Taif à la veille de l'hégire, Beirut 1922
 فلسطين بيروت 1922
 La Mecque à la veille de l'hégire, Beirut 1924
 L'Islam: croyances et institutions, Beirut 1926
 L' Arabie occidentale avant l'Hégire, Beirut 1928
 Études sur le siècle des Omayyades, Beirut 1930

مصدر
  لامنس - موسوعة المستشرقين للدكتور عبد الرحمن بديوي، 1992
 لامنس - الأعلام، خير الدين الزركلي، 1980

روابط خارجية

مراجع

أعضاء هيئة تدريس جامعة القديس يوسف
باحثون في تاريخ الإسلام في العصور الوسطى
بلجيكيون مهاجرون إلى الدولة العثمانية
بلجيكيون مهاجرون إلى لبنان
تاريخ سوريا
تاريخ لبنان
تفسير القرآن
رومان كاثوليك بلجيكيون
مستشرقون بلجيكيون
مستعربون بلجيكيون
مسيحيون علماء بالإسلام
مواليد 1862
مواليد في غنت
مؤرخو الإسلام
نقاد للإسلام
وفيات 1937
وفيات في بيروت

هنري لامنس


János Greminger, (nacido el 5 de mayo de 1929 en Szeged, Hungría), es un exjugador húngaro de baloncesto. Consiguió 2 medallas en competiciones internacionales con Hungría. En el Eurobasket de Hungría 1955, ganado por la selección húngara, fue nominado como jugador más valioso del campeonato.

Enlaces externos
Perfil en sports reference

Baloncestistas de la selección de Hungría
Baloncestistas de Hungría
Nacidos en Szeged
Fallecidos en Budapest

János Greminger


Das Dameneinzel der French Open 2012 war ein Tenniswettbewerb in Paris.

Es wies ein Teilnehmerfeld von 128 Spielerinnen auf. Unter ihnen befand sich, auf Nummer sieben gesetzt, die Titelverteidigerin Li Na, die allerdings im Achtelfinale gegen die Qualifikantin Jaroslawa Schwedowa ausschied. Es gewann die Russin Marija Scharapowa gegen die Italienerin Sara Errani in zwei Sätzen. Damit gewann Scharapowa erstmals bei den French Open und komplettierte ihren Karriere-Grand-Slam. Zudem schaffte sie den Sprung an die Spitze der Damen-Weltrangliste.

Aus dem deutschsprachigen Raum nahmen am Turnier teil (in Klammern Weltranglisten-Position zu Turnierbeginn): Angelique Kerber (10), Sabine Lisicki (13), Julia Görges (27), Mona Barthel (32), Tamira Paszek (52), Romina Oprandi (71), Patricia Mayr-Achleitner (85) und Dinah Pfizenmaier (198); als letzte dieser Spielerinnen schied Angelique Kerber im Viertelfinale aus.
Nicht für die Hauptrunde qualifizieren konnten sich Karin Knapp (96), Stefanie Vögele (119), Yvonne Meusburger (141), Tatjana Malek (164), Sarah Gronert (166), Amra Sadiković (182) und Kristina Barrois (196).

Qualifikation
Ausgespielt wurden zwölf Qualifikantenplätze für das Einzel, die zur Teilnahme am Hauptfeld des Turniers berechtigten.

Setzliste

Hauptrunde

Viertelfinale, Halbfinale, Finale

Obere Hälfte

Obere Hälfte 1

Obere Hälfte 2

Obere Hälfte 3

Obere Hälfte 4

Untere Hälfte

Untere Hälfte 1

Untere Hälfte 2

Untere Hälfte 3

Untere Hälfte 4

Preisgeld und Weltranglistenpunkte

Weblinks

Dameneinzel
2012

French Open 2012/Dameneinzel


Kanya Fujimoto (født 1. juli 1999) er en japansk fodboldspiller, som spiller for den japanske fodboldklub Tokyo Verdy.

Referencer

Eksterne henvisninger

Fodboldspillere fra Japan

Kanya Fujimoto


مثبطات نورامينيداز هي أحد أصناف المضادات الفيروسية الموجهة لتثبيط عمل إنزيم نورامينيداز لفيروس الإنفلونزا، وبذلك تمنع مضادات النورامينيداز تكاثر الفيروس وخاصة فيروس إنفلونزا أ وب.

أشهر الأدوية المنتمية لهذا التصنيف هي: أوسلتاميفير (تاميفلو) وزاناميفير (ريلانزا) وبيراميفير.

مراجع

كيمياء الكربوهيدرات
مثبطات الإنزيمات
مضادات الفيروسات

مثبطات نورامينيداز


Gabriele Schwarz ist der Name folgender Personen:

* Gabriele Schwarz (Geographin) (1914–1988), deutsche Geographin
 Gabriele Schwarz-Eckart (1937–1943), deutsches Opfer des Holocaust

Siehe auch:
 Gabriela Schwarz

Gabriele Schwarz


Eobroscus es un género de coleópteros adéfagos de la familia Carabidae. Se encuentra en Asia.

Especies
Relación de especies:

 Eobroscus bhutanensis Morvan, 1982
 Eobroscus lutshniki Roubal, 1928
 Eobroscus masumotoi Morita, 1990
 Eobroscus uenoi Morita, 1995

Referencias

Enlaces externos

 Ground beetles of the tribe Broscini (Carabidae): atlas of beetles of Russia

Broscina

Eobroscus


بن سعيد عدلان ، من مواليد 3 نوفمبر 1981 ، لاعب كرة قدم جزائري.

هو يلعب مع نادي شبيبة القبائل منذ العام 2007.
ابن عمه أحمد رامي بن سعيد

روابط خارجية

مراجع

لاعبو كرة قدم رجال جزائريون
مهاجمو كرة قدم رجالية
جزائريون في القرن 21
أشخاص على قيد الحياة
أشخاص من عنابة
لاعبو أهلي برج بوعريريج
لاعبو اتحاد البليدة
لاعبو اتحاد الجزائر
لاعبو الرابطة الجزائرية المحترفة الأولى لكرة القدم
لاعبو شبيبة القبائل
لاعبو كرة قدم جزائريون
لاعبو منتخب الجزائر لكرة القدم
لاعبو منتخب الجزائر لكرة القدم تحت 23 سنة
لاعبو نصر حسين داي
منافسون في ألعاب البحر الأبيض المتوسط 2001
منافسون في الألعاب المتوسطية من الجزائر
مواليد 1402 هـ
مواليد 1981
مواليد في عنابة

عدلان بن سعيد


George Dixon may refer to:

Arts and entertainment
George Washington Dixon (1801?–1861), American singer and newspaper editor
George Dixon (organ designer) (1870–1950), British organ designer
George Dixon (trumpeter) (1909–1994), American trumpeter
George Dixon (The Spinners) (), member of The Spinners (American R&B group)
George Dixon (television character) (), titular character of the television series Dixon of Dock Green

Sports
George Dixon (boxer) (1870–1908), Canadian boxer
George Dixon (baseball) (1896–1940), American Negro leagues catcher
George Dixon (rugby union) (1901–1991), American rugby player
George Dixon (Canadian football) (1933–1990), Canadian Football League (CFL) Hall of Fame player
George Dixon (rugby league) (), English rugby league footballer

Others
George Dixon (Cockfield Canal) (1731–1785), English engineer
George Dixon (Royal Navy officer) (1748–1795), English sea captain and explorer
George Dixon (MP) (1820–1898), MP for Birmingham 1867–1876 and Edgbaston 1885–1898
George E. Dixon (1837–1864), American commander of the Confederate submarine H. L. Hunley
George Hall Dixon (1920–2013), American banker

See also
George Dickson, American gridiron football player and coach
Alexander George Dickson (1834–1889), Conservative MP

George Dixon


مدينة سيدي عيسى ولاية المسيلة تقع جنوب شرق الجزائر العاصمة، حيث تبعد عن العاصمة الجزائرية بمسافة 171 كم، وهي مدينة تاريخية بلغ عدد سكانها سنة 2008م حوالي 120 ألف نسمة، وسنة 2016م تجاوز 185 ألف نسمة.

الموقع الجغرافي
لها مجموعةٌ من الحدودِ المحليّة، حيث توجدُ في الجزء الجنوبيّ من ولاية البويرة على حدود دائرة سور الغزلان، وبلديّات: الديرة، والحجرة الزرقاء، والمعمورة، ومن الجزء الغربيّ لولاية المدية على حدود دائرة شلالة العذاورة، وبلديّات: شنيقل، وعين القصير، ومن الجزء الجنوبيّ بلديّات: عين الحجل، وبوطي السايح، ومن الجزء الشرقيّ بلديّة سيدي هجرس.

التسمية
ويعودُ السبب الرئيس لتسميتها بهذا الاسم نسبةً إلى اسم أحدِ المجاهدين والقادة الذين برزوا في البلاد، وهو الصالحُ سيدي عيسى ابن امحمد وينتهي نسب الوالي الصالح إلى الحسن السبطي بن علي رضي الله عنه من فاطمة الزهراء بنت محمد صلى الله عليه وسلم. الذي يوجد ضريحه في مقبرة وسط المدينة.

وقد اشتهر سيدي عيسى باثنين من الأسماء، فمنهم من يقول سيدي عيسى بوقبرين، ومنهم يقول سيدي عيسى ابن محمد فتح الدندان، والاسم الأخير اشتهر به كثيرا وهو يعرف به وعليه إجماع. وتجد هذا الاسم مشهورا به وخاصة في قصائد الشعر الصوفي، وله عدة أبناء تنبثق منهم عدة عروش (أو فرق) بالإضافة إلى العروش التي تشكل المنطقة.

التاريخ
تأسست البلدية في الفاتح من جانفي عام 1906، إنطلاقا من القرار الصادر بتاريخ 16 ديسمبر 1905 الصادر عن الحاكم العام الفرنسي في الجزائر (الأمين العام للحكومة) موريس فارنييه، وسميت آنذاك ببلدية سيدي عيسى المختلطة، والتي كانت تابعة قبل الإستعمار الفرنسي للجزائر 1830 إلى بلدية بوسعادة المختلطة، إلى أن حملت هذا الاسم رسميا في الفاتح جانفي 1906.

تشتهر سيدي عيسى بالسوق الأسبوعي، حيث يُعد قطبا هاما ومقصدا لتجار القطر الوطني. حيث يعود تاريخ إنشاء سوقها الوطني الكبير إلى أكثر من 06 قرون..

مدينة سيدي عيسى تعد ملتقى «العروش» حيث يقطن بها أكثر من 10 عروش ومن أشهرها عرش أولاد سيدي عيسى، وهم من سلالة الولي الصالح التي تسمى المدينة باسمه.

سيدي عيسى هي كذلك قلعة الأمير عبد القادر (ذراع الزقا) قرب عين سي الطيب (بلاد مصطفى الأشرف)، ويوجد الكثير من أهل سيدي عيسى في الشام الذين هاجروا مع الأمير عبد القادر.

المناخ
تتأثّرُ المدينة بمناخِ البحر الأبيض المتوسّط؛ حيث يكون الطقس جافّاً خلال فترة فصل الصيف، وبارداً خلال فترة فصل الشتاء مع وجود فرصة لهطول الأمطار في مختلفِ أجزاء المدينة؛ وذلك بسبب وقوعِها ضمنَ موقع قاريّ.

التجارة
تعدّ منطقة تجاريّة نشطة؛ حيث إنّها تشتهرُ بالسوق الأسبوعيّ للسيارات الذي يعتبرُ أحدَ الأقطاب التي يقصدُها التجار والأشخاص لشراء السيارات وقطعها، وما يزيدُ من أهميّتها التجاريّة أنّها تعتبر من أقدم الأسواق وأكبرها من حيث الحجم في البلاد؛ إذ يصلُ عمر أسواقها إلى ستّةِ قرون، لتكونَ بذلك واحةً يقصدها مختلف شرائحِ المجتمع الجزائريّ.

السياحة
تعدّ السياحة أحدَ المقوّمات الاقتصادية الرئيسيّة التي تعتمدُ عليها البلاد؛ حيث إنّها تحتوي على مجوعة من المعالم التاريخيّة القديمة، والمناظر الطبيعيّة؛ وذلك لأنّها تعتبرُ واحدة من أقدم المدن في الجزائر، حيث يوجد فيها العديدُ من الآثار الرومانيّة القديمة، كما أنّها تحتوي على العديد من الأودية التي تتميّزُ بالطبيعة الجغرافيّة الخلابة، مثل: اللحم، وقطيريني، والجنان، والحمير، والغراق، كما أنّها تحتوي على العديد من الخدمات السياحية المقدمة للزوار، مثل الفنادق والمناطق الترفيهيّة.

الثقافة
سيدي عيسى معروفة بنشاطها الثقافي منذ القدم، حيث كانت تقام الحفلات والحلقات الثقافية في مواسم الحرث والحصد والاعراس وزيارة الوالي الصالح «الوعدة» بالإضافة إلى حلقات المداح «الشاعر الشعبي الذي يقوم بلحقات في الاسواق» ولسيدي عيسى عدة فرق مسرحية وغائية وتمتاز بالعديد من شعراء للشعر الملحون أو الشعر الشعبي أو الشعر الفصيح وادباء.الذين يمتازون بالاحترافية العاليمة بالإضافة إلى رواد الفن التشكيلي.

تحل مدينة سيدي عيسى مكانة لا يستهان بها في الجزائر والعالم العربي في المجال الثقافي الفكري فهي تنظم دوات وندوات ثقافية وفكرية على مدار السنة وهذا من أجل نشر رسالتها الثقافية،

من بين الانجازات التي تدعم الحياة الثقافية في سيدي عيسى: المكتبة المركزية، المسرح البلدي، والمركز الثقافي، دور الشباب بالإضافة إلى المدارس الابتدائية والمتوسطة والثانوية ومراكز التكوين الموجودة هناك.

للجمعيات المحلية دور فعال ومميز في الحياة الثقافية لمدينة سيدي عيسى فهي تمثل همزة وصل بالدرجة الاولى لأحياء النشاطات الثقافية للمنطقة: جمعية العلماء المسلمين وجمعية اتحاد الكتاب الجزائريين وجمعيات الاحياء وغيرهم.

الدين
سيدي عيسى لا تختلف عن المدن الجزائرية الأخرى حيث الدين الإسلامي على مذهب أهل السنة والجماعة، وعلى مذهب الإمام مالك في الفقه وهو السائد في المنطقة.
يوجد في سيدي عيسى أكثر من 30 مسجدا والعديد من المدارس القرآنية، بالإضافة إلى زاوية الوالي الصالح سيدي عيسى وزاوية سي بالعموري التي تقع في الجهة الشمالية للمدينة وجمعيات خيرية تنشط باستمرار بجانب الحياة الثقافية.
كما أنجبت المدينة العديد من العلماء والشيوخ، بعضهم أعضاء في جمعية العلماء المسلمين الجزائريين.

أعلام
من أعلام مدينة سيدي عيسى:

العلامة العرباوي عمر عضو جمعية العلماء المسلمين، والذي كان مدرسا للفقه والفقه المقارن والعقيدة في المسجد المسمى باسمه الآن في الحراش.

الشيخ الشهيد عبدلي محمد بن شينون شيخ العلامة عمر العرباوي والشيخ طباخ يحيى وغيرهم.

الشيخ عبدلي الطاهر العالم الجليل وعضو جمعية العلماء المسلمين.

الشيخ طاهر الطاهري تلميذ ابن باديس وعضو جمعية العلماء المسلمين وخريج الزيتونة، وصاحب كتاب حول جمعية العلماء في سيدي عيسى.

الأستاذ الدكتور عبد الرحمن أوهاب المدرس بجامعة الملك سعود في السعودية والذي تتلمذ على يدي الشيخ الطاهر عبدلي.

الشيخ عيسى علية وابنه قويدر مؤسسو المدرسة التهديبية المحاربة للشرك ومظاهره والطرقية، وقد زارها الشيخ العلامة عبد الحميد بن باديس والشيخ البشير الإبراهيمي، ومن خريجي هذه المدرسة: يحيى طباخ المعروف بـ سي يحي، والشيخ القريشي، ومحمد الطالب المدعو محمد حيدر رحمهم الله وغيرهم.

العالم الجليل الحاج عباس عمار المدعو سي عمار رحمه الله وأولاده (الشيخ الميهوب جلول، أحمد ومحمد).

الشاعر عبدلي براهيم.

الرياضة
لسيدي عيسى فريق كرة قدم من أقدم الفرق الوطنية الجزائرية يعود تأسسه إلى العهد الاستعماري في بداية القرن الماضي ولمدينة سيدي عيسى ملعب لكرة القدم تم بناؤه في حي المستفيدين (الكورس) على أرضية المطار القديم لسيدي عيسى بالإضافة إلى قاعة متعددة الرياضات والمسبح البلدي ولا تنحصر الرياضة في سيدي عيسى على كرة القدم بل هناك عدة مجالات منها الكرة الحديدية وكرة السلة وكرة اليد والملاكمة ورياضة الفروسية والكاراتيه.

المراجع
 سيدي عيسى فضاء روحاني من ذهب
 أصوات الشمال
 موقع مدينة سيدي عيسى
 خبر بلادي

بلديات ولاية المسيلة

سيدي عيسى (المسيلة)


Kríže este o comună slovacă, aflată în districtul Bardejov din regiunea Prešov. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 68 de locuitori. Se învecinează cu comuna Bogliarka.

Istoric
Localitatea Kríže este atestată documentar din 1635.

Note

Legături externe

Localități din Slovacia

Kríže