Brellur ársins er verðlaunaflokkur á Edduverðlaununum fyrir tæknibrellur sem var fyrst tekinn upp árið 2013. Fyrstur til að fá verðlaunin var Daði Einarsson fyrir brellur í kvikmyndinni Djúpið.

Edduverðlaunin

Brellur ársins


Tour de Normandie 2017 var den 37. udgave af det franske landevejscykelløb i Normandiet. Løbet foregik i perioden 20. til 26. marts 2017. Løbet var en del af UCI Europe Tour 2017 og var i kategorien 2.2.  Den samlede vinder af løbet blev franske Anthony Delaplace fra .

Hold og ryttere

Danske ryttere

Etaperne

1. etape

2. etape

3. etape

4. etape

5. etape

6. etape

7. etape

Resultater

Eksterne henvisninger

UCI Europe Tour 2017
2017

Tour de Normandie 2017


Anastasia Sergeyevna Kirillova (en , et en  / Anastasiya Siarheyeuna Kirylava), née le , est une fondeuse biélorusse, à l'origine russe.

Carrière
Krillova prend part à sa première compétition FIS en novembre 2011 dans la Coupe d'Europe de l'Est (). Sa première expérience internationale majeure a lieu au Festival olympique de la jeunesse européenne en 2013 à Rasnov, où son meilleur résultat est onzième du sprint.

Naturalisée biélorusse, elle fait alors ses débuts en Coupe du monde en novembre 2015 à Ruka. En février 2016, la fondeuse marque ses premiers points dans cette compétition avec une vingtième place au sprint classique de Stockholm. En 2016, elle prend la huitième du sprint aux Championnats du monde junior à Rasnov.

En 2018, elle dispute ses premiers Jeux olympiques à Pyeongchang, se classant  du sprint classique et  avec le relais.  Elle remplie aussi le rôle de guide pour athlète non-voyant aux Jeux paralympiques.

Un an plus tard, elle reçoit sa première sélection pour des championnats du monde, à Seefeld, échouant à se qualifier sur le sprint individuel () , mais termine dans le top dix () au sprint par équipes. Cette année, lors des Championnats du monde des moins de 23 ans, à Lahti, elle arrive quatrième de la finale du sprint.

Aux Championnats du monde 2021 à Oberstdorf, elle dispute seulement le sprint classique, pour prendre la  place finale.

Palmarès

Jeux olympiques d'hiver

Légende :
  : pas d'épreuve
 — : Non disputée par Kirillova

Championnats du monde

Légende :
  : pas d'épreuve
 — : Non disputée par Kirillova

Coupe du monde
 Meilleur classement général :  en 2016.
 Meilleure performance individuelle : .

Classements en Coupe du monde

Coupe d'Europe de l'Est
 du classement général en 2021.
9 podiums, dont 7 victoires.

Références

Liens externes

Fondeuse biélorusse
Fondeuse russe
Naissance en février 1996
Fondeuse aux Jeux olympiques d'hiver de 2018

Anastasia Kirillova


Die römisch-katholische Filialkirche St. Leonhard befindet sich im oberschwäbischen Gottenau einem Ortsteil von Markt Rettenbach im Landkreis Unterallgäu in Bayern. Die Kirche steht unter Denkmalschutz.

Zugehörigkeit
Die Filiale Gottenau gehört zur katholischen Pfarrei St. Jakobus in Markt Rettenbach, Pfarreiengemeinschaft Markt Rettenbach, Dekanat Memmingen im Bistum Augsburg.

Geschichte
Der Kern des Kirchturmes und des Chores der bestehenden Kirche ist spätmittelalterlich. Im Jahr 1723 wurde vermutlich das Langhaus errichtet. In diese Zeit fällt auch der Umbau des Chorgewölbes. Eine Restaurierung fand im Jahr 1949 statt.

Baubeschreibung

Das Langhaus der Kirche besteht aus zwei Fensterachsen und besitzt eine Flachdecke. An der Nordseite des Langhauses befindet sich der rundbogige Eingang mit Rustikarahmung. In diesem sind abgesetzte Fenster mit Rundbogen sowie innen an der Westseite eine Empore vorhanden. Der Chor mit 3/8 Schluss ist leicht eingezogen. Dieser enthält ein Tonnengewölbe, welches durch Grate in drei schmale Joche mit Stichkappen aufgeteilt ist. Zwei Strebepfeiler sind an der Außenfassade des Chores angebracht. An der Stirnaußenwand des Chores befindet sich eine Blendädikula aus dem frühen 18. Jahrhundert. In dieser ist umgeben von Pilastern ein modernes Wandbild des St. Leonhard gemalt. Der Kirchturm ist im nördlichen Chorwinkel errichtet und mit einem Satteldach gedeckt. Kleeblattbogenfriese finden sich am Kirchturm am Obergeschoss und an der Giebelschräge. Im Turmobergeschoss befinden sich an drei Seiten Klangarkaden. Der Glockenstuhl ist mit 1775 MIGB bezeichnet. Im Untergeschoss des Kirchturmes befindet sich die Sakristei. Diese ist mit einem Kreuzrippengewölbe mit Scheibenschlussstein ausgestattet.

Ausstattung
Der Hochaltar ist ein marmorierter Holzaufbau mit vergoldetem Dekor und wurde um 1770 geschaffen. Der Hochaltar ist eine von den Querhausaltären der Klosterkirche St. Alexander und Theodor von Ottobeuren angeregte Arbeit. Auf dem Altarblatt ist der hl. Leonhard dargestellt, wie dieser Gefangene besucht. Flankiert ist dieses von diagonal gestellten Freisäulen. Rechts und links davon befinden sich gefasste Holzfiguren des hl. Lukas und Johannes aus der Mitte des 18. Jahrhunderts.

Die beiden Seitenaltäre sind wie der Hochaltar marmorierte Holzaufbauten aus der gleichen Zeit. Die Altarbilder zeigen links den heiligen Franziskus und rechts den heiligen Antonius von Padua. Flankiert sind beide Altarbilder von Lisenen mit Rocailledekor. Die Deckengemälde der Kirche wurden gegen 1730 geschaffen. Im Zentrum des Langhauses ist die Dreifaltigkeit mit Maria und dem heiligen Leonhard dargestellt. Die ovalen Eckfelder zeigen Engel mit Attributen der drei christlichen Tugenden und des Neuen Testaments. Ein Gemälde in der Art des Johann Friedrich Sichelbein aus dem 18. Jahrhundert stellt die Kreuzigung dar.

In der Kirche befindet sich eine Reihe gefasster Holzfiguren. Dies sind aus der Zeit um 1720/1730 ein hl. Sebastian und von 1720 ein Salvator. Allesamt aus dem 18. Jahrhundert stammen die Darstellungen des hl. Leonhard, hl. Florian, hl. Georg und Martin, ein Kruzifixus und eine schmerzhafte Muttergottes. Eine weitere gefasste Holzfigur im Altarraum, allgemein für den hl. Magnus gehalten, dürfte wohl eher einen heiligen Bischof darstellen, wegen des Drachens als Attribut etwa den hl. Hilarius oder den hl. Godehard.

Literatur

Weblinks

Einzelnachweise

Bauwerk in Markt Rettenbach
Baudenkmal in Markt Rettenbach
Markt Rettenbach
Gottenau
Gottenau
Gottenau
Kirchengebäude in Europa

St. Leonhard (Gottenau)


دافيديف (Давидів) هي مدينة في مقاطعة لفيفسكا في أوكرانيا.

يبلغ عدد سكانها حوالي 4396 نسمة.

مراجع

قرى في منطقة لفيف
مدن أوكرانيا

دافيديف (لفيفسكا)


Juniperus procumbens er tegund af barrtré í Einisætt. Upprunninn frá Japan, og finnst í mörgum héröðum Kína. Hann er náskyldur og oft talinn til Juniperus chinensis sem  J. chinensis var. procumbens.

Tilvísanir

Einisætt

Juniperus procumbens


Cracked Brain četvrti je studijski album njemačkog thrash metal sastava Destruction. Album je objavljen 1. lipnja 1990. godine, a objavila ga je diskografska kuća Steamhammer. Prvi je album skupine na kojem nije svirao Schmier.

Popis pjesama
 Sve su pjesme, osim pjesme "My Sharona", napisali Mike Sifringer, Harry Wilkens i Oliver Kaiser.

Zasluge
Destruction
 Mike Sifringer – gitara, bas-gitara
 Harry Wilkens – gitara, bas-gitara
 Oliver Kaiser – bubnjevi
 André Grieder – vokali
Dodatni glazbenici
 Christian Engler – dodatna bas-gitara
Ostalo osoblje
 Günther Pauler – masteriranje
 Andreas Marschall – ilustracije
 Guy Bidmead – produkcija

Izvori

Albumi sastava Destruction
Albumi iz 1990.

Cracked Brain


Hidrojen bağı, bir molekül oksijen, azot veya flor gibi elektronegatif bir atoma bağlı hidrojenin kısmi artı yükle yüklenmesi sonucu, başka veya aynı moleküldeki elektronegatif atom ile yaptığı zayıf bağdır.

Van der waals kuvvetinden güçlü olmasına karşın, tipik hidrojen bağı iyonik bağ ve kovalent bağdan daha güçsüzdür. Proteinler ve nükleik asitler gibi makromoleküller içinde, aynı molekülün iki parçası arasında var olabilir.

Hidrojen bağı ismi, bağın bir hidrojen atomunu kapsamasından gelir. Genelde bağ, hidrojenin flor, oksijen ve azot gibi elektronegatifliği yüksek atomlarla yapmış olduğu kuvvetli bir etkileşim türüdür.

Eğer hidrojen bağı atomu iki atom arasında ortak kullanılıyor ise meydana gelen iki molekül arasındaki zayıf bir bağdır.

Hidrojen bağları genellikle oksijen ve azot gibi negatif elektrik yüklü atomlarla diğer bir negatif yüklü atomlara kovalent olarak bağlanmış hidrojen atomları arasında oluşan bağlardır.

Dipol dipol etkileşmesinin kimyadaki en bariz örneğini teşkil eder.

Hidrojen Bağı Van der Waals bağından güçlüdür, molekülleri arasında daha güçlü etkileşim olan maddenin kaynama noktası daha yüksektir.Bu yüzden hidrojen bağı  içeren maddelerin erime - kaynama noktaları Van der Waals bağı içeren maddelere göre daha yüksektir.İki farklı molekül birbirleriyle hidrojen bağı oluşturabilir.

(F,O,N) barındıran moleküller dışında hidrojen sülfürün de (H₂S) bağ yapabildiği keşfedilmiştir.

Kaynakça
 2 Kasım 2006 tarihli İngilizce Wikipedia maddesi

Kimyasal bağlar

Hidrojen bağı


Menelikornis refere-se a um género de aves da família Musophagidae, que é endémica de África.

Espécies
O género Menelikornis compreende 2 espécies:

 Turaco-de-ruspoli, Menelikornis ruspolii Salvadori, 1896
 Turaco-de-faces-brancas, Menelikornis leucotis (Rüppell, 1835)

Menelikornis
Musophagiformes
Géneros de aves

Menelikornis


Áris Messínis () est un reporter-photographe né en Grèce en 1977.

Biographie
Áris Messínis est né en 1977 en Grèce. Il est le fils d'un photojournaliste.

Autodidacte, il a commencé à travailler avec l'Associated Press en 1997 en tant que photographe pigiste après avoir terminé ses études secondaires et effectué son service militaire.

Il est photographe professionnel depuis 2003 et entre en 2006 à l'Agence France-Presse dont il dirige le département photo à Athènes.

Il couvre la première guerre civile libyenne et notamment la bataille de Syrte en 2011. Ce travail est récompensé en 2012 par le prix Bayeux-Calvados des correspondants de guerre.

En 2015, il documente au long cours les arrivées des réfugiés sur l'île de Lesbos. Ce travail est récompensé par un « Visa d'or News » au festival Visa pour l'Image.

En février 2022, il fait partie de l'équipe de l'AFP chargée de couvrir l'invasion de l'Ukraine par la Russie.

Prix et récompenses
Liste non exhaustive
 2002 : Deadline Club of America Awards
 2002 : Editor & Publisher photos of the year Awards
 2005 : EPPA Fuji Hellas first prize
 2005 : NPPA Best of Photojournalism Contest third place
 2005 : Prix International du Grand Reportage Sportif Francophone first photo prize
 2011 : Award of AMAN (Alliance of Mediterranean News Agencies)
 2011 : FotoWeek DC,  pour sa couverture des événements en Grèce.
 2012 : Grand prix de photojournalisme Days Japan, prix spécial du jury pour
 2012 : Prix Bayeux-Calvados des correspondants de guerre, pour sa couverture du conflit libyen, et notamment la bataille de Syrte
 2016 : Visa d'or News au festival Visa pour l'Image, .

Notes et références

Photographe grec
Photojournaliste
Naissance en 1977
Naissance à Thessalonique

Áris Messínis


A Brazil Songs é uma parada musical semanal do Brasil, publicada pela revista norte-americana Billboard, que classifica as vinte e cinco canções mais populares em todo o território brasileiro, baseada em vendas digitais e streaming fornecidos pela empresa Luminate Data. Foi lançada oficialmente em fevereiro de 2022, como parte da coleção de paradas Hits of the World da Billboard. Esta é a primeira parada local da Billboard no Brasil desde a descontinuação da Brasil Hot 100, depois que a Billboard Brasil encerrou suas operações por um motivo não revelado em janeiro de 2019.

A primeira canção número um da Brazil Songs foi "Malvadão 3", de Xamã, Neo Beats e Gustah, na semana de 19 de fevereiro de 2022.

Compilação
A parada acompanha o desempenho das canções de sexta a quinta-feira. As classificações da parada são baseadas em downloads digitais de lojas de música online de serviço completo (excluem-se as vendas de sites diretos ao consumidor, como a loja de um artista individual) e streaming ocorrido no Brasil durante o período de rastreamento. Todos os dados são fornecidos pela Luminate Data.

Lista de singles número um

Recordes de canções

Mais semanas no número um

Recordes de artistas

Mais singles número um

Mais entradas

Notas

Ligações externas

Tabelas musicais de singles da Billboard
Paradas de sucesso do Brasil

Brazil Songs


Ašot I. od Taoa, također poznat kao Ašot I. Nezreli (gruz. აშოტ I კუხი; umro 918.), iz dinastije Bagrationi, bio je knez Tao-Klardžetije i nasljedni vladar Taoa s titulom eristavt-eristavi ("vojvoda od vojvoda"). Nadimak mu je bio kuhi, što znači "nezreli".

Ašot je bio mlađi sin Gurgena I. Nakon smrti starijeg brata Adarnaza III. 896. godine, vjerojatno je stupio na tronvladao zajedno sa svojim nećakom Davidom koji je u to vrijeme bio još uvijek maloljetan. Kad je David umro 908. godine, Ašot je postao jedini vladar, i samostalno je vladao do smrti 918. godine.

Gruzijske kronike Kartlis Chovreba Ašota prikazuju kao pokrovitelja monaštva i kulturnih projekata u Tao-Klardžetiji. Sponzorirao je izgradnju katedrale Tbeti u Šavšetiju (današnja Turska) i postavio za prvog biskupa Stjepana Mtbetvarija, od kojeg je Ašot naručio hagiografski roman Mučeništvo Mihaela Gobrona. Kip na kojem se navodno vidi Ašot Kuhi, a koji je uklonjen iz Tbetija pred kraj Prvog svjetskog rata, sada je izložen u Umjetničkom muzeju Gruzije u Tbilisiju.

Naslijedio ga je Gurgen II.

Izvori

Bagrationi
Gruzijski vladari

Ašot I. od Taoa


Thomas Nagel (d. 4 Temmuz 1937), Amerikalı felsefeci. New York Üniversitesi'nde felsefe ve hukuk profesörüdür. Siyaset, ahlak, hukuk, zihin felsefeleriyle ilgilenmektedir. Felsefe ve Kamusal Meseleler dergisi kurucularındandır.

Felsefeye doğrudan felsefi kavramlar üzerinde düşünmekle başlamanın en iyi yol olduğunu savundu. Nagel'in 1974 yılında yayımladığı "What is it like to be a bat?" başlıklı makalesi zihin felsefesi açısından son yüzyılın en önemli yazılarından biridir.

Eserleri
 Özgeciliğin İmkânı
 Büyük Sorular
 Hiçbir Yerden Bakış
 Eşitlik ve Tarafgirlik
 Diğer Zihinler
 Son Söz

1937 doğumlular
Belgrad doğumlular
Sırbistan Yahudileri
Amerika Birleşik Devletleri'ndeki Yugoslav göçmenler
Amerika Birleşik Devletleri vatandaşlığına kabul edilenler
Amerikalı akademisyenler
Amerikalı filozoflar
Cornell Üniversitesinde öğrenim görenler
Harvard Üniversitesinde öğrenim görenler
New York Üniversitesi öğretim üyeleri
Bilinç araştırmacıları ve teorisyenleri
Yaşayan insanlar
20. yüzyıl Amerikalı filozofları
Amerikalı ateistler
Almanya Yahudisi asıllı Amerikalılar
Analitik filozoflar
Ateist filozoflar
Postmodernizm eleştirmenleri
Yahudi ateistler
Yahudi filozoflar
Avrupa Bilim ve Sanat Akademisi üyeleri
Ahlâkçılar
Zihin felsefecileri
Princeton Üniversitesi öğretim üyeleri
Rolf Schock Ödülü sahipleri
Sırp ateistler

Thomas Nagel


El XXIV Campeonato Europeo de Baloncesto Femenino se celebró en Perugia (Italia) entre el 8 de junio y el 13 de junio de 1993 bajo la denominación Eurobasket Femenino 1993. El evento fue organizado por la Federación Europea de Baloncesto (FIBA Europa) y por la Federación Italiana de Baloncesto.

16 selecciones nacionales de Europa compitieron por el título de campeón europeo, cuyo anterior portador era la selección nacional de la Unión Soviética.
Finalmente se proclamó vencedora la selección de España, tras imponerse a Francia en la final por 63 a 53. El tercer puesto fue para Eslovaquia.
Fue el primer Eurobasket sin la Unión Soviética, claro dominador de la competición durante 22 ediciones y de Yugoslavia, que por aquel entonces era una de las selecciones más fuertes de Europa.

Grupos

Primera fase

Grupo A

 Resultados

 (¹) -  Todos en Vasto
 (²) -  Hora local de Italia (UTC+2, CEST)

Grupo B

 Resultados

 (¹) -  Todos en Lanciano
 (²) -  Hora local de Italia (UTC+2, CEST)

Fase final

Semifinales

 (¹) -  En Chieti
 (²) -  Hora local de Italia (UTC+2, CEST)

Tercer puesto

 (¹) -  En Chieti
 (²) -  Hora local de Italia (UTC+2, CEST)

Final

 (¹) -  En Chieti
 (²) -  Hora local de Italia (UTC+2, CEST)

Medallero

Plantillas de los equipos finalistas
España:
Ana Belén Álvaro, Laura Grande, Mónica Messa, Blanca Ares, Carolina Mújica, Paloma Sánchez, Pilar Valero, Mar Xantal, Piluca Alonso, Elisabeth Cebrián, Marina Ferragut y Wonny Geuer. Seleccionador: Manuel Coloma.
Francia:
Amy Cissé, Barbara Weistroffer, Corinne Zago, Katia Foucade, Yannick Souvré, Odile Santaniello, Carole Force, Stéphanie Vivenot, Paoline Ékambi, Isabelle Fijalkowski, Martine Campi, Lætitia Moussard. Seleccionador: Paul Besson

Enlaces externos
 2008/10/16 16 años después de un oro histórico
 Un toque femenino

1993
Baloncesto en 1993
Historia del baloncesto de España
Deporte en Perugia
Baloncesto en Italia
Deporte en Italia en 1993
Baloncesto

Campeonato Europeo de Baloncesto Femenino de 1993


Arhivsko vino je kvalitetno ili vrhunsko vino koje je u podrumskim uvjetima čuvano pet ili više godina, od toga najmanje tri godine u boci.

U arhivskim vinima uživaju istinski znalci koji znaju cijeniti njihovu profinjenost, koji umiju odrediti prigodu i vrijeme kada će ih piti, uz koja jela i u kojem društvu, jer počastiti nekog, ili mu pokloniti arhivsko vino, znači iskazati mu posebnu čast i osobito poštovanje.

Vidi još
 Hrvatska vina
 Vino

Izvori
 http://www.badel1862.hr/hr-HR/Brandovi/Arhivska-vina.html?Y3RnXDI3LHBcMzg%3D
 http://www.vinistra.com/
 https://www.croatianwine.org/  (engl.)

Vino

Arhivsko vino


Die Schlacht an der Sambre (engl. Second Battle of the Sambre, frz. 2ème/seconde Bataille de Sambre) war ein Teil der Hunderttageoffensive im Ersten Weltkrieg am 4. November 1918, eine Woche vor dem Waffenstillstand von Compiègne.

Die Schlacht wurde von britischen Truppen um den Canal de la Sambre à l'Oise in den Départements Aisne und Nord im Norden von Frankreich geführt und schließt die Gefechte um Guise und Origny-en-Thiérache ein, die von französischen Truppen zur gleichen Zeit geführt wurden.

Das übergeordnete Ziel des Angriffs war, dass die Truppen der Alliierten auf Maubeuge und Mons vorrücken und gleichzeitig Namur bedrohen sollten, wobei der Kanal das erste große Hindernis darstellte. Die britischen Truppen erlitten beim Versuch, den Kanal zu überqueren, teilweise hohe Verluste, doch konnten die Alliierten bis zum 5. November einen etwa 80 km langen und 5 km tiefen Brückenkopf jenseits des Kanals errichten.

Der britische Offizier und Dichter Wilfred Owen starb in dieser Schlacht südlich von Ors.

Weblinks

Anmerkungen

Sambre #1918
Britische Militärgeschichte (Erster Weltkrieg)
Geschichte (Hauts-de-France)
Frankreich im Ersten Weltkrieg
Konflikt 1918

Schlacht an der Sambre (1918)


Le canon de 12,7 cm/50 Type 3 est un canon naval de moyen calibre de la marine impériale japonaise utilisé pendant la Seconde Guerre mondiale. Ce fut l'arme standard des destroyers japonais entre 1928 et 1944 (sauf pour les classes Akizuki et Matsu).

Après la fin de la Seconde Guerre mondiale, le canon est resté en service sur les deux destroyers japonais cédés à l'Union soviétique et à la République de Chine à titre de réparations de guerre.

Notes et références

Voir aussi

Articles connexes
 Liste des canons de marine par calibre

Bibliographie

 OCLC 77257764

Liens externes

Artillerie de calibre 127 mm
Artillerie navale japonaise
Arme japonaise de la Seconde Guerre mondiale

Canon de 12,7 cm/50 Type 3


Krava je hrid u Viškom otočju, na ulazu u Viški zaljev, kod grada Visa. Na hridi je svjetionik. U neposrednoj blizini je i podmorsko arheološko nalazište - ostaci antičkog brodoloma.

Površina hridi je 1006 m2, a visina 2 metra.

Izvori

Vanjske poveznice

Viško otočje

Krava (hrid)


Cartoon physics or animation physics are terms for a jocular system of laws of physics (and biology) that supersedes the normal laws, used in animation for humorous effect.

Many of the most famous American animated films, particularly those from Warner Bros. and Metro-Goldwyn-Mayer studios, indirectly developed a relatively consistent set of such "laws" which have become de rigueur in comic animation. They usually involve things behaving in accordance with how they appear to the cartoon characters, or what the characters expect, rather than how they objectively are. In one common example, when a cartoon character runs off a cliff, gravity has no effect until the character notices.

In words attributed to Art Babbitt, an animator with the Walt Disney Studios: "Animation follows the laws of physics—unless it is funnier otherwise."

Examples

Specific reference to cartoon physics extends back at least to June 1980, when an article "O'Donnell's Laws of Cartoon Motion" appeared in Esquire.  A version printed in V.18 No. 7 p. 12, 1994 by the Institute of Electrical and Electronics Engineers in its journal helped spread the word among the technical crowd, which has expanded and refined the idea.

O'Donnell's examples include:

Any body suspended in space will remain suspended in space until made aware of its situation. A character steps off a cliff but remains in midair until looking down, then the familiar principle of 32 feet per second takes over.
A body passing through solid matter will leave a perforation conforming to its perimeter. Also called the silhouette of passage.
The time required for an object to fall 20 stories is greater than or equal to the time it takes for whoever knocked it off the ledge to spiral down 20 flights to attempt to capture it unbroken. Such an object is inevitably priceless; the attempt to capture it, inevitably unsuccessful.
All principles of gravity are negated by fear.
Psychic forces are sufficient in most bodies for a shock to propel them directly away from the surface. A spooky noise or an adversary's signature sound will introduce motion upward, usually to the cradle of a chandelier, a treetop or the crest of a flagpole.
The feet of a running character or the wheels of a speeding auto need never touch the ground, ergo fleeing turns to flight.
As speed increases, objects can be in several places at once.
Certain bodies can pass through a solid wall painted to resemble tunnel entrances; others cannot. ... Whoever paints an entrance on a wall's surface to trick an opponent will be unable to pursue him into this theoretical space. The painter is flattened against the wall when he attempts to follow into the painting. This is ultimately a problem of art, not science.
Any violent rearrangement of feline matter is impermanent. Cartoon cats can be sliced, splayed, accordion-pleated, spindled or disassembled, but they cannot be destroyed. After a few moments of blinking self-pity, they reinflate, elongate, snap back or solidify.

History of the idea
The idea that cartoons behave differently from the real world, but not randomly, is virtually as old as animation. Walt Disney, for example, spoke of the plausible impossible in 1956 on an episode of the Disneyland television program.

Warner Brothers' Looney Tunes and Merrie Melodies series had numerous examples of their own cartoon physics (such as in the Wile E. Coyote and the Road Runner cartoons) or even acknowledged they ignore real world physics. In High Diving Hare (1948), when Yosemite Sam cuts through a high diving board Bugs Bunny is standing on, the ladder and platform that Sam is on falls, leaving the cut plank suspended in mid-air. Bugs turns to the camera and cracks: "I know this defies the law of gravity, but, you see, I never studied law!"

More recently, it has been explicitly described by some cartoon characters, including Roger Rabbit, Bonkers D. Bobcat, and Yakko, Wakko, and Dot, who say that toons are allowed to bend or break natural laws for the purposes of comedy. Doing this is extremely tricky, so toons have a natural sense of comedic timing, giving them inherently funny properties.

In Who Framed Roger Rabbit, for example, Roger is unable to escape handcuffs for most of a sequence, doing so only to use both hands to hold the table still while Eddie Valiant attempts to saw the cuff off. When Eddie asks, exasperated, "Do you mean to tell me you could've taken your hand out of that cuff at any time?!" Roger responds: "Not at any time! Only when it was funny!" Several aspects of cartoon physics were discussed in the film's dialogue, and the concept was a minor plot theme.

In 1993, Stephen R. Gould, then a financial training consultant, writing in New Scientist, said that "... these seemingly nonsensical phenomena can be described by logical laws similar to those in our world. Nonsensical events are by no means limited to the Looniverse. Laws that govern our own Universe often seem contrary to common sense." This theme is described by Alan Cholodenko in his article, "The Nutty Universe of Animation".

In a Garfield animated short entitled "Secrets of the Animated Cartoon", the characters Orson and Wade give demonstrations of different laws of the cartoons and show humorous examples of them.

In 2012 O'Donnell's Laws of Cartoon Motion were used as the basis for a presentation and exhibition by Andy Holden at Kingston University in Great Britain. Titled 'Laws of Motion in a Cartoon Landscape' it explored ideas of cartoon physics in relation to art and the end of art history. This was later made into a film with the artist as an animated cartoon character and shown at Glasgow International Festival in 2016, Tate Britain in 2017, and Future Generation Art Prize at Venice Biennale in 2017.

Non-exclusivity
Cartoon physics is not limited to physics: For example, when a character recovers impossibly fast from a serious injury, the laws of biology rather than physics are being altered.

It is also not limited to cartoons; in live-action, the physics-defying stunts would fall under the umbrella of slapstick. Live-action shows and movies can also be subject to the laws of cartoon physics explaining why, for example, The Three Stooges did not go blind from all the eye-poking, and the burglars in the Home Alone series survive life-threatening booby traps. In the live-action Pete's Dragon (1977), the titular Elliot, while invisible, bursts through a wooden wall, leaving a dragon-shaped "silhouette of passage". The Ernest P. Worrell film series often made note of the title character's cartoon-like traits, with Ernest himself remarking in Ernest Rides Again that he would be dead "if I wasn't this close to being an actual cartoon."

In a review of one of the Home Alone films, film critic Roger Ebert noted that in the case of live-action productions, cartoon physics are not as effective at producing a comic effect, as the effects seem more realistic:

Printed cartoons have their own family of cartoon physics "laws" and conventions. Additionally, some video games utilize these elements during their cutscenes. For example, in the game Sonic Unleashed, titular character Sonic the Hedgehog is seen making effective use of hammerspace to stash a Chaos Emerald.

The concept can be used as a metaphor outside video. In an editorial for the New York Times in 2003 titled Don't Look Down, for example economist Paul Krugman wrote this while describing a gap between revenue and spending: "The crisis won't come immediately. For a few years, America will still be able to borrow freely, simply because lenders assume that things will somehow work out...But at a certain point we'll have a Wile E. Coyote moment. For those not familiar with the Road Runner cartoons, Mr. Coyote had a habit of running off cliffs and taking several steps on thin air before noticing that there was nothing underneath his feet. Only then would he plunge. What will that plunge look like?"

See also
 12 basic principles of animation
 Acme Corporation
 Slapstick
 Toon (role-playing game)

Notes

External links
 The Laws of Cartoon Motion adapted from An Elementary Education: An Easy Alternative to Actual Learning by Mark O'Donnell ().
 Laws of Cartoon Thermodynamics from Roger Ebert's website.
 Acceleration Due to Gravity: Super Mario Brothers - a physicist's determination of the value of g used in Super Mario Bros.

Other
 Kent Pitman's Theory of RelativeTV (Soap Opera Physics)

Fictional superhuman features or abilities

Cartoon physics


3AW is a talkback radio station based in Melbourne, Australia, owned by parent company Nine Radio, a division of Nine Entertainment Co. It broadcasts on 693 kHz AM. It began transmission on 22 February 1932 as Melbourne's fifth commercial radio station.

History
3AW was established when a company formed by Allans, JC Williamson's and David Syme (then publishers of The Age newspaper) was granted a radio broadcasting licence, with the first broadcast on 22 February 1932. The A in 3AW comes from the names of "Allans" and "The Age"; and the W is from "J. C. Williamson".

It is the only one of Melbourne's original eight stations that has retained its original name.

3AW has consistently appeared high in ratings surveys.

In 1931/1932, 3AW was one of two organisations that applied for a licence for a new Melbourne radio station; the other contender being the Roman Catholic Archdiocese of Melbourne. At the time, the Postmaster-General's Department was responsible for the issuing of all radio station licences, and it came out in favour of the 3AW application on the grounds that it had recently issued a licence to 2SM Sydney, on behalf of the Roman Catholic Church. However, a condition was placed on the 3AW licence to the effect that they had to provide one hour of free broadcasting to the Roman Catholic Church, at a time decided upon by the Church; hence The Catholic Hour was broadcast every Sunday night at was then a peak listening time.

3AW's first studio was situated in His Majesty's Theatre from whence it broadcast from 1932 to 1935.

The 3AW studios are now located at Media House, 655 Collins Street, Melbourne where it shares facilities with Magic 1278, the Australian Financial Review and The Age newspapers. After moving from their original studios at His Majesty's Theatre, the station was re-sited at 382 Latrobe Street, where it remained for most of the next 55 years. However, during renovations at 382 Latrobe Street, 3AW moved into the former premises of the ABC in Melbourne Place, a laneway off Russell Street, near Little Collins Street, which is now the premises of the Kelvin Club. Then, from 1991 until March 2010, the station broadcast from studios located at Bank Street, South Melbourne.

3AW's original broadcast frequency was 1425 kHz and changed to 1280 kHz on 1 September 1935 as part of a national reshuffle of the radio broadcasting spectrum. On 23 November 1978 the station changed to 1278 kHz with the introduction of 9 kHz spacing on the AM band. Due to poor reception problems, at 7:15 am on 1 May 2006, 3AW swapped with its sister station Magic to its present frequency of 693 kHz. The station's broadcast signal originates from a transmitter in Werribee.

In the 1950s, 3AW purchased 3CV in Maryborough in Central Victoria, which the "CV" nomenclature represents. For many years, 3AW programming was broadcast on 3CV after about 6.00pm.

A list of 3AW personalities can be found at - Category:3AW presenters.

◆ The present morning host, Neil Mitchell has filled a number of roles at the station over the last 35 years. On 1 September 2023, Mitchell announced that he would retire in December 2023.

3AW announced that Tom Elliott, Tony Moclair and Jacqueline Felgate will host Mornings, Afternoons and Drive from January 2024 following Neil Mitchell's retirement.

◆ Sunday night host Philip Brady has already notched up 34 years

◆ Darren James has hosted weekend morning programs for 34 years

◆ One of the current Breakfast presenters, Ross Stevenson has already been at the station for 32 years.

A number of people spent many years at 3AW in the past. Most of these are on the "3AW presenters" list (see above). They include:
 David McGee who spent 31 years at 3AW, 1955-1986
 Geoff Manion's 29 years (1956–1985),
 Martha Gardener who was at the station for 30 years, from 1952 to 1982
 Norman Banks, 26 years, 1952-1978
 The Revd. Alex Kenworthy presented the Nightline program for 20 years, 1971-1991
 Fred Tupper was responsible for sporting and general programming during his 21 years at the station, 1933-1954
 One of 3AW's announcers when the station commenced in 1932 was John Masters who presented a request program, Choice of the People for many years. 30 minute segments of Choice of the People were broadcast at various times throughout the day. A photo in the 1987 history of the station shows that he was a member of the original 1932 broadcasting staff; and then there is a website that highlights the fact that he was still broadcasting in 1951, 19 years later; memories from listeners (not substantiated) show that his career continued for over a decade after that
 Peter James (father of Darren James) was with the station for at least 18 years (1959-1987), although some sources suggest that he was with the station for at least 20 years.
 Derryn Hinch broadcast at a number of radio and television stations and was at 3AW from 1979 to 1987, 2000-2001 and again from 2003 to 2012, a total of 23 years. However, he was often off the air (particularly during his last stint) due to suspension, poor health and house arrest.
 Harry Beitzel was a football commentator on 3AW for 17 years, from 1972 to 1989, and in 2005 he rejoined 3AW as a semi-regular contributor to Rex Hunt's pre-match show.

Technical innovations
In April 2007, 3AW introduced cameras into their main studio so that fans, via the 3AW website, can watch the program being broadcast, as well as listen. The cameras do not operate during news services, commercial breaks, or outside broadcasts.

In August 2009, 3AW "went digital", offering a superior quality sound and other features, for those with digital receivers. Stations utilising the digital signal can also offer multi-channels and interactive features. The digital format used in Australia is DAB+, reportedly a superior technology to other digital formats.  the digital signal is not rebroadcast in road tunnels like the AM signal and does not have the distance range of AM.

In October 2011 (iPhone) and mid-2012 (Android), 3AW introduced an application (App) for smartphones or tablets. The application allows users to listen to the current program, read or listen to current news articles, get weather updates, contact the station via phone, email, Twitter or Facebook and also has an alarm clock feature.

3AW Football (AFL)
3AW Football is the brand under which 3AW broadcasts Australian rules football and the station broadcasts football on all AFL match days.

3AW Football dates back to 1953, and legendary commentators such as Norman Banks and Harry Beitzel have spent time calling games at 3AW. Rex Hunt called football at 3AW for 21 years before moving to rival Triple M in 2010.

Matthew Lloyd and Dr Peter Larkins joined 3AW Football in 2012. The team for 2013 also had a number of changes,
Stephen Quartermain called on weekends, alongside either Tim Lane or Tony Leonard and the expert commentators. Cameron Ling has an expert commentary role interchangeably on Friday nights, Saturday afternoons and Sunday afternoons.

2014 saw the departure of Stephen Quartermain, and the recruitment of Nathan Brown as a ball-by-ball commentator for Saturday night and Sunday twilight matches.

Former 3AW Football team members
(not a complete list)

 Norman Banks [one of the first 3AW commentators] (1953-1960s)
 Harry Beitzel (1972-1989)
 Bill Jacobs
 Ian Johnson [one of the first 3AW commentators]
 Doug Heywood
 Mike Williamson
 Clinton Grybas (2000-2007)
 Rex Hunt (1989–2009)
 Dwayne Russell
 Cameron Ling (2012-2019)
 Andrew Bews
 Wayne Carey (2006-2007)
 Tony Charlton [one of the first 3AW commentators]
 Dennis Cometti (2008–2011)
 Scott Cummings
 Gerard Healy
 Craig Hutchison
 David King
 Garry Lyon
 Mick Malthouse (2012)
 Sam Newman (1981-1999)
 Brian Taylor (2010–2014)
 Stephen Quartermain (2013)
 Bill Vickers
 Robert Walls (1995–2012)

Cricket
On 1 November 2013, 3AW's parent company, Fairfax Radio Network (FRN), announced that it had signed a five-year non-exclusive contract commencing with the 2013/2014 Australian cricket season, to broadcast the Boxing Day and Sydney Test matches, all One Day Internationals, the Big Bash League (BBL) and International T20 matches on network stations including 3AW. Subsequently, in December 2013, FRN decided on an earlier start to their coverage by including the Perth test match which commenced on 13 December 2013. Fairfax stated that "Fairfax Radio Network will bring to its coverage more than 60 years' experience of broadcasting sport, assembling a star-studded commentary line up". The coverage will provide a ball-by-ball commentary of all broadcast matches.

The commentary team is anchored by Tim Lane and Bruce Eva, together with a panel consisting of the following experts

 Ian Chappell
 Allan Border
 Dean Jones
 Damien Fleming
 Michael Vaughan
 Henry Blofeld
 Greg Matthews
 Greg Blewett
 Mickey Arthur
 Darren Lehmann
 Glenn McGrath
 John Emburey

Horse Racing
During his years at 3AW, 1933–1954, Fred Tupper (see above) provided sporting coverage, particularly horse racing.

Station ratings and market position
In the sixth ratings survey for 2014, released 30 September 2014, 3AW came first with a 13.8% market share followed by ABC Radio Melbourne with 11.4% and Fox FM with 8.2%. In this survey 3AW won every timeslot.

In the fifth ratings survey for 2014, released 26 August 2014, 3AW came first with a 14% market share followed by ABC Radio Melbourne with 12% and Fox FM with 8.0%.

In the fourth survey, 3AW lost its No. 1 station rating, scoring a 13.0% market share against 774 ABC's 13.4% share with Gold 104.3 FM third on 7.4%.

In the first survey for 2014, released on 11 March 2014, 3AW was the No. 1 station scoring an 11.9% market share followed by ABC Radio Melbourne's 10.6% share with Fox FM third on 8.5%. This survey was also the first for new ratings supplier GfK Group, the company that has taken over the running of surveys from Nielsen ratings which produced the surveys for 66 years.

The final ratings survey for 2013 and the last to be conducted by Nielsen, saw 3AW complete five years as Melbourne's number one radio station with 40 consecutive survey wins.

Controversies
In 1996, drive-time host Paul Barber was dismissed for telling listeners to boycott the Nine Network program, A Current Affair over the treatment of the Paxton family. He was dismissed after the Nine Network withdrew up to $300,000 in advertising.

In 1999, presenter Bruce Mansfield was sacked after it emerged that he had received benefits in exchange for giving favourable comments and interviews to companies on-air without proper prior disclosure. He returned to the station as its night-time presenter in 2001.

Former presenter Steve Price was tricked into accepting fake ecstasy tablets pressed with "3AW" from comedian John Safran as part of Safran's television show.

Elise Elliott (formerly known as Elise Mooney) was exposed on ABC TV's Media Watch for plagiarizing a story when a salaried editor. Journalistic eyebrows have been raised at her appointment by 3AW, and whether this issue was disclosed by her.

See also
 3AW Breakfast
 Rumour File
 Radio Times
 List of radio stations in Australia

References

External links
 3AW
 Article with 3AW/3EE Change-over photos and audio

Radio stations in Melbourne
News and talk radio stations in Australia
Radio stations established in 1932
Nine Radio
3AW presenters

3AW


Geografia astronomică este o ramură a geografiei și a astronomiei care studiază stelele și planetele după caracteristici geografice iar cei care se ocupă de studiul lor sunt geografii și astronomii, care studiază planetele.

Geografie
Astronomie

Geografie astronomică


Nargile, Balkanlar, Orta Doğu ve Güney Asya'ya özgü geleneksel bir tütün içme aracıdır. Kullanıcının bir hortum aracılığıyla sudan geçerek süzülen dumanı içine çekmesini sağlayan bir düzenek olan nargile, içim şekli ve adabı, yüzlerce yılda oluşmuş kullanım geleneği ile basit bir aletten fazlasını ifade etmekte olup, doğu kültürünün bir parçası haline gelmiştir.

Yapısı ve Tasarımı

Nargile temel olarak 5 bölümden oluşur:
 Ser: Nargilenin uzun gövdesidir.     Boyun kısmı dar olmakla birlikte karın kısmına inildikçe çapı genişleyen,     yapı olarak sürahiye benzeyen bir parçadır. Cam, metal ve seramikten yapılır.
 Lüle: En üstte bulunan, nargile tütünü'nün (mu'assel) konulduğu delikli tabladır. Gümüş, pirinç ya da bakırdan yapılmış, oymalarla süslü bir     muhafaza ile çevrilidir. Üzerine köz konularak gerekli ısı sağlanır.
 Marpuç: Dumanı şişeden alan ve ağza     ulaştıran bölümdür. Bu bölümde kullanılan hortumun iç kısmı koyun ve özel     olarak ceylan derisinden yapılır.
 Şişe: İçinde dumanı filtre eden     suyun olduğu ve fokurdamaların geldiği bölümdür.
 Tahliye: Yeni nesil Nargile takımlarında nargilenin içerisinde biriken havanın dışarı atılmasını sağlayan hava delikleri bulunmaktadır. Bu sayede geriye doğru üflendiğinde içerisinde biriken acı yanmış duman dışarı tahliye edilir.
Bunlar dışında nargilenin diğer elemanları ise şöyledir:
 Sipsi: Marpucun ucuna takılan,     dumanın içinden çekildiği küçük ağızlıktır. Tercihen kehribardan yapılır, fakat maliyet sebebiyle     ve sıhhi açıdan, genelde tek kullanımlık olması sebebiyle, plastik veya silikon olanları kullanılır. Mermer ya da gümüş     olanları da mevcuttur.
 Tepsi ve rüzgârlık: Tepsi közden düşen külleri     toplar, rüzgârlık ise közün sönmemesi ve tepsideki ve lüledeki küllerin     etrafa savrulmaması için kullanılır.
 Tömbeki: Nargileye has, kurutulmuş     tütünün ince ince kıyılmasıyla elde edilen tütündür.
Nargilenin tasarımında İslam'ın etkisindeki sanatın derin izleri görünmektedir. Cami minaresini andıran ser kısmı bunu çok iyi simgelemektedir. Ayrıca ser kısmı genellikle çiçek ve yaprak desenleriyle süslenmekte ve bunlarda zaman zaman yaldız kullanılmaktadır. Marpuç kısmında ise genelde el dokuması olan kilim desenleri kullanılmaktadır.

Çalışma Şekli
İçici marpuçtan nefes aldığında oluşan basınç farkıyla hava sırayla közden, sonra ısınarak lüledeki gözeneklerden geçer. Sıcak hava ile ısıtılan tömbekinin dumanı karışarak suyun içinden geçer, bu esnada soğur. Daha sonra hava marpuçtan içiciye ulaşır. Nargile içerisinde bulunan su dumanı soğutmanın yanı sıra içindeki katranı da bir miktar süzer. Nargile ile tütün içmenin, sigara şeklinde tütün içmekten farkı; nargilede çekilen tütün dumanı sudan geçerken barındırdığı ısı suyu bir miktar buharlaştırır.

Tarihi

Nargile, doğu kültürünün bir öğesi olmakta ile birlikte doğuş yerinin Hindistan olduğu zannedilmektedir. Çok farklı kültürlerin farklı adlandırdıkları bu keyif aracı, Araplar tarafından "Narcile", İranlılar tarafından da "Kalyan" diye adlandırılır. Asıl nargilenin kökeni ise Farsça'da "Hindistan cevizi" anlamına gelen "Nargil"den gelir. Hindistan'da ortaya çıkan nargilenin ilk örnekleri, Hindistan cevizinin içinin çıkarılıp kabuğuna bir kamış sokularak yapılmıştır. Zamanla Hindistan cevizi yerine kabak kullanılmaya başlanmış, kullananların sayısı arttıkça porselen ve bronz da nargile için elverişli malzemeler haline gelmiştir. Bunları cam, billur, çini hatta gümüş gövdeli nargileler izlemiştir. Hindistan'da doğan nargile, başta İranlılar olmak üzere Araplar, daha sonra da Osmanlılarla tanışmıştır.

Osmanlı döneminde İran'dan getirilen ve zamanın kahvehanelerinde muhabbetlere eşlik eden tömbeki, bazı padişahlar tarafından yasaklanmıştır. Nargile de uzun zaman İstanbul Tophane'de, İzmir Kemeraltı'nda ve Ankara Gençlik Parkı'nda tömbeki olarak sunulmaya başlanmıştır. Bu nostaljik mekânların müdavimlerini ise genellikle orta yaşın üstündeki insanlar oluşturuyordu. Daha sonraki, yani yakın dönemlerdeki aromalı nargilelerin hayatımıza girmesi ile daha hafif bir içecek haline gelen nargile genç kitle tarafından da tercih edilmeye başlandı.

Nargile Kültürü
Doğu kültürünün bir öğesi olan nargile sonradan batıda da kimi değişikliklerle kullanılmaya başlanmıştır. Kullanım kültürü dolayısıyla bu iki türe göre farklılıklar gösterir, ancak pek çok ortak öğe de mevcuttur.

Batıda birden çok marpuca sahip nargile kullanımı yaygındır. Bu uygulama doğudakine göre farklı bir toplu içim ortamı sunar ki doğuda nargilenin bir marpucu vardır ve el değiştirmediği sürece tek kişi tarafından içilir.

Arap kültüründe kullanıcı içtikten sonra ya marpucu masaya dayayarak bunu belli eder ya da ağız kısmı kendine bakacak şekilde eğimli tutarak yanındakine ikram eder. Kabul eden, nargileyi verene elinin tersi ile hafifçe vurur ya da sıvazlar, bu memnuniyet göstergesidir. Kafe ve restoranlarda ise her kullanıcının ayrı bir nargile ısmarlaması yaygındır.

İspanya'da "tetería" adı verilen ve genelde Müslüman göçmenlerce işletilen çay evlerinde nargile içimi yaygınlık kazanmaktadır. İsrail'de "nargeela" olarak adlandırılan nargile kullanımı özellikle Yemen, İran, Irak ve Türkiye'den gelen göçmenler arasında yaygındır. Bunun yanında İsrailliler arasında da nargile kullanımı görülür.

Nargile tiryakileri arasında, güzel bir içim için ortamda olması gerektiği düşünülen dört öğe vardır, bunlar "nargilenin dört şartı" olarak geçiyor. Maşa, meşe közünü karıştırmak için gerekli, en iyi köz meşeden oluyor. Güzel bir köşeye yerleşmek tabii ki önemli ve Ayşe'de tiryakinin çay, kahve gibi istekleri için hazır bulunmalı. Bu deyiş özellikle "eski toprak" Türk tiryakiler arasında yaygın olarak kullanılıyor.

Sağlığa etkileri
Nargile tüketimi genel olarak halk sağlığına tehdit olarak kabul edilir. ABD Akciğer Derneği tarafından "yeni ortaya çıkan ölümcül bir moda" olarak tanımlanmıştır. Nargile tüketimiyle akciğer kanseri vakaları arasında bağlantı vardır. Bu bağlantı konuyla ilgili yapılan bilimsel çalışmalarda istikrarlı biçimde ortaya konmuştur. Buna ek olarak, akciğer hastalıkları, periodontitis ve bebeklerin düşük doğum ağırlığıyla nargile tüketimini bağlantılıdır. Yapılan çalışmalar nargilenin kalp ve damarlara sigara kadar zarar verdiğini ve dumanın sudan geçmesinin "temizleyici" bir etkisi olmadığını ortaya koymaktadır. Nargilenin sigaraya göre sağlığa daha az zararlı olduğu nargilenin yaygınlaşmasında önemli bir etken olsa da bu yönde bir bilimsel kanıt yoktur. Bir takım araştırmalarda nargile içmenin tansiyonu yükselttiği, düzenli nargile içenlerin tansiyonlarının sigara içenlere göre daha yüksek olduğu bulgusuna ulaşılmıştır.

Nargile içmek beraberinde herpes, tüberküloz ve hepatit enfeksiyonu riskini de getirir. Özellikle ağızlığın paylaşıldığı durumlarda bu risk artar; Orta Doğu'da salgın hastalıklarla bağlantılı olduğu bulunmuştur. Pek çok nargile kafesi bu nedenle tek kullanımlık ağızlık temin eder. Bununla beraber, nargiledeki nemli ortam pek çok mikroorganizmanın gelişimine uygun bir ortam sağlar. Tüberküloza yol açan bakteri nargile ser borularının içinde çoğalabilir. Pek çok işletme nargile borularını yıkasa dahi tam olarak temizlenmesi neredeyse imkânsızdır.

Kaynakça

Ayrıca bakınız
 Nargile kafe
 Çubuk (ağızlık)
 Bong
 Tütsü
 Kretek

Eğlence
Tütün
Osmanlı mutfağı
Tütün çekme
Hintçe kelimeler ve deyimler
Hint icatları
İranlı icatları
Pipo
Tütün zehirlenmesi
Arap kültürü
İran'da kültür
Desi kültürü

Nargile


Maykel Herrera Pacheco, artista de artes plásticas, dibujante cubano (1979).

Biografía

Graduado de la Escuela Profesional de Artes Plásticas de Camagüey. Especialidad Pintura y dibujo 1993-98. Siendo muy joven una de sus obras "Desnudo de Juan Pablo II a la Revista Especial que, con motivo de la visita del Papa Juan Pablo II realizada a Cuba en 1998, fuera editada en nuestro país.

Ha impartido talleres de Dibujo, Pintura y Apreciación de las artes en proyectos comunitarios de Vertientes, Camagüey, Ciudad de la Habana y en instituciones de diversas partes del mundo. Ha sido profesor de Dibujo y Pintura de  y 4.º años en la Escuela Profesional de Artes Plásticas de Camagüey. Ha realizado trabajos de curaduría en exposiciones personales y colectivas dentro y fuera de Cuba. Cuenta con más de 30 exposiciones personales y ha formado parte de múltiples proyectos colectivos.

Su obra se incluye en varias colecciones privadas en países como Alemania, Francia, España, EE.UU. , Suiza, Dinamarca, México, Puerto Rico, Canadá, Italia, Inglaterra, Bahamas, Colombia, República Dominicana, Grecia, Costa Rica, Andorra, Argentina, Japón, China, Holanda, Bélgica, El Líbano, Brasil. Etc.

Obtuvo el premio World Quality Commitment en la Categoría Oro, de la Convención Internacional BID a la Calidad, Innovación y Excelencia. París, Francia, 2014.

Premio y reconocimientos

 2014- Premio World Quality Commitment en la Categoría Oro, de la Convención Internacional BID a la Calidad, Innovación y Excelencia. París, Francia.

 2002 - Mención XVIII Salón Provincial Fidelio Ponce. Galería Alejo Carpentier, Camagüey. Cuba

 2002 - Mención XI Salón de la Ciudad. Camagüey. Cuba

 2000 - Mención.XVI Salón Provincial Fidelio Ponce. Galería Alejo Carpentier. Camagüey. Cuba

 2000 - Gran Premio y Premio AHS. Salón Guernica. Galería de Nuevitas. Cuba

 1999 - Premio AHS. XV Salón Fidelio Ponce. Galería Alejo Carpentier. Cuba

 1998 - Gran Premio. Salón Eduardo Abela. Vertientes. Cuba

 1997 - II Premio. Salón Eduardo Abela. Vertientes. Cuba

 1996 - II Premio. Salón Eduardo Abela. Vertientes. Cuba

 1995 - Mención. Salón de Paisajes de Estudiantes de la Escuela de Arte.Camagüey. Cuba

 1995- Gran Premio. Salón Colateral. Jornada Científica. Camagüey. Cuba

Exposiciones personales

 2015-"Fuera de juego".  12 Bienal Internacional de La Habana. Hogar Materno "Doña Leonor Pérez Cabrera". La Habana Vieja.

 2015-Donación de Obras para la Ceremonia de Premiación de los concursos Nicolás Guillén y A.Carpentier  en la Feria Internacional del Libro.

 2015-"14 de febrero". Con Bárbara Sánchez Novoa como invitada. Gato Tuerto. La Habana. Cuba.

 2015- Premiación de una obra al Campeón del mundo en el Iron man. La Habana. Cuba.

 2014-Premio UNICEF con una obra a la película Conducta, en el Festival del Nuevo Cine Latinoamericano. La Habana. Cuba.

 2014-Donación en metálico al Centro de Rehabilitación Infantil Cenen Casas Regueiros. La Habana Vieja. Cuba.

 2014-"Verso a Verso". Templete. Habana Vieja. La Habana. Cuba.

 2014-"Verso a Verso". Creación y Dirección general de un mega Concierto con la participación de Gerardo Alfonso, Raúl Torres, Lyn Milanés, Luna Manzanares, Ivette Cepeda, David Blanco, Miriela Moreno, Polito Ibáñez, David Torrens, X Alfonso, Tony Ávila, Buena Fe y Descemer Bueno. Con el propósito de donar los fondos recaudados a los Oncológicos Infantiles y a las casas de niños sin amparo familiar. Karl Marx. La Habana. Cuba.

 2014-"Verso a Verso". Exposición en la galería del Teatro Karl Marx. La Habana. Cuba.

 2013- "La verdad parece un cuento". Art Rageous Gallery. Miami. EE.UU.

 2013-"Fiesta de Príncipes". Por el Aniversario 499 de la fundación de la Ciudad de Camagüey. Camagüey. Cuba.

 2013-"Sintonía de un patrimonio". Homenaje al 14 Aniversario de la Emisora Habana Radio. Casa Museo Carmen Montilla. La Habana. Cuba.

 2012-"Sonido para ver". Con motivos de la Primera  Bienal de la Radio Cubana.

 2012- Intervención Pública en la Embajada de Bolivia y Venezuela en Berlín,  Alemania. El día de las puertas abiertas en Berlín.

 2012-" La verdad parece un cuento". EAGL Gallery. Berlín. Alemania.

 2012-"La verdad parece un cuento". A propósito de la portada de la revista Opus Habana. Palacio de Lombillo. Habana Vieja. Cuba.

 2011-"Un minuto de silencio". Proyecto personal de Curaduría. Casa Museo Oswaldo Guayasamín. La Habana. Cuba. Artistas integrantes: Roberto Fabelo, Pedro Pablo Oliva, Flora Fong, Eduardo Roca (Choco), Zaida del Río,  Alicia Leal, Juan Moreira, Ileana Mulet, Alexis Leyva (Kcho), Ernesto Rancaño, Cristian González, Eduardo Abela, Agustín Bejarano, Aziyadé Ruíz, Vicente R.Bonachea,  José Omar Torres, Rubén Rodríguez, Carlos Guzmán, Ángel Ramírez, Álex Castro, Ernesto García Peña, Nelson Domínguez, Estéreo Segura, Ever Fonseca, Roberto Diago,  Adigio Benítez, José Fúster, Áisar Jalil, Ramón Casas, Roberto Chile, Maykel Herrera.

 2010-"Retrospectiva." Hotel Museo. Casa Turquesa. Cancún. México.

 2010- " No veo nada". Galería Galiano. Ciudad de La Habana. Cuba.

 2009- "Utopía". Londres, Inglaterra.

 2009-"Sazón Completo". Gato Tuerto. Ciudad de la Habana.

 2008-"Fiesta de Príncipes".Radio Rebelde. ICRT. Ciudad de la Habana. Cuba.

 2008-"La piedra de mi zapato". París, Francia.

 2008-"Fiesta de Príncipes". Casa Central de la FEU. C.Habana. Invitados a intervenir las obras: Silvio Rodríguez,  Carlos Varela, Amaury Pérez, Sara González, Gerardo Alfonso, Alfredito Rodríguez, Liuba María Hevia, Albertico Pujol, Blanca Rosa Blanco,  Fernando Pérez, Carlos Ruiz De la Tejera,  Iván Pedroso, Filiberto Azcuí,  Franco Carbón, Rubiera, Marino Luzardo, Diana Balboa.

 2007- Retrospectiva. Embajada de Canadá. C. Habana. Cuba.

 2007- "Príncipes Enanos". Galería La Acacia. C. Habana. Cuba.

 2005- "Quimera en riesgos". Pinacole Building. Miami Beach. EE.UU.

 2005- "Apariencias". Centro cultural. Roma. Italia.

 2004- "Apariencias". Rambla de las flores. Barcelona. España.

 2004- "Anquilosis". Centro de arte  contemporáneo. San Juan. Puerto Rico.

 2003- "..., luego existo". Toronto. Canadá.

 2002- "..., luego existo". Art Contemporain Center. Pinacole Building. Miami Beach. EE.UU

 2002- "..., luego existo". Hotel St' John's. Ciudad de La Habana. Cuba

 2001 -"..., luego existo". Galería Alejo Carpentier. Camagüey. Cuba

 2001 "Ysla for ever". Proyecto EJO. Camagüey. Cuba

 2001 "Suspiro en el aire". Casa de la Cultura. Vertientes. . Cuba

 2000 - Sorpresa de un legitimador. Rambla de las Flores. Barcelona. España.

 2000 "Ysla for ever". Galería Julián Morales. UNEAC. Camagüey. Cuba

 1999- "Paisajes". Museo Municipal. Vertientes. Cuba

 1998 - "Retratos". Casa de Cultura. Vertientes. Cuba

 1997 - "Retratos de Jesús Suárez Gayol". Museo Estudiantil. Camagüey. Cuba

 1995 - Exposición de Dibujos. Jornada Científica. Escuela de Música José White. Camagüey. Cuba

Exposiciones colectivas

 2014-"Aniversario del Gato Tuerto". Gato Tuerto. La Habana. Cuba.
 2012-" 50 Aniversario de Radio Enciclopedia." Emisora Radio Enciclopedia. La Habana.
 2012-"Crear dos, tres, muchos Che..." Casa del ALBA cultural. La Habana.
 2012-"Primer Encuentro de Expresionismo Antonia Eiriz". Maykel Herrera estuvo invitado junto a Pedro Pablo Oliva, Nelson Domínguez, Flora Fong, Ernesto García Peña, Ever Fonseca y Eduardo Roca (Choco).
 2012-"Preview Berlín". Berlín. Alemania. Bipersonal de Maykel Herrera y Rigoberto Mana.
 2012- "Berlin Art Week". Berlín. Alemania.
 2012- "Salón Berlín". Berlín. Alemania.
 2012-" Arte Cubano". Eggersberg. Alemania.
 2012-" Ida y Vuelta". EAGL Gallery Berlín. Alemania.
 2012- "Colores de Cuba" EAGL Gallery. Berlín. Alemania.
 2012- Donación de obras al Instituto Cervantes de Berlín , Alemania. Por el día de la lengua Española en Europa. Junto a la Premio Nacional de Literatura Nancy Morejó y a los artistas de la plástica Juan Arel y Julia Valdez.
 2012- Intervención Pictórica dentro de la Conferencia Magistral de la Premio Nacional Nancy Morejón, en el Instituto Cervantes de Berlín. Alemania.
 2012- "Kubanische Kunstler". Stuttgart. Alemania.
 2012-"Que bueno que están con nosotros". Gato Tuerto. La Habana.  Cuba.
 2011- Mural Colectivo. Artex.
 2011-"Naples Fair". Naples. Florida. EE. UU.
 2011-"Urban Dreams". Kavachnina Contemporary Gallery.  Miami, EE.UU.
 2011-"Intimidades públicas". Galería Teodoro Ramos. La Habana. Cuba.
 2011-"Un minuto de silencio". Proyecto personal de Curaduría. Casa Museo Oswaldo Guayasamín. La Habana. Cuba.
 2010-"Intervención en Concierto de Emir Santa Cruz". Museo Nacional de Bellas Artes.
 2010-"Casabe y Matajíbaro". Museo Ignacio Agramante. Camagüey.
 2010-"Eslabón Malasia". Gallery Seni Johor. Malasia.
 2010-"Profecía". Galería 23 y 12. La Habana. Curaduría de Roberto Chile.
 2010-"Reflexions of Cuba." Kuala Lumpur.  Malasia.
 2010-" Este Hombre es mi amigo." Pabellón Cuba. 9.º Congreso UJC. La Habana.
 2010-" Este Hombre es mi amigo." Museo Municipal de Gibara. Holguín 8.º Festival de Cine Pobre.
 2010-" Este Hombre es mi amigo." Escuela de Formación Integral José Martí. Actividad Central del MININT por el natalicio de José Martí.
 2010-"Eslabón I." Galería Servando Cabrera Moreno. La Habana.  Cuba.
 2010-"Colores de Cuba." Estado de Selangor. Malasia
 2010-"Encuentros II". Galería de Arte  Luz y Oficios, Ciudad de la Habana.
 2010-"Homenaje al Gato Tuerto por su 50 aniversario." Museo Nacional de Bellas Artes. Artistas: Ever Fonseca, Nelson Domínguez, Saida del Río y Maykel Herrera.
 2010-"Exposición de pequeño formato." Galería del Gran teatro de la Habana.
 2010-"Eslabón II". Embajada de la República de Argentina. La Habana. Cuba.
 2010-"In-Cuba-te." Cancún. México.
 2010-Muestra de arte cubano en Cancún. México.
 2010-"Eslabón III." Galería Angelus. YETI. La Habana. Cuba.
 2010-Salón internacional de Arte contemporáneo de Marseilla - FRANCIA
 2009-¨Grandes que hacen pequeño¨. UNEAC. Camagüey.
 2009-Este Hombre es mi amigo. Memorial  JOSÉ  MARTÍ. La Habana.
 2009-Contemporary Cuban Art in Malaysia.
 2009-Feria de Arte de Shanghái. China.
 2009-Intervención en concierto de Gerardo Alfonso y Augusto Enríquez. La Zorra y el Cuervo. La Habana.
 2009-Intervención en concierto de Lin Milanés. La Zorra y el Cuervo. La Habana.
 2009-Arte Cubano en Portugal.
 2009-Contemporary Cuban Art in Malaysia. Ciudad Kuala Lumpur.  Malasia.
 2009-Arte Cubano en Madrid. España.
 2009-Feria Internacional "Cuba Nostalgia". Miami. EE. UU.
 2009-Intervención en concierto de Jazz .La Zorra y el Cuervo.La Habana.
 2009-Proyecto a Cielo Abierto. "Restaurarte". Colateral a la X Bienal de la Habana. La Habana Vieja.
 2009- "Pasos en Bienal". Expo Colateral a la X Bienal de la Habana. Habana Vieja.
 2009-Expo Colectiva. "Encuentro". Hotel Riviera. La  Habana. Cuba.
 2009-Expo Colectiva. "Encuentro". Galería Luz y Oficios. La Habana. Cuba.
 2008- "Rumba de Colores".Galería Simonsbakken, Ciudad Sandnes, Noruega.
 2008- Feria de Arte de Marbella. España.
 2008-Expo venta en Miami Beach. Estados Unidos de América.
 2008- Expo venta en  el DF.México.
 2008-Muestra de paisajes. Hotel Comodoro. C.Habana.Cuba.
 2008-Muestra en el Salón Principal del Gato Tuerto. C. Habana. Cuba.
 2008-Participación en la subasta por el V Aniversario del programa Sitio del Arte. Galería La Casona. C. Habana.Cuba.
 2007-Muestra en Hotel Habana Libre. C. Habana. Cuba.
 2007- Muestra en la Galería de Arte Habana.  C. Habana. Cuba
 2007- "Almas comunes". Homenaje a los artistas. Centro Hispanoamericano de Cultura.
 2007-Expo Colectiva . Galería La Acacia.  C. Habana. Cuba.
 2007-Participación en el Mural del Proyecto Lectura en el Prado.
 2007-Encuentro Nacional de Grabado. Centro de Desarrollo de las Artes Visuales. C. de la Habana.
 2007- "Casabe y matajíbaro". Convento de Santa Clara, Ciudad de la Habana.
 2007-Expo Colectiva en el Hotel Habana Libre.
 2006-Galería  Havana  Art.  Café. Colección  Mike  Watson.  Inglaterra.
 2006- Galería Víctor Manuel. Habana.Cuba.
 2006-  Galería  Formas.Habana.Cuba.
 2005- " The Cuban reality". San  Juan. Puerto Rico.
 2005- " Pintura fina". París. Francia.
 2005- " Juntos y revueltos". Toronto. Canadá.
 2004- Salón de la ciudad. Habana. Cuba.
 2004- Cinco cubanos. Miami. EE.UU.
 2004- Concurso de pintura rápida. Roma. Italia.
 2004- Arte cubano. Hotel Fleur de lys. San José. Costa Rica.
 2003- XIX  Salón  Fidelio Ponce de León. Cuba.
 2003 - VIII Bienal de la Habana. Expo "Entre amigos" en Presentación de Rev. Artes en Santo Domingo. Hotel Sevilla. Ciudad Habana. Cuba
 2003 - VIII Bienal de la Habana. Galería Víctor Manuel. Ciudad Habana.Cuba
 2003 - XIX Salón Provincial Fidelio Ponce. Galería Alejo Carpentier, Camagüey. Cuba
 2003- Concurso Nac. de Pintura, Escultura y Grabado PMA en acción 2004. Centro de Des. Art Visuales.C. Habana. Cuba.
 2003 - II Bienal de Artes Plásticas y Salud Mental 2003. Ciudad de La Habana. Cuba
 2003- Salón Playa 2003 "Servando Cabrera Moreno". Ciudad de La Habana. Cuba
 2003- Mural Colectivo NO A LA GUERRA. Marzo. Ciudad de La Habana. Cuba
 2002 - Salón Nac. de A. Plást. "Fayad Jamís". Galería Emir Abdel Kader, Unión Árabe de Cuba. C. de La Hab. Cuba
 2002 - XVIII Salón Provincial Fidelio Ponce. Galería Alejo Carpentier, Camagüey. Cuba
 2002 - XI Salón de la Ciudad. Galería Alejo Carpentier. Camagüey. Cuba
 2002 - Reencuentro Artistas Plásticos Camagüey-Ciudad Habana. Cuba
 2002 - Homenaje de A. Plásticos camagüeyanos a la Ofic.del Historiador. Sede Ofic. Historiador. Camagüey. Cuba
 2001 - Homenaje de A. Plásticos camagüeyanos a la Ofic.del Historiador. Sede Ofic.del Hist.. Camagüey. Cuba
 2001 - XVII Salón Provincial de Artes Plásticas Fidelio Ponce. Galería Alejo Carpentier. Camagüey.
 2001 - Homenaje de A. Plásticos camagüeyanos a la Ofic.del Historiador.Galería Alejo Carpentier. Camagüey. Cuba
 2001- X Salón de la Ciudad. Galería Alejo Carpentier. Camagüey. Cuba
 2000 - Salón Guernica. Galería de Arte. Nuevitas. Camagüey. Cuba
 2000 - XVI Salón Provincial de Artes Plásticas Fidelio Ponce. Galería Alejo Carpentier. Camagüey. Cuba
 2000 -"Luna en el Alba". Casa de Cultura. Vertientes. Camagüey. Cuba
 2000 - Expo Bipersonal. Casa de Cultura. Vertientes. Camagüey. Cuba
 2000 - IX Salón de la Ciudad. Galería Alejo Carpentier. Camagüey. Cuba
 1999 - Salón de Fin de Año. Galería MIRA. Casa del Joven Creador. Camagüey.
 1999 - XV Salón Provincial de A. Plásticas Fidelio Ponce. Galería Alejo Carpentier. Camagüey. Cuba
 1999 - Salón de Instructores de Arte. Centro Provincial de Cultura. Comunitaria. Camagüey. Cuba
 1999 - Expo de Dibujos. Matanzas. Cuba
 1999 - VIII Salón de la Ciudad. Galería Alejo Carpentier. Camagüey. Cuba
 1998 - X Graduación de Estudiantes de A. Plásticas. Galería Julián Morales. Uneac. Camagüey. Cuba
 1998 - Salón Eduardo Abela. Casa de Cultura. Vertientes. Camagüey. Cuba
 1997 - XIII Salón Provincial de Artes Plásticas Fidelio Ponce. Centro Provincial de A. Plásticas. Camagüey. Cuba
 1997 - Salón Eduardo Abela. Casa de Cultura. Vertientes. Camagüey. Cuba
 1996 - Muestra de Estudiantes de la Escuela de Artes Plásticas de Camagüey. Casa Natal de El Mayor. Cuba
 1996 - V Salón de la Ciudad. Galería Alejo Carpentier. Camagüey. Cuba
 1996 - Expo de Estudiantes de Artes Plásticas de Camagüey. Galería MIRA. Casa del Joven Creador. Cuba
 1995 - Salón de Paisajes de la Escuela de Artes Plásticas de Camagüey. Galería Alejo Carpentier. Camagüey. Cuba
 1994 - Salón de Dibujo. Escuela de Artes Plásticas de Camagüey. Galería Alejo Carpentier.

Libros ilustrados

 Casa primera.
 Cuerda veloz.
 Ella estaba donde no se sabía.
 El capitán de los dormidos.
 Romper el silencio.
 El Búfalo Blanco.
 Nuevas Cartografías Latinoamericanas.
 Narradores cubanos de hoy.
 Revista Sol y Son.
 Revista Cuba Plus.
 Revista Cuba Internacional.
 Cuentos de papel.
 Los hijos del Kamikaze.
 Figurantes.
 Crónicas del mañana.

Otras participaciones

 Donación de una obra al Instituto Cervantes de Berlín. Alemania.
 Donación de una obra para el premio del Festival del Humor "Aquelarre 2008".
 Donación de una obra al programa Sitio del Arte por su V Aniversario.
 Programa " De la gran escena"
 Varios spot televisivos.
 Exposición personal en escena, donde Gerardo Alfonso hiciera su  concierto por los 25 años de vida artística.
 Homenaje de Eusebio Leal por haber trabajados en proyectos del centro histórico.
 Programa "Hurón Azul".
 Programa "Arte Video".
 Revista televisiva "Buenos días".
 Culturales del Noticiero Nacional de Televisión Cubana.
 Programa "Luces y Sombras" de Habana Radio.
 Programa Radio Habana Cuba.
 Intervención en Radio Rebelde.
 Proyecto de curaduría "Casabe y matajíbaro".
 Programa "Conexión".
 Programa "De  tarde en Casa".
 Programa "23 y M".
 Programa "Sitio del Arte".
 Varios programas del Canal Habana.

Obras en

 Museo Provincial Ignacio Agramante. Camagüey.
 Museo Estudiantil Jesús Suárez Gayol. Camagüey.
 Estudios de Habana Radio. Habana. Cuba.
 Instituto Cervantes de Berlín. Alemania.

Colecciones privadas

Juan Grañena. Barcelona, España. Kiki Denis. New York, EE.UU. Víctor Serrano. Miami,EE.UU .Cornelio Dreiffus. Lausana, Suiza. Dinamarca. México. Puerto Rico. Canadá. Francia. Italia. Inglaterra. Bahamas. Colombia. República Dominicana. Grecia. Costa Rica. Andorra. Argentina. Japón. China. Alemania. Holanda. Bélgica. El Líbano. Brasil.

Publicaciones en Revistas Espezializadas

 Tres números de la revista Artes. República Dominicana
 Cuatro números de la revista Opus Habana. Cuba
 Tres números de la revista Arte cubano. Cuba.

Series

Apariencias

No Veo Nada

Príncipes Enanos

La Verdad Parece un Cuento

Otras series

 Ciudad de Dios. 2012. 80 x 100 cm
 Del ángel, una pluma. 2010. 130 x 70 cm
 Expedición. 2011. 110 X 150 cm
 Hallazgo de una sonrisa. 2012. 150 x 70 cm
 Huerto de Getsemaní. 2012. 150 x 70 cm
 Insularidad. 2012. 120 x 80 cm
 Jardín de agua salada. 2012. 110 x 80 cm
 La cáscara guarda el palo. 2012. 150 x 70 cm
 Las heridas de la tierra. 2012. 150 x 70 cm
 Media naranja. 2012. 120 x 80 cm
 Plegaria. 2010. 55 X 45 cm
 Poesía dorsal. 2012. 120 x 80 cm
 Silenciador. 2012. 100 x 150 cm
 Un sueño en amarillo pollito. 2012. 120 x 120 cm
 Una forma de pensar. 2012. 100 x 80 cm
 Vista de águila. 2012. 60 x 80 cm
 Vuelo ciego. 2011. 110 x 150 cm
 Alto que no se oye I. 2012. 120 x 120 cm Acrílico sobre lienzo
 Champion. 2012. 150 x 100 cm

Véase también

 Sitio Web Oficial "Maykel Herrera"
 Sitio Web Oficial en Facebook "Maykel Herrera"
 Galería CUBARTE

Dibujantes de Cuba
Pintores de Cuba del siglo XXI
Nacidos en Camagüey

Maykel Herrera Pacheco


Katharine Merry (born 21 September 1974) is an English former sprinter. She achieved the bronze medal in the 400 metres at the 2000 Sydney Olympics and was the fastest woman in the world over 400 m in 2001, with her career best of 49.59 seconds. She also represented Great Britain at the 1996 Atlanta Olympics and won the 200 metres at the 1993 European Junior Championships.

Career
Born in Dunchurch, Warwickshire, Merry had a career that spanned 20 years. A member of the Birchfield Harriers athletics club, at the age of 12 she topped the UK Under 13 rankings in seven different events. She was the fastest girl in the world aged 14 years, and started her international GB career aged just 13, staying on the junior team for a record six years, winning five Junior Championships and a total of six medals. She became a successful senior athlete with her Olympic medal in Sydney in the "Race of the Games", achieving bronze behind the Australian favourite, Cathy Freeman, in front of 112,000 people at Stadium Australia.

The following year she became World number One. She was coached by fellow Olympic medallist Linford Christie in his Cardiff-based training squad, which included fellow Olympic medallist Darren Campbell. She is also with Christie's sports agency, Nuff Respect. Merry still holds various UK age-record bests, including U/13 high jump and several sprints, as well as the Senior UK Indoor 200 m record of 22.83 secs. She also holds World age-records, including 7.35 secs for 60 m indoors, when aged 14. She is third-fastest on the UK All Time 400 m list with a time of 49.59 seconds.

After suffering from a bone spur growth on her right heel bone, and two operations, Merry announced her official retirement from athletics in July 2005. She had been affected by the injury since 2001 and was struggling to get it fully healed. It had prevented her from resuming proper training, meaning she could not get back to her year 2000 form. Despite that, she still ended the 2001 season as the world's fastest female 400 m runner.

Post-athletics
Merry now works freelance in the media on radio and TV. She worked for the BBC at the Olympics in Beijing and London and was the sole field event commentator for the Channel 4 coverage of the Paralympic Games in 2012. At the inaugural Invictus Games in 2014, Merry did live trackside interviews. She has also worked for Sky TV, Eurosport and Channel Five. A multi-tasker, Merry now commentates, presents and hosts sporting events around the world.

Merry appeared on the BBC One gameshow All New Celebrity Total Wipeout on 25 September 2010, where she struck up a rivalry with John Regis, the man who, in her words, "ate all the pies". She "ran" the qualifier in 2:16, beating Regis by 50 seconds, and then beating him again in the next two rounds, but losing finally in the Wipeout Zone, finishing third behind Regis and eventual winner DJ JK. She won overall, 3 events to 1.

She is a regular on BBC One's A Question of Sport and BBC Radio 5 Live's Fighting Talk. In December 2013, Merry came third out of four contestants on Celebrity Mastermind on BBC One. Her specialist subject was Aston Villa F.C. 1980–1990.

Merry was inducted into the England Athletics Hall of Fame in 2018.

At the 2020 Olympic Games in Tokyo, Merry became the first female in-stadium announcer at an Olympic Games.

Personal life
Merry was based in Cardiff while training with Linford Christie, before moving to Bristol after retirement. Merry married her partner Leon Daniels, a recruitment consultant, in September 2014. Their son was born in February 2011 and their daughter in March 2014. The family lives in Birmingham.

She is a supporter of Aston Villa football club.

International competitions

Personal bests

References

External links

1974 births
Living people
English female sprinters
Athletes (track and field) at the 1996 Summer Olympics
Athletes (track and field) at the 2000 Summer Olympics
Olympic athletes for Great Britain
Olympic bronze medallists for Great Britain
Sportspeople from Rugby, Warwickshire
Birchfield Harriers
European Athletics Championships medalists
World Athletics Championships athletes for Great Britain
Medalists at the 2000 Summer Olympics
Olympic bronze medalists in athletics (track and field)
Olympic female sprinters

Katharine Merry


أبو حبارة قرية تابعة لمركز السادات في محافظة المنوفية في جمهورية مصر العربية.

انظر أيضًا
 مركز السادات.
 محافظة المنوفية.

قرى السادات

أبو حبارة


Hrvatski brevijar je najveća tiskana knjiga na glagoljici u Hrvatskoj. Autorica je Dunja Lakuš. Knjiga je u četiri toma s više od tri tisuće stranica. S lijeve strane je glagoljično pismo, s desne latinično pismo. Bez fotografija i glagoljičnog pisma ima preko 1200 kartica. Autor projekta i urednik izdanja je Feđa Aaron Bučić. Uvodne riječi napisali su: mons. Nikola Eterović, Adalbert Rebić, fra Bonaventura Duda i splitska klarisa i pjesnikinja s. Marija od Presvetog Srca Anka Petričević. Knjigu je objavila Zaklada Rhema, koju je osnovala skupina ljudi koja nastoji u živote ugrađivati kršćanske vrijednosti, a među ostalim je osnovana radi promicanja kršćanske vrijednosti, potpore u duhovnom rastu, promicanje ekumenskih vrednota i dijaloga među vjerskim zajednicama. Knjiga je jedinstvena i pokazuje činjenicu da su Hrvati jedini katolički narod koji je od samih početaka prihvaćanja kršćanstva Riječ Božju slušao na svom jeziku. Knjigu su sudionici projekta radili devet godina. Hrvatski brevijar podsjeća je o tome kako su Hrvati izricali svoju vjeru kroz molitvu i kako se ona događala u književnosti, povijesti, poeziji, kroz različite ljudske živote. Ističu se brojne molitve i mise, kao i pobožnost Isusu Kristu, a poglavlja su posvećena Presvetom Trojstvu, Duhu Svetom i Svetom Križu. Opisano je više od 120 Gospinih svetišta diljem krajeva gdje žive Hrvati, te veliki broj molitava posvećenih Majci Božjoj. Opisan je pobožnost hrvatskog naroda izvan domovine, te se nalazi i nekoliko stotina fotografija svetišta i crkava.

Izvori

Knjige
Hrvati
Kršćanstvo
Glagoljica

Hrvatski brevijar


An Paepalanthus uncinatus in uska species han Liliopsida nga ginhulagway ni George Gardner. An Paepalanthus uncinatus in nahilalakip ha genus nga Paepalanthus, ngan familia nga Eriocaulaceae.

Subspecies

Ini nga species ginbahin ha masunod nga subspecies:

 P. u. rectus
 P. u. uncinatus

Mga kasarigan

Paepalanthus

Paepalanthus uncinatus


Hans Hermann Russack (* 18. Dezember 1887 in Weißenborn; † nach 1942) war ein deutscher Kunsthistoriker.

Russack besuchte das Gymnasium in Zeitz und studierte seit 1906 an der Universität Leipzig Kunstgeschichte, Germanistik, Geschichte und Philosophie und wurde hier 1910 bei August Schmarsow mit einer Arbeit Der Begriff des Rhythmus bei den deutschen Kunsthistorikern des XIX. Jahrhunderts promoviert. Vom 1. Oktober 1912 bis zum 1. April 1913 war er Volontär-Assistent an der Öffentlichen Kunstsammlung Basel.

Nach einem mehrjährigen Aufenthalt in Griechenland publizierte er 1942 das Buch Deutsche bauen in Athen, die erste Monographie zur Stadtbaugeschichte und Architektur des klassizistischen Athen im 19. Jahrhundert.

Veröffentlichungen
 Der Begriff des Rhythmus bei den deutschen Kunsthistorikern des XIX. Jahrhunderts. Thomas & Hubert, Weida 1910
 Zu Ollendorffs Raphael-Studien. In: Monatshefte für Kunstwissenschaft 7 (1914) S. 399–401
 mit Gerhard Ryll: Türkische Jugend in Deutschland. Jahresbericht der Schülerabteilung der Deutsch-Türkischen Vereinigung. Deutsch-Türkische Vereinigung e.V., Berlin 1918
 Byzanz und Stambul. Sagen und Legenden vom Goldenen Horn. Hugo, Berlin 1941
 Deutsche bauen in Athen.  Limpert, Berlin 1942
 neugriechische Übersetzung: Αρχιτέκτονες της νεοκλασικής Αθήνας. Γκοβόστης, Athen o. J. ISBN 960-270-595-7

Weblinks
 Eintrag im Dictionary of Art Historians

Einzelnachweise

Kunsthistoriker
Deutscher
Geboren 1887
Gestorben im 20. Jahrhundert
Mann

Hans Hermann Russack


An Ponthieva mexicana in uska species han Liliopsida nga syahan ginhulagway ni Achille Richard ngan Henri Guillaume Galeotti, ngan ginhatag han pagkayana nga asya nga ngaran ni Gerardo A. Salazar. An Ponthieva mexicana in nahilalakip ha genus nga Ponthieva, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Ponthieva

Ponthieva mexicana


El Estilo Salmón es una variante de racionalismo arquitectónico que aparece en la arquitectura española a partir del año 1935. Es denominada como una variante heterodoxa de la arquitectura racionalista española que aparece en un periodo muy concreto a lo largo de la geografía española. El nombre proviene del apellido del que fue Ministro de Trabajo y Previsión durante la Segunda República Federico Salmón Amorín. Durante su mandato se aprobó la Ley de la Previsión contra el Paro de 26 de junio de 1935, conocida posteriormente como "ley Salmón", que perseguía luchar contra el creciente paro obrero mediante la construcción de viviendas baratas para los trabajadores, garantizando ventajas fiscales excepcionales a los empresarios de la construcción. Este estilo aplicado a las casas se relacionaba estilísticamente con los trabajos del arquitecto alemán Erich Mendelsohn. Se caracterizaba por un gusto formal por la horizontalidad y el remate curvo. Este estilo estuvo vigente en diversas ciudades españolas en el periodo de 1935-1939, siendo preponderante en Madrid, Sevilla y Barcelona.

Referencias

Salmón
Salmón

Estilo Salmón


Jean-Christophe Beck (n. 30 de noviembre de 1971; Montreal, Quebec, Canadá) es un compositor canadiense de bandas sonoras para cine y televisión. Ganador del Premio Emmy. Ha compuesto la música para películas y series de televisión como Buffy the Vampire Slayer (1997), Cheaper by the Dozen (2003), Two for the Money (2005), The Sentinel (2006), Fred Claus (2007) o The Hangover y The Hangover Part II (2009, 2011).

Biografía
Empezó a tomar clases de piano a la edad de cinco años y cuando tuvo once años empezó a aprender canciones de los Bee Gees de oído y las empezó a interpretar con su primera banda, desafortunadamente apodada "Chris and the Cupcakes". Durante el instituto estudió piano, saxofón y aprendió a tocar la batería, además escribió numerosas baladas románticas en la década de los años 80. Mientras estudiaba música en la Universidad de Yale escribió dos musicales con su hermano Jason, y escribió una ópera basada en la novela "The Tell-Tale Heart" de Edgar Allan Poe.

Cuando se graduó se mudó a la ciudad de Los Ángeles, donde estudió junto a Jerry Goldsmith. Tras una recomendación personal del jefe de departamento de la Universidad de California Beck obtuvo su primer trabajo como compositior para una serie de televisión canadiense. Tras numerosos trabajos recibió el Premio Emmy en 1998 por su composición musical para la serie Buffy the Vampire Slayer. En 2007 apareció en el documental titulado Finding Kraftland, para su agente Richard Kraft. Actualmente trabaja en su estudio de Santa Mónica en California, Estados Unidos.

Filmografía parcial
Cine

Televisión

Premios
Premios Emmy

World Soundtrack Awards

Referencias

Enlaces externos

Sitio Oficial (en inglés)

Ganadores del Premio Emmy
Compositores de bandas sonoras de Canadá
Alumnado de la Universidad Yale
Nacidos en Montreal

Christophe Beck


වස්කඩුවේ ශ්‍රී සුභූති හිමි විසින් වර්ශ 1863 වසරේ දී ප්‍රකාශයට පත් කළ වස්කඩුව  ග්‍රාමයේ ප්‍රභවය සඳහන් පුස්තකයකි.වස්කඩු යන්න එහි සඳහන් වන්නේ අතීත සංස්කෘත භාශාවේ වර්ශකණ්ඩ යන්නෙන් උප්පත්තිය ලැබූ බවය.වස්කඩු බද්දට අයත් ගම් දොළස ඒවායේ ඉතිහාසය ආගම් සහ කුල ගෝත්‍ර ආදී බොහෝ තොරතුරු එලි දැක්වූ කෘතියකි. වස්කඩුවේ දිවි ගෙවූ ඉපැරැණි රජ පරම්පරා වූ තුඩුගල තෙන්නකෝන් රජපවුල සහ වස්කඩුවේ යකුන්දූවේ ධර්මසේන හිටිරාළලාගේ පවුල් පිළිබඳ දිගු තොරතුරු ප්‍රමාණයක් අඩංගු වේ. මෙහි අවසාන මුද්‍රණය සිදුව ඇත්තේ 1925වසරේ වන අතර එතැන් පටන් කිසිඳු අයෙක් මෙහි මුද්‍රණ සිදු කර නැත්තේය.

වර්ෂඛණ්ඩරාෂ්ඨ්‍ර


South Webster est un village américain situé dans le comté de Scioto, dans l'Ohio. Selon le recensement de 2010, sa population est de .

Notes et références

Liens externes

Village dans l'Ohio
Comté de Scioto

South Webster (Ohio)


Wendtorf er en by og kommune i det nordlige Tyskland, beliggende i Amt Probstei i den nordlige del af Kreis Plön. Kreis Plön ligger i den østlige/centrale del af delstaten Slesvig-Holsten.

Geografi
Wendtorf er beliggende ved overgangen mellem østsiden af Kieler Förde og Østersøen. I kommunen ligger Marina Wendtorf og Wendtorfer Strand ud til Østersøen og den gamle bykerne nogle hundrede meter inde i landet.

Naturschutzgebiet Bottsand og en del af Barsbeker See med omgivelser, ligger i kommunen.

Eksterne kilder/henvisninger

 Kommunens side  på amtets websted.
 Statistikamt Nord – Bevölkerung der Gemeinden in Schleswig-Holstein 4. Quartal 2014 (XLSX-Data) (Fortschreibung auf Basis des Zensus 2011)

Kommuner i Slesvig-Holsten
Byer i Slesvig-Holsten
Byer i Kreis Plön

Wendtorf


An Zenkeria obtusiflora in uska species han Liliopsida nga syahan ginhulagway ni George Henry Kendrick Thwaites, ngan ginhatag han pagkayana nga asya nga ngaran ni George Bentham. An Zenkeria obtusiflora in nahilalakip ha genus nga Zenkeria, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Zenkeria

Zenkeria obtusiflora


Kampong Cham (, UNGEGN:  ; ) is a province of Cambodia located on the central lowlands of the Mekong River. It borders the provinces of Kampong Chhnang to the west, Kampong Thom and Kratié to the north, Tboung Khmum to the east, and Prey Veng and Kandal to the south. Kampong Cham was officially divided into two provinces on 31 December 2013 in what was seen by many as a political move by the ruling party.  All land west of the Mekong remained Kampong Cham while land east of the river became Tbong Khmum province. Prior to this division, Kampong Cham extended eastward to the international border with Vietnam, was the eleventh largest province in Cambodia, and with a population of 1,680,694, was the most populous province in Cambodia. Its capital and largest city is Kampong Cham.

Etymology

Kampong Cham means "Port of the Chams" in Khmer. Kampong means port or harbor. Cham refers to the ethnic Cham people living in the province. The word kampong in Cham is shared in other Austronesian languages, but in Malay and Indonesian it means village and is generally spelled kampung. A symbol the province is known for is two snakes wrapped around each other, which is located at the capital city bridge, Kampong Cham.

Geography

Kampong Cham is primarily lowlands. The main river is the Mekong River, which forms the eastern border of the province, separating it from Tbong Khmum province.

Religion

The state religion is Theravada Buddhism. More than 97.6% of the people in Kampong Cham province are Buddhists. About 2.3% population of Kampong Cham province follow Islam followed by Chams. Christianity is followed by 0.1% in the province.

Administration

Kampong Cham is subdivided into 9 districts and 1 municipality which in turn are subdivided into communes (khum) which are further divided into villages (phum). The province formerly consisted of 16 districts, however a request by Hun Sen's government to split the province in two was made after his ruling Cambodian People's Party (CPP) lost the province to the opposition in the July 2013 elections. The CPP won only eight of the available 18 National Assembly seats in Hun Sen's home province. The request, which was ostensibly made in order to improve administrative efficiency in the large province, was approved by King Sihamoni on 31 December 2013. The 10 districts that remain in Kampong Cham province overwhelmingly voted for the opposition Cambodia National Rescue Party, led by Sam Rainsy, while five of the six districts cut out from Kampong Cham to form Tboung Khmum province were won solidly by the CPP.

2 districts in south Mekong river are Koh Sotin and Steung Trang

Politics

Kampong Cham is allocated 10 seats in the National Assembly, down from 18. It had been the largest constituency until 2018.

Notable people
Bun Rany, President of Cambodian Red Cross
Hang Thun Hak, former Prime Minister
Hem Heng, diplomat
Heng Samrin, Speaker of the National Assembly
Hun Manet, son of Hun Sen
Hun Neang, father of Hun Sen
Hun Sen, Prime Minister
In Tam, former Prime Minister
Keng Vannsak, author
Kong Korm, Senator
Say Chhum, President of the Senate
Sim Var, former Prime Minister

See also
 Wat Moha Leap
 Khmer people
 Cham people
 Champa
 Kampong Cham (city), the capital city of Kampong Cham province.

References

External links
Beyond Angkor: Historical Sites in Kampong Cham Province - Unique Graphical Interactive Maps
Map

Provinces of Cambodia

Kampong Cham province


Janusz Roman Trzepizur (* 21. Mai 1959 in Namysłów) ist ein ehemaliger polnischer Hochspringer.

Bei den Olympischen Spielen 1980 in Moskau wurde er Zwölfter.

1982 gewann er jeweils Silber bei den Leichtathletik-Halleneuropameisterschaften in Mailand und bei den Leichtathletik-Europameisterschaften in Athen.

1981 und 1983 wurde er im Freien, 1982 in der Halle nationaler Meister.

Persönliche Bestleistungen

 Hochsprung: 2,30 m, 30. Mai 1982, Eberstadt
 Halle: 2,32 m, 6. März 1982, Mailand

Weblinks

Fußnoten

Teilnehmer der Olympischen Sommerspiele 1980
Hochspringer (Polen)
Olympiateilnehmer (Polen)
Polnischer Meister (Leichtathletik)
Pole
Geboren 1959
Mann

Janusz Trzepizur


Die Freiherren Lenk von Wolfsberg waren ein österreichisches Adelsgeschlecht. Aus der Familie kamen mehrere bedeutende Vertreter hervor, die im kaiserlich-königlichen Heer tätig waren.

Geschichte
Die deutschstämmige Familie mit dem Namen Lenck lebte früher im Wittingau im Kronland Böhmen. Etwas länger als 100 Jahre dauerte der Aufstieg der Familie zu großem Ansehen bis zu ihrem Erlöschen.

Dem k. k. Hauptmann der 4. Garnisonartillerie Joseph Lenck (* 1. August 1739; † 2. Dezember 1817 in Ottakring), verheiratet 1764 in Platz/Wittingau mit Anna Maria Paciver (* 1745; † 1794), wurde nach 48-jähriger Dienstleistung laut Allerhöchster Entschließung von Kaiser Franz II. der Adelsstand mit dem Namen "Lenk von Wolfsberg" verliehen.

Philipp Jakob Lenk Freiherr von Wolfsberg (1766–1837), Josephs Sohn, war ein Artillerie-Offizier im kaiserlichen Heer auch während der napoleonischen Kriege und beteiligte sich maßgebend an vielen Schlachten gegen die Franzosen. Er wurde mit dem Ritterkreuz des Militär-Maria-Theresia-Ordens ausgezeichnet und am 20. September 1829 per Allerhöchster Entschließung von Kaiser Franz I. in den Freiherrenstand erhoben: "Seine k. k. Majestät haben den Major im Bombardier-Korps und Marien-Theresien-Ordens-Ritter Jakob Lenk von Wolfsberg in Rücksicht seiner vieljährigen und ausgezeichneten Militär-Dienstleistungen den Freiherrnstand des österreichischen Kaiserstaates allergnädigst taxfrei zu verleihen geruhet."

Er heiratete 1804 Wilhelmine Carlotta Scholl (1781–1813). Aus dieser Ehe entspross Sohn (Nikolaus) Wilhelm, der spätere k. k. Feldzeugmeister.

Aus seiner zweiten Ehe mit Franziska (* 27. Dezember 1800; † 14. Oktober 1882 in Prag) Anno 1820 stammte Sohn August Lenk von Wolfsberg, der die Diplomatenlaufbahn beschritt.

Nikolaus Wilhelm Lenk Freiherr von Wolfsberg (1809–1894), Jakobs Sohn, trat gleichfalls in den k. k. Militärdienst ein.
Er war Offizier und technischer Chemiker. Wilhelm beschäftigte sich mit der Verbesserung der Schießbaumwolle, worauf er im Jahre 1864 ein Patent erhielt. Weiters befehligte er im kaiserlichen Heer und beendete seine Karriere als Feldzeugmeister. Im Laufe seiner Karriere wurde er mehrmals mit Orden dekoriert.

1833 heiratete er Eveline Aloisia Schreher (1810–1871). Aus dieser Verbindung gingen die Söhne Rudolf und Eugen sowie drei Töchter hervor.

August Lenk von Wolfsberg (1820–1889) war ein österreichischer Diplomat, Sohn aus zweiter Ehe des Freiherren Jakob Lenk von Wolfsberg.
Seine Karriere begann 1848 als k. k. Generalkonsulats-Kanzler in Beirut und führte ihn über viele Stationen bis zu seiner letzten als k. u. k. Generalkonsul in Marseille 1883. Er war zweimal verheiratet, ohne männliche Nachfolger.
August führte nicht den Freiherrentitel. Der Grund hierfür ist unbekannt.

Rudolf Freiherr Lenk von Wolfsberg (1834–1907), der ältere von Wilhelms beiden Söhnen, beschritt ebenfalls die militärische Laufbahn und brachte es bis zum Feldmarschalleutnant. Seine Ehen mit Hemma Edle von Josch (1844–1867) und Paula Freiin Wittenbach von Rotten- und Thurnstein (1849–1918) blieben kinderlos.

Eugen Freiherr Lenk von Wolfsberg (* 26. Juli 1836 in Mainz; † 12. Februar 1905 Baden bei Wien) begann ebenfalls eine militärische Karriere, schied aber als Leutnant der Artillerie aus. Er vermählte sich 1862 mit der Unternehmerstochter Emma Giseke (* 14. April 1830 in Lüdenscheid; † 5. März 1903 in Baden bei Wien). Anschließend betätigte er sich im kaufmännischen Bereich in den Leonischen Werken Cornides & Kühmayer AG zu Weissenbach an der Triesting. Dort wurde auch sein einziges Kind, Gustav (* 31. Dezember 1862 in St. Veit an der Triesting; † 13. Oktober 1943 in Baden bei Wien), geboren, verheiratet am 14. Juni 1897 in Wiener Neustadt mit Fiametta Brosch Edle von Aarenau, (* 1. Oktober 1873 in Rovigno, Istrien; † 13. August 1943 in Wiener Neustadt), Schwester des Leiters der Militärkanzlei Alexander von Brosch-Aarenau. Beide kamen bei einem Bombenangriff der Alliierten ums Leben. Sie hatten zwei Töchter, Emma (* 16. Mai 1898) und Hyazintha (* 15. März 1900; † 11. Oktober 2001).

Somit gab es in der Familie keine männlichen Nachfolger und die Familie erlosch im Mannesstamm. Über die weiblichen Abkömmlinge gibt es Nachfahren in den Familien Mayerhoffer von Vedropolje, von Zwehl, Ritter von Polzer, Freiherren Putz von Rolsberg, Freiherren von Sobeck-Skal und Kornitz, Freiherren von Waldstätten, Grafen Wassilko von Serecki, u. a.

Wappen

1801: Schild quergeteilt. Oben in Rot ein gebogener, gold-geränderter, geharnischter rechter Arm mit Schwert, unten in Blau auf grünem Dreiberg ein natürlicher Wolf. Über dem gekrönten, ins Visier gestellten Helm erhebt sich der geharnischte Arm mit dem Schwert aus dem Schild. Die Decken sind rechts rot, links blau mit Silber unterlegt.

1829: 1829: Schild rot und blau quergeteilt. Im oberen roten Felde ein gebogener, gold-geränderter, geharnischter Arm mit einem bloßen Schwerte in der Hand, Im unteren blauen Felde auf einem Berge von natürlicher Farbe ein rechtsgekehrter natürlicher Wolf. Auf dem Schilde ruht die Freiherrnkrone, auf welcher sich drei gekrönte Turnierhelme erbeben. Die Krone des rechten Helms trägt den nach innen gekehrten Arm des oberen Feldes, jene des mittleren einen einfachen schwarzen Adler mit rot ausgeschlagener Zunge, ausgebreiteten Flügeln und von sich gestreckten Fängen; jene des linken Helms drei wallende Straußenfedern, eine blaue zwischen zwei silbernen. Die Helmdecken sind: die des mittleren rechts rot links blau, beiderseits mit Silber, jene des rechten Helms rot, jene des linken blau, beiderseits mit Silber belegt. Die Schildhalter sind zu beiden Seiten zwei aufrechtstehende goldene Löwen mit offenem Rachen, rotausgeschlagenen Zungen und über dem Rücken aufgeschlagenem Schwanze.

Literatur
 Gothaisches Genealogisches Taschenbuch der Freiherrlichen Häuser. 1913, 1941.
 Maximilian Mayerhoffer: Stammtafel und Adelsnachweise der Gothaisches Genealogisches Taschenbuch Familie Putz von Rolsberg. Tannheim 1951.
 Meyers Großes Konversations-Lexikon. 1888.
 Meyers → 18. Band: Jahres-Supplement 1890[…] → Hauptstück: S. 0578, von Leimbach bis Lenk von Wolfsberg
 Meyers Großes Konversations-Lexikon. Band 12. Leipzig 1908, S. 405.
 Franz Sales Kandler: Ehrenspiegel der  k. k. österreichischen Armee. Verlag Carl Gerold, Wien 1831, S. 104, 289.

 Militär-Schematismus des österreichischen Kaiserthumes. 1853, 1856, 1867, Teil 1, 1871.
 Constant von Wurzbach: Lenk von Wolfsberg, Jacob Freiherr. In: Biographisches Lexikon des Kaiserthums Oesterreich. 14. Teil. Verlag der k. k. Hof- und Staatsdruckerei, Wien 1865, S. 361–363 (Digitalisat)
 Adler MBC II. Band, (1885–1890)
 Das Vaterland. Zeitung für die Österreichische Monarchie vom 20. Oktober 1894 (Digitalisat ANNO)
 Hof- u. Staatshandbuch des Kgr. Bayern. München 1867.
 Nachrichten über Industrie, Handel und Verkehr. Band 12, Wien 1877.
 Militärschematismus des österreichischen Kaiserthumes. k. k. Hof- und Staats-Druckerey, Wien 1837, S. 346.
 Streffleurs Österreichische Militärische Zeitschrift. VII. Jahrgang, 3. Band, VIII. Heft, Verlag Carl Gerold's Sohn, Wien 1866, S. 193.

Weblinks

Einzelnachweise

Österreichisches Adelsgeschlecht
Böhmisches Adelsgeschlecht

Lenk von Wolfsberg (Adelsgeschlecht)


Julio Zárate (Xalapa de Enríquez, Veracruz, 12 de abril de 1844 - Ciudad de México, 1917) fue un abogado, escritor, historiador y político mexicano.

Trayectoria
Realizó sus primeros estudios en su ciudad natal. Se trasladó a la ciudad de Puebla de los Ángeles para ingresar al Colegio Carolino, en donde se tituló como abogado.
Desde 1862 se desempeñó como diputado federal en diversas ocasiones, llegando a ser presidente de la Cámara de Diputados. De diciembre de 1879 a febrero de 1880, durante los primeros años del porfiriato, fue encargado de despacho de la Secretaría de Relaciones Exteriores. Fue secretario general de Gobierno del Estado de Veracruz de diciembre de 1884 a octubre de 1885, durante la gobernatura de Juan de la Luz Enríquez. En 1896 fue ministro del Suprema Corte de Justicia de la Nación. En 1912, fue senador de la república.

Impartió clases de Historia Universal en la Escuela Normal Nacional desde 1883, ejerciendo la docencia por treinta años. Colaboró para los periódicos El Eco del País y El Siglo Diez y Nueve. De ideología liberal, criticó a Maximiliano de Habsburgo y al Segundo Imperio Mexicano. Hacia finales de la década de 1880, escribió "La Guerra de Independencia", tomo tercero de la enciclopedia México a través de los siglos la cual fue dirigida por Vicente Riva Palacio. Murió en la Ciudad de México en 1917.

Obras publicadas
 Catecismo geográfico del estado de Puebla
 Elementos de historia general.

 Compendio de historia general
 Don Carlos de Sigüenza y Góngora
 Episodios mexicanos 1862-1867: Xalapa
 Velada en la conmemoración del cuarto centenario de la muerte de Cristóbal Colón
 Don Luis de Velasco, el segundo virrey de México
 "La Guerra de Independencia", tomo tercero de la enciclopedia México a través de los siglos

Referencias

Bibliografía

Nacidos en Xalapa-Enríquez
Historiadores de Veracruz
Historiadores de la independencia de México: 1810 - 1821
Escritores de Xalapa
Diputados de la II Legislatura de México
Senadores de Veracruz
Fallecidos en Ciudad de México

Julio Zárate


Le château de Judenbourg ou château de Gutenbourg est une ruine de château fort situé sur le territoire de la commune française du Bonhomme dans le massif des Vosges, dans le département du Haut-Rhin (Haute-Alsace).

Les ruines du château se trouvent au-dessus du village du Bonhomme, à environ  au sud-ouest de la ville de Sainte-Marie-aux-Mines et à  à l'ouest-nord-ouest de Colmar.

Histoire
Les nouvelles historiques concernant le château de Gutenbourg, autrefois également appelé château de Gudenburg et situé à l'est du château du Hohnack, dont il faisait partie des annexes, sont rares. Les deux châteaux ont souvent été concernés par les mêmes événements historiques.

En 1199, un document mentionne un Ulricus de Gotenburg nommé d'après le château. En 1437, le château de Judenbourg est mentionné dans un document (Hohennack und Judenburg, die burge). , le roi Sigismond à Constance donne en fief le château de Hohnack et ses annexes, dont la maison de Judenbourg, ainsi qu'un certain nombre d'autres terres à son conseiller, le comte Hans . Après le décès du comte Lupfen, le château de Hohnack et ses annexes revinrent aux Ribeaupierre en 1437.

L'emplacement de ce château occupant un éperon rocheux permettait de surveiller les allées et venues des troupes lorraines qui passaient par le col du Bonhomme.

En 1551, le seigneur de Hohnack fit construire dans le village des fonderies d'argent dont les minerais proviennent de Sainte-Marie-aux-Mines. Aujourd'hui, il ne reste plus que des ruines de ce château qui a été détruit en 1639 par les Suédois.

Au début de l'année 1648, la localité du Bonhomme avec le château de Gutenbourg faisait partie de l'office de Hohnack ou Urbeis de la seigneurie de Ribeaupierre. En 1780, le château de Judenbourg était déjà dévasté.

Valorisation du patrimoine
Un sentier de randonnée permet de parcourir un tour d'une distance de  en passant par les ruines du château de Gutenbourg, de là il est possible d'admirer un paysage remarquable sur le village du Bonhomme.

Notes et références

Annexes

Bibliographie
 ..

Articles connexes
 Liste des châteaux du Haut-Rhin

Liens externes

Judenbourg
Judenbourg
Judenbourg

Château de Judenbourg


ත්‍රිකුණාමල ප්‍රාදේශීය ලේකම් කොට්ඨාසය යනු,  ශ්‍රී ලංකාවේ, නැගෙනහිර පළාතේ,   ත්‍රිකුණාමල දිස්ත්‍රික්කයේ, පිහිටි ප්‍රාදේශීය ලේකම් කොට්ඨාසයකි.

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 Divisional Secretariats Portal

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قائمة بالأبطال في 1901 البطولات الوطنية الأمريكية لكرة المضرب (المعروفة الآن باسم أمريكا المفتوحة):

الكبار

فردي رجال

 ويليام لارنيد هزم  بيلز رايت 6-2 6-8 6-4 6-4

فردي سيدات

 إيليزابيث مور هزم  مارثي ماكآتر 6-4, 3-6, 7-5, 2-6, 6-2

مراجع

الرياضة في بنسيلفانيا في 1901
رود آيلاند في 1901
أحداث أغسطس 1901 الرياضية
أحداث يونيو 1901 الرياضية
البطولات الوطنية الأمريكية (كرة مضرب) حسب السنة
أمريكا المفتوحة
كرة مضرب أمريكية في 1901

البطولات الوطنية الأمريكية 1901 (كرة مضرب)


An Tridactyle sarcodantha in uska species han Liliopsida nga ginhulagway ni Rudolf Mansfeld. An Tridactyle sarcodantha in nahilalakip ha genus nga Tridactyle, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Tridactyle

Tridactyle sarcodantha


Auður Auðuns (født 18. februar 1911 i Ísafjörður, død 19. oktober 1999) var en islandsk jurist og politiker fra Selvstændighedspartiet. Hun blev Islands første kvindelige jurist og kvindelige minister. Hun blev ligeledes 1959-60 den første kvindelige borgmester i Reykjavík, idet hun dog delte embedet med Geir Hallgrímsson.

Auður tog studentereksamen (stúdentspróf) fra Menntaskólinn í Reykjavík i 1929 og juridisk embedseksamen fra Háskóla Íslands i 1935. Hun var advokat for Mødrehjælpsnævnet (Mæðrastyrksnefnd) i Reykjavik 1940-1960. Auður sad i byrådet 1946-70. Hun var byrådsformand 1954-59 og 1960-70, samt borgmester i Reykjavik (sammen Geir Hallgrímsson) 19. november 1959 - 5. oktober 1960. I Radio- og TV-rådet (Utvarpsraðið ) 1975-78, og deltog 1967 og 1975 i den islandske delegation til FNs generalforsamling.

Hun var suppleant til Altinget 1947-48 og indvalgt for Reykjavík-kredsen 1959–74. Fra 10. oktober 1970 til 14. juli 1971 var hun justits- og kirkeminister i Jóhann Hafsteins regering.

Familie
Auður var datter af Jón Auðun Jónsson, der var altingsmand for først Det Konservative Parti, og siden dets arvtager Selvstændighedspartiet, og dennes hustru Margrétar Guðrúnar Jónsdóttur. I 1936 giftede hun sig med højesteretssagfører Hermann Jónsson, og sammen fik de børnene Jón (1939), Einar (1942), Margréti (1949) og Árna (1954).

Eksterne henvisninger
 Auður Auðuns biografi på Althingi.is

Advokater fra Island
Borgmestre fra Island
Altingsmedlemmer
Kommunalpolitikere fra Island

Auður Auðuns


Hermine Reuss af Greiz (tysk: Hermine Prinzessin Reuß (Altere Linie)) (født 17. december 1887 i Greiz i Thüringen, død 7. august 1947 i interneringslejren Paulinenhof nær Frankfurt (Oder) i den sovjetisk besatte zone) var en tysk prinsesse, der var gift med den tidligere kejser Wilhelm 2. af Tyskland.

Ægteskab med prins Johann George af Schönaich-Carolath
Hermine Reuss's første ægteskab var med prins Johann George af Schönaich-Carolath (1873–1920). Johann George var en standsherre (tysk:Freie Standesherr) i det dengang tyske Nedre Schlesien, der i dag tilhører Polen.

Johann George og Hermine fik fem børn. Deres yngste datter prinsesse Henriette af Schönaich-Carolath (1918–1972) blev gift med prins Karl Franz af Preussen (1916–1975), der var det eneste barn af Joachim af Preussen (1890–1920) og sønnesøn af kejser Wilhelm 2. af Tyskland.

Ægteskab med  kejser Wilhelm 2.
I 1922 blev Hermine Reuss gift med den tidligere kejser Wilhelm 2. af Tyskland. Wilhelm 2. havde abdiceret fire år tidligere, og derfor blev Hermine Reuss ikke kejserinde.

Hermine Reuss og Wilhelm 2. fik ingen fælles børn, men én af Hermines døtre blev senere gift med én af Wilhelms sønnesønner.

Efter sin  abdikation i 1918 var Wilhelm 2. gået i eksil i Doorn nær Utrecht i Holland, og her levede parret indtil Wilhelms død i 1941.

Sidste år
Efter Wilhelms død i 1941 flyttede Hermine Reuss tilbage til sin første mands gods i Nedre Schlesien. Da den Røde Hær nærmede sig i foråret 1945, flygtede hun til Roßla i det nuværende Sachsen-Anhalt, hvor hun tog ophold hos en søster.

Kort tid efter anholdte den sovjetiske besættelsesmagt hende, og hun blev ført til interneringslejren Paulinenhof nær Frankfurt (Oder). Her døde hun to år senere.

Hermine Reuss blev begravet på Hohenzollern-slægtens begravelsesplads (Antikentempel) nær Neues Palais i Sanssouci ved Potsdam. Hun selv havde udtrykt ønske at blive begravet ved siden af Wilhelm 2. i Doorn i Holland, men dette ønske blev tilsidesat.

Huset Reuss

Hermine Reuss af Greiz