North is the third and final studio album by American rock band Something Corporate. Near the beginning of the writing process for the album, vocalist and pianist Andrew McMahon and guitarist Josh Partington wanted it to "sound like a winter album", in contrast to their second album Leaving Through the Window (2002) which they viewed as a "summer album". After losing focus through constant touring, the group decided to record an album in Seattle, Washington. Recording took place at Robert Lang Studios in Seattle with producer Jim Wirt in May 2003. After relocating to Los Angeles, California, further tracking was done at 4th Street Recording in Santa Monica.

Following Norths announcement in July 2003, the band went on tour supporting 311 and Good Charlotte. Preceded by the single "Space" in September, the album was released on October 21 through Geffen and Drive-Thru Records. The band subsequently went on a headlining United States tour from October to December. In February 2004, guitarist William Tell left the band and was replaced by Bobby Anderson of the band River City High. Preceded by second single "Ruthless", the group co-headlined a US tour with Yellowcard in March and April.

North received a positive response from music critics, several reviewers noted the band's musical growth since their second album. The album charted number 24 on the Billboard 200 chart, as well as number 154 in the United Kingdom. "Space" peaked at number 37 on the Billboard Alternative Songs chart. North sold 41,000 copies in the first week and would go on to sell 339,000 copies by June 2005. The album was released on vinyl for the first time in November 2013 to celebrate its tenth anniversary.

Background and writing
After finalizing their lineup, Something Corporate began performing at local venues, eventually gaining support slots for groups such as Better Than Ezra and Sugar Ray. Shortly afterwards, the band signed to independent label Drive-Thru Records. Drive-Thru had a distribution deal with major label MCA Records, which allowed the latter to upstream bands from the former. The band's second album Leaving Through the Window, released in early 2002, was a joint release between both record labels. While on tour, vocalist and pianist Andrew McMahon began writing material for their next album. Early in the writing process, McMahon and guitarist Josh Partington had discussions on what they wanted the album to sound like. They decided they wanted it to "sound like a winter album", in contrast to Leaving Through the Window which they felt sounded like a "summer album".

Partington elaborated: "We really wanted it to feel, not sad and somber really but just kind of have a broody feeling." McMahon and Partington wrote songs separately. The pair wanted to showcase the different sides of the band and also display some form of growth from their preceding album. Partington had written six songs on the album before entering the studio. While touring Europe, the US went to war in Iraq. According to Partington, the group did not "want to be playing a show when there's something so much more important going on." As a result, the band cancelled the remainder of the tour, and returned to the US. Partington recalled that he and McMahon did "a lot of writing" together, and were "really happy with the songs we had" going into the studio.

Recording and production
The group would typically record an album in their home state of California. However, after constant touring, the band lost focus as Partington explained: "When you're away for a year touring straight, whenever you're home, whether you're working or not, your mind is like, 'Yes, I'm at home. The group decided that to help them focus, they would record in Seattle, Washington. Partington said they wanted the album's atmosphere to be a "little bit darker", which he felt they would not be able to achieve if they were "recording 45 miles away from home". On May 5, 2003, it was announced that the band was in the studio recording their next album at Robert Lang Studios and TMF with producer Jim Wirt. Wirt and Phil Kaffel acted as engineers, with Justin Armstrong as a secondary engineer with assistance from Geoff Ott.

Unlike with Leaving Through the Window, which was recorded alongside friends, the members decided to immerse themselves in the recording process for North. Robert Lang Studios gave the band the opportunity to track in isolation, without any distractions from their hometown and the weather of California. Two days of the process consisted of Partington in the live room, tracking one-take run-throughs of each song on guitar. With this approach, Partington improvised a lot of the parts, which yielded "lots of results." The band refrained from enhancing the recordings with studio effects, instead opting to showcase the songs through their musicianship.

On June 23, the band announced they were close to finishing recording. On the same day, the group worked on rough mixes of "Space" and "21 and Invincible" with Kaffel. The following Sunday, the band went to Los Angeles, California for a week to make sure "everything [was] finished and that [they] didn't forget anything." Further recording was done at 4th Street Recording in Santa Monica, California, with assistance from engineers Neil Couper, P.J. Smith and Jon Scholl. Smith also contributed additional background vocals. Kaffel and Wirt mixed the recordings at Interscope Studios in Santa Monica, with assistance from engineer Neal Ferrazzani. Further mixing was performed at Skip Saylor Recording in Los Angeles, with assistance from engineer James Mugshorn. Vlado Meller mastered the recordings at Sony Mastering in New York.

Composition
"As You Sleep", "Down", "Me and the Moon", "Ruthless", "She Paints Me Blue", "Break Myself", "21 and Invincible", "Miss America" and "Watch the Sky" were credited to McMahon. "Space", "Only Ashes", "The Runaway" and "I Won't Make You" were credited to Partington. Paul Buckmaster arranged and played the cello, alongside Larry Corbett on "Me and the Moon" and "The Runaway". The album's sound had been described as pop, compared to Ben Folds Five. Alternative Addiction wrote that the group mixed "piano melodies with rocking guitars creating the 'melodic punk' sound" that was also on their second album. When talking about the album's title, Partington said it was inspired by recording in Seattle, "and also the fact that it was a growing process for everyone".

Discussing "Space", Partington said there was nothing more infuriating than being with someone who loves you more than life "but can't necessarily even come close to grasping what you are all about at times." "Only Ashes" is about frustration and failure stemming from one's own actions. The majority of "Me and the Moon" was written while McMahon was sharing a guest room with New Found Glory vocalist Jordan Pundik. The song talks about a woman killing her husband: the verses are about her doing the act of killing and the subsequently clean-up, while the choruses were set a trial scene. Though McMahon liked the melody and the piano parts, he felt choruses initially lacked a hook. While touring in the UK, he had taken mushrooms with friends; after breaking away from them he had decided to chase the Moon. He ended up in a locked bathroom with the words "It's me and the moon" on a piece of paper.

The verses to "Ruthless" were originally a bit longer than the finished version until people told them that they dragged on. McMahon was fine with dropping some of the lyrics but Partington wanted to include them. McMahon said it was a break-up song about a person he worked with. He added that the point of the track was that he can "still get my teeth out if I'm forced to, which I did." "Break Myself" is about complete desperation and being stuck in state where you're unable to help anyone. "21 and Invincible" initially had different lyrics before they were changed for release. McMahon would later perform the song with its original lyrics intact. Discussing "Watch the Sky", McMahon said he spent a night partying more than he usually did. After having a rough experience, he woke up and decided to sort himself out.

Release and promotion
In mid-2003, MCA Records was absorbed by Universal Music Group label Geffen Records, which resulted in MCA's staff and roster being moved to Geffen. At the time, Partington said: "[You] can't worry about things that are out of your control ... I can't do anything about it so you just keep doing what you're doing." On July 12, 2003, North was announced for release. From mid-July to late August, the band supported 311 on their tour of the US. "Space" was released as a single on September 8, and released to modern rock radio a day later. A music video for the song was premiered by Fox Broadcasting Company on September 16 through their show The O.C. The video was filmed in August during the band's tour with 311 by director Mike Piscitelli. It featured five pillars, all of them fitted with video monitors, placed in various locations within Los Angeles, such as in an alleyway or at a bus stop. In September and October, the band supported Good Charlotte on their US arena tour.

On October 14, 2003, the band appeared on IMX. North was released on October 21 through Geffen and Drive-Thru Records. Around the album's release, the band was featured on Jimmy Kimmel Live!, as well as appearing on MTV2 programs New Faces of Rock and Advanced Warning. From late October to early December 2003, the band went on a headlining tour across the US with support from Rx Bandits, Mae, Days Away and the Format. The first date of the tour, which was planned to take place in San Diego, was postponed till mid-December due to California wildfires. Towards its conclusion, Rx Bandits dropped off, citing personal reasons, and were replaced by different acts for the remaining nights. Following this, the group toured across Japan and Europe in early 2004. On February 1, it was announced that guitarist William Tell had left the band to focus on his own music. Tell said that he had been writing music since he was younger, and put it on the backburner since joining the group. However, he "knew that at some point I'd have to go back to that. It's what makes me feel complete."

Bobby Anderson of River City High took over Tell's position; the group had previously toured with River City High and looked up to Anderson. Partington called him "a great player, [and] a really good singer." The group did a series of radio station appearances and played on college campuses throughout February and March. Following this, "Ruthless" was released to radio on March 15. The band headlined a few shows leading up to co-headlining performances with Yellowcard. Though this was initially for six shows, it was later expanded into a full tour running in March and April with support from Steriogram and the Format. To help promote it, the group offered a free live album, which recorded in November, to people that bought North at select retailers. Further US shows were played in May with the Rocket Summer and included a co-headlining spot with the Ataris at the RiverFusion festival. Following this, the band supported the Offspring on an Australian tour in June.

Reception

Critical response
North received a positive reception from critics. AllMusic reviewer Andrew Leahey wrote that McMahon traded "shunning the drunk high school girls and classroom bullies" on their second album for "thoughtful ruminations on love, celebrity, and the steady approach of adulthood." Leahey noted that while the album contained "some filler ... probably more" than Leaving Through the Window, North showed that the group had the "maturity to move past the majority of their Warped Tour brethren." Alternative Addiction wrote that upon hearing the first chord, fans would "immediately recognize" McMahon's growth as a songwriter. IGN writer Jesse Lord noted that while second albums often fall into a sophomore slump, North leaves fan with "purely good music to enjoy." He mentioned that McMahon's piano "blends in with the band so much better" compared to Leaving Through the Window, coming across as "feel[ing] natural, [and] not contrived." He also said that the album was "mature" and displayed "signs that the band has aged; yet they are not pretentious about it, and are still in touch with their emotions."

Kaj Roth of Melodic wrote that, despite a year passing since the group's previous album, it was "enough to grow at least 10 years in life experience," noting that the album featured "smart/intelligent" Third Eye Blind-esque rock songs. Roth pondered if McMahon listened to Vanessa Carlton, since he pushed the songs "one step further into an adorable trip of melodic euphoria." The Phoenix writer Sean Richardson wrote that with North, the band "continue to prove themselves one of the most tuneful outfits in modern rock." Richardson noted that halfway into the album, when the songs' "middling tempos start to bleed together," the group sounds "as if they were striving for a level of maturity that's not quite within reach." Punknews.org reviewer Adam White called it "a more solemn and paced record," compared to their second album. White noted that it featured "lots of contemplative ballads," all of which "showcas[e] Andrew MacMahon's characteristic piano and smooth vocals." Kristin Roth of Rolling Stone wrote that album "delves into an entirely different world" with its lyrics "explor[ing] a darker place, but just what that place is, it's hard to say."

Commercial performance and legacy
North charted at number 24 on the Billboard 200 chart, selling 41,000 copies in its first week of release. It also charted at number 152 in the UK. "Space" charted at number 37 on the Alternative Songs chart. By March 2004, the album had sold 222,000 copies. By March 2005, the album had sold 330,000 copies in the US, and by June, album sales stood at 339,000 copies. Looking back in 2010, Partington said the group were "frustrated" with the album's lack of success: "We had put in all this hard work and we were doing everything we could, but it felt like certain parts of the whole machine weren't necessarily working in our favor." To celebrate the album's 10th anniversary, it was released on vinyl for the first time in November 2013 through independent label Enjoy the Ride Records.

Track listing
Track listing adapted from the album's liner notes.

Personnel
Credits and personnel adapted from the album's liner notes.

Something Corporate
 Andrew McMahon – piano, lead vocals
 Brian Ireland – drums, background vocals
 Kevin "Clutch" Page – bass, background vocals
 Josh Partington – lead guitar, background vocals
 William Tell – rhythm guitar, background vocals

Additional musicians
 P.J. Smith – additional background vocals
 Paul Buckmaster – cello arranger, cello (tracks 5 and 6)
 Larry Corbett – cello (tracks 5 and 6)

Production
 Jim Wirt – producer, engineer, mixing
 Phil Kaffel – engineer, mixing
 C.J Eiriksson – Pro Tools editing
 Justin Armstrong – second engineer
 Tom Reisser – guitar tech
 Geoff Ott – assistant engineer
 Neil Couper – assistant engineer
 P.J. Smith – assistant engineer
 Jon Scholl – assistant engineer
 Neal Ferrazzani – assistant engineer
 James Mugshorn – assistant engineer
 Vlado Meller – mastering
 JP Robinson – art direction
 Tim Marris – design, illustration
 Chapman Baehler – band photography
 Hantti – band photography
 John Urband – photo of Will

See also
 Everything in Transit – McMahon's first post-Something Corporate release

References
Citations

Sources

External links

North at YouTube (streamed copy where licensed)
 Live review from April 2004 at MTV

2003 albums
Something Corporate albums
Drive-Thru Records albums
Geffen Records albums
Power pop albums by American artists
Albums recorded at Robert Lang Studios

North (Something Corporate album)


Carlsberg Hovedkontor var en 88 meter høj kontorbygning beliggende på Ny Carlsberg Vej 100 i Carlsberg Byen på Vesterbro i København og har siden 1997 fungeret som bryggerikoncernen Carlsbergs hovedsæde. Nedrivning af bygningen startede i 2020.

Bygningen blev oprindelig opført som silo 1962-1965 i forbindelse med et tilstødende malteri efter tegninger af kgl. bygningsinspektør Svenn Eske Christensen. Siloens øverste etage blev oprindelig indrettet som besøgsafdeling, men blev aldrig taget i brug. Da malteriet ophørte produktionen i 1994, blev den øverste halvdel af siloen og størstedelen af malteribygningen indrettet til sæde for Carlsbergs koncernadministration og direktion.

Omdannelsen fra silo til kontorbygning blev varetaget af PLH Arkitekter. Malteriet rummede derefter mødesal, kantine og kontorer. Siloens nederste 11 etager fungerede stadig som silo frem til Carlsbergs udflytning af produktionen, mens de øverste ni etager blev bygget om til kontorer.

Bygningen rummede samlet 22 etager, og med sine 88 meter var den den næst højeste etageejendom i Københavns Kommune, den blev overhalet af Bohrs Tårn i 2017. Den har siden 1997 været Danmarks højeste kontorbygning, og med Carlsbergs lysende logo monteret øverst på gavlene var den et vartegn for området. Nedrivning startede i 2020 med en sjælden metode, hvor maskiner på toppen tog bidder som blev dumpet inde i tårnet.

Kilder

Vesterbro
Industribygninger i København
Bygninger, konstruktioner og anlæg i Københavns Kommune
Carlsberg Byen

Carlsberg Hovedkontor


أندريا جريل Andrea Grill (ولدت في 16 يناير 1975 في باد إيستشل) هي كاتبة نمساوية.

حياتها

درست الأحياء والإيطالية والإسبانية وعلم اللغة في زالتسبورغ وتيسالونيكي وتيرانا. عاشت عدة سنوات في كالياري في جزر سردينيا, وحصلت على درجة الدكتوراه في عام 2003 من جامعة أمستردام عن دراسة حول فراشات سردينيا. وبجوار عملها العلمي فقد كتبت النصوص الأدبية وترجمت من اللغة الألبانية. أقامت لفترة في أمستردام ونويشاتل وبولندا, وهي تقيم حاليا في فيينا.

من أعمالها

 العم الأصفر 2005

مراجع

كتاب وكاتبات ألمان
مواليد 1975
مواليد في باد إيستشل

أندريا جريل


Slippery Rock Township ist der Name folgender Townships in den Vereinigten Staaten:

 Slippery Rock Township (Butler County, Pennsylvania)
 Slippery Rock Township (Lawrence County, Pennsylvania)

Slippery Rock Township


Bessé-sur-Braye ist eine französische Gemeinde mit  Einwohnern (Stand ) im Département Sarthe in der Region Pays de la Loire. Sie gehört zum Arrondissement Mamers und zum Kanton Saint-Calais.

Nachbargemeinden von Bessé-sur-Braye sind La Chapelle-Huon im Norden, Vancé und La Chapelle-Gaugain im Westen, Lavenay und Sougé im Süden und Bonneveau im Osten.

Bevölkerungsentwicklung

Sehenswürdigkeiten
 Schloss Courtanvaux (1455)
 Schloss La Massuère (17./19. Jahrhundert)
 Schloss La Godelinière
 Manoir de la Gavolerie (ehemaliger Konvent)
 Ferme de Romigny (15. Jahrhundert)
 Kirche Saint-Gilles (Ende 19. Jahrhundert)
 Kapelle Notre-Dame-de-Lorette (15. Jahrhundert) im Schloss Courtanvaux

Partnergemeinden
Es besteht seit 1984 eine Partnerschaft mit der Samtgemeinde Kirchdorf in Niedersachsen, zusammen mit vier anderen Gemeinden im Département Sarthe.

Persönlichkeiten
 Louis Joseph Froger-Plisson (1752–1821), Politiker und Industrieller, geboren in Bessé

Weblinks

Einzelnachweise

Ort in Pays de la Loire

Bessé-sur-Braye


Gianfranco Randone (født 5. januar 1970 i Lentini, Italien), bedre kendt som Jeffrey Jey, er en italiensk musiker, sanger og sangskriver, der er mest kendt som forsanger for gruppen Eiffel 65.

Diskografi

Singler
 "Out Of Your Arms" (2012)
 "The Color Inside Her" (2013)
 "Adesso Per Sempre" (2017)
 "Sabbia" (2017)
 "Lega" (2018)

Referencer

Sangere fra Italien
Italienere i 1900-tallet
Italienere i 2000-tallet

Jeffrey Jey


Vlánkada, en , est un village du dème des Tzoumerka-Centrales, district régional d'Árta, en Épire, Grèce.

Selon le recensement de 2011, la population du village compte  quatorze habitants.

Notes et références

Voir aussi

Liens externes

Village en Épire (périphérie)

Vlánkada


David Raison est un architecte naval, ingénieur designer et skipper français né en 1972 à Saint-Nazaire. En 2010, il introduit dans l'architecture de la course au large le principe du scow, une carène large à l'avant, avec une étrave ronde. Il apporte ainsi un gain de puissance qui révolutionne tout d'abord la classe Mini. À la barre du scow Magnum (TeamWork Evolution de son premier nom de course), qu'il a lui-même dessiné et construit, Raison frappe les esprits en gagnant la Mini Transat 2011. Le bateau gagne toutes les courses de la saison 2014.

Raison améliore son concept avec le scow Maximum, qui gagne toutes les courses du circuit Mini en 2017 et 2018.

En 2019, il introduit le scow dans la Class40, avec Crédit mutuel. Cette année-là, deux bateaux dessinés par Raison remportent le même jour deux courses transatlantiques : la Mini Transat et, en Class40, la Transat Jacques-Vabre.

Biographie

David Raison naît le , à Saint-Nazaire, en Loire-Atlantique. Il suit des études d'ingénieur en hydrodynamique et ingénierie navale à l'École centrale de Nantes. Il en sort diplômé en 1995. De 1997 à 1999, il est expert dans une société de classification parisienne, qui contrôle navires et plateformes offshore.

À la barre d'un prototype qu'il a lui-même conçu en collaboration avec François Lucas, Savoy Truffle 232 (Leclerc-Saint-Nicolas de son nom de course), il participe à la Mini Transat 1999 (abandon), puis à l'édition 2001 ().

En 2002, il ouvre un cabinet d'ingénierie navale qui sous-traite principalement pour son ancien employeur et pour des chantiers navals. Il court la Mini Transat 2003, en bateau de série cette fois, et termine .

Mini Magnum 747, premier scow de course au large

Dès 2004, il songe à construire son nouveau Mini. Son premier axe d'étude est de concevoir un bateau dépassant les  et de . Ensuite, il veut de la puissance :  Il pense aux Optimist et aux planches à voile, . Il lit avec intérêt un article sur les scows, bateaux de course des Grands Lacs américains qui furent très populaires au début du ,  à l'étrave arrondie.  L'ingénieur ne compte pas ses heures de calcul :

En 2005 et 2006, il court sur le circuit Figaro, mais ne peut s'aligner dans la Solitaire, faute de budget.

De 2006 à 2008, Raison, teste numériquement une dizaine de carènes,  : le Mini 6.50 Magnum, premier scow de course au large au monde.

En mai 2008, Raison entreprend de construire lui-même le bateau, à Frossay, en Loire-Atlantique. Le chantier dure deux ans.

Magnum est mis à l'eau le . Scepticisme, moqueries, mépris, voire indignation outrée sont au rendez-vous. D'autant que la mise au point va prendre plusieurs mois. La première année se solde par des abandons et une décevante . Mais les tests de vitesse contre des Mini récents sont encourageants : aux allures de bon plein, le bateau de Raison .

Mais tout cela représente beaucoup de temps, de travail et de dépense. Les soucis financiers s'accumulent. Raison doit quitter son appartement. Il s'installe à Lorient pour s'entraîner. Il reçoit alors un soutien décisif, celui de la société suisse TeamWork. Le , Magnum prend pour nom de course TeamWork Evolution. Les bons résultats s'enchaînent :  du Grand Prix d'Italie,  de la Pornichet Select. Le , Raison remporte en solitaire la Transgascogne.

La grande surface plate à l'avant de TeamWork . Certes, il est léger, doté d'une quille pendulaire télescopique et d'un mât-aile. Mais d'autres prototypes ont tout cela.

Le , à la barre de TeamWork, Raison est au départ de la Mini Transat, sa quatrième course transatlantique en solitaire. Il termine  de la première étape, La Rochelle-Funchal. Dans la seconde, peu avant les îles du Cap-Vert, il prend la tête de la course. Après le Pot au noir, il n'est quasiment plus inquiété. Ayant touché l'alizé du sud-est, il ne cesse de creuser l'écart. TeamWork Evolution se montre particulièrement performant au bon plein (entre 60 et 90° du lit du vent) : dans ces conditions, il marche un nœud plus vite que ses poursuivants. Le , Raison arrive  à Salvador de Bahia en vainqueur de la seconde étape et vainqueur de la course. Il a  d'avance sur le , Thomas Normand.

Le , la Fédération des industries nautiques remet à David Raison le prix de la Haute Technologie, décerné à une . La domination de TeamWork Evolution, bateau , fait grosse impression. Et le concept du scow, ou « nez rond », va s'étendre, et dominer la classe Mini. Raison a . Le bateau fait si bien parler de lui que l'activité professionnelle de Raison s'oriente bientôt de l'ingénierie navale à l'architecture navale.

En 2012, TeamWork Evolution 747 est vendu à Giancarlo Pedote. Il devient Prysmian 747. Il obtient de bons résultats en 2012, des places de  et de  en 2013, et gagne toutes les courses auxquelles il participe en 2014.

Mini Maximum 865, évolution de Magnum

En 2013, Raison dessine Maximum, une évolution de Magnum. Barré par Davy Beaudart, il domine la saison 2015 :  de la Lorient Bretagne Sud Mini en double avec Yves Le Blevec,  de la Pornichet Select,  du Trophée Marie-Agnès Péron,  de la Mini-Fastnet en double avec David Raison,  de la première étape de la Mini Transat (spi déchiré et abandon dans la seconde).

L'année suivante, Maximum passe aux mains de Ian Lipinski, qui gagne toutes les courses des saisons 2016 et 2017, y compris la Mini Transat (Lipinski est en double avec Raison dans la Mini-Fastnet 2017). Durant une décennie, dit Charly Fernbach, les protos Mini 6.50 de David Raison,  Raison estime que Maximum est son bateau

En 2016, la société lorientaise SEAir rachète Magnum à Giancarlo Pedote. David Raison intègre cette entreprise. Il participe à la conception de bateaux volants et de semi-rigides à foils. Magnum est doté de foils. Il effectue, le , le premier vol stable et équilibré d'un monocoque de course au large.

Le Maxi 650, scow de série

En 2017, Raison dessine un Mini scow de série, le Maxi 650, construit par le chantier IDB Marine, de Trégunc, dans le Finistère. Le premier exemplaire sort début juin 2018.

Adaptation du concept scow au Class40

En 2018, Ian Lipinski sollicite Raison pour le dessin d'un Class40. Raison se remet à son compte, à Plouhinec, dans le Morbihan, et revient à la voile de compétition. Devant la révolution opérée par le scow dans la classe Mini, les autres classes, et notamment la Class40 et la classe Imoca, ont vite réagi. Elles ont mis en place des règles de jauge . Ceci pour éviter que les bateaux anciens ne soient trop rapidement dépassés. Pour dessiner Crédit mutuel, le Class40 de Lipinski, Raison s'adapte. Selon lui, les contraintes concernent surtout le dessin : il est possible d'obtenir un effet « scow » en respectant les contraintes de jauge. Le Class40 de Lipinski n'aura pas un avant aussi arrondi que les scows Mini. L'avant est large, mais la ligne d'étrave est toujours marquée.

Mis à l'eau le , Crédit mutuel est particulièrement à l'aise au large, dans la mer formée et le vent fort. Il devient  à partir de  de vent, décélérant moins que les autres Class40 quand il heurte les vagues.

Il confirme ses qualités dans la Transat Jacques-Vabre 2019. Mené par Ian Lipinski et Adrien Hardy, il bat le record de distance parcourue en vingt-quatre heures en Class40. Et, le , deux bateaux dessinés par Raison remportent le même jour deux courses transatlantiques : la Mini Transat (avec Maximum 865, barré par François Jambou) et la Transat Jacques-Vabre (avec Crédit mutuel 158, mené par Lipinski et Hardy).

Le 12 novembre 2021, TeamWork 1019, un proto plan Raison mis à l'eau en février, barré par Pierre Le Roy, gagne la Mini Transat.

Un scow Imoca

Raison est plusieurs fois sollicité pour dessiner un scow Imoca, mais pour des projets qui ne trouvent pas leur financement. Et c'est finalement l'architecte Samuel Manuard qui, en 2019, crée le premier Imoca à l'avant spatulé : L'Occitane en Provence.

En 2021, Raison dessine un Imoca pour le projet collectif d'Éric Bellion et Jean Le Cam, en vue du Vendée Globe 2024-2025 : un bateau devant être construit en quatre exemplaires, afin de réduire les coûts. Toujours dans un souci d'économie, cet Imoca  n'est pas un foiler. Il est à dérives droites, mais avec une étrave « scow ».

Palmarès en tant que coureur
 1995.  étudiants Tour de France à la voile
 1996.  étudiants Tour de France à la voile
 1998.  de l'Open Demi-Clé
 1999.  sur 29 prototypes solo dans la Transgascogne, à la barre de Leclerc-Saint-Nicolas 232 (Savoy Truffle)
 2000 :
  sur 20 protos dans la Solo Chrono, à la barre de Leclerc-Saint-Nicolas 232
  sur 21 protos dans le National Mini, à la barre de Leclerc-Saint-Nicolas 232
 2001 :
  sur 28 protos dans la Mini Select, à la barre de Savoy Truffle 232
  sur 28 dans l'Open Demi-Clé, à la barre de Nauti Park-Navtek 232
  sur 30 protos dans la Mini-Fastnet, avec Pierre-Emmanuel Pavageau, à bord de Nauti Park-Navtek 232
  sur 18 protos solo dans la Transgascogne, à la barre de Nauti Park-Navtek 232
  sur 33 protos dans la Mini Transat, à la barre de Nauti Park-Kley France 232
 2002 :
  sur 7 protos dans la Solo Chrono, à la barre de Nauti Park 232
  sur 14 protos dans le National Mini, à la barre de Nauti Park 232
 2003 :
  sur 23 protos dans la Select 6,50, à la barre de Rayon liquide 440
  sur 23 protos dans le Mini Pavois, à la barre de Rayon liquide 440
  sur 51 protos dans la Mini-Fastnet, avec Cédric Cheylan, à bord d'Un sponsor pour ma Transat (et celle d'Isa) 440
 Vainqueur sur 20 bateaux de série dans l'Open Demi-Clé, avec Jeanne Grégoire, à bord d'Un sponsor pour ma Transat 440
  sur 24 protos dans le Mini Pavois, à la barre de Rayon liquide 440
  sur 31 bateaux de série dans la Mini Transat, à la barre de Rayon liquide 440
 2004 :
  de la Chrono 6.50
  sur 43 protos dans la Mini-Fastnet, avec Pierre Gindre, à bord de Sport Voile 321
  au National Pogo
 2005.  sur 12 de la transat Trophée BPE, à la barre du  Coutot Roehrig
 2006.  de la Solo Concarneau sur
 2010 :
  de la Chrono 6.50 en Pogo 2
  sur 23 protos dans le Trophée Marie-Agnès Péron, à la barre de Magnum 747
 2011 :
  sur 10 protos dans le Grand Prix d'Italie, à la barre de TeamWork Evolution 747 (Magnum)
  sur 25 protos dans la Pornichet Select, à la barre de TeamWork Evolution 747
  sur 27 protos dans le Trophée Marie-Agnès Péron, à la barre de TeamWork Evolution 747
 Vainqueur sur 16 protos solo dans la Transgascogne, à la barre de TeamWork Evolution 747
 Vainqueur sur 33 protos dans la Mini Transat, à la barre de TeamWork Evolution 747, en , ,  et
 2014 :
  du Grand Prix Guyader, équipier à bord du Class40 TeamWork40 115, skippé par Bertrand Delesne
  de la Normandy Channel Race, avec Bertrand Delesne, à bord de TeamWork40 115
 2015 :
  de la Normandy Channel Race, avec Bertrand Delesne, à bord de TeamWork40 115
 Vainqueur sur 28 protos dans la Mini-Fastnet, avec Davy Beaudart, à bord de Flexirub-Cherche co-sponsor 865 (Maximum)
 2017. Vainqueur sur 26 protos dans la Mini-Fastnet, avec Ian Lipinski, à bord de Griffon.fr 865 (Maximum)

Notes et références

Voir aussi

Articles connexes
 Mini 747
 Transat 6.50
 Classe Mini
 Class40

Naissance en juin 1972
Naissance à Saint-Nazaire
Élève de l'École centrale de Nantes
Ingénieur et architecte naval
Créateur ou promoteur de technique sportive
Skipper français

David Raison


François Delarue (né en 1976) est un mathématicien français, professeur à l'Université Nice-Sophia-Antipolis.

Biographie
Ancien élève de l'École Normale Supérieure de Lyon, il obtient son doctorat de mathématiques appliquées à l'Université de Provence - Aix-Marseille I en 2002, avec une thèse intitulée « Equations différentielles stochastiques progressives rétrogrades. Application à l'homogénéisation des EDP quasi-linéaires », sous la direction d'.

Il est maître de conférences à l'Université Paris Diderot de 2003 à 2009, puis est nommé professeur à l'Université Nice-Sophia-Antipolis en 2009. Il a été membre junior de l'Institut Universitaire de France de 2014 à 2019.

Travaux
Ses travaux portent principalement sur la théorie des probabilités et les équations aux dérivées partielles. En collaboration avec René Carmona, Pierre Cardaliaguet, Jean-Michel Lasry et Pierre-Louis Lions, il a mené une série de travaux sur les jeux à champ moyen.

Prix et distinctions

 En 2020, il obtient avec René Carmona le prix Joseph L. Doob décerné par l'American Mathematical Society, pour Probabilistic Theory of Mean Field Games with Applications (Springer, 2018).
 La même année, il obtient le prix de mathématiques Maurice-Audin conjointement avec Anne-Laure Dalibard (Sorbonne université), Mohammed Hichem Mortad (Université d'Oran) et Ali Moussaoui (Université de Tlemcen).
 En 2022, il est orateur invité au Congrès International des Mathématiciens (section 10: Équations aux Dérivées Partielles).

Publications
 René Carmona et François Delarue Probabilistic theory of mean field games with applications. vol I. et II. Springer, 2018
 Pierre Cardaliaguet; François Delarue; Jean-Michel Lasry;  Pierre-Louis Lions. The master equation and the convergence problem in mean field games. Annals of Mathematics Studies, 201. Princeton University Press, 2019.

Références

Liens externes

Mathématicien français du XXIe siècle
Naissance en octobre 1976
Naissance à Mont-Saint-Aignan
Lauréat du prix Joseph L. Doob

François Delarue (mathématicien)


Albert Grundei (Lebensdaten unbekannt) war ein deutscher Politiker (LDP/DP). Er war der erste LDP-Landesvorsitzender in Brandenburg.

Leben
Grundei gehörte 1945 zu den Mitbegründern der LDP in der Provinz Brandenburg. Ab Juli 1945 war er Mitglied des Hauptausschusses und ab Februar 1946 Mitglied des Zentralausschusses der LDP. Als sich der Landesverband der LDP in Brandenburg am 6. Dezember 1945 in Potsdam konstituierte, wurde Grundei zum ersten Vorsitzenden des LDP-Landesverbandes gewählt. Im März 1946 wurde er bestätigt. Gemeinsam mit dem Geschäftsführer Karl Friedrich Weise wurde er jedoch im Juni 1946 durch Eingreifen des LDP-Parteivorstandes suspendiert. Es hatte sich herausgestellt, dass Grundei falsche Angaben auf seinen persönlichen Fragebogen gemacht hatte: So war er "in der Nazizeit nicht wegen antifaschistischer Betätigung, sondern auf Grund von Schiebergeschäften und Unterschlagungen verhaftet worden".

Als der Landesverbandes der Deutschen Partei (DP) in Berlin (West) im Sommer 1950 die Lizenz erhielt, wurde Grundei von der DP-Parteileitung in Hannover zum Dritten Vorsitzenden der DP Berlins bestellt.

Literatur
 Martin Broszat et al. (Hrsg.): SBZ-Handbuch: Staatliche Verwaltungen, Parteien, gesellschaftliche Organisationen und ihre Führungskräfte in der Sowjetischen Besatzungszone Deutschlands 1945–1949. 2. Auflage. Oldenbourg Wissenschaftsverlag, München 1993, ISBN 3-486-55262-7, S. 559, 564.
 Ingo Materna, Wolfgang Ribbe (Hrsg.): Brandenburgische Geschichte. Akademie Verlag, Berlin 1995, ISBN 3-05-002508-5, S. 696.
 Friederike Sattler: Wirtschaftsordnung im Übergang. Politik, Organisation und Funktion der KPD/SED im Land Brandenburg bei der Etablierung der zentralen Planwirtschaft in der SBZ/DDR 1945–52. Lit, Münster 2002, S. 931.

Einzelnachweise

LDPD-Mitglied
DP-Mitglied
Deutscher
Geboren im 19. oder 20. Jahrhundert
Mann

Albert Grundei


Windpassing est une  autrichienne du district d'Amstetten, en Basse-Autriche.

Géographie

Localisation
Windpassing est situé à environ  d'Amstetten.

Administration territoriale
La commune fait partie de celle de Neustadtl an der Donau et comprend les plus petites localités de Kremslehen, Pölzmuhle et Beidenstein (anciennement Pilsen?). Sa superficie est de .

Histoire

Démographie
Selon l' de 1938, on recensait un aubergiste, deux meuniers, deux scieurs, un tailleur de pierre et plusieurs agriculteurs.

Économie
On retrouvait une mine d'extraction de lignite à Windpassing.

L'activité économique principale en 2018 était l'agriculture, avec  de terres cultivées, tandis que la sylviculture était pratiquée sur .

Notes et références

Voir aussi

Articles connexes
 , mine située à Windpassing.

Bibliographie
 .

Liens externes

Localité en Basse-Autriche
Ancienne commune en Basse-Autriche

Windpassing (Neustadtl an der Donau)


19 هـ هي سنة في التقويم الهجري امتدت مقابلةً في التقويم الميلادي بين سنتي 640 و640.

أحداث
 فتح قيسارية

مواليد
 الأخطل
 موسى بن نصير.

وفيات
 خباب مولى عتبة
 صفوان بن المعطل

انظر أيضًا
 أحداث ومواليد ووفيات وقعت في الفترة الأولى من سنة 19 هـ
 أحداث ومواليد ووفيات وقعت في الفترة الثانية من سنة 19 هـ

مراجع

تقويم هجري

19 هـ


Tabăra Coral: Cu SpongeBob mini-marini () este un serial de animație creat de Stephen Hillenburg și dezvoltat de Luke Brookshier, Marc Ceccarelli, Andrew Goodman, Kaz, Mr. Lawrence și Vincent Waller care a avut premiera pe Paramount+ pe 4 martie 2021. Serialul este un spin-off și prequel al serialului de animație SpongeBob Pantaloni Pătrați prezentând versiuni mai tinere ale personajelor frecventând o tabără de vară. În august 2021, serialul a fost reînnoit pentru un al doilea sezon de 13 episoade.

În România, serialul a avut premiera pe Nickelodeon din 8 noiembrie 2021, iar pe Nicktoons din 15 noiembrie 2021

Premiză
SpongeBob și prietenii lui petrec vara pescuind meduze, aprinzând focuri de tabără și înotând în Lacul Câh-Mâh în Tabăra Koral, situat în Pădurea de Alge.

Personaje
SpongeBob Pantaloni Pătrați
Pearl Krabs
Dl Krabs
SpongeBob, Pearl, și Dl Krabs din seria originală vor fi prezenți în spin-off. O distribuție de voce nu a fost încă anunțată.

Producție
Producția seriei a început în iunie 2019 și va fi animat CG. "SpongeBob are un univers extins incredibil și lumina verde pentru Kamp Koral este un testament al forței și longevității acestor personaje cunoscute și iubite de generații de fani din întreaga lume", a declarat Ramsey Naito, Nickelodeon's EVP Animation Production and Development. Seria va fi produsă executiv de Vincent Waller și Marc Ceccarelli, care, de asemenea, servesc drept producători executivi ai seriei principale de SpongeBob.

Critici

De la anunțul Kamp Koral, Paul Tibbitt (succesorul lui Stephen Hillenburg ca showrunner din 2005-2015) a spus: "Nu mă refer la lipsa de respect față de colegii mei care lucrează la acest serial, sunt oameni buni și artiști talentați. Dar aici sunt câțiva executivi lacomi și leneși, și toți știu bine că Steve ar fi urât asta. Să le fie rușine".

Dublajul în limba română

Dublajul a fost realizat de studiourile Audio Design Digital Art:

Produs de: Iyuno-SDI Group

Ernest Fazekas - SpongeBob
Cătălin Rotaru - Patrick
Anca Iliese - Sandy
Petre Lupu - domnul Calamar
Marin Fagu - domnul instructor Krabs
Adi Dima - Plankton, alte voci
Silvia Gâscă - Computer
Olimpia Mălai - doamna Puff
Alexandru Robu - Larry
Nicu Encescu - alte voci
Andreea Șuilea - alte voci

Episoade

Referințe

Legături externe

SpongeBob Pantaloni Pătrați
Nickelodeon
Paramount+
Desene animate
Seriale de animație
Seriale de televiziune americane
Seriale de televiziune din 2021

Tabăra Coral: Cu SpongeBob mini-marini


An Crepidium hippocrepiformis in uska species han Liliopsida nga syahan ginhulagway ni Jeffrey James Wood, ngan ginhatag han pagkayana nga asya nga ngaran ni Marg. och Dariusz Lucjan Szlachetko. An Crepidium hippocrepiformis in nahilalakip ha genus nga Crepidium, ngan familia nga Orchidaceae.

Mabibilngan ini ha Papua New Guinea. Waray hini subspecies nga nakalista.

Mga kasarigan

Crepidium

Crepidium hippocrepiformis


In computing, text-based user interfaces (TUI) (alternately terminal user interfaces, to reflect a dependence upon the properties of computer terminals and not just text), is a retronym describing a type of user interface (UI) common as an early form of human–computer interaction, before the advent of bitmapped displays and modern conventional graphical user interfaces (GUIs). Like modern GUIs, they can use the entire screen area and may accept mouse and other inputs. They may also use color and often structure the display using box-drawing characters such as ┌ and ╣. The modern context of use is usually a terminal emulator.

Types of text terminals
From text application's point of view, a text screen (and communications with it) can belong to one of three types (here ordered in order of decreasing accessibility):

 A genuine text mode display, controlled by a video adapter or the central processor itself. This is a normal condition for a locally running application on various types of personal computers and mobile devices. If not deterred by the operating system, a smart program may exploit the full power of a hardware text mode.
 A text mode emulator. Examples are xterm for X Window System and win32 console (in a window mode) for Microsoft Windows. This usually supports programs which expect a real text mode display, but may run considerably slower. Certain functions of an advanced text mode, such as an own font uploading, almost certainly become unavailable.
 A remote text terminal. The communication capabilities usually become reduced to a serial line or its emulation, possibly with few ioctl()s as an out-of-band channel in such cases as Telnet and Secure Shell. This is the worst case, because software restrictions hinder the use of capabilities of a remote display device.

Under Linux and other Unix-like systems, a program easily accommodates to any of the three cases because the same interface (namely, standard streams) controls the display and keyboard. See below for comparison to Windows.

Many TUI programming libraries are available to help developers build TUI applications.

On ANSI-compatible terminals
American National Standards Institute (ANSI) standard ANSI X3.64 defines a standard set of escape sequences that can be used to drive terminals to create TUIs (see ANSI escape code). Escape sequences may be supported for all three cases mentioned in the above section, allowing arbitrary cursor movements and color changes.
However, not all terminals follow this standard, and many non-compatible but functionally equivalent sequences exist.

Under DOS and Microsoft Windows

On IBM Personal Computers and compatibles, the Basic Input Output System (BIOS) and DOS system calls provide a way to write text on the screen, and the ANSI.SYS driver could process standard ANSI escape sequences. However, programmers soon learned that writing data directly to the screen buffer was far faster and simpler to program, and less error-prone; see VGA-compatible text mode for details. This change in programming methods resulted in many DOS TUI programs. The Windows console environment is notorious for its emulation of certain EGA/VGA text mode features, particularly random access to the text buffer, even if the application runs in a window. On the other hand, programs running under Windows (both native and DOS applications) have much less control of the display and keyboard than Linux and DOS programs can have, because of aforementioned Windows console layer.

Most often those programs used a blue background for the main screen, with white or yellow characters, although commonly they had also user color customization. They often used box-drawing characters in IBM's code page 437. Later, the interface became deeply influenced by graphical user interfaces (GUI), adding pull-down menus, overlapping windows, dialog boxes and GUI widgets operated by mnemonics or keyboard shortcuts. Soon mouse input was added – either at text resolution as a simple colored box or at graphical resolution thanks to the ability of the Enhanced Graphics Adapter (EGA) and Video Graphics Array (VGA) display adapters to redefine the text character shapes by software – providing additional functions.

Some notable programs of this kind were Microsoft Word, DOS Shell, WordPerfect, Norton Commander, Turbo Vision based Borland Turbo Pascal and Turbo C (the latter included the conio library), Lotus 1-2-3 and many others. Some of these interfaces survived even during the Microsoft Windows 3.1x period in the early 1990s. For example, the Microsoft C 6.0 compiler, used to write true GUI programs under 16-bit Windows, still has its own TUI.

Since its start, Microsoft Windows includes a console to display DOS software. Later versions added the Windows console as a native interface for command-line interface and TUI programs. The console usually opens in window mode, but it can be switched to full, true text mode screen and vice versa by pressing the Alt and Enter keys together. Full-screen mode is not available in Windows Vista and later, but may be used with some workarounds.

Windows Terminal is a multi-tabbed terminal emulator that Microsoft has developed for Windows 10 and later as a replacement for Windows Console.

The Windows Subsystem for Linux which was added to Windows by Microsoft in 2019, supports running Linux text-based apps on Windows, within Windows console, Windows Terminal, and other Windows-based terminals.

Under Unix-like systems

In Unix-like operating systems, TUIs are often constructed using the terminal control library curses, or ncurses (a mostly compatible library), or the alternative S-Lang library. The advent of the curses library with Berkeley Unix created a portable and stable API for which to write TUIs. The ability to talk to various text terminal types using the same interfaces led to more widespread use of "visual" Unix programs, which occupied the entire terminal screen instead of using a simple line interface. This can be seen in text editors such as vi, mail clients such as pine or mutt, system management tools such as SMIT, SAM, FreeBSD's Sysinstall and web browsers such as lynx. Some applications, such as w3m, and older versions of pine and vi use the less-able termcap library, performing many of the functions associated with curses within the application. Custom TUI applications based on widgets can be easily developed using the dialog program (based on ncurses), or the Whiptail program (based on S-Lang).

In addition, the rise in popularity of Linux brought many former DOS users to a Unix-like platform, which has fostered a DOS influence in many TUIs. The program minicom, for example, is modeled after the popular DOS program Telix. Some other TUI programs, such as the Twin desktop, were ported over.

Most Unix-like operating systems (Linux, FreeBSD, etc.) support virtual consoles, typically accessed through a Ctrl-Alt-F key combination. For example, under Linux up to 64 consoles may be accessed (12 via function keys), each displaying in full-screen text mode.

The free software program GNU Screen provides for managing multiple sessions inside a single TUI, and so can be thought of as being like a window manager for text-mode and command-line interfaces. Tmux can also do this.

The proprietary macOS text editor BBEdit includes a shell worksheet function that works as a full-screen shell window. The free Emacs text editor can run a shell inside of one of its buffers to provide similar functionality. There are several shell implementations in Emacs, but only ansi-term is suitable for running TUI programs. The other common shell modes, shell and eshell only emulate command lines and TUI programs will complain "Terminal is not fully functional" or display a garbled interface. The free Vim and Neovim text editors have terminal windows (simulating xterm). The feature is intended for running jobs, parallel builds, or tests, but can also be used (with window splits and tab pages) as a lightweight terminal multiplexer.

OpenVMS
VAX/VMS (later known as OpenVMS) had a similar facility to curses known as the Screen Management facility or SMG.  This could be invoked from the command line or called from programs using the SMG$ library.

Oberon

Another kind of TUI is the primary interface of the Oberon operating system, first  released in 1988 and still maintained. Unlike most other text-based user interfaces, Oberon does not use a text-mode console or terminal, but requires a large bit-mapped display, on which text is the primary target for mouse clicks. Commands in the format Module.Procedure parameters ~ can be activated with a middle-click, like  hyperlinks. Text displayed anywhere on the screen can be edited, and if formatted with the required command syntax, can be middle-clicked and executed. Any text file containing suitably-formatted commands can be used as a so-called tool text, thus serving as a user-configurable menu. Even the output of a previous command can be edited and used as a new command. This approach is radically different from both conventional dialogue-oriented console menus or command-line interfaces.

Since it does not use graphical widgets, only plain text, but offers comparable functionality to a GUI with a tiling window manager, it is referred to as a Text User Interface or TUI. For a short introduction, see the 2nd paragraph on page four of the first published Report on the Oberon System.

Oberon's UI influenced the design of the Acme text editor and email client for the Plan 9 from Bell Labs operating system.

In embedded systems

Modern embedded systems are capable of displaying TUI on a monitor like personal computers. This functionality is usually implemented using specialized integrated circuits, modules, or using FPGA.

Video circuits or modules are usually controlled using VT100-compatible command set over UART, FPGA designs usually allow direct video memory access.

Other uses
 The full screen editor of the Commodore 64 8-bit computers was advanced in its market segment for its time. Users could move the cursor over the entire screen area, entering and editing BASIC program lines, as well as direct mode commands. All Commodore 8-bit computers used the PETSCII character set, which included character glyphs suitable for making a TUI.
 Apple's Macintosh Programmer's Workshop programming environment included Commando, a TUI shell. It was the inspiration for BBEdit's shell worksheet.
 Later Apple II models included MouseText, a set of graphical glyphs used for making a TUI.
 The Corvus Concept computer of 1982 used a function key-based text interface on a full-page pivoting display.

See also
 Command-line interface
 Console application
 Natural-language user interface
 Text-based game, a game using a TUI
 VGA text mode
 MDA

Examples of programming libraries
 curses (programming library)
 ncurses
 CDK
 Newt, a widget-based toolkit
 S-Lang
 Turbo Vision
 Early versions of Visual Basic

References

User interfaces

Text-based user interface


Francuske Predalpe su  skupina subalpskog planinskog lanca srednje visine smještene neposredno pored zapadnog dijela francuskih Alpa.

Geografski položaj

Francuske Predalpe se nalaze u istočnoj Francuskoj i protežu se od Ženevskog jezera; u smjeru jugozapada do rijeka Isère i Drôme; istočno do linije koja vodi od Chamonixa, do Albertvillea, Grenobla, Gapa i Barcelonettea; te južno od Grassea do Vence.

Sjeverna subalpska regija

U sjevernim subalpskim regijama različiti se planinski vijenci lako prepoznaju prema konfiguraciji terena i zemljopisnim rascjepima, kao što je Voreppeska klisura između Vercora i
Chartreusea, ili Chambérya, koji se smjestio u dolini između masiva Baugesa i
planinskog vijenca Chartrousa.

Južna subalpska regija

U južnim subalpskim regijama planinski vijenci su uglavnom geografski neorganizirani i nemaju široke i/ili duboke doline koje ih dijele kao na sjeveru.
Toj skupini pripadaju i tri područja koja ne graniče međusobno, ali ni direktno sa sjevernim subalpskim regijama i tradicionalno se nazivaju Južne francuske Predalpe:
 Alpilles, Mont Sainte-Victoire i Sainte-Baume.

Predalpski masivi

Francuske Predalpe sastoje se od sljedećih masiva (od sjevera do juga):

 Chablais - Haut-Giffre;
 Terminals - Aravis;
 Bauges;
 Chartreuse;
 Vercors,  još nazivan i Francuski Dolomiti  ;
 Dévoluy - Bochaine;
 Diois - Baronnies;
 Monts de Vaucluse - Luberon;
 Predalpe Dignea;
 Castellanske Predalpe;
 Predalpe Nice;

kao i od sljedećih masiva:

 Mercantour - nacionalni park;
  Trois-Évêchés  ;
 Pelat.

Na predalpskim planinama izdvaja se nekoliko mitskih vrhova:

 Planina Ventoux, nadimak Velikan iz Provanse,  1.912 mnv

 Planina Aiguille, Planina Igla, ostaci vapnenačke visoravni Vercors koja ima prepoznatljiv ravni plato na svome vrhu, 2.087 mnv.

Izvori

Gorja u Francuskoj

Francuske Predalpe


قرص نينتندو البصري  ، يشير إلى قرص بصري يستخدم لتوزيع ألعاب فيديو التي تنشرها شركة نينتندو.
وهو يتضمن أقراص نينتندو جيم كيوب، أقراص نينتندو وي و كذلك أقراص نينتندو وي يو.

الصيغة
تم تصنيع قرص نينتندو جيم كيوب البصري (DOL-006) لاستخدامه في نظام ألعاب نينتندو جيم كيوب من قبل شركة ماتسوشيتا، ومن ثم تم توسيع استخدامه لاحقاً ليشمل أجهزة وي، عن طريق توافقية الماضي.

تبلغ سعة قرص جيم كيوب 1.5 غيغابايت، وهو يعتمد على تقنية ميني-دي في دي 8 سم الذي يقرأ بسرعة ثابتة بدءاً من طرف القرص باتجاه المركز. وقد تم اختياره من قبل نينتندو من أجل حماية برامجها من القرصنة،
وأيضاً لتفادي مشاكل ترخيص أقراص الدي في دي، وتقصير زمن التحميل للقرص في الجهاز.

و كذلك قامت نينتندو بتصنيع قرص لجهاز وي ويشبه إلى حد كبير أقراص الدي في دي وحتى في سعة تخزينها (التي تصل إلى 8 جيغابايت، مثل أقراص الدي في دي ذي الطبقتين). و قد فضلت نينتندو استخدام تقنية خاصة بدل أقراص الدي في دي لتجنب مشاكل القرصنة.

بالنسبة لجهاز وي يو، قامت نينتندو وباناسونيك بتطوير قرص سعته 25 جيغابايت للطبقة الواحدة، واسمه «آي دينسيتي».

مراجع

وصلات خارجية
 Description of authentication method

أقراص 120 ملم
توزيع ألعاب الفيديو
دي في دي
عتاد نينتندو
وسائط تخزين

قرص نينتندو البصري


Aceasta este o listă de regizori de film americani:

A
Jim Abrahams - Al Adamson - Todd Albertson - Adell Aldrich - Robert Aldrich - Sherman Alexie - Debbie Allen - Irwin Allen - Woody Allen - Robert Altman - John Anderson (actor) - Paul Thomas Anderson - Wes Anderson - Andres Useche - David Anspaugh - Nimród Antal - Gregg Araki - Jack Arnold - Darren Aronofsky - Miguel Arteta - Dorothy Arzner - Hal Ashby - John Mallory Asher - Sean Astin - Tex Avery - John G. Avildsen - Mario Azzopardi -

B
Lloyd Bacon - John Badham - King Baggot - Bruce Baillie - David Ball (regizor) - Carroll Ballard - Charles Band (regizor) - Robert Banks (regizor) - Reginald Barker - Paul Bartel - Noah Baumbach - Michael Bay - Warren Beatty - William Beaudine - László Benedek - Richard Benjamin - James Benning (regizor) - Robby Benson - Robert Benton - Edward Bernds - Angela Bettis - Herbert Biberman - Kathryn Bigelow - Bill Condon - Bill Bixby - Andrew Blake - Les Blank - Bob Clark - Paul Bogart - Peter Bogdanovich - Francis Boggs - Ryszard Bolesławski - Lizzie Borden (regizor) - Frank Borzage - Rob Bowman - Martin Brest - Craig Brewer - Matthew Bright - Albert Brooks - James L. Brooks - Mel Brooks - Richard Brooks - Clarence Brown - Tod Browning - Larry Buchanan - Kenean Buel - Charles Burnett - Tim Burton - Busby Berkeley - Reggie Rock Bythewood -

C
Edward Cahn - James Cameron - Kat Candler - Jonathan Caouette - Frank Capra - Joe Carnahan - John Carpenter - Michael Carpenter - Chris Carter (scenarist) - Thomas Carter (regizor) - Alexandra Cassavetes - John Cassavetes - Nick Cassavetes - William Castle - Gregory La Cava - Lionel Chetwynd - Michael Cimino - Larry Clark - James Clavell - George Clooney - Joel and Ethan Coen - Larry Cohen - Rob Cohen - Chris Columbus - Cecelia Condit - Kerry Conran - Martha Coolidge - Jackie Cooper - Merian Caldwell Cooper - Francis Ford Coppola - Sofia Coppola - Roger Corman - Don Coscarelli - Kevin Costner - Bryan Cranston - Wes Craven - Leanna Creel - Michael Crichton - John Cromwell (regizor) - Alan Crosland - Cameron Crowe - George Cukor - Shamus Culhane - Rusty Cundieff - Sean S. Cunningham - Vondie Curtis-Hall -

D
John Dahl - Joe Dante - Frank Darabont - Gregory Dark - W. Scott Darling - Julie Dash - Jules Dassin - Ossie Davis - Joe De Grasse - Brian De Palma - David Decoteau - Gene Deitch - Cecil B. DeMille - Jonathan Demme - Ted Demme - Johnny Depp - John Derek - Maya Deren - Andre DeToth - Danny DeVito - Tom DiCillo - Henri Diamant-Berger - Kirby Dick - Ernest Dickerson - William Dieterle - Mark Dindal - Walt Disney - Edward Dmytryk - Peter Docter - Donald Petrie - Stanley Donen - Richard Donner - Russell S. Doughten - Gordon Douglas (regizor) - Jackson Douglas - Carl Dudley - Dennis Dugan - Bill Duke - Richard Dutcher - Robert Duvall - Allan Dwan - Jesse Dylan -

E
Clint Eastwood - Blake Edwards - Breck Eisner - Harry Elfont - Eli Steele - Cy Endfield - Nora Ephron - Al Eugster -

F
Douglas Fairbanks starejši - Hampton Fancher - Peter Farrelly - Bobby Farrelly - Jon Favreau - Mark L. Feinsod - Abel Ferrara - Romaine Fielding - David Fincher - India Arie - Robert J. Flaherty - Dave Fleischer - Richard Fleischer - Andrew Fleming - Victor Fleming - Brian Flemming - Peter Fonda - John Ford - Carl Foreman - Bob Fosse - Jodie Foster - Norman Foster (regizor) - Jonathan Frakes - Coleman Francis - Robert Frank - John Frankenheimer - Carl Franklin - Morgan Freeman - Ron Fricke - William Friedkin - David F. Friedman - Samuel Fuller - Antoine Fuqua -

G
Martin Gabel - Rodrigo Garcia - Richard Garrick - Mel Gibson - Terry Gilliam - Robert Ginty - Benjamin Glazer - Crispin Glover - Eric Goldberg - Gary Goldman - Nick Gomez - Bert I. Gordon - Keith Gordon - Stuart Gordon - David S. Goyer - William A. Graham (regizor) - Lee Grant - Walter Grauman - F. Gary Gray - William Greaves - Bud Greenspan - Robert Greenwald - Bradley Gregg - D. W. Griffith - James William Guercio - Christopher Guest - Charles Guggenheim - Davis Guggenheim - Stephen Gyllenhaal -Jordan Galland -

H
Taylor Hackford - Barbara Hammer - Lisa Hammer - Curtis Hanson - Catherine Hardwicke - Veronica Hart - Hal Hartley - Henry Hathaway - Howard Hawks - Todd Haynes - Amy Heckerling - Peter Hedges - Richard T. Heffron - Buck Henry - Brian Henson - Jim Henson - James Herbert (regizor) - Herk Harvey - Herschell Gordon Lewis - Marshall Herskovitz - Jared and Jerusha Hess - George Roy Hill - Jerome Hill - Walter Hill - Gregory Hoblit - Savage Steve Holland - Todd Holland - Tom Holland - Kevin Hooks - Tobe Hooper - Dennis Hopper - James W. Horne - David Horsley - Ron Howard (regizor) - Reginald Hudlin - Warrington Hudlin - Hughes Brothers - Howard Hughes - John Hughes (regizor) - William J. Humphrey - Paul Hunter (regizor) - John Huston - Brian G. Hutton - Peter Hyams -

I
Thomas Harper Ince - Rex Ingram (regizor) - James Ivory (regizor) -

J
Donald G. Jackson - George Jackson (regizor) - Jim Jarmusch - Patty Jenkins - Rian Johnson - Clark Johnson - Nunnally Johnson - Ollie Johnston - L.Q. Jones - F. Richard Jones - Spike Jonze - Rupert Julian - Miranda July -

K
Deborah Kaplan - Lawrence Kasdan - Philip Kaufman - Elia Kazan - Buster Keaton - David Keith - David Kellogg - Gene Kelly - Richard Kelly (regizor) - Sarah Kernochan - Irvin Kershner - James Kerwin - Joseph Kahn - Zalman King - Randal Kleiser - Steve Kloves - David Koepp - Zoltán Korda - Harmony Korine - Stanley Kubrick - Ken Kwapis -

L
Neil LaBute - John Landis - Walter Lang - John Lasseter - Stan Lathan - Marc Lawrence (regizor) - Mervyn LeRoy - Richard Leacock - Mimi Leder - Charles Lederer - Malcolm D. Lee - Spike Lee - Michael Legge (regizor) - Henry Lehrman - Jack Lemmon - Kasi Lemmons - Richard Lester - Albert Lewin - Barry Levinson - Jerry Lewis - Joseph H. Lewis - Doug Liman - Richard Linklater - Steven Lisberger - Lynne Littman - Joshua Logan - Del Lord - Joseph Losey - George Lucas - Sidney Lumet - Oscar A.C. Lund - Dick Lundy (animator) - Ida Lupino - Rod Lurie - David Lynch - Jennifer Lynch -

M
Willard Mack - Alexander Mackendrick - Terrence Malick - Rouben Mamoulian - James Mangold - Joseph L. Mankiewicz - Anthony Mann - Delbert Mann - Michael Mann (regizor) - Dave Markey - Penny Marshall - Darnell Martin - Stu Maschwitz - Elaine May - Albert and David Maysles - Paul Mazursky - Leo McCarey - McG - J.P. McGowan - Robert A. McGowan - Robert F. McGowan - Doug McHenry - Andrew V. McLaglen - John McNaughton - James McTeigue - John McTiernan - Gus Meins - Adolfas Mekas - Jonas Mekas - George Melford - Radley Metzger - Nicholas Meyer - Russ Meyer - Dave Meyers - Oscar Micheaux - Ted V. Mikels - Lewis Milestone - John Milius - Harry F. Millarde - Frank Miller - Mike Mills (regizor) - Tim Minear - Steve Miner - Vincente Minnelli - Michael Moore - Michael D. Moore - Robert Moore (regizor) - Paul Morrissey - Robert Mulligan - Misty Mundae - Richard Myers (regizor) - Grim Natwick - Marv Newland - Paul Newman - Fred Newmeyer - Fred Niblo - Mike Nichols - Leonard Nimoy - Jehane Noujaim - Christian Nyby -

N
Fred Niblo - Christopher Nolan

O
Dan O'Bannon - Ron O'Neal - Sidney Olcott - Ken Olin - Barry M. Osborne - Frank Oz -

P
PES (regizor) - Alan J. Pakula - George Pal - Euzhan Palcy - Dean Parisot - Trey Parker - Gordon Parks - James Parrott - John Tiffen Patterson - Alexander Payne - Sam Peckinpah - Kimberly Peirce - Arthur Penn - D.A. Pennebaker - Frank Perry - Tyler Perry - Phil Tippett - Philip Dunne (pisatelj) - Todd Phillips - Jan Pinkava - Amos Poe - Sidney Poitier - Sydney Pollack - Hal Prince - Gina Prince-Bythewood -

Q
Richard Quine -

R
Sam Raimi - Harold Ramis - Brett Ratner - Man Ray - Nicholas Ray - Robert Redford - Godfrey Reggio - Carl Reiner - Rob Reiner - Kevin Reynolds - Rick Schmidlin - John Ridley - Martin Ritt - Jay Roach - Tim Robbins - Robert Butler (regizor) - Robert Rodríguez - Chris Roberts - Hugh A. Robertson - Angela Robinson - Phil Alden Robinson - Mark Robson - John Roecker - Mark Romanek - George A. Romero - Herbert Ross - Robert Rossen - Eli Roth - Wesley Ruggles - Richard Rush (regizor) - David O. Russell - Jay Russell - Mark Rydell -

S
Bob Saget - Victor Salva - Chris Sanders - Terry Sanders - Alfred Santell - Joseph Santley - Tom Savini - John Sayles - Franklin Schaffner - Rob Schmidt - Julian Schnabel - Paul Schrader - Joel Schumacher - Martin Scorsese - Campbell Scott - Wilbur Scott - George Seaton - Mack Sennett - Christopher Seufert - Maxwell Shane - Scott Shaw - Ron Shelton - Bill Sherwood - George Sidney - Marcos Siega - Don Siegel - Bryan Singer - John Singleton - Jack Smight - Bruce W. Smith - Charles Martin Smith - Kevin Smith - Zack Snyder - Steven Soderbergh - Courtney Solomon - Todd Solondz - Barry Sonnenfeld - Steven Spielberg - Morgan Spurlock - John M. Stahl - Sylvester Stallone - Ray Dennis Steckler - Josef von Sternberg - George Stevens - Leslie Stevens - Robert Stevenson (regizor) - Douglas Day Stewart - Ben Stiller - Whit Stillman - John Stockwell (actor) - Charles Stone III. - Oliver Stone - Tim Story (regizor) - Adario Strange - Barbra Streisand - Erich von Stroheim - John Sturges - Preston Sturges - James Szalapski -

T
Quentin Tarantino - Frank Tashlin - Norman Taurog - William Desmond Taylor - Julie Taymor - Michael Toshiyuki Uno - Tiffani Thiessen - Betty Thomas - Billy Bob Thornton - Richard Thorpe - George Tillman mlajši - Stacy Title - James Toback - Rip Torn - Robert Townsend - Gary Trousdale - Douglas Trumbull - Phil Tucker - Florence Turner - Frank Tuttle -

V
Woody Van Dyke - Tim Van Patten - Mario Van Peebles - Melvin Van Peebles - Gus Van Sant - Gore Verbinski - King Vidor - Robert G. Vignola - Bernard Vorhaus - Slavko Vorkapich -

W
Chris Walas - Bill Walsh (producător de film) - Raoul Walsh - Denzel Washington - John Waters (regizor) - John S. Waters - Keenen Ivory Wayans - Marlon Wayans - Jack Webb - Paul Weitz (regizor) - Chris Weitz - Orson Welles - William A. Wellman - Roland West - Joss Whedon - Forest Whitaker - Billy Wilder - Hype Williams - Kevin Williamson - Kurt Wimmer - Irwin Winkler - Robert Wise - Len Wiseman - Doris Wishman - Alexander Witt - George W. Hill - George C. Wolfe - John Woo - Edward D. Wood mlajši - Sam Wood - Bille Woodruff - William Wyler -

Y
Kevin Yagher - Boaz Yakin - Ben Younger - Brian Yuzna -

Z
Steven Zaillian - Joe Zaso - Nick Zedd - Robert Zemeckis - Lee David Zlotoff - David Zucker - Jerry Zucker - Edward Zwick - Terry Zwigoff -

Vezi și
 Listă de regizori de film

americani
Regizori
 Listă
Cinematografia americană

Listă de regizori americani


Kažnjeničke bojne, kažnjeničke satnije, itd. su vojne postrojbe sastavljene od osuđenika kojima je vojna služba u takvim postrojbama dodijeljena kao kazna ili kao alternativa utamničenju ili smrtnoj kazni.

Francuska
Régiment pénal de l'Île de Ré, formirana 1811. godine.
Bojna lakog pješaštva Afrike, formirana 1832. godine.
Stegovna satnija stranih pukovnija na Dalekom Istoku (1946. – 1956.)

Italija
Battaglione di rigore (Talijanska Socijalna Republika)

Nacistička Njemačka
999. afrička brigada
Dirlewangerova brigada
500. SS padobranska bojna
Strafbattalion

Sovjetski Savez
Shtrafbat

Vojne postrojbe

Kažnjenička vojna postrojba


Plitvice Gölleri (Hırvatça: Plitvička jezera Hırvatistan'da Bosna-Hersek sınırına oldukça yakın bir bölgede yer alan, aynı zamanda UNESCO'nun Dünya Kültür Mirası listesine aldığı göller topluluğudur.

Galeri

kaynakça

Hırvatistan'daki göller
Hırvatistan'daki ormanlar
Hırvatistan'daki Dünya Mirasları
Tehlike altındaki Dünya Mirasları
Göl grupları

Plitvice Gölleri


Gianna Jessen (Los Angeles, 6. travnja 1977.) američka je aktivistica protiv pobačaja. Rođena je tijekom neuspjelog pokušaja pobačaja korištenjem kemijskih supstanci. Film Listopadska beba iz 2011. godine djelomično se temelji na njezinu životu.

Rani život
Jessen je rođena 6. travnja 1977. u Los Angelesu, Kalifornija. Njezin zdravstveni karton pokazuje da je rođena u tridesetom tjednu trudnoće od sedamnaestogodišnje djevojčice, tijekom neuspjelog pobačaja korištenjem kemijskih supstanci. Jessenin rodni list potpisao je liječnik koji je vršio pobačaj.

Jessen je pri rođenju težila 1,1kg, a rođena je s cerebralnom paralizom, motoričkim stanjem koje utječe na različita područja tjelesnog kretanja, a koje je, kako kaže, uzrokovano pokušajem pobačaja.  Ona to opisuje kao "sjajan dar". Jessen je prije nego što je udomljena provela u bolnici tri mjeseca. Posvojena je u dobi od četiri godine.

Karijera

1990-te
Jessenina aktivistička karijera započela je 1991. godine kad je imala 14 godina, nakon što joj je njezina posvojiteljica Diana DePaul rekla da ju je tijekom neuspjelog pokušaja pobačaja rodila 17-godišnja djevojčica. Jessen od tada vodi borbu protiv pobačaja, govoreći: "Udobnije je o abortusu misliti kao političkoj odluci ili pravnom pitanju. Ali ja nisam pravno pitanje. Ja sam ljudsko biće". Jessen je rekla da je oprostila biološkoj majci, ali da je veza s njom ne zanima, navodeći snažan odnos s majkom posvojiteljicom. Jessen je također vodila kampanju protiv izuzetaka kod zakona o pobačaju u kasnom terminu, a s obzirom na fetalnu invalidnost, pozivajući se na vlastiti invaliditet. Jessen se 1991. sa svojom posvojiteljicom pojavila u emisiji Maury Povich.  Izvješćujući o njezinoj priči i objavljujući naciji Jessenin rani život, The New York Times je primijetio da su Jessen i Becky Bell, tinejdžerica koja je navodno umrla od traljavog nesigurnog pobačaja 1988. godine, postale simboli američke rasprave o pobačaju i okarakterizirao ih kao "djevojke s plakata čije se priče pametno plasiraju kako bi održale visoku razinu strasti". "Jessen" je zapravo umjetničko ime koje je odabrano kod započinjanja aktivizma.

Godine 1995., četiri godine nakon što je Jessen došla u središte nacionalne pozornosti, autorica Jessica Shaver objavila je njezinu biografiju. Početkom 1996. Festival of Light Australia sponzorirao je njenu australsku turneju tijekom koje je Jessen govorila u svim državama i teritorijima.

2000-te
U svom govoru 2002. godine kod potpisivanja Zakona o zaštiti rođene dojenčadi predsjednik George W. Bush spomenuo je Jessen, priznavši njezinu zauzetost i izrazivši joj zahvalnost.

U prosincu 2005. Jessen je otputovala u London kako bi podržala kampanju za smanjenje broja pobačaja prema Zakonu o pobačaju u Velikoj Britaniji, te održala govor na parlamentarnom sjednici Donjeg doma. Nadbiskupi Canterburyja i Westminstera izjavili su kako se nadaju da će njezina priča potaknuti Parlament da ponovno postavi pitanje pobačaja.

Zastupnički dom države Colorado 8. svibnja 2006. razmatrao je rezoluciju u čast 90. godišnjice lokalne podružnice Planned Parenthooda. Republikanski predstavnik Ted Harvey pozvao je Jessen da tog dana otpjeva državnu himnu u Gornjem domu, te zatim ispriča svoju priču "jer, 'samo sam htio uključiti njezin lik u tu proslavu'".

U rujnu 2008., Jessen je boravila u australskoj Canberri pod pokroviteljstvom australskog kršćanskog lobija, kako bi lobirala kod saveznih političara o pobačajima u kasnom terminu. Istog mjeseca Jessen se pojavila u političkoj reklami tijekom američke predsjedničke kampanje 2008. godine, rekavši, "da je po zamisli Baracka Obame, ne bih bila ovdje", pozivajući se na Obamino protivljenje legislativi "born alive".

2010-te
U rujnu 2015, Jessen je svjedočila na Kongresnom saslušanju istražujući prakse Planned Parenthooda u vezi s darivanjem fetalnog tkiva, nakon kontroverze o tajnim video zapisima o Planned Parenthoodu iz 2015. Tijekom svjedočenja Jessen je rekla da će Planned Parenthoodu postaviti sljedeće pitanje: "Ako se pobačaj tiče ženskih prava, gdje su moja?"

Bibliografija
Jessen je objavila biografiju Gianna : pobačena i preživjela kako bi to ispričala (Gianna: Aborted and Lived to Tell about it).

Vidi također
 Oldenburška beba, njemačko dijete rođeno nakon neuspjelog pokušaja pobačaja
 40 dana za život

Izvori

Vanjske poveznice
  Gianne Jessen
 Gianna Jessen: Rođena sam za vrijeme abortusa, book.hr
 Stranica Gianne Jessen na web stranici Mreže preživjelih pobačaja
 Politička reklama Born Alive Truth u kojoj se pojavljuje Gianna Jessen kritizira stajalište Baracka Obame o zakonu Born Alive
 Adresa Gianne Jessen u Australiji (YouTube)
 Intervju Gianne Jessen u emisiji Maury Povich, 1991
 Svjedočenje Gianne Jessen na saslušanju Kongresnog odbora za pravosuđe, 9. rujna 2015

Američki pro-life aktivisti

Gianna Jessen


«I See the Light» es el primer sencillo promocional del álbum oficial de la banda sonora de la película de Tangled, el tema es interpretado por la cantante pop estadounidense Mandy Moore y el actor estadounidense Zachary Levi. En su versión para Hispanoamérica el tema recibe el nombre de «Veo en ti la Luz»  y es interpretado por los cantantes Danna Paola y Chayanne, mientras que la versión para España es titulada «Por fin ya veo la luz» interpretada por Carmen López y Tony Mateo.

Nominaciones
«I See the Light» ha sido nominada a varias premiaciones de gran importancia en los Estados Unidos y el mundo. En los Premios de la Academia en la categoría de Mejor Canción Original; así como en los Golden Globe en la misma categoría.

Consiguió una nominación en los Broadcast Film Critics Association en la categoría de mejor canción, el 30 de noviembre de 2011 se dan aconocer las nominaciones de los Premios Grammys de 2012, «I See the Light» es nominada a la categoría «Best Song Written For Visual Media», convirtiéndose en la primera nominación de Mandy Moore a esta premiación después de 13 años de carrera musical.

Referencias

Canciones ganadoras del premio Grammy a la mejor canción escrita para medios visuales
Sencillos de Mandy Moore
Sencillos de 2010
Sencillos de pop
Temas musicales de películas

I See the Light


The red goshawk (Erythrotriorchis radiatus) is probably the rarest Australian bird of prey. It is found mainly in the savanna woodlands of northern Australia, particularly near watercourses. It takes a broad range of live prey, mostly birds.

Taxonomy
The red goshawk was first described by the English ornithologist John Latham in 1801 under the binomial name Falco radiatus.

The species used to be regarded as a very large member of the goshawk subfamily, Accipitrinae, but it is now believed that the resemblance to these other birds is convergent. Experts now group the red goshawk with the superficially dissimilar black-breasted buzzard Hamirostra melanosternon and square-tailed kite Lophoictinia isura as one of the Australasian old endemic raptors. It is believed that the ancestors of these birds, possibly together with a handful of species from South-east Asia and Africa, occupied Gondwana and over millions of years have diverged into their current forms.

Gene sequencing studies have found a relationship between Hamirostra and Lophoictinia, however samples had not been obtained from Erythrotriorchis.

Description

Plumage is generally rufous; on the head streaked with black and white, having more white on the face and throat; on the upper surfaces (body and upperwings) marked with black. Flight feathers and tail are barred grey, dark above and light below. Underside (belly and underwing coverts) are rufous with slight black ticking. The female has a paler belly than the male. Juveniles (first year) have less streaking on the head.

Adults have yellow irides (brown to yellow in the male); juveniles brown. The cere and skin around the eye vary from pale-blue in the juvenile through pale blue-grey to pale-grey in the adult. Adults' legs and feet are yellow; juveniles are pale grey, cream, or pale yellow.

Wings are long, broad and fingered at the tips.  Its long wings are unlike the short wings of the Accipiter goshawks.  Its tail is long and broad; square-tipped and about half its total length.  It has a robust bill, slight brow ridge, and very heavy feet with bare tarsi having scutellate scale pattern.

Pattern of direct flight is described as "sometimes leisurely, rather heavy and crow-like, with sustained flapping". Pursuit is "powerful and energetic with deep, fluid wing beats, like a fast-flying Brown Falcon". It soars with wings raised in a slight dihedral, almost flat; glides with wings flat or slightly bowed; and sometimes stoops with closed wings.

Size is 45–60 cm long, with 110–135 cm wingspan. Males weigh 635 g, females 1100–1400 g. The female is similar in size to a whistling kite, and the male to a female brown falcon.

Distribution and habitat
Sites identified by BirdLife International as being important for red goshawk conservation are Lilyvale in Far North Queensland, Kakadu Savanna and the Tiwi Islands in the Northern Territory, and Mornington Sanctuary in the Kimberley region of Western Australia.

Behaviour

Breeding
The nest is built in an exposed fork of a tall emergent tree.  It is a stick platform lined with green leaves, 60–120 cm across and 30–50 cm deep.

The egg-laying season is from May to October in the tropical north, and August to October in the east. Incubation takes 40 days, the nestling period 51–53 days, and juveniles remain dependent for 2–3 months.

Diet
Red goshawks eat mostly birds, especially parrots and pigeons; rarely they also prey on mammals, reptiles, and large insects.

Early and late in the day, they hunt from concealed perches in the trees. In the middle of the day, they use long transects, quartering through or above the canopy, or search from a high soaring position. They attack by a stealthy glide, direct chase, or may stoop from a height.

Status
The red goshawk is listed nationally as endangered under the federal Environment Protection and Biodiversity Conservation Act 1999 EPBC and is listed as endangered in Queensland and New South Wales and as vulnerable in the Northern Territory and Western Australia. It is also listed under the Convention on International Trade in Endangered Species of Wild Fauna and Flora CITES.

The species is sparsely dispersed throughout its range across Australia but recent significant declines have been cause for concern. The main threats and causes of declines in eastern Australia have been attributed to clearing of forests and woodlands for agriculture which leads to degradation of remaining habitat, reduced available prey and reduction in suitable nesting sites.

The protection of remaining intact habitat and the recovery of suitable habitat through rehabilitation through regulation on land clearing is an important conservation management tool for their survival.

References

red goshawk
Birds of the Northern Territory
Birds of Queensland
Endemic birds of Australia
Diurnal raptors of Australia
red goshawk
red goshawk

Red goshawk


Ardara (sardinski: Àldara) je grad i općina (comune) u pokrajini Sassariju u regiji Sardiniji, Italija. Nalazi se na nadmorskoj visini od 296 metara i ima 782 stanovnika. Prostire se na 38,19 km2. Gustoća naseljenosti je 20 st/km2.Susjedne općine su: Chiaramonti, Mores, Ozieri, Ploaghe i Siligo.

Izvori

Općine u pokrajini Sassari

Ardara


Riccardo Magnani (1963 í Lecco) er ítalskur listagagnrýnandi.

Magnani er ítalskur listsagnfræðingur sem sérhæfir sig í Leonardo da Vinci.

Magnani er með gráðu í hagfræði og verslun frá hinum virta L. Bocconi háskóla í Mílanó.

Magnani er tileinkaður rannsókn og miðlun Leonardo da Vinci, endurreisnartímanum og kortagerðinni sem tengist fyrstu ferðunum til Ameríku, skrifun bóka og ráðstefnum í ýmsum löndum. Hann er talinn einn af fremstu sérfræðingum heims í Leonardo da Vinci og höfundur fjölda uppgötvana og vísindarannsókna sem hafa alþjóðlega þýðingu.

Heimildir

Ítalskir gagnrýnendur

Riccardo Magnani


මෞත්‍ර පද්ධතිය () යනු වකුගඩු (kidneys), ureters, මුත්‍රාශය (bladder) සහ urethra අඩංගු වන පද්ධතිය වේ.

මෞත්‍ර පද්ධතිය

මූත්‍ර පථය


Heinrich Ahrens ist der Name folgender Personen:

* Heinrich Ahrens (Maler) (1805–1863), deutscher Maler und Fotograf
 Heinrich Ahrens (1808–1874), deutscher Philosoph
 Heinrich Ahrens (Bildhauer) (1845–1904), deutscher Bildhauer und Heraldiker
 Heinrich Ludolf Ahrens (1809–1881), deutscher klassischer Philologe
 Heinrich Wilhelm Ahrens (1903–2002), deutscher Versicherungskaufmann

Heinrich Ahrens (Begriffsklärung)


කහවත්ත මධ්‍ය මහා විද්‍යාලය ශ්‍රී ලංකාවේ  ද‍්විතියික පාසලකි. සිසු සිසුවියන් 1300 පමණ ඉගෙනුම ලබන 6 ශ්‍රේණියේ සිට 13 ශ්‍රේණිය දක්වා ශ්‍රේණි පරාසයක් පවතී.

කාර්ය මණ්ඩලය
ගුරු භවතුන් 75 දෙනෙකු මෙහි සේවය කරනු ලබයි. අතුල කුමාර රත්නායක වර්තමාන විදුහල්පති වරයා වේ.

පරිපාලනය
සබරගමු පළාතට අයත් නිවිතල අධ්‍යාපන කලාපයේ කහවත්ත අධ්‍යාපන කොට්ඨාසයට  අයත් 1AB වර්ගයේ පාසලකි.

කහවත්ත මධ්‍ය මහා විද්‍යාලය


Tamil İlam (Tamil: தமிழ் ஈழம், tamiḻ īḻam) Tamil Eelam Kurtuluş Kaplanları (TİÖK) tarafından Sri Lanka adasının Kuzey ve Doğu kısımlarında sahip olmak istedikleri özgür devlete verdikleri isimdir. Ilaṅkai (இலங்கை) ve Īḻam (ஈழம்) kelimeleri adanın tümünün Tamil dilindeki adlarıdır.

Tamil İlam yalnızca TİÖK tarafından bağımsız devlet olarak kabul edilir. TİÖK Tamil İlam olarak iddia edilen toprakların %40-50'sini yönetmektedir. Bu ise Kilinochchi ve Mullaiththeevu'nun tüm bölgelerini, Mannar, Batticaloa ve Vavuniya bölgelerinin çoğunu ve Trincomalee ve Amparai bölgelerinin bazı kısımlarını kapsamaktadır.

Kuzey ve Güney Sri Lanka'nın TİÖK'ün kontrolü altında olan kısımları de fakto yarı-bağımsız devlet durumundadır. Sri Lanka hükûmeti tarafından tanınmamış kurumlar olsa da, kendi yargıtayı, polis gücü, ordusu, donanması, hava kuvvetleri, haberalma teşkilatı ve merkez bankası bulunmaktadır. Hükûmete ait olan A9 karayolundan sağladığı elektrik ve eşyalara bağımlıdır. Kendi para birimi yoktur ve Sri Lanka rupeesini kullanmaktadır. TİÖK sıklıkla zorunlu mallarda ambargo uygulamak ve sivillere sıkıntı yaratmakla suçlanmaktadır. Kendi havaalanı yoktur, bu nedenle yabancı ziyaretçiler Kolombo havaalanını kullanmaktadırlar.

Dış bağlantılar
 Tamil Eelam web page
 Tamil Eelam web page
 TNS NEWS
 Tamil, Eelam & Tamil Eelam

Tamil İlam


Nagrada Henri de Lubac je nagrada koju svake godine dodjeljuje francuski institut Centre Saint Louis uz pokroviteljstvo francuskog Veleposlanstva pri Svetoj Stolici. Dodjeljuje ju za dvije izvanredne doktorske disertacije obranjene na Papinskim sveučilištima u Rimu u području teoloških znanosti, od kojih je jedna napisana na francuskom, a druga na nekom od četiriju službenih sveučilišnih jezika (talijanskom, engleskom, španjolskom i njemačkom). Namjera dodjelitelja je nagraditi ozbiljnost i kvaliteta teološko-filozofskog promišljanja na papinskim sveučilištima, kao i odati počast velikom teologu, isusovcu, kardinalu Henriju de Lubacu.

Među Hrvatima koji su dobili ovu nagradu je vlč. Petar Popović.

Izvori

Znanstvene nagrade
Vatikan
Teologija

Nagrada Henri de Lubac


Hrvatsko kulturno-prosvjetno društvo Jelačić je kulturno-prosvjetna ustanova Hrvata u Petrovaradinu.

Povijest

Osnovano je 2003. godine.

Preduvjeti osnivanja stvoreni su 2000-ih. Nakon otkrivanja spomen-ploče banu Jelačiću na rodnoj kući, u svjetlu novonastalih političkih i društvenih prilika, otvorila se mogućnost osnivanja hrvatskog društva. Probuđena su brojna hrvatska društva u Srijemu i Bačkoj. Petrovaradinski Hrvati odlučili su obnoviti svoj kulturni i društveni život koji se do Drugoga svjetskog rata odvijao kroz djelovanje tridesetak udruga. Potporu im je dao srijemski biskup mons. Đuro Gašparović.  Osnivačka skupština Društva održana je na spomendan sv. Katarine, 25. studenoga 2003. godine, u svečanoj auli rezidencije srijemskoga biskupa. Na skupštini je rad HKPD-a Jelačić Petrovaradin, usvojen statut, izabrani članovi odbora. Prvi predsjednik bio je Petar Barbek. Osnivanje nije prošlo bez poteškoća. Poslije niza uzastopnih odgađanja i primjedaba za registraciju Ministarstva unutarnjih poslova u Novom Sadu, HKPD je konačno registriran 8. ožujka 2004. godine u Ministarstvu za ljudska i manjinska prava Srbije i Crne Gore, u Beogradu.
Početak rada obilježio je izvrsni nastup već postojećeg vokalno-instrumentalnog sastava "Patoka".

Prostorije

Smješten je u Strossmayerovoj 20. Uredski prostor je u Koste Nađa 21. Vodstvo čine Petar Pifat, predsjednik, Slavko Petričević, dopredsjednik i Marina Karavanić, tajnica.

Sekcije

Društvo ima pjevačku, tamburašku, povijesno-istraživačku, športsku, dramsku i likovnu sekciju.

Aktivnosti

Manifestacije koje održava su Pokladni karneval na nedjelju prije Čiste srijede – Pepelnice, u veljači obilježava Spomendan smrti Josipa Runjanina, u ožujku obilježava Spomendan rođenja Franje Štefanovića, u svibnju obilježava Spomendan rođenja Ilije Okrugića Srijemca, u drugoj polovici lipnja održava Godišnji koncert Mješovitog zbora i tamburaškog orkestra, 16. listopada održava Svečanu akademiju u povodu obilježavanja spomendana bana Jelačića, na 6. prosinca održava prigodni program za sv. Nikolu te posljednjeg tjedna u prosincu Božićni koncert. Vrlo je uspješna športska sekcija, zahvaljujući svojoj nogometnoj sekciji.

Uspjesi

Osvojila je broju priznanja, po kojima je u vrhu i u Društvu i među ostalim hrvatskim udrugama u Srijemu. Malonogometaši HKPD-a Jelačić redovito pobjeđuju na malonogometnim turnirima održanim u organizacijama hrvatskih udruga u Zemunu, Srijemskoj Mitrovici, Rumi i Slankamenu. Sekciju vodi Milan Mikuljan.

Izvori

Vanjske poveznice
Facebook profil
Hrvatske novine HKPD "Jelačić" Petrovaradin 10. kolovoza 2016.

Srijemski Hrvati
Petrovaradin
Hrvatska kulturno-umjetnička društva iz Vojvodine

HKPD Jelačić Petrovaradin


Altamira do Maranhão es un municipio brasileño del estado de Maranhão. Según el Censo IBGE del año 2010, la población era de 10211 habitantes.

Referencias

Enlaces externos

Localidades de Maranhão

Altamira do Maranhão


The Bavarian People's Party (German: ; BVP) was a Catholic political party in Bavaria during the Weimar Republic. After the collapse of the German Empire in 1918, it split away from the national-level Catholic Centre Party and formed the BVP in order to pursue a more conservative and particularist Bavarian course. It consistently had more seats in the Bavarian state parliament than any other party and provided all Bavarian minister presidents from 1920 on. In the national Reichstag it remained a minor player with only about three percent of total votes in all elections. The BVP disbanded shortly after the Nazi seizure of power in early 1933.

Founding
There had been a Bavarian wing of the Centre Party throughout the years of the German Empire. After Germany's defeat in World War I and the outbreak of the German Revolution of 1918–1919, leading Bavarian members of the Centre Party around Georg Heim founded the Bavarian People's Party in Regensburg on 12 November 1918 as the Bavarian party of political Catholicism. Two main factors drove the split from the Centre Party. The first was the Bavarian members' emphasis on federalism at the national level, in contrast to the Centre that under the leadership of Matthias Erzberger favored a more centralized national government. The second factor was the Bavarians' clearly more conservative stance, including its assessment of the ongoing revolution which was being led by the Social Democratic Party (SPD). The founding members of the BVP included the party's agrarian wing and, after some resistance, the workers' representatives. The BVP's founding program called for a parliamentary government at the Reich level with a strongly federalist structure, the abolition of "Prussian supremacy", voting rights for women and the introduction of plebiscites. At the party level it strove for a corporative structure, with a "farmers' chamber" () as the first step. Half of all committee members and parliamentary candidates at both the national and local level had to be members of BVP-affiliated professional organizations. Party leadership was drawn mostly from clerics, the nobility and the middle class.

Electoral results
The BVP, with about 55,000 members and 2,500 local chapters, was the most widely elected party in all five Bavarian state elections during the Weimar Republic and was represented in all state governments. Most were coalitions with the Bavarian Peasants' League () and the Protestant Bavarian Middle Party (), which after 1920 was the Bavarian branch of the strongly nationalist German National People's Party (DNVP). The BVP provided the minister president four times: Gustav Ritter von Kahr (1920–1921), Hugo Graf von Lerchenfeld (1921–1922), Eugen von Knilling (1922–1924) and Heinrich Held (1924–1933). Kahr and Lerchenfeld had only loose ties to party.

At the national level, the BVP and the Centre formed an electoral alliance for the January 1919 election to the Weimar National Assembly that drew up the Weimar Constitution and served as Germany's interim parliament until the new constitution went into effect. The two parties also had a joint parliamentary group until 1920. After that the relationship between the sister parties deteriorated and led to competitive candidacies in some elections, although from 1927 on there was again a rapprochement.

The BVP participated in various national governments and provided ministers in the cabinets of Wilhelm Cuno, Wilhelm Marx (first), third and fourth cabinets), Hans Luther (first) and second cabinets), Hermann Müller (second cabinet), and Heinrich Brüning (first) and second cabinets). Erich Emminger was the highest ranking, serving as the Reich minister of justice in 1923–1924.

Political activity

BVP Minister President Kahr was responsible for the idea of establishing Bavaria as an  (cell of order) within the "Marxist chaos" and completely "Judaized" Weimar Republic. He also fostered the growth of the Civil Guard (Einwohnerwehr), which was similar to the Freikorps. Kahr resigned as minister president in 1921 when the Law for the Protection of the Republic forced the Civil Guards to disarm. In 1924 Minister President Knilling appointed Kahr state commissioner general () with dictatorial powers. After Kahr immediately imposed a state of emergency in Bavaria, the government in Berlin did the same for all of Germany. Kahr then stopped enforcing the Law for the Protection of the Republic, which increased the punishments for politically motivated acts of violence and banned organizations that opposed the "constitutional republican form of government" along with their printed matter and meetings. In spite of his right-wing stances, he helped put down Adolf Hitler's November 1923 Beer Hall Putsch. Under pressure from Berlin, Kahr was forced to resign as state commissioner general two months later.

The  (Bavaria Watch), the uniformed paramilitary unit of the Bavarian People's Party, was formed in 1925. It disbanded itself in April 1933.

After the stabilization of the political situation in Germany, the BVP pursued a more moderate course under the leadership of Minister President Heinrich Held (1924–1933) and party president Fritz Schäffer. Under Held, the Bavarian conflicts with the Reich government ended, the economy stabilized, the state administration was reformed and infrastructure expanded. At the national level, the BVP voted in 1925 against Centre Party Reich presidential candidate Wilhelm Marx and for Paul von Hindenburg since it feared socialist-driven centralization.

Rise of the Nazi Party and end of the BVP
The strong upsurge of the Nazi Party (NSDAP) that began in 1930 did not affect the BVP to the same extent as other middle class parties – the German National People's Party (DNVP), German People's Party (DVP) and the German Democratic Party (DDP; later DStP) – since it had a rural Catholic core electorate with solid local structures that proved largely resistant to the emerging National Socialist movement.

Heinrich Himmler, who had been a member since 1919, resigned from the BVP in 1923.

After the Nazi Party seized power in January 1933, all 19 BVP deputies in the Reichstag voted for the Enabling Act of 1933 that gave Hitler as chancellor the power to make and enforce laws without involving the Reichstag. The Bavarian government underwent Gleichschaltung () – essentially Nazification – on 10 April 1933. On the same day, Reich Interior Minister Wilhem Frick named General Franz Ritter von Epp as Reichsstatthalter (Reich governor) of Bavaria, and Minister President Held was forced out of office. The BVP, many of whose members had been arrested, saw itself as deprived of any possibility of action and dissolved itself on 4 July 1933. All of its arrested politicians were then released.

Successor parties

The Christian Social Union (CSU) and the Bavaria Party were founded after the Second World War. In programmatic terms they can be seen in part as successor organizations to the BVP, but the CSU is not a legal continuation or successor party to the BVP. From 1945 it absorbed most of the German nationalist camp in Bavaria: the  (Bavarian Middle Party), which in the Weimar Republic was the Bavarian offshoot of the nationalist German National People's Party (DNVP), parts of the Bavarian Peasants' League and of the urban liberal middle classes. The same was true of the Bavaria Party, whose supporters came partly from the BVP camp and partly from the Peasants' League.

References

1933 disestablishments in Germany
1919 establishments in Germany
Bavarian nationalism
Christian democratic parties in Germany
Conservative parties in Germany
Defunct regional parties in Germany
Nationalist parties in Germany
Political parties disestablished in 1933
Political parties established in 1919
Political parties in the Weimar Republic
Politics of Bavaria
Catholic political parties
Social conservative parties

Bavarian People's Party


دبابة فيكرز  دبابة قتال رئيسية بريطانية صممت من قبل شركة فيكرز أرمسترونغز البريطانية خلال أعوم 1958 - 1963. أنتجت دبابة فيكرز على 3 فئات هي مارك-1 ومارك-2 ومارك-3.

مارك-1
في أغسطس 1961 وقعت الحكومة الهندية عقدا مع شركة فيكرز أرمسترونغز لتزويد الهند بدبابة قتال حديثة، بعد أن قامت الحكومة الهندية بتقييم العروض الألمانية والبريطانية، كان الاتفاق ينص على أن تقوم الشركة بصنع 90 دبابة داخل بريطانيا وتورديهم للهند ثم يستكمل الإنتاج محليا في الهند.

كانت هذه الفئة هي مارك-1 وهي تزن 38.6 طن، التسليح يتضمن مدفع من عيار 105 ملم مع 44 قذيفة ورشاشين آليين من عيار 7.62، تتراوح سماكة الدرع ما بين 17-80 مليمتر، زودت الفيكرز مارك-1 بمحرك ليلاند متعدد الوقود بقوة 650 حصان وتبلغ السرعة القصوى 48 كليومترا بالساعة، يتألف الطاقم من أربعة أفراد هم الآمر والسائق المدفعي والملقم، جاء تصميم الفيكرز مارك-1 بحيث تكون مبسطة ومنخضة التكاليف وأن تكون مؤثرة وفعالة.

صنع أول نموذجين لدبابة الفيكرز في عام 1963 أرسل أحدهما للهند وبقي النموذج الثاني في بريطانيا للتجارب، بدأ الإنتاج في بريطانيا عام 1964 وسلمت 90 دبابة إلى الهند ثم بدأ الإنتاج داخل الهند عام 1965 تحت اسم ڨايايانتا.

في عام 1968 تعاقدت الكويت مع فيكرز أرمسترونغز على شراء 70 دبابة فيكرز مارك-1 سلمت خلال 1970-1972.

مارك-2
لم تدخل هذه الفئة مرحلة الإنتاج، ولم ينتج منها سوى نموذج أولي واحد، وبقيت كدارسة فقط. تشمل التعديلات المقترحة في هذه الفئة على تركيب منصات إطلاق صواريخ مضادة للدروع على جانبي برج الدبابة بمجموع 4 صواريخ وتصميم جديد للبرج إضافى إلى سُرف جديدة تتحمل السير بسرعة 56 كم بالساعة.

مارك-3
بدأ إنتاج دبابة «الفيكرز مارك-3» عام 1978 حيث صدرت إلى كينيا ونيجيريا تشمل التطويرات في هذه الفئة على استبدال المحرك الأصلي للدبابة بمحرك ديزل توربيني بقوة 720 حصان وبرج مصبوب جديد للدبابة من أجل حماية أفضل إضافة إلى منظومة تحكم بالنيران محسنة.

مصادر

وصلات خارجية
 Vijayanta MBT production

دبابات قتال رئيسية في الحرب الباردة
دبابات قتالية رئيسية في المملكة المتحدة
فيكرز
مركبات عسكرية 1960–1969

فيكرز (دبابة)


هيديوكي تاناكا (田中秀幸 تاناكا هيديوكي) هو ممثل ياباني ولد في 12 نوفمبر 1950 في أوتا، طوكيو.

أدواره في الأنمي

مسلسلات أنمي تلفزيونية
 كارد كابتور ساكورا - فوجيتاكا كينوموتو
 كارد كابتور ساكورا: بطاقات كلير - فوجيتاكا كينوموتو
 فاينل فانتسي: أنليميتد - مادوشي
 البدلة المتنقلة جاندام - وودي مالدن
 سلام دانك - سهيل
 هلسينغ - إنريكو ماكسويل
 داي الشجاع - المعلم فان
 ون بيس - دون كيهوتي دوفلامنغو
 دراغون بول سوبر - داموم
 بليتش - شاولونغ كوفانغ
 خيميائي الفولاذ - ناش ترينغهام
 المحقق كونان - يوساكا كودو
 سباق التحدي - كابتن فالكون
 داركر ذان بلاك: المقاول الأسود - سيرغيه فيكتوروف
 كابتن ماجد - فواز
 ليدي ليدي - جورج رسل
 إكس-من - هنري ماكوي/بيست
 هيوغيمونو - أكيتشي ميتسوهيدي
 بنغويندرام - العم إيكيبي
 طريق السلام - الرائد غريب، الرائد نزار
 سينت سيا - ليو آيوليا، الراوي, وولف ناتشي (الصوت الأول)
 وورلد تريغر - ريبليكا، الراوي, يوغو كوغا
 نانا - تاكاشي أسانو
 قبضة نجم الشمال - فالكو
 لعبة الجوكر - جيفري مورغان
 إندماج الديجيمون - أبولومون
 جولة الربيع الأزرق - والد كو مابوتشي
 توريكو - أكاسيا
 أونيهي - كيشي سامانوسكي
 صاحب الظل الطويل - جيفريس بندلتون
 أساطير في قادم الزمان - عنترة

أنمي الإنترنت
 سينت سيا: سول أوف غولد - ليو آيوليا، الراوي
 سينت سيا: نايتس أوف ذا زودياك - آيوليا، الراوي
 نينجا سلاير فروم أنيميشن - موتور يابو، موتور دوكورو

أوفا أنمي
 تيلز أوف سيمفونيا ذي أنيميشن: تيثيالا - يغدراسيل
 تيلز أوف سيمفونيا ذي أنيميشن: اتحاد العوالم - يغدراسيل
 سينت سيا: هادس: المعابد الإثنا عشر - ليو آيوليا
 سينت سيا: هادس: العالم السفلي - ليو آيوليا
 سينت سيا: هادس: إليسيون - ليو آيوليا

أفلام أنمي
 X - سييتشيرو آوكي
 سينت سيا: النعيم: الإفتتاحية - ليو آيوليا
 كارد كابتور ساكورا - فوجيتاكا كينوموتو
 كارد كابتور ساكورا: البطاقة المختومة - فوجيتاكا كينوموتو

أدواره في ألعاب الفيديو
 سلسلة ألعاب ميتال غير - أوتاكون
 تيلز أوف سيمفونيا - يغدراسيل
 زينوغيرز - سيتان أوزوكي
 سينت سيا: ذا سانكتشواري - ليو آيوليا
 سينت سيا: ذا هادس - ليو آيوليا
 سينت سيا: سولجرز سول - ليو آيوليا
 ون بيس: أنليميتد وورلد ريد - دون كيهوتي دوفلامنغو
 ون بيس: بيرنينغ بلاد - دون كيهوتي دوفلامنغو
 مغامرة جوجو الغريبة: فانتوم بلاد - جوناثان جوستار

أدواره في الدبلجة اليابانية
 أكاديمية الشرطة - هاريس
 ماما ميا! - سام
 إن سي آي إس - لوري جيثرو غيبس
 كابتن أمريكا: جندي الشتاء - ألكسندر بيرس

وصلات خارجية

مراجع

أشخاص على قيد الحياة
أشخاص من أوتا (طوكيو)
أشخاص من طوكيو
مخرجو صوت
ممثلو أداء صوتي يابانيون
ممثلو ألعاب فيديو يابانيون
ممثلو الأداء الصوتي لشخصيات المحقق كونان
ممثلو الأداء الصوتي لشخصيات ون بيس
ممثلون أطفال ذكور يابانيون
ممثلون وممثلات يابانيون
ممثلون يابانيون في القرن 20
ممثلون يابانيون في القرن 21
مواليد 1950
مواليد في طوكيو

هيديوكي تاناكا


O hexanoil-CoA () pode ser encontrado na literatura com a nomenclatura de hexanoil-coenzima A ou ainda caproil-CoA. Com fórmula molecular igual a C27H42N7O17P3S é um acil-CoA saturado 2,3,4 de cadeia média, a qual contém o hexanoil como grupo S-acil. Origina-se de um ácido hexanóico e de uma enzima coenzima A. O hexanoil-CoA é pouco solúvel em substâncias polares, devido a grande quantidade de carbonos existentes na molécula e, graças ao seu pKa = 0,82, é um composto ácido forte. O hexanoil-CoA está situado dentro da célula, sobretudo na membrana, como também pode ser identificado no espaço extracelular. Encontra-se em todos os organismos vivos, desde os seres procariontes até os seres eucariontes. Nos seres humanos, o hexanoil-CoA está presente na biossíntese, oxidação dos ácidos graxos e produção da cerâmica. Pode ser um metabólito humano, um metabólito de Escherichia coli ou um metabólito de camundongo. Ademais, o hexanoil-CoA participa de alguns distúrbios metabólicos, a exemplo do alongamento de ácidos graxos nas mitocôndrias e da beta-oxidação mitocondrial de ácidos graxos saturados de cadeia média e de cadeia curta. Hexanoil-CoA hidrato de sal de trilítio pode ser utilizado como unidade inicial para a biossíntese de policetídeos.
Química
Química orgânica
Bioquímica
Farmacologia

Hexanoil-CoA


سيدي الكناني إحدى قرى الجمهورية التونسية، تقع في ولاية بنزرت قرب بازينة.

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 ولاية بنزرت.

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سيدي الكناني


Den svenske torpedobåd Spring blev søsat i 1874 og ankom til Sverige i 1875. Båden var lovlig spinkel til tjenesten som torpedobåd og udgik i 1893.

Baggrund og design
Da den norske marine i 1873 fik leveret den hurtige torpedobåd Rap, vakte det interesse i de to øvrige skandinaviske lande, og såvel Sverige som Danmark bestilte en tilsvarende båd hos John I. Thornycroft & Company i Chiswick i England. Den svenske båd, der fik navnet Spring, blev søsat og færdiggjort i 1874. I vinteren 1874-1875 blev båden afprøvet på Themsen, og det hurtige fartøj blev behørigt omtalt i det britiske fagtidsskrift Engineering, 26. februar 1875. Man noterede her, at den gennemsnitlige hastighed ved fuldkraftsprøven havde været . Senere i 1875 blev Spring taget med som dækslast på damperen Atlanta og blev fragtet til Stockholm, hvor den indgik som den første spcialbyggede torpedobåd ("minbåt") i den svenske flåde.

Tjeneste
Spring indgik i den svenske flåde i 1875. I første omgang blev båden udrustet med slæbetorpedoer af Harveys model. De tre nordiske torpedobåde var alle konstrueret med et ror, der sad foran skruen, og det gjorde dem svære at manøvrere, og gjorde styringen af slæbetorpedoer særdeles vanskelig. I Sverige valgte man derfor efter kort tid at forsyne Spring med stangtorpedoer. I 1878 fik Spring tilknyttet betegnelsen Minbåt n:o 1 og i 1879 blev Spring sendt retur til værftet i England og modificeret, så skrue og ror kom til at sidde som på almindelige skibe. Den svenske flåde havde i 1879 fået leveret 10 styk 35 cm torpedoer fra Whitehead, og i 1885 blev der opstillet to rammeapparater til denne type torpedoer midtskibs, og hermed var Spring blevet en "rigtig" torpedobåd. Samme år blev Spring udrustet med en dobbeltløbet "kulspruta" M/84, og i 1887 skiftede torpedobåden navn til Glimt, fordi Norge og Sverige, der var i personalunion, havde besluttet at dele alfabetet imellem sig, hvad torpedobåde angik, så Sverige fik "A"-"N" og Norge resten. Ved navneskiftet i 1887 blev nummereringen også ændret, til 3. klass minbåten N:o 101 og Glimt blev den eneste torpedobåd af 3. klasse i den svenske marine. De installerede rammeapparater til torpedoer var kun anvendelige ved lave hastigheder, så torpedobåden fik en relativt kort levetid og udgik 17. februar 1893.

Noter

Litteratur og eksterne henvisninger
 Borgenstam, Curt & Nyman, Bo, Attack till Sjöss. Med svenska flottans torpedobåtar i 100 år. CB Marinlitteratur, 1985.
 Hofsten, Gustav von & Waernberg, Jan, Örlogsfartyg. Svenska maskindrevna fartyg under tretungad flagg. Svensk Militärhistoriskt Bibliotek, 2003.

Krigsskibe fra Sverige

Spring (torpedobåd, 1875)