Free Studio ist ein Freeware-Programmpaket mit etwa 50 Multimedia-Anwendungen, die auch jeweils separat installiert und verwendet werden können. Die meisten Anwendungen dienen der Konvertierung von Audio- und Videodateien. Seit Februar 2015 wird die Software und ihre Website von Digital Wave Ltd. mit Sitz in London angeboten. Als Projektbezeichnung und Marke wird der Name des ehemaligen Entwicklers DVDVideoSoft verwendet.

Geschichte
Das DVDVideoSoft-Projekt entstand im Jahr 2006. Zunächst bestand das Softwarepaket nur aus Free YouTube Download, wessen Zweck es ist, Videos der Videoplattform YouTube in verschiedenen Formaten auf den eigenen PC herunterzuladen. Auf Anfrage von Benutzern folgten mehr Multimedia-Anwendungen mit unterschiedlichen Anwendungsbereichen.

Programme und Funktionen
Die einzelnen Programme werden fast alle unabhängig voneinander entwickelt und lassen sich als Free Studio als Komplettpaket oder einzeln herunterladen. Einige Programme unterscheiden sich nur im Namen. So ist z. B. das Programm Free AVI Video Converter, welches AVI-Videos und auch andere Formate in ein anderes Video-Format konvertieren kann, dasselbe wie der Free WebM Video Converter. Einige Programme sind in mehreren Kategorien enthalten. Z. B. ist das Programm Free YouTube to MP3 sowohl bei YouTube als auch bei MP3 & Audio eingetragen.

YouTube

Diese Kategorie enthält Programme zum Download, Upload und Konvertieren von YouTube-Videos. Das Programm Free YouTube Download ermöglicht das Herunterladen einzelner oder mehrerer Videos von YouTube. Die Videos werden beim Herunterladen konvertiert, z. B. in das FLV-, MP4- oder AVI-Format. Auch ganze Playlists von Videos können heruntergeladen werden. Des Weiteren befindet sich auch das Programm Free YouTube to iPhone Converter in dieser Kategorie. Es ermöglicht, ähnlich wie der Free YouTube Downloader, YouTube-Videos direkt für das iPhone zu konvertieren. Dasselbe ermöglicht der Free YouTube to iPod Converter für den iPod und der Free YouTube to DVD Converter für DVDs. Der Free YouTube to MP3 Converter ermöglicht das Konvertieren von YouTube-Videos in Audiodateien. Dabei werden die Videos beim Herunterladen in Audio-Dateien konvertiert. Der Free YouTube Uploader ermöglicht das Hochladen von Videos auf YouTube. Das Programm passt sich automatisch an die Qualitäts- und Größenvorgaben von YouTube an. Mit dem Free Uploader for Facebook, der sich auch in dieser Kategorie befindet, lassen sich Videos und Bilder nach Facebook hochladen. Seit geraumer Zeit steigt jedoch die Anzahl an freien Service-Websites wie "Video2MP3" welche ohne Download und Installation die Aufgabe des "Free YouTube Download" übernehmen.

MP3 & Audio
Diese Kategorie enthält Bearbeitungsprogramme und Konverter zur Audiobearbeitung. Enthalten sind die Programme Free Audio Converter, ein Konverter, der eine Audiodatei in ein anderes Audioformat umwandeln kann, Free Audio to Flash Converter und Free Audio Dub, ein Schneideprogramm für Audiodateien.

CD, DVD, BD
Unter CD, DVD, BD sind Programme zum Brennen von CDs, DVDs und Blu-ray Discs enthalten. Dort befinden sich die Programme Free Disc Burner, ein simples Brennprogramm, Free DVD Video Burner, ein speziell für das Brennen von DVDs für jeden herkömmlichen DVD-Spieler gedachtes Brennprogramm, Free DVD Video Converter, ein Konvertierer von Videos auf DVDs in normale Videodateien, Free Audio CD Burner, ein Brennprogramm für Audio-CDs und Free Audio to MP3 Converter, ein Konverter, der Titel von Audio-CDs in andere Audioformate umwandeln kann.

DVD & Video
Unter DVD & Video sind Programme zur Videokonvertierung und Brennung auf DVDs enthalten, wie der Free 3D Photo Maker, der das Generieren von normalen Bildern in dreidimensionalen Bildern ermöglicht. Free Video Dub ermöglicht das Schneiden von Videos und Free Video Flip & Rotate das Spiegeln und Verdrehen von Videos. Es befinden sich auch die Programme Free AVI Video Converter, Free WebM Video Converter, Free 3GP Video Converter und Free MP4 Video Converter, die das Konvertieren von Videodateien in ein anderes Videoformat ermöglichen, in dieser Kategorie. Sie ermöglichen das Konvertieren von Videos in ein anderes Format. Der Free Video to Flash Converter kann Videos in die zwei Flash-Video-Formate SWF und FLV umwandeln. Der Free Video to MP3 Converter wandelt Videos in Audiodateien um und der Free Video to DVD Converter für DVDs.

Fotos & Bilder
Unter dieser Kategorie befinden sich Funktionen zum Erstellen von Screenshots und Screencasts sowie Programme zur Foto- und Videobearbeitung. Der Free Image Converter & Resize kann Bilder konvertieren und ihre Größe verändern. Es ist auch möglich, mit diesem Programm mehrere Bilder umzubenennen. Der Free 3D Photo Maker ermöglicht das Generieren von dreidimensionalen Bildern. Der Free 3D Video Maker ermöglicht dasselbe für Videos. Das Programm Free Screen Video Recorder ermöglicht das Anfertigen von Screencasts und Screenshots.

Mobiltelefone
Unter Mobiltelefone sind Video- und Audiokonverter für Mobiltelefone. Der Free Video to Android Converter konvertiert Videos für Android-Handys. Dasselbe ermöglicht der Free Video to Blackberry Converter für Blackberry-Handys, der Free Video to HTC Phones Converter für HTC-Handys, der Free Video to Motorola Converter für Motorola-Handys, der Free Video to Nokia Phones Konverter für Nokia-Handys, der Free Video to Samsung Converter für Samsung-Handys, der Free Video to LG Phones Converter für LG-Handys, der Free Video to Sony PSP Converter für die PlayStation Portable, der Free Video to XBOX Converter für die Xbox oder Xbox 360, der Free Video to Nintendo für die Wii, der Free Video to PS3 Converter für die PlayStation 3, der Free Video to Sony Phones Converter für Handys von Sony und der Free Video to Tablet PC Converter für verschiedene Tablets.

Apple-Geräte
Diese Kategorie enthält Videokonverter für die Apple-Geräte iPhone, iPad, iPod und Apple TV. Der Free Video to iPod Converter konvertiert normale Video-Dateien für den iPod. Der Free Video to iPad Converter kann dasselbe, für das iPad und der Free Video to iPhone Converter für das iPhone. Der Free Video to Apple TV Converter ermöglicht das Konvertieren von Videodateien für Apple TV.

3D
In 3D ist das Programm aus der Photo & Bilder-Kategorie Free 3D Photo Maker und Free 3D Video Maker aus der Kategorie DVD & Video eingetragen.

Unterstützte Formate
Free Studio unterstützt die meisten gängigen Audio-, Bild- und Videoformate.

Audioformate
Eingangsformate: AAC, AC3, AIFF, .amr, Monkey's Audio, .au, Audio-CD (.cda), FLAC, Matroska, Musepack, MP3, MP4, .m4b, Ogg, RealMedia, RealMedia, Speex, True Audio, WAVE, WMA

Ausgangsformate: AAC, Monkey's Audio, Audio-CD, FLAC, MP3, MP4, WAVE, WMA

Bildformate
Eingangsformate: Bitmap, GIF, JPEG, PNG, TGA

Ausgangsformate: Bitmap, GIF, JPEG, PDF, PNG, TGA

Videoformate
Eingangsformate: .amv, ASF, AVI, .divx, DVD-Video, .dvr-ms, Flash Video, .ivf, Matroska, Mod, QuickTime, MPEG, MP4, .mts, .m2t, .m2ts, MP4, Ogg, .qt, .rm, .rmm, .rmvb, RealMedia, .tod, .ts, .vro, WebM, .wmv, 3gp, .3gpp, .3gp2, .3g2

Ausgangsformate: AVI, DVD-Video, Flash Video, Matroska, QuickTime, MP4, .m2ts, Adobe Flash, WebM, WMV, 3gp

Unterstützte Betriebssysteme
Free Studio ist für Windows ab XP SP3 verfügbar. Zusätzlich benötigt die Anwendung das .NET Framework ab Version 2.0 SP2. Es ist auch offiziell für Linux verfügbar, wenn die Windows-kompatible Laufzeitumgebung Wine installiert ist.

Sprachen
Free Studio ist zurzeit (Stand: März 2014) in den 18 Sprachen Brasilianisch, Chinesisch, Dänisch, Deutsch, Englisch, Französisch, Griechisch, Italienisch, Japanisch, Niederländisch, Polnisch, Portugiesisch, Russisch, Schwedisch, Slowakisch, Spanisch, Türkisch und Ungarisch verfügbar.

Siehe auch
 NewPipe
 YouTube Vanced
 youtube-dl

Weblinks
 Deutsche Webseite des Free Studio bei DVDVideoSoft

Einzelnachweise

Multimedia
Videosoftware
Windows-Software
Freeware

Free Studio


Județul Vaslui a fost o unitate administrativă de ordinul întâi din Vechiul Regat al României (existent în perioada antebelică). Județul se afla în regiunea istorică Moldova, iar reședința era orașul Vaslui.

Așezare și limite

Județul Vaslui era situat în estul României, într-o zonă cu dealuri și văi, terenul fiind foarte accidentat. Se învecina cu județele Roman, Tutova, Fălciu și Iași.

Istoric
În anul 1864, domnitorul Alexandru Ioan Cuza dă prima lege de organizare administrativ-teritorială modernă a teritoriului României. Legea prevedea împărțirea țării în 33 de județe, având ca subdiviziuni plășile și comunele (urbane și rurale). Județele și comunele erau investite cu personalitate juridică și cu organe deliberative și executive: consiliul județean și prefectul (acesta din urmă ca reprezentant al guvernului în teritoriu), respectiv consiliul comunal
și primarul (în calitate de reprezentant al guvernului în teritoriu). Plășile erau simple subdiviziuni ale județelor, fără personalitate juridică, conduse de subprefecți, cu atribuții de supraveghere și control asupra autorităților comunale.

Județul antebelic Vaslui era împărțit până în 1895 în 5 plăși: Crasna , Fundurile, Mijlocul, Racova și Stemnicul. În 1902 erau 3 plăși, Crasna fiind unită cu Mijlocul și Fundurile cu Stemnicul. Județul avea un oraș, 2 târgușoare, 56 comune și 235 sate.

Pământul județului era foarte fertil, producând din abundență cereale, nu numai pentru trebuințele locale, dar și pentru export. Industria era reprezentată mai mult de cea casnică. Localitatea Scheia era renumită pentru carierele de piatră. Piețele însemnate ale județului erau: orașul Vaslui și târgușoarele Codăești, Negrești și Pungești.

Marca
Apicultura se practica mai mult decât în alte județe (13993 stupi în anul 1900). Înainte de anul 1902, județul Vaslui a fost patria albinăritului, din acest motiv, marca (stema) județului era un stup cu albine.

Referințe

Bibliografie
  Marele Dicționar Geografic al României, George Ioan Lahovary, 1902

Vezi și
 Lista județelor și a plășilor din România antebelică
 Județul Vaslui (interbelic)
 Județul Vaslui

Județe istorice ale României

Județul Vaslui (antebelic)


بين الامل والخوف هو البوم للفنانة السورية أصالة نصري، تم إصداره عام 2004.

قائمة الأغاني

  مرني زورني
 توّك علي بالي
 أحلي ما فيكي
  بين الأمل والخوف
 كل عام وأنت بخير - ديو مع عيضة المنهالي
 انفينيتي - ديو مع راشد الماجد
 'يسعد صباحك

ألبومات أصالة نصري
ألبومات سورية

بين الأمل والخوف (ألبوم)


L'épreuve masculine de skiathlon aux Jeux olympiques d'hiver de 2022 a lieu le  au Centre de ski nordique et de biathlon de Guyangshu. Elle a une longueur de 30 kilomètres : 15 kilomètres en style classique et 15 kilomètres en style libre.

Médaillés

Résultats

PF = Classement déterminé grâce à la photo finishLAP = Un tour de retard sur les premiers

Notes et références

Ski de fond aux Jeux olympiques de 2022

Skiathlon masculin de ski de fond aux Jeux olympiques de 2022


Karl Allan Clarence Bohlin (født 5. november 1907 i Stockholm, død 23. januar 1959 smst) var en svensk skuespiller.

Udvalgt filmografi
 1948 – Flaadens glade Gutter
 1946 – Moderhjertet
 1944 – Nitouche
 1941 – Lærerinde paa Viften
 1939 – Hvalfangere
 1939 – Landstormens lille Lotte
 1937 – Flaadens glade Gutter
 1936 – 65, 66 og mig
 1935 – Under falsk Flag
 1935 – Papa Ungkarl

Eksterne henvisninger

Skuespillere fra Sverige
Personer fra Stockholm

Allan Bohlin


Germán Cobos (eigentlich Germán Sánchez Hernández Cobos; * 7. Juli 1927 in Sevilla; † 12. Januar 2015) war ein spanischer Schauspieler.

Leben
Cobos studierte Schauspiel am Real Conservatorio de Declamación in Madrid und spielte seit 1951 in einer großen Anzahl von europäischen Produktionen jeweils angesagter Genres; besonders in Erinnerung bleiben – neben drei Filmen Ende der 1950er Jahre für Regisseur Steno – seine Rollen in Italowestern und Agentenfilmen der 1960er Jahre, in denen er die Hauptrolle innehatte. Manchmal wurde er als Jerry Cobb oder George Gordon geführt. Später in seiner über 110 Filme umfassenden Karriere spielte er auch für Carlos Saura und Pedro Almodóvar. In der beliebten Fernsehserie Arrayán interpretierte er den "Arturo Torres".

2010 erhielt Cobos die Goldmedaille der "Spanischen Gesellschaft für Filmgeschichte". Einige Male war er auch auf der Bühne aktiv.

Filmografie (Auswahl)
 1951: La leona de Castilla
 1957: Mein Allerwertester (Totò, Vittorio e la dottoressa)
 1957: Susanna süß wie Sahne (Susanna tutta panna)
 1960: Brot und Blut (A las cincos de la tarde)
 1960: Taxi nach Tobruk (Un taxi pour Tobrouk)
 1963: Bis unter die Haut (Les parias de la gloire)
 1964: Höllenfahrt nach Golden City (Fuerte perdido)
 1964: El secreto del capitán O'Hara
 1965: Die Chance ist gleich Null (Agente Z 55 missione disperata)
 1966: Der Falke von Kastilien (El halcón de Castilla)
 1967: Die Goldfaust von Brooklyn (El hombre del puño de oro)
 1967: Lola Colt… sie spuckt dem Teufel ins Gesicht (Lola Colt (Faccia a faccia con El Diablo))
 1967: Wanted (Wanted)
 1968: Sangue chiama sangue
 1969: Quinto, töte nicht (El valor de un cobarde)
 1970: Bleigewitter (Reverendo Colt)
 1975: Züchte Raben… (Cría cuervos)
 2007: Limoncello (Kurzfilm)

Weblinks

Einzelnachweise

Filmschauspieler
Spanier
Geboren 1927
Gestorben 2015
Mann

Germán Cobos


Vlatko Filipović (Hutovo, 11. ožujka 1936. – Neum, 4. svibnja 2019.), bosanskohercegovački redatelj, scenarist i sveučilišni profesor. Jedan je od začetnika Sarajevske škole dokumentarnog filma.

Životopis
Gimnaziju je završio u Dubrovniku, a Filozofski fakultet u Sarajevu (skupina jugoslavenskih književnosti). Radio je kao umjetnički direktor "Sutjeska filma", te kao urednik u Dokumentarno-obrazovnom programu TVBiH. Predavao je na Pedagoškom fakultetu Sveučilišta u Sarajevu i Fakultetu prirodoslovno-matematičkih i odgojnih znanosti Sveučilišta u Mostaru, predmet "Filmska i RTV kultura / medijska kultura". Snimio je 4 igrana filma te preko 40 dokumetarnih i kratkometražnih filmova.

Filmografija

Igrani filmovi

 Moja strana svijeta (1968.)
 Deveto čudo na istoku (1974.)

 Nastojanje (1982.)
 Kako ubiti Griega u Sarajevu" (1995.)

 Dokumentarni i kratkometražni filmovi (izbor)

 U zavjetrini vremena (1964.)
 Žedno polje  (1964.)
 Zemlja neretljanska (1965.)
 Hop-jan (1965.)

 Punta veljega mora (1977.)
 Kruh naš svagdašnji (1978.)
 Doba mijena (1984.)
 Od Gabele do Huma (2014.)

 Serijal "Konac XX. stoljeća BiH u filmovima Vlatka Filipovića"
 Testament (1990.)
 Poruke sa stećaka (1991.)
 Ravno u tri dijela (1992.)
 Vatre Sarajeva (1992.)
 Križni put u Sarajevu (1993.)
 Kardinal od Bosne i Hercegovine (1994. – 1998.)
 Kuća nade (1998.),
 Princip prvi (1999.)
 Neum MM (1999.).

 Neretvanska trilogija Saga o Neretvi (2000. – 2004.)
 Čarobni jug Pečat vremena Agonija zelene rijeke''

Nagrade
U dugogodišnjem radu Filipović je nagrađenim brojnim nagradama i priznanjima. Sve ih je poklonio Zavičajnoj kući u Hutovu.

Nagrade međunarodnih festivala dokumentarnih filmova
 Oberhausen, nagrada službenog žirija za najbolji film (U zavjetrini vremena),
 Cannes, omladinski festival nagrada za režiju filma (U zavjetrini vremena),
 Bologna – Trento, film "Kardinal od Bosne i Hercegovine" dijeli Grand prix festivala,
 Nagrada internacionalnog žirija CIDALC za režiju filma "Hop-jan",
 Oberhausen, diploma čelnom filmu nagrađene Jugoslavenske selekcije dokumentarnih filmova u Oberhausenu za film "Hop-jan".

Diplome za uspjeh filmova na festivalima
 "Moja strana svijeta" u Chicagu,
 za film "Hop-jan": u Londonu, New Yorku, Oberhausenu, Mexicu, Leipzigu, Sofiji, Krakovu,
 "Hop-jan" prvi film iz "regije" uvršten u stalni postav Muzeja moderne umjetnosti New York.

Nagrade "Festivala jugoslavenskog dokumentarnog filma Beograd"
 Prva nagrada za režiju filma "U zavjetrini vremena",
 Velika zlatna medalja za film "Kruh naš svagdaljni daj nam danas",
 nagrada "Kekec" međunarodnog žirija za film "Hop-jan",
 diplome festivala za "Hop-jan" i "Testament".

Nagrade Pulskog filmskog festivala
 Zlatna arena za film "Kako ubiti Griga" u Sarajevu
 Zlatna Arena za glavnu žensku ulogu u filmu "Moja strana svijeta".

Ostale nagrade
 "Šestotravanjska nagrada Grada Sarajeva" za film "U zavjetrini vremena",
 "Dvadesetsedmosrpanjska nagrada sa SRBiH" za dokumentarnu trilogiju "Doba mjena" (filmovi "Polje", "Zemlja, "Dani O(limpijade)),
 Nagrada Udruženja filmskih radnika za unaprjeđenje kinematografije.
 Prvi autor iz regije čiji je film uvršten u galeriju modernih umjetnosti u New Yorku.
 Dobitnik nagrade Udruženja filmskih radnika u BiH "Ivica Matić".

Izvori

Vanjske poveznice

 Mediteranski krug Vlatka Filipovića Mediteranski filmski festival Široki Brijeg 2010.

Bosanskohercegovački filmski redatelji
Bosanskohercegovački filmski scenaristi
Životopisi, Neum

Vlatko Filipović


Çankırı Büyük Camii
 Samsun Büyük Camii
 Kosova Büyük Camii
 Kurtuba Büyük Camii
 Van Büyük Camii
 Sofya Büyük Camii

Büyük Camii


Un  est un terme japonais faisant référence à un type de plat d'accompagnement au riz. Ils permettent de complémenter un plat de riz et sont généralement faits de légumes, poisson, viande ou tofu et sont assaisonnés de différentes façons. Dans la cuisine moderne japonaise, ils sont utilisés non seulement pour accompagner le riz, mais aussi pour accompagner les nouilles ou les autres plats de résistance.

Histoire
Dans la cuisine traditionnelle japonaise, le riz était un plat central et tous les autres ingrédients étaient supplémentaires. Les okazu permettaient donc de rehausser la saveur du riz. Puisque le transport de nourriture était très limité, les okazu étaient souvent salés, puisque assaisonnés avec de la sauce de soja, du miso, du vinaigre ou du sel pour les garder plus longtemps.

Après la Seconde Guerre mondiale, la population japonaise était devenue plus fortunée, et les aliments étaient devenus disponibles en plus grande quantité et variété. De ce fait, la consommation de riz a diminué et d'autres aliments étaient plus consommés, comme la pomme de terre ou les nouilles. Les okazu sont donc devenus plus variés.

Notes et références

Voir aussi

Bibliographie
 .

Articles connexes
 Banchan

Cuisine japonaise
Plat japonais à base de riz

Okazu


Ivan (Giovanni) Ferro, (Villanova kod Verone, Italija - Osor, 6. lipnja 1742.), osorski biskup

Životopis
Rođen u Villanovi kraj Verone. Osorskim biskupom imenovao ga papa Klement XIII. bulom iz 1739. godine. Tri je godine bio biskup u Osoru. Do tada biskupi su rijetko boravili u Osoru. Biskupiju je vodio na sasvim drugačiji način od svojih prethodnika. Organizirao je sastavljanje inventara pokretnih dobara osorske biskupske palače.

Izvori

Životopisi, Cres
Hrvatski katolički svećenici
Hrvatski biskupi
Talijani u Hrvatskoj

Ivan Ferro


Charles Cunningham Boycott (n. 12 de marzo de 1832 en Norfolk, Inglaterra - f. 19 de junio de 1897 en Flixton, Suffolk, Inglaterra) fue un administrador británico en Irlanda.

Historia
Boycott fue contratado en 1880 por el conde de Erne (Earl of Erne) como administrador de sus tierras en el Condado de Mayo, en la Isla Achill en Irlanda, y adquirió fama de explotar a sus subordinados. Por la forma en la que Boycott se desempeñaba, y por las extremadamente malas condiciones entre terratenientes y arrendatarios, los campesinos de Lough Mask se negaron a pagar la renta ya durante el primer año de Boycott en el cargo.

Su conducta frente a los granjeros finalmente condujo a que nadie quisiera trabajar para él, ni comprarle ni venderle nada. Por este motivo Boycott amenazó con medidas judiciales, y finalmente contrató en noviembre de 1880 a trabajadores protestantes del Condado de Ulster y puso la cosecha a resguardo con la colaboración de la Real Policía Irlandesa. Él mismo fue llevado por los militares a otro lugar. Como respuesta a estas acciones, todos los arrendatarios y trabajadores rurales rescindieron sus contratos. Una decisión de la Liga Agraria Irlandesa (Irish National Land League), fundada en 1879, les concedió oficialmente a los campesinos la posibilidad de evitar a Boycott y no llevar adelante ningún tipo de negocio con él. Incluso el ferrocarril se negó a transportar su ganado.

En noviembre de 1880 el periódico londinense The Times comenzó a utilizar el término "boicotear" (boycotting) para designar este tipo de resistencia.

La férrea actitud de la Liga Agraria Irlandesa obligó a Boycott a la emigración de Irlanda.

Bibliografía
 Joyce Marlow: Captain Boycott and the Irish. Londres, 1973.
 Theodore W. Moody: Davitt and Irish revolution. Oxford, 1981.
 J. K. Tebrake: Irish Peasant Women in Revolt. The Land League Years. En: Irish Historical Studies, Vol. 28, 1992, p. 63-80.

Referencias

Historia de Irlanda
Ingleses del siglo XIX
Boicots
Desobediencia civil
Irlanda en el siglo XIX

Charles Cunningham Boycott


أباراي رينجي أو رينجي أباراي أحد شخصيات أنمي ومانغا بليتش. وهو نائب القائد كوتشيكي بياكويا في الفرقة (جوتي) السادسة. عصبي ومزاجي وكثير الصراخ، يعتبر هدفه التفوق على كوتشيكي بياكويا. قاتل الروح (زمباكتو) الخاص به يسمى زابيمارو الذي ظل يتدرب معه حتى وصل إلى الإطلاق الكامل (بانكاي).

طفولته
كان رينجي وهو يعيش في إحدى مقاطعات شمال الريكونغاي الفقيرة مع ثلاثة من رفاقه، يضطرون للسرقة لأجل العيش خاصة في ظل اضطهاد الكبار للصغار، وفي أحد الأيام بعد أن سرقوا بعض الماء طاردهم البائع وكاد أن يمسكهم إلى أن انقذتهم طفلة صغيرة وهي روكيا. عاشت روكيا معهم ونشأت بينهم صداقة تشاركوا فيها لحظاتهم الحزينة والسعيدة. وفي ظل الأحوال الاقتصادية والاجتماعية الصعبة، مات رفاقهم الثلاثة. فقرر رينجي وروكيا الالتحاق بمعهد الشينيغامي للتخلص من الحياة القاسية في الريكونغاي والعيش في سيريتي (مقر الأرواح النقية).

في معهد الشينيغامي
على الرغم من تفوقه في معهد الشينيغامي، إلا أن رينجي عانى أيضاً من تمييز الطلاب له حيث أن أغلبهم من عائلات نبيلة، بينما هو من الريكونغاي. بتحفيز من روكيا، واصل رينجي تقدمه وتفوقه، وكان من الأقوياء جداً في فنون الزانجتسو (فن القتال باستخدام الزمباكتو)، لكنه كان ضعيف في الكيدو. في إحدى السنوات حين أخبرته روكيا بأن عائلة كوتشيكي النبيلة تنوي تبنيها فأراد رينجي ألا يقف في طريقها فحفزها وأخبرها أنها فرصتها التي لا تعوض. لم يعجب روكيا تخلي رينجي عنها بهذة السهولة، فذهبت وتركته وهي تبكي. أثر هذا الموقف كثيراً في رينجي، وندم عليه ندماً شديداً فيما بعد، خاصة لما واجه روكيا من مشاكل فيما بعد. خلال هذا الموقف رأى رينجي القائد كوتشيكي بياكويا لأول مرة حين كان بعرض على روكيا التبني، وشعر بقوته الكبيرة، ومن هنا نشأت رغبته في التفوق عليه.

انضمامه للجوتي
كان أقرب رفاق رينجي له هما كيرا وهيناموري، وهما من أكثر الطلاب تميزاً بالإضافة إليه، حين لاحظ قائد الفرقة الخامسة آيزن سوسكى قوتهم الثلاثة، قرر يستخدمها بما يفيد مخططاته المستقبلية. فجعل كل من كيرا وهيناموري ورينجي في فرقته بمجرد انضمامهم للفرق الثلاثة عشرة. واجه رينجي صعوبة في بادئ الأمر في ظل ارتفاع مستوى الشينيغامي في الجوتي. فطلب من إكاكو الجندي الثالث في الفرقة الحادية عشرة أن يدربه، وبعد جهد كبير أصبح رينجي ذو شأن كبير، فتم تعيينه نائباً للقائد كوتشيكي بياكويا في الفرقة السادسة.

الظهور الأول
أول ظهور له في حلقات الأنمي بليتش كان في الحلقة رقم 15 حيث كان هو والقائد كوتشيكي بياكويا مكلفان بالعثور على روكيا والبشري الذي أخذ طاقتها ليقتلوه ويعودوا بروكيا لتحاكم. بشكل ما أراد رينجي أن ينقذ روكيا، إلا أنه أقحم نفسه في مواجهات مع إيشيدا يوريو وإيتشيغوالذي كاد يهزمه لولا تدخل القائد بياكويا. بدا رينجي في هذا الوقت عدوا لروكيا حيث لم تكن قد ظهرت تفاصيل حياته السابقة وعلاقته بها. حين عاد لمجتمع الأرواح كان يأمل أن يقوم القائد كوتشيكي بتقديم طلب تخفيف العقوبة على روكيا، إلا أنه فوجئ بإصرار بياكويا على إعدام روكيا.

روابط خارجية

مراجع

شخصيات أنمي ومانغا ذكور
شخصيات بليتش
شخصيات قصص مصورة ظهرت في سنة 2002
شخصيات يتيمة في الأنمي والمانغا
صيادو عفاريت خياليون
صيادو وحوش خياليون
سيافون خياليون

رينجي أباراي


Freden ved Aberconwy var en fredsaftale, der blev undskrevet i 1277 af Kong Edvard 1. af England og Llewelyn den sidste fra det moderne Wales. I flere år havde de kæmpet med hinanden om kontrollen over flere områder i Wales. Freden afsluttede denne fejde, men garanterede i praksis også, at det walisiske selvstyre ville ophøre ved Llewelyns død, og den repræsenterede afslutningen på første stadie af Edvard 1.'s erobring af Wales.

Wales' historie
Englands historie
Fredsaftaler

Freden ved Aberconwy


Andrei Piatov (ucraineană: Андрій Валерійович П'ятов, născut 28 iunie 1984) este un portar ucrainean care joacă la Șahtior Donețk și la naționala Ucrainei.

Andrei Piatov


An Crepidium maximowiczianum in uska species han Liliopsida nga syahan ginhulagway ni George King ngan Robert Pantling, ngan ginhatag han pagkayana nga asya nga ngaran ni Dariusz Lucjan Szlachetko. An Crepidium maximowiczianum in nahilalakip ha genus nga Crepidium, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Crepidium

Crepidium maximowiczianum


A Verdadeira Igreja Ortodoxa Russa ( - RTOC; russo: Российская истинно православная церковь - РИПЦ), também chamados Lazaritas (depois do Arcebispo Lazar (Jurbenko) ou Tikhonitas (após Arcebispo Tikhon (Pasechnik),  é uma juridição ortodoxa russa não canônica, que professa a Verdadeira Ortodoxia. Foi formada em 2002 pelo Arcebispo Lazar (Jurbenko) e pelo Bispo Benjamim (Rusalenko), os dois hierarcas da Igreja Ortodoxa Russa Fora da Rússia (ROCOR) dentro do território da Rússia, que recusaram o processo de unificação da Igreja Ortodoxa Russa Fora da Rússia com o Patriarcado de Moscou; Lazar e Benjamim, portanto, se juntaram à ROCOR(V) (uma Igreja rival da Igreja Ortodoxa Russa Fora da Rússia), e a deixaram depois disso e, assim, sua Jurisdição tornou-se independente.

A RTOC (sigla em inglês) tem dois Arcebispos (Tikhon e Benjamin) e três Bispos (Filaret, Savvati e Germogen); o Presidente do Santo Sínodo é o Arcebispo Tikhon.

História
A Verdadeira Igreja Ortodoxa Russa (RTOC) foi formada em 2002, quando o Arcebispo Lazar (Jurbenko) e o Bispo Benjamin (Rusalenko) ordenaram o Bispo Tikhon (Pasechnik), hegúmeno de Chernigov e Gomel, o Bispo Irineu de Verni (hoje Almati) e Semirechie e o Bispo Dionísio de Novgorod e Tver. Em 2003, eles transformaram seu Fórum Hierárquico em um Sínodo Hierárquico, a Verdadeira Igreja Ortodoxa Russa. De acordo com a RTOC, tudo isso estava de acordo com o Decreto do Santo Patriarca Tikhon nº 362, com sua 2ª Conferência Pan-Russa de Clérigos e Leigos, e teve a bênção do Metropolita Vitaly (Ustinov). Depois disso, o Arcebispo Lazar (Jurbenko) de Odessa e Tambov, o mais velho dos hierarcas russos, foi eleito presidente do Santo Sínodo da Verdadeira Igreja Ortodoxa Russa.

Em 2005, eles elegeram o Arcebispo Ticônio (Pasechnik) de Omsk e da Sibéria como Presidente do Santo Sínodo.

Em 2011, os hierarcas da RTOC ordenaram o hieromonge Akakije (Nemanja Stanković) como o Bispo da Verdadeira Igreja Ortodoxa da Sérvia.

Em 2018, os bispos da RTOC romperam a comunhão com a Verdadeira Igreja Ortodoxa Sérvia quando o Bispo Akakije tomou sob seu omofório um grande número de clérigos que não tinham licença canônica dos hierarcas do RTOC.

Primaz

Atualmente é liderado pelo Primeiro Hierarca, o Arcebispo de Omsk e Sibéria, Ticônio, eleito em 8 de julho de 2005.

Estrutura
Lista de dioceses de acordo com o site oficial:

 Diocese de Omsk-Siberia;
 Diocese do Mar Negro-Kuban;
 Diocese de Gomel-Bryansk;
 Diocese de Vinnitsa-Khmelnitsky;

 Diocese de Odessa;
 Diocese da Austrália;
 Diocese da Europa Ocidental;
 Reitoria norte-americana;
 Missão na América do Sul.

Episcopado

 Ticônio (Pasechnik) - Arcebispo de Omsk e Sibéria, Primeiro Hierarca da RTOC;
 Benjamin (Rusalenko) - Arcebispo do Mar Negro e Kuban, Vice-Presidente;
 Savvaty (Bezkorovainy) - Bispo de Vinnitsa e Khmelnitski;
 Filareto (Basset-Klimatakis) - Bispo de Palin e da Europa Ocidental;
 Hermogênes (Dunnikov) - Bispo de Gomel e Briansk.

Ver também

 Igreja Ortodoxa Russa Autônoma

Referências
Jurisdições ortodoxas extracanônicas
Jurisdições da Igreja Ortodoxa

Cismas da Igreja Ortodoxa Russa fora da Rússia

Verdadeira Igreja Ortodoxa Russa (Lazar Jurbenko)


Clodoaldo Magalhães Oliveira Lyra (Palmares, 13 de novembro de 1975) é um político brasileiro, filiado ao PV, eleito para o cargo de Deputado Federal por Pernambuco.

Biografia
Clodoaldo começou sua carreira política em 2006, aonde se elegeu Deputado Estadual em Pernambuco, sendo reeleito por quatro vezes consecutivas, até 2022, aonde se filiou ao PV e disputou para Deputado Federal, aonde se elegeu atingindo 110.620 votos.

Referências
Deputados federais do Brasil por Pernambuco
Membros do Partido Social Cristão
Membros do Partido Trabalhista Brasileiro
Membros do Partido Socialista Brasileiro de Pernambuco
Membros do Partido Socialista Brasileiro
Membros do Partido Verde (Brasil)

Membros do Progressistas
Membros do Progressistas de Pernambuco
Políticos LGBT do Brasil
Gays

Clodoaldo Magalhães


Los Anchorage Northern Knights fueron una franquicia de baloncesto estadounidense que jugó en la Continental Basketball Association entre 1977 y 1982. Tenían su sede en Anchorage, en el estado de Alaska.

Historia
El equipo se fundó en 1977, y fue conocido en su época por ser el más alejado del deporte profesional estadounidense del resto de competidores, a casi 5.000 kilómetros del destino más cercano. En sus dos primeras temporadas hicieron dos viajes en cada una de ellas para disputar sus partidos fuera de casa, aprovechando para jugar contra todos los equipos desplazándose en autobús. En su primera temporada en la competición, todavía conocida como Eastern Basketball Association, lideraron la División Oeste con 24 victorias y 7 derrotas, cayendo en la lucha por el título en semifinales ante los Lancaster Red Roses.

Al año siguiente, ya con la denominación de Continental Basketball Association, alcanzaron por primera vez las finales, cayendo ante los Rochester Zeniths por un contundente 4-0. Pero en 1980 se tomarían la revancha, repitiendo rival en las finales, derrotándolos por 4-3. Al término de la temporada 1981-82 desaparecerían definitivamente.

Temporadas

Jugadores destacados
Brad Davis, Debutante del Año de la CBA 1978-79.
Ron Davis, MVP de la CBA 1979-80.
Brad Branson
James Hardy

Referencias

Equipos de baloncesto de la CBA
Deporte en Alaska
Anchorage

Anchorage Northern Knights


Das Amt Schlettau war eine zum Amt Grünhain gehörende territoriale Verwaltungseinheit des Kurfürstentums Sachsen. Sie lag wie diese im Erzgebirgischen Kreis. Hauptort des Amtes war die gleichnamige Stadt Schlettau mit dem Schloss Schlettau.

Bis zum Ende der sächsischen Ämterverfassung im Jahr 1856 bildete es den räumlichen Bezugspunkt für die Einforderung landesherrlicher Abgaben und Frondienste, für Polizei, Rechtsprechung und Heeresfolge.

Geographische Ausdehnung
Das Gebiet des Amtes Schlettau befand sich südlich der heutigen Stadt Annaberg-Buchholz im Erzgebirgskreis und reichte vom Oberlauf der Zschopau und der Sehma bis zum Pöhlbach. Höchste Erhebung des Gebiets war der Bärenstein mit 898 Metern Höhe.

Angrenzende Verwaltungseinheiten

Geschichte
Das Amt Schlettau war ursprünglich eine böhmische Herrschaft der Schönburger und unterstand der Oberhoheit des böhmischen Königs. 1351 erhielten Friedrich und Bernhard von Schönburg-Hassenstein (Hasištejn), Preßnitz und Schlettau den Ort Schlettau als Lehen. 1413 kam die Pflege Schlettau mit den dazugehörenden Besitzungen Kranzahl, halb Königswalde, Kuhnersdorf, Sehma, Waltersdorf und den Buchenwald in einem Tauschgeschäft zum Kloster Grünhain. Seit der Leipziger Teilung im Jahr 1485 gehörte es mit den grünhainischen Besitzungen zur ernestinischen Linie der Wettiner. Das Amt Schlettau wurde 1536 nach der Auflösung des Grünhainer Klosters (Einführung der Reformation) eingerichtet und kurz darauf mit dem Amt Grünhain vereinigt. Seit 1547 war das Gebiet albertinisch. Das Amt Grünhain bestand bis 1856 als Teil des Erzgebirgischen Kreises. Danach kam das Kerngebiet um Grünhain zur Amtshauptmannschaft Schwarzenberg und das Unteramt Schlettau zur Amtshauptmannschaft Annaberg.

Zugehörige Orte

Weblinks
 Ämterverzeichnis Amt Schlettau im historischen Ortsverzeichnis von Sachsen.

Literatur
 Karlheinz Blaschke, Uwe Ulrich Jäschke: Kursächsischer Ämteratlas, Leipzig 2009, ISBN 978-3-937386-14-0
 Walter Fritsch: Besiedlung und Frühgeschichte der Schlettauer Pflege. In: Erzgebirgische Heimatblätter. Nr. 3, Olbernhau 1981, S. 112–114.

Einzelnachweise

Schlettau
Grünhain-Beierfeld
Amt (Sachsen)
Geschichte (Erzgebirge)
Geschichte (Erzgebirgskreis)

Amt Schlettau


أحلام محمد (16 فبراير 1957 -), ممثلة و مذيعة بحرينية. بدايتها الفنية في عام 1974. متزوجة من الفنان عبدالله يوسف.

أعمالها

من المسرحيات
 1=1 إخراج خليفة العريفي.
 الممثلون يتراشقون الحجارة إخراج عبد الله يوسف.
 أرض لا تنبت الزهور إخراج عبد الله يوسف.
 الثعلب والعنب إخراج عبد الله يوسف.
 بنت النوخذة إخراج عبد الله يوسف.
 خور المدعي إخراج جمعان الرويعي.

التلفزيونية

 افتح يا سمسم (دور فاطمة).
 الاقدار (بطولة عبد الحسين عبد الرضا وسعد الفرج) دور عايشة.
 فايز التوش (جزئين تأليف حمد الرميحي وغانم السليطي إخراج إبراهيم الصباغ).
 بن عقل (جزئين تأليف راشد الجودر إخراج عبد الله يوسف).
 ملح وذهب (تاليف امين صالح إخراج عبد الله يوسف).
 ليل البنادر (إخراج عبد الله يوسف).
 عويشة السقاية (تأليف راشد الجودر إخراج عبد الله يوسف).
 القرار الأخير (تأليف فجر السعيد إخراج عبد العزيز المنصور).
 دروب الشك (تأليف فجر السعيد إخراج عبد العزيز المنصور).
 سهم الغدر (إخراج رمضان علي).
 وجه واحد لا يكفي (إخراج رمضان علي).
 مسلسل أحلى الأيام
 محطة الأنتظار.

مسلسلات إذاعية

1- سالفة كل يوم (تأليف سعيد الحمد إخراج إبراهيم عيسى).
2- ازهار مريم (تأليف عيسى الحمر إخراج إبراهيم عيسى).
3- الغلام القتيل (تأليف فريد رمضان إخراج نبيل العلوي).
4- حمامة وعصفور (تأليف عيسى الحمر).

العمل
مذيعة بإذاعة البحرين قارئة لنشرات الأخبار ومقدمة للبرامج المباشرة (المنوعة والثقافية).

الجوائز

1 - أحسن ممثلة دور ثاني مسرحية وجوه 1997 (المهرجان المسرحي الخامس لدول مجلس التعاون (الكويت).

2 - جائزة الابداع مهرجان القاهرة السادس للإذاعة والتلفزيون (أحسن ممثلة عام 2000 عن مسلسل ازهار مريم).

3 - شهادة تقدير من مهرجان الخليج السابع للإنتاج التلفزيوني والاذاعي عن مسلسل دروب الشك 2001.

4 - جائزة الابداع مهرجان القاهرة الأخير (أحسن ممثلة عن دور عويشة (مسلسل عويشة السقاية).

5 - كرمت كرائدة من رواد المحرق من قبل نادي المحرق الرياضي.

مراجع

وصلات خارجية

أشخاص على قيد الحياة
مذيعات بحرينيات
ممثلات تلفزيون بحرينيات
ممثلات مسرح بحرينيات
مواليد 1372 هـ
مواليد 1376 هـ
مواليد 1957

أحلام محمد


Seksten en halv time er en kortfilm fra 2013 instrueret af Malou Reymann efter manuskript af Malou Reymann.

Handling
18-årige Anna er på vej til Norge med Oslobåden, da hun bliver bedt om at filme nogle norske fyres polterabend. Pludselig befinder hun sig i en kahyt med gommens bror Christopher på 32, og herfra tager aftenen en uventet drejning. Men Anna har styr på situationen, i hvert fald indtil næste morgen.

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 2013

Seksten en halv time


An Festuca exaristata in uska species han Liliopsida nga ginhulagway ni Evgenii Borisovich Alexeev. An Festuca exaristata in nahilalakip ha genus nga Festuca, ngan familia nga Poaceae.

Mabibilngan ini ha Lesotho. Waray hini subspecies nga nakalista.

Mga kasarigan

Festuca

Festuca exaristata


Brigitte Young (Groß Sankt Florian, 26. svibnja 1946.), austrijska je razvojna ekonomistica i politologinja, stručnjakinja za međunarodnu političku ekonomiju te publicistkinja. Bavi se i vanjskotrgovinskim poslovanjem, monetarnom politikom i gospodarskim učincima globalizacije. Surađivala je i s ustanovama i tijelima Europske unije i SAD-a na stvaranju gospodarskih okvira i provođenju monetarne politike.

Studirala je na Kalifornijskom sveučilištu Santa Barbara, Kalifornijskom sveučilištu Davis i Sveučilištu Wisconsin-Madison. Nakon obrane doktorata na temu međunarodne političke ekonomije predaje na Sveučilištu Wesleyan u Connecticutu, Sveučilišta Georgetown u Washingtonu, kasnije i na Slobodnom berlinskom sveučilištu.

Godine 1999. postala je profesoricom političkih znanosti na Münsterskom sveučilištu, na čijem je Institutu za političke znanosti 2011. postala profesorom emeritusom međunarodne političke ekonomije. Kao gostujući profesor predavala je i na Science Politique u Parizu, Srednjoeuropskom sveučilištu te Sveučilištu u Warwicku.

Autorica je više knjiga i više desetaka članaka u znanstvenim i stručnim časopisima.

Izvori

Austrijski znanstvenici
Ekonomisti

Brigitte Young


බර්මියුඩා ත්‍රිකෝණයදූපත් තුනක් එකට යාකොට පිහිටා ඇති මෙම ප්‍රදේශය අභිරහස් ප්‍රදේශයක් ලෙස සැලකෙන්නේ එම ප්‍රදේශය තුලින් ගමන් කර ඇති සමහරක් නැව්, බෝට්ටු පමණක් නොව ගුවන් යානා පවා කිසිදු තොරතුරක් නොමැතිව අතුරුදහන් වීම නිසාය. විදුලි උප හට අවට ලෝකය සමග සන්නිවේදනයේ පවා ගැටලු මතුවේ. දූපත් 7ක් මෙම ප්‍රදේශයේ පිහිටා ඇති අතර, ඉතා කුඩා දුපත් 150 පමණ දක්නට ලැබේ. මෙහි ඇති බර්මියුඩා දූපත විශාලම දූපත වන අතර එය දැනට මහා බ්‍රිතාන්‍යයේ යටත් විජිතයක් ලෙස පවතී.
 මෝගුයේචෙන් / රාක්ෂ නගරයමෙම නගරය චීනයේ සින් යැන්ග් ප්‍රාන්තයේ පිහිටා ඇති අතර එහි වර්තමාන ස්භාවය අනුව දැනට මෙය කාන්තාරකාරි ස්වභාවයක් ගනි. මෙහි ඇති අපූර්වත්වය නම් යම් කිසි කෙනෙකු මෙම නගරයේ බලකොටුව දෙසට සක්මන් කිරිමේදී මද සුළග හමන වෙලාවට එකී පුද්ගලයාට ඇතීන් ඉතා මිහිරි නාද ඇසීමට හැකි වීමය. ඒවා ගිටාරයක තත් එකිනෙක පිරිමැදීමේදී නැගෙන කන් කලු නාදයට හෝ ගෙජ්ජි සෙලවීමේදී නැගෙන නාදයට ශබ්ද රසයෙන් සමානවේ. එහෙත් වා සුළි නැගෙන කාලයන්හි මෙහි එම ශබ්දය ඉතා ගුප්ත භයංකාර නාද නිකුත් කරන අතර එම ශබ්ද කොටියෙකුගේ බිහිසුණු ශබ්දයටද, මරළතෝනී නගන ගැහැනියෙකුගේ හෝ ඌරෙකු ඝාතනයේදි නැගෙන ශබ්දයට සමානවේ. රාත්‍රි කාලයේදී හිරි ගඩු පිපෙන ආකාරයේ ශබ්ද නිකුත් කරන මෙම අඩවිය කවුරුන් විසින් ගොඩනගන ලැදැයි තවම අභිරහසකි.
 උතුරු අප්රිකාවේ පිහිටා ඇති යෝධ පිරමීඩමෙම යෝධ පිරිමීඩ උතුරු අප්රිකාවේ නයිල් ගංගාව ආශ්රිතව පිහිටා ඇති අතර ප්රධාන වශයෙන් පිරමීඩ 80 පමණ මෙකී ප්රදේශන්හි දක්නට ලැබේ.ඉතා බැරැති ගල් එකක් මත එකක් තබා සාදා ඇති මෙකී නිර්මාණයන් පාරාවෝ රජවරුන්ගේ කාලෙයේදි නිර්මාණය කළ ඇති බව සදහන්. මෙහි ඇති අපූරත්වය නම් මේකී ගල් පැහීමට එකදු ගම් වර්ගයක් හෝ බදාමයක් නොයොදා තිබීමයි. අවුරුදු 5000 කට වඩා ඈත අතීතයක් තිබෙන මෙම නිර්මාණයන්ට සොර සතුරු, විවිධ ආක්රමණ, ස්භාවික පිඩාගෙන් මිදී තවමත් වැලි කතරේ වීරයේකු ලෙස සිටීමට හැකි වීම තවමත් අභිරහසකි.
 ඇන්ටාර්ටිකාවේ වියළි නිම්නයඇන්ටාර්ටිකාව යනු ඉතා විශාල ප්රදේශයක් පුරා පැතිරි ඇති අඩු සත්ව ඝන්ත්වයක් සහිත තනිකරම මහද්වීපයකි. එහි ඇති අයිස් තට්ටුව 2kM පමණ සාමාන්යෙන් ඝනකම් වන අතර එය සමහර කාල වලට 4kM පමණ දක්වා විහිදී යැයි. ශ්රීලංකවේ සිට කෙලින්ම දකුණට ගියොත් හමුවන්නේ ඇන්ටාර්ටිකාවයි නමුත් ඒකී දුර යුරෝපේ සිට ඇමරිකාවට අත්ලාන්තික් සයුර හරහා තිබෙන විස්ථාපනයට වඩා විශාල වේ. මෙහි ඇති වියළි නිම්නය අයිස් වලින් තොර ප්රදේශයක් වනතර එය පුදුමයක් වන්නේ මුලු මහද්වීපයම අයිස්වලින් වැසී යද්දී දැවන්ත ප්රදේශයක් අයිස් වලින් තොරව පිහිටා තිබීම නිසයි.
 මරණයේ ද්වාරයචීනයේ ටිබේට්,ෂින්හයි,ෂින්ශැන් මායිම්ව පිහාටා තිබෙන අති දැවැන්ත ලෙස දිවෙන කන්ලන් කදුකරයේ පිහිටා ඇති මෙම අඩවිය තහනම් අඩවියක් ලෙස චීන බලධාරිහු නම් කර ඇති අතර. ඒසේ වීමට හේතු වී ඇත්තේ ප්රදේශයේ පවතින දැඩි ගුප්ත බව හෝ වෙනයම් කරුණක් නිසාදැයි තවම පැහැදිලි නොමැත. කෙසේ නමුත් ඛනිජ සම්පත් සහ භූ විද්යා ගවේශන කණ්ඩායමකට ඇසී ඇති තොරතරකට අනුව 1983 වසරේදී මෙම ප්රදේශයේ අත්භූත ආකාරයකට මිනිසෙක් මැරී ඇති බවත්. ඔහුගේ සිරුරේ කිසිදු පැල්මක් නොතිබූ බවත්, වාර්තා වෙනවා. ඇට සැකිලි, තැන තැන විසිරි පවතින පුරාණ සොහොන් ගහන මෙම අඩවිය කිසි කෙනෙකු නොයන . ගියහොත් ආපසු නො එන මෙම අඩවිය ඉතා අනතුරු දායක ලෙස සැලකිය හැක.

පෘථිවියේ අද්භූත ස්ථාන පහක්


La Asociación Nacional de Fútbol de Tuvalu es el máximo ente futbolístico de Tuvalu. Está a cargo de la organización de la División-A, la División-B, y todas sus divisiones inferiores, además de la selección de fútbol y la selección de fútbol sala. Desde 2014 Toakai Puapua ha sido el presidente de la asociación.

Pertenece a la OFC desde 2006 pero no esta afiliada a la FIFA. Sin embargo, desde 1987, la asociación de fútbol de Tuvalu ha demostrado su interés en formar parte de la FIFA, pese a que carezcan de las debidas instalaciones de fútbol, Tuvalu no tiene un estadio, ni campos de entrenamiento, ni hoteles para los equipos visitantes y aficionados.

En septiembre de 2008, el primer ministro de Tuvalu, Apisai Ielemia, y el entonces presidente de la Asociación de Fútbol de Tuvalu, Tapugao Falefou, visitaron la sede de la FIFA en Zúrich, con la esperanza de ser miembros de pleno derecho de la organización. La Fundación Dutch Support Tuvalu está trabajando con la asociación de fútbol de Tuvalu para promover la afiliacion de Tuvalu a la FIFA y desarrollar el fútbol en Tuvalu. El equipo de fútbol de Tuvalu y las actividades de la Fundación Dutch Support Tuvalu son el tema central de Mission Tuvalu (Missie Tuvalu) (2013), un largometraje documental dirigido por Jeroen van den Kroonenberg sobre el viaje de Tuvalu para convertirse en miembro de la FIFA.

En 2007, Tuvalu hizo historia al ser la primera selección nacional no afiliada a la FIFA en participar en un partido de clasificación oficial para la copa del mundo. La situación surgió cuando el organismo rector regional utilizó los Juegos del Pacífico Sur de 2007, como la primera etapa del torneo de clasificación para la Copa Mundial de la FIFA 2010 y el torneo de clasificación para la Copa de Naciones de la OFC 2008. Tuvalu se desempeñó con gran crédito, obteniendo un notable empate 1-1 con Tahití en el que Viliamu Sekifu se convirtió en el primer goleador de su país en partidos oficiales de clasificación para la Copa del Mundo. Los otros tres partidos del torneo terminaron en derrota y Tuvalu no logró avanzar de su grupo de cinco equipos.

Competiciones
 División-A (liga nacional)
 División-B (segunda liga nacional)
 Copa Independencia
Copa NBT
Copa Navidad
División-A (liga femenina)

Referencias

Tuvalu
Tuvalu
Fútbol en Tuvalu
ConIFA

Asociación Nacional de Fútbol de Tuvalu


Storm Elvin Thorgerson (1944, Potters Bar, Hertfordshire, İngiltere - 18 Nisan 2013); Pink Floyd'un albüm kapaklarını dizayn eden, Hipgnosis'in kurucusu İngiliz grafiker.

1944 doğumlular
2013 yılında ölenler
Güney Doğu İngiltere doğumlular
İngiliz grafikerler
İngiliz film yönetmenleri
Pink Floyd

Storm Thorgerson


An Eragrostis longipedicellata in uska species han Liliopsida nga ginhulagway ni Bryan Kenneth Simon. An Eragrostis longipedicellata in nahilalakip ha genus nga Eragrostis, ngan familia nga Poaceae.

Mabibilngan ini ha Queensland. Waray hini subspecies nga nakalista.

Mga kasarigan

Eragrostis

Eragrostis longipedicellata


Hladna fronta je atmosferska fronta između dviju zračnih masa različitih svojstava: hladniji zrak prodire prema toplijem u obliku klina i pritom nastaju najčešće izrazite vremenske promjene u smjeru i brzini vjetra, dolazi do pada temperature, pojave pljuskova, grmljavine, porasta tlaka zraka i drugog. Na sinoptičkoj karti se ucrtava na mjestu gdje se sijeku frontalna ploha i površina Zemlje. Nagib frontalne plohe je strmiji nego u toploj fronti i iznosi 1 do 1.5°. Ovisno o brzini gibanja hladne fronte, postoje sporo pokretne ili usporene hadne fronte te brzo pokretne ili ubrzane hladne fronte.

Atmosferske fronte

Na granici između dviju različitih zračnih masa postoje nagle promjene meteoroloških pojava. Ta se granica sastoji od uskog područja, takozvane frontalne zone, koja se pri promatranju u prostornom kretanju na vremenskoj karti smatra i frontalnom plohom. Linija presjeka frontalne plohe s površinom Zemlje zove se fronta. Pri prolazu fronte preko nekog mjesta na tlu naglo se mijenjaju uz temperaturu zraka i vjetar i ostale meteorološke pojave kao što su vlažnost zraka, tlak zraka, naoblaka, vidljivost i tako dalje, a mogu nastati i oborine. Budući da prolaz fronte uzrokuje naglu promjenu vremena, to su fronte jedan od glavnih čimbenika u analizi prizemnih sinoptičkih karata i u prognozi vremena.

Tipična frontalna zona u smjeru kretanja doseže i više tisuća kilometara, ima debljinu od oko 1 kilometar, obuhvaća širinu ne veću od 100 kilometara, a po visini se može protezati od površine Zemlje pa do tropopauze (oko 11 kilometara). Frontalna ploha je nagnuta prema tlu Zemlje pod kutom od 0,5° do 1,5°.

Nagib fronte i okomiti raspored temperature, vlage, vjetra i drugih termodinamičkih svojstava zračnih masa osobito se zapažaju na okomitim presjecima atmosfere. To su grafički prikazi podataka aeroloških stanica uzduž odabrane linije (obično okomito na liniju fronte), s okomitim mjerama mnogostruko povećanim u usporedbi s vodoravnim mjerama. Okomiti presjeci naročito se mnogo upotrebljavaju u zrakoplovnoj meteorologiji.

Prema zemljopisnom području fronte se razvrstavaju na arktičke fronte (nastaju između arktičke i polarne zračne mase), polarne fronte (nastaju između polarne i tropske zračne mase) i tropske fronte (nastaju između tropske i ekvatorijalne zračne mase).

Osnovna podjela fronta odnosi se na toplinska (termička) svojstva i smjer napredovanja pojedinih dijelova fronte. Tople fronte su oni dijelovi fronte koji se premještaju u stranu relativno hladnije zračne mase. Iza tople fronte premješta se toplija zračna masa koja potiskuje hladniju zračnu masu. Hladne fronte su dijelovi fronte koji se pomiču relativno prema toplijoj zračnoj masi. Iza hladne fronte nastupa hladna zračna masa, dok predfrontalna zračna masa odstupa. Brzine ovih tipova fronte međusobno se bitno razlikuju: hladna fronta u sklopu ciklone napreduje brže od tople i s vremenom je dostiže pa nastaje novi tip takozvana fronta okluzije, gdje pri tlu ne postoje temperaturni kontrasti, jer su u dodiru dvije nešto različito temperirane hladne zračne mase.

Vrijeme na frontama
Svojstvene vremenske pojave vezane uz toplu, odnosno hladnu frontu bitno su različite.

U toploj fronti topliji zrak struji iznad klina hladnijeg zraka. Sustav oblaka tople fronte zapaža se u prvom redu ispred linije fronte na tlu, a stvara se iznad klina hladnijeg zraka. Približavanjem tople fronte najprije se na obzoru pojavljuju cirusi, koje slijedi sloj cirostratusa. Daljim približavanjem tople fronte cirostratusi postepeno prelaze u niži i gušći sloj altostratusa koji se dalje zgušćuje, a njihova podnica se spušta pa prelaze u nimbostratus velike debljine (obično od 5 do 6 kilometara) iz koje pada oborina; širina je pojasa oborine oko 300 kilometara.

Pri prolazu tople fronte, osim naoblake, svojstvena je i promjena drugih pojava: ispred linije fronte tlak zraka pada, a nakon prolaza tlak ostaje uglavnom nepromijenjen, vjetar mijenja smjer, temperatura poraste, oborina prestaje, te se djelomično razvedrava.

Prodori hladnih zračnih masa nastaju prolazom hladne fronte, koja je po vremenskim svojstvima općenito mnogo izraženija od tople fronte. Klin hladnog zraka u napredovanju ima veći nagib od tople fronte, pa u labilnom zraku nastaju konvektivni oblaci, često s jakim pljuskovima i grmljavinom.

Prema Bergeronu razlikuju se hladna fronta prve i hladna fronta druge vrste.

Hladna fronta prve vrste nastaje najčešće u stadiju razvoja ciklone, i to blizu njena središta. Nastaju kada hladna zračna masa brzo nadire i podvlači se pod topliju zračnu masu, koju istiskuje. Brzina premještanja fronte prve vrste rijetko doseže 10 m/s. Oblačni sustav nalazi se uglavnom iza linije fronte i sličan je zrcalnoj slici tople fronte. Oborinski je pojas širok oko 100 kilometara, a širina oblačnog sloja iznosi 300 do 500 km. U hladno doba je područje oborina većinom šire nego u toplom dobu. Ljeti je topli zrak nestabilan, a razvijanje kumulonimbusa je izražinije te oni dopiru do tropopauze.

U hladnoj fronti druge vrste osnovni je pojas oborina ispred linije fronte pri tlu. Nastaju kada hladna zračna masa brzo nadire i podvlači se pod topliju zračnu masu, koju naglo istiskuje. Brzina premještanja hladne fronte druge vrste prelazi brzinu od 10 m/s, a može i dosegnuti brzinu od 30 m/s. Obično su to fronte koje se brzo gibaju u unutrašnjim dijelovima ciklone. Zrak i vodena para se naglo dižu i hlade, a vodena para se kondenzira stvarajući grudaste oblake na ili ispred crte fronte. Fronta ima snažno razvijene kumulonimbuse popraćene katkada grmljavinama i naglim kratkotrajnim pojačanim vjetrom. Pojas kumulonimbusa s pljuskovitim oborinama širok je od 50 do 100 kilometara, no ti oblaci obično nisu kontinuirani. Pri prolazu fronte, uz pad temperature, svojstveno je naglo skretanje smjera vjetra na sjeverozapadni kvadrant, izrazit porast tlaka zraka i nakon prestanka oborine bitno poboljšanje vidljivosti.

Fronta okluzije
Fronta okluzije ujedinjuje svojstva tople i hladne fronte, a pojavljuje se u završnoj fazi razvoja ciklone (okludiranje ciklone). Moguća su 2 tipa okluzije: okluzija tipa hladne fronte i okluzija tipa tople fronte.

Okluzija tipa tople fronte nastaje kad hladna fronta dostigne toplu frontu pri tlu, a hladni je zrak iza hladne fronte topliji od hladnog zraka ispred tople fronte. Hladna fronta podiže od tla topli zrak tople fronte, penjući se na još hladniji zrak koji se prvobitno nalazio ispred tople fronte. Oblačni sustav mnogo sliči na oblake tople fronte, a pojas oborine je ograničen na područje između fronte okluzije pri tlu i visinske hladne fronte.

Okluzija tipa hladne fronte nastaje kada je zrak na stražnjoj strani hladne fronte hladniji od hladnog zraka ispred tople fronte. Tada hladna fronta podiže od tla ne samo topli zrak tople fronte nego se kao klin uvlači i ispod relativno zraka koji je prvobitno bio ispred tople fronte. Oblačni sustav tog tipa fronte ima svojstva naoblake hladne fronte, s pojasom oborine s obje strane fronte okluzije. Fronta okluzije često je popraćena i grmljavinom, a kumulusi i kumulonimbusi pojavljuju se i iza fronte okluzije. Hladna okulzija većinom nastaje uz istočne obale kontinenata.

Nakon prolaza fronte okluzije općenito nastupa razvedravanje. Uz promjene tlaka zraka zapažaju se i promjene smjera vjetra, no promjene su temperature zraka redovito malene.

Izvori

Meteorologija

Hladna fronta


Arjantin millî futbol takımı (İspanyolca: Selección de fútbol de Argentina), Arjantin'i ulusal seviyede temsil eden erkek millî futbol takımıdır. Arjantin Futbol Federasyonu tarafından yönetilmektedir.

Arjantin, kazandığı 3 FIFA Dünya Kupası, 15 Copa América, 1 Panamerikan Oyunları, 1 FIFA Konfederasyonlar Kupası ve 2 CONMEBOL-UEFA Şampiyonlar Kupası olmak üzere toplam 22 kupa ile erkek millî futbol takımları arasında rekor sayıda resmi şampiyonluğa sahiptir.

Turnuva tarihi
 Şampiyon   İkincilik   Üçüncülük   Dördüncülük

FIFA Dünya Kupası tarihi

FIFA Konfederasyonlar Kupası tarihi

Copa América

Panamerikan Oyunları tarihi
1951 - Şampiyon
1955 - Şampiyon
1959 - Şampiyon
1963 - İkinci
1967 - 1. Tur
1971 - Şampiyon
1975 - Üçüncü
1979 - Üçüncü
1983 - 1. Tur
1987 - Üçüncü
1991 - Katılmadı
1995 - Şampiyon
1999 - Katılmadı
2003 - Şampiyon
2007 - 1. Tur
2011 - İkinci

Olimpiyat tarihi

Takım kadrosu
Aşağıdaki 26 oyuncu takımın 2022 FIFA Dünya Kupası kadrosudur. 17 Kasım'da, sakatlıklar nedeniyle Nicolás González yerini Ángel Correa'ya. Joaquín Correa da yerini Thiago Almada'ya bırakmıştır.

Oynadığı maç ve gol sayıları 18 Aralık 2022'de Fransa ile oynanan maçın ardından güncellenmiştir.

Forma tarihi

Ev Sahibi

Deplasman

İstatistikler

Kalın isimli oyuncular aktif olarak millî takımdalar.

En Fazla Millî Formayı Giyenler

En Fazla Millî Formayla Gol Atanlar

Stadyum

Arjantin, iç saha maçlarının çoğunu River Plate'in Buenos Aires'teki stadyumu Estadio Monumental'da oynuyor, ancak takım ayrıca Boca Estadio Único Madre de Ciudades ve Boca Juniors'un stadyumu La Bombonera gibi çeşitli diğer mekânları da sıklıkla kullanıyor. Estadio Mario Alberto Kempes ve Estadio San Juan del Bicentenario ile birlikte bu mekânlar 2022 Dünya Kupası elemeleri için kullanıldı. Ek olarak Arjantin, 2010 Dünya Kupası elemeleri sırasında Rosario Central'ın stadyumu Estadio Gigante de Arroyito'da bazı maçlar oynadı.

GEBA Stadyumu, Arjantin'in iç saha maçları için kullandığı ilk stadyumdu; 13 Eylül 1908'de Uruguay'a karşı oynanan Copa Newton maçını içerir, Arjantin'in resmî bir maçta ilk kez açık mavi ve beyaz çizgili formayı giymesi nedeniyle tarihi bir önemi vardır ve o günden bu güne Arjantin için tanımlayıcı forma olmuştur. GEBA, Arjantin Futbol Federasyonu tarafından 1910'da düzenlenen Copa América'nın atası sayılan Güney Amerika millî takımları arasında düzenlenen ilk müsabaka olan Copa Centenario Revolución de Mayo için de kullanıldı. Arjantin, GEBA'da en son 19 Ekim 1919'da oynadı ve Uruguay'a karşı 6-1 galibiyetten sonra Copa Premier Honor Argentino'yu kazandı.

Ayrıca Estadio Sportivo Barracas, Arjantin için unutulmaz bir mekan olarak kabul edilir; stadyum, 1920'den 1932'ye kadar Arjantin tarafından yaygın olarak kullanılmıştır. 2 Ekim 1924'te bu stadyumda oynanan maçta Arjantinli forvet Cesáreo Onzari, futbolda bir ilk olan bir şey başardı; köşe vuruşundan doğrudan gol attı. Stadyum, 1936'dan sonra yıkıldı.

Kaynakça

Arjantin millî futbol takımı


Per Juul (født i 1948) er en dansk sanger, komponist og guitarist. Er uddannet Cand.Mag. i dansk og teaterhistorie.

Han debuterede som sanger i Tivolis Vise-Vers-Hus i 1968. Udsendte i sin første plade i 1969.
Han skrev bl.a. den populære sang "Mit Navn er Steen" fra 1971.

Eksterne henvisninger
 Hvem sang sangen om Steen med det ekstra ben?
 Officiel hjemmeside

Komponister fra Danmark
Sangere fra Danmark

Per Juul


Jerčić je hrvatsko prezime, većim dijelom iz okolice Omiša. U prošlom stoljeću relativno najviše hrvatskih stanovnika s ovim prezimenom rođeno je u Gradu Splitu i u okolici Omiša. U Podgrađu u Gradu Omišu svaki treći stanovnik prezivao se Jerčić.

Prezime je nastalo od hipokoristika Jerko osobnog imena Jeronim (latinski Hieronimus, grčki Hieronimos; grčki hieros = svet + onoma = ime, dakle onaj koji ima sveto ime). Proširilo se Dalmacijom, jer je nebeski zaštitnik te pokrajine Sveti Jeronim, jedan od četvorice velikih latinskih crkvenih otaca; rođen je u rimskoj Dalmaciji oko 347. godine, a umro je 420. godine; s hebrejskih, grčkih i aramejskih izvornika preveo je na latinski jezik Bibliju; prema legendi izvadio je lavu trn iz šape pa mu je postao vjernim pratiteljem; Svetom se Jeronimu pripisuje i izreka: "Oprosti mi, Bože, što sam Dalmatinac."

Prisutni su u deset hrvatskih županija, u 17 gradova i 27 manjih naselja, najviše u Splitu (150), Podgrađu (100), Kaštel Sućurcu (55), Omišu (55), te u Pražnici na otoku Braču (45). Danas u Hrvatskoj živi više od sedam stotina ljudi zvanih Jerčić.  Sredinom prošlog stoljeća bilo ih je približno 420, pa se njihov broj povećao za 50 posto.

Izvori

Hrvatska prezimena

Jerčić


Gustave Mayer (né le  à Prenzlau et mort le  à Londres) est un journaliste et historien allemand du mouvement ouvrier.

Biographie
Gustav Mayer, qui grandit dans une famille de marchands juifs, étudie l'histoire et l'économie et obtient son doctorat en 1893 en tant qu'économiste social à Bâle avec une thèse sur Lassalle. De 1896 à 1906, Mayer travaille comme correspondant étranger pour le Frankfurter Zeitung en Hollande, en Belgique et en France.

Politiquement, Mayer sympathise avec l'aile révisionniste du Parti social-démocrate d'Allemagne, mais n'est pas membre du parti.

Après son travail de journaliste, Mayer est professeur à Bruxelles pendant une courte période. À partir de 1906, son mariage avec Henriette "Flora" Wolff (1882-1963), issue d'une famille aisée, lui permet de poursuivre une seconde carrière d'érudit privé et d'historien. Mayer devient l'un des premiers historiens du mouvement ouvrier allemand. Cependant, sa tentative d'habilitation à l'Université de Berlin en 1918 échoue en raison de l'opposition de l'historien conservateur national Dietrich Schäfer. Ce n'est qu'en 1919 que le ministre social-démocrate de l'Éducation, Konrad Haenisch, lui confie une chaire extraordinaire d'histoire de la démocratie et du socialisme à l'université de Berlin, contre la volonté de la faculté de philosophie.

Mayer écrit plusieurs biographies de dirigeants du mouvement ouvrier allemand et édite plusieurs volumes de documents sur l'histoire du mouvement ouvrier. En particulier, sa biographie en deux volumes de Friedrich Engels est toujours considérée comme un ouvrage de référence important. Après sa destitution à la suite de la « prise du pouvoir » national-socialiste en 1933, il émigre aux Pays-Bas et en 1936 en Grande-Bretagne, où il vit jusqu'à sa mort.

Son héritage est à l'Institut international d'histoire sociale à Amsterdam.

Travaux
 Johann Baptist von Schweitzer und die Sozialdemokratie. Ein Beitrag zur Geschichte der deutschen Arbeiterbewegung. Gustav Fischer, Jena 1909 (Reprint Detlev Auvermann, Glashütten im Taunus 1970).
 Friedrich Engels. Eine Biographie Band 1: Friedrich Engels in seiner Frühzeit. Band 2: Engels und der Aufstieg der Arbeiterbewegung in Europa. 2. Auflage. Martinus Nijhoff, Haag 1934/1934 (Erstausgabe 1920; 1933 eingestampft).
 Ferdinand Lassalle: Nachgelassene Briefe und Schriften. Hrsg. von Gustav Mayer. 6 Bde., Deutsche Verlagsanstalt, Berlin 1921–1925, Historische Kommission München.
 Bismarck und Lassalle. Ihr Briefwechsel und ihre Gespräche. J. H. W. Dietz Nachf., Berlin 1928.
 Erinnerungen. Vom Journalisten zum Historiker der deutschen Arbeiterbewegung. Europaverlag, Zürich 1949.
 Radikalismus, Sozialismus und bürgerliche Demokratie. Hrsg. und mit einem Nachwort versehen von Hans-Ulrich Wehler. Suhrkamp Verlag, Frankfurt am Main 1969 (edition suhrkamp 310).

Bibliographie

 Mayer, Gustav. In: Lexikon deutsch-jüdischer Autoren. Band 16: Lewi–Mehr. Hrsg. vom Archiv Bibliographia Judaica. Saur, München 2008 , S. 384–389.
  (Hrsg.): Gustav Mayer – Als deutsch-jüdischer Historiker in Krieg und Revolution 1914-1920. Tagebücher, Aufzeichnungen, Briefe. Oldenbourg Wissenschaftsverlag, München 2009 .
 Jens Prellwitz: Jüdisches Erbe, sozialliberales Ethos, deutsche Nation: Gustav Mayer im Kaiserreich und in der Weimarer Republik. Palatium-Verlag, Mannheim 1998 .
 Hans-Ulrich Wehler: Gustav Mayer. In: ders. (Hrsg.): Deutsche Historiker. Band 1. Vandenhoeck & Ruprecht, Göttingen 1973, S. 228–240.

Liens externes

 Liste des successions à l'Institut international des affaires sociales d'Amsterdam

Références

Historien allemand
Professeur à l'université Humboldt de Berlin
Professeur à l'université Johann Wolfgang Goethe de Francfort-sur-le-Main
Naissance en octobre 1871
Naissance à Prenzlau
Naissance dans la province de Brandebourg
Décès en février 1948
Décès à Londres
Décès à 76 ans

Gustav Mayer


The pedal steel guitar is a console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than other steel guitar designs. Like all steel guitars, it can play unlimited glissandi (sliding notes) and deep vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Hawaiian music.

Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music— a sound not previously possible on steel guitars before pedals were added.

From its first use in Hawaii in the 19th century, the steel guitar sound became popular in the United States in the first half of the 20th century and spawned a family of instruments designed specifically to be played with the guitar in a horizontal position, also known as "Hawaiian-style". The first instrument in this chronology was the Hawaiian guitar also called a lap steel; next was a lap steel with a resonator to make it louder, first made by National and Dobro Corporation. The electric guitar pickup was invented in 1934, allowing steel guitars to be heard equally with other instruments. Electronic amplification enabled subsequent development of the electrified lap steel, then the console steel, and finally the pedal steel guitar.

Playing the pedal steel has unusual physical requirements in requiring simultaneous coordination of both hands, both feet and both knees (knees operate levers on medial and lateral sides of each knee); the only other instrument with similar requirements is the American reed organ. Pioneers in development of the instrument include Buddy Emmons, Jimmy Day, Bud Isaacs, Zane Beck, and Paul Bigsby. In addition to American country music, the instrument is used in sacred music in the eastern and southern United States (called Sacred Steel), jazz, and Nigerian Music.

Early history and evolution

In the late 19th century, Spanish guitars were introduced in the Hawaiian Islands by European sailors and Mexican "vaqueros".  Hawaiians did not embrace the standard guitar tuning that had been in use upon their introduction. Rather, they re-tuned the guitars to make them sound a major chord when all six strings were strummed, now known as an "open tuning". The term for this is "slack-key" because certain strings were "slackened" to achieve it. To change chords, they used some smooth object, usually a piece of pipe or metal, sliding it over the strings to the fourth or fifth position, easily playing a three-chord song. It is physically difficult to hold a steel bar against the strings while holding the guitar against the body and the Hawaiians laid the guitar across the lap and played it while sitting.  Playing this way became popular throughout Hawaii and spread internationally.

Electrific amplification

Hawaiian lap steel guitars were not loud enough to compete with other instruments, a problem that many inventors were trying to remedy. In Los Angeles in the 1920s, a steel guitar player named George Beauchamp saw some inventions which added a horn, like a megaphone, to steel guitars to make them louder. Beauchamp became interested, and went to a shop near his home to learn more. The shop was owned by a violin repairman named  John Dopyera. Dopyera and his brother Rudy, showed Beauchamp a prototype of theirs which looked like a big Victrola horn attached to a guitar, but it was not successful. Their next attempt yielded some success with a resonator cone, resembling a large metal loudspeaker, attached under the bridge of the guitar. Buoyed by their success, Beauchamp joined the Dopyera brothers in forming a company to pursue their invention. The new resonator invention was promoted at a lavish party in Los Angeles and demonstrated by the well-known Hawaiian steel player Sol Hoopii. An investor wrote a check for $12,000 that very night.

A factory was built to manufacture metal-body guitars with the new resonators. Money problems and disagreements followed, and the Doperyas won a legal battle against Beauchamp over the company, then went on their own to form "the Dobro Corporation", Dobro being an acronym for DOpyera and BROthers. Beauchamp was out of a job. He had been thinking about an "electric guitar" for years, and at least part of the dispute with the Dopyeras was over him spending too much time on the electrification idea and not enough on improving the resonator guitar. Beauchamp enrolled in electronics courses and, for his first effort, he made a single-string guitar out of a 2x4 piece of lumber and experimented with phonograph pickups, but had no success. He eventually came up with the idea of using two horseshoe magnets encircling the guitar strings like a bracelet, and six small metal rods wrapped with wire to concentrate the magnetic field (one under each guitar string).

When connected to an electronic amplifier and loudspeaker, it worked. He enlisted the aid of a skilled craftsman to fashion a guitar neck and body to connect to his device. The final construct, he thought, resembled a frying pan, and that is what the instrument was nicknamed. He applied for patent June 2, 1934 and received it on August 10, 1937. Beauchamp asked a nearby engineer named Adolph Rickenbacker to help manufacture the product and together they founded a company first named "Ro-Pat-In", soon changed to "ElectroString". The guitar brand was called "Rickenbacker" because they thought the name was easier to pronounce than "Beauchamp" (pronounced Beecham) and because Adolph's cousin, Eddie Rickenbacker, an American pilot and WWI flying ace, was a well-known name in the U.S. at that time.

In 1931, the Great Depression was at its worst, and people were not buying guitars; in addition, the patent office delayed on the application, in part because they had no category for the  invention—was it a musical instrument or an electrical device?  Electrostring's competitors infringed on the patent, but the owners did not have the money to litigate the infringements. Beauchamp was ultimately deprived of economic benefit for his invention because his competitors rapidly improved on it making his specific patent obsolete. Electrostring's most successful product was the Hawaiian guitar (lap steel) A22 "Frying Pan", the first electrified instrument of any kind — made with a metal body, smaller than a traditional Spanish guitar, to be played on the musician's lap.

Two additional breakthroughs emerged: One, the guitar amplifier, which had to be purchased in order to use the invention; and two, perhaps unrealized at the time, that electrified guitars no longer had to have the traditional guitar shape—this profoundly influenced electric guitar designs forever forward.

Lap steel

The first lap steels had a smaller body, but still retained a guitar-like shape. Instrument makers rapidly began making them into a rectangular block of wood with an electric pickup, the precursor of the pedal steel. According to music writer Michael Ross, the first electrified stringed instrument on a commercial recording was a western swing tune by Bob Dunn in 1935. He recorded with Milton Brown and his Musical Brownies. Brown has been called "The father of western swing"  The inherent limitation of the lap steel was its constraint to very limited chords not changeable during a performance without re-tuning. For that reason, scores of different tunings are available for lap steel players.

Lap steel becomes console steel

The next problem to be dealt with was the need to play with different voicings on the same guitar; i.e., the way the strings are tuned. The only way to accomplish this at the time was the addition of a duplicate neck and strings on the same instrument, tuned differently. Players continued to add more necks, eventually getting up to four. This meant a bigger and heavier instrument, now called a "console" which necessitated putting it on a stand or legs rather than the performer's lap. Noel Boggs, a lap steel player with Bob Wills, received the first steel guitar made by instrument maker Leo Fender in 1953. Fender relied on prominent performers to field test his instruments. Boggs was one of the first players to switch to a different neck during a solo. Leon McAuliffe, composer of "Steel Guitar Rag", also played with Bob Wills, and used a multi-neck steel guitar. When Wills said his well-known tag line, "Take it away, Leon", he was referring to McAuliffe. A Fender Stringmaster triple-neck console steel was heard in a number one hit song in 1959,"Sleep Walk", a steel guitar instrumental by Santo and Johnny, the Farina Brothers.

Console steel becomes pedal steel

The expense of building multiple necks on the same instrument made them unaffordable for most players, and a more sophisticated solution was needed. At this point, the goal was simply to create a pedal that would change the pitch of all the strings at once to emulate a second neck. In 1939, a guitar called the "Electradaire" featured a pedal controlling a solenoid, triggering an electrical apparatus to change the tension on the strings. This was not successful. That same year, bandleader Alvino Rey worked with a machinist to design pedals to change the pitch of strings but was without success. The Harlan Brothers of Indianapolis created the "Multi-Kord" with a universal pedal that could fairly easily be configured to adjust the pitch of any or all strings, but was extremely hard to push when tensioning all strings at once. The Gibson Guitar Company introduced the "Electraharp" in 1940, which featured pedals radially oriented from a single axis at the instrument's left rear leg. The instrument was not popular and only 43 were sold before production was halted, but the U.S. entry into World War II played a part in lack of demand. After WW II, Gibson redesigned and reintroduced the Electraharp and Bud Isaacs used one on the song "Big Blue Diamonds" for King Records.   The most successful pedal system from the various contenders was designed about 1948 by Paul Bigsby, a motorcycle shop foreman and racer who also invented the commercially successful Spanish guitar vibrato tailpiece. Bigsby put pedals on a rack between the two front legs of the steel guitar. The pedals operated a mechanical linkage to apply tension to raise the pitch of the strings.

Bigsby built guitars incorporating his design for the foremost steel players of the day, including Speedy West, Noel Boggs, and Bud Isaacs, but Bigsby was a one-man operation working out of his garage at age 56, and not capable of keeping up with demand. One of Bigsby's first guitars was used on "Candy Kisses" in 1949 by Eddie Kirk. The second model Bigsby made went to Speedy West, who used it extensively.

Pedal steel in country music: the birth of a new sound

In 1953, Bud Isaacs received one of Bigsby's new creations, a double-neck steel which featured pedals to change the pitch of only two strings. Isaacs was the first to push the pedal while notes were still sounding. Other steel players strictly avoided doing this, because it was considered "un-Hawaiian".   When Isaacs first used the setup on the 1953 recording of Webb Pierce's song "Slowly", he pushed the pedal while playing a chord, so notes could be heard bending up from below into the existing chord to harmonize with the other strings, creating a stunning effect which had not been possible with the older (non-pedal) lap steels. Of this recording of "Slowly", steel guitar virtuoso Lloyd Green said, "This fellow, Bud Isaacs, had thrown a new tool into musical thinking about the steel with the advent of this record  that still reverberates to this day."  It was the birth of the future sound of country music and caused a virtual revolution among steel players who wanted to duplicate it.

Also in the 1950s, steel guitar hall-of-famer Zane Beck added knee levers to the pedal steel guitar capable of bending notes downward. The player can move each knee either right, left or up (depending on the model) triggering different pitch changes. The levers function basically the same as foot pedals, and may be used alone, in combination with the other knee, or more commonly, in combination with one or two foot pedals. They were first added to Ray Noren's console steel. Initially, the knee levers just lowered the pitch, but in later years with refinements, could raise or lower pitch.

Buddy Emmons' contributions to pedal steel

When "Slowly" was released, Bigsby was in the process of building a guitar for steel virtuoso Buddy Emmons. Emmons heard Isaacs' performance on the song, and told Bigsby to make his guitar setup to split the function of Isaacs' single pedal into two pedals, each controlling a different string. This gave the advantages of making chords without having to slant or move the bar, e.g., minors and suspended chords. Jimmy Day, another prominent steel player of the day, did the same thing, but reversed which strings were affected by the two pedals. This prompted future manufacturers to ask customers if they wanted a "Day" or an "Emmons" setup. In 1957, Emmons partnered with guitarist/machinist Harold "Shot" Jackson to form the Sho-Bud company, the first company devoted solely to pedal steel guitar manufacture.

Emmons made other innovations to the steel guitar, adding two additional strings (known as "chromatics") and a third pedal, changes which have been adopted as standard in the modern-day E9 instrument. The additional strings allow the player to play a major scale without moving the bar. He also developed and patented a mechanism to raise and lower the pitch of a string on a steel guitar and return to the original pitch without going out of tune. The Sho-Bud instruments of the day had all the latest features: 10 strings, the third pedal, and the knee levers.

Modern pedal steel

 The pedal steel continues to be an instrument in transition. In the United States, as of 2017, the E9 neck is more common, but most pedal steels still have two necks. The C6 is typically used for western swing music and the E9 neck is more often used for country music. The different necks have distinctly different voicings. The C6 has a wider pitch range than the E9, mostly on the lower notes.
Certain players prefer different setups regarding which function the pedals and levers perform, and which string tuning is preferred. In the early 1970s, musician Tom Bradshaw coined the term copedent ( ), a portmanteau of "chord-pedal-arrangement". Often represented in table form, it is a way of specifying the instrument's tuning, pedal and lever setup, string gauges and string windings.

There are proponents of a "universal tuning" to combine the two most popular modern tunings (E9 and C6) into a single 12 or 14-string neck that encompasses some features of each. It was developed by Maurice Anderson and later modified by Larry Bell. By lowering the C6 tuning a half-step to make it a B6, many commonalities with the E9 tuning are achieved on the same neck and it is called the E9/B6 tuning.

Use in non-traditional genres

The pedal steel most commonly associated with American country music, but it is also sometimes heard in jazz, sacred music, popular music, nu jazz, and African music.
In the United States in the 1930s, during the steel guitar's wave of popularity, the instrument was introduced into the House of God, a branch of an African-American Pentecostal denomination, based primarily in Nashville and Indianapolis. The sound bore no resemblance to typical American country music. The  steel guitar was embraced by the congregation and often took the place of an organ. The first documented use of a pedal (rather than lap) steel in this tradition was in 1952, but it did not become
common until the early 1970s. This musical genre, known as "Sacred Steel" was largely unknown until, in the 1980s, a minister's son named Robert Randolph took up the instrument  as a teenager, and has popularized it and received critical acclaim as a musician. Neil Strauss, writing in the New York Times, called Randolph "one of the most original and talented pedal steel guitarists of his generation.

The pedal steel guitar became a signature component of Nigerian Juju music in the late 1970s. Nigerian bandleader King Sunny Adé featured pedal steel guitar in his 17 piece band, which, wrote New York Times reviewer Jon Pareles, introduces "a twang or two from American blues and country"  Norwegian jazz trumpeter Nils Petter Molvaer, considered a pioneer of Future jazz (a fusion of jazz and electronic music), released the album Switch, which features the pedal steel guitar.

See also
Steel guitar
Console steel guitar
Lap steel guitar
Electric guitar
Frying Pan (guitar)
Resonator guitar
Slack-key guitar
Slide guitar

Notes

References

External links
 Universal tuning
 The British Steelies Society Forum
 Steel Guitar Forum – A discussion site for pedal steel, lap steel, and related musical instruments
 Steel Guitar Jazz – A website featuring pedal and nonpedal steel guitar in jazz music – run by Jim Cohen
 www.pedalsteel.co.uk – website run by Bob Adams

Electric guitars
Steel guitar
Box zithers
Amplified instruments
Continuous pitch instruments

Sacred musical instruments
Musical instruments by year
1940 musical instruments

Pedal steel guitar


Burretiokentia vieillardi est une espèce de palmier originaire de Nouvelle-Calédonie.

Caractéristiques
Palmier solitaire de 8 à  ; tronc brun verdâtre, annelé, d'environ  de diamètre ; de 9 à 10 feuilles pennées  de couleur verte olive ; folioles alternes; les deux centrales de quelque  de long par quelque  de large ; allongés au sommet. Inflorescences denses, sous la structure tabulaire verdâtre , fleurs monoique. Fruits ovales d'environ  de long, de couleur rouge a maturité.

Origine et habitat
Ce palmier, originaire de Nouvelle-Calédonie, a été cultivée dans le Jardin Botanique de Caracas, au Venezuela. Il requiert de climats assez humides. Il peut prospérer en des lieux de climat tropical ou subtropical chaud.

Propagation et culture
Il se propage par graines. Ceux semées à Caracas  ont germé au bout de 5 mois. L'arrosage doit être très fréquent.

Usages
Très ornemental en  jardins et dans des parcs des régions tropicale . Il se plante sous forme groupé.

Taxonomie
Burretiokentia vieillardii , a été décrite par (Brongn. & Gris) Pic.Serm. , et fut publié sur Webbia 11: 124. en 1955.

 Étymologie

Burretiokentia: Nom générique qui est consacré au  botaniste allemand Max Burret, et à  l'horticulteur William Kent, conservateur du Jardin Botanique de Buitenzorg sur Java.

vieillardii: épithète attribué en honneur du botaniste français Eugène Vieillard (1819-1896).

 Synonymie
 Cyphosperma vieillardii (Brongn. & Gris) G.Nicholson    (1884)
 Cyphosperma vieillardii (Brongn. & Gris) H.Wendl. ex Hook.f. (1884)
 Kentia vieillardii Brongn. & Gris (1864).
 Rhynchocarpa vieillardii (Brongn. & Gris) Becc. (1920).

Voir aussi

 Annexe:Chronologie de la botanique
 Histoire de la Botanique
 Terminologie descriptive des plantes
 Description des arecaceae

Références

Bibliographie

 Jesús Hoyos et August Braun, "Palmiers du Venezuela", An 2001, Société de Sciences Naturelles La Salle

Liens externes

Basseliniinae
Espèce d'Arecaceae (nom scientifique)
Arbre en Nouvelle-Calédonie
Monocotylédone ornementale

Burretiokentia vieillardii


NGC 6500 je spiralna galaktika u zviježđu Herkulu.

Izvori

Vanjske poveznice

  Hartmut Frommert: Revidirani Novi opći katalog
  Izvangalaktička baza podataka NASA-e i IPAC-a
  Astronomska baza podataka SIMBAD
   VizieR
 DSS-ova slika NGC 6500
  Auke Slotegraaf: NGC 6500 Deep Sky Observer's Companion
  NGC 6500  DSO-tražilica
  Courtney Seligman: Objekti Novog općeg kataloga: NGC 6500 - 6549

6500

NGC 6500


Bruno Meneghel (født 3. juni 1987) er en brasiliansk fodboldspiller.

Referencer

Eksterne henvisninger

Fodboldspillere fra Brasilien

Bruno Meneghel


Élie II d'Alexandrie est un  patriarche melkite d'Alexandrie vers  1175 à 1180

Contexte
Il succède à Sophrone III et précède Éleuthère

Notes et références

Bibliographie

Patriarche orthodoxe d'Alexandrie du XIIe siècle

Élie II d'Alexandrie


Bulkington is a large village and former civil parish near Bedworth, in the Nuneaton and Bedworth district of Warwickshire, England. In the 2011 census the ward had a population of 6,146 and 6,303 in the 2001 census. It is located around  northeast of Coventry, just east of the towns of Nuneaton and Bedworth and  southwest of Hinckley. Despite historically having stronger links with Bedworth, Bulkington forms part of the Nuneaton Urban Area. Bulkington was mentioned in the Domesday Book as Bochintone, meaning "estate associated with a man called Bulca".

The parish originally contained seven hamlets, two of which were subsumed by Bulkington village following residential building expansion which began in the 1930s.

Historically the main industry in Bulkington was ribbon weaving. Today Bulkington is largely a commuter village for larger nearby urban centres such as Coventry, Nuneaton, Bedworth, Hinckley and Leicester.

Bulkington has connections with the locally born author George Eliot (Mary Ann Evans), who knew the village well. She is thought to have referred to it as Raveloe in her book Silas Marner (1861). The church of St James is where George Eliot's uncle and aunt are buried.

History

Medieval
The early history of Bulkington can be traced in the Domesday Book where it is mentioned as among the estates of the Count of Meulan, overseen by his sub-tenant Salo. Originally the parish of Bulkington consisted of two five-hide vills - in the south Bulkington and Barnacle, and in the North Marston, Weston and Bramcote. The first four of these were all held by the Count of Meulan. Bulkington was the largest of these sub-divisions (at 4 hides and 1 virgate) and functioned as the centre of the manor; however, by the late 13th century the centre of the manor had moved to Weston-in-Arden. By 1285 the manor of Weston contained Bulkington, Bramcote, Barnacle, Ryton, Clifton, and Wibtoft. The manor house Weston Hall, which dates to the 16th century, still stands in Weston-in Arden. It was substantially renovated in 1892, and after serving for a time as a night club in the 1970s and 1980s, it now functions as a hotel.

Early modern
Throughout the medieval period and until the late 18th century, the principal employment in Bulkington had been agriculture:  of meadow land were recorded in 1086; further, windmills are recorded for Weston and Marston Jabbett, and a water mill in Bramcote. However, in 1766  of common land were enclosed at Ryton, and 4 years later enclosure was applied to the remainder of land in Bulkington, totalling . Because of this, ribbon weaving supplemented or replaced agriculture as the main source of income for the majority of Bulkington's population. This cottage industry had spread to Bulkington from the major centres of Coventry and Bedworth, where it had been introduced by the Huguenots in the 18th century.

The late 18th century and early 19th century was a period of significant growth for the village, with its population almost tripling in size. The 1830s saw a slump in the industry, due in part to the introduction of factory production at Coventry, and competition from cheap imports. However, the 1840s brought another period of growth when many buildings were re-fronted or rebuilt in chequered brick work (characteristic of North Warwickshire buildings of the period). The industry collapsed in the 1860s "when the Cobden treaty with France removed the duty on French silks entering England". This was accompanied by a depression in agriculture and led to a fall in the population by almost a third by 1891.

The Bulkington Baptismal register, 1841–1861, records that: 'On Thursday, 15 August 1861, six families comprising 27 members left for Quebec, Canada, in consequence of the continued depression of the Ribbon trade… . At the same time 83 houses were vacant in the parish. Robert Potter, Vicar'. Nonetheless, ribbon production continued in Bulkington into the middle of the 20th century, through small factory production rather than as a cottage industry. The last factory, in Arden Road, closed in the early 1950s.

In 1847 the Trent Valley Line was built near the village, and Bulkington railway station was opened. The station was closed in 1931.

Recent developments
Speculative private housing development began in the 1930s and by the 1960s surrounded the village with expansive suburban areas. In addition to the greenfield development of the 1960s, much of the village itself was redeveloped. This involved the creation of a shopping precinct in Leicester Street, which was the traditional heart of the village. Additionally, many of the chequered-pattern brick buildings were replaced by typical 1960s suburban houses. In 1968 a new east-west distributor road linking School Road and Bedworth Road replaced an ancient footpath.

This development divorced the Church from Church Street; further road developments led to the demolition of many of the buildings in the historic precinct, and by the 1980s only Church Street retained any historic continuity. The remaining historic buildings were threatened with demolition which led directly to the creation of the Bulkington Conservation Area in 1985, which covers Church Street and the area surrounding St James' Parish Church.

In November 2008 the Barbridge Close area, north of St James' Church, was excluded from the conservation area. St. James' is a Grade II listed building, along with two 19th-century chest tombs in the grounds. Numbers 3 and 4 Church Street, and the wrought iron railings on St James' are also afforded listed status.

Governance

Political representation
Bulkington is a ward of the Nuneaton and Bedworth local government district which, like the other wards in the district, is represented by 2 councillors. Bulkington is represented by Richard Smith (Conservative Party) & John Beaumont (Labour Party).

The Nuneaton and Bedworth district is a subdivision of the Warwickshire County Council, which is currently Conservative controlled. Bulkington elects a councillor to the county council along with part of Whitestone ward. They are currently represented by Jeff Morgan (Conservative).

Bulkington was part of the Nuneaton constituency in the House of Commons. However, following the changes to the Warwickshire parliamentary constituency boundaries which came into effect on 13 June 2007, and used for the first time at the 2010 general election, Bulkington was transferred into the Rugby constituency.

Civic history
In July 1850, Bulkington Local Board of Health was formed under the Public Health Act 1848, and in 1894 this was converted into an urban district council. From 1894 to 1932 Bulkington functioned as an independent urban district; however, the village lost its independence in 1932 under the Warwickshire Review Order, when it became part of the Rugby Rural District. Six years later, in 1938, it became part of Bedworth Urban District, which had been established in 1928.

From 1938 Bulkington was therefore treated as part of Bedworth for administrative purposes. An administrative oversight at the time of the 1938 order merging Bulkington into Bedworth Urban District meant that the civil parish of Bulkington nominally continued to exist as an urban parish until 1954, but did not have a parish council of its own, being administered by Bedworth Urban District Council. The two civil parishes of Bedworth and Bulkington merged in 1954 to create a single parish called Bedworth covering the whole area of Bedworth Urban District. In 1951 the parish had a population of 3240. In 1974 the Bedworth Urban District became part of the Nuneaton and Bedworth district, which was created by the Local Government Act 1972. No successor parish was created for Bedworth, and so it became an unparished area.

Religion and church history
The 2001 Census records Bulkington's population as being predominantly Christian, with 84.7% of residents naming Christianity as their religion. 8.4% stated No Religion, 0.8% Other and 6.0% did not disclose. The village is served by four churches: the Anglican St James' Parish Church, Our Lady of the Sacred Heart Catholic Church, Ryton Methodist Church, and Bulkington Congregational Church.

Parish Church of St James
St James' is the oldest church in Bulkington, dating to the 12th century. The church was given to the Abbey of Leicester after its foundation in 1143. Following the Dissolution of the Monasteries the church came into the Crown's hands until 1554, when it was passed on and sold numerous times before returning to the Crown's possession by 1662. It has remained in the possession of the Crown since. Records for baptisms and burials begin in 1606 and for marriages in 1683. The church had chapels in Weston, Ryton, Marston, Bramcote, Shilton and Ansty; the latter two were transferred from the Abbey of Leicester to Coventry Priory, and subsequently became independent parishes. The rectory, "was acquired in 1587 by Robert Johnson, Archdeacon of Leicester, as part of the endowment of the grammar schools which he founded at Oakham and Uppingham".

The Old Vicarage, a Victorian Tudor-Gothic building lies to the north-east of the church; a modern, suburban style vicarage lies closer to the church. The church today "consists of a chancel with a vestry on the north; a nave, with a clearstory to the south only; north and south aisles; south porch; and a western tower". It displays a series of architectural developments from the 13th century through to the 20th, though the earliest material in the church dates from the 12th century, represented by a single voussoir and bell capital found in 1907 and built into the south porch. The tower was built in the mid-15th century and restored in 1907. The church has eight bells, the earliest of which belongs to the 16th century; these can be heard on Sundays, and during the week when the bell ringers practice.

Bulkington Congregational Church

Little is known of the history of this church, as its records were recently destroyed in a fire. However, a plaque on the front gable of the building records that it was built in 1811 and restored in 1883, making it the second oldest church building in the village. Further, the records for births and baptisms from 1812 to 1836 are available in the Warwickshire County archive. The church is a rectangular, two-storey brick building with a balcony. A later, single storey extension from the south of the building serves as the church hall. The church manse is situated to the south of the church. It lay unoccupied for some time but has since been renovated and is now occupied by the new pastor and his wife who moved to the area in the summer of 2008.

Ryton Methodist Church

There were originally two Methodist churches in the parish of Bulkington: Bulkington Methodist and Ryton Methodist. Ryton Methodist Church was initially situated in Long Street but moved to Rugby Road in 1911. A gazetteer from 1848 reports that there was a place of worship for 'Wesleyans' in the parish, making the Methodist church (though not church building) the third oldest church in the village. Bulkington Methodist closed after 110 years on 12 October 1960 when the building had become unsafe; its congregation joined Ryton Methodist Church.

Our Lady of the Sacred Heart Catholic Church

The presence of the (post-Reformation) Catholic Church in Bulkington begins in 1842 when Richard Brome de Bary, owner of Weston Hall, converted to Catholicism. He established a mission at his home, dedicated to Our Lady of Bethlehem. As well as Bulkington, the church also serves the nearby village of Wolvey. The parish belongs to the archdiocese of Birmingham. The church is a brick building in Gothic style and was built in 1869; it holds 150 people. Recent architectural additions include the extension of the sacristy, the building of a parish hall, and the erection of a grotto to the Virgin Mary. The church has held a bi-annual flower festival since 1990.

Education
Bulkington has two schools: St James' Church of England Academy and Arden Forest Infant School, with a combined total of approximately 420 pupils. What is now St James' Church of England Junior School was built in 1959 as a 2-form entry school. In 1973, following the North Warwickshire primary school reorganisation plan, it became a Middle School and it was at this time that the school's name was changed to St James' Church of England Middle School. In 1996, the school was redesignated a junior school, returning it to its original status.

Arden Forest Infant School was founded in 1996 due to the Warwickshire reorganisation of schools and the subsequent amalgamation of Bulkington First School and Weston-in-Arden First School.

Demography
At the 2001 census, the Bulkington ward, which includes Bulkington, Weston-in-Arden, Ryton, Marston Jabbett, Bramcote (west), had a total population of 6,303. There were 3,214 females (51.0%) and 3,089 males (49.0%). The largest age groups in the ward were: 45–59 (1,526, 24.2%); 30–44 (1,104, 17.5%); and 65–74 (873, 13.9%). The vast majority of residents are white: 6,236 (98.9%). The largest ethnic minority was Asian: 38 (0.60%).

Notes

References

Sources

Allen, G. (2000) Warwickshire Towns & Villages, Sigma Leisure
'Wyman, P. (1981) Bulkington Through the Ages

External links

 Bulkington Congregational Church
Our Lady of the Sacred Heart Catholic Church
Ryton Methodist Church
St James' Parish Church
Arden Forest Infant School
St James' Junior School

Villages in Warwickshire
Former civil parishes in Warwickshire
Bedworth

Bulkington


එකම මූලද්‍රව්‍යයක වෙනස් නියුට්‍රෝන සංඛ්‍යාවන් සහිත වෙනස් පරමාණුක න්‍යෂ්ටීන් පවතී නම් ඒවා සමස්ථානික ලෙස හැඳින්වේ. එනම් සමස්ථානික වල සමාන ප්‍රෝටෝන සංඛ්‍යාවක් තිබුණ ද වෙනස් නියුට්‍රෝන සංඛ්‍යාවන් ඇත. ස්වභාවිකව පවතින බොහෝ මූලද්‍රව්‍ය සඳහා (94 න් 66 ක්ම) එක් ස්ථායී සමස්ථානිකයකට වඩා වැඩි ප්‍රමාණයක් ඇත. උදාහරණයක් ලෙස කාබන්වලට නියුට්‍රෝන 6ක්, 7ක්, හා 8ක් ඇති ප්‍රධාන සමස්ථානික තුනක් ඇත.

සමස්ථානික හඳුන්වන්නේ මූලද්‍රව්‍යයේ නම අගට කෙටි ඉරක් සහ සමස්ථානිකයේ ස්කන්ධ ක්‍රමාංකය ලිවීමෙනි (උදා: හීලියම්-3, හීලියම්-4, කාබන්-12, කාබන්-14, යුරේනියම්-235 සහ යුරේනියම්-239).

බොහෝ මූලද්‍රව්‍යවල සමහර සමස්ථානික විකිරණශීලී වන අතර ඇල්ෆා අංශු හෝ බීටා අංශු විමෝචනය කිරීම මගින් වෙනත් මූලද්‍රව්‍යයන්ට තත්වාන්තරණය වේ. උදාහරණයක් ලෙස කාබන්-14 විකිරණශීලී වේ. සමහර මූලද්‍රව්‍යවල සියලුම සමස්ථානික විකිරණශීලී සමස්ථානිකයි. ටෙක්නීෂියම් (පරමාණුක ක්‍රමාංකය 43), ප්‍රොමේතියම් (පරමාණුක ක්‍රමාංකය 61) සහ පරමාණුක ක්‍රමාංකය 82 ට වැඩි නිරීක්ෂිත සියලුම මූලද්‍රව්‍යය වල සියලුම සමස්ථානික විකිරණශීලී වේ.

ස්ථිර සමස්ථානික සහිත මූලද්‍රව්‍ය 80 න් 16 කම ඇත්තේ එක් ස්ථායී සමස්ථානියක් පමණි. ස්ථායී මූලද්‍රව්‍ය 80 සඳහා ස්ථායී සමස්ථානිකවල මධ්‍යනය අගය එක් මූලද්‍රව්‍යයකට ස්ථායී සමස්ථානික 3.4ක් වේ. මූල ද්‍රව්‍යයකට ඇති ස්ථායී සමස්ථානික උපරිම සංඛාවක් ඇති ටින් (පරමාණුක ක්‍රමාංකය 50) මූලද්‍රව්‍යයට ස්ථායී සමස්ථානික 10ක් ඇත.

ආශ්‍රිත
http://en.wikipedia.org/wiki/Chemical_element#Isotopes

රසායන විද්‍යාව

සමස්ථානික


دوغلاس هايد  (17 يناير 1860 - 12 يوليو 1949 في دبلن) كان شاعرا أيرلنديا، وأول رئيس لجمهورية أيرلندا. تولى الرئاسة من عام 1938 حتى عام 1945.

بعد دراسته في المدرسة العادية، درس دوغلاس علم القانون لكنه لم يعمل فيما بعد كمحام. أسس عام 1893 رابطة غيلي (Gaelic League) للإحياء والحفاظ على اللغة الأيرلندية. في عام 1891 حصل على منصب أستاذ في اللغات الحديثة في جامعة نيو برونزويك في كندا، لكنه عاد بعد عامين إلى أيرلندا. عمل من عام 1909 إلى عام 1932 أستاذاً للأيرلندية الحديثة في جامعة دبلن. أصبح بين عامي 1938 و1945 أول رئيس لجمهورية أيرلندا.

روابط خارجية

مراجع

أشخاص من مقاطعة دبلن
أشخاص من مقاطعة روسكومون
أشخاص من مقاطعة سليجو
أكاديميون من كلية دبلن الجامعية
أنجلوأيرلنديون
أنجليكانيون أيرلنديون
خريجو كلية ترينيتي (دبلن)
دارسون وأكاديميون أيرلنديون
رؤساء أيرلندا
سياسيون أيرلنديون
شعراء وشاعرات أيرلنديون
عاملون أيرلنديون في التراث الشعبي
كتاب باللغة الأيرلندية
مواليد 1860
ناجون من سكتة دماغية
ناشطون باللغة الأيرلندية
وفيات 1949
وفيات في دبلن
أنجلو إيرلنديون في القرن 20
أنجلو إيرلنديون في القرن 19
دارسون وأكاديميون من مقاطعة سليجو
دارسون وأكاديميون من مقاطعة روسكومون

دوغلاس هايد


An Brachiaria villosa in uska species han Liliopsida nga syahan ginhulagway ni Jean-Baptiste de Lamarck, ngan ginhatag han pagkayana nga asya nga ngaran ni Aimée Antoinette Camus. An Brachiaria villosa in nahilalakip ha genus nga Brachiaria, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Brachiaria

Brachiaria villosa


Palæstina deltog ved sommer-OL 2016 i Rio de Janeiro i perioden 5. til 21. august 2016.

Medaljer

Referencer

Lande ved sommer-OL 2016
2016

Palæstina ved sommer-OL 2016


Davide Longo (* 1971 in Carmagnola bei Turin, Italien) ist ein italienischer Schriftsteller.

Leben

Longo übte als junger Mann während seines Studiums der Literatur an der Turiner Literaturhochschule Scuola Holden verschiedene Tätigkeiten wie Kellner, Landarbeiter, Bademeister und Dekorateur aus. Ferner spielte er halbprofessionell Basketball. 2001 veröffentlichte er seinen ersten Roman Un mattino a Irgalem, dessen Handlung im Abessinienkrieg 1936 angesiedelt ist. Seit 2014 entsteht eine Krimireihe mit den Protagonisten Arcadipane-Bramard. Bisher erschienen Il caso Bramard (2014), Le bestie giovani (2018) und Una rabbia semplice (2021).

Longo lehrt an der Literaturschule Scuola Holden und in einem kleinen Ort in den Hügeln des Roero. Er lebt in Turin.

Ehrungen und Auszeichnungen (Auswahl)
 Stipendium für die Hochschule Scuola Holden in Turin
 Premio Grinzane Cavour 2002 für Un mattino a Irgalem
 Premio Via Po für das beste Erstlingswerk für denselben Roman
 Erwähnung als Autor bei den Scritture Giovani 2002.
 Premio Bergamo 2004 für Il mangiatore di pietre

Veröffentlichungen
 Una rabbia semplice. Einaudi, Turin 2021, ISBN 978-88-06-24814-7.
 deutsch: Schlichte Wut. Aus dem Italienischen von Barbara Kleiner. Rowohlt Verlag, Hamburg 2022, ISBN 978-3-498-00280-0.
 Così giocano le bestie giovani. Feltrinelli, Mailand 2018, ISBN 978-88-07-03299-8.
 deutsch: Die jungen Bestien. Aus dem Italienischen von Barbara Kleiner. Rowohlt Verlag, Hamburg 2021, ISBN 978-3-498-03946-2.
 Maestro Utrecht, NN editore, Mailand 2016, ISBN 978-88-99253-21-9.
 Il caso Bramard, Feltrinelli, Mailand 2014.
 deutsch: Der Fall Bramard. Aus dem Italienischen von Barbara Kleiner. Rowohlt Verlag, Hamburg 2015, ISBN 978-3-498-03938-7.
 Il signor Mario, Bach e i settanta. Passi editori, Mailand 2011.
 Ballata di un amore italiano. Feltrinelli, Mailand 2011.
 L'uomo verticale. Fandango libri, Mailand 2010, ISBN 978-88-6044-137-9.
 deutsch: Der aufrechte Mann. Aus dem Italienischen von Barbara Kleiner. Rowohlt Verlag, Reinbek bei Hamburg 2012, ISBN 978-3-498-03935-6.
 mit Chiara Carrer: Pirulin senza parole. Kinderbuch. Corraini, Mailand 2008.
 Erzählungen La vita a un tratto. Storia di Pietro. Corraini, Mailand 2006.
 Il mangiatore di pietre. Fandango libri, Mailand 2004, ISBN 88-7168-416-8.
 deutsch: Der Steingänger. btb, München 2008, ISBN 978-3-442-73803-8.
 Verfilmung: Il mangiatore di pietre. Italien 2018, Regie und Drehbuch Nicola Bellucci.
 Un mattino a Irgalem. Marcos y Marcos, Mailand 2001, ISBN 88-7168-322-6.
 Riga di sax (Le schegge d'oro). Gedichte. 1997.

Weblinks
 Website des Autors

Einzelnachweise

Autor
Literatur (21. Jahrhundert)
Literatur (Italienisch)
Roman, Epik
Erzählung
Lyrik
Kriminalliteratur
Kinder- und Jugendliteratur
Person (Piemont)
Italiener
Geboren 1971
Mann

Davide Longo


Karl Herrmann ist ein kanadischer Kameramann und Fotograf.

Leben
Karl Herrmann studierte von 1978 bis 1982 an der Montana State University – Bozeman und machte seinen Bachelor-Abschluss in Film und Fernsehen. Seitdem arbeitete er als Landschaftsfotograf und Kameramann für Filme wie Mutter mit Fünfzehn, Erfolg um jeden Preis und Das ultimative Weihnachtsgeschenk.

Aktuell lebt er in Vancouver und ist Mitglied der Canadaian Society of Cinematographers.

Filmografie (Auswahl)
Film
 1996: Der süße Kuß des Todes (A Kiss So Deadly)
 1996: Mutter mit Fünfzehn (Our Son, the Matchmaker)
 1997: Erfolg um jeden Preis (Perfect Body)
 2000: Das ultimative Weihnachtsgeschenk (The Ultimate Christmas Present)
 2007: Babylon 5 – Vergessene Legenden: Stimmen aus dem Dunkel (Babylon 5: The Lost Tales)

Serie
 1994–1995: Ein Hauch von Himmel (Touched by an Angel, 11 Folgen)
 1996: Der Sentinel – Im Auge des Jägers (The Sentinel, eine Folge)
 1998: Dawson's Creek (drei Folgen)
 2001: Special Unit 2 – Die Monsterjäger (Special Unit 2, fünf Folgen)
 2006: Kyle XY (neun Folgen)

Weblinks

 Offizielle Internetpräsenz

Einzelnachweise

Kameramann
Fotograf (Kanada)
Kanadier
Geboren im 20. Jahrhundert
Mann

Karl Herrmann (Kameramann)


Fever je treći studijski album velškog heavy metal sastava Bullet for My Valentine. Sadrži jedanaest pjesama, album je objavljen 26. i 27. travnja 2010. u Velikoj Britaniji i u SAD-u. Album je prodan u 71.000 primjeraka u SAD-u i 21.965 u Velikoj Britaniji u prvom tjednu izlaska, a debitirao je na poziciji broj 3 na Billboard 200 i broj 1 na Billboardovoj ljestvici Rock i Alternative, što ga čini najuspješnijim albumom benda do danas. Od izlaska, Fever je prodao više od 600 000 primjeraka širom svijeta. Krajem 2013. također je u Velikoj Britaniji postao zlatan.

Popis pjesama

Britanski glazbeni albumi
Albumi iz 2010.

Fever (Bullet for My Valentine)