Sergius 3. (ca. 860 - 14. april 911) var pave fra 29. januar 904 til sin død i 911. Han var pave i en tid med feudal vold og uorden i det centrale Italien, og de stridende aristokratiske fraktioner forsøgte at bruge både materielle og militære ressourcer fra pavedømmet. Fordi Sergius 3. efter sigende havde bestilt mordet på sine to forgængere, Leo 5. og Christoforus, og han var den eneste pave der angiveligt skulle have fostret en uægte søn, som senere blev pave (Johannes 11.) er hans tid som pave beskrevet som både "dyser og skammelig", og "effektiv og hensynsløs".

Litteratur
 Canduci, Alexander, Triumph and Tragedy: The Rise and Fall of Rome's Immortal Emperors (2010)
 Collins, Roger, Keepers of the Keys of Heaven: A History of the Papacy (2010)
 DeCormenin, Louis Marie; Gihon, James L., A Complete History of the Popes of Rome, from Saint Peter, the First Bishop to Pius the Ninth (1857)
 Gregorovius, Ferdinand, History of the City of Rome in the Middle Ages, Vol. III (1895)
 Mann, Horace K., The Lives of the Popes in the Early Middle Ages, Vol. IV: The Popes in the Days of Feudal Anarchy, 891–999 (1910)
 Norwich, John Julius, The Popes: A History (2011)

Referencer

Paver i middelalderen

Pave Sergius 3.


Robin Morgan (born January 29, 1941) is an American poet, writer, activist, journalist, lecturer and former child actor. Since the early 1960s, she has been a key radical feminist member of the American Women's Movement, and a leader in the international feminist movement. Her 1970 anthology Sisterhood Is Powerful was cited by the New York Public Library as "One of the 100 Most Influential Books of the 20th Century.". She has written more than 20 books of poetry, fiction, and nonfiction, and was editor of Ms. magazine.

During the 1960s, she participated in the civil rights and anti-Vietnam War movements; in the late 1960s, she was a founding member of radical feminist organizations such as New York Radical Women and W.I.T.C.H. She founded or co-founded the Feminist Women's Health Network, the National Battered Women's Refuge Network, Media Women, the National Network of Rape Crisis Centers, the Feminist Writers' Guild, the Women's Foreign Policy Council, the National Museum of Women in the Arts, the Sisterhood Is Global Institute, GlobalSister.org, and Greenstone Women's Radio Network. She also co-founded the Women's Media Center with activist Gloria Steinem and actor/activist Jane Fonda. In 2018, she was listed as one of BBC's 100 Women.

Child actor

Due to circumstances at her birth, her mother claimed that Robin Morgan was born a year later than she actually was (see birth and parents), and throughout her career as a child actor, she was thought to be a year younger than she actually was, both by herself and others.

Already as a toddler, her mother, Faith, and mother's sister Sally started Robin as a child model. At the age of five, believed to be four, she got her own program, titled Little Robin Morgan, on the New York radio station WOR. She was also a regular on the original network radio version of Juvenile Jury. Her acting career took off when she was eight and started in the TV series Mama, as Dagmar Hansen, the younger sister in the family depicted in the series. The show premiered on CBS in 1949, starring Peggy Wood, and was a great success. Morgan played Cecchina Cabrini in Citizen Saint (1947).

During the Golden Age of Television, Morgan starred in such "TV spectaculars" as Kiss and Tell and Alice in Wonderland, and guest starred on such live dramas as Omnibus, Suspense, Danger, Hallmark Hall of Fame, Robert Montgomery Presents, Tales of Tomorrow, and Kraft Theatre. She worked with directors such as Sidney Lumet, John Frankenheimer, Ralph Nelson; writers such as Paddy Chayefsky and Rod Serling; and performed with actors such as Boris Karloff, Rosalind Russell, Bill "Bojangles" Robinson, and Cliff Robertson.

Having wanted to write rather than to act since she was four, Morgan fought her mother's efforts to keep her in show business, and left the cast of Mama at age 14.

Adult career
As she entered adulthood, Robin Morgan continued her education as a non-matriculating student at Columbia University. She began working as a secretary at Curtis Brown Literary Agency, where she met and worked with such writers as poet W. H. Auden in the early 1960s. She had already begun publishing her own poetry (later collected in her first book of poems, Monster, published in 1972). Throughout the next decades, along with political activism, writing fiction and nonfiction prose, and lecturing at colleges and universities on women's rights, Morgan continued to write and publish poetry.

In 1962, Morgan married poet Kenneth Pitchford. She gave birth to their son, Blake Morgan, in 1969. The couple divorced in 1983. At that time, she was working as an editor at Grove Press and was involved in an attempt to unionize the publishing industry. When Grove summarily fired her and other union sympathizers, she led a seizure and occupation of their offices in the spring of 1970, protesting the union-busting, as well as the dishonest accounting of royalties to Betty Shabazz, Malcolm X's widow. Morgan and eight other women were arrested that day.

In the mid-1970s Morgan became a Contributing Editor to Ms. magazine, and continued her affiliation there as a part- or full-time editor in the following decades. She served as editor-in-chief of the magazine from 1989 to 1994, turning it into a highly successful, ad-free, bimonthly, international publication, which won awards for both writing and design, and received considerable acclaim among journalists.

In 1979, when the Supersisters trading card set was produced and distributed, featuring famous women from politics, media and entertainment, culture, sports, and other areas of achievement, one of the cards featured Morgan's name and picture. Today, the trading cards are in the collections of the Museum of Modern Art and the University of Iowa library.

In 2005, Morgan co-founded the non-profit progressive women's media organization, The Women's Media Center, with friends actor/activist Jane Fonda, and activist Gloria Steinem. Seven years later, in 2012, she debuted a weekly radio show and podcast, Women's Media Center Live With Robin Morgan. The broadcast is syndicated in the US and, as a podcast, is published online at the WMCLive website, and distributed on iTunes in 110 countries. It has been praised by The Huffington Post as "talk radio with a brain" and features commentary by Morgan about recent news, and interviews with activists, politicians, authors, actors and artists. The weekly hour was picked up by CBS Radio two weeks after its launch and is broadcast on CBS affiliate WJFK each Saturday. The program features commentary by Morgan about recent news, and interviews with activists, politicians, authors, actors and artists.

Activism
By 1962 Morgan had become active in the anti-war Left, and had also contributed articles and poetry to such Left-wing and counter-culture journals as Liberation, Rat, Win, and The National Guardian.

In the 1960s she became increasingly involved in social-justice movements, notably the civil-rights and anti-Vietnam war. In early 1967, she was active in the Youth International Party (known in the media as the "Yippies"), with Abbie Hoffman and Paul Krassner. However, tensions over sexism within the YIP (and the New Left in general) came to a head when Morgan grew more involved in Women's Liberation and contemporary feminism.

In 1967, Morgan became a founding member of the short-lived New York Radical Women group. She was the key organizer of their September 1968 inaugural protest of the Miss America pageant in Atlantic City. Morgan wrote the Miss America protest pamphlet No More Miss America!, and that same year cofounded Women's International Terrorist Conspiracy from Hell (W.I.T.C.H.), a radical feminist group that used public street theater (called "hexes" or "zaps") to call attention to sexism. Morgan designed the universal symbol of the women's movement––the female symbol, a circle with a cross beneath, centered with a raised fist. The Oxford English Dictionary also credits her with first using the term "herstory" in print in her 1970 anthology Sisterhood is Powerful. Concerning the feminist organization W.I.T.C.H., Morgan wrote:

The fluidity and wit of the witches is evident in the ever-changing acronym: the basic, original title was Women's International Terrorist Conspiracy from Hell [...] and the latest heard at this writing is Women Inspired to Commit Herstory."

With the royalties from her anthology Sisterhood Is Powerful, Morgan founded the first feminist grant-giving foundation in the US: The Sisterhood Is Powerful Fund, which provided seed money to many early women's groups throughout the 1970s and 1980s. She made a decisive break from what she described as the "male Left" when she led the women's takeover of the underground newspaper Rat in 1970, and listed the reasons for her break in the first women's issue of the paper, in her essay titled "Goodbye to All That". The essay gained notoriety in the press for naming specific sexist men and institutions in the Left. Decades later, during the Democratic primaries for the 2008 presidential race, Morgan wrote a fiery sequel to her original essay, titled "Goodbye To All That #2", in defense of Hillary Clinton. The article quickly went viral on the internet for lambasting sexist rhetoric directed towards Clinton by the media.

In 1977, Morgan became an associate of the Women's Institute for Freedom of the Press (WIFP). WIFP is an American nonprofit publishing organization. The organization works to increase communication between women and connect the public with forms of women-based media.

Morgan has traveled extensively across the United States and around the world to bring attention to cross-cultural sexism. She has met with and interviewed female rebel fighters in the Philippines, Brazilian women activists in the slums/favelas of Rio, women organizers in the townships of South Africa, and underground feminists in Iran. Twice––in 1986 and 1989 she spent months in the Palestinian refugee camps in Jordan, Lebanon, Egypt, Syria, West Bank, and Gaza, to report on the conditions of women. Morgan has also spoken at universities and institutions in countries across Europe, the Caribbean, and Central America, as well as in Australia, Brazil, China, Indonesia, Israel, Japan, Nepal, New Zealand, Pacific Island nations, the Philippines, and South Africa.

Over the years, Morgan has received numerous awards for her activism on women's rights. The Feminist Majority Foundation named Robin Morgan "Woman of the Year" in 1990; she received the Warrior Woman Award for Promoting Racial Understanding from The Asian American Women's National Organization in 1992; in 2002 she received a Lifetime Achievement in Human Rights from Equality Now, and in 2003 The Feminist Press gave her a "Femmy" Award for her "service to literature". She has also received the Humanist Heroine Award from The American Humanist Association in 2007.

Limbaugh FCC incident
In March 2012 Morgan, along with her Women's Media Center co-founders Jane Fonda and Gloria Steinem, wrote an open letter asking listeners to request that the U.S. Federal Communications Commission (FCC) investigate the Rush Limbaugh–Sandra Fluke controversy, where Rush Limbaugh referred to Sandra Fluke as a "slut" and "prostitute" after she advocated for insurance coverage for contraception. They asked that stations licensed for public airwaves carrying Limbaugh be held accountable for contravening public interest as a continual promoter of hate speech against various disempowered and minority groups.

Sisterhood anthologies

In 1970, Morgan compiled, edited, and introduced the first anthology of feminist writings, Sisterhood is Powerful. The compilation included now-classic feminist essays by such activists as Naomi Weisstein, Kate Millett, Eleanor Holmes Norton, Florynce Kennedy, Frances M. Beal, Joreen, Marge Piercy, Lucinda Cisler and Mary Daly, as well as historical documents including the N.O.W. Bill of Rights, excerpts from the SCUM Manifesto, the Redstockings Manifesto, historical documents from W.I.T.C.H., and a germinal statement from the Black Women's Liberation Group of Mount Vernon. It also included what Morgan called "verbal karate": useful quotes and statistics about women. The anthology was cited by the New York Public Library as one of the "New York Public Library's Books of the [20th] Century". Morgan established the first American feminist grant-giving organization, The Sisterhood Is Powerful Fund, with the royalties from Sisterhood Is Powerful. However, the anthology was banned in Chile, China, and South Africa.

Her follow-up volume in 1984, Sisterhood Is Global: The International Women's Movement Anthology, compiled articles about women in over seventy countries. That same year she founded the Sisterhood Is Global Institute, notable for being the first international feminist think tank. Repeatedly refusing the post of president, she was elected secretary of the organization from 1989 to 1993, was VP from 1993 to 1997, and after serving on the advisory board, finally agreed to become president in 2004. A third volume, Sisterhood Is Forever: The Women's Anthology for a New Millennium in 2003, was a collection of articles mostly by well-known feminists, both young and "vintage", in a retrospective on and future blueprint for the feminist movement. It was compiled, edited, and with an introduction by Morgan, and Morgan wrote "To Vintage Feminists" and "To Younger Women", which were both included in the anthology as Personal Postscripts.

Journalism
Morgan's articles, essays, reviews, interviews, political analyses, and investigative journalism have appeared widely in such publications as The Atlantic, Broadsheet, Chrysalis, Essence, Everywoman, The Feminist Art Journal, The Guardian (US), The Guardian (UK), The Hudson Review, the Los Angeles Times, Ms., The New Republic, The New York Times, Off Our Backs, Pacific Ways, The Second Wave, Sojourner, The Village Voice, The Voice of Women, and various United Nations periodicals, etc.

Articles and essays have also appeared in reprint in international media, in English across the Commonwealth, and in translation in 13 languages in Europe, South America, the Middle East, and Asia.

Morgan has served as a contributing editor to Ms. magazine for many years, receiving the Front Page Award for Distinguished Journalism for her cover story titled "The First Feminist Exiles from the USSR" in 1981. She served as the magazine's editor-in-chief from 1989 to 1994, re-launching it as an ad-free, international bimonthly publication in 1991. This earned her a series of awards, including the award for Editorial Excellence by Utne Reader in 1991, and the Exceptional Merit in Journalism Award by the National Women's Political Caucus. Morgan resigned her post in 1994 to become Consulting Global Editor of the magazine, which she remains to this day.

Morgan has written for online audiences and blogged frequently. Among her best known articles are "Letters from Ground Zero" (written and posted after the September 11 attacks in 2001 — which went viral), "Goodbye To All That #2", "Women of the Arab Spring", "When Bad News is Good News: Notes of a Feminist News Junkie", "Manhood and Moral Waivers", and "Faith Healing: A Modest Proposal on Religious Fundamentalism". Her online work is hosted in the archives of the Women's Media Center.

Authorship
Robin Morgan has published 21 books, including works of poetry, fiction, and the now-classic anthologies Sisterhood Is Powerful, Sisterhood Is Global, and Sisterhood Is Forever. Well before she was known as a feminist leader, literary magazines published her as a serious poet. According to a 1972 review of her first book of poems, Monster, in The Washington Post: "[These poems] establish Morgan as a poet of considerable means. There is a savage elegance, a richness of vocabulary, a thrust and steely polish..... A powerful, challenging book." In 1979 Morgan received a National Endowment for the Arts Creative Writing Fellowship in poetry, then held a writing residency at the arts colony Yaddo the following year. During this time she worked on a cycle of verse plays.

Morgan's poetry collections include A Hot January: Poems 1996–1999 (W. W. Norton, 1999), Depth Perception: New Poems and a Masque (Doubleday, 1994), Upstairs in the Garden: Poems Selected and New 1968–1988 (W. W. Norton, 1990), Death Benefits (Copper Canyon Press, 1981), Lady of the Beasts (Random House, 1976), and Monster (Random House, 1972). Of the book A Hot January, Alice Walker wrote: "Morgan proves that exquisite poetry can be the most surprising gift of grief. A volume as proud, fierce, vulnerable, and brave as the poet herself." A review of Upstairs in the Garden, noted: "As a vindication and celebration of the female experience, these inventive poems successfully wed feminist rhetoric with vivid imagery and sensitivity to the music of language." Two books of poems, Lady of the Beasts and Depth Perception, earned reviews in Poetry Magazine with critic Jay Parini stating that "Robin Morgan will soon be regarded as one of our first-ranking poets."

Morgan had published three books of fiction as of 2015. Her debut novel was the semi-autobiographical Dry Your Smile (published by Doubleday & Company, 1987), followed by The Mer-Child: A Legend for Children and Other Adults (published by The Feminist Press at City University of New York, 1991). Her most recent work of fiction is a historical novel titled The Burning Time (Melville House Books, 2006), set in the 14th century, based on court records of the first witchcraft trial in Ireland. The Burning Time was placed on the Recommended Quality Fiction List of 2007 by the American Library Association, in addition to being the 2006 Paperback Pick by Book Sense (The American Booksellers Association).

Morgan has compiled, edited, and introduced several influential anthologies: Sisterhood Is Powerful: The Women's Liberation Anthology (1970), Sisterhood Is Global: The International Women's Movement Anthology (1984), and Sisterhood Is Forever: The Women's Anthology for a New Millennium (2003). She has herself written non-fiction, including Going Too Far (1978), The Anatomy of Freedom (1984), The Demon Lover: On the Sexuality of Terrorism (1989), The Word of a Woman (1994), and Saturday's Child: A Memoir (2001). One of the most widely translated of Morgan's books and a best-seller, The Demon Lover is a commentary on the psychological and political roots of terrorism, and New York Times Book Review called it "Important...compelling....[Morgan] is intense and at times magnificent." Her most recently published book of non-fiction is Fighting Words: A Tool Kit for Combating the Religious Right (2006).

Organizations

The Sisterhood Is Global Institute
In 1984, Morgan, together with the late Simone de Beauvoir of France, and women from 80 other countries, founded The Sisterhood Is Global Institute (SIGI), an international non-profit NGO with consultative status to the United Nations, which has for three decades functioned as the world's first feminist think-tank. The Institute has played a leading policy-formulation, strategic, and activist role in the evolution of the international Women's Movement. SIGI has also developed a global communications network through which an umbrella of NGO interest, advice, contacts, and support is collectively mobilized to empower the global women's movement.

Among its many activities, the Institute pioneered the first Urgent Acton Alerts regarding women's rights; the first Global Campaign To Make Visible Women's Unpaid Labor In National Accounts; and the first Women's Rights Manuals For Muslim Societies (in 12 languages). Its most recent project is Donor Direct Action (donordirectaction.org), which links front-line women's rights activists around the world to money, visibility, and popular support: minimum bureaucracy, maximum impact.

Women's Media Center
In 2005, Morgan co-founded the non-profit progressive organization, The Women's Media Center with her friends actor/activist Jane Fonda, and activist Gloria Steinem. The focus of the organization is to make women powerful and visible in the media.

Lectures and professorships
An invited speaker at numerous universities in North America, Morgan has traveled—as organizer, speaker, journalist—across North America, Europe, and the Middle East to Australia, Brazil, the Caribbean, Central America, China, Indonesia, Israel, Japan, Nepal, New Zealand, Pacific Island nations, the Philippines, and South Africa. She has also been a guest professor or scholar in residence at a variety of academic institutions. She was guest chair for feminist studies at the New College of Florida in 1971; a visiting professor at The Center for Critical Analysis of Contemporary Culture at Rutgers University in 1987; a distinguished visiting scholar in residence for literary and cultural studies at the University of Canterbury, Christchurch, New Zealand in 1989; a visiting professor in residence at the University of Denver, Colorado in 1996; and visiting professor at the Center for Documentation on Women at University of Bologna, Italy, in 1996. She was awarded an honorary degree as a Doctor of Humane Letters by the University of Connecticut at Storrs in 1992. The Robin Morgan Papers, a collection that documents the personal, political, and professional aspects of Morgan's life, are archived at the Sallie Bingham Center for Women's History and Culture at Duke University. They date from the 1940s to the present.

Criticism
Robin Morgan has been arrested, and has received death threats from both the Right and the Left because of her activism. According to a New Yorker magazine article published in the aftermath of Morgan's essay "Goodbye to All That" (#2) going viral on the Internet, "At five feet tall Morgan is, not for the first time, the little woman who has started a big war." In her original essay, "Goodbye to All That" (1970), Morgan bade adieu to "the dream that being in the leadership collective will get you anything but gonorrhea," referring to the "male Left". She also asserted that Charles Manson was "only the logical extreme of the normal American male's fantasy."

Two years later, Morgan published the poem "Arraignment", in which she openly accused Ted Hughes of the battery and murder of Sylvia Plath. There were lawsuits, Morgan's 1972 book Monster which contained that poem was banned, and underground, pirated feminist editions of it were published.

As the leading organizer of the 1968 protest of the Miss America Pageant, "No More Miss America!", Morgan attacked the pageant's "ludicrous 'beauty' standards and also accused the pageant of being racist, since at that time no African American woman had been a contestant. In addition––according to Morgan––in sending pageant winners to entertain troops in Vietnam, the women served as "death mascots" in an immoral war. Morgan asked, "Where else could one find such a perfect combination of American values -- racism, militarism, capitalism -- all packaged in one 'ideal' symbol, a woman."

Another controversial quote is from her 1978 book, Going Too Far: The Personal Chronicle of a Feminist, where she stated: "I feel that "man-hating" is an honorable and viable political act, that the oppressed have a right to class-hatred against the class that is oppressing them."

Morgan famously walked off The Tonight Show in 1969 when it screened vintage footage of her as a child actor while she was trying to speak seriously about the first national march against rape. Of the incident, she has been quoted as saying: "Imagine talking about such a subject and having it trivialized like that." In 1974, with her phrase "Pornography is the theory, and rape is the practice" (from her essay "Theory and Practice: Pornography and Rape"), she became a central figure on one of the divisive issues in feminism, particularly among anti-pornography feminists in Anglophone countries.

In 1973, Robin Morgan gave the keynote speech at the West Coast Lesbian Conference, in which she criticized Beth Elliott, a performer and organizer of the conference, for being a transgender woman. In this speech she referred to Elliott as a "transsexual male" and used male pronouns throughout, charging her with being "an opportunist, an infiltrator, and a destroyer-with the mentality of a rapist." At the end of her speech she called for a vote on ejecting Elliott, with over two-thirds voting to allow her to remain, however the minority threatened to disrupt the conference and Elliott chose to leave after her performance to avoid this. The event demonstrated the high tension surrounding transgender women's involvement in the women's movement of the 1970s.

Personal life
Robin Morgan grew up in New York, first in Mount Vernon, and later in Manhattan, on Sutton Place. She graduated from The Wetter School in Mount Vernon, in 1956, and was privately tutored from then until 1959. She published her first serious poetry in literary magazines at age 17.

In an article published in the Jewish Women's Archive, Morgan reveals she is of Jewish ancestry, but identifies her religion as Wiccan and/or atheist. She is quoted as saying, "When compelled to define myself specifically in ethnic terms—I have described myself as being European American of Ashkenazic (with a touch of Sephardic) Jewish ancestry. I respect and understand the desire of others to affirm their ethnic roots as central to their identities, but while I'm quite proud of mine, I feel they're just not particularly central to my identity. I am deeply opposed to all patriarchal religions, including though not limited to Judaism." Morgan continues to tackle topics such as religion, politics and sex in fiery commentaries on her radio show WMC Live with Robin Morgan.

Today Robin Morgan lives in Manhattan. Blake Morgan, her son with ex-husband Kenneth Pitchford, is a musician, recording artist, and founder of New York-based record company ECR Music Group.

In 2000 Norton published Morgan's memoir, Saturday's Child, in which she wrote candidly about "the shadowy circumstances of her birth; a lifelong, impassioned, love-hate relationship with her mother; her years as a famous child actor and her fight to escape show business to become a serious writer; her marriage to a fiery bisexual poet and how motherhood transformed her life; her years in the civil rights movement, the New Left, and counterculture; her emergence a leader of global feminism; and her love affairs with women as well as men," according to BookNews.com. In her book, "her passion for writing, especially poetry, is vividly conveyed, as is her love and respect for her son, born in 1969," according to The New York Times Book Review.

In April 2013, Morgan announced publicly that she had been diagnosed with Parkinson's disease, discussing the diagnosis on her radio show WMC Live with Robin Morgan, revealing that she had been diagnosed in 2010, but that her quality of life was thus far "normal". Since her diagnosis, Morgan has become active with the Parkinson's Disease Foundation (PDF), completing training to become part of the organization's Parkinson's Advocates in Research initiative. In 2014 she was the catalyst and took a leadership role in PDF's new Women and PD initiative, which will seek to better serve women impacted by Parkinson's disease by understanding and resolving gender inequalities in PD research, treatment, and caregiver support. Morgan has also written new poetry inspired by her battle with the disease, and performed a reading of some of the poems as a TED Talk, at the TEDWomen 2015 conference.

Birth and parents
Her mother, Faith Berkeley Morgan, traveled from her New York residence to Florida to give birth, in order to avoid public scrutiny for her unmarried status. Robin's father, a medical doctor named Mates Morgenstern, did not accompany pregnant Faith on her trip.

Until Morgan was 13 years old, her mother Faith claimed that Robin's father had been killed in World War II. However, Robin overheard conversations between her mother and aunt suggesting her father was alive. When she confronted her mother, Faith changed her story to assert that Robin's father had escaped from one Nazi concentration camp after another, and that she had saved his life by sponsoring his immigration to the United States where he had no family. Not until several years later did Robin get proof that this was also a lie.

Morgan learned the truth, both about her father, who was still alive, and how old she really was, early in 1961. Now a young woman, no longer working in show business, Robin found a listing for the medical practice of an obstetrician, Dr. Mates Morgenstern, in the New Brunswick, New Jersey telephone directory. Suspecting this might be her father, she had sought a meeting with him, without her mother's knowledge, and ultimately paid a surprise visit to his New Jersey office in January 1961.

Morgenstern revealed that he was aware of Robin's fame as a child actor, but had remained firm in his decision to avoid contact with Faith Morgan, having chosen not to see her again after the only time he visited her and the infant Robin. He also told Robin, during their conversation in his medical office, that she in fact was born on January 29, 1941, exactly one year earlier than she thought, and disclosed the copy of her original birth certificate, that he had stored in his office. In order to conceal the out-of-wedlock birth, Faith Morgan had asked her Florida obstetrician to sign an affidavit stating that the birth took place on January 29, 1942.

During the conversation in his office, Morgenstern told his daughter that he first met her mother after his arrival in the United States, more than a year before the United States entered World War II, and that she had had nothing to do with his immigration. He added that he had known Faith only briefly and claimed that she had fantasized their relationship as more important than it was. By the time Morgan met her father he had married and had two sons with a woman he had known since they were both children in Austria. Having been separated by the war, they resumed their relationship after she arrived in the United States not long after Robin was born, which probably also added to Morgenstern's decision to abandon Faith and their daughter.

Morgan only met her father once more, in February 1965 when he invited her and her husband to his New Jersey home. Morgenstern did not want his sons to know that they had a half-sister and Morgan acceded to his request that they tell his two sons that she was "the daughter of an old friend." She refused to do so again, however, and never met him or her two half-brothers again.

Morgan describes the two encounters that she had with her biological father in her autobiography, Saturday's Child: A Memoir.

When Faith Morgan developed Parkinson's disease, in her early 60s, Robin telephoned her biological father to let him know. When she asked if he wanted to say goodbye, he declined. During Faith's illness, her life savings, which consisted of the money Robin had earned in her radio and television career – by then a six-figure sum that had accumulated in the bank – was stolen, by her two elderly home caregivers. Morgan discovered this but ultimately chose not to press charges.

Filmography
1940s
Citizen Saint: The Life of Mother Cabrini (playing Francesca S. Cabrini as a child)
The Little Robin Morgan Show as herself (WOR radio show)
Juvenile Jury as herself
1950s
Mama as Dagmar Hansen
 Kraft Television Theatre's Alice in Wonderland (as Alice)
Mr. I-Magination (as self)
Tales of Tomorrow (starring as Lily Massner)
Kiss and Tell TV Special (starring as Corliss Archer, 1956)
Other videos and kinescopes in the Robin Morgan Collection at the Paley Center for Media, NYC
1980s - 2010s
Not a Love Story: A Film About Pornography [Feature length Documentary] (as herself) (1981)
The American Experience TV Documentary (as herself) (2002)
1968 TV Documentary with Tom Brokaw (as herself) (2007)
Interview by Ronnie Eldridge (2007)
Makers: Women Who Make America  on PBS (2013)

Publications

Poetry
1972: Monster (Vintage, )
1976: Lady of the Beasts: Poems (Random House, )
1981: Death Benefits: A Chapbook (Copper Canyon, Limited Edition of 200 copies)
1982: Depth Perception: New Poems and a Masque (Doubleday, )
1999: A Hot January: Poems 1996–1999 (W. W. Norton, )
1990: Upstairs in the Garden: Poems Selected and New (W. W. Norton, )

Nonfiction
1977: Going Too Far: The Personal Chronicle of a Feminist, (Random House, )
1982: The Anatomy of Freedom  (W.W. Norton, )
1989: The Demon Lover: On the Sexuality of Terrorism (W. W. Norton, )
2001: The Demon Lover: The Roots of Terrorism (Updated Second Edition, Washington Square Press/Simon & Schuster, Inc., )
1992: The Word of a Woman (W.W. Norton, )
1995: A Woman's Creed (pamphlet), The Sisterhood Is Global Institute
2001: Saturday's Child: A Memoir (W. W. Norton, )
2006: Fighting Words: A Toolkit for Combating the Religious Right (Nation Books, )

Fiction
1987: Dry Your Smile (Doubleday, )
1991: The Mer-Child: A New Legend for Children and Other Adults  (The Feminist Press, )
2006: The Burning Time (Melville House, )

Anthologies
1969: The New Woman (Poetry Editor) (Bobbs-Merrill, )
1970: Sisterhood is Powerful: An Anthology of Writings from the Women's Liberation Movement (Random House, )
1984: Sisterhood Is Global: The International Women's Movement Anthology (Doubleday/Anchor Books; revised, updated edition The Feminist Press, 1996, )
2003: Sisterhood Is Forever: The Women's Anthology for a New Millennium (Washington Square Press, )

Essays
 "The politics of sado-masochistic fantasies" in
 "Light bulbs, radishes and the politics of the 21st century" in

Plays
"Their Own Country" (debut performance, Ascension Drama Series, New York, December 10, 1961 at 8:30pm, Church of the Ascension, reception immediately following.)
"The Duel." A verse play, published as "A Masque" in her book Depth Perception (debut perf. Joseph Papp's New Shakespeare Festival Public Theater, New York, 1979)

References

External links

 Womens Media Center
 The Sisterhood is Global Institute
Ms. Magazine
 Papers of Robin Morgan, 1929–1991 (inclusive), 1968–1986 (bulk). Schlesinger Library, Radcliffe Institute, Harvard University.
 Robin Morgan   Video produced by Makers: Women Who Make America

1941 births
Living people
20th-century atheists
20th-century American novelists
20th-century American poets
20th-century American women writers
21st-century atheists
21st-century American non-fiction writers
21st-century American novelists
21st-century American poets
21st-century American women writers
Activists from New York (state)
Actors from Mount Vernon, New York
American abortion-rights activists
American anthologists
American atheists
American child actresses
American feminist writers
American political writers
American Wiccans
American women non-fiction writers
American women novelists
American women poets
American women's rights activists
Anti-pornography feminists
Atheist feminists
Columbia University alumni
Feminism and transgender
Jewish American atheists
Jewish American journalists
Jewish feminists
New York Radical Women members
Novelists from New York (state)
Modern pagan poets
People from Lake Worth Beach, Florida
Radical feminists
Wiccan feminists
Wiccan novelists
Wiccans of Jewish descent
Women anthologists
Writers from Mount Vernon, New York
Yippies

Robin Morgan


කට වහරේ '''නෝනා වාට්ටුව''' ලෙස හැඳින්වෙන ශ්‍රී ලංකාවේ ජාතික ළමා රෝහල එරට ඇති ප්‍රධානතම ළමා රෝහල වේ.

අතීතය
ක්‍රි.ව. 1895දී රිජ්වේ ආර්යා රෝහල නමින් ආරම්භ විය.

මතභේදයට තුඩුදුන් සිද්ධි

හම්දී ෆස්ලීන් දරුවාගේ මියයෑම

වකුගඩු ආශ්‍රිත ශල්‍යකර්මයකින් පසු විෂබීජයක් ශරීරගත වීම හේතුවෙන් රිජ්වේ ආර්යා ළමා රෝහලේ දැඩි සත්කාර ඒකකයේ ප්‍රතිකාර ලබමින් සිට 2023 ජුලි මස 27 දින ජීවිතක්ෂයට පත්විය

එම දරුවාගේ වකුගඩු ආශ්‍රිත රෝගී තත්ත්වයක් පවතින බවට වෛද්‍යවරුන් විසින් හඳුනාගෙන තිබූ අතර, වම් වකුගඩුව ඉවත් කළ යුතු බවත් දකුණු වකුගඩුව නීරෝගී තත්ත්වයේ පවතින බවත් වෛද්‍යවරුන් හඳුනාගෙන තිබූ බව වාර්තා වී ඇත.

කෙසේවෙතත් නීරෝගී දකුණු වකුගඩුවත් ශල්‍යකර්මය අතරතුර ඉවත් වී ඇති බවට වෛද්‍යවරුන් පසුව ප්‍රකාශ කළ බව මව්පියන් සඳහන් කරයි.

වකුගඩු දෙකම නොමැති වීම හේතුවෙන් වකුගඩුවක් බද්ධ කිරීම සිදුකරන තෙක් රුධිර කාන්දුකරණ ප්‍රතිකාර සඳහා යොමු කර සිටි දරුවා, විෂබීජයක් ශරීරගත වීමෙන් මියගොස් තිබේ.

ආශ්‍රිත ලිපි
 මැනිං ආර්යා රෝහල

රේඛීය අමාත්‍යංශ රෝහල් - ශ්‍රී ලංකා
1895 වසරෙහිදී සංස්ථාපිත රෝහල්
ශ්‍රී ලංකාවේ ළමා රෝහල්
ශ්‍රී ලංකාවේ බස්නාහිර පළාතේ රෝහල්
ශ්‍රී ලංකාවේ ශික්‍ෂණ රෝහල්
1895 වසරෙහිදී ලංකාව තුල සංස්ථාපනයන්

මුලාශ්‍ර

රිජ්වේ ආර්යා ළමා රෝහල


Carol Martel de Anjou (n. 8 septembrie 1271 – d. 12 august 1295) a fost cel mai mare fiu al regelui Carol al II-lea al Neapolelui și al Mariei de Ungaria, fiica regelui Ștefan al V-lea al Ungariei.

La vârsta de 18 ani, Carol Martel a fost desemnat de către papa Nicolae al IV-lea ca rege titular al Ungariei (1290–1295) fiind succesor prin unchiul mamei al regelui Ladislau al IV-lea al Ungariei, împotriva căruia papa declarase cruciadă.

Nu a reușit niciodată să fie rege în Ungaria, unde a condus efectiv un membru al dinastiei Arpadiene, vărul său, Andrei al III-lea al Ungariei.

Carol Martel a murit de ciumă în Napoli. Fiul său, Carol Robert, i-a succedat la tronul Ungariei.

Note

Nașteri în 1271
Decese în 1295
Prinți italieni
Regi ai Ungariei
Regi ai Croației
Casa de Anjou

Carol Martel de Anjou


Amy Brooke (Chicago, Illinois; 25 de junio de 1988) es una actriz pornográfica estadounidense que realiza escenas extremas anales y de doble penetración.

Premios

Referencias

Enlaces externos

Actrices pornográficas de Estados Unidos
Ganadoras del premio AVN
Nacidos en Chicago

Amy Brooke


Sugenheim bezeichnet den Ort:
 Sugenheim, Markt in Mittelfranken

Sugenheim ist der Familienname folgender Personen:
 Samuel Sugenheim (1811–1877), deutscher Historiker

Sugenheim (Begriffsklärung)


Hammerschmiede ist ein Gemeindeteil der Gemeinde Ehingen im Landkreis Ansbach (Mittelfranken, Bayern).

Geografie
Die Einöde liegt am Moosgraben, der nordwestlich des Ortes den Kreutweiher und östlich des Ortes den Hammer- und Moosweiher speist und ein linker Zufluss des Lentersheimer Mühlbachs ist, und am Hammerschmiedsgraben, der im Ort als rechter Zufluss in den Moosgraben mündet. Unmittelbar nördlich verläuft ein Abschnitt des Limes. Im Osten liegt das Waldgebiet Hammerschmiedschlag.

Eine Gemeindeverbindungsstraße führt zur Staatsstraße 2221 (1,4 km nördlich) bzw. zu einer Gemeindeverbindungsstraße (0,4 km westlich), die nach Brunn (1,4 km nordwestlich) bzw. nach Lentersheim (2,3 km südlich) verläuft.

Hammerschmiede liegt am Limesweg des Fränkischen Albvereins, einem Teilabschnitt des Deutschen Limes-Wanderwegs.

Geschichte
Nachdem die Germanen laut Dietwulf Baatz spätestens um 260 n. Chr. die Anlagen des Kastells Dambach überrannt hatten, war dieses Gebiet lange Zeit unbewohnt. Im Jahre 1720 entstand auf dem Gelände des ehemaligen römischen Kastells eine Getreidemühle mit Weiher und Sägegatter, die später als Hammerschmiede zur Herstellung von Werkzeugen aus Eisen wie Schaufeln und Pickel genutzt wurde. Der Betrieb wurde im Zweiten Weltkrieg eingestellt. Neben der Hammerschmiede entstand eine Ziegelei. Bis zum Ersten Weltkrieg wurden dort Dachziegel und Backsteine hergestellt sowie Kalk gebrannt.

Hammerschmiede hieß ursprünglich Kreutmühle. Sie lag im Fraischbezirk des ansbachischen Oberamtes Wassertrüdingen. Gegen Ende des 18. Jahrhunderts bestand der Ort aus einer Hammerschmiede mit Mahl- und Schleifmühle und einer Ziegelhütte. Grundherr beider Anwesen war das Kastenamt Wassertrüdingen. Von 1797 bis 1808 unterstand der Ort dem Justiz- und Kammeramt Wassertrüdingen.

Infolge des Gemeindeedikts wurde Hammerschmiede dem 1809 gebildeten Steuerdistrikt Lentersheim und der Ruralgemeinde Dambach zugewiesen. Im Zuge der Gebietsreform in Bayern wurde Hammerschmiede am 1. Mai 1978 nach Ehingen eingemeindet.

Einwohnerentwicklung

Religion
Der Ort ist evangelisch-lutherisch geprägt und nach St. Johannes der Täufer (Dambach) gepfarrt. Die Einwohner römisch-katholischer Konfession waren ursprünglich nach Beatae Mariae Virginis (Großlellenfeld) gepfarrt, heute ist die Pfarrei Heilig Geist (Wassertrüdingen) zuständig.

Literatur

Weblinks

Fußnoten

Geographie (Ehingen, Mittelfranken)
Ort im Landkreis Ansbach
Wassermühle im Landkreis Ansbach
Einzelsiedlung
Bauwerk in Ehingen (Mittelfranken)
Mühle in Europa

Hammerschmiede (Ehingen)


Georges Pitoëff () a fost un actor și regizor de teatru francez de origine armeană, care a mai fost cunoscut, de asemenea, ca traducător și decorator. Este unul dintre cei patru fondatori ai asociației Cartel des quatre, creată în 1927.

Biografie
Georges Pitoëff s-a născut într-o familie de negustori armeni bogați, care a fost înnobilată de țarii ruși. Tatăl său, Ivan, a fost director al teatrului din orașul Tbilisi, unde lucra, de asemenea, ca regizor și decorator. Copiii lui Pitoëff au avut o guvernantă germană și o guvernantă franceză.

Georges a plecat la vârsta de optsprezece ani la Moscova pentru a urma studii acolo, dar a fost atras de teatru. El a lucrat pentru un timp cu Stanislavski, care pleda pentru un teatru "adevărat"; Pitoëff, după lungi discuții cu maestrul, a preferat un "teatru, care oferă acces în regatul visului". El a debutat în 1912 la Sankt Petersburg și apoi a plecat în turnee în Rusia, unde a jucat în piese de Ibsen, Shakespeare, Molière, Musset etc.

După moartea mamei sale, la sfârșitul anului 1913, s-a mutat la Paris împreună cu tatăl său. Acolo și-a cunoscut soția, actrița Ludmilla, cu care s-a căsătorit pe 14 iulie 1915. Familia s-a stabilit la Geneva. În acest oraș s-a născut în 1920 fiul lor, viitorul actor și regizor de teatru Sacha Pitoëff.

Pitoëff a montat spectacole de caritate pentru exilați ruși și apoi s-a instalat într-o sală mică din Plainpalais.

În octombrie 1918 el a fondat prima sa companie, care, un an mai târziu, a luat numele de Teatrul Pitoëff. El a dizolvat compania în 1922, dar Evséef, John Hort, Héléna Manson, Alfred Penay, Eugene Ponti, Alice Reichen, Michel Simon, Nora Sylvère au fost din nou angajați. În anul următor, Antonin Artaud, Ève Casalis, Maxime Fabert, Jim Gerald, Marcel Herrand, Mademoiselle Grinewski, Paulette Pax, Leo Peltier și Georges de Vos s-au alăturat noii companii, în timp ce Michel Simon a părăsit-o.

În 1919 și 1920, compania a efectuat turnee la Paris, la Théâtre des Arts, dar și în 1921 la Théâtre Moncey și la Théâtre du Vieux-Colombier.

Ei au părăsit definitiv Geneva în ianuarie 1922 pentru a lucra cu Jacques Hébertot la Comédie des Champs-Élysées.

Din octombrie 1924 până în iulie 1927 a lucrat la Théâtre des Arts condus de Rodolphe Darzens. După un turneu prin Europa în 1926, el s-a alăturat pentru un an la Théâtre des Mathurins, condus de René Saunier.
El a revenit în octombrie 1928 la Théâtre des Arts până în iulie 1931. Apoi s-a mutat la Théâtre Albert 1er și a condus Théâtre de l'Avenue din februarie 1932 până în mai 1933. În cele din urmă, în octombrie 1934, s-a angajat la Théâtre des Mathurins, pe care l-a condus. Compania Pitoëff a fost întărită apoi cu actorii Émile Drain, Mady Berry, Michel Francois, Marcelle Géniat, François Simon (fiul lui Michel Simon) și France Ellys.

Repertoriul a fost foarte deschis către autori străini: Cehov, Shaw, Ferenc Molnár, Tagore, Pirandello, Synge, Tolstoi, Shakespeare - dar și Anouilh (debutant în acea perioadă), Duhamel, Claudel sau Maeterlinck. El a pus în scenă 210 piese între 1915 și 1939.

În domeniul traducerii, el a realizat o adaptarea franceză a piesei Romeo și Julieta de William Shakespeare, împreună cu Pierre Jean Jouve, pe care acesta din urmă a revizuit-o în 1955.

Spectacole regizate
 1915: Unchiul Vanea de Anton Cehov (în limba rusă)

 Comédie de Genève

 1915 : Hedda Gabler de Henrik Ibsen
 1915 : Sans argent de Ivan Turgheniev (în rusă)
 1916 : Les Tréteaux de Aleksandr Blok
 1916 : Le Festin pendant la peste de Aleksandr Pușkin
 1916 : La Demande de Anton Cehov
 1916 : Les Revenants de Henrik Ibsen
 1916 : Chanson d'amour de Nahabed Kuceak

 1916 : Candida de George Bernard Shaw, Grand Théâtre de Genève
 1916 : Les Violons d'automne de Sourgoutchev (în rusă), Salle communale de Plainpalais
 1917 : La Neige de Przybysewski, Casino de Saint-Pierre
 1917 : Revizorul de Nikolai Gogol, Grand Théâtre de Genève

 Salle des Amis de l'Instruction

 1917 : La Puissance des ténèbres de Lev Tolstoi
 1917 : L'Échange de Paul Claudel, Geneva
 1917 : Au-dessus des forces humaines de Bjørnstjerne Bjørnson

 Salle communale de Plainpalais

 1918 : Sœur Béatrice de Maurice Maeterlinck
 1918 : Celui qui reçoit les gifles de Leonid Andreev
 1918 : La Vénus du lac et Halte au village de Fernand Chavannes
 1918 : L'Estomac de Brantmay
 1918 : Amour et géographie de Bjørnstjerne Bjørnson
 1918 : L'Amour africain de Prosper Mérimée
 1918 : Edifice sur le sable de André Schlemmer
 1918 : Dans l'ombre des statues de Georges Duhamel

 1918 : Le Cadavre vivant de Lev Tolstoi
 1918 : Hangița de Carlo Goldoni
 1918 : Le Soldat de chocolat de George Bernard Shaw
 1918 : La Ville morte de Gabriele D'Annunzio
 1919 : Le temps est un songe de Henri-René Lenormand
 1919 : L'Habit vert de Émile Augier și Alfred de Musset
 1919 : Le Canard sauvage de Henrik Ibsen
 1919 : L'Orage de Alexandr Ostrovski
 1919 : Mademoiselle Julie de August Strindberg
 1919 : Le Baladin du monde occidental de John Millington Synge
 1919 : Deburau de Sacha Guitry

 1919 : Sacrifice de Rabindranath Tagore
 1919 : Le Miracle de Saint-Antoine de Maurice Maeterlinck
 1919 : Toutes les âmes de Hermann Heyermans
 1919 : Le Disciple du diable de George Bernard Shaw
 1919 : Vocalises de Mathias Morhardt
 1920 : Les Ratés de Henri-René Lenormand
 1920 : Rosmersholm de Henrik Ibsen
 1920 : Ma femme danseuse de Louis Delluc
 1920 : Clarté de Charles Oulmont
 1920 : Les Noces du rétameur de John Millington Synge
 1920 : Toutes les qualités viennent d'elle de Lev Tolstoi
 1920 : Le Père de August Strindberg
 1920 : Galatée de Alfred Mortier
 1920 : L'Oiseau bleu de Maurice Maeterlinck
 1920 : Lapointe et Ropiteau de Georges Duhamel
 1920 : Le Chant du cygne de Anton Cehov
 1920 : La Porte de prison de Lady Gregory

 1920 : Măsură pentru măsură de William Shakespeare
 1920 : Karma de Comtesse Prozor
 1920 : Bourg Saint-Maurice de Fernand Chavannes
 1920 : La Maison du bon Dieu de Edmond Fleg
 1920 : Le Paquebot Tenacity de Charles Vildrac
 1920 : La Mort de Tintagile de Maurice Maeterlinck
 1920 : Hamlet de William Shakespeare
 1920 : La Naissance de la paix de René Descartes
 1920 : Dans les bas-fonds de Maxim Gorki
 1921 : Oncle Vania de Anton Cehov
 1921 : La Vie d'une femme de Saint-Georges de Bouhélier
 1921 : Quand vous voudrez de Georges Duhamel
 1921 : Celui qui reçoit les gifles de Leonid Andreev, Théâtre Moncey

 1921 : Pescărușul de Anton Cehov
 1921 : Macbeth de William Shakespeare
 1921 : Dama cu camelii de Alexandre Dumas fiul
 1921 : Salomé de Oscar Wilde
 1921 : Androclès et le lion de George Bernard Shaw
 1922 : Magie de Gilbert Keith Chesterton
 1922 : Le Mangeur de rêves de Henri-René Lenormand
 1922 : Tête à tête de Robert de Traz

 1922 : Portretul lui Dorian Gray de Oscar Wilde, adaptation Fernand Nozière, Comédie des Champs-Élysées
 1923 : Mademoiselle Bourrat de Claude Anet, Comédie des Champs-Élysées
 1923 : Six personnages en quête d'auteur de Luigi Pirandello, Comédie des Champs-Élysées
 1923 : Liliom de Ferenc Molnár, Comédie des Champs-Élysées

 1923 : La Journée des aveux de Georges Duhamel, Comédie des Champs-Élysées
 1923 : L'Indigent de Charles Vildrac, Comédie des Champs-Élysées
 1923 : La Petite Baraque de Aleksandr Blok, Comédie des Champs-Élysées
 1924 : Au seuil du royaume de Knut Hamsun, Comédie des Champs-Élysées
 1924 : Celui qui reçoit les gifles de Leonid Andreev, Comédie des Champs-Élysées

 1924 : L'Histoire du soldat de Charles-Ferdinand Ramuz și Igor Stravinski, Théâtre des Champs-Élysées
 1925 : Henri IV de Luigi Pirandello, Théâtre des Arts
 1925 : Sainte Jeanne de George Bernard Shaw, Théâtre des Arts

 1925 : Le Juif du pape de Edmond Fleg, Théâtre des Arts
 1925 : Le Lâche de Henri-René Lenormand, Théâtre des Arts
 1925 : L'Assoiffé de A. Derera, Théâtre des Arts
 1926 : L'Un d'eux de Émile Mazaud, Théâtre des Arts
 1926 : L'Âme en peine de Jean-Jacques Bernard, Théâtre des Arts
 1926 : Comme ci (ou comme ça) de Luigi Pirandello, Théâtre des Arts
 1926 : Orphée de Jean Cocteau, Théâtre des Arts
 1926 : Et dzim la la... de Marcel Achard, Théâtre des Arts

 1926 : Sardanapale de Boussac de Saint-Marc, Théâtre des Arts
 1926 : Jean Le Maufranc de Jules Romains, Théâtre des Arts
 1927 : Le Marchand de regrets de Fernand Crommelynck, Théâtre des Arts

 1927 : Mixture de Henri-René Lenormand, Théâtre des Mathurins
 1928 : Brand de Henrik Ibsen, Théâtre des Mathurins
 1928 : La Maison des cœurs brisés de George Bernard Shaw, Théâtre des Mathurins
 1928 : La Célèbre Histoire de Saint-Georges de Bouhélier, Théâtre des Mathurins
 1928 : Adam, Eve et Cie de Balgi, Théâtre des Mathurins
 1928 : Les Revenants de Henrik Ibsen, Théâtre des Mathurins (reprise)
 1928 : Hamlet de William Shakespeare, Théâtre des Mathurins (repunere)
 1928 : Mademoiselle Bourrat de Claude Anet, Théâtre des Mathurins (repunere)

 1928 : La Communion des Saints de Magdeleine Bérubet, Théâtre des Arts
 1928 : César et Cléopâtre de George Bernard Shaw, Théâtre des Arts
 1929 : Trei surori de Anton Cehov, Théâtre des Arts
 1929 : Vivre de Yves Le Gouriadec și Bernard Flurscheim, Théâtre des Arts
 1929 : Le Vray Procès de Jehanne d'Arc, montaj de Georges Pitoëff și René Arnaud, Théâtre des Arts

 1929 : Le Singe velu de Eugene O'Neill, Théâtre des Arts
 1929 : Magie de Léon Chancerel și Francis Chavannes, Théâtre des Arts
 1929 : Les Criminels de Ferdinand Bruckner, Théâtre des Arts

 1930 : O casă de păpuși de Henrik Ibsen, Théâtre de l'Œuvre
 1931 : Les Hommes de Paul Vialar, Théâtre des Arts
 1931 : La Charette des pommes de George Bernard Shaw, Théâtre des Arts

 1931 : La Belle Hotesse de Carlo Goldoni, Théâtre Albert 1er
 1932 : Œdipe de André Gide, Théâtre de l'Avenue
 1932 : La Belle au bois de Jules Supervielle, Théâtre de l'Avenue
 1932 : Plus jamais ça de Fred Angermayer, Théâtre de l'Avenue
 1932 : Médée de Seneca, Théâtre de l'Avenue
 1932 : Joe et Cie de Hjalmar Bergman, Théâtre de l'Avenue
 1932 : La Louise de Jean-Jacques Bernard, Théâtre de l'Avenue
 1932 : Fait divers de Gobius, Théâtre de l'Avenue

 1932 : La Ronde de Arthur Schnitzler, Théâtre de l'Avenue
 1933 : Marc-Aurèle de Jean Le Marois, Théâtre de l'Avenue
 1933 : Les Gants blancs de Hjalmar Bergman, Théâtre de l'Avenue
 1933 : Les Juifs de Tchirikov, Théâtre du Vieux-Colombier

 1933 : Libeleï et Les Derniers Masques de Arthur Schnitzler, Théâtre du Vieux-Colombier
 1933 : La Polka des chaises de Ronald Mackenzie, Théâtre du Vieux-Colombier
 1934 : Le Canard sauvage de Henrik Ibsen, Théâtre du Vieux-Colombier
 1934 : Louison de Alfred de Musset, Château de Coppet
 1934 : Intermèdes de Jean Le Marois, Château de Coppet
 1934 : Les Revenants de Henrik Ibsen, Théâtre des Mathurins

 1934 : Le Canard sauvage de Henrik Ibsen, Théâtre des Mathurins
 1934 : Le Chef de Drieu La Rochelle, Théâtre des Mathurins
 1934 : Sainte Jeanne de George Bernard Shaw, Théâtre des Mathurins (repunere)
 1935 : Dieu sait pourquoi ? de Steve Passeur, Lyon
 1935 : Ce soir on improvise de Luigi Pirandello, Théâtre des Mathurins
 1935 : La Créature de Ferdinand Bruckner, Théâtre des Mathurins
 1935 : Je vivrai un grand amour de Steve Passeur, Théâtre des Mathurins
 1935 : La Complainte de Pranzini et de Thérèse de Lisieux de Henri Ghéon, Théâtre des Mathurins

 1935 : Le Héros et le soldat de George Bernard Shaw, Théâtre des Mathurins
 1936 : Le Merveilleux Alliage de Vladimir Kirchon, Théâtre des Mathurins
 1936 : La Folle du ciel de Henri-René Lenormand, Théâtre des Mathurins
 1936 : Poucette de Charles Vildrac, Théâtre des Mathurins
 1936 : Tu ne m'échapperas jamais de Margaret Kennedy, Théâtre des Mathurins
 1936 : Dieu sait pourquoi ? de Steve Passeur, Théâtre des Mathurins

 1936 : Angelica de Léo Ferrero, Théâtre des Mathurins
 1936 : Quand vous voudrez de Georges Duhamel, Théâtre des Mathurins
 1936 : O casă de păpuși de Henrik Ibsen, Théâtre des Mathurins (repunere)
 1937 : Six personnages en quête d'auteur de Luigi Pirandello, Théâtre des Mathurins
 1937 : Le Voyageur sans bagage de Jean Anouilh, Théâtre des Mathurins
 1937 : Amal et la lettre du roi de Rabindranath Tagore, traducere de André Gide, muzică de Darius Milhaud, Théâtre des Mathurins
 1937 : Lapointe et Ropiteau de Georges Duhamel, Théâtre des Mathurins
 1937 : Le Testament de la tante Caroline de Albert Roussel, Opéra-Comique
 1937 : Romeo și Julieta de William Shakespeare, Théâtre des Mathurins
 1937 : Eve de Jean Yole, Théâtre des Mathurins
 1937 : Kirika de George Ciprian, Théâtre des Mathurins

 1937 : Des abeilles sur le pont supérieur de John Boynton Priestley, Théâtre des Mathurins
 1937 : Celui qui reçoit les gifles de Leonid Andreev, Théâtre des Mathurins
 1937 : L'Échange de Paul Claudel, Théâtre des Mathurins (repunere)
 1938 : La Sauvage de Jean Anouilh, Théâtre des Mathurins

 1938 : L'argent n'a pas d'odeur de George Bernard Shaw, Théâtre des Mathurins
 1938 : La Première Famille de Jules Supervielle, Théâtre des Mathurins
 1938 : Là-bas de Titayna, Théâtre des Mathurins
 1939 : Pescărușul de Anton Cehov, Théâtre des Mathurins
 1938 : La Fenêtre ouverte de Maurice Martin du Gard, Théâtre des Mathurins
 1939 : Un ennemi du peuple de Henrik Ibsen, Théâtre des Mathurins
 1939 : Dama cu camelii de Alexandre Dumas fiul, Théâtre des Mathurins

Filmografie
 1932 : La Machine à sous de Emil-Edwin Reinert : Gueule d'amour
 1934 : Le Grand Jeu de Jacques Feyder : Nicolas Ivanoff

Omagii
În 1939, Consiliul municipal al orașului Geneva a hotărât ca sala de teatru din cadrul Plainpalais să poarte numele "Salle Pitoëff".

Note

Bibliografie
 Clément Borgal, Metteurs en scène, Éditions Fernand Lanore, 1963

Legături externe
 Seturi și proiecte de seturi disponibile pe
 Pitoëff pe Directorul de artele spectacolului

Nașteri în 1884
Decese în 1939
Actori francezi
Cavaleri ai Legiunii de onoare
Regizori de teatru francezi

Georges Pitoëff


Lupulella est un genre de canidés qui se rencontrent en Afrique. Ce genre ne comprend que deux espèces existantes, le Chacal à chabraque (Lupulella mesomelas) et le Chacal à flancs rayés (Lupulella adusta).

Systématique
Le genre Lupulella a été créé en 1906 par le zoologiste allemand Max Hilzheimer (1877-1946).

Les deux espèces étaient auparavant considérées comme des membres du genre Canis. En 2017, une revue taxonomique a recommandé que ces deux espèces soient reconnues comme le genre Lupulella. En réponse à cet examen, l'American Society of Mammalogists a reconnu le nouveau genre.

En 2019, un atelier organisé par le groupe de spécialistes des canidés de l'UICN/SSC recommande que, parce que les preuves ADN montrent que le Chacal à flancs rayés (Canis adustus) et le Chacal à dos noir (Canis mesomelas) forment une lignée monophylétique qui se trouve à l'extérieur du clade Canis/Cuon/Lycaon, qu'ils devraient être placés dans un genre distinct, Lupulella (Hilzheimer, 1906) avec les noms Lupulella adusta et Lupulella mesomelas.

Phylogénie
Cladogramme basé sur des données génomiques :

Liste d'espèces
 Lupulella adusta (Sundevall, 1847) - Chacal à flancs rayés
 Lupulella mesomelas (Schreber, 1775) - Chacal à dos noir

Publication originale

Liens externes

Notes et références

Canidé d'Afrique

Lupulella


An Arum hygrophilum in uska species han Liliopsida nga ginhulagway ni Pierre Edmond Boissier. An Arum hygrophilum in nahilalakip ha genus nga Arum, ngan familia nga Araceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Arum

Arum hygrophilum


أحمد أبو الغيط (12 يونيو 1942 في القاهرة) دبلوماسي وسياسي مصري. في 10 مارس 2016 اختير لمنصب أمين عام جامعة الدول العربية خلفا لنبيل العربي الذي انتهت ولايته في نهاية يونيو 2016، وشغل سابقاً منصب وزير خارجية جمهورية مصر العربية منذ يوليو 2004 حتى مارس 2011، حيث استمر في منصبه لفترة وجيزة بعد اندلاع ثورة 25 يناير بعد تنحي الرئيس محمد حسني مبارك.

عن حياته
بعام 1964 حصل على بكالوريوس تجارة من جامعة عين شمس، وبعام 1965 التحق بوزارة الخارجية. عين بعام 1968 سكرتيرًا ثالثًا في سفارة مصر بقبرص وذلك إلى عام 1972 عندما عين عضوًا بمكتب مستشار رئيس الجمهورية للأمن القومي. وفي عام 1974 عين سكرتيرًا ثانيًا بوفد مصر لدى الأمم المتحدة ثم رقي إلى سكرتير أول. وفي عام 1977 عين سكرتير أول لمكتب وزير الخارجية، وفي عام 1979 عين مستشارًا سياسيًا بالسفارة المصرية بموسكو، وفي عام 1982 أعيد إلى الوزارة وعين بمنصب المستشار السياسي الخاص لوزير الخارجية، وبعام 1984 عين مستشارًا سياسيًا خاصًا لدى رئيس الوزراء. وفي عام 1985 عين مستشارًا بوفد مصر لدى الأمم المتحدة، وفي عام 1987 عين مندوبًا مناوبًا لمصر لدى الأمم المتحدة. وفي عام 1989 عين بمنصب السكرتير السياسي الخاص لوزير الخارجية، وفي عام 1991 عين مديرًا لمكتب الوزير. وفي عام 1992 عين سفيرًا لمصر لدى إيطاليا ومقدونيا وسان مارينو وممثلًا لمصر لدى منظمة الأغذية والزراعة - الفاو. وبعام 1996 عين مساعدًا لوزير الخارجية. وفي عام 1999 عين بمنصب مندوب مصر الدائم في الأمم المتحدة. وفي يوليو من عام 2004 عين وزيرًا للخارجية ليخلف أحمد ماهر بالمنصب.

الأحداث المهمة أثناء توليه وزارة الخارجية
 الهجوم الإسرائيلي على قطاع غزة: وخلال هذه الفترة بين أن بلاده حذرت حركة حماس منذ فترة طويلة بأن إسرائيل ستقوم بالرد بأسلوب قوي، كما حمل حماس مسؤولية ما يحدث وذلك لأنها لم تأخذ التحذيرات على محمل الجد.

ثورة 25 يناير
قبيل اندلاع اندلاع ثورة 25 يناير والتي بدأت كاحتجاجات شعبية وانتهت بتنحي الرئيس محمد حسني مبارك بعد اشتدادها ومطالبات المتظاهرين في ميدان التحرير بإسقاط النظام قال إن المخاوف من انتقال ما أطلق عليه العدوى التونسية إلى دول عربية أخرى بأنه كلام فارغ وأن لكل مجتمع ظروفه التي لا تتشابه مع المجتمع التونسي.

وأثناء الثورة ظهر في لقاء على قناة العربية وذكر إن أسباب اندلاع الثورة هي نتائج انتخابات مجلس الشعب التي أجريت في 28 نوفمبر 2010  والتي اتهمها معارضو النظام بأنها انتخابات مزورة، وأيضًا تقدم سن الرئيس مبارك وعدم معرفة خليفته في الحكم والحديث عن التوريث أو عدمه كان من الأسباب الضاغطة لاندلاعها حسب وجهه نظره. وفي جانب آخر فانه رد على المطالبات الأمريكية للنظام المصري بتطبيق إصلاحات فورية فإن ذلك يعني فرض الإرادة الأمريكية عليهم، كما أنه لوح بأن القوات المسلحة المصرية قد تضطر إلى التدخل في حال حدوث فوضى وذلك لاستعادة زمام الأمور.

كما أنه رد على المرشد الأعلى للثورة الإسلامية في إيران علي خامنئي الذي قال إن أسباب اندلاع الثورة هي سياسة الرئيس مبارك الموالية للولايات المتحدة وإسرائيل بأن كلامه يكشف عن مكنون ما يعتمل في صدر النظام الإيراني من أحقاد تجاه مصر ومواقفها السياسية، وقال أنه لم يفاجأ بما تضمنته خطبة خامنئي من تطاول على مصر.

وقد أعيد تعيينه وزيرًا للخارجية في الحكومة الأخيرة المشكلة في عهد الرئيس محمد حسني مبارك برئاسة أحمد شفيق والتي شكلت أثناء اندلاع الثورة، والتي أصبحت حكومة تسيير أعمال بعد تنحي الرئيس مبارك ونقل السلطات الرئاسية إلى المجلس الأعلى للقوات المسلحة.

اختياره أمينا للجامعة العربية
في 10 مارس 2016 اختاره وزراء الخارجية العرب كأمين عام جديد لجامعة الدول العربية خلفاً لنبيل العربي اعتبارا من أول يوليو، مع تحفظ دولة قطر على ذلك الاختيار.

حياته الأسرية
متزوج من ليلى كمال صلاح الدين، ولديهما ابنان.

المراجع

دبلوماسيون مصريون في القرن 20
أشخاص على قيد الحياة
أشخاص من القاهرة
أشخاص من مصر الجديدة
الأمناء العامون لجامعة الدول العربية
حكومة أحمد شفيق
حكومة أحمد نظيف
خريجو جامعة عين شمس
دبلوماسيون مصريون
سفراء مصر لدى جمهورية مقدونيا
سفراء مصر لدى سان مارينو
سفراء مصر لدى إيطاليا
سياسيون من القاهرة
مندوبو مصر الدائمون لدى الأمم المتحدة
مواليد 1361 هـ
مواليد 1942
وزراء خارجية مصر

أحمد أبو الغيط


السلمان قد تشير إلى:
 السلمان، مدينة عراقية
 عشيرة من قبيلة الدليم (المحامدة)
 لقب عائلة، ويحمله كل من:
 أحمد السلمان، (1959 - ) ممثل كويتي.
 ليلى السلمان، (1961 - ) ممثلة سعودية.
 عفاف السلمان، (1985 - ) فنانة تشكيلية سعودية.
 حسين السلمان، (1950 - ) فنان عراقي.

السلمان (توضيح)


ඉන්දුනීසියාව පිහිටා ඇත්තේ ගිණිකොන දිග ආසියාවේ පැසිපික් සාගරය අවට කලාපයේය. ඉන්දුනීසියාවට දූපත් 17508 ක් අයත් වේ. මිලියන 230 ක ජනතාවක් වාසය කරනු ලබන ඉන්දුනීසියාව ලෝකයේ ජනගහනය අධික රටවල් අතර සිව්වන ස්ථානයේ පසුවේ. එමෙන්ම ලෝකයේ වැඩිම මුස්ලිම් ජනගහනයක් ජීවත් වන රට ලෙස වාර්තා වන්නේද ඉන්දුනීසියාවය.

ඉන්දුනීසියාවේ සංචාරක ස්ථාන


Nido de águilas puede referirse a:

 Nido de águilas, una película protagonizada por Wallace Beery.
 Nido de águilas, una película protagonizada por Rock Hudson.
 Nido de águilas, una película protagonizada por Fernando Almada.
 Nido de águilas, un álbum de José Luis Perales.
 Nido de Águilas, una escuela internacional.

Nido de águilas


André Luiz Rodrigues Lopes (født 15. februar 1985) er en brasiliansk fodboldspiller.

Eksterne henvisninger

Fodboldspillere fra Brasilien

André Luiz Rodrigues Lopes


الذوبان يُشير إلى:
 الانصهار - تحول المادة من الحالة الصلبة إلى الحالة السائلة.
 الإذابة - جعل المادة الصلبة «تذوب» مع سائل فتصير في محلول.

ذوبان (توضيح)


La Base aérea Dresba (; ICAO:; IATA: ), se encuentra a 3 km al sur del asentamiento de Mijalkino, en la República de Sajá (Yakutia), Rusia. También se la conocía como "Krumaya" o "Mijalkino".

Aparenta ser un campo de bombarderos que no llegó a completarse, probablemente construido alrededor de 1960. La pista y la calle de rodaje pueden apreciarse en las imágenes del satélite.

A unos 14 km al norte existe algún tipo de instalación de radar, en . Imágenes de satélite desclasificadas muestran que la base existía en 1966.

Fue pensado como base para el establecimiento de bombarderos estratégicos a lo largo de la costa del océano Ártico. Es posible que el cambio de orientación hacia los misiles intercontinentales provocara el abandono de la construcción. La base iba a ser atendida por la Voyska PVO para proteger contra posibles ataques procedentes de los Estados Unidos.

Pista
La base aérea Dresba dispone de una pista de hormigón en dirección 17/35 de 3.500x40 m. (11.483x131 pies).

Véase también
 Base aérea de Chekúrovka. Base ártica abandonada.
 Base aérea de Ostrov Bolshevik. Base ártica abandonada.
 Base aérea de Tiksi Norte. Base ártica abandonada.
 Base aérea de Tiksi Oeste. Base ártica abandonada.

Referencias

Enlaces externos
 Mapa de ubicación de los aeropuertos de Sajá en "Our Airports" (en inglés) Consultado el 24 de marzo de 2012

Dresba
Dresba
Bases militares de la Unión Soviética

Base aérea Dresba


Señor Philippe Samyn (nacido el 1 de septiembre de 1948 en Gante, Bélgica) es un arquitecto e ingeniero civil belga cuyo estilo se caracteriza por el uso de importantes estructuras de vidrio, madera y acero, muchas veces de tipo monumental. Es también conocido por su descubrimiento, en agosto de 1997 de "Los indicadores de volumen y de desplazamiento de una estructura arquitectónica"

Biografía
Philippe Samyn realiza sus estudios secundarios en Gante, su ciudad natal, antes de instalarse en Bruselas con su familia. Desde muy joven se interesa por el arte, la arquitectura, las ciencias y las tecnologías.

Es diplomado ingeniero civil en la Universidad libre de Bruselas (ULB) en 1971, finaliza un Master de Ciencias en Ingeniería Civil en el Instituto Tecnológico de Massachusetts (MIT), en 1973, es diplomado en urbanismo por la ULB en 1973, y realiza un postgrado en Administración en la Solvay Business School en 1985. En ese mismo año, 1985, logra también el diploma de Arquitecto Jurado del Estado y desde 1999 es doctor en ciencias aplicadas, logrado en la Universidad de Lieja.
Empieza su actividad como arquitecto y consejero ingeniero en 1972 y funda "Philippe Samyn and Partners" en 1980.

Sus archivos son regularmente transferidos y consultables:
 trabajos escritos, gráficos e iconográficos y maquetas a los Archivos generales del Reino de Bélgica (Calle Houblon, 28 - 1000 Bruselas, +32222741400).
 fotografías y videos a la Real Academia de las Ciencias, Letras y Bellas Artes de Bélgica (Palacio de las Academias, Calle Ducale, 1 - 1000 Bruselas, +32225502211).

Philippe Samyn es Comendador del Orden de Leopoldo y miembro de la Real Academia de Bélgica, ha sido ennoblecido con concesión de nobleza heredera a título personal de Señor por su majestad el Rey Alberto II de Bélgica el 13 de julio de 2012. Su lema es: "Reperire, Invenire, Creare".

Philippe Samyn and Partners

Philippe Samyn and Partners es una asociación de arquitectos e ingenieros fundada en 1980.
El equipo realiza proyectos integrados, desde el paisaje hasta los muebles, todas las técnicas incluidas.
La empresa se encuentra en el barrio Principe de Orange, al sur de Bruselas y cuenta hoy con unos cincuenta colaboradores.
Tiene la certificación ISO 9001 – 2015, ISO 14001 – 2015 y VALIDEO.

Socios
 Philippe Samyn, gerente estatutario
 Denis Mélotte, ingeniero arquitecto
 Antonio Quinones, secretario general
 Ghislain André, arquitecto
 Johan Van Rompaey, ingeniero arquitecto
 Jacques Ceyssens, arquitecto
 Quentin Steyaert, arquitecto
 André Charon, arquitecto
 Åsa Decorte, arquitecta

Principales obras en construcción

En Bélgica

 2018- Banco Nacional de Bélgica, Bruselas
 2017- Lugar "M'as-tu-vu", Knokke-Heist
 2017- Centro administrativo de la provincia de Namur
 2015- Casa de la Cultura de la provincia de Namur
 2015- European Space Agency, Redu
 2014- Reforma de vivienda social en la rue de l'Olivier en Schaarbeek
 2009- Facultad de Ciencias aplicadas, Universidad Libre de Bruselas, Ixelles
 1993- Clínica psiquiátrica "Sans Souci" Bruselas, Bélgica

En otros países
 2018- Carpa de acero para un espacio público multifunciona, Avilés, España
 2017- Teatro del círculo polar, Rovaniemi, Finlandia
 2009- Taller del pintor Erik Salvesen,, Ekenas-tammisaari, Finlandia
 2008- Estación ferroviaria "Vesuvio-Est", Striano, Italia

Principales realizaciones
En Bélgica
 2011- Cuartel de bomberos para el servicio regional de incendios de Charleroi
 2011- Casa para Alain Hubert, Rhode Saint Genèse  (2012)
 2010- Sede central de AGC Glass Europe, Louvaina la Nueva (2013)
 2009- Manneriehof, Cantons de l'est (2013)
 2007- Europa (edificio) en Bruselas. Sede del Consejo Europeo y del Consejo de la Unión Europea.  (*Philippe SAMYN and PARTNERS architects & engineers, LEAD and DESIGN PARTNER. Philippe Samyn and Partners architects & engineers, Studio Valle Progettazioni architects, Buro Happold Limited engineers.).
 2007- Casa de reposo, Rhode-Saint-Genèse (2015)
 2007- Base antártica Princesse Élisabeth, Antarctique (2008) (ingeniería y diseño técnico de la estructura y la cubierta)
 2006- College Toren, Courtrai
 2006- EuroSpace Centre, Libin transine (2009)
 2006- Solvay, Ikra project, Nizhni Nóvgorod, Rusia (2014)
 2006- Restaurante y estación de servicio de autopistas, Ruysbroek (2011)
 2005- Restaurante y estación de servicio de autopistas, Spy (2008)
 2004- SEM, edificio de oficinas Bruselas (2009)
 2004- Centro cultural de Izegem, Izegem (2009)
 2004- Centro del vidrio, Lommel (2007)
 2002- Restaurante y estación de servicio de autopistas, Minderhout (2002)
 2002- Snepkaai, puentes, fase 1 (2006) fase 2 (2008)
 2001- AZ VUB, oficinas, laboratorios e infraestructuras médicas, Bruselas (2007)
 2001- Guardería y antena social, Bruselas (2008)
 2000- BBC- Tour Dexia, place Rogier, Bruselas (2006)
 2000- Jan Denul Headquarters, Alost (2005)
 2000- Erasmus Hogeschool College, Bruselas (2005)
 1999- Milly Residence, alrededores de Bruselas (2007)
 1999- Cubierta de la estación de ferrocarril de Lovaina, Lovaina (2007)
 1999- Restaurante y estación de servicio de autopistas, Hellebecq (2002)
 1998- Compagnie immobilière de Wallonie, edificio de oficinas, Nivelles (2001)
 1998- The Site, edificio de oficinas, Bruselas (2000)
 1998- Renovación de la casa de la radio Flagey, Bruselas (2002)
 1998- 'Orival' Puente-Restaurante y estación de servicio, Nivelles (2001)
 1997- Edificio de oficinas para Procter & Gamble, Strombeek Bever (1999)
 1997- Triomphe I - Levi's European headquarters, Bruselas (1998)
 1997- Mansión Seghers, Malderen (1999)
 1996- Aula-Magna, Lovaina La Nueva (2001)
 1996- Edificio de parking, Smithkline Beecham, Rixensart (2000)
 1995- Estación de Metro Erasme, Bruselas (2003)
 1995- Renovación de la Orangerie del Château de Seneffe (2000)
 1995- Brussels Exhibition Centre- centro de visitantes, Bruselas (1999)
 1994- Compagnie Nationale à Portefeuille-NPM headquaters, Gerpinnes (1997)
 1994- Renovación del hospital Brugmann|hospital universitario Brugmann, Bruselas (2008), últimas fases en obra
 1994- Estación de servicio, Wanlin (1995)
 1994- Smithkline Beecham bio-pharmacological research centre, Rixensart (1999)
 1993- Hospital psiquiátrico Sans souci, Bruselas,  fase 1 (1995), fase 2 (2002), fase 3 (2007) última fases en obra
 1993- 't Hoofd Seghers Engineering, edificio de oficinas, Kleine Willebroek, fase 1 (1997)
 1993- Éditions Dupuis, Marcinelle (1995)
 1992- Comptoir wallon de los materiales forestales de reproducción, Marche-en-Famenne (1995)
 1993- Auditoire pour la Faculté universitaire des sciences agronomiques de Gembloux, Gembloux (1996)
 1992- Auditorio, ULB, campus Erasme, Bruselas (1993)
 1991- Petrofina, casa de huéspedes dependiente del Château de Seneffe, Seneffe, fase 1 (1992), fase 2 (1996)
 1991- Nissan European Technology Centre, Lovaina la Nueva, fase 1 (1992), fase 2 (1994)
 1991- Ferme Stassart, sede de Philipe Samyn and Partners, Bruselas (1993)
 1991- Berheim-outremer "Crystal" office Centre, edificio de oficinas, Bruselas (1998)
 1989- Immoblilière Louis De Waele, Triomphe I, edificio de oficinas, Bruselas (1998)
 1989- Brussimmo, edificio de oficinas, Bruselas (1993)
 1989- Sidmar-Arbed-Alz Ocas, centro de investigación, Gante (1991)
 1988- Edificio de oficinas para Eric Boulanger, Waterloo (1990)
 1988- Fina- Research Petrofina, puente obenque y centro de investigación, Feluy (1991)
 1987- Thompson aircraft tire corporation, - edificio de oficinas, Frameries (1991)
 1987- Edificio de oficinas y apartamentos, Roeselare (1990)
 1986- Centro de investigación Shell, Louvain-la-Neuve fase 1 (1988); fase 2 (1991) fase 3 (1992)
 1985- Design Board studio, Bruselas (1989)
 1985- CITIBANK computer processing centre, Nossegem (1986)
 1983- SB and Partners, oficinas y espacio de muestras, Bruselas fase 1(1983); fase 2 (1984); fase 3(1990)
 1981- Escuela primaria, Athus, Athus (1984)
 1980- Athénée Royal de Waterloo, Waterloo (1989)
 1978- Edificio de apartamentos, CGER-ASLK (1986)
 1978- Casa Bogaert n°2, Uccle (1980)
 1977- Cuatro casas Sogerim, Lovaina-la-Nueva (1979)
 1976- Casa Boulanger, Ohain (1979)
 1974- Casa Nyssens, Bierghes-Lez-Hal (1975)
 1971- Wing building, proyecto de final de estudio (1973)

En otros países
 2010- Lujiazhi cultural creativity garden; pabellón de recepción, grande sala de espectáculos, hotel Zhoushan, China
 2005- Duval-Leroy, castillo en Champagne, Vertus, Francia
 2004- CLE 93, edificio de apartamentos Esch, Luxemburgo (2008)
 2003- Cuartel de bomberos, Enschede, Países Bajos (2007)
 1998- Cuartel de bomberos, Houten, Países Bajos (2000)
 1997- Estación de servicio, Houten, Países Bajos (1999)
 1989- M&G Richerche, Venafro, Italia (1991)
 1973- Proyecto de estación de tren, Douala, Camerún

Archivos
Los archivos de Philippe Samyn son transferidos regularmente y son consultables:
 para los escritos, piezas gráficas e iconográficas, maquetas: en los Archivos Generales del Reino de Bélgica (Rue de Houblon, 28 - 1000 Bruselas).
 para las fotografías y películas: en la Academia Real de Ciencias, Letras y Bellas Artes de Bélgica (Palais des Académies, Rue Ducale 1 – 1000 Bruselas).

Referencias

Enlaces externos
 Página web de Philippe Samyn and Partners

Arquitectos de Bélgica
Ingenieros civiles de Bélgica
Alumnado del Instituto Tecnológico de Massachusetts
Alumnado de la Universidad de Lieja
Personas de Bruselas
Miembros de la Real Academia de Bélgica
Belgas del siglo XX
Belgas del siglo XXI
Arquitectos del siglo XX
Arquitectos del siglo XXI
Comandantes de la Orden de Leopoldo
Nacidos en Gante

Philippe Samyn


Imperador Chongzhen (chinês simplificado: 崇祯帝; chinês tradicional: 崇禎帝; 6 de Fevereiro de 1611 até 25 abril 1644) Nome pessoal Zhu Youjian (Chinês: 朱由檢). Foi o 17º e último imperador da Dinastia Ming, Reinou de 1627 à 1644.
 "Chongzhen", o nome da era do seu reinado significa "honroso e auspicioso". Filho de imperador Taichang e irmão mais novo do imperador Tianqi, a quem sucedeu ao poder em 1627. Lutou contra revoltas camponesas e não foi capaz de defender a fronteira norte contra os Manchus. Quando os rebeldes sob Li Zicheng chegaram à capital Pequim em 1644, ele cometeu suicídio, encerrando a Dinastia Ming. Os Manchus formaram a Dinastia Qing seguinte.

 Wakeman, Frederic Jr. (1986), The Great Enterprise: The Manchu Reconstruction of Imperial Order in Seventeenth-Century China, University of California Press, ISBN 9780520048041
 Swope, Kenneth M. The Military Collapse of China's Ming Dynasty, 1618-44 (Routledge, 2014).

Imperadores da dinastia Ming
Monarcas suicidas

Chongzhen


İnç (İngilizce tekil: Inch, çoğul: Inches), 2,54 cm uzunluğundaki uzunluk ölçüsü birimidir. ( " ) işareti ile ifade edilir. İngiliz birimleri, Emperyal birimler, Birleşik Devletler geleneksel birimleri gibi farklı sistemlerin bir parçasıdır. Uzunluk değeri sistemden sisteme değişebilir. Alan hesaplamalarında inç kare, hacim hesaplamalarında ise inç küp adını alır.

Bir uzunluk ölçüsü olarak inç; ABD, Kanada ve Birleşik Krallık'ta yaygın olarak kullanılır. ABD ve İngiltere'de kişilerin boy uzunlukları foot ve inç cinsinde ifade edilirken; Kanada'da sürücü ehliyeti gibi resmi belgelerde kişilerin boy uzunlukları metrik ölçülerle gösterilir.

Türkçesi parmak olarak geçer.

Uluslararası inç
1958 yılında Birleşik Devletler ve İngiliz Milletler Topluluğu'na üye devletler "uluslararası yarda"nın uzunluğunu 0.9144 metre olarak belirlemişlerdir. Buna bağlı olarak "uluslararası inç" de 25,4 milimetre olarak tanımlanmıştır.

İnçin standart uluslararası sembolü in'dir. Bazı durumlarda, "fit" tek kesme işareti, inç ise çift kesme işaretiyle gösterilir.

Mühendislik ölçülerinde 10'+3" ile gösterildiğinde bunun manası 10 fit 3 inçtir. 1 fit 12 inçe karşılık geldiğinden ölçü toplamda 123 inç eder. Bu ölçünün metrik birimlerle değeri is 123 x 2,54 = 312,42 cm'dir.

Diğer uzunluk birimlerine dönüşümü
1 uluslararası inç;
 1.000 thouya (1 thou 0,001 inçtir),
 yaklaşık 0,08333 fit (1 fit 12 inçtir),
 yaklaşık 0,02778 yardaya (1 yarda 36 inçtir),
 2,54 santimetre (1 santimetre yaklaşık 0,3937 uluslararası inçtir) eşittir.

İnçin kullanımı
Metrik sistemin kullanıldığı ülkelerde de bazı durumlarda inç kullanılmaktadır. Örneğin,
 televizyon ve bilgisayar ekranlarının çerçeve oranları,
 boruların çapları,
 bisiklet ve otomobil lastiklerinin çapları,
 gramofon plakları,
 floppy disketlerin genişliği,
 puroların çapı birçok ülkede inç ile ifade edilmektedir.

Ayrıca bakınız
 Emperyal birimler

Uzunluk birimleri
İmparatorluk birimleri

fy:Tomme (lingtemaat)

İnç


I. zona nogometnog prvenstva Hrvatske (kao i I Zona Varaždin) je bila jedna od pet zonskih liga prvenstva Hrvatske u nogometu, ujedno i trećeg ligaškog ranga nogometnog prvenstva Jugoslavije u sezoni 1947./48.
Sudjelovalo je šest klubova s područja sjverne Hrvatske, a prvak je bio "Braća Bakić" iz Bjelovara.

Ljestvica

 "Braća Bakić" (Bjelovar) plasirao se u završnicu Prvenstva Hrvatske po kup-natjecanju. Sljedeće sezone igrat će u jedinstvenoj Hrvatskoj ligi.
 Iz lige su ispali "Radnik" (Daruvar) i "Borac" (Virovitica)
 Novi članovi lige:
 "Kalnik" (Križevci),
 "Tekstilac" (Oroslavje),
 "Mladost" (Zabok)

Rezultatska križaljka

 Izvori:

Poveznice
 Završnica prvenstva Hrvatske 1947./48.
 II. zona prvenstva Hrvatske 1947./48.
 III. zona prvenstva Hrvatske 1947./48.
 V. zona prvenstva Hrvatske 1947./48.
 Nogometno prvenstvo Jugoslavije – 3. ligaški rang 1947./48.

Izvori
 exyufudbal.in.rs, sezona 1947./48.- Hrvatska , pristupljeno 28. prosinca 2017.

1947-48 I zona
1947-48 HRV I zona
I. zona

I. zona nogometnog prvenstva Hrvatske 1947./48.


El Valle de Kocani (en macedonio: Кочанска котлина) se encuentra a lo largo del río de Bregalnica en la parte oriental de Macedonia del Norte, en la latitud de 41° 55' N y longitud 22 ° y 25' E. Cubre un área de 1.020 km² y se extiende a ambos lados de Bregalnica, de oeste-suroeste a este-noreste, con una longitud de 26 km.
El Fondo del valle, es decir, su parte plana cubre un área de 115 km ². El punto más bajo está en la parte occidental, donde el río Zletovska desemboca en Bregalnica, que tiene una altitud de 290 metros.

Véase también
 Geografía de Macedonia del Norte
 Geografía de Europa

Referencias

Valles de Macedonia del Norte

Valle de Kocani


Diplomatska misija, također i diplomatsko predstavništvo ili diplomatsko zastupstvo, službeno predstavništvo države šiljateljice u državi primateljici. Obuhvaća stalna i povremena diplomatska predstavništva i izaslanstva neke zemlje.

Diplomatske misije ovlašćuju se u drugim državama i pri međunarodnim organizacijama.  Tako države članice Ujedinjenih naroda imaju stalne misije pri UN-u, kao što i Europska unija ili NATO imaju predstavništva u nekim drugim organizacijama poput Svjetske banke ili skupine G8.

Diplomatske misije Vatikana (Svete Stolice) nazivaju se nuncijature, a veleposlanici apostolski nunciji.

Vrste
Diplomatsko-konzularna predstavništva jesu:
 stalne diplomatske misije i
 konzularna predstavništva.

Stalne diplomatske misije jesu:

 veleposlanstva (ambasade), koje se osnivaju u drugim državama, i
 stalne misije, koje se osnivaju pri međunarodnim organizacijama.

Konzularna predstavništva mogu biti osnovana na razini:

 generalnih konzulata,
 konzulata,
 vicekonzulata i
 konzularnih agencija,

u ovisnosti od obujma međudržavnih odnosa, gospodarske suradnje i brojnosti iseljeništva.

Izvori

Diplomacija

Diplomatska misija


Republika Hrvatska i Mongolija održavaju diplomatske odnose od 10. ožujka 1993. Sjedište veleposlanstva je u Pekingu.

Veleposlanici
Hrvatska nema rezidentno veleposlanstvo u Mongoliji. Veleposlanstvo Republike Hrvatske u NR Kini pokriva Mongoliju i Demokratsku Narodnu Republiku Koreju.

Vidi još
Ministarstvo vanjskih i europskih poslova Republike Hrvatske

Vanjske poveznice
 Mongolija na stranici MVEP-a

Izvori

Mongolija

Popis hrvatskih veleposlanika u Mongoliji


Michelle de Paula Firmo Reinaldo Bolsonaro (Ceilândia, 22. ožujka 1982.), brazilska je političarka i prva dama Brazila, supruga 38. brazilskog predsjednika Jaira Bolsonara.

Privatni život
Michelle je majka dviju kćeri. Prvu kćer Letíciju Aguiar ima iz propale veze, a sa suprugom Jairom ima kćer Lauru.

Jairova i Michellina kći Laura rođena je 2011. godine. Zajedno sa svojim suprugom i s kćeri Michelle živi u predsjedničkoj rezidenciji Palácio da Alvorada.

Iako je njezin suprug katolik, Michelle je baptistica. Praktična je vjernica i redovito pohađa svetu misu. Ističe se bliskošću s protestantskim pastorima poznatima po protivljenju pobačaju, eutanaziji i tzv. istospolnim brakovima. Radi s gluhim osobama u baptističkoj zajednici.

Projekti

Nakon službene objave rezultata drugog kruga predsjedničkih izbora u Brazilu na kojima je njezin suprug Jair pobijedio, u svome pobjedničkome govoru Bolsonaro joj je zahvalio što mu je tijekom kampanje pružila "mir, sigurnost i snagu" ističući kako ne bi mogao uspjeti da nije bilo njezine velike podrške.

Iste noći kada je Bolsonaro proglašen izbornim pobjednikom, Michelle Bolsonaro je u intervjuu za RecordTV novinaru Eduardu Ribeiru kazala da kao prva dama želi napraviti promjenu u korist Brazila i da će se boriti za osobe s poteškoćama u razvoju i za ugroženu indijansku populaciju Ribeirinhosa.

Izvori

Brazilski političari
Pro-life aktivisti

Michelle Bolsonaro


Podna dizalica spada u male ili serijske dizalice, a to su jednostavni mehanizmi ili uređaji za dizanje tereta.

Podjela
Među male podne dizalice s ručnim pogonom ubrajaju se zupčasta podna dizalica, vijčana podna dizalica i hidraulička podna dizalica.

Zupčasta podna dizalica
Zupčaste podne dizalice tako su građene da ozubnica ostaje nepomična, a okrilje se diže, ili okrilje miruje, a diže se ozubnica. Imaju nosivost od 2 do 30 tona, visinu dizanja od 0,3 do 0,7 metara i korisnost od 0,5 do 0,7.

Vijčana podna dizalica
Vijčane podne dizalice obično su manje po visini od zupčastih podnih dizalica. Nosivost im je od 2 do 35 tona, a visina dizanja od 0,2 do 0,4 metara. Jednovojno samokočno vijčano vreteno razlog je maloj korisnosti (η = 0,3 - 0,4). U usporedbi sa zupčastim dizalicama, vijčane su dizalice jeftinije, ali se njima diže polaganije. Upotrebljavaju se više za podupiranje nego za izmjenično dizanje i spuštanje.

Hidraulička podna dizalica
Hidraulička podna dizalica (ili samo hidraulička dizalica) radi na osnovu hidraulične preše.

Hidraulična preša

Hidraulični tijesak, hidraulična preša ili hidraulička preša je uređaj s pomoću kojega se mogu proizvesti vrlo velike sile tlačenja, dizanja, probijanja, oblikovanja i slično. Sastoji se od dvaju međusobno spojenih hidrauličkih cilindara, ispunjenih tekućinom. Hidraulična preša djeluje na principu jednakoga širenja tlaka na sve strane u tekućinama (Pascalov zakon). Tlak u malome cilindru nastaje zbog gibanja malog klipa, koji se pomiče ručno preko poluge ili elektromotorom. Tlak proizveden u malome cilindru prenosi se u veliki cilindar, gdje djeluje na veliki klip. Tlakovi su u oba cilindra jednaki, ali zbog različitih promjera klipova sile su na klipovima i brzine pomicanja klipova različite. Sila koja podiže veliki klip onoliko je puta veća od sile kojom mali klip pritišće tekućinu koliko je površina presjeka velikog klipa veća od površine presjeka malog klipa. Brzine pomicanja klipova obrnuto su razmjerne (proporcionalne) površinama klipova, to jest hod velikoga klipa onoliko je puta manji od hoda maloga klipa koliki je omjer površine presjeka klipova. Dio je hidraulične preše i spremnik tekućine, iz kojega pumpa (mali cilindar), preko nepovratnoga ventila siše tekućinu za dizanje velikoga klipa, u koji se tekućina vraća posebnim vodom kada se klip spušta. Kao radna tekućina danas se najčešće upotrebljava ulje (hidraulički fluid) ili emulzija ulja s vodom.

Hidraulični tijesak omogućuje da se primijenjena sila F1 duž nekog puta pretvori u veću silu F2 duž manjeg puta i da se sila poveća onoliko puta koliko je površina gonjenog hidrauličkog cilindra S2 veća od površine pogonskog hidrauličkog cilindra S1:

Hidraulička preša radi na osnovu Pascalovog zakona. Pascalov zakon je temeljni zakon hidrostatike, koji kaže: u tekućini koja se nalazi u zatvorenoj posudi vanjski tlak širi se jednako na sve strane, to jest čestice tekućine prenose tlak u svim pravcima jednako. To znači da vrijedi:

Slike

Izvori

Dizalice

Podna dizalica


22528 Elysehope este un asteroid din centura principală de asteroizi.

Descriere
22528 Elysehope este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Socorro, New Mexico, în cadrul proiectului LINEAR. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 2,21 ua, o excentricitate de 0,11 și o înclinație de 2,5° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 22001-23000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1998
Centura de asteroizi

22528 Elysehope


بوتراجاي ، هي العاصمة الإدارية الجديدة لماليزيا، تم نقل مقر الحكومة في عام 1999 من كوالالمبور إلى بوتراجاي، بسبب الاكتظاظ والازدحام في السابق.. تقع على مسافة 20 كيلومتر جنوب كوالالمبور وسيتم توصيلها عن طريق قطار احادي السكة متطور. وتضم بوتراجايا جميع وزارات الدولة الحكومية وجامع بوترجايا المطل على البحر. كانت بوتراجايا من بنات أفكار رئيس الوزراء السابق الدكتور مهاتير محمد. وفي عام 2001 أصبحت بوتراجايا ثالث الولاية الاتحادية الماليزية بعد كوالالمبور ولابوان.

سميت على اسم أول رئيس وزراء بماليزيا، تونكو عبد الرحمن بوترا، وأراضيها بالكامل داخل ضمن منطقة سيبانغ ولاية سلاغور. بوتراجايا هي أيضاً جزء من MSC ماليزيا، منطقة اقتصادية خاصة التي تغطي وادي كلانج. في اللغة السنسكريتية، «بوترا» يعني «الأمير» أو «الطفل الذكر»، و «جايا» تعني «النجاح» أو «النصر». بدأ تطوير بوتراجايا في أوائل التسعينات، وقد اكتملت معالمها كبيرة اليوم، ويتوقع أن تزداد في المستقبل القريب بالسكان.

توأمة
لبوتراجاي اتفاقيات توأمة مع:
 تانقيرانغ

مراجع

أراض مطوقة ومعزولة
أماكن مأهولة أسست في 1995
بلدات في كوالالمبور
تأسيسات سنة 1995 في ماليزيا
شبه الجزيرة الماليزية
عواصم مخططة
كوالالمبور
مدن ماليزيا
مدن مخططة في ماليزيا
ولايات فدرالية ماليزية

بوتراجاي


قد تشير كلمة النشادر إلى

 أمونياك : روح النشادر أو غاز النشادر
 كلوريد الأمونيوم : ملح النشادر

نشادر (توضيح)


Costruzioni Meccaniche Nazionali S.A. war ein italienischer Hersteller von Automobilen.

Unternehmensgeschichte
Das Unternehmen aus Mailand begann 1919 mit der Produktion von Automobilen. Der Markenname lautete CMN. 1920 übernahm es die Werksanlagen des aufgelösten Unternehmens De Vecchi. Im gleichen Jahr begann eine Zusammenarbeit mit Officine Meccaniche Toscane. 1923 endete die Produktion.

Fahrzeuge
Das erste Modell war der 15/20 HP. Dieser Sportwagen hatte einen Vierzylindermotor mit 2297 cm³ Hubraum. 1922 folgten das Vierzylindermodell Tipo 7 mit 1940 cm³ Hubraum, ein weiteres Vierzylindermodell mit 2200 cm³ Hubraum und das Modell 25 HP mit einem Sechszylindermotor und 3000 cm³ Hubraum.

Renneinsätze
Enzo Ferrari und Ugo Sivocci bestritten für CMN Autorennen wie die Targa Florio.

Literatur

 Nick Georgano: The Beaulieu Encyclopedia of the Automobile, Volume 1 A–F. Fitzroy Dearborn Publishers, Chicago 2001, ISBN 1-57958-293-1 (englisch)
 Autorenkollektiv: Enzyklopädie des Automobils. Marken · Modelle · Technik. Weltbild Verlag, Augsburg, 1989

Weblinks

 GTÜ Gesellschaft für Technische Überwachung mbH (abgerufen am 12. Februar 2012)
 Targa Florio (italienisch) mit Foto (abgerufen am 12. Februar 2012)

Ehemaliger Pkw-Hersteller (Italien)
Ehemaliges Unternehmen (Mailand)
Produzierendes Unternehmen (Mailand)

Costruzioni Meccaniche Nazionali


Englands B-fodboldlandshold er det nationale B-fodboldhold i England, og landsholdet bliver administreret af The Football Association. Holdet har spillet mod både A- og B-landshold.

B-fodboldlandshold

Englands B-fodboldlandshold


الشفرة السابتجي  كود يَنتُجُ عن مخططٍ انسيابي كثير الالتفاف لبرنامج، بسبب الاستخدام المفرط أو غير الملائم لعبارة GOTO أو JUMP.

مراجع

تحقير
مصطلحات حوسبة

رماز متشابك


ලෝකයේ බොහෝ රටවල ජීවත් වන පක්‍ෂියෙක් තමයි තාරාවා කියන්නේ. ඉංගී්‍රසි භාෂාවෙන්  Duck  ලෙස හඳුන්වන තාරාවගේ විද්‍යාත්මක නාමය  Anas platyrhynchos  වේ. රංචු වශයෙන් ජීවත්වෙන තාරාවා බොහෝ රටවල සුරතලෙක් ලෙස ඇති කරනවා. තාරා වර්ග කිහිපයක්ම ලෝකයේ ව්‍යාප්ත වෙලා ඉන්නවා. වේගයෙන් පිහිනා යෑමටත් වතුරේ කිමිඳී මසුන් අල්ලා ගැනීමටත් තාරාවාට විශේෂ හැකියාවක් තියෙනවා. ඒ වගේම වතුරේ පාවීමටද තාරාවා හපනෙක්. තාරාවාට පීනන්න වගේම පියාඹන්නත් හැකියාව තියෙනවා. වරකට බිත්තර 8 – 10 දමන තාරාවා හොඳින් වැඩුණු පසු සාමාන්‍යයෙන් සෙන්ටිමීටර් 84ක් පමණ දිග වෙනවා වගේම කිලෝග්‍රෑම් 2.7 – 3.6ක් බර වෙනවා.

තාරාවා is the common name for a large number of species in the waterfowl family (biology) Anatidae, which also includes swans and goose.

තාරාවා