This is a list of military corps arranged by ordinal number.

I to X
 I Corps
 I Army Corps (Argentina)
 I ANZAC Corps (Australia and New Zealand)
 I Corps (Australia)
 I Corps (Belgium)
 1st Corps of the Army of the Republic of Bosnia and Herzegovina
 I Canadian Corps
 I Corps (Czechoslovakia)
 Finnish I Corps (Winter War)
 1st Army Corps (France)
 I Cavalry Corps (Grande Armée), a cavalry formation of the Imperial French army during the Napoleonic Wars
 I Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 I Cavalry Corps (German Empire), a unit of the Imperial German Army during World War I
 I Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 I Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 I Royal Bavarian Corps, a unit of the Bavarian and Imperial German Armies prior to and during World War I
 I Royal Bavarian Reserve Corps, a unit of the Bavarian and Imperial German Armies during World War I
 I Army Corps (Wehrmacht)
 I SS Panzer Corps
 I Army Corps (Greece)
 I Corps (British India)
 I Corps (India)
 I Corps (North Korea)
 I Corps (Ottoman Empire)
 I Corps (Pakistan)
 Polish I Corps (disambiguation)
 1st Territorial Army Corps (Romania)
 I Russian Corps.
 Soviet 1st Guards Mechanized Corps
 I Corps (South Korea)
 I Corps (South Vietnam)
 I Corps (United Kingdom)
 I Airborne Corps (United Kingdom)
 I Corps (United States)
 I Amphibious Corps (United States)
 I Armored Corps (United States)
 I Corps (Union Army)
 First Corps, Army of Northern Virginia
 First Corps, Army of Tennessee
 First Army Corps (Spanish–American War)
 I Field Force, Vietnam (United States)
 1st Corps (Vietnam People's Army)

 II Corps
 II Anzac Corps (Australia and New Zealand)
 II Army Corps (Argentina)
 II Corps (Australia)
 II Canadian Corps
 Second Artillery Corps (China)
 Finnish II Corps (Winter War)
 2nd Army Corps (France)
 II Cavalry Corps (Grande Armée), a cavalry formation of the Imperial French army during the Napoleonic Wars
 II Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 II Cavalry Corps (German Empire), a unit of the Imperial German Army during World War I
 II Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 II Royal Bavarian Corps, a unit of the Bavarian and Imperial German Armies prior to and during World War I
 II Royal Bavarian Reserve Corps, a unit of the Bavarian and Imperial German Armies during World War I
 II SS Panzer Corps
 II Corps (Greece)
 II Corps (India)
 II Corps (North Korea)
 II Corps (Ottoman Empire)
 II Corps (Pakistan)
 II Corps (Poland)
 2nd Rifle Corps
 2nd Guards Tank Corps
 II Corps (South Korea)
 II Corps (South Vietnam)
 II Corps (United Kingdom)
 II Corps (United States), World War II
 II Corps (ACW), American Civil War
 Second Corps, Army of Northern Virginia
 Second Army Corps (Spanish–American War) a US Army formation active for several months of 1898
 2nd Corps (Vietnam People's Army)

 III Corps
 III Army Corps (Argentina)
 III Corps (Australia)
 3rd Corps (Bosnia)
 Finnish III Corps (Winter War)
 Finnish III Corps (Continuation War)
 3rd Army Corps (France)
 III Cavalry Corps (Grande Armée), a cavalry formation of the Imperial French army during the Napoleonic Wars
 III Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 III Cavalry Corps (German Empire), a unit of the Imperial German Army during World War I
 III Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 III Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 III Royal Bavarian Corps, a unit of the Bavarian and Imperial German Armies prior to and during World War I
 III Army Corps (Wehrmacht) (World War II)
 III Panzer Corps (Germany)
 III (Germanic) SS Panzer Corps
 III Army Corps (Greece)
 III Corps (India)
 Iraqi III Corps
 III Corps (Ottoman Empire)
 III Army Corps (Russian Empire) (World War I)
 3rd Breakthrough Artillery Corps (Soviet Union)
 3rd Guards Rifle Corps (Soviet Union)
 3rd Mechanized Corps (Soviet Union)
 3rd Rifle Corps (Soviet Union)
 III Corps (South Korea)
 III Corps (South Vietnam)
 III Corps (Turkey)
 III Corps (United Kingdom)
 III Corps (United States)
 III Corps (Union Army)
 Third Army Corps (Spanish–American War)
 3rd Corps (Vietnam People's Army)

 IV Corps
 IV Army Corps (Argentina)
 4th Army Corps (France)
 IV Cavalry Corps (Grande Armée), a cavalry formation of the Imperial French army during the Napoleonic Wars
 IV Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 IV Cavalry Corps (German Empire), a unit of the Imperial German Army during World War I
 IV Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 IV Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 IV Army Corps (Wehrmacht), a unit of the German Army in World War II
 IV Army Corps (Greece)
 IV Corps (India)
 IV Corps (Ottoman Empire)
 IV Corps (Pakistan)
 4th Territorial Army Corps (Romania)
 IV Corps (South Vietnam)
 4th Mechanized Corps (Soviet Union)
 IV Corps (United Kingdom)
 IV Corps (United States)
 IV Corps (Union Army)
 Fourth Corps, Army of Northern Virginia
 Fourth Army Corps (Spanish–American War)
 4th Corps (Vietnam People's Army)

 V Corps
 V Army Corps (Argentina)
 V Corps (Bosnia and Herzegovina)
 5th Army Corps (France)
 V Cavalry Corps (Grande Armée), a cavalry formation of the Imperial French army during the Napoleonic Wars
 V Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 V Cavalry Corps (German Empire), a unit of the Imperial German Army during World War I
 V Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 V Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 V SS Mountain Corps, a unit of the Waffen SS during World War II
 V Army Corps (Wehrmacht), a unit of the Wehrmacht during World War II
 V Army Corps (Greece)
 V Corps (North Korea)
 V Corps (Ottoman Empire)
 V Corps (Pakistan)
 5th Corps (Syria)
 V Corps (United Kingdom)
 V Corps (United States)
 V Amphibious Corps (United States)
 V Corps Artillery (United States)
 V Corps (Union Army), an American Civil War formation
 Fifth Army Corps (Spanish–American War), a unit of the U.S. Army organized in 1898 and disbanded in the same year

 VI Corps
 VI Cavalry Corps (Grande Armée), a cavalry formation of the Imperial French army during the Napoleonic Wars
 VI Corps (Grande Armée), a formation of the Imperial French army during the Napoleonic Wars
 VI Cavalry Corps (German Empire), a unit of the Imperial German Army during World War I
 VI Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 VI Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 VI Corps (Germany) World War II
 VI Corps (Ottoman Empire)
 VI Russian Corps
 VI Corps (United Kingdom) a formation of the British Army during World War I
 VI Corps (United States)
 VI Corps (Union Army), a formation of the Union (North) during the American Civil War
 Sixth Army Corps (Spanish-American War)

 VII Corps
 VII Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 VII Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 VII Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 VII Corps (Ottoman Empire)
 VII Corps (United Kingdom)
 VII Corps (United States)
 VII Corps (Union Army), two separate formations of the Union Army (North) during the American Civil War
 Seventh Army Corps (Spanish–American War)

 VIII Corps
 VIII Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 VIII Corps (German Empire), a formation of the Imperial German Army prior to and during World War I
 VIII Reserve Corps (German Empire), a formation of the Imperial German Army during World War I
 VIII Corps (Ottoman Empire)
 8th Cavalry Corps (Soviet Union)
 8th Estonian Rifle Corps of the Red Army
 8th Army Corps (Ukraine)
 VIII Corps (United Kingdom)
 VIII Corps (United States), a formation of the U.S. Army in World War I and World War II
 VIII Corps (Union Army), a formation of the American Civil War
 Eighth Army Corps (Spanish–American War), a U.S. Army formation of the Spanish–American and Philippine–American wars

 IX Corps
 9th Army Corps (France)
 IX Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 IX Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 IX Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 IX Army Corps (Wehrmacht) of World War II
 IX Waffen Mountain Corps of the SS (Croatian)
 IX Corps (Ottoman Empire)
 IX Corps (United Kingdom)
 IX Corps (United States)
 IX Corps (Union Army)

 X Corps
 10th Army Corps (France)
 X Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 X Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 X Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 X SS Corps
 X Corps (Ottoman Empire)
 X Corps (Pakistan)
 X Corps (United Kingdom)
 X Corps (United States)
 X Corps (Union Army)

XI to XX
 XI Corps
 11th Army Corps (France)
 XI Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 XI Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 XI Corps (Ottoman Empire)
 XI Corps (Pakistan), a formation of the Pakistani Army
 11th Army Corps (Russian Empire)
 XI Corps (United Kingdom), a formation of the British Army during the 1st and 2nd World Wars
 XI Corps (United States), a corps of the United States Army in World War II and the Korean War
 XI Corps (ACW), a formation of the Union (Northern) Army during the American Civil War
 XI Corps (Union Army), a corps of the United States Army in the American Civil War

 XII Corps
 12th Army Corps (France)
 XII Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 XII (1st Royal Saxon) Corps, a unit of the Imperial German Army prior to and during World War I
 XII (Royal Saxon) Reserve Corps, a unit of the Imperial German Army during World War I
 XII Corps (India)
 XII Corps (Pakistan)
 XII Corps (Ottoman Empire)
 XII Corps (United Kingdom) (World Wars I and II)
 XII Corps (United States) (World War II)
 XII Corps (ACW) (American Civil War)
 XII Corps (Union Army)

 XIII Corps
 XIII Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 XIII (Royal Württemberg) Corps, a unit of the Imperial German Army prior to and during World War I
 XIII Corps (Ottoman Empire)
 XIII Russian Corps
 XIII Corps (United Kingdom), a British infantry corps during the First World War, and a British-commanded Commonwealth formation during the Second World War
 XIII Corps (United States)
 XIII Corps (Union Army), America Civil War Corps

 XIV Corps
 XIV Corps (Grande Armée), a corps of the Imperial French army during the Napoleonic Wars
 XIV Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 XIV Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XIV Corps (India)
 XIV Corps (Ottoman Empire)
 XIV Corps (United Kingdom)
 XIV Corps (United States)
 XIV Corps (ACW), American Civil War Corps

 XV Corps

XV Corps (British India)
XV Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
15th Army Corps (Russian Empire), World War I
XV Royal Bavarian Reserve Corps, a unit of the Bavarian and Imperial German Armies during World War I
XV Army Corps (Wehrmacht)
XV Mountain Corps (Wehrmacht)
Indian XV Corps
Ottoman XV Corps, World War I
XV Corps (United States), World War II
XV Corps (Union Army), American Civil War
XV Corps (United Kingdom), World War I
15th Rifle Corps, USSR, World War II
XV SS Cossack Cavalry Corps, Germany, World War II

 XVI Corps
 16th Army Corps (France)
 XVI Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 XVI Corps (Germany)
 XVI Corps (India)
 XVI Corps (United Kingdom), a British field corps during World War I
 XVI Corps (Union Army), a corps of the Union Army during the American Civil War

 XVII Corps
 XVII Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 XVII Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XVII Corps (Union Army)
 XVII Corps (United Kingdom)

 XVIII Corps
 18th Army Corps (France)
 XVIII Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 XVIII Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XVIII Corps (Germany)
 XVIII Corps (United Kingdom)
 XVIII Airborne Corps (United States)
 XVIII Corps (Union Army), a unit of the Union (Northern) Army during the American Civil War

 XIX Corps
 19th Army Corps (France)
 XIX (2nd Royal Saxon) Corps, a unit of the Imperial German Army prior to and during World War I
 XIX Corps (United States)
 XIX Corps (Union Army)
 XIX Corps (United Kingdom)

 XX Corps
 XX Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 XX Corps (United Kingdom)
 XX Corps (United States)
 XX Corps (Union Army) – a United States Army Corps during the American Civil War
 20th Army Corps (Russian Empire)

XXI-XXX
 XXI Corps
 XXI Corps (German Empire), a unit of the Imperial German Army prior to and during World War I
 XXI Corps (Ottoman Empire), active during World War I
 XXI Corps (United Kingdom), active during World War I
 Indian XXI Corps, active during World War II
 XXI Corps (India), currently active Indian Army corps
 XXI Corps (United States), active during World War II
 XXI Corps (Union Army), active during the American Civil War

 XXII Corps
 XXII Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XXII Corps (Ottoman Empire), World War I
 XXII Corps (ACW), United States Civil War unit
 XXII Corps (United States)
 XXII Corps (United Kingdom)

 XXIII Corps
 XXIII Corps (ACW)
 XXIII Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XXIII Corps (United States)
 XXIII Corps (United Kingdom)
 XXIII Russian Corps

 XXIV Corps
 XXIV Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XXIV Corps (ACW)
 XXIV Corps (United States)

 XXV Corps
 XXV Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XXV Corps (Ottoman Empire), a corps of the Ottoman Army
 XXV Corps (Union Army), a corps of the Union Army during the American Civil War
 XXV Indian Corps, an army corps of the Indian Army during World War II

 XXVI Corps
 XXVI Reserve Corps (German Empire), a unit of the Imperial German Army during World War I

 XXVII Corps
 XXVII Reserve Corps (German Empire), a unit of the Imperial German Army during World War I
 XXVII Army Corps (Wehrmacht), a unit of the German Army during World War II

 XXVIII Corps
 XXVIII Army Corps (Wehrmacht), a unit of the German Army during World War II

 XXIX Corps
 29th Corps (People's Republic of China)
XXIX Army Corps (Wehrmacht)
 29th Army Corps (Russian Empire)
 29th Army Corps (Soviet Union)
 29th Rifle Corps (Soviet Union)
 29th Tank Corps, Soviet Union
 XXX Corps
 XXX Corps (United Kingdom)
 XXX Corps (Wehrmacht)
 XXX Corps (Pakistan)

XXXI and above
 XXXI Corps
 XXXI Corps (Pakistan)
 XXXI Army Corps (Wehrmacht)
 XXXI Army Corps (Italy)

 XXXII Corps
 XXXII Army Corps (Wehrmacht)

 XXXIII Corps
 Indian XXXIII Corps (WWII)
 Indian XXXIII Corps
 United States XXXIII Corps
 33rd Army Corps (Russian Empire)
 XXXIII Army Corps (Wehrmacht)

 XXXIV Corps
 Indian XXXIV Corps
 XXXIV Army Corps (Wehrmacht)

 XXXV Corps
 35th Army Corps (France)
 United States XXXV Airborne Corps, a diversionary 'phantom' unit of the United States Army
 35th Army Corps (Russian Empire)
 XXXV Army Corps (Wehrmacht), a German unit during World War II, part of Army Group Centre

 XXXVI Corps
 36th Army Corps (France)
 German XXXVI Corps
 XXXVI Mountain Corps (Wehrmacht), Germany
 36th Army Corps (Russian Empire)
 XXXVI Corps (United States)

 XXXVII Corps
 XXXVII Corps (United States)
 37th Guards Airborne Corps, Soviet Union

 XXXVIII Corps
 XXXVIII Reserve Corps (German Empire)
 XXXVIII Army Corps (Wehrmacht)

 XXXIX Corps
 XXXIX Reserve Corps (German Empire)
 XXXIX Corps (Wehrmacht)
 XXXIX Mountain Corps (Wehrmacht)

 XL Corps
 XXXX Reserve Corps (German Empire)
 XXXX Panzer Corps, a tank corps in the German Army during World War II

 XLI Corps
 41st Army Corps (France)
 XXXXI Reserve Corps (German Empire)
 41st Army Corps (Russian Empire)
 XLI Tank Corps (Wehrmacht)

 and higher numbered
 42nd Rifle Corps
 XXXXIII Army Corps (Wehrmacht)
 43rd Army Corps (Soviet Union)
 43rd Army Corps (Soviet Union)
 XXXXIV Army Corps (Wehrmacht)
 XXXXVI Tank Corps (Wehrmacht)
 XXXXVII Tank Corps (Wehrmacht)
 XXXXVIII Tank Corps (Wehrmacht)
 XXXXIX Mountain Corps (Wehrmacht)
 LI Mountain Corps (Wehrmacht)
 51st Corps (German Empire)
 52nd Corps (German Empire)
 53rd Corps (German Empire)
 54th Corps (German Empire)
 55th Corps (German Empire)
 56th Corps (German Empire)
 LVI Tank Corps (Wehrmacht)
 57th Corps (German Empire)
 LVII Tank Corps (Wehrmacht)
 58th Corps (German Empire)
 LVIII Tank Corps (Wehrmacht)
 59th Corps (German Empire)
 60th Corps (German Empire)
 61st Corps (German Empire)
 62nd Corps (German Empire)
 63rd Corps (German Empire)
 64th Corps (German Empire)
 65th Corps (German Empire)
 66th Corps (German Empire)
 LXVI Army Corps (Wehrmacht)
 67th Corps (German Empire)
 LXVII Army Corps (Wehrmacht)
 68th Corps (German Empire)
 LXVIII Army Corps (Wehrmacht)
 LXIX Army Corps (Wehrmacht)
 LXX Army Corps (Wehrmacht)
 LXXI Army Corps (Wehrmacht)
 LXXII Army Corps (Wehrmacht)
 LXXIII Army Corps (Wehrmacht)
 LXXIV Army Corps (Wehrmacht)
 LXXV Army Corps (Wehrmacht)
 LXXVI Tank Corps (Wehrmacht)
 LXXVIII Army Corps (Wehrmacht)
 LXXX Army Corps (Wehrmacht)
 LXXXI Army Corps (Wehrmacht)
 LXXXII Army Corps (Wehrmacht)
 LXXXIII Army Corps (Wehrmacht)
 LXXXIV Army Corps (Wehrmacht)
 LXXXV Army Corps (Wehrmacht)
 LXXXVI Army Corps (Wehrmacht)
 LXXXVII Army Corps (Wehrmacht)
 LXXXVIII Army Corps (Wehrmacht)
 LXXXIX Army Corps (Wehrmacht)
 LXXXX Army Corps (Wehrmacht)
 LXXXXI Army Corps (Wehrmacht)
 LXXXXVII Army Corps (Wehrmacht)
 CI Army Corps (Wehrmacht)

See also
 List of military corps by name
 List of military corps

Military corps by number

List of military corps by number


The Nightmare of Being je sedmi studijski album švedskog melodičnog death metal sastava At the Gates objavljen 2. srpnja 2021. godine.

Snimanje
Album bio je snimljen u tri glazbena studija. Bubnjevi su snimljeni u studiju Gröndal u Stockholmu s Jensom Bogrenom. Gitarist Andy LaRocque snimio je gitaru i bas-gitaru u Train Studio u Varbergu. Vokale je snimio Per Stålberg u studiju Welfare u Göteborgu. Mastering i miks albuma učinjen je u Fascination Street Studios u Örebru. Autor naslovnice albuma je Eva Nahon.

Koncept
Pjevač Tomas Lindberg smatra da je to konceptualni album o pesimizmu. Prije pisanja tekstova proučavao je filozofiju pesimizma. The Nightmare of Being mračan je, ali ne negativan.

Popis pjesama

Recenzije
The Nightmare of Being je uglavnom dobio pozitivne kritike. Katrin Riedl s Metal Hammer dala je albumu pet i pol od sedam zvjezdica. Izjavila je da album koristi eksperimentalne zvučne elemente i poziva slušatelja na uzbudljivo putovanje otkrića.

Osoblje

At the Gates
 Jonas Björler – bas-gitara, mellotron, Hammondove orgulje, glasovir, rhodes, chamberlin
 Adrian Erlandsson – bubnjevi
 Tomas Lindberg – vokali
 Martin Larsson – gitara
 Jonas Stålhammar – gitara

Dodatni glazbenici
 Lars-Erik Almberg – tuba (na pjesme 5., 6., 8.)
 Marcus Carlsson – fagot (na pjesme 5., 6.)
 Rajmund Follmann – violončelo (na pjesme 5., 6., 8., 9.)
 Alberto Alvarez Garcia – klarinet (na pjesme 5., 6., 9.)
 Gunnar Hjorth – klasična gitara (na pjesmi 1.)
 Peter Nitsche – kontrabas (na pjesme 5., 6., 8., 9.)
 Jill Widen – flauta (na pjesmi 5.)
 Anders Gabrielsson – saksofon (na pjesmi 4.)
 Fredrik Hulthe – viola (na pjesme 5., 6., 8., 9.)
 Tini Fjeldli – violina (na pjesme 5., 6., 8., 9.)
Ostalo osoblje
 Eva Nahon – grafički dizajn
 Jens Bogren – snimanje (bubnjevi), miks, mastering
 Andy LaRocque – glavna gitara (na pjesmi 1.), snimanje (gitara, bas-gitara)
 Per Stålberg – snimanje (vokal, saksofon)
 Eugene Thacker – tekst (do pjesmi "Cosmic Pessimism")
 Carsten Drescher – grafički dizajn
 Ludde Näsvall – snimanje (dodatni: bubnjevi)
 Martin Jacobson – snimanje (struni, limena puhačka glazbala, drevni instrumenti)
 Ricardo Borges – miks (dodatni)

Izvori

Albumi sastava At the Gates
Albumi iz 2021.

The Nightmare of Being


Firestarter is a science fiction-horror thriller novel by Stephen King, first published in September 1980. In July and August 1980, two excerpts from the novel were published in Omni. In 1981, Firestarter was nominated as Best Novel for the British Fantasy Award, Locus Poll Award, and Balrog Award. In 1984, it was adapted into a film.

A miniseries follow-up to the film, Firestarter: Rekindled, was released in 2002 on the Sci-Fi Channel and a remake from Blumhouse Productions was released on May 13, 2022.

The book is dedicated to author Shirley Jackson: "In Memory of Shirley Jackson, who never needed to raise her voice."

Plot summary
Andrew "Andy" and Charlene "Charlie" McGee are a father/daughter pair on the run from a government agency known as The Shop. During his college years, Andy had participated in a Shop experiment dealing with "Lot 6", a drug with hallucinogenic effects similar to LSD. The drug gave his future wife, Victoria "Vicky" Tomlinson, minor telekinetic abilities and him a telepathic form of mind control he refers to as "the push". They both also developed telepathic abilities. Andy's and Vicky's powers were physiologically limited; in his case, overuse of the push gives him crippling migraine headaches and minute brain hemorrhages, but their daughter Charlie developed frighteningly strong pyrokinetic ability.

The novel begins in medias res with Charlie and Andy on the run from Shop agents in New York City, the latest in a series of attempts by the Shop to capture Andy and Charlie following a disastrous raid on the McGee family in suburban Ohio. After years of Shop surveillance, a botched operation to take Charlie leaves her mother dead; Andy, receiving a psychic flash while having lunch with colleagues, rushes home to discover his wife murdered and his daughter kidnapped. He then uses his push ability to track the trail of Charlie and The Shop agents, catching up to them at a rest stop on the Interstate. He uses the push to incapacitate the Shop's agents, leaving one blind and the other comatose. Charlie and Andy flee, and begin a life of running and hiding, using assumed identities. They move several times to avoid discovery before the Shop catches up to them in New York.

Using a combination of the push, Charlie's power, and hitchhiking, the pair escape through Albany, New York and are briefly taken in by a farmer named Irv Manders near the fictional town of Hastings Glen, New York; however, they are tracked down by Shop agents, who attempt to kill Andy and take Charlie at the Manders farm. At Andy's instruction, Charlie unleashes her power, incinerating the entire farm and fending off the agents, killing a few of them. With nowhere else to turn, the pair flees to the fictional town of Tashmore, Vermont and takes refuge in a cabin that had once belonged to Andy's grandfather.

With the Manders farm operation disastrously botched, The Shop's director, Captain James "Cap" Hollister, calls in a Shop assassin named John Rainbird to capture the fugitives. Rainbird, a Cherokee and a Vietnam War veteran, is intrigued by Charlie's power and eventually becomes obsessed with her, determined to befriend her and eventually kill her. This time the operation is successful, and both Andy and Charlie are taken by the Shop.

The pair are separated and imprisoned at the Shop headquarters, located in the fictional Washington, D.C. suburb of Longmont, Virginia. With his spirit broken, Andy becomes an overweight drug addict, seemingly loses his power, and is eventually deemed useless by the Shop. Charlie, however, refuses defiantly to cooperate with the Shop and does not demonstrate her power for them. Six months pass until a power failure provides a turning point for the two: Andy, sick with fear and self-pity, somehow regains the push - subconsciously pushing himself to overcome his addiction - and Rainbird, masquerading as a simple janitor, befriends Charlie and gains her trust.

By pretending to still be powerless and addicted, Andy manages to gain crucial information by pushing his psychiatrist. Under Rainbird's guidance, Charlie begins to demonstrate her power, which has grown to fearsome levels. After the suicide of his psychiatrist, Andy is able to meet and push Cap, using him to plan his and Charlie's escape from the facility, as well as to finally communicate with Charlie. Rainbird discovers Andy's plan, however, and decides to use it to his advantage.

Andy's plan succeeds, and he and Charlie are reunited in a barn for the first time in six months, but Rainbird is already there, planning to kill them both. A crucial distraction is provided by Cap, who is losing his mind from a side effect of being pushed. Andy pushes Rainbird into leaping from the upper level of the barn, breaking his leg. Rainbird then shoots Andy in the neck and fires another shot at Charlie, but she uses her power to melt the bullet in midair, and then sets Rainbird and Cap on fire. Mortally wounded, Andy then instructs Charlie to use her power to escape and to inform the public, to make sure the government cannot do anything like this ever again. After he dies, Charlie, grief-stricken and furious, sets the barn on fire; she then uses her pyrokinesis to kill the employees and blow up their getaway vehicles. The military is called, but Charlie obliterates their vehicles; when they fire at her, she melts their bullets. Charlie blows up the building, leaving the entire Shop facility burning, with almost everyone dead.

The event is covered up by the government and released to the media as a terrorist firebomb attack. The Shop quickly reforms, under new leadership, and begins a manhunt for Charlie, who has returned to the Manders farm. After some deliberation, she comes up with a plan and leaves the Manders', just ahead of Shop operatives, and heads to New York City. She decides on Rolling Stone magazine as an unbiased, honest media source with no ties to the government, and the book ends as she arrives to tell them her story.

Adaptations
 Firestarter was adapted into a film of the same name in 1984. It was directed by Mark L. Lester and starred Drew Barrymore as Charlie, David Keith as Andy, and George C. Scott as Rainbird. It also starred Heather Locklear as Vicky and Martin Sheen as Cap.
 On the February 3, 2007 episode of Saturday Night Live, host Drew Barrymore reprised her role as Charlie McGee, now an adult and married, in a fake commercial for "Firestarter Brand Smoked Sausages."
 A TV movie sequel, Firestarter: Rekindled, was made in 2002. It starred Marguerite Moreau as a grown-up Charlie and Malcolm McDowell as Rainbird.
 A second film adaptation was released in 2022 and was directed by Keith Thomas from a screenplay by Scott Teems.

See also

 1980 in literature
 1980s in film

References

External links
 Firestarter at Worlds Without End

1980 American novels
1980 science fiction novels
1980s horror novels
American novels adapted into films
American thriller novels
Fictional characters with fire or heat abilities
Firestarter (franchise)
Novels by Stephen King
Novels about psychic powers
Novels set in Albany, New York
Novels set in New York City
Novels set in New York (state)
Novels set in Ohio
Novels set in Vermont
Novels set in Virginia
Viking Press books

Firestarter (novel)


Die Indische Badmintonmeisterschaft der Saison 1947/48 fand Mitte Dezember 1947 in Bombay statt. Es war die 13. Austragung der nationalen Titelkämpfe im Badminton in Indien. Die Meisterschaften wurden unter internationaler Beteiligung ausgespielt.

Finalergebnisse

Weblinks
http://www.badmintonindia.org/frmArcChampionship.aspx?id=0

1947
Badminton 1947
Badmintonwettbewerb in Mumbai

Indische Badmintonmeisterschaft 1947/48


'Twixt, a contraction of betwixt, an archaic term for between, could refer to:

 TwixT, a 1960s board game
 Twixt animation system, a 1984 3D computer animation system
 Twixt (film), a 2011 horror thriller film
 Twixt Love and Fire, a 1914 short comedy film featuring Fatty Arbuckle
 Twixt Stakes, an American thoroughbred horse race
 "'Twixt Twelve and Twenty", a song by Pat Boone, 1959
 Twixt Twelve and Twenty (book), a book by Pat Boone which offered advice to teenagers

Other uses
 There's many a slip 'twixt the cup and the lip, a proverb

See also
 Twixteen
 Twixter
 Twixters (TV series)

Twixt


A plague doctor was a physician who treated victims of bubonic plague during epidemics mainly in the 16th and 17th centuries. These physicians were hired by cities to treat infected patients regardless of income, especially the poor that could not afford to pay.

Plague doctors had a mixed reputation, with some citizens seeing their presence as a warning to leave the area or that death was near. Some plague doctors were said to charge patients and their families additional fees for special treatments or false cures. In many cases these doctors were not experienced physicians or surgeons, instead being volunteers, second-rate doctors, or young doctors just starting a career. In one case, a plague doctor was a fruit salesman before his employment as a physician. Plague doctors rarely cured patients, instead serving to record death tolls and the number of infected people for demographic purposes.

In France and the Netherlands, plague doctors often lacked medical training and were referred to as "empirics". Plague doctors were known as municipal or "community plague doctors", whereas "general practitioners" were separate doctors and both might be in the same European city or town at the same time.

History
An early reference to plague doctors wearing masks is in 1373 when Johannes Jacobi recommends the use of masks, but offers no physical description of the masks themselves. According to Garrett Rays Encyclopedia of Infectious Diseases, the first mention of the iconic plague doctor is found during the 1619 plague outbreak in Paris, in the written work of royal physician Charles de Lorme, serving King Louis XIII of France at the time. After De Lorme, German engraver Gerhart Altzenbach published a famous illustration in 1656, which publisher Paulus Fürst's iconic  (1656) is based upon. In this satirical work, Fürst describes how the doctor does nothing but terrify people and take money from the dead and dying.

The city of Orvieto hired Matteo fu Angelo as a plague doctor in 1348 for four times at a normal doctor's rate of 50 florins per year. Pope Clement VI hired several extra plague doctors during the Black Death plague to tend to the sick people of Avignon. Of eighteen doctors in Venice, only one was left by 1348: five had died of the plague, and twelve were missing and may have fled.

Methods and tasks
Plague doctors practiced bloodletting and other remedies such as putting frogs or leeches on the buboes to "rebalance the humors." A plague doctor's principal task, besides treating people with the plague, was to compile public records of plague deaths.

In certain European cities like Florence and Perugia, plague doctors were requested to do autopsies to help determine the cause of death and how the plague affected the people. Plague doctors also sometimes took patients' last will and testament during times of plague epidemics, and gave advice to their patients about their conduct before death. This advice varied depending on the patient, and after the Middle Ages, the nature of the relationship between doctor and patient was governed by an increasingly complex ethical code.

Costume

Some plague doctors wore a special costume consisting of an ankle-length overcoat and a bird-like beak mask. As an attempt to purify the air they breathed (it was believed that good smells would 'cancel out' the diseases, and people would often walk around with a flower under their nose), the wearer would fill the mask with herbs and spices (commonly lavender). The plague doctors would also wear gloves, boots, a wide-brimmed hat, a linen hood, and an outer over-clothing garment. However, the costume was not worn by all medieval and early modern physicians studying and treating plague patients.

The exact origins of the costume are unclear but have been dated back to Italy and France. Plague doctors wore a mask of some form since at least 1373. Most depictions come from satirical writings and political cartoons. The beaked plague doctor inspired costumes in Italian theatre as a symbol of general horror and death, though some historians insist that the plague doctor was originally fictional and inspired the real plague doctors later. Depictions of the beaked plague doctor rose in response to superstition and fear about the unknown source of the plague.

Often, these plague doctors were the last thing a patient would see before death; therefore, the doctors were seen as a foreboding of death. It appears that the only contemporary sources which claim witness to this infamous costume are based in Italy during the 17th century. Later sources based in other areas do claim that this costume was in use in their country (most specifically during the Black Death); however, it is possible that these sources were influenced by theatre and other works of fiction.

The typical mask had glass openings for the eyes and a curved leather beak, shaped like a bird's beak, with straps that held the beak in front of the doctor's nose. The mask had two small nose holes and was a type of respirator which contained aromatic items. The first known observation of the herbal-stuffed beak was during the 1656–1658 epidemic in Rome. The beak could hold dried flowers (like roses and carnations), herbs (like lavender and peppermint), camphor, or a vinegar sponge, as well as juniper berry, ambergris, cloves, labdanum, myrrh, and storax. The herbs right up against the nose inside the beak allowed for the doctor to have both of their hands free in order to examine the patient or corpse. The purpose of the mask was to keep away bad smells such as decaying bodies and the smell taken with the most caution was known as miasma, a noxious form of "bad air". This was thought to be the principal cause of the disease. Doctors believed the herbs would counter the "evil" smells of the plague and prevent them from becoming infected.

The wide-brimmed leather hat indicated their profession, they used wooden canes in order to point out areas needing attention and to examine patients without touching them. The canes were also used to keep people away and to remove clothing from plague victims without having to touch them. The doctor's long robe was made from linen because it was said germs did not stick to linen as easily as other materials. The robe was also sometimes made from goat skin, which was said to be stronger against the plague than linen because of its small pores and polished texture. It was heard of for the robe to be sealed with oil or wax for an extra layer of protection so the "bad air" could not seep through the holes of the linen material. Though contemporary theories about the plague's nature were incorrect, it is likely that the costume actually did afford the wearer some protection. The garments covered the body, shielding against splattered blood, lymph and cough droplets, and the waxed robe prevented fleas (the true carriers of the plague) from touching the body or clinging to the linen. The costume of the plague doctor is one of the earliest examples of a hazmat suit.

This well known costume now is used as common costume in festivals mainly in Europe and within the art of theatre.

Contract
A plague doctor's contract was an agreement between a town's administrators and a doctor to treat bubonic plague patients. These contracts are present in European city archives. Their contractual responsibility was to treat plague patients, and no other type of patient, to prevent spreading the disease to the uninfected. A plague doctor had to serve a long quarantine after seeing a plague patient. The doctor was regarded as a "contact" who by agreement had to live in isolation to be quarantined.

Negotiations
The bargaining which always preceded the final contract often consisted of serious negotiations. For example, the town administrators of Turin in 1630 were considering the terms of an agreement requested by one Dr. Maletto to become their plague doctor. After much negotiating, they instructed their broker representatives to make a fair and prompt deal as soon as possible with Dr. Maletto. They were told to get the best possible deal for their city, but to be careful not to lose the opportunity of hiring this plague doctor, as it would be difficult to find someone else to perform these dangerous duties at such a low rate.

As an example of the tough negotiating that went on between plague doctors and infected European towns, there is in Pavia an original agreement between one Giovanni de Ventura and the city in their archives that shows a sixteen clause contract that was further amended after it was originally written. Clause one originally showed 30 florins per month for pay but was later modified to be net of living expenses. Clause two was originally that the pay was to be given two months in advance but later modified to monthly. Clause five provided originally a severance pay of two months but later modified that to one month's pay. Clause six stated that "the said master Giovanni shall not be bound nor held under obligation except only in attending the plague patients", which was later amplified with "...the doctor must treat all patients and visit infected places as it shall be found to be necessary." Clause seven had to do with full citizenship and the original text was modified with "according to how he shall behave himself."

Bernardino di Francesco Rinaldi obtained a clause in his contract when he was hired as plague doctor by the city of Volterra in 1527 that said essentially that the city had the obligation to provide Bernardino with all and everything necessary for his life support (i.e. food, water), and for these living expenses to be paid through the city expenditures.

Reprimands
In 1527, in the city of Prato, a plague doctor named Stefano Mezzettino was seen attending to other patients without a custodian. The rule in the plague doctor contract was that a custodian must always be with the plague doctor when he visits other patients. This created much danger for the public. He was fined for his illegal act and breaking the rule of the plague doctor contract.

Notable plague doctors

 The Italian city of Pavia, in 1479, contracted Giovanni de Ventura as a community plague doctor.
 The Irish physician, Niall Ó Glacáin () earned deep respect in Spain, France and Italy for his bravery in treating numerous people with the plague.
 The French anatomist Ambroise Paré and Swiss iatrochemist Paracelsus were also famous Renaissance plague doctors.
 Nostradamus gave advice about preventive measures against the plague, such as the removal of infected corpses, getting fresh air, drinking clean water, and drinking a juice preparation of rose hips. In  Part A Chapter VIII, Nostradamus also recommended to not bleed the patient.
 John Paulitious was Edinburgh's first plague doctor, but he died in June 1645 only weeks after beginning employment. He was succeeded by George Rae.

Footnotes

References

Primary sources
 Nostradamus. The Prophecies of Nostradamus, self-published 1555 and 1558; reprinted by Forgotten Books publishing 1973,
 Nostradamus. , self-published 1555

Secondary sources

  (Chapter 4)

Further reading
 Fee, Elizabeth, AIDS: the burdens of history, University of California Press, 1988,
 Fitzharris, Lindsey. "Behind the Mask: The Plague Doctor." The Chirurgeons Apprentice. Web. 6 May 2014.
 Haggard, Howard W., From Medicine Man to Doctor: The Story of the Science of Healing, Courier Dover Publications, 2004,
 Heymann, David L., The World Health Report 2007: a safer future: global public health security in the 21st century, World Health Organization, 2007,
 Kenda, Barbara, Aeolian winds and the spirit in Renaissance architecture: Academia Eolia revisited, Taylor & Francis, 2006,
 Reading, Mario, The Complete Prophecies of Nostradamus, Sterling Publishing (2009),
 Rosenhek, Jackie. "Doctor's Review: Medicine on the Move." Doctor's Review. Web. May 2011.
 Pavia city archives Envelope, 458

External links

Plague doctor


Napomena: Nogometne lige u Hrvatskoj u sezoni 1994./95. kojima autori Wikipedije ne mogu (trenutno) precizno odrediti rang natjecanja (nisu vidljivi iz dostupnih izvora) ili nisu igrane unutar ligaškog sustava, naknadno će se prebaciti u odgovarajuće članke.

1. Moslavačka liga (NC Kutina)
Klubovi s područja Sisačko-moslovačke i Zagrebačke županije.

 Izvori:
 Sokol Velika Ludina
 Športski Nogometni Klub "Mladost" Gornja Gračenica (1966. – 2006.)

3. Moslavačka liga (NC Kutina)

 Izvori:
 Športski nogometni Klub "Moslavina" Donja Gračenica (1957. – 2007.)

Poveznice
 1. HNL 1994./95.
 2. HNL 1994./95.
 3. HNL 1994./95.
 4. rang HNL-a 1994./95.
 5. rang HNL-a 1994./95.
 6. rang HNL-a 1994./95.
 7. rang HNL-a 1994./95.
 Hrvatski nogometni kup 1994./95.

Izvori

1994-95
 9o

Nogometno prvenstvo Hrvatske 1994./95. – ostale lige


Rumen Georgiev Radev (; født  i Dimitrovgrad) er en bulgarsk politiker, der er Bulgariens nuværende præsident siden januar 2017.

Bulgariens præsidenter
Politikere fra Bulgarien

Rumen Radev


Termoelektrana Vrdnik (srp. Термоцентрала рудника угља у Врднику) je termoelektrana rudnika ugljena u Vrdniku.

Povijest
Proradila je 1911. godine. Spomenik kulture Srbije od velikog značaja. Tijekom NATO-va bombardiranja zgrada je pretrpjela kolateralna oštećenja. Međutim, po završetku bombardiranja, u razdoblju od 1999. do 2000. godine, lokalne su vlasti do temelja srušile elektranu i razvukle metalna postrojenja i opeku koje su uporabljene za gradnju stambenih i poslovnih objekata. Pravosudni organi do danas nisu procesuirali ovu totalnu devastaciju.

Izgled
Prvenstvena namjena elektrane bila je osiguranje potrebne električne energije radi eksploatacije istoimenog rudnika. Energiju je davao ugljen iz rudnika, a struju su proizvodila dva parna stroja od po 1000 KS preko svojih dinama pojedinačne snage od po 750 KW. Napon u generatoru je bio 3 x 3150 V. Elektrana je proizvodila izmjeničnu struju frekvencije od 50 Hz. Postrojenja su smještena u prislonjene jednokatne dvorane s krovovima na dvije vode. Objekt je zidan poput mnogih onodobnih industrijskih objekata toga vremena, sa stilskim elementima klasicizma, koji su bili primijenjeni u arhitekturi javnih i sakralnih građevina. Glavna podužna fasada raščlanjena je plitkim pilastrima, visokim lučnim ulazom i pristupnim stubištem. Lijevo i desno od ulaza su prozorska okna razdvojena pilastrima. Okna su nalik na bifore, koje se lučno završavaju ispod krovnog vijenca.

Vanjske poveznice
 Ostatci termoelektrane
(srp.) Spomenici kulture u Srbiji: Termocentala rudnika uglja
(srp.) Republički zavod za zaštitu spomenika kulture - Beograd
(srp.) Lista spomenika

Vojvodina
Spomenici u Srbiji
Industrijski objekti u Srbiji
Neoklasicističke građevine
Termoelektrane

Termoelektrana Vrdnik


La médaille Edgeworth David est une distinction scientifique décernée chaque année par la Royal Society of New South Wales pour les contributions distinguées d'un jeune scientifique de moins de 35 ans pour des travaux effectués principalement en Australie ou qui ont contribué à l'avancement de la science australienne.

Elle a été décernée pour la première fois en 1949 et porte le nom du géologue pionnier Sir Edgeworth David.

Lauréats
Source : RSNSW

Voir aussi

Références

Liens externes

Distinction fondée en 1943
Prix scientifique
Science en Australie

Médaille Edgeworth-David


Carl Oskar Poensgen (* 27. Februar 1873 in Köln; † 20. November 1918 in Berlin-Grunewald) war ein deutscher Verwaltungsjurist.

Leben und Wirken
Poensgen entstammte der Düsseldorfer Eisen- und Stahlindustriellenfamilie Poensgen. Seine Eltern waren Ernst August Poensgen (1844–1873), Kaufmann und Konsul der Republik Peru in Köln, und Emilie Caroline Roezel (1850–1899). Nach dem Studium der Rechtswissenschaften an den Universitäten in Lausanne, Berlin, Münster und Bonn (1894–1895) sowie der Promotion zum Dr. jur. war er als Verwaltungsjurist wirksam, zuletzt als Geheimer Regierungsrat im Kaiserlichen Statistischen Amt in Berlin. 1915 war er Mitbegründer der Auskunftsstelle Vereinigter Verbände in Berlin (AVV / =zentrale Einrichtung aller nationalen Verbände zur publizistischen Unterstützung der Kriegspolitik). Weiterhin verfasste er einige staats- und arbeitsrechtliche Schriften. Bemerkenswert bleibt davon seine Publikation über das Wahlrecht von 1909, worin er u. a. zum damaligen Stand der Diskussion um das Frauenwahlrecht, das in Deutschland erst 1918 eingeführt wurde, anführt: "Mit der allgemeinen prinzipiellen Behauptung, dass die angeborene Anlage der Frau sie nicht zur Betätigung politischer Rechte befähige, ist allerdings wenig anzufangen. Die heute vorhandenen Anlagen und Fähigkeiten der Frauen sind so sehr von Erziehung und Tradition abhängig, dass man daraus nicht einen allgemein gültigen Satz begründen könnte. Richtig ist, dass in den größeren Kulturnationen heute die Frauen durchschnittlich wohl zur Ausübung der politischen Rechte nicht so wie der Mann befähigt sind."

Oskar Poensgen war seit dem 2. März 1918 verheiratet mit Alma Grau (* 16. März 1888; † 24. Oktober 1918), Tochter von Bernhard Grau (1856–1924), Generaldirektor zu Stolzenhagen-Kratzewieck bei Stettin. Die Ehe blieb kinderlos. Die Familiengrabstätte befindet sich auf dem Südwestkirchhof Stahnsdorf.

Schriften
 Kommunale Sozialpolitik, Zwei Vorträge, Krefeld 1902 (mit Friedrich Goldschmidt)
 Das Wahlrecht zu Volksvertretungen mit besonderer Berücksichtigung Preußens, Berlin 1904
 Paris, London und Groß-Berlin in ihren Verwaltungsorganisationen. In: Preußische Jahrbücher Bd. 118(1904), S. 396–417
 Jungliberale Abhandlungen 〈Berliner jungliberale (Friedrich) Hammacher-Festschrift〉, Berlin 1904 (mit Arthur Dix, Bruno Marwitz, Hjalmar Schacht)
 Deutsche Weltpolitik und die Mittel zu ihrer Durchführung, Köln 1907 (mit Paul Helbeck)
 Das Wahlrecht, Leipzig: Teubner, 1909 (= Aus Natur und Geisteswelt. Bd. 249). (Google-books)
 Die Tarifverträge im Deutschen Reich am Ende des Jahres 1911–1915, Berlin 1912–1917
 Die wirtschaftlichen Wirkungen des Krieges und unsere Pflichten, Berlin 1914
 Das staatsrechtliche Problem Belgiens, In: Der Panther. Deutsche Monatsschrift für Politik und Volkstum, Leipzig 1915
 Was haben die Engländer gegen uns?, Berlin 1917
 Ausländische Gesetzgebung über Berufsvereine, Einigungs-, Schieds- und Tarifwesen, Berlin 1918 (=Reichsarbeitsblatt Sonderheft 18)

Literatur
 Edmund Strutz (Hrsg.): Deutsches Geschlechterbuch, Bd. 123 (1958), S. 347.

Weblink
 Oskar Poensgen, Das Wahlrecht, 1909 – ein Auszug zum Stand der Diskussion um das Frauenwahlrecht im Jahr 1909

Einzelnachweise

Verwaltungsjurist
Oskar
Deutscher
Geboren 1873
Gestorben 1918
Mann
Geheimer Regierungsrat

Oskar Poensgen


لطفي عيسى مؤرخ تونسي من مواليد 2 مارس 1958 بالقيروان. متحصل على التبريز وعلى دكتوراه الدولة في التاريخ، يدرّس بجامعة تونس منذ سنة 1989. يدور تخصصه المعرفي حول تاريخ التصوّف وتاريخ الذهنيات المقارن بمجال المغارب.

عينات من مؤلفاته وبحوثه المنشورة
1993 أخبار المناقب: في المعجزة والكرامة والتاريخ، سراس للنشر، تونس.

1994 مميزات الذهنيات المغاربية في القرن السابع عشر، سراس للنشر، تونس.

1998 تحقيق كتاب نور الأرماش في مناقب القشاش، للمنتصر بن المرابط القفصي، نشر المكتبة العتيقة، تونس. (بالاشتراك).

2005 السلطة وهاجس الشرعية في الثقافة الإسلامية، دار أمل للنشر، تونس (بالاشتراك).

2005 مغرب المتصوّفة من القرن 10 إلى القرن 17 : الانعكاسات السياسية والحراك الاجتماعي، مركز النشر الجامعي- كلية العلوم الإنسانية والاجتماعية بتونس.

2007 كتاب السيّر: مقاربات لمدونات المناقب والتراجم والأخبار، دار المعرفة للنشر، تونس.

فضلا عن العديد من المقالات والمساهمات العلمية والمحاضرات المنشورة ضمن الدوريات العلمية المحكمة وأعمال الندوات والمؤتمرات والأعمال المهداة والكتب الجماعية والموسوعات العلمية والمجلات الثقافية والصحف والملاحق الثقافية الجامعة والمختصة بتونس وبالخارج.

المراجع

أشخاص على قيد الحياة
مواليد 1377 هـ
مواليد 1958
مواليد في القيروان
مؤرخون تونسيون
أعضاء هيئة تدريس جامعة تونس

لطفي عيسى


Dabhoi (en guyaratí: ડભોઇ ) es una ciudad de la India en el distrito de Vadodara, estado de Guyarat.

Geografía
Se encuentra a una altitud de 53  a 166 km de la capital estatal, Gandhinagar, en la zona horaria UTC +5:30.

Demografía
Según estimación 2011 contaba con una población de 57 511 habitantes.

Referencias

Enlaces externos

Localidades de Guyarat

Dabhoi


بلدية سانتا ماريا دي ميرلاس (بالكاتالانية: Santa Maria de Merlès) هي إحدى بلديات مقاطعة برشلونة، والتي تقع في منطقة كاتالونيا، شرق إسبانيا.

يبلغ عدد سكانها 151 نسمة وفقاً لإحصائية سنة (2007).

مراجع

بلديات في مقاطعة برشلونة

سانتا ماريا دي ميرليس


Boni est l'un des huit arrondissements de la commune de Savè dans le département des Collines au centre du Bénin.

Géographie
L'arrondissement de Boni_(Bénin) est situé au centre du Bénin et compte 6 villages. Il s'agit de :
 Agbadjo ;
 Agbaigodo ;
 Awo Seriki ;
 Djangbe ;
 Kilibo Ogbo ;
 Tchougbe.

Histoire

Démographie
Selon le recensement de la population de  conduit par l'Institut national de la statistique et de l'analyse économique (INSAE), Boni compte 9158 habitants.

Références

Arrondissement au Bénin
Collines

Boni (Bénin)


Beatriz Michelena ( - ) est une actrice et chanteuse américaine d'origine espagnole de l'époque du cinéma muet, connue à l'époque pour sa voix de soprano et ses apparitions dans les comédies musicales. Elle est l'une des rares stars latino du grand écran aux États-Unis dans les années 1910. Elle est une femme de premier plan dans chaque projet de film dans lequel elle est impliquée et, après l'échec de la , elle cofonde une société de production avec son mari , produisant quatre de ses propres films.

Elle écrit des articles populaires pour les journaux, y compris des conseils pour les jeunes filles, décrivant ce que c'est que d'être actrice et répondant aux questions des lecteurs. Michelena écrit d'autres articles comme une histoire de l'industrie du cinéma. En 1920, lorsqu'elle arrête de faire des films, elle reprend sa carrière de chanteuse.

Michelena disparait de l'historiographie pendant de nombreuses années, mais sa place dans l'histoire a récemment été réexaminée; elle est mentionnée en 2002 dans une proclamation présidentielle et son film Salomy Jane de 1914 bénéficie d'une réédition limitée en 2008.

Jeunesse

Beatriz Michelena est née à New York en 1890, six ans après sa sœur Vera Michelena. Son père, Fernando Michelena, est un ténor réputé dont les parents espagnols s'étaient installés à Caracas, au Venezuela, où il est né. Sa mère, Frances Lenord (1867 – 1912) est soprano et pianiste.

Pendant une grande partie de son enfance, les parents de Michelena tourne avec la compagnie d'Emma Abbott, une compagnie de théâtre itinérante qui interprète des opéras célèbres traduits en anglais pour le public américain. Plus tard, le père de Beatriz enseigne la musique et travaille comme coach vocal et, au moment de sa mort, il est président de l'  de San Francisco. Beatriz et ses sœurs Vera et Teresa Luisa, connue sous le nom de scène Donna Barrell, sont formées par leur père aux études de chant classique et d'art dramatique, et elles suivent ses traces en commençant leur propre carrière de chanteuse.

Vera apparait pour la première fois sur scène avec la compagnie Princess Chic Opera en 1901, à 17 ans, jouant le rôle principal dans The Man from China en 1904. Beatriz joue également avec Princess Chic en 1901, dans des rôles de chœur adaptés à un enfant de 11 ans. En 1904, alors que Vera poursuit sa carrière à New York, Fernando Michelena s'installe à San Francisco, pour enseigner le chant. Il élève Beatriz et continue à la former, comme soprano, aux techniques vocales d'opéra. Il transmet son expérience de la scène à sa fille : la façon de bouger comme une autre personne, la façon de faire des gestes simples mais autoritaires et la façon de gagner en intensité tout au long d'une représentation. Maria Antonia Field, une écrivaine californienne, racontera plus tard son expérience en tant qu'élève du père de Michelena dans son livre, Five Years of Vocal Study under Fernando Michelena.

Mariage et carrière sur scène
Le dimanche 3 mars 1907, Michelena épouse , concessionnaire automobile à San Francisco, « heureux aboutissement » d'une romance qui a commencé à l'école. Le mariage a lieu au 232 Divisadero Street, dans la maison des parents de la demoiselle d'honneur Margaret McGovern, "une amie de toujours de la mariée". Le juge Thomas F. Graham célèbre la cérémonie. Le couple passe quelques semaines à Los Angeles pour leur lune de miel.

Middleton est le directeur de la Middleton Motor Car Company et le fils d'un magnat du bois californien. Il présente Michelena à ses amis de la société et à ses partenaires commerciaux, y compris les administrateurs de la succession de Charles Crocker qui a reconstruit l'hôtel  après le tremblement de terre et l'incendie de 1906.

En octobre 1910, après deux années d'absence de la scène, Beatriz Michelena Middleton reçoit une "full ovation" au Garrick Theatre pour son rôle dans The White Hen, une comédie musicale se déroulant en Autriche. Le comédien , leader de la compagnie, est la vedette du spectacle, recevant 14 minutes d'applaudissements en entrant sur scène. Michelena reçoit une petite fortune en fleurs, selon le critique du San Francisco Call, Walter Anthony. L'actrice vedette Lora Lieb, originaire de San Francisco mais inconnue en tant qu'interprète, reçoit moins d'applaudissements.

Middleton et Michelena accordent un interview à Anthony après le succès de The White Hen. Middleton déclare qu'il a gardé sa femme hors de la scène, "qu'il n'aime pas l'idée de la comédie musicale, mais ne se serait pas opposé à son apparition dans le grand opéra ". Néanmoins, il accepte une offre de Max Dill. Michelena déclare "qu'elle a jusqu'ici passé sa vie à étudier pour interpréter trois rôles d'opéra : Carmen et Micaëla dans Carmen, et Violetta Valéry dans La traviata". Elle dit qu'avant d'apparaître au Garrick Theatre, elle a eu peur que sa formation scénique ne soit perdue et qu'elle doit surmonter ses propres peurs ainsi que les objections de son mari.

Fin novembre, Michelena quitte la compagnie de Dill, en disant qu'elle est sous Lora Lieb dans la publicité théâtrale, malgré l'arrangement qu'elle a conclu avec le directeur de la compagnie Nat A. Magner. Elle dit qu'elle refuse de mettre son célèbre nom de famille à la deuxième place.

Le 6 décembre 1910, une histoire dans le San Francisco Call parle de Michelena et de sa sœur découvertes sept ans auparavant par John Slocum, le manager qui travaillait avec les filles de la compagnie Princess Chic. Selon l'histoire, Slocum a essayé de faire signer à Michelena un contrat à long terme, mais s'est fait devancer par Middleton, « l'athlète et clubman de la ville », qu'elle a épousé. Une semaine plus tôt, Michelena a fait sensation en démissionnant de la compagnie Max Dill, mais accepte par la suite d'apparaître pour quatre représentations dans la production itinérante de Slocum, The Kissing Girl, mettant en vedette l'amie de Michelena, l'actrice Texas Guinan, disposée à se retirer pendant quelques jours pendant que Michelena joue le rôle principal de Christina. Michelena a dit :"Leo Cooper, il y a sept ans, a insisté pour que M. Slocum entende deux jeunes chanter. Les jeunes étaient Vera et moi-même. Il a eu la bonté de nous faire confiance et nous a donné des postes dans sa compagnie Princess Chic, où nous avons grandi; par la suite, grâce à ses encouragements et son aide, à des postes de prima donna. En souvenir de ces gentillesses du passé et parce que j'aime le travail, j'ai été heureux de dire oui à sa demande d'apparaître quelques fois avec sa compagnie pour Auld Lang Syne avant que The Kissing Girl ne reprenne son chemin"..Après les trois représentations à San Francisco et une à Oakland, Michelena et son mari prennent place dans le public pour regarder Guinan jouer le rôle-titre de la pièce au Victory Theatre de San Jose le 15 décembre 1910.

Michelena chante un rôle dans  en 1913. Cette année-là, pendant la saison d'automne, Michelena est une vedette de la Mechanics' Fair, un salon automobile à San Francisco. Par la suite, elle chanté lors de l'inauguration de la Lincoln Highway, la première route transcontinentale du pays. La célébration du terminus ouest au Valencia Theatre de San Francisco est organisée par l'Association des concessionnaires automobiles, le 31 octobre 1913.

California Motion Picture Company
Middleton crée la  à San Rafael en 1912 dans le but de tourner des publicités pour les automobiles qu'il vend. Il décide que sa jolie femme peut jouer dans des films réalisés par sa société. En 1914, Middleton et Michelena tournent trois grands films en même temps.

Charles Crocker, le propriétaire de l'hôtel St. Francis à San Francisco, et Herbert Scott, président de la Mercantile Bank, finance le projet. Herbert Payne est le président de la société, Alexander E. Beyfuss le vice-président et directeur général, George E. Middleton, le directeur de production et réalisateur, et Louis Hutt le cadreur en chef et chef de son laboratoire.

Le premier long métrage réalisé par CMPC, Salomy Jane, projeté la première fois à l'hôtel St. Francis sur invitation seulement. Le rôle de Michelena est Salomy Jane Clay d'après l'œuvre de l'écrivain Bret Harte, une fille énergique d'un mineur émigré. Elle est courtisée par quatre hommes mais préfère un cinquième joué par l'idole britannique House Peters.

Le film a une distribution nationale limitée et connait un succès auprès des spectateurs qui sont impressionnés par le paysage sauvage de la Californie, avec des séquoias géants, des routes sinueuses longeant des falaises rocheuses et la Russian River. La représentation du rôle-titre par Michelena est également un attrait. La journaliste  écrit à son sujet dans le numéro de juin 1915 d'Overland Monthly :"Fille d'un ténor renommé de l'époque des pionniers de San Francisco, elle-même une prima donna avec une place assurée sur la scène lyrique moderne, une fille avec une riche tradition artistique derrière elle, les dons de Miss Michelena ne s'arrêtent pas là. Elle a une beauté, une vivacité, un esprit, des réalisations intellectuelles et une grâce athlétique rares".

Un lieu de tournage du CMPC se trouve sur une propriété familiale près de Boulder Creek, en Californie, où le père de Middleton avait établi une exploitation forestière maintenant connue sous le nom de Middleton Tract. D'autres lieux de tournage sont des parties sauvages des comtés de Sonoma, Santa Cruz et Marin. À San Rafael, le studio est fier de posséder un grand bâtiment aux parois de verre et au toit qui laisse entrer la lumière mais pas le vent afin que le tournage des scènes d'intérieur puisse avoir lieu en pleine lumière sans le battement révélateur des nappes et des vêtements soufflés par les rafales. La société utilise une caméra Bell & Howell de 1 250 , considérée comme chère pour l'époque et d'une valeur actuelle d'environ 32 000 dollars. La caméra contient deux bobines de film de sorte que deux négatifs sont réalisés pour chaque scène. Une deuxième caméra à 700 $ fourni une troisième bobine de la même scène, sous un autre angle.

Même si Salomy Jane ne rapporte pas de bénéfice, probablement en raison des canaux de distribution de seconde zone, son accueil favorable convainc Middleton que sa femme peut défier la meilleure star de cinéma au monde, Mary Pickford . Chaque film CMPC est désormais destiné à être un moyen promotionnel pour Michelena. Malheureusement, l'ego de Michelena grandit avec les critiques élogieuses de ses compétences, et ses demandes de traitement de star entraînent des dépenses plus lourdes pour les productions qui ont continué à perdre de l'argent. Mignon, The Lily of Poverty Flat, A Phyllis of the Sierras, Salvation Nell et The Rose of the Misty Pool  échouent tous  à générer des bénéfices. Une somptueuse production de Faust en 1915 doit être terminée avant la fin de l'année. Faust n'est pas terminé en janvier 1916 et le président du CMPC, Herbert Payne, ferme la société cinématographique et dépose le bilan. Faust n'a jamais été présenté au public.

Journaliste

En 1915 et 1916, Michelena écrit une chronique régulière "Talks with Screen-struck Girls", d'abord publiée par le San Rafael Independent, le mardi ; elle parait ensuite le dimanche dans d'autres journaux : le San Francisco Examiner et le Prescott Journal Miner (Arizona). Elle écrit sur les qualités idéales chez une actrice et sur ce que les jeunes filles pourraient faire pour les développer.

Elle reçoit un torrent de lettres de lecteurs, beaucoup proviennent de filles demandant « Dois-je savoir monter à cheval ? » ou « Dois-je savoir nager ? ». En réponse, Michelena décrit comment ces compétences sont utiles à une actrice de cinéma, mais pas absolument nécessaires ; elle dit "qu'ils sont des accessoires, plutôt que la substance de la chose ... Je conseillerais à toutes les filles entrant dans le cinéma d'apprendre à monter à cheval, à nager et à faire tout le reste, mais je voudrais qu'elle se rende compte de leur subordination au côté vraiment artistique de la profession".

Le 7 mai 1916, Michelena écrit pour avertir les filles souhaitant la gloire sur le grand écran que beaucoup comme elles se retrouvaient "l'esprit brisées", avec leurs attentes brisées. Elle leur conseille de rester à la maison et d'éviter une « amère déception » dans la réalisation de films. En juillet, elle discute de certaines des spécificités des défis mentaux du jeu d'acteur :"Il y a une centaine de petites particularités qui indexent le caractère de pratiquement chaque type de personne, et c'est l'efficacité avec laquelle on saisit, comprend et utilise ces particularités qui fait de lui un grand artiste dramatique… La véritable grande actrice… doit non seulement reconnaître les traits tels qu'elle les voit se manifester extérieurement, mais elle doit aussi pénétrer dans la peau et reconnaître les conditions de pensée ou d'émotion qui les font naître. Ensuite, et c'est le véritable test de ses talents, elle doit tellement se perdre dans ces conditions de pensée et d'émotion, et ressentir à travers elles, que son mimétisme de leurs manifestations extérieures vient naturellement et sans effort conscient".

En plus de sa chronique, Michelena écrit des articles occasionnels destinés à un lectorat plus large. Elle écrit en octobre 1916 sur l'histoire de l'industrie du cinéma dans une série de plusieurs articles, commençant son récit par un récit de la décomposition photographique du mouvement du cheval de course du gouverneur Leland Stanford nommé Occident par Eadweard Muybridge. Elle définit cette image à grande vitesse comme essentielle au développement des images animées.

Michelena Studios

Middleton et Michelena achètent la société cinématographique en faillite pour quelques milliers de dollars en 1917 et la rebaptisent Michelena Studios. Leur nouvelle société s'appelle Beatriz Michelena Features, et le tournage de leur prochain long métrage, Just Squaw, commence. Le personnage principal de Michelena est une femme blanche élevée par des Indiens d'Amérique, une femme qui ne réalise son héritage racial qu'après être tombée dans un amour interdit avec un homme blanc. Le film ne passe qu'une semaine à San Francisco en 1919 et ne rapporte pas de bénéfice.

Le nouveau distributeur, Robertson-Cole, ne réussit pas à trouver le bon marché pour Heart of Juanita et The Flame of Hellgate en 1920. Le public américain est devenu plus sophistiqué, et Michelena Studios utilise toujours ses techniques de production antérieures. Après avoir tourné The Flame of Hellgate, Middleton et Michelena arrêtent complètement de faire des films. Elle revient au chant et lui à ses ventes de voitures. Ils auraient divorcé au milieu des années 1920, bien que Middleton ait déclaré au recensement américain de 1930 qu'ils étaient mariés. Ils n'ont pas eu d'enfant.

Retraite et dernières années
Après avoir quitté le cinéma, Michelena poursuit sa carrière de chanteuse et fait une tournée en Amérique latine en 1927 où elle est chaleureusement accueillie au sein d'une troupe de chanteurs et de danseurs de 30 personnes, interprétant Carmen et Madame Butterfly. Le San Francisco Chronicle rapporte qu'il s'agit de "la première visite de ces pays par une star américaine de l'opéra dans des représentations du répertoire". Par la suite, elle prend sa retraite de la scène et retourne à San Rafael pour vivre près de son ancien studio de cinéma. Entre 1937 et 1941, elle vend 10 des 26 parcelles immobilières qui forment son studio. Le 10 octobre 1942, après une opération chirurgicale, elle meurt à l'âge de 52 ans au St. Mary's hospital de San Francisco. Sa sœur Vera Michelena et son ex-mari George Middleton lui survivent.

Héritage
Le studio Michelena Features à San Rafael reste vide dans les années 1920 avec sa voûte en briques recouvertes de métal abritant tous les films au nitrate de la société, y compris les premiers tournés par CMPC. En 1931, des garçons jouant avec un pétard sur le terrain déserté, mettent le feu à la voûte et à tout son contenu inflammable. Toutes les copies connues des films de Michelena sont détruites, une perte que Middleton estime à 200 000 $; soit environ 3.4 millions de dollars d'aujourd'hui. En 1996, une copie nitrate de 82 ans de Salomy Jane est retrouvée en Australie ; elle est envoyée à la Bibliothèque du Congrès pour être conservée. La prise de conscience de la contribution Michelena aux premiers films et de son rôle de star hispanique révolutionnaire arrive en 2002 avec une proclamation faite par le président George W. Bush à l'occasion du  au cours duquel il la classe comme l'un des acteurs latinos influents d'Amérique. En 2008, une nouvelle copie de Salomy Jane est publiée pour une distribution limitée.

Filmographie

Références

Voir aussi

Bibliographie
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Liens externes

.
 Beatriz Michelena Women Film Pioneers Project
 Photo de Beatriz Michelena en costume à San Anselmo

Chanteuse américaine du XXe siècle
Actrice de western
Actrice américaine de cinéma
Femme d'affaires américaine
Soprano américaine
Actrice américaine du muet
Naissance en février 1890
Naissance à New York
Décès en octobre 1942
Décès à San Francisco
Décès à 52 ans

Beatriz Michelena


Saf Aklın Eleştirisi ya da Arı Usun Eleştirisi (Almanca: Kritik der reinen Vernunft)  Immanuel Kant'ın 1781'de basılan ve en önemli eserleri arasında kabul edilen kitabıdır. Temel olarak Hume'un, olayların arasında bir neden-sonuç ilişkisi olduğu önermesinin kanıtlanamaz olduğu fikrinden yola çıkarak saf aklın mümkün olamayacağına dair ürettiği skeptik bakışına çözüm getirmeye çalışır. "İlk Eleştiri" olarak da anılan bu eseri, Pratik Aklın Eleştirisi (1788) ve Yargı Gücünün Eleştirisi (1790) eserleri takip etmiştir.

A priori ve a posteriori

Kant, öncelikle saf ve ampirik (deneysel) bilgi arasındaki ayrımı belirler. Tüm bilgiler tecrübe ile başlasa da, bu tüm bilgilerin tecrübeden kaynaklandığı anlamına gelmez. Kant, tecrübe ve algıdan bağımsız olarak edinilen bilgiye a priori adını verir. Saf bilgi ise içinde ampirik ögeler bulundurmayan bilgidir. Matematik, a priori bilginin deneyden bağımsız olarak gelebileceği noktaya bir örnektir. Doğruluğu sadece tecrübeye dayalı olarak belirlenebilen önermeler için ise a posteriori terimini kullanır.

Analitik ve sentetik yargılar

Bunun dışında Saf Aklın Eleştirisi'nde analitik ve sentetik yargılar olmak üzere iki ayrı kavram daha tanımlanır. Analitik bir önerme, B yükleminin A öznesinin zaten tanım olarak bir özelliği olduğu önermelerdir. "Hiçbir bekar evli değildir." önermesi gibi. Sentetik önermelerde ise A öznesi, içinde B yüklemini barındırmaz. "Tüm insanlar 5 metreden kısadır" önermesi her ne kadar doğru olsa da 'insan' tanım olarak böyle bir boy limitini içermediği için sentetik bir önermedir; bize kavramlar değil dünya hakkında bilgi verir.

Hume'un skeptisizmine çözüm

Bu tanımlara göre tüm analitik önermeler a priori'dir. Kant'a göre çözülmesi gereken problem, sentetik bir önermenin nasıl a priori olabileceğidir. Sentetik yargıların çoğu a posteriori olsa da Geometri ile ilgili önermeleri ve "Her olayın bir nedeni vardır." gibi önermelerin bu kategoriye girdiğini söyler. Bunun nasıl mümkün olacağını açıklarken Kant algıyı/sezgileri devreye sokar. Gözlediğimiz şekliyle Dünya, nesnelerin bir toplamı değil; algılarımızdan bağımsız düşünemeyeceğimiz bir temsildir. Uzay ve zaman da algılardan bağımsız düşünülemez. Numenler Dünyası (bize gözüktüğü şekliyle değil kendi olduğu şekliyle Dünya) uzay ve zamandan bağımsızdır. Bu aslında hem emprisizm hem de rasyonalizm eleştirisi olarak görülebilir: Bilincin dünyayı pasif olarak algıladığına dair emprisist görüş yanlış olduğu gibi her bilgiye saf akılla ulaşılabileceğine dair rasyonalist görüş de yanlıştır. Bunun nedeni bilginin hem algılar tarafından alınan ham verilere hem de kavramlara dayalı olmasıdır. Teorik bilgi sadece gözüktüğü şekliyle dünyaya dair olabilir.

Kaynakça

Immanuel Kant
1781 kitapları
Felsefe kitapları
Immanuel Kant kitapları

Saf Aklın Eleştirisi


Müttefiklerin Sicilya'yı işgali, 9 Temmuz 1943'ü 10 Temmuz 1943 gününe bağlayan gecede, Müttefik kuvvetlerin Husky kod adını verdiği harekâtla başladı. Sicilya çıkartması adanın güneydoğu sahillerine yapıldı.

Kuzey Afrika'daki Alman askerî varlığını ortadan kaldırdıktan sonra İtalya'ya yöneldiler. İtalya'ya bir çıkarma yapılmasından önce Sicilya adasındaki Alman askerî gücünün de kırılması gerekti. Harekâta, 24 Ocak 1943 tarihinde sonuçlanan Casablanca Konferansı'nda karar verildi.

İlgili görüntüler
 Battlefield 'Battle of Italy'

Kaynakça

II. Dünya Savaşı İtalya Cephesi
II. Dünya Savaşı'nda Amerika Birleşik Devletleri
II. Dünya Savaşı'nda Birleşik Krallık
1943'te İtalya

Husky Harekâtı


Circle of Eight (Círculo del octavo piso) es una película estadounidense de 2009 de suspenso. Protagonizada por Austin Highsmith, Ryan Doom y John Bishop, hace referencia a Divina Comedia de Dante Alighieri en donde la protagonista de la historia, Jessica, debe superar la muerte de su hermano.

Sinopsis
Jessica es una nueva vecina en el edificio "Dante". Al parecer ella está muerta y tiene que repetir su muerte hasta que haga las cosas bien y vaya al cielo.

Reparto
 Austin Highsmith es Jessica.
 John Bishop es Ed.
 Ryan Doom es Evan.
 Jesse Johnson es Damon.
 Natashia Williams es India.
 Josh Kelly es Bale.
 DJ Qualls es Randall.
 Katia Kieling es joven de la lavandería.
 Katie Lowes es Elaine.
 David Reiner es hombre sin hogar.
 Kirk Bovill es policía #1.
 Khary Payton es policía #2.
 Tom Ohmer es capitán de bomberos.
 Peter Nikkos es capitán de bomberos.
 Spencer Hill es bombero #1.
 Darren Keefe es bombero #2.

Referencias

Películas de suspenso

Circle of Eight


Royal Air es una aerolínea chárter con base en Cotonú, Benín. Su base de operaciones es el aeropuerto Cadjehoun.

Flota
La flota Royal Air incluye las siguientes aeronaves (a 1 de julio de 2011):

1 Boeing 727-100

Referencias

Enlaces externos

Aerolíneas de Benín
Aerolíneas chárter

Royal Air


"Nobody Gets Me" é uma canção gravada pela cantora estadunidense SZA, presente em seu segundo álbum de estúdio SOS (2022) A faixa foi enviada para estações de rádio italianas através da Sony Music em 6 de janeiro de 2023, como o quarto single do álbum. A canção alcançou a décima posição na Billboard Hot 100 dos Estados Unidos, no Canadian Hot 100 no Official New Zealand Music Chart.

Antecedentes
Em 9 de junho de 2017, SZA lançou seu álbum de estreia, Ctrl. O álbum recebeu críticas positivas da mídia especializada, que elogiaram seus vocais e o estilo musical eclético, bem como pelo impacto emocional e natureza confessional de suas composições. Seu próximo álbum de estúdio foi, portanto, muito aguardado, e ela aludiu à sua conclusão já em agosto de 2019, durante uma entrevista com o DJ Kerwin Frost.

Comentando sobre o processo criativo por trás do álbum, SZA afirmou que o projeto seria tão sincero e pessoal quanto Ctrl: "Este próximo álbum é ainda mais sobre eu ter menos medo de quem sou eu quando não tenho escolha? Quando não estou tentando para me curar e conter". Quando SZA deu uma entrevista para a revista Cosmopolitan para a edição de fevereiro de 2021, ela falou sobre seu processo criativo por trás da concepção do álbum. Ela disse: "este álbum vai ser a merda que me fez sentir algo no meu... aqui e aqui".

Entre abril a maio de 2022, SZA disse aos meios de comunicação que havia terminado o álbum recentemente no Havaí e disse que era seu trabalho mais identificável ou "unissex" que ela havia feito até o momento. Durante uma entrevista com a Complex, ela descreveu a composição do álbum, "Não tenho ideia de como soa para mais ninguém. Eu realmente não sei. É tão bizarro. É estranho que eu não consiga identificar. É um pouco de tudo", acrescentando que certas faixas do álbum tinham um som suave ou balada. SZA, em uma reportagem de capa do Consequence, comentou ainda sobre seus planos de experimentar vários gêneros. Ela afirmou que era "preguiçoso" reduzi-la a uma artista de R&B: "A música negra não precisa ser apenas R&B [...] Por que não podemos ser apenas expansivos e não redutivos?".

Durante uma entrevista para a capa da Billboard, em novembro, SZA revelou que o título de seu segundo álbum era SOS, com lançamento previsto para o próximo mês. Em 3 de dezembro de 2022, ela anunciou que seria lançado em 9 de dezembro e, dois dias depois, postou a lista de faixas no Twitter.

Composição lírica
SZA e Punch, presidente de sua gravadora Top Dawg Entertainment, falaram longamente sobre o som do SOS durante uma entrevista à Rolling Stone. A composição do álbum é eclética; SZA incorporou elementos do R&B "tradicional" ao álbum, mas também se inspirou em vários artistas do jazz, hip hop, rock alternativo e música country. Sobre a ampla gama de estilos musicais incorporados ao SOS, Punch comentou: "É um novo capítulo. Ela não tem medo de tentar certas coisas agora" combina dois desses gêneros—rock alternativo e country—com um estilo musical folclórico contemporâneo. Jon Caramanica, do The New York Times, escreveu que a composição se inclinava para o country alternativo.

Na letra, SZA relembra as memórias que teve com o ex-noivo, narra todos os eventos que prejudicaram o relacionamento deles e levaram ao rompimento, e explica como ela se sentiu depois disso. SZA falou sobre a história da música em uma entrevista para uma estação de rádio antes do lançamento do álbum; ela disse ao anfitrião que terminar com ele era como se banir para o inferno pelo resto da vida porque ele era a única pessoa que ela achava que poderia entender seus sentimentos. Ela tentou reacender o relacionamento deles, mas acabou se arrependendo de sua decisão e também comparou a experiência a ir para o inferno.

Histórico de lançamento

Referências

Singles de 2023
Canções de 2023
Canções gravadas por SZA
Canções compostas por SZA
Singles lançados pela RCA Records

Nobody Gets Me


Diæter er betegnelsen for et beløb, en person får udbetalt til dækning af daglige fornødenheder, når personen ikke er hjemme. Det anvendes især ved rejser for arbejdstagere, der får dækket udgifter af arbejdsgiverne.

Der er i den forbindelse særligt to modeller, der kan bruges til kompensation for den rejsende:
 Kompensation via afregning af alle dokumenterede udgifter
 Diæter efter faste beløb, afhængig af omfanget af udgifter (logi, kost og andre mindre fornødenheder)

I Danmark udstikker SKAT beløb for diæter til henholdsvis kost og logi. Disse beløb er skattefri.

Referencer

Arbejdsforhold
Indtægter

Diæter


Où je n'ai jamais habité () est un film italien sorti en 2017 et réalisé par Paolo Franchi.

Synopsis
Francesca est la fille unique de Manfredi, architecte réputé de Turin, à qui elle rend rarement visite de Paris, où elle vit avec son mari. Cloué au lit à cause d'un accident, Manfredi demande à Francesca de le remplacer sur un projet de villa au bord d'un lac, pour lequel elle se retrouve à collaborer avec le "dauphin" de son	père, le fascinant Massimo, sur la cinquantaine. Alors que leurs rapports sont dans un premier temps conflictuels, naîtra entre les deux personnages une complicité professionnelle et des sentiments qui les conduiront, peut-être pour la première fois de leur vie à découvrir leurs propres natures et à affronter leurs destins.

Fiche technique
 Titre français : Où je n'ai jamais habité ou Là où je n'ai jamais habité
 Titre original :
 Réalisation : Paolo Franchi
 Scénario : Rinaldo Rocco, Paolo Franchi, Daniela Ceselli
 Sociétés de production : Pepito Produzioni, Rai Cinema
 Pays de production :
 Langue originale : italien
 Format : Couleurs
 Genre : Drame
 Durée : 97 minutes
 Date de sortie :
 Italie :
 France :

Distribution
Emmanuelle Devos : Francesca
Fabrizio Gifuni : Massimo
Giulio Brogi : Manfredi
Hippolyte Girardot : Benoit
Giulia Michelini : Giulia
Fausto Cabra : Paolo
Jean-Pierre Lorit : Claudio Ferri
Naike Rivelli : Stefania
Valentina Cervi : Laura
Yorgo Voyagis : Theo
Isabella Briganti : Sandra
Alexia Florens : Lena
Aartza : Le petit-ami de Lena

Notes et références

Liens externes

Film dramatique italien
Film italien sorti en 2017
Film tourné à Turin
Film se déroulant à Turin
Film en italien
Page utilisant P345

Où je n'ai jamais habité


Zbigniew Dregier , (nacido el 17 de julio de 1935 en Tsuman, Polonia), es un exjugador polaco de baloncesto. Consiguió 3 medallas en competiciones internacionales con Polonia.

Enlaces externos
Perfil en sports reference

Baloncestistas de la selección de Polonia
Baloncestistas de Polonia

Zbigniew Dregier


Hasan Koçdemir (d. 1924, Afyonkarahisar), CKMP kurucularından, Türk siyaset ve fikir adamı.

1971 yılında aktif siyasetten çekilmiştir. Türk-İslâm sentezinin başlıca savunucularından ve öncülerindendir. Ayrıca MHP'nin kuruluşunda da önemli payı olduğu bilinmektedir. Osman Bölükbaşı, Alparslan Türkeş ve Rıfat Baykal'ın aktif politika arkadaşı olan Koçdemir 2018 yılında İzmir'de vefat etmiş ve İzmir Karşıyaka mezarlığına defnedilmiştir.

"Herhangi bir seçime kazanmak veya bir şey elde etmek için gidilmez. Seçimlere fikirlerini savunmak için gidilir. Halk seçer ya da seçmez. Bu onların görüşüdür." 1968 Hasan KOÇDEMİR

1924 doğumlular
Afyonkarahisar doğumlu siyasetçiler
Resim aranan siyasetçiler

Hasan Koçdemir


El cementerio Novodévichi  de San Petersburgo es un cementerio histórico situado en la parte suroccidental de la ciudad rusa, cerca del arco de Triunfo de Moscú. El cementerio toma el nombre del monasterio de Novicias de la Resurrección . En el siglo XIX, era el segundo cementerio más prestigioso de la ciudad, después del de Tijvin, en el monasterio de Alejandro Nevski.

El cementerio data de 1845, cuando se trasladó al antiguo convento Smolny. Los primeros enterramientos se hicieron en 1849 y prosiguieron hasta la década de 1830. Tras la Revolución de Octubre, las autoridades soviéticas demolieron la iglesia y muchas tumbas fueron destruidas, mientras que otras fueron trasladadas al cementerio de Tijvin. En 1989, fue objeto de una importante obra de restauración, y en 2004 se nombró una comisión municipal para la conservación y rehabilitación del cementerio.

Llegó a albergar trece mil cadáveres. Entre los personajes célebres enterrados originariamente en el cementerio destacan los poetas Nikolái Nekrásov, Fiódor Tiútchev y Apolón Máikov, el pintor Mijaíl Vrúbel, el arquitecto Leontes Benois, el compositor Nikolái Rimski-Kórsakov, el médico Serguéi Botkin, el filólogo Yákov Grot, el publicista Adolf Marx, el jugador de ajedrez Mijaíl Chigorin, el político Viacheslav Plehve, el explorador Gennadi Nevelskói y los almirantes Nikolái Reitzenstein y Nikolái von Essen.

Referencias

Historia del cementerio

Enlaces externos

Edificios y estructuras de San Petersburgo
Cementerios de Rusia

Cementerio Novodévichi (San Petersburgo)


Grærup Langsø er en  33 hektar stor sø og ligger ca. 2 km fra Vesterhavet og 13 km nordøst  for Blåvands Huk. Langsø er en næringsrig hedesø, der ligger imellem Vejers og Kærgård Klitplantage.
Både søen og området omkring har en meget righoldig flora og fugleliv, og lokaliteten  er kendt for at man kan se  kronvildt  på engstrækningerne øst for søen .

Grærup Langsø og dens omgivelser på i alt 250 hektar blev fredet i 1965. Fredningen af sø- og vådområderne er blandt andet sket for at forhindre yderligere afvanding og udtørring. Den er en del af Natura 2000-område nr. 84 Kallesmærsk Hede, Grærup Langsø, Fiilsø og Kærgård Klitplantage.

Eksterne kilder og henvisninger

 Om søen  på fugleognatur.dk
 Basisanalyse til Natura 2000-planen 2016-21

Søer i Varde Kommune

Grærup Langsø


Ghilarza (sardisk: Ilàrtzi) er en by og en kommune (comune) i provinsen Oristano i regionen Sardinien i Italien. Byen ligger i 290 meters højde og har 4.481 indbyggere (2016). Kommunen har et areal på 55,46 km² og grænser til kommunerne Abbasanta, Aidomaggiore, Ardauli, Bidonì, Boroneddu, Busachi, Fordongianus, Norbello, Paulilatino, Sedilo, Soddì, Sorradile, Tadasuni og Ula Tirso.

Referencer

Henvisninger

Kommuner i provinsen Oristano

Ghilarza


Når vinden vender er en kortfilm fra 1987 instrueret af Lars Kjeldgaard efter manuskript af Lars Kjeldgaard.

Handling
Emil er ensom. Hans far er død, og hans mor arbejder som tjenestepige i "Strandhuset". Hun har ikke tid til at tage sig af ham. Fritz er også ensom. Han skal tilbringe sommeren i "Strandhuset" sammen med sin far og sin nye stedmor. Fritz savner sin rigtige mor. Imellem Emil og Fritz udvikler der sig et magisk venskab. Men venskabet får farlige undertoner, da Emil bemærker, at hans mor foretrækker Fritz frem for ham selv.

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 1987

Når vinden vender


Dongfeng Peugeot Citroën Automobile, vorher Dongfeng-Citroën Automobile, ist ein Hersteller von Automobilen aus der Volksrepublik China.

Unternehmensgeschichte
Das Unternehmen wurde am 11. Mai 1992 in Wuhan gegründet. Beteiligt waren Dongfeng Motor Corporation und Citroën. Die Produktion von Automobilen begann. Der Markenname lautete zunächst Shenlong.

Im September 2002 trat Peugeot mit ins Unternehmen ein. Seitdem lautet die Firmierung Dongfeng Peugeot Citroën Automobile. Die Fahrzeuge werden als Citroën und Peugeot vermarktet. Der Markenname Shenlong lief 2004 aus.

Fahrzeuge
 1992 Citroën ZX Fukang (SKD)
 2001 Citroën Xsara Picasso
 2002 Citroën Elysée
 2006 Peugeot 206 (eine Facelift-Version kam später auch als 207 Sedan)
 2006 Citroën C-Triomphe, Stufenheckversion des Citroën C4
 2006 Dongfeng Citroën C2 (auf Basis des Peugeot 206)
 2008 Peugeot 307 (auch als Stufenheck)
 2008 Citroën C-Quatre, kurze Stufenheckversion des Citroën C4
 2010 Citroën C5
 2010 Peugeot 408, Stufenheckversion des Peugeot 308
 2011 Peugeot 508 I
 2011 Peugeot RCZ
 2011 Peugeot 308
 2012 Citroën C-Quatre
Quelle:

Weblinks

Einzelnachweise

Pkw-Hersteller (Volksrepublik China)
Unternehmen (Wuhan)
Dongfeng Motor Corporation
Groupe PSA
Gegründet 1992

Dongfeng Peugeot Citroën Automobile


An Epidendrum imthurnii in uska species han Liliopsida nga ginhulagway ni Henry Nicholas Ridley. An Epidendrum imthurnii in nahilalakip ha genus nga Epidendrum, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Epidendrum

Epidendrum imthurnii


Aljaž Bedene (født 18. juli 1989 i Ljubljana, Jugoslavien) er en professionel mandlig tennisspiller fra Slovenien.

Eksterne henvisninger

Tennisspillere fra Slovenien
Personer fra Ljubljana

Aljaž Bedene


CyberGeneration is a follow-up to the R. Talsorian's Cyberpunk 2020 role-playing game. CyberGeneration was originally published as a supplement for Cyberpunk, but later re-released as a fully featured game in its own right under the title CyberGeneration Revolution 2.0. It is set in the year 2027, 7 years after the events in Cyberpunk 2020. The game's timeline doesn't correspond with that of the later third edition of Cyberpunk, which makes no mention of any of its contents or setting elements.

The game was licensed out in 2004 to Firestorm Ink under freelance writer Jonathan Lavallee though they are no longer the license holders.

Overview
Cybergeneration (1993), published by R. Talsorian featured a new setting for Cyberpunk 2020 in an alternate version of the year 2027 with a world where the corporations are now the new governments, and where player characters are young adults that have more heroic motives in opposing the Machine.

In terms of tone, CyberGeneration differs from its predecessor somewhat, as the player characters take the part of nanotech-enhanced youngsters in an oppressive world ruled by adults who fear and seek to control them. The special powers of the CyberEvolved children give the game a definite superhero flavor. The players can be many different roles such as actors, inventors or motorbike races but they can be many more.

A second edition of Cybergeneration was published in 1995.

Firestorm Ink licensed the rights to Cybergeneration in 2004. They published several products including Generation Gap (2005) – which R. Talsorian produced a decade earlier but never published - and Researching Medicine (2005) - a MedTech update set in 2027, ending the line with the PDF-only Mile High Dragon (2009).

Background
The back story revolves around the "Fox Run" incident of 2025, in which a transport of supposed scientific equipment crashed and accidentally released a weaponized nano-virus called the "Carbon Plague".

Adult humans infected by it died horribly after the virus rewrote the victims' genetic code and warped their bodies. However, the virus had a different effect on children and teenagers. Since they haven't fully matured, it altered their bodies. This granted them nanotech-enhanced powers, and made them immune carriers if they survived the illness. Society dramatically fears the capabilities of these "CyberEvolved" children, which drives them underground.

CyberEvolved, also called the "Changed", also belong to "yogangs" or youth gangs, subcultures that have distinct philosophies, styles, and special skills.

The oppressive mega-corporation Arasaka manages to dominate the US Government and gets its candidate David Whindam elected President of the new Incorporated States of America (ISA). Its laissez-faire government works with the corporations directly, becoming their puppet. The "Bureau of Relocation" (BuReloc) is a paramilitary force that runs prison camps for "unproductive" citizens and hunts down the Changed.

Multiple groups oppose, fear, and hunt the Changed, but one group stands out as protectors: the Edgerunners of old. The sourcebook describes them as wiser, more experienced and, ultimately rebels-with-a-cause (CyberGeneration offers the rules to convert old Cyberpunk 2020 characters into adults for the CyberGeneration setting).

To oppose this oppressive dictatorship, several major "Edgerunner" non-player characters from Cyberpunk 2020 run the Eden Cabal, a revolutionary movement that seeks to overthrow the ISA and BuReloc.

The CyberEvolved
So-called "CyberEvolved" children have special powers and abilities. They fit in one of several archetypes:

Original CyberEvolved
 Alchemist (Manipulation) - Uses nanites to reshape matter at the molecular level.
 Bolter (Bolt Throwing) - Project taser-like charged hexite metal cables or chains at a target.
 Scanner (Interpretation) - Sense the brainwave patterns of others, allowing for telepathic-like abilities.
 Tinman (Shaping) - Liquid metal skin formed from hexite. Limbs shape into tentacles or solid weapons and can extend; flesh provides "natural" body armor
 Wizard (Arcane) - Augmented computer-hacking powers, particularly with the Virtuality augmented reality technology that has largely supplanted the Virtual Net.

Later Additions
 Jammer (Holler) - Can jam media transmissions by generating electromagnetic force-fields. [MediaFront]
 Medic (Sympathetic Healing) - Heals others through biokinesis. [Researching Medicine]
 Scout (Probe Ops) - Creates hexite remote probes for reconnaissance. [EcoFront]

YoGangs
Members of a YoGang have unique Special Abilities, like Roles in Cyberpunk 2020.

Rules
Cybergeneration uses R. Talsorian's Interlock System. They are similar to Cyberpunk 2020 except the skills are fewer, broader and less specialized. This was due to the characters being younger and less experienced than their elders. A group of CP2020 skills would be equivalent to one CG2027 skill. This unfortunately made experienced Cybergeneration characters (especially the CyberEvolved) potentially more versatile and powerful than Cyberpunk characters.

Character Generation
The Attributes are the same as in Cyberpunk: Intelligence, Reflexes, Cool, Technical Ability, Luck, Attractiveness, Movement, Empathy, and Body. The player must divide 50 points between them and levels range from a minimum of 2 to a starting maximum of 8. Skill levels range from 0 (no experience at all) to 10 (top of their field). The player must divide 40 points between them.

The character's age ranges between 8 and 18 years old and is either chosen by the player or can be randomized (2d6 + 6 for children or 1d6 + 12 for teens).

Supplements
R. Talsorian supported CyberGeneration Revolution 2.0 with a quartet of supplements. Each supplement expanded on the world of 2027 as well as new Yogangs and CyberEvolved. Later, licensee Firestorm Ink would release another pair of supplements in support of the game.

The Documents of the Revolution Supplements (published by R. Talsorian)
 EcoFront, impact of corporate America on the environment.
 MediaFront, state of news agencies, Braindance, and Virtuality.
 VirtualFront, state of the Net post-ISA occupation.

Scenario supplements (published by R. Talsorian)
 Bastille Day, the characters are recruited by Rache Bartmoss to find and rescue Spider Murphy.

Other supplements (published by Firestorm Ink)
 Generation Gap (2004) - running and playing CyberGeneration. This was a polished and edited version of R. Talsorian's rough draft.
 Researching Medicine (2005) - the state of medicine and MedTechies in 2027.
 Mile High Dragon (2009) - a city sourcebook about Denver, Colorado.

Reception
Derek Pearcy reviewed Cybergeneration for Pyramid #4 (Nov./Dec., 1993) and stated that "The whole thing was written to be seriously non-linear, but a cleaner design might have helped organize things better for players who don't want to memorize the contents of the book - the type of players who will love Cybergeneration."

Andy Butcher reviewed Cybergeneration for Arcane magazine, rating it a 9 out of 10 overall. Butcher comments that "A lot of people talk about systems that encourage roleplaying over 'roll playing', Cybergeneration is one of the few games I've encountered that actually manages to do so, not by using a heavy-handed or pretentious approach, but by the very nature of the game environment."

Reviews
Challenge #76 (1995)
Shadis #25 (March, 1996)
Casus Belli #78

References

External links

R. Talsorian Games
RPG.net review

Cyberpunk role-playing games
Mike Pondsmith games
R. Talsorian Games games
Role-playing games introduced in 1993
Augmented reality in fiction

Cybergeneration


The Ministry of Digital Economy and Society (Abrv: MDES; , ), formerly known as the Ministry of Information and Communication Technology (MICT), , is a cabinet ministry of Thailand. MICT was established on 3 October 2002 by the Administrative Reorganisation Act, 2002. The new ministry was created as the Ministry of Digital Economy and Society by the Re-organization of Ministry, Bureau and Department Act, B.E. 2558.

History
In September 2016, Ministry of Information and Communication Technology  (MICT) was dissolved and replaced by the Ministry of Digital Economy and Society. The ministry assumed the responsibilities of MICT. MICT's former agencies, the National Statistical Office of Thailand, the Thai Meteorological Department, the Electronic Transactions Development Agency, Thailand Post, TOT, and CAT Telecom, are to be transferred to the Ministry of Digital Economy and Society. The National Disaster Warning Center, formerly under MICT, is to be transferred to the Interior Ministry. MICT's Software Industry Promotion Agency (SIPA) was dissolved and some of its staff transferred to a newly established unit, the Digital Economy Promotion Agency under MDES.

In 2018 the ministry plans to set up a cybersecurity agency and hacker training centre. It will recruit at least 1,000 trainers to educate people in 24,700 villages nationwide to use information communication technology (ICT) to construct "national broadband villages".

Departments

Administration
 Office of the Minister
 Office of the Permanent Secretary

Dependent departments
Thai Meteorological Department
National Statistical Office of Thailand
Office of the National Digital Economy and Society Commission
Anti-Fake News Center

Public companies
 NT Public Company, Ltd
 Thailand Post Company, Ltd

Public organizations
 Electronic Transactions Development Agency
 Digital Economy Promotion Agency
National Cyber Security Agency (NCSA)
Office of the Personal Data Protection Commission

See also
 List of ministries of Thailand
 Censorship in Thailand
 Internet censorship and surveillance by country – Thailand

References

External links
MICT website

Digital Economy and Society
Information technology in Thailand
Communications in Thailand
Thailand
Digital Economy and Society
2002 establishments in Thailand

Ministry of Digital Economy and Society


The Wall, İngiliz Rock müzik topluluğu Pink Floyd'un 1979 yılında yayınladığı aynı adlı albüme 1982 yılında Alan Parker tarafından çekilen, animasyonları da olan, pek fazla diyalog olmayan, albümün müziklerinin Hey You ve The Show Must Go On dışında tamamının bulunduğu bir film. Başoyuncu Bob Geldof'dur. Animasyonlar efsane sanatçı Gerald Scarfe tarafından yapılmıştır.

Film, Pink Floyd'un konserinden bir görüntü ile başlar (In The Flesh). Sonraki iki şarkı The Thin Ice ve Another Brick In The Wall, Part I'da Pink'in küçüklüğü ve babasının II. Dünya savaşı'ndaki ölümünü anlatır ve duvara ilk tuğlalar da burada koyulur. The Happiest Days of Our Lives, Another Brick in the Wall, Part II şarkılarındaki konu Pink'in izolasyonunda bir sonraki aşama olan okuldur. (Öğretmenin Pink'in elinden alıp okuduğu şiir Money (Pink Floyd şarkısı) şarkısının sözleridir.) Mother'da korumacı anneye, Empty Spaces'de (albümde olmayan What Shall We Do Now'ı da işin içine katarsak) giderek yalnızlaşan Pink'in kendini tüketime verişine tanık oluruz. Young Lust'la birlikte artık Pink bir rock yıldızıdır. One Of My Turns, Don't Leave Me Now, Another Brick in the Wall, Part III Pink'in hayatının ve ilişkilerinin giderek daha da beter hale geldiğini görürüz. Goodbye Cruel World ile de artık duvar örülmüş, Pink Floyd izolasyon süreci tamamlanmıştır. Hey You, Is There Anybody Out There? ve Nobody Home şarkılarında ile yalnız kalan Pink'in yardım çığlıklarını dinleriz. Durumu iyice umutsuz hale gelen Pink'in dünyadan kopmuş, konserlere devam edemeyecek hale gelmiştir. Comfortably Numb, The Show Must Go On ile konserlere devam edebilmesi için Pink'e uyuşturucu verilmesi anlatılır. İyice deliren ve kurt (worms) sembolüyle çürüyüşü anlatılan Pink artık bir faşist olmuştur ve duvarların arkasında olmaktan memnun gibidir (In The Flesh, Run Like Hell, Waiting For The Worms). Stop ise Pink'in tükendiği noktadır. Sonrasında ise The Trial yani yargılama gelir. Yargılama Pink'in kendisiyle hesaplaşmasını konu eder. Sonuç olarak duvarlar yıkılır, tüm karanlığına rağmen albüm aydınlık bir sonla biter.

Kaynakça

Dış bağlantılar
 Filmden bir bölüm

Birleşik Krallık animasyon filmleri
Birleşik Krallık dramatik filmleri
Birleşik Krallık müzikal filmleri
1980'lerde animasyon filmler
1980'lerde müzikal filmler
Pink Floyd
Alan Parker'ın yönettiği filmler
Animasyon ve canlı çekimin bir arada olduğu filmler
Metro-Goldwyn-Mayer filmleri
Michael Kamen'in müziğini yaptığı filmler
1980'lerde İngilizce filmler
1982 çıkışlı dramatik filmler
Doğrusal olmayan anlatı içeren Birleşik Krallık filmleri

Pink Floyd Duvar (film)


Otrado-Tenguinski  es un posiólok del raión de Otrádnaya del krai de Krasnodar, en Rusia. Está situada en la orilla izquierda del río Bolshói Teguín, afluente del río Urup, 12 km al sudoeste de Otrádnaya y 210 km al sureste de Krasnodar, la capital del krai. Tenía 342 habitantes en 2010.

Pertenece al municipio Spokoinoye.

Enlaces externos y referencias

 Este artículo contiene datos geográficos extraídos de Google Earth y el mapa de Rusia de Yandex.ru, accesible desde este enlace.
 Este artículo es una traducción de su correspondiente en la edición rusa de Wikipedia Отрадо-Тенгинский.
 Sitio de la localidad en la web del raión

Localidades del raión de Otrádnaya del krai de Krasnodar

Otrado-Tenguinski


Irak deltog første gang i olympiske lege under sommer-OL 1948 i London. Nationen deltog ikke i 1952 i Helsingfors og boykottede sommer-OL 1956 i Melbourne på grund af den da pågående Suezkrisen. Irak deltog så i alle tre sommerlege i 1960'erne, men boykottede sommer-OL 1972 i München og 1976 i Montréal i protest mod apartheid-regimet i Sydafrika. Fra og med sommer-OL 1980 har nationen deltaget i samtlige sommerlege. Irak har aldrig deltaget i vinterlegene.

Medaljeoversigt

Eksterne henvisninger
 Iraks OL-statistik  på Sports-reference.com

Irak ved sommer-OL
OL

Irak ved OL