Die UEFA Europa League 2014/15 war die 44. Auflage des zweitwichtigsten Wettbewerbs für europäische Fußballvereine, der bis zur Saison 2008/09 unter der Bezeichnung UEFA-Pokal stattfand. Am Wettbewerb nahmen in dieser Saison erstmals 195 Klubs aus allen 54 Landesverbänden der UEFA, einschließlich erstmals eines Vertreters aus Gibraltar, teil.

Die Saison begann mit den Hinspielen der ersten Qualifikationsrunde am 3. Juli 2014 und endete mit dem Finale am 27. Mai 2015 im Stadion Narodowy der polnischen Hauptstadt Warschau. Hier konnte der FC Sevilla durch einen Sieg über FK Dnipro seinen Titel verteidigen und ist damit mit vier Siegen alleiniger Rekordtitelträger.

Der Gewinner qualifizierte sich wie gehabt durch diesen Sieg für den UEFA Super Cup 2015 und erhielt erstmals einen Startplatz in der folgenden UEFA-Champions-League-Saison.

Qualifikation
Die nachfolgende Zuordnung der Vereine zu den einzelnen Qualifikationsrunden ermittelt sich aus der Zugangsliste der UEFA, deren Rangfolge sich nach der UEFA-Fünfjahreswertung 2013 bestimmt. Falls sich der Pokalsieger eines Landesverbandes für die UEFA Champions League 2014/15 qualifiziert hatte, bekam der unterlegene Pokalfinalist den schlechtmöglichsten Startplatz dieser Nation in der Qualifikation zur Europa League, während die anderen Teams dementsprechend aufrückten und den nächstbesseren Startplatz übernahmen. War dieser unterlegene Pokalfinalist bereits über die nationale Liga für die Champions oder Europa League qualifiziert (wie zum Beispiel in Deutschland oder Spanien) oder aber auch der Pokalsieger bereits für die Europa League, bekam ein weiteres Team dieser Nation aus der jeweiligen Liga diesen Startplatz. Soweit ein Verein keine Zulassung für die UEFA-Wettbewerbe erhält, rückt das in der nationalen Liga nächstbeste Team nach.

Bei der Auslosung jeder einzelnen Runde wurden die Mannschaften nach ihrem jeweiligen Klub-Koeffizienten 2014 (KK) in zwei Töpfe platziert, so dass jedes gesetzte Team (höherer Koeffizient) gegen ein ungesetztes (niedriger Koeffizient) antrat. Hierbei ist zu beachten, dass die Qualifikationsrunden 1 und 2 zusammen ausgelost wurden. Für die Setzliste der nächsten Qualifikationsrunde wird der höhere Koeffizient angesetzt, selbst wenn sich der ungesetzte Verein durchsetzen sollte. Gleiches Prinzip galt für die Qualifikationsrunde 3, da diese ausgelost wurde, bevor die Rückspiele der Runde 2 stattgefunden hatten. Für die Auslosung der Playoff-Runde wird der jeweils tatsächliche Koeffizient angewandt, da diese Auslosung nach Beendigung der Qualifikationsrunde 3 vorgenommen wird.

Da der Titelverteidiger FC Sevilla durch seine nationale Liga bereits für die Gruppenphase qualifiziert war, stieg der Pokalsieger der Ukraine direkt in die Gruppenphase ein. Außerdem rückten die Pokalsieger der Verbände aus Israel, Finnland und Bosnien-Herzegowina sowie der Liga-Zweite aus Österreich jeweils eine Qualifikationsrunde auf. Dadurch wurde in der 1. Qualifikationsrunde ein Spiel weniger ausgetragen.

1. Qualifikationsrunde
Auslosung: 23. Juni 2014 in Nyon

Die Hinspiele fanden am 3. Juli, die Rückspiele am 10. Juli 2014 statt.

 Teilnehmer: 78 Mannschaften, darunter waren drei Fairplay-Qualifikanten:
  (Sieger der Fair-Play-Wertung)
  (Zweiter)
  (Dritter)

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2. Qualifikationsrunde
Auslosung: 23. Juni 2014 in Nyon (zusammen mit Q1)
Die Hinspiele fanden am 17. Juli, die Rückspiele am 24. Juli 2014 statt.

Folgende 80 Mannschaften traten in der 2. Qualifikationsrunde an:

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3. Qualifikationsrunde
Auslosung: 18. Juli 2014 in Nyon
Die Hinspiele fanden am 31. Juli, die Rückspiele am 7. August 2014 statt.

Folgende 58 Mannschaften traten in der 3. Qualifikationsrunde an.

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Play-offs
Die letzte Qualifikationsrunde wird aufgrund der zentralen Vermarktung "Play-off" genannt. In dieser Runde stoßen die unterlegenen Mannschaften der 3. Qualifikationsrunde der UEFA Champions League 2014/15 hinzu.

 Hinspiele: 20. und 21. August 2014
 Rückspiele: 28. August 2014

Am 8. August 2014 wurden in Nyon folgende Partien ausgelost:

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Gruppenphase
An der Gruppenphase nehmen 48 Teams aus 26 Landesverbänden teil, 7 Teams waren direkt qualifiziert, dazu kamen zehn unterlegene Vereine aus der Champions-League-Qualifikation. Weitere 31 Plätze wurden in den Europa-League-Qualifikationsrunden ermittelt.

Die Gruppensieger und -zweiten qualifizieren sich für das Sechzehntelfinale, die Dritt- und Viertplatzierten scheiden aus dem Wettbewerb aus. Bei Punktgleichheit zweier oder mehrerer Mannschaften nach den Gruppenspielen wird die Platzierung durch folgende Kriterien ermittelt:
 Anzahl Punkte im direkten Vergleich
 Tordifferenz im direkten Vergleich
 Anzahl Tore im direkten Vergleich
 Anzahl Auswärtstore im direkten Vergleich
 Wenn nach Anwenden der Kriterien 1–4 zwei oder mehr Mannschaften immer noch den gleichen Tabellenplatz belegen, werden für diese Teams die Kriterien 1–4 erneut angewendet. Sollte dies zu keiner definitiven Platzierung führen, werden die Kriterien 6–8 angewendet.
 Tordifferenz aus allen Gruppenspielen
 höhere Anzahl erzielter Tore
 Klub-Koeffizienten

Die 48 für die Gruppenphase qualifizierten Mannschaften wurden anhand ihres Klub-Koeffizienten (KK) auf vier Lostöpfe zu je 12 Teams aufgeteilt, und aus jedem Lostopf eine Mannschaft in eine der 12 Gruppen (A bis L) gelost; Mannschaften desselben Verbandes konnten nicht in die gleiche Gruppe gelost werden.

Die Auslosung fand am 29. August 2014 um 13 Uhr (MESZ) in Monaco statt.

Gespielt wird an sechs Spieltagen vom 18. September bis zum 11. Dezember 2014, die Anstoßzeiten sind 19:00 Uhr und 21:05 Uhr.

Gruppe A

Gruppe B

Gruppe C

Gruppe D

Gruppe E

Gruppe F

Gruppe G

Gruppe H

Gruppe I

Gruppe J

Gruppe K

Gruppe L

K.-o.-Phase

Sechzehntelfinale
Zu den 24 Mannschaften, die sich über die Gruppenphase der Europa League qualifizierten, kamen die acht Gruppendritten der Champions League hinzu. Die Auslosung des Sechzehntelfinals fand am 15. Dezember 2014 in Nyon statt. Die Gruppensieger aus der Europa League sowie die vier besten Gruppendritten aus der Champions League waren hierbei gesetzt und traten im Hinspiel zunächst auswärts an; ihnen wurden die übrigen Mannschaften zugelost. Dabei waren Begegnungen zwischen Mannschaften derselben Gruppe, desselben Landesverbandes sowie zwischen russischen und ukrainischen Mannschaften ausgeschlossen. Die Hinspiele fanden am 19. Februar 2015, die Rückspiele eine Woche später am 26. Februar 2015 statt.

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Achtelfinale
Die Auslosung des Achtelfinals fand am 27. Februar 2015 in Nyon statt. Ab dem Achtelfinale gab es keine gesetzten Mannschaften mehr. Ebenfalls entfiel die Beschränkung, dass Mannschaften des gleichen Landesverbandes nicht gegeneinander spielen. Es waren aber Begegnungen zwischen russischen und ukrainischen Mannschaften ausgeschlossen. Die Hinspiele fanden am 12. März 2015, die Rückspiele eine Woche später am 19. März 2015 statt.

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Viertelfinale
Die Auslosung des Viertelfinals fand am 20. März 2015 in Nyon statt. Es gab keine gesetzten Mannschaften mehr, auch Mannschaften aus dem gleichen Nationalverband hätten aufeinander treffen können. Es waren aber, wie bereits im Achtelfinale, Begegnungen zwischen russischen und ukrainischen Mannschaften ausgeschlossen. Die Hinspiele fanden am 16. April 2015, die Rückspiele eine Woche später am 23. April 2015 statt.

Die Auslosung für das Viertelfinale ergab folgende Paarungen:

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Halbfinale
Die Spielpaarungen wurden am 24. April 2015 ausgelost. Die Hinspiele fanden am 7. Mai, die Rückspiele am 14. Mai 2015 statt.

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Finale

Beste Torschützen
Nachfolgend sind die besten Torschützen der Europa-League-Saison (ohne Qualifikation) aufgeführt. Die Sortierung erfolgte analog zur UEFA-Torschützenliste nach Anzahl der Tore, bei gleicher Trefferzahl werden diese Spieler nach Einsatzzeit sortiert.

Eingesetzte Spieler FC Sevilla

Weblinks

 Offizielle Site der UEFA zur Saison 2014/15

 Europapokal – Teilnehmerliste 2014/15

Einzelnachweise

2014
Fußballsaison 2014/15

UEFA Europa League 2014/15


الشركة العربية للإنتاج والتوزيع السينمائي هي شركة إنتاج أفلام ومسلسلات مصرية شهيرة تأسست عام 2000 وتملكها إسعاد يونس ولها العديد من الأعمال المميزة.

الإنتاج

التوزيع

مراجع

وصلات خارجية
 الموقع الرسمي للشركة
 صفحة الشركة على موقع السينما

تأسيسات سنة 2000 في مصر
شركات إنتاج الأفلام في مصر
شركات إنتاج تلفزيوني

العربية للإنتاج والتوزيع السينمائي


Ernst Karl Weber (* 22. Oktober 1880 in Zürich; † 13. Juli 1973 ebenda), reformiert, heimatberechtigt seit 1901 in Zürich, war ein Schweizer Astronom und Kartograph.

Leben
Ernst Karl Weber hatte sächsischer Vorfahren, sein Vater war Heinrich Friedrich Weber. Nach der  Reifeprüfung 1899 absolvierte er ein Bauingenieursstudium an der ETH Zürich, das er 1904 mit dem Erwerb des akademischen Grades eines Dipl.-Ing. abschloss. Weber bekleidete in der Folge eine Assistentenstelle an der dortigen Eidgenössischen Sternwarte, später war er im Rahmen von Vorstudien für den Bau der Mont-Blanc-Bahn tätig.

1908 wechselte Ernst Karl Weber als Volontär an die russische Hauptsternwarte Pulkowo bei St. Petersburg. 1909 und 1910 beteiligte er sich im Auftrag der Akademie der Wissenschaften St. Petersburg an einer Expedition, die die rund 6000 km lange ostsibirische Eismeerküste vermessen und kartographisch aufbereiten sollte. Seine Arbeiten bildeten die Grundlage für die ersten zuverlässigen Karten der dortigen Küstengebiete.

Nach Vermessungsarbeiten in Südostasien, Australien und Rumänien hielt Ernst Karl Weber von 1934 bis 1951 an verschiedenen Hochschulen in Istanbul und später in Bagdad Professuren für Geodäsie inne. 1957 kehrte er in die Schweiz zurück. Ernst Karl Weber, der zweimal verheiratet war, verstarb 1973 in seinem 93. Lebensjahr in seiner Heimatstadt Zürich.

Nach Ernst Karl Weber wurde ein Kap südlich der Wrangelinsel benannt.

Publikation
 mit Ernst Niggli, Fritz Gassmann: Die magnetische Anomalie westlich von Locarno. In: Schweizerische Mineralogische und Petrographische Mitteilungen 29, 1949, S. 492–510.

Literatur
 Hans Keller, Fritz Kobold: Schweizer Beitrag zur Erforschung der nordostsibirischen Eismeerküste. Ernst K. Weber und die russische Expedition. In: Schweizer Ingenieur und Architekt 102, 1984, S. 579–584.
 Rudolf Mumenthaler: Im Paradies der Gelehrten. Schweizer Wissenschaftler im Zarenreich (1725-1917) (= Beiträge zur Geschichte der Russlandschweizer Bd. 6). H. Rohr, Zürich 1996, ISBN 3-858-65632-1, S. 416–434.
 Walther Killy, Rudolf Vierhaus (Hrsg.): Deutsche Biographische Enzyklopädie. Band 10, Saur, München, 1996, ISBN 3-598-23163-6, S. 352.

Weblinks

Astronom (20. Jahrhundert)
Kartograf (20. Jahrhundert)
Geodät
Hochschullehrer (Istanbul)
Hochschullehrer (Bagdad)
Bauingenieur
Schweizer
Geboren 1880
Gestorben 1973
Mann

Ernst Karl Weber


What's New, Scooby Doo? deveti je animirani serijal iz serije Scooby Doo. Stvoren je u studiju Warner Bros. i premijerno prikazivan na programu Kids' WB (The WB) od 2002. do 2006. godine. Uključuje 42 epizode raspoređene u 3 sezone (14 + 14 + 14). Svojevrsni je revival originalnoga serijala Scooby Doo, Where Are You! jer su glavni likovi opet Scooby Doo i četiri tinejdžera Shaggy, Velma, Fred i Daphne, koji rješavaju zagonetke. Uvodnu špicu pjeva Simple Plan, kanadska rock grupa, a njezini članovi pojavljuju se i kao likovi u jednoj od epizoda.

U Hrvatskoj se na Novoj TV i Domi TV serijal bez sinkronizacije prikazivao pod naslovom Neustrašivi Scooby Doo.

Glasovi

Originalna verzija
 Frank Welker kao Scooby Doo i Fred Jones
 Casey Kasem kao Shaggy Rogers
 Mindy Cohn kao Velma Dinkley
 Grey DeLisle kao Daphne Blake

Hrvatska verzija

Livada produkcija
Za dva DVD izdanja, 2006. godine, sinkronizirano je osam epizoda.
 Luka Peroš kao Scooby
 Marko Torjanac kao Shaggy
 Hrvoje Klobučar kao Fred
 Vanja Ćirić kao Velma
 Sanja Marin kao Daphne

Popis epizoda

DVD izdanja
U većini zemalja Warner Home Video izdao je serijal na DVD-u u deset dijelova. U Hrvatskoj je izdano njih šest, dakle četiri nedostaju. Također, pojedine epizode izdane su i kao dio DVD kompilacija.

Distribucija Issa Film i Video
 Vol. 1: What's New, Scooby Doo? Space Ape at the Cape
 Vol. 2: What's New, Scooby Doo? Scooby Doo na safariju
 Vol. 3: What's New, Scooby Doo? Rasvjeta! Kamera kreni! Napad!
 Vol. 4: What's New, Scooby Doo? Mummy Scares Best!

Distribucija Continental film
 Vol. 3: Što ima novoga, Scooby Doo? Svjetla! Kamera! Zbrka!
 Vol. 4: Što ima novoga, Scooby Doo? Mumija plaši najbolje!
 Vol. 7: What's New, Scooby Doo? Zli duhovi i dijamanti (sinkronizirano)
 Vol. 8: What's New, Scooby Doo? E-vrisak (sinkronizirano)

Dijelovi koji nisu izdani u Hrvatskoj
 Vol. 5: What's New, Scooby Doo? Homeward Hound
 Vol. 6: What's New, Scooby Doo? Recipe for Disaster
 Vol. 9: What's New, Scooby Doo? Fright House of a Lighthouse
 Vol. 10: What's New, Scooby Doo? Gentlemen, Start Your Monsters!

Distribucija Continental film (kompilacije)
 Scooby Doo: Misterij u pokretu (jedna epizoda: 5)
 Scooby Doo i duhovi (dvije epizode: 4, 12)
 Scooby Doo i roboti (dvije epizode: 30, 39)
 Scooby Doo i vampiri (jedna epizoda: 19)
 Scooby Doo i zombiji (tri epizode: 13, 22, 29)
 Scooby Doo i čudovišta iz cirkusa (jedna epizoda: 36)
 Scooby Doo i čudovišta iz mora (tri epizode: 9, 26, 41)
 Scooby Doo i safari stvorenja (tri epizode: 8, 21, 27)
 Scooby Doo i snježna stvorenja (dvije epizode: 1, 10)
 Scooby Doo i strašni karneval (jedna epizoda: 18)

Izvori

Scooby Doo
Animirane televizijske serije

What's New, Scooby Doo?


الفطير أو «الرخساس» كما يعرف في الشرق والوسط الجزائري هو خبز جزائري، هو خبز يحضر من دون استعمال الخميرة.وكانت الجزائريات تلجا إليه لانه سريع التحضير والنضج.
ولا يتطلب وقتا طويلا لذلك يستهلك مع المراقي ولكن إذا ما اريد استهلاكه مع القهوة أوالشاي فلا بد من دهنه بالزبدة أو السمن أو زيت الزيتون وتوضع وسطه.
في مدينة سطيف لفطير هو نفسه الشخشوخة في مناطق أخرى حيث يكون رقيق يشبه الديول نقوم بتقطيعه قطع صغيرة نضعه في الكسكاس ليتبخر ببخار الماء بعد ذلك نقوم بوضعه في الصحن ونقوم بسقيه بمرق اللحم والخضروات.

طريقة التحضير

خبز جزائري

فطير (الجزائر)


Labina Mitevska ( Лабина Митевска; ) este o actriță macedoneană.

Biografie
S-a născut pe 11 octombrie 1975, la Skopje, într-o familie de actori. Generala și liceul le-a urmat în Skopje, apoi a mers la Școala de Artă și Muzică de la Universitatea Ss. Cyril and Methodius, care se află de asemenea, în Skopje.

Și-a început cariera de actriță la vârsta de 19 ani, jucând în filmul nominalizat la Oscar în 1994 a lui  Milčo Mančevski Înainte de ploaie. A continuat jocând rolul secundar în Bun venit la Sarajevo, regizat de Michael Winterbottom și rolul principal în filmul ceh Samotáři (Singuratici). De asemenea, a jucat rolul principal în filmul Warchild.

Filmografie
 9:06 (2009)
 7 Avlu (2009) .... Selma
 Ofsajd (2009) .... Milena
 Jas sum od Titov Veles (2007) .... Afrodita
 Prevrteno (2007) .... Woman in White
 L... kot ljubezen (2007) .... Maya
 Razsledvane (2009) .... Family friend
 Warchild (2006) .... Senada
 Tajnata kniga (2006) .... Lydia
 Kontakt (2005) ..... Zana
 Nema problema (2004) .... Sanja K.
 Bubacki (2004)
 Kako ubiv svetec (2004) .... Viola
 Weg! (2002)
 Veta (2001)
 Singuratici (2000) .... Vesna
 Der braune Faden (2000) .... Kyana
 Te vreau (1998) .... Smokey
 Bun venit la Sarajevo (1997) .... Sonja
 Înainte de ploaie (1994) .... Zamira

Referințe

Legături externe
 Labina Mitevska pe Internet Movie Database
 Labina Mitevska  fan site

Nașteri în 1975
Nașteri pe 11 octombrie
Oameni din Skopje
Actrițe din secolul al XXI-lea
Macedoneni în viață
Macedoneni expatriați

Labina Mitevska


Juan Crisóstomo Jacobo Antonio de Arriaga y Balzola (27 January 1806 – 17 January 1826) was a Spanish Basque composer. He was nicknamed "the Spanish Mozart" after he died, because, like Wolfgang Amadeus Mozart, he was both a child prodigy and an accomplished composer who died young. They also shared the same first and second baptismal names; and they shared the same birthday (due to both having been born on the feast of St. John Chrysostom), 27 January (fifty years apart).

Life
Juan Crisóstomo Arriaga was born in Bilbao, Biscay, on what would have been Mozart's fiftieth birthday. His father (Juan Simón de Arriaga) and the boy's older brother first taught him music. Juan Simón had some musical talent and at age seventeen Juan Crisóstomo was an organist at a church in Berriatúa. Juan Simón worked in Guernica and in 1804 moved to Bilbao and became a merchant in wool, rice, wax, coffee and other commodities. The income generated in this way allowed Juan Simón to think about providing his son, who had shown prodigious musical talent, a way of developing those gifts.

In September 1821, Arriaga's father, with the encouragement of composer José Sobejano y Ayala (1791–1857), sent Juan Crisóstomo to Paris, where in November of that year Arriaga began his studies. These included violin under Pierre Baillot,  counterpoint with Luigi Cherubini and harmony under François-Joseph Fétis at the Paris Conservatoire. From all evidence, Arriaga made quite an impression on his teachers. In 1823, Cherubini, who had become director at the Conservatoire the previous year, famously asked on hearing the young composer's Stabat Mater, "Who wrote this?" and learning it was Arriaga, said to him, "Amazing – you are music itself."

Arriaga soon became a teaching assistant in Fétis's class, noted and highly praised both by fellow students and other faculty at the Conservatoire for his talent. Cherubini referred to Arriaga's fugue for eight voices (lost) based on the Credo ... et vitam venturi simply as "a masterpiece", and Fétis was no less effusive — apparently, what impressed all his mentors was his use of sophisticated harmonies, counterpoint and fugue with minimal or no formal instruction. Fétis was already familiar with Arriaga's now-lost opera Los Esclavos Felices ("The Happy Slaves"), stating that "without any knowledge whatsoever of harmony, Juan Crisóstomo wrote a Spanish opera containing wonderful and completely original ideas." Arriaga was well supported during his four years in Paris by his father, but the intensity of his commitment to his studies at the Conservatoire and his meteoric rise, based on his teachers' compliments and assessments of his promise, may have taken a toll on his health: he died in Paris ten days before his twentieth birthday, of a lung ailment (possibly tuberculosis), or exhaustion, perhaps both. He was buried in an unmarked grave in the Montmartre Cemetery. Thanks to the Spanish Embassy, since 1977 there has been a plaque marking the house at 314 rue Saint-Honoré in memory of the composer.

Music

The amount of Arriaga's music that has survived to the present day is quite small, reflecting his early death. It includes:

 Opera: Arriaga wrote an opera, Los esclavos felices ("The Happy Slaves"), in 1820 when he was fourteen. It was produced in Bilbao. Only the overture and some fragments have survived.
 Symphony: Arriaga composed a Symphony in D for Large Orchestra (Sinfonía a gran orquesta), which uses D major and D minor so equally that it is not in either key.
 String quartets: At the age of 16, Arriaga wrote three sparkling and idiomatic string quartets that were published in 1824, and were the only works of his published during his lifetime.
 Other works: Arriaga also wrote the following:
 An octet, Nada y mucho scored for String Quartet, Bass, Trumpet, Guitar and Piano.
 Pieces of church music: a Mass (lost), Stabat Mater, Salve Regina, Et vitam venturi saeculi (lost), cantatas (Agar, Erminia, All' Aurora, Patria)
 Instrumental compositions: a nonet, Tres Estudios de Character for piano, La Húngara for violin and piano, Variations for String Quartet and numerous Romances

Arriaga's music was used to create an opera pasticcio, Die arabische Prinzessin. The work was commissioned by the Barenboim-Said Foundation from the composer Anna-Sophie Brüning and the author Paula Fünfeck, and is based on a traditional Arabic tale.  The piece was premiered under the title Die Sultana von Cadiz by the West-Eastern Divan Orchestra of the Barenboim-Said Foundation and local children's choirs at the Cultural Palace, Ramallah on 14 July 2009.  The music publisher Boosey & Hawkes lists further performance runs in Leipzig (in 2011); in Bonn, Bilbao, and Barañáin (in 2013); and in Madrid, Coburg, and Linz (in 2014).

Stature

Arriaga's music is "elegant, accomplished and notable for its harmonic warmth" (New Grove Concise Dictionary of Music). His greatest works are undoubtedly the three string quartets, which (like his predecessors', D. Scarlatti, Soler and Boccherini) contain notably Spanish ethnic rhythmic and melodic elements, especially in the galloping 6/8 finale of No. 1 in D minor and the meditative second (slow) movements of No. 2 in A major (an impressive set of variations in D major taking off from the slow D major variation movements in Mozart's K. 464 and Beethoven's Op. 18 No. 5 (both also in A major as a whole), which climaxes in a D minor variation even more passionate than Mozart's D minor variation in K. 464, in the form of an impassioned, plangent lament on the top two strings of the viola going up to the second A above middle C) and No. 3 in E-flat major (a tender G major lullaby for the newborn Christ child).  Periodwise, his style is on the borderline between late Classicism and early Romanticism, ranging from the late Classical idiom of Mozart to the proto-Romanticism of early Beethoven.

According to Grove, Arriaga's death "before he was 20 was a sad loss to Basque music". Following his early death, with the only reliable biographical material at the time being some reports by Fétis, his life story was fictionalized to play into rising Basque nationalism. Data on the composer remains scarce, but in 1989 the Basque Studies program at the University of Nevada, Reno published the only English language biography of Arriaga, with appendix and bibliography of works, written by Barbara Rosen (Arriaga, the Forgotten Genius: the Short Life of a Basque Composer); and in honor of the 200th anniversary of Arriaga's birth, Scherzo, the Spanish musical magazine, published a series of articles on the composer, with updated bibliographies, in its January 2006 issue. The view that emerges from both these newer sources does not contradict what Fétis said, but emphasizes that Arriaga's early death was a loss not just to Basque culture but also to Spanish music and by extension, European classical music as a whole. According to Rosen "It is [...] possible to hear passages in Arriaga's work similar to Haydn, Mozart, Beethoven and Rossini, although he sometimes fails to achieve the complexity of these composers' more mature works. Nevertheless, Arriaga has an identifiable and original style which, in time, undoubtedly would have become more individual and more recognizably his own, possibly incorporating more Spanish and Basque than Viennese elements."

A public theatre in his home city of Bilbao carries his name.

Selected recordings
 O salutaris Hostia. Stabat Mater dolorosa. Air d'Oedipe à Colone. Herminie. Air de Médée. Duo de Ma Tante Aurore. Agar dans le desert. Il Fondamento, Paul Dombrecht. Fuga Libera FUG515 2005
 Juan Crisóstomo de Arriaga (1806–1826). The complete string quartets. La Ritirata – Josetxu Obregón. Glossa GCD923102, 2014

Notes

References

External links
Public domain Music Recording & Sheet Music on Musopen.org

  Juan Crisóstomo Arriaga
 The Gramophone entry to Arriaga in The Grove Concise Dictionary of Music (1994) Oxford University Press, Inc.
Arriaga String Quartet Nos.1–3 sound-bites and discussion of works
Article on Arriaga's Symphony (Accessed 10.17.11)
Scherzo – Revista de Musica (magazine, in Spanish)

1806 births
1826 deaths
String quartet composers
19th-century classical composers
19th-century Spanish composers
19th-century Spanish male musicians
Basque classical composers
Basque classical musicians
Child classical musicians
Conservatoire de Paris alumni
Spanish classical composers
Spanish Classical-period composers
Spanish expatriates in France
Spanish male classical composers
Spanish Romantic composers

Juan Crisóstomo Arriaga


The year 1646 in science and technology involved some significant events.

Technology
 Pascal's Law, a law of hydrostatics is developed, stating that, in a perfect fluid, the pressure exerted on it anywhere is transmitted equally.

Publications
 Dr Thomas Browne's Pseudodoxia Epidemica is published in London, introducing the words electricity, medical, pathology, hallucination and computer to the English language and casting doubt on the theory of spontaneous generation.

Births
 April 20 – Charles Plumier, French botanist (died 1704)
 July 1 – Gottfried Leibniz, German scientist and mathematician (died 1716)

Deaths
 November 29 – Laurentius Paulinus Gothus, Swedish theologian and astronomer (born 1565)

References

17th century in science
1640s in science

1646 in science


St. Johnstone Football Club er en skotsk fodboldklub, der er lokaliseret i byen Perth. Klubben spiller til dagligt i . Tiltrods for at klubben officielt er stiftet i 1884, så spillede klubben først sin første kamp i februar 1885. Klubbens hjemmebane har siden 1989 været McDiarmid Park. Klubbens første Scottish Cup deltagelse var i 1886–87 og de tilsluttede sig Scottish Football League i 1911–12.

St Johnstone vandt Scottish Football League First Division, den næstøverste række i Skotland, i 2008–09. Dermed rykkede de op i Scottish Premier League og de var igen med i den øverste række efter syv års fravær. Klubben har historisk set været en "yo-yo-klub" mellem de to divisioner. Deres traditionelle rivaler er de to Dundee-klubber, Dundee og Dundee United, hvor kampene mellem St. Johnstone og et af de to klubber kaldes for Tayside derbies.

Klubben vandt sin første Scottish Cup i 2014 med en 2–0 sejr over Dundee United. De har været i to Scottish League Cup-finaler i henholdvis 1969 og 1998, men de tabte begge finaler. St. Johnstone har seks gange været kvalificeret til UEFA-kampe (fire sæsoner i træk: 2012-13, 2013-14, 2014-15, 2015-16. Deres højeste ligaplacering var en tredjeplads ved tre lejligheder: 1971, 1999 og 2013.

Historiske slutplaceringer

Noter

Fodboldklubber i Skotland

St. Johnstone FC


Flesh & Blood ist das 1990 erschienene dritte Studioalbum der US-amerikanischen Glam-Metal-Band Poison.

Hintergrund
Das zweite Studioalbum der Band, Open Up and Say... Ahh! hatte der Gruppe mit Every Rose Has Its Thorn unter anderem einen Nummer-eins-Hit in den USA beschert, das Album selbst war bis auf Platz zwei der Billboard 200 gestiegen und fünffach mit Platin ausgezeichnet worden. In Europa hatte Poison geringfügig weniger Erfolg: Die Gruppe erreichte zwar auch hier die Charts, konnte jedoch weder mit dem Album, noch mit den Singles die Top Ten erreichen.

Flesh & Blood wurde in den Little Mountain Studios in Vancouver (Kanada) aufgenommen und von Bruce Fairbairn produziert. Die Veröffentlichung erfolgte am 21. Juni 1990, als Singles wurden die Titel Unskinny Bop und Something to Believe In ausgekoppelt. Mit Flesh & Blood gelang es Poison, die britischen Top Ten zu erreichen, wo das Album Platz Drei erreichte.

Rezeption

Frank Trojan (Rock Hard) schrieb, er habe "fast schon die Hoffnung gehabt, daß diese Scheibe richtig gut" würde. Das "monströse Intro" leite nämlich mit 'Valley of Lost Souls' den "härtesten und treibendsten Track der LP" ein. Es sei ein Stück "fast wie in alter Mötley Crüe-Manier". Danach folge "zum Großteil der erwartete, vor Kommerz triefende Pop-Metal, genau und perfekt durchgestylt wie das ekelhafte Outfit" der Band. Produzent Bruce Fairbairn habe "allerdings erstklassige Arbeit geleistet und der Scheibe Leben eingehaucht". Auch wenn das Album "keine Offenbarung" geworden sei, habe sich die Band "in allererster Linie musikalisch gesteigert". Es fänden sich "auch bemerkenswerte Keyboard-Parts wie beim geilen 'Something To Believe In', einer wirklichen Superballade". Allerdings seien 95 Prozent des Materials "auf eine bestimmte Käuferschichtzugeschnittene Belanglosigkeiten", die "in den Staaten wieder Platinstatus" garantierten, in Europa aber wohl nur "beim minderjährigen "Bravo"-Publikum für feuchte Schritte sorgen" würden.

Metal Hammer kam zu dem Urteil, "zwölf Songs, ein Intro und eine Gitarrenspielerei, bei der C.C. De Ville keinen Hehl aus seinen Faves für Cajun" mache – die neue Poison habe "viel zu bieten." "Aufwand um jeden Preis" laute die Devise, aber weniger "durch Looks, als durch gute Hooks und handwerklich kompetente Performance." Es finde sich "auf Flesh & Blood einmal mehr eine gesunde Mischung aus Poison-typischen Rockern à la Love On The Rocks (Der Titelsong und Don't Give Up an Inch), poppig angehauchten Radio-Faves (Unskinny Bop, Ride The Wind) und pompösen Balladen (Life Goes On die hitverdächtigere, Something To Believe In die bessere)." Alles in allem handele es sich um "ein ausgewogenes und unbekümmertes Album."

Steve Huey von Allmusic kommentierte, Poison hätten mit 'Flesh & Blood' "ein Angebot gemacht, um ernst genommen zu werden". Selbst der Titel "suggeriere den Wunsch nach mehr Substanz und Realität in der Musik" der Band. Es gebe zwar auch "schmierige Elemente wie den Top Five Hit 'Unskinny Bop'", aber "im wesentlichen scheue die Band auf dem Album vor den bekannten Party-Hymnen zurück". Manchmal funktioniere das "überraschend gut". Verglichen mit früheren Aufnahmen sei Flseh & Blood "keinesfalls ein schlechtes Album, es sei nur nicht das, was Poison am besten" beherrschten.

In den USA wurde das Album am 5. September 1990 mit einer Goldenen Schallplatte ausgezeichnet. Bis heute verkaufte sich das Album allein in den Vereinigten Staaten mehr als 6 Millionen Mal, was sich in der Verleihung von Dreifach-Platin am 14. Februar 1991 niederschlug.

Titelliste
Alle Titel wurden von Bret Michaels, C. C. DeVille, Bobby Dall und Rikki Rockett geschrieben.

 Strange Days of Uncle Jack – 1:40
 Valley of Lost Souls – 3:58
 (Flesh & Blood) Sacrifice – 4:41
 Swampjuice (Soul-O) – 1:26
 Unskinny Bop – 3:48
 Let It Play – 4:21
 Life Goes On – 4:46
 Come Hell or High Water – 5:01
 Ride the Wind – 3:51
 Don't Give Up an Inch – 3:43
 Something to Believe In – 5:29
 Ball and Chain – 4:22
 Life Loves a Tragedy – 5:13
 Poor Boy Blues – 5:18

Bonus-Tracks der Neuauflage (2006):
 Something to Believe In # 2 (acoustic mit neuem Text)
 God Save the Queen (Instrumental, Sex-Pistols-Cover)

Quellen

Weblinks

 Offizielle Poison-Website

Album (Hard Rock)
Album 1988
Mehrfach-Platin-Album (Vereinigte Staaten)
Poison (Band)

Flesh & Blood


An Mediocalcar stevenscoodei in uska species han Liliopsida nga ginhulagway ni Pieter van Royen. An Mediocalcar stevenscoodei in nahilalakip ha genus nga Mediocalcar, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mediocalcar

Mediocalcar stevenscoodei


An Carex grossii in uska species han Liliopsida nga ginhulagway ni Emil Fiek. An Carex grossii in nahilalakip ha genus nga Carex, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Carex

Carex grossii


Sandhi (sanskrt: "spoj") pojam je koji se odnosi na brojne glasovne promjene na granicama morfema ili riječi. Naziv su skovali drevni sanskrtski gramatičari.

Ta pojava obuhvaća stapanje glasova na granicama riječi i alternacije jednoga glasa na koje utječu obližnji glasovi ili gramatička funkcija obližnjih riječi. Sandhi se opisuje u morfonologiji.

Javlja se u brojnim jezicima, a naročito u fonologiji indijskih jezika (npr. u sanskrtu, tamilskome, sinhalskome, teluguu, marathskome, hindskome, paliju, kanadskome, bengalskome, asamskome i malajamskome).

Podvrsta sandhija pod imenom tonski sandhi odnosi se na promjene tona između riječi i slogova. To je česta pojava u većini tonskih jezika, među kojima je i mandarinski kineski.

Vrste

Unutarnji i vanjski
Sandhi može biti:
 unutarnji, što znači da do promjene dolazi na granicama morfema unutar riječi. Primjerice, u riječi "brodski" glas /d/ čita se kao /t/ zbog utjecaja glasa /s/ u sufiksu -ski.
 vanjski, što znači da do promjene dolazi na granici dviju riječi. Primjerice, u rečenici "Otac bi kruha" glas /c/ ispred /b/ prelazi u /d͡z/.

U hrvatskome se unutarnji sandhi redovito bilježi u pravopisu, a vanjski sandhi, premda je riječ o čestoj pojavi, uglavnom ne. U engleskome se uglavnom nijedna vrsta ne bilježi u pismu; iznimke su riječi koje počinju prefiksima syn-, in-, en- i con-. Međutim, te se promjene bilježe u pismima jezika kao što su sanskrt, sinhalski, telugu, marathski i palijski, ali i u talijanskome (kad je riječ o sintaktičkoj geminaciji odraženoj u leksikaliziranoj složenici).

Učinci vanjskog sandhija katkad se morfologiziraju (tj. pojavljuju se samo u određenim morfološkim i sintaktičkim okruženjima), npr. u tamilskome, i s vremenom se pretvaraju u konsonantske mutacije.

Tonski sandhi
U većini tonskih jezika prisutan je tonski sandhi, što znači da se tonovi riječi mijenjaju u skladu s određenim pravilima. Primjerice, u mandarinskom kineskom jeziku ton 3 zasebno se izgovara kao ton koji pada i potom raste. Međutim, kad se pojavi ispred još jednog tona 3, pretvara se u ton 2 (rastući ton), a ako se pojavi ispred bilo koje druge vrste tonova, izgovara se kao padajući ton koji ne raste. Tako se uobičajen pozdrav 你好 (nǐ hǎo; dvije riječi sadrže ton 3) izgovara nǐ hǎo. Prva se riječ izgovara s tonom 2, a u drugoj riječi ne dolazi do promjene.

Izvori

Jezikoslovlje

Sandhi


Efendi - Osmanlı İmparatorluğunda ve günümüzde kullanılan bir unvan.
 Efendi (kitap) - "Efendi: Beyaz Türklerin Büyük Sırrı", Soner Yalçın'ın kitabı.
 Efendi-2 (kitap) - "Efendi 2: Beyaz Müslümanların Büyük Sırrı", Soner Yalçın'ın kitabı.

Efendi (anlam ayrımı)


Andro may refer to:

Andro (name)
Andro (album), a 2020 album by Tommy Lee
Andro, Imphal East, a town in Manipur, India
A slang word for anabolic steroids
Androstenedione, a steroid, often called andro or andros for short
An Dro, folk dance from Brittany
A dialect of the Chakpa language

See also
Androcentrism
Andros (disambiguation)

Andro


The Elsipogtog First Nation (), formerly called the Big Cove Band, is a Miꞌkmaq First Nations band government in New Brunswick, Canada.  The First Nation's territory comprises Richibucto Reserve #15, lying  southwest of Five Rivers, New Brunswick on the Richibucto River off of Route 116. It also comprises Soegao Reserve #35, lying  west of Moncton, New Brunswick. , the registered Elsipogtog population is 3,574, with 2,736 living on reservations and 798 living off reservations.

History

"Elsipogtog" or "L'sipuktuk" means "River of Fire". The area was also called the stronghold of Sikniktuk. The traditional district was assigned to the Mi'kmaq clan of Alguimou, or L'kimu. Misel Alguimou was baptised Michael Augustine in the 18th century. Chief Michael Augustine signed the Peace and Friendship Treaty with the British in 1761, on behalf of the Richibucto Tribe of Mi'kmaq. The Richibucto Reserve was established in 1802 and later reduced in size. Richibucto Reserve # 16 is also known as the Big Cove Reserve. It was also called Big Cove, Mesigig Oalnei, and currently known as Elsipogtog (Pacifique spelling), or L'sipuktuk (Francis-Smith variation) and Elsipogtog First Nation located in Weldford Parish, New Brunswick.

Suicide rate
In 1992, there were seven suicides involving youth and over 75 suicide attempts in the community. An inquest was held and one of the recommendations was the creation of a position at the school to help support the youth in the community. The Elsipogtog Crisis Centre was also established in 1992 to help combat the large number of suicides in the community.

Youth justice system
In 1995, the community held a Justice Awareness Day that led to the creation of a justice alternative for youth. This was due to the high youth suicide rate in Elsipogtog and the large percentage of their youth in the court system. The Elsipogtog Restorative Justice Program includes pre- and post-charge diversion system, mediation, group conferencing programs, and sentencing circles. The program allows the community to "decide what [is] best for itself in terms of resolving wrongdoing...by striving to resolve the effects of an offender's behaviour.

Shale gas project
In May 2013, members of Elsipogtog First Nation demonstrated their concern over a proposed shale gas project and 2D seismic imaging done near their reserve by SWN Resources Canada, a subsidiary of Southwestern Energy. Workers were on site to conduct seismic exploration using sound wave technology to create images of underground shale beds that might contain natural gas. Many residents used social media to voice their concerns about the planned fracking. Throughout the spring, summer, and fall of 2013, protesters prevented SWN workers from accessing their seismic equipment, blocking Routes 11, 116, and 134. On July 24, a video was recorded of a First Nations protester strapping herself to bundles of geophones and other equipment used by SWN for seismic testing at the site. She slowed down the workers' access to the equipment until the Royal Canadian Mounted Police (RCMP) removed her later that day. On September 29, SWN's trucks were blocked by a mystery van and protesters gathered in support. Shortly afterward, a sacred fire was lit and maintained by a 12-year-old boy who watched over the prayers of the people. On October 1, a video was recorded of Elsipogtog First Nation Chief Arren James Sock delivering an eviction notice to SWN while dozens of protesters continued to block Route 134 in Rexton to prevent the company from moving their exploration equipment.

On October 7, a video was recorded of Sock and New Brunswick premier David Alward addressing the media regarding the blockage of the shale gas research and the injunction regarding the blockade.

On October 17, the RCMP moved in to enforce a court injunction against the road blockade. The situation "exploded in violence, sending dozens of people to jail and reducing five police cars to smouldering ruins". The incident was made famous in a now-iconic photograph of activist Amanda Polchies kneeling before the police and holding an eagle feather. The RCMP said that "more than 40 protesters were arrested for various offences including firearms offences, uttering threats, intimidation, mischief and for refusing to abide by a court injunction". The First Nation's lawyer, T.J. Burke, confirmed that Sock was among those arrested, though he and others were released within hours following their arrests. On October 18, SWN applied for an indefinite injunction against a list of people including John and Jane Doe. Judge Rideout denied this injunction.  On November 29, another shale-gas protest resulted in the arrest of five men. Another report on the same day stated that fifteen protesters were jailed for throwing rocks at vehicles. Numerous arrests continued to occur into 2014.

Present day
The community has one school, Elsipogtog School, which has students from kindergarten to grade 8. Elsipogtog has a gas station, and a Royal Canadian Mounted Police detachment which is open throughout the week. There is a 7 day/week supermarket and a Pharmasave-brand pharmacy, both of which are 100-percent band-owned and operated. There is also a holistic-approach health and wellness centre which has clinical and physician services available, as well as home and community care services, mental health, and addiction services. There are community justice services available.

Kraft Hockeyville

After a fire in September 2020 destroyed the community's arena, the Chief Young Eagle, Elsipogtog entered Kraft Hockeyville, a Canada-wide competition held by Kraft Heinz Canada in collaboration with the National Hockey League (NHL) and the National Hockey League Players Association (NHLPA). The competition, which started in 2006, gives small communities in Canada a chance to win $250,000 in arena upgrades, $10,000 worth of youth hockey equipment, and the opportunity to host an NHL preseason game. Runners-up receive $25,000 in arena upgrades and $10,000 for youth hockey equipment.

On March 20, 2021, the NHL and NHLPA named four communities as finalists in the competition for 2021: Elsipogtog; Lumsden, Saskatchewan; Saint Adolphe, Manitoba; and Bobcaygeon, Ontario. Following two days of online voting, on April 10, 2021, NHL Commissioner Gary Bettman announced Elsipogtog as the winner of the competition live on Hockey Night in Canada. The win came a week after the tragic loss of two community members in a fishing accident, community leader Craig 'Jumbo' Sock and Seth Monahan.

Due to the COVID-19 pandemic, no NHL preseason was held in 2021, so Elsipogtog's celebrations were delayed until October 2022 after restrictions had been lifted. Three days of activities were held. On the first day, an alumni game was held featuring former NHL players, including Elsipogtog native Everett Sanipass, as well as three female indigenous hockey players who have played for the Canadian and US national teams. Activities on the second day included autograph signings from various players, including New York Islanders legend Bryan Trottier, and a visit from the Stanley Cup. Mascots for the Ottawa Senators and Montreal Canadiens were also in attendance. Finally, on the third day, the preseason game between the Senators and Canadiens was held at the J.K. Irving Centre in Bouctouche. Goaltender Jake Allen, a native of Fredericton, New Brunswick, was in the lineup for the Canadiens. The Senators defeated the Canadiens 3–2 in overtime.

Composition
Elsipogtog First Nation is composed of two parts as shown:

Demographics

Richibucto 15

Population trend

Religious make-up (2001)

Income (2015)

Mother tongue (2016)

Education (2006)

Notable people

Albert Levi, former chief and Order of Canada recipient
Mildred Milliea, language instructor and Order of Canada recipient
Everett Sanipass, former NHL player

See also
 First Nations in Atlantic Canada
 First Nations in New Brunswick
List of communities in New Brunswick

References

Communities in Kent County, New Brunswick

Elsipogtog First Nation


Laškovce este o comună slovacă, aflată în districtul Michalovce din regiunea Košice. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 673 de locuitori.

Note

Legături externe

Localități din Slovacia

Laškovce


මිලාගිරිය ශාන්ත පාවුළු බාලිකා විද්‍යාලය කොළඹ, මිලාගිරිය පිහිටි බාලිකා පාසලක් වේ.

ආශ්‍රිත

ශාන්ත පාවුළු බාලිකා විද්‍යාලය, මිලාගිරිය


Teodor 1. (død 14. maj 649) var pave fra 24. november 642 til sin død i 649.

Selvom han blev betragtet som græsk, blev han født i Jerusalem. Han var blandt de mange syriske gejstlige, der flygtede til Rom under den muslimske erobring af Levanten.

Han blev udnævnt til kardinal diakon (muligvis omkring 640) og senere til kardinal af Pave Johannes 4.

Hans udnævnelse blev støttet af exarken og han blev udnævnt d. 24. november 642 og efterfulgte Johannes 4.

Referencer

Paver i middelalderen

Pave Teodor 1.


මෝසල් සටන (; ) යනු, 2004 ජූනි මාසයෙහිදී නගරය අල්ලාගත් ඉරාකයේ සහ ලෙවන්තයේ ඉස්ලාමීය රාජ්‍යය (අයිඑස්අයිඑල්) වෙතින් මෝසල් නගරය යළි-අත්පත් කර ගැනීම සඳහා,  මිත්‍ර පාක්ෂික හේවාපන්න සමග ඉරාක රජයෙහි බලකායන්, කුර්දිස්තාන ප්‍රාදේශීය රජය, සහ ජාත්‍යන්තර බලකායන් විසින් දියත් කෙරුණු ඒකාබද්ධ පහරදීමකි .

මෝසල් සටන (2016–17)


Söğütcük, Antalya ilinin Korkuteli ilçesine bağlı bir mahalledir.

Tarihçe
mahallede zamanında su bolmuş haliyle sögütte çok imiş kervanlar tarafında köy küçük olduğu için söğütlü olarak adlandırılmış cumhuriyet kurulduğunda mahallenin adı söğütle karışmasın diye söğütcük koyulmuş.

Coğrafya
Antalya il merkezine 42 km, Korkuteli ilçesine 18 km uzaklıktadır.

Nüfus

Korkuteli'nin mahalleleri

Söğütcük, Korkuteli


Abdulah Šarčević (Stari Majdan, 27. svibnja 1929. – Sarajevo, 15. studenoga 2021.) bio je bosanskohercegovački filozof i akademik ANU BiH.

Životopis
Abdulah Šarčević rođen je u Starom Majdanu kod Sanskog Mosta. Studij filozofije završio je na Filozofskom fakultetu u Zagrebu 1952. godine. Na istom Sveučilištu 1967. godine obranio je doktorsku disertaciju pod nazivom Kriza povijesti i suvremenost – Filozofija egzistencije Karla Jaspersa.

Bio je profesor filozofije u gimnaziji u Banjoj Luci u razdoblju od 1952. do 1954. godine. U razdoblju od 1954. do 1959. godine radio je na Filozofskom fakultetu u Skoplju, a od 1959. godine predavao je na Pima Community College u Tucsonu, Arizona, SAD. Umirovljen je 2000. godine.

Djela
Nepotpun popis:
 Slobodno djelo čovjeka kao bit istine u filozofiji, 1956.
 Otuđenje čovjeka i njegov zavičaj. Filozofija Karla Jaspersa, 1960.
 Iskon i smisao, 1971.
 Sfinga Zapada: na putovima izricanja neizrecivog, 1972.
 Kriza svijeta i istina: sudbina vremena i povijesna egzistencija, 1974.
 De homine: mišljenje i moderni mit o čovjeku, 1986.
 Utopija smisla i istina vremena, 1988.
 Iskustvo vremena, 1993.
 Filozofija u moderni, 1999.
 Odvažnost slobode, 2001.
 Istina i sloboda, 2004.
 Filozofija i vrijeme, 2009.

Objavljeni su mu Odabrani spisi u 8 svezaka, 2005. godine.

Izvori

Vanjske poveznice
 Abdulah Šarčević, penbih.ba

Bosanskohercegovački filozofi
Životopisi, Sanski Most

Abdulah Šarčević


Eğreti Gelin, yönetmen Atıf Yılmaz'ın 2004'te gösterime giren son filmi. Kendisini evliliğe hazırlayan eğreti gelinine âşık olan bir delikanlıyı konu alan filmde Nurgül Yeşilçay, Onur Ünsal, Müjde Ar, Fikret Hakan, Füsun Demirel, Metin Akpınar ve Eylem Yıldız rol almaktadır.

Konusu
Cumhuriyetin ilk yılları.. Denizli'de Belediye Başkanı'nın oğlu Ali evlenme çağına gelmiştir. Kumpanyalara meraklı genç, hayatı boyunca hiç kızlara ilgi göstermemiştir.

Ancak yaşına göre olgun davranmayan Ali'nin durumundan endişe eden ailesi onun için geçici bir eğreti gelin tutmaya karar verir. Eğreti gelin de Ali'yi evliliğe hazırlamaya çalışır. Daha sonra onun kadınlığı Ali'nin ilgisini çekmeye başlar. Emine'nin sevgilisi hapisten çıkar ama Emine ne kadar dua etse de Ali'ye aşık olur ve bir gece birlikte olurlar daha sonra kaçarlarken Emine'nin sevgilisi onları yakalar ama Emine'ye kıyamadığı için onların kaçmasına izin verir.

Kadro

Oyuncular

 Nurgül Yeşilçay (Kostak Emine)
 Onur Ünsal (Ali)
 Şevket Çoruh (Hasan)
 Eylem Yıldız (Neşe)
 Metin Akpınar (Tavid)
 Müjde Ar (İffet)
 Nilüfer Aydan (Semiha)
 Esra Aymutlu (Saime)
 Kıvanç Başkan (Sadık)
 Füsun Demirel (Çeneto)
 Mehmet Esen (İbiş)
 Hakkı Gültürk (Cemil)
 Fikret Hakan (Talat)
 Pınar Öğün (Nazli)

Yapımcı
 Jale Onanç

Yapım
 Yeşilçam Filmcilik

Ödüller
 2005 Adana Altın Koza Film Festivali
 "En İyi Müzik" ödülü (Atilla Özdemiroğlu)
 "En İyi Kadın Oyuncu" ödülü (Nurgül Yeşilçay)
 2005 Sinema Yazarları Derneği Ödülleri
 "Umut Veren Genç Oyuncu" ödülü (Onur Ünsal)
 Umut Veren Kadın Oyuncu Ödülü (Eylem Yıldız)

2005 çıkışlı Türk filmleri
Atıf Yılmaz'ın yönettiği filmler
Atıf Yılmaz'ın senaryosunu yazdığı filmler
Uşak'ta çekilmiş filmler
Kastamonu'da çekilmiş filmler
Konusu Türkiye'de geçen filmler
2000'lerde Türkçe filmler
2005 çıkışlı dramatik filmler

Eğreti Gelin


كيلي ماثورين بيرفيلي  (5 يناير 1978) لاعب كرة قدم فرنسي يلعب حاليا في نادي الدرجة الممتازة باكوس دي فيريرا البرتغالي في خط الدفاع .

روابط خارجية

مراجع

لاعبو كرة قدم رجالية مغتربون في إسكتلندا
لاعبو كرة قدم رجالية مغتربون في قبرص
لاعبو كرة قدم رجالية فرنسيون
لاعبو كرة قدم رجالية فرنسيون مغتربون
لاعبو كرة قدم رجالية مغتربون في البرتغال
مدافعو كرة قدم رجالية
أشخاص على قيد الحياة
أشخاص من كولومب (أو دو سين)
رياضيون فرنسيون مغتربون في البرتغال
رياضيون من هوت دو سين
لاعبو الدوري البرتغالي الدرجة الأولى
لاعبو الدوري البرتغالي الممتاز
لاعبو الدوري الفرنسي
لاعبو الدوري الفرنسي الدرجة الثانية
لاعبو الدوري القبرصي الدرجة الأولى
لاعبو باكوش فيريرا
لاعبو الدوري الفرنسي الدرجة الثالثة
لاعبو بينفايل
لاعبو غويونيون
لاعبو فالينسيان
لاعبو كرة قدم فرنسيون
لاعبو كرة قدم فرنسيون مغتربون
لاعبو كرة قدم مغتربون في إسكتلندا
لاعبو كرة قدم مغتربون في البرتغال
لاعبو كرة قدم مغتربون في قبرص
لاعبو أولمبيك ليون
لاعبو نادي ليفينغستون لكرة القدم
لاعبو نيس
مواليد 1978
مواليد 1987
مواليد في كولومب (أو دو سين)
لاعبو كرة قدم من أوت دو سين

كيلي بيرفيلي


The Chimp Channel is an American sitcom which aired on TBS Superstation in 1999. Based on the Monkey-ed Movies interstitials that TBS aired one year prior, it is the network's first original sitcom. The series primarily consists of costumed chimpanzees and orangutans, voiced by human actors, parodying popular television shows, movies, and advertising as well as stars and personalities within the industry. The Chimp Channel marked the first all-simian series since ABC's Saturday morning Lancelot Link, Secret Chimp, which ended in 1972.

Premise
The series revolves around the behind the scenes antics of the fictional, eponymous cable network, The Chimp Channel (abbreviated TCC), and the shows it produces. Television programs filmed at the network include NYPD Zoo, Treewatch, Ally McSqeal, The Murray Price Show, News at Night, and Movies on Film. The latter has two critics reviewing films from the Monkey-ed Movie library with a non-opposable thumbs up or down. Due to the show's racy humor, it earned a TV-14 rating.

Background and production history
In 1998, TBS aired Tom Stern's Monkey-ed Movies. Forty-eight of the short segments were produced to run during the feature-film program Dinner and a Movie and in odd time slots after sporting events. However, one day when a golf tournament ran short, the station played about half an hour of Monkey'ed Movies to unexpected results. The ratings actually increased, which prompted TBS to order 13 episodes of an expanded half-hour series. Aiming for a young male audience, TBS placed The Chimp Channel on Thursday nights at 10:05 p.m. ET following the network's top-rated professional wrestling show WCW Thunder. An April 1999 press release noted the series' original title as Channel of the Apes. The renamed Chimp Channel debuted on June 10, 1999.

Not long into production, Stern found himself at odds with TBS management regarding the direction of the series. This led to an incident on March 8, 1999 in which he improvised a raunchy performance art piece that involved full nudity and breaking two liquor bottles on the show's set. Stern was promptly fired for the incident despite claiming that he had permission from network officials to do what he called "improv comedy" described as "trying to get stuff off my chest about the wrong-headed direction the show was taking." On June 9, one day before the Chimp Channel series premiere, Stern filed a breach-of-contract suit against TBS, Warner Bros. Domestic Pay TV, Telescopic Pictures, and Palomar Pictures in Los Angeles, seeking damages in excess of $1,675,000. Stern was represented in the suit by Los Angeles attorney David Wall. Production of the series continued for a few more months without its creative founder.

Filming of The Chimp Channel required a reportedly critical sensitivity regarding its animal cast. In attempt to avoid any performance hampering or distraction, studio personnel and visitors were instructed not to mingle with, make gestures toward, or make eye contact with the chimps. Brief scenes required strenuous rehearsal before filming could begin, and all personnel not required for immediate set consulting, including the director, viewed the shooting from monitors 50 feet away. Regarding the apes' behavior on set, Tom Stern quipped "Maggie, [the chimp] who plays Marina, loves the Lycra suit she wears and can't refrain from going to the bathroom in it — she thinks it's just a really cool red diaper. All the chimps wear diapers, though, so it's a lot like Frasier."

The ape performances were coached by off-screen trainers using signals to communicate with them. This made shooting more than two chimps at once difficult, so high-tech editing was used to multiply the number of apes in the frame. And since they couldn't always follow the script perfectly, the apes' reactions were cataloged and often edited together to create cohesive scenes. Regarding the unpredictability of the apes, co-executive producer Tim Burns noted, "They're a comedy writer's best friend. I think the stuff is funny to begin with, but there's no replacing how much funnier it is when the monkeys add their own peculiar performance style."

The American Humane Association's Film and Television Unit supervised the filming of both The Chimp Channel and its predecessor, Monkey-ed Movies, and reported:
"The chimps and orangutans are receiving a very high standard of care. The trainers use modern, humane techniques to cue and motivate the animals. . . The TBS production team has been very cooperative, has upheld the Guidelines and insures the wellbeing [sic] of the chimps during filming." AHA field representative Netta Bank rated the crew's treatment of the apes "A-plus" and noted "This is all chimps, all the time, so they're treated like stars. . . They have their own dressing room, their own green room. They have a play area for themselves."

Characters

On-camera stars
 Brock Hammond (voiced by Daran Norris) is a 39-year-old male actor fitting the self-absorbed, masculine archetype, similar to David Hasselhoff.
 George W. Heinlein (voiced by Richard Doyle) is The Chimp Channel's veteran news anchor.
 Marina (voiced by Jennifer Hale) is a parody of Pamela Anderson, the "super sexy" blond actress from Treewatch.
 Murray Price (voiced by Eugene Roche) is the "undisputed king of all celebrity interviews," a parody of Larry King who hosts his own talk show. He is played by an orangutan.

Behind the scenes stars
 Bernard the Sarcastic Parrot (voiced by Maurice LaMarche) is the parrot sidekick of Harry.
 Bif & Stan (voiced by Michael Donovan and Dwight Schultz) are veteran writing team who provide material for a plethora of television genres.
 Ford Carter (voiced by Richard Doyle) is a 58-year-old, Australian, self-made "gazillionaire" who owns The Chimp Channel in addition to newspapers, hotel chains, and other properties. He shares traits with Rupert Murdoch, a long-standing media rival of Ted Turner's.
 Timmy Briar (voiced by Richard Steven Horvitz) is a young, bright-eyed intern at The Chimp Channel.
 Harry Waller (voiced by Maurice LaMarche) is the 52-year-old president of The Chimp Channel and a television veteran.
 Candy Yuponce (voiced by Mindy Cohn) is The Chimp Channel's makeup and wardrobe girl.

Episodes

Reception
While the training and animal work was commended, The Chimp Channel received largely negative critical reception with the notion that it fails its attempt to expand the simple, effective concept of Monkey-ed Movies. The New York Times''' Caryn James gave a negative review of the show, stating "The Chimp Channel is so scattershot and predictable it becomes tiresome in about five minutes. . . And the brief parodies of television shows and movies offer mere glimpses of wit."

Ray Richmond of Variety described how the original Monkey-ed Movies "proved to be clever stuff, in large part because it was short and sweet" but that "with Chimp Channel, TBS monkeys with an undeniably thin concept and stretches it past the limit." While he commended the "sharp, well-organized direction from Mitchell Walker and the uncannily effective animal work from head trainer Bob Dunn, coordinator Mike Morris and their team," Richmond added "What seems cute in small doses feels awfully humiliating in this expanded format, sucking out any novelty and leaving in its wake only the uncomfortable entrails."

Tom Jicha of the Sun-Sentinel claimed "The Chimp Channel sounds a lot funnier than it turns out to be on the air. As an occasional brief skit on a show like Saturday Night Live or MADtv, The Chimp Channel might be entertaining." However, Jicha also provided additional insight into the series' predicament, pondering "TBS seems to have it's days and nights confused. Cleaned up of its occasional randy references - there's even a snarky shot at Monica Lewinsky - The Chimp Channel might work for the audience at 10 in the morning on Saturday. At 10 at night on Thursdays it's a King Kong-sized loser."

Fan reception appears to be somewhat more positive; as of 2010, The Chimp Channel'' holds an 8.2/10 rating on the Internet Movie Database and  6.2 "Fair" on TV.com.

In popular culture
The show was promoted during time trials for the 1999 Coca-Cola 600 by commentator Ken Squier, who, after reading the promo, was jokingly non-verbally referred to as a chimp by broadcasting partners Buddy Baker and Dick Berggren.

See also
Chimp Lips Theater, a pair of pilots also featuring live chimpanzees with a similar premise that aired on Fox Kids in 1997.

References

External links

1999 American television series debuts
1999 American television series endings
1990s American parody television series
1990s American sitcoms
American television spin-offs
Cultural depictions of Rupert Murdoch
English-language television shows
TBS (American TV channel) original programming
Television shows about chimpanzees
Television series about television
Television series by Studio T
Television series by Warner Bros. Television Studios

The Chimp Channel


İyceler, Ankara ilinin Kızılcahamam ilçesine bağlı bir mahalledir.

Ankara iline 105 km, Kızılcahamam ilçesine 27 km uzaklıktadır.

Nüfus

Dış bağlantılar

Kızılcahamam'ın mahalleleri

İyceler, Kızılcahamam


Fédération syndicale étudiante (FSE) peut désigner :
 Fédération syndicale étudiante, syndicat étudiant français actif entre 2000 et 2013 ;
 Fédération syndicale étudiante, syndicat étudiant français fondé en 2019.

Fédération syndicale étudiante


O pica-pau-abissínio (Dendropicos abyssinicus) é uma espécie de ave piciforme da família Picidae  que vive na África oriental.

Distribuição e habitat

Habita nos bosques de montanha da Etiópia e da Eritreia.

Dendropicos
Aves descritas em 1814

Pica-pau-abissínio


Pulaski est une ville américaine située dans le comté de Candler, en Géorgie. Selon le recensement de 2020, sa population est de .

Notes et références

Liens externes

Town en Géorgie (États-Unis)
Comté de Candler

Pulaski (Géorgie)


Naftalin veya naftalen, kapalı kimyasal formülü C10H8 olan, aromatik hidrokarbondur.

Maden kömürünün damıtılmasıyla elde edilen orta ve ağır yağlardan ayrıştırılır. Beyaz pulcuklar biçiminde, billur yapılı bir katıdır. Keskin ve kendine özgü bir kokusu vardır. Yoğunluğu 1,15 olup, 80 °C'de erir, 217 °C'de kaynamaya başlar. Suda çözünmez, alkolde ise, sıcaklıkla doğru orantılı olarak artan bir yoğunlukta çözünür. Atmosfer ortamında kolaylıkla buharlaştığından haşere (böcek türleri) ile mücadelede kullanılır. Güveleri uzaklaştırdığından yünlü kumaş ve kürkleri korumakta kullanılır. Sanayide eritici, yakıt ve boya hammaddesi olarak; eczacılık ve parfümeride ise ara madde olarak kullanılır. Ayrıca lavaboların temizlenmesinde büyük rol oynar. Naftalin katı halden gaz hâle sıvılaşmadan geçer. Buna süblimleşme denir.

1866'da Alman kimyager Emil Erlenmeyer tarafından onarılmış olan açık formülü, ortaklaşmış iki karbon atomu içeren iki bitişik benzen halkası gösterir: Naftalen, benzen gibi, yer değiştirme ve katılma tepkimelerine yatkındır. Tetralin, dekalin, naftoller, naftilaminler ve stalik anhidrit üretiminde, ayrıca güve öldürücü olarak kullanılır.

İnsan sağlığına etkileri

Büyük miktarlarda naftaline maruz kalınması alyuvarlara zarar verebilir ve hatta yok edebilir.

Uluslararası Kanser Araştırmaları Ajansı (IARC) tarafından naftalin, insanlarda ve hayvanlarda kansere neden olma şüphesi bulunan bir madde olarak sınıflandırılmıştır (Grup 2B).

Güve ilacı olarak üretilen naftalin topları ve naftalin içeren diğer ürünler AB içerisinde 2008 yılından itibaren yasaklanmıştır.

Kaynakça

Antiseptikler
Çevreyi kirleten maddeler
Hava kirliliği
IARC 2B grubu kanserojenler
İnsektisitler

Polisiklik aromatik hidrokarbonlar
Bilgi kutusu bulunmayan kimyasal maddeler
Hidrokarbonlar

Naftalin


Tengoku er en kortfilm fra 2003 instrueret af Christian Emil Banck efter manuskript af Christian Emil Banck.

Handling
Den nådesløse lejemorder Seijin får et job, der kan sikre, at alle hans drømme går i opfyldelse. Men noget går galt.

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 2003

Tengoku


Die Galerie Konzett ist eine Kunstgalerie in Wien.

Geschichte
Die Galerie Konzett wurde 1989 in Graz von dem Kunsthändler Philipp Konzett (* 1965) gegründet. Seit 2006 befindet sich der Hauptsitz der Galerie in der Wiener Innenstadt.

Konzept
Das Ausstellungsprogramm der Galerie ist themenorientiert und soll eine Verbindung zwischen Sammlung und jüngsten künstlerischen Positionen herstellen, unter anderem zu Christian Eisenberger, Michael Horsky, Rita Nowak, Paul Renner, Frederick Steinmann, Yun Wang und Hans Weigand.

Seit 2014 ist das KonzettKonzeptKonzert, kurz KKK genannt, fixer Bestandteil des Galerieprogramms. Ziel dieser interdisziplinären Projektreihe ist es, traditionelle Vermittlungsstrategien zu hinterfragen und einer kritischen Neuorientierung zu unterziehen. Ausstellungsobjekte und Musikstücke werden unter einem thematischen Aspekt in Beziehung zueinander gebracht, verdichtend, ergänzend oder kontrapunktiv. Ein "klingender Katalog" verbindet die beiden Ebenen: Zu einem musikalischen Ritornell werden Texte zu Inhalt und Konzept des jeweiligen Projekts rezitiert, als Einstimmung, Information und Überleitung. Die Initiatoren und Kuratoren sind Philipp Konzett (bildende Kunst) und Michael Mautner (Musik).

Die Galerie nimmt regelmäßig an der Art Cologne und der Viennafair teil.

Sammlung
Die Galerie verfügt über eine umfangreiche Sammlung ethnografischer Kunst aus Afrika und Asien, daneben begann Konzett Anfang der 1980er-Jahre Werke des Wiener Aktionismus zu sammeln. Mittlerweile ist das Schaffen von Günter Brus, Otto Muehl, Hermann Nitsch und Rudolf Schwarzkogler werkspezifisch weitgehend erfasst und wird ergänzt durch Dokumentationsmaterial, wie Fotografien, Grafiken, Filme, Bücher und Autografen.

Die Sammlung umfasst auch den internationalen "aktionistischen Kontext". Ausgehend vom Pionier der zeitgenössischen Kunst, Marcel Duchamp, sind Vertreter früher performativer und "Direct-Art"-Bewegungen Teil des Bestandes, wie die Gutai Group und NO!art, aber auch feministische Positionen wie Gina Pane, Carolee Schneemann und VALIE EXPORT. Joseph Beuys und Dieter Roth, die sich mit Fragen nach Vergänglichkeit und Nachhaltigkeit befassen, stellen einen schlüssigen Gegenpart zur körperbetonten Kunst des Aktionismus dar. Mit Martin Kippenberger, Rudolf Polanszky, Franz West und Heimo Zobernig wird ein Bezug zur nachfolgenden Generation hergestellt.

Exponate aus der Sammlung sind als Leihgaben in zahlreichen internationalen Ausstellungen präsent, die sich mit avantgardistischen Kunstströmungen um 1960 auseinandersetzen. Teile des Bestandes werden aber auch zum Thema eigenständiger Präsentationen, wie Der chirurgische Blick. Inszenierte Fotografie. Sammlung Konzett in WestLicht. Schauplatz für Fotografie, Wiener Aktionismus – Was nun? Sammlung Konzett im Palais Liechtenstein und Joseph Beuys. Schamane in der Kunsthalle Krems und der Städtischen Galerie Ravensburg, alle 2009. In der Ausstellung Entdecken und Besitzen Einblicke in österreichische Privatsammlungen im Herbst 2005 im Museum Moderner Kunst Stiftung Ludwig Wien war er als einer der größten österreichischen Kunstsammler prominent vertreten.

Einzelnachweise

Weblinks
 Website der Galerie Konzett

Galerie in Österreich
Unternehmen (Wien)
Innere Stadt (Wien)
Galerie (Zeitgenössische Kunst)
Gegründet 1989

Galerie Konzett


Kevin Michael "GG" Allin (born Jesus Christ Allin; August 29, 1956 – June 28, 1993) was an American punk rock musician who performed and recorded with many groups during his career. His live performances often featured transgressive acts, including self-mutilation, defecating on stage, and assaulting audience members, for which he was arrested and imprisoned on multiple occasions. AllMusic called him "the most spectacular degenerate in rock n' roll history", while G4TV's That's Tough labelled him the "toughest rock star in the world".

Known more for his notorious stage antics than for his music, Allin recorded prolifically, not only in the punk rock genre, but also in spoken word, country, and more traditional-style rock. His lyrics often expressed themes of violence and misanthropy.

Allin's music was often poorly recorded and produced, given limited distribution, and met with mostly negative reviews from critics, although he maintained a cult following throughout and after his career. Allin promised for several years that he would commit suicide on stage during one of his concerts, but he instead died from a drug overdose on June 28, 1993, at age 36.

Early life
Allin was born Jesus Christ Allin at Weeks Memorial Hospital in Lancaster, New Hampshire, the younger of two sons born to Merle Colby Allin Sr. (1923–2001) and Arleta Gunther (1936–2019). He was given this name because his father told his wife that Jesus Christ had visited him, and told him that his newborn son would be a great man in the vein of the Messiah. During early childhood, Allin's older brother Merle Jr. was unable to pronounce "Jesus" properly and called him "Jeje", which became "GG".

Allin's family lived in a log cabin with no running water or electricity in Groveton, New Hampshire. His father was an abusive religious fanatic who threatened his family with death, digging graves in their cellar and threatening to fill them in the near future. In an essay titled "The First Ten Years", Allin wrote that Merle Sr. wanted to kill his family in a murder–suicide. He "despised pleasure" and allowed his family "very little contact with others". They lived a "primitive existence" and "were more like prisoners than a family". Allin also stated that his mother attempted to escape before she filed for divorce, but Merle Sr. thwarted the attempt by kidnapping Allin. Allin said that he was glad to experience such an upbringing, and that it "made [him] a warrior soul at an early age."

In 1961, Arleta filed for divorce from Merle Sr., as his mental instability was worsening. Allin and his brother were from that time raised by their mother and stepfather, and settled in East St. Johnsbury, Vermont, in 1966. Allin, a poor student, was placed in special education classes and required to repeat the third grade. According to his older brother, he experienced bullying by fellow students for nonconformity. In his second year of high school, he began attending school cross-dressed, which he said was inspired by the New York Dolls. When asked about his childhood, Allin said that it was "very chaotic. Full of chances and dangers. We sold drugs, stole, broke into houses, cars. Did whatever we wanted to for the most part – including all the bands we played in. People even hated us back then."

Recording career

Early years
Allin's earliest musical influences were 1960s British Invasion bands including Mott the Hoople and the Dave Clark Five. In the early 1970s, Alice Cooper became an important influence on Allin. Allin's earliest recorded musical endeavors were as a drummer. He also wrote most of his songs on an acoustic guitar. In his mid-teens, he and his older brother Merle, who plays bass guitar, formed their first band, Little Sister's Date, which lasted a little over a year. The group covered songs by Aerosmith, Kiss, and other popular rock bands of the time period. Both Allin and Merle gained a strong interest in punk rock. The MC5 and the Stooges were major influences on Allin.

He graduated from Concord High School in Concord, Vermont, in 1975, and shortly after formed the band Malpractice with his older brother, local musician Jeff Penney, and Brian Demurs (a high school friend). Allin played the drums for Malpractice until the band separated in 1977.

From September 1977 to April 1984, he fronted the Jabbers. Allin's 1980 debut album was Always Was, Is and Always Shall Be for Orange Records. In addition to singing, he played drums on most tracks. It would be reissued for the first time on CD in 1995 by the Halycon imprint.  At one point, industry veteran and the Dead Boys producer Genya Ravan served as his manager. Tension within the Jabbers mounted as Allin grew uncontrollable, uncompromising, and vicious. The Jabbers disbanded the spring of 1984. Their second to last show was opening for Charged GBH.

Allin fronted many acts during the early to mid-1980s. This includes albums from the Scumfucs, the Texas Nazis, and the Cedar St. Sluts. Allin remained in the underground hardcore scene, yet was not part of the East Coast hardcore scene. His performances in Manchester, New Hampshire, earned him the nickname of "the Madman of Manchester".

Allin garnered more mainstream attention with the ROIR cassette-only release of 1987's Hated in the Nation containing tracks from Allin's out-of-print catalog with the Jabbers, the Scumfucs, and the Cedar St. Sluts. The tape also featured several in-studio and in-concert recordings with an all-star band assembled by producer Maximum RocknRoll and early Allin patron Mykel Board. This band featured J Mascis of Dinosaur Jr. on lead guitar and Bongwater record producer/musician Mark Kramer on bass.

Mid-period and more extreme live performances

By the mid-to-late 1980s, Allin was an alcoholic and generally abused any drugs provided to him.

Allin first defecated onstage in 1985 at a show in Peoria, Illinois. According to fellow performer Bloody Mess, "I was with him when he bought the Ex-Lax. Unfortunately, he ate it hours before the show, so he constantly had to hold it in or he would've shit before he got onstage... After he shit onstage, complete chaos broke out in the hall... All of the old men in charge of the hall went fucking nuts!.. Hundreds of confused punk kids were flipping out, running out the door, because the smell was incredible." Defecation became a regular part of his stage act.

Allin idolized country music legend Hank Williams and saw himself as a kindred spirit. Both were relative loners and outsiders, both were habitual users of intoxicants, both lived with few (if any) possessions, and both traveled the country relentlessly. Allin's acoustic output, documented on the EP The Troubled Troubador, was heavily influenced by Williams. He recorded his own rewrites of Hank Williams Jr.'s "Family Tradition" and David Allan Coe's "Longhaired Redneck", calling his own versions "Scumfuc Tradition" and "Outlaw Scumfuc", respectively. Later, Allin also released another country album, Carnival of Excess, his most refined set of recordings.

During this period, Allin also began performing many spoken word pieces. Video footage of these is available but rare. Unwilling to seek steady employment, Allin supported himself by selling his own records. Allin was also fascinated with serial killers. He wrote to and visited John Wayne Gacy in prison a number of times, and Gacy painted a portrait of Allin, which became the album cover to the soundtrack of the film Hated: GG Allin and the Murder Junkies.

By this point, Allin's performances, which often resulted in considerable damage to venues and sound equipment, were regularly stopped by police or venue owners after only a few songs. Allin was charged with assault and battery or indecent exposure a number of times. His constant touring was only stopped by jail time or by long hospital stays for broken bones, blood poisoning, and other physical trauma.

Another attraction to Allin performances was his continual threats of suicide. In 1989, Allin wrote to Maximum RocknRoll stating that he would commit suicide on stage on Halloween 1989. However, he was in jail when that day came. He continued his threat each following year but ended up imprisoned each following Halloween. When asked why he did not follow through with his threats, Allin stated, "With GG, you don't get what you expect—you get what you deserve." He also stated that suicide should only be done when one had reached one's peak, meeting the afterlife at one's strongest point and not at one's weakest.

In June 1993, Allin made an appearance on The Jane Whitney Show. This interview is infamous for being his last interview and for Allin's aggression toward the audience. Allin openly stated that he would commit suicide and take his fans with him. When questioned by Jane, he clarified that he would make them commit suicide as well or he would kill them. Allin also stated that, at 35, he could sleep with 12-, 13- and 16-year-old girls, boys, and animals, and claimed that he raped both women and men at his concerts.

1989 trial and imprisonment
In late 1989, Allin was arrested and charged with "assault with intent to do great bodily harm less than murder" of a female acquaintance in Ann Arbor, Michigan.

In a psychological evaluation made as part of the trial, Allin was judged as having at least average intelligence, and was described as "courteous, cooperative and candid". The unnamed evaluator noted that Allin did not appear psychotic, and seemed comfortable with his unorthodox lifestyle. However, the evaluator asserted Allin was dependent on alcohol and had a mixed personality disorder with narcissistic, borderline and masochistic features.

Allin initially denied the charges, claiming that the woman was a willing participant in their sexual activities. Allin admitted to cutting her, burning her, and drinking her blood, but insisted that she did the same thing to him. Allin also claimed that inconsistencies in the woman's statements to authorities supported his assertions. The judge in the case agreed there were substantial inconsistencies in the woman's account. Ultimately, however, Allin plea bargained to the reduced charge of felonious assault, and he was imprisoned from December 25, 1989, to March 26, 1991.

It was during this time in prison that Allin began feeling re-energized about his life and "mission". He wrote The GG Allin Manifesto during this period.

Hated documentary and final days

After his release from prison, Allin skipped parole to go on another tour, footage of which was shot for Todd Phillips's documentary Hated: GG Allin and the Murder Junkies. The film contained graphic scenes from a performance Allin gave at the rock club Space at Chase in Manhattan's East Village. A heavily intoxicated Allin stripped naked, defecated on the floor, wiped his feces on himself and threw feces into the audience. He also threw beer bottles, breaking a woman's nose, and assaulted several other people in the crowd. Clips were included from other Allin appearances, as well as interviews with Allin, his band, and their fans. The film was released in 1993 and later followed on DVD in 1997.

In 1991, GG recorded an album entitled Murder Junkies, released by New Rose Records, featuring Antiseen as his backing band. This album contained 10 musical tracks and 10 spoken-word pieces. Other than Freaks, Faggots, Drunks and Junkies, Allin considered this album to be that which most accurately captured his persona and stated philosophy on life. It was also during this period that Allin recorded the album War in My Head – I'm Your Enemy, released on Awareness Records and featuring the band Shrinkwrap. This particular album consists of one 45-minute track that is a collage of spoken-word pieces (mainly from the same recordings as Murder Junkies) which Shrinkwrap put to music.

Allin's growing notoriety led to appearances on various television shows: Geraldo, The Jerry Springer Show and The Jane Whitney Show. At the time of his death, Allin was making plans for a spoken-word album. He also mentioned a somewhat unlikely European tour, enthusiastically talking about it in the hours before his death.

Personal life

Family and relationships
GG Allin married Sandra Farrow on October 6, 1978. They divorced in 1985.

In the mid-1980s, Allin became involved with a teenage girl from Garland, Texas named Tracy Deneault. She became pregnant, and their daughter, Nico Ann Deneault, was born on March 13, 1986. Nico chose to distance herself from her family. Allin and Tracey Deneault never married. At the time of his death, Allin's partner was Liz Mankowski. They appeared together on The Jane Whitney Show, in 1993, with another Allin fan called Wendy.

GG Allin's older brother Merle Allin served as bassist for his last band, the Murder Junkies.

Beliefs
Allin was a self-identified extreme individualist, misanthrope, and anti-authoritarian, promoting lawlessness and violence against police officers in many of his lyrics; his essay, The GG Allin Manifesto, was intended to summarize his personal philosophy. He revealed on Geraldo that he believed his body to be a temple of rock and roll, and that his flesh, blood, and bodily fluids were a communion to the people. Another reason given for his onstage antics (by Dino, the drummer of his band) was that he wanted to draw a parallel between his actions and "a society that's going crazy with violence". He has also said that if he was not a performer, he would probably be a serial killer or a mass murderer.

Allin believed in some form of afterlife. He planned to kill himself onstage on Halloween many times in the late 1980s and early 1990s, but was stopped due to prison sentences around Halloween each year. He explained his views on death in the film Hated: GG Allin and the Murder Junkies, stating: "It's like I've got this wild soul that just wants to get out of this life. It's too confined in this life. I think that to take yourself out at your peak... if you could die at your peak, your strongest point, then your soul will be that much stronger in the next existence."

Death

GG Allin's last show was on June 27, 1993, at a small club called The Gas Station, a punk venue located inside a former gas station at 194 East 2nd Street in Manhattan. In a first-hand account by Michael Bowling, the show ended after three songs, when a melee broke out. Allin ended up outside, leading a group of fans through the neighborhood.

Bowling continued his recount of the evening after the show. After walking the streets for almost an hour, Allin eventually went to Johnny Puke's apartment. There, he and others continued to party and use drugs. Along with Johnny Puke, Allin ingested large amounts of heroin, on which he overdosed and slipped into an unconscious state. Sometime in the early morning of June 28, Allin died from the effects of his heroin overdose. Later that morning, Puke noticed that Allin still lay motionless in the same place where he had left him and posed for Polaroids with the corpse before calling for an ambulance. Allin was pronounced dead at the scene. He was two months short of his 37th birthday.

Funeral
Allin's funeral took place on July 3, 1993, in his native New Hampshire, at the St. Rose Cemetery in Littleton. At his funeral, Allin's bloated corpse was dressed in his black leather jacket and trademark jock strap. Allin's funeral became a low-level party.

Legacy
Video footage of the soundcheck, concert, and aftermath from Allin's final concert on the day of his death was appended to the 1997 DVD release of Hated.

GG Allin's grave was frequently vandalized with urine, feces, cigarette butts, and alcohol by fans, an act that was greatly discouraged by GG's mother Arleta and his brother. His tombstone was removed in 2010 after it was knocked off its base by a fan.

Hank Williams III's 2008 album Damn Right, Rebel Proud features the song "P.F.F.", which features the line "This song is written and dedicated for GG Allin" spoken at the beginning, and contains samples of Allin dialogues in the song's middle section.

On December 13, 2018, Showtime premiered the 2017 documentary GG Allin: All in the Family which documented Allin's life, career and death and how his brother and mother were coping with his death 20 years later.

Wrestler Darby Allin's ring name is derived from the names of GG Allin and Darby Crash.

Discography

 Always Was, Is and Always Shall Be (1980)
 Eat My Fuc (1984)
 You'll Never Tame Me (1985)
 Sing Along Love Songs (1985)
 You Give Love a Bad Name (1987)
 Freaks, Faggots, Drunks and Junkies (1988)
 The Suicide Sessions (1989)
 Beautiful Afterbirth: Fucked & Framed (1990)
 Murder Junkies (1991)
 War in My Head – I'm Your Enemy (1993)
 Brutality and Bloodshed for All (1993)
 Carnival of Excess (1995)

References

Bibliography

Further reading
 Parfrey, Adam. "G. G. Allin: Portrait of the Enemy" in Parfrey, ed. Apocalypse Culture. Los Angeles: Feral House, 1990 (expanded and revised ed), pp. 45–47.

External links

 GG Allin Archives – The Scumfuc Repository

1956 births
1993 deaths
20th-century American criminals
20th-century American singer-songwriters
American lyricists
American male drummers
American male guitarists
American male bass guitarists
American male singer-songwriters
American people convicted of assault
American punk rock drummers
American punk rock singers
American rock songwriters
American spoken word artists
Burials in New Hampshire
Criminals from New Hampshire
Deaths by heroin overdose in New York (state)
Drug-related deaths in New York City
Accidental deaths in New York (state)
Homestead Records artists
The Murder Junkies members
Obscenity controversies in music
People from Lancaster, New Hampshire
People from Littleton, New Hampshire
People from St. Johnsbury, Vermont
People with personality disorders
Prisoners and detainees of Michigan
ROIR artists
Self-declared messiahs
Singer-songwriters from New Hampshire
Violence against women in the United States
20th-century American drummers
20th-century American bass guitarists
20th-century American male singers

GG Allin


Bodil Kjær (født 11. marts 1932 i Hatting) er en dansk arkitekt, uddannet i London og København.

Fra 1955 og fremover tegnede og udviklede hun elementer af arkitektur så som møbler og belysningslegemer for institutionsbyggerier, men også vaser, skåle og enkelte møbler til hjemmet.
Hun drev egen tegnestue i København og senere i London efter nogle år som ansat i ingeniørvirksomheden Arup Group engelske afdeling.

Fra og med 1965 fokuserede hun hovedsageligt på team-work med folk fra mange professioner om planlægning og design af fleksible, sunde og levende arbejdsomgivelser for brugere og ansatte i fabrikker, kontorer og universiteter i England og Italien.

Om dette arbejde forelæste hun for arkitektstuderende i England, Danmark og USA og skrev om emnet i fagtidsskrifter i flere lande. I sin senere stilling som fastansat professor på University of Maryland, nær Washington D.C., udviklede hun undervisningsprogrammer og drev research, som hun senere fortsatte i Danmark. Efter 1995 har hun, som arkitekt og borger, beskæftiget sig en del med at være med til at forbedre byer for deres borgere.

Selv om størrelsen og kompleksiteten af hendes arbejder er forøget ganske meget i årenes løb, så har hun samtidig fortsat sit oprindelige arbejde med design for de nære omgivelser dvs. møbler til offentlige bygninger – eller elementer af arkitektur, som hun foretrækker at kalde disse designs der nu kan ses på film og fjernsyn og ofte på auktioner i Danmark og udlandet.

"Der har aldrig i mit professionelle liv været en begyndelse eller en definitiv afslutning på noget. Det har alt sammen været flow og overlap". Bodil Kjær, November 2015.

Rettighederne til Bodil Kjærs designs har siden januar 2016 været repræsenteret af FORM Portfolios.

Eksterne henvisninger

Arkitekter fra Danmark

Bodil Kjær


Autoritær (fransk, af latin auctoritas, myndighed) betegnes den som uden saglig grundlag eller uden at give saglig begrundelse, bestemmer over andre. En autoritær indstilling kan også medføre overdreven respekt for enhver som står over en i social rang, så at man lader sig dominere på følelsesmæssig grundlag uden fornuftsstyrede argumenter.

En autoritær opdragelse bygger på princippet om, at børn skal lystre uden forklaring af årsag eller hensigt med den forlangte adfærd og godtage den voksnes mening som rigtig.

Forskningsresultater har vist at den autoritære personlighed er præget af at være underkastende, konventionel, lidt fleksibel, overkontrolleret og upersonlig, en holdning som gerne giver sig udslag i fordomsfuld og intolerant adfærd.

Der findes tre grundlæggende opdragelsesformer: Kontrollerende opdragelse (autoritær), udviklingsstøttende opdragelse (demokratisk) og laissez faire-opdragelse.

Etik
Psykologi
Socialvidenskabelige begreber

Autoritær personlighed


The group attribution error refers to people's tendency to believe either
 the characteristics of an individual group member are reflective of the group as a whole, or
 a group's decision outcome must reflect the preferences of individual group members, even when external information is available suggesting otherwise.

The group attribution error shares an attribution bias analogous to the fundamental attribution error. Rather than focusing on individual's behavior, it relies on group outcomes and attitudes as its main basis for conclusions.

Typology

Type I
To demonstrate the first form of group attribution error, research participants are typically given case studies about individuals who are members of defined groups (such as members of a particular occupation, nationality, or ethnicity), and then take surveys to determine their views of the groups as a whole. Often the participants may be broken up into separate test groups, some of which are given statistics about the group that directly contradict what they were presented in the case study. Others may even be told directly that the individual in the case study was atypical for the group as a whole. Researchers use the surveys to determine to what extent the participants allowed their views of the individual in the case study to influence their views of the group as a whole and also take note of how effective the statistics were in deterring this group attribution error. Ruth Hamill, Richard E. Nisbett, and Timothy DeCamp Wilson were the first to study this form of group attribution error in detail in their 1980 paper Insensitivity to Sample Bias: Generalizing From Atypical Cases. In their study, the researchers provided participants with a case study about an individual welfare recipient. Half of the participants were given statistics showing that the individual was typical for a welfare recipient and had been on the program for the typical amount of time, while the other half of participants were given statistics showing that the welfare recipient had been on the program much longer than normal. The results of the study revealed that participants did indeed draw extremely negative opinions of all welfare recipients as a result of the case study. It was also found that the differences in statistics provided to the two groups had trivial to no effect on the level of group attribution error.

Type II
The second form of group attribution error was first reported by Scott T. Allison and David Messick in 1985. This form describes people's tendency to assume incorrectly that group decisions reflect group members' attitudes. In their study the researchers did multiple experiments presenting participants with group decisions made on the national, state, and local levels. Participants were presented with situations in which a matter of public policy was determined by a single leader with no popular vote, a popular vote of over 90% of the population, and a popular vote which included approximately 50% of the population. If no group attribution error were present, the participants would be expected to conclude that in the 90% vote the views of the individuals were reflective of the group decision, in the 50% vote they may or may not be, and in the leader decision there is no evidence that the individual views reflect the group outcome. Allison and Messick discovered instead, however, that the participants associated the individual views with the group outcome in all three cases.

Limitations and threats
Follow-up research by Leila Worth and Scott T. Allison attempted to identify the limits of the effect.  These studies have shown that the error becomes stronger in perceptions of groups that are viewed as (a) more dissimilar to one's own group, (b) more monolithic, and (c) adversarial to one's own group. The error tends to disappear in perceptions of one's own group.  Group members are more likely to attribute the decisions of their own group to structural constraints placed on the group, such as its decision rules, whereas members tend to attribute the decisions of another group to its members' attitudes.

In 2001, Corneille et al. conducted further studies that suggest that threatening groups are viewed as being both more extreme and more homogeneous.

Etymology
The group attribution error has been referred as a term since 1985 by Scott T. Allison and David M. Messick after evaluating numerous researches made between 1970-1985. These researches tie different attribution biases to an individual either 1) the individual's behavior or 2) the outcomes of the group that the individual belongs to. The first one is known as the fundamental attribution error, and the consequent one is known as the group attribution error.

Human development perception of group attribution
Infants develop the ability to categorize first by putting a gender label to other children. Then, the difference in color of the skin begins to play a role in their ability to distinguish different backgrounds. Consequently, group attribution biases towards members of different groups, either on race or gender, affect their ability to judge others. For example, the conception of children believing that "all boys are abusive" illustrates the influence of categorization and generalization to members of this group (boys).

Connections to different attribution errors
The fundamental attribution error is similar to the group attribution error in that it refers to the tendency to believe that an individual's actions are representative of the individual's preferences, even when available information suggests that the actions were caused by outside forces.

The group attribution error and the ultimate attribution error share the individual's tendency to draw different prejudiced conclusions between in-groups and out-groups. The individuals involved in an in-group would attribute positive conclusions about their group outcomes, yet they would attribute negative conclusions towards the out-group members.

See also

 Attribution bias
 Attribution theory
 Fundamental attribution error
 Ingroup bias
 List of cognitive biases
 Outgroup homogeneity bias
 Outcome bias
 Ultimate attribution error

References

Further reading

Attitude attribution
Cognitive biases
Group processes
Error
Prejudices
Inductive fallacies

Group attribution error


Otok Ruth (također poznat kao Ruth Cay) je umjetni otok kraj južne obale Saint Croixa u blizini Port Alucroixa, Američki Djevičanski otoci. Nastao je sredinom 1960-ih jaružanjem Krauses Lagune i prostire se na oko 16 Ha.

Budući da na otoku nema malih indijskih mungosa (Urva auropunctata), biolozi su introducirali ugroženog guštera Pholidoscelis polops iz populacije Protestant Caya. Danas na otoku Ruth ima oko 30 guštera.

Izvori

Otoci Američkih Djevičanskih otoka

Ruth


سوماتوستاتين  هو هرمون ببتيدي ينظم جهاز الغدد الصم ويؤثر على النقل العصبي ونمو الخلايا عن طريق التفاعل مع مستقبل مقترن بالبروتين ج وتثبيط محفزات هرمونات ثانوية عديدة. السوماتوستاتين له شكلين نشطين ينتجان عن اٍنقسام سابق بروتيني واحد: الأول مكون من 14 حمض أميني والثاني 28 حمض أميني.

يوجد شكلان فعالان للسوماتوستاتين، ينتجان عن انقسام سلف طليعة البروتين. يتكون الشكل الأول من 14 حمضًا أمينيًا، ويتكون الآخر من 28 حمضًا أمينيًا.

يوجد لدى الفقاريات ست جينات مختلفة مسؤولة عن تركيب بروتين السوماتوستاتين وهي SS1 وSS2 وSS3 وSS4 وSS5 وSS6. يملك سمك دانيو المخطط جميع هذه الجينات، يوجد أيضًا خمس مستقبلات مختلفة للسوماتوستاتين، وهذا ما يسمح للسوماتوستايتن بتأدية الكثير من الوظائف. يملك البشر جين سوماتوستاتين واحد هو SST.

الإنتاج

الجهاز الهضمي
تفرز خلايا دلتا السوماتوستاتين في عدة مواقع في الجهاز الهضمي، وهي غار البواب والإثني عشر، وجزيرات البنكرياس.

يفرز السوماتوستاين في غار البواب وينتقل إلى القلب عبر الجملة الوريد البابية، يدخل بعدها الدورة الدموية الجهازية ويرتبط بالمستقبلات ليمارس تأثيره المثبط. قد يعمل السوماتوستاتين بطريقة التأشير نظير الصماوي ويمارس تأثير محفز بعد تحرره من خلايا دلتا.

يؤثر السوماتوستاتين المفرز في المعدة على الخلايا الجدارية المنتجة للحمض عبر ارتباطه بالمستقبلات المقترنة بالبروتين G (يثبط إنزيم الأدينيلات، ويعاكس التأثير التحفيزي للهيستامين)، ويقلل إفراز الحمض المعدي. يقلل السوماتوستاتين من إنتاج حمض المعدة بأسلوب غير مباشر عن طريق منع إفراز الهرمونات الأخرى، كالغاسترين والهيستامين، ويبطئ بدوره من عملية الهضم.

الدماغ
ينتج السوماتوستاتين من قبل الخلايا العصبية الصماوية للنواة الوطائية البطانية الأنسية في منطقة ما تحت المهاد. تنتهي هذه الخلايا العصبية بالبارزة الناصفة للوطاء، يفرز السوماتوستاتين من النهايات العصبية للمحاور إلى الجملة الوطائية النخامية. ينتقل السوماتوستاتين إلى الغدة النخامية الأمامية، ويثبط إفراز هرمون النمو من الخلايا الموجهة الجسدية. تعتبر عصبونات السوماتوستاتين الموجودة في النواة المحيطة بالبطين مسؤولة عن التلقيم الراجع السلبي لهرمون النمو، تستجيب عصبونات السوماتوستاتين للتركيز المرتفع من هرمون النمو والسوماتوميدين عن طريق زيادة إفراز السوماتوستاتين، والذي يؤدي بدوره إلى تقليل إفراز هرمون النمو.

المصادر

عوامل هرمونية
ببتيدات عصبية
بروتينات بشرية
جهاز الغدد الصماء
جينات على كروموسوم 3
طب الأعصاب والغدد الصم
مضادات الإسهال
هرمونات المحور المنمي للجسم
هرمونات الوطاء

سوماتوستاتين


Yenicami Ağdelen Kulübü, KKTC, Lefkoşa'da bulunan spor kulübüdür. Takımın rekleri siyah-beyazdır.

Başarıları

Birinci Lig (9)
 1970-71, 1972-73, 1973-74, 1975-76, 1983-84, 2013-14, 2014-15, 2016-17, 2017-18

Kıbrıs Kupası ve Federasyon Kupası (8)
 1962, 1973, 1974, 1989, 2003, 2013, 2015, 2020

Dış bağlantılar
 Resmî sitesi

Kaynakça

Kuzey Kıbrıs Türk Cumhuriyeti'ndeki futbol kulüpleri
Kuzey Lefkoşa'da spor

Yenicami Ağdelen


Tyrone Deon Mings (Bath, 13. ožujka 1993.) engleski je nogometaš koji igra na poziciji središnjeg beka. Trenutačno igra za Aston Villu.

Klupska karijera

Rana karijera
Mings je počeo igrati za Southamptonove omladinske selekcije 2001. godine kada je imao 8 godina, no otpušten je 2009. godine kada je klupski budžet za mlade igrače iznenada naglo ukinut. Nakon odlaska iz Southamptona dvije godine je pohađao školu Millfield s nogometnom stipendijom. Nakon napuštanja škole, Mings je potpisao za neligaški klub Yate Town iz Gloucestershirea. Tijekom ljeta 2012. godine razmišljao je o prestanku bavljenja s nogometom prije nego što je potpisao za Chippenham Town koji se natjecao u Southern League Premier Divisionu. Dok je igrao neligaški nogomet radio je kao pipničar i hipotekarni savjetnik.

Ipswich Town
Mings je potpisao za Ipswich Town 2013. godine nakon kratke probe za 10.000 funti te se dogovorio s Ipswich Townom da će odigrati jednu predsezonsku utakmicu protiv Chippenham Towna. Dana 4. svibnja 2013. godine Mings je debitirao za Ipswich Town na zadnji dan sezone 2012./13. u 2:0 porazu protiv Burnleyja. Dana 10. listopada 2014. godine osvojio je titulu Igrača mjeseca Championshipa za rujan. Svoj prvi i jedini gol za Ipswich Town zabio je 24. veljače 2015. godine u 4:2 pobjedi protiv Birmingham Cityja.

Bournemouth
Dana 26. lipnja 2015. godine, Mings je prešao u novopromovirani premierligaški klub Bournemouth za nepoznati iznos za koji se navodi da je iznosio 8 milijuna funti. S Bournemouthom je potpisao četverogodišnji ugovor. Mings je za Bournemouth u Premier ligi debitirao 29. kolovoza 2015. u utakmici protiv Leicester Cityja koja je završila 1:1.

Aston Villa
Dana 31. siječnja 2019. Bournemouth je poslao Mingsa na posudbu u Aston Villu do kraja sezone. Mings je za Aston Villu debitirao dva dana kasnije u utakmici bez golova protiv Readinga. Dana 8. veljače 2019. godine, u svojoj drugoj utakmici za Aston Villu, zabio je svoj prvi gol u dresu Aston Ville i to u utakmici protiv Sheffield Uniteda koja je završila 3:3. Mings je trajno prešao u Aston Villu 8. srpnja 2019. godine za iznos za koji se smatra da je iznosio 20 milijuna funti te da može porasti na 25 milijuna funti zbog bonusa.

Reprezentativna karijera
Za Englesku je debitirao 14. listopada 2019. godine u 0:6 pobjedi protiv Bugarske. Bio je član engleske momčadi koja je osvojila srebro na Europskom prvenstvu 2020. Svoj prvi reprezentativni gol postigao je 15. studenog 2021. u kvalifikacijskoj utakmici za Svjetsko prvenstvo 2022. u kojoj je San Marino poražen 0:10.

Priznanja

Individualna
 Igrač mjeseca Championshipa: rujan 2014.

Klupska
Aston Villa
 Doigravanje za ulazak u FA Premier ligu: 2019.
 Engleski Liga kup (finalist): 2019./20.

Reprezentativna
Engleska
 Europsko prvenstvo (finalist): 2020.

Izvori

Vanjske poveznice

 Profil, Aston Villa
 Profil, Engleski nogometni savez

Engleski nogometaši
Nogometaši Southamptona
Nogometaši Ipswich Towna
Nogometaši A.F.C. Bournemoutha
Nogometaši Aston Ville
Aktivni nogometaši

Tyrone Mings