Bega Shopping Center este un centru comercial din zona centrală a Timișoarei deținut de Bega Grup. Bega Shopping Center cuprinde 42 de magazine pe 6 niveluri, o suprafață închiriabilă de 12.000 m² și dispune de o parcare de peste 100 de locuri și rasteluri pentru biciclete.

Centrul comercial are ca ancoră un supermarket Carrefour de 1.800 m² și dispune de un food-court cu o capacitate de 500 de locuri cu terasă, restaurante, cafenele; loc de joacă pentru copii, precum și târguri, evenimente interactive și expoziții.

Dintre magazinele și reprezentanțele găzduite de Bega Shopping Center se numără Bodo Sport, BBQ RIBS GRILL, Cover Shop, Contakt, Chaw-Chaw, Christian Tour, Dabo Döner, DPD, DM, Eden, Gall Print, Felice Flowers, Gardene, Idea Bank, Ideal Bebe, Inmedio, JPB Tabac Shop, Jolidon, La Kiosk, Leonard Collection, MEO Shoes, Orange, Optica Vision, Pepco, Puma, Ruspin Home, Salon Selena, Silver Point, Steilmann, Smart Shop Bega, Shopio Clothing Store, PAPRI, PROFESSIONAL COSMETICS, La Grecu, Lori's Vision, Telekom, Vodafone, UniCredit, Young Fashion, Yves Rocher; diverse servicii ș.a.

Istoric
Magazinul Bega a fost inaugurat în 1973. Clădirea a fost realizată după un proiect al IPROTIM, avându-l ca șef de proiect pe arhitectul Vasile Oprișan. Pe acest loc, în fosta Piață Balaș, se afla o clădire în care funcționa Casa Pompierilor. Construcția magazinului universal Bega era una modernă pentru era socialistă. Regimul de înalțime al clădirii era de P+4, înalțimea maximă fiind atinsă de casele de lifturi, 27,25 m. După privatizarea societății, în 1997, centrul comercial Bega a fost achiziționat de frații Marius și Emil Cristescu, care l-au transformat în Bega Shopping Center și i-au dat un aspect occidental.

În anul 2005 s-a finalizat și dat în folosință un nou corp de clădire al Bega Shopping Center, crescând suprafața comercială la 12.000 m².

Acces

Mașină
Centrul comercial este situat în partea centrală a orașului în cartierul istoric Cetate, între Piața Libertății și Piața Unirii, la confluența străzii Carol Telbisz cu str. Proclamația de la Timișoara, în spatele Ceasului Floral din Parcul Civic, vis-a-vis de Hotelul Continental.

Transport public
Autobuzele 40, E2 și tramvaiele 1,2,4 și 6.

Note

Legături externe
 Site web oficial
 shopping center

Centre comerciale din România
Bega Shopping Center Timișoara
Comerț
Clădiri și structuri după tip
Clădiri și structuri din România
Timișoara
Fondări în 2005

Bega Shopping Center


An Eriachne scleranthoides in uska species han Liliopsida nga ginhulagway ni Ferdinand von Mueller. An Eriachne scleranthoides in nahilalakip ha genus nga Eriachne, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Eriachne

Eriachne scleranthoides


Mitchell's embedding theorem, also known as the Freyd–Mitchell theorem or the full embedding theorem, is a result about abelian categories; it essentially states that these categories, while rather abstractly defined, are in fact concrete categories of modules. This allows one to use element-wise diagram chasing proofs in these categories. The theorem is named after Barry Mitchell and Peter Freyd.

Details
The precise statement is as follows: if A is a small abelian category, then there exists a ring R (with 1, not necessarily commutative) and a full, faithful and exact functor F: A → R-Mod (where the latter denotes the category of all left R-modules).

The functor F yields an equivalence between A and a full subcategory of R-Mod in such a way that kernels and cokernels computed in A correspond to the ordinary kernels and cokernels computed in R-Mod. Such an equivalence is necessarily additive.
The theorem thus essentially says that the objects of A can be thought of as R-modules, and the morphisms as R-linear maps, with kernels, cokernels, exact sequences and sums of morphisms being determined as in the case of modules. However, projective and injective objects in A do not necessarily correspond to projective and injective R-modules.

Sketch of the proof
Let  be the category of left exact functors from the abelian category  to the category of abelian groups . First we construct a contravariant embedding  by  for all , where  is the covariant hom-functor, . The Yoneda Lemma states that  is fully faithful and we also get the left exactness of  very easily because  is already left exact. The proof of the right exactness of  is harder and can be read in Swan, Lecture Notes in Mathematics 76.

After that we prove that  is an abelian category by using localization theory (also Swan). This is the hard part of the proof.

It is easy to check that the abelian category  is an AB5 category with a generator
.
In other words it is a Grothendieck category and therefore has an injective cogenerator .

The endomorphism ring  is the ring we need for the category of R-modules.

By  we get another contravariant, exact and fully faithful embedding  The composition  is the desired covariant exact and fully faithful embedding.

Note that the proof of the Gabriel–Quillen embedding theorem for exact categories is almost identical.

References

  reprinted with a forward as

Module theory
Additive categories
Theorems in algebra

Mitchell's embedding theorem


La Dionysio-Hadriana, parfois appelée Dionysiana-Hadriana ou même collectio Hadriana, est un recueil canonique officiel de l'Église catholique, remis par le pape Adrien  à Charlemagne en 774. En 802, lors du deuxième concile d'Aix-la-Chapelle, il est reconnu dans l'Église franque, sans être imposé.

Le texte est largement inspiré de la Collection dionysienne rédigée au début du  par Denys le Petit, mais certains textes sont ajoutés et d'autre remplacés.

Historique
Le pape Adrien  remet en 774 le manuscrit de la Dionysio-Hadriana à Charlemagne, lors du séjour romain de ce dernier. Ce cadeau répondait à une demande explicite d'un code de droit canonique de la part du souverain.

En 802, lors de la série des trois synodes d'Aix-la-Chapelle, la Dionysio-Hadriana est officiellement acceptée, mais non reconnue en tant que code national.

Contenu
Le contenu de ce traité reprend largement la Collection dionysienne rédigée au début du  par Denys le Petit. Toutefois, les préfaces de Denys sont remplacées par une épître en vers adressée par le pape à Charlemagne. La collection conciliaire est précédée d'une liste de titres. Elle contient le Credo de Nicée et celui de Constantinople, la profession de foi de Chalcédoine, la liste des Pères des différents conciles et quelques canons de ceux-ci. Les canons de Carthage sont divisés en deux groupes. La collection de décrets a été augmentée de quinze fragments insérés dans l'ordre chronologique.

Utilisation du texte
Au cours des siècles suivants, la Dionysio-Hadriana est transcrite et réutilisée dans plusieurs lieux différents. Au début du , elle est ainsi est reprise dans le  et dans l'Épitome Hadriani. Dans la péninsule ibérique, une collection composite est créée, dite « Hadriano-hispanica », également au . De nombreuses collections de droit canonique formées entre le  et le  la reprennent. Au cours du Moyen Âge central, elle est encore reprise par Burchard de Worms, Yves de Chartres et dans le Decretum Gratiani.

Notes et références

Document du droit canonique du haut Moyen Âge

Dionysio-Hadriana


Lacrimi la Marea Neagră (Sen Anlat Karadeniz; în traducere literală "Spune-mi tu, Mare Neagră") este o dramă turcească din 2018. Serialul are 64 de episoade.

Rezumat

Nefes este personajul principal al serialului. Aceasta a fost vândută la vârsta de 16 ani de catre tatăl său, lui Vedat. De când a fost vândută, Nefes a trăit chinuri cumplite, fiind bătută de nenumărate ori si violată. Din acel viol a apărut fiul său, Yiğit, acesta fiind singura sa consolare. Dupa 8 ani de chin, îi apare in cale Tahir, fratele partenerului de afaceri a lui Vedat. Aceasta se ascunde în portbagajul mașinii lui Tahir, fără ca Tahir să știe, si reușește să fugă împreună cu copilul său. O dată ajunși la Trabzon, Tahir îi ajută să se ascundă de Vedat, care este pe urmele lor, fuga lor fiind o adevărată aventură.

Note

Seriale turcești

Lacrimi la Marea Neagră


العشق والدم فيلم مصري من إنتاج عام 2002، من إخراج أشرف فهمي.

قصة الفيلم
تدور أحداث الفيلم في إحدى قرى الصعيد، تتزوج نوارة من دردير، الذي يعمل في الحفر والتنفيب عن الآثار، ويحبان بعضهما منذ الطفولة، في ليلة الزفاف، يصاب دردير بعجز جنسي، يعود نعمان الذي يعمل في البحر، يدفعه الحنين إلى نوارة التي يحبها منذ الطفولة، يحاول اغتصاب نوارة لكن تهرب منه، تسعى نوارة إلى أن تحمل من زوجها دردير، يكتشف نعمان في منزله بدروم ملئ بالآثار المسروقة. فيزيد من إلحاحه على نوارة كي تتزوجه. يشاع في القرية أن هناك علاقة آثمة بين نوارة ونعمان، بينما يكتشف دردير الثروة الموجودة في البدروم، وتلحق به نوارة، يطاردهما أهل القرية، ويلقون بالمشاعل داخل المنزلن ويموت الزوجان محترقين.

بطولة
 شريهان
 فاروق الفيشاوي
 محمد رياض
 سهير المرشدي
 تامر عبد المنعم
 حسين الشربيني
 علي عبد الرحيم
 سيد مصطفى
 إيمان أيوب
 ثريا إبراهيم
 محمد الشوري

فريق العمل
 إخراج: أشرف فهمي
 تأليف: بسيوني عثمان
 إنتاج: مجدي عبد المسيح
 مونتاج: علوي فايد
 موسيقى: خالد حماد
 مدير التصوير: سعيد شيمي

مراجع

وصلات خارجية

 صفحة الفيلم في قاعدة بيانات الأفلام العربية

أفلام دراما مصرية
أفلام شريهان
أفلام فاروق الفيشاوي
أفلام مصرية إنتاج 2002
أفلام سهير المرشدي
أفلام حسين الشربيني
أفلام ثريا إبراهيم
أفلام عن أمراض

العشق والدم (فيلم)


El cuento del zar Saltán (título original en ruso, Сказка о царе Салтане, Skazka o Tsaré Saltane) es una ópera en cuatro actos con un prólogo, siete escenas, con música de Nikolái Rimski-Kórsakov y libreto en ruso de Vladímir Belski, basado en el poema homónimo de Aleksandr Pushkin, y escenografía de Mijaíl Vrúbel. Compuso la ópera en 1899–1900 para coincidir con el centenario de Pushkin y fue estrenada en Moscú el año 3 de noviembre (el 21 de octubre) de 1900 en el Teatro Solodóvnikov. El título completo de la ópera y del poema es El cuento del zar Saltán, de su hijo, el célebre y poderoso bogatyr príncipe Gvidón Saltánovich, y de la bella Princesa-Cisne.

Esta ópera se representa poco; en las estadísticas de Operabase aparece la n.º 192 de las óperas representadas en 2005-2010, siendo la 15.ª en Rusia y la tercera de Rimski-Kórsakov, con 15 representaciones en el período.

Personajes
{| class="wikitable" border="1"
!|Personaje
!|Tesitura
!|Reparto del estrenoMoscú el 3 de noviembre de 1900(Director: Mijaíl Ipolítov-Ivánov)
|-
|Zar Saltán
|bajo
|Nikolái Mutin
|-
||Zarina Militrisa
|soprano dramática
|Yelena Tsvetkova
|-
|Tkachija (Tejedora), hermana mediana
|mezzosoprano
|Aleksandra Rostóvtseva
|-
|Povarija (Cocinera), hermana mayor
|soprano
|Adelaída Vereténnikova
|-
|Babarija (Anciana), una pariente
|contralto
|Varvara Strájova
|-
|Zarévich Gvidon (Gvidón)
|tenor
|Antón Sekar-Rozhanski
|-
|Zarevna-Cisne
|soprano ligera
|Nadezhda Zabela-Vrúbel
|-
|Viejo abuelo
|tenor
|Vasili Shkáfer
|-
|Correo
|barítono
|Nikolái Sheveliov
|-
|Skomoroj
|bajo
|Mijaíl Levandovski
|-
|colspan="4"|Coro, papeles mudos: Voces de un mago y espíritus, boyardos, boyárinas, cortesanos, ayas, oficinistas, guardias, soldados, marineros, astrólogos, corredores, cantantes, criados y criadas, bailarinas y bailarines, y pueblo, treinta y tres caballeros del mar con el maestro Chernomor, Ardilla, Abejorro.
|}

Véase también
 El vuelo del abejorro

Referencias
Notas

Fuentes
 Abraham, Gerald: "On Russian Music", 1939, William Reeves, The New Temple Press, Londres, págs. 122–137, capítulo IX.-- Tsar SaltanHolden, Amanda (Ed.), The New Penguin Opera Guide, Nueva York: Penguin Putnam, 2001. ISBN 0-140-29312-4
 Neff, Lyle. "The Tale of Tsar Saltan: A Centenary Appreciation of Rimskij-Korsakov's Second Puškin Opera," en The Pushkin Review'', v. 2, 1999, pp. 89–133.
Licencia

Enlaces externos

Grabaciones en operadis

Óperas de 1900
Óperas de Nikolai Rimski-Korsakov
Óperas en ruso
Óperas estrenadas en Moscú
Princesas ficticias
Adaptaciones de obras de Aleksandr Pushkin

El cuento del zar Saltán


Wolfgang Neuber (* 15. März 1956 in Wien) ist ein österreichischer Literaturwissenschaftler; er war bis Ende März 2021 Professor für Neuere Deutsche Literatur an der Freien Universität Berlin im Institut für Deutsche und Niederländische Philologie.

Beruflicher Werdegang
Neuber studierte Germanistik, Anglistik, Amerikanistik und Philosophie an der Universität Wien. Im Jahr 1980 erfolgte seine Promotion summa cum laude mit einer Arbeit zu Johann Nestroys Rhetorik. Die Habilitation für das Fach Neuere Deutsche Literatur schloss sich im Jahr 1988 mit einer Studie zur Topik der deutschen Amerika-Reiseberichte der Frühen Neuzeit an.

Von 1980 bis 1989 arbeitete Neuber als wissenschaftlicher Assistent an der Universität Wien, von 1989 bis 1995 als Assistenzprofessor. In diese Zeit fallen Gast- und Vertretungsprofessuren in Marburg (1988 und 1993) und an der Freien Universität Amsterdam (1989). 1995 folgte Neuber dem Ruf an die Johann-Wolfgang-Goethe-Universität  Frankfurt am Main, wo er bis 2000 Professor für Neuere Deutsche Literatur (Barock und Rhetorik) war. Von Oktober 2000 bis März 2021 lehrte Neuber als Professor für Neuere Deutsche Literatur (Neulateinische Literatur und Literatur der Frühen Neuzeit im europäischen Zusammenhang) an der Freien Universität Berlin und leitete die Forschungsstelle für Mittlere Deutsche Literatur.

Im August 2010 nahm Neuber eine Gastprofessur an der New York University in Abu Dhabi an, wo er bis 2015 als Visiting Professor of Literature lehrte. Zu weiteren Gastprofessuren zählen unter anderem die Peking-Universität, die Universität Breslau, die Universität Olsztyn und die Korea University.

Neuber wurde zweimal an ein Wissenschaftskolleg eingeladen: Von Oktober 1998 bis Januar 1999 forschte er als Senior Fellow am IFK (Internationales Forschungszentrum Kulturwissenschaften) in Wien und von September 2008 bis Juni 2009 am NIAS (Netherlands Institute for Advanced Study in the Humanities and Social Sciences) in Wassenaar.

Auszeichnungen
 1985: Förderungspreis des "Theodor-Körner-Stiftungsfonds zur Förderung von Wissenschaft und Kunst"
 1992: Förderungspreis der Stadt Wien für Wissenschaft

Veröffentlichungen

Monographien (Auswahl)
 Johann Nikolaus Götz zum 200. Todestag. Versuch zur Kenntlichmachung eines Paradigmas. Mainz 1981 (Blätter der Carl-Zuckmayer-Gesellschaft 7, Heft 2).
 Nestroys Rhetorik. Wirkungspoetik und Altwiener Volkskomödie im 19. Jahrhundert. Bonn: Bouvier 1987 (Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft 373), ISBN 978-3416020176.
 Fremde Welt im europäischen Horizont. Zur Topik der deutschen Amerika-Reiseberichte der Frühen Neuzeit. Berlin: Erich Schmidt 1991 (Philologische Studien und Quellen 121), ISBN 978-3503030170.

Herausgeberschaften
 Ars memorativa. Zur kulturgeschichtlichen Bedeutung der Gedächtniskunst 1400-1750. Hg. v. Jörg Jochen Berns und Wolfgang Neuber. Tübingen: Niemeyer 1993, ISBN 978-3484365155.
 Intertextualität in der Frühen Neuzeit. Studien zu ihren theoretischen und praktischen Perspektiven. Hg. v. Wilhelm Kühlmann u. Wolfgang Neuber. Frankfurt a. M. u. a.: Peter Lang 1994, ISBN 978-3631471876.
 Nikolaus Lenau: Werke und Briefe. Historisch-kritische Gesamtausgabe. Bd. 1: Gedichte bis 1834. Hg. v. Herbert Zeman u. Michael Ritter (Literaturwissenschaftler)Michael Ritter in Zusammenarb. m. Wolfgang Neuber. u. Xavier Vicat. Wien: Deuticke 1995, ISBN 978-3216301413.
 Documenta Mnemonica. Text- und Bildzeugnisse zu Gedächtnislehren und Gedächtniskünsten von der Antike bis zum Ende der Frühen Neuzeit. Hg. v. Jörg Jochen Berns u. Wolfgang Neuber. 7 Bde. Tübingen: Niemeyer 1998-, ISBN 978-3484365797.
 Seelenmaschinen. Gattungstraditionen, Funktionen und Leistungsgrenzen der Mnemotechniken vom späten Mittelalter bis zum Beginn der Moderne. Hg. v. Jörg Jochen Berns u. Wolfgang Neuber. Wien/Köln/Weimar: Böhlau 2000, ISBN 978-3205991489.
 Beer. 1655-1700. Hofmusiker. Satiriker. Anonymus. Hg. v. Andreas Brandtner u. Wolfgang Neuber. Wien: Turia & Kant 2000, ISBN 978-3851322811.
 Hans-Gert Roloff: Kleine Schriften zur Literatur des 16. Jahrhunderts. Festgabe zum 70. Geburtstag. Hrsg. v. Christiane Caemmerer, Walter Delabar, Jörg Jungmayr u. Wolfgang Neuber. Amsterdam, New York: Rodopi 2003, ISBN 978-9042008069.
 Cognition and the Book. Typologies of Formal Organisation of Knowledge in the Printed Book of the Early Modern Period. Ed. by Karl * A.E. Enenkel and Wolfgang Neuber. Leiden / Boston: Brill 2005, ISBN 978-9004124509.
 Daniel Casper von Lohenstein: Sämtliche Werke. Historisch-kritische Ausgabe. Hg. v. Lothar Mundt, Wolfgang Neuber u. Thomas Rahn. Berlin / New York: de Gruyter 2005-, ISBN 978-3110203776.
 Spirits Unseen. The Representation of Subtle Bodies in Early Modern European Culture. Ed. by Christine Göttler and Wolfgang Neuber. Leiden / Boston: Brill 2008, ISBN 978-9004163966.
 Theatralische Rhetorik. Hg. v. Wolfgang Neuber u. Thomas Rahn. Tübingen: Niemeyer 2008, ISBN 978-3484605220.
 The Making of Copernicus. Early Modern Transformations of the Scientist and his Science. Ed. by Wolfgang Neuber, Thomas Rahn and Claus Zittel. Leiden / Boston: Brill 2014, ISBN 978-9004281103.

Wolfgang Neuber war bzw. ist Mitherausgeber u. a. von Intersections (bis 2013), Daphnis (bis 2021), Chloe (bis 2021), Rhetorik, Zeitsprünge.

Aufsätze (Auswahl)
 Prekäre Theologie. Textsemantik und Bildsemantisierung am Beispiel von Wickrams erstem Bild seiner "Metamorphosen". In: Vergessene Texte – Verstellte Blicke. Neue Perspektiven der Wickram-Forschung. Hg. v. Maria E. Müller u. Michael Mecklenburg. Frankfurt a. M. 2007. S. 185-197.
 Der "verderbte" Text. Monogenese und Pluralisierung als Theologie des Sündenfalls. In: Ästhetische Erfahrung und Edition. Hg. v. Rainer Falk u. Gert Mattenklott. Tübingen 2007 (Beihefte zu editio 27). S. 47-58.
 Travel Reports in Early Modern Germany. In: Early Modern German Literature 1350-1700. Ed. by Max Reinhart. Rochester 2007 (= Camden House History of German Literature 4). S. 737-759.
 Poltergeist the Prequel. Aspects of Otherworldly Disturbances in Early Modern Times. In: Spirits Unseen. The Representation of Subtle Bodies in Early Modern European Culture. Ed. by Christine Göttler and Wolfgang Neuber. Leiden / Boston 2008 (Intersections. Yearbook for Early Modern Studies 9 [2007]). S. 1-17.
 Der unerhörte "hörroman". Elfriede Jelineks bukolit – Anmerkungen zur Gattungstradition. In: Positionen der Jelinek-Forschung. Beiträge zur Polnisch-Deutschen Elfriede-Jelinek-Konferenz Olsztyn 2005. Hg. v. Claus Zittel u. Marian Holona. Bern usw. 2008 (Jahrbuch für Internationale Germanistik. Reihe A: Kongressberichte 74). S. 29-37.
 Textbaustein, Topos und Parodie. Zu einigen Aspekten der Intratextualität in Dachs Gedichten. In: Simon Dach (1605-1659). Werk und Nachwirken. Hg. v. Axel E. Walter. Tübingen 2008 (= Frühe Neuzeit 126). S. 149-156.
 Similitudo und kulturelles Gedächtnis. Zur Rhetorik der Alterität in der Frühen Neuzeit. In: "Und es trieb die Rede mich an …" Festschrift zum 65. Geburtstag von Gert Ueding. Hg. v. Joachim Knape, Olaf Kramer u. Peter Weit. Tübingen 2008. S. 181-198.
 Es hat sich wohl gevogelt. Rhetorik und Zeremoniell in Caspar Stielers Rudolstädter Festspiel Der betrogene Betrug (1667). In: Theatralische Rhetorik. Hg. v. Wolfgang Neuber u. Thomas Rahn. Tübingen 2008. S. 1-17.
 Mnemonic Imagery in the Early Modern Period: Visibility and Collective Memory. In: Ars Reminiscendi: Mind and Memory in Renaissance Culture. Edited by Donald Beecher and Grant Williams. Toronto 2009 (Publications of the Centre for Reformation and Renaissance Studies. Essays and Studies 19). S. 69-81.
 Harsdörffers Gespenster. In: Georg Philipp Harsdörffers ,Kunstverständige Discurse'. Beiträge zu Kunst, Literatur und Wissenschaft in der Frühen Neuzeit. Hg. v. Michael Thiemann u. Claus Zittel. Heidelberg 2010. S. 325-335.
 Exscribo ergo sum. Self-Reflexion and Meditiation in Early Modern German Family Books. In: Meditatio – Refashioning the Self. Theory and Practice in Late Medieval and Early Modern Intellectual Culture. Edited by Karl Enenkel and Walter Melion. Leiden 2011 (= Intersections 17). S. 109-124.
 Die Familie als Diskurs. Textliche Konstruktionsformen in Familienbüchern der Frühen Neuzeit, am Beispiel des Beckschen Familienbuchs (Klosterneuburg, Cod. 747). In: Literatur – Geschichte – Österreich. Probleme, Perspektiven und Bausteine einer österreichischen Literaturgeschichte. Thematische Festschrift zur Feier des 70. Geburtstags von Herbert Zeman. Hg. v. Christoph Fackelmann u. Wynfrid Kriegleder. Wien / Berlin 2011. S. 320-332.
 TU CERTE ES STUDIJS NOSTRIS […] SUMMUM PRÆSIDIUM. Der Hofbeamte als Humanist — zum gelehrten Wiener Umfeld Markus Becks von Leopoldsdorf (1491-1553). In: Daphnis 40 (2011). S. 499–534.
 Visual Exegesis and Social History: Hieronymus Beck von Leopoldsdorf (1525-1596) and His Strategies of Self-Aggrandisement. In: Imago Exegetica. Visual Images as Exegetical Instruments, 1400–1700. Ed. by Walter S. Melion, James Clifton and Michel Weemans. Leiden / Boston: Brill 2014. S. 667–681.
 'Sinn-Bilder': Emblematik in der Frühen Neuzeit. In: Handbuch Literatur & Visuelle Kultur. Hg. v. Claudia Benthien u. Brigitte Weingart. Berlin / Boston 2014. S. 341–356.

Weblinks
 Personalseite Wolfgang Neubers auf der Website der FU Berlin, abgerufen am 7. März 2012
 Personalseite Wolfgang Neubers an der New York University Abu Dhabi, abgerufen am 10. Juni 2014

Einzelnachweise

Literaturwissenschaftler
Hochschullehrer (Goethe-Universität Frankfurt am Main)
Hochschullehrer (Freie Universität Berlin)
Theodor-Körner-Preisträger
Österreicher
Geboren 1956
Mann

Wolfgang Neuber


Rāhu (Sanskrit: राहु, ) is one of the nine major celestial bodies (navagraha) in Hindu texts and the king of meteors. It represents the ascension of the Moon in its precessional orbit around the Earth, also referred as the north lunar node, and along with Ketu, is a "shadow planet" that causes eclipses. Despite having no physical existence, Rahu has been allocated the status of the planet by ancient seers owing to its strong influence in astrology.

Rahu is usually paired with Ketu, another shadow planet. The time of day considered to be under the influence of Rahu is called Rāhu kāla and is considered inauspicious.

As per Hindu astrology, Rahu and Ketu have an orbital cycle of 18 years and are always 180 degrees from each other orbitally (as well as in the birth charts). This coincides with the precessional orbit of the Moon or the ~18 year rotational cycle of the lunar ascending and descending nodes on the Earth's ecliptic plane. This also corresponds to a saros, a period of approximately 223 synodic months (approximately 6585.3211 days, or 18 years, 11 days, 8 hours), that can be used to predict eclipses of the Sun and Moon. Rahu rules the zodiac sign of Aquarius together with Shani (traditional ruling planet).

Astronomically, Rahu and Ketu denote the points of intersection of the paths of the Sun and the Moon as they move on the celestial sphere. Therefore, Rahu and Ketu are respectively called the north and the south lunar nodes. Eclipses occur when the Sun and the Moon are at one of these points, giving rise to the understanding of swallowing of the Sun and the Moon by the snake. Rahu is responsible for causing the solar eclipse.

Legends

Samudra Manthana

Rahu is mentioned in the Puranic texts. The tales begin in the "remotest periods of the earliest of time, when the devas and asuras churned the ocean of milk to extract from it the amrita, the elixir of immortality." Mohini, the female avatar of Vishnu, started distributing amrita to the devas. However, one of the asuras, Svarbhanu, sat in the row of devas and drank the amrita. Surya and Chandra noticed him and they informed Mohini; however, by that time, Svarbhanu had already become immortal. Vishnu, as Mohini, cut off Svarbhanu's head with his discus, the Sudarshana Chakra. Svarbhanu, henceforth referred to as Rahu and Ketu, could not die, but his head was separated from his body; his head came to be known as Rahu, while his body came to be known as Ketu. Following this event, Rahu and Ketu gained the status of planets, and could influence the lives of humans on Earth. Rahu and Ketu became bitter enemies with Surya (Sun) and Chandra (Moon) for exposing his deception and leading to his decapitation. For this, Rahu pursues them and attempts to consume the Sun and Moon. Since Rahu is the head without the body, the Sun and Moon exit from his throat when he tries to swallow them. This recurring cycle creates the grahana, an eclipse of the Sun and the Moon, which represents the temporary revenge of Rahu.

Jalandhara

Following his ascent to power, the asura Jalandhara was advised by the great sage Narada to seek out a consort. Narada hinted that the beautiful Parvati, wife-to-be and consort of Shiva, would be an excellent choice. Infatuated with her beauty and impaired in his judgment, Jalandhara summoned his emissary Rahu, and sent him to the mountain Kailasa, to demand that Shiva give up his wife to Jalandhara. Rahu delivered the message informing Shiva that being a humble yogi who lived in the cremation grounds and the jungle as a naked ascetic, he was unworthy of the fairest goddess. He added that since Jalandhara was the powerful new lord of the heavens, the underworld, and the Earth, he was more worthy of her. Upon hearing these insults, Shiva produced a thunderous sound and a great lion-like monster from his brow named Kirtimukha. The monster chased and seized Rahu with the intention of devouring him. Rahu pleaded with Shiva for his life and retracted his claims, instead praising Shiva and seeking protection and refuge with him. In response, Shiva called off Kirtimukha's attack and set Rahu free to relay these events back to Jalandhara.

Hanuman

When Hanuman was an infant, he was once left unattended by his earthly mother and father. He became hungry, and when the Sun rose, he believed it to be a ripe fruit. So, Hanuman leapt up towards the Sun with extreme speed. Vayu, the wind god and his celestial father, blew cold wind on him to protect him from the burning Sun. Coincidentally, Rahu was meant to swallow the Sun and eclipse it that day. As Rahu approached the Sun, he saw Hanuman about to eat it. Hanuman saw Rahu and thought Rahu to be a fruit as well, so he attempted to eat him too. Rahu fled to the court of the king of the devas, Indra, and complained that while he was meant to satisfy his hunger with the Sun, there was now a bigger Rahu who tried to consume the Sun and himself. Indra set out on Airavata, his divine elephant, to investigate alongside Rahu, who retreated once more when he saw how enormous Hanuman had grown. Hanuman was playing with the Sun's chariot and reached for Rahu again. As Rahu cried out to Indra for help, Hanuman saw the Airavata and mistook it for yet another fruit. When he approached in his giant form, Indra struck his left jaw with a thunderbolt and injured him. Hanuman began falling back towards the Earth when he was caught by Vayu. Furious over his son's injury, Vayu withdrew all the air from the universe until all the devas, the asuras, and men began to suffer and suffocate. They appealed to Brahma, who revealed the cause of their distress and accompanied them to the wind god in order to appease him. Brahma revived Hanuman, and the other deities took turns bestowing different blessings, boons, and powers upon him.

Astrology
Since Rahu and Ketu are two opposite lunar nodes, they always appear in diametrically opposite houses in horoscopes. Both nodes are always in retrograde motion.

In Hindu astrology, Rahu represents materialism, mischief, fear, dissatisfaction, obsession and confusion. Rahu is also associated with science  and occultism. Like Ketu, Rahu is also an enemy against the Sun and Moon. It is generally considered as a malefic planet in astrology.

Jyotisha is Hindu astrology, which entails the concepts of Nakshatra (see also List of Natchathara temples), Navagraha (see also List of Navagraha temples), and Saptarishi (included in the list of Hindu deities whose dedicated temples are found at various Hindu pilgrimage sites to which Hindus take yatra).

Buddhist culture
Rāhu is mentioned explicitly in a pair of scriptures from the Samyutta Nikaya of the Pali Canon. In the Candima Sutta and the Suriya Sutta, Rahu attacks Surya, the Sun deity and Chandra, the Moon deity before being compelled to release them by their recitation of a brief stanza conveying their reverence for the Buddha.  The Buddha responds by enjoining Rāhu to release them, which Rāhu does rather than have his "head split into seven pieces". The verses recited by the two celestial deities and the Buddha have since been incorporated into Buddhist liturgy as protective verses recited by monks as prayers of protection.

Gallery

See also
Ketu
Kirtimukha
Svarbhanu
Saros
Orbital node
Batara Kala

Notes

External links

Hindu gods
Asura
Danavas
Navagraha
Planetary gods
Sun myths
Moon myths
Eclipses
History of astrology
Dharmapalas

Rahu


Philips SpeechMike er en diktafon som oftest bruges i sundhedsvæsnet rundt om i verden.
Den først SpeechMike kom i 1997, og siden er det blevet til en lang række forskellige modeller, heriblandt nogle som er trådløse og andre som er rettet mod talegenkendelse.

Mikrofoner

Philips SpeechMike


Divinolândia es un municipio brasileño del estado de São Paulo. Se localiza a una latitud 21º39'41" sur y a una longitud 46º44'21" oeste, estando a una altitud de 1040 metros. Su población estimada en 2004 era de 12.121 habitantes.

La ciudad perteneció a São José do Río Pardo hasta conseguir su emancipación en el año de 1954.

Iglesia Católica

El municipio pertenece a la Diócesis de São João da Boa Vista.

Demografía - censo de 2000

Población Total: 12.016
 Urbana: 6.875
 Rural: 5.141
 Hombres: 6.136
 Mujeres: 5.880

Densidad demográfica (hab./km²): 54,05

Mortalidad infantil hasta 1 año (por mil): 11,20

Expectativa de vida (años): 73,93

Tasa de fertilidad (hijos por mujer): 2,35

Tasa de Alfabetización: 90,08%

Índice de Desarrollo Humano (IDH-M): 0,788
 IDH-M Salario: 0,686
 IDH-M Longevidad: 0,815
 IDH-M Educación: 0,862
(Fuente: IPEADATA)

Referencias

Enlaces externos

 Página de la prefectura

Localidades de São Paulo

Divinolândia


Ubarana es un municipio brasileño del estado de São Paulo. La ciudad tiene una población de 5.289 habitantes (IBGE/2010). Ubarana pertenece a la Microrregión de São José do Río Preto.

Geografía
Se localiza a una latitud 21º09'56" sur y a una longitud 49º43'03" oeste, estando a una altitud de 458 metros.

Demografía
Datos del Censo - 2010

Población total: 5.289
 Urbana: 4.845
 Rural: 444
 Hombres: 2.715
 Mujeres: 2.574
Densidad demográfica (hab./km²): 12,16

Referencias

Enlaces externos

 Página de la prefectura

Localidades de São Paulo

Ubarana


Campionatul European de Scrimă pentru juniori (U20) din 2014 s-a desfășurat în perioada 28 februarie-4 martie la Ierusalim, Israel. A fost precedat de Campionatul European pentru cadeți din 2014.

Rezultate

Masculin

Feminin

Clasament pe medalii

Legături externe
  Site-ul oficial
  Jerusalem: European Junior Championships  la Confederația Europeană de Scrimă

2014
2014 în scrimă

Campionatul European de Scrimă pentru juniori din 2014


Paul Wanner, né le  à Dornbirn en Autriche, est un footballeur austro-allemand qui évolue au poste de milieu offensif au SV Elversberg, en prêt du Bayern Munich.

Biographie

En club
Né à Dornbirn en Autriche, Paul Wanner joue pour le  avant de rejoindre le centre de formation du Bayern Munich. Il est très vite considéré comme l'un des talents les plus prometteurs du club.

En , il est convoqué pour la première fois avec l'équipe première en étant retenu par l'entraîneur Julian Nagelsmann. Wanner fait sa première apparition en professionnel le , lors d'une rencontre de championnat face au Borussia Mönchengladbach. Il entre en jeu à la place de Marc Roca et son équipe s'incline par deux buts à un ce jour-là. Cette apparition fait de lui le deuxième plus jeune joueur de l'histoire de la Bundesliga, à 16 ans et 15 jours. Cette année-là il devient champion d'Allemagne, le Bayern étant sacré pour la dixième fois de suite. Avec ce sacre il devient notamment le plus jeune joueur à remporter ce titre.

Le , Paul Wanner est prêté pour une saison au SV Elversberg.

En sélection
Paul Wanner représente l'équipe d'Allemagne des moins de 17 ans depuis 2021.

En , Paul Wanner est retenu par Ralf Rangnick, le sélectionneur de l'équipe nationale d'Autriche. Il est toutefois convenu que Wanner ne participe à aucun match international, le joueur voulant garder l'option de jouer pour l'Allemagne et la fédération autrichienne ne voulant pas exercer de pression sur le jeune milieu de 16 ans.

Statistiques

Vie privée
Paul Wanner est né d'une mère autrichienne et a grandi dans la région d'Allgäu. Son père est un ancien joueur de football, qui a notamment porté les couleurs du SC Austria Lustenau, dont il a été le capitaine.

Palmarès
 Bayern Munich
 Championnat d'Allemagne (2) :
 Champion : 2022 et 2023.

Notes et références

Liens externes

Footballeur allemand
Joueur du Bayern Munich
Joueur du SV Elversberg
Naissance en décembre 2005
Naissance à Dornbirn

Paul Wanner


The aloha shirt (), also referred to as a Hawaiian shirt, is a style of dress shirt originating in Hawaii. They are collared and buttoned dress shirts, usually short-sleeved and made from printed fabric. They are traditionally worn untucked, but can be worn tucked into the waist of trousers. They are worn casually or as informal business attire in Hawaii.

"Aloha Friday", or Casual Friday, a now-common tradition of celebrating the end of the workweek by wearing more casual attire on Fridays, initially grew out of an effort to promote aloha shirts.

Design
Aloha dress shirts are printed, mostly short-sleeved, and collared. They almost always have buttons, sometimes for the entire length of the shirt or at least up to the chest. They usually have a left chest pocket sewn in, often with attention to ensure the printed pattern remains continuous. Aloha shirts may be worn by men or women. Women's aloha shirts usually have a lower-cut, v-neck style.

The lower hems are straight, and the shirts are often worn with the shirt-tails hanging out, rather than tucked in. Wearing an untucked shirt was possibly influenced by the local Filipinos who wore shirt-tail out, and called these  meaning "friend". Wearing it untucked or tucked depends on personal taste; it carries the same connotations of tucking or untucking a polo shirt. In the 1950s, the shirt became allowed as business attire for aloha week, but only if worn tucked in.

Traditional men's aloha shirts are usually adorned with traditional Hawaiian quilt designs, tapa designs, and simple floral patterns in more muted colors. Contemporary aloha shirts may have prints that do not feature any traditional Hawaiian quilt or floral designs but instead may incorporate drinks, palm trees, surf boards or other island tropical elements in a similar form as the traditional aloha shirt.

It has been observed that locals (kamaʻāina) tended to shy away from the garishness of aloha shirts as "too wild" when they first appeared, whereas tourists embraced wearing designs of many bright colors. An example of the type of shirt the locals may prefer includes the "reverse print"; these shirts are often printed on the interior, resulting in the muted color on the exterior.

History

According to some sources, the origin of aloha shirts can be traced to the 1920s or the early 1930s, when the Honolulu-based dry goods store "Musa-Shiya the Shirtmaker" under the proprietorship of Kōichirō Miyamoto, started making shirts out of colorful Japanese prints. It has also been contended that the aloha shirt was devised in the early 1930s by Chinese merchant Ellery Chun of "King-Smith Clothiers and Dry Goods", a store in Waikiki. Although this claim has been described as a myth reinforced by repeated telling, Chun may have been the first to mass-produce or to maintain the ready-to-wear in stock to be sold off the shelf.

The name "aloha shirt" appeared later. By 1935 and 1936, the word aloha was being attached to various sorts of Hawaiian products, so calling the garments "aloha shirts" was hardly original. The term aloha shirt first appeared in print in an advertisement for Musa-Shiya in the June 28, 1935 issue of The Honolulu Advertiser newspaper. However, Ellery Chun is sometimes credited for coining the term, perhaps in 1933; Chun's store reportedly carried window signs that said "aloha shirts". The term "aloha sportswear" was registered as a trademark by Chun's company in 1936, followed by Chun trademarking "Aloha Shirt" in 1937 and owning the rights to this appellation for the next 20 years.

Within years, major designer labels sprang up all over Hawaii and began manufacturing and selling aloha shirts en masse. By the end of the 1930s, 450 people were employed in an industry worth $600,000 annually. Two notable manufacturers of this period are Kamehameha and Branfleet (later Kahala), both founded in 1936. Retail chains in Hawaii, including some based on the mainland, may mass-produce a single aloha shirt design for employee uniforms.

After World War II, many servicemen and servicewomen returned to the United States from Asia and the Pacific islands with aloha shirts made in Hawaii since the 1930s. One significant manufacturer was Shaheen, which began business in 1948. Following Hawaii's statehood in 1959, when extant tropical prints came to be regarded as rather tacky, designer Alfred Shaheen became noted for producing aloha shirts of higher chic and quality, and Elvis Presley wore a Shaheen-designed red aloha on the album cover for Blue Hawaii (1961). In 1956, Tori Richard, a well-known brand of alohas was established. Spooner's of Waikiki, precursor of  Reyn Spooner, also established business in 1956.

Exports
Garments manufactured in Hawaii could bear "Made in Hawaii" labels before statehood (1959), and even afterwards, their sales to mainland United States continued to be referred to as "exports".

Aloha shirts tend to be referred to as "Hawaiian shirts" by the populace from the mainland United States, and are often brilliantly colored with floral patterns or generic Polynesian motifs.

The aloha shirt is currently the premier textile export of the Hawaii manufacturing industry.

Aloha dress codes

Aloha Week

In 1946, the Honolulu Chamber of Commerce funded a study of aloha shirts and designs for comfortable business clothing worn during the hot Hawaiian summers. The City and County of Honolulu passed a resolution allowing their employees to wear sport shirts from June–October. City employees were not allowed to wear aloha shirts for business until the creation of the Aloha Week festival in 1947. The Aloha Week festival was motivated by both cultural and economic concerns: First held at Ala Moana Park in October, the festival revived interest in ancient Hawaiian music, dancing, sports, and traditions. There was a holoku ball, a floral parade, and a makahiki festival attended by 8,000 people. Economically, the week-long event first attracted visitors during October – traditionally a slow month for tourism – which benefited the Hawaiian fashion industry as they supplied the muumuu and aloha shirts worn for the celebration. Aloha Week expanded in 1974 to six islands, and was lengthened to a month. In 1991, Aloha Week was renamed to Aloha Festivals.

In the end, Aloha Week had a direct influence on the resulting demand for alohawear, and was responsible for supporting local clothing manufacturing: locals needed the clothing for the festivals, and soon people in Hawaii began wearing the clothing in greater numbers on more of a daily basis. Hawaii's fashion industry was relieved, as they were initially worried that popular clothing from the mainland United States would eventually replace aloha attire.

Aloha Friday

In 1962, a professional manufacturing association known as the Hawaiian Fashion Guild began to promote aloha shirts and clothing for use in the workplace, particularly as business attire. In a campaign called "Operation Liberation", the Guild distributed two aloha shirts to every member of the Hawaii House of Representatives and the Hawaii Senate. Subsequently, a resolution passed in the Senate recommending aloha attire be worn throughout the summer, beginning on Lei Day. The wording of the resolution spoke of letting "the male populace return to 'aloha attire' during the summer months for the sake of comfort and in support of the 50th state's garment industry".

In 1965, Bill Foster Sr., president of the Hawaii Fashion Guild, led the organization in a campaign lobbying for "Aloha Friday", a day employers would allow men to wear aloha shirts on the last business day of the week a few months out of the year. Aloha Friday officially began in 1966, and young adults of the 1960s embraced the style, replacing the formal business wear favored by previous generations. By 1970, aloha wear had gained acceptance in Hawaii as business attire for any day of the week. Unlike the court dress required in most jurisdictions, attorneys in Hawaii may be allowed to wear aloha shirts in court, though this varies among individual courts.

Hawaii's custom of Aloha Friday slowly spread east to California, continuing around the globe until the 1990s, when it became known as Casual Friday. Today in Hawaii, alohawear is worn as business attire for any day of the week, and "Aloha Friday" is generally used to refer to the last day of the work week. Now considered Hawaii's term for "Thank God It's Friday" (TGIF), the phrase was used by Kimo Kahoano and Paul Natto in their 1982 song, "It's Aloha Friday, No Work 'til Monday", heard every Friday on Hawaii radio stations across the state.

Aloha attire
The related concept of "aloha attire" stems from the aloha shirt. Semi-formal functions such as weddings, birthday parties, and dinners are often designated as "aloha attire", meaning that men wear aloha shirts and women wear muumuu or other tropical prints. Because Hawaii tends to be more casual, it is rarely appropriate to attend such functions in full evening wear like on the mainland; instead, aloha attire is seen as a happy medium between excessive formality and casual wear (i.e., business casual).

See also
 Barong tagalog – formal Filipino shirt made of pineapple fiber
 Batik – Indonesian and Malaysian shirt worn casually or as business attire
 Bowling shirt
 Camp shirt
 Guayabera – Mexican, Central American, and Caribbean shirt worn casually or as business attire
 Kariyushi shirt – Okinawan shirt worn casually or as business attire
 Tori Richard – aloha shirt brand
 Reyn Spooner – aloha shirt brand
 Jams – aloha shirt brand

Notes

References

Further reading

External links

 "Musa-Shiya The Shirtmaker" – Time 1926
 Aloha shirts of the University of Hawaii Museum

American fashion
Symbols of Hawaii
Shirts
Surf culture
1930s fashion
1950s fashion
1960s fashion
1990s fashion
Textile arts of Hawaii
Tiki culture

Aloha shirt


AS Tempête Mocaf Bangui ist ein Fußballverein in Bangui in der Zentralafrikanischen Republik.

Geschichte
Der 1940 gegründete Verein ist der erfolgreichste seines Landes. Ihm gelangen zehn Meistertitel seit 1976 und sechs Pokalsiegen seit 1974. In den afrikanischen Wettbewerben war er dagegen nicht erfolgreich. Bester Erfolg war das Erreichen der 2. Runde 1994 im African Cup of Champions Clubs und das Erreichen des Viertelfinales 1975 im African Cup Winners' Cup.

Erfolge
 Central African Republic League (10): 1976, 1984, 1990, 1993, 1994, 1996, 1997, 1999, 2003, 2009
 Central African Republic Coupe Nationale (6): 1974, 1982, 1985, 1992, 2003, 2011

Statistik in den CAF-Wettbewerben

Weblinks
 AS Tempête Mocaf Bangui auf foot-palmares.com
 AS Tempête Mocaf Bangui auf weltfussball.de
 AS Tempête Mocaf Bangui auf wildstat.com
 AS Tempête Mocaf Bangui auf goalzz.com

Bangui
Organisation (Bangui)
Gegründet 1940
Sport (Bangui)

AS Tempête Mocaf Bangui


An Cyperus cephalanthus in uska species han Liliopsida nga ginhulagway ni John Torrey ngan William Jackson Hooker. An Cyperus cephalanthus in nahilalakip ha genus nga Cyperus, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Cyperus

Cyperus cephalanthus


Seyit Ali Çabuk veya bilinen adıyla Seyit Onbaşı (Eylül 1889 - 1 Aralık 1939), I. Dünya Savaşı'nda Çanakkale Cephesi'nde çarpışan Türk asker.

I. Dünya Savaşı sırasında Çanakkale cephesinde Rumeli Mecidiye Tabyası görev yaptığı sırada, çok ağır olduğu iddia edilen top mermilerini kundağına yerleştirmeyi başarmış ve Birleşik Krallık'a ait Ocean Zırhlısı'nı dümenden vurarak kontrolden çıkmasına ve bir mayına çarpıp batmasına sebep olmuştur. Seyit Onbaşı'nın yaşadığı bu gerçek olayın anlatısı, halk muhayilesi içinde efsanevi bir anlatıya dönüşmüştür.

Yaşamı
1889 yılının Eylül ayında Balıkesir'in Havran ilçesi Manastır (sonraki adı Çamlık, şimdiki adı Koca Seyit köyü) köyünde dünyaya geldi. Babası Abdurrahman, annesi Emine idi.

1909 yılında Osmanlı Ordusu'na katıldı. Balkan Savaşı'nda çarpıştı. I. Dünya Savaşı'nın başlaması ile 1914 yılında Çanakkale Cephesi'nde topçu eri olarak göreve başladı.

Çanakkale Boğazı'ndan geçerek İstanbul'a gitmek isteyen Müttefik donanması 18 Mart 1915'te Anadolu ve Rumeli hattındaki tabyalara yoğun bombardıman yaptıkları sırada Rumeli Mecidiye Tabyasında görevliydi. Bombardıman sırasında düşman gemilerinden atılan bir mermi Seyit Ali'nin bataryasında cephaneliğe isabet edip havaya uçurmuş; bataryadaki erlerden on dördü hayatını kaybetmiş, yirmi dördü ise yaralanmıştı. Sadece Seyit Ali ile Niğdeli Ali isimli arkadaşı yara almadan kurtulmuşlardı. Bataryanın toplarından sadece bir tanesi kullanılabilir halde idi. Türk topçusunun yoğun karşı ateşi ve daha önceden Nusret mayın gemisinin yerleştirdiği mayınlar saldırıyı püskürttü.

Müttefik donanmasının başındaki Amiral De Robeck, saat 17.50 sırasında yavaş yavaş boğaza doğru donanmanın yol almasını istedi. Bombardıman sırasında tabyada çalışır durumda kalan tek topun mermi kaldıran kaldıraç kısmı bozulduğu için Seyit Ali, yanındaki arkadaşı Niğdeli Ali'nin yardımıyla sırtına bir mermi yüklenmiş ve karşısındaki gemiye ateş etmiştir. Üçüncü atışında İngilizlerin en büyük savaş gemilerinde olan HMS Ocean adlı gemiyi dümen donanımından (arkadaki pervaneden) vurdu. Atılan top, geminin su kesiminin altına isabet ederek geminin yan yatmasına neden oldu. Gemi kontrol edilemez bir hâle geldiğinden dolayı Nusret mayın gemisi'nin döktüğü mayınlardan birine çarptı. Ocean zırhlısı, kimi kaynaklarda saat 18.00 civarında kimi kaynaklarda ise 22.00 civarında Eskihisarlık diye bilinen bugün Çanakkale Şehitler Anıtı'nın bulunduğu alanın karşısında sulara gömüldü ve Müttefik donanması Çanakkale'den ayrıldı. Seyit Ali'ye ödül olarak onbaşılık unvanı verildi.

Seyit Onbaşı'nın o gün kaldırdığı top mermilerinin ağırlığı hakkında çeşitli kaynaklarda farklı bilgiler bulunur. Bazı araştırmalarda 276 kg olarak geçen top mermisi aslında 215 kg ağırlığında olup Osmanlı döneminde Almanya ile olan ağırlık birimi farkından dolayı, sehven 215 kg olan merminin ağırlığı 215 okka (yaklaşık 276 kg) olarak kayıtlara geçmiştir. Mecidiye Tabyası'nda sergilenen savaştan kalma top mermisini hassas kantarla tartan araştırmacılar, Seyit Onbaşı'nın sırtladığı net kütlenin 215 kilogram olduğunu belirlemiştir. O atıştan sonra Müstahkem Mevki Komutanı, Seyit Ali Onbaşı'dan top mermisi sırtında fotoğraf çekilmesini istedi ancak Seyit Ali Onbaşı ne kadar zorlansa da top mermisini kaldıramadı. Bunun üzerine Harp Mecmuası için ancak tahta bir mermi maketiyle fotoğraf çekilebildi. Fotoğraf, Harp Mecmuası'nın ikinci sayısında yayımlanmıştır. Nisan başlarında 19. Fırka Tümen Komutanı Mustafa Kemal, onu Bigalı köyündeki karargahında konuk etti.

1918 yılında terhis olup köyüne dönen Seyit Ali, ormancılık ve kömürcülük işlerine devam etti. İlk evliliğini yaptığı eşi Emine'den Ayşe (1911) ismindeki ilk kızı savaştan önce dünyaya gelmişti. İkinci kızı Fatma 1922 yılında doğdu. Kurtuluş Savaşı sırasında tekrar orduya çağrıldı ve 26 Ağustos 1922'de başlayan Büyük Taarruz'a katıldı.

Seyit Ali, ilk eşi Emine Hanım'ı kaybettikten sonra ikinci evliliğini Hatice Hanım ile yaptı. Bu evlilikten Ramazan, Osman, Abdurrahman isminde üç oğlu oldu. 1934'te Balıkesir'den de Çanakkale'ye giderken Havran'da konaklayan cumhurbaşkanı Mustafa Kemal Atatürk ile görüştü. Soyadı Kanunu ile Çabuk soyadını aldı.

Ömrünün son yıllarında bir süre zeytinyağı fabrikasında hamallık, daha sonra ayakkabı yamayarak geçimini sağladı. 1 Aralık 1939'da zatürre hastalığı yüzünden hayatını kaybetti.

Anıtlar

Ölümünden sonra köyünün adı "Kocaseyit" olarak değiştirilmiştir. Mezarının bulunduğu yere tüm şehitleri temsilen 2006 yılında Koca Seyit Anıtı yaptırılmıştır. Anıt Alanı içinde Koca Seyit heykeli, Atatürk heykeli, anıt, müze ve savaş topu yer alır. Anıt, Tankut Öktem tarafından projelendirilmiş, Öktem'in ölümü nedeniyle ailesinden Pınar Öktem Doğan ve Oylum Öktem İşözen tarafından tamamlanmıştır.

Seyit Ali'nin kahramanlığını sembolize etmek üzere heykeltıraş Hüseyin Anka Özkan tarafından bronz ve tuzdan yapılmış bir heykeli Kilitbahir köyü sınırında, kendisi ile özdeşleşen Rumeli Mecidiye Tabyası'nın bulunduğu yere 1996 yılında dikilmiştir. Heykel, Seyit Ali'yi top mermisini sırtında değil, kucağında taşır şekilde gösterdiği gerekçesiyle 2006 yılında kaldırıldı. Kasım 2010'da yeniden Mecidiye Tabyası'na yerleştirildi. Seyit Ali'yi askeri kıyafetlerle başında kabalak denen takke ile ve mermiyi sırtında taşırken tasvir eden ve daha sonra bronz kaplanmak üzere heykeltıraş Eray Okkan tarafından fiber epoksi polyester ve çini birleşimi malzemeyle yapılan 4 metrelik bir heykel ise Eceabat ilçesinde bir parka yerleştirilmiştir.

Adı verilen yerler
Seyit Onbaşı'nın adı ölümünden sonra köyüne verilmiş; "Çamlık" olan isim Kocaseyit olarak değişmiştir. Ayrıca Edremit, Burhaniye, Havran ilçeleri arasında bulunan Balıkesir- Körfez Havalimanı'nın adı 2012 yılında "Seyit Onbaşı Havalimanı" olarak değiştirilmiştir.

Romanlar
Seyit Onbaşı anlatısına Çanakkale Savaşı'nı konu alan birçok romanda yer verilmiştir. "Tarihe Sığmayan Destan Çanakkale (Mehmet Kaplan, 2003) romanı içinde Seyit Onbaşı "Koca Seyit" adıyla anılır. "Çanakkale Mahşeri" (M. N. Özdemir, 1998) romanında Seyit Onbaşı'nın savaş anında insanüstü bir güçle top mermisini sırtlayıp topun ağzına sürmesinden başka, savaştan sonra top mermisini yerinden bile oynatamaması da konu edilmiştir. "Zulüm Dağları Aşar - Çanakkale İçinde" (Rahmi Özen, 2000) adlı romanda anlatıya yer verilir; ancak kahramana "Yahya Çavuş" adı verilmiştir. "Çanakkale'de Çocuklar da Savaştı" (Sevinç Koçak & Salim Koçak, 2006) romanında da top mermisini sırtlayıp kaldıran kahramanın ismi "Seyit Ali Çavuş" olarak verilmiştir. "Çanakkale Askerine Rütbe Gerekmez" (Sezen Özol, 1988) adlı romanda Seyit Onbaşı anlatısı gerçeğe yakın olarak yer bulmuştur.

Notlar

Kaynakça

Ayrıca bakınız
 Çanakkale Deniz Savaşları

1889 doğumlular
Havran doğumlular
1939 yılında ölenler
I. Dünya Savaşı'nda Osmanlı askerleri
Seyit onbaşı hayatı

Seyit Onbaşı


Brookland–CUA es una estación en la línea Roja del Metro de Washington, administrada por la Autoridad de Tránsito del Área Metropolitana de Washington. La estación se encuentra localizada en 801 Michigan Avenue NE en Washington D. C. La estación Brookland–CUA fue inaugurada el 3 de febrero de 1978.

Descripción
La estación Brookland–CUA cuenta con 1 plataforma central. La estación también cuenta con 27 de espacios de aparcamiento y 10 espacios para bicicletas con 16 casilleros.

Conexiones
La estación cuenta con las siguientes conexiones de autobuses:
 Rutas del MetroBus

Ubicación
La estación se encuentra en el barrio de Brookland y tiene un acceso directo al campus de la Universidad Católica de América (CUA).

Referencias

Enlaces externos

 WMATA: Estación Brookland–CUA
 Línea Roja del Metro de Washington

Estaciones de Metro de Estados Unidos inauguradas en 1978
Estaciones de la línea Roja (Metro de Washington)
Universidad Católica de América
Brookland (Distrito de Columbia)

Brookland–CUA (Metro de Washington)


Confederația canadiană (în ) a fost procesul prin care coloniile britanice din Canada, Noua Scoție și Noul Brunswick s-au unificat în Dominionul Canadei la 1 iulie 1867. Prin confederație vechea provincie Canada era divizată în Ontario și Quebec, împreună cu Noua Scoție și Noul Brunswick, noua federație cuprindea așadar patru provincii. De-a lungul anilor după confederație, Canada a cunoscut numeroase modificări teritoriale și expansiuni, rezultând în uniunea actuală a zece provincii și trei teritorii.

Note

Legături externe

Library and Archives Canada.gov: Canadian Confederation collection
Canadiana: "On the Road to Confederation"
 McCord Museum: "Confederation: The Creation of Canada"
Dictionary of Canadian Biography, "The Charlottetown and Quebec Conferences of 1864"

Istoria Canadei

Confederația canadiană


Le Caproni Ca.16, seizième modèle d'avion conçu et construit par le pionnier italien de l'aviation Gianni Caproni était un monoplan monomoteur de configuration moderne.

Semblable au Caproni Ca.14 et au Caproni Ca.15, dont il est dérivé, c'était aussi un biplace proposé comme avion d'entrainement et d'apprentissage.

Histoire
Le Caproni Ca.16 a montré dès 1912 d'excellentes performances et en janvier 1913, il bat plusieurs  records du monde avant de se lancer fin février dans un long raid aérien qui ne prendra fin que le 3 mars 1913 et au cours duquel il va faire le tour de l'Italie. Un événement que l'on doit au journal La Gazzetta dello Sport, qui est donc aux manettes de ce périple pour espérer susciter un peu d'engouement dans le public pour l'aéronautique italienne.

Description
Le Caproni Ca.16 était un monoplan biplace monomoteur avec une configuration moderne, avec une hélice tractrice et un empennage.

Il dérive des Ca.14 et 15, eux-mêmes basés sur la structure - initialement dérivée de celle du Blériot XI - que Gianni Caproni avait introduit pour la première fois à bord de ses avions à partir du Ca.8, après les expérimentations menées avec la série des biplans de Ca.1 à Ca.6 (le Ca.7 a été conçu, mais pas construit).

Sur le Ca.16, il était possible pour le premier pilote d'activer ou de désactiver les commandes du deuxième pilote (ou passager).

Utilisation opérationnelle
L'histoire opérationnelle du Caproni Ca.16 est en grande partie liée à la figure du pilote russe  , i Chariton Nikanorovič Slavorossov. Il s'était présenté à Vizzola Ticino, où se trouvaient à l'époque les ateliers de la société Caproni et Faccanoni, pour acheter une hélice pour son Blériot, en janvier 1913. Caproni connaissait déjà les compétences de ce pilote, qu'il avait vu voler à Vienne en 1912. Il lui proposa donc une place de pilote d'essai, que Slavorossov accepta.

Les records
Le 24 janvier 1913, le pilote russe étant aux commandes, l'avion bat deux records du monde sur circuit fermé de  avec un passager, parcourant  en  à  de moyenne et les  en , soit la vitesse moyenne de .

Le raid de Milan à Rome
Le 23 février 1913, avec l'intention (teintée de tons patriotiques, voire nationalistes) de donner une impulsion à l'industrie aéronautique italienne, le vice-président de la Société italienne d'aviation Luigi Origoni et le secrétaire général du Touring Club italien et collaborateur de La Gazzetta dello Sport Arturo Mercanti a décidé de lancer un concours pour le premier raid de Milan à Rome effectué avec un avion italien. Le défi a été lancé en ces termes :

Le règlement stipulait que des escales étaient possibles, mais prévoyait que la durée de ce vol de presque  (devait rester inférieure à 11 heures). Le temps était calculé du décollage à Milan à l'atterrissage à Rome, sans que le temps passé aux escales de ravitaillement soit déduit de cette valeur.

Gianni Caproni et ses collaborateurs, qui déjà en avril 1912 avaient émis l'hypothèse, puis écarté, d'un raid Milan-Rome, pensaient que la disponibilité du nouveau Ca.16 et celle de l'excellent pilote Slavorossov rendaient l'entreprise accessible. Il a été décidé d'utiliser un Ca.16 baptisé "Milano II", qui devait être livré à Rome, et pour lequel le colonel Maurizio Mario Moris, représentant l'armée italienne, a autorisé le transport par voie aérienne au lieu, comme prévu initialement, de la voie terrestre.

Le départ était prévu pour le matin du 26 février et, le 25, Slavorossov transféra le Milano II de Vizzola Ticino à l'aérodrome de Taliedo, près de Milan ; les prévisions météorologiques étaient bonnes, au moins pour le tronçon de Milan à Pise lieu de la seule et unique escale envisagée par le « plan de vol ».

De Milan à Pise (environ ) : Slavorossov a décollé de l'aérodrome de Taliedo à , en direction de Pavie ; il devait atteindre Gênes après avoir survolé Voghera et Novi Ligure, pour ensuite poursuivre vers le sud le long de la côte tyrrhénienne. Des stations d'informations météorologiques avaient été installées en cours de route et certains navires de la Marine avaient reçu l'ordre de rester près de la côte pour aider le pilote si nécessaire.

Slavorossov, qui suivait à vue la ligne de chemin de fer, a survolé Pavie à  et, atteignant une altitude maximale de , a franchi les Apennins, arrivant à Gênes à ; la première partie du vol avait été perturbée par quelques bancs de brouillard, tandis que le long de la côte le temps était clair, quoique venteux .

L'aviateur a atterri à Pise à 10 heures du matin au bout de  de vol. En raison de la position du soleil qui l'a ébloui, cependant, Slavorossov a fait une erreur et n'a pas atterri au point prédéterminé, près de l'hippodrome de San Rossore (où une grande foule l'attendait), mais sur une pelouse à environ 3 km, à l'intérieur du domaine royal de San Rossore.

Joint par les représentants de la Gazzetta dello Sport et par les autres qui l'attendaient sur le terrain, Slavorossov a pu se rafraîchir et une défaillance du réservoir de carburant de l'avion a pû être réparée.

Entre-temps, à 13 heures, le pilote a voulu téléphoner à sa famille pour lui communiquer le succès de la première étape, mais lors du retour en voiture de l'endroit où se trouvait le téléphone jusqu'à la prairie où l'avion était resté, la voiture a eu un accident, dans lequel l'aviateur a subi une blessure au menton. Le départ pour Rome est donc retardé.

De Pise à Rome (environ ) : L'avion a redémarré à . Cependant, en volant vers le sud, le temps s'est rapidement détérioré et à 15 heures, Slavorossov a été contraint par la pluie et le vent d'atterrir à Poggio all'Agnello, près de Piombino après 49 minutes de vol. En touchant le sol, les jantes du train d'atterrissage se sont déformées. Le temps est resté mauvais et, comme le mécanicien que Slavorossov avait contacté par télégraphe depuis la gare de Poggio all'Agnello pour des réparations n'arrivait pas, il a été contraint de reporter son départ et de passer la nuit chez le comte Desideri qui l'hébergeat dans sa villa.

Le lendemain 27 février au matin, Slavorossov a été rejoint par Gianni Caproni qui jusque là l'attendait à Rome. Comme les mécaniciens n'étaient toujours pas arrivés, les deux pilotes ont réparé les dégâts, sans gravité, par eux-mêmes, avec l'aide de quelques agriculteurs. Le mauvais temps, cependant, avec des bulletins météorologiques négatifs continuant à arriver tout au long de la journée du 27, a une fois de plus empêché le départ.

Le matin du 28 février, alors qu'il pleuvait encore à Rome, Slavorossov et Caproni, ayant vu le temps s'améliorer autour de Poggio all'Agnello, décidèrent d'essayer de terminer le raid, et le Ca.16 à décolla à 11 heures, après cette seconde étape imprévue.

Peu après 12 heures, cependant, le vent et la pluie ont de nouveau forcé Slavorossov à atterrir à Montalto di Castro, où il a dû attendre la fin de l'après-midi pour que le temps s'améliore suffisamment pour lui permettre de partir. Il repart à  et, bien qu'il continue de pleuvoir, ce n'est que la tombée de la nuit qui le pousse à décider, à , d'atterrir à nouveau, maintenant à Santa Marinella après seulement 27 minutes de vol. Slavorossov est rejoint, le soir même, par Caproni, et l'avion a été fixé au sol et couvert du mieux possible pour le protéger de la pluie.

Le mauvais temps, avec de fortes rafales de vent, a empêché le décollage pendant plusieurs jours. Ce n'est que le 3 mars qu'à , Slavorossov a pu partir ; le vent était toujours fort, mais bientôt Slavorossov arriva en vue de Rome et à , après avoir survolé à deux reprises le terrain destiné à l'atterrissage, il amena l'avion au sol, accueilli par les soldats qui avaient été affectés à la garde de l'aérodrome. Bien qu'ayant duré presque une semaine au lieu d'une journée, le temps de vol cumulé sur la distance ne fut que de  donc inférieur au maximum requis.

Dans les jours suivants, bien que le raid Milan-Rome ne se soit pas déroulé de la manière requise pour l'attribution du prix, deux réceptions ont été données en l'honneur de Slavorossov, à Rome et à Milan, pour célébrer l'exploit remarquable. Des militaires, des journalistes, des représentants de l'Aéroclub d'Italie, du Touring Club et de la Société italienne de l'aviation étaient présents. L'entreprise de Slavorossov a reçu une large couverture médiatique : outre la Gazzetta dello Sport, , le Corriere della Sera, le Resto del Carlino, Sport Reading et Sports Press ont écrit à son sujet.

Avec son biplan Ca 16, Slavorosov aura ainsi évolué dans le ciel de Milan à Rome et au-dessus de quelques-unes des plus importantes villes d'Italie, rencontrant un succès notable, mais qui ne bénéficiera pas trop à la société Caproni, qui faute de commandes devra fermer son usine.

La firme sera nationalisée au cours de l'été 1913 et retrouvera un succès international grâce à ses bombardiers lourds biplans et triplans.

Variantes
 Ca.14 sur ce biplace, les places du pilote et du passager étaient accessibles par 2 ouvertures séparées.
 Ca.15 identique au précédent mais les 2 sièges séparés et très proches n'étaient accessibles que par une seule ouverture dans la partie supérieure du fuselage.

Notes et références

Références

Annexes

Bibliographie

Voir aussi
 Caproni
 Caproni Ca.8
 Musée de l'aéronautique Gianni-Caproni

Avion à hélices
Avion monoplan
Avion monomoteur
Avion d'entraînement militaire
Avion construit en Italie
Avion des années 1910
Caproni
Premier vol en 1912

Caproni Ca.16


Cranichideae, tribus orhideja, dio potporodice Orchidoideae. Postoji više podtribusa

Podtribusi

 Subtribus Chloraeinae Pfitzer
 Chloraea Lindl. (52 spp.)
 Gavilea Poepp. (17 spp.)
 Bipinnula Comm. ex Juss. (12 spp.)
 Subtribus Pterostylidinae Pfitzer
 Pterostylis R. Br. (311 spp.)
 Achlydosa M. A. Clem. & D. L. Jones (1 sp.)
 Subtribus Physurinae Lindl. ex Meisn.
 Pachyplectron Schltr. (3 spp.)
 Microchilus C. Presl (273 spp.)
 Erythrodes Blume (24 spp.)
 Goodyera R. Br. (94 spp.)
 Danhatchia Garay & Christenson (3 spp.)
 Gonatostylis Schltr. (2 spp.)
 Halleorchis Szlach. & Olszewski (1 sp.)
 Platylepis A. Rich. (20 spp.)
 Schuitemania Ormerod (1 sp.)
 Orchipedum Breda, Kuhl & Hasselt (3 spp.)
 Herpysma Lindl. (1 sp.)
 Hylophila Lindl. (6 spp.)
 Lepidogyne Blume (1 sp.)
 Eurycentrum Schltr. (4 spp.)
 Cystorchis Blume (19 spp.)
 Zeuxinella Aver. (1 sp.)
 Ludisia A. Rich. (2 spp.)
 Dossinia C. Morren (1 sp.)
 Macodes (Blume) Lindl. (12 spp.)
 Papuaea Schltr. (1 sp.)
 Chamaegastrodia Makino & F. Maek. (3 spp.)
 Cheirostylis Blume (61 spp.)
 Zeuxine Lindl. (83 spp.)
 Hetaeria Blume (27 spp.)
 Rhomboda Lindl. (25 spp.)
 Vrydagzynea Blume (42 spp.)
 Odontochilus Blume (75 spp.)
 Anoectochilus Blume (48 spp.)
 Aenhenrya Gopalan (2 spp.)
 Subtribus Manniellinae Schltr.
 Manniella Rchb. fil. (1 sp.)
 Subtribus Cranichidinae Lindl. ex Meisn.
 Prescottia Lindl. (25 spp.)
 Galeoglossum A. Rich. & Galeotti (3 spp.)
 Stenoptera C. Presl (11 spp.)
 Gomphichis Lindl. (31 spp.)
 Porphyrostachys Rchb. fil. (2 spp.)
 Solenocentrum Schltr. (4 spp.)
 Pseudocentrum Lindl. (16 spp.)
 Baskervilla Lindl. (11 spp.)
 Ponthieva R. Br. (74 spp.)
 Pterichis Lindl. (41 spp.)
 Cranichis Sw. (79 spp.)
 Fuertesiella Schltr. (1 sp.)
 Nezahualcoyotlia R. González (1 sp.)
 Altensteinia Kunth (8 spp.)
 Aa Rchb. fil. (25 spp.)
 Myrosmodes Rchb. fil. (17 spp.)
 Subtribus Discyphinae
 Discyphus Schltr. (1 sp.)
 Subtribus Spiranthinae Lindl. ex Meisn.
 Cotylolabium Garay (1 sp.)
 Stenorrhynchos Rich. (9 spp.)
 Eltroplectris Raf. (16 spp.)
 Mesadenella Pabst & Garay (11 spp.)
 Sacoila Raf. (9 spp.)
 Pteroglossa Schltr. (16 spp.)
 Skeptrostachys Garay (13 spp.)
 Lyroglossa Schltr. (2 spp.)
 Cyclopogon C. Presl (96 spp.)
 Hapalorchis Schltr. (14 spp.)
 Pelexia Poit. ex Rich. (100 spp.)
 Sarcoglottis C. Presl (57 spp.)
 Veyretia Szlach. (10 spp.)
 Thelyschista Garay (1 sp.)
 Coccineorchis Schltr. (8 spp.)
 Odontorrhynchus M. N. Correa (8 spp.)
 Sauroglossum Lindl. (11 spp.)
 Buchtienia Schltr. (3 spp.)
 Brachystele Schltr. (23 spp.)
 Degranvillea Determann (1 sp.)
 Cybebus Garay (1 sp.)
 Eurystyles Wawra (24 spp.)
 Lankesterella Ames (9 spp.)
 Quechua Salazar & L. Jost (1 sp.)
 Nothostele Garay (2 spp.)
 Spiranthes Rich. (43 spp.)
 Dichromanthus Garay (2 spp.)
 Deiregyne Schltr. (25 spp.)
 Svenkoeltzia Burns-Bal. (3 spp.)
 Sotoa Salazar (1 sp.)
 Aulosepalum Garay (9 spp.)
 Beloglottis Schltr. (8 spp.)
 Mesadenus Schltr. (3 spp.)
 Stalkya Garay (1 sp.)
 Funkiella Schltr. (11 spp.)
 Microthelys Garay (4 spp.)
 Schiedeella Schltr. (19 spp.)
 Greenwoodiella Salazar, Hern.-López & J. Sharma (3 spp.)
 Physogyne Garay (3 spp.)
 Pseudogoodyera Schltr. (2 spp.)
 Aracamunia Carnevali & I. Ramírez (1 sp.)
 Helonoma Garay (2 spp.)
 Kionophyton Garay (1 sp.)
 Subtribus Galeottiellinae Salazar & M. W. Chase
 Galeottiella Schltr. (1 sp.)

Izvori

Orchidoideae

Cranichideae


Winter Challenge ist ein Sport-Computerspiel, das 1991 von Accolade veröffentlicht wurde. 1992 erschien das Pendant Summer Challenge.

Es können Wettkämpfe in acht verschiedenen olympischen Disziplinen ausgetragen werden. Durch Verwendung von Vektorgrafiken erfolgt die Darstellung in einer 3D-Ansicht (Third-Person-Perspektive). Neben dem Wettkampfmodus, bei dem sich bis zu zehn Spieler abwechselnd messen können, gibt es noch einen Trainingsmodus. Zudem können Wiederholungen des Spielgeschehens angesehen werden.

Disziplinen
Die folgenden olympischen Disziplinen stehen zur Auswahl:
 Abfahrt
 Riesenslalom
 Skispringen
 Rodeln
 Bob
 Langlauf
 Eisschnelllauf
 Biathlon

Bewertungen
 Die Zeitschrift Power Play vergab die Wertung "78 %" für die PC-Version (Ausgabe 1/1992) und "76 %" für die Mega-Drive-Version (Ausgabe 3/1992).

Weblinks

 Website mit Informationen zu Winter Challenge

Computerspiel 1991
Sportsimulation
DOS-Spiel
Mega-Drive-Spiel

Winter Challenge


This is a list of articles about poetry in a single language or produced by a single nation.

World languages will tend to have a large body of poetry contributed to by several nations (Anglosphere, Francophonie, Latin America, German-speaking Europe), while for smaller languages, the body of poetry in a particular language will be identical to the national poetry of the nation or ethnicity associated with that language.

Contemporary

Asia

Middle East
 Persian poets
 Piyyut
 Modern Hebrew poetry

Near East
 Arabic poetry
 Azerbaijani literature
 Persian poetry
Turkish poetry

South Asia
 Afghan poetry
 Pashto literature and poetry
 Bangladeshi poetry
 Puthi
 Indian poetry
 Assamese Poetry
 Bengali poetry
 Gujarati poetry
 Hindi poetry
 Kannada poetry
 Kashmiri poetry
 Malayalam poetry
 Marathi poetry
 Meitei poetry (Manipuri poetry)
 Nepali poetry
 Rajasthani poetry
 Sindhi poetry
 Tamil poetry
 Telugu poetry
 Urdu poetry
 Indian Poetry in English
 Pakistani poetry
 Urdu poetry

East Asia
 Chinese poetry
 Japanese poetry
 Korean poetry
 Vietnamese poetry

Southeast Asia
 Javanese poetry
 Thai poetry
 Filipino poetry
 Singaporean Poetry
 Southeast asian poetry

Europe
 Albanian poetry
 Bosniak epic poetry
 British poetry
 Cornish poetry
 English poetry
 Old English poetry
 Manx poetry
 Scottish poetry
 Welsh poetry
 Anglo-Welsh poetry
 Catalan poetry
 Finnish poetry
 French poetry
 German poetry
 Icelandic poetry
 Irish poetry
 Italian poetry
 List of Polish language poets
 Portuguese poetry
 Romanian poetry
 Russian poetry
 Bulgarian poetry
 Serbian epic poetry
 Slovak poetry
 Spanish poetry
 Ukrainian poetry

Americas
 Brazilian poetry
 Canadian poetry
 Latin American poetry
 Mexican poetry
 Peruvian poetry
 United States poetry
 Puerto Rican poetry

Africa
Malagasy poetry
South African poetry
Swahili poetry

Historical

Rhapsode
Rishi
Sanskrit poetry
Indian epic poetry
Bard
Skald
Germanic poetry
Old Norse poetry
Biblical poetry
Hebrew and Jewish epic poetry
 Ghazal
 Latin poetry

See also

Ethnopoetics
Latin American poetry

National poetry


Le Computus Runicus est un manuscrit basé sur un calendrier runique retrouvé en Gotland et datant de 1328. Ce calendrier basé sur les cycles lunaires fut retranscrit au XVIIe siècle par l'historien Ole Worm. Il y ajouta des explications et tenta d'interpréter certains symboles visibles sur le calendrier.

L'auteur
Ole Worm ou Olaus Wormius sous sa forme latinisée (1588 - 1654) était un runologue, médecin et antiquaire danois. Il commença à étudier les runes vers 1619. Grand amateur de littérature scandinave et collectionneur d'inscriptions runiques, son objectif fut de réunir le plus grand nombre d'inscriptions runiques et de les reproduire.

Il est connu notamment pour avoir repris et traduit un calendrier runique du 14e siècle trouvé en Gotland. Le Computus Runicus. En 1626 il publie son « Fasti Danici » qui est le résultat de ses recherches sur les traditions runiques est danoises. Le Fasti Danici tente d'expliquer le fonctionnement des calendriers runiques basé sur les cycles lunaires.

Références

Liens externes

 Fac-similé du manuscrit original

Culture de la Scandinavie médiévale

Computus Runicus


OpenGL (İngilizce: Open Graphics Library, Türkçe: Açık Grafik Kütüphanesi), gelişmiş donanım desteğini kullanarak hem iki hem de üç boyutlu grafikleri ekrana çizmek için kullanılan ücretsiz bir grafik uygulama geliştirme arabirimidir. Windows, Linux, MacOS ve Solaris gibi birçok işletim sisteminde yaygın olarak ve Playstation 3 başta olmak üzere bazı oyun konsollarınca desteklenir. Donanım tarafında ise SGI, ATI, Nvidia veya Intel gibi büyük üreticiler her ekran kartında OpenGL desteği sunar.

1992 yılında ilk taslağı yaratılmış olan bu standart, günümüzde 4.6 sürümüne ulaşmıştır ve 700 üzerinde fonksiyona sahiptir. Çoklu platform desteği içeren uygulamalar ve özellikle de deneysel ve bilimsel araçlarda açık arayla önde ve standart olarak kullanılmakta olan platform OpenGL'dir.

OpenGL'in özellikleri

Taşınabilirdir
Bu kitaplık işletim sisteminden ve işletim sisteminin çalıştığı platformdan bağımsızdır. Nasıl ki ekrana yazı yazmak kullanıcıdan veri almak ANSI C'de işletim sisteminden ve platformdan bağımsız olarak kütüphane tarafından printf() ve scanf() gibi işlevlerle standartlaştırılmış ve hangi işletim sistemiyle çalışırsanız çalışın bu iki işlev aynı işi yapıyorsa, OpenGL kitaplığıda ekrana grafik çizmeyi standartlaştırmıştır. OpenGL sayesinde grafik kartının modeli veya işlemcinin mimarisi gibi donanımsal etkenlerden bağımsız programlama yapılır. Aynı zamanda işletim sisteminden de bağımsız programlama yapılır. Kolay kullanım ve bu "taşınabilirlik" özellikleri nedeniyle OpenGL popüler bir araç olmuştur.

Platform bağımsızdır
OpenGL kullanan bir programı işletim sisteminizde çalıştırmanız için öncelikle işletim sisteminizde programın çalışırken kullanacağı işlevleri içeren kitaplığın bulunması gerekir, bu kitaplıkların genel adı "runtime-library", türkçesi çalışma anı kitaplığıdır.

OpenGL çalışma anı kitaplığı Linux, Unix, Mac OS, OS/2, Windows 95/98/NT/2000, OPENStep ve BeOS işletim sistemlerinde halihazırda mevcuttur. Windows işletim sistemi ailesinde standart olarak gelir. Yani OpenGL kullanan bir programı çalıştırmak için bir çaba harcamazsınız.

Pencere yöneticisinden bağımsızdır
OpenGL kullanılarak yazılmış programlar, Win32, MacOS ve X-Window pencere yöneticilerinde sorunsuz çalışırlar.

Birçok programlama dilinde kullanılabilir
Ada, C, C++, C# (SharpGL adı verilen sınıflar sayesinde), Fortran, Python, Perl ve Java programlama dilleri kullanılarak OpenGL kitaplığından faydalanılabilir.

Ekran kartı uyumluluk durumları

Kaynakça

Dış bağlantılar
 OpenGL ana sayfası

Sanal gerçeklik
Grafik standartları
3D grafik API'leri
Uygulama programlama arayüzü
Çapraz platform yazılımları
1992 yazılımları

OpenGL


Alea iacta est, Latince bir deyiştir. Jül Sezar'ın ünlü sözlerinden biridir.

Jül Sezar'ın, zaferle sonuçlandırdığı Galya Seferi sonrasında, Roma'ya geri dönerken MÖ 49 yılının Ocak ayında, Roma yakınlarındaki Rubicon adlı ırmağı geçerken söylediği bir sözdür ve "zarlar atıldı" ("Ok yaydan çıktı" veya "Savaş başladı" benzeri bir anlama sahiptir) anlamına gelmektedir.

Jül Sezar, senatonun talebinin aksine ordusunu dağıtmamış ve komutası altındaki lejyonları ile Roma'ya yürümüştür. Bu söz, Sezar ve Pompey arasında çıkacak ve Roma cumhuriyet rejimini temellerinden sarsacak olan bir iç savaşın başlangıcını ifade etmesi açısından önemlidir.

Latince deyişler
Jül Sezar

Alea iacta est


Somwarpet Vittalacharya Sunil (parfois appelé Sunil Sowmarpet) né le 6 mai 1989 à Kodagu, est un joueur de hockey sur gazon indien. Il évolue au poste de demi-défenseur au Punjab Warriors et avec l'équipe nationale indienne.

Il a représente l'Inde aux Jeux olympiques d'été de 2012.

Carrière

Jeux olympiques
 Top 8 : 2016

Jeux asiatiques
  : 2014
  : 2018

Coupe d'Asie
  : 2007, 2017

Champions Trophy
  : 2016, 2018
 Top 8 : 2012

Champions Trophy d'Asie
  : 2011
  : 2012

Jeux du Commonwealth
  : 2014

Ligue mondiale
  : 2014-2015, 2016-2017

Références

Liens externes

Naissance en mai 1989
Joueur indien de hockey sur gazon
Joueur de hockey sur gazon aux Jeux olympiques d'été de 2012
Joueur de hockey sur gazon aux Jeux olympiques d'été de 2016

Sunil Sowmarpet


Pixeline Skolehjælp: Dansk 2 – Pixeline i bogstavjunglen  er det femte spil i Pixeline Skolehjælp serien. Spillet er fra 2006 og er udgivet af Krea Media.

Spillet starter med at Pixeline er styrtet ned med sit fly i bogstavsjunglen. En stjernekiggeren Alfabeticus vil gerne hjælpe med nye ting til flyveren, men før han vil hjælp, skal man indsamle alle skovens alfabetdyr.

Det gøres i fire små minispil hvor Pixeline bl.a. skal gætte begyndelsebogstavet, eller gradbøje ordet, gætte bogstaver hos Lillebror Livingstone, tromme ordstavelser i den rigtige rækkefølge hos Bongo Bjørn, hakke bogstavsjuveler ud af klippestykker, og dernæst sætte dem sammen til et ord.
Til sidst når man har samlet alle tingene til flyet, flyver Pixeline afsted.

Referencer

Dansk 2 - Pixeline i bogstavjunglen
Computerspil fra 2006


Pontinha ist eine Gemeinde im portugiesischen Kreis Odivelas im Distrikt Lissabon. Sie umfasst eine Fläche von  km² und hat  Einwohner (Stand ).

Lage
Pontinha liegt am nördlichen Stadtrand von Lissabon. Nachbargemeinden sind Famões und Odivelas (beide im Kreis Odivelas), Alfornelos, Brandoa und São Brás (im Kreis Amadora) sowie Carnide (Lissabon).

Geschichte
Die Gemeinde entstand 1984 durch Abtrennung von Odivelas und wurde am 16. August 1991 zur Vila (Kleinstadt) erhoben. In Pontinha befindet sich das Regimento de Engenharia n.º 1, das während der Nelkenrevolution im April 1974 Kommandoposten der Bewegung der Streitkräfte war. Seit 1997 ist der Ort über den U-Bahnhof Pontinha an das Netz der Metro Lissabon angeschlossen. Zwischen 1991 und 2001 verlor die Gemeinde etwa 22 % an Einwohnern.

Bauwerke
 Escola Profissional Agrícola D. Dinis
 Restaurant Velho Mirante
 Centro Escolar Republicano Tenente Valdez

Einzelnachweise

Weblinks

Odivelas

Pontinha


Articles with hCards

අබේසිරි නාරායන සුසන්තා චන්ද්‍රමාලි වනිගරත්න  (උපත 1964 පෙබරවාරි 21), ජනප්‍රිය සුසන්තා චන්ද්‍රමාලි ලෙසින්, ශ්‍රී ලාංකේය සිනමාවේ, රංග ශාලාවේ සහ රූපවාහිනියේ නිළියකි .  ඇය වඩාත් ප්‍රසිද්ධියට පත්ව ඇත්තේ චාරුලතා, සුජාතා සහ කන්දේ ගෙදර නාට්‍ය චරිත සඳහාය.

පෞද්ගලික ජීවිතය
සුසන්තා චන්ද්‍රමාලි 1964 පෙබරවාරි 21 වැනිදා හම්බන්තොට මුල්කිරිගලදී උපත ලැබුවාය.

ඇය විවාහ වී සිටින්නේ කුමාරු ලියනගේ සමඟයි. විවාහ උත්සවය 1991 මාර්තු 12 දින සමරන ලදී  මෙම යුවළට තිසුරි යුවනිකා මද්දුම ලියනගේ නම් එක් දියණියක් සිටී.  ඇය ජනප්‍රිය ටෙලිනාට්‍ය සහ සිනමා නිළියක් ද වන අතර කිහිප වතාවක්ම හොඳම නිළිය සම්මානය දිනා ගත්තාය.  තිසුරි තම මව සමඟ පුංචි කුමාරිගේ නැත්තලා (1994) චිත්‍රපටයේ රංගනයට පිවිසියේ ඇයට යන්තම් වයස අවුරුදු 3 දී ය. ඉන්පසුව ඇයට සුදත් දේවප්‍රියගේ උඩු ගං යාමය (2001) චිත්‍රපටයේ රඟපාන්න අවස්ථාව ලැබුණා.  තිසුරි විවාහ වී සිටින්නේ දිගුකාලීන සහකරු සුරාජ් විජේසිංහ සමඟයි.

2020 දී ඇයට පිළිකාවක් ඇති බව පළමු අදියරේදී හඳුනා ගන්නා ලදී. පිළිකා වර්ධනය අවම කිරීම සඳහා ඇය අඛණ්ඩව ප්‍රතිකාර ලබා ගත්තාය.

රංගන වෘත්තිය
ඇයගේ මංගල සිනමා අත්දැකීම 2000 වසරේ සෝමරත්න දිසානායක විසින් අධ්‍යක්ෂණය කරන ලද බ්ලොක්බස්ටර් චිත්‍රපටයක් වන සරෝජා හි සහය භූමිකාවක් හරහා පැමිණියාය.  ඇයගේ ජනප්‍රිය චිත්‍රපට කිහිපයක් නම් ජය පිට ජය, රන් කෙවිට සහ නිදහසේ පියා ඩී.එස් .

රංගනයෙන් ඔබ්බට
2009 දී චන්ද්‍රමාලි එක්සත් ජනතා නිදහස් සන්ධානයෙන් දකුණු පළාත් සභාවට තරග කළාය.   කෙසේ වෙතත්, ඇය සභාවට තෝරා ගැනීමට නොහැකි විය.

චිත්‍රපටකරණය

යොමු කිරීම්

1964 උපත්
ජීවමාන ජනයා

සුසන්තා චන්ද්‍රමාලි


was a town located in Kami District, Kōchi Prefecture, Japan.

As of 2003, the town had an estimated population of 17,465 and a density of 762.66 persons per km². The total area was 22.90 km².

On March 1, 2006, Noichi, along with the towns of Akaoka, Kagami and Yasu, and the village of Yoshikawa (all from Kami District), was merged to create the city of Kōnan and no longer exists as an independent municipality.

External links
 Official website of Kōnan

Dissolved municipalities of Kōchi Prefecture
Kōnan, Kōchi

Noichi, Kōchi


Little Trees var en kortlivet dansk teen pop pigegruppe fra København. De er bedst kendt for deres bidrag til tegnefilmen Hjælp! Jeg er en fisks soundtrack, hvor de sang sangen "Help! I'm a Fish (Little Yellow Fish)".

"Help! I'm a Fish (Little Yellow Fish)" blev produceret af Ole Evenrud, der også havde produceret sange for A*Teens. Evenrud producerede også en sang til den danske duo Creamy, som minder meget om "Help! I'm a Fish (Little Yellow Fish)".

Trioen bestod af Marie Broebeck Mortensen, Stephanie Nguyen og Sofie Walburn Kring, som var henholdsvis 13, 14 og 15 år gamle på dette tidspunkt. Pigerne havde kendt hinanden siden barndommen og havde været interesserede i sang og dans siden 8-9-års alderen. Producerne på sountracket til Hjælp! Jeg er en fisk lod trioen synge titelsangen, men deres succes blev ganske kort, og gruppen udkom ikke med mere materiale efter deres anden single.

Deres sang "Help I'm a Fish" solgte triple platin i Skandinavien og kom ind på UK Singles Chart, hvor den toppede som #11.

Diskografi

Singler

Referencer

Eksterne henvisninger
Little Trees på Discogs

Dancegrupper fra Danmark
Popgrupper fra Danmark
Musikgrupper fra 2001
Musikgrupper opløst i 2002

Little Trees


Harbor Heights ist der Name folgender Orte in den Vereinigten Staaten:

 Harbor Heights (Florida)
 Harbor Heights (Tennessee)
 Harbor Heights (Washington)
 Harbor Heights (Mamaroneck), Wohngebiet von Mamaroneck, Westchester County, New York

Harbor Heights


Brian Dennehy (Bridgeport, Connecticut, 9. srpnja 1938. – New Haven, Connecticut, 15. travnja 2020.), američki televizijski, filmski i kazališni glumac. U karijeri duljoj od 50 godina šest je puta bio nominiran za nagradu Emmy, dva je puta dobio nagradu Tony (Smrt trgovačkog putnika te za Dugo putovanje u noć) te jednom Zlatni globus (Smrt trgovačkog putnika).

Široj javnosti postao je poznat ulogom šerifa Willa Teaslea u filmu Rambo iz 1982. Zahvaljujući toj ulozi nastavljao je dobivati popularne uloge, pa je tako glumio prijateljskog izvanzemaljca u Čahuri iz 1985.; zapažene uloge ostvario je u filmovima The Belly of an Architect iz 1987. te Nedokazanoj krivnji iz 1990. Karijeru su mu većim dijelom obilježile uloge ljudi od zakona: Gorky Park (1983.), Silverado (1985.), dva dijela filma F/X: Ubojstvo trikom (1986., 1991.) te Bestseler (1987.)

Izvori

Vanjske poveznice

Američki filmski glumci
Američki kazališni glumci
Američki televizijski glumci

Brian Dennehy


El nombre de José Novelo puede referirse a:

 José Inés Novelo (1868 - 1956), profesor, político, escritor y poeta mexicano nacido en Yucatán.
 José Guadalupe Novelo (1891 - 1968), educador mexicano nacido en Yucatán.
 José Novelo Flores (1875 - 1924), ingeniero y político mexicano.

José Novelo


SJC may stand for:
IATA airport code for Norman Y. Mineta San Jose International Airport, San Jose, California, United States
San Jose, California, in Santa Clara County
San Juan Capistrano, a city in Orange County, California, United States
San Juan Creek, a creek flowing through the city
São José dos Campos, a city in São Paulo, Brazil
Senate Judiciary Committee, a standing committee of the United States Senate
SJC, postnominal for a member of Canons Regular of Saint John Cantius
Social Justice Coalition (South Africa) community based NGO in South Africa
Stuart James Campbell, British prisoner
Stuart John Crichton, British music producer

Colleges
St. John's College, University of British Columbia, a residential college in the University of British Columbia, Vancouver
St. John's College, University of Hong Kong, a student residential hall in the University of Hong Kong
St John's College, University of Queensland, a student residential college in the University of Queensland, Australia
St. John's College (Brantford), a Roman Catholic high school in Brantford, Ontario, Canada
St John's College, Oxford, a constituent college of the University of Oxford
St John's College, Cambridge, a constituent college of the University of Cambridge
St. John's College (Annapolis/Santa Fe),  a private liberal arts college with two U.S. campuses, one in Annapolis, Maryland, and one in Santa Fe, New Mexico.
St. John's College High School, a high school in Washington, D.C.
St. John's College, Hamilton, a high school in Hamilton, New Zealand
St. Joseph's College, Curepipe, a prestigious secondary school in Curepipe, Mauritius
St. Joseph's College, Allahabad, an English-medium school in Uttar Pradesh, India
St Joseph's College, Geelong, a Roman Catholic school in Geelong, Australia
St Joseph's College, Hong Kong, a secondary school in Hong Kong
St. Joseph's College, Hunters Hill, a Roman Catholic Marist school in Sydney, Australia
St. John's College (Harare), an independent school in Harare, Zimbabwe.
St. Joseph's College Sasse, a Roman Catholic College in Buea, Cameroon

Courts
Maine Supreme Judicial Court, the highest court in the United States state of Maine
Massachusetts Supreme Judicial Court, the highest court in the United States state of Massachusetts

Other
 SJC (cable system), pan-Asia submarine communications cable system

SJC


Plusieurs partis politiques en Ukraine portent le nom d'Union panukrainienne :

 Union panukrainienne « Patrie » ;
 Svoboda, officiellement dénommé Union panukrainienne « Liberté » ;
 Solidarité européenne, anciennement nommé Union panukrainienne « Solidarité ».

D'autres entités utilisent également ce nom :

 Union panukrainienne des églises de chrétiens évangéliques baptistes.

Union panukrainienne


Jean P. Sasson (Troy, Alabama; 1950) es una escritora estadounidense cuya obra mayormente se centra en las mujeres en el Medio Oriente y las injusticias que sufren a manos de la sociedad patriarcal.

Biografía
Nacida en una pequeña localidad, Sasson se divertía en su niñez en las páginas de los libros. En 1978 viajó a Arabia Saudita para trabajar en el Hospital King Faisal en Riad como coordinadora administrativa de Asuntos Médicos. Allí conoció a Peter Sasson, quien sería su futuro esposo. Se casaron en 1982 y Jean Sasson abandonó el hospital luego de cuatro años de servicio, pero la pareja se quedó en Arabia Saudita hasta 1990.

Durante su estadía en Medio Oriente, los Sasson hicieron muchos amigos, incluyendo miembros de la familia real Al-Saud, quienes visitaron el hospital. La más notoria de estas amistades fue entre Sasson y la Princesa Sultana, sobre la que versa la  Trilogía de la princesa.

Actualmente vive en Atlanta, Georgia.

Obras
The Rape of Kuwait - 1991.
 Princess: A True Story of Life Behind the Veil in Saudi Arabia - 1992.
 Princess Sultana's Daughters - 1994.
Princess Sultana's Circle - 2000.
Ester's Child - 2001
Mayada: Daughter of Iraq - 2003.
Love in a Torn Land - 2008.
Growing Up bin Laden - 2009.
For the Love of a Son - 2011
Princess, More Tears to Cry - 2014

Referencias

Enlaces externos

 Sitio web oficial
 Entrevista sobre el libro Growing Up Bin Laden

Escritoras de Estados Unidos
Biógrafos de Estados Unidos
Escritores en inglés

Jean Sasson


Olaylar

Doğumlar
 1 Mart, Marcus Valerius Martialis, Antik Romalı şair (ö. 102/104)
 13 Haziran - Gnaeus Julius Agricola, Romalı general (d. 93)
 tarihi bilinmeyen
 Dio Chrysostom, Romalı hatip, yazar, filozof ve tarihçi (ö. 120)
 Dioscorides Pedanius, Roma İmparatorluğu zamanında yaşamış hekim ve farmakoloji bilgini (ö. 90)
 Frontinus, Romalı asker, bürokrat ve Büyük Britanya valisi (ö. 103)
 Quintus Petilius Secundus, Romalı asker (ö. 65)

Ölümler
 Gnaeus Domitius Ahenobarbus, Julio-Claudian Hanedanı mensubu Romalı (d. MÖ 17)

als:40er#40

40


حسين علي السيد خليفة حسين القلاف البحراني (22 أكتوبر 1958 -)، نائب سابق في مجلس الأمة الكويتي.

حياته السياسية
شارك في انتخابات مجلس الأمة الكويتي 1992 في الدائرة الثامنة، وحصل على المركز الثالث برصيد 1047 صوت وخسر الانتخابات ، وشارك في انتخابات مجلس الأمة الكويتي 1996 في الدائرة الرابعة، وحصل على المركز الأول برصيد 1020 صوت وفاز بالانتخابات ، وشارك في انتخابات مجلس الأمة الكويتي 1999 في الدائرة الثالثة عشر، وحصل على المركز الأول برصيد 1798 صوت وفاز بالانتخابات ، وشارك في انتخابات مجلس الأمة الكويتي 2003 في الدائرة الثالثة عشر، وحصل على المركز الأول برصيد 1829 صوت وفاز بالانتخابات ، وشارك في انتخابات مجلس الأمة الكويتي 2006 في الدائرة الثالثة عشر، وحصل على المركز الرابع برصيد 2676 صوت وخسر بالانتخابات ، وشارك في انتخابات مجلس الأمة الكويتي 2008 في الدائرة الأولى، وحصل على المركز السادس برصيد 7274 صوت وفاز بالانتخابات.

مراجع

أشخاص على قيد الحياة
أعضاء مجلس الأمة الكويتي
أعضاء مجلس الأمة الكويتي 1996
أعضاء مجلس الأمة الكويتي 1999
أعضاء مجلس الأمة الكويتي 2003
أعضاء مجلس الأمة الكويتي 2008
أعضاء مجلس الأمة الكويتي 2009
أعضاء مجلس الأمة الكويتي ديسمبر 2012
أعضاء مجلس الأمة الكويتي فبراير 2012
شيعة كويتيون
كويتيون من أصل عربي
مواليد 1378 هـ
مواليد 1958
موسوية
نواب كويتيون شيعة

حسين القلاف


Borremoseligene er tre moselig, der blev fundet i Borremose i Himmerland i Danmark. De blev fundet mellem 1946 og 1948 og er én mand og to kvinder dateret til bronzealderen. I 1891 blev Gundestrupkarret fundet i en nærliggende mose.

De tre moselig er fra førromersk jernalder og var usædvanligt velbevarede, fordi de havde ligget i mosejord. Flere dele af deres tøj var bevaret, ligesom hud og knogler var intakte for en stor dels vedkommende. De blev fundet tæt på Borremosefæstningen fra samme periode.

Borremosemanden

Borremosemanden blev fundet i 1946 af tørvergravere i den sydligste del af Borremose. I første omgang troede man, at der var blevet fundet et lig fra et mord, men det blev deduceret, at der var tale om et moselig. Liget blev fundet en halv meter under et lag af birkepinde. Manden var nøgen, muligvis har han været iført tøj af plantefibre, der er gået i opløsning i mosen, og ved ham fandt man to skindkapper.

Analyser har vist, at manden har været omkring 1,55 m høj og Kulstof 14-dateringen placerer hans død til år 840 (+- 80 år) f.Kr., hvilket betyder ratioen mellem kulstof 14 og kulstof 12 er 1 til 1,13*10^12. Alternativt kan hans død dateres til år 700 f.Kr. Han blev fundet med en løkke af reb om halsen, så han kan være blevet stranguleret eller hængt, men hans baghoved var knust af et kraftigt slag, så det er usikkert, hvad han døde af. Hans højre lårben var også brækket, men det kan skyldes vold eller blot tryk fra moselagene over liget.

Findested:

Borremose II

I 1947 blev der fundet endnu et lig i Borremose, omkring en kilometer fra Borremosemanden. Kroppen antages at stamme fra en kvinde, selvom det er vanskeligt at afgøre som følge af ligets tilstand. Moseliget blev fundet med ansigtet nedad omkring en halv meter under jordoverfladen, liggende på et leje af birkebark. Der var flere birkegrene omkring liget, og direkte oven på det var tre pæle på omkring 10 centimeter i længden og omtrent samme tykkelse. Kraniet havde frakturer, og hjernen var blottet. Den øvre del af torsoet var nøgent, mens underdelen var dækket af en kappe lavet af fire lag stof og et frynset sjal. Disse to tøjdele er udstillet på Nationalmuseet i København. Det er uvist om personen har været fuldt påklædt ved nedlæggelsen i mosen, da tøjfibre af plantematerialer, eksempelvis af hør, hurtigt forgår i den sure mose. En lædersnor med en ravperle og en bronzeplade blev fundet omkring kroppens hals. Personen bar desuden et bælte. Kraniet var knust, og det højre ben var brækket under knæet. Knoglerne fra et spædbarn og en potte i keramik blev fundet tæt ved. Da liget i høj grad var rådnet væk, var det vanskeligt at analysere kroppen på fundtidspunktet, men senere kulstof 14-datering har fastsat liget til at stamme fra omkring år 400 f.kr.

Findested:

Borremosekvinden

Endnu en kvinde (kendt som Borremosekvinden eller Borremose III) blev fundet i 1948 omkring 400 meter syd for Borremosemanden. Hendes alder er bestemt til et sted mellem 20 og 35 år. Borremosekvinden blev, ligesom Borresmose II, fundet liggende med ansigtet nedad. Kroppen var svøbt i uldklæder. Hovedbunden og håret var på den ene side af håret blevet skåret af, men det antages at det er sket som følge af tørvergraverne der har ramt liget med en skovl. Kraniet og ansigtet var knust, og halsens nedbrudte tilstand som følge af de mange år i mosen, gjorde det umuligt at afgøre om personen også var blevet stranguleret. En senere undersøgelse viste, at skaderne på kraniet var sket efter dødstidspunktet, og at det var sket som følget af demineralisering af knoglerne og trykket fra tørven oven på liget. Kulstof 14-datering af liget har fastsat det til at stamme fra omkring år 770 (+/-100) f.kr.

I 1984 blev der udført en retsmedicinsk undersøgelse af Borremosekvinden af Andersen, Geertinger og Elisabeth Munksgaard fra Statens Naturhistoriske Museum i København. Deres undersøgelse bekræftede at skaderne på hovedbunden ikke var sket før personen døde. Videnskabsfolkene kunne dog ikke konkludere noget endeligt vedrørende personens død, og det vides derfor ikke om det skete som følge af mord, selvmord, en ulykke eller af naturlige årsager.

Findested:

Se også
 Liste over moselig

Referencer

Eksterne henvisninger
 Foto af Borremosemanden  fra Nationalmuseet
 Foto af Borremosemanden  fra Nationalmuseet
 Borremose Bodies, præsentation af Bella Ippolito, 7. november 2014

Moselig fra skandinavisk jernalder
Arkæologiske fund fra Danmark
Aars

Borremoseligene


China Railway eller CR, fulde navn China Railway Corporation er det nationale jernbaneselskab i Kina. Det er underlagt Transportministeriet (Kina) og Statens jernbaneadministration (Kina).

China Railway driver passager og godstransport via flere mindre virksomheder. China Railway havde tidligere sit eget jernbanepoliti og jernbaneretssytem.

Logo
Det originale China Railway logo blev designet af Chen Yuchang () (1912-1969), det blev bekendtgjort i People's Daily den 22. januar 1950.

Bureauer og virksomheder
Der er 16 bureauer og 5 virksomheder under China Railway. Anno 2008 arbejdede der omkring 2 mio. mennesker i China Railway.

Andet niveau af datterselskaber
 Guangzhou Railway Group
 Guangshen Railway
 Taiyuan Railway Bureau
 Daqin Railway

Referencer

Eksterne henvisninger

 China Railway Corporation Official Website

Transportvirksomheder fra Kina
Jernbaneselskaber
Etableret i 2013
Statsejede virksomheder fra Kina

China Railway