Hossein Sharang, né en 1959, est un poète québécois d'origine iranienne.

Biographie
Né en 1959 à Jiroft, en Iran, Hossein Sharang publie son premier recueil de poésie alors qu'il n'a que dix-neuf ans. Il fuit la République Islamique d'Iran où la répression des poètes est bien réelle depuis la révolution islamique; ce fut malheureusement le sort réservé à son compatriote Saïd Soltanpoor qui fut assassiné. Hossein Sharang part s'installer à Montréal en 1983.

Dans le cadre du Festival international de littérature de 2008, le poète participe au Cabaret des mots qui sonnent, une soirée « multilingue et multiculturelle» avec, entre autres, Samian, Ivy et Raôul Duguay. En 2009, il est accueilli par la résidence d'écrivains de l'Institut canadien du Québec. L'année suivante, en 2010, il participe aux Nuits de la poésie du Festival de la poésie de Montréal aux côtés de Michèle Lalonde, Joséphine Bacon, Hélène Dorion et bien d'autres. En 2018, il participe à Langues liées, un spectacle collectif qui souhaite illustrer le multilinguisme de la ville de Montréal en réunissant des artistes de toutes les langues. Ceux-ci sont invités à partager dans leur langue maternelle, une langue apprise ou autre.

L'artiste considère qu'il a deux sortes de poésie : « une poésie "de jour" et une poésie de mystère », l'une humoristique et engagée, la seconde à l'image de l'exil et de la censure qu'il a connu en Iran.

Ses poèmes paraissent au Québec dans des revues telles que Brèves littéraires, Nuit blanche, Liberté et Estuaire, mais aussi « dans divers périodiques en Iran, en Suède et au Royaume-Uni, au Canada, aux États-Unis, en République fédérale allemande ». Il est également mentionné dans diverses anthologies de poésie iranienne. Sa poésie est traduite en français, en allemand et en suédois.

Il écrit et récite dans sa langue maternelle, le farsi (ou persan).

Œuvres

Poésie

 Le tumulte du matin, Téhéran, Éditions Azadi, 1978.
 Sur la tablette du vent, et autres poèmes, Allemagne, Éditions Navid, 1989, 202 p.
 L'hymne à la danseuse, Allemagne, Éditions Navid, 1991.
 Je deviens l'univers, édition bilingue, Suède, Édition Roya, 1995.
 De l'étrange habitude de vivre, Allemagne, Éditions Navid, 2001.
 Montagnes fugitives, traduction de Bahman Sadighi et Gilles Cyr, Montréal, Éditions du Noroît, coll. « Latitude », 2003, 100 p. .
 Livre sauvage, traduction de Houman Zolfaghari, Montréal, Éditions du Noroît, 2009, 125 p. .

Prix et honneurs

 2009 : écrivain en résidence de l'Institut canadien du Québec

Notes et références

Voir aussi

Articles connexes

 Éditions du Noroît

Liens externes

 Site de l'artiste sur myspace
 Liste des auteurs reçus à Québec et à l'étranger sur La Maison de la littérature

Poète iranien du XXe siècle
Poète iranien du XXIe siècle
Poète québécois
Naissance en 1959
Naissance en Iran
Écrivain suivi par le projet Arts littéraires québécois

Hossein Sharang


Juvenal Rodrigo Muñoz Sáez (Santiago, 6 de abril de 1967) es un actor de teatro, televisión y cine, y comediante chileno.

Es conocido por sus roles en el género de comedia, tanto en teatro como en series de televisión y telenovelas, como  Los Venegas, Buen partido, Entre medias, Montecristo, Lola, Aquí mando yo y Separados, entre otras.

Además ha desarrollado una carrera de humorista en varios escenarios. Su debut en televisión con este rol ocurrió en el XLVI Festival del Huaso de Olmué, el 22 de enero de 2015.

Filmografía

Cine

Telenovelas

Series y unitarios

Vídeos musicales

Programas de televisión

Referencias

Enlaces externos

Actores de cine de Chile
Actores de teatro de Chile
Actores de televisión de Chile
Nacidos en Santiago de Chile
Los Venegas
Actores masculinos de Chile

Rodrigo Muñoz (actor)


Genainville ist eine französische Gemeinde mit  Einwohnern (Stand ) im Département Val-d'Oise in der Region Île-de-France. Die Bewohner nennen sich Genainvillois bzw. Genainvilloises.

Geografie
Die Gemeinde Genainville befindet sich 50 Kilometer nordwestlich von Paris.

Nachbargemeinden von Genainville sind Omerville im Norden und Nordwesten, Hodent im Norden, Charmont im Nordosten, Maudétour-en-Vexin im Osten und Südosten, Villers-en-Arthies im Süden und im Südwesten und Chaussy im Westen.
Das Gemeindegebiet gehört zum Regionalen Naturpark Vexin français.

Geschichte
Funde aus der Vorgeschichte bezeugen eine frühe Besiedlung. Gallo-römische Ruinen, wie z. B. ein Nymphäum und ein antikes Theater aus dem 2. Jahrhundert, sind Reste eines größeren Ortes während der Römerzeit.

Der Ort wird erstmals 849 als "Genestivilla" urkundlich überliefert. Im 12. Jahrhundert wurde ein Priorat gegründet, das lange Zeit die Grundherrschaft im Ort ausübte.

Sehenswürdigkeiten
 Ausgrabungen brachten Reste eines Tempels, eines Nymphäums, eines antiken Theaters und des Forums aus dem 2. Jahrhundert ans Tageslicht (Monument historique)
 Reste eines Priorats, 11. bis 13. Jahrhundert (Monument historique)
 Kirche Saint-Pierre, 14./16. Jahrhundert (Monument historique)
 Friedhofskreuz (Monument historique)

Bevölkerungsentwicklung

Literatur
 Le Patrimoine des Communes du Val-d'Oise. Flohic Éditions, Band 2, Paris 1999, ISBN 2-84234-056-6, S. 548–552.

Weblinks

 Gemeindepräsentation (französisch)
 Genainville bei annuaire-mairie.fr (französisch)

Einzelnachweise

Ort in der Île-de-France

Ersterwähnung 849

Genainville


Laia Cañes Badenes, née le  à Vilavella, est une coureuse d'ultra-trail espagnole. Elle a remporté la médaille d'argent aux championnats du monde de trail 2018.

Biographie
Laia se met à la course à pied sur le tard, en 2007, d'abord comme activité sportive pour arrêter de fumer. Améliorant progressivement ses capacités physiques, elle s'essaie par la suite à la compétition en trail dans la province de Castellón. Peu compétitive à ses débuts, elle progresse et décide de participer au Penyagolosa Trails MIM en 2010. Elle y effectue une excellente course et termine deuxième. Ce résultat la pousse à s'engager sérieusement en compétition et à faire appel à un entraîneur.

Elle se fait remarquer sur la scène internationale en 2015 en décrochant la troisième place de la CCC au terme d'une solide course.

Elle domine la scène nationale en 2016 en alignant les victoires en Spain Ultra Cup dans la nouvelle catégorie Maratón. Elle termine à nouveau deuxième aux Penyagolosa Trails MIM puis s'impose à l'Ultra Sierra Nevada, l'Ultra Cerdenya, l'Ultra Guara Somontono, et l'Haría Extreme Maratón.

Le , Laia parvient à s'imposer sur le Penyagolosa Trails MIM après cinq deuxièmes places. Elle remporte sa victoire avec la manière, en signant un nouveau record féminin du parcours en . Le , elle prend le départ des championnats du monde de trail à Badia Prataglia. Mieux préparée qu'en 2016 où elle avait été sélectionnée au pied levé, elle effectue un début de course prudent aux côtés de sa compatriote Gemma Arenas. Le duo parvient à doubler Azara García en difficulté puis Laia se détache pour terminer meilleure Espagnole en septième place. Avec ses compatriotes, elle termine sur la troisième marche du podium des équipes. Le , elle s'aligne à nouveau au départ de la CCC. Laissant sa compatriote Maite Maiora se battre pour la victoire avec l'Américaine Clare Gallagher, Laia assure sa position et termine à nouveau troisième. Elle conclut sa saison 2017 en s'adjugeant sa deuxième victoire au classement Maratón de la Spain Ultra Cup.

Le , elle s'élance sur la Transgrancanaria Advanced qui compte comme championnats d'Espagne de trail RFEA. Elle effectue la course en tête aux côtés d'Azara García et de Mónica Vives. Au terme d'une lutte serrée, elle doit s'incliner face Mónica pour vingt secondes. Le , elle prend part aux championnats du monde de trail qui se déroulent sur son terrain de jeu favori dans le cadre des Penyagolosa Trails. Prenant un départ prudent, elle laisse filer les favorites Adeline Roche et Ragna Debats. Elle effectue une course solide aux côtés de Gemma Arenas. Le duo parvient à doubler la Française mais sans pouvoir rattraper la Néerlandaise. Laia se détache seule en deuxième position qu'elle assure jusqu'en fin de course pour remporter la médaille d'argent. Elle se pare également d'or au classement par équipes.

Palmarès

Records

Notes et références

Liens externes

Naissance en octobre 1983
Naissance dans la province de Castellón
Coureuse de fond espagnole
Coureuse d'ultra-trail espagnole
Sportive de la Communauté valencienne

Laia Cañes


لفلاي بلدية بولاية بجاية الجزائرية تتبع دائرة سيدي عيش. سجل بها الإحصاء الوطني لسنة 2008 عدد سكان بلغ 6433 نسمة.

أعلام
 عمور عبد النور

مواضيع ذات صلة
 بلديات ولاية بجاية
 دوائر ولاية بجاية

مراجع

بلديات ولاية بجاية

لفلاي


The United States twenty-dollar bill ($20) is a denomination of U.S. currency. A portrait of Andrew Jackson, the seventh U.S. president (1829–1837), has been featured on the obverse of the bill since 1928; the White House is featured on the reverse.

As of December 2018, the average life of a $20 bill in circulation is 7.8 years before it is replaced due to wear. Twenty-dollar bills are delivered by Federal Reserve Banks in violet straps.

History

Large-sized notes
  The back is printed green.
  The back is different, with several small variations extant.
  The reverse has a $20 gold coin and various abstract elements. The back is orange.

  The back design is green.

  The back design is black.
  The back is orange and features an eagle.
  The front is similar, but the back is different and printed in brown.

  Two different backs exist both with abstract designs.
  The front features Hugh McCulloch, and the back has a vignette of an allegorical America.
  The back design is orange.

Small size notes

Andrew Jackson has appeared on the $20 bill since the series of 1928. The placement of Jackson on the $20 bill is considered ironic; as president, he vehemently opposed both the National Bank and use of paper money. After the president of the Second Bank of the United States, Nicholas Biddle, defied Jackson and requested the renewal of the charter of the Second Bank in an election year, Jackson responded by making it a goal of his administration to destroy the National Bank. Jackson prevailed over Biddle, and the absence of the Second Bank contributed to a real estate bubble in the mid-1830s. The bubble collapsed in the Panic of 1837, leading to a deep depression.

Given Jackson's opposition to the concept of a National Bank, his presence on the $20 bill was controversial from the start. When pressed to reveal why the various images were chosen for the new bills, Treasury officials denied there was any political motivation. Instead, they insisted that the images were based only on their relative familiarity to the public. An article in the June 30, 1929 issue of the New York Times, stated "The Treasury Department maintains stoutly that the men chosen for small bills, which are naturally the ones in most demand, were so placed because their faces were most familiar to the majority of people." It is also true that 1928 coincides with the 100th anniversary of Jackson's election as president, but no evidence has surfaced that would suggest that this was a factor in the decision. According to more recent inquiries of the U.S. Treasury: "Treasury Department records do not reveal the reason that portraits of these particular statesmen were chosen in preference to those of other persons of equal importance and prominence."

 1914: Began as a large-sized note, a portrait of Grover Cleveland on the face, and, on the back, a steam locomotive and an automobile approaching from the left, and a steamship approaching from the right.

 1928: Switched to a small-sized note with a portrait of Andrew Jackson on the face and the south view of the White House on the reverse. The banknote is redeemable in gold or silver (at the bearer's discretion) at any Federal Reserve Bank.
 1933: With the U.S. having abandoned the gold standard, the bill is no longer redeemable in gold, but rather in "lawful money", meaning silver.
 1942: A special emergency series, with brown serial numbers and "HAWAII" overprinted on both the front and the back, is issued. These notes were designed to circulate on the Hawaiian islands and could be rendered worthless in the event of a Japanese invasion.
 1948: The White House rendering on the reverse of the bill was updated to reflect renovations to the building itself, including the addition of the Truman Balcony, as well as the passage of time. Most notably, the trees are larger. The change occurred during production of Series 1934C.
 1950: Design elements such as the treasury and Federal Reserve seals are reduced in size and repositioned subtly, presumably for aesthetic reasons.
 1963: "Will Pay To The Bearer On Demand" is removed from the front of the bill and the legal tender designation is shortened to "This note is legal tender for all debts, public and private" (eliminating "and is redeemable in lawful money at the United States Treasury, or at any Federal Reserve Bank.") Also, "In God We Trust" is added above the White House on the reverse. These two acts (one taking U.S. currency off the silver backing, and the other authorizing the national motto) are coincidental, even if their combined result is implemented in one redesign. Also, several design elements are rearranged, less perceptibly than the changes in 1950, mostly to make room for the slightly rearranged obligations.
 1969: The new treasury seal appears on all denominations, including the $20.
  The old presses are gradually retired, and old-style serial numbers appear as late as 1981 for this denomination.
  Production of Series 1990 bills began in April 1992.
 1994: The first $20 notes produced at the Western Currency Facility in Fort Worth, Texas are printed in January 1994, late during production of Series 1990.
 1998: The Series 1996 $20 note was completely redesigned for the first time since 1929 to further deter counterfeiting; A larger, off-center portrait of Jackson was used and the view of the White House on the reverse of the bill was changed from the south portico to the north. Several new anti-counterfeiting features were added, including color-shifting ink, microprinting, and a watermark. The plastic strip now reads "USA 20" and glows green under a black light. Production of Series 1996 $20 notes began in June,1998.
 2003: The redesigned Series 2004 20 dollar note is released with light background shading in green and yellow, and no oval around Andrew Jackson's portrait (background images of eagles, etc. were also added to the obverse); the reverse features the same view of the White House, but without an oval around it. Ninety faint "20"s are scattered on the back in yellow as a "EURion constellation" to prevent photocopying. Production of Series 2004 $20 notes began in April, 2003.

Series dates

Small size

Proposal for a woman's portrait
In a campaign called "Women on 20s", selected voters were asked to choose three of 15 female candidates to have a portrait on the  bill. The goal was to have a woman on the  bill by 2020, the centennial of the 19th Amendment which gave women the right to vote. Among the candidates on the petition were Harriet Tubman, Eleanor Roosevelt, Rosa Parks, and Wilma Mankiller, the first female chief of the Cherokee Nation.

On May 12, 2015, Tubman was announced as the winning candidate of that "grassroots" poll with more than 600,000 people surveyed and more than 118,000 choosing Tubman, followed by Roosevelt, Parks and Mankiller.

On June 17, 2015, Treasury Secretary Jack Lew announced that a woman's portrait would be featured on a redesigned  bill by 2020, replacing Alexander Hamilton. However, that decision was reversed, at least in part due to Hamilton's surging popularity following the hit Broadway musical Hamilton.

On April 20, 2016, Lew officially announced that Alexander Hamilton would remain on the  bill, while Andrew Jackson would be replaced by Tubman on the front of the  bill, with Jackson appearing on the reverse. Lew simultaneously announced that the five- and ten-dollar bills would also be redesigned in the coming years and put into production in the next decade.

Trump administration
While campaigning for president, Donald Trump responded to the announcement that Tubman would replace Jackson on the twenty-dollar bill. The day following the announcement Trump called Tubman "fantastic", but stated that he would oppose replacing Jackson with Tubman, calling the replacement "pure political correctness", and suggested that Tubman could perhaps be put on another denomination instead.

On August 31, 2017, Treasury Secretary Steven Mnuchin said that he would not commit to putting Tubman on the twenty-dollar bill, explaining "People have been on the bills for a long period of time. This is something we'll consider; right now we have a lot more important issues to focus on." According to a Bureau of Engraving and Printing (BEP) spokesperson, the next redesigned bill will be the ten-dollar bill, not set to be released into circulation until at least 2026.

In May 2019, Mnuchin stated that no new imagery will be unveiled until 2026, and that a new bill will not go into circulation until 2028. In making the announcement, Mnuchin blamed the delay on technical reasons. However, an employee within the BEP told the New York Times that at the time of the announcement "the design appeared to be far along in the process." Democratic members of the House of Representatives asked Mnuchin to provide more specific reasons for the delay. The Director of the BEP, Len Olijar, released a statement saying that the "BEP was never going to unveil a note design in 2020" and that the illustration used by the New York Times was not a new $20 note. Later in June, the Treasury Department's acting inspector general, Rich Delmar, sent a letter to Senate Majority Leader Chuck Schumer stating that his office would investigate the issue.

In June 2020, the Office of Inspector General released a report detailing the results of its investigation, which concluded that the $20 note's position in the redesign sequence had not changed, that the earlier announcement of the 2020 date "was made outside of the note development governance structure and without the recommendation of the ACD" (referring to the Advanced Counterfeit Deterrence Steering Committee), that the $10 note redesign set to precede the $20 redesign had already been delayed to no earlier than 2026 by 2016, and that the $20 note had not yet entered the banknote design process and was not expected to be production-ready until 2030.

Biden administration
In January 2021, White House Press Secretary Jen Psaki said President Joe Biden will accelerate the Tubman redesign. However, the Tubman redesign is unlikely to be released until at least 2030.

See also
 Twenty Bucks, a 1993 movie that follows the travels of a $20 bill.

References

External links

$20 Notes

1861 establishments in the United States
Currencies introduced in 1861
Cultural depictions of Andrew Jackson
020
Twenty-base-unit banknotes
White House

United States twenty-dollar bill


Jean-Baptiste Lechevalier (født 1. juli 1752 i Trelly, Manche, død 2. juli 1836 i Paris) var en fransk arkæolog.

Lechevalier studerede teologi i Paris, men drog 1784 til Konstantinopel som sekretær hos gesandten Choiseul-Gouffier. Han berejste Italien og Lilleasien, navnlig landskabet Troas, hvor han foretog undersøgelser. I 1790 drog han til London, men gjorde derfra flere lange ture, navnlig til Sverige, Danmark og Rusland. I 1806 blev han ansat ved biblioteket Sainte-Géneviève og døde som dets bestyrer. Af hans skrifter er de vigtigste: Voyage dans la Troade (1800), der fremkaldte en levende opposition i England, og Voyage dans la Propontide et du Pont Euxin (2 bind, 1801). Under pseudonymet Konstantin Koliades skrev han endvidere Ulisse-Homer or a discovery of the true author of the Iliad and Odyssea (1829), hvori han søgte at vise, at Odysseus var de homeriske digtes virkelige forfatter.

Kilder

Arkæologer fra Frankrig
Bibliotekarer fra Frankrig
Faglitterære forfattere fra Frankrig
Fransksprogede forfattere
Franskmænd i 1700-tallet
Franskmænd i 1800-tallet

Jean-Baptiste Lechevalier


Evagrije Pontski (grč. Εὐάγριος ὁ Ποντικός,, lat. Evagrius Ponticus, gruz. ევაგრე ქართველი; Ibora, oko 345. – Scetis, 399.), ranokršćanski maloazijski đakon, teolog, mislilac, govornik, asket i monah, učenik Bazilija Velikoga, Grgura Nazijanskoga i Makarija Egipatskoga,  Paladijev i Kasijanov učitelj i Origenov sljedbenik. Poznat je i kao pustinjski filozof jer je prvi prikupio, priredio i filozofski izložio učenja pustinjskih otaca, objedinivši helenistički intelektualizam s njihovim misticizmom. Odsudno je utjecao na duhovnost monaštva, ali i kršćanskoga misticizma općenito.

Rođen je u Ibori, u rimskoj pokrajini Pontu. Za đakona ga je zaredio njegov učitelj Grgur Nazijanski. Monaštvo započinje u Nitriji, potom četrnaest godina provodi u Ćelijama.

Kao Origenovu sljedbeniku mnoga su mu djela uništena u protuorigenističkim sukobima. Stoga ga i Kasijan, iz opreza prema Origenovim suparnicima, spominje u svojim konferencijama, no ne i imenom.

Literatura
 "Evagrius Ponticus", u: Egan, Harvey D.: An Anthology of Misticism, Liturgical Press, 1991., ISBN 978-0-81466012-6.
 Toić, Dorotej: Život i izreke pustinjskih otaca, Verbum: Split, 2007., ISBN 978-953-235-101-9.

Bilješke i izvori

Životopisi, Turska
Kršćanski mistici
Pustinjaci
Kršćanski teolozi

Evagrije Pontski


Die Seufzerallee in Hannover ist ein jahrhundertealter Spazier-Weg an der Westseite der Leine. Die knapp einen Kilometer lange, mit Kopfweiden bestandene Allee führt heute vom Arthur-Menge-Ufer bis zur Papageienbrücke und weiter bis zum Schnellen Graben.

Geschichte

Die Seufzerallee begann ursprünglich vor dem historischen Ortsausgang und wurde "wahrscheinlich angelegt" auf einem parallel zur Leine beidseitig angelegten Deich, der dann mit Kopfweiden befestigt wurde. Die Allee entwickelte sich erst seit dem letzten Drittel des 18. Jahrhunderts zu einem beliebten Spazierweg, der im Volksmund Seufzerallee genannt wurde. Ungeklärt ist, ob der Name die Seufzer lustwandelnder Liebespaare meinte oder diejenigen der zum Sprung ins Wasser entschlossenen Lebensmüden.

Erst 1957 wurde der Bezeichnung Seufzerallee durch Beschluss des Stadtrates offiziell übernommen.

In jüngerer Zeit wurde auf dem Schützenhausweg zur Verlängerung der Allee eine Pflanzung mit jungen Kopfweiden angelegt.

Literatur
 Waldemar R. Röhrbein: Seufzerallee. In: Klaus Mlynek, Waldemar R. Röhrbein (Hrsg.) u. a.: Stadtlexikon Hannover. Von den Anfängen bis in die Gegenwart. Schlütersche, Hannover 2009, ISBN 978-3-89993-662-9, S. 563.

Weblinks

Einzelnachweise

Calenberger Neustadt
Straße in Hannover

Seufzerallee


حب العزيز أو حب الزلم أو لوز الأرض هي درنات نبات سعد اللذيذ، وتستعمل في أغراض طبية.
سمي حب العزيز بهذا الاسم نظراً لأن أحد ملوك مصر كان مولعاً بأكله. وقد عثر بعض علماء الآثار على ثمار حب العزيز في بعض مقابر البداري وفي إحدى حجرات «دير أبوالنجا» حيث وجدوا كوباً مملوءاً بثمار حب العزيز، وعثروا أيضاً على حب العزيز حول رقبة مومياء الأمير «كنت» ثم أطلق العرب القدامى بعد ذلك على هذا النبات اسم حب الزلم.

الوصف النباتي
شجري يشبه في شكله نبات الرمان، أوراقه بيضاء اللون إلى رصاصية، والأغصان طويلة يميل لونها إلى اللون الأحمر والشجرة تحمل ثماراً مستديرة في حجم الحمص الكبير وهو لين الملمس فيه لزوجة وطعمه حلو المذاق.

الاستعمال الطبي
تستخدم الثمار الطازجة والجافة والدقيق والزيت.

يحتوي حب العزيز على 30% زيت، 28% نشا وسكروز وبروتين.

حب العزيز لها طعم حلو وعادة تؤكل منها ما يعادل ملعقتين أو ينقع ما مقداره ملعقتان ليلة كاملة ثم في الصباح تهرس الكمية مع مائها وتؤكل يومياً.

ويسمى أيضاً حب الزلم وهو عبارة عن درنات تشبه البندق الصغير وطعمها مقبول. يؤخذ حب العزيز ويدق ثم ينقع في الماء ليلة كاملة بعد ذلك يهرس ويصفى ويشرب ماؤه بعد أن يحلى بالعسل ويداوم الشخص على شربه اثني عشر يوماً والجرعة منه ثلاث ملاعق كبيرة لكل مرة.

وكان القدماء يستخدمون حب العزيز كفاكهة وقد جاء حب العزيز ضمن الوصفات الفرعونية لطرد ثعبان البطن ولعلاج كتاركتا العين وللأكزيما وضد حكة الجلد والتهابات الرحم.

وقد قال عنه ابن سينا أنه طيب الطعم جداً يزيد في المني كثيراً ويسمن ويحسن. لقد اتضح من الأبحاث أن حب العزيز يعتبر علاجاً مثالياً لمعظم أنواع الصداع. كما أن لثمار هذا النبات قدرة بالغة على تصفية البول وتنقيته من الشوائب الضارة. كما أنه مدر للحليب ومفيد لعلاج بعض الأمراض الجلدية.

يقول داود الأنطاكي في تذكرته: هو المعروف في مصر بحب العزيز، لأن ملكها كان مولعآ بأكله ويسمى الزقاط بالبربر، وهو حب أصله بفارس نبات دون ذراع وأوراقه مستديرة كالدراهم، ومنه نوع بمصر يزرع بالإسكندرية، وأجوده الحديث الرزين الأحـمر المفرطح الحلو، ويليه الأصفر المستطيل وهذا هو الكثير بمصر، والذي كالفلفل إذا كان لينآ حلواً كان أجود في السمنة ومتى تجاوز سنة لم يجز استعماله. وأهل مصر تبله بالماء كثيرآ فيفسد سريعآ، وهو حار في الأولى رطب في الثانية يولد دما جيداً ويسمن البدن تسميناً جيداً ويصلح هزال الكلى والباه وحرقان البول والكبد الضعيفة، والأمراض لسوداوية كالجنون وخشونة الصدر والسعال، وإذا انهضم كان غاية، ولكنه يولد السدد ويثقل ويضر الحلق ويصلحه السكنجبين وأجود استعماله للسمنة آن يدق وينقع في الماء ليلة ثم يمرس ويصفي ويشرب بالسكر، وشربته إلى اثني عشر.

والمستخدم من النبات درناته التي تحت الأرض ويعمل من هذه الدرنات قدر قبضة اليد يومياً حيث يستعمل على هيئة شراب مثل شراب العرقسوس. كذلك هناك الحلبة الخضراء. وهي موجودة في الأسواق المركزية الكبيرة حيث تؤكل كما هي بمقدار ثلاث ملاعق كبيرة مرة واحدة في اليوم.. وأيضاً خليط من حب الصنوبر + سمسم + عسل نحل نقي ملعقة كبيرة صنوبر + ملعقتين كبيرتين سمسم (بذور) تهرس ثم تخلط مع عسل نحل أبيض نقي وتؤكل مرة واحدة في اليوم.
ليس له تأثير ضار على الكبد أو الكلى أو المعدة إذا استخدم حسب الطريقة المشروحة وحسب الكميات ولمدة خمسة عشر يوماً.

مراجع

نباتات كندا
مكسرات
منطقة بلنسية
خضار جذرية
نباتات طبية

حب العزيز


Alicante Sharks (español: Tiburones de Alicante) es un club deportivo de fútbol americano ubicado en Alicante (España). Se trata del primer equipo de este deporte en la historia de la ciudad de Alicante.

Historia
Fue fundado en el verano de 2004 por Manuel Gómez-Brufal Flores y comenzó dedicado a la modalidad de flag football ante la dificultad de montar un equipo de tackleo en aquel momento. Con la ayuda económica inicial de jugadores y familiares, el club fue consiguiendo apoyos de instituciones como el Club Atlético Rabasa y el Patronato Municipal de Deportes del Ayuntamiento de Alicante, y patrocinadores como el Pub El Tributo de Alicante.

Comenzó su historial deportivo el 13 de noviembre de 2004 con un partido amistoso de flag football contra los Museros Bous, incorporándose posteriormente a la I Liga Levantina de flag football y compitiendo contra equipos de Murcia y Valencia.

Temporada 2005-2006, participaron en la II Liga Levantina y en el I Memorial Juan José Barceló (Murcia).

Temporada 2006-2007 acabó con un balance final de 12 victorias y 9 derrotas.

Temporada 2007-2008 se mejoró el récord a 15 victorias y 6 derrotas.

Temporada 2008-2009 el balance fue de 32 victorias, 15 derrotas y 1 empate.

Temporada 2009-2010 se consolidó el equipo de tackleo consiguiendo un segundo puesto en dos competiciones. Durante esta temporada el club creó un equipo femenino que compitió en la modalidad de flag football con presencia en la Liga Valenciana, en la que consiguió un quinto puesto.

En la temporada 2010-2011 consiguió el primer puesto en la Liga Valenciana.

En la temporada 2011-2012 compitió  por primera vez en la temporada 2011-2012 compitió en la Liga Nacional de Fútbol Americano y participó en la Copa Valenciana.

En la temporada 2012-2013 el equipo decidió impulsar junto a otros clubes una nueva categoría para expandir el Fútbol Americano en ciudades con clubs que no tenían posibilidad económica de disputar la LNFA. Alicante Sharks se encuentra encuadrado en un grupo junto a Cartagena Pretorianos, Almería Barbarians y Cehegín Wolves. El grupo es conocido como "Liga Sureste". El club realiza un esfuerzo para contratar a un entrenador profesional, Jesús Cosíe, Seleccionador Español Junior y Ayudante de la Selección Española Absoluta de Fútbol Americano. Alicante Sharks queda líder de esta liga y acaba invicto la competición.

Temporada 2013-14, los Sharks vuelven a jugar liga nacional, ahora conocida como LNFA Serie B.

Equipación

1.º Equipación
Casco de color azul con facemask blanco.
Jersey de color azul y blanco.
Pantalón negro.
Medias azules.

2.º Equipación
Casco de color azul con facemask blanco.
Jersey de color azul y blanco.
Pantalón negro.
Medias azules.

Equipos

Palmarés

Estadio
Temporada 2011/2012, Alicante Sharks entrenaba semanalmente en el Polideportivo Monte Tossal en Alicante y en el campo de Rabasa. Los partidos se jugaban en el campo de "La Cigüeña" del barrio alicantino de San Gabriel.

Temporada 2012/2013, gestiones con la Concejalía de Deportes del Ayuntamiento de Alicante permiten al equipo jugar en el Estadio de Atletismo Municipal, con gradas elevadas y gran aforo.
Los entrenamientos se alternan entre campos de fútbol municipales en Divina Pastora, Virgen del Remedio y Rabasa.

Temporada 2013/2014, Estadio de Atletismo Municipal.
Entrenamientos se alternan entre campos de fútbol municipales en Divina Pastora, Virgen del Remedio y Rabasa.

Temporada 2014/2015, Estadio de Atletismo Municipal.
Entrenamientos se alternan entre campos de fútbol municipales en Divina Pastora, Monte Tossal y Rabasa.

Enlaces externos
 Sitio web oficial
 Facebook Alicante Sharks
 Twitter Alicante Sharks
 Flickr oficial Alicante Sharks

Clubes deportivos de la provincia de Alicante
Equipos de fútbol americano de España
Deporte en Alicante
Deporte en España en 2004

Alicante Sharks


Gustavo Salgueiro de Almeida Correia (født 7. juli 1985) er en tidligere brasiliansk fodboldspiller.

Eksterne henvisninger

Fodboldspillere fra Brasilien

Gustavo Salgueiro de Almeida Correia


Édouard Balladur (; born 2 May 1929) is a French politician who served as Prime Minister of France under François Mitterrand from 29 March 1993 to 17 May 1995. He unsuccessfully ran for president in the 1995 French presidential election, coming in third place.

Biography
Balladur was born in Izmir, Turkey, to an ethnic Armenian family with five children and longstanding ties to France. His family emigrated to Marseille in the mid-to-late 1930s.

In 1957, Balladur married Marie-Josèphe Delacour, with whom he had four sons.

Early political career
Balladur started his political career in 1964 as an advisor to Prime Minister Georges Pompidou. After Pompidou's election as President of France in 1969, Balladur was appointed under-secretary general of the presidency then secretary general from 1973 to Pompidou's death in 1974.

He returned to politics in the 1980s as a supporter of Jacques Chirac. A member of the Neo-Gaullist Rally for the Republic (RPR) party, he was the theoretician behind the "cohabitation government" from 1986 to 1988, explaining that if the right won the legislative election, it could govern with Chirac as prime minister without Socialist Party President François Mitterrand's resignation. As Minister of Economy and Finance, he implemented a liberal economic policy reminiscent of the one attributed to Ronald Reagan and Margaret Thatcher. He thus implemented a major privatisation programme, involving several companies nationalised in 1945 and 1982, such as the Compagnie Financière de Suez, Paribas and the Société Générale. He also privatised TF1. He also reduced the number of civil servants and state expenditure.

Balladur appeared as an unofficial deputy Prime Minister in the cabinet led by Chirac. He took a major part in the adoption of liberal and pro-European policies by Chirac and the RPR. After Chirac's defeat at the 1988 presidential election, part of the RPR held him responsible of the abandonment of Gaullist doctrine, but he kept the confidence of Chirac.

Prime Minister
When the RPR/UDF coalition won the 1993 legislative election, Chirac declined to become Prime Minister again in a second "cohabitation" with President Mitterrand, and Balladur became Prime Minister. He was faced with a difficult economic situation, but he did not want to make the political errors of the previous cohabitation government. He continued the economic policy he had undertaken in 1986 by carrying out new privatisations (notably Rhône-Poulenc, Banque Nationale de Paris and Elf). Conveying the image of a quiet conservative, he did not question the wealth tax (reestablished by the Socialists in 1988).

He disagreed with François Mitterrand by considering that nuclear tests were necessary to maintain the credibility of the French deterrent.

Despite corruption affairs affecting some of his ministers, who he forced to resign (thus lending his name to the so-called "Balladur jurisprudence"), he had the support of influential media.

1995 presidential election
When he became Prime Minister, Balladur had promised Chirac that he would not enter the 1995 presidential election, and that he would support Chirac's candidacy. However, a number of right-wing politicians advised Balladur to run for the presidency in 1995. He went back on his promise to Chirac and entered the campaign. When he announced his candidacy, four months before the election, he was considered the favourite. In the polls, he led Chirac by almost 20 points. However, from the position of an outsider, Chirac criticized Balladur as representing "dominant ideas", and the gap in the polls decreased quickly. The revelation of a bugging scandal which implicated Balladur also contributed to a drop in his popularity among voters.

In the first round of the election, Balladur finished in third place with 18.6% of the vote behind the Socialist candidate Lionel Jospin and Chirac. He was thus eliminated from the final run-off election between the top two candidates, which Chirac won.

Chirac immediately appointed Alain Juppé to replace Balladur as Prime Minister. Despite Chirac declaring that he and Balladur had been "friends for 30 years", Balladur's decision to stand against him greatly strained their relationship. As a result, the "Balladuriens" who had supported him in the presidential election, such as Nicolas Sarkozy, were ostracized from the new Chirac administration.

Later political career
Balladur failed to win the elections for the presidency of the Île-de-France region in 1998, the RPR nomination for the mayoralty of Paris in 2001, and the Chair of the National Assembly in 2002. He presided over the National Assembly's foreign affairs committee during his last parliamentary term (2002–2007). Since the 1980s, he had advocated the unification of the right-wing groupings into a single large party, but it was Chirac who managed the feat, with the creation of the Union for a Popular Movement in 2002.

Following the 2007 French presidential election, Nicolas Sarkozy nominated Balladur to the head of a committee for institutional reforms. The constitutional revision was approved by the Parliament in July 2008.

From 1968 to 1980, Balladur was president of the French company of the Mont Blanc Tunnel while occupying various other positions in ministerial staff. Following the 1999 deadly accident in the tunnel, he gave evidence to the court judging the case in 2005 about the security measures he had or had not taken. Balladur claimed that he always took security seriously, but that it was difficult to agree on anything with the Italian company operating the Italian part of the tunnel. From 1977 to 1986, he was president of Générale de Service Informatique (later merged into IBM Global Services), making him one of the few French politicians with business experience.

In 2006, he announced that he would not run again for re-election in 2007 as a member of Parliament for the 15th arrondissement of Paris, a conservative stronghold.

In 2008, Balladur visited the United States to speak at an event organized by the Streit Council, a Washington-based think tank. Balladur presented his latest book, in which he outlined a concept for a "Union of the West".

Balladur is often caricatured as aloof, aristocratic, and arrogant in media, such as the Canard Enchaîné weekly or the Les Guignols de l'info TV show. Incidentally, the percentage of French government ministers who were also members of Le Siècle peaked at 72% under Balladur's Prime Ministership (1993–95).

Political offices held
Governmental functions
Prime minister: 1993–1995.
Minister of State, Minister of Economy and Finances: 1986–1988.
Electoral mandates
National Assembly of France
Member of the National Assembly of France for Paris: Elected in March 1986, but he became minister / 1988–1993 (Became Prime minister in 1993) / 1995–2007. Elected in 1986, reelected in 1988, 1993, 1995, 1997, 2002.
Regional Council
Regional councillor of Ile-de-France: March–April 1998 (Resignation).
Municipal Council
Councillor of Paris: 1989–2008. Reelected in 1995, 2001.

"Karachi affair"
Investigative forensic accounting enabled by the leaked Panama Papers revealed aspects of the Karachi affair, also dubbed "Karachigate", with the Ministry of Justice examining whether armament contract commissions paid by Saudi Arabia, then Pakistan, financed the 1995 presidential campaigns of Balladur or Chirac, whose administration then succeeded in taking office. In May 2017, Balladur and his former Defence Minister François Léotard were each charged, in relation to the Pakistan deal, with "complicity in misuse of corporate assets and concealment". In June 2019, Balladur's former campaign manager, Nicolas Bazire, was one of six men convicted over the arms deal, and was sentenced to three years imprisonment for using "illegal funds" in Balladur's 1995 campaign. On 4 March 2021, Édouard Balladur was acquitted by the Court of Justice of the Republic, a special court that tries members of the government for actions performed in the exercise of their functions.

Cabinet
(29 March 1993– 17 May 1995)
Édouard Balladur– Prime Minister
Alain Juppé – Minister of Foreign Affairs
François Léotard – Minister of Defense
Charles Pasqua – Minister of the Interior and Regional Planning
Edmond Alphandéry – Minister of Economy
Nicolas Sarkozy – Minister of the Budget and Spokesman for the Government
Gérard Longuet – Minister of Industry, Foreign Trade, Posts, and Telecommunications
Michel Giraud – Minister of Labour, Employment, and Vocational Training
Pierre Méhaignerie – Minister of Justice
François Bayrou – Minister of National Education
Philippe Mestre – Minister of Veterans and War Victims
Jacques Toubon – Minister of Culture and Francophonie
Jean Puech – Minister of Agriculture and Fish
Michèle Alliot-Marie – Minister of Youth and Sports
Dominique Perben – Minister of Overseas Departments and Territories
Bernard Bosson – Minister of Transport, Tourism, and Equipment
Simone Veil – Minister of Social Affairs, Health, and City
Michel Roussin – Minister of Cooperation
Hervé de Charette – Minister of Housing
Alain Carignon – Minister of Communication
André Rossinot – Minister of Civil Service
Alain Madelin – Minister of Companies and Economic Development
François Fillon – Minister of Higher Education and Research

Changes
19 July 1994 – Minister of Communication Alain Carignon leaves the Cabinet and the Ministry is abolished.
17 October 1994 – José Rossi succeeds Longuet as Minister of Industry, Foreign Trade, Posts, and Telecommunications.
12 November 1994 – Bernard Debré succeeds Roussin as Minister of Cooperation

Filmography
2011 : Mort d'un président de Pierre Aknine : played by Cyrille Eldin

Bibliography
For a Union of the West, 2009, Hoover Institution Press, .

References

External links

|-

1929 births
Living people
Smyrniote Armenians
French people of Armenian descent
Turkish emigrants to France
French Ministers of Finance
Prime Ministers of France
Candidates in the 1995 French presidential election
Politicians of the French Fifth Republic
French economists
École nationale d'administration alumni
Sciences Po alumni
Grand Officers of the Legion of Honour
Grand Cross of the Ordre national du Mérite
State ministers of France
Deputies of the 12th National Assembly of the French Fifth Republic

Édouard Balladur


was a Japanese author, poet (in the waka form), and essayist. He witnessed a series of natural and social disasters, and, having lost his political backing, was passed over for promotion within the Shinto shrine associated with his family. He decided to turn his back on society, took Buddhist vows, and became a hermit, living outside the capital. This was somewhat unusual for the time, when those who turned their backs on the world usually joined monasteries.  Along with the poet-priest Saigyō he is representative of the literary recluses of his time, and his celebrated essay Hōjōki ("An Account of a Ten-Foot-Square Hut") is representative of the genre known as "recluse literature" (sōan bungaku).

Early life
Born with the name Kamo no Nagaakira, he was the second son of Kamo no Nagatsugu, sho-negi or superintendent, of the Lower Kamo (Shimogamo) shrine.  He was also known by the title Kikudaifu. The exact year of his birth is unknown, but thought to be either 1153 or 1155, with 1155 being the generally accepted date. From an early age, he studied poetry and music in a comfortable environment. At the time, the Upper and Lower Kamo Shrines owned large amounts of property around the Kamo River, northeast of the Heian capital (Kyoto), holding great power and prestige among the aristocracy. The Kamo Festival (Aoi Matsuri), occurring in the middle of the fourth month, was considered the most important Shinto event and is vividly depicted in literature of the time, most notably in Chapter Nine of The Tale of Genji.  Chōmei was raised under these religious and material conditions.

In 1160, his father was promoted to junior fourth rank, lower grade, which ultimately led the seven-year-old Chōmei to being promoted to fifth rank, junior grade; these were high positions within the Kamo Shrine hierarchy. Ill health and political maneuvering led his father to retire in 1169, however, and in the early 1170s he died. Expecting to fill the vacant role left by his father, Chōmei, then in his late teens, was passed over, and instead his cousin was promoted to this position. In poems in Kamo no Chōmei-shū, Chōmei lamented this development.

When Chōmei was in his twenties, he moved to his paternal grandmother's house. Disinheritance may have been the reason. Since Chōmei's father had been the youngest in the family, he inherited his mother's residence. In his thirties, Chōmei states in Hōjōki that after losing "backing" in his paternal grandmother's house, he was forced out, built a small house near the Kamo River. Chōmei would live here until he became a recluse.

In Hōjōki, Chōmei states that he was able to leave the world behind because he was not attached to society by marriage or offspring.

The Hōjōki is Chōmei's notebook while he lived "in a small hut" in a suburb of the capital Fukuwara.  "His work contains, as well as an obviously first-hand description of Fukuwara, a striking account of material conditions in the capital in the years from 1177 to 1182."

Life as a poet
After his father's death, Chōmei became more interested in poetry, and three poets were influential to his literary growth. His mentor Shōmyō (1112-1187) was of the Rokujō school, which did not receive much recognition because of a lack of patrons from the Imperial household.  As his mentor, Shōmyō taught Chōmei the finer techniques and styles of court poetry. Kamo no Shigeyasu, the head Shinto priest of the Upper Kamo Shrine, was also instrumental in developing Chōmei's skill as a poet, inviting him to his poetry contests.  Through Shigeyasu's influence and support, Chōmei completed a book of poems called Kamo no Chōmei-shū ("Collection") in 1181. Another important figure in the development of Chōmei's poetry was the poet priest Shun'e. Through his poetry circle, known as Karin'en (Grove of Poetry), an amalgam of people, including Shinto and Buddhist Priests, low- to mid-ranking courtiers, and women in the court who shared their writings. The tales from these meetings filled a large part of Chōmei's Mumyōshō.

Music played a significant role throughout Chōmei's life. His musical mentor, Nakahara Ariyasu, was instrumental in his development, and Chōmei, known as Kikudaifu by his audience, was noted for his skill. According to an account by Minamoto no Ienaga, Chōmei's love for music was revealed in the sorrow he felt when he had to return a biwa (lute) called Tenari to the emperor.

In his thirties, Chōmei enjoyed moderate success in poetry contests and inclusion into anthologies, such as the Senzaishū. With inventive phrasing to describe nature, such as "semi no ogawa" to describe the Kamo river, Chōmei caused a bit of controversy. Entering the poem, with this phrase, into the Kamo Shrine's official poetry contest, he lost because the judge thought he was writing about a river that did not exist. Chōmei insisted, however, that the phrase had been used before and was included in the records of the shrine. Chōmei seems to have offended his cousin, who had assumed Nagatsugu's position of sho-negi. This episode shows that Chōmei still held a grudge against his cousin for becoming the new sho-negi.  To rub in the embarrassment, the poem with this phrase was later included in the Shin Kokinshū.

Chōmei reached a turning point in his mid-forties. His patron, the cloistered emperor Go-Toba,  supported his poetry writing. To create an anthology (Shinkokinshū) to rival the Kokinshū, Go-Toba organized the Imperial Poetry Office, filled with numerous elite courtiers and literati, among whom Chōmei was assigned as a lower level member. As a member of this organization, Chōmei enjoyed benefits that would otherwise not have been given to him, including visits to the Imperial Garden to view the cherry blossoms in bloom. Chōmei worked for the Imperial Poetry Office until he decided to become a recluse in 1204.

Life as a recluse
Chōmei's specific reasons for becoming a recluse are unclear, but a string of bad luck, specifically the death of his father and his inability to fill the position left behind by him, may have caused him to leave court life. He spent the next five years in Ohara, at the foot of Mount Hiei, but considered his time here as a failure, and so he moved to Hino, in the hills southeast of the capital, where he spent the rest of his life. The design of the hut he built in Hino was inspired by the dwelling of the Buddhist recluse Vimalakirti.  The Vimalakirti Sutra exerted a profound influence on Hōjōki. Chōmei wrote Mumyōshō, Hosshinshū, and Hōjōki while living as a recluse. Though Chōmei states in Hōjōki that he never left his dwelling, a separate account states that he made a trip to Kamakura to visit the shōgun and poet Minamoto no Sanetomo.

During his later life, Chōmei maintained a socio-historical perspective that was rare in court poets of the time.  The accounts of chaos in the capital in the first part of Hōjōki suggest Chōmei's social interests, and he contrasts them with his peaceful life as a Buddhist in seclusion.  His account coincides with the spread of Buddhism to the general populace; and his careful depictions of the natural surroundings of his hut and of the natural and social disasters in the capital form a unique microscopic and macroscopic view of life during a violent period of transition. Attention to nature and self-reflection characterize the genre of recluse literature, and Chōmei was its pre-eminent practitioner.

Chōmei died on the tenth day of the intercalary six-month of 1216, when he asked Zenjaku to complete a  for him.

Works
See also
Japanese literature

Notes

References

Kamo no Chomei. Hojoki: Visions of a Torn World. Trans. Yasuhiko. Moriguchi and David. Jenkins. Berkeley: Stone Bridge Press, 1996.
Kamo no Chomei. The Ten Foot Square Hut and Tales of Heike. Trans. A.L. Sadler. Tokyo: Charles E. Tuttle Company, 1972.

Pandey, Rajyashree. Writing and Renunciation in Medieval Japan: The Works of the Poet-Priest Kamo no Chōmei. The University of Michigan Press, 1998.
Shirane, Haruo. Traditional Japanese Literature: An Anthology Beginnings to 1600''. New York: Columbia University Press, 2007.

External links

 Chasing a Recluse: Kamo no Chōmei
 In Spanish: Kamo no Chomei: ermitañismo y soledad

1150s births
1216 deaths
12th-century Japanese poets
Buddhist poets
Kannushi
Japanese Buddhists
Japanese hermits
Kamo clan
12th-century Shintoists

Kamo no Chōmei


Der Manguao-See ist ein Binnensee und liegt in der Provinz Palawan, in der Region MIMAROPA auf den Philippinen. Der See liegt im Nordosten der Insel Palawan, ca. 7,5 km südöstlich des Gemeindezentrums von Taytay. In den See münden zahlreiche Flüsse, die im nördlichen Bergland von Palawan ihre Quelle haben. Westlich des Sees liegt das Naturschutzgebiet Malampaya Sound Protected Landscape/Seascape.

Die Region um den See hat ein tropisches Feuchtsavannenklima mit einer Trockenzeit von Januar bis April; den Rest des Jahres fallen zum Teil starke Niederschläge. Der mittlere Jahresniederschlag beträgt ca. 2.200 mm/m². Die mittleren Jahrestemperaturen liegen bei 27 °C. Es wird vermutet, dass eine kleine Population des Leistenkrokodils (Crocodylus porosus) in dem See lebt.

Weblinks
Der Manguao-See auf der Webseite des ASEAN Centre for Biodiversity

See auf den Philippinen
See in Asien
Palawan
SManguaosee

Manguao-See


Sil (en ) est une ville de l'Ukraine de l'oblast de Transcarpatie. Elle se trouve dans le Parc national de l'Ouj.

Géographie
Traversé par la rivière Ouj.

Église Saint-Basile de Sil
L'église est classée comme monument national ukrainien.

Liens externes

Notes et références

Oblast de Transcarpatie

Sil (Ukraine)


133537 Mariomotta este un asteroid din centura principală de asteroizi.

Descriere
133537 Mariomotta este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Observatorul Schiaparelli de Luca Buzzi. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 2,36 ua, o excentricitate de 0,09 și o înclinație de 25,8° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 133001-134000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 2003
Centura de asteroizi

133537 Mariomotta


Nisterud Station (Nisterud stasjon) er en jernbanestation på Bratsbergbanen, der ligger i Skien kommune i Norge. Stationen består af et spor med en perron med et læskur. Desuden er der en tidligere stationsbygning, der er opført i træ efter tegninger af Gudmund Hoel og Eivind Gleditsch.

Stationen blev oprettet 15. januar 1919, lidt over et år efter åbningen af banen. Den blev nedgraderet til trinbræt 1. januar 1973. Den er i dag den eneste station på Bratsbergbanen mellem Skien og Nordagutu, der stadig betjenes af persontog, idet en række andre mellemstationer mistede betjeningen i 2004.

Litteratur

Eksterne henvisninger

Stationer på Bratsbergbanen
Etableret i 1919

Nisterud Station


روبرت «بوب» مككمسون, الأب  ولد وتوفي (13 أكتوبر 1910- 29 سبتمبر 1977) كان رسام رسوم متحركة ومخرج كارتون أمريكي، أشهر ما قدمه كان لووني تونز وميري ميلوديز لمصلحة وارنر براذرز.

سيرة ذاتية
ولد في دنفر، كولورادو. عمل في استوديو رومر غراي في كاليفورنيا، أنتج الاستوديو العديد من الكارتون لكن لم يتم توزيعها، لهذا انتقل إلى والت ديزني لسنتين قبل أن ينتقل إلى هارمن-آيزينغ برودكشنز. في ذلك الوقت تعرض لارتجاج مخي إثر حادث، صرح لاحقا أن ذلك زاد من تخيلاته ودفعه بالتالي للمزيد من الإنتاج، عمل بعدها لدى ليون شليسنجر كرسام، بعد أن باع شليسنجر شركته إلى وارنر براذرز، تمت ترقية مككمسون إلى مخرج عام 1945 ليحل مكان فرانك تاشلين، عندما غادر بوب كلامبيت عين مككمسون في وحدة كلامبيت السابقة وعين آرثر دايفس في وحدة مككمسون السابقة. أكمل مككمسون العمل مع فريز فريلينغ وتشاك جونز حتى إغلاق الاستوديو عام 1962. طيلة عمله في استوديو وارنر، قدم مككمسون العديد من شخصيات لووني تونز وميري ميلوديز، منها شخصية فوغهورن ليغهورن، تاسماينيان ديفل، وسبيدي غونزالس، كما وأخرج العروض التي جمعت سيلفستر مع هيبتي هوبر.

أسلوبه
التصميم الحديث لباغز باني كان من عمل مككمسون، الذي أقرضه لآرثر دايفس واستعمله في أعماله القليلة، كما كان له تصميم خاص لدافي داك وبوركي بيغ وباقي الشخصيات. يتجاهل العديد من النقاد عمل مككمسون، وذلك لسببين رئيسيين أولهما أن مككمسون لم يعش طويلا، وثانيهما قلة المقابلات معه.

يعتبر مككمسون رساما أفضل من كونه مخرج، غالب أعماله يغلب عليها طابع الشكل المربع، غالب أعماله ذات محتوى عنيف، يعد استمرارا لأسلوب بوب كلامبيت الذي غادر الاستوديو بعد ترقية مككمسون إلى مخرج بشهور، ويكون باكورة أعماله فيلم دافي دوودلس (1946). مككمسون وتيكس أيفري يعتبران من وضع ملامح باغز باني الأولية المعروفة حاليا، وبعد عدة تعديلات مر بها شكل باغز، وضع مككمسون نموذجا سار على خطاه زملاؤه، كما ووضع تصميما لدافي داك، يظهر كشخص ذكي، ماكر، متزن، وذو ألوان هادئة، عن البطة المجنونة التي رسمها تيكس أيفري وكلامبيت.

في 1953، أغلقت وارنر وحدة الرسوم المتحركة مؤقتا لستة أشهر، بعد إعادة فتح أبوابها، تمكن فريلينغ وجونز من إعادة من تفرق من فريقيهما بسرعة، بينما مككمسون لم يستطع استعادتهم ما عدا تيد بيرس المؤلف، وديك توماس ملون الخلفيات، فمعظم عروضه بعد ذلك كان يرسمها بنفسه، إلا أن هذا أظهر بعض الأمور الحسنة، كعمل روبرت غريبروك كفنان تخطيط وقصص تيد بيرس الجيدة، كما شارك وارن فوستر، مايكل مالتيز، وسيد ماركوس في كتابة بعض الأعمال الجيدة. من أشهر أعمال مككمسون-بيرس كانت في تقليد بعض البرامج التلفزيونية كالسلسلة الثلاثية هوني-ماوسرس التي قلدت مسلسل هونيموونرس. اعتبرت وحدة مككمسون مكانا لشحذ مهارات الجدد في مجال الكارتون، ومن بينهم آرت ليوناردي وتوم راي، الذين انتقلا إلى وحدتي جونز وفريلينغ.

السنوات المتأخرة
عسكر مككمسون في الاستوديو الذي بدأ يفقد العاملين ومن بينهم جونز، بعد إغلاق الاستوديو في 1962، انتقل للعمل لدى ديباتي-فريلينغ إنتربرايزس التي يمتلكها زميليه فريز فريلينغ وديفيد إتش. ديباتي، وقام بإخراج المزيد من لووني تونز وميري ميلوديز وفق عقد وارنر براذرز مع ديباتي-فريلينغ، كما أخرج العديد من سلسلة ذي إنسبكتر. في عام 1967، فتحت وارنر أبواب وحدتها مرة أخرى، ويعود مككمسون إليها عام 1968 ويبقى حتى تغلق للمرة الأخيرة وإلى الأبد، آخر ما عمله في تلك الفترة كان إنجن تروبل بطولة كوول كات، والذي يعد آخر عرض لسلسلة لووني تونز وميري ميلوديز قبل إغلاق الاستوديو. في عام 1972 عاد مككمسون إلى ديباتي-فريلينغ ليقوم بإخراج العديد من عروض ذا بينك بانتر شو.

توفي مككمسون في 1977 أثناء تناوله العشاء مع فريز فريلينغ ودايفيد إتش. ديباتي إثر جلطة قلبية.

مككمسون لديه أخوان، تشارلز وتوم الذين عملا مثله كرسامي رسوم متحركة.

مراجع

وصلات خارجية

رسامو رسوم متحركة أمريكيون
فنانون من دنفر
ماسونيون أمريكيون
مخرجو أفلام رسوم متحركة أمريكيون
مخرجو أفلام كوميدية
مدفونون في متنزه فورست لاون التذكاري
مواليد 1910
مواليد في دنفر (كولورادو)
وفيات 1977
وفيات بسبب نوبة قلبية
وفيات في بربانك (كاليفورنيا)

روبرت مككمسون


Beth Gibbons (born 4 January 1965) is an English singer and songwriter. She is the singer and lyricist for the band Portishead, which has released three albums. She released an album with Rustin Man, Out of Season, in 2002, and a recording of  Górecki's Symphony No. 3 with the Polish National Radio Symphony Orchestra in 2019.

Early life
Gibbons was born in Exeter, Devon, England and raised on a farm with three sisters. Her parents divorced when she was young. She attended St Katherine's School in Pill, Somerset, in North Somerset.

At 22, she moved to Bath, then Bristol to pursue her singing career, where she met Geoff Barrow, her future collaborator in Portishead, on an Enterprise Allowance course in 1991.

Career
With Adrian Utley, Gibbons and Barrow released the first Portishead album Dummy in 1994 and have produced two other studio albums, a live album, and various singles in the years since.

She has also collaborated on a separate project with former Talk Talk bassist Paul Webb (Rustin Man). Before she joined Geoff Barrow in Portishead, she had auditioned for the singer's slot in .O.rang, the group formed by Webb after Talk Talk's late-Eighties departure from EMI, but Portishead's sudden success pre-empted matters. In October 2002, they released the album Out of Season in the United Kingdom under the name Beth Gibbons and Rustin Man. The album peaked at number 28 in the UK Albums Chart. It was released in the United States a year later: while touring in North America, Variety favourably described her performance with Rustin as "Billie Holiday fronting Siouxsie and the Banshees".

Gibbons was also a judge for the 10th annual Independent Music Awards to support independent artists' careers.

In June 2013, Gibbons announced plans for a new solo album with Domino Records. She contributed vocals to a cover of the song "Black Sabbath" with the British metal band Gonga, released on 24 April 2014.

In 2018, Gibbons contributed vocal performances, along with Elizabeth Fraser of the Cocteau Twins, to the Spill Festival held in Ipswich in an audio installation entitled 'Clarion Calls', which uses the voices of 100 women to commemorate the 100th anniversary of the end of World War I.

In 2014, Gibbons performed Symphony No. 3 by Henryk Górecki with the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki. Gibbons sang in Polish. The performance was released in 2019; reviewing the album for Pitchfork, Jayson Greene wrote: "Part of the tension comes from hearing her untrained voice scale these rocky heights. Her vibrato, tight and trilling and barely controlled, sounds an awful lot like someone fighting off a panic attack. This would get her dismissed from a traditional opera audition, probably, but it is magnificently effective at sending raw shudders through what can be a pretty well-worn work." In 2022, Gibbons featured on the track "Mother I Sober" from Kendrick Lamar's album Mr. Morale & the Big Steppers. For her collaboration in the album she received a nomination for Album of the Year at the 65th Annual Grammy Awards as a featured artist and songwriter.

Style and inspiration
She has cited Nina Simone, Bono of U2 for his performance on The Joshua Tree, Otis Redding and Jimmy Cliff as a musical inspiration. She has covered Janis Joplin songs and enjoys the music of Janis Ian.

Discography

Portishead
Dummy (1994)
Portishead (1997)
Roseland NYC Live (1998)
Third (2008)

Solo
Out of Season (2002) with Rustin Man
Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) (2019) with Polish National Radio Symphony Orchestra

Other works
"Orang" on .O.rang's album Herd of Instinct (1994)
"Jalap" on .O.rang's album Fields and Waves (1996)
"Lonely Carousel" on Rodrigo Leão's album Cinema (2004)
"Strange Melody" on Jane Birkin's album Rendez-Vous (2004)
"Killing Time" on Joss Stone's Mind Body & Soul (2004)
"Love is a Stranger" on Fried's album Fried (2004)
"Mysteries" with Rustin Man from "The Russian Dolls" soundtrack (2005)
Soundtrack for Diane Bertrand's film "L'Annulaire" (unreleased, 2005)
"My Secret" on Jane Birkin's album Fictions (2006)
"Requiem for Anna" on Monsieur Gainsbourg Revisited - performed as Portishead (2006)
"Sing" with Annie Lennox from Songs of Mass Destruction (2007)
Soundtrack for Diane Bertrand's film Baby Blues (2008)
Soundtrack for Julie Taymor's film "The Tempest" - "Prospera's Coda" by Elliot Goldenthal (2010)
"GMO" on JJ Doom's Key to the Kuffs (2012)
"Black Sabbeth" with Gonga (2014)
Mandela Effect with Gonjasufi (2017)
"Mother I Sober" with Kendrick Lamar (2022)

References

External links

Beth Gibbons website

Portishead band website
Guardian: Portishead (02/2008)

1965 births
20th-century English women singers
20th-century English singers
English women guitarists
English guitarists
English women songwriters
Living people
Musicians from Bristol
Musicians from Exeter
Portishead (band) members
Mezzo-sopranos
British trip hop musicians
English women in electronic music
21st-century English women singers
21st-century English singers
English folk singers
Alternative rock singers
Go! Beat artists

Beth Gibbons


Sylvain Djache Nzefa est un architecte urbaniste camerounais. Il est né le 11 septembre 1967.

Biographie

Enfance, formations et débuts
Sylvain Djache Nzefa est né le 11 septembre 1967 au Cameroun. Il grandit aux côtés de son père qui l'amenait avec lui dès son enfance voir les grands planteurs de la chefferie. À l'age de 19 ans, il part poursuivre ses études universitaires en architecture en France. Il arrive à Nantes en 1986 et son obtient son diplôme d'architecte en 1992.

C'est à partir de 1990 qu'il commence par s'intéresser à l'architecture traditionnelle africaine, en particulier, celle du Cameroun.

Carrière
En 1997, il occupe le poste d'adjoint au maire de Nantes aux relations internationales. Il est le commissaire principal de l'exposition sur la route des chefferies du Cameroun qui se tient en 2022 au musée du quai Branly à Paris.

Publications
 Les chefferies bamiléké dans l'enfer du modernisme... : une chefferie de demain... : architecture, art, ethnologie

 Les civilisations du Cameroun : histoire, art, architecture et sociétés traditionnelles
 Langage des symboles : art du grassland : Cameroun

 "Entre le reel et l'imaginaire" : ethnologie, art, architecture : les chefferies Bamiléké au Cameroun : exposition

Notes et références

Liens externes

Architecte camerounais du XXe siècle
Architecte camerounais du XXIe siècle
Naissance en septembre 1967

Sylvain Djache Nzefa


An Octomeria rohrii in uska species han Liliopsida nga ginhulagway ni Guido Frederico João Pabst. An Octomeria rohrii in nahilalakip ha genus nga Octomeria, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Octomeria

Octomeria rohrii


Masa or masa de maíz (; ) is a maize dough that comes from ground nixtamalized corn. It is used for making corn tortillas, gorditas, tamales, pupusas, and many other Latin American dishes. It is dried and powdered into a flour form called masa harina. Masa is reconstituted from masa harina by mixing with water before use in cooking.

In Spanish, masa harina translates to "dough flour", which can refer to many other types of dough.

Preparation
Field corn grain is dried and then treated by cooking the mature, hard grain in a diluted solution of slaked lime (calcium hydroxide) or wood ash, and then letting it soak for many hours. The soaked maize is then rinsed thoroughly to remove the unpalatable flavor of the alkali. This process is nixtamalization, and it produces hominy, which is ground into a relatively dry dough to create fresh masa. The fresh masa can be sold or used directly, or can be dehydrated and blended into a powder to create masa harina, or masa flour.

Lime and ash are highly alkaline: the alkalinity helps the dissolution of hemicellulose, the major glue-like component of the maize cell walls, and loosens the hulls from the kernels and softens the corn. Some of the corn oil is broken down into emulsifying agents (monoglycerides and diglycerides), while bonding of the corn proteins to each other is also facilitated. The divalent calcium in lime acts as a cross-linking agent for protein and polysaccharide acidic side chains.

The chemical changes in masa allow dough formation, and also allow the nutrient niacin to be absorbed by the digestive tract. By contrast, untreated cornmeal is unable to form a dough on the addition of water, and a diet heavily reliant on its consumption is a risk factor for pellagra.

Other uses
The ground product can be called masa nixtamalera. In Central American and Mexican cuisine, masa nixtamalera is cooked with water and milk to make a thick, gruel-like beverage called atole. When made with chocolate and sugar, it becomes atole de chocolate. Adding anise and piloncillo to this mixture creates champurrado, a popular breakfast drink.

See also
 Maize flour

References

Flour
Doughs
South American cuisine
Central American cuisine
Latin American cuisine

Masa


Arthur John "Jack" Smiley (nacido el  en Waterman, Illinois y fallecido el  en Des Moines, Iowa) fue un jugador y entrenador de baloncesto estadounidense que disputó dos temporadas entre la BAA y la NBA, además de jugar en la NBL y la NPBL. Con 1,91 metros de estatura, jugaba en la posición de escolta.

Trayectoria deportiva

Universidad
Jugó durante 4 temporadas con los Fighting Illini de la Universidad de Illinois en Urbana-Champaign, interviniendo en la Segunda Guerra Mundial durante dos años en medio de su carrera. En 1943 fue incluido en el mejor quinteto de la Big Ten Conference.

Profesional
Comenzó su carrera profesional en los Fort Wayne Pistons en 1947, que al año siguiente se unieron a la BAA, donde jugó una temporada, en la que promedió 6,7 puntos y 2,3 asistencias por partido.

Al año siguiente fichó por los Anderson Packers, quienes mediada la temporada lo traspasaron a los Waterloo Hawks, donde ejerció como jugador-entrenador, promediando 6,6 puntos y 3,1 asistencias por partido, y consiguiendo un balance en el banquillo de 11 victorias y 16 derrotas.

El equipo se pasó a la NPBL al año siguiente, y Smiley continuó como jugador-entrenador una temporada más, hasta que decidió retirarse motivado por su salario, 11.000 dólares al año, que no era suficiente para una familia como la suya, ya por entonces con 5 hijos.

Estadísticas en la BAA y la NBA

Temporada regular

Referencias

Enlaces externos

 Ficha de Smiley en NBA.com
 Ficha de JackSmiley en ultimatenba.com

Baloncestistas de Illinois
Baloncestistas de la NBA
Baloncestistas de los Anderson Packers
Baloncestistas de los Fort Wayne Pistons
Baloncestistas de los Illinois Fighting Illini
Baloncestistas de los Waterloo Hawks
Entrenadores de baloncesto de Estados Unidos
Entrenadores de la NBA
Entrenadores de los Waterloo Hawks
Fallecidos en Des Moines

Jack Smiley


A Universidade de Richmond, em inglês University of Richmond (UR ou U of R), é uma universidade privada de artes liberais localizada em Richmond, Virgínia. É uma instituição focada em cursos de graduação com aproximadamente 4.350 alunos dentre graduandos e pós-graduandos. Divide-se em cinco subdivisões: Escola de Artes e Ciências, a Escola Jepson de Estudos de Liderança, a Escola de Direito e a Escola de Estudos Profissionais.

Fundada em 1830, seus alunos são chamados de "Spiders", uma referência ao mascote da UR que é uma aranha. A Universidade está entre as melhores escolas de arte dos Estados Unidos.

Referências

Universidade de Richmond


مارتينوڤو (بالبلغارية:Мартиново) هي قرية في شمال شرقي بلغاريا، تعد جزءا من بلدية شيبروفتسي الواقعة في إقليم مونتانا.

مراجع

قرى في مقاطعة مونتانا

مارتينوڤو


NGC 151 este o galaxie spirală, posibil și barată, situată în constelația Balena, membră a grupului NGC 151 (care include galaxiile NGC 217, NGC 151, MCG -2-2-30 și MCG -2-2-38). A fost descoperită în 28 noiembrie 1785 de către William Herschel. De asemenea, a fost observată încă o dată în 14 decembrie 1830 de către John Herschel, în 9 august 1886 de către Lewis Swift iar în 10 octombrie 1891 de către Rudolf Spitaler. Galaxia NGC 151 a primit și numele de NGC 153 după observația lui Lewis Swift.

Note

Vezi și
 NGC 150
 NGC 152

Legături externe
 NGC 151 pe spider.seds.org
 NGC 151 pe WikiSky

Galaxii spirale
Obiecte NGC
Constelația Balena
Obiecte astronomice descoperite în 1785
Obiecte astronomice descoperite de William Herschel

NGC 151


Die Admiralty-M-Klasse war die letzte Zerstörerklasse, die von der Royal Navy vor dem Ersten Weltkrieg bestellt wurde. Abweichend von den üblichen Bestellungen von 20 Booten wurden allerdings nur dreizehn Boote und davon sieben Specials bestellt. Durch Verzicht auf einige geplante Zerstörer hatte die Admiralität Mittel, die beiden ersten neu konstruierten Flottillenführer der Marksman-Klasse für die L- und die M-Klasse bestellen.

Die Kriegsbauprogramme führten zu weiteren Aufträgen für diesen Zerstörertyp. Bis 1916 wurden 85 Zerstörer der Admiralty-M-Klasse auf zwölf Werften gebaut. Dazu kamen noch weitere 18/25 Boote der M-Klasse die nach leicht abweichenden Entwürfen von Thornycroft (sechs Boote), Yarrow (zehn Zweischornstein-Boote und sieben der "later M" oder Yarrow R-class) sowie Hawthorn & Leslie (zwei Vierschornstein-Boote) gebaut wurden.

Der Admiralitätsentwurf basierte auf der vorangehenden L-Klasse. Alle Boote des Admiralitäts-Entwurfs hatten drei dünne und runde Schornsteine.

Ab 1916 begann die Royal Navy die R-Klasse als Folgemodell zu beschaffen.

Die Boote der letzten Vorkriegsbestellung
Im Haushalt 1913/1914 wurden die ersten sechs Boote des neuen Admiralitätsentwurf bestellt. Auftragsnehmer waren Palmers Shipbuilding & Iron Company in Hebburn on Tyne für HMS Murray und Myngs, Swan Hunter & Wigham Richardson in Wallsend für die Matchless sowie John Brown & Company, Clydebank für Milne, Morris und Moorsom, die bis Februar 1915 ausgeliefert wurden.

Darüber hinaus wurden sieben weitere Boote angekauft, die nach leicht abweichenden Entwürfen bei drei Werften zum Teil bereits in Bau waren (drei Boote der sogenannten Yarrow-M-Klasse mit zwei Schornsteinen und zwei Wellen, sowie je zwei Boote der Thornycroft-M-Klasse mit dickerem, mittleren Schornstein und der Hawthorn-M-Klasse mit vier Schornsteinen). Drei weitere, als Marksman, Menace und Monitor geplante Boote, die in den Planungen des folgenden Haushalts enthalten waren, wurden nicht bestellt und durch zwei Flottillenführer der Marksman-Klasse aus Mitteln des Haushalt 1913/1914 ersetzt. Auch eine geplante Bestellung bei J. Samuel White unterblieb. Die Werft in Cowes erhielt den Auftrag für einen der neu konstruierten Flottillenführer (Lightfoot), der Auftrag für den anderen erging an Hawthorn, Leslie & Co.
Die Admiralität hoffte auf eine Lieferung der Boote im Frühjahr 1914, was jedoch keiner der Werften möglich war. Yarrow lieferte den Special Miranda als erstes Boot im August 1914 und bis zum Jahresende wurden kamen neun der dreizehn Boote in den Dienst der Navy.

Die Boote des Emergency-War-Construction-Programme
Die weiteren Boote der Klasse wurden in fünf Losen als Teil des War-Emergency-Programme bestellt. Die Kriegsbauten erhielten nicht die Marschturbinen der Vorkriegsbestellung. Auch hatten diese Boote höhere Schornsteine und das zweite 4-Zoll-Geschütz auf einem erhöhten Stand wie bei den vorangehenden Zerstörern der L-Klasse. Fünf Boote (Partridge, Norman, Maenad, Ophelia und Observer) erhielten im Lauf ihrer Dienstzeit eine Vorrichtung zum Einsatz eines Fesselballons.

Im September 1914 erfolgte die erste Nachbestellung von 16 Booten nach dem Admiralitätsentwurf und vier weitere Booten der Yarrow-M-Klasse, deren Kosten zum Teil im geplanten Haushalt 1914/1915 für zehn Zerstörer enthalten war. Die Aufträge gingen wieder an John Brown (2), Swan Hunter (4) und als Admiralitätsentwurf an John I. Thornycroft & Company in Southampton-Woolston (4). Als weitere Bauwerften des Typs kamen mit je zwei Booten William Denny and Brothers in Dumbarton, J. Samuel White in Cowes und Fairfield Shipbuilding & Engineering Company in Govan hinzu. Daneben fertigten John Brown und Fairfields die ähnlichen von Griechenland bestellten Schiffe der Medea-Klasse und Hawthorn, Leslie die nach einem Entwurf für den Export gefertigten, größeren Zerstörer der Talisman-Klasse.

Anfang November 1914 wurden weitere neun Boote des Admiralitätsentwurfs bei Palmers (2), Thornycroft (2), Fairfield (2), John Brown (1), Swan Hunter (1) und Denny (1) sowie ein weiteres Boot der Yarrow-M-Klasse bestellt. Ende des Monats erfolgte bereits die nächste und größte Bestellung mit 22 Booten. Erneut gingen Aufträge an Palmers (4), Fairfield (2), John Brown (1) und Swan Hunter (1). Neue Auftragnehmer wurden William Doxford & Sons, Sunderland, mit acht, Alexander Stephen & Sons, Linthouse, mit vier und Scotts Shipbuilding & Engineering Co., Greenock, mit zwei Booten.

Im Februar 1915 wurden erneut 16 Boote bestellt, von denen acht der sogenannten Repeat M-subgroup angehörten. Sie erhielten eine modifizierte Bugform mit einem schrägen Bug und verändertem Rumpfverlauf, um die Seeeigenschaften zu verbessern. Auftragnehmer waren Fairfield (4), Palmers (2), John Brown (2), Swan Hunter (2), Denny (2), Scotts (2) und Doxford (2). Zusätzlich wurden noch zwei Boote der abweichenden Thornycroft-M-Klasse bestellt, obwohl diese Werft inzwischen auch sechs Boote nach dem Admiralitätsentwurf begonnen hatte.

Im Mai 1915 erfolgte dann die letzte Auftragsvergabe von erneut 16 Booten der Repeat M-subgroup waren John Brown (2), Denny (2), Fairfield (2), White (2), Stephen (2), Scotts (2) und Beardmore in Dalmuir (2) als neuem Auftragnehmer; diese Werft hatte im ersten Kriegsbauprogramm zwei Nachbauten der L-Klasse gefertigt. Dazu kamen zwei Aufträge an Hawthorn & Leslie in Hebburn, die bislang nur zwei specials und dann die vier Zerstörer der Talisman-Klasse gebaut hatte. Weitere specials wurden mit je zwei Booten bei Thornycroft und Yarrow von deren Sondertypen bestellt.

Die Typen der M-Klasse

Die Boote der Admiralty-Klasse
Zehn bei Palmers Shipbuilding & Iron Company in Hebburn upon Tyne gebaute Boote:

Neun bei Swan Hunter & Wigham Richardson in Wallsend gebaute Boote:

Elf bei John Brown & Company in Clydebank gebaute Boote:

Zwölf bei Fairfield Shipbuilding & Engineering Company in Govan gebaute Boote:

Sechs bei John I. Thornycroft & Company in Woolston gebaute Boote:

Sieben bei William Denny & Brothers in Dumbarton gebaute Boote:

Vier bei J. Samuel White & Company in Cowes gebaute Boote:

Zehn bei William Doxford & Sons in Sunderland gebaute Boote:

Sechs bei Alexander Stephen & Sons in Linthouse gebaute Boote:

Sechs bei Scotts Shipbuilding and Engineering Company Limited in Greenock gebaute Boote:

Zwei bei William Beardmore & Company in Dalmuir gebaute Boote, wo auch zwei bei Stephen gebaute Boote fertiggestellt wurden:

Zwei bei Hawthorn, Leslie & Company in Hebburn upon Tyne gebaute Boote:

Einsatz der Boote
Der erste Kampfeinsatz der Boote der M-Klasse erfolgte innerhalb der Harwich Force beim Gefecht auf der Doggerbank, mit den Thornycroft "specials" Meteor und Mastiff, den Yarrow "specials" Miranda und Minos, dem Hawthorn "special" Mentor sowie den von John Brown gelieferten Milne und Morris vom Admiralty-Typ. Der die M-Boote führende Zerstörer Meteor wurde bei dem Versuch, den schwer beschädigten und zurückgefallenen Panzerkreuzer SMS Blücher zu torpedieren, von einem 21-cm-Geschoss gegen 12:20 Uhr im vorderen Kesselraum getroffen. Vier Mann der Meteor starben und der Zerstörer war bewegungsunfähig. Die HMS Liberty der 3. Zerstörerflottille schleppte die Meteor in den Humber ein.

In der Skagerrakschlacht kamen 40 Zerstörer der M-Klasse zum Einsatz insbesondere bei der 11th, 12th und 13th Destroyer Flotilla. Mit Nestor und Nomad gingen auch die ersten Schiffe der Klasse verloren, deren Besatzungen fast vollzählig von den Deutschen aufgenommen wurden.
Bis zum Kriegsende gingen noch neun Schiffe des Admiralty-M-Klasse verloren. In der Nachkriegszeit wurden die Schiffe kaum noch genutzt, da modernere und größere Schiffe mit den Zerstörern der V- und W-Klasse zur Verfügung standen und selbst die Schiffe mit geringerer Beanspruchung im Krieg der R- und der S-Klasse kaum noch Verwendung fanden und wurden 1921 zum Abbruch verkauft.

Literatur
 Maurice Cocker: Destroyers of the Royal Navy, 1893–1981. Ian Allan, 1983, ISBN 0-7110-1075-7
 Fred Dittmar, Jim Colledge: British Warships 1914–1919. Ian Allen, 1972, ISBN 0-7110-0380-7.

Weblinks

 Admiralty-M-Klasse Jane´s 1919

Militärschiffsklasse (Vereinigtes Königreich)
Zerstörerklasse

Admiralty-M-Klasse


June Palmer (1 August 1940 in London, England – 6 January 2004), also known as "June Power", was an English model and actress who, along with Pamela Green, was the most famous of the Harrison Marks glamour models of the 1960s, featured in his publications Kamera and Solo, and in his short films featuring nudity. She had measurements of 38–23–37.

Career
June Palmer began work as a topless dancer at the Windmill Theatre in London, and started modelling professionally in the late-1950s. She appeared in 8mm glamour films made by Harrison Marks (Flesh and Fantasie; Nightmare at Elm Manor; Photo Session; Star Strip; Dream Goddess; China Garden and The Naked World of June Palmer), Russell Gay (So Fur, So Good; Beauty and the Barn), Express Films (Body Beautiful ) and Arthur Howell (June in Orbit; Calamity June; Castaway; Mission Possible and Special Agent). She later played minor parts in movies, including The Naked World of Harrison Marks (1966), Taste the Blood of Dracula (1969), The Nine Ages of Nakedness (1969), Games That Lovers Play (1971) and On the Game (1974). Although she stopped modelling for magazines in 1970, Palmer continued to do some private modelling for London's various camera clubs until 1987.

Photographer Irv Carsten said this about Palmer in the March 1962 issue of Modern Man, "I felt ashamed using an automatic camera. Her posing is second nature, she's beautiful from any angle, and without camera settings to make, there's nothing to do but watch."

Personal life
In 1964, when she was 24 years old, Palmer married the then 44-year-old photographer/stuntman Arthur Howell. In the 1960s they had started and run Strobe Studios in Clapham, South London, an LCC-licensed model agency and photographic studio, which advertised in many of the photographic magazines such as Practical Photography. Strobe rented out their studio space to amateur and professional photographers, and provided them with the glamour models who were on Strobe's books as photographic subjects. Mary Millington (at that time using her married name Mary Maxted), Carole Augustine and Ava Cadell all worked as models for Strobe Studios in the early 1970s. Palmer divorced Howell in 2000 (he died in August 2003).

She married again and died on 6 January 2004.

References

External links

1940 births
2004 deaths
English female adult models
Glamour models
Actresses from London
Models from London

June Palmer


An Schizachyrium pachyarthron in uska species han Liliopsida nga ginhulagway ni Charles Austin Gardner. An Schizachyrium pachyarthron in nahilalakip ha genus nga Schizachyrium, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Schizachyrium

Schizachyrium pachyarthron


An Setaria setosa in uska species han Liliopsida nga syahan ginhulagway ni Olof Swartz, ngan ginhatag han pagkayana nga asya nga ngaran ni Ambroise Marie François Joseph Palisot de Beauvois. An Setaria setosa in nahilalakip ha genus nga Setaria, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Setaria

sv:Dichochaete setosa

Setaria setosa


Rakov Škocjan je slovenski regionalni park, koji se sastoji od doline u kršu kroz koju prolazi potok Rak. Leži između Cerknice i Planinskog polja u području jugoistočno od slovenske autoceste A1 između Postojne i Uneca. Dolina je dobila ime po sv. Kancijanu čije se relikvije nalaze u velikom prirodnom mostu, danas su vidljive samo ruševine mosta.

Sam Rakov Škocjan je na inicijativu prirodoslovca Paula Kunavera i naporima slovenske botaničarke Angele Piskernik od 1949. zaštićen kao prirodna znamenitost, a danas kao regionalni park.

Prirodne atrakcije u parku:

Zelške špilje, 8 do 50 m dubine, kroz koje možemo promatrati protok zraka.
Mali prirodni most, 42 m iznad potoka Raka.
Veliki prirodni most je ostatak srušenog špiljskoga stropa.
Ponor Kotel s jezerom koje fluktuira u skladu sa stanjem vode.
Tkalca jama je 2845 m duga, ima dva ulaza.
Ruševine crkve sv. Kancijana.

Galerija

Zemljopis Slovenije
Krški reljefni oblici
Prirodni lukovi

Rakov Škocjan (park)


Ove Gude (født 11. september 1853 i Düsseldorf, død 1. juli 1910 i West Virginia) var en svensk-norsk diplomat. Han var søn af Hans Gude og bror til Nils Gude.

Gude blev juridisk kandidat i Kristiania i 1876 og indtrådte i 1877 på den diplomatiske bane samt avancerede til legationssekretær i Berlin i 1884 och i London i 1891. Gude blev i 1897 envoyé i Madrid och 1902 i København. Efter unionsopløsningen i 1905 blev han forsat i disponibilitet. Han blev 1908 norsk gesandt i Washington. Gude afgik som minister i en speciel gesandtskab til Japan og Kina 1897–1898, for at udrede den bedste måde at ordne de forenede rigers repræsentation. Det af ham afgivne forslag blev fremlagt af regeringen og godkendt af rigsdagen.

Kilder

Diplomater fra Norge
Nordmænd i 1800-tallet
Nordmænd i 1900-tallet
Personer fra Düsseldorf
Ugglan

Ove Gude


Sir Charles Cavendish Boyle  (29 May 1849 – 17 September 1916) was a British civil servant, magistrate, and colonial administrator who served as Colonial Governor of Newfoundland, Mauritius and British Guiana. He wrote the lyrics for the anthem of the Dominion and later Province of Newfoundland, "Ode to Newfoundland".

Early life and education
Known as Cavendish Boyle, he was born in Barbados into an ancient British family, the son of Capt. Cavendish Spencer Boyle and Rose Susan Alexander, daughter of Lt-Col. C. C. Alexander. He was the grandson of Sir Courtenay Boyle and the great-grandson of the Seventh Earl of Cork and Earl of Orrery. His elder brother, Sir Courtenay Edmund Boyle, was also a civil servant who served as Permanent Secretary to the Board of Trade.

Boyle was educated in London at Charterhouse, and later studied colonial administration and law.

Career

Boyle joined the British Colonial Office and was made magistrate in the Leeward Islands in 1879. He served as Colonial Secretary of Bermuda from 1882 to 1888 and in Gibraltar from 1888 to 1894. He was appointed a Companion of the  Order of Saint Michael and Saint John (CMG) in 1889, and granted a knighthood in the same order in the 1897 Diamond Jubilee Honours.

In 1894 he moved to British Guiana, where he was Government Secretary and acted as Governor several times.

In March 1901, he was appointed Governor of Newfoundland, where he arrived in St. Johns in mid-June. He stayed as such until 1904, and wrote poems to the island's rugged beauty including the Ode to Newfoundland which was adopted as the dominion's national anthem. As governor, Boyle donated a trophy, the Boyle Challenge Cup, to the Newfoundland Hockey League.

He continued his colonial career with a posting as the 19th Governor of Mauritius from 20 August 1904 to 10 April 1911, after which he retired to Brighton, England.

Personal life
In 1914, Boyle married to Louise Judith Sassoon , daughter of Reuben David Sassoon (1835-1905). They had no children. He died in London in 1916 after undergoing an operation. His widow, who was 25 years his junior, lived to be 90, dying in 1964.

References

External links
Biography at Government House The Governorship of Newfoundland and Labrador
Biography at the Dictionary of Canadian Biography Online

1849 births
1916 deaths
Knights Commander of the Order of St Michael and St George
National anthem writers
Governors of Newfoundland Colony
People from the British West Indies
Governors of British Mauritius
Sassoon family
Colonial Secretaries of Gibraltar
Colonial Secretaries of Bermuda
People from Bridgetown
People educated at Charterhouse School

Cavendish Boyle


Wisin & Yandel este un duet muzical reggaeton inițial din Cayey, Puerto Rico, format de Juan Luis Morera Luna (Wisin, 19 decembrie 1979) și Llandel Veguilla Malavé (Yandel, 14 ianuarie 1977). Ambele au început cariera muzicală în 1996.

Istorie

În 1998, Wisin & Yandel au participat la albumul No Fear 3, produs de DJ Dicky, în anul următor, în 1999, au participat la albumul de compilare The Mission Vol. 1, editată de eticheta Fresh Productions. În anul 2000 au lansat primul album de studio, numit Los reyes del nuevo milnio, unde au reușit să înregistreze împreună cu Tempo și Baby Rasta & Gringo.
Mai târziu au continuat colaborări în albume ale mai multor artiști, precum "The 9 Plagues", "Boricuas NY", Misiunea 2, printre altele. Apoi au înregistrat trei albume noi: De nuevos a viejos (2001), Mi vida ... viața mea (2003) și De otro manera (2004).
În ciuda succesului, sa temut de o separare a duo-ului în 2004, când albumele lor au apărut separat: Wisin a lansat The Survivor, în timp ce Yandel a publicat Cine Împotriva Mea? În ciuda recepției sale, eventuala separare a lui Wisin & Yandel nu sa materializat. Pe 8 noiembrie 2005, duo-ul a prezentat Pa'l mundo, cu piese care au devenit foarte populare, cum ar fi "Rakatá" și "Noche de sexo", un album care ia câștigat o nominalizare la premiul Billboard.
În același an au anunțat crearea etichetei sale proprii de înregistrare, WY Records, care a lansat pe 7 noiembrie 2006 Los Vaqueros, un album compilație de reggaeton; acest album are mai multe artisti, cum ar fi Hector el Părinte, Tony Dize, Franco gorilă, Gadiel și Yomille Omar "El Tio" cei mai mulți artiști semnat de noul lor label.
În 2009 au lansat Revoluția și evoluția în 2010, care este o continuare a albumului de succes Revoluția, cu cinci producții inedite și pline de remixuri și noi cântecelor din temele revoluției. Evolution contine colaborari cu artisti 50 Cent, Enrique Iglesias, Akon, T-Pain, Aventura, Ivy Regina, Ednita Nazario, Franco El Gorilla, Gadiel și Yomo. Aceasta include, de asemenea, un DVD nu a mai văzut înainte de Wisin & Yandel, după rack-uri în timpul turneului său mondial și videoclipuri muzicale ale "Vă mulțumesc", "Imaginați-vă" și "Abusadora" (nominalizat la un premiu MTV Video Music 2009).
Wisin & Yandel au câștigat mai multe premii, cum ar fi Billboard Latino și Premios Juventud, și au fost nominalizați la Grammy Latin ca artist preferat de muzică latină. La Premiile MTV 2009 au primit premiile Artist of the Year și Video of the Year. Printre cele mai cunoscute hituri se numără: "Rakata", "Pam Pam", "Te iubesc" și "Noaptea sexului".
Duo-ul detine recordul pentru cel mai mare numar unul pe lista Billboard Latin Rhythm Airplay, cu 14 melodii urmate de Daddy Yankee cu 13, precum si recordul pentru cel mai mare numar unu pentru un duo sau grup de pe Billboard Latin Songs chart, cântece. În 2009, au avut trei numere unu pe radio latină americană. Turneele lor mondiale au obținut umpluturi totale în cele mai importante sali de spectacol și stadioane din fiecare oraș în care au jucat, inclusiv Centrul Staples din Los Angeles, American Airlines Arena din Miami și Madison Square Garden din New York. În 2013, au făcut un alt single, intitulat "Vă doresc". Începând cu luna septembrie a aceluiași an, au fost antrenori ai celui de-al treilea sezon din La Voz ... Mexic. Acum, cu o scurtă pauză muzicală ca duo, fiecare artist are albumele sale solo.

Separare

Zvonurile separării autoproclamatei "Duo a istoriei" au fost sporite în timpul unei vizite în Mexic, pentru că au călătorit fiecare în aeronave separate. Mai târziu, această chestiune a fost clarificată și ambele au negat diferențele presupuse; sa confirmat doar că Yandel urma să-și înceapă cariera solo, unde a lansat cel de-al doilea album, intitulat "From Leader to Legend", și primul său single intitulat "Am vorbit despre tine". La rândul său, Wisin a lansat și al doilea album solo, intitulat "The Return of the Survivor", cu primul său single "Que viva la vida". Într-un interviu, Yandel a confirmat să se alăture din nou lui Wisin, deși acest lucru nu a fost încă finalizat. Yandel a confirmat cu câteva zile în urmă că separarea este temporară după ce și-au lansat albumele în 2016 și 2017.
Mai târziu, într-o interacțiune cu fanii lui prin VEVO, Wisin a confirmat că va lansa al treilea album solo și că se va reîntoarce la Yandel în 2017 sau 2018 și nu în 2014, 2015 sau 2016, după cum sa spus anterior. Wisin și Yandel spun că fac un "Break Music" ca duo și încep să facă ceea ce vor cu muzica lor. Ei au fost, de asemenea, împreună în presedintele Festivalului în ediția a opta din 2014, după un an în afară, interpretând temele împreună ca separate.
Sâmbătă, 4 februarie 2017, au jucat din nou la concertul Zion & Lennox.

Întoarcere
Wisin și Yandel, care în 2013 au decis să urmeze căi separate, au anunțat că se vor întâlni anul acesta pentru a face un turneu mondial și pentru a prezenta mai multe producții muzicale.
Primul concert al lui Wisin & Yandel va avea loc pe 31 martie la Amfiteatrul Altos de Chavón din Republica Dominicană, au declarat într-o declarație muzicienii urbani, indicând că datele din restul turneului vor fi anunțate în curând.
Vestea reuniunii este punctul culminant al unei serii de abordări între cei doi artiști și indicii unei eventuale întâlniri prin intermediul rețelelor sociale.
Cele mai recente colaborări muzicale includ piesele "Como Antes", numărul 1 în lista Latin Airplay din Billboard în octombrie, și "Todo Comien en la Disco", piesă pe care a participat și compatriotul său Daddy Yankee.
În timpul carierei lor comune de 14 ani, duo-ul urban a primit numeroase certificări multi-platină în Statele Unite și America Latină, precum și un Grammy, două Grammy Latin și zece premii Billboard Billboard, printre alte premii. [2]
Pe 8 septembrie 2017, Yandel și-a prezentat noul single din albumul #UPDATE cu Wisin în "Como Antes".
La 1 decembrie 2017, Wisin a avut premiera a două noi single-uri de pe albumul său VICTORY împreună cu Yandel în "Hacerte el Amor" și "Todo

Discografie

Albume de studio
 2000: Los reyes del nuevo milenio
 2001: De nuevos a viejos
 2004: De otra manera
 2003: Mi vida... my life
 2005: Pa'l mundo
 2006: Los vaqueros
 2007: Los extraterrestres
 2009: La revolución
 2011: Los vaqueros: El regreso
 2012: Líderes
 2018: Los campeones del pueblo
 2019: La Gerencia

Doar albume

Wisin
 2004: El sobreviviente
 2014: El regreso del sobreviviente
 2014: El regreso del sobreviviente Deluxe Edition
 2015: Los vaqueros 3: La trilogía
 2017: Victory

Yandel
 2003: Quién contra mí
 2013: De líder a leyenda
 2014: Legacy: De líder a leyenda tour (EP)
 2015: Legacy: De líder a leyenda tour
 2015: Legacy: De líder a leyenda tour (Deluxe Edition)
 2015: Dangerous
 2017: Update
 2019: The One
 2020: ¿Quién Contra Mí 2?

Duete muzicale

Wisin & Yandel


කොන්ග්‍රස් පුස්තකාල වර්ගීකරණය () යනු
ඇමෙරිකාවේ කොන්ග්‍රස් පුස්තකාලය විසින් භාවිතයට ගෙන ආ පුස්තකාල වර්ගීකරණ පද්ධතියක් වේ.

ඉතිහාසය

නිර්මාණය සහ සංවිධානය

LCC, Library of Congress Control Number (LCCN) සමඟ පටලවා නොගත යුතුය. කොන්ග්‍රස් පුස්තකාල වර්ගීකරණය, Library of Congress Subject Headings සමඟ ගත් විට ද වෙනස් කම් පවතියි.

ආශ්‍රිත
 ACM Computing Classification System
 Books in the United States
 Brinkler classification
 Chinese Library Classification
 Database of Recorded American Music
 Dewey Decimal Classification
 Comparison of Dewey and Library of Congress subject classification
 Harvard–Yenching Classification
 Moys Classification Scheme
 ISBN
 Minnie Earl Sears, formulated Sears Subject Headings, simplified for use by small libraries

සටහන්

මූලාශ්‍ර

භාහිර සබැඳි

 Library of Congress classification outline, loc.gov
 Full list of LCC classification schedules, loc.gov
 Library of Congress – classification, loc.gov
 Cataloging Distribution Services – source of Library of Congress Classification schedules. loc.gov
 Classification outline, loc.gov

කොන්ග්‍රස් පුස්තකාල වර්ගීකරණය


Ah! Tanrıçam (), Kōsuke Fujishima yazılan bir manga serisidir. Seri, Eylül 1988-Nisan 2014 tarihleri arasında Kodansha'nın Monthly Afternoon dergisinde 48 tankōbon cilt halinde yayınlandı. Seri, başlangıçta sihirli bir kız arkadaşla romantik komedi olarak başlarken zaman içinde aksiyona ve içinde geçtiği dünyanın mistik yanını incelemeye ağırlık vermiştir.

Anime International Company tarafından hazırlanan bir OVA uyarlaması Şubat 1993-Mayıs 1994 tarihleri arasında yayınlandı. OLM, Inc. tarafından hazırlanan Aa! Megami-sama! Chicchaitte Koto wa Benri da ne adlı bir anime televizyon serisi uyarlaması Nisan 1998-Mart 1999 tarihleri arasında yayınlandı. Yine Anime International Company tarafından hazırlanan bir anime filmi uyarlaması 21 Ekim 2000 tarihinde gösterime girdi. İkinci bir anime televizyon serisi ise Ocak-Temmuz 2005 tarihleri arasında yayınlandı. Bunun dışında iki OVA serisi daha yayınlandı.

Haziran 2020 itibarıyla, manganın dolaşımda 25 milyondan fazla kopyası vardı. 2009 yılında Ah! Tanrıçam 33. Kodansha Manga Ödülü'nü genel kategoride kazandı.

Konusu
Hikâye, manganın anlattığına göre, Keiichi Morisato adlı üniversite birinci sınıf öğrencisi bir gencin tertemiz bir kalbe sahip olmasından ötürü Tanrı'nın bilgisayar sistemi (Yggdrasill) tarafından tek bir dilek hakkı için seçilmesi ile başlar. Güzeller güzeli Tanrıça Belldandy dünyaya bu görev için gönderilir, ve Keiichi'ye bir dilek dilemesini, bu dileğin herhangi bir şey olabileceğini; öyle ki Dünya'yı yok etmekten, zengin olmaya kadar her dileğinin anında kabul olacağını söyler. Fakat, Keiichi bunun kendine oda arkadaşları tarafından düzenlenmiş bir şaka olduğunu düşünüp Belldandy'nin ebediyen yanında kalmasını diler ve Keiichi'nin ummadığı şekilde, Belldandy bu isteği seve seve kabul eder. Manga bu ikisinin birbirine yakınlaşması sürecindeki ilişkilerini anlatır.

Aralarında değişiklikler gösteren, mangadan uyarlanmış anime dizileri de bu ana karakterleri içermekte ve özgün manganın temel öyküsüne dayanmaktadır; ancak, söz konusu animelerin her biri—aşağıda açıklanacağı üzere—konsepte kendi eşsiz yorumlarını getirmektedir. Dolayısıyla bu animeler birbirlerinden ayrı eserler olarak düşünülmelidir. Bunun tek istisnası, manganın öyküsünü birebir takip eden yakın zamanda çekilmiş TV dizileridir.

Kendisi de bir makine hayranı olan Fujişima, sıklıkla bütün bir bölümü ve hatta birkaç bölümde devam eden bütün bir olay örgüsünü makineler; özellikle de motosikletler üzerine kurar. Özellikle, okuyucular Keiichi Morisato'nun kolejin rakip motor kulübü tarafından dağılma tehdidi altında tutulan bir motorlu araçlar kulübüne üye olduğunu keşfederler. Ayrıca manganın ilk sayılarında yarışla ilgili olay örgüleri vardır; yarış kavramı her bir animenin de önemli bir konusunu oluşturmaktadır. Hem Keiichi hem de Belldandy yarış konusunda istisnai bir biçimde Tanrı vergisi bir yeteneğe sahiptir (Keiichi doğal yeteneği, Beldandy ise makinelerle konuşabilme yeteneğinden dolayı). Diğer ana karakterlerin çoğu da, kişilik gelişimi ve büyümede makinelerin önemli bir araç olduğu fikrini yaratarak yarış veya makineler konusunda belli derecelerde yetenek sergilerler.

Karakterler

Oynayanlar
İsimler Batılı ülkeler göz önünde bulundurularak verilmiştir.

Kadro
İsimler Batılı ülkeler göz önünde bulundurularak verilmiştir.

Medya

Manga

Manga ilk kez 1988'de Hızlı Polisler (You're Under Arrest, 逮捕しちゃうぞ, Taiho Şiçauzou) adlı manganın bir yan ürünü olarak piyasaya çıkmıştır. Fujişima, Tutuklusunuz mangasının bir versiyonuna, içinde ana karakterlerin bir Tanrıçaya dua ettikleri 4 karelik komik bir öykü ekler. Bu öykü çok popüler olur ve Fujişima Tanrıçanın çizimlerini o kadar sever ki tamamen onun üzerine kurulu bir manga çizmeye başlar. Ah! Tanrıçam! Japon yayıncı Kodanşa'nın aylık Afternoon dergisinde yayımlandı, aldığı sıcak tepkiler sayesinde derginin başlıca ürünleri arasına girdi. Manganın günümüze dek basılmış tüm bir koleksiyonu 200 bölümün (otuz derleme sayısının) üzerindedir. Şimdiye dek, Amerika'da manganın yirmi üç bölümü basıldı ve yayıncılar seriye olan ilgiyi arttırmak için, önceki başarılı versiyonların grafik romanlarını yeniden basmaya başlıyorlar.

Anime
Ah! Tanrıçam! çizgi dizisinin özgün OVA versiyonundan hala devam eden TV dizilerine kadar yıllar boyunca birçok farklı anime uyarlaması yapıldı. Bunların her biri seriye farklı bir yön verdi; OVA hikâyenin yoğun, fazlaca değiştirilmiş bir versiyonunu sunar, film versiyonu ile Küçük Tanrıçanın Maceraları adındaki TV dizisi mangadan bağımsız orijinal öyküler içerirken yeni TV dizisi uyarlaması mümkün olduğunca manganın öyküsüne sadık kalmaya çalışır.

Oh My Goddess! (OVA)

Beş bölümlük Oh My Goddess! (ああっ女神さまっ, Aa! Megami-sama!) adında OVA serisi hazırlanmıştır. 1.Bl. Moonlight and Cherry Blossoms (21 Şubat 1993), 2.Bl. Midsummer Night's Blossoms (21 Mayıs 1993), 3.Bl. Burning Hearts on the Road (21 Eylül 1993), 4.Bl. Ever Green Holynight (28 Aralık 1993), 5.Bl. For the Love of Goddess (17 Mayıs 1994). Keiichi, Belldandy, ve diğer ana karakterlerin bulunduğu seri 1991 yılında AIC tarafından hazırlanmıştır.

Anime serisi

The Adventures of Mini-Goddess
48 bölümlük The Adventures of Mini-Goddess (ああっ女神さまっ 小っちゃいって事は便利だねっ, Aa! Megami-sama! Çiççaitte koto wa benridane: Küçük olması elverişlidir) 6 Nisan 1998 ile 29 Mart 1999 tarihleri arasında kablo TV kanalı 'WOWWOW'nın Animecomplex yayın çerçevesinde yayımlanmıştır. Bu eser Manga'da yayınlanan 'Other stories' konumunda bir serisidir. Keiichi ve Belldandy fazla rol almamakla birlikte Urd, Sculd ve İwa-çan ön plandadır.

Film

Ah! My Goddess: The Movie (劇場版ああっ女神さまっ, Gekijōban Aa! Megami-sama) 21 Ekim 2000'de Shochiku-yoga-kei'de 'Exdriver Clip' ile birlikte vizyona girdi. 2001'de Geneon Entertainment tarafından kuzey Amerika'da yayımlandı. 20ci yüzyılın son büyük Cell-anime olduğu söyleniyor.
premiered in Japan in 2000. Keiichi ve Belldandy başrol oynamış ve önceki eserlerde olmayan yeni katakterler de rol almışlardır. Bazı aletleri manganınkiyle farklıdır.

Film müzikleri
Dizinin "seiyuu"ları (ses aktörleri) de profesyonel şarkıcılardır. Dizinin müzikleri Goddess Family Club şeklinde veya Orijinal Soundtrack halinde bir düzineden fazla albümde yer almıştır.

Ayrıca bakınız
Anime ve manga ile ilgili oyunlar listesi

Kaynakça

Dış bağlantılar

  Open Your Mind - Manga ve anime bölümlerinin kıyaslamaları
  Feather at Noblescarlet.net  - Hayran
  Belldandy Angel Feathers  - Multimedia hayran sitesi
  The Goddess Project - Fansite & Forum
  Oh My Goddess Wiki

Manga serileri
1988 mangaları
2019 mangaları
1993 anime OVA'ları
2007 anime OVA'ları
2011 anime OVA'ları
1998 anime serileri
2005 anime serileri
2006 anime serileri
2000 anime filmleri
2007 romanları

Mangalara dayalı anime serileri
Dram anime
Fantezi anime
Harem anime ve manga
Romantik komedi animeleri ve mangaları
Japonya fantastik animasyon filmleri
Japon komedi-drama filmleri
Japonya romantik komedi filmleri
Japon fantezi romanları
Konusu Hindistan'da geçen romanlar
Popüler kültürde Cermen mitolojisi
Japonca filmler
Seinen
Kodansha mangaları
Anime International Company
OLM, Inc.
Funimation Entertainment
WOWOW programları
Tokyo Broadcasting System programları

Ah! Tanrıçam


جون هانا  هو ممثل اسكتلندي من مواليد 23 أبريل 1962 في شرق كيلبرايد في اسكتلندا،بدأ مسيرته الفنية عام 1987.

المسيرة الفنية
بعد التخرج، كان لدى هانا أجزاء في العروض المسرحية والأفلام والمسلسلات التلفزيونية، والتي شملت الأدوار الرائدة مثل ظهوره في دور ماثيو في فلم أربع زيجات وجنازة عام 1994.

الأعمال

الأفلام
 أربع زيجات وجنازة
 المومياء
 الإعصار
 عودة المومياء
 التمويه
 الفيلق الأخير
 المومياء: قبر إمبراطور التنين
 كلام

مواقع خارجية

 نص المقابلة

مراجع

أشخاص على قيد الحياة
مسرحيون إسكتلنديون
ممثلو أفلام إسكتلنديون
ممثلو تلفزيون إسكتلنديون
ممثلون إسكتلنديون
مواليد 1962
ممثلو تلفزيون ذكور إسكتلنديون
ممثلو أفلام ذكور إسكتلنديون

جون هانا


පිත් යුෂය

පිත් යුෂය යනු පිත්තාශය තුල ගබඩා වී ඇති කහ පැහැති ද්‍රාවණයකි. මෙය නිෂ්පදය සිදු කරන්නේ අක්මාව තුල වන අතර පිත්තාශය තුල ගබඩා කර අහාර ඇතුලු වු පසු කුඩා අන්ත්‍රය වෙත මුදා හැරීම සිදුවේ.

ක්‍රියාකාරීත්වය
පිත්යුෂය යනු විශේෂයෙන්ම ලිපිඩමය ආහාර දිරවීම පහසු කිරීම සඳහා සැදුනු ද්‍රාවනයකි. මෙහි ඇති සංඝඨක මගින් ආහාර වල ඇති ජලයේ ද්‍රාව්‍යය නොවන ලිපිඩ කොටස් ජලදාවී බවට පත් කරයි.

පිත්තාශය ආශ්‍රිත රෝග තත්ත්ව
පිත්තාශය යනු ඉතා ආහාර මාර්ගයේ ඉතා වැදගත් අවයවයකි. කෙසේ වුවද විවිධ තත්ත්ව යටතේ ගැටලුකාරී තත්ත්ව මතුවිය හැකිය. ඒ අතර පිත්තශය ආශ්‍රිත ගල්(gallstones)  ,පිත්තාශය ආශ්‍රිත පිලිකා (gall bladder cancers) මෙනම පිත්ත නාලයේ අවහිරතාද මතුවිය හැකිය.

 https://en.wikipedia.org/wiki/Bile

පිත් යුෂය


බුදුදහම අනුව සංකාර සහ ධර්ම එකිනෙකට බැඳී පවතින සංකල්ප දෙකකි.

සංකාර
සංඛතකොට අභිසංස්කරණය කරන්නාවූ දේ සංකාර නම්වේ.

සංකාර සහ ධර්ම දෙකෙහි ලක්‍ෂණ
සංකාර සහ ධර්ම දෙකෙහි ලක්‍ෂණ පහත වගුව පරිදි වේ.

අනිච්ච
අනිච්ච යනු ඉච්ච ලෙස හෙවත් තමන් කැමති ලෙස පවතින්නේ නැත යන අදහසයි.

දුක්ඛ
කැමති ලෙස නොපවතින දෙයින් ඇතිවන්නේ දුකකි.

අනත්ථ
සංකාර - ධර්ම අනිච්ඡ බැවින්ද දුක්ඛ බැවින්ද අර්ථ රහිතවේ.

මූලාශ්‍ර

පටිසම්භිදාමග්ගප්‍රකරණය
සංකාර

සංකාර - ධර්ම