(born March 2, 1962, Hyōgo Prefecture, Japan) is a Japanese science fiction novelist.

Biography
In 1992, his first novel Yume no Ki ga Tsugeta nara ("If Only the Dream Trees Could Touch") appeared in Hayakawa Publishing's S-F Magazine. His short story "Spice" won the Hayakawa Award in 1993.

In 1996, he published his first long novel in three volumes, Seikai no Monshou (Seikai no Monshō/Crest of the Stars). In the next year 1997 Seikai no Monsho was awarded with
Seiun Award at the Japan SF Convention. He released its sequel Seikai no Senki (Banner of the Stars), where he said that Seikai no Monsho was actually an overture to Seikai no Senki. Morioka had already suggested in Seikai no Monshou 2 that the entire series should narrate the life of Princess Lamhirh (aka Lafiel), from her birth to her eventual ascension to the imperial throne. Five volumes of Seikai no Senki are now available, with Morioka naming the first three the "Diahoc Trilogy", but the series itself has not yet finished.  An English translation of "Seikai no Monshō/Crest of the Stars" has been published by Tokyopop, which came out from the fall of 2006 to May 2007.

Aside from the Seikai series, he published another Senki in 4 volumes, based on Japanese mythology, as well as a two-volume series, Seikai no Danshō (Fragments of the Stars), a collection of stories set in the same universe as the other two series.

His characteristics as a writer include a deep interest for linguistics (especially for conlangs), artificial intelligence, bitter humor, and well-designed world settings.

Bibliography
 (1997)
 (1999)
 (2009)
 (2011)
 (2014)

Series

 (1996)
 (1996)
 (1996)

 (1996)
 (1998)
 (2001)
 (2004)
 (2013)
 (2018)

 (2005)
 (2007)
 (2014)

Series
 (1999)
 (2001)
 (2002)
 (2004)

Series
 (2005)
 (2008)
 (2012)

Awards
Hayakawa Award (1993)
Seiun Award (1997)
Nihon SF Taisho Award (2015)

Notes and references

External links
 Science Fiction & Fantasy Writers of Japan Profile
 Eastern standard profile page
 Anime on DVD Interview at Anime Expo 2002
Entry in  The Encyclopedia of Science Fiction

1962 births
Constructed language creators
Living people
20th-century Japanese novelists
21st-century Japanese novelists
Japanese science fiction writers
Writers from Kobe
Kyoto Prefectural University alumni

Hiroyuki Morioka


Nicolai ist ein Einschlagkrater im Süden der Mondvorderseite, zwischen den Kratern Barocius im Westen und Fabricius im Osten, nördlich von Spallanzani.
Der Krater ist mäßig erodiert, der Kraterboden weitgehend eben.

Der Krater wurde 1935 von der IAU nach dem deutschen Astronomen Friedrich Bernhard Gottfried Nicolai offiziell benannt.

Weblinks

 Nicolai auf The-Moon Wiki

Einzelnachweise

Einschlagkrater (Mond)

Nicolai (Mondkrater)


Republika Hrvatska i Istočna Republika Urugvaj održavaju diplomatske odnose od 4. svibnja 1993. Sjedište veleposlanstva je u Buenos Airesu.

Veleposlanici
Hrvatska nema rezidentno veleposlanstvo u Urugvaju.

Veleposlanstvo Republike Hrvatske u Argentinskoj Republici pokriva Paragvaj i Urugvaj.

Vidi još
Ministarstvo vanjskih i europskih poslova Republike Hrvatske

Vanjske poveznice
 Urugvaj na stranici MVEP-a

Izvori

Urugvaj
Hrvatsko-urugvajski odnosi

Popis hrvatskih veleposlanika u Urugvaju


سيمي فالي  هي إحدى مدن مقاطعة فينتورا، كاليفورنيا. تم إعطاءها لقب مدينة في 10 أكتوبر، 1969.

المناخ
يظهر الجدول التالي التغييرات المناخية على مدار السنة لسيمي فالي:

أعلام

 جوزيف نيومان
 روبرت سميث
 راؤل والش
 كين ألبيرز
 دون غرين
 سكوت رايس
 جوليس إنجل
 كورتيس مارش سينيور
 داني نيلسون
 مونيكا جيراردو

مراجع

سيمي فالي (كاليفورنيا)
أماكن مأهولة أسست في 1969
تأسيسات سنة 1969 في كاليفورنيا
مدن في مقاطعة فينتورا (كاليفورنيا)
مدن كاليفورنيا

سيمي فالي (كاليفورنيا)


Gostelja je rijeka u Bosni i Hercegovini, desna pritoka rijeke Oskove.

Izvore kod mjesta Gojakovići, sjeveroistočno od Kladnja.

Vanjske poveznice

 EKOLOŠKE KARAKTERISTIKE RIJEKA GOSTELJE, SPREČE I BRKE na bistrobih.ba

Rijeke u Bosni i Hercegovini
Porječje Spreče

Gostelja


Delta (Δ δ) (Yunanca: Δέλτα, Delta), Yunan alfabesinin dördüncü harfi. Dildeki ismi deltadır. Yunancadaki, ötümlü dişsil sürtünmeli ünsüzü gösteren bu harfin Türk alfabesinde karşılığı yoktur. Dil ucu ön dişlere dokundurularak çıkarılır. İngilizcedeki the, they sözcüklerindeki th gibi okunur. Fenike alfabesindeki Dalet  harfinden türemiştir.

Örnekler
Δίπλομα (điploma) = Diploma

Δαντέλα (đantela) = Dantel

Δέρμα (đerma) = Deri

Δανία (Đania) = Danimarka

Δημοκρατία (Demokratia) = Demokrasi

Δ

Delta (harf)


لوتراكي: (باليونانية:Λουτράκι)، (بالإنجليزية:Loutraki )، بلدة يونانية ومركز لبلدية لوتراكي-بيراخورا التي تقع في جنوب وسط البلاد وهي تتبع إدارياً لمقاطعة كورينثيا التي تشكل جزءاً من إقليم البيلوبونيز الإداري.

الموقع والسكان
{{خريطة مواقع|اليونان|label=لوتراكي</small>|lat=37.98|long=22.96|caption=موقع لوتراكي}}
تقع البلدة على الساحل الشرقي لـخليج كورنث، في ظل جبل غيرانيا المرتفع، والذي يقع إلى الشرق من البلدة، وعلى مسافة 3 كيلومتر فقط إلى الشمال من قناة كورنث.

تبعد البلدة مسافة (4) كيلومتر شمال كورنث عاصمة المقاطعة ومسافة (77) كيلومتر عن أثينا عاصمة اليونان وذلك عبر الطريق السريع E-94.

يبلغ عدد سكان بلدة لوتراكي حوالي (11) ألف نسمة، بينما يبلغ عدد سكان بلدية لوتراكي-بيراخورا حوالي (15) ألف نسمة (التعداد السكاني لعام 2001)، وبالتالي تكون لوتراكي ثاني أكبر بلدة في كورينثيا بعد كورنث عاصمة هذه المقاطعة.

 التسمية والتاريخ

تعني تسمية لوتراكي باللغة اليونانية (الممر المنخفض) .

يعتقد أن لوتراكي الحالية تقع فوق موقع بلدة تعود للعصر الكلاسيكي كانت تدعى ثيرما (Therma) بسبب وفرة المياه المعدنية الحارة فيها، أما التاريخ الحديث للبلدة فيعود للعام 1847 م. وبعد استقلال اليونان الجديد إذ انتشر إعلان في إيطاليا تشير إلى الفوائد الصحية الجمة التي تتميز بها مياه لوتراكي المعدنية، الأمر الذي أدى إلى تدفق المستوطنين إلى البلدة والمناطق المجاورة.

في عام 1928 دمرت لوتراكي بشكل كامل بسبب زلزال عنيف ضرب المنطقة، وبعد ذلك أخذت البلدة تدريجياً باستعادة نموها. بني فيها عام 1995 م. أكبر كازينو في اليونان، وأحد أكبرها في أوروبة.

 السياحة

يعتمد اقتصاد البلدة بشكل كامل على السياحة، إذ يقصدها في الصيف أعداد كبيرة من السياح تصل إلى (100) ألف سائح ومن أهم عوامل الجذب السياحي فيها هو جودة شواطئها ونقاوة مياه البحر، ينابيع المياه المعدنية الحارة والباردة الموجودة فيها. والبنية التحتية السياحية.

ومن أهم المنشآت السياحية فيها:
 مركز للاستشفاء بالمياه المعدنية الحارة وهو الأكبر في اليونان.
 كازينو لوتراكي: وهو أكبر كازينو ضمن الأراضي اليونانية وقد بني عام 1995.
 مركز أليكساندريو لعقد المؤتمرات واللقاءات الدولية.

هذا بالإضافة إلى الكثير من الفنادق، المنتجعات والفيلات الشاطئية وغيرها.

 متفرقات
 من أهم معالم لوتراكي التاريخية والدينية هي فيلا رومانية قديمة، تقع على حدود البلدة الحالية، وكاتدرائية آغيوس يوانيس بابتيسيس (يوحنا المعمدان).
 أهم نادي رياضي في المدينة هو أولمبياكوس لوتراكيس، بالإضافة إلى نادي باو لوتراكي.
 تعتبر المياه المعدنية المعبئة في البلدة والتي تحمل نفس الاسم (لوتراكي''') واحدة من أكثر العلامات التجارية شعبية في البلاد.

مراجع

وصلات خارجية
 موقع المدينة الرسمي

أماكن مأهولة في كورينثيا
السياحة في اليونان
حمامات طبية في اليونان
رالي أكروبوليس
مدن اليونان

لوتراكي


كاسوغاي مدينة تقع ضمن محافظة آيتشي في اليابان، تأسست في 6/1/1943، بلغ عدد تعداد سكانها في 1 يناير – 2008 حوالي 300713 مساحتها الإجمالية حوالي 92.71 كم2 لتصبح كثافة سكانها 3244 نسمة لكل كيلو متر مربع.

أعلام
 أياكو ماتسومورا
 يويتشي كاميمارو
 كوكي سوغيموري
 ساتوشي شيكي
 ايجي أوكودا

معرض صور

مراجع

مدن محافظة آيتشي

كاسوغاي (آيتشي)


Luděk Mikloško (n. 9 decembrie 1961, Cehia) este un portar ceh de fotbal retras din activitate. Și-a început cariera în Cehoslovacia, unde a jucat peste 200 de meciuri pentru Banik Ostrava înainte de a ajunge în Anglia, unde a jucat peste 300 de partide pentru West Ham United. Mai târziu a jucat pentru Queens Park Rangers, unde a fost și antrenor cu portarii; un rol pe care l-a îndeplinit ulterior pentru West Ham United. A jucat 40 de meciuri pentru Cehoslovacia și două meciuri pentru Cehia.

Cariera pe echipe
Mikloško și-a început cariera în Cehoslovacia natală cu Baník Ostrava.

West Ham United
Talentul său a fost remarcat de antrenorul echipei West Ham United, Lou Macari, care l-a adus în februarie 1990, chiar înainte să-și dea demisia și după numirea lui Billy Bonds drept succesor al acestuia, pentru o sumă de 300.000 de lire sterline. Primul său meci a avut loc la 18 februarie 1990, scor 2-2 la Swindon Town. A jucat cel de-al patrulea mei pentru West Ham în cel al doilea tur al Cupei Ligii împotriva lui Oldham Athletic. West Ham a pierdut în tur cu 6-0 cu Phil Parkes în poartă, meci care avea să fie ultimul jucat pentru West Ham după unsprezece ani în cadrul clubului. Din acest moment până în sezonul 1997-1998, Mikloško a fost titular.

În sezonul 1990-1991 a jucat 56 de meciuri pentru West Ham, care a promovat în primul eșalon englez după ce a primit numai 16 goluri în deplasare, stând cel mai bine la acel capitol. West Ham a jucat și în semifinalele Cupei Angliei din 1990-1991, înainte de a ajunge la Nottingham Forest, cu Mikloško jucând în toate cele șapte meciuri din cupă. El a fost numit cel mai bun jucător al lui West Ham în 1991. Deși Ciocănarii au retrogradat în sezonul următor și au ratat șansa de a deveni membri fondatori ai noii FA Premier League în 1992, el i-a ajutat să promoveze din nou sezonul următor, după care echipa a jucat timp de zece ani în Premier League. El este bine cunoscut pentru că a devenit Omul Meciului împotriva lui Manchester United în ultima zi a sezonului 1994-1995, în care West Ham a terminat cu scorul de 1-1 cu Manchester United pe stadionul Boleyn, ajutând-o pe rivala lui Manchester United, Blackburn Rovers, să obțină primul titlu în campionat în peste 80 de ani. În ultimul său sezon, s-a duelat cu Craig Forrest pentru postul de titular. Ultimul său meci a venit pe 6 decembrie 1997 într-o înfrângere scor 2-0 cu Derby County. Mikloško a înscris un autogol în acel meci. În următorul meci a fost înlocuit în poartă de Forrest. Un portar curajos, cu reflexe bune și cu o degajare puternică, a jucat în 374 de meciuri de campionat pentru echipă.

Queens Park Rangers
A fost vândut la Queens Park Rangers în 1998. A jucat ultimul său meci la profesioniști pe 3 martie 2001. În primul meci al noului antrenor Ian Holloway, QPR a pierdut acasă la Sheffield United cu 3-1. Mai târziu, în 2001, s-a retras din cauza unei accidentări.

Cariera la națională
Mikloško a jucat 40 de meciuri pentru Cehoslovacia și două pentru Cehia.

Cariera post-fotbal
După retragere, Mikloško a revenit la West Ham pe postul de antrenor cu portarii. A părăsit clubul în martie 2010; nici clubul și nici Mikloško nu au dat nicio declarație în legătură cu acest subiect.

Referințe

Legături externe

 Jan Palička: Luděk Mikloško: Fotbal în Anglia este ca altă dimensiune, MF DNES

Fotbaliști internaționali cehoslovaci
Fotbaliști cehoslovaci
Fotbaliști internaționali cehi
Fotbaliști cehi
Fotbaliști ai Queens Park Rangers FC
Fotbaliști ai West Ham United FC
Fotbaliști ai Premier League
Portari
Oameni în viață
Nașteri în 1961

Luděk Mikloško


Andreas Seppi (født 21. februar 1984) er en italiensk tennisspiller. Den 191 cm høje italiener repræsenterede sit landet under Sommer-OL 2012 i London, der blev han slået ud i anden runde i single.

Kilder

Eksterne henvisninger

Deltagere for Italien ved sommer-OL 2008
Tennisspillere fra Italien

Andreas Seppi


Priscila Barnes (7 de diciembre de 1952 en Fort Dix, Nueva Jersey) es una actriz estadounidense conocida por su papel de la enfermera Terri Alden en Three's Company como reemplazo del personaje de Suzanne Somers. Barnes también ha aparecido en varias películas como A Vacation in Hell, James Bond: Licencia para matar, Mallrats y The Devil's Rejects.

Su padre fue Mayor general de las Fuerzas Aéreas de los Estados Unidos por lo que su infancia estuvo marcada por múltiples traslados a varias bases militares hasta que finalmente se asentó junto a su familia en Lancaster, California.

A los 17 años se graduó en el Instituto Antelope Valley y se trasladó a San Diego en donde trabajó como camarera y bailarina.

Barnes es una mujer casada pero no tiene hijos. Se casó en 2003 con el actor Ted Monte.

Ha aparecido recientemente en la serie "Jane the Virgin" interpretando el rol de Magda, madre de Petra.

Filmografía
 (1975) Mujer Maravilla (serie de televisión)
 (1977) Tintorera (película) (1977-85) The Love Boat (Serie de TV)
 (1978) Starsky & Hutch - Foxy Lady
 (1978) The Seniors
 (1978) The American Girls (Serie de TV)
 (1978) Texas Detour
 (1978) The Time Machine (TV Movie)
 (1979) Delta Fox
 (1979) A Vacation in Hell
 (1981-84) Three's Company (Serie de TV)
 (1980) The Last Married Couple in America
 (1982) The Wild Women of Chastity Gulch (TV Movie)
 (1987) Perfect People
 (1988) Traxx
 (1989) Lords of the Deep
 (1989) Licencia para matar
 (1991) The Letters from Moab (Cortometraje)
 (1992) Perry Mason: The Case of the Reckless Romeo (TV Movie)
 (1992) Stepfather III (TV Movie)
 (1992) Body Trouble
 (1992) Talons of the Eagle (TV Movie)
 (1994) Mei Zhen
 (1994) Erotique
 (1994) Attack of the 5 Ft. 2 Women (TV Movie)
 (1995) Singapore Sling: Old Flames (TV Movie)
 (1995) Witch Academy
 (1995) Cops n Roberts
 (1995) The Crossing Guard
 (1995) Mallrats
 (1997) Catherine's Grove
 (1998) Divorce: A Contemporary Western
 (1998) The Cowboy and the Movie Star
 (1998) Ava's Magical Adventure
 (1999) Hash Brown's
 (1999) Implicated
 (1999) Mumford
 (2000) Alone with a Stranger
 (2001) Final Payback
 (2003) Shrink Rap
 (2004) Unseen Evil 2
 (2005) Heart of the Beholder
 (2005) The Devil's Rejects
 (2006) The Visitation
 (2006) Thr3e
 (2008) Trailer Park of Terror
 (2008) An American in China
 (2009) Tom Cool
 (2009) American Cowslip
 (2010) Elevator Girl
 (2010) First Dog
 (2011) The A Plate
 (2014-2019) Jane the Virgin (Serie de TV)

Referencias

Enlaces externos

Actores de Estados Unidos
Penthouse Pets

Priscilla Barnes


Alexandre Cabanel () () a fost un pictor francez născut la Montpellier, Hérault. El a pictat subiecte istorice, clasice și religioase în stil academic. El a fost, de asemenea, bine cunoscut ca portretist. Potrivit Diccionario Enciclopedico Salvat, Cabanel este cel mai bun reprezentant al L'art pompier și pictorul prefarat al lui Napoleon al III-lea.

Viața
Cabanel a intrat la École des Beaux-Arts din Paris, la vârsta de șaptesprezece ani,
și a studiat cu François-Edouard Picot. El a expus la Salonul de la Paris pentru prima dată în 1844, și a câștigat o bursă Prix de Rome în 1845, la vârsta de 22 de ani. Cabanel a fost ales membru al Institutului în 1863. El a fost numit profesor la École des Beaux-Arts în 1864 și a predat acolo până la moartea sa.

Galerie

Referințe

Legături externe
 Alexandre Cabanel la Artcyclopedia

Nașteri în 1823
Decese în 1889
Pictori francezi din secolul al XIX-lea
Nașteri pe 28 septembrie
Decese pe 23 ianuarie

Alexandre Cabanel


Eftervederlag er en økonomisk godtgørelse som efter bestemte regler udbetales i en periode til en minister, et folketingsmedlem, en europaparlamentariker, en borgmester eller en højtstående embedsmand efter vedkommendes afgang fra sin post.

Samfund

Eftervederlag


Marie-Agnes Strack-Zimmermann (nascida Jahn, nascida a 10 de março de 1958) é uma política alemã do Partido Democrático Liberal (FDP) que serve como membro do Bundestag pelo estado da Renânia do Norte-Vestfália desde 2017.

Carreira política
Após a eleição de Christian Lindner como presidente do FDP em 2013, Strack-Zimmermann tornou-se um dos seus deputados. Ela serviu como parte da liderança do partido até 2019, quando foi sucedida por Nicola Beer.

Strack-Zimmermann tornou-se membro do Bundestag nas eleições federais alemãs de 2017. A partir de então ela serviu no Comité de Defesa e no Comité de Construção, Habitação, Desenvolvimento Urbano e Autoridades Locais. Ela serve como porta-voz do seu grupo parlamentar para a política de defesa e porta-voz para a política do governo local.

Nas negociações para formar a chamada coligação semáforo do Partido Social-Democrata (SPD), do Partido Verde e do FDP após as eleições federais de 2021, Strack-Zimmermann fez parte da delegação do seu partido no grupo de trabalho sobre política externa, defesa, cooperação para o desenvolvimento e direitos humanos, co-presidido por Heiko Maas, Omid Nouripour e Alexander Graf Lambsdorff.

Desde 2021, Strack-Zimmermann desempenha funções como presidente do Comité de Defesa.

Outras actividades
 Academia Federal de Políticas de Segurança (BAKS), Membro do Conselho Consultivo (desde 2018)
 FOM University of Applied Sciences for Economics and Management Düsseldorf, Membro do Conselho de Curadores

Membros do Bundestag 2021-2025
Membros do Bundestag 2017-2021
Pessoas vivas
Nascidos em 1958
!Mais Teoria da História na Wiki (Mulheres)

Marie-Agnes Strack-Zimmermann


est le vingt-deuxième album studio du groupe de rock progressif britannique Yes, sorti le . Produit par le guitariste Steve Howe, cet album marque le retour de Billy Sherwood. Ce dernier n'avait pas collaboré avec Yes depuis 1999 et l'album The Ladder (où il joue la guitare). Il remplace ici le bassiste fondateur Chris Squire, mort en 2015. Autre spécificité : il s'agit du premier album à n'impliquer aucun membre de la formation originelle du groupe.

En , après ses dates de concert, Yes commence à travailler sur de nouveaux morceaux. En , la pandémie de Covid-19 entraîne l'annulation de toutes les représentations à venir et permet au groupe de se concentrer sur le prochain album. Les chansons composées et arrangées, l'enregistrement a lieu en Californie et en Angleterre. Les arrangements orchestraux réalisés par Paul K. Joyce sont interprétés par l'orchestre FAMES en Macédoine du Nord. Chanteur du groupe, Jon Davison écrit les paroles de la plupart des chansons, évoquant des thèmes tels que l'espoir, l'optimisme et les problématiques environnementales.

The Quest paraît sous plusieurs formats : CD, long play, Blu-Ray ainsi que dématériel sur les plates-formes de streaming. L'album culmine à la  place du UK Albums Chart, se classe en tête du UK Rock and Metal Chart, et reçoit des critiques globalement positives, notamment au regard de la production ainsi que de la progression du groupe par rapport au précédent album Heaven & Earth (2014). Certains déplorent toutefois l'absence de chansons uniques ou singulières.

Historique
En juillet 2019, la formation Yes de Steve Howe, Alan White, Geoff Downes, Jon Davison et Billy Sherwood, avec le deuxième batteur invité Jay Schellen, a terminé sa tournée Royal Affair Tour de 28 dates, qui a vu le groupe en tête d'affiche d'un voyage organisé. à travers les États-Unis qui comprenait des performances d'Asia, de John Lodge et de ELP's Legacy de Carl Palmer avec Arthur Brown au chant. À cette époque, le cofondateur d'InsideOut Music, Thomas Waber, a demandé au groupe s'il était prêt à faire un nouvel album studio. Yes avait prévu de reprendre la tournée à partir de mars 2020, poursuivant sa tournée de la série d'albums avec Relayer (1974) réalisée dans son intégralité, mais elle a été reportée à 2021, puis à 2022, en raison de la pandémie et du confinement de COVID-19 qui ont suivi. La situation a présenté l'opportunité pour le groupe de travailler sur un nouvel album, leur premier depuis Heaven & Earth (2014). Il s'agit du premier album de Yes à impliquer Sherwood depuis The Ladder (1999), ce dernier a remplacé le bassiste d'origine Chris Squire après sa mort en 2015, et le premier sans aucun membre fondateur.

Écriture et enregistrement
Yes a commencé à écrire pour l'album en novembre 2019, un mois avant l'épidémie de COVID-19, le reste étant assemblé l'année suivante. Howe était devenu de plus en plus mécontent d'enregistrer avec des producteurs externes qui parfois "ne savaient pas vraiment ce qu'était ce groupe", et s'est proposé de produire l'album, ce qui a été convenu. Comme le groupe n'a pas pu se réunir, ils ont développé des chansons en échangeant des idées en ligne qui ont été gérées et stockées au Curtis Schwartz Studio à Ardingly, West Sussex, propriété de Curtis Schwartz, l'ingénieur et mixeur de l'album. Howe a déclaré qu'il y avait "beaucoup de créativité" dans les idées que le groupe avait présentées et voulait que l'album soit différent de ce que Yes avait fait auparavant. Davison voulait soutenir Howe en particulier lors de la réalisation de l'album et "le laisser vraiment briller". Un scénario typique impliquait qu'un membre contribue à une section instrumentale pour un morceau, que Davison prendrait ensuite et développerait des lignes vocales et des idées lyriques. Davison a préféré écrire de cette manière car cela lui permettait de travailler dans son propre studio à son propre rythme, par opposition à la pression de travailler "sous pression" dans un établissement professionnel. Howe a ensuite passé au crible ce qui avait été déposé, mais il a été inspiré pour écrire sur la vie, son destin et l'environnementalisme, et a remarqué que Howe avait présenté, suggérant des pièces qui devaient être développées ou mises au rebut. Davison n'avait pas d'agenda prédéterminé avec ses textes ni d'idées lyriques sur des sujets similaires. Howe a abordé le processus d'écriture avec prudence, ce qu'il avait également fait pour Fly from Here (2011) et Heaven & Earth, pour s'assurer que les chansons étaient entièrement arrangées et à la satisfaction de tous les membres avant l'enregistrement. "Dare to Know" a été enregistré entre 2019 et 2020, où les membres de Yes ont échangé des idées à distance pendant la pandémie de COVID-19. Fin 2019, Yes avait mis en place "Damaged World" et "Future Memories".

L'album a été enregistré dans deux lieux principaux en 2020 et 2021; White et Sherwood ont d'abord enregistré leurs parties respectives de batterie et de basse aux studios de répétition Uncle à Van Nuys, en Californie, et Schellen a contribué aux percussions. Après avoir partagé les fichiers d'enregistrement avec le groupe en ligne, et une fois que les restrictions de  COVID-19 ont commencé à se relâcher, Davison s'est rendu en Angleterre pour rejoindre Downes et Howe au Curtis Schwartz Studio, où l'album a été achevé. The Quest présente des arrangements orchestraux qui, selon Howe, devaient "augmenter et améliorer le son global", après que l'idée d'en utiliser un lui ait plu. Downes a estimé que l'orchestre complétait ses parties de clavier au lieu d'être une situation "moi contre eux". Yes avait déjà utilisé un orchestre sur deux autres albums studio, Time and a Word  (1970) et Magnification (2001). Les parties ont été écrites par le compositeur et arrangeur anglais Paul Joyce, un fan de longue date du groupe qui avait produit des orchestrations pour l'album solo de Howe, Time (2012). Joyce a arrangé une partition complète pour un orchestre de 47 musiciens qui a été interprétée par le FAMES Studio Orchestra à Skopje, en Macédoine du Nord, avec le chef d'orchestre Oleg Kondratenko. Schwartz et Howe ont mixé l'album en mars 2021.

InsideOut Music a suggéré que l'album devrait durer moins de 50 minutes, et le groupe a sélectionné huit pistes dans l'ordre de passage final. Le label a ensuite suggéré qu'un deuxième disque de chansons supplémentaires enregistrées pendant les sessions soit ajouté, alors Yes a choisi trois pièces qui, selon Howe, étaient des "morceaux de réserve de haute qualité" et n'étaient pas nécessairement celles qu'ils auraient supprimées. Il a ajouté que la configuration à deux disques de l'album n'est pas strictement un double album complet, mais "une deuxième partie de l'histoire". La chanson Mystery Tour est clairement un hommage du groupe aux Beatles, sur laquelle les prénoms des quatre musiciens (ainsi que celui de Brain Epstein leur gérant), sont mentionnés. Il faut se rappeler que Yes a toujours été influencé par les Beatles et leurs harmonies vocales, ls ont même repris une de leur chanson sur le premier album Yes, soit Every Little Thing en 1969.

Parution
The Quest a été annoncé sur le site officiel du groupe, YesWorld, le 7 juillet 2021, révélant la liste des morceaux, les illustrations et la date de sortie prévue. The Quest a été prévu pour une sortie en cinq versions différentes : un digipak 2CD, un coffret deluxe en édition limitée contenant 2LPs, 2CDs et un Blu-ray Disc, un artbook 2CD et Blu-ray Disc en édition limitée, un LP gatefold sleeve et 2 -Coffret CD avec livret, et sur diverses plateformes numériques. "The Ice Bridge" est sorti en single numérique le 23 juillet 2021, comprenant une vidéo YouTube avec les paroles et les illustrations de Dean. Une vidéo de style similaire a accompagné la sortie de "Dare to Know" le 1er septembre 2021.

L'album a culminé au numéro 20 lors de sa première semaine sur le UK Albums Chart.

Réception
Daniel Willis du magazine RIFF a noté l'album 6 sur 10. Il pensait que bien que l'album soit une "classe de maître en rock progressif, il conserve le même son non seulement en lui-même mais depuis les succès les plus connus du groupe" des années 1970. Il a choisi "The Ice Bridge", "Dare to Know" et "Mystery Tour" comme des chansons distinctes qui se démarquent des autres, qui sont "lourdes et cinématographiques, légères sur les crochets et les riffs, sans refrains qui s'attarderont dans ta tête". Geoff Bailie de The Prog Report a déclaré que l'album "ressemble au travail d'une nouvelle formation, avec une nouvelle approche" et a fait l'éloge des "textures de guitare magnifiquement riches" de Howe tout au long. Il pensait que les trois pistes bonus étaient des chansons qui "ne correspondent pas vraiment", mais a noté que la séquence faisait couler l'album. Sonic Perspectives a attribué à The Quest une note de 8,4 sur 10, ce qui l'a classé comme "Excellent". Dans sa critique mitigée, Scott Medina a classé sa production et sa musicalité comme les mesures les plus solides, mais des scores inférieurs pour l'écriture et l'originalité. Il a salué la décision d'affecter Howe en tant que producteur, bien qu'il ait dit que "plus de feu" dans l'écriture "catapulterait cela d'un effort décent à un grand". Malgré cela, Medina considérait l'album comme une amélioration par rapport à Heaven & Earth, leur précédant album.

Le critique d'Ultimate Classic Rock , Michael Gallucci, a écrit qu'avec The Quest , le groupe "plonge à nouveau dans la piscine de la nostalgie" et "passe par des mouvements familiers". Bien qu'il ait dit que l'album "commence au bon endroit" avec "The Ice Bridge" et "Dare to Know" sonnant comme du "Yes classique", il commence à devenir "encore plus sérieux et métaphysique dans ses réflexions" avec "Minus The Man" et "Future Memories". Gallucci a résumé que l'album est "passé en arrière" et suit "un chemin bien usé", mais a fait l'éloge des solos et en particulier de "A Living Island". Dans une critique pour Classic Rock , Geoff Barton a attribué à The Quest trois étoiles sur cinq. Il a écrit que malgré une ouverture forte, l'album "tourne mal" car plusieurs morceaux sont soudainement ponctués par l'orchestre avant "de s'éteindre aussitôt". Le reste de l'album "devient de plus en plus nul et sans défi", avec un manque de drame dans les chansons. Barton a résumé l'album comme "un sac mélangé". Le magazine Glide a publié une critique mitigée d'Andrew Kenney. Il a fait valoir que Sherwood s'était avéré être un remplaçant compétent pour Squire sur scène, et ses "lignes de basse et nuances aiguës" fournissent une bonne base à Howe et Downes pour se concentrer sur leurs instruments respectifs. Il a fait l'éloge de la batterie "claire et nette" de White et des harmonies vocales sur "Minus the Man" malgré le fait que le morceau soit "un peu un tueur d'élan". Kenney a salué "Leave Well Alone" comme "un vrai classique de Yes en devenir" et "The Western Edge" un point culminant de l'album, même si malgré "A Living Island" le morceau le moins "Yes", c'est aussi un moment fort . Il pensait que le deuxième disque manquait de "punch et de qualité" de l'ensemble principal, mais la moitié de l'album "méritait une rotation live régulière".

Contenu de l'album
The Quest – CD 1

 1. "The Ice Bridge"  Jon Davison, Francis Monkman, Geoff Downes	7:01
 a) "Eyes East"
 b) "Race Against Time"
 c) "Interaction"
 2."Dare to Know"  Steve Howe	6:00
 3."Minus the Man"	 Davison, Billy Sherwood	5:35
 4	"Leave Well Alone" Howe   8:06
 a) "Across the Border"
 b) "Not for Nothing"
 c) "Wheels"
 5	"The Western Edge"	Davison, Sherwood	4:26
 6	"Future Memories"	Davison	5:08
 7	"Music to My Ears"	Howe	4:41
 8. "A Living Island"  Davison, Downes   6:52
 a) "Brave the Storm"
 b) "Wake Up"
 c) "We Will Remember"
Durée totale :	47:49

The Quest – CD 2
 9.	"Sister Sleeping Soul"	Davison, Howe	4:51
 10.	"Mystery Tour"	Howe	3:33
 11.	"Damaged World"	Howe	5:20
Durée totale :	13:44

Personnel
 Jon Davison - chant (1, 3, 5, 6, 8–10), duo vocal (2, 4, 7, 11), guitare Fender F-310-12 (6), guitare rythmique Martin D-28 acoustique (11)
 Steve Howe – guitares [Gibson J-15 acoustique (1), Gibson Les Paul Roland (1, 8), Gibson Les Paul Junior (2), Gibson ES-175D (2, 4, 7, 11), Gibson ES-345 (3), Variax Sitar Guitar (1), Martin MC-28 acoustique (2, 5, 8, 10), Martin 12 cordes acoustique (2, 7), Martin MC-38 SH acoustique (4, 7, 11), Martin 0018 'Nashville Tuning' acoustique (11), Fender Stratocaster (2 4, 7), Fender Telecaster (3, 10), Telecaster (7), Fender Stringmaster steel (4-6), guitare portugaise 12 cordes (9), Steinberger GM4T (11), guitares Sho Bud Pedal Steel (11)], mandoline Fender Electric (1) , mandoline Gibson F4 (4)], koto (4), autoharpe (4), duo vocal (2, 4, 7, 11), chant (9, 10)
 Geoff Downes – piano (1, 4, 7, 8), , piano Fender Rhodes (10), orgue Hammond (1, 2, 8, 10, 11), orgue (4 , 6), synthétiseurs (1, 3–5, 7, 9, 11), Mellotron (7, 10)
 Billy Sherwood – basse [Spector (1, 2, 4, 5, 7, 8, 10, 11), Spector fretless (6, 9), Rickenbacker 4001 (3)], chant (5, 6, 10), piano Fender Rhodes (3), claviers (5), guitare acoustique (5)
 Alan White - batterie (1-5, 7-11)

Musiciens additionnels
 Jay Schellen - percussions
 FAMES Studio Orchestra (2-4)
 Paul K. Joyce - arrangements des cordes
 Oleg Kondratenko - direction de l'orchestre

Production
 Steve Howe - producteur, ingénieur, enregistrement de la guitare
 Curtis Schwartz - ingénieur, mixage, enregistrement, photographies de sessions
 Simon Heyworth – mastering
 Geoff Downes - ingénieur, enregistrement des claviers
 Jon Davison - ingénieur, enregistrement des voix
 Billy Sherwood - ingénieur, enregistrement de la basse, enregistrement de la batterie et des percussions
 Alen Hadzi Stefanov - ingénieur du son pour l'orchestre
 Teodora Arsovska – Pro Tools
 Roger Dean – pochette, logo
 Doug Gottlieb, Glenn Gottlieb (The Gottlieb Brothers) - conception de l'emballage, photos du groupe
 Gigi White – photographies des séances d'enregistrement

Notes et références

Liens externes

Album de Yes
Album musical sorti en 2021
Album numéro un au UK Rock and Metal Chart
Album publié par InsideOut Music

The Quest (album de Yes)


An Taeniophyllum engae in uska species han Liliopsida nga ginhulagway ni Jeffrey James Wood. An Taeniophyllum engae in nahilalakip ha genus nga Taeniophyllum, ngan familia nga Orchidaceae.

Mabibilngan ini ha Papua New Guinea. Waray hini subspecies nga nakalista.

Mga kasarigan

Taeniophyllum

Taeniophyllum engae


සේනානායක යන්න නිදහස් ලංකාවේ ප්‍රකටම පළමු පෙළපත් නාමයයි. එයට හේතුව බ්‍රිතාන්‍යයන්ගෙගෙනල ලංකාව නිදහස් වූ පසුව ලංකාවේ වාසය කළ මුල්ම අගමැති වරයා ඩී.එස්.සේනානායක මහතා වීමය.

සේනානායක වරුන්ගේ ඉතිහාසය වර්ථනාමයේ ගම්පහ දිස්ත්‍රික්කයේ එපිට කෙරවල වූ බෝතලේ ග්‍රාමය තුල මුල් බැස ගත් කතාවකි.සේනානායක පරපුරේ වත්මන් සමයේ මුල්ම ප්‍රකට චරිතය වූවේ සේනානායක මුදලිතුමාය.

සේනානායක පරපුරේ මෑතකාලීන ආරම්භකයා ලෙස සැලකෙන්නේ 1848 වසරේ උපත ලැබූ දොන් ස්පේටර් සේනානායක වන අතර ඔහු තරුණ වියේදී ම මිනිරන් පතල් කැණීමේ ව්‍යාපාරවලට යොමු වීම හරහා විශාල ධනස්කන්ධයක් උපයා ගෙන ඇත. පසුකාලීනව වැවිලි කර්මාන්තයට සහ රේන්ද (අරක්කු) කර්මාන්තයට ද යොමු වී ඇති ඔහුට එවකට බ්‍රිතාන්‍ය ආණ්ඩුව  'මුදලි' තනතුරක් ද ලබා දී ඇත.

ඔහු දෝන කැතරිනා එළිසබෙත් පෙරේරා ගුණසේකර සමඟ විවාහ වූ අතර මෙම යුවළට දොන් ස්ටීවන් සේනානායක (ඩී.එස්. සේනානායක), දොන් චාල්ස් සේනානායක, ෆ්‍රෙඩ්රික් රිචර්ඩ් සේනානායක සහ මරියා ෆ්‍රාන්සස් සේනානායක නමින් පුතුන් තිදෙනෙක් සහ එක දියණියක් විය.

ලංකාවේ මෙසමයේ ප්‍රභලම පවුල් සමඟ සේනානායක මුදලිතුමා විවාහ ගණුදෙනු සිදු කළේය.ඒ අතර කළුතර රජ පෙළපත නොහොත් තුඩුගල මුඩිත්ත තින්තාඩු තෙන්නකෝන් රජපවුල (තුඩුගල විජේවර්ධන)වරු සමඟ විවාහ සබඳතා ඇතිකරගත්තේය. එසේම බණ්ඩාරගම ඉපැරැණි කුල පරවේණි රදළ ජන්ම සහිත පසුව ධනපති පන්තිය ලෙස නැගීසිටි කළුතර බණ්ඩාරගම නිජබිම කරගත්තා වූ කොතලාවල පරපුර සමඟත් ආටිගල පරපුර සමඟත් සබඳතා ඇතිකර ගත්තේය.

බෝතලේ ඉහලගම මහ වලව්ව

1865 වසරේදී පමණ මුදලි, දොන් ස්පේටර් සේනානායක මීරිගම, බෝතලේ ප්‍රදේශයේ පිහිටි අක්කර 35කින් යුතු ඉඩමක නිවසක් ඉදි කළ අතර බ්‍රිතාන්‍ය ආණ්ඩුව ඔහුට මුදලි තනතුරක් ලබා දීමෙන් අනතුරුව එය 'වලව්ව' යන නමින් හැඳින්විණි. බෝතලේ ප්‍රදේශයේ පිහිටා තිබීම හේතුවෙන් එය පසුකාලීන ව 'බෝතලේ වලව්ව' වශයෙන් ජනතාව අතර ප්‍රසිද්ධ විය.

මුල් කාලයේදී මෙම වලව්ව සතුව ඉඩම් අක්කර 600කට වැඩි ප්‍රමාණයක් තිබී ඇති අතර පසුකාලීනව හඳුන්වා දුන් ඉඩම් ප්‍රතිසංස්කරණ පනත යටතේ අක්කර 50කට වැඩි වපසරියකින් යුතු ඉඩම් රජයට පවරා ගැනීම හේතුවෙන් මේ වන විට වලව්ව සතුව ඇත්තේ ඉඩම් අක්කර 50කටත් අඩු ප්‍රමාණයකි

විශාල වත්තක් මධ්‍යයට වන්නට පිහිටා ඇති බෝතලේ වලව්වට පිවිසෙන ස්ථානයේ තරමක් විශාල කණු දෙකකින් දරා සිටින ගේට්ටුවක් පිහිටා ඇත. සොල්දරයක් ද සහිත නිවසක් වන බෝතලේ වලව්ව ඉදිරිපස ඉංග්‍රීසි ගෘහ නිර්මාණ ලක්ෂණ සහිත විශාල පෝටිකෝවක් සහිත ආලින්දයක් දැකිය හැකි ය.

ආලින්දයේ ඉදිරිපස විශාල ආරුක්කුවකුත්, ඊට දෙපසින් තරමක් කුඩා ප්‍රමාණයේ ආරුක්කු දෙකකුත් දැකිය හැකි ය. ආලින්දය දෙපසට වන්නට ද විශාල ප්‍රමාණයේ ආරුක්කු දෙකක් දැකිය හැකි ය. දැවයෙන් කරවන ලද දොර ජනෙල්වලින් යුතු වලව්වේ වහලයේ වර්තමානය වන විට රට උළු සෙවිලි කරවා තිබේ. වලව්වේ ආලින්දයේ බිමට මැටියෙන් සාදන ලද පිඟන් ගඩොල් අතුරා තිබේ.

සේනානායක සොහොන් භූමිය

(The Tomb of Senanayake)බෝතලේ වලව්වට යාබදව තරමක් විශාල ප්‍රමාණයේ සොහොන් ගෙයක් දැකගත හැකි අතර මුලින් ම එය ඉදි කරවා ඇත්තේ ඩී.එස්. සේනානායකයන්ගේ පියා වූ දොන් ස්පේටර් සේනානායක අභාවප්‍රාප්ත වූ අවස්ථාවේදී ය. සුදු පැහැයෙන් පින්තාරු කර ඇති එම සොහොන් ගෙය තුළ පසුකාලීන ව ඩී.එස්. සේනානායක සහ ඩඩ්ලි සේනානායක යන අයගේ ද භෂ්මාවශේෂ තැන්පත් කර තිබේ.

ඩී.එස්. සේනානායක

සේනානායක පරපුරේ ප්‍රකටම සාමාජිකයා වන්නේ මෙතුමාය.
1884 වසරේ ඔක්තෝබර් මස 21 වන දින මීරිගම දී උපත ලැබූ ඩී.එස්. සේනානායක කොළඹ ශාන්ත තෝමස් විද්‍යාලයෙන් අධ්‍යාපනය ලැබූ අතර පාසල් අධ්‍යාපනය අවසන් කිරීමෙන් අනතුරු ව මිනින්දෝරු දෙපාර්තමේන්තුවේ ලිපිකරුවකු වශයෙන් සේවය කළේ ය. කෙසේ නමුත් කෙටි කලකින් එම රැකියාවට සමු දෙන ඩී.එස්. සේනානායකයන් සිය සහෝදරයා වූ චාර්ල්ස් සේනානායකයන් සමඟ එක්ව පවුලේ ව්‍යාපාර කටයුතු කරගෙන ගියේ ය.

1924 වසරේදී මිගමුව ප්‍රදේශය නියෝජනය කරමින් රාජ්‍ය මන්ත්‍රණ සභාවට තේරී පත් වන ඩී.එස්. සේනානායකයන් 1925 වසරේදී බුද්ධගයාවට ගොස් සිටි සිය සහෝදරයා වූ එෆ්.ආර්. සේනානායකගේ හදිසි මරණයෙන් පසුව ඔහු (එෆ්.ආර්. සේනානායක) විසින් නායකත්වය දැරූ මෙරටට නිදහස ලබා ගැනීමේ ව්‍යාපාරයේ නායකත්වය ගෙන කටයුතු කළේ ය. 1931 වසරේදී නැවතත් රාජ්‍ය මන්ත්‍රණ සභාවට තේරී පත් වන ඔහු කෘෂිකර්ම සහ ඉඩම් අමාත්‍යවරයා වශයෙන් තේරී පත් විය.

1947 වසරේ පැවති මහා මැතිවරණයේදී ප්‍රථම වරට මීරිගම ආසනයෙන් තරග කළ ඔහු වැඩි ඡන්ද 16,000ක් ලබා ගෙන පාර්ලිමේන්තුවට පිවිසෙයි. ඔහු ඉදිරිපත් කළ යෝජනාවක අවසන් ප්‍රතිපලය වශයෙන් බ්‍රිතාන්‍ය රජය ලංකාවට අර්ධ නිදහසක් හෙවත් ඩොමිනියන් තත්ත්වයේ පාලනයක් ලබා දිණි. එවකට ලංකාවේ බ්‍රිතාන්‍ය ආණ්ඩුකාර ධූරය දැරූ හෙන්රි මුවර්, මෙරට ප්‍රථම අමාත්‍ය මණ්ඩලය පිහිටුවීමට හා අග්‍රාමාත්‍යවරයා වශයෙන් රාජකාරි භාරගැනීමට සේනානායකට ආරාධනා කළ අතර ඒ අනුව ඩී.එස්. සේනානායක නිදහස් ශ්‍රී ලංකාවේ ප්‍රථම අග්‍රාමාත්‍යවරයා වශයෙන් පත් විය

ඩඩ්ලී සේනානායක

ඩී.එස්. සේනානායක සහ මොලී දුනුවිල යුවළගේ වැඩිමහල් දරුවා ලෙස 1911 වසරේ ජූනි 19 දින උපත ලැබූ ඩඩ්ලි සේනානායක ගල්කිස්ස ශාන්ත තෝමස් විද්‍යාලයෙන් මුලික අධ්‍යාපනය ලැබූ අතර පසු ව ඔහු එක්සත් රාජධානියේ කේම්බ්‍රිජ් හි පිහිටි උසස් අධ්‍යාපන ආයතනයකින් උසස් අධ්‍යාපනය හැදෑරුවේ ය. ඉන් අනතුරුව බැරිස්ටර්වරයකු ලෙස සුදුසුකම් ලබා නැවත මෙරටට පැමිණි ඔහු 1936 වසරේදී මුල් වරට දේශපාලනයට පිවිසුණේ ය. 1936 වසරේදී රාජ්‍ය මන්ත්‍රණ සභාවට තේරී පත් වූ ඔහු 1946 වසරේදී සිය පියා වූ ඩී.එස්. සේනානායක දැරූ කෘෂිකර්ම සහ ඉඩම් අමාත්‍ය ධූරයට ද තේරී පත් විය. එතැන් පටන් වසර පහක්, එනම් 1952 දක්වා එම ධූරයේ කටයුතු කළේ ය.

පසුව සිය පියාගේ හදිසි අභාවයෙන් පසුව ලංකාවේ දෙවැනි අග්‍රාමාත්‍යවරයා වශයෙන් තේරී පත් වූ ඔහු සෞඛ්‍ය හේතු මත 1953 වසරේදී එම ධූරයෙන් ඉල්ලා අස් විය. නැවතත් 1957 වසරේදී ක්‍රියාකාර දේශපාලනයට පිවිසි ඔහු 1960 වසරේදී මාස හතරක කාලයක් පමණ නැවතත් අගමැතිවරයා වශයෙන් කටයුතු කළේය. 1960 වසරේ දී සිරිමාවෝ බණ්ඩාරනායක අග්‍රාමාත්‍ය ධූරයට පත්ව රජයක් පිහිටුවීම සමග 1965 වසර දක්වා විපක්ෂ නායකවරයා වශයෙන් කටයුතු කළ ඩඩ්ලි සේනානායකයන් 1965 වසරේ සිට 1970 වසර දක්වා නැවතත් අග්‍රාමාත්‍ය ධූරය දැරී ය.

1970 වසරේ දී නැවතත් සිරිමාවෝ බණ්ඩාරනායකගේ නායකත්වයෙන් යුතු ශ්‍රී ලංකා නිදහස් පක්ෂය ප්‍රමුඛ ආණ්ඩුව බලයට පත් වීමත් සමඟ එක්සත් ජාතික පක්ෂ නායකත්වය දරමින් පාර්ලිමේන්තු මන්ත්‍රීවරයෙකු ලෙස කටයුතු කල ඩඩ්ලි සේනානායක 1973 වසරේ අප්‍රේල් මස 13 වන දින අභාවප්‍රාප්ත විය.

සේනානායක


DJ Samurai nome artístico de Luís Queiróz (Luanda, 25 de Julho, de 1976) é um DJ e Produtor Musical angolano, é uma figura de referência obrigatória sempre que for abordado o tema Deejayin em Angola, ressurgindo com turntables no final dos anos 90, com iniciativas como as primeiras mixtapes do Hip-Hop em Angola, e uma gravadora exclusiva para o Hip-Hop, a Mad Tapes Entertainment...

Biografia
DJ Samurai ou Samurai 侍, nome artístico de Luis Queiroz (Luanda, 25 de Julho, de 1976) é um entusiasta e impulsionador da cultura Hip-Hop. É fundador e proprietário da Mad Tapes Entertainment, editora e gravadora angolana especializada em Hip-Hop.Formado em Comunicação Visual, Samurai é um eterno amante da cultura Hip-Hop, paixão está que se reflete na sua criatividade no design, na fotografia, nos vídeos que realiza, nas mixtapes, nos pratos, nos beats, no blog, na editora Mad Tapes e muito mais.

Foi homenageado em 21 de Agosto de 2021, na capital de Angola,(Luanda), pela Universidade Hip-Hop Angola pelo seu contributo incondicional a cultura Hip-Hop.

Inserção no Hip-Hop
Por volta de 1985 surgiu em Angola nos cinemas o filme "Breakdance" com o Turbo e Ozone. Nesta mesma altura pessoas como Paulo Kumba e outros já apareciam também na TPA a breakar, DJ Samurai ainda muito jovem  se sentiu fascinado por aquilo, mas ainda não sabia que fazia parte da cultura Hip Hop. Em 86 foi viver para Portugal e foi por volta de 1990 que começou a inteirar-se mais sobre a cultura. Devia ter uns 13 anos quando um colega de escola falou para ele sobre o programa Yo! MTV Raps com o Ed Lover, Doctor Dré e Fab Five Freddy. Como o seu pai tinha acabado de instalar a parabólica em casa, ficou ligado ao programa religiosamente, gravava tudo em cassetes VHS e quando acabasse o programa revia as tapes repetidamente até a próxima exibição do Yo!. Nomes como Eric B & Rakim, Public Enemy, Kool Moe Dee, LL Cool J, EPMD, Run-D.M.C., KRS-One e depois mais tarde, nomes como Black Moon, Gangstarr, A Tribe Called Quest, De La Soul, House of Pain, Onyx, Wu-Tang Clan, Cypress Hill, Nas, Big L, The Notorious B.I.G. etc, foram as primeiras influências musicais que teve dentro do movimento. Ficou viciado na cena para sempre, e para agravar mais o vício, passaram para ele os filmes Wild Style e Style Wars, aí foi o fim, Hip-Hop na veia até hoje. Ainda em Portugal por esta altura (90s) começou a "graffitar" com um amigo em Vale de Milhaços, Corroios  (Margem Sul de Lisboa), onde morava e estudava.

Mais tarde, junto com os seus amigos que jogavam basket com ele, decidiram formar um grupo de Rapcom o nome "Red Rasta". Eram cinco, no mic tínham o Salo, o Eric, e outros dois amigos, Samurai atrás dos pratos e nos beats. Fizeram alguns sons que ainda chegaram de passar no programa do Marinho, falando mais ou menos da altura em que saíu o "Rapublica" (1994), na altura tinham atuado num espetáculo na "Escola Secundária de Linda-a-Velha" e o D-Mars ter ficado espantado com a a presença do coletivo em palco, e depois os convidou para uma session no estúdio dele. Estava tudo a correr bem com o grupo, e de repente o pai de DJ Samurai decide regressar a Angola. Basicamente foi assim que entrou no Hip-Hop. Quando chegou em Angola, o primeiro amigo que conheceu foi o Mondelane, hoje conhecido como ANKH. Foi ele o responsável por  apresentar todo o pessoal do movimento Hip-Hop angolano na altura, pessoas como o Afro Kett, MavyMan, Negro Guailla, Kool Klever, Yannick Afroman, Mumú (RIP), Rapper Toy, Whiteshadow Killah hoje conhecido como Ikonoklasta, NK, os manos da Ebony Squad, SSP e outros. Como já era DJ na altura, começou a tocar nos famosos meetings que a malta tinha. E foi assim que entrou no movimento local. Andando sempre com seu amigo Mavy Man pela cidade a procura de cassetes e cds de Hip-Hop, das colecções do Rapper Toy e do Whiteshadow, essas pessoas tinham músicas, do "Verdades de Arquivo" dos Consciência dAfrica, da Boom Bap Squad, algumas pessoas reclamavam dos seus sets por serem muito agressivos e os outros como Ebony ficavam malucos quando tocasse Onyx (banda) nas festas.

Discografia
 DJ Samurai - Ruas de Luanda (1ª Mixtape feita em Angola com MCs Angolanos (1999)

 DJ Samurai - O Último Samurai Vol.01 (2003)
 DJ Samurai - O Último Samurai Vol.02 (2010)

Créditos de Produção Musical (Instrumentais)
 Bob da Rage Sense - "Conspiração Explosivo Sanguínea" (prod. Samurai 侍) (2002)
 Bob da Rage Sense - "Hip-Hop (Éramos uma Dezena, Agora Somos Milhões" (prod. Samurai 侍) (2002)
 Bob da Rage Sense - "Imigração" (prod. Samurai 侍) (2002)
 Bob da Rage Sense - "Contra o Sistema" (prod. Samurai 侍) (2002)
 Bob da Rage Sense - "Mutação Orgânica" (prod. Samurai 侍) (2002)
 Bob da Rage Sense - "Poeta Popular" (prod. Samurai 侍) (2002)
 Bob da Rage Sense - "O Renegado" (prod. Samurai 侍) (2002)
 Bob da Rage Sense - "Conspiração Explosivo Sanguínea" (prod. Samurai 侍) (2002)

 ISHING (RAF TAG & DJ Samurai) - "Angústias E Guerras" (prod. Samurai 侍) (2002)
 ISHING (RAF TAG & DJ Samurai) - "Redenção" (prod. Samurai 侍) (2002)
 ISHING (RAF TAG & DJ Samurai) - "Poltergeist (a Mensagem Distorcida)" (prod. Samurai 侍) (2002)
 ISHING (RAF TAG & DJ Samurai) - "We Going to Hell" (prod. Samurai 侍)(2002)
 ISHING (RAF TAG & DJ Samurai) - "Dor" (prod. Samurai 侍)(2002)
 ISHING (RAF TAG & DJ Samurai) - "Vozes Do Pânico" (prod. Samurai 侍) (2002)
 ISHING (RAF TAG & DJ Samurai) - "My Enemies" (prod. Samurai 侍) (2002)
 ISHING (RAF TAG & DJ Samurai) - "Terror Punchlinez" (prod. Samurai 侍) (2002)
 ISHING (RAF TAG & DJ Samurai) - "Sou" (prod. Samurai 侍) (2002)
 ISHING (RAF TAG & DJ Samurai) - " Dah Trainning " (prod. Samurai 侍) (2002)

 MCK - "A Téknika, as Kausas e as Konsekuências" (Sei Lá Quê...)(prod. Samurai 侍) (2002)
 Afro Kett – "Boom Bap" (prod. Samurai 侍)(2003)Bob da Rage Sense - "A Carta" (prod. Samurai 侍) (2004)
 Bob da Rage Sense - "A Carta" (prod. Samurai 侍) (2004)
 Bob da Rage Sense - "O Meu País" (feat. Salvaterra, Pérola)(prod. Samurai 侍) (2004)
 Krazy Lunaz c/ RAF TAG & Reverendo Neblina Cerebral - "Sobrevivência" (prod. Samurai 侍) (2004)
 RAF TAG - "3-D" (prod. Samurai 侍) (2004)
 DJI Tafinha - "Objectivos" (prod. Samurai 侍) (2005)
 Afro Kett - "Sempre o Mesmo" (prod. Samurai 侍) (2005)
 Afro Kett - "Hip Hop" (prod. Samurai 侍) (2005)
 Afro Kett - "Dias Melhores" (prod. Samurai 侍) (2005)
 Afro Kett - "Metade da História" (prod. Samurai 侍) (2005)
 Afro Kett - "Pra Sempre" (prod. Samurai 侍) (2005)
 Afro Kett - "Estrela Fantasma" (prod. Samurai 侍) (2005)
 Afro Kett - "Tu e Eu" (prod. Samurai 侍) (2005)

Lançamentos da Editora Mad Tapes enquanto CEO

 DJ Samurai - Ruas de Luanda (1ª Mixtape feita em Angola com MCs Angolanos) (1999)
 Hemoglobina - Carnes EP (2001)
 ISHING (RAF TAG & DJ Samurai) - A Ciphra Da Lua Negra (2002)
 Bob da Rage Sense - Underground Konsciente (2002)
 DJ Samurai - O Último Samurai Vol.01 (2003)
 Afro Kett – Boom Bap (Single) (2003)
 Bob da Rage Sense - "A Carta" (prod. Samurai 侍) (2004)
 Bob da Rage Sense - Bobinagem (2004)
 Kool Klever - Kooltivar - O Single (2004)
 DJI Tafinha - Noites em Branco (2005)
 Absolutos - Em Peso (2005)
 Afro Kett - Sente o Mambo (2005)
 RAF TAG - Demonocracia (2007)
 Kid MC - Caminhos (2008)
 Kid MC - Breves Considerações - Mixtape (2009)
 Kid MC - O Incorrigível (2010)
 DJ Samurai - O Último Samurai Vol.02 (2010)
 Fly Skuad - Extractos EP (2012)
 NGA - Filho das Ruas | CD/DVD(2012)
 Lucássio - "Correntes" ft. Kid MC / Single (Digital) (2013)
 Kid MC - Sombra | CD/DVD (2013)
 Balta P - 1º DAM - Mixtape (2014)
 NGA - King (2014)
 Eva Rap Diva - Rainha Nzinga Do Rap (2014)
 RAF TAG - U Imortal (2014)
 Lucássio - "Faz Parte" / Single (Digital) (2014)
 Lucássio - "Vencedor" / Single (Digital) (2014)
 Lucássio - "Merda Militar" / Single (Digital) (2014)
 Mad Tapes O Império - "Aviso"/ Single (Digital) (2014)
 Prodígio - Prodígios (2015)
 Lucássio - "Não Fala Política" / Single (Digital) (2015)
 Kid MC - Dois Lados da Mesma Moeda (2016)
 Força Suprema - E a União Fez a Força (2016)
 Lucássio - Forca - Geração do Medo (2016)
 Fly Squad - "Apenas a Verdade" /Single (Digital) (2016)
 Kid MC - "O Regresso De Quem Nunca Foi" /Single (Digital) (2021)

Créditos de Realização e Produção de Eventos
 1º Concurso de Rompimento em Angola/ Casa do Disco (Kinaxixi)
 1º Workshop de Hip Hop em Angola - Elinga Teatro (Luanda/2001)
 1º Show de Kid MC - Apresentação Álbum "Caminhos" - Chá de Caxinde (Luanda/2008)
 Grande Show de Kid MC - Cine Karl Marx (Luanda/2009)
 Grande Show de Kid MC - Cine Monumental (Benguela/2010)
 Mega Show de Kid MC - Pavilhão da Cidadela (Luanda/2011)
 1º Grande Show de NGA - Cine Atlântico (Luanda/ 2012)
 Mega Show de NGA - Pavilhão da Cidadela (Luanda/2014)
 1º Grande Show de Prodígio - Cine Atlântico (Luanda/ 2015)

Créditos como Graphic Designer (Hip-Hop)

 Hemoglobina - Carnes EP (Capa)
 Bob da Rage Sense - Underground Consciente (Capa) (2002)
 ISHING (RAF TAG & DJ Samurai) - A Ciphra Da Lua Negra (Capa) (2002)
 DJ Samurai - O Último Samurai Vol.01 (Capa) (2003)
 Afro Kett – Boom Bap (Single) (Capa) (2003)
 RAF TAG - RAPtópsia (Capa) (2004)
 Kool Klever - Kooltivar - O Single (Capa) (2004)
 Bob da Rage Sense - Bobinagem (Capa) (2004)
 AirMack - Plasma da Batalha (Capa) (2004)
 Afro Kett - Sente o Mambo (Capa) (2005)
 DJI Tafinha - Noites em Branco (Capa) (2005)
 GMack - Campeões de Beats (Capa) (2005)
 Absolutos - Em Peso (Capa) (2005)
 Dani & Abdiel - Espécie Rara (Capa) (2005)
 Kalibrados - Negócio Fechado (Capa) (2005)
 Kalibrados - Negócio Fechado (Capa)(Edição Especial)
 Mille Mambos (Logo)
 NTB - Invasão Ao Domicílio (Capa) (2006)
 AKA M-47 - Inseminação Artificial (Capa) (2005)
 MCK - Nutrição Espiritual (Capa) (2006)
 MCK (Logo) (2006)
 Malef*k - Couper Un Ruban (Capa) (2006)
 Phay Grand - Pão Burro (Segunda Via) (Capa) (2007)
 Raiva - Kamikaze (2007)
 So Much More (Logo)
 Mega Fofo - Depois de Tudo (Capa) (2007)
 Kid MC - Caminhos (Capa) (2008)
 MCK - Trincheira de Ideias - Redição (Capa) (2009)
 Kid MC - Breves Considerações - Mixtape (Capa) (2009)
 Kid MC - O Incorrigível (Capa) (2010)
 DJ Samurai - O Último Samurai Vol.02 (Capa) (2010)
 Big Nelo - Karga (Capa) (2001)
 RAF TAG - Demonocracia (Capa) (2007)
 RAF TAG (Logo)
 Polivalentes - Teachers do Flow (Capa) (2007)
 DJ Callas – Ouves & Callas Vol.1 (Capa)(2007)
 Zona 5 (Logo) (2008)
 Zona 5 - Caixa dos Sonhos (Capa)(2008)
 Spike & Beq - Filhos da Arte (Capa) (2008)
 Kool Klever - Kooltivar PRDLDMV (Capa) (2009)
 Fly Skuad - Extractos EP (Capa) (2012)
 Fly Skuad – "Premunição" (Capa/Single) (2012)
 Kid MC - Sombra | CD/DVD (Capa) (2013)
 Lucássio - "Correntes" (Capa/Single) (2013)
 Balta P - 1º DAM - Mixtape (Capa) (2014)
 Lucássio - "Faz Parte" (Capa/Single) (2014)
 Lucássio - "Vencedor" (Capa/Single) (2014)
 Lucássio - "Merda Militar"(Capa/Single) (2014)
 Mad Tapes O Império - "Aviso" (Capa/Single) (2014)
 Lucássio - "Não Fala Política" (Capa/Single) (2015)
 Kid MC - Dois Lados da Mesma Moeda (Capa) (2016)
 Lucássio - Forca - Geração do Medo (Capa) (2016)
 Fly Squad - "Apenas a Verdade" (Capa/Single) (2016)
 Cage One - ABRA (Capa) (2019)

Créditos de Realização e Edição de Vídeo

 Afro Kett - "Independente Verbalmente" (2004)
 Kalibrados - "Tem Melaço" (2005)
 Kalibrados - "Soldados Civis" (2006)
 Maléfuck - "Encore / La Conexion" (feat. Polivalentes) (2007)
 Yannick Afroman - "1,2,3" (2008)
 MCK - "Atrás do Prejuízo" (Feat. Beto de Almeida) (2006)
 Kid MC - "Reeducação" (2008)
 Kid MC - "Furiosidade" (feat. Extremo Signo) (2009)
 Miguel Lutonda - O General (Documentário) (2009)
 Kid MC - "Breves Considerações" (2009)
 Kid MC - "O Incorrigível" (2010)
 Fly Skuad - "Eu Vou" ft. BZB (2012)

Créditos como Apresentador de Programas de Rádio
 Da Bomb Diggy (LAC 95.5 FM)
 Nike Repz (LAC 95.5 FM)

Créditos como Agente Musical
Foi agente directo e road manager de Kid MC, NGA, Prodígio, Força Suprema e Eva Rap Diva. Tendo fechado shows e organizado tournées por todas as províncias de Angola, e em outros países como Moçambique, África do Sul, Namíbia, Brasil, Cuba, e Portugal.

DJs
Produtores musicais de Angola

DJ Samurai


O incêndio na fábrica de Anyang em 2022 ocorreu em 21 de novembro de 2022, quando um incêndio em uma fábrica, localizada na cidade de Anyang, província de Honã, no centro da China, resultou na morte de 38 pessoas e feriu outras duas pessoas. Segundo a mídia estatal, o incêndio foi iniciado por "soldagem ilegal".

Incêndio
Às 16h22 do dia 21 de novembro de 2022, horário local, um incêndio ocorreu na fábrica Kaixinda Trading Co., Ltd., localizada na cidade de Anyang, província de Honã, no centro da China. A mídia estatal disse que o incêndio começou em uma instalação pertencente a uma pequena empresa privada na "zona de alta tecnologia" de Anyang, sem entrar em mais detalhes sobre a natureza do negócio. O incêndio resultou na morte de 38 pessoas e feriu outras duas pessoas, sendo que no total 89 sobreviveram ao incidente.

Resposta de emergência
Após o início do incêndio, os departamentos de combate a incêndios, segurança pública, emergência, municipal e de fornecimento de energia da cidade de Anyang chegaram ao local para realizar a resposta de emergência e o trabalho de resgate. Por volta das 20h, horário local, daquele dia, após mais de três horas do incidente, o fogo estava basicamente sob controle. Três horas depois, o fogo foi totalmente extinto. De acordo com um comunicado do governo, mais de 200 socorristas e 60 bombeiros combateram o incêndio, sendo que também havia psicólogos no local para os familiares das vítimas.

Causa
De acordo com a equipe do Departamento de Gerenciamento de Emergências da cidade de Anyang, a causa do incidente foram operações ilegais de soldagem elétrica ("soldagem ilegal") no depósito no primeiro andar do prédio, que incendiaram o algodão hidrófilo e, em seguida, incendiaram ainda mais uma grande quantidade de tecido empilhado na fábrica. A fumaça densa fez com que alguns trabalhadores do segundo andar sufocassem e morressem.

Reações
Após o incidente, Xi Jinping, Secretário-Geral do Partido Comunista da China e presidente do país, emitiu algumas instruções, assim como Li Keqiang, primeiro-ministro do país. Na manhã de 22 de novembro, o Ministério de Gerenciamento de Emergências enviou um grupo de trabalho ao local para orientar o trabalho de resposta a emergências. O grupo de trabalho foi liderado por Wang Xiangxi, vice-diretor do Comitê de Segurança do Conselho de Estado e diretor do Departamento de Gerenciamento de Emergências, Song Yuanming, vice-diretor do Departamento de Gerenciamento de Emergências, e Qiong Se, diretor do Departamento de Bombeiros e Resgate. Na noite de 22 de novembro, o Secretário do Comitê Municipal do Partido Comunista de Anyang do Partido Comunista da China pediu desculpas em nome do Comitê Municipal do Partido de Anyang e do Governo Municipal.

Investigação e consequências
Em 21 de novembro, dois suspeitos da empresa envolvidos no incidente e dois responsáveis pela Shangxin Clothing Co., Ltd., foram presos pela polícia. Em 23 de novembro, o Conselho de Estado estabeleceu uma equipe de investigação, com Song Yuanming, vice-ministro de Gerenciamento de Emergências, como líder da equipe. A empresa envolvida deixou de pagar a previdência social do empregado.

Anyang
2022 na China
Desastres em 2022
Desastres provocados pelo homem na China
Eventos de novembro de 2022
Honã
Incêndios em 2022

Incêndio na fábrica de Anyang em 2022


ශ්‍රී ලංකාවේ, මධ්‍යම පලාතේ, නුවරඑළිය දිස්ත්‍රික්කයේ, කොත්මලේ ප්‍රාදේශීය ලේකම් කොට්ඨාශය තුල පූඩළු ඔය-නුවරඑළිය මාර්ගයේ කිලෝමීටර දෙකහමාරක් පමණ ගිය පසු පුඩළුඔය ඇල්ල (ඩන්සිනන් දියඇල්ල) නම් දිය ඇල්ල හමුවේ. කොටස් දෙකක් වශයෙන් ගලා හැලෙන මෙහි මුළු උස අඩි 328(මීටර 100) පමණ වේ.

මේවාද බලන්න
 ශ්‍රී ලංකාවේ දියඇලි

ආශ්‍රිත

ශ්‍රී ලංකාවේ දිය ඇලි

ඩන්සිනන් දියඇල්ල


Gustav Elijah Åhr (født 1. november 1996, død 15. november 2017), bedre kendt under kunstnernavnet Lil Peep, var en amerikansk rapper. Han døde af en overdosis Fentanyl og Xanax.

Åhrs farfar er ansat på Harvard University hvor han er professor, og hans egen far er også ansat på et universitet. Hans forældre mødte hinanden på Harvard.

Da Åhr var 14 år gammel, forsvandt faderen fra hjemmet og vendte aldrig tilbage. Åhr begyndte at misbruge medicin og fik lavet ansigtstatoveringer. Den indre smerte var en kendsgerning. Som et skjold for at beskytte sit indre følsomme selv udviklede han en ny personlig identitet, "Lil Peep", som blev hans kunstnernavn.

Referencer

Eksterne henvisninger

Rappere fra USA
Personer fra Pennsylvania

Lil Peep


David Mackenzie Wilson, britanski arheolog
David Wilson (violinist), američki violinist
David Sloan Wilson, američki biolog
David Wilson (kriminolog), škotski kriminolog

David Wilson


Jaguar Racing Team, Jaguar Cars'ın sahibi olduğu F1 takımıdır.2000 senesinde Stewart Grand Prix'in satılmasıyla Niki Lauda tarafından kurulmuştur.

2003 Formula 1 sezonu lansmanını online yapmıştır. 2004 sezonu sonunda dünyaca ünlü enerji içeceği firması Red Bull'a satılarak adını Red Bull Racing olarak değiştirmiştir.

Formula 1 takımları
Jaguar (otomobil)
Ford

Jaguar Racing


Padišah, (perzijski: پادشاه, turski: padişah) je najviši vladarski naslov perzijskog podrijetla, koji se sastoji od perzijskog pād "gospodar" (ili pati iz staroperzijskog) i shah "kralj". Vjerojatno se radi o naslovu koji vuče podrijetlo iz ahemenidskog vremena i označava vladara kao "velikog kralja". U upotrebi je jednak naslovu rimskog cara, perzijskom šahanšah ("kralj kraljeva") ili indijskom maharadži ("veliki kralj"). Nositelj ovog naslova je iznad običnog kralja. Također je i jedan od naslova za boga Ahuru Mazdu.

Povijesna upotreba
Vladari sljedećih azijskih carstava su koristili naslov padišaha:

 Šahanšah iz Irana (Kralj kraljeva Perzije), ahemenidskog i sasanidskog podrijetla.
Sultan Osmanskog carstva
 Car Mogulskog carstva.

Izvori

Monarhija
Plemićke titule
Nazivi državnih poglavara

Padišah


Emery Kelen (geboren 1896 als Emerich Kelen in Győr, Österreich-Ungarn; gestorben 12. Oktober 1978 in Wien) war ein ungarischer Grafiker und Karikaturist.

Leben
Nach dem Ersten Weltkrieg, an dem Kelen als Soldat der österreichisch-ungarischen Gemeinsamen Armee teilnahm, besuchte er ab 1919 die Malerschule Hans Hofmanns in München. In den 1920er und 1930er Jahren arbeitete Kelen zusammen mit seinem Freund und Kollegen Alois Derso als politischer Zeichner für Zeitungen in ganz Europa, darunter Illustrated London News, Le Rire, Tribune de Genève und Tempo. Aber auch als Buchillustrator trat er in Erscheinung, z. B. in den Reihen "Was nicht im 'Baedeker' steht" (Berlin-Band) – hier mit Derso – und "Wat niet in Baedeker staat" (Amsterdam-Band).

Am 13. Oktober 1938 emigrierten beide nach New York. Dort arbeiteten sie unter anderem für die Blätter Esquire, New York Times, New York Post, Christian Science Monitor und Washington Post. Von 1948 bis 1956 arbeitete Kelen als der erste Fernsehproduzent des Informationsbüros der Vereinten Nationen. Nach seiner Pensionierung veröffentlichte er zahlreiche Bücher, darunter eine Biographie über Dag Hammarskjöld und mehrere Kinderbücher.

Literatur
 Emery Kelen: Peace in Their Time. Random House, New York 1963
 Bernd A. Gülker: Die verzerrte Moderne. Die Karikatur als populäre Kunstkritik in deutschen satirischen Zeitschriften. LIT Verlag, Münster 2001

Weblinks
 Derso and Kelen Collection, Mudd Manuscript Library, Princeton University Library

Karikaturist (Vereinigte Staaten)
Karikaturist (Deutschland)
Person im Ersten Weltkrieg (Österreich-Ungarn)
Ungarischer Emigrant
Emigrant aus dem Deutschen Reich zur Zeit des Nationalsozialismus
Person (Transleithanien)
Ungar
Geboren 1896
Gestorben 1978
Mann

Emery Kelen


موظفون مثليون ومثليات في مايكروسوفت  هي مجموعة موظفين من المثليين والمثليات ومزدوجو التوجه الجنسي ومتحولو الجنس في مايكروسوفت. بدأت المجموعة كقائمة بريدية خاصة أثناء الثمانينيات. نجح أعصاء القائمة بضم المجموعة إلى لائحة سياسة مايكروسوفت ضد التمييز في عام 1989. في عام 1997، أعلن قادة لمجموعة أن التوجهات ضد المثليين صودفت، لكنها «التحيز المكشوف نادر جدا».

المجموعة أيضا عملت لكسب تأمين لمايكروسوفت بالإضافة إلى منافع أخرى لشراكة مثلي الجنس المحليين. بعد ضغط مكثف تم تقديم هذه المنافع إلى العاملين فيها. أضافت مايكروسوفت هذا إلى المنافع في عام 1993.

مصادر

وصلات خارجية
 مايكروسوفت: موظفون مثليون ومثليات ومزدوجو التوجه الجنسي ومتحولو الجنس في مايكروسوفت.

منظمات إل جي بي تي في الولايات المتحدة
موظفو مايكروسوفت
منظمات أعمال مثليون
ثقافة مثلية في سياتل

موظفون مثليون ومثليات في مايكروسوفت


Eksplozije u Beirutu 2020. dogodile su se u Beirutu, glavnom gradu Libanona, 4. kolovoza 2020. Eksplozije su se dogodile u Luci Beirut, poginule su 207 osobe, više od 6500 je ozlijeđeno, a oko 300.000 ostalo je bez domova. Procjenjuje se da su eksplozije uzrokovale materijalnu štetu od 10 do 15 milijarde američkih dolara.

Pozadina
Libanon je uveliko prije eksplozije prolazio kroz velike probleme; država se nalazila u ekonomskoj krizi (najvećoj još od Libanonskog građanskog rata), koja se posebno odrazila na valutu, a stopa siromaštva u državi porasla je na preko 50%. Osim toga, pandemija koronavirusa preplavila je mnoge bolnice u zemlji što je uzrokovalo nestašicu lijekova i medicinske opreme.

Luka Beirut glavna je luka u gradu i kroz nju godišnje prođe gotovo 3000 brodova, a u vlasništvu je libanonske vlade. U sastavu luke je bilo 16 pristaništa, 12 skladišta i silos za žito. Jedan dio luke činila je tamošnja pomorska baza.

Eksplozije
Prva, manja eksplozija poslala je oblak dima iznad požara i stvorila bljeskajuća svjetla koja nalikuju vatrometu.

Druga eksplozija bila je mnogo značajnija. Dogodila se oko 18:08 po lokalnom vremenu. Potresla je centar Beiruta i podigla je crveni oblak prašine u zrak. Druga eksplozija također se osjetila na sjeveru Izraela i na Cipru udaljenom 240 km.

Uzrok
Uzrok eksplozije nije odmah utvrđen. Libanonski državni mediji u početku su izvještavali da se eksplozija dogodila u blizini skladišta vatrometa, dok su drugi izvještavali da je riječ o skladištu nafte ili skladištu kemikalija. U luci su se nalazila skladišta za skladištenje eksploziva i kemikalija, uključujući nitrate, uobičajene komponente gnojiva i eksploziva. Generalni direktor libanonske javne sigurnosti izjavio je da je eksploziju izazvao visokoeksplozivni materijal koji je bio zaplijenjen i skladišten godinama.

Izvori

Vanjske poveznice

Beirut Explosion – in Pictures by The Guardian
In Pictures: Huge Explosion Rocks Beirut by CNN
Photos: Explosion Leaves Beirut in Shatters by NPR
The Lebanon Explosions in Photos by The New York Times
Explosion in Beirut: Photos From a City Still Reeling From the Blast by Time

Povijest Libanona
Industrijske nesreće

Eksplozije u Beirutu 2020.


An Dendrobium kerstingianum in uska species han Liliopsida nga ginhulagway ni Schltr.. An Dendrobium kerstingianum in nahilalakip ha genus nga Dendrobium, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Dendrobium

Dendrobium kerstingianum


The Moro Rebellion (1899–1913) was an armed conflict between the Moro people and the United States military during the Philippine–American War.

The word "Moro" – the Spanish word for "Moor" – is a term for Muslim people who lived in the Southern Philippines, an area that includes Mindanao, Jolo and the neighboring Sulu Archipelago.

Background

The  Moros have a 400-year history of resisting foreign rule. The violent armed struggle against the Spanish, against the Americans, against the Japanese, and against the Filipinos, is considered by current Moro leaders as part of the four centuries-long "national liberation movement" of the Bangsamoro (Moro Nation). This conflict persisted and developed into their current war for independence against the Philippine state. A "culture of jihad" emerged among the Moros due to the centuries-long war against the Spanish invaders.

The ethnic Moro  population of the southern Philippines resisted both Spanish and United States colonization. The Moro areas of Western Mindanao have been the most rebellious areas in the Philippines along with Samar Island and Bicol Region. The Spaniards were restricted to a handful of coastal garrisons or Forts and they made occasional punitive expeditions into the vast interior regions. After a series of unsuccessful attempts during the centuries of Spanish rule in the Philippines, Spanish forces occupied the abandoned city of Jolo, Sulu, the seat of the Sultan of Sulu, in 1876. The Spaniards and the Sultan of Sulu signed the Spanish Treaty of Peace on July 22, 1878. Control of the Sulu archipelago outside of the Spanish garrisons was handed to the Sultan. The treaty had translation errors: According to the Spanish-language version, Spain had complete sovereignty over the Sulu archipelago, while the Tausug version described a protectorate instead of an outright dependency. Despite the very nominal claim to the Moro territories, Spain ceded them to the United States in the Treaty of Paris which signaled the end of the Spanish–American War.

Following the American occupation of the Northern Philippines during 1899, Spanish forces in the Southern Philippines were abolished, and they retreated to the garrisons at Zamboanga and Jolo. American forces took control over the Spanish government in Jolo on May 18, 1899, and at Zamboanga in December 1899.

The Moros resisted the American colonizers, as they had against the Spanish before them. The Spanish, American, Japanese, and Philippine governments have all been fought against by the Muslims of Sulu and Mindanao.

Ottoman Empire's role
John Hay, the American Secretary of State, asked the ambassador to Ottoman Empire, Oscar Straus in 1899 to approach Ottoman Sultan Abdul Hamid II to request that the Sultan write a letter to the Moro Sulu Muslims of the Sulu Sultanate in the Philippines telling them to submit to American suzerainty and American military rule. Despite the sultan's "pan-Islamic" ideology, he readily aided the American forces because he felt no need to cause hostilities between the West and Muslims.

Abdul Hamid wrote the letter, which was sent to Mecca where two Sulu chiefs brought it home to Sulu. It was successful, and the "Sulu Mohammedans ... refused to join the insurrectionists and had placed themselves under the control of [the American] army, thereby recognizing American sovereignty." John P. Finley wrote that:After due consideration of these facts, the Sultan, as Caliph caused a message to be sent to the Mohammedans of the Philippine Islands forbidding them to enter into any hostilities against the Americans, inasmuch as no interference with their religion would be allowed under American rule. As the Moros have never asked more than that, it is not surprising, that they refused all overtures made, by Aguinaldo's agents, at the time of the Filipino insurrection. President McKinley sent a personal letter of thanks to Mr. Straus for the excellent work he had done, and said, its accomplishment had saved the United States at least twenty thousand troops in the field. If the reader will pause to consider what this means in men and also the millions in money, he will appreciate this wonderful piece of diplomacy, in averting a holy war.President McKinley did not mention the Ottoman Empire's role in the pacification of the Sulu Moros in his address to the first session of the Fifty-sixth Congress in December 1899 since the agreement with the Sultan of Sulu was not submitted to the Senate until December 18.

Cause of the war

After the American government informed the Moros that they would continue the old protectorate relationship that they had with Spain, the Moro Sulu Sultan rejected this and demanded that a new treaty be negotiated. The United States signed the Kiram-Bates Treaty with the Moro Sulu Sultanate which guaranteed the Sultanate's autonomy in its internal affairs and governance, including article X that guaranteed preservation of slavery, while America dealt with its foreign relations, in order to keep the Moros out of the Philippine–American War. Once the Americans subdued the northern Filipinos, the Bates Treaty with the Moros was adjusted by the Americans through removal of article X and they invaded Moroland.

After the war in 1915, the Americans imposed the Carpenter Treaty on Sulu.

Philippine–American War events

First Republic forces in the southern Philippines were commanded by General Nicolas Capistrano, and American forces conducted an expedition against him in the winter of 1900–1901. On March 27, 1901, Capistrano surrendered. A few days later, General Emilio Aguinaldo was captured in Luzon. This major victory in the war in the north allowed the Americans to devote more resources to the south, and they began to push into .

On August 31, 1901, Brig. Gen. George Whitefield Davis replaced Kobbe as the commander of the Department of Mindanao-Jolo. Davis adopted a conciliatory policy towards the Moros. American forces under his command had standing orders to buy Moro produce when possible and to have "heralds of amity" precede all scouting expeditions. Peaceful Moros would not be disarmed. Polite reminders of America's anti-slavery policy were allowed.

One of Davis' subordinates, Captain John J. Pershing, assigned to the American garrison at Iligan, set out to better relations with the Moros of the Maranao tribes on the northern shore of Lake Lanao. He successfully established friendly relations with Amai-Manabilang, the retired Sultan of Madaya. Although retired, Manabilang was the single most influential personage among the fragmented inhabitants of the northern shore of the lake. His alliance did much to secure American standing in the area.

Not all of Davis' subordinates were as diplomatic as Pershing. Many veterans of the Indian Wars took the "only good Indian is a dead Indian" mentality with them to the Philippines, and "civilize 'em with a Krag" became a similar catchphrase.

Conflict

In March of 1902, relations between American troops and the Moros seemed to be good. However, on March 9, an American soldier was killed by unidentified assailants. outside the port of Parang. Three days later, an 18 man cavalry detachment in the same area was ambushed by Moros and one of their number killed. On March 30, another American was hacked to death by Moros outside the nearby port of Malabang.

These ambushes of American troops by Moros, one of which involved Juramentados, occurred to the south of Lake Lanao, outside of Manabilang's sphere of influence. These events prompted Maj. Gen. Adna R. Chaffee, then the military governor of the Philippines, to issue a declaration on April 13, 1902. The declaration began, "Under the Treaty of Paris between Spain and the United States, ... the Philippine Islands, including the island of Mindanao, were ceded by Spain to the United States.", and demanded that the killers of American troops and stolen government property be handed over to the United States. Chafee's declaration was an attempt at a peaceful resolution. However the Moros, had never heard of Paris and considered that Spain, which had never successfully conquered Mindanao, could not cede their land to anyone. They considered Chaffee's declaration arrogant and rejected his demands.

The Americans, unaware of a long history of internecine Moro feuding which could have moved one Moro group to attack American troops friendly with another group, sent an intermediary to open talks with a local group. Also unknown to the Americans, the leader of that group had a personal dislike of the intermediary. The intermediary was told that Americans were intent on proselytizing the Moros away from Islam and taking their lands. The Americans viewed this as defiance.

The Moros being not compliant, a punitive expedition under Col. Frank Baldwin set out to settle matters with the south-shore Moros. Although an excellent officer, Baldwin was "eager," and a worried Davis joined the expedition as an observer. On May 2, 1902, Baldwin's expedition attacked a Moro cotta (fortress) at the Battle of Pandapatan, also known as the Battle of Bayan. Pandapatan's defenses were unexpectedly strong, leading to 18 American casualties during the fighting. On the second day, the Americans used ladders and moat-bridging tools to break through the Moro fortifications, and a general slaughter of the Moro defenders followed.

The expeditionary force built at Camp Vickers one mile south of Pandapatan, and Davis assigned Pershing to Baldwin's command as an intelligence officer and as director of Moro affairs. As director, 'Black Jack' Pershing had a veto over Baldwin's movements, which was an unstable arrangement. This arrangement was tested when survivors of Pandapatan began building a Cotta at Bacolod. Baldwin wanted to move on the hostile Moros immediately, but Pershing warned that doing so could create an anti-American coalition of the surrounding Datus, while some patient diplomacy could establish friendly relations with most of the Moros, isolating the hostile minority. Baldwin grudgingly agreed. On June 30, Pershing assumed command of Camp Vickers, and Baldwin returned to Malabang. A command the size of Camp Vickers would normally have gone to an officer with the rank of Major, and a careful shuffling of personnel would be required to ensure that reinforcements to the Camp did not include officers that were senior to Pershing.

On July 4, 1902, President Theodore Roosevelt issued a proclamation declaring an end to the Philippine Insurrection and a cessation of hostilities in the Philippines "except in the country inhabited by the Moro tribes, to which this proclamation does not apply." Later that month, Davis was promoted and replaced Chaffee as the supreme commander of American forces in the Philippines. Command of the Mindanao-Jolo Department went to Brig. Gen. Samuel S. Sumner. Meanwhile, Pershing settled down to conduct diplomacy with the surrounding Moros, and a July 4 celebration had 700 guests from neighboring rancherias. In September 1902, he led the Masiu Expedition, which resulted in a victory that did much to establish American dominance in the area. On February 10, 1903, Pershing was declared a Datu by the formerly hostile Pandita Sajiduciaman of the Bayan Moros (who had been defeated at the Battle of Pandapatan)—the only American to be so honored. Pershing's career at Camp Vickers culminated in the March Around Lake Lanao during April and May 1903. Dansalan also known as the Marawi Expedition, it included the Battle of Bacolod and First Battle of Taraka but was otherwise peaceful. This expedition quickly became a symbol of American control of the Lake Lanao region and was regarded with dismay by the Moro Maranao inhabitants of that region.

While Pershing was working to the south of Lake Lanao, Major Robert Lee Bullard was working to the north, building a road from Iligan to Marawi. Although never officially declared one, like Pershing, he was regarded as a Datu by the Moros. Because of the Lake Lanao Moros' very personalistic style of leadership, they had troubles seeing them as two officers in the same army. Instead, they saw them as two powerful chieftains who might become rivals. During Pershing's March Around Lake Lanao, one Moro ran to Bullard, exclaiming that Pershing had gone Juramentado, meaning berserk and that Bullard had better run up the white flag (signaling that they had no quarrel with Pershing's troops). Bullard was unable to explain to the Moro why he was not worried about Pershing's approach. On another occasion, a powerful datu proposed an alliance with Bullard, for the purposes of defeating Pershing and establishing overlordship over the entire Lake Lanao region. On June 1, 1903, the Moro Province was created, which included "all of the territory of the Philippines lying south of the eight parallel of latitude, excepting the island of Palawan and the eastern portion of the northwest peninsula of Mindanao." The province had a civil government, but many civil service positions, including the district governors and their deputies, were held by members of the American military. The governor of the province served as the commander of the Department of Mindanao-Jolo. This system of combined civil and military administration had several motivations behind it. One was the continued Moro hostilities. Another was the Army's experience during the Indian Wars when it came into conflict with the civilian Bureau of Indian Affairs. A third was that the Moros, with their feudal, personalistic style of government, would have no respect for a military leader who submitted to the authority of a non-combatant.

In addition to the executive branch, under the governor, the province also had a legislative branch: the Moro Council. This Council "consisted of the governor, a state attorney, a secretary, a treasurer, a superintendent of schools, and an engineer." Although the governor appointed all of the other members of the council, this body was permanent and provided a more solid foundation for laws than the fiats of the governor, which might be overturned by his successor.

The province was divided into five districts, with American officers serving as district governors and deputy governors. These districts included: Cotabato, Davao, Lanao, Sulu, and Zamboanga. The districts were sub-divided into tribal wards, with major datus serving as ward chiefs and minor datus serving as deputies, judges, and sheriffs. This system took advantage of the existing structure of Moro political society, which was based on personal ties while paving the way for a more individualistic society, where the office, not the person holding it, would be given respect.

On August 6, 1903, Major General Leonard Wood assumed his position as the governor of Moro Province and commander of the Department of Mindanao-Jolo. Wood was somewhat heavy-handed in his dealing with the Moros, being "personally offended by the Moro propensity for blood feuds, polygamy, and human trafficking" and with his "ethnocentrism sometimes [leading] him to impose American concepts too quickly in Moroland." In addition to his views of the Moros, Wood also faced an uphill Senate battle over his appointment to the rank of Major General, which was finally confirmed on March 19, 1904. This drove him to seek military laurels in order to shore up his lack of field experience, sometimes leading the Provincial army on punitive expeditions over minor incidents that would have been better handled diplomatically by the district governors. The period of Wood's governorship had the hardest and bloodiest fighting of America's occupation of Moroland.

Some of the Moros fighting against the American troops were women who dressed exactly the same as men. This led to the song sung by American troops called "If a Lady's Wearin' Pantaloons".

Province under Leonard Wood (1903–1906)
Wood instituted many changes during his tenure as governor of Moro Province:
 On Wood's recommendation, the United States unilaterally abrogated the Bates Treaty, citing continuing piracy and attacks on American personnel. The Sultan of Sulu was demoted to a purely religious office, with no more power than any other datu, and was provided with a small salary. The United States assumed direct control over Moroland.
 Slavery was abolished. Slave trading and raiding were repressed, but slaves were left with their owners. Wood announced that slaves were "at liberty to go and build homes for themselves wherever they like[d]," and pledged the military's protection for any former slaves that did so. Similar actions had been taken by individual commanders in the past, but Wood's edict had the backing of the Moro Council, giving it more permanent weight.
 The Cedula Act of 1903 created an annual registration poll tax. This registration poll tax was highly unpopular with the Moros, since they interpreted it as a form of tribute. According to Hurley, participation in the Cedula was very low as late as 1933.
 The legal code of Moroland was reformed. Disputes between Moros and non-Christians had been left to Moro laws and customs, with Philippine laws only applying to disputes with Christians. This led to a double standard, with a Moro who killed a Christian facing a stiff prison sentence, but with a Moro who killed another Moro facing only a maximum fine of 150 pesos. Wood attempted to codify Moro law, but there was simply too much variance in laws and customs between the different tribes and even between neighboring cottas. Wood placed the Moros underneath the Philippine criminal code, but actual enforcement of this proved difficult.
 Private land ownership was introduced, in order to help the Moros transition to a more individualistic society from their traditional tribal society. Each family was given 40 acres (16 ha) of land, with datus given additional land in accordance with their status. Land sales had to be approved by the district governments in order to prevent fraud.
 An educational system was established. By June 1904, there were 50 schools with an average enrollment of 30 students each. Because of difficulties in getting teachers that spoke native languages, classes were conducted in English after initial training in that language. Many Moros were suspicious of the schools, but some offered buildings for use as schools.
 Trade was encouraged in order to give the Moros an alternative to fighting. Trade had been discouraged by banditry, piracy, and the possibility of intertribal disputes between Moro merchants and local customers. When trading with foreign merchants (usually maritime Chinese), a lack of warehousing made for a buyer's market, leading to low prices. Wood handled banditry and piracy by establishing military posts at river mouths in order to protect sea and land routes. Starting with a pilot project in Zamboanga, a system of Moro Exchanges was established. These exchanges provided Moro traders with warehouses and temporary housing in exchange for honoring a ban on fighting within the exchange. Bulletin-boards listed market prices in Hong Kong and Singapore, and the district governments guaranteed fair prices. These Exchanges proved highly successful and profitable, and provided a neutral ground for feuding datus to settle their differences.

Campaigns
Major military campaigns during Wood's governorship include:
 Wood's March Around Lake Lanao during the fall of 1903 was an abortive attempt to replicate Pershing's earlier March.
 In October and November 1903, Wood personally led the Provincial Army to put down the Hassan Uprising, which was led by the most powerful datu on the island of Jolo.
 In the spring of 1904, Wood destroyed or captured 130 cottas during the Second Battle of Taraca.
 Beginning in the spring of 1904 and continuing into the fall of 1905, American forces conducted a lengthy and massive manhunt for Datu Ali, the overlord of Cottabato Valley. Datu Ali had rebelled over Wood's anti-slavery policy. Engagements during this campaign include the Battle of Siranaya, the Simpetan Massacre, and the Battle of the Malalag River.
 The First Battle of Bud Dajo was fought from March 5 to 7, 1906. An estimated 600 Muslims were killed, fighting a force of 800 Americans.

The Incident in the Philippines written by Mark Twain condemned the American massacre at Bud Dajo.

Governorship of Tasker H. Bliss (1906–1909)
On February 1, 1906, Brigadier General Tasker H. Bliss replaced General Wood as the commander of the Department of Mindanao-Jolo, and replaced him as governor of Moro Province sometime after the First Battle of Bud Dajo. Bliss' tenure is regarded as a "peace era", and Bliss launched no punitive expeditions during his term in office. However, this superficial peace came at the price of tolerating a certain amount of lawlessness. Constabulary forces in pursuit of Moro fugitives often found themselves forced to abandon their chase after the fugitives took refuge at their home cottas. The constabulary forces were outnumbered, and a much larger (and disruptive) expedition would have been required to dislodge the fugitives from their hiding place. However, this period also demonstrated the success of new aggressive American tactics. According to Rear Admiral D.P. Mannix, who fought the Moros as a young lieutenant from 1907 to 1908, the Americans exploited Muslim taboos by wrapping dead Moros in pig's skin and "stuffing [their] mouth[s] with pork", thereby deterring the Moros from continuing with their suicide attacks.

Governorship of John J. Pershing (1909–1913)

On November 11, 1909, Brigadier General John J. Pershing assumed his duties as the third and final military governor of Moro Province.

Reforms
Pershing enacted the following reforms during his tenure as governor:
 In order to extend rule of law into the interior, Pershing stationed the Philippine Scouts in small detachments throughout the interior. This reduced crime and promoted agriculture and trade, at the cost of reduced military efficiency and troop training. The benefits of this reform outweighed the costs.
 The legal system was streamlined. Previously, trials had started with the Court of First Instance, which convened every 6 months, and appeals to the Supreme Court in Manila often took more than one year. Pershing expanded the jurisdiction of the local ward courts, which were presided over by the district governors and secretaries, to include most civil cases and all criminal cases except for capital offenses. The Court of First Instance became the court of last resort. This reform was popular with the Moros, since it was quick, simple, and resembled their traditional unification of executive and judicial powers.
 Pershing promised to donate government land for purposes of building Muslim houses of worship.
 Pershing recognized the practice of sacopy – indentured servitude in exchange for support and protection – as legitimate, but reaffirmed the government's opposition to involuntary slavery.
 Labor contract law was reformed in 1912. Defaults on contracts by workers or employers were no longer punishable unless there was intent to defraud or injure. Moros, unused to Western notions of work, were prone to absenteeism, which could lead to breach of contract suits.
 The economy of Moro Province continued to expand under Pershing. The three most important exports – hemp, copra, and lumber – increased 163% during his first three years, and Moros began to make bank deposits for the first time in their history.
 The Moro Exchange system was retained and was supplemented by Industrial Trading Stations. These stations operated in the interior, where merchants seldom went, and bought any non-perishable goods the Moros wished to sell. The stations also sold goods to the Moros at fair prices, preventing price gouging during famines.

Tactics
Pershing wrote the following in his autobiography about the juramentado:

[The] juramentado attacks were materially reduced in number by a practice the army had already adopted, one that the Mohammadans held in abhorrence. The bodies were publicly buried in the same grave with a dead pig. It was not pleasant to have to take such measures but the prospect of going to hell instead of heaven sometimes deterred the would-be assassins.

Though this treatment was inflicted on captured juramentado, historians do not believe that Pershing was directly involved with such incidents, or that he personally gave such orders to his subordinates. Letters and memoirs from soldiers describing events similar to this do not have credible evidence of Pershing's having been personally involved. However, some reports do say that Pershing was engaged in deliberate efforts to offend Muslim Filipinos' religious sensibilities, including an incident in which Pershing brought a pig's head to a ceasefire negotiation with a Muslim leader, though there is no evidence for the claim made by Donald Trump that Pershing executed Muslim insurgents with bullets dipped in pig's blood.

Surrender of Arms

Law enforcement in the Moro Province was difficult. Outlaws would go to ground at their home cottas, requiring an entire troop of police or soldiers to arrest them. There was always the danger of a full-fledged battle breaking out during such an arrest, and this led to many known outlaws going unpunished. In 1911, Pershing resolved to disarm the Moros. Army Chief of Staff Leonard Wood (former Moro Province governor) disagreed with this plan, stating that the move was ill-timed and that the Moros would hide their best arms, turning in only their worst. Pershing waited until roads into the interior had been completed, so that government troops could protect disarmed Moros from holdouts. He conferred with the Datus, who mostly agreed that disarmament would be a good idea – provided that everybody disarmed.

Six weeks before putting his disarmament plan into action, Pershing informed Governor-General William Cameron Forbes, who agreed with the plan. Pershing did not consult or inform his commanding officer, Major. Gen. J. Franklin Bell. On September 8, 1911, Executive Order No. 24, which ordered the disarmament, was issued. The deadline for disarmament was December 1, 1911.

Resistance to disarmament was particularly fierce in the district of Jolo and led to the Second Battle of Bud Dajo (which, while involving roughly equivalent forces as the first battle, was far less bloody causing only 12 Moro casualties), and the Battle of Bud Bagsak. The latter battle, fought from June 11–15 1913, was the last major battle of the conflict, and is usually considered as marking the end of the rebellion. Smaller skirmishes between Moro bands and U.S. troops were reported to have occurred in the months following the battle, with the last of these clashes occurring in Talipao in October 1913.

Transition to civil authority
By 1913, Pershing agreed that the Moro Province needed to transition to civil government. This was prompted by the Moro's personalistic approach to government, which was based on personal ties rather than a respect for an abstract office. To the Moros, a change of administration meant not just a change in leadership but a change in regime, and was a traumatic experience. Rotation within the military meant that each military governor could serve only for a limited time, and civil governors were needed in order to provide for a lengthy tenure in office. Until 1911, every district governor and secretary had been a military officer. By 1913, Pershing was the only military officer to hold a civil office.

In October 1913, Francis Burton Harrison was appointed Governor-General of the Philippines, and relieved Pershing of his position as governor of the Moro Province. Pershing was replaced by Frank Carpenter, a civilian governor. In March 1915, Carpenter came to an agreement with Sultan Jamalul Kiram, in which Kiram agreed to relinquish all claims of political power over territories within the Philippines, resulting in the dissolution of the Sulu Sultanate and the United States now having complete, uncontested control over the Philippine Islands.

Casualties
During the Moro Rebellion, the Americans suffered losses amounting to 130 killed and 323 wounded. Another 500 or so died of disease. The Philippine Scouts who augmented American forces during the campaign suffered 116 killed and 189 wounded. The Philippine Constabulary suffered heavily as well with more than 1,500 losses sustained of which half were fatalities.

On the Moro side, casualties were high as surrender was uncommon when Moros were engaged in combat.

Tausug fighters used spears, barungs and kris daggers against US troops with bolt action rifles, pistols, machine guns and mountain artillery and refused to surrender until all were dead.<ref>{{cite news |date=March 2, 2006 |title=The battles of Bud Dahu and Bud Bagsak: Monuments to Tausug heroism and martyrdom |work=Zambo Times |url=http://www.zambotimes.com/index.php?/archives/2328-The-battles-of-Bud-Dahu-and-Bud-Bagsak-Monuments-to-Tausug-heroism-and-martyrdom.html |access-date=26 May 2012 |archive-url=https://archive.today/20120526092732/http://www.zambotimes.com/index.php?/archives/2328-The-battles-of-Bud-Dahu-and-Bud-Bagsak-Monuments-to-Tausug-heroism-and-martyrdom.html |archive-date=26 May 2012 }}</ref>

Juramentados and stopping power
In the Moro Rebellion, the Tausug Moro Muslim Juramentados in suicide attacks continued to charge against American soldiers even after being shot. Panglima Hassan in the Hassan uprising was shot dozens of times before his jihad was stopped. As a result, Americans elected to phase out the .38 caliber Colt M1892 revolver in favor of .45 caliber sidearms to continue their fight against the Moros. This led to a re-issuing of old .45 Colt M1873 Peacemaker revolvers and later the issuance of the M1909 revolver, essentially an M1892 rechambered in .45 Colt (which would later again be rechambered in the weaker .45 ACP as the M1917). This contributed to the development and adoption of the .45 ACP M1911 semi-automatic pistol on March 29, 1911, after further weapon testing during the rebellion, beginning over 70 years of service by the pistol and cartridge in the US military. Arrows, bayonets, guns, and kris were used in often suicidal attacks by the Moros during their war with the Americans. Suicide attacks became more popular among Moros due to the overwhelming firepower of the Americans in conventional battles. Moro women took part in the resistance at the Battle of Bud Dajo against the American General Lenard Wood in 1906. Barbed wire proved to be of no impediment since Moro Juramentado warriors managed to surge directly through it even as it ripped at their flesh and even as they were shot repeatedly with bullets. The Moros used barongs to inflict injuries upon American soldiers. Moros under Jikiri managed to survive in a cave under machine gun fire and Colt gunfire. kris and kampilas were used by Moros in fierce close quarter combat against the Americans. Muskets were also used by the Moro. The Moro employed bayonets at close range when shooting was not possible according to the American journal The Field Artillery Journal, Volume 32. Americans were even charged at by Moros using spears. Moros fought to the death against Americans armed with rifles and artillery while they themselves used only Kris at the crater battle.

Novels have been written describing Juramentados deliberately impaling themselves on their bayonets in attempts to reach and kill American soldiers.

In popular culture
 Vic Hurley's history of the Moros, Swish of the Kris The Story of the Moros tells the story of Col. Alexander Rodgers using pigs to subdue the Moros in the Philippines. Hurley wrote that Col. Rodgers was known as "the Pig" to the Moros. And another Hurley book The Jungle Patrol: The Story of the Philippine Constabulary also relates the story of pigs being used against them.
 Hurley wrote the screenplay for the Hollywood film The Real Glory in 1937; the film was released in 1939. It was based on a 1937 novel of the same name by Charles L. Clifford, a pen name of Hurley's. The film served as American military propaganda, portraying the US Army as brave defenders of the local population being terrorised by the Moros, whom the film depicts as bloodthirsty raiders oppressing the local Christian Filipino community. The film showed one Moro juramentado'' causing 60 Filipino soldiers to cower in fear, which was protested by Philippine President Manuel Quezon. In one scene of the movie, Gary Cooper as Dr. Bill Canavan threatens to bury a captive Moro in a pigskin so to prevent the Moro from entering paradise upon death; this scene was censored from the movie during World War II due to the Moros being US allies against the Japanese.

See also
 Moros during World War II
 Spanish–Moro Wars
 Moro insurgency in the Philippines
 Corregidor massacre

References
Notes

Bibliography

Further reading

External links
 Battles of Bud Dajo and Bud Bagsak
 American Moro War History
 Imperial historicism and American military rule in the Philippines' Muslim south

Conflicts in 1899
1900s conflicts
1910s conflicts
1899 in the Philippines
1900s in the Philippines
1910s in the Philippines
History of the Philippines (1898–1946)
Rebellions in the Philippines
History of Basilan
History of Lanao del Sur
History of Maguindanao del Norte
History of Maguindanao del Sur
History of Sulu
History of Tawi-Tawi
Moro people
Rebellions in Asia
Wars involving the United States
Rebellions against the United States

Moro Rebellion


عصابات نيويورك  هو فيلم روائي، جريمة، تاريخي أنتج في 2002. أخرجه الأمريكي مارتن سكورسيزي، والفيلم من بطولة ليوناردو دي كابريو ودانييل دي لويس وكاميرون دياز ، ترشح الفيلم لعشرة جوائز أوسكار لم ينل أيًا منها، فاز دانييل دي لويس عن دوره في الفيلم بجائزة البافتا لأفضل ممثل.

القصة

تدور أحداث الفيلم في مدينة نيويورك القديمة في عام 1861 خلال فترة الحرب الأهلية الأمريكية من خلال قصة شاب إيرلندي اسمه أمستردام فالون (ليوناردو دي كابريو) يسعى للثأر من قاتل أبيه الواسبي بيل ذا بوتشر كاتينغ (دانييل دي لويس) والذي قتل أباه في حرب دارت بين السكان الأصليين (الذين ولدوا في أمريكا) والإيرلنديين في مدينة نيويورك القديمة في 1846

روابط خارجية

المصادر

 صفحة الفيلم في IMDb

أفلام باللغة الإنجليزية في عقد 2000
أفلام أمريكية
أفلام أمريكية عن انتقام
أفلام أمريكية في عقد 2000
أفلام الحرب الأهلية الأمريكية
أفلام إنتاج 2002
أفلام باللغة الإنجليزية
أفلام باللغة الصينية
أفلام تأجلت بسبب هجمات 11 سبتمبر
أفلام تاريخية أمريكية
أفلام تقع أحداثها في 1846
أفلام تقع أحداثها في 1862
أفلام تقع أحداثها في مدينة نيويورك
أفلام توتشستون بيكشرز
أفلام جريمة درامية في 2002
أفلام جريمة ودراما أمريكية
أفلام جريمة ودراما إنتاج عقد 2000
أفلام دراما إيطالية
أفلام درامية في 2002
أفلام سجلها هوارد شور
أفلام شتات أيرلندي
أفلام عن الانتقام
أفلام عن الدعارة
أفلام عن الكنيسة الكاثوليكية
أفلام كتب نصها السينمائي جاي كوكس
أفلام كتب نصها السينمائي كينيث لونيرغان
أفلام مارتن سكورسيزي
أفلام مبنية على أعمال كتاب أمريكيين
أفلام مبنية على زمن العنصرية
أفلام مبنية على كتب غير روائية
أفلام مصورة في روما
أفلام مصورة في شينشيتا
أفلام مصورة في ولاية نيويورك
أفلام ملحمية أمريكية
أفلام ميراماكس
تصوير ثقافي عن بي تي بارنوم

عصابات نيويورك


Events from the year 1710 in Canada.

Incumbents
French Monarch: Louis XIV
British and Irish Monarch: Anne

Governors
Governor General of New France: Philippe de Rigaud Vaudreuil
Colonial Governor of Louisiana: Daniel d'Auger de Subercase
Governor of Nova Scotia: Samuel Vetch
Governor of Plaisance: Philippe Pastour de Costebelle

Events
 The English recapture Acadia, this time permanently, and rename it Nova Scotia.
 Francis Nicholson captures Port Royal for England.
 The English take Port Royal and name it Annapolis Royal.
 Three Mohawk chiefs and one Mahican are received in Queen Anne's court in England as the Four Kings of the New World.

Births
 October 7 - François-Josué de la Corne Dubreuil, a soldier and trader. (died 1753)
 July 23 - Jonathan Belcher, lawyer, chief justice, and lieutenant governor of Nova Scotia (died 1776)

Historical documents
Squadron of Royal Navy ships and transports with 2,000 troops takes Port Royal from French garrison

Speaking to Queen Anne in London, Mohican and Kanien'kéhà:ka chiefs request conquest of Canada for their better hunting and trade

Haudenosaunee "inconstant in their Tempers, crafty, timorous, but quick of Apprehension, and very ingenious in their Way" (Note: stereotypes)

Governor Dudley says taking Canada and Nova Scotia will capture naval stores trade entirely and safeguard inland settlement

Argument for autumn offensive against Canada includes benefits of fairer winds and higher (but still ice-free) water

Detailed list of armaments and personnel in Canada from Riviere du Loup to Cataraqui on Lake Ontario

"A malignant fever[...]was very general both in Quebec and in the surrounding country [and] carried off a vast number of persons"

France has encroached on Newfoundland trade to point that "their riches and naval power[...]make all Europe stand in fear of them"

Newfoundlanders' work in fishery and demand for goods is strong, but conditions "very deplorable" from lack of protection from French

Geography of Ferryland, Newfoundland makes it excellent prospect for fortification to protect "every ship, stage, house and storehouse"

Mayors of English towns report how many ships will go to Newfoundland this year, and how much Royal Navy protection will be needed

References

1710 in New France
1710s in Canada
Canada
10

1710 in Canada


Wolof-folket er en vestafrikansk etnisk gruppe, der findes i det nordvestlige Senegal, Gambia og de sydvestlige kystområder i Mauritanien. I Senegal er wolof-folket den største etniske gruppe (~39%), mens de andre steder er en minoritet. De henviser til sig selv som Wolof og taler sproget wolof – en vestatlantisk gren af Niger-Congo-familien af sprog.

Deres tidlige historie er uklar, og kendes hovedsageligt fra mundtlig overlevering, som forbinder dem til Almoraviderne. Den tidligste dokumenterede benævnelse af wolof-folket findes blandt dokumenter fra den italienske, portugisisk-finansierede rejsende Alvise Cadamosto, som nævnte veletablerede islamiske wolof-høvdinge, der blev rådgivet af muslimske rådgivere og gejstlige. Wolof-folket tilhørte det middelalderlige Wolof-rige i Senegambia-regionen.

Der kendes intet til Wolof-folkets præ-islamiske religiøse traditioner, og den mundtlige overlevering beskriver dem som tilhørende islam siden Kongeriget Wolof blev grundlagt. Der er dog efterladt historiske beviser af islamiske lærde og europæiske rejsende, som antyder at Wolof-krigere og herskere ikke konverterede til islam, men dog accepterede og benyttede sig af muslimske gejstlige som rådgivere og administratorer. I og efter det 18. århundrede blev Wolof-folket ramt af de voldsomme jihader i Vestafrika, hvilket udløste interne uenigheder blandt Wolofer om islam. I det 19. århundrede, da de koloniale franske tropper erklærede krig mod Wolof-kongedømmerne, modsatte Wolof-folket sig de franske og konverterede til islam. Nuværende Wolofer er hovedsageligt sufi-muslimer der tilhører de islamiske broderskaber Mourid og Tijaniyyah.

Ligesom mange vestafrikanske etniske grupperinger har wolof-folket historisk vedligeholdt en rigid, endogam social stratificering, der omfattede adlen, gestligheden, kaster og slaver. Woloferne var tæt på de franske koloniale herskere, blev integrerede i koloniernes administration og har domineret senegalesisk kultur og økonomi siden landets uafhængighed. De omtales også som Chelofes, Galofes, Lolof, Jolof, Olof, Volof, Wolluf og Yolof.

Referncer

Folkeslag i Senegal
Folkeslag i Gambia

Wolof (folkeslag)