Tintin in Tibet () is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.

Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition.

Synopsis
While on holiday at a resort in the French Alps with Snowy and Captain Haddock, Tintin reads about a plane crash in the Gosain Than Massif in the Himalayas of Tibet. He then has a vision of his friend Chang Chong-Chen, badly injured and calling for help from the wreckage of the crashed plane. Convinced of Chang's survival, Tintin flies to Kathmandu, via Delhi, with Snowy and a skeptical Captain Haddock. They hire a Sherpa named Tharkey and, accompanied by porters, travel overland from Nepal towards the crash site.

The porters abandon the group in fear when mysterious tracks are found, while Tintin, Haddock and Tharkey go on and eventually reach the crash site. Tintin sets off with Snowy to trace Chang's steps, and finds a cave where Chang has carved his name on a rock. On leaving the cave, he encounters a snowstorm and glimpses what seems to be a human silhouette. Tharkey believes that Tintin saw the Yeti and convinces him to abandon his friend and return with him to Nepal, since the area is too large to search. Tintin spots a scarf on a cliff face, concludes Chang is nearby, and continues with only the Captain. While attempting to scale a cliff face, Haddock slips and hangs out of reach, imperilling Tintin, who is tied to him. He tells Tintin to cut the rope to save himself, but Tintin refuses. Haddock tries to cut it himself, but drops his knife, alerting Tharkey, who has returned in time to rescue them. They try to camp for the night but lose their tent and must trek onwards, unable to sleep lest they freeze, arriving within sight of the Buddhist monastery of Khor-Biyong before being caught in an avalanche.

Blessed Lightning, a monk at the monastery, has a vision of Tintin, Snowy, Haddock, and Tharkey in danger. Tintin regains consciousness and, too weak to walk, gives Snowy a note to deliver. Snowy runs to the monastery, loses the message, but is recognised as the dog from Blessed Lightning's vision. Tintin, Haddock and Tharkey regain consciousness in the monastery and are brought before the Grand Abbot. The Abbot tells Tintin to abandon his quest, but Blessed Lightning has another vision, through which Tintin learns that Chang is still alive inside a mountain cave at the Horn of the Yak—and that the Yeti is also there. Tintin and Haddock travel on to the Horn of the Yak.

They arrive at a cave. Tintin ventures inside and finds Chang, who is feverish. The Yeti suddenly appears, revealed as a large anthropoid, reacting with anger at Tintin's attempt to take Chang. As it lunges at Tintin, the flash bulb of Tintin's camera goes off and scares the Yeti away. Chang tells Tintin that the Yeti saved his life after the crash. Upon returning to inhabited lands, the friends are surprised to be met by the Grand Abbot, who presents Tintin with a khata scarf in honour of the bravery he has shown for his friend Chang. As the party travels home, Chang muses that the Yeti is not a wild animal, but has a human soul. The Yeti sadly watches their departure from a distance.

History

Background and early ideas

In October 1957, Hergé sent his publisher, Casterman, the cover of his completed nineteenth Tintin adventure, The Red Sea Sharks, and for several weeks considered plot ideas for his next story. Fondly recalling the Scouting days of his youth, his first idea was to send Tintin back to the United States, as in the third adventure, Tintin in America, to help a group of Native Americans defend their land from a large corporation that wished to drill for oil; on reflection, Hergé came to believe that retracing old ground would be a step backwards. Another idea had Tintin striving to prove that Haddock's butler Nestor was framed for a crime committed by his old employers, the Bird brothers. He dismissed this as well, but kept the idea of an adventure with no guns or violence—the only Tintin story without an antagonist. A third idea sent Tintin and Professor Calculus to a snow-covered polar region, where a stranded group of explorers need Calculus to save them from food poisoning. He abandoned this plot also, but kept the setting in a snowy environment and decided to focus, not on Calculus, but on his main character Tintin.

A collaborator of Hergé's, Jacques Van Melkebeke, had suggested in 1954 to set a story in Tibet, likely influenced by the play he adapted for Hergé in the 1940s,  (Mr. Boullock's Disappearance). Bernard Heuvelmans, a cryptozoologist who had helped Hergé envision lunar exploration for the two-part Destination Moon and Explorers on the Moon, had given him a copy of his book  (On the Trail of Unknown Animals) in 1955, inscribing on the inside the suggestion that one day Tintin should meet the Yeti. By 1958, Hergé decided that Tibet would be the setting of Tintin's next Adventure. Initial ideas for the title were  (The Cow's Snout),  (The Bear's Snout), and  (The Yak's Snout), all of which refer to the mountain in the latter part of the story. Although it was initially claimed that "market research" chose the title Tintin in Tibet suggesting sales would be better if the book used Tintin's name in the title, entertainment producer and author Harry Thompson suggested "the title reflected the solo nature of [Tintin's] undertaking".

Hergé's psychological problems
Hergé reached a particularly traumatic period in his life and suffered a mental breakdown. In 1956, he realised that he had fallen out of love with his wife Germaine, whom he had married in 1932, and by 1958, he and Fanny Vlaminck, a colourist at Studios Hergé twenty-eight years his junior, had developed a deep mutual attraction. They began courting; Hergé's new companion lifted his morale and shared many of his interests. Germaine soon began interfering with the courtship, causing Hergé to admit his desire had been to maintain a relationship with both women. When he failed to please either, he began to contemplate divorcing Germaine to marry Fanny. His Catholic upbringing and Boy Scout ethic, however, caused him to feel tremendous guilt. As he later related to interviewer Numa Sadoul: "It meant turning upside down all my values—what a shock! This was a serious moral crisis: I was married, and I loved someone else; life seemed impossible with my wife, but on the other hand I had this scout-like idea of giving my word for ever. It was a real catastrophe. I was completely torn up". During this period, Hergé had recurrent nightmares where he faced images of what he described as "the beauty and cruelty of white"—visions of white and snow that he could not explain. As he later told Sadoul: "At the time, I was going through a time of real crisis and my dreams were nearly always white dreams. And they were extremely distressing. I took note of them and remember one where I was in a kind of tower made up of a series of ramps. Dead leaves were falling and covering everything. At a particular moment, in an immaculately white alcove, a white skeleton appeared that tried to catch me. And then instantly everything around me became white".

At the advice of his former editor Raymond de Becker, Hergé travelled to Zürich to consult the Swiss psychoanalyst Franz Riklin, a student of Carl Jung, to decipher his disturbing dreams. Riklin latched on to the "quest for purity" that featured so prominently in Hergé's dreams, and ultimately in Tintin in Tibet. He told the author that he must destroy "the demon of purity" in his mind as soon as possible: "I do not want to discourage you, but you will never reach the goal of your work. It comes to one or the other: you must overcome your crisis, or continue your work. But, in your place, I would stop immediately!"

Although Hergé was tempted to abandon Tintin at Riklin's suggestion, devoting himself instead to his hobby of abstract art, he felt that doing so would be an acceptance of failure. In the end, he left his wife so that he could marry Fanny Vlaminck, and continued work on Tintin in Tibet, trusting that completing the book would exorcise the demons he felt possessed him. "It was a brave decision, and a good one", said British Tintin expert Michael Farr. "Few problems, psychological included, are solved by abandoning them". Thompson noted: "It was ironic, but not perhaps unpredictable, that faced with the moral dilemma posed by Riklin, Hergé chose to keep his Scout's word of honour to Tintin, but not to Germaine". Belgian Tintin expert Philippe Goddin summarised: "[Hergé] sought to regain a lost equilibrium, that he imposes on his hero a desire to seek purity ... considering it necessary for Tintin to go through the intimate experience of distress and loneliness ... and discover himself".

Influences
In creating Tintin in Tibet, Hergé drew upon a range of influences. Setting it in the Himalayas, a snow-covered environment, followed his recurring dreams of whiteness and his need to create an adventure that "must be a solo voyage of redemption" from the "whiteness of guilt". The idea of a solo voyage led to Tintin being accompanied only by Snowy, their guide, and a reluctant Haddock—who supplies the needed counterpoint and humour.

While considering the character of Chang, absent since The Blue Lotus, Hergé thought of his artistic Chinese friend Zhang Chongren, whom he had not seen since the days of their friendship over twenty years earlier. Hergé and Zhang used to spend every Sunday together, during which Hergé learned much about Chinese culture for his work on The Blue Lotus. Later, Zhang moved back to his homeland and Hergé lost contact with his friend after the Japanese invasion of China in 1937. Hergé felt Chang and Tintin must be reunited, just as he hoped to see his friend again some day.

Hergé read a variety of books about Tibet for this project: Fosco Maraini's Secret Tibet, Heinrich Harrer's Seven Years in Tibet, Tsewang Pemba's Tibet my Homeland, Maurice Herzog's Annapurna, discredited author Lobsang Rampa's The Third Eye, and the books of Belgian explorer and spiritualist Alexandra David-Néel. Hergé visited the Belgian Alpine Society to examine their photographic collection of the Himalayas, and they sent him photographer Richard Lannoy's work on India. Models for drawings such as of monks with musical instruments, Sherpas with backpacks, and the aircraft wreckage came from clippings Hergé had collected from sources such as National Geographic. Members of the Studios helped him gather other source material; for instance, collaborator Jacques Martin researched and drew the story's costumes.

To learn about the Yeti, which he depicted as a benevolent creature, Hergé contacted his friend Bernard Heuvelmans, the author of On the Trail of Unknown Animals. After re-reading Heuvelmans' description of the Yeti, Hergé went on to research the cryptid species as much as possible. Hergé interviewed mountaineers, including Herzog, who had spotted the tracks of what he believed was an enormous biped that stopped at the foot of a rock face on Annapurna. The creature's care for the starving Chang derives from a Sherpa account of a Yeti that rescued a little girl in similar circumstances. Another influence came from Fanny Vlaminck, who was interested in extrasensory perception and the mysticism of Tibetan Buddhism, prominent themes in the story that also fascinated Hergé.

Publication

Studios Hergé serialised Tintin in Tibet weekly from September 1958 to November 1959, two pages per week, in Tintin magazine. Because of his desire for accuracy, Hergé added the logo of Air India to the airliner crash debris. A representative of Air India complained to Hergé about the adverse publicity the airline might suffer, arguing: "It's scandalous, none of our aircraft has ever crashed; you have done us a considerable wrong". Air India had cooperated with Hergé, aiding his research by providing him reading material, contemporary photographs, and film footage of India and Nepal, particularly Delhi and Kathmandu. While the crashed aircraft's tail number remained "VT", the country code for Indian aircraft, Hergé agreed to change the airline logo in the published edition to the fictional Sari-Airways, dryly noting that there were so many Indian airlines it was possible that there really was a Sari-Airways.

While developing the story, members of the Studios confronted Hergé with concerns about elements of Tintin in Tibet. Bob de Moor feared the scene in which Haddock crashes into a stupa was disrespectful to Buddhists. Jacques van Melkebeke suggested that the Yeti not be depicted to create a sense of enigma; Hergé disagreed, believing that it would disappoint his child readers.

After the serial concluded, Hergé worked with his publisher, Casterman, to produce the work in book form. Hergé's original design for the front cover featured Tintin and his expedition standing on a backdrop of pure white. Casterman deemed it too abstract, so Hergé added a mountain range at the top; biographer Benoît Peeters expressed that in doing so, the image was deprived of some of its "strength and originality".

During production, Hergé kept abreast of the turbulent political developments in Tibet. In March 1959, Tibet's foremost political and spiritual leader, the Dalai Lama, fled the region into self-imposed exile in India during the 1959 Tibetan uprising. In May 2001, when Tintin in Tibet was published in China, state authorities renamed it Tintin in Chinese Tibet. When Casterman and the Hergé Foundation protested, the authorities restored the book's original title.

Reception
Hergé came to see Tintin in Tibet as his favourite volume in The Adventures of Tintin. He thought it an ode to friendship, composed "under the double sign of tenacity and friendship": "It's a story of friendship", Hergé said about his book years later, "the way people say, 'It's a love story.

Critical analysis
Tintin in Tibet is well received by critics from the comics and literary fields. Farr calls it "exceptional in many respects, standing out among the twenty-three completed Tintin adventures ... an assertion of the incorruptible value of bonds of friendship". Jean-Marc Lofficier and Randy Lofficier laud it as "the ultimate Tintin book", reaching "a degree of perfection, both in its story and in its stunning art, that has rarely been equaled, before or since" and "arguably the best book in the series". They detail the story's many emotional moments: Haddock's willingness to sacrifice his life for Tintin's, Tharkey's return, the tearful reunion of Tintin and his starving friend Chang, the reverence paid to Tintin by the Grand Abbot and the monks, and the Yeti's sadness while watching the departure of his only friend. "For a comic book to handle such powerful emotions, convey them to the readers, and make them feel what the characters are feeling is a rare and precious achievement". Thompson calls it "a book of overwhelming whiteness and purity", saying that the "intensely personal nature of the story made this Hergé's favourite Tintin adventure", adding that if readers wonder whether "the enormous weight [was] lifted from Hergé's shoulders, [this] can be seen in his next book, The Castafiore Emerald, a masterpiece of relaxation". As Tintin in Tibet was translated into 32 languages, Donald Lopez, professor of Buddhist and Tibetan studies, calls it the "largest selling book about Tibet".

Literary critic Jean-Marie Apostolidès, in a psychoanalytical analysis of Tintin in Tibet, observes that Tintin is more firmly in control of the plot than he was in earlier adventures. Apostolidès notes that the character displays worry and emotion not present previously, something he suggested showed Tintin sorting out the problems that he faced in life. In his analysis, he calls Tintin a "foundling" and his friend Chang "the lost child" and "Tintin's twin ... the heroes have to struggle to great heights to escape the temporality and pervasive values of [the] universe". He saw the Yeti, who "internalises certain human characteristics", as more complex than Hergé's previous bestial character, Ranko in The Black Island: "The monster loves Chang with a love as unconditional as Tintin's love for his friend".

The literary analysis of Tom McCarthy compares Tintin's quest to Hergé's conquest of his own fear and guilt, writing, "this is the moira of Hergé's own white mythology, his anaemic destiny: to become Sarrasine to Tintin's la Zambinella". McCarthy suggested the "icy, white expanses of Hergé's nightmares [may] really have their analogue in his own hero", especially as "Tintin represents an unattainable goal of goodness, cleanness, authenticity".

Hergé biographer Pierre Assouline opines that the work is "a portrait of the artist at a turning point" in his life. He believes that it "stands alone" in The Adventures of Tintin due to its lack of antagonist and few characters, describing it as "a spiritual quest" where the "only conflict is between man and nature ... [Hergé] put the best of himself into Tintin in Tibet". Referring to its "stripped-bare story and archetypal clarity", Benoît Peeters believes Tintin in Tibet to be one of the two "pivotal" books in the series, alongside The Blue Lotus, and deems it poignant that Chang features in both. He also suggests that Hergé included the benevolent Yeti to "make up for the interminable massacre" of animals in the second Tintin adventure, Tintin in the Congo, and that the sadness the Yeti experienced at the story's end reflected Hergé's feelings about his separation from Germaine. Peeters concluded: "Even more than Art Spiegelman's Maus, Tintin in Tibet is perhaps the most moving book in the history of the comic strip".

Awards
At a ceremony in Brussels on 1 June 2006, the Dalai Lama bestowed the International Campaign for Tibet (ICT)'s Light of Truth Award upon the Hergé Foundation in recognition of Tintin in Tibet, which introduced the region to audiences across the globe. ICT executive director Tsering Jampa said: "For many, Hergé's depiction of Tibet was their introduction to the awe-inspiring landscape and culture of Tibet". During the ceremony, copies of Tintin in Tibet in the Esperanto language () were distributed. Accepting the award for the foundation, Hergé's widow Fanny Rodwell said: "We never thought that this story of friendship would have a resonance more than 40 years later".

Adaptations
Eight years after Hergé's death, Tintin in Tibet was adapted into an episode of The Adventures of Tintin (1991–92), a television series by French studio Ellipse and Canadian animation company Nelvana. The episode was directed by Stéphane Bernasconi, with Thierry Wermuth voicing Tintin. Tintin in Tibet was also a 1992 episode of the BBC Radio 4 series The Adventures of Tintin, in which Richard Pearce voiced Tintin. The book became a video game for the PC and Super NES in 1995.

Tintin and I (2003), a documentary by Danish director Anders Høgsbro Østergaard based on Numa Sadoul's 1971 interview with Hergé, includes restored portions of the interview that Hergé had heavily edited and rewritten in Sadoul's book. With full access to the audio recordings, the filmmaker explored the personal issues that the author had while he was creating Tintin in Tibet and how they drove him to create what is now regarded as his most personal adventure.

As the centenary of Hergé's birth approached in 2007, Tintin remained popular. Tintin in Tibet was adapted into a theatrical musical, Hergé's Adventures of Tintin, which ran from late 2005 to early 2006 at the Barbican Arts Centre in London. The production, directed by Rufus Norris and adapted by Norris and David Greig, featured Russell Tovey as Tintin. The musical was revived at the Playhouse Theatre in London's West End before touring in 2007. In 2010, the television channel Arte filmed an episode of its documentary series  (On the Trail of Tintin) in the Nepalese Himalayas, exploring the inspiration and setting of Tintin in Tibet. From May to September 2012, the Musée Hergé in Louvain-la-Neuve hosted an exhibition about the book, entitled Into Tibet with Tintin.

Notes

References

Citations

Sources

External links
 Tintin in Tibet at the Official Tintin Website
 Tintin in Tibet at Tintinologist.org

1960 graphic novels
Comics set in India
Comics set in Tibet
Cryptozoology in fiction
Literature first published in serial form
Methuen Publishing books
Nepal in fiction
Tibet in fiction
Tibet
Works originally published in Tintin (magazine)
Yeti in fiction

Tintin in Tibet


La Supercoupe d'Espagne 1983 (en espagnol : Supercopa de España 1983) est la deuxième édition de la Supercoupe d'Espagne, épreuve qui oppose le champion d'Espagne au vainqueur de la Coupe du Roi. Disputée en match aller-retour les  et , l'épreuve est remportée par le FC Barcelone aux dépens de l'Athletic Bilbao sur le score cumulé de 3 à 2.

Il s'agit du premier titre du FC Barcelone dans cette compétition.

Compétition

Références

Lien externe
 Supercoupe d'Espagne sur www.rsssf.com

1983
Football en Espagne en 1983
Face-à-face gagné par le FC Barcelone
Face-à-face de l'Athletic Bilbao
Sport en octobre 1983
Sport en novembre 1983

Supercoupe d'Espagne de football 1983


Lourenço de Jesus a de Maria José Vaz de Almada (Santa Engrácia (Lisboa), 14 de Dezembro de 1897 - Alvalade (Lisboa), 7 de Março de 1978), 6º conde de Almada e conde de Avranches, foi um engenheiro e historiador português.

Era proprietário do senhorio dos Lagares d´El-Rei, em Lisboa, onde morava, e dum terço do Paço de Lanheses, onde lhe fez algumas remodelações arquitectónicas tal como tinha feito na sua referida morada da capital.

Biografia
Foi baptizado a 16 de Dezembro de 1897 na Igreja de Santa Engrácia de Lisboa, tendo como padrinhos Salvador de Almeida Correia de Sá, conde de Lavradio, e Nossa Senhora da Conceição tendo como oferenda a D. Leocádia de Santana e Vasconcelos Moniz de Bettencourt casada com o seu tio D. Miguel Vaz de Almada.

Exercendo o papel de lugar-tenente de D. Duarte Nuno de Bragança e representando D. Aldegundes de Bragança, condessa de Bardi, legítimos herdeiros do ramo "legitimista" à coroa do Reino de Portugal, atribuído aos descendentes directos de D. Miguel I de Portugal, foi um dos monárquicos que esteve, em 1922, em Paris, para fazer parte da negociação a que deu origem ao chamado Pacto de Paris, num processo de conciliação dos dois ramos da família do Ducado de Bragança, que pretendia unir pedristas e miguelistas. Tendo este acordo sido bastante mal recebido pelos seus pares e causando-lhe bastante desgosto mas que a História, que se lhe seguiu, lhe deu razão.

Foi vereador da Câmara Municipal de Lisboa e acompanhou D. Duarte Nuno de Bragança ao Brasil, por ocasião do seu casamento real, e do qual resultou um livro.

Foi louvado pelos Caminhos de Ferro de Portugal, onde trabalhava, pelo zelo e dedicação que tiveram com a sua colónia de férias.

Por essa ocasião foi o tutor dos filhos de Francisco de Assis de Almeida Mendia, seu colega de profissão, que entretanto tinha morrido viúvo.

Publicações
 «Relação dos feitos de Dom Antão de Almada: oferecida ao mui alto príncipe Senhor Dom Duarte, Duque de Bragança.» - 1940

 «Notas sobre a Viagem de sua Alteza Real o Senhor Duque de Bragança ao Brasil em 1942.» - 1943

 «Uma Figura Notável no Tempo dos Franceses : D. Lourenço José Boaventura de Almada, 1º conde de Almada (1758-1815).» - 1973

Dados genealógicos
Filho de:
 Luís Vaz de Almada (Lisboa, 4 de Abril de 1863, - Ericeira, 29 de Setembro de 1919), 5º conde de Almada e conde de Avranches. Casado, a 30 de Maio de 1894, comː
 D. Maria José dos Anjos de Almeida Correia de Sá (Lisboa, 14 de Maio de 1871 - 28 de Abril de 1964), filha de José Correia de Sá e Benevides Velasco da Camara e de D. Eugénia de Jesus Maria de Todos os Santos de Almeida Soares Portugal de Alarcão Ataíde e Meneses herdeira dos títulos de marquesa de Lavradio e condessa de Avintes.

Casado, em 23 de Novembro de 1920, na Quinta Fonte do Anjo, nos Olivais, em Lisboa, com:
  D. Helena Luísa Zarco da Câmara Viterbo (Lisboa, 21 de Junho de 1897 - Lisboa, 25 de Outubro de 1987), filha do Dr. Fiel da Fonseca Viterbo e de sua mulher D. Maria José Gonçalves Zarco da Cãmara, filha de José Maria Gonçalves Zarco da Camara, 9.º conde da Ribeira Grande e Maria Helena de Castro e Lemos Magalhães e Menezes.

Tiveram:
 Maria José Vaz de Almada
 Maria Eugénia Vaz de Almada
 Maria Henriqueta Vaz de Almada
 Maria Rita Vaz de Almada
 Luís Francisco de Almada (Lisboa, 9 de Dezembro de 1927  - Lanheses, 26 de Dezembro de 1998)
 Maria Helena Vaz de Almada
 Álvaro Vaz de Almada
 Maria da Rosário Vaz de Almada
 Maria Isabel Vaz de Almada

Ver também
 Almada (apelido)

Ligações externas
 D. Lourenço de Jesus Maria José de Almada, roglo

Engenheiros mecânicos de Portugal
Historiadores de Portugal do século XX
Escritores monárquicos de Portugal
Ferroviários de Portugal
Vereadores da Câmara Municipal de Lisboa
Nobres de Portugal do século XIX
Nobres de Portugal do século XX
Condes de Avranches
Condes de Almada
Paço de Lanheses
Naturais de Lisboa
Mortos em Lisboa

Lourenço de Jesus Maria José Vaz de Almada


Lukas Piloty (* 2. Oktober 1981 in München) ist ein deutscher Schauspieler.

Leben
Nach dem Schauspielstudium  2004 bis 2007 an der Westfälischen Schauspielschule in Bochum war Piloty seit der Spielzeit 2007/2008 Ensemblemitglied am Staatstheater Mainz. Hier war er zu sehen als Wurm in "Kabale und Liebe", Rabe Abraxas in "Die kleine Hexe", Leonce in "Leonce und Lena" und Wronski in "Anna Karenina". 2010 spielte er in der Komödie Lena will es endlich wissen von Regisseur Edwin Brienen. Seit Januar 2012 sieht man ihn in der ZDF-Serie SOKO Köln in der ständigen Rolle als Kommissar Jonas Fischer. Er löste somit seinen Vorgänger Steve Windolf ab.

Filmografie
 2010: Lena will es endlich wissen
 2013: Inside Wikileaks – Die fünfte Gewalt
 Seit 2012: SOKO Köln
 2017: Bettys Diagnose (1 Episodenrolle)
 2018: Südstadt
 2019:  Kroymann (Satiresendung, 1 Folge)
 2019: Matula – Tod auf Mallorca
 2019–2020: Schmitz & Family

Weblinks

Einzelnachweise

Filmschauspieler
Theaterschauspieler
Deutscher
Geboren 1981
Mann

Lukas Piloty


La estación de Pas-des-Lanciers, es una estación ferroviaria francesa de la línea París - Marsella, situada en la comuna de Marignane, en el departamento de Bocas del Ródano, en la región de Provenza-Alpes-Costa Azul. Por ella transitan únicamente trenes regionales.

Situación ferroviaria
La estación se sitúa en el PK 843,642 de la línea férrea París-Marsella, a un kilómetro trescientos en dirección Marsella del túnel de la Nerthe de 4 538 metros de longitud. Es el origen también de una línea férrea departamental que sirve principalmente para unir una refinería cercana a la red principal.

Historia
La estación fue abierta el 1 de noviembre de 1847 por parte de la Compañía de Ferrocarriles de Aviñón a Marsella, aunque fue rápidamente adquirida por la Compañía de Ferrocarriles de París a Lyon y al Mediterráneo. Hasta que se abrió el túnel de la Nerthe, los trenes concluían siempre su trayecto en la estación sin llegar a Marsella. Esto sucedió hasta el 15 de enero de 1848. En 1937, pasó a ser explotada por la SNCF.

La estación
La estación se compone de dos andenes, uno central y otro lateral y de hasta siete vías. De ellas, sólo tres tienen acceso a andenes. Está abierta al público de forma permanente y dispone de taquillas y de máquinas expendedoras de billetes.

Servicios ferroviarios

Regionales
Los TER PACA recorren a razón de 40 trenes diarios el siguiente trazado:

 Línea Miramas - Marsella.

Referencias

Enlaces externos

Estaciones de ferrocarril de Francia inauguradas en 1847
Estaciones de la línea París-Lyon a Marsella-Saint-Charles
Estaciones de ferrocarril del departamento de Bocas del Ródano

Estación de Pas-des-Lanciers


Sergiu Klainerman () este un matematician american de origine română cunoscut pentru contribuțiile sale la studiul ecuațiilor diferențiale hiperbolice și al relativității generale. În prezent, este titularul catedrei de matematică Eugene Higgins de la Universitatea Princeton, unde a predat începând din 1987. Între anii 1980 și 1987, a fost membru al corpului profesoral al Universității New York.

Klainerman este membru al Academiei Naționale de Științe a Statelor Unite ale Americii (ales în  2005), membru străin al Academiei Franceze de Științe (ales în 2002) și membru al Academiei Americane de Arte și Științe (ales în 1996).
A fost ales în clasa din 2018 a membrilor societății American Mathematical Society.
Klainerman este laureat al premiului Bôcher Memorial Prize care i-a fost decernat de American Mathematical Society în 1999  "pentru contribuțiile sale la ecuațiile hiperbolice neliniare". În perioada 2010-2011 a fost co-redactor-șef al revistei Publications Mathématiques de l'IHÉS.

Selecție de lucrări publicate
Klainerman, Sergiu,  Uniform decay estimates and the Lorentz invariance of the classical wave equation. Communications on Pure and Applied Mathematics, vol. 38 (1985), no. 3, pp. 321–332
Klainerman, Sergiu,  The null condition and global existence to nonlinear wave equations. Nonlinear systems of partial differential equations in applied mathematics, Part 1 (Santa Fe, N.M., 1984), pp. 293–326, Lectures in Appl. Math., 23, American Mathematical Society, Providence, RI, 1986. ISBN 0-8218-1125-8
Klainerman, Sergiu; Machedon, Matei, Space-time estimates for null forms and the local existence theorem, Communications on Pure and Applied Mathematics,  vol. 46 (1993), no. 9, pp. 1221–1268
Christodoulou, Demetrios; Klainerman, Sergiu,  The global nonlinear stability of the Minkowski space. Princeton Mathematical Series, 41. Princeton University Press, Princeton, NJ, 1993. ISBN 0-691-08777-6
Klainerman, Sergiu; Machedon, Matei, Smoothing estimates for null forms and applications.  A celebration of John F. Nash, Jr., Duke Mathematical Journal.,  vol. 81 (1995), no. 1, pp. 99–133

Note

Legături externe
  Sergiu Klainerman personal webpage, Department of Mathematics, Princeton University

Nașteri în 1950
Matematicieni români din secolul al XXI-lea
Matematicieni americani din secolul al XXI-lea
Americani de origine română
Membri ai Academiei Americane de Arte și Științe
Membri ai Academiei Franceze de Științe

Sergiu Klainerman


Agrilus auratolineatus é uma espécie de inseto do género Agrilus, família Buprestidae, ordem Coleoptera.

Foi descrita cientificamente por Curletti & Brûlé, 2011.

Referências

auratolineatus

Agrilus auratolineatus


الدوار المروري أو المدار أو المستديرة أو الدوران أو الفِلكة (وتسمى بالعامية الجزيرة في ليبيا، والصينية أو الميدان في مصر، ملتقى طرق للطرق على شكل دائري، وغالباً يكون هناك جزيرة وسطية تدور حولها السيارات لتغيير اتجاه سيرها. عادة يكون من المسموح الدوران حول الدوار باتجاه واحد، ولكن بعض الدوارات يكون فيها الدوران باتجاهين. عادة يكون للسيارات التي تدخل الدوار الأولوية في المرور لكن بعض الدوارات أيضاً تعطي الأولوية للسيارات التي تدور حول الدوار.

يتفاوت مدى انتشار الدورانات من بلد لأخرى، وقت كان وجودها شبه معدوم في بلدان كالولايات المتحدة حتى آن قريب، فهي بديل للتقاطعات المباشرة والإشارات المرورية.

طالع أيضا
 ميدان

مراجع

اختراعات فرنسية
طرق
ممرات دائرية ودوارات مرورية

دوار مروري


Proba de patinaj viteză 1.500 metri feminin de la Jocurile Olimpice de iarnă din 2018 de la Pyeongchang, Coreea de Sud a avut loc pe 12 februarie 2018 la Gangneung Oval, Gangneung.

Program
Orele sunt orele Coreei de Sud (ora României + 7 ore).

Rezultate
Proba a început la ora 21:30.

Note

Patinaj viteză la Jocurile Olimpice de iarnă din 2018

Patinaj viteză la Jocurile Olimpice de iarnă din 2018 - 1.500 metri (feminin)


Victor Frankenstein este un personaj fictiv din romanul Frankenstein de Mary Shelley.

El este un om de știință italiano-elvețian care, după ce studiază procesele chimice și degradarea ființelor vii, dobândește o perspectivă asupra creației vieții și dă viață creaturii sale, numită  monstrul lui Frankenstein sau adesea numită pur și simplu colocvial "Frankenstein". Victor, mai târziu, regretă această creație,  deoarece își pune în pericol, din neatenție, propria viață, dar  și viața familiei și a prietenilor săi, atunci când creatura încearcă să se răzbune împotriva lui. Unele aspecte ale personajului sunt considerate a fi fost inspirate de alchimistul secolului al XVII-lea, Johann Conrad Dippel.

Prima apariție a lui Victor Frankenstein pe marele ecran a avut loc în filmul Frankenstein din 1910  (produs de Thomas Edison) în care pare a fi mai mult un magician.

În Frankenstein (1931)  și  Mireasa lui Frankenstein (1935) apare ca Henry Frankenstein și este interpretat de Colin Clive.

Note

Personaje fictive
Frankenstein

Victor Frankenstein


An Philodendron lindenianum in uska species han Liliopsida nga ginhulagway ni Gustav Wallis. An Philodendron lindenianum in nahilalakip ha genus nga Philodendron, ngan familia nga Araceae.

Mabibilngan ini ha Ecuador. Waray hini subspecies nga nakalista.

Mga kasarigan

Philodendron

Philodendron lindenianum


U objektno orijentiranom programiranju, klasa je predložak programskog koda za kreiranje objekata. Sastoji se od podataka (članskih varijabli) i ponašanja (članskih funkcija ili metoda). U mnogim se jezicima ime klase koristi i za ime datoteke koja istu definira, za zadani konstruktor klase (metodu koja instancira klasu, odn. stvara objekte klasnog tipa i također za tip podatka za instance klase.

Kada konstruktor klase stvori objekt te klase, kažemo da je objekt instanca klase (klasa je instancirana), a članske varijable specifične za taj objekt nazivaju se varijablama instance. Varijable instance specifične su za stvoreni objekt, za razliku od varijabli klase, gdje sve instance dijele iste podatke.

Klasa naspram tipa
U svakodnevnoj upotrebi ljudi se često pozivaju na "klasu" objekta, ali objekti zapravo imaju tip podatka koji nastaje implementacijom klase. U tom je kontekstu tip podatka svojevrsno sučelje, dok je klasa implementacija sučelja koja ima konkretne varijable i metode. Sukladno tome, različite (konkretne) klase mogu istancirati objekte istog (abstraktnog) tipa. Primjerice, dvije klase, MaliStog (brži ali manje skalabilan) i SkalabilanStog (zahtijeva više resursa) mogu implementirati objekte istog tipa, Stog. Sukladno tome, pojedina klasa može imati više različitih (preopterećenih) konstruktora.

Tipovi klasa obično su imenice, poput bića, stvari ili mjesta. Primjerice tip  može predstavljati svojstva i funkcionalnost banana općenito, dok klase  i  mogu predstavljati neke funkcionalnosti banane u određenom kontekstu (npr. distribucija ili crtanje banana u videoigrici). Ako klasa  stvara pojedinačne banane, instance te klase bile bi tipa .

Obično se radi jedna implementacija svakog tipa, pa klase i tipovi dijele isto ime.

Dizajn i implementacija
Klase se sastoje od podataka i ponašanja. Programski jezici koji uključuju klase kao programsku konstrukciju nude podršku za različite značajke klasa, a sintaksa uporabe ovih značajki uvelike se razlikuje po programskim jezicima.

Podatci

Klasa sadrži podatke odnosno varijable (također se koriste nazivi svojstva, polja, članske varijable ili atributi).

Svaka varijabla klase ima tip podatka i ime, a može pripadati cijeloj klasi (sve instance klase dijele istu vrijednost) ili pojedinom objektu.

U većini jezika struktura koju definira klasa određuje raspored memorije koju koriste njezine instance. Moguće su i druge implementacije: na primjer, objekti u Pythonu koriste asocijativne spremnike ključ/vrijednost.

Ponašanja
Ponašanje klase ili njenih instanci definira se korištenjem metoda. Metode su potprogrami ili funkcije koji se izvode nad objektima ili klasama. Metode mogu promijeniti stanje objekta (vrijednost njegovih varijabli) ili pružiti pristup varijablama klase. Postoje mnoge vrste metoda, ali podrška za njih varira na različitim jezicima. Neke metode kreira i poziva programer, druge metode – naročito konstruktore, destruktore i operatore pretvorbe – stvara i poziva kompilator. Jezik također može omogućiti programeru da definira, preoptereti i pozove ove posebne metode i preopterećene operatore.

Pristup članovima
Metode unutar klase i funkcije van klase mogu imati različita dopuštenja pristupa varijablama i metodama u klasi.

Slijedi popis čestih modifikatora pristupa:

 Private (ili class-private) ograničava pristup na samu klasu. Samo metode koje su dio iste klase mogu pristupiti njenim privatnim članovima.
 Protected (ili class-protected) omogućuje samoj klasi i svim njezinim podklasama pristup njenim članovima.
 Public dopušta bilo kojem kodu direktan pristup elementima klase.

Modifikatori pristupa ne kontroliraju nužno vidljivost članskih varijabli, s obzirom na to da čak i privatni članovi mogu biti vidljivi klijentskom vanjskom kodu. U nekim jezicima, nedostupni, ali vidljivi član može se u vrijeme izvođenja indirektno pozvati (primjerice, pokazivačem vraćenim iz članske funkcije), ali pokušaj direktnog pristupa imenovanjem člana iz klijentskog koda spriječit će kompilator.

Razni objektno orijentirani programski jezici koriste različite koncepte pristupačnosti i vidljivosti članova klase. Na primjer, jezik Java ne dopušta kompilaciju klijentskog koda koji pristupa privatnim podacima klase. U jeziku C++ privatne metode su vidljive, ali nisu dostupne u sučelju; međutim, mogu se učiniti nevidljivima eksplicitnom deklaracijom potpuno apstraktnih klasa koje predstavljaju sučelja klase.

Neki jezici imaju druge sheme pristupačnosti:

 Pristupačnost instance naspram klase: Ruby podržava modifikatore instance-private i instance-protected umjesto class-private i class-protected, respektivno. Razlikuju se po tome što ograničavaju pristup na temelju same instance, a ne instancirajuće klase.
 Friend: C++ podržava mehanizam u kojem funkcija koja je eksplicitno deklarirana kao prijatelj neke klase može pristupiti njenim privatnim i zaštićenim članovima.
 Temeljem putanje: Java podržava ograničavanje pristupa članu koji nije unutar istog Java paketa (odnosno logičke putanje datoteke). Pri uvođenju frameworka u Java kod, klase frameworka i aplikacije obično se stavljaju u isti paket, što će frameworku dopustiti pristup zaštićenim članovima aplikacijskih klasa. Izvorni kod Java aplikacije može se nalaziti na drugoj lokaciji ili unutar druge .jar datoteke, ali JVM će smatrati da sve što se nalazi u istom paketu ima istu logičku putanju.

Primjeri

Primjer 1
Niže je osnovni primjer klase u programskom jeziku C++:
prostorija.h - definicija klase
class Prostorija {
    public:
        double duzina;
        double sirina;
        double visina;

        double izracunajPovrsinu(){
            return duzina * sirina;
        }

        double izracunajVolumen(){
            return duzina * sirina * visina;
        }
};
Klasa  ima javne (public) podatke (članske varijable) širina, visina, dužina tipa double (decimalni broj), i javna ponašanja (članske metode) izracunajPovrsinu() i izracunajVolumen() koje kao rezultat vraćaju double (decimalni broj).
main.cpp
#include <iostream>

#include "prostorija.h"

using namespace std;

void main() {

    Prostorija soba, kuhinja;
    // kreiramo nove objekte imena soba i kuhinja, koje imaju tip podatka "Prostorija"
    //soba i kuhinja su instance klase Prostorija

    soba.duzina = 5;
    soba.visina = 2.5;
    soba.sirina = 10.1

    kuhinja.duzina = 9;
    kuhinja.visina = 3;
    kuhinja.sirina = 10

    //svaka varijabla tipa Prostorija ima zasebne vrijednosti članskih varijabli (soba i kuhinja imaju zasebne dimenzije)
    // s obzirom da je sav kod ispod "public:", svaki dio koda može direktno pisati i čitati ove varijable

    cout << soba.izracunajPovrsinu(); //5 * 10.1 = 50.5

    cout << kuhinja.izracunajVolumen(); //9 * 3 * 10 = 270
}

Primjer 2 - konstruktor
U ovom ćemo primjeru uvesti konstruktor koji će standardizirati inicijalizaciju objekta.
prostorija.h - definicija klase
class Prostorija {
    public:
        double duzina;
        double sirina;
        double visina;

        //konstruktor s parametrima
        Prostorija(double _duzina, double _sirina, double _visina){
            duzina = _duzina;
            sirina = _sirina;
            visina = _visina;
        }

        double izracunajPovrsinu(){
            return duzina * sirina;
        }

        double izracunajVolumen(){
            return duzina * sirina * visina;
        }
};

main.cpp
#include <iostream>

#include "prostorija.h"

using namespace std;

void main() {

    Prostorija soba, kuhinja; // GREŠKA - objekti se sad moraju inicijalizirati pozivom konstruktora

    Prostorija soba("3", "4", "5");    //ispravno - duzina, sirina, visina
    Prostorija kuhinja("6", "7", "8"); //ispravno - duzina, sirina, visina

    // i dalje sav kod smije mijenjati članske varijable

    soba.visina = 2.5;

    kuhinja.visina = 3.5;

    cout << soba.izracunajPovrsinu(); //3 * 4 = 12

    cout << kuhinja.izracunajVolumen(); //6 * 7 * 3.5 = 147
}

Primjer 3 - privatni članovi
U ovom ćemo primjeru članske varijable učiniti privatnima.
prostorija.h - definicija klase
class Prostorija {
    private: //članske varijable su sad privatne, metode su i dalje javne
        double duzina;
        double sirina;
        double visina;

    public:
        //konstruktor s parametrima
        Prostorija(double _duzina, double _sirina, double _visina){
            duzina = _duzina;
            sirina = _sirina;
            visina = _visina;
        }

        double izracunajPovrsinu(){
            return duzina * sirina;
        }

        double izracunajVolumen(){
            return duzina * sirina * visina;
        }
};

main.cpp
#include <iostream>

#include "prostorija.h"

using namespace std;

void main() {

    // konstruktor je javan pa se vrijednosti varijabli mogu postaviti
    Prostorija soba("3", "4", "5");
    Prostorija kuhinja("6", "7", "8");

    // članske varijable su u ovom primjeru privatne, pa im kod glavne funkcije više ne može pristupiti direktno
    soba.visina = 2.5;    //GREŠKA
    kuhinja.visina = 3.5; //GREŠKA

    // donje su funkcije dio klase pa mogu pristupati članskim varijablama
    cout << soba.izracunajPovrsinu(); //3 * 4 = 12

    cout << kuhinja.izracunajVolumen(); //6 * 7 * 8 = 336
}

Primjer 4 - getteri i setteri
U ovom ćemo primjeru dodati funkcije za pristup i promjenu članskih varijabli
prostorija.h - definicija klase
class Prostorija {
    private:
        double duzina;
        double sirina;
        double visina;

    public:
        Prostorija(double _duzina, double _sirina, double _visina){
            duzina = _duzina;
            sirina = _sirina;
            visina = _visina;
        }

    //getteri - služe za dohvaćanje vrijednosti članskih varijabli

        double getDuzina() {
            return duzina;
        }

        double getSirina() {
            return sirina;
        }

        double getVisina() {
            return visina;
        }

    //setteri - služe za postavljanje vrijednosti članskih varijabli

        void setDuzina(_duzina) {
            duzina = _duzina;
        }

        void setSirina(_sirina) {
            sirina = _sirina;
        }

        void setVisina(_visina) {
            visina = _visina;
        }

    //isto kao prije
        double izracunajPovrsinu(){
            return duzina * sirina;
        }

        double izracunajVolumen(){
            return duzina * sirina * visina;
        }
};

main.cpp
#include <iostream>

#include "prostorija.h"

using namespace std;

void main() {

    Prostorija soba("3", "4", "5");
    Prostorija kuhinja("6", "7", "8");

    // članske varijable čitamo pomoću gettera i mijenjamo pomoću settera

    soba.setVisina("2.5");
    kuhinja.setVisina("3.5");

    kuhinja.getDuzina(); // 6

    cout << soba.izracunajPovrsinu(); //3 * 4 = 12

    cout << kuhinja.izracunajVolumen(); //6 * 7 * 3.5 = 147
}

Taksonomija klasa
Postoje mnoge kategorije klasa, od kojih se neke preklapaju.

Apstraktne i konkretne
U jezicima koji podržavaju nasljeđivanje, apstraktna klasa je klasa koja se ne može instancirati (ne mogu se stvarati objekti klasnog tipa) jer je označena kao apstraktna ili specificira apstraktne ili virtualne metode. Apstraktna klasa može sadržavati implementacije nekih metoda, i može definirati virtualne metode koje izravni ili neizravni potomci apstraktne klase trebaju nužno implementirati. Prije nego što se klasa izvedena iz apstraktne klase može instancirati, neka klasa u lancu izvođenja mora implementirati sve apstraktne metode svih roditeljskih klasa.

Većina objektno orijentiranih programskih jezika dopušta programeru da specificira koje se klase smatraju apstraktnima, i sukladno tome jezik neće dopustiti njihovo instanciranje. Primjerice, u Javi, C# i PHP-u koristi se ključna riječ abstract. Jezik C++, apstraktnom klasom smatra svaku klasu koja ima barem jednu virtualnu funkciju.

U jeziku C++, klasa koja se sastoji samo od virtualnih metoda naziva se Pure Abstract Base Class (ili Pure ABC – čista apstraktna bazna klasa). Također se koristi i naziv sučelje. Drugi jezici, osobito Java i C#, podržavaju deklaraciju interface kojom se označavaju klase s metodama bez implementacije. U tim jezicima višestruko nasljeđivanje klasa nije dopušteno, ali jedna klasa može implementirati više sučelja. Takva klasa može sadržavati samo apstraktne javno dostupne metode.

Konkretna klasa je klasa koja se može instancirati, za razliku od apstraktnih klasa, koje se ne mogu instancirati.

Lokalne i unutarnje
U nekim jezicima klase se mogu deklarirati u opsegu (scope) koji nije globalan. Postoje razne vrste takvih klasa.

Unutarnja klasa je klasa definirana unutar druge klase. Unutarnja klasa obično nije povezana s instancama obuhvatne klase niti se instancira zajedno sa svojom obuhvatnom klasom. Povezani koncept su unutarnji ili ugnježđeni tip podatka (inner type, nested type), što je generalizacija koncepta unutarnjih klasa. C++ je primjer jezika koji podržava i unutarnje klase (deklaracija inner) i unutarnje tipove (deklaracija typedef).

Drugi tip deklaracije opsega je lokalna klasa, odnosno klasa definirana unutar procedure ili funkcije. Ovo ograničava reference na naziv klase samo na opseg u kojem je klasa deklarirana. Ovisno o semantičkim pravilima jezika, mogu postojati dodatna ograničenja za lokalne klase. Jedno uobičajeno ograničenje je onemogućavanje metodama lokalne klase da pristupe lokalnim varijablama funkcije koja ih obuhvaća. Na primjer, u jeziku C++, lokalna klasa može pozivati statičke varijable deklarirane unutar njene obuhvatne funkcije, ali ne može pristupiti lokalnim (automatskim) varijablama funkcije.

Metaklase
Metaklase su klase koje instanciraju druge klase. Metaklasa opisuje zajedničku strukturu zbirke klasa i može implementirati obrazac dizajna ili opisati određene vrste klasa. Metaklase se često koriste za opisivanje frameworka.

U nekim jezicima, kao što su Python, Ruby ili Smalltalk, klasa je također objekt; stoga je svaka klasa instanca jedinstvene metaklase koja je ugrađena u jezik. Common Lisp Object System (CLOS) pruža metaobjektne protokole (MOP) za implementaciju tih klasa i metaklasa.

Vidi također

 Dijagram klasa (UML)
 Objektno orijentirano programiranje

Bilješke

Izvori

Daljnje čitanje
 Abadi; Cardelli: A Theory of Objects
 ISO/IEC 14882:2003 Programming Language C++, International standard
 Class Warfare: Classes vs. Prototypes, by Brian Foote
 Meyer, B.: "Object-oriented software construction", 2nd edition, Prentice Hall, 1997,
 Rumbaugh et al.: "Object-oriented modeling and design", Prentice Hall, 1991,

Objektno orijentirano programiranje
Konstrukti u programiranju

Klasa (programiranje)


Podnemić (kyrillisch: Поднемић) ist ein Dorf im Westen Serbiens, nahe der Grenze zu Bosnien und Herzegowina.

Dorfname
Podnemić bedeutet im deutschen "Unter dem Nemić". Der Name leitet sich davon ab, dass das Dorf am Fuße des Berges Nemić liegt. Einer der Dorfweiler trägt den Namen Bjele Vode (Weißwasser).

Geographie und Bevölkerung

Das Dorf liegt in der Opština Ljubovija, im Okrug Mačva. Der Ort hatte bei der letzten  Volkszählung von 2011 367 Einwohner, während es 2002 420 Einwohner waren. Nach den letzten drei Bevölkerungsstatistiken fällt die Einwohnerzahl weiter. Die Bevölkerung stellen zu 100 %  Serben. Podnemić besteht aus 142 Haushalten.

Das Dorf liegt am Ufer des Flusses Drina, der hier die Grenze zum westlichen Nachbarland Bosnien und Herzegowina bildet. Podnemić liegt südlich der Gemeindehauptstadt Ljubovija.

Demographie

Religion
Die Bevölkerung im Ort bekennt sich zur Serbisch-orthodoxen Kirche. Im zum Dorf Podnemić gehörendem Weiler Bjele Vode steht das 2005 gegründete Serbisch-orthodoxe Dreifaltigkeitskloster.

Sehenswürdigkeiten
Ebenfalls im Weiler Bjele Vode gegenüber dem Dreifaltigkeitskloster entsteht seit dem Jahre 2000 der Etno-Komplex Ognjište. Er verfügt unter anderem über einen künstlich angelegten See, Restaurants, Häuser mit Übernachtungsmöglichkeiten im traditionellen Baustil der Region und Aussichtspunkte.

Erbauer dieses Komplexes und Ktitor (Stifter) des Dreifaltigkeitsklosters ist der aus Podnemić stammende Geschäftsmann Karađorđe Ristanović mit seiner Familie.

Auf der Lokalität Kriva Drina (Krumme Drina) im Dorf, direkt am Fluss Drina gelegen und auf der Straße, die Ljubovija mit der Stadt Bajina Bašta verbindet, wurde 2009 durch die lokale Gemeinschaft von Podnemić (MZ Podnemić) und mit dem Segen des Bischofs der Eparchie Šabac Lavrentije (Trifunović) ein Gedenkkomplex bzw. eine Gedenkstätte für die serbischen Soldaten aus dem Podrinje, der Drina-Division, der Balkankriege, der Salonikifront und des gesamten Ersten Weltkriegs erbaut.

Belege
 Knjiga 9, Stanovništvo, uporedni pregled broja stanovnika 1948, 1953, 1961, 1971, 1981, 1991, 2002, podaci po naseljima, Republički zavod za statistiku, Beograd, maj 2004, ISBN 86-84433-14-9
 Knjiga 1, Stanovništvo, nacionalna ili etnička pripadnost, podaci po naseljima, Republički zavod za statistiku, Beograd, Februar 2003, ISBN 86-84433-00-9
 Knjiga 2, Stanovništvo, pol i starost, podaci po naseljima, Republički zavod za statistiku, Beograd, Februar 2003, ISBN 86-84433-01-7

Ort in der Opština Ljubovija
Ort an der Drina

Podnemić


Revenge was a band formed by New Order bassist Peter Hook (vocals, bass, keyboards) and Lavolta Lakota and Rawhead singer Davyth Hicks (aka Dave Hicks) on guitar and vocals, together with Chris Jones (keyboards). Revenge formed during New Order's hiatus in 1989-1990 and played their final gigs in January 1993. After their industrial rock/house music hybrid album One True Passion was written and recorded, the band was joined on stage by David Potts (bass and guitar) and Ash Taylor on drums.

The band toured the first album worldwide playing gigs in Europe, North and South America and Japan in 1991. It was after the Japan tour that Hicks decided to leave, quoting "musical differences", but more with the feeling of frustration over the direction of Revenge and his own desire to return to being lead singer. He formed Rawhead in Manchester and reformed the band in Scotland in 1993.

In May 1991 the band recruited new members Brian Whittaker (bass and guitar) and Mike Hedges (drums) who debuted at the Cities in The Park Festival. After completion of touring and promoting New Order's 1993 album Republic, Hook returned to Revenge with the intention of recording a new album. However, the band soon disintegrated and Hook retained the talents of only David Potts when later forming Monaco.

It has often been speculated that the band's name referred to Hook seeking revenge on Bernard Sumner for the latter's formation of the band Electronic with Johnny Marr. In fact, the name came from the word Revenge emblazoned on a leather jacket worn by George Michael in the video for his hit song, "Faith".

Discography

Albums
One True Passion (1990)
One True Passion V2.0 (2004), later re-released with a bonus CD, Be Careful What You Wish For, with a total of 23 additional tracks; V2.0 has more than three times as many tracks as the original release.
No Pain No Gain (2005), live material recorded in 1991

Singles

Extended plays
Gun World Porn (EP, 1991)

References

External links
Bio by Claude Flowers at LTM
Bio from the fansite "World in Motion"
Bio from the fansite "neworderonline.com"

English electronic music groups
English alternative rock groups
Musical groups from Manchester
Musical groups established in 1989
Musical groups disestablished in 1993
Factory Records artists

Revenge (UK band)


Astragalus edulis es una  especie de planta herbácea perteneciente a la familia de las leguminosas. Se encuentra en el sur de Europa y Norte de África.

Distribución y hábitat
Es una planta herbácea anual que tiene una distribución por la región del Mediterráneo y se encuentra en los pastizales secos más o menos degradados. Se encuentra en el Norte de África (Argelia y Marruecos), en la península ibérica e Islas Canarias.

Taxonomía
Astragalus edulis fue descrita por  Alexander von Bunge y publicado en Mém. Acad. Imp. Sci. Saint Pétersbourg, Sér. 7 11(16): 9. 1868.
Etimología
Astragalus: nombre genérico derivado del griego clásico άστράγαλος y luego del Latín astrăgălus aplicado ya en la antigüedad, entre otras cosas, a algunas plantas de la familia Fabaceae, debido a la forma cúbica de sus semillas parecidas a un hueso del pie.

edulis: epíteto latíno que significa  "comestible".
Sinonimia
Tragacantha edulis (Bunge) Kuntze

Referencias

Enlaces externos

 USDA, NRCS. 2006. The PLANTS Database, 6 March 2006 (http://plants.usda.gov).
 Mém. Acad. Imp. Sci. Saint Pétersbourg, Sér. 7, 11(16):9.  1868 (Gen. Astragali)

edulis
Flora de la cuenca mediterránea
Plantas descritas en 1868
Plantas descritas por Bunge

Astragalus edulis


El Expreso de la Costa fue un periódico mensual chileno, editado en Pichilemu, Región de O'Higgins. El periódico, fundado en 2000, tuvo circulación en la provincia Cardenal Caro, de la cual Pichilemu es la capital. Desde 2015 se publica digitalmente.

Historia

El periódico El Expreso de la Costa fue fundado y dirigido por Félix José María Calderón Vargas. La primera edición del periódico fue publicada el 30 de junio de 2000, y fue publicado periódicamente durante ese año en once ocasiones hasta ser suspendido. En 2005, volvió con su edición número doce, publicada el 7 de octubre, circulando hasta junio de 2015.

Referencias

Enlaces externos

 Sitio web oficial

Periódicos de la región de O'Higgins
Periódicos en español
Publicaciones fundadas en 2000
Medios de comunicación de Pichilemu

El Expreso de la Costa


Aceasta este o listă de companii din industria grea din România:

 Astalrom
 Aversa (companie)
 Caromet
 Consird
 CUG Cluj
 IMGB
 Organe de Asamblare
 Rulmenți Bârlad
 Rulmentul Brașov
 Termorom
 Timken Company
 Timpuri Noi (companie)
 Upruc CTR
 Upruc UTCH
 URB Rulmenți
 Uzinexport
 Întreprinderea de Construcții și Utilaje Grele din Giurgiu (ICMUG)

Note

Industria grea

Listă de companii din industria grea din România


Feyt (Fait  auf Okzitanisch) ist eine französische Gemeinde mit  Einwohnern (Stand ) im Département Corrèze in der Region Nouvelle-Aquitaine.

Geografie
Die Gemeinde liegt im Zentralmassiv auf dem Plateau de Millevaches am Rand des Regionalen Naturparks Millevaches en Limousin.

Tulle, die Präfektur des Départements, liegt ungefähr 90 Kilometer südwestlich, Ussel etwa 20 Kilometer südwestlich und Clermont-Ferrand rund 65 Kilometer östlich.

Nachbargemeinden von Feyt sind Saint-Merd-la-Breuille im Norden, Laroche-près-Feyt im Nordosten, Bourg-Lastic im Südosten, Monestier-Merlines im Südwesten sowie Eygurande im Westen.

Verkehr
Der Ort liegt ungefähr 15 Kilometer nordöstlich der Abfahrt 24 der Autoroute A89.

Wappen
Blasonierung: Gespalten, rechts in Blau besät mit goldenen Kugeln. Links in Silber ein roter schräger Balken mit zwei goldenen Muscheln belegt.

Bevölkerungsentwicklung

Sehenswürdigkeiten
 Kirche Saint-Clair, romanischer Sakralbau aus dem 13. und 19. Jahrhundert, als Monument historique klassifiziert.

Einzelnachweise

Weblinks

 Feyt auf annuaire-mairie.fr

Ort in Nouvelle-Aquitaine

Feyt


X kromozomu, iki eşey kromozomundan biridir.

Bütün insanlarda birisi mutlaka bulunurken, kadınlarda "46, XX"; erkeklerde "46, XY" normal karyotip olarak bilinir.

Eşey kromozomları insanlarda bulunan 23 homolog çiftin biridir. X kromozomu, 153 milyondan fazla baz taşır. Kadın hücrelerindeki toplam DNA'nın yaklaşık %5'ini, erkek hücrelerindeki toplam DNA'nın %2,5'ini içerir.
Her insan normalde eşey kromozomlarından ikisini bulundurur. Kadınlar X kromozomuyla birlikte X'ten bir tane daha taşırlarken (46, XX), erkekler, X'in yanında Y kromozomunu (46, XY) bulundururlar.

Hastalıklar

Sayısal düzensizlikler
 Turner sendromu
 Klinefelter sendromu
 Trizomi X

Yapısal düzensizlikler
 Alport sendromu
 Androjen duyarszılığı sendromu
 Becker's müsküler distorfi
 Charcot-Marie-Tooth hastalığı
 Coffin-Lowry sendromu
 Duchenne müsküler distrofi
 Fabry hastalığı
 Fragile X sendromu
 Glukoz-6-fosfat dehidrogenaz eksikliği
 Hemofili

 Menkes hastalığı
 Sentronükleer miyopati
 Sendromik olmayan sağırlık
 Ornithin transkarbamilaz yetmezliği
 Renk körlüğü
 Rett sendromu
 Spinal ve bulbar müsküler atrofi
 X-linked kombine immun eksikliği
 X-linked agammaglobulinemi
 X-linked sideroblastik anemi

Sitogenetik

X Kromozomu


Ridge hace referencia a varios artículos:

Lugares

Estados Unidos
 Ridge, municipio en el estado de Illinois.
 Ridge, lugar designado por el censo en el estado de Nueva York.

Inglaterra
 Ridge, pueblo en el condado de Dorset.
 Ridge, parroquia civil y un pueblo en el condado de Hertfordshire.

Personas
 John Rollin Ridge (1827-1867), escritor cherokee.
 Tom Ridge (1945), político estadounidense

Ridge


Travis Demetrius Leslie (nacido el  en Atlanta, Georgia) es un jugador de baloncesto estadounidense  que pertenece a la plantilla del Legia Varsovia de la PLK polaca. Con 1,93 metros de estatura, juega tanto en la posición de escolta como en la de alero.

Trayectoria deportiva

Universidad
Antes de la Universidad estuvo en el Columbia High School en Decatur (Georgia). Jugó durante tres temporadas con los Bulldogs de la Universidad de Georgia, en las que promedió 12,2 puntos, 6,2 rebotes y 2,1 asistencias por partido. En su segunda temporada fue uno de los jugadores más mejorados de la conferencia, necesitando solo 13 partidos para superar su cifra de anotación en su temporada de novato. Anotó 10 o más puntos en 26 partidos, pasando de 20 en 4 de ellos, para promediar 14,8 puntos y 6,8 rebotes.

Al año siguiente fue elegido por los entrenadores en el segundo mejor quinteto de la Southeastern Conference, siendo el segundo mejor anotador y reboteador de su equipo, promediando 14,4 puntos y 7,2 rebotes por partido. Fue además elegido como el mejor matador de toda la competición universitaria en la ESPN.

En abril de 2011 anunció, junto con su compañero Trey Thompkins, que se presentaría al draft de la NBA, renunciando a su último año como universitario.

NBA y D-League
Fue elegido en la cuadragésimo séptima posición del Draft de la NBA de 2011 por Los Angeles Clippers. debutando en la liga el 28 de diciembre ante San Antonio Spurs.

En marzo de 2012 fue asignado a los Bakersfield Jam, el afiliado en la D-League de Los Angeles Clippers. Fue despedido por Clippers el 30 de octubre de 2012, tras 10 encuentros.

El 2 de noviembre de 2012, fue seleccionado por los Santa Cruz Warriors en el Draft de la D-League.

El 14 de febrero de 2013, Leslie fue elegido en el Prospects All-Star roster, en el D-League All-Star Game del 2013, en sustitución de Andrew Goudelock. Fue nombrado MVP del D-League All-Star Game con 19 puntos, 7 rebotes y 1 asistencia y los Prospects derrotaron a los Futures por 139-125.

El 10 de marzo de 2013, firmó un contrato de 10 días con los Utah Jazz. No jugó ningún partido en ese tiempo y no firmó un segundo contrato de 10 días. Tras terminar el contrato, volvió a los Santa Cruz Warriors.

Europa
Comenzó su andadura en Europa en 2013, firmando con el JSF Nanterre francés, equipo que dejó antes del inicio de la temporada. Luego firmó con el ASVEL Lyon-Villeurbanne, donde ganó el Concurso de Mates de 2013, pero fue despedido en enero de 2014. Más tarde en ese mes, firmó con el BC Šiauliai lituano hasta final de temporada, donde ganó la Liga Báltica, fue el MVP de la temporada regular, participó en el All-Star Game de la LKL y ganó el Concurso de Mates.

El 23 de julio de 2014, firmó un contrato de un año con opción a otro más con el BC Lietuvos Rytas, donde participó otra vez en el All-Star, siendo el MVP y por segunda vez, ganó el Concurso de Mates.

Después de que no ejercieran la opción de renovación de su contrato, en agosto de 2015 firmó con el medi Bayreuth alemán.

En julio de 2020, firma por el  Champagne Châlons Reims Basket de la Pro A francesa.

El 9 de septiembre de 2021, firma por los Leones de Ponce de la Baloncesto Superior Nacional.

El 24 de diciembre de 2021, firma por el Real Betis Baloncesto de la Liga Endesa.

El 30 de julio de 2022, firma por el Legia Varsovia de la PLK polaca.

Estadísticas

Universidad

NBA

Temporada regular

Referencias

Enlaces externos

 Estadísticas en la NCAA
 NBA prospect profile
 Ficha de Travis Leslie en Georgia
 Ficha de Travis Leslie en la LNB
 Estsdísticas de Travis Leslie en la D-League

Baloncestistas de Georgia (Estados Unidos)
Baloncestistas de la NBA
Baloncestistas de los Georgia Bulldogs
Baloncestistas de Los Angeles Clippers
Baloncestistas de los Bakersfield Jam
Baloncestistas de los Santa Cruz Warriors
Baloncestistas del ASVEL Lyon-Villeurbanne
Baloncestistas del KK Siauliai
Baloncestistas del Lietuvos Rytas
Baloncestistas del BBC Bayreuth
Baloncestistas del JSF Nanterre
Baloncestistas de los Fort Wayne Mad Ants
Baloncestistas de los Sydney Kings
Baloncestistas del Levallois Metropolitans
Baloncestistas del Boulazac Basket Dordogne
Baloncestistas del Pau Orthez
Baloncestistas del Champagne Châlons Reims Basket
Nacidos en Atlanta
Baloncestistas de los Leones de Ponce
Baloncestistas del Club Baloncesto Sevilla

Travis Leslie


Kalkun (Meleagris gallopavo)  er en fasanfugl, der lever i Nordamerika.

Kalkuner blev allerede holdt af aztekerne i det, der nu er Mexico og var meget betydningsfulde, da der var få arter af dyr egnet til husdyrhold i den nye verden før kontakt med europæerne. Kalkuner kan være ankommet til Europa med Christopher Columbus så tidligt som i 1497. Mere udbredt er imidlertid teorien om, at de først senere ankom til Europa med spanske søfolk mellem 1520 og 1540. Den første Conquistador var formentlig Hernandez Cortés i 1519 med aztekerne og besejrede dem indtil 1521. Derefter siges det, at Cortés faktisk har bragt kalkuner til Europa.

Det er en af de få kalkuner, der ikke primært  er udvalgt til kødproduktion. Royal Palm er bedst kendt som en prydfugl med et unikt udseende, stort set hvidt med bånd af metallisk sort. Primært holdes den som udstilling fugl, eller på små gårde, det mangler størrelsen til storstilet kommerciel brug. Hanner vejer normalt 7,3 til 10 kg og hønsene 4,5 til 5,4 kg.

Den er en relativ nybegynder blandt kalkun racer, fuglen dukkede først op i 1920'erne på en gård i Lake Worth, Florida, tilsyneladende som en krydsning mellem sort, bronze, Narragansett og indfødte kalkuner. Flere år med selektiv avl fulgte for at stabilisere farve, og Royal Palm blev endeligt accepteret af Amerikansk fjerkræ forenings Standard for perfektion 1971. I Europa kaldes en kalkun med lignende farvning undertiden Cröllwitzer. Sammen med nedgangen i de fleste kalkun racer efter vedtagelsen af den bredbrystede hvide industri kalkun. Royal Palms er en meget truet race i dag. Racen er klassificeret som værende på "Watch" status med den amerikanske husdyrracer Conservancy. Det er også inkluderet i Slow Food USA's Ark of Taste, et katalog af fødevarer i fare for udryddelse. Australien og USA rapporterer begge racen som truede med de Forenede Nationers fødevare-og Landbrugsorganisation.

Hanner er kendt for at være ikke-aggressiv, og hønsene er særligt gode mødre.

 Avibase - the world bird database

Nordamerikas fugle

Kalkun


Crkva sv. Mihovila u Splitu. Od rimokatoličke crkve ostao je samo dio zidova i apsida. Crkva je građena od 8. do 15. stoljeća.

Opis
Crkvu sv. Mihovila na obali mora (in ripa maris) po predaji je dao sagraditi prvi splitski nadbiskup Ivan Ravenjanin. Izvorno jednobrodna crkvica sa širokom polukružnom apsidom, proširena je prvi put u 11., zatim i u 15. st., a porušena je  godine. Preostala je samo gotička apsida iz 15. stoljeća, uklesana u zapadni zid Dioklecijanove palače. U arheološkim istraživanjima pronađeni su i prezentirani ostaci zidova lađe i dijelovi sarkofaga koji su se izvorno nalazili uokolo crkve, a u kasnijim pregradnjama bili ugrađeni u njezine zidove. U Muzeju hrvatskih arheoloških spomenika u Splitu, čuvaju se ulomci kamenog namještaja ukrašeni pleterom iz predromaničkog razdoblja.

Zaštita
Ostaci crkve su pod oznakom Z-4641 zavedeni kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra.

Izvori

Katoličke crkve u Splitu
Zaštićene sakralne građevine u Splitsko-dalmatinskoj županiji
Split

Crkva sv. Mihovila u Splitu


|- bgcolor="#eeeeee" align=center
! colspan="4" | Natjecatelj za  Jugoslavija

Đurđa Fočić (Zagreb, 28. srpnja 1948.), hrvatska atletičarka. Natjecala se za Jugoslaviju.

Natjecala se na Olimpijskim igrama 1968. u petoboju, a osvojila je 17. mjesto. U istoj je disciplini na OI 1972. i 1976. osvajala 11. mjesto.

Na Mediteranskim igrama 1967. osvojila je tri srebrene medalje, u utrci na 80 metara s preponama, skoku u dalj i skoku u vis. Na MI 1971. osvaja bronce u utrci na 100 metara s preponama i u štafetnoj utrci 4 x 100 metara. Još tri medalje osvaja na MI 1975. Brončanu medalju osvaja u skoku u vis i štafetnoj utrci 4 x 400 metara, a srebro u štafeti 4 x 400 metara.

Bila je članica Trešnjevke i Mladosti iz Zagreba.

Izvori

Hrvatski skakači u vis
Hrvatski sprinteri
Hrvatski skakači u dalj
Petobojci

Đurđa Fočić


Emmanuel Dias (Rio de Janeiro, 27 de julho de 1908 – Belo Horizonte, 23 de outubro de 1962) foi um médico parasitologista, pesquisador e professor universitário brasileiro.

Figura central para o reconhecimento da doença de Chagas como problema de saúde pública no Brasil e no continente americano, Emmanuel foi figura fundamental para a realização da primeira campanha de combate à enfermidade no Brasil em 1950, viabilizada pela intensa mobilização política de Dias junto a diversos grupos sociais, como médicos, políticos e moradores das áreas rurais, profissionais dos serviços públicos de saúde, governos e associações internacionais.

Biografia
Emmanuel nasceu na capital fluminense, em 1908. Era o terceiro dos seis filhos de Maria Cândida Fonseca Dias e de Ezequiel Dias (1880-1922), médico que ainda na graduação foi membro da primeira equipe de pesquisadores do Instituto Soroterápico Federal (a atual Fundação Oswaldo Cruz). O instituto fora criado em 1900 para fabricar soros e vacinas contra a peste bubônica que ameaçava atingir a capital federal. Sob a direção de Oswaldo Cruz, o instituto expandiria suas atividades a partir de 1908, de modo a se tornar um centro de pesquisa e ensino em microbiologia e medicina tropical, além de produtor de imunobiológicos.

Em 1922, aos 14 anos, Emmanuel perdeu o pai, o que lhe deu a convicção de seguir seus passos. Assim, Emmanuel começou no instituto ainda como estudante da Faculdade de Medicina do Rio de Janeiro, sob a supervisão de Carlos Chagas, de quem era afilhado de batismo. Emmanuel cursara o Curso de Aplicação de Manguinhos, uma especialização destinada à formação de pesquisadores em medicina experimental, em 1932. Graduou-se em medicina no ano seguinte, tendo estudado no doutoramento o ciclo evolutivo do Trypanosoma cruzi, causador da doença de Chagas.

Além de uma revisão morfológica minuciosa do parasito, que mais tarde receberia a nomenclatura definitiva de Trypanosoma cruzi, Emmanuel descreveu os ciclos biológicos do flagelado no vetor Triatoma infestans e em hospedeiros vertebrados, além de comprovar que a transmissão ocorria por via posterior, ou seja, através das fezes infectadas do triatomíneo. O achado contrariou as ideias iniciais de Carlos Chagas, que defendia a transmissão pela picada do inseto.

Carreira
Contratado por Carlos Chagas, começou a trabalhar no instituto como adjunto de Thales Martins, chefe da seção de fisiologia. Em 1935, mudou-se para Minas Gerais para trabalhar no Instituto Biológico Ezequiel Dias, filial do instituto em Belo Horizonte. Em 1935, viajou junto de Evandro Chagas para a IX Reunião da MEPRA, em Mendoza, na Argentina. A edição havia sido dedicada à memória de Carlos Chagas, falecido no ano anterior. Lá, os pesquisadores conheceram Cecílio Romaña, que apresentou seus achados sobre um sinal ocular que seria a porta de entrada da infecção. A descoberta do argentino possibilitaria a detecção da doença de Chagas em seu estágio inicial. Entusiasmados com a descoberta, Emmanuel e Evandro propuseram o nome de 'sinal de Romaña' ao sintoma e convidam o cientista para trabalhar no instituto ao lado de Emmanuel.

Nos anos seguintes, Emmanuel defendeu a descoberta de Romaña, revendo o ciclo do parasito, aperfeiçoando o xenodiagnóstico e a criação de triatomíneos em laboratório, estudando o parasita Trypanosoma rangeli e o vetor Triatoma maculata, alertando os médicos do interior do Brasil para a moléstia e para a transmissão via  transfusão de sangue. Estudou ainda as diferentes interações de cepas do parasito com espécies diversas de vetores, descrevendo novos reservatórios vertebrados, além de fazer uma ampla revisão sobre a biometria do T. cruzi, descrevendo focos urbanos da doença no Rio de Janeiro, além de estudar a transmissão digestiva em mamíferos e a não-suscetibilidade do pombo ao flagelado. Nesta época, deu início a um ambicioso projeto de mapear a doença no continente, indicando os principais parâmetros epidemiológicos.

Em 1943, foi convidado pelo então diretor do Instituto Oswaldo Cruz (IOC) (anteriormente chamado de Instituto Soroterápico Federal), Henrique Aragão, para chefiar o Centro de Estudos e Profilaxia da Moléstia de Chagas (CEPMC). A unidade era vinculada à Divisão de Estudos de Endemias do IOC e seria implantada em Bambuí em virtude da descoberta de um foco da doença. Seguindo os passos do pai, Emmanuel levou a família para Belo Horizonte, percorrendo o trajeto até Bambuí todos os dias para trabalhar.

Em Bambuí, Emmanuel mapeou a distribuição do triatomíneo e das habitações vulneráveis à infestação, bem como os casos agudos e crônicos. Junto de Francisco Laranja, José Pellegrino e outros pesquisadores, realizou um amplo estudo sobre a cardiopatia chagásica crônica, que se tornaria um marco histórico do reconhecimento e da divulgação da patologia. Representou o Brasil em vários encontros, simpósios e congressos, reiterando o compromisso do Brasil com a luta contra a doença de Chagas.

Na capital mineira, teve contato com Amílcar Martins, catedrático de parasitologia da Faculdade de Medicina de Belo Horizonte que, em 1940, identificaria um foco da doença de Chagas em Bambuí (MG). Em dezembro de 1943, o instituto abriria um posto especial para o estudo da doença na cidade, cuja cuja direção coube a Dias até seu falecimento em 1962.

Em 1947, com o auxílio de Pellegrino, descreve a ação eficaz do composto 'gammexane' e promove, em Bambuí, uma bem-sucedida campanha de desinsetização continuada. Em dez anos, o principal vetor da região, o T. infestans, praticamente desapareceria. A medida seria reproduzida pelo poder público em diversas regiões do Brasil, garantindo ao país, em 2006, o certificado de interrupção da transmissão da doença de Chagas pelo principal vetor.

Vida pessoal
Em 1933, Emmanuel casou-se com Nícia de Magalhães Pinto, de tradicional família mineira, graduada em Filosofia da História, e teve cinco filhos: Emmanuel, Eduardo, João Carlos, Ezequiel e Aloísio.

Morte
Emmanuel morreu aos 54 anos, em um acidente de carro em 22 de outubro de 1962, quando saía da capital mineira para ir trabalhar em Bambuí.

Homenagem
O Posto Avançado de Pesquisas Emmanuel Dias, em Bambuí, leva seu nome em sua homenagem.

Cientistas do estado do Rio de Janeiro
Médicos do estado do Rio de Janeiro
Naturais da cidade do Rio de Janeiro
Alunos da Universidade Federal do Rio de Janeiro

Emmanuel Dias


El Marquesado de Oliver es un título nobiliario español creado el 14 de febrero de 1724 por el Archiduque pretendiente Carlos de Austria a favor de Jacinto Oliver de Botaller y Zaragoza, correo mayor de Valencia

Marqueses de Oliver

Historia de los Marqueses de Oliver)

Jacinto Oliver de Botaller y Zaragoza, I marqués de Oliver. Le sucedió por rehabilitación:

Rehabilitado en 1905 por:

Ramón María de Despujol y de Sabater (f. en 1935), II marqués de Oliver.
Casó con María de la Rocha y Tuasón. Le sucedió, en 1951, su hija:

María de las Mercedes de Despujol y Rocha, III marquesa de Oliver.
Casó con Federico Ricart y Roger, IV marqués de Santa Isabel. Le sucedió su hijo:

Felipe Ricart y Despujol (fallecido en 2007), IV marqués de Oliver, V marqués de Santa Isabel.
Casó con María Auxiliadora de Olivar y Despujol. Le sucedió, en 2008, su hija:

María de las Mercedes Ricart y de Olivar, V marquesa de Oliver

Referencias

Oliver

Marquesado de Oliver


Nick Cave and the Bad Seeds are an Australian rock band formed in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist-vocalist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey (all from Australia), guitarist George Vjestica (United Kingdom), keyboardist/percussionist Larry Mullins, also known as Toby Dammit (United States), and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). Described as "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward", they have released seventeen studio albums and completed numerous international tours.

The band was founded following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Melbourne. Throughout the 1980s, beginning with their debut LP From Her to Eternity (1984), the band drew largely on post-punk, blues and gothic rock, and brought in musicians such as Blixa Bargeld, Barry Adamson and Kid Congo Powers. The band later softened their sound and incorporated other influences on albums such as The Good Son (1990) and The Boatman's Call (1997). Following Harvey's departure in 2009, the band broadened their sound further to include electronic and ambient styles, which feature prominently on the trilogy of albums Push the Sky Away (2013), Skeleton Tree (2016) and Ghosteen (2019).

History

Formation and early releases (1983–1985)
The project that later evolved into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us."

An embryonic version of what became Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einstürzende Neubauten guitarist Blixa Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood, although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond. In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983.

Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on occasional songs (e.g., the title track of 1984's From Her to Eternity). The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed. They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man or Myth? sessions from September–October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Thirlwell left during the recording sessions for Eternity, citing creative disagreements and desires to work on his own solo material. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne.

Move to Germany and stylistic evolution (1985–1989)
After the departure of Race and Lane, the remaining members moved to West Berlin, Germany in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothic Americana of the American South and blues music, exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the album Kicking Against the Pricks explored such influences with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985. Pew's death from an epileptic seizure also occurred in 1986.

The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure. Due to Adamson's departure and an injury which made Wydler unable to play the drums, Harvey recorded the bulk of the album's intrumentation with the only other member who contributed instruments on every track being Bargeld.  Tender Prey, the dark, brooding 1988 follow-up, saw the arrival of American guitarist and The Gun Club stalwart Kid Congo Powers—Harvey made the transition to bass—and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row and further increased the group's critical acclaim and commercial attention. The track was later covered by Johnny Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic. The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period of the United States leg of their 1989 tour.

Cave and his bandmates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire, and Cave was featured in the 1988 film Ghosts... of the Civil Dead, which he and Race co-wrote. Cave's first novel And the Ass Saw the Angel was published in 1989.

Growing success (1989–1997)
After a period of time in New York City, Cave relocated to São Paulo, Brazil, shortly after the final tour for Tender Prey and, after successfully finishing drug rehabilitation, began experimenting with piano-driven ballads. The result of this post-rehabilitation period was 1990's The Good Son. Featuring a sorrowful and longing tone, the album was well-received both critically and commercially, and yielded the singles "The Weeping Song" (featuring vocals from Bargeld) and "The Ship Song".

Two established Australian musicians, Casey of the Triffids and solo artist and keyboardist Savage, replaced the departing Powers and Wolf. The addition of Casey on bass allowed Harvey to return to guitar. Their next record, 1992's Henry's Dream, marked a change towards a harder rock sound. Producer David Briggs, known for his work with Neil Young, was enlisted for the recording process. The tour for the album is documented on 1993's live album Live Seeds and showcases the new group's aggressive sound.

In mid-1993, the group returned once more to London and recorded Let Love In, the follow-up album. Let Love In expanded upon the fuller ensemble sound that was established in Henry's Dream and featured contributions from Howard, Ellis, Tex Perkins (Beasts of Bourbon) and David McComb (The Triffids). Several popular songs, such as "Red Right Hand" (which featured in the Scream film series and was used as the theme song for Peaky Blinders) and "Loverman" (later covered by Metallica), were drawn from the album. During the promotional tour for the album, American percussionist and drummer Jim Sclavunos joined the group.

In 1996 the band released Murder Ballads, their best-selling album to date. Centered on the subject of murder, the album includes a cover of the folk song "Henry Lee"—a duet with British rock singer PJ Harvey, with whom Cave had a brief relationship— and "Where the Wild Roses Grow", a duet with Australian pop idol Kylie Minogue. The Minogue collaboration was a mainstream hit in the UK and Australia, and won three Australian Recording Industry Association (ARIA) Awards, including Song of the Year. It was at this time that Ellis of the Dirty Three began regularly working with the band and eventually became Cave's primary collaborator.

The sound of The Boatman's Call, released in 1997, was a radical departure from the archetypal and violent narratives of the band's past, featuring songs about relationships, loss, and longing, often with sparse arrangements. Cave revealed his mindset during the creation of the album in a 2008 interview: "When I was making half that record I was furious because certain things had happened in my love life that seriously pissed me off. And some of those songs came straight out of that. I don't regret making it ... the songs are of a moment when you felt a certain way. When ... you just think, 'Fuck – please! The album's corresponding tour was later documented on the 2008 live album Live at the Royal Albert Hall. After the release of the album, Cave embarked on a brief hiatus, during which time he remarried.

Further musical refinement; Bargeld's departure (1997–2005)

Following Cave's hiatus the band oversaw the release of Original Seeds, a compilation of material from other artists that influenced the group, as well as their own "best of" album The Best of Nick Cave and The Bad Seeds. The proper follow-up to The Boatman's Call was 2001's No More Shall We Part. The record featured guest appearances by Kate & Anna McGarrigle and was generally well received in reviews: one critic hailed the album as an "entire album of deeply tragic and beautiful love songs without irony, sarcasm, or violent resolution", while also stating that the work is at risk of devolving "into schmaltz".

The band then released Nocturama in 2003. The album marked a return to band-oriented and collaborative arrangements, as previous releases involved a decreased level of input from Cave's bandmates. Nocturama garnered mixed reviews, with critic Eric Carr stating that "in truth, it may still be the group's best work since Let Love In, but it had the potential to be so much more". Shortly after the album's release, Bargeld left the band after 20 years to devote more time to Einstürzende Neubauten.

In 2004 the band released the acclaimed two-disc set Abattoir Blues / The Lyre of Orpheus, with Bargeld replaced by the English actor, guitarist and organist James Johnston, a member of Gallon Drunk and former guest member of the Bad Seeds from a Lollapalooza tour ten years prior (Johnston only played organs on the recordings, as Harvey contributed the guitar pieces). Conceived as two separate albums packaged together, the record featured a diversity of arrangement styles, including aggressive rock and choir-driven ballads. In 2005 the band released B-Sides & Rarities, a three-volume, 56-song collection of B-sides, rarities and compilation tracks that was released on Mute Records in Europe, the US and the UK. The Abattoir Blues Tour, a two-CD, two-DVD box set with performances from the album's promotional tour, was then released in 2007 in Europe and the US. The tour included guest backing vocalists Ase Bergstrom, Geo Onaymake, Eleanor Palmer and Wendi Rose.

Also in 2005, Cave completed work on his script for The Proposition, set in 19th-century Australia directed by John Hillcoat. Cave and Ellis collaborated on the film's score, a partnership that later also scored the films The Assassination of Jesse James by the Coward Robert Ford (2007) and The Road (2009).

Grinderman; Harvey's departure (2006–2012)
After operating for several years as a touring backing band for Cave's solo work, Bad Seeds members Ellis, Sclavunos and Casey formed a new side-project Grinderman with Cave in 2006. The band, featuring Cave playing guitar for the first time, played garage rock-influenced music that still retained much of The Bad Seeds' aura and released a self-titled debut album in 2007. In October 2007 Cave was inducted into the ARIA Hall of Fame and, in his acceptance speech, also inducted the members of The Bad Seeds and The Birthday Party, after explaining, "I cannot really accept this until we get a few things straight. What I can't figure out is why I am up here and The Bad Seeds aren't?"

Nick Cave and the Bad Seeds released their 14th studio album Dig, Lazarus, Dig!!! in 2008 and received a high level of critical acclaim. Inspired by the biblical story of Lazarus of Bethany, the album continued the punk and garage rock-inspired arrangements that were explored on the debut Grinderman album, resulting in what NME termed a "gothic psycho-sexual apocalypse". The group then embarked on a North American and European tour is support of the album, with a seven-piece lineup that did not include Johnston, who had left the group after the album's completion.

Cave and the band curated Australia's first edition of the All Tomorrow's Parties music festival that was held in various Australian locations during January 2009. On 22 January, after the festival's completion, Harvey announced his departure from the band after 25 years, citing "a variety of personal and professional reasons". Harvey concluded his public statement by stating, "I shall continue working on the Bad Seeds back catalogue re-issues project over the coming year and look forward to the new opportunities I shall be able to accommodate as a result of my changed circumstances." Harvey's departure was the end of a 36-year-long musical collaboration between Cave and Harvey, and Cave was left as the group's only original member. The band enlisted guitarist Ed Kuepper, formerly of the Australian bands the Saints and the Laughing Clowns, as a touring member to complete the 2009 summer festival dates that were scheduled. Also in 2009, Cave published his second novel The Death of Bunny Munro, and Mute Records commenced work on a series of remastered versions of the Bad Seeds' back catalogue (some of the remastered albums included documentary footage from Iain Forsyth and Jane Pollard).

Following this string of activity, the Bad Seeds became dormant while Grinderman reactivated and released Grinderman 2 in 2010. The group also attracted further attention when their song "O Children" appeared in the 2010 film Harry Potter and the Deathly Hallows – Part 1. In December 2011, Grinderman disbanded immediately following an Australian tour. Their final performance was at the Meredith Music Festival in rural Victoria.

Push the Sky Away, Skeleton Tree and Ghosteen (2013–present)
Nick Cave and the Bad Seeds' 15th studio album Push the Sky Away was released in mid-February 2013. During the album's recording, former member Barry Adamson rejoined the band as a bassist, then assumed a multi-instrumentalist (percussion, keyboards, vocals) role on subsequent tours. Kuepper briefly returned as the band's touring guitarist, but was replaced by George Vjestica for the European leg of the tour; Vjestica's 12-string guitar-playing was featured on several Push the Sky Away tracks.

During the Nick Cave and the Bad Seeds summer US tour in 2013, a smaller incarnation of the band recorded Live from KCRW (Cave, Ellis, Casey, Sclavunos and Adamson). In 2014 Nick Cave and The Bad Seeds toured North America with Ellis, Adamson, Sclavunos, Casey plus Conway Savage and George Vjestica. Cave embarked on solo tours in Australia and New Zealand in late 2014 and Europe in 2015 with Adamson on keyboards and percussion, joined by the rhythm section of Wydler and Casey, and with Ellis as the featured multi-instrumentalist.
In May 2015, Larry Mullins replaced Adamson as a guest touring member; Adamson has not returned since, and Mullins did not participate in sessions for the subsequent Nick Cave and the Bad Seeds album.

On 2 June 2016, the official Nick Cave website announced a documentary film titled One More Time with Feeling (directed by Andrew Dominik) which was screened on 8 September 2016. It accompanies the band's 16th album titled Skeleton Tree (released 9 September 2016). In 2017, Cave begun writing songs for the next Bad Seeds record, which is set to complete a musical trilogy the band began with Push the Sky Away. Ellis and Cave played two orchestral shows at Hamer Hall in Melbourne, Australia on 9 and 10 August, featuring a selection of their various film scores.

On 23 September 2019, Cave formally announced the album Ghosteen, to be released at the beginning of October 2019. It premiered on Nick Cave and the Bad Seeds' YouTube channel on 3 October.

On 22 October 2021, the band released B-Sides & Rarities Part II; the sequel to their 2005 compilation B-Sides & Rarities. In June 2022, the band embarked upon their first tour since the onset of COVID-19, with their 2020 Ghosteen tour having previously been cancelled due to the pandemic. For the tour, the band were joined by four additional members – keyboardist Carly Paradis and backing vocalists Janet Ramus, T Jae Cole, and Subrina McCalla – alongside returning touring keyboardist Larry Mullins, now acting as touring drummer.

Members

Current members
Nick Cave – lead vocals, piano, organ, keyboards, harmonica, percussion, electric guitar (1983–present)
Thomas Wydler – drums, percussion, backing vocals (1985–present)
Martyn P. Casey – bass guitar, backing vocals (1990–present)
Jim Sclavunos – percussion, drums, xylophone, keyboards, backing vocals (1994–present)
Warren Ellis – violin, viola, tenor guitar, synthesizers, mandolin, bouzouki, lute, electric mandolin, flute, programming, loops, piano, percussion, backing vocals (1997–present)
George Vjestica – acoustic and electric guitars, piano, backing vocals (2013–present)

Current touring musicians
Larry Mullins – keyboards, vibraphone, piano, organ, drums, percussion, backing vocals (2015–present)
Carly Paradis – keyboards (2022–present)
Janet Ramus – backing vocals (2022–present)
T Jae Cole – backing vocals (2022–present)
Subrina McCalla – backing vocals (2022–present)

Discography

Studio albums
From Her to Eternity (1984)
The Firstborn Is Dead (1985)
Kicking Against the Pricks (1986)
Your Funeral... My Trial (1986)
Tender Prey (1988)
The Good Son (1990)
Henry's Dream (1992)
Let Love In (1994)
Murder Ballads (1996)
The Boatman's Call (1997)
No More Shall We Part (2001)
Nocturama (2003)
Abattoir Blues / The Lyre of Orpheus (2004)
Dig, Lazarus, Dig!!! (2008)
Push the Sky Away (2013)
Skeleton Tree (2016)
Ghosteen (2019)

Awards

APRA Music Awards
The APRA Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA), "honouring composers and songwriters". They commenced in 1982.

!
|-
| 1994
| "Do You Love Me?"
| Song of the Year
|
| rowspan=5|
|-
| rowspan=3|1996
| Nick Cave
| Songwriter of the Year
|
|-
| rowspan=2|"Where the Wild Roses Grow"
| Most Performed Australian Work
|
|-
| rowspan=2|Song of the Year
|
|-
| 1998
| "Into My Arms"
|
|-
| 2021
| "Ghosteen" (Nick Cave & Warren Ellis)
| Song of the Year
|
|
|-

ARIA Music Awards
The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987.

!Ref.
|-
| rowspan=2| 1995
| Let Love In
| Best Group
|
| rowspan=2|
|-
| "Do You Love Me?"
| Single of the Year
|
|-
| rowspan=5| 1996
| rowspan=2| Murder Ballads
| Album of the Year
|
| rowspan=5|
|-
| Best Alternative Release
|
|-
| rowspan=3| "Where the Wild Roses Grow" (with Kylie Minogue)
| Song of the Year
|
|-
| Single of the Year
|
|-
| Best Pop Release
|
|-
| rowspan=4| 1997
| rowspan=2| The Boatman's Call
| Album of the Year
|
| rowspan=4|
|-
| Best Alternative Release
|
|-
| rowspan=2| "Into My Arms"
| Song of the Year
|
|-
| Single of the Year
|
|-
| 2001
| No More Shall We Part
| Best Male Artist (Nick Cave)
|
|
|-
| rowspan=2| 2003
| rowspan=2| Nocturama
| Best Male Artist (Nick Cave)
|
| rowspan=2|
|-
| Best Rock Album
|
|-
| 2007
| Cave (honorary inductees Harvey, Ellis, Savage, Casey)
| ARIA Hall of Fame
|
|-
| rowspan=3| 2008
| rowspan=3| Dig, Lazarus, Dig!!!
| Album of the Year
|
| rowspan=3|
|-
| Best Male Aritst (Cave)
|
|-
| Best Rock Album
|
|-
| rowspan=6| 2013
| rowspan=4| Push The Sky Away
| Album of the Year
|
| rowspan=6|
|-
| Best Group
|
|-
| Best Independent Release
|
|-
| Best Adult Contemporary Album
|
|-
| "Jubilee Street" (directed by John Hillcoat)
| Best Video
|
|-
| Nick Cave and the Bad Seeds
| ARIA Award for Best Australian Live Act
|
|-
| 2014
| Live from KCRW
| Best Adult Contemporary Album
|
|-
| 2015
| Nick Cave and the Bad Seeds
| Best Australian Live Act
|
|-
| rowspan=3| 2013
| rowspan=2| Skeleton Tree
| Best Group
|
| rowspan=3|
|-
| Best Adult Contemporary Album
|
|-
| Nick Cave and the Bad Seeds
| Best Australian Live Act
|
|-
| rowspan=2| 2020
| rowspan=2| Ghosteen
| Best Independent Release
|
| rowspan=2|
|-
| Best Adult Contemporary Album
|
|-

Australian Music Prize
The Australian Music Prize (the AMP) is an annual award of $30,000 given to an Australian band or solo artist in recognition of the merit of an album released during the year of award. The commenced in 2005.

|-
| 2019
| Ghosteen
| Australian Music Prize
|

Australian Independent Music Award

|-
| AIR Awards of 2013
| Push the Sky Away
| Independent Album of the Year
|
|-
| AIR Awards of 2020
| Ghosteen
| Best Independent Rock Album or EP
|
|-

EG Awards / Music Victoria Awards
The EG Awards (known as Music Victoria Awards since 2013) are an annual awards night celebrating Victorian music. They commenced in 2006.

|-
| rowspan="2"| EG Awards of 2008
| Dig, Lazarus, Dig!!!
| Best Album
|
|-
| Nick Cave and the Bad Seeds
| Best Band
|
|-

NME Awards

|-
| 2013
| Themselves
| Best International Band
|

Q Awards

|-
| 1999
| rowspan="2" | Themselves
| rowspan="2" | Best Live Act
|
|-
| rowspan="2" | 2008
|
|-
| Dig, Lazarus, Dig
| Best Album
|

World Music Awards

|-
| rowspan=3|2014
| rowspan=2|Themselves
| World's Best Group
|
|-
| World's Best Live Act
|
|-
| Push the Sky Away
| World's Best Album
|

2001 Australasian Performing Right Association (APRA) 75th Anniversary: "The Ship Song" voted in the APRA Top 30 Australian songs
2004 MOJO Awards: Best Album of 2004 (Abattoir Blues / The Lyre of Orpheus)
2008 MOJO Awards: Best Album of 2008 (Dig, Lazarus, Dig!!!)
2014 The Ivor Novello Awards: Best Album award for song writing for Push the Sky Away
2017 Grammy Awards: Best Music Film for One More Time with Feeling

References

External links

Nick Cave and the Bad Seeds on MySpace

APRA Award winners
ARIA Award winners
Musical groups established in 1983
Australian alternative rock groups
Australian post-punk groups
Mute Records artists
Musical groups from Melbourne
1983 establishments in Australia
Articles containing video clips
Anti- (record label) artists

Nick Cave and the Bad Seeds