David Conte (born 1955) is an American composer who has written over 150 works published by E.C. Schirmer (a division of ECS Publishing), including six operas, a musical, works for chorus, solo voice, orchestra, chamber music, organ, piano, guitar, and harp. Conte has received commissions from Chanticleer, the San Francisco Symphony Chorus, Harvard University Chorus, the Men's Glee Clubs of Cornell University and the University of Notre Dame, GALA Choruses from the cities of San Francisco, New York, Boston, Atlanta, Seattle, and Washington, D.C., the Dayton Philharmonic, the Oakland Symphony, the Stockton Symphony, the Atlantic Classical Orchestra, the American Guild of Organists (2004, 2009, 2014, 2015), Sonoma City Opera, and the Gerbode Foundation (for his opera America Tropical). He was honored with the American Choral Directors Association (ACDA) Brock Commission in 2007 for his work The Nine Muses, and in 2016 he won the National Association of Teachers of Singing (NATS) Art Song Composition Award for his work American Death Ballads.

Education and career
Conte attended public schools in Lakewood, Ohio, a suburb of Cleveland.  His earliest musical experiences were attending rehearsals of Robert Shaw's Cleveland Orchestra Chorus, of which his mother Nancy was a member, and singing in the doo-wop vocal group Shameful and the Seven Sinners. Conte earned his bachelor's degree from Bowling Green State University, where he studied with Wallace DePue, and his master's and doctoral degrees from Cornell University, where he studied with Karel Husa, Steven Stucky, and Robert Moffat Palmer. From 1975 to 1978 he studied with Nadia Boulanger in Paris and Fontainebleau, where he was one of her last students.

Conte has been honored as a Fulbright scholar in Paris, a Ralph Vaughan Williams Fellow and an Aspen Music Festival Conducting Fellow. He has served on the faculties of Cornell, Colgate University, Keuka College, and the Interlochen Center for the Arts. While at Cornell, he served as both the assistant director and acting director of the Cornell University Glee Club, for whom he composed numerous works. Since 1985, Conte has been Professor of Composition at the San Francisco Conservatory of Music. From 2000 to 2014 he was conductor of the Conservatory Chorus, and in 2014 he was appointed Chair of the Composition Department. He served as Composer-in-Residence with the theater company Thick Description from 1991–2008, for whom he composed two chamber operas: Firebird Motel (2003; David Yezzi librettist) and America Tropical (2007; Oliver Mayer, librettist). In 1991 he served on the faculty of the American Conservatory in Fontainebleau, France (Fontainebleau Schools). Conte served on the composition faculty of the European American Musical Alliance in Paris from 2011–2022. In 2011, he joined the board of the American Composers Forum, serving until 2017. Since 2014 he has been the Composer in Residence with Cappella SF, a San Francisco-based professional chorus. In 2017, Conte travelled to the UK as the judge of the Caritas International Young Composer Competition hosted by the Caritas Chamber Choir, returning again in 2019 to judge the renamed Caritas International Emerging Composer Competition.  In 2018, he joined the faculty of the Choral Chameleon Summer Institute for Composers and Conductors in New York City, New York. In 2022 he joined the faculty of SongFest, an annual festival dedicated to the medium of art song, and in 2021–22 he served as a composer-mentor for the National Association of Teachers of Singing.

In 1982 Conte lived and worked at the home of Aaron Copland, where he undertook a study of the manuscript sketches of Copland's last orchestral work, "Inscape," which became the basis of his doctoral thesis at Cornell University.  Conte's choral music has been the subject of four doctoral theses, and he is the author of articles on Copland, Vaughan Williams, and on the pedagogy of choral composition, all published in The Choral Journal, the membership-based monthly publication of the American Choral Director's Association.

One of his best-known works is the opera The Gift of the Magi (Nicholas Giardini, librettist), which has received over 30 productions in the U.S., Canada, Europe, and Russia. His opera The Dreamers (Philip Littell, librettist), led to a commission from the Oakland Symphony for The Journey (a cantata, 2001). Film scores include Orozco: Man of Fire for the PBS American Master's Series (2006), and Ballets Russes shown at the Sundance and Toronto Film Festivals (2005). Other prominent works include "Fantasy for Orchestra", and "A Copland Portrait" (orchestra and band), and Soliloquy, and Pastorale and Toccata (organ). Many of his choral works have received wide acceptance, including Cantate Domino, Invocation and Dance, Ave Maria, Charm me asleep, Elegy for Matthew (in memory of Matthew Sheppard, text by John Stirling Walker), September Sun (in memory of 9/11, with text also by Walker), An Exhortation (composed for the 2009 inauguration of President Barack Obama), and Three Mexican Folk Songs.

Conte's work is represented on many commercial CD recordings, including Chamber Music of David Conte (2015) on the Albany label; Facing West: Choral Music of Conrad Susa and David Conte (2016) on the Delos Label; and Everyone Sang: Vocal Music of David Conte (2018) on the Arsis label.

Works

Operas
The Dreamers (1996)
The Gift of the Magi (1997)
Firebird Motel (2003)
America Tropical (2007)
Famous (2007)
Stonewall (2013)

Musicals
The Passion of Rita St. James (produced at the San Francisco Conservatory in 2003)

Film scores
Ballets Russes (Sundance and Toronto Film Festivals in 2005)
Orozco: Man of Fire (PBS American Masters Series, 2007)

Chamber works (partial list)

 String Quartet No. 2 (Commissioned by the Ives Quartet; 2010)
 Sonata for Cello and Piano (2012)
 Piano Trio (2013)
 Sonata for Clarinet and Piano (2019)

Orchestral works (partial list)

 The Masque of the Red Death (1992; revised 1994)
 A Copland Portrait (2000)
 Sinfonietta (2013)
 Concerto for Cello and Orchestra (2018)

Choral works (partial list)
Cantate Domino (SATB 1975)
Hosanna (SATB; 1979; SSAA; 1982)
Canticle (From Three Sacred Pieces – TTBB 1982; SATB 1984)
The Waking (SATB 1985)
Invocation and Dance (TTBB 1986; SATB 1989)
Valediction (SATB, organ; 1989)
Ave Maria (SATB 1991)
In Praise of Music (SSA 1991; SATB 1994)
Charm me asleep (SATB 1993)
American Triptych (SATB, chamber ensemble; 1999)
Elegy for Matthew (TTBB 1999: SATB 2000)
September Sun (SATB, String Orchestra; 2002)
O Magnum Mysterium (SATB; 2002)
A Hope Carol (SSAA 2006)
The Nine Muses (ACDA Brock commission; SATB 2007)
An Exhortation (Premiered at the Presidential Inauguration of President Barack Obama; TTBB, SSAA, SATB 2009)
Carmina Juventutis (TTBB, piano four-hands)
Songs of Love and War (TTBB, piano four-hands; 2011)
Three Mexican Folk Songs (SATB; TTBB; SSAA; 2 violins, guitar, bass, or piano; 2014)
A Whitman Triptych (SATB; 2015)

Vocal works (partial list)
Yeats Songs (high voice and string quartet or piano 1984–2011)
Songs of Consolation (soprano and organ 1997)
Sexton Songs (soprano, piano or chamber ensemble 1991–2004)
Everyone Sang (baritone, piano 2003; edition for bass 2018)
Three Poems of Christina Rossetti (mezzo and piano 2008; edition for high voice 2014)
Requiem Songs (soprano, solo violin, harp, organ, 2013; arr. string orchestra 2017)
American Death Ballads (high voice and piano 2015; edition for medium voice 2016)

References

External links
 Official web site
Complete catalog of works on ECS Publishing
Collegiate Faculty profile San Francisco Conservatory of Music
Site about Conte's opera Famous

1955 births
20th-century American composers
20th-century American male musicians
20th-century classical composers
20th-century American LGBT people
21st-century American composers
21st-century American male musicians
21st-century classical composers
21st-century American LGBT people
American classical composers
American film score composers
American male classical composers
American opera composers
American LGBT composers
Bowling Green State University alumni
Classical musicians from California
Classical musicians from Colorado
Cornell University alumni
Cornell University faculty
LGBT classical composers
Living people
American male film score composers
Male opera composers
Musicians from Denver
Pupils of Karel Husa
San Francisco Conservatory of Music faculty
Fulbright alumni
Academic staff of the American Conservatory

David Conte


El Nokia Lumia 800 (nombre en código "Searay") f

S

un teléfono inteligente que utiliza Windows Phone 7,actualizable solamente al WP 7.8 y fue presentado por primera vez por el CEO de Nokia, Stephen Elop, durante el evento Nokia World 2011, en el ExCeL de Londres en octubre de 2011.

e trataba del primer dispositivo de la compañía que opera bajo el sistema operativo Windows Phone, que sustituye a las anteriores plataformas utilizadas por Nokia, Symbian y MeeGo. Su diseño exterior se basaba en el anterior Nokia N9.

El Lumia 800 fue el primer modelo presentado tras la alianza de la compañía finlandesa con Microsoft, que se concretó en febrero de 2011, con el fin de solucionar la difícil situación en que quedó la compañía tras el gran crecimiento de Apple y los terminales con Android, que provocaron que Nokia perdiese su supremacía mundial en telefonía móvil.

Durante su presentación, se confirmó que el terminal saldría al mercado por 420 €, con 31 operadores en seis países.

El 9 de enero se presentó además el Nokia Lumia 900, con giróscopo, una pantalla más grande y de mayor definición, cámara frontal para videoconferencia y soporte Long Term Evolution.

El 5 de septiembre de 2012 se presentó el Nokia Lumia 820, el sucesor del Nokia Lumia 800. Las mejoras son Windows Phone 8, procesador de doble núcleo, cámara frontal, captura de vídeo a 1080p, posibilidad de carga inalámbrica, cubiertas intercambiables, y una pantalla más grande.

Características
Entre las características principales que se desvelaron en su presentación, se destacaron el nuevo sistema operativo Windows Phone 7.5, la cámara fotográfica trasera de 8 Mpx con óptica Carl Zeiss AG, navegación GPS gratuita con Nokia Conducir y la integración de Nokia Music, con canales gratuitos de música.

Se ha dado a conocer la presencia de una edición especial del teléfono inspirada en la próxima película de Batman:The Dark Knight Rises limitada solamente a 40 ejemplares.

Contenido del paquete
 Nokia Lumia 800.
 Cable USB Nokia CA-185CD.
 Cargador Nokia Fast USB AC-16.
 Kit manos libres portátil WH-902 (conector AHJ de 3,5 mm).
 Guía rápida (desplegable).
 Folleto de información ampliado (manual de usuario + folleto de información del producto).
 Bing.

Valoración

Matthew Baxter-Reynolds de The Guardian, después de usar un Nokia Lumia 800 por un mes y habiendo usado un iPhone previamente, reconoció que el Nokia Lumia 800 no está a la altura de un iPhone, ya que tiene muchos problemas y carencias, como una aplicación de Twitter no usable, no poder cambiar el buscador de Bing por Google, una aplicación de cuenta atrás que no se puede confiar en que siempre funcione, una aplicación de gestión de música difícil de usar, no poder cargar el teléfono en el coche, una interfaz de usuario lenta, etc.

La revista PC World criticó que el Nokia Lumia 800 "no tenga nada extraordinario que ofrecer con respecto a los actuales smartphones de gama alta por excelencia como son el iPhone 4S y el Galaxy Nexus tanto en hardware como en software. Ya que no es el teléfono más delgado o más rápido ni tiene la mejor cámara, ni características extra (no se pueden poner tarjetas de memoria externa, no tiene cámara secundaria y no tiene NFC, entre otros)".

El líder mundial en revistas de tecnología CNET mencionó por otro lado, que "el Lumia 800 es un muy buen móvil. Windows Phone es sencillo y divertido de usar, especialmente si quieres mantenerte en contacto con amigos o en redes sociales. Parece atractivo y la calidad de construcción es superior y parece que va a hacerlo durarero".

CNET UK también publicó una comparativa con las cámaras fotográficas de dos teléfonos de gama alta: el iPhone 4S y el Samsung Galaxy S II, comentando que la cámara del Nokia Lumia era la de peor calidad de las tres, teniendo un control del balance de blancos incorrecto y no pudiendo enfocar los objetos cercanos correctamente según la publicación.

Nokia eligió el nombre Lumia a pesar de que significa prostituta en español aduciendo que la gente asocia el nombre más a luz que a su acepción de la Real Academia Española.

Algunos medios publicaron que las ventas habían decepcionado a los operadores del Reino Unido, considerándolas solamente un poco mejores que las del teléfono básico "Touch and Type" de Nokia, y no habrían llegado ni de lejos a las ventas del iPhone o de los teléfonos  con sistema Android de gama alta.

Referencias

Teléfonos inteligentes
Lumia 800
Microsoft Lumia

Nokia Lumia 800


Emir Dilaver (Tomislavgrad, 7. svibnja 1991.) austrijski je nogometaš koji igra na poziciji braniča. Trenutačno igra za Rijeku.

Klupska karijera
Dilaver je karijeru započeo u austrijskom klubu Austria Beč gdje je kroz mlađe kategorije stigao do prve momčadi. Od 2014. do 2017. nosio je dres mađarskog Ferencvárosa, da bi na ljeto 2017. potpisao ugovor s Lechom. Za Dinamo je potpisao 29. svibnja 2018. godine četverogodišnji ugovor. Dres zagrebačkog kluba nosio je dvije sezone i nakon toga otišao u Çaykur Rizespor. S njima je 27. rujna 2020. godine potpisao trogodišnji ugovor.Dana 31. kolovoza 2021. godine, Dilaver se vratio u zagrebački Dinamo.

Priznanja

Klupska
Austria Beč
 Austrijska Bundesliga (1): 2012./13.
Ferencváros
 Nemzeti Bajnokság I (1): 2015./16.
 Magyar Kupa (3):: 2014./15., 2015./16., 2016./17.
 Ligakupa (1): 2014./15.
 Szuperkupa (2): 2015., 2016.
Dinamo Zagreb
 1. HNL/HNL (4): 2018./19., 2019./20., 2021./22., 2022./23.
 Hrvatski nogometni superkup (2): 2019., 2022.

Izvori

Vanjske poveznice
 Profil, Soccerway
 Profil, Transfermarkt

Austrijski nogometaši
Nogometaši FK Austria Beč
Nogometaši Dinama
Nogometaši HNK Rijeke
Životopisi, Tomislavgrad
Aktivni nogometaši

Emir Dilaver


وهو سياسي أمريكي ينتمي إلى الحزب الديمقراطي ولد جوزيف مور ديكسون في ولاية كارولينا الشمالية في 31 تموز - يوليو من سنة 1867 وتخرج من كلية جيلفورد في ولاية كارولينا الشمالية في عام 1889 انتقل إلى ميسولا في ولاية مونتانا شغل ديكسون منصب عضو في مجلس النواب الأمريكي عن ولاية مونتانا من 4 أذار - مارس من سنة 1903 إلى 3 أذار -مارس من عام 1907 كما شغل منصب عضو في مجلس الشيوخ الأمريكي ما بين 4 أذار - مارس من عام 1907 إلى 3 أذار -مارس من عام 1913 أصبح جوزيف مور ديكسون حاكما على ولاية مونتانا الأمريكية ما بين 3 كانون الثاني - يناير من عام 1921 إلى 4 كانون الثاني - يناير من عام 1925 توفي ديكسون في 22 أيار - مايو من عام 1934 عن 66 عاما في ميسولا في ولاية مونتانا.

مراجع

أعضاء الحزب الجمهوري في مجلس نواب ولاية مونتانا
جمهوريون من ولاية مونتانا
أعضاء مجلس الشيوخ الأمريكي من الحزب الجمهوري
أعضاء مجلس الشيوخ الأمريكي من مونتانا
أعضاء مجلس النواب الأمريكي من الحزب الجمهوري
أعضاء مجلس النواب الأمريكي من مونتانا
أعضاء مجلس نواب ولاية مونتانا
حكام ولايات أمريكية من الحزب الجمهوري
حكام ولاية مونتانا
خريجو كلية إيرلهام
مواليد 1867
وفيات 1934
وفيات في ميسولا (مونتانا)
أعضاء الحزب الجمهوري في مونتانا

جوزيف مور ديكسون


Agrilus myops é uma espécie de inseto do género Agrilus, família Buprestidae, ordem Coleoptera.

Foi descrita cientificamente por Curletti, em 1998.

Referências

myops

Agrilus myops


بلدية سانتا أوجينيا دي بيرغا (بالكاتالانية: Santa Eugènia de Berga) هي إحدى بلديات مقاطعة برشلونة، والتي تقع في منطقة كاتالونيا، شرق إسبانيا.

يبلغ عدد سكانها 2.194 نسمة وفقاً لإحصائية سنة (2007).

مراجع

بلديات في مقاطعة برشلونة

سانتا يوغينيا دي بيرغا


is a city located on  in Niigata Prefecture, Japan. Since 2004, the city has comprised the entire island, although not all of its total area is urbanized. Sado is the sixth largest island of Japan in area following the four main islands and Okinawa Island (excluding the Northern Territories). As of June 1, 2023, the city has an estimated population of 48,195 and a population density of . The total area is .

History

Political formation of the island

The large number of pottery artifacts found near Ogi in the South of the island demonstrate that Sado was populated as early as the Jōmon period.

The Nihon Shoki mentions that Mishihase people visited the island in 544 (although it is unknown whether Tungusic people effectively came).

The island formed a distinct province, the Sado Province, separate from the Echigo province on Honshū, at the beginning of the 8th century. At first, the province was a single gun (district), but was later divided into three gun: Sawata, Hamochi and Kamo.

In 1185, the designated representative Shugo for Sado, Osaragi, appointed Honma Yoshihisa as his shugodai (delegate) for the province.

The rule of the Honma clan on Sado lasted until Uesugi Kagekatsu took control of the island in 1589. After the defeat of the Uesugi at Sekigahara, and the discovery of gold on the island, the shogunate took direct control of the island.

The island was for a short time an independent prefecture, called the Aikawa prefecture, between 1871 and 1876, during the Meiji era. It then became a part of Niigata Prefecture, which it is still as of today.

At the end of the 19th century, there were three districts (), seven towns (), and 51 villages (). During the 20th century, a series of mergers steadily reduced the number of political local authorities, following the recent trend in Japan to cut the costs of having separately run local administrations. The current city () covering the whole island was established on March 1, 2004 from a merger of all remaining municipalities on the island: the city of Ryōtsu: the towns of Aikawa, Kanai, Sawata, Hatano, Mano, Hamochi and Ogi; and the villages of Niibo, and Akadomari (all from Sado District).

Exile in Sado

When direct control from mainland Japan started around the 8th century, the island's remoteness meant that it soon became a place of banishment for difficult or inconvenient Japanese figures. Exile to remote locations such as Sado was a very serious punishment, second only to the death penalty, and people were not expected to return.

The earliest known dissident to be condemned to exile on Sadogashima was a poet, . He was sent to the island in 722, reportedly for having criticized the emperor.

The former Emperor Juntoku was sent to Sado after his role in the Jōkyū War of 1221. The disgraced emperor survived twenty years on the island before his death; and because he was sent to Sado, this emperor is known posthumously as . He is buried in the Mano Goryo mausoleum on the west coast.

The Buddhist monk Nichiren lived on Sado close to the present village Niibo in Kuninaka Plain from 1271 to 1274. In the 17th century, Konpon Ji Temple was built at the place where he lived. At the end of his exile, Nichiren lived at the place where Myosho Ji temple was built later. He used to meditate at the place where Jisso Ji Temple can be visited today. In addition, Nipponzan Myohoji, a modern Nichiren Buddhist order, established a Peace Pagoda in the city to help in inspiring people toward world peace.

The Noh dramatist Zeami Motokiyo was exiled on unspecified charges in 1434.

The last banishment in Sado took place in 1700, almost a millennium after the first.

Gold mine

Sado experienced a sudden economic boom during the Edo period when gold was found in 1601 at . A major source of revenue for the Tokugawa shogunate, the mines were worked in very severe conditions.

A manpower shortage led to a second wave of "exiles" coming to Sado, although this time it was not imposed as a sentence for a committed crime. By sending homeless people (the number of whom was growing in Japanese cities at the time) to Sado from the 18th century, the Shogunate hoped to kill two birds with one stone. The homeless were sent as water collectors and worked in extremely hard conditions, with a short life expectancy. The Sado mine at its peak in the Edo era produced around  of gold a year (as well as some silver). The small settlement of Aikawa quickly reached a population of around 100,000. The mine closed in 1989.

External influence on Sado culture
In feudal Japan, when the Nishimawari naval route was opened in 1672, Ogi (in the South of the Island) became a main stop on this major naval route in the Sea of Japan between the Kansai area and northern areas of the archipelago.

Exiles and shipping in old times both had a major influence on Sado's cultural background. The island is for instance dotted with Noh theaters, and the local Japanese dialect and accent are different from those of Niigata.

Emergency landing on Sado
A few months after World War II, on 18 January 1946, a Douglas Dakota (C-47) Sister Ann in British RAF service made an emergency landing on the island. The locals helped in the recovery and building a runway for it to depart, the story of which was made into a film named Tobe! Dakota (Fly, Dakota, Fly!) with the film's Dakota made into an island exhibit. The story of the events leading up to the crash were also made into a film, The Night My Number Came Up.

Geography

The island consists of two parallel mountain ranges running roughly southwest–northeast, enclosing a central plain. The  range, in the north, is slightly higher, with peaks of , the highest point of the island at , Mount Kongō, Mount Myōken, and Mount Donden.  range in the south faces the Honshu coast. The highest point in Kosado is  at 645 m.

The plain in between is called  and is the most populated area. The Kuninaka plain opens on its eastern side onto , and on its western side onto , where the longest river,  reaches the sea.

The island has a symmetrical shape. , on the eastern side of Kuninaka, is filled with salt water, and is a growing place for oysters.

Climate
Sado has a humid subtropical climate (Köppen climate classification Cfa) with potentially hot, humid summers and cold winters. Precipitation is quite heavy throughout the year.

Demographics
Per Japanese census data, the population of Sado peaked around 1950 and has declined by roughly 60 percent in the decades since.

Today

Economy

As of May 1, 2017, the island has an estimated population of 55,474. The island of Sado has seen a steady decline in population since 1950 when the population was 125,597. Similar trends have been common in other remote locations of Japan since World War II as younger generations have moved to more urban areas. As of October 1, 2008, 36.3% of the island population is over 65 years old, which is a larger ratio than the national average. Over 65 is the only increasing age demographic. The island is now less populated than it was in the 18th and 19th century. There is no university, and the options for post high school studies, short of leaving and going to the mainland, are limited to a few specialty schools.

Agriculture and fishing are major sources of income for Sado. According to the 2000 national census, 22.3% of the workforce was employed in the primary sector and 25% in the secondary sector. Fishing is mainly based in Ryotsu and Aikawa.

Tourism boomed in the beginning of the 1990s and peaked at over 1.2 million yearly visitors, but visitor numbers decreased over the 1990s. In the mid-2000s, the number of visitors was closer to 650,000 per year.

Sado is known for a number of Japanese bamboo weaving artists and artisans who are renowned throughout the country.

Tourism

Its rich history and relaxed rural atmosphere make Sado one of the major tourist destinations in Niigata Prefecture. The island has several temples and historical ruins, and offers possibilities for various outdoor activities, as well as fresh local food.

Sado is famous as the major breeding area for the Japanese crested ibis. The last known Japan-born Japanese crested ibis died in captivity in 2003 on the island. Currently, birds from China are being bred in a captive program in a facility in Niibo area, and have been released since 2008. The first hatchings in the wild were observed in April 2012. The ibis is a major symbol of the Island and can be found on several tourist items. As of June 2022, approximately 480 crested ibis have been observed making a radical comeback for their species, thanks to conservation efforts.

There are many small local traditional festivals, and since 1988 a major yearly arts festival, called the Earth Celebration, has been run by the taiko group Kodo. The group lives on the island, touring eight months a year, and in August they invite international artists to collaborate with them at their festival on Sado. Tickets are limited for the three-day weekend event. In recent years, Kodo has made a solo performance on the Friday evening; the festival's invited act plays Saturday night; and Sunday concludes with a joint performance with Kodo and guests.

The Sado tourism industry suffered direct (though limited) as well as indirect damage from the 2004 Chūetsu earthquake, as access routes inside Niigata Prefecture were cut.

Sights
Sado has a large variety of sights to offer.
 Myōsen-ji is a temple with a five-storied pagoda a few kilometers east of Mano. The pagoda was built by two generations of carpenters and took 30 years to complete in 1825.
 Konpon-ji Temple in the village of Niibo in the middle of the island was built in the 17th century at the very place where Nichiren lived at first during his exile on Sadogashima.
 Rengebuji Temple near Ogi, housing several buildings classified as important cultural properties.
 For two years, Nichiren lived at the place where Myōshō-ji Temple can be visited today. The temple which has a beautiful garden is northeast of the town of Sawata. Jisso-ji Temple which is visited by many pilgrims is close by. It was built at a place where Nichiren used to meditate. The pine tree where he used to hang his clothes can still be seen today. A tall Nichiren Memorial was erected close to the temple.
 The Art and Natural History Museum of Sado is on the west coast between Sawata and Mano. Some reconstructed pile houses can be seen in its garden. Originally, the inhabitants of Sado lived in pile houses.
 A traditional wooden Noh Theatre which was built in the 19th century can be visited near Daizen Shrine in the east of Mano.
 Shukunegi is a historically preserved ward which has existed since the Edo Era as a Sado port town. The streets brimming over with atmosphere and built by shipwrights are splendid.

Transportation

Ship
Sado Steam Ship operates two routes connecting to the mainland.
 Niigata – Ryotsu (Ferry and Jetfoil)
 Joetsu – Ogi (Jetfoil, only from spring to autumn)

Bus

Transit bus network all over the island is operated by Niigata Kotsu Kanko Bus.

Air
Kyokushin Airways, operating the airline to Niigata, ceased its operations in September 2008. New Japan Aviation operated 3 or 4 flights (propeller plane) daily to Sado Airport, but as of April 2014, service to the airport has been suspended indefinitely.

Notable people

 Ikki Kita (北 一輝 Kita Ikki, 1883 – 1937); real name: Kita Terujirō (北 輝次郎)), Japanese author, intellectual and political philosopher active in early-Shōwa period.
 Hachirō Arita (, 1884–1965), a Japanese politician and diplomat who served as the Minister for Foreign Affairs for three terms. He is believed to have originated the concept of the Greater East Asia Co-Prosperity Sphere.
 Charles Robert Jenkins (1940–2017), former United States Army sergeant who deserted to North Korea in 1965 where he was detained until 2004. He lived on Sado with his Japanese wife Hitomi Soga, an abductee he met in North Korea.
 Makoto Asashima (, born 1944), biologist
Hideyo Hanazumi (b. 1958), politician and Governor of Niigata Prefecture.
Hitomi Nabatame (b. 1976), actress and singer.
Aka Akasaka (b. 1988), manga artist and writer.

See also
Sado Island

References

Bibliography

 Bornoff, Nicholas (2005). National Geographic Traveler Japan (2nd ed.). Washington, D.C.: National Geographic Society. . .

External links

 Official Website
 Sado Tourism Association Website

Cities in Niigata Prefecture
Port settlements in Japan
Populated coastal places in Japan
World Heritage Tentative List
States and territories established in 2004

Sado, Niigata


Marolo fue arzobispo de Milán desde 408 a 423. Es venerado como santo por la iglesia católica, cuya festividad se celebra el 23 de abril.

Biografía

Según los escritos de Enodio de Pavía, obispo de Pavia en el siglo VI, Marolo nació en los arenales del Tigris en Mesopotamia. Probablemente debido a las persecuciones de Sapor II, Marolo se trasladó en 380 a Siria donde creció. Más tarde se trasladaría a Roma, donde hizo amistad con el papa Inocencio I, y finalmente a Milán, donde fue nombrado obispo en 408.

Marolo fue obispo de Milán durante la invasión de Italia de los Visigodos y ayudó a las víctimas de la invasión. Probablemente llevó desde Antioquía a Milán las reliquias de los santos Babilas y Román de Antioquía, y fundó una iglesia en Milán conocida como la Basílica Concilia Sanctorum o iglesia de San Romano, hoy cercana a la actual de la iglesia de San Babila.

Marolo murió el 23 de abril de 423, y fue enterrado en la Iglesia de San Nazario y Celso en Milán.

Bibliografía

 CAZZANI, Eugeni, Vescovi e arcivescovi di Milano. Milano, 1996. ISBN 887030891X
 RUGGIERI, Fausto, I Vescovi di Milano. Milano, 1991. ISBN 8870231542
 APECITI, Ennio, San Marolo di Milano.
 TOLFO, Maria Grazia, L'area sacra di Porta Orientale. Milano, 2011.

Santos de Italia
Santos católicos
Obispos de Italia del siglo V
Santos del siglo V
Sirios
Obispos y arzobispos de Milán
Obispos santos
Fallecidos en Milán

Marolo


Yves Marie Lamé (El Biar, Alžir 1895. – Burgos, Španjolska 1936.) bio je francuski pjesnik i slikar.

Životopis
Već u svojim dvadesetima Lamé prvi put odlazi u Rusiju – što zbog ideologije, što iz ljubavi prema književnim uzorima. Sukobivši se s tamošnjim vlastima, dva puta se vraća u Francusku, da bi početkom 1936. zajedno sa svojim drugovima iz Rusije krenuo u Španjolsku. Nažalost, ne postoje točni podaci što se potom dogodilo, ali Burgos je grad gde je Lamé pokopan 1936., gdje mu se i danas nalazi grob.

Prije posljednjeg odlaska, sâm je uništio vlastite rukopise i slike, kao i većinu fotografija. Ipak, nekolicina ih je sačuvana u jednom od njegovih "povremenih" ateljea u Parizu.

Koliko je poznato, sačuvane su samo četiri Laméove fotografije. Dvije su nastale prilikom njegova prvog povratka iz Rusije, u pariškom istražnom zatvoru, a zajedno s nekoliko likovnih radova, nalaze se u posjedu obitelji Senard od 1974.

Izvori i bilješke

Francuski slikari
Francuski književnici

Yves Marie Lamé


North Savo (or Northern Savonia; ; ) is a region in eastern Finland. It borders the regions of South Savo, Central Finland, North Ostrobothnia, Kainuu, and North Karelia. Kuopio is the largest city in the region and Lake Kallavesi is the largest lake in the region.

The region's traditional food is a fish and bacon filling pie called Kalakukko.

Historical provinces
For history, geography and culture see: Savonia

Municipalities

North Savo includes 19 municipalities, which five of them are cities and towns (marked bold).

 Iisalmi (Idensalmi)
Population:
 Joroinen (Jorois)
Population:
 Kaavi
Population:
 Keitele
Population:
 Kiuruvesi
Population:
 Kuopio
Population:
 Lapinlahti
Population:
 Leppävirta
Population:
 Pielavesi
Population:
 Rautalampi
Population:

 Rautavaara
Population:
 Siilinjärvi
Population:
 Sonkajärvi
Population:
 Suonenjoki
Population:
 Tervo
Population:
 Tuusniemi
Population:
 Varkaus
Population:
 Vesanto
Population:
 Vieremä
Population:

Also, North Savo includes five sub-regions: Kuopio sub-region, Inner Savonia, North Eastern Savonia, Upper Savonia, and Varkaus sub-region.

Politics
Results of the 2019 Finnish parliamentary election in North Savo:

Centre Party  21.67%
Finns Party  17.55%
National Coalition Party  14.80%
Social Democratic Party  14.57%
Green League  9.46%
Christian Democrats  8.61%
Left Alliance  8.44%
Movement Now   1.93%
Blue Reform   1.62%
Seven Star Movement   0.44%
Other parties   0.91%

Tertiary education
 University of Eastern Finland, Kuopio Campus (enrollment c. 6,000, in Kuopio)
 Savonia University of Applied Sciences (enrollment c. 6,000, in Kuopio (about 4,500), Varkaus and Iisalmi)
 Kuopio department of Sibelius Academy (c. 150 studying for Master of Music in Church music or Master of Arts in Arts Management)
 Kuopio department of Humak University of Applied Sciences (c. 100  studying to be Sign language Interpreters)

References

External links

 Official Regional Council of Northern Savonia website

Eastern Finland Province
Savo, North

North Savo


Black Magic steht für:

 Black Magic (Rose), eine Rosensorte

Filmtitel:
 Black Magic, Originaltitel des US-amerikanischen Spielfilms Graf Cagliostro (1949)
 Black Magic, Alternativtitel des Hongkong-Horrorfilms Das Omen des Bösen (1975)
 Black Magic, Originaltitel der US-amerikanischen Filmkomödie Eine verhexte Affäre (1991)

Siehe auch:
 Blackmagic Design
 Black Magic Woman
 Schwarze Magie

Black Magic


Detektiv Murdoch (eng. Murdoch Mysteries) kanadska je televizijska dramska serija koja se emitira od 20. siječnja 2008., a trenutno se prikazuje na CBC-ju. Serija se temelji na likovima iz romana Detektiv Murdoch autorice Maureen Jennings. Glavnog lika, policijskog detektiva Murdocha koji radi u Torontu početkom 20. stoljeća, glumi Yannick Bisson. U Hrvatskoj serija se premijerno prikazuje na Drugom programu HRT-a od 13. rujna 2015., a od 31. listopada 2017. na Prvom programu HRT-a, osim HRT-a prikazuje se na kanalima Star Crime od 2021. i Epic Drama od 2018.

Dramske serije

Detektiv Murdoch


A precanceled stamp, or precancel for short, is a postage stamp that has been legitimately cancelled before being affixed to mail. A number of nations of the world use precancels, typically in the form of an overprint on definitive series stamps.

Use
Precanceled stamps are typically used by mass mailers, who can save the postal system time and effort by prearranging to use the precancels, and delivering the stamped mail ready for sorting. The postal administration will typically offer an incentive in the form of a reduced price for precanceled stamps in volume. Precancels cannot normally be purchased by the general public, although they are often seen in one's daily mail.

History

Canada
Canada used precancels from 1889 to 1982. Initially, they consisted only of waves and bars applied with ink roller, but the town and province was added in 1903, similar to in the United States. In 1922, the precancel was changed to three pairs of horizontal bars. In the 1930s, town names were replaced with a corresponding numeral of either four numbers or three numbers preceded by an 'X'.

France
Widespread French use of precancels began in 1920 with cancels including the year and city. This was scrapped in 1922 in favour of a standard overprint in a semicircle reading AFFRANCHts. POSTES (Affranchissements Postes).

During their time as French colonies, Algeria and Tunisia also issued precancels.

Monaco
Monaco has issued precancels since 1943, with an identical overprint to that of France.

United Nations
The United Nations Postal Administration has only issued one precancel, a 1½ cent stamp used from 1952 to 1959.

United States

The first use of precancels (both in the US and globally) was by Hale & Co., an independent mail company in the United States in the 1840s which undercut the expensive United States Post Office Department (POD). The first precancels were created in 1843 or early 1844 and their complexity varies; most were "crude straight lines" across the stamps, but examples from Portsmouth, New Hampshire were precanceled with "P / N.H." in block letters. Hale & Co., along with all other independent mail carriers, was shut down by an 1845 act of Congress.

The POD authorised precanceling of stamps in 1887, and produced standardised guidelines on their design in May 1903. US precancels are generally divided into two groups: Bureaus and Locals. Locals, used unofficially since the 1840s, were prepared by postmasters using stamps and equipment they had on hand. Bureaus are those manufactured by the Bureau of Engraving and Printing, which came into use in the 1910s.

Precancels are known from over 20,000 towns across all 50 states, Guam, Puerto Rico and American Samoa.

Postal training
Around the early twentieth century, some U.S. business colleges used specially pre-cancelled stamps or stamp-like labels to train students in the handling of stamps. Precancels were also used to train Post Office employees in the United Kingdom.

Study
The Precancel Gazette, a magazine for precancel collectors, was first published in 1919 and the Black Book, a catalog of US precancel stamps, was first published in 1940. The Precancel Stamp Society, formed in 1922 from two previously-existing clubs, specializes in the study of precancels. A number of catalogs list all the types of precancels issued in the countries that use them.

Gallery

Notes

References

Postal markings
Postal systems
Philatelic terminology

Precancel


بيت الزبير هو متحف تراث عماني، يقع في شارع السعيدية بالقرب من وزارة المعلومات في محافظة مسقط عاصمة سلطنة عمان.
يحتوي المتحف على مجموعة نادرة وثمينة ومتنوعة من الأسلحة القديمة متضمنة أنواع الخناجر.
خارج مبنى المتحف يوجد بالحجم الطبيعي تمثيل لقرية عمانية وسوق عماني قديم.متحف بيت الزبير متحف خاص ولقد فتحت بوابته الخشبية المزخرفة لترحب بزواره في عام 1998 ويعرض المتحف المجموعات التي تملكها أسرة الزبير من التحف العمانية الممتدة عبر قرون وتعكس المجموعات الإثنوغرافية مهارات عالية ومتوارثة تعرّف بالمجتمع العماني ماضياً وحاضراً ويعد المتحف أيضا أحد الرموز المعمارية حيث تشرف في عام 1999 بالحصول على جائزة السلطان قابوس للتميز المعماري

المصادر

تراث إسلامي
متاحف تاريخية في سلطنة عمان
متاحف حربية
متاحف في مسقط (عمان)
متاحف مفتوحة
مسقط القديمة

بيت الزبير


Algorithmic composition is the technique of using algorithms to create music.

Algorithms (or, at the very least, formal sets of rules) have been used to compose music for centuries; the procedures used to plot voice-leading in Western counterpoint, for example, can often be reduced to algorithmic determinacy. The term can be used to describe music-generating techniques that run without ongoing human intervention, for example through the introduction of chance procedures. However through live coding and other interactive interfaces, a fully human-centric approach to algorithmic composition is possible.

Some algorithms or data that have no immediate musical relevance are used by composers as creative inspiration for their music. Algorithms such as fractals, L-systems, statistical models, and even arbitrary data (e.g. census figures, GIS coordinates, or magnetic field measurements) have been used as source materials.

Models for algorithmic composition
Compositional algorithms are usually classified by the specific programming techniques they use. The results of the process can then be divided into 1) music composed by computer and 2) music composed with the aid of computer. Music may be considered composed by computer when the algorithm is able to make choices of its own during the creation process.

Another way to sort compositional algorithms is to examine the results of their compositional processes. Algorithms can either 1) provide notational information (sheet music or MIDI) for other instruments or 2) provide an independent way of sound synthesis (playing the composition by itself). There are also algorithms creating both notational data and sound synthesis.

One way to categorize compositional algorithms is by their structure and the way of processing data, as seen in this model of six partly overlapping types:

 translational models
 mathematical models
 knowledge-based systems
 grammars
 optimization approaches
 evolutionary methods
 systems which learn
 hybrid systems

Translational models
This is an approach to music synthesis that involves "translating" information from an existing non-musical medium into a new sound. The translation can be either rule-based or stochastic. For example, when translating a picture into sound, a JPEG image of a horizontal line may be interpreted in sound as a constant pitch, while an upwards-slanted line may be an ascending scale. Oftentimes, the software seeks to extract concepts or metaphors from the medium, (such as height or sentiment) and apply the extracted information to generate songs using the ways music theory typically represents those concepts. Another example is the translation of text into music, which can approach composition by extracting sentiment (positive or negative) from the text using machine learning methods like sentiment analysis and represents that sentiment in terms of chord quality such as minor (sad) or major (happy) chords in the musical output generated.

Mathematical models
Mathematical models are based on mathematical equations and random events. The most common way to create compositions through mathematics is stochastic processes. In stochastic models a piece of music is composed as a result of non-deterministic methods. The compositional process is only partially controlled by the composer by weighting the possibilities of random events. Prominent examples of stochastic algorithms are Markov chains and various uses of Gaussian distributions. Stochastic algorithms are often used together with other algorithms in various decision-making processes.

Music has also been composed through natural phenomena. These chaotic models create compositions from the harmonic and inharmonic phenomena of nature. For example, since the 1970s fractals have been studied also as models for algorithmic composition.

As an example of deterministic compositions through mathematical models, the On-Line Encyclopedia of Integer Sequences provides an option to play an integer sequence as 12-tone equal temperament music. (It is initially set to convert each integer to a note on an 88-key musical keyboard by computing the integer modulo 88, at a steady rhythm. Thus 123456, the natural numbers, equals half of a chromatic scale.) As another example, the all-interval series has been used for computer-aided composition.

Knowledge-based systems
One way to create compositions is to isolate the aesthetic code of a certain musical genre and use this code to create new similar compositions. Knowledge-based systems are based on a pre-made set of arguments that can be used to compose new works of the same style or genre. Usually this is accomplished by a set of tests or rules requiring fulfillment for the composition to be complete.

Grammars
Music can also be examined as a language with a distinctive grammar set. Compositions are created by first constructing a musical grammar, which is then used to create comprehensible musical pieces. Grammars often include rules for macro-level composing, for instance harmonies and rhythm, rather than single notes.

Optimization approaches
When generating well defined styles, music can be seen as a combinatorial optimization problem, whereby the aim is to find the right combination of notes such that the objective function is minimized. This objective function typically contains rules of a particular style, but could be learned using machine learning methods such as Markov models. Researchers have generated music using a myriad of different optimization methods, including integer programming, variable neighbourhood search, and evolutionary methods as mentioned in the next subsection.

Evolutionary methods
Evolutionary methods of composing music are based on genetic algorithms. The composition is being built by the means of evolutionary process. Through mutation and natural selection, different solutions evolve towards a suitable musical piece. Iterative action of the algorithm cuts out bad solutions and creates new ones from those surviving the process. The results of the process are supervised by the critic, a vital part of the algorithm controlling the quality of created compositions.

Evo-Devo approach
Evolutionary methods, combined with developmental processes, constitute the evo-devo approach for generation and optimization of complex structures. These methods have also been applied to music composition, where the musical structure is obtained by an iterative process that transform a very simple composition (made of a few notes) into a complex fully-fledged piece (be it a score, or a MIDI file).

Systems that learn

Learning systems are programs that have no given knowledge of the genre of music they are working with. Instead, they collect the learning material by themselves from the example material supplied by the user or programmer. The material is then processed into a piece of music similar to the example material. This method of algorithmic composition is strongly linked to algorithmic modeling of style, machine improvisation, and such studies as cognitive science and the study of neural networks. Assayag and Dubnov  proposed a variable length Markov model to learn motif and phrase continuations of different length. Marchini and Purwins presented a system that learns the structure of an audio recording of a rhythmical percussion fragment using unsupervised clustering and variable length Markov chains and that synthesizes musical variations from it.

Hybrid systems
Programs based on a single algorithmic model rarely succeed in creating aesthetically satisfying results. For that reason algorithms of different type are often used together to combine the strengths and diminish the weaknesses of these algorithms. Creating hybrid systems for music composition has opened up the field of algorithmic composition and created also many brand new ways to construct compositions algorithmically. The only major problem with hybrid systems is their growing complexity and the need of resources to combine and test these algorithms.

Another approach, which can be called computer-assisted composition, is to algorithmically create certain structures for finally "hand-made" compositions. As early as in the 1960s, Gottfried Michael Koenig developed computer programs Project 1 and Project 2 for aleatoric music, the output of which was sensibly structured "manually" by means of performance instructions. In the 2000s, Andranik Tangian developed a computer algorithm to determine the time event structures for rhythmic canons and rhythmic fugues,
which were then worked out into harmonic compositions Eine kleine Mathmusik I and Eine kleine Mathmusik II; for scores and recordings see.

See also
AIVA
Change ringing
Computational creativity
David Cope
Euclidean rhythm (traditional musical rhythms that are generated by Euclid's algorithm)
Generative music
Musical dice game
Pop music automation
List of music software

References

Further reading
 "Algorithmic Composition: Computational Thinking in Music" by Michael Edwards. Communications of the ACM, vol. 54, no. 7, pp. 58–67
Karlheinz Essl: Algorithmic Composition. in: Cambridge Companion to Electronic Music, ed. by Nicholas Collins and Julio d'Escrivan, Cambridge University Press 2007. . Abstract
Computer Music Algorithms by Dr. John Francis. Music algorithmic computer programs representing all styles of music, with C source code, produces midi files. 19th ed 2019, now contain 57 programs, 20 styles, and 24 chapters.
 "A Functional Taxonomy of Music Generation systems" by Dorien Herremans, Ching-Hua Chuang and Elaine Chew. ACM Computing Surveys, vol. 55, no. 5, pp. 69:1–30 .
Eduardo Reck Miranda: Composing Music with Computers. Focal Press 2001
Gerhard Nierhaus: Algorithmic Composition – Paradigms of Automated Music Generation. Springer 2008.
 Curtis Roads: The Computer Music Tutorial. MIT Press 1996
"Automatic Composition from Non-musical Inspiration Sources", by Robert Smith, et al.
 "A Few Remarks on Algorithmic Composition" by Martin Supper. Computer Music Journal 25.1 (2001) 48–53
Phil Winsor and Gene De Lisa: Computer Music in C. Windcrest 1990.
Wooller, Rene, Brown, Andrew R, Miranda, Eduardo, Diederich, Joachim, & Berry, Rodney (2005) "A framework for comparison of process in algorithmic music systems." In: Generative Arts Practice, 5–7 December 2005, Sydney, Australia.
"Composing with Process: Perspectives on Generative and Systems Music", podcast

External links

 Algorithmic Composer, series of algorithmic composition tutorials

Computer music
Music theory
Markov models
Procedural generation

Algorithmic composition


Francesco Capaccini (Roma, 14 de agosto de 1784 - Roma, 15 de junho de 1845) foi um cardeal italiano.

Nascimento
Nasceu em Roma em 14 de agosto de 1784. De família modesta. Filho de Domenico Capaccini e Barbara Procaccini. Seu sobrenome também está listado como Caooacini.

Educação
Estudou no Seminario Romano, em Roma, com bolsa, de 1797 a 1798, quando o seminário foi fechado por causa da ocupação francesa da cidade; e de 1801 a 1806. Dedicou-se ao estudo da teologia, filosofia, belas-letras, direito e ciências (física, matemática e astronomia).

Início da vida
Foi para Milão (1811) como preceptor da família do conde Porro Lambertenghi. Lá ele estudou astronomia e depois marchou para Nápoles com uma posição no Observatório daquela cidade (1812-1815). Tornou-se um notável astrônomo.

Sacerdócio
Ordenado em 19 de setembro de 1807. Ata na Secretaria de Estado em 1815. Secretário e colaborador próximo do cardeal Ercole Consalvi. Substituto do Secretariado dos Breves Apostólicos. Participou da negociação da concordata com os Países Baixos, 1827. Internúncio na Holanda, 1828-31. Substituto da Secretaria de Estado e secretário da Cifra, 1831. Secretário da SC dos Assuntos Eclesiásticos Extraordinários, permanecendo como suplente e secretário da Cifra, 11 de julho de 1836. Cônego da patriarcal basílica Lateranense, 1837. Internúncio extraordinário e apostólico delegado a Portugal para negociar a normalização das relações diplomáticas, novembro de 1841 até 20 de fevereiro de 1844. Auditor geral da Câmara Apostólica, 20 de fevereiro de 1844.

Cardinalado
Criado cardeal e reservado in pectore no consistório de 22 de julho de 1844; publicado no consistório de 21 de abril de 1845; morreu antes de receber o chapéu vermelho e o título.

Morte
Morreu em Roma em 15 de junho de 1845. Exposto e enterrado na igreja de S. Maria em Aquiro.

Cardeais nomeados pelo papa Gregório XVI
Preceptores
Naturais de Roma

Francesco Capaccini


එක්සත් ජනපදයෙහිදී අධ්‍යාපනය ප්‍රධාන වශයෙන් සලසනුයේ රාජ්‍ය අංශය වෙතින් වන අතර, හික්මවීම හා අරමුදල් මට්ටම් තුනකින් සැපයෙයි: ෆෙඩරල්, ජනපද, සහ පළාත්. ලමා අධ්‍යාපනය අනිවාර්ය වෙයි.

ඇමරිකාව

එක්සත් ජනපදයෙහිදී අධ්‍යාපනය


Ok, aşağıdaki anlamlara gelebilir;

 Okçuluk, spor dalı.
 Yay (silah), savaş aleti.
 Okçu (savaşçı)
 Ok (silah), yay ile fırlatılan ucu sivri parça.
 Ok (geometri), yayın orta noktası ile yay kirişinin orta noktasını birleştiren doğru parçası
 Ok, Yahya Kemal Beyatlı'nın Kendi Gök Kubbemiz adlı kitabındaki şiirlerinden biridir.

Ok (anlam ayrımı)


El Museo Arqueológico de Heraclión es un museo situado en Heraclión, la capital de Creta en Grecia. Se trata de uno de los museos más grandes de Grecia y contiene la mejor colección de Arte Minoico del mundo. Además de la colección minoica, el museo cubre otros períodos de la historia de Creta, con artefactos que van desde el Neolítico hasta el período greco-romano.

Historia del museo

Una primera colección de piezas arqueológicas en Heraclión se reunió en 1883 en dos salas de la Catedral de Agios Minas por iniciativa del anticuario Joseph Chatzidakis. Algunos años después la colección fue trasladada a un cuartel de la ciudad y quedó a cargo de Joseph Chatzidakis y de Stefanos Xanthoudides. Más tarde fue construido un edificio especial para albergar el museo entre 1904 y 1912.

El arquitecto Patroklos Karantinos empezó a construir un nuevo edificio para albergar el museo a partir de 1937. Aunque fue dañado durante la Segunda Guerra Mundial, la colección sobrevivió intacta y gracias a la labor del arqueólogo Nikolaos Platón volvió a ser accesible al público en 1952. El museo pasó por un nuevo periodo de renovación recientemente hasta que volvió a abrir sus puertas en el año 2014.

Colecciones

Las colecciones del museo se distribuyen en 27 salas. En ella destaca la abundante presencia de objetos de la civilización minoica, procedentes de diversos yacimientos cretenses, que incluyen objetos votivos, herramientas, objetos de uso cotidiano, hallazgos relacionados con las costumbres funerarias y con eventos de carácter público y restos de pinturas al fresco. Entre los objetos singulares más llamativos se encuentran el sarcófago de Hagia Triada, un ritón con forma de cabeza de toro, el disco de Festo, el fresco del príncipe de los lirios, la cerámica de Kamarés, las inscripciones de lineal B de Cnoso, el colgante de las abejas de Malia y el llamado «tablero de juego de Cnoso».

En salas separadas se exhiben objetos procedentes de dos colecciones privadas: la de Stylianos Giamalakis y la de Nikos Metaxas. Hay otra sala donde se presenta la repercusión de la cultura minoica tanto en la Antigüedad como en los tiempos recientes.

En algunas salas hay también objetos de los tiempos históricos griegos y romanos, donde se exponen principalmente hallazgos relacionados con el surgimiento y desarrollo de las ciudades cretenses en el ámbito griego, y con elementos de adoración religiosa de estos periodos.

Por otra parte, hay una colección de esculturas que abarcan desde el siglo VII a. C. hasta el III d. C. y, en el jardín del museo, se conservan restos del monasterio de San Francisco, del periodo veneciano.

Primeros tiempos

Las dos primeras salas contienen objetos del Neolítico y del periodo más antiguo de la Edad del Cobre. Se exponen objetos procedentes del asentamiento neolítico de Cnoso, así como de tumbas prepalaciales de la llanura de Mesará, Mojlos, Arjanes y Malia. Entre los objetos de adoración encontrados en santuarios se hallan figurillas de terracota. Un objeto de lujo singular es el colgante de las abejas de Malia.

El mundo minoico

En otra sala se exponen características de la economía, administración y la vida cotidiana durante la época de los primeros palacios minoicos. Entre los objetos destacan una serie de recipientes muy ornamentados, como la denominada «vajilla real de Festo».

En las dos siguientes salas se exhiben aspectos relacionados con el fortalecimiento del sistema palacial a través de la construcción de nuevos palacios y grandes villas o mansiones, así como el desarrollo del comercio marítimo. Aquí se halla el célebre disco de Festo.

Por otra parte, hay una sala dedicada a las actividades de entretenimiento y la vida cotidiana del mundo minoico. Aquí se exponen piezas relacionadas con la taurocatapsia y otras piezas destacadas como el «ritón del púgil» de Hagia Triada y la daga de bronce de Malia.

Otras dos salas se dedican a la religión minoica. Aquí se hallan vasos para rituales como un famoso ritón con forma de cabeza de toro, figurillas como la conocida diosa de las serpientes y anillos de oro con representaciones religiosas.

En otra sala se presenta la última época del palacio de Cnoso a través de hallazgos de las necrópolis y de la valiosa información que proporcionan las tablillas de lineal B. Aquí también se exponen los hallazgos del yacimiento de Kamilari, cerca de Festo.

Otra sala alberga hallazgos de necrópolis de Festo, Cnoso y Arjanes de la época del fin de los palacios, principalmente. En la siguiente sala ya se hallan objetos pertenecientes al periodo inmediatamente posterior al fin de los palacios, que proceden tanto de asentamientos como de necrópolis y santuarios. Aquí son destacables las figuras femeninas con brazos levantados procedentes de Gazi y de Kania, cerca de Gortina.

La siguiente sala expone aspectos relacionados con las prácticas funerarias. Otra sala alberga una serie de frescos minoicos, como el Príncipe de los lirios, la «Parisienne» y Las damas de azul, entre otros.

Tiempos históricos

Varias salas recogen aspectos de la sociedad cretense en el principio de la Edad del Hierro, como la vida cotidiana, las leyes y el comercio. A esta época también pertenecen algunos hallazgos de santuarios, como los de Gortina y Kato Simi y de cuevas como la del monte Ida, la del monte Dicte y la de Inato.

Por otra parte, se exponen las características de las necrópolis de esos primeros tiempos históricos, y la formación del alfabeto griego, a través de las inscripciones más antiguas de la isla de Creta que se han conservado.

A continuación se exponen las características y evolución de las ciudades cretenses desde la época clásica hasta la época romana. También hay una sala dedicada íntegramente a las monedas de Creta y otra dedicada a las necrópolis de los periodos helenístico y romano. Es destacable una estatua de bronce de un joven procedente de Yerápetra.

Otras dos salas exponen una colección de esculturas entre las que destacan las de Prinias y unos relieves procedentes de Gortina. De época romana hay una serie de retratos y copias de estatuas del pasado clásico.

Referencias

Enlaces externos

Página oficial del Museo Arqueológico de Heraclión
Museo Arqueológico de Heraclión, en la página de la Fundación Latsis (en griego).

Museos arqueológicos de Grecia del siglo XIX
Museos arqueológicos de Grecia del siglo XX
Museos inaugurados en 1883
Museos inaugurados en 1952
Civilización minoica
Heraclión
Museos arqueológicos de la periferia de Creta

Museo Arqueológico de Heraclión


Agrilus discalis é uma espécie de inseto do género Agrilus, família Buprestidae, ordem Coleoptera.

Foi descrita cientificamente por Saunders, 1873.

Referências

discalis

Agrilus discalis


A composição denominada Busto de Homem, também popularmente conhecida como O Atleta, foi um dos primeiros trabalhos cubistas de Pablo Ruiz Picasso, realizados em Horta de Ebro, feita dois anos antes de sua famosa tela - "Les demoiselles d'Avignon". A obra faz parte do acervo do MASP desde 1958.
Em sua obra, o artista demonstra a profusão dos músculos de um rapaz ginasta em que as linhas robustas sobressaem às feições naturais, sendo próprio em recursos geométricos (cilindro, cone, esfera). A representação masculina sem roupa é contemplada do quadril para cima, constituída por tonalidades terrosas e por bege. Sua expressão facial mais fechada é composta por maçãs proeminentes e um bronco nariz. Apresenta uma boca bem delineada e olhar baixo e fixo para o lado esquerdo. Possui cabeça arredondada com duas grandes entradas que se destacam, encimando a alta testa. O homem modelo que inspirou a obra chamava-se Joaquim Antonio Vives Terrars.

Relação com o cubismo
No início do século XX, influências articuladas determinam o foco do artista, o esporte expresso nas obras evidenciava sinais de um novo tempo; tempos depois, como crítica e uma ferramenta de desestabilizar o indivíduo frente ao quadro social. A relação do esporte com o cubismo, por exemplo, começou nas primeiras décadas deste século, como uma forma de criar a história cultural da imagem. Os artistas desse movimento usavam elementos geométricos para expressar simultaneidade. Se distanciando do modelo da perspectiva tradicional, em um primeiro momento os  tons sombrios começam a se destacar e o período posterior contou com as cores vibrantes e recursos "não artísticos" como letras, números e páginas de jornais.

A introdução do elemento tátil para o abandono da bidimensionalidade, foi algo que marcou o percurso da arte moderna e central na configuração da arte contemporânea. Se referências à cultura de massas já estavam presentes nas obras dos impressionistas, entre os cubistas, mais do que como tema, esse diálogo é estabelecido com o uso de técnicas e de materiais.

Como símbolo da conexão entre as práticas esportivas e os cubistas, tem-se a obra "Cuia com frutas, violino e taça de vinho" de 1912 de Pablo Picasso. O tema em questão não tem relação com o esporte em si, entretanto, demonstra a ideia de novos elementos quando usa um pedaço de jornal para mostrar o título ' a vida esportiva'. E, seguindo a mesma lógica e mesmo artista, têm-se "O remador" de 1910, onde o peitoral, os ombros fortes e a posição superior do personagem estimam uma coerente relação pública com o corpo, exemplificada com os remadores; da mesma forma que em "Boxeadores" de 1911, "Boxeador" de 1912 e a pintura em destaque : "Busto de homem" de 1909. A projeção das obras relacionadas a essa temática e período é dada pelas seguintes constantes: perfil do artista, característica do movimento relacionado e a natureza da questão esportista na obra, seja do ponto de vista do conteúdo ou da técnica.

Objeto relacionado

Les Demoiselles d'Avignon

Les demoiselles d'Avignon é uma pintura de Pablo Picasso feita em 1907 que levou nove meses para ficar pronta. Se tornou um das obras responsáveis por transformar a história da arte, desenvolvendo a base para o cubismo e a pintura abstrata. Ela é o marco, portanto, do princípio das experimentações com a linguagem cubista. Esta obra, embora transformadora, foi incompreendida até mesmo pelos amigos do artista, pois não aprovaram o estilo em que corpos e fundos modificam-se em formas geométricas. A obra, inicialmente, era denominada Bordel Filosófico.

Pablo Picasso
Cubismo
Arte

Busto de Homem - O Atleta (Picasso)


Le   Regina Trench Cemetery (Cimetière militaire britannique Regina Trench ) est un cimetière militaire de la Première Guerre mondiale, situé sur le territoire de la commune de Grandcourt, dans le département de la Somme, au nord-est d'Amiens.

Localisation
Ce cimetière est situé en plein champ, à 2 km au sud du village. On y accède par un chemin rural puis un petit sentier engazonné d'une vingtaine de mètres.

Histoire

Le  juillet 1916, premier jour de la bataille de la Somme, le village de Grandcourt est atteint par une partie de la  division (Ulster). Mais le secteur sera repris par les troupes allemandes et il faudra attendre le repli allemand sur la ligne Hindenburg, début février 1917, pour qu'il soit occupé par les troupes britanniques.  Regina Trench était une tranchée allemande très bien fortifiée. Prise un temps par la  brigade canadienne le  octobre 1916, elle fut le théâtre de violents combats et finalement dégagées par la  division canadienne le 11 novembre 1916.

La partie originale du cimetière  a été faite à l'hiver 1916-1917. Le cimetière a été achevé après l'Armistice lorsque des sépultures ont été rapportées des champs de bataille de Courcelette, Grandcourt et Miraumont. La plupart des soldats reposant dans ce lieu ont été victimes des combats d'octobre 1916 à février 1917.  Le cimetière Regina Trench contient maintenant 2 279 sépultures et commémorations de la Première Guerre mondiale dont 1 077  ne sont pas identifiées. Un aviateur américain est également enterré dans le cimetière. Le cimetière a été conçu par Sir Herbert Baker.

Caractéristique
Ce cimetière a un plan rectangulaire de 50 m sur 50.
Il est clos d'un muret de  moellons.
Le cimetière a été conçu par Sir Herbert Baker.

Sépultures

Galerie

Liens internes

 Cimetière militaire
 Liste des mémoriaux et cimetières militaires de la Somme
 Bataille de la Somme
 Commonwealth War Graves
 Grandcourt

Notes et références

Regina Trench Cemetery
Regina Trench Cemetery
Regina Trench Cemetery

Regina Trench Cemetery


Konsolos, bir ülkenin vatandaşlarının farklı ülkelerdeki nüfus, vatandaşlık ve ticari işlemlerine bakan ve bu yöndeki işlemleri yapacak olan memurlardan sorumlu olan kişidir. Bu görevin yerine getirildiği kuruma Konsolosluk adı verilir.

Kavramın Osmanlıca'daki eski karşılığı olan Şehbender sözcüğü günümüzde Türkçede kullanılmaz.

Başkonsolos
En üst dereceli konsolosa Başkonsolos denir. Bir devletin yabancı ülkelerde bulunan yurttaşlarının haklarını koruyan, bağlı bulunduğu hükümete siyasal ve ticari bilgileri veren dış işleri görevlisidir.

Ayrıca bakınız
 Uluslararası İlişkiler
 Büyükelçi
 Diplomat
 Diplomasi

Kaynakça
 Tarih ve Hukuk Açısından Konsolosluk, Rona Aybay, Literatür Yayınevi, 2020
 Konsolosluk İlişkileri Hakkında Viyana Sözleşmesi  (24 Nisan 1963), T.C. Adalet :Bakanlığı, İnsan Hakları Dairesi Başkanlığı - Veritabanı
 Garrett Mattingly, (1963), Renaissance Diplomacy, The Bedford Historical Series, London: Cape, OCLC 270845938

Diplomatlar

Konsolos


Medan er höfuðborg og stærsta borg Norður-Súmötru í Indónesíu. Borgin er auk þess fjármálamiðstöð eyjunnar Súmötru og ein af fjórum helstu borgum Indónesíu, ásamt Jakarta, Surabaya og Makassar. Árið 2020 bjuggu þar rúmlega 2,4 milljónir og 3,4 á stórborgarsvæðinu.

Borgir í Indónesíu
Súmatra

Medan


دوناي, شكوتوفو-22  هي مدينة في مقاطعة موسكو أوبلاست في روسيا. يبلغ عدد سكانها حوالي 7879 نسمة.

مراجع

مدن مقاطعة موسكو

دوناي (محافظة موسكو)


An Platystele viridis in uska species han Liliopsida nga ginhulagway ni Carlyle August Luer. An Platystele viridis in nahilalakip ha genus nga Platystele, ngan familia nga Orchidaceae.

Mabibilngan ini ha Ecuador. Waray hini subspecies nga nakalista.

Mga kasarigan

Platystele

Platystele viridis


Lilly Axster (geboren 1963 in Düsseldorf) ist eine deutsche Theaterautorin Theaterregisseurin, Roman- und Kinderbuchautorin. Sie lebt in Österreich.

Leben
Lilly Axster studierte Theaterwissenschaft, Philosophie und Frauenforschung in München und Wien. Leben Eben ist ihr erstes Jugendtheaterstück, 1991 uraufgeführt im Theater der Jugend in Wien, an dem sie zwischen 1989 und 1996 als Regieassistentin, Regisseurin und Hausautorin tätig war. Seit 1991 bis 2010 leitete sie gemeinsam mit Corinne Eckenstein das Theater FOXFIRE in Wien, das jährlich ein bis drei Produktionen herausbrachte. Axster inszenierte auch an anderen deutschsprachigen Bühnen. Seit der Inszenierung "Nins Archiv" mit Massud Rahnama, Grace Marta Latigo und Elisabeth Leopold im Bühnenbild von Birgit Remuss im Jahr 2008 begann sie, auch Romane zu schreiben. 2012 erschien ihr erster Prosatext Dorn.

Seit 1995 ist Axster Mitarbeiterin bei SELBST-LAUT, einem Verein zur Prävention von sexuellem Kindesmissbrauch in Wien.

Zu Axsters Schauspiel "Schattenriß" wurde von Friedemann Schmidt-Mechau eine Bühnenmusik für Bassetthorn in F und Tonband-Installation geschaffen.

Zusammen mit Yeter Güneş, Bernadette Dewald und Louis Hofbauer arbeitete sie an einer filmischen Dokumentation mit und über Yeter Güneş. Der Film mit dem Titel Yeter Güneş – Sechs Jahre / Altı Yıl hatte im Sommer 2022 Premiere.

Preise und Auszeichnungen
2023 wurde ihr der Christine-Nöstlinger-Preis für Kinder- und Jugendliteratur zuerkannt.

2019 erhielt Lilly Axster für das Buch Ein bisschen wie Du / A little like you den Wiener Kinderbuchpreis, den Staatspreis für eines der schönsten Bücher Österreichs in der Kategorie Kinderbuch sowie den Österreichischen Kinderbuchpreis.

Für das Buch Die Stadt war nie wach erhielt Lilly Axster 2018 einen Würdigungspreis der Stadt Wien für Jugendliteratur sowie den Österreichischen Kinder- und Jugendbuchpreis.

2018 erhielt sie außerdem den Outstanding Artist Award für Kinder- und Jugendliteratur.

Für Atalanta Läufer_in wurde Lilly Axster 2015 mit dem Kinder- und Jugendbuchpreis der Stadt Wien ausgezeichnet.

Axster erhielt 1988 den Kathrin-Türks-Preis für Jugendtheater, 1990 den "Baden-Württembergischen Autorenpreis" und 1997 den Künstlerinnenpreis des Landes Nordrhein-Westfalen und 2005 das Mira-Lobe-Stipendium. Ihre von der Schweizer Malerin Christine Aebi illustrierten Bücher Wenn ich groß bin, will ich FRAUlenzen; Jenny, sieben; Alles gut und DAS machen? wurden jeweils mit einem Österreichischen Kinder- und Jugendbuchpreis ausgezeichnet.

Schriften / Stücke (Auswahl)
Romane
 Der Pullover trägt nicht mehr, 2022
 Yünden Bir Bellek, mit Çeviri Dilman Muradoğlu, 2022
 Die Stadt war nie wach, 2017
 Atalanta Läufer_in, 2014
 Dorn, 2012
Bilderbücher
 Ein bisschen wie Du / A little like you zusammen mit Christine Aebi, Henrie Dennis, Jaray Fofana, 2018
 DAS machen?, 2012
 Alles Gut, 2007
 Jenny, sieben, 2006 (Tochtertag)
 Scheiden tut weh, 2001
 Wenn ich gross bin, will ich fraulenzen, 1996
 Doch einen Schmetterling hab ich hier nicht geseh´n, 1994

Theaterstücke
 "verboten wäre – Ein Elternabend" UA 2020 Wien, dschungel
 "DAS machen?" UA 2018 Theater Stadelhofen, Schweiz / "Wie wir sind" 2022
 "Victorias Bahnhof" 2011
 "Verdammt glücklich" 2009
 "Schrilles Herz" (mit Schreibwerkstatt "zwischenraum 13:27"), UA 2009 Wien, dschungel
 "Nins Archiv", UA 2008 Wien, dschungel
 "Atalanta Läuferin" UA 2003 Frankfurt / Main, Theaterhaus
 "Gift" UA 2001 Stuttgart, Theater Rampe
 "Verhüten & Verfärben" UA 2001 Wien Theater FOXFIRE im dietheater Konzerthaus
 "Königinnen" UA 2000 Wien, Theater FOXFIRE im Kosmos Frauenraum
 "Schattenriß" UA 2000 Theater Wrede Oldenburg, BRD
 "Tochtertag" UA 1999 Wien, Theater FOXFIRE im dietheater Konzerthaus
 "Gestohlenes Meer" UA 1997 Wien, Theater FOXFIRE im dietheater Künstlerhaus
 "Wenn ich groß bin, will ich fraulenzen", UA 1996 Wien, Theater FOXFIRE im WUK
 "Doch einen Schmetterling hab ich hier nicht geseh´n", UA 1994 Theater Oberhausen
 "Endlich allein" UA 1992 Wien, Theater der Jugend
 "Geige Cello Baß" UA 1992 Wien, Theater der Jugend
 "Ich habs satt" UA 1992 Wien, Theater FOXFIRE im dietheater Konzerthaus
 "Leben eben" UA 1991 Landestheater Dinslaken

(UA = Uraufführung)

Weblinks
 Homepage von Lilly Axster

 TheaterFOXFIRE Homepage
 Marianne Vejtisek: Mädchen erobern lustvoll die Bühne. Ein Porträt der Autorin und Regisseuse Lilly Axster in: "1000 und 1 Buch. Das Magazin für Kinder- und Jugendliteratur", 4/2002
 Lilly Axster bei Künstlerinnenpreis des Landes NRW

Einzelnachweise

Theaterregisseur
Bühnenautor
Kinder- und Jugendliteratur
Literatur (21. Jahrhundert)
Literatur (Deutsch)
Deutscher
Geboren 1963
Frau

Lilly Axster


A netlabel (also online label, web label, digi label, MP3 label or download label) is a record label that distributes its music through digital audio formats (such as MP3, Ogg Vorbis,  FLAC, or WAV) over the Internet. While similar to traditional record labels in many respects, netlabels typically emphasize free distribution online, often under licenses that encourage works to be shared (e.g., Creative Commons licenses), and artists often retain copyright.

Netlabels may have a considerably lower staff count than traditional record labels, in some instances being only a single individual in control of their music, maintaining sole ownership. Physical LPs, for example, are rarely produced by a netlabel, relying entirely on digital distribution and means of the Internet to provide the product. Having no physical product makes the running costs of a netlabel considerably less than a traditional record label and some netlabels have abandoned any financial model altogether and instead, running the netlabel as a hobby. Some employ guerrilla marketing to promote their work.

History
Online music groups date back almost as far as the history of personal computers, and share close ties with video games and the demoscene. Early music groups released music in MOD formats, typically as part of a music disk, which often included a MOD player, visual effects, and textual information.

Netlabels began to branch out from the tracker scene when the lossy MP3 file format became popular in the late 1990s. Some are still dedicated to electronic music and related genres, though this is rapidly changing and the quality of downloads are getting higher with the use of FLAC downloads offering CD quality uncompressed music.

Most of the original netlabels have now ceased operations. Only a few of the originators of the movements are still currently active, and releasing in the same format, like Eerik Inpuj Sound, Upitup Records, 50/50innertainment Records, Kahvi Collective, Bedroom Research, Acroplane and Phonocake.

See also
 Demoscene
 FLAC
 Freetekno
 List of music software
 Low bit
 MP3 blog
 Netlabels in Japan
 Open Content
 Riddim
 Street art

References

External links

 How to Start a Netlabel Wikihow article
 Soundshiva.net Opensource catalogue of netlabels and releases
 Netlabels and democratization of the recording industry Academic article on netlabels
 clongclongmoo Netlabel List overview of active and archived labels
 Netlabel #hot100 Charts
 Netlabels.org  Resource for netlabel and netaudio culture with screenshots, reviews and releases
 NetlabelArchive.org  A archive site that hosts inactive netlabels
 Limited edition release 2007/2017 quantum-bit.it

Record labels
Music industry
Open content

Netlabel


පුනර්ජන්මය හෙවත් නැවත ඉපදීම පිළිබදව සාක්ෂි කිහිපයක් ශ්‍රී ලංකාවෙහි ප්‍ර‍දේශ කිහිපයකින් වාර්තා විය. ළමයින් කිහිප දෙනෙකු විසින් තම පෙර ආත්ම
භවයන්හී දී  තොරතුරු ආනාවරණය කිරීමක් සිදු කොට ඇත. එවායින් සමහරක් පිළිබදව පර්යේෂණ පැවැත් වීමෙන් පසුව සත්‍ය තොරතුරු බව හෙළි වූ අතර අනෙක් ඒවා පිළිබදව පර්යේෂණ පැවැත් වෙමින් පවතී. එසේ වාර්තා වූ පුවත් පහත ප්‍රදේශ වලින් හමු විය.
තලව කැලේ
ගල් ඔය
බලන්ගොඩ
කළුබෝවිල
ගෝනගල
බදුල්ල

තලව කැලේ
නම: ඤාණතිලකා.
උපන් දිනය:1956-පෙබරවාරි-14.
මූලාශ්‍රය: වන සංරක්ෂණ දෙපාර්ත‍මෙන්තුවේ නිලධාරී අමරසිරි වීරරත්න මහතා සකසන ලද ලිපියකිනි.
ප්‍රකාශය
අවුරුදු දෙකක් ගත වූ පසු ඇයගේ පෙර ආත්ම භාවයේ මව,පියා,සහෝදර සහෝදරියන් පිළිබදවත් අවුරුදු හතරේදී  පෙර ආත්ම භාවයේ ගම් හා නිවෙස් පිහිටි ස්ථාන පිළිබදවත් ප්‍රකාශ කළාය .එසේම ගුරුවරුන්,පාසල, හා පිටස්තර පුද්ගලයන් කිහිප දෙනෙකුද හදුනා ගැනීමටඇයට හැකි විය. ඇගේ ප්‍රකාශයන් පිළිබදව සත්‍යාසත්‍යතාව සොයා බැලීය. එම තොරතුරු වලට අනුව ඇය කී ලෙස එම නම් ගමි සහිත පවුලක් සිටියේය. එම පවුලේ දොළොස් වයසැති තිලකරත්න නම් දරුවෙකු 1954 නොවැම්බර්  මස 19 වැනි දින මිය ගොස් ඇත. මෙම ප්‍රවෘත්තිය පිළිබදව ඇමරිකාවේ වර්ජිනියා විශ්ව විද්‍යාලයේ මහාචාර්ය "ඉවන් ස්ටීවන්සන්" මහතා විධිමත් පර්යේෂණයකින් අනතුරුව ඇය විසින් ප්‍රකාශ කළ කරුණු දෙතිසක් සත්‍ය ඒවා ලෙස පිළිගෙන ඇත. ඉන් කිහිපයක් පහත දැක්වා ඇත.
ඇයට තලවකැලේ මවක,පියෙකු,සහෝදරයන් දෙදෙනෙකු සහ සොහොයුරියන් කිහිප දෙනෙකු සිටි බව.
ඇගේ පියා තැපැල් කන්තෝරුවෙ ලියුම් බෙදන්නේකු බව.
ඇය තලවකැලේ දුම්රිය පොළ අසලට ගොස් එලිසබත් මහරැජිනගේ ගමන දුටු බව හා එය බැලීමට විශාල පිරිසක් එහි රැස්ව සිටි බව.
තලවකැලේ දී දුම්රියෙන් පාසල් යන විට දී බිම් ගෙයක් පසු කල බව.
තලවකැලේ මව තරබාරු තැනැත්තියක් බව.
සොහොයුරාගේ නම ධර්මදාස බව.
පෙර නිවස තලවකැලේ බස් නැවතුම් පළටත් තැපැල් කාර්යයාලයටත් අතර පිහිටා තිබූ බව.

ගල්ඔය
නම: ගල්ඔය 30 ජනපදයේ 36 දරණ  නිවසේ පදිංචි සීලවතී.
මූලාශ්‍රය: "කුරුණෑගලදී මැරී ගල්ඔය ඉපදී" 1968 අගෝස්තු  08 රිවිරැස පත්‍රය -අම්පාරේ දයාද සිල්වා.
ප්‍රකාශය
ගල්ඔය 36 වන ජනපදයේ අංක 73 දරණ නිවසෙහි පදිංචි 82 වයසැති සිංහලගේ මැණිකා මහතා තමාගේ පුතු බව. මැණිකා මහතා ගල්ඔය ප්‍රදේශයේ දක්ෂ
වෛද්‍යවරයෙකු විය. ඔහු කුරුණෑගල වැල්ලව ප්‍රදේශයේ හැගව නැමති ගමෙහි පෙර පදිංචිය ඇත්තේකි. පවුලේ අමනාපකම් නිසා ඔහු ගල්ඔයට පැමිණියේ මීට අවුරුදු 15ට පමණ පෙරය. දිනක් සීලවතීගේ පියාට බෙහෙත් කිරීමට මැණිකා මහතා පැමිණ සිටියේය. ඒ අවස්ථාවෙහි සීලවතී පාසල් ඇරී ගෙදර ආවේය. ඇය මැණිකා මහතා දැක "පුතා උඹ මොකද මෙහෙ කරන්නේ? ඇයි උඹ මෙහෙම දුක් විදින්නේ? යනුවෙන් කතා කළාය. තවද "පුතා ඇයි උඹ ටිකිරි අත් හැරියේ? ටිකිරි කොචිචර හොද ගැහැණියෙක්ද? මා පිත්තල කලයක මුදල් ගෙදර වළලා තිබුණා ඒවා ගත්තද? ආදී ලෙස ප්‍රශ්න අසා ඇත. මෙම ප්‍රකාශයන්ගෙන් මැණිකා
මහතාත්, සීලවතීගේ දෙමාපියන්ද මහත් විමතියට පත් වූ අතර ඇයගේ ප්‍රකාශයන් සත්‍ය ඒවා ලෙස පිළිගත් මැණිකා මහතා ඇය තමාගේ පෙර ආත්මයේ මව ලෙස පිළිගෙන ඇත.

කළුබෝවිල
නම: සුනේත්‍රා රුද්‍රිගු.
මූලාශ්‍රය: "කළුබෝවිල  දැරියක් පෙර ආත්ම භාවය දකියි" 1968 අගෝස්තු 15 ශ්‍රී ලංකා පත්‍රය.
ප්‍රකාශය
වයස අවුරුදු හතරේ සිට පෙර ආත්ම භවයෙහි සිදුවීම් කීමට පටන් ගත්තාය. ඇය කළුබෝවිල තම කුඩා නිවස දෙස බලා එය ඇගේ නිවස නොවන බවත් එයට වඩා විශාල ගෙයක් හා හැම කාමරයකටම කාපට් දමා තිබුණු බවත් කීවාය. තවද "අම්මයි,තාත්තයි,අක්කයි,අපි ඔක්කම සුදුයි" යනුවෙන් ප්‍රකාශ කළාය. දිනක් අයත් ඇගේ මවත් කිරුළපන පාලම පසු කර යන විට "අපේ ගෙදරට ගියේ මීට වැඩිය ලස්සන පාලමක් පසු කරලා"යැයි කීවාය.තවත් වරක් තානාපති රියක් ගාලු පාරේ නවතා තිබෙනු දුටු ඇය "මෙන්න මෙ වගේ කාර් එකක් අපේ තාත්තට තිබුණා" යැයි කීවාය. ඇග් විස්තර වලට අනුව පර්යේෂණ පැවැත්වූවෝ ඇය පෙර ආත්මයේ විදේශ රටක ජීවත් වූ බව ප්‍රකාශ කරයි.

බදුල්ල
නම: අවුරුදු 6ක් වයසැති දැරියකි.
උපත:1962 නොවැම්බර් 30.
මූලාශ්‍රය: "බදුලු දැරිය" 1968 සැත්තැම්බර්  04 ලංකාදීප.

ප්‍රකාශය
මෙම දැරිය බදුල්ලේ ඉපිද අළුත්ගම පිළිබද විස්තර කියන්නට විය. ඇය එම ආත්ම භවයේදී ගගක් හෝ මුහුදක් අද්දර පදිංචිව සිටියාය. ආහාර පිසමින් සිටියදී විදුලි සැර වැදී  රෝහලට ඇතුළත් වූ පසු මිය ගොස් ඇත. ඒ වන විට ඇගේ වයස අවුරුදු 14ක් වන අතර ඇගේ මවගේ නම හාමිනේ වූ අතර පියාගේ නම සීටින් සින්ඤෝය.පියසීලී නමින් සහෝදරියක ද සිටි බව ප්‍රකාශ කළාය. තම සහෝදරියද පාලමකින් වැටී ඡලයේ ගිලීම නිසා මිය ගොස් ඇත. බදුල්ලේ උපන් මෙම දැරිය ඇගේ පෙර ආත්මයේ එනම් අළුත්ගම ගෙදර පිළිබදව විස්තර හා ඇයට තිබූ කාරයක් හා ගෙදර බල්ලා පිළිබදව ද විස්තර ප්‍රකාශ කළාය.

ගෝනගල
නම: ඔලිව් ශාමිලිනි ප්‍රේමා.
උපත: 1962 ඔක්තෝම්බර් 16.
මූලාශ්‍රය: "ගිය ආත්‍මයේ ගසින් මෙ ආත්මයේ ගෙඩි" 1969 ඡනවාරි 07 ජනතා පත්‍රය, තිස්ස ජයවර්ධන මහතා.
ප්‍රකාශය
ශ්‍රීයා අබෙවර්ධන මහත්මිය සහ සුනිල් ප්‍රේම මහතා යුවල විවාහ දිවියට පත්ව තම කුළුදුල් දියණිය ලෙස ශාමිලිනී ප්‍රේමා ලැබූවෝය. ඇය ප්‍රථම වතාවට ගිය ආත්මය පිළිබදව කරුණු ඉදිරිපත් කරන්නට වූයේ ඇගේ මල්ලීට අම්මා කිරි දෙන ආකාරය බලා සිටය. ඇය "අපේ ගල්තුඩුවෙ අම්මත් මල්ලීට කිරි දෙන්නේ ඔහොමයැයි" කීවාය. ඇගේ මෙම ආත්මයේ මව " ඉතින් දුව මෙහි ආවෙ කොහොමදැයි" ඇසූවාය. එයට පිළිතුරු ලෙස ඇය ප්‍රකාශ කළේ "අනේ අම්මෙ එදා කෙහෙල්කැනක් ඉදිලා තිබුණ නිසා මම අම්මගෙන් සල්ලි ඉල්ලගෙන පාන් ගෙන්න කඩෙට ගියා.හරියටම වෙල්ල උඩදී බස් එකක් ආවා. වෙල්ල දෙපැත්තේ වතුර පිරිලා තිබුණා. මම අයිනට වෙන කොට කකුල ලිස්සලා ගිහින් වතුරට වැටුණා. මම අම්මෙ අම්මෙ කියලා කෑ ගැහුව්වා. ඒත් කවුරුවත් ආවෙ නැහැ. මට නින්ද ගියා" ආදී ලෙස දීර්ඝ ප්‍රකාශයක් කළාය. තවද ඇය ගල්තුඩුව නිවසෙහි පෙට්ටියක ඇති ඇගේ අළුත් ගවඅම් කිහිපයක් හා පබළු වැල් කිහිපයක් පිළිබදවත් මිතුරියන් කිහිප දෙනෙකු පිළිබදවත් ප්‍රකාශ කළාය. අනතුරුව ඇය විසින් ප්‍රකාශ කරන ලද මාර්ග ඔස්සේ ගල්තුඩුවෙ එම නිවසට රැගෙන යන ලදි. එහිදී ඇය කිසිම පැකිලීමකින් තොරව එම නිවසෙහි හැසිරීමට පටන් ගත්තාය. එසේම ඇය කියූ කරුණු වල සත්‍යතාවයත් පෙනී ගියේය. මෙ පිළිබදව පර්යේෂණ පැවැත් වූ ඇමරිකාවෙ වර්ජිනියා විශ්ව විද්‍යාලයේ මානසික විශේෂඥ මහාචාර්ය ඉයන් ස්ටීවන්සන් මහතා එම තොරතුරු හා ඇගේ ප්‍රකාශයන් සත්‍ය බව පිළිගෙන ඇත.

පුනර්ජන්මය