Jamelia Niela Davis (born 11 January 1981) is a British R&B and pop singer, actor and television personality. She has released three studio albums, each of which has reached the Top 40 in the UK, which collectively have spawned eight UK top-ten singles. In addition, Jamelia has won four MOBO Awards, a Q Award and has received nine BRIT Award nominations.

Jamelia's professional music career began in 1999, when she released her debut single, "So High", followed by a more successful single, "I Do". She then released her debut full-length studio album, Drama, in June 2000. Jamelia went on to release further successful singles, including "Superstar" which charted at number three on the UK Singles Chart and number one in Australia, where it became platinum certified. She went on to further release another two studio albums, Thank You (2003) and Walk with Me (2006), before leaving Parlophone following a dispute with executives over the release of "No More", the third offering from Walk with Me.

Jamelia's ten-year-successful career span has led her to becoming a judge on shows such as Move Like Michael Jackson in 2009. Her filmography also includes her own TV documentaries, including Jamelia: Whose Hair Is It Anyway (2008), her own edition of the popular Channel 4 show, The House That Made Me and in 2011, her own BBC Three documentary, Jamelia: Shame About Single Mums. In 2010 she signed a new record deal with All Around the World Productions. She was a panellist on the ITV magazine show Loose Women from 2013 until 2016.

Early life
Jamelia was born in Handsworth, Birmingham, to single mother Paulette Davis. Both her parents are Jamaican; her father is from Spanish Town and her mother is from Westmoreland. She grew up in nearby Hockley and attended a local primary school, Brookfields Primary School and then later attended the CTC Kingshurst Academy, formerly known as the City Technology College.

Career

1999–2001: Early career and Drama
Jamelia was signed to Capitol Records at 15 after record producers heard recordings of her self-written a cappella songs that she had made on a karaoke machine. In late 1999, Jamelia recorded the single So High, a collaboration with fellow R&B vocalist Rosita Lynch. The single failed to chart in both the UK and mainland Europe, and did not appear on any of Jamelia's subsequent albums. Following the poor sales of the single, Jamelia left Capitol Records, but was quickly signed up with record company Parlophone, a branch of EMI.

Taking some time to record her debut studio album, Drama (2000), Jamelia returned to the music scene in 1999 with the single "I Do", which became her first commercially successful single in the UK and mainland Europe, making the UK Top 40 and holding Top 20 positions in France and Sweden. The single's mediocre chart success, however, led to the delay of the release of Money. Jamelia's third single, "Money" (featuring rapper Beenie Man and co-written by UK The X Factor finalist Daniel De Bourg), was released in February 2000. The single was the singer's breakthrough in the UK, peaking at number five and spending nine weeks in the UK Top 75; it later won a MOBO Award for Best Video in 2000. Despite the success of Money, Drama did not make a major chart impression in the UK, where it peaked at number 39. The third single from the album, "Call Me", reached number 11, and the fourth single, "Boy Next Door", peaked at number 42. Recognition for the singer's early success came in late 2000 and 2001 at the BRIT Awards. Jamelia was nominated for Best British Newcomer, Best British Video and Best British Female.

2003–2005: Thank You and mainstream breakthrough
Jamelia recorded her second studio album, Thank You, in 2002 and early 2003 following the birth of her daughter Teja in 2001. The first single lifted from Thank You was the R&B-influenced "Bout", on which she collaborated with American rap star Rah Digga; it debuted at number 37 in the UK. The second single, the much poppier "Superstar", became Jamelia's highest peaking at the time when it peaked at number three, and earned the spot of the 26th best-selling of 2003 in the UK. It remains Jamelia's only single to receive a BPI certification. Parent album Thank You, released shortly after "Superstar", was widely expected to replicate the single's success, but entered the UK chart at number 65. Subsequently, a number of record producers worked with Jamelia on a re-release of the album that featured new artwork and track listing, including two new songs: her collaboration with Coldplay's Chris Martin and DJ K Staveley, "See It in a Boy's Eyes", and "DJ".

Promoting the re-release, title track "Thank You" was issued shortly before. Known to be Jamelia's favourite of her releases, the song became her highest-charting single to date in the UK, where it peaked at number two and received the 2004 MOBO Award for Best Single and a BRIT Award nomination in the same category. The fourth single "See it in a Boy's Eyes" was released in mid-2004 and became Jamelia's third consecutive top five hit, winning a MOBO Award for Best Video and a Q Award for Best Single. The success of Thank You resulted in five BRIT Award nominations for Jamelia in 2004 and 2005 for Best British Female, Best British Single, Best Female Solo Act, and Best British Urban Act. The album became the 36th best-selling of 2004 and was certified double platinum by the BPI in recognition of 600,000 copies shipped to retailers. Jamelia also contributed a cover version of Kool and the Gang's "Straight Ahead" for their remix/covers album The Hits: Reloaded.

In mid-2004, Jamelia collaborated with Italian singer Tiziano Ferro on "Universal Prayer" for the 2004 Olympic Games soundtrack. It became her first Number 1 single in Italy and Spain and was added to non-UK editions of Thank You. In late 2004, Jamelia was asked to contribute to the Band Aid 20 charity single "Do They Know It's Christmas?", on which she sang with Will Young. The single topped the UK Singles Chart and was certified platinum. Around the same time, Jamelia released the lead single from the soundtrack of the film Bridget Jones: The Edge of Reason, a cover of Sam Brown's 1988 single "Stop!"; it was released as double A-side in the UK with the aforementioned "DJ", and peaked at number nine.

On 9 November 2006, Jamelia joined Feeder on stage for the encore of Feeder's WAR Child gig at 'The Coronet' in London. They performed a cover of REM's "Everybody Hurts" as well as "Beware of the Dog".

2005–2010: Walk with Me and departure from Parlophone

Following the birth of her second daughter, Tiani, in 2005, Jamelia began recording her third album, Walk with Me. Its lead single, "Something About You", was released in late 2006 and described as "less R&B, more experimental", with Popjustice hailing it as "an incredible pop single". The single became Jamelia's first to enter the charts solely on download sales alone, debuting at number 28, rising to number nine almost a month later following the physical release. Walk with Me was released shortly after and drew critical praise, with many critics claiming that it marked a significant turn in the singer's career as she moved from R&B to pop/rock.

The album did not emulate the chart success of Thank You, managing to début only at number 20 on the UK Albums Chart. The second single, "Beware of the Dog", features a sample from Depeche Mode's 1989 song "Personal Jesus" and was heavily praised as being Jamelia's best single to date, with BBC Radio 1's "Chart Blog" stating that it "might just be one of the best pop songs ever made" and "the best pop song of the year", receiving a five-star rating. The single became the second consecutive Top 10 effort from the singer's third album, reaching number 10 in the UK. The final single to be released from the album was "No More", which samples The Stranglers' 1981 single "Golden Brown". It made the A-list on BBC Radio 2, but failed to garner much sales success, debuting at number 43.

Walk with Me became Jamelia's second album to receive a BPI certification. After four months of release, it sold more than 100,000 copies and was awarded a Gold disk. However, despite producing two Top 10 singles and garnering mostly positive reviews, Walk With Me had disappointing sales compared to her second album, Thank You, which went on to become certified double platinum.

In an interview with Digital Spy in December 2009, Jamelia said that she wasn't surprised that the album did not sell well. "I probably wasn't in the right frame of mind with Walk With Me... I love all the songs individually, but I don't feel it flows very well as an album, which makes it harder to relate to. It sold well over 100,000 copies – but I want double-platinum every time!"

In late 2007, the singer released a singles collection titled Superstar - The Hits. The compilation album features 11 of her 14 releases, omitting the 1999 single "So High", Drama singles "I Do" and "Boy Next Door" and the non-UK 2004 release "Universal Prayer". The collection, which only managed to début at number 55 on the UK Album Charts, was criticised for its hastiness, brevity and lack of new tracks or artwork. This proved to be her final album for Parlophone, which she left weeks after the collection's release amid rumours that the sales performance of Walk With Me had been a factor in the decision of the artist and label to part ways, and to release the singles collection.

In an interview with entertainment website Digital Spy in December 2009, Jamelia commented on being a rumoured replacement for Keisha Buchanan, in the girl-group Sugababes and spoke about work with her ongoing album, which was going "absolutely amazing". She stated that she was working with producers who have previously worked with Lady Gaga and Beyoncé, and that the album returned her sound to 2004's Thank You. She also vowed to come back with a "really exciting" album. On 26 July 2010, Jamelia signed a record deal with an unknown label live on video streaming website Ustream.tv. Ultimately, nothing was released

2013–present: Presenting and Hollyoaks

In 2013 and 2014, Jamelia appeared on two series of The Voice of Ireland as a coach.

In February 2013, Jamelia appeared in an episode of the BBC drama series Death in Paradise, portraying a singer. In 2014, Jamelia modelled a new swimwear range for Boux Avenue.

In August 2013, Jamelia was part of a house band on every episode of the BBC One panel show I Love My Country. On 27 November 2013, Jamelia joined the panel of the ITV chat show Loose Women. As of 16 August 2016, she had made 162 appearances. However, she was axed from the show following new contracts being drawn up on 17 August 2016, and did not return for series 21.

In May 2014, she appeared in a TV advertisement for Boux Avenue and sang a cover version of "I Only Want to Be with You", with the chorus changed to "I only want to be with Boux".

In 2015, Jamelia took part in Bear Grylls: Mission Survive on ITV. In 2015, Jamelia participated on thirteenth series of Strictly Come Dancing. She was partnered with professional dancer Tristan MacManus. The pair survived four dance-offs, but lost their fifth dance off in week 9, being voted out by 3 out of 4 judges against Peter Andre and Janette Manrara.

In 2016, she returned to acting to appear in an episode of the BBC soap opera Doctors as Helena Wales. Following her appearance, she stated that she wants to return to Doctors.

In February 2020, Jamelia appeared on the BBC Two game show Richard Osman's House of Games, as one of the contestants, alongside Gareth Malone, Paul Martin and Susan Calman.

In 2023, Jamelia joined the cast of Hollyoaks, as Sharon Bailey.

Other projects
In spring 2004, Jamelia was signed by the agency ICM. A week later she was signed as the face and legs of Pretty Polly in a high-profile advertising campaign and shortly afterwards was featured in a poster campaign for Reebok. Since pursuing work in modelling, Jamelia has also endorsed Listerine Softmint Sensation, Jaguar Cars and BMW, was the brand ambassador for the maternity wear line Seraphine, has appeared in print advertising for Oxfam and on the front cover of magazines such as Cosmopolitan, Company, Elle and Harpers & Queen.

In January 2007, Jamelia launched a new fragrance as part of a campaign to increase awareness of HIV and AIDS. Proceeds from the sale of every bottle of The Body Shop's Rougeberry were donated to MTV's Staying Alive Foundation. On 4 March 2007, Jamelia appeared on an episode of Top Gear, where Richard Hammond drove her to Earl's Court Exhibition Centre for a Brit Awards show in his homemade stretch limousine. On 27 May 2007, Jamelia had signed a £100,000 contract to launch a new range of products for Boots. On 31 July 2007, Jamelia, Erin O'Connor and Helena Christensen, had teamed up with hairdressing/hair product company Toni & Guy to promote Model.Me – a hair product created for women with ethnic hair. Jamelia said, "I think it's about time that there was a haircare range specifically designed for ethnic hair available on every high street."

On 18 September 2007, Jamelia co-hosted the MOBO Awards with Shaggy and on 20 September, she was on the catwalk in Naomi Campbell's Fashion for Relief event at the Natural History Museum in London. Jamelia appeared on ITV's Saturday Night Divas to mark the end of Breast Cancer Awareness Month. She shared the stage with Jennifer Lopez, Girls Aloud, Celine Dion and Alicia Keys, amongst others and performed a cover version of Outkast's hit single Hey Ya!. On 1 December 2007, Jamelia was invited to perform on stage for Nelson Mandela's World Aids Day concert. She performed the hit singles "Something About You", "See It in a Boy's Eyes" and "Superstar". On 19 December 2007, she played Cinderella in Channel 4's The Paul O'Grady Show's Christmas Pantomime.

In January 2008, Jamelia signed a book publishing deal with Orion. Her autobiography, Stronger has yet to be published. In February 2008, Jamelia announced in a podcast on her personal website that she had "completed her first official acting role". It was also mentioned that she had landed a TV presenting job. In July 2008 she appeared in a documentary about the international Hair extensions trade Jamelia: Whose Hair is it Anyway? for BBC Three travelling to India and Russia with Tatiana Karelina and guest presented a week of episodes of Big Brother's Big Mouth for E4.

On 7 September 2008, Jamelia guest presented an episode of Something for the Weekend with Tim Lovejoy. A more recent project is The Really Good School Dinner. Jamelia is supporting the initiative which will see children and young people in England pledging to have a school meal and make a donation to provide some of the world's poorest children with a nutritious meal.

Jamelia starred in an episode of Gordon Ramsay's The F Word, where she and Gordon took part in a cook off competition. She was a guest judge for BBC's Let's Dance for Comic Relief, and she has appeared on the Disney channel show Under Cover Coach, in which she coached a girl called Amy in singing. Jamelia presents The National Lottery some Wednesday evenings, which she has been doing since April 2008. Jamelia featured in a Channel 4 documentary series, produced by Nutopia, in 2010, called The House That Made Me, which took her back to her childhood home, and reintroduced her to the people she had known in her youth.

Jamelia has walked the catwalk every year since 2007 for her UK model counterpart, Naomi Campbell, and her Fashion for Relief show. Jamelia is also active in working with ActionAid, Princes Trust and the Food Aid branch of the UN, the World Food programme which has seen her visit Kenya, Uganda and India. In 2008, Jamelia earned the role of appearing alongside Helena Christensen and Erin O'Conor, fronting her own ethnic haircare range 'Model Me', in conjunction with 'Toni and Guy', and was stocked nationwide in Boots stores. 2009 saw Jamelia take on various TV roles including authoring her own documentary for BBC Three on ethical hair extensions, which saw her travel to Russia and India. Plus she was one of the judges on BBC Three's Move Like Michael Jackson. Jamelia has met Nelson Mandela and performed for him for both his 46664 concert in Johannesburg and his 90th birthday celebrations in Hyde Park. In 2012, she took part in the Preston Passion to mark Preston's 2012 Guild. The Preston Passion was a retelling of the Easter story and involved singing, dancing and three dramas, where she sang a cover version of "You Got the Love". She has been a frequent guest on the satirical music panel show Never Mind the Buzzcocks and was a celebrity contestant on Vernon Kay's Gameshow Marathon.

Personal life

Jamelia revealed that she grew up without her father, due to the fact he was often in and out of prison, and he later rejected her invitation to her wedding.

Jamelia has four daughters. Her first was born in 2001, from a relationship with music manager Terry Wallen, who Jamelia claims was abusive and inspired her song "Thank You". In August 2007, Jamelia split from boyfriend Darren Byfield; the couple have a daughter (born 21 October 2005). They were reconciled a couple of months later, and in October 2007 announced their engagement. On 15 June 2008, it was reported the couple had married on the previous day in West Sussex. On 3 November 2009, it was announced that they were filing for divorce. In August 2022, Jamelia announced she was expecting her fourth child.

In 2018, Jamelia blamed TV projects being "taken away" from her on the coverage of her stepbrother, Tafarwa Beckford, who was convicted of a gang-related murder.

In November 2019, Jamelia endorsed the Labour Party in the 2019 UK general election.

Discography

Studio albums
Drama (2000)
Thank You (2003)
Walk with Me (2006)

Filmography

 Guest appearances
 Gok's Fashion Fix
 8 Out of 10 Cats
 The House That Made Me
 Room 101 (TV series)
 Never Mind the Buzzcocks
 Magic Boys
 The Great Sport Relief Bake Off
 Tipping Point: Lucky Stars
 The Chase Celebrity Special (2012)
 Celebrity Squares
 All Star Family Fortunes
 Celebrity Benchmark (2015)
Loose Women  (2015)
 Top Gear
Celebrity Haunted Hotel Live (2016)
Don't Ask Me Ask Britain (2017)
Would I Lie to You? (24 August 2009)
Richard Osman's House of Games (17-21 February 2020)
 The Hit List (2022)
 Sorry, I Didn't Know (2022)
 Countdown (Dictionary Corner) February 2023
 Celebrity Masterchef  MasterChef August 2023

Awards and nominations

Tours
 2004 Thank You Tour
Jamelia has also been the opening act for artists such as Destiny's Child, Justin Timberlake and Usher as well as her own sold-out tour.

See also
 List of one-word stage names
 List of Strictly Come Dancing contestants

References

External links

Official website
Jamelia at ROAR Global
Jamelia's Personal website

1981 births
Living people
British contemporary R&B singers
English women songwriters
21st-century Black British women singers
Black British fashion people
English people of Jamaican descent
English people of Zimbabwean descent
English soap opera actresses
Ivor Novello Award winners
Parlophone artists
People from Smethwick
Singers from Birmingham, West Midlands
Wives and girlfriends of association football players

Jamelia


ROH Women's World Championship (em português, Campeonato Mundial Feminino da ROH) é um campeonato mundial de luta profissional feminino criado e promovido pela promoção americana de wrestling profissional Ring of Honor (ROH). A atual campeã é Athena, que está em seu primeiro reinado.

História
Em 1º de janeiro de 2020, o Campeonato Mundial Women of Honor foi desativado quando a última campeã Kelly Klein foi destituída do campeonato depois que a ROH não renovou seu contrato. Um novo torneio para coroar a campeã mundial feminina inaugural da ROH estava marcado para começar em 24 de abril daquele ano no Quest for Gold, no entanto, a ROH adiou todos os eventos futuros devido à pandemia de COVID-19.

Em 26 de março de 2021, no ROH 19th Anniversary Show, a membro do Conselho de Administração da ROH, Maria Kanellis-Bennett, anunciou um torneio para coroar uma nova Campeã Mundial Feminina da ROH. Em 11 de julho, no Best in the World, a chave do torneio e o próprio campeonato foram revelados.

Em 12 de setembro de 2021, Rok-C derrotou Miranda Alize por pinfall no pay-per-view Death Before Dishonor XVIII, o ponto culminante de um torneio de eliminação individual de 15 mulheres para se tornar a detentora inaugural do Campeonato Mundial Feminino da ROH.

Em 27 de outubro de 2021, a Ring of Honor anunciou que entraria em um hiato após o Final Battle em dezembro, com retorno provisoriamente agendado para abril de 2022. Todo o pessoal também seria dispensado de seus contratos como parte dos planos para "reimaginar" o empresa como um "produto focado no fã". Após o Final Battle, vários lutadores da ROH começaram a aparecer em outras promoções e defenderam os títulos. Rok-C defendeu o título contra Deonna Purrazzo do Impact Wrestling durante uma gravação para a televisão. No entanto, Rok-C foi derrotada e perdeu o título para Purrazzo.

No início de 2022, durante o hiato, a então Campeã Mundial Feminina da ROH Purrazzo foi reservada para o Multiverse of Matches na WrestleCon, que aconteceu quando o evento Supercard of Honor XV foi posteriormente agendado para 1º de abril de 2022. Purrazzo não pôde comparecer o último evento. No Supercard of Honor XV, Mercedes Martinez derrotou Willow Nightingale para se tornar a campeã mundial feminina interina da ROH e ganhou a oportunidade de enfrentar o campeã linear Purrazzo em uma partida de unificação posteriormente. No episódio de 4 de maio de 2022 do Dynamite, Martinez derrotou Purrazzo para se tornar a campeã mundial feminina indiscutível da ROH.

Torneio inaugural do campeonato (2021)

Reinados

Em 13 de dezembro de 2022, houve quatro reinados entre quatro campeãs. Rok-C foi o campeã inaugural. O reinado de Mercedes Martinez é o reinado mais longo com 220 dias, enquanto Deonna Purrazzo tem o reinado mais curto com 115 dias. Rok-C foi o campeã mais jovem com 19 anos, enquanto Mercedes Martinez é a campeã mais velha com 41.

Athena é a atual campeã em seu primeiro reinado. Ela derrotou Mercedes Martinez em 10 de dezembro de 2022 no Final Battle em Arlington, TX.

Referências

Ligações externas

 ROH Women's World Championship no Cagematch.net

Ring of Honor

ROH Women's World Championship


لاسينا دياباتي ( في بواكي)  لاعب كرة قدم عاجي معتزل كان يجيد اللعب في مركز قلب الدفاع كما كان يجيد اللعب في مركز الوسط المدافع .

لعب دياباتي في أندية ألي الفرنسي (1992-1993) بورغ الفرنسي (1993-1995) بيربينيان الفرنسي (1995-1997) بوردو الفرنسي (1997-2001) أوكسير الفرنسي (2001-2002) بورتسموث الإنجليزي (2002-2003) أجاكسيو الفرنسي (2004) سينت ترويدينس البلجيكي (2004-2005) لوزان السويسري (2005-2006) كان الفرنسي (2007) .

روابط خارجية

مراجع

لاعبو كرة قدم رجالية مغتربون في فرنسا
لاعبو كرة قدم رجالية مغتربون في بلجيكا
لاعبو كرة قدم رجالية مغتربون في سويسرا
لاعبو كرة قدم رجالية مغتربون في إنجلترا
لاعبو وسط كرة قدم رجالية
أشخاص على قيد الحياة
أشخاص من بواكي (ساحل العاج)
لاعبو أجاكسيو
لاعبو ألي
لاعبو أوكسير
لاعبو الدوري البلجيكي للمحترفين
لاعبو الدوري الفرنسي
لاعبو بورتسموث
لاعبو بوردو
لاعبو دوري الدرجة الأولى الإنجليزي
لاعبو كأس الأمم الإفريقية 1998
لاعبو كأس الأمم الإفريقية 2000
لاعبو كأس الأمم الإفريقية 2002
لاعبو كان
لاعبو كرة قدم إيفواريون
لاعبو كرة قدم إيفواريون مغتربون
لاعبو كرة قدم مغتربون في إنجلترا
لاعبو كرة قدم مغتربون في بلجيكا
لاعبو كرة قدم مغتربون في سويسرا
لاعبو كرة قدم مغتربون في فرنسا
لاعبو كليرمونت
لاعبو لوهان كويسو
لاعبو منتخب ساحل العاج لكرة القدم
لاعبو نادي سينت ترويدن
لاعبو نادي لوزان
مواليد 1974
مواليد في بواكي (ساحل العاج)

لاسينا دياباتي


Víctor Hugo Cabrera Pottier (Bogotá, 24 de abril de 1968) es un actor colombiano. Hijo del artista ecuatoriano Víctor Cabrera Paredes y de la fallecida actriz de radionovelas Conchita Pottier. Es reconocido por sus papeles de Peter Alexander en la comedia Romeo y Buseta, Rafael Méndez en la telenovela Hasta que la plata nos separe, y Arturo Bermúdez en la telenovela Bermúdez.

Biografía

Cabrera es hijo del artista ecuatoriano, Víctor Hugo Cabrera Paredes, miembro del grupo de teatro cómico musical Los Chaparrines, y de la actriz de radio colombiana Concha Pottier, de origen francés.

Cabrera debutó como actor en la radio y el teatro, en la década de 1970. Su debut para la televisión fue en 1979 en la novela La abuela y en la serie Las aventuras de Tom Sawyer. Sus papeles protagónicos más recordados han sido de Peter Alexander en la comedia Romeo y Buseta, "Rafael Méndez" en la telenovela Hasta que la plata nos separe en el 2007, y la telenovela El fiscal (1999), estas 2 últimas producidas por la RCN Televisión.

Su primer papel principal fue en 2006, como Rafael Méndez en la telenovela Hasta que la plata nos separe, junto a Marcela Carvajal. Con esta novela logró el reconocimiento de los colombianos, ganando un premio como Mejor Actor Protagónico. Para dicho rol, fue recomendado por la reconocida empresaria teatral Fanny Mikey. En 2009, para el canal Caracol TV protagonizó la telenovela Bermúdez, junto a Valentina Rendón.

Filmografía

Televisión

Premios

Premios TVyNovelas

Premios India Catalina

{| border="1" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 90%;"
|- bgcolor="#B0C4DE" align="center"
! Año || Categoría || Telenovela || Resultado
|-
| 1991 || rowspan=3|Mejor Actor de Reparto || Romeo y Buseta || Nominado
|-
| 2000 || El fiscal || Nominado
|-
| 2001 || La baby sister'''' || Nominado
|-
| 2007 || Mejor Actor Protagónico || Hasta que la plata nos separe || Nominado
|}

 Otros premios
 Premio Orquídea Usa a Mejor Actor Protagónico por Hasta que la plata nos separe.
 Placa Tv y Novelas Ecuador por su actuación en Hasta que la plata nos separe''.

Referencias

Enlaces externos

Nacidos en Bogotá
Actores de televisión de Colombia
Actores de teatro de Colombia
Actores de cine de Colombia
Actores masculinos de Colombia

Víctor Hugo Cabrera


Dom Um Romão (3 de agosto de 1925 - 27 de julio de 2005) fue un percusionista y baterista brasileño de jazz. Es especialmente conocido por su trabajo con la banda de fusión Weather Report, habiendo además grabado con músicos como Cannonball Adderley, Paul Simon, Antonio Carlos Jobim, Sergio Mendes and Brasil '66 y Tony Bennett. Murió en Río de Janeiro, después de haber sufrido un ataque cardíaco.

Discografía seleccionada

Como líder
1965  Dom Um (Phillips)
1972  Dom Um Romão (Muse)
1973  Spirit of the Times (Muse)
1977  Hotmosphere (Pablo)
1978  Om (JAPO Records/ECM)
1990  Samba de Rua (Vogue Records)
1993  Saudades (Waterlilly)
1999  Rhythm Traveller (JSR/Natasha)
2001  Lake of Perseverance (JSR/Irma)
2002  Nu Jazz meets Brazil (JSR/Cuadra)

Como acompañante
Con Collin Walcott'Grazing Dreams'' (ECM, 1977)

Referencias

 Este artículo, en su versión inicial, está tomado de Wikipedia en inglés

Enlaces externos
 Discography

Músicos de jazz de Brasil
Percusionistas de jazz
Músicos de jazz latino
Músicos de jazz moderno

Dom Um Romão


|- bgcolor="#eeeeee" align=center
! colspan="4" | Natjecatelj za  Hrvatsku

Nikica Ljubek (Osijek, 19. listopada 1980.), hrvatski kanuist. Sin je Matije Ljubeka, najtrofejnijeg hrvatskog kanuista.

Natjecao se na Olimpijskim igrama 2000. U kategoriji C–1 1.000 m je nastupio u prednatjecanju, a u kategoriji C–2 500 m je osvojio 12. mjesto.

Na svjetskom prvenstvu 2008. je osvojio srebrnu medalju u C–1 maratonu na 25,8 kilometara. Na europskom prvenstvu 2011. osvojio je brončanu medalju u C–1 maratonu.

Bio je član Belišća i Matije Ljubeka iz Zagreba.

Izvori

Hrvatski kajakaši i kanuisti

Nikica Ljubek


Fiend Folio is the name of three separate products published for successive editions of the fantasy role-playing game Dungeons & Dragons (D&D).  All three are collections of monsters.

The bulk of the material in the first edition came from the British gaming magazine White Dwarf, rather than being authored by Gary Gygax, the game's co-creator. Readers and gamers had submitted creatures to the "Fiend Factory" department of the magazine, and the most highly regarded of those appearing in the first thirteen issues were selected to be in the publication.

Publication history

Advanced Dungeons & Dragons 1st edition

Games Workshop, with Don Turnbull editing the project, originally intended to produce and publish the Fiend Folio tome () in late 1979. The Fiend Folio was intended to be the second volume of the Monster Manual, and would be officially recognized by TSR as an Advanced Dungeons & Dragons product, with the monsters mostly taken from submissions to White Dwarfs "Fiend Factory" column. At the time, Games Workshop was the holder of the license to publish D&D game products in the United Kingdom. Although the manuscript was completed on time by editor Don Turnbull, a business dispute between Games Workshop and TSR Hobbies delayed publication of the book for nearly two years.  The Fiend Folio was finally published in August 1981 by TSR itself, who used the product to launch its UK division.

Much of the material for the 128-page hardcover Fiend Folio was drawn from early issues of White Dwarf.  Also edited by Turnbull, the magazine's "Fiend Factory" column featured new AD&D monsters, many of them created by gamers who read the magazine.  The bulk of monsters in the Fiend Folio come from British contributors, all of whom are acknowledged in the index.  The book used the same format as that of the Monster Manual, clearly and succinctly defining the each monster's specifications and abilities. Some illustrations by Emmanuel were previously featured in the "Fiend Factory" column from issue 12: the Assassin Bug, Githyanki, Grell and Giant Bloodworm. Besides creatures from the column, jermlaine, drow, kuo-toa, and svirfneblin, all of which had previously appeared in TSR modules, were included. Turnbull also included creatures that had been submitted to the magazine, but not published in the column. Aside from monsters, the book included random encounter tables for dungeons, outdoors, and the Astral and Ethereal Planes; these encounter tables combined creatures from the Monster Manual and Fiend Folio, superseding the tables in the Dungeon Master's Guide.

The githyanki, designed by Charles Stross within the pages of White Dwarf, was introduced to most D&D players in the Fiend Folio. The githyanki was featured on the cover, which helped it gain traction among the D&D community.  Not all creatures featured on covers have done as well; the firbolg appeared on the cover of 1983's Monster Manual II and had as of 2007 slipped back into obscurity. It began to see a resurgence with the 5th edition of D&D in 2016, when they became a playable race.

Monsters featured in the Folio were originally submitted by Stross, Ian Livingstone, and Tom Moldvay, among others. Interior illustrations were supplied by Chris Baker, Jeff Dee, Emmanuel (who also illustrated the cover), Albie Fiore, Alan Hunter, Russ Nicholson, Erol Otus, Jim Roslof, David C. Sutherland III, Bill Willingham, Polly Wilson, and Tony Yates.

The publication of "Fiend Factory" monsters had one unintended side-effect for Citadel Miniatures, who had the contract to produce gaming miniatures based on White Dwarf features. As a condition of including "Factory" monsters in the Folio, Games Workshop transferred the copyright on those monsters to TSR, who already had an exclusive contract with Grenadier Models.  This forced Citadel to discontinue miniatures depicting "Factory" monsters that appeared in the Folio.

In 1983, TSR used the Monster Manual II to introduce a new orange spine cover design for hardcover AD&D manuals.  The Fiend Folio was the only AD&D hardcover that did not have its cover redesigned to match the new style; instead, TSR let the Folio go out of print.  In 1985, as TSR was getting ready to begin work on the AD&D 2nd edition, Gary Gygax stated that he was planning to incorporate material from the Fiend Folio into a revised Monster Manual for the new edition. However, Gygax resigned from TSR in October 1986, before the second edition was produced.

In 1999, a paperback reprint of the first edition was released.

Advanced Dungeons & Dragons 2nd edition
The Fiend Folio Monstrous Compendium () was published by TSR, Inc. in April 1992, for use with the 2nd edition AD&D rules.  It is the fourteenth volume of the Monstrous Compendium series, consisting of a cardboard cover, sixty four loose-leaf pages, and four divider pages.  Also known as the Fiend Folio Appendix, it contains over sixty monsters created or updated by members of the RPGA, including revised versions of many monsters introduced in the original Fiend Folio.

Dungeons & Dragons 3rd edition

The third Fiend Folio () was designed by Eric Cagle, Jesse Decker, James Jacobs, Erik Mona, Matt Sernett, Chris Thomasson, and James Wyatt, and was published in April 2003 for use with the 3rd edition Dungeons & Dragons rules. Cover art was by Brom and Henry Higginbotham, with interior art by Glen Angus, Darren Bader, Thomas Baxa, Matt Cavotta, Dennis Cramer, Larry Dixon, Jeff Easley, Scott Fischer, Lars Grant-West, Jeremy Jarvis, Todd Lockwood, Kevin McCann, Raven Mimura, Matthew Mitchell, Puddnhead, Wayne Reynolds, Richard Sardinha, Marc Sasso, Brian Snoddy, Arnie Swekel, Ben Templesmith, Anthony Waters, and Sam Wood. The 224-page hardcover manual includes only a few monsters from the original, but added many new creatures, with an emphasis on monsters with extraplanar origins. The book contains over 150 monsters, with approximately half of them being all-new.

The Fiend Folio was released before the 3rd edition rules were revised to the 3.5 edition; the book's designers tried to anticipate changes due to appear in the revised Monster Manual and implement them in the Fiend Folio. The extraplanar and swarm subtypes, and the allocation of skill points and feats to work the same way as they did for player characters, were introduced in this book, and then featured in the revised Monster Manual. The book also introduced three new fiend prestige classes for monsters: fiend of blasphemy, fiend of corruption, and fiend of possession. This edition also introduced grafts and symbionts as new elements to the game; grafts are like cybernetics and symbionts are living equipment.

The Fiend Folio also introduced two demons more powerful than balors: klurichirs and myrmyxicus. It also introduced a devil more powerful than pit fiends: the paeliryon.

Many of the creatures from the 1st edition Fiend Folio were updated to the d20 rules by Necromancer Games in their ENnie award winning Tome of Horrors.

Reception
TSR's Dragon magazine featured two separate reviews of the book in issue #55 (November 1981). Ed Greenwood called the book a disappointment, citing its lack of detail and "breaches of consistency". He felt that there were many incomplete or inadequate monster entries, and also criticized the book for having too many new undead and too many new races. Greenwood, however, did consider the slaad, elemental princes of evil, and penanggalan "worthy additions to any campaign" and noted that the previously published drow and kuo-toa were "expected attractions, but good to see nonetheless." Contributor Alan Zumwait also reviewed the book, noting that a few of the inclusions were "just Monster Manual creatures that are changed or crossbred with other monsters."  He was pleased by the inclusion of the neutral Oriental dragons, but felt that their descriptions were inferior to those of the dragons in the Monster Manual.  He also liked the slaad and elemental princes of evil, but felt they should both have counterparts of other alignments. Zumwait summed up his review by stating, "the FIEND FOLIO Tome is like a basket of peaches: Most of it is pretty good stuff, but part of it is the pits." At the urging of Kim Mohan, Don Turnbull wrote a rebuttal, which was printed in the same issue.  Turnbull cited the publication's legal holdups, and the AD&D game's evolution during that time, as part of the reason for the work's inconsistencies. He also felt that Greenwood's concerns of incompleteness and inadequacy were a matter of subjective personal taste.

AD&D creator Gary Gygax was also critical of errors in the book. Gygax noted that due to "premature actions", TSR got "the cart in advance of the horse" by mentioning a spell (advanced illusion) and a magic item (the philosopher's stone) which had not yet appeared in a game manual, promising they would eventually appear in game material in 1983. Gygax later commented on an individual who had criticized the Deities & Demigods Cyclopedia, noting that this was the same individual responsible for errors on the Fiend Folio'''s random encounter tables, among other errors.

The Fiend Folio was given an 8 out of 10 in the December 1981/January 1982 issue of White Dwarf.  Reviewer Jamie Thomson compared it to the Monster Manual (MM) in format, and felt the Folios artwork was better.  Thompson felt the biggest distinction was that while the MM was American, the Folio was of British origin.  Creatures he commented on were the giant bat ("seems an obvious choice for D&D"), the death dog ("rumored to be a descendant of Cerberus"), Lolth ("which often appears on fantasy literature"), the elemental princes of evil, and the drow ("who figure prominently in a number of TSR dungeon modules").  Also mentioned were the penanggalon, the caterwaul, the death knight, and the revenant.  In summary, Thomson recommended the book for readers who wanted more monsters, but that if they did not already possess the MM it was not essential.

Lawrence Schick commented on the book's contents in his 1991 book Heroic Worlds: "Some of the monsters are really goofy—you're sure to find several good belly laughs in this volume. A dozen or so entries are genuinely imaginative and useful."

References

Further reading

Review: Different Worlds #15 (1981)
"Inhuman Gods, Part I" White Dwarf #39
"Inhuman Gods, Part II" White Dwarf #40
"Inhuman Gods, Part III" White Dwarf #41
"Inhuman Gods, Part IV" White Dwarf'' #42

1981 books
2003 books
Dungeons & Dragons sourcebooks
Role-playing game supplements introduced in 1981

Fiend Folio


An Dyckia rupestris in uska species han Liliopsida nga ginhulagway ni Walter Till ngan Morawetz. An Dyckia rupestris in nahilalakip ha genus nga Dyckia, ngan familia nga Bromeliaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Dyckia

Dyckia rupestris


Rodolfo Gajardo Michell (25 de marzo de 1947 - 17 de septiembre de 2011) fue un profesor de biología y ecólogo chileno. Especialista en ecología aplicada y biología de la conservación, fue académico de la Universidad de Chile y uno de los impulsores de la creación de su Facultad de Ciencias Forestales.

Biografía
Gajardo ingresó a la Universidad de Chile el año 1965, obteniendo el título de Profesor de Estado de Biología en 1975. Paralelamente, desempeñó diversos cargos en la entonces Escuela de Ciencias Forestales, donde se convertiría en profesor titular en 1986.

Por dos periodos (1986-1989 y 1992-1995) ocupó el cargo de director del Departamento de Silvicultura. Su labor académica, en 45 años de servicio en la Universidad de Chile queda reflejada en la distinción Medalla al Mérito Rector Valentín Letelier que recibió el año 2003, en las innumerables memorias de título y de postgrado que dirigió, así como en sus proyectos y publicaciones, donde destaca el libro "La Vegetación Natural de Chile. Clasificación y Distribución Geográfica" de 1994, el cual generó las bases científicas para el desarrollo del actual Sistema Nacional de Áreas Silvestres Protegidas del Estado de Chile. En la Universidad de Chile ayudó a crear y desarrollar el programa de Magíster en Áreas Silvestres y Conservación de la Naturaleza, siendo el primer director del programa.

Obtuvo el grado de Doctor en Ciencias, opción Ecología en 1997 en la Universidad de Aix y de Marsella de Francia.

Sus investigaciones se centraron en el mapeo y el estudio de los árboles y las plantas en los ecosistemas. Colaboró como experto en ecología aplicada, especies en peligro, parques nacionales y ecología de la restauración en muchos comités nacionales e internacionales.

Referencias

Profesores de Chile
Biólogos de Chile
Ecólogos de Chile
Conservacionistas
Alumnado de la Universidad de Chile
Profesores de la Universidad de Chile

Rodolfo Gajardo


This article lists the winners and nominees for the NAACP Image Award for Outstanding News/Information – Series or Special. Originally entitled Outstanding News, Talk or Information, the award was later split to honor series' and specials separately. The categories were merged back together following the 2003 ceremony, before a separate category for talk series' was created in 2008 and the category was renamed to its current title.

Winners and nominees
Winners are listed first and highlighted in bold.

1980s

1990s

2000s

2010s

2020s

Multiple wins and nominations

Wins

 7 wins
 Unsung

 4 wins
 The Oprah Winfrey Show

 3 wins
 Tavis Smiley

 2 wins
 In Conversation

Nominations

 10 nominations
 Unsung

 7 nominations
 Judge Mathis

 5 nominations
 The Oprah Winfrey Show

 3 nominations
 Anderson Cooper 360°
 Biography
 Real Sports with Bryant Gumbel
 Tavis Smiley
 Washington Watch with Roland Martin

 2 nominations
 American Experience
 American Gangster
 Anderson Cooper 360°
 In Conversation
 Oprah: Where Are They Now?
 The Tyra Banks Show

References

NAACP Image Awards


Die Copenhagen ist ein von 2010 bis 2012 auf der P+S Werften Stralsund gebautes und ab 2014 auf der Fayard-Werft im dänischen Munkebo umgebautes Fährschiff der Reederei Scandlines.

Geschichte
Am 26. März 2010 gab Scandlines den Bau der beiden baugleichen Schiffe Berlin und Copenhagen bekannt. Sie sollten im Jahr 2012 die Fährschiffe Kronprins Frederik und Prins Joachim auf der Route Rostock–Gedser ersetzen.

Beide Fähren wurden am 28. Juni 2010 auf Kiel gelegt. Am 4. April 2012 wurde die Copenhagen erstmals zu Wasser gelassen.

Die Fertigstellung, die ursprünglich für Frühjahr 2012 geplant war, wurde mehrfach verschoben, da es technische Schwierigkeiten gab. Wegen eines durch Konstruktionsmängel zu hohen Gewichts nahm Scandlines die Fähren nicht ab und stornierte die Verträge am 27. November 2012. Am 31. Januar 2014 kaufte Scandlines die beiden Fähren von der inzwischen insolventen Werft für 31,6 statt ursprünglich 184 Millionen Euro, um sie auf einer anderen Werft umbauen zu lassen. Die Copenhagen wurde im Juni 2014 nach Hamburg überführt. Nach Untersuchungen bei der Werft Blohm + Voss in Hamburg fand der Umbau jedoch auf der Fayard-Werft in Munkebo bei Odense in Dänemark statt.

Die Copenhagen wurde am 28. Oktober 2016 in Munkebo getauft und am 21. Dezember 2016 in Dienst gestellt. Im Januar 2017 wurde noch eine Anpassung des Einspritzdüsensystems vorgenommen.

Technische Daten und Ausstattung
Das 169 Meter lange Fährschiff Copenhagen bietet auf 1600 Spurmetern Platz für bis zu 460 Pkw oder 96 Lkw. Die Passagierkapazität beträgt 1300 Personen. Zur Verpflegung befinden sich ein Buffet-Restaurant, ein À-la-carte-Restaurant, eine Cafeteria, ein Selbstbedienungsrestaurant sowie Snack- und Getränkeautomaten an Bord.

Wegen des ursprünglich zu großen Tiefgangs wurde die Fähre zum Einsatz auf der Route Rostock–Gedser umgebaut. Um das Gewicht zu reduzieren, wurden die beiden oberen Decks (8 und 9) herausgeschnitten und durch ein schmaleres Deck 8 ersetzt. Die Brücke sowie die Bereiche der Besatzung wurden durch Aluminium-Konstruktionen ersetzt.

Bei dem Umbau wurde auch auf Hybridantrieb umgerüstet. Zwei Dieselmotoren von Caterpillar mit je 4500 kW erzeugen über Generatoren Strom, der in Batterien des kanadischen Herstellers Corvus Energy gespeichert wird. Die schnelle Abrufbarkeit der vollen Leistung wird insbesondere bei Manövern in den Häfen benötigt, während der Überfahrt werden die Batterien geladen.

Die Copenhagen wurde im Mai 2020 im Rostocker Überseehafen mit einem 30 Meter hohen Rotorsegel von Norsepower ausgestattet, um durch Nutzung der Windkraft zum Antrieb die CO2-Emissionen um 4–5 % zu senken.

Schwesterschiff
Schwesterschiff der Copenhagen  ist die ebenfalls bei P+S Werften Stralsund gebaute und bei der Fayard-Werft in Munkebo umgebaute Berlin.

Weblinks

 M/S Copenhagen. Fakta om Fartyg

Literatur
 Innovative Fährschiffe für Scandlines. In: Schiff & Hafen, Heft 5/2012, S. 22/23, Seehafen-Verlag, Hamburg 2012,
 Umbau der Scandlines-Fähren schreitet voran. In: Schiff & Hafen, Heft 1/2015, S. 22/23
 Thomas Wägener: Batterie-Antrieb interessant für Fähren. In: Hansa, Heft 7/2015, S. 62/63
 Timo Jann: "Copenhagen": In Windeseile über die Ostsee · Hybrid-Fähre von Scandlines nutzt per Rotorsegel die Kraft des Windes und soll CO2-Ausstoß weiter reduzieren. In: Täglicher Hafenbericht vom 22. Juli 2020, S. 4+13

Einzelnachweise

Passagierschiff (Dänemark)
Schiff (Scandlines)
Fähre (Ostsee)
RoPax-Schiff
Motorschiff
P+S Werften Stralsund
Rotorschiff

Copenhagen (Schiff, 2016)


William Warren Bush (born November 7, 1935) is an American actor, usually credited as Billy Green Bush and sometimes as Billy Greenbush.

Typecast
Bush is a character actor, typically projecting in his screen appearances the good-ol'-boy image. He portrays mostly sheriffs and state troopers, although in his repertoire there are the occasional villains.

Film
Bush's film work includes appearances in The Savage Seven (1968), Five Easy Pieces (1970), Monte Walsh (1970), The Jesus Trip (1971), The Organization (1971), Welcome Home, Soldier Boys (1972), The Culpepper Cattle Co. (1972), 40 Carats (1973), Electra Glide in Blue (1973) where his performance caused some critics to characterize his screen persona as "irrepressibly unique"; Alice Doesn't Live Here Anymore (1974), Mackintosh and T.J. (1975), The Call of the Wild (1976), The Beasts Are on the Streets (1978), The Jericho Mile (1979), Tom Horn (1980), The River (1984), The Hitcher (1986), Critters (1986), Rampage (1987) and Jason Goes to Hell: The Final Friday (1993).

Television
Bush has appeared frequently on television, including a recurring role as Bobby Angel on Hill Street Blues and an episode of M*A*S*H, in which his character, "Cowboy", tries to kill commanding officer Henry Blake.

He twice portrayed Vernon Presley, the father of Elvis Presley, first in the 1988 TV movie Elvis and Me, which was based on the eponymous biography written by Presley's ex-wife Priscilla, and then in the short-lived weekly series Elvis in 1990.

Personal life
Bush is the father of twins Lindsay and Sidney Greenbush (retired child actresses who alternately starred as Carrie in Little House on the Prairie) and actor Clay Greenbush.

Selected filmography

 Unholy Matrimony (1966) - Eavesdropping Husband (uncredited)
 The Savage Seven (1968) - Seely
 The Reivers (1969) - Patron
 Five Easy Pieces (1970) - Elton
 Monte Walsh (1970) - Powder Kent
 The Jesus Trip (1971) - Tarboro
 The Organization (1971) - Dave Thomas
 Welcome Home, Soldier Boys (1972) - Sheriff
 The Culpepper Cattle Co. (1972) - Frank Culpepper
 Mister Brown (1972)
 40 Carats (1973) - J.D. Rogers
 Electra Glide in Blue (1973) - Zipper
 Gunsmoke (1973) - Kermit
 Alice Doesn't Live Here Anymore (1974) - Donald
 Mackintosh and T.J. (1975) - Luke
 The Call of the Wild (1976) - Redsweater
 The Beasts Are on the Streets (1978) - Jim Scudder
 The Incredible Hulk (1978-1982) - Ray Thomas / Sheriff Carl Decker
 The Jericho Mile (1979) - Warden Earl Gulliver
 Tom Horn (1980) - U.S. Marshal Joe Belle
 The River (1984) - Harve Stanley
 The Hitcher (1986) - Trooper Donner
 Critters (1986) - Jay Brown
 The Deliberate Stranger (TV - 1986) - Officer Bradley
 Rampage (1987) - Judge McKinsey
 Conagher (1991) - Jacob Teale
 Jason Goes to Hell: The Final Friday (1993) - Sheriff Ed Landis (final film role)

References

External links

 Billy Green Bush at Rotten Tomatoes
 Wm. Green Bush at the University of Wisconsin's Actors Studio audio collection

1935 births
Living people
American male film actors
American male television actors
Male actors from Montgomery, Alabama

Billy Green Bush


"Czerwone maki na Monte Cassino" (în traducere literală, "Maci roșii pe Monte Cassino", în  este unul dintre cele mai cunoscute cântece poloneze de război. A fost compus în mai 1944 în Italia, în timpul luptelor grele ale bătăliei de la Monte Cassino, care a dus la cucerirea fortăreței germane de către armata poloneză.

Cântecul se referă la culoarea roșie a florilor de mac: în noaptea atacului final asupra mănăstirii Monte Cassino, datorită luptelor crâncene, întreaga colină s-a impregnat cu sângele soldaților polonezi în loc de rouă.

Istoric
La începutul anului 1944, o fortăreață germană, situată în interiorul vechii mănăstiri Benedictine din Monte Cassino, a blocat înaintarea aliaților spre Roma.  Forțele mai multor țări aliate au încercat încă de la jumătatea lunii ianuarie să captureze fortăreața germană, dar fără succes.  Pentru al patrulea asalt, care urma să înceapă la 11 mai 1944, au fost atașate și trupele poloneze.

Melodia a fost compusă pe versantul Monte Cassinoului în noaptea dintre 17 și 18 mai 1944 de către Alfred Schütz, compozitor, actor și membru al Teatrului Militar Polonez staționat în Campobasso la poalele Monte Cassinoului.  Cele două strofe inițiale au fost scrise la acel moment de Feliks Konarski (cunoscut sub numele de "Ref-Ren"), poet, compozitor și soldat al celui de-al doilea corp polonez comandat de generalul-maior Władysław Anders.  Cea de-a treia strofă a fost scrisă câteva ore mai târziu.

În privința celui de-al treilea vers al piesei, Konarski a scris în memoriile sale:
"Cînd am cântat Macii roșii pe Monte Cassino, am plâns cu toții, soldații au plâns cu noi. Macii roșii, care înfloresc noaptea, au devenit un alt simbol al curajului și sacrificiului, un tribut adus celor vii, care din dragoste pentru libertate, au murit pentru libertatea oamenilor".

A patra și ultima strofă a fost scrisă cu un sfert de secol mai târziu, în 1969, pentru comemorarea celei de-a 25-a aniversări a bătăliei de la Monte Cassino.  Din acest motiv, această ultimă strofă este cea mai puțin cunoscută și este uneori omisă.

La 18 mai 1944, ziua după ce a fost compusă melodia, polonezii au atacat și capturat teritoriul mănăstirii Monte Cassino.  Mai târziu în acea zi, piesa a fost interpretată pentru prima dată la sediul generalului Anders, pentru a sărbători victoria poloneză. Macii roșii pe Monte Cassino a devenit un cântec foarte popular printre trupele poloneze. Cu toate acestea, cântecul a fost interzis în timpul perioadei staliniste a Republicii Populare Polonia, când regimul comunist a căutat să minimalizeze aportul forțelor armate poloneze pe frontul de vest al celui de-al doilea război mondial. Cântecul este prezentat în filmul Cenușă și diamant realizat de Andrzej Wajda în 1958.

Legături externe
Textul cântecului (în poloneză și angleză)
 Czerwone maki na Monte Cassino pe YouTube

Referințe

Bătălia de la Monte Cassino
Al Doilea Război Mondial
Cântece patriotice poloneze
Cântece din timpul celui de-Al Doilea Război Mondial

Czerwone maki na Monte Cassino


Noël Forgeard (born 8 December 1946 in La Ferté-Gaucher) is a French industrialist and former joint CEO of EADS.

Appointment
From April 1998 until June 2005, Forgeard was CEO of the aircraft manufacturer Airbus SAS.

In late 2004, he was nominated as the next French CEO of EADS. This position is shared with a German—then Thomas Enders—in a system that was established at the creation of EADS in 2000.

Alleged insider dealing
News reports in June 2006 focused on possible insider dealing at EADS. Forgeard made a 2.5 million Euro profit on the sale of EADS shares, with his children earning 4.2 million Euro, just weeks before news of Airbus A380 delays was released. Forgeard denied any wrongdoing, claiming that he was a scapegoat in the matter.

Forgeard resigned as CEO of EADS on 2 July 2006 and was replaced by Christian Streiff.

References

External links
  EADS finally names its new bosses - BBC News, 26 June 2005
  EADS and Airbus bosses both quit - BBC News, 2 July 2006

1946 births
Living people
French chief executives
École Polytechnique alumni
Mines Paris - PSL alumni
Corps des mines
Airbus people
Officers of the Legion of Honour
Honorary Knights Commander of the Order of the British Empire

Noël Forgeard


Suflete osândite (în ) este un film epic bulgar din 1975 scris și regizat de Vulo Radev, bazat pe romanul omonim al lui Dimitar Dimov din 1945, cu Jan Englert, Rousy Chanev, Mariana Dimitrova și Edit Szalay în rolurile principale.

Prezentare

Filmul spune povestea tragică a nobilei britanice Fanny Horn (Edit Szalay) și a preotului iezuit Heredia (Jan Englert) pe fundalul Războiului Civil Spaniol. O tânără aristocrată bogată care și-a petrecut anii anteriori într-un stil de viață decadent, Fanny, se îndrăgostește de Heredia; totuși, deși preotul simte același lucru, el își plasează devotamentul său fanatic în credința sa pe care o pune deasupra atracției lor. Fanny îl urmărește pe Heredia la un focar de tifos într-o tabără lângă Pena Ronda și se oferă voluntară pentru a lucra ca asistentă medicală sub comanda sa și pentru a finanța tabăra. Cu toate acestea, condițiile din tabără sunt îngrozitoare și se deteriorează puternic odată cu începerea războiului civil. Fanny devine din ce în ce mai disperată din cauza comportamentului fanatic și inuman al lui Heredia, care se dovedește a fi profund implicat în planurile părții antirepublicane din războiul civil. În timp ce Heredia continuă să respingă dragostea ei și, în cele din urmă, fiind martoră fanatismului său care provoacă și mai multe victime, Fanny îl împușcă. Căderea ei psihologică o face să înceapă să ia morfină, ceea ce va duce în cele din urmă la moartea ei.

Distribuție

 Jan Englert ca părintele Heredia
 Rousy Chanev ca Jacques Muriet
 Mariana Dimitrova - Carmen
 Editați Szalay ca Fanny Horn
 Valcho Kamarashev ca părintele Olivares
 Silvija Rangelova  - Clara

Primire
Vorbind către ministrul Vejdi Rașidov în vizită în Polonia pentru a acorda actorului Jan Englert un premiu pentru munca sa de o viață, cotidianul Fakti a numit filmul un "clasic bulgar", iar Dnevnik a marcat filmul printre primele 10 cele mai iubite filme din Bulgaria.

Referințe

Legături externe

 Un site al fanilor cu câteva fotografii din film (în limba bulgară).

Filme din 1975
Filme bulgărești
Filme în limba bulgară
Filme de război
Filme bazate pe romane
Filme dramatice din anii 1970
Războiul civil spaniol

Osadeni duși


Calcutta Youth Choir (Coro Juvenil de Calcuta; en bengalí: ক্যালকাটা ইয়ুথ কয়্যার) fue una agrupación musical de la India fundada en 1958 por la actriz y cantante Ruma Guha Thakurta (গুহঠাকুরতা), el compositor Salil Chowdhury (সলিল চৌধুরী) y el director de cine Satyajit Ray.

El grupo es conocido por su interpretación de canciones populares. Hace varios años, se dieron a conocer con el tema musical titulado Aaj juddhabaaj joto. Shibdas Bandopadhyay escribió la letra de la canción y V. Balsara compuso la música.

Thakurta se encargaba de la dirección musical. El repertorio, además de las de Salil Chowdhury, se componía de canciones de Ray Dwijendralal, Rabindranath Tagore, Sen Rajanikanta, Kazi Nazrul Islam, Dhawan Prem, Dasgupta Sudhin y Banerjee Sibdas.

Discografía
Beje Uthlo Ki Somoyer Ghori, una colección de canciones de la masa liberada por HMV en 1976.
Waqt Ki Awaz (Hindi), una colección de canciones modernas publicado por HMV.
Prarthna Sangeet, una colección de cantos devocionales publicado por CBS.
Todos los horarios de la Juventud Gran Coro de Calcuta, una colección de pista seleccionada de HMV.
Amra Tori Beye Jai, una colección de canciones de la masa liberada por HMV en 1981.
Manusher Gaan Gai, una colección de canciones de la masa liberada por HMV en 1982.
Pochis Bochor Dhore, publicado por HMV en el año 1983 en el 25 º Aniversario del Coro.
Bharatbarsho Surger Ek Naam, una colección de canciones bengalí moderno publicado por HMV.
Swadesi Juger Gaan, una colección de canciones patrióticas publicado por HMV.
Chetonar Gaan, una colección de canciones de dar la bienvenida a Nelson Mandela en la India publicado por CBS en 1988.
Besh Sotoker Gaan, una colección de canciones de masas bengalíes lanzado por los expedientes Hindustan en 1990 la celebración de cumpleaños de 300 años de Calcuta.
Deshatobodok Gaan, una colección de canciones patrióticas publicado por Gathani en 1993.
Din Agato Oi, una colección de canciones modernas publicado por Gathani en 1994 para la celebración del Año Nuevo Bengalí (1400 SATABDI).
Kadam Kadam Badaye Ja (Hindi), una colección de INA (Azad Hind Fauj) canciones de aniversario del nacimiento de HMV n 100 de Netaji Subhas Bose en 1996.
Milla Sobe Bharat Santan, una colección de canciones modernas publicado por HMV en 1998.
Sikol Bhangar Gaan, una colección de canciones patrióticas (antes de la independencia de la India), publicado en 2001.
Amader Salilda, una colección de canciones en masa por Salil Chowdhury publicado por ASHA AUDIO en el 2007.
Ek Dor Mein, una colección de Hindi Traducción Rabindra Sangeet publicado por Saregama (HMV) en 2010.

Referencias

Enlaces externos
 Actuaciones

Coros de niños
Calcuta
Grupos de música de India

Calcutta Youth Choir


"Timebomb" este un cântec al interpretei suedeze Tove Lo. Cântecul a fost lansat ca și cel de-al treilea extras pe single al albumului său de debut Queen of the Clouds. Lansarea către stațiile radiofonice din Statele Unite ale Americii a fost anulată.

Videoclip
Videoclipul piesei a fost regizat de către Emil Nava și publicat pe platforma Vevo al artistei la data de 22 iunie 2015. Videoclipul muzical arată diferite cupluri care se bat și se certă, dar în același timp se îmbrățișează și se sărută.

Referințe

Discuri single din 2015
Cântece de Tove Lo

Timebomb


An Carex haematorrhyncha in uska species han Liliopsida nga ginhulagway ni Jisaburo Ohwi ngan Tetsuo Michael Koyama. An Carex haematorrhyncha in nahilalakip ha genus nga Carex, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Carex

Carex haematorrhyncha


Ernest Lacan, né le  à Paris et mort le  à Paris, est un journaliste et critique d'art français.

Biographie
Rédacteur du journal La Lumière, il quitte sa direction en 1861 pour créer son propre journal Le Moniteur de la photographie dont le premier numéro sort en mars 1861.

Notes et références

Liens externes

Diffusion de la photographie
Journaliste français du XIXe siècle
Critique d'art français
Naissance en septembre 1828
Naissance dans l'ancien 8e arrondissement de Paris
Décès en janvier 1879
Décès dans le 16e arrondissement de Paris
Décès à 50 ans
Personnalité inhumée au cimetière du Père-Lachaise (division inconnue)

Ernest Lacan


L'Atlético Deportivo Olímpico, couramment abrégé en AD Olímpico ou encore ADO, est un ancien club péruvien de football fondé en 1946 et disparu en 1975. Il était basé dans le port de Callao.

Histoire
Fondé le  à Callao, l'ADO devient vice-champion de  en 1968, à deux points derrière le Deportivo Municipal. Deux ans plus tard, sous la houlette de Pedro Valdivieso, il est sacré champion de D2 avec une équipe jeune où se distinguaient entre autres Augusto Palacios, Javier Santillana et Víctor Benavides.

Promu en  en 1971, l'ADO ne peut éviter la relégation. Il revient en D2 avant de disparaître en 1975.

Résultats sportifs

Palmarès

Bilan et records

 Saisons au sein du championnat du Pérou : 1 (1971).
 Saisons au sein du championnat du Pérou D2 : 8 (1964-1970 / 1972).

Personnalités historiques du club

Joueurs

Grands noms
  Augusto Palacios, international péruvien et futur entraîneur, commença sa carrière à l'ADO en 1970.
  Pedro Valdivieso fut l'entraîneur champion de D2 en 1970.

Notes et références

Liens externes
  AD Olímpico sur www.globalsportsarchive.com

Club de football à Callao
Club de football disparu au Pérou
Club de football fondé en 1946
Club de football disparu en 1975

Atlético Deportivo Olímpico


Whaletown est une communauté située dans la province de la Colombie-Britannique, dans l'Île Cortes.

Notes et références

Municipalité en Colombie-Britannique

Whaletown


Spatsizi es el nombre de una meseta en la cuenca alta del río Stikine en el centro-norte de la provincia de Columbia Británica, al oeste del país norteamericano de Canadá. La mayor parte de la meseta, que en realidad es una sub-meseta de la meseta de Stikine, está incluida en el parque natural Provincial Meseta Spatsizi. Está flanqueada al sur y suroeste por las montañas de Skeena, al sureste de las montañas Omineca, al noreste por la cordillera de Stikine en las montañas Cassiar, y al oeste con la meseta Klastline (otra submeseta de la meseta de Stikine).

Referencias

Mesetas de Canadá

Spatsizi


Retencija, u vodogradnji ili hidrotehnici, je uređeno područje u slijevu vodotoka koje služi za privremeno zadržavanje vode radi zaštite od poplava. Puštanjem vode u retenciju smanjuje se najveći (maksimalni) protok na nizvodnom području, pa se time količina vode koja bi inače poplavila to područje propušta kroz vodotok dulje vrijeme. Retencija može biti izvedena tako da se puni nekontrolirano, a kontrolira se samo izlaz vode iz retencijskoga prostora, ili se može puniti i prazniti kontrolirano. Tada se retencija puni prelijevanjem preko bočnoga preljeva na nasipu ili otvaranjem zapornica na ustavama. Pošto prođe opasnost od poplava nizvodnoga područja, zapornice se otvaraju i voda se vraća u vodotok.

Izvori

Hidrotehnika

Retencija (vodogradnja)


Peckforton Castle er et victoriansk country house i samme stil som mange af englands middelalderborge. Den står i et skovområde i den nordlige ende af Peckforton Hills omkring 2 km nordvest for landsbyen Peckforton i Cheshire i England. Den er på National Heritage List for England som listed building af grad I. Det blev opført midt i 1800-tallet som hjem for John Tollemache, der var en rig godsejer, ejendomsforvalter og Member of Parliament. Det blev tegnet af Anthony Salvin i gotisk stil. Under anden verdenskrig blev det brugt som hjem for fysisk handikappede børn.

Tollemache-familien brugte Peckforton Castle til forskellige arrangementer, men det var ubeboet til 1969. Fra 1969 til 1980 lejede John, 4. Lord Tollemarche det til George W. Barrett, og det blev som privathjem lukket for offentligheden. Højre fløj, tårnet og slotsparken blev restaureret af Barrett, der var amerikaner ansat af den amerikanske regering. Hans datter Pascales bryllup var det første, der blev holdt i kapellet, og ærkebiskoppen af Canterbury gav særlig tilladelse til at afholde katolske bryllupper på slottet.

I 1970'erne og 1980'erne blev der optaget flere film og fjersynsprogrammer på Peckforton Castle. I 1988 købte Evelyn Graybill stedet og omdannede det til hotel. I 2006 blev det købt af Naylor-familien, der udvidede det til bryllupper og konferencer mv.

Se også
 Liste over borge og slotte i England

Referencer

Litteratur

Eksterne henvisninger

 Peckforton Castle website
 Photographs by Craig Thornber

Slotte i Cheshire

Peckforton Castle


À la suite de l'union en 1707 du Royaume d'Écosse avec le Royaume d'Angleterre (y compris le pays de Galles) pour former le Royaume de Grande-Bretagne, au sein du nouveau Parlement de Grande-Bretagne, l'Écosse comptait 48 circonscriptions représentant des sièges pour 45 Membre du Parlement (MPs) à la Chambre des communes, normalement située au Palais de Westminster. (Westminster étant le lieu de réunion de l'ancien Parlement d'Angleterre).

Les circonscriptions parlementaires écossaises de Westminster ont été utilisées pour la première fois lors des élections générales de 1708. Avant cette élection, l'Écosse était représentée par des MPs cooptés en tant que commissaires de l'ancien Parlement d'Écosse.

Au Parlement de Grande-Bretagne, l'Écosse comptait 15 Circonscription de Burgh et 33 circonscriptions de comté, chacune représentant un siège pour un MP. Les circonscriptions de comté comprenaient cependant trois paires de circonscriptions alternées, de sorte qu'un seul membre d'une paire était représenté à la fois. Par conséquent, l'Écosse avait plus de circonscriptions que de sièges. À l'exception d'Edinburgh, les circonscriptions étaient des District de burghs.

Les limites de 1708 ont été utilisées pour toutes les élections ultérieures du Parlement de Grande-Bretagne.

En 1801, le Parlement d'Irlande fusionna avec le Parlement de Grande-Bretagne pour former le Parlement du Royaume-Uni, également à Westminster. La première élection générale du nouveau parlement a été l'élection générale de 1802 et il n'y a eu aucun changement dans les limites des circonscriptions préexistantes de Westminster.

Les limites de 1802 ont également été utilisées lors des élections générales de 1806, 1807, 1812, 1818, 1820, 1826, 1830 et 1831.

Pour les élections générales de 1832, les circonscriptions écossaises de Westminster ont été redéfinies par la loi de 1832 sur la représentation du peuple (Écosse).

Circonscriptions de Burgh

Circonscriptions de comtés

Références

1708 en Écosse
Histoire politique de l'Écosse
1832 en Écosse

Circonscriptions écossaises de Westminster de 1708 à 1832


An Philodendron rojasianum in uska species han Liliopsida nga ginhulagway ni Paul Carpenter Standley ngan Julian Alfred Steyermark. An Philodendron rojasianum in nahilalakip ha genus nga Philodendron, ngan familia nga Araceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Philodendron

Philodendron rojasianum


Ponte Rasa est un district situé dans la zone est de la municipalité brésilienne de São Paulo. Il est sous l'administration de la sous-préfecture d'Ermelino Matarazzo / Ponte Rasa. Certains quartiers tels que Vila Rio Branco et Jardim Popular ont un développement très avancé et des valeurs foncières plus élevées.

La partie sud (Jd. São Nicolau, Jd. Artur Alvim, Burgo Paulista et autres quartiers) est visible depuis la ligne 3 - Rouge du métro de São Paulo, dans le tronçon entre les stations Guilhermina-Esperança et Artur Alvim. La plupart des rues sont organisées en « carrés » et ont l'avenue São Miguel, avenue Dom Hélder Câmara, avenue Calim Eid, avenue Águia de Haia, estrada de Mogi das Cruzes et avenue Amador Bueno da Veiga.

Histoire
La trajectoire de Ponte Rasa est fortement liée à sa voisine, Penha, les superficies des deux quartiers actuels correspondaient au village fondé par le prêtre jésuite Mateus Nunes de Siqueira, au . La région était fertile, proche des affluents du Tietê, et pleine d'Indiens, comme la tribu Guaianases, rapidement catéchisés. Les pionniers considéraient également la zone comme stratégique car elle était proche de villages déjà construits par eux, comme São Miguel et Itaim, au milieu des routes qui menaient à Minas Gerais et Rio de Janeiro. Au fil des siècles, les terres ont été divisées en régions plus petites. La principale a toujours été Penha, avec l'église qui porte son nom. À côté, un petit village a commencé à se développer, autour du ruisseau Ponte Rasa, qui a fini par nommer le lieu. À partir des années 1930, la région a vu sa population croître, tirée par l'industrialisation qui a atteint les zones voisines, comme São Miguel et Guarulhos. Ponte Rasa, ainsi que les régions voisines, ont commencé à être subdivisées en développements tels que le quartier planifié Cidade A. E. Carvalho, situé entre les voisins Artur Alvim et Itaquera. Ses constructeurs ont construit des routes importantes dans la région, comme l'Avenida Águia de Haia. Dans les années 1970, il n'y avait plus beaucoup d'espaces vides sur Ponte Rasa : des quartiers comme Jardim Popular, encore issus des premières colonies, se développaient de plus en plus, presque toujours planifiés par des entreprises de construction - ce qui explique le faible nombre de logements irréguliers et de bidonvilles., qui ne représentait en 2011 que 3,84 % des logements du quartier.

Jardim Popular
Un quartier qui résume les caractéristiques de Ponte Rasa est Jardim Popular. L'une des plus anciennes du district, il a accueilli ses premiers habitants dans les années 1920. La place, qui est aujourd'hui traversée par les avenues Amador Bueno da Veiga et Calim Eid, a été caractérisée par l'immigration portugaise. L'un des principaux établissements là-bas Padaria Água Viva, fondée il y a plus de 50 ans à Amador Bueno. Autre particularité, les noms de fleurs donnés aux rues, héritage des premiers promoteurs immobiliers, mais comme il existait déjà d'autres rues du même nom, il n'en resta que quelques-unes. Le quartier compte également une école de samba, Imperial, fondée dans la salle paroissiale de l'église Nossa Senhora de Fátima.

Quartiers
Burgo Paulista

Jardim Cotinha

Jardim Lisboa

Jardim Laone

Jardim Ponte Rasa

Jardim Popular

Jardim Soraia

Jardim Três Marias

Vila Constança

Vila Costa Melo

Vila Domitila

Vila Fidelis Ribeiro

Vila Frugoli

Vila Ponte Rasa

Vila Rio Branco

Vila Sampaio

Vila São Francisco

Vila União

Commerce
Le centre du quartier est un pôle commercial régional fort. Situé sur l'avenue São Miguel est un grand corridor qui compte des agences bancaires, des grands magasins, des magasins de variétés, des entrepôts, ainsi que des boucheries, des boulangeries et des pharmacies. Un autre centre commercial d'une force considérable se trouve sur la Rua Dr. José do Amaral dans le Jd. Três Marias.

Limites
 Nord: Ruisseau Ponte Rasa et Avenue São Miguel.
 Est : Avenue Águia de Haia.
 Sud : Rua Sonho Gaúcho, Avenue Nicolau Jacinto et Rua Praia de Mucuripe.
 Ouest : Avenue Calim Eid, Rua Botica, Rua Alto do Cobre, Avenue Dom Hélder Câmara, Avenue Governador Carvalho Pinto et Avenue Buenos Aires.

Voir aussi
 Liste des districts de São Paulo

Notes et références

Liens externes
 «Prefeitura Municipal de São Paulo, Subprefeitura de Ermelino Matarazzo» 🔗
 «Carte situation et utilités du District de Ponte Rasa» (PDF)

District à São Paulo

Ponte Rasa (São Paulo)


Basco bezeichnet mehrere Orte

 Basco, auch: Santo Domingo de Basco, Gemeinde in der philippinischen Provinz Batanes

in den Vereinigten Staaten:
 Basco (Illinois), im Hancock County
 Basco (Wisconsin), im Dane County

Personen:
 Dante Basco (* 1975), philippinisch-amerikanischer Schauspieler, Tänzer und Rapper
 Vidal Basco (* 1996), bolivianischer Langstreckenläufer

Sonstiges:
 Basco Creek, Fließgewässer im Fremont County, Wyoming
 Basco Lake, See im Minidoka County, Idaho
 Basco (Band), dänische Folkband

Basco (Begriffsklärung)


Karmelo Zazinović (Kaštel Sućurac 15. srpnja 1914. - Krk, 6. ožujka 1997.) Bio je krčki biskup od 1970. do 1989.

Djetinjstvo i školovanje
Rođen je u Kaštel Sućurcu od roditelja Mije i Ankice Zazinović. Osnovnu školu pohađa prva četiri razreda u Kaštel Sućurcu a poslijednja četiri razreda u Solinu. Potom studira na KBF Split od 1928. do 1933.

Svećenik
Za svećenika Splitsko-makarske nadbiskupije je zaređen godine 1939.

biskup
Papa Pavao VI. imenovao ga je krčkim biskupom 1970. godine. Umro je u Krku 6. ožujka 1997. Naslijedio ga je Josip Bozanić.

Izvori

Krčki biskupi

Karmelo Zazinović


Itaboravis es un género extinto de ave terrestre descubierta en los depósitos fósiles del Paleoceno superior inicial de São José de Itaboraí, en el estado de Río de Janeiro, Brasil. Los fósiles corresponden a un ave perteneciente a Cariamae (aunque con similitudes con Tinamidae), el grupo al que corresponden las actuales seriemas; se han encontrado un coracoides izquierdo (holotipo: MN 4114−V) y ambos húmeros.

Referencias

Aves del Paleoceno
Aves prehistóricas
Gruiformes
Aves extintas de América del Sur

Itaboravis


Roldisleben ist ein Ortsteil der Stadt Rastenberg im Landkreis Sömmerda in Thüringen.

Geografie
Roldisleben liegt westlich von Rastenberg und südlich von Bachra und ist mit einer landwirtschaftlich genutzten Flur umgeben. Nördlich von Bachra grenzt die Hohe Schrecke an die Flur und weiter östlich sind es die Ausläufer der Finne. Über die Landesstraße 1057 und die Ortsverbindungsstraße ist Roldisleben erreichbar.

Geschichte
1312 wurde das Dorf erstmals urkundlich genannt.
Immer wieder musste die Bevölkerung unter den Kriegen leiden. So wird in der Chronik des Dorfes berichtet, dass der Thüringer Grafenkrieg 1342–1346 verheerende Auswirkungen auf das Dorf hatte. 1445 bis 1451 folgte der Bruderkrieg, viele Menschen starben. 1450 brannte das Dorf völlig nieder. Im Laufe des Dreißigjährigen Krieges wurde der Ort mehrfach zerstört und letztmals 1649 wiederaufgebaut.
In den Napoleonischen Kriegen zwischen 1806 und 1813 hatte Roldisleben erneut unter Plünderungen durchziehender Truppen zu leiden.

Roldisleben gehörte bis 1815 zum kursächsischen Amt Eckartsberga. Durch die Beschlüsse des Wiener Kongresses kam der Ort zu Preußen und wurde 1816 dem Landkreis Eckartsberga im Regierungsbezirk Merseburg der Provinz Sachsen zugeteilt, zu dem er bis 1944 gehörte. Kirchlich kam Roldisleben 1815 durch die Teilung des Königreichs Sachsen zur Ephorie Heldrungen. Im Herbst 1828 wurden mehrere Höfe des Ortes durch einen Großbrand beschädigt. 1856 bis 1859 separierten die Bauern die Flur.  Im Ersten Weltkrieg ließen 15 Einwohner ihr Leben.
Am 11. April 1945 marschierten amerikanische Truppen in den Ort ein. Dann begann die Zeit der DDR und die Einbindung der Bauern in die Landwirtschaftspolitik. Mit der politischen Wende fand man nach 1990 neue Eigentumsformen zur Arbeit auf dem Lande.

Besonderes
Seit einigen Jahren hat sich am Ortsrand eine Kulturinstitution Spiegel-Arche etabliert, die von Kathrin Siebert, der Ururenkelin von Carl Zeiß geleitet wird. Die Besonderheit dieser Einrichtung besteht in einer Raumkombination zweier Container, die sowohl von außen als auch von innen zum Begehen vor großflächigen Spiegelwänden einlädt. Unterhalb dieser Installation befindet sich ein Park mit alten und neu angepflanzten Bäumen, in dem an verschiedenen Stellen Plastiken und andere Kunstinstallationen zu sehen sind. Das Ganze wird u. a. finanziert von der Philip Morris International, dem weltweit größten Tabakkonzern.

Einzelnachweise

Weblinks

Rastenberg
Ort im Landkreis Sömmerda
Ehemalige Gemeinde (Landkreis Sömmerda)
Ersterwähnung 1312
Gemeindeauflösung 1994

Roldisleben


Søren Andreasen (født 13. marts 1996) er en dansk fodboldspiller, der spiller for den danske klub Sønderjyske Fodbold

Karriere
Han spillede Starup IF, indtil han var 14 år.

Esbjerg
Han skiftede som 14-årig fra Esbjerg FB's samarbejdsklub Starup IF til Esbjerg fB. Han blev topscorer i U/17 Ligaen og nåede at score 12 mål i 12 kampe, inden en knæskade i årets sidste turneringskamp i 2014 satte stop for resten af sæsonen.

På trods af knæskaden skrev han den 18. februar 2015 under på en etårig aftale gældende fra 1. juli 2015. Han fik sin debut for Superligaholdet den 20. marts 2016, da han blev skiftet ind i det 90. minut i stedet for Ronnie Schwartz i en 0-0-kampe ude mod Brøndby IF. Han fik dog sammen med Lasse Rise, Emil Lyng og Jesper Rasmussen ikke forlænget sine kontrakter.

IBV Vestmannaeyjar
Efter kontraktudløb skiftede Andreasen til den islandske klub IBV Vestmannaeyjar, hvor han igen blev holdkammerat med Mikkel Maigaard.

Kolding IF
Efter kontraktudløb med den islandske klub IBV Vestmannaeyjar, skiftede Andreasen i januar til den danske klub Kolding IF.

Middelfart Boldklub
Den 21. juni 2017 hentede Middelfart Boldklub Andreasen fra Kolding IF, hvor han blev klubbens topscorer. Søren Andreasen satte sin signatur på en etårig kontrakt.
I udgangen af 2017 valgte Middelfart Boldklub at forlænge kontrakten med Søren Andreasen. Den nye kontrakt løb til udgangen af 2019.

SønderjyskE
Han har kontrakt med SønderjyskE frem til 2025.

Referencer

Eksterne henvisninger

Fodboldspillere fra Danmark
Fodboldspillere fra Esbjerg fB
Fodboldspillere fra Íþróttabandalag Vestmannaeyja
Fodboldspillere fra Kolding IF
Fodboldspillere fra Middelfart Boldklub

Søren Andreasen (fodboldspiller)


Mali Piruzi je hrid uz zapadnu obalu Istre, južno od Rovinja, oko 350 metara od kopna. Dio je Rovinjskog otočja.

Površina hridi je 1298 m2, a visina 1 metar.

U Državnom programu zaštite i korištenja malih, povremeno nastanjenih i nenastanjenih otoka i okolnog mora Ministarstva regionalnoga razvoja i fondova Europske unije, svrstana je pod "manje
nadmorske tvorbe (hridi različitog oblika i veličine)". Pripada Gradu Rovinju.

Izvori

Rovinjsko otočje

Mali Piruzi


NGC 5600 est une galaxie spirale barrée (intermédiaire ?) située dans la constellation du Bouvier. Sa vitesse par rapport au fond diffus cosmologique est de , ce qui correspond à une distance de Hubble de . NGC 5600 a été découverte par l'astronome germano-britannique William Herschel en 1784.

La classe de luminosité de NGC 5600 est III et elle présente une large raie HI. Elle renferme également des régions d'hydrogène ionisé.

À ce jour, huit mesures non basées sur le décalage vers le rouge (redshift) donnent une distance de , ce qui est à loin l'extérieur des valeurs de la distance de Hubble. Quatre des huit mesures donnent des valeurs dans les environs de 100 Mpc, ce qui explique l'incohérence de cet échantillon dont la moyenne ne devrait pas servir à calculer le diamètre de cette galaxie.

Notes et références

Notes

Références

Voir aussi

Articles connexes
 Liste des objets du New General Catalogue

Liens externes

 NGC 5600 sur le site du professeur C. Seligman

5600
Constellation du Bouvier
Galaxie spirale
Galaxie spirale barrée
Objet céleste découvert en 1784
Objet céleste découvert par William Herschel

NGC 5600


Çamlıca İstanbul'un Üsküdar ilçesinde yer alan tepelik ve yeşil semt. İstanbul şehri ve Boğaziçi'nin en güzel manzaralarının görülebileceği çam korularını içeren Büyük Çamlıca (Sefa Tepesi) (268) ve Küçük Çamlıca Tepeleri (229) bu semtte bulunur. Kısıklı, Emniyet, Küplüce, Ferah, Yavuztürk, Bulgurlu, Burhaniye, Kirazlıtepe, Küçük Çamlıca ve Acıbadem Mahallelerinden oluşur.

Yakup Kadri Karaosmanoğlu'nun  Nur Baba ve Recaizade Mahmud Ekrem'in Araba Sevdası isimli eserlerinin konusu burada geçmektedir.

Nüfus

Kaynakça

Üsküdar'ın semtleri

Çamlıca, Üsküdar


تاكيس نيكولوديس ، من مواليد 26 أغسطس 1951، لاعب كرة قدم يوناني سابق.

لعب مع منتخب اليونان لكرة القدم.

مسيرته الكروية
لعب تاكيس نيكولوديس خلال مسيرته الاحترافية مع 3 أندية في ستة عشر موسمًا وسجل خلالها 81 هدفًا ضمن 430 مباراة. حيث فاز في أربعة مواسم بالكأس وفي خمسة مواسم بالدوري.

خاض تاكيس نيكولوديس مسيرته مع نادي إيراكليس في موسم 1968–69 ليلعب معه ثمانية مواسم، مشاركًا في 229 مباراة سجل خلالها 30 هدف. ثم انتقل إلى نادي أيك أثينا في موسم 1976–77 في المرة الأولى واستمر معه طيلة ثلاثة مواسم ثم في موسم 1982–83 ولمدة موسمين، حيث شارك طوالها في 131 مباراة سجل خلالها 40 هدف. لينتقل بعدها إلى نادي أولمبياكوس في موسم 1979–80 واستمر معه طيلة ثلاثة مواسم، مشاركًا في 70 مباراة سجل خلالها 11 هدفًا.

روابط خارجية

مراجع

لاعبو وسط كرة قدم رجالية
أشخاص على قيد الحياة
رياضيون من سالونيك
لاعبو الدوري اليوناني
لاعبو أولمبياكوس
لاعبو أيك أثينا
لاعبو بطولة أمم أوروبا 1980
لاعبو كرة قدم من سلانيك
لاعبو كرة قدم يونانيون
لاعبو منتخب اليونان لكرة القدم
لاعبو نادي إيراكليس سالونيك لكرة القدم
مدربو كرة قدم يونانيون
مواليد 1951
مواليد في سالونيك

تاكيس نيكولوديس


Die Straßenradsport-Weltmeisterschaften 1947 fanden am 2. und 3. August 1947 in Reims (Frankreich) statt.

Renngeschehen
Auf einem Rundkurs von 7,8 Kilometern bewältigten die Berufsfahrer mit 35 Runden 274 Kilometer. Bei glühender Hitze bot die Strecke keinen Schatten, sodass von den gestarteten 31 Teilnehmern nur sieben das Ziel erreichten. Unter den Ausgeschiedenen waren auch der Titelverteidiger Hans Knecht und der aktuelle Sieger des Giro d'Italia, Fausto Coppi. Nachdem lange Zeit der Niederländer Sjef Janssen allein an der Spitze gefahren war, wurde er in der letzten Runde von einem vierköpfigen Verfolgerfeld eingeholt. Mit einem langen Spurt sicherte sich der 33-jährige Niederländer Theofiel Middelkamp mit einem Stundenmittel von 36,7 Kilometern den Weltmeisterschaftstitel.

Die Amateure fuhren 164 Kilometer. Es gab einen italienischen Doppelsieg: Der 23-jährige Alfo Ferrari siegte im Spurt aus einer fünfköpfigen Spitzengruppe vor seinem Landsmann Silvio Pedroni.

Wie schon 1946 waren weder bei den Profis noch bei den Amateuren deutsche Fahrer am Start, da es zu dieser Zeit noch keinen nationalen Verband gab. An den Titelkämpfen nahmen Radrennfahrer aus 21 Nationen teil.

Ergebnisse

Siehe auch
 UCI-Bahn-Weltmeisterschaften 1947

Literatur
 Helmer Boelsen: Die Geschichte der Rad-Weltmeisterschaft. Covadonga Verlag, Bielefeld 2007, ISBN 978-3-936973-33-4, S. 46

Weblinks
 Profis bei www.radsport-seite.de
 Amateure bei www.radsportseiten.net

Einzelnachweise

1947
1947
Radsportveranstaltung 1947
Radsportwettbewerb in Reims


Rodrigo Paz Delgado (Tulcán; 20 de diciembre de 1933-Tampa; 17 de agosto de 2021) fue un empresario, banquero, político y dirigente deportivo ecuatoriano.

Biografía
Fue alcalde de Quito entre 1988 y 1992. Fue candidato a la presidencia de Ecuador en 1996. También fue ministro de finanzas en el gobierno de Jaime Roldós y presidente del Consejo Nacional de Modernización (CONAM) en el gobierno interino de Fabián Alarcón.

En 2004, buscó un nuevo período al frente de la capital ecuatoriana siendo derrotado por Paco Moncayo, quien fungía de alcalde desde 2000 y alcanzó una amplia ventaja frente a Paz.

En al ámbito deportivo fue dirigente de Liga Deportiva Universitaria, siendo el impulsor para la construcción de su estadio en 1997. Durante su dirección en el equipo, se obtuvieron logros como la Copa Libertadores, la Copa Sudamericana y las Recopas Sudamericanas 2009 y 2010.

En el ámbito bancario fue uno de los fundadores del banco Produbanco en 1978.

Últimos años y fallecimiento
En los últimos años tuvo problemas respiratorios y pulmonares ya que padecía de asma. El 17 de agosto de 2021, falleció en un hospital de Tampa, Florida, debido a una hemorragia digestiva.

Referencias

Candidatos presidenciales de Ecuador
Políticos de Quito
Alcaldes de Quito
Tulcaneños
Políticos de la Unión Demócrata Cristiana
Fallecidos en Tampa

Rodrigo Paz


Ígor Emmanuílovich Grabar,  (Budapest, 25 de marzo de 1871 - Moscú, 16 de mayo de 1960), fue un pintor, historiador del arte y museólogo soviético. Mantuvo amistad con Alekséi von Jawlensky y Marianne von Werefkin.

Notas

Referencias

Bibliografía
 Akinsha, Konstantin; Kozlov, Grigorii; Hochfield, Sylvia (2006). Beautiful loot: the Soviet plunder of Europe's art treasures. Random House. ISBN 9780679443896.
 Akinsha, Konstantin; Kozlov, Grigorii (2000, in Russian). Diplomaticheskie debaty po povodu restitutsii kulturnykh tsennostei v 1945-1946 (Дипломатические дебаты по поводу реституции культурных ценностей в 1945-1946). Cultural Map of Europe: Proceedings of the conference, 10–11 April 2000, Moscow.
 Baranovsky, Victor; Khlebnikova, Irina (2001) (in Russian). Anton Ažbe i hudozhniki Rossii (Антон Ажбе и художники России). Moscow State University. ISBN 9619093607.
 Barnes, Christopher (2004). Boris Pasternak: A Literary Biography. Cambridge University Press. ISBN 9780521520737.
 Brown, Matthew Cullerne; Taylor, Brandon (1993). Art of the Soviets: painting, sculpture, and architecture in a one-party state, 1917-1992. Manchester University Press ND. ISBN 9780719037351
 Brumfield, William Craft (1991). The Origins of Modernism in Russian Architecture. Berkeley: University of California Press.
 Brumfield, William Craft (1995). Lost Russia: photographing the ruins of Russian architecture. Duke University Press. ISBN 9780822315681.

 Stites, Richard (1991). Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. Oxford University Press US. ISBN 9780195055375.

Enlaces externos

Pintores de Rusia del siglo XX
Pintores impresionistas
Museólogos
Nacidos en Budapest
Fallecidos en Moscú
Galardonados con la Orden de la Bandera Roja del Trabajo

Ígor Grabar


Le Prix Serge Lazareff est une décoration militaire internationale attribuée à des civils et des militaires dans le cadre du Bureau des Affaires Juridiques du Grand Quartier général des puissances alliées en Europe de l'Organisation du Traité de l'Atlantique Nord.

Historique
Le Prix Serge Lazareff a été créé en 2017 pour reconnaître toutes les personnes qui, liées ou non à l'OTAN, se sont distinguées par leur contribution au Bureau des Affaires Juridiques du Commandement Allié des Opérations de l'OTAN, ainsi que tous ceux qui ont contribué à soutenir ou développer la connaissance de sa position légale. L'objectif de ce Prix est d'honorer Serge Lazareff, avocat de l'OTAN, qui fut une figure clef dans le développement de l'Accord sur le Statut des Forces de l'OTAN.

Classes et catégories
Le Prix Serge Lazareff est composé de cinq classes:

 Grande Étoile.
 Commandeur.
 Étoile.
 Certificat d'appréciation.
 Permanence en service, correspondant à la catégorie extraordinaire, pour le personnel judiciaire ayant servi dans l'un des Bureaux Juridiques du Commandement Allié des Opérations pendant un certain temps.

Peut être accordé en deux catégories:

 Ordinaire, au sein duquel on distingue quatre sous-catégories:
 Individuel.
 Individuel, avec insigne.
 Collectif.
 Honorifique.
 Extraordinaire.

Le Prix Serge Lazareff est communément livré par le Directeur du Bureau des Affaires Juridiques du Commandement Allié d'Opérations de l'OTAN, poste actuellement occupé par l'Espagnol Andrés B. Muñoz Mosquera.

Insignes et barrettes

Articles connexes

 Organisation du traité de l'Atlantique nord
 Grand Quartier général des puissances alliées en Europe
 Commandement Allié des Opérations
 Décorations internationales de l'OTAN

Références

Organisation du traité de l'Atlantique nord

Prix Serge Lazareff


Lucía Verónica López Guerra (Concepción, 2 de diciembre de 1973) es una periodista y presentadora de televisión chilena. Ha trabajado en radio, prensa escrita, producción de espectáculos y televisión.

Biografía

Es sobrina y ahijada del exfutbolista Carlos Caszely.

Primero estudió derecho. Cuando ya cursaba segundo año de Periodismo en la Universidad del Desarrollo de Concepción, y mientras todos estaban de vacaciones, comenzó su inquietud por la radio. Primero reporteó para Radio Chilena, luego fue corresponsal para Rock & Pop en la ciudad penquista, para finalmente ser trasladada a Santiago donde su carrera avanzó hasta ser Productora general de la radio, siendo la primera productora del ciclo Raras tocatas nuevas por el que pasó la mayoría de los grandes artistas y bandas nacionales de la época. También escribió para la revista Rock & Pop. Dos de sus entrevistas fueron parte de la antología En busca de la música chilena (2013), del musicólogo Juan Pablo González y el escritor José Miguel Varas.

Durante los años 1990 también estuvo en el Canal Regional, escribió en el desaparecido suplemento Zona de Contacto de El Mercurio y en La Tercera, ahí comenzó a establecer lazos con artistas chilenos por lo que tras la salida de Rock & Pop, se dedicó a la gestión cultural y dirección de comunicaciones para eventos con artistas locales e internacionales, fundaciones y productoras. Fue tour manager de La Pozze Latina para la gira del álbum Desde el mundo de los espejos, que incluía singles como Chica Eléctrica, hizo la difusión del regreso de Fulano, del Concierto Artistas por la Democracia realizado en el Parque Forestal, para la segunda vuelta de las presidenciales entre Ricardo Lagos y Joaquín Lavin, del multiconcierto Con Víctor Jara siempre, organizado por la Fundación Victor Jara y para el ciclo de Conciertos Latinos en vivo, entre otros.

Fue encargada del área de comunicaciones de El Gran Circo Teatro, del reconocido director y dramaturgo, Andrés Pérez y Directora de Extensión y Comunicaciones de la Escuela Moderna de Música, donde se relacionó con nuevos géneros, organizando ciclos de conciertos de jazz y música clásica, en especial, con compositores chilenos vivos.

Lucía incursionó en la televisión abierta comentando espectáculos para SQP de Chilevisión. Paralelamente participó como panelista junto a Ítalo Passalacqua en el matinal Gente como tú y tiempo después se integró a En portada de UCV Televisión, donde inicia una ascendente carrera televisiva. Tras tres meses de dedicarse a comentarios de espectáculo internacional es contratada como rostro estable del panel del programa de Televisión Intrusos de La Red y un fugaz paso como conductora del programa After Office de Radio Agricultura junto a Gonzalo Feito.

Al año siguiente, durante 2010 es contratada por Canal 13 para ser comentarista de espectáculos de Bienvenidos y de Alfombra roja, donde asume la conducción a los pocos meses, junto a Cristián Pérez, y se consagra como animadora de televisión. Posteriormente participaría como invitada y conductora en diversos programas de televisión como Talento Chileno, Switch, Primer Plano y la gala de Viña del Mar. Fue comentarista de los Festivales de Viña del Mar para los departamentos de prensa de Canal 13 y Chilevisión. También participó como conductora de programas de denuncia como Consumo Cuidado (Chilevisión) y Acosados (TVN).

En marzo de 2014 regresa a la radio como conductora del programa de música y actualidad El Pulso de Radio Universo, donde se mantiene hasta el 2015. Siempre ha reconocido que la radio es su medio favorito y fue para ADN que crea el primer programa en medios de alcance nacional dedicada a visibilizar liderazgos femeninos y denunciar las brechas de género. El programa Agenda de Género se mantuvo tres años en radio ADN transformándose en un referente en la materia. En ADN también participa del programa de análisis de la contingencia, La Pauta B, y junto a la periodista Andrea Obaid, crea el programa Tu Nuevo ADN dedicado a la promoción de los ODS.

En 2020, Lucía deja ADN para asumir la co-conducción del programa de actualidad Estación Central, junto a Marcelo Alvarado. El programa Agenda de Género continúa con ciclos que s emiten a través de las RRSS del espacio, de Radio Usach y Stgotv.

Durante los años 2019-2020 fue Directora de la Fundación Niñas Valientes. Desde la misma fecha se desempeña como evaluadora de proyectos PME para la Iniciativa Científica Milenio/ANID, Ministerio de Ciencias, tecnología, conocimiento e innovación.

El año 2020 también ingresa al Magister en Ciencias de la Comunicación con especialidad en Comunicación Pública en la USACH.

Desde el año 2013 participa en campañas por una nueva Constitución, una de las razones por las que decide inscribirse como candidata independiente a las elecciones de convencionales constituyentes de 2021 por el distrito 10 (Ñuñoa, Providencia, Santiago, Macul, San Joaquín y La Granja), formando parte del pacto Lista del Apruebo, no resultando electa.

Participación en Mi nombre es
El 12 de julio de 2012, audicionó en la tercera temporada del programa Mi nombre es..., donde participó imitando a Cecilia Pantoja, pasando a la Final del día pero no quedando clasificada para la semifinal del concurso. Más tarde fue llamada para el Repechaje, donde pasó a la instancia final, pero nuevamente no quedó clasificada para la semifinal.

Filmografía

Programas

Series de televisión

Historial electoral

Elecciones de convencionales constituyentes de 2021

 Elecciones de convencionales constituyentes de 2021, para convencional constituyente por el distrito 10 (La Granja, Macul, Ñuñoa, Providencia, San Joaquín y Santiago)

Referencias

Enlaces externos

Nacidos en Concepción (Chile)
Presentadores de televisión de Chile
Mujeres periodistas de Chile
Alumnado de la Universidad del Desarrollo
Corresponsales y enviados especiales de Chile

Lucía López


Le Bailliage d'Aval est une ancienne circonscription administrative et judiciaire, qui a existé de 1333 à la Révolution française. C'était l'un des trois bailliages de Franche-Comté. Il comprenait une grande partie de l'actuel territoire du Jura et la partie sud du Doubs. Sa capitale était Poligny, là ou y était fixé le bailli et la cour du bailliage.

Territoire
Le bailliage couvrait le massif du Jura jusqu'à la frontière suisse, le Revermont et une partie de la Bresse Jurassienne. Il était constitué de 6 bailliages locaux, prévôtés et 1'abbaye :
 bailliage d'Arbois
 bailliage de Salins (pays de Scodingue, comme Poligny, Arbois, Montmorot, Orgelet)
 bailliage de Pontarlier (de l'ancien comté de Varais, Warasch)
 bailliage de Poligny
 bailliage d'Orgelet
 bailliage de Montmorot
 La grande judicature de Saint-Claude (pays de Moirans)
Le bailliage d'Aval occupe la partie méridionale de la Franche-Comté. Le bailliage de Montmorot fut transféré à Lons-le-Saunier. Les sièges subalternes sont les villes d'Arbois, de Salins-les-Bains, de Pontarlier, de Poligny, d'Orgelet et il compte les terres de l'abbaye de Saint-Oyand-de-Joux parmi ses possessions.

Le bailli d'Amont gardait une prééminence sur celui d'Aval. Ceci fut confirmé par Philippe II de Bourgogne en 1389 où il précise que ce bailliage aurait pour président le lieutenant de celui d'Amont, ce poste n'a pas été donné au bailli car il appartenait à l'aristocratie de la province et avait donc déjà la qualité de gentilhomme et sa place dans la chambre de la noblesse.

Sous le règne de Philippe III de Bourgogne l'administration de la justice et la gestion des revenus municipaux sont confiées à un « chef de la bourgeoisie » choisi par le bailli d'Aval sur une liste de quatre candidats présentés par le collège des « chefs-d'hôtel » ou notables. Ce « chef de la bourgeoisie » échangeait son titre contre celui de « maire » en 1525.

Les bailliages secondaires

Bailliage d'Arbois
La bailliage d'Arbois était composé de Villers-Farlay, Ecleux, Villeneuve d'Aval, Les Arsures, Pretin, Montigny lès Arsures, Saint-Cyr Montmartin, Villette lès Arbois, Mesnay, La Chatealaine, Valempoulières, Les Planches-près- Arbois, Puppillin, Abergement le Grand, Abergement le petit, Mathenay, La Ferté, Malamboz et Vadans

Bailliage de Salins

Au  siècle, le bailliage de Salins joue un rôle de poumon économique de la province, les revenus de la Grande saline représentant environ la moitié de ce que la Comté lui rapporte. Ainsi, les ducs affirment leur mainmise sur la Grande saunerie. Le fonctionnement administratif de la saline est renforcé avec la création de différents postes d'officiers spécialisés, avec à leur tête un pardessus. L'aire de vente du sel de Salins est élargie, notamment vers la Suisse. La cité devient une forteresse dotée de plus de 25 tours d'enceinte, signe de son importance stratégique.

L'activité salifère participe à enrichir de puissantes familles qui contribuent à l'évolution du paysage urbain. Par exemple, Jean de Montaigu, issu d'une famille dont l'enrichissement est lié à l'administration de la saline et proche de la cour de Philippe le Bon, est à l'initiative de la construction de l'hôpital du Saint-Sépulcre.

Bailliage de Pontarlier

Le territoire est vaste et comprend vingt villages d'importance : La Planée, le Quartier du Lac, avec Montperreux, Saint-Point, Les Grangettes et Malbuisson, les Deux Malpas, Touillon-et-Loutelet, Arc, Doubs, Septfontaine, Nods et Athose, Aubonne, Saint-Gorgon-Main, Les Granges Dessus et Dessous. Tous participent à l'élection des magistrats et dépendent de la prévôté de Pontarlier. Pour les autres communautés entourant Pontarlier elles relèvent du pouvoir d'un seigneur local et par ce fait ne « pouvoir faire aveu, alliance, bourgeoisie ou commandise » sans la permission du seigneur. La prévôté exerce une moyenne justice sur le territoire et elle est reconnue comme droit plein et entier. Le droit de justice appartient tant aux seigneurs de Joux qu'aux « barons » de la ville qui dans plusieurs actes décernent des tutelles, font des inventaires, reçoivent des émancipations et rendent des sentences.

La particularité de Pontarlier et de sa vaste région est d'être tout à la fois un « baroichage », une prévôté, une châtellenie, un bailliage et posséder un maire. Leurs rôles se confondent souvent. Le prévôt mis en place n'est que le lieutenant de sires de Joux tandis que le baillis est nommé par le « baroichage » avec le droit de justice sur les « barons-bourgeois ». D'ailleurs à partir du  siècle la prévôté sera remplacé par une « justice de ville » où les seigneurs n'eurent plus droit de regard. À partir du siècle suivant les communautés qui avaient composé l'ancien territoire renoncèrent au droit d'élire deux des quatre échevins au « boichorage » et les offices de châtelain et de prévôt seront réunis à celui de maire. Celui-ci se place à la tête de la « bourgeoisie » local et retient par devers lui les trois niveaux de justice seigneuriale.

Bailliage d'Orgelet

Lorsque la Comté passe sous la tutelle des Hasbourg, Orgelet et son bailliage, connaissent une période de paix et de prospérité tout au long du  siècle : la ville sort de ses murailles avec un faubourg à l'ouest et des tanneries à l'est. En 1546, l'Empereur Charles Quint établit à Orgelet une mairie et un bailliage secondaire qui étend sa compétence sur près de 200 communautés du sud de la province. Un tribunal est créé ; lieutenant général, juges, huissiers, greffiers autour desquels gravitent avocats et procureurs forment une bourgeoisie aisée parmi laquelle sont élus chaque année maire et échevins.

Bailliage de Montmorot

Bailliage de Poligny

Gardienne des chartes du souverain de Bourgogne, de ses sceaux, de ses bannières et de toutes les marques de son autorité, la ville devient le chef-lieu du bailliage d'Aval au  siècle sous Philippe III de Bourgogne. Riche et puissante, elle compte parmi ses habitants un grand nombre de nobles et de bourgeois composant le conseil ou la maison (ensemble des charges domestiques) du duc. Celui-ci décide d'attribuer au sceau de la ville la même autorité que le sien propre, et qu'il soit en cire vermeille alors que les juridictions devaient utiliser une cire verte. Déjà en 1427 la ville était devenue le lieu de résidence du bailli ou de son lieutenant-général avant de devenir le siège du bailliage comme l'explique une ordonnance de 1444 :« la ville de Poligny est comme au milieu du bailliage d'Aval et elle est fournie de gens du conseil, clercs et praticiens mieux que nulle autre des lieux du même bailliage ».

La grande judicature de Saint-Claude
Sa puissante juridiction à laquelle ressortissaient deux juridictions subalternes, les Bâtis du Grandvaux et de Moirans, ne reconnaissait pas les appels de ses jugements devant le parlement des comtes de Bourgogne à Dole ni devant celui des ducs-comtes de Bourgogne à Dijon au  s. ; celui-ci s'imposa cependant peu à peu, tandis que l'entrée du comté de Bourgogne dans l'héritage des Habsbourg en 1493 signifia l'intégration, sinon féodale, du moins juridique au comté de Bourgogne. Celle-ci s'accentua lors de l'invasion du pays de Vaud voisin, catholique, par les Bernois protestants au  siècle et en raison des raids menés par les Comtois et les Bernois de part et d'autre de ce qui devenait une frontière de souveraineté autant et plus désormais que de seigneurie : l'abbaye devait mettre en avant son rattachement au Comté pour être défendue par son Parlement, ses Etats et le cas échéant par ses hommes d'armes.

Liste des Baillis d'Aval

De 1332 à 1371

Sous l'Etat Bourguignon (1371-1477)

Sous les Habsbourgs (1480-1674)

Sous l'ancien régime (1674-1790)
Les Grand-Baillis d'Aval appartiennent tous à la maison de Bauffremont.

Notes et références

Bailliage en France
Histoire du département du Jura
Histoire du Doubs
Bailliage disparu en 1790
Franche-Comté à l'époque moderne

Bailliage d'Aval