قد يشير المصطلح بيرا (Beira) إلى:

بيرا (الأسطورة)، وهي أم جميع الآلهة والإلهات في أساطير أسكتلندا (Scotland) السلتية
بيرا، في جزر الأزور (Azores)، وهي قرية صغيرة تقع في جزيرة ساو جورجي (São Jorge Island).
بيرا، البرتغال، وهي اسم منطقة (ومقاطعة سابقة) في شمال وسط البرتغال؛ هناك ثلاث مقاطعات أطلق عليها هذا الاسم بعد ذلك:
مقاطعة بيرا ألتا (Beira Alta Province) (مندثرة)
مقاطعة بيرا بيكسا (Beira Baixa Province) (مندثرة)
مقاطعة بيرا ليتورال (Beira Litoral Province) (مندثرة)
بيرا موزمبيق (Beira, Mozambique)، وهي مدينة ساحلية في موزمبيق
شركة السكة الحديد بيرا (Beira Railroad Corporation)، التي تعمل في موزمبيق
أمير بيرا (Prince of Beira)، وهو لقب في البيت الملكي البرتغالي
بيرا (ظبي) (الاسم العلمي Dorcatragus megalotis)، وهو نوع من الظباء
بيرا 1474 (1474 Beira)، وهو أحد الكويكبات

صفحات توضيح أسماء أماكن

بيرا (توضيح)


Takashi Inui (født 2. juni 1988) er en japansk fodboldspiller.

Japans fodboldlandshold

|-
|2009||1||0
|-
|2010||2||0
|-
|2011||0||0
|-
|2012||3||0
|-
|2013||6||0
|-
|2014||2||2
|-
|2015||||
|-
!Total||14||2
|}

Eksterne henvisninger

Japan National Football Team Database

Fodboldspillere fra Japan
Deltagere ved verdensmesterskabet i fodbold 2018

Takashi Inui


Michael Ettl (* 7. Oktober 1975 in Graz) ist ein ehemaliger österreichischer Mixed-Martial-Arts-Kämpfer und Leichtathlet. Nach seiner aktiven Sportkarriere wurde er Trainer beim Ettl Bros. Team und Veranstalter in der Mixed-Martial-Arts-Szene in Österreich. Des Weiteren zählt er zu den Mitbegründern des Mixed Martial Arts in Österreich und ist Erfinder des Trainingsystems "Cross Sports".

Lebenslauf
Ettl wurde in Graz geboren und ist österreichischer Staatsbürger. Bereits in frühen Jahren erhielt Michael Ettl Kampfsportunterricht von seinem Vater und erlernte verschiedenste Kampfsportarten. Später eröffnete er mit seinem Bruder Gerhard Ettl eine eigene Kampfsportschule und unterrichtete viele Schüler aus ganz Österreich auf dem relativ unangetasteten Gebiet der gemischten Kampfsportarten. Nach seiner aktiven Karriere als Kämpfer gründete er zusammen mit seinem Bruder Gerhard Ettl die Ettl Bros. (Ettl Brothers), eine Eventagentur für gemischte Kampfkünste in Österreich und organisiert selbst Mixed Martial Arts Events. Parallel dazu entwickelte er das Trainingssystems mit dem Namen "Cross Sports". Die gemeinsame Arbeit mit seinem Bruder verschaffte dem Freefight bzw. den gemischten Kampfkünsten große Popularität. Somit gelten sie als Mitbegründer der Mixed Martial Arts (gemischte Kampfkünste) Szene bzw. des Freefights in Österreich bzw. als Initiatoren der Mixed Martial Arts Sport Association Austria, dem MMA-Verband in Österreich.

Kampfsport und Stile

Training
Das Kampfsporttraining nahm Michael in Judo, Jiu-Jitsu und Ringen auf, wobei er danach Taekwondo und Boxen zusätzlich erlernte. Später folgte noch Kick- und Thaiboxen, wodurch durch die Ausübung der verschiedenen Kampfsportarten der Grundstein für seine Mixed-Martial-Arts-Karriere gelegt wurde. In der Jugend besuchte er eine Sportschule mit dem Schwerpunkt Leichtathletik und bestritt professionelle Wettkämpfe in den olympischen Disziplinen (100- und 200-m-Sprint, Weit- und Hochsprung, Speer- und Diskuswurf und Kugelstoßen). Im Jahr 1990 wurde Michael Ettl österreichischer Jugendstaatsmeister in den Kategorien 100- und 200-m-Sprint. Trotzdem war der Kampfsport immer ein Teil seiner sportlichen Interessen und er entwickelte sich in beiden Sportarten stetig weiter. 2007 beendete er seine aktive Sportkarriere.

Qualifikationen
 4. DAN Schwarzgurt im Kickboxen nach ISKA,
 3. Dan Schwarzgurt Jiu Jitsu nach FFA Version,
 3. Dan Schwarzgurt im Kickboxen nach WKA,
 1. Kup Rot-Schwarzgurt im Taekwondo nach Version WTF.

Erfolge als aktiver Kämpfer
 2001–2003 Austrian Champion Mixed Martial Arts der AFVA - Austrian Freefight und Vale Tudo Association
 2001–2003 European Profi MMA Champion der FNC (Fight Night Championship)
 2006 Winner To Hot too Handle "2Hot2Handle" in Holland gegen Anil Dubar
 2007 Winner Cage Fight Series 1 gegen Sergej Maslobojev

Kampfstatistik
Kampfstatistik laut der MMA-Plattform Sherdog:

Kampfsportschule und Trainertätigkeit

Kampfsportschule
Die erste Kampfsportschule gründete Michael Ettl zusammen mit seinem Bruder Gerhard im Jahre 1990 in Graz (Hollywood Budo Center). Im Jahr 1998 kam es zu einer Neueröffnung mit dem Kihaku-Dōjō, welche 2001 nochmals auf 550 m² Fläche vergrößert und in Sharks Gym umbenannt wurde. In der Schule wurde ab 1993 erstmals Thaiboxen in der Steiermark unterrichtet und nach 1997 Freefight (heute MMA) und Vale Tudo Training für eine bereite Öffentlichkeit in Österreich angeboten.

Am 14. Jänner 2013 eröffnen sie das Champions Gym in Graz. Auf 800 m² Fläche bietet das Gym Kampfsport und Fitness-Training für Hobby- sowie Profi-Sportler.

Erfolge als Trainer
Als Trainer des Ettl Bros. Teams gehören folgende Kämpfer zu seinen Schülern:
 Predrag Krsikapa, mehrfacher österreichischer Meister im MMA
 Julia Dorny, 3. Platzierte IMMAF Weltmeisterschaft 2017, Europa- und Weltmeisterin IMMAF 2018
 Hans Lackner, IMMAF Weltmeister 2014 in Las Vegas
 Sascha Weinpolter, mehrfacher österreichischer Meister im MMA
 Rene Wollinger, amtierender österreichischer Champion im Halbschwergewicht und Europameister der MAXFC im MMA
 Jasminka Cive, österreichische Meisterin und Weltmeisterin der MAXFC im Frauen MMA
 Florian Aberger, 2-facher Bronzemedaillengewinner der IMMAF und 2-facher österreichischer Staatsmeister im Kickboxen und MMA
 Bogdan Grad, 2-facher Österreichischer Staatsmeister im Kickboxen und MMA
 Harald Fischer, mehrfacher österreichische Meister im MMA
 Stefan Traunmüller

Folgende Titel wurden unter ihm errungen:
 6 österreichische Staatsmeister im Kickboxen nach Version IAKSA (1989–1993)
 3 österreichische Profichampions im K-1 Style nach Version WKA und ISKA (1999–2008),
 14 österreichische Amateurmeister im MMA und Kickboxen nach Version WKF (2009–2017)
 21 österreichische Profititel im MMA nach Version FFA und MMA-Austria (1999–201z)
 4 Profieuropatitel im MMA nach Version FFA und MaxFC (2003–2012)
 1 Profiweltmeistertitel im MMA nach Version MaxFC (2012)
 2 Goldmedaillen, MMA Weltmeisterschaften der IMMAF in Las Vegas (2014) und Bahrain 2018
 8 Bronzemedaillen auf Europa- und Weltmeisterschaften der IMMAF (2015–2017)

Das gesamte Ettl Bros. Kampfteam besteht aus über 20 MMA Kämpfern, wovon über die Hälfte als Profisportler aktiv sind.

Die Ettl Bros. coachen seit 2014 das Österreichische Nationalteam im MMA und 2017&2018 bei der WM in Bahrain betreuten sie zusätzlich das Deutsche Nationalteam. In Bahrain holen ihre Athleten 2 Bronzemedaillen für Österreich und 1 Bronze- und 1 Goldmedaille für Deutschland.

Veranstalter & Fitnesscoach
Seit 2007 veranstalten Michael und Gerhard Ettl die Cage Fight Series, die zu den größten MMA Events In Europa zählt. Es finden jährlich zwei große Austragungen statt, zum einen die Newcomer-Challenge und zum anderen der Main Event die Cage Fight Series. Bei der Newcomer-Challenge sollen neue Talente entdeckt und auch gefördert werden. Auf dem Programm der CFS stehen Profi-Kämpfe in den gemischten Kampfsportarten, wobei die härtesten Kämpfer Österreichs ermittelt werden sollen. Im Jahr 2008 Cage Fight Series ermittelt den 10.000 Euro Champion und setzt das höchste Preisgeld Europas aus. Die Popularität der Cage Fight Series stieg aufgrund des professionellen Marketing und zunehmender Medienpräsenz, denn die Cage Fight Series 6 wurde vom Kampfsportsender "GnP TV" kommentiert und übertragen.

Da ein MMA Kampf extrem hohe Fitness in allen Bereichen voraussetzt, entwickelte Michael Ettl im Jahr 2011 als Trainer für das Ettl Bros. Team und mittlerweile auch für die breite Öffentlichkeit zugängliches Trainingsprinzip namens "Cross Sports", das alle sportlichen Fähigkeiten in sich vereint: Kraft, Kraftausdauer, Schnelligkeit, Beweglichkeit und Kondition. Aufgrund der Erfahrung in vielen Sportarten und im Wettkampfbereich wird das Wissen und die Trainingsmethode von Cross Sports an zukünftige Trainer und Profiathleten aus verschiedenen Sportdisziplinen weitergegeben. Dabei werden Seminare organisiert und das Trainingsprinzip an Sportler weitergeben. Cross Sports ist seit 2011 eine geschützte Marke.

Einzelnachweise

Weblinks

 Team Ettl Bros. - offizielle Webseite
 Cross Sports - offizielle Webseite

Mixed-Martial-Arts-Kämpfer (Österreich)
Ju-Jutsuka (Österreich)
Kickboxer (Österreich)
Taekwondoin (Österreich)
Sportler (Graz)
Österreicher
Geboren 1975
Mann

Michael Ettl


Hymenocallideae, biljni tribus iz porodice zvanikovki. Ime je dobio po rodu trajnica himenokalis (Hymenocallis) raširenom po Sjevernoj i južnoj Americi. Postoji ukupno 76 priznatih vrsta unutar tri roda

Rodovi
 Hymenocallis Salisb.
 Ismene Salisb. ex Herb.
 Leptochiton Sealy

Izvori

Zvanikovke

Hymenocallideae


În Dansul profan, Debussy exploatează toate posibilitățile variaționale libere, ce vor fi prezente de-a lungul întregii piese influentând însăși structura formală.  Tempourile sunt și ele esențiale în economia compozițională a piesei. Dacă Dansul sacru are un singur tempo de bază, care pe alocuri prezintă mici variații ce-i dau fluiditate și elasticitate, Dansul profan are mișcări diferite, uneori, foarte contrastante. Varietatea agogică creează o stare de ușoară instabilitate și de pulsație mereu schimbătoare, o balansare continuă.
Este de asemenea de remarcat marea varietate și complexitate ritmică a Dansului profan.  În Dansul sacru sunt întâlnite doimi, pătrimi, optimi, triolete de doimi și pătrimi și, doar în final, treizeci doimi și o singură notă lungă, dar nici o șaisprezecime, pe când în Dansul profan se întâlnesc majoritatea combinațiilor de valori.
Al doilea dans este o lucrare unde se întâlnesc majoritatea modurilor de atac de care dispune harpa, atât tradiționale, cât și cele de ultimă oră. Debussy utilizează cu genialitate toate mijloacele pentru o valorifica instrumentul solist: arpegii, game, acorduri, octave, sunete naturale, flajolete, triluri, apogiaturi, bisbigliando, glissandouri, sunete detașate, staccato, legato, tenuto,  combină sunetele naturale cu cele armonice ș.a.m.d.
Tranziția de la primul la al doilea dans se face printr-un enchainez = legați, înlănțuiți, care arată că între ele nu se face pauză și că dimpotrivă, trecerea este lină, continuă astfel încât retenu-ul final să pregătească tempo-ul Dansului  profan: Modéré (q = 152), în care valoarea de doime cu punct din ultima măsură a Dansului sacru să aibă aproximativ durata unei măsuri din Dansul profan.

Dansul profan este un rondo – ABACA – construit pe principiul variațional. Refrenul A este compus din măsurile 1 până la 54. Tema inițială a refrenului – a1 apare la cele două viori și violă, într-o prezentare izoritmică, unde melodia este încredințată primei viori. Această temă are particularitatea că începe anacruzic, pe timpul al doilea, octavele harpei, constituind fundamentul armonico-ritmic cruzic. La prima sa apariție, tema este expusă în pp, iar la reluare (măsurile 9-14) apare ca un ecou, fiind notată più pp.

Tema a2 se întinde între Animez și următorul a tempo (măsurile 15-22), formând o perioadă de opt măsuri. Aici, materialul tematic, expus de violoncel și violă, este o melodie în pizzicato, construită pentatonic, pe sunetele: mi – sol – la – si – re, peste care este suprapus stratul ornamental asigurat de cascada sonoră de acorduri și arpegii ascendente și descendente realizate de harpă.

Tema a1 este reluată puțin modificat (măsurile 23-36), fiind prezentată simultan în două ipostaze diferite, dar asemănătoare: harpa expune cruzic o variantă  augmentată ritmic, în flajolete, fiind dublată de violoncel și  contrabas, iar restul orchestrei reia expunerea originală – anacruzică.Tema a1 este reluată identic de orchestră, noutatea apărând la harpă în măsurile 31-36, sub forma  unor ghirlande sonore cu aspect de variațiune netematică.

Tema a2 revine doar cu prima frază (măsurile 37-40).  Elementul de noutate îl reprezintă trilul viorii a doua – constituind o pedală de mi bemol, dublată de harpă în bisbigliando.  De data aceasta pentatonia se realizează pe sunetele: mi bemol - fa becar – sol -  la - do becar, și se desfășoară pe o dublă pedală: la-mi bemol.

La ultima revenire a temei a1 (reperul 3), Debussy adduce o nouă distribuție a rolurilor, tema apărând pentru prima dată la harpă - în versiunea ritmică originală și în expunere armonică - iar  orchestra atacă cruzic.

Fragmentul de la Animez la următorul a tempo (măsurile 55-62) poate fi socotit o secțiune tranzitorie, cu funcție de concluzie a refrenului.  Aici harpa cu pedale dă un examen sever în ceea ce privește posibilitățile de a cânta pasaje intens cromatizate.

Grupul tematic B   apare în măsurile 63-92 după o formidabilă explozie de energie, unde tensiunile încep să se calmeze.
Tema b1 pare cunoscută, fiind de fapt o variantă a  temei a1, cu care seamănă și de care se deosebește totodată. Începe cu o introducere de orchestră - ca o pregătire pentru apariția temei propriu-zise, tema fiind prezentată de harpă în modul do major melodic, într-o combinație timbrală de flajolete și sunete naturale, ce creează un joc inedit de culori și un interesant efect de repetitivitate, obținut prin suprapunerea sunetelor naturale peste sinonimele lor armonice, procedeu întalnit și în Introducere și Allegro de Ravel.

Tema b2 cuprinsă în măsurile 78-84 are un pronunțat profil ornamental, ce permite harpei să realizeze figurații ritmico-melodice, ce se desfășoara pe acompaniamentul orchestrei, ce oscilează între major și minor.
La Animez  (reperul 4) începe o nouă tranziție în care sunt suprapuse două tipuri de pedale: una ritmico-armonică la harpă și una armonică - acordul de do major al orchestrei - care realizează un diminuendo orchestral și dinamic.

Refrenul (măsurile 93-108) revine concentrat la tema a1 în varianta inițială, fiind format din două perioade. În prima perioadă (măsurile 93-100) tema este expusă de orchestră, iar harpa realizează o linie ornamentală, iar în perioada a doua (măsurile 101-108) este diferită de prima, având un profil dinamic contrastant.  Aici orchestra continuă dezvoltarea tematică pe alte armonii, iar harpa schimbă complet registrul, desfășurând arpegii descendente de septimă.

Cupletul C (măsurile109-122) debutează la Le double moins vite (Tempo rubato), într-o mișcare de două ori mai lentă decât tempoul de bază, aducând o muzică contrastantă, complet diferită și fără nici o asemănare cu ce a fost până acum, sau cu ce va urma.

Legătura cu ultimul refren se face printr-o a treia tranziție - a Tempo, Animez (măsurile 123-129) - construită pe sextolete și treizecidoimi, cu rol dinamizator în primele patru măsuri, și un calando spre final (dim. molto, retenu).  Interesant este aici momentul de legătură cu tranziția (măsurile 122-123), întrucât trecerea se face abrupt și ca tempo și ca nuanță și ca stare și, mai ales, din punct de vedere armonic. Se modulează la șapte cvinte, respectiv, de la patru diezi la trei bemoli.
Dacă la harpa cromatică acest fapt nu ridica nici o problemă tehnică, deoarece acest instrument are toate coardele corespunzătoare sunetelor gamei cromatice, pe harpa cu pedale trebuie schimbate șapte pedale pe ultimul timp al măsurii, lucru imposibil de realizat, soluția fiind schimbarea pedalelor din timp după arată exemplul de mai jos:

La măsura 217 se produce o situație inedită: după un calando se aduce brusc un tempo mai rapid, de fapt cel mai rapid tempo din toată lucrarea 10 Tempo I (Un peu plus mouvmenté), având ca avantaj atragerea atenției și creșterea interesului ascultătorului.
Refrenul (măsurile 217-232) revine pentru ultima oară, expunând tema a1 aproape identic cu prima sa apariție. Tema este încredințată orchestrei, iar harpa o însoțește, realizând o variațiune acordică pe armonii complementare, și apogiaturi cu rol coloristic și dinamizator, menite să dea un caracter vesel întregului discurs muzical.
La reperul 6 începe Coda- secțiune ce reprezintă o încununare a tot ceea ce s-a petrecut pe parcursul celor două Dansuri. Prima storfă este construită pe elemente din tema a1 augmentate ritmic, expuse de orchestră, în timp ce harpa are mers acordic, constituind o variațiune ritmică a temei orchestrei. În strofa a doua(măsura 154)  orchestra cântă  o pedală de re, în timp ce  harpa desfășoară arpegii largi pe acordul de re minor cu sunete adăugate. Aceste arpegii sunt greu de realizat cu precizie și acuratețe, de aceea au fost căutate variante mai ușoare, prin realizarea sinonimiilor pe sunetele fa diez = sol bemol și si = do bemol.
Se realizează o sonoritate puternică și generoasă (ff), care creează o zonă de mare tensiune și dramatism, reprezentând  punctul culminant al întregii lucrări.
În epodă (măsurile 160-163) se revine la modul major pe re, orchestrei fiindu-i repartizată pedala de cvintă, iar harpei arpegiul complet. Nuanța și tensiunea scad treptat până aproape de dispariție. În ultima măsură, Debussy, surprinde din nou prin nuanța de ff subito și revenirea la tempo-ul Retenu, realizând un final mai interesant și atractiv.
După cum s-a văzut, Dansurile de Claude Debussy au o valoare inestimabilă, lucrarea putând fi considerată o adevărată capodoperă a genului, ce necesită din partea interpretului o înaltă calificare.

Compoziții de Claude Debussy

Dans profan (Claude Debussy)


Aceasta este o listă a producătorilor de laptopuri ordonată pe țări.

Vezi și
 Laptop
 Lista producătorilor de telefoane mobile pe țări

Lista producătorilor de laptop-uri pe țări


Myjaylo Ivánovych Tuhán-Baranovskyy (ucraniano: Михайло Іванович Туган-Барановський; Solonom, Járkov, 20 de enero de 1865-Odesa, 21 de enero de 1919), fue un economista y político ucraniano, autor de numerosos trabajos sobre la teoría del valor, la distribución de un ingreso social, el ciclo económico, la historia del desarrollo empresarial y la cooperación. Su padre era descendiente de los tártaros de Lipka y su madre ucraniana.

Vida académica y marxismo legal
Estudió Matemáticas, Derecho y Economía y se graduó en la Universidad de Járkov. Realizó estudios de posgrado en Inglaterra en 1892.

Su primer trabajo científico fue publicado en la revista Yuridícheski Véstnik (Noticiero de la Jurisprudencia) y se tituló "El estudio de la utilidad marginal de los bienes de consumo como la razón de su valor" (Uchenie o predel'noi poléznosti joziáystvennyj blag kak prichina ij tsénnosti), en el cual confrontó críticamente las teorías del valor trabajo y la utilidad marginal. También escribió notas biográficas sobre la vida de Proudhon y John Stuart Mill.

Por su obra "La crisis industrial en la Inglaterra contemporánea, sus motivos y su influencia en la vida pública", recibió en 1884 la maestría en Economía política de la Universidad de Moscú. En 1895 se convirtió en miembro de la Asociación Económica Libre, de la cual fue nombrado presidente en 1896 y en la que participó activamente de los foros de discusión entre populistas y marxistas. Junto con Piotr Struve se convirtió en un partidario del que Lenin llamó "marxismo legal".

Desde 1895 Tuhán-Baranovskyy se desempeñó como profesor privado (sin salario), de Economía Política en la Universidad de San Petersburgo, pero fue despedido en 1899 debido a sus puntos de vista liberales.

Por su obra "La fábrica rusa de ayer y hoy", en 1898 recibió un doctorado de la Universidad de Moscú.

Período neokantiano
Entre 1901 y 1905 participó en la vida pública de la región de Poltava, donde se unió a los zemstvo locales (una forma de gobierno local). Más tarde regresó a San Petersburgo, a dictar clases como docente privado y como profesor en los departamentos de Economía de varios politécnicos e institutos locales comerciales y también en la universidad privada de Shaniavsky, en Moscú. Por esa época se distanció de los puntos de vista del marxismo legal hacia el neokantismo, lo que se reflejó en sus diversas obras sobre el movimiento cooperativo.

Publicó entre 1901-1902 sus "Apuntes de Historia de la Economía Política" en la revista Bogatstvo Naródnoe (Riqueza Nacional), donde se describe la historia de las doctrinas de la economía en el Imperio ruso y, en 1903 "Notas de la historia reciente en economía política". Más tarde publicó otras obras en ruso y alemán. Desde 1906 él fue el jefe de redacción de Véstnik Kooperátsii (Noticiero de Cooperativas). En la Universidad de San Petersburgo fue tutor de Nikolái Kondrátiev, con quien compartió la hipótesis de las ondas largas de la economía.

Ucrania
Antes de la Primera Guerra Mundial, trabajó, junto con Myjailo Hrushevsky y otros académicos de Ucrania, en la enciclopedia Ukrainsky narod v egó próshlom i nastoyáschem (La nación ucraniana en su pasado y presente).

Fue miembro y secretario general del Partido Socialista Federalista de Ucrania y Secretario de Finanzas de la República Popular de Ucrania, entre el 13 de agosto y el 20 de noviembre de 1917, fecha en que renunció a sus cargos por estar en desacuerdo con tercera proclama universal de la Rada Central.

En 1919 apareció su primera publicación en ucraniano, "La cooperación, su naturaleza y objetivos". Se continuaron publicando póstumamente otras obras suyas hasta 1923.

Mijaíl Tugán-Baranovski fue uno de los fundadores de la Academia Nacional de las Ciencias de Ucrania.

Obras en español
 Los fundamentos teóricos del marxismo, Hijos de Reus, 1915.
 El socialismo moderno, Reus, 1921.

Referencias

Enlaces externos

Economistas de Rusia del siglo XIX
Economistas de Ucrania
Tártaros
Alumnado de la Universidad de Járkov
Economistas de Rusia del siglo XX
Científicos de Ucrania
Marxistas
Economistas marxistas
Ucranianos del siglo XIX
Ucranianos del siglo XX

Mijaíl Tugán-Baranovski


Kišobranasta jela (Japanska pršljenka, pršljenka, lat. Sciadopitys),  monotipski rod koji čini samostalnu porodicu Sciadopityaceae, red borolike. Jedina vrsta je Sciadopitys verticillata, japanska pršljenka ili Kišobranasta jela, zimzeleno crnogorično drvo čija je domovina japanski otoci Shikoku i Honshu. Smatra se da ova vrsta na zemlji živi već 230 milijuna godina i nema živih srodnika.

Deblo je promjera do 4 metra a nareste do 30 metara visine. Grane su joj kratke i horizontalne a krošnja uska, gusta i piramidalna. Odgovara joj plodno tlo i sjenovito mjesto, a otporna je na temperature do -25°C.

U Japanu se često sadi u predvorjima hramova.
Ime roda dolazi od grčkih riječi skias (sjena) i pitys (jela).

Vanjske poveznice

Izvori

Borolike

Kišobranasta jela


Der er et yndigt land er en dansk propagandafilm fra 1938 instrueret af A. Langgaard Nielsen.

Handling
Propagandafilm for DNSAP.

Referencer

Se også
 DNSAP Propagandafilm

Eksterne henvisninger

Dokumentarfilm fra Danmark
Propagandafilm fra Danmark
Danske film fra 1938
Nazisme i Danmark

Der er et yndigt land (dokumentarfilm)


Gândirea magică este un termen utilizat în antropologie, filozofie și psihologie, denotând relații cauzale între acțiuni și evenimente. Există diferențe minore în semnificație la anumiți teoreticieni precum și între domeniile de studiu.

În antropologie, acesta denotă atribuirea cauzalității între entități grupate una cu cealaltă (coincidență) sau similare între ele.

În psihologie, entitățile între care trebuie să fie propusă o relație cauzală sunt mai strict delimitate; aici denotă credința că numai gândurile cuiva pot produce efecte în lume sau că gândirea despre ceva corespunde realizării. În ambele cazuri, credința poate cauza teamă persoanei, aparent nejustificată pentru un observator din afara sistemului de credință, de a efectua anumite acțiuni sau având anumite gânduri datorită unei presupuse corelații între a face așa și proferarea calamității.

În psihiatrie, gândirea magică este o tulburare de gândire prin conținut; aici denotă falsa credință că gândurile, acțiunile, sau cuvintele cuiva vor produce sau preveni o anumită consecință într-un mod care sfidează legile obișnuit înțelese ale cauzalității.

Antropologie
În religie, folclor, și credințe superstițioase, cauzalitatea propusă este între ritualul religios, rugăciune, sacrificiu, sau respectarea unui tabu, și un beneficiu sau recompensă așteptată.

Cercetătorii au identificat două posibile principii ca și cauze formale ale atribuirii de relații cauzale false:

  contiguitatea temporală a două evenimente
 "gândirea asociativă", asocierea de entități pe baza asemănării între acestea

Proeminenți teoreticieni victorieni au identificat gândirea asociativă (un aspect comun al practicanților magiei) ca formă caracteristică de iraționalitate. Ca la toate formele de gândire magică, despre noțiunile de cauzalitate bazate pe asociere și similarități se spune că nu reprezintă totdeauna practicarea magiei de către un magician. De exemplu, doctrina semnăturilor susținea că asemănările dintre părțile unei plante și părțile corpului indicau eficiența acestora în tratarea bolilor acelor părți ale corpului, și făcea parte din medicina vestică în timpul Evului mediu. Această gândire pe bază de asociere este un exemplu viu al aplicării generale omenești a euristicii reprezentativității.

Vezi și
 Pareidolie
 Psihologia artei
 Gândire deziderativă, formarea de credințe și luarea de decizii conform cu ce ar putea fi satisfăcător în loc de legătura cu realitatea, raționalitatea sau evidențele.

Referințe

Legături externe

Cogniție
Biasuri cognitive

Gândire magică


Focus: das zeitkritische Magazin () war eine bedeutende nonkonformistische Schweizer Studentenzeitschrift, die von 1969 bis 1979 existierte.

Focus war unter anderem «Sprachrohr» von Schriftstellern wie Walter Matthias Diggelmann, Sergius Golowin und Hans Mühlethaler.

Erscheinungsverlauf
Focus wurde 1969 von Peter W. Baumann gegründet, der auch erster Chefredaktor des Magazins war. Es erschien von 1969 bis 1979 in 110 Ausgaben beim Focus-Verlag in Zürich. Ab 1972 hatte es ein neues Format. 1973 absorbierte es die Zeitschrift Agitation (). 1979 fusionierte es mit der LeserZeitung () und bildete den Tell ().

Einzelnachweise

Zeitung (Schweiz, Erscheinen eingestellt)
Studentenzeitschrift
Medien (Zürich)
Erscheinen eingestellt 1979
Ersterscheinung 1969

Focus: das zeitkritische Magazin


Karl Bäßler (* 23. Mai 1915 in Leipzig; † 9. Februar 1997 in Windeck) war ein deutscher Politiker (SPD).

In der Weimarer Republik war Bäßler Mitglied des Deutschen Metallarbeiter-Verbands, der SAJ und der SPD. Nach dem Zweiten Weltkrieg war er kurze Zeit Nachrücker in der Berliner Stadtverordnetenversammlung für Helmut Mattis (1905–1987).

Literatur

Mitglied der Stadtverordnetenversammlung (Berlin)
SPD-Mitglied
Deutscher
Geboren 1915
Gestorben 1997
Mann

Karl Bäßler (Politiker)


Litmanová este o comună slovacă, aflată în districtul Stará Ľubovňa din regiunea Prešov. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 637 de locuitori.

Istoric
Localitatea Litmanová este atestată documentar din 1412.

Note

Legături externe

Localități din Slovacia

Litmanová


أداء رئيس الولايات المتحدة للقسم الرئاسي هي احتفالية بمناسبة بدء ولاية جديدة مدتها أربع سنوات لرئيس الولايات المتحدة. يقام هذا الاحتفال لكل فترة رئاسية جديدة، حتى لو كان الرئيس مستمرًا في منصبه من أجل ولاية ثانية. منذ عام 1937، تقرر الحفل ظهرًا بتوقيت شرق الولايات المتحدة في 20 يناير، في اليوم الأول من الولاية الجديدة، بعد 72 إلى 78 يومًا من الانتخابات الرئاسية، باستثناء ثلاث مناسبات عندما صادف 20 يناير يوم الأحد. في تلك السنوات، أُدّي القسم الرئاسي في ذلك اليوم بشكل خاص ثم مرة أخرى في حفل عام في اليوم التالي، يوم الاثنين 21 يناير، وقد أقيم حفل التنصيب (القسم) الرئاسي الأخير في 20 يناير 2021، عندما بدأ جوزيف بادين ولايته رسميًا. ومن المقرر إجراء الحفل المقبل في 20 يناير 2025.

تلاوة القسم الرئاسية هي العنصر الوحيد في هذا الحفل المنصوص عليه في دستور الولايات المتحدة (المادة الثانية، القسم الأول، البند 8). على الرغم من أن ذلك ليس مطلبًا دستوريًا، لكن عادة ما يؤدي رئيس القضاة اليمين الرئاسية. منذ عام 1789، أُدّي القسم في 58 حفل تنصيب عام مجدول، من قبل 15 رئيس قضاة، وقاض مشارك واحد، وقاض واحد من ولاية نيويورك. وقام آخرون -بالإضافة إلى رئيس المحكمة العليا- بأداء قسم المنصب للعديد من نواب الرئيس التسعة الذين خلفوا في الرئاسة بعد وفاة سلفهم أو استقالته خلال الفترة.

منذ حفل رونالد ريغان عام 1981، أقيم الحفل في الواجهة الغربية لمبنى الكابيتول بالولايات المتحدة مقابل ناشونال مول مع نصب واشنطن التذكاري الشهير ونصب لنكولن التذكاري البعيد. أقيمت مراسم أداء اليمين الأخرى على منصة فوق الدرجات في الرواق الشرقي لمبنى الكابيتول على أساس منتظم لمدة 180 عامًا، وأحيانًا داخل غرفة مجلس الشيوخ القديمة على الجانب الشمالي القديم، غرفة مجلس النواب في الجنوب والجناح المستدير المركزي تحت القبة. كان آخر حفل تنصيب مقرر بانتظام لا يجري في مبنى الكابيتول هو التنصيب الرابع لفرانكلين روزفلت في عام 1945، الذي أقيم في البيت الأبيض.على مر السنين، نشأت تقاليد مختلفة وسعت الافتتاح من حفل بسيط لأداء اليمين إلى حدث يستمر طوال اليوم، بما في ذلك المسيرات والتجمعات الاجتماعية المتعددة. يُنقل الحفل عادة على الهواء مباشرة عبر شبكات التلفزيون الإخبارية والتلفزيونية التجارية الكبرى في الولايات المتحدة؛ العديد منها أيضًا يبثها مباشرة على مواقع الويب الخاصة بهم.

عندما يتولى رئيس ما مهام منصبه خلال فترة الرئاسة، يتم حفل التنصيب بدون أبهة أو ضجة. من أجل تسهيل الانتقال الرئاسي السريع في ظل ظروف استثنائية، يؤدي الرئيس الجديد اليمين الدستورية في حفل بسيط وعادة ما يخاطب الأمة بعد ذلك.

مراسم التنصيب

تواريخ
حدث التنصيب الأول -وهو تنصيب جورج واشنطن- في 30 أبريل 1789. وأقيمت جميع عمليات التنصيب اللاحقة (العادية) من عام 1793 حتى عام 1933، في 4 مارس، وهو اليوم الذي بدأت فيه الحكومة الفيدرالية عملها بموجب دستور الولايات المتحدة. في عام 1789. كان الاستثناء من هذا النمط هو تلك السنوات التي وقع فيها الرابع من مارس يوم أحد. عندما حدث ذلك، كان حفل الافتتاح العام يوم الاثنين 5 مارس. حدث هذا في أربع مناسبات، في 1821 و1849 و1877 و1917. وانتقل يوم التنصيب إلى 20 يناير ابتداء من عام 1937، بعد التصديق على التعديل العشرين للدستور، إذ بقي منذ ذلك الحين. أُجري استثناء مماثل يوم الأحد حيث أُجل الحفل إلى يوم الاثنين (والذي حدث في 1957 و1985 و2013).

نتج عن ذلك العديد من الحالات الشاذة: كانت الرئاسة شاغرة من الناحية الفنية لمدة 24 ساعة في عام 1821، وفي عام 1849، يُزعم أن الرئيس المؤقت لمجلس الشيوخ ديفيد رايس أتشيسون كان رئيسًا لمدة يوم واحد. في عام 1877، أدى رذرفورد ب.هايز اليمين سرًا في 3 مارس بسبب الجدل حول تسوية 1877. في العصر الحديث، أدى الرئيس اليمين يوم الأحد في حفل خاص وكررها في اليوم التالي. في عامي 1985 و2013 بُثت هذه الاحتفالات على التلفزيون. حدثت عمليات التنصيب غير المنتظمة في تسع مناسبات خلال فترة الولاية، بعد وفاة الرئيس أو استقالته.

يجري الاحتفال بيوم التنصيب، رغم أنه ليس عطلة فيدرالية، كعطلة من قبل الموظفين الفيدراليين الذين سوف يعملون في منطقة يوم التنصيب. تتكون منطقة يوم التنصيب من مقاطعة كولومبيا؛ مقاطعتا مونتغمري والأمير جورج في ماريلاند؛ مقاطعتا أرلينغتون وفيرفاكس في فيرجينيا [تعد مدينة فيرفاكس جزءًا من مقاطعة فيرفاكس لهذا الغرض]، ومدينتي الإسكندرية وفولز تشيرش في فيرجينيا، والذين من المقرر بانتظام أداء أعمال غير إضافية في يوم التنصيب. لا توجد عطلة بديلة للموظفين أو الطلاب الذين لم يُجدولوا بانتظام للعمل أو الذهاب إلى المدرسة في يوم التنصيب.

المواقع
أقيمت معظم مراسم التنصيب الرئاسية منذ 1801 في واشنطن العاصمة في مبنى الكابيتول. أقيمت مراسم التنصيب السابقة، أولًا في القاعة الاتحادية في مدينة نيويورك (1789)، ثم في قاعة الكونغرس في فيلادلفيا، بنسلفانيا (1793 و1797). كانت كل مدينة في ذلك الوقت، عاصمة الأمة. نُقل موقع أداء اليمين لجيمس مونرو عام 1817 إلى مبنى الكابيتول القديم في واشنطن بسبب أعمال الترميم التي كانت جارية في مبنى الكابيتول بعد حرب عام 1812. في عام 1909، نُقل تنصيب وليام إتش تافت إلى غرفة مجلس الشيوخ بسبب عاصفة ثلجية. ثلاث حفلات تنصيب أخرى - الرابعة لفرانكلين دي روزفلت (1945)، والأولى لهاري س.ترومان (1945)، وجيرالد فورد (1974) - عقدت في البيت الأبيض. كانت مراسم التنصيب الرئاسية (لا تشمل الاحتفالات داخل الولاية بعد وفاة الرئيس أو استقالته) عادة احتفالات عامة في الهواء الطلق. كان أندرو جاكسون، في عام 1829 أول الـ35 منصبًا في الجبهة الشرقية لمبنى الكابيتول. منذ تنصيب رونالد ريغان عام 1981، نصبوا في الجبهة الغربية لمبنى الكابيتول. خطوة مصممة لخفض التكاليف وتوفير مساحة أكبر للمتفرجين.

المنظمون
قبل يوم التنصيب، يقوم الرئيس المنتخب بتعيين اللجنة الرئاسية الافتتاحية. هذه اللجنة هي الكيان القانوني المسؤول عن جمع الأموال والتخطيط والتنسيق لجميع الفعاليات والأنشطة الرسمية المحيطة بتنصيب الرئيس ونائب الرئيس (بخلاف الحفل)، مثل الكرات والاستعراض.

منذ عام 1901، كانت اللجنة المشتركة لحفلات التنصيب مسؤولة عن تخطيط وتنفيذ مراسم أداء اليمين. منذ عام 1953، استضافت أيضًا مأدبة غداء في مبنى الكابيتول الأمريكي للرئيس الجديد ونائب الرئيس والضيوف. تتكون اللجنة من ثلاثة أعضاء من مجلس الشيوخ وثلاثة نواب.

تتكون منطقة العاصمة الوطنية لفرقة العمل المشتركة من أفراد الخدمة من جميع فروع القوات المسلحة للولايات المتحدة، بما في ذلك عناصر الاحتياط والحرس الوطني، وهي مسؤولة عن جميع أشكال الدعم العسكري للاحتفالات والسلطات المدنية لفترة التنصيب (في عام 2017، كانت الفترة بين 15-24 يناير). شارك العسكريون الأمريكيون في احتفالات يوم التنصيب منذ عام 1789 عندما اصطحب أعضاء من الجيش القاري ووحدات الميليشيات المحلية وقدامى المحاربين في الحرب الثورية جورج واشنطن إلى حفل تنصيبه الأول. تشمل مشاركتهم تقليديًا الوحدات الموسيقية وحراس الألوان وبطاريات التحية وأطواق الشرف. يكرم الدعم العسكري لحفل التنصيب الرئيس الجديد، القائد العام للقوات المسلحة، ويعترف بالسيطرة المدنية على الجيش.

أول قسم
أول رئيس أمريكي يؤدي القسم كان جورج واشنطن في 30 أبريل 1789 م بمدينة نيويورك

مكان القسم
منذ عام 1901 م واحتفالات التنصيب تقام بمبنى كابيتول الولايات المتحدة الكونغرس الأمريكي حيث المجلس التشريعي

مراجع

أحداث يناير
أعياد رسمية في الولايات المتحدة الأمريكية
مراسم التنصيب الرئاسية في الولايات المتحدة

يوم القسم الرئاسي


Jack Butland (* 10. März 1993 in Bristol, England) ist ein englischer Fußballtorhüter. Seit 2023 steht er bei den Glasgow Rangers unter Vertrag.

Karriere

Vereine
Jack Butland wurde 2007 in die Nachwuchsakademie von Birmingham City aufgenommen. Dort spielte er in der U-18 und für das Reserveteam und erhielt für seine Leistungen in diesen Mannschaften in der Saison 2009/10 den vereinsinternen "Young Player of the Season"-Preis.

Im Mai 2011 wurde er offiziell in den ersten Profikader aufgenommen, kam aber zunächst nicht zu Einsätzen dort, sondern wurde in die Football League Two zu Cheltenham Town ausgeliehen. In der viertklassigen Liga spielte er zunächst zwölfmal von September 2011 bis zum Januar 2012. Danach kehrte er zunächst nach Birmingham zurück, wurde aber schon im Februar erneut nach Cheltenham verliehen, wo er erneut zwölfmal im Tor stand.

Im April 2012 wurde er jedoch zu Birmingham City zurückbeordert, da sich deren erster Torhüter Boaz Myhill verletzt hatte und Butland auf der Ersatzbank benötigt wurde. Am 31. Januar 2013 wechselte er mit einem bis 2017 gültigen Vertrag zum Erstligisten Stoke City, wurde jedoch direkt wieder für die Rückrunde an Birmingham ausgeliehen. Da er zunächst nur dritte Wahl hinter Asmir Begović und Thomas Sørensen im Tor von Stoke war, wurde er im Herbst 2013 bis Jahresende an den Zweitligisten FC Barnsley verliehen.

Nach zwei weiteren Leihen setzte sich Butland in der Premier League 2015/16 als Nummer Eins im Tor seiner Mannschaft durch und bestritt 31 Ligapartien für den Tabellenneunten. In der Endphase der Saison erlitt er Ende März 2016 eine schwere Verletzung die letztendlich dazu führte, dass er die Fußball-Europameisterschaft 2016 und den Großteil der Premier League 2016/17 verpasste. Nach seiner Rückkehr sicherte er sich in der Saison 2017/18 wieder den Platz im Tor seiner Mannschaft, stieg jedoch mit Stoke als Tabellenvorletzter in die zweite Liga ab. Butland blieb dem Verein auch nach dem Abstieg treu und absolvierte 45 Spiele in der EFL Championship 2018/19, verpasste mit seinem Team den angestrebten direkten Wiederaufstieg jedoch deutlich. Im Verlauf der folgenden Spielzeit besserten sich die Leistungen der Mannschaft nicht und auch Jack Butland passte sich dem gesunkenen Leistungsniveau seiner Mitspieler an.

Im Oktober 2020 wechselte der 27-Jährige zum Erstligisten Crystal Palace, wo er einen Dreijahresvertrag unterzeichnete. Bei seinem neuen Verein blieb er in den beiden kommenden Spielzeiten Ersatz hinter Stammtorhüter Vicente Guaita und kam lediglich auf zehn Ligaeinsätze.

Nach einer Leihe zu Manchester United wechselte der Torhüter im Sommer 2023 mit einem Vierjahresvertrag zu den Glasgow Rangers nach Schottland.

Nationalmannschaft
Schon bald nach seinem Wechsel zur Birmingham City wurde Butland in die englische U-16-Auswahl berufen. Sein Debüt gab er dort am 3. Oktober 2008 gegen Nordirland im Victory Shield. Insgesamt kam er in dieser Altersklasse viermal zum Einsatz und blieb mit drei Siegen und einem Unentschieden ungeschlagen.

Danach rückte er in die U-17 auf, für die er neunmal auflief. Hier erlebte er seine erste Niederlage im Nationaltrikot, war aber mit sieben Siegen und einem Unentschieden ebenfalls erfolgreich und gewann die Europameisterschaft 2010. In diesem Turnier war er zunächst nur Ersatzmann für Sam Johnstone, überzeugte jedoch, als er im letzten Gruppenspiel – als England bereits für das Halbfinale qualifiziert war – eingesetzt wurde und hatte danach den Stammplatz inne. Das Technische Team der UEFA berief Butland gemeinsam mit dem spanischen Schlussmann Adrián Ortolá in die Mannschaft des Turniers.

Butland übersprang daraufhin die U-18 und wurde sofort zur U-19 versetzt. Mit dieser bestritt er vier Partien, die mit zwei Siegen, sowie je einem Unentschieden und einer Niederlage endeten.

Mit der U-20-Nationalmannschaft nahm er 2011 an der Junioren-Weltmeisterschaft teil. In der Gruppenphase belegte er mit seinem Team nach drei torlosen Unentschieden zwar nur den dritten Rang, konnte aber als bester Drittplatzierter dennoch ins Achtelfinale einziehen – dort unterlag man mit 0:1 Nigeria und schied damit ohne eigenen Torerfolg aus dem Turnier aus. Die Technische Studien-Gruppe der FIFA identifizierte Butland neben Billy Knott als "herausragenden Spieler" seines Teams und beschrieb ihn als "ruhige[n] und sichere[n] Torhüter mit guten Reflexen, stark bei hohen Bällen".

Daraufhin wurde er als letzte Ausbildungsstufe in die U-21 berufen und stand für diese in insgesamt sechs Spielen im Tor, von denen er fünf gewann und eines verloren.

Er wurde als dritter Torwart ins Aufgebot der A-Auswahl für die Europameisterschaft 2012 berufen, nachdem sich John Ruddy, der eigentlich als dritter Keeper eingeplant war, den Finger gebrochen hatte und daher absagen musste. Für die Weltmeisterschaft 2014 wurde er nicht nominiert und die Europameisterschaft 2016 verpasste er verletzungsbedingt. Bei der WM 2018 war er wieder teil des englischen Kaders, musste sich jedoch mit der Reserverolle hinter Jordan Pickford begnügen und kam bei keinem Spiel zum Einsatz.

Weblinks

 bei der Football Association (englisch)

Einzelnachweise

Fußballnationaltorhüter (England)
Fußballtorhüter (Birmingham City)
Fußballtorhüter (Cheltenham Town)
Fußballtorhüter (Stoke City)
Fußballtorhüter (FC Barnsley)
Fußballtorhüter (Leeds United)
Fußballtorhüter (Derby County)
Fußballtorhüter (Crystal Palace)
Fußballtorhüter (Manchester United)
Fußballtorhüter (Glasgow Rangers)
Olympiateilnehmer (Vereinigtes Königreich)
Teilnehmer an einer Fußball-Weltmeisterschaft (England)
Teilnehmer an einer Fußball-Europameisterschaft (England)
Teilnehmer der Olympischen Sommerspiele 2012
Brite
Engländer
Geboren 1993
Mann

Jack Butland


චයිනාටවුන් එම්ආර්ටී දුම්රිය ස්ථානය (NE4/DT19) යනු,  සිංගප්පූරුවෙහි  උතුරු නැගෙනහිර මාර්ගයෙහි සහ ඩවුන්ටවුන් මාර්ගයෙහි පිහිටි බහු සීඝ්‍ර සංක්‍රමණ (එම්ආර්ටී) දුම්රිය ස්ථානයකි.

චයිනාටවුන් එම්ආර්ටී දුම්රිය ස්ථානය


Marina Rajčić (født Vukčević) (født 24. august 1993) er en montenegrinsk håndboldspiller, der spiller for ungarske Siófok KC og Montenegros kvindehåndboldlandshold. Hun er gift med Vladimir Rajčić.

Internationale priser
 All-Star holder som bedste målvogter til Juniorverdensmesterskabet 2010.

Referencer

Eksterne henvisninger

Håndboldspillere fra Montenegro
Personer fra Podgorica
Olympiske sølvmedaljevindere fra Montenegro
Medaljevindere ved sommer-OL 2012
Håndboldspillere ved sommer-OL 2012
Håndboldspillere ved sommer-OL 2016
Håndboldspillere ved sommer-OL 2020

Marina Rajčić


Rt Gata (  "mačji ogrtač",  "rt sokola") je jugoistočni rt poluotoka Akrotiri na otoku Cipru. Nalazi se unutar britanskih suverenih baza i najjužnija je točka otoka. Međutim, područja suverenih baza nisu dio Republike Cipar ili Europske unije, čija se najjužnija točka nalazi u blizini, na granici Cipra i vojne baze Arkotiri (34° 39' N).

Rtovi
Reljefni oblici u Akrotiriju i Dhekeliji

Rt Gata


Jett Lawrence né le  en Australie, est un pilote professionnel de motocross et de supercross. Il est champion 450cc AMA Motocross et 450cc SuperMotocross, ainsi que deux fois champion 250cc AMA Motocross et 250cc AMA Supercross.

Biographie
Déménagé en Europe avec sa famille et son grand frère Hunter pour tenter leur chance en motocross, Jett Lawrence a participé et remporté le titre de champion du monde 65cc 2014 en Belgique à 11 ans.

Puis en 2016, il participe au championnat de motocross allemand ADAC ainsi qu'au championnat d'Europe de motocross 85cc.

Deux ans plus tard, il a fait le saut pour le championnat d'Europe 250 EMX à 14 ans, remportant la dernière manche de la saison.

Jett et sa famille a ensuite déménagé aux États-Unis, où il a eu l'opportunité de rejoindre l'équipe amateur Factory Connection.

En 2019, il a fait ses débuts professionnels en supercross lors de la manche d'Unadilla de l'AMA Pro Motocross à 16 ans.

Pour sa première saison complète professionnelle de supercross et motocross aux États-Unis celui-ci obtient le titre de "rookie de l'année" et remporte la finale.

En 2021, Jett Lawrence et son frère Hunter rejoignent l'équipe usine Honda HRC (moto Honda CRF250R) et sont entrainés par O'mara. Jett finira  du championnat 250 Est coast de supercross et remportera le championnat AMA Pro Motocross par la suite à seulement 18 ans.

En 2022, Jett se blesse et ne peut pas participer au championnat AMA west coast mais, remis de sa blessure, il remporte le titre côte Est et enchaîne par le titre AMA 250 motocross pendant l'été.

L'année suivante est l'année du passage en catégorie reine. Il commence par participer et remporter le championnat Supercross 250 cote Est avant se monter en 450cc avec Honda pour participer au championnat Motocross Outdoor 450.

Réseaux sociaux
Très présent sur les réseaux sociaux, celui-ci a créé sa propre marque sous le nom de Jettson autour de sa passion pour faire les donuts.

Palmarès

  du championnat australien SX2
 2020
  du championnat AMA supercross 250 Ouest
  du championnat AMA Motocross 250
 2021
  du championnat AMA supercross 250 Est
 Vainqueur du championnat AMA Motocross 250
2022
 Vainqueur du championnat AMA supercross 250 Est
 Vainqueur du championnat AMA Motocross 250
 2023 :
 Vainqueur du championnat AMA Supercross 250 côte Ouest
 Vainqueur du championnat AMA Motocross 450 (où il remporte toutes les manches)
 Vainqueur du SuperMotocross 450

Références

Liens externes

 Jett Lawrence sur RacerX
 Jett Lawrence sur Pro Motocross Championship

Pilote de moto australien
Pilote de moto-cross
Naissance en août 2003

Jett Lawrence


Quartz Extreme Mac OS X üzerinde OpenGL sayesinde grafik çizimleri için donanım bazlı hızlandırma sağlayan teknolojiye verilen addır. İşletim sisteminin arayüzünü çizme işleminde Quartz Compositor tarafından yönetilir.

Dış bağlantılar
 Mac OS X altında Quartz Extreme

Apple
MacOS kullanıcı arayüzü

Quartz Extreme


"Prvenstvo Titogradskog nogometnog podsaveza" je bila liga trećeg stupnja nogometnog prvenstva Jugoslavije u sezoni 1958./59.  Sudjelovalo je 6 klubova, a prvak je bila "Mladost" iz Titograda (danas Podgorica), koja se potom natjecala za prvaka Crne Gore.

Ljestvica

 Titograd – tadašnji naziv za Podgoricu

Rezultatska križaljka

 Izvori:

Unutrašnje poveznice
 Druga savezna liga 1958./59.

Vanjske poveznice

Izvori

 Novak Jovanović: Fudbalska takmičenja u Crnoj Gori : 1925-1985 , Cetinje, 1991., UDK: 796.332.093(497.16)"1925/1985", str. 42-43
 Zdravko V. Gavrilović: Od Sloge do Iskre : (monografija) : 85 godina fudbala u Bjelopavlićima 1919-2004 , Podgorica, 2004., UDK: 796.332(497.16)"1919/2004" 796.332:061.2(497.16)(091), str. 147-148, 319

1958-59 Titograd
CG 1b Titograd
1958-59 1b Titograd
1958-59 1b Titograd

Prvenstvo nogometnog podsaveza Titograd 1958./59.


Robert Ridgway (July 2, 1850 – March 25, 1929) was an American ornithologist specializing in systematics. He was appointed in 1880 by Spencer Fullerton Baird, secretary of the Smithsonian Institution, to be the first full-time curator of birds at the United States National Museum, a title he held until his death.  In 1883, he helped found the American Ornithologists' Union, where he served as officer and journal editor.  Ridgway was an outstanding descriptive taxonomist, capping his life work with The Birds of North and Middle America (eight volumes, 1901–1919).  In his lifetime, he was unmatched in the number of North American bird species that he described for science.  As technical illustrator, Ridgway used his own paintings and outline drawings to complement his writing. He also published two books that systematized color names for describing birds,  A Nomenclature of Colors for Naturalists (1886) and Color Standards and Color Nomenclature (1912).  Ornithologists all over the world continue to cite Ridgway's color studies and books.

Biography

Early life and family
Ridgway was born in Mount Carmel, Illinois to David and Henrietta (née Reed) Ridgway.  He was the oldest of ten children.  He was educated at common schools in his native town, where he showed a special fondness for natural history.  This interest to explore nature, both shooting with a gun given to him by his father, as well as drawing from life, was encouraged by his parents, his uncle William, and his aunt Fannie Gunn.

In 1871 he met Julia Evelyn Perkins, the daughter of one of the engravers for The History of North American Birds.  Ridgway's courtship of the girl who became known as "Evvie" lasted until she reached the age of eighteen, and they were married on October 12, 1875.

Ornithological training and the King expedition
In 1864, at the age of thirteen, the young Ridgway wrote to the Commissioner of Patents, seeking advice on the identification of a bird he had seen.  He enclosed a full-sized color drawing of what turned out to be a pair of purple finches. His letter eventually was referred to Spencer Fullerton Baird of the Smithsonian Institution. Baird replied, identifying the bird and praising the boy's artistic abilities, yet cautioning him to learn and use the scientific names of birds in further correspondence.

The mentor and protégé continued their exchange of letters, which led to Ridgway's appointment, in the spring of 1867, as the naturalist on Clarence King's Survey of the 40th Parallel. After a brief, intensive stint of training in Washington, where he learned to prepare study skins, Ridgway joined the expedition in May. Starting from Sacramento, California, the team explored parts of Nevada, Utah Territory, and Idaho Territory. A highlight of the trip was a stop at Nevada's Pyramid Lake. In the fall of 1868, the members of the team were reduced for funding reasons, but Ridgway returned in 1869 for more work in Utah. In an undertaking that lasted nearly two years, Ridgway collected 1,522 bird-related specimens (753 nests and eggs and 769 skins) and served as a key member on one of the four great surveys of the American West. He observed 262 species, most of these on the western slope of the Sierra Nevada. He had written most of his portion of King's report by 1872, but the "Ornithology" section was not published until 1877.

The Washington years

Upon his return to Washington, Ridgway illustrated and wrote for Baird and Thomas M. Brewer's History of North American Birds project.  He formally joined the Smithsonian in 1874, under the supervision of curator George Brown Goode.  In 1880 he received the job title of curator (variously, of ornithology or of the department of birds); he was titled Curator of Birds from 1886 until his death. Working with the institution's collection of approximately fifty thousand bird skins, Ridgway devoted himself to unraveling the taxonomic relationships among North American bird species.  As well, he continued his field work to collect new specimens, making several trips to his home state of Illinois, Florida, other states of the U.S., and Costa Rica.  The Smithsonian exchanged study skins with other museums, either by donation or loan, and provided material and publications to collectors such as José Castulo Zeledón of the Costa Rican National Museum in exchange for specimens.

Ridgway was articulate and literate, and served as the Smithsonian's mouthpiece and representative for many years in the study of birds.  He welcomed visits to the museum from colleagues and the general public alike, and would give tours.  One of his responsibilities involved assembling public exhibits.  In the interest of accessibility, he made books available for browsing and displayed examples of birds described in popular natural histories.  As well, he showed birds from well-known poetry, species like the nightingale that are not found in North America.  Returning the favor that Baird had paid him, he responded to letters from the public to identify birds and provided artist's materials to a painter in California.  Nevertheless, friends and colleagues described him as almost painfully shy, and he generally shirked publicity and the limelight.

Among Ridgway's colleagues at the Smithsonian was Pierre Louis Jouy, who provided an important collection of Asian birds in 1883. Charles Wallace Richmond joined the institution in 1893 (at first, as a night watchman) and was soon tasked by Ridgway with writing reviews and other short pieces.  During Samuel Pierpont Langley's tenure as Secretary, Ridgway assisted Langley's aviation research.  He provided calculations of the wing loading and other aerodynamic characteristics of species like the wandering albatross, turkey vulture, and other soaring birds.

In 1883, Robert Ridgway was a founding member of the American Ornithologists' Union (AOU) and he became an associate editor of the organization's journal The Auk. He was prevailed upon to serve as an officer of the organization, but on the condition that he not be required to preside at public meetings.  He served as a vice president of the AOU (September 1883 – November 1891) and as its president (November 1898 – November 1900).

As scientific knowledge expanded quickly in the second half of the nineteenth century, the need for reorganizing the system of names used to describe North American birds grew commensurately.  For example, certain names assigned by William Bartram in his catalog of 1791 were now deemed unusable.  Robert Ridgway addressed this need with two publications in 1880 and 1881, while Elliott Coues published a competing checklist in 1882.  Ridgway and Coues, along with Joel Asaph Allen, William Brewster, and Henry W. Henshaw, came together as a committee on nomenclature and classification, serving the newly founded AOU, to reconcile the various systems and catalogs.  In 1886, the committee released The Code of Nomenclature and Check-List of North American Birds, both a consistent checklist and a set of rules for the naming of birds to be described in the future.  The Code settled the disagreement about capitalization of species names and established today's order of presentation, with waterbirds first and passerines last.  Several of the handbook's innovations were adopted by other branches of zoology, and were incorporated into the 1905 version of the International Code of Zoological Nomenclature.

The committee's work served to standardize the way that birds are described, identifying them at the subspecies level and using a three-part trinomial name.  While American ornithologists embraced the descriptive detail, European researchers of the time were reluctant to adopt it. Ridgway was an enthusiastic supporter of trinomial nomenclature, although his thinking in later life became more moderate.

Other affiliations
Robert Ridgway was corresponding member of the Zoological Society of London; was associated with the Davenport (Iowa) Academy of Natural Sciences, the New York Academy of Sciences, the Brookville, Indiana, Society of Natural History, and the Chicago Academy of Sciences; and was a foreign member of the British Ornithologists' Union.  He was a member of the permanent ornithological committee of the first international congress at Vienna in 1884.  Ridgway was also honorary member of the Nuttall Ornithological Club of Cambridge, Massachusetts, for which he contributed illustrations and 48 articles to its Bulletin.

The short-lived Ridgway Ornithological Club of Chicago, Illinois (active from 1883 to about 1890) was named in Ridgway's honor, and he was an honorary member.

Although he lacked formal post-secondary education, Ridgway received an honorary master's degree in science from Indiana University in 1884, as a sign of gratitude for his supplying them with bird specimens after their museum burned down.  He was listed with the title of Professor in Smithsonian annual reports and staff directories, despite his lack of a teaching appointment.  He is sometimes referred to as "Dr. Ridgway," particularly by writers from his home state of Illinois.  Ella Dean's profile is an example.

The Harriman expedition

In 1899, Robert Ridgway joined E. H. Harriman on his famous Harriman Alaska Expedition.  John Muir, Louis Agassiz Fuertes, John Burroughs, Edward S. Curtis, and a number of other scientists and artists made a four-month expedition to study the flora and fauna of Alaska's coastline.  However, the trip did not yield significant publications by Ridgway.

Other family members
Robert and Julia Ridgway had one son, Audubon Whelock Ridgway (May 15, 1877 – February 22, 1901).  "Audie" had begun a promising career in ornithology at the Field Museum of Natural History when his life was cut short by a fatal bout of pneumonia.

Robert Ridgway's second-born brother, John Livzey Ridgway (February 28, 1859 – December 27, 1947), was a nationally prominent bird illustrator who worked for many years at the United States Geological Survey, as well as the Smithsonian, the California Institute of Technology, and the Los Angeles County Museum of History, Science, and Art.  The two brothers often collaborated on illustrations, sometimes with Robert doing the drawing and John the coloring.

Later life and death

In early June 1913, Robert Ridgway and his wife Julia ("Evvie") moved to Olney, Illinois, to reduce physical and mental stress so that he might complete The Birds of North and Middle America, of which five of eight parts had already appeared.  They built a new house on  that they had purchased in 1906, and named the place Larchmound for two large larch trees growing on the property.  Ridgway also acquired  a tract of  located in the country, to be called Bird Haven, which he developed as a private nature reserve for birds and as a nursery for cultivation of non-native plants.  His skill in landscaping and tending to the grounds was such that his expertise in that area was in some demand.  Bird Haven, in part, is now an Olney city park.

Evvie's death on May 24, 1927, was a severe blow to Robert.  Robert continued to live at Larchmound, tending to his beloved trees and shrubs, until his death on March 25, 1929, at the age of 78. Robert was buried at Bird Haven where Julia's ashes had been scattered.

Works

Robert Ridgway's first publication, at the age of 18, was an article about the belted kingfisher.  In the course of the next 60 years, he would go on to publish more than 500 titles and 13,000 printed pages, most of it concerning North American birds.

Ridgway collaborated with Brewer and Baird on the five-volume History of North American Birds (three volumes on the land birds published in 1874, and two volumes published as The Water Birds of North America in 1884).  In its time, the work was considered the standard work on North American ornithology.  While Ridgway primarily contributed illustrations to the land bird volumes, he wrote the bulk of the water bird volumes.

Ridgway provided full-color illustrations for his own books and those of others.  He was at the peak of his artistic proficiency in the late 1870s.  Even though certain of his contemporaries (for instance, Daniel Giraud Elliot) may have produced more artistically pleasing renderings, Ridgway's were the most accurate. In the words of his biographer Daniel Lewis, Ridgway "may have had the best grasp of bird coloration in the country."

With the publication of A Manual of North American Birds in 1887, Robert Ridgway condensed what was known about the continent's birds into a relatively compact 642 pages and 464 outline drawings.  A prototype of today's field guides, it was quite successful, going into a second edition in 1896, and was described by Montague Chamberlain as "far away the best thing we have for the working naturalist."  Nevertheless, its bulk was unwieldy for use in the field, and its identification keys depended on characteristics of the bird in the hand, not field marks.  Harry Oberholser characterized the quality of the illustrations as "rarely equaled, never excelled" in beauty and accuracy.

With Stephen Alfred Forbes, he wrote a two-volume work, The Ornithology of Illinois. Ridgway's contributions were published in two parts, in 1889 and 1895.  Ridgway also published a number of papers dealing with the woody plants of his region.  He contributed twenty short pieces to Forest and Stream, a magazine edited by George Bird Grinnell.

The color books
Robert Ridgway published two books whose goal was to standardize the names of colors used by ornithologists to describe birds.  The first, A Nomenclature of Colors for Naturalists, appeared in 1886, and was relatively small in scope, illustrating 186 colors.  It proposed a simple classification system, doing away with many subjective and evocative names that were currently popular.

Ridgway sought to improve and expand upon this work.  By 1898, he was in discussions with Secretary Langley about a new, expanded dictionary of color, to be published by (or at least supported by) the Smithsonian.  An advisory committee was formed, with scientific illustrator William Henry Holmes as chairman and Richard Rathbun (newly appointed assistant secretary) as one of its five members.  Children's game inventor Milton Bradley, who had devised a color wheel for instructional use, was consulted by the project.  Langley thought it important that the work include spectral information about the colors to be cataloged, and he proposed physicist and color theorist Ogden Rood as a co-editor of the work.  In 1901, however, the tension between the committee's broad vision of commercial applications for the project and Ridgway's narrow objective of a naturalist's reference book ended the Ridgway-Smithsonian collaboration in the endeavor.

Ridgway published Color Standards and Color Nomenclature himself in 1912, financed in part by a loan from his friend and colleague Zeledón.  The work became a standard reference used by ornithologists for decades after Ridgway's death, as well as specialists in such wide-ranging fields as mycology, philately, and food coloring.  The book named 1,115 colors, illustrated with painted samples reproduced on 53 plates.  Special care was taken to ensure consistency of color reproduction across the edition, as well as the prevention of fading.  The color samples were printed as large sheets by A. Hoen & Co., cut into swatches one inch by one-and-one-half inches, and pasted into each bound book.

In the book's foreword, Ridgway acknowledged the assistance of many, among them his brother John, Zeledón, and ornithologist John Thayer.  With more than a thousand colors to be named, Ridgway devised some of his own imaginative identifiers (such as Dragons-blood Red and Pleroma Blue).  He also paid tribute to colleagues, including Rood (with colors like Rood's Lavender), Bradley (Bradley's Blue), field guide pioneer Frank Chapman, watercolorist Samuel Prout, and others.

Descriptions of new forms
A significant proportion of Ridgway's output consisted of formal scientific descriptions of new forms of birds (new genera, species, and subspecies), many of them  native to Central and South America.  Many of these papers were short reports dealing with a single taxon, but he also would describe tens of new forms in a single publication, as in a paper describing 22 species from the Galápagos Islands or his Manual of North American Birds (four new genera, 39 new species and subspecies).  As subsequent research has revised the taxonomy of birds, not all of the forms that Ridgway described remain recognized as distinct, but his contributions are still substantial.  During his lifetime, no other ornithologist described more new taxa of American birds than Ridgway.

While most of the forms described and named by Ridgway came from outside the United States, in one instance he identified a new taxon first collected no earlier than 1881, in the Catskill Mountains of New York, an area already well-explored by ornithologists.  From two specimens collected by Eugene Bicknell, Ridgway wrote the description of Bicknell's thrush as a subspecies of gray-cheeked thrush, naming it for Bicknell.  The bird, a breeder of New England and southern Canada, has since been recognized as a distinct species.

From specimens collected in 1888, Ridgway was the first to describe hood mockingbird, Española cactus finch, Geospiza conirostris, and medium tree finch, all endemic to the Galápagos. The latter two are members of the so-called Darwin's finch group of tanagers, significant for their impact on Charles Darwin's reasoning about evolution and the emergence of new species.

The Birds of North and Middle America
Robert Ridgway's career-crowning work, on bird systematics, was the monumental 6,000-page The Birds of North and Middle America, published by the Smithsonian in eleven volumes between 1901 and 1950. He began the work in 1894 at the direction of Goode. A major objective of the work was to resolve problems of naming and classification in the scientific literature of the time and to identify synonyms.  Dry, rigorous, and technically detailed in its language, the book was not considered to be accessible by the general reading public.  Continuing the pattern of the Manual (and Baird's earlier Review of American Birds), each volume featured an appendix of engraved outline drawings of generic characteristics.

Ridgway published the eighth installment of the work, commonly known as Bulletin 50, in 1919.  Although he continued to work on the project, outlining a projected two more volumes, it was incomplete at the time of his death in 1929.  Following Ridgway's plan but doing his own writing, Herbert Friedmann of the Smithsonian completed the final three volumes.

The Birds of North and Middle America and Color Standards and Color Nomenclature are complementary works, and indeed Ridgway divided his time between the two projects in the first decade of the century.  He used his own color terms extensively throughout Bulletin 50.

Legacy and recognition
Spencer Fullerton Baird and his followers emphasized precision of description, traceability through the literature, the accumulation of empirical evidence (that is, numerous specimens), and deductions drawn from facts — in opposition to the so-called "European school" of the time, which depended on personal authority. Harris calls Robert Ridgway and his Birds of North and Middle America the culmination of the "Bairdian school" of bird study. However, as ornithology around the turn of the twentieth century began to focus on bird behavior, reproduction strategies, and other aspects of the living organism, Ridgway fell behind the advances made by his colleagues of the succeeding generations.  Paradoxically, because the overwhelming Bulletin 50 was so authoritative, no new publication could replace it for many years.  Accordingly, systematics declined in importance as a means to study birds.

Birds named for Ridgway include the buff-collared nightjar, Caprimulgus ridgwayi (once known as Ridgway's whip-poor-will); the turquoise cotinga, Cotinga ridgwayi; the Caribbean subspecies of the osprey, Pandion haliaetus ridgwayi; a Big Island subspecies of the elepaio, Chasiempis sandwichensis ridgwayi; Ridgway's hawk, Buteo ridgwayi; Ridgway's rail, Rallus obsoletus; Juniper Titmouse, Baeolophus ridgwayi; and many other species and subspecies. The monotypic genus Ridgwayia is named for him; it consists of Aztec thrush, R. pinicola.

In 1919, Ridgway was awarded the Daniel Giraud Elliot Medal from the National Academy of Sciences for his Birds of North and Middle America.  The academy elected him to membership in 1926.  In 1921, he was the first to receive the AOU's William Brewster Memorial Award, which recognizes "an exceptional body of work on birds of the Western Hemisphere."

The American Birding Association has established the Robert Ridgway Award for Publications in Field Ornithology, which recognizes professional achievements in field ornithology literature.

Selected publications
 Ridgway, Robert.  1869 (March).  "The Belted Kingfisher Again," American Naturalist 3(1):53–54.  Retrieved 28 January 2013.
 Ridgway, Robert.  1870.  "A New Classification of the North American Falconidae, with Descriptions of Three New Species."  Proceedings of the Academy of Natural Sciences of Philadelphia 22: 138–150.  Retrieved 15 January 2013.
 Ridgway, Robert.  1872 (December).  "On the Relation between Color and Geographical Distribution in Birds, as Exhibited in Melanism and Hyperchromism." (part 1 of 2) American Journal of Science, 3rd ser., 4(24): 454–460.  Retrieved 21 January 2013.
 Ridgway, Robert.  1873 (September).  "On the Relation between Color and Geographical Distribution in Birds, as Exhibited in Melanism and Hyperchromism."  (part 2 of 2)  American Journal of Science, 3rd ser., 5(25): 39–43.  Retrieved 21 January 2013.
 Baird, S.F., T.M. Brewer, and R. Ridgway.  1874.  A History of North American Birds: Land Birds.  Little, Brown, Boston.  Volume I, 596 pp.; Volume II, 590 pp.; Volume III, 560 pp.  Retrieved 14 January 2013.  A special edition, published in the same year, of 50 copies contained 36 plates hand-colored by Ridgway.
 Ridgway, Robert.  1877.  "Ornithology." Volume IV, part III, pp. 303–669, of King, Clarence, Report of the Geological Exploration of the Fortieth Parallel.  U.S. Government Printing Office, Washington, D.C.  Retrieved 3 January 2013.
 Ridgway, Robert.  1880 (September).  "A Catalogue of the Birds of North America," Proceedings of the United States National Museum. 3: 163–246.  Retrieved 19 November 2013.
 Ridgway, Robert.  1881.  "Nomenclature of North American Birds Chiefly Contained in the United States National Museum,"  Bulletin of the U.S. National Museum 21:1–94.
 Ridgway, Robert. 1882. "Description of Two New Thrushes from the United States."  Proceedings of the United States National Museum  4: 374–379.  Retrieved 15 January 2013.  Description of Bicknell's thrush, as Hylocichla aliciæ bicknelli.
 Baird, S.F., T.M. Brewer, and R. Ridgway.  1884. The Water Birds of North America.  Little, Brown, Boston.  Volume I, 537 pp.; Volume II, 552 pp.  Retrieved 14 January 2013.
 American Ornithologists' Union.  1886.  The Code of Nomenclature and Check-List of North American Birds.  New York.  Retrieved 28 January 2013.  Members of the committee: Elliott Coues, J.A. Allen, Robert Ridgway, William Brewster, and H.W. Henshaw.
 Ridgway, Robert.  1886.  A Nomenclature of Colors for Naturalists, and Compendium of Useful Knowledge for Ornithologists. Little, Brown, Boston.  129 pp. 10 colored plates and 7 plates of outline illustrations.  Retrieved 4 January 2013.
 Ridgway, Robert.  1887.  A Manual of North American Birds, Illustrated by 464 Outline Drawings of the Generic Characters.  J.B. Lippincott, Philadelphia.  631 pp.  Retrieved 14 January 2013.
 Ridgway, Robert.  1889.  "A Descriptive Catalog of the Birds of Illinois," part I of Ridgway, Robert, and Forbes, S.A., The Ornithology of Illinois.  State Laboratory of Natural History, Springfield, Ill.  Volume I of part I.  Retrieved 22 January 2013.
 Ridgway, Robert.  1890 (February). "Scientific Results of Explorations by the U. S. Fish Commission Steamer Albatross, No. I: Birds Collected on the Galapagos Islands in 1888." Proceedings of the United States National Museum  12(767): 101–128.  Retrieved 11 March 2013.
 Ridgway, Robert.  1891.  "Directions for Collecting Birds."  Bulletin of the United States National Museum 39A: 1–27.  Retrieved 19 March 2013.
 Ridgway, Robert.  1892.  "The Humming Birds."  Report of the National Museum for 1890: 253–383.  Retrieved 21 January 2013.
 Ridgway, Robert. 1894 (November). "Descriptions of Twenty-Two New Species from the Galapagos Islands."  Proceedings of the United States National Museum  17(1007): 357–370.  Retrieved 22 January 2013.
 Ridgway, Robert.  1895.  "A Descriptive Catalog of the Birds of Illinois," part I of Ridgway, Robert, and Forbes, S.A., The Ornithology of Illinois.  State Laboratory of Natural History, Springfield, Ill. Volume II of part I.  Retrieved 22 January 2013.
 Ridgway, Robert. 1897 (March). "Birds of the Galapagos Archipelago."  Proceedings of the United States National Museum  19(1119): 459–670.  Retrieved 21 January 2013.
 Ridgway, Robert.  1901 (October).  The Birds of North and Middle America.  A Descriptive Catalogue of the Higher Groups, Genera, Species, and Subspecies of Birds Known to Occur in North America, from the Arctic Islands to the Isthmus of Panama, the West Indies and Other Islands of the Caribbean Sea, and the Galapagos Archipelago.  No. 50, Part I.  U.S. National Museum, Washington, D.C.  745 pp.  Retrieved 12 January 2013.
 Ridgway, Robert.  1902 (October).  The Birds of North and Middle America.  No. 50, Part II.  U.S. National Museum, Washington, D.C.  854 pp.  Retrieved 12 January 2013.
 Ridgway, Robert.  1904 (December).  The Birds of North and Middle America.  No. 50, Part III.  U.S. National Museum, Washington, D.C.  840 pp.  Retrieved 12 January 2013.
 Ridgway, Robert.  1907 (July).  The Birds of North and Middle America.  No. 50, Part IV.  U.S. National Museum, Washington, D.C.  1029 pp.
 Ridgway, Robert.  1911 (November).  The Birds of North and Middle America.  No. 50, Part V.  U.S. National Museum, Washington, D.C.  892 pp.  Retrieved 12 January 2013.
 Ridgway, Robert.  1912.  Color Standards and Color Nomenclature. Washington, D.C.  44 pp. 53 colored plates. Retrieved 4 January 2013.
 Ridgway, Robert.  1914 (April).  The Birds of North and Middle America.  No. 50, Part VI.  U.S. National Museum, Washington, D.C.  902 pp.  Retrieved 12 January 2013.
 Ridgway, Robert.  1916 (May).  The Birds of North and Middle America.  No. 50, Part VII.  U.S. National Museum, Washington, D.C.  556 pp.  Retrieved 12 January 2013.
 Ridgway, Robert.  1919 (June).  The Birds of North and Middle America.  No. 50, Part VIII.  U.S. National Museum, Washington, D.C.  868 pp.  Retrieved 12 January 2013.
 Ridgway, Robert.  1923 (April).  "A Plea for Caution in the Use of Trinomials." The Auk 40(2): 375–376.  Retrieved 28 January 2013.

References

Notes

Bibliography

External links

 Ridgway Family Papers at Utah State University
 Color standards and color nomenclature
 Historical marker commemorating Ridgway and Bird Haven
 Harvard University Herbaria & Libraries botanists database entry
 Robert Ridgway bird specimen drawings
 Ridgway's (1886) A nomenclature of colors for naturalists, and compendium of useful knowledge for ornithologists - Linda Hall Library
 Ridgway's (1912) Color standards and color nomenclature - Linda Hall Library

American ornithologists
American illustrators
American bird artists
1850 births
1929 deaths
People from Mount Carmel, Illinois
Smithsonian Institution people
Members of the United States National Academy of Sciences
People from Wabash County, Illinois
People from Olney, Illinois
19th-century American painters
19th-century American male artists
American male painters
20th-century American painters
20th-century American male artists

Robert Ridgway


Fešta Svetog Križa jest pučka fešta u Splitu. Održava se u mjesecu svibnju, obično kao dio fešte sv. Dujma. Sveti Križ je zaštitnik splitske četvrti Velog Varoša. Tradicionalna je manifestacija. Traje dva dana. Popraćena je obiljem kulturno umjetničkih događanja, od nastupa dalmatinskih klapa, kulturno-umjetničkih društava, koncerata, raznih izložaba.

Izvori

Rimokatolička Crkva u Hrvatskoj

Manifestacije u Hrvatskoj

Split

Fešta Sv. Križa u Splitu


Callisthene, biljni rod od  8 priznatih vrsta grmova i drveća iz Brazila, Bolivije i Paragvaja. Pripada porodici Vochysiaceae.

Rod je opisan 1826., a tipična vrsta je Callisthene major

Vrste
 Callisthene dryadum Duarte
 Callisthene erythroclada Warm.
 Callisthene fasciculata Mart.
 Callisthene inundata O.L.Bueno, A.D.Nilson & R.G.Magalh.
 Callisthene major Mart.
 Callisthene microphylla Warm.
 Callisthene minor Mart.
 Callisthene mollissima Warm.

Izvori

Vochysiaceae

Callisthene


Tršćanska kriza je naziv za razdoblje poremećenih međunarodnih odnosa u doba uspostave novih istočnih granica Italije nakon II. svjetskog rata, gdje je ta zemlja za korist Jugoslavije izgubila dio teritorija kojega je bila pripojila nakon pobjede nad Austro-Ugarskom u I. svjetskom ratu, pod imenom "Venezia Giulia".

Najveći prijepor nastao je u svezi Trsta, najvećeg urbanog središta na spornom području, oko kojega je 1947. godine uspostavljen Slobodni Teritorij Trsta, državica nejasnog statusa.

Vrhunac krize je nastupio 1953. godine, nakon kojega je Slobodni Teritorij Trsta definitivno podijeljen između Talijanske Republike i Federativne Narodne Republike Jugoslavije (te se dijelovi tadašnjeg područja STT nalaze danas u Republici Sloveniji i Republici Hrvatskoj). U literaturi se uzima da je kriza trajala od 1945. do 1954. godine, makar je Italija smatrala granično pitanje i dalje otvorenim sve do sklapanja Osimskih sporazuma iz 1975. god.

Početak krize: izlazak jugoslavenskih i britanskih snaga na Sjeverni Jadran
Na samom kraju 1945. godine, jugoslavenske vojne snage pod zapovjedništvom komunističkog vođe Josipa Broza Tita uspjele su zauzeti etnički pretežno slovenska i hrvatska područja na istočnoj obali Jadrana. Ta je područja dva i pol desetljeća ranije Italija zauzela na kraju I. svjetskog rata, u skladu s  Londonskim ugovorom iz 1915. godine, sklopljenim povodom odluke Kraljevine Italije da stupi u I. svjetski rat na strani Antante.

Najveća koncentracija etničkih Talijana na čitavom tom području koje su zauzele jugoslavenske snage bila je upravo na području oko Trsta.

U Tršćanskoj operaciji 29. travnja - 2. svibnja 1945. godine je Jugoslavenska armija ušla u sam Trst, potiskujući odatle njemačke postrojbe, ali suočivši se s ogorčenim otporom postrojbi Talijanske Socijalne Republike, te postrojbi četničke Dinarske divizije pod zapovijedanjem vojvode Momčila Đujića, koje su se održale na nekoliko lokacija u gradu dok 2. svibnja u grad nisu ušle također i oklopne postrojbe novozelandske 2. divizije britanske 8. armije - potom su se te osovinske postrojbe predale zapadnim saveznicima. Zapadni saveznici su odmah zatražili da se jugoslavenske postrojbe povuku iz grada, jer da je posrijedi dio područja Kraljevine Italije koja se 1943. godine bila predala zapadnim Saveznicima.

U Trstu su jugoslavenske i novozelandske snage ostale do lipnja 1945. god., u napetim međusobnim odnosima. Potom su se jugoslavenske snage povukle u predgrađe; približno na liniju današnje slovensko-talijanske granice.

Nakon kompliciranih pregovora između Josipa Broza Tita i zapovjedništva savezničkih snaga za Sredozemlje, te potom jugoslavensko - američko - britanskih diplomatskih pregovora, popisan je u Beograd 9. linja 1945. godine sporazum u kojem je de facto priznata jugoslavenska vlast na cjelokupnim područjima Hrvatske i Slovenije koja su između dva svjetska rata bila dijelom Italije, izuzev područja oko Trsta i Pule, na kojima je uspostavljena vojna uprava. Grad Pula, grad Trst s bližom okolicom i relativno uski pojas uz obalu Jadrana od Trsta do rijeke Soče bili su - kao dijelovi tzv. "Zone A" kojom je upravljala saveznička vojna uprava (engl. Allied Military Government – AMG), a područje južno od Muggije i sjeverno od rijeke Mirne (koje je, dakle, obuhvaćalo cjelokupno današnje primorsko područje Slovenije, te područja oko Umaga, Buja i Novigrada u hrvatskoj Istri) bilo je kao "Zona B" pod Vojnom upravo Jugoslavenske armije (VUJA). Zapadni saveznici su provedbu administrativnih poslova u zoni kojom su upravljali u cijelosti povjerili lokalnim Talijanima. U ožujku 1946. godine je saveznička Komisija za razgraničenje (u kojoj su bili i predstavnici SSSR-a) obišla spora područja, ali potom su u travnju 1946. god. dali Francuski, sovjetski, britanski i američki pripadnici te komisije svaki svoj - tj. 4 različita - prijedloge za razgraničenje između Jugoslavije.

Člankom 21. i 22. Ugovora o miru s Italijom od 10. veljače 1947. godine, kojega su potpisale zemlje koje su u 2. svjetskom ratu ratovale protiv te zemlje (od Albanije do Ujedinjenog Kraljevstva) predviđeno je da će pretežni dio "Zone B", te Pula i stanoviti dio područja kod Trsta iz "Zone A" pripasti Jugoslaviji; a da će pretežni dio "Zone A" pripasti Italiji. Makar na pretežnom dijelu tog područja nije bilo slavenskog stanovništva, na talijanskoj strani granice je ipak ostala značajna slovenska manjina (oko 80.000, 2022. god.). Od najspornijih dijelova "Zone A" oko Trsta i dijela  "Zone B" od Trsta do rijeke Mirne u hrvatskoj Istri trebala je biti, prema dogovoru velikih sila koje su potpisale Mirovni ugovor, formirana državica Slobodni Teritorij Trsta. U Aneksima VII. - XVI. Ugovora, predviđeno je da će STT biti neutralna država, te su uređena tehnička pitanja poput razgraničenja, prekograničnog prometa i vodoopskrbe; točno uređenje vlasti u toj državi povjereno je Vijeću sigurnosti Ujedinjenih naroda.

Takav sporazum nije zadovoljio niti Jugoslaviju, niti Italiju: Jugoslavija je odbila povući svoju vojsku iz dijela Zone "B" koji je bio obuhvaćen područjem STT-a i nastavila tim područjem upravljati kao da je praktično dio Jugoslavije; Italija je sa svoje strane predano radila na tome da pripoji čitav STT svojem državnom području. SAD i Ujedinjeno Kraljevstvo su civilnu upravu nad zonom "A" 1948. godine povjerile Italiji, ostavivši ondje ipak svoje vojne postroje u čijoj su nadležnosti ostala pitanja javne sigurnosti: Slobodni Teritorij Trsta postojao je samo nominalno.

Talijanska Republika je sagledavala mogućnosti da ostvari svoje teritorijalne težnje boljima, nakon što je po Rezoluciji Informbiroa od 28. lipnja 1948. godine Jugoslavija ostala bez vanjskopolitičkog pokroviteljstva SSSR-a. Jugoslavija je na jasno iskazane talijanske pretenzije reagirala demonstrirajući svoju odlučnost da i vojnom silom spriječi ponovno širenje Italije na istok. Nakon što je Italija 10. rujna 1953. god. zatražila da se provede referendum o sudbini spornih područja, Jugoslavija je takav prijedlog odbila 28. rujna 1953. Nakon toga su održani masovni mitinzi podrške Jugoslaviji u područjima koja su do rata bili pod Italijom, a u Trstu su izbile također masovne demonstracije podrške Italiji. Iz Jugoslavije su tih mjeseci upućene neformalne poruke (u političkim govorima na mitinzima) da bi rješenje moglo biti da se Italiji prizna suverenitet nad "Zonom A" STT-a, a da "Zona B" pripadne Jugoslaviji - što je kod Slovenaca na području "Zone A" izazvalo ogorčene reakcije. I neki visokopozicionirani slovenski političari u Ljubljani su ponavljali parolu "'Življenje damo – Trsta ne damo!".

Vrhunac krize: mogućnost rata 1953.
U napetim odnosima, i Jugoslavija i Italija su razmjestile vojne snage u pograničnom području, te je krajem 1953. tijekom 1954. godine situacija između dvije države bila na rubu rata; Italija je imala razrađen plan kako da njene vojne snage (koje se nisu nalazile unutar STT) uđu u sam Trst.

U situaciji kada je bilo očigledno da Slobodni Teritorij Trsta nema budućnosti, vlade Ujedinjenog Kraljevstva i Sjedinjenih Američkih Država - čije su vojne snage kontrolirale "Zonu A" - su 8. listopada 1953. god. objavile inicijativu za disoluciju STT-a, izričito navevši da namjeravaju "Zonu A" predati Italiji.

Razrješenje: Londonski memorandum 1954.
Kriza je naposljetku razriješena sklapanjem Londonskog memoranduma od 5. listopada 1954. godine, sklopljenog između vlada Italije, Jugoslavije, Ujedinjenog Kraljevstva i Sjedinjenih Američkih Država. Tim je međunarodnim ugovorom određeno da će Italiji pripasti civilna uprava nad "Zonom A", te da će njene vojne snage na tom području zamijeniti dotadašnju britansko-američku vojnu posadu. Jugoslaviji je trebala pripasti civilna vlast (umjesto do tada prakticirane vojne uprave) nad "Zonom B" Slobodnog Teritorija Trsta. STT je kao zasebna država prestao postojati.

Ugovorom su zajamčena prava stanovnika talijanske i "jugoslavenske etničke grupe" da se koriste svojim jezikom i da imaju škole na tim jezicima, kao i razna praktična pitanja. Italija nije u svojem parlamentu potvrdila ugovor i dugo nije smatrala da granice "Zone A" predstavljaju njenu definitivnu istočnu granicu; dok je u Jugoslaviji dokument ratificiran te se smatralo da granice bivše "Zone B" predstavljaju zapadnu međunarodnu granicu Jugoslavije.

S vremenom su tenzije između Italije i Jugoslavije opale, te je granični spor službeno razriješen sklapanjem Osimskog sporazuma od 10. studenog 1975. god.

Izvori

Drugi svjetski rat
Mirovni sporazumi

Tršćanska kriza


Pombalia, američki biljni rod iz porodice ljubičevki. Postoji blizu 40 vrsta koje su raširene od Sjeverne pa preko Srednje do Južne Amerike. Rod je opisan 1771, a tipična vrsta je P. ipecacuanha Vand. (sinonim od P. calceolaria)

Vrste

 Pombalia arenaria (Ule) Paula-Souza
 Pombalia atropurpurea (A.St.-Hil.) Paula-Souza
 Pombalia attenuata (Humb. & Bonpl. ex Willd.) Paula-Souza
 Pombalia barbata Paula-Souza
 Pombalia bicolor (A.St.-Hil.) Paula-Souza
 Pombalia bigibbosa (A.St.-Hil.) Paula-Souza
 Pombalia brevicaulis (Mart.) Paula-Souza
 Pombalia brevis (Dowell) Paula-Souza
 Pombalia calceolaria (L.) Paula-Souza
 Pombalia communis (A.St.-Hil.) Paula-Souza
 Pombalia glabra (Dowell) Paula-Souza
 Pombalia glauca (Chodat) Paula-Souza
 Pombalia graminifolia (Chodat) Paula-Souza
 Pombalia hassleriana (Chodat) Paula-Souza
 Pombalia hespericliva (H.E.Ballard, Wetter & N.Zamora) H.E.Ballard & Paula-Souza
 Pombalia heterosepala (Eichler) Paula-Souza
 Pombalia jefensis (Todzia) H.E.Ballard & Paula-Souza
 Pombalia lanata (A.St.-Hil.) Paula-Souza
 Pombalia lehmannii (Hieron.) Paula-Souza
 Pombalia leucopogon (Sparre) Paula-Souza
 Pombalia linearifolia (Vahl) Paula-Souza
 Pombalia longistyla (Schulze-Menz) Paula-Souza
 Pombalia oppositifolia (L.) Paula-Souza
 Pombalia paraguariensis (Chodat) Paula-Souza
 Pombalia parviflora (L.f.) Paula-Souza
 Pombalia phyllanthoides (Planch. & Linden) Paula-Souza
 Pombalia poaya (A.St.-Hil.) Paula-Souza
 Pombalia potosina (C.V.Morton) Paula-Souza
 Pombalia prunifolia (Humb. & Bonpl. ex Willd.) Paula-Souza
 Pombalia rivalis (Arechav.) Paula-Souza
 Pombalia serrata (Phil.) Paula-Souza
 Pombalia setigera (A.St.-Hil.) Paula-Souza
 Pombalia sprucei (Eichler) Paula-Souza
 Pombalia strigoides (Taub.) Paula-Souza
 Pombalia sylvicola (Standl. & Steyerm.) H.E.Ballard & Paula-Souza
 Pombalia velutina (Schulze-Menz) Paula-Souza
 Pombalia verbenacea (Kunth) H.E.Ballard & Paula-Souza
 Pombalia verrucosa (Paula-Souza) Paula-Souza
 Pombalia verticillata (Ortega) Paula-Souza
 Pombalia wrightii (Urb.) H.E.Ballard & Paula-Souza

Sinonimi
 Solea Spreng.

Izvori

Ljubičevke

Pombalia


Die Stunde der Aasgeier (Originaltitel: Carogne si nasce) ist ein Italowestern aus dem Jahr 1968, der von Alfonso Brescia inszeniert wurde. Er wurde im deutschsprachigen Raum auf Video erstaufgeführt, nachdem eine geplante Kinoauswertung unter dem Titel Lynching zurückgezogen wurde.

Handlung
In Houstonville, Texas, sehen sich einige Farmer, die Land besitzen, durch von den Aktionären der örtlichen Bank (größtenteils Viehzüchtern) angeheuerten Cowboys durchgeführten Demütigungen ausgesetzt, da jene die Hypothekenaufnahme dieser Leute verhindern wollen. Der Richter des Bezirkes entschließt sich, den Fall durch einen Beamten untersuchen zu lassen. Bald treffen im Örtchen zwei Personen ein: Der Killer Morgan Pitt, der "Mule" genannt wird, und der laut einer Zeitungsnachricht für sein rigoroses Vorgehen bekannte Distrikts-Anwalt Harrison. Die verbrecherische Gruppe der Bewohner gerät daraufhin in Bedrängnis, da sie die verübte Lynchjustiz an dem Siedler Ryan zu verantworten haben, der zwei Leute des zu der Bande gehörenden Adams getötet hatte, und engagieren Pitt, um den Anwalt an seinen Untersuchungen zu hindern. Anwalt Harrison schafft es jedoch gemeinsam mit Pitt, der in Wirklichkeit ein Federal Marshal ist, gegen alle Widerstände und Schwierigkeiten, den Fall zu klären und die finstere Bande zu entlarven.

Kritik
Segnalazioni Cinematografiche lobten die Bemühungen des Films, mit "Würde an die menschliche Vernunft zu appellieren."

Das Lexikon des internationalen Films sah einen "(h)andwerklich ordentliche(n) Italowestern, der sich allerdings an keiner Stelle um Originaliät bemüht." Ähnlich sieht das Christian Keßler: "Brescias letzter Western erzählt eine leidlich unterhaltsame, aber in dieser Form doch schon recht häufig dagewesene Geschichte."

Weblinks

 Der Film bei comingsoon.it

Einzelnachweise

Filmtitel 1968
Italienischer Film
Italowestern

Die Stunde der Aasgeier


Tokyo Love Stories er en film instrueret af Tim Hinman og Miriam Nielsen.

Handling
En poetisk film om nutidig japansk kærlighed. 7 personer, der kun har det tilfælles, at de alle lever i Tokyo, en by med 11 millioner indbyggere, fortæller vidt forskellige historier om kærlighed: Kærlighed ved første blik, spirituel kærlighed eller mangel på kærlighed. Stiliserede intense portrætter af Tokyos indbyggere, og et stærkt visuelt indtryk af gader og bygninger.

Referencer

Eksterne henvisninger

Danske film fra 2001

Dokumentarfilm fra Danmark

Tokyo Love Stories


Cristiane Rodrigues Britto (Salvador, 25 de janeiro de 1979) é uma advogada e política brasileira, filiada ao Republicanos e ex-ministra da Mulher, da Família e dos Direitos Humanos do Brasil, cargo que exerceu de março a dezembro de 2022. Atualmente é assessora parlamentar do Republicanos no Senado Federal.

Biografia
Cristiane Britto é filha dos empresários Romualdo Raimundo Rodrigues e Zilmar de Oliveira Rodrigues.

Formou-se em direito pelo Centro Universitário do Distrito Federal e concluiu especialização em direito eleitoral pelo Centro de Ensino Unificado de Brasília (CEUB).

Atuou como advogada no ramo do direito eleitoral no Distrito Federal, entre 2003 e 2019, quando se licenciou da advocacia para assumir o cargo de Secretária Nacional de Política para Mulheres.

É membro-associada da Academia Brasileira de Direito Eleitoral e Político (ABRADEP). Foi membro e vice-presidente da Comissão de Direito Eleitoral da Seccional do Distrito Federal da Ordem dos Advogados do Brasil (OAB-DF).

É casada com o também advogado Flávio Eduardo Wanderley Britto, que foi juiz substituto, na classe de jurista, do Tribunal Regional Eleitoral do Distrito Federal (TRE-DF) entre 2017 e 2019.

Trajetória política
Integrante do corpo jurídico do partido político Republicanos, foi nomeada em maio de 2019 para chefiar a Secretaria Nacional de Políticas para Mulheres (SNPM), durante a gestão de Damares Alves no Ministério da Mulher, da Família e dos Direitos Humanos.

Em março de 2022, com a saída de Damares Alves, Britto assumiu o cargo de ministra da Mulher, da Família e dos Direitos Humanos no governo Jair Bolsonaro, exercendo-o até o final do governo Bolsonaro em 31 de dezembro de 2022.

Em março de 2023, foi indicada por seu partido, o Republicanos, para o cargo comissionado de assessora parlamentar junto à liderança da legenda no Senado Federal.

Ligações externas

Nascidos em 1979
Naturais de Salvador
Advogados da Bahia
Membros do Republicanos (partido político)
Ministros do Governo Jair Bolsonaro
Ministros da Mulher, da Família e dos Direitos Humanos
Ministros de Direitos Humanos do Brasil

Cristiane Britto


Mitch Nichols (født 1. maj 1989) er en australsk fodboldspiller.

Australiens fodboldlandshold

|-
|2009||1||0
|-
|2010||0||0
|-
|2011||0||0
|-
|2012||0||0
|-
|2013||3||0
|-
|2014||1||0
|-
!Total||5||0
|}

Eksterne henvisninger

Fodboldspillere fra Australien

Mitch Nichols


Mikkelshytta Station (Mikkelshytta stasjon eller Mikkelshytta holdeplass) er en tidligere jernbanestation på Indre Østfoldbanen (Østre Linje), der ligger i Mikkelshytta i Rakkestad kommune i Norge.

Stationen blev åbnet som trinbræt i 1928. Betjeningen ophørte 15. juni 2003, da trafikken med persontog blev indstillet mellem Rakkestad og Sarpsborg. Stationen blev efterfølgende fjernet men er dog ikke nedlagt formelt. Stationen ligger ved en kort tunnel under Riksvei 111. Mens den var i drift bestod den af et spor og en kort perron med et læskur, der ligesom perronen var af mørkebrunt træ. Stationen ligger 88,8 km fra Oslo S.

Litteratur

Eksterne henvisninger

Stationer på Østre Linje
Jernbanestationer i Norge uden persontrafik
Etableret i 1928
Jernbanestationer i Østfold

Mikkelshytta Station


ريتشي ألاغيتش ، من مواليد 30 أكتوبر 1973 في أديليد في أستراليا ، لاعب كرة قدم أسترالي.

يلعب مع نادي أديليد يونايتد.

روابط خارجية

مراجع

لاعبو كرة قدم رجالية أستراليون
أشخاص على قيد الحياة
أظهرة كرة قدم
رياضيون رجال من جنوب أستراليا
رياضيون من أديليد
لاعبو الدوري الأسترالي الدرجة الأولى
لاعبو كرة قدم أستراليون
لاعبو كرة قدم من أديلايد
لاعبو نادي أديلايد يونايتد
لاعبو نادي جنوب ملبورن
مواليد 1973
مواليد في أديلايد

ريتشي ألاغيتش


Saida ( ; , , også kendt som Saïda) er en af Algeriets 48 provinser (, ). Administrationscenteret er Saida.

Eksterne henvisninger

Provinser i Algeriet

Saida (provins)


Valeriy Viktorovich Chybineyev (em ucraniano: Чибінєєв Валерій Вікторович; 3 de março de 1988 - 4 de março de 2022) foi um paraquedista ucraniano que serviu como comandante da 79.ª Brigada de Assalto Aéreo.

Vida
Chybineyev nasceu em 3 de março de 1988 em Berdiansk. Seu pai era um pára-quedista. Chybineyev frequentou o Zaporizhzhya Regional Military Sports Lyceum Zakhisnik antes de se formar na Academia Militar de Odessa. Em 2010, tornou-se tenente e ingressou na 79ª Brigada de Assalto Aéreo.

Em 2016, tornou-se comandante da 79.ª Brigada de Assalto Aéreo e mais tarde recebeu a Ordem da Estrela Dourada. Chybineyev foi promovido a major.

Chybineyev morreu em 4 de março de 2022 durante a Batalha do Aeroporto Antonov.

Naturais de Berdiansk
Militares da Ucrânia

Valeriy Chybineyev


Der Revisor (título original en alemán; en español, El revisor) es una opéra-comique en 5 actos con música de Werner Egk y libreto del compositor basado en la novela epónima de Nikolái Gogol (1836). Se estrenó en Schwetzingen el 9 de mayo de 1957 por la orquesta de la Ópera de Stuttgart bajo la dirección del compositor con Fritz Wunderlich y Gerhard Stolze. La versión francesa se estrenó en 1958 en Charleroi bajo la dirección de Paul Kast.

Esta ópera rara vez se representa en la actualidad; en las estadísticas de Operabase aparece con sólo una representación en el período 2005-2010, siendo la primera y única de Egk.

Argumento
En un pequeño pueblo ruso en tiempos de los zares, se extiende el rumor de que un emisario del gobierno va a inspeccionar la villa de incógnito.

Enlaces externos

Óperas de Werner Egk
Óperas de 1957
Óperas en alemán
Óperas estrenadas en Schwetzingen
Óperas basadas en obras de Nikolái Gógol

Der Revisor


Amaia González (født 27. Februar 1984 i Valladolid) er en spansk håndboldspiller, som spiller for Balonmano Aula Valladolid i hjemlandet og Spaniens håndboldlandshold.

Referencer

Håndboldspillere fra Spanien

Amaia González de Garibay


Ejlstrup er en landsby beliggende tæt ved Mårum i Gribskov Kommune i Nordsjælland.

Historie
Det lokale majeri blev i 1953 købt af virksomheden Boilers og anvendt til anlæggelsen af en kedelfabrik. Fabrikken blev senere overtaget af først Danstål og siden Lemvigh-Müller som producerede armeringsjern på stedet. I august 2015 flyttede Lemvigh Müller produktionen til Køge.

Erhverv
Det tidligere fabriksområde blev den 1. januar 2015 overtaget af logistikvirksomheden Scan Group. Området er på 10.000 kvadratmeter og omfatter 15 bygninger på mellem 1.600 og 37 kvadratmeter. Virksomheden vil anvende området til et såkaldt transitcenter. Der er også planer om at etablere et iværksættermiljø på arealet under navnene Iværksætterhotellet og Iværksætterfabrikken. Det tidligere teglværk er hjemsted for beton- og mørtelproducenten Wewer.

Referencer

Eksterne henvisninger
 Matrikelkort

Byer i Gribskov Kommune

Ejlstrup (Gribskov Kommune)


A consultant (from the Latin consultare means "to discuss" from which we also derive words such as consul and counsel) is a professional who provides advice in a particular area of expertise such as management, accountancy, the environment, entertainment, technology, law (tax law, in particular), human resources, marketing, වෛද්‍ය විද්‍යාව, finance, economics, public affairs, communication, engineering, sound system design, graphic design, or waste management.

A consultant is usually an expert or a professional in a specific field and has a wide knowledge of the subject matter. A consultant usually works for a consultancy firm or is self-employed, and engages with multiple and changing clients. Thus, clients have access to deeper levels of expertise than would be feasible for them to retain in-house, and to purchase only as much service from the outside consultant as desired. It is generally accepted good corporate governance to hire consultants as a check to the Principal-Agent problem.'Consultant' is also the term used to denote the most senior medical position in the United Kingdom, ඕස්ට්‍රේලියාව and Ireland (e.g., a consultant surgeon).''

Ways in which consultants work
Often a consultant provides expertise to clients who require a particular type of knowledge or service for a specific period of time, thus providing an economy to the client. In other situations, companies implementing a major project may need additional experienced staff to assist with increased work during that period.

Consulting has come under some criticism because of staff augmentation and the high amount of jargon consultants use, also known as consultantese.

Sometimes a consultant is not an independent agent but is a partner or an employee of a consultancy, that is a company that provides consultants to clients on a larger scale or in multiple, though usually related, skill areas.

Strategy consultants are common in upper management in many industries. There are also independent consultants who act as interim executives with decision-making power under corporate policies or statutes. They may sit on specially constituted boards or committees.

See also

Management consulting
Tax advisor
Information technology consulting
Foreclosure consultant
Human resource consulting
Public consultation
Umbrella company
Certified Management Consultant
Political consulting
Consultant (medicine)
Independent contractor
Contingent workforce
IRS Reclassification
Permatemp

Biotechnology consulting
Consultant pharmacist
Creative consultant
Educational consultant
Elevator consultant
Employment consultant
Knowledge management consultant
Lactation consultant
Legal nurse consultant
Loss control consultant
Magic consultant
Media consultant
Process consultant
Professional and Technical Consultants Association
Statistical consultant
Theatre consultant

Consulting
Business and financial operations occupations

විශේෂඥ උපදේශක


En dielektrisk resonatorantenne (DRA) er en radioantenne, der mest anvendes ved mikrobølgefrekvenser og højere, som består af et stykke af keramisk materiale i forskellige former. Den dielektriske resonator, er monteret på en metaloverflade; et jordplan.  Radiobølger bliver introduceret i indersiden af resonatoren af radiosenderkredsløb og reflekterer frem og tilbage mellem resonatorvæggene og danner stående bølger.  Resonatorvæggene er delvis transparente overfor radiobølger, hvilket tillader radiobølgeenergi i at stråle ud i rummet.

En fordel ved dielektriske resonatorantenner er, at de ingen metaldele har, da metaldele har mere tab for stigende frekvenser, grundet strømfortrængning. Så disse antenner kan have lavere tab og derfor være mere effektive end metalantenner ved høje mikrobølge- og millimeterbølge-frekvenser.  Dielektriske bølgelederantenner bliver anvendt i nogle kompakte bærbare trådløse enheder - og militære millimeterbølge radarudstyr. Den dielektriske resonatorantenne blev først foreslået af Robert Richtmyer i 1939.  I 1982 lavede Long et al. de første design and tests af dielektriske resonatorantenner.

En antennelignende effekt opnås ved en periodisk svingning af elektroner fra dets kapacitive element til jordplanet, hvilket opfører sig som en elektrisk spole. Ydermere argumenterer forfatterne for, at en dielektrisk antennes funktion, minder om antennen udviklet af Marconi (Marconi-antennen), den eneste forskel er, at det induktive element erstattes af et dielektrisk materiale.

Egenskaber
Dielektriske resonatorantenner tilbyder følgende eftertragtede egenskaber:

 Dimensionen af en DRA er i størrelsesordenen , hvor  er bølgelængden i vakuum og  er resonatormaterialets dielektriske konstant. Derfor kan man ved at vælge en tilstrækkelig høj værdi af  (), drastisk minske størrelsen af DRAen i forhold til en traditionel monopolantenne.
 Der er ingen nogen elektriske ledertab i dielektriske resonatorer. Dette muliggør en høj strålingseffektivitet af antennen. Denne egenskab er særlig attraktiv for millimeterbølge (mm) antenner, hvor antenner lavet af metal.
 DRA tilbyder simple koblingsmåder til praktisk talt alle transmissionslinjer. anvendt ved mikrobølge- og mm-bølge- frekvenser. Dette gør dem passende til integration ind i forskellige planare teknologier. Koblingen mellem en DRA og en planar transmissionslinje kan let styres ved at variere DRAens position i forhold til transmissionslinjen. En DRAs ydelse kan derfor let optimeres eksperimentelt.
 En DRAs funktionelle båndbredde kan varieres over et stort område ved at vælge passende resonatorparametre. Fx kan båndbredden af en DRAs lavere modes, let varieres fra en brøkdel af en procent til omkring 20% eller mere, ved at vælge et materiales dielektriske konstant og/eller ved at ændre DRA-elementets form.
 Hver mode i en DRA, har et unikt internt og associeret eksternt feltdistribution. Derfor kan forskellige strålingskarakteristikker opnås, ved at excitere en DRAs forskellige modes.

Se også
Dielektrisk bølgeleder
Dielektrisk trådløs modtager

Kilder/referencer

 Antenova Antenova info .

Eksterne henvisninger
 YouTube: Animation of Radiation from a Circularly Tapered Dielectric Waveguide Antenna

Antennetyper
Radioantenner
Resonatorer
Radioteknik

Dielektrisk resonatorantenne