Ingo-Heinz Karsten (* 21. Januar 1954 in Hamburg) ist ein deutscher Diplomat, der von 2016 bis 2019 Botschafter der Bundesrepublik Deutschland in Kambodscha war.

Leben
Karsten begann nach dem Abitur 1974 ein Studium der Volkswirtschaftslehre sowie der Rechtswissenschaften an der Christian-Albrechts-Universität zu Kiel, das er 1979 abschloss. Danach war er von 1980 bis 1984 als Wissenschaftlicher Assistent am Institut für Wirtschaftspolitik der Universität Kiel tätig und schloss dort 1983 seine Promotion mit einer Dissertation mit dem Titel Internationale Bankkredite an Entwicklungsländer. Ökonomische Probleme und Lösungsansätze ab. 1984 trat er seinen Vorbereitungsdienst für den höheren Auswärtigen Dienst an und fand nach Beendigung der Attachéausbildung zwischen 1986 und 1990 zunächst Verwendung als Leiter Rechts- und Konsularreferats und Kulturreferent an der Botschaft in Japan sowie im Anschluss von 1990 bis 1992 als Referent in der Wirtschaftsabteilung des Auswärtigen Amtes. Danach folgte zwischen 1992 und 1996 eine Verwendung als Politischer Referent an der Botschaft in Italien sowie von 1996 bis 1998 als Ständiger Vertreter und Geschäftsträger ad interim an der Botschaft in Bangladesch.

Nach seiner Rückkehr nach Deutschland war Karsten zwischen 1998 und 2001 Stellvertretender Leiter eines Referats der Wirtschaftsabteilung des Auswärtigen Amtes und danach von 2001 bis 2004 Leiter des Wirtschaftsreferats an der Botschaft in Japan, ehe er zwischen 2004 und 2006 Stellvertretender Leiter der Wirtschaftsabteilung an der Botschaft in den USA war. Im Anschluss fungierte er von 2006 bis 2008
im Auswärtigen Amt als Leiter des Referats 400 (Grundsatzfragen der Wirtschaft, Internationale Wirtschafts- und Finanzpolitik, Handelspolitik) und danach zwischen 2008 und 2011 als Leiter der Wirtschaftsabteilung an der Botschaft in der Volksrepublik China. Daraufhin war er von August 2011 bis Juli 2013 Generalkonsul in Bangalore. In dieser Tätigkeit setzte er sich auch für eine Verbesserung der Wirtschaftsbeziehungen zwischen der Bundesrepublik und den südlichen Bundesstaaten wie Kerala ein. Hierzu führte er unter anderem Gespräche mit dem Gouverneur, M. O. H. Farook, und dem Chief Minister Keralas, Oommen Chandy. Danach war er zwischen Juli 2013 und August 2016 Generalkonsul in Osaka-Kōbe.

Im August 2016 wurde Karsten Nachfolger von Joachim Freiherr Marschall von Bieberstein als Botschafter der Bundesrepublik Deutschland in Kambodscha. Sein Akkreditierungsschreiben übergab er am 23. September 2016. Mitte 2019 übergab er die Amtsgeschäfte an seinen Nachfolger Christian Berger.

Karsten ist verheiratet und Vater eines Kindes.

Veröffentlichungen
 Islam and Financial Intermediation, in: Internationaler Währungsfonds: IMF staff papers, Ausgabe März 1982, S. 1081–42
 Internationale Bankkredite an Entwicklungsländer. Ökonomische Probleme und Lösungsansätze, Dissertation, Universität Kiel, Nomos Verlag, Baden-Baden 1984, ISBN 978-3-7890-0977-8

Weblinks
  (Seitenaufruf am 12. Juni 2017)

Einzelnachweise

Deutscher Botschafter in Kambodscha
Deutscher
Geboren 1954
Mann

Ingo Karsten


An Koellensteinia eburnea in uska species han Liliopsida nga syahan ginhulagway ni João Barbosa Rodrigues, ngan ginhatag han pagkayana nga asya nga ngaran ni Schltr.. An Koellensteinia eburnea in nahilalakip ha genus nga Koellensteinia, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Koellensteinia

Koellensteinia eburnea


"Doce, Doce Amor" é uma canção composta por Raul Seixas e Mauro Mota, lançada na voz de Jerry Adriani no LP Pensa em mim, de 1971, considerada sua música de maior sucesso.

A canção data da época em que "Raulzito" ainda não havia lançado a carreira artística no rock, e trabalhava como produtor para a gravadora CBS. Assim, enquanto cuidava do lançamento de trabalhos para artistas como Leno & Lílian, Renato e Seus Blue Caps, Wanderley Cardoso e outros que ele assinou vários dos sucessos por eles cantados, e foi este o caso de "Doce, Doce Amor". Sobre isso, Mota, com quem fizera algumas parecerias, registrou: "Muita gente não sabe, eu e o Raul fizemos uma porção de sucessos de primeiro lugar, com os artistas que estavam começando, o que era uma forma da gente ganhar dinheiro, entende? (...) Eu tinha vergonha de compor. Aí fizemos 'Doce, Doce Amor' para o Jerry Adriani". O disco Pensa em mim também foi produzido por Raul.

Os versos revelavam uma linguagem já deslocada do falar da juventude, característica de Adriani, que com cerca de vinte anos de idade já soava "velho" no início da década de 1970, como nos versos que alcançaram grande sucesso:  "Doce, doce amor, onde tens andado, diga por favor" ou quando diz "Está fazendo uma semana que sem mais nem menos eu perdi você / Mas não sei determinar ao certo qual foi a razão, meu bem vem me dizer". Foi justamente esse estilo, entretanto, que levou a linguagem das canções do intérprete que as fizeram permanecer atemporais e retornarem em composições de artistas como Renato Russo, nas décadas seguintes.

Canções do Brasil
Canções de 1971
Raul Seixas

Doce, Doce Amor


The lira  (, plural: liri, ISO 4217 code: MTL) or pound (until ca. 1986 in English, code ) was the currency of Malta from 1972 until 31 December 2007. One lira was divided into 100 cents, each of 10 mils. After 1986 the lira was abbreviated as Lm, although the original  sign continued to be used unofficially. In English the currency was still frequently called the pound even after its official English language name was changed to lira.

The euro replaced the lira as the official currency of Malta on 1 January 2008 at the irrevocable fixed exchange rate of €1 per Lm 0.4293, or approximately €2.33 per Lm 1.

History

Sterling

In 1825, an imperial order-in-council introduced sterling coinage to Malta, replacing a system under which various coinages circulated, including that issued in Malta by the Knights of St John. The pound was valued at 12 scudi of the local currency. This exchange rate meant that the smallest Maltese coin, the grano, was worth one third of a farthing (1 scudo = 20 tari = 240 grani). Consequently, -farthing (-penny) coins were issued for use in Malta until 1913, alongside the regular sterling coinage. Amongst the British colonies which used sterling coinage, Malta was unique in issuing a -farthing coin.

Between 1914 and 1918, wartime emergency paper money issues were made by the government.

Until 1972, the pound was divided into 20 shillings, each of 12 pence with 4 farthings to the penny; from May 1972 it was decimalised into 100 cents, and each cent into 10 mils.

Pre-decimal sterling coinage continued to circulate in Malta for nearly a year after it was withdrawn in the UK due to decimalisation as Malta did not decimalise until 1972. Although the Maltese pound was initially equal to its sterling counterpart, this parity did not survive long after the floating of sterling on 22 June 1972.

Banknotes

Emergency issues between 1914 and 1918 were in denominations of 5 and 10 shillings, £1, £5 and £10. In 1940, notes dated 13 September 1939 in denominations of 2/6, 5/–, 10/– and £1 were issued, followed late in the year by a provisional 1/– note overprinted on old 2/– notes dated 20 November 1918. Note production continued after the Second World War in denominations of 10/- and £1, with £5 notes reintroduced between 1961 and 1963.

After the Central Bank of Malta was established by the Central Bank Act of 1967 and began operating on April 17, 1968, the issuing body named on the banknotes switched from "Government of Malta" to "Central Bank of Malta." While the designs of the notes remained unchanged, the colors were changed. The Central Bank refers to this series as the "CBM first series". The CBM second series began with the introduction of lira-denominated notes on January 15, 1973.

Lira

Banknotes issued by the Government of Malta and then by the Central Bank of Malta were written in English up to 1972.  From 1973 to 1985, they were written in Maltese on the obverse (with the currency identified as "lira"), and in English on the reverse (identifying the currency as pound).  From 1986 to 2007, Maltese was used on both sides.

Although exclusively using British coins at that time, Malta did not decimalise with the UK in 1971. Instead, decimalisation occurred a year later, on the "pound and mil" system, dividing the pound into 1,000 mils and 100 cents. The Maltese name "lira" and the English name "pound" were used concurrently on banknotes until 1986, when "lira" became the official name of the currency in both languages. Mil denominated coins were removed from circulation in 1994.

On entry into the European Union, Malta agreed to adopt the euro. The lira was replaced by the euro on 1 January 2008, as part of the Economic and Monetary Union of the European Union.

Euro changeover

The Maltese lira was replaced by the euro as the official currency of Malta at the irrevocable fixed exchange rate of Lm 0.429300 per €1.
However, Maltese lira banknotes and coins continued to have legal tender status and were accepted for cash payments until 31 January 2008. Maltese lira were convertible free of charge at all Maltese credit institutions until 30 March 2008.
Maltese coins were convertible at the Central Bank of Malta until 1 February 2010, and banknotes remained convertible until 31 January 2018.

Exchange rate

Since the Maltese currency was considered a local issue of sterling rather than an entirely separate currency until 13 December 1971, the two currencies maintained an exact 1:1 equivalence with each other. Afterwards, the Maltese currency was allowed to float, anchored to a basket of reserve currencies. The lira had subsequently been worth around GBP 1.60. After the Kuwaiti dinar, it was the second-highest-valued currency unit in the world, being worth US$3.1596 as of 28 April 2007. After the dollar weakened against other currencies in mid-2006, the lira was worth US$3.35289 as of 16 December 2007.

The currency entered the ERM II on 2 May 2005, by which its value had to be maintained within a 15% band around the central parity rate of Lm 0.429300 per euro. The Central Bank of Malta and Maltese Government unilaterally decided to keep the actual Lm/€ exchange rate equal to the central parity rate (i.e., doing away with the 15% band) throughout the ERM II period.

The irrevocable fixed conversion rate was established by the ECOFIN on 10 July 2007, at Lm 0.4293 to one euro.

Coins

Decimal coinage was introduced in 1972 (one year after the United Kingdom) based on the "pound and mil" system proposed in 1855 by Sir William Brown MP in denominations of 2, 3, and 5 mils, 1, 2, 5, 10, and 50 cents. There was no one-mil coin, although, the coins that were provided (2m, 3m, and 5m) allowed  goods to be priced (and change given) for any number of mils. In 1975, a 25c coin was introduced.

A new coinage was issued in 1986 in denominations of 1c, 2c, 5c, 10c, 25c and 50c and Lm 1. A third series was introduced in 1991  due to the change in Malta's coat of arms. The mils were withdrawn in 1994, although for some time only the 5 mils had been seen (and then only rarely).

Banknotes

On 15 January 1973, banknotes were introduced, denominated in liri on the obverse and pounds on the reverse, in denominations of £M 1, £M 5 and £M 10. In 1986, £M1 notes were replaced by coins and Lm 2 and Lm 20 notes were introduced.

Banknotes of the fourth series were:

Banknotes in circulation at the time of the introduction of the euro were:

See also
 Other currencies or coins named lira
 Banknotes of the Anglo-Egyptian Banking Company Limited (Malta)
 Maltese euro coins
 Euro gold and silver commemorative coins (Malta)
 Economy of Malta

References

External links
 Historical banknotes of Malta

Currencies of the British Empire
Currencies of the Commonwealth of Nations
Currencies of Europe
Lira, Maltese
Currencies replaced by the euro
Modern obsolete currencies
1972 establishments in Malta
2007 disestablishments in Malta
History of Malta
Currency symbols

Maltese lira


Cem Dinç, (d. 23 Haziran 1985; Bassum, Almanya), eski Türk basketbolcu. 2.08 m. boyundaki oyuncu ABD'deki Indiana Üniversitesi'nin takımı Indiana Hoosiers'da pivot pozisyonunda görev yaptı.

Almanya'da Türk baba ve Alman anneden 1985 yılında doğan Cem'in babası da doktorluğunun yanı sıra üst düzey atletti. Babasının atletizmle ilgilenmesi ile sprintini ve zıplama yeteneğini küçük yaşta geliştirdi. Almanya'da lise takımında oynarken dikkat çekti. Daha sonra yerel ligde oynarken NCAA'de görev yapan Ali Ton tarafından keşfedildi ve Türkiye millî basketbol takımı baş antrenörü Bogdan Tanyeviç'in yardımcılarından Orhun Ene'ye tavsiye edildi. Orhun Ene ve Bogdan Tanyevic'in de beğenisini kazanan Cem Dinç'in Türk kimliği ve pasaportu bulunmaması sebebiyle özel çabalarla Türk vatandaşlığına geçirildi ve Türkiye millî basketbol takımı'na çağrıldı. Cem Dinç, bundan önce ilk olarak Alman genç millî takımına seçilmiş ve Alman takımı ile dostluk maçlarında oynamıştı. Beğenilince resmî olarak Alman millî takımında oynatılmak istenmişti. Ancak Cem Dinç bu esnada Türkiye millî basketbol takımı'nı tercih etti.

Dış bağlantılar
 TurkSports.Net Profili
 Indiana Üniversitesi sitesi profili
 Türkiye Basketbol Federasyonu Röportaj

1985 doğumlular
Türk asıllı Almanlar
Alman erkek basketbolcular
Türk erkek basketbolcular
Yaşayan insanlar

Cem Dinç


Atatürk Köşkü, aşağıdaki anlamlara gelebilir:

 Atatürk Müze Köşkü, Ankara'da bulunan ev müzesi
 Diyarbakır Gazi Köşkü, Atatürk köşkü olarak da bilinir
 Florya Atatürk Köşkü, İstanbul ilinde yer alan köşk
 Trabzon Atatürk Köşkü, Trabzon ilinde yer alan köşk
 Yalova Atatürk Köşkü, Yalova ilinde yer alan köşk

Atatürk Köşkü


Natalie Clein  (born Poole, Dorset) is a British classical cellist. Her mother is a professional violinist. Her sister is the actress Louisa Clein.

Early life and education
Clein started playing the cello at the age of six, and attended Talbot Heath School in Bournemouth, Dorset. She studied with Anna Shuttleworth and Alexander Baillie at the Royal College of Music where she was awarded the Queen Elizabeth the Queen Mother Scholarship.  She has also studied with Heinrich Schiff in Vienna.

Professional career
Clein came to prominence after winning the BBC Young Musician of the Year competition in 1994 with her performance of the Elgar Cello Concerto. She was the first British winner of the Eurovision Competition for Young Musicians in Warsaw, playing the Shostakovich Sonata and Elgar's concerto. Her other awards include the Ingrid zu Solms Cultur Preis at the 2003 Kronberg Academie and the Classical BRIT Award for Young British Performer of 2005.

Clein made her concerto debut at The Proms in August 1997, performing the Haydn Cello Concerto in C major with Sir Roger Norrington and the National Youth Chamber Orchestra of Great Britain.

In 1999 she was invited as one of the first artists to join the BBC Radio 3 New Generation Artists scheme. She is also a regular chamber musician with such musicians as Julius Drake, Charles Owen and Kathryn Stott, as well as the Belcea Quartet, Jerusalem Quartet, Takács Quartet, and the Nash Ensemble.

Clein has collaborated with author Jeanette Winterson on a performance piece which utilises Bach's Goldberg Variations in conjunction with Winterson's text. She has also worked with choreographer and dancer Carlos Acosta.

She records for Hyperion and has recorded the two Cello Concertos by Camille Saint-Saëns as well as Bloch's Schelomo and Bruch's Kol Nidrei with the BBC Scottish Symphony Orchestra to great critical acclaim as well as receiving a Diapason d'Or , BBC Critics Choice and Gramophone Choice awards . She has also recorded a solo disc with works by Bloch, Ligeti and Dallapiccola and the solo
Kodaly sonata  . She has previously released three discs for EMI.
Her performances have taken Natalie Clein to orchestras including the Philharmonia, Hallé, Bournemouth Symphony, City of Birmingham Symphony, BBC National Orchestra of Wales, Montreal Symphony, Orchestre National de Lyon, New Zealand Symphony and Orquesta Filarmónica de Buenos Aires. She has performed with conductors including Sir Mark Elder, Sir Roger Norrington, Gennady Rozhdestvensky, Leonard Slatkin, Stéphane Denève and Heinrich Schiff.

She is a keen recital and chamber performer and has curated a series of concerts for BBC Radio 3 at LSO St Luke's.

She regularly works with contemporary composers such as Judith Weir , Thomas Larcher, Brian Elias, Charlotte Bray , Deborah Pritchard , Deidre Gribbin and Dobrinka Tabakova.

In 2015, Natalie Clein was appointed Artist in Residence at Oxford university for 4 years. She will curate a concert series in the context of this position.

She is Professor of cello at the HMT Rostock and appears regularly on international juries such as the Queen Elisabeth Competition in Brussels and the ARD Wettbewerb in Munich.

She is artistic director of the Purbeck International Chamber Music Festival (Dorset, UK).

She plays on the "Simpson" Guadagnini cello (1777).

Clein was appointed Officer of the Order of the British Empire (OBE) in the 2021 New Year Honours for services to music.

Discography
1994: Duruflé: Requiem. Hyperion
2004: Brahms/Schubert: Cello Sonatas, with Charles Owen, piano. Classics for Pleasure
2006: Chopin/Rachmaninov: Cello Sonatas with Charles Owen, piano. EMI Classics UK
2007: Elgar: Cello Concerto with the Royal Liverpool Philharmonic Orchestra, Vernon Handley (conductor). EMI Classics UK
2009: Kodály: 'Sonata for Solo Cello, Adagio, Sonatina, Epigrams, Romance lyrique for cello & piano with Julius Drake, piano. Hyperion
2012: Bloch/Bruch: Schelomo, Kol Nidrei & other works with the BBC Scottish Symphony Orchestra, Ilan Volkov (conductor). Hyperion
2013: Saint-Saëns: Cell Concerto No.1, No.2 & other works with the BBC Scottish Symphony Orchestra, Andrew Manze (conductor). Hyperion
2017: Bridge, Clarke " cello Sonatas " with Christian Ihle Hadland . Hyperion
 2019: Beethoven "Triple Concerto " with Laurence Equilbey, Insular Orchestra, Conunova, Kadouch . Warner/Erato.

References

External links
 Natalie Clein official website
 Natalie Clein official MySpace music page
 VIDEO: Elgar Sospiri performed by Natalie Clein and conducted by Vernon Handley
 Natalie Clein on EMI Classics
 Natalie Clein on Rayfield Allied Management

1977 births
Living people
British classical cellists
Jewish classical musicians
People from Poole
Alumni of the Royal College of Music
Winners of Eurovision Young Musicians
People educated at Talbot Heath School
British women classical cellists
BBC Radio 3 New Generation Artists
20th-century classical musicians
Officers of the Order of the British Empire
20th-century British musicians
20th-century British women musicians
21st-century classical musicians
21st-century British musicians
21st-century British women musicians
20th-century cellists
21st-century cellists

Natalie Clein


El TEG-90 (Tren Eléctrico de Guadalajara 1990) es uno de los cuatro modelos de trenes que circulan en el Tren Eléctrico Urbano de Guadalajara, los cuales operan desde 1994.

Características
En total son 32 trenes de este modelo, los cuales tienen rejillas y ventiladores para controlar la temperatura de los vagones, debido al calor que sienten los pasajeros, pintura de color salmón en el interior y pintura roja y blanca en el exterior, asientos de color rojo carmín, asientos preferenciales de color amarillo, palancas usadas como señal de alarma que pueden ser accionadas por los pasajeros, lámparas led en el interior y letreros analógicos en las cabinas iluminados por lámparas led.

Estos trenes fueron construidos a principios de la década de los años 90 en Ciudad Sahagún, Hidalgo por Siemens y Bombardier. Circulan en la Línea 1 y algunos en la Línea 2.

La empresa alemana Siemens y la empresa canadiense Bombardier suministraron los sistemas de señalización, electrificación y telecomunicación.

Una particularidad de este modelo es que son idénticos a los MM-90 del Metro de Monterrey, pero se diferencian por lo siguiente: los TEG-90 tienen cabinas dobles, mientras que los MM-90 sólo tienen una cabina. Los TEG-90 estuvieron a punto de tener 4 formaciones TEG-90 que por razones desconocidas ahora son TE-95. Los TEG-90 se parecen a los TLG-88 nada más que diferentes en algunos aspectos: los TEG-90 tienen puertas normales, mientras los TLG-88 tienen puertas sobresalientes; los TEG-90 tienen una pequeña ventana en la cabina, mientras los TLG 88 traen una puerta sobresaliente en la cabina; los asientos en los TEG-90 tienen una disposición de 5.2, 1 mientras los TLG-88 tienen una disposición de 7 y 1, y las ventanas los TLG-88 tienen un patrón de 2 ventanas y una puerta sobresalientes, y los TEG-90 tienen un patrón de 1 puerta 1 ventana.

Véase también

Barcelona Metro 9000 Series
TEG-15
TLG-88
Línea 1 del Tren Eléctrico Urbano de Guadalajara
Línea 2 del Tren Eléctrico Urbano de Guadalajara
Línea 3 del Tren Eléctrico Urbano de Guadalajara

Tren Eléctrico Urbano de Guadalajara

TEG-90


Friðbjarnarhús er safnahús sem stendur í innbænum á Akureyri við Aðalstræti 46. Það var byggt árið 1856 og er friðað. Í húsinu eru tvö söfn: Leikfangasafn frá síðustu öld, stofnað af Guðbjörgu Ringsted; og safn Góðtemplarareglunnar á Íslandi (I.O.G.T.) sem stofnuð var í húsinu 10. janúar 1884. Húsið var heimili Friðbjörns Steinssonar, stofnanda reglunnar og það er kennt við hann.

Saga

Friðbjarnarhús var byggt árið 1856 af Steini Kristjánssyni járnsmið og fyrrum bóndi að Hólum í Öxnadal, og konu hans Guðnýju Kráksdóttur. Síðar eignaðist sonur þeirra, Friðbjörn Steinsson bókbindari, bóksali og bæjarfulltrúi húsið og bjó þar til dauðadags, árið 1918.

Friðbjörn Steinsson, fæddur árið 1838, var mikill athafnamaður. Hann sat í stjórn bæjarins í 40 ár, var mikill félagsmálamaður og átti þátt í stofnun margra félaga, svo sem Handiðnamannafélagið, sem var stofnað í þeim tilgangi að koma í veg fyrir drykkju, Framfarafélagið sem kom á stofn sunnudagaskóla fyrir iðnaðarmenn, ásamt því sem það efndi til leikfimikennslu og alþýðufyrirlestra. Friðbjörn stóð einnig að stofnun Jarðræktarfélags Akureyrar og Iðnaðarmannafélags Akureyrar sem hóf kvöldskóla fyrir iðnaðarmenn.

Friðbjörn er þekktastur sem einn frumherja og stofnenda Góðtemplarareglunnar á Íslandi (I.O.G.T.). Hann var einn 12 félaga sem stofnuðu fyrstu stúku landsins, Ísafold nr. 1, á heimili hans í Friðbjarnarhúsi, þann 10. janúar árið 1884.

Eftir daga Friðbjörns gekk húsið kaupum og sölum uns Góðtemplarareglan (stúkurnar Ísafold og Brynja) keyptu húsið 25. september árið 1961.  Húsið var gert upp af hagleikssmiðnum Sverri Hermannssyni sem sérhæfði sig í að gera upp gömul hús á Akureyri. Í húsinu var útbúin félagsaðstaða fyrir Góðtemplararegluna sem og minjasafn fyrir myndir, stofnskrár og heiðursskjöl reglunnar. Gísli Guðmann gerði lágmyndir úr gifsi af heiðursfélögum Akureyrarstúknanna fyrir safnið. Í húsinu er uppsettur stúkusalur eins og þeir voru á fyrstu árum stúkunnar og einnig nokkrir munir frá starfi reglunnar á Sauðárkróki. Að auki voru í húsinu ýmsir munir úr búi Friðbjarnar og Guðnýjar. Sunnan við húsið var sett upp brjóstmynd af Friðbirni eftir Ríkarð Jónsson myndhöggvara. Neðarlega á lóð hússins var gamall ljósastaur úr steyptu járni, líklega frá árinu 1896, sá eini sinnar tegundar á Akureyri.

Safnið hefur að geyma merkar söguheimildir um það mikla félagsmálastarf á Akureyri sem spratt undan viðjum stúkumanna. Góðtemplarareglan sem var stórveldi í landinu var sérstaklega sterk á Akureyri. Góðtemplarar voru á sínu tíma með töluverðan rekstur á bænum. Auk Æskulýðsheimilis Templara hóf reglan að reka kvikmyndahúsið Borgarbíó árið 1946 og rekstur bindindishótels árið 1953 að Hótel Varðborg. Flugkaffi, veitingasala á Akureyrarflugvelli var einnig rekin af reglunni. Ennfremur ráku stúkurnar barnaheimili að Litlu-Tjörnum í Ljósavatnsskarði fyrir um 30 börn.

Árið 2009 færði Góðtemplarareglan Akureyrarbæ Friðbjarnarhús til eignar. Ári síðar auglýsti bærinn Friðbjarnarhús til leigu. Síðan þá hefur Guðbjörg Ringsted listakona rekið leikfangasafn í húsinu. Þar kennir margra grasa enda hefur Guðbjörg safnað leikföngum í meira en tvo áratugi.  Árið 2017 var leigusamningur leikfangasafnsins við Akureyrarbæ framlengdur til fjögurra ára.

Tenglar

 Góðtemplarareglan á Íslandi
 Vefur Minjasafns Akureyrar um leikfangasafnið.
 Vefur Akureyrabæjar um leikfangasafnið í Friðbjarnarhúsi
 Akureyri

Tilvísanir

Söfn á Íslandi

Byggingar á Akureyri
Hús á Akureyri

Friðbjarnarhús


Braulio Choque Mamani es un investigador, escritor, pintor y cantautor boliviano, conocido también por su seudónimo artístico como "Sergio Diky".

Biografía
Braulio Choque nació en Oruro, en la localidad de Huari el 25 de marzo de 1980.

Choque estudio química industrial y construcción civil, además se describe como cantautor y poeta, no ha tenido formación académica en literatura, sin embargo su trabajo ha llamado la atención de investigadores internacionales y ha sido publicado en español, aimara, quechua e inglés por centros de investigación bolivianos y en revistas de antropología en España y Estados Unidos.

Braulio Choque ha recolectado las tradiciones orales y mitos aimaras, quechuas y urus de la región del sur de Oruro y publicado varias obras acerca de los mitos, leyendas, tradiciones y cuentos de esa región del altiplano boliviano.

Sus investigaciones fueron publicadas el año 2001 en la Gazeta Antropológica de la Universidad de Granada de España y han sido publicadas en revistas internacionales de antropología.

Entre sus obras, ha publicado dos recopilaciones de leyendas y mitos titulados Layra Parla  y Layra Parla 2, que significa "cuentos hablados" o "cuentos antiguos" en aimara; ambos libros además han sido ilustrados por el autor.

Entre las historias que ha recopilado el investigador, sobresale la narración de la travesía de Thunupa o Tunupa, volcán ubicado al sur del departamento de Oruro, al que la tradición del altiplano boliviano atribuye características antropomorfas de una mujer que todos los años realizaba un largo viaje desde el altiplano hacia el valle con caravanas de llamas, cargadas de sal para intercambiarla por maíz. La mitología andina ofrece una explicación fantástica sobre el paisaje de la región del sur del altiplano boliviano.

Obras

 Landscape, Gender, and Community: Andean Mountain Stories (1999). Anthropological Quarterly Vol. 72, Nro. 4, publicado por The George Washington University Institute for Ethnographic Research.
 Tatira y Sap'achuri, dioses de la mitología chipaya (2001). Gaceta de Antropología. Madrid, España.
 La leyenda de Vinthur Mallku y la Flor Chinchircoma. Publicado en Journal of Latin American Anthropology.
 Layra Parla (2006)
 La región de Huari. Recursos naturales y cultura.(2009)
 Layra Parla 2, cuentos e historias antiguas de Huari (2010).
 Layra Parla 3, Cuentos e Historia Antiguas de Tradición Oral (2016).

Véase también
 Tunupa, deidad aimara
 Volcán Tunupa

Referencias

Enlaces externos
 El repositorio viviente de las leyendas del sur orureño
 los cerros caminaban
 Tatira y Sap'achuri, dioses de la mitología chipaya

Escritores de Bolivia
Escritores en español
Cuentistas de Bolivia
Pintores de Bolivia del siglo XX
Cantautores de Bolivia
Orureños
Investigadores de Bolivia

Braulio Choque


Arethusa aşağıdaki anlamlara gelebilir:

 Arethusa (mitoloji), Bir Nymph.
 Arethusa (ırmak), Ortygia adasında bir ırmak.
 Arethusa (bitki), Orchidaceae familyasına bağlı bir bitki cinsidir

Arethusa


Çamardı Niğde ilinin ilçesidir.

İlçe merkezine bağlı 20 köyü vardır. Yüzölçümü 1204 km² olup, nüfus yoğunluğu 14'tür. İlçe toprakları dağlıktır. Orta Torosların uzantısı olan Aladağlar ilçe topraklarının tamamını kaplar. En yüksek noktası Demirkazık Tepesi olup 3756 metredir. Başlıca akarsuyu Ecemiş Çayı'dır. İlçede düzlükler yok denecek kadar azdır.

Ekonomisi hayvancılığa dayanır. Tarım sınırlı ölçüde yapılır. Başlıca tarım ürünleri tahıl ve baklagillerdir. Meyvecilik yaygın olarak yapılır, en çok elma yetiştirilir. İlçe topraklarında demir, çinko, kurşunlu çinko, antimon yatakları vardır. Bu madenler özel ve kamu kuruluşları tarafından işletilir. Ayrıca Demirkazık Tepesi turistlerin ilgi odağıdır ve dağcılık gelişmiştir. Tepenin eteklerinde turistlere hizmet veren bir dağ oteli mevcuttur

İlçe merkezi, Demirkazık Tepesi'nin eteklerinde dar bir vadide kurulmuştur. İl merkezine 69 km mesafededir. Denizden yüksekliği 1250 metredir. Halk yazın havası çok güzel olan Üç Kapılı Yaylası'na çıkar. Eski ismi Bereketli Maden'dir. 1948'de ilçe olan Çamardı'nın belediyesi 1927'de kurulmuştur.

Tarihçe
M.Ö. 3000-2000 yıllarını kapsayan eski Tunç Devri'nde Çamardı ve çevresinin önemli bir yerleşim bölgesi olduğu Celaller Köyü civarında Göltepe Kestel ören yerinde yapılan arkeolojik kazılar sonunda anlaşılmıştır. Orta Anadolu'da Hitit Dönemi olarak bilinen M.Ö.2000-700 yıllarında Niğde ve civarında dolayısıyla Çamardı'nda Hititler'in hüküm sürdüğü bilinmektedir. Daha sonra sırasıyla Roma İmparatorluğu ve Bizans İmparatorluğu (Doğu Roma) hakimiyetine giren ilçenin Türklerle ilk teması Melikşah zamanındadır. Bölgenin Selçuklular tarafından fethedilmesi (1166) bunu takip eden yıllarda II. Kılıçarslan dönemine rastlar. 1243 yılından sonra İlhanlıların himayesine giren İlçe daha sonra Eretna Beyliği ve Karamanoğulları Beyliği himayesine girmiştir.

Osmanlı Devleti'nin bölgeyle ilgili ilk teması Yıldırım Beyazıt dönemindedir. Beyazıt savaşmaksızın aldığı Konya-Niğde civarını tekrar Karamanoğulları'na vermiştir.

Çamardı'nın da bulunduğu bölgeler kesin olarak 1471 yılında Fatih Sultan Mehmet tarafından Osmanlı topraklarına katılmıştır. 1869 Konya Vilayeti salnamelerinde Niğde Merkez kazasına bağlı hâlen Çamardı ilçesinin mahalleleri olan Bereketli ve Maden Karyelerinden bahsedilmektedir. Çamardı 1910 yılından 1948 yılına kadar mülki taksimata göre bucak teşkilatı olarak kalmış, vilayet merkezine olan uzaklığı ve kış aylarında yolun kapanması gibi nedenlerle hizmet götürmede güçlüklerle karşılaşıldığı için ilçe teşkilatı kurulmasına gerek görülmüş, 11 Haziran 1947 tarihinde Bakanlar Kurulu kararı ile ilçe yapılmıştır.

İlçenin hâlen kullanılan Çamardı ismi tarihte bazen Şamardı, bazen Maden ve Bereketli olarak kullanılmıştır. İlçe yerleşim yerinin dağlık ve ormanlık bölgede kurulu olması Çamardı adını almasında etkili olduğu rivayet edilmiştir.

Coğrafi yapı
Çamardı ilçesi, Niğde ilinin güneydoğusunda Toros Dağları'nın eteklerinde kurulmuştur. Niğde merkez ilçe, Bor, Ulukışla ve Adana ili hudutları ile çevrilidir. 1204 km² yüzölçümüne sahip İlçenin rakım ortalaması 1600 m'dir. İlçe merkezinin rakımı ise 1250 m'dir.
İlçenin yüzey şekilleri coğrafi açıdan oldukça engebeli ve 2/3'ü dağlıktır. Torosların en yüksek zirvesi olan Demirkazık, 3756 m yüksekliğinde ve ilçe sınırları dahilindedir. Arazinin 1/3'ü yayladır. İlçenin belli başlı su kaynakları Merkez Karapınar Mevkii'nden çıkan dere ile Ecemiş Çayı'dır. Bu kaynaklar ilçenin güneyinde birleşerek Adana topraklarında Seyhan Nehri'ne katılmaktadır. İklim itibarıyla İç Anadolu Bölgesi'nin karakteristiği olan karasal iklim hakimdir. Yaz sıcaklığı 20-28 Celsius derece dolaylarında; kışın ise eksi 5 ile 10 Celsius derece dolaylarında olmaktadır. Kış mevsiminde kar kalınlığı zaman zaman 40–50 cm'ye yaklaşmaktadır. Kar ve yağmur olarak yağışın en fazla olduğu aylar Aralık, Mart, Nisan ve Mayıs aylarıdır. Metrekareye düşen yağış miktarı 1 kg ve 1,6 kg arasında değişmektedir. İlçeye bağlı 19 köyün yüzölçümleri toplamı 879.411 m²dir.

Çukurbağ Köyü Emli Boğazı, Elekgölü ve Yelatan Köyleri ile Demirkazık Dağ ve Kayakevi civarında bir miktar ağaçlandırma çalışması yapılmıştır. İlçe sınırları içinde geniş ağaç dikim alanları bulunmaktadır

Nüfus

Kaynakça

Dış bağlantılar

 Çamardı Kaymakamlığı

Çamardı


Le Danemark est l'un des quarante pays participants du Concours Eurovision de la chanson 2022, qui se déroule à Turin en Italie. Le pays est représenté par le groupe  Reddi et la chanson , sélectionnées via le Dansk Melodi Grand Prix 2022. Le pays se classe  avec  en demi-finale, ne parvenant pas à se qualifier pour la finale.

Sélection

Le diffuseur danois DR confirme sa participation le , reconduisant dès lors le Dansk Melodi Grand Prix pour l'année 2022.

DR ouvre, du  au , une période de soumission des candidatures. Au terme de celle-ci, huit chansons sont sélectionnées par un comité de six jurés.

L'émission télévisée a lieu le . Les huit artistes précédemment sélectionnés y participent. Dans un premier temps, trois artistes se qualifient pour la superfinale, puis finalement, le vainqueur est désigné parmi ces trois artistes. Seul le télévote danois compte durant la soirée.

Cette édition du Dansk Melodi Grand Prix s'achève donc sur une victoire du groupe Reddi, qui représenteront le Danemark au Concours Eurovision de la chanson 2022 à Turin avec leur chanson The Show.

À l'Eurovision
Le Danemark participe à la première demi-finale, le . Y recevant , le pays se classe  et ne parvient pas à se qualifier en finale.

Notes et références

Danemark au Concours Eurovision de la chanson
Danemark
Concours Eurovision de la chanson


Süleymaniye Camisi, Alanya, Antalya'da bulunan bir camidir.

Cami, Anadolu Selçuklu Sultanı I. Alâeddin Keykubad tarafından kentin yeniden düzenlenmesi sırasında 1231 yılında kalenin zirve kısmında, İçkale'nin hemen dışında yaptırılmıştır. Ancak sonraki yıllarda cami yıkılmış ve 16. yüzyılda Osmanlı döneminde Kanuni Sultan Süleyman tarafından tekrar yaptırılmıştır.

Tek minareli cami, Alaaddin, Kale ya da Süleymaniye adıyla anılır. Yapı moloz taştan ve kare planlıdır. Sekizgen kasnak üzerine, kiremitli bir kubbesi vardır. Kubbenin askılık görevi üstlenen kısmına akustiği sağlamak için 15 küçük küp yerleştirilmiştir. İbadet sırasında bu özellik ortaya çıkmaktadır. Son cemaat yeri, dört ayak üzerine kiremitli üç kubbe ile örtülüdür. Kapı ve pencere kapakları Osmanlı döneminin ahşap oyma işçiliğinin güzel bir örneğidir.

Kaynakça

Süleymaniye Camii

Süleymaniye Camii (Alanya)


مقاطعة تشيركاسي أو جِركاسي أو شِركاسة هي إحدى مقاطعات أوكرانيا الـ 24 وتبلغ مساحتها 20.900 كيلومتر مربع وهي المقاطعة الـ 18 من حيث المساحة حيث تشغل ما يقارب 3.5 ٪ من مساحة البلاد. يقسمها نهر دنيبر إلى جزئين غير متساويين شرقي وغربي والجزء الغربي هو الأكبر

تاريخها

ُأنشئت مقاطعة جِركاسي باعتبارها جزءاً من جمهورية أوكرانيا الاشتراكية السوفياتية في 7 يناير 1954.

تقسيمها الإداري

تنقسم مقاطعة جِركاسي من الناحية الإدارية إلى 20 raions (منطقة)، فضلا عن المدن 6 (البلديات) التي هي تابعة مباشرة لسلطة حكومة المحافظة: Vatutine، Zolotonosha، Kaniv، Smila والمركز الإداري للمحافظة، جِركاسي. وهناك ما مجموعه 25 مدينة و 34 بلدة و 838 قرية.

الأعياد والعطل الرسمية
 عيد الاستقلال 24 أغسطس.
 يوم الثاني والعشرين من يناير وهذا تقليد يحتفل به سنوياً منذ عام (1918).
 8 مارس عيد المرأة.
 9 مايو التاسع من مايو عيد التحرير من الألمان.

بالإضافة إلى العطل الدينية وعطلة رأس السنة.

مراجع

تأسيسات سنة 1954 في أوكرانيا
دول وأقاليم أسست في 1954
مقاطعات أوكرانيا

مقاطعة تشيركاسي


The declension of Irish nouns, the definite article, and the adjectives is discussed on this page (for pronouns, see Irish morphology).

Nouns

Gender
Nouns in Irish are divided into two genders, masculine and feminine; the Old Irish neuter gender no longer exists. While gender should be learned when the specific noun is learned, there are some guidelines that can be followed:

Generally, nouns in singular form ending with broad consonants are masculine, while those ending in a slender consonant are feminine.

There are some exceptions, mostly dealing with specific endings and suffixes; for example, words ending in  and  (with a slender  and  respectively) are categorically masculine, while words ending in  (with a broad ) are feminine. This leads to some unexpected gender assignments, such as  "boy scout" being feminine, and  "girl" masculine (the diminutive  suffix is always masculine irrespective of the noun it applies to).

Case
Irish has four cases: common (usually called the nominative, but it covers the role of the accusative as well), vocative, genitive, and the dative or prepositional case.

Nominative
The nominative is used in the following functions:
 Sentence subject
 "The cat is drinking."
 Sentence object
 "Seán broke the window."
 Predicate of the copula
 "He is an idiot."
 Object of the prepositions  "without",   "(up) to" and mar "like, as".
 "without the money"
 "(up) to the time"
 "like the hen"

Vocative
The vocative is used in direct address, and is always preceded by the particle , which triggers lenition (the vocative  particle is not pronounced before a vowel sound).  The first declension is the only declension in which the vocative is distinct from the nominative.
 "Where are you, son?"
 "Seán, come here!"

Genitive
The genitive indicates possession and material of composition:
 "the man's hat"
 "the woman's children"
 "the bishop's candelabras"
 "a ring of gold, a golden ring"
 "shoes of leather, leather shoes"

The object of a verbal noun also requires the genitive:
 "(the act of) spending money"

The object of a compound preposition is in the genitive. Formally, these prepositions are actually prepositional phrases.
 "behind the door" (lit. "on the back of the door")
 "one month long" (lit. "for the duration of one month")
 "for Ireland's sake"

Dative/Prepositional
The dative/prepositional is used as the object of most simple prepositions except  and . In standard language, the dative is almost always identical to the nominative. Some dialects, however, have distinct standalone datives in the second and fifth declensions.  In the standard language, only two words  ("Ireland") and  ("twenty") have distinct datives -  and , respectively. They are also found in certain fixed phrases with nouns of the second declension, such as  ("above", lit. "over head" – cionn is the old dative of ceann ("head")).
 "at the father"
 "out of the house"
 "on the bread"
 "in an orange"
 "to hell"
 "with the money"
 "from Ireland"

Declension
There are five recognized declensions in Irish.  The makeup of the declensions depends on three factors:
 the gender of the noun
 the formation of the genitive singular
 relation of genitive singular to nominative plural

The following chart describes the characteristics of each declension class:

First
The first declension is made up of masculine nouns. The nominative singular ends in a broad consonant, which is made slender in the genitive singular. The most common formation of the plural has the opposite pattern:  the nominative ends in a slender consonant, the genitive in a broad consonant (these plurals are known as weak plurals in comparison with strong plurals which maintain identical endings for all cases in the plural). The dative is identical to the nominative in both numbers, although an obsolete dative plural in -aibh is still sometimes encountered in old-fashioned literary style.

When  in the gen. sing. and nom. pl. of a polysyllabic word is made slender, it also becomes voiced, thus:
 >  > . The resulting  is written -(a)igh and is pronounced , , or , depending on dialect.

Some nouns undergo a vowel change before the slender consonant of the genitive singular/nominative plural:
  - an (internal) organ, component part
  - a sole, coin
  - a head
 - a man
 - a fish
  - a son (note: the first consonant is made slender in the gen.sg./nom.pl. as well)
  - a hole

Many words of this declension form the plural with one of the endings -(a)í, -ta, -tha, -anna. These are known as "strong plural" endings, which means the plural is identical in all cases in the standard language. Some examples:
, gen. sg. , pl.  - a fair
, gen. sg. , pl.  - a way
 , gen. sg.  , pl.   - a car
, gen. sg. , pl.  - a voice
, gen. sg. , pl.  - a child
, gen. sg. , pl.  - a cloud
, gen. sg. , pl.  - a rose
, gen. sg. , pl.  - a summer
, gen. sg. , pl.  - a story
, gen. sg. , pl.  - fruit

Some nouns have a weak plural (a plural where the genitive is different from the nominative, and is identical to the form of the nominative singular) in -a:
, gen. sg. , nom. pl. , gen. pl.  - a right
, gen. sg. , nom. pl. , gen. pl.  - a trick
, gen. sg. , nom. pl. , gen. pl.  - an apple

Other strong plural formations are found in:
 - road
 - judge
 - verb
 - skull
 - door
 - professor
 - light

Second
The second declension is made up of mostly feminine nouns, and features a nominative singular form that can end in either a broad or a slender consonant.  The genitive singular ends in a slender consonant followed by -e.  The most common plural form has a broad consonant followed by -a in the nominative, and a broad consonant alone in the genitive. The vocative has the same endings as the nominative, as does the dative in standard language.

In Connacht Irish and Waterford Irish it is often the case that all nouns of the second declension in the nom. sg. end with a slender consonant (e.g.  "a shoe").

In some Munster varieties as well as the old literary language, the dative singular is distinct and ends in a slender consonant alone (in effect the dative sg. is formed by dropping the -e from the genitive sg.), e.g.  "in my shoe" (historically, nominative forms like  are descended from the old dative).

When  in the gen. sing. is made slender, it is also voiced, so  >  > .  becomes , and is written -(a)í.

Many words in this declension form a strong plural with one of the endings -t(h)a,-te, -(e)acha or -eanna:
 "place"
  "forest"
 "daughter"
 "work"
 "sky"
 "country"
  "wave"
 "egg"

Other strong plural formations are found in:
 - tooth
 - shoulder
 - knife (irregular genitive singular)
 (m.) - mountain (irregular genitive singular and masculine gender)

Third
The third declension is made up of masculine and feminine nouns. It is characterized by the genitive singular in -a. The majority of nouns in this class form the plural in -(a)í. The final consonant of the stem may be broad or slender: it retains its quality in the plural, but is always broad in the genitive singular.

Feminine nouns in -áint and -úint lose their t in the gen. sg.; those in -irt have -th- instead of -t- in the gen. sg.
 (f.) "threat"
 (f.) "dialect"

Many words in this declension form the plural with one of the endings -anna or -acha:
 (m.)  "time"
 (m.) "soul"
 (m.)  "back"
 (m.) "lake"
 (f.) "fight, struggle"

Some words in Munster Irish also have a separate dative form:
nom. , dat. , gen. , pl.  (m.)  "back"

Fourth
The fourth declension is made up of masculine and feminine nouns. It is characterized by a genitive singular that is identical in form to the nominative/vocative/dative singular. The singular may end in a vowel or a consonant (usually the diminutive suffix -ín). The most common plural ending is -(a)í.

Many words of this declension form the plural with the following endings -tha/-t(h)e, -((e)a)nna or -((e)a)cha:
 (m.) "animal"
 (m.) "attorney"
 (m.) "village"
 (m.) "bus"
 (m.) "son-in-law"
 (f.) "wound, sore"
 (m.) "nut"
 (m.) "outhouse; eye of a needle"
 (m.) "law"
 (m.) "dozen"
 (m.) "ray, radius"
 (f.) "goose"
 (f.) "shirt"
 (m.) "saying"
 (m.) "king"
  (m.) "last name"
 (f.) "language, tongue"
 (f.) "fire"

Other strong plural formations are found in:
 (m.) "name"
 (m.) "characteristic, symptom"
 (f.) "commandment"
 (m.) "bank (of river etc.)"
 (m.) "race, tribe"
 (m.) "person, human being"
 (m.) "blacksmith"
 (m.) "business"
 (f.) "night"

One noun in this class has a weak plural:
 (f.) - cow

Fifth
The fifth declension is made up mostly of feminine nouns and is characterized by a genitive singular that ends in a broad consonant that has been added to the nominative/vocative/dative singular. The most common plural is strong, formed by adding -a to the genitive singular.

In some Munster Irish varieties as well as the old literary language, the dative singular is distinct and ends in a slender consonant (in effect the dative sg. is formed by palatalizing the genitive sg.), for example,  "to a person",  "from the city". In  "Ireland" the dative  is still used in the standard language.

Some words form the genitive singular by changing the final consonant of the nominative singular to broad. The plural is then strong -eacha.
  "river"
 (m.) "father"
  (m.) "brother"
 "mother"

Other strong plural formations are found in:
 (m.) "brother (monk), friar"
  (m.) "friend"
 (m.) "enemy"
 "Christmas"

Some nouns have weak plurals; here the genitive singular and genitive plural have the same form:
 - sheep
 - duck

Verbal nouns
The most productive verbal nouns end with -(e)adh (1st conjugation) or -(i)ú (2nd conjugation). These originally belonged to the third declension, but synchronically are best regarded as separate declensions.

The 1st conjugation verbal noun in -(e)adh has a genitive singular in -te/-ta and a plural in -t(a)í.
 "breaking"
 "praising; recommendation"

The 2nd conjugation verbal noun in -(i)ú has a genitive singular in -(a)ithe and a plural in -(u)ithe. These endings are pronounced the same regardless of the spelling distinction.
 "examining, examination"
 "stretching"

Irregular nouns
The following nouns are declined irregularly:
 (f.) "woman"
 (f.)  "sister"
  (f.) "drink"
 (m.) "God"
 (m.) "day"
 (f.) "bed"
 (f.) "month"
 (f.) "sea"
 (f.) "wool"
 (m.) or  (f.);  "land"
 (m.) "house"

Articles
The definite article has two forms in Irish:  and .  Their distribution depends on number, case, and gender, and they trigger mutation partly on the basis of the initial sound of the following word.  Each entry of the table gives an example of one noun starting with a consonant and one with a vowel.

Dative (i) is used with all prepositions in Ulster usage; in Munster and the standard language it is used only with  "from the",  "to the", and  "in the" but there are also Munster dialects in which only sa(n) triggers lenition and den and don eclipse, as with every other article-preposition compound. In Connacht sa(n) eclipses whereas den and don lenite. Dative (ii) is used outside Ulster with other prepositions.

The article never mutates a following  or  in the singular, and  is lenited to  (pronounced ) rather than the usual . s furthermore lenites in both dative (i) and (ii) in the singular with feminine nouns but does not lenite at all with masculine nouns.

It does, however, eclipse t and d in Munster dialects and forms like "ag an ndoras" instead of the usual pattern "ag an doras", which is used in all other dialects, do occur.

There is no indefinite article in Irish, so depending on context  can mean "cat" or "a cat".

Adjectives
Almost all adjectives in Irish can be used either predicatively or attributively. A predicative adjective is one that forms a part of the predicate, like red in the sentence The car is red. An attributive adjective directly modifies a noun, as in the red car.

A predicate adjective in Irish does not inflect:

 "That man is small."
 "Those men are small."
 "This woman is small."
 "These women are small."

A predicate adjective expressing a value judgment is often preceded by the particle . This particle attaches a h to a following vowel.

 "I'm fine" (lit. "I am good.")
 "The story is bad."
 "The weather was beautiful."

In Ulster, go is not generally used in these cases.

An attributive adjective mostly follows the noun and is inflected:

 "the small man"
 "of the small man" (genitive)

There are four classes of declension of adjectives in Irish, which correspond to the first four declensions of nouns:

First declension

Second declension

Third declension

Fourth declension
This declension does not inflect, but it does mutate.

Irregular adjectives

Notes
The nominative plural undergoes lenition only if the noun ends with a slender consonant:  "lame cats". Otherwise, the adjective in the nominative plural does not lenite:  "lame tailors".
The long form of the genitive plural (e.g. , , ) is used when the noun has a strong plural, e.g.  "of lame mothers". The short form (e.g. , , ) is used when the noun has a weak plural, e.g.  "of lame cats".
The dative has the same form as the nominative.
The vocative has the same form as the nominative except in the masculine singular of the 1st/2nd declension, where it has the same form as the genitive.

Comparative
Irish adjectives have a comparative form equivalent to the comparative and superlative in English. The comparative does not undergo inflexion and is the same as the feminine singular genitive in regular and many irregular adjectives.

Regular formation

Irregular forms

Syntax of comparison
There are two constructions to express the comparative:

1) Copula + comparative form + subject +  ("than") + predicate. The preterite of the copula causes lenition, while the present tense does not.

 "Cáit was stronger than Cathal."
 "Seán is bigger than me."
 "The dog was younger than the cat."
 "Broken Irish is better than clever English."

2)  + comparative +  + predicate.  is used if the sentence is in the present or future tense.

, which triggers lenition, is used if the sentence is in the past tense.  is used before words starting with vowels and  before those starting with consonants.

 "The sun is brighter than the moon."
 "Peadar will be richer than his father."
 "Peadar became richer than his father."
 "Seán was bigger than me."

A superlative is expressed as a relative clause: noun +  + comparative form.

 "the strongest girl" (lit. "the girl who is the strongest")
 "the strongest girl" (lit. "the girl who was/would be the strongest")
 "the youngest boy" (lit. "the boy who is the youngest")
 "the youngest boy" (lit. "the boy who was/would be the youngest")

References

Declension
Declension

Irish declension


Chris Blight (1982-), joueur professionnel de hockey sur glace britannico-canadien.
 Ellen Blight, également connue sous le nom d'Helen Bright (1833 ou 1834-1850), dompteuse anglaise de fauves.
 John Thomas Blight (1835-1911), artiste et archéologue anglais.
 Rick Blight (1955-2005), professionnel canadien de hockey sur glace.

Blight


Pimoa zekogensis est une espèce d'araignées aranéomorphes de la famille des Pimoidae.

Distribution
Cette espèce est endémique du Qinghai en Chine. Elle se rencontre dans le xian de Zêkog.

Description
Le mâle holotype mesure .

Étymologie
Son nom d'espèce, composé de zekog et du suffixe latin , « qui vit dans, qui habite », lui a été donné en référence au lieu de sa découverte, le xian de Zêkog.

Publication originale
 Irfan, Wang, Zhao & Zhang, 2022 : « Three new species of the spider genus Pimoa Chamberlin & Ivie, 1943 (Araneae, Pimoidae) from Qinghai-Tibet Plateau of China. » Zootaxa, , , .

Liens externes

Notes et références

Pimoidae
Espèce d'araignées (nom scientifique)
Faune endémique du Qinghai

Pimoa zekogensis


Genesis Breyer P-Orridge, født Neil Andrew Megson (født 22. februar 1950, død 14. marts 2020) var en engelsk komponist, musiker, poet, performancekunstner og okkultist. Efter at have opnået berømthed som stifter af kunstnerkollektivet COUM Transmissions og derefter som frontperson i industrial-bandet Throbbing Gristle, var P-Orridge medstifter af den okkulte gruppe Thee Temple ov Psychick Youth og frontperson i det eksperimentelle band Psychic TV. P-Orridge var en stærkt eksperimenterende musiker, som ofte var grænsesøgende og kompromisløs i sin musik. De havde kun foragt tilovers for den etablerede musikindustri, og har ved flere lejligheder udtalt sig negativt om pladsselskaber. P-Orridge definerede sig selv som tredje køn (pronomen "de").

P-Orridge blev diagnosticeret med kronisk myelomonocytær leukæmi i oktober 2017, og døde i New York 14. marts 2020.

Diskografi
Bemærk: dette er en liste over udgivelser der er direkte krediteret til Genesis P-Orridge
 Interview By TOPYSCAN
 The Industrial Sessions 1977
 What's History (1983)
 "Je T'Aime" (1985)
 Alaura/Slave Priest (1990)
 What's History (1990)
 At Stockholm (1995)
 Vis Spei (1995)
 A Perfect Pain (With Merzbow) (1999)
 Direction Ov Travel (2002)
 Painful 7 Inches (2002)
 Wordship (2003)
 When I Was Young (2004)

Referencer

Eksterne henvisninger

 Breyer P-Orridge via InvisibleExports gallery
 Genesis P. Orridge interview on RocknRollDating
 Genesis P. Orridge interview on the podcast Love + Radio

Pseudonymer
Musikere fra Storbritannien
Kunstnere fra Storbritannien

Genesis P-Orridge


Vatan, Bağımsız Gazeteciler Yayıncılık A. Ş.'ne bağlı olarak çıkan günlük bir gazetedir. İmtiyaz sahibi, Demirören ailesidir. Demirören-Karacan ortaklığı tarafından 2011 yılında satın alındı.

Gazetenin Genel Yayın Yönetmeni İsmail Yuvacan, Ankara temsilcisi Bilal Çetin'dir. Yayın kurulunda Bilal Çetin, Okay Gönensin, Zülfü Livaneli, Güngör Mengi ve Aydın Öztürk bulunmaktadır. Merkez sol bir siyasi çizgi takip eden gazeteye bağlı olarak Vatan Grubu dergileri de yayımlanmaktadır. Renkli olarak basılmış ve spor, ekonomi, televizyon, magazin gibi bölümleri bulunmuştur.

Vatan Gazetesi, 1 Kasım 2018 tarihinde son baskısını yapmıştır. Bu tarihten itibarense Demirören grubuna ait bir başka gazete olan Milliyet gazetesinin hafta sonu eki olarak yayın hayatını sürdürmektedir.

Yazarları
 Dilek Önder
 Güngör Mengi
 Ruhat Mengi
 Zülfü Livaneli
 Reha Muhtar
 Asaf Savaş Akat
 Mehmet Berk Ergin
 Okay Gönensin
 Cengiz Aktar
 Ruşen Çakır
 Mustafa Mutlu
 Süleyman Ateş
 Rifat Sarıcaoğlu
 Onur Kumbaracıbaşı
 Oya Doğan
 Güntekin Onay
 Ersin Düzen
 Cem Ceminay
 Ömer Güvenç
Serhat Ulueren

Ayrıca bakınız
 Vatan (gazete, 1923)
 Vatan (gazete, 1940)
 Vatan (gazete, 1976)

Kaynakça

Dış bağlantılar

Türkçe gazeteler
İstanbul gazeteleri
Türkiye'de yayımlanan günlük gazeteler
2002'de Türkiye'de kurulan oluşumlar
2002'de kurulan gazeteler
Demirören Holding kuruluşları
Türkiye gazeteleri
Yayımı sona eren Türkiye gazeteleri

Vatan (gazete, 2002)


Žygimantas ist ein litauischer männlicher Vorname, abgeleitet von Sigismund. Die weibliche Form ist Žygimantė.

Personen
 Žygimantas Augustas (1520–1572),  Großfürst von Litauen
 Žygimantas Jonušas (* 1982), Basketballspieler
 Žygimantas Kęstutaitis (1365–1440), Fürst von Mosyr
 Žygimantas Pavilionis (* 1971),  Diplomat, Botschafter
 Žygimantas Senasis (1467–1548), König
 Žygimantas Liauksminas (1596–1670),  Philosoph und Rhetoriker
 Žygimantas Vaičiūnas (* 1982),  Politiker,  Vizeminister für Energie

Männlicher Vorname
Litauischer Vorname

Žygimantas


විලී රත්නායක  ප්‍රාදේශීය ව්‍යවහාරික කලා ශිල්පියෙකි. ඒ වගේම සර්පිනා වාද්‍ය ශිල්පියෙකි. ඔහු  නියැලුණ ව්‍යවහාරික කලා කටයුතු අතර සිනමා කටවුට් පින්තාරු කිරීම, පෝස්ටර් ඇඳීම, පිරිත් මණ්ඩප සැළසුම් කිරීම හා ඒවාට කඩදාසි කැටයම් කැපීම, මගුල් පෝරු නිර්මාණය කිරීම, පිළි ගැනීමේ තොරණ නිර්මාණය කිරීම, බැනර් ඇඳීම, ලැකර් වෙළෙඳ නාම පුවරු පින්තාරු කිරීම, රිජිෆොර්ම් කැටයම් කැපීම, වෙළෙඳ බිතු සිතුවම් පින්තාරු කිරීම, ආලේඛ්‍ය පින්තාරු කිරීම, සිනමා අත්කම් ග්‍රැෆික් සලය්ඩ් නිර්මාණය කිරීම, ස්ක්‍රීන් මුද්‍රණ කටයුතු කිරීම ආදී කටයුතු විය. ඔහු  හැරුණු විට ඔහුගේ  කලා වැඩ හා වැඩ රටාවට සමානව වැඩ කළ එවකට සමකාලීන ප්‍රාදේශීය වෙනත් ශිල්පීහු කිහිප දෙනෙක් වෙති.විලී ද ඇතුළු ඔවුන් ජනප්‍රිය වී තිබුණේ ඔවුනගේ සැබෑ නමින් නොව ඔවුන් කලා ක්‍රියාකාරකම මත තබන අත්සනේ නමිනි. එම අත්සන් වචන කියවිය හැකි ආකාරයකට භාවිතා කෙරිණි. ඒ වගේම එම නාම සියල්ලක්ම පාහේ භාවිතා කරේ ඔවුනගේ මුල නම සමග ඔවුන් පදිංචි ප්‍රදේශයේ නම එකට දැක්වීමෙනි. ඒ අනුව 'කරූ අම්බලන්තොට' 'සිරිසඳ අම්බලන්තොට' 'දයා අම්බලන්තොට' 'ජයා මිද්දෙනිය' 'දයා බෙලිඅත්ත' 'චන්ද්‍රා තංගල්ල' 'ටුටී හුංගම' 'සරා හුංගම' යන නාම වේ. විලී රත්නායක  සිය කලා කටයුතුවල අත්සන් තැබුවේ 'විජයන්ති කලා හුංගම' යන නාමයෙනි.

විලී රත්නායක ඉපදුණේ 1949 ජුනි 14 වැනිදා රන්න දී ය. ඔහුගේ පියාගේ නම බණ්ඩා රත්නායක ය. විලී පවුලේ සහෝදර සහෝදරියන් නම දෙනෙකුගෙන් යුක්ත පවුලේ වැඩිමහල් සාමාජිකයා ය. හෙතෙම හුංගම විජයබා මාධ්‍ය මහා විද්‍යාලයෙන් මූලික අධ්‍යාපනය ලබා ඇත. අඟුණකොළපෑලැස්ස හස්ති සිනමා ශාලාවට  කොන්ත්‍රාත් වැටුපට පෝස්ටර් සහ කටවුට් නිර්මාණය කළ වාණිජ චිත්‍ර ශිල්පියකු හැටියටත්, අම්බලන්තොට සාලිය සිනමා ශාලාවට කොන්ත්‍රාත් වැටුපට පෝස්ටර් සහ කටවුට් නිර්මාණය කළ වාණිජ චිත්‍ර ශිල්පියකු හැටියටත්,  කෘෂිකර්ම දෙපාර්තමේන්තුවට අයත් එරමිනියාය  සේවා සංස්කරණ ආයතනයේ අනියම් චිත්‍ර ශිල්පියකු හැටියටත්, ඒ වගේම ගුවන් විදුලි සංස්ථාවේ මාතර රුහුණු සේවයේ සංගීත වැඩසටහන් සඳහා සර්පිනාව වාදනය සඳහා කොන්ත්‍රාත් වැටුපට සේවය ලබා ගත් වාද්‍ය ශිල්පියකු හැටියටත් කටයුතු කර ඇත.අම්බලන්තොට සාලිය සිනමා ශාලාව එවකට නාට්‍ය රඟ දැක්වීම සඳහාද ලබා දුන් සිනමා ශාලාවකි. කොළඹ රඟ  දැක්වූ බොහෝ ජනප්‍රිය නාට්‍ය ගෙන්වා එහි රඟ දැක්වීය. ජයන්ත චන්ද්‍රසිරිගේ 'අත් ' වේදිකා නාට්‍යය රඟ දක්වන දිනකදී නාට්‍ය කණ්ඩායම සමග පැමිණි විනී හෙට්ටිගොඩ යන අය සිනමා ශාලාවේ හිමිකරු වන හාරදාස් මුදියන්සේ යන අයගේ දියණිය වූ සුනේත්‍රා කුමාරි යන අය මාර්ගයෙන්  නාට්‍ය කණ්ඩායමේ ම සාමාජිකයකු හැටියට එහි පැමිණි යුවති පුවත්පතේ ලේඛකයකු වූ චන්ද්‍රකුමාර වික්‍රමරත්න යන අයට විලී රත්නායක හඳුන්වා දී ඇත.  එම අවස්ථාවේ පැවැත් වූ සම්මුඛ සාකච්චාවක් ඇසුරින් 'සූෂ්ක නගරයේ චිත්‍ර ශිල්පියා ' යන හිසින් ලිපියක් 1986 ජූනි 02 දින යුවති පුවත්පතේ පළ වී ඇත. එම විස්තරය එම පුවත්පතේම ලේඛකයා විසින් ආරම්භයේම සඳහන් කොට ඇත. ( ඡායාරූප 1.බලන්න.) එහිදී   විලී රත්නායක සිය මතකය  එක් තැනක අවධි කොට ඇත්තේ මෙසේ ය.
thumb|පින්තූරය 1. 'සූෂ්ක නගරයේ චිත්‍ර ශිල්පියා' මැයෙන් විලී රත්නායක පිළිබඳව 1986 ජූනි 02 දින යුවති පුවත්පතේ පළ වූ ලිපියේ ඡායා පිටපතක්.
thumb|පින්තූරය 2.විලී රත්නායක  ඔහුගේ වැඩිමහල් පුත් වන සුජිත් රත්නායක සමග 2000 දී රන්න, සිය නිවස පිහිටි ගෙවත්තේදී
 මම කොළඹ ගියේ අඳුරණ කව්රුවත් ඉඳලවත් නෙමෙය්. කකුල් දෙක ගෙවෙනකම් හැම වීදියකම වගේ ඇවිදලා වැඩක් හෙව්වත් කව්රුවත් මාව ගණන් ගත්තේ නෑ. අවසානයේ මුදලාලි කෙනෙක් ලඟට ගිහිල්ල කිව්වා වෙළෙඳ සැලේ බෝඩ් එක ඇඳල දෙන්නම් මට තීන්තය් තහඩුය් අරන් දෙන්න හොඳනම් සල්ලි දෙන්න කියල. මම ඔහුගෙ වෙළෙඳ සැලේ නාමපුවරුව ලස්සනට ඇන්දා. ඒක බලන් හිටපු මුදලාලිල දෙතුන් දෙනෙකුගෙන්ම ඉල්ලුම ආවා. ඒත්  ඒ අය  මට ගෙවීම් කළේ හරිම අසාධාරණ අන්දමට. හැකියාව, දක්ෂතාව තිබුණත් කොළඹ වටපිටාව තේරුම් නොගෙන සිටි නිසා මගේ දහදිය සූරන් කාපු එක තමය් සිදු උනේ. ඒ අතරෙදි  හමු වූ මිතුරෙක් සමග පුංචි ස්ථානයක වැඩ පටන් ගත්තා. ඒ මිත්‍රය තමය් මට සෑහෙන්න උදව් කළේ. කොළඹ ගත කළ සුළු කාලයේදී මම සෑහෙන අධ්‍යයනයක් ලැබුවා.    සූෂ්ක නගරයේ චිත්‍ර ශිල්පියා,  යුවති, 1986 ජූනි 02 දින
විලී රත්නායක සහ ජයන්ති ජයවික්‍රම යුවළට දරුවෝ හය දෙනෙක් වෙති. ඉන් තිදෙනෙක් කලා ක්ෂේත්‍රයට යොමු වී ඇත. සුජිත් රත්නායක, ප්‍රගීත් රත්නායක හා ගයාන් රත්නායක එම තිදෙනා වෙති. සුජිත් ඔහුගේ වැඩිමහල් පුතු වේ.

රෙජිෆෝම් කැටයම් කලාව
ලංකාවේ සිංහලයන්ගේ ජන සමාජය තුළ ජන  කලාවට අයත් ජන කලා ප්‍රභේද අතර   එකක් හැටියට ශාඛ කොටස් වලින් කරන සැරසිලි  කලා සැළකිය හැකිය.  මේ සඳහා ගොක් කොළ, කෙසෙල් කොළ, කෙසෙල් කඳන් හා එම කඳ වල පතුරු, හබරල කොළ ආදිය ගන්නා ලදි. මේවායෙන් කරන සැරසිලි කලා ශාන්ති කර්ම, බලි යාග, පිරිත් සජ්ජායන පවත්වන මණ්ඩප,  කථින පෙරහැර, මළ ගේ වල සැරසිලි, විවාහ මංගලෝත්සව ආදී සැරසිලි සඳහා ගන්නා ලදි. මෙම ස්වභාවික ද්‍රව්‍ය ආශ්‍රේය සැරසිලි  කලාවට පසුකාලීනව එකතු වූ අලුත් මාධ්‍යයක් වූයේ ෆෝම් ශීට් ය. මෙම ෆෝම් ශීට් සමාජය තුළ ජනප්‍රිය වූයේ රෙජිෆෝම් නමිනි. රෙජිෆෝම් ශීට් කැපීම සඳහා ඒ වෙනුවෙන්ම සාදා ගත්  දික් වූ සිහින් පිහියක් භාවිතා කළ අතර එය සකසා ගනු ලැබූයේ හැක්සෝ ( hacksaw ) තල මගිනි.  මෙම හැක්සෝ පිහි මගින් සිංහලයන්ගේ සාම්ප්‍රදාය්ක සැරසිලි අත‍ර එන සංකේත, රූප ආදිය රෙජිෆෝම් ශීට් වලින් කපා සැරසිලි සඳහා ගැනීම 1970, 1980 දශක වල අතිශය ජනප්‍රිය විය.   ඝනත්වයෙන් යුතු අකුරු හැටියට විශේෂයෙන් මෙම රෙජිෆෝම් ශීට් මගින්  කපා අලවා ඉදිරිපත් කිරීමට ප්‍රාදේශීය කලාකරුවන් පෙළඹිණ. ලෑලි  වලින්  සකසා ගත් ආකෘතියක   පසුබිමක් සරසා ගැනීම බොහෝ දුරට රෙජිෆෝම් සැරසිලි මගින් සිදු විය.  රෙජිෆෝම් ශීට් මගින් කපා ගන්නා අකුරු හෝ රෙජිෆෝම්  සැරසිලි අංග වල හිඩැස් තුළට පරිප්පු,  මුං ඇට,  හාල් ආදී විවිධ වර්ණ වලින් යුතු ධාන්‍ය හා තේකොළ යන දේවල්  පාප්ප ගල්වා  එතුළට පිරවීම සිදු විය. විලී රත්නායක මෙම කලා මාදිලිය තුළ ප්‍රවීණයකු වූ අතර විශේෂයෙන් ඝනත්වයෙන් වැඩි එනම් අඟල් හතර ප්‍රමාණය ඉක්මවූ රෙජිෆෝම් ශීට් වලින් කැටයම් කැපීමට ඔහු කුසලතා පූර්ණ විය.

සිනමා අත්කම් ග්‍රැෆික් සලය්ඩ් නිර්මාණය කිරීම
thumb|පින්තූරය 3. විලී රත්නායක ගීතයක් පුහුණු වෙමින්. 2000 මුල් දශකයේ පමණ
'සිනමා ශාලාව තුළ දුම් බීම තහනම්'  ' ඉදිරි ආසන මත කකුල් තැබීම තහනම්' වැනි විධාන මෙන්ම ඉදිරියේ පැමිණෙන සිනමා පට පිලිබඳ විස්තර සහ ප්‍රදේශයේ වෙළෙඳ ව්‍යාපාර පිලිබඳ දැන්වීම් නිශ්චල දැන්වීම් හැටියට සිනමා ශාලාව මගින් සිනමාපටය ආරම්භ වීමට පෙර සහ විවේක කාලයේ විශේෂ සරල ප්‍රක්ෂේපණ තාක්ෂණයකින් තිරය මත එවක ප්‍රක්ෂේපණය කෙරිණ. ඒ සඳහා භාවිත කළ ස්ලය්ඩ් දෙයාකාරයකට සකසා ගනු ලැබිණ. එක ක්‍රමයක් වූයේ අඟල් 3 x 3 ප්‍රමාණයේ සම චතුරශ්‍රාකාර වීදුරු කැබැල්ලක් මත සරල තාක්ෂණයකින් නිම කර ගැනීම ය.  මේ සඳහා පාසල් කලු ලෑලි වල සටහන් තැබීමට ගන්නා හුණු කූරු සියුම්ව කුඩු කර වතුර සහ ගම් ස්වල්පයක් සමග කවලම් කොට ස්ලය්ඩ් එක සඳහා ගන්නා වීදුරු කැබැල්ලේ තවරා වේලුණු පසු හූරා අදාළ දැන්වීම සකසා ගැනීම සිදු වූ නමුත්   වඩාත් ප්‍රශස්තව එය කිරීමට කැන්වස් සපත්තු වල ආලේප කිරීමට  ගන්නා දියරය ගම් සමග මිශ්‍ර කර ගැනීම ද සිදු විය. මෙම ආලේපිත තරලය වේලුණු පසු එය සීරීමට ගනු ලැබූයේ ඉත්තෑ කූරුය.  ඉත්තෑ කූරු වල තිබුණේ එතරම් තද නැති මොලොක් තුඩකි. ඇල්පෙනෙති, සියුම් පිහි තුඩවල් ආදියෙන් හූරා දැමූ විට වීදුරු මතුපිට සහ වානේ තුඩ අතර පමණට වඩා තද ඝර්ෂණය  නිසා හුරා දමන රේඛා, පදාස හැටියට  ගැලවී අකුරු වල හැඩ විකෘර්ති වීම සිදු විය. මෙයාකාරයෙන් සකසා ගන්නා ස්ලය්ඩ් බොහෝ දුරට එදිනෙදා නිරන්තරව සකසා ගනු ලබන  අවස්ථාවේ හැටියට අවශ්‍ය වූ ඒවා ය.   ස්ලය්ඩ් සැකසීමට ගත් අනෙක් තාක්ෂණය වූයේ බ්‍රොමය්ඩ් - පොසිටිව් මුද්‍රණ තාක්ෂණයෙන් ස්ලය්ඩ් සකසා ගැනීම ය්.

විලී රත්නායක


Norma Jean, ABD' den bir metalcore grubudur. Norma Jean 2006 Grammy Ödüllerinde   Best Recording Package dalında aday olarak gösterilmiştir.

Grup hakkında
İlk olarak Luti-Kriss ismiyle bilinen grup ilk çalışmaları "Travail+Luti-Kriss"'i  1999 yılında Pluto Records'tan çıkardılar. 2000 yılında 5ep adını taşıyan EP'leri yine Pluto Records'tan piyasaya sürüldü. Bundan sonra grup, Nail/Solid State Records ile yeni bir anlaşma imzalayıp Throwing Myself isimli EP sini 2001 yılında çıkardı. Bu albümün müzik severlerin beğenisine sunulmasından sonra grup adının rapçi Ludacris ile karıştırmaması için yeni ismini Norma Jean olarak belirledi. 2002 yılında grup Bless the Martyr and Kiss the Child  isimli albümlerini Solid State Records' dan çıkardı. İkinci albümleri O God, the Aftermath Mart 2005 tarihinde piyasaya çıktı. Vokalistleri Josh Scogin, Bless the Martyr and Kiss the Child albümünün çıkışından sonra gruptan ayrıldı ve hardcore/metalcore grubu The Chariot ile çalışmaya başladı. Josh' un yerine Eso-Charis ve Living Sacrifice gruplarının eski vokalisti Cory Brandan Putman gruba katıldı.

Grup, Ağustos 2006' da tamamlanması planlanan yeni albümleri Redeemer için stüdyo çalışmalarını sürdürmekte. Grup  Luti-Kris ismiyle çıkışlarının ilk zamanlarında Deftones, Training For Utopia ve Will Haven gibi gruplarla karşılaştırılıyordu, ama Norma Jean müziği Coalesce, Converge, The Dillinger Escape Plan ve Botch gibi metalcore gruplarına daha yakındır.

Albümler
(Luti-Kriss)

(Norma Jean)

Dış bağlantılar
 Norma Jean Resmi Sitesi
 "O' God, the Aftermath" Albümünün Web Sitesi

Amerikalı müzik grupları
Amerikalı country müzisyenleri
Amerikalı metalcore grupları

Norma Jean


{{Infobox Île
| nom=Maiøyna
| nom2=
| code_langue=no
| image=
| légende=
| pays1=Norvège
| archipel=
| localisation=Océan Atlantique
| latitude=60.4392
| longitude=4.8821
| superficie=
| côtes=
| point_culminant=
| altitude=27<ref>[https://firstname.lastname@example.com,4.88316351,812.76448208a,0d,35y,0.0008h,34.2000t,0.0015r?hl=fr Mesure sur Google earth']</ref>
| géologie=
| statut=
| pays1_lien_subdivision1=Landsdel
| pays1_subdivision1=Région
| pays1_nom_subdivision1=Vestlandet
| pays1_lien_subdivision2=Fylke
| pays1_subdivision2=Comté
| pays1_nom_subdivision2=Vestland
| pays1_lien_subdivision3=Commune (Norvège)
| pays1_subdivision3=Commune
| pays1_nom_subdivision3=Øygarden
| population=
| date_population=
| gentilé=
| ville=
| découverte=
| fuseau_horaire=
| web=
| catégorie=Île en Norvège
| géolocalisation=Hordaland/Norvège
}}

Maiøyna est une île dans le landskap'' Sunnhordland du comté de Vestland. Elle appartient administrativement à Øygarden.

Géographie

Rocheuse et couverte d'une légère végétation, elle s'étend sur environ  de longueur pour une largeur approximative de . Elle comporte deux grands lacs.

Notes et références

Voir aussi

Articles connexes
 Liste des îles de Hordaland

Liens externes

 Fiche descriptive

Île de Vestland

Maiøyna


Patince este o comună slovacă, aflată în districtul Komárno din regiunea Nitra, pe malul râului Dunărea. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 451 de locuitori. Se învecinează cu Almásfüzitő și Dunaalmás.

Istoric
Localitatea Patince este atestată documentar din 1260.

Note

Legături externe

Localități din Slovacia

Patince


معمودية يسوع هي حادثة ذكرت في الإنجيل عندما قام يوحنا المعمدان بتعميد يسوع في نهر الأردن. وتروي الأناجيل أن الروح القدس ظهر من السماء على هيئة حمامة وانبعث صوت من السماء قائلا: «هذا هو ابني الحبيب الذي به سررت».

كان العماد، وهو الغطس في المياه الجارية بعد التوبة عن الخطايا رمزًا لولادة ثانية، حيث يموت الإنسان «ليولد من جديد» بشكل أقرب إلى الله؛ وهكذا فالتوبة تعطيه طهارة الروح والماء طهارة الجسد. وكانت عملية العماد منتشرة في بعض المجتمعات اليهودية قبيل المسيح ومنها جماعة الأسينيين، ولعلّ يوحنا المعمدان قد تأثر بهم حين بدأ دعوته على نهر الأردن. وكانت دعوة يوحنا تنستند إلى ضرورة التوبة والأعمال الصالحة (متى 3: 8) ورفض الشفاعة دون أعمال (متى 3: 9) والمساواة بين جميع الأمم (لوقا 3: 14)، وبيّن أنه ليس المسيح بل نبي يعدّ أمامة الطريق (لوقا 3: 15-16)، كما كانت علاقته بهيرودوس الملك سيئة للغاية، وبعد عماد يسوع بفترة قصيرة، سجن يوحنا ثم أعدم (لوقا 3: 20).

وفي هذه البيئة، قدم يسوع من الجليل ليعتمد على يد يوحنا، أما عماد يسوع فكان اعترافًا بخطيئة الأمة بأكملها كما فعل أنبياء كثر قبله كموسى ودانيال وعزرا، واتخذها نقطة انطلاق لدعوته العلنية من جهة ثانية، فكان أن أكمل ما بدأه يوحنا. وعند معمودية يسوع، حلّ عليه الروح القدس، روح الله، على هيئة طائر الحمام، في حين سمع صوت من السماء يعلن هذا ابني الحبيب الذي به سُررت تأييدًا لرسالته. وطبقًا لإنجيل لوقا، فإن يسوع كان له من العمر ثلاثين عامًا حين بدأ دعوته العلنية، وكان الكاهن حسب شريعة موسى يبدأ خدمته في سن الثلاثين (العدد 4: 3)، ويعتبر عمر الكهولة والنضوج، وقد سجّل الكتاب أن يوسف حين ملك على مصر (التكوين 41: 46) وكذلك داود حين ملك على فلسطين (صموئيل الثاني 5: 4)، كان لهما من العمر ثلاثين عامًا.

انظر أيضًا

 المغطس
 تسلسل تاريخي ليسوع
 يسوع في المسيحية
 نظرة العهد الجديد لحياة المسيح
 خدمة يسوع
 كوتيا (طعام)

المصادر

المسيحية في القرن 1
إنجيل لوقا
إنجيل متى
إنجيل مرقس
روح القدس
طيور في الدين
عبارات مسيحية
فصول الإنجيل
فن حسب الموضوع
معمودية
يسوع
يوحنا المعمدان

معمودية يسوع


Sülzdorf ist ein Ortsteil der Stadt Römhild im Landkreis Hildburghausen in Thüringen.

Lage
Das Straßendorf Sülzdorf liegt etwa 3,5 km westlich von Haina und Römhild am Oberlauf des Baches Sulza. In der DDR-Zeit war der Ort durch seine Grenzlage im Sperrgebiet an der bayerisch-thüringischen Landesgrenze nur mit Passierschein erreichbar. Sülzdorf wird über eine Ortsverbindungsstraße mit Haina und dem nördlichen Nachbarort Westenfeld verkehrsmäßig angeschlossen. Das Gebiet zählte zur historischen Landschaft Grabfeld.

Geschichte
Das Gebiet der Gemeinde Sülzdorf, dicht östlich des Oppidum Steinsburg bei Römhild gelegen, wurde bereits in der römischen Kaiserzeit besiedelt. Die Siedlung In den Krautgärten wurde durch ein interdisziplinäres Forschungsprojekt der Universität Jena, Sektion Ur- und Frühgeschichte, wissenschaftlich untersucht.

Am 25. März 784 wurde der Ortsteil erstmals in einem Urbar des Klosters Fulda erwähnt.

1974 wurde Sülzdorf zum Ortsteil von Haina. 160 Einwohner besiedelten 2012 diesen Ortsteil, der seit 2013 zu Römhild gehört.

Sehenswürdigkeiten
 Zum Kripplein Jesu

Weblinks

Literatur
 Paul Lehfeldt: Bau- und Kunstdenkmäler Thüringens, Heft XXXI, Herzogthum Sachsen-Meiningen, Amtsgerichtsbezirke Heldburg und Römhild, 1904, Reprint, Verlag Rockstuhl, Bad Langensalza, ISBN 978-3-86777-378-2.

Einzelnachweise

Ort im Landkreis Hildburghausen
Geographie (Römhild)
Archäologischer Fundplatz in Thüringen
Straßendorf
Ehemalige Gemeinde (Landkreis Hildburghausen)
Ersterwähnung 784
Gemeindeauflösung 1974
Archäologischer Fundplatz in Europa

Sülzdorf


Auxiner (græsk: αὐξάνω auxánō = "jeg vokser") er en klasse af naturlige og syntetiske plantehormoner (eller vækststoffer). Auxiner spiller en afgørende rolle i koordineringen af mange vækstprocesser i plantens livscyklus, og de er nødvendige for udviklingen af plantens form. De naturligt forekommende auxiner hører til blandt plantehormonerne. På grund af deres virkning kaldes auxiner ofte for "strækningshormoner". Auxinerne og deres rolle i plantevækst blev først beskrevet af den hollandske biolog Frits Warmolt Went. Kenneth V. Thimann isolerede fytohormonet og bestemte dets kemiske struktur som indol-3-eddikesyre. Went og Thimann var medforfattere til en bog om plantehormoner, Phytohormones, i 1937.

Plantefysiologi

Auxin


Tosham es una ciudad de la India en el distrito de Bhiwani, estado de Haryana.

Geografía
Se encuentra a una altitud de 214  a 256 km de la capital estatal, Chandigarh, en la zona horaria UTC +5:30.

Demografía
Según estimación 2011 contaba con una población de 14 228 habitantes.

Referencias

Enlaces externos
 Este artículo contiene datos geográficos extraídos de Google Earth.

Localidades de Haryana

Tosham


Maple Lake ist der Name folgender

Orte in den Vereinigten Staaten:
 Maple Lake (Minnesota)
 Maple Lake (Pennsylvania)
 Maple Lake (West Virginia)
 Maple Lake Township, Wright County, Minnesota

Seen:
 Maple Lake (Polk County), Minnesota, Vereinigte Staaten
 Maple Lake (Nova Scotia) in der Halifax Regional Municipality, Kanada

Maple Lake


Rudgea reflexa é uma espécie de planta do gênero Rudgea e da família Rubiaceae.

Taxonomia
A espécie foi descrita em 2003 por Daniela Cristina Zappi.

Forma de vida
É uma espécie terrícola e arbustiva.

Descrição

Conservação
A espécie faz parte da Lista Vermelha das espécies ameaçadas do estado do Espírito Santo, no sudeste do Brasil. A lista foi publicada em 13 de junho de 2005 por intermédio do decreto estadual nº 1.499-R.

Distribuição
A espécie é encontrada nos estados brasileiros de Bahia e Espírito Santo.
Em termos ecológicos, é encontrada no domínio fitogeográfico de Mata Atlântica, em regiões com vegetação de floresta ombrófila pluvial.

Notas
Contém texto em CC-BY-SA 4.0 de Rudgea  in Flora e Funga do Brasil.

Ligações externas
 Rudgea reflexa no projeto Flora e Funga do Brasil
 Rudgea reflexa no portal do Centro Nacional de Conservação da Flora (Brasil)

Rudgea
Plantas descritas em 2003
Flora do Espírito Santo (estado)
Espécies citadas na Lista Vermelha de Ameaça da Flora Brasileira
Espécies citadas na Lista de Espécies da Flora Ameaçadas do Espírito Santo

Rudgea reflexa


Agrilus dollii é uma espécie de inseto do género Agrilus, família Buprestidae, ordem Coleoptera, descrito por Schaeffer, 1904.

Mede 4-5.5 mm. Encontra-se desde o sul de Texas até Iucatã em México. Em Texas as larvas têm sido encontradas em Diospyros texana.

Referências

dollii

Agrilus dollii


Ronald David Laing (født 7. oktober 1927, død 23. august 1989) var en skotsk psykiater, der blev verdenskendt i 1960'erne for at udvikle en eksistentiel-fænomenologisk tilgang til eksistentiel psykiatri, eksistentiel psykologi  og eksistentiel terapi.

Eksistentiel psykiatri, psykologi og psykoanalyse

Laing blev uddannet læge og psykoanalytiker i slutningen af 1950'erne. Han begyndte derefter at arbejde som psykiater og satte sig for at reformere psykiatrien på et eksistentiel-fænomenologisk grundlag. Han mente, at psykiatrien skulle baseres på filosofi og ikke på naturvidenskab. Kun sådan ville psykiatrien blive i stand til at møde patienterne som hele mennesker og kunne helbrede dem. I 1960 udgav Laing bogen The Divided Self: An Existential Study in Sanity and Madness, der præsenterede et syn på skizofreni, som var anderledes, end man fandt inden for datidens biologiske hospitalspsykiatri. Laing mente, at skizofreni ikke var en irrationel forstyrrelse men udtryk for en meningsfuld reaktion på overvældende angst. Derfor måtte psykiatrien tage form som en særlig eksistentiel terapi eller psykoanalyse, der var i stand til at møde klienten i deres egne oplevelser.

Senere udvikling

I slutningen af 1960'erne gjorde Laing op med den almindelige hospitalspsykiatri, og hans tanker fik et politisk præg.

I 1970'erne blev Laing mere søgende og eksperimenterende i sin tilgang.

Efter hans død blev flere af hans ideer videreført og videreudviklet inden for blandt andet socialpsykiatri og psykoterapi. Blandt hans mest kendte arvinger er Emmy van Deurzen

I det 21. århundrede

De senere år er der opstået en fornyet interesse for Laings oprindelige ideer, især i England og USA. Den nye interesse koncentrerer sig om arven fra Laings tidlige arbejde, især omkring 'Det spaltede selv'.

I 2017 udkom filmen 'Mad to be normal', der er lavet af Robert Mullan og handler om Ronald D. Laing.

Bibliografi

 Laing, R.D. (1960) The Divided Self: An Existential Study in Sanity and Madness. Harmondsworth: Penguin.
 Laing, R.D. (1961) The Self and Others. London: Tavistock Publications.
 Laing, R.D. and Esterson, A. (1964) Sanity, Madness and the Family. London: Penguin Books.
 Laing, R.D. and Cooper, D.G. (1964) Reason and Violence: A Decade of Sartre's Philosophy. (2nd ed.) London: Tavistock Publications Ltd.
 Laing, R.D., Phillipson, H. and Lee, A.R. (1966) Interpersonal Perception: A Theory and a Method of Research. London: Tavistock Publications.
 Laing, R.D. (1967) The Politics of Experience and the Bird of Paradise. Harmondsworth: Penguin.
 Laing, R.D. (1970) Knots. London: Penguin. excerpt, movie (IMDB)
 Laing, R.D. (1971) The Politics of the Family and Other Essays. London: Tavistock Publications.
 Laing, R.D. (1972) Knots. New York: Vintage Press.
 Laing, R.D. (1976) Do You Love Me? An Entertainment in Conversation and Verse. New York: Pantheon Books.
 Laing, R.D. (1976) Sonnets. London: Michael Joseph.
 Laing, R.D. (1976) The Facts of Life. London: Penguin.
 Laing, R.D. (1977) Conversations with Adam and Natasha. New York: Pantheon.
 Laing, R.D. (1982) The Voice of Experience: Experience, Science and Psychiatry. Harmondsworth: Penguin.
 Laing, R.D. (1985) Wisdom, Madness and Folly: The Making of a Psychiatrist 1927-1957. London: Macmillan.

Litteratur på dansk

 Anders Dræby Sørensen: Eksistentialisme i psykologi, psykiatri og psykoterapi. IN Jonas Holst, Paw Amdisen og Jens Viggo Nielsen (2009). At tænke eksistensen. Eksistenstænkningens historie og betydning. Aarhus: Aarhus Universitetsforlag
Laing, Ronald D. (1970). Familiens politik : Massey-forelæsningerne. Rhodos
Laing, Ronald D. (1972). Knuder. Rhodos
Laing, Ronald D. (1980). Livets kendsgerninger. Rhodos
 Laing, Ronald D. (2001). Det spaltede selv. København: Hans Reitzels Forlag
Sørensen, Anders Dræby (2015). Hvis det normale var en diagnose. Baggrund, 30.8

Referencer

Personer fra Glasgow
Psykiatere

Ronald D. Laing


The Chrysler Cirrus is a mid-sized 4-door notchback sedan introduced by Chrysler motors for the 1995 model year. Built on the Chrysler JA platform, the 4-door notchback sedan joined Chrysler's roster of "Cloud Car" models drawing their names from meteorological terms, including the mid-priced Dodge Stratus it was based on introduced at the same time, and the low-priced Plymouth Breeze variant a year later.

Design
Development of the Cirrus started in 1991, with the goal of creating an affordable, expressive-looking, fun-to-drive vehicle that was still safe enough to transport an everyday family.

The concept car designed for the 1992 auto show circuit featured rear suicide doors and a  turbocharged 3.0 L two-stroke engine using alcohol fuel. The concept also foreshadowed a hood-line with almost no break with the windshield to improve aerodynamics.

Both the concept and production model used the Chrysler Corporation's new cab-forward design, which was launched on the larger LH sedans in 1992. This three-box design was characterized by a large passenger cabin in proportion to a comparatively short hood and trunk, highlighted by a long, dramatically slanted windshield and short overhangs. Pushing the wheels further to the corners of the body created a much larger cabin than most other similarly sized vehicles of that time.

The a four-door notchback sedan was designed with flowing lines with no distinct beginning or end, but almost resembled a two-box fastback. Design work was done during 1991, with the final version moved on for production by 1992.

Features
The Cirrus was introduced for 1995 as a replacement for the Chrysler LeBaron sedan. It was often compared to other smaller mid-size cars such as the Chevrolet Malibu, yet judged roomier than the Ford Contour by many magazines such as Consumer Reports. The exteriors of the Chrysler Cirrus, Dodge Stratus, and Plymouth Breeze were very similar, with the front fascia, rear bumper, taillights, and wheels being the main differences. The interiors had little variation between the three models; being almost identical, save for the name on the steering wheel, and a few available options. The fascias of each JA car corresponds with each brand's minivan offering, sharing headlights, and grille designs.

All three variants of the platform were available with most of the same standard features: four-wheel independent suspension (double wishbone in the front with a multilink rear), air conditioning, tilt steering wheel, and driver and front-passenger air bags and available options, such as the following: an optional four-speed automatic transmission (Autostick was not available on the Breeze), anti-lock brakes, cruise control, power windows, power door locks, power mirrors, sunroof. A five-speed manual was standard with the 2.0 L. The 2.4 L was not offered in a manual because of its high torque and difficult drivability issues, mainly due to excessive wheel spinning at speeds over 100 mph.

The Cirrus was originally available in two trim levels: the well-equipped base LX and the luxury LXi. Both models featured sporty, black twin-post side mirrors, fog lights, the same body side moldings, chrome bumper accents, an automatic transmission and a low extending waterfall grille that was either chrome or body-colored depending on the color of the vehicle. The Cirrus was one of the first Chrysler vehicles to feature the rose medallion logo, which had not been used in 41 years. From 1995 to 1997, the Cirrus was offered in two trim levels: the entry-level LX and the luxury LXi. The LX model was dropped for the 1998 model year, but returned in 2000 to compensate for the Plymouth Breeze that was discontinued early in the 2000 model year. It was replaced by the 2001 Dodge Stratus sedan.

The Cirrus was used as a patrol cruiser by the Macedonian police from 2000 to the 2010s.

Trim levels
The LX (1995–1997; 2000) was the base Chrysler Cirrus trim level. It included the following standard equipment: a 2.4 L I4 engine, a four-speed automatic transmission, black steel wheels with plastic wheel covers, an AM/FM stereo with cassette player and six speakers, air conditioning, full instrumentation, power windows and door locks, exterior color-keyed side mirrors and door handles, and premium cloth seats.

The LXi (1995–2000) was the top-of-the-line Chrysler Cirrus trim level. It added the following equipment to the LX trim level: alloy wheels, a premium AM/FM stereo with cassette player and integrated CD changer controls, keyless entry, chrome accents, a premium front grille, and wood grain interior trim.

Engines
2.4 L I4
2.5 L V6

Model year changes
1995: The all-new Chrysler Cirrus sedan is launched in the United States and Canada in late 1994.
1996: Rear headrests were added.
1997: The 4-cylinder engine was made standard in both models, with the V6 as an option. The interior gained a new center console with a storage compartment and integrated armrest.
1998: The 4-cylinder engine and the LX trim level were eliminated, leaving only V6 LXi models.
1999: For its fifth model year, the Cirrus received a redesigned open grille with Chrysler's new winged grille badge. Chrysler's Sentry Key system was a new option. Sentry Key disabled the ignition unless the proper key was inserted. Standard  wheel covers could be upgraded to new  alloy wheels. Cirrus was the only one of the JA "cloud cars" to receive any form of a facelift over the course of its production.
2000: For its final model year, the 4-cylinder LX model returned to join the V6-powered LXi sedan. Previously optional rear child seat anchorages, aluminum wheels, and an 8-speaker AM/FM radio stereo were now listed as standard features.

Plymouth Breeze

The Plymouth Breeze was released in 1995 as a 1996 model. Although it did not match the sales of its predecessor, the Acclaim, the Breeze did manage to sell over 230,000 units and total production was greater than that of its Chrysler Cirrus sibling, which was produced for nearly two additional years.

As part of Chrysler's new marketing strategy which addressed concerns that its brands were treading into each other's marketing territory, Plymouth, as Chrysler Corporation's low-price brand for essentially its entire existence, was to focus exclusively on value. As a result, the Breeze (as well as the base model Stratus) filled the position as the entry-level JA car. Due to this, the Breeze lacked certain features including an available V6 engine, alloy wheels, leather interior, body-colored door handles, fog lights, and Chrysler's Autostick transmission, all of which were offered on the Stratus and Cirrus.

The Plymouth Breeze came only as one basic model. Equipped similarly to a base model Dodge Stratus, the Breeze came standard with the 2.0 L I4 engine, five-speed manual transmission, 14-inch wheel covers, air conditioning, tilt steering wheel, AM/FM stereo, and driver and front-passenger airbags. The Breeze was also available with many options including a four-speed automatic transmission, 2.4 L I4 engine (available with automatic transmission only), anti-lock brakes, cruise control, power windows, power door locks, power mirrors, cassette or CD player, and a power sunroof. Additionally, 1998 and 1999 Breezes offered an "Expresso Package" similar to the one available on the Voyager and Neon. "Expresso" content included special badging, unique wheel covers, upgraded audio system, and premium interior cloth in unique "Rhythm" pattern. The Breeze was discontinued early in the 2000 model year, as part of Chrysler's phaseout of the Plymouth brand; the last Breeze rolled off the Sterling Heights Assembly line on January 7, 2000.

Trim levels
The Base (1996–2000) was the least-expensive trim level of the Plymouth Breeze from 1996 to 1999, and the only available trim level for the Breeze's final year of production in 2000. The Base included the following standard equipment: a 2.0 L I4 engine, a five-speed manual transmission, fifteen-inch black steel wheels with plastic wheel covers, an A/M-F/M stereo with four speakers, full instrumentation, air conditioning, cloth seats, and manual windows and door locks.

The Expresso (1998–1999) was the top-of-the-line trim level of the Plymouth Breeze, but was discontinued after 1999. The Expresso added the following equipment to the Base trim level: power windows and door locks, an A/M-F/M stereo with cassette player and six speakers, premium cloth seats, exterior color-keyed side mirrors and door handles, and a 2.4 L I4 engine with a four-speed automatic transmission. An "Expresso" decal adorned both front doors, as well as the rear trunk lid.

Engines
2.0 L I4
2.4 L I4

Year-to-year changes
1996: Plymouth Breeze sedan is released.
1997: A new center console which included storage space, an integrated armrest, and rear-seat cupholders.
1998: The 2.4 L I4 is added as an option, and the Expresso trim level.
1999: Revised suspension tuning for a smoother ride.
2000: Breeze production was halted early in 2000, due to the phaseout of the Plymouth brand name. Only a base model Breeze was available.

Dodge Stratus

The Dodge Stratus was introduced in February 1995, with two trims: base (later renamed SE for 2000), which came standard with the 2.0 L I4 or optional 2.4 L; and the ES, which came standard with the a 2.0 L from 1994 to 1997, and had a DOHC 2.4 L and a 2.5 L V6 as optional. In 1998 the 2.4 L was standard and the 2.5 L V6 was optional on the ES, and from 1999 to 2000, the 2.5 L V6 was the only engine on the ES model.

The Stratus directly replaced the high-volume Spirit and Dynasty (United States only) to favorable reviews, but lower sales.

Mexico:
A turbocharged version of the Stratus was sold in Mexico, with the 2.4 L DOHC 4-cylinder engine and a 4-speed automatic transmission with AutoStick. This engine produced  at 5200 rpm and  of torque at 2200 rpm.

In 2000, the Stratus was available for its last year of sales in Canada, with the Chrysler Sebring taking over as the company's only lower mid-size sedan - Dodge did not sell the equivalent version in Canada.

Chrysler Stratus
The Stratus was marketed as the Chrysler Stratus in markets that the Dodge name was not used; such as Europe, Argentina, and Brazil. In Brazil, the Stratus had the same engines as the North American version but a higher ground clearance for the road conditions there. In Europe, only the 2.0 L 4-cylinder engine or the 2.5 L V6 engine were available. The European version also had chrome accent moldings along the doors and bumpers.

Year-to-year changes
1995: Stratus sedan is released.
1996: No changes
1997: A new center console which included storage space, an integrated armrest, and rear-seat cupholders.
1998: 2.4 L becomes standard on ES
1999: V6 engine becomes standard on ES
2000: Base trim renamed SE

Trim levels
The Base (1995-1999) was the least expensive trim level of Stratus from 1995 to 1999. The Base was equipped with a 2.0 L I4 engine, a five-speed manual transmission, fifteen-inch black steel wheels with plastic wheel covers, an A/M-F/M stereo with four speakers, air conditioning, manual windows and door locks, cloth seats, and a full instrument cluster.

The SE (1999-2000) was the least expensive trim level of Stratus in 2000. The SE included the same standard equipment as the previously-base Base trim level of Stratus.

The ES (1995-2000) was the top-of-the-line trim level of Stratus from 1995 to 2000. The ES added the following equipment to the Base or SE trim levels: a 2.4 L I4 engine, a four-speed automatic transmission, alloy wheels, a premium A/M-F/M stereo with cassette player and integrated CD changer controls with six speakers, power windows and door locks, keyless entry, a power-adjustable driver's seat, premium cloth seats, and exterior color-keyed side mirrors and door handles.

Engines
2.0 L I4
2.4 L I4
2.5 L V6

Accolades
 The Cirrus was Motor Trend magazine's Car of the Year for 1995.
 The Cirrus LXi was on Car and Driver magazine's Ten Best list for 1995.
 The Cirrus and Stratus were on Car and Driver magazine's Ten Best list for 1996.
 The Cirrus, Breeze, and Stratus were on Car and Driver magazine's Ten Best list for 1997.

Production figures

Breeze

References

External links

Cirrus
Front-wheel-drive vehicles
Mid-size cars
Sedans
2000s cars
Cars introduced in 1994
Cars introduced in 1995

Chrysler Cirrus


Alisha Ossowski (* 26. März 1995 in Herdecke) ist eine deutsche Volleyballspielerin.

Karriere
Alisha Ossowski spielte in der Jugend Volleyball beim TV Asseln und beim TV Hörde. 2009 wechselte die damals Vierzehnjährige zum Regionalligisten TV Werne, mit dem sie 2010 in die Zweite Bundesliga aufstieg. Danach kam sie ins Sportinternat Münster, wo sie zunächst in der Zweiten Bundesliga im Nachwuchsteam des USC Münster spielte. Von 2012 bis 2016 stand die Außenangreiferin im Bundesligakader. 2011 wurde sie mit der deutschen Jugend-Nationalmannschaft Vierte bei den U18-Europameisterschaften und Fünfte bei den U18-Weltmeisterschaften. 2013 gewann sie die Westdeutschen Jugend-Volleyballmeisterschaften. 2016 beendete Ossowski ihre Profi-Karriere und spielte anschließend sporadisch für den USC II in der zweiten und dritten Liga. Aus beruflichen Gründen kehrte sie 2019 zum Drittligisten TV Hörde zurück. Seit 2021 spielt Ossowski beim Zweitligisten VC Allbau Essen.

Weblinks

 Profil beim TV Hörde
 Alisha Ossowski auf worldofvolleyball.com

Einzelnachweise

Volleyballspieler (Deutschland)
Volleyballspieler (USC Münster)
Deutscher
Geboren 1995
Frau

Alisha Ossowski


ليالى الحب هو الالبوم الثالث للفنانه اللبنانية سيرين عبد النور، تم إصداره عام 2009 من إنتاج شركة روتانا للصوتيات والمرئيات، وهو ثالث البوم يجمع بين سيرين عبد النور وشركة روتانا.

قائمة الأغاني
 خبرني - 4:04 (كلمات:زياد برجى، الحان:زياد برجى)
 سنين - 3:55 (كلمات:أحمد ماضى، الحان:رواد رعد)
 تاركني لمين - 4:22 (كلمات:أحمد ماضى، الحان:جان صليبا)
 عمري معاك - 4:01 (كلمات:أحمد عبد النبى، الحان:جاد ميهنى)
 عيون العسليه - 3:30 (كلمات:مروان خورى، الحان:مروان خورى)
 ليالي الحب - 3:45 (كلمات:منير بو عساف، الحان:هشام بولس)
 مالك ومالي – 3:59 (كلمات:أحمد ماضى، الحان:محمد يحيى)
 ماليش الا أنت - 4:22 (كلمات:هيثم شعبان، الحان:طونى أسمر)

مراجع

ألبومات باللغة العربية
ألبومات شركة روتانا
ألبومات سيرين عبد النور

ليالي الحب (ألبوم)


Čokoladni zec prehrambeni je proizvod od čokolade izrađen u obliku zeca. Najčešće se veže kao slastica za darivanje djeci u Uskrsno vrijeme. Osim čokoladnog uskrsnog zeca, raširena uskrsna slastica je i čokoladno uskrsno jaje, koje, kao i zec, predstavlja rađanje novog života, novorođenje u Kristovu uskrsnuću.

Značenje zeca
Uskrsni zec tumačen je kao pratitelj germanske božice proljeća Ostare, od koje i potječe ime Uskrsa (njem. Ostern) u germanskim jezicima. Zec je od davnina smatran simbolom plodnosti, a time i rađanjem novoga života koje se očituje dolaskom proljeća.

Zeca kao simbol Uskrsa najviše su popularizirali Amerikanci, koji su proširili sekularni običaj prema kojem uskrsni zec djeci donosi darove i sakriva pisanice u vrtovima i na livadama. Iz Sjeverne Amerike, taj se običaj prvo proširio u Australiju i Ujedinjeno Kraljevstvo, a krajem 19. stoljeća dospijeva u srednjoeuropske kulture gdje istiskuje kokoš, pijetla, lisicu i kukavicu.

Izvori

Vanjske poveznice

Čokolada
Uskrs

Čokoladni zec


වින්ඩෝස් මොබයිල් යනු  ස්මාර්ට්ෆොන් සහ ජංගම උපාංග තුල භාවිතා කරන මයික්‍රොසොෆ්ට් සමාගම විසින් දියුණු කරනු ලබන ජංගම මෙහෙයුම් පද්ධතියකි.

වින්ඩෝස් මොබයිල්


احتلت إسرائيل جنوب لبنان عام 1978، ضمن سلسلة أمنية بعيدة المدى. وأنشأت فيه ميليشيا من المتعاونين معها بقيادة سعد حداد ثم أنطوان لحد، وفي عام 1982 دخلت إسرائيل إلى بيروت ثم انسحبت وبقيت في الجنوب حتى عام 2000. حيث أعلن إيهود باراك - والذي كان رئيس الوزراء آنذاك - في هذا العام الانسحاب التام من الجنوب دون أي اتفاق مع لبنان. وتبع انسحاب الجيش الإسرائيلي جميع القوى اللبنانية المساندة له. فيما عدا مزارع شبعا والتي لا تزال محتلة حتى الآن.

تفاصيل الحدث

كانت قد قامت إسرائيل عام 1978 باجتياح لبنان، لأهداف أمنية خاصة بها، وجعلت ذلك على عدة مراحل. ففي المرحلة الأولى من هذا الاجتياح كانت إسرائيل تحتل منطقة امتدت من الحدود الإسرائيلية اللبنانية إلى حدود طرابلس في الشمال اللبناني بما في ذلك الجبال اللبنانية و بيروت العاصمة، لكنها اضطرت للانسحاب من معظم هذه الأراضي تحت ضغط هجمات المقاومة اللبنانية الناجحة. ونتيجة لذلك اقتصر احتلال إسرائيل على قرى الجنوب اللبناني وغرب البقاع التي تم تحريرها في 25 مايو عام 2000، بعد انسحاب الجيش الإسرائيلي منها مخلفا مليشيا جيش لبنان الجنوبي المتعاونة معه بقيادة أنطوان لحد تواجه مصيرها بنفسها. وكان ذلك باستثناء مزارع شبعا، وهي منطقة تصل مساحتها إلى ما يقارب 250 كم.

أسباب الانسحاب

كان للمقاومة الوطنية والإسلامية وعلى رأسها حزب الله في لبنان دورا كبيرا في استنزاف قوات الاحتلال وجعل بقاءه في لبنان عبئا عسكريا واقتصاديا وأخلاقيا، وتهيأت لها ظروف معقولة تساعدها على الاستمرار والقوة، دعم لوجستي وسياسي وإعلامي من الدولة اللبنانية، وتأييد سوري و إيراني، وتمويل شعبي ورسمي، وشعبية كبيرة بين اللبنانيين و العرب، .

لم تقع المقاومة اللبنانية في التعصب أو الفساد والغرور والاعتداء على الناس والمؤسسات الرسمية والشعبية، كما أظهرت المقاومة مسؤولية وانضباطية عالية بحيث عومل سكان المناطق الجنوبية باحترام وإنسانية بخلاف ما كان متوقع مما اكسبها احترام اللبنانيين وبخاصة المسيحيين. ولم تحاول استغلال شعبيتها في مكاسب تتجاوز الخدمة المباشرة للمقاومة. ويمكن اعتبارها حالة نموذجية في تاريخ المقاومة الشعبية.

الأراضي المحررة

ويبلغ عدد القرى المحررة التي كانت واقعة تحت الاحتلال الإسرائيلي المباشر 125 قرية، بالإضافة إلى 33 قرية أخرى كانت تحتلها المليشيات العميلة لإسرائيل أو ما كان يسمى بجيش لبنان الجنوبي.

تتبع القرى المحررة إداريا سبعة أقضية هي: صور، بنت جبيل، مرجعيون، حاصبيا، البقاع الغربي، النبطية، جزين.

ردود فعل ما بعد الانسحاب

اعتبر لبنان و العرب الانسحاب نصرا كبيرا فقد حُررت أرض محتلة، وأعاد الانسحاب الاعتبار للمقاومة في الوقت الذي فشلت التسوية السياسية في تحقيق شيء يذكر، وتأكد دور العقيدة في حياة الشعوب وتحررها، وحققت الحركات الشعبية مكاسب سياسية ومعنوية وأكدت قدرتها على العمل والتعاون برغم الاختلاف المذهبي و العقائدي و السياسي وهي تجربة كبيرة للعمل الشعبي والأهلي العربي. ويشجع هذا الانسحاب المسئولين والسياسيين العرب على مزيد من الجرأة والتحرر وجعل الهيمنة الإسرائيلية و الأمريكية أمرا يمكن مواجهته. وكان الانسحاب الإسرائيلي المتعجل والتخلي عن الميليشيات المتعاونة ذا تأثير كبير سواء على العرب أو الإسرائيليين.

انظر أيضا

 تاريخ لبنان
 جنوب لبنان
 حزب الله
 اجتياح لبنان 1982
 الصراع اللبناني الإسرائيلي

مصادر

وصلات خارجية
 موقع ومنتدى جنوب لبنان.
 موقع المقاومة الإسلامية في لبنان.

أزمات الشرق الأوسط
جبل عامل
صراع لبنان وإسرائيل
عمليات إسرائيل العسكرية
مقاومة الاحتلال الإسرائيلي

انسحاب إسرائيل من لبنان 2000