O Gabinete dos Estados Unidos, que é o principal órgão consultivo e de apoio direto ao Presidente dos Estados Unidos, foi ocupado por um total de 35 membros afro-americanos ao longo de sua história. Um destes foi nomeado para mais de um cargo durante o mesmo governo fazendo com que tenham sido um total de 36 nomeações de afro-americanos ao gabinete. O Departamento do Censo dos Estados Unidos define os afro-americanos como "cidadãos ou indivíduos residentes nos Estados Unidos que têm ascendência em qualquer uma das populações negras da África". Geralmente, o termo é referente aos estadunidenses que possuem ancestralidade parcial de um determinado povo originário da África subsaariana. À época da formação do governo federal estadunidense no século XVIII, os afro-americanos ainda eram tidos como grupos de segunda classe devido à escravidão então vigente. Nenhum afro-americano jamais ocupou um cargo ministerial ou federal nos Estados Unidos antes do Movimento dos Direitos Civis na década de 1960.

Em 1966, Robert C. Weaver tornou-se o primeiro afro-americano a servir no gabinete presidencial ao ser nomeado Secretário de Habitação e Desenvolvimento Urbano por Lyndon B. Johnson. Por sua vez, Patricia Roberts Harris tornou-se a primeira mulher afro-americana a servir em um gabinete presidencial quando assumiu o mesmo cargo durante a presidência de Jimmy Carter em 1977. Dois anos depois, Harris foi nomeada Secretária de Saúde e Serviços Humanos, tornando-se a primeiro afro-americana a ocupar dois cargos ministeriais diferentes. Em 20 de janeiro de 2001, Colin Powell assumiu o cargo de Secretário de Estado dos Estados Unidos de George W. Bush, sendo este o cargo mais alto ocupado do governo estadunidense por um afro-americano até então. Em 2005, Powell foi sucedido pela também afro-americana Condoleezza Rice durante o segundo mandato de Bush. Em 20 de janeiro de 2001, Kamala Harris alcançou o cargo mais alto do gabinete de governo estadunidense após ser empossada Vice-presidente dos Estados Unidos.

Afro-americanos no Gabinete dos Estados Unidos

Ver também
 Lista de afro-americanos no Senado dos Estados Unidos
 Lista de mulheres nomeadas ao Gabinete dos Estados Unidos
 Movimento dos direitos civis dos negros nos Estados Unidos

Afro-americanos
Gabinete
Política dos Estados Unidos
Políticos afro-americanos
História política dos Estados Unidos

Lista de afro-americanos no Gabinete dos Estados Unidos


Onthophagus rubellus é uma espécie de inseto do género Onthophagus, família Scarabaeidae, ordem Coleoptera.

Foi descrita cientificamente por D'Orbigny em 1908.

Referências

Ligações externas

rubellus
Coleópteros descritos em 1908

Onthophagus rubellus


30273 Samepstein este un asteroid din centura principală de asteroizi.

Descriere
30273 Samepstein este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Socorro, New Mexico, în cadrul proiectului LINEAR. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 2,23 ua, o excentricitate de 0,19 și o înclinație de 3,3° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 30001-31000
 Centura de asteroizi

Note

Obiecte astronomice descoperite în 2000
Centura de asteroizi

30273 Samepstein


U hinduističkoj mitologiji, Himavat(a) (sanskrt हिमवत् = "mrazni/smrznuti") — također poznat kao Himavant (हिमावन्त = "ledeni"), Himavana (हिमवान = "snježni"), Himaraja (हिमराज = "kralj snijega") ili Parvateshwara (पर्वतेश्वर = "gospodar planina") — bog je i kralj Himalaja, kao i personifikacija tog planinskog lanca. Njegova je supruga kraljica Menavati, kći planine Meru, dok su Himavatove kćeri Ragini, Ganga — božica Gangesa — i velika božica Parvati. Himavat je spomenut u svetom tekstu naziva Devi-Bhagavata Purana, koji je posebno važan u šaktizmu.

Prema mitu, Parvati je reinkarnacija božice Sati, koja je sama inkarnacija vrhovne božice Šakti. Mnogo godina nakon Satinog samoubojstva, ona je rođena kao Parvati, koja se udala za boga Šivu.

Izvori i bilješke

Hinduistički bogovi

Himavat


خنشارة هي إحدى القرى اللبنانية من قرى قضاء المتن في محافظة جبل لبنان.

التسمية
هناك نظريتين حول تسمية الخنشارة:
 نظرية الاصل السرياني: يظن أن اسمها مؤلف من كلمتين سريانيتين هما «كنيش» ونعني جماعة، و«شاهري» وتعني اليقظون. فيصبح معناها يدل على الرهبان. أو قد تكون «كنيش» و «داري» التي تعني الجيوش فيصيح معناها معسكر الحرب ربما لأنه في القرن الثامن وقعت معركة بين الأمويين والمردة بالقرب من الخنشارة.
 نظرية الاسم العربي: أكثر الباحثين برجعون اسمها إلى كلمة «الخنشار» الذي هو نبات منتشر في تلك المنطقة.

المراجع

 أنيس فريحة، معجم أسماء المدن والقرى اللبنانية.
 خنشارة-مدونة محسن بن سليمان العطيات-
http://atyyatnames.blogspot.com/2013/11/blog-post_17.html

أماكن مأهولة في قضاء المتن
أماكن مأهولة في لبنان
تجمعات أرثوذكسية شرقية في لبنان
تجمعات الروم الملكيين في لبنان
تجمعات مارونية في لبنان
مدن لبنان

خنشارة


The World Climate Research Programme (WCRP) is an international programme that helps to coordinate global climate research. The WCRP was established in 1980, under the joint sponsorship of the World Meteorological Organization (WMO) and the International Council for Science (ICSU), and has also been sponsored by the Intergovernmental Oceanographic Commission (IOC) of UNESCO since 1993.

The programme is funded by its three sponsors and additional contributions by nation states or other donors. WCRP uses these funds to organize science workshops or conferences and support collaboration between climate scientists at an international level. Its expert groups also develop international standards for climate data and propose future emphasis areas in international climate research, among others.

Mandate

WCRP's objective is stated as "a better understanding of the climate system and the causes of climate variability and change" and "to determine the predictability of climate; and to determine the effect of human activities on climate". In practice, the programme aims to foster initiatives in climate research which require or benefit from international coordination and which are unlikely to emerge from national efforts alone. The programme does not fund climate research directly, but may at times exchange views with research funding agencies on global research priorities.

Structure

The largest group of contributors to WCRP are several thousands of climate scientists from around the world who offer their expertise and time as volunteers to, for example, help organize workshops in key areas of research, lay out avenues for future research in white paper articles, and serve on WCRP science or advisory boards. Official scientific guidance for the programme is provided by a Joint Scientific Committee (JSC) consisting of 18 volunteer scientists selected by mutual agreement between the three sponsoring organizations. Everyday operations are supported by a secretariat of around 8 full-time staff, hosted by the World Meteorological Organization in Geneva.

Activities and projects

WCRP's largest activities are its four "Core Projects" (called SPARC, CLIVAR, CliC, and GEWEX), which support climate research on the global atmosphere, oceans, the cryosphere, and the land surface (together constituting the Earth's physical climate system) as well as interactions and exchanges between them. Each Core Project again has a structure similar to that of WCRP itself, namely contributing scientists, a scientific steering group, and a secretariat ("international project office") hosted by individual countries.

The programme further maintains topical working groups and advisory councils on climate data, climate modelling, subseasonal-to-decadal climate prediction, and regional climate modelling. Additional "Grand Challenges" target specific questions of societal interest within climate science.

One particular output by a WCRP task team is the Coupled Model Intercomparison Project, which standardizes and coordinates regular comparisons of the world's climate models and which provides an important basis for the IPCC Assessment Reports' climate projections.

Stratospheric Processes And their Role in Climate
Stratosphere-troposphere Processes and their Role in Climate (SPARC) is a core project of the programme. Founded in 1992, SPARC has coordinated high-level research activities related to understanding Earth system processes for over two decades. More specifically, SPARC promotes and facilitates cutting-edge international research activities on how chemical and physical processes in the atmosphere interact with climate and climate change.

See also
World Meteorological Organization (WMO)
International Council for Science (ICSU)
Intergovernmental Oceanographic Commission (IOC/UNESCO)
Coupled model intercomparison project (CMIP)
Tropical Ocean-Global Atmosphere program (TOGA)
Global Climate Observing System (GCOS)
Future Earth
Group on Earth Observations (GEO)
Intergovernmental Panel on Climate Change (IPCC)

References

External links
 Official website
 SPARC home page

Climatological research organizations
International organisations based in Switzerland
International scientific organizations
Scientific organizations established in 1980

World Climate Research Programme


Lsjbot er en bot drevet af Lars Sverker Johansson (akronym Lsj), der opretter korte Wikipedia-artikler (såkaldt stubbe) på basis af digitale kilder og databaser på svensk og to filippinske sprog, cebuano og waray.

Bottens arbejde har medført, at Wikipedia på de tre sprog har langt flere artikler end tilsvarende sprog. 15. juni 2013 rundede Svensk Wikipedia således en million artikler med en artikel Lsjbot havde oprettet om sommerfuglearten Erysichton elaborata. På det tidspunkt var omkring halvdelen af artiklerne på Svensk Wikipedia skabt med bot. I august 2013 oprettede Lsjbot ca. 7.200 artikler om dagen på Svensk Wikipedia, hvilket var det højeste antal artikler pr. dag for en Wikipedia.

Ifølge The Wall Street Journal havde Lsjbot pr. juli 2014 oprettet 2,7 mio. artikler på Wikipedia, hvilket på det tidspunkt svarede til ca. 8,5 % af det samlede antal artikler på Wikipedia. Ved produktionen af artikler benyttede Lsjbot sig af databaser så som den biologiske artsfortegnelse Catalogue of Life. På de filippinske sprog oprettede Lsjbot artikler om filippinske byer.

Efter interviewet med Sverker Johansson i Wall Street Journal blev der fortalt om Lsjbot i en række internationale medier. Kritikere bemærkede at Lsjbots arbejde førte til en mængde artikler med overfladisk og rudimentær information. Med de bot-generede artikler blev der lagt vægt på kvantitet i stedet for kvalitet.

Lsjbot ophørte med at være aktiv på waray i november 2015, og siden november 2016 er den heller ikke længere aktiv på svensk. I alt har Lsjbot oprettet 3.023.654 artikler på Svensk Wikipedia ud af et samlet antal på 3,8 mio. artikler.

Eksterne henvisninger
 Ellen Emmerentze Jervell: For This Author, 10,000 Wikipedia Articles Is a Good Day's Work, Wall Street Journal, 13. juli 2014.
 Die Maschine, die 8,5 Prozent der Wikipedia schrieb, Frankfurter Allgemeine Zeitung, 16. juli 2014.
 Jan-Bernd Meyer: Abschied vom Humankapital, Computerwoche 40/2014, s. 1.
 Sverker Johansson: Writing Wikipedia articles by the million,  foredrag 65 min, 7. december 2013, på YouTube.

Noter

Software
Wikipedia

Lsjbot


سالفاتوري فوتي  (مواليد 8 أغسطس 1988 في باليرمو - إيطاليا) لاعب كرة قدم إيطالي يلعب حاليا لصالح نادي الدرجة الأولى سامبدوريا الإيطالي منذ 2009 في مركز المهاجم كما يجيد اللعب في مركز الجناح الأيسر .

روابط خارجية

مراجع

أشخاص على قيد الحياة
رياضيون إيطاليون مغتربون في سويسرا
رياضيون من باليرمو
طاقم إيه سي ميلان غير اللاعبين
طاقم نادي تورينو غير اللاعبين
طاقم نادي روما غير اللاعبين
لاعبو الدوري الإيطالي
لاعبو الدوري الإيطالي الدرجة الثالثة
لاعبو الدوري الإيطالي الدرجة الثانية
لاعبو أودينيزي
لاعبو إمبولي
لاعبو بريشيا
لاعبو بياتشينزا
لاعبو سامبدوريا
لاعبو فيتشينزا
لاعبو كرة قدم إيطاليون
لاعبو كرة قدم رجالية إيطاليون
لاعبو كرة قدم رجالية إيطاليون مغتربون
لاعبو كرة قدم رجالية مغتربون في سويسرا
لاعبو كرة قدم من باليرمو
لاعبو كرة قدم من صقلية
لاعبو نادي تريفيزو
لاعبو نادي كياسو
لاعبو نادي مسينا
مهاجمو كرة قدم رجالية
مواليد 1988
مواليد في باليرمو

سالفاتوري فوتي


The Getaway is a 1972 American action thriller film based on the 1958 novel by Jim Thompson. The film was directed by Sam Peckinpah, written by Walter Hill, and stars Steve McQueen, Ali MacGraw, Ben Johnson, Al Lettieri, and Sally Struthers. The plot follows imprisoned mastermind robber Carter "Doc" McCoy (McQueen), whose wife Carol (MacGraw) conspires for his release on the condition they rob a bank in Texas. A double-cross follows the crime and the McCoys are forced to flee for Mexico with the police and criminals in hot pursuit.

Peter Bogdanovich, whose The Last Picture Show impressed McQueen and producer David Foster, was originally hired as the director of The Getaway. Thompson came on board to write the screenplay, but creative differences ensued between him and McQueen and he was subsequently fired along with Bogdanovich. Writing and directing duties eventually went to Hill and Peckinpah, respectively. Principal photography commenced on February 7, 1972, on location in Texas. The film reunited McQueen and Peckinpah, who had worked together on the relatively unprofitable Junior Bonner which was released the same year.

The Getaway premiered on December 13, 1972. Despite the negative reviews it received upon release, numerous retrospective critics gave the film good reviews. A box office hit earning over $36 million, it was the eighth highest-grossing film of 1972, and was one of the most financially successful productions of Peckinpah's and McQueen's careers. A film remake of the same name starring Alec Baldwin and Kim Basinger was released in 1994.

Plot
Four years into his ten-year sentence for armed robbery, Carter "Doc" McCoy is denied parole from a Texas prison. When his wife Carol visits him, he tells her to do whatever is necessary to make a deal with Jack Beynon, a parole board member and corrupt businessman in San Antonio, to free him. Beynon facilitates Doc's parole on the condition that he plan and take part in a bank robbery with two henchmen, Rudy Butler and Frank Jackson. The robbery initially goes as planned, until Frank kills a security guard. Rudy kills Frank as they drive away. At the designated meeting place, Rudy tries to shoot Doc, but Doc anticipates Rudy's double-cross and shoots Rudy several times. Doc and Carol take the million (equivalent to $ million in ) and flee. Rudy, having secretly worn a bulletproof vest, is only wounded.

When Doc meets with Beynon, Carol sneaks into the meet to kill Doc, per a double-cross Beynon arranged with her; however, Carol turns her gun on Beynon and kills him. Doc, having just been taunted by Beynon before Carol shot him, realizes that Carol had sex with Beynon to secure his parole. He angrily gathers up the money and, after a bitter quarrel, the couple flees for the border at El Paso.

Rudy forces rural veterinarian Harold Clinton and his wife Fran to treat his injuries, then kidnaps the pair to pursue Doc and Carol. Beynon's brother Cully and his team also track the McCoys down. At a train station, a con man swaps locker keys with Carol and steals their bag of money. Doc follows him onto a train and forcibly takes it back, although the thief has already pocketed a packet of the money. The injured thief and a train passengera boy whom Doc had rebuked for squirting him with a water gunare taken to the police station, where they identify Doc's mug shot.

Carol buys a car, and they drive to an electronics store. As Doc buys a portable radio, the radio and television sets start broadcasting the news of the earlier incidents they were involved in. Doc leaves immediately, but the proprietor gets a glimpse of his picture on TV and calls the police. Doc steals a shotgun from a neighboring store, and shoots up the arriving police car so that they can flee.

The mutual attraction between Rudy and Fran, the veterinarian's wife, leads to them having consensual sex on two occasions in front of her husband, who is tied up in a chair at a motel. Humiliated, the vet hangs himself. Rudy and Fran move on, barely acknowledging the suicide. They check into El Paso's Laughlin Hotel, used by criminals as a safe house, as Rudy knows that the McCoys will be heading to the same place. When Doc and Carol check in, they ask for food to be delivered, but the manager, Laughlin, says he is working alone and cannot leave the desk. Doc realizes that Laughlin sent his family away because something is about to happen. He urges Carol to dress quickly so they can escape. An armed Rudy comes to their door while Fran poses as a delivery girl. Peering from an adjacent doorway, Doc is surprised to see Rudy alive. He sneaks up behind Rudy, knocks him out, and does the same to Fran.

Beynon's brother, Cully, and his thugs arrive as the McCoys try to leave. A violent gunfight ensues in the halls, stairwell, and elevator and all but one of Cully's men are killed; Doc allows him to run away. Rudy comes to, follows Doc and Carol outside onto a fire escape, and shoots at them. Doc returns fire and kills him. With the police on the way, the couple hijack a pickup truck and force the driver, a cooperative old cowboy, to take them to Mexico. After crossing the border, Doc and Carol pay the cowboy $30,000 () for his old truck. Overjoyed, the cowboy heads back to El Paso on foot, while the couple continue into Mexico, having gotten away with their crimes, and the remainder of the money.

Cast

Production

Development

Steve McQueen had been encouraging his publicist David Foster to enter the film industry for years, as a producer. His first attempt was Butch Cassidy and the Sundance Kid (1969), with McQueen starring alongside Paul Newman, but 20th Century Fox, particularly its president, Richard D. Zanuck, did not want Foster as part of the deal. Rather, Zanuck hired producer Paul Monash since he was the studio's profit maker, resulting in McQueen's departure from the project. While McQueen was making Le Mans (1971), Foster acquired the rights to Jim Thompson's crime novel The Getaway. Foster sent McQueen a copy of the book urging him to do it. The actor was looking for a "good/bad guy" role and saw these qualities in the novel's protagonist, Doc McCoy.

Foster looked for a director and Peter Bogdanovich came to his attention. Bogdanovich's agent, Jeff Berg, set up a special screening of his client's soon-to-be released The Last Picture Show (1971) for Foster with McQueen in attendance. They loved it and met with the director and a deal was reached. However, Warner Bros. approached Bogdanovich with an offer to direct What's Up, Doc? (1972), starring Barbra Streisand, with the stipulation that he had to start right away. The director wanted to do both, but the studio refused. When McQueen heard this, he became upset and told Bogdanovich that he was going to get someone else to direct The Getaway.

McQueen had recently worked with director Sam Peckinpah on Junior Bonner (1972) and enjoyed the experience, but the film proved to be unsuccessful. He said: "Out of all my movies, Junior Bonner did not make one cent. In fact, it lost money." McQueen recommended that Foster approach Peckinpah. Like McQueen, Peckinpah was in need of a box office hit and accepted immediately. The filmmaker had read the novel when it was originally published and had talked to Thompson about making a film adaptation when he was starting out as a director.

At the time, Peckinpah wanted to make Emperor of the North Pole (1973), a story set during the Great Depression about a brakeman obsessed with keeping homeless people off his train. The film's producer made a deal with Paramount Pictures' production chief Robert Evans, allowing Peckinpah to do his personal project if he first directed The Getaway. The director was soon dismissed from Emperor and told that Paramount was not making The Getaway.

A conflict arose with Paramount over the film's budget. Foster had thirty days to set up a new deal with another studio, or Paramount would own the exclusive rights. He was inundated with offers and accepted one from First Artists, because McQueen would receive no upfront salary, just ten percent of the gross receipts from the first dollar taken in on the film. This would become very profitable only if the film was a box office hitwhich it was.

Writing
Jim Thompson was hired by Foster and McQueen to adapt his novel. He worked on the screenplay for four months, changing some of the scenes and episodes in his novel. Thompson's script included the borderline surrealistic ending from his novel featuring El Rey, an imaginary Mexican town filled with criminals. McQueen objected to the depressing ending and Thompson was replaced by screenwriter Walter Hill. Hill had been recommended by Polly Platt, Bogdanovich's wife, who was then still attached to direct; Platt had been impressed by Hill's work on Hickey & Boggs (1972). Hill said Bogdanovich wanted to turn the material into a more Hitchcock-type thriller, but he had only written the first twenty-five pages when McQueen fired the director. Hill finished the script in six weeks, then Peckinpah came on board.

Peckinpah read Hill's draft, and the screenwriter remembered that he made few changes: "We made it non-period and added a little more action." On Thompson's novel, Hill said:

Casting

When Bogdanovich was to direct, he intended to cast Cybill Shepherd, his then girlfriend, in the role of Carol. As soon as Peckinpah came on to direct, he wanted to cast Stella Stevens with whom he had worked on The Ballad of Cable Hogue (1970), with Angie Dickinson and Dyan Cannon as possible alternatives. Foster suggested Ali MacGraw, a much in-demand actress after the commercial success of Love Story (1970). She was married to Robert Evans, who wanted her to avoid being typecast in preppy roles, and set up a meeting for her with Foster, McQueen, and Peckinpah about the film. According to Foster, she was scared of McQueen and Peckinpah because they had reputations as "wild, two-fisted, beer guzzlers". McQueen and MacGraw experienced a strong instant attraction. "He was recently separated and free," she said, "and I was scared of my overwhelming attraction to him." MacGraw was paid $300,000 plus German distribution rights.

Peckinpah originally wanted actor Jack Palance to play the role of Rudy Butler but could not afford his salary. Impressed by his performance in The Panic in Needle Park (1971), Hill recommended Richard Bright. Bright had worked with McQueen fourteen years before, but he did not have the threatening physique that McQueen pictured for Butler because the two men were the same height. Due to his friendship with Bright, Peckinpah cast him as the con man. Al Lettieri was brought to Peckinpah's attention for the role of Butler by producer Albert S. Ruddy, who was working with the actor on The Godfather (1972). Like Peckinpah, Lettieri was a heavy drinker which caused problems while filming due to his unpredictable behavior.

Filming
Principal photography of The Getaway began in Huntsville, Texas, on February 7, 1972. Peckinpah shot the opening prison scenes at the Huntsville Penitentiary, with McQueen surrounded by actual convicts. Other shooting locations included Texas towns such as San Marcos, San Antonio  and El Paso. The climatic scenes at El Paso's Laughlin Hotel, demolished in 2013 (along with City Hall) to make way for Southwest University Park, include the curved framework of the Abraham Chavez Theatre, visible under construction nearby; the construction site, including the adjacent El Paso Civic Center, also appear in a scene where McQueen is atop a parka dee at a supposedly distant train station, catching a train to El Paso.

McQueen and MacGraw began an affair during production. She would eventually leave her husband Evans and become McQueen's second wife. Foster was worried that their relationship could have a potentially negative impact on the film by causing a scandal. MacGraw got her start as a model, and her inexperience as an actress was evident on the set as she struggled with the role. According to Foster, the actress and Peckinpah got along well, but she was not happy with her performance: "After we had completed The Getaway and I looked at what I had done in it, I hated my own performance. I liked the picture, but I despised my own work."

Peckinpah's intake of alcohol increased dramatically while making The Getaway, and he was fond of saying, "I can't direct when I'm sober." He and McQueen got into occasional heated arguments during filming. The director recalled one such incident on the first day of rehearsal in San Marcos: "Steve and I had been discussing some point on which we disagreed, so he picked up this bottle of champagne and threw it at me. I saw it coming and ducked. And Steve just laughed." McQueen had a knack with props, especially the weapons he used in the film. Hill remembered, "You can see Steve's military training in his films. He was so brisk and confident in the way he handled the guns." It was McQueen's idea to have his character shoot and blow up a squad car in the scene where Doc holds two police officers at gunpoint.

Under his contract with First Artists, McQueen had final cut privileges on The Getaway. When Peckinpah found out, he was upset. Richard Bright said that McQueen chose takes that "made him look good" and Peckinpah felt that the actor had played it safe: "He chose all these Playboy shots of himself. He's playing it safe with these pretty-boy shots."

Music
Peckinpah's longtime composer and collaborator Jerry Fielding was commissioned to score The Getaway. He had worked previously with the director on Noon Wine (1966), The Wild Bunch (1969), Straw Dogs (1970), and Junior Bonner. After the film's second preview screening, McQueen was unhappy with the music and used his clout to hire Quincy Jones to rescore the film. Jones's music had a jazzier edge and featured harmonica solos by Toots Thielemans and vocals by Don Elliott, both of whom had been his associates. Peckinpah was unhappy with this action and took out a full-page ad in Daily Variety on November 17, 1972, which included a letter he had written to Fielding thanking him for his work. Fielding would work with Peckinpah on two more films, Bring Me the Head of Alfredo Garcia (1974) and The Killer Elite (1975). Jones was nominated for a Golden Globe award for his original score.

Release

Theatrical run and box office
There were two preview screenings for The Getaway: a lackluster one in San Francisco and an enthusiastic one in San Jose, California. In the second week of January 1973, the film grossed an estimated $874,000 in thirty-nine locations in the United States. It also peaked on Varietys box office chart. The film had grossed $18,943,592 by the end of 1973, and went on to become the eighth highest-grossing film of the year. Its North American rentals for that year were $17,500,000. On a production budget of $3,352,254, the film grossed $36,734,619 in the US alone.

Walter Hill later recalled:

Home media
Warner Home Video released a two-disc DVD version of The Getaway on November 19, 1997, presented in widescreen and pan and scan. Warner released the film again on DVD as part of The Essential Steve McQueen Collection seven-disc box set on May 31, 2005, followed by an HD DVD and a Blu-ray version on February 27, 2007. Special features include audio commentary by Peckinpah's biographers and documentarians Nick Redman, Garner Simmons, David Weddle, and Paul Seydor and a 12-minute "virtual" commentary by Peckinpah, McQueen and MacGraw. There is also a featurette entitled Main Title 1M1 Jerry Fielding, Sam Peckinpah & The Getaway which includes interviews with composer Jerry Fielding's wife and two daughters, and Peckinpah's assistant.

Critical reception
Initial reaction to The Getaway was negative. Vincent Canby of The New York Times called the film "aimless". Roger Ebert of the Chicago Sun-Times complained that the story was contrived, calling it "a big, glossy, impersonal mechanical toy", and rated it 2 out of 4 stars. The New Yorkers Pauline Kael said the on-screen relationship between McQueen and MacGraw leaves much to be desired. In hindsight, Kael referred to MacGraw as a much worse actress than Candice Bergen. Jay Cocks of Time magazine felt that Peckinpah "was pushing his privileges too far", but complimented his film as "a work of a competent craftsman". The New York Daily News Kathleen Carroll denounced the film for being "too violent and vulgar". John Simon called The Getaway "a sourly disappointing, ugly, and unbelievable film". Conversely, the Chicago Tribune Gene Siskel said The Getaway "play[ed] like a 1970s Bonnie and Clyde", giving it 3 stars out of 4. Stanley Kauffmann of The New Republic wrote- "McGraw is a zero, so she makes us question her all the time. Outside of that (immense) flaw in casting, the picture is smashing".

Modern criticism has been more appreciative. Dennis Schwartz of Ozus World Movie Reviews gave it a B grade rating, praising most of the film's action sequences and calling it "a gripping thriller (...) filmed in Peckinpah's excessive action-packed violent and amoral style". Newell Todd of CHUD.com scored it 7 out of 10, considering it "an entertaining film that is only made better with some McQueen action". Casey Broadwater of Blu-ray.com described it as "an effective thriller that plays with and against some of [Peckinpah's] well-noted stylistic trademarks, ... a well-constructed, lovers on the run-style heist flick". Writing for Cinema Crazed, Felix Vasquez also lauded most action scenes and remarked: "The Getaway is a top notch crime thriller with a fantastic turn by McQueen and it's still the best action movie I've ever seen."

Rotten Tomatoes gives the film a score of 83% based on 23 reviews from critics, with an average rating of 6.9/10. The website's consensus reads, "The Getaway sees Sam Peckinpah and Steve McQueen, the kings of violence and cool, working at full throttle". Rotten Tomatoes also ranked the film at  47 on its "75 Best Heist Movies of All Time" list. In 2010, The Playlist included The Getaway on its list of the "25 All-Time Favorite Heist Movies", describing it as "a solid, straight-ahead action flick that's always fun to wander into the middle of on late night TV."

Remake

A remake of the film, directed by Roger Donaldson and co-written by Walter Hill, was released on February 11, 1994. It stars Alec Baldwin and Kim Basinger, with Michael Madsen, James Woods, David Morse, and Jennifer Tilly. The film received negative reviews upon its release, with critics calling it a clichéd and uninspired retread of the Peckinpah film. In 2008, Baldwin referred to it as a "bomb".

See also
 Heist film
 List of American films of 1972

Citations

General bibliography

External links

1972 films
1970s action thriller films
1970s crime thriller films
1970s heist films
Adultery in films
American action thriller films
American chase films
American crime thriller films
American heist films
Films scored by Quincy Jones
Films about bank robbery
Films based on American novels
Films based on crime novels
Films based on Jim Thompson novels
Films directed by Sam Peckinpah
Films set in Houston
Films set in Texas
Films shot in El Paso, Texas
Films shot in New Braunfels, Texas
Films shot in San Antonio
First Artists films
American neo-noir films
Films with screenplays by Walter Hill
1970s English-language films
1970s American films

The Getaway (1972 film)


François Jacques, né le  à Lac-Mégantic, est un ambulancier, thanatologue et homme politique québécois. Il est député à l'Assemblée nationale du Québec de la  circonscription de Mégantic depuis 2018 sous la bannière de la Coalition avenir Québec.

Biographie
François Jacques naît le  à Lac-Mégantic.

Études (1995-1998)
Il réussit une attestation d'études collégiales en techniques ambulancières au Collège Ahuntsic en 1995, puis un DEC en techniques de thanatologie au Collège de Rosemont en 1998.

Vie professionnelle et communautaire (1995-2018)
Il est ambulancier de 1995 à 2005. À partir de 1992, il est vice-président au centre funéraire Jacques et fils, avant de devenir thanatologue au même centre funéraire en 1998. Il quitte ses fonctions en 2018 après son élection.

Il a été conseiller municipal à Lac-Mégantic et directeur des opérations au club de hockey l'Isothermic de Thetford Mines.

Député
Il est élu député de Mégantic à l'Assemblée nationale du Québec lors des élections générales québécoises de 2018. Il est président de séance de  à . De plus, il siège à la Commission de l'administration publique et à la Commission des relations avec les citoyens de  à .

Il est l'adjoint parlementaire de la ministre des Affaires municipales et de l'Habitation Andrée Laforest depuis .

Il siège à la Commission de l'aménagement du territoire et à la commission de l'économie et du travail depuis .

En , il commence à siéger à la Commission spéciale sur l'évolution de la Loi concernant les soins de fin de vie et devient vice-président de la Délégation de l'Assemblée nationale pour les Relations avec le Nouveau-Brunswick.

Il supervise un comité visant à gérer la distribution de 19 millions de dollars canadiens à Lac-Mégantic liés au recours collectif de l'accident ferroviaire du 6 juillet 2013.

François Jacques est réélu lors des élections du .

Résultats électoraux

Références

Voir aussi

Articles connexes
 Lac-Mégantic
 Mégantic (circonscription provinciale)

Liens externes

 Site internet officiel de la Coalition avenir Québec,

Naissance en mars 1970
Naissance à Lac-Mégantic
Personnalité politique québécoise
Député de la Coalition avenir Québec à l'Assemblée nationale
Député de la 42e législature de l'Assemblée nationale du Québec
Député de la 43e législature de l'Assemblée nationale du Québec
Personnalité politique québécoise au municipal

François Jacques (homme politique)


En boplads i Østgrønland er en dansk dokumentarfilm fra 1969, der er instrueret af Kaj Mogens Jensen og Jette Bang efter manuskript af Palle Koch. Filmen er baseret på optagelser fra 1961-1962, som Jette Bang efterlod ved sin død i 1964.

Handling
En dokumentation af levevilkårene i Sermiligaaq, en lille østgrønlandsk fangerboplads, sådan som de former sig i takt med årstidernes skiften og inden for det boplads- og familiefællesskab, som i bogstavligste forstand er livsnødvendigt.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 1969

En boplads i Østgrønland


Aviion (styled AViiON) was a series of computers from Data General that were the company's main product from the late 1980s until the company's server products were discontinued in 2001. Earlier Aviion models used the Motorola 88000 CPU, but later models moved to an all-Intel solution when Motorola stopped work on the 88000 in the early 1990s. Some versions of these later Intel-based machines ran Windows NT, while higher-end machines ran the company's flavor of Unix, DG/UX.

History
Data General had, for most of its history, essentially mirrored the strategy of DEC with a competitive (but, in the spirit of the time, incompatible) minicomputer with a better price/performance ratio. However, by the 1980s, Data General was clearly in a downward spiral relative to DEC. With the performance of custom-designed minicomputer CPU's dropping relative to commodity microprocessors, the cost of developing a custom solution no longer paid for itself. A better solution was to use these same commodity processors, but put them together in such a way to offer better performance than a commodity machine could offer.

With Aviion, DG shifted its sight from a purely proprietary minicomputer line to the burgeoning Unix server market. The new line was based around the Motorola 88000, a high performance RISC processor with some support for multiprocessing and a particularly clean architecture. The machines ran a System V Unix variant known as DG/UX, largely developed at the company's Research Triangle Park facility. DG/UX had previously run on the company's family of Eclipse MV 32-bit minicomputers (the successors to Nova and the 16-bit Eclipse minis) but only in a very secondary role to the Eclipse MV mainstay AOS/VS and AOS/VS II operating systems. Also, some Aviion servers from this era ran the proprietary Meditech MAGIC operating system.

From February 1988 to October 1990, Robert E. Cousins was the Department Manager for workstation development. During this time they produced the Maverick project and several follow-ons including the 300, 310 and 400 series workstations along with the 4000 series servers.

Aviion were released in a variety of sizes beginning in the summer of 1989. They debuted as a pizza box workstation (codenamed "Maverick") and a server in both roller-mounted and rackmount flavors ("Topgun"). Speed-bumped and scaled-up versions followed, culminating in, first, the 16-CPU AV/9500 server and then the up to 32-way AV 10000 server in 1995, DG's first implementation of a Non-Uniform Memory Access (NUMA) design. Workstations remained part of the line for a time, but the emphasis increasingly shifted towards servers.

In 1992, Motorola joined the AIM alliance to develop "cut down" versions of the IBM POWER CPU design into a single-chip CPU for desktop machines, and eventually stopped further development of the 88000. Because of this, DG gave up working with Motorola, and decided instead to align its efforts with what was soon to become the clear winner in volume microprocessors, and used i386 architecture CPUs from Intel instead.

This resulted in a second series of Aviion machines based first on the Pentium, and later on faster Pentium Pro, Pentium II and Pentium III Xeon CPUs. This more commoditized hardware approach also led DG to develop NUMA servers that added a memory-coherent interconnect (Scalable Coherent Interconnect (SCI)) to "standard high-volume" x86 motherboards sourced from Intel. Sequent Computer Systems, now part of IBM, was following a similar strategy at the time. A system codenamed "Manx" was an earlier NUMA effort based on the original Pentium and Zenith hardware, but it was never brought to market. The AV 20000 ("Audubon") connected to 32 Pentium Pro processors (on up to eight quad-processor building blocks) in this manner; the later AV 25000 ("Audubon 2") upgrade expanded this to 64 Pentium II (later Pentium III) Xeons.

Based on the burgeoning popularity of Windows NT, Intel-based Aviion servers also added Windows to their OS roster across the Aviion x86 line. It ended up contributing a significant percentage of revenues at the low-end, especially among existing DG customers who had made a decision to switch to NT. However, at the high-end, although Windows NT could run efficiently on single-block (i.e. quad-processor) building blocks in NUMA servers, it did not at the time have the processor and memory affinity optimizations that are required to achieve high performance on larger systems. As a result, Windows on DG NUMA servers was always more of a marketing story than a technical reality.

Around the same time, DG was also aggressively working towards an "industry standard" Unix operating system with the Santa Cruz Operation and others. However, first with SCO's Data Center Acceleration Program (DCAP), and then Project Monterey, this never came to pass. Ultimately, DG's NUMA servers ended up as just another large-scale proprietary Unix server at a time when the industry was coalescing around the Unix platform variants of just a few large vendors — Compaq (later acquired by HP), HP, IBM, and Sun Microsystems.

In 1999, EMC purchased Data General for 1.2 billion dollars primarily to gain access to its CLARiiON line of disk array storage products and associated software. Under the terms of the "pooling of interests merger," EMC maintained the server line for two years, but discontinued it as soon as the terms of the deal allowed, at which point Aviion disappeared.

Notes
The name "AViiON" has often been claimed to be an anagram of "Nova II", the Nova being one of DG's most successful products. An employee competition was held to choose a name for the new line, but none of the suggestions was found to be acceptable for trademarking purposes. Given that early codenames for Eclipse systems included The Bird and The Big Bird, a reference to flight seemed appropriate. "Avion" had been suggested, but lacked the ability to be trademarked. At that time, two European companies had created a naming trend using repeated vowels - Baan and BiiN. Avion was modified by repeating the 'i' and making the rest of the word uppercase as AViiON. (Avion (or avión) is the word for "aircraft" in French and Spanish.)

The use of the "ii" was carried through to the CLARiiON and THiiN Line product lines.

References

External links
The m88k Resource: Data General AViiON
Allen Briggs' Data General AViiON information
Aviion at m88k.org
Unorganized collection of 88k AViiON technical information

Computer workstations
Data General computers
32-bit computers

Aviion


Nu skal vi more os er en ungdomsfilm instrueret af Emil Falke efter manuskript af Jonas Berlin, Emil Falke.

Handling
Lucas fylder 18 år, og det skal fejres i stor stil. Et stort diskotek er lejet, der er piger på gæstelisten, og Joey Moe kommer og spiller. Alt er parat til årets fest. Nu mangler han bare, at der kommer nogle gæster. Særligt én fylder hans tanker.

Referencer

Eksterne henvisninger

Danske film fra 2013

Ungdomsfilm fra Danmark

Nu skal vi more os


An Scindapsus scortechinii in uska species han Liliopsida nga ginhulagway ni Joseph Dalton Hooker. An Scindapsus scortechinii in nahilalakip ha genus nga Scindapsus, ngan familia nga Araceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Scindapsus

Scindapsus scortechinii


Die 10. Badminton-Weltmeisterschaft fand in Glasgow, Schottland, zwischen dem 24. Mai und dem 1. Juni 1997 im Scotstoun Center statt. Folgend die Ergebnisse im Herrendoppel.

Qualifikation

1. Runde
  Lasse Lindelöf /  Ilkka Nyqvist –  Bruce Flockhart /  Graham Rankin: 15-6 / 15-6
  Thomas Reidy /  Ignatius Rusli –  Helio Alvarez Munoz /  Emilio Inostroza Oyanader: 15-0 / 15-2
  Astvaldur Heidarsson /  Sveinn Sölvason –  Xavier Engrand /  Jean-Michel Lefort: 15-12 / 15-11
  Guilherme Kumasaka /  Paulo von Scala –  Pjuzant Kassabian /  Nicolas Pissis: 15-9 / 15-6
  Luis Lopezllera /  Bernardo Monreal –  Arsen Khachatryan /  Hayk Misakyan: 15-2 / 15-7
  Pavel Mečár /  Marián Šulko –  Aldo Polidano /  Kenneth Vella: 15-12 / 15-7
  Brian Abra /  Jean Philippe Goyette –  Mirza Ali Yar Beg /  Mohammed Saqib Majeed: 15-11 / 15-9
  Donal O'Halloran /  Michael O'Meara –  Warren Parsons /  Neale Woodroffe: 15-10 / 15-2
  Jari Eriksson /  Tony Tuominen –  Arturo Amaya /  Enrique Parrales: 15-3 / 15-2
  Richárd Bánhidi /  Gyula Szalai –  Nikolaj Nikolaenko /  Stanislav Pukhov : 13-15 / 15-11 / 15-9
  Michael Adams /  Yogeshsingh Mahadnac –  Maurico Munoz Burgos /  Juan Sobarzo Chaparro: 15-4 / 15-3
  Valeriy Strelcov /  Konstantin Tatranov –  Howard Bach /  Mike Edstrom: 18-16 / 15-6
  Chris Davies /  Matthew Hughes –  Igor Dmitriev /  Maxim Kruglik: 18-16 / 15-10
  Roy Paul jr. /  Robert Richards –  Konstantin Dubs /  Shuan Huang: 15-5 / 15-13

2. Runde
  Johan Kleingeld /  Gavin Polmans –  Gianmarco La Rosa /  Klaus Raffeiner: 15-9 / 17-14
  Lasse Lindelöf /  Ilkka Nyqvist –  Geoffrey Bellingham /  Dean Galt: 15-13 / 15-5
  Stephan Beeharry /  Denis Constantin –  Florin Posteucă /  Nicusor Vintila: 15-8 / 15-1
  Thushara Edirisinghe /  Duminda Jayakody –  Thomas Reidy /  Ignatius Rusli: 15-18 / 15-9 / 17-15
  Chien Yu-hsun /  Huang Shih-chung –  Martin Farrugia /  Peter Kreulitsch: 15-1 / 15-4
  Astvaldur Heidarsson /  Sveinn Sölvason –  Guilherme Kumasaka /  Paulo von Scala: 17-15 / 15-9
  Luis Lopezllera /  Bernardo Monreal –  Jan Fröhlich /  Jan Vondra: 15-12 / 15-6
  Brian Abra /  Jean Philippe Goyette –  Pavel Mečár /  Marián Šulko: 15-3 / 15-3
  Donal O'Halloran /  Michael O'Meara –  Christian Erichsen /  Pedro Yang: 15-5 / 15-4
  Njörður Ludvigsson /  Tryggvi Nielsen –  Jari Eriksson /  Tony Tuominen: 15-13 / 15-8
  Richárd Bánhidi /  Gyula Szalai –  Michael Adams /  Yogeshsingh Mahadnac: 15-12 / 15-10
  Tsai Jai-lin /  Wei Chun-yi –  Óscar Corpancho /  Guillermo Perea: 15-8 / 15-0
  Valeriy Strelcov /  Konstantin Tatranov –  Reynir Gudmundsson /  Egidijus Jankauskas: 15-4 / 15-3
  Chris Davies /  Matthew Hughes –  Stuart Brehaut /  Mark Grundy: 15-18 / 17-16 / 15-2
  Roy Paul jr. /  Robert Richards –  Michael Garay /  Jorge Meyer: 15-5 / 15-1
  Jaseel P. Ismail /  Vijaydeep Singh –  Leandro Santos /  Ricardo Trevelin: w.o.

3. Runde
  Lasse Lindelöf /  Ilkka Nyqvist –  Johan Kleingeld /  Gavin Polmans
  Thushara Edirisinghe /  Duminda Jayakody –  Stephan Beeharry /  Denis Constantin
  Chien Yu-hsun /  Huang Shih-chung –  Astvaldur Heidarsson /  Sveinn Sölvason
  Brian Abra /  Jean Philippe Goyette –  Luis Lopezllera /  Bernardo Monreal
  Donal O'Halloran /  Michael O'Meara –  Njörður Ludvigsson /  Tryggvi Nielsen
  Tsai Jai-lin /  Wei Chun-yi –  Richárd Bánhidi /  Gyula Szalai
  Valeriy Strelcov /  Konstantin Tatranov –  Chris Davies /  Matthew Hughes
  Jaseel P. Ismail /  Vijaydeep Singh –  Roy Paul jr. /  Robert Richards

Vorrunde

Sektion 1

Sektion 2

Sektion 3

Sektion 4

Endrunde

Weblinks
 BWF-Resultate

1997 Herrendoppel
Weltmeisterschaft 1997
Weltmeisterschaft 1997 Herrendoppel

Badminton-Weltmeisterschaft 1997/Herrendoppel


Heikki Aulis Häiväoja (Jämsä, 25 de mayo de 1929-Kauniainen, 15 de septiembre de 2019) fue un escultor finés, diseñador de las monedas de euro de Finlandia de céntimos y de 1 euro.

Datos biográficos

Su trabajo ha sido expuesto desde la década de 1950, y se incluye en colecciones de varios museos. Ha diseñado especialmente medallas, memoriales y monedas. El marco finlandés de plata de 1964, fue diseñado por Häiväoja junto con Olof Eriksson. Häiväoja también diseñó otras monedas, incluyendo, por ejemplo, una moneda de plata  emitida por el Banco de Finlandia en 1975, para conmemorar el 75.º aniversario del expresidente finlandés Urho Kekkonen.

Heikki Häiväoja y Antero Poppius fueron los autores en 1979 de las estatuas de los caballos del circo en Kerava; originalmente se idearon para ser fundidas en bronce, pero Heikki sugirió que podían ser de plástico.

La estatua Sodanajan naisen patsas ('Mujer en tiempos de guerra') en el distrito de Kallio de Helsinki, junto al edificio Ympyrätalo, es un trabajo de Häiväoja de 1996. Además de su trabajo artístico, Häiväoja fue maestro en el Instituto de Artes Industriales y de la Escuela de Bellas Artes de la Academia .

Recibió 50 000 marcos de la Suomen Kulttuurirahasto ('Fundación Cultural Finlandesa') como premio en 1988.

Monedas de euro de Finlandia
Todos los diseños cuentan con las 12 estrellas de la Unión Europea y el año de la impresión por un lado, y un diseño nacional en el otro. Heikki Häiväoja diseñó la cara nacional de las monedas de céntimos de Finlandia, basándose en el motivo del león heráldico de Finlandia, ya presente en las monedas más antiguas de un marco finlandés. También es el autor del diseño de la cara nacional de la moneda de 1 euro de Finlandia.

Referencias

Enlaces externos

 :Entre otras:
 de 1969
 de 1969 - 1970

Escultores de Finlandia
Escultores del siglo XX
Escultores del siglo XXI
Medalla Pro Finlandia
Finlandeses del siglo XX

Heikki Häiväoja


Le College of Micronesia-FSM (COM-FSM) est un collège communautaire des États fédérés de Micronésie fondé en 1963 en tant que centre de formation des enseignants micronésiens.

Chacun des quatre États du pays possède un campus appartenant au College of Micronesia. Son établissement central se situe dans la capitale Palikir à Pohnpei. Le système COM-FSM comprend également l'Institut des pêches et de la mer (FMI) sur les îles Yap.

Histoire
Selon Thomas R. Murray, le Community College of Micronesia est né d'un centre de formation pédagogique situé sur le terrain de la Pacific Islands Central School, plus tard connue sous le nom de Pohnpei Island Central School (PICS) et maintenant Bailey Olter High School, créée en 1962. D'après l'histoire officielle de l'établissement, il est né en 1963 lorsque le Territoire sous tutelle des îles du Pacifique (TTPI) a signé une convention avec l'université d'Hawaï pour administrer le Micronesian Teacher Education Center, un centre de formation continue pour certains enseignants du TTPI.

Selon Thomas R. Murray, le Community College of Micronesia commence ses activités en 1969 dans le but d'améliorer la formation des enseignants de la région, et délivre initialement des diplômes d'associate degree en éducation élémentaire. La majeure partie du corps enseignant est constituée d'enseignants d'élèves du primaire souhaitant des diplômes plus avancés. D'après l'histoire officielle de l'école, en 1970, le haut-commissaire du TTPI signe la directive administrative n° 70-2 modifiant le nom du Micronesian Teacher Education Center en Community College of Micronesia (CCM), après quoi l'école commence à proposer un programme d'études en son propre nom. À partir de 1971, le ministère de l'Éducation du TTPI assume davantage de responsabilités dans le College et l'implication de l'université d'Hawaï est supprimée en 1973. Le CCM est alors une école d'enseignants, mais en 1974, il est ajouté le premier programme de diplôme d'associate degree non lié à l'éducation.

Selon Thomas R. Murray, l'école telle qu'elle est connue aujourd'hui a été formée par la fusion en 1976 du Community College of Micronesia alors situé à Kolonia à Pohnpei, et du Micronesian Occupational College, construit à Koror dans les Palaos entre la fin des années 1960 et le milieu des années 1970. Cependant, l'histoire officielle de l'école indique que le changement s'est produit en 1978 lorsqu'un acte du septième Congrès de Micronésie a fusionné le CCM avec le Micronesian Occupational College à Palau et l'école d'infirmières de Saipan dans les îles Mariannes du Nord pour former le College of Micronesia (COM) en tant qu'établissement public régie par un conseil des régents.

En 1987, les nations nouvellement indépendantes des États fédérés de Micronésie, de la République des Palaos et de la République des Îles Marshall ont signé un traité affirmant leur volonté de continuer à soutenir le COM. Cependant, en 1991, les trois nations ont signé un accord pour le restructurer afin de permettre plus d'autonomie locale. En conséquence, en 1992, le septième Congrès des États fédérés de Micronésie a adopté la loi publique n° 7-79 établissant le College of Micronesia-FSM en tant qu'entreprise publique relevant de son propre conseil d'administration. Ainsi, le 1er avril 1993, le College of Micronesia-FSM est devenu l'école nationale de la fédération. En 1999, par le biais d'un protocole d'accord avec le gouvernement national, le COM-FSM a accepté la gestion de l'Institut des pêches et de la marine des États fédérés de Micronésie sur les îles Yap.

Diplômes
L'école décerne des diplômes et des certificats d'associate degree. Il a également des accords d'articulation avec plusieurs institutions en ligne et conventionnelles.

Le College of Micronesia est accrédité par la Commission d'accréditation des collèges communautaires et juniors. En 2004, le collège a été placé en « Avertissement » par l'organisme ; ce statut a été supprimé l'année suivante.

Personnalités liées à l'établissement

 Iris Falcam, bibliothécaire des années 1970 jusqu'en 2010;

Articles connexes
 Éducation dans les États fédérés de Micronésie

Références

Liens externes
 Site officiel

Enseignement dans les États fédérés de Micronésie

College of Micronesia-FSM


El 23º Regimiento de Instrucción Aérea (23. Flieger-Ausbildungs-Regiment) fue una unidad militar de la Luftwaffe de la Alemania nazi.

Historia
Fue formado el 1 de abril de 1939 en Kaufbeuren, a partir del 23º Batallón de Reemplazo Aéreo con:

Stab.
I Batallón de Instrucción desde el 23º Batallón de Reemplazo Aéreo.
Escuela Elemental de Vuelo (Escuela/23º Regimiento de Instrucción Aérea) desde la Escuela Mixta Experimental Superior Kaufbeuren.

El II Batallón de Instrucción fue formado en 1940, mientras la Escuela/23º Regimiento de Instrucción Aérea y deja el regimiento el 1 de octubre de 1941, y se convirtió en la 23º Escuela Mixta Experimental Superior. Trasladado a Döberitz-Eisgrund en noviembre de 1939, Kaufbeuren en julio de 1940, Belfort en octubre de 1941, Gorodok en octubre de 1942(?) y en Brjansk en abril de 1943(?). Principalmente en funciones Anti-partisanas en Gorodok y a lo largo de la línea de ferrocarril de Vitebsk-Nevel, y desde la primavera de 1943 operaba principalmente en torno a Seschtschinskaja, entre Roslavl y Brjansk. El 16 de agosto de 1942 es redesignado como el 23º Regimiento Aéreo.

Comandantes
General Mayor - Josef Putlar - (1 de abril de 1939 - 2 de noviembre de 1942)
General Mayor - Josef Punzert - (3 de noviembre de 1942 - 2 de agosto de 1943)

Orden de Batalla
1939 – 1940: Stab, I. (1-5), 6., 7., Escuela.
1941 – 1942: Stab, I. (1-5), 7., II. (8-12).

Véase también

Referencias

WW2 - 23. Flieger-Ausbildungs-Regiment

Luftwaffe (Wehrmacht)
Unidades militares alemanas de la Segunda Guerra Mundial
Regimientos de Instrucción Aérea

23.º Regimiento de Instrucción Aérea


قائمة بطولات دورة رولان غاروس لعام 1977م:

الكبار

فردي رجال

 غواليرمو فيلاس هزم  براين غوتفرايد، النتيجة:6-0, 6-3, 6-0

فردي سيدات

 ميما جاوشوفيتش هزمت  فلورنيتا مايهاي، النتيجة:6-2, 6-7, 6-1

زوجي رجال
 براين غوتفرايد و راؤل راميريز هزما  وجوسايتش فايباك و جان كوديز، النتيجة:7-6, 4-6, 6-3, 6-4

زوجي سيدات
 ريجاينا ميرشوكوفا و بام تيجواردن هزمتا  رايني فوكس و هيلين غوارلاي كاولي، النتيجة: 5-7, 6-4, 6-2

زوجي مختلط
 ماري كارايلو و جون ماكإنرو هزما  فلورينتا مايهاي و إيفان مولينا، النتيجة:7-6, 6-3

مراجع

باريس في 1977
أحداث مايو 1977 الرياضية في أوروبا
أحداث يونيو 1977 الرياضية في أوروبا
الجائزة الكبرى للتنس في 1977
دورات رولان غاروس
دورة فرنسا المفتوحة حسب السنة
رياضة فرنسية في 1977
كرة المضرب في 1977
كرة مضرب فرنسية في 1977

دورة فرنسا المفتوحة 1977


Der große Kampf steht für:

 Der große Kampf (Buch), Buch von Ellen Gould Harmon White (1858)
 Der große Kampf (Film), US-amerikanischer Film von Stuart Gillard (2004)

Der große Kampf


على نهر بييدرا هناك جلست فبكيت  هي رواية للمؤلف البرازيلي باولو كويلو أُصدرت عام 1994. وهي الجزء الأول من ثلاثة اجزاء كتبها المؤلف وضمها في ثلاثية «في اليوم السابع».
والجزئين الاخرين هما:(فيرونيكا تقرر أن تموت - الشيطان والآنسة بريم)

ملخص القصة
يستأنف باولو كويلو في روايته «على نهر بييدرا هناك جلست فبكيت» رحلته الخاصة لاستكشاف أعماق النفس البشرية، والغوص في تناقضات الكائن الذي يوضع دائماً أمام الخيارات الشخصية الحاسمة للاضطلاع بمصيره الفردي. رحلة استكشاف الذات بحثاً عن حقائقها الدفينة، وعن اختبارات المشاعر التي تجعلها، على الدوام، عرضة لشقاقات الطمأنينة والقلق، السعادة والشقاء، اليقين والحيرة.
كانت بيلار تظن أنها سعيدة، فقد حصنت نفسها حيال الحياة والأمل والحب. غير أن المصادفة شاءت أن تلتقي أحد أتراب طفولتها؛ واتضح لها أنه حُبِيَ بالقدرة على الشفاء وعلى مخاطبة النفوس.
وإذا اختارت بيلار أن تبقى بجواره لبعض الوقت، عاودتها كلّ الأسئلة التي طالما حسبت أنها صارت طيّ النسيان. وعندما أسرّ إليها بحبّه، راحت تشكّك بجدوى حياتها السابقة، حائرة في أمرها. فهل ترضخ لشغفه بها وتفتح له قلبها، أم تواصل عيشها الخالي من أي رجاء؟ تختار بيلار أن تكون دائماً إلى جانبه، في بذله كلّ ما يملك وكل ما حُبِيَ به من قدرات لخدمة الربّ. ولكن هل يُعطى من نذر نفسه لحبّ الله أن يساكن قلبه حبّ امرأة؟
في هذه الرواية، يحاول كويلو أن يطرح، بعمق، مسألة التعارض الظاهري بين الدروب المختلفة التي قد يسلكها الأفراد لكي تتمّ لهم مصائرهم. لأن رحلة سعيهم على الأرض لا تكون مجدية إذا كانت خالية من الحب.

مراجع

وصلات خارجية

 http://www.santjordi-asociados.com/title_school.htm#7day - في اليوم السابع
 http://www.paulocoelho.com - الموقع الألكتروني الرسمي لباولو كويلو
 آراء القراء على موقع أبجد حول رواية على نهر بيدرا جلست فبكيت
 صفحة رواية على نهر بييدرا هناك جلست فبكيت على موقع [Goodreads]

أشخاص على قيد الحياة
باولو كويلو
رسل الأمم المتحدة للسلام
روائيو القرن 20
روائيو القرن 21
روائيون
روائيون برازيليون
روايات 1994
روايات باولو كويلو
روايات برازيلية
رومان كاثوليك برازيليون
شعراء غنائيون برازيليون
فارس وسام جوقة الشرف
فنانون برازيليون في القرن 20
فنانون برازيليون في القرن 21
كتاب باللغة البرتغالية
كتاب برازيليون في القرن 20
كتاب برازيليون في القرن 21
كتاب خيال علمي برازيليون
كتاب في القرن 20
كتاب في القرن 21
كتاب كاثوليك
كتاب من ريو دي جانيرو
مدونون برازيليون
مدونون ذكور
مواليد 1947
موسيقيون من ريو دي جانيرو

على نهر بييدرا هناك جلست فبكيت


Nesoryzomys indefessus narboroughi es una subespecie de Nesoryzomys indefessus, un roedor del género Nesoryzomys, de la Isla Fernandina en las Islas Galápagos.

Taxonomía
Otra subespecie única se encontraba en la Isla Santa Cruz, pero se ha extinguido. Algunos consideran que las dos son especies distintas, en cuyo caso la clase de Fernandina es Nesoryzomys narboroughi. Otro Nesoryzomys más grande, también se encuentra en Fernandina, la Nesoryzomys fernandinae.

Referencias

Isla Fernandina
Sigmodontinae
Mamíferos de las islas Galápagos

Nesoryzomys indefessus narboroughi


Readlyn may refer to:
 Readlyn, Iowa, United States
 Readlyn, Saskatchewan, Canada

Readlyn


Andrea Austmo Pedersen (født 19. April 1994 i Trondheim, Norge) er en norsk håndboldspiller, der spiller for Vipers Kristiansand, pr. 1. juli 2019.

Hun deltog ved Junior-VM i håndbold 2014 (kvinder), hvor Norge sluttede som nummer 9.

Meritter med ungdomslandsholdet
 U-17-EM i håndbold:
 Bronze: 2011
 Junior-VM i håndbold:
 Bronze: 2012

Referencer

Håndboldspillere fra Norge

Andrea Austmo Pedersen


Louis Boussenard (* 4. Oktober 1847 in Escrennes (Département Loiret); † 11. September 1910 in Orléans) war ein französischer Schriftsteller und Wissenschaftsjournalist. Er verfasste überwiegend wissenschaftliche Abenteuerromane und gilt neben Jules Verne als einer der wichtigsten Vertreter dieser Gattung. Sein literarisches Schaffen umfasst 41 Werke sowie zahlreiche kleinere Artikel.

Biographie
Louis Boussenard kam in Escrennes als Sohn der Kammerfrau und Weißnäherin Héloise Lance und des Schlossverwalters Louis-Antoine Boussenard unter dem vollständigen Namen Henri Louis François Hilaire Lance zur Welt. Er besuchte ein humanistisches Gymnasium und studierte ab 1868 in Paris und Straßburg Medizin. Während des  Deutsch-Französischen Kriegs 1870/71 unterbrach er sein Studium, um als Soldat an der Seite Frankreichs zu kämpfen – nach Kriegsende führte er es aber wahrscheinlich fort. Es ist zwar nicht bekannt, ob er es je abschloss, seine Romane weisen allerdings fundierte medizinische Kenntnisse auf.

Der erste, sicher von ihm stammende Zeitungsartikel stand am 23. Mai 1876 in der Nr. 983 der Zeitung Le Corsaire, für die er als wissenschaftlicher Chronist arbeitete. Auch seine journalistische Tätigkeit der folgenden Jahre entwickelte weitere Merkmale des späteren Romanschriftstellers, darunter seine republikanische Gesinnung, Humor, Mitgefühl für die kleinen Leute, Begeisterung für den Kolonialismus, starker Patriotismus und Antiklerikalismus. In den 1870er und 1880er Jahren begab er sich mehrmals auf Reisen und verarbeitete das Erlebte in seinen Berichten und Romanen. Schriftstellerischen Erfolg erreichte er erstmals 1879 mit seinem ersten größeren Werk A travers l'Australie, das in der Wochenzeitschrift Le Journal des Voyages et des Aventures de terre et de mer  als Fortsetzungsroman veröffentlicht wurde. Sein ganzes Leben lang blieb Boussenard Wissenschaftsjournalist und schrieb vorwiegend für diese Zeitschrift. Im August 1882 wurde er von der Académie française für sein Werk ausgezeichnet.

Louis Boussenard lebte ab 1883 mit Albertine Delafoy zusammen und wohnte nicht mehr dauerhaft in Paris, sondern im Loiret. Seine letzten Lebensjahre verbrachte er in Orléans, wo er 1909, nach der Scheidung von seiner ersten Frau Rosalie Lechat, Albertine heiratete. Diese starb im Sommer 1910, und Boussenard starb zwei Monate später nach einer Operation am 11. September 1910.

Werk
Das Werk Boussenards umfasst einige kleinere Artikel und insgesamt 41 selbständige Werke – von Abenteuerromanen über Science-Fiction-Erzählungen, Reiseberichte, Populärliteratur und Briefe. Die meisten Titel können dem Abenteuerroman zugeordnet werden, darunter auch die Abenteuer des Pariser Gassenjungen Friquet aus Le Tour du Monde d'un gamin de Paris (1879), mit dem Boussenard der Durchbruch gelang. In einem weiteren Zyklus über Weltreisen spielen weibliche Figuren die Hauptrollen: Voyages et Aventures de Mademoiselle Friquette (1896) und L'Ile en feu (1897).

Boussenard nimmt in seinen Abenteuerromanen auch Bezug zu historischen Hintergründen, zum Beispiel zum Krimkrieg in Le Zouave de Malakoff (1902) oder zum Risorgimento in Tambour Battant (1909). Drei Werke lassen sich als Science-Fiction-Romane im weitesten Sinne bezeichnen: Als erster ist Les Secrets de Monsieur Synthèse (1888) zu nennen, der von einem Wissenschaftler handelt, der die Entwicklung des tierischen und menschlichen Lebens erfassen will. Der Roman Les Gratteurs de Ciel (auch Les Aventuriers de l'Air, 1907) widmet sich der Luftfahrt, und in Monsieur… Rien ! (1907) steht ein unsichtbarer Mann im Mittelpunkt der Handlung. Der Guayana-Zyklus besteht aus einem Reisebericht, mehreren Romane und kleineren Erzählungen. 1880/81 reiste Boussenard für das Journal des Voyages umher, um Material für diesen Band zu sammeln. Zu den Romanen gehören Les Robinsons de la Guyane (1881) und deren Fortsetzung Les Chasseurs de Caoutchouc (1886) sowie Bras-de-Fer (postum 1910).

Rezeption Boussenards
Boussenards Erfolg gründete vor allem auf seinem zweiten Roman, Le Tour du Monde d'un Gamin de Paris, der von 1879 bis 1880 als Fortsetzungsroman veröffentlicht wurde. Zu einer Zeit, in der immer weniger Fortsetzungsromane anschließend noch als Buch verlegt wurden, erschien Le Tour du Monde bereits einen Monat nach Beendigung der wöchentlichen Publikation in Buchform. Unter anderem wurden die Bücher in einer hochwertigen Version, die als livre d'étrennes (Neujahrsgeschenk) oder als Preis für die besten Schüler am Ende des Schuljahres gedacht war, verlegt. Die Tatsache, dass Boussenard zu den Autoren zählte, deren Bücher als Schülerpreise vergeben wurden, zeigt die hohe Wertschätzung seiner Werke in Frankreich gegen Ende des 19. Jahrhunderts.

Bis zum Ausbruch des Zweiten Weltkrieges wurden über die Hälfte seiner Werke regelmäßig neu aufgelegt – zu dieser Zeit war Boussenard einer der meistgelesenen Autoren Frankreichs. In den 1950er Jahren wurden noch einige Romane publiziert, dann geriet er für längere Zeit in Vergessenheit, bevor das Zeitalter der Digitalisierung seine Texte wieder einer breiteren Öffentlichkeit zugänglich machte – sei es als digitalisierte Version der alten Fassung oder als E-Book. Auf internationaler Ebene ist besonders Boussenards Popularität in Russland hervorzuheben, wo einige Romane bereits ab 1885 in der Zeitschrift mit dem Titel Um die Welt – Zeitschrift für Reisen und Abenteuer auf dem Festland und dem Meer veröffentlicht wurden oder direkt als Buchausgabe erschienen. Im deutschsprachigen Raum wurde Boussenard zu Lebzeiten offenbar nur im Rahmen wissenschaftlicher Fragestellungen wahrgenommen. Erst 2012 wurde ein Roman ins Deutsche übertragen, und zwar der Der Weiße Tiger, der erste Teil aus dem Zyklus Die Robinsons von Französisch-Guayana.

Boussenard als populärwissenschaftlicher Autor
Das Werk Boussenards ist durchdrungen von naturwissenschaftlichen und medizinischen Erklärungen. Die Vermittlung von Wissen aus verschiedenen Bereichen in Verbindung mit Unterhaltung stellte für die zeitgenössische französische Kritik den Reiz seiner Romane dar. In Boussenards Werken werden die Grenzen zwischen Fiktion und Dokumentation häufig verwischt. Zum Teil hat der Autor auf längeren Reisen Material gesammelt, um es in den Texten zu verarbeiten. Die Verbindung aus Informationen zu Landschaften, Flora und Fauna sind der Grund dafür, dass seine Texte als "geographische Abenteuerromane" bezeichnet wurden.

Werkverzeichnis (chronologisch)
 À travers l'Australie, relation de voyage – auch veröffentlicht unter: Les Dix Millions de l'Opossum Rouge (1878)
 Tour du Monde d'un Gamin de Paris – auch in zwei Teilen veröffentlicht unter den Titeln Le Tour du Monde d'un Gamin de Paris und Les Bandits de la Mer (1879)
 Les Robinsons de la Guyane mit den Teilen Le Tigre blanc, Le Secret de l'Or und Les Mystères de la Forêt vierge (1881)
 Aventures d'un Gamin de Paris à travers l'Océanie mit den Teilen Les Cannibales de la Mer de Corail, Le Rajah de Bornéo und Les Pirates des Champs d'or – auch veröffentlicht als Gesamtausgabe unter: Le Sultan de Bornéo (1882)
 Les Voleurs de Diamants mit den Teilen Les voleurs de diamants, Le Trésor des Rois Cafres und Les Drames de l'Afrique australe – auch veröffentlicht als Gesamtausgabe unter dem Titel Aventures Périlleuses de Trois Français au Pays des Diamants; Le Trésor des Rois Cafres (1883)
 De Paris au Brésil par Terre, Aventures d'un Héritier à travers le Monde und 2,000 Lieues à travers l'Amérique du Sud – auch veröffentlicht als Gesamtausgabe unter: Aventures d'un Héritier à travers le Monde (1884)
 Aventures d'un Gamin de Paris au Pays des Lions, Aventures d'un Gamin de Paris au Pays des Tigres, Aventures d'un Gamin de Paris au Pays des Bisons, La Chasse à Tir mise à la portée de tous und Les Chasseurs de Caoutchouc – auch veröffentlicht als Gesamtausgabe unter: Les Mystères de la Guyane (1885/86)
 Les Secrets de M. Synthèse – Der vierte Teil des Romans wurde auch unter dem Titel Dix mille ans dans un Bloc de Glace veröffentlicht. (1888)
 Aventures Extraordinaires d'un Homme Bleu – auch veröffentlicht als Gesamtausgabe unter: Le Maître du Curare; auch in zwei Teilen erschienen mit den Titeln: Le Maître du Curare und Yvon le Mousse (1888)
 Aux Antipodes (1889)
 Le défilé d'enfer (1891)
 Les Français au Pôle Nord (1892)
 Aventures, Périls et Découvertes des Voyageurs à travers le Monde (1894)
 Aventures, Périls et Découvertes des Grands Explorateurs en Afrique, au Pôle Nord et en Océanie (der vierte Teil über Amerika fehlt.)
 Les Grands Voyages Modernes en Afrique (Nur der Teil über Afrika.)
 Le Secret de Germaine (1894)
 Orphelin. Les Combattants de la Vie (das Werk ist mitunterzeichnet von Henri Malin.) (1894)
 Sans le Sou (1895)
 Voyages et Aventures de Mademoiselle Friquette – auch unter dem Titel: Vie et Aventures de Mademoiselle Friquette (1896)
 L'Ile en Feu (1897)
 Les Etrangleurs du Bengale. Sans-le-Sou chez les Fakirs (1898)
 L'Enfer de Glace (1899)
 Capitaine Casse-Cou (1900). Ausgabe 1925, Paris Tallandier (Digitalisat)
 Les Aventures de Roule-ta-Bosse (1901)
 Le Zouave de Malakoff (1902)
 Lettres d'un Paysan (1902)
 Marko le Brigand (ou la Terreur en Macédoine) (1903)
 (Juana), la Fiancée Mexicaine (1904)
 Les Brigands d'Orgères – veröffentlicht unter La Bande des Chauffeurs (1905)
 Le Fils du Gamin de Paris (1905)
 L'Archipel des Monstres (1906)
 Monsieur … Rien. Aventures extraordinaires d'un Homme Invisible (1907)
 Les Gratteurs de Ciel – auch veröffentlicht unter Les Aventuriers de l'Air (1907)
 Tom le Dompteur (1908)
 Tambour Battant (1909)
 Bras-de-Fer (1910)
 Capitaine Vif-Argent (1911)
 Friquet, Totor et Cie – veröffentlicht unter Nouvelles Aventures d'un Gamin de Paris (1912)
 Sans-le-Sou chez les Diables Jaunes – auch veröffentlicht unter dem Titel La Rose de Moukden (1913)

Weblinks

Literaturhinweis
Ausführliche Informationen zu Louis Boussenard bietet das Nachwort von Barbara Klose in der deutschen Übersetzung des Boussenard-Romans Le tigre blanc. Der Titel lautet: Die Robinsons von Französisch-Guayana. Der Weiße Tiger (Avventura mediterranea; Bd. 4). Ablit Verlag, München 2012, ISBN 978-3-935410-17-5 (illustriert wurde die Übersetzung von Fanny Jacquier).

Einzelnachweise

Autor
Franzose
Geboren 1847
Gestorben 1910
Mann

Louis Boussenard


ASK Arena, od 2001. do 2014. Šafa stadion, te od 2014. do 2018. Inter Arena je nogometni stadion u Bakuu, Azerbajdžan. Stadion trenutačno koriste nogometni klubovi Keşlə FK te Neftçi-2, rezervna momčad Neftçi Bakua.

Povijest
Izgradnja stadiona je započeo Nogometni savez Azerbajdžana 2000. godine, a završila je 2001. godine. Prva utakmica koja se odigrala na stadionu je bila utakmica prve kvalifikacijske runde za Kup UEFA 2001./02. između Şəfa Bakıa i Olimpije Ljubljane. Utakmica je završila rezultatom 0:3. Na stadionu su odigrane dvije utakmice Svjetskog prvenstva u nogometu za žene do 17 godina održanoga u Azerbajdžanu 2012. godine.

U srpnju 2014. godine Šafa stadion je preimenovan u Inter Arena, nakon što je Nogometni savez Azerbajdžana iznajmio stadion na 25 godina Keşli koja se tada zvala İnter-Bakı.

U srpnju 2018. godine stadion je iz sponzorskih razloga preimenovan u ASK Arena.

Povezani članci
 Popis nogometnih stadiona u Azerbajdžanu

Izvori

Vanjske poveznice

Nogometni stadioni u Bakuu

ASK Arena


Aleksandr Aleksandrovich Kokorin () este un fotbalist rus care evoluează pe postul de atacat la ACF Fiorentina. Are 48 de selecții la echipa națională unde a fost prezent la Euro 2012 și la Campionatul Mondial de Fotbal 2014.

Statistici

Referințe

Fotbaliști ruși
Fotbaliști internaționali ruși
Fotbaliști ai Campionatului Mondial de Fotbal 2014

Aleksandr Kokorin


ميدل أوف أونر  هي سلسلة ألعاب تصويب من منظور الشخص الأول. طُوِّرت أول لعبة من قبل شركة دريم وركس إنتراكتيف (تعرف الآن بدينجر كلوز غيمز) ونشرتها إلكترونيك آرتس سنة 1999 لمشغل بلاي ستيشن. تلت ذلك ألعاب متعددة شملت عدة مشغلات ألعاب إضافة إلى ويندوز ولينكس وماك أو إس. تدور أحداث الألعاب الاثنى عشرة الأولى خلال الحرب العالمية الثانية، بينما تركز الألعاب اللاحقة حول الحروب الحالية.

الحبكة
تضع سلسلة ميدل أوف أونر اللاعب في دور جندي من الحلفاء خلال الحرب العالمية الثانية يحارب ضمن القوات الأمريكية ويقوم بتنفيذ مهام محددة. غالبا ما يطغى على الألعاب نسق لعب تسلسلي عبر مناطق صراع مشهورة من حقبة الحرب، يضفى عليه أحيانا طابع سينمائي مستوحى من بعض أفلام الحروب مثل سايفِنغ برايفت رايان، ذي ثِن رِد لايت وإنمي أت ذي غايتس.
كانت مشاهد العنف حتى لعبة ميدل أوف أونر: يوروبيان أسّولت بسيطة وخالية من الدموية وتعتمد رسومات دقيقة، بينما احتوت هذه المشاهد من حينٍ لِآخر في الإصدارات التالية على رذاذ دم متطاير.

تجربة اللعب
ركزت تجربة اللعب في البدايات على جمع معلومات استخباراتية داخل مناطق العدو وبعض أنواع المهمات الخاصة تضمنت استعمال مسدسات كاتمة للصوت والتخفي باستخدام أوراق هوية مزورة. لكن مع تطور السلسلة وتقنيات البرمجة، حوّلت تركيزها إلى معارك خطوط المواجة، وتخلّت بدرجة شبه تامة عن توجّهِها الأصلي.
منذ إصدار يوروبيان أسّولت، قدّمت السلسلة عناصر ذات نهايات أكثر انفتاحا، مانحتاً اللاعب أكثر خيارات عند كل مستوى ومبتعدتاً عن نسق الخط الواحد للعبة.

ألعاب السلسلة

جوائز
منحت موسوعة غينيس للأرقام القياسية سلسلة ميدل أوف أونر لقب «سلسلة ألعاب تصويب منظور الشخص الأول الأكثر مبيعا» في موسوعة غينيس للأرقام القياسية: نسخة ألعاب الفيديو 2008.

مراجع

سلاسل إلكترونيك آرتس
ألعاب إلكترونيك آرتس
ألعاب تصويب منظور الشخص الأول
ألعاب فيديو عن الحرب العالمية الثانية
سلاسل ألعاب الفيديو
سلاسل ألعاب فيديو ظهرت في سنة 1999
سلسلة ميدل أوف أونر
أعمال ستيفن سبيلبرغ

ميدل أوف أونر


John Ruskin este un tablou al principalului critic de artă victoriană John Ruskin (1819-1900). A fost pictat de artistul pre-rafaelit John Everett Millais (1829-1896) în perioada 1853-54. John Ruskin a fost un susținător timpuriu al grupului de artiști prerafaeliți, iar o parte din succesul lor s-a datorat eforturilor sale.

Pictura îl prezintă pe Ruskin în fața unei cascade din Glenfinlas, Scoția. Ruskin și Millais au petrecut împreună vara anului 1853 la Glenfinlas în Trossachs. Ruskin a fost deosebit de interesat de formațiunile de stâncă și a întreprins propriile sale studii.

Creare
Pictura lui Ruskin a fost începută la Glenfinlas, timp în care au fost pictate detaliile peisajului. Ultimele etape ale lucrărilor asupra picturii au fost realizate în studioul lui Millais din Londra. Pe atunci, soția lui Ruskin, Effie, s-a îndrăgostit de Millais. Ea l-a părăsit pe Ruskin și l-a dat în judecată pentru anularea căsătoriei. S-a căsătorit cu Millais în anul următor.

Millais a considerat că era foarte dificil să se afle în aceeași cameră cu Ruskin când a terminat opera de la Londra, spunând că a fost "cea mai detestabilă sarcină pe care am făcut-o vreodată".Imediat ce portretul a fost terminat, a întrerupt orice contact cu Ruskin. Ruskin însuși a mutat temporar portretul, astfel încât tatăl său să nu-l vadă, deoarece el era îngrijorat că îl va distruge.

Proveniență
Ruskin a dat pictura prietenului său Henry Wentworth Acland în 1871. A fost transferată prin familia sa până când a fost vândută la Christie's în 1965. Cel care a cumpărat-o a păstrat-o până la moartea sa în 2012. A fost acceptată de guvernul britanic în locul impozitului pe moștenire în 2013 și alocat permanent Muzeului Ashmolean, Oxford, la care a fost împrumutat din 2012.

Pictura a fost expusă de mai multe ori, inclusiv în cadrul expozițiilor despre prerafaeliți de la Tate Britain din Londra în 1984 și în 2004. A fost evaluată la valoarea de 7 milioane de lire sterline.

Referințe

Picturi din 1853
Picturi din 1854
John Everett Millais

John Ruskin (pictură)


محمد السبكي، منتج مصري. حققت معظم أفلامه إيرادات عالية في دور العرض، رغم هجوم النقاد عليها. يقول بأن أعماله تخاطب الطبقات الشعبية التي جاء منها وأنه يعرف كيفية مخاطبة جمهور سينما وسط البلد، بينما يهاجمه النقاد دائماً ويصفون أعماله بالتدني. يصر محمد السبكي على الظهور كضيف في جميع أعماله.

بدا السبكي مشوارة السينيمائي في عام 1985 حين افتتح أخوه أحمد السبكى نادى فيديو أعلى محل الجزارة الذي يمتلكه والده حسن السبكى. في حي الدقي بالجيزة، تخصص هذا النادى في تسويق الأفلام الأجنبية في مصر، وسرعان ما انضم محمد السبكى إلى شقيقه، وفي سنوات قليلة أصبح الشقيقان يمتلكان أكبر شركة لتسويق الأفلام في الشرق الأوسط

بدأ الإنتاج شريكاً مع أخيه أحمد السبكي ثم انفصل عنه مؤخراً وأصبح لكل منها كيانه الإنتاجي المستقل. يقوم الآن بأقناع النجم الكوميدي الكبير محمد نجم بالعودة إلى السينما بفيلم لحولح المجنون تأليف طارق عبد الجليل وتشاركه البطولة مي عز الدين

أهم الأعمال

أعمال نفذت قبل الانفصال عن أخيه
 عيون الصقر «1992»
 مستر كاراتيه «1993»
 سواق الهانم «1994»
 امرأة هزت عرش مصر «1995»
 الرجل الثالث «1995»
 حلق حوش «1997»
 شجيع السيما «2000»
 الرغبة «2001».
 اللمبي
 كلم ماما
 بحبك وأنا كمان «2003»
 خالتي فرنسا
 سيد العاطفي
 عمر وسلمى

أفلام نفذت بعد الانفصال عن أخيه
 نور عيني
 حلم العمر
 أخر كلام
 أيظن
 حبيبي نائما
 حلاوة روح
 سمير أبو النيل
 جيم اوفر
 عمر و سلمى الأجزاء : 1 - 2 - 3
 عقدة الخواجة
هروب اضطراري
حرب كرموز
ثانية واحدة

روابط خارجية

المراجع

صفحات تحتاج تصنيف سنة الولادة (أشخاص أحياء)
منتجو أفلام مصريون

محمد السبكي


مقاطعة يورو (Yoro) هي واحدة من 18 مقاطعة مكونة للهندوراس
تحتوي على الأراضي الزراعية الغنية، التي تتركز بشكل رئيسي على وادي نهر أغوان ، ووادي سولا على الطرف الآخر.

مساحة المقاطعة الاجمالية 7,939 كيلومتر مربع، وفي عام 2005، كان يقدر عدد سكانها 503.886 نسمة.

مراجع

أماكن مأهولة في هندوراس
إدارات هندوراس
جغرافيا أمريكا الشمالية

إدارة يورو


Saints Row é um jogo eletrônico de ação-aventura desenvolvido pela Volition e publicado pela Deep Silver. É um reboot da série Saints Row, e foi lançado em 23 de agosto de 2022 para Microsoft Windows, PlayStation 4, PlayStation 5, Xbox One e Xbox Series X/S.

Jogabilidade
Saints Row se passa na cidade fictícia de Santo Ileso, localizada no sudoeste americano. Santo Ileso está atualmente sob o controle de três gangues criminosas: Los Panteros, uma gangue voltada para o condicionamento físico e em veículos; os Idols, uma gangue anarquista focada em clubes e vida noturna; e a Marshall Defense Industries, uma corporação militar internacional privada com sede em Santo Ileso, conhecida por possuir um armamento avançado de alta tecnologia. O personagem do jogador, "The Boss", um ex-membro da Marshall Defense Industries, monta uma nova gangue de membros insatisfeitos dessas gangues e tenta tomar o poder delas. Esses novos membros incluem: Neenah, um mecânico proveniente formalmente da Los Panteros e serve como motorista da gangue; Kevin, um DJ que fazia parte dos Idols e cuida da execução de seus assaltos; e Eli, empresário com MBA que agora planeja as atividades da gangue de The Boss.

A cidade está dividida em nove distritos, que incluem Rancho Providencio, uma cidade rural decadente; El Dorado, um paraíso de cassino comparável a Las Vegas; e Monte Vista, uma área suburbana. Assim como nos jogos anteriores da série Saints Row, o jogador trabalha para assumir esses distritos, concedendo-lhes certos benefícios. Neste jogo, o jogador pode usar lotes vazios em distritos seguros para lançar negócios ilegítimos com fachadas legítimas para ajudar a financiar e beneficiar a gangue. A nova cidade inclui áreas mais verticais com ferramentas que o jogador pode usar para tirar proveito disso. A jogabilidade de condução dos veículos foi melhorada para encorajar o uso de automóveis com armas.

O jogo inclui um criador de personagens para o personagem do jogador, incluindo a seleção de gênero. Há um modo multijogador cooperativo com um segundo jogador, com cada jogador tendo seu próprio personagem chefe e progredindo em suas próprias missões enquanto ajuda o jogador anfitrião.

Desenvolvimento e lançamento
A THQ Nordic anunciou em agosto de 2019 que a Volition estava desenvolvendo um novo título da série Saints Row. A subsidiária Koch Media, proprietária de Saints Row, disse que estava dando tempo e espaço à desenvolvedora para que ela fizesse o jogo que achasse adequado. A franquia teve uma história difícil nos anos anteriores ao desenvolvimento do reboot. O jogo completo anterior da série foi Saints Row IV (2013) e a expansão autônoma Saints Row: Gat Out of Hell (2015). Um spin-off da franquia, Agents of Mayhem (2017), vendeu mal e levou a demissões de funcionários na Volition. Saints Row foi anunciado oficialmente como um reboot da franquia na Gamescom de agosto de 2021, e recebeu opiniões divididas nas redes sociais por não manter a "sensação" dos títulos anteriores da série.

O reboot pretende se afastar do tom "maluco" de Saints Row IV e jogos posteriores da série, trazendo de volta o equilíbrio entre comédia e seriedade que Saints Row: The Third (2011) tinha. Jeremy Bernstein, da Volition, comparou Saints Row IV a Moonraker (1979) da série de filmes James Bond, tendo ido tão longe do reino da realidade que eles precisavam recuperar. O diretor de desenvolvimento do estúdio, Jim Boone, acrescentou que o clima social atual superou o tom dos jogos anteriores da franquia Saints Row. Alguns dos elementos mais obscenos, como um vibrador roxo gigante que poderia ser usado como arma, foram cortados por esse motivo. A desenvolvedora do jogo, Volition, olhou para os filmes de ação como pontos de referência para o que eles queriam que os jogadores experimentassem, incluindo o movimento veicular de Baby Driver (2017), o combate brutal e estilizado da franquia de filmes John Wick, e a extravagância de Hobbs & Shaw (2019), com "aquele tipo de sabor de Saints Row".

Saints Row foi originalmente programado para ser lançado em 25 de fevereiro de 2022 para as plataformas Microsoft Windows, PlayStation 4, PlayStation 5, Xbox One e Xbox Series X/S; no entanto, foi adiado para 23 de agosto de 2022. A versão para Windows é exclusiva da loja digital Epic Games Store. Um passe de expansão pós-lançamento inclui pelo menos três partes de conteúdo para download (DLC). Um bônus de pré-venda e edições especiais apenas digitais incluem um conteúdo cosmético adicional. Em 19 de julho de 2022, foi anunciado que o seu desenvolvimento havia sido finalizado.

Recepção
Saints Row não recebeu resenhas positivas dos críticos, segundo o agregador Metacritic.

No seu lançamento, o jogo sofria de inúmeros bugs e problemas técnicos, com um patch no primeiro dia programado para resolvê-los.

Ligações externas
 Página oficial

Jogos eletrônicos de 2022
Saints Row
Jogos eletrônicos da Deep Silver
Jogos eletrônicos de ação e aventura
Jogos para PlayStation 4
Jogos para PlayStation 5
Jogos para Xbox One
Jogos para Xbox Series X e Series S
Jogos para Windows
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Jogos eletrônicos de mundo aberto
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Jogos eletrônicos com conteúdo para download
Jogos eletrônicos de crime organizado

Saints Row (jogo eletrônico de 2022)


මහාවංශයට අනුව විජයගේ මුතුන් මිත්තන් පැවත එන්නේ නැගෙනහිර ඉන්දියාවේ බෙංගාලයේ කාලිංග රාජ්‍යයෙන් (පුරාණ ඔරිස්සාව) සහ බංගලාදේශයේ පිහිටි වංග දේශයෙනි. වංශ කතාවෙහි ආරම්භයේදී (ශ්‍රී ලංකාවේ ඉතිහාසය බලන්න)  වංග දේශයේ රජු කාලිංග රජුගේ දියණිය හා විවාහ විය. නමින් සුප්පා දේවිය වු ඇය අනුරාගීය , ඉතා රූමත්ය. ඇය නියමිත කල් එළඹි කල තිරිසන් සතුන්ගේ රජු සමග සහවාස කරන්නේ යැයි අනාවැක පවසා තිබුණි. තිරිසනුන්ගේ රජු යනු මහා වංශයේ හැටියට සිංහයෙකි. මෙය එසේම සිදුවු අතර ඇය  සිංහබාහු හා සිංහසීවලි යනුවෙන් පුතෙකු හා දියණියක බිහි කළාය. සිංහබාහු යන්නෙහි අර්ථය සිංහයෙකුගේ වැනි බාහු ඇත්තා යන අතර ඔහු සිංහයෙකුගේ මෙන් හැඩ ගැසුනු අත් පා ඇත්තෙකු ලෙස විස්තර කෙරේ. මෙම දරු  පවුල ගල් ලෙනක ජීවත් වුහ. සිංහයා (පියා)  ගල් ලෙනෙහි දොරටුව නිරතුරු විශාල ගලක් යොදා ආවරණය කළේ දරුවන් හා බිරිද  පලා යාම වැලැක්වීම පිණිසයි. කෙසේ නමුත් අවසානයේදී සුප්පා දේවිය හා දරු දෙදෙනා ගල් ලෙනෙන් ඉවත් වී පලා ගියහ. සිංහබාහු තම පියා වු සිංහයා ඊතලයකින් විද මරා දැමුවේය. ඉන් පසු තමාගේ සහෝදරිය වු සිංහසීවලී විවාහ කරගෙන "සිහපුර"  නගරය මුල් කොට තම රාජ්‍යය පිහිටුවා ගත්තේය. සිංහසීවලී පිට පිටම නිවුන් දරුවන් බිහි කළාය. පළමු දරුවා  විජය වු අතර සුමිත්ත ඔහුගේ නිවුන් සොහොයුරා විය.

විජය ඉතා හිතුවක්කාර , මුරණ්ඩු දාමරික පුද්ගලයෙකු වශයෙන් විස්තර කර තිබේ. ඔහුගේ සහචරයින්ද එසේ විය. රටවැසියාට දරාගත නොහැකි අන්දමේ දාමරික ක්‍රියාවන් ඔවුන් අතින් සිදුවිය. ඔහුගේ මෙම ක්‍රියාකලාපය කෙතරම් සමාජ විරෝධී වීද යත් රට වාසීහු  ඔහුව මරා දමන ලෙස වියපත් වෙමින් සිටි සිංහබාහු ගෙන් ඉල්ලා  සිටියහ. සිංහබාහු එසේ කරනු වෙනුවට ,  අපකීර්තිමත් ක්‍රියාවලට දඩුවමක් ලෙස  විජය සහ පිරිසගේ හිස අඩක් මුඩු කොට ඔවුන්ගේ අඹු දරුවන්ද සමග සියලු දෙනා පිටුවහල් කළහ. පරම්පරාගත  කථාවල සදහන් වන්නේ එම පිරිස 700 ක් වශයෙනි. මෙම තොරතුරු  මහාවං‍ශයේ සදහන් නොවේ.  මෙම පිරිස ස්ථාන කීපයකට ගොඩ බැස්ස නමුත් සතුරන් ලෙස සැළකුණු බැවින් අන්තිමේදී මෙම අකීකරු කුමාරයා සහ පිරිස ලංකාවේ තම්බපන්නී නම් ප්‍රදේශයට ගොඩ බැස්සාහ.

මෙම යුගය සම්බන්ධයෙන්  පුරාවෘත්ත වලින් උකහා ගත හැකි ඉතිහාසගත සත්‍ය කරුණු බොහෝ සෙයින් විවාදාත්මකය. සුප්පා දේවිය සිංහයෙකු නිසා ගැබ් ගත්තා යයි කියන කථාව වෙනත් අන්දමකින් අර්ථ කථනය කරනු ලබන්නේ යැයි සිංහයෙකු නිසා නොව  "සිංහ"  නමින් යුත් කැරළි නායකයෙකු නිසා ගැබ් ගත් ලෙසිනි. භූගෝලීය පිහිටීම , ප්‍රධාන වශයෙන් විවාදයට භාජනය වන කරුණකි. වංග දේශය යනු දළ වශයෙන් වර්තමාන බෙංගාලයේ (බංගලාදේශය සහ බටහිර බෙංගාලය) තිබුණ ප්‍රදේශයක් ලෙසද කාලිංග දේශය ඔරිස්සාවේ පිහිටා තිබුණැයිද විශ්වාස කෙරේ. මෙම කරුණු වලින් පෙන්නුම් කරන්නේ සිංහල හා ඉන්දියාවේ නැගෙනහිර පෙදෙසින් සම්භවය වී ඇති දෙයයි. කොඩ්රින්ටන් ඔහුගේ "සංක්ෂිප්ත ලංකා ඉතිහාසය" ග්‍රන්ථයේ විස්තර කරන්නේ

"මුල් යුගයට අදාල මෙම සිද්ධීන්ගෙන් බොහොමයක් හුදෙක් මිථ්‍යාවක් බව පැහැදිලිය. කාරණා දෙකක් සැලකිල්ලට ලක්වේ. පළමුවැන්න නම් විජයගේ ආගමනය හා මුතුන්මිත්තන් ගැන විස්තර වල කිසියම් සත්‍යයක් තිබුණා වුවද ඉන්දියාවේ නැගෙනහිර වු බෙංගාලයේත් විරුද්ධ   පැත්තේ වු ගුජරාටයේත් සුදු රජවරුන් අතර සම්බන්ධ‍යෙන් තිබුණා යයි කීම පිළිගැනීමට අපහසු කරුණක් බවයි. විජයාගමනය ගැන අදහස් පරස්පර වී තිබීමෙන්  පෙනීයන්නේ ආගමනය දෙයාකාරයකින් සිදුවී ඇති බවයි. එකක් බටහිර පැත්තේනි අනික ඉන්දියාවේ නැගෙනහිර පැත්තෙනි."

සිංහලයාගේ ආගමනය සිදු වුයේ ඉන්දියාවේ නැගෙනහිර පෙදෙසින්ය යන මතය පසු කලෙක සිංහල භාෂා ශාස්ත්‍රපදයෙකු වන W.S. කරුණාතිලක ඔහුගේ පර්යේෂණ වලදී අනුමත කර ඇත.
දෙවැනි භූ‍ගෝලීය ගැටලුව වන්නේ විජයගේ චාරිකාවේදී ගොඩ බසින ලද ස්ථානය වු "තම්බපන්නිය" පිහිටී‍ම පිළිබදවය. රාජාවලියෙහි විස්තර වන්නේ එම පිරිස ඔවුන්ගේ මුහුදු යාත්‍රාවල සිටියදී ශ්‍රීපාද කදුවැටිය දුටු බව සහ ඒ අනුව දක්ෂිණ ලංකාවේ ස්ථානයකට ගොඩ බැස ඇති බවයි. මෙම පෙදෙස පසුව "රුහුණ" රාජ්‍යයේ කොටසක් බවට පත් විය. බ්‍රිතන්‍ය ඉතිහාසඥ H.  පාකර් සදහන් කරන‍්නේ මෙම පෙදෙස කිරිදි ඔය මෝය ප්‍රදේශ‍ය විය හැකි බවයි. වර්තමානයේ වඩාත් දකුණු ප්‍රදේශයේ පිහිටි ස්ථානයක් ලෙස සිතීමට පුලුවන. විජය ගොඩ බහින ලද ස්ථානය වශයෙන් වඩාත් සැලකිල්ලට ලක් වුණු මතය වන්නේ මන්නාරම සහ මීගමුව පුත්තලම නගර අතර ප්‍රදේශයක් විය හැකි බවයි. මෙම කලාපයේ තඹ පැහැ ගත් මුහුදු වෙරළ තම්බපන්නි (තඹ පැහැ අත්ල) යන නම ඇති වීමට  හේතු පාදක වන්නට ඇත.
http://en.wikipedia.org/wiki/Vijaya#Ancestry_and_arrival_in_Lanka

ලංකා ඉතිහාසය-පරම්පරාව හා ලංකාගමනය


The Main Event  é um filme de comédia romântica esportiva, americano, de 1979, estrelado por Barbra Streisand e Ryan O'Neal, escrito por Gail Parent, dirigido por Howard Zieff, produção executiva de Renée Missel e Howard Rosenman, e produção de Streisand e Jon Peters.

Recebeu avaliações negativas da crítica especializada, mas ficou entre os 20 filmes de maior bilheteria no ano de seu lançamento.

Foi também o impulso para a primeira incursão de Streisand na discoteca cantando a música tema, indicada ao Globo de Ouro, escrita por Paul Jabara e Bruce Roberts. A trilha sonora, intitulada The Main Event: Music from the Original Motion Picture Soundtrack, ganhou um disco de ouro nos Estados Unidos.

Sinopse
A magnata do perfume Hillary Kramer (Streisand) perde sua empresa e fica financeiramente arruinada quando seu contador rouba dela e foge para outro país. Após pagar todas as suas dívidas, descobre que entre suas poucas posses restantes está um contrato de gestão com um boxeador decadente (que ela utilizava para descontar no imposto de renda), chamado Eddie "Kid Natural" Scanlon (Ryan O'Neal), que agora é um instrutor de condução. Ela decide forçá-lo a retornar ao ringue para recuperar suas perdas. Eddie acha que isso só vai matá-lo, então ele resiste, mas cede. À medida que o retorno não convencional de Eddie progride, ele se vê envolvido em conflito e romance com sua improvável empresária.

Produção
O filme foi originalmente oferecido a Ryan O'Neal quando Goldie Hawn iria estrelar, após a recusa, os produtores propuseram a Diana Ross para protagonizá-lo, mas O'Neal recusou. O ator recebeu 1 milhão de dólares por seu trabalho no filme.

Tornou-se o segundo de Streisand a ser produzido por seu então namorado, Jon Peters, além de protagonista ela é coprodutora.

Recepção

Bilheteria
Obteve êxito nos cinemas. Estreou com $ 6,6 milhões arrecadados de 853 cinemas em três dias. E finalizou com cerca de US$ 42,8 milhões, contra um orçamento de US$ 8 milhões. Foi a 16ª maior bilheteria do ano de 1979.

Crítica
A recepção da crítica especializada foi, em maioria, desfavorável. No site agregador de críticas Rotten Tomatoes, 40% das avaliações de 10 críticos são positivas.

Roger Ebert o avaliou com duas estrelas de quatro, e o chamou de "um meet cute do começo ao fim, sorrisos forçados, diálogo bajulador e tudo mais. Barbra Streisand e Ryan O'Neal agem tão fofos, de fato, que eu estava me contorcendo".

Vincent Canby, do jornal The New York Times, escreveu: "Esse tipo de situação só pode ser engraçada se estiver fora do personagem, e está fora do personagem do Sr. O'Neal. A executiva de cosméticos insistente, no entanto, parece ser um extensão do papel desempenhado na vida real por Miss Streisand, que co-produziu o filme, protagoniza e parece ter ordenado cada close-up e leitura de linha. Miss Streisand tornou-se uma contradição: ela é demais sem ser suficiente".

Dale Pollock, da revista Variety o chamou de "um filme cuja soma é muito menor do que suas partes", acrescentando: "Deixando de lado todos os aspectos ridículos de 'Main Event' (o guarda-roupa glamouroso de Streisand com um orçamento de níquel e centavo, o completo desrespeito pelas regras e tradição do boxe, e o final altamente improvável), a maior decepção é a de Streisand com contentamento aparente para ficar com um personagem que ela agora esgotou na tela".

Gene Siskel do jornal Chicago Tribune avaliou com três estrelas e meia de quatro e escreveu que Streisand "se afasta com este filme, e o transforma em uma lição de atuação de comédia romântica. Ela está tão deliciosa aqui como sempre foi, como em Funny Girl e um favorito pessoal, On a Clear Day You Can See Forever.

Charles Champlin do Los Angeles Times escreveu sobre Streisand, " É seu primeiro filme desde Nasce Uma Estrela e é todo dela. Cada entrada, saída, composição e gracejo a favorecem, um pouco para ocultar uma atuação suave e insinuante de O'Neal, que realmente se tornou um ator de comédia leve divertido e jovial em uma tradição não muito honrada em 'The Main Event'".

Gary Arnold, do The Washington Post, escreveu: "Esta premissa parece notavelmente desagradável no papel e não melhora no jogo. Novas comédias românticas parecem estar degenerando no momento, e 'The Main Event' não é nada para elogiar".

David Ansen da revista Newsweek escreveu: "O palco está montado para uma comédia romântica de arrasar, uma espécie de papel invertido 'Pat e Mike.' O que se desenvolve, no entanto, é apenas um pouco divertido - e às vezes francamente irritante".

Prêmios e indicações

Filmes dos Estados Unidos de 1979
Filmes em língua inglesa
Filmes de comédia romântica dos Estados Unidos
Filmes de comédia romântica da década de 1970
Filmes de esporte dos Estados Unidos
Filmes de esporte da década de 1970
Filmes dirigidos por Howard Zieff
Filmes da Warner Bros.

The Main Event


Intermeco ili intermezzo je instrumentalna skladba, a može značiti i:

 Intermezzo, državna himna Bosne i Hercegovine
 Intermezzo (Strauss), opera Richarda Straussa
 Intermezzo (Giraudoux), komedija Jeana Giraudouxa iz 1933. godine
 Intermezzo (1936.), švedski film Gustafa Molandera iz 1936. godine
 Intermezzo (1939.), američki film Gregoryja Ratoffa iz 1939. godine

Intermeco (razdvojba)


Jægerne () er en svensk thriller fra 1996 instrueret af Kjell Sundvall med Rolf Lassgård og Lennart Jähkel i hovedrollerne. Filmen havde Sverigespremiere den 31. januar 1996.

Handling
Erik har arbejdet som politibetjent i Stockholm i mange år. Efter et skuddrama søger han ny tjeneste i Norrbotten, hvor han er opvokset. Meget er forandret mens han har været borte, og Eriks politiattitude passer ikke længere ind i et samfund, der styres af uskrevne regler. Erik begynder at trævle en sag op om krybskytteri på elge og rener, der har foregået i længere tid, og som har været set gennem fingrene med af det lokale politi. Det viser sig snart at Eriks egen bror er indblandet og forbrydelserne får stadig større omfang.

Medvirkende
Rolf Lassgård som Erik Bäckström
Lennart Jähkel som Leif Bäckström
Jarmo Mäkinen som Tomme Harela
Tomas Norström som Ove
Thomas Hedengran som Stig
Göran Forsmark som Håkan
Rolf Degerlund som Eilert
Editha Domingo som Nena
Helena Bergström som Anna Sivertsson
Helen S. Henriksson som Britt Harela

Eksterne henvisninger

Svenske film fra 1996
Thrillere

Jægerne


Paws Incorporated, cunoscut de asemenea sub numele legal de Paws, Inc., este un studio de benzi desenate și companie de producție fondat de caricaturistul american Jim Davis în 1981 pentru a sprijini benzile desenate Garfield și licențele sale. Compania a fost situată inițial în statul natal al lui Davis, Indiana. Clădirea ei a fost relocată în Muncie în 1989, relocată de la propria fermă a lui Davis pe când era copil.

În 1994, compania a achiziționat toate drepturile asupra benzilor desenate Garfield din 1978 până în 1993 de la United Feature Syndicate, deși benzile originale zilnice alb-negru și benzile de culoare originale de duminică rămân drepturi de autor la United Feature Syndicate. Benzile zilnice complet colorate și benzile de duminică amintite sunt protejate de dreptul de autor la Paws, deoarece sunt considerate un produs diferit. Banda este distribuită în prezent de Andrews McNeel Syndication (fostul Universal Press Syndicate și Universal Uclick), în timp cr drepturile pentru bandă rămân la Paws, Inc. Până în 2015, compania a angajat aproape 50 de artiști și administratori.

În august 2019, Viacom (cunoscut acum ca Paramount Global) a achiziționat Paws, Inc., inclusiv marfă globală și licențele existente și a pus-o sub bannerul Nickelodeon. Acordul nu a inclus drepturile asupra filmelor live-action cu Garfield, care sunt deținute de The Walt Disney Company prin intermediul 20th Century Studios și a filmului de animație viitor cu Garfield distribuit de Sony Pictures. Deși Paws, Inc. se află efectiv în Manhattan, Jim Davis va continua să deseneze benzile desenate în Indiana pentru Andrews McNeel Syndication.

Filmografie

Seriale

Speciale

Filme

Filme teatrale

Filme direct-pe-video

Referințe

Companii din Indiana
Fondări în 1981

Paws, Inc.


Sol Myron Linowitz (* 17. Dezember 1913 in Trenton, New Jersey; † 18. März 2005 in Washington, D.C.) war ein US-amerikanischer Jurist, Diplomat und Unternehmer, der 1977 im Auftrag von US-Präsident Jimmy Carter die Übergabe des Panamakanals an Panama aushandelte und 1998 mit der Presidential Medal of Freedom geehrt wurde.

Leben

Studium und Aufstieg zum Vorstandsvorsitzenden der Xerox Corporation
Nach dem Schulbesuch studierte Linowitz zunächst am Hamilton College in Clinton, wo er 1935 einen Bachelor of Arts (B.A.) erwarb. Ein darauf folgendes postgraduales Studium der Rechtswissenschaften an der Law School der Cornell University in Ithaca schloss er 1938 mit einem Bachelor of Laws (LL.B.) ab. Während seines letzten Studienjahrs war er von 1937 bis 1938 auch Chefredakteur der Cornell Law Review und wurde außerdem in dieser Zeit Mitglied der akademischen Verbindung Phi Beta Kappa. Nach seiner anschließenden anwaltlichen Zulassung war er einige Jahre als Rechtsanwalt tätig.

Während des Zweiten Weltkrieges war er von 1942 bis 1944 sowohl bei der Behörde für Preisbildung als auch von 1942 bis 1946 im Büro des Chefrechtsberaters des Marineministeriums (US Department of the Navy) in Washington, D.C., tätig. Zugleich leistete er von 1944 bis 1946 seinen Militärdienst bei der US Navy.

1943 trat er zudem als Manager in das Technologie- und Dienstleistungsunternehmen Xerox ein und war dort zuletzt von 1960 bis 1966 Vorstandsvorsitzender. Während dieser Zeit erfolgte 1961 der Börsengang des Unternehmens an der New York Stock Exchange (NYSE) sowie die Umbenennung der bisherigen Haloid Company Inc. in Xerox Corporation am 18. April 1961.

Botschafter und Träger der Presidential Medal of Freedom
Am 15. November 1966 wurde er von US-Präsident Lyndon B. Johnson als Nachfolger von Ellsworth Bunker zum Botschafter bei der Organisation Amerikanischer Staaten (OAS) ernannt und bekleidete dieses Amt bis zu seiner Ablösung durch Joseph J. Jova am 15. Juli 1969. Zugleich begann er sein Engagement als Trustee verschiedener Bildungseinrichtungen und war zwischen 1966 und 1995 Trustee der Cornell University. Daneben war er zeitweilig auch Trustee des Hamilton College, der Johns Hopkins University, der University of Rochester sowie der Eastman School of Music (ESM).

1977 ernannte ihn US-Präsident Jimmy Carter zum Unterhändler bei den Vertragsverhandlungen über die Rückgabe des Panamakanals an Panama. Am 7. September 1977 kam es zur Unterzeichnung der nach Carter und Omar Torrijos, dem Präsidenten Panamas, benannten Torrijos-Carter-Verträge. Diese sahen eine Übergabe des Kanals an Panama bis zum 1. Januar 2000 vor. Die Übergabe wurde schließlich am 31. Dezember 1999 vollzogen.

Danach berief ihn Präsident Carter 1979 zum Sonderbotschafter für den Mittleren Osten. Dieses Amt behielt er bis zum Amtsantritt von Präsident Ronald Reagan am 20. Januar 1981. Linowitz, der von 1984 bis 1989 Vorsitzender der American Academy of Diplomacy war, engagierte sich außerdem in der American Academy of Arts and Sciences (Mitglied seit 1968), im American Jewish Committee und im Council on Foreign Relations.

1998 wurde Sol Linowitz von US-Präsident Bill Clinton mit der Presidential Medal of Freedom geehrt, die neben der gleichrangigen Congressional Gold Medal eine der beiden höchsten zivilen Auszeichnungen der Vereinigten Staaten von Amerika ist.

Veröffentlichungen
 International business-government relations, Mitautoren Charles Habib Malik und Daniel Parker, Washington, D.C. 1970
 This troubled urban world, Claremont 1974
 World hunger, a challenge to American policy, New York City 1980, ISBN 0871-24065-3
 The making of a public man. A memoir, Boston 1985, ISBN 0316-52689-4
 The betrayed profession. Lawyering at the End of the 20th Century, Mitautor Martin Mayer, New York 1994, ISBN 0684-19416-3

Weblinks und Quellen

 Veröffentlichungen (Open Library)
 Chambers Biographical Dictionary, Edinburgh 2002, S. 920, ISBN 0550-10051-2

Ständiger Vertreter der Vereinigten Staaten bei der OAS
Rechtsanwalt (Vereinigte Staaten)
Manager
Träger der Presidential Medal of Freedom
Mitglied der American Academy of Arts and Sciences
US-Amerikaner
Geboren 1913
Gestorben 2005
Mann

Sol Linowitz


Die Chengdu-Kunming-Bahn () ist eine Eisenbahnstrecke, die Chengdu und Kunming, die beiden Hauptstädte der südwestchinesischen Provinzen Sichuan und Yunnan, miteinander verbindet. Es ist eine der wichtigsten Verkehrsverbindungen Südwestchinas.

Ihre Gesamtlänge beträgt ca. 1100 km. Sie wurde in den Jahren 1958 bis 1970 erbaut. Die Strecke führt durch das Gebiet des Gebirges Hengduan Shan. Die Bahn überquert und anderem die großen Flüsse Min Jiang, Qingyi Jiang, Dadu He und Jinsha Jiang (Chang Jiang).

Wichtige Stationen auf ihrer Strecke sind Chengdu, Pengshan, Jiajiang, Emei, Ebian, Ganluo, Xide, Xichang, Dechang, Miyi und Panzhihua in der Provinz Sichuan und Yuanmou, Lufeng, Anning und Kunming in der Provinz Yunnan.

Im Norden gibt es die Verbindungen:
 Bao-Cheng-Bahn 宝成铁路 (Baoji–Chengdu)
 Cheng-Yu-Bahn 成渝铁路 (Chengdu-Chongqing)

Im Süden gibt es die Verbindungen:
 Gui-Kun-Bahn 贵昆铁路 (Guiyang–Kunming)
 Kun-He-Bahn 昆河铁路 (Kunming–Hekou)

Parallel zur bestehenden Strecke wurde eine 915 km lange Schnellfahrstrecke gebaut, welche für 160 km/h ausgelegt ist und die mit allen Abschnitten Ende des Jahres 2022 fertiggestellt wurde. Es war der letzte fertigzustellende Abschnitt des 3375 km langen Schnellfahrstrecken-Korridors Peking-Kunming. Die Reisezeit wird auf ungefähr sechs Stunden verkürzt.

Siehe auch
 Liste chinesischer Eisenbahnstrecken

Einzelnachweise

Bahnstrecke in der Volksrepublik China
Verkehr (Sichuan)
Verkehr (Yunnan)
Chengdu

Chengdu-Kunming-Bahn


An Panicum queenslandicum in uska species han Liliopsida nga ginhulagway ni Karel Domin. An Panicum queenslandicum in nahilalakip ha genus nga Panicum, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Panicum

Panicum queenslandicum