Oriana Fallaci (29 Haziran 1929 - 15 Eylül 2006), İtalyan feminist yazar, gazeteci ve siyasi gözlemci.

Gençliği
Oriana Fallaci, 29 Haziran 1929 tarihinde Floransa'da doğdu. Babası, Mussolini karşıtı mücadelede liderlik yapmış ve Floransa'nın Naziler tarafından işgali sırasında kaçırılarak işkence görmüş bir aktivistti. Hayatı daima hareket halinde olmakla geçen Fallaci 9 yaşında kısa hikâyeler yazmaya başladı. Henüz 14 yaşındayken direnişe başladı. Bu dönemde İtalya'daki Giustizia e Libertà adlı faşizm karşıtı bir organizasyona katıldı. Fallaci, savaş sırasında yaptığı çalışmalar sebebiyle İtalya'da Müttefik Kuvvetler Komutanı tarafından ödüllendirildi.

Mesleki yaşamı
Henüz 17 yaşındayken gazetecilik mesleğine adım atan Fallaci, Ayetullah Humeyni, Henry Kissinger, Muammer Kaddafi, Golda Meir, Ariel Şaron, İndira Gandi, Zülfikar Ali Butto, Şah Rıza Pehlevi gibi pek çok ünlü liderle yaptığı çarpıcı röportajlarla adını duyurdu. 1967 yılından itibaren savaş muhabirliği görevi üstlendi. Başta 7 senesini geçirmiş olduğu Vietnam olmak üzere Güney Asya, Orta Doğu, Güney Afrika, Orta ve Güney Amerika'da sıcak çatışmaların yaşandığı savaş alanlarında gazetecilik yaptı. "Öfke ve Gurur" adlı eseri İtalya'da 1 milyonu aşkın sattı. İtalyan gazetesi Corriere della Sera'da bir dönem yöneticilik yaptı. Fallaci, çeşitli biyografi ve romanlar yazdı. Fallaci'nin önemli kitapları arasında, "Doğmamış Bir Çocuğa Mektup" ve "İnşallah" yer alıyor.

Ölümden dönüş
2 Ekim 1968'de Meksika Olimpiyatları sırasında polisle göstericiler arasında çıkan çatışma esnasında sırtından ve dizinden vurularak ağır yaralandı, öldüğünün sanılması üzerine morga kaldırıldı. Ancak morgda görevli bir rahibin nefes aldığını görmesiyle yaşadığı anlaşıldı ve tekrar hayata döndü.

Böylelikle Fallaci, Meksika'da üç yüz kişinin ölümüyle sonuçlanan Tlatelolco katliamında hayatta kalan iki kişiden biri oldu.

Röportajları

Fallaci, sorularıyla sıkıştırdığı Humeyni'nin ağzından aldığı İslami kıyafetleri sevmiyorsanız giymek zorunda değilsiniz sözü üzerine İmam, çok naziksiniz. Madem öyle dediniz, bu saçma, Orta Çağ'dan kalma bez parçasından hemen kurtulacağım diyerek örtüsünü çıkarıp fırlattı.
Henry Kissinger ile yaptığı bir röportajda sorduğu sorularla sıkıştırdığı Kissinger'a medyatikliği sevdiğini itiraf ettirmeyi başararak Kissinger'ı zor bir duruma soktu. Kissinger daha sonra bu röportaj için Hayatım boyunca bir basın mensubuyla yaptığım en felaket söyleşi oldu dedi.
Müslüman kimliğini ön planda tutan Muhammed Ali'yle yaptığı röportajı yarım kesti.
Röportajı sırasında Federico Fellini'den hiç hoşlanmadığını belirtmesi üzerine Fellini de ona Pis yalancı, küçük arsız kaltak diyerek hakaret etti.

Ölümü
Fallaci pek çok kez ölüm tehdidi aldı. Hayatının son dönemlerini New York'ta geçiren Oriana Fallaci, 15 Eylül 2006 tarihinde kanser tedavisi gördüğü Floransa'da (76 yaşında) öldü.

Ödülleri
 St. Vincent Gazetecilik Ödülü (İki kez)
 1991 Bancerella Ödülü
 Hemingway Edebiyat Ödülü

Yapıtları
 Penelope Savaşta, (Penelope alla guerra, 1962)
 Güneş Batarsa, (Se il sole muore, 1965)
 Hiçbir Şey, (Niente e così sia, 1969)
 Bırak Öyle Kalsın
 Tarihle Söyleşiler, (Intervista con la storia, 1974)
 Doğmamış Bir Çocuğa Mektup, (Lettera a un bambino mai nato), 1975, ISBN 975-510-743-6
 Un uomo, Bir İnsan 1979
 İnşallah, (Insciallah), 1990, ISBN 975-510-593-X

Kaynakça

1929 doğumlular
Floransa doğumlular
2006 yılında ölenler
20. yüzyıl İtalyan yazarları
21. yüzyıl İtalyan yazarları
20. yüzyıl İtalyan gazetecileri
21. yüzyıl İtalyan gazetecileri
İtalyan savaş muhabirleri
İtalyan ateistler
İtalyan anti-faşistler
İtalyan feministler
İslam eleştirmenleri
İslamofobi
Akciğer kanserinden ölenler

Oriana Fallaci


Sternum veya göğüs kemiği, sağ ve sol kaburga kemiklerini bir arada tutan göğüs kafesi kemiği. İman tahtası olarak da bilinir. Yassı kemikler grubunda yer alır. Manibrum sterni, corpus sterni ve processus xiphoideus kısımlarından oluşur.

Yassı kemikler
Omurgalı anatomisi
Göğüs kemikleri

Sternum


حمد عبد الله يوسف الصقر ، (1871 - 1930 ) ، تاجر كويتي ورئيس مجلس الشورى الكويتي.

السيرة الذاتية
هو والد كل من عبد العزيز الصقر أول رئيس لمجلس الأمة الكويتي وعبد الله حمد الصقر وجاسم حمد الصقر عضو مجلس الأمة ، وجد محمد جاسم الصقر عضو مجلس الأمة.

ترأس مجلس الشورى الكويتي في أبريل من 1921 ، وهو بذلك أول رئيس لسلطة شعبية في الكويت.

أماكن سميت باسمه
 مركز حمد الصقر الصحي التخصصي

مراجع

سياسيون كويتيون
وفيات 1930

حمد عبد الله الصقر


Premiul Anne Frank a fost un premiu literar care a fost acordat în Țările de Jos între anii 1957 și 1966 de către Netherland-America Foundation.

Premiul a fost instituit de către Albert Hackett și Frances Goodrich, care au scris o piesă de teatru intitulată Jurnalul Annei Frank, inspirată de Jurnalul Annei Frank (Het achterhuis). Piesa a obținut Premiul Pulitzer în anul 1956. Premiul era decernat scriitorilor sub 30 de ani și a fost acordat în anii următori pentru următoarele genuri: roman, poezie, piesă de teatru, eseu și povestire.

Printre cîștigătorii notabili ai premiului se numără Harry Mulisch și Cees Nooteboom.

Câștigătorii premiului
 1966 – Raoul Chapkis: Ik sta op mijn hoofd
 - Henk van Kerkwijk: Geweer met terugslag
 1965 – P.J.A.M. Buijnsters: Tussen twee werelden-Rhijnvis Feith als dichter van Het Graf
 - Cornelis Verhoeven: Filosofie van de troost
 1964 – E. Brent Besemer: (pentru întreaga operă)
 - Peter Oosthoek: pentru regizarea piesei Nederlandse stukken
 1963 – Peter Berger: Deze voorlopige naam
 - Huub Oosterhuis: Uittocht, Groningen en andere gedichten
 1962 – Ankie Peypers: Geen denken aan
 - Geert van Beek: Buiten schot
 1961 – Piet Calis: Mensen van de koningsstam, Napoleon op het Leidscheplein
 - H.J.A. Hofland: (întreaga operă)
 1960 – Cornelis Bauer: De groene boogschutter
 - Rutger van Zeyst: De familieraad
 1959 – Erik Vos: pentru regizarea piesei Arena
 - Esteban Lopez: Fredegonde, De vrienden van vroeger, Mercedes, mijn zuster, Tederheid in het geding
 1958 - Remco Campert: Vogels vliegen toch
 - Nico Scheepmaker: Poëtisch fietsen, De kip van Egypte
 1957 – Harry Mulisch: Archibald Strohalm
 - Cees Nooteboom: Philip en de anderen

Referințe

Anne Frank

Premiul Anne Frank


Hendrik Albert Schultens (født 15. februar 1749 i Herborn, død 12. august 1793 i Leiden) var en hollandsk filolog. Han var søn af Jan Jacob Schultens.

Schultens blev ligsom faderen og farfaderen professor ved Leidens Universitet, hvor han 1788 holdt en endnu berømt forelæsning, Oratio de ingenio Arabum.

Kilder

Orientalister fra Holland
Ansatte ved Leidens Universitet
Nederlændere i 1700-tallet

Hendrik Albert Schultens


Šarūnas Sauka () este un pictor postmodernist. Este considerat unul din liderii generației artistice a Lituaniei din anii 1980. Tatăl său este un eminent filolog lituanian, Donatas Sauka. În 1989, Šarūnas Sauka a primit Premiul Național Lituanian (în ).

Viața și munca
Šarūnas Sauka s-a născut în 1958, în capitala lituaniană Vilnius. Din 1976 până în 1983, a studiat la Institutul Național din Lituania, Academia de Artă din Vilnius. În 1989, artistul a fost nominalizat la Premiul Național Lituanian pentru dipticul Žalgirio mūšis (în limba română: Bătălia de la Grunwald). Pictura sa monumentală O mie de ani despre Lituania (2008-2012) este expusă în Palatul Prezidențial Lituanian. Sauka locuiește acum în Dusetos, un sat mic și îndepărtat din Județul Utena, printre numeroase lacuri și păduri.

Are doi copii, Monika Saukaitė, pictoriță, și Mykolas Sauka, sculptor și scriitor.

Activitatea lui Šarūnas, atât de critici cât și de laici, este adesea menționată ca fiind "diferită". Cu toate acestea, "diferența" în picturile lui Sauka este destul de consistentă. Imaginile sale sunt bogate în simbolism religios, contraste ascuțite de culoare, personaje și obiecte într-o stare de decădere. Imagini cu sânge, organe, părți ale corpului tăiate și măcelăria se regăsesc adesea în picturile sale. Această disecție sau deformare literală a formei umane este, eventual, o expresie a credinței autorului că omul trebuie să fie dezbrăcat de lanțurile convenționale pentru a contempla adevărata condiție a trupului și a sufletului său. În multe dintre tablourile sale, el își folosește propriul chip, uneori fețele membrilor familiei sau rudelor sale; victima și agresorul de obicei ambele au aceeași față. O apreciere deplină a lucrărilor sale de artă necesită o înțelegere a gradului și a cruzimii terorii comuniste din Lituania și a altor țări din Europa de Est și o înțelegere a unora dintre ideile metafizice și arhetipale care stau la baza concepției și sensibilității lumii sale.

 "Scopul imaginației lui Sauka include diverse manifestări de corupție, putrezire și deteriorare, de regulă legate de corporalitatea umană înțeleasă ca antiteza ideii creștine a mântuirii și cea a învierii corporale. La Sauka  întâlnim groază — gnosticism amestecat cu ironie postmodernă. Lumea artistului nu este o teofanie, ci un loc al terorii gnostice, al abandonării și al supunerii față de forțele maligne. Cu toate acestea, labirintul întunericului material este, de asemenea, un vas în care se poate face o lucrare alchimică, în timp ce este susținut de imaginația creativă. Prin urmare, patologia este în mod inerent mitologizată, la fel cum toată mitologia este patologizată. Sauka se opune atât dematerializării, cât și spiritualizării realității. El urmărește parțial tradiția picturii europene clasice, mai ales în ceea ce privește diferitele tehnici și principii de exprimare, deși creează un context destul de diferit în care orice urmă de logică aristoteliană dispare și forțele răului devin permanente și incontestabile. Într-un fel, Sauka nu numai că simbolizează sfârșitul sumbru al civilizației creștine  și al metafizicii, dar, de asemenea, dezvăluie fața nebună a secolului al XX-lea, care apare atunci când măștile raționalității și înțelepciunea aparentă sunt îndepărtate." (Algis Uždavinys, dr. în filozofie)

Personalitate
Šarūnas este cunoscut pentru stilul său de viață oarecum izolat (acesta trăiește și lucrează în satul îndepărtat Dusetos), reticența de a vorbi despre munca sa sau de a da interviuri. El este extrem de sârguincios, lucru evident din sutele de picturi realizate.

Vezi și
 Listă de artiști lituanieni
 Listă de pictori lituanieni

Referințe

Nașteri în 1958
Oameni în viață
Pictori lituanieni

Šarūnas Sauka


Marie-Christine Vergiat (* 23. September 1956 in Roanne, Département Loire) ist eine französische Politikerin der Parti communiste français.

Leben
Vergiat studierte Rechtswissenschaften in Frankreich. Seit 1983 ist Vergiat in der Französischen Liga zur Verteidigung der Menschen- und Bürgerrechte tätig. Von 1980 bis 2005 war Vergiat Mitglied der Parti socialiste. Sie trat 2005 zur Parti communiste français über. Vergiat ist seit 2009 im Rahmen des Front de gauche Abgeordnete des Europäischen Parlamentes, wo sie Mitglied der Vereinten Europäischen Linke/Nordischen Grüne Linke ist.

EU-Parlamentarierin
in der Periode 2009 bis 2014 ist Vergiat Mitglied im Ausschuss für Kultur und Bildung sowie im Unterausschuss Menschenrechte. Ebenso ist sie Mitglied in der Delegation für die Beziehungen zu den Maghreb-Ländern und der Union des Arabischen Maghreb.
Als Stellvertreterin ist sie im Ausschuss für bürgerliche Freiheiten, Justiz und Inneres, in der Delegation in der Paritätischen Parlamentarischen Versammlung AKP-EU und in der Delegation in der Parlamentarischen Versammlung der Union für den Mittelmeerraum.

Weblinks
 Offizielle Webseite von Marie-Christine Vergiat

Quellen

Mitglied des Europäischen Parlaments für Frankreich
PCF-Mitglied
Franzose
Geboren 1956
Frau

Marie-Christine Vergiat


The Old Catholic Church of the Netherlands (), sometimes Jansenist Church of Holland, is an Old Catholic jurisdiction originating from the Archdiocese of Utrecht (695–1580). The Old Catholic Church of the Netherlands is the mother church of the Old Catholic Union of Utrecht.

The jurisdiction is currently led by Archbishop Metropolitan Bernd Wallet.

History

Early history
St. Willibrord evangelised the northern parts of the Netherlands (above the Rhine), bringing Roman Catholicism in the 7th century. The southern parts of the now so-called Benelux were already evangelised from the 4th century, beginning with St. Servatius, Bishop of Maastricht. Willibrord had been consecrated by Pope Sergius I in circa 696 in Rome.

In 1145, Pope Eugene III restricted the electorate to the chapters of the five collegiate churches in the diocese. The Fourth Lateran Council confirmed this in 1215. In 1517, Pope Leo X prohibited, in , the Archbishop-Elector of Cologne, Hermann of Wied, as , to summon to a court of first instance in Cologne, Philip of Burgundy, his treasurer, and his ecclesiastical and secular subjects. John Mason Neale explained that Leo X only confirmed a right of the church but Leo X's confirmation "was providential" in respect to the future schism.

Reformation and Jansenism

Forced into hiding as a result of the Protestant Reformation, the diocesan structures of the Catholic Church of the Netherlands were dissolved. The Holland Mission started when Pope Clement VIII erected the Apostolic Vicariate of Batavia in 1592.

The Jesuits accused Archbishop Petrus Codde, apostolic vicar, of Jansenism. Pope Innocent XII appointed a commission of cardinals who started an investigation of Codde, ending in exoneration. In 1700, Codde was summoned to Rome and brought before a second commission appointed by Pope Clement XI. When Codde refused assent to the Formula of Submission for the Jansenists, Clement XI suspended Codde in 1701 and appointed a successor, , as apostolic vicar.

Although the historic archdiocese was suppressed in 1580, and its replacement, the apostolic vicariate, was erected in 1592, the chapter of the suppressed archdiocese arranged for Luke Fagan, Bishop of Meath, to ordain priests for the suppressed archdiocese in 1716.

Finally in 1723, dissatisfied Dutch clergy elected  as archbishop of the suppressed Archdiocese of Utrecht. He was consecrated in 1724 without a papal mandate by suspended Bishop Dominique Marie Varlet, who had been living in Amsterdam since 1721. Both Varlet and Steenoven were suspended for illicit episcopal consecration, and excommunicated for claiming a diocesan see of jurisdiction without the permission of the Roman Pontiff. Varlet later reconciled with the Catholic Church, but subsequently consecrated, again without a papal mandate, four more bishops for the independent Ultrajectine church, which would become known as "Old Catholic" after 1853. Petrus Johannes Meindaerts, after his consecration by Varlet without a papal mandate in 1739.

The apostolic vicariate was reduced to a mission sui iuris by Pope Benedict XIII in 1727.

In 1853, under the reestablished episcopal hierarchy in the Netherlands, Catholics were permitted to worship publicly after two and a half centuries of secret and private religious worship. After reestablishment of the episcopal hierarchy in the Netherlands in 1853 by Pope Pius IX, the breakaway Church of Utrecht adopted the name "Old Catholic Church" to distinguish itself from the newly created Roman hierarchy by its seniority in the Netherlands.

Vatican I
In 1870 the First Vatican Council was convened, and the bishops of the Church of Utrecht were not invited because they were not seen as being in communion with the Holy See. At the First Vatican Council, papal supremacy in jurisdiction and the Catholic dogma of papal infallibility were defined.

Several separate communities were formed at this time and sought apostolic succession from the Old Catholic Archbishop of Utrecht, eventually forming the Union of Utrecht of the Old Catholic Churches, and these German speaking communities adopted the name Old Catholic. The schism was able to continue.

Doctrine
Old Catholics believe they preserve ancient Catholic doctrine through adherence to the "ancient Catholic faith". Their practice of private confession has fallen into disuse in most areas. Since 1878, Old Catholic clergy have been allowed to marry at any time. It would also seem that, by the beginning of the 20th century, the Eucharistic fast had been abandoned, along with Benediction of the Blessed Sacrament and the veneration of the saints.

Old Catholic Archbishops of Utrecht

The Metropolitan Archbishop of Utrecht (not to be confused with the Catholic prelate who holds the same title) is the leader of the Old Catholic Church of the Netherlands, and chairman of its governing bodies.

The current archbishop is Bernd Wallet.

 Cornelius van Steenoven (1723–1725)
 Cornelius Johannes Barchman Wuytiers (1725–1733)
 Theodorus van der Croon (1734–1739)
 Petrus Johannes Meindaerts (1739–1767)
 Walter van Nieuwenhuisen (1768–1797)
 Johannes Jacobus van Rhijn (1797–1808)
 Willibrord van Os (1814–1825)
 Johannes van Santen (1825–1858)
 Henricus Loos (1858–1873)
 Johannes Heijkamp (1875–1892)
 Gerardus Gul (1892–1920)
 Franciscus Kenninck (1920–1937)
 Andreas Rinkel (1937–1970)
 Marinus Kok (1970–1982)
 Antonius Jan Glazemaker (1982–2000)
 Joris Vercammen (2000–2020)
 Bernd Wallet (2020–present)

Old Catholic Bishops of Deventer

 Antonius Jan Glazemaker (1979-1982)

Footnotes

References

External links

Union of Utrecht of the Old Catholic Churches
History of Christianity in the Netherlands
Members of the World Council of Churches
Catholicism in the Netherlands

hu:Ókatolikus
nl:Oud-katholieke Kerk

Old Catholic Church of the Netherlands


Wii Play, društvena videoigra koju je razvio i objavio Nintendo za konzolu Wii i dio je serije videoigara Wii. Na japanskom je tržištu objavljena pod imenom Hajimete no uī ( はじめてのWii) što u prijevodu na hrvatski jezik znači "Tvoj prvi korak u Wiiju". Objavljena je kao lansirna igra za konzolu 2006. u Japanu (2. prosinca), Europi (8. prosinca) i Australiji (7. prosinca), a u Sjevernoj Americi je izašla na tržište 12. veljače 2007. godine. U igri je devet mini-igara, u kojima je strelište slično onome u Duck Huntu, ribolovna igra, biljar i sl., a svaka je dizajnirana tako da može pokazati osobine koje ima kontroler Wii Remote.
Razvijena je kao kompilacija prototipnih igara prvotno prikazanih na izložbi E3 2006. godine. Razvio ju je Nintendo EAD simultano s Wii Sportsom, koji je također sadržavao tehnološke demoe s E3. Igre koje su se pojavile koriste nekoliko aspekata Wii Remotea, poput njegova opažanja rotacije i dubine pokreta putem otkrivanja pokreta i njegova infracrvenog pokazivačkog uređaja.

Igru se može igrati samostalno i u društvu. Igra je postigla veliki komercijalni uspjeh. Peta je po prodavanosti u seriji Wii i 14. po prodavanosti među svim igrama svih vremena. Nastavak je Nintendo objavio 2011. i zove se Wii Play: Motion.; nastavak je najavljen na tiskovnoj konferenciji 12. travnja 2011., zatim je iste godine konvenciji E3 prvi put prikazana te puštena u prodaju lipnja iste godine.

Izvori

Videoigre iz 2006.

Wii Play


Der Circle Pit e. V. war ein eingetragener Verein aus dem Raum Grafschaft bei Bad Neuenahr-Ahrweiler. Dieser war bis zur Auflösung im Mai 2012 Veranstalter des gleichnamigen Musikfestivals, das bis 2011 in der Landskroner Festhalle stattfand. Heute existiert lediglich das Festival, das 2012 in der Essigfabrik in Köln stattfand.

Geschichte

Verein
Die Gründer des Vereines wurden von Festivals wie Rock am Ring, dem With Full Force und Summer Breeze inspiriert. Christian Kreidt und Andreas Althammer kapselten sich von der Konzertagentur La In Concert ab und gründeten im Jahr 2007 die Circle Pit GbR. Mit der Gründung des Vereines wurden auch erste Planungen für das erste Metalfestival im Ahrtal vorgenommen. In kürzester Zeit konnten Sponsoren gefunden werden, sodass im Folgejahr die erste Ausgabe des Circle-Pit-Festivals stattfinden konnte.

Ein Jahr später wurde aus der Circle Pit GbR der Circle Pit e.V. gegründet. Ziel des Vereines war unter anderem die Förderung von lokalen Newcomerbands unter anderem in Form von Auftrittsmöglichkeiten zu gewährleisten. So wurde ein Netzwerk aus Veranstaltern, Clubbesitzern, Veranstaltungsfirmen und Studiobesitzern aufgebaut. Im Fokus stand im Jahr 2008 die zweite Edition des Circle-Pit-Festivals. Aufgrund der hohen Nachfrage lokaler Newcomerbands wurde nach dem Festival die Konzertreihe "Battle of the Bands" ins Leben gerufen, bei der die zwei besten Bands einen Platz auf dem Festival, sowie eine professionelle EP- und Musikvideo-Produktion gewinnen konnte. Dieser wurde am Ende des Jahres 2008 erstmals ausgetragen. Bereits 2009 hatte die Konzertreihe einen hohen Bekanntheitsgrad erreicht, sodass sich Newcomerbands aus den umliegenden Bundesländern für den Wettbewerb eingeschrieben haben.

Im Jahr 2010 fand ein weiterer Ausbau des Circle Pit statt, um Newcomerbands auch Konzerte auf bundesweiter Ebene zu ermöglichen. So wurde die "Circle Pit Road Show" gestartet. Die Konzertreise fand hauptsächlich in Locations in Westdeutschland und dem anliegenden Ausland statt. Im selben Jahr erschien erstmals das kostenlose "Circle Pit Magazin" im Großraum Bonn/Koblenz und ist in Zusammenarbeit mit der Lotto Stiftung Rheinland-Pfalz erschienen. Auch wurde ab 2010 jeden Sonntag "Circle-Pit-TV" beim lokalen Sender RheinAhrTV ausgestrahlt. Im Jahr 2011 wurde die Sparte "Unplugged Kultour" in Zusammenarbeit mit der Stadt Bad Neuenahr-Ahrweiler ausgerichtet. Teilnehmende Bands spielten auf dieser Konzertreihe viermal unplugged auf Open-Air-Shows. Auch die Circle-Pit-Roadshow konnte ausgeweitet werden und auch der Bandcontest "Battle of the Bands" hatte erneut einen großen Andrang bei den Newcomerbands.

Circle Pit nahm an einem Contest der ING DiBa teil. Die deutsche Metalcore-Band Heaven Shall Burn hat in der Landskroner Festhalle das Promotion-Video zu "Invictus" gedreht, bei dem der Verein mit involviert ist. Der Verein gab an, sich im Jahr 2012 aufzulösen. Der Grund für die Auflösung war, dass der Vorsitz einen Weiterbetrieb des Vereines in der verfügbaren Freizeit nicht mehr bewältigen konnte. Ein Mitglied des Vereines hat zwischenzeitlich seine eigene Konzertagentur eröffnet, in der die Marke "Circle Pit" einfließen soll. So wurde gewährleistet, dass das Circle-Pit-Festival weiterhin stattfinden kann.

Circle-Pit-Festival
Obwohl sich der Verein im Jahr 2012 aufgelöst hat, ist das seit 2007 jährlich im Oktober stattfindende Circle-Pit-Festival, ein Indoor-Festival in der Landskroner Festhalle Heimersheim, einem Ortsteil Bad Neuenahrs, nicht davon betroffen.

Am 21. Juli 2008 und nach knapp einem Jahr Planung spielten mit Misery Speaks und We Are Wolf (zu dem Zeitpunkt noch Eat Unda Table) zwei bekanntere Acts auf dem Festival. Weitere Bands auf der Premieren-Ausgabe waren Hatedrive, Saint Shelter, Discouraged und Nektra. Aufgrund der hohen Nachfrage lokaler Newcomerbands wurde nach dem Festival die Konzertreihe "Battle of the Bands" ins Leben gerufen, bei der die zwei besten Bands einen Platz auf dem Festival sowie eine professionelle EP- und Musikvideo-Produktion gewinnen konnte. Dieser wurde am Ende des Jahres 2008 erstmals ausgetragen. Am 19. April 2009 debütierten Deadlock und Neaera auf dem Festival in Heimersheim. Des Weiteren spielten Enraged by Beauty, Bloodattack, Democrazed, Saint Shelter und Cambodia an diesem Abend. Auch die Battle of the Bands konnte eine enorme Bekanntheitssteigerung erlangen. So meldeten sich Newcomerbands aus mehreren Bundesländern bei dem Wettbewerb an.

Auf der dritten Auflage traten am 23. Oktober 2010 We Butter the Bread with Butter, Final Prayer, Six Reasons to Kill, Bloodwork, Cocoon und Used to Remind auf. Das Line-Up konnte ein weiteres Mal aufgestockt werden, so dass insgesamt 12 Bands auf dem Festival spielten. Als regionale Bands spielten außerdem Infected, Sober Truth, Stage Disaster, Hatedrive, We Are Wolf und Crazy D Nasty aus Belgien auf dem Circle-Pit-Festival.

Am 29. Oktober 2011 traten weitere Szene-Größen beim Circle-Pit-Festival auf, darunter Caliban, Haribo Macht Kinder Froh, Hordak und One Man Army and the Undead Quartet. Die dänische Band Illdisposed sagten einen Auftritt dagegen ab. Für Illdisposed sprang die Gruppe Uneven Structure ein. Weitere Bands waren erneut Bloodattack, Shigora, Prison Mind, Where We Fall, Kaocide, Guerilla, My City Burning und Used to Remind.

Das Festival wurde von mehreren Sponsoren gefördert, darunter sind das FUZE Magazine, die EVM, Bitburger, die Stadt Bad Neuenahr-Ahrweiler und das Label Big Deal Records. Das Circle-Pit-Festival erhielt in den Jahren 2008 und 2009 eine Kritik im Generalanzeiger ("Rhein-Ahr-Zeitung").

Die 2003 in Heimersheim erbaute Halle ist für 400 Besucher ausgelegt. Da sich der Verein Circle Pit im Frühjahr 2012 auflöste, und das Festival eine neue Agentur hat, wurde auch ein neuer Veranstaltungsort gesucht, welcher in Köln liegt. Die Location ist die Essigfabrik in der bereits mehrfach die Impericon Never Say Die! Tour gastierte. Das Festival fand am 22. Dezember 2012 erstmals in der Essigfabrik statt, einen Tag nach dem Nemesis Festival, welches von der gleichen Agentur organisiert wird. Die 11 bestätigten Bands sind Adept, His Statue Falls, Excrementory Grindfuckers, Awaken Demons, Devil In Me, Nasty, Angels and Enemies, Calibre Infinite, Korben Dallas, Soulbound und I Scream for Icecream.

Line-Up

2008
 Misery Speaks, We Are Wolf (2008 noch Eat Unda Table), Hatedrive, Discouraged, Saint Shelter, Nektra

2009
 Neaera, Deadlock, Democrazed, Bughole, Cambodia, Bloodattack, Enraged by Beauty

2010
 We Butter the Bread with Butter, Final Prayer, Six Reasons to Kill, Bloodwork, Cocoon, We Are Wolf, Hatedrive, Infected, Crazy D Nasty (Belgien), Used to Remind, Sober Truth, Stage Disaster

2011
 Caliban, One Man Army and the Undead Quartet, Hordak, Haribo Macht Kinder Froh, Used to Remind, Bloodattack, My City Burning, Shigora, Where We Fall, Prison Mind, Guerilla, Kaocide. Die dänische Gruppe Illdisposed, welche ursprünglich beim Festival auftreten sollten, sagten aufgrund einer Erkrankung ihres Sängers ab. Als Ersatz trat die Gruppe Uneven Structure auf.

2012
Am 22. Dezember 2012 fand das Circle-Pit-Festivals erstmals in einer neuen Location statt. Dieser Austragungsort war die Essigfabrik in Köln.

Adept, His Statue Falls, Excrementory Grindfuckers, We Butter the Bread with Butter, Awaken Demons, Devil in Me, Nasty, Angels and Enemies, Calibre Infinite, Korben Dallas, Soulbound, I Scream for Icecream

2013
Am 18. Februar gab der Veranstalter bekannt, dass das Circle-Pit-Festival 2013 in Hamburg, München, Berlin und Köln stattfinden soll. Die genauen Veranstaltungsorte sind die Live Music Hall (Köln), Docks (Hamburg), Kesselhaus (München) und das Astra (Berlin). Geplant sind die Konzerttermine zwischen dem 20. und 22. Dezember 2013. Am 29. September teilte der Veranstalter über seine Facebookseite ohne die Nennung von Gründen mit, dass alle Veranstaltungen für das Circle-Pit-Festaival 2013 abgesagt werden mussten.

Circle Pit als Konzertagentur
Zwischenzeitlich fungierte Circle-Pit auch als eine Booking-Agentur für kleinere Veranstaltungen im Ahrkreis und den umliegenden Regionen. Im Bandpool standen bis zur Auflösung des Vereines Cocoon, Betray Your Idols, Road to Perdition und Appreciate Ground.

Des Weiteren veranstaltete der Verein im Sommer die "Circle Pit Road Show", eine Musiktour durch Westdeutschland um den Bands weitere Auftrittsmöglichkeiten zu bieten. 2011 fanden Konzerte der Roadshows in Bad Breisig, Rheinbach, Limburg an der Lahn, Pforzheim, Marburg, Karlsruhe, Darmstadt und Ingolstadt statt.

Weblinks
 Offizielle Homepage

Einzelnachweise

Veranstaltungsdienstleister (Darstellende Kunst)
Metalfestival
!
Musikveranstaltung in Rheinland-Pfalz
Musikveranstaltung in Köln
Erstveranstaltung 2007
Veranstaltung im Landkreis Ahrweiler
Unternehmen (Landkreis Ahrweiler)
Dienstleistungsunternehmen (Deutschland)
Organisation (Grafschaft, Rheinland)
Verein (Landkreis Ahrweiler)

Circle Pit


Friedrich Eberhard Siegmund Günther Goeckingk, à partir de 1768 von Goeckingk (né le  à Ermsleben et mort le  à Berlin) est un général de cavalerie prussien.

Biographie

Origine
Ses parents sont les seigneurs héréditaires de Günthersdorf et Daldorf, ainsi que le  Christian Friedrich Günther Göckingk (1703–1773) et Johanne, née Schwarz (1716–179). L'économiste et poète  (1748-1828) est son frère.

Carrière
Il étudie d'abord à l'école à Halle, puis au lycée de Joachimsthal à Berlin. De 1755 à 1757, il se rend d'abord à l'Université de Halle pour y étudier le droit. À Pâques 1757, il rentra chez lui et au début de la guerre de Sept Ans en 1757, il rejoint le  de fusiliers "Hesse-Cassel" en tant que Junker. En février 1758, il devient cornette au  de hussards «  » . En 1760, il devient sous-lieutenant et en 1761 premier-lieutenant. La même année, il devient capitaine d'état-major de cavalerie et en 1762 capitaine de cavalerie. En 1771, il est promu major. En 1784, il devient lieutenant-colonel et colonel le 2 mai 1788, il prend la tête du  de hussards "Hussards noirs". Le 4 juillet 1789, il devient général de division. Le 11 janvier 1795, il devient lieutenant général et devient chef du  de hussards. Le 21 mai 1799, il est décoré de l'Ordre de l'Aigle rouge par le roi. Le 15 octobre 1805, il est nommé général de cavalerie à la retraite.

Le 2 décembre 1768, il est anobli par le roi Frédéric II. Lors de la Guerre de Succession de Bavière, il s'est tellement illustré dans la bataille de Gabel qu'il reçoit le Pour le Mérite. Pendant la guerre de Sept Ans, il combat avec le 8e régiment de hussards dans les batailles de Kunersdorf et Freiberg et de nombreuses escarmouches. Le roi Frédéric II est si satisfait du colonel qu'il lui offre une boîte en or avec des diamants.

Pendant le soulèvement de Kościuszko en 1794, il opère en Lituanie et en Mazurie, où il fait plus de 400 prisonniers.

Famille
Il se marie le 25 août 1765 à Stolp avec Anna Dorothea von Belling (née en 1747 et morte le 18 novembre 1818), une fille du général Wilhelm Sebastian von Belling. Le couple a plusieurs enfants dont :

 Wilhelm Friedrich (né le 16. septembre 1766)
 Dorothe Frédérique (née le 12 août 1768 et morte le 3 septembre 1813) mariée avec
 le comte Wilhelm Adolf von Lichinowsky (mort en 1836)
 Andreas Georg Friedrich von Katzler (1764-1834), lieutenant général
 Wilhelmine Hélène Johanna (née le 5 septembre 1769) mariée avec le baron NN von Franz
 Friedrich Leopold Günther (né le 19 mars 1775 et mort le 27 septembre 1853) major, seigneur de Dumpen et d'Althoff-Memel, marié avec Henriette Rüppel (morte le 26 juillet 1843)

Bibliographie
 Anton Balthasar König: Friedrich von Goeckingk. In: Biographisches Lexikon aller Helden und Militairpersonen, welche sich in Preußischen Diensten berühmt gemacht haben. Band 2. Arnold Wever, Berlin 1789, S. 16 (Friedrich von Goeckingk bei Wikisource [PDF]).
 Militär-Wochenblatt. Band 24, 23. März 1839, Nr. 12, S. 48 (Digitalisat)
 Handbuch des preußischen Adels, Band 2, Berlin 1893, S. 271f (Digitalisat)
 Hermann von Goeckingk: Stammbaum der Familie von Goeckingk, Wiesbaden 1878 (Digitalisat)

Liens externes

Références

Cavalier militaire prussien
Personnalité prussienne de la guerre de Sept Ans
Personnalité prussienne de l'insurrection de Kościuszko
Personnalité prussienne anoblie
Récipiendaire de l'ordre de l'Aigle rouge (avant 1810)
Récipiendaire de la croix Pour le Mérite (ordre militaire)
Naissance en novembre 1738
Naissance en Saxe-Anhalt
Naissance dans la principauté d'Halberstadt
Décès en juillet 1813
Décès à Berlin
Décès à 74 ans

Friedrich von Goeckingk


Acest articol descrie faza grupelor din Cupa EHF Feminin 2018-2019.

Distribuția în urnele valorice
Următoarele echipe s-au calificat în această fază a competiției:

Cele 16 echipe calificate în faza grupelor au fost distribuite în 4 urne valorice. Tragerea la sorți a grupelor a avut loc pe 22 noiembrie 2018, la Viena, de la ora locală 11:00. Conform regulamentului EHF, echipele provenind din aceeași țară au fost protejate, astfel încât în urma tragerii la sorți să nu fie extrase în aceeași grupă.

Tragerea la sorți a fazei grupelor a fost transmisă în direct pe pagina de Facebook, pe canalul YouTube al EHF și printr-un live ticker. În urma tragerii la sorți au rezultat următoarele grupe:

Grupele

Grupa A

Grupa B

Grupa C

Grupa D

Note

Legături externe
Faza grupelor  pe pagina EHF

Cupa EHF Feminin 2018-2019

Cupa EHF Feminin 2018-2019 - faza grupelor


Carl Laemmle (; born Karl Lämmle; January 17, 1867 – September 24, 1939) was a German-American film producer and the co-founder and, until 1934, owner of Universal Pictures. He produced or worked on over 400 films.

Regarded as one of the most important of the early film pioneers, Laemmle was born in what is now Germany. He immigrated to the United States in 1884 and worked in Chicago for 20 years before he began buying nickelodeons, eventually expanding into a film distribution service, the Laemmle Film Service, then into production as Independent Moving Pictures Company (IMP), later renamed Universal Film Manufacturing Company, and later still renamed Universal Pictures Company.

Early life and education
Karl Lämmle was born in 1867 to Julius Baruch Lämmle and Rebekka Lämmle, a Jewish couple in the Radstrasse, a street in the Jewish quarter of Laupheim, in the Kingdom of Württemberg. His father was a cattle merchant, also involved in land transactions. The family struggled financially and lived in poverty: Of his eleven siblings only 3 reached adulthood. He was one of the youngest children, and close to his mother, who enrolled him in a Jewish school. When he was 13, she arranged a three-year apprenticeship for him in Ichenhausen, a nearby village, where he learned accounting and sales, and worked to support his family.

Career
After his mother died in 1883, Laemmle decided to emigrate to the US for a better life, also following his thirteen-year-older brother Joseph. For his 17th birthday, his father had given him the tickets for an Atlantic crossing on the steamboat SS Neckar plus fifty dollars. He left Bremerhaven on January 28, 1884, and arrived in New York on February 14, 1884. He settled in Chicago. Here he lived for about twenty years as a bookkeeper and office manager. In 1889, he became a naturalized American citizen. Laemmle worked a variety of jobs, but by 1894 he was the bookkeeper of the Continental Clothing Company in Oshkosh, Wisconsin, where he introduced a bolder advertising style.

In 1906, at the age of 39, Laemmle quit his job. He initially wanted to open a network of cheap retail stores, but changed his mind after entering a nickelodeon. He started one of the first motion picture theaters in Chicago, The White Front on Milwaukee Avenue, and quickly branched out into film exchange services. He challenged Thomas Edison's monopoly on moving pictures, the Motion Picture Patents Company, under the Sherman Anti-Trust Act of 1890. As part of his offensive against Edison's company, Laemmle began advertising individual "stars," such as Mary Pickford and Florence Lawrence, thus increasing their individual earning power, and thus their willingness to side with the "Independents."

After moving to New York, Carl Laemmle became involved in producing movies, forming Independent Moving Pictures (IMP); the city was the site of many new movie-related businesses. On April 30, 1912, in New York, Laemmle brought together Pat Powers of Powers Motion Picture Company, Mark Dintenfass of Champion Film Company, William Swanson of Rex Motion Picture Company, David Horsley of Nestor Film Company, as well as Charles Baumann and Adam Kessel of the New York Motion Picture Company, to merge their companies with IMP as the "Universal Film Manufacturing Company", with Laemmle assuming the role of president. They founded the Company with studios in Fort Lee, New Jersey, where at the beginning of the 20th century many early film studios in America's first motion picture industry were based.

On March 15, 1915, Laemmle opened the world's largest motion picture production facility, Universal Studios Hollywood, on a 230-acre (0.9-km2) converted farm in the San Fernando Valley, just over the Cahuenga Pass from Hollywood.

Universal maintained two East Coast offices: The first was located at 1600 Broadway, New York City. This building, initially known as the Studebaker Building, was razed around 2004 or 2005. The second location to house Universal's executive offices was at 730 Fifth Avenue, New York City. Many years later, 445 Park Avenue was the location of Universal's executive offices. In 1916, Laemmle sponsored the $3,000 three-foot-tall solid silver Universal Trophy for the winner of the annual Universal race at the Uniontown Speedway board track in southwestern Pennsylvania. Universal filmed each race from 1916 to 1922.

In 1936, Laemmle and his son were removed from the company he founded by a hostile takeover. He briefly resumed distribution with a partner, Michael Mindlin, specializing in foreign films as CL Imports, in the mid-1930s, but for the most part remained in secluded retirement until his death.

Personal life

In 1898, Laemmle married Recha Stern, the niece of Sam Stern, his employer at Continental Clothing Company. Recha gave birth to Rosabelle in 1903 and Julius Laemmle (Carl Laemmle Jr.) in 1908. Rosabelle Laemmle Bergerman was later married to Stanley Bergerman.

After moving to California, Laemmle purchased as a residence for his family the former home of film pioneer Thomas Ince on Benedict Canyon Drive, Beverly Hills, a house which was razed in the early 1940s. Laemmle also maintained a large apartment for himself and his two children at 465 West End Avenue, New York City, one block off Riverside Drive near the Hudson River.

Recha Stern Laemmle contracted the Spanish flu and died from pneumonia on January 13, 1919, at age 43.

Asked how to pronounce his surname, he told The Literary Digest, "The name means little lamb, and is pronounced as if it were spelled 'lem-lee'."

His niece, Rebekah Isabelle Laemmle, known professionally as Carla Laemmle, appeared in several films until her retirement from acting at the end of the 1930s. His great-nephew, Michael Laemmle, is a well-known resident of Darwin, California, and was featured in the 2011 documentary Darwin: No Services Ahead. His great-grandniece, Antonia Carlotta, talks about him at length in Universally Me, her web series about the history of Universal Studios.

Poet Ogden Nash observed the following about Laemmle's habit of giving his son and nephews top executive positions in his studios:

Family members involved in the film industry included Isadore Bernstein, Joseph Stern, and Abe Stern, all brothers-in-law, and Ernst Laemmle, Edward Laemmle, and Max and Kurt Laemmle.

Death
Laemmle died from cardiovascular disease on September 24, 1939, in Beverly Hills, California, at the age of 72. Laemmle was entombed in the Chapel Mausoleum at Home of Peace Cemetery.

Awards and honors
 Oscar, 1930 for All Quiet on the Western Front.

Legacy
Laemmle, although having made hundreds of films in his active years as a producer (1909–1934), is remembered for The Hunchback of Notre Dame (1923), The Phantom of The Opera (1925), both with Lon Chaney Sr. in the title role, and The Man Who Laughs (1928) and most of the early sound horror films, such as Dracula (1931) and Frankenstein (1931), with his son, Carl Jr.

Laemmle remained connected to his home town of Laupheim throughout his life, providing financial support to it. In the 1930s he sponsored hundreds of Jews from Laupheim and Württemberg to emigrate from Nazi Germany to the United States, paying both emigration and immigration fees, thus saving them from the Holocaust. To ensure and facilitate their immigration, Laemmle contacted American authorities, members of the House of Representatives and Secretary of State Cordell Hull. He also intervened to try to secure entry for the refugees on board the , who were ultimately sent back from Havana to Europe in 1939, where many were murdered in the Holocaust.

Representation in other media
as a main character in the novel The Dream Merchants (1949) by Harold Robbins, a former Universal Studios employee.
as a historical character in the TV series The Adventures of Young Indiana Jones (1992).
as a main character in the novel Sweet Memories (2012), David Menefee.
 German actor Berthold Biesinger plays Carl Laemmle in the theatre play "Marlene in Hollywood" by Hannes Stöhr. "Marlene in Hollywood" premiered in May 2023 at the Theater Lindenhof in Germany, deals with Marlene Dietrich and her time in Hollywood. Carl Laemmle is extensively honored on stage as the inventor of Hollywood. Erich Maria Remarque (novel author of "All quiet on the western front") introduces Carl Laemmle.
 The play was supported by the Deutsche Kinemathek.

See also
History of the Jews in Laupheim
Laemmle Theatres

References

Further reading

External links

  — Biography sponsored by the Transatlantic Program of the Government of the Federal Republic of Germany
Official Laemmle family website
Universal Studios Archives & Collections
The Jewish Past of Laupheim

Carl Laemmle at Virtual History
 A 9 minute video produced by Universal City Studios from 2013

1867 births
1939 deaths
People from Laupheim
Businesspeople from Los Angeles
Film people from Beverly Hills, California
American film producers
American film studio executives
American film production company founders
American people of German-Jewish descent
Film exhibitors
Film producers from California
NBCUniversal people
Universal Pictures
Emigrants from the German Empire to the United States
Burials at Home of Peace Cemetery
19th-century German Jews
20th-century American Jews

Carl Laemmle


El  Carnaval de Alost es un ritual que se realiza desde hace 600 años que se desarrolla cada año en Alost en Flandes Oriental, al norte de Bélgica. Dura tres días contando desde el domingo que precede a la cuaresma cristiana. El carnaval de Alost fue inscrito en 2010 en la lista representativa del Patrimonio Cultural Inmaterial de la Humanidad de la Unesco. Las representaciones ofensivas se han utilizado repetidamente durante el carnaval de Aalst desde su inscripción en la lista. A finales de 2019 la Unesco anunció que el carnaval ya no cumplía con sus criterios, por lo que decidieron eliminarlo de la lista representativa del patrimonio cultural inmaterial de la humanidad.

Festividades
El carnaval está marcado por:

 La proclamación simbólica del Príncipe del Carnaval como alcalde de la ciudad de Alost.
 Gigantes y cabezudos, entre los cuales «Bayard», el legendario caballo de Carlomagno.
 El lanzamiento de caramelos en forma de cebollas.
 una danza des escobas en la plaza del mercado central para expulsar a los fantasmas del invierno.
 El día de la « Voil Jeanet» (Sucia Jeannette) un desfile de jóvenes travestidos en mujeres, con corsés, cochecitos de niño y paraguas rotos.
 Y el ritual final en el que se quema la efigie del carnaval.

Racismo
En 2013, un tanque representó un carro similar a los utilizados para deportar a los judíos a los campos de exterminio durante el Holocausto. Los diseñadores de tanques desfilaron a su lado disfrazados de oficiales de las SS o judíos ortodoxos. En el vagón, un cartel mostraba a políticos flamencos vestidos de nazis y sosteniendo latas con Zyklon B, el pesticida a base de cianuro usado por los nazis para exterminar a los judíos en las cámaras de gas.

En 2019, otro carro mostraba caricaturas de judíos ortodoxos con narices en forma de gancho sentadas en sacos de oro. Este tanque ha enfurecido a varias asociaciones judías, incluido el Comité Coordinador de Organizaciones Judías de Bélgica (CCOJB) y el Forum der Joodse Organisaties (FJO). Durante este desfile, también se pudo ver a los participantes vistiendo la capucha y el vestido blanco de los miembros del Ku Klux Klan, y otros con las caras negras.

La Comisión Europea ha declarado que es "impensable que esto siga siendo visible en Europa, 74 años después del Holocausto". Las organizaciones solicitaron a la UNESCO que retirara el Carnival of Alost de la Lista del Patrimonio Cultural Inmaterial que tiene en cuenta los derechos humanos, lo cual se hizo efectivo el 13 de diciembre de 2019, cuando la Unesco anunció que el carnaval ya no cumplía con sus criterios, por lo que se decidió eliminarlo de la lista representativa del patrimonio cultural inmaterial de la humanidad.

La UNESCO recuerda también que este carnaval se inscribió en 2010 en la lista representativa del patrimonio cultural inmaterial de la humanidad, como lo es también la cultura de la cerveza en Bélgica desde 2017 y que el espíritu de sátira del Carnaval de Aalst y la libertad de expresión no pueden servir como una pantalla para tales manifestaciones de odio.  "Más allá de los valores de respeto y Estas caricaturas indecentes van en contra incluso de los principios fundadores de la herencia intangible de la humanidad", dijo Ernesto Ottone Ramírez, subdirector de cultura, citado en el comunicado. Desde su inscripción, el carnaval de Aalst ha exhibido en varias ocasiones mensajes, imágenes y representaciones que pueden considerarse dentro y fuera de la comunidad como alentadores estereotipos, burlándose de ciertos grupos e insultando los recuerdos de experiencias históricas dolorosas que incluyen genocidio, esclavitud y segregación racial. Estos actos, intencionales o no, contradicen los requisitos de respeto mutuo entre comunidades, grupos e individuos. El carnaval de Aalst ya no cumple los criterio Unesco.

Imágenes

Referencias

Enlaces externos

 (nl) Página oficial del Carnaval de Alost

Carnaval
Eventos en Bélgica
Patrimonio Cultural Inmaterial de la Humanidad en Bélgica
Antisemitismo en Bélgica
Aalst

Carnaval de Alost


Pan Pacific Open 2018 var en tennisturnering, der blev spillet indendørs på hardcourt-baner i Arena Tachikawa Tachihi og Dome Tachikawa Tachihi i Tokyo, Japan i perioden 17. - 23. september 2018. Det var den 45. udgave af Pan Pacific Open, og på grund af et navnesponsorat fra Toray Industries afvikledes turneringen under navnet Toray Pan Pacific Open.

Singletitlen blev vundet af Karolína Plíšková, som dermed vandt sin anden WTA-titel i 2018 og den 11. WTA-titel i sin karriere. I finalen besejrede hun den nykårede US Open-mester, Naomi Osaka, med 6-4, 6-4. Plíšková havde kæmptet sig igennem tre tresættere for at nå finalen og havde endda to matchbolde imod sig i kvartfinalen mod Alison Riske.

Doubleturneringen blev vundet af Miyu Kato og Makoto Ninomiya, der i finalen besejrede førsteseedede Andrea Sestini Hlaváčková og Barbora Strýcová med 6-4, 6-4. Kato og Ninomiya vandt dermed deres første turnering som makkere, og det var første gang nogensinde, at turneringen blev vundet af et japansk par. For begge spillere var det karrierens anden WTA-titel (og den første på Premier-niveau), idet Miyu Kato tidligere havde vundet Katowice Open 2016 sammen med Eri Hozumi, mens Makoto Ninomiya samme år vandt Japan Women's Open med Shuko Aoyama som partner.

Indendørsbanerne i Arena Tachikawa Tachihi og Dome Tachikawa Tachihi var midlertidigt spillested for turneringen, mens den ordinære arena, Ariake Coliseum og Ariake Tennis Forest Park, blev renoveret som forberedelse til de olympiske lege i 2020.

Præmier

Den samlede præmiesum for turneringen androg $ 799.000 og fordelte sig som følger.

Resultater

Damesingle

Hovedturnering

Hovedturneringen havde deltagelse af 28 spillere fordelt på:
 18 spillere, der havde kvalificeret sig direkte til hovedturneringen i kraft af deres placering på WTA's verdensrangliste pr. 6. august 2018 (seks uger før turneringens start).
 4 spillere, der havde modtaget et wildcard (markeret med WC).
 6 spillere, der havde kvalificeret sig til hovedturneringen fra kvalifikationen (markeret med Q).

Kvalifikation

Kvalifikationsturneringen blev afviklet i weekenden inden hovedturneringen, den 15. - 16. september 2018, hvor 24 spillere spillede om de sidste seks ledige pladser i hovedturneringen.

Følgende spillere kvalificerede sig til hovedturneringen:
  Zarina Dijas
  Nao Hibino
  Alison Riske
  Eugenie Bouchard
  Gabriela Dabrowski
  Misaki Doi

Følgende spillere gik videre til hovedturneringen som lucky losere:
 Ingen

Damedouble

Damedoublerækken havde deltagelse af 16 par, hvoraf et par havde modtaget et wildcard.

Eksterne henvisninger
 Toray Pan Pacific Open

Noter

2018
WTA Tour 2018

Pan Pacific Open 2018


Am EHF-Europapokal der Pokalsieger 2005/06 nahmen 32 Handball-Vereinsmannschaften aus 27 Ländern teil. Diese qualifizierten sich in der vorangegangenen Saison in ihren Heimatländern im Pokalwettbewerb für den Europapokal oder kamen als Drittplatzierte der Gruppenphase aus der Champions League 2005/06 dazu. Bei der 30. Austragung des Pokalsiegerwettbewerbs konnte ŽRK Budućnost MONET Podgorica zum zweiten Mal nach 1985 den Pokal gewinnen.

2. Runde
Da die Europäische Handballföderation die Rundenbezeichnungen aller Clubwettbewerbe vereinheitlichte und das Starterfeld im Cup der Pokalsieger relativ klein war, begann dieser erst mit den Spielen der 2. Runde.
Die Hinspiele der 2. Runde fanden zwischen dem 1. und 8. Oktober und die Rückspiele zwischen dem 2. und 9. Oktober 2005 statt.

|}
Durch ein Freilos zogen RK Lokomotiva Zagreb, Horsens HK, ESBF Besançon und Gjerpen IF Skien direkt in die 3. Runde ein.

3. Runde
Die Hinspiele der 3. Runde fanden vom 7. und 14. Januar und die Rückspiele am 14. und 15. Januar 2006 statt.

|}

4. Runde
In der 4. Runde fanden die Hinspiele vom 12. bis 18. Februar und die Rückspiele am 18. und 19. Februar 2006 statt.

|}

Viertelfinale
Im Viertelfinale kamen aus der Champions League die dort ausgeschiedenen vier Drittplatzierten der Gruppenphase dazu. Die Hinspiele fanden am 11. und 12. März und die Rückspiele am 18. und 19. März 2006 statt.

|}

Halbfinale
Im Halbfinale fanden die Hinspiele am 15. April und die Rückspiele am 22. April 2006 statt.

|}

Finale
Das Hinspiel fand am 13. Mai 2006 in Sportzentrum Morača von Podgorica und das Rückspiel am 20. Mai 2006 in der Magvassy Mihály Sporthalle von Győr statt.

|}

Quellen

 CWC Frauen 2006 auf Todor66.com

Pokalsieger der Frauen 2005/06
Handballsaison 2005/06

EHF-Europapokal der Pokalsieger der Frauen 2005/06


In geometry, a curve of pursuit is a curve constructed by analogy to having a point or points representing pursuers and pursuees; the curve of pursuit is the curve traced by the pursuers.

With the paths of the pursuer and pursuee parameterized in time, the pursuee is always on the pursuer's tangent. That is, given , the pursuer (follower), and , the pursued (leader), for every  with  there is an  such that

History

The pursuit curve was first studied by Pierre Bouguer in 1732. In an article on navigation, Bouguer defined a curve of pursuit to explore the way in which one ship might maneuver while pursuing another.

Leonardo da Vinci has occasionally been credited with first exploring curves of pursuit. However Paul J. Nahin, having traced such accounts as far back as the late 19th century, indicates that these anecdotes are unfounded.

Single pursuer

The path followed by a single pursuer, following a pursuee that moves at constant speed on a line, is a radiodrome.

It is a solution of the differential equation
.

Multiple pursuers

Typical drawings of curves of pursuit have each point acting as both pursuer and pursuee, inside a polygon, and having each pursuer pursue the adjacent point on the polygon. An example of this is the mice problem.

See also
Logarithmic spiral
Tractrix
Circles of Apollonius#Apollonius pursuit problem
Pursuit–evasion

References

External links

Mathworld, with a slightly narrower definition that |L′(t)| and |F′(t)| are constant
MacTutor Pursuit curve

Curves
Pursuit–evasion

Pursuit curve


«Never Forget» —en español: «Nunca olvidar »— es una canción interpretada por la cantante y compositora rusa  Lena Katina  incluida en el álbum debut de la cantante. Katina la compuso con Hayden Bell, Sarah Lundbäck, y Eric Lidbom y este último, la produjo junto con Sven Martin.  Such Much Production la lanzó como sencillo debut de la cantante a nivel internacional el 9 de agosto de 2011 en iTunes y Amazon, incluyendo como lado-B la canción "Stay". Musicalmente, es una pista pop rock, recibiendo por parte del público comentarios realmente positivos. Sin embargo, logró una recepción comercial no muy buena. James Cox fue el encargado de dirigir el vídeo musical.

Antecedentes y composición
Katina comenzó a componer  algunas canciones para su álbum debut como solista en Suecia, en el  2010.  «Never Forget» fue el resultado, fue coescrita por ella y por los compositores Hayden Bell, Sarah Lundbäck, y Eric Lidbom, producido este último junto con Sven Martin, las remezclas de voces fueron hechas por Veronica Ferraro y masterizado por Bruno Gruel. En una entrevista en el sitio web Record de México fue preguntada si "Never Forget" era una canción dedicada a su compañera de t.A.T.u.  Julia Volkova, Katina explicó:

Ediciones remix fueron publicadas y echas por el DJ Dave Audé, todas las grabaciones y el proceso empezaron de nuevo. En una entrevista realizada para Audé en el sitio web Popservations, habló de cómo fue el proceso para las remezclas:

Recepción

Lanzamiento y resultado comercial
"Never Forget" fue lanzada por la emisora de radio mexicana FMTU, de  Monterrey, el día 17 de junio del 2011, teniendo éxito inmediato el día de su propio estreno. Las redes sociales de la estación se vieron saturadas por fanáticos que solicitaban el sencillo, la emisión fue escuchada en países como Rusia, Japón, Brasil, Inglaterra, Italia y Polonia, entre otros.  Fue lanzada mundialmente el día 9 de agosto del 2011, a través de tiendas digitales de iTunes y Amazon, incluyendo como lado-B la canción "Stay",

"Never Forget" recibió buena respuesta por parte del público, ya que entró en las listas de España, Rusia y la CEI, obteniendo de estos dos primeros los lugares núm. 2 y 1 en dichas listas. Para seguir promocionando "Never Forget", se lanzó un EP remix de dicho sencillo a nivel internacional, el encargado de las remezclas fue el Dj Dave Audé,, el día 12 de marzo del 2012 en las tiendas digitales de iTunes, Amazon y Beatport, pero antes del debut de dicho EP, el remix de Audé y Katina ya había debutado en la lista Dance/Club Play Songs de Billboard USA en el puesto nº38, obteniendo una gran respuesta por parte del público.

En ese tiempo el tema había subido al puesto nº15 en la lista de Billboard, alcanzó el primer lugar de la lista el 19 de abril del 2012, sobrepasando a Madonna, catalogada de esa manera por los medios rusos y aclamándola como la primera artista solista rusa en conseguir tal éxito.

Poco tiempo después la versión remix, entró en las listas dance de Grecia, Italia y Brasil;  así como también se lanzó otro EP remix del sencillo solo para Alemania, Austria y Suiza, en donde debuta solo en la lista de Alemania en la categoría de "Pop" .

Vídeo musical

Grabación

El video musical de «Never Forget», dirigido por James Cox se filmó en un cementerio en Altadena ubicado en el condado de Los Ángeles, el vídeo es una continuación del último sencillo de t.A.T.u., llamado Snowfalls. Katina explicó al sitio web ruso Viva Magazine que no tenía miedo de plantear el tema de los cementerios, respondiendo:

El rodaje duró alrededor de 14 horas. En el lugar había más de 50 personas al mismo tiempo, incluyendo los extras. En el vídeo utiliza un vestido brillante de color blanco, así como también cabello corto ondulado, dándole una imagen clásica, la estilista Laura Duncan, tuvo la difícil tarea de crear una imagen irreal de Katina en el pasado y en el futuro, así como también se utilizó un Chevrolet  57, dando así una imagen clásica al vídeo.

Trama
Comienza con Lena Katina recostada en una mesa de piedra; esto se intercala con una secuencia del cadáver de Julia en una morgue. Lena se levanta y mira a su alrededor; aparentemente concluye que no sabe dónde está. Luego comienza a cantar, se baja de la piedra y atraviesa unas cortinas rojas. Llega a una habitación en la que dos doctores realizan una autopsia. Los doctores revisan el cuerpo Julia, y mientras tanto Lena ve un cuerpo cubierto por una sábana. Lo descubre y ve que se trata de ella misma, muerta.
La escena cambia y vemos a ocho hombres de negro caminando por un pasillo, llevando dos ataúdes (en los que presumiblemente van los cadáveres de Julia y Lena). Lena se encuentra con ellos y contempla cómo depositan los ataúdes frente a un grupo de personas vestidas de negro: aparentemente, se trata de un funeral conjunto para Julia y Lena. Todo el mundo se gira cuando Lena aparece. Ella se acerca a su propio ataúd, tira al suelo las flores que había sobre él y coloca boca abajo su propio retrato. Luego va hacia el ataúd de Julia, toma la fotografía y la besa.
Finalmente Lena aparece en un cementerio, en el cual vemos una lápida para Julia y otra para ella, según las cuales ambas murieron en 2011. Lena recoge las flores de ambas y se monta en un coche (conducido por uno de los doctores del comienzo del vídeo). Desde allí, va tirando las flores como despedida mientras se aleja.
Durante todo el videoclip se intercalan imágenes de Lena cantando, caminando e incluso mirando por una vidriera.

Formatos y remixes
 Descarga digital

Posicionamiento en listas

Premios y nominaciones

Créditos

 Lena Katina: Compositora y voz.
 Hayden Campana: Compositor
 Sarah Lundback: Compositora
 Erik Lidbom: Productor, teclados, compositor, guitarra y programación
 Sven Martin: Productor, programación y mezcla
 Domen Vajevec: Bajo (adicional)
 Steve Wilson: Batería
 Alain Moschulsk: Guitarra
 Joerg Kohring: Guitarra
 Veronica Ferraro: Mezcla de voz
 Gruel Bruno: Masterización
 Matt Miller:  Fotografía
 Serge Golovach: Fotografía

Fuente: Discogs.

Referencias

Sencillos de 2011
Canciones de Lena Katina
Sencillos número uno en la Dance Club Songs de Billboard

Never Forget


Macroagelaius es un géneros de aves, de la familia de los ictéridos .

Lista de especies
Según la clasificación del Congreso Ornitológico Internacional (versión 2.11, 2012), este género está conformado por dos especies:
Macroagelaius imthurni, cocha de Soatá o chango de montaña.
Macroagelaius subalaris, moriche de tepuy o chango de los tepuyes.

Referencias

Macroagelaius
Géneros de aves

Macroagelaius


Emiruşağı, Kahramanmaraş ilinin Çağlayancerit ilçesine bağlı bir mahalledir.

Coğrafya

Kahramanmaraş iline 45 km, Çağlayancerit ilçesine 17 km uzaklıktadır.

Nüfus

Dış bağlantılar

Çağlayancerit'in mahalleleri

Emiruşağı, Çağlayancerit


Klebsormidiaceae, porodica parožina iz reda Klebsormidiales. Sastoji se od dvadesetak vrsta unutar pet rodova.

Rodovi
 Entransia E.O.Hughes, 1948
 Hormidiella M.O.P.Iyengar & Kanthamma, 1940
 Klebsormidium P.C.Silva, Mattox & W.H.Blackwell, 1972
 Streptofilum T.Mikhailyuk & A.Lukešová, 2018
 Streptosarcina T.Mikhailyuk & A.Lukešová, 2018

Izvori

Klebsormidiophyceae

Klebsormidiaceae


Georges Auguste Couthon (, 22 December 1755 – 28 July 1794) was a French politician and lawyer known for his service as a deputy in the Legislative Assembly during the French Revolution. Couthon was elected to the Committee of Public Safety on 30 May 1793. Along with his close associates, Maximilien Robespierre and Louis Antoine de Saint-Just, he formed an unofficial triumvirate within the committee which wielded power until their arrest and execution in 1794 during the period of the Reign of Terror. Freemason, Couthon played an important role in the development of the Law of 22 Prairial, which was responsible for a sharp increase in the number of executions of accused counter-revolutionaries.

Background
Couthon was born on 22 December 1755 in Orcet in the province of Auvergne. His father was a notary, and his mother was the daughter of a shopkeeper. Couthon, like generations of his family before him, was a member of the lower bourgeoisie. Following in his father's footsteps, Couthon became a notary. The skills that he acquired enabled him to serve on the Provincial Assembly of Auvergne in 1787, his first experience of politics. He was well-regarded by others as an honest well-mannered individual.

As the Revolution grew nearer, Couthon started to become disabled because of advancing paralysis in both legs. Doctors diagnosed Couthon with meningitis in 1792, but Couthon blamed his paralysis on the frequent sexual experiences of his youth. Although he began treating his condition with mineral baths, he grew so weak by 1793 that he was confined to a wheelchair driven by hand cranks via gears. His political aspirations took him away from Orcet and to Paris, and he joined the Freemasons in 1790 in Clermont. There, he became a fixture at its literary society, where he earned acclaim for his discussion on the topic of "Patience". In 1791, Couthon became one of the deputies of the Legislative Assembly, representing Puy-de-Dôme.

Deputy
 In 1791, Couthon traveled to Paris to fulfill his duty as a deputy in the Legislative Assembly. He then joined the growing Jacobin Club of Paris. He chose to sit on the Left at the first meeting of the Assembly but soon decided against associating himself with such radicals, as he feared they were "shocking the majority". Reportedly, he was also a very proficient speaker.

In September 1792, Couthon was elected to the National Convention. During a visit to Flanders, where he sought treatment for his health, he met and befriended Charles François Dumouriez, later writing praises of him to the Assembly and referred to him as "a man essential to us." His relationship with Dumouriez briefly caused Couthon to consider joining the Girondist faction of the Assembly, but after the Girondist electors of the Committee of the Constitution refused Couthon a seat on the Committee in October 1792, he ultimately committed himself to the Montagnards and the inner group formed around Maximilien Robespierre; both shared many opinions. Couthon became an enthusiastic supporter of the Montagnards and often echoed their opinions. At the Trial of Louis XVI in December 1792, he argued loudly against the Girondist request for a referendum and went on to vote for the death sentence without appeal. On 30 May 1793, Couthon was appointed as secretary, on 10 July as member to the Committee of Public Safety, where he would work closely with Robespierre and Saint-Just in the planning of policy strategy and policing personnel. Three days after rising to that position, Couthon was the first to demand the arrest of proscribed Girondists.

Lyon

Growing unrest had been occurring in Lyon in late February and early May. By 5 July 1793, the National Convention determined the city of Lyon to be "in a state of rebellion", and by September, the Committee of Public Safety decided to send representatives to Lyon to end the rebellion. Couthon would be the representative to whom Lyon would surrender on 9 October 1793. He was suspicious of the unrest in Lyon upon his arrival and would not allow the Jacobins of the local administration to meet with one another for fear of an uprising.

In August Couthon carried a law punishing any person who should sell assignats at less than their nominal value with imprisonment for twenty years in chains; on 8 September making investments in foreign countries punishable with death. On 12 October 1793, the Committee of Public Safety passed a decree that it believed would make an example of Lyon. The decree specified that the city itself was to be destroyed. Following the decree, Couthon established special courts to supervise the demolition of the richest homes in Lyon and leave the homes of the poor untouched. In addition to the demolition of the city, the decree dictated that the rebels and the traitors were to be executed. Couthon had difficulty accepting the destruction of Lyon and did not even contribute much to the property destruction. Eventually, he would find that he could not stomach the task at hand, and by the end of October the National Convention sent a replacement. Republican atrocities in Lyon began after Couthon was replaced on 3 November 1793 by Jean Marie Collot d'Herbois, who would go on to condemn 1,880 Lyonnais by April 1794.

Law of 22 Prairial

Following his departure from Lyon, Couthon returned to Paris, and on 21 December, he was elected president of the convention. He contributed to the prosecution of the Hébertists and continued serving on the Committee of Public Safety for the next several months. On 10 June 1794 (22 Prairial Year II on the French Republican Calendar), Couthon drafted the Law of 22 Prairial with the aid of Robespierre. On the pretext of shortening proceedings, the law deprived the accused of the aid of counsel and of witnesses for their defence in the case of trials before the Revolutionary Tribunal. The Revolutionary Tribunals were charged with quick verdicts of innocence or death for the accused brought before them. The reason for the law was also related to the amount of executions going on in the provinces and the lack of standard judicial proceedings for these improvised "tribunals".

Couthon proposed the law without consulting the rest of the Committee of Public Safety, as both Couthon and Robespierre expected that the committee would not be receptive to it. The Convention raised objections to the measure, but Couthon justified the measure by arguing that the political crimes overseen by the Revolutionary Tribunals were considerably worse than common crimes because "the existence of free society is threatened." Couthon also famously justified the deprivation of the right to a counsel by declaring, The guilty have no such right and the innocents do not need any it."

Robespierre assisted Couthon in his arguments by subtly implying that any member of the Convention who objected to the new bill should fear being exposed as a traitor to the republic. Collot d'Herbois, Fouché and Tallien feared for their lives, due to the military excesses carried out by them in various regions of France to stamp out opposition to the revolutionary government. They feared that they would be exposed as having committed crimes against humanity. Almost all the deputies agreed it had become dangerous.

The law passed, and the rate of executions in Paris promptly rose. In Paris, compared to an average of 5 executions, which had been the norm two months earlier (Germinal), 17 executions would take place daily during Prairial, with 26 occurring daily during the following month of Messidor. Between the passing of the Law of 22 Prairial (10 June 1794) and the end of July 1794, 1,515 executions took place at the Place du Trône-Renversé, now Place de la Nation, more than half of the final total of 2,639 executions that occurred between March 1793 and August 1794.

 Arrest and execution

During the crisis preceding the Thermidorian Reaction, Couthon showed considerable courage by giving up a journey to Auvergne in order, as he wrote, that he might either die or triumph with Robespierre and liberty. Robespierre had disappeared from the political arena for an entire month because of a supposed nervous breakdown as well as for health reasons and therefore did not realise that the situation in the convention had changed. His last speech seemed to indicate that another purge of the convention was necessary, but he refused to say the names. In a panic of self-preservation, the Convention called for the arrest of Robespierre and his affiliates, including Couthon, Saint-Just and Robespierre's own brother, Augustin Robespierre. Couthon was guillotined on 10 Thermidor alongside Robespierre, but it took the executioner fifteen minutes (amidst Couthon's screams of pain) to arrange him on the board correctly because of his paralysis.

 Legacy

Couthon, during the course of the French Revolution, had transitioned from an undecided young deputy to a strongly committed lawmaker. Aside from his actions in Lyon, it is perhaps the creation of the Law of 22 Prairial and the number of individuals that would be executed because of the law that have become his lasting legacy. After the acceptance of Couthon's new decree, executions increased from 134 people in early 1794 to 1,376 people between the months of June and July 1794. The Law of 22 Prairial also allowed tribunals to target noblemen and members of the clergy with reckless abandon, as the accused no longer could call character witnesses on their behalf. Of the victims executed during June and July 1794, 38% were of noble descent and 26% represented the clergy. More than half of the victims came from the wealthier parts of the bourgeoisie. Couthon's lawmaking greatly increased, perhaps inadvertently, the rate of executions in Paris.

 References

  gives the following references:
 Francisque Mége, , Paris: 1872.
 Nouveaux Documents sur Georges Couthon, Clermont-Ferrand: 1890.
 F. A. Aulard, Les Orateurs de la Legislative et de la Convention, (Paris, 1885–1886), ii. 425–443.
 R.R. Palmer,  12 Who Ruled: The Year of the Terror in the French Revolution , Princeton U. Press, 1970(reprint)
 Bruun, Geoffrey. "The Evolution of a Terrorist: Georges Auguste Couthon". Journal of Modern History 2, no. 3 (1930), .
 Doyle, William. "The Republican Revolution October 1791-January 1793". In The Oxford History of the French Revolution. New York: Oxford University Press, 1989.
 Furet, François, and Mona Ozouf. "Committee of Public Safety". In A Critical Dictionary of the French Revolution. Translated by Arthur Goldhammer. Harvard: Harvard University Press, 1989.
 Jones, Colin. The Longman Companion to the French Revolution. London: Longman Publishing Group, 1990.
 Kennedy, Michael L. The Jacobin Clubs in the French Revolution 1793-1795. New York: Berghahn Books, 2000.
 Kennedy, Michael L. The Jacobin Clubs in the French Revolution: The Middle Years. Princeton: Princeton University Press, 1988.
 Lenotre, G. Romances of the French Revolution. Translated by George Frederic William Lees. New York: William Heinemann: 1909.
 Schama, Simon. Citizens. A Chronicle of the French Revolution. New York: Vintage Books, 1989.
 Scott, Walter. The Miscellaneous Prose Works of Walter Scott. London: Whittaker and Co., 1835. 195.M1.
 The French Revolution''. London: The Religious Tract Society, 1799.

Jacobins
1755 births
1794 deaths
People from Puy-de-Dôme
Members of the Legislative Assembly (France)
Deputies to the French National Convention
18th-century French lawyers
French people executed by guillotine during the French Revolution
French Freemasons
Politicians with paraplegia
Représentants en mission
People on the Committee of Public Safety
Presidents of the National Convention
French politicians with disabilities
Executed regicides of Louis XVI
Lawyers with disabilities

Georges Couthon


دوقية شوابيا  هي دوقية ألمانية للإمبراطورية الألمانية المقدسة تقع في جنوب غرب ألمانيا تشكلت عام 911 في العصور الوسطى و حكمتها عائلة هوهنشتاوفن الألمانية.

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المراجع

أنظمة ملكية سابقة في أوروبا
انحلالات سنة 1313
تأسيسات القرن 10 في ألمانيا
تأسيسات سنة 915
تاريخ ألمانيا
دول سابقة
دول وأقاليم انحلت في 1313
دول وأقاليم أسست في عقد 910

دوقية شوابيا


ඒකාබද්ධ වනාන්තර කළමනාකරණය කෙටියෙන් JFM ලෙස හඳුන්වයි. මෙය ඉන්දියාවේ නිල හා ජනප්‍රිය යෙදීමයි. මෙය රජයේ හා දේශීය වගා කරුවන්ගේ වනාන්තර කළමනාකරණයට යොදා ගනී. JFM හි ප්‍රතිපත්තිය සහ අභිප්‍රායයන් වනුයේ 1988 දී ඉන්දියාවේ විස්තරාත්මකව ඉදිරිපත් කළ ජාතික වනාන්තර ප්‍රතිපත්තියට දායක වීම සහ 1990 දී ඉන්දීය රජය මගින් ඉදිරිපත් කළ JFM මාර්ගෝපදේශන විස්තර කිරීමය.

JFM වැඩසටහන ඉන්දීය ප්‍රාන්තවලින් ප්‍රාන්තවලට වෙනස්වන අතර විවිධ නම්වලින් හඳුන්වයි. ග්‍රාමීය ප්‍රජාව සහ වනාන්තර සුරැකීමේ කොමිසම (EPC) ලෙසද වන සංරක්ෂණ දෙපාර්තමේන්තුව එය JFM ලෙසද හඳුන්වයි. ගැමියන් වනාන්තරවල ගිනි,ගස් කැපීම, අනවසර ගස් කැපීම් මගින් වනාන්තර ආරක්ෂා කිරීමට ආධාර කරයි. මෙහිදී ඔවුනට දැව නොවන නිෂ්පාදන සහ දැව නිපැයුම් අලෙවිකර ලැබෙන මුදල්වලින් කොටසක් ලබා දෙයි.

ආරම්භය
ඒකාබද්ධ වන කළමනාකරණය අහඹු සිදුවීමක් ලෙස 1971 දී බටහිර බෙංගාලයේ අරබාරී  වනාන්තරවලදී මීනාපූර් නගරය යාබදව බටහිර මීනාපූර් වලදී ආරම්භ විය. අරබාරි වනාන්තරයේ අරටුව ලබා ගැනීමට වගා කරන වෙළඳාම මගින් ලාභ ලබා ගත හැකි ශාකය සල් (Sal) ය. පළාත් වන නිලධාරියෙකු ලෙස වන සංරක්ෂණ දෙපාර්තමේන්තුවේ සේවයේ නිරත රුක් රෝපණයේ නියැලෙන Ajit.K Banerjee අනවසර වන විනාශය නිසා විනාශ වූ වනාන්තර නැවත විනාශ කිරීම සම්බන්ධව අත්හදා බැලීම් සිදු කරයි. මෙහිදී වන සම්පත් රජය සහ දේශීය වගා කරුවන් අතර හුවමාරු කිරීමේ ක්‍රම නැත. රජයට අනුව දේශීය වගාකරුවන් සොරුන්ය. ඉහත සඳහන් කළ නිලධාරියා තමා සමග එකට කටයුතු කරන නිලධාරීන්ගේ අදහස් පවා නොසලකා දේශීය ගම්මාන 11 ක නියෝජිතවරුන් තෝරා ගෙන වනාන්තර ආරක්ෂණ කොමිසමක් පිහිටුවීය. මෙහි මූලාරම්භක වැඩසටහනට පවුල් 612 ක් සහභාගී විය. වර්ග කිලෝමීටර් 12.7 ක වනාන්තර හානි වූ වනාන්තර ලෙස වර්ග කරන ලදී. ලාභයෙන් 25% ක් ගැමියන් අතර බෙදා දෙන ලදී. මෙය සාර්ථක වූ අතර සෙසු ප්රතදේශවලටද මෙය 1987 දී ව්යාගප්ත විය. JFM තවම අරබරායි හි ඇත.

මීට වසර කිහිපයකට පසු හරියානා හි පාංශු ඛාදනය වැළැක්වීමට සහ වන විනාශය වැළැක්වීමට ඒකාබද්ධ වන කළමණාකරණය යොදා ගන්නා ලදී. 1977 දී පාංශු ඛාදන තර්ජන ඇති කඳුවල කෘෂිකර්මාන්තයට  වැදගත්වන බැමි බැඳීම‍ට ජනතාව කැමති කරවා ගන්නා ලදී. මෙම වැඩසටහන කඳුවල නැවත වන වගා සඳහා ආරම්භ විය.

වනාන්තර

ඒකාබද්ධ වනාන්තර කළමනාකරණය


est un film japonais réalisé par Yōji Yamada et sorti en 1981. C'est le  film de la série C'est dur d'être un homme.

Synopsis

Fiche technique
 Titre : C'est dur d'être un homme : La Promesse
 Titre original :
 Réalisation : Yōji Yamada
 Scénario : Yōji Yamada et Yoshitaka Asama
 Photographie :
 Montage :
 Musique : Naozumi Yamamoto
 Décors : Mitsuo Degawa
 Producteur : Kiyoshi Shimazu et Tetsuo Sao
 Société de production : Shōchiku
 Pays de production :
 Langue originale : japonais
 Format : couleur — 2,35:1 — 35 mm — son mono
 Genres : comédie dramatique ; romance
 Durée : 101 minutes (métrage : huit bobines - )
 Dates de sortie :
 Japon :

Distribution
 Kiyoshi Atsumi : Torajirō Kuruma / Tora-san
 Chieko Baishō : Sakura Suwa, sa demi-sœur
  : Ryūzō Kuruma, son oncle
  : Tsune Kuruma, sa tante
  : Hiroshi Suwa, le mari de Sakura
 Hidetaka Yoshioka : Mitsuo Suwa, le fils de Sakura et de Hiroshi
  : Mitsue Kuratomi
 Shōichi Ozawa : Tsunesaburō Kuratomi, son mari
 Kayoko Kishimoto : Aiko Odashima
 Takeo Chii : Kenkichi Odashima, son frère
  : Shigeru, charpentier et ancien camarade d'école de Tora-san
  : Yanagi, ancien camarade d'école de Tora-san
  : Yasuo, blanchisseur et ancien camarade d'école de Tora-san
  : Sumiko, ancienne camarade d'école de Tora-san
  : la propriétaire de l'auberge
  : l'homme qui se rase
  : Umetarō Katsura, le voisin imprimeur
  : Genko
 Chishū Ryū : Gozen-sama, le grand prêtre

Notes et références

Voir aussi

Articles connexes
 C'est dur d'être un homme (série de films)

Liens externes

  Site web officiel

Film japonais sorti en 1981
Comédie dramatique japonaise
Film en japonais
Film de Shōchiku
Film se déroulant à Tokyo
Film se déroulant dans la préfecture d'Ōita
Film se déroulant dans la préfecture de Fukuoka
Film se déroulant dans la préfecture de Shizuoka
Film réalisé par Yōji Yamada
Suite de film japonais
Film C'est dur d'être un homme

C'est dur d'être un homme : La Promesse


Fiðri frændi er persóna í veröld Andrésar Andar. Fiðri klæðist oftast rauðri peysu með svartri rönd fyrir miðju og rauðri skotthúfu. Hann er sjúskaður og tuskulegur til fara en viðurnefni hans 'Fiðri' vísar til þess. Fiðri frændi er skemmtileg viðbót í persónuflóru Andabæjar að mati margra en hann skapar visst jafnvægi á móti Hábeini Heppna, öðrum vel kunnugum frænda Andrésar. Ef við ímyndum okkur róf þar sem Hábeinn og Fiðri eru á sitthvorum endanum væri Andrés Önd akkúrat í miðjunni enda er hann hin eina sanna meðalönd.
Persónur í Veröld Andrésar Andar

Fiðri frændi


Une  (Chữ nôm :  ; appelée commune sous la colonisation française) est une division administrative, correspondant à une commune rurale, au Viêt Nam.

Subdivision au Viêt Nam

Xã


Upleta es una ciudad de la India en el distrito de Rajkot, estado de Guyarat.

Geografía
Se encuentra a una altitud de 42 msnm a 367 km de la capital estatal, Gandhinagar, en la zona horaria UTC +5:30.

Demografía
Según estimación 2011 contaba con una población de 57 326 habitantes.

Referencias

Enlaces externos

Localidades de Guyarat

Upleta


Üçüncü sayfa haberciliği, habercilikte, adını aldığı gazetelerin üçüncü sayfasında yayınlanan ve ağırlıklı olarak, kaza, yangın, gasp, darp, cinsel şiddet, bıçaklama, adam yaralama, öldürme gibi adli olayları işleyen haberlere verilen addır. Bu terim orijinalinden (third page news) birebir çeviri yoluyla Türkçeye ve habercilik alanımıza katılmıştır. Günlük hayatta da sıklıkla kullanılmaktadır.

Türk basınında ilk olarak ana akımda yer alması, 1968'de Haldun Simavi tarafından çıkartılan Günaydın gazetesi ile gerçekleşen üçüncü sayfa haberciliğinin basınımızdaki ilk örneği, Zekeriya Sertel'in 1924'te çıkarttığı Resimli Ay dergisinde görülmektedir. Daha sonra, Harman gazetesinde geniş yer tutmuştur. Başlangıçta bu tür haberler asparagas olduğundan, gazetelerde kanlı fotoğraflar yer almamaktaydı. Günaydın Gazetesi ile birlikte, bu tür habercilik asparagas kimliğinden kurtulmuş ve gerçek olayların sayfası olarak yayınlanmaya başlamıştır. Yetkili kaynaklarda ve akademik ortamlarda Günaydın Gazetesinin 1970'lerde 1 milyon satış rakamına ulaşmasının nedeni olarak, Türk okurunun ilk defa kanlı fotoğraflarla karşılaşması olduğu belirtilmektedir.

Gazetecilik terimleri

Üçüncü sayfa haberciliği


බුද්ධිමය දේපළ

බුද්ධිමය දේපළ යනු සංගීතය සාහිත්‍ය කලා කෘති සොයාගැනීම් වානිජ වශයෙන් යොදාගනු ලබන ප‍්‍රකාශන හිමිකම්, වෙළඳ ලකුණු, පේටන්ට් ආදිය ඇතුලත් සංකේත, නාමයන්, රූප, සැලසුම් ඇතුලත් වන්නාවූ නෛතික ක්ෂේත‍්‍රයයි. බුද්ධිමය දේපළ නීතිය යටතේ එවැනි සුවිශේෂී දේපළකට හිමිකම් කියන්නකුට එමඟින් ආවරණය වන නිර්මාණය වානිජ සංකේතය හෝ සොයාගැනීම සම්බන්ධයෙන් පරම අයිතියක් හිමිවේ.

දළ විශ්ලේෂණය

බුද්ධිමය දේපළ යනු සෞන්දර්යාත්මක හා වානිජමය වන මනසේ නිර්මාණයන් සම්බන්ධයෙන් බලපවත්වන්නාවූ පරම අයිතිවාසිකම් පොදියකි. මෙහි පළවැන්න පොත්, චිත‍්‍රපට, සංගීතය, සිතුවම්, ඡායාරූප සහ මෘදුකාංග වැනි නිර්මාණාත්මක කෘතීන් ආරක්‍ෂා කරනු ලබන ප‍්‍රකාශන හිමිකම් පිලිබඳ නීතියෙන් ආවරනය වන අතර එකී නිර්මාණයන් කිසියම් නිශ්චිත කාළයකට ප‍්‍රතිනිෂ්පාදනය හෝ අනුවර්තනය කිරීම පාලනය කිරීමේ පරම අයිතිය එහි ප‍්‍රකාශන හිමිකම හිමි තැනැත්තාට හිමිවේ.

දෙවන කාණ්ඩය සමස්ථයක් ලෙස කාර්මික දේපළ ලෙස හැඳින්වෙන අතර ඒවා දර්ශීය ලෙස නිර්මාණය කරනු ලදුව කාර්මික හෝ වානිජමය පරමාර්ථයන් සඳහා යොදාගනු ලබයි. නව, ප‍්‍රයෝජනවත්, පැහැදිලිව නව නිර්මාණයක් ලෙස හඳුනාගත හැකි නිර්මාණ සඳහා පේටන්ට් ලබාදෙනු ලබන අතර පේටන්ට් හිමියාට කිසියම් කාළයකට සිය අවසරයෙන් තොරව අන්‍යයන් එම සොයාගැනීම භාවිතා කිරීම වැලැක්වීමේ අයිතිය හිමිවේ. වෙළඳ ලකුණක් යනු වෙළඳපොළේදී නිෂ්පාදනයන් අතර ව්‍යාකූලත්වයක් ඇතිවීම වැලැක්වීම සඳහා යොදාගනු ලබන සුවිශේෂී වූ ලාංඡනයකි.

කාර්මික සැලසුම් හිමිකමක් කාර්මික උපකරණයක පෙනුම, රූපාකාරය හෝ සැලැස්ම වෙනත් අයකු විසින් සිය නිර්මාණයකට යොදාගැනීම වළකයි. වෙළඳ රහසක් යනු ව්‍යාපාරයක වානිජ පරිචයන් හෝ ස්වාම්‍ය දැනුම සම්බන්ධයෙන් වන ප‍්‍රසිද්ධ නොකරන ලද තොරතුරකි. සමහර වෙළඳ රහස් මහජනයාට හෙළි නොකිරීම නීතිවිරෝධී වියහැක.

'බුද්ධිමය දේපළ' යන යෙදුම ඉහතින් දක්වන ලද විශේෂිත නෛතික හිමිකම් විස්තර කිරීමට මිස කිසියම් දේපළක් දැක්වීම සඳහා යොදාගනු නොලබයි.

ශ්‍රී ලංකා නීතිය තුළ වෙළඳ රහස් අාරක්ෂා කර ගැනීම සහ ඊට අානුෂාංගික නෛතික තත්ත්වය 2003 අංක 36 දරන බුද්ධිමය දේපළ පනත මගින් සංගෘහිත වී අැත.

බුද්ධිමය දේපළ


සිම්බාබ්වේ ජාතික ක්‍රිකට් කණ්ඩායම 1998 ජනවාරි මාසයේදී ශ්‍රී ලංකාවේ සංචාරය කළ අතර ශ්‍රී ලංකා ජාතික ක්‍රිකට් කණ්ඩායමට එරෙහිව තරග දෙකකින් යුත් ටෙස්ට් තරගාවලියකට ක්‍රීඩා කළ අතර පසුව එක්දින ජාත්‍යන්තර තරග තුනක් (එදිජා) ක්‍රීඩා කළේය. ශ්‍රී ලංකාව  ටෙස්ට් තරග දෙකම ජයග්‍රහණය කරමින් තරගමාලාව 2-0ක් ලෙස ජය ගැනීමට සමත් විය. ශ්‍රී ලංකාවේ නායකත්වය අර්ජුන රණතුංග විසින් ද සිම්බාබ්වේ නායකයා ලෙස ඇලිස්ටෙයාර් කැම්බල් විසින් ද දරනු ලැබීය. එදිජා තරගමාලාව 3-0 ක් ලෙස ශ්‍රී ලංකාව ජයග්‍රහණය කළේය.

පුහුණු තරග

තුන්දින තරගය

එක්දින තරගය

ටෙස්ට් තරගමාලාවේ සාරාංශය

1 වන ටෙස්ට් තරගය

2 වන ටෙස්ට් තරගය

එක්දින තරගමාලාවේ සාරාංශය

පළමු එක්දින තරගය

දෙවන එක්දින තරගය

තෙවන එක්දින තරගය

ශ්‍රී ලංකාව තුළ ක්‍රිකට්
ක්‍රිකට්

සිම්බාබ්වේ ක්‍රිකට් කණ්ඩායමේ ශ්‍රී ලංකා තරග සංචාරය 1998


Le Parti républicain (, abrégé en PLR) est un parti politique chilien, classé à l'extrême droite. Son fondateur, José Antonio Kast, préside le parti depuis sa création en 2019.

Histoire

Contexte
José Antonio Kast, le fondateur du parti, a été député pendant 16 ans, de 2002 à 2018 en tant que membre de l'Union démocratique indépendante, l'un des partis les plus importants de la droite chilienne. Il en a également été le chef du groupe parlementaire de 2008 à 2011.

Il quitte l'UDI en 2016, estimant que le parti était trop critique envers Augusto Pinochet.

En 2017, il se présente à l'élection présidentielle, terminant à la quatrième place avec près de 8 % des voix. En janvier 2019, il fonde le Parti Républicain.

Création
Kast fonde le Parti Républicain dans un contexte politique favorable avec l'accession au pouvoir de gouvernement de droite et d'extrême droite dans plusieurs pays d'Amérique latine.

Plus de la moitié des cadres du parti est composée d'anciens membres de l'UDI. Le député Ignacio Urrutia devient le seul député encarté au Parti Républicain lorsqu'il quitte l'UDI pour devenir membre du parti de Kast.

Le 9 septembre 2020, le parti annonce qu'il présenterait des candidats aux élections municipales. Au 19 juillet 2021, le parti est présent dans toutes les régions du Chili.

En 2023, il compte 20 469 membres dont 70,38 % d'hommes et 29,62 % de femmes, ce qui en fait l'un des partis à la plus faible proportion de femmes du pays.

Idéologie
Le Parti républicain est classé à l'extrême droite de l'échiquier politique, décrit comme autoritaire, conservateur, nativiste, nationaliste et populiste. Le politologue Cristóbal Rovira le situe au sein de la droite radicale populiste. Selon la politologue Mireya Dávila, le parti adopte certaines positions caractéristiques de l'extrême droite mais il n'englobe pas l'ensemble de l'extrême droite chilienne, dont une partie trouve aussi refuge au sein des deux partis de droite traditionnelle que sont le Renouveau national et l'Union démocratique indépendante.

La doctrine idéologique du parti s'inscrit dans le mouvement grémialista. La montée du Parti républicain est parfois comparée à la montée du parti espagnol Vox. Ces deux partis se sont créés à la suite d'une scission avec les partis de la droite traditionnelle dans le but de rassembler les électeurs de droite déçus.

Le Parti républicain prône une réduction de l'immigration et la construction d'un fossé le long de la frontière avec la Bolivie pour empêcher le passage des migrants. Il défend le nativisme, un concept selon lequel seule la population née au Chili peut y habiter, faute de quoi l'unité nationale serait menacée. Le Parti républicain est conservateur sur le plan sociétal, érige comme modèle la famille nucléaire hétérosexuelle, s'oppose au mariage pour les couples de même sexe, à l'avortement et au suicide assisté, et souhaite exclure les femmes célibataires ou en concubinage de certains dispositifs d'aide sociale.

Le parti estime que les mouvements sociaux entre 2019 et 2021 au Chili ont entraîné un « terrorisme idéologique » et assimile les mouvements indigènes à du narcoterrorisme . Sur le plan économique, le Parti républicain est néolibéral et souhaite une participation la plus minimale possible de l'État dans le domaine économique. Il propose des réductions d'impôts, le maintien du système de retraite par capitalisation intégralement confié au système privé, offrir aux marchés financiers une plus grande liberté d'action et repousser l'âge de la retraite. Il s'oppose aux réformes sociales du gouvernement de Gabriel Boric, comme la réduction du temps de travail hebdomadaire de 45 à 40 heures et l'augmentation du salaire minimum.

Élections présidentielles
José Antonio Kast s'est présenté sous l'étiquette du Parti républicain à l'élection présidentielle chilienne de 2021 et prend la première place du premier tour avec 28 % des voix. Il reçoit pour le second tour les soutiens de Franco Parisi et Sebastián Sichel (le candidat de la coalition de droite au pouvoir), ainsi que celui du président sortant Sebastián Piñera. Il s'incline face au candidat de gauche Gabriel Boric au second tour avec 44 % des voix.

Le parti obtient 14 députés et 1 sénateur lors des élections parlementaires de décembre 2021. L'un d'eux, Johannes Kaiser, est contraint de quitter le parti après avoir remis en cause le droit de vote des femmes et justifié le viol.

Résultats électoraux

Élection présidentielle

Élections législatives

Élections constituantes

Notes et références

Opposition au mariage homosexuel
Parti politique fondé en 2019

Parti républicain (Chili, 2019)


حقل الرميلة الشمالي هو أحد أكبر وأهم حقول النفط في العراق. يحتوي على العديد من الآبار النفطية المكتشفة وغير المكتشفة. توجد في هذه المنطقة محطة الضخ الأولى (PS1) بالعراق والتي تجمع إنتاج العراق من النفط الخام من كل المناطق ضمن الخط الاستراتيجي من الشمال مروراً بوسط العراق وبكل المحطات الفرعية جامعاً منها مادة النفط الخام لكي ينتهي بمحطة الضخ الأولى في منطقة الرميلة الشمالية، حيث يخزن في خزانات ضخمة لكي يمرر بعد ذلك على دفعات إلى موانئ الجنوب إلى بواخر نقل النفط.
وكذلك يحتوي الحقل على منطقة سكنية كبيرة يتكون أغلب سكانها من الموظفين الذين يعملون في المحطات النفطية والمنشأت وتعتبرالمنطقة السكنية من المناطق الفقيرة نسبة إلى ثراء هذه الحقول بالنفط الخام والذي يعتبر من أهم الموارد التي يعيش عليها سكان العراق باجمعهم كون الزراعة والتجارة والصناعة حاليا غير موجودة في هذا البلد.

حقول نفط في العراق

حقل الرميلة الشمالي


An Bothriochloa pertusa in uska species han Liliopsida nga syahan ginhulagway ni Carl von Linné, ngan ginhatag han pagkayana nga asya nga ngaran ni Aimée Antoinette Camus. An Bothriochloa pertusa in nahilalakip ha genus nga Bothriochloa, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Bothriochloa

Bothriochloa pertusa


في علم اللغويات، اللهجة الاجتماعية هي ضرب من اللغة مرتبط بطائفة ما في المجتمع. يتميز بأن له خصائص على صعيد اللهجة، والمفردات، والنحو، وبناء الجمل، والتي يمكن في ضوئها تحديد الطبقة الاجتماعية لمستخدمي ذلك الضرب.

انظر أيضا
 لهجة فردية
 لغة خاصة

المراجع

 موسوعة مصطلحات الترجمة للدكتور عبد الصاحب مهدي علي

أصناف اللغة والأساليب
طبقات اجتماعية
علم اللهجات
فئات اجتماعية
لغويات اجتماعية
مصطلحات لغويات

لهجة اجتماعية


Terrorangrebet i Strasbourg 2018 var et angreb, der fandt sted på et julemarked den 11. december 2018 i den franske by Strasbourg.

Terroristen var den 29-årlige Chérif Chekatt fra Islamisk Stat. Han nåede at dræbe fem og såre elleve mennesker i angrebet. Med sig havde han en pistol og en kniv. Chekatt blev beskudt af politiet, men flygtede sin vej. Han døde to dage efter angrebet.

Terrorhandlinger i Frankrig
Begivenheder i 2018

Terrorangrebet i Strasbourg 2018


نادي جنوة لكرة القدم والكريكيت  نادي كرة قدم إيطالي يقع مقره في جنوة في ليغوريا في إيطاليا ينشط في الدرجة الأولى من الدوري الإيطالي. تأسس بتاريخ 7 سبتمبر 1893، كان يسمى آنذاك بنادي جنوى للكريكيت وكرة القدم الجميلة Genoa Cricket And Football Club. يعد فريق جنوى واحد من أقدم الأندية. إذ كان صاحب أول ألقاب الدوري الإيطالي سنة 1898، ثم صار سنة 1902 أول فريق متوافر على مركز تكوين للاعبين الشباب تحت 16 سنة، وأيضاً أول ناد إيطالي يخوض مباراة الخارج الحدود، وكان ذلك سنة 1903 في مدينة نيس الفرنسية. أضف أنه أول من قام بتخصيص قطار لنقل الأنصار سنة 1906، وأول من قام بتخصيص باخرة للغرض ذاته عام 1922، وأول من خاض مباريات في الأرجنتين والأوروغواي سنة 1923، وكان في الأخير أول المتوجين بلقب الدوري الإيطالي بـ34 مباراة دون هزيمة سنة 1923.

تأسيس الفريق
رأى فريق جنوة للكريكيت وكرة القدم النور يوم 7 سبتمبر/أيلول 1893، وهو بذلك أقدم الأندية الإيطالية الممارسة لحد الساعة. وقد تأسس على يد مجموعة من رجال الأعمال البريطانيين، وتحديدا شارل ألفريد بايتون، الذي كان حينها قنصلا عاملا للملكة فيكتوريا في جنوى، وأصبح بعد ذلك أحد بارونات الإمبراطورية البريطانية. حيث أدى تطور الميناء والأسواق إلى انتشار كثير من رعايا صاحبة الجلالة في المدينة، وكان «هذا النادي الرياضي البريطاني الجديد في الخارج» مخصصا فقط للبريطانيين.

لكن الأمور تغيرت بعد ذلك، ولاسيما عند التحاق أول مدرب في تاريخ النادي الدكتور جيمس ريشاردسون سبينسلي. إذ نجح يوم 10 أبريل/نيسان 1897 في تعديل القوانين الداخلية للفريق، وأصبح بإمكان الإيطاليين الانخراط فيه، حيث اقتصر الأمر في البداية على 50 عضوا، ثم صار الباب مفتوحا في وجه الجميع. سنتين بعد ذلك، وبالضبط يوم 2 يناير/كانون الثاني 1899، أضحى اسم النادي «فريق جنوى لكرة القدم والكريكيت»، وتم تعديل الاسم من جديد سنة 1930 فصار «جنوى 1893»، قبل العودة إلى الاسم الأصلي سنة 1998.

البدايات
عاش نادي جنوى أزهى فتراته خلال سنواته الأولى. حيث أحرز لقب الدوري ست مرات ما بين 1898 و1904، وكان الفريق المؤلف من بيرد ودي جالياني وجيكليوتي وباستور وسبينسلي وجيكليوني وليبيلي وبيرتوليو ودابلس وبوتشياردو وريفر الأقوى في الساحة الكروية الإيطالية طوال عقد كامل من الزمن. هذا وكانت تدوم الدوريات حينذاك يوما واحدا فقط، وكان عدد الأندية المشاركة لا يتجاوز أربعة أو خمسة فرق، أبرزها فريقي مدينة تورينو، نادي إنترناسيونال وفريق تورينو، ونادي يونيون برو سبورت أليساندريا من منطقة لومبارديا، وفريق سامبييردارينا الذي صار بعد ذلك نادي سامبدوريا، وأيضا طاقم الباخرة البريطانية «كليمانتين» خلال السنة الأولى من عمر الدوري.

وتزايد المنافسون بعد ذلك مع مرور الوقت، والتحقت بالركب أسماء مثل ميلانو وبرو فيرتشيلي وأندريا دوريا. لذلك ضخ نادي جنوى دماء جديدة في عروقه، وتعاقد يوم 30 يوليو/تموز 1912 مع أول مدرب محترف في تاريخ الكرة الإيطالية: ويليام جاربوت. وقد أعطت هذه المبادرة نتائج طيبة، حيث واصلت كتيبة جنوى هيمنتها على المسابقات، ونالت لقب الدوري ثلاث مرات، كما عززت المنتخب الوطني بلاعبين من العيار الثقيل.

ثم توقف الدوري بسبب الحرب العالمية الأولى، ولم يستأنف إلا سنة 1919. وقد بدأه أبناء جنوى بقوة، حيث تعززت صفوفهم بلاعبين دافعوا لاحقا عن ألوان المنتخب الإيطالي، مثل الأخوين أوجوستو جياكومو بيرجامينو أو المهاجم جوجلييلمو بريزي. وكان موسم 1922-1923 أزهى فترة في تاريخ كتيبة روزوبلو وهو لقب جنوى، إذ أحرزت لقب السكوديتو دون تجرع مرارة الهزيمة طوال 34 مباراة، وشهد الموسم الموالي آخر ألقاب هذا النادي الذي تراجع مستواه وغاب عن الأضواء منذ ذلك الحين.

وكانت نتائج فريق جنوى خلال المواسم التالية مخيبة للآمال، حيث سقط إلى دوري الدرجة الثانية في الكثير من المناسبات، لكنه كان يستعيد دائما مكانته في دوري الدرجة الأولى، وقد أحرز لقب دوري الدرجة الثانية ست مرات بين سنتي 1935 و1989، بيد أنه لم يعانق أبدا السكوديتو من جديد.

الوقت الراهن
ساءت أحوال فريق جنوى كثيرة سنة 2005، وسقط إلى دوري الدرجة الثالثة، لكنه انبعث من تحت الرماد في ظرف سنتين فقط، وأدرك أفضل نتيجة في تاريخه المعاصر موسم 2008-2009، عندما احتل المركز الخامس في الدوري الإيطالي الممتاز، وشارك في المسابقات الأوروبية بعد 17 سنة من الغياب. لكن هذه المسيرة الطيبة لم تتواصل، وعانى الفريق من جديد في أسفل الترتيب، وعانى معه أنصاره الكثر. وعاد هذا الموسم بقوة وهو يحتل مرتبة مريحة في الدوري الإيطالي على أمل العودة مجددا إلى الطموحات الأوروبية

الملعب
تم تشييد الملعب الأول في جنوى على بقعة أرضية قدمها مجانا رجلا صناعة إسكتلنديان، وتم افتتاحه يوم 22 يناير/كانون الثاني 1911 بمناسبة مباراة بين جنوى وإنترميلان. وكانت الطاقة الاستيعابية الأصلية لهذا الملعب ذي الهندسة الإنجليزية 20 ألف متفرج قبل بناء المنصتين الشمالية والجنوبية اللتين تعتبران معقل أقدم أنصار الفريق. ثم أطلق على الملعب يوم 1 يناير/كانون الثاني 1933 اسم «لويجي فيراريس» تكريما لقائد جنوى السابق والذي قتل خلال الحرب العالمية. كان هذا الملعب مفخرة حقيقية في بدايته، وكان واحدا من أكثر الملاعب عصرية حينها، وقد أضحت طاقته الاستيعابية 40 ألف متفرج يوم 27 مايو/أيار 1934 بمناسبة مباراة أسبانيا والبرازيل (3-1) ضمن منافسات كأس العالم FIFA.

واستقبل هذا الملعب أكبر عدد من المتفرجين في مباريات الأندية بمناسبة الدريبي الحارق بين جنوى وسامبدوريا، حيث شهد ذلك النزال الذي دار يوم 28 نوفمبر/تشرين الثاني 1982 حضور 57815 متفرجا. لكن رقمه القياسي هو حضور 60 ألف متفرج لمتابعة مباراة بين منتخبي إيطاليا والبرتغال (4-1) يوم 27 فبراير/شباط 1949.

مشجعو النادي وروابط الالتراس

يعد نادي جنوى الفريق الأكثر شعبية هناك في ليغوريا المقاطعة التي تقع فيها مدينة جنوى، حيث يأخذ جنوى الجزء الأكبر من المشجعين في المقاطعة عكس غريمهم التقليدي سامبدوريا، ويعد أنصار هذا النادي من أكثر الجماهير وفاءا واخلاصا لناديها ومن أكثرهم تعصبا وشغبا أيضا، ولعل الكل يذكر حادثة مباراة سيينا عام 2012 حين كان سيينا يتفوق على مضيفه جنوى برباعية كاملة قبل ان يوقف المشجعون المقابلة ويطالبون اللاعبين بنزع قميص جنوى في إشارة منهم إلى الحالة المزرية التي وصل اليها النادي قبل أن يهدأ الوضع بعد ذلك، ويقود مشجعي جنوى روابط التراس مميزة أهمها مجموعة genoa toro gradinata nord والتي يشهد لها الجميع في إيطاليا بتحديها لفريقها والأعمال القيمة التي يقومون بها منذ تأسيس المجموعة

ديربي جنوى

ديربي جنوى  أو كما يطلق عليه ديربي المنارة  هي مباراة ديربي كرة قدم تجمع بين فريقي مدينة جنوى وهما نادي جنوى ونادي سامبدوريا، ودائماً يلعب في ملعب ملعب لويجي فيراريس الذي يتشاركه الناديين. وهو ديربي محلي بدأ من عام 1947 عندما شهد أول لقاء بينها والذي انتهى بفوز نادي سامبدوريا 3-2.

التشكيلة الحالية

الإنجازات
 الدوري الإيطالي الدرجة الأولى: 9
 البطل: 1897–98; 1898–99; 1899–1900; 1901–02; 1902–03; 1903–04; 1914–15; 1922–23; 1923–24
 الوصيف: 1900–01; 1904–05; 1912–13; 1913–14; 1921–22; 1924–25; 1927–28; 1929–30
 كأس إيطاليا: 2
 البطل: 1936–37
 الوصيف: 1939-40
 الدوري الإيطالي الدرجة الثانية: 6
 البطل: 1934–35, 1952–53, 1961–62, 1972–73, 1975–76, 1988–89
 الوصيف: 1980–81
 الدوري الإيطالي الدرجة الثالثة: 1
 البطل: 1970–71
 الوصيف: 2005-06
 كأس ميتروبا:
 الوصيف: 1980

المراجع

أندية الدوري الإيطالي الدرجة الثالثة
أندية الدوري الإيطالي
أندية الدوري الإيطالي الدرجة الثانية
أندية فائزة بالدوري الإيطالي
أندية فائزة بكأس إيطاليا
أندية كرة قدم أسست في 1893
جنوة
أندية كرة قدم في جنوة
أندية كرة قدم في ليغوريا
تأسيسات سنة 1893 في إيطاليا
أندية الدوري الإيطالي الدرجة الأولى

نادي جنوى


ගාන්ධාර්පාලේ ලෙන්, හෙවත් මහාඩ් ලෙන් හෝ පාණ්ඩව ලේණි, යනුවෙන් හැඳින්වෙන්නේ මුම්බායි සිට 105 km පමණ දකුණින් මුම්බායි-ගෝව අධිවේගී මාර්ගයේ මහාඩ් අසල පිහිටි ලෙන් 30කින් යුත් බෞද්ධ ලෙන් විහාර සංකීර්ණයකි.

මෙහි වූ වැදගත් ලෙන් කිහිපයක් පහත පරිදි වේ:
ලෙන් 1: මෙහි ඉදිරිපස බරාඳය අඩි 53ක් දිගැති අතර අඩි 8ක් පළල් ය. මෙහි බුද්ධ ප්‍රතිමාවක් සමඟ ධර්මචක්‍රයක් සහ මුවකුගේ රුවක් දැකගත හැක.
ලෙන් 8: උසැති දාගැබක් ඇත.
ලෙන් 15: දාගැබක් සහිත ය.
ලෙන් 21: හිඳි බුද්ධ ප්‍රතිමාවක් සහ පරිවාර රූ සහිත ය.

මෙහි වූ අභිලේඛන අනුව, වානිජකරුවන් සහ ගොවියන් විසින් සංඝයාට සිදුකළ දානයන් පිළිබඳ සඳහන් වේ.

ආශ්‍රේයයන්

ඉන්දියාවේ බෞද්ධ ලෙන්
මහාරාෂ්ට්‍රයේ ලෙන්
ඉන්දියානු ශෛලමය ගෘහනිර්මාණ ශිල්පය
ඉන්දියාවේ පැරණි ජනාවාස පැවති ස්ථාන
ඉන්දියාවේ බෞද්ධ වන්දනා ස්ථාන
ඉන්දියාවේ බෞද්ධ ආරාම

ගාන්ධාර්පාලේ ලෙන්


NGC 5818 est une vaste galaxie lenticulaire située dans la constellation du Bouvier. Sa vitesse par rapport au fond diffus cosmologique est de , ce qui correspond à une distance de Hubble de . NGC 5818 a été découverte par l'astronome américain Lewis Swift en 1887.

Supernova
La supernova SN 2013hr a été découverte dans NGC 5818 le  par le programme russe automatique de recherche de supernova « Master Global robotic Net ». Cette supernova était de type Ia.

Notes et références

Notes

Références

Voir aussi

Articles connexes
 Liste des objets du New General Catalogue

Liens externes

 NGC 5818 sur le site du professeur C. Seligman

5818
Constellation du Bouvier
Galaxie lenticulaire
Objet céleste découvert en 1887
Objet céleste découvert par Lewis Swift

NGC 5818


Edward Thomas Brady (born November 1, 1943) is an American trial attorney and former associate justice of the North Carolina Supreme Court. He was elected in November 2002 as a Republican, defeating incumbent G. K. Butterfield. His term expired in January 2011 and he did not seek re-election in 2010. He was the last serving North Carolina Supreme Court justice to be elected in a partisan race. All judicial races in North Carolina became non-partisan as the result of the Judicial Campaign Reform Act signed into law by Governor Mike Easley on October 8, 2002.

Early life and education
Born in Brooklyn, Brady enlisted in the United States Army in 1965 as a private and was decorated for his service in the Vietnam War. Brady then served as a special agent with the Bureau of Alcohol, Tobacco and Firearms, assigned to Milwaukee. Brady earned a Bachelor of Science degree in criminal justice from the University of Nebraska Omaha. In 1977, he earned a Master of Science in criminal justice from the John Jay College of Criminal Justice. He also earned a J.D. degree from the California Western School of Law and was awarded the Dean's Award. Justice Brady is a member of the state bar of Georgia, the North Carolina state bar, and the District of Columbia bar.

Career

Brady retired from the United States Army Reserve as a colonel (O-6) in 1993, having held military police, special operations, aviation command, and staff assignments. In 1968, while on active duty, Justice Brady was awarded the Distinguished Flying Cross, Bronze Star Medal, Air Medal with Valor Device for heroism and 2nd-18th Oak Leaf Cluster, Army Commendation Medal with Valor Device for heroism and the Vietnam Cross of Gallantry with Bronze Star. In 1966, he graduated from Infantry Officer Candidate School and earned the Parachutist Badge, Pathfinder Badge, Special Forces Tab, and was subsequently awarded the Senior Army Aviation Badge.

Legal career
Upon graduating law school in 1978, Justice Brady began in private practice in Fayetteville, North Carolina. He continued with the private Law firm of Brady and Brady until 2003, when he took office as an associate justice for the North Carolina Supreme Court. Since retiring from the Supreme Court of North Carolina, he has joined the Brady Law Firm. His area of practice is criminal defense.

For two decades, Justice Brady's area of practice was litigation in both state and federal courts in Eastern North Carolina. As a citizen-soldier, Justice Brady represented members of the armed forces in both administrative matters and general courts-martial under the Uniform Code of Military Justice. In 2002, the people of the "Old North State" elected Justice Brady to serve as an associate justice on their State's highest court.

He is additionally admitted to practice in the United States Supreme Court, the United States Court of Appeals for the Fourth Circuit, the United States Court of Appeals for the District of Columbia Circuit, the United States Army Court of Military Appeals for Armed Forces, and the United States Army Court of Criminal Appeals.

Personal life

Brady is a Southern Baptist. He and his family are members of Village Baptist Church in Fayetteville, North Carolina, where Brady also served as a member of the personnel committee.

References

Living people
Justices of the North Carolina Supreme Court
Recipients of the Distinguished Flying Cross (United States)
United States Army colonels
ATF agents
United States Army personnel of the Vietnam War
1943 births

Edward Thomas Brady


Azon steht für:

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