A 22-a ediție a Campionatului European de Atletism s-a desfășurat între 12 august și 17 august 2014 la Zürich, Elveția. Aceasta a fost a două oară când Elveția a găzduit acest eveniment, după ce capitala Berna a găzduit ediția din 1954. Au participat 1334 de sportivi, veniți din 50 de țări.

Stadionul
Probele au avut loc pe Stadionul Letzigrund din Zürich. Acesta a fost construit în anul 2007.

Rezultate
RM - record mondial; RE - record european; RC - record al competiției; RN - record național; PB - cea mai bună performanță a carierei

Masculin

* Atletul a participat doar la calificări, dar a primit o medalie.

Feminin

* Atleta a participat doar la calificări, dar a primit o medalie.

Clasament pe medalii

Participarea României la campionat

23 de atleți au reprezentat România.

 Marian Oprea – triplusalt - locul 5
 Bianca Răzor – 400 m - locul 6, ștafetă 4x400 m - locul 9
 Cătălin Cîmpeanu – 100 m - locul 7, ștafetă 4x100 m - locul 13
 Alina Rotaru – lungime - locul 7
 Bianca Perie – ciocan - locul 7
 Mirela Lavric – 800 m - locul 8
 Daniela Stanciu – înălțime - locul 8
 Mihaela Nunu – 800 m - locul 18, ștafetă 4x400 m - locul 9
 Adelina Pastor – 400 m - locul 20, ștafetă 4x400 m - locul 9
 Angela Moroșanu – 400 m garduri - locul 20, ștafetă 4x400 m - locul 9
 Mihai Donisan – înălțime - locul 10
 Cristina Casandra – 3000 m obstacole - locul 12
 Cristina Sandu – triplusalt - locul 12
 Alexandru Codreanu – ștafetă 4x100 m - locul 13
 Doru Teofilescu – ștafetă 4x100 m - locul 13
 Alexandru Terpezan – ștafetă 4x100 m - locul 13
 Cristina Bujin – triplusalt - locul 14
 Cornelia Deiac – lungime - locul 18
 Andreea Ogrăzeanu – 100 m - locul 13, 200 m - locul 23
 Andrei Gag – greutate - locul 20
 Florina Pierdevară – 800 m - locul 20
 Marius Cocioran – 50 km marș - locul 22
 Marius Ionescu – maraton -

Participarea Republicii Moldova la campionat
3 atleți au reprezentat Republica Moldova.

 Serghei Marghiev – ciocan - locul 9
 Vladimir Letnicov – triplusalt - locul 16
 Alexei Cravcenco – 400 m garduri -

Note

Legături externe

  Zürich European Championships la Asociația Europeană de Atletism
  2014 European Champs la athleticspodium.com

Atletism
2014
Zürich
Atletism

Campionatul European de Atletism din 2014


Strachina este un vas de lut ars, adâncit ușor, care se întrebuințează în loc de farfurie. Este cea mai răspândită formă de vas din ceramica românească și se realizează în toate centrele de olari din țară.

Are dimensiuni variate de la 15 la 30 cm diametru. După felul curburii și îmbinării părții superioare cu cea inferioară, ilustrează atât influența orientală, cât și tradiția preistorică La Tène, adică cea de a doua perioadă a epocii fierului pe teritoriul celor mai multe state europene, cuprinsă între secolul al V-lea î.Hr. și secolul I numită astfel după localitatea La Tène, de pe malul lacului Neuchâtel din Elveția, unde a fost descoperită o așezare caracteristică acestei epoci. Decorația străchinii, fie că este smălțuită sau nesmălțuită, este foarte variată, dar mai mult este folosită ornamentația geometrică.

Legături externe
 Strachina de lut - probr.ro, autor: Aurelian Sabinus Ilinoiu, publicat pe 11 iulie 2014

Veselă de bucătărie

Strachină


Moon in the Scorpio debitantski je studijski album norveškog simfonijskog black metal-sastava Limbonic Art. Album je u srpnju 1996. godine objavila diskografska kuća Nocturnal Art Productions.

O albumu
Ranije inačice nekih pjesama na albumu izvorno su se pojavile na dvjema promotivnim snimkama sastava: Promo Rehearsal '95 i Promo 1996. Nakon što je čuo glazbeni materijal grupe, Samoth (član skupine Emperor te predsjednik diskografske kuće Nocturnal Art Productions) je 1996. grupi ponudio ugovor za snimanje albuma; Diskografska će kuća kasnije objaviti sve studijske albume Limbonic Arta do njegova raspada. U travnju 1996. godine Nocturnal Art Productions službeno je objavio drugi demouradak skupine, Promo 1996. Ubrzo nakon objave dema, sastav je najavio kako će tijekom iste godine objaviti i svoj debitantski studijski album. Moon in the Scorpio bio je objavljen u srpnju 1996.

Osim u standardnom CD formatu, album je izvorno bio objavljen i u kazetnoj i vinilnoj inačici.

Godine 2010. Candlelight Records je remasterirao i ponovno objavio album.

Naslovnicu albuma načinio je Morfeus, gitarist i klavijaturist Limbonic Arta.

Glazbeni stil
Moon in the Scorpio sadrži nekoliko najduljih pjesama sastava koje traju gotovo petnaest minuta. Pjesme na albumu strukturno su vrlo složene te je aranžman klavijatura prisutan na njima veoma širokog opsega i gotovo psihodeličan. Bubnjarski stroj svojim je mehaničkim ritmovima glazbi podario svojevrsni ugođaj techno glazbe.

Popis pjesama

Osoblje
Limbonic Art
 Daemon – vokali, gitara, bas-gitara
 Morfeus – vokali, klavijature, solo gitara, programiranje bubnjeva, naslovnica
Dodatni glazbenici
 Morgana – dodatni vokali, fotografija
Ostalo osoblje
 Anders G. Offenberg, Jr. – produkcija, inženjer zvuka

Izvori

Albumi iz 1996.
Albumi sastava Limbonic Art

Moon in the Scorpio


Neiva Portekiz'de Viana do Castelo belediyesine bağlı olan, 6,57 km2 yüzölçümüne sahip, 1267 nüfuslu (2001) bir bucaktır (Portekizce: freguesia).

Portekiz'in freguesiaları
Viana do Castelo

Neiva (Viana do Castelo)


Acest articol prezintă echipele care vor lua parte la Campionatul European de Handbal Feminin pentru Tineret din 2019, desfășurat în Ungaria, a 12-a ediție a acestei competiții. Fiecare echipă va avea maximum 18 jucătoare, din care maximum 16 vor putea fi înscrise pe foaia de joc a fiecărui meci.

Vârsta, clubul, selecțiile și golurile înscrise sunt cele valabile pe 1 iulie 2019.

Grupa B

Danemarca
Echipa a fost anunțată pe 22 mai 2019 și a cuprins 16 jucătoare:

Antrenor principal:  Flemming Dam Larsen
Antrenor secund:  Jan Barslev
Antrenor pentru portari:  Morten Sølling Fager

Grupa D

România
Echipa a fost anunțată pe 8 iulie 2019.

Antrenor principal:  Dragoș Dobrescu
Antrenor secund:  Valeriu Costea
Antrenor pentru portari:  Ildiko Barbu

Note

Legături externe

Campionatul European de Handbal Feminin pentru Tineret din 2019

Campionatul European de Handbal Feminin pentru Tineret din 2019 - Echipele


فزح منطقة جبلية تقع في ولاية لوى بسلطنة عمان وتبعد عن مركز الولاية ب 14كم. وهي كثيرة المياه والوديان ويوجد بها
قلعة تسمى قلعة فزح.

المصادر

مدن سلطنة عمان

فزح


Baron Vestey, of Kingswood in the County of Surrey, is a title in the Peerage of the United Kingdom. It was created in 1922 for the shipping magnate Sir William Vestey, 1st Baronet. He was the co-founder of the Blue Star Line. Vestey had already been created a baronet, of Bessémer House in the Metropolitan Borough of Camberwell, in 1913.

, the titles are held by the fourth Baron, who succeeded his father in 2021 and is the eldest grandson of the Hon. William Vestey (who was killed in action in Italy during the Second World War in 1944), the only son of the second Baron. The current holder's father, the 3rd Baron Vestey, served as Master of the Horse from 1999 to 2018.

Sir Edmund Vestey, 1st Baronet, co-founder of the Blue Star Line, was the younger brother of the first Baron Vestey.

The family seat is Stowell Park, in the Cotswold Hills, Gloucestershire.

Barons Vestey
William Vestey, 1st Baron Vestey (1859–1940)
Samuel Vestey, 2nd Baron Vestey (1882–1954)
Captain Hon. William Howarth Vestey (1912–1944)
Samuel George Armstrong Vestey, 3rd Baron Vestey (1941–2021)
William Guy  Vestey, 4th Baron Vestey (born 1983)

The heir apparent is the present holder's son, the Hon. Samuel Oscar Mark Vestey (born 2018).

See also
Vestey baronets, of Shirley
Vestey Group

References

Kidd, Charles, Williamson, David (editors). Debrett's Peerage and Baronetage (1990 edition). New York: St Martin's Press, 1990.

Baronies in the Peerage of the United Kingdom
Noble titles created in 1922

Baron Vestey


Republika Hrvatska i Češka Republika održavaju diplomatske odnose od 1. siječnja 1993. Sjedište veleposlanstva je u Pragu.

Veleposlanici
Veleposlanstvo Republike Hrvatske u Češkoj Republici osnovano je odlukom predsjednika Republike od 23. rujna 1992.

Vidi još
Ministarstvo vanjskih i europskih poslova Republike Hrvatske

Vanjske poveznice
 Češka na stranici MVEP-a

Izvori

Češka
Vanjska politika Češke

Popis hrvatskih veleposlanika u Češkoj


Le traité de Lubowla était un traité signé en 1412 entre Ladislas II Jagellon roi de Pologne, et Sigismond de Luxembourg, roi de Hongrie. Les négociations ont eu lieu dans la ville de Lublo (aujourd'hui Stará Ľubovňa, en Slovaquie) ; le traité a été confirmé plus tard dans l'année à Buda.

Le traité a été négocié par  et Zawisza le Noir, deux des chevaliers polonais les plus célèbres de la fin du Moyen Âge.

Contexte et contenu du traité
L'État hongrois connaissait de gros problèmes financiers en raison des guerres constantes avec l'Empire ottoman, ainsi que de la pression de la famille Habsbourg.

En échange d'un prêt consenti par la Pologne de soixante fois le montant de 37 000 gros de Prague, soit environ sept tonnes d'argent pur, la couronne hongroise mettait en gage 16 riches villes productrices de sel dans la région de Spisz (Zips), ainsi qu'un droit de les incorporer à la Pologne jusqu'au remboursement de la dette. Les dispositions du traité comprenaient aussi la confirmation de la première paix de Thorn entre la Pologne et les chevaliers teutoniques. Enfin, la Hongrie offrait secrètement de soutenir les droits polonais sur la province de Pomérélie, perdue au profit de l'Ordre Teutonique.

Après leur rencontre à Stará Ľubovňa, la délégation polonaise et le roi Ladislas II Jagellon se sont rendus à Cassovie, où ils ont été accueillis par le roi de Hongrie Sigismond de Luxembourg. Puis ils se rendirent à Tokay, Debrecen, et enfin au tombeau de Saint Ladislas à Nagyvárad. De là, ils partirent pour Buda, où le traité fut officiellement signé en présence du roi Tvrtko II de Bosnie, de quatorze ducs et princes, de trois archevêques, de onze évêques, et d'ambassadeurs de dix-sept États, dont la Horde tartare et l'Empire ottoman, ainsi que d'environ 40 000 nobles et chevaliers. Pour commémorer l'événement, un tournoi a été organisé, auquel ont participé des chevaliers polonais et hongrois. Parmi eux se trouvaient Zawisza le Noir, son frère , , , et .

Conséquences
Le traité n'a jamais été rompu, mais la dette n'a pas été remboursée et la région de Spisz est restée polonaise jusqu'aux partages de la fin du  : en 1769, pendant le soulèvement de la confédération de Bar, les forces autrichiennes de Joseph II prirent le contrôle des villes du Spisz sous prétexte de protéger la région de la guerre. La Pologne n'a jamais recouvré la région ; au lieu de cela, le manque de réaction polonais face à l'annexion a encouragé la monarchie des Habsbourg à participer au premier partage de la Pologne.

Articles connexes
 Liste de traités de droit international

Références
 Julia Radziszewska, Studia Spiskie . Katowice 1985
 Terra Scepusiensis. Stan badań nad dziejami Spiszu, Lewocza-Wrocław, 2003

Traité frontalier
Traité signé par la Pologne
Traité signé par la Hongrie
1412
Traité du XVe siècle

Traité de Lubowla


An Sarcoglottis villosa in uska species han Liliopsida nga syahan ginhulagway ni Eduard Friedrich Poeppig ngan Stephan Ladislaus Endlicher, ngan ginhatag han pagkayana nga asya nga ngaran ni Schltr.. An Sarcoglottis villosa in nahilalakip ha genus nga Sarcoglottis, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Sarcoglottis

Sarcoglottis villosa


Bu madde, nesli tükenme tehlikesinde olan türler listesidir ve IUCN Kırmızı Listeye göre düzenlenmiştir.

A-Ac
{| cell-padding=0 cellspacing=0
|-
! Bilimsel İsim || Genel İsim
|-
| Aaadonta angaurana
|-
| Aaadonta constricta
|-
| Aaadonta fuscozonata
|-
| Aaadonta irregularis
|-
| Aaadonta kinlochi
|-
| Aaadonta pelewana
|-
| Aaptosyax grypus
|-
| Abarema abbottii
|-
| Abarema bigemina
|-
| Abarema callejasii
|-
| Abarema centiflora
|-
| Abarema cochliacarpos
|-
| Abarema filamentosa
|-
| Abarema ganymedea
|-
| Abarema josephi
|-
| Abarema killipii
|-
| Abarema lehmanni
|-
| Abarema longipedunculata
|-
| Abarema obovata
|-
| Abarema oxyphyllidia
|-
| Abarema racemiflora
|-
| Abarema turbinata
|-
| Abarema villifera
|-
| Abdulmajidia chaniana
|-
| Abdulmajidia maxwelliana
|-
| Abies beshanzuensis
|-
| Abies bracteata || Bristlecone Göknarı
|-
| Abies cephalonica || Yunan Göknarı
|-
| Abies chengii
|-
| Abies fanjingshanensis
|-
| Abies fraseri || Fraser Göknarı
|-
| Abies guatamalensis || Guatemala Göknarı
|-
| Abies hickelii
|-
| Abies hidalgensis
|-
| Abies koreana || Kore Göknarı
|-
| Abies nebrodensis || Siciliya Göknarı
|-
| Abies numidica || Arnavut Göknarı
|-
| Abies pinsapo || İspanyol Göknarı
|-
| Abies squamata || Flaky Fir
|-
| Abies yuanbaoshanensis
|-
| Abies ziyuanensis
|-
| Abrawayaomys ruschii || Rushi Sıçanı
|-
| Abrocoma boliviensis || Bolivya Çinçilya Faresi
|-
| Abronia montecristoi
|-
| Aburria aburri || Wattled Guan
|-
| Abutilon eremitopetalum || Hidden-petaled Abutilon
|-
| Abutilon menziesii
|-
| Abutilon sachetianum
|-
| Abutilon sandwicense ||Greenflower Indian Mallow
|-
| Acacia albicorticata
|-
| Acacia anegadensis ||
|-
| Acacia ankokib
|-
| Acacia aulacocarpa
|-
| Acacia belairioides
|-
| Acacia bucheri
|-
| Acacia campbellii
|-
| Acacia caraniana
|-
| Acacia cernua
|-
| Acacia condyloclada
|-
| Acacia crassicarpa
|-
| Acacia daemon
|-
| Acacia densispina
|-
| Acacia dolichostachya
|-
| Acacia etillis
|-
| Acacia ferruginea
|-
| Acacia flagellaris
|-
| Acacia gaumeri
|-
| Acacia koaia
|-
| Acacia manubensis
|-
| Acacia mathuataensis
|-
| Acacia moggii
|-
| Acacia montis-usti || Brandberg Akasyası
|-
| Acacia ochracea
|-
| Acacia origena
|-
| Acacia pennivenia
|-
| Acacia prasinata
|-
| Acacia pseudonigrescens
|-
| Acacia purpurea
|-
| Acacia robynsiana || Whipstick Acacia
|-
| Acacia roigii
|-
| Acacia sarcophylla
|-
| Acacia schlechteri
|-
| Acacia venosa
|-
| Acacia villosa
|-
| Acacia zapatensis
|-
| Acalypha andina
|-
| Acalypha dictyoneura
|-
| Acalypha ecuadorica
|-
| Acalypha eggersii
|-
| Acalypha hontauyuensis
|-
| Acalypha lepinei
|-
| Acalypha raivavensis
|-
| Acalypha rubrinervis
|-
| Acalypha schimpffii
|-
| Acalypha suirenbiensis
|-
| Acalypha tunguraguae
|-
| Acanthaeshna victoria
|-
| Acanthephippium sinense
|-
| Acanthinula spinifera
|-
| Acanthixalus sonjae
|-
| Acanthobrama hulensis
|-
| Acanthochelys macrocephala || İri-başlı Pantanal Bataklık Kaplumbağası
|-
| Acanthochelys pallidipectoris || Yanğıçizgili Chaco Kaplumbağası
|-
| Acanthochelys radiolata || Brezilya Çizgili Bataklık Kaplumbağası
|-
| Acanthochelys spixii || Diken-boğazlı Kara Bataklık Kaplumbağası
|-
| Acanthocobitis urophthalmus || Manded Mountain Loach
|-
| Acanthocyclops hypogeus
|-
| Acantholingua ohridana
|-
| Acanthomentropis pecatonica
|-
| Acanthomyops latipes
|-
| Acanthomyops murphii
|-
| Acanthopale decempedalis
|-
| Acanthopanax malayanus
|-
| Acanthophoenix rubra || Palmiste Piquant
|-
| Acanthorutilis maeandricus
|-
| Acanthosyris annonagustata
|-
| Acca lanuginosa
|-
| Accipiter brachyurus || Yeni Britanya Atmacası
|-
| Accipiter butleri || Nicobar Atmacası
|-
| Accipiter collaris || Karagerdanlı Atmaca
|-
| Accipiter gundlachi || Gundlach Atmacası
|-
| Accipiter haplochrous || Ak-karınlı Çakırkuşu
|-
| Accipiter henstii || Henst Çakırkuşu
|-
| Accipiter imitator || Taklitçi Atmaca
|-
| Accipiter luteoschistaceus || Slaty-backed Goshawk
|-
| Accipiter madagascariensis || Madagaskar Atmacası
|-
| Accipiter nanus || Küçük Atmaca
|-
| Accipiter princeps || Yeni Britanya Atmacası
|-
| Acentrogobius therezieni || Malagasy Mountain Mullet
|-
| Acer duplicatoserratum
|-
| Acer erythranthum
|-
| Acer hainanense
|-
| Acer leipoense
|-
| Acer miaotaiense
|-
| Acer undulatum
|-
| Acerodon celebensis || Sulawesi Uçanköpeği
|-
| Acerodon humilis || Talaud Uçanköpeği
|-
| Acerodon jubatus || Altın-tepeli Meyve Yarasası
|-
| Acerodon leucotis || Palawan Meyve yarasası
|-
| Acerodon lucifer || Dev Panay Meyve Yarasası
|-
| Aceros comatus || Ak-taçlı Boynuzgaga
|-
| Aceros corrugatus || Sunda Wrinkled Hornbill
|-
| Aceros everetti || Sumba Boynuzgagası
|-
| Aceros leucocephalus || Mindanao Wrinkled Hornbill
|-
| Aceros narcondami || Nacondam Hornbill
|-
| Aceros nipalensis || Kızıl-Yanaklı Boynuzgaga
|-
| Aceros subruficollis || Visayan Wrinkled Hornbill
|-
| Acestura berlepschi || Esmeralda's Woodstar
|-
| Acestura bomba || Little Woodstar
|-
| Achalinus werneri || Amami Takachiho Snake
|-
| Achatina vignoniana
|-
| Achatinella abbreviata
|-
| Achatinella apexfulva
|-
| Achatinella bellula
|-
| Achatinella buddii
|-
| Achatinella bulimoides
|-
| Achatinella byronii
|-
| Achatinella caesia
|-
| Achatinella casta
|-
| Achatinella cestus
|-
| Achatinella concavospira
|-
| Achatinella curta
|-
| Achatinella decipiens
|-
| Achatinella decora
|-
| Achatinella dimorpha
|-
| Achatinella elegans
|-
| Achatinella fulgens
|-
| Achatinella fuscobasis
|-
| Achatinella judii
|-
| Achatinella juncea
|-
| Achatinella lehuiensis
|-
| Achatinella leucorrhaphe
|-
| Achatinella lila
|-
| Achatinella livida
|-
| Achatinella lorata
|-
| Achatinella mustelina
|-
| Achatinella papyracea
|-
| Achatinella phaeozona
|-
| Achatinella pulcherrima
|-
| Achatinella pupukanioe
|-
| Achatinella sowerbryana
|-
| Achatinella spaldingi
|-
| Achatinella stewartii
|-
| Achatinella swiftii
|-
| Achatinella taeniolata
|-
| Achatinella thaanumi
|-
| Achatinella turgida
|-
| Achatinella valida
|-
| Achatinella viridans
|-
| Achatinella vulpina
|-
| Acheilognathus elongatus
|-
| Acheilognathus longipinnis || Itasenpara Bitterling
|-
| Achyranthes atollensis || Hawaii Chaffflower
|-
| Achyranthes mutica || Blunt chaffflower
|-
| Achyranthes splendens || Maui Chaffflower
|-
| Achyranthes talbotti
|-
| Achyrocline glandulosa
|-
| Achyrocline hallii
|-
| Achyrocline mollis
|-
| Aciagrion rarum
|-
| Acicula hausdorfi
|-
| Acicula norrisi
|-
| Acicula palaestinensis
|-
| Acidocroton gentryi
|-
| Acidocroton verrucosus
|-
| Acilius duvergeri
|-
| Acinonyx jubatus || Çita
|-
| Acioa cinerea
|-
| Acioa dichotoma
|-
| Acioa eketensis
|-
| Aciotis aristellata
|-
| Aciotis asplundii
|-
| Acipenser baerii || Sibirya Mersin Balığı
|-
| Acipenser brevirostrum || Kısaburun Mersin Balığı
|-
| Acipenser dabryanus || Yangtze Mersin Balığı
|-
| Acipenser gueldenstaedtii || Rus Mersin Balığı
|-
| Acipenser medirostris || Yeşil Mersin Balığı
|-
| Acipenser mikadoi || Sakhalin Mersin Balığı
|-
| Acipenser naccarii || Adriyatik Mersin Balığı
|-
| Acipenser nudiventris || Şip Balığı
|-
| Acipenser oxyrinchus || Atlantik Mersin Balığı
|-
| Acipenser persicus || Pers(İran) Mersin Balığı
|-
| Acipenser ruthenus || Çuka Balığı
|-
| Acipenser schrenkii || Amur Mersin Balığı
|-
| Acipenser sinensis || Çin Mersin Balığı
|-
| Acipenser stellatus || Yıldız Mersin Balığı
|-
| Acipenser sturio || Baltık Mersin Balığı
|-
| Acmella leucantna
|-
| Acmopyle pancheri
|-
| Acmopyle sahniana
|-
| Acomys cilicicus || Dikenli Fare
|-
| Acomys minous || Girit Dikenli Faresi
|-
| Acomys nesiotes || Kıbrıs Dikenli Faresi
|-
| Acontophiops lineatus || Woodbush Legless Skink
|-
| Acrantophis dumerili || Dumeril Boa Yılanı
|-
| Acrantophis madagascariensis || Madagaskar Boa Yılanı
|-
| Acritodon nephophilus
|-
| Acrobatornis fonsecai || Pink-legged Graveteiro
|-
| Acrocephalus brevipennis || Cape Verde Kamışçını
|-
| Acrocephalus caffer || Tahiti Kamışçını
|-
| Acrocephalus familiaris || Değirmenci Kuşu
|-
| Acrocephalus griseldis || Basra Kamışçını
|-
| Acrocephalus kerearako || Cook Adaları Kamışçını
|-
| Acrocephalus luscinius || Nightingale Reed Warbler
|-
| Acrocephalus orinus || Large-billed Reed Warbler
|-
| Acrocephalus paludicola || Su Kamışçını
|-
| Acrocephalus rehsei || Finsch's Reed Warbler
|-
| Acrocephalus rimatarae || Rimatara Reed Warbler
|-
| Acrocephalus rodericanus || Rodrigues Warbler
|-
| Acrocephalus sechellensis || Şeyşeller Kamışçını
|-
| Acrocephalus sorghophilus || Streaked Reed Warbler
|-
| Acrocephalus taiti || Henderson Reed Warbler
|-
| Acrocephalus tangorum || Mançurya Kamışçını
|-
| Acrocephalus vaughani || Pitcairn Reed Warbler
|-
| Acrodipsas illidgei || Illidge's Ant-blue
|-
| Acrolophitus pulchellis || Idaho Point-headed Grasshopper
|-
| Acroloxus coloradensis || Rocky Mountain Capshell
|-
| Acronychia porteri
|-
| Acropogon aoupiniensis
|-
| Acropogon bullatus
|-
| Acropogon domatifer
|-
| Acropogon fatsioides
|-
| Acropogon megaphyllus
|-
| Acropogon veillonii
|-
| Acsmithia vitiense
|-
| Actenoides bougainvillei || Bıyıklı Yalıçapkını
|-
| Actenoides concretus || Kızıl-boyunlu Yalıçapkını
|-
| Actenoides hombroni || Mavi-tepeli Yalıçapını
|-
| Actenoides monachus || Yeşil-sırtlı Yalıçapkını
|-
| Actinella actinophora
|-
| Actinella anaglyptica

IUCN Kırmızı Listesi
Hayvan listeleri
Bitki listeleri

Nesli tehlike altında olan türlerin listesi (A-Ac)


Destiny je sedmi studijski album finskog power metal sastava Stratovarius. Diskografske kuće Noise Records i T&T Records objavile su ga 5. listopada 1998. godine. Popeo se na prvo mjesto finske ljestvice albuma i ostao je na njoj 17 tjedana. Skladba "S.O.S." bila je objavljena kao singl i našla se na drugom mjestu finske ljestvice singlova te na njoj ostala 11 tjedana.

Popis pjesama

Osoblje

Stratovarius
Timo Kotipelto – vokali
Timo Tolkki – gitara, tonska obrada, produkcija
Jari Kainulainen – bas-gitara
Jens Johansson – klavijature
Jörg Michael – bubnjevi
Dodatni glazbenici
Eicca Toppinen – gudačka glazbala
Max Savikangas – gudačka glazbala
Mr. Unknown – gudačka glazbala
Sanna Salmenkallio – gudačka glazbala
Cantores Minores – zbor dječaka

Ostalo osoblje
Mikko Karmila – miksanje, tonska obrada
Mika Jussila – mastering
Pauli Saastamoinen – mastering
Marco Bernard – naslovnica
Dick Lindberg – fotografija
Rade Puolakka – omot albuma

Ljestvice

Izvori

Albumi iz 1998.
Stratovariusovi albumi

Destiny (Stratovariusov album)


Maiken Nedergaard er en dansk professor og hjerneforsker. Siden slutningen af 1980'erne har hun arbejdet i USA, hvor hun blandt andet har været ansat som professor i neurokirurgi ved University of Rochester. I 2014 blev hun via et legat fra Novo Nordisk Fonden ansat ved Københavns Universitet, hvor hun i samarbejde med professor Steve Goldman leder hjerneforskningscenteret Center for Basic and Translational Neuroscience.

Maiken Nedergaard forsker i, hvad der sker med hjernen, når man sover og derved også noget af den biologiske grund til, hvorfor hjernen har brug for søvn. Hjernen har behov for søvn for at rense sig selv for affaldsstoffer, hvilket foregår ved hjælp af nogle specielle celler i hjernen kaldet gliaceller.
Nedergaard var involveret i opdagelsen af den fjerde hjernehinde.

I 2017 var hun blandt de 20 højest lønnede personer på Københavns Universitet med en årsløn på 1.490.046 kr.

Forskningspriser
 American Association for the Advancement of Science (AAAS): Newcomb Cleveland-prisen (2015).
 Alzheimer-forskningsfondens pris (2015).

Referencer

Professorer fra Københavns Universitet
Personer i Kraks Blå Bog

Maiken Nedergaard


Girolamo Colonna (Orsogna, 23 de março de 1604 - Finale Marina, 4 de setembro de 1666) foi um cardeal do século XVII

Nascimento
Nasceu em Orsogna em 23 de março de 1604, Orsogna, no feudo de sua família, arquidiocese de Chieti. Segundo dos onze filhos de Filippo I Colonna, sexto duque e príncipe de Paliano, e Lucrezia Tomacelli. Os outros filhos eram Federico I, Marcantonio V, Carlo (beneditino, patriarca titular de Jerusalém), Giovanni Battista (patriarca de Jerusalém), Prospero (grão-prior de Malta na Espanha), Pietro (abade) Anna, Ippolita (freira em San Egidio mosteiro, Roma), Clara Maria (freira no mosteiro de San Egidio, Roma) e Maria Teresa (freira no mosteiro Regina Coeli, Roma). Tio dos cardeais Gianfrancesco Guidi di Bagno (1627) e Nicolò Guidi di Bagno (1657), por parte de mãe. Parente dos cardeais Francesco Barberini, sênior (1623) e Antonio Barberini, iuniore, OSIo.Hieros. (1627), porque sua irmã Anna era casada com Taddeo Barberini, irmão desses cardeais. Outros cardeais dos diferentes ramos da família foram Giovanni di San Paolo Colonna (1193); Giovanni Colonna (1212); Giacomo Colonna (1278); Pietro Colonna (1288); Giovanni Colonna (1327); Agapito Colonna (1378); Stefano Colonna (1378); Oddone Colonna (1405; mais tarde Papa Martinho V); Próspero Colonna (1426); Giovanni Colonna (1480); Marco Antonio Colonna, sênior (1565); Ascanio Colonna (1586); Carlos Colonna (1706); Próspero Colonna (1739); Girolamo Colonna (1743); Próspero Colonna (1743); Marcantonio Colonna, júnior (1759); Pietro Colonna (1766), que adotou o sobrenome Pamphili; e Nicola Colonna, 1785. Agapito Colonna (1378); Stefano Colonna (1378); Oddone Colonna (1405; mais tarde Papa Martinho V); Próspero Colonna (1426); Giovanni Colonna (1480); Marco Antonio Colonna, sênior (1565); Ascanio Colonna (1586); Carlos Colonna (1706); Próspero Colonna (1739); Girolamo Colonna (1743); Próspero Colonna (1743); Marcantonio Colonna, júnior (1759); Pietro Colonna (1766), que adotou o sobrenome Pamphili; e Nicola Colonna, 1785. Agapito Colonna (1378); Stefano Colonna (1378); Oddone Colonna (1405; mais tarde Papa Martinho V); Próspero Colonna (1426); Giovanni Colonna (1480); Marco Antonio Colonna, sênior (1565); Ascanio Colonna (1586); Carlos Colonna (1706); Próspero Colonna (1739); Girolamo Colonna (1743); Próspero Colonna (1743); Marcantonio Colonna, júnior (1759); Pietro Colonna (1766), que adotou o sobrenome Pamphili; e Nicola Colonna, 1785.

Educação
Estudou humanidades em Roma; e, posteriormente, estudou teologia na Espanha, e na Universidade de Alcalá de Henares, naquele país, obteve o doutorado in utroque iure , tanto em direito canônico quanto em direito civil. Ao retornar a Roma, foi promovido a cardinalato..

Cardinalado
Criado cardeal e reservado in pectore no consistório de 30 de agosto de 1627; publicado no consistório de 7 de fevereiro de 1628; recebeu o chapéu vermelho em 10 de fevereiro de 1628; e o título de S. Agnese in Agone, pro illa vice -diaconia, em 28 de fevereiro de 1628. Arcipreste da patriarcal basílica de Latrão..

Episcopado
Eleito arcebispo de Bolonha, mantendo o arquipresbitério da patriarcal basílica de Latrão e com dispensa da idade canônica, em 24 de novembro de 1632..

Sacerdócio
Foi ordenado em 27 de dezembro de 1632, na Basílica Patriarcal de Latrão, em Roma, por Cristoforo Caetani, bispo titular de Laodicéia de Frígia, coadjutor de Foligno. Consagrado bispo, em 2 de janeiro de 1633, na igreja de San Egídio, em Roma, pelo cardeal Antonio Barberini, sêniore . Recebeu o pálio em 10 de janeiro de 1633. Optou pela diaconia de S. Maria em Cosmedin, em 27 de junho de 1639. Optou pela diaconia de S. Ângelo em Pescheria, em 14 de março de 1644. Participou do conclave de 1644, que elegeu Papa Inocêncio X. Optou pela diaconia de S. Eustachio, 12 de dezembro de 1644. Legate a laterepara a abertura e encerramento da Porta Santa na basílica patriarcal de Latrão no Ano Santo de 1650. Optou pela ordem dos cardeais presbíteros e pelo título de S. Silvestro in Capite, a 23 de setembro de 1652. Optou pelo título de S. Maria in Trastevere, 9 de junho de 1653. Participou do conclave de 1655, que elegeu o Papa Alexandre VII. Nomeado embaixador da Espanha perante a Santa Sé. Optou pelo título de S. Lorenzo em Lucina, em 21 de abril de 1659. Cardeal protoprete. Optou pela ordem dos cardeais bispos e pela sé suburbicária de Frascati, em 21 de novembro de 1661. Chamado à Espanha pelo rei Felipe IV e nomeado conselheiro de estado e de guerra. Celebrou o casamento entre o imperador Leopoldo I e a infanta Margarita da Espanha, filha do rei Felipe IV da Espanha; como legado, ele a acompanhou à Alemanha. Ele construiu um suntuoso apartamento com inúmeras obras de arte. Ele construiu as igrejas de S. Barnaba em Marina e a de Rocca di Papa, monumentos de sua piedade..

Morte
Morreu em Finale Marina em 4 de setembro de 1666, de febre maligna , no convento dominicano em il Finale, agora Finale Marina, perto de Gênova, enquanto viajava da Espanha após assistir à morte do rei da Espanha. Enterrado no convento dominicano, il Finale. Notícias não confirmadas de sua morte chegaram a Roma em 11 de setembro de 1666. Cartas de Milão e Gênova datadas de 15 de janeiro confirmaram a notícia. Após seis anos, em 1672, seus restos mortais foram exumados, trasladados para Roma e sepultados na capela de sua família na patriarcal basílica de Latrão, em Roma. .

Cardeais nomeados pelo papa Urbano VIII

Girolamo Colonna


Novinska naklada ili tiraža predstavlja broj primjeraka tiskanih u jednom novinskom izdanju. Smatra se najvažnijim financijskim pokazateljem za uzspješnost pojedinog novinskog izdanja na tržištu. Naklada je najčešće i najbolji pokazatelj samom uredništvu novina kao povratna informacija od čitateljstva.

Novinska naklada najčešće se usklađuje sa zahtjevima tržišta, no promatrana u širem vremenu ujedno je i najbolji pokazatelj promijenjivosti čitateljstva. Novine koje dosegnu veliku nakladu u pravilu se smatraju i kvalitetnijima i vjerodostojnima. Povećanje naklade često dovodi i do većeg ugleda u svijetu novinstva, ali i samom društvu.

Naklada ne mora uvijek biti odraz stanja na tržištu, za što su najbolji primjer propagandne tiskovine u totalitarističkim režimima - tiskani mediji nalaze se pod kontrolom režima koji dolaskom na vlast dokida slobodu izražavanja i nameće najčešće jednu tiskovinu kroz koju nsmeće svoju ideologiju čitateljstvu tj. samom stanovništvu koje tu tiskovinu kupuje zbog nepostojanja drugih tiskovina koje bi joj pružile informacije. Zato takve tiskovine mogu doseći velike naklade u odnosu na stanovništvo tj. novinsko čitateljstvo neke zemlje.

Sedam od deset najtiražnijih novina na svijetu tiska se u Japanu, a 75 od 100 najtiražnijih u Aziji, što se najčešće objašnjava činjenicom da je Azija najnapučeniji Zemljin kontinent s preko četiri milijarde stanovnika, a time i najvećim novinskim čitateljstvom.

Najveću nakladu u nekom trenutku povijesti dosegle su sovjetske novine Argumenty i Fakty (33,5 milijuna 1991. godine) i Komsomolskaya Pravda (21,5 milijuna 1990. godine) prema Guinnessovoj knjizi rekorda. Najtiražnije novine na svijetu danas su japanski Yomiuri Shimbun s dnevnom nakladom od gotovo 10 milijuna primjeraka.

Izvori

Novinarstvo

Novinska naklada


Cathleen With (* 1967 in British Columbia, Kanada) ist eine kanadische Schriftstellerin und Lehrerin, die vor allen Dingen Kurzgeschichten verfasst und für ihren ersten Roman 2010 mit dem zu den BC Book Prizes gehörenden Ethel Wilson Fiction Prize ausgezeichnet wurde.

Leben

Die 1967 in British Columbia geborene Cathleen With studierte an der University of British Columbia Kreatives Schreiben und schloss ihr Studium mit einem Master of Fine Arts ab. Durch ihre erweiterte Ausbildung arbeitet sie als Englischlehrerin in der Erwachsenen- und Förderpädagogik, wobei sie ihnen die Grundlagen des Theaterspiel als therapeutische Grundlage beibringt. Sie zieht es vor bei sozialintegrativen Schulprogrammen zu arbeiten und verbringt so ihre Arbeitszeit als Teilzeitlehrkraft in Vancouver, wobei sie auch nach Seoul reiste, um Kindern die Schriftstellerei nahezubringen.

2005 führte man die in Human Perspectives vorgestellte Kurzgeschichte Carny auf der Shortlist für den Western Magazin Award. Ihre Kurzgeschichtensammlung Skids, die von Straßenkindern aus Vancouver im Gebiet des Davie Village und Downtown Eastside handelte, stand 2007 auf der Shortlist der Relit Awards. Ihre Arbeiten erschienen in verschiedenen Literaturzeitschriften wie beispielsweise The Antigonish Review, Grain und Fireweed. Auch wenn sie am bekanntesten für ihre Kurzgeschichten ist, konnte ihr erster Roman Having Faith in the Polar Girls' Prison, der 2009 bei Penguin Canada verlegt wurde, den Ethel Wilson Fiction Prize gewinnen. In ihren Arbeiten wie Skids verarbeitet sie ihre eigenen Depressionen aus der Jugendzeit wie auch ihre langjährigen Erfahrungen mit lernbehinderten und sozial auffälligen Jugendlichen sowie jungen Obdachlosen.

Werk

Kurzgeschichten
 Detoxed. In: The Antigonish Review No. 110, 1997
 Hers Be Mine. In: Grain, Herbst 1998
 Jainfish. In: A Room of One's Own Volume 21/4, 1999
 Streets. In: Fireweed, Sommer 1999
 Pyjamas. In: SUB-Terrain, Sommer 2000
 The Arbutus Tree. In: Love and Pomegranates hrsg. von Rona Murray, Garry McKevitt, 2000
 Channih Counts. In: A Room of One's Own Volume 26/4 2003
 Carny. In: The Humanist in Canada Issue 149, 2004
 Guthrip. In: Geist, Issue 55, 2004
 Long-Haired Dog Faced Girl. In: This Magazine 2005
 Space Muppet. In: The Humanist in Canada 2005
 Skids. Arsenal Pulp Press, Vancouver 2006
 Having Faith in the Polar Girls' Prison. Penguin Canada, Toronto 2009

Auszeichnungen und Nominierungen
 2005: Shortlist des Western Magazin Awards für Carny
 2007: Shortlist des Relit Awards für Skids
 2010: Ethel Wilson Fiction Prize für Having Faith in the Polar Girls' Prison

Weblinks
 Cathleen Withs Homepage
 The Relit Awards
 2005 Western Magazine Awards
 Skids
 Quillandquire.com review
 Rabble Canada review
 Ottawaxpress books

Autor
Roman, Epik
Kurzgeschichte
Literatur (20. Jahrhundert)
Literatur (21. Jahrhundert)
Literatur (Englisch)
Kanadische Literatur
Kanadier
Geboren 1967
Frau

Cathleen With


The greater galagos or thick-tailed bushbabies are three species of strepsirrhine primates. They are classified in the genus Otolemur in the family Galagidae.

Historical classification and species discovery
The diversity of galago species has historically been grossly underestimated. In 1931, only 5 species were recognized, 4 in the genus Galago and 1 in Euoticus, and only one species that would later be placed in the genus Otolemur.  In 1979, the genus Otolemur was separated from Galago. By 1986, eleven species were recognized with revamped systemic classification including Otolemur crassicaudatus and Otolemur garnettii.  Additionally, O. crassidautus and O. monteiri were recognized as separate species instead of O. monteiri as a nested subspecies. By 2001, 23 species were recognized. Classification by vocalization has particularly become prevalent and helpful as a tool in understanding of these species. All Otolemur species exhibit trailing advertising calls.

Distribution and habitat
The species is found in and around coastal regions of Southern and Southeastern Africa; north from the Juba River in Somalia, southwards  through Kenya, Tanzania, Malawi, and Mozambique; west across Zimbabwe, Zambia, and Botswana; southwest to northern South Africa and as far west as Angola and Namibia. For the most part, they live in woodlands and forests, but also are found in sparsely wooded grasslands and even planted city parks and gardens.

Taxonomy

References

External links

 Primate Info Net Otolemur Factsheets
 animalstaita.com

Galagos
Taxa named by Charles Coquerel
Taxa described in 1859

Greater galago


Sphecosoma este un gen de insecte lepidoptere din familia Arctiidae.

Specii

 Sphecosoma abdominalis
 Sphecosoma albipalpe
 Sphecosoma alica
 Sphecosoma aurantiipes
 Sphecosoma besasa
 Sphecosoma cognata
 Sphecosoma cosmosomoides
 Sphecosoma curta
 Sphecosoma deceptrix
 Sphecosoma ecuadora
 Sphecosoma fasciolatum
 Sphecosoma flaveolum
 Sphecosoma gracilis
 Sphecosoma linda
 Sphecosoma mathani
 Sphecosoma matta
 Sphecosoma meerkatzi
 Sphecosoma melanota
 Sphecosoma melapera
 Sphecosoma melissa
 Sphecosoma melissina
 Sphecosoma meridionale
 Sphecosoma metamela
 Sphecosoma nigriceps
 Sphecosoma perconstrictum
 Sphecosoma plumbicincta
 Sphecosoma roseipuncta
 Sphecosoma rufipes
 Sphecosoma semelina
 Sphecosoma simile
 Sphecosoma sparta
 Sphecosoma surrenta
 Sphecosoma testacea
 Sphecosoma trinitatis
 Sphecosoma vicinum

Referințe

Legături externe

Sphecosoma

Sphecosoma


Orta aşağıdaki anlamlara gelebilir.
 Orta, Çankırı - Çankırı ili ilçesi
 Orta, Pendik - İstanbul ili Pendik ilçesine bağlı mahalle
 Orta (Voleybol) - Voleybol'da bir bölge
 Orta, Efeler - Aydın ili Efeler ilçesine bağlı mahalle
 Orta, Tavas - Denizli ilii Tavas ilçesine bağlı mahalle
 Yeniçeri bölüğü

Orta


Hvor er byen? er en dansk dokumentarfilm fra 2005, der er instrueret af Jens Ravn.

Handling
Hvad er en by? Er de tætte parcelhusforstæder med en kæmpe Bilka ikke lige så meget by som Århus centrum? Om byernes udvikling og fremtid i Danmark.

Referencer

Eksterne henvisninger

Danske film fra 2005

Dokumentarfilm fra Danmark

Hvor er byen?


Henads Waljukewitsch (, engl. Transkription Henadz Valyukevich,  – Gennadi Waljukewitsch – Gennadiy Valyukevich; * 1. Juni 1958; † 30. Dezember 2019) war ein belarussischer Dreispringer, der für die Sowjetunion startete.

Leben
Bei den Europameisterschaften 1978 in Prag wurde er Fünfter.

1979 siegte er bei den Halleneuropameisterschaften in Wien und wurde Zweiter beim Leichtathletik-Weltcup.

1982 gewann er Silber bei den Halleneuropameisterschaften in Mailand und wurde Vierter bei den Europameisterschaften in Athen. Im Jahr darauf holte er bei den Halleneuropameisterschaften 1983 in Budapest erneut Silber und wurde Zehnter bei den Weltmeisterschaften in Helsinki.

Bei den Halleneuropameisterschaften 1985 in Piräus wurde er Fünfter.

1979, 1982 und 1984 wurde er sowjetischer Meister im Freien, 1979 und 1985 in der Halle.

Sein für die Slowakei startende Sohn Dmitrij Vaľukevič ist ebenfalls als Dreispringer erfolgreich.

Persönliche Bestleistungen
 Dreisprung: 17,53 m, 1. Juni 1986, Erfurt
 Halle: 17,32 m, 17. Februar 1985, Chișinău

Weblinks

Fußnoten

Dreispringer (Sowjetunion)
Dreispringer (Belarus)
Europameister (Dreisprung)
Sowjetbürger
Belarusse
Geboren 1958
Gestorben 2019
Mann

Henads Waljukewitsch


An Tripsacum cundinamarce in uska species han Liliopsida nga ginhulagway ni De Wet ngan Timothy. An Tripsacum cundinamarce in nahilalakip ha genus nga Tripsacum, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Tripsacum

Tripsacum cundinamarce


Republika Srbija trenutno broji oko 907 km autocesta. Autoceste u Srbiji su su se počeli graditi 90-ih godina 20. stoljeća. Ograničenje brzine iznosi 130 km/h, ako nema drugih znakova za ograničenje brzine.

Pregled autocesta
Sljedeća tablica prikazuje sve autoceste i planirane autoceste u Srbiji

Vanjske poveznice
 Službena stranica JP Putevi Srbije

Cestovni promet u Srbiji
Autoceste

Autoceste u Srbiji


Miliutinski  es un jútor del raión de Krymsk del krai de Krasnodar, en Rusia. Está situado en las vertientes septentrionales del extremo de poniente del Cáucaso Occidental, en la cabecera de un pequeño afluente del río Kudako, afluente del Adagum, de la cuenca del Kubán, 16 km al noroeste de Krymsk y 96 km al oeste de Krasnodar. Tenía 47 habitantes en 2010

Pertenece al municipio Moldavanskoye.

Enlaces externos y referencias

Este artículo contiene datos geográficos extraídos de Google Earth y el mapa de Rusia de Yandex.ru, accesible desde  este enlace.
Este artículo es una traducción de su correspondiente en la edición en ruso de Wikipedia, Милютинский.
Sitio web del municipio
Mapa topográfico en maps.vlasenko.net.

Localidades del raión de Krymsk del krai de Krasnodar

Miliutinski


La Drachenfelsbahn, terme allemand signifiant littéralement « Chemin de fer de la roche du dragon », est la plus ancienne des lignes à crémaillère encore en service en Allemagne (2021).

C'est une ligne de chemin de fer à voie métrique, mise en service en 1883, et exploitée par la société Bergbahnen im Siebengebirge AG. Cette voie ferroviaire monte depuis la vieille ville de Königswinter en vallée du Rhin vers le sommet du mythique Drachenfels qui surplombe le Rhin. Les rails sont entièrement réalisés avec des traverses en acier. Le tracé franchit un dénivelé de , sur une longueur de , avec une pente maximale de 20 %. La Drachenfelsbahn figure parmi les lignes à crémaillère les plus fréquentées en Europe, excédant 35 millions de voyageurs (jusqu'à 2008). Elle est l'une des 4 lignes à crémaillère encore en service en Allemagne, dont les trois autres sont : La Zugspitzbahn, la Wendelsteinbahn et la Zahnradbahn Stuttgart.

Histoire

La demande de concession pour un chemin de fer de montagne accédant au sommet du Drachenfels fut établi en 1881 par la Deutsche Lokal- und Straßenbahngesellschaft à Berlin.

L'autorisation fut accordée le 29 aout 1881 par le président du district de Cologne. Le premier transport avec des voyageurs eut lieu le 13 juillet 1883 ; puis 4 jours après fut organisée l'inauguration solennelle en tant que premier chemin de fer à crémaillère en Allemagne. Pour l'époque cela représenta une prouesse technologique considérable et attira un nombreux public. Il devint ainsi possible d'accéder au sommet et à la ruine du château fort, sans passer par le pénible chemin sinueux à grande pente. À ces destinations prisées par les visiteurs s'ajouta, en 1884, le château du Schloss Drachenburg qui est situé sur un plateau en dessous du sommet et dont la construction venait alors de s'achever. À cet endroit se trouve la seule gare intermédiaire (qui fut entièrement rénovée entre mars 2010 et mai 2011).

En 1913, la Drachenfelsbahn fut achetée par , entrepreneur de Cologne et propriétaire de la fameuse maison 4711, de renommée mondiale pour son eau de Cologne. 10 ans plus tard, le 13 juillet 1923, il fusionna avec la Petersbergbahn, la voie ferroviaire qui monta alors sur la colline voisine du  pour former la société Bergbahnen im Siebengebirge AG qui existe encore aujourd'hui (2022).

La caténaire fut mise en service le 12 juin 1952, bien qu'au début ne circula qu'un seul autorail électrique (ET I). D'autres autorails furent acquis par la suite pour remplacer successivement les locomotives à vapeur et leurs wagons. Ces véhicules des années 1950 sont encore en service aujourd'hui (2022), à l'exception du modèle ET I. Depuis 1982, les numéros des véhicules s'affichent en chiffres arabes, remplaçant les chiffres romains qui furent utilisés auparavant.

Le  s'est produit un grave accident : La locomotive à vapeur, lors de sa dernière descente de cette journée, dérailla à trop grande vitesse, à cause d'une défaillance des freins. 19 personnes trouvèrent la mort et 112 furent blessés.

Gare touristique du Drachenfels
Cette gare se trouve au pied de la colline du Drachenfels. Il s'agit d'une station de vallée qui fut partiellement rénovée pour comprendre aujourd'hui, outre un office de tourisme, une exposition sur le Siebengebirge (massif des 7 collines, dont fait partie le Drachenfels), ainsi qu'un atelier « transparent » de chemin de fer. Il y a aussi une présentation concernant l'histoire de la Drachenfelsbahn, et, au premier étage, un modèle sur , représentant l'ensemble de cette voie ferroviaire dans son état de 1927. On y distingue une partie de la vieille ville de Königswinter, la gare en vallée ainsi que tout le tracé détaillé jusqu'au sommet.

Devant la gare on peut admirer, en tant que monument réel, la locomotive à vapeur numéro 2II qui y fut installée depuis 1968.

Notes et références

Notes

Références

Voir aussi

Articles connexes
 Chemin de fer à crémaillère

Liens externes

Ligne ferroviaire en Rhénanie-du-Nord-Westphalie
Chemin de fer à crémaillère

Drachenfelsbahn


Marching refers to the organized, uniformed, steady walking forward in either rhythmic or route-step time; and, typically, it refers to overland movements on foot  of military troops and units under field orders. Marching is often performed to march music and is typically associated with military and civilian ceremonial parades. It is a major part of military basic training in most countries and usually involves a system of drill commands.

Purpose
It is said that many ancient empires first developed marching as a way to move troops from one place to another without them getting mixed up with other troops. A soldier learning to march to drum cadences, martial music and shouted commands is considered an essential element of teaching military discipline.

In the United States Marine Corps, close order drill is used to promote exercise, obeying orders, discipline, esprit de corps, confidence, and leadership.

Military paces
In the military venue there are various rhythmic military steps or standard paces. One step occurs on each beat. A pace is the length of one step, assumed to be 75 cm or 30"; (not to be confused with the ancient Roman unit of length (2 steps or 5 Roman feet = 148 cm or 58")). Here are a few examples of these steps.

 Quick March: The basic mobility. 120 beats/min. In the US this is called "quick time".
 Double March: The basic run.  180 beats/min. In the US this is called "double time".
 Highland March: Regiment-specific pace, 80 beats/min. when wearing kilts.
 Rifles March: Regiment-specific pace, 140-beats/min.  Like double-time, this is a rapid trot, with the rifle usually carried at the trail, not on the shoulder.
 Slow March: Ceremonial pace, 60 beats/min.
 Parade March: Usually seen combined with music, 116 beats/min. in the UK (except the Rifles who march at 140bpm), ~120 beats/min. in the US and Russia
 French Foreign Legion Pace: 88 beats/min
 Paso Legionario: Specific march used by the Spanish Legion, 144 beats/min, embodiment of their "espíritu de marcha".
 Typical German speed is 112 bpm.

Techniques
Marching techniques vary across military steps, countries, branches of military, and context. For rhythmic marching, individuals must maintain their dress, cover, interval, and distance (DCID):
 dress — alignment with the person to the side;
 cover — alignment with the person in front;
 interval — space between the person(s) to the side;
 distance — space between the person in front.

For mechanical efficiency, opposite arms usually swing with each leg while marching. British and Commonwealth armed forces keep their arms straight and swing the hand as high as the shoulder while forward and in theory to the level of the belt when backward.  US Marines swing the arm six inches to the front and three inches to the rear while US Army Soldiers swing the arm nine inches to the front and six inches to the rear. Some European armies bend the arm during the swing.  Many believe these differing practices help maintain rhythm for long route marches. US troops usually march long distances at "route step" which does not require them to maintain a specific pace or length of step. Some South American and Eastern European countries march on parade with the stiff leg earlier famous as the "goose step" of German troops. German and Scandinavian military bands and units swing with only the right arm, 90 degrees straight out. Some troops (like the Royal Swedish Lifeguard) swing with their left arm. This is because they carry their rifle in their right arm.
The Royal Marines refer to a long distance march carrying full kit as a yomp. The most famous yomp of recent times was during the 1982 Falklands War.

Parades
For some people, marching is a major provocative ritual. In Northern Ireland, for example, hundreds of marches occur annually. These are usually organized by groups such as the Orange Order, which provide most of the participants. Music is provided by marching bands including silver bands, flute bands and others. Marching is often seen as a symbol of control over a particular area, and marching is often seen as a sectarian activity.

Marching is often used - in the UK at least - during Armistice Day as a show of respect to those who fell during all wars and is done at the "slow march" from a pre-defined meeting place to the cenotaph. The march usually consists of Active Duty and Retired Military Personnel, Cadet Corpes, Relatives and volunteer civilians.

See also

 Drill team
 Exhibition drill
 Goose step
Loaded march
 Lockstep marching
 Majorettes
 March (music)
 Marching band
 Military step
 Parade

References

Military life
Uses of boots
Police culture
Military traditions

Marching


El Departamento de Transporte de Detroit (en inglés: Detroit Department of Transportation, D-DOT) es la agencia local gubernamental encargada de todo el transporte público de autobuses de la ciudad de Detroit, Míchigan. La sede de la agencia se encuentra ubicada en 1301 East Warren Avenue en Midtown Detroit. Su actual director es Lovevett Williams. El Departamento de Transporte de Detroit opera el servicio de autobuses de Detroit.

Véase también
 Departamento de Transporte de Míchigan

Referencias

Enlaces externos
Sitio web oficial (en inglés)
Transportation Rider United

Departamento de Transporte de Estados Unidos
Transporte de Detroit
Organizaciones fundadas en 1922

Departamento de Transporte de Detroit


Jonathan Coleman puede referirse a:

Jonathan Coleman (n. 1951), escritor estadounidense.
Jonathan Coleman (n. 1966), político neozelandés.
Jonathan "Jono" Coleman (1956-2021), presentador de televisión australiano.
Jon Coleman (n. 1975), jugador profesional estadounidense de hockey sobre hielo.
Jonathon Coleman (n. 1970), artista y escultor inglés.

Jonathan Coleman


Ivo Grbić (nogometaš), hrvatski nogometaš
 Ivo Grbić (političar), hrvatski političar, zastupnik u šestom sazivu Hrvatskog sabora
 Ivo Grbić (slikar), hrvatski slikar

Ivo Grbić


Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music.

The term "samba" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today Samba is the most prevalent dance form in Brazil, and reaches the height of its importance during the festival of Carnaval. There is actually a set of dances, rather than a single dance, that define the Samba dancing scene in Brazil; however, no one dance can be claimed with certainty as the "original" Samba style. Besides Brazilian Samba, a major style of Samba is ballroom Samba, which differs significantly.

Etymology
There are many theories about the origin of the word "samba".

One of the first references to "samba" was in Pernambuco magazine's O Carapuceiro, in February 1838. Father Miguel Lopes Gama of Sacramento wrote an article arguing against what he called "the samba d'almocreve", which was a type of dance drama popular with black people of that time.

According to Hiram Araújo da Costa, over the centuries, the festival of dances of slaves in Bahia were called samba. Samba de Roda was the main form of circle dance, provenient from the Candomblé Afro-Brazilian Tradition.

During the mid-19th century, the word referred to several types of music made by enslaved Africans. Samba further developed specific characteristics in each Brazilian state, not only due to the diversity of tribes of African immigrants, but also because of the distinctive cultures each region embodied. Some of these popular dances were known as Candomblé, Catêrêtê, Caxambú, Choradinho, Côco-inchádo, Cocumbí, Córta-jáca, Cururú, Furrundú.

Styles

Samba no pé
Samba no pé (literally, "samba in the foot") is a solo dance that is commonly danced impromptu when samba music is played. The basic movement involves a straight body and a bending of one knee at a time. The feet move very slightly - only a few inches at a time. The rhythm is 2/4, with 3 steps per measure. It can be thought of as a step-ball-change. It can be described calling it and-a-one, and-a-two, then back to one. The basic movement is the same to either side, where one foot moves to the outside lifting up just before the first beat (i.e. the right leg moves slightly to the right) and leg is kept as straight as a pole. The other foot moves slightly towards the front, and closer to the first foot. The second leg bends lightly at the knee so that the left side of the hip lowers and the right side appears to move higher. The weight is shifted to this inside foot briefly for the next "and-a", then shifted back to the outside foot on the "two", and the same series of actions is repeated towards the other side.

The dance simply follows the beat of the music and can go from average pace to very fast. Men dance with the whole foot on the ground while women, often wearing heels, dance just on the balls of the foot. Professionals may change the steps slightly, taking 4 steps per measure instead of 3, and often add various arm movements depending on the mood of the music.

There are also regional forms of the dance in Brazil where the essential steps are the same, but because of a change in the accent of the music people will dance similar movements to the slightly changed accents. For instance, in Bahia the girls tend to dance tilting their legs towards the outside instead of keeping their knees close to each other as in Rio de Janeiro.

This is the type of Samba one sees in the Brazilian Carnival parades and in other Samba carnivals over the world. This is also one of the most common type of samba dancing in Brazil.

Samba de Gafieira

Samba de Gafieira is a partner dance considerably different from the Ballroom Samba. It appeared in the 1940s and it gets its name from the gafieira, popular urban nightclubs of Rio de Janeiro at that time.

The dance derived from the Maxixe and followed the arrival of the Choro (another samba musical style). It left most of the Maxixe's Polka elements behind but maintained the entwined leg movements of the Argentine tango, although adopting a more relaxed posture than the latter. Many see this form of Samba as a combination of Waltz and Tango. Several Brazilian dance studios use elements and techniques from these two dances to teach Samba de Gafieira steps and dance routines.

Samba Pagode
Samba Pagode is a Samba partner dance that resembles the Samba de Gafieira but tends to be more intimate. The literal meaning of the Portuguese word "pagode" translates to "fun" or "merrymaking". The word is also utilized to refer to an informal gathering of samba dancers along with their accompanying music.

A key feature of Samba Pagode is its rhythmic texture created with a variety of beats. It became a dance style after the appearance of the Pagode style of music, which originated in the Brazilian city of São Paulo. The pagode style utilizes  three specific percussion instruments:  the tanta, the repique-de-mao, and the pandeiro. All three instruments are played by hand, which lends to creating a softer, more intimate sound than the batucada Samba performed by many Samba schools in Brazil. Pagode-like events have dated back to the late 19th and early 20th centuries, with the emergence of urban Samba in Rio de Janeiro.

Samba Axé
Samba Axé is a solo dance that started in 1992 during the Brazilian Carnival season in Bahia when the Axé rhythm replaced the Lambada. For years it became the major type of dance for the North east of Brazil during the holiday months. The dance is completely choreographed and the movements tend to mimic the lyrics. It is very energetic and mixes elements of Samba no pé and aerobics and because of the lyrics, which are made for entertainment, the dance generally has some sort of ludic element.

Several Axé music groups such as "É o Tchan" have as part of their marketing strategy to always release a choreography together with every one of their songs; therefore, Samba Axé is an ever-changing genre with no set of steps, routines or basic step.

Samba-reggae
Samba-reggae is a mix of reggae beats created by Samba drums. It is found in popular songs by the artist Daniela Mercury, who introduced the rhythm to the world with songs like "Sol da Liberdade" "O Reggae E O Mar" and "Perola Negra". Samba Reggae is a popular samba style in Bahia, with many followers in various parts of Brazil.

Samba-reggae has birthed a style of African-influenced dance which has been obtained from the styles of Afro-Brazilian and candomble dance. Within social settings, samba-reggae dances are often performed in a follow-the-leader manner, with a small number of advanced dancers initiating steps in a line in front of the crowd, and then the whole crowd subsequently following along. The percussionists of samba-reggae often dance while playing their drums as well. The third- and fourth drummers, known as surdos perform short choreographies, utilizing mallets to emphasize sharp arm movements. The fundos (the first and second surdos at the lead) often take center stage to showcase elaborate, deft mallet lifts and throws, and also toss their drums high overhead.

Samba-rock
Samba-rock is a playful form of the samba that originates from São Paulo. It is a form of Latin nightclub dance.

One of Samba-rock's first dance instructors, Mestre Ataliba, describes the essence of the dance style. "Dance wise, samba rock is about relaxation and concentration, all at once... It blends the African 'ginga' (body flow from Capoeira), which is present at the feet and the hips, and the European reference of the ballroom etiquette. We can dance it to the sound of Rita Pavone, samba pagode, reggae, R&B. It really embraces every music culture".

Samba de roda

("Samba of roda") is a traditional Afro-Brazilian dance performed originally as informal fun after a Candomblé ceremony, using the same percussion instruments used during the religious ceremony. The typical drum is the atabaque; drummers improvise variations and elaborations on common patterns, accompanied typically by singing and clapping as well as dancing.

The Samba de Roda is a celebratory event incorporating music, choreography and poetry.

The term "Samba" encompassed many different rhythms, tunes, drumming and dances of various periods and areas of the Brazilian territory. It appeared in the state of Bahia, more specifically in the region of Recôncavo in Brazil, during the 17th century.

Because all drumming and dance was generalized by Portuguese colonizers as "samba", it is difficult to attribute it to one distinct heritage. However, the most universally recognized cultural origin of Samba is Lundu, a rhythm that was brought to Brazil by the Bantu slaves from Africa. Lundu reveals, in a way, the amalgamation of black (slaves) and white (Portuguese) and indigenous cultures. When the African slaves where imported, it was named the "semba" and with the introduction of the Arabic Pandeiro (tambourine), brought into the Roda by the Portuguese, the "Samba" was molded into the form of dance it is now.

In the indigenous language, "samba" means roda de dança, or a circle to dance since the indigenous peoples danced in celebration on many occasions, such as the celebration of popular Catholic festivals, Amerindian or Afro-Brazilian religious ceremonies, but was also practiced at random.

All participants, including beginners, are invited to join the dance and observe as well as imitate. Usually, only the women dance after each other and they are surrounded by others dancing in a circle and clapping their hands. The choreography is often spontaneous and is based on movements of the feet, legs and hips. One of the most typical moves is the umbigada which is clear Bantu influence, where the dancer invites her successor into the circle's center.

The factor that frequently draws the attention of most people to the rhythm is the unusually-accented (syncopated) beat. The absent beat is the strongest characteristic of Samba prompting the listener to dance to fill the gap with her/his body movements. This syncopated rhythm is also an indication of Black resistance against cultural assimilation. The Samba of Roda in particular was considered an expression of freedom and identity of the underprivileged and became a means of liberation.

The Samba de Roda has significantly waned during the twentieth century due to economic decline and increased poverty in the region. The effects of mass media and competition from popular modern music have also devalued this tradition among the younger generation. Finally, the weakening of the Samba de Roda was heightened through the aging of practitioners and demise of those who made the musical instruments.

See also
Carioca (dance)
Samba school

References

External links
Origins & History of Samba
Brazilian Music and Dance - SAMBA

Brazilian dances
Samba

Samba (Brazilian dance)


Tomoaki Ogami (født 7. juni 1970) er en tidligere japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Júbilo Iwata og Avispa Fukuoka.

Eksterne henvisninger

Fodboldspillere fra Japan

Tomoaki Ogami


A  partícula modo de Higgs axial é a relatividade magnética do bóson de Higgs. Esta partícula foi apelidada de bóson de Higgs axial e pode ser uma candidata para a matéria escura. Não deve ser confundida com uma partícula fundamental proposta na física de partículas de alta energia.

Descoberta
O modo de Higgs axial é revelado usando a interferência de vias quânticas de excitação no espalhamento Raman. Sua aparição em um sistema de matéria condensada foi surpreendente e anunciou a descoberta de um novo estado de simetria quebrada que não havia sido previsto. A partícula foi feita à temperatura ambiente em um experimento de mesa onde os pesquisadores alcançam o controle quântico do modo apenas alterando a polarização da luz.

Mecânica quântica
Física de partículas
Bósons

Modo de Higgs axial


İşletme; kâr amaçlı kurumların kuruluşu, finansmanı, üretim araçlarının sağlanması, üretilen mal ve hizmetlerin pazarlanması, örgütlenmesi, yönetilmesi ve finansal olaylarının izlenmesini inceleyen bir sosyal bilimdir. Türkçede ayrıca mal ve hizmet üretiminin gerçekleştirildiği iktisadi birimler için de kullanılmaktadır.

İşletmelerin çeşitleri
İşletmeler üç ana açıdan çeşitlendirilir:

 1- Faaliyet konularına göre:
 a. Ürün üreten işletmeler
 b. Hizmet üreten işletmeler.
 2- Mülkiyet, bakımından işletmeler:
 a. Özel işletmeler (Şahısların kurduğu işletmeler)
 b. Kamu işletmeleri (Devletin kurduğu işletmeler)
 c. Karma işletmeler (Hem şahıs hem de devletin beraber kurduğu işletmeler)
 3- Büyüklüklerine göre:
 a. Küçük,
 b. Orta,
 c. Büyük ölçekli işletmeler olarak ayrılırlar.

İşletmelerin genel amaçları
 Değer arttırma: İşletme piyasa değerini hissedarları açısından maksimum yapmalıdır.
 Sosyal sorumluluk: Topluma hizmet etmelidir.
 Devamlılık: Çevredeki koşulları göz önüne alarak varlığını sürdürmelidir.
 Kâr sağlama: Müteşebbisin satılan mallardan para kazanmasıdır.
 Prestij sağlamak.
Devlet açısından:Ülkenin refah ve huzurunu sağlamak

İşletmelerin temel fonksiyonları
 Pazarlama işlevi
 Üretim işlevi
 Finans/Ekonomi işlevi
 Muhasebe işlevi
 İnsan kaynakları işlevi

Kaynakça

Ana madde konuları
Sosyal bilimler

İşletme


Satoshi Horinouchi (født 26. oktober 1979) er en tidligere japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Urawa Reds.

Eksterne henvisninger

Fodboldspillere fra Japan

Satoshi Horinouchi


«Disguises» es una canción de la banda británica The Who compuesta en 1966 por Pete Townshend. Este tema también fue incluido como bonus track en el álbum A Quick One y también en el recopilatorio Rarities Volume I & Volume II.

Enlaces externos
 http://allmusic.com/album/magic-bus-r21821

Canciones de The Who
Canciones de 1966

Disguises (canción de The Who)


Kom (în ,  2016 m) este un vârf în partea de vest a Munților Balcani, la sud de orașul Berkovița. Kom și estul acestuia, vârfurile inferioare Sreden și Malăk Kom formează o bandă cu o poziție aproximativă est-vest, o creastă ierboasă rotunjită, o pantă abruptă stâncoasă nordică și o pantă de iarbă sudică.

Traseele turistice

O impresionantă viziune l-a inspirat pe marele scriitor bulgar Ivan Vazov să scrie poemul "Na Kom". În cinstea sa, lângă vârful muntelui, a fost plasată o placă de piatră cu un basorelief al scriitorului și versete din "Na Kom". Traseul începe în partea de sus  Kom - Emine - secțiunea bulgară a rutei turistice europene E-3.

 Puncte de plecare
 Cabana Kom - situată la 15   km de Berkovița, pe versantul nordic al Malăk Kom. De la adăpost până la vârf (aproximativ 2 ore), traseul urmărește grămezile semnelor iernii, duce prin trecerea de munte dintre Sreden și Malăk Kom și vine de la vest până la creasta blândă.
 De la Berkovița până la punctul de plecare - adăpost Kom se ajunge pe un drum asfaltat cu o lungime de 15 metri   km, 3:30 ore pe jos de-a lungul traseului marcat.
 Pasul Petrohan. De la trecerea la summit (3:30 ore) el merge  traseul roșu, care face parte din traseul Kom - Emine. Mai întâi, urmați drumul de la Petrohan spre cabana Kom, prin păduri de fag și pajiști. Pe versantul estic al Malăk Kom, traseul se se poate vedea de pe șosea, ajunge pe șaua de la sud și se alătură traseului prin creastă.
 satul Komștița. Din sat până la vârf (3 ore) duce pe drumuri neasfaltate spre nord-est și ajunge pe versantul sudic al Komului. De acolo, puteți ajunge de sus în partea de sud, fără o potecă prin pădurea de conifere rară.
 Satul Ghinți. Din sat până la vârf (3 ore), mergeți mai întâi spre nord-vest printr-un drum pietruit spre coliba Malina, la nord de Etropole. La adăpost, se întoarce spre nord pe un drum nepavat, iar versanții de iarbă de la trasee marcate se întorc din nou.

Aici este organizat anual concursul off-road Kom-Emine.

Kom

Vârful Kom


Oering, Almanya'nın kuzeyinde Schleswig-Holstein eyaletinde, Segeberg iline bağlı bölge. 9,09 km² yüzölçüme sahiptir. Nüfusu, 31 Aralık 2004 itibarıyla yaklaşık 1307 olarak tespit edilmiştir. Belediye Başkanlığı Gerhard Brors tarafından yürütülmektedir.

Dış bağlantılar
 www.amt-itzstedt.eu

Segeberg iline bağlı yerleşim birimleri

Oering


The Lemon Pipers est un groupe de rock psychédélique américain des années 1960 originaire d'Oxford, Ohio, connu principalement pour sa chanson Green Tambourine, qui a atteint le  aux États-Unis en 1968. La chanson est créditée comme étant le premier hit Bubblegum pop .

Membres
Le groupe est composé de :
le batteur William (Bill) E. Albaugh (1946–1999), le guitariste Bill Bartlett (né en 1946), le chanteur Dale "Ivan" Browne (né en 1947), le claviériste Robert G. Nave (1944–2020) et le bassiste Steve Walmsley (né en 1948), qui a remplacé le bassiste d'origine Bob "Dude" Dudek.

Discographie

Notes et références

Liens externes

Groupe américain de rock psychédélique

Groupe musical américain des années 1960

The Lemon Pipers


Gülen Adam, Kemal Sunal'ın başrolünde oynadığı, yönetmenliğini Kartal Tibet'in yaptığı 1989 yapımı komedi filmidir.

Konusu
Yusuf, gülerek doğan ve her olaya da gülerek tepki veren bir adamdır. Yusuf'un bu durumu doktorların ilgisini çeker. Herkes onun ağlayacağı olayı beklerken o, çocuğunun doğmasına ağlar.

Film dönemin yaşantısını anlatmaktadır. Gecekondu yıkımları, fakirlik ve bunların karşısında akıllıca düşünen bir adamın başına gelenler anlatılıyor.

Oyuncular
 Kemal Sunal - Yusuf Şaplak
 Aydan Burhan - Naciye (ses. Gülen Karaman)
 Ahmet Sezerel - Doktor Oktay (ses. Erhan Yazıcıoğlu)
 Bilge Zobu - Ömer (ses. Pekcan Koşar)
 Diler Saraç - Ebe Fatma (ses. Ülkü Ülker)
 Gülten Ceylan - Yusuf'un annesi
 Ekrem Dümer - Yıkım işleri müdürü
 Selahattin Fırat - Muhtar
 Baykal Kent - Sünnetçi (ses. Özdemir Han)
 Erol Özkök - Gazino patronu (ses. Necdet Yakın)
 Kutay Köktürk - Dişçi
 Cengiz Sezici - Müslüm Çavuş
 Kemal İnci - Polis memuru
 Ahmet Açan - Ahmet amca
 İbrahim Kurt - Mafyanın adamı
 Seyfettin Karadayı - Mafya
 Renan Fosforoğlu - Emlakçı
 Faruk Savun - Deniz Zabıtası Müdürü (ses. Ünal Gürel)
 Kaya Gürel - Doktor (ses. Zafer Önen)

Notlar
İlk Gösterim Ocak 1989

Kaynakça

Dış bağlantılar
 Beyazperde´de Gülen Adam
 IMDb´de Gülen Adam
 Sinemalar´da Gülen Adam
 SinemaTürk'te Gülen Adam
 TSA´de Gülen Adam

1989 çıkışlı Türk filmleri
Kartal Tibet'in yönettiği filmler
Cahit Berkay'ın müziğini yaptığı filmler
Konusu İstanbul'da geçen filmler
Türk politik komedi-drama filmleri
Yahya Kılıç'ın yapımcısı olduğu filmler
Erdoğan Tünaş'ın senaryosunu yazdığı filmler
1980'lerde Türkçe filmler
Cem Film filmleri
1989 çıkışlı dramatik filmler
1989 çıkışlı komedi filmleri
Gebelik ile ilgili Türk filmleri

Gülen Adam


Kur, Sümer mitolojisinde ölülerin yuvası, cehennem, "ölülerin nehri" (Stiks) ve tarih öncesi deniz (Abzu) ile dünya (Ma) arasındaki boşluğu temsil eder, bir nevi bunların tecessümü yani cismani halidir.

Kurgusal ejderhalar
Mezopotamya mitolojisi
Sümerce deyişler

Kur (mitoloji)


Portela Portekiz'de Vila Nova de Famalicão belediyesine bağlı olan, 2,51 km² yüzölçümüne sahip, 635 nüfuslu (2001) bir bucaktır (Portekizce: freguesia).

Portekiz'in freguesiaları
Vila Nova de Famalicão

Portela (Vila Nova de Famalicão)


Parodia curvispina ist eine Pflanzenart aus der Gattung Parodia in der Familie der Kakteengewächse (Cactaceae). Das Artepitheton curvispina leitet sich von den lateinischen Worten curvus für 'gebogen' sowie -spinus für 'bedornt' ab und verweist auf die gebogenen Dornen der Art.

Beschreibung
Parodia curvispina wächst einzeln. Die grünen, niedergedrückt kugelförmigen Triebe erreichen Durchmesser von bis zu 5 Zentimeter. Die etwa 24 geraden Rippen sind in kleine Höcker untergliedert. Die auf ihnen befindlichen Areolen sind weiß. Der einzelne gelbliche Mitteldorn ist abwärts gebogen. Er weist eine Länge von 0,5 bis 2 Zentimeter auf. Die zehn bis 13 einwärts gebogenen Randdornen sind 0,4 bis 1 Zentimeter lang.

Die schwefelgelben Blüten erreichen Längen von 4 bis 6 Zentimeter. Die Narbe ist dunkel rotbraun. In den hohlen grünen Früchte sind beutelförmige, schwarze Samen enthalten, die fein gehöckert sind.

Verbreitung und Systematik
Parodia curvispina ist im brasilianischen Bundesstaat Rio Grande do Sul verbreitet.

Die Erstbeschreibung als Notocactus curvispinus durch Friedrich Ritter wurde 1979 veröffentlicht. David Richard Hunt stellte die Art 1987 in die Gattung Parodia. Nomenklatorische Synonyme sind Ritterocactus curvispinus  (1999) und Notocactus arnostianus f. curvispinus  (2004, nom. inval. ICBN-Artikel 11.4).

Nachweise

Literatur

Einzelnachweise

Parodia (Kakteen)
Curvispina

Parodia curvispina


Rolf Welberts (* 1. Januar 1955 in Düsseldorf) ist ein deutscher Diplomat und war von 2018 bis 2019 Botschafter im Tschad.

Leben
Nach dem Abitur absolvierte Welberts von 1974 bis 1979 ein Studium der Rechtswissenschaft an der Albert-Ludwigs-Universität Freiburg, Universität Genf, Universität London sowie der Eberhard Karls Universität Tübingen und legte 1979 das Erste Juristische Staatsexamen ab. Im Anschluss besuchte er erst die Flechter School of Law and Diplomacy, ehe er zwischen 1980 und 1981 ein postgraduales Studium der Rechtswissenschaften an der Law School der University of Michigan absolvierte, das er 1981 mit einem Master of Law (LL.M.) beendete. Danach war er für ein Jahr Summer Associate in der Anwaltskanzlei Alston, Miller & Gaines in Atlanta.

Laufbahn
Nach seiner Rückkehr nach Deutschland besuchte er zwischen 1982 und 1984 den Vorbereitungsdienst für den höheren Auswärtigen Dienst und schloss diesen 1984 mit der Laufbahnprüfung ab. Nach einer darauf folgenden Verwendung im Auswärtigen Amt in Bonn war er von 1985 bis 1986 Mitarbeiter an der Ständigen Vertretung bei der OECD in Paris, ehe er anschließend eine Verwendung an der Botschaft in Südkorea fand.

Daraufhin war Welberts zwischen 1989 und 1992 Ständiger Vertreter des Botschafters in der Ukraine sowie danach wieder Mitarbeiter in der Zentrale des Auswärtigen Amtes. Nach Tätigkeiten in den Missionen der KSZE in Chișinău 1993 und in Tiflis von 1994 bis 1995 war er für kurze Zeit wieder im Auswärtigen Amt tätig, ehe er von 1995 bis 1998 Mitarbeiter an der Ständigen Vertretung bei den Vereinten Nationen in New York City wurde.

1998 kehrte er nach Deutschland zurück und war im Auswärtigen Amt als stellvertretender Referatsleiter tätig sowie danach von 1999 bis 2001 Mitarbeiter der neu eingerichteten UN Interim Administration Mission im Kosovo. Anschließend war er Leiter des Informationsbüros der NATO in Moskau und dann von 2004 bis 2007 im Auswärtigen Amt Referatsleiter, ehe er zwischen 2007 und 2010 Referatsleiter beim Internationalen Stab der NATO in Brüssel war. Danach war Welberts erst Mitarbeiter der Ständigen Vertretung bei der NATO in Brüssel sowie 2011 für einige Zeit Leiter der Außenstelle in Juba, der heutigen Hauptstadt des Südsudan. Seit September 2011 war Rolf Welberts als Nachfolger von Rainer Eberle, der wiederum Botschafter in Libyen wurde, Botschafter im Sudan. Am 14. September 2012, als die Deutsche Botschaft in Karthum von einer aufgewiegelten Menschenmenge gestürmt und in Brand gesetzt wurde, hielt sich Welberts nicht auf dem Gelände der Botschaft auf.

Danach war er ab September 2016 Sonderbotschafter für die Nilbeckenregion im Auswärtigen Amt in Berlin, bevor er 2018 als Botschafter in den Tschad wechselte. Dort wurde er 2019 von Jakob Haselhuber abgelöst.

Weblinks
 Director of NATO's Information Office in Moscow. In: NATO Who's Who

Einzelnachweise

Deutscher Botschafter im Sudan
Deutscher Botschafter im Tschad
Jurist im auswärtigen Dienst
Deutscher
Geboren 1955
Mann

Rolf Welberts


Hundebrevet (færøsk: Hundabrævið) er et brev fra Færøerne, skrevet mellem 1350 og 1400. Brevet omhandler hundeavl på øerne, og er i moderne tid blevet en vigtig kilde til at stadfæste mange færøske bygders alder. Følgende bygder nævnes for første gang i Hundebrevet (angivet fra nord til syd): Hattarvík, Kirkja, Viðareiði, Múli, Kunoy, Mikladalur, Húsar, Elduvík, Leirvík, Lambi, Nes, Skáli, Strendur, Selatrað, Oyri, Eiði, Hvalvík, Kollafjørður, Vestmanna, Saksun, Nólsoy, Koltur, Miðvágur, Sørvágur, Gásadalur, Mykines, Skálavík, Húsavík, Dalur, Skarvanes, Øravík, Porkeri, Vágur og Fámjin. Mange af disse bygder kan godt være betydeligt ældre, men er altså ikke nævnt i hverken Fårebrevet eller Færingesaga.

Referencer

Færøsk litteratur
Færøernes historie

Hundebrevet


سرطان الحنجرة يعتبر من أخطر أمراض الحنجرة التي يواجهها الإنسان حالياً.

أسباب سرطان الحنجرة
 التدخين وهو أكثر المسببات لسرطان الحنجرة وليس فقط سرطان الحنجرة بل سرطان الفم وسرطان الرئة وسرطان المثانة أيضاً.
 شرب الكحول
 وأحياناً يكون السبب هو التعرض للبخور لفترات كثيرة
 التعرض لاستنشاق مواد سامة
 كثرة الارتجاع أو الارتداد المعوي وذلك بسب مرور حمض المعدة على الحنجرة مما ينتج عنه خدوش مؤلمة في الحنجرة والمريء
 دراسات حديثه أثبتت وجود علاقه بين الإصابة بفيروس الورم الحليمي البشري وسرطان الفم والحنجرة وهو فيروس ينتقل عن طريق الاتصال الجنسي ووجدت الدراسات أن ممارسة الجنس الفموي مع شخص مصاب يمكن أن ينقل العدوى من الأعضاء التناسلية للشخص المصاب إلى فم الشخص الآخر وبالتالي فوجود الفيرس التي أثبتت الدراسات أن وجوده سواء في الحلق والحنجرة بالنسبة للرجال وعنق الرحم بالنسبة للنساء يمكن أن يزيد من مخاطر الإصابة بهذا النوع من السرطانات .

أعراض سرطان الحنجرة
لسرطان الحنجرة أعراض كثيرة منها: بحة الصوت وأعراض أخرى أيضاً ولظهور أي واحدة من هذه الأعراض لا يعني أن المصاب بها مريض بسرطان الحنجرة ولكن في حالة وجودها يجب على المريض التوجه إلى الطبيب فوراً.

طرق العلاج
إن العلاج المبكر من أهم عوامل الشفاء.
يعالج سرطان الحنجرة عن طريق عدة طرق منها:
 العلاج الإشعاعي
 العلاج الكيماوي
 إزالة الجزء المصاب بالورم في الحنجرة إما جراحيا أو بواسطه الليزر.
 إزالة الحنجرة كاملة.

ملاحظة: في بعض حالات العلاج يكون هناك أعراض فمثلا في حالة العلاج الكيماوي تظهر بعض الأعراض كسقوط الشعر والأظافر .

المراجع

أنواع السرطان
طب الأنف والأذن والحنجرة

سرطان الحنجرة


Glenea humeroinvittata é uma espécie de escaravelho da família Cerambycidae. Foi descrito por Stephan von Breuning em 1956.  É conhecida a sua existência em Borneo.

Referências

Borneo catalog 2005*Borneo catalog 2005

humeroinvittata
Coleópteros descritos em 1956

Glenea humeroinvittata


Robin Michael Widdows (Cowley, Engleska, 27. svibnja 1942.) je bivši britanski vozač automobilističkih utrka. Njegov otac bio je pilot Kraljevskih zračnih snaga (RAF) u Bitki za Britaniju. Robin je nastupao u bobu za svoju zemlju na zimskim olimpijskim igrama u Innsbrucku 1964. i Grenobleu 1968. Godine 1965. pobijedio je na utrci sportskih automobila na Outlon Parku u klasi A, vozeći bolid Lotus-BRM. Od 1967. do 1969. je nastupao u Europskoj Formuli 2. U Formuli 1 je upisao nastup na Brands Hatchu za Veliku nagradu Velike Britanije 1968. no utrku nije završio zbog kvara na bolidu. Nastupao je i na utrkama 24 sata Le Mansa, 1000 km Nürburgringa, 1000 km Monze, 1000 km Spa, 6 sati Watkins Glena, 9 sati Kyalamija, no bez većih uspjeha.

Izvori

Vanjske poveznice
Robin Widdows - Driver Database
Robin Widdows - Stats F1

Britanski vozači Formule 1

Robin Widdows


The marmosets (), also known as zaris or sagoin, are twenty-two New World monkey species of the genera Callithrix, Cebuella, Callibella, and Mico. All four genera are part of the biological family Callitrichidae. The term "marmoset" is also used in reference to Goeldi's marmoset, Callimico goeldii, which is closely related.

Most marmosets are about  long. Relative to other monkeys, they show some apparently primitive features; they have claws rather than nails, and tactile hairs on their wrists. They lack wisdom teeth, and their brain layout seems to be relatively primitive. Their body temperature is unusually variable, changing by up to 4°C (7°F) in a day. Marmosets are native to South America and have been found in Bolivia, Brazil, Colombia, Ecuador, Paraguay, and Peru. They have also been occasionally spotted in Central America and southern Mexico. They are sometimes kept as pets, though they have specific dietary and habitat needs that require consideration.

According to recent research, marmosets exhibit germline chimerism, which is not known to occur in nature in any primates other than callitrichids. 95% of marmoset fraternal twins trade blood through chorionic fusions, making them hematopoietic chimeras.

Etymology
Callithrix comes from Ancient Greek and means "beautiful fur".

Species list
 Genus Callithrix—Atlantic marmosets
 Common marmoset, Callithrix jacchus
 Black-tufted marmoset, Callithrix penicillata
 Wied's marmoset, Callithrix kuhlii
 White-headed marmoset, Callithrix geoffroyi
 Buffy-headed marmoset, Callithrix flaviceps
 Buffy-tufted marmoset, Callithrix aurita
 Genus Mico—Amazonian marmosets
 Rio Acari marmoset, Mico acariensis
 Silvery marmoset, Mico argentatus
 White marmoset, Mico leucippe
 Emilia's marmoset, Mico emiliae
 Black-headed marmoset, Mico nigriceps
 Marca's marmoset, Mico marcai
 Black-tailed marmoset, Mico melanura
 Santarem marmoset, Mico humeralifer
 Maués marmoset, Mico mauesi
 Munduruku marmoset, Mico munduruku
 Gold-and-white marmoset, Mico chrysoleucos
 Hershkovitz's marmoset, Mico intermedius
 Satéré marmoset, Mico saterei
 Rondon's marmoset, Mico rondoni
 Genus Callibella—Roosmalens' dwarf marmoset
 Roosmalens' dwarf marmoset, Callibella humilis
 Genus Cebuella—Pygmy Marmoset
 Pygmy marmoset, Cebuella pygmaea

Behavior

Marmosets are highly active, living in the upper canopy of forest trees, and feeding on insects, fruit, leaves, tack, sap, and gum. They have long lower incisors, which allow them to chew holes in tree trunks and branches to harvest the gum inside; some species are specialised feeders on gum.

Marmosets live in family groups of three to 15, consisting of one or two breeding females, an unrelated male, their offspring, and occasionally extended family members and unrelated individuals. Their mating systems are highly variable and can include monogamy, polygyny, and polyandry. In most species, fraternal twins are usually born, but triplets are not unknown. Like other callitrichines, marmosets are characterized by a high degree of cooperative care of the young and some food sharing and tolerated theft. Adult males, females other than the mother, and older offspring participate in carrying infants. Father marmosets are an exceptionally attentive example of fathers within the animal kingdom, going as far as assisting their mates in giving birth, cleaning up afterbirth, and even biting the umbilical cords attaching their newborn offspring to their mothers. Most groups scent mark and defend the edges of their ranges, but  whether they are truly territorial is unclear, as group home ranges greatly overlap.

The favorite food of marmosets is carbohydrate-rich tree sap, which they reach by gnawing holes in trunks. Their territories are centered on the trees that they regularly exploit in this way. The smaller marmosets venture into the very top of forest canopies to hunt insects that are abundant there.

References

External links
 Primate Info Net Callithrix Factsheets
 Common Marmoset Care

^
Marmosets
^
Mammal common names

Marmoset


An Fernseea in uska genus han Liliopsida. An Fernseea in nahilalakip ha familia nga Bromeliaceae.

An kladograma hini sumala ha Catalogue of Life:

Mga kasarigan

Mga sumpay ha gawas

Fernseea

Fernseea


The Pascagoula Abduction was an alleged UFO sighting and alien abduction in 1973, in which Charles Hickson and Calvin Parker claimed they were abducted by aliens while fishing near Pascagoula, Mississippi.

Alleged abduction
On the evening of October 11, 1973, 42-year-old Charles Hickson and 19-year-old Calvin Parker told the Jackson County, Mississippi Sheriff's office they were fishing off a pier on the west bank of the Pascagoula River in Mississippi when they heard a whirring/whizzing sound,  saw two flashing blue lights, and observed an oval shaped object 30–40 feet across and 8–10 feet high. Parker and Hickson claimed they were "conscious but paralyzed" while three "creatures" with "robotic slit-mouths" and "crab-like pincers" took them aboard the object and subjected them to an examination.

Publicity and later activities
Following the incident, Hickson gave interviews and lectures, appeared on television (including an episode of the game show To Tell The Truth), in 1974 claimed additional encounters with aliens, and in 1983 authored a self-published book UFO Contact at Pascagoula. Parker later attended UFO conventions, and in 1993 started a company called "UFO Investigations" to produce television stories about UFOs.

In September 2011, Hickson died of a heart attack.

In 2018, Parker released his book, entitled Pascagoula — The Closest Encounter, My Story, which is "the first full account of the event given by Parker along with how it affected his life."

On June 22, 2019, a historical marker was unveiled at the site of the alleged abduction, funded by the historical society and with placement approved by the city. Parker attended the unveiling, as did Hickson's son and family. Parker stated, "It is emotional for me. I can't really describe it because I would break out in tears if I do. I wish when I died I could be buried right here underneath this plaque, that would explain it the best. It is quite an honor."

Parker died in August 2023, after battling kidney cancer.

Skepticism
Aviation journalist and UFO skeptic Philip J. Klass found "discrepancies" in Hickson's story, noted that Hickson refused to take a polygraph exam conducted by an experienced examiner, and concluded that the case was a hoax. Skeptical investigator Joe Nickell wrote that Hickson's behavior was "questionable" and that Hickson later altered or embellished his claims. Nickell speculated that Hickson may have fantasized the alien encounter during a hypnagogic "waking dream state", and suggested that Parker's corroboration of the tale was likely due to suggestibility because he initially told police he had "passed out at the beginning of the incident and failed to regain consciousness until it was over", a claim supported by Hickson during his To Tell the Truth appearance.

See also
 List of UFO sightings

References

External links
Information about the Pascagoula Abduction and Calvin Parker's Book.
All They Meant To Do Was Go Fishing (NICAP transcript of an interview with Hickson and Parker)
Nickell, Joe. "The Pascagoula Abduction: A Case of Hypnagogia?" in Ballester-Olmos, V.J., and Heiden, Richard W. (Eds.), The Reliability of UFO Witness Testimony. UPIAR, Turin, Italy (2023), pp. 137-140. ISBN 9791281441002.

1973 in Mississippi
Alien abduction reports
Pascagoula, Mississippi

Pascagoula Abduction


تشو شي (بالصينية: 朱熹) كان فيلسوفا كونفوشيا جديدا في الصين في القرن الثاني عشر (عاش 1130-1200 م). أفكاره أسست الكونفوشية الجديدة التي سادت في الصين حتى ثورة شينخاي عام 1911 م. الكونفوشية الجديدة ضمت أفكارا من الكونفوشية والبوذية والطاوية. الكتب لكونفوشيوس ومنسيوس التي حررها وعلق بها أصبحت جزءا من الامتحان الرسمي لإمبراطورية الصين.

روابط خارجية

مراجع

خطاطون صينيون في القرن 12
شعراء صينيون في القرن 12
شعراء من فوجيان
فلاسفة القرن 12
فلاسفة من فوجيان
كونفشيوسية جديدة
كونفوشيوسيون صينيون
مواليد 1130
مؤرخون صينيون في القرن 12
مؤرخون من فوجيان
نقاد البوذية
وفيات 1200
سياسيون من سامينغ
فلاسفة صينيون في القرن 12

تشو شي


خلال حرب الريف الثالثة في منطقة المغرب الإسباني ما بين 1921 و1927.. ألقى الجيش الإسباني في أفريقيا بقنابل تجريبية كيميائية في محاولة لاخماد مقاومة شمال المغرب بقيادة زعيم المقاومين عبد الكريم الخطابي

هذه الهجمات التي وقعت عام 1924 هي المرة الأولى التي تُسقط فيه طائرات غاز الخردل، أي قبل عام واحد من توقيع اتفاقية جنيف «لحظر الاستعمال الحربي للغازات الخانقة أو السامة أو غيرها من الغازات والوسائل الحربية البكتريولوجية». الغاز المستخدم في هذه الهجمات هو من إنتاج شركة الشركة الوطنية للمنتوجات الكيماوية "Fabrica Nacional de Productos Químicos" بمدينة La Marañosa بالقرب من مدريد وتأسس هذا المصنع بمساعدة كبيرة من Hugo Stoltzenberg، الصيدلاني المرتبط بجهات من الحكومة الألمانية مكلفة بالأسلحة الكيميائية السرية في أوائل عشرينيات القرن الماضي والذي حصل في وقت لاحق على الجنسية الإسبانية.

الكشف عن الحقيقة وقالو الأبحاث
رغم التستر على القصف الكمياوي الأسباني إلا ان بعض المراقبين العسكريين والطيارين مثل بيدرو توندرا بوينو Pedro Tonda Bueno في سيرته الذاتية La vida y yo (أنا والحياة)، التي نشرت عام 1974، تحدث عن إمطار طائرات للغازات السامة، وما ترتب عنه من تسميم للأراضي بالريف. كما دوّن إغناسيو هيدالغو دي سيسنيروس في سيرته الذاتية بمؤلفه Cambio de rumbo (تغيير المسار)، حيث يكشف كيف قاد شخصيا عددا من الهجمات الكيماوية بهذه المنطقة.

بعد سنوات، وفي عام 1990، كشف اثنان من الصحافيين والمحققين الألمان، روديبرت كونتس Rudibert Kunz ورولف-ديتر ميلر Rolf-Dieter Müller، في عملها Giftgas Gegen Abd El Krim: Deutschland, Spanien und der Gaskrieg in Spanisch-marokko, 1922-1927 (الغاز السام ضد عبد الكريم: ألمانيا، إسبانيا وحرب الغاز في المغرب الإسباني، 1922-1927)، وأثبتت التجارب العلمية أن القصف بالكيماوي قد حدث بالفعل. والمؤرخ البريطاني سيباستيان بالفور Sebastian Balfour، من كلية لندن للاقتصاد، في كتابه Deadly Embrace (عناق الموت)، أكد ثبوت استخدام واسع النطاق للأسلحة الكيماوية في هذه الحرب، متحققا من ذلك بعد دراسته للعديد من المحفوظات الأسبانية والفرنسية والبريطانية. ووفقا لبحثه، فإن إستراتيجية القوات الأسبانية كانت هي اختيار المناطق المكتظة بالسكان كأهداف لقنابل الغازات السامة. تم أنه عثر على أدلة إضافية في برقية من مسؤول بريطاني، H. Pughe Lloyd، الذي أرسل بها إلى وزير الحرب البريطاني.

الخلفيات
ووفقا لسيباستيان بلفور، فإن دافع الهجمات الكيماوية يستند في المقام الأول إلى الثأر لهزيمة الجيش الإسباني في أفريقيا وتحديدا القوات الأهلية النظامية Regulares  في معركة أنوال يوم 22 يوليو 1921.

أدى الإخفاق الأسباني، وهزيمة أنوال ومقتل 13.000 قتيل من الإسبان والمجندين المحليين وفقا للحصيلة الرسمية، إلى أزمة سياسية وإلى إعادة تحديد السياسة الاستعمارية الأسبانية تجاه منطقة الريف. والأزمة السياسية التي أدت بإنداليسيو برييتو إلى القول في مجلس النواب: «نحن في أشد فترة من فترات الانحطاط الإسباني. فالحملة في أفريقيا هي وبدون مجاملة، فشل تام ومطلق للجيش الأسباني».

وحتى قبل استخدام الأسلحة الكيمياوية، لجأت القوات الأسبانية العاملة إلى أساليب القمع الوحشية، والتي شملت في بعض الحالات بثر الأعضاء، وذلك بعد الهزائم الأولية في حرب الريف الثانية سنة 1909.

المراجع

تاريخ الريف

كتب قيّمة
 Balfour, Sebastian, Deadly Embrace: Morocco and the road to the Spanish Civil War, (بالأنجليزية) Oxford University Press, 2002 ISBN 0-19-925296-3.
 Rudibert, Kunz; Rolf-Dieter Müller, (بالأمانية), Giftgas Gegen Abd El Krim: Deutschland, Spanien und der Gaskrieg in Spanisch-marokko, 1922-1927 Rombach, 1990 ISBN 3-7930-0196-2.

أسلحة كيميائية حسب البلد
الاستعمار الإسباني في إفريقيا
تاريخ المغرب العسكري
حرب كيماوية حسب النزاع
حروب الريف
عمليات عسكرية تشمل أسلحة كيميائية

استعمال الأسلحة الكيماوية في حرب الريف


Bio - Construindo uma Vida é um filme brasileiro de ficção científica de 2019 dirigido e escrito por Carlos Gerbase. O filme simula um documentário ficcional que reúne diversos personagens relatando a história de vida de um homem que viveu entre 1959 e 2070. Entre o elenco que reúne 39 atores, destacam-se as atuações de Maria Fernanda Cândido, Marco Ricca, Maitê Proença, Tainá Müller, Werner Schünemann e Sheron Menezzes.

Bio teve sua première no Festival de Gramado em 24 de agosto de 2017 e foi lançado nos cinemas do Brasil em 4 de abril de 2019 pela Bretz Filmes. O filme foi considerado como inovador e experimental, e foi recebido com críticas mistas, que em geral elogiaram o elenco e a fotografia, mas criticaram a montagem confusa do filme. No 45° Festival de Gramado, recebeu o Troféu Kikito nas categorias de melhor som, melhor filme do público e menção especial do júri.

Sinopse
Nascido em 1959 e falecido em 2070, um homem possuía uma patologia peculiar que o impedia de mentir. Após seu falecimento, amigos e familiares se reuniram para recordar momentos especiais que compartilharam com ele, criando um retrato fascinante de sua biografia.

Elenco

Produção

Antecedentes e Concepção
A trajetória de Carlos Gerbase no cinema gaúcho e brasileiro é marcada por momentos extremamente significativos. Além de co-fundar a Casa de Cinema de Porto Alegre com Jorge Furtado e outros oito sócios, ele desempenhou um papel ativo no movimento superoitista (destaque para o longa "Inverno") e dirigiu, junto com Giba Assis Brasil, o seminal Verdes Anos, uma fonte de renovação para a produção audiovisual na terra de Teixeirinha.

Gerbase confrontou-se, no início do filme, com uma pergunta: "O que aconteceria se um documentarista pudesse viajar no tempo e capturar depoimentos sobre a vida de alguém no calor dos acontecimentos, sem a nostalgia de quem relembra eventos enterrados no passado distante?". Sua resposta o levou ao futuro (2070) e se tornou um roteiro que ele escreveu sozinho, resultando em um filme que oferece ao espectador "uma narrativa fragmentada, porém emocional, sobre a longa e tumultuada existência de um biólogo na segunda metade do século 20 e nos primeiros 70 anos do século 21, vivida com uma sede imensa de conhecimento".

O cineasta acredita que Bio - Construindo uma Vida é um filme que continua e aprofunda o tema principal de seus filmes anteriores (desde "Sal de Prata): "a imaginação como a força motriz do ser humano". Em Bio, o desafio de imaginar é deixado para o público: cada espectador deve criar em sua mente o personagem principal. Não é uma neurose (como em Sal de Prata), nem uma necessidade (como em 3 Efes), nem uma psicose (como em Menos que Nada). É um exercício narrativo para o outro, alguém que eu não conheço, mas em quem confio", compartilha o diretor.

Desenvolvimento

O orçamento do filme foi estimado em 1 milhão de reais. As filmagens ocorreram em um estúdio de Porto Alegre entre dezembro de 2015 e janeiro de 2016, e, ao todo, a produção é composta por 13 histórias e núcleos de personagens. O filme é composto por um elenco formado por 39 atores. O processo de montagem do filme, assinado por Milton do Prado, durou um ano para ser finalizado.

Lançamento
Bio teve sua première mundial em 24 de agosto de 2017 durante o 45° Festival de Gramado, no Rio Grande do Sul. No mesmo ano, foi selecionado para a mostra Première Brasil: Hors Concours, do Festival do Rio. Em seguida, estreou internacionalmente, no Uruguai, sendo exibido no Festival Internacional de Cinema de Punta del Este em 21 de fevereiro de 2018. No Brasil, o filme estreou comercialmente em 4 de abril de 2019 pela Bretz Filmes.

Recepção

Bilheteria
Bio teve um lançamento limitado nas salas de cinema e não alcançou sucesso comercial. O filme foi lançado em 17 salas de cinema espalhadas pelo Brasil. Ao todo, registrou um público de apenas 896 espectadores e gerou uma receita de R$ 13.374, de acordo com dados do Anuário Estatístico do Cinema Brasileiro de 2019, publicado pela Ancine.

Análise da crítica

Bio recebeu avaliações mistas dos críticos em geral, que elogiaram a direção de fotografia e as atuações, particularmente de Maria Fernanda Cândido, Marco Ricca, Sheron Menezzes, Tainá Müller, Maitê Proença e Werner Schünemann, no entanto sofreu críticas no que diz respeito a montagem do filme, que foi considerada confusa ao passo que se iam apresentando as diferentes etapas de vida do biografado. No agregador AdoroCinema, a obra possui uma média de 2,8 de 5 estrelas () com base em sete resenhas críticas publicadas na imprensa. A crítica do próprio site diz: "Este é, de fato, um filme irreverente e original, mas que se perdeu no trajeto entre a construção da ideia até sua execução". O filme recebeu aplausos durante sua estreia no Festival de Gramado. O júri do festival o recebeu positivamente, concedendo prêmios especiais de melhor filme e melhor direção. A audiência do evento também o elegeu como melhor filme do festival na competição de longas-metragens brasileiros.

Robledo Milani, dando nota 2,5 para o Papo de Cinema, escreveu que, apesar do desempenho impressionante do elenco, o filme "sucumbe à experimentação, deixando de lado possibilidades concretas para investir em concepções frágeis. A ação em Bio inexiste - ela se passa quase que exclusivamente no campo da imaginação - e tudo a que temos acesso são os depoimentos destas 39 pessoas escolhidas para relatar a trajetória deste homem. Assim, temos quase quatro dezenas de atores sozinhos, sentados diante de uma câmera, detalhando eventos e impressões. Um documentário tradicional, caso fosse feito sob esse formato, seria inevitavelmente acusado de ultrapassado, antiquado, desprovido de criatividade".

Caio Lopes, do Observatório de Cinema, pontuou: "O elenco variado e cheio de nomes talentosos – que vão de Marco Ricca a Maitê Proença – se limita à tarefa de falar do mesmo único personagem, nem sempre tendo o tempo de apresentar histórias próprias. [...] Porém a maior fraqueza está na obsolescência da figura central". Já Daniel Schenker diz que os atores estavam íntimos com a proposta do filme: "A decisão de desenvolver a história até o futuro (começa em 1959 e termina em 2070) reforça o caráter inventivo deste filme de Carlos Gerbase, valorizado pela sintonia do elenco com a proposta".

O crítico d'O Estado de S.Paulo, Luiz Zanin Oricchio, saiu em defesa do filme e escreveu que "Leva-se um tempo para entrar na história, mas, quando se consegue, a ficção te carrega a numa aventura narrativa super interessante. Muito bem fotografado, e com rostos de mulheres formidáveis como narradoras, do tipo Tainá Müller, Maria Fernanda Cândido e Maitê Proença". Thalesa de Menezes, para a Folha de S.Paulo, escreveu que, apesar da boa ideia do filme, apresenta "muitos personagens e uma estrutura de narração inventiva. Mas é justamente o formato incomum do filme do cineasta Carlos Gerbase que deixa ideias e seus quase 40 personagens um tanto sufocados".

Prêmios e indicações

Filmes do Brasil de 2017
Filmes de ficção científica do Brasil
Filmes em língua portuguesa
Filmes gravados em Porto Alegre

Bio - Construindo uma Vida


An Eriocaulon fysonii in uska species han Liliopsida nga ginhulagway ni R. Ansari ngan Nambiyath Puthansurayil Balakrishnan. An Eriocaulon fysonii in nahilalakip ha genus nga Eriocaulon, ngan familia nga Eriocaulaceae. Ginklasipika han IUCN an species komo diri gud kababarak-an. Waray hini subspecies nga nakalista.

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Eriocaulon fysonii