The New Gods are a fictional extraterrestrial race appearing in the eponymous comic book series published by DC Comics, as well as selected other DC titles. Created and designed by Jack Kirby, they first appeared in February 1971 in New Gods #1.

Publication history

Volume 1 (1971)

The New Gods are natives of the twin planets of New Genesis and Apokolips. New Genesis is an idyllic planet filled with unspoiled forests, mountains, and rivers and ruled by the benevolent Highfather, while Apokolips is a nightmarish, polluted dystopia filled with machinery and fire pits, ruled by the tyrannical Darkseid. The two planets were once part of the same world, a planet called Urgrund (German for "primeval ground"), but it was split apart millennia ago after the death of the Old Gods during Ragnarök.
The characters associated with the New Gods are often collectively referred to as "Jack Kirby's Fourth World". Unhappy with Marvel Comics at the time, as he had created or co-created a plethora of characters without having copyright or creative custody of them, he turned to rival publisher DC Comics, with his sketches and designs for a new group of heroes and villains. As author Marc Flores, who writes under the pen name Ronin Ro, described:

Kirby began the "Fourth World" in Superman's Pal Jimmy Olsen #133 (October 1970). The New Gods first appeared in New Gods #1 (February–March 1971) and Forever People #1 (February–March 1971). Another "Fourth World" title Mister Miracle was launched in April 1971. Various New Gods, notably Darkseid, went on to interact with other denizens of the DC Universe.

New Gods #1 marks the first appearance of Orion, Highfather, and Metron, among others. The opening sequence alludes to the presence of the "Old Gods" and the "New Gods" (e.g., "There came a time when the Old Gods died..."). Simultaneously published during this time were the Forever People and Mister Miracle series, also written and drawn by Kirby.

Kirby fans consider the three-issue arc in New Gods #6-8 to be the peak of Kirby's artistic work. Jason Sacks and Keith Dallas say that issue #6, "The Glory Boat", "juxtaposes several of [Kirby's] favorite themes: the conflict between generations, the ways that pacifism is forced to confront violence, and, of course, the continuing battle between Apokolips and New Genesis, all drawn in some of the most spectacular art of his career." Charles Hatfield says that the story's conclusion: "...is a pure example of Kirby's technological sublime, at once redemptive and seductive, healing and cataclysmic... This rhapsodic episode suggests a glorying in, but also a fearful ambivalence about, the blurring of the living and the technological."

Issue #7, "The Pact", sought to explain the backstory of the New Gods. Sacks and Keith said: "While the story can also be read as a commentary and critique of the Vietnam War (as it's all about the ambiguity and moral costs of war), 'The Pact' is a creation myth in comics form, providing readers deeper context about both the struggle between Apokolips and New Genesis and the great sacrifices that have to be made to create peace in the face of overwhelming destruction."

Despite the creative strength of Kirby's material, the book's sales slipped steadily after a strong start. New Gods was cancelled with issue #11 (Oct-Nov 1972), and the last issue of Forever People was also #11 (August–September 1972). The Apokolips/New Genesis war was left unresolved.

Kirby's production assistant at the time, Mark Evanier, explained:

Despite the sales failure of the book, Kirby's work has remained an inspiration for future comics creators. Comics historian Les Daniels observed in 1995: "Kirby's mix of slang and myth, science fiction and the Bible, made for a heady brew, but the scope of his vision has endured."

In 2007, comics writer Grant Morrison commented: "Kirby's dramas were staged across Jungian vistas of raw symbol and storm ... The Fourth World saga crackles with the voltage of Jack Kirby's boundless imagination let loose onto paper."

Return of the New Gods (1977)
In 1976, the New Gods were featured in the last issue of 1st Issue Special, written by Gerry Conway and Dennis O'Neil and pencilled by Mike Vosburg. The issue featured a new, more mainstream superhero costume for Orion, which he would wear for the next few years, but failed to lead to a relaunch.  That same year, Jenette Kahn became DC's new publisher and decided to revive the "Fourth World" lineup in 1977. The New Gods series relaunched in July 1977, and with 1st Issue Special still a relatively recent publication, it picked up where the storyline of that issue left off. Although the title remained "The New Gods" in the indicia and retained its original numbering, launching with #12, the covers used the title "The Return of the New Gods". Conway wrote the series and  Don Newton provided the pencils.

The series introduced the character Jezebelle. It was cancelled with issue #19 (July–August 1978) prior to the "DC Implosion", where a variety of market-related factors caused DC to cancel almost all of the titles launched the previous year. The final chapters of the series were published as backup features in the Adventure Comics #459–460 (1978) featured a climactic battle between Darkseid's forces and the New Gods, culminating in Darkseid's defeat and apparent "death." Conway later said that he felt the finale he provided for the New Gods saga was inadequate, though he greatly enjoyed working with Newton on the series.

The New Gods met the Flash in Super-Team Family #15 (March–April 1978).

Darkseid's "death" would quickly be overturned in the New Gods' next appearance in Justice League of America #183–185. The three-part storyline would tell of Darkseid's return to Apokolips and his scheme to destroy Earth-Two and teleport Apokolips into its place, so that he could conquer a new universe devoid of the New Gods. The plan would be foiled by the combined power of the New Gods, the Justice League, and the Justice Society.

Volume 2 (1984)

Essentially a reprint series, this volume packaged two issues apiece per single issue of the original 1971 series. The mini-series' final issue was originally intended to include a reprint of New Gods #11 and a new 24-page story which would conclude the series and end with both Darkseid and Orion dead. DC editors prevented Kirby from using his original intended ending. Kirby instead turned in a one-off story called "On the Road to Armagetto" which was also rejected, due to the fact that it did not contain a definitive ending to the series. A 48-page new story called "Even Gods Must Die" was published in the sixth issue of the reprint series instead, which in turn served as a prologue for the upcoming The Hunger Dogs graphic novel, which DC editors greenlighted to conclude the series.

The Hunger Dogs
Published as DC Graphic Novel #4, The Hunger Dogs was intended by Kirby and DC to serve as the end to the entire Fourth World saga. The project was mired in controversy over Kirby's insistence that the series should end with the deaths of the New Gods, which clashed with DC's demands that the New Gods could not be killed off.

As a result, production of the graphic novel suffered many delays and revisions. Pages and storyline elements from the never published "On the Road to Armagetto" were revised and incorporated into the graphic novel, while DC ordered the entire plot restructured, resulting in many pages of the story being rearranged out of Kirby's intended reading order.

In the end, The Hunger Dogs saw the tormented, slave population of Apokolips rise up against Darkseid in a massive slave revolt, forcing Darkseid to flee his homeworld. This ending would not last, as Darkseid would reclaim Apokolips off-panel prior to the events of the 1986 Legends crossover.

Volume 3 (1989–91)
Following the Cosmic Odyssey limited series by Jim Starlin and Mike Mignola, a new New Gods series was launched. Written by longtime Kirby assistant Mark Evanier, with co-author and penciler Paris Cullins, this would be the most lengthy New Gods run yet. Coming in at 28 issues, this volume was published from February 1989 to August 1991. This series is sometimes considered volume 2, as the aforementioned volume 2 was essentially a reprinting of volume 1.

Volume 4 (1995–97)
Originally written by Tom Peyer and Rachel Pollack, and pencilled by Luke Ross, volume 4 of New Gods ran from October 1995 until February 1997. It was taken over by John Byrne for issues #12–15 at the end of the series; this title would be renamed as Jack Kirby's Fourth World, also by Byrne, with numbering reset to issue #1, and covers provided by Walt Simonson. Walt Simonson's Orion series, which continued to host the backup feature "Tales of the New Gods", began in Byrne's Jack Kirby's Fourth World and served as an extension of it. Simonson wished to simply title his series "New Gods", but DC felt the name had been used too much recently.

John Byrne's one-shot issue Darkseid vs. Galactus: The Hunger also appeared in October 1995.

2007–present

Death of the New Gods and Final Crisis

Taking place in both the yearlong series Countdown to Final Crisis (2007–2008) and its spin-off, Death of the New Gods, written by Jim Starlin, was a story-arc involving the mysterious deaths of the New Gods across the universe in preparation for the coming storylines in Grant Morrison's Final Crisis, published later in 2008. As elaborated in Death of the New Gods, the mysterious Godkiller turned out to be an agent of the sentient Source itself, which sought to destroy the imperfect Fourth World—compromised by the disruption in its creation by the Old Gods—in favor of a more perfect "Fifth World" by reuniting the Source with the Anti-Life Equation. The Source's initial attempts to recreate the Fifth World had been hampered by the Crisis on Infinite Earths which unified the Multiverse and forged an impenetrable Source Wall around the Anti-Life Equation. By subtly manipulating characters such as Alexander Luthor, Jr., and Booster Gold to recreate the Multiverse made the Source Wall less impenetrable. The Source's agent is revealed to be the New God Infinity-Man. Darkseid acquires the powers of the Anti-Life Equation and capitalizes on the deaths of the New Gods by using the human Jimmy Olsen as a "soul-catcher" for the Gods, from which he can claim all their powers and recreate the universe in his own image, but he is killed when the Source is able to send Darkseid's resurrected son, Orion, to rip out his heart. Orion leaves the scene of the fray to die of his own wounds; and, seemingly with success, the Source entity manages to reunite with the Anti-Life entity and merge Apokolips with New Genesis to create the Fifth World, with the New Gods of the Fourth World all deceased.

In DC Universe #0, a bridge between the Countdown and Final Crisis limited series, Darkseid is resurrected on Earth. In Final Crisis, Darkseid and his minions now exist on Earth in the guises of organized criminals, with Darkseid taking the name "Boss Dark Side". Other New Gods, such as Metron and the Black Racer, also appear reborn in newer, more elaborate Fifth World incarnations. Orion is discovered dead by detective Dan Turpin, prompting the Guardians of the Universe to launch an investigation. Batman surmises that Orion was in fact killed not of injuries from battling Darkseid, but by a sort of bullet sent backwards in time. Darkseid spreads the Anti-Life Equation among the human population, creating monstrous slaves out of its victims as he ushers in the Final Crisis of Mankind. Shilo Norman begins recruiting an army, warning of a war in heaven having occurred where evil won. Darkseid similarly claims to have ultimately come out of this war in heaven the victor. The villain Libra reappears on Earth after a long absence, making promises to the villains of Earth in the name of the deity he worships.

Grant Morrison addressed what he described as "the disconnects that online commentators, sadly, seem to find more fascinating than the stories themselves", by explaining that he provided a rough draft of the first issue, and an outline of the plot, before the writing began on Countdown and Death of the New Gods. He outlined his thinking on the issues of continuity between the stories by stating that he "started writing Final Crisis #1 in early 2006, around the same time as the 52 series was starting to come out, so Final Crisis was more a continuation of plot threads from Seven Soldiers and 52 than anything else."

As the events of Final Crisis unfold, it is revealed that the evil gods of Apokolips have been hiding in human bodies, and some have their bodies "rebuilt" for them in the Evil Factory, formerly the Command-D bunkers in Blüdhaven. Darkseid inhabits the body of Dan Turpin, after Turpin finally succumbs to the evil god. Kalibak inhabits a new body, that of a humanoid tiger, leading a team of similar creatures in battle. Mokkari and Simyan appear, looking more or less identical to their previous forms, with no explanation given to where their bodies came from. Granny Goodness takes up residence in the Alpha Lantern Kraken, using her to attack the Guardians of the Universe, while Desaad inhabits the body of Mary Marvel. The Female Furies themselves are not shown to still exist, but they are recreated using Anti-Life controlled heroes and villains in the forms of Wonder Woman, Batwoman, Catwoman, and Giganta.

At the conclusion of the series, the essence of Darkseid is destroyed; the New Gods, are resurrected and  reborn; and Nix Uotan implies that they will guide the recently destroyed Earth-51, restoring it to prosperity and peace. Nix also indicates that the Super Young Team are the new Forever People of the Fifth World.

Post-Final Crisis

In an interview with Newsarama, DC Executive Editor Dan DiDio spoke of the future of the New Gods in the DC Universe, saying, "The other thing we'll give a rest to as well is the concept of the New Gods and the ideas surrounding them. There's a very clear conclusion to the New Gods' storyline in Final Crisis #7. The good part about it is that readers will see that ending, and we won't have to return to it right away. Like the Multiverse, the New Gods will be out there and available to us, and we can use them when we see fit, and feel the time is right. Just because we introduced concepts doesn't mean that we have to constantly use them."

The New 52
In September 2011, The New 52 rebooted DC's continuity. In this new timeline, Darkseid first appears in Justice League #4. DeSaad and Steppenwolf also briefly appear in this story arc, experimenting on Superman and referring to "the search for Darkseid's daughter", explaining Darkseid's actions throughout infinite and his assault and assimilation of various worlds throughout the multiverse. In subsequent issues it is revealed that Cyborg's teleportation powers are linked to the Boom Tubes, thanks to upgrades performed by his father utilizing the Mother Box found by the team in their initial adventure, and that every 1,000 times he uses this technology, a glitch in it transports him and his Justice League comrades to Apokolips.

In the pages of Earth 2 #1, it is revealed that Darkseid's search has also resulted in his traversing the array of worlds invading this parallel Earth. Unlike his encounters in Justice League, this one is far more successful, resulting in the death of that Earth's Superman, Batman and Wonder Woman; in the midst of this war, Power Girl and Huntress somehow traverse into the realm of Prime-Earth.

It is teased that the fall of the Olympian Gods will lead to the creation of New Gods, but not stated if they mean the race of New Gods populating the Fourth World or simply newer younger gods. A figure, with Orion's helmet, appears in shadow then disappears into a Boom Tube. Orion fights against, then assists Wonder Woman in her struggle with the gods of Olympus and the monstrous First Born of Zeus, eventually leading her and the Last Born of Olympus to New Genesis and its leader: Highfather. While Highfather appears much younger than his pre-Flashpoint incarnation, New Genesis appears much the same, consisting of a futuristic floating city above a mostly rural world covered in forests.

In the Darkseid special issue, it is revealed that he and Highfather are some of the only survivors of a previous larger world, where they were brothers and peasants. Their world was also inhabited by colossal beings known as Old Gods, who spent much of their time brawling with each other, feeding off the worship of the 'mudgrubbers', whose lives were often lost in the battles. One day the man formerly known as Uxas, having tired of his idol's destructiveness, decided to spark a war between them which would in turn devastate their world fatally wounding his sister, Izaya's first wife, after which he opted to kill all the wounded Old Gods, steal their powers and bring about a new order. One by one, the Old Gods were destroyed by Darkseid, who became more horrific in turn as he leeched their essence from them. As Darkseid's schemes started to tear the planet apart, Highfather ran with his wounded Avia in hand towards one of the last and greatest of the Old Gods, acknowledging his time had come and passed he chose to pass on the last of his power to reward Izaya's beloved's devotion to them. Empowered in a blinding flare of light, Highfather arose as a New God to battle Darkseid. The brothers, now equal, tore the world apart during their battle, leaving them to rebuild on the remains, which became Apokolips and New Genesis.

It was his search for what was believed to be his daughter Kaiyo that Darkseid came to traverse and enslave various worlds and universes throughout the 52 realities spanning existence, leading up to his first invasion of Earth 2 as well as the incursion of countless other Earths along the DCnU, up until the core world of Prime Earth where he battled and lost against the Justice League when they first formed to battle his invasion.

After countless eons of infighting proceeding after the fall of the Old World, Darkseid and Highfather would eventually be forced into conflict against their demented father and King of the Old Gods, Yuga Khan. Livid at the fact his sons ended up killing and usurping the powers of all the Old Gods of Urgrund save himself, he utilized the power of the Anti-Life Equation to reanimate his fallen subjects, while using his own powers to suppress his sons' New God Abilities, all to prevent the rise of the New Gods standing before him. When Zonuz was prepping to deliver the killing blow, Uxas crept up from behind and ended him, reducing his resurrected army back to the dust they were recreated from and sending the Old God back to the Source.

For a time, both brothers would raise their dead world back from the devastation wreaked by their previous conflicts, dubbing it Genesis with Izaya eventually remarrying, up until for undisclosed reasons Darkseid killed Highfather's new wife away from prying eyes, save those of his sibling's. Another war would commence pitting the former's faction against the self-titled God of Evil, which devastated the world they made together. With the losses tallied on both sides, a ceasefire was eventually called with Darkseid eventually slinking back into the darkness, while Highfather wept over the loss of their new home. Over time, a peace treaty would be forged in which Izaya would lose the compassionate part of himself to the Source to make him go through with it. Exchanging their sons like in the previous continuity would not stop Darkseid from waging wars of conquest across reality however, so Highfather brokered another treaty where Darkseid would only attack the Earth 2 dimension while leaving the other infinite Earths untouched.

Over time, the core universe where Apokolips first suffered defeat from would have more interactions with the New Gods of both New Genesis; created by the now-militant Highfather, as well as those of Apokolips; domain of the malevolent Darkseid and his elite followers.

Powers and abilities
The beings of New Genesis and Apokolips call themselves gods, living outside of normal time and space in a realm known as the Fourth World. Due to their proximity to the Source, a primeval energy believed to be one of the ultimate foundations of the Universal Expression of Energy, these New Gods have evolved into genetically stable higher beings of evolutionary perfection.

All of the New Gods possess superhuman abilities of various kinds and differing degrees, including superhuman strength, stamina, reflexes, invulnerability and speed. The denizens of New Genesis and Apokolips are also immortal and endowed with a greater intelligence than Homo sapiens, despite their resemblance. Both worlds have the finest  technology that the universe can offer.

Despite their immortality, the New Gods are vulnerable to a substance called Radion. Its source is unknown and its effects are toxic only in sustained amounts or after explosive exposure. The average New God can be slain by an application of Radion from a Radion blaster or bomb.

Writer Rachel Pollack introduced the idea in "Sacrifice of the Gods" in 1996 that the New Gods were giants and that the Boom Tube would shrink them as they traveled to normal time and space or enlarge beings who traveled to the Fourth World realm. For example, if Superman were to travel to Apokolips under his own power, he would be miniature in comparison to the New Gods – Orion remarked that "Earth is but a speck in an air pocket" and that the universe of New Genesis is the "real world". Proportionally, entire planets were shown to seem no larger than golf balls.

Known New Gods

New Gods of New Genesis
 Highfather – Izaya is the King and Prophet of New Genesis, husband of Avia I, father of Scott Free, grandfather of Avia II (Earth-22/Kingdom Come), father-in-law of Big Barda, brother-in-law of Big Breeda, adopted father of Orion, adoptive father-in-law of Bekka and adopted brother-in-law of Himon.
 Akarl – Childhood friend of Orion. Killed during a Bug raid.
 Antinoos - An official on New Geneis.
 Astorr – The original Infinity-Man.
 Atinai – The builder of New Genesis' architecture, buildings, and cities.
 Avia – Queen of New Genesis, wife of Highfather, mother of Scott Free (the second Mister Miracle), grandmother of Avia II in the Kingdom Come reality, mother-in-law of Big Barda, sister-in-law of Big Breeda, adopted mother of Orion, adopted mother-in-law of Bekka and adopted sister-in-law of Himon. Murdered by Steppenwolf.
 Avia II – The daughter of Scott and Barda Free, granddaughter of Izaya, Avia and Big Breeda and adopted niece of Orion and Bekka of the Kingdom Come reality.
 Big Barda – Former leader of the Female Furies, Princess of New Genesis, daughter of Big Breeda, wife of Scott Free, mother of Avia II in the Kingdom Come timeline, daughter-in-law of Izaya and Avia I, adopted sister-in-law of Orion and Bekka.
 Bugs – A race of humanoid insects.
 All-Widow – Queen of the Bugs of New Genesis.
 Forager – A male warrior Bug of New Genesis and ally of Orion.
 Forager – A female warrior Bug of New Genesis and successor of the first Forager.
 Prime One – The leader of the Bugs of New Genesis and Forager's mentor.
 Celestia – A flier.
 Council of Eight – A group of New Gods who receive their orders from Highfather.
 Bekka – Himon's daughter and Orion's wife.
 Hyalt – A cybernetically enhanced blacksmith.
 Lightray – A photokinetic warrior.
 Metron – A supreme explorer, scientist, and inventor who rides in the time-traveling Mobius Chair.
 Orion – The second son of Uxas/Darkseid, adoptive son of Highfather, half-brother of Kalibak and Grayvenm and husband of Bekka.
 Shadowfall – An archer who is a general in the New Genesis army.
 Uggha – General of New Genesis who obeys the will of Highfather.
 Council of Five – A group that works under Highfather.
 Commander Gideon – A high-ranking general in the New Genesis army.
 Lonar – An explorer who was the first to discover the remnants of the Old Gods.
 Madame Nature – Security chief.
 Teledar – A science officer.
 Desdemona – A teacher for the children of Supertown who is Metron's former lover.
 Divine Guard – The foot soldiers of New Genesis that work for Highfather and the allies of Orion.
 Enkar – Guardian of the New Gods' after-realm of Hadis.
 Fastbak – A young god from Supertown who appeared The New Gods #5. He uses Aero-Pads that enable him to fly and have super-speed.
 Himon – The mentor of Mister Miracle.
 Infinity-Man – Drax is the older brother of Darkseid.
 Jezebelle – A New God in the Pre-Crisis comics. She is a mutant and former student of Granny Goodness who defected to New Genesis.
 Jigundus – A warrior with super-strength and enhanced durability who appeared in Superman/Aliens.
 K'zandr – A keeper of Highfather's Oracle with precognition.
 Magnar – An Orion-level warrior who protected Supertown as seen in Superman's Pal Jimmy Olsen #147.
 Malhedron – A former servant of Darkseid that defected to New Genesis and a former member of the Council of Eight.
 Mister Miracle – An escape artist who is the prince of New Genesis, son of Highfather and Avia, father of Avia II (Earth-22/Kingdom Come), husband of Big Barda, son-in-law of Big Breeda, adopted brother of Orion, adopted-brother-in-law of Bekka and protegee of Himon. He is also the adopted brother of Grayven and Kalibak, the adopted son of Uxas/Darkseid, Tigra and Suli, adopted nephew of Drax/Infinity Man, adopted great-nephew of Steppenwolf and adopted grandson of Heggra and Yuga Khan.
 Monitors – The aerial police of Supertown.
 Primitives – A race of indigenous peoples that live in the forests of New Genesis.
 Mother Herrae – The leader of the Primitives and one of the original New Gods.
 Aarden – Warrior from the Primitives.
 Sserpa – A warrior from the Primitives.
 Seagrin – The water-loving New God. Slain by the Deep Six.
 Sister Sunlight – A New God with healing powers in the Pre-Crisis comics who originated as a "lowlie" on Apokolips before Himon emigrated her to Earth.
 Stanga – A hermit.
 Takion – The living embodiment of the Source.
 Teledar – A disembodied head in a floating orb device.
 Thunderer – Lonar's battle horse and survivor of Ragnarok from Forever People #5.
 Valkyra the Commander – Vykin's mother who rides a winged robot horse and is an expert at hand-to-hand combat.
 Vayla – The wife of Highfather and the mother of Scott Free.

New Gods of Apokolips
 Darkseid – The ruler of Apokolips and the father of Orion, Kalibak, Grayven, and Grail.
 Aerotroopers – The winged minions of Darkseid.
 Agogg – A massive ape-like minion who targeted Ellis Ames for the Anti-Life Equation that he had. He was slain by Darkseid's Omega Beams when Ames claimed that he gave the Anti-Life Equation to him.
 Antagonist – A minion of Darkseid who is an embodiment of hatred and rage.
 Berelda – A female servant of Darkseid.
 Brimstone – A being who was artificially created by Darkseid.
 Buna – A warrior of Apokolips and daughter of Kalibre that appears in Superman (vol. 2) #104.
 Canis Major – A minion of Darkseid in dog-themed armor.
 Canis Minor – A minion of Darkseid in dog-themed armor and the son of Canis Major.
 Captain Hathak – The former lover of Tigra and the possible father of Orion. He was later killed by Darkseid.
 Commander Tusk – A commander in Darkseid's army.
 Concord & Harmon – The minions of Darkseid.
 Control – A communications officer.
 Cyborg-87 – A red robot and minion of Darkseid.
 Darkseid's Elite – The elite warriors of Darkseid.
 Amazing Grace – A master manipulator.
 Bane of Apokolips – A minion of Darkseid from New Gods #18.
 Brola – A member of Darkseid's Elite who has a "Hand of Stone."
 DeSaad – A torturer.
 Devilance the Pursuer – A hunter. He was killed by Lobo.
 Doctor Bedlam – A pure energy being with a never-ending series of artificial bodies and an enemy of Mister Miracle.
 Glorious Godfrey – A master manipulator who is mostly adept at bending huge masses of people to his will. He is the older brother of Amazing Grace.
 Granny Goodness – The supervisor of the Female Furies and keeper of Apokolips's horrid orphanages.
 Kalibak – The son of Darkseid and Suli who serves as the second-in-command of Apokolips.
 Kanto – A master assassin.
 Lady Justeen – The second-in-command of DeSaad, aka Meteorra Mayhem
 Mantis – A bug-like warrior from the Bugs of Apokolips.
 Mortalla – A servant of Darkseid who can induce sleep with one hand and death with another. She was once a mortal but was heavily modified to serve Darkseid.
 Steppenwolf – Darkseid's uncle who is the general in his armies.
 Titan – A massive, green-skinned warrior and member of Darkseid's Elite from The New Gods #18.
 Virman Vundabar – An expert strategist and sycophant who is the father of Malice Vundabar.
 Deep Six – The fish-like warriors who have fought the New Gods of New Genesis as well as Aquaman.
 Gole – A member of the Deep Six who wears a helmet that covers his face and wields bladed weapons.
 Jaffar – A green-armored member of the Deep Six who can mutate other beings with his touch.
 Kurin – A gold-armored member of the Deep Six who often wields a trident.
 Shaligo the Flying Finback – A member of the Deep Six whose wing-like fins enable him to fly.
 Slig – A blue-armored member of the Deep Six who can disintegrate an object or mutate other beings with his touch.
 Trok – An axe-wielding member of the Deep Six who wears a copper helmet.
 Dog Cavalry – Warriors on dog-like mounts that are commanded by Steppenwolf.
 Ericht – A Theta drone.
 Esak – A brilliant young man from Supertown who was Metron's protégé. He was destined to take Metron's place one day as cosmic explorer and master technologist, until he was injured in an accident which damaged him both physically and mentally. His soul and faith were embittered badly and he soon turned against Metron and his New Genesis allies by joining the ranks of Darkseid's Elite. Orion finally confronted Esak and killed him; but before he died, Orion, still respectful for Esak's past self, prayed to the Source for Esak and his face was healed before he finally died.
 Female Furies – A group of female warriors that work for Granny Goodness.
 Artemiz – The archer of the Female Furies.
 Bernadeth – A knife-wielding member of the Female Furies who is Granny Goodness' right-hand woman and is the most intelligent of the group.
 Big Breeda – The mother of Big Barda, grandmother of Avia II (Kingdom Come), mother-in-law of Scott Free, and sister-in-law of Avia I and Izaya.
 Bloody Mary – A mind-controlling vampire-themed member of the Female Furies.
 Gilotina – A member of the Female Furies whose super-strength enables her to chop through anything.
 Lashina – A whip-wielding member of the Female Furies. She was also known as Duchess when she was in the Suicide Squad.
 Mad Harriet – A wild member of the Female Furies with claws.
 Malice Vundabar – The daughter of Vermin Vundabar.
 Chessure – A creature controlled by Malice Vundabar.
 Speed Queen – A member of the Female Furies who roller skates enable her to have super-speed.
 Stompa – A super-strong member of the Female Furies who wears anti-matter boots.
 Wunda – A light-manipulating member of the Female Furies.
 Grail – The daughter of Darkseid and the Amazon Myrina.
 Grayven – The third son of Darkseid whose mother is unknown.
 Gravi-Guards – The hulking minions of Darkseid who are able to become super-dense. They debuted in Jack Kirby's Fourth World #12.
 Harassers – They serve as the security guards at Granny Goodness' orphanages.
 Marvelous Marno – An inventor and member of the Harassers.
 Heggra – The mother of Darkseid.
 Hunger Dogs – Also called "Lowlies," they are the downtrodden citizens of Apokolips who reside the Armagetto district.
 Jovita – A rebel Hunger Dog from Armagetto.
 Kyta – A rebel Hunger Dog from Armagetto.
 Infernus – The pyrokinetic minion of Darkseid who was sent to obtain a powerful sword that was to be delivered to Metron.
 Iota – A minion of Darkseid.
 Jet-Bow Squad – The soldiers of Apokolips who wield Jet-Bows.
 Justifiers – The slaves of Glorious Godfrey that are mind-controlled by the Anti-Life Equation that also powers their weapons. The Justifiers played a major part in the "Final Crisis" storyline as the alternative foot soldiers of Darkseid and Libra.
 Kalibre – An assassin who is the father of Buna.
 Killroy – The son of Steppenwolf.
 Lakutha – A midwife who was slain by Tigra to hide Orion's true parentage.
 Little Barda – A warrior who idolized Big Barda and fled to Earth.
 Lucifar – A minion of Darkseid who was sent by Darkseid to live with an Alaskan family.
 Master Mayhem – A minion of Darkseid. He was killed by Doomsday.
 Merritz – A troll-like servant that Darkseid abandoned on Hawaii who was encountered by Ray. Killed upon Brimstone's activation.
 Mokkari – An evil scientist who ran the Evil Factory that is Apokolips's version of Project Cadmus.
 Necromina – A female minion of Darkseid and commander of the "Graveyard Army" who can raise and control the dead with her "Mortis Mark."
 Nurse Maggit – An assistant to DeSaad with maggot-like hair.
 Orion - Second Son of Darkseid.
 Pacifiers – Giant red robots that enforce peace through force. They appear in Superman (vol. 2) #3.
 Parademon – The common foot soldiers of Apokolips.
 3g4 – A Parademon that fought against its programming after an encounter with Aquaman. He was killed by Topkick.
 Junior Jumbo – A Parademon.
 Pharzoof – A Parademon with a mind of his own.
 Topkick – A Parademon drill instructor.
 Photon Patrol – The regular soldiers using Parademon flying harnesses from Mister Miracle #25
 Powerboy – A friend of Little Barda who fled from Apokolips with her.
 Precious – A failed potential recruit for the Female Furies.
 Protector Willik – The Armagetto district's protector who wields a throw-club. Killed by a bomb that was used by Himon.
 Pythia – The keeper of Darkseid's Oracle with precognition who also controls Apokolips's Garden of Hope.
 Red One – An assistant to Meteorra.
 Rip Roar – A four-armed warrior who fled to Earth after stealing a New Genesis Super-Cycle and being trapped in stone. Rip Roar later battled Young Justice upon being freed from his stone prison when the Super-Cycle with his imprint on it was accidentally activated.
 Servitors – The giant armored minions of Darkseid.
 Simyan – A primate-like DNAlien and evil scientist who ran the Evil Factory which is Apokolips's version of Project Cadmus.
 Sleez – The former boyhood friend of Uxas.
 Stingaree – An arachnid warrior from the Bugs of Apokolips.
 Suicide Jockeys – A group of non-humans fitted with flying harnesses and suicide bombs that speak in rhyme.
 Suli – The wife of Darkseid and mother of Kalibak.
 Techno-Chiefs – Four of the Techno-Chiefs accompanied Darkseid in trying to get some information from Metron's Mobius Chair.
 Tigra – The wife of Darkseid and mother of Orion.
 Tygar the Tearer – A saber-toothed gladiator.
 Tyrus – A minion of Darkseid who is one of Apokolips's greatest assassins. He later defected to New Genesis.
 Tracker– A giant-sized three-headed hound that serves Tyrus. The Tracker was cloned and grown if the one before it was killed.
 Warhounds – The 12 ft. robotic dogs from Legends #3 that were developed by DeSaad and his fellow scientists.
 Yuga Khan – The father of Darkseid.

Bibliography
Outside of the original three Kirby titles, and those strictly labeled "New Gods", other characters from Kirby's Fourth World have had their own titles. Mister Miracle has had numerous other iterations of his own comic, and Orion was given his own title in 2000 that ended in 2002. The aforementioned Jack Kirby's Fourth World is another example, as is Takion, a New God not created by Kirby, but one that had his own series for seven issues in 1996. The New Gods and their concepts have at times played a central role in the DC Universe, in series such as Jim Starlin's Cosmic Odyssey. Particularly, the character Darkseid has been a major force in the DC Universe, and is one of the main villains in the various Superman titles.

Tales of the New Gods
"Tales of the New Gods" was a backup feature that began in John Byrne's Jack Kirby's Fourth World, and continued in Walt Simonson's Orion series. In the features for Jack Kirby's Fourth World, Byrne almost exclusively provided the pencils and text for the stories. In the features for the Orion title, Simonson often wrote the story, and fellow artists would, appropriately, provide the artwork; although on rare occasions, other writers would provide the script/story. Two backup stories, though not under the "Tales of the New Gods" banner, were printed when Byrne filled in as penciller on Orion for the main stories in issues #13 and #14, with Simonson providing writing and pencilling, and Bob Wiacek inking.

Collected editions
The various New Gods stories have been collected into various volumes. All 11 issues of the original series have been collected into Jack Kirby's New Gods (). DC Comics published  a Tales of the New Gods trade paperback () in January 2008, which collects all of the back-up stories listed above, a Mark Evanier/Steve Rude Mister Miracle one-shot comic from 1987, and a previously unpublished story by Mark Millar and Steve Ditko originally meant to be printed in the pages of Orion. In 2008, DC released a one-shot titled Countdown Special: New Gods #1, which reprinted Forever People #1, Mister Miracle #1, and New Gods #7. Death of the New Gods has been collected into a hardcover edition (). and later reprinted in trade paperback.

The entirety of Kirby's work on the "Fourth World" was collected in four Omnibus editions published in 2007 and 2008:
 Jack Kirby's Fourth World Omnibus
Volume 1 collects Forever People #1–3, Mister Miracle #1–3, The New Gods #1–3, Superman's Pal Jimmy Olsen #133–139, 396 pages, May 2007,  (hardcover); December 2011,  (paperback)
Volume 2 collects Forever People #4–6, Mister Miracle #4–6, The New Gods #4–6, Superman's Pal Jimmy Olsen #141–145, 396 pages, August 2007,  (hardcover); April 2012,  (paperback)
Volume 3 collects Forever People #7–10, Mister Miracle #7–9, The New Gods #7–10, Superman's Pal Jimmy Olsen #146–148, 396 pages, November 2007,  (hardcover); August 2012,  (paperback)
Volume 4 collects Forever People #11; Mister Miracle #10–18; The New Gods #11; "Even Gods Must Die" from The New Gods (vol. 2) #6; DC Graphic Novel #4: The Hunger Dogs; "On the Road to Armagetto!" (previously unpublished), 424 pages, March 2008,  (hardcover); December 2012,  (paperback)

In other media

Film
 The evil New Gods are referenced throughout Batman v Superman: Dawn of Justice (2016). In one deleted scene from the film, which is included in the Ultimate Edition extended cut, Lex Luthor communicates with Steppenwolf through the use of alien technology from the quarantined Kryptonian scout ship.
 The New Gods feature prominently in Justice League (2017), with the main antagonist being Steppenwolf (Ciarán Hinds). Exiled from Apokolips, Steppenwolf invades Earth in command of an army of Parademons, hunting down the three Mother Boxes located thereon. The Mother Boxes are hidden among the united forces of Earth, located in Atlantis, Themyscira and by mankind. Cyborg is created through the aid of a Mother Box, and has a connection to their power. The New Gods Darkseid (Ray Porter), DeSaad (Peter Guinness), and Granny Goodness (portrayed by an uncredited actress) were meant to appear in the film, but were cut following Snyder's departure from the project. They did appear in the director's cut of the film, Zack Snyder's Justice League (2021). Snyder intended to include all the New Gods in his planned Justice League sequels, which were never made.
 A New Gods live action film was in development from 2018 to 2021. It was planned to be directed by Ava DuVernay, originally with a script written by Kario Salem, but later with a script written by DuVernay and Tom King. Darkseid was planned to be the main antagonist of the film, but the film was also planned to include the Female Furies and All-Widow, among others.
 George Lucas's Star Wars series has been speculated to be influenced by the New Gods. At a 1972 dinner that included comics writer/editor Roy Thomas and comic shop owner Ed Summer, George Lucas told his story for Star Wars, after which Roy Thomas noted that it sounded very similar to Jack Kirby's New Gods.
 An alternate universe New Gods version of Bekka as Wonder Woman appears in the 2015 animated film Justice League: Gods and Monsters.
 Darkseid appeared in the DC Animated Movie Universe as the main antagonist, appearing in the films Justice League: War, Reign of the Supermen and Justice League Dark: Apokolips War. Additionally, writer J. M. DeMatteis was interested in scripting a New Gods film set in this franchise.

Television
Darkseid, Kalibak, Desaad, and the planet Apokolips appear in the final two incarnations of the Super Friends animated series, entitled Super Friends: The Legendary Super Powers Show and The Super Powers Team: Galactic Guardians. New Genesis and its residents did not appear and were not mentioned despite Orion and Mister Miracle being part of the concurrent Super Powers Collection toy line.
 Various New Gods characters have appeared in the modern DC Animated Universe, with Kalibak, Darkseid, and the Fourth World characters making their initial appearance in Superman: The Animated Series. They would appear in several episodes of that series, as well as Justice League and Justice League Unlimited.
 Darkseid, Kalibak, Granny Goodness and Darkseid's other followers appear in Batman: The Brave and the Bold. Lashina and Stompa also appear, but as female fighters employed by Mongal rather than servants of Darkseid.
 Many of the New Gods characters, such as Darkseid, Granny Goodness, Desaad, and Godfrey appear in the final season of Smallville. Orion and Highfather are also mentioned.
 The Forever People, Desaad, New Genesis and Apokolips appear in the Young Justice episode "Disordered". Darkseid is alluded to, but is not mentioned by name and does not appear onscreen until the finale episode "Endgame". G. Gordon Godfrey is a recurring character throughout Season Two: "Invasion". Apokolips, New Genesis, Darkseid and Granny Goodness play a prominent role in Season Three: Outsiders, with other New Gods (such as Metron) appearing in various episodes. Highfather and Lightray appeared in Young Justice: Phantoms.

Video games
 Several New God characters appear in DC Universe Online, including Mister Miracle, Big Barda, Kalibak, Mantis, Orion, Lightray, Steppenwolf, Darkseid, his New God/Amazon daughter Grail, Granny Goodness, and the Female Furies Stompa, Lashina, and Mad Harriet, along with several Bugs and Parademons. New Genesis is an open-world area, with two instances in Apokolips.
 Apokolips and multiple New Gods appear in LEGO DC Super-Villains, including Darkseid, Kalibak, Grail, Granny Goodness, the Female Furies, and Steppenwolf. They all play a part in the storyline, can be collected as playable characters, and Apokolips is an open-world location the player can visit.

Awards
This series, along with Forever People, Mister Miracle, and Superman's Pal Jimmy Olsen won Jack Kirby a Shazam Award for "Special Achievement by an Individual" in 1971.

In 1998, Jack Kirby's New Gods by Jack Kirby, edited by Bob Kahan, won both the Harvey Award for "Best Domestic Reprint Project" and the Eisner Award for "Best Archival Collection/Project".

See also
Other notable Fourth World characters and concepts:
 Anti-Life Equation
 Jack Kirby bibliography
 Mother Boxes
 The Source
 Source Wall

Similar Marvel Comics characters:
 Eternals, a race of godlike human beings also created by Jack Kirby

References

External links
 Index to the Earth-1 Fourth World stories
 New Gods New Gods vol. 2, New Gods vol. 3, New Gods vol. 4 and Death of the New Gods at Mike's Amazing World of Comics

 New Gods from DC Wiki
 New Gods from DC Extended Universe
 New Gods from Dc Comics Extended Universe

1971 comics debuts
1972 comics endings
1978 comics endings
1984 comics endings
1991 comics endings
1997 comics endings
2008 comics endings
Characters created by Jack Kirby
Comics by Jim Starlin
Comics by John Byrne (comics)
Comics characters introduced in 1971
DC Comics alien species
DC Comics characters who can move at superhuman speeds
DC Comics characters with immortality
DC Comics characters with superhuman durability or invulnerability
DC Comics characters with superhuman strength
DC Comics deities
DC Comics demons
Fourth World (comics)

New Gods


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Amin Younes (* 6. August 1993 in Düsseldorf) ist ein deutsch-libanesischer Fußballspieler. Der Offensivspieler stand zuletzt beim saudi-arabischen Erstligisten Al-Ettifaq unter Vertrag. Younes stammt aus der Jugend von Borussia Mönchengladbach und schaffte dort 2012 den Sprung zum Bundesligaspieler. Im Trikot des Ehrendivisionärs Ajax Amsterdam, für den er von 2015 bis 2018 aktiv war, avancierte er 2017 zum deutschen A-Nationalspieler und gewann mit der Mannschaft im selben Jahr den FIFA-Konföderationen-Pokal. Nach zwei Jahren beim SSC Neapel kehrte Younes im Oktober 2020 leihweise zu Eintracht Frankfurt in die Bundesliga zurück und wurde im März 2021 nach starken Leistungen im Verein erneut in die A-Nationalmannschaft berufen. Nachdem er seit Anfang September 2021 vom Trainings- und Spielbetrieb freigestellt war, wurde die Leihe im Januar 2022 beendet. Wenige Tage später wurde der Wechsel nach Saudi-Arabien verkündet.

Karriere

Vereine

1997–2014: Vom Jugendspieler zum Profi in Mönchengladbach

Gemeinsam mit seinem älteren Bruder Philipp begann Younes bei der SG Unterrath mit dem Fußballspielen. Am 1. Juli 2000 wechselten beide in die Jugendabteilung von Borussia Mönchengladbach. Hier durchlief er sämtliche Jugendteams und gehörte zum Kader der U17, die 2009 das Halbfinale der deutschen B-Junioren-Meisterschaft erreichte und dort am späteren Meister VfB Stuttgart scheiterte. Für die zweite Mannschaft der Borussia bestritt er am 12. Februar 2011, in der Startelf stehend, gegen den FC Schalke 04 II sein Debüt im Senioren-Fußball. Sein erstes Tor in der Regionalliga West erzielte er am 17. September 2011. Am 1. April 2012 absolvierte Younes seinen ersten Einsatz in der Bundesliga, als er im Auswärtsspiel gegen Hannover 96 (1:2) in der 84. Minute für Tony Jantschke eingewechselt wurde. Am 6. Dezember 2012 bestritt er sein Europapokal-Debüt am letzten Spieltag in der Gruppenphase der Europa League gegen Fenerbahçe Istanbul. Sieben Minuten nach seiner Einwechslung leitete er mit einem Dribbling den Treffer zum 3:0-Endstand ein. Am 24. Februar 2013 (23. Spieltag) gab er sein Debüt in der Startelf und erzielte beim 1:1 im Heimspiel gegen Borussia Dortmund sein erstes Bundesligator. Es folgten für Younes bis zum Saisonende neun weitere Einsätze in der Bundesliga sowie einer in der Europa League bei Lazio Rom. In der Saison 2013/14 stand er, sofern nicht verletzt, immer im Kader der Borussia. Insgesamt kam er 14-mal zum Einsatz, immer als Einwechselspieler.

2014–2015: Leihspieler beim Zweitligisten Kaiserslautern
Aufgrund des Wunsches nach mehr Spielpraxis ließ die Borussia ihn bis zum Ende der Saison 2014/15 auf Leihbasis ohne Kaufoption in die 2. Bundesliga zum 1. FC Kaiserslautern wechseln. Für Kaiserslautern debütierte Younes am 24. August 2014 beim 2:1-Heimsieg über Eintracht Braunschweig als Einwechselspieler. Nach einem weiteren Kurzeinsatz fiel er mit einer Muskelverletzung für rund einen Monat aus. Nach der Verletzungspause absolvierte er zwei Spiele als Einwechselspieler, um am 28. Oktober 2014 beim 2:0-Heimsieg in der zweiten Runde des DFB-Pokals gegen den Ligakonkurrenten SpVgg Greuther Fürth erstmals für den 1. FC Kaiserslautern in der Startformation zu stehen. Der Einsatz in diesem Spiel war auch das erste Spiel seiner Karriere im DFB-Pokal. Bei der 0:2-Niederlage am 14. Dezember 2014 beim FC Ingolstadt 04 erhielt Younes die erste rote Karte seiner Karriere. Nach der Winterpause stellte Trainer Kosta Runjaic den Offensivspieler in der Rückrunde noch dreimal zu kurzen Einsätzen als Einwechselspieler auf, zudem kam er dreimal bei der zweiten Mannschaft in der Regionalliga Südwest über die volle Spielzeit zum Einsatz. Anschließend kehrte Younes vertragsgerecht im Sommer 2015 zunächst nach Mönchengladbach zurück.

2015–2018: Wechsel ins Ausland und Durchbruch in Amsterdam
Im Laufe der Vorbereitung auf die Saison 2015/16 verließ Younes die Borussia Mitte Juli 2015 und wechselte in die niederländische Hauptstadt zum Eredivisie-Klub Ajax Amsterdam. Dort unterschrieb er einen Dreijahresvertrag. Die ersten Spiele in der Eredivisie sowie die Spiele um die Qualifikation zur Champions League und den darauf folgenden Play-offs zur Europa League verpasste er verletzungsbedingt. Über einige Einsätze für Jong Ajax, der zweiten Mannschaft von Ajax in der zweitklassigen Eersten Divisie, kämpfte er sich zurück in die Lizenzmannschaft und avancierte dort zum Stammspieler.

Sein Debüt für das Profi-Team von Ajax gab Younes am 17. September 2015 in der Europa League beim 2:2 gegen den schottischen Traditionsverein Celtic Glasgow. Am 23. September 2015 spielte er beim 2:0-Heimsieg über BV De Graafschap erstmals im KNVB-Pokal, dem niederländischen Vereinspokal. Drei Tage später lief er erstmals in der Eredivisie auf, als er mit seinem Team 2:0 gegen den FC Groningen gewann. Younes' erstes Tor für Ajax erzielte er in seinem zweiten Eredivisie-Spiel gegen die PSV Eindhoven. In der Saison 2016/17 erreichte er mit seiner Mannschaft das Finale der Europa League und verlor dort gegen Manchester United. Im März 2018 verweigerte Younes im Spiel gegen den SC Heerenveen seine Einwechslung, weil er sie für unnötig hielt. Anschließend wurde er aus dem Kader gestrichen und bis zu seinem Vertragsende am Saisonende in die zweite Mannschaft versetzt, für die er in jener Spielzeit einmal zum Einsatz kam und Meister wurde.

2018–2020: Nach Transferstreit in Neapel
Im Februar 2018 verkündete der italienische Erstligist SSC Neapel, dass Younes einen ab dem 1. Juli 2018 gültigen Vertrag unterzeichnet habe, der der Liga bereits vorgelegt worden sei. Dies dementierte er, woraufhin der Verein mit rechtlichen Schritten drohte, falls Younes seinen Vertrag zum 1. Juli 2018 nicht antreten würde. Später unterzeichnete Younes einen Vertrag beim VfL Wolfsburg, den der Verein im Mai 2018 aufgrund von Bedenken hinsichtlich Younes' Vertragsstreits mit dem SSC Neapel jedoch wieder kündigte. Anfang Juli 2018 meldete die Serie A Younes als Neuzugang für die SSC Neapel. Anschließend absolvierte dieser, nachdem er sich Ende Juni 2018 eine Achillessehnenruptur zugezogen hatte, seine Reha im Verein. Im Dezember 2018 kam Younes erstmals in der Serie A zum Einsatz. Unter Cheftrainer Carlo Ancelotti folgten in der Saison 2018/19 zwölf weitere Einsätze, in denen er drei Tore erzielte. Im darauffolgenden Jahr führte für den Offensivakteur kein Weg an Hirving Lozano vorbei, der regelmäßig sowohl von Ancelotti als auch dessen Nachfolger Gennaro Gattuso berücksichtigt wurde. In wettbewerbsübergreifend elf überwiegend kurzen Einsätzen gelang Younes ein Treffer, im Frühjahr gewann er mit Napoli die Coppa Italia.

2020–2022: Rückkehr in die Bundesliga
Anfang Oktober 2020 wurde Younes für zwei Jahre vom Bundesligisten Eintracht Frankfurt ausgeliehen, mit anschließender Kaufoption. Bei der Eintracht war Younes auf Anhieb Stammkraft und Schlüsselspieler und verhalf seiner Mannschaft, insbesondere nach einer Systemumstellung im Dezember 2020, nach der er gemeinsam mit Daichi Kamada im offensiven Mittelfeld hinter der einzigen Spitze André Silva auflief, sich im oberen Tabellendrittel festzusetzen. Am Saisonende belegte er mit der Eintracht den fünften Tabellenplatz und qualifizierte sich für die Europa League.

Bestrebungen des Leihvereins, Younes trotz seiner Leistungen noch vor Beginn der Saison 2021/22 gewinnbringend an den saudi-arabischen Erstligisten al-Shabab zu verkaufen, widersetzte sich der Spieler kurz vor Abschluss des Transfers. Zuvor hatte er dem Verein vergeblich neue Gehaltsforderungen unterbreitet und anschließend selbst auf einen Wechsel gedrängt. In der Folge boykottierte Younes das Mannschaftstraining der Frankfurter und wurde – bis auf eine Einwechslung im DFB-Pokal gegen Waldhof Mannheim – von Trainer Oliver Glasner Anfang September 2021 vom Trainings- und Spielbetrieb freigestellt. Im Januar 2022 scheiterte ein Wechsel zum türkischen Erstligisten Sivasspor. Mitte Januar 2022 wurde die Leihe schließlich offiziell beendet.

2022: Wechsel nach Saudi-Arabien und Leihe nach Utrecht
Ende Januar 2022 gab der saudi-arabische Erstligist Al-Ettifaq die Verpflichtung von Younes bekannt. Sein Vertrag dort läuft bis zum Jahr 2024. Am 31. August 2022 wechselte er auf Leihbasis nach Utrecht. Nach Ende der Leihe wurde sein Vertrag bei Al-Ettifaq aufgelöst.

Nationalmannschaft
Younes durchlief sämtliche Jugendmannschaften des Deutschen Fußball-Bundes. Insgesamt wurde er 45-mal für die deutschen Junioren-Nationalmannschaften eingesetzt und erzielte 10 Tore. Für die U21 lief Younes 18-mal auf und erzielte dabei 3 Tore. Bei der U21-Europameisterschaft 2015 in Tschechien avancierte er unter U21-Trainer Horst Hrubesch zum Stammspieler. Im Gruppenspiel gegen Dänemark wurde er zum Spieler des Spiels gewählt.

Im Mai 2017 wurde Younes von Bundestrainer Joachim Löw erstmals in den Kader der deutschen A-Nationalmannschaft für den FIFA-Konföderationen-Pokal 2017 in Russland nominiert. Sein A-Länderspieldebüt gab er am 6. Juni 2017 in Brøndby beim 1:1 im Testspiel gegen Dänemark. Er war damit der erste Eredivisie-Spieler in der deutschen A-Nationalmannschaft. In seinem zweiten Spiel, dem WM-Qualifikationsspiel gegen San Marino in Nürnberg (7:0) am 10. Juni 2017, erzielte er sein erstes Länderspieltor mit dem Treffer zum 4:0. Im Halbfinalspiel des Konföderationen-Pokals gegen Mexiko erzielte Younes als Einwechselspieler den Treffer zum 4:1-Endstand. Im Turnier kam er zweimal zum Einsatz und gewann mit seinem Team durch einen 1:0-Finalsieg gegen Chile den Titel. Im Oktober 2017 absolvierte Younes beim 5:1-Sieg im WM-Qualifikationsspiel gegen Aserbaidschan sein fünftes Länderspiel, wurde im Anschluss jedoch nicht mehr berücksichtigt. Erst im März 2021 nominierte ihn Löw nach starken Leistungen für Eintracht Frankfurt wieder für die A-Auswahl und Younes absolvierte gegen Island, Rumänien und Nordmazedonien drei weitere Kurzeinsätze im Nationaltrikot. Für die anschließende Europameisterschaft 2021 wurde der Offensivakteur jedoch nicht berufen.

Erfolge
Ajax Amsterdam
 Europa-League-Finalist: 2017
 Meister der Eersten Divisie: 2018 (Jong Ajax)

SSC Neapel
 Italienischer Pokalsieger: 2020

Nationalmannschaft
 FIFA-Konföderationen-Pokalsieger: 2017

Persönliches
Younes wurde als Sohn eines früheren libanesischen Fußballspielers und einer deutschen Mutter in Düsseldorf geboren und besitzt beide Staatsbürgerschaften. Er wuchs in unmittelbarer Nachbarschaft zu einem Sportplatz im Stadtteil Unterrath im Norden der Stadt auf.

Younes engagiert sich für die Jugendkampagne iCHANCE – Besser lesen, besser schreiben! des Bundesverbandes Alphabetisierung und Grundbildung und macht darauf aufmerksam, dass mehr als 7 Millionen Erwachsene in Deutschland nicht richtig lesen und schreiben können.

Im Oktober 2015 gab sein Heimatverein SG Unterrath bekannt, dass sich Younes für den regionalen sowie internationalen Jugendfußball einsetzt, indem er das internationale Jugendturnier seines früheren Vereins an Ostern 2016 mit Top-Teams aus In- und Ausland als Schirmherr vertritt.

Im Februar 2021 sorgte Younes mit einer Geste für deutschlandweite Schlagzeilen. Nachdem er im Bundesliga-Spiel gegen den FC Bayern München ein Tor für Eintracht Frankfurt erzielt hatte, hielt er beim Jubeln ein T-Shirt zum Gedenken an die Opfer des rechtsextremen Anschlags in Hanau 2020 hoch. Einen Tag nach der großen Gedenkfeier sagte er dazu: "Wir dürfen das einfach nicht vergessen."

Weblinks

Einzelnachweise

Fußballnationalspieler (Deutschland)
Teilnehmer am FIFA-Konföderationen-Pokal (Deutschland)
FIFA-Konföderationen-Pokal-Sieger
Fußballspieler (Borussia Mönchengladbach)
Fußballspieler (1. FC Kaiserslautern)
Fußballspieler (Ajax Amsterdam)
Fußballspieler (SSC Neapel)
Fußballspieler (Eintracht Frankfurt)
Fußballspieler (FC Utrecht)
Coppa-Italia-Sieger
Sportler (Düsseldorf)
Deutscher
Libanese
Geboren 1993
Mann

Amin Younes


Glechon, manji biljni rod iz porodice usnača. Pripada mu sedam priznatih vrsta koje rastu po Južnoj Americi. Opisao ga je 1827. njemački botaničar iz Pomeranije Kurt Polycarp Joachim Sprengel.

Vrste
 Glechon ciliata Benth.
 Glechon discolor Epling
 Glechon elliptica C.Pereira & Hatschbach
 Glechon hoehneana Epling
 Glechon marifolia Benth.
 Glechon spathulata Benth., možda sinonim za Glechon thymoides  Spreng.
 Glechon thymoides  Spreng.

Izvori

Menthinae

Glechon


بِنْتُ القُنْصُلِ أو بنت قنصل صفراء أو بو كريمة أو بنت كريمة أو يوفوربيا (اسم العلمي: Euphorbia pulcherrima)  نبات ينتمي ل الفربيون من ال اليتوعية. وهي شجيرة مستديمة الخضرة يتراوح ارتفاعها بين 1-3 م أفرعها كثيرة وساقها قصيرة، والأوراق مسننة عروقها ظاهرة، والأزهار تظهر في الشتاء وتظهر معها القنابات الورقية الحمراء، والثمار لا تظهر، والجذور منتشرة وعميقة، ومعدل النمو للشجيرة سريع ثم بطيء. جد مستعملة في الأعياد المسيحية كعيد الميلاد.

هذه النبتة لا تزهر في اليوم الطويل حيث أنها تحتاج أن تظل على الأقل 12 ساعة في الظلام. وإذا لامست عصارتها التي تشبه اللبن الجلد فإنها تسبب تهيجه. وإذا ابتلع الإنسان جزء منها على سبيل الخطأ فإنها من الممكن أن تسبب تسمم.

المراجع

أساطير مكسيكية
فربيون
تراث شعبي مسيحي
تراث شعبي مكسيكي
نباتات عيد الميلاد

بنت القنصل


Grace Prendergast (Christchurch, 30 de junho de 1992) é uma remadora neozelandesa, campeã olímpica.

Carreira

Prendergast conquistou a medalha de prata nos Jogos Olímpicos de Verão de 2020 em Tóquio no evento de dois sem com Kerri Gowler. Além disso, conseguiu a prata com a equipe da Nova Zelândia no oito com feminino, ao lado de Gowler, Ella Greenslade, Emma Dyke, Lucy Spoors, Kelsey Bevan, Beth Ross, Jackie Gowler e Caleb Shepherd, com o tempo de 6:00.04.

Remadores olímpicos da Nova Zelândia
Campeões olímpicos da Nova Zelândia
Remadores nos Jogos Olímpicos de Verão de 2020
Medalhistas nos Jogos Olímpicos de Verão de 2020

Grace Prendergast


بلدية لانثايتا (بالإسبانية: Lanzahíta) هي بلدية تقع في مقاطعة آبلة التابعة لمنطقة قشتالة وليون وسط إسبانيا.

الديموغرافيا
بلغ عدد سكان بلدية لانثايتا 959 نسمة عام 2011 (وفقاً للمعهد الوطني للإحصاء الإسباني).

مراجع

مصادر
  الموقع الرسمي لبلدية لانثايتا

أماكن مأهولة في آبلة
بلديات آبلة

لانثايتا


An Thunia brymeriana in uska species han Liliopsida nga ginhulagway ni Robert Allen Rolfe. An Thunia brymeriana in nahilalakip ha genus nga Thunia, ngan familia nga Orchidaceae.

Mabibilngan ini ha Myanmar. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Thunia

Thunia brymeriana


El KOI Sky Residences, también conocido como Torre KOI, es un rascacielos que está ubicado dentro del complejo VAO en el sector de Valle Oriente en San Pedro Garza García, Nuevo León. Es el segundo edificio más alto de México, detrás de la Torre Obispado, la cual también encuentra ubicada en el Estado de Nuevo León, y la superó en marzo de 2020. El proyecto fue financiado con fondos privados, principalmente de inversionistas regionales.Su altura es de 279.5 metros y tiene 67 pisos, así como 9 niveles de estacionamiento. El área total del edificio es de aproximadamente 140,000 m² de espacio para oficinas AAA+, departamentos de lujo y un hotel. Su uso es mixto.

El edificio está rodeado de centros comerciales, restaurantes, oficinas, colegios y hospitales, y está a tan solo unos metros del Parque Rufino Tamayo, el más grande de San Pedro Garza García. También tiene una alberca semiolímpica.

Historia
Su construcción comenzó en abril de 2012 y finalizó en octubre de 2017. La torre exigió una inversión estimada de 2 mil millones de pesos que fueron aportados por inversionistas privados. Parte del financiamiento se obtuvo de la preventa de la parte comercial, así como de la habitacional, del edificio.

Es un edificio inteligente, debido a que el sistema de luz es controlado por un sistema llamado B3, al igual que el de la Torre Monterrey, Torre Reforma, Torre Mayor, Reforma 222 Centro Financiero, Torre Ejecutiva Pemex, World Trade Center México, Torre Altus, Arcos Bosques, Arcos Bosques Corporativo, Torre Latinoamericana, Edificio Reforma 222 Torre 1, Haus Santa Fe, Edificio Reforma Avantel, Residencial del Bosque 1, Residencial del Bosque 2, Torre del Caballito, Torre HSBC, Panorama Santa Fe, City Santa Fe Torre Amsterdam, Santa Fe Pads, St. Regis Hotel & Residences, Torre Lomas, entre otros.

Referencias

Véase también
Comparación con los principales rascacielos:
 Lista de rascacielos en Monterrey
 Lista de rascacielos de México
 Lista de rascacielos de América del Norte
 Lista de rascacielos de Latinoamérica

Enlaces externos

 Sitio Oficial Torre Koi Torre Koi
 Perfil de la Torre KOI Perfil de Torre KOI

Edificios con acreditación LEED
Rascacielos de Monterrey
Rascacielos de México entre 250 y 299 metros
Rascacielos inaugurados en 2017
Edificios de oficinas de México del siglo XXI
Edificios de viviendas de México del siglo XXI
Arquitectura de México de los años 2010
Rascacielos de México del siglo XXI

Torre KOI


Pura Taman Ayun sau Templul Grădinii Frumoase este un templu hindus de pe insula Bali, Indonezia. Este considerat a fi unul dintre cele mai vizitate și mai atractive temple balineze.

Istorie și arhitectură
Templul a fost construit pentru prima dată în anul 1634 de către Gusti Agung Putu, raja din Mengwi. Se mai numește și Pura Kawiten sau Templul Familiei, deoarece a fost clădit drept casă de rugăciune pentru strămoșii și zeii dinastiei rajahilor din Mangwi. Printre lucrările de restaurare ce au avut loc la acest templu, cea mai semnificativă este cea din 1750.

Atracția cea mai importantă a templului este grădina sa celebră. Înconjurată de apă, poduri, ziduri și fântâni, grădina este una dintre cele mai cunoscute atracții turistice din Bali. De asemenea, pe lângă grădină, templul are un complex format din numeroase clădiri precum imensa poartă de la intrare (candi), pavilioane (bale), turnuri cu tobe (bale kulkul), turnuri etajate (pelinggih meru) reprezentând Muntele Meru din mitologia hindusă sau altare ale diferitelor divinități precum vulturul Garuda sau leul Barong, divinitate specifică hinduismului balinez.

Cel mai important festival al templului este Anggara Kasih ce are loc o dată la 210 zile și pică în ziua de marți a săptămânii Medangsia a calendarului balinez Pawukon. Ceremoniile specifice acestui festival durează mai mult de două zile.

Fotogalerie

Temple hinduse

Pura Taman Ayun


Mit søde barn er en dokumentarfilm fra 1987 instrueret af Katia Forbert Petersen efter manuskript af Katia Forbert Petersen.

Handling
Dokumentarfilm formet som et kærlighedsdigt, et nødråb fra de mødre i den 3. verden, som hver dag kæmper for, at deres børn kan leve videre. I den fattige del af verden dør små børn af væskemangel f.eks forårsaget af diarré. Småbørnsdødeligheden er katastrofalt høj, men den kan blive mindre. UNICEF har introduceret poser med en blanding af sukker og salt. Denne blanding - opløst i vand - kan redde millioner af liv. Filmen er optaget i Bangladesh og fortæller sin historie som et kærlighedsdigt, tilegnet de mange mødre, hvis børn lever i fare for at dø.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 1987

Mit søde barn


The Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) was held from 25 May to 25 November 1937 in Paris, France. Both the Palais de Chaillot, housing the Musée de l'Homme, and the Palais de Tokyo, which houses the Musée d'Art Moderne de la Ville de Paris, were created for this exhibition that was officially sanctioned by the Bureau International des Expositions. A third building, , housing the permanent Museum of Public Works, which was originally to be among the new museums created on the hill of Chaillot on the occasion of the Exhibition, was not built until January 1937 and inaugurated in March 1939.

Exhibitions

At first the centerpiece of the exposition was to be a  tower ("Phare du Monde") which was to have a spiraling road to a parking garage located at the top and a hotel and restaurant located above that. The idea was abandoned as it was far too expensive.

Pavilions

Finnish Pavilion
The Finnish pavilion was designed by Alvar Aalto, following an open architectural competition held in 1936, where he had won both first and second prize, the winning entry "Le bois est en marche" forming the basis for the pavilion as built. Finland had been given a difficult, sloping wooded site near the Trocadéro, something which Aalto was able to exploit in creating a ground plan featuring an irregular chain of volumes joined in as sort of collage - with small, open, cubic pavilions together with two larger exhibition halls. The entire complex curved around a shady garden with Japanese touches. The pavilion was also an advertisement for Finland's prime export, wood, as the building was built entirely of timber. French architecture historian Fabienne Chevallier has argued that at the time French critics were baffled by Aalto's building because though built of wood - and thus endorsing an image of what they perceived Finland to be - they were unprepared for Aalto's avant-gardism.

Canadian Pavilion
Canada had initially not planned to take part in the exposition because of reasons of cost. In February 1936, at a party in Ottawa, Raymond Brugère, the French minister-plenipotentiary pressed the prime minister William Lyon Mackenzie King and his Quebec lieutenant Ernest Lapointe, about Canada taking part in the Exposition Internationale des Arts et Techniques dans la Vie Moderne, saying he very much wanted Canada to have a pavilion. King hesitated, saying he did not know if his government could afford the cost of building a pavilion, but Brugère forced his hand by sending a telegram to Paris, saying that Canada would take part, leading to an announcement being made in Paris.

Fitting in the architectural master-plan of the master architect Jacques Gréber at the foot of the Eiffel Tower, and inspired by the shape of a grain elevator, the Canadian pavilion included Joseph-Émile Brunet's 28-foot sculpture of a buffalo (1937), and Charles Comfort's The Romance of Nickel. Paintings by Brunet, sculpted panels on the outside of the structure, and several thematic stands inside the Canadian pavilion depicted aspects of Canadian culture.

Norwegian Pavilion
The Norwegian pavilion was designed by , Arne Korsmo and . It included Hannah Rygen's tapestry Ethiopia.

Spanish Pavilion
The Spanish pavilion was arranged by the President of Spain Spanish Republican government and built by the Spanish architect Josep Lluis Sert. It attracted extra attention because the exposition took place during the Spanish Civil War. The pavilion included Pablo Picasso's Guernica, the now-famous depiction of the horrors of war, as well as Alexander Calder's sculpture Mercury Fountain and Joan Miró's painting Catalan peasant in revolt.

German Pavilion
Two of the other notable pavilions were those of Nazi Germany and the Soviet Union. The organization of the world exhibition had placed the German and the Soviet pavilions directly across from each other. Hitler had desired to withdraw from participation, but his architect Albert Speer convinced him to participate, showing Hitler his plans for the German pavilion. Speer later revealed in his autobiographies that having had a clandestine look at the plans for the Soviet pavilion, he designed the German pavilion to represent a bulwark against Communism.

The preparation and construction of the exhibits were plagued by delay. On the opening day of the exhibition, only the German and the Soviet pavilions had been completed. This, as well as the fact that the two pavilions faced each other, turned the exhibition into a competition between the two great ideological rivals.

Speer's pavilion was culminated by a tall tower crowned with the symbols of the Nazi state: an eagle and the swastika. The pavilion was conceived as a monument to "German pride and achievement". It was to broadcast to the world that a new and powerful Germany had a restored sense of national pride. At night, the pavilion was illuminated by floodlights. Josef Thorak's sculpture Comradeship stood outside the pavilion, depicting two enormous nude males, clasping hands and standing defiantly side by side, in a pose of mutual defense and "racial camaraderie". Television was shown as a novelty in German pavilion.

Soviet Pavilion
The architect of the Soviet pavilion was Boris Iofan. Vera Mukhina designed the large figurative sculpture on the pavilion. The grand building was topped by Worker and Kolkhoz Woman, a large momentum-exerting statue, of a male worker and a female peasant, their hands together, thrusting a hammer and a sickle. The statue was meant to symbolize the union of workers and peasants.

Italian Pavilion
Italy was vying for attention between Nazi Germany and the Soviet Union who presented themselves as great (and opposing) forces to be reckoned with. Italy was the benevolent dictatorship: sunny, open and Mediterranean, it was founded on discipline, order and unity. Marcello Piacentini was given the job of designing the pavilion exterior. He used a modern reinforced concrete frame combined with traditional elements such as colonnades, terraces, courts and galleries, the tower form, Classical rhythms and the use of Mediterranean marble and stucco. The pavilion was nestled under the Eiffel tower looking out over the Seine to the main part of the Exposition site.

Giuseppe Pagano was responsible for the overall co-ordination of the exhibits and was the first impact on entering the building, its large courtyard garden and its hall of honour. The main entry was through the Court of Honour that showcased life size examples of Italy's most important contribution to the history of technology. Arturo Martini's Victory of the Air presided over the space, her dark bronze form standing out against a seemingly infinite backdrop of blue-grey Venetian mosaic tiles. From there visitors could visit the Colonial Exhibits by Mario Sironi and the Gallery of Tourism before enjoying a plate of real spaghetti on the restaurant terrace. The courtyard garden was designed a respite from the exhibits with a symphony of green grass and green-glazed tiles set against red flowers and burgundy porphyry.

The Hall of Honour was the pavilion's most dramatic and evocative space. It also 'repurposed' an existing artwork: Mario Sironi's Corporative Italy (Fascist Work) mosaic from the 1936 Triennale that had now been completed with numerous figures engaged in different types of work and the figure of the imperial Roman eagle flying in from the right hand side. The 8m x 12 m work towered over the two-storey height space that occupied the top of the pavilion's tower, making it the centre piece of the pavilion's decorative and propaganda program. The enthroned figure of Italy represented corporatism, the economic policy of Italian fascism.  The room was a celebration of all those aspects of Fascist society that Pagano wholeheartedly believed in: social harmony, government input to generate industrial innovation and support for artists, professionals and craftsmen as well as workers. Here Pagano had the joy of working alongside five different artists and placing Italy's newest industrial material such as linoleum and Termolux (shatterproof plate glass) next to a sumptuous chandelier from Murano and amber marble.

British Pavilion
Britain had not been expecting such a competitive exposition, and its planned budget was only a small fraction of Germany's. Frank Pick, the chairman of the Council for Art and Industry, appointed Oliver Hill as architect but told him to avoid modernism and to focus on traditional crafts. The main architectural element of Hill's pavilion was a large white box, decorated externally with a painted frieze by John Skeaping and internally with giant photographic figures which included Neville Chamberlain fishing. Its contents were crafts objects arranged according to English words which had become loanwords in French, such as "sport" and "weekend", and included some items by renowned potter William Worrall. There was considerable British criticism that the result was unrepresentative of Britain and compared poorly to the other pavilions' projections of national strength.

Pavillon des Temps Nouveaux
The Pavillon des Temps Nouveaux (Pavilion of New Times) was a tent pavilion designed by Le Corbusier and Pierre Jeanneret.  In 1932, Le Corbusier heard the announcement of the proposed Expo and immediately issued an ambitious counter proposal. When funding for his project failed to materialise, he offered several scaled down versions, none of which attracted the necessary funding. Finally Le Corbusier was offered a budget of 500,000 FF with which he built a canvas pavilion filled with didacitic material promoting his utopian vision of future urbanism.

Awards
At the presentation, both Speer and Iofan, who also designed the Palace of Soviets that was planned to be constructed in Moscow, were awarded gold medals for their respective designs. Also, for his model of the Nuremberg party rally grounds, the jury granted Speer, to his and Hitler's surprise, a Grand Prix.
Artist Johanne deRibert Kajanus, mother of composer Georg Kajanus and film-maker Eva Norvind, granddaughter of composer and conductor Robert Kajanus, and grandmother of actress Nailea Norvind, won a bronze medal for her life-size sculpture of Mother and Child at the exhibition.
Polish modern architect Stanisław Brukalski won a bronze medal for his own house, designed together with his wife Barbara Brukalska, built in Warsaw in 1929, likely inspired by Gerrit Rietveld's Schröderhuis which he visited.
Polish company, First Factory of Locomotives in Poland Ltd., won a gold medal for the first Polish streamlined steam locomotive Pm36-1 (140 km/h) which arrived in Paris for the expo, another Polish company, Lilpop, Rau i Loewenstein, also won a gold medal for the tourist train (couchette, club carriage and bath/spa carriage). A curious Polish cruise train reserved for skiers included, in addition to the sleeping car, a bar-cinema-dancing car, two bathrooms, a complete installation of showers, a hairdressing salon and even an operating room for urgent intervention.
American architect Alden Dow won the "grand prize for residential architecture"  for his John S. Whitman House, built in Midland, Michigan, US.<ref>Robinson, Sidney K., ''The Architecture of Alden B. Dow, Wayne State University Press, Detroit, MI 1983 p. 45</ref>
Soviet architect Andrey Kryachkov won the Grand Prix for designing his 100-flat building located in Novosibirsk.
Soviet-Jewish photographer Max Penson won the photography Grand Prix for his photograph "Uzbek Madonna"
Serbian painter Ivan Tabaković won the Grand Prix for ceramics.
German textile designer, weaver and former Bauhaus student Margaretha Reichardt (1907–1984) won an honorary diploma for her Gobelin tapestry.
German electric locomotive DRG Class E 18 (150 km/h) won a gold medal.
The Malashat al-Kiswa, the Cairo workshop that made textiles for the holy sites of Islam, won a Diplôme de Médaille d'Or ("diploma for a gold medal").
Commercial Artist Eva Harta,  daughter of Austrian Portrait Painter Felix Albrecht Harta won a silver medal for applied peasant motifs on wooden box tops.-letter dated March, 9th 1938 from International Jury to Eva Harta. Verified by Larry Heller, son of the artist.
Eurythmy ensemble from the Goetheanum (Dornach, Switzerland) was recognized with a gold medal for the best modern dance act.

Festivals of the Exposition
23 May – The Centenary of the Arc de Triomphe
5–13 June – The International Floralies
26 June – Motorboat races on the Seine
29 June – Dance Festival
July  – Midsummer Night's Dream (In the gardens of Bagatelle)
3 July – Horse Racing
4–11 July – Rebirth of the City
21 July – Colonial Festival
27 July – World Championship Boxing Matches
30 July – 10 August – The True Mystery of the Passion (before Notre Dame Cathedral)
12 September – Grape Harvest Festival
18 October — Naissance d'une cité – Birth of a City
Forty Two International Sporting Championships
Every Night: Visions of Fairyland on the Seine

 Gallery

 Reproduction of the Soviet Pavilion
After the Paris exhibition closed, Worker and Kolkhoz Woman was moved to the entrance of the All-Russia Exhibition Centre in Moscow, where it stood on a high platform. The sculpture was removed for restoration in 2003, intended to be completed by 2005. However, due to financial issues the restoration was delayed. On 28 November 2009 the sculpture was completed and returned to its place in front of the VDNKh. On 4 December 2009 the sculpture was revealed on the recreated pavilion structure.

 Reproduction of the Spanish Pavilion

 In popular culture
 Mags L. Halliday's 2002 novel History 101 shows the main characters visiting Picasso's Guernica at the Exhibition and realising that time "has been changed".

See also
Nazi architecture
Stalinist architecture
Streamline Moderne architecture

References

Further reading

 World's Fairs on the Eve of War: Science, Technology, and Modernity, 1937–1942 by Robert H. Kargon and others, 2015, University of Pittsburgh PressParis 1937 by E.P. Frank, with 100 stereoscopic photographs from Heinrich Hoffmann, 1937, Raumbild-Verlag Otto Schönstein; Classical Violence: Thierry Maulnier, French Fascist Aesthetics and the 1937 Paris World's Fair. by Mark Antiff Modernism/Modernity 15, no. 1 January 2008Grand Illusion: The Third Reich, the Paris Exposition, and the Cultural Seduction of France'' by Karen Fiss, Chicago, IL: U of Chicago P, 2009

External links

Exposition internationale de 1937 at the Médiathèque de l'Architecture et du Patrimoine
L'Exposition Internationale de 1937 à Paris-Photographs
1937, exposition internationale des arts et techniques dans la vie moderne
VESTIGES EXPOSITION INTERNATIONALE ARTS ET TECHNIQUES PARIS 1937
JON PAUL SANK'S WORLD'S FAIRS PAGE

1937 in art
1937 festivals
1937 in France
20th century in Paris
Art exhibitions in France
Modernist architecture in France
World's fairs in Paris
Colonial exhibitions
Modernism


The pregnancy category of a medication is an assessment of the risk of fetal injury due to the pharmaceutical, if it is used as directed by the mother during pregnancy. It does not include any risks conferred by pharmaceutical agents or their metabolites in breast milk.

Every drug has specific information listed in its product literature. The British National Formulary used to provide a table of drugs to be avoided or used with caution in pregnancy, and did so using a limited number of key phrases, but now Appendix 4 (which was the Pregnancy table) has been removed. Appendix 4 is now titled "Intravenous Additives". However, information that was previously available in the former Appendix 4 (pregnancy) and Appendix 5 (breastfeeding) is now available in the individual drug monographs.

United States
American law requires that certain drugs and biological products must be labelled very specifically.  Title 21, Part 201.57 (9)(i) of the Code of Federal Regulations lists specific requirements regarding the labeling of drugs with respect to their effects on pregnant populations, including a definition of a "pregnancy category". These rules are enforced by the Food and Drug Administration.

To supplement this information, the FDA publishes additional rules regarding pregnancy and lactation labeling.

The FDA does not regulate labeling for all hazardous and non-hazardous substances.  Many substances, including alcohol, are widely known to cause serious hazards to pregnant women and their fetuses, including fetal alcohol syndrome. Many other pollutants and hazardous materials are similarly known to cause reproductive harm.  However, some of these substances are not subject to drug labeling laws, and are therefore not assigned a "Pregnancy Category" per 21 CFR 201.57.

One characteristic of the FDA definitions of the pregnancy categories is that the FDA requires a relatively large amount of high-quality data on a pharmaceutical for it to be defined as Pregnancy Category A.  As a result of this, many drugs that would be labelled as safe in other countries are allocated to Category C by the FDA.

Pregnancy and Lactation Labeling Rule of December 2014
On December 13, 2014, the FDA published the Pregnancy and Lactation Labeling Final Rule (PLLR), which changed the labeling requirements for the pregnancy and lactation sections for prescription drugs and biological agents. The final rule removed the pregnancy letter categories, and created descriptive subsections for pregnancy exposure and risk, lactation, and effects to reproductive potential for females and males.   Labeling changes from this rule began on June 30, 2015, with all submissions for prescription drugs and biological agents using the labeling changes immediately.   Previously approved drugs from June 30, 2001, will switch to the new labeling gradually. The rule does not affect the labeling of over-the-counter drugs or of drugs approved prior to June 30, 2001.

Australia
Australia has a slightly different pregnancy category system from the United States. The categorisation of medicines for use in pregnancy does not follow a hierarchical structure.

 Notably the subdivision of Category B. (For drugs in B1, B2 and B3 categories, human data are lacking or inadequate and subcategorisation is actually based on animal data instead)
 The allocation of a B category does not imply greater safety than C category
 Medicines in category D are not absolutely contraindicated during pregnancy (e.g. anticonvulsants)

The system, as outlined below, was developed by medical and scientific experts based on available evidence of risks associated with taking particular medicines while pregnant. Being general in nature, it is not presented as medical advice to health professionals or the public.

Some prescribing guides, such as the Australian Medicines Handbook, are shifting away from using pregnancy categories since, inherent in these categories, there is an implied assumption that the alphabetical code is one of safety when this is not always the case. Categorisation does not indicate which stages of fetal development might be affected and does not convey information about the balance between risks and benefits in a particular situation. Additionally, categories are not necessarily maintained or updated with availability of new data.

Germany

Categorization of selected agents
The data presented is for comparative and illustrative purposes only, and may have been superseded by updated data.

Notes

References

  – links provided for 1999 4th edition and subsequent updates

 Food and Drug Administration. Federal Register 1980; 44:37434–67

Health issues in pregnancy
Pharmacological classification systems

Pregnancy category


este o editură japoneză înființată la 1 octombrie 1945. Ea este o filială a grupului publicistic Kōdansha și publică în special literatură de ficțiune, benzi desenate manga și reviste pentru femei.

Istoric

Editura Kōbunsha a fost înființată la 1 octombrie 1945 și aparține în prezent grupului Kodansha.

În 1975 Kōbunsha a publicat revista pentru femei JJ, cunoscută ca cea mai veche revistă pentru femei adresată studentelor japoneze. Editura publică în prezent mai multe reviste pentru femei, printre care JJ, Classy și JJ Bis.

Reviste publicate

Reviste pentru femei
 JJ
 Bis
 Classy
 Very
 Story
 Mart
 Josei Jishin

Reviste pentru bărbați
 Gainer
 Brio

Alte reviste
 Giallo
 Flash
 Shousetsu Houseki

Autori români publicați de editură
 Rumania no minwa ("Antologie de basme românești"), Editura Kōbunsha, Tokyo, 1978
 Barukan no minwa ("Basme balcanice"), Editura Kōbunsha, Tokyo, 1980
 Liviu Rebreanu, Daichi e no inori ("Ion"), Editura Kōbunsha, Tokyo, 1985
 Ion Mihai Pacepa, Akai Oocho ("Red Horizons"), Editura Kōbunsha, Tokyo, 1993
 Liviu Rebreanu, Shokei no mori ("Pădurea spânzuraților"), Editura Kōbunsha, Tokyo, 1997
 Zaharia Stancu, Jipushī no horobasha ("Șatra"), Editura Kōbunsha, Tokyo, 1997
 Tristan Tzara, Musshu anchipirin no sengen. Dada sengenshu, 2010

Note

Legături externe

Edituri din Japonia
Fondări în 1945

Kōbunsha


Gheorghe Hăpăianu () a fost un pilot român de aviație, as al Aviației Române din cel de-al Doilea Război Mondial.

A absolvit Școala de Ofițeri la 6 iunie 1939.

Adjutantul av. Gheorghe Hăpăianu a fost decorat cu Ordinul Virtutea Aeronautică de război cu spade, clasa Crucea de Aur (19 septembrie 1941) "pentru curajul arătat în ziua de 15 Iulie 1941, când a doborît un avion sovietic în lupta aeriană pe teritoriul com. Români". A fost avansat ulterior la gradul de adjutant major și la 31 octombrie 1944 a primit Ordinul "Virtutea Aeronautică" cu spade, clasa Cavaler.

Decorații
  Ordinul "Virtutea Aeronautică" de război cu spade, clasa Crucea de aur (19 septembrie 1941)
  Ordinul "Virtutea Aeronautică" cu spade, clasa Cavaler (31 octombrie 1944)

Note

Nașteri în 1914
Decese în 1944
Ași ai aviației române din cel de-al Doilea Război Mondial
Decorați cu Ordinul Virtutea Aeronautică
Oameni din Dorohoi
Oameni uciși în Al Doilea Război Mondial

Gheorghe Hăpăianu


كارلوس بابولياس  (4 يونيو 1929 - 26 ديسمبر 2021)، رئيس اليونان منذ 21 مارس 2005 حتى 13 مارس 2015، وقبل ذلك كان وزيرًا وعضو في البرلمان. يجيد عدة لغات أبرزها الفرنسية والألمانية والإيطالية .

بابولياس وزيرا للخارجية

في العام 1980 لعب بابولياس دورًا أساسيًا في المحاولة للتوصل لحل النزاع بين الفلسطينيين والإسرائيليين في لبنان. فقد توسط لخروج آمن للرئيس الراحل ياسر عرفات ولفصائل المقاومة الفلسطينية المسلحة المحاصرين في بيروت حيث إن ياسر عرفات قد غادر لبنان على متن سفينة يونانية في العام 1983.

لقد قام بابولياس بإنشاء علاقات دبلوماسية متينة مع العالم العربي، ومن بين أهم إنجازاته إعادة العلاقات الطبيعية بين اليونان ومصر وتحسين العلاقات بين إيران وأرمينيا واليونان. لقد فاوض بابولياس 12 وزير خارجية تركي ونجح في تحسين العلاقات بين البلدين بعد علاقات مريرة استمرت منذ أوائل العشرينيات من القرن العشرين بسبب تبادل الأراضي والسكان الشهير. ونتيجة جهوده نجح في توقيع تفاهمات بابولياس - يلماز في العام 1988.

لقد دعم بابولياس طلب تركيا الدخول في الاتحاد الأوروبي تحت شرطين أولهما احترام القانون الدولي والثاني احترام قيم الاتحاد الأوروبي.

انظر أيضًا
 جورج باباندريو.
 لوكاس باباديموس.

مراجع

روابط خارجية

أرثوذكس شرقيون يونانيون
أشخاص من يوانينا
أعضاء في المقاومة اليونانية
حائزون على وسام الملك توميسلاف
خريجو جامعة أثينا
خريجو جامعة كولونيا
خريجو جامعة ميلانو
خريجو كلية زوسيمايا
رياضيون سياسيون يونانيون
رؤساء اليونان
رؤساء اليونان القرن 21
سياسيو الحركة الاشتراكية اليونانية
سياسيون من يوانينا
مواليد 1929
وزراء خارجية اليونان

كارولوس بابولياس


Die Faaker-See-Insel ist eine durchgehend bewaldete Binnenseeinsel im kärntnerischen Faaker See. Sie hat eine Fläche von 8,04 Hektar und gehört zum Gemeindegebiet von Finkenstein am Faaker See. Die Insel erhebt sich maximal zwölf Meter über den Wasserspiegel des Sees und ist der sich über Wasser befindende Teil einer Sandbank, welche das Binnengewässer in seine zwei Becken teilt.

Im Jahr 1970 wurde – neben zwei anderen Landschaftsschutzgebieten im näheren Umkreis – das Schutzgebiet Faaker-See-Insel gegründet. Es soll dazu dienen, das Eiland für die Nachwelt zu erhalten.

Geschichte
Die Insel hatte mehrere, teilweise unbekannte Besitzer. Nach dem Ableben Ludwig Wittgensteins, dem Besitzer seit 1918 bis zu seinem Tod, gelangten die Binnenseeinsel und der See in den Besitz der Familien Bucher und Catasta.

Noch bevor Wittgenstein Inhaber der Insel war, hatte sich im frühen 20. Jahrhundert ein ehemaliger Bauernhof zu einem Hotel mit dem Namen Wilhelm Schwelle entwickelt, in welchem man in  nächtigen, die nebst angelegte Badeanstalt nutzen und zur Verfügung gestellte Boote fahren konnte.

Im Laufe der Zeit transformierte sich die Hotelanlage zum 4-Sterne-Hotel Inselhotel Faakersee.

Weblinks

Einzelnachweise

Insel (Kärnten)
Insel (Europa)
Seeinsel
Geographie (Finkenstein am Faaker See)

Faaker-See-Insel


Richard Gary Brautigan (d. 30 Ocak 1935 - ö. 16 Eylül 1984), Amerikalı yazardır.

Tacoma, Washington'da doğdu. Zor bir çocukluk geçiren Brautigan, bundan pek bahsetmezdi. Söylentiye göre, babasının kim olduğunu bilmiyordu. Babası ise, Brautigan'ın ölüm haberi duyulana kadar onun babası olduğunun farkında değildi. Başka bir söylentiye göre, Brautigan 20'li yaşlarında, bir polis karakolunun penceresine taş attığı için Oregon Eyalet Hastanesi'ne gönderildi. Burada kendisine paranoyak-şizofren teşhisi kondu ve şok terapisi uygulandı.

1955'te San Francisco'ya taşındı ve burada "beat" hareketinin bir parçası oldu.
8 Haziran 1957'de Reno, Nevada'da Virginia Dionne Adler ile evlendi. Bilinen ilk şiiri "The Second Kingdom" 1956'da yayımlandı. Bunu 1959'da, 24 şiirden oluşan ilk kitabı "Lay The Marble Tea" izledi.
1960'ların sonuna doğru Brautigan'ın işleri popülerlik kazanmaya başladı. En bilinen eserlerinden "Trout Fishing in America" (Amerika'da Alabalık Avı/6.45/Çev: Zekeriya S. Şen), "Willard and his Bowling Trophies" (Willard ve Onun Bowling Kupaları/6.45/Çev: Zekeriya S. Şen), "Sombrero Fallout" (Sombrero: Bir Japon Romanı/6.45/Çev: Zekeriya S. Şen)ve "In Watermelon Sugar" (Karpuz Şekerinde/YKY) bu dönemde yayımlandı. Brautigan, 1972'de Yellowstone National Park'ın kuzeyindeki Pine Creek (Montana)'e taşındı ve iddiaya göre 8 yıl boyunca dinleti ve röportaj isteklerini geri çevirdi. 1961 yılında karısı ve çocuğuyla birlikte ikinci elden satın aldığı bir Plymouth'ın arkasına taktığı karavanla, Idaho nehirlerinin kıyılarında kurduğu kamplarda yazmaya başladı. Doğaya duyduğu derin saygı ve doğanın bağrında münzevi hayatı seçişi, onu Amerikan pastoral geleneğine bağlayacaktı. 60'larda yazdığı ve dönemin ruh halini yansıtan romanlarıyla karşı kültürün en popüler yazarlarından biri oldu. Beat Kuşağı'nın Kuzeybatılılar diye adlandırılan kolu içerisinde değerlendirilen Brautigan'ın romanlarını diğerlerinden ayrımlı kılan, çok duyarlı ve kolay kırılan kahramanlarının dünyaya hükmeden kaos karşısında yalnızlığa çekilmeleridir.

1979 Aralık'ında, The Modern Language Association'ın San Francisco'daki bir toplantısında; Gary Snyder, Philip Whalen, Robert Bly ve Lucien Stryk ile birlikte "Zen ve Çağdaş Şiir" konulu bir panele katıldı. Son kitabı "So the Wind Won't Blow It All Away" (Yani Rüzgâr Her Şeyi Alıp Götürmeyecek/6.45)'i 1982'de yayımladı.

70'lerin sonlarında büyük ölçüde okur kaybına uğramış ve ruhsal bir bunalımla birlikte alkol dozunu artırmaya başlamıştı. O dönemde sadece Japonya'da popülerliğini koruyordu ve sözü geçen yılların büyük bölümünü Tokyo'da ve Montana'daki çiftliğinde geçirecekti.

1984 yılında küçük bir balıkçı köyü olan Bolinas'a yerleşti. Evine kapandı, uyuyamıyor ve sınırsızca içiyordu. Duyarlılığı bu hayatı kaldıramayacak kadar keskinleşmişti. Bir magnum ile intihar etmesinden günler sonra cesedi, 25 Ekim 1984 tarihinde bir arkadaşı ve özel dedektif olan Robert Yench tarafından bulundu. Ceset oturma odasının zemininde, Pasifik Okyanusu'na bakan büyük bir pencerenin önünde bulundu. Cesedin çürümesi nedeniyle Brautigan'ın bir aydan fazla bir süre önce 16 Eylül 1984'te yaşamına son verdiği tahmin ediliyor.

Dış bağlantılar
 Az Bulunur Bir Yazar
 American Dust website Bibliography page  Türkçe çeviriler.

1935 doğumlular
Tacoma doğumlu yazarlar
20. yüzyıl Amerikalı erkek yazarları
20. yüzyıl Amerikalı roman yazarları
20. yüzyıl Amerikalı hikâye yazarları
1984 yılında ölenler
Marin County'de ölenler
İntihar eden yazarlar

Richard Brautigan


Sovjetunionen deltog i olympiske lege første gang under Sommer-OL 1952 i Helsingfors, og deltog siden i 18 sommer- og vinterlege. Sovjetunionen arrangeret Sommer-OL 1980 i Moskva, som blev boykottet af en række lande med USA i spidsen. Som gengældelse valgte Sovjetunionen og flere østeuropæiske lande til at boykotte Sommer-OL 1984 i Los Angeles. Efter at Sovjetunionen blev opløst deltog de fleste af de tidligere sovjetrepublikker som Fællesskabet af Uafhængige Stater (SNG) under Vinter-OL 1992 i Albertville og Sommer-OL 1992 i Barcelona, mens Estland, Letland og Litauen deltog som selvstændige lande. Fra og med Vinter-OL 1994 deltog alle de tidligere sovjetrepublikker som selvstændige lande.

Medaljeoversigt

Eksterne henvisninger
 Sovjetunionens OL-statistik  på Sports-reference.com

Sovjetunionens deltagelse i Olympiske lege
Sovjetunionen ved sommer-OL
Sovjetunionen ved vinter-OL

Sovjetunionen ved OL


Assembler may refer to:

Arts and media
 Nobukazu Takemura, avant-garde electronic musician, stage name Assembler
 Assemblers, a fictional race in the Star Wars universe
 Assemblers, an alternative name of the superhero group Champions of Angor

Biology
Assembler (bioinformatics), a program to perform genome assembly
Assembler (nanotechnology), a conjectured construction machine that would manipulate and build with individual atoms or molecules

Computing
Assembler (computing), a computer program which translates assembly language to machine language
Assembly language, a more readable interpretation of a processor's machine code, allowing easier understanding and programming by humans, sometimes erroneously referenced as 'assembler' after the program which translates it

Other uses
 a worker on an assembly line

See also
 Assemble (disambiguation)
 Assembly (disambiguation)
 Constructor (disambiguation)

Assembler


Randolph est une ville américaine située dans le Comté de Cedar, au Nebraska. Selon le recensement de 2010, sa population est de  habitants.

Liens externes

Ville dans le Nebraska
Comté de Cedar (Nebraska)

Randolph (Nebraska)


Consignor, tidligere kendt som EDI-Soft, er en norsk ejet koncern, der udvikler og sælger computerprogrammer til transportadministration (TA) og elektronisk dataudveksling (EDI). Det vil sige, at Consignor sælger software til virksomheder, der sender pakker og gods. Softwaren hedder, ligesom virksomheden selv, Consignor og er et såkaldt multi-carrier parcel management system, med andre ord, en platform som gør det muligt at sende pakker og gods med mange forskellige transportører i ét system. Consignor har et af de største tranportørbiblioteker i branchen.

Selskabet blev grundlagt af Peter Tang Thomsen i 1997 med en idé om at udvikle og markedsføre transportrelaterede EDI-løsninger, som var bedre, hurtigere og mere fleksible end dem, som allerede fandtes på markedet. Datidens softwareløsninger var som oftest udviklet af transportørerne selv, og det var vanskeligt at navigere mellem systemerne, hvis man brugte flere forskellige transportører.

Den dagligt drift sker gennem de nationale datterselskaber i Norge, Sverige, Finland, Rumænien, Danmark, Storbritannien og Kina. Datterselskabet i Rumænien arbejder kun med produktudvikling og programmering.

Selskabets første generation TA-software hed Winedi, som i 2008 blev overtaget af den nye generation af TA-software med navnet Consignor.

Virksomheden skiftede per 1/1/2016 navn fra EDI-Soft til Consignor.

Eksterne henvisninger
 Dansk hjemmeside

Servicevirksomheder fra Norge
Softwarevirksomheder fra Norge

Consignor


عبير صبري (14 مارس 1971 -)، ممثلة ومقدمة برامج مصرية

عن حياتها
درست الحقوق في جامعة عين شمس لكنها لم تمارس المحاماة لم تدخل مجال الفن إلا بعد وفاة والدها، وعندما علمت والدتها بذلك طردتها من المنزل لمدة عام كامل لكنها أقتنعت ى حقا
بدايتها كانت في تقديم البرامج حينها وقع عليها اختيار المخرج «علي عبد الخالق» عندما كانت تقدم برنامج السينما والصيف
انطلاقتها في التمثيل كانت من خلال السينما في فيلم «الناجون من النار» من إخراج «علي عبد الخالق» مع «عمرو عبد الجليل» و «طارق لطفي» سنة 1994،

الإعتزال والعودة
عام 2002 أعلنت اعتزالها المؤقت وارتدائها الحجاب بسبب زواجها الأول، واتجهت وقتها لتقديم البرامج حيث وقعت عقداً مع قناة «اقرأ» الفضائية لتقديم برنامج ديني في رمضان، وبقيت على قرارها لمدة ثلاث سنوات ولكنها عادت بعدها عن قرراها بعد انفصالها عن زوجها وكان أول أعمالها بعد نزع الحجاب فيلم أيام الخادمة أحلام عام 2005
تزوجت من المحامي الفلسطيني «أيمن البياع»، أستاذ القانون الدولي، في القنصلية المصرية بدبي

أعمالها

في السينما

في التلفزيون

في المسرح

البرامج التي قدمتها

في الإذاعة

روابط خارجية

مراجع

أشخاص على قيد الحياة
أشخاص من مصر الجديدة
خريجو جامعة عين شمس
ممثلات أفلام مصريات
ممثلات تلفزيون مصريات
ممثلات مسرح مصريات
ممثلات مصريات في القرن 20
ممثلات مصريات في القرن 21
مواليد في القاهرة
أشخاص من القاهرة
ممثلات من القاهرة
مواليد 1391 هـ
مواليد 1971

عبير صبري


Carlotta Maggiorana () este o actriță și fotomodel italian, care a fost aleasă Miss Italia în 2018.

A participat la concurs în calitate de Miss Marche și a devenit cea de-a patra reprezentată a regiunii Marche care a câștigat concursul Miss Italia. Este prima câștigătoare căsătorită din istoria concursului, ea măritându-se în 2017 cu Emiliano Pierantoni.

Filmografie

Filme de cinema
 2011 : The Tree of Life, regie: Terrence Malick
 2011 : I soliti idioti - Il film, regie: Enrico Lando
 2012 : I 2 soliti idioti, regie: Enrico Lando
 2013 : Un fantastico via vai, regie: Leonardo Pieraccioni

Filme de televiziune
 2012 : S.P.A. – sitcom
 2017 : L'onore e il rispetto - Ultimo capitolo (serial TV)

Videoclipuri
 Behind You al lui Magdalen Graal (2011)

Note

Legături externe

Nașteri în 1992
Nașteri pe 3 ianuarie
Actrițe italiene din secolul al XXI-lea
Miss Italia
Italieni în viață

Carlotta Maggiorana