في علم الاقتصاد هو الفرق بين أعلى وأدنى سعر في السوق لسلعة ما مع الاحتفاظ بخصائص السلعة نفسها.
وعادة هذا التفاوت يجعل المستهلك إما أن يقوم بتكلفة البحث عن المنتج ومقارنة الأسعار أو أن يقوم بشراء المنتج من بائعي التجزئة الذين لهم سمعة جيدة بغض النظر عن السعر.

هذا التفاوت في السعر يحدث عندما يعرض عدد من التجار أسعار مختلفة لذات المنتج في سوق معين. فمثلا: أراد شخص شراء جهاز كمبيوتر محمول (لاب توب) بمواصفات معينه فقد يجد هذا المنتج في مكان معين بسعر أقل من سعر الوكيل لهذه الشركة فهو بذلك يكون قد حصل على سعرين مختلفين لذات المنتج.

دراسات حول التذبذب
يلاحظ أن هذا التفاوت والتذبذب في الأسعار يخالف القاعدة العامة في مجال الاقتصاد وهو السعر الموحد (law of one price) فهناك دلائل وبراهين على أن التفاوت في السعر منتشر عالمياً، فتبين أحدث الدراسات في هذا المجال أن التفاوت في الأسعار برزت وبشكل ملحوظ في التجارة الألكترونية، وحتى في المنتجات البسيطة مثل: الكتب، والوسائل الترفيهية كالفيديو والألعاب..الخ.

وقد أثبتت الدراسات أيضا أن المستهلكين يقومون بشراء المنتجات ذات العلامات التجارية المعروفة حتى ولو كانت أسعارها مرتفعة لاعتبارات من بينها: الثقة بمنتجات العلامة التجارية أو لسمعتها الجيدة.
وبشكل عام يمكن القول بأن المواقع التجارية الأكثر زيارة والأكثر مبيعاً ليست المواقع التي تقدم أسعار منخفضة (2).

الفرق بين التذبذب والتفريق
يختلف التذبذب في الأسعار (price dispersion)عن التمييز أو التفريق في الأسعار (price discrimination) الذي يعمد فيه تاجر معين إلى عرض ذات المنتج بأسعار متفاوتة على عدد من التجار في مناطق جغرافية مختلفة بينما التذبذب في الأسعار ماهو إلا الاختلاف على سعر السلعة نفسها بهذا لايكون للمستهلك معلومات واضحة فلا يعرف بالضبط من هو التاجر الذي يبيع بالسعر الأقل أو السعر المناسب له.

العوامل المؤثرة
هناك عاملين مهمين لهما الأثر الكبير في تفاوت الأسعار وتذبذبها داخل السوق: هما الطلب على المنتج (Demand) والعرض على المنتج (Supply).

الطلب على المنتج
هو الجانب الأول بالسوق والذي من خلاله يقوم المستهلك بشراء وطلب المنتجات المختلفة.
ومن أساسيات الطلب لكي يكون له فعالية داخل السوق الرغبة والاستطاعة من قبل المستهلك فرغبة المستهلك في شراء سلعة ما مع عدم قدرته على شرائها لن يؤدي لشرائها، ومن جانب اخر قدرة المستهلك على شراء السلعة مع عدم الرغبة في الحصول عليها لن يؤدي لوجود طلب فعال على السلعة لذا فإنه كلما ارتفع سعر السلعة كلما انخفضت الكمية التي يطلبها المستهلك (4).

فمثلاً: إذا كان سعر سلعة ما 10 ريالات كانت الكمية المطلوبة 100 وحده من السلعة وعندما يرتفع السعر إلى 20 ريالاً تنخفض الكمية إلى 50وحده من السلعة يعني ذلك أن العلاقة بين السعر والكمية المطلوبة هي علاقة عكسية.

العرض على المنتج

هو الجانب الآخر من السوق حيث يقوم المٌنتج بإنتاج وبيع السلع والخدمات المختلفة وكلما انخفض السعر لسلعة ما كلما انخفضت الكمية التي يعرضها المٌنتج فسعر السلعة هو العامل الوحيد الذي يحدد الكمية المعروضة من السلعة وبالتالي، فإن تغير السعر سيعمل على تغييرإنتاج السلع لذا فإنه يعمل على تغيير الكمية المعروضة وستكون العلاقة والتغير تغيراً طردياً (4).

وخلاصة القول، هذا التفاوت والاختلاف في الأسعار ناتج وبشكل واضح من قبل شركات الإنتاج ومدى التنافس الكبير بينها لذا على المستهلك في جميع الحالات أن يكون واعياً ومدركاً لهذا التنافس واختيار الأفضل بما يحقق رغباته وبنفس الوقت يحصل على المنتج الذي يريده وبالسعر المناسب له.

المراجع

 c.laudon Kenneth,C. Traver,e-commerce business.technology.society.2009.
 [Ed Hopkins, economics, Price Dispersion, University of Edinburgh, Edinburgh EH8 9JY, UK, November, 2006
http://www.homepages.ed.ac.uk/hopkinse/price-d.pdf]
 أ. عمر لطفي مهداوي، الطلب والعرض.

اقتصاد جزئي
تسعير
كفاءة اقتصادية
مصطلحات اقتصادية

تذبذب الأسعار


Orwell est un village américain situé dans le comté d'Ashtabula, dans l'Ohio. Selon le recensement de 2010, sa population est de .

Liens externes

Village dans l'Ohio
Comté d'Ashtabula

Orwell (Ohio)


Lego Vikings var en produktlinje produceret af den danske legetøjskoncern LEGO, der omhandlede vikinger. Det blev oprindelig lanceret i efteråret 2005 og blev udfaset igen året efter, da det ikke blev den store succes, som virksomheden havde ventet. Sættene inkorporerede elementer fra den nordiske mytologi og deres kultur, heriblandt vikingeskibe, daneøkser og vikingeskjolde.

Sæt

 7015 Viking Warrior challenges the Fenris Wolf
Minifigurer: 1 Viking.
 7016 Viking Boat against the Wyvern Dragon
Minifigurer: 2 Vikinger.
 7017 Viking Catapult versus the Nidhogg Dragon
Minifigurer: 2 Vikinger.
 7018 Viking Ship challenges the Midgard Serpent
Minifigurer: 6 Vikinger.
 7019 Viking Fortress against the Fafnir Dragon
Minifigurer: 6 Vikinger.
 7021 Viking Double Catapult versus the Armored Ofnir Dragon
Minifigurer: 3 Vikinger.
 7020 Army of Vikings with Heavy Artillery Wagon
Minifigurer: 7 Vikinger.
 G577 Vikings Chess Set
Minifigurer: 24 Vikinger.

Referencer

Eksterne henvisninger
 Lego Vikings på Brickset

Vikings
Vikingetiden i populærkultur

Lego Vikings


Pereute es un género  de mariposas de la familia Pieridae. Se encuentra en Brasil.

Especies
 Pereute antodyca (Boisduval, 1836)
 Pereute callinice (Felder, C & R Felder, 1861)
 Pereute callinira Staudinger, 1884
 Pereute charops (Boisduval, 1836)
 Pereute cheops Staudinger, 1884
 Pereute leucodrosime (Kollar, 1850)
 Pereute lindemannae Reissinger, 1970
 Pereute swainsoni (Gray, 1832)
 Pereute telthusa (Hewitson, 1860)

Referencias

Pierini
Géneros de lepidópteros

Pereute


An Ochthochloa compressa in uska species han Liliopsida nga syahan ginhulagway ni Peter Forsskål, ngan ginhatag han pagkayana nga asya nga ngaran ni Hilu. An Ochthochloa compressa in nahilalakip ha genus nga Ochthochloa, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Ochthochloa

Ochthochloa compressa


Das Parktor Speckenbüttel an der Parkstrasse in Bremerhaven-Lehe, Ortsteil Speckenbüttel, wurde 1896 gebaut.

Das Bauwerk wurde 2009 unter Bremer Denkmalschutz gestellt.

Geschichte

Der Ortsteil Speckenbüttel im Norden von Bremerhaven wird geprägt durch den Speckenbütteler Park. Dieser Park entwickelte sich im späten 19. Jahrhundert am nördlichen Rand der Leher Feldmark. Für die Leher Bürger war das Alte Holz, ein als Weide genutzter Hutewald mit vielen Eichen, ein beliebtes Ausflugsziel. Das Gebiet mit dem Speckenbütteler Holz und dem angrenzenden Ödland wurden dann von der aufstrebenden Gemeinde Lehe bis 1906 durch Parkanlagen mit Teichen und auf der 13 ha großen Fläche aufgewertet. 1888 kam der Reitplatz, dann die Pferderennbahn und ab 1906 wurde nach Plänen des Wiener Gartenarchitekten Viktor Göbel der Stadtpark auf nun 75 ha vergrößerte. Heute wird er auch als Gesundheitspark Speckenbüttel- bezeichnet.

Das Parktor Speckenbüttel an der Parkstrasse stammt schon von 1896. Es ist eines der Sehenswürdigkeiten von Bremerhaven, und das Wahrzeichen des Ortsteils Speckenbüttel. Es wurde vom Leher Stadtbaumeisters Heinrich Lagershausen, der auch das Krankenhaus Lehe geplant hat, im Stil des Historismus süddeutscher Burgen entworfen und es markiert als romantisches, mittelalterlich wirkendes Staffagebauwerk den Eingang zum Park an der Parkstraße. Der Rentier, Mäzen und Bauherr Bernhard von Glahn (1825–1899) unterzeichnete die Pläne für "einen Thorbogen auf dem Terrain des der Gemeinde gehörigen Speckenbüttelerholzes".

Das Parktor ist eine massive, rechteckige Toranlage mit einem steilen roten Walmdach. Zwei Rundtürme flankieren davor das Tor. Über der Einfahrt befindet sich das Leher Wappen mit den gekreuzten Sensenblättern. Eine Inschrift ziert das Tor:

Fälschlicherweise wird mit dem Schild am Tor ein Herr Emil Ritterhans als Verfasser dieses Gedichts genannt. Gemeint war der Heimatdichter Herr Emil Rittershaus aus Barmen. Das Gedicht stammt aber aus der Feder des Herrn Schaberg-Frölich. Er widmete 1868 dem Barmer Verschönerungsverein dieses Gedicht.

Im Original:

Von 1990 bis 1991 wurde der Putzbau grundlegend saniert. Zeitweise konnte das Tor als Teil des Jugendfreizeitheims im Speckenbütteler Park genutzt werden. Ein kleiner Spielplatz direkt neben dem Hochseilgarten mit Kleinkinderbereich, Schaukeln, Wurftrichter und Tischtennisplatte befindet sich am Parktor.

Straßenbahn
1896 war der nördliche Endpunkt der Bremerhavener Straßenbahn das Parktor in Speckenbüttel, seit 1909 mit einer Wendeschleife (siehe nebenstehenden Plan). Zunächst fuhr sie als Pferdebahn und wurde 1908 elektrifiziert. 1982 erfolgte die Einstellung.

Es verkehren hier die Buslinien 502 und ML der Bremerhavener Versorgungs- und Verkehrs-GmbH (BVV). Ein Anruf-Linientaxi ergänzt das Angebot.

Literatur
 Johann Jacob Cordes: Im Speckenbuetteler Park vor 65 Jahren. In: Nordsee-Kalender 1966. Bremerhaven 1966.
 Johann Jacob Cordes: Unser schöner Park in Speckenbüttel. In: Jahrbuch der Männer vom Morgenstern. Bremerhaven 1974.
 Harry Gabcke: Das Parktor erstrahlt im neuen Glanz. In: Bremerhaven in zwei Jahrhunderten. Band III, 1992.
 Jessica Pannier: Parktor, Bootshaus, Oberrealschule und Co., Wie Stadtbaumeister Heinrich Lagershausen das Gesicht Lehes prägte. (= Veröffentlichungen des Stadtarchivs Bremerhaven. Bd. 25). Bremerhaven 2019, ISBN 978-3-923851-33-1, S. 136–141.

Einzelnachweise

Kulturdenkmal in Bremerhaven
Parkanlage in Bremerhaven
Bauwerk des Historismus in Bremerhaven
Lehe (Bremerhaven)

Parktor Speckenbüttel


Geb ve Nut'un oğlu yeraltı dünyasının hakimi, ölümsüz yaşam için diriliş tanrısı, kardeşi Set'in tam zıddı olarak iyilik tanrısı, kural koyucu, koruyucu; ölülerin yargıcı lahitinin bulunduğu yer Abidos'ta kültünün oluştuğu yerdir. Osiris, Nut ve Geb'in ilk çocuğuydu. Set, Nephthys ve İsis'in kardeşiydi, aynı zamanda İsis'in kocasıydı. Horus, İsis'ten oğluydu. Bir hikâyeye göre Nephthys, İsis gibi davranarak ve Osiris'i baştan çıkarmış ve Anubis'i doğurmuştur. Osiris adı bu tanrıya eski Yunanların verdiği bir addır. Osiris'in eski Mısırcadaki asıl adı "gözün yeri" anlamındaki "As-âr"dır (ya da Usire). Bu ad, hiyeroglif yazısı ile yazılırken iki ideogram kullanılarak yazılır; kullanılan iki ideogramdan biri taht, diğeri gözdür.

Osiris başta erkeklerin dünyasının kural koyucusu olmuş ve Ra gökyüzüne kural koymak için dünyayı bıraktığında kardeşi Set, Osiris'i öldürdü. İsis'in sihri sayesinde tekrar yaşama döndü. İlk ölen yaşayan canlı olduğu için sonraları ölülerin lordu oldu. Oğlu Horus, onun ölümünün öcünü aldı. Set'i yendi ve onu batı Mısır'ın çölüne (Sahra) gönderdi.

Tüm Mısır tarihi boyunca dualar ve büyüler Osiris'e yöneltilmişti, onu kutsayarak kendisinin kural koyduğu öbür dünyaya girmesi umulmuştu, özellikle Orta krallık döneminde popularitesi arttı. 18. sülale döneminde Mısır'da en çok tapılan tanrı olmuştu. Osiris'in popularitesi, Mısır tarihinin en son evrelerine kadar sürdü.

Mısır, tarihinin ilk dönemlerinde farklı kabilelerden, daha sonra da farklı nomoslardan oluştuğu için, Mısır panteonu çok sayıda tanrı ile doludur. Osiris ise Geb ve Nutun ilk oğlu yer altı dünyasının hakimidir. Geb ve nutun dört çocuğu olmuştur Osiris İsis Seth ve Nepht'tir. Efsaneye göre Osiris İsis'e âşıktır. Yani İsis hem Osirisin eşi hem kardeşidir.
Bir gün İsis bir plan kurar bu planla eşi Osiris'i kral yapmaktır.

Ölülerin Kralı Oluşu
Bir gece Ra (o zamanlar kral Ra idi) uyurken İsis Ra'nın tükürüğünü alır ve tükürüğü kille karıştırır ve bir yılan yaratır. O gece yılan Ra'yı ısırır, ısırık Ra'yı mahveder, kimse onu iyileştiremez. İsis'de Ra'ya gizli adını söylerse onu iyileştirebileceğini söyler. Ra bunu kabul eder ve adını söyler, İsis Ra'yı iyileştirir ama onun üzerinde büyük bir güce sahip olur. Osiris'in kral olması için Ra'yı tahtı bırakıp göklere çekilmesi için zorlar, Ra ise bunu kabul etmek zorunda kalır. Ve taht Osiris'e kalır, artık Osiris Tanrıların, insanların ve her şeyin kralıdır.

Osiris'in erkek kardeşi Set Osiris'in kral olmasına çok içerler. Çünkü Set Ra'nın en vefakâr yardımcısıdır ve Ra yok iken ağabeyinin kral olmasına kendisinin olamamasına sinirlenir, tahta geçmeyi kafasına koyar. Savaşarak kazanamayacağını bilir çünkü Osiris Set'ten kat be kat güçlüdür, bir ordu kursa bile var olan her canlı Osiris sevmekte ve onun yönetiminden çok memnundur bu yüzden Set bir plan yapar. Bu plana göre Set, Osiris'in ölçülerine göre bir uyuma tabutu hazırlatır ve sandığı en değerli taşlarla süsletir ve sadece Osiris'in sığabilmesi için büyüler. Set, bundan sonra kendisine yardım eden yetmiş iki kişiyle birlikte planını uygulamaya koyulur. Seth büyük bir yemek verir ve Osiris'i de çağırır. Osiris hiçbir şeyden şüphelenmeyerek yemeğe gider. Yemeğin sonunda Set tabutu çıkarır ve sığacak olan kişiye hediye edeceğini söyler, her Tanrı dener şekil değiştirseler bile sığamazlar sona Osiris kalır İsis'in uyarılarına rağmen gene de dener Osiris tabutu yatar yatmaz Set kapağı kapatır üzerine erimiş kurşun döker Tanrılar engellemeye çalışsa da Set onları durdurur ve tabutu Nil Nehrine atar. Tabutun karaya  çıktığı yerde ise süratle büyüyen bir ağaç sandığı gövdesinin içine almıştır. Byblos Kralı Malkandros bu ağacı gördüğünde hayran kalır ve ağacı kestirerek sarayına sütun olarak diktirmeye karar verir. Ağaç kesildiğinde çok güzel bir koku çıkarmıştır. Bu olay Isis'in kulağına kadar gelmiştir. İsis durumu anlar ve Malkandros'un sarayına gider. Burada önce Astarte'nin çocuğunun dadısı olur. İsis bir gün çocuğu ölümsüz yapmak ister ve bu amaçla çocuğu ölümsüzlük ateşine batırır. Bunu gören kraliçe çığlıklar atarak İsis'i engeller.
İsis kendini tanıtmak zorunda kalır. Daha sonra Kral Malkandros'dan izin alarak ağacın gövdesini açar ve içinden tabutu alır. İsis tabutu vatanına götürdükten sonra, Osiris'i büyüsüyle hayata döndürmek üzereyken Set İsis'e saldırır. Set Osiris'in bedenini 14 parçaya ayırır ve bu parçaları Mısır toprakları üzerine dağıtır. İsis ve Set'in eşi Neftis bütün Mısır'ı dolaşarak Osiris'in bedeninin parçalarını toplar ve parçaları her bulduğu yere bir tapınak diker. Bu yüzden Mısır'ın birçok yerinde, içinde Osiris'in cesedinin bulunduğu söylenen birçok tapınak vardır.

Osiris'in parçalarını topladıktan sonra Neftis'in oğlu Anubis mumya bezleriyle Osiris'i sarar ve Osiris hayata döner. Efsanenin sonunda ise Osiris'in oğlu Horus Set'i yener. Bu noktada efsane ikiye ayrılır.

1. Yorum
Yeniden canlanan Osiris artık bu dünyada yaşamak istemez ve hükmetmek için ölüler ülkesine gitmeyi tercih eder. Burada yine Anubis ile birlikte olacaktır. Anubis ölüleri yargılanması için Osiris'e getirecektir.

2. yorum
Osiris'in tüm parçaları bir araya getirilirken 1 parçası eksik kalmıştır. (Penisi) Bu parçanın yokluğu nedeniyle yeryüzüne hükmedemez ve o yüzden ölülerin kralı olmakla yetinir. Fakat bu yorumda Horus, Osiris'in tekrar doğduktan sonra edindiği bir çocuktur ve malum parçanın yokluğunda bu olayın nasıl gerçekleştiği ise bir muammadır.

Mitlerde Osiris
Osiris, öte âlemin, ölüm ötesinin, yargılamanın ve yeniden doğuşun tanrısıdır. Ölüler aleminin hükümranlığı Osiris'in ellerindedir. O, ölüm olayı ile bedenlerini terk edenleri karşılar ve onların ölüm ötesindeki mukadder yaşamlarına başkanlık eder. İnsanlara çok şey veren ve öğreten Osiris, yaratılışla ilgili olarak tohumla da ilişkilendirilir ki, atribülerinden biri başaktır. O bir tohumu andırır, buğday tohumu gibidir. Ama o, evrendeki her şeyin tohumlarını içerir.

Osiris hep sivri külah başlığıyla, ayakları bitişik olarak tasvir edilir. Kimi zaman başında taç ve iki veya daha fazla tüy bulunur. Tasvirlerinde vücudu ya sargılıdır ya da balık pullarıyla kaplıdır. Elleri göğüste çapraz vaziyettedir ve bir kraliyet kırbacı ile bir de baston tutar. Tuttuğu bastonun üzerinde Sirius yıldızının bazı sembolleri bulunur ki, bu sembollerden ikisi köpek başı ve yaydır. Kimi yazarlar Osiris'i Sirius-B, İsis'i Sirius-A yıldızıyla ilişkilendirirler.

Kaynakça

Ayrıca bakınız

 Osiris dini

Dış bağlantılar

Yeraltı tanrıları
Ahiret tanrıları
Mısır tanrıları
Yeşil adam
Tarım tanrıları
Bereket tanrıları
Sağlık tanrıları
Ay tanrıları
Orta Doğu tanrıları
Mitolojik krallar
Doğa tanrıları

Osiris


Music Has the Right to Children is the debut studio album by Scottish electronic music duo Boards of Canada, released on 20 April 1998 in the United Kingdom by Warp and Skam Records and in the United States by Matador. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, found sounds and samples, and hip hop-inspired rhythms that had been featured on their first two EPs Twoism (1995) and Hi Scores (1996).

The album received critical acclaim upon its release, and has since been acknowledged as a landmark work in electronic music, going on to inspire a variety of subsequent artists. It has been included on various best-ever lists by publications such as Pitchfork and Mojo.

Background
The members of Boards of Canada, brothers Michael Sandison and Marcus Eoin, had been creating music together as early as 1981, layering synths over cassette recordings of shortwave radio. Throughout the 1990s, the band were members of the Hexagon Sun artistic collective based in Pentland Hills, Scotland, and released self-produced cassettes produced in small quantities and given to friends and family members. According to Eoin,"We'd been recording in various forms of the band as teens through much of the '80s, and already had a big collection of our own old crappy recordings that we were really fond of. Then, around 1987 or 1988, we were beginning to experiment with collage tapes of demos we'd deliberately destroyed, to give the impression of chewed up library tapes that had been found in a field somewhere. That was the seed for the whole project. In those days, everyone used to have drawers full of unique cassettes with old snippets from radio and TV, it's kind of a lost thing now, sadly. To me, it's fascinating and precious to find some lost recordings in a cupboard, so part of it was an idea to create new music that really felt like an old familiar thing."In 1996, the band completed their first wide release, the Hi Scores EP, and began sending it out for record labels to hear. Sean Booth of Autechre heard the EP, and suggested that the band get in touch with SKAM Records, whose first release had been Booth's LEGO Feet album in 1991. SKAM released Hi Scores, and invited the band to produce a full-length follow-up. At the same time, the band established a relationship with Warp Records, who also wished to release an album by the band. As a compromise, the album would eventually be jointly released by both labels.

Production and recording
The album was recorded in the duo's studio in Pentland Hills, which had been described as a "bunker" by various media publications. The duo described this as "just an exaggeration on the part of the record label" in an interview around the time of the album's release.

The album features the duo utilizing samplers, intentionally detuned vintage synthesizers, drum machines and reel to reel tape recorders. It also incorporates a wide variety of samples, including several from the children's television program Sesame Street in tracks such as "The Color of the Fire" and "Aquarius". The track "Happy Cycling" samples the sound of the red-legged seriema from Vangelis' score for the 1976 documentary La Fête sauvage.

During the production of the track "Rue the Whirl", the studio's window was left open, and the sound of birds was accidentally recorded into the track. The duo decided that the track was enhanced by the natural sounds, and left it in.

"Smokes Quantity" first appeared on Twoism in 1995, and several other tracks previously appeared on the duo's 1996 limited release Boc Maxima, albeit in different forms. "The Color of the Fire" first appeared in a shorter form on A Few Old Tunes as "I Love U". The short vignettes appended to the end of "Triangles and Rhombuses" and "Sixtyten" predate the album and are sourced from the duo's own library of shorter tracks and demos, which they have sampled throughout their discography.

 Music and style
In interviews, the band has identified Devo, Wendy Carlos, DAF, TV and film soundtracks, Jeff Wayne, Julian Cope, My Bloody Valentine, 1980s pop music, and Seefeel as influences of the album's sound. According to Eoin, the band was uninterested in the styles of electronic music that were popular at the time of the album's creation, and that creating dance music was not a priority for them.

According to the band, the album's titles contain "cryptic references that the listener might understand or might not," many of them personal to the band.  "Our titles are always cryptic references which the listener might understand or might not. Some of them are personal, so the listener is unlikely to know what it refers to. Music Has the Right to Children is a statement of our intention to affect the audience using sound. "The Color of the Fire" was a reference to a friend's psychedelic experience. "Kaini Industries" is a company that was set up in Canada (by coincidence in the month Mike was born), to create employment for a settlement of Cree Indians. "Olson" is the surname of a family we know, and "Smokes Quantity" is the nickname of a friend of ours.""Pete Standing Alone" shares its name with the main character of the documentary Circle of the Sun (1960) directed by Colin Low and released by the National Film Board of Canada.

 Album art and packaging
The album cover is a modified version of a family photo taken at Banff Springs in Alberta, Canada.  According to Sandison,"If there's sadness in the way we use memory, it's because the time you're focusing on has gone forever… It's a theme we play on a lot, that bittersweet thing where you face up to the fact that certain chapters of your life are just Polaroids now."
The original CD was released in a traditional jewel case, while the 2004 re-release was packaged in digipak format. "Happy Cycling" was mistakenly left off 500 copies of the initial North American release of the album despite the artwork indicating that the song was included. The vinyl record was released in a gatefold sleeve with a sticker that wrote the band's name in braille attached to it.

Critical reception

The album received widespread acclaim upon release. In 2014, AllMusic called it "a landmark for electronic listening music that was widely copied." Fact called it "an adult meditation on childhood, concerned with play, naïveté and nostalgia, all tinted with rosy pastoralism," but "also devilishly subtle, intricate and emotionally mature." Slant Magazine described the album as "nestled somewhere in between the warm hues of 1970s flocked wallpaper and the sleek electronic sheen of the future." Pitchfork stated that the duo "tapped into the collective unconscious of those who grew up in the English speaking West and were talented enough to transcribe the soundtrack."

 Legacy and influence
Since its release, the album has frequently been included in lists of greatest albums of all time. Music Has the Right to Children featured at number 26 on Pitchforks "The 150 Best Albums of the 1990s" list, as well as number 2 on its "50 Best IDM Albums of All Time" list released in 2017. It was ranked number 91 in Mojo magazine's "100 Modern Classics" list.  The album was also included in the book 1001 Albums You Must Hear Before You Die.

The album has been noted as a major influence on the electronic music genre. Reflecting on its 20th anniversary, Sean O'Neal of The A.V. Club noted that "it practically created its own subgenre, inspiring a legion of artists who had similar goals of getting inside your head." Fact'' magazine identified Lone, Gold Panda, Lapalux, Tim Hecker, Leyland Kirby, Bibio, Four Tet, and Ulrich Schnauss as musicians directly influenced by the album, calling it not "just a classic album or many people's personal favourite," but also "an artifact in its own lifetime, a present-day relic that recalls an innocent time in more ways than one."

Track listing

Charts

Certifications

References

External links
 Music Has the Right to Children at Warp

1998 debut albums
Ambient techno albums
Boards of Canada albums
Matador Records albums
Skam Records albums
Warp (record label) albums

Music Has the Right to Children


Rachel Tobac est une hackeuse éthique américaine. Elle se spécialise dans l'hameçonnage téléphonique, une technique d'ingénierie sociale. Elle est la directrice générale de SocialProof Security, une entreprise de sécurité spécialisée en ingénierie sociale qu'elle a fondée avec son mari. À plusieurs reprises, elle démontre publiquement des failles de sécurité en obtenant des informations privées sur une personne qui avait consenti à participer à l'exercice.

Biographie
Rachel Tobac fait des études universitaires en neurosciences et béhaviorisme, avant de se lancer dans la sécurité de l'information. Elle fait ses débuts au concours Social Engineering Capture The Flag (SECTF) de la convention DEF CON à Las Vegas, dans lequel elle remporte la deuxième place trois années consécutives. Le concours SECTF est un événement devant une audience en direct où plusieurs participants sont en concurrence pour obtenir des informations, qu'ils doivent se procurer en utilisant l'ingénierie sociale. Cet intérêt de Tobac pour l'ingénierie sociale et en particulier l'hameçonnage téléphonique se mue par la suite en carrière dans la sécurité de l'information. Elle devient une white hat, une hackeuse qui utilise ses aptitudes pour démontrer des failles de sécurité. Tobac n'est pas une programmeuse ; son talent réside plutôt dans sa capacité à se faire passer pour quelqu'un d'autre. Elle fait notamment de l'improvisation théâtrale depuis ses dix ans. Elle dit avoir appris tout ce qu'elle sait en ingénierie sociale en étudiant les experts du domaine, notamment Christopher Hadnagy.

En 2017, Rachel Tobac co-fonde l'entreprise SocialProof Security avec son mari, Evan Tobac. L'entreprise, qu'elle dirige, se spécialise dans la protection contre l'ingénierie sociale et effectue des tests d'intrusion (pentests). Tobac siège également au conseil d'administration de Women in Security and Privacy (WISP), une organisation basée à San Francisco qui promeut le rôle des femmes dans le monde de la cybersécurité et du hacking.

En 2019, à la demande de Donie O'Sullivan, un journaliste pour CNN Business, Tobac parvient à obtenir sur lui des informations privées, uniquement en faisant des recherches sur le web et en passant des appels téléphoniques.

Le 3 novembre 2019, un épisode de Last Week Tonight with John Oliver sur la thématique des machines de vote électronique passe un extrait d'une vidéo de Tobac qui expose les faiblesses des postes de vote.

En 2022, Rachel Tobac démontre une fois de plus ses compétences en piratant les informations privées du milliardaire Jeffrey Katzenberg, qui avait préalablement consenti à être sa cible. La démonstration est faite à la demande d'Aura, une entreprise de protection de l'identité en ligne, dont Katzenberg est un investisseur. Aura publie une vidéo dans laquelle on peut voir Tobac travailler avec son mari. Dans cette vidéo, Rachel Tobac explique que ce dernier gère la programmation du piratage, alors qu'elle-même est chargée de l'ingénierie sociale. Le couple parvient entre autres à obtenir une image du permis de conduire de Jeffrey Katzenberg, le mot de passe de son ordinateur, ainsi qu'à accéder à ses courriels. Par la suite, Tobac et Katzenberg donnent une conférence en ligne au festival South by Southwest avec Hari Ravichandran, fondateur et directeur général d'Aura.

Références

Liens externes

Technologies de l'information et de la communication
Hacker (sécurité informatique)

Rachel Tobac


පින්නදූවගේ චතුරංග ද සිල්වා (උපත 1990 ජනවාරි 17) නොහොත් චතුරංග ද සිල්වා සීමිත ඕවර ක්‍රිකට් ක්‍රීඩා කරන වෘත්තීය ශ්‍රී ලංකා ක්‍රිකට් ක්‍රීඩකයෙකි. චතුරංග ද සිල්වා අධ්‍යාපනය ලැබුවේ ගාල්ල ශාන්ත ඇලෝසියස් විද්‍යාලයෙන් වන අතර එහිදී ඔහු ක්‍රිකට් දිවිය ආරම්භ කළේය. ඔහු ප්‍රධාන වශයෙන් වමත් පිතිකරුවෙකු වන නමුත් පහසුවෙන් පන්දු යවන්නේ මන්දගාමී වමත් ඕතඩොක්ස් ක්‍රීඩකයෙකි. ඔහු සීමිත ඕවර ජාත්‍යන්තර තරඟ සඳහා ශ්‍රී ලංකා ජාතික ක්‍රිකට් කණ්ඩායම නියෝජනය කර ඇත. ඔහු ශ්‍රී ලංකා තුන් ඉරියව් ක්‍රීඩක වනිඳු හසරංග ද සිල්වාගේ වැඩිමහල් සහෝදරයාය.

පෞද්ගලික ජීවිතය
 ඔහුගේ බාල සොහොයුරා වනිඳු හසරංග ද සීමිත ඕවර ක්‍රිකට් ක්‍රීඩකයෙකි, ඔහු 2017 ජූලි 2 වන දින සිම්බාබ්වේට එරෙහිව ආරම්භ විය.

දේශීය වෘත්තිය දිවිය
2018 මාර්තු මාසයේදී, ඔහු 2017-18 Super Four පළාත් තරඟාවලිය සඳහා ගාල්ල කණ්ඩායමට නම් කරන ලදී.   ඊළඟ මාසයේ, ඔහු 2018 සුපිරි පළාත් එක්දින තරඟාවලිය සඳහා ගාල්ල කණ්ඩායමට ද නම් කරන ලදී.

2018 අගෝස්තු මාසයේදී, ඔහු 2018 SLC T20 ලීගයේ කොළඹ සංචිතයට නම් කරන ලදී.  2019 පෙබරවාරි මාසයේදී ශ්‍රී ලංකා ක්‍රිකට් විසින් ඔහුව 2017-18 SLC විස්සයි20 තරඟාවලියේ තරඟාවලියේ ක්‍රීඩකයා ලෙස නම් කරන ලදී.  2019 මාර්තු මාසයේදී ඔහු 2019 සුපිරි පළාත් එක්දින තරඟාවලිය සඳහා මහනුවර සංචිතයට නම් කරන ලදී.  2020 ඔක්තෝම්බර් මාසයේදී, ලංකා ප්‍රිමියර් ලීගයේ සමාරම්භක සංස්කරණය සඳහා යාපනය ස්ටැලියන්ස් විසින් ඔහුව කෙටුම්පත් කරන ලදී.  2021 අගෝස්තු මාසයේදී, ඔහු 2021 SLC Invitational T20 League තරඟාවලිය සඳහා SLC Grays කණ්ඩායමට නම් කරන ලදී.  2021 නොවැම්බර් මාසයේදී, 2021 ලංකා ප්‍රිමියර් ලීග් සඳහා ක්‍රීඩකයන්ගේ කෙටුම්පතෙන් පසුව ඔහු යාපනය කිංග්ස් වෙනුවෙන් ක්‍රීඩා කිරීමට තෝරා ගන්නා ලදී.  2022 ජූලි මාසයේදී, ඔහු ලංකා ප්‍රිමියර් ලීග් තුන්වන සංස්කරණය සඳහා දඹුල්ල ජයන්ට් විසින් අත්සන් කරන ලදී.

ජාත්‍යන්තර වෘත්තිය දිවිය
ද සිල්වා දකුණු අප්‍රිකාවට එරෙහි තරඟාවලිය සඳහා ශ්‍රී ලංකා සංචිතයට මුලින්ම තේරී පත් විය. ඔහු 2014 පෙබරවාරි 25 වන දින ආසියානු කුසලාන තරඟාවලියේදී පකිස්ථානයට එරෙහිව ශ්‍රී ලංකාව වෙනුවෙන් සිය මංගල එක්දින තරඟයට පිවිසියේය. තරගයේ දී ඔහු ජයග්‍රාහී මාවතක කඩුලු 4ක් දවා ගත්තේය. අනතුරුව බංග්ලාදේශයට එරෙහිව පැවැති මීළඟ තරගයේදී ඔහු ලකුණු 44ක් රැස් කළේය.

ඔහු 2015 ජූලි මාසයේදී පකිස්ථානයට එරෙහි තරඟාවලිය සඳහා ශ්‍රී ලංකා විස්සයි20 ජාත්‍යන්තර (T20I) සංචිතයට නම් කරන ලද නමුත් කිසිදු තරඟයක් ක්‍රීඩා කළේ නැත.  2017 ඔක්තෝම්බර් මාසයේදී, ඔහු පකිස්ථානයට එරෙහි තරඟාවලිය සඳහා ශ්‍රී ලංකා T20I සංචිතයට නම් කරන ලදී.  ඔහු 2017 ඔක්තෝම්බර් 29 වන දින පකිස්ථානයට එරෙහිව ශ්‍රී ලංකාව වෙනුවෙන් ඔහුගේ පළමු T20I ක්‍රීඩා කළේය.

යොමු කිරීම්

ජීවමාන ජනයා
1990 උපත්

චතුරංග ද සිල්වා


Dalmatinska nogometna liga – Sjever (također i kao Dalmatinska nogometna liga – Sjeverna skupina, Dalmatinska nogometna liga – Zapadna skupina) je bila jedna od dvije skupine Dalmatinske nogometne lige u sezoni 1973./74., četvrtog stupnja nogometnog prvenstva Jugoslavije.
Sudjelovalo je 14 klubova, a prvak je bio "Solin"

Ljestvica

Rezultatska križaljka

 Izvori:

Za prvaka Dalmatinske lige
Ujedno i kvalifikacije za Hrvatsku ligu. Igrano 9. i 16. lipnja 1974.

Solin izborio ulazak u Hrvatsku ligu.

 Izvori:

Povezani članci
 Dalmatinska nogometna liga 1973./74.
 Dalmatinska nogometna liga – Jug 1973./74.
 Hrvatska nogometna liga 1973./74.
 Prvenstvo NSO Split 1973./74.
 Prvenstvo NSO Šibenik 1973./74.

Izvori
 Jurica Gizdić: HNK Sloga : 90 godina nogometa u Mravincima : 1925. – 2015., Mravince, 2015., , str. 62-64
 Jurica Gizdić: 80 godina kliškog Uskoka, Klis, 2010., , str. 62-64
 Jurica Gizdić: HNK Trogir : 95 godina nogometa u Trogiru, Trogir, 2007., , str. 109-111
 Jurica Gizdić: Počelo je prije osam desetljeća, Kaštel Gomilica, 2004., , str. 84-86
 arhiv.slobodnadalmacija.hr, "Slobodna Dalmacija", br. 9081, god. XXXII, izdano 4. lipnja 1974., str. 8, preuzeto 13. studenog 2018.

1973-74
1973-74 sjever
Dalmacija

Dalmatinska nogometna liga – Sjever 1973./74.


Leonard Shaun Goater, MBE (born 25 February 1970) is a Bermudian former professional footballer, coach and pundit, he currently works as a youth coach at Manchester City.

As a player he was a striker for a number of English clubs in the 1990s and 2000s. Goater's first professional club was Manchester United, but he did not reach the first team, making his League debut in 1989 after moving to Rotherham United. He played for Rotherham for seven years before moving to Bristol City in 1996. Two years later he moved to Manchester City for a fee of £400,000.

He is most well known for his time at Manchester City, where he scored over 100 goals between 1998 and 2003, finishing as the club's top scorer for four consecutive seasons. After leaving City, Goater had spells with Reading, Coventry City and Southend United, before retiring in May 2006. He represented Bermuda 36 times, scoring 32 goals.

Early life
Goater was born in the Bermudian capital Hamilton, living with his mother Lynette, his grandmother and two aunts. His introduction to English football came in April 1987 when he was invited to join the Saltus Grammar School football and basketball tour. He spent two weeks playing against various English high school teams, including the Leicester City youth team. At the age of 17, he left home to further his education in the United States, where he had a soccer scholarship at Columbia High School, New Jersey. Whilst home in Bermuda during his Thanksgiving break, Goater was spotted by scouts from Manchester United, who invited him to England for a trial. With encouragement from his mother, who was a former football player herself, Goater accepted, forfeiting his scholarship by doing so. At this time, Goater did not play as a striker, but instead played as a creative midfielder.

Club career

Early career
Goater's trial resulted in the offer of a professional contract, but he did not break into the first team. In 1989, Goater signed for Rotherham United in order to play first team football. At this time, Goater suffered homesickness, finding it difficult to adapt to the English climate: "It took me a good two years to get used to life in England. At first I thought the sun never shone and it wasn't for me." However, he gradually got used to living in England, and over the course of seven seasons at Rotherham he gained a reputation as a reliable lower division striker, scoring 86 goals in 262 appearances, with a winner's medal for the 1996 Football League Trophy the highlight. A 1992 League Cup tie against Everton gave Goater his first experience of playing against a Premier League team. In the first leg, Goater scored the only goal of the game as Rotherham won 1–0. However, Everton won the return leg 3–0 and Rotherham were eliminated. In 1993, Goater also had a brief loan spell at Notts County, though he made only one appearance for the Nottingham club due to a work permit problem. Towards the end of the 1995–96 season, Goater had a disagreement with Rotherham manager Archie Gemmill, and decided his future lay elsewhere.

In the 1995–96 close season, Goater received offers from Spanish club Osasuna and newly formed South Koreans Suwon Samsung Bluewings, but having recently married, he decided to stay in England. Shortly after, he moved to Bristol City for a fee of £175,000. Goater's Bristol City debut came against Gillingham. Goater scored, but Bristol City lost 3–2. City finished the season in fifth, qualifying for the playoffs, but lost to Brentford. The following season Bristol City were pushing for promotion into the First Division, and Goater scored regularly, eventually being named in the PFA Team of the Year for the division. In a little under two years with Bristol City, he scored 45 goals in 81 appearances. On 26 March 1998, transfer deadline day, Goater signed for Manchester City, who paid Bristol City £400,000 for his services.

Manchester City
Goater joined Manchester City at a turbulent point in their history, with newly appointed manager Joe Royle battling to save the club from relegation to the Second Division. Goater scored three goals in the seven remaining matches of the 1997–98 season, but this was not enough to prevent the club from being relegated to the third tier of English Football for the first time ever. Fans were initially sceptical as to Goater's ability, but as goals were scored supporters were gradually won over, creating a song in his honour, "Feed The Goat And He Will Score" (to the tune Cwm Rhondda). The 1998–99 season saw Goater score 21 goals, finishing the season as Manchester City's top goalscorer. The last of these was the winning goal in a play-off semi-final against Wigan Athletic, sending Manchester City to Wembley Stadium for a playoff final which saw City promoted after a penalty shootout.

The 1999–2000 season was even more successful for Goater. He was the club's top goal scorer again, this time with 29 goals, and was named Manchester City's Player of the Year by the supporters after Manchester City were promoted for the second successive year. In the summer, Goater was awarded the freedom of Bermuda, with 21 June declared as "Shaun Goater Day" on the island. The following season, Goater made his first appearance in top flight football at the age of 30, though injury and the presence of new signings Paulo Wanchope and former World Player of the Year George Weah meant he had to wait three months to do so. Again established in the first team, Goater was Manchester City's top goalscorer for the third consecutive season, but his 11 goals could not save the team from relegation.

During the 2000–01 season, upheaval took place at Manchester City, with manager Royle departing to be replaced by Kevin Keegan. Goater was the club's top scorer with 11 goals in all competitions but not save the club from relegation back to the First Division. In the 2001–02 season, Goater became the first Manchester City player since Francis Lee in 1972 to score more than 30 goals in a season. City were promoted as champions, and he was the club's top scorer for the fourth time in a row, as well as being the top scorer in the division.

Over the summer of 2001–02, there was speculation that Goater would be transferred, as Manchester City had twice broken their transfer record by buying strikers Jon Macken and Nicolas Anelka. Goater stayed, but opportunities were limited. He started just 14 games, but scored seven goals, including his 100th for the club, which came in a derby match against local rivals Manchester United. In February 2003, Goater struck against the same opposition to score the fastest goal by a substitute in Premier League history, just 9 seconds after coming onto the pitch. He also scored a goal that would have won City the match, but it was disallowed.

Shortly before the end of the 2002–03 season, Goater announced his intention to leave Manchester City when the season finished in order to seek regular first team football. In his final match for Manchester City, he was asked to captain the side in Manchester City's final game at Maine Road. In total, Goater scored 103 goals in 212 appearances for Manchester City. Since ending his footballing career, Goater has been critical of both Kevin Keegan, who he claims never praised him, and Nicolas Anelka, who he feels wanted to be 'the daddy' of Manchester City.

Later career
Goater moved to Reading on 1 August 2003. Reading chairman John Madejski described the transfer as "the biggest in Reading Football Club's history", but Goater's time there was not a happy one. Shortly after Goater's arrival, Reading manager Alan Pardew left for West Ham United, and Pardew's replacement, Steve Coppell, did not regard Goater as part of his plans. In his second and final season at Reading, Goater played just four times, and was loaned to Coventry City. Goater then considered retirement, but instead moved to League One club Southend United for a final season as a professional. The move, a free transfer, was completed on 3 August 2005. At Southend, Goater acted as a mentor for young striker Freddy Eastwood, and contributed towards a second successive promotion for the Shrimpers, scoring 11 goals. His final appearance before retirement was on 6 May 2006, when Southend played Bristol City, one of Goater's former clubs. The crowd included an estimated 400 Manchester City fans who travelled to Southend to mark the occasion.

Goater and three other partners in the Bermuda-based East End Group Limited announced an amalgamation with Telecommunications Networks Limited (now renamed East End Telecom) on 9 November 2007, which added to the group's two other business subsidiaries, East End Asphalt and East End Aviation. Goater serves as the group's Business Development Manager.

When in England, Goater has made regular appearances in local media covering the Manchester area. These have included a column entitled "Read the Goat" in the official Manchester City match programme, and a regular guest spot on the BBC Radio Manchester programme Blue Tuesday.

International career
Goater has also played for the Bermudian national team 22 times, scoring 20 goals though due to Bermuda's lowly standing in world football he never played in a major international tournament. He made his first international appearance at the age of 17 against Canada. Other sources list him with 36 appearances, scoring 32 goals.

During the 1992–93 season, Goater missed eight weeks of the club season in order to represent his country in qualifying for the 1994 World Cup. However, Bermuda finished bottom of a group containing El Salvador, Canada and Jamaica. His final appearance was in June 2004 against El Salvador.

When playing for Bermuda, Goater was often the only professional player in the team. Bermudian journalist Chris Gibbons described the difference between Goater and his teammates: "He's a class above every other player on the island. Before he went to England he was just quick, but now he's a totally different player, a lot more aggressive and a much better header of the ball. The problem has been that he sets up chances for the others without them being on the same wavelength." However, Goater noted that this had a detrimental aspect: "My fitness dropped off while I was with Bermuda. It was like being on holiday. The team just ate what they liked. I kept to my professional diet for about two or three weeks until peer pressure took over."

International goals

Scores and results list Bermuda's goal tally first, score column indicates score after each Bermuda goal.

Coaching career
After retiring, Goater returned to Bermuda, receiving an official welcome from the Premier of Bermuda Alex Scott on his arrival. A week later, Southend played the Bermuda national team in an appreciation game for their former striker. Goater has expressed a wish to enter coaching following his retirement, and studied for the UEFA B coaching licence in 2005. Since 2003, Goater has organised the annual Shaun Goater Grass-roots Soccer Festival, a football coaching event for children in Bermuda. On 14 September 2006, Goater and the United Soccer Leagues announced that Bermuda would receive a professional football team that would play in the third division of American football, the USL Second Division. Goater had roles as both a director and player of the team, the Bermuda Hogges.

Goater left Bermuda Hogges in 2008, to concentrate on youth coaching with North Village Rams in his home town. He was appointed as the head coach in 2008. He served as the head coach of the Rams from 2008 to 2013, in the process winning seven trophies, including the league, three Friendship titles, Charity Cup and two Dudley Eve titles.

On 8 August 2015, it was announced that Goater would join Northern Premier League Division One North club New Mills as assistant manager to Andy Fearn. In September 2015, Fearn and Goater resigned from New Mills after nine defeats in nine games.

On 17 February 2017, Goater was appointed manager of Northern Premier League Division One North club Ilkeston.

On 5 February 2019, Macclesfield Town announced that they had hired Goater to the staff of their under-18s team.

On 8 October 2021, Goater returned to Manchester City as part of the Academy coaching staff. He joined his former club's Academy coaching staff as part of the Premier League's Coach Inclusion & Diversity Scheme (CIDS), a programme set up with the aim of increasing the number of Black, Asian and mixed heritage coaches working full-time in professional football. Goater was set to work across all the club's Academy age groups, from the foundation phase up to the professional development phase, in different roles to ensure the provision of a wide range of experience.

Personal life

Goater is married to Anita, his childhood sweetheart, and has two daughters, Amaya and Anais (born 3 October 2000 in Wythenshawe, Manchester). He was awarded the MBE in 2003 for services to sport and young people in Bermuda. His autobiography, Feed the Goat: The Shaun Goater Story was published in September 2006.

Honours

Player
Rotherham United
Football League Trophy: 1995–96

Manchester City
Football League Second Division play-offs: 1998–99
Football League First Division: 2001–02

Southend United
Football League One: 2005–06

Individual
Football League First Division top scorer: 2001–02
PFA Team of the Year: 1997–98, 2001–02
Manchester City Player of the Season: 1999-00
Member of the British Empire: 2003

Manager
North Village Rams
 Bermudian Premier Division: 2010–11
 Charity Shield (Super Cup): 2010–11
 Dudley Eve Trophy: 2009–10, 2010–11
 Friendship Trophy: 2009–10, 2010–11, 2011–12

References

External links

1970 births
Living people
People from Hamilton, Bermuda
Bermudian men's footballers
Men's association football forwards
Manchester United F.C. players
Rotherham United F.C. players
Notts County F.C. players
Bristol City F.C. players
Manchester City F.C. players
Reading F.C. players
Coventry City F.C. players
Southend United F.C. players
Bermuda Hogges F.C. players
North Village Rams players
Premier League players
English Football League players
USL Second Division players
Members of the Order of the British Empire
Expatriate men's footballers in England
Bermudian expatriate men's footballers
Bermudian expatriate sportspeople in England
Bermuda men's international footballers
Bermudian football managers
Manchester City F.C. non-playing staff
Manchester City W.F.C. non-playing staff

Shaun Goater


Manchester es una estación  de autobuses de tránsito rápido en la línea Plata del Metro de Los Ángeles. La estación se encuentra localizada en El Harbor Transitway en la Interestatal 110 en la intersección con la Avenida Manchester en Los Ángeles, California. La estación es administrada por el Autoridad de Transporte Metropolitano del Condado de Los Ángeles.

Servicios

Conexiones
Metro Express: 460, 550
LADOT Commuter Express: 438, 448
Orange County Transportation Authority: 701, 721
Gardena Transit: 1
Torrance Transit: 1, 2

Servicios en la Avenida Manchester
Metro Local: 45, 81, 115, 305
Metro Rapid: 745

Referencias

Enlaces externos

Mapa de la línea Plata
Metro Silver Line Destinations (en inglés)
Destinos de la línea Plata (en español)

Estaciones de la línea Plata (Metro de Los Ángeles)
Estaciones de autobuses de California

Manchester (Metro de Los Ángeles)


L'épreuve masculine de bob à deux des Jeux olympiques d'hiver de 2022 a lieu le 13 et le . Les trois équipages allemands montent sur le podium et la paire Friedrich/Margis  conserve le titre.

Déroulement de la compétition
Les coupe du monde 2021-2022 a vu le sacre du pilote allemand Friedrich devant le Canadien Justin Kripps ; Francesco Friedrich reste sur une série de 7 titres de champion du monde.

Dans la première manche, le premier record de piste est à mettre aux allemands Friedrich et Margis mais les nations fortes se tiennent à quelques dixièmes. Friedrich et Margis garde la tête à la fin de la première journée en gardant 15 dixième d'avance sur Johannes Lochner et Florian Bauer ; la surprise vient des Monégasques Rudy Rinaldi et Boris Vain qui remontent à la septième place grâce au troisième temps de la deuxième manche.

Pour les deux dernières manches, Friedrich et Margis confortent leur avance en remportant les runs trois et quatre avec un nouveau record de piste en 58,99 secondes. Le duo britannique Brad Hall et Nick Gleeson commettent une erreur de trajectoire dans le virage 13 et se retourne tout en franchissant la ligne d'arrivée.

Francesco Friedrich a conservé son titre olympique devant ses compatriotes Lochner et Hafer.

Calendrier

Médaillés

Résultats

Notes et références

Bobsleigh aux Jeux olympiques de 2022

Bobsleigh à deux masculin aux Jeux olympiques de 2022


BTK, Btk, etc. may refer to:

Biology and medicine
 Bacillus thuringiensis kurstaki (Btk), a soil-dwelling bacterium also used as an insecticide
 Bruton's tyrosine kinase, a protein
Btk-type zinc finger or Btk motif (BM), a zinc-binding motif present in some eukaryotic signalling proteins

Medicine

 BTK (below-the-knee amputation), amputation of the lower limb between the knee joint and the ankle joint

Music
 "BTK", a song by American band Exodus on their 2014 album Blood In, Blood Out
 "B.T.K. (Dennis Rader)", a song by Japanese band Church of Misery on their 2013 album "Thy Kingdom Scum"
 "Bind Torture Kill", a song by American band Suffocation on their 2006 self-titled album
 Bind, Torture, Kill, a 2006 album by Belgian band Suicide Commando
 Birth Through Knowledge, a Canadian hip-hop/rock band

Telecommunications
 Bulgarian Telecommunications Company, (БТК in Cyrillic)
 Information and Communication Technologies Authority in Turkey, (abbreviated as BTK in Turkish)

Transportation
 Baku–Tbilisi–Kars railway connecting Azerbaijan, Georgia and Turkey
 ICAO airline code for Indonesian airline Batik Air
 IATA airport code for Bratsk Airport, Russia

Other uses
 BTK, the ISO 639-2 and ISO 639-5 codes for Batak languages
 Dennis Rader (born 1945), American serial killer known as "BTK"
 Kaiser-Fleetwings XBTK, a US Navy dive and torpedo bomber
 Pillars of Truth (Boutokaan Te Koaua), a political party in Kiribati

See also
 Born to Kill (disambiguation)

BTK


The Poseidon Adventure is a 1972 American action adventure drama disaster film directed by Ronald Neame, produced by Irwin Allen, and based on Paul Gallico's 1969 novel of the same name. It has an ensemble cast including five Oscar winners: Gene Hackman, Ernest Borgnine, Jack Albertson, Shelley Winters, and Red Buttons. The plot centers on the fictional SS Poseidon, an aging luxury liner on her final voyage from New York City to Athens, before it is scrapped. On New Year's Day, it is overturned by a tsunami. Passengers and crew are trapped inside, and a preacher attempts to lead a small group of survivors to safety.

The film is in the vein of other all-star disaster films of the early through mid-1970s, such as Airport (1970), Earthquake (1974), and The Towering Inferno (1974). It was released in December 1972 and was the highest-grossing film of 1973, earning over $125 million worldwide. It was nominated for eight Academy Awards, and went on to win two Oscars, a Golden Globe Award, a British Academy Film Award, and a Motion Picture Sound Editors Award. A sequel, Beyond the Poseidon Adventure, also based on a novel by Gallico, was released in 1979.

Plot

In the Aegean Sea, the SS Poseidon, an ocean liner slated for retirement, travels from New York to Athens. Despite safety concerns from Captain Harrison, the new owner's representative insists he go full speed to save money, preventing Poseidon from taking on ballast.

Reverend Frank Scott, a minister who believes "God helps those who help themselves", is traveling to a new parish in Africa as punishment for unorthodox views. Detective Lieutenant Mike Rogo and wife Linda, a former prostitute, deal with her seasickness. Susan Shelby and her younger brother Robin are traveling to meet their parents. Interested in how the ship works, Robin frequently visits the engine room. Retired Jewish store owner Manny Rosen and wife Belle are going to Israel to meet their 2-year-old grandson for the first time. Haberdasher James Martin is a love-shy, health-conscious bachelor. The ship's singer, Nonnie Parry, rehearses for the New Year's celebration.

As passengers gather in the dining room to celebrate, the captain is called to the bridge in response to a report of an undersea earthquake. A few second after midnight, he receives word from the lookout that a tsunami is approaching from the direction of Crete. After issuing a distress signal, the ship is hit broadside and capsizes, floating upside-down. The escape route can only be found "upwards", at the outer hull, now above water.

In the dining room, dozens of survivors take stock of their predicament. Acres, an injured waiter, is trapped at the galley door now high above. Scott attempts to convince everybody to travel with him to the ship's hull, which is only  thick. The ship's purser, on the other hand, tells the crowd to wait for help. Most of the survivors side with the purser. The Rosens, the Rogos, Susan, Robin, Acres, Nonnie, and Martin agree to go with Scott, using a Christmas tree as a ladder. After the group climbs to the galley, there is a series of explosions. As seawater floods the dining room, those remaining attempt to climb the tree, but their weight causes it to fall. Water fills the room, and the ship begins sinking.

Scott leads his group toward the engine room. While they are climbing a ladder inside a ventilation shaft, the ship rocks from more explosions. Acres falls and perishes. Leaving the shaft, the group meets a large band of survivors led by the ship's doctor, heading toward the bow. Scott believes they are heading for their doom. However, Rogo wants to follow them and gives Scott 15 minutes to find the engine room. Although he takes longer than allowed, Scott succeeds.

The engine room is on the other side of a flooded corridor. Belle reveals she is a former competitive swimmer and volunteers to go through, but Scott refuses her and dives in. Halfway through, a panel collapses on him. The survivors notice the delay, and Belle dives in. She frees Scott, and they make it to the other side, where Belle suffers a heart attack. Before dying, she tells Scott to give her Chai pendant to Manny, to give to their grandson. Rogo swims over to make sure Belle and Scott are all right, then leads the rest over. When Manny finds Belle's body, he is unwilling to go on, but Scott gives him her pendant, reminding him that he has a reason to live.

Scott leads the survivors to the propeller shaft room's watertight door, but additional explosions cause Linda to lose her grip and fall to her death. A heartbroken Rogo blames Scott. A ruptured pipe releases steam, blocking their escape. Scott rants at God for the survivors' deaths as he leaps across a pool of flaming oil, grabbing onto the burning-hot valve wheel to shut down the steam. Dangling from the wheel, Scott shouts at a despondent Rogo to get the group through the final door. After several moments of inaction, Scott's grip on the wheel releases and he falls to his death.

Rogo finally leads the remaining survivors through the door and into the propeller shaft tunnel. They hear a noise from outside and bang on the hull to attract attention. The rescuers cut through the hull, assist the six survivors from the ship, inform them that no one else survived, and fly them to safety.

Cast

 Gene Hackman as Reverend Frank Scott
 Ernest Borgnine as Detective Lieutenant Mike Rogo
 Red Buttons as James Martin
 Carol Lynley as Nonnie Parry
 Roddy McDowall as Acres
 Stella Stevens as Linda Rogo
 Shelley Winters as Belle Rosen
 Jack Albertson as Manny Rosen
 Pamela Sue Martin as Susan Shelby
 Arthur O'Connell as Chaplain John
 Eric Shea as Robin Shelby
 Leslie Nielsen as Captain Harrison
 Fred Sadoff as Linarcos
 Byron Webster as Purser
 Jan Arvan as Dr. Caravello
 Sheila Mathews as Nurse
 John Crawford as Chief Engineer
 Bob Hastings as M.C.
 Erik Nelson as Tinkham

Casting
Sally Kellerman was considered for the role of Linda Rogo. Petula Clark was offered the role of Nonnie Parry, but turned it down. Gene Wilder was originally cast as James Martin, but then later dropped out. Burt Lancaster was offered the role of Reverend Frank Scott, but turned it down as he didn't feel the role was right for him.

Production
The novel was acquired by Avco Embassy Pictures in 1969 and Allen's Kent Productions signed a deal with them to make three movies, including The Poseidon Adventure. Avco Embassy cancelled the production, and it moved to 20th Century-Fox who contributed half of the budget. Steve Broidy and Sherrill Corwin helped finance the rest.

Parts of the movie were filmed aboard , permanently berthed in Long Beach, California. Paul Gallico had been inspired to write the novel after a vacation aboard the ship in 1937 in which it was rocked by high waves. For scenes set during the storm, cameras mounted on gyros were used to simulate the rocking of the ship. The set for the dining room – the focus of the film as the ship capsizes – was designed to match that of the Queen Mary, but was built in sections that could be tilted by a forklift to simulate the ship rolling over, then mounted upside down for the scenes immediately afterward.

Music
The score for the film was composed and conducted by John Williams. The song "The Morning After", written by Al Kasha and Joel Hirschhorn, won the 1972 Academy Award for Best Original Song at the 45th Academy Awards in March 1973. It was performed in the film by Renée Armand, dubbing for Carol Lynley. A version of "The Morning After" performed by Maureen McGovern became a hit single in 1973.

There was no soundtrack album at the time of the film's release. The score was first released as a CD by Film Score Monthly in July 1998. A remastered version was released by La-La Land Records on April 20, 2010. La-La Land Records released a second, newly remastered edition of Williams' score on December 3, 2019, as part of a boxset also including Williams' scores for Earthquake and The Towering Inferno.

Release
The Poseidon Adventure opened Tuesday, December 12, 1972, as the first film at the newly opened National Theatre in Times Square in New York City.

Home media
It has been released on VHS, Betamax, Laserdisc, DVD, and Blu-ray.

Reception

Critical reception

Review aggregator Rotten Tomatoes reports that 79% of 29 critics gave the film a positive review, and the average score is 7/10. The critical consensus reads: "The Poseidon Adventure exemplifies the disaster film done right, going down smoothly with ratcheting tension and a terrific ensemble to give the peril a distressingly human dimension". Metacritic gave the film a score of 70 based on 10 reviews, indicating "generally favorable reviews".

Roger Ebert gave the film two-and-a-half stars out of four and called it "the kind of movie you know is going to be awful, and yet somehow you gotta see it, right?" A. H. Weiler of The New York Times wrote that "though tensions slacken and credibility is strained here, realistic technical effects make the stricken ship and the efforts of its survivors to escape a fairly spellbinding adventure". Variety called the film "a highly imaginative and lustily-produced meller" with "some of the most exciting sequences seen in years". Gene Siskel gave the film three stars out of four and wrote that "the film's technical excellence—special effects, production design, and the stars doing their own stunts—holds one's interest". Charles Champlin of the Los Angeles Times wrote that "the special effects—the genuinely remarkable production values and technical wizardries—sweep everything else aside. Are the characters as gaudy and thin as cereal boxes? Is the dialog banal and shrill? Is the moralizing heavy-handed and relentless? Is the hokum a bit thick even in the context of a showmanship special? Well, yes. But who cares?" Gary Arnold of The Washington Post wrote that the film was "strictly formula hokum, but reasonably diverting if one doesn't ask for more than the filmmakers care to give—that is, for imaginative writing and direction. As usual, only the special effects and set designers and the stunt men have been permitted to be playful and creative".

Box office
The film expanded to 205 engagements by Christmas Day with a gross to that date of $2,604,168 in the United States which made it the number one film at the US box office. It remained at number one through the New Year period but was displaced by The Getaway for one week before returning to number one for 8 consecutive weeks. It spent another two weeks at number one for a total of 12 weeks atop the box office. The film went on to earn theatrical rentals of $40 million in the United States and Canada in 1973 being the highest-grossing film of the year. The film was reissued in June 1974 and was number one at the US box office in its first week. The film earned rentals of $75 million worldwide, from a worldwide gross of over $125 million.

Awards and nominations

TV premiere
When the film made its network television premiere on ABC on October 27, 1974, it earned a Nielsen rating of 39.0 and an audience share of 62%, making it the sixth-highest rated film to ever air on network television.

Legacy
The Poseidon Adventure has become a cult film. It is in the vein of other all-star disaster films of the 1970s, such as Airport, and later ones like Earthquake (1974) and The Towering Inferno (1974). It is listed in Golden Raspberry Award founder John Wilson's book, The Official Razzie Movie Guide, as one of The 100 Most Enjoyably Bad Movies Ever Made.

Mad'''s September 1973 edition satirized the movie as "The Poopsidedown Adventure". Its cover was the first Mad cover not to show Alfred E. Neuman's face. Instead, he is shown floating upside down with only his feet in sight jutting out from an SS Poseidon life preserver. It became the best-selling issue in the magazine's history.

Sequel and remakes
A 1979 sequel, Beyond the Poseidon Adventure, which was also based on a novel by Gallico, was released later with an equally star-studded cast.The Poseidon Adventure has been remade twice, first as a television special in 2005 with the same name, and as a theatrical release titled Poseidon in 2006.

 See also
 List of American films of 1972
 The Last Voyage'' (1960)
 Survival film, about the film genre, with a list of related films

References

External links

1972 films
1970s disaster films
1970s thriller films
1970s American films
20th Century Fox films
American disaster films
American survival films
American thriller films
Films scored by John Williams
Survival films
Films about death
Films about survivors of seafaring accidents or incidents
Films based on American novels
Films based on thriller novels
Films based on works by Paul Gallico
Films directed by Ronald Neame
Films featuring a Best Supporting Actress Golden Globe-winning performance
Films produced by Irwin Allen
Films set on ships
Films that won the Best Original Song Academy Award
Films set around New Year
Films with screenplays by Stirling Silliphant
Films with screenplays by Wendell Mayes
Sea adventure films
Seafaring films
1972 drama films
Films set in the Mediterranean Sea
1970s English-language films
Films set on ocean liners

The Poseidon Adventure (1972 film)


NK Sloga je bivši bosanskohercegovački nogometni klub iz Gubera kod Livna.

Povijest

Klub je osnovan nakon 1959. godine. Po osnivanju, igrao je u ligi Livanjskog nogometnog podsaveza (1959. – 1963.). Tijekom 1970-ih i početkom 1980-ih Sloga je igrala u Hercegovačkoj zoni.

U sezoni 1984./85. pod nazivom Sloga Cincar osvajaju Međuopćinsku ligu Mostara te sljedećih godina igraju u južnoj skupini Regionalne lige BiH.

Izvori

Nogometni klubovi u Hercegbosanskoj županiji
Bivši bosanskohercegovački nogometni klubovi
Šport u Livnu

NK Sloga Guber


Conflito (en español, Conflicto) fue una telenovela brasileña producida por lo SBT (Sistema Brasileño de Televisión) y exhibida de 29 de octubre de 1982 a 10 de enero de 1983. Fue protagonizada por Ana Rosa, Jonas Mello y Wilson Fragoso, con dirección de Waldemar de Moraes, Renato Petrauskas y David Grimberg y adaptada de la original mexicana Conflicto de Marissa Garrido por Suzana Colonna.

Trama

Los milionários Altamirano - Miguel y Rosa - no aceptan el matrimonio de su hijo Eduardo con una de las empleadas de sus empresas, y se niegam a reconocer a los tres nietos, porque descubren que uno de ellos es adoptado.

Pero un nuevo conflicto altera el estado de ânimo de la família. Gustavo, hermano de Eduardo, interesarese por Andréa, para consternación de sus padres.

Elenco

Enlaces externos

Informaciones sobre Confilto (en portugués)

Telenovelas de Brasil
Telenovelas de 1982
Telenovelas de SBT
Adaptaciones de telenovelas mexicanas

Conflito


Margaret "Maggie" Simpson, Amerikan animasyon televizyon dizisi Simpsonlarda yer alan kurgusal bir karakterdir. İlk kez 19 Nisan 1987 tarihinde The Tracey Ullman Show kısası "Good Night"ta göründü. Maggie, James L. Brooks'un ofisinin lobisinde beklemekte olan karikatürist Matt Groening tarafından yaratıldı ve tasarlandı. Groening, karaktere küçük kız kardeşi Margaret "Maggie" Groening'in adını verdi. The Tracey Ullman Showda üç sezon yayımlandıktan sonra, Simpson ailesi, 17 Aralık 1989 tarihinde Fox'ta yayımlanmaya başlanan kendi şovuna sahip oldu.

Maggie, Simpson ailesinin en küçük bireyi ve Homer ile Marge'ın küçük kızı, Bart ve Lisa'nın ise kız kardeşidir. Her zaman ağzında emziğiyle görülür ve yürürken elbisesine takılarak yüzüstü düşer. Maggie, konuşamadığı için Simpson ailesinin en az görülen ve duyulan karakteridir.

Maggie'nin ağladığı ve konuştuğu bölümler, Nancy Cartwright tarafından seslendirmektedir. Ancak Maggie karakteri James Earl Jones, Elizabeth Taylor ve Jodie Foster tarafından da seslendirildi. Simpsonlarla ilgili video oyunlarında, Simpsonlar Sinema Filminde, The Simpsons Ride'da, reklamlarda ve çizgi romanlarda yer aldı ve geniş bir ticarî alana ilham verdi.

Simpsonlardaki rolü

Simpsonlar, karakterlerinin bir yaşı olmadığı ve her daim şimdiki yılda olduğunu farz eden yerleşik bir zaman çizgisi kullanmaktadır. Birçok bölümde olaylar, ardışık bölümlerde çelişmesine rağmen spesifik zaman periyotlarına bağlanmaktadır. Maggie, Homer ile Marge'ın küçük kızı, Bart ve Lisa'nın kız kardeşidir. Marge, Lisa'ya hamile olduğu dönemde, Homer ile birlikte ilk evlerini satın alırlar. Yedi yıl sonra Homer, Springfield Nükleer Santrali'ndeki işini bırakma konusunda parasal bakımdan kendini yeterli hisseder ve hayalindeki iş olan Barney's Bowlarama'da çalışmaya başlar. Marge'ın Maggie'ye hamile kalmasıyla ailenin ihtiyaçlarını karşılayamayan Homer, nükleer santraldeki işine geri döner.

İlk sezonlarda Maggie'nin ayırt edici özelliği yürümeye çalışırken elbisesine takılarak yüzüstü düşmesi ve yere çarpmasıyla çıkardığı sesti. Ancak bu olay, sonraki sezonlarda azaltıldı. Maggie, emziğine çok düşkündür ve devamlı ağzında emzikle görülmektedir.

Maggie, dizi boyunca dahi bir bebek olduğunu gösteren çeşitli beceriler sergilemiştir. Maggie, oyuncak bloklarıyla E=mc²'yi harfleyebilmekte, Homer'ın otomobilini sürebilmekte, kreşten kaçabilmekte ve kendi adını yazabilmektedir. Maggie, çevresinde olup bitenlerin farkındadır ve olayların akışının taklitini yapabildiği görülmektedir. Yüksek derecede bir el becerisine sahip olan Maggie, Homer'ın kafasına tokmakla vurmuş, babasının darttaki Kıymık ve Tırmık takliti fotoğrafını uzaktan vurabilmiştir. Yaşına rağmen iyi bir nişancıdır ve "Who Shot Mr. Burns?" bölümünde Bay Burns'ü tabancayla vurmuştur. Ayrıca "Papa's Got a Brand New Badge" bölümünde karyolasında saklandığı yerden tüfekle bir çeteye ateş etmiştir.

Maggie, genelde Homer'ın onunla bağlılık kurma çabalarından korkar ve buna kızar, ancak yine de birkaç sefer Homer'ın hayatını kurtarmıştır: bir keresinde boğulurken, bir keresinde mafya tarafından vurulduğunda, bir keresinde kamyon şoförü tarafından kaçırıldığında ve bir keresinde EPA başkanı Russ Cargill tarafından vurulduğunda.

Karakter bilgisi

Yaratılması

Matt Groening, Maggie ve tüm Simpson ailesini 1986 yılında yapımcı James L. Brooks'un ofisinin lobisindeyken tasarladı. Groening, The Tracey Ullman Show için kısalardan oluşan bir animasyon dizisini sunması için çağrılmıştı ve Life in Hell çizgi dergisinin bir uyarlamasını sunmayı planladı. Life in Hell'in canlandırılması çalışmasının yayın haklarından feragat etmesine neden olduğunu fark edince başka bir yöntemde karar kıldı ve kendi ailesindeki üyelerin adlarını verdiği karakterlere sahip disfonksiyonel bir aile taslağını aceleyle çizdi. Groening, ailenin bebeğine kendi küçük kardeşinin adı olan Maggie adını verdi. Maggie, 19 Nisan 1987 tarihinde tüm Simpson ailesiyle birlikte ilk defa The Tracey Ullman Show kısası "Good Night" bölümünde göründü. 1989 yılında kısalar, Fox kanalında yayınlanacak yarım saatlik bir dizi olarak Simpsonlar'a uyarlandı. Maggie ve Simpson ailesi, bu yeni şovdaki ana karakterler oldular.

Tüm Simpson ailesi, silüetlerinden tanınacakları şekilde tasarlandılar. Aile, kabaca çizildi çünkü Groening, eskizleri animatörlere gönderirken bunların animatörler tarafından düzenleneceğini sanıyordu fakat animatörler bunu yapmak yerine sadece çizimleri kopyaladılar. Maggie'nin fiziksel özelikleri genellikle diğer karakterlerde kullanılmadı; örneğin, sonraki sezonlarda Lisa dışında hiçbir karakter onunla aynı saç tarzına sahip olmadı. Lisa tasarlanırken, Groening "kızların saç tarzını hiç düşünmemişti". O an, Groening, karakteri esasen siyah ve beyaz olarak çiziyordu ve Lisa ile Maggie'yi tasarladığı zaman, "onlara sadece deniz yıldızı tarzı sivri uçlu saç tarzını verdi, onların er geç renklendirileceğini düşünmedi".

Groening, hiç konuşmayan ve asla büyümeyen bir bebek karakterinin komik olacağını düşündü, ancak bazı sahneleri yansıtabilmek için gerekli olan duygular senaryoya eklendi. Maggie'nin diğer karakterlerden ayrılan özellikleri arasında yürümeye çalışırken tökezleyip düşmesi, emziğine olan düşkünlüğü ve emziği ağzındayken çıkan ses yer aldı. Bu ses, Tracey Ullman döneminde Groening tarafından yaratıldı ve herkesçe bilinir hâle geldi. İlk sezonlarda, diğer karakterlerin diyalogları sırasında da emzik sesi duyuluyordu, ancak yapımcılar bunu dikkat dağıtıcı buldular ve bu sesin kullanılmasına son verdiler.

Dublaj

Birkaç istisna dışında Maggie hiç konuşmamaktadır ancak etrafında gelişen olaylara mimikleri ve el kol hareketleriyle katılmaktadır. Maggie'nin ilk sözleri The Tracey Ullman Show kısası "Good Night"ta, tüm aile uyuduktan sonra duyuldu. Bu bölümde Maggie'yi Liz Georges seslendirdi.

Daha önce çeşitli rüyalar ve hayallerde konuştuğu duyulan Maggie'nin, dizinin normal akışı içinde söylediği ilk kelime "Lisa's First Word" bölümünde duyuldu ve Elizabeth Taylor tarafından seslendirildi. Yalnızca tek bir kelime olmasına rağmen ("Daddy", "Babacık"), Taylor yapımcılar memnun olana dek birkaç kez kaydetmek zorunda kaldı. "Treehouse of Horror V" bölümünde James Earl Jones'un seslendirdiği Maggie, "Treehouse of Horror IX" bölümünde kısa bir diyaloğa girdi ve bu kısmı Harry Shearer, Kang sesiyle konuştu. İlk bölümlerde Maggie'nin ağladığı ve konuştuğu kısımları Yeardley Smith seslendirdi. Daha sonraki sezonlarda bu kısımları Nancy Cartwright seslendirmeye başladı. Jodie Foster, "Four Great Women and a Manicure" (20. sezon) bölümünde Maggie'yi Howard Roark'tan esinlenerek seslendirdi.

Yayın başarıları

About.com'dan Nancy Basile, Simpsonlardaki en sevdiği Maggie sahnelerinin, Maggie'nin bir yaşındaki bir çocuktan çok yetişkin gibi davrandığı bölümler olduğu ifade etti. "Sweet Seymour Skinner's Baadasssss Song", Maggie'nin baş düşmanı tek kaşlı bebek Gerald ile tanıştığı "Lady Bouvier's Lover" ve Bart'ın Maggie'ye bakmak zorunda kaldığı ama Maggie'nin Homer'ın otomobiliyle kaçtığı "Itchy & Scratchy: The Movie" bölümlerini en sevdiği Maggie sahneleri olarak sıraladı. Ayrıca "İster 'The Happy Elves'ı izlesin ister düşsün; Maggie, Simpson ailesindeki en şirin bebek" yorumunu yaptı. Komedyen Ricky Gervais, "And Maggie Makes Three" bölümünün, tüm dizideki en sevdiği ikinci bölüm olduğunu ve bölümün sonunda Homer'ın masasına Maggie'nin fotoğraflarını koyduğu sahnede "boğazının düğümlendiğini" ifade etti. Variety dergisinden Todd Everett, Maggie'nin ilk kelimesini söylediği "Lisa's First Word" bölümünün "büsbütün kalbi erittiğini" belirtti.

2006'da Elizabeth Taylor, "Lisa's First Word"deki Maggie performansıyla IGN'in hazırladığı "Simpsonların En İyi 25 Konuk Oyuncusu" listesinde on üçüncü sırada yer aldı. "Treehouse of Horror V" bölümünde Maggie'yi seslendiren James Earl Jones ise aynı listede yedinci sıradaydı. 2000 yılında, Maggie ile tüm Simpson ailesi, Hollywood Bulvarı'nda bir yıldız ile ödüllendirildi.

Ticarî ürünler

Maggie Groening tarafından yazılan ve çizimleri Matt Groening tarafından yapılan dört çocuk kitabı–Maggie Simpson's Book of Animals, Maggie Simpson's Counting Book, Maggie Simpson's Book of Colors and Shapes ve Maggie Simpson's Alphabet Book–12 Eylül 1991'de piyasaya çıktı. Maggie çeşitli posterlerde, heykelciklerde, yapbozlarda ve tişörtlerde kullanıldı. Ayrıca World of Springfield oyuncak serisinin ilk oyun seti "Living Room"da Marge ile birlikte evlerinin oturma odasına otururkenki hâlleriyle yer aldı. Maggie Burger King, Butterfinger, C.C. Lemon, Domino's Pizza, Ramada Inn ve Subway'in reklamlarında da kullanıldı.

Maggie, 2007 yılındaki The Simpsons Game dahil olmak üzere tüm Simpsonlar video oyunlarında yer aldı. Televizyon dizisinin yanı sıra Maggie, ilk kez 29 Kasım 1993 tarihinde yayımlanan aylık dergi Simpsons Comics sayılarında da düzenli olarak yer almaktadır. Maggie ayrıca 2008'de Florida ile Hollywood'daki Universal Stüdyoları'nda kurulan The Simpsons Ride'da da rol aldı.

9 Nisan 2009'da ABD Posta Servisi, Maggie ile diğer dört Simpson aile üyesinin yer aldığı 44 sentlik posta pulunu tanıttı. Simpsonlar, prodüksiyonda iken posta pulu üzerinde yer almayı başaran ilk TV dizisi karakteri oldular. Pullar, Matt Groening tarafından tasarlandı ve 7 Mayıs 2009 tarihinde satışa çıktı. ABD Posta Servisi'nin bir anketinde Maggie'nin pulu, diğer beşi içinde en popüler pul seçildi.

Notlar

Kaynakça

Dış bağlantılar
 TheSimpsons.com'da Maggie Simpson
 IGN.com'da Maggie Simpson

Simpsonlar karakterleri
Kurgusal Amerikalılar
1987'de tanıtılan kurgusal karakterler
Kadın film karakterleri
Komedi filmi karakterleri

Maggie Simpson


The Lapita culture is the name given to a Neolithic Austronesian people and their material culture, who settled Island Melanesia via a seaborne migration at around 1600 to 500 BCE. They are believed to have originated from the northern Philippines, either directly, via the Mariana Islands, or both. They were notable for their distinctive geometric designs on dentate-stamped pottery, which closely resemble the pottery recovered from the Nagsabaran archaeological site in northern Luzon. The Lapita intermarried with the Papuan populations to various degrees, and are the direct ancestors of the Austronesian peoples of Polynesia, eastern Micronesia, and Island Melanesia.

Etymology
The term 'Lapita' was coined by archaeologists after mishearing a word in the local Haveke language, xapeta'a, which means 'to dig a hole' or 'the place where one digs', during the 1952 excavation in New Caledonia. The Lapita archaeological culture is named after the type site where it was first uncovered in the Foué peninsula on Grande Terre, the main island of New Caledonia. The excavation was carried out in 1952 by American archaeologists Edward W. Gifford and Richard Shulter Jr at 'Site 13'. The settlement and pottery sherds were later dated to 800 BCE and proved significant in research on the early peopling of the Pacific Islands. More than 200 Lapita sites have since been uncovered, ranging more than 4,000 km from coastal and island Melanesia to Fiji and Tonga with its most eastern limit so far in Samoa.

Artifact dating
'Classic' Lapita pottery was produced between 1,600 and 1,200 BCE on the Bismarck Archipelago. Artifacts exhibiting Lapita designs and techniques from a period later than 1,200 BCE have been found in the Solomon Islands, Vanuatu and New Caledonia. Lapita pottery styles from around 1,000 BCE have been found in Fiji and Western Polynesia.

In Western Polynesia, Lapita pottery became less decorative  and progressively simpler over time. It seems to have stopped being produced altogether in Samoa by about 2,800 years ago, and in Tonga by about 2,000 years ago.

Material culture

Pottery whose detailed decorative designs suggest Lapita influence was made from a variety of materials, depending on what was available, and their crafters used a variety of techniques, depending on the tools they had. But, typically, the pottery consisted of low-fired earthenware, tempered with shells or sand, and decorated using a toothed ("dentate") stamp. It has been theorized that these decorations may have been transferred from less hardy material, such as bark cloth ("tapa") or mats, or from tattoos, onto the pottery – or transferred from the pottery onto those materials. Other important parts of the Lapita repertoire were: undecorated ("plain-ware") pottery, including beakers, cooking pots, and bowls; shell artifacts; ground-stone adzes; and flaked-stone tools made of obsidian, chert, or other available kinds of rock.

Economy

The Lapita kept pigs, dogs, and chickens. Horticulture was based on root crops and tree crops, most importantly taro, yam, coconuts, bananas, and varieties of breadfruit. These foods were likely supplemented by fishing and mollusc gathering.
Long-distance trade was practiced; items traded included obsidian, adzes, adze source-rock, and shells.

Burial customs
In 2003, at the Teouma archeological excavation site on Efate Island in Vanuatu, a large cemetery was discovered, including 25 graves containing burial jars and a total of 36 human skeletons. All the skeletons were headless: At some point after the bodies had originally been buried, the skulls had been removed and replaced with rings made from cone shells, and the heads had been reburied. One grave contained the skeleton of an elderly man with three skulls sitting on his chest. Another grave contained a burial jar with four birds looking into the jar. Carbon dating of the shells placed this cemetery as having been in use around 1000 BCE.

Settlements
Lapita culture villages on islands in the area of Remote Oceania tended not to be located inland, but instead on the beach, or on small offshore islets. These locations may have been chosen because inland areas – for example in New Guinea – were already settled by other peoples. Or they may have been chosen in order to avoid areas inhabited by mosquitoes carrying malaria microbes, against which Lapita people likely had no immune defence. Some of their houses were built on stilts over large lagoons. In New Britain, however, there were inland settlements; they were located near obsidian sources. And on the islands at the eastern end of the archipelago, all settlements were located inland rather than on the beaches – sometimes fairly far inland.

Distribution

Lapita pottery has been found in Near Oceania as well as Remote Oceania, as far west as the Bismarck Archipelago, as far east as Samoa, and as far south as New Caledonia. Excavation at a site in the village of Mulifanua in Samoa uncovered two adzes that strongly indicate Lapita influence. Carbon dating of material found with the adzes suggests there was a Lapita settlement at this site in roughly 1000 BCE. Radio carbon dating of sites in New Caledonia suggest there were Lapita settlements there as early as 1,110 ago. The dates and locations of more northerly Lapita-influenced settlements are still largely up for debate.

Language
Linguists and other researchers theorize that the people of the Lapita cultural complex spoke a proto-Oceanic language, which is a branch of the Austronesian language family widely distributed in Southeast Asia today. However, the particular language or languages spoken by the Lapita is unknown. The languages spoken in the region today derive from a number of different ancient languages, and material culture uncovered by archaeology does not generally provide clues to the language spoken by the makers of the artifacts.

Origin
The Lapita complex is part of the eastern migration branch of the Austronesian expansion, which started from Taiwan between about 5,000 and 6,000 years ago. Some of the emigrants reached Melanesia. There are different theories about the route they took to get there. They may have gone through the Marianas Islands, or through the Philippines, or both. The strongest support for the theory that the original people of the Lapita culture were Austronesian is linguistic evidence showing very considerable lexical continuity between Proto-Malayo-Polynesian (presumably spoken in the Philippines) and Proto-Oceanic (presumably spoken by the Lapita people). In addition, the patterns of linguistic continuity correspond to patterns of similarity in material culture.

In 2011, Peter Bellwood proposed that the initial movement of Malayo-Polynesian speakers into Oceania was from the northern Philippines eastward into the Mariana Islands, then southward into the Bismarcks. An older proposal was that Lapita settlers first arrived in Melanesia via eastern Indonesia. Bellwood's proposal included the possibility that both migration patterns happened, with different migrants taking different routes. Bellwood's proposal is supported by the pottery evidence: Lapita pottery is more similar to pottery recovered from the Philippines (at the Nagsabaran archaeological site on Luzon Island) than it is to pottery discovered anywhere else. Other evidence suggests that the Luzon area may have been the original homeland of the stamped pottery tradition that is carried forward in Lapita culture.

Archaeological evidence also broadly supports the theory that the people of the Lapita culture are of Austronesian origin. On the Bismarck Archipelago, around 3,500 years ago, the Lapita complex appears suddenly, as a fully-developed archaeological horizon with associated highly developed technological assemblages. No evidence has been found on the archipelago of settlements in earlier developmental stages. This suggests that the Lapita culture was brought in by a migrating population, and did not – as had been proposed in the 1980s and 1990s by scholars like Jim Allen and J. Peter White – evolve locally.

There is evidence that western Melanesia was continuously occupied by indigenous Papuans beginning between 30,000 and 40,000 years ago. That evidence includes recovered artifacts. But those remnants of the older material culture are far less diverse than the relics dating from after the Lapita horizon. The older material culture appears to have contributed only a few elements to the later Lapita material culture: some crops and some tools.

The vast majority of the Lapita material-culture elements are clearly Southeast Asian in origin. These include pottery, crops, paddy field agriculture, domesticated animals (chickens, dogs, and pigs), rectangular stilt houses, tattoo chisels, quadrangular adzes, polished stone chisels, outrigger boat technology, trolling hooks, and various other stone artifacts. Lapita pottery offers the strongest evidence of an Austronesian origin. It has very distinctive elements, like the use of the red slips, tiny punch marks, dentate stamps, circle stamps, and a cross-in-circle motif. Similar pottery has been found in Taiwan, the Batanes and Luzon islands of the Philippines, and the Marianas.

The orthodox view, advocated by Roger Green and Peter Bellwood, and accepted by most specialists today, is the so-called "Triple-I model" (short for "intrusion, innovation, and integration"). This model posits that the Early Lapita culture arose as the result of a three-part process: "intrusion" of the Austronesian peoples of the islands of Southeast Asia (and their language, materials, and ideas) into Near Oceania; "innovation" by the Lapita people, once they reached in Melanesia, in the form of new technologies; and "integration" of the Lapita peoples into the pre-existing (non-Austronesian) populations.

In 2016, DNA analysis of four Lapita skeletons found in ancient cemeteries on the islands of Vanuatu and Tonga showed that the Lapita people had descended from inhabitants of Taiwan and of the northern Philippines. This evidence of the Lapita peoples' migration route was corroborated in 2020 by a study that did a complete mtDNA and genome-wide SNP comparison of the remains of early settlers of the Mariana Islands with the remains of early Lapita individuals from Vanuatu and Tonga. The results suggest that both groups had descended from the same ancient Austronesian source population in the Philippines. The complete absence of "Papuan" admixture in these remains suggest that the voyages of the migrants bypassed eastern Indonesia and the rest of New Guinea. The study authors noted that their results also support the possibility that early Lapita Austronesians were direct descendants of the early colonists of the Marianas (who preceded them by about 150 years); this idea is also consistent with the pottery evidence.

Recent DNA studies show that the Lapita people and modern Polynesians have a common ancestry with the Atayal people of Taiwan and the Kankanaey people of the northern Philippines.

Lapita in Polynesia

As the archaeological record improved in the 1980s and 1990s, the Lapita people were found to be the original settlers in parts of Melanesia and Western Polynesia. Many scientists believe Lapita pottery in Melanesia to be proof that Polynesian ancestors passed through this area on their way into the central Pacific. The earliest archaeological site in Polynesia is in Tonga.

Other early Lapita discovery sites dating back to 900 BCE are also found in Tonga and contain the typical pottery and other archaeological "kit" of Lapita sites in Fiji and eastern Melanesia of about that time and immediately before.

Anita Smith compares the Polynesian Lapita period with the later Polynesian Plainware ceramic period in Polynesia:
"There do not appear to be new or different kinds of evidence associated with plain-ware ceramics (& lapita), only the disappearance of a minor component of material culture and faunal assemblages is apparent. There is continuity in most aspects of the archaeological record that appears to mimic post Lapita sequences of Fiji and island Melanesia (Mangaasi and Naviti pottery)."

Plainware pottery is found on many Western Polynesian islands and marks a transitional period between when only Lapita pottery was found and a later period before the settlement of Eastern Polynesia when the Western Polynesians of the time had given up pottery production altogether. Archaeological evidence indicates that plainware pottery ceases abruptly in Samoa around 1 CE.

According to Smith:
"Ceramics were not manufactured by Polynesian societies at any time in East Polynesian prehistory".

Matthew Spriggs stated: "The possibility of cultural continuity between Lapita Potters and Melanesians has not been given the consideration it deserves. In most sites there was an overlap of styles with no stratigraphic separation discernible. Continuity is found in pottery temper, importation of obsidian and in non-ceramic artefacts".

See also
Teouma – a major archaeological site in Vanuatu
Archaeology in Samoa
Early history of Tonga

References

Sources

 Felgate, Matthew (2003) Reading Lapita in near Oceania : intertidal and shallow-water pottery scatters, Roviana Lagoon, New Georgia, Solomon Islands. University of Auckland PhD Thesis

External links

 Lapita cultural complex – brief description with picture of pottery (Central Queensland University School of Humanities)
 Extinctions connected with the spread of Lapita (Proceedings of the National Academy of Sciences)
 Lapita cultural complex, Lapita designs, texts about Lapita, LapitaDraw ("software to aid in studying archaeological ceramic artefacts") (Archéologie et Informatique, in French)
 'Heads found in pots in Vanuatu dig', ANU media release, 14 July 2005, on discovery of Lapita skulls following 2004 find of headless Lapita skeletons
 Over 1000 Lapita photographs from the University of Auckland Anthropology Photographic Archive database. Search for "lapita"

Prehistory of Oceania
Polynesian culture
Archaeological cultures of Oceania

Lapita culture


«El dinero no es nuestro dios» es el segundo sencillo del primer EP y segundo lanzamiento de Fangoria titulado Un día cualquiera en Vulcano S.E.P. 1.0. La canción es una versión en español de la canción «Money Is Not Our God» de la banda inglesa Killing Joke.

Información general
«El dinero no es nuestro dios», es una canción original de la banda Killing Joke, esta versión fue reescrita en español por Fangoria. Está orientada más bien al industrial metal con tamices de música electrónica. Usa en su mayoría bases pesadas y guitarras sampleadas que enriquecen tanto la composición, llegando casi a un sonido "ruidoso" por parte de las ya mencionadas guitarras. La voz de Alaska en esta canción se puede oír un tanto agresiva, mientras en el estribillo sentencia: "Arrastrarte hasta tu amo, suplicarle perdón. Lo primero es lo primero, repítelo, el dinero, el dinero no es nuestro dios". En lado B del sencillo trae la canción inédita «Ley de vida» y dos remixes de esta, «Ley de Talión» y «Ley de Caifás».

La carátula del sencillo físico es de color negra decorada con círculos rojos, en el centro una estrella naranja y roja que lanza rayos morados y círculos de colores cálidos. En la aparte de arriba a la izquierda dice FANGORIA con la misma tipografía del álbum y del lado contrario el nombre de la canción. Años más tarde, Alaska y Nacho Canut explican que es una declaración de principios, abogando que el dinero no es lo fundamental para ellos, que "el dinero no es un fin, es un accesorio, un medio."

Video musical
El videoclip consiste básicamente en la banda interpretando la canción en un lugar con un fondo color azul y luces rojas.
Todos los planos son muy acelerados dando un aire aún más roquero al tema. Alaska toca una guitarra eléctrica y Nacho se lo ve sobre su teclado, además aparecen dos bailarinas y otro tecladista, amigos de la banda.

Incluido en
A continuación se muestran los álbumes y formatos oficiales en los que «El dinero no es nuestro dios» ha sido incluida.

 1992, sencillo promocional de 7 pulgadas El dinero no es nuestro dios (versión Radio Edit) - (Gasa Metal Sonic Disco)
 1992, CD sencillo El dinero no es nuestro dios (versión Radio Edit y versiones "Maastrich Dance Metal Airlines" y "Doctor Avalanche") - (Gasa Metal Sonic Disco)
 1992, Vinilo Un día cualquiera en Vulcano S.E.P. 1.0 - (Gasa Metal Sonic Disco)
 1992, Casete Un día cualquiera en Vulcano S.E.P. 1.0 - (Gasa Metal Sonic Disco)
 1992, CD Un día cualquiera en Vulcano S.E.P. 1.0 - (Gasa Metal Sonic Disco)
 2003, CD Un día cualquiera en Vulcano (CD 1, versión álbum; CD 2, versión "Doctor Avalanche") - (DRO)
 2008, CD Un día cualquiera en Vulcano S.E.P. 1.0 - (Warner Music Spain)
 2010, CD El paso trascendental del vodevil a la astracanada, (CD 2, Vodevil) - (Warner Bros. Records)
 2010, CD/DVD El paso trascendental del vodevil a la astracanada, Edición de Lujo 3 CD y DVD (CD 2, Vodevil; DVD, Videoclip) - (Warner Bros. Records)

Versiones oficiales
A continuación se enlistan las versiones oficiales de la canción:

 Álbum Versión - (4:24)
 Radio Edit / Video Edit - (3:24)
 Maastrich Dance Metal Airlines - (5:13)
 Doctor Avalanche - (4:02)
 Versión editada de El paso trascendental del vodevil a la astracanada - (2:48)

Personal
 Programación y arreglos: Fangoria / Big Toxic.
 Programación y arreglos adicionales: Danny Hyde.
 Guitarras: Greg Sider.
 Coros: Terry Cuatro, Pedro Munster, Luis (Dios S.A.) Escobar.
 Producida y mezclada por Danny Hyde.

Referencias

Enlaces externos
 Sitio Web oficial Fangoria
 Carátula del sencillo
 Letra de la canción

Sencillos de Fangoria
Sencillos de 1992
Sencillos de pop
Canciones de España de 1992
Canciones en español
Canciones sobre el dinero

El dinero no es nuestro dios


Oecomys bicolor, qui a pour nom commun Souris arboricole bicolore, est une espèce sud-américaine de rongeurs de la famille des Cricetidae.

Description
L'espèce a une longueur de corps (tête et torse) de 9 à , une longueur de queue de 10,5 à  et un poids de 24 à . Les pattes postérieures mesurent environ  et les oreilles mesurent 1,3 à  de large.

Sur le dos et les côtés du corps, le pelage est brun orangé, brun rougeâtre ou brun cannelle avec des points noirs sur le haut du dos. Il y a une bordure claire sur le ventre entièrement blanc. La tête est caractérisée par des moustaches longues et épaisses et de petites oreilles brunes. La queue sombre de l'animal a une touffe de poils plus longs à la fin.

Répartition
Ce rongeur a une large distribution dans le biome amazonien, il est présent du nord de l'Amérique au sud à l'est des Andes : au Panama, au nord-ouest du Brésil, au nord de la Bolivie, à l'est du Pérou, à l'est de l'Équateur, à l'est de la Colombie et dans une grande partie du Venezuela, de Guyana, du Suriname et de la Guyane. Des populations isolées se trouvent dans le nord de la Colombie et au Panama. L'espèce vit généralement dans les basses terres et dans les zones vallonnées à moins de  d'altitude. L'habitat est constitué de forêts sèches et humides.

Comportement
Cette espèce est arboricole.

Alimentation
Oecomys bicolor mange des fruits non mûrs de ,  et  pour leurs graines.

Reproduction
La reproduction a sans doute lieu pendant la saison sèche, sinon la toute l'année.

Un couple ou une famille partage le nid construit dans les arbres. Oecomys bicolor cherche aussi une protection dans les bâtiments. Les femelles donnent naissance à une moyenne de 4,5 petits par portée, qui atteignent la maturité sexuelle trois mois après la naissance.

Parasitologie
Oecomys bicolor est parasité par .

Le rongeur est porteur de Mammarenavirus.

Notes et références

Liens externes

Cricetidae
Animal décrit en 1860
Rongeur (nom scientifique)
Faune endémique d'Amérique du Sud

Oecomys bicolor


ඔබට අවැසි ලිපිය තෝරාගන්න
 මුලතිවු පරිපාලන දිස්ත්‍රික්කය
 මුලතිවු සෞඛ්‍ය දිස්ත්‍රික්කය

මුලතිව් දිස්ත්‍රික්කය


49. breddegrad kan henvise til:

 49. nordlige breddekreds
 49. sydlige breddekreds
 49. breddegrad (film)

49. breddegrad


Statsdannelsesdag i Slovenien (slovensk: Dan državnosti) er en national helligdag, der markeres den 25. juni i Slovenien for at fejre landets erklæring om uafhængighed fra Jugoslavien i 1991. Selv om den formelle uafhængighedserklæring ikke kom før den 26. juni 1991, anses statsdannelsesdagen for være den 25. juni, da det var denne dato, at de oprindelige akter om uafhængighed blev vedtaget, og Slovenien blev uafhængig. Sloveniens erklæring startede Tidageskrigen med det resterende Jugoslavien, der resulterede i rest-Jugoslaviens anerkendelse af et uafhængigt Slovenien.

Statsdannelsedagen må ikke forveksles med Sloveniens uafhængigheds- og enhedsdag, der fejres hvert år den 26. december til minde om den 26. december 1990, hvor den officielle proklamation fandt sted af resultaterne af folkeafstemningen, hvor 88,5% af alle slovenske vælgere stemte for Slovenien som en suveræn nation.

Kroatien erklærede uafhængighed fra Jugoslavien på samme tid og fejrer også sin statsdannelsedag den 25. juni. Kroatien fejrer dog uafhængighedsdagen på en anden dag, den 8. oktober.

Noter

Slovenien
Nationaldage

Statsdannelsesdag i Slovenien


An Satyrium amoenum in uska species han Liliopsida nga syahan ginhulagway ni Louis Marie Aubert Du Petit-Thouars, ngan ginhatag han pagkayana nga asya nga ngaran ni Achille Richard. An Satyrium amoenum in nahilalakip ha genus nga Satyrium, ngan familia nga Orchidaceae.

Subspecies

Ini nga species ginbahin ha masunod nga subspecies:

 S. a. amoenum
 S. a. tsaratananae

Mga kasarigan

Satyrium (Orchidaceae)

Satyrium amoenum


Mahouš (deutsch Mahausch) ist eine Gemeinde in Tschechien. Sie liegt vier Kilometer östlich von Netolice und gehört zum Okres Prachatice.

Geographie

Lage

Mahouš befindet sich nördlich des Blanský les am Rande des Budweiser Beckens. Nördlich erhebt sich der Na Štuntpíru (443 m), nordöstlich der Na Hůrkách (419 m) und im Westen der Mužský (502 m).
Gegen Osten erstreckt sich ein Teichgebiet, der größte der dortigen Teiche ist der Vlhavský rybník. Am Velký Karasín befindet sich ein Naturschutzgebiet. Am südöstlichen Ortsausgang befindet sich der Teich Dvořák.

Nachbarorte sind Hláska, Triumf und Hlavatce im Norden, Sedlec und Plástovice im Nordosten, Vlhlavy und Malé Chrášťany im Osten, Suchá, Picina, Břehov, Tupesy und Němčice im Südosten, Sedlovice, Zvěřetice und Babice im Süden, Lužice und Hlodačky im Südwesten, Netolice im Westen sowie Olšovice im Nordwesten.

Gemeindegliederung
Für die Gemeinde Mahouš sind keine Ortsteile ausgewiesen. Grundsiedlungseinheiten sind Hlodačky (Hlodatschka) und Mahouš.

Nachbargemeinden

Geschichte
Die erste schriftliche Erwähnung des im Zuge der Kolonisationstätigkeit des Klosters Goldenkron gegründeten Dorfes erfolgte im Jahre 1300. Später wurde das Dorf an die Herrschaft Netolice angeschlossen. Mit der Anlegung des Fischteiches Vlhlavský rybník wurden 1384 Teile der Felder von Mahouš überflutet. 1723 wurde Mahouš der neu gebildeten Pfarre Němčice zugeschlagen. Beim Großbrand von 1784 brannten 36 nieder. Im Jahre 1835 bestand Mahausch aus 39 Häusern mit 312 tschechischsprachigen Einwohnern. Zum Dorf gehörte die südwestlich gelegene Einschicht Hlodačka. Pfarr- und Schulort war Němčice. Bis zur Mitte des 19. Jahrhunderts blieb das Dorf der den Fürsten Schwarzenberg gehörigen Allodialherrschaft Nettolitz untertänig.

Nach der Aufhebung der Patrimonialherrschaften bildete Mahouš/Mahausch mit dem Ortsteil Němčice und der Einschicht Hlodačka ab 1850 eine Gemeinde in der Bezirkshauptmannschaft Prachatice/Prachatitz. Im Jahre 1878 löste sich Němčice von Mahouš los und bildete eine eigene Gemeinde. Nach dem Münchner Abkommen und der daraus resultierenden Abtrennung des Bezirks Prachatitz verblieb Mahouš 1938 bei der "Resttschechei" und wurde dem Bezirk Písek zugeschlagen. 1948 wurde die Gemeinde dem neugebildeten Okres Vodňany zugeordnet. Nach dessen Aufhebung wurde Mahouš 1960 dem Okres Prachatice zugeordnet und nach Mahouš eingemeindet. 1976 erfolgte die Bildung der Großgemeinde Němčice mit den Eingemeindungen von Babice, Chvalovice und Mahouš. Nach einem Referendum löste sich Mahouš 1992 wieder los und bildet seither eine eigene Gemeinde. Mahouš wurde 1995 zum Denkmalschutzgebiet der Volksarchitektur erklärt.

Sehenswürdigkeiten
 Historische Dorfschmiede, sie wurde 2001–2003 wiederhergestellt
 Gotischer Bildstock, er wurde wahrscheinlich zum Gedenken an die Pandemie der Pest von 1520/21 errichtet
 Kapelle des hl. Johannes von Nepomuk, errichtet in der 1. Hälfte des 19. Jahrhunderts
 Gehöfte im südböhmischen Bauernbarock mit untypisch großen Fassaden; die meisten von ihnen befinden sich in einem schlechten Zustand

Weblinks

 Präsentation auf selskebaroko.unas.cz

Einzelnachweise

Ersterwähnung 1300

Mahouš


Fort Mitchell bezeichnet mehrere

Orte in den Vereinigten Staaten:
 Fort Mitchell (Alabama)
 Fort Mitchell (Kentucky)
 Fort Mitchell (Virginia)

ehemaliges Fort:
 Fort Mitchell (Nebraska) (1864–1867), nahe Scottsbluff

Fort Mitchell