Beno-Iourt () ou Bena-Yurt () est un village de Tchétchénie en Russie. En 2014, il comptait  en 2014. Son nom provient du mot Benoï, qui est un taïp tchétchène auquel le village fut fondée par des membres de ce clan, descendent de Baïssangour de Benoï.

Personnalité liée à la commune

 Khamzat Chimaev (1994-), pratiquant d'art martial né à Beno-Yurt

Notes et références

Village en Tchétchénie

Beno-Iourt


Kulturno-povijesna cjelina slavetić, kompleks zgrada mjestu Slavetić koje se nalazi u gradu Jastrebarsko, zaštićeno kulturno dobro.

Opis dobra
Slavetić je smješten na jugozapadnoj padini Samoborskog gorja, desetak kilometara sjeveroapadno od Jastrebarskog. Širom slikom naselja dominira vertikala zvonika župne crkve sv. Antuna Pustinjaka i branič kula dvorca Oršić, dok se potez vrijednih tradicijskih kuća smjestio u zbijenim prostorno-ambijentalnim cjelinama na padini prema sjeveru podno starog kamenoloma. Unatoč novoj izgradnji koja svojom tipologijom, gabaritima i oblikovanjem ponegdje odudara od starijega građevnog sloja, naselje je sačuvalo svoju izvornu matricu s karakterističnom mrežom putova i starom parcelacijom te ima izrazitu kulturnopovijesnu, arhitektonsku i ambijentalnu vrijednost. Tradicijske okućnice prilagođene strmoj konfiguraciji terena te akropolski smještene aglomeracije dvorca i župne crkve ističu se u krajoliku Samoborskog gorja.

Zaštita
Pod oznakom Z-6416 zavedena je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "kulturno-povijesna cjelina".

Izvori

Zaštićene ruralne cjeline u Zagrebačkoj županiji

Kulturnopovijesna ruralna cjelina Slavetić


Veni Vidi Fugi este un film românesc din 2016 regizat de Robert Eugen Popa. Rolurile principale au fost interpretate de actorii Paul Octavian Diaconescu, Constantin Florescu, Maia Morgenstern.

Prezentare

Distribuție
Distribuția filmului este alcătuită din:

Note

Legături externe

Vezi și
 2016 în film

Filme românești
Filme în limba română
Filme din 2016

Veni Vidi Fugi


Duje Cop ()  un fotbalist profesionist croat care joacă pe postul de atacant pentru Real Valladolid, fiind împrumutat de la Standard Liège.

Cariera pe echipe

Hajduk Split / Nacional
Čop a devenit fotbalist profesionist în sezonul 2007-2008, la numai 17 ani, ajutând-o pe Hajduk Split să ajungă pe locul cinci în prima ligă. În primul său sezon ca profesionist la Hajduk, el a jucat în 15 meciuri și a marcat 2 goluri. În iulie 2008, la sfârșitul sezonului, s-a alăturat echipei Nacional din Portugalia.

Rar folosit în timpul singurului său sezon în Madeira (174 de minute în meciurile oficiale), Čop și-a făcut debutul în Primeira Liga la 24 ianuarie 2009 într-o remiză scor 1-1 împotriva lui Sporting Clube de Portugal. La 6 aprilie a marcat singurul său gol în fotbalul portughez, înlocuindu-l pe Mateus în prelungirile cu Rio Ave și încheind cu o victorie de 3-0.

El s-a întors ulterior la Hajduk, fiind puțin folosit în cursul a două sezoane.

RNK Split
În iulie 2011, Čop și-a încheiat contractul cu Hajduk și a semnat un acord pe patru ani cu RNK Split. El și-a făcut debutul pentru echipă într-un meci de calificare în UEFA Europa League împotriva echipei slovene Domžale, marcând un gol în victoria din deplasare. El a marcat, de asemenea, un alt gol împotriva aceleiași echipe în retur.

Dinamo Zagreb
În iunie 2012, s-a transferat la campioana en-titre GNK Dinamo Zagreb. A început sezonul cu un gol împotriva lui Sheriff Tiraspol în meciul de calificare în UEFA Champions League care a avut loc pe stadionul Maksimir. El a înscris un alt gol important pentru Dinamo Zagreb în Liga Campionilor 2012-2013, în meciul de play-off cu Maribor. El a jucat în șase meciuri în grupele competiției. La 18 februarie 2013, a marcat primul său hat-trick pentru Dinamo Zagreb într-un  derby cu Rijeka. El a terminat sezonul de Prva HNL 2013-2014 cu 22 de goluri, fiind cel mai bun marcator al acelei ediții de campionat.

Cagliari Calcio
La 11 ianuarie 2015, Čop s-a transferat la clubul italian Cagliari. A debutat trei zile mai târziu, jucând 90 de minute într-o înfrângere scor 2-1 în deplasare cu Parma în optimile Coppaei Italia 2014-2015. Pe 24 ianuarie a marcat primul său gol în Serie A, într-o victorie acasă cu 2-1 cu Sassuolo, intrând pe teren în locul lui Samuele Longo. La 26 aprilie a marcat de două ori pentru echipa sardiniană care se bătea la retrogradare și care a reușit să câștige cu 3-1 în fața Fiorentinei; el a dat patru goluri în 16 meciuri, însă nu a reușit să-și salveze echipa de la retrogradare.

Málaga (împrumut)
Pe 16 iulie 2015, Čop a fost împrumutat la Malaga pentru un sezon. El a debutat la La Liga pe 21 august, în prima etapă de campionat cu echipa andaluză Sevilla. Pe 13 decembrie, Čop a marcat primul gol pentru Boquerones, care avea să fie și golul victoriei, în al 87-lea minut al partidei încheiate cu scorul de 2-1 cu Rayo Vallecano. În aceeași zi, a anunțat că va pleca dacă nu va prinde mai multe minute de joc.

Sporting Gijón (împrumut)
În vara anului 2016, Čop a fost împrumutat la Sporting de Gijón. La 26 noiembrie, a ratat un penalty într-o înfrângere scor 2-1 împotriva lui Real Madrid.

Standard Liege
La 17 martie 2018, Čop a jucat în partida câștigată de Standard Liège cu Genk scor 1-0 în prelungirile din finala Cupei Belgiei din 2018, ajutându-și echipa să se califice în UEFA Europa League.

Valladolid (împrumut)
La 19 august 2018 Čop a fost de acord cu un acord de împrumut de un an la Real Valladolid.

Cariera la națională
Čop a debutat la naționala mare a Croației la 4 septembrie 2014, înlocuindu-l pe Luka Modrić pentru ultimele 30 de minute ale unei victorii cu 3-0 asupra Ciprului la Pula.

El a jucat un meci în campania de succes de calificare a Croației pentru UEFA Euro 2016, împotriva Bulgariei la 10 octombrie 2015, când a intrat în locul lui Marko Pjaca și a fost eliminat la finalul unei victorii scor 3-0 pentru un fault asupra lui Strahil Popov.

Čop a făcut parte din echipa Croației la Euro 2016 și a debutat în grupele Campionatului European în victoria, scor 2-1 obținută în fața Spaniei. El a marcat primul său gol internațional într-o victorie dintr-un amical, scor 3-0 cu Irlanda de Nord pe 15 noiembrie 2016.

În mai 2018 a fost numit în lotul lărgit de 32 de jucători ai Croației pentru Campionatul Mondial din 2018 din Rusia, dar nu a fost inclus în lotul final de 23 de jucători.

Goluri la națională

 Rubrica scor indică scorul după golul marcat de Čop.

Viața personală
Tatăl lui Dop, Davor, a fost, de asemenea fotbalist și a jucat tot ca atacant. A jucat pentru șase sezoane la Hajduk Split în anii '70 și '80.

Titluri

Club

 Hajduk Split

 Cupa Croației: 2009-2010

 Dinamo Zagreb

 Prva HNL: 2012-2013, 2013-2014
 Supercupa Croației: 2013

 Standard Liège

 Cupa Belgiei: 2017-2018

Individual

 Prva HNL Golgheter: 2013-2014
 Fotbalistul croat al anului: 2013-2014

Referințe

Legături externe

Fotbaliști internaționali croați
Atacanți
Fotbaliști croați
Sportivi croați în viață
Nașteri în 1990
Nașteri pe 1 februarie

Duje Čop


Les Jardins de corail est un livre de l'anthropologue Bronislaw Malinowski formant la troisième partie d'une trilogie consacrée aux habitants des îles Trobriand, faisant suite aux Argonautes du Pacifique occidental (1922) et à La Vie sexuelle des sauvages du nord-ouest de la Mélanésie (1929). L'ouvrage est paru en anglais en 1935 sous le titre , composé de deux volumes, l'un consacré aux méthodes agricoles des ilotes et l'autre à leur langage spécialisé à ce sujet, qui sont regroupés dans l'édition française.

Présentation
L'ouvrage porte sur les méthodes de culture de l'igname, du taro, des bananes et des palmiers, déjà mentionnées plus brièvement dans un ouvrage précédent, Les Argonautes du Pacifique occidental (édition originale anglaise publiée en 1922). Il décrit les vergers comme n'ayant pas qu'une fonction utilitaire mais étant plutôt des œuvres d'art. Selon l'anthropologue Alfred Gell, l'ouvrage est . Pour Ariel Glucklich, ce livre est le  de Malinowski.

Organisation
L'ouvrage est divisé dans la version originale en deux volumes. Le premier, consacré à la description du jardinage, comporte l'introduction et trois parties et le second, portant sur le langage de la magie et le jardinage, comporte également trois parties. Les données linguistiques y sont suivies de considérations théoriques. La version française regroupe les deux parties en un seul volume. L'étude est suivie de deux annexes à caractère plus général concernant la théorie ethnographique du langage, où l'auteur développe son approche pragmatique et l'autre, la théorie ethnographique du mot magique. Malinowski explique comme suit la raison d'être de ces développements à caractère général qui font aujourd'hui une grande partie de l'intérêt de l'ouvrage :

Réception
L'ouvrage continue à faire l'objet de l'attention d'anthropolgues contemporains. Certaines analyses, par exemple celle du rôle des chefs vis-à-vis de leur communauté sont parfois discutées. L'ouvrage comporte un nombre inhabituel de données ethnolinguistiques pour son époque et continue à fournir de la matière pour des analyses linguistiques.

Ce livre est également considéré comme ayant joué un rôle pionnier dans la mise en œuvre d'une linguistique pragmatique et dans l'approche ethnologique de sujets linguistiques dans ses analyses sur le contexte et le contenu des invocations magiques.

Notes et références

Liens externes
Premier volume de l'édition anglaise sur Internet Archive
Second volume de l'édition anglaise sur Internet Archive

Livre d'anthropologie
Linguistique appliquée
Livre paru en 1935
Mélanésie

Les Jardins de corail


Tradicionalna kineska medicina (TKM) () pojam je koji služi za označavanje tradicionalnih oblika medicine u Kini. Izraz označava načine liječenja koji se primjenjuju u povijesti kineske medicine staroj preko 2000 godina, nastaloj radom naraštaja pučkih liječnika, travara, itd.

Nije dio medicine, te se ne koristi službeno u Narodnoj republici Kini.

Stari su Kinezi vjerovali da ljudskim tijelom teče Qi, koncept koji nema znanstvene i medicinske temelje. Po njihovom vjerovanju, kada je čovjek zdrav, qi je u stanju ravnoteže, a bolest nastupa tek kao rezultat poremećaja te ravnoteže, što je u suprotnosti sa saznanjima medicine i znanosti o uzrocima bolesti i poremećaja čovjeka (germinativna teorija bolesti, genetske bolesti i poremećaji, trovanja, profesionalne bolesti, itd.)

Povezani članci
Akupunktura
Alternativna medicina

Izvori

Medicina
Kina

Tradicionalna kineska medicina


Spiranthes romanzoffiana ,vrsta trajnice iz porodice kačunovki, jedna je od vrsta u rodu zasukica. Raširena je na području Sjeverne Amerike i Britanskim otocima, a njezini lokalni nazivi su Irish Lady's-tresses (eng.) i Cúilín gaelach (irski).

Stanište vrste sve više je ugroženo

Izvori

Vanjske poveznice
Wildflowers of Ireland

Spiranthinae
Flora Kanade
Florta Aljaske
Flora SAD-a
Flora Velike Britanije
Flora Irske

Spiranthes romanzoffiana


Die Guandi-Talsperre () ist ein  Talsperrenprojekt mit einem Wasserkraftwerk am Yalong Jiang, dem Oberlauf des Jangtsekiang in der Provinz Sichuan im Südwesten der Volksrepublik China.

Die Staumauer, die aus Walzbeton (RCC) gebaut wurde, steht am Yalong zwischen der Jinping-II-Talsperre oberhalb und der Ertan-Talsperre unterhalb. Sie ist von der Stadt Xichang 30 Kilometer Luftlinie und 80 Straßenkilometer entfernt. Der Hauptzweck der Talsperre ist die Stromerzeugung mittels Wasserkraft. Sie ist eines der mehr als 20 Wasserkraftprojekte am Yalong.

Der Stausee versorgt vier Turbinen und Generatoren mit Triebwasser. Sie haben jeweils eine Nennleistung von 600 MW, so dass die gesamte Leistungsfähigkeit bei 2400 MW liegt. Die Turbinen stehen in einem unterirdischen Krafthaus am rechten Flussufer. Der Bau begann am 20. Oktober 2010 und die letzte Turbine wurde im März 2013 in Betrieb genommen. Mit dem Strom der Talsperre wird der Osten Chinas direkt versorgt.

Siehe auch
 Liste von Wasserkraftwerken in China
 Liste von Talsperren in China
 Liste der größten Talsperren der Erde
 Liste der größten Stauseen der Erde
 Liste der größten Wasserkraftwerke der Erde

Einzelnachweise

Staumauer in der Volksrepublik China
Wasserkraftwerk in der Volksrepublik China
Wasserkraftwerk in Asien
Stausee in Sichuan
Stausee in Asien
SGuandiTalsperre
Gewichtsstaumauer
Erbaut in den 2010er Jahren
Wirtschaft (Sichuan)

Guandi-Talsperre


Die Liste der denkmalgeschützten Objekte in Rumince enthält das eine nach slowakischen Denkmalschutzvorschriften geschützte Objekt in der Gemeinde Rumince im Okres Rimavská Sobota.

Denkmäler

Legende

Einzelnachweise

!
Rumince


Pedro de Francia o Pedro I de Alencón, (Tierra Santa, 1251-Catona, Calabria enero 1283), fue un noble francés, miembro de la dinastía de los Capetos.

Vida
Nació en 1251 durante la Séptima Cruzada en la fortaleza templaria de Pèlerin, siendo hijo de Luis IX de Francia y Margarita de Provenza. Vivió en París hasta 1268, cuando el 2 de marzo de ese año su padre le cedió el condado de Alençon y de Perche como prerrogativa y nobleza, junto a los señoríos de Mortagne-au-Perche y Bellême.

Acompañó a su padre a Túnez durante la Octava Cruzada, en 1270, pero la expedición concluyó francasando por una epidemia de disentería que diezmó al ejército de los cruzados. Su padre y su hermano Juan-Tristán también sucumbieron a la enfermedad. Uno de los primeros actos del sucesor, Felipe el Hermoso, fue encargarle la regencia en caso de que él muriese.

En 1272, a su regreso a Francia, se casó con Juana de Chatillón (c. 1254-1291), que le trajo las tierras de Blois, Chartres y Guis. Con ella tuvo 2 hijos, muertos a corta edad: Luis de Alençon (1276-1277) y Felipe de Alençon (1278-1279).

En 1282, después de las Vísperas sicilianas, fue al reino de Nápoles para ayudar a su tío paterno Carlos de Anjou, pero murió en Salerno el 6 de abril de 1283. Su cuerpo fue devuelto al convento de los Cordeliers en París, donde fue enterrado, y su corazón llevado a la iglesia dominicana. Después de su muerte, sin hijos sobrevivientes, el condado de Alençon regresó a la Corona, mientras que la herencia de su esposa se disgregó.

Referencias

Bibliografía

Enlaces externos

Nobles de Francia del siglo XIII
Participantes cristianos en la octava cruzada
Nacidos en Israel
Fallecidos en Salerno
Hijos de Luis IX de Francia

Pedro de Francia y de Provenza


LEntreprise de Premuda (en italien:Impresa di Premuda) est une action navale menée par les vedettes lance-torpilles MAS (acronyme pour Motoscafo Armato Silurante ou Motoscafo Anti Sommergibilede) de la Regia Marina MAS 15 et 21 sous les ordres du chef de section Luigi Rizzo et commandés respectivement par Armando Gori et Giuseppe Aonzo, qui à l'aube du 10 juin 1918, en pleine Première Guerre Mondiale, se sont faufilés parmi les unités d'une formation navale ennemie se dirigeant vers le canal d'Otrante, réussissant à torpiller et à couler le cuirassé SMS Szent István (Santo Stefano). Le cuirassé jumeau SMS Tegetthoff (du nom de l'amiral qui a vaincu la flotte italienne à la bataille de Lissa en 1866) a également été touché par une torpille, mais dans ce cas, la défaillance du dispositif d'explosion a empêché le naufrage.

Histoire

Contexte
Le 1er mars 1918, l'amiral Miklós Horthy prend le commandement de la marine impériale austro-hongroise  (en allemand : kaiserliche und königliche Kriegsmarine, en hongrois : Császári és Királyi Haditengerészet), en remplacement de l'amiral Maximilian Njegovan. Avec la nomination de Horthy, Thaon di Revel perçoit également la possibilité que le nouveau commandant autrichien mette en œuvre une action de la flotte en dehors des schémas établis.

Jusqu'à ce moment-là, le barrage du canal d'Otrante avait été attaqué dix-neuf fois et, lors de quatre d'entre elles, l'amiral Horthy était présent en tant que commandant du SMS Novara. Il était donc fort probable que le nouveau commandant avait l'intention de donner un signal de changement dans la conduite de la guerre et que le canal d'Otrante, bien connu de lui, faisait partie de ses plans.

Les signes d'une nouvelle attaque imminente sont apparus avec un raid aérien le 9 mars par 14 avions, appuyés par les destroyers SMS Dukla et SMS Uzsok, pour lequel l'amiral Revel a ordonné que quatre sous-marins français soient positionnés en embuscade au nord de Durazzo, tandis que les sous-marins italiens F10 et F14 étaient placés respectivement devant Pula et le canal de Faresina.

La mission austro-hongroise
Les soupçons ne sont pas infondés : le haut commandement austro-hongrois a en effet préparé une puissante offensive, impliquant l'utilisation d'une grande partie de la flotte.

Le groupe d'attaque serait composé de:
 section , , ,  et , qui aurait eu pour tâche d'attaquer les forces affectées au barrage du canal d'Otrante.
 section , , torpilleurs 84, 92, 98 et 99, qui devait bombarder les installations d'Otrante.

Le "groupe de soutien" impliquait, au contraire, l'emploi des principales unités, chacune escortée par 4 ou 5 torpilleurs, subdivisés comme suit :
  (capitaine de vaisseau Janko Vuković de Podkapelski) comme navire amiral de la flotte, , , torpilleurs 86, 90, 96 et 97 ;
 Prinz Eugen (capitaine de vaisseau Adolfo Schmidt), , , torpilleurs 82, 89, 91, 95 ;
 Erzherzog Ferdinand Max, , torpilleurs 61, 66, 52, 56, 50 ;
 , , , torpilleurs 75, 94, 57 ;
 , , , torpilleurs 53, 58, et un Kaiman :
  (capitaine de vaisesau Enrico Pergler von Perglas), Velebit, torpilleur 81 et trois Kaimans
  (capitaine de vaisesau Enrico Seitz), torpilleurs 76, 77, 78, 80.

Ils devaient rester sur leurs positions jusqu'à 07h30 le 11, heure à laquelle ils devaient revenir s'ils ne parvenaient pas à entrer en contact avec les navires italiens. On pensait, en effet, que l'action du groupe d'attaque inciterait le commandement italien à envoyer ses croiseurs cuirassés de Brindisi et de Vlora à la poursuite des navires autrichiens, croiseurs qui se retrouveraient alors encerclés par les plus grandes unités autrichiennes, soutenues par un important déploiement de sous-marins et d'avions.

Le SMS Viribus Uniti et le SMS Prinz Eugen, à l'aube du 11 juin, ont atteint à temps leur position à mi-chemin entre Brindisi et Vlora, tandis que les deux groupes Szent István et Tegetthoff, malgré des problèmes mineurs avec le SMS Szent István, qui ont retardé sa marche, sont également partis vers leurs positions assignées.

 L'action du MAS

Entre-temps, le 9 juin, le MAS 15 (le capitaine de corvette Luigi Rizzo et le chef mécanicien Armando Gori) et le MAS 21 (l'enseigne Giuseppe Aonzo) quittent Ancône pour une mission dans la moyenne Adriatique. Jusqu'à 02h00 du matin le 10, les deux MAS devaient être stationnés entre Gruiza et Banc de Selve près de l'île de Premuda pour vérifier les barrages de torpilles ; à la fin de cette phase, ils devaient rester en embuscade jusqu'à l'aube pour rejoindre les torpilleurs d'appui 18 O.S. et 15 O.S.. Mais les retards accumulés par le groupe autrichien font que, à 3h15, les unités autrichiennes traversent la zone de patrouille des deux MAS, qui à cette heure se dirigent de Lutestrago vers le point de rencontre avec les torpilleurs." A 03h15, étant à environ 6,5 miles de Lutorstrak, j'ai vu, légèrement à l'arrière du travers et à tribord, un gros nuage de fumée... [...] j'ai décidé de profiter de la lumière incertaine pour prévenir une attaque et j'ai donc fait demi-tour, suivi par le MAS 21, en me dirigeant vers les unités ennemies à vitesse minimale. [...] En m'approchant de l'ennemi, je me suis rendu compte qu'il s'agissait de deux grands navires escortés par 8 à 10 destroyers [...]".(Rapport du capitaine de corvette Luigi Rizzo).

Luigi Rizzo, dans l'espoir de toucher l'un des deux grands navires à la distance la plus courte possible, a manœuvré entre deux destroyers qui encadraient le SMS Szent István, a augmenté sa vitesse à 12 nœuds (22 km/h), a réussi à passer entre les torpilleurs et, à une distance maximale de 300 mètres, a tiré les deux torpilles du MAS. Les deux torpilles ont frappé le navire, soulevant de hautes colonnes d'eau et de fumée. La réaction du torpilleur 76 ne se fait pas attendre et il se lance à la poursuite du MAS de Rizzo, ouvrant le feu à une distance de 100-150 mètres. Rizzo a décidé de larguer deux bombes anti-sous-marines, dont l'une a explosé, ce qui a incité le torpilleur à se désister. Le MAS 21 de Giuseppe Aonzo a tiré ses torpilles sur l'autre unité majeure, le SMS Tegetthoff, à une distance de 450-500 mètres ; l'une des torpilles a touché le navire mais n'a pas explosé, empêchant le deuxième cuirassé austro-hongrois de couler. Il est lui aussi poursuivi par un torpilleur, qu'il parvient à distancer afin de faire un retour en toute sécurité.

Le SMS Szent István a immédiatement montré de gros dégâts causés par les torpilles du MAS 15 ; l'eau a pénétré dans les salles des machines avant et arrière, si bien que les moteurs ont dû être arrêtés. Tous les quarts d'heure environ, la gîte du navire augmentait d'environ 1° et le SMS Tegetthoff a essayé à plusieurs reprises de prendre le navire en remorque, mais ce n'est qu'à 05h45 qu'ils ont réussi à passer le premier bord, alors que la gîte avait atteint environ 18°. À ce moment-là, l'inclinaison a soudainement augmenté et la ligne a dû être coupée ; vers 06h00, le navire a commencé à chavirer, puis a coulé complètement. Parmi les officiers il y a un mort et trois disparus, parmi l'équipage il y a 13 morts, 72 disparus et 29 blessés.

A 07h00, les deux MAS atteignent Ancône, et immédiatement deux hydravions décollent et aperçoivent quelques unités de la classe Tátra aux alentours de Dugi Otok et du Cap Kamenjak, en direction du sud. A 9 heures, d'autres avions décollent et la reconnaissance de Pula confirme l'absence des quatre dreadnoughts. Les Autrichiens, ayant annulé l'effet de surprise sur lequel reposait toute l'opération, ont dû retourner à leurs bases. Le SMS Tegetthoff est revenu à Pula à l'aube du 11, tout comme le groupe Viribus-Prinz Eugen, qui est arrivé au port à 19h00.

 Conséquences
Les répercussions psychologiques de l'action de Premuda ont eu un tel effet sur le moral des Austro-Hongrois que la k.u.k. Kriegsmarine n'a plus mené d'autres opérations navales pendant le reste de la guerre, barricadant ses navires dans les ports. Par cette action, les torpilles de Rizzo éliminent l'élément de surprise et tuent dans l'œuf la mission ennemie, obligeant la flotte autrichienne à abandonner une fois pour toutes son ambitieux projet. L'action de Premuda a également convaincu les Alliés d'abandonner la question de l'établissement d'un quartier général naval en Méditerranée, laissant le contrôle total de l'Adriatique à l'Italie.

Pour démontrer le grand résultat de l'action du MAS, le commandant en chef de la Grand Fleet (Grande Flotte), l'amiral anglais David Beatty, a envoyé le télégramme suivant à l'amiral Lorenzo Cusani, commandant de la flotte italienne : "La Grand Fleet adresse ses plus chaleureuses félicitations à la flotte italienne pour le splendide exploit mené avec tant de vaillance et d'audace contre l'ennemi autrichien".

En reconnaissance de l'héroïsme dont il a fait preuve au combat, le capitaine Luigi Rizzo a été décoré de la croix de chevalier de l'Ordre militaire de Savoie, mais après son refus en raison de ses idéaux républicains, cette distinction a été commuée en une médaille d'or de la valeur militaire; cette distinction a également été attribuée à l'enseigne Aonzo.

Le 13 mars 1939, la Marine, alors Regia Marina, décida de célébrer sa propre fête le 10 juin, en souvenir de l'action menée pendant la Première Guerre mondiale.

 Note

 Source

 Bibliographie
  Fabio Andriola, Luigi Rizzo, Ufficio Storico della Marina, Rome, 2000
  Franco Favre, La Marina nella Grande Guerra, Udine, Gaspari, 2008, .
  Paul G. Halpern, La Grande Guerra nel Mediterraneo. Volume I 1914-1916, Gorizia, LEG, 2009.
  Paul G. Halpern, La Grande Guerra nel Mediterraneo. Volume II 1917-1918, Gorizia, LEG, 2010.
  Nicola Horthy; Memorie. Una vita per l'Ungheria, Rome, Corso, 1956.
  Hans Sokol; La guerra marittima dell'Austria-Ungheria 1914-1918. 4 voll., Gorizia, LEG, 2007.
  Alfred von Koudelka; Rotta su Trieste'', Gorizia, LEG, 2010.

Voir aussi
 Entreprise de Pula
 Motoscafo armato silurante

Liens externes
  Action Premuda - Bataille de l'Adriatique L'histoire nous appartient
  Festa della Marina, sur le site marina.difesa.it.
  Documentaire : Fumo nero all'orizzonte, il MAS che sfidò la corazzata Santo Stefano, sur le site guidatv.sky.it. URL consulté le 10 octobre 2011 (archivé de l'url original le 22 janvier 2013).
  Films de l'Istituto Luce

Regia Marina

Entreprise de Premuda


Caldecote is a common place name and means "cold cottage".

In the United Kingdom:
 Caldecote, Buckinghamshire
 Caldecote, Huntingdonshire, Cambridgeshire
 Caldecote, South Cambridgeshire, Cambridgeshire
 Caldecote, Hertfordshire
 Caldecote, Norfolk, formerly in Swaffham Rural District
 Caldecote, Northamptonshire
 Caldecote, Warwickshire
 Chalk Farm, London, originally known as Caldecote or Chaldecote

See also
 Caldecott (disambiguation)
 Caldecotte, a district in the parish of Walton, Milton Keynes, in ceremonial Buckinghamshire, England
 Caldecote, Bedfordshire (disambiguation), a pair of hamlets in Bedfordshire, England
 Caldicot (disambiguation)

Caldecote


Rarible est une place de marché de jetons non fongibles (NFT) centrée sur les œuvres d'art numériques et les éléments de jeu vidéo.

Le jeton de gouvernance natif de la plateforme est le RARI. Ce jeton est basé sur la norme de jeton ERC-20.

Rarible est un concurrent d'OpenSea.

Description

Fonctionnement
Sur Rarible les utilisateurs peuvent créer, acheter et vendre des NFT (jetons non fongibles) via une interface simple pour les néophytes. Les ventes peuvent se réaliser classique ou aux enchères. Un utilisateur peut créer un NFT sur la plateforme sans le vendre immédiatement. S'il décide de le vendre, il peut à tout moment en changer le prix. Il est aussi possible pour un détenteur de NFT de le transférer gratuitement à un autre utilisateur. Les NFT créés sur Rarible sont pour la plupart des œuvres d'art numériques et des éléments de jeu vidéo.

Pour créer un compte sur Rarible, il est nécessaire de disposer d'un portefeuille de crypto-monnaie virtuelle comme B. Bitski ou MetaMask. Le protocole Rarible se conçoit comme une solution aux limitations auxquelles est confronté le marché de la propriété intellectuelle, telles que les exigences difficiles en matière de licences et de procédures administratives.

Le système de royalties

La plateforme propose un système de royalties, permettant à l'utilisateur à l'origine de la création du contenu de toucher un pourcentage sur les reventes futures. Ainsi, lors de la mise en vente d'une création, le créateur de contenu à la possibilité de définir un pourcentage, qu'il touchera automatiquement lors des transactions futures relatives à l'œuvre.

Vérification des comptes utilisateurs

Les fondateurs de la plateforme s'assurent de l'authenticité des comptes utilisateurs en analysant la présence sur les réseaux sociaux, le nombre de produits vendus ou achetés ainsi que les interactions avec les membres de la communauté. Ce processus de vérification dure jusqu'à deux semaines.

Sécurité

Rarible est basé sur les normes de jeton ERC-20 et ERC-721(réseau Ethereum). Ces deux jetons sont traités et sécurisés par le réseau principal Ethereum. Il s'agit d'une blockchain de preuve de travail utilisant un réseau décentralisé de nœuds et de mineurs pour garantir la sécurité des transactions.

La transparence de la blockchain Ethereum peut être utilisée pour certifier et garantir le caractère unique des NFT échangés sur le marché Rarible, garantissant ainsi aux créateurs et aux collectionneurs la certitude que leurs jetons sont véritablement rares.

Histoire

Rarible est cofondé début 2020 par Alexei Falin et Alexander Salnikov à Moscou. Alexei Falin, PDG de Rarible, est également le cofondateur de Sticker Place, une société de logiciels informatiques spécialisée dans les autocollants. Falin est diplômé de l'Université de Californie du Sud et de la Higher School of Economics de Moscou. Alexander Salnikov , Directeur Produit de Rarible est également le Directeur ICO de Humaniq, un projet basé sur la blockchain visant à fournir des outils aux personnes non bancarisées. L'équipe de Rarible se compose de près d'une douzaine d'employés, dont beaucoup sont artistes.

En juin 2021 Rarible réalise une levée de fonds de  de dollars.

En aout 2021, le club du LOSC, alors champion de France de football en titre pour la 4eme fois, créé une collection de NFT sur Rarible.

Le 7 janvier 2022 Rarible annoncé sur son site internet, l'arrêt de la distribution hebdomadaire de RARI à ses utilisateurs à partir du 16 janvier 2022.

En janvier 2023, Rarible annonce le lancement d'un "constructeur de place de marché" spécifiquement conçu pour les collections NFT basées sur Polygon. Cette fonctionnalité doit permettre aux artistes et aux projets de personnaliser une place de marché pour lancer leurs collections NFT.

Références

Blockchain

Rarible


Peder Andreas Marinus Marcussen (født  26. november 1894, død 16. december 1972) var en dansk gymnast som deltog under de olympiske lege 1920 i Antwerpen.

Marcussen blev olympisk mester i gymnastik under sommer-OL 1920 i Antwerpen. Han var med på det danske hold som vandt holdkonkurrencen i frit system med 51,35 point, foran Norge med 48,55. Der var kun de to hold som deltog i konkurrencen.

OL-medaljer
 1920  Antwerpen -  Guld i gymnastik, holdkonkurrencen i frit system (Danmark)

Eksterne henvisninger

Olympiske gymnaster fra Danmark
Olympiske mestre fra Danmark
Medaljevindere ved sommer-OL 1920
Personer fra Esbjerg

Peder Marcussen


Sir Michael Checkland (born 13 March 1936) was Director-General of the BBC from 1987 to 1992, being appointed after the forced resignation of Alasdair Milne.

Early life

Michael Checkland was educated at the state grammar school King Edward VI Five Ways in Birmingham, and Wadham College, Oxford, of which he was appointed an Honorary Fellow in 1989. After leaving Oxford he worked first as an auditor at Parkinson Cowan Ltd and then as an accountant at Thorn.

Career at the BBC 1964-87

Checkland joined the BBC in 1964 as a senior cost accountant and in 1969 he was promoted to be head of the Central Finance Unit and chief accountant for Central Finance Services. In 1971 he moved to BBC TV, where he was successively chief accountant (1971–76), financial controller (1976–77), controller of planning and resource management (1977–82), and director of resources (1982–85). He had meanwhile been a director of Visnews from 1980 until 1985. In 1985 he was appointed Deputy Director-General of the Corporation, and at the same time he became Vice President of the Royal Television Society, a position he retained until 1994. In 1986 he became Chairman of BBC Enterprises, of which he had been a director since 1979. The following year he became Director-General upon the resignation of Alasdair Milne. This appointment coincided with a term of office as President of the Commonwealth Broadcasting Association from until 1988.

Director-General of the BBC

As a former BBC accountant (hence his somewhat derogatory nickname "Michael Chequebook or Chequebook Checkland") he was more cautious and less radical than Milne, and therefore much less unsettling to the Thatcher government. It has been claimed that the exodus to Channel 4 in the early 1990s of dramatists like Dennis Potter and Alan Bleasdale, who had both been responsible for series which caused outrage among Conservatives during the Milne era, had much to do with the relative lack of risk-taking at the BBC under Checkland and his successor John Birt, who was deputy director-general throughout Checkland's reign.

After the BBC

Following his departure from the BBC, Checkland suggested at a Royal Television Society conference that the corporation's governors and the chairman Marmaduke Hussey had been out of touch: they thought, as he put it, that FM (as in FM radio) "stood for fuzzy monsters!"

Following his retirement from the BBC, Checkland became closely associated with the National Children's Homes charity. He has since become involved in a range of other charities and public bodies: Director of the National Youth Music Theatre (1992–2002), Chairman of the City of Birmingham Symphony Orchestra (1995–2001), Governor of Westminster College, Oxford (1993–97), Governor of Birkbeck College London (1993–97), Visiting Professor at the International Academy of Broadcasting, Montreux (1995–97), the Peabody Awards Board of Jurors (1994-2000), and Chairman of the Higher Education Funding Council for England (1997–2001).

In 1997-8 he was elected Vice-President of the British Methodist Conference, the highest lay position in the church.

He is a trustee of Reuters, chairman of Horsham YMCA, chairman of Horsham Arts Festival, chairman of the University of Brighton and a board member of the Wales Millennium Centre. He was a member of the Independent Television Commission from 1997 to 2003, and chairman of Brighton Festival from 1993 to 2002.

Michael Checkland now lives in Sussex and has three children and two grandchildren.

References

Sir Michael CHECKLAND, Debrett's People of Today (12th edn, London: Debrett's Peerage, 1999), p. 352

1936 births
Alumni of Wadham College, Oxford
BBC executives
Knights Bachelor
Living people
People associated with Birkbeck, University of London
English Methodists
People associated with the University of Brighton
People educated at King Edward VI Five Ways
People from Birmingham, West Midlands
Directors-General of the BBC

Michael Checkland


PCnet, bilgisayar ve internet dünyasını birlikte yansıtan, son kullanıcılara yönelik aylık bilgisayar ve internet dergisidir. 1997 yılında Hürriyet Dergi Grubu bünyesinde yayın hayatına başlayan dergi, bir süre sonra Doğan Burda Dergi Yayıncılık'a geçti. Son sayısı Kasım 2016'da yayımlandı.

Derginin içeriği 2012 yılına kadar Türkiye'de, Türk yazarlar tarafından oluşturuldu. 2012 yılında Birleşik Krallık merkezli Future plc'ye bağlı Future Publishing ile lisans anlaşması yapıldı ve Future Publishing tarafından yayımlanan teknoloji dergilerinin içeriği de yerelleştirerek Türk okuyucusuna sunuldu. Dergi, Mart 2014 sayısından itibaren yeniden tamamen Türkiye'de hazırlanmaya başlandı.

PCnet, uzun bir süre boyunca her ay okurlarına promosyon içerikli CD, ardından da çift katmanlı DVD hediye etti. Bu CD ve DVD'lerde tam sürüm yazılımlar, eğitim videoları, çeşitli yazılımların deneme sürümleri ve eğlenceli içerikler yer aldı. Dergi, Ocak 2015'ten itibaren fiziksel DVD'yi sonlandırarak bu içerikleri bulut ortamına taşıdı.

PCnet ekibi 2003 yılında OYUNCU dergisini, 2004 yılında Computer Active Türkiye dergisini, 2005 yılında Türkiye'nin ilk Linux dergisi LINUXnet'i, 2006 yılında Webmaster'ın El Kitabı'nı, 2014 yılında interaktif teknolojisi dergisi nexxt'i çıkardı. PCnet, aylık derginin yanı sıra birkaç ayda bir yayımlanan tematik özel sayılar da yayımladı.

Dış bağlantılar
 PCnet Online

Türk bilgisayar dergileri
Türkiye'de yayımlanan aylık dergiler
Türkçe dergiler
Doğan Holding kuruluşları
1997'de kurulan dergiler

PCnet


As  são lojas japonesas comuns na linha das lojas de dólares americanos. Estocando uma variedade de itens, de roupas a artigos de papelaria, utensílios domésticos a alimentos, cada item custa exatamente cem ienes. Esse preço é considerado atraente para os consumidores japoneses porque pode ser pago com uma única moeda de 100 ienes. No entanto, o atual imposto sobre vendas japonês de 8% (alimentos e bebidas) ou 10% (outros itens) também é adicionado, fazendo com que uma compra de 100 ienes realmente custe 108 ou 110 ienes. Itens maiores, como móveis e ferramentas, também podem custar mais, mas ainda são relativamente acessíveis, geralmente custando menos de 1.000 ienes.

As quatro principais cadeias são Daiso, Seria, Watts e Can Do, que combinadas têm mais de cinco mil e quinhentas locais em todo o Japão em 2012. Uma variação das lojas de 100 ienes são lojas de 99 ienes. A Daiei também opera lojas de 88 ienes. Algumas lojas, como a Lawson 100, são especializadas em certos itens, como mantimentos ou produtos naturais, mas isso é menos comum do que o modelo de loja de variedades.

História

O conceito de lojas que vendem produtos a um preço uniformemente baixo remonta ao período Edo, quando as lojas que vendiam itens por 19 meses e depois 38 meses eram populares. No período Meiji, isso se expandiu para lojas de roupas e barracas de comida, e as lojas que vendiam apenas itens de 1 iene não eram incomuns A primeira loja de 100 ienes em sua forma moderna foi aberta em 1985 em Kasugai, prefeitura de Aichi por Akira Matsubayashi, fundador da empresa Life Standard. Foi chamado de '100-yen Shop' (100円ショップ). Este modelo acabou sendo adotado por Hirotake Yano, o fundador da Daiso Industries Co. Ltd., que abriu a primeira loja Daiso em 1991. Hoje, existem mais de 2.800 lojas Daiso em todo o Japão, com vinte a trinta novas lojas sendo abertas todos os meses. Uma das maiores lojas de 100 ienes é a Daiso, no bairro de Harajuku, em Tóquio. Ele se estende por quatro andares e mais de 980 metros quadrados.

Lojas semelhantes também foram abertas em outras partes da Ásia, algumas operadas por empresas japonesas como a Daiso, que agora possui filiais em 25 países fora do Japão.

As lojas de 100 ienes conseguem manter os preços baixos comprando mercadorias internacionalmente e a granel. Estes bens provêm de países com custos de produção mais baixos, nomeadamente China e Tailândia.

Varejo

Loja de 100 ienes


ABA liga za sezonu 2016./17. je šesnaesto izdanje Jadranske košarkaške lige u kojoj sudjeluje četrnaest klubova iz šest država. Ligu je treći put zaredom osvojila Crvena zvezda mts iz Beograda.

Sustav natjecanja
Četrnaest klubova u osnovnom dijelu igra dvokružnu ligu (26 kola). Po završetku ligaškog dijela četiri najbolje momčadi se plasiraju u doigravanje. U poluzavršnici doigravanja napreduje momčad koja prije ostvari dvije pobjede (best-of-three), dok u završnici doigravanja prvak ABA lige postaje momčad koja prije ostvari tri pobjede (best-of-five).

Sudionici
  Igokea - Aleksandrovac - Laktaši
  Mornar - Bar
  Budućnost VOLI - Podgorica
  Zadar - Zadar
  Cedevita - Zagreb
  Cibona - Zagreb
  Karpoš Sokoli - Skoplje
  MZT Skopje Aerodrom - Skoplje
  Union Olimpija -  Ljubljana
  Krka - Novo Mesto
  Crvena zvezda mts - Beograd
  FMP - Beograd
  Partizan NIS -  Beograd
  Mega Leks - Beograd - Srijemska Mitrovica
 Mega Leks domaće utakmice igra u Srijemskoj Mitrovici, dok je klub registriran u Beogradu

Ljestvica i rezultati

Ljestvica

Doigravanje
Poluzavršnica se igra kao best of three serija (pobjednik momčad koja prije ostvari dvije pobjede), a završnica se igra kao best-of-five serija (pobjednik momčad koja prije ostvari tri pobjede).
 - domaća utakmica za klub1
 - gostujuća utakmica za klub1

Poveznice
 aba-liga.com
 Euroliga 2016./17.
 Eurocup 2016./17.
 FIBA Liga prvaka 2016./17.
 Alpe Adria Cup 2016./17.
 A-1 liga 2016./17.

Izvori
 aba-liga.com, ljestvica
 aba-liga.com, raspored utakmica
 sportnet.hr, ABA liga 2016./17.

2016-17

ABA liga 2016./17.


Aceasta este o listă de regizori de film slovaci:

A
 Vlado Adásek (Vladimír Adásek)

B
 Ivan Balaďa
 Vladimír Balco
 Pavol Barabáš
 Stanislav Barabáš
 Vladimír Bahna
 Peter Bebjak
 Paľo Bielik
 Juraj Bindzár
 Eva Borušovičová
 Jozef Budský

C

 Igor Ciel

D
 Gejza Dezorz
 Alois Ditrich

F
 Rudolf Ferko
 Ľudovít Filan
 Zita Furková

G
 Pavel Gejdoš ml.
 Ján Gogál
 Eduard Grečner

H
 Dušan Hanák
 Robert Hardónyi
 Pavol Haspra
 Elo Havetta
 Juraj Herz
 Jozef Heriban
 Peter Hledík
 Martin Hollý junior (born 1931)
 Miroslav Horňák

I
 Samuel Ivaška

J
 Juraj Jakubisko
 Július Jarábek
 Ondrej Jariabek

K
 Ján Kadár
 Vladimír Kavčiak
 Robert Kirchhoff
 Dušan Kodaj
 Ctibor Kováč
 Otakar Krivánek
 Jakub Kroner
 František Kudláč

L
 Ján Lacko
 Leopold Lahola
 Andrej Lettrich
 Juraj Lihosit
 Miloslav Luther
 Štefan Lux

M
 Oleg Makara
 Anton Majerčík
 Julius Matula
 Jozef Medveď
 Matej Mináč

N
 Juraj Nvota

P

 Stanislav Párnický
 Vladislav Pavlovič
 Roman Petrenko
 Ján Piroh Dimitrij Plichta

R
 Dušan Rapoš
 Ivan Reitman
 Jozef Režucha

S

 Štefan Semjan
 Jaroslav Siakeľ (Slovak-American)
 Laura Siváková
 Miroslav Šindelka
 Marko Škop
 Jozef Slovák
 Peter Solan
 Martin Šulík
 Katarína Šulajová
 Eva Štefankovičová
 Vladimír Štric

T
 Dušan Trančík
 Martin Ťapák

U
 Štefan Uher

V
 Martin Valent
 Jaroslav Vojtek

Z
 Zoro Záhon (Zoroslav Záhon)
 Jozef Zachar
 Ján Zeman
 František Žáček

Regizoare

 Mira Fornay
 Iveta Grófová
 Zuzana Liová
 Tereza Nvotová
 Zuzana Piussi

Vezi și
 Listă de regizori de film
 Listă de regizori cehoslovaci
 Listă de actori slovaci

Note

Bibliografie
 Václav Macek, Jelena PaStéková: Dejiny slovenskej kinematografie. Vydavatel'stvo Osveta, 1997.
 Renata Smatláková, Martina Smatlák: Filmové profily, slovenský reziséri hraných filmov (Film Profiles, Slovak Feature Film Directors). Slovenský filmový ústav, 2005.
 Pavol Branko: Straty a nálezy. Slovenkský filmový ústav, 2005.
 Stefan VraStiak, Marianna Forrayová, Rudolf Urc: Slovenský animovaný film. Slovenský filmový ústav, 1996.

regizori
 Listă
Cinematografia slovacă

Listă de regizori slovaci


An Pseudosasa brevivaginata in uska species han Liliopsida nga ginhulagway ni G.H.Lai. An Pseudosasa brevivaginata in nahilalakip ha genus nga Pseudosasa, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Pseudosasa

Pseudosasa brevivaginata


Kupa, rijeka u Hrvatskoj
 Kupa (Delnice), gradsko naselje Delnica
 Kupa (časopis), hrvatska revija za književnost, umjetnost i kulturu

Kupa (razdvojba)


Matching Sweaters er det tolvte album fra det keltiske band Gaelic Storm. Det blev udgivet den 24. juli 2015.

Spor
Alt arrangement er udført af Gaelic Storm.

 "Another Stupid Drinking Song" (Steve Twigger, Steve Wehmeyer, Patrick Murphy) – 3:22
 "Girls' Night in Galway" (Twigger, Wehmeyer, Murphy) – 3:15
 "Whiskeyed Up and Womaned Out" (Twigger, Wehmeyer, Murphy) – 4:17
 "The Narwhaling Cheesehead" (Tap Room/Traditional - John Nee's/Traditionel - Step on it Darsh/Pete Purvis) – 3:25
 "Paddy's Rubber Arm" (Twigger, Wehmeyer, Murphy) – 2:58
 "Six of One" (Twigger, Wehmeyer, Murphy) – 4:08
 "The Rustling Goat Gang" (Twigger, Wehmeyer, Murphy) – 3:53
 "Dancing in the Rain" (Twigger, Wehmeyer, Murphy) – 3:45
 "The Teachers' Snow Day" (Rakes of Kildare/Traditional - Kildare Reel/Purvis - Rombello/Purvis) – 4:19
 "What a Way to Go" (Twigger, Wehmeyer, Murphy) – 3:49
 "Son of a Poacher" (Twigger, Wehmeyer, Murphy) – 3:51
 "If You've Got Time" (Twigger, Wehmeyer, Murphy) – 2:54

Personel
Gaelic Storm
 Patrick Murphy
 Steve Twigger
 Ryan Lacey
 Peter Purvis
 Kiana Weber

Hitlister

Referencer

Gaelic Storm-album
Album fra 2014

Matching Sweaters


Hiroshi Fukushima (født 14. juli 1982) er en tidligere japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Avispa Fukuoka.

Eksterne henvisninger

Fodboldspillere fra Japan

Hiroshi Fukushima


Eurema's Dam este o povestire științifico-fantastică scrisă de autorul american R. A. Lafferty. A fost publicată pentru prima oară în 1972 (deși a fost scrisă în 1964) în antologia editată de Robert Silverberg New Dimensions II și ulterior republicată în The Best Science Fiction of the Year #2 și în Science Fiction Stories of the Year, Second Annual Collection (ambele în 1973), în The Hugo Winners, Volume Three (1977), în Golden Gate and Other Stories (1982), în Space Odyssey (1988) și în Masterpieces: The Best Science Fiction of the Century (2001).

Rezumat
Albert este "ultimul prostănac ": cineva atât de prost încât nu poate învăța să facă lucruri simple și trebuie să inventeze mașini extrem de complexe și puternice pentru a le face în locul lui. Prezintă povestea lui Albert de la școala elementară (unde își ascunde incapacitatea de a se descurca cu aritmetica prin inventarea calculatorului) până la vârsta adultă, unde invențiile sale i-au adus faimă și avere, au inaugurat o epocă de aur la nivel mondial și i-au adus Premiul Eurema. Chiar și în momentul de maxim al succesului sau, Albert este încă afectat de sindromul impostorului și de incapacitatea sa de a funcționa fără invențiile sale.

Recepție
"Dam" a câștigat Premiul Hugo din 1973 pentru cea mai bună povestire scurtă  premiu împărțit cu  "Întâlnire" de Frederik Pohl. De asemenea, a câștigat Premiul Seiun din 1975 pentru cea mai bună povestire tradusă.

Mike Ashley consideră "Dam"  una dintre povestirile "cele mai memorabile" ale lui Lafferty, chiar dacă "nu este neapărat cea mai creativă a sa",  în timp ce Dave Langford a numit -o "sălbatică și lânoasă" și "[p]rofetică".

Lafferty însuși și-a exprimat nedumerirea pentru câștigarea premiului Hugo cu povestirea "Dam", afirmând că, deși a considerat-o că este "o mică povestire plăcută", el a avut "publicate patru sau cinci povestiri mai bune" în 1972.

În limba română
A apărut, în limba română, în numărul 5 din februarie 2008 al revistei Sci-Fi Magazin.

Referințe

Premiul Hugo
Povestiri din 1972
Povestiri americane
Povestiri științifico-fantastice

Fiul Euremei


Mirko Kovačević "Lala" (u. 14. kolovoza 1941.), hrvatski pripadnik pokreta otpora u Drugome svjetskom ratu, španjolski borac i komunist

Bio je borac u španjolskoj boljševičkoj revoluciji iz koje se je vratio s velikim ratnim iskustvom. U drugome svjetskom ratu pridružio se je partizanima. Došao je do položaja zapovjednika svih partizanskih odreda u Dalmaciji. Pri tome je važno napomeniti da je bio jedan od ključnih organizatora komunističkog pokreta otpora i da je komunistima u Dalmaciji poslan iz središnjice. Stigli su skupa iz Zagreba Kovačević i Pavle Pap Šilja u Dalmaciju početkom kolovoza 1941. kao delegati Centralnog komiteta KPH. Zadaća im je bila ubrzati prelazak s diverzantskih akcija na oružani ustanak. 7. kolovoza 1941. održan je sastanak Pokrajinskog komiteta KPH za Dalmaciju na kojem je određen trodnevni rok za stvoriti sedam partizanskih odreda i te prebaciti ih u Liku i Bosnu. Zadaća je obavljena od 8. do 14. kolovoza 1941., a uz Splitski, stvoreni su Šibenski, Vodičko-zatonski, Primoštensko-krapanjski, Solinski, Trogirski i Sinjski partizanski odred.

Poginuo je u borbi u selu Košutama. U trenutku pogibije bio je kao zapovjednik svih partizanskih odreda u Dalmaciji, s pripadnicima Prvoga splitskoga partizanskoga odreda. Loš početak odlaska splitskog partizanskog odreda u zaleđe nagovještavao je loš završetak. Cijelo su vrijeme imali su probleme s vodičima. 11. kolovoza Splitski se je partizanski odred zaputio u Zagoru, ali ne u punom sastavu, jer se je jedan vod izgubio te su ga ostala dva voda dva sata. 14. kolovoza stigli su iznad sela Košuta umorni, izgladnjeli i bez opskrbe vodom. Dvojica, Vladimir Marković Inđo i Veljko Neškovčin su pošli u selo po opskrbu namirnicama i pićem, ali su ih seljani dočekali s nepovjerenjem. Izašli su iz sela, ali ih je jedan seljak dočekao uperene puške, na što su Marković i Neškovčin zapucali. Pucnjava je privukla ostale seljake, ustaške i talijanske postrojbe i izbila je borba. Kovačević je poginuo među prvima, što je utjecalo na moral boraca.

Grob mu je u spomen-kosturnici (dio partizanskog Spomen-groblja palim borcima Splita) u pećini na Lovrincu, zajedničkoj grobnici s posmrtnim ostatcima 122 poginula ili pogubljena borca.

U Splitu se je po Mirku Kovačeviću zvala jedna ulica.

Izvori

Životopisi, Split
Partizani
Hrvatski komunisti do 1945.

Mirko Kovačević


El Jardín Botánico Henri Gaussen ( en francés: Jardin botanique Henri Gaussen) es un jardín botánico de 7 hectáreas de extensión, dependiente administrativamente de la Universidad Paul Sabatier durante más de 40 años.

Actualmente asignado a la "Unidad de Formación y Búsqueda de las Ciencias de la vida y de la Tierra" y el museo de Toulouse en la ciudad de Toulouse, Francia.

Está adscrito a la prestigiosa asociación de ámbito francófono « Jardins botaniques de France et des pays francophones » (JBF).

El código de identificación del Jardin botanique Henri Gaussen como miembro del "Botanic Gardens Conservation Internacional" (BGCI), así como las siglas de su herbario es TOU.

Localización
Jardin Botanique et Arboretum Henri Gaussen Université Paul Sabatier, 39 allées Jules Guesde,
Toulouse, Haute-Garonne, Midi-Pyrénées, 31062 cedex 9 France-Francia.

Planos y vistas satelitales.

 Promedio anual de lluvias: 650 mm
 Altitud: 152.00
 Área total bajo cristal: 450 metros

Se encuentra abierto todos los días laborales de la semana, en los meses cálidos del año.

Tiene un arboreto satelital dependiente administrativamente el Arboretum de Jouéou.

Historia

El Jardín Botánico estaba en su origen incluido en el conjunto del Jardín de plantas de Toulouse creado, a principios del , por Philippe Picot de Lapeyrouse.

Este extenso jardín, que ambicionaba igualar a los de París y Montpellier, se instaló en las dependencias del monasterio del Carmen requisado en la Revolución, llamado "Jardins de Frescati".

El Jardín de plantas se estructuró en parte en varias "escuelas" (plantas medicinales, industriales, forrajeras…), adquirió un gran renombre y contó con más de 5000 especies (regionales, pirenaicas, exóticas).

Solo la « "l'école générale de Botanique"» (escuela general de Botánica) sobrevivió después de la "exposición internacional de 1887". El Jardín Botánico actual se sitúa en el sitio de esta escuela.

Colocado durante más de 40 años bajo la responsabilidad de la Universidad Paul Sabatier, actualmente asignado a la "Unidad de Formación y Búsqueda de las Ciencias de la vida y de la Tierra".

En 1991, se dedicó a la memoria del Profesor Henri Gaussen (1891-1981), famoso botánico-fitogeografo de Toulouse, que lo dirigió de 1946 a 1958.

Este espacio encuentra doblemente su vocación inicial del antiguo jardín de monasterio, jardín de simples (colecciones etnobotánicas) y de escuela de Botánica (herramienta científica y pedagógica).

En 1998, el Jardín Botánico Henri Gaussen obtuvo el rango de miembro de "Jardines botánicos de Francia y de los países francófonos".

Colecciones
Actualmente el jardín alberga unas 2,500 taxones de plantas que se agrupan en una colección etnobotánica distribuida en secciones como plantas medicinales, de uso industrial, y de uso en la alimentación, además de seis invernaderos (450 m²).

De un interés particular son sus colecciones de:
 Plantas tóxicas con 840 especies,
 Plantas tropicales con 145 especies,
 Plantas epífitas con 300 especies,
 Plantas suculentas con 730 especies,
 Plantas carnívoras con 90 especies.
 Arboreto con 250spp de coníferas
 Herbario con unos 300,000 especímenes

En sus colecciones también incluye unas 4500 placas fotográficas y 35,000 diapositivas tomadas por el Prof. Henri Gaussen documentando la flora de los Pirineos franceses. El Arboretum de Jouéou está administrado como parte de este jardín botánico.

Algunos detalles en el "Jardín Botánico Henri Gaussen".

Algunos especímenes de Capsicum en el "Jardín Botánico Henri Gaussen".

Referencias

Enlaces externos

 Jardin botanique Henri Gaussen
 Descripción en la página Museum Toulouse (Francés)
 Descripción en Tela-Botanica (Francés)
 Página del jardín botánico en el BGCI

Bibliografía
 Collectif, Guide découverte Muséum d'histoire naturelle de Toulouse Jardin botanique Henri Gaussen, 2009 (ISBN 978-2-906702-09-7)

Henri Gaussen
Henri Gaussen
Henri Gaussen
Henri Gaussen
Henri Gaussen

Jardín botánico Henri Gaussen


An Vanilla claviculata in uska species han Liliopsida nga ginhulagway ni Olof Swartz. An Vanilla claviculata in nahilalakip ha genus nga Vanilla, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Vanilla

Vanilla claviculata


Aitkenov katalog dvostrukih zvijezda (eng. Aitken Double Star Catalogue) je astronomski katalog koji je sastavio američki astronom Robert Grant Aitken. Obuhvaća 17 180 dvostrukih zvijezda. Objavljen je u dva sveska pod naslovom "New General Catalogue of Double Stars within 120 degrees of the North Pole" (hrvatski: Novi opći katalog dvostrukih zvijezda unutar 120 stupnjeva od sjevernog pola). Primjer oznake uz dvostruku zvijezdu: ADS 16402.

Izvori

Vidi
popis astronomskih kataloga

Vanjske poveznice
 Radovi R.G. Aitkena na Astrophysics Data Systemu

Astronomski katalozi
Astronomija u SAD-u

Aitkenov katalog dvostrukih zvijezda


නැනෝ පරිගණක යනු ක්ෂුද්‍ර පරිගණක වලටත් වඩා කුඩා පරිගණකයන් සඳහා තාර්කික නම වේ, එම ක්ෂුද්‍ර පරිගණක මිනි පරිගණක වලට වඩා කුඩා පරිගණකයන්ය.

නැනෝ පරිගණක වල, ප්‍රමාණයෙන් ණයවරපත් හෙවත් ක්‍රෙඩිට් කාඩ්පත් වලට සමාන වන සාමාන්‍ය පරිගණක උපාංග භාවිතා වේ. මෙම නැනෝ පරිගණක නැනෝමීටර කිහිපයකට වඩා විශාල නොවන පරිගණකයන්ය. යාන්ත්‍රික, ඉලෙක්ට්‍රොනික්, ජෛව රසායනික හෝ ක්වොන්ටම් තාක්ෂණය යොදා ගනිමින් නැනෝ පරිගණක ඉදි කළ හැකි ක්‍රම කිහිපයක් ඇත. නැනෝමීටර 100 කට වඩා කුඩාවට නැනෝ පරිගණකයක් නිපදවීම සදහා අර්ධ සන්නායක ට්‍රාන්සිස්ටර (සියලුම නවීන ඉලෙක්ට්‍රොනික උපාංග වල භාවිතා වන ක්ෂුද්‍ර විද්‍යුත් සංරචක) භාවිතා කිරීම අපහසු බව 1998 දී තර්ක කරන ලදී.

2012 අප්‍රේල් මසදී 22 nm ට අඩු නවීන මයික්‍රොප්‍රොසෙසරයක් නිපදවීමට හැකිවිය. ඉන්ටෙල් නැනෝමීටර 5 තාක්ෂණයේ ඉදිරි දැක්ම අනුව 2022 වනවිට 5 nm ට අඩු මයික්‍රොප්‍රොසෙසරයක් නිපදවීම පිළිබදව අනාවැකි පළ කරයි.

සිලිකන්-සිලිකන් බන්ධන දිග 235.2 pm වේ, එනම් 5 nm ට අඩු පළලක් ඇත් ට්‍රාන්සිස්ටරය උපරිම වශයෙන් සිලිකන් පරමාණු 21 කින් සමන්විත විය හැකිය.

මේවාත් බලන්න
නැනෝ තාක්ෂණය
පරිගණකය
ක්වොන්ටම් පරිගණක

ආශ්‍රිත

බාහිර සබැඳි
 තොරතුරු තාක්ෂණය සදහා ස්ප්‍රේ-ඔන් පරිගණක
 අනාගත නැනෝ පරිගණක තාක්ෂණයන්  - භාවිතා කළ හැකි තාක්ෂණයන්ගේ රූප සටහන (විද්‍යුත්, කාබනික, යාන්ත්‍රික, ක්වොන්ටම්).

පරිගණක
පරිගණක තාක්ෂණය
පරිගණක විද්‍යාව

නැනෝ පරිගණක


Sebald, auch Sebalder Altstadt oder Altstadt, St. Sebald genannt, ist der nördliche Teil der Altstadt von Nürnberg und der Name Gemarkung 3450 und des statistischen Bezirks 06.

Geographie
Sebald wird im Westen, Norden und Osten von der Nürnberger Stadtmauer und der Nürnberger Burg entlang dem Neutorgraben, dem Vestnertorgraben, dem Maxtorgraben und dem Laufertorgraben begrenzt. Im Süden bildet die Pegnitz die Grenze zu Lorenz. Der Trödelmarkt und Teile der Insel Schütt gehört zur Gemarkung 3450 Nürnberg-Sebald jedoch nicht zum Statistischen Bezirk 06 Altstadt, St. Sebald.

Struktur
Das Viertel ist von vielen Büro- und Geschäftshäusern durchzogen. Es war durch die Luftangriffe des Zweiten Weltkriegs sehr stark zerstört worden, so dass man in den ersten Nachkriegsjahren sogar von der Sebalder Steppe sprach. Während insbesondere große Teile östlich des Hauptmarktes in der einfachen Nachkriegsarchitektur der 1950er und 1960er Jahren entstanden, befinden sich im restlichen Viertel viele, teils rekonstruierte historische Gebäude und Straßenzüge.

Seit dem 14. Jahrhundert trieben die Menschen Stollen und Keller in die Nürnberger Felsen. Unter dem Stadtteil befinden sich daher zahlreiche ehemalige Felsenkeller, die im Zweiten Weltkrieg als Luftschutzbunker genutzt wurden. Der bekannteste dieser Bunker ist der Paniersbunker.

Siehe auch
 Felsengänge
 Tucherkeller
 Laufertorkeller

Geschichte
Sebald wurde benannt nach dem Heiligen Sebaldus von Nürnberg, der nördlich des Flusses Pegnitz vielleicht selbst eine Peterskapelle errichtet hat. Als Teil der Altstadt ist die Geschichte des Viertels ansonsten großteils identisch mit der Geschichte der Stadt Nürnberg.

Sehenswürdigkeiten

Über die Hälfte der unter Historische Meile Nürnberg zusammengefassten Sehenswürdigkeiten Nürnbergs befinden sich in der Sebalder Altstadt. Zu den bekanntesten zählen:
 Kaiserburg
 Kirche St. Sebald
 Kirche St. Egidien
 Tucherschlößchen
 Pellerhaus
 Weinstadel
 Albrecht-Dürer-Haus
 Fembohaus
 Hauptmarkt mit Schönem Brunnen
 Weißgerbergasse (Nürnberg)
 Felsengänge (Nürnberg)
 Lochgefängnisse (Nürnberg)

Auch der weltbekannte Nürnberger Christkindlesmarkt findet jährlich in der Adventszeit auf dem Hauptmarkt statt.

Öffentliche Einrichtungen
 Nürnberger Rathaus
 Stadtbibliothek Nürnberg
 Einwohnermeldeamt
 Ordnungsamt
 Integrationsamt
 Kassen- und Steueramt
 Gesundheitsamt

Museen

 Albrecht-Dürer-Haus
 Bernsteinmuseum Nürnberg
 Deutsches Museum Nürnberg (in Bau)
 Deutsches Spielearchiv Nürnberg
 Henkerhaus Nürnberg
 Felsengänge
 Historischer Kunstbunker
 Hutmuseum Nürnberg
 Kaiserburg-Museum
 Mittelalterliche Lochgefängnisse
 Museum Tucherschloss mit Hirsvogelsaal
 Spielzeugmuseum Nürnberg
 Stadtmuseum Fembohaus

Bildung
 Friedrich-Alexander-Universität  (WISO)
 Willstätter-Gymnasium
 Johannes-Scharrer-Gymnasium (Nürnberg)

Verkehr
  : Doku-Zentrum  – St. Peter  – Dürrenhof   – Rathenauplatz   – Rathaus – Hauptmarkt – Plärrer
  : Heilig-Geist-Spital  – Rathaus – Maxfeld  – Berufsförderungswerk – Kriegsopfersiedlung
  : Heilig-Geist-Spital  – Rathaus – Maxfeld  – Nordostbahnhof   – Martha-Maria-Krhs.
  : Heilig-Geist-Spital  – Rathaus – Maxfeld  – Thon  – Forchheimer Str.

Außerdem verläuft durch Sebald der Fränkische Marienweg.

Literatur

Weblinks

Einzelnachweise

Stadtteil von Nürnberg
Statistischer Bezirk von Nürnberg
Nurnberg
Gemarkung von Nürnberg
Sebaldus von Nürnberg als Namensgeber

Sebald (Nürnberg)


I økonomi er adaptive forventninger en proces, hvor mennesker danner deres forventninger om, hvad der vil ske i fremtiden, baseret på hvad der er sket i fortiden. For eksempel vil folk revidere forventningerne til fremtiden, hvis inflationen viser sig at være højere end tidligere forventet.

En simpel version af adaptive forventninger er angivet i følgende ligning, hvor  er forventningen lige nu til næste års inflation;  er det inflationsniveau, der sidste år blev forventet at være gældende i år; og  er den faktiske inflation i år:

hvor  er et tal mellem 0 og 1. Formlen siger, at de nuværende forventninger til den fremtidige inflation afspejler tidligere forventninger og et fejljusteringsled, hvor de nuværende forventninger op- eller nedjusteres i henhold til forskellen mellem den faktiske inflation og tidligere forventninger.

Teorien om adaptive forventninger kan anvendes på alle tidligere perioder, sådan at de nuværende inflationsforventninger kan skrives som:

hvor  er lig med den faktiske inflation for  år siden. Den aktuelle forventede inflation afspejler således et vejet gennemsnit af al tidligere inflation, hvor vægtene bliver mindre og mindre, efterhånden som vi bevæger os længere tilbage i fortiden.

Når aktørerne gør en forudsigelsesfejl som følge af et stokastisk stød, vil de aldrig være i stand til korrekt at forudsige prisniveauet igen, selv hvis prisen ikke udsættes for yderligere stød, da de altid kun tager højde for en del af deres fejl. Den tilbageskuende karakter af forventningsantagelsen og de deraf følgende systematiske fejl begået af aktørerne opfattedes som utilfredsstillende af økonomer som John Muth. Han blev en central person i udviklingen af en alternativ model for, hvordan forventninger dannes, nemlig rationelle forventninger. Disse har i vid udstrækning erstattet adaptive forventninger i makroøkonomisk teori, da den rationalitetsantagelse, der er forbundet med dem, er bedre i overensstemmelse med andre dele af den økonomiske teori.

Adaptive forventninger indgik i den udgave af Phillipskurven, som Milton Friedman udarbejdede. Friedman mente, at lønmodtagere danner adaptive forventninger, og dermed kan myndighederne overraske dem via uventede pengepolitiske ændringer. Eftersom aktører lider af pengeillusion, er de ikke i stand til korrekt at opfatte pris- og lønudviklingen. Dermed kan arbejdsløshed altid reduceres via en monetær ekspansion. Resultatet er en stigende inflation, hvis regeringen vælger at opretholde en meget lav arbejdsløshed i en længere periode. Men indenfor denne ramme er det klart, hvorfor og hvordan adaptive forventninger er problematiske. Aktører antages vilkårligt at ignorere oplysninger, som ellers ville påvirke deres forventninger. Det kunne eksempelvis være udmeldinger fra politikerne om, hvad de har tænkt sig at gøre. Derfor betragtes teorien om adaptive forventninger ofte som en afvigelse fra den rationelle tradition indenfor økonomi.

Henvisninger

Makroøkonomi

Adaptive forventninger


دير بارك  هي قرية غير مضمنة في ولاية نيويورك الأمريكية.

يبلغ عدد سكانها حسب تعداد سنة 2000: 28,316 نسمة. ويبلغ عددهم حسب تقدير 2007 حوالي:28,000 نسمة.

التركيبة السكانية
حدّد مكتب تعداد الولايات المتحدة بيانات التركيبة السكانية لدير بارك في تعداد الولايات المتحدة. في ما يلي، التركيبة السكانية حسب تعدادي 2000 و2010.

تعداد عام 2000
بلغ عدد سكان دير بارك 28,316 نسمة بحسب تعداد عام 2000، وبلغ عدد الأسر 9,516 أسرة وعدد العائلات 7,427 عائلة مقيمة في المنطقة السكنية. في حين سجلت الكثافة السكانية . وبلغ عدد الوحدات السكنية 9,698 وحدة بمتوسط كثافة قدره .
وتوزع التركيب العرقي للمنطقة السكنية بنسبة 83.41% من البيض و9.10% من الأمريكيين الأفارقة و0.22% من الأمريكيين الأصليين و2.87% من الأمريكيين ذوي الأصول الآسيوية و0.01% من سكان جزر المحيط الهادئ و2.08% من الأعراق الأخرى و2.31% من عرقين مختلطين أو أكثر و7.55% من الهسبانيون أو اللاتينيون من أي عرق.

بلغ عدد الأسر 9,516 أسرة كانت نسبة 38.6% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة الأزواج القاطنين مع بعضهم البعض 62.7% من أصل المجموع الكلي للأسر، ونسبة 11.8% من الأسر كان لديها معيلات من الإناث دون وجود شريك، بينما كانت نسبة 3.6% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 22% من غير العائلات. تألفت نسبة 18.1% من أصل جميع الأسر من عدة أفراد يعيشون في نفس المنزل ونسبة 8.8% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 2.97، أما متوسط حجم العائلات فبلغ 3.37.

بلغ العمر الوسطي للسكان 37.0 عاماً. وكانت نسبة 25.1% من القاطنين تحت سن الثامنة عشر، وكانت نسبة 6.5% بين الثامنة عشر والرابعة والعشرين عاماً، ونسبة 32.3% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 21.7% كانت ما بين الخامسة والأربعين والرابعة والستين، ونسبة 14.2% كانت ضمن فئة الخامسة والستين عاماً فما فوق. يوجد لكل 100 أنثى 94.3 ذكر، ويوجد لكل 100 أنثى في الثامنة عشر من عمرها فما فوق 89.5 ذكر.

بلغ متوسط دخل الأسرة في المنطقة السكنية 60,254 دولارًا، أما متوسط دخل العائلة فبلغ 67,128 دولارًا. وكان متوسط دخل الذكور 47,266 دولارًا مقابل 32,743 دولارًا للإناث. وسجل دخل الفرد الخاص بالمنطقة السكنية 24,196 دولارًا. وكانت نسبة 3.3% من العائلات ونسبة 4.7% من السكان تحت خط الفقر، وكان من هؤلاء نسبة 5.9% تحت سن الثامنة عشر ونسبة 5.6% في الخامسة والستين من العمر وما فوق.

تعداد عام 2010
بلغ عدد سكان دير بارك 27,745 نسمة بحسب تعداد عام 2010، وبلغ عدد الأسر 9,383 أسرة وعدد العائلات 7,093 عائلة مقيمة في المنطقة السكنية. في حين سجلت الكثافة السكانية . وبلغ عدد الوحدات السكنية 9,715 وحدة بمتوسط كثافة قدره .
وتوزع التركيب العرقي للمنطقة السكنية بنسبة 74.92% من البيض و12.04% من الأمريكيين الأفارقة و0.23% من الأمريكيين الأصليين و6.77% من الأمريكيين ذوي الأصول الآسيوية و0.01% من سكان جزر المحيط الهادئ و3.39% من الأعراق الأخرى و2.65% من عرقين مختلطين أو أكثر و12.12% من الهسبانيون أو اللاتينيون من أي عرق.

بلغ عدد الأسر 9,383 أسرة كانت نسبة 36.9% منها لديها أطفال تحت سن الثامنة عشر تعيش معهم، وبلغت نسبة الأزواج القاطنين مع بعضهم البعض 56.4% من أصل المجموع الكلي للأسر، ونسبة 13.8% من الأسر كان لديها معيلات من الإناث دون وجود شريك، بينما كانت نسبة 5.4% من الأسر لديها معيلون من الذكور دون وجود شريكة وكانت نسبة 24.4% من غير العائلات. تألفت نسبة 20.2% من أصل جميع الأسر من عدة أفراد يعيشون في نفس المنزل ونسبة 10.6% كانت تتألف من شخص يعيش بمفرده يبلغ من العمر 65 عاماً أو أكثر. وبلغ متوسط حجم الأسرة المعيشية 2.95، أما متوسط حجم العائلات فبلغ 3.41.

بلغ العمر الوسطي للسكان 40.7 عاماً. وكانت نسبة 23.2% من القاطنين تحت سن الثامنة عشر، وكانت نسبة 8.5% بين الثامنة عشر والرابعة والعشرين عاماً، ونسبة 25.1% كانت واقعةً في الفئة العمرية ما بين الخامسة والعشرين والرابعة والأربعين عاماً، ونسبة 27.4% كانت ما بين الخامسة والأربعين والرابعة والستين، ونسبة 15.8% كانت ضمن فئة الخامسة والستين عاماً فما فوق. وتوزع التركيب الجنسي للسكان بنسبة 48.4% ذكور و51.6% إناث.

المراجع

قرى صغيرة في مقاطعة سوفولك (نيويورك)
قرى صغيرة في ولاية نيويورك
مدن ولاية نيويورك
مناطق إحصاء سكاني في مقاطعة سوفولك (نيويورك)
مناطق إحصاء سكاني في نيويورك (ولاية)
مناطق إحصاء سكاني في ولاية نيويورك

دير بارك (نيويورك)


Ryoto Higa (født 17. oktober 1990) er en japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder FC Gifu og Blaublitz Akita.

Referencer

Eksterne henvisninger

Fodboldspillere fra Japan

Ryoto Higa


Stylobasium, biljni rod iz porodice Surianaceae kojemu pripadaju dvije priznate endemske vrste kserofitskih grmova iz Sjevernog terotorija, Zapadne Australije i Queenslanda.

Tipična je S. spathulatum.

Vrste
 Stylobasium lineare Nees
 Stylobasium spathulatum Desf.

Izvori

Surianaceae

Stylobasium


La Première Nation de White River (en anglais : ) est une Première Nation (au sens de collectivité) du Yukon, au Canada. Elle est située à Beaver Creek, le village le plus occidental du Canada. Les membres de la Première Nation sont Tananas, Tutchones du Nord ou Tutchones du Sud. La Première Nation ne bénéficie d'aucune réserve, mais la localité de Beaver Creek constitue son centre urbain.

Histoire
Le territoire de la Première Nation de White River est situé à l'extrême-ouest du territoire du Yukon, près de la frontière avec l'Alaska, dans une région historiquement habitée par le peuple tanana, qui parlait le haut tanana, et par le peuple tutchoni du Nord, qui parlait le tutchone.

Les tribus locales de ces deux peuples, étroitement liées par des mariages entre leurs membres, sont regroupées en 1951 par le gouvernement canadien pour former une seule bande, la Bande indienne de White River, et ce, à des fins administratives.

En 1961, le gouvernement fusionne la bande avec la Bande indienne de Burwash, peuplée par les Tutchonis du Sud et située à Burwash, en bordure du lac Kluane. La bande est alors renommée Bande indienne de Kluane, puis Confrérie tribale de Kluane et puis Conseil tribal de Kluane. En 1990, le conseil tribal procède à la division de ses membres en deux bandes distinctes : la Première Nation de Kluane à Burwash et la Première Nation de White River à Beaver Creek.

Au début des années 2000, la Première Nation négocie avec le gouvernement fédéral en vue de conclure un accord sur des revendications territoriales. Incapables de parvenir à une entente à soumettre aux membres de la Première Nation, le mandat du gouvernement de négocier sur ces revendications se termine avant que toute entente ne soit conclue.

Notes et références

Voir aussi

Articles connexes

 Liste des bandes indiennes au Yukon
 Autochtones du Canada

Première Nation de White River


වින්ඩොස් මී, වින්ඩෝස් XP හා වින්ඩොස් විස්ටාහි එක් හැකියාවක් වන්නේ පද්ධතිය නැවත පිහිටුම් (System Restore) යන මෙවලමයි. එමගින් රෙජිස්ටර හා වැදගත් ගොනු  කලින් දිනක  පිරික්සුම් ස්ථානවලට නැවත පිහිටු වීම  සිදු කරයි. ඇතැම් වෛරස මඟින් පරිගණකය ප්‍රතිචාර දැක්වීමකින් තොරව සිරකර තැබු විට පරිගණකය බලෙන් නැවත පණ ගැන්වීම මඟින් එහි එදින දවසේ නැවත පිහිටුම් ස්ථානයට හානි පැමිණිය හැක. නමුත් ඊට කලින් දිනවල පිහිටුම් ලක්ෂ්‍යවලට ඉන් සිදුවිය හැකි බලපෑම අඩුය. කෙසේ නමුත් සමහර වෛරස පද්ධති නැවත පිහිටුවීම ක්‍රියා විරහිත කරවන අතර කාර්ය කළමණාකාරකය (Task Manager) හා විධාන පේරකය (Command Prompt) වැනි වැදගත් මෙවලම්ද අක්‍රීය කරයි. සියාඩො (CiaDoor) එවැනි වෛරසයකට නිදසුනකි.

විවිධ හේතු නිසා සීමා කරන ලද පරිශීලකයන් සදහා එවැනි මෙවලම් අක්‍රීය කිරීමට පරිපාලකට (administrator) හැකියාව තිබේ. වෛරස රෙජිස්ටර් නවීකරණය කරන්නේ මේ දෙයම කිරීමටය. නමුත් පරිපාලක පරිගණකය භාවිතා කරන විට සියලු පරිශීලකයන්ට මෙවලම්වලට ඇතුල් වීම අවහිර කර ඇති හෙයින් ඉහත කී දෙය සිදු නොවෙයි. ආසාදිත මෙවලමක් ක්‍රියාත්මක කරන විට, ක්‍රම ලේඛය විවෘත කිරීමට උත්සාහ දරන්නේ පරිපාලකයා වුවත් "කාර්ය කළමණාකරණය ඔබගේ පරිපාලක විසින් අක්‍රීය කර ඇත." ("Task manager has been disabled by your administrator") යන පණිවිඩය දිස්වේ.

මයික්‍රෝසොෆ්ට් මෙහෙයුම් පද්ධතියක් භාවිතා කරන පරිශීලකයන්ට ඔවුන්ගේ අංක 26 කින් යුත් ලියාපදිංචි අංකය තිබේ නම් මයික්‍රෙසොෆ්ට් වෙබ් අඩවියට ගොස් නොමිලේ පරීක්ෂාවන් සිදුකර ගත හැක.

References
http://en.wikipedia.org/wiki/Computer_virus#Virus_remova

පරිගණක වෛරස - සුව කිරීමේ ක්‍රම - වෛරස ඉවත් කිරීම


Le gouvernement Orbán V () est le gouvernement de la Hongrie depuis le , durant la  de l'Assemblée nationale.

Il est dirigé par Viktor Orbán, vainqueur des élections législatives avec une majorité des deux tiers pour la quatrième fois consécutive. Reposant sur une coalition de droite, il succède au gouvernement Orbán .

Historique
Dirigé par le Premier ministre national-populiste sortant Viktor Orbán, ce gouvernement est constitué et soutenu par une coalition de droite entre le Fidesz-Union civique hongroise (Fidesz-MPSZ) et le Parti populaire démocrate-chrétien (KDNP). Ensemble, ils disposent de  sur 199, soit 67,8 % des sièges de l'Assemblée nationale.

Il est formé à la suite des élections législatives du 3 avril 2022.

Il succède donc au gouvernement Orbán , constitué et soutenu par une coalition identique.

Formation
Au cours du scrutin, Viktor Orbán remporte un quatrième mandat consécutif. Alors que les sondages et les analyses attendaient un résultat serré avec la coalition unifiée de l'opposition, Unis pour la Hongrie, le Fidesz l'emporte avec une avance de près de vingt points de pourcentage.

Le , à l'issue de consultations menées par Orbán, la liste des ministres est rendue publique.

Orbán est réélu par le Parlement le 16 mai et assermenté le jour même. Son gouvernement prend ses fonctions le 24 mai suivant.

Composition
 Les nouveaux ministres sont indiqués en gras, ceux ayant changé d'attributions en italique.

Références

Voir aussi

Articles connexes
 Élections législatives hongroises de 2022
 Gouvernement Orbán

Lien externe

Orbán V
Viktor Orbán
Hongrie

Gouvernement Orbán V


Julia Morgan (January 20, 1872 – February 2, 1957) was an American architect and engineer. She designed more than 700 buildings in California during a long and prolific career. She is best known for her work on Hearst Castle in San Simeon, California.

Morgan was the first woman to be admitted to the architecture program at l'École nationale supérieure des Beaux-Arts in Paris and the first woman architect licensed in California. She designed many edifices for institutions serving women and girls, including a number of buildings for the Young Women's Christian Association (YWCA) and Mills College.

In many of her structures, Morgan pioneered the aesthetic use of reinforced concrete, a material that proved to have superior seismic performance in the 1906 and 1989 earthquakes.  She embraced the Arts and Crafts Movement and used various producers of California pottery to adorn her buildings. She sought to reconcile classical and Craftsman, scholarship and innovation, formalism and whimsy.

Julia Morgan was the first woman to receive the American Institute of Architects highest award, the AIA Gold Medal, posthumously in 2014.

Early life and education
Morgan, the daughter of Charles Bill Morgan and Eliza Woodland Parmelee Morgan, was born on January 20, 1872, the second of five children. Her mother, Eliza, grew up as the indulged daughter of Albert O. Parmelee, a cotton trader and millionaire who financially supported the couple when they moved to San Francisco. Two years after their daughter's birth, the Morgans moved to a home they had built in the suburb of Oakland. Though the Morgans resided on the West Coast, Eliza still kept close ties with her family. Upon the birth of each Morgan child, the Parmalees sent funds for the family to travel by the transcontinental railroad so that the infant could be christened in the traditional Parmelee family church in New York.

Charles Morgan, a mining engineer from New England who had married into a wealthy family, did not succeed in any of his business ventures, so the family relied heavily on the Parmelee fortune. In 1865, Charles had his first venture in California when he bought land in Santa Paula to unsuccessfully drill for oil. He later cofounded the Shasta Iron Company, which was dissolved in 1875 after limited income.  In mid-1878, Eliza took the children to New York to live near the Parmelees for a year while Charles worked in San Francisco. In New York, Julia met her older cousin Lucy Thornton, who was married to successful architect Pierre Le Brun. After returning to Oakland, Julia kept in contact with Le Brun; he encouraged her to pursue a higher education. In New York, Julia had been sick with scarlet fever and was kept in bed for a few weeks. As a result of this illness, she was prone to ear infections throughout her adult life. Upon the death of Albert Parmelee in July 1880, and Julia's grandmother moved into the Oakland house, bringing with her the Parmelee wealth. Both Julia's mother and grandmother provided strong female role models, who because of their wealth had a strong degree of power in the Morgan household.

Morgan graduated from Oakland High School in 1890. She was dedicated to her education and a professional career in architecture. She enrolled in the University of California, in nearby Berkeley, where she studied Engineering, as there was no architectural program. At the university, she was a member of the Kappa Alpha Theta sorority and was often the only woman in her math, science, and engineering courses. She attended Berkeley during a time of growth for women's involvement which took place between 1889 and 1891, when women were founding clubs and gaining access to new spaces and extracurriculars.  Morgan helped to create a chapter of the YWCA during her time as an undergraduate student which made it possible for women to use the gymnasium. She graduated in 1894 as the first woman with a B.S. degree in civil engineering at Berkeley with honors. After her graduation, Morgan became a member of the Association of Collegiate Alumnae, now the American Association of University Women.

One of the engineering lecturers of her senior year was Bernard Maybeck, an eccentrically dressed architect who designed buildings that Morgan admired for their respect for the surrounding topography and environment. Maybeck mentored Morgan, along with her classmates Arthur Brown, Jr., Edward H. Bennett and Lewis P. Hobart, in architecture at his Berkeley home. He encouraged Morgan to continue her studies at the prestigious École nationale supérieure des Beaux-Arts in Paris where he had distinguished himself.  After graduating in 1894, Morgan gained a year of work experience building with Maybeck, then traveled to Paris in 1896 to prepare for the Beaux-Arts entrance exam. The school had never before allowed a woman to study architecture, but in 1897, it opened its entry process to women applicants, largely because of pressure from a union of French women artists, whom Morgan characterized as "bohemians." In her time at the Beaux-Arts, Morgan interacted with members of the Union des femmes peintres et sculpteurs, a group focused on advancing women in art. Morgan met with these women and was exposed to their feminist views; they discussed how to increase the influence of women in professional careers.

In principle, the school admitted the top 30 candidates. It took Morgan three tries to get in: on the first try, she placed too low, while on her second try, in 1898, although she placed well into the top 30, the examiners "arbitrarily lowered" her marks. After more than a year of further study, tutored by François-Benjamin Chaussemiche, a winner of the Prix de Rome, she finally passed the entrance exams in the Architecture Program, placing 13th out of 376 applicants, and was duly admitted. However, she could study only until her 30th birthday, as the school prohibited older scholars. In early 1902, as her birthday approached, Morgan submitted an outstanding design for a palatial theater. This earned her a certificate in architecture, making her the first woman to receive one from the school; she did so in three years, although the usual time of completion was five years (that was how long Maybeck took, for example). She stayed in Paris long enough to collaborate with Chaussemiche on a project for Harriet Fearing, an ex–New Yorker who contracted for a "grand salon" design for her residence in Fontainebleau.

Career
Upon her return from Paris, Morgan took employment with San Francisco architect John Galen Howard, who was supervising the University of California Master Plan. Morgan worked on several buildings on the Berkeley campus, providing the decorative elements for the Hearst Mining Building and an early proposal for Sather Gate. She was the primary designer for the Hearst Greek Theatre. Howard told a colleague that Morgan was "an excellent draftsman whom I have to pay almost nothing, as it is a woman." She saved her money and made plans to work on her own, accepting important side projects.

In 1904, Morgan was the first woman to obtain an architecture license in California. While living at the old family home in Oakland, she opened her own office in San Francisco, where the staff knew her as 'J.M.' After her first office was destroyed by the 1906 fire, she opened her office in 1907 on the 13th floor of the Merchants Exchange Building, 465 California Street, in the heart of San Francisco's financial district, where she worked for the rest of her career. Between the years of 1907 and 1910, she partnered with Ira Hoover, former draftsman of Howard. Morgan reestablished an individual private practice in late 1910.

In April 1904, Julia Morgan completed her first reinforced concrete structure, the 72-foot bell tower at Mills College, El Campanil, which is located across the bay from San Francisco.  Two years later, El Campanil survived the 1906 San Francisco earthquake unscathed without any damage, which helped build her reputation and launch her career.

The devastation of the San Francisco earthquake in 1906 provided her with the opportunity to design numerous homes, churches, offices, and educational facilities.
An important project was the redesign of the landmark Fairmont Hotel in San Francisco after its interior was severely damaged by fire after the earthquake of 1906. She was chosen because of her then-rare knowledge of earthquake-resistant, reinforced concrete construction. Her work on restoring the Fairmont in less than a year brought her a national reputation as "a superb engineer, an innovative designer and architect, and a dedicated professional."  The marked increase in commissions following the 1906 San Francisco earthquake brought her financial success.

Greatly impressed by her work on the Fairmont, Phoebe Hearst recommended Morgan for several large construction projects, including Asilomar. Her son, William Randolph Hearst, was likewise greatly impressed and, after his mother's death, retained Morgan to design what would become the biggest and most famous project of her career, Hearst Castle.

Hearst projects

Julia Morgan's involvement with the Hearst family went on for three generations. Her first architecturally related project was commissioned by the family in 1902, when she returned from the Ecole. Her first commission by the family was Phoebe Apperson Hearst's Hacienda at Pleasanton. Morgan's most famous patron was the newspaper magnate and antiquities collector William Randolph Hearst, who had been introduced to Morgan by his mother Phoebe Apperson Hearst, the chief patron of the University of California at Berkeley. It is believed that this introduction led to Morgan's first downstate commission by Hearst for the design of the Los Angeles Examiner Building (circa 1914), a Mission revival style project that included contributions by Los Angeles architects William J. Dodd and J. Martyn Haenkel. It is located at the southwest corner of Broadway and 11th Streets on a city block in Downtown Los Angeles, awaiting adaptive reuse.

In 1919, Hearst selected Morgan as the architect for La Cuesta Encantada, better known as Hearst Castle, which was built atop the family campsite overlooking San Simeon Harbor. Morgan employed tiles, designing many of them herself, from California Faience.

The project proved to be her largest and most complex, as Hearst's vision for his estate grew ever grander over the decades of planning and construction. The project included The Hacienda, a residence–private guest house complex built in hybrid Mission Revival, Spanish Colonial Revival (working with Hispanic experts Mildred Stapley and Arthur Byne), and Moorish Revival styles. It was located a day's horseback ride inland from Hearst Castle, next to the Mission San Antonio de Padua near Jolon, California. Her work on 'the Castle' and San Simeon Ranch continued until 1947, ended only by Hearst's declining health.

Morgan became William Randolph Hearst's principal architect, producing the designs for dozens of buildings, such as Phoebe Apperson Hearst's Wyntoon, which he inherited. The estate includes a castle and "Bavarian village" of four villas, all on  of forest reserve that includes the McCloud River near Mount Shasta in Northern California. She also did studio and site work for the uncompleted Babicora, Hearst's  Chihuahua, Mexico, cattle rancho and retreat.

YWCA projects

Julia Morgan's affiliation with the YWCA began when Phoebe Apperson Hearst recommended her for the organization's Asilomar summer conference center, a project she began in 1913. The Asilomar Conference Center, no longer YWCA but State-run, is still in Pacific Grove near Monterey, California. Morgan also designed YWCAs in California, Utah, Arizona, and Hawaii.

Five of the Southern California YWCA buildings were designed by Morgan. The 1918 Harbor Area YWCA (San Pedro, CA) in a Craftsman building is still standing, as is the 1926 Hollywood Studio Club YWCA. Morgan's Riverside YWCA from 1929 still stands, but as the Riverside Art Museum. Her 1925 Long Beach Italian Renaissance branch has been demolished. The "gorgeous" Pasadena YWCA is being acquired by the City for restoration and public use after several decades of decay.

She also designed YWCAs in Northern California, including those in Oakland and in San Francisco's Chinatown. The YWCA building in San Francisco reflects her understanding of traditional Chinese architecture. The building was restored in 2001 by the Chinese Historical Society of America (CHSA), and now houses the Chinese Historical Society of America Museum and Learning Center.

Mills College
Morgan made many architectural contributions to Mills College, a women's college in the East Bay foothills of Oakland, California. Like her work for the YWCA, they were done in the hopes of advancing opportunities for women.

Mills president Susan Mills became interested in Morgan in 1904 because she wished to further the career of a female architect and because Morgan, who was early in her career, charged less than her male counterparts. Morgan designed six buildings for the Mills campus, including El Campanil, believed to be the first bell tower on a United States college campus. El Campanil should not be confused with The Campanile, a nickname for Sather Tower, the clock/bell tower of nearby UC Berkeley. Morgan helped draft parts of the UC Berkeley campus under John Galen Howard, but the Sather Tower was not her design. Despite being chosen by Mills to design El Campanil and her academic credentials, coworkers like Bernard Ransome, son of Ernest Ransome, did not trust in her abilities as a true concrete expert. Ransome's undermining of Morgan's ability led to less trust in her work and praise veiled in gendered rhetoric at the time. For example, a speaker at the dedication ceremony praised El Campanil for being "reared by the genius of a woman's brain."

Morgan's reputation grew when the tower was unscathed by the 1906 San Francisco earthquake. The bells in the tower "were cast for the World's Columbian Exposition (Chicago-1893), and given to Mills by a trustee". This success led to Morgan becoming the unofficial principal architect for Mills College for the next two decades.

Morgan also designed the Margaret Carnegie Library (1906), named after Andrew Carnegie's daughter, and the Ming Quong Home for Chinese girls, built in 1924 and purchased for Mills in 1936. It was eventually renamed Alderwood Hall, before becoming the Julia Morgan School for Girls in 2004 (independent of the College). Morgan designed the Mills College Student Union in 1916. Morgan's Kapiolani Cottage has served as an infirmary, faculty housing, and administration offices. Morgan also designed the original gymnasium and pool, since replaced by the Tea Shop and Suzanne Adams Plaza, the first reinforced concrete structure on the west coast.

Heritage on the Marina

From 1922 to 1925, Julia Morgan was enlisted to design a home to provide convalescent care to San Francisco's elderly women. Today the building is home to Heritage on the Marina, San Francisco's premier Life Plan Community. The beautiful Julia Morgan building is owned and operated by the San Francisco Ladies' Protection and Relief Society, one of California's first philanthropic organizations, established in 1853.

Other projects

Among her earliest works was the North Star House in Grass Valley, California, commissioned in 1904-5 by mining engineer Arthur De Wint Foote and his wife, the author and illustrator Mary Hallock Foote.

She considered St. John's Presbyterian Church, in Berkeley, California, her finest Craftsman-style building. It is now the Berkeley Playhouse.

Other projects include the Chapel of the Chimes in Oakland; the nearby brick multi-use building at 4021 Piedmont Avenue; the sanctuary of Ocean Avenue Presbyterian Church at 32 Ocean Avenue, San Francisco (where Mission Bay Community Church also meets); and the large Berkeley City Club adjacent to University of California. She designed the World War I YWCA Hostess House in Palo Alto, built in 1918 and later to become the site of the MacArthur Park Restaurant

Some of her residential projects, most of them located in the San Francisco Bay Area, are ultimate bungalows. The style is often associated with the work of Greene and Greene and some of Morgan's other contemporaries and teachers. The buildings represent the Arts and Crafts Movement and the American Craftsman style of architecture. Several houses are on San Francisco's Russian Hill. She lived further west in SF.  One of Morgan's first residential project was to remodel and complete Phoebe Hearst's Hacienda del Pozo de Verona in Pleasanton, California, in Mediterranean and California Mission style. In 1908, Morgan designed the residence of James Henry Pierce at 1650 The Alameda in San Jose, which features rare California timber.

Morgan designed two houses in Monterey County, California. One, designed by Morgan in 1915, is the "Little Cottage of River Winds" at 26184 Carmelo Street at Carmel Point, outside the Carmel-by-the-Sea city limits. The other is the "Dr. Emma W. Pope House" at 2981 Franciscan Way, on a hillside overlooking the Carmel Mission. It was built in 1940, in the Minimal Traditional architectural style for Dr. Emma Whitman Pope, who was a friend from Morgan's undergraduate years at the UC Berkeley.

Personal life

Although Morgan was highly respected as an architect, not much is known about her personal life. She was never married and had no known romances. She kept a low profile and lived modestly, in spite of her wealthy clientele. Colleagues and acquaintances were surprised by her modest sense of fashion, a coworker even went as far as saying that Morgan dressed like a "nobody." Morgan gave few interviews and did not write about herself. Early interviews  used gendered rhetoric to speak about her accomplishments and early newspaper articles followed her progress at the École des Beaux Arts. After that she mostly avoided interviews and only agreed to articles that focused on her work to advance her reputation. She worked tirelessly on minimal sleep and food.

She was very independent. During her transition to Paris she had a fund given to her by her parents for all of her first-year expenses. Even when her funds ran out, she never asked her family for any extra money, but instead learned to live on a tight budget. This experience gave her a concrete understanding of how to handle money efficiently, which helped make her a successful businesswoman after she opened her own practice, and helped her to focus on keeping her projects within her client's budgets.

One of the few public awards she accepted was the University of California, Berkeley, honorary Doctor of Laws degree, its highest award, conferred upon her on May 15, 1929, with the following personal tribute: "distinguished alumna of the University of California, artist and engineer; designer of simple dwellings and of stately homes, of great buildings nobly planned to further the centralized activities of her fellow citizens; architect in whose works harmony and admirable proportions bring pleasure to the eye and peace to the mind."

Intrigued with the gaps in Julia Morgan's life story,  Belinda Taylor, wrote Becoming Julia Morgan, a 2012 play in which Taylor imagines a plausible life story for Morgan.

Death and legacy

Julia Morgan died on February 2, 1957, in San Francisco, California, at age 85. Her body was buried in the Mountain View Cemetery in the hills of Oakland, California.

In 1995, the Julia Morgan Ballroom at the Merchants Exchange Building in San Francisco, where she had her office from 1907 to 1950, was named in her honor.

In 1999, a Mediterranean Revival residence originally built in 1918 for Charles Goethe of Sacramento was renamed the Julia Morgan House.  It was earlier added to the National Register of Historic Places in 1982.

In 2006, a children's picture book titled Julia Morgan Built a Castle was published and is available in many public libraries.

On May 28, 2008, California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced that Julia Morgan would be inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. The induction ceremony took place on December 15 and her great-niece accepted the honor in her place.

Julia Morgan was the 2014 recipient (posthumous) of the AIA Gold Medal, the highest award of the American Institute of Architects (AIA). She was the first female architect to receive this honor.

Gallery

See also
 Women in architecture

References

Further reading

Books
 Boutelle, Sara Holmes (1988). Julia Morgan, Architect New York: Abbeville Press.

 Morgan, J. (1976). Architectural drawings by Julia Morgan: beau-arts assignments and other buildings. Oakland, Calif: Oakland Museum, Art Dept.
 Morgan, J., Hearst, W. R., & Loe, N. E. (1987). San Simeon revisited: the correspondence between architect Julia Morgan and William Randolph Hearst. San Luis Obispo, Calif: Library Associates, California Polytechnic State University.
 Morgan, J. (1987). Berkeley houses by Julia Morgan. Berkeley, California: The Association.
 Perry, Phillis J. (2018). All About Julia Morgan. Indianapolis, Indiana, Blue River Press .
 Wilson, Mark A. (2007). Julia Morgan: Architect of Beauty. Salt Lake City, Utah: Gibbs Smith.

Reviews
 Kastner, Victoria. (2003). "Morgan and Associates: Julia Morgan's Office Practice as Design Metaphor." 20 on 20/20 Vision. Boston: AIA Diversity Committee/Boston Society of Architects, pp. 44–51.
 Longstreth, R. W. (1977). Julia Morgan, architect. Berkeley Architectural Heritage publication series, no. 1. Berkeley, California: Berkeley Architectural Heritage Association.
 McNeill, Karen (May 2007) "Julia Morgan: Gender, Architecture, and Professional Style." Pacific Historical Review, pp. 229–67.
 McNeill, Karen (Summer 2012) "'Women Who Build: Julia Morgan & Women's Institutions." California History, pp. 41–74.
 Pasadena Cultural Heritage Commission. (1988). Report on reuse of the Julia Morgan YWCA building: YWCA & YMCA Pasadena, California. New York: Halsband.
 Quacchia, R. L. (2005). Julia Morgan, architect, and the creation of the Asilomar Conference Grounds: including a comparison with Hearst Castle. Virginia Beach, Virginia: Q Pub.
 Steilberg, W. T., & Morgan, J. (1983). Some examples of the work of Julia Morgan. San Francisco: Architect and Engineer of California.
 University of California, Berkeley. (1986). Julia Morgan, architectural drawings: inventory of holdings, College of Environmental Design. Berkeley: The College.

Article

 Hawthorne, Christopher. "Julia Morgan: Her Quietly Revolutionary Architecture -- a Blend of Beaux-Arts and Bay Area Influences -- Is Finally Earning Its Due." Architect (Washington, D.C.) 103, no. 6 (June 1, 2014): 170–79.

External links

 Overlooked No More: Julia Morgan, Pioneering Female Architect
 Pioneering Women of American Architecture, Julia Morgan
 Beverly Willis Architecture Foundation, Episode 1: Finding Julia Morgan
 The Julia Morgan Collection at Cal Poly San Luis Obispo
 Julia MorganAn Online Exhibition
 Julia Morgan Collection at the Environmental Design Archives
 Hidden Engineer: The Designs of Julia Morgan
 Julia Morgan Architectural Drawings, 1907–1929, The Bancroft Library
 Index of Buildings by Julia Morgan

 One Woman's Contribution to Arts and Crafts Architecture
 Julia Morgan "Spotlight on Women in Design"
 Julia Morgan 2012
 Morgan (Julia) Collection, 1893–1980

1872 births
1957 deaths
20th-century American architects
20th-century American women
American alumni of the École des Beaux-Arts
American neoclassical architects
Architects from San Francisco
Architecture in the San Francisco Bay Area
Arts and Crafts architects
Beaux Arts architects
Burials at Mountain View Cemetery (Oakland, California)
California women architects
Historicist architects
History of the San Francisco Bay Area
Mediterranean Revival architects
People from Oakland, California
Spanish Colonial Revival architects
Spanish Revival architects
UC Berkeley College of Engineering alumni
Recipients of the AIA Gold Medal
Concrete pioneers
Oakland High School (Oakland, California) alumni

Julia Morgan


Det er jeres jord er en dansk udviklingsbistandsfilm fra 1973, der er instrueret af Jens Bjerre efter eget manuskript.

Handling
Mennesket har ofret formuer på at rejse til Månen. Det villle være mere nærliggende at forbedre forholdene hernede.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 1973

Det er jeres jord


أي بي تي في (iptv) أو تلفزيون الأي بي أو تلفزيون بروتوكول الإنترنت هو نظام توفير خدمة بث تلفزيوني رقمية باستخدام بروتوكول الإنترنت (IP) عبر شبكات الكمبيوتر، والتي كثيراً ما تعمل باستخدام خطوط إنترنت ذات نطاق عريض (broadband). وبشكل عام فإن الفرق الأساسي بين نظام أي بي تي في ونظم التلفزيون التقليدية هو استخدام شبكات الحاسوب بدل طرق البث التقليدية لإيصال المادة المرئية للمشاهد. وهو نظام مختلف عن نظام تلفزيون الإنترنت حيث أن الأول تستخدم فيه شبكات خاصة منفصلة (مثل الشبكات المحلية LANs) في حين أن تلفزيون الإنترنت يعمل على شبكة الإنترنت. يتم تقديم خدمة أي بي تي في غالبا لتوفير خدمة الفيديو حسب الطلب (Video on Demand) وذلك بالترافق مع خدمة الصوت عبر الإنترنت (VoIP) ومع القدرة على الوصول إلى الإنترنت وذلك فيما يعرف بمصطلح اللعب الثلاثي (triple play).

نبذة
ظهرت تعريفات عديدة ومختلفة من البث التلفزيوني عبر الإنترنت، بما في ذلك الابتدائية تيارات عبر شبكات بروتوكول الإنترنت، والنقل تيارات عبر شبكات بروتوكول الإنترنت، وعدد من الأنظمة الملكية. على الرغم من أن (في منتصف عام 2007) أنه من السابق لأوانه القول أن هناك توافق كامل في الآراء من بالضبط ما ينبغي أن يعني البث التلفزيوني عبر الإنترنت.

تعريف واحد للمستهلك والبث التلفزيوني عبر الإنترنت للنقل برنامج واحد أو تيارات متعددة (MPTS) التي مصدرها من قبل مشغل الشبكة نفسها التي تملكها أو تسيطر على مباشرة ميل «آخر» في الأماكن المستهلك. هذه السيطرة على تسليم تمكن مضمونة الجودة للخدمات المقدمة)، ويسمح أيضا مزود الخدمة لتقديم تجربة مستخدم محسنة مثل دليل أفضل البرامج والخدمات التفاعلية الخ.

في البيئات التجارية البث التلفزيوني عبر الإنترنت يتم نشرها على نطاق واسع لتوزيع البث التلفزيوني المباشر، وقنوات البث والفيديو والفيديو حسب الطلب (فيديو عند الطلب (المواد عبر الشبكة المحلية أو الواسعة الملكية الفكرية في شبكة البنى التحتية، مع جودة الخدمات الخاضعة للرقابة.

تعريف الرسمية المعتمدة من قبل مجموعة الاتحاد الدولي للاتصالات تركز على البث التلفزيوني عبر الإنترنت (قطاع تقييس الاتصالات جي. البث التلفزيوني عبر الإنترنت) هي على النحو التالي:
«يعرف البث التلفزيوني عبر الإنترنت وخدمات الوسائط المتعددة مثل التلفزيون / الفيديو / الصوت / النص / الرسومات / تسليم البيانات عبر شبكات بروتوكول الإنترنت استنادا تمكنت من توفير المستوى المطلوب من جودة الخدمة والخبرة، والأمن، والتفاعل والاعتمادية.»

مسؤول آخر في وتعريف أكثر تفصيلا من البث التلفزيوني عبر الإنترنت هو واحد التي قدمها الفريق الاستكشافي اتيس البث التلفزيوني عبر الإنترنت (اتيس هو منظمة عضو من قطاع تقييس الاتصالات) وقبل عام (2005):
«يعرف البث التلفزيوني عبر الإنترنت وتوفير آمنة وموثوقة للمشتركين في الفيديو والترفيه والخدمات ذات الصلة، وهذه الخدمات قد تشمل، على سبيل المثال، التلفزيون المباشر، والفيديو عند الطلب (فيديو عند الطلب) والتلفزيون التفاعلي (القناة) ويتم تقديم هذه الخدمات عبر وصول الملحد، تحول حزمة شبكة الاتصال التي تستخدم بروتوكول الملكية الفكرية لنقل الصوت والفيديو وإشارات التحكم. وعلى النقيض من الفيديو عبر شبكة الإنترنت العامة، مع انتشار البث التلفزيوني عبر الإنترنت، وأمن الشبكات والأداء تدار بإحكام لضمان توفير تجربة ترفيهية فائقة، مما أدى إلى [بيئة الأعمال التجارية للقاهرة موفري المحتوى والمعلنين والمستهلكين على حد سواء.»

تنسيقات
يعمل تلفزيون بروتوكول أي بي تي في في ثلاثة تنسيقات مختلفة: الفيديو حسب الطلب (VOD) ، والوسائط التي يتم تغيير الوقت فيها ، والبث التلفزيوني المباشر

يتيح الفيديو حسب الطلب مشاهدة مقاطع الفيديو في أي وقت. تعد خدمات البث مثل نتفلكس وهولو وأمازون برايم فيديو أمثلة على الفيديو حسب الطلب. أنت تسأل عما تريد مشاهدته ، وتقوم الخدمة بإرساله إليك عبر الإنترنت.

تتيح لك الوسائط المنقولة بالوقت مشاهدة العروض التي فاتتك. غالبًا ما تقدم شبكات البث هذه الميزة ، مما يتيح لك متابعة العروض في الوقت الذي يناسبك. ومع ذلك ، المحتوى المشترك له عمر محدود ولا يمكن عرضه إلى أجل غير مسمى.

يتيح البث التلفزيوني المباشر عبر الإنترنت إمكانية مشاهدة البث المباشر ، تمامًا مثل التلفزيون التقليدي. يستخدم العديد من الأشخاص هذه الطريقة لبث الأحداث الرياضية على أجهزتهم المحمولة.

باختصار ، يوفر أي بي تي في القدرة على مشاهدة مقاطع الفيديو عند الطلب ، ومتابعة العروض الفائتة ، ومشاهدة البث المباشر عبر الإنترنت.

نمو الصناعة
من المتوقع أن يصل سوق تلفزيون بروتوكول الإنترنت العالمي أي بي تي في إلى 67.6 مليار دولار أمريكي بحلول عام 2027 ، بمعدل نمو سنوي مركب يبلغ 7.1٪. من المتوقع أن يؤدي الاتجاه المتزايد لاستهلاك المحتوى المستند إلى الإنترنت والقدرة على تحمل تكلفة الحزم المجمعة إلى زيادة عدد مشتركي أي بي تي في. تساهم مرونة أي بي تي في وواجهة المستخدم التفاعلية والميزات الشخصية في إمكانات السوق. يقدم مقدمو الخدمات حزمًا ثلاثية حزم لجذب العملاء ، وهم يستثمرون في البنية التحتية للتسليم. ومع ذلك ، يبحث العملاء عن حزم مخصصة ، مما يدفع مقدمي الخدمات إلى تقديم حلول مخصصة. يساهم الانتقال من البث التقليدي إلى بروتوكول الإنترنت ودمج مشغلي الاتصالات عبر أي بي تي في في نمو الصناعة. توفر تقنية الحوسبة السحابية فرصًا للنمو من خلال تمكين التوزيع الفعال للمحتوى ، وتوفير التكاليف ، وتقليل تكاليف التخزين والتوزيع لمقدمي الخدمات.

انظر أيضاً
 فيديو حسب الطلب

مراجع

وصلات خارجية

 مقدمة إلى أي بي تي في من موقع فن التكنولوجيا (بالإنجليزية)

ألفاظ وضعت في عقد 1990
استحداثات متعلقة بالاتصالات عن بعد في 1995
استحداثات متعلقة بالحواسيب في 1995
إذاعات إنترنت
بث عبر الإنترنت
تقنيات تلفزة
تكنولوجيا الأفلام والفيديو
تلفزة رقمية
تلفزة عبر الإنترنت
فيديو حسب الطلب
مصطلحات تلفاز

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