Ases fue una revista deportiva, editada en Chile desde el 5 de junio y el 18 de septiembre de 1974 por la empresa Producción Publi-Pop Ltda. e impresa en los talleres de la Impresora Gabriela Mistral. Su contenido abarcó el deporte nacional e internacional. La redacción de la revista estaba ubicada en Santiago.

Historia
Esta revista deportiva chilena de circulación semanal, todos los miércoles, cuyo período de publicación se extendió por 3 meses, entre el 5 de junio y el 18 de septiembre de 1974, alcanzando 16 publicaciones numeradas.

Circuló compitiendo con el semanario deportivo Estadio, bajo el eslogan "Revista deportiva chilena al servicio del deporte de Chile", su propósito fue proporcionar una vitrina al deporte chileno y su aparición concordó con el desarrollo del Campeonato Mundial de Fútbol en Alemania, torneo en el cual Chile participó.

En cuanto a su tamaño las primeras nueve revistas se publicaron en su formato original de 21 cm. por 28,5 cm., con 52 páginas. Desde el N° 10, su formato se modificó a 26 cm. por 36 cm. con 32 páginas, estilo idéntico en tamaño y dimensión a la desaparecida revista deportiva Gol y Gol.

En sus publicaciones, al final de su Editorial, indicaba "Se autoriza la reproducción parcial o total del material, tanto fotográfico como escrito, siempre que se mencione su procedencia".

Su sorpresiva desaparición, por su corta vigencia, dejó muchas interrogantes sobre los costos de la circulación y/o difusión de una revista deportiva.

Equipo
Esta revista fue dirigida por Hugo Gasc Opazo, y entre su equipo de redactores contaba con: Sergio Brotfeld, Luis Alberto Gasc, Nicanor Molinare de la Plaza, Sergio Ramírez Banda, Pedro Carcuro, "Tito Norte" (Humberto Ahumada Acevedo) y Pedro Pavlovic.

Referencias

Enlaces externos
Catálogo Biblioteca Nacional

Revistas deportivas de Chile
Revistas de fútbol
Revistas desaparecidas de Chile
Publicaciones fundadas en 1974
Publicaciones desaparecidas en 1974

Ases (revista)


Anastrabe, monotipski rod grmova ili manjeg zimzelenog drveta smješten u tribus Bowkerieae, dio porodice Stilbaceae, red medićolike (Lamiales).

Jedina vrsta je  A. integerrima, endem iz južnoafričkih provincija Cape i KwaZulu-Natal. U prirodnom šumskom staništu može izrasti i do 10 metara visine, dok u vrtovima naraste od 3 do 5 metara. Od siječnja do srpnja biljka proizvodi brojne sitne sjemenke koje se nalaze unutar ovalne kapsule, duge do 8 mm, okružene postojanom čaškom. Sjeme se oslobađa kako se kapsula suši. Anastrabe integerrima ima značajnu hortikulturnu vrijednost kao sa svojim atraktivnim cvjetovima i lišćem te svestranošću upotrebe. Drvo je tvrdo i otporno na termite te se tradicionalno koristi za izradu žlica.

Sinonimi
 Anastrabe serrulata E.Mey. ex Benth.

Izvori

Medićolike

Anastrabe


قمرين هو الألبوم السابع عشر للفنان المصري عمرو دياب، تم إصداره عام 1999.
تضمن الألبوم دويتوهات مع الشاب خالد وأنجيلا ديميتريو.

قائمة الأغاني

ألبومات 1999
ألبومات عمرو دياب

قمرين (ألبوم)


Orkestra-Instituto Vasco de Competitividad  (Orkestra-Basque Institute of Competitiveness) es un centro, sin ánimo de lucro, para el análisis y debate sobre competitividad territorial nacido en 2006 en el seno de la Fundación Deusto, Universidad de Deusto, como resultado de la convergencia entre diferentes iniciativas estratégicas, privadas y públicas.

La labor de Orkestra radica en fortalecer la competitividad tanto de la economía como de la sociedad vasca, insertadas ambas en dinámicas que van más allá de los límites administrativos de la ésta Comunidad Autónoma y teniendo siempre en cuenta la necesidad de promover un desarrollo sostenible. En este sentido, el instituto centra sus esfuerzos en investigar en aquellas áreas relacionadas con la competitividad, cuenta con programas de instrucción especializados e interactúa con los agentes económicos (administradores locales, regionales y nacionales, la UE, empresas y centros tecnológicos, organizaciones empresariales, asociaciones clúster, etc.).

El valor estratégico de Orkestra radica en dos factores: (1) que actúa de eslabón entre la investigación de excelencia, en el estudio de la competitividad, y su aplicación en la mejora de ésta; y (2) que tiene como interlocutores a las diferentes administraciones que intervienen en el territorio, a las empresas, que son los sujetos esenciales de la transformación competitiva permanente, y a los actores intermedios que operan en la sociedad civil.

Áreas de investigación

Emprendimiento

El área de emprendimiento centra sus acciones en el impulso de la mejora del ecosistema emprendedor vasco. En este sentido, investiga aquellos factores y condiciones necesarios para que los proyectos emprendedores se forjen y prosperen satisfactoriamente. Asimismo, desde la propia área se han puesto en marcha iniciativas como la plataforma Crecer+ orientadas a facilitar el encuentro entre emprendedores e inversores privados (business angels).

Energía
La Cátedra de energía de Orkestra, constituida en el año 2010, tiene como fin estudiar, reflexionar y aportar elementos al debate sobre el logro de una energía eficiente, medioambientalmente sostenible, y que contribuya a la competitividad. Sus líneas básicas de investigación se centran en cuatro bloques: energía e industria en sus aspectos de competitividad y desarrollo industrial; energía desde la óptica de la economía y los mercados; transporte y energía; y geopolítica de la energía. La cátedra cuenta con el apoyo del Gobierno Vasco, a través del Ente Vasco de Energía (EVE), Petronor, Iberdrola y Boston Consulting Group. El clúster de energía de Euskadi también colabora con la cátedra de energía.

Estrategia

El área de estrategia complementa sus actividades con las de Territorio, Innovación y Clústeres, y Emprendimiento, entiende a las empresas como actores principales que compiten en los mercados y generan valor como elementos determinantes de la competitividad. El área tiene como objetivos el conocimiento exhaustivo de las empresas vascas, el benchmarking de su posicionamiento competitivo, la comprensión de su funcionamiento (mercados, procesos de innovación, personas que las componen, organización, estrategias de internacionalización y crecimiento, etc.) y su incidencia en el nivel de competitividad del entorno.

Territorio, Innovación y Clústers
Esta área de investigación analiza, en cooperación con las administraciones y los agentes de la competitividad, las claves del entorno que inciden en la competitividad de las empresas, y por ende, en la competitividad de la economía regional. Dicho análisis se desarrolla tanto para el entorno próximo, como para el lejano, tomando en cuenta sus interrelaciones con la economía global.

Desde una perspectiva de análisis comparado con otras regiones, se busca identificar, analizar y mejorar los factores clave para una competitividad sostenible. En este contexto, la evaluación de las diferentes políticas, así como la reflexión sobre el protagonismo de los actores de la competitividad y sus estrategias de colaboración han ido ocupando un papel central en la dinámica metodológica del área.

Enlaces externos
 www.orkestra.deusto.es
 Euskadi.net

 http://www.elpais.com/articulo/pais/vasco/Seguir/nos/garantiza/presente/elpepiesppvs/20090628elpvas_9/Tes
 http://www.elcorreo.com/alava/20090518/mas-actualidad/economia/jose-luis-curbelo-nuevo-200905181025.html
 http://www.diariovasco.com/prensa/20070505/economia/instituto-vasco-competitividad-formara_20070505.html

Empresas del País Vasco


Les Scoliotropidaceae sont une famille d'algues de l'embranchement des Bacillariophyta (Diatomées), de la classe des Bacillariophyceae et de l'ordre des Naviculales.

Étymologie
Le nom de la famille vient du genre type Scoliotropis, dérivé du grec , « courbé, oblique, tortueux », et du suffixe grec -trope (de  , « manière, façon, tournée vers »), en référence à la forme de la diatomée dont .

Description

Distribution

Liste des genres
Selon  :
 Alloioneis K.M.Schumann, 1878
 Biremis D.G.Mann & E.J.Cox, 1990
 Diadema K.-D.Kemp & Paddock, 1989
 Diademoides K.-D.Kemp & T.B.B.Paddock, 1990
 Progonoia H.-J.Schrader, 1969
 Scoliotropis P.T.Cleve, 1894  genre type

Systématique
Le nom correct complet (avec auteur) de ce taxon est Scoliotropidaceae Mereschkowsky, 1903.

Liens externes

Notes et références

Famille d'algues (nom scientifique)
Naviculales

Scoliotropidaceae


George Edward Mara (* 12. Dezember 1921 in Toronto, Ontario, Kanada; † 30. August 2006 in Cleveland, Ohio, USA) war ein kanadischer Eishockeyspieler. Bei den Olympischen Winterspielen 1948 gewann er als Mitglied der kanadischen Nationalmannschaft die Goldmedaille.

Karriere
George Mara begann seine Karriere als Eishockeyspieler 1937 am Upper Canada College. Weitere Mannschaften im Juniorenbereich waren die Toronto Marlboros sowie Toronto Telegram und Toronto Tip Top Tailors aus der Toronto Hockey League (TOHL). Im Seniorenbereich spielte er zunächst für die Militärmannschaft Toronto Navy aus der Senior Ontario Hockey League. Während des Zweiten Weltkriegs diente er als Lieutenant in der Royal Canadian Navy. In dieser Funktion spielte er auch für die Mannschaft der Halifax Navy. Zudem lief er bis 1947 für die Toronto Staffords und die University of Toronto Varsitiy Blues auf. 1948 repräsentierte er Kanada mit den RCAF Flyers bei den Olympischen Winterspielen. Nach dem Turnier stand er in zwei Spielen für die Toronto Barkers aus der TOHL auf dem Eis. In der Saison 1948/49 bestritt er sieben Spiele für die Montreal Royals in der Quebec Senior Hockey League, ehe er seine Karriere beendete.

Im Anschluss an seine Eishockeykarriere war Mara als Geschäftsmann tätig und besaß seine eigene Firma, über die er Liquör verkaufte. Zudem engagierte er sich lange Zeit für wohltätige Zwecke. Im August 2006 starb er im Alter von 84 Jahren an den Folgen einer Herz-OP.

International
Für Kanada nahm Mara an den Olympischen Winterspielen 1948 in St. Moritz teil, bei denen er mit seiner Mannschaft die Goldmedaille gewann. Als Mannschaftskapitän trug er mit 26 Scorerpunkten, davon 17 Tore, zu diesem Erfolg bei.

Erfolge und Auszeichnungen
 1948 Goldmedaille bei den Olympischen Winterspielen

Weblinks

Eishockeynationalspieler (Kanada)
Olympiateilnehmer (Kanada)
Teilnehmer der Olympischen Winterspiele 1948
Olympiasieger (Eishockey)
Mitglied der Canadian Olympic Hall of Fame
Mitglied der Hall of Fame des kanadischen Sports
Kanadier
Geboren 1921
Gestorben 2006
Mann

George Mara


The United Soccer Coaches (formerly known as the National Soccer Coaches Association of America (NSCAA)) is an organization of American soccer coaches founded in 1941. It is the largest soccer coaches organization in the world, with more than 30,000 members. It offers training courses for both beginning and experienced coaches and a wide range of award programs. Rare among sports organizations, it serves its sport for both men/boys and women/girls. Lynn Berling-Manuel is the current Chief Executive Officer. The NSCAA was rebranded as United Soccer Coaches on August 2, 2017.

Annual convention
The annual United Soccer Coaches Convention, known as "The World's Largest Annual Gathering of Soccer Coaches" is held in mid-January. The five-day event attracts more than 12,000 attendees for live field demonstration and lecture sessions, networking socials, coaching diploma training classes, and a large soccer-only trade show, with more than 300 companies displaying soccer equipment, technology and services.

As the group announced its new name in Chicago on August 2, 2017, it also listed the sites for the annual convention through 2032:

Philadelphia– 2018, 2023, 2026, 2030

Chicago– 2019, 2025, 2031

Baltimore– 2020, 2028, 2032

Anaheim– 2021, 2024, 2029

Kansas City– 2022, 2027

On August 26, 2020, the association announced that the 2021 United Soccer Coaches Convention would take place online, in a digital format. The 2021 Convention was originally scheduled to be held in Anaheim, California, but the organization decided to cancel the in-person event due to the COVID-19 pandemic.

Awards programs
United Soccer Coaches operates a wide variety of awards programs. These include:

College awards
 All-America teams
 NCAA Division I men and women and Divisions II/III men and women
 NAIA men and women
 NCCAA Divisions I and II men and women
 Junior College Division I and III men and women
 Scholar All-America teams
 NCAA Division I men and women and Divisions II/III men and women
 NAIA men and women
 NCCAA Divisions I and II men and women
 Junior College Division I and III men and women
 All-Region Awards
 NCAA Division I men and women and Divisions II/III men and women
 NAIA men and women
 Junior College Division I and III men and women
 National Player of the Year
 Division I men and women – Between 1996 and 1998, the NSCAA recognized an outstanding collegiate player of the year.  Since 1999, the NSCAA has coordinated its NCAA Division I Player of the Year program with the Missouri Athletic Club.  They now present the joint NSCAA/MAC Hermann Trophy to the outstanding men's and women's player of the year.
 NCAA Divisions II/III men and women
 NAIA men and women
 NCCAA Divisions I and II men and women
 Junior College Division I and III men and women
 College Player Award of Distinction
 National Coach of the Year award
 NCAA Division I men and women and Divisions II/III men and women
 NAIA men and women
 NCCAA Divisions I and II men and women
 Junior College Division I and III men and women
 Regional Coach of the Year award
 NCAA Division I men and women and Divisions II/III men and women
  NAIA men and women
  NCCAA Divisions I and II men and women
 Junior College Division I and III men and women
 1 National Assistant Coach of the Year award
 4 Regional Assistant Coach of the Year awards
 Team Academic Award
 Awarded to all teams meeting the criteria
 Team Ethics and Sportsmanship
 Gold, Silver, or Bronze awards to all teams meeting the criteria
 Team Pinnacle Award
 Awarded to teams who have earned the "...Team Academic Award, earned a Team Ethics and Sportsmanship Award, and achieved a team winning percentage of .750 or higher during the season of the academic year for the award."
 Bill Jeffery Award
 Awarded annually to one individual for "...long-term service to collegiate soccer."
 High school awards
 All-America teams
 Scholar All-America teams
 All-Region Awards
 National Player of the Week
 State Player of the Week
 High School Coach of the Year
 1 National & 4 Regional awards
 High School Assistant Coach of the Year
 1 National & 4 Regional awards
 Robert W. "Robby" Robinson Award  supported by the American Youth Soccer Organization
 Awarded annually to one individual for "...long-term service to scholastic soccer."
 Senior Excellence Award
 Awarded to high school seniors nominated by their coaches to honor "...exceptional contributions to the team while exemplifying the finest attributes of a high school student-athlete."
 High School Team Academic Award
 Awarded to all teams meeting the criteria
High School Team Ethics and Sportsmanship
 Gold, Silver, or Bronze awards to all teams meeting the criteria
 Youth awards
 National Youth Coach of the Year
 Regional Youth Coaches of the Year
 Youth Coach Award of Excellence
 Charlotte Moran Award
 Awarded annually to one individual who has "...raised youth soccer to new heights through his or her long-term dedication to the game."
 Youth Player Award of Excellence
 Youth Participation Certificate
 Awarded by coaches to their team members

Rankings
United Soccer Coaches also publishes weekly rankings for intercollegiate and high school soccer during the fall seasons and less frequently during the winter and spring high school seasons.

See also
 2013 NSCAA Men's Soccer All-Americans
 Soccer in the United States
 United Soccer Coaches Hall of Fame

Footnotes

External links

 Past NSCAA Presidents

1941 establishments in the United States
Sports organizations established in 1941

United Soccer Coaches


Stephen Kevin "Steve" Bannon (født 27. november 1953 i Norfolk, Virginia) er en amerikansk politisk aktivist, der var præsident Donald Trumps toprådgiver i Det Hvide Hus og en overgang fra januar til april 2017 medlem af USA's nationale sikkerhedsråd. Bannon stoppede som chefstrateg for Trump efter bl.a. at have modsagt præsidenten vedrørende en eventuel militær konflikt med Nordkorea.

Bannon stod i spidsen for Trumps valgkampagne op til præsidentvalget 8. november 2016. Indtil da var han leder af det højreorienterede nyhedsmedie Breitbart News.

Referencer

Eksterne henvisninger

Personer fra Virginia
Politikere fra USA
Erhvervsfolk fra USA

Steve Bannon


1949 සිට වර්තමානය දක්වා

මහජන චීන සමූහාණ්ඩුවේ අගනුවර: බීජිං
චීන කොමියුනිස්ට් පක්ෂය විසින් චීන ප්‍රධාන ගොඩබිම් ප්‍රදේශයෙහි බලය තහවුරු කර ගැනීමත් සමගම හා, චීන සමූහාණ්ඩුවෙහි බල ප්‍රදේශය තායිවානයට හා අවට දූපත් වලට පමණක් සීමා කරවමින් කොමිංටාන් (KMT) චීන සමූහාණ්ඩුවෙහි (ROC)  තායිවානයට, පසුබැසීම හා සමග, චීන සිවිල් යුද්ධයෙහි  ප්‍රධාන පොරයන් 1949 දී නිමාවට පත්විය. 1949 ඔක්තොම්බර් 1 දිනදී, මාඕ සේතුං විසින් මහජන චීන සමූහාණ්ඩුව (මචීස) ප්‍රකාශයට පත් කරන ලදි. "කොමියුනිස්ට් චීනය" සහ "රතු චීනය" යන පද මචීස සඳහා පොදු නම් දෙකක් විය.

සටහන්

චීන ඉතිහාසය

චීනයේ ඉතිහාසය


Larisa Ecaterina Tămaș (n. 16 mai 1994, în Baia Mare) este o handbalistă română care, din vara anului 2021, joacă pentru clubul CSM Deva pe postul de intermediar stânga. Din anul 2015, Tămaș a evoluat la HC Zalău și și-a prelungit contractul cu această echipă în 2017. În sezonul 2018-2019, Tămaș a evoluat la Corona Brașov, sezonul 2019-2020 pentru CS Minaur Baia Mare iar în sezonul 2020-2021 pentru CSM Slatina.

Palmares
Liga Națională:
 Medalie de bronz: 2017

Cupa EHF:
Sfert-finalistă: 2018

Note

Legături externe
Larisa Tămaș pe pagina EHF

Jucătoare de handbal din România
Nașteri în 1994
Sportivi români în viață
Handbaliste ale HC Zalău
Handbaliste ale Corona Brașov
Băimăreni

Larisa Tămaș


Jean Sablon (Nogent-sur-Marne 25 March 1906 – Cannes 24 February 1994) was a French singer, songwriter, composer and actor. He was one of the first French singers to immerse himself in jazz. The man behind several songs by big French and American names, he was the first to use a microphone on a French stage in 1936. Star of vinyl and the radio, he left France in 1937 to take up a contract with NBC in the United States. His radio and later televised shows made him a huge star in America. Henceforth the most international of French singers among his contemporaries, he became an ambassador of French songwriting and dedicated his career to touring internationally, occasionally returning to France to appear on stage. His sixty-one year career came to an end in 1984.

Biography
Sablon was born in Nogent-sur-Marne, the son of a composer, with brothers and sisters who had successful careers of their own in musical entertainment.

A pupil at the Lycée Charlemagne in Paris, Jean Sablon dropped out, intending to study at the Conservatory of Paris. Too late, however, to apply for his year, he concentrated immediately on a professional singing career. He made his debut at the age of seventeen in an operetta in Paris. It was in operettas that he came to share the stage in 1923 first with Jean Gabin in La Dame en Décolleté and then with Charles Boyer and Falconetti in Simili in 1925.

1927 found him appearing in the review of Au Temps de Gastounet (written by Rip) with Jacqueline Delubac. It was Paul Colin who created the first billboard for the young singer. After appearing in the operetta "Lulu" with Fernand Gravey, he embarked on a transatlantic journey to Rio de Janeiro in the company of Georges Milton and Alice Cocéa for the inauguration of the Copacabana Palace (1928). In 1929, Jean Sablon recorded his first demo record for Columbia with Georges Van Parys, as well as sharing the stage in the operetta Vive Leroy with Arletty, Dranem and Jacqueline Delubac and then Music Hall with Damia and Germaine Rouer. The following year, he appeared in Cocktail 328 with Damia again, as well as making his first film, Chacun sa Chance, the same year, with Jean Gabin who also made his film debut with him.

Henri Diamant-Berger approached Sablon in 1931 for the making of Tante Aurélie alongside his sister Germaine Sablon. That year, he was back on stage in La Revue Argentine, then Parade de Femmes with Carlos Gardel. It was in 1931 that he met Mireille, whose song "Couchés dans le foin" became a great success, the introduction being made by the editor Raoul Breton.

In another important encounter in 1931, Jean discovered the guitarist Django Reinhardt in La Boîte à Matelots.

On stage, Jean appeared with Mistinguett at the Casino de Paris in Paris qui brille.

1932 was a year rich in recordings for the record company Columbia. He was accompanied by Don Barretto, sang with his sister Germaine and was accompanied by the pianist and composer Mireille while interpreting songs from the operetta Un Mois de Vacances. At the same time, Mireille and Jean Nohain wrote "Couchés dans le Foin". That song, first performed by Pills et Tabet became a huge hit for them and later for Jean Sablon. In 1933, Jean was reunited with Reda Caire in the operetta 19 ans, accompanied by Django Reinhardt, with whom he shared success in the recording studio at Columbia, who had initially been reluctant to take the costly risk of engaging Reinhardt who, as a guitarist, couldn't read music. Sablon thus became the first singer to have recorded with Django. He then embarked on another journey to America, Hollywood this time, with Mireille at the invitation of Ramon Novarro, famous for Ben Hur on the big screen. In Los Angeles, he gave a concert in front of a panoply of stars. Back in Paris, he created Ce Petit Chemin.

It was in 1934 that Jean Cocteau encouraged Sablon to initiate a "tour de chant" (one man show), accompanied on the piano by Jean Wiener and Clément Doucet, at the Rococo, an establishment that belonged to Louis Moysès, founder and owner of the cabaret Le Bœuf sur le toit. The London cabaret Monseigneur invited him to perform there. His success on the BBC radio with his trio (Django Reinhardt, André Ekyan and Alec Siniavine) was so considerable that the transmissions were often repeated and the programs of the radio station modified. Back in France, he appeared on the stage in Nice with Django Reinhardt and Joséphine Baker. He was also instrumental in the reopening of the venue Le Boeuf sur le Toit and gave recitals at the Rex and the Folies-Bergère in "Femmes en Folie". In 1935, he created the song "These Foolish Things" at the Boeuf sur le Toit and was on the stage with Pierre Dac in Pirouette 35.

In 1936, the film "Le Petit Chemin" reunited Sablon with Mireille. Their interpretation of "Ce Petit Chemin" represented of sorts a preview of what was to come in video clips decades later. Sablon became the presenter of the radio show Cadum Variétés, on which he also sang. Guests included Maurice Chevalier, Damia, Fernandel, Mistinguett, Yvette Guilbert, Albert Préjean, Henri Garat to name a few. He was also given a radio show, "The Magic Key". He then found himself at the Café de Paris in London, returning to France for "Le Chant des Tropiques" at the Théâtre de Paris. It was at the Théâtre Mogador and then at Bobino that he created a scandal by using a microphone, the first to do so in France. It became Sablon's kind of brand image.

In 1937, he won the Grand Prix du Disque for the song "Vous qui passez sans me voir", created by him and written for him by Charles Trenet, Johnny Hess and Paul Misraki. That same year, contracted by the producers of The Magic Key, thanks to his success in France, he left for New York, engaged at the NBC studios of Radio City Hall. It was there that he made a few recordings in English, with celebrities such as Cole Porter and George Gershwin lending him their material, respectively "In the Still of the Night" and "Love walked In".

In Hollywood, Sablon was contracted to star in "The Story of Irene and Vernon Castle" with Fred Astaire and Ginger Rogers. Due to production disagreements, he demanded the withdrawal of scenes in which he starred. The final version conserves merely his interpretation of the song "Darktown Strutters Ball". In the movie capital, he appeared at the Trocadero. He also presented and sang his songs on the radio show Hollywood Hotel on which he invited numerous big stars. In January 1939, he was in Montreal, creating a swing version of "Sur Le Pont d'Avignon" which would go on to have a huge success. It was there that he met La Bolduc, whose technique of "turlutage" as well as her earthy songs impressed him greatly. It was thanks to Sablon that Charles Trenet and La Bolduc were introduced. In the 1940s, he animated the "Show Jean Sablon" on the Columbia Broadcasting System (CBS) radio and was accompanied by the American accordionist and songwriter John Serry Sr, with Toots Camarata as musical arranger. He returned to Paris to appear on the stage of the ABC and took part to television experiments. Then he returned to New York, his hometown since 1937. He was a star on Broadway and then Boston in the musical "Streets of Paris". The producer teamed him with Carmen Miranda, who appeared for the first time outside of Brazil. He in turn starred in Brazil on shows at the Casino Atlantico in Rio de Janeiro and Casino Urca.

Sablon made his debut at the Teatro Municipal in São Paulo in 1940, and then in Argentina, Uruguay and Chile. In 1941, he had further engagements in New York, at the Waldorf Astoria, the Plaza and at the San Regis hotels, before going on, in 1942, in Los Angeles and in Cuba, and then touring in America, Brazil and Argentina. Some of his appearances were at the profit of war victims.

Meanwhile, in 1943, in London, his sister Germaine was the first to perform Le Chant des Partisans, which became the anthem of the French Resistance. That year, Sablon continued to sing in Brazil, Argentina and Uruguay, appearing there through 1945, when he returned to the US to perform in New York, Chicago and Washington. The following year found him again in New York, as well as in Hollywood, Boston, Brussels (ABC), Paris (ABC), Mexico (Ciro's) and Canada. A further US tour in 1947-48 took him to New Orleans, San Francisco, Hollywood (Ciro's), Boston, Los Angeles (Beverly Hills) and Palm Beach, and then onto Brazil, Argentina and Canada.

Sablon's recording of "Les Feuilles mortes" in the summer of 1947 in New York (RCA Victor 855332) is the earliest version of this classic, known as "Automn Leaves" in the US. In 1948 he followed and equaled the box office receipts of Danny Kaye at the London Palladium. In France, Jacqueline François received the award for the Grand Prix du Disque for C'est le printemps, the French version of It Might As Well Be Spring written by Sablon.

Thereafter, one international success followed another. In 1949 in New York, then Holland, Switzerland, France and the UK. In 1950, he appeared again in Switzerland (Gstaad) and the UK. It was in London that he recorded on 30 March "C'est Si Bon" with the orchestra of Woolf Philips, and on 23 November he recorded the English version with lyrics by Jerry Seleen in Buenos Aires, with the orchestra of Emile Stern. In the intervening months he appeared again in Holland and Brazil, concluding his South American tour in Uruguay and Chile. He was cheered at the Theatre de l'Etoile, where Gene Kelly unsuccessfully attempted to persuade him to play the role of Henri Baurel in An American in Paris (subsequently taken by Georges Guetary).

Throughout the 1950s, Sablon traveled constantly (except for a year's sabbatical in 1957). He appeared repeatedly in the US, the UK, France and Brazil, as well as in Canada, Portugal, Morocco, Algeria, Greece, Italy and Egypt, and Mexico, Cuba and Spain. In 1952, he starred in the film Paris Chante toujours, and the same year became the first French entertainer to be featured in his own show in Las Vegas. Under the banner of the Moss Empire, Sablon toured the UK and Ireland. Later in the decade he extended his travels to include India, Australia and New Zealand, Tahiti, Panama and Venezuela.

With the increasing popularity of television, Sablon was able to reduce his travels while at the same time reaching a larger new audience on both sides of the Atlantic. Nonetheless, he managed to maintain a tight schedule of international appearances throughout the 1960s, attracting enthusiastic crowds not only in Europe, South America and the US, but in South Africa, Bermuda, New Caledonia, the Philippines, Hong Kong, Japan (where he spent three months) and Iran (where he appeared before the Shah at the royal palace).

Towards the end of the 1960s, Sablon resolved to limit his overseas travels and settled into his house at Theoule-sur-Mer on the Côte d'Azur. He was engaged at the Paris Cabaret Don Camillo which became one of the first colored transmissions on TV. In 1971, he was asked by Pierre Granier-Deferre to record "Le Temps des Souvenirs" for the soundtrack of the film "Le Chat". The 1970s and the 1980s found Sablon performing regularly on TV, not only in France, but in Switzerland, Italy, Brazil and the US. In addition, he regularly offered his services on behalf of charitable causes: The Red Cross Gala in Monaco in 1972, the gala for the restoration of Versailles in 1973 and the International Festival of Song first in Brazil and then in Uruguay.

At the urging of US impresario George Wein and singer-pianist Bobby Short, Jean celebrated his 75th birthday at the Met (Lincoln Center) in New York, appearing with the orchestra of Frank Sinatra, thus making his farewell to his American followers. His Adieux in Paris in 1982 were televised in prime time from the Pavillon Gabriel (the former Alcazar d'Eté) and he made his last performance in Rio de Janeiro at the Copacabana Palace in 1984.

Jean Sablon became the most widely acclaimed male French singer of his generation in the world, considered second only in overall lifetime popularity to Maurice Chevalier, a senior model for him. His records sold in the millions around the world and he is frequently referred to as the French equivalent of America's Bing Crosby and Frank Sinatra. During his career, he recorded with some of the world's top musicians, including Django Reinhardt and Stéphane Grappelli.

Sablon appeared in a number of motion pictures and television films performing as a vocalist or pianist, his last being in 1984 when he sang "April in Paris" in Mistral's Daughter, the popular American TV miniseries filmed in France.

Jean Sablon died in Cannes in 1994 and was buried in the Cimetière du Montparnasse in Paris.

Personal life

Jean Sablon was the son of composer Charles Sablon and the brother of composer André Sablon and singer and actress Germaine Sablon. The actor Jacques Sablon was his nephew.

Commemorative Street Names

 On 30 April 2004 the allée Jean Sablon was inaugurated in the 16th arrondissement of Paris.
 On 7 September 2006 the promenade Jean Sablon was inaugurated along the Marne, in Nogent-sur-Marne, on the occasion of an exhibition for the centenary of Sablon's birth.
 On 10 April 2010 the allée Jean Sablon was inaugurated on the Promenade de la Croisette in Cannes.
 On 15 May 2015 the esplanade Jean Sablon was inaugurated in Théoule-sur-Mer.

Revues

 1927 : Au temps de Gastounet, by Georges Gabriel Thenon, Théâtre des Bouffes-Parisiens.
 1931 : Revue Argentine, by Manuel Romero and Bayon Herrera. Parade de femmes, by Henri Varna, Léo Lelièvre and Marc Cab, Le Palace. Paris qui brille, by Henri Varna, Léo Lelièvre and Earl Leslie, Casino de Paris.
 1932 : Ces messieurs dames, by Francis Carco, Le Studio de Paris.
 1934 : Femmes en folie, by Maurice Hermitte and Jean Le Seyeux, Folies Bergère.
 1935 : Pirouette 35, by Fernand Rouvray and Max Eddy, Théâtre des Dix Francs.

Operettas

 1924 : Madame, by Albert Willemetz, music by Henri Christiné, Théâtre des Bouffes-Parisiens.
 1928 : Lulu, by Serge Veber, music by Georges Van Parys and Philippe Parès, Théâtre Daunou.
 1929 : Vive Leroy, by Henri Géroule and René Pujol, music by Fred Pearly and Pierre Chagnon, Théâtre des Capucines.
 1933 : Dix-neuf ans, by Jean Bastia, music by Pascal Bastia, Théâtre Daunou.
 1936 : Le Chant des tropiques, by Louis Sauvat and Champfleury, music by Moyses Simons, Théâtre de Paris.

Musical theatre

 1923 : La Dame en décolleté, by Yves Mirande and Lucien Boyer, music by Maurice Yvain, Théâtre des Bouffes-Parisiens.
 1925 : Trois jeunes filles nues, by Yves Mirande and Albert Willemetz, music by Raoul Moretti, Théâtre des Bouffes-Parisiens.

Filmography
 1924 : Madame Sans-Gêne by Léonce Perret.
 1930 : Everybody Wins by René Pujol and Hans Steinhoff.
 1939 : La Grande Farandole by H. C. Potter.
 1951 : Paris Still Sings by Pierre Montazel.

References

 The Chicago Tribune, 1 September 1946, p. 24

External links
 International Jose Guillermo Carrillo Foundation

 Official website
 Jean Sablon at the Hall de la chanson
 Jean Sablon at the UniFrance Films
 Jean Sablon at Les Gens du cinéma
 Jean Sablon at the Cimetières de France et d'ailleurs

1906 births
1994 deaths
Cabaret singers
French male film actors
Crooners
RCA Victor artists
Burials at Montparnasse Cemetery
People from Nogent-sur-Marne
20th-century French male actors
20th-century French male singers

Jean Sablon


O Club Atlético Gimnasia y Esgrima, conhecido como Gimnasia de Mendoza ou simplesmente por seu acrônimo GEM, é um clube esportivo argentino localizado na cidade de Mendoza, capital da província homônima, na Argentina. Sua principal atividade esportiva é o futebol profissional. Foi fundado em 30 de agosto de 1908 e ostenta as cores   branco e preto.

O Gimnasia de Mendoza, disputa a Primera B Nacional, a segunda divisão do sistema de ligas de futebol argentino, desde que conseguiu o acesso em 27 de maio de 2018. O clube manda seus jogos no estádio Víctor Antonio Legrotaglie, do qual é proprietário, e cuja inauguração ocorreu em 25 de março de 1934. A praça esportiva, também localizada na cidade de Mendoza, conta com capacidade para 14 000 espectadores.

Ver também
 Futebol na Argentina
 Lista de clubes de futebol da Argentina
 Sistema de ligas de futebol da Argentina

Ligações externas

  Página do clube

  Perfil, partidas e outras informações do clube no site O Gol
  Perfil, partidas e outras informações do clube no site Soccerway
  Perfil, plantel, história, notícias, e outras informações do clube no site Transfermarkt

  Perfil, últimas notícias, partidas e outras informações do clube no site Mundo Ascenso
  Perfil, partidas e outras informações do clube no site Promiedos
  Notícias, partidas e plantel do clube no site Solo Ascenso
  Partidas e notícias do clube no site Ascenso del Interior
  Página do clube no site Interior Futbolero
  Perfil, títulos, jogadores e outras informações do clube no site BDFA

Clubes de futebol fundados em 1908
Fundações na Argentina em 1908
Mendoza
Club Atlético Gimnasia y Esgrima (Mendoza)
Clubes de futebol da província de Mendoza


Die Ryōun Maru (jap. , dt. "Fischereiglück") war ein japanisches Kalmarfischereiboot (englisch: squid jigging vessel).

Geschichte
Das Boot war 2011 zur Verschrottung vorgesehen und in einem Hafen auf Hokkaidō vertäut. Das Schiff mit dem Fischereikennzeichen HKI-1113 ("HKI" für Hokkaidō) wurde vom Tsunami 2011 in Japan mitgerissen. Ab da trieb das Schiff, welches der Eigner nach dem Tsunami aus dem Schiffsregister löschen ließ, als Geisterschiff über den Pazifischen Ozean. Ende März 2012 wurde es in der Nähe der Küste Alaskas, äußerlich mitgenommen aber stabil schwimmfähig, geortet. Am 4. April 2012 ließ die US-amerikanische Küstenwache einen Positionssender auf das Deck fallen[Beleg?]. Seitdem wurde die Position des Schiffes beobachtet.

Versenkung

Die Küstenwache plante zunächst, das Schiff mit Hilfe von Sprengstoff zu versenken, um einer Gefährdung der Schifffahrt vorzubeugen. An Bord des Schiffes befand sich noch eine unbekannte Menge an Treibstoff. Am 5. April 2012 schickte die US-Küstenwache die Anacapa, um das Schiff zu versenken. Zuvor hatte ein kanadischer Fischer sein Recht angemeldet, das Schiff zu bergen. Dies hatte sich jedoch als undurchführbar erwiesen, da das Fischerboot die Ryōun Maru nicht ins Schlepp nehmen konnte. Die Anacapa beschoss das treibende Fischereifahrzeug solange mit ihrem Bordgeschütz, bis es schließlich versank.

Weblinks

Einzelnachweise

Katastrophe in Japan von 2011
Fischereischiff (Japan)
Geisterschiff

Ryōun Maru


Rocky Mountain oysters or mountain oysters, or meat balls, also known as prairie oysters in Canada (), is a dish made of bull testicles. The organs are often deep-fried after being skinned, coated in flour, pepper and salt, and sometimes pounded flat. The dish is most often served as an appetizer.

Description
The dish is served in parts of Canada, where cattle ranching is prevalent and castration of young male animals is common. "Prairie oysters" is the preferred name in Canada where they are served in a demi-glace. In Oklahoma and the Texas Panhandle, they are often called calf fries. In Spain, Argentina and many parts of Mexico they are referred to as criadillas, and they are colloquially referred to as huevos de toro (literally, "bull's eggs"; besides its literal meaning, huevos is a Spanish slang term for testicles) in Central and South America. Rocky Mountain oysters are sometimes confused because of their appearance with cattle fries or animelles (cattle testicles), which are served in a similar manner. A few other terms, such as "cowboy caviar", "Montana tendergroins", "dusted nuts", "swinging beef", or simply "mountain oysters" may be used.

The dish, purportedly cowboy fare, is most commonly found served at festivals, amongst ranching families, or at certain specialty eating establishments and bars. They are, however, also readily available at some public venues (e.g., at Coors Field during Colorado Rockies baseball games). Eagle, Idaho, claims to have the "World's Largest Rocky Mountain Oyster Feed" during its Eagle Fun Days (now held the second weekend in July). Clinton, Montana; Deerfield, Michigan; Huntley, Illinois; Sesser, Illinois; Olean, Missouri; Severance, Colorado; and Tiro, Ohio also hold testicle festivals. Rocky Mountain oysters are sometimes served as a prank to those unaware of the origin of these "oysters". They are also considered to be an aphrodisiac by many people.

The primary goal of testicle removal is not culinary. Castration in veterinary practice and animal husbandry is common and serves a variety of purposes, including the control of breeding, the growth of skeletal muscle suitable for beef, and temperament alteration.

Similar dishes

Testicles from other animals can also be used in similar dishes.  The most common is lamb fries (not to be confused with lamb's fry which is another term for liver of lamb) made with testicles from castrated sheep.  In some cases, pig testicles are used as well to make "pig fries".

Another dish found on occasion is turkey fries made from turkey testes.  These are sometimes known as "short fries" as well.

See also

 Fried clams
 Lamb fry
 List of beef dishes
 List of deep fried foods
 List of delicacies
 List of hors d'oeuvre
 Oyster omelette
 Soup Number Five
 Testicles as food

References

External links
 Earles, Jim. "Rocky Mountain Oysters: Expanding on the List of Organ Meats," The Weston A. Price Foundation.
 Brown, Patricia Leigh. "Delicacy of the Wild West Lives on for Those So Bold," The New York Times, Wednesday, March 18, 2009.
 Secret World - Montana: Rocky Mountain oysters
 Lakey, Dwight, Songwriter. "Rocky Mountain Oysters," Songwriter Dwight Lakey's (ASCAP) song about Rocky Mountain oysters, © 2007 Brown Barn Publishing & Dwight Lakey, Danville, VT, & Julesburg, CO; All Rights Reserved.

Offal
Cuisine of the Western United States
Appetizers
Cowboy culture
Testicle
Texan cuisine
Oklahoma cuisine
Mexican cuisine
Central American cuisine
South American cuisine
Deep fried foods
Beef dishes
Cuisine of the Southwestern United States
Cuisine of Western Canada

Rocky Mountain oysters


"The Song of the Cheerful (but slightly Sarcastic) Jesus" is a poem by Oliver St. John Gogarty.  It was written around Christmas of 1904 and was later published in modified form as "The Ballad of Joking Jesus" in James Joyce's Ulysses.

Original text
The poem, like many of Oliver St. John Gogarty 's humorous verses, was written for the private amusement of his friends.  In the summer of 1905, he sent a copy to James Joyce, then living in Trieste, via their common acquaintance Vincent Cosgrave.  Joyce and Gogarty had quarreled the previous autumn, and Cosgrave presented the poem as a peace offering, writing Joyce that "the appended song of J is of course Gogarty's.  He bids me send it.  He desires you back in Dublin. ... It seems G desires reconciliation so that if you write to me be unequivocal."

I'm the queerest young fellow that ever was heard.
My mother's a Jew; my father's a Bird
With Joseph the Joiner I cannot agree
So 'Here's to Disciples and Calvary.'

If anyone thinks that I amn't divine,
He gets no free drinks when I'm making the wine
But have to drink water and wish it were plain
That I make when the wine becomes water again.

My methods are new and are causing surprise:
To make the blind see I throw dust in their eyes
To signify merely there must be a cod
If the Commons will enter the Kingdom of God

Now you know I don't swim and you know I don't skate
I came down to the ferry one day and was late.
So I walked on the water and all cried, in faith!
For a Jewman it's better than having to bathe.

Whenever I enter in triumph and pass
You will find that my triumph is due to an ass
(And public support is a grand sinecure
When you once get the public to pity the poor.)

Then give up your cabin and ask them for bread
And they'll give you a stone habitation instead
With fine grounds to walk in and raincoat to wear
And the Sheep will be naked before you'll go bare.

The more men are wretched the more you will rule
But thunder out 'Sinner' to each bloody fool;
For the Kingdom of God (that's within you) begins
When you once make a fellow acknowledge he sins.

Rebellion anticipates timely by 'Hope,'
And stories of Judas and Peter the Pope
And you'll find that you'll never be left in the lurch
By children of Sorrows and Mother the Church

Goodbye, now, goodbye, you are sure to be fed
You will come on My Grave when I rise from the Dead
What's bred in the bone cannot fail me to fly
And Olivet's breezy—Goodbye now Goodbye.

Usage in Ulysses
Always on the lookout for engaging quotations, Joyce decided to incorporate Gogarty's poem into his work.  An early manuscript fragment loosely connected with Stephen Hero places the first two stanzas in the mouth of Doherty, an early prototype of Buck Mulligan.  Joyce later abridged and modified the poem for inclusion in the opening chapter of Ulysses, where it is sung by Mulligan, a character largely modeled on Gogarty.

I'm the queerest young fellow that ever you heard
My mother's a Jew, my father's a bird.
With Joseph the Joiner I cannot agree
So here's to disciples and Calvary.

If anyone thinks that I amn't divine
He'll get no free drinks when I'm making the wine
But have to drink water and wish it were plain
That I make when the wine becomes water again.

Goodbye, now, goodbye!  Write down all that I said
And tell Tom, Dick, and Harry I rose from the dead.
What's bred in the bone cannot fail me to fly
And Olivet's breezy... Goodbye, now, goodbye!

An apparition of Edward VII also recites a couplet from one of the unused stanzas ("My methods are new and are causing surprise.  To make the blind see I throw dust in their eyes") during the chapter "Circe".

Asked about his authorship of the poem later in life, Gogarty said, "Yes I am guilty; but it shows Joyce's mastery that nobody attributed the verses to me even though he quotes them almost accurately."

Sources

Irish poems
20th-century poems


Baška este o comună slovacă, aflată în districtul Košice-okolie din regiunea Košice, pe malul râului . Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 623 de locuitori.

Istoric
Localitatea Baška este atestată documentar din 1247.

Note

Legături externe

Localități din Slovacia

Baška, Košice-okolie


La monarchie sierraléonaise est le régime politique en vigueur en Sierra Leone entre 1961 et 1971. La Sierra Leone partage alors son monarque avec le Royaume-Uni et d'autres États souverains appelés royaumes du Commonwealth.

Ancienne colonie britannique, la Sierra Leone obtient son indépendance le . La reine  reste chef de l'État et est alors spécifiquement titrée « reine de Sierra Leone ». La majorité de ses pouvoirs constitutionnels sont délégués au gouverneur général qui est son représentant dans le pays. En effet, comme d'autres pays du Commonwealth, le système politique sierraléonais est basé sur le système de Westminster, dans lequel le chef de l'État joue un rôle purement honorifique.

La monarchie est abolie le , date à laquelle la Sierra Leone devient une république tout en continuant de reconnaître la reine  comme chef du Commonwealth. Le président de la Sierra Leone remplace la reine comme chef d'État.

Histoire
La Sierra Leone devient indépendante par la loi sur l'indépendance de la Sierra Leone de 1961, votée par le Parlement britannique, qui transforme la colonie de la Sierra Leone en un royaume du Commonwealth. Le duc de Kent représente la reine  à la cérémonie d'indépendance dans le pays, tandis que la princesse Alexandra la représente lors d'un service d'action de grâce organisé à Londres le jour de l'indépendance de la Sierra Leone. À Freetown, le duc de Kent inaugure le nouveau bâtiment du Parlement le . La Sierra Leone devient officiellement indépendante le  à minuit et, plus tard dans la journée, le duc participe à l'ouverture officielle du Parlement, où il remet les instruments constitutionnels à Sir Milton Margaï. Plus tard, Sir Maurice Dorman, gouverneur colonial sortant, prête serment en tant que gouverneur général.

La monarchie sierraléonaise est abolie en 1971, lorsque la Sierra Leone devient une république, le président de la Sierra Leone succédant à  comme chef de l'État. Le pays cesse d'être un royaume du Commonwealth, mais reste membre de l'organisation dirigée par  en tant que république du Commonwealth.

Rôle constitutionnel
De 1961 à 1971, le dominion de Sierra Leone est l'un des royaumes du Commonwealth qui partagent la même personne comme monarque et chef d'État.

Pouvoirs exécutif et législatif

Après la loi de 1961 sur l'indépendance de la Sierra Leone, le gouvernement britannique ne peut plus conseiller la reine sur les questions relatives à la Sierra Leone. Pour toutes les affaires sierraléonaises, la reine est conseillée uniquement par ses ministres sierraléonais. Elle est représentée dans le pays par un gouverneur général nommé par elle sur avis du Premier ministre sierraléonais. La reine est dotée de vastes pouvoirs constitutionnels, mais dans les faits, tous ces pouvoirs sont exercés par le gouverneur général.

La reine de Sierra Leone et la Chambre des représentants constituent le Parlement de Sierra Leone. Toutes les lois sierraléonaises ne sont promulguées qu'avec l'octroi de la sanction royale accordée par le gouverneur général au nom de la reine. Le gouverneur général est également chargé de convoquer, de proroger et de dissoudre le Parlement. Le gouverneur général nomme le Conseil des ministres. Tous les ministres sierraléonais sont en fonction au gré du gouverneur général, qui peut les révoquer à sa discrétion.

Pouvoir judiciaire
Tous les juges sierraléonais sont tenus de réciter un serment d'allégeance à la souveraine lors de leur entrée en fonction.

La plus haute cour d'appel de la Sierra Leone est le Comité judiciaire du Conseil privé. La reine, et par extension le gouverneur général, peut exercer la « prérogative royale de clémence » et gracier les infractions contre la Couronne, que ce soit avant, pendant ou après un procès.

Rôle culturel

Politique étrangère
Les représentants sierraléonais dans les pays étrangers sont accrédités par la souveraine en sa qualité spécifique de reine de Sierra Leone et les diplomates sierraléonais envoyés à l'étranger doivent obtenir l'approbation royale. Les lettres de créance sont officiellement délivrées au nom de la reine.

Distinctions honorifiques

Au sein des royaumes du Commonwealth, le monarque est considéré comme le fons honorum (source d'honneurs). Ainsi, la souveraine, en tant que monarque de Sierra Leone, décerne des récompenses et des honneurs en Sierra Leone, en son nom. La plupart d'entre eux sont décernés sur l'avis du gouvernement de Sa Majesté.

Forces militaires royales de Sierra Leone
Le gouverneur général est le commandant en chef de la Sierra Leone.

La position de la Couronne au sommet des forces de défense se reflète dans les forces militaires sierraléonaises, connues sous le nom de « Forces militaires royales de Sierra Leone ». Le terme « royales » est supprimé lors de l'abolition de la monarchie.

Titre de la reine
La reine  possède officiellement un titre différent dans tous les royaumes du Commonwealth. Jusqu'en 1961, la Sierra Leone fait partie de l'Empire britannique, et  y règne en tant que reine du Royaume-Uni. Après l'indépendance, un nouveau titre est adopté, afin de préciser l'aspect distinct de la monarchie sierraléonaise. À partir du , le titre de la reine en Sierra Leone est le suivant :

Étendard royal de Sierra Leone
Durant son règne sierraléonais, la reine  possède un drapeau personnel en sa qualité de reine de Sierra Leone. Il est utilisé pour la première fois lors de sa visite dans le pays en 1961. Le drapeau reprend les armoiries de Sierra Leone sous forme de bannière, qui représente un lion sous une bordure en zigzag, représentant les montagnes du lion, qui ont donné leur nom au pays. Il montre également trois torches, symbolisant l'éducation et le progrès. À la base, des barres ondulées représentent la mer. Un disque bleu portant le monogramme royal, la lettre « E » couronnée et entourée d'une guirlande de roses dorées, apparaît au centre du drapeau.

Visite royale de 1961

Dans son message de Noël de 1958, la reine annonce que le duc d'Édimbourg et elle se rendront en Sierra Leone, à la fin de l'année 1959, mais la visite est reportée en raison de la grossesse de la reine.  et son mari visitent finalement la Sierra Leone du  au , près de sept mois après l'indépendance du pays. Le couple arrive à Freetown sur le yacht royal Britannia. À son arrivée, la reine reçoit les clés de Freetown des mains du maire de la ville et arbore pour la première fois son drapeau sierraléonais . Lors d'un dîner officiel, le Premier ministre Sir Milton Margaï s'adresse à la reine par ces mots : . , parlant de son Premier ministre, déclare quant à elle : . À la fin de la visite royale, une garden-party est organisée à la résidence officielle du Premier ministre.

Bibliographie

Articles connexes
 Histoire de la Sierra Leone
 Liste des présidents de la Sierra Leone

Notes et références

Notes

Références

Histoire de la Sierra Leone
Sierra Leone
Sierra Leone

Monarchie sierraléonaise


Les petits cartilages alaires (ou cartilages carrés de Hirschfeld ou cartilages nasaux accessoires ou cartilages sésamoïdes du nez) sont des cartilages du nez qui participe à la formation de la partie antérieure de la cavité nasale. Ils sont pairs.

Ce sont 3 à 4 petits morceaux de cartilage hyalin des situés deux côtés du nez. Ils se trouvent entre le cartilage latéral du nez et le grand cartilage alaire. Ils sont intégrés dans une membrane fibreuse dure qui relie les bords postérieurs du cartilage latéral du nez et du grand cartilage alaire au processus frontal du maxillaire.

Notes et références

Nez
Crâne

Petit cartilage alaire