The holiday of Mardi Gras is celebrated in southern Louisiana, including the city of New Orleans. Celebrations are concentrated for about two weeks before and through Shrove Tuesday, the day before Ash Wednesday (the start of lent in the Western Christian tradition). Mardi Gras is French for Fat Tuesday, but the season actually begins on King's Day (12th Night), January 6, and extends until midnight before Ash Wednesday.  Club, or Krewe, balls start soon after, though most are extremely private, with their Kings and Queens coming from wealthy old families and their courts consisting of the season's debutantes.  Most of the high society Krewes do not stage parades.  As Fat Tuesday gets nearer, the parades start in earnest.  Usually there is one major parade each day (weather permitting); many days have several large parades. The largest and most elaborate parades take place the last five days of the Mardi Gras season. In the final week, many events occur throughout New Orleans and surrounding communities, including parades and balls (some of them masquerade balls).

The parades in New Orleans are organized by social clubs known as krewes; most follow the same parade schedule and route each year. The earliest-established krewes were the Mistick Krewe of Comus, the earliest, Rex, the Knights of Momus and the Krewe of Proteus. Several modern "super krewes" are well known for holding large parades and events (often featuring celebrity guests), such as the Krewe of Endymion, the Krewe of Bacchus, as well as the Zulu Social Aid & Pleasure Club—a predominantly African American krewe. Float riders traditionally toss throws into the crowds. The most common throws are strings of colorful plastic beads, doubloons, decorated plastic "throw cups", and small inexpensive toys. Major krewes follow the same parade schedule and route each year.

While many tourists center their Carnival season activities on Bourbon Street, major parades originate in the Uptown and Mid-City districts and follow a route along St. Charles Avenue and Canal Street, on the upriver side of the French Quarter. Walking parades - most notably the Krewe du Vieux and 'tit Rex - also take place downtown in the Faubourg Marigny and French Quarter in the weekends preceding Mardi Gras Day. Mardi Gras Day traditionally concludes with the "Meeting of the Courts" between Rex and Comus.

History

Early history
The first record of Mardi Gras being celebrated in Louisiana was at the mouth of the Mississippi River in what is now lower Plaquemines Parish, Louisiana, on March 2, 1699. Iberville, Bienville, and their men celebrated it as part of an observance of Catholic practice. The date of the first celebration of the festivities in New Orleans is unknown. A 1730 account by Marc-Antoine Caillot celebrating with music and dance, masking and costuming (including cross-dressing). An account from 1743 that the custom of Carnival balls was already established. Processions and wearing of masks in the streets on Mardi Gras took place. They were sometimes prohibited by law, and were quickly renewed whenever such restrictions were lifted or enforcement waned.

In 1833, Bernard Xavier de Marigny de Mandeville, a rich plantation owner of French descent raised money to fund an official Mardi Gras celebration. James R. Creecy in his book Scenes in the South, and Other Miscellaneous Pieces describes New Orleans Mardi Gras in 1835:

Shrove Tuesday is a day to be remembered by strangers in New Orleans, for that is the day for fun, frolic, and comic masquerading. All of the mischief of the city is alive and wide awake in active operation. Men and boys, women and girls, bond and free, white and black, yellow and brown, exert themselves to invent and appear in grotesque, quizzical, diabolic, horrible, strange masks, and disguises. Human bodies are seen with heads of beasts and birds, beasts and birds with human heads; demi-beasts, demi-fishes, snakes' heads and bodies with arms of apes; man-bats from the moon; mermaids; satyrs, beggars, monks, and robbers parade and march on foot, on horseback, in wagons, carts, coaches, cars, &c., in rich confusion, up and down the streets, wildly shouting, singing, laughing, drumming, fiddling, fifeing, and all throwing flour broadcast as they wend their reckless way.

In 1856, 21 businessmen gathered at a club room in the French Quarter to organize a secret society to observe Mardi Gras with a formal parade. They founded New Orleans' first and oldest krewe, the Mistick Krewe of Comus. According to one historian, "Comus was aggressively English in its celebration of what New Orleans had always considered a French festival. It is hard to think of a clearer assertion than this parade that the lead in the holiday had passed from French-speakers to Anglo-Americans. ... To a certain extent, Americans 'Americanized' New Orleans and its Creoles. To a certain extent, New Orleans 'creolized' the Americans. Thus the wonder of Anglo-Americans boasting of how their business prowess helped them construct a more elaborate version than was traditional. The lead in organized Carnival passed from Creole to American just as political and economic power did over the course of the nineteenth century. The spectacle of Creole-American Carnival, with Americans using Carnival forms to compete with Creoles in the ballrooms and on the streets, represents the creation of a New Orleans culture neither entirely Creole nor entirely American."

In 1875, Louisiana declared Mardi Gras a legal state holiday. War, economic, political, and weather conditions sometimes led to cancellation of some or all major parades, especially during the American Civil War, World War I and World War II, but the city has always celebrated Carnival.

The 1898, Rex parade, with the theme of "Harvest Queens," was filmed by the American Mutoscope Co. The rumored but long-lost recording was rediscovered in 2022. The two-minute film records 6 parade floats, including one transporting a live ox. In December 2022, the film was deemed "culturally, historically, or aesthetically significant" by the National Film Registry by the Library of Congress.

20th and 21st centuries

In 1979, the New Orleans police department went on strike. The official parades were canceled or moved to surrounding communities, such as Jefferson Parish, Louisiana. Significantly fewer tourists than usual came to the city. Masking, costuming, and celebrations continued anyway, with National Guard troops maintaining order. Guardsmen prevented crimes against persons or property but made no attempt to enforce laws regulating morality or drug use; for these reasons, some in the French Quarter bohemian community recall 1979 as the city's best Mardi Gras ever.

In 1991, the New Orleans City Council passed an ordinance that required social organizations, including Mardi Gras Krewes, to certify publicly that they did not discriminate on the basis of race, religion, gender or sexual orientation, to obtain parade permits and other public licenses. Shortly after the law was passed, the city demanded that these krewes provide them with membership lists, contrary to the long-standing traditions of secrecy and the distinctly private nature of these groups. In protest—and because the city claimed the parade gave it jurisdiction to demand otherwise-private membership lists—the 19th-century krewes Comus and Momus stopped parading. Proteus did parade in the 1992 Carnival season but also suspended its parade for a time, returning to the parade schedule in 2000.

Several organizations brought suit against the city, challenging the law as unconstitutional. Two federal courts later declared that the ordinance was an unconstitutional infringement on First Amendment rights of free association, and an unwarranted intrusion on the privacy of the groups subject to the ordinance. The US Supreme Court refused to hear the city's appeal from this decision.

Today, New Orleans krewes operate under a business structure; membership is open to anyone who pays dues, and any member can have a place on a parade float.

Effects of Hurricane Katrina
The devastation caused by Hurricane Katrina on August 29, 2005, caused a few people to question the future of the city's Mardi Gras celebrations. Mayor Nagin, who was up for reelection in early 2006, tried to play this sentiment for electoral advantage. However, the economics of Carnival were, and are, too important to the city's revival.

The city government, essentially bankrupt after Hurricane Katrina, pushed for a scaled back celebration to limit strains on city services. However, many krewes insisted that they wanted to and would be ready to parade, so negotiations between krewe leaders and city officials resulted in a compromise schedule. It was scaled back but less severely than originally suggested.

The 2006 New Orleans Carnival schedule included the Krewe du Vieux on its traditional route through Marigny and the French Quarter on February 11, the Saturday two weekends before Mardi Gras. There were several parades on Saturday, February 18, and Sunday the 19th a week before Mardi Gras. Parades followed daily from Thursday night through Mardi Gras. Other than Krewe du Vieux and two Westbank parades going through Algiers, all New Orleans parades were restricted to the Saint Charles Avenue Uptown to Canal Street route, a section of the city which escaped significant flooding. Some krewes unsuccessfully pushed to parade on their traditional Mid-City route, despite the severe flood damage suffered by that neighborhood.

The city restricted how long parades could be on the street and how late at night they could end. National Guard troops assisted with crowd control for the first time since 1979. Louisiana State troopers also assisted, as they have many times in the past. Many floats had been partially submerged in floodwaters for weeks. While some krewes repaired and removed all traces of these effects, others incorporated flood lines and other damage into the designs of the floats.

Most of the locals who worked on the floats and rode on them were significantly affected by the storm's aftermath. Many had lost most or all of their possessions, but enthusiasm for Carnival was even more intense as an affirmation of life. The themes of many costumes and floats had more barbed satire than usual, with commentary on the trials and tribulations of living in the devastated city. References included MREs, Katrina refrigerators and FEMA trailers, along with much mocking of the Federal Emergency Management Agency (FEMA) and local and national politicians.

By the 2009 season, the Endymion parade had returned to the Mid-City route, and other Krewes expanding their parades Uptown.

2020 tandem float incidents
In 2020, two parade attendees—one during the Nyx parade, and one during the Endymion parade, were killed after being struck and run over in between interconnected "tandem floats" towed by a single vehicle. Following the incident during the Nyx parade, there were calls for New Orleans officials to address safety issues with these floats (including outright bans, or requiring the gaps to be filled in using a barrier). Following the second death during the Endymion parade on February 22, 2020 (which caused the parade to be halted and cancelled), city officials announced that tandem floats would be banned effective immediately, with vehicles restricted to one, single float only.

Impact of the COVID-19 pandemic
Unknown to the participants and local leaders at the time, the 2020 Carnival season (with parades running from January through Mardi Gras Day on February 25) coincided with increasing spread of coronavirus disease 2019 (COVID-19) in the United States as part of a global epidemic. At the time, scrutiny over large public gatherings had yet to emerge, while scrutiny over international travel primarily placed an emphasis on restricting travel from China—the country from which the disease originated. The first case of COVID-19 in Louisiana was reported on March 9, two weeks after the end of Mardi Gras.

Subsequently, the state of Louisiana saw a significant impact from the pandemic, with New Orleans in particular seeing a high rate of cases. Louisiana State University (LSU) associate professor Susanne Straif-Bourgeoi suggested that the rapid spread may have been aided by Mardi Gras festivities. Researchers of the University of Louisiana at Lafayette determined that Louisiana had the fastest growth rate of cases (67.8%, overtaking New York's 66.1% growth) in the 14 days since its first reported case than any region in the entire world.

Mayor LaToya Cantrell stated that she would have cancelled Mardi Gras festivities had she been provided with sufficient warning by the federal government, and criticized the Trump administration for downplaying the threat. Amid continued spread of COVID-19 across the country, in early-November 2020 Cantrell stated that celebrations in 2021 would have to be "something different", as Mardi Gras could not be canceled outright since it is a religious observance. A sub-committee of the Mardi Gras Advisory Committee focused on COVID-19 proposed that parades still be held but with strict safety protocols and recommendations, including enforcement of social distancing, highly recommending the wearing of face masks by attendees, discouraging "high value" throws in order to discourage crowding, as well as discouraging the consumption of alcohol, and encouraging more media coverage of parades to allow at-home viewing.
On November 17, 2020, Mayor Cantrell's communications director Beau Tidwell announced that the city would prohibit parades during Carnival season in 2021. Tidwell once again stressed that Mardi Gras was not "cancelled", but that it would have to be conducted safely, and that allowing parades was not "responsible" as they can be superspreading events. This marked the first large-scale cancellation of Mardi Gras parades since the 1979 police strike. Other krewes subsequently announced that they would cancel their in-person balls, including Endymion and Rex (who therefore did not name a King and Queen of Mardi Gras for the first time since World War II).

On February 5, 2021, in response to continued concerns surrounding "recent large crowds in the Quarter" and variants of SARS-CoV-2 as Shrove Tuesday neared, Mayor Cantrell ordered all bars in New Orleans (including those with temporary permits to operate as restaurants)  to close from February 12 through February 16 (Mardi Gras), and prohibited to-go drink sales by restaurants, and all packaged liquor sales in the French Quarter. To discourage gatherings, pedestrian access to Bourbon Street, Decatur Street, Frenchmen Street between 7:00 p.m. and 3:00 a.m., and Claiborne Avenue under the bridge, was restricted by checkpoints to those accessing businesses and homes within the areas. Mayor Cantrell stated that she would "rather be accused of doing too much than doing too little." The move caught some establishments off-guard, as they had been preparing for and anticipating business on Mardi Gras.

Parades were allowed to return for 2022. In December 2021, the city announced that parades would have modified routes in 2022 due to New Orleans Police Department staffing shortages. On January 6, 2022, Mayor Cantrell stated during a kickoff event that "without a doubt, we will have Mardi Gras in 2022", citing high COVID-19 vaccination rates, and customarily asked residents to "do everything that we know is necessary to keep our people safe." The Krewe de Jeanne D'Arc ceremonially led their parade with a group of marchers in plague doctor outfits and brooms, tasked to "sweep the plague away".

The city announced COVID-19 protocols for Mardi Gras 2022 in February 2022, which requires, at a minimum, all participants in a parade (including marchers, performers, and those a riding a float) to present proof of vaccination or a negative COVID-19 test from within the past 72 hours. Some krewes chose to not accept negative tests at all, while some krewes (such as the Krewe of Muses, which also announced plans to have COVID-19 rapid tests as throws) had already announced vaccination requirements for parade participants ahead of the official requirement. Despite the presence of Omicron variant, city health director Jennifer Avegno stated that she was confident Mardi Gras could be conducted in a more normal fashion over 2021.

Traditional colors

The colors traditionally associated with Mardi Gras in New Orleans are purple, green, and gold. The colors were first specified in proclamations by the Rex organization during the lead-up to their inaugural parade in 1872, suggesting that balconies be draped in banners of these colors. It is unknown why these specific colors were chosen; some accounts suggest that they were initially selected solely on their aesthetic appeal, as opposed to any true symbolism.

Following a color-themed Rex parade in 1892, the Rex organization retroactively declared that the three colors in that order symbolized justice, power, and faith. Errol Laborde, author of Marched the Day God: A History of the Rex Organization, presented a theory that the colors were based on heraldry: all three colors correspond to a heraldic tincture, and Rex's goal may have been to create a tricolor to represent their "kingdom". Purple was widely associated with royalty, while white was already heavily used on other national flags, and was thus avoided. Furthermore, he noted that a flag in green, gold and purple in that order complies with the rule of tincture, which states that metals (gold or silver) can only be placed on or next to other colors, and that colors cannot be placed on or next to other colors. The traditional colors are commonly addressed as purple, green, and gold, in that order—even though this order technically violates the rule of tincture.

Contemporary Mardi Gras

Epiphany
Epiphany on January 6, has been recognized as the start of the New Orleans Carnival season since at least 1900; locally, it is sometimes known as Twelfth Night although this term properly refers to Epiphany Eve, January 5, the evening of the twelfth day of Christmastide. The Twelfth Night Revelers, New Orleans' second-oldest Krewe, have staged a parade and masked ball on this date since 1870. A number of other groups such as the Phunny Phorty Phellows, La Société Pas Si Secrète Des Champs-Élysées and the Krewe de Jeanne D'Arc have more recently begun to stage events on Epiphany as well.

Many of Carnival's oldest societies, such as the Independent Strikers' Society, hold masked balls but no longer parade in public.

Mardi Gras season continues through Shrove Tuesday or Fat Tuesday.

Days leading up to Mardi Gras Day
A 2020 study estimated that Mardi Gras brings 1.4 million visitors to New Orleans.

Wednesday night begins with Druids, and is followed by the Mystic Krewe of Nyx, the newest all-female Krewe. Nyx is famous for their highly decorated purses, and has reached Super Krewe status since their founding in 2011.

Thursday night starts off with another all-women's parade featuring the Krewe of Muses. The parade is relatively new, but its membership has tripled since its start in 2001. It is popular for its throws (highly sought-after decorated shoes and other trinkets) and themes poking fun at politicians and celebrities.

Friday night is the occasion of the large Krewe of Hermes and satirical Krewe D'État parades, ending with one of the fastest-growing krewes, the Krewe of Morpheus. There are several smaller neighborhood parades like the Krewe of Barkus and the Krewe of OAK.

Several daytime parades roll on Saturday (including Krewe of Tucks and Krewe of Isis) and on Sunday (Thoth, Okeanos, and Krewe of Mid-City).

The first of the "super krewes," Endymion, parades on Saturday night, with the celebrity-led Bacchus parade on Sunday night.

Mardi Gras Day
The celebrations begin early on Mardi Gras Day, which can fall on any Tuesday between February 3 and March 9 (depending on the date of Easter, and thus of Ash Wednesday).

In New Orleans, the Zulu parade rolls first, starting at 8 am on the corner of Jackson and Claiborne and ending at Broad and Orleans, Rex follows Zulu as it turns onto St. Charles following the traditional Uptown route from Napoleon to St. Charles and then to Canal St. Truck parades follow Rex and often have hundreds of floats blowing loud horns, with entire families riding and throwing much more than just the traditional beads and doubloons. Numerous smaller parades and walking clubs also parade around the city. The Jefferson City Buzzards, the Lyons Club, the Irish Channel Corner Club, Pete Fountain's Half Fast Walking Club and the KOE all start early in the day Uptown and make their way to the French Quarter with at least one jazz band. At the other end of the old city, the Society of Saint Anne journeys from the Bywater through Marigny and the French Quarter to meet Rex on Canal Street. The Pair-O-Dice Tumblers rambles from bar to bar in Marigny and the French Quarter from noon to dusk. Various groups of Mardi Gras Indians, divided into uptown and downtown tribes, parade in their finery.

For upcoming Mardi Gras Dates through the year 2100 see Mardi Gras Dates.

Costumes and masks
In New Orleans, costumes and masks are seldom publicly worn by non-Krewe members on the days before Fat Tuesday (other than at parties), but are frequently worn on Mardi Gras. Laws against concealing one's identity with a mask are suspended for the day. Banks are closed, and some businesses and other places with security concerns (such as convenience stores) post signs asking people to remove their masks before entering.

Throws

A 'throw' is the collective term used for the objects that are thrown from floats to parade-goers. Until the 1960s, the most common form was multi-colored strings of glass beads made in Czechoslovakia.

Glass beads were supplanted by less expensive and more durable plastic beads, first from Hong Kong, then from Taiwan, and more recently from China. Lower-cost beads and toys allow float-riders to purchase greater quantities, and throws have become more numerous and common.

In the 1990s, many people lost interest in small, cheap beads, often leaving them where they landed on the ground. Larger, more elaborate metallic beads and strands with figures of animals, people, or other objects have become the sought-after throws. David Redmond's 2005 film of cultural and economic globalization, Mardi Gras: Made in China, follows the production and distribution of beads from a small factory in Fuzhou, China to the streets of New Orleans during Carnival. The publication of Redmon's book, Beads, Bodies, and Trash: Public Sex, Global Labor, and the Disposability of Mardi Gras, follows up on the documentary by providing an ethnographic analysis of the social harms, the pleasures, and the consequences of the toxicity that Mardi Gras beads produce.

In addition to the toxicity of tons of plastic, eye injuries from Mardi Gras parade throws are commonplace, and more severe injuries—such as a fractured skull in an infant struck by a coconut—have also been known to occur.

Other Mardi Gras traditions

Social clubs
New Orleans Social Clubs or Gentlemen's Clubs play a very large part in the Mardi Gras celebration. The oldest is The Boston Club (third oldest in the United States), founded in 1841 as a place for its members to congregate and partake in the fashionable card game of Boston, Rex Royalty is chosen from among its ranks. The Pickwick Club began as the public face of The Mistick Krewe, but later officially severed ties, still presents debutante balls annually. The Louisiana Club or officially the Louisiana Literary and Debating Society is still the public facade of the Knights of Momus, while the Stratford Club serves as the face of the Order of Mythras.

The two main Mardi Gras parades, Zulu and Rex, are both social club parades. Zulu is a mostly African-American club and Rex is mostly Caucasian. Social clubs host Mardi Gras balls, starting in late January. At these social balls, the queen of the parade (usually a young woman between the ages of 18 and 21, not married and in high school or college) and the king (an older male member of the club) present themselves and their court of maids (young women aged 16 to 21), and different divisions of younger children with small roles in the ball and parade, such as a theme-beformal neighborhood Carnival club ball at local bar room.

After their exclusion from Rex, in 1909 Black Creole and other African American New Orleanians, led by a mutual aid group known as "The Tramps", adorned William Storey with a tin can crown and banana stalk scepter and named him King Zulu. This display was meant as a mockery of Rex's overstated pageantry but in time, Zulu became a grand parade in its own right. By 1949, as an indication of Zulu's increase in prestige, the krewe named New Orleans' native son Louis Armstrong as its king.

Being a member of the court requires much preparation, usually months ahead. Women and girls must have dress fittings as early as the May before the parade, as the season of social balls allows little time between each parade. These balls are generally by invitation only. Balls are held at a variety of venues in the city, large and small, depending on the size and budget of the organization. In the late 19th and early 20th century, the French Opera House was a leading venue for New Orleans balls. From the mid 20th century until Hurricane Katrina the Municipal Auditorim was the city's most famous site for Carnival balls. In more recent years, most are at the ballrooms of various hotels throughout the city. The largest "Super Krewes" use larger venues; Bacchus the Morial Convention Center and Endymion the Superdome.

Doubloons

One of the many Mardi Gras throws which krewes fling into the crowds, doubloons are large coins, either wood or metal, made in Mardi Gras colors. Artist H. Alvin Sharpe created the modern doubloon for The School of Design (the actual name of the Rex organization). According to the krewe history, in January 1959 Sharpe arrived at the offices of the captain of the krewe with a handful of aluminum discs. Upon entering the office, he threw the doubloons into the captain's face to prove that they would be safe to throw from the floats. Standard krewe doubloons usually portray the Krewe's emblem, name, and founding date on one side, and the theme and year of the parade and ball on the other side. Royalty and members of the court may throw specialty doubloons, such as the special Riding Lieutenant doubloons given out by men on horseback in the Rex parade. In the last decade, krewes have minted doubloons specific to each float. Krewes also mint special doubloons of cloisonné or pure silver for its members. They never throw these from the floats. Original Rex doubloons are valuable, but it is nearly impossible for aficionados to find a certified original doubloon. The School of Design did not begin dating their doubloons until a few years after their introduction.

Flambeau carriers

The flambeau (pronounced "flahm-bo", meaning flame-torch) carrier originally, before electric lighting, served as a beacon for New Orleans parade goers to better enjoy the spectacle of night parades. The first flambeau carriers were slaves. Today, the flambeaux are a connection to the New Orleans version of Carnival and a valued contribution. Many people view flambeau-carrying as a kind of performance art – a valid assessment given the wild gyrations and flourishes displayed by experienced flambeau carriers in a parade. Many individuals are descended from a long line of carriers. Parades that commonly feature flambeaux include Babylon, Bacchus, Chaos, Le Krewe d'Etat, Druids, Endymion, Hermes, Krewe of Muses, Krewe of Orpheus, Krewe of Proteus, Saturn, and Sparta. Flambeaux are powered by naphtha, a highly flammable aromatic. It is a tradition, when the flambeau carriers pass by during a parade, to toss quarters to them in thanks for carrying the lights of Carnival. In the 21st century, though, handing dollar bills is common.

Rex
Each year in New Orleans, krewes are responsible for electing Rex, the king of the carnival. The Rex Organization was formed to create a daytime parade for the residents of the city. The Rex motto is, "Pro Bono Publico—for the public good."

New Orleans Zulu or Mardi Gras Coconut

One of the most famous and the most sought after throws, is the Zulu Coconut also known as the Golden Nugget and the Mardi Gras Coconut. The coconut is mentioned as far back as 1910, where they were given in a natural "hairy" state. The coconut was thrown as a cheap alternative, especially in 1910 when the bead throws were made of glass. Before the Krewe of Zulu threw coconuts, they threw walnuts that were painted gold. This is where the name "Golden Nugget" originally came from. It is thought that Zulu switched from walnuts to coconuts in the early 1920s when a local painter, Lloyd Lucus, started to paint coconuts. Most of the coconuts have two decorations. The first is painted gold with added glitter, and the second is painted like the famous black Zulu faces. In 1988, the city forbade Zulu from throwing coconuts due to the risk of injury; they are now handed to onlookers rather than thrown. In the year 2000, a local electronics engineer, Willie Clark, introduced an upgraded version of the classic, naming them Mardi Gras Coconuts. These new coconuts were first used by the club in 2002, giving the souvenirs to royalty and city notables.

Ojen liqueur
Aguardiente de Ojén (es), or simply "ojen" ("OH-hen") as it is known in English, is a Spanish anisette traditionally consumed during the New Orleans Mardi Gras festivities. In Ojén, the original Spanish town where it is produced, production stopped for years, but it started again in early 2014 by means of the distillery company Dominique Mertens Impex. S.L.

House floats
In 2021 due to the cancellation of parades due to the COVID-19 pandemic, the practice of decorating homes in the style of parade floats emerged as an alternative, dubbed "home floats" or "house floats". The concept was popularized immediately after the announcement that in-person parades would be prohibited, stemming from a post on Twitter by Megan Boudreaux. She later established a formal "Krewe of House Floats", with participants being listed in an interactive map on its website so local residents can tour them. The revised celebration was nicknamed "Yardi Gras" by residents. Even the dog parade, held by the Mystic Krewe of Mardi Paws in Covington, opted to make "dog house floats' in 2021.

Public nudity

Wearing less clothing than considered decent in other contexts during Mardi Gras has been documented since 1889, when the Times-Democrat decried the "degree of immodesty exhibited by nearly all female masqueraders seen on the streets." Risqué costumes, including body painting, are fairly common. The practice of exposing female breasts in exchange for Mardi Gras beads, however, was mostly limited to tourists in the upper Bourbon Street area. In the crowded streets of the French Quarter, generally avoided by locals on Mardi Gras Day, flashers on balconies cause crowds to form on the streets.

In the last decades of the 20th century, the rise in producing commercial videotapes catering to voyeurs helped encourage a tradition of women baring their breasts in exchange for beads and trinkets. Social scientists studying "ritual disrobement" found, at Mardi Gras 1991, 1,200 instances of body-baring in exchange for beads or other favors.

Additional photographs
 Faubourg Marigny Mardi Gras costumes
 French Quarter Mardi Gras costumes

See also
 Mardi Gras Mambo
 French Quarter Festival
 Fantasy Fest

References

External links

 Carnival New Orleans History of Mardi Gras with vintage and modern pictures
 Mardi Gras Unmasked Definitive Mardi Gras and king cake histories
 MardiGras.com Web site affiliated with New Orleans' Times-Picayune newspaper
 Mardi Gras 2014 celebration photos

Economy of New Orleans
Festivals in New Orleans
Tourist attractions in New Orleans
Carnivals in the United States
Balls in the United States

Mardi Gras in New Orleans


Federico Baldeschi Colonna (Perugia, 2 de setembro de 1625 - Roma, 4 de outubro de 1691) foi um cardeal do século XVII

Nascimento
Nasceu em Perugia em 2 de setembro de 1625. Seu primeiro sobrenome também está listado como Ubaldi. Filho de Jacopo Baldeschi e Artemisia della Concia. Parente do Papa Clemente X. Conhecido como cardeal Colonna porque logo após receber o cardinalato, foi adotado por seu parente, o príncipe Sciarra Colonna di Carbognano. Seu sobrenome também está listado como Colonna Baldeschi; e como Ubaldi Baldeschi Colonna.

Educação
(Nenhuma informação encontrada)..

Início da vida
Chamado a Roma pelo Cardeal Giovanni Giacomo Panciroli, secretário de Estado. Governador da cidade de Faenza. Governador da província de Sabina. Governador da cidade de Fabriano. Referendário dos Tribunais da Assinatura Apostólica da Justiça e da Graça..

Ordens sagradas
(Nenhuma informação encontrada)..

Episcopado
Eleito arcebispo titular de Cesaréia, 6 de julho de 1665. Consagrado, 12 de julho de 1665, igreja de S. Maria em Vallicella, pelo cardeal Federico Sforza, auxiliado por Giacomo Theodoli, bispo de Forli, e por Giacinto Cordella, bispo de Venafro. Núncio na Suíça de 15 de julho de 1665 até março de 1668. Secretário da SC da Propaganda Fide, 7 de maio de 1668. Assessor da Suprema SC da Inquisição Romana e Universal, 22 de março de 1673..

Cardinalado
Criado cardeal e reservado in pectore no consistório de 12 de junho de 1673; publicado no consistório de 17 de dezembro de 1674; recebeu o gorro vermelho e o título de S. Marcello, em 28 de janeiro de 1675. Prefeito da SC do Conselho Tridentino, em 4 de maio de 1675 até sua morte. Participou do conclave de 1676 , que elegeu o Papa Inocêncio XI. Camerlengo do Sagrado Colégio dos Cardeais, 11 de janeiro de 1683 até 10 de janeiro de 1684. Optou pelo título de S. Anastasia, 9 de abril (ou 1º de outubro) de 1685. Participou do conclave de 1689, que elegeu o Papa Alexandre VIII . Entrou no conclave de 1691 , que elegeu o Papa Inocêncio XII; ele teve que sair por causa da doença em 29 de junho de 1691..

Morte
Morreu em Roma em 4 de outubro de 1691, às 3 horas da manhã, no palácio Colonna Sciarra, em Roma. Exposto na igreja de S. Andrea della Valle, Roma, onde o funeral ocorreu em 6 de outubro de 1691; à tarde, transferido para a igreja do Collegio di Propaganda Fide , Roma, e sepultado naquela igreja..

Cardeais nomeados pelo papa Clemente X

Federico Baldeschi Colonna


A Praça do Cais (Plaza del Muelle em espanhol ou Praza do Peirao em galego) é uma praça de origem medieval situada no extremo norte do centro histórico de Pontevedra (Espanha), muito perto da Ponte do Burgo e do antigo bairro portuário da Moureira.

Origem do nome
A praça deve o seu nome à sua localização no espaço ocupado, há cinco séculos, por um dos cais mais importantes da cidade antes das sucessivas terraplanagens quando o mar ainda atingia este lugar no leito do rio Lérez.

História
O espaço ocupado pela praça foi o centro da actividade portuária da cidade nos séculos XV e XVI e era conhecido como Prancha. O nome derivava do facto de uma prancha sustentada por pilares de madeira atingir o cais e ser utilizada para desembarcar navios. Esta praça tinha a condição de um litoral urbano como espaço imediato e externo da vila murada, quando a cidade era o principal porto da Galiza. Algumas das suas primeiras vedações terminavam na antiga rua dos Cans. No século XVI, havia um armazém de sal a oeste da praça onde se armazenava o sal para salgar o peixe descarregado no porto. Também nesta época, havia um postigo nas muralhas medievais na confluência da actual Praça Valentín García Escudero com a Rua Arzobispo Malvar e a Praça do Cais, que, perto do rio Lérez, servia de ligação entre a cidade medieval e os cais da época. As muralhas estendiam-se até ao rio, protegendo os cais.

No século XIX, ainda havia cais e diques aqui. Em 1848, os navios ainda estavam a chegar e a descarregar na praça conhecida como Plaza de la Plancha, e havia ainda os armazéns de sal onde as cargas de sal entravam e saíam para serem consumidas em Pontevedra e seus arredores e na província de Ourense. Em 1856, a praça ainda tinha uma forma irregular e chamava-se Praça de Prancha ou Praça do Cais.

Em 1876, o arquitecto municipal Alejandro Sesmero propôs a realização de "melhorias na ornamentação e nos alinhamentos da Praça do Cais e na localização de uma nova fonte". Com estes melhoramentos, a praça foi presidida por uma fonte de pedra neoclássica coroada em 1950 pela estátua da deusa romana Fama da velha fonte da praça da Ferraria.

Em 1931, foi acrescentado um andar a um já existente para o actual Edifício da associação oficial de agrimensores de quantidades e arquitectos técnicos de Pontevedra, a sul da praça, mas foi só em meados dos anos 50 do século XX que, segundo o projecto do arquitecto Juan Argenti Navajas, foi acrescentado um andar adicional com um sótão debaixo do telhado, que configurou a sua estrutura actual.

Em 1993, um monólito de pedra foi instalado na praça com uma inscrição recordando que a caravela Santa Maria foi construída nas docas de Pontevedra.

Descrição
É uma praça rectangular muito irregular delimitada a leste pela Praça Valentín García Escudero e onde convergem as ruas Barón e Arzobispo Malvar. É pavimentada e pedonal, como o resto do centro histórico da cidade.

A praça é dominada no lado sul pelo edifício nobre da Associação Oficial de Aparelhadores e Arquitectos Técnicos de Pontevedra. A parte central da praça é uma área ajardinada, com pequenos caminhos pavimentados entre os relvados, que convergem no centro numa fonte neoclássica datada de 1876, encimada pela estátua da deusa romana Fama. A parte inferior da fonte imita um fuste clássico, com uma pequena bacia e quatro mascarões.

Na parte norte do jardim existe um monólito de pedra com a seguinte inscrição: "Há mais de meio milénio, a caravela Santa María "la Gallega" foi construída nesta margem do Lérez, onde o Almirante Cristóvão Colombo mudou o destino do mundo".

Ao norte da praça, no final da Rua Arzobispo Malvar, encontra-se o antigo lugar de nascimento do intelectual e presidente da câmara de Pontevedra Xosé Filgueira Valverde. Os restos da casa em que o poeta, almirante e senhor Pai Gomes Charinho viveu são preservados no local. Ele jaz na igreja do Convento de São Francisco.

Edifícios notáveis
No lado sul da praça encontra-se o edifício do Edifício da associação oficial de agrimensores de quantidades e arquitectos técnicos de Pontevedra. É uma grande casa de pedra isolada que assumiu o seu aspecto actual em meados do século XX. Tem um rés-do-chão, dois andares superiores e um sótão. A fachada norte, de frente para a praça, tem uma grande chaminé de pedra no lado direito e arcos segmentares nas janelas do primeiro e segundo andares. Na fachada da Rua do Barão, o primeiro andar tem uma varanda ao longo da fachada e o segundo andar tem uma varanda no centro e duas galerias em cada extremidade. No rés-do-chão, as janelas e portas são protegidas por elementos de aço corten. No topo, o telhado em telha é acabado nos lados das fachadas sul e norte com gárgulas de cobre proeminentes.

No final da Rua Arzobispo Malvar, no lado norte da praça, encontra-se a antiga casa onde nasceu Xosé Filgueira Valverde. Foi em tempos a casa do médico e presidente da câmara da cidade, Ángel Cobián Areal, e passou por muitas transformações. Foi reconstruída sobre o antigo pazo do Almirante Pai Gomes Charinho, e esconde os restos de uma torre da antiga muralha medieval.

Galeria

Ver também

Bibliografia

Artigos relacionados
 Edifício da associação oficial de agrimensores de quantidades e arquitectos técnicos de Pontevedra
 A Moureira
 Centro histórico de Pontevedra

Ligações externas
 Praça do Cais no breviário turístico da câmara municipal

Praças de Pontevedra

Praça do Cais


Nowyj Buh (ukrainisch ; russisch /) ist eine Stadt im Osten der Oblast Mykolajiw in der Ukraine. Sie liegt etwa 90 Kilometer nordöstlich der Oblasthauptstadt Mykolajiw und war bis Juli 2020 der Hauptort des Rajons Nowyj Buh.

Der Ort wurde 1810 unter dem Namen Semeniwka (Семенівка) erwähnt, ab 1832 wurde der Ort als Nowopawliwka (Новопавлівка) geführt und erhielt 1860 den heutigen Namen.

Verwaltungsgliederung
Am 7. August 2018 wurde die Stadt zum Zentrum der neugegründeten Stadtgemeinde Nowyj Buh (/Nowobuska miska hromada), zu dieser zählten auch noch die 9 in der untenstehenden Tabelle aufgelistetenen Dörfer, bis dahin bildete sie zusammen mit den Dörfern Dobra Wolja, Nowosillja, Petriwka, Sahalna Koryst und Stanzijne die gleichnamige Stadtratsgemeinde Nowyj Buh (Новобузька міська рада/Nowobuska miska rada) im Zentrum des Rajons Nowyj Buh.

Am 12. Juni 2020 kamen noch die Dörfer Nowoantoniwka und Rosaniwka zum Gemeindegebiet.

Seit dem 17. Juli 2020 ist sie ein Teil des Rajons Baschtanka.

Folgende Orte sind neben dem Hauptort Nowyj Buh Teil der Gemeinde:

Persönlichkeiten
 Spyrydon Tscherkassenko (1876–1940), ukrainischer Schriftsteller, Dramatiker und Lehrer
 Stepan Kryschaniwskyj (1911–2002), ukrainischer Dichter, Übersetzer, Literaturwissenschaftler und Folklorist

Weblinks
 Eintrag zum Ort in der Enzyklopädie der Geschichte der Städte und Dörfer der Ukrainischen SSR (ukrainisch)
 http://www.noviy-bug.mk.ua/
 http://www.novyibug.mk.ua/

Einzelnachweise

Ort in der Oblast Mykolajiw
Ersterwähnung 1810
Rajon Baschtanka

Nowyj Buh


21 ist das 21. Studioalbum der deutschen Power-Metal-Band Rage.

Das Album erschien am 24. Februar 2012 auf dem Label Nuclear Blast.

Stil

Musik
Verglichen mit früheren Alben wird die Musik auf 21 als härter beschrieben. Es ist dem Genre des Power Metal zuzurechnen, in dem Song Serial Killer verwendet der Sänger Peter Wagner allerdings zum ersten Mal in der Bandgeschichte Growls. Zudem gibt es auch Elemente des Thrash Metal. Psycho Terror schielt wiederum "dezent in Richtung bluesiger Hard Rock". Der letzte Song Eternally stellt eine Ballade dar.

Texte
Im Studiobericht auf der Homepage der Band äußert sich Peter Wagner, der alle Texte schrieb, zu den einzelnen Inhalten:
 House Wins ist das Intro des Albums. Man hört, wie jemand in einem Spielcasino Black Jack spielt und schließlich mit einer Punktzahl von 22 verliert.
 Twenty One handelt von Spielsucht. "Der arme Kerl in dem Song verzockt sein gesamtes Hab und Gut beim Black Jack." 21 ist eine andere Bezeichnung für Black Jack, daher kommt auch der Albumtitel.
 Zu Forever Dead sagte Peter Wagner: "Im Text gehts um meine persönliche Abrechnung mit meiner schwierigen Kindheit, in der ich mit meinem verstorbenen Vater echte Probleme hatte."
 Feel My Pain stellt laut Wagner eine Psychostudie über einen Verlierer dar, der kurz vorm Ausrasten steht.
 In Serial Killer beschreibt "ein Serientäter seine Sicht der Dinge".
 Psycho Terror "handelt von üblen Erfahrungen in Beziehungen".
 In Destiny "geht es darum, wie wir unser Schicksal selbst in die Hand nehmen".
 Death Romantic wurde "inspiriert von einem spektakulären Suizidfall, bei dem sich 3 junge Mädchen übers Internet zum gemeinsamen Sterben verabredet hatten."
 In Black and White geht es darum, "wie wir Menschen unsere Umwelt drastisch verändern, dadurch die Artenvielfalt auf dem Planeten zerstören, bis wir, im metaphorischen Sinne, der Welt alle Farbe genommen haben".
 Concrete Wall "erzählt von innerer Stärke, da können sich alle Wiederscher die Zähne dran ausbeißen …"
 Bei Eternally geht es laut Wagner um Selbstmord.

Entstehungsgeschichte
Am 29. August 2011 gaben Rage auf ihrer Website bekannt, dass sie im Oktober ins Studio gehen wollen, um ein neues Album einzuspielen. Zu diesem Zeitpunkt arbeitete die Band bereits an den neuen Songs. Sie hatte sich entschieden, in Zukunft das früher auf Alben verwendete Orchester von Rage zu trennen. Für das neue Album wollten sie wieder deutlich härtere Songs schreiben.

Über die Aufnahmen berichtete die Band erstmals am 30. Oktober 2011 in einem sogenannten Studiobericht, der bis zum 27. November 2011 stetig erweitert wurde. Darin werden die einzelnen Songs näher beschrieben. Der Gitarrist Victor Smolski gab am Ende des Studioberichts ein Statement ab: "Alles ist sehr mächtig und aggressiv und hat noch mehr Energie und die nötige Aggression bekommen. […] Das Konzept vom Album ist sehr rund geworden, alle Songs wie aus einem Guss, hart, aggressiv, keine 'Happy Metal Melodien', aber trotzdem abwechslungsreich."

Produziert wurde das Album von Victor Smolski und Charlie Bauerfeind in den Twilight Hall Studios in Grefrath.

Die Band teilte schließlich am 30. November 2011 mit, dass das neue Album fertiggestellt worden sei. Als Veröffentlichungsdatum wurde der 24. Februar 2012 genannt.

Titelliste
 House Wins – 1:30 (Musik: Smolski)
 Twenty One – 6:16 (Musik: Smolski / Text: Wagner)
 Forever Dead – 6:20 (Musik: Smolski / Text: Wagner)
 Feel My Pain – 5:41 (Musik: Smolski / Text: Wagner)
 Serial Killer – 5:46 (Musik: Wagner, Smolski / Text: Wagner)
 Psycho Terror – 6:57 (Musik: Hilgers, Smolski / Text: Wagner)
 Destiny – 5:15 (Musik: Wagner, Smolski / Text: Wagner)
 Death Romantic – 5:59 (Musik: Wagner, Smolski / Text: Wagner)
 Black and White – 5:20 (Musik: Wagner, Smolski / Text: Wagner)
 Concrete Wall – 3:51 (Musik: Wagner, Smolski / Text: Wagner)
 Eternally – 5:09 (Musik: Smolski / Text: Wagner)

 Bonus-CD der Limited Edition – Live in Tokyo
 Opening – 1:16 (Musik: Smolski)
 The Edge of Darkness – 5:11 (Musik: Smolski / Text: Wagner)
 Hunter and Prey – 5:4 (Musik: Smolski / Text: Wagner)
 Into the Light – 5:41 (Musik: Wagner, Smolski / Text: Wagner)
 Drop Dead – 5:30 (Musik: Smolski / Text: Wagner)
 Empty Hollow – 8:58 (Musik: Smolski / Text: Wagner)
 Light Into the Darkness – 5:02 (Musik: Wagner / Text: Wagner)
 Higher than the Sky – 6:19 (Musik: Wagner / Text: Wagner)
 War of Worlds – 8:18 (Musik: Smolski / Text: Wagner)
 Carved in Stone – 4:37 (Musik: Smolski / Text: Wagner)
 Soundchaser – 5:49 (Musik: Smolski / Text: Wagner)
 Down – 7:44 (Musik: Smolski / Text: Wagner)

Versionen
Das Album erschien in folgenden Versionen:
 Reguläre Version im Jewelcase.
 Limited Edition Digipak im Metallic Look – enthält neben der regulären CD zusätzlich eine Bonus-CD mit einem Livekonzert in Tokyo.
 Red Vinyl – 2-LP-Version bestehend aus zwei 180 Gramm schweren roten LPs im Gatefold mit DIN A2-Poster.
 Download – inklusive der Bonus-CD.
Die reguläre Version sowie die Limited Edition enthalten als Enhanced Part ein Video mit dem Titel Rage-Race 2011. Darin sind Liveaufnahmen der Band und Ausschnitte aus Rennen, die Victor Smolski bestritten hat, zu sehen.

Video
Am 20. Februar 2012 veröffentlichte Nuclear Blast das offizielle Musikvideo zu Twenty One. Ein Making-of zu diesem Video gibt es seit 6. März 2012 zu sehen.

Rezeption

Das Album wurde von der Fachpresse positiv aufgenommen. So vergab das Rock Hard 8,5 von 10 Punkten. Der Redakteur Bruder Cle urteilte: "Härter denn je knallen die Riffs aus den Boxen, die Refrains zünden wie immer und bringen die Kompositionen schnell auf den Punkt. […] '21' bietet einfach nur saugute, originelle und harte Musik mit jeder Menge Eier."

Metal Hammer wertete das Album mit 6 von 7 Punkten. Katrin Riedl schrieb: "Nach zwei Jahren Arbeitszeit entstand ein äußerst gelungenes Album, auf das Rage durchaus stolz sein dürfen. […] Den Metal erfinden Rage auch im Jahr 2012 nicht neu, doch das Gespür für Hits und gut klingende, mitreißende Stücke zeichnet das Trio nach wie vor aus."

Das Legacy vergab 12 von 15 Punkten. Andreas Schulz urteilte: "'21' ist ein kurzweiliges Album […], glänzt mit toller Gitarrenarbeit, abwechslungsreichem Gesang und starken Songs."

Das Online-Magazin vampster hatte allerdings einige Kritikpunkte vorzubringen. Der Autor schrieb: "Das Hauptproblem ist aber, dass bis auf einige wenige Ausnahmen das Songmaterial größtenteils nett aber auch austauschbar auf mich wirkt." Zudem kritisierte er die "relativ sterile Produktion". Er schränkte aber ein, dass 21 natürlich "keine schlechte Scheibe [ist] und Victor Smolskis Gitarrenspiel ist mal wieder vom allerfeinsten. Allerdings waren Rage früher deutlich besser und verlieren sich heute trotz aller spielerischen Klasse ein wenig in der Belanglosigkeit."

Tournee

Die Band ging im März und April 2012 unter dem Titel "Metal Firestorm 2012" auf Europatour. Vorbands waren Týr, Communic und Scar of the Sun. Insgesamt absolvierte die Band 15 Shows in Deutschland, Tschechien, Schweiz, Italien, Frankreich und Spanien.

Im Mai 2012 gab Rage in Japan und Südkorea drei Konzerte; zudem im September 2012 sieben Konzerte in Russland. Sie war außerdem für sieben Festivals zwischen Juni und August 2012 in Deutschland bestätigt, darunter das Summer Breeze.

Weblinks
 Diskografie auf der offiziellen Homepage der Band, mit Songtexten

Einzelnachweise

Album (Heavy Metal)
Album (Power Metal)
Album 2012
Rage (Band)

21 (Rage-Album)


Danmarks basketballlandshold er den 71 bedste basketball nation i verden og den 36 bedste i Europa.

Relanceringen 2012
I 2012 blev den daværende landstræner, Peter Hoffman, fritstillet. Peter Hoffman og resten af landsholdet deltog ikke i nogen af de store turneringer, men da FIBA omstrukturede kvalifikationen til EM, hvilket åbnede Danmarks muligheder for flere betydende kampe. En professionalisering af landsholdsprogrammet betød også ansættelsen af en ny landstræner, der sammen med spillerne skulle spille 6-8 kampe i pre-kvalifikationen i sommeren 2013 og yderligere 8-10 kampe i sommeren 2014. Desuden var Danmark værter for Nordisk Mesterskab samme år. I 2013 ansatte Danmarks Basketball Forbund finnen Pieti Poikola som ny cheftræner.

EM kvalifikationens første etape 2013

Danmark formåede ikke at kvalificere sig i første etape, og fik derfor muligheden i 2014 imod Tyskland, Østrig og Holland.

EM kvalifikationens anden etape 2014

Det lykkedes altså ikke Danmark at kvalificere sig til EM 2015.

I 2016 annoncerede Pieti Poikola at landsholdet ville bestå af mere erfarne spillere, der havde spillet internationalt i klubregi. Danmark deltog i 2016 i kvalifikationen til EM 2017 og var i gruppe med Tyskland, Holland og Østrig.

EM kvalifikationen 2016

Historisk sejr over Tyskland
På trods af at Danmark ikke kvalificerede sig til EM i basketball 2017, var kvalifikationen på mange måder en milepæl i dansk basketball. Den 10. september i Arena Næstved slog Danmark, de tyske storfavoritter i triple overtid. Det var første danske sejr i 19 opgør mod Tyskland.

Danmark startede kampen i Næstved med Adama Darboe, Darko Jukic, Jonas Zohore, Jonathan Gilling og Alan Voskuil på banen, mens tyskerne startede med profiler som Chicago Bulls-spilleren Paul Zipser, Danilo Barthel fra Bayern München og den lynhurtige guard Maodo Lo fra Brose Basket.

Zipser åbnede scoringstavlen med kampens første to point, men herefter fulgtes de to hold pænt ad. Stillingen efter første periode endte 16-18 til Tyskland. Tyskerne kom foran 18-23 i anden periode, men herefter tog fanden ved danskerne, der spillede på et langt højere niveau end tidligere set i denne EM kvalifikationsturnering. Danskerne vandt resten af perioden 30-14, og de kunne derfor gå til pausen foran 48-37.

Tyskerne kom ud fra pausen med en helt anden intensitet i anden halvleg, og det var tydeligt, at flere af de tyske spillere prøvede at provokere danskerne. Anført af specielt Lo kom tyskerne bedre med i kampen, og de havde halvvejs inde i tredje periode reduceret den danske føring til 54-51. Danmark var modsat de andre opgør i kvalifikationen dog ikke så lette at kyse, og de formåede at holde en føring på 62-56 inden kampens fjerde periode.

Fjerde periode startede tungt for danskerne, der havde særdeles svært ved at få bolden gennem nettet. Således skulle der gå fire minutter, før Mathias Seilund scorede Danmarks to første point i perioden til stillingen 64-60. Heldigvis for Danmark var tilfældet stort set det samme hos gæsterne. Danmark havde brug for en spiller, der tog teten og gik forrest, og det skulle vise sig at være 21-årige Iffe Lundberg.

Lundberg ramte først et stort trepointsforsøg og fulgte op med to point i det efterfølgende angreb. Det bragte Danmark på 69-64 og gav lidt luft ned til Tyskland. Gæsterne lagde sig ikke desto mindre ikke ned, og med 1:23 tilbage af opgøret reducerede tyskerne til 71-70. Darko Jukic svarede tilbage med to point, men Chicago-spilleren Zipser formåede med elleve sekunder tilbage af kampen at udligne med et trepointsskud. Jukic fik igen bolden og chancen for at afgøre kampen, mens hans step-back gik desværre ikke i. Dermed var der lagt op til overtidsdrama i Næstved.

Danmark lagde bedst fra land, hvor Voskuil blev fejlet af Zipser i et trepointsforsøg, hvor han eksekverede alle tre free throws. Danmark kom på 78-73 med 3:35 tilbage, men tyskerne formåede endnu en gang at komme tilbage i kampen. Lo scorede med 38 sekunder tilbage af opgøret hans første trepointsskud i kampen, og han sendte dermed tyskerne foran 81-82 for første gang siden starten af anden periode. Voskuil var dog iskold og scorede en trepointsscoring få sekunder efter, hvilket bragte Danmark foran 84-82 med 27 sekunder igen. Barthel udlignede med få sekunder tilbage, og double overtime i Næstved var en realitet.

Tyskland kom klart bedst fra land i OT2, hvor de halvejs inde førte med 84-90. På dette tidspunkt forsvandt signalet meget uheldigt på TV2 Sport, men Danmark kæmpede sig bragt tilbage. Gilling sendte med 31 sekunder tilbage kampen på 92-92, og det blev sidste scoring i denne periode.

I noget så udsædvanligt som en OT3 kørte danskerne videre på deres momentum, og de løb hurtigt fra tyskerne, der virkede særdeles trætte. Begge hold havde på dette tidspunkt også flere spillere, der var fejlet ud, og hjemmebanefordelen gav danskerne det sidste til at hive en historisk sejr i land. Danmark vandt kampen med 106-102 i en fremragende kamp.

Reference

Basketballlandshold (herrer)
Basketballlandshold (herrer)
Etableret i 1947

Danmarks basketballlandshold (herrer)


Roxana Daniela Szőlősi (n. Rob, 29 mai 1992, în Baia Mare) este o handbalistă română ce joacă pentru clubul CS Minaur Baia Mare pe postul de centru. În trecut, Szőlősi a evoluat și ca extremă stânga.

Carieră
Născută la Baia Mare, Roxana Rob jucat handbal la echipa Clubului Sportiv Extrem din localitate. În 2009, ea s-a mutat la Clubul Sportiv Școlar din Zalău, unde a fost remarcată de Gheorghe Tadici, antrenorul echipei HC Zalău, și a făcut, în 2011, pasul la echipa mare a localității. Rob a jucat la Zalău până în vara anului 2013, când a decis să renunțe la handbal, cel mai probabil din cauza unor motive de sănătate. Presa locală a consemnat că handbalista s-a mutat în orașul natal, unde și-a deschis un salon de înfrumusețare.

În iarna anului 2014, handbalista a revenit în activitatea sportivă și a continuat să joace pentru HC Zalău. Ea are în palmares cu acestă echipă două medalii de bronz câștigate în Liga Națională, în 2012 și 2017. De asemenea, Rob a ajuns cu HC Zalău până în finala Cupei EHF, în 2012, iar în sezonul următor a jucat din nou în Cupa EHF, HC Zalău fiind oprită în semifinale de franțuzoaicele de la Metz Handball. Din sezonul 2019-2020, Roxana Szőlősi evoluează pentru Minaur Baia Mare.

În anul 2018 handbalista s-a măritat cu fostul handbalist Zoltán Szőlősi.

Palmares
Liga Națională:
 Medalie de bronz (2): 2012, 2017

Supercupa României:
 Medalie de argint (1): 2011

Cupa EHF:
Finalistă: 2012
Semifinalistă: 2013

Referințe

Jucătoare de handbal din România
Nașteri în 1992
Sportivi români în viață
Băimăreni
Handbaliste ale HC Zalău

Roxana Szőlősi


Branta je rod gusaka crne boje.

Taksonomija
Rod Branta opisao je austrijski prirodoslovac Giovanni Antonio Scopoli 1769. godine Ime roda dolazi od latiniziranog oblika staronordijske riječi Brandgás što znači izgorjela, u smislu "izgorjela (crna) guska". Tipična vrsta ovog roda je grivasta guska (Branta bernicla).

Ottenburghs i suradnici objavili su članak 2016. godine kojem su ustanovljeni filogenetski odnosi između vrsta.

Popis vrsta
Rod sadrži šest živućih vrsta.

Izvori

Vanjske poveznice

Guske

Branta


L'A6 C6 est un modèle de voiture de la catégorie grande routière du constructeur automobile allemand Audi, produite du printemps 2004 à mi-2011 en tant que troisième génération de l'Audi A6. Elle est élue « Voiture mondiale de l'année 2005 () à l'occasion du salon de New York.

Historique du modèle
En , la Type 4F est apparue pour la première fois sous forme de berline (présentation officielle au salon international de l'automobile de Genève 2004). La variante break Avant (présentation officielle à la Pinakothek der Moderne à l'automne 2004) est proposée à partir de . De janvier à , 63621 véhicules ont été nouvellement immatriculés en Allemagne. La S6 (présentation officielle au salon international de l'automobile d'Amérique du Nord 2006) et le S6 Avant ainsi que l'Allroad Quattro (présentation officielle au salon international de l'automobile de Genève 2006) ont été introduits mi-2006.

Selon la Kraftfahrtbundesamtes, 30079 Audi A6/S6 ont été nouvellement immatriculées en Allemagne en 2010, dont 90,9 % avec des moteurs diesel. Les propriétaires commerciaux représentaient 86,7 % des nouvelles inscriptions.

Version longue
À partir de 2005, il y avait une version à empattement long de l'A6 appelée A6L en Chine. Elle est 96 mm plus longue (5012 mm) et 26 mm plus haute (1485 mm) que l'A6 ordinaire. L'empattement est de 2945 mm. Le prix de base était de 32826 €.

Lifting
À l'automne 2008, l'A6 a été révisée. Extérieurement, elle se distingue principalement de la version précédente par les feux diurnes à LED logés dans les phares (uniquement en liaison avec les phares au xénon), les feux arrière modifiés avec technologie à LED, rétroviseurs extérieurs agrandis avec clignotants intégrés et une conception de la face avant modifiée avec des phares antibrouillard plus petits et des prises d'air agrandies. La calandre à cadre unique a été conçue de manière cohérente, la plaque d'immatriculation ne se trouvait plus sur une "barre" du pare-chocs.

À l'intérieur, certains détails, tels que le combiné d'instrumentations, ont été repensés et diverses incrustations avec un aspect aluminium ont été ajoutées. Le système de navigation optionnel a été étendu pour inclure un disque dur, et un affichage en trois dimensions des bâtiments et du terrain topographique a été introduit. Les moteurs ont été révisés et la gamme de moteurs a été complétée par de nouveaux moteurs. Pour réduire la consommation, la caisse de l'A6 a été abaissée de 2 cm et les deux rapports les plus hauts de la transmission ont été allongés. De plus, le système de contrôle de la pression des pneus optionnel, qui fonctionnait auparavant avec des capteurs à l'intérieur des roues, a été remplacé par un système de contrôle sans capteurs internes qui était également utilisé dans d'autres modèles du groupe Volkswagen, qui n'affiche plus la pression d'air dans un seul pneu ainsi que la température interne respective, mais seulement des pertes de pression plus importantes.

D'autres changements concernaient l'insonorisation à l'intérieur, le réglage du châssis et, entre autres, la révision du moteur TDI de 2.7 L, qui avait alors une puissance maximale de 140 kW (190 ch) et un couple maximal de 400 Nm. Malgré ses performances accrues, elle consommait moins de carburant.

Équipement spécial
La liste des équipements spéciaux de l'A6 comprend des éléments tels que le régulateur de vitesse adaptatif, la suspension pneumatique appelée Adaptive Air Suspension et feu de virage dynamique. De plus, l'A6 est l'une des premières voitures à être disponible d'usine avec un téléphone de voiture Bluetooth avec profil d'accès SIM (à partir de la semaine de production 34/2006) au lieu d'un simple système mains libres Bluetooth.

Notes et références

A6
Automobile des années 2000
Automobile des années 2010

Audi A6 III


East Hampshire is a local government district in Hampshire, England. Its council is based in the town of Petersfield, although the largest town is Alton. The district also contains the town of  Bordon along with many villages and surrounding rural areas.

Parts of the district lie within the South Downs National Park. The neighbouring districts are Havant, Winchester, Basingstoke and Deane, Hart, Waverley and Chichester.

History
East Hampshire was created on 1 April 1974 under the Local Government Act 1972, covering the area of four former districts which were all abolished at the same time:
Alton Rural District
Alton Urban District
Petersfield Rural District
Petersfield Urban District
The district was originally proposed to be called Petersfield. The shadow authority elected in 1973 to oversee the transition to the new system requested a change of name to East Hampshire, which was confirmed by the government on 8 October 1973, before the new district formally came into being.

Between 2009 and 2022 the council shared a chief executive with neighbouring Havant Borough Council.

Governance

East Hampshire District Council provides district-level services. County-level services are provided by Hampshire County Council. The whole district is covered by civil parishes, which form a third tier of local government.

In the parts of the district within the South Downs National Park, town planning is the responsibility of the South Downs National Park Authority. The district council appoints one of its councillors to serve on the 27-person National Park Authority.

Political control
The council has been under no overall control since the 2023 election, being led by a coalition of the Conservatives and local party the Whitehill and Bordon Community Party.

The first election to the council was held in 1973, initially operating as a shadow authority alongside the outgoing authorities until the new arrangements took effect on 1 April 1974. Political control of the council since 1974 has been as follows:

Leadership
The leaders of the council since 1999 have been:

Composition
Following the 2023 election, the composition of the council was:

The next election is due in 2027.

Premises
The council is based at Penns Place on the eastern outskirts of Petersfield.

Elections

Since the last boundary changes in 2019 the council has comprised 43 councillors representing 31 wards, with each ward electing one, two or three councillors. Elections are held every four years.

Settlements and parishes

East Hampshire is entirely covered by civil parishes. The parish councils of Alton, Petersfield and Whitehill (where the largest settlement is Bordon) take the style "town council". Some of the smaller parishes have a parish meeting rather than a parish council.

Settlements in East Hampshire include:

Alton
Beech, Bentley, Bentworth, Binsted, Blackmoor, Blendworth, Bordon, Bramshott, Bucks Horn Oak, Buriton
Catherington, Chawton, Clanfield, Colemore
East Meon, East Tisted, East Worldham, Empshott
Farringdon, Finchdean, Four Marks, Froxfield
Golden Pot, Grayshott, Greatham
Hawkley, Headley, Headley Down, High Cross, Holybourne, Horndean
Kingsley
Langrish, Lasham, Lindford, Liphook, Liss, Lower Froyle, Lower Wield
Medstead
Neatham, Newton Valence, North Street
Petersfield, Priors Dean
Ropley, Ropley Dean, Rowlands Castle
Selborne, Shalden, Sheet, Steep, Stroud
Upper Froyle, Upper Wield
West Tisted, West Worldham, Weston, Whitehill

References

External links
 East Hampshire District Council's website
 News and events in East Hampshire
 Hampshire County Council: East Hampshire parish boundaries (map)

Non-metropolitan districts of Hampshire

East Hampshire


Dik Browne (Manhattan, Nueva York, 11 de agosto de 1917 – Sarasota, Florida, 4 de junio de 1989), nacido como Richard Arthur Allan Browne, fue un caricaturista e historietista estadounidense, conocido por su historieta Hägar the Horrible y por haber sido el artista de Hi and Lois.

Biografía
Browne asistió a la escuela de arte Cooper Union y obtuvo su primer trabajo en el medio gráfico en el New York Journal American, como mensajero. Más tarde pasó al departamento de arte y se unió al ejército, donde colaboró con la unidad de ingeniería como copiador de mapas y creó Jinny Jeep, una tira de prensa sobre el ala femenino de la armada, Women's Army Corps.

En la década de 1940, trabajó como artista para Newsweek y para una compañía de publicidad, donde creó el logotipo oficial de Chiquita.

En 1954, Browne y el caricaturista Mort Walker cocrearon la tira de prensa Hi and Lois, un spin-off de la popular tira Beetle Bailey, también de Walker, cuyos protagonistas eran la hermana de Beetle, su cuñado y su familia. Walker escribió el guion de la historieta, mientras que Browne estuvo a cargo de los dibujos hasta su fallecimiento. En la actualidad, su hijo Chance es el artista y los hijos de Walker, los escritores. En 1973, Browne creó Hägar the Horrible (también conocida como Olaf el vikingo), una historieta sobre un vikingo medieval de barba pelirroja y pésimos modales. Tras su muerte su hijo Chris se hizo cargo de Olaf. Ambas tiras tuvieron mucho éxito, y aparecieron en cientos de periódicos durante décadas.

Premios
La National Cartoonists Society reconoció la obra de Brown con su Premio Humor Comics Strip en 1959, 1960, 1972 y 1977 por Hi and Lois, y nuevamente en 1984 y 1986 por Hägar the Horrible. Recibió su Premio Reuben Award por Hi and Lois en 1962 y por Hägar the Horrible en 1973. Ese mismo año, la NCS le entregó su Premio Elzie Segar.

Browne falleció en 1989, a los setenta y un años, en Sarasota, Florida.

Referencias

Bibliografía
Dave Strickler. Syndicated Comic Strips and Artists, 1924-1995: The Complete Index. Cambria, California: Comics Access, 1995. ISBN 0-9700077-0-1

Enlaces externos
 Biografía de Dik Browne en Lambiek.net
 Premios NCS

Historietistas de Estados Unidos
Nacidos en Nueva York

Dik Browne


تشكيلات المنتخبات المشاركة في بطولة كأس العالم لكرة القدم 1930 التي أقيمت الأوروغواي .

المجموعة الأولى

الأرجنتين

تشيلي

فرنسا

المكسيك

المجموعة الثانية

يوغوسلافيا

البرازيل

بوليفيا

المجموعة الثالثة

الأوروغواي

رومانيا

بيرو

المجموعة الرابعة

الولايات المتحدة

الباراغواي

بلجيكا

تشكيلات كأس العالم
كأس العالم 1930

تشكيلات منتخبات كأس العالم 1930


Događaji

Rođenja

Smrti
 22. veljače – Sabinijan, 65. papa

Izvori

Vanjske poveznice

606.


La traite sexuelle à Singapour est la traite des êtres humains à des fins d'exploitation sexuelle et d'esclavage qui a lieu dans la république de Singapour. Singapour est avant tout un pays de destination pour les personnes victimes de la traite sexuelle.

Processus de traite et victimes
Les victimes du trafic sexuel dans le pays sont de tous les groupes ethniques à Singapour et étrangers. Les citoyens singapouriens et les étrangers, principalement des femmes et des filles, ont été dupés, menacés, et contraints à la prostitution et au travail forcé. Ils sont souvent obligés de porter des vêtements indécents et des talons hauts. Beaucoup viennent de milieux pauvres et ont peu d'éducation. Les auteurs du trafic confisquent leurs passeports et autres documents et gardent ou enferment les femmes et les filles. Certains les obligent à signer de faux contrats dans une langue étrangère qu'ils ne savent pas lire. Les victimes de la traite sexuelle subissent des traumatismes physiques et psychologiques. Les abus sont répandus et les victimes contractent des maladies sexuellement transmissibles lors de viols sans préservatif. La malnutrition et la privation de nourriture se produisent également. Un certain nombre souffrent de dépression et de pensées suicidaires à cause des traumatismes. Certains sont contraints de devenir eux-mêmes des trafiquants sexuels.

Ampleur du phénomène
La traite et l'exploitation sexuelles ne sont pas un problème aussi grave qu'elles l'étaient dans les années 1970 et 1980, mais elles se manifestent sous diverses formes dans toute la société singapourienne. Les acteurs masculins et féminins du trafic à Singapour viennent d'horizons divers. Un certain nombre de trafiquants sont membres ou complices des syndicats et des gangs criminels. Les auteurs utilisent de plus en plus des sites Web et d'applications de messagerie pour attirer les victimes.

Ripostes
Le gouvernement de Singapour a été critiqué pour son manque d'efforts dans la protection des victimes.

Hagar International mène des actions pour lutter contre le trafic sexuel à Singapour.

Références

Société singapourienne
Trafic sexuel
Criminalité à Singapour

Traite sexuelle à Singapour


A igreja e adro de La Jalca é um edifício religioso localizado no distrito de La Jalca, construído  no século XVI. Foi declarada Património Cultural da Nação.

A 28 de novembro de 2021, a sua torre ruiu, em virtude de um terramoto de 7 graus de intensidade.

Monumentos do Peru
Igrejas do Peru
Amazonas (Peru)

Igreja e adro de La Jalca


Enxalé é uma povoação na região de Oio do centro-oeste da Guiné-Bissau. Encontra-se perto da confluência dos rios Geba e Corubal.

Pessoas notáveis

 Sana Na N'Hada (1950–) — diretor de cinema

Ligações externos

 Maplandia World Gazetteer

Localidades da Guiné-Bissau
!Artigos com coordenadas no Wikidata
Oio

Enxalé


Jan Antolec, né le  à Nowy Targ, est un fondeur polonais.

Biographie
Licencié au club LKS Poroniec Poronin, il fait ses débuts dans la scène internationale en fin d'année 2006 dans la Coupe OPA et la Coupe slave, compétition où intervient son premier podium en 2011 sur un sprint.

Entre 2011 et 2013, il court trois éditions des Championnats du monde des moins de 23 ans, pour se classer une seule fois dans le top 50. Lors de ces saisons, il affiche à chaque fois un classement de troisième en Coupe slave. En 2013, il devient champion de Pologne sur dix kilomètres.

Il fait ses débuts en Coupe du monde en  au sprint par équipes de Liberec, avant d'être sélectionné pour les Championnats du monde à Val di Fiemme. Lors de la saison 2013-2014, il est au départ de ses premières courses individuelles en Coupe du monde et enregistre son meilleur résultat cet hiver avec une  place au sprint de Szklarska Poręba. Quelques semaines plus tard, il participe aux Jeux olympiques de Sotchi, où il court le skiathlon () et le relais ().

Aux Championnats du monde 2017 à Lahti, participant à cinq épreuves, il signe son meilleur résultat individuel en mondial sur le trente kilomètres avec le  rang. Il remporte aussi le trente national du trente kilomètres libre cet hiver. En 2018, il termine deuxième de la Bieg Piastów, course marathon la plus importante en Pologne

Pour la saison 2018-2019, il rejoint la Team Bauer, fondée par Lukáš Bauer, en compagnie de Paweł Klisz,  pour courir sur le circuit Ski Classics.

Son frère Kacper est aussi un fondeur de niveau international.

Palmarès

Jeux olympiques d'hiver

Championnats du monde

Légende :
 DSQ : disqualifié
  : pas d'épreuve
 — : non disputée par Antolec

Championnats de Pologne
Champion sur dix kilomètres libre en 2013 et 2015.
Champion sur trente kilomètres libre en 2017.

Références

Liens externes

Fondeur polonais
Naissance dans la voïvodie de Petite-Pologne
Naissance en mai 1990
Fondeur aux Jeux olympiques d'hiver de 2014

Jan Antolec


Kai Aage Ørnskov (født 26. juni 1929, død 19. maj 2014 i Virum) var en dansk politiker, der fra 1987 til 2002 var borgmester i Lyngby-Taarbæk Kommune, valgt for Det Konservative Folkeparti.

Ørnskov, der var handelsuddannet, var blandt andet ansat som rejsesekretær i Det Konservative Folkeparti, blev siden organisationssekretær og var fra 1967 til 1975 partiets generalsekretær.

Han blev efter ved valget til den nye kommune i 1970 valgt til Lyngby-Taarbæk Kommunalbestyrelse, hvor han tre år efter blev viceborgmester. Ørnskov var bl.a. socialudvalgsformand, inden han i 1987 blev borgmester.

Kai Aage Ørnskov overtog borgmesterposten fra Ole Harkjær og overdrog den i 2002 til Rolf Aagaard-Svendsen.

Kilde
 Kai Aage Ørnskov fik en smuk afsked Det Grønne Område 28. maj 2014
 Fhv. borgmester Kai Aage Ørnskov er død, 84 Det Grønne Område, 19. maj 2014
 Borgmesterfakta fra Danske Kommuner

Borgmestre fra Danmark
Borgmestre fra Det Konservative Folkeparti

Kai Aage Ørnskov


Kathryn Walker (* 9. Januar 1943 in Philadelphia, Pennsylvania) ist eine US-amerikanische Schauspielerin.

Leben
Walker erhielt nach ihrer Schulausbildung am Wells College in Aurora ein Musik und Schauspiel-Stipendium des Fulbright-Programms. 1971 trat sie erstmals Off-Broadway auf, ihr Broadway-Debüt hatte sie 1974 in der Komödie The Goold Doctor von Neil Simon. Zudem hatte sie zwischen 1972 und 1976 zahlreiche Auftritte in Fernsehproduktionen, darunter die Seifenopern Another World und Search for Tomorrow, sowie dem mit dem Emmy ausgezeichneten Fernsehfilm The House Without a Christmas Tree mit Jason Robards in der Hauptrolle. 1976 wurde sie als beste weibliche Hauptdarstellerin in der Miniserie The Adams Chronicles mit dem Emmy ausgezeichnet. Ihr Spielfilmdebüt hatte sie bereits 1973 in Blade. Weitere Rollen spielte sie in Schlappschuss an der Seite von Paul Newman, als Ehefrau von John Belushi in Die verrückten Nachbarn sowie im Science-Fiction-Film D.A.R.Y.L. – Der Außergewöhnliche.

Ende der 1970er Jahre war sie die Lebensgefährtin von Douglas Kenny, der 1980 verstarb. Zwischen 1985 und 1995 war sie mit James Taylor verheiratet.

Filmografie (Auswahl)
 1977: Schlappschuss (Slap Shot)
 1978: Wir fliegen auf dem Wind (The Winds of Kitty Hawk)
 1979: Mandy's Grandmother (Kurzfilm)
 1979: Nicht von schlechten Eltern (Rich Kids)
 1981: Die verrückten Nachbarn (Neighbors)
 1981: Der Fremde und der Wal (A Whale for the Killing)
 1985: D.A.R.Y.L. – Der Außergewöhnliche (D.A.R.Y.L.)
 1986: Mrs. Delafield will heiraten (Mrs. Delafield Wants to Marry)
 1988: Der Fall Mary Phagan (The Murder of Mary Phagan)
 1993: Emma and Elvis
 2000: Susan (Suddenly Susan)

Broadway (Auswahl)
 1974: The Good Doctor
 1977: A Touch of the Poet
 1983: Private Lives
 1986: Wild Honey

Auszeichnungen
 1976: Emmy für The Adams Chronicles

Weblinks

 Kathryn Walker in der Off-Broadway Database (englisch)

 Kathryn Walker bei filmreference.com (englisch)

Filmschauspieler
Theaterschauspieler
Emmy-Preisträger
US-Amerikaner
Geboren 1943
Frau

Kathryn Walker


Cumulus castellanus (fra latin castellanus; slot) er en type cumulussky, der er karakteristisk, fordi det viser flere 'tårne' rejse sig fra dens top, hvilket indikerer voldsom lodret luftbevægelse. Cumulus castellanus-skyer er forbundet med dannelsen af tårnhøje cumulus-skyer, og tilsvarende kan de være en indikator for byger og tordenvejr. Den Meteorologiske Verdensorganisation og American Meteorological Society anerkender ikke cumulus castellanus som en særskilt art, men klassificerer i stedet alle tårnhøje cumulus skyer som Cumulus Congestus.

Kumulus

Cumulus castellanus


ولد محمد الشريف الطريبق في العرائش عام 1971 م، مخرج مغربي له عدة أفلام مختلفة كتسقط الخيل تباعا، ثمن الرحيل، غزل الوقت، و باب المدينة. وأخرج العديد من الأفلام.

أفلامه
 نسيمة (1998)
 تسقط الخيل تباعا (2002)
 ثمن الرحيل (2003)
 غزل الوقت (2004)
 باب المدينة (2005)
 زمن الرفاق (2008)
 أفراح صغيرة (2015)

الجوائز المحصل عليها
 جائزة سناريو سان سيباستيان، سينما الحركة 2006
 مختار في ورشة من الكتابة إلى الشاشة نامور 2005
 اختيار رسمي في مهرجان الشرق الأوسط لأبو ظبي 2008
 جائزة أول عمل في مهرجان أمة الفيلم بطنجة 2008
 جائزة الجمهور لسينما المتوسط تطوان
 الجائزة الكبرى لعصمان سيمبيني الدورة 12 لمهرجان بخريبكة، المغرب

مراجع

كتاب سيناريو مغاربة
مخرجو أفلام مغاربة
مخرجون مغاربة
مواليد 1971
مواليد في العرائش

محمد الشريف الطريبق


Jakub Piotr Kiwior (Tychy, 15 de fevereiro de 2000) é um futebolista polonês que joga como zagueiro. Atualmente joga pelo .

Carreira no clube

FK Železiarne Podbrezová
Kiwior fez sua estreia na Fortuna Liga pelo Železiarne Podbrezová contra o Nitra em 16 de fevereiro de 2019. Kiwior jogou os 90 minutos a vitória por 3–1.

MŠK Žilina
Em agosto de 2019, foi anunciada a transferência de Kiwior para MŠK Žilina. Ele fez sua estreia em 10 de agosto de 2019, durante uma partida fora de casa contra o Ružomberok.

Mais de um mês depois, em sua segunda partida, Kiwior havia estreado como titular contra o ViOn Zlaté Moravce.

Durante a temporada, ele também fez aparições esporádicas pelos reservas competindo na 2. Liga.

Spezia Calcio
Em 31 de agosto de 2021, Kiwior assinou com o Spezia.

Arsenal
Em 23 de janeiro de 2023 assinou com o Arsenal.

Carreira internacional
Kiwior fez sua estreia como titular da Polônia contra a Holanda no empate por 2–2 Liga das Nações da UEFA A de 2022–23 fora de casa em 11 de junho de 2022.

Títulos
 Arsenal
 Supercopa da Inglaterra: 2023

Ligações externas

Pessoas vivas
Nascidos em 2000
Futebolistas da Polônia
Futebolistas do Mestský Športový Klub Žilina
Futebolistas do Spezia Calcio
Futebolistas do Arsenal F.C.
Poloneses expatriados na Itália
Poloneses expatriados no Reino Unido
Jogadores da Seleção Polonesa de Futebol
Jogadores da Copa do Mundo FIFA de 2022

Jakub Kiwior