Alwin Berger (Schleiz, Njemačka, 28. kolovoza 1871. – Stuttgart, Njemačka, 20. travnja 1931.) bio je njemački botaničar najpoznatiji po svom doprinosu nomenklaturi sukulenata, posebno agava i kaktusa.

Rođen u Njemačkoj, radio je u botaničkim vrtovima u Dresdenu i Frankfurtu. Od 1897. do 1914. bio je kustos Giardini Botanici Hanbury, botaničkih vrtova Sir Thomasa Hanburyja u La Mortoli, u blizini Ventimiglije na sjeverozapadu Italije, blizu granice s Francuskom. Nakon rada u Njemačkoj od 1914. do 1919. godine, Berger je tri godine studirao u SAD-u, prije nego što je završio godine kao direktor odjela botanike prirodno-povijesnog muzeja u Stuttgartu.

Njegov glavni rad, Die Agaven, objavljen 1915. godine, opisao je 274 vrste agave, podijeljene u 3 podroda: Littaea, Euagave i Manfreda. Prepoznao je i novi rod kaktusa, Roseocactus, 1925. godine.

U njegovu čast imenovani su rodovi Bergerocactus (Cactaceae) i Bergeranthus (Mesembryanthemaceae).

Standardna autorska kratica A.Berger koristi se za označavanje ove osobe kao autora kada se navodi botaničko ime.

Vanjske poveznice
Photo of Alwin Berger from Genus Escobaria etc.
A Study of the Proposed Genus Roseocactus
Bergeranthus
Hanbury Garden (talijanski)
Die Agaven (1915)

Njemački botaničari

Alwin Berger


Das Pfarrhaus in Bächingen an der Brenz, einer Gemeinde im Landkreis Dillingen an der Donau im bayerischen Regierungsbezirk Schwaben, wurde Anfang des 19. Jahrhunderts errichtet. Das Gebäude an der Schloßstraße 7/9 ist ein geschütztes Baudenkmal.

Das ehemalige Pfarrhaus der evangelischen Kirchengemeinde in Bächingen an der Brenz ist ein langgestreckter eingeschossiger Satteldachbau mit rechtwinklig angebautem Wirtschaftsteil, der ursprünglich die Wagenremise des Schlosses war. An den Traufseiten befinden sich profilierte Gesimse unterhalb des Dachansatzes.

Weblinks

Einzelnachweise

Bachingen
Umgenutztes Bauwerk im Landkreis Dillingen an der Donau
Bauwerk in Bächingen an der Brenz
Baudenkmal in Bächingen an der Brenz
Erbaut im 19. Jahrhundert

Pfarrhaus (Bächingen an der Brenz)


An Eragrostis saxatilis in uska species han Liliopsida nga ginhulagway ni William Botting Hemsley. An Eragrostis saxatilis in nahilalakip ha genus nga Eragrostis, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Eragrostis

Eragrostis saxatilis


La estación de Belorussky , , también conocida como estación de pasajeros Moscú-Smolensk, es una de las nueve estaciones de ferrocarril de Moscú, Rusia. Fue construida en 1870 para cubrir las conexiones desde Moscú a Smolensk, Minsk y Varsovia, y fue reconstruida entre 1910 y 1912. La estación tiene conexión directa con la de Saviólovski y el Aeropuerto Internacional de Moscú-Sheremétievo mediante trenes Aeroexpress.

Historia
La construcción del ferrocarril desde Moscú a Smolensk, y luego en la dirección de Minsk y Varsovia, se inició en la segunda mitad de 1860. La línea fue llamada Moscú-Smolensk y la construcción de la estación comenzó a finales de abril de 1869. La inauguración de la línea férrea Moscú-Smolensk se llevó a cabo 19 de septiembre de 1870 y la estación fue la sexta en construirse en Moscú. En noviembre de 1871, después de la ampliación de la vía a la ciudad bielorrusa de Brest, la estación fue conocida como Brestski por el nombre de esta ciudad.

A principios de la década de 1890 comenzó la circulación en doble vía, pero debido a la reconstrucción de la estación se interrumpió el servicio para pasajeros. El edificio de recepción, en su diseño actual, data de la reconstrucción de los años 1907-1912. Luego se mantuvo en un estilo neoclásico, en el que se pueden ver elementos del Imperio. El proyecto de las dos alas laterales del edificio fue realizado por el arquitecto Iván Strúkov. El ala derecha fue inaugurado el 25 de mayo de 1910 y el resto el 26 de febrero de 1912. En agosto de 1922 la estación, conocida en ese momento como Aleksándrov, y la línea Moscú-Báltico se fusionaron en la línea Moscú y Bielorrusia-Báltico. En mayo de 1936, después de otra reorganización de los ferrocarriles, la estación recibió su nombre actual.

Trenes y destinos

Larga distancia

Otros destinos

Referencias

Enlaces externos

 Sitio web oficial

Belorussky
Edificios y estructuras de Moscú
Transporte de Moscú
Arquitectura de Rusia del siglo XX
Estaciones de ferrocarril inauguradas en 1870
Arquitectura de 1912
Arquitectura historicista

Estación Belorussky


Hüseyinçavuşoğlu, Zonguldak ilinin Devrek ilçesine bağlı bir köydür.

Tarihçe
Köy, 1892 yılından beri aynı adı taşımaktadır.

Coğrafya
Köy, Zonguldak il merkezine 40 km, Devrek ilçe merkezine 20 km uzaklıktadır.

Nüfus

Kaynakça

Dış bağlantılar

Devrek belde ve köyleri

Hüseyinçavuşoğlu, Devrek


Antonio José (Martinez Pelacios) (født 12. december 1902 i Burgos, død 9. oktober 1936 i Estépar, Spanien) var en spansk komponist, lærer og dirigent.

José som var en selvlært komponist, var inspireret af Maurice Ravel. Han mødte den samme skæbne som Federico García Lorca, og blev henrettet af en Falangistisk eksekutionspeloton i 1936 ved Estépar i Burgos som 23-årig. Han nåede dog at sætte sit præg på musiklivet og samtiden i Spanien, som en betydningsfuld komponist trods få værker.

José har skrevet en symfoni, som hører til en af Spaniens vigtigste værker i den klassiske musik. Han skrev også orkesterværker og sonater specielt for guitar, og en del vokal og korværker som var hans speciale som komponist.

Udvalgte værker

 Symfoni "Castiliansk" (1923) - for orkester
 Ingenu (Naiv) suite" (1928) - for orkester
 Sonate (1933) - for guitar
 "Evokationer" nr. 1 & 2 (1926) - for orkester

Referencer
 Om Antonio José på musicweb-international.com

Eksterne henvisninger

Komponister fra Spanien
Dirigenter fra Spanien
Lærere

Antonio José Martinez Pelacios


Los Atléticos de Medellín fue un equipo de béisbol que participó en la Liga Invernal Veracruzana con sede en Medellín, Veracruz, México.

Historia

Los Atléticos de Medellín debutarán en la LIV para la Temporada 2011-2012.

Inicios

Los Atléticos (antes Deportivo Isleño de Medellín), han participado en otras ligas, y por primera vez formará parte de la LIV.

Actualidad

Forman parte de la Zona Sur en la actual temporada de la LIV.

Jugadores

Roster actual
"Temporada 2011-2012"

Jugadores destacados

Véase también

 Liga Invernal Veracruzana.
 Medellín.
 Estado de Veracruz.

Referencias

Enlaces externos
 Sitio Oficial de la Liga Invernal Veracruzana
 Sitio Oficial de la Federación Mexicana de Béisbol

Equipos de béisbol desaparecidos de México
Equipos de béisbol del estado de Veracruz

Atléticos de Medellín


Vicente Revuelta (La Habana, 5 de junio de 1929 - La Habana, 10 de enero de 2012) fue un actor, director teatral y pedagogo cubano.

En 1958 fundó junto a su hermana Raquel Revuelta el Grupo Teatro Estudio. Se le considera uno de los creadores imprescindibles de la vanguardia teatral cubana, a él se deben muchos de los montajes antológicos de la escena de la isla.

En 1999, recibió el Premio Nacional de Teatro de Cuba.
Es considerado uno de los más relevantes actores y directores artísticos de toda América Latina.

Biografía

Vicente F. Revuelta Planas nació en La Habana, el 5 de junio de 1929. Su niñez se desarrolló en un medio social muy humilde, en unión de su padre español y su madre cubana,  y su única hermana, Raquel Revuelta, también actriz.

Comenzó su carrera artística como cantante, a la edad de 7 años, en un concurso de aficionados en el Teatro Principal de la Comedia y luego en programas de radio. Como actor realiza su primer papel en el grupo ADAD en la obra Prohibido suicidarse en primavera de Alejandro Casona, en el año 1946.

Ingresó en la Escuela Municipal de Arte Dramático, lo que no le impide seguir trabajando con el ADAD y más tarde en el Patronato de Teatro y en el Teatro Universitario. Con este último grupo visita México y Guatemala.

Vida
En 1950 y formando parte del Grupo Escénico Libre dirige su primera obra El recuerdo de Berta de Tennessee Williams.

En 1952 viaja a Europa a realizar estudios en la Escuela Anexa a la compañía de Jean Louis Barralt en París, en el Taller de Arte Dramático de Tania Balachova, así como también recibe clases de pantomima y expresión corporal con Etienne Decroux.

Asiste a un Congreso por la Paz en Viena y viaja por Italia Integrándose a un curso de verano en la Escuela de Cinematografía de Roma (Cinecitá).

A finales de 1954 regresa a Cuba incorporándose a la Sociedad Cultural Nuestro Tiempo, donde brinda seminarios, conferencias y publica cuatro números de Cuadernos de Cultura Teatral.

En 1958 funda, junto con su hermana Raquel Revuelta el grupo Teatro Estudio, el cual se ha caracterizado por presentar lo mejor y más avanzado del repertorio teatral cubano e internacional.

A partir de 1959 no ha dejado de dirigir, actuando también en algunas de sus obras y en diversos filmes.

Entre sus trabajos más significativos están El viaje de un largo día hacia la noche; Fuenteovejuna; El alma buena de Se-Chuan; Madre Coraje; El cuento del zoológico; El perro del hortelano; Galileo Galilei, y La duodécima noche, entre muchas otras

Ha realizado giras a Italia, al Festival de Aviñón, Joven Teatro de Lieja, Bulgaria, Yugoslavia, España, Portugal, Festivales de Sitges y el FITEI, Colombia, Venezuela, Nicaragua, México y Polonia.

Su labor docente también ha continuado con clases de actuación en varios grupos como en la primera escuela de cinematografía creada en Cuba por el Movimiento Nacional de Cine Aficionados de Cuba (MNCAC) (donde hizo las veces de jurado en los tres Festivales realizados por este Movimiento) e instituciones culturales y en el Instituto Superior de Arte (ISA) Universidad de las Artes. Reconocido Doctor Honoris Causa en Arte por el Instituto Superior de Arte.

Ha brindado conferencias en más de 15 países de América Latina y Europa, y sus puestas en escena han viajado a un considerable número de escenarios de todo el mundo.

Es considerado por los entendidos uno de los más relevantes actores y directores artísticos de toda América Latina.

Algunas obras dirigidas por Vicente Revuelta
 Juana de Lorena.
 Largo viaje de un día hacia la noche.
 El alma buena de Se Chuan.
 Los fusiles de madre Carrar.
 Fuenteovejuna.
 Madre Coraje y sus hijos.
 La noche de los asesinos.
 Santa Juana de América.
 El precio.
 Las tres hermanas.
 El travieso Jimmy.
 La duodécima noche.
 Antes del desayuno.
 Cuento del zoológico.
 Galileo Galilei.
 Historia de un caballo.
 En el parque.
 La vieja dama muestra sus medallas.
 Sueño de una noche de verano
 Time ball

Actuaciones para el teatro
 1946– "Prohibido suicidarse en primavera", "Nuestro pueblito", "Juana de Lorena", "Jorge y Margarita", "Cándida", "La hermosa gente".
 1948- "El travieso Jimmy", "El hombre, la bestia y la virtud".
 1950– "Medea", "La marquesa Rosalinda", "El tesoro y la liebre", "Propiedad clausurada", "El recuerdo de Berta".
 1951- "La voz humana", "Yerma", "La zapatera prodigiosa", "La Dama de las Camelias", "Don Juan Tenorio", "El círculo de tiza caucasiano".
 1960– "Los fusiles de la madre Carrar", "Madre Coraje y sus hijos".
 1962- "Basa Yelieznova".
 1963- "Fuenteovejuna"
 1968- "El becerro de oro", "Las vacas gordas"
 1974- "Galileo Galilei"
 1975- "El Inspector", "Los diez días que estremecieron al mundo",
 1978- "El Precio"
 1981- "La duodécima noche".
 1982- "La vieja dama muestra sus medallas" (Reposición)
 1983- "El cuento del zoológico". (Reposición)
 1985- "Galileo Galilei"
 1992- "Medida por medida".
  1997  - "La zapatera prodigiosa".

Premios y distinciones
1999 Premio Nacional de Teatro junto a su hermana Raquel

1988 Orden "Félix Varela"

1986 Premio Tinajón Camagüeyano por la dirección de En el parque

1982 Medalla "Alejo Carpentier"

1982 Premio del Festival de Teatro de La Habana por su actuación y dirección artística de La duodécima noche

1980 Premio del . Festival de Teatro de La Habana -compartido con José A. Rodríguez- por su actuación en El precio.

1979 Premio Espada de Oro, de Bulgaria, por la dirección de Santa Juana de América

1966 Gallo de La Habana por la dirección de La noche de los asesinos

Referencias

Enlaces externos

 = Biografía de Vicente Revuelta en Ecured.
 =  Biografía Resumen de Vicente Revuelta.
  = Conmovido el teatro cubano por deceso del Maestro Vicente Revuelta

Actores de Cuba
Nacidos en La Habana
Fallecidos en La Habana

Vicente Revuelta


Picumnus, Roma mitolojisinde bereket, tarım, çocuk ve düğün tanrısı. Sterquilinus ile aynı olduğu da söylenmiştir.

Roma tanrıları
Bereket tanrıları
Çocukluk tanrıları
Tarım tanrıları

Picumnus (mitoloji)


Doğu Akdeniz, genellikle Levanten Denizi çevresindeki ülkeler olarak tanımlanan Akdeniz'in yaklaşık doğu yarısı veya üçte biri için kullanılan gevşek bir tanımdır.

Genellikle bu denizin tüm kıyı bölgelerini kapsar, denizle bağlantılı topluluklara ve iklimsel olarak büyük ölçüde etkilenen karalara atıfta bulunur. Türkiye'nin ana bölgesi olan Anadolu'nun güney yarısını, daha küçük olan Hatay ilini, Kıbrıs adasını, Yunan On İki Adalar'ını ve Mısır, İsrail, Ürdün, Suriye ve Lübnan ülkelerini kapsar.

En geniş kullanımıyla Libya Denizi, dolayısıyla Libya; Ege Denizi, dolayısıyla Doğu Trakya, Yunanistan anakarası ve adaları; ve Akdeniz'in merkezi bir bölümü olan İyon Denizi, dolayısıyla Güneydoğu Avrupa'daki güney Arnavutluk, batıda İtalya'nın en uzak güneydoğu kıyılarına kadar uzanır. Ürdün iklimsel ve ekonomik olarak bölgenin bir parçasıdır.

Bölgeler

Doğu Akdeniz bölgesi genellikle iki şekilde yorumlanır:

 Tarihsel olarak bağlı komşu ülkeler, Balkanlar ve Yunanistan adaları da dahil olmak üzere Levant.
 Kıbrıs adası (Levant olarak da bilinir), Mısır, On İki Ada ve Anadolu ile Suriye bölgesi.

Ülkeler
Doğu Akdeniz ülkeleri ve bölgeleri arasında Kıbrıs, Türkiye (Anadolu), küçük Hatay ili, Yunan On İki Adalar'ı ve Lübnan, Suriye, Filistin, İsrail, Ürdün ve Mısır yer almaktadır.

Kuzeydoğu Akdeniz, Büyük Balkanlar için kullanılan bir terim olarak basılmıştır: Arnavutluk, Bosna-Hersek, Bulgaristan, Hırvatistan, Yunanistan, Slovenya, Kuzey Makedonya, Sırbistan, Kosova, Karadağ, Romanya. 2019'da beş yazarlı, istatistik açısından zengin bir çalışma, diğerlerinin Karadeniz'in ekonomisi ve tarihiyle daha fazla ilişkilendirdiği Moldova ve Ukrayna'yı da eklemeye çalıştı. Bu terim, esasen "Balkanlaşma" kelimesini yaftalayanlar tarafından Balkan yarımadası için kullanılan ve Doğu Akdeniz'deki diğer çatışmalarla paralellikler öne süren karmaşık bir örtmecedir.

DSÖ Doğu Akdeniz Bölge Ofisi, Doğu Akdeniz'in yanı sıra bitişik Afrika-Avrasya'nın diğer Müslüman çoğunluklu bölgelerini de kapsamaktadır: Orta Doğu, Kuzey Afrika, Afrika Boynuzu ve Orta Asya.

Ayrıca bakınız

 Büyük Suriye
 Bereketli Hilal
 Yakın Doğu
 Antik Yakın Doğu
 Doğu Akdeniz Üniversitesi
 Akdeniz ülkeleri listesi
 Akdeniz Havzası

Kaynakça

Batı Asya coğrafyası
Kuzey Afrika coğrafyası
Orta Doğu coğrafyası
Akdeniz coğrafyası
Afrika'daki bölgeler
Doğu Akdeniz

Doğu Akdeniz


Friedrich Heinrich Emanuel Kayser (March 26, 1845November 29, 1927) was a German geologist and palaeontologist, born in Königsberg.

He was educated at the universities of Halle, Heidelberg and Berlin, where in 1871 he qualified as a lecturer in geology. From 1873 he worked as a state geologist for the Preußischen Geologischen Landesanstalt (Prussian Geological Survey), and in 1881 became a professor at the Berlin Mining Academy. In 1885 he succeeded Wilhelm Dunker as professor of geology and paleontology at the University of Marburg.

He is known for his work involving the stratigraphy, tectonics and paleontology of Paleozoic formations in Germany; especially the Harz and the Rhenish Massif. With Wilhelm Dames, he was co-editor of the journal Paläontologischen Abhandlungen.

Among his separate works are Lehrbuch der Geologie (2 vols.): ii. Geologische Formationskunde (1891; 2nd ed., 1902), and i. Allgemeine Geologie (1893); vol. ii. (the volume first issued) was translated and edited by Philip Lake, under the title Textbook of Comparative Geology (1893). Another work is Beiträge zur Kenntniss der Fauna der Siegenschen Grauwacke (1892).

Posthumous honours
Kayser Bjerg, a mountain in Greenland, was named after him.

References

1845 births
1927 deaths
Scientists from Königsberg
Scientists from the Province of Prussia
19th-century German geologists
German paleontologists
20th-century German geologists
Academic staff of the University of Marburg

Emanuel Kayser


Murat Uyurkulak (d. 1 Ocak 1972, Aydın), Türk çevirmen ve yazardır.

Uzun süre Radikal gazetesinin dış haberler bölümünde çalıştı. Milliyet Sanat, Gate, Radikal Kitap gibi dergilerde yazıları yayımlandı. İlk romanı "Tol", Mahir Günşiray'ın yönetmenliğiyle Tiyatro Oyunevi tarafından sahneye uyarlandı. "Tol", 2008'de "Zorn" adıyla Almanya'da, 2010'da Fransa'da, 2016'da da İtalya'da yayımlandı.

Yazılarını yayımladığı internetteki "Afili Filintalar" oluşumundan, bazı yazarların Reyhanlı saldırısı ve Gezi direnişi karşısında takındıkları tutum nedeniyle ayrıldı.

2016'da "Babam ve Ailesi" başlıklı TV dizisinin senaryo ekibinde yer aldı.

Mart 2017'de kapatılan Özgür Gündem gazetesi ile dayanışma amacıyla nöbetçi yayın yönetmenliği yaptığı için açılan davada Terörle Mücadele Kanunu'nun (TMK) 7/2 maddesi (Terör örgütü propagandası yapmak) ve 6/2. maddesini (Terör örgütlerinin bildiri veya açıklamalarını basma veya yayınlamak) ihlalden yargılandı. Yargı kararı sonucunda 15 ay hapse mahkûm edildi. Cezası ertelendi.

Eserleri
 Tol-Bir İntikam Romanı (2002)
 Tol, Kürtçe 'intikam' anlamına gelir.
 Har-Bir Kıyamet Romanı (2006)
 "Hakikatin yerine hakiki olmayanı koymak ne kadar da zordu. Zor, ama bir o kadar da zevkliydi. Bir kez hakikat hudutlarını aştığında, akıl zehir gibi işlemeye başlıyor, kelimeler tuhaf bir kudret ediniyordu. Zira kelime, artık kelimeden fazla bir şey olduğunu biliyordu."
 Bazuka (Hikâyeler-2011)
 Tutkular Kitaplığı, Kurtuluş On İki, Kuş Yuvası, Pembe, Aşk, Yalnızlık ve Bazuka, Şarap, Derviş, Kırmızı ve Gülsüm
 Merhume (2016)
 "Murat Uyurkulak, Merhume'de sokağın dilinden, o hep hasretini çektiğimiz, cinsiyetsiz bir dil; cümle kötülüğün, pisliğin içinden, var olduğunu umut ettiğimiz, tertemiz, iyicil bir ruh çıkarıyor."
Delibo (Nisan 2020)
Hoca, Baba, Amca, Ben (Hikayeler, Mart 2021)

Popüler kültürde
Behzat Ç. dizisinde polislerin Tol romanını okuduğu bir sahneye yer verildi.

Kaynakça

Dış bağlantılar
 Metis Yayınları sitesinde yazar ile ilgili bilgi.
İktidar ve Öteki İlişkisi Bağlamında Murat Uyurkulak Romanları
Özgür Gündem, köşe yazıları
Afili filintalar yazar sayfası

1972 doğumlular
Aydın doğumlular
20. yüzyıl Türk yazarları
21. yüzyıl Türk yazarları
Resim aranan yazarlar
Afili Filintalar
Yaşayan insanlar
Türk hikâye yazarları

Murat Uyurkulak


Gao Jing (kin. 高靜) (Tianjin, Kina, 18. rujna 1975.) je bivša kineska streljačica. Na Olimpijadi u Sydneyju osvojila je broncu u kategoriji 10 metara zračna puška dok je slavila američka predstavnica Nancy Johnson.

Na Svjetskom streljačkom prvenstvu u Atlanti 2001. bila je srebrna dok je godinu potom na Svjetskom prvenstvu u Šangaju postala svjetska prvakinja.

Olimpijske igre

OI 2000.

Izvori

Vanjske poveznice
Sports-reference.com

Kineski športaši
Športski strijelci

Gao Jing


Trehaloza este o dizaharidă nereducătoare, formată prin condensarea a două molecule de α-glucoză, prin formarea de legături α,α-1,1-glicozidice. Aceste legături conferă rezistență trehalozei la hidroliza acidă, ea fiind stabilă și în soluție la temperaturi ridicate, chiar în mediu acid.

Referințe

Dizaharide

Trehaloză


Paul Hennig (født 1902, død 1986) var en dansk smalfilmsfotograf og nazistisk antisemit. Ved hjælp af bl.a. et indbrud hos Mosaisk Trossamfund, hvor medlemslisterne blev stjålet, hjalp Hennig Gestapo til af finde frem til danske jøder, hvoraf nogle i 1943 blev deporteret til koncentrationslejre i Nazityskland. Hennig optog fotodokumentation af arrestationen af de danske jøder samt af deres ophold undervejs i Horserødlejren.

Hennig var medlem af Dansk Antijødisk Liga, skrev i bladet Kamptegnet og infiltrerede en modstandsgruppe. Ved retsopgøret efter besættelsen blev han dømt til døden, men Højesteret omstødte i 1949 straffen til livsvarigt fængsel. Han blev dog løsladt allerede i 1956.

Noter

Eksterne henvisninger
 Hennigs film fra Horserødlejren

Nazister fra Danmark
Danskere i 1900-tallet
Dømte i Danmark i retsopgøret efter 2. verdenskrig

Paul Hennig


Thomas Christiansen Tarín (Hadsund, 11 de março de 1973) é um ex-futebolista e treinador de futebol hispano-dinamarquês que atuou como atacante. Atualmente comanda a seleção do Panamá.

Carreira
Nascido em Hadsund, Christiansen (filho de uma espanhola) foi criado em Copenhague. e deu seus primeiros passos no futebol aos 9 anos, no Avedøre IF. Passou ainda por Brøndby e Hvidovre. Ele chegou a treinar com os juniores do , mas foi impedido por sua mãe de assinar com os Merengues e voltou à Dinamarca para jogar na base do B.93, onde permaneceria até 1991, regressando à Espanha novamente para treinar, desta vez no Barcelona

Em julho do mesmo ano, assinou com os Blaugranas por 4 anos, realizando o sonho de jogar com seu ídolo Michael Laudrup, porém a concorrência na posição relegou Christiansen ao time B, atuando em apenas 2 partidas pela equipe principal do Barcelona (um pela Copa del Rey e outra pela Supercopa Europeia de 1992). Sem espaço, foi emprestado para Sporting Gijón, Osasuna, Racing Santander, antes de ser reintegrado ao Barça em 1995. Segundo as regras de La Liga, o Barcelona teria que pagar uma compensação financeira ao atacante se ele recusasse alguma proposta de contrato.

Ele chegou a ser vendido ao  em outubro, mas preferiu seguir na Espanha e acertou sua transferência ao Real Oviedo em janeiro de 1996. Em 1997, foi para o Villarreal, ajudando o Submarino Amarelo a garantir o acesso à divisão principal, embora tivesse feito apenas um gol na campanha que terminou com o rebaixamento à segunda divisão em 1999. Teve ainda passagens curtas por Terrassa, Panionios (Grécia) e Herfølge até 2000.

O atacante encerraria sua carreira no futebol da Alemanha, onde passou por Bochum e Hannover 96. O destaque foi na temporada 2002–03, quando terminou como artilheiro da Bundesliga com 21 gols, empatado com o brasileiro Élber, do Bayern de Munique

Carreira internacional
Selecionável para representar as seleções de Espanha e Dinamarca (onde chegou a defender nas equipes de base), Christiansen atuou pela Fúria na Eurocopa Sub-21 de 1994, chegando à semifinal.

Antes, em janeiro de 1993, o técnico Javier Clemente surpreendeu ao convocar o atacante, então com 19 anos, para um amistoso da seleção contra o México. A escolha gerou polêmica, pois Christiansen era praticamente um desconhecido no futebol nacional. Ele tornou-se o primeiro atleta a ser convocado representando o Barcelona B e um dos poucos que disputavam a segunda divisão espanhola a jogarem pela seleção principal da Espanha. A convocação do jogador foi um pedido de Clemente e da Real Federação Espanhola de Futebol, que viam um grande potencial nele, evitando que a Dinamarca o convocasse.

Ele ainda disputaria um jogo pelas eliminatórias da Copa de 1994 contra a Lituânia, porém Clemente não levou o atacante para a competição.

Carreira de técnico
De volta ao futebol, Christiansen trabalhou como auxiliar-técnico de Luis Milla no Al-Jazira (Emirados Árabes Unidos) em 2013. Sua estreia como treinador foi no Chipre, exercendo o cargo no AEK Larnaca por 2 temporadas. Passou também pelo APOEL, sagrando-se campeão nacional em 2016–17.

Treinou ainda Leeds United e Union Saint-Gilloise até 2020, quando foi anunciado como novo técnico da seleção do Panamá, substituindo o argentino Américo Gallego, tendo comandado os Canaleros na Copa Ouro da CONCACAF de 2021.

Títulos

Como jogador
 Barcelona
 Supercopa da UEFA: 1992

Como treinador
 APOEL
 Campeonato Cipriota: 2016–17

Individuais
 Artilheiro da Bundesliga de 2002–03 (21 gols, empatado com Élber)

Links
 Perfil de Thomas Christiansen - OGol.com.br

Naturais de Hadsund
Futebolistas da Dinamarca
Futebolistas do Real Oviedo
Futebolistas do Villarreal Club de Fútbol
Futebolistas do Real Sporting de Gijón
Futebolistas do Futbol Club Barcelona
Futebolistas do Futbol Club Barcelona B
Futebolistas do Terrassa Futbol Club
Futebolistas do Club Atlético Osasuna
Futebolistas do Real Racing Club de Santander
Futebolistas do FC Panionios GSS
Futebolistas do VfL Bochum
Futebolistas do Hannover 96
Jogadores da Seleção Espanhola de Futebol
Treinadores de futebol da Espanha
Treinadores do Leeds United F.C.
Treinadores do Athletikos Podosferikos Omilos Ellinon Lefkosias
Treinadores da Seleção Panamenha de Futebol

Thomas Christiansen


إذاعة صوت المحبة هي اذاعة لبنانية تبث البرامج الدينية المسيحية من بيروت. أسستها جمعية المرسلين اللبنانيين الموارنة عام 1984.

موجاتها
 بيروت والساحل اللبناني: 105.8 ميغاهيرتز.
 جونية ودمشق: 106 ميغاهيرتز.
 قبيات، بشري، عكار، جنوب لبنان وحمص 106.2 ميغاهيرتز.
 البرامج باللغة الأنكليزية والفرنسية: 107.7 ميغاهيرتز.

مراجع

أعمال خيرية
إذاعات لبنان
محطات إذاعية باللغة الإنجليزية
محطات إذاعية باللغة العربية
محطات إذاعية باللغة الفرنسية

صوت المحبة


Cimetière des Innocents (på dansk: De uskyldiges kirkegård) er en nedlagt kirkegård i Paris. Den blev taget i brug i middelalderen, men blev lukket i 1780 på grund af overbelægning. Cimetière des Innocents lå centralt, omkring hvor Les Halles ligger i dag. Der er opført en fontæne (Fontaine des Innocents) på Place Joachim-du-Bellay for at mindes kirkegården — en plads de fleste turister kommer forbi på en tur til Paris.

I 1786 blev de tilbageværende lig gravet op og flyttet til katakomberne. Kirkegårdens navn stammer fra Église des Saints-Innocents, en kirke i området, der var indviet til de hellige uskyldige, dvs. ofrene for barnemordet i Betlehem.

Innocents
Paris' historie

Cimetière des Innocents


Bishop's Falls is a town in the north-central part of the island of Newfoundland in the Canadian province of Newfoundland and Labrador, with a population of 3,082 at the 2021 census.

Geography
It is in Division No. 6, on the Exploits River, near the town of Grand Falls-Windsor and the town of Botwood.  It is commonly thought of as having the warmest summer temperatures in all of Newfoundland and Labrador.

History
The railroad played a major part in the area's history, as the town was a central hub during the travels of the "Newfie Bullet" train. There is a trestle in the town which is the longest east of Quebec. The existing trestle is the last of many which were built and destroyed by the strong ice flows (and a flood) that occur in the winter. The town sits along the Exploits River which flows through and to the falls from which the town takes its name.

Bishop's Falls also boasts a famous NHL player name, Alex Faulkner who played with Gordie Howe.

Demographics
In the 2021 Census of Population conducted by Statistics Canada, Bishop's Falls had a population of  living in  of its  total private dwellings, a change of  from its 2016 population of . With a land area of , it had a population density of  in 2021.

Notable people
 Alex Faulkner, first National Hockey League player from Newfoundland and Labrador
 George Faulkner, first professional hockey player from Newfoundland and Labrador (minor-pro)
 Scott Simms, MP, former Member of Parliament and former Weather Network broadcaster
 Ronald Harrison "Ron" Pelley, Visual and Digital Artist

See also
 List of cities and towns in Newfoundland and Labrador

References

External links
Town of Bishop's Falls

Towns in Newfoundland and Labrador

Bishop's Falls


Frohnbach ist ein geographischer Name:

Orte:
 Frohnbach (Oberwolfach), Weiler der Gemeinde Oberwolfach im Ortenaukreis, Baden-Württemberg

Gewässer:
 Frohnbach (Gail), aus dem Karnischen Hauptkamm bei St. Lorenzen im Lesachtal, Kärnten
 Frohnbach (Glan), rechter Zufluss des Glans, Landkreis Kaiserslautern, Rheinland-Pfalz
 Frohnbach oder auch Spalbach, linker Hauptstrang-Oberlauf des Lehbachs bis nahe Schillingen, Landkreis Trier-Saarburg, Rheinland-Pfalz
 Frohnbach (Lohbach), linker Zufluss des Lohbachs nahe Hundsangen, Westerwaldkreis, Rheinland-Pfalz
 Frohnbach (Moorbach), linker Zufluss des Moorbachs, südlich von Relsberg, Landkreis Kusel, Rheinland-Pfalz
 Frohnbach (Mosel), rechter Zufluss der Mosel bei Mülheim an der Mosel, Landkreis Bernkastel-Wittlich, Rheinland-Pfalz
 Frohnbach (Wolf) oder Fronbach, rechter Zufluss der Wolf oder Wolfach in Oberwolfach, Ortenaukreis, Baden-Württemberg
 Frohnbach (Zwickauer Mulde), rechter Zufluss der Zwickauer Mulde bei Limbach-Oberfrohna, Sachsen

Siehe auch:
 Fronbach
 Frohnbächle

Frohnbach


Im Trnavský  kraj bestehen 1028 denkmalgeschützte Objekte. Die unten angeführte Liste führt zu den Listen der Bezirke und gibt die Anzahl der Objekte an.

Einzelnachweise

Weblinks

Trnavský kraj
Kulturdenkmal (Slowakei)

Denkmalgeschützte Objekte im Trnavský kraj


Allan Ernest Garcia () a fost un actor american și director de casting. Este cel mai cunoscut pentru lunga sa colaborare cu Charlie Chaplin.

Filmografie

Anii 1910

 The Code of Honor (1911, Scurtmetraj)
 The Still Alarm (1911, Scurtmetraj) .... William Manley (ca Frank Garcia)
 The Herders (1911, Scurtmetraj) .... Pedro
 Told in the Sierras (1911, Scurtmetraj) .... John Strong - the Prospector (ca Albert Garcia)
 Slick's Romance (1911, Scurtmetraj) .... Yuba Frank (ca Al E. Garcia)
 Their Only Son (1911, Scurtmetraj) .... Guy Medford (ca Albert Garcia)
 The Regeneration of Apache Kid (1911, Scurtmetraj) .... The Apache Kid (ca Albert Garcia)
 How Algy Captured a Wild Man (1911, Scurtmetraj) .... Teddy Windleigh (ca Albert Garcia)
 Shipwrecked (1911, Scurtmetraj) .... Pierre Binbeau (ca Albert E. Garcia)
 Old Billy (1911, Scurtmetraj) .... Fire Commissioner Hewitt
 An Evil Power (1911, Scurtmetraj) .... Antonio Guiseppe (ca Al E. Garcia)
 The Cowboy's Adopted Child (1912, Scurtmetraj) .... Dan Mason (ca Al E. Garcia)
 The Secret Wedding (1912, Scurtmetraj) .... Leon Braun (ca Al E. Garcia)
 Merely a Millionaire (1912, Scurtmetraj) .... Harry Nichols
 The Bandit's Mask (1912, Scurtmetraj) .... Pedro Ramirez (ca Al E. Garcia)
 The Test (1912, Scurtmetraj) .... Dalton (ca Al E. Garcia)
 Disillusioned  (1912, Scurtmetraj) .... Henry George (ca Al E. Garcia)
 The Danites  (1912,  Scurtmetraj) .... Carter - a Danite (ca Al E. Garcia)
 Bounder (1912, Scurtmetraj) .... Pete Lopez (ca Al E. Garcia)
 The 'Epidemic' in Paradise Gulch (1912, Scurtmetraj) .... Jack Knight
 The Ones Who Suffer (1912, Scurtmetraj) .... The Prison Warden (ca Al E. Garcia)
 The End of the Romance (1912, Scurtmetraj) .... Jack Lee
 The Hand of Fate (1912, Scurtmetraj) ... Fritz (ca Al E. Garcia)
 A Humble Hero (1912, Scurtmetraj) .... 2nd Claim Jumper (ca Al E. Garcia)
 The Lost Hat (1912, Scurtmetraj) .... The Hotel Clerk (ca Al E. Garcia)
 A Reconstructed Rebel (1912, Scurtmetraj) .... Dick Winston
 The Vow of Ysobel (1912, Scurtmetraj) .... Jose
 A Messenger to Kearney (1912, Scurtmetraj) .... Palo Vasquez (ca A.E. Garcia)
 The Little Indian Martyr (1912, Scurtmetraj) .... Chiquito's Father
 The Indelible Stain (1912, Scurtmetraj) .... Juan (ca Al E. Garcia)
 The Substitute Model (1912) .... (ca Al E. Garcia)
 The Pirate's Daughter  (1912, Scurtmetraj) .... Vargas - the First Mate
 The Great Drought (1912, Scurtmetraj) .... Dominguez
 An Assisted Elopement (1912, Scurtmetraj) .... Brown - Tom's Chum (ca Al E. Garcia)
 Monte Cristo  (1912, Scurtmetraj) .... Fernand (ca Al E. Garcia)
 Her Educator (1912, Scurtmetraj) .... Jim O'Keefe (ca Al E. Garcia)
 Saved by Fire (1912, Scurtmetraj) .... J. Harden Stone
 The Girl of the Mountains (1912, Scurtmetraj) .... Jim - a Mountain Man (ca Al E. Garcia)
 Our Lady of the Pearls (1912, Scurtmetraj) .... Vincente (ca Al E. Garcia)
 A Black Hand Elopement (1913, Scurtmetraj)
 The Artist and the Brute (1913, Scurtmetraj) .... Hortez - the Animal Trainer (ca Al E. Garcia)
 Yankee Doodle Dixie (1913, Scurtmetraj) .... Parson Sneed (ca Al E. Garcia)
 The Spanish Parrot Girl (1913) .... Jose Raneros
 Margarita and the Mission Funds (1913, Scurtmetraj) .... Ramon, an Outlaw
 With Love's Eyes (1913, Scurtmetraj) .... Dunwood, An Artist
 The Tie of the Blood  (1913, Scurtmetraj) .... Mathews, A Half-Breed
 The Burglar Who Robbed Death (1913, Scurtmetraj) .... Mr. Harrison
 Lieutenant Jones (1913, Scurtmetraj) .... Capt. Stanleigh
 The Stolen Melody (1913, Scurtmetraj) .... Richard Davidge (ca A.E. Garcia)
 Woman: Past and Present (1913, Scurtmetraj) .... Father Time
 The Fighting Lieutenant (1913, Scurtmetraj) .... Don Arguello
 A Western Romance (1913, Scurtmetraj) .... Victor Kellogg
 The Reformation of Dad (1913, Scurtmetraj) .... Al B. Stone - the Circus Manager (ca Al E. Garcia)
 The Mansion of Misery (1913, Scurtmetraj) .... Prince Lorenzo
 In the Midst of the Jungle (1913, Scurtmetraj) .... (ca Al E. Garcia)
 An Actor's Romance (1913, Scurtmetraj) .... Rant - the Hungry Actor
 The Big Horn Massacre (1913, Scurtmetraj) .... Lt. Blake Stevens (ca Ernest Garcia)
 The Valley of the Moon (1914) .... Bart (ca Ernest Garcia)
 Kate Waters of the Secret Service (1914, Scurtmetraj) .... Bronson (ca Al E. Garcia)
 Rose of the Rancho (1914) .... Henchman (nemenționat)
 Young Romance (1915) .... Spagnoli (ca Al Garcia)
 After Five (1915) .... (ca Ernest Garcia)
 The Country Boy (1915) .... Jimmy Michaelson
 The Unafraid (1915, Scurtmetraj) .... Joseph
 Under Two Flags (1915, Scurtmetraj) .... Rockingham (ca Al E. Garcia)
 Gangsters of the Hills (1915, Scurtmetraj) .... Deering - of the Secret Service (ca Al E. Garcia)
 Her Atonement (1915) .... John De Forrest
 The Law at Silver Camp (1915, Scurtmetraj) .... Paul Long - a Railway Surveyor
 Clouds in Sunshine Valley (1916, Scurtmetraj) .... Jim Carr (ca Al E. Garcia)
 The Greater Power (1916, Scurtmetraj) .... Al Gordon (ca Al E. Garcia)
 The Single Code (1917) .... Rodman Wray (ca Ernesto Garcia)
 The Purple Scar (1917, Scurtmetraj) .... (ca Al E. Garcia)
 Sunlight's Last Raid (1917) .... Pedro (ca A. Garcia)
 Restitution (1918) .... Lucifer and Satan (ca Alfred Garcia)
 Baree, Son of Kazan (1918) .... 'Bush' McTaggart (ca Al Garcia)
 A Gentleman's Agreement (1918) .... Manager of Mine (ca Al Garcia)
 The Lamb and the Lion (1919) .... Red Baxter (ca Al Garcia)
 Six Feet Four (1919) .... Ben Broderick
 The Trail of the Octopus (1919) .... Wang (ca Earnest Garcia)
 The Counterfeit Trail (1919, Scurtmetraj) .... Two Spot Joe (ca Al E. Garcia)

Anii 1920

 The Golden Trail (1920) .... Jean the Half-Breed (ca Al Garcia)
 Skyfire (1920) .... Pierre Piquet (ca Al Garcia)
 Reputation (1921) .... Leading man (stage sequence)
 The Idle Class (1921, Scurtmetraj) .... Cop in Park / Guest (nemenționat)
 Pay Day (1922, Scurtmetraj) .... Drinking Companion and Policeman
 The Three Buckaroos (1922) .... 'Card' Ritchie
 The Power God (1925) .... Weston Dore (ca Allan Garcia)
 The Gold Rush (1925) .... Prospector (nemenționat)
 The Circus (1928) .... The Circus Proprietor and Ring Master (ca Allan Garcia)
 Morgan's Last Raid (1929) .... Morgan

Anii 1930

 City Lights (1931) .... James, The Eccentric Millionaire's Butler
 Gran jornada, La (1931) .... Flack
 The Cisco Kid (1931) .... Orderly (nemenționat)
 The Deceiver (1931) .... Payne
 Models and Wives (1931, Scurtmetraj)
 South of Santa Fe (1932) .... Captain Felipe Mendezez Gonzales Rodrigues (ca Captain Garcia)
 The Gay Desperado (1932) .... Bandit (ca Allan Garcia)
 Marido y mujer (1932) .... Dr. Burgess
 One Way Passage (1932) .... Honolulu Cigar Store Proprietor (nemenționat)
 The California Trail (1933) .... Sergeant Florez (ca Allan Garcia)
 Under the Tonto Rim (1933) .... Mexican Police Chief (ca Allan Garcia)
 Modern Times (1936) .... President of the Electro Steel Corp. (ca Allan Garcia)
 The Gay Desperado (1936) .... Police Captain
 The Last Train from Madrid (1937) .... Third Hotel Clerk (nemenționat)
 I'll Take Romance (1937) .... Allan Garcia (nemenționat)
 Blossoms on Broadway (1937) .... Opera Patron (ca Allan Garcia) (nemenționat)
 Blockade (1938) .... Minor Role (nemenționat)
 In Old Mexico (1938) .... Don Carlos Gonzales (ca Al Garcia) (ultimul său rol de film)

Note

Legături externe

Vezi și
Listă de actori americani

Nașteri în 1887Decese în 1938Actori americani

Al Ernest Garcia


Horná Mičiná (ungarisch Felsőmicsinye) ist eine Gemeinde in der Mitte der Slowakei, mit  Einwohnern (Stand ) und gehört zum Okres Banská Bystrica, einem Kreis des Banskobystrický kraj.

Geographie

Die Gemeinde liegt in der Landschaft Podpoľanie am Bach Mičinský potok, acht Kilometer südöstlich von Banská Bystrica gelegen.

Geschichte
Der Ort wurde zum ersten Mal 1293 als terra Myka schriftlich erwähnt, als sie zu einem gewissen Mika gehörte. Im 14. Jahrhundert teilte sich das bisher einige Dorf in die bis heute existierenden Orte Dolná Mičiná und Horná Mičiná. Bis zum 16. Jahrhundert gehörte der Ort zum Geschlecht Micsinyei, dann zu Beniczky.

Bevölkerung
Ergebnisse nach der Volkszählung 2001 (488 Einwohner):

Bauwerke
 frühgotische römisch-katholische Kirche St. Michael aus dem 13./14. Jahrhundert
 klassizistische evangelische Kirche von 1785
 Ruinen eines Renaissance-Landschlosses aus dem 16. Jahrhundert

Persönlichkeiten
 Ján Chalupka (1791–1871), slowakischer Schriftsteller und Dramatiker

Weblinks

 Beschreibung der gotischen Kirche (slowakisch)

Ort in der Slowakei
Ersterwähnung 1293

Horná Mičiná


Wolfgang Peters ist der Name folgender Personen:

*Wolfgang Peters (Fußballspieler) (1929–2003), deutscher Fußballspieler
 Wolfgang Peters (Tischtennisspieler) (* um 1931),  deutscher Tischtennisspieler
 Wolfgang Peters (Journalist) (* 1946), deutscher Journalist
 Wolfgang Peters (Kanute) (* 1948), deutscher Kanute

Wolfgang Peters


Juan Antonio Sánchez puede referirse a:
Juan Antonio Sánchez (químico): farmacéutico y químico argentino, creador de la carrera de Bioquímica de la Universidad de Buenos Aires
Juan Antonio Sánchez (músico): guitarrista y compositor chileno nacido en Alemania en 1965

Juan Antonio Sánchez (desambiguación)


سانت فاليري  هي بلدية فرنسية تقع في إقليم واز التابع لمنطقة بيكاردي . يبلغ عدد سكانها حوالي 39 نسمة.

مراجع

بلديات إقليم واز
بلديات فرنسا

سانت فاليري


Premiul Locus pentru cea mai bună povestire este unul dintre Premiile Locus acordate anual de către revista Locus. Premiile sunt acordat pentru cea mai bună povestire apărută anul anterior.

Primul premiu a fost acordat prima dată în 1971.

Câștigători

Câștigătorii premiului Locus sunt următorii:

Note

Premii
Premiul Locus


Mors dag er en dansk kortfilm fra 2005 instrueret af May el-Toukhy.

Handling
Filmen er en skildring af relationen mellem tre søstre, der skal dele boet efter deres mors død.

Medvirkende

 Christina Ibsen Meyer
 Laura Bro
 Maj-Britt Mathiesen
 Maria Stenz

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Filmskolefilm fra Danmark
Danske film fra 2005

Mors dag (film fra 2005)


Lorene Thomason Coates (born January 13, 1936) served as a Democratic member of the North Carolina General Assembly representing the U.S. state's seventy-seventh House district, including constituents in Rowan county from 2001 to 2011.

A retiree from Salisbury, North Carolina, she worked for the U.S. Department of Agriculture.  She has hosted a weekly radio show and for twenty years wrote a newspaper column in the Salisbury Post.

On March 30, 2006, she gained distinction by being the first Democratic member of the House to publicly call for House Speaker, and fellow Democrat, Jim Black to step down from his post as Speaker following investigations of his misconduct.  Black later resigned from the House and pleaded guilty to a felony charge of public corruption.

In 2007 she announced her support for John Edwards for President.

Electoral history

After redistricting, Coates' House District changed from 35 to 77.

References

External links

|-

Democratic Party members of the North Carolina House of Representatives
Women state legislators in North Carolina
Living people
People from Salisbury, North Carolina
American columnists
1936 births
21st-century American politicians
21st-century American women politicians
American women columnists

Lorene T. Coates


Prapovijesna gomila kod sela Grubina, općina Podbablje, predstavlja zaštićeno kulturno dobro.

Opis dobra
Datira iz 2000. pr. Kr. Veća grobna kamena gomila nalazi se na istaknutom položaju zapadno od sela Grubine a sjeverno od državne ceste Imotski-Split te južno od Lasića vrila u Šumetu. Radi se o prapovijesnom tumulu (gomili) promjera oko šesnaest metara te visine oko jedan metar. Na površini gomile vidljivi su grobovi, vjerojatno iz kasnosrednjovjekovnog razdoblja. Iako nisu provođena nikakva arheološka istraživanja, s obzirom na materijal pronađen na površini i u blizini tumula, ovu važnu i bogatu nekropolu moguće je datirati u brončano i željezno doba. Naime, u neposrednoj blizini tumula, nalazi se nekoliko brončanodobnih gradina: Zujića gradina, Brkića gradina, Gradina iznad Ajduka koje čine jedinstvenu fortifikacijsku cjelinu ovog područja, a sam tumul je u uskoj vezi sa životom na ovim gradinama.

Zaštita
Pod oznakom P-5342 zavedena je kao nepokretno kulturno dobro - arheologija, pravna statusa preventivno zaštićena kulturnog dobra, klasificirano kao "kopnena arheološka zona/nalazište".

Izvori

Zaštićena kulturna dobra u Splitsko-dalmatinskoj županiji
Podbablje
Prapovijesni arheološki lokaliteti u Hrvatskoj

Gomila kod Grubina


Hartelholz est une forêt de 115 hectares située au nord de Munich, en Bavière.

Elle est située au nord de la Panzerwiese dans les quartiers de Feldmoching-Hasenbergl et Milbertshofen-Am Hart.

Elle est classée comme zone protégée naturelle Naturschutzgebiet .

Références

Forêt en Allemagne
Aire protégée en Allemagne
Parc ou jardin public à Munich
Géographie de Munich

Hartelholz


Le Trophée d'Europe féminin de hockey sur gazon des clubs 2022 est la 45e édition du Trophée d'Europe féminin de hockey sur gazon des clubs, tournoi secondaire européen de hockey sur gazon organisé par la EHF. Il se tient du 15 au 18 avril 2022 à HC Argentia à Cernusco sul Naviglio, Italie.

Le  mars 2022, à la suite de l'invasion russe de l'Ukraine, l'EHF a exclu les clubs russes et biélorusses de toutes les compétitions.

Équipes
  HC Argentia
  Mannheimer HC
  East Grinstead HC
  KHC Dragons
  Lille MHC
  MSC Sumchanka
  HC Olten

Phase préliminaire

Poule A

Source: EHF

En cas d'égalité de points de plusieurs équipes à l'issue des matchs de poule, les critères suivants sont appliqués dans l'ordre indiqué pour établir leur classement:
 Points de chaque équipe,
 Matchs gagnés,
 Différence de buts,
 Buts pour,
 Plus grand nombre de points obtenus dans les matchs de poule disputés entre les équipes concernées,
 Buts marqués en plein jeu.

Poule B

Source: EHF

En cas d'égalité de points de plusieurs équipes à l'issue des matchs de poule, les critères suivants sont appliqués dans l'ordre indiqué pour établir leur classement:
 Points de chaque équipe,
 Matchs gagnés,
 Différence de buts,
 Buts pour,
 Plus grand nombre de points obtenus dans les matchs de poule disputés entre les équipes concernées,
 Buts marqués en plein jeu.

Phase de classement

Cinquième et sixième place

Troisième et quatrième place

Finale

Classement final

Voir aussi
 Euro Hockey League féminin 2022
 Trophée d'Europe I de hockey sur gazon des clubs 2022

Références

2022
Hockey sur gazon F1
Hockey sur gazon en 2022
Sport en avril 2022
Sport en Italie en 2022
Sport en Lombardie
Hockey sur gazon en Italie


Vijeće trinaest obitelji naziv je elitističke, tajnovite i kontroverzne organizacije koju čini 13 najutjecajnijih i najbogatijih obitelji svijeta. Prema teorijama zavjere, one kontroliraju ostatak svjetskog stanovništva i upravljaju cjelokupnim gospodarstvom, medijima, politikom i ratovima.

Obitelji koje čine Vijeće su:

 Rotschild
 Bruce
 Cavendish (Kennedy)
 De Medici
 Hanoverska dinastija
 Habsburgovci
 Krupp
 Plantagenet
 Rockfeller
 Romanov
 Sinclair
 Warburg
 Windsor

Istraživač i pisac Fritz Springmeier u svojoj je knjizi Bloodlines of the Illuminati sljedeće četiri obitelji prozvao "izvornim nasljednicima iluminata":

 Astori (obogatili se tijekom Opijumskih ratova)
 Merovinzi (smatraju se nasljednicima Drevnih Egipćana, jer je njihov orao s obiteljskog grba preuzet iz motiva svevidećeg oka i boga zvanog Amon-Ra, boga ptice, a motiv se grbom protezao do Napoleona)
 DuPontovi (5 danskih kraljeva bilo je masonima)
 Onassis

Vijeće trinaest obitelji tijesno je povezano sa stvaranjem Novog svjetskog poretka. Podređena organizacija je vijeće tri stotine.

Povezani članci
 Bilderberg

Izvori

Vanjske poveznice

Teorije zavjere

Vijeće trinaest obitelji


Lincoln Center (Lincoln Center for the Performing Arts) er et amerikansk kulturcentrum på Manhattan i New York City, opført 1959–67. Det huser elleve kulturinstitutioner:

 Chamber Music Society of Lincoln Center
 Film Society of Lincoln Center
 Jazz at Lincoln Center
 Juilliard School
 Lincoln Center for the Performing Arts Inc.
 Lincoln Center Theater
 Metropolitan Opera
 New York City Ballet
 New York Philharmonic
 New York Public Library for the Performing Arts
 School of American Ballet

Galleri

Noter

Eksterne henvisninger

 Centrets hjemmeside

Bygninger, konstruktioner og anlæg på Manhattan
Etableret i 1967

Lincoln Center


Dora 2021. bilo je 22. izdanje izbora hrvatske pjesme za pjesmu Eurovizije. Održala se u subotu 13. veljače 2021. u sportskoj dvorani Marino Cvetković u Opatiji.

Format

Dora 2021. imala je jednu festivalsku večer tijekom koje je nastupilo 14 izvođača koji su se borili za odlazak na Eurosong u Rotterdam u svibnju 2021. Natjecatelji su odabrani u sklopu natječaja na koji je pristiglo 135 prijava i ukupno 140 pjesama. Na natječaj su se mogle prijaviti samo pjesme koje do Dore 2021. nisu nigdje javno izvedene, a za koje autor i tekstopisac raspolažu pravima prema tekstu natječaja. Na natječaj su se mogli javiti i autori koji nisu državljani Republike Hrvatske, no njihove pjesme moraju izvesti hrvatski državljani. Žiri u sastavu: Andrej Babić (HGU, HDS), Hrvoje Prskalo (HDS), Matija Cvek (HGU), Monika Lelas (HRT – HRA) i Uršula Tolj (HRT – HTV) višestruko je preslušao pristigle skladbe i izabrao 14 pjesama koje su se predstavile na Dori te četiri rezervne skladbe: Brodolom (Elis Lovrić), Megaloman (Endi feat. Lora), Soldier (Pjerino Ružević) te Only love (Z/11).
Program Dore vodile su četiri voditeljice Daniela Trbović, Barbara Kolar, Jelena Lešić i Doris Pinčić.

Pobjednika/pobjednicu su birali i publika i stručni ocjenjivački sud u omjeru 50:50. U slučaju izjednačenog rezultata, odlučivali bi glasovi publike.

Pjesme su se izvodile prema pravilima Eurosonga na glazbenu matricu s izvođenjem svih vokalnih dionica uživo. Maksimalno dopušten broj izvođača na pozornici je 5.

Urednik Dore 2021. je bio Tomislav Štengl, a šefica hrvatske eurovizijske delegacije Uršula Tolj.

Pobjednica je bila Albina Grčić sa 198 bodova, dok je drugo mjesto osvojila Nina Kraljić sa 145 bodova.

Kandidati i kandidatkinje koji su se natjecali na Dori 2021.:

Kontroverze
Izdanje Dore za 2021. godinu je imalo nekoliko kontroverzi o kojima pišu mediji. Već u pripremama prošlogodišnji pobjednik je odustao od uobičajnog nastupa na otvaranju zbog navodnog ultimatuma. Navode se i neslaganja voditeljica, propusti žirija, ali i problemi oko pojedinih pjesama i izvođača, te njihova tretmana.

Glasovanje
Javnost je mogla glasovati telefonskim pozivom ili SMS-om, s najviše 10 glasova dopuštenih po biraču. Postotak glasova dobivenih svakim unosom primijenjen je na ukupno 580 bodova koji će se raspodijeliti u skladu s tim.

Izvori

 2021

Dora 2021.


Åben postliste er en nogenlunde veldefineret men også relativ term indenfor offentlighedsforvaltning i Danmark.
Konceptet beskriver en online og alment tilgængelig oversigt over en part af den post der modtages hos og afsendes fra en offentlig forvaltnings-instans, eksempelvis en kommune eller en region. Det relative består i omfanget af oversigten, interval for opdatering og postlistens varighed, det substantielle indhold i listen samt hvilke offentlige forvaltninger der producerer en sådan liste.

I det følgende er fokus på den formelle baggrund for de åbne postlister.

Kronologi og terminologi
Åbne postlister er en del af lovudkastet til Offentlighedsloven [BOF1]Kap.27 og termen er principielt veldefineret i relation til hvor produktionen af åbne postlister kan finde sted.
I artiklen her opfattes denne bestemthed som sprogligt normativ, dvs. åbne postlister i det hele taget kun er relevant i de institutionelle regi der er omfattet af Offentlighedsloven.

Følgende termer er relevante for en beskrivelse af åbne postlister:
 Postlister [BOF1] §16
 Journalisering [BOF1]Kap.23.3.3 §15
 Aktiv informationspligt [BOF1]Kap.23.3.3 §17(§18)
 Ressourceforbrug [BOF1]Kap.220.127.116.11-3, 23.3.3 §9
 Endvidere,
 Aktindsigt & Tavshedspligt [BOF1]Kap.23.1,126.96.36.199.3,23.2.4,23.3
 Disse to emner er yderligere defineret i jf.[BOF1]Kap.5:
 Forvaltningsloven, Sundhedsloven, Miljøoplysningsloven, Persondataloven (mindre relevant også Arkivloven)
 , mens det i afsnittet om åbne postlister [BOF1]Kap.23 konkret er Forvaltningsloven, Persondataloven og Straffeloven der omtales.

Postlister
Betegnelsen postliste er kendt indenfor offentlig forvaltning og uafhængigt af det specielle udtryk åben postliste, jf. pjecen fra Statens Publikationer "Åbne postlister på Internettet" 1999 herefter [SP1], og s. 17, ligeledes [BOF1]§16,stk1.
Der er et decideret uklart sprogbrug omkring begge termer, eksempelvis også [SP1],s.17 og fra s.7: De postlister der i dag kan sees på Internettet,(..). Lovudkastet til Offentlighedsloven [BOF1]Kap.27 undgår frasen åben postliste i lovteksten (§§1-44, specielt §16, stk2.), der dog forekommer et (1) enkelt sted i lovudkastets bemærkninger ("Til §16").
Nøgternt set er det ikke muligt at dokumentere åbne postlister er en del af lovteksten in provisio, selvom det er klart nok frasen indgår i betænkningen om lovteksten [BOF1] (63 forekomster, Bash).
Det sprogligt betydningsfulde skel mellem postliste og åben postliste er ikke altid, eller har ikke altid været tilstede, eksempelvis som citeret fra Vissenbjerg kommunes hjemmeside: Vissenbjerg kommune har siden 1994 ført åbne postlister(..) Fra januar 1998 fik borgerne mulighed for at se disse postlister på kommunens hjemmeside(..) [SP1],s.14.
I herværende artikel skelnes mellem postliste og åben postliste.

Lovbestemmelsen om postlister [BOF1] §16 er historisk associeret til (..)i højere grad at give pressen og andre nyhedsformidlende institutioner mulighed for løbende at orientere sig(..) [BOF1]Kap.22.214.171.124 jf. Folketingstidende enten 1984 eller 1985.
Fra retsudvalgets arbejde blev det dengang vurderet at proportionen mellem merarbejde og den forventede interesse fra pressens side ikke gjorde det rimeligt at indføre en sådan art lovbestemmelse, jf. Folketingstidende 1986.

Ideen om udfærdigelsen af postlister vis-a-vis aktindsigt eller kendskab er måske kun i retrospekt bemærkelsesværdig.
I en nutidig og europæisk sammenhæng omfatter forvaltningsskik og praksis for administration selvfølgelig arkivering, på en eller anden måde.
Det er også forståeligt nok at arkivering sker på mange forskellige måder, og det er ligeledes konstaterbart at netop postlister ikke umiddelbart skal sammenstilles med forvaltningsskik og arkivering.
Der er alligevel et decideret uklart sprogbrug angående motivet for postlister.
Under overskriften "Informationspolitik" skriver [SP1],s.17: Der findes i lovgivningen ikke en forpligtelse til at udarbejde en postliste over indkommen og udgående post. Det hører dog med til god forvaltningsskik, at man i den offentlige forvaltning foretager en systematisk journalisering af al post og andre dokumenter..
Det må forblive ubestemt om frasen forvaltningsskik bør associeres til informationspolitik netop når den tematiske sammenhæng er Offentlighedslovens bestemmelser.

Specielt den politiske interesse for postlister handler gennemgående om (..), at offentligheden kunne få kendskab til - og dermed mulighed for overfor den pågældende myndighed at anmode om aktindsigt i - en række sager og dokumenter,(..), her fra omtalen af SFs forslag fra folketingsåret 1998-1999 jf. Folketingstidende i samme periode [BOF1]Kap.22.214.171.124.
Det er i øvrigt tematisk vigtigt at pågældende lovforslag gjorde digital arkivering obligatorisk - digital arbejdsgang er ligeledes et tema i beskrivelsen af åbne postlister, forsåvidt at åbne postlister netop kun findes i medfør af en digital arbejdsgang (det vil sige, online).

Detaljer
Betænkningens afsnit 22.214.171.124 [BOF1] er relativ konkret og instruktiv med hensyn til personfølsomme oplysninger og det følgende afsnit (126.96.36.199) endda lidt mere konkret men også en del mere kortfattet.

Det er noget mere indviklet for reglerne angående fortrolige oplysninger: (..)at varetage væsentlige hensyn til offentlige eller private interesser. Dette er ikke en indledende formålserklæring men et citat fra Straffelovens §152,stk.3, hvorefter det så er præcedens (eller eventuelt lovens bemærkninger) der kan indikere retsgyldighed.
Men, som påpeget i [BOF1], findes der en vurdering heraf i Forvaltningslovens §27,stk1,nr.1-7.

Et tekstmæssigt afgjort mindre tema er publikationens hurtighed [BOF1]Kap.23.3.1 (3.afsnit,1.sætning).
Det foreligger som entydigt at åbne postlister kun er relevante når de kan offentliggøres indenfor 2 dage.
Det er påfaldende der i kommisionsarbejdet ikke står noget om arkivering - de to væsentlige aspekter med arkivering er tidshorisonten og data-formatet, relevant for i hvor lang tid informationen er tilgængelig og hvor henholdsvis hvordan.

Forsøgsordningen og tiden efter
Fra en betænkning i 1998 blev der i Forskningsministeriet gjort et initiativ til at virkeliggøre en forsøgsordning med åbne postlister, på frivillig basis [SP1].

I 2004 foranstaltede Videnskabsministeriet(?) en undersøgelse vedrørende åbne postlister [BOF1]Kap.18.104.22.168.
I den refererede tekst fra 'Center for Digital Forvaltning' er de ovenfor nævnte fokuspunkter tydeligt tilstede;
 [BOF1]Kap.18.104.22.168.2 relationen mellem aktindsigt eller offentligt kendskab og åbne postlister - undersøgelsen bemærker dog ingen markant stigende interesse, helt i lighed med interview-arbejdet 5 år tidligere [SP1]. Kuriøst er det at undersøgelsen faktisk bemærker en interesse fra myndighedernes side, konkret overfor den professionaliserede offentlige interesse, dvs. den journalistiske branche. Relationen mellem postlister/åbne postlister og det offentlige kendskab, inklusiv myndighedens 'genspejling' er tekstmæssigt fremhævet som et selvstændigt afsnit i den summariske gengivelse.
 [BOF1]Kap.188.8.131.52.1 relationen mellem postlister og digital arbejdsgang - synes iøjnefaldende og er den tekstmæssigt største part i den summariske gengivelse, ligeledes som et selvstændigt afsnit, dog inklusiv omtalen af ressourceforbrug.
 I den refererede tekst er de ovenfor nævnte ubestemtheder også nogenlunde tydeligt tilstede [BOF1]Kap.18.104.22.168.1-3;
 den terminologiske skelnen mellem postlister og åbne postlister - ordlyden skelner konsekvent ikke.
 sammenhængen mellem postlister og forvaltningsskik - i ordlyden som den faktisk dialektisk beskrevne proces omkring den samtidige igangsættelse af ESDH og postlister/åbne postlister.

I en opsøgende undersøgelse, ligeledes fra 2004 viste det sig at udfærdigelsen af postlister fandt sted i de fleste amter, ministerier og andre statslige institutioner og henved en tredjedel af kommunerne. Åbne postlister var udbredt blandt kommuner og amter men markant fraværende blandt ministerier og andre statslige institutioner.
I en opsøgende undersøgelse fra 2008, efter kommunalreformen, mangler de åbne postlister helt i det statslige regi, mens der er et mere broget mønster blandt kommunerne der umiddelbart ser ud til at stemme proportionelt med undersøgelsen fra 2004.

Se også
 Lovgivning; Offentlig forvaltning
 Digitaliseringsstyrelsen; Offentlighedsloven og Lov om Offentlig Digital Post
 Whistleblower-ordning

Eksterne links
Information fra KL: "Hvilke oplysninger må ikke fremgå af en åben postliste"

Kilder
 [BOF1]
 [SP1]

Offentlig forvaltning

Åben postliste


Kuzey Osetya-Alanya Cumhuriyeti ( ()  Rusya'nın bir cumhuriyeti olan federal bölüm. 2010 nüfus sayımına göre nüfusu 712.980'dir. Başkenti Vladikavkaz'dır.

İsim
Sovyetler Birliği'nin son yıllarında milliyetçilik akımı Kafkasya'yı büyük ölçüde etkilerken birçok aydın Kuzey Osetya ÖSSC adının Alanların Orta Çağ krallıklarının ismi olan Alanya ile değiştirilmesi çağrısında bulundu. "Alanya" terimi; çeşitli kuruluşlar, televizyon kanalları, sivil ve siyasi kuruluşlar, yayınevleri, futbol takımları vb. aracılığıyla Osetlerin günlük yaşamında hızla popüler oldu. Kasım 1994'te "Kuzey Osetya Cumhuriyeti-Alanya" adı resmen cumhuriyetin ismi oldu.

Coğrafya

Cumhuriyet, Kuzey Kafkasya'da konumlanmıştır. Cumhuriyetin kuzey kısmı, Stavropol Ovası'nda yer almaktadır ve cumhuriyet topraklarının %22'si ormanlarla kaplıdır.

 Yüzölçümü:
 Sınırlar:
 İçeriden: Kabardino-Balkarya, Stavropol Krayı, Çeçenistan, İnguşetya.
 Uluslararası: Gürcistan (Güney Osetya dahil; Mtsheta-Mtianeti, Raca-Leçhumi ve Kvemo Svaneti ve Şida Kartli)
 En yüksek nokta: Kazbek Dağı ()
 Kuzey-güney mesafesi (maksimum):
 Doğu-batı mesafesi (maksimum):

Nehirler
Cumhuriyetin tüm nehirleri Terek Nehri'nin drenaj havzasına aittir. Başlıca nehirler şunlardır:

 Terek Nehri (~ 600 km)
 Uruh Nehri (104 km)
 Ardon Nehri (101 km)
 Kambileyevka Nehri (99 km)
 Gizeldon Nehri (81 km)
 Fiagdon Nehri
 Sunja Nehri (278 km)

Dağlar

Cumhuriyet topraklarında bulunan dağların tamamı Kafkasya'nın bir parçasıdır. Kazbek Dağı en yüksek noktadır (5.033 m), Chimara Dağı ise ikinci en yüksek (4,780 m) dağdır.

Doğal Kaynaklar
Doğal kaynaklar arasında mineraller (bakır, gümüş, çinko), kereste, maden suları, hidroelektrik enerji ve kullanılmayan petrol ve gaz rezervleri bulunur.

İklim
Orta derecede karasal iklim görülmektedir.

 Ortalama Ocak sıcaklığı:
 Ortalama Temmuz sıcaklığı:
 Ortalama yıllık yağış:  ovalarda;

Tarihçe
Kuzey Osetya toprakları ilk olarak Kafkas kabileleri tarafından iskan edildi. Bazı göçebe Alanlar bölgeye 7. yüzyılda yerleşerek Alanya krallığını kurdu ve Alanlar Bizanslı misyonerler aracılığıyla Hıristiyanlık'ı benimsediler. Alanya, İpek Yolu'nun buradan geçmesi sebebiyle büyük kazanç sağladı.

1222'de başlayan Moğol istilası Kuzey Kafkasya ile birlikte Kuzey Osetya'yı da etkilemiştir. 14. yüzyılda Cuci'nin torunların kurdukları Altın Orda'nın baskısıyla güneye inerek dağlık alanlara yerleşmek zorunda kalmışlardır.

1557'de batı komşuları Kabartayların bir dostluk anlaşmasıyla Rus koruması altına girmesiyle, Osetler arasında da Rus nüfuzu yayılmaya başlamış, 1774'te Osmanlı Devletini yenen Rus İmparatorluğu, Kabardiya ile birlikte Osetya'da tam bir denetim kurmuşlardır.

Ruslar, 1774 sonrasında Osetler arasında Hristiyanlığı yayarak ve 1860'larda Müslüman Osetlerin çoğunu da Anadolu'ya göndererek dengeyi Hristiyan Osetlerin lehine çevirmişlerdir.

Yarı feodal bir yapısı bulunan Osetya'da kölelik ve feodal ayrıcalıklar 1868-69'da kaldırılmıştır.

1921'de oluşturulan ve Rus SFSC'ne bağlı Dağlı Özerk SSC içinde bir ulusal okrug olarak yer alan Kuzey Osetya, daha sonra bir özerk oblast, 1936'da da özerk cumhuriyet yapıldı. Aralık 1991 sonunda Sovyetler Birliği'nin dağılması üzerine oluşan RF içinde bir üye cumhuriyet olarak kaldı.

1944'te Stalin döneminde doğu komşuları İnguşların Orta Asya'ya sürgüne gönderilmesiyle Çeçen-İnguş Özerk Cumhuriyeti dağılmıştır. Ve 1944 öncesinde İnguşların yaşadıkları Prigorodni rayonu Kuzey Osetya'ya eklenmiştir.

1957'de sürgünden dönmüş olan İnguşlar eski topraklarını Osetler'den geri almak istemişlerdir. Bu yüzden anlaşmazlık ve çatışmalar da yaşanmıştır. Ayrıca Gürcistan'dan tek yanlı ayrılıp bağımsızlık ilan eden Güney Osetya'dan da bir Oset sığınmacı akınına uğramıştır.

2008 yılında Rusya-Gürcistan savaşı sırasında Gürcistan ve Güney Osetya'dan kaçanların barınağı oldu.

Kaynakça

Kuzey Osetya-Alanya


The Rum Patrol was an operation of the United States Coast Guard to interdict liquor smuggling vessels, known as "rum runners" in order to enforce prohibition in American waters. On 18 December 1917, the 18th Amendment to the Constitution was submitted to the states by Congress. On 16 January 1919, the amendment was ratified and the Liquor Prohibition Amendment, which prohibited the manufacture, sale, transportation, importation, or exportation of intoxicating liquors, came into effect on 16 January 1920.

History

Origin
The establishment of prohibition gave rise to smuggling of illicit liquor into the United States overland from Canada and from ships moored just outside the three-mile limit along the Atlantic seaboard. By 1921, "Rum Row" existed off New York City and the New Jersey shore as well as near Boston, and the Chesapeake and Delaware bays. The Florida coast and New Orleans were also points of entry used by rum runners. Smaller boats were used to transfer the cargos from the mother ships on Rum Row under cover of darkness to the shore. In February 1922, the Commandant of the Coast Guard, Rear Admiral William E. Reynolds, informed the Assistant Secretary of the Treasury, Roy Asa Haynes that although the Coast Guard was tasked with the enforcement of prohibition, Congress had not included any funding for the additional maintenance and operation of vessels. Since there was no funding, enforcement by Coast Guard vessels was in connection with other enforcement duties. The first important seizure was the British-registered schooner Henry L. Marshall by  in 1921.

Funding problems
Since the Coast Guard was tasked with prohibiting the importation of liquor through U.S. waters and it didn't have the resources to do so, Commandant Reynolds submitted a plan to Treasury Secretary Andrew Mellon that called for 20 new cutters, 200 coastal patrol cutters and 90 fast picket boats. He also asked for 20 million dollars to fund new construction and an additional 3,500 personnel to man the new vessels.

Congress acts
To deal with this problem, twenty-five destroyers were transferred by the United States Navy to the Treasury Department for service with the Coast Guard. Some began to show signs of wear and tear after the often arduous pace of operations on the Rum Patrol and required replacement. Accordingly, six of the newer flush deck destroyers were transferred to the Treasury Department in 1930–1932.

It was thought that adapting these older vessels for Coast Guard service would be less costly than building new ships. In the end, however, the rehabilitation of the vessels was costly because of the exceedingly poor condition of many of these war-weary ships. In many instances, it took nearly a year to bring the vessels up to seaworthiness. Additionally, these were by far the largest and most sophisticated vessels ever operated by the service, and trained personnel were nearly nonexistent. As a result, Congress authorized hundreds of new enlistees. These inexperienced men generally made up the destroyer crews.

Some of the destroyers were pre-World War I 742-ton "flivvers", capable of over  –  an advantage in the rum-chasing business. They were, however, easily outmaneuvered by smaller vessels. The destroyers' mission, therefore, was to picket the larger mother ships and prevent them from off-loading their cargo onto the smaller, speedier contact boats that ran the liquor into shore.

On 20 February 1933, the 21st Amendment to the Constitution, the repeal of Amendment 18, was proposed by Congress and ratification was completed on 5 December 1933. This eliminated prohibition, and therefore the need for the Rum Patrol. The remaining destroyers were returned to the Navy and sold for scrap.

Ships of the patrol

References

Citations

Sources

History of the United States Coast Guard
Rum
Prohibition in the United States

Rum Patrol


An Isachne distichophylla in uska species han Liliopsida nga ginhulagway ni William Munro ngan Wilhelm William B. Hillebrand. An Isachne distichophylla in nahilalakip ha genus nga Isachne, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Isachne

Isachne distichophylla


"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.

The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song.

Dylan's song has four verses, of which the Byrds only used the second for their recording. Dylan's and the Byrds' versions have appeared on various lists ranking the greatest songs of all time, including an appearance by both on Rolling Stones list of the 500 best songs ever. Both versions received Grammy Hall of Fame Awards.

The song has a bright, expansive melody and has become famous for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini. The lyrics call on the title character to play a song and the narrator will follow. Interpretations of the lyrics have included a paean to drugs such as LSD, a call to the singer's muse, a reflection of the audience's demands on the singer, and religious interpretations.

Composition
"Mr. Tambourine Man" was written and composed in early 1964, at the same approximate time as "Chimes of Freedom", which Dylan recorded later that spring for his album Another Side of Bob Dylan. Dylan began writing and composing "Mr. Tambourine Man" in February 1964, after attending Mardi Gras in New Orleans during a cross-country road trip with several friends, and completed it sometime between the middle of March and late April of that year after he had returned to New York. Nigel Williamson has suggested in The Rough Guide to Bob Dylan that the influence of Mardi Gras can be heard in the swirling and fanciful imagery of the song's lyrics. Journalist Al Aronowitz has stated that Dylan completed the song at his home, but folk singer Judy Collins, who later recorded the song, has stated that Dylan completed the song at her home. Dylan premiered the song the following month at a May 17 concert at London's Royal Festival Hall.

Recording
During the sessions for Another Side of Bob Dylan, in June 1964, with Tom Wilson producing, Dylan recorded "Mr. Tambourine Man" with Ramblin' Jack Elliott singing harmony. As Elliott was slightly off key, that recording wasn't used. Later that month he recorded a publisher demo of the song at Witmark Music. More than six months passed before Dylan re-recorded the song, again with Wilson in the producer's chair, during the final Bringing It All Back Home session on January 15, 1965, the same day that "Gates of Eden", "It's Alright, Ma (I'm Only Bleeding)", and "It's All Over Now, Baby Blue" were recorded. It was long thought that the four songs were each recorded in one long take. However, in the biography Bob Dylan: Behind the Shades, Clinton Heylin relates that the song required six attempts, possibly because of difficulties in working out the playoffs between Dylan's acoustic guitar and Bruce Langhorne's electric lead. Alternate takes released on Dylan's Cutting Edge collection also reveal that early takes include drummer Bobby Gregg playing a tambourine-heavy  rhythm, but Dylan found this too distracting and opted to continue recording with Langhorne alone. The final take was selected for the album, which was released on March 22, 1965.

In his book Keys to the Rain: The Definitive Bob Dylan Encyclopedia, Oliver Trager describes "Mr. Tambourine Man" as having a bright, expansive melody, with Langhorne's electric guitar accompaniment, which provides a countermelody to the vocals, being the only instrumentation besides Dylan's acoustic guitar and harmonica. Author Wilfrid Mellers has written that although the song is in the key of D major, it is harmonized as if it were in a Lydian G major, giving the song a tonal ambiguity that enhances the dreamy quality of the melody. Unusually, rather than beginning with the first verse, the song begins with an iteration of the chorus:

Hey! Mr. Tambourine Man, play a song for me,
I'm not sleepy and there is no place I'm going to.
Hey! Mr. Tambourine Man, play a song for me,
In the jingle-jangle morning I'll come following you.

Interpretations
William Ruhlmann, writing for the AllMusic web site, has suggested the following outline of the song's lyrics: "The time seems to be early morning following a night when the narrator has not slept. Still unable to sleep, though amazed by his weariness, he is available and open to Mr. Tambourine Man's song, and says he will follow him. In the course of four verses studded with internal rhymes, he expounds on this situation, his meaning often heavily embroidered with imagery, though the desire to be freed by the tambourine man's song remains clear."

While there has been speculation that the song is about drugs, particularly with lines such as "take me on a trip upon your magic swirling ship" and "the smoke rings of my mind", Dylan has denied the song is about drugs. Though he was smoking marijuana at the time the song was written, Dylan was not introduced to LSD until a few months later. Outside of drug speculation, the song has been interpreted as a call to the singer's spirit or muse, or as a search for transcendence. In particular, biographer John Hinchey has suggested in his book Like a Complete Unknown that the singer is praying to his muse for inspiration; Hinchey notes that ironically the song itself is evidence the muse has already provided the sought-after inspiration. The figure of Mr. Tambourine Man has sometimes been interpreted as a symbol for Jesus or the Pied Piper of Hamelin. The song may also reference gospel music themes, with Mr. Tambourine Man being the bringer of religious salvation.

Dylan has cited the influence of Federico Fellini's movie La Strada on the song, while other commentators have found echoes of the poetry of Arthur Rimbaud. Author Howard Sounes has identified the lyrics "in the jingle jangle morning I'll come following you" as having been taken from a Lord Buckley recording. Bruce Langhorne, who performs guitar on the track, has been cited by Dylan as the inspiration for the tambourine man image in the song. Langhorne used to play a giant, four-inch-deep "tambourine" (actually a Turkish frame drum), and had brought the instrument to a previous Dylan recording session.

Other Dylan releases

The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962–1964, respectively. Outtakes from the January 15, 1965, recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965–1966 in 2015.

The song has been in Dylan's live concert repertoire since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall
on May 17, 1964, appeared on Live 1962-1966: Rare Performances From The Copyright Collections, while another early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964, was included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" was included in The Other Side of the Mirror.

A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) was included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969, performance of the song at the Isle of Wight Festival appeared on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969–1971). Dylan played the song as part of his evening set at the 1971, Concert for Bangladesh, organized by George Harrison and Ravi Shankar, featuring Harrison on electric guitar, Leon Russell on bass, and Ringo Starr on tambourine. That performance was included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, was included on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue and The Rolling Thunder Revue: The 1975 Live Recordings, while electric band versions from 1978 and 1981 appeared, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979–1981.

In November 2016, all Dylan's recorded live performances of the song from 1966 were released in the boxed set The 1966 Live Recordings, with the May 26, 1966, performance released separately on the album The Real Royal Albert Hall 1966 Concert.

The Byrds' version

Release
"Mr. Tambourine Man" was the debut single by the American band the Byrds and was released on April 12, 1965, by Columbia Records. The song was also the title track of the band's debut album, which was released on June 21, 1965. The Byrds' version is abridged and in a different key from Dylan's original.

The single's success initiated the folk rock boom of 1965 and 1966, with a number of American and British acts imitating the band's hybrid of a rock beat, jangly guitar playing, and poetic or socially conscious lyrics. The single was the "first folk rock smash hit", and gave rise to the term "folk rock" in the U.S music press to describe the band's sound.

This hybrid had its antecedents in the American folk revival of the early 1960s, the Animals' rock-oriented recording of the folk song "The House of the Rising Sun", the folk influences present in the songwriting of the Beatles, and the twelve-string guitar jangle of the Searchers and the Beatles' George Harrison. However, the success of the Byrds' debut created a template for folk rock that proved successful for many acts during the mid-1960s.

Conception
Most of the members of the Byrds had a background in folk music, since Jim McGuinn, Gene Clark, and David Crosby had all worked as folk singers during the early 1960s. They had all spent time, independently of each other, in various folk groups, including the New Christy Minstrels, the Limeliters, the Chad Mitchell Trio, and Les Baxter's Balladeers.

In early 1964, McGuinn, Clark, and Crosby formed the Jet Set and started developing a fusion of folk-based lyrics and melodies, with arrangements in the style of the Beatles. In August 1964, the band's manager Jim Dickson acquired an acetate disc of "Mr. Tambourine Man" from Dylan's publisher, featuring a performance by Dylan and Ramblin' Jack Elliott. Although the band members were initially unimpressed with the song, after McGuinn changed the time signature from Dylan's  configuration to  time, they began rehearsing and demoing it. In an attempt to make it sound more like the Beatles, the band and Dickson elected to give the song a full, electric rock band treatment, effectively creating the musical subgenre of folk rock. To further bolster the group's confidence in the song, Dickson invited Dylan to a band rehearsal at World Pacific Studios to hear their rendition. Dylan was impressed, enthusiastically commenting, "Wow, you can dance to that!" His endorsement erased any lingering doubts the band had about the song.

During this period, drummer Michael Clarke and bass player Chris Hillman joined, and the band changed their name to the Byrds over Thanksgiving 1964. Band biographer Johnny Rogan has remarked that the two surviving demos of "Mr. Tambourine Man" dating from this period feature an incongruous marching band drum part from Clarke, but overall the arrangement is very close to the later single version.

Production
The master take of "Mr. Tambourine Man" was recorded on January 20, 1965, at Columbia Studios in Hollywood, prior to the release of Dylan's own version. The song's jangling, melodic guitar playing (performed by McGuinn on a 12-string Rickenbacker guitar) was immediately influential and has remained so to the present day. The group's complex vocal harmony work, as featured on "Mr. Tambourine Man", became another major characteristic of their sound. Due to producer Terry Melcher's initial lack of confidence in the Byrds' musicianship, as a result of them not having gelled musically yet, McGuinn was the only Byrd to play on both "Mr. Tambourine Man" and its B-side, "I Knew I'd Want You". Rather than using band members, Melcher hired the Wrecking Crew, a collection of top L.A. session musicians (listed here), who (with McGuinn on guitar) provided the backing track over which McGuinn, Crosby, and Clark sang. By the time that sessions for their debut album began in March 1965, Melcher was satisfied that the band was competent enough to record its own musical backing. Much of the track's arrangement and final mixdown was modeled after Brian Wilson's production work for the Beach Boys' "Don't Worry Baby".

The Byrds' recording of the song opens with a distinctive, Bach-inspired guitar introduction played by McGuinn and then, like Dylan's version, goes into the song's chorus. Although Dylan's version contains four verses, the Byrds perform only the song's second verse and two repeats of the chorus, followed by a variation on the song's introduction, which then fades out. The Byrds' arrangement of the song had been shortened during the band's rehearsals, at the suggestion of Jim Dickson, in order to accommodate commercial radio stations, which were reluctant to play songs that were over two-and-a-half minutes long. As a result, while Dylan's version is five-and-a-half minutes long, the Byrds' version runs just short of two-and-a-half minutes. The lead vocal on the Byrds' recording of "Mr. Tambourine Man" was sung by McGuinn, who attempted to modify his singing style to fill what he perceived as a gap in the popular music scene of the day, somewhere between the vocal sound of John Lennon and Bob Dylan. The song also took on a spiritual aspect for McGuinn during the recording sessions, as he told Rogan in 1997: "I was singing to God and I was saying that God was the Tambourine Man and I was saying to him, 'Hey, God, take me for a trip and I'll follow you.' It was a prayer of submission."

Reception
The single reached number 1 on the Billboard Hot 100, and number 1 on the UK Singles Chart, making it the first recording of a Dylan song to reach number 1 on any pop music chart. In 2009, the band's bassist Chris Hillman gave Bob Eubanks, a DJ on KRLA and later the host of The Newlywed Game, credit for originally breaking the song on the radio in L.A.

Upon release, Record World picked it as its "Sleeper of the Week" and called it a "funky and slow treatment of the Bob Dylan tune that has a lot to say. Moody and different treatment from a group going places." Band biographer Christopher Hjort has remarked that it is surprising that neither Billboard or Cashbox magazines reviewed the single, considering the efforts Columbia put into promoting the record. In the UK, Record Mirror described the single as, "A Bob Dylan song of uncommon charm. Group is American, folksy and five-strong. Busy mandolin-style [sic] backing. Song is the big selling point, for sure." In his review for Music Echo, critic Brian Harvey described it as "a folksy, guitar twangy, medium tempo swinger. It's a busy number with lots of echo. Lead voice tells the story and has vocal group backing in the attractive chorus. The melody sticks even after one play."

Critic William Ruhlmann has argued that in the wake of "Mr. Tambourine Man", the influence of the Byrds could be heard in recordings by a number of other Los Angeles-based acts, including the Turtles, the Leaves, Barry McGuire, and Sonny & Cher. In addition, author and music historian Richie Unterberger sees the influence of the Byrds in recordings by the Lovin' Spoonful, the Mamas & the Papas, Simon & Garfunkel, and Love, while author John Einarson has said that both the Grass Roots and We Five enjoyed commercial success by emulating the Byrds' folk rock sound. Unterberger also feels that, by late 1965, the Beatles were assimilating the sound of the Byrds into their Rubber Soul album, most notably on the songs "Nowhere Man" and "If I Needed Someone". Both Unterberger and author Peter Lavezzoli have commented that Dylan himself decided to record with electric instrumentation on his 1965 album Bringing It All Back Home in part due to the influence of the Byrds' rock adaptation of "Mr. Tambourine Man".

As the 1960s came to a close, folk rock changed and evolved away from the jangly template pioneered by the Byrds, but, Unterberger argues, the band's influence could still be heard in the music of Fairport Convention. Since the 1960s, the Byrds' jangly, folk rock sound has continued to influence popular music, with authors such as Chris Smith, Johnny Rogan, and Mark Deming, noting the band's influence on various acts including Big Star, Tom Petty and the Heartbreakers, R.E.M., the Long Ryders, the Smiths, the Bangles, the Stone Roses, Teenage Fanclub, and the La's.

In addition to appearing on the Byrds' debut album, "Mr. Tambourine Man" is included on several Byrds' compilation and live albums, including The Byrds Greatest Hits, Live at Royal Albert Hall 1971, The Very Best of The Byrds, The Essential Byrds, The Byrds Play Dylan, and the live disc of The Byrds' (Untitled) album. The Byrds' version of the song appears on compilation albums that include hit songs by multiple artists. Two earlier demo recordings of "Mr. Tambourine Man", dating from the World Pacific rehearsal sessions, can be heard on the Byrds' archival albums Preflyte, In the Beginning, and The Preflyte Sessions.

Charts

Weekly charts

Year-end charts

Certifications

Other recordings

"Mr. Tambourine Man" has been performed and recorded by many artists and in different languages over the years, including at least thirteen versions recorded in 1965 alone. The Brothers Four recorded a commercial version before the Byrds, but were unable to release it due to licensing issues. Odetta included her version of the song on her album Odetta Sings Dylan, released early March 1965. Notable recordings of the song have been made by Judy Collins, Stevie Wonder, the Four Seasons, the Barbarians, and Chad and Jeremy. Other artists who have recorded the song include Glen Campbell (1965), the Beau Brummels (1966), the Lettermen (1966), Kenny Rankin (1967), Melanie (1968), Joni Mitchell (1970), Gene Clark (1984) and Crowded House (1989). William Shatner recorded a spoken word cover of the song for his 1968 album The Transformed Man.

A reunited line-up of the Byrds, featuring Roger McGuinn, Chris Hillman, and David Crosby, performed "Mr. Tambourine Man" with Dylan at a Roy Orbison tribute concert on February 24, 1990. This live performance of the song was included on the 1990 box set The Byrds. At the October 1992 Bob Dylan 30th anniversary tribute concert at Madison Square Garden, McGuinn performed the song, backed by Tom Petty, Mike Campbell, and Benmont Tench, among others.

In creative works
"Mr. Tambourine Man" has been referenced in books and film, including Tom Wolfe's non-fiction novel The Electric Kool-Aid Acid Test, Stephen King's novel Carrie, the film Dangerous Minds, and the documentary film Gonzo: The Life and Work of Dr. Hunter S. Thompson. The subject of the latter film, journalist Hunter S. Thompson, had "Mr. Tambourine Man" played at his funeral and dedicated his novel Fear and Loathing in Las Vegas to Dylan and the song. Ann Hui's 1990 film Song of the Exile begins with Maggie Cheung riding a bicycle through the streets of London while a street performer plays the song. The 2013 John Craigie song, "I Wrote Mr. Tambourine Man", is about a person that Craigie met in New Orleans who claimed to have written the original lyrics to "Mr. Tambourine Man".

Legacy
The Byrds' version of "Mr. Tambourine Man" was listed as the number 79  song on Rolling Stones list of the 500 Greatest Songs of All Time, and Dylan's version was ranked number 106. It is one of three songs to place twice, along with "Walk This Way" by both Aerosmith and Run-DMC with Perry and Tyler, and "Blue Suede Shoes" by both Carl Perkins and Elvis Presley. The Byrds' version was honored with a Grammy Hall of Fame Award in 1998, and Dylan's version was honored with the same award in 2002.

In 1989 Rolling Stone ranked the Byrds' version of "Mr. Tambourine Man" as the number 86 single of the prior 25 years. That same year, music critic Dave Marsh listed it as number 207 in his list of the top 1001 singles ever made. In 1999, National Public Radio in the United States listed this version as one of the 300 most important American records of the 20th century. In the UK, music critic Colin Larkin listed the Byrds' version as the number 1 single of all time. Other UK publishers that have listed this song as one of the top songs or singles include Mojo, New Musical Express, and Sounds. Australian music critic Toby Creswell included the song in his book 1001 Songs: The Great Songs of All Time and the Artists, Stories and Secrets Behind Them.

In a 2005 reader's poll reported in Mojo, Dylan's version of "Mr. Tambourine Man" was listed as the number 4 all-time greatest Bob Dylan song, and a similar poll of artists ranked the song number 14. In 2002, Uncut listed it as the number 15 all-time Dylan song.

References

Sources:

Books:

 Egan, Sean (2011), The Mammoth Book of Bob Dylan, Hachette UK

 Hartman, Kent (2012), The Wrecking Crew: The Inside Story of Rock and Roll's Best-Kept Secret, Macmillan

 Larkin, Colin (2000), Virgin All-time Top 1000 Albums, Virgin Books
 Lavezzoli, Peter (2006), The Dawn of Indian Music in the West, A&C Black

Websites:

External links
 Lyrics

Songs about musicians
Songs about musical instruments
1965 singles
1965 songs
Billboard Hot 100 number-one singles
Bob Dylan songs
Cashbox number-one singles
Columbia Records singles
Grammy Hall of Fame Award recipients
Irish Singles Chart number-one singles
Song recordings produced by Terry Melcher
Song recordings produced by Tom Wilson (record producer)
Songs written by Bob Dylan
The Byrds songs
Glen Campbell songs
UK Singles Chart number-one singles
Number-one singles in South Africa
Jangle pop songs

Mr. Tambourine Man


Parodia turecekiana ist eine Pflanzenart aus der Gattung Parodia in der Familie der Kakteengewächse (Cactaceae). Das Artepitheton turecekiana ehrt den US-amerikanischen Kakteensammler Victor Turecek.

Beschreibung
Parodia turecekiana wächst einzeln. Die dunkel purpurgrünen, kugelförmigen oder häufig niedergedrückt kugelförmigen Triebe erreichen Wuchshöhen von 3 bis 5 Zentimeter und Durchmesser von 5 bis 15 Zentimeter. Die zwölf bis 13 Rippen sind stark gehöckert und tragen in den Einkerbungen je Rippe nur wenige, 1 bis 1,3 Zentimeter voneinander entfernt stehende, Areolen. Die weißlichen oder gelblichen Dornen besitzen eine rötliche Basis. Die ein bis zwei ungleichen, abgeflachten und häufig verdrehten Mitteldornen fehlen bei Jungpflanzen häufig. Der obere Mitteldorn ist aufwärts, der andere abwärts gerichtet. Sie weisen Längen von 1 bis 4 Zentimeter auf. Die sechs bis neun ungleichen Randdornen liegen an der Trieboberfläche an und sind 1 bis 3 Zentimeter lang.

Die gelben Blüten erreichen Längen von 3 bis 4 Zentimeter und Durchmesser von bis zu 4,5 Zentimeter. Die Narben sind gelb. Die trockenen kugelförmigen Früchte sind mit weißer Wolle bedeckt und 1,4 bis 1,6 Zentimeter lang. Sie enthalten glockenförmige, trüb dunkelbraune Samen von 1,2 Millimeter Länge und 1,5 Millimeter Breite, die gehöckert sind.

Verbreitung, Systematik und Gefährdung
Parodia turecekiana ist in Uruguay im Departamento Río Negro sowie in den argentinischen Provinzen Corrientes und Entre Ríos auf den Lehmböden der Überschwemmungsebenen verbreitet.

Die Erstbeschreibung durch Roberto Kiesling wurde 1995 veröffentlicht. Nomenklatorische Synonyme sind Notocactus turecekianus  (1995), Notocactus mammulosus subsp. turecekianus  (1997, nom. inval. ICBN-Artikel 33.3) und Notocactus submammulosus var. turecekianus  (1999, nom. inval. ICBN-Artikel 33.3).

In der Roten Liste gefährdeter Arten der IUCN wird die Art als "", d. h. als gefährdet geführt.

Nachweise

Literatur

Einzelnachweise

Weblinks

 Fotos

Parodia (Kakteen)
Turecekiana

Parodia turecekiana


Vlad Olteanu ()

Note

Nașteri în 1996
Fotbaliști ai FC Dinamo București

Vlad Olteanu


Michel Larine, né le  à Makiïvka et mort pour la France le  à Bir Hakeim, est un militaire et résistant français d'origine russe, Compagnon de la Libération. Sous-officier expérimenté de la Légion étrangère et des troupes coloniales, il choisit de se rallier à la France libre au début de la Seconde Guerre mondiale. Après avoir combattu au Sénégal et au Gabon, il est envoyé en Libye où il est tué au combat lors de la bataille de Bir Hakeim.

Biographie

Jeunesse et engagement

Michel Larine naît le 29 juin 1906 à Makiïvka, alors dans l'Empire russe. En mars 1925, alors qu'il se trouve en Algérie, il s'engage dans la Légion étrangère. Après ses classes au  régiment étranger ( RE), il est affecté au  régiment étranger d'infanterie avec lequel il participe à la campagne du Maroc. De retour au  RE en août 1927, il est envoyé au Tonkin et y stationne jusqu'en 1930, année où il retourne en Algérie. Muté au  régiment d'infanterie coloniale en mars 1931, il est promu caporal en novembre de la même année puis caporal-chef en juillet 1932. En octobre 1933, il est affecté au  régiment d'infanterie coloniale avec lequel il part au Cambodge. Il est promu sergent en novembre 1934 et retrouve la légion en mars 1936 lorsqu'il est muté au  régiment d'infanterie au Maroc. En octobre 1938, il est promu sergent-chef.

Seconde Guerre mondiale

En février 1940, le sergent-chef Larine fait partie du corps expéditionnaire français envoyé en Scandinavie. De mai à juin 1940, il participe à la campagne de Norvège avant d'être envoyé en Bretagne pour participe à la bataille de France. Devant l'avancée des troupes allemandes, le corps expéditionnaire est contraint de se replier vers l'Angleterre. Le  juillet 1940, comme un certain nombre de ces camarades, Michel Larine choisit de se rallier à la France libre afin de continuer la lutte contre le troisième Reich. Engagé dans les forces françaises libres, il est promu adjudant et affecté à la  demi-brigade de Légion étrangère avec laquelle il participe à l'expédition de Dakar puis à la campagne du Gabon.

Muté au bataillon de marche  (BM1) le 25 mai 1941, il participe à la campagne de Syrie. En janvier 1942, après avoir été promu adjudant-chef, il est affecté à la mission militaire française en Égypte. En avril suivant, il rejoint les rangs de la  brigade française libre indépendante du général Kœnig. Le 9 juin 1942, lors de la bataille de Bir Hakeim, Michel Larine disparaît lors d'un bombardement ennemi. Son corps n'a jamais été retrouvé.

Décorations

Références

Voir aussi

Bibliographie

 .
 .
 .
 .
 .
 .

Articles connexes

 Ordre de la Libération
 Libération de la France

Liens externes

Résistant français
Personnalité ayant servi à la Légion étrangère
Militaire des Forces françaises libres (terrestres)
Compagnon de la Libération
Titulaire de la croix de guerre des Théâtres d'opérations extérieurs
Titulaire de la médaille coloniale
Naissance en juin 1906
Naissance à Makiïvka
Décès en juin 1942
Décès en Libye
Décès à 35 ans
Mort pour la France

Michel Larine


"Når verden bli'r min" er en sang fra den danske poprock-gruppe Bifrost, skrevet af Tom Lundén fra gruppen. Sangen udgjorde den ene side af gruppens femte single fra 1981; på den anden side var "Kan jeg nå dig", skrevet af Ida Klemann. Begge sangene var med på albummet Kassen & hjertet fra samme år. Singlen udkom på Mercury Records.

"Når verden bli'r min " var også med på gruppens andet opsamlingsalbum, Rippet & flået (2006) og det delvise opsamlingsalbum Hjerte til salg (1997).

Musikere
Gruppens besætning på Kassen & hjertet, hvorfra sangen stammer, var følgende:
 Ida Klemann
 Knut Henriksen
 Jeppe Reipurth
 John Teglgaard
 Mikael Miller
 Tom Lundén

Referencer

Singler fra 1981
Bifrost-sange

Når verden bli'r min


Die Junior Chamber International Switzerland (JCIS) oder Junge Wirtschaftskammer Schweiz ist eine Non-Profit-Organisation für junge Führungskräfte im Alter zwischen 18 und 40 Jahren. Ihre Ziele sind die Verständigung zwischen Menschen und Völkern, die Entwicklung von persönlichen Fähigkeiten ihrer Mitglieder, speziell Führungsfähigkeiten, zu fördern und zur Problemlösung in der Gemeinschaft beizutragen. Sie ist selbständiges Mitglied der internationalen Organisation von Junior Chamber International (JCI) und orientiert sich an den Zielen der UN (United Nations, UNO, Vereinte Nationen).

Organisation
Die Vereinigung ist die Dachorganisation von rund 70 angeschlossenen, lokalen Organisationen, die sich Kammern oder Local Organization of Members (LOM) nennen. Den Organisationen gehören rund 3'000 Mitglieder an.
An der Spitze der Organisation steht der Präsident (National President). Er steht dem Nationalkomitee vor, welches aus
 dem Präsidenten (National President)
 dem stellvertretenden Präsidenten (Deputy President),
 dem vorherigen Präsidenten (Past President),
 dem Generalsekretär (Secretary General)
besteht. Daneben haben verschiedene Vizepräsidenten (Executive Vice Presidents) regionale oder inhaltliche Verantwortung.
Alle Funktionen werden in der Regel jährlich neu besetzt (one year to lead).

Geschichte
Die erste lokale Schweizer Organisation entstand 1955 in Genf. Im Jahre 1959 wurde eine zweite Organisation in Lausanne gegründet. Beide Organisationen gründeten die Schweizerische Junge Wirtschaftskammer als Dachorganisation für schweizweite Aktivitäten; sie tritt heute unter der Bezeichnung Junior Chamber International Switzerland auf.

Aktivitäten
Die JCIS und ihre lokalen Organisationen richten sehr unterschiedliche Veranstaltungen zu einem breiten Themenspektrum aus. Hierzu gehören Schulungen und Trainings, Podiumsdiskussionen und auch Sportveranstaltungen. Daneben betreiben und fördern sie soziale und andere Projekte, welche den lokalen Gemeinden und ihren Bürgern zugutekommen sollen. So z. B. zugunsten der MS Schweizerischen Multiple Sklerose Gesellschaft
oder der Stiftung Wunderlampe.

Jährlich findet ein schweizweiter Nationalkongress (NAKO) für die Mitglieder statt.
 2020 Crans-Montana (VS)
2019 Graubünden (GR)
 2018 Bern (BE)
 2017 Zug (ZG)
 2016 Solothurn (SO)
 2015 Genf (GE)
 2014 Fribourg (FR)
 2013 Interlaken (BE)
 2012 Thun (BE)
 2011 Montreux (VD)
 2010 Kreuzlingen (TG)
 2009 Lausanne (VD)
 2008 Zürich (ZH)
 2007 Winterthur (ZH)
 2006 Basel (BS)
 2005 Fribourg (FR)
 2004 Bern (BE)

Weblinks
 Junior Chamber International Switzerland
 Junior Chamber International
JCI Switzerland Business

Einzelnachweise

Wirtschaftsverband (Schweiz)
Gegründet 1995
Organisation (Glarus)
Organisation (Kanton Glarus)


Peter Kenneth Gethin (Ewell, Velika Britanija, 21. veljače 1940. – Ewell, Velika Britanija, 5. prosinca 2011.) je bivši britanski vozač automobilističkih utrka.

Britanski vozači Formule 1

Peter Gethin


Suk or SUK may refer to:

Places
Suk, Iran, a village in Bushehr Province
Suk Qazqan, a village in Markazi Province, Iran
Seh Suk, a village in Lorestan Province, Iran
Suk Samran District, a district of Ranong Province, Thailand
Santi Suk, Chiang Mai, a subdistrict of Doi Lo District, Thailand
Santi Suk, Chiang Rai, a subdistrict of Phan District, Thailand

Acronyms
 The ISO 639 language code for the Sukuma language
 The IATA airport code for the Sakkyryr Airport
 The ICAO airline code for the Superior Aviation Services of Kenya

Other
 Suk (name), a surname and given name
 Josef Suk (composer) (1874–1935), Czech composer and violinist
Suk Chamber Orchestra, named after composer
Josef Suk (violinist) (1929–2011), the composer's grandson, Czech violinist and conductor
Suk Trio, a Czech piano trio founded in 1951
Suk School, a fictional medical school in Frank Herbert's Dune universe
Suk tribe, Kenya

See also

Suck (disambiguation)
souk, an open-air Arab marketplace

Suk


1944 este cel de-al patrulea album de studio al cântăreței ucrainene de origine tătară Jamala. Fiind primul disc destinat piețelor internaționale, el conține doisprezece cântece incluse de artistă pe discurile sale precedente, All or Nothing, Подих și Thank You.

Conținut
Ediție Standard:
 "1944" — 3:00
 "I'm Like a Bird" — 3:33
 "Hate Love" — 3:46
 "Watch Over Me" — 5:47
 "Perfect Man" — 3:45
 "My Lover" — 3:38
 "Drifting Apart" (cu The Erised) — 3:31
 "You've Got Me" — 3:24
 "Thank You" — 3:22
 "With My Eyes" — 4:33
 "Way To Home" — 4:26
 "Breath" — 4:29

Albume din 2016
Albume ucrainene

1944 (album)