The Ensigns of Command este cel de-al doilea episod al celui de-al treilea sezon al serialului științifico-fantastic "Star Trek: Generația următoare", cel de-al 50-lea episod, difuzat pe 2 octombrie 1989.

Prezentare
În acest episod, comandantul Data (Brent Spiner) trebuie să convingă o colonie reticentă de peste 15.000 de oameni să se pregătească pentru evacuare imediată, în timp ce căpitanul Picard (Patrick Stewart) încearcă să negocieze o amânare de trei săptămâni a colonizării planetei de către extratereștrii, colonizare care este programată a începe în patru zile în urma căreia ar ștearsă orice prezență umană.

Povestea

Nava stelară a Federației Enterprise, sub comanda căpitanului Jean-Luc Picard (Patrick Stewart), primește un mesaj automatizat de la enigmaticul Sheliak: îndepărtați oamenii de pe planeta Tau Cygni V în patru zile. Sheliak este o specie non-umanoidă, care nu ține cont de viața umană și care ar extermina orice om care se găsește în calea sa. Mesajul lor este trimis numai din cauza obligației care le revine în temeiul unui tratat cu Federația de a-și notifica intenția de colonizare înainte de a întreprinde acțiuni ulterioare.

Nu există nici o înregistrare a unei nave de colonizare a Federației care să fie trimisă acolo, deoarece conține niveluri de radiații hiperonice letale pentru oameni, ceea ce nu explică de ce mesajul trimis de Sheliak. Enterprise sosește în sistem pentru a găsi ceea ce pare a fi o colonie mică la suprafață. Al doilea ofițer, androidul Lt. Cmdr. Data (Brent Spiner), ia o navetă pentru a se deplasa pe planetă pentru a coordona evacuarea, deoarece este singurul membru al echipajului neafectat de radiație. Odată ce ajunge acolo, el constată că citirile senzorilor au fost incorecte. El este informat de localnicii Haritath (Mark L. Taylor) și de Kentor (Richard Allen) că acolo este o colonie de 15.253 de persoane, descendenții navei de colonizare Artemis, care a fost lansată cu 92 de ani în urmă. Strămoșii coloniștilor au găsit un mijloc de a supraviețui în interiorul radiațiilor, dar au suferit inițial pierderi de vieți omenești înainte de a se găsi o apărare eficientă.

Deși în mod obișnuit ar fi o chestiune simplă de a transporta coloniștii de pe planetă, radiația hiperonică face ca transportatorul să fie inutili. Din această cauză, o evacuare completă a planetei ar dura aproximativ trei săptămâni, iar Sheliak nu dorește să dea Federației un timp suplimentar după cele trei zile cerute de tratat.

După ce a explicat situația și a fost respins de către liderul coloniei, Gosheven (Grainger Hines), Data se împrietenește cu o colonistă înțelegător pe nume Ard'rian (Eileen Seeley). Ea își exprimă interesul pentru Data ca android și îl invită la ea acasă, unde discută modalități de a convinge coloniștii să evacueze planeta. Ard'rian îl sărută pe Data. Când Data explică coloniștilor că ar trebui să fie evacuați înainte de distrugerea iminentă, Gosheven, vorbind pentru coloniști, refuză să plece, insistând că ei se vor proteja luptând.

Odată cu trecerea timpului, Picard și echipajul  de pe Enterprise încep să citească tratatul de 500.000 de cuvinte, sperând să găsească ceva ce poate fi folosit în avantajul lor.

Data înțelege că nu îi poate convinge prin persuasiune și următoarea lui acțiune ar fi un spectacol de forță. Modificându-și fazerul pentru a funcționa în atmosfera hiperonică, el atacă apeductul coloniștilor pentru a dovedi că sunt neajutorați în a se apăra. Când Data îi învinge cu ușurință pe coloniștii care păzesc apeductul, el subliniază că, dacă nu se pot apăra împotriva unei singure persoane cu un fazer, atunci nu sunt capabili nici să lupte împotriva rasei Sheliak, care probabil i-ar distruge prin bombardamente orbitale. Data avariază apoi sistemul de apeducte care este vital pentru supraviețuirea coloniei, convingându-i pe coloniști să evacueze planeta. Gosheven cedează cu reticență.

Înapoi pe Enterprise, Picard exploatează o lacună în tratat. El invocă o secțiune din tratat prin care solicită arbitrajul unor terți să soluționeze litigiul și îi numește ca arbitri rasa Grizzela, o specie care se află în ciclul de hibernare pentru încă șase luni. Picard oferă rasei Sheliak să aleagă: ori așteaptă 6 luni pentru ca Grizzela să iasă din hibernare sau să acorde Federației trei săptămâni pentru a evacua colonia. Surprinși de această alegere, Sheliak acordă Federației trei săptămâni.

În momentul în care Data se pregătește să părăsească colonia în navetă, Ard'rian vine să-și ia rămas bun. Îl întreabă pe Data dacă are vreun sentiment în legătură cu ce s-a întâmplat, iar Data spune că nu. Apoi îl sărută pe Ard'rian. În afara sărutului, Data o părăsește pe Ard'rian într-o manieră rece și se întoarce pe Enterprise.

La bordul Enterprise, Picard comentează despre interpretarea oferită de Data la un concert clasic înainte de misiunea sa cu coloniștii umani. Picard îi spune lui Data că interpretarea pe care a făcut a fost făcută cu suflet, iar Data îi amintește lui Picard că el nu are sentimente. Picard spune că acest lucru este greu de crezut, observând contopirea a două stiluri muzicale foarte diferite în interpretarea sa care sugerează o creativitate reală. În acel moment, și în reflectarea evidentă a soluției recente a problemei coloniei, Data recunoaște că a devenit mai creativ când este necesar.

Legături externe

Vezi și
 1989 în științifico-fantastic

Episoade din Star Trek: Generația următoare
Episoade de televiziune din 1989
1989 în științifico-fantastic

Aspiranții la comandă (Star Trek: Generația următoare)


Kuşsarayı, Elazığ ilinin Baskil ilçesine bağlı bir köydür.

Tarihçe
Köyün adı, 1226 yılı kayıtlarında Ebro ya da Hebro, 1928 yılı kayıtlarında  İzolî ya da İzolu, 1946 yılı kayıtlarında ise Bekirhüseyin olarak geçmektedir.

Coğrafya
Köy, Elazığ il merkezine 81 km, Baskil ilçe merkezine 43 km uzaklıktadır.

Nüfus

Kaynakça

Dış bağlantılar

Baskil belde ve köyleri

Kuşsarayı, Baskil


Katsuki Mori est un mannequin et une actrice japonaise. Elle fait partie de Stardust Promotion

Biographie
Elle a commencé en 2006 avec une campagne pour la Japan Post.

Native d'Osaka, elle a déménagé à Tokyo lorsqu'elle est entrée à l'université et a travaillé comme mannequin pour les magazines de mode , puis pour .

En 2021, Contes du hasard et autres fantaisies de Ryūsuke Hamaguchi fut officiellement inscrit en compétition à la Berlinale 2021 où le film obtint le Grand prix du jury. Dans ce film, pour le Folha de S. Paulo, la scène où elle lit est « l'une des plus grandes scènes érotiques de l'histoire du cinéma.», « bouleversant d'émotion contenue »

Filmographie sélective
 2013 : Miss Pilot
 2021 : Contes du hasard et autres fantaisies de Ryūsuke Hamaguchi

Références

Liens externes

Naissance à Fujiidera
Naissance en décembre 1988
Actrice japonaise de cinéma
Actrice japonaise de télévision
Mannequin femme japonais

Katsuki Mori


A Força Aérea do Exército Real das Índias Orientais Holandesas (em holandês: Militaire Luchtvaart van het Koninklijk Nederlands-Indisch Leger, ML-KNIL) foi o braço aéreo do Exército Real das Índias Orientais Holandesas nas Índias Orientais Holandesas (atual Indonésia) de 1939 a 1950. Era uma organização totalmente separada da Real Força Aérea Holandesa.

A unidade foi fundada em 1915 como o "Serviço de Voo de Teste" (Proefvliegafdeling-KNIL, PVA-KNIL). Em 1921, tornou-se o "Serviço de Aviação" (Luchtvaartafdeling-KNIL, LA-KNIL), antes de finalmente receber a designação de ML-KNIL em 30 de março de 1939. Em 1950, após o reconhecimento holandês da independência da Indonésia, suas bases e instalações foram entregues para a Força Aérea da Indonésia (TNI-AU).

Na Segunda Guerra Mundial
Em 1 de janeiro de 1942, as forças holandesas se juntaram ao Comando Americano-Britânico-Holandês-Australiano, mas no início do ataque japonês a ML-KNIL não estava com força total de combate. Das aeronaves encomendadas, apenas um pequeno número havia sido entregue e muitos eram modelos obsoletos. Havia cinco grupos, três de bombardeiros e dois de caças, cada um com três a quatro esquadrões. Um sexto grupo de logística forneceu suporte, transporte e treinamento. Aviões de reconhecimento foram colocados diretamente sob o comando do Exército para dar apoio às tropas terrestres.

Apesar da resistência obstinada, os japoneses ocuparam as colônias holandesas, embora vários aviões tenham chegado ao norte da Austrália para continuar a luta.

Quatro esquadrões holandeses foram formados na Austrália. O primeiro deles, o Esquadrão No. 18 (NEI) RAAF, foi formado em abril de 1942 como um esquadrão de bombardeiro médio equipado com aeronaves B-25 Mitchell. O segundo esquadrão australiano-NEI, o Esquadrão No. 119 (NEI) RAAF, também seria um esquadrão de bombardeiro médio. O Esquadrão No. 119 NEI só estava ativo entre setembro e dezembro de 1943, quando foi dissolvido para formar o Esquadrão No. 120 (NEI) RAAF, era um esquadrão de caça. Em 1944, o KNIL formou o Esquadrão No. 1 de Transporte das Índias Orientais Holandesas, mais tarde absorvido pela RAAF como o Esquadrão No. 19 (NEI) RAAF. Os esquadrões nº 18 e nº 120 entraram em ação contra os japoneses durante a Segunda Guerra Mundial.

Desde o final de 1945, os esquadrões de número 18, 19 e 120 lutaram contra os nacionalistas indonésios, durante a Guerra de Independência da Indonésia. Os esquadrões foram dissolvidos em 1950.

Ver também
 Hein ter Poorten
 Jacob van Helsdingen
 Albert Eduard Stoové
 August Deibel
 Gerard Bruggink
 Campanha das Índias Orientais Holandesas
 Jan Hilgers
 Forças Holandesas Livres

Bibliografia

Ligações externas

Organizações fundadas em 1915
Unidades e formações militares da Guerra Fria
Forças Armadas da Indonésia
História militar dos Países Baixos
Índias Orientais Neerlandesas
Aviação militar


Otok Little Scrub je otok u Angvili, britanskom prekomorskom teripodručjutoriju na Karibima. Nalazi se 1.3 km sjeveroistočno od glavnog otoka Anguilla i 500 m od otoka Scrub.

Flora i fauna
Otok je potpuno ogoljen od flore uraganom Luis 1995. i uraganom Lenny 1999. godine. Od tada se flora oporavila. Biljke Ipomoea violacea i kaktus Opuntia dillenii, koje rastu na otoku, vitalne su za guštera Pholidoscelis corax koji je endem otoka.

Otok je mjesto za gniježđenje raznih ptica, uključujući čigre Anous stolidus, Onychoprion anaethetus, crnoleđu čigru, Sterna dougallii i Sula leucogaster. Nekoliko gnijezda golubice Zenaida aurita također je identificirano tijekom istraživanja 2010. godine, zajedno s jednim gnijezdom audubonovog zovoja. Smeđi pelikani također su koristili otok u to vrijeme, ali nije primijećeno da se gnijezde.

Izvori

Otoci Angvile

Little Scrub


Agrilus voluptuosus é uma espécie de inseto do género Agrilus, família Buprestidae, ordem Coleoptera.

Foi descrita cientificamente por Kerremans, 1897.

Referências

voluptuosus

Agrilus voluptuosus


Jean-Pierre Humblot est une personnalité française de Nancy, né en 1940 à Cousances-les-Forges (Meuse) et mort assassiné en 2003 pour des motifs homophobes et transphobes.

Personnalité nancéienne, travesti, il gère durant les années 1970 et 1980 Le Bénélux dans le quartier de la Pépinière. Le , il est noyé dans le canal de la Marne au Rhin par deux adolescents. Les auteurs du meurtre sont condamnés en 2009 à cinq ans de prison, dont trois ferme.

La mémoire de « Jeannot » est perpétuée depuis par les associations LGBT locales. Une stèle apposée en 2005 lui rend hommage sur les berges du canal.

Biographie

Jean-Pierre Humblot naît le  à Cousances-les-Forges, village de la Meuse à proximité de Saint-Dizier.

Il s'installe ensuite à Nancy, chef-lieu de Meurthe-et-Moselle. Aux côtés de sa mère, il gère le restaurant Le Bénélux, rue Gustave-Simon, de 1969 à 1984, où il devient une figure de la vie locale. « Jeannot » se fait remarquer par ses tenues travesties, son maquillage, ses boas, qu'il continue à porter dans sa vie quotidienne. Il habite longtemps le quartier de la Pépinière avant de déménager près du parc de Sainte-Marie, mais continue de fréquenter son ancien quartier.

Il est inhumé au cimetière du Sud, à Nancy.

Six ans après sa mort, sa sœur rapporte que Jean-Pierre Humblot avait souhaité entamer une transition au cours des années 1970, mais qu'il .

Meurtre

Durant l'année 2003, la ville de Nancy est marquée par une série d'attaques homophobes, qui se déroulent en bordure du canal de la Marne au Rhin, lieu de drague gay car isolé. Suivant le même mode opératoire, un groupe de jeunes approche un homme et lui demande une cigarette. Si sa manière de répondre correspond à leurs stéréotypes sur l'homosexualité, la victime est frappée, insultée, fouillée et volée. Entre mars et , trois hommes survivent à des tentatives de noyade, mais les agresseurs ne sont jusque-là pas inquiétés par la police.

Le , à , alors qu'il se trouvait sur le chemin de halage, Jean-Pierre Humblot est abordé par deux jeunes hommes âgés de . Il est passé à tabac avant d'être jeté à l'eau. Malgré ses appels à l'aide , ses agresseurs repartent en scooter. Il décède avant que les pompiers, prévenus par un témoin, ne puissent le secourir.

Interpellés rapidement, les deux agresseurs sont condamnés en 2007 par la cour d'assises des mineurs de Meurthe-et-Moselle, à cinq ans de prison, dont trois ferme, pour . Trois autres victimes, la sœur de Jean-Pierre Humblot et la Ligue des droits de l'homme se portent partie civile. Les auteurs de faits reconnaissent faire partie d'un groupe de jeunes ayant l'habitude d'agresser des homosexuels . La condamnation est confirmée en appel.

Mémoire

La mort de Jean-Pierre Humblot, qui suscite une émotion dans la presse locale, est une des rares affaires d'agressions transphobes médiatisées en France au cours des années 2000, mais n'est observée que sous l'angle de l'homophobie. Deux ans après, Mylène, femme trans âgée de , est retrouvée morte à Marseille.

Les associations LGBT nancéiennes et les proches de Jean-Pierre Humblot, organisent chaque année, à partir de 2004, un hommage sur le lieu du crime, avec la participation de la mairie. Une stèle en bois est apposée en 2005 par la mairie, à la demande de l'association Homonyme. Régulièrement vandalisée, la stèle est gravée en 2008 d'une croix gammée et la plaque décrochée. Une nouvelle stèle de granit est inaugurée par la mairie le , à l'occasion de la journée mondiale contre l'homophobie et la transphobie, mais reste souvent dégradée.

Une salle de réunion Jean-Pierre Humblot est inaugurée en 2012 au sein du local de l'association Équinoxe Lorraine, centre LGBTI de Lorraine-Sud.

Le combat pour la mémoire de Jean-Pierre Humblot est notamment mené par sa sœur Simone Monvoisin, jusqu'à son décès en 2012. Un site web dédié à sa mémoire est inauguré le  par Patrick Roberstein, ancien président de l'association Équinoxe Lorraine.

Notes et références

Voir aussi

Articles connexes
 Affaire Mylène, meurtre d'une femme trans à Limoges en 2013
 Vanesa Campos et Jessyca Sarmiento, femmes trans assassinées au bois de Boulogne en 2018 et 2020
 Liste de personnes transgenres assassinées

Liens externes
 Site dédié à la mémoire de Jean-Pierre Humblot

Naissance en mai 1940
Naissance dans la Meuse
Décès en août 2003
Décès à Nancy
Décès à 63 ans
Août 2003 en France
Mort assassiné en France
Personne assassinée par noyade
Victime d'un meurtre en raison de son orientation sexuelle ou identité de genre
Homophobie en France
Transphobie en France
Femme trans
Personnalité liée à Nancy
Culture à Nancy
Personnalité liée au secteur de la restauration
Personnalité française du monde de la nuit

Jean-Pierre Humblot


Kaina Yoshio (født 28. juni 1998) er en japansk fodboldspiller, som spiller for den japanske fodboldklub Vegalta Sendai.

Referencer

Eksterne henvisninger

Fodboldspillere fra Japan

Kaina Yoshio


Toivonen, apellido finlandés, puede referirse a:

 Henri Toivonen; piloto de rally finlandés.
 Harri Toivonen; hermano del anterior.
 Pauli Toivonen; piloto de rally finlandés, padre de Henri y Harri Toivonen.
 Ola Toivonen; futbolista sueco.
 Hannu Toivonen; jugador finlandés de hockey sobre hielo.
 Markus Toivonen; guitarrista finlandés.

Toivonen


El noticiero de Santo fue un noticiero argentino emitido por Canal 13, de lunes a viernes a las 13:00 horas (UTC -3). Era conducido por Santo Biasatti y Silvia Martínez Cassina. Contaba con los columnistas Marcelo Fiasche en deportes, Catalina Dlugi en espectáculos, Enrique Sdrech en policiales, Fernando Confessore en el pronóstico del tiempo y Mirta Tundis en información para jubilados.

Este informativo se destacaba por repasar en profundidad los temas del acontecer diario, con móviles en vivo e información al instante.

Historia
Entre 1981 y 1989 pasaba Realidad '81 a Realidad '89 que luego pasó a llamarse Redacción Abierta hasta julio del mismo año. Antes de 1990, el canal era estatal y tenía como noticiero del mediodía a Canal 13 Informa, cuando se privatiza, en 1990, pasa a manos de Artear y el noticiero cambia a Teledía 13 en 5 de marzo de 1990. Ese noticiero duró hasta diciembre de 1991.

Entre 1992 y 1994, cambiaron todos los nombres, como Adelanto de noticias. Entre 1994 y 1996 emitió el micronoticiero Noticias en 1 minuto, a las 13 (UTC-3), se emitía 360 todo para ver hasta el 1° de diciembre de 1995. En 1997 comenzó a emitirse Síntesis del mediodía de 12 a 12:30 (UTC-3) y a las 13 (UTC-3) se emitía Forum y en 1998 tramsmitía Móvil 13.

El 9 de marzo de 1998, nació El noticiero de Santo, para reemplazar a Síntesis del mediodía (que tendría un breve regreso en 2002), con una hora de duración y en el horario de las 13:00 (UTC -3), a diferencia de los anteriores. El noticiero, al igual que Síntesis del mediodía tenía un estudio virtual.

En 2000, pasa al pequeño mirador vidriado de Canal Trece, en vez de estudio virtual, y renueva su gráfica y cortina musical. En 2003, renueva por tercera y última vez sus gráficos y cortina musical. Se había dejado de emitirse el 27 de febrero de 2004, debido a los cambios de noticieros y conductores.

El 1° de marzo de 2004, fue reemplazado por El noticiero del Trece, conducido por Silvia Martínez Cassina y Luis Otero, como parte de la renovación de los noticieros del canal, quienes durante 15 años condujeron juntos este noticiero hasta que el 22 de marzo de 2019 Otero abandonó la emisora con el motivo de su candidatura a intendente del partido de Avellaneda (fue reemplazado por Sergio Lapegüe). Este noticiero se contaba con noticias: El ciudadano, Vecinos olvidados, Jubilados, entre otros.

Periodistas conducidos en 2003
En 2003 se cambiaba la sección de todos los temas de de la actualidad social del país, popularmente conocido como Temas de Hoy se le cambiará por Los Temas de Hoy. Se contaba con los columnistas en ese año, Enrique Sdrech (Policiales), María Areces (Espectáculos), Marcelo Fiasche (Deportes), Mirta Tundis (Jubilados) y Liliana Hendel (Psicología).

Periodistas reemplazantes
 Débora Pérez Volpin
 Mario Mazzone
 Sergio Lapegüe
 Mercedes Marti
 Sandra Borghi

Presentaciones
 1998-2000: En un fondo azul, Un círculo azul dividido en 4 partes con una "S" dorada y el texto "EL NOTICIERO DE", y debajo la palabra SANTO en tipografia Aero Oblique.
 2000-2003: El mismo logo pero con líneas naranjas y azules, con el texto "EL NOTICIERO DE", y con un círculo azul la "S" formando el texto "Santo".
 2003-2004: La "S" con círculo, pero modernizado; al principio con celeste, con nubes blancas, blanco, y franjas rojas, y después con fondo blanco y rojo. Abajo dice la frase EL NOTICIERO DE SANTO.

Véase también
 Noticiero Trece
 Santo Biasatti
 Silvia Martínez Cassina
 El Trece

Referencias

Enlaces externos
 Archivo Canal Trece
 Mercedes Marti y Mario Mazzone en Síntesis al Mediodía (1998)
 El Noticiero de Santo - Promo - 1998
 El Noticiero de Santo - Blooper + Doble Pantalla + Zócalos - 2002
 El Noticiero de Santo - Blooper + Zócalos - 2003
 El Noticiero de Santo - Cortina Musical 2000//2003
 El Noticiero de Santo - Cortina Musical 2003//2004
 Apertura El Noticiero de Santo 2003

Programas informativos de televisión de Argentina
Programas de televisión de Canal 13 (Argentina)
Programas de televisión iniciados en 1998
Programas de televisión finalizados en 2004

El noticiero de Santo


Cyprien Mbuka CICM (* 13. November 1943 in Kizu) ist ein kongolesischer Ordensgeistlicher und emeritierter römisch-katholischer Bischof von Boma.

Leben
Cyprien Mbuka trat der Ordensgemeinschaft der Kongregation vom Unbefleckten Herzen Mariens bei und empfing am 27. August 1972 die Priesterweihe.

Papst Johannes Paul II. ernannte ihn am 21. April 1997 zum Weihbischof in Boma und zum Titularbischof von Simidicca. Der Bischof von Boma, Joachim Mbadu Kikhela Kupika, spendete ihm am 19. Oktober desselben Jahres die Bischofsweihe; Mitkonsekratoren waren Frédéric Kardinal Etsou-Nzabi-Bamungwabi CICM, Erzbischof von Kinshasa, und Faustino Sainz Muñoz, Apostolischer Nuntius in der Demokratischen Republik Kongo.

Am 13. März 2001 wurde er zum Bischof von Boma ernannt. Papst Franziskus nahm am 19. März 2021 das von Cyprien Mbuka aus Altersgründen vorgebrachte Rücktrittsgesuch an.

Weblinks

Einzelnachweise

Bischof von Boma
Römisch-katholischer Bischof (20. Jahrhundert)
Römisch-katholischer Bischof (21. Jahrhundert)
Titularbischof
Scheut-Missionar
Kongolese (Demokratische Republik Kongo)
Geboren 1943
Mann

Cyprien Mbuka


---Sidenote START---

Olaylar

1300'ler
 1302 - Osmanlı Devleti, Bizansla olan ilk muharebesi Koyunhisar Muharebesi'ni kazanması
 1302 - III. Alaeddin Keykubad ölümü
 1305 - William Wallace'ın (ünlü İskoç lideri) ölümü
 1306 - Pendik'in Osmanlı Beyliği hakimiyetine girmesi
 1308 - Anadolu Selçuklu Devleti yıkılması
 1308 - II. Mesud'un ölümü (Anadolu Selçuklu Devleti'nin son sultanı)

1310'lar
 1316 - IV. Karl (Kutsal Roma İmparatoru)'ın doğumu

1320'ler
 1324 - Marco Polo'un ölümü
 1324 - Orhan Gazi, Osmanlı tahtına geçti
 1326 - Bursa'nın Osmanlı hakimiyetine girmesi
 1326 - Bursa'nın başkent oluşu
 1326 - Osman Gazi'nin ölümü
 1326 - I. Murad'ın doğumu
 1328 - Yunus Emre'nin ölümü
 1328 - Abdurrahman Gazi'nin ölümü
 1329 - Konur Alp'in ölümü
 1329 - Osmanlı Devleti'nin Pelekanon Muharebesi'ni kazanması

1330'lar
 1331 - İznik'in fethi
 1332 - V. İoannis'un doğumu (Bizans İmparatoru)
 1332 - II. Andronikos'un ölümü (Bizans İmparatoru)
 1335 - İlhanlılar'ın yıkılışı
 1336 - Yüzyıl Savaşları'nın başlaması
 1336 - Timur'un doğumu (Timur İmparatorluğu'nun kurucusu)
 1337 - Kocaeli'nin fethi

1340'lar
 1346 - Crécy Muharebesi, Fransızlarıın mağlubiyeti İngilizlerin kazanması
 1347 - Büyük Veba Salgını'nın Avrupa'da görülmesi

1350'ler
 1351 - Büyük Veba Salgını'nın Avrupa'yı terk etmesi
 1353 - Çimpe Kalesi'nin Osmanlılara geçmesi
 1354 - Sapienza Deniz Muharebesi
 1354 - Ankara'nın fethi

1360'lar
 1360 - I. Bayezid'in doğumu
 1361 - Edirne'nin fethi
 1361 - Edirne'nin başkent oluşu
 1362 - Orhan Gazi'nin ölümü
 1362 - I. Murad'ın tahta çıkışı
 1362 - Yeniçeri Ocağı'nın kuruluşu
 1363 - Sırpsındığı Muharebesi

1370'ler
 1371 - Çirmen Muharebesi
 1378 - IV. Karl (Kutsal Roma İmparatoru)'nun doğumu

1380'ler
 1383 - VI. İoannis'in doğumu
 1388 - Ploşnik Muharebesi Osmanlı'nın ilk mağlubiyeti
 1389 - I. Kosova Muharebesi, Osmanlı zaferi
 1389 - I. Murad'ın savaş alanında öldürülmesi
 1389 - I. Bayezid'in tahta geçmesi
 1389 - I. Mehmed'in doğumu

1390'lar
 1391 - II. Manuil'un tahta geçmesi (Bizans İmparatoru)
 1393 - Bulgaristan, Osmanlı himayesine girdi
 1395 - Anadolu Hisarı'nın inşa edilmesi
 1396 - Niğbolu Muharebesi (1396)

Yüzyıllar

14. yüzyıl


Birch Creek can mean:

Streams
United States
Birch Creek (Yukon River tributary), Alaska
Birch Creek (Kantishna River tributary), Alaska
Birch Creek (Menominee County, Michigan)
Birch Creek (Bourbeuse River tributary), a stream in Missouri
Birch Creek (Chouteau County, Montana), a tributary of the Missouri River
Birch Creek (Pondera County, Montana), a tributary of the Two Medicine River
Birch Creek (Umatilla River tributary), Oregon
Birch Creek (Franklin County, Idaho), a tributary of Mink Creek (Bear River), in Franklin County, Idaho in the Bear River watershed
Birch Creek (Beaver County, Utah), a tributary of South Creek

Australia
Birch Creek, Victoria a stream near Smeaton, Victoria

Canada
Birch Creek (British Columbia), a creek near the town of Atlin

Communities
Birch Creek, Alaska, United States
Birch Creek, Michigan, United States
Birch Creek, Wisconsin, United States
Birch Creek, Saskatchewan, Canada

Birch Creek


Anthony Francis Martin (born 10 June 1964) is a New Zealand comedian, writer and actor, who has had a successful TV, radio, stand-up and film career in Australia.

Career

1980s
A former stand-up comedian and commercial voice-over-man, Tony Martin moved to Brisbane, Australia, from New Zealand when he was 21 to work as a radio copywriter. Having worked in radio and amateur theatre back in NZ, Martin approached the ABCTV's The D-Generation in 1986 to work as a writer only to be told that filming on the first series had been completed. In the interim, he was invited to work as a researcher on ABC-TV's The Gillies Republic which was the follow-up to the highly successful political satire The Gillies Report (1984–85). The show was not a success but Martin learnt a considerable amount from the production's mistakes, and made his Australian TV debut as 'Man in Bad Suit' in episode 4. He was also able to observe the production of the last few episodes of the 1986 ABC-TV live sketch-comedy show While You're Down There which starred Richard Stubbs and Glenn Robbins and it was on the set that he met D-Gen member Tom Gleisner. Following that, Martin was employed for a short period as a puppeteer on the ABC-TV political satire Rubbery Figures which featured rubber puppet-caricatures of famous politicians created by artist Peter Nicholson (Martin also did the voice of Joh Bjelke-Petersen). Martin was on the verge of heading back home to New Zealand when he was invited to be a writer for the second series of The D-Generation in 1987. He also made short appearances on the show, and featured on the 1989 spin-off album, The Satanic Sketches. Martin began to take on a more prominent role when the D-Generation produced four comedy specials for Network Seven in 1988–89, including doing one of the voices for 'DeGenocide' where clips of the old Australian TV crime series Homicide were dubbed over with funny lines. Martin became a bona fide D-Gen member when he began writing and performing on the troupe's "Breakfast Show" on Triple M Melbourne radio (1987–1992), which led to the 1990 compilation album The Breakfast Tapes. On air, Martin was frequently referred to by the other D-Gen members as "The Fat Man." Along with Rob Sitch, Martin left the radio show a little earlier than the other members to prepare The D-Gen's next venture for ABC TV (although he did make time to host Bulltwang, a Sunday Night radio show on Triple M with Mick Molloy, which ran for sixteen weeks in 1990).

1990s
Instantly recognisable as the "tall skinny guy with glasses," Martin was one of the most valuable members of the D-Gen as a writer and performer on The Late Show (1992–1993). His co-introductions to almost every episode and "Street Interviews" segment highlighted his effective comedic partnership with Mick Molloy. Noted for his quick wit and passion for mimicry, Martin also appeared in countless Late Show sketches (including sleazy filmmaker Warren Perso in the classic sketch: The Last Australian Auteur), and provided the voices of Senior Sergeant Bargearse in the serial Bargearse (dubbed episodes of Bluey) and Governor Frontbottom and Judge Muttonchops in the serial The Olden Days (dubbed episodes of Rush). Martin compiled all three volumes of The Best Bits of The Late Show with Santo Cilauro and Wayne Marx, and also co-produced the "dangerously overstuffed" double DVD set, The Best Bits of The Late Show: Champagne Edition, which was released in 2001.

After The Late Show finished, Martin and Mick Molloy went on to develop and perform their top-rating national radio programme Martin/Molloy, which produced three ARIA award-winning compilation albums: The Brown Album (1995), Poop Chute (1996) and Eat Your Peas (1998).

2000s
Martin made several guest appearances on Thank God You're Here, The Panel, The Mick Molloy Show (reprising his "Street Interview" skills), Kath & Kim (as Magda Szubanski's fiddle-playing boyfriend), and Welcher and Welcher. In 2004, Tony Martin and Shaun Micallef began work on a TV sketch comedy series for the ABC with the working title Mouse-Patrol but after they wrote enough material for the first three episodes, the project was cancelled by management, much to Martin's disappointment who commented in an interview in 2009 that the un-filmed scripts contained the best sketch stuff he had written for TV.

On 3 April 2006, Martin returned to the Austereo network to produce a nationally syndicated show with Ed Kavalee and Richard Marsland on Triple M named Get This. Although Get This was a ratings success and developed a dedicated legion of fans, on 16 October 2007 Triple M announced that the show would be axed, so the network could focus company attention and resources on new breakfast shows debuting across the country such as The Shebang in Sydney and a new, multimillion-dollar Melbourne-based show presented by Peter Helliar and Myf Warhurst, both of which were ironically also cancelled by Triple M over the next couple of years. Towards the end of the show's run, a gathering of about 170 devoted fans took place outside the Triple M studios in Melbourne on 5 November 2007 to protest against the cancellation of the program. The last episode was aired 23 November 2007.

Martin wrote an online column called "Scarcely Relevant" at The Scrivener's Fancy which was updated weekly 2009–2011. The website was placed on hiatus in June 2011 so Martin could concentrate on his latest TV project. The site was closed in November 2011. As of June 2012, the archived columns are available to download as an ebook.

Martin has directed episodes of ABC TV's The Librarians, and, since 2008, has co-hosted shifts on 3RRR with Tony Wilson as The Two Tones.

2010s
After a successful guest appearance on Sunday Arts (ABC-TV) in 2009 in which he interviewed US writer & lecturer Robert McKee, Martin commenced working on a new program called A Quiet Word With ... which began airing on ABC1 on 28 September 2010. Rather than being a conventional celebrity-interview show, the program featured Martin having relaxed and informal conversations with comedians and performers that he admired, and in some cases, had worked with during his own career. The first two episodes, featuring English comedian Bill Bailey and US actor and writer Carrie Fisher, were aired, respectively, in September and November 2010. The remaining ten episodes were screened weekly on ABC1 from 2 April 2011, beginning with British actor and comedian Alan Davies, and concluding on 4 June 2011 with British actor and writer Richard E Grant.

In February 2011, Martin appeared as one of the regulars on the radio-comedy program The Lonely Hearts Club which was broadcast weekly on ABC Radio National on Saturday nights from 10 pm to midnight. The show, delivered in a deadpan, straight fashion, featured an un-credited Martin appearing under the pseudonym of 39-year-old Duncan Jardine, one of Australia's most successful second-unit directors. The first episode was broadcast on 12 February 2011 and the eighth and final episode was heard on 2 April 2011.

In December 2010, the Nine Network announced that Martin would be reunited with his former co-host on Get This, Ed Kavalee, for an upcoming comedy show entitled The Joy of Sets. This comedy television series looking at the elements used to construct television shows, commenced screening on 20 September 2011 in the 9:00 pm Tuesday timeslot on Nine. The debut episode rated well but audience figures declined for the subsequent episodes, prompting Channel 9 to move the show to a later timeslot of 10.30pm midway through the series. The eighth and final episode aired on 8 November 2011.

In late 2012, Martin co-directed (with Wayne Hope) episodes of a new eight-part comedy series Upper Middle Bogan, filmed on location in Melbourne and which aired on ABC-TV in August 2013. The series was created and written by Hope and Robyn Butler of Gristmill Productions who also created The Librarians and Very Small Business. Martin later directed episodes of the second series of the show in 2014.

In 2013, Martin announced via Twitter that he was in the UK working as a co-writer on Ross Noble's new comedy-travelogue program Freewheeling which aired on the UK comedy channel Dave. Back home, Martin made a return to live comedy with his show The Yeti opening at the Melbourne Fringe Festival in September 2013. In 2015, Martin performed at the Melbourne Fringe with his show The Arse/Elbow Equation which he later performed at Brisbane Arts Theatre in early 2016.

Martin and writer & editor Sarina Rowell, in 2014, began writing a new sitcom Childproof about a young couple who decide not to have children. But after three years of pitching the idea, Martin and Rowell were unable to sell the project to any of the TV networks. Instead in September 2017, Martin and comedian Geraldine Quinn recorded the scripts as a live podcast at the Melbourne Fringe Festival and was later downloadable for free.

In May 2016, Martin joined the Breakfast show on Nova 100, initially as a temporary replacement for regular co-host Sam Pang, but he currently appears weekly as a guest co-host. Since 2017, Martin has also appeared as a regular co-host on Ed Kavalee's T.E.A.M Effort podcast. and has been a guest vocalist for Damian Cowell's Disco Machine, appearing on both the latter's self-titled 2015 album and their 2017 album Get Yer Dag On. Martin's first novel Deadly Kerfuffle was published by Affirm Press in October 2017. In May 2018, Martin & producer Matt Dower began releasing a new fortnightly comedy podcast Sizzletown which by mid-August had achieved over 160,000 downloads.

Movies
Martin played the part of "intrigued school child" in the 1977 movie Sleeping Dogs. Martin wrote, produced and directed the 2003 comedy movie Bad Eggs (in which he also made a cameo appearance as a game show host), and wrote and directed the unreleased 2007 mockumentary BoyTown Confidential. He has also played minor roles in several films (mostly those of former Late Show colleagues), including The Castle (1997), Tackle Happy (2000), Crackerjack (2002) and  BoyTown (2006). More recently, he has had roles in two films made by his former Get This co-host Ed Kavalee:  Scumbus (2012) and Border Protection Squad (2012).

Books
Martin's first book, Lolly Scramble, a collection of humorous autobiographical essays, was published in 2005.
Martin's second book, A Nest of Occasionals, was released in October 2009. The latter book, re-printed in a second edition in April 2011, was voted as the best work of Australian comedy in any medium in 2009 by the comedy review website Australian Tumbleweeds
A third book was released online in 2012, downloadable as an ebook on tonymartinthings.com, called Scarcely Relevant, a collection of Martin's columns from the now closed Scriveners Fancy website. Deadly Kerfuffle, Martin's first novel, was published in 2017.  Deadly Kerfuffle was shortlisted for the 2019 Russell Prize.

Personal life
Martin grew up in the small New Zealand towns of Te Kuiti and Thames. For two years as a child, he lived on a boat for five months of the year as his father was a part-time amateur marlin fisherman. Since there was no TV, he would listen to radio programs like The Goon Show and try to copy the voices.

Martin married Annie Maver, a floor manager on The Panel and RocKwiz, who has worked as an assistant director in Australian movies and television productions. He met her when she was a floor manager on The D-Generation. They are now divorced.

In his spare time, Martin is currently on a venture to walk every street in Melbourne which he embarked upon in 2009. Nine News aired a story on his project in August 2017.

Filmography

Podcasts
 Tribute to Richard Marsland (Triple M Network) December 2008
 Summer Lovin' (Nova) 2010 – 2012
 I Love Green-Guide Letters (episodes 21 & 65) (iTunes & www.ilovegreenguideletters.com) April 2012 & March 2013
 The Little Dum Dum Club (episodes 131, 158 & 233) (www.dumdumclub.libsyn.com) March 2013, October 2013 & March 2015
 Dumbed down atheist (episode 36d) ( http://www.spreaker.com/user/4582839/dumbed_down_atheist_36d_melb_comedy_fest  & iTunes )
 Can You Take This Photo Please? (with Justin Hamilton)
 T.E.A.M Effort (Triple M Network) 2016- 2017. (iTunes)
 Chat10Looks3 (October 2017)- (www.chat10looks3.com)
 Childproof (2017)- (co-written with Sarina Rowell)
 SizzleTown (2018-)

Discography

Albums

Awards

ARIA Music Awards
The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. Martin has been part of four winning ensembles, all in the category of ARIA Award for Best Comedy Release.

|-
|colspan=4|as part of The D-Generation
|-
|  1990
| The Satanic Sketches
| rowspan="2"| ARIA Award for Best Comedy Release
|
|-
|  1991
| The Breakfast Tapes (1988-90)
|
|-
|colspan=4|as part of Martin/Molloy
|-
|  1996
| The Brown Album
| rowspan="3"| ARIA Award for Best Comedy Release
|
|-
|  1997
| Poop Chute
|
|-
|  1999
| Eat Your Peas
|
|-

Books
 Lolly Scramble (Pan Macmillan 2005)
 A Nest of Occasionals (Picador 2009)
 Scarcely Relevant (ebook 2012)
 Deadly Kerfuffle (Affirm Press 2017)

References

External links

 Tony Martin at Pan Macmillan
 Champagne Comedy: The Late Show fan site and forum.
 Tony Martin interview at Shaun Micallef's Online World Around Him
 Tony Martin's ebooks.

1964 births
Australian male film actors
Australian stand-up comedians
Living people
Logie Award winners
ARIA Award winners
New Zealand emigrants to Australia
People educated at Hamilton Boys' High School
People from Te Kūiti
Triple M presenters

Tony Martin (comedian)


ثُور هو بطل خارق وشخصية خيالية من سلاسل القصص المصورة التي تصدرها مارفل كومكس، وشخصيته مأخوذة عن الشخصية التي تحمل نفس الاسم في الميثولوجيا النوردية، وهي ثور بن أودين، إله البرق لديهم، قام بتأليف الشخصية ستان لي، ووضع النصوص لاري لايبر، ورسمها جاك كيربي. وظهرت الشخصية لأول مرة في العدد #83 من سلسلة رحلة للغموض (Journey into Mystery) عام 1962. و توصف الشخصية برجل يلبس درعا في سائر جسده إلا رأسه، ويحمل مطرقة تكمن فيها قوته القتالية مستوة ثور في القوة الفكرية في أحد المرات ارادة ايما فروست ان تصيطر على ثور وهي لديها قوة فينكس فورس الذي يعد أحد الكيانات الكونية القوية لا كن ثور لديه قدرة على أن يتجسد ثور نفسه في عقله لحماية ثور من التحكم بالعقل وقام ثور ببعثرة الفينكس فورس بضربة واحدة واي شخص يدخل إلى عقل ثور يصاب اصابات شديدة.

مراجع

آلهة خيالية
أبطال خارقون ظهروا في أفلام
أبطال خارقون في مارفيل كومكس
أساطير إسكندنافية في قصص مصورة
أطباء خياليون
أعمال مبنية على أساطير أوروبية
أمراء خياليون
ثور (أسطورة)
ذكور في قصص مصورة
شخصيات خيالية بقدرات متعلقة بالهواء أو الرياح
شخصيات خيالية ذات قدرات كهربائية أو مغناطيسية
شخصيات ذكور في الأفلام
شخصيات صنعها ستان لي
شخصيات قصص مصورة ابتكرها جاك كيربي
شخصيات قصص مصورة ظهرت في سنة 1962
صناديق تصفح مارفال كومكس
عناوين مارفل كومكس
قصص مصورة ألفها جاك كيربي
قصص مصورة ألفها ستان لي
قصص مصورة ألفها وارن إليس
قصص مصورة خيالية
قصص مصورة ظهرت لأول مرة في 1962
مارفال كومكس حولت إلى أفلام
مارفال كومكس حولت إلى ألعاب فيديو
ملوك خياليون

ثور (مارفل كومكس)


Denver, ABD'nin Kolorado eyaletinin başkenti ve en büyük kentidir. 1858 yılının Kasım ayında kurulan kent, adını Kansas Bölgesi Valisi Amerikalı siyâsetçi, asker ve avukat James W. Denver'dan almıştır.

Spor
 Şehir, NBA'de Denver Nuggets temsil eder.
 Şehir, NHL'de Colorado Avalanche temsil eder.
 Şehir, NFL'de Denver Broncos temsil eder.
 Şehir, MLB'de Colorado Rockies temsil eder.

Kardeş şehir
Denver'in resmen 10 tane kardeş şehri vardır:

Resimler

Ayrıca bakınız
 Colorado

Kaynakça

Dış bağlantılar

 Denver - Vikigezgin (en)
  Denver Şehri resmi websitesi
  DMOZ Open Directory Projesi "Denver" maddesi

Amerika Birleşik Devletleri'nin eyaletlerin başkentleri

Denver


Björn Sigurðarson (Akranes, Islandia, 26 de febrero de 1991) es un futbolista islandés que juega como delantero en el ÍA Akranes de la Úrvalsdeild Karla.

Trayectoria
Sigurðarson es uno de los talentos jóvenes de Islandia, se destaca por su velocidad. Se formó en las categorías inferiores del ÍA Akranes desde 2005, debutando profesionalmente en 2007. En enero de 2009 firmó un contrato por 3 años con el Lillestrøm SK de Noruega.

Selección nacional

Participaciones en Copas del Mundo

Clubes

Palmarés

Títulos nacionales

Referencias

Futbolistas de Islandia
Futbolistas del IA Akranes
Futbolistas del Lillestrøm SK
Futbolistas del Wolverhampton Wanderers Football Club
Futbolistas del Molde FK
Futbolistas del FC Copenhagen
Futbolistas del FK Rostov
Futbolistas del APOEL de Nicosia
Futbolistas de la selección de fútbol sub-17 de Islandia
Futbolistas de la selección de fútbol sub-19 de Islandia
Futbolistas de la selección de fútbol sub-21 de Islandia
Futbolistas de Islandia en la Copa Mundial de 2018
Hermanos futbolistas
Nacidos en Akranes
Delanteros de fútbol

Björn Sigurðarson


Esther (1865) este o pictură de John Everett Millais, care descrie personajul central din Estera. Face parte din perioada estetică a lui Millais, când a fost influențat de opera lui Frederic Leighton și a lui James McNeill Whistler.

Pictura o descrie pe Estera, soția evreică a regelui persan Ahașveroș, în timp ce se pregătește să intre în camera soțului ei. Deoarece nu este invitată, riscă moartea, dar va intra pentru a-l informa despre un complot împotriva evreilor.

Millais a împrumutat mantia galbenă, dată generalului Gordon de către împăratul chinez după înfrângerea revoltei din Taiping. Pentru a crea un efect cultural nespecific, a produs modele abstracte vizibile în tablou.

Millais a creat un efect vizual dramatic prin contrastele vii ale culorilor, așezând albastrul profund al perdelei pe rochia galbenă și pe coloanele albe. Minimizarea aspectului narativ al scenei este, de asemenea, în concordanță cu abordarea estetică a artiștilor pe care îi imită.

Esther este descrisă aranjându-și perlele în păr, pregătindu-se să își pună coroana pe cap. Acest gest este derivat din tablourile lui Tizian, ale cărui tehnici de colorare au fost imitate de Millais, precum și de modelarea feței și a părului caracteristic "unui blond titzian". Acest lucru se compară, de asemenea, imaginile oferite de Millais în Domnișoara de onoare și cu unele lucrări contemporane ale lui Dante Gabriel Rossetti. Biograful lui Millais, Marion Spielmann, a scris că pictura era "cea mai modernă lucrare a lui Millais ... mai multă consonanță în armonia sa puternică cu strălucirea îndrăzneață a zilelor noastre [1898] decât puterea solidă de acum patruzeci de ani".

Referințe

Picturi din 1865
John Everett Millais

Esther (pictură)


ضمور أو ضمور تغذوي  هو انكماش أو تقلص في حجم جزء من الجسم، أوخلية، أوعضو، أو نسيج. قد يحدث الضمور نتيجة لنقص عدد الخلايا أو لتقلص حجمها لفقدان مواد من داخلها، أو نتيجة لكليهما. إذا أصاب الضمور أكثر من خلية فإنه يمكن القول بأن العضو في حالة ضمور، ويجب الملاحظة بأن ضمور الخلايا لا يعني موتها. مسببات الضمور تتضمن الطفرات (التي من الممكن أن تدمر الجين المسؤول عن بناء العضو)، سوء التغذية، الانخفاض في إمداد الدم، فقدان التحفيز الهرموني، فقدان الإمداد العصبي للعضو المحدد، استماتة كميات كبيرة من الخلايا، قلة التمارين أو مرض متأصل في الأنسجة نفسها.

المدخلات الهرمونية والعصبية التي تحافظ على العضو أو جزء من الجسم يشار لها في المهنة الطبية بالتغذية. التغذية تصف الحالة الغذائية للأنسجة، وتضاءل التغذية العضلية يرمز لها بالضمور.

الضمور هو عملية فسيولوجية شاملة إعادة الامتصاص وتعطيل الأنسجة، تشمل الاستماتة. عندما تحدث نتيجة لمرض أو فقدان الدعم الغذائي بسبب مرض آخر، تسمى بالضمور المرضي، على الرغم من أنه من الممكن أن تكون جزء من تطور الجسم الطبيعي والاستتباب (التوازن) أيضاً.

أسباب الإصابة بالضمور
 النقص في العمل، أو الحركة (مثل عدم تحريك أحد الأطراف نتيجة الكسر).
 خسارة التعصيب (تزويد بأعصاب).
 الانخفاض في امداد الدم.
 فقدان التحفيز الهرموني.
 الهرم أو الكبر في السن،الشيخوخة.
 الانخفاض في تصنيع البروتين.
 الزيادة في تحطم البروتين.
عدم توافر بعض المكونات الأساسية للبروتين والفيتامينات يؤدي إلى اضطراب عمليات الأيض مما يؤدي إلى ضمور الخلايا والأنسجة.

التطور الطبيعي

تضمر بعض الخلايا والأعضاء بشكل طبيعي في أعمار معينة وتحت ظروف فسيولوجية معينة. ومن أمثلة علي الضمور (كجزء من التطور الطبيعي): تقلص الغدد الكظرية بعد فترة وجيزة من الولادة، والغدة الزعترية في الطفولة المبكرة، واللوزتان في سن المراهقة، والغدة الصنوبرية وقت البلوغ. يضمر الجسم الأصفر خلال فترة الطمث إذا لم يحدث حمل. وعضلات الرحم(التي تكبر خلال الحمل)، سرعان ما تنكمش بعد الولادة، وتنكمش الحويصلات التي تفرز اللبن في الصدر بعد إتمام الرضاعة. وفي سن انقطاع الطمث، تخضع المبايض والرحم والثديين بشكل طبيعي إلى درجة من الضمور. تحدث بعد التغيرات في كبار السن مثل فقدان الأسنان، الشعر، ترقق الجلد الذي يكون تجاعيد، ضعف العضلات، نقص الوزن في الأعضاء وخمول في النشاط العقلي على سبيل المثال لا الحصر.

ضمور الشيخوخة
هو ضمور يحدث بشكل طبيعي نتيجة للتقدم في العمر. يمكن ملاحظة الضمور الناتج عن الشيخوخة بشكل خاص في الجلد وتجاعيده، والذي يحدث نتيجة ضمور الألياف في البشرة والأدمة أو الغدد العرقية الموجودة في الطبقة الخارجية للجلد. وفي القلب، تترسب صبغة الليبوفيوسين في الألياف العضلية للقلب في كبار السن مسببة نوعا من أنواع الضمور يعرف بالضمور البني للقلب. وقد يترسب البروتين النشواني بشكل غير طبيعي في عضلات القلب الضامرة نتيجة الشيخوخة. وفي الكبد، يصاحب ضمور الكبد في الشيخوخة ترسب صبغة الليبوكروم في الخلايا الضامرة. وتبدأ كثافة العظام بالتناقص مع تقدم العمر فيما يعرف بهشاشة العظام.

ضمور العضلات
ضمور العضلات هو حالة يتم فيها فقد النيسج العضلي، وبالتالي نقص الكتلة العضلية، فالعضلات الضامرة تظهر أصغر من السليمة. قد يكون الضمور فزيولوجياً، أو مرضياً، أو عصبي المنشأ.

الأسباب

ضمور عدم استعمال العضلات والعظام
عدم استخدام العضلات بشكل كاف يؤدي إلى ضمورها مع نقص في الكتلة والقوة، من الممكن أن يحدث ذلك بعد عدم الحركة لمدة طويلة، مثل الراحة في الفراش لفترة طويلة، أو الوعكات الصحية التي تحد من الحركة، أو وجود جزء من الجسم في قالب (العيش في الظلام للعين، طريح الفراش للرجلين إلخ.). هذا النوع من الضمور يمكن عكسه بواسطة التمارين إلا إذا كان وخيماُ ويعد ضموراً فزيولوجياً. إن الوجود في أماكن مثل الفضاء حيث لا توجد جاذبية يؤثر على العضلات، لذا يجب على رواد الفضاء في الجاذبية الصغرى التمرن بانتظام لتقليل الضمور في العضلات الطرفية.

سوء التغذية والمجاعات
ويمكن أن يسهم سوء التغذية الحاد ونقص العناصر الغذائية والبروتين في ضمور العضلات، لأن العناصر الغذائية والبروتينات ضرورية لتطوير العضلات بشكل طبيعي ومهمة لوظيفتها. وهذا الافتقار إلى التغذية الكافية يمكن أن يحدث نتيجة لعدة أمراض، واتباع الأنظمة الغذائية التي تفتقر إلى البروتين، وقد يرتبط أيضا بالأدوية القوية ، مثل بعض أدوية السرطان. قد تنتج سوء التغذية نتيجة لبعض الأمراض التي تؤثر على امتصاص الجسم للمواد الغذائية، مثل القولون العصبي أو الداء البطني. وهناك الكثير من الأمراض والحالات التي تسبب ضمور في الكتلة العضلية.على سبيل المثال، الأمراض مثل السرطان والإيدز، حيث يمكن أن يتسببا في متلازمة هزال الجسم تسمى «دَنَف»، والذي يعرف بالضمور الحاد للعضلات. كما توجد متلازمات وحالات أخرى تسبب ضمور العضلات الهيكلية، مثل فشل القلب الاحتقاني وأمراض الكبد.

العمر
مع تقدم العمر، يقوم جسم الإنسان بانتاج كميات أقل من البروتينات، مما يؤدي إلى ضمور العضلة وانكماشها. خلال التشيخ، هناك نقص تدريجي في القدرة على الحفاظ على وظيفة العضلة وكتلتها. هذه الحالة من ضمور العضلات تسمى بالساركوبينيا (الفقر من اللحم)، ويمكن تميزها عن الضمور بالفيزيولوجيا المرضية. في حين أن المسبب الرئيسي لضمور العضلات (الفقر من اللحم) غير معروف، فمن الممكن أن تحدث بواسطة مجموعة من الفشل التدريجي في «الخلايا الساتِلَة» التي تساعد في تجدد ألياف العضلات الهيكلية، وتقلل من حساسية أو توافر عوامل النمو المفرزة الحرجة والتي هي ضرورية للحفاظ على كتلة العضلة وبقاء الخلايا الساتِلَة.

حثل عضلي، التهاب العضل، حالات عصبون حركي

الضمور المرضي للعضلات من الممكن أن يظهر مع الأمراض للأعصاب الحركية، أو مع الأمراض لأنسجة العضلة نفسها. من الأمثلة على أمراض ضمور الأعصاب تتضمن مرض شاركو-ماري-توث، شلل الأطفال، التصلب الجانبي الضموري (مرض لو جيهريج)، و متلازمة غيلان باريه. ومن الأمثلة على أمراض ضمور العضلات تتضمن الحتل العضلي، ضمور العضلات، التأتر العضلي الخلقي، والضمور العضلي.

إن التغير في التعبير عن أشكال قنوات الصوديوم المتشابهة والنشاط الذاتي في العضلات تسمى الرجفان من الممكن أن تسبب ضمور العضلات أيضاً.

ضمور الغدة

يحدث ضمور الغدة الكظرية خلال الاستخدام الطويل للستيروئيدات خارجية المنشأ مثل بريدنيزون. يمكن أن يحدث ضمور في الثديين مع انخفاض هرمون الاستروجين لفترات طويلة، كما هو الحال مع مرض فقدان الشهية العصبي أو انقطاع الطمث. ضمور الخصية مع الاستخدام المطو لستيرويد الجنس الخارجي المنشأ (سواء الاندروجين أو هرمون الاستروجين) للحد من إفراز موجهة الغدد التناسلية.

ضمور النسيج الدهني
قد يكون ضمور النسيج الدهني ضمورا معمما كما في حالات نقص التغذية لفترات طويلة، وقد يكون موضعيا والذي يسمى بالحثل الشحمي.

ضمور المهبل

بعد سن اليأس للأنثى، تصبح جدران المهبل رقيقة (الْتِهابُ المَهْبِل الضُّمورِيّ). إن آلية الحالة المرتبطة بالعمر ليست واضحة لحد الآن. رغم أن هناك نظريات أن التأثير يحدث بسبب نقص في مستويات الإستروجين. هذا الضمور، وذاك الذي للثديين، متناسقان مع دور التوازن (التطور الطبيعي) للضمور بشكل عام، حيث أن الجسم بعد انقطاع الطمث لا يحتاج للمزيد من المتطلبات البيولوجية الوظيفية للحفاظ على الجهاز التناسلي الذي توقف بشكل دائم.

ضمور ناتج عن المواد الكيميائية
في حالات التسمم المزمن بالزرنيخ ، تحدث تغيرات تنكسية في الأعصاب الطرفية، مما يؤدي إلى ضعف وضمور في الأنسجة (عادة الأرجل أو الذراعين) التي توزع عليها الأعصاب. وقد يحدث ذلك أيضا مع الاعتلال العصبي المحيطي الناتج عن التسمم المزمن بالرصاص. ولكن الضمور الناتج عن المواد الكيميائية ليس بالشائع.

أمثلة
 ضمور القلب
 ضمور الدماغ
 ضمور عدم الاستعمال
 ضمور بطانة الرحم
 ضمور الوجه
 ضمور المعدة
 ضمور العصب البصري الزرقي المنشأ
 ضمور المشيمية والشبكية التلفيفي
 ضمور نصف اللسان
 ضمور عضل الوجه والكتف والعضد
 ضمور تنكسي
 ضمور انضغاطي
 ضمور غرواني
 ضمور الدماغ المتحدد

الأبحاث
دواء واحد تحت الاختبار يبدو أنه يمنع نوع من فقدان العضلات في المرضى غير المتحركين، طريحي الفراش. ظهر على الفئران المختبرة أنها تمنع نشاط البروتين الموجود في العضلة المسبب لضمور العضلات. ومع ذلك، تأثير المدى الطويل للدواء على القلب يمنع الاستخدام الروتيني له للإنسان، ويجري البحث عن أدوية أخرى غيرها.

أخرى
 ضمورالزيتونة والجسر والمخيخ(Olivopontocerebellar atrophy)
 الاعتلال العصبي البصري (Optic neuropa)
 ضمور العضلات الشوكية (Spinal muscular atrophies)
 تضخم الخلايا (Hypertrophy)

المراجع

علم الأمراض التشريحي
علم الأمراض العياني

ضمور


Hamitabat, Söğüt - Bilecik ili Söğüt ilçesine bağlı köy
 Hamitabat, İnegöl - Bursa ili İnegöl ilçesine bağlı mahalle
 Hamitabat, Lüleburgaz - Kırklareli ili Lüleburgaz ilçesine bağlı köy

Hamitabat


The flag of Kuwait () was adopted on September 7, 1961, and officially hoisted November 24, 1961. Before 1961, the flag of Kuwait was red and white, like those of other Persian Gulf states at the time, with the field being red and words or charges being written in white.

When the Utub settled in Kuwait, Kuwaiti ships were flying a flag common on the western coast of the Persian Gulf, a red flag added to it near the mast a serrated white ribbon similar to the current Bahrain flag and was called in the name of the Sulaimi flag. This flag was raised in the rule of Sheikh Sabah I bin Jaber in 1746 to 1871.

During the period of Ottoman rule in Kuwait, the Ottoman flag, red with a white crescent and star, was used. This flag was retained after the country became a British protectorate in the Anglo-Kuwaiti Agreement of 1899.

In 1903, Lord Curzon, the British Viceroy and Governor-General of India visited Kuwait, and Sheikh Mubarak Al-Sabah received him and raised a red flag with white words, توكلنا على الله (We trust in God) in Arabic writing.  This avoided the diplomatic faux pax, given Kuwait was under British protection, of raising the Ottoman flag.

Two different flag designs were proposed but not adopted in the period after this. The first proposal in 1906, a red flag with white Western letters spelling (KOWEIT) and the second in 1913, the Ottoman flag but the word كويت (Kuwait) in Arabic writing as a canton.

The Ottoman flag kept being used until the First World War, when friendly-fire incidents with the British in 1914 during the Mesopotamian campaign around the river Shatt al-Arab occurred due to Kuwait and the enemy Ottomans both using the same flag. Because of this Kuwait adopted a new flag, red with كويت (Kuwait) in Arabic writing. This flag was in use until 1921, when Sheikh Ahmad Al-Jaber Al-Sabah added the Shahada to the flag. This version was in use until 1940, when he also added a stylized falcons claw to the flag. These flags were also depicted on the Emblems of Kuwait. The red flag remained the national flag of Kuwait until the adoption of the current one in September 1961. The present flag is in the Pan-Arab colours, but each colour is also significant in its own right.

The colours' meaning came from a poem by Safie Al-Deen Al-Hali:
White are our deeds
Black are our battles
Green are our lands
Red are our swords
Rules of hanging and flying the flag:
Horizontally: The green stripe should be on top.
Vertically: The red stripe should be on the left side of the flag.

In 2005, it became the design of the world's largest kite at a size of 1019 square metres. It was made in New Zealand by Peter Lynn, launched to the public for the first time in 2004 in the United Kingdom, officially launched in Kuwait in 2005, and has not been surpassed since.

Construction sheet

Standard of the Emir
The current Emir of Kuwait has a personal royal standard, which is the national flag with a yellow crown on the green stripe.

Historical flags of Kuwait

References

Flags introduced in 1961
Flags of Asia
Flag
Kuwait

Flag of Kuwait


Listă de masoni se poate referi la:

 Listă de masoni (A–D)
 Listă de masoni (E–Z)

Vezi și
 Listă de masoni români
 Listă de masoni moldoveni

Liste de masoni

Listă de masoni


Nicolaus Rohlfs was an 18th-century German mathematics teacher (arithmeticus) in Buxtehude and Hamburg who wrote astronomical calendars, a book about gardening, and other treatises that were continued by Matthias Rohlfs.

Works

 Trigonometrische Calculation, der Anno Christi 1724. den 22 Maji ... vorfallenden grossen Sonnen-Finsterniss : wie dieselbe über den Hamburgischen Horizont sich praesentiren wird ... auffgesetzet von Nicolaus Rohlfs. Druck: Struckische Buchdruckerei, Lübeck, ca 1723
 Tabula horologica. Oder Curieuse Uhr-Tabellen, : durch deren Beyhuülfe man vermittelst eines kleinen Stöckleins, Spatzier-Stocks, Fuss-Masses oder andern Dinges, wenn es nur in 12 Theile getheilt ist, bey Sonnenschein, die Stunde des Tages finden, und andere Divertissements haben kan. Wobey (1) Ein Kupferblatt, welches laut der Anweisung zu einem Universal-Uhr zu recht gemacht und gebraucht wird; ingleichen ein Unterricht, wie mit dem Universal- und einem Horizontal-Uhr die Mittags Linie zu finden, auch wie man bey Mondenschein die Stunde der Nacht finden könne. (2) Ein Zusatz, darinn gewiesen wird, erstlich, wie man bey Sonnenschein mit einem Stoöcklein oder Strohhalm in der Hand die Uhr-Zeit finden kan; zweytens wie man die Schlag- und Taschen-Uhren richtig stellen und corrigiren soll. Gottfried Richter, Hamburg, 1733.
 Anweisung, wie die Sonnenfinsternißen über einen jeden Ort des Erd-Bodens zu berechnen. Hamburg, 1734.
 Siebenfacher königlich gross=britannisch- und chur=fürstlich Braunschweig-Lüneburgischer Staats=Calender über Dero Chru=Fürstenthum Braunschweig=Lüneburg, und desselben zugehörige Lande, Aufs Jahr 1737. Darinnen der Verbesserte, Gregorianische, Julianische, Jüdische, Römische und Türckische, nebst einem Schreib=Calender enthalten, auch andere zum Calender gehörige Sachen zu sehen sind. Welchem allen beygefüget Das Staats=Register von denen Königlichen Regierungen, und übrigen Hohen Civil- und Militair Bedienten in den teutschen Landen; Auch eine Genealogische Verzeichniß aller jetztlebenden Durchlauchtigsten Höchst= und Hohen Häuser in Europa, nach dem Alphabet. 84 Blätter, Druck: Johann Christoph Berenberg, Lauenburg. Note: In this form published for many years (since ca 1752 continued by Matthias Rohlfs)
  Betrachtung der beyden grossen Himmels-Lichter Sonn und Mond. Hamburg: Samuel Heyl, 1736
 Betrachtung der ... grossen Sonnen-Finsterniss am 25. Julii dieses Jahrs: als ein Supplement .. Betrachtung der grossen Himmels-Lichter Sonn und Mond, ... 1736
 Künstliches Zahlen Spiel, oder gründliche Anweisung wie die so genannten Magischen-Quadraten auf eine sehr leichte Art zu verfertigen sind, etc. 1742
 Königl. schleswig-holsteinischer Haus- und Garten-Allmanach: auf das ... Jahr Christi; ueber den schleswig-holsteinis. Horizont gestellet. Altona : Burmester, 1750–1784. In the beginning: Nicolavs Rohlfs, later Matthias Rohlfs

German male writers
Year of birth missing
Year of death missing

Nicolaus Rohlfs


Harcelés est un téléfilm français réalisé par Olivier Barma, diffusé le  sur M6.

Synopsis
Une famille est harcelée par Un mystérieux hacker harcele une famille et dévoile tous ses secrets sur les réseaux sociaux...

Fiche technique
 Réalisation : Olivier Barma
 Scénario : Germinal Alvarez, Claire Lemaréchal, Laurent Vachaud
 Durée : 90 minutes
 Pays :

Distribution
 Claire Keim : Isabelle Pradier
 Bruno Salomone : Eric Vallorca
 Carole Weyers :  Anne Valdek
 Nacima Bekhtaoui : Raïssa Zaky
 Louka Minnella : Hugo Vallorca
 Nicolas Grandhomme : Florian Valdek
 Karim Barras : Samy Chayal
 Lorette Nyssen : Justine Valdek
 Léo Saint Thomas : Chris
 Pierre Laplace : Paul
 Antoine Basler : Valadier
 Albert Goldberg : Serge Alland
 Anne Cazenave : Lucie
 Anaïs Pieraccini : Julia
 Patrick Hauthier : Olivier

Lien externe

Téléfilm français des années 2010
Téléfilm diffusé en 2016
Téléfilm dramatique

Harcelés (téléfilm)


Gara Șaeș a fost o stație de cale ferată de pe linia Sighișoara-Sibiu, în comuna Apold, județul Mureș, România. Gara a fost deschisă în 1910 și închisă în 2001.

Note

Șaeș
Fondări în 1910

Gara Șaeș


Peter-André Alt () este un cercetător și istoric literar german și președinte al Universității Libere din Berlin, una dintre universitățile germane de elită.

Biografie
Alt a studiat din 1979 până în 1984 literatura germană, științele politice, istoria și filozofia la Universitatea Liberă din Berlin, unde, în 1984, a obținut doctoratul și în 1993 a devenit doctor habilitat. Începând din 1987 până în 1992 a fost asistent științific la catedra lui Hans-Jürgen Schings de la Universitatea Liberă din Berlin, în perioada 1992-1993 a obținut o bursă postdoctorală a Fundației Germane pentru Cercetare (DFG), iar în anii 1994-1995 a fost bursier Heisenberg al DFG. În 1995 a fost numit profesor titular de literatură germană modernă la Universitatea Ruhr din Bochum, iar în anul 2002 s-a transferat la Universitatea din Würzburg. Începând din 2005 este profesor de germanistică modernă la Universitatea Liberă din Berlin, ca succesor al profesorului Schings.

Alt a fost în perioada 2008-2010 director al Dahlem Research School (Center for Graduate Studies) de la Universitatea Liberă din Berlin, conducând, în plus, în perioada 2007-2010 Friedrich Schlegel Graduate School of Literary Studies (Exzellenzförderung des Bundes und der Länder). El este membru în consiliile consultative ale unor instituții diverse (Arhiva de literatură germană Marbach, Institutul Ludwig Boltzmann de istorie și teorie biografică) și referent în cadrul Serviciului German pentru Schimburi Academice DAAD. A fost invitat ca lector la Trieste (Italia), a desfășurat stagii de cercetare la Universitatea din Cambridge, în Statele Unite ale Americii (Universitatea Princeton), Italia (Roma, La Villa, Como) și Republica Cehă (Praga). Din iulie 2008 Alt a fost membru al consiliului executiv al Deutsche Schillergesellschaft, iar din iulie 2012 a fost, de asemenea, președinte al Deutschen Schillergesellschaft. , La 12 mai 2010 Alt a fost ales președinte al Universității Libere din Berlin de către Senatul Academic, iar din 3 iunie 2010 îndeplinește această funcție. Pe 30 aprilie 2014, Peter-André Alt a fost reales în calitate de președinte al Universității Libere din Berlin.

Alt este căsătorit cu publicista Sabine Alt și locuiește cu ea și cu cei doi fii ai lor în Berlin.

Activitatea
Alt a publicat, începând din 1985, 18 monografii, peste 100 de articole, 25 de recenzii, mai multe ediții critice, șase volume de eseuri despre literatură germană și europeană din secolele XVII-XVIII și din secolul al XX-lea. Domeniile sale de studiu istorico-literar sunt începuturile perioadei moderne, clasicismul de la Weimar și literatura modernismului clasic.

În centrul activității sale cercetare se află istoricitatea și normativitatea sistemelor estetice, istoria tragediei, relația dintre cunoaștere și literatură în perioada modernă timpurie (vis, imaginație, ermetism, paradox) și reflectarea teologiei politice în textele din secolul al XVII-lea. Un alt domeniu important de activitate este elaborarea și cercetarea biografiilor literare, mai ales metodologia lor specifică, cât și chestiunile de paternitate literară.

Premii
În 2005 Alt a primit Premiul Schiller al orașului Marbach pe Neckar pentru scrierea biografiei în două volume a lui Schiller (2000). În 2008 a fost distins cu premiul Opus Magnum al Fundațiilor Volkswagen și Thyssen pentru cartea Ästhetik des Bösen.

Lucrări (selecție)
 Ironie und Krise: ironisches Erzählen als Form ästhetischer Wahrnehmung in Thomas Manns "Der Zauberberg" und Robert Musils "Der Mann ohne Eigenschaften" (= Europäische Hochschulschriften, Reihe 1, Deutsche Sprache und Literatur, Band 722). Lang, Frankfurt am Main / Bern / New York, NY 1985, ISBN 3-8204-5257-5 (Dissertation FU Berlin 1984, 471 Seiten).
 Begriffsbilder. Studien zur literarischen Allegorie zwischen Opitz und Schiller (= Studien zur Deutschen Literatur, Band 131). Niemeyer, Tübingen 1995, ISBN 3-484-18131-1 (Habilitation FU Berlin 1993, 682 Seiten).
 Aufklärung (= Lehrbuch Germanistik). Metzler, Stuttgart 1996, 3. Auflage 2007, ISBN 978-3-476-02236-3.
 Franz Kafka. Der ewige Sohn. Eine Biographie. Beck, München 2005, 2. Auflage 2008, ISBN 978-3-406-57535-8.
 Ironie und Krise. Ironisches Erzählen als Form ironischer Wahrnehmung in Thomas Manns "Der Zauberberg" und Robert Musils "Der Mann ohne Eigenschaften". 2. veränderte Auflage, Lang, Frankfurt am Main 1989, ISBN 3-631-41625-3.
 Kafka und der Film. Über kinematographisches Erzählen. Beck, München 2009, ISBN 978-3-406-58748-1.
 Klassische Endspiele. Das Theater Goethes und Schillers. Beck, München 2008, ISBN 978-3-406-56929-6.
 Schiller. Leben, Werk, Zeit. (2 Bücher) 3. Auflage, Beck, München 2009 (zuerst 2000),
 1759-1791. ISBN 978-3-406-58681-1.
 1791-1805. ISBN 978-3-406-58682-8.
 Der Schlaf der Vernunft. Literatur und Traum in der Kulturgeschichte der Neuzeit. Beck, München 2002, ISBN 3-406-49337-8.
 Der Tod der Königin. Frauenopfer und politische Souveränität im Trauerspiel des 17. Jahrhunderts. De Gruyter, Berlin 2004, ISBN 3-11-018117-7 (Quellen und Forschungen zur Literatur- und Kulturgeschichte; Band 30).
 Tragödie der Aufklärung. Eine Einführung. Francke, Tübingen 1994, ISBN 3-8252-1781-7 (UTB; 1781).
 Die Verheißungen der Philologie. Wallstein, Göttingen 2007, ISBN 978-3-8353-0175-7 (Göttinger Sudelbuchblätter).
 Von der Schönheit zerbrechender Ordnungen. Körper, Politik und Geschlecht in der Literatur des 17. Jahrhunderts. Wallstein, Göttingen 2007, ISBN 978-3-8353-0194-8.
 Ästhetik des Bösen. Beck, München 2010, ISBN 978-3-406-60503-1.
 Imaginäres Geheimwissen. Untersuchungen zum Hermetismus in literarischen Texten der Frühen Neuzeit, V & R, unipress, Göttingen 2012, ISBN 978-3-89971-675-7.
 Sigmund Freud. Der Arzt der Moderne. Eine Biographie. Beck, München 2016, ISBN 978-3-406-69688-6 (über das Buch).

Note

Bibliografie

Articole de presă
 Felicitas von Aretin: Warum Kafka nicht pfeifend die Treppe hochkommt. Peter-André Alt forscht über Franz Kafka. In: Der Tagesspiegel, 15. Oktober 2005.
 Soeren R. Fauth: Peter-André Alt. In: Standart, 23 (Juni 2009), S. 60–61
 Wolfgang Schneider: Der Systematiker. Peter-André Alt. In: Börsenblatt des deutschen Buchhandels, 8. September 2005.
 Antoine Verbij: Meer moral in de politiek! Portrait Peter-André Alt. In: De Groene Amsterdamer, 25. September 2009
 Anja Kühne: Ich habe ein I-Phone. Peter-André Alt, FU-Präsidentschaftsaspirant'. In: Der Tagesspiegel, 22. Februar 2010
 Anja Kühne: Im Geist der Freien Universität. In: Der Tagesspiegel, 6. Mai 2010
 Birgit Haas, Uta Keseling: Berliner Spaziergang – Herr der Rostlaube, Förderer der Eliten. In: Berliner Morgenpost, 5. September 2010
 Heik Afheldt: HEIK AFHELDT trifft... Peter-André Alt, FU-Präsident. In: Der Tagesspiegel, 2. Februar 2011

Legături externe
 Peter-André Alt auf der Personalseite des Fachbereiches Philosophie und Geisteswissenschaften der FU Berlin

Nașteri în 1960
Istorici literari germani
Cadre didactice universitare ale Universității Ruhr din Bochum

Peter-André Alt


සාපරාධී මනුෂ්‍යඝාතනය යනු,  ජාතීන්ගේ පොදු රාජ්‍ය මණ්ඩලයේ විවිධ අධිකරණ බලප්‍රදේශ විසින් එම වරද අර්ථදක්වා ඇති පරිදී, මරාදැමීමේ චේතනාව සහිතව හෝ රහිතව හෝ, පුද්ගලයෙකු නීති විරෝධී ලෙසින් මරා දැමීම සම්බන්ධ වන්නාවූ,   විශේෂිත වරදකි. එංගලන්තය විසින් හෝ පසුව එක්සත් රාජධානිය විසින් හෝ පාලනය කරනු ලැබීම තුලදී සංස්ථාපනය කරනු ලැබූ හෝ ආභාෂය ලැබූ හෝ අධිකරණ පද්ධතීන් සඳහා, මෙම වරද සඳහා නම ආශ්‍රිත වන්නේ  ස්කොට්ලන්ත නීතියට මිස ඉංග්‍රීසි නීතියට නොවේ.

අධිකරණ බලප්‍රදේශ
පහත අධිකරණ බලප්‍රදේශයන්හී "සාපරාධී මනුෂ්‍යඝාතනය" වරද දක්නට ලැබේ; වරදෙහි විස්තරයෙහි දේශීය අනුවාදය, තිබෙන තන්හී දක්වා ඇත:

දකුණු අප්‍රිකාව
(දකුණු අප්‍රිකානු නීතිය තුල)  "සාපරාධී මනුෂ්‍යඝාතනය" සරල ලෙසින් අර්ථ දක්වා ඇත්තේ "නීතිවිරෝධී සා නොසැලිකිලිමත් ලෙසින් මනුෂ්‍යයෙක් මරා දැමීම" ලෙසිනි.

ආශ්‍රිත

අධෝසටහන්

අංකන
 ස්ට්‍රත්ක්ලයිඩ් යුනිවර්සිටි ස්කොට්ස් ලෝ කෝර්ස්
 CanLII - කැනේඩියන් ලීගල් ඉන්ෆමේෂන් ඉන්ස්ටිට්‍යුට්

කැනේඩියානු නීතිය
අපරාධ නීතිය නෛතික පද

ඉන්දියානු දණ්ඩ නීති සංග්‍රහ කොටස්
ස්කොට්ලන්ත අපරාධ නීතිය
දකුණු අප්‍රිකානු නීතිය

සාපරාධී මනුෂ්‍යඝාතනය


Cutthroat or cut-throat, also sometimes referred to as three-man-screw, is a typically three-player or team pocket billiards game, played on a pool table, with a full standard set of pool balls (15 numbered s and a ); the game cannot be played with three or more players with an unnumbered reds-and-yellows ball set, as used in blackball. Each player is commonly assigned a set of five consecutively numbered object balls, though the number of balls will vary by number of players. The object of the game is to be the last player with at least one ball of their group remaining on the table.

The name "cutthroat" is not unique to pool, but is used to refer to other games played with three or more players in which all players must fend for themselves, e.g. cutthroat bridge and cutthroat American handball.

Gameplay

When  the fifteen balls for cutthroat, the 1 ball is placed on the  and the 6 ball and 11 ball are placed on the other two corners of the billiards rack.

In cutthroat, there are (usually) three sets of balls. Balls 1–5 are called the "low" balls, the "mid" balls are 6–10, and the "high" balls are 11–15. Each of the three players will eventually "own" one of these sets of five balls. Winning is accomplished by legally  () all of the other players' balls. Whether each shot must be  is determined before the game.

Each set of five balls is initially unclaimed – the ball sets remain "open" until at least one ball from two sets have been pocketed. For example, if the breaking player pockets the 6 then the 9, that player definitely does not own the 6–10 group, but does not yet clearly own either 1–5 or 11–15. If the player had pocketed the 6 then the 2, the player would definitely be group 11–15. A foul break thus includes the possibility that the fouling breaker may eventually be assigned a group from which a ball was pocketed on the foul break shot.  However, if there was a foul on the break, no set can be claimed and the table is still open, no matter what balls may have been pocketed.

A player's turn continues so long as he legally pockets one or more object balls with each shot. A shooter can even knock in his own ball, allowing him to continue a turn in exchange for his now-weakened position. This circumstance is called "cutting one's own throat". If a player sinks his own last ball (intentionally or otherwise), he must sit out the rest of the game, except as noted below.

Fouls
A  (knocking the cue ball into a pocket or off the table) is subject to special penalties, covered below, and results in the incoming player receiving .

The general rules of pocket billiards apply, including typical fouls, such as striking the cue ball twice on the same shot, striking an object ball instead of the cue ball with the cue stick, knocking an object ball off the table, etc.  Such fouls end the shooter's turn without further penalty.  The incoming player does not have cue ball in-hand, but takes the table as it lies (after balls are spotted).

If a player pockets an opponent's ball while committing a foul, the opponent may raise that ball from the pocket and put it back on the table. The raised ball is placed on the foot spot.

Winning
The object is to be the last player with at least one object ball left on the table. When a player has no balls on the table, he is said to be "out" (eliminated) and his turn is skipped in the player rotation. Under normal rules (where balls are retrieved on a scratch – see below), being "out" may be a temporary condition.

Spotting
The consequence of a  (knocking the cue ball into a pocket or off the table) is that all of the shooter's opponents are rewarded by taking one of their balls (if any have been pocketed) out of a pocket and  it back onto the table (with the next shooting player's ball placed in front of the other's ball).  Thus, a player who is "out"  returns to the game, with one of their balls back in play, when any then-surviving player scratches.  If a scratch occurs after first pocketing an opponent's ball on the same turn, still only one ball per opponent is returned to the table, as the penalty is intended not to nullify the effects of the scratch, but to punish the offender and reward the other players evenly.

In the uncommon case that the final shot leaves only the cue ball on the table (the shooting player has pocketed both the final opponent's last ball  the shooter's own last ball), one ball of  player will be spotted in their order of shooting. The shooting player continues unless the last shot was not made legally.

An object ball knocked off the table is spotted, unless it is the shooters own, in which case it is pocketed.

Variations

Alternative group selection
A common variation is that the first shooter to legally pocket a ball without a  () gets to claim any set that he wants to be his own. If the  shooter pockets any ball (without fouling), he can claim any set, and continues shooting.  The next shooter who legally pockets a ball during his turn gets to claims ownership of one of the two remaining sets.  In the advent of a foul break, the first successive shooter to legally pocket a ball gets to claim any set, and the next shooter who legally pockets a ball claims one of the remaining sets.

A less common variation (because it involves risk to the breaker) is that the sets are assigned before the start of play: the breaking shooter has 1–5, the second player has 6–10, and the third has 11–15.

Alternative scratch and spotting rules
In the event of a cue-ball scratch, each of the fouling player's opponents who was still in the game before the foul may return one of their pocketed balls to the table. Players who were already "out" before that shot remain out.

In this version, if the shooter pockets both the last remaining opponent object ball and the shooter's own final object ball (i.e. all balls are down but the cue ball), then only a player who was still in the game (typically the shooter and the final opponent) before that last shot may spot a ball; eliminated players do not return to the game. The same shooter continues.

Another variation (regardless of the above spotting rule) that is common in North America is that the incoming player after a scratch receives cue ball in-hand behind the  () only, not in-hand anywhere on the table.

More players
Team play can be pairs (or more) of players being assigned to each of the three sets of balls and taking alternating turns or (in  format) alternating shots during their turn.

The game generally is also playable by five players (or teams), with each owning three balls rather than five.  Variant ball sets (with smaller and more numerous balls, and a custom rack for them) have also been manufactured for a larger number of players.

The game is possible with any number of players from two to 15. Because some combinations would result in not all of the players having the same number of balls, sometimes one or more must be taken out of the rack.

 Two players: seven balls each
 Three players: five balls each
 Four or five players: three balls each
 Six or seven players: two balls each
 Eight to 15 players: one ball each

Eagle Pool Balls manufactures a ball set using colored rather than numbered groups of balls, with which three- to five-player cutthroat can be played. It makes use of different sizes and shapes of racks: a standard triangle rack of three groups of five balls each for three players; a custom, large diamond rack of four groups of four balls each for four players; and a standard triangle rack of five groups of three balls each for five players.

Multi-game scoring
Various point systems may be used to play matches or sets, rather than just one game. With its uniqueness as a three player game, counting games won is possible but does not give credit for finishing second. One system is awarding three points for a win, plus an additional one point for each of the winner's remaining balls at the end of each game. The player last eliminated receives two points, the first eliminated player none. There may also be a bonus awarded for playing a perfect game, sinking both opponents' sets of 5 balls while having all 5 of yours remaining (Usually 2 points, making a perfect game worth 10 points total: 3 for the win, 5 for remaining balls, plus 2 bonus).  This system emphasizes strategy regarding whom to eliminate first as the match goes on, often creating alliances of the two trailing players to catch the leader in points. The match may be won by reaching a set number of points, or reaching a set deadline in time.

Coin-operated table play
When played on coin-operated tables (such that balls cannot be returned to play at will once pocketed, only after paying for another game) a player who scratches selects one of his or her own balls to be pocketed immediately, in lieu of opponents' balls returning to the table.  In the event that a scratch occurs on the same shot that an opponent's ball is pocketed, the affected opponent is permitted to select a ball belonging to the offender which is to be removed instead of the player that scratched choosing the ball to be pocketed. In either case, this can result in the scratching player being "out".

References

Pool (cue sports)

Cutthroat (pool)


قانون جاي-لوساك  في الكيمياء و الفيزياء (بالإنجليزية : Gay-Lussac's law) ينص هذا القانون على أن ضغط غاز مثالي يتغير تغيرا طرديا مع درجة الحرارة عند ثبات الحجم . تقاس درجة الحرارة هنا بالكلفن كما يفترض ثبات كمية الغاز . معنى ذلك أن ضغط الغاز يزداد بالتسخين ويقل عند فقده حرارة . وقد اكتشف هذا الاعتماد بين ضغط الغاز ودرجة الحرارة جاك شارل عام 1787 و العالم والفيزيائي الفرنسي جوزيف جاي-لوساك في عام 1802 :

فعندما يكون الحجم V ثابتا وكذلك كمية n المادة ثابتة تنطبق المعادلة :

نستنتج من قانون جاي-لوساك أنه لا بد من وجود الصفر المطلق لدرجة الحرارة حيث تتنبأ المعادلة بحجم «صفري» عند درجة الصفر المطلق، إذأن الحجم لا يمكن أن يكون سالبا الإشارة (أقل من الصفر). كما يشكل استنباط القانون من قياسات معملية أساسا لمقياس درجة الحرارة بالكلفن ، حيث استنبطت درجة الصفر المطلق وعُينت عن طريق تمديد القياسات العملية إلى وصول الحجم إلى قيمة الصفر.

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مراجع

طب غوص وعلم وظائف الأعضاء للغوص وفيزياء الغوص
قوانين الغازات

قانون جاي-لوساك


Massachusetts (), ABD'nin kuzeydoğu kıyısında, New England bölgesinde yer alan bir eyalettir. En büyük şehri ve başkenti Boston şehridir. Eyaletin adı bir Amerikan yerli kabilesi olan Massachusett kabilesinden gelmektedir ve bu kabilenin dilinde massachusett "büyük tepeler bölgesi" anlamına gelmektedir. Tarihsel olarak Massachusetts ülkenin en liberal ve günümüzde sosyo-ekonomik açıdan en gelişmiş eyaletlerindendir. Kişi başı gelir Connecticut, Maryland gibi benzer özellikteki eyaletlerle birlikte devamlı olarak ülke genelinde ilk 5 içerisinde yer alır. 6 milyonun üzerindeki nüfusu ve nispeten küçük yüz ölçümüyle ülkenin en yoğun nüfus bölgelerinden bazılarını barındırır.

Tarihçe

İngiltere kolonisi dönemi
Massachusetts, İngiltere'nin kuzeydeki en önemli kolonisiydi. Birçok Amerikan kurum ve gelenekleri burada doğdu. İngiltere'nin güney kolonilerindeki çiftlik yapılaşmasının tersine, bu bölge küçük kasabalar şeklinde kuruldu. Massachusetts'e iki önemli göçmen grubu yerleşti: Bunlardan birisi Pilgrim (Hacı) denilen gruptu ve Plymouth kolonisini kurdular. İkinci grup Puritan (Bağnaz) adı verilen çok dindar bir gruptu. Bu ikinci grup önce Salem bölgesine sonra da Boston'a yerleşti ve Massachusetts Körfez kolonisini kurdular. Zamanla bölgeye yerleşen dindar halk laikleşti ve Yanki (Yankee) olarak adlandırılmaya başlandılar. Koloni 1670'lerde Kızılderililerle yapılan Kral Philip Savaşını kazandı. Daha sonra Britanya İmparatorluğu ile birlikte Fransız ve Kızılderili Savaşlarını savaştı. Kanada'ya karşı birkaç başarılı saldırıda bulundu.

Bağımsızlık Savaşı Öncesi
Massachusetts Amerikan Bağımsızlık Savaşı sırasında çok önemli bir rol oynadı. Boston Çay Partisi denilen ve Massachusetts'in Boston kentinde gerçekleşen olay 1773 yılında Bağımsızlık Savaşının ilk kıvılcımını oluşturdu. Büyük Britanya Krallığının kolonilere uyguladığı yüksek vergiler Boston halkının isyanına yol açtı. İsyancılar İngiltere'den ithal edilen çay balyalarını gemilerden denize atarak imha ettiler. Bu olaydan sonra kolonilerin İngiltere'den bağımsız olmaları fikri giderek yaygınlaştı ve sonunda Amerikan Bağımsızlık Savaşı patlak verdi.

Bağımsızlık Savaşı Dönemi
Amerikan Bağımsızlık Savaşının birçok önemli savaşları Massachusetts'de savaşıldı. Lexington ve Concord Savaşı, Boston'un kuşatılması ve Bunker Hill Savaşı bunlardan bazılarıdır.

Eyaletlik Dönemi
Amerika Birleşik Devletleri kurulunca Massachusetts kurucu 13 eyaletten biri oldu. John Hancock eyaletin ilk valisi seçildi. 1788 yılında Massachusetts ABD anayasasını onaylayan 6. eyalet oldu. Massachusetts köleliği kaldıran ilk eyaletlerden biriydi. Daha 1790 yılında yapılan nüfus sayımları eyalette köleliğin ortadan kalkmış olduğunu göstermektedir. 1820 yılında Massachusetts'in bir bölgesi olan Maine ayrılarak bağımsız bir eyalet haline geldi. Böylece Massachusetts'in günümüzdeki sınırları çizilmiş oldu.

 Massachusetts bazı önemli spor dallarının ilk defa icat edildiği yer olarak önem taşır. Basketbol sporu ile defa 1891 yılında Massachusetts'in Springfield kasabasında icat edildi.  Voleybol sporu da 1895 yılında Holyoke kasabasında icat edildi.

Coğrafya

Eyaletin kuzeyinde New Hampshire ve Vermont, batısında New York, ve güneyinde Connecticut ve Rhode Island eyaletleri yer almaktadır. Massachusetts Atlantik Okyanusu kıyısında yer alır ve ABD'nin en önemli limanlarından birkaçına ev sahipliği yapar.

Eyaletin güneydoğusunda Cape Cod adı verilen plajları ve tatil beldeleriyle ünlü bir yarımada yer alır. Cape Cod'un güneyinde de Martha's Vineyard ve Nantucket adaları vardır. Tamamen Massachusetts sınırları içinde yer alan en büyük nehri Charles nehridir. İçinden geçen diğer nehirler Connecticut Nehri ve Merrimack Nehridir. Eyalet içindeki en büyük göl Quabbin Rezervuarıdır. En yüksek noktası 1.063 metre yüksekliğindeki Mt. Greylock dağıdır.

Massachusetts'in can damarı ve en büyük kenti Boston kentidir. Boston kenti eyaletin doğusundaki Atlantik Okyanusunun bir körfezi olan Massachusetts Körfezinde yer alan bir liman kentidir. Boston ABD'nin en önemli kentlerinden biridir.  Özellikle üniversiteleri, teknoloji firmaları ve tıp merkezleriyle tanınır.Örneğin meşhur Harvard Üniversitesi  ile Massachusetts Teknoloji Enstitüsü Boston'a yürüme mesafesindeki Cambridge şehrindedir. Adeta Birleşik Devletler'in Bilim ve Teknik üssü gibidir. New York'a 375 km uzaklıktadır. Boston'un büyük şehir nüfusu yaklaşık 5.800.000 civarındadır, fakat nüfusun büyük çoğunluğu ana kentin dışındaki banliyölerde yaşamaktadır.

Massachusetts'in kayda değer diğer büyük kentleri Worcester ve Springfield'dir. Eyalet kendi içinde 14 ayrı yerel yönetim bölgesine ayrılmıştır (batıdan doğuya) Berkshire, Franklin, Hampshire, Hampden, Worcester, Middlesex, Essex, Suffolk, Norfolk, Bristol, Plymouth, Barnstable, Dukes, ve Nantucket.

Ayrıca bakınız
 Massachusetts'te eşcinsel evlilik

Galeri

Kaynakça

Dış bağlantılar
 Eyaletin resmi web sitesi

Massachusetts


Belmiro Cuica Chissengueti (Chinguar, 5 de março de 1969) é um sacerdote angolano e bispo católico romano de Cabinda afiliado à Congregação do Espírito Santo (CSSp).

Belmiro Cuica Chissengueti ingressou na ordem espiritana e fez a profissão perpétua em 5 de agosto de 1995. Recebeu o Sacramento da Ordem em 5 de maio de 1996.

Em 2009, foi nomeado secretário da Comissão de Justiça e Paz da Conferência Episcopal de Angola e São Tomé (CEAST), participante especialista do Sínodo dos Bispos sobre a África, que se reuniu no Vaticano em outubro.

A 3 de julho de 2018, foi nomeado Bispo de Cabinda pelo Papa Francisco. O Arcebispo de Luanda, Filomeno do Nascimento Vieira Dias, consagrou-o em 30 de setembro do mesmo ano; os co-consagradores foram o Arcebispo de Malanje, Benedito Roberto, e o Núncio Apostólico em Angola e São Tomé e Príncipe, Petar Rajič. A posse ocorreu em 7 de outubro de 2018.

Ver também

Bispos católicos de Angola
Naturais de Bié

Belmiro Cuica Chissengueti


Al-Buira (en árabe البويرة al-Būīra; en bereber cabilio, ⵜⵓⴱⵉⵔⴻⵜ Tubiret; en francés, Bouira) es una ciudad en el norte de Argelia, capital de la provincia del mismo nombre.

Está localizada en el centro geográfico de la provincia, a 119 km de Argel. Limita con el municipio de Ait Laziz al norte, Aïn Turk en el nordeste, Aïn El Hadjar en el este, El Hachimia al sudeste, Oued El Berdi al sur, El Asnam al sudoeste, Haizer al oeste y Taghzourt al noroeste.
Se ubica al suroeste de las montañas de la Gran Cabilia, cerca de la cuenca del Isser y el wadi Soummam.

A una altitud de 525 metros, se encuentra en el valle del río Sahel, dominada al norte por la montaña rocosa Tikejda, perteneciente al macizo del Djurdjura.

La ciudad, históricamente sitio de descanso de las caravanas, debe posiblemente su nombre a ''vou iran", "el lugar de los leones". En 1974 fue elevada a capital de la wilaya del mismo nombre.

Su población creció rápidamente desde entonces: de 18200 habitantes en 1954 y 16600 en 1996 pasó a 36500 en 1987, 52500 en 1998 y según lo registrado en el censo de 1998 a 75086 habitantes, favorecida por el paso del oleoducto que transporta petróleo del Sahara a Argel.

Cuenta con un centro de estudios superiores, la Universidad Mohand Oulhadj.

Si bien la persistente actividad terrorista islámica en las montañas de la región de Cabilia (Buira y las wilayas de Burmerdes, Tizi Uzu y Bugía) representa una amenaza significativa no ha conseguido adhesión significativa de la población. A la sostenida inversión pública destinada a asegurar ese resultado, ha seguido una creciente inversión privada que hace prever a algunos analistas que al-Buira dejará de ser un foco terrorista y se convertirá en un modelo de como transformar una zona problemática en una región potencialmente próspera.

Los recursos económicos de la región que la rodea se basan fundamentalmente en la explotación de olivares, el cultivo de cereales y algunos viñedos.

Está hermanada con la ciudad francesa de Roubaix.

Notas y referencias

Localidades de Argelia

Al-Buira


Olovo-kristal baterija, vrsta olovne baterije.

Opis
Elektrolit ove baterije neškodljiv je za okoliš, nije otrovan, nema mirisa, ne nagriza i nije korozivan. Kod ove vrste elektrolit je kompozitni na osnovi silicijevog dioksida, za razliku od ostalih olovnih baterija kojima je elektrolit otopina sumporne kiseline, čak i od AGM i GEL VRLA baterija. Pored izostanka štetna ekološkog utjecaja, nemaju nikakva štetna učinka na električne uređaje ili instalacije s kojima se zajedno montiraju. Tehnologija olovo-kristala od otkrića do završnog atestiranog proizvoda trajala je više od desetljeća. Jednostavni su supstitut AGM i GEL baterijama jer su naponi punjenja i održavanja jednaki, što otklanja potrebu zamjene opreme priključene na baterije ili punjače. Također su dimenzije i težina približno isti.

Otpornost na krajnje pražnjenje i posljedice
Dosta su otpornije od ostalih olovnih baterija. Mogu podnijeti krajnje pražnjenje, ne oštećuje se čak ni kad se u potpunosti isprazni, do 0 volta. Osim toga ne gubi ni na kapacitetu nakon toga pa nakon punjenja poslije krajnjeg pražnjenja opet će imati nazivni kapacitet. Ne podliježe oštećenjima zbog sulfatizacije, čak i ako se baterija ne napuni odmah nakon kranjeg pražnjenja, za razliku od ostalih olovnih baterija koje ostaju trajno oštećene nakon toga.

Otpornost na temperaturne krajnje vrijednosti
Vrlo dobro podnose temperaturne ekstreme i ne ometaju ih nikoji radni ni klimatski uvjeti. Stabilne su i do +65°C. Ako se prazne na -40°C još uvijek funkcioniraju i iskoristivo im je 40% nazivnog kapaciteta.

Otpornost na dugotrajno skladištenje
Tek mali dio kapaciteta gubi ako se dugotrajno skladišti bez nadopunjavanja. Dopušta se skladištiti bez nadopunjavanja do 3 godine, neusporedivo više od inih vrsta olovnih baterija koje u takvim uvjetima propadaju.

Vijek
Prosječno imaju dvaput do triput veći broj ciklusa pražnjenja-punjenja u usporedbi s GEL i ostalim olovnim baterijam. Životni vijek je zbog toga dulji i u praksi traju peterostruko više. Razlog je osjetljivost GEL i AGM baterija na sulfatizaciju i povišenu temperaturu.

Primjena
Sustavi na pogon vjetrom i sunčevom energijom, telekomunikacijama, UPS-ovima, rasvjetnim sustavima, plovilima, vozilima, industriji, rudarstvu i dr.

Izvori

Baterije

Olovo-kristal baterija


Maria T. Accardi é uma intelectual da área de biblioteconomia e atualmente é coordenadora do ensino dessa mesma área na Indiana University Southeast.

Ela recebeu em 2014, o prêmio da Associação de Bibliotecas Universitárias e de Pesquisa (ACRL) pela Realização Significativa em Biblioteconomia de Estudos da Mulher por seu livro Pedagogia Feminista para Instrução de Biblioteca, publicado em 2013 pela Library Juice Press.

O trabalho examina a interseção entre a alfabetização da informação e a teoria feminista. A presidente do comitê de premiação, Jennifer Mayer, da Universidade de Wyoming, saudou o livro como uma "leitura obrigatória para qualquer bibliotecário com interesse em questões feministas, pedagogia e instrução de biblioteca".

Accardi também é coeditora do livro Critical Library Instruction: Theories and Methods (2010) junto com Emily Drabinski e Alana Kumbier. Este livro é uma coletânea de capítulos que trata sobre as teorias e os métodos de pedagogia crítica e instrução de biblioteca.

Filiação Acadêmica e Carreira Profissional
Maria T. Accardi é bibliotecária e coordenadora de instrução e referência na Indiana University Southeast, em New Albany, Indiana. Maria é bacharela em inglês pela Northern Kentucky University, mestra em inglês pela University of Louisville e Library Science Master's pela University of Pittsburgh. Ela atuou como co-editora e colaboradora de Critical Library Instruction: Theories and Methods (Library Juice Press, 2010), e é autora de Feminist Pedagogy for Library Instruction (Library Juice Press, 2013), pelo qual recebeu o Prêmio da Seção de Mulheres e Estudos de Gênero por realização significativa na Biblioteconomia de Mulheres e Estudos de Gênero em 2014. Ela mora em Louisville, Kentucky.

Ela é atua na Indiana University Southeast desde 2007. Antes disso, trabalhou na Sarah Lawrence College.

Accardi também já trabalhou como editoria na indústria de publicação de livros didáticos universitários, ensino de redação universitária, tutoria em um centro de redação universitário e indexação de jornais para a ProQuest.

Perspectiva e Filiação Teórica
Accardi é uma intelectual que é influenciada pela perspectiva da pedagogia crítica do filósofo e educador brasileiro Paulo Freire.

Segundo Accardi, os alunos presos ao modelo de educação bancária são treinados para aceitar, internalizar e replicar as estruturas da cultura dominante, estruturas carregadas de suposições sobre o mundo e seu lugar nele.

Os impulsos das pedagogias críticas levaram a uma exploração mais profunda da pedagogia feminista e da identidade da biblioteca como instituição.

A pedagogia feminista é em si uma inovação e requer uma reflexão crítica, honesta e autêntica, prioriza os alunos e suas vozes, experiências e conhecimentos.

Para Accardi, a pedagogia feminista entende a biblioteca como expressão de uma visão de mundo em sintonia com as estruturas de poder estabelecidas. Sendo que é fundamental que a biblioteca atenda aos alunos e não vice-versa. A biblioteca deve priorizar a emancipação e o crescimento."Bibliotecas não existem no vácuo"

The Feminist Reference Desk (2017)
"A mesa de Referência Feminista: Conceitos, críticas e conversas", em tradução livre.

Este é o título do primeiro livro que Maria Accardi é autora do texto integral. Ainda não tem tradução para o português. É o oitavo livro da série Gênero e sexualidade nos estudos da informação - Gender and Sexuality in Information Studies -, selo editado pela também intelectual da área de Biblioteconomia Emily Drabinski. Publicado pela editora Juice Press.

Em resumo, Accardi traz nesse livro importante contribuição para área de ensino da Biblioteconomia.

No livro ela traz que a pedagogia feminista produz estratégias como o aprendizado colaborativo, valorizando o conhecimento preexistente das pessoas. Esta vertente tem como premissa a conscientização sobre o sexismo e outras formas de opressão. Isso faz com que desestabilize as hierarquias de poder da sala de aula tradicional. A pedagogia feminista visa transformar uma educação bancária em uma educação consciente e motivadora.

O ensino de biblioteconomia feminista procura capacitar os alunos a serem tanto pensadores críticos quanto agentes que provocam mudanças sociais. O conceito de pedagogia feminista se consolidou recentemente e, aos poucos, vem sendo incorporada pelo ensino de biblioteconomia. No Brasil, esta perspectiva ainda é incipiente.

Accardi entende que seja oportuno considerar como o feminismo pode se cruzar com outras questões da biblioteconomia, principalmente no que refere a mesa de referência.

Em suma, o livro fornece explorações críticas e provocadoras sobre como os bibliotecários acadêmicos poderão repensar os conceitos e serviços centrais de referência, desde a entrevista de referência, à coleção de referência, até a equipe da própria mesa de referência, a partir de uma perspectiva feminista.

Questões apresentadas em The Feminist Reference Desk
Para Accardi é importante refletir sobre as seguintes questões:

   De que forma uma abordagem feminista pode repensar ou transformar a entrevista de referência?

   Como uma crítica feminista poderia confrontar a linguagem que usamos para descrever o trabalho de referência?

   A noção de referência neutra é verificável?

   As estratégias feministas interseccionais podem ajudar a influenciar uma nova geração de bibliotecárias que incorporam abordagens antirracistas e queer em suas práticas de referência?

Ver também
Emily Drabinski
Feminist pedagogy (em inglês)
Pedagogia crítica

Feministas dos Estados Unidos
Bibliotecárias

Maria T. Accardi


Shohei Yanagizaki (født 11. juni 1984) er en japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder FC Machida Zelvia og Kagoshima United FC.

Eksterne henvisninger

Fodboldspillere fra Japan

Shohei Yanagizaki


An Cyperus flavoculmis in uska species han Liliopsida nga ginhulagway ni Kaare Arnstein Lye. An Cyperus flavoculmis in nahilalakip ha genus nga Cyperus, ngan familia nga Cyperaceae. Ginklasipika han IUCN an species komo nangangarat-an duro.

Mabibilngan ini ha Kenya. Waray hini subspecies nga nakalista.

Mga kasarigan

Cyperus

Cyperus flavoculmis


Ålborg og Rebild er en dokumentarfilm instrueret af Gunnar Wangel efter eget manuskript.

Handling

Ålborg: Lufthavnen, indsejlingen til Ålborg, Jens Bangs stenhus, Budolfi Kirken, torvet, torvehandel, ældre bydel, gamle bindingsværkshuse, Limfjordsbroerne, moderne bydel, anlæg, Zoologisk have, byens mest kendte statuer og industrielle virksomheder, badestrand, Rebild Nationalpark, Rebildfest.

Referencer

Eksterne henvisninger

Danske film fra 1948

Dokumentarfilm fra Danmark

Ålborg og Rebild


You Gotta Go There to Come Back is the fourth studio album by alternative rock band Stereophonics. Produced by Kelly Jones and released on V2 in 2003, this LP became their third consecutive album to top the UK chart, selling 101,946 copies in its first week alone. It is the final Stereophonics album to feature long-time original drummer Stuart Cable before he was fired in September 2003. The album's title comes from the eighth track "I'm Alright (You Gotta Go There to Come Back)".

Recording
Kelly Jones produced the album himself, working fast in hoping to capture the "vibe" of the band's concerts; "I wanted to create a record that was very raw, very spontaneous but had loads of detail and textures and layers," Jones noted, "We pushed ourselves in many places we've never been before." He later recalled that recording the album was, for many years, the best recording experience the band ever had, saying: "All the crew were in the room, all the girlfriends were in the room, all the band were there, it was the best recording session ever. It just felt like a fucking really good time."

Musical and lyrical style
You Gotta Go There to Come Back features a blues rock styled sound in the mold of early 1970s rock bands, and also displays influences of garage rock and soul. Kelly Jones described the album, with its "very 70s, Stevie Wonder, rock overdub feel", as the fulfillment of his desire to make an album like his favourite soul music: "I was really into soul music - it's not something I'm ashamed about. I was brought up on Stevie Wonder and I love Talking Book and all the overdubs on it, and all that freestyling Marvin Gaye thing. I'd always wanted to make a record like that, and this was the first one I produced so that's probably why I went 'Fuck it I'm just going to do it'." The NME felt that the album's "retro-garage" style made it "accidentally hip," comparing it to acclaimed contemporary garage rock revival "headbanger blues" bands like the White Stripes, a sentiment also shared by music critic Neil McCormick.

Throughout the album there are "different moods and changes." Jones stated: "Every few bars, when your brain's saying, 'Have you heard that now', I wanted to put something new in there." He felt this set the album apart from most other contemporary albums, which he felt "sound like one song from beginning to end." Jack Smith of the BBC detected influences from AC/DC, Stevie Wonder, the Isley Brothers and Creedence Clearwater Revival. The album also sporadically features "ornate strings reminiscent of Chris Farlowe's British soul in the 1960s." Jones' emotional lyrics for the albums draw on his break-up with his girlfriend of 12 years, and one critic noted how Jones' "life unfolds through words" on the album. Jones said of the lyrics:

The opening song, "Help Me (She's Out of Her Mind)", has been described as "easy funk", and comparisons were drawn between Jones' vocals on the song and John Lennon's "Cold Turkey" vocals. Jason MacNeil of PopMatters compared the "moody, murky blues rock" song to Southern soul, while describing "Maybe Tomorrow" as "English soul." Lead single "Madame Helga" has been described as gospel and glam metal, with "dirty guitars duplicating a funky brass section." The acoustic, country-styled "Climbing the Wall" features horn and string sections and a Southern rock guitar solo, while the "pseudo-experimentalism" of "I'm Alright (You Gotta Go There To Come Back)" features looped drums and a piano. The quieter "Rainbows and Pots of Gold" has soul influences and concerns "a friend who stole [Jones'] girl."

Reception

Critical response
You Gotta Go There to Come Back received generally mixed reviews. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream critics, the album received an average score of 60 based on 10 reviews.

Commercial performance
You Gotta Go There to Come Back joined its predecessors at #1 on release. It was re-issued with bonus tracks in February 2004, coming into the UK charts again at #35, finally re-entering at #16 in September 2004. It was the 28th biggest selling album of 2003 in the UK. The track "Maybe Tomorrow" became one of their biggest hits; it was played over the credits of the Academy Award-winning movie Crash (2004) and also during the opening scene of the film Wicker Park (2004). It was also used in a season one episode of One Tree Hill and featured on the first Charmed soundtrack.

Track listing

Bonus tracks
The track "Moviestar" appears on later editions of the album as track 4 and was released with a DVD containing the videos for the singles.

Vinyl editions

The album was released in gatefold sleeve at first, containing two records. When "Moviestar" was included on the album the gatefold sleeve contained three records.

Personnel

Stereophonics
 Kelly Jones – lead vocals, guitar, keyboards, harmonica, Clavinet, Fender Rhodes, Mellotron, Wurlitzer
 Richard Jones – bass guitar, harmonica
 Stuart Cable – drums, percussion

Technical
 Production – Kelly Jones, Jim Lowe
 Engineering – Andy Burden, Jim Lowe, Steve McNichol, Chris Steffenl, Brian Vibberts
 Mixing – Kelly Jones, Jim Lowe, Jack Joseph Puig
 Mastering – Dick Beetham, Chris Blair
 Digital editing – Steve McNichol
 Studio assistants – Chris Bolster, Andy Davies, Max Dingle, Javier Weyler

Additional
 Tony Kirkham – mellotron, piano, clavinet, Hammond organ, Fender Rhodes, Wurlitzer organ
 Javier Weyler – hand clapping, percussion
 Jim Lowe – mellotron, piano
 Stephen Papworth – hand clapping, kettle drums, percussion
 Paul Spong – cornet, flugelhorn
 Backing vocalists – Angie Brown, Sam Brown, Sam Leigh Brown, Melanie Marcus, Aileen McLaughlin, Anna Ross

Orchestra
 Strings – Mark Berrow, Rachel Bolt, Ben Chappell, Gustav Clarkson, David Daniel, David Daniels, Patrick Kiernan, Boguslaw Kostecki, Peter Lale, Paddy Lannigan, Julian Leaper, Rita Manning, Perry Mason, Anthony Pleeth, Mary Scully, Katherine Shave, Chris Tobling, Bruce White, Gavyn Wright, Naomi Wright
 Alto Sax – Steve Hamilton
 Cornet and flugelhorn – Paul Spong
 Tenor sax – Andy Hamilton
 Trombone – Neil Sidwell
 Trumpet – Sid Gauld

Charts

Weekly charts

Year-end charts

References

External links
You Gotta Go There To Come Back at stereophonics.com

Stereophonics albums
2003 albums
V2 Records albums

You Gotta Go There to Come Back