Sourav Chandidas Ganguly (; natively spelled as Gangopadhyay; born 8 July 1972), also known as Dada (meaning "elder brother" in Bengali), is an Indian cricket commentator and former cricketer. He is popularly called as Maharaja of Indian Cricket. He was captain of the Indian national cricket team and regarded as one of India's most successful cricket captains. As captain, he led Indian national team to win the 2002 ICC Champions Trophy and reach the final of the 2003 Cricket World Cup and the 2000 ICC Champions Trophy.

Ganguly scored 11363 runs in his ODI career which stands at ninth position in the world for most runs scored in ODI matches. He was the third batsman to cross the 10,000 runs in One day cricket, after Sachin Tendulkar and Inzamam Ul Haq. He holds the record for highest score in an innings(183) by an Indian batsman in the ODI Cricket World Cup. In 2002, the Wisden Cricketers' Almanack ranked him the sixth greatest ODI batsman of all time. He announced his retirement from international cricket in 2008 and from all forms of cricket in 2012.

Ganguly was awarded the fourth highest Indian civilian award, Padma Shri in 2004. He was elected as president of the Board of Control for Cricket in India in 2019. He is also a part of the Supreme Court of India appointed probe panel for the IPL Spot fixing and betting scandal's investigations.

Early and personal life

Sourav Ganguly was born on 8 July 1972 in Calcutta, and is the youngest son of Chandidas and Nirupa Ganguly. Chandidas ran a flourishing print business and was one of the richest men in the city. Ganguly had a luxurious childhood and was nicknamed the 'Maharaja', meaning the Great King. Ganguly's father Chandidas Ganguly died at the age of 73 on 21 February 2013 after a long illness.

Ganguly was educated at St. Xavier's Collegiate School, Kolkata. He was then graduated in commerce from the St. Xavier's College, Kolkata.

Since the favourite sport for the people of Calcutta was football, Ganguly was initially attracted to the game. However, academics came in-between his love for sports and Nirupa was not very supportive of Ganguly taking up cricket or any other sport as a career. By then, his elder brother Snehasish was already an established cricketer for the Bengal cricket team. He supported Ganguly's dream to be a cricketer and asked their father to get Ganguly enrolled in a cricket coaching camp during his summer holidays. Ganguly was studying in tenth standard at that time.

Despite being right-handed, Ganguly learnt to bat left-handed so he could use his brother's sporting equipment. After he showed some promise as a batsman, he was enrolled in a cricket academy. An indoor multi-gym and concrete wicket was built at their home, so he and Snehasish could practice the game. They used to watch a number of old cricket match videos, especially the games played by David Gower, whom Ganguly admired. After he scored a century against the Orissa Under–15 side, he was made captain of St Xavier's School's cricket team, where several of his teammates complained against what they perceived to be his arrogance. While touring with a junior team, Ganguly refused his turn as the twelfth man, as he reportedly felt that the duties involved, which included organising equipment and drinks for the players, and delivering messages, were beneath his social status. Ganguly purportedly refused to do such tasks as he considered it beneath his social status to assist his teammates in such a way. However, his playmanship gave him a chance to make his first-class cricket debut for Bengal in 1989, the same year that his brother was dropped from the team.

He is married to Indian classical dancer dancer Dona Ganguly, with whom he has a daughter Sana (b. 2001).

Health
On 2 January 2021, Ganguly complained of chest pain while  exercising and was later diagnosed with three blocked coronary arteries which had led to a mild cardiac arrest. He underwent primary angioplasty for one of the blockages on the same day.

Playing career

1990–96: Career beginning and debut success

Following a prolific Ranji season in 1990–91, Ganguly scored three runs in his One Day International (ODI) debut for India against the West Indies in 1992. He was dropped immediately since he was perceived to be "arrogant" and his attitude towards the game was openly questioned. It was rumoured that Ganguly refused to carry drinks for his teammates, commenting that it was not his job to do so, later denied by him. Consequently, he was removed from the team. He toiled away in domestic cricket, scoring heavily in the 1993–94 and 1994–95 Ranji seasons. Following an innings of 171 in the 1995–96 Duleep Trophy, he was recalled to the Indian team for a tour of England in 1996, in the middle of intense media scrutiny. He played in a single ODI, but was omitted from the team for the first Test. However, after teammate Navjot Singh Sidhu left the touring party, citing ill-treatment by then captain Mohammad Azharuddin, Ganguly made his Test debut against England in the Second Test of a three-match series at Lord's Cricket Ground along with Rahul Dravid. England had won the First Test of the three-match series; however, Ganguly scored a century, becoming only the third cricketer to achieve such a feat on debut at Lord's, after Harry Graham and John Hampshire. Andrew Strauss and Matt Prior have since accomplished this feat, but Ganguly's 131 still remains the highest by any batsman on his debut at the ground. India was not required to bat in the second innings due to the match ending in a draw. In the next Test match at Trent Bridge he made 136, thus becoming only the third batsman to make a century in each of his first two innings (after Lawrence Rowe and Alvin Kallicharran). He shared a 255 run stand with Sachin Tendulkar, which became at that time the highest partnership for India against any country for any wicket outside India. The Test again ended in a draw, handing England a 1–0 series victory; Ganguly scored 48 in the second innings.

1997–99: Marriage, Opening in ODIs and World Cup '99

Weeks after his successful tour of England, Ganguly eloped with childhood sweetheart Dona Roy. The bride and groom's family were sworn enemies at that point and this news caused an uproar between them. However, both families reconciled and a formal wedding was held in February 1997. Same year, Ganguly scored his maiden ODI century by hitting 113, opposed to Sri Lanka's team total of 238. Later that year, he won four consecutive man of the match awards, in the Sahara Cup with Pakistan; the second of these was won after he took five wickets for 16 runs off 10 overs, his best bowling in an ODI. After a barren run in Test cricket his form returned at the end of the year with three centuries in four Tests, all against Sri Lanka, and two of these involved stands with Sachin Tendulkar of over 250.

During the third final of the Independence Cup at Dhaka in January 1998, India successfully chased down 315 off 48 overs, and Ganguly won the Man of the Match award. In March 1998 he was part of the Indian team that defeated Australia; in Kolkata, he took three wickets having opened the bowling with his medium pace.

Ganguly was part of the Indian team that competed in the 1999 World Cup in England. During the match against Sri Lanka at Taunton, India chose to bat. After Sadagoppan Ramesh was bowled, Ganguly scored 183 from 158 balls, and hit 17 fours and seven sixes. It was the second highest score in World Cup history and the highest by an Indian in the tournament at the time. His partnership of 318 with Rahul Dravid is the highest overall score in a World Cup and is the second highest in all ODI cricket. In 1999–00, India lost Test series to both Australia and South Africa that involved a combined total of five Tests. Ganguly struggled scoring 224 runs at 22.40; however his ODI form was impressive, with five centuries over the season taking him to the top of the PwC One Day Ratings for batsmen. Around the same time, allegations came that Ganguly was romantically involved with South Indian actress Nagma, something he denied.

2000–05: Ascension to captaincy and accolades

In 2000, after the match fixing scandal by some of the players of the team, Ganguly was named the captain of the Indian cricket team. The decision was spurred due to Tendulkar stepping down from the position for his health, and Ganguly being the vice-captain at that time. He began well as a captain, leading India to a series win over South Africa in the five-match one day series and led the Indian team to the finals of the 2000 ICC KnockOut Trophy. He scored two centuries, including one in the final; however, New Zealand still won by four wickets. The same year, Ganguly tried his hand at county cricket career in England but was not successful. In "The Wisden Cricketer", reviewers Steve Pittard and John Stern called him as "The imperious Indian—dubbed 'Lord Snooty'". They commented:
"At the crease it was sometimes uncertain whether his partner was a batsman or a batman being dispatched to take his discarded sweater to the pavilion or carry his kit bag. But mutiny was afoot among the lower orders. In one match Ganguly, after reaching his fifty, raised his bat to the home balcony, only to find it deserted. He did not inspire at Glamorgan or Northamptonshire either. At the latter in 2006 he averaged 4.80 from his four first-class appearances."
His Lancashire teammate Andrew Flintoff thought him to be aloof and compared his attitude to that of Prince Charles. In Australia's three Test and five-match ODI tour of India in early 2001, Ganguly caused controversy by arriving late for the toss on four occasions, something that agitated opposing captain Steve Waugh. In the Fourth ODI, he caused further controversy by failing to wear his playing attire to the toss, something considered unusual in cricket circles. However, India won the Test series 2–1, ending Australia's run of 16 consecutive Test match victories in the Second Test. The match saw India looking set for defeat after conceding a first innings lead of 274. Waugh chose to enforce the follow-on and V. V. S. Laxman (281) and Rahul Dravid (180) batted for the entire fourth day's play to set Australia a target of 384 on a dusty, spinning wicket. The Australians were unable to survive and became only the third team to lose a Test after enforcing the follow-on. In November 2001, Ganguly's wife Dona gave birth to their daughter Sana. During the final match of the 2002 NatWest Series held in Lords after a stunning performance by teammates Yuvraj Singh and Mohammad Kaif, Ganguly took off his shirt in public and brandished it in the air to celebrate India's winning of the match. He was later strongly condemned for tarnishing the "gentleman's game" image of cricket and disrespecting Lord's protocol. Ganguly said that he was only mimicking an act performed by the British all-rounder Andrew Flintoff during a tour of India. In 2003, India reached the World Cup Final for the first time since 1983, where they lost to the Australians. Ganguly had a successful tournament personally, scoring 465 runs at an average of 58.12, including three centuries.

By 2004, he had achieved significant success as captain and was deemed as India's most successful cricket captains by sections of the media. However, his individual performance deteriorated during his captaincy reign, especially after the World Cup, the tour of Australia in 2003 and the Pakistan series in 2004. In 2004, Australia won a Test series in India for the first time since 1969. It was speculated that Ganguly was in disagreement with the head of cricket in Nagpur over the type of pitch to be used for the Third Test. The groundsmen went against Ganguly, leaving a large amount of grass on the pitch. Some experts indicated that the reason for this was for "spite or revenge" against the Indian captain. When Australia's stand-in-captain, Adam Gilchrist, went to the toss, he noticed Rahul Dravid was waiting instead of Ganguly, leaving him to ask Dravid where Ganguly was. Dravid could not give a definitive answer, saying: "Oh, who knows?"

Following indifferent form in 2004 and poor form in 2005, he was dropped from the team in October 2005. Having been nominated and rejected in 2000, when the game suffered a tarnished reputation due to match fixing scandals, the captaincy was passed to Dravid, his former deputy. Ganguly decided against retiring and attempted to make a comeback to the team. Ganguly was awarded the Padma Shri in 2004, India's fourth highest civilian award, in recognition of his distinguished contribution in the field of sports. He was presented with the award on 30 June 2004, by then President of India, Dr. A. P. J. Abdul Kalam.

2006–07: Comeback and rift with Greg Chappell

In September 2005, Greg Chappell became the coach of India for the tour of Zimbabwe. Ganguly's dispute with him resulted in many headlines. Chappell had emailed the Board of Control for Cricket in India, stating that Ganguly was "physically and mentally" unfit to lead India and that his "divide and rule" behaviour was damaging the team. This email was leaked to the media and resulted in huge backlash from Ganguly's fans. Ganguly had enlisted the support from the Indian media and eventually the board had to intervene and order a truce between the pair. BCCI president Ranbir Singh Mahendra issued a statement that,
"In view of the decision that cricket is to go forward, both the coach and the captain have been asked to work out a mutual and professional working relationship. For this, performance will be the criteria, applicable to captain, coach and players. [...] Of course the captain controls the game, the coach does his own job. Mutual trust is important. Henceforth no player/captain/coach will write or have any interaction with the media. Going to the media will lead to disciplinary action."

Ganguly, Chappell and the Indian team manager for the Zimbabwe tour, Amitabh Choudhary, were asked to appear before the BCCI committee, where it was reported that assurance of working together was given by them. Consequently, due to his poor form and differences with the coach, Ganguly was dropped as the captain of the team, with Dravid taking his place. Chandresh Narayan, chief correspondent for The Times of India, commented that "The row with Greg Chappell just added to the mystery, but he was going through a really bad patch then, his only score [of note] was a hundred against Zimbabwe and that didn't count for much." Ten months later, during India's tour to South Africa, Ganguly was recalled after his middle order replacements Suresh Raina and Mohammad Kaif suffered poor form.

Following India's poor batting display in the 2006 ICC Champions Trophy and the ODI series in South Africa, in which they were whitewashed 4–0, Ganguly made his comeback to the Test team. Wasim Jaffer, Zaheer Khan and Anil Kumble had earlier been selected for the one-day squad, despite their recent poor performances. Many saw this as an indictment of coach Greg Chappell's youth-first policy. Coming in at 37/4, Ganguly scored 83 in a tour match against the rest of South Africa, modifying his original batting style and taking a middle-stump guard, resulting in India winning the match. During his first Test innings since his comeback, against South Africa in Johannesburg his score of 51 helped India to victory, marking the first Test match win for the team in South Africa. Though India lost the series, Ganguly accumulated the most runs on the scoring chart. After his successful Test comeback he was recalled for the ODI team, as India played host to West Indies and Sri Lanka in back to back ODI tournaments. In his first ODI innings in almost two years, he scored a matchwinning 98. He performed well in both series, averaging almost 70 and won the Man of the Series Award against Sri Lanka.

Ganguly was allotted a place in the official team for the 2007 Cricket World Cup. He was the leading scorer for India in their first round defeat against Bangladesh. After India were knocked out of the tournament in the group stage, there were reports of a rift between certain members of the Indian team and Chappell. Ganguly was alleged to have ignored instructions from the team management to score quickly. After Tendulkar issued a statement saying that what hurt the team most was that "the coach has questioned our attitude", Chappell decided not to renew his contract with the Indian team and left his post as coach, citing "family and personal reasons". On 12 December 2007, Ganguly scored his maiden double century of his career while playing against Pakistan. He scored 239 runs in the first innings of the third and final Test match of the series. He was involved in a 300  run partnership for the fifth wicket with Yuvraj Singh. Ganguly remained prolific in both Test and ODI cricket in the year 2007. He scored 1106 Test runs at an average of 61.44 (with three centuries and four fifties) in 2007 to become the second highest run-scorer in Test matches of that year after Jacques Kallis. He was also the fifth highest run-scorer in 2007 in ODIs, where he scored 1240 runs at an average of 44.28.

For his performances in 2007, he was named in the World Test XI by Cricinfo.

2008–12: International retirement and IPL

In February 2008, Ganguly joined as the captain of Kolkata Knight Riders (KKR) team, owned by Bollywood actor Shah Rukh Khan, as part of the Indian Premier League (IPL). On 18 April 2008, Ganguly led the KKR, in the IPL Twenty20 cricket match. They had a 140 run victory over Bangalore Royal Challengers (captained by Rahul Dravid and owned by Vijay Mallya). Ganguly opened the innings with Brendon McCullum and scored 10 runs while McCullum remained unbeaten, scoring 158 runs in 73 balls. On 1 May, in a game between the Knight Riders and the Rajasthan Royals, Ganguly made his second T20 half century, scoring 51 runs off of 39 balls at a strike rate of 130.76. In his innings, Ganguly hit four 4s and two sixes, topping the scorers list for the Knight Riders.

On 7 July 2008, media reported that Ganguly was being projected as a candidate for the post of President of the Cricket Association of Bengal (CAB) against his former mentor Jagmohan Dalmiya. Reports also suggested that he could run for the post of BCCI President in 2014 as East Zone's representative. Ganguly himself did not deny the reports and did not rule out any such move. The same year in October, Ganguly announced that the Test series against Australia starting in October 2008 would be his last and stated "[t]o be honest, I didn't expect to be picked for this series. Before coming here, [at the conference] I spoke to my team-mates and hopefully I will go out with a winning knock." Ganguly played in every game of the four-Test series and amassed 324 runs at an average of 54.00. While playing the second Test match of the series in Mohali, Ganguly scored his final test century. In the final test match he played at Nagpur against Australia he scored 85 and 0 in his first and second innings respectively. In the Fourth and final Test, with India needing one wicket to secure a victory, the Indian captain, Mahendra Singh Dhoni, invited Ganguly to lead the side in the field for the final time. India regained the Border-Gavaskar Trophy, winning the series 2–0.

In May 2009, Ganguly was removed from the captaincy of the KKR for the 2009 season of the IPL, and was replaced by McCullum. The decision was questioned by media and other players of the team, when KKR finished at the bottom of the ranking table with three wins and ten losses. After that, Bengali television channel Zee Bangla roped him as the host of the reality quiz show titled Dadagiri Unlimited. It presented participants from the 19 districts of West Bengal, who had to answer questions posed by Ganguly. By August, he was appointed the chairman of CAB's Cricket Development Committee. The job of the committee is to receive a report from the selectors at the end of every cricket season, assess the accountability of the selectors and make necessary recommendations. He played for the Ranji cup in the Bengal team in October 2009. Ganguly scored 110 in the match against Delhi and was involved in a partnership of 222 runs with Wriddhiman Saha.

In the third season of the IPL, Ganguly was once again given the captaincy of KKR, after the team ended at the bottom in the second season. The coach John Buchanan was replaced by Dav Whatmore. In 40 matches and 38 innings for KKR Ganguly scored 1,031 runs and took eight wickets. In the fourth season of the IPL he was signed by the Pune Warriors India, after being unsold in initial bidding process and he made 50 runs of four matches and three innings.
In the 2012 season he has been appointed as the Captain cum mentor for Pune Warriors India.
On 29 October 2012, he announced that he has decided not to play in next year's IPL and to retire from the game.

2013-present Administration career

Ganguly was part of the Supreme Court of India appointed Justice Mudgal Committee probe panel for the IPL Spot fixing and betting scandal's investigations. From 2015 to October 2019, he was the President of the Cricket association of Bengal. In 2018 his autobiographical book A Century is Not Enough was published. In March 2019, Ganguly was appointed as the advisor of the Delhi Capitals IPL team. In October 2019 he became President of the Board of Control for Cricket in India and President of the editorial board with Wisden India.
Ganguly's security cover was upgraded to 'Z' Category by the West Bengal government. He will now have 8 to 10 police personnel guarding him.

Playing style and influences

Ganguly commented that David Gower was the first cricketer to attract him to the game. He loved Gower's style and used to watch old videos of him playing. Other cricketers who had an influence on him are: David Boon, Mohinder Amarnath, Kapil Dev and Allan Border. Ganguly is a left-handed batsman whose runs came primarily from the off-side. Debashish Dutta, author of Sourav Ganguly, the maharaja of cricket, commented that throughout his career, "Ganguly played off-side shots such as the square cut, square drive and cover drive with complete command." Rahul Dravid has called Ganguly "...next to God on the off-side." He used to hit powerful shots to the off-side on front and back foot with equal ease. However, early in his career he was not comfortable with the hook and pull, often giving his wicket away with mistiming such shots. He was also criticised for having difficulty in handling short bouncers, notoriously exploited by the Australians and South Africans. However, after his comeback in 2007, he worked upon these weaknesses to a large extent.

Amrita Daityari, author of Sourav Ganguly: the fire within, noted that in ODIs, where Ganguly usually opened the innings, he used to try to take the advantage of fielding restrictions by advancing down the pitch and hitting pace bowlers over extra cover and mid-off. She commented: "Ganguly was notorious for attacking left-arm spin bowlers. Due to excellent eye–hand coordination, he was noted for picking the length of the ball early, coming down the pitch and hitting the ball aerially over mid-on or midwicket, often for a six. However, he did have a weakness in running between the wickets and judging quick singles." There were many instances where Ganguly's batting partner was run out due to Ganguly's calling for a run, and then sending him back while halfway down the pitch. A situation like this happened in an ODI against Australia where he took a single when on 99, but he coasted and did not ground his bat. Although the bat was past the crease, it was in the air and he was consequently run out. Ganguly said, "I love to watch myself hit a cover drive, to watch myself hit a hundred." Ganguly's relationship with former Indian coach John Wright has been well documented in contemporary media, with them denoting the relationship as a "symbiotic process". They credited Wright and Ganguly with bringing out international class performers, through academic, coaching and scientific fitness regimens. According to Dubey, Ganguly and Wright, along with other members of the team like Tendulkar and Dravid, were the first to understand the importance of a foreign coach for the Indian cricket team and was convinced that the domestic coach has outlived its utility. Ganguly's aggressive style and Wright's importance on fitness ushered in the development of a better cricket team for India.

Ganguly is a right-arm medium pace bowler. He can swing and seam the ball both ways and often chips in with useful wickets to break partnerships. Vinod Tiwari, author of the biography Sourav Ganguly praised him saying "[d]espite not being very athletic as a fielder, Ganguly has taken 100 catches in one-day Internationals. That's something to be proud of!" However he criticised Ganguly's ground fielding, especially his slowness in intercepting the ball to prevent runs and his tendency to get injured during catching the ball.

Legacy

Author Pradeep Mandhani commented that in his tenure between 2000 and 2005, Ganguly became India's most successful Test captain. He led his team to victory on 21 occasions – seven times more than Mohammad Azharuddin with the second most wins—and led them for a record 49 matches—twice more than both Azharuddin and Sunil Gavaskar. Compared to his batting average of 45.47 when not captain, Ganguly's Test batting average as captain was a lower 37.66.

Statistics about Ganguly show that he was the seventh Indian cricketer to have played 100 Test matches, the 4th highest overall run scorer for India in Tests, and the fourth Indian to have played in more than 300 ODIs. In terms of overall runs scored in ODIs, Ganguly is the third among Indians after Sachin Tendulkar (who has the most ODI runs) and Virat Kohli and the ninth overall. He has scored 16 centuries in Test matches and 22 in ODIs. He is also one of only ten batsmen to score more than 10,000 runs in ODIs. Along with Tendulkar, Ganguly has formed the most successful opening pair in One Day Cricket, having amassed the highest number of century partnerships (26) for the first wicket. Together, they have scored more than 7000 runs at an average of 48.98, and hold the world record for creating most 50-run partnership in the first wicket (44 fifties). Ganguly became the fourth player to cross 11,000 ODI runs, and was the fastest player to do so in ODI cricket, after Tendulkar. As of 2006, he is the only Indian captain to win a Test series in Pakistan (although two of the three Tests of that series was led by Rahul Dravid). He is also one of the five players in the world to achieve amazing treble of 10,000 runs, 100 wickets and 100 catches in ODI cricket history, the others being Tendulkar, Kallis, Sanath Jayasuriya and Tillakaratne Dilshan.

Author Mihir Bose, in his book, The magic of Indian cricket: cricket and society in India. commented that "The cricket world had gotten too used to the stereotype of the meek Indian cricketer. All that has changed under Ganguly, perhaps for the better." He credits Ganguly for not being shy of taking on responsibility. "He showed that he can be a leader of a team, which has greats like Sachin and Dravid in the side, without any problems. Under Ganguly's leadership, India started winning matches and tournaments, previously lacking from the team considerably." Within a few years of his captaincy, Ganguly rewrote the rules of being a captain of a cricket team. Unlike some of his predecessors, Ganguly was considered impartial, non-parochial, and forever pushed his players to perform better. Off the field, his interactions with the media, his fans, and detractors were uncompromisingly honest and earned him the respect of cricket followers everywhere. However, along with this respect came the criticisms. Ganguly was condemned as a hot-tempered man who refused to listen to other's opinions and abided by his own rules and regulations. Matthew Engel, ICC sport critic, noted that this "turning deaf" to other's opinions would one day harm Ganguly and that it was sheer luck that he existed on the sporting world.

Ganguly believed that his legacy as a captain was that he was able to build a proper Indian team. He added,
"[We] were able to change the face of Indian cricket. That's what I'm proud of, because I think we made a huge difference. People used to think that we would simply roll over when playing out of India, but we changed the image. [...] [The team wouldn't take any crap from any opposition] Absolutely, and that came from self-belief that, that we had the ability to do well outside India."
Bose commented that Ganguly's greatest legacy lay in his influence on the younger and budding generation of cricketers. Ganguly felt that every young player should play two years of domestic cricket before being selected for international assignments. He also said that every newcomer should be given at least five games to prove himself. Later he explained that being at the receiving end of an unfair decision against him, that threatened to ruin his international cricket career, it enabled him to understand the insecurities of other newcomers in the team better than his predecessors. Ganguly had always backed the influence and contribution of younger players of the team.

Despite his contributions, his captaincy and coaching methods came under immense scrutiny from the press as well as other scholars. Engel commented that "He seems like aloof to the problems that his mal-decisions are creating. I don't particularly believe that Ganguly has an 'effing knowledge how to lead his team and tries to counter-pose it with instigating limitless, confrontational behaviours within the younger members of it. [One day] the time will come when such shock tactics will cease to work." An article on Cricinfo Magazine pointed out his reckless behaviour. The reporter Rahul Bhattacharya said, "Generally Ganguly fostered angry or reckless young men. To him 'good behaviour', a broad term espoused by the present team management, belonged in school and probably not even there. He himself had been summoned to the match referee no less than 12 times in the last decade. His approach was bound to precipitate what could possibly be termed a cultural conflict in the world of modern sport. For Ganguly, like for Arjuna Ranatunga, competitiveness involved brinksmanship rather than training. As far as they were concerned Australia were not to be aspired to. They were simply to be toppled. England were not to be appeased. Victory lay precisely in their disapproval. In other words, Ganguly and Ranatunga wanted to do things their way."

Overall career performance

Records and achievements

 The only cricketer to win four consecutive man of the match awards in One Day Internationals.
 The ninth highest run-scorer in ODI history and third among the Indians, with 11,363 runs.
 He holds the record for registering the highest individual score by any batsman in a ICC Champions Trophy final (117)
 He was also the first player to score 3 centuries in the history of ICC Champions Trophy
 The second fastest batsman to reach 9,000 ODI runs after AB De Villiers of South Africa who broke Ganguly's record in 2017
 One of the only six cricketers to have achieved the unique treble of 10,000 runs, 100 wickets & 100 catches in ODI cricket. (Others cricketer were Sachin Tendulkar, Sanath Jayasuriya, Jacques Kallis, Chris Gayle, Tillakaratne Dilshan.)
 Has the highest individual score by an Indian batsman (183) in the Cricket World Cup.
 One of the 14 cricketers in the world to have played 100 or more Tests and 300 or more ODIs.
 Sourav Ganguly is the only batsman to score a century on debut and to be dismissed first ball in his final Test innings.

Captaincy record

Bibliography

See also
 List of international cricket centuries by Sourav Ganguly
 List of highest individual scores in ODIs
 Dadagiri Unlimited
 List of Cricket Association of Bengal Presidents
 No Dada No KKR
 Cricket All-Stars

Notes

References

External links

1972 births
ACC Asian XI One Day International cricketers
Bengali cricketers
Bengali Hindus
Indian sports executives and administrators
Cricketers at the 1999 Cricket World Cup
Cricketers at the 2003 Cricket World Cup
Cricketers at the 2007 Cricket World Cup
Cricketers who made a century on Test debut
Bengal cricketers
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Glamorgan cricketers
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Living people
Northamptonshire cricketers
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Cricketers from Kolkata
Pune Warriors India cricketers
Recipients of the Arjuna Award
Recipients of the Padma Shri in sports
University of Calcutta alumni
ATK (football club) owners

Sourav Ganguly


Friedrich Hermann Carl Uhde (n. 22 mai 1848, Wolkenburg, Saxonia - 25 februarie 1911, München) a fost un ofițer de cavalerie și pictor saxon care a excelat în pictura de gen și în cea religioasă. Stilul său s-a situat între realism și impresionism și a rămas cunoscut sub titulatura de "ultimul dintre impresioniștii germani". El a fost unul dintre primii pictori care au introdus pictura de plein-air în Germania.

Biografie
Fritz von Uhde s-a născut în data de 22 mai 1848 în Wolkenburg, Saxonia, într-o familie de funcționari publici din pătura mijlocie. Tatăl său a fost o persoană care era pasionat de artă și care se îndeletnicea în timpul liber cu pictura. Bunicul a îndeplinit funcția de director general al Muzeelor Regale din Dresda. Uhde a urmat cursurile gimnaziului din Wolkenburg și în anul 1866 a fost admis la Academia de Arte Frumoase din Dresda. În contradicție cu uzanțele acelor vremuri, în același an a renunțat la studiile de la academie pentru a se alătura armatei. A devenit mai apoi, profesor de echitație în cadrul armatei și a fost promovat în gradul de locotenent în anul 1868.

Anul 1876 i-a schimbat viața și cariera datorită întânirii sale cu pictorul Hans Makart la Viena. Astfel, Uhde a părăsit rândurile armatei pentru a urma o carieră în domeniul picturii. S-a mutat la München și a urmat cursurile Academiei de Arte Frumoase din localitate. În capitala Bavariei, Fritz von Uhde a venit în principal pentru a studia operele maeștrilor olandezi printre care avea o admirație specială pentru de Rembrandt.

Deoarece nu a reușit să fie admis pentru a studia în atelierele lui Karl von Piloty, Wilhelm von Lindenschmit der Jüngere sau Wilhelm von Diez, Uhde a plecat la Paris în anul 1879, unde a aprofundat pictura olandeză sub supravegherea lui Mihály Munkácsy. Aici e realizat Uhde lucrarea intitulată Cântărețul care a fost expusă la Salonul Oficial de la Paris în anul 1880, unde a obținut medalia de onoare.

Călătoria pe care o face în anul 1882 în Olanda, a dus la o schimbare a stilului pe care-l practica - a abandonat clarobscurul studiat la München în favoarea unei cromatici inspirată din registrul impresioniștilor francezi. El a fost încurajat pe această cale de către Max Liebermann. Uhde a pictat plein-air - ul Copii pescarilor din Zandvoort în anul 1882.

În anul 1890, Fritz von Uhde a devenit profesor al Academiei de Arte Frumoase din München. Împreună cu Max Slevogt, Ludwig Dill și Lovis Corint a înființat Societatea Artiștilor Plastici (în germană Verein Bildender Kiinstler) cunoscută și ca Secesiunea müncheneză. Mai târziu, von Uhde s-a alăturat Secesiunii berlineze.

Uhde a fost ales membru de onoare al academiilor din München, Berlin și Dresda. El a fost primul președinte al Secesiunii müncheneze avansând pe stilul naturalismului, ajungând în final să-și dezvolte propriul stil neacademic. Fritz von Uhde a provocat o schimbare radicală în pictura germană, având numeroși susținători din generația tânără. Un exemplu este Adolf Holzel care a fost influențat de Uhde în perioada sa de început.

După anul 1900, Fritz von Uhde s-a implicat mult mai puțin în lumea artei, dar a continuat să picteze până în ultimele sale clipe. În această ultimă perioadă de creație, von Uhde a creat picturile cele mai vii ale carierei sale artistice, el fiind considerat unul dintre cei mai importanți artiști ai secolului al XX-lea. A murit la München în anul 1911.

Opera

Lucrările de început ale lui Fritz von Uhde au fost în principal din domeniul peisagisticii și al compozițiilor cu tematică militară. În perioada de maturitate tablourile sale au fost aproape exclusiv axate pe pictura de gen și cea a compozițiilor cu tematică religioasă. Alegerea acestei tematici din urmă, a fost influențată de faptul că tatăl său a fost președintele Bisericii luterane din Wolkenburg, Uhde a preluat astfel principiile creștine ale părintelui său.

Cu toate că realismul social prezent în operele lui von Uhde a fost deseori criticat ca fiind vulgar sau ca un stil de reprezentare al urâtului, acest realism a întrunit o mulțime de admiratori ai creațiilor sale. Activitatea lui Uhde a fost cunoscută și de admiratorii de artă din Franța, existând în acest sens o corespondență pe care Uhde a întreținut-o cu Vincent van Gogh. O caracterizare sugestivă a făcut-o criticul de artă Otto Julius Bierbaum care a spus: ... ca pictor al copiilor... Uhde se remarcă cu distincție. El nu-i înfățișează... ca pe niște păpuși amuzante sau fermecătoare, ci doar cu o naturalețe remarcabilă. Uhde a relansat reprezentarea episoadelor biblice prin tratarea lor într-un stil realist, aducându-le astfel la o viziune modernă a acelor vremuri. Activitatea lui Uhde a fost apreciată de critica de artă care i-a lăudat mesajul simbolic transmis, precum și moralitatea evanghelică afișată.

În tablourile pe care artistul le-a făcut, el a înfățișat viața cotidiană a țăranilor, a pescarilor, a tinerilor, a copiilor și a femeilor tinere și a bătrânilor. Personajele sale au fost încadrate în spații de interior, în natură, în spații urbane, toate având reprezentate elementele de detaliu în mod realist. Ca personaj principal, l-a pictat adesea pe Isus vizitând oamenii simpli din clasa muncitoare sau din familiile sărace de țărani. În mod similar pictorului Adolf Hölzel sau Ludwig Dill, el pictat scene din viața rurală, opera sa fiind caracterizată de un naturalism rustic.

Una din cele mai cunoscute picturi realizate de Fritz von Uhde este Vino, Doamne Isuse, ești invitatul nostru (în germană - Komm, Herr Jesus, sei Unser Gast), aflată astăzi la Galeria Națională din Berlin. Compoziția îl înfățișează pe Isus în mijlocul familiei de țărani adunată pentru a lua masa în sufrageria (salon) locuinței lor. Pictura a fost aspru criticată de către unii catolici care au văzut-o ca o "desacralizare" a lui Isus, în timp ce R. A. Cram a scris că prin lucrarea "Isus printre oamenii de aici și acum", artistul a creat o artă dintre cele mai însemnate. Conform istoricului de artă Bettina Brand, opera lui Uhde a fost una dintre cele mai controversate, parțial din cauza ilustrării episoadelor din Evanghelii în contextul pauperizării sociale a acelor timpuri. În plus de asta, picturile cu tematică religioasă păreau să ilustreze tendința progresistă și etică a protestantismului împotriva clericanismului promovat de către Biserica catolică.

Stilul
Fritz von Uhde a fost un naturalist neconvențional așa cum el însuși a declarat: "...Mulți dintre artiștii francezi au dorit să regăsească lumina în natură. Eu am vrut să găsesc lumina pe fața personajelor pe care le-am pictat. În figura lui Isus am înfățișat reprezentarea acesteia dinspre interior spre exterior". Asemănător lui Dostoievski, concepția lui von Uhde despre frumusețe s-a întrupat în chipul lui Isus, motiv pentru care el însuși s-a considerat a fi ... primul dintre idealiștii naturalismului.

După moartea soției sale din anul 1886, von Uhde a fost foarte implicat în viața celor trei fiice ale sale. El le-a pictat în numeroase lucrări cum ar fi Surorile (1889) sau Sub umbrar (1896). Lucrările în care și-a pictat fiicele în timpul verii pe care a petrecut-o la Dachau și Starnberg din anul 1890, prezintă o interpretare impresionistă a luminii, caracteristică evidentă a perioadei sale de creație de după ultimul deceniu al secolului al XIX-lea.

În ultimii săi ani de viață, a făcut mai multe compoziții în care a zugrăvit o femeie cu aripi de îngeri și a reprodus unele scene biblice ca Judecata lui Avraam(1897), Cina cea de taină (1897), Înălțarea Domnului (1898), etc.

Galerie de imagini

Premii
1870-1871 Prusia: Crucea de Fier clasa a II-a
1870-1871 Imperiul German: Medalie comemorativă de război pentru 1870-1871
1873 Leipzig: prima expoziție, Bătălia de la Sedan provoacă agitație
1883 Paris Motor Show: mențiune de onoare pentru Der Leierkastenmann kommt
1884 Berlin: Medalie pentru Lăsați copilașii să vină la mine
1884 Paris: Medalie pentru Lăsați copilașii să vină la mine
1884 Munchen: Medalie pentru Lăsați copilașii să vină la mine
1885 Paris: medalie la "Salonul Oficial" pentru Lăsați copilașii să vină la mine
1886 Munchen: profesor din titlu si lector
1888 Viena: medalie de aur pentru Komm Herr Jesu, sei unser Gast
1889 Munchen: Medalie pentru Lăsați copilașii să vină la mine
1889 Paris: Grand Prix pentru Lăsați copilașii să vină la mine
1890 Paris: Grand Prix
1890 Paris Membru al Société Nationale des Beaux-Arts (SNDBA)
1890 Munchen: membru de onoare al Academiei de Arte Frumoase
1891 Viena: medalie Arhiducele Karl-Ludwig-protector
1891 Viena: Diploma de Onoare pentru Der schwere Gang
1891 Franța: Cavaler al Legiunii de Onoare
1891 Saxonia (ducate): Crucea Casei Ernestine Ordinul Cavalerului
1891 Viena: Diploma de Onoare
1893 Paris: membru al Société Nationale des Beaux-Arts
1896 Bavaria: Crucea de Merit a Bavariei Coroanei Cavalerului
după 1897 Prusia: Zentenarmedaille (ziua de naștere a 100 - Wilhelm I.)
1902 Bavaria: bavarez Ordine Maximilian pentru Știință și Artă
1902 Ofițer al Legiunii de Onoare
1909 Marea Medalie de Aur la Expoziția de Artă din Berlin
1909 Leipzig: Dr. hc Theol. facultate
xxxx Italia: Cavaler al Sf . Maurice și Medalia Lazăr
xxxx Spania: Ordinul American de Isabella catolic : Komthur
xxxx Suedia Ordinul de Vasa : clasa a II - Comandante.
xxxx Norvegia: Ordinul Sf . Olav : Knight First Class
1911 Munchen: Hugo von Habermann felicită defunctul ca fondator al "picturii moderne"

Referințe

Bibliografie
 Brand, Bettina. "Uhde, Fritz von". Grove Art Online. Oxford Art Online. Oxford University Press. Web.
 Forster-Hahn, Françoise, et al. (2001). Spirit of an Age: Nineteenth-Century Paintings From the Nationalgalerie, Berlin. London: National Gallery Company. ISBN 1-85709-981-8
 Fraser, W. Lewis. (1897). A Religious Painter, Fritz Von Uhde.
 Jongeneel, Jan A. B. (2009). Jesus Christ in World History: His Presence and Representation in Cyclical and Linear Settings. Peter Lang.
 Uhr, Horst (1990). Lovis Corinth. University of California Press.
 West, Shearer (2000). The Visual Arts in Germany 1890-1937: Utopia and Despair. Manchester University Press, ISBN 0719052793, 9780719052798

Legături externe

Nașteri în 1848
Decese în 1911
Pictori germani
Pictori saxoni

Fritz von Uhde


Rocío Sobrado es una cantante y actriz mexicana.

Se hizo conocida como cantante en la década de los 80 siendo parte del grupo Click! formado en 1986 y considerado el primer grupo que introdujo el género musical High Energy en México. Temas como Duri Duri, Americano y Alto y Peligroso fueron muy populares no solo en México sino también en el exterior.

Paralelamente a su trabajo como cantante Rocío debutó como actriz en 1985 en la telenovela Abandonada, producida por Alfredo Saldaña y protagonizada por María Sorté y José Alonso. En 1987 participa en La indomable, telenovela producida por Julissa; y al año siguiente participa en la telenovela juvenil Dulce desafío también producida por Julissa y protagonizada por Adela Noriega y Eduardo Yáñez, aquí Rocío interpretó a Gaby la mejor amiga de Beatriz (Ana Urquidi) la hermana de la protagonista quien muere trágicamente de leucemia.

Iniciando 1989 Rocío deja Click! y se dedica exclusivamente a la actuación, obteniendo uno de sus primeros roles importantes en 1990 en la telenovela La fuerza del amor, con el personaje de Luz María que formaba parte del grupo de jóvenes en la historia integrado por otras ascendentes actrices como Gabriela Hassel, Karen Sentíes, Katia del Río y Cecilia Tijerina, entre otras con su amiga Claudia Ortega.

En 1992 interpreta a una de las villanas de Triángulo, telenovela producida por Ernesto Alonso y protagonizada por Daniela Castro y Eduardo Palomo.

Continúa participando durante toda la década de los 90 y 2000 en diversas telenovelas y series de televisión, como María la del barrio, Luz Clarita, Los hijos de nadie y De pocas, pocas pulgas, entre otras. Participa en seis episodios del unitario Mujer, casos de la vida real, y en la tercera temporada de Mujeres asesinas.

En 2009 participó en la tercera versión de la telenovela Corazón salvaje, siendo la doble de las gemelas interpretadas por Aracely Arámbula.

Filmografía

Telenovelas
 Quiero amarte (2013-2014) .... Directora
 Triunfo del amor (2010-2011) .... Alma
 Corazón salvaje (2009) .... Doble de Aracely Arámbula
 Juro que te amo (2008-2009).... Enfermera
 De pocas, pocas pulgas (2003) .... Genoveva de Valverde
 Tres mujeres (1999-2000)
 Amada enemiga (1997) .... Rebeca
 Los hijos de nadie (1997) .... Melisa
 Luz Clarita (1996) .... Belinda
 María la del barrio (1995) .... Gracia Valdés
 Triángulo (1992) .... Doris Fernández
 La pícara soñadora (1991)
 La fuerza del amor (1990) .... Luz María
 Dulce desafío (1988-1989) .... Gaby Cuevas
 La indomable (1987)
 Abandonada (1985) .... Milagros

Series de TV
 Como dice el dicho (2011-2012) .... Doris / Lorena (dos episodios)
 El equipo (2011) .... Rocío (episodio "Tiempos difíciles")
 Mujeres asesinas 3 (2010) .... Alma (episodio "Annette y Ana, nobles")
 La rosa de Guadalupe (2008-2014) .... Varios Capítulos
 "La novia de mi mejor amigo soy yo" .... Sonia
 "Seguir al amor" .... Huicha
 "Llamar la atención" ..... Marlen
 "Vivir en paz" .... Sandra
 "Una gran historia de amor" .... Alicia
 "Cuando el enemigo está en casa" .... Leslie
 "Me alquilo para ser novio" .... Ana
 Mujer, casos de la vida real (1997-2007) (seis episodios)

Discografía con el grupo Click!
1987- Con amor para ti
1988- Click!

Referencias

Enlaces externos

Nacidos en Ciudad de México
Actrices de México
Actrices de televisión de México
Cantantes femeninas de México

Rocío Sobrado


Olaylar
 II. Murat, Aydınoğullarına son verdi.

Doğumlar
 Şubat - I. Christian, Kalmar Birliği altında İskandinav hükümdar, Danimarka, Norveç ve İsveç kralı (ö. 1481)
 tarihi bilinmeyen
 Ahmed Paşa, ulema sınıfı mensubu ve Divan Edebiyatı şairi (ö. 1497)

Ölümler
 18 Eylül - Hubert van Eyck, Flaman resminin ilk dönem temsilcilerinden (d. 1385 - 1390)

1426


Aceasta este o listă de filme australiene din 2006:

Lista

Note

Legături externe
Filme australiene din 2006 la IMDb.com

Filme din 2006Filme australiene
Australia
Liste de filme australiene

Listă de filme australiene din 2006


أريك أوين موس ، معماري من مواليد عام 1943 بلوس أنجلوس، كاليفورنيا.

أريك من المعماريين الأميريكيين المميزيين نشأ وتربى بكاليفورنيا، ثم حصل على بكالريوس في الفنون من جامعة كاليفورنيا بلوس أنجلوس عام 1965. واصل أيريك دراستة ليحصل على درجة الماجستير في التصميم البيئي عام 1968 من جامعة بيركيلي، في العام 1972 حصل أريك على درجة الماجستير الثانية له من جامعة هارفارد.

يشغل إيريك حالياً منصب مدير معهد جنوب كاليفورنيا للعمارة.

مراجع

وصلات خارجية
 مقابلة مع أريك أوين موس
 بيبلوغرافيا
 مقابلة شخصية مع أريك
 مقابلة شخصية أجراها مع نيويورك تايمز
 مقال عن مبني مركز مارينيسكي الثقافي
 مكتب أريك أوين موس المعماري

خريجو كلية هارفارد للدراسات العليا في التصميم
أشخاص على قيد الحياة
أشخاص من لوس أنجلوس (كاليفورنيا)
خريجو جامعة كاليفورنيا (بركلي)
خريجو جامعة كاليفورنيا (لوس أنجلوس)
معلمون من منطقة لوس أنجلوس الكبرى
معماريون أمريكيون
معماريون أمريكيون في القرن 20
معماريون أمريكيون في القرن 21
معماريون من لوس أنجلوس
مواليد 1943
مواليد في لوس أنجلوس
أعضاء هيئة تدريس الأكاديمية الملكية الدنماركية للفنون الجميلة
أعضاء هيئة تدريس معهد جنوب كاليفورنيا للعمارة

إريك أوين موس


Europsko istraživanje vrednota ( European Values Study, EVS) je međunarodni znanstvenoistraživački projekt koji su 1969. pokrenuli prof. dr. Jan Kerkhofs s Katoličkog sveučilišta u Louvenu (Belgija) i prof. dr. Ruud de Moor s Tilburškog sveučilišta (Nizozemska). Četiri su vala istraživanja sprovedena do danas: 1981., 1990., 1999./2000. i 2008. godine, od čega je Hrvatska sudjelovala u trećem i četvrtom valu a u projekt se uključila preko Katoličkoga bogoslovnog fakulteta Sveučilišta u Zagrebu. U EVS-2008 sudjelovalo je 47 europskih zemalja, koje ukupno čine 800.000.000 ljudi u Europi: unutar Europske unije i izvan nje. Voditelj EVS-a za Hrvatsku je prof. dr. sc. Josip Baloban od 1999. godine. U Hrvatskoj ovaj međunarodni Projekt od samog početka financira Ministarstvo znanosti, obrazovanja i športa RH. Europsko istraživanje vrednota se u svojoj osnovnoj koncepciji fokusira na osnovne vrednote u vrlo važnim sferama čovjekovog osobnog, obiteljskog i društvenog života, pa se sukladno tome istražuju religija i moral, društvo i politika, brak i obitelj, uloga spolova, rad i slobodno vrijeme, prijatelji, seksualnost, solidarnost i naobrazba. Europsko istraživanje vrednosta je model interdisciplinarne  suradnje znanstvenika iz humanističko-društvenog područja Sveučilišta u Zagrebu, ali i šire: teologa, sociologa, politologa i psihologa. Do danas su hrvatski istraživači na tom Projektu objavili 2005. studiju na hrvatskom i engleskom jeziku te su izašli tematski brojevi Bogoslovske smotre i jedan tematski broj Društvenih istraživanja.

Izvori

Teologija
Sociologija
Političke znanosti
Psihologija

Europsko istraživanje vrjednota


Pleudihen-sur-Rance (bretonisch: Pleudehen) ist eine französische Gemeinde des Départements Côtes-d'Armor in der Region Bretagne. Administrativ ist sie dem Arrondissement Dinan und dem Kanton Lanvallay zugeteilt.

Geografie
Die Gemeinde mit  Einwohnern (Stand ) liegt im Nordosten der Bretagne, 20 Kilometer südlich von Saint-Malo, am rechten Ufer der südlichen Trichtermündung der Rance. Hier mündet von rechts der Zufluss Coëtquen in die Rance. Pleudihen-sur-Rance ist die östlichste Gemeinde des Départements Côtes-d'Armor. Das Gebiet ist für seine Cidre-Erzeugung sehr bekannt.

Einwohnerentwicklung

Wirtschaft
Pleudihen-sur-Rance ist berühmt für seine Apfelplantagen und Cidreherstellung, deshalb oft "Cidrehauptstadt" (Capitale du Cidre) genannt. François-René de Chateaubriand aus Saint-Malo bemerkte, dass hier "Pflug und Boot nur einen Steinwurf entfernt sind" (La charrue et le doris sont à un jet de pierre.)

Sehenswürdigkeiten
 Gezeitenmühle von Mordreuc
 Dolmen du Bois de la Tougeais
Eine Besonderheit des Ortes ist das Apfel- und Cidremuseum (Musée de la Pomme et du Cidre) samt
 Apfelmühle in einem Bauernhaus. Neben einer Vielzahl von Apfelsorten und Apfelbaumarten erhält man Einblick in die lokalen Produktionsmethoden des Cidre und kann an Verkostungen teilnehmen.

Die neugotische Kirche Notre Dame ("Liebfrauenkirche") wurde 1878 anstelle einer romanischen Kirche eingeweiht und 1880 nach dreizehn Jahren Bauzeit vollendet.

Gemeindepartnerschaften
Pleudihen-sur-Rance pflegt seit 1979 eine Partnerschaft mit der rheinland-pfälzischen Ortsgemeinde Herschbach.

Literatur
 Le Patrimoine des Communes des Côtes-d'Armor. Flohic Editions, Band 1, Paris 1998, ISBN 2-84234-017-5, S. 276–281.

Einzelnachweise

Weblinks

 Internetpräsenz des Rathauses von Pleudihen-sur-Rance
 Cidremuseum in Pleudihen-sur-Rance
 Pleudihen-sur-Rance in der Listung des französischen Ministeriums für Kultur

Ort in der Bretagne
Ersterwähnung im 8. Jahrhundert
Gemeindegründung 1790

Pleudihen-sur-Rance


Park Dong-hyuk (Seúl, Corea del Sur, 18 de abril de 1979) es un exfutbolista surcoreano.

Selección nacional

Fue internacional con la selección de fútbol de Corea del Sur, con la que jugó 18 partidos internacionales.

Clubes

Palmarés

Campeonatos nacionales

Copas internacionales

Referencias

Enlaces externos

Personas de Seúl
Defensas centrales de fútbol
Futbolistas de Corea del Sur
Futbolistas del Jeonbuk Hyundai Motors Football Club
Futbolistas del Ulsan Hyundai Football Club
Futbolistas del Gamba Osaka
Futbolistas del Kashiwa Reysol
Futbolistas del Dalian Shide
Futbolistas de la selección de fútbol sub-20 de Corea del Sur
Futbolistas de la selección de fútbol sub-23 de Corea del Sur
Futbolistas de la selección de fútbol de Corea del Sur
Futbolistas de Corea del Sur en los Juegos Olímpicos de Sídney 2000
Entrenadores de fútbol de Corea del Sur

Park Dong-hyuk


هور الحويزة هو أحد أهوار العراق يقع في محافظتي ميسان والبصرة, وقد قامت محافظة البصرة بإنشاء محمية طبيعية فيه سميت (محمية الصافية)، تحده من الشرق إيران ويصب في الهور نهر الكرخة من إيران التي أنشأت على النهر سد الكرخة لتوليد الطاقة وتخزين المياه ويبلغ طول الهور 80 كم وعرضه 30 كم وخلال تدفق الربيع يمكن لنهر دجلة أن يفيض مباشرة في الهور وتصل مساحة الهور القصوى إلى 3000 كم2
تقريبا تزيد وتنخفض بحسب نسبة المياه وقد تصل في موسم الجفاف إلى حوالي 650 كم2 وتعد نسبة مساحة الهور في العراق بنسبة 79% وفي إيران نسبة 21% والأجزاء الشمالية والمركزية من الهور هي دائمية ولكن الأجزاء الجنوبية تصبح موسمية في الحالة الطبيعية.

مراجع

أهوار في العراق
أهوار في إيران
حوض شط العرب
دجلة
قضايا بيئية في العراق
مواقع رامسار في العراق
مياه عذبة

هور الحويزة


Samuel Slater ( 9. júní 1768 – 21 apríl 1835) var bandarískur iðnjöfur af breskum ættum. Hann er þekktur sem upphafsmaður Iðnbyltingarinnar í Bandaríkjunum og upphafsmaður bandarískar verksmiðjuframleiðslu en í Bretlandi er hann þekktur sem "Slater the Traitor". Slater flutti breska tækni í textíl til Ameríku og aðlagaði miðað við Bandaríkin. Hann var lærlingur hjá frumkvöðli í breskum textíliðnaði og  stal þar hönnun af breskum verksmiðjuvélum. Hann flutti síðan til  Bandaríkjanna. Hann hannaði fyrstu textílmillurnar í Bandaríkjunum og stofnaði seinna  eigin fyrirtæki  með sonum sínum. Hann átti þegar mest lét þrettán spunaverksmiður og hafði komið upp leigujörðum og verksmiðjuþorpum kringum textílverksmiðjur sínar svo sem í  Slatersville á Rhode Island.

Bandarískir athafnamenn
Bandarískir iðnjöfrar

Samuel Slater


Stigma (ϛ) este o ligatură a literelor grecești sigma (Σ) & tau (Τ), ce a fost folosită în scrierea limbii grecești din Evul Mediu până în secolul al nouăsprezecelea.

Alfabetul grec
Litere

Stigma (literă)


Paula Hernández (Buenos Aires, 16 de octubre de 1969) es una actriz, guionista y directora de cine argentina.

Filmografía

Directora
 El viento que arrasa (2023)
 Las siamesas (2020)
 Los sonámbulos (2019)
 Un amor (2011)
 Malasangre (2010)
 Lluvia (2008)
 Familia Lugones (2007)
 Eva (2003) (cortometraje)
 Herencia (2002)
 Kilómetro 22 (1995) (cortometraje)
 Rojo (1992) (cortometraje)

Actriz
 Dirigido por... (2004) …Entrevistada

Guionista
 Las siamesas (2020)
 Los sonámbulos (2019)
 Un amor (2011)
 Malasangre (2010)
 Lluvia (2008)
 Familia Lugones (2007)
 Herencia (2001)
 Eva (2003) (cortometraje de televisión)

Asistente de dirección
 La vida según Muriel (1997)

Casting
 Herencia (2002)
 Diario para un cuento (1997)
 Sol de otoño (1996)

Televisión
 Vientos de agua (episodio VII, 2006)
 Mujeres en rojo: Eva (2003)

Referencias

Enlaces externos

 Información sobre Paula Hernández en el sitio del cine nacional.

Guionistas de cine de Argentina
Directoras de cine de Argentina
Porteños

Paula Hernández


Le musée d'histoire de Dnipro, fondé en 1849 est un musée d'Ukraine, situé à Dnipro.

Présentation et histoire
Le musée a été fondé le 1849 par Andriy Fabr qui était gouverneur de la ville. La première collection Katerinoslav a été initiée par le directeur du gymnasium local, M. Grakhov. Il anime le Musée de la maison de Dmytro Yavornytsky. Depuis 1940 il porte le nom de Dmytro Yavornytsky, directeur de musée, donateur de ses collections.

Galerie

Références

Liens
 Liste de musées en Ukraine.

Musée d'histoire en Ukraine
Musee
Architecture à Dnipro
Musee

Musée d'histoire de Dnipro


PenSam Bank er en internetbank, som blev oprettet i 1989, og har siden da drevet bankvirksomhed i Danmark. PenSam Bank er en del af PenSam Holding A/S, som er PenSam Banks moderselskab.

PenSam Bank specialiserer sig i lån, kreditter, opsparing og pension. Bank er ikke PenSams primære fokus, da selskabet er skabt efter fire pensionsselskaber gik sammen i 1985. Pensionsdelen af PenSam har rødder helt tilbage i 1966.

Adm. direktor hos PenSam Bank har siden 01.01.2013 været Torsten Fels, som også er direktør i PenSam Liv forsikringsaktieselskab, PenSam Forsikring A/S, PenSam Holding A/S og Pensionskassen PenSam.

Referencer

Banker i Danmark
Etableret i 1989

PenSam Bank


بلدية دايا فاييجا , هي بلدية تقع في مقاطعة اليكانتي. جنوب شرق إسبانيا. يبلغ عدد سكانها 336 نسمة.

مراجع

أماكن مأهولة في مقاطعة لقنت
بلديات لقنت

دايا فاييجا


ماساشي إبارا (江原正士 إبارا ماساشي) هو ممثل ياباني ولد في 4 مايو 1953 في كاناغاوا.

أدواره في الأنمي

مسلسلات أنمي تلفزيونية
 سابق و لاحق - دكتور عاقل
 EAT-MAN - بولت كرانك
 MADLAX - فرايداي منداي
 ناروتو - مايت غاي
 ناروتو شيبودن - مايت غاي، مايت داي
 روك لي وأصدقائه النينجا - مايت غاي
 شاكوغان نو شانا - ألاستور
 شاكوغان نو شانا II - ألاستور
 شاكوغان نو شانا III(فاينل) - ألاستور
 بوسو رينكين - كابتن برافو
 خيميائي الفولاذ - هوينهايم المنير
 ذا سول تيكر - ريتشارد فنسنت
 روبن هود: السهم الناري - اللورد ألواين
 غاد غارد - جاك برونو
 شامان كينج - تاو إين
 بيسميكر كوروغاني - ساكاموتو ريوما
 يو يو هاكوشو - يومي
 المقيم الأبدي - كوروي ساباتو
 لاف هينا - والد شينوبو هايهارا
 إيرغو بروكسي - إم سي كيو
 كاوبوي بيبوب - أندي
 هاكابا كيتارو - جوني من أعماق الضباب
 ماستر كيتون - روبرت فندرز
 كيكايشي - كويا
 إينيشال دي Fourth Stage - توشيا جوشيما
 دورارارا!! - مستر K
 هيوغيمونو - هاشيبا هيديوشي/تويوتومي هيديوشي
 آوتلو ستار - جوكاي
 ماغي: The Kingdom of Magic - شامبال راما
 نيسيكوي - والد تشيتوغي كيريساكي
 كاراكوري كيدن هيو سنكي - موغن
 سورد آرت أونلاين - غودفري
 بوكيمون - بونتشو
 بوبتيبيبيك - بوبوكو (الحلقة 1A)

أوفا أنمي
 دوت هاك ليميناليتي - جونيتشيرو توكوؤوكا
 لوحة كوزيت - مارسيلو أورلاندو
 شاكوغان نو شانا S - ألاستور

أفلام أنمي
 فيلم شاكوغان نو شانا - ألاستور
 فيلم بليتش: ميموريز أوف نوبودي - غانريو
 ناروتو شيبودن: الفيلم - مايت غاي
 سلسلة أفلام كيزومونوغاتاري
 كيزومونوغاتاري الفصل الثاني: نيكّيتسو - دراماتورجي
 بوكيمون هيروز: لاتيوس و لاتياس - لاتيوس
 أوسامو تيزوكا: متروبوليس - هاميغ

أدواره في ألعاب الفيديو
 فاينل فانتسي 13 - ساز كاتزروي
 Sonic and the Secret Rings - إيريزر جن
 تيلز أوف إيتيرنيا - ماكس
 مغامرة جوجو الغريبة: أول ستار باتل - محمد أفدول
 ناروتو: باورفل شيبودن - مايت غاي
 ناروتو شيبودن: ألتيميت نينجا ستورم ريفولوشن - مايت غاي
 ناروتو شيبودن: ألتيميت نينجا ستورم 4 - مايت غاي

أدواره في الدبلجة اليابانية
 آيرون مان - توني ستارك/آيرون مان
 فيلم عائلة سيمبسون - توم هانكس
 وال-إي - أوتو
 سلسلة أفلام هاري بوتر
 هاري بوتر وحجر الفيلسوف - لورد فولدمورت
 هاري بوتر وكأس النار - لورد فولدمورت
 هاري بوتر وجماعة العنقاء - لورد فولدمورت
 هاري بوتر والأمير الهجين - لورد فولدمورت
 هاري بوتر ومقدسات الموت – الجزء 1 - لورد فولدمورت
 هاري بوتر ومقدسات الموت – الجزء 2 - لورد فولدمورت
 باتمان - مات هيغن/كلايفيس
 باتمان: الجرأة و الشجاعة - أكوامان
 إكس-من - وولفرين
 المتحولون - سبايك ويتويكي (الراشد), آيرونهايد، راتشيت, تيليتران 1, سكايوارب، براول, شرابنيل، السير وايغند، سيسبراي, غريغوري سوفورد، ديد إند، تورك 3
 المتحولون: الفيلم - سبايك ويتويكي، راتشيت
 الفرقة م7 - جاي
 سبيس جام - سيلفستر
 عرض لوني تونز - سيلفستر
 شيفرة دا فينشي - روبرت لانغدون
 ملائكة وشياطين - روبرت لانغدون
 الخلاص من شاوشانك - هايوود
 أنا أسطورة - روبرت نيفيل
 إيت براي لوف - فيليب
 ذا ترمينال - فيكتور نافورسكي
 أمسكني لو استطعت - كارل هنراتي
 طريق إلى الهلاك - مايكل سوليفان الأب
 فورست غامب - فورست غامب
 الضاحكون - سكويت
 البرق - هنري آلن

وصلات خارجية

مراجع

81 بروديوس
أشخاص على قيد الحياة
ممثلو أداء صوتي ذكور من محافظة كاناغاوا
ممثلو أداء صوتي يابانيون
ممثلو ألعاب فيديو يابانيون
ممثلو تلفزيون يابانيون
ممثلو مسرح يابانيون
ممثلون ذكور يابانيون
ممثلون من محافظة كاناغاوا
ممثلون يابانيون في القرن 20
ممثلون يابانيون في القرن 21
مواليد 1953
مواليد في كاناغاوا (محافظة)

ماساشي إبارا


La  est l'une des quatre circonscriptions législatives que compte la préfecture de Kumamoto au Japon. Cette circonscription comptait  électeurs en date du .

Description géographique

La première circonscription de la préfecture de Kumamoto correspond aux arrondissements de Chūō, Higashi et Kita de la ville de Kumamoto.

Députés

Notes et références

Voir aussi

Articles connexes
 Chambre des représentants du Japon

Circonscription législative au Japon

Première circonscription de la préfecture de Kumamoto


Die Sefenspitze ist ein  hoher Berg in den Allgäuer Alpen.

Lage und Umgebung
Der in der Untergruppe Tannheimer Berge gelegene Berg erhebt sich im Zentrum der Gruppe nördlich über dem Tannheimer Tal. Im Südosten des Berges liegt das Füssener Jöchl (), das die Sefenspitze von der Läuferspitze () trennt. Nach Süden liegt der Sefensattel, von dem aus der Lumberger Grat () nach Westen abzweigt. Im Nordwesten trennt eine Einsattelung die Sefenspitze von der Sebenspitze (). Im Westen fallen die Flanken der Sefenspitze ins Sebental ab, im Osten ins Alptal.

Die Sefenspitze befindet sich auf dem Stadtgebiet von Vils, das ungefähr fünf Kilometer entfernt nordöstlich im Vilstal liegt.

Namensherkunft
Erstmals erwähnt wurde die Sefenspitze 1595 in einer Tannheimer Urkunde als Seffespitz. Weitere Erwähnungen folgten vermutlich im 18. Jahrhundert als Seffenspitz und 1880 in einer Österreich-Karte als Sefer Sp. Namensgebend dürfte der Sadebaum sein, der mundartlich als söfe verwendet wurde, so auf Tannheimer Seite als Söfe-Spitz. Abgewandelt wurde auf Vilser Seite Säafa-Spitz verwendet. Die gleiche Namensherkunft dürfte der Sevischrofen in den Nordwestlichen Walsertaler Bergen haben. Fraglich ist eine Verbindung zum Heiligen Severinus.

Besteigung und Erschließung
Stützpunkte für die Besteigung der Sefenspitze können Füssener Hütte () und Otto-Mayr-Hütte () im Raintal sowie die Bad Kissinger Hütte () am Aggenstein und die Vilser Alpe () im Alptal sein. Außerdem endet am Füssener Jöchl die Umlaufseilbahn der Liftgesellschaft Grän. Diese betreibt im Winter auch ein Skigebiet, von dem sich ein Teil in der Ostflanke der Sefenspitze befindet.

Der Normalweg auf die Sefenspitze zweigt nahe dem Sefensattel nach Norden vom Tannheimer Höhenweg ab, der die Bergstation der Seilbahn mit der Bad Kissinger Hütte verbindet. Von dort führt der Anstieg unmarkiert, teilweise auf Pfadspuren eines alten, aufgelassenen Übergangs ins Sebental, auf den Gipfel. Dabei muss eine kurze Kletterstelle (Schwierigkeitsgrad I) überwunden werden, es ist Trittsicherheit nötig. Beim Abstieg über den Nordostgrat in die Einsattelung zur Sebenspitze muss für den Übergang zu letzterer ebenfalls kurz geklettert (I) werden.

Im Winter werden die West- und Nordflanke im Rahmen von Skitouren begangen.

Bilder

Weblinks

Einzelnachweise

Allgäuer Alpen

Sefenspitze


A Tribute to J.J. Abrams er en kortfilm instrueret af Asger Lindgaard efter manuskript af Johan Albrechtsen, Asger Lindgaard, Marie Louise Færch Nielsen og Per Vers.

Handling

Referencer

Eksterne henvisninger

Danske film fra 2013

Kortfilm fra Danmark

A Tribute to J.J. Abrams


An Oncidium cuculligerum in uska species han Liliopsida nga syahan ginhulagway ni Schltr., ngan ginhatag han pagkayana nga asya nga ngaran ni Mark W. Chase och Norris Hagan Williams. An Oncidium cuculligerum in nahilalakip ha genus nga Oncidium, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Oncidium

Oncidium cuculligerum


Photinia serratifolia (sin. Photinia serrulata), obično nazvana tajvanska fotinija  ili kineska fotinija je cvjetni grm ili stablo iz porodice cvjetnica Rosaceae, koje se nalazi u mješovitim šumama Kine, Tajvana, Japana, Filipina, Indonezije i Indije.

Opis
Stablo je zimzeleno, s bijelim cvjetovima koji izbijaju u proljeće praćeni crvenim lišćem, a crvenim plodovima koji rastu u jesen. Raste obično do visine od 4–6 m, ponekad i do 12 m. Njegovo lišće je otrovno zbog prisutnosti cijanogenih glikozida. Cvijet, koji cvate u proljeće, obično traje jedan do dva tjedna. Poznato je da njegovi cvjetovi imaju jak miris sličan mirisu ljudskog sjemena. Cvijet ima zvonoliku čašicu podijeljenu na pet režnjeva i oko 20 prašnika. Jajnik sadrži dvije do četiri klupe, s jednom ovulom u svakoj klupi. Drvo daje veliku količinu svijetlih, crveno obojenih plodova koji su male jabučice promjera od 4–12 mm, od kojih svaki sadrži jednu do četiri sjemenke. Plod, koji sazrijeva u jesen i preživi zimu, izvor je hrane raznim vrstama ptica, uključujući drozdove, kugare i čvorke. Sjeme se primarno širi putem ptičjih izlučevina.

Rasprostranjenost i stanište
Drvo se obično nalazi na nadmorskim visinama do 2,500 metara. Nalazi se u mješovitim šumama središnje i južne Kine, Tajvana, Japana, Filipina, Indonezije i Indije.

Varijeteti
U flori Kine prepoznate su tri varijeteta ove vrste:
 Photinia serratifolia var. ardisiifolia. Varijetet s uskim listovima porijeklom je iz Tajvana, obično se nalazi oko 850 m nadmorske visine. Listovi su obrnuto jajasti (obrnuto jajasti), elipsastog oblika i kožaste teksture.
 Photinia serratifolia var. daphniphylloides. Varijetet sa širokim lišćem porijeklom iz Tajvana. Listovi su eliptični ili dugo jajasti.
 Photinia serratifolia var. lasiopetala. Porijeklom iz Tajvana. Listovi su obrnuto jajasti, vitki ili žličasti.

Uporaba

Drvo se naširoko koristi kao biljka za ozelenjavanje u nekim gradovima kontinentalne Kine, zbog relativne lakoće sadnje i održavanja, a stablo je manje zahtjevno za okolinu. U Wuhanu, gdje je drvo u svom izvornom području, drvo je posađeno uz rubove svih glavnih avenija, kao i na Sveučilištu Wuhan. Međutim, zbog jakog mirisa koji nalikuje sjemenu iz cvjetova koji ispunjava cijeli grad u proljeće, neki stanovnici Wuhana žalili su se da bi se stablo trebalo ukloniti i umjesto njega posaditi drugo drveće.

Izvori

Ružovke

Photinia serratifolia


5350 Epetersen este un asteroid din centura principală de asteroizi.

Descriere
5350 Epetersen este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Observatorul La Silla de Eric Walter Elst. El prezintă o orbită caracterizată de o semiaxă mare de 2,23 ua, o excentricitate de 0,13 și o înclinație de 2,5° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 5001-6000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1989
Centura de asteroizi

5350 Epetersen


Hiperhidroza este o afecțiune caracterizată printr-o transpirație abundentă anormală, mult peste ceea ce este necesar pentru reglarea temperaturii corpului. Este asociată deseori cu o calitate scăzută a vieții din perspectivă psihologică, emoțională și socială. Transpirația excesivă poate afecta întregul corp, sau doar anumite zone, în special tălpile, palmele, axilele sau fața.

Clasificare
Hiperhidroza poate fi generalizată sau localizată în anumite zone ale corpului. Mâinile, picioarele, axilele, abdomenul și spatele sunt cele mai afectate de transpirația excesivă datorită numărului mare de glande sudoripare. Când transpirația excesivă este localizată (ex: tălpi, palme, axilă, față) se referă la hiperhidroza primară sau focală. Când vorbim de o transpirație abundentă la nivelul întregului corp avem de-a face cu hiperhidroză generalizată sau secundară și care poate fi și rezultatul unei condiții medicale. Hiperhidroza primară sau focală poate fi clasificată în mai multe tipuri, în funcție de zona care este afectată:
 palmă-plantară (transpirație simptomatică numai la nivelul mâinilor sau picioarelor),
 hiperhidroza gustativă (transpirație excesivă la nivelul feței și pieptului după consumul anumitor alimente),
 hiperhidroza axilară (transpirație excesivă la subraț, care este cea mai răspândită formă de hiperhidroză).

Hiperhidroza se mai poate clasifica și în funcție de debut, congenitală (prezentă la naștere, o condiție moștenită) sau dobândită (debutând mai târziu în viață).

Cauze și debut
Hiperhidroza primară sau focală, debutează de cele mai multe ori în adolescență, datorită modificărilor hormonale, uneori chiar mai devreme. Trebuie să se facă o deosebire clară între aceasta (hiperhidroza primară sau focală) și cea secundară, al cărei debut poate avea loc oricând în timpul vieții. Hiperhidroza secundară sau generalizată se poate datora unei tulburări de tiroidă sau hipofiza glandelor, diabet zaharat, gută, menopauză, obezitate sau consumul anumitor medicamente.

Cauze
Dacă transpirația excesivă nu are la baza nicio cauză medicală, se numește hiperhidroză primară. Acest tip apare atunci când sistemul nervos responsabil cu declanșarea glandelor sudoripare devin hiperactivi și comandă mai multă transpirație decât este necesar în mod normal. Mai multe studii recente clasifică hiperhidroza primară ca fiind, cel puțin parțial ereditară. Dacă transpirația excesivă este atribuită unei condiții medicale vorbim despre hiperhidroza secundară. Afecțiuni ale sănătății care pot provoca transpirația excesivă sunt: hipoglicemie diabetică, endocardita, tulburare de anxietate generalizată, infarct, extenuare de la căldură, HIV/SIDA, hiperhidroză, hipertiroidism (tiroida hiperactivă), leucemiel malarie, efecte secundare ale unor medicamente (beta – blocante și antidepresive), menopauza, obezitate, stres, tuberculoză. Se recomandă consultul unui medic specialist atunci când: transpirația excesivă apare fără nicio cauză externă, mult peste limita obișnuită, transpirația va afectează rutina zilnică, experimentați episoade de transpirație nocturnă fără niciun motiv aparent.

Tratamentul transpirației excesive

Antiperspirantele
Prima linie de tratament pentru transpirația excesivă sunt antiperspirantele. Trebuie făcută o delimitare clară între deodorante și antiperspirante. Deodorantele nu opresc transpirația ci doar neutralizează mirosul cauzat de bacteriile care se descompun la nivelul pielii, ca urmare a transpirației abundente. Antiperspirantele reduc sau chiar opresc transpirația excesivă. Antiperspirantele  sunt deosebit de eficiente pentru tratamentul transpirației axilare. În mod normal, este nevoie de trei până la cinci zile pentru a se observa rezultatele utilizării unui antiperspirant profesional (ex: Odaban). Cel mai frecvent efect secundar este iritația pielii. Antiperspirantele au la bază o soluție lichidă. Ele sunt ambalate sub forma de rol–on sau spray. Cele mai eficiente și sigure sunt cele pe baza de spray deoarece diminuează riscul de supradozare, care poate duce la apariția iritațiilor. Medicamentele prescrise în cazul unei hiperhidroze severe sunt anticolinergicele, bazate pe o substanță care inhibă acțiunea acetilcolinei (neurotransmițătorul sistemului parasimpatic) în sistemul nervos vegetativ. Sunt preparate farmaceutice ce au la baza alcaloizi ai plantei denumită mătrăgună – Atropină, scopolamină și hiosciamină. Ele trebuie administrate numai la recomandarea și sub supravegherea medicului deoarece pot duce la complicații severe: uscăciunea gurii, tulburări de vedere, somnolență, retenție de urină, hipertensiune, agitație, convulsii, comă, etc.

Toxina botulinici
Injecțiile cu toxina botulinici sunt folosite pentru a bloca controlul neuronal al glandelor sudoripare. Toxina botulinici este o proteină naturală care blochează temporar secreția unor substanțe chimice la nivelul sistemului nervos responsabil de activarea glandelor sudoripare. Când se injectează local în pielea cu transpirații excesive, toxina botulinici blochează fibrele nervoasele stimulează glandele sudoripare, având ca rezultat stoparea producerii transpirației doar în regiunea corpului unde a fost injectată. "Tratamentul este sigur și foarte eficient, cu rezultate, din păcate, temporare, persistând între 4-6 luni', explică dr. Laurențiu Vladau, Clinica Hebra Dermatologie. Un alt tratament încurajator este și iontoforeza, în special pentru palme și tălpi.

Chirurgical
Extirparea sau distrugerea glandelor sudoripare este o opțiune pentru cei care se confruntă cu hiperhidroza axilară. Există mai multe metode pentru îndepărtarea glandelor sudoripare cum ar fi: aspirarea glandelor sudoripare, chiuretaj retrodermal, liposucție axilară. Cu o rată de satisfacție în rândul pacienților care au suferit o astfel de intervenție de până la 70% aceasta are de cele mai multe ori și efecte secundare nedorite cum sunt: transpirația excesivă în alte zone ale corpului, unde înainte de intervenție nu erau probleme. Acest efect secundar este întâlnit la 80% din pacienții care au apelat la îndepărtarea glandelor sudoripare. Unii pacienți găsesc transpirația compensatorie tolerabilă în vreme ce 51% dintre pacienți susțin că, calitatea vieții lor a scăzut ca urmare a intervenției. Problema inițiala a transpirației excesive poate sa reapară, ca urmare a regenerării nervoase, uneori în doar 6 luni de când a avut loc procedura chirurgicală.

Prognostic
Hiperhidroza poate avea consecințe fiziologice, cum ar fi mâinile reci și umede, deshidratare, infecții ale pielii, dar și efecte emoționale devastatoare asupra individului. Persoanele afectate de hiperhidroză sunt conștiente în mod constant de starea lor și încearcă să își modifice stilul de viață pentru a se adapta acestei probleme. Acest lucru le afectează viața profesională, școlară și socială. Multe sarcini de rutină din viața de zi cu zi pot duce la un nivel disproporționat de transpirație. Se estimează că peste 3% din populația României se confruntă cu transpirația excesivă. Aceasta afectează bărbații și femeile în egală măsură, și cel mai frecvent apare în rândul persoanelor cu vârsta cuprinsă între 25 – 64 de ani, chiar dacă unii sunt afectați timpuriu, încă din copilărie. Aproximativ 30-50% au cel puțin un membru în familie care suferă de hiperhidroză, ceea ce duce la prezumția că această afecțiune ar putea fi moștenită genetic.

Referințe

Vezi și
 Transpirație (plante)

Simptome
Sănătate

Hiperhidroză


طالوس ، في الأساطير الإغريقية، هو رجل من النحاس صنعه هيفيستوس لمينوس ليحرس يوروبا في كريت. وكان يتجول على طول شواطئ كريت ثلاث مرات يومياً.

مصادر

آلهة الشمس
آلات ذاتية التشغيل في الأساطير اليونانية
أساطير في آرغونوتيكا
شخصيات أسطورية إغريقية
مخلوقات أسطورية في الثقافة الشعبية
هيليوس (أسطورة)
وحوش

طالوس


NK Nova Bila je bosanskohercegovački nogometni klub iz Nove Bile.

Povijest

Početkom 1950-ih osnovan je prvi nogometni klub u Novoj Biloj pod nazivom Drvodjelac. Drvodjelac je odigrao samo nekoliko prijateljskih utakmica s momčadima iz susjednih mjesta. Kasnije, 1970. godine u Novoj Biloj se osniva NK Sebešić koji je igrao u Međuzonskoj ligi Zenica. Sebešić prelazi igrati u Travnik, a kasnije se ujedinjuje s FK Vlašić Turbe.

Krajem 1970-ih hrvatska mladež i nogometni zaljubljenici pokreću incijativu za osnivanjem nogometnog kluba. Godine 1978. održana je osnivačka skupština na kojoj klub dobiva ime Drvodjelac. Iste godine Drvodjelac se uključuje u natjecanje Grupne lige Zenica. Prva nogometnu utakmicu na svom igralištu Kraj Lašve u Novoj Biloj odigrali su 9. rujna 1979. godine protiv Progresa iz Rankovića.

Tijekom 1990-ih nastupaju u Prvoj ligi Herceg-Bosne pod imenom NK Nobil Nova Bila. U sezoni 1994./95. osvajaju 8. mjesto u skupini Srednja Bosna, a 1995./96. završavaju na 7. mjestu. Od sezone 1996./97. nastupaju u Drugoj ligi Herceg-Bosne.

Od sezone 2018./19. ponovno imaju aktivnu seniorsku momčad koja se počinje natjecati u 2. županijskoj ligi ŽSB.  Zbog reorganizacije natjecanja u sezoni 2020./21. igraju u 1. županijskoj ligi.

Imaju aktivne mlađe uzrasne kategorije.

Izvori

Hrvatski nogometni klubovi u Bosni i Hercegovini
Nogometni klubovi u Županiji Središnja Bosna
Nova Bila
Šport u Travniku

NK Nova Bila


Entrails Massacre ist eine Grindcore-Band aus Rostock.

Geschichte

Die Band wurde 1990 gegründet. Zu Beginn war die Band vom Goregrind beeinflusst.

Nach der Veröffentlichung von einigen Demos, etlichen Splitalben und EPs erschien 2004 das erste Album mit dem Titel Crucial Strikes with Attitude.

Die Band ist eher für Live-Auftritte bekannt, so beim Fuck the Commerce, mehrmals beim Obscene Extreme oder 2011 beim Mountains of Death.

Diskografie

Demos
 1991: Rehearsal 91
 1994: Deepest Wish

Alben und EPs
 2004: Crucial Strikes With Attitude (R.S. Records)
 2013: "Decline Of Our Century" (Power it up)

Splitalben
 1992: Isis & Osiris – Split-7" mit Acoustic Grinder (R.S. Records)
 1995: Die Nacht – Split-7" mit Rot (R.S. Records)
 1995: Harbour of Identity – Split-7" mit Anus Praeter (Gulli Records)
 1996: Split-7" mit Nyctophobic (T&M Records)
 1997: Split-7" mit Unholy Grave (Nat Records)
 1999: Split-12" mit Subcut (Absurd Records)
 2000: Split-7" mit Cruel Face (Towerviolence Records)
 2000: Split-7" mit Manifest (Scrotum Records)
 2001: Split-7" mit Godstomper (Rescued from Life Records)
 2002: Split-7" mit Čad (Towerviolence Records)
 2003: Split-5" mit Regurgitate (Towerviolence Records)
 2003: 3-Way Live Split-CD mit Regurgitate und Suppository (Blastwork Records)
 2004: Split-7" mit Catheter (Rescued from Life Records)
 2013: Split-7" mit Mesrine (Uranium Overdose)
 2013: Split-7" mit Proletar (Power it up)

Beiträge zu Kompilationen
 1998: Kill Your Idols – Tribute to Agathocles (Happy Hamster Records)
 1999: OBSCENE EXTREME Festival 1 (Obscene Productions)
 2002: No Speed Limit Pt. 3 Doppel-CD (Civilisation Records)
 2005: Giants of Grind DVD (Power it up!)

Weblinks
 Interview (CFMD)

Grindcore-Band
Deutsche Band
Musik (Rostock)

Entrails Massacre


Et dioptersigte er et fast sigte der er monteret til et skydevåben. Et dioptersigte består af to (di) faste elementer, et foran, ved mundingen, og et bagpå, tættere på der hvor ansigtet vil være. For at benytte sigtet skal de to faste elementer justeres på en forudbestemt måde for at sikre at det man kigger på over sigtet også er det man rammer.

Se også
 Sigte
 Rødpunktsigte
 Teleskopsigte

Skydevåben

Dioptersigte


Spiele der Finalrunde des Afrika-Cups 2012:

Viertelfinale

Sambia – Sudan 3:0 (1:0)

Elfenbeinküste – Äquatorialguinea 3:0 (1:0)

Gabun – Mali 1:1 n. V. (1:1, 0:0), 4:5 i. E.

Ghana – Tunesien 2:1 n. V. (1:1, 1:1)

Halbfinale

Sambia – Ghana 1:0 (0:0)

Mali – Elfenbeinküste 0:1 (0:1)

Spiel um Platz 3

Ghana – Mali 0:2 (0:1)

Finale

Sambia – Elfenbeinküste 0:0 n. V., 8:7 i. E.

Fußball-Afrikameisterschaft 2012
Sportveranstaltung in Bata (Stadt)
Sportveranstaltung in Malabo
Sportveranstaltung in Franceville
Sportveranstaltung in Libreville
Fußball (Äquatorialguinea)
Fußball (Gabun)

Afrika-Cup 2012/Finalrunde


الطريق الوطنية رقم 2 أو ط و2 طريق رئيسية تونسية تصل بين مدينتي النفيضة والصخيرة، وهي تتصل من الجهتين بالطريق الوطنية رقم 1. تمرّ هذه الطريق بالمدن التالية على التوالي:
 النفيضة،
 القيروان،
 رقادة،
 زعفرانة،
 بوحجلة،
 الشراردة،
 بئر علي،
 الصخيرة.

الطرقات الوطنية - تونس

الطريق الوطنية رقم 2 (تونس)


Non più andrai (tal. nećeš više letjeti) je arija Figara kojom završava prvi čin Mozartove opere Figarov pir, napisane po libretu Lorenza da Pontea na talijanskom jeziku. Iako je arija napisana za bas, često ju izvode baritoni. Arija je popularna još od nastanka i do danas je zadržala popularnost.

Kontekst i sadržaj
Francuski dramaturg Pierre Beaumarchais napisao je tri drame u kojima je Figaro glavni junak, Le Barbier de Séville ou la Précaution inutile (Seviljski brijač ili Uzaludna opreznost; 1773.), La Folle Journée, ou Le Mariage de Figaro (Figarova svadba ili Ludi dan; 1778.) i L'Autre Tartuffe, ou la Mère coupable (Drugi Tartuffe, ili Majka je kriva; 1792.), od kojih su prve dvije uspješno iskorištene kao libreta opera, Rossinijevog Seviljskog brijača i Mozartovog Figarovog pira. Treća drama također je korištena za libreta, ali sa slabim uspjehom.

Kralj Luj XVI. zabranio je javno izvođenje Beaumarchaisove komedije Figarov pir zbog satiričke oštrice usmjerene protiv poretka Francuske, pa je Beaumarchais radnju premjestio u Španjolsku. Da Ponte je u svom libretu izbacio političku konotaciju i stavio naglasak na ljubav.

Mladi paž Cherubino (deminutiv kerubina na talijanskom) zaljubljen je u sve žene, a naročito u groficu Rosinu, suprugu grofa Almavive. Na kraju prvog čina, Cherubino je skriven u naslonjaču, a Almaviva iza naslonjača, dok Don Basilio govori Susanni o Cherubinovoj zatravljenosti groficom. Grof pobjesni, otkriva skrivenog Cherubina i počinje mu prijetiti. Izvana se čuje slavlje seljaka koje je lukavi Figaro organizirao povodom Almavivine izjave da se odriče prava prve bračne noći prema Figarovoj zaručnici Susanni. Grof uviđa podvalu, ali je nemoćan, a Cherubina za kaznu šalje u svoju pukovniju u Sevilli.

Nastupa Figaro s arijom Non più andrai, farfallone amoroso (nećeš više letjeti, ljubavnički leptiru), u kojoj se ruga Cherubinu opisujući kako će mu se razlikovati život u vojsci:

O glazbi
Arija je u izvorniku označena kao No 10 Aria, u 4/4 taktu s oznakom tempa allegro, a tuđom rukom dopisano je vivace. Sastoji se od 115 taktova. Stil arije je vojnički marš, u finalu istaknut trubom i rogom. Od 101. takta nastupa samo orkestar u stilu trijumfalnog marša (trenutak u operi prije spuštanja zavjese, kad svi sa scene izlaze u vojničkom ritmu).

Tonalitet: C-dur

Orkestracija: 2 flaute, 2 oboe, 2 fagota, 2 roga, 2 trube, timpani, gudači

Trajanje arije najčešće je 10-20 sekundi kraće od 4 minute.

Utjecaj
Od svog nastanka arija je postala popularna pa ju je i sâm Mozart reciklirao, a zatim su je obrađivali i drugi skladatelji:
 Mozart: 5. scena 2. čina opere Don Giovanni - za vrijeme raskošnog objeda Don Giovannija zabavlja orkestar (takozvana "glazba za stol", Tafelmusik) izvodeći glazbu tadašnjih popularnih opera, a među njima i "Non più andrai", iz 1787.
 Mozart: reciklirana kao prvi dio u Pet kontradansa, KV 609, iz 1791.
 Liszt: Fantazija na teme iz Mozartovog Figara i Don Giovannija, S697 (nedovršena, izdana postumno)
 Paganini: Sonata Militare za violinu i orkestar MS46, varijacije na četvrtoj žici na temu "Non più andrai", iz 1824.

Brojni basovi i baritoni imaju ariju na svom repertoaru. Skladba se redovito izvodi na solističkim i gala koncertima klasične glazbe. Arija se javlja na mnogobrojnim trajnim zapisima. Glazba je popularna i na filmu, gdje se uzgredno javlja kao glazbena numera, ili kao ilustracija scene. Na primjer, u filmu Igra školice ilustrira scenu s padom zrakoplova u Engleski kanal, a u crtanom filmu To Spring iz 1936. godine ilustrira užurbane aktivnosti gnoma.

Skladba je službeni spori marš ovih postrojba:
 Coldstream Guards (Velika Britanija)
 Governor General's Foot Guards (Kanada)

Vidi još
 Glosar klasične glazbe

Izvori
 Arija na stranicama 146. - 160. u partituri opere "Figarov pir" na mrežnom izdanju Neue Mozart-Ausgabe, dme.mozarteum.at  (pristupljeno: 23. ožujka 2020.)
 Predgovor opere "Figarov pir" na mrežnom izdanju Neue Mozart-Ausgabe, dme.mozarteum.at  (pristupljeno: 23. ožujka 2020.)
 Metropolitan u Lisinskom: Sezona 2014./2015., programski vodič za operu Figarov pir, www.lisinski.hr (pristupljeno: 24. ožujka 2020.)
 Ye Gods! : What Are Those Characters Talking About?, sadržaj opere Figarov pir, s objašnjenjem finala 1. čina, na stranici CS Music, www.csmusic.net  (pristupljeno: 24. ožujka 2020.)
 Višnja Požgaj: "Scenski šarm", kritika novogodišnjeg koncerta u Lisinskom 30. prosinca 2015. na stranici "Klasika.hr", www.klasika.hr (objavljeno: 7. prosinca 2016., pristupljeno: 25. ožujka 2020.)
 Naslov knjige: Seviljski brijač ili Uzaludna opreznost
 Naslov knjige: Figarova svadba ili Ludi dan

Wolfgang Amadeus Mozart
Figaro
Skladbe klasičnog razdoblja

Non più andrai


Krasnoritchenske (, , Krasnoretchenskoïé), ce qui signifie rive de la Krasnaïa, est une commune urbaine de l'oblast de Louhansk, en Ukraine. Elle compte  en 2021.

Géographie

Le village se trouve au bord de la rivière Krasna, affluent du Donets.

Histoire
Jusqu'en 1973, le village s'appelait Kabanié ().
Lors de l'invasion de l'Ukraine de 2022, la république populaire de Lougansk, aidée par les forces russes, s'empare de Krasnoritchenske au début du mois de mars 2022.

Références

Commune urbaine dans l'oblast de Louhansk

Krasnoritchenske


Ramen (ラーメン) este o mâncare tradițională japoneză. Este o supă de carne sau de pește ce conține tăiței, și poate fi aromată cu sos de soia și miso. Depinzând de tip, poate conține și alte ingrediente, precum carne de porc (チャーシュー chāshū), alge (海苔 nori), bambus (メンマ menma), ceapă verde (葱 negi), ou fiert sau ciuperci. Aproape fiecare regiune din Japonia își are propria variantă de ramen, de la tonkotsu până la miso ramen din Hokkaido. Este unul dintre simbolurile gastronomiei japoneze, fiind una dintre mâncărurile favorite în ultimele decenii.

Vezi și
 Tăiței
 Tăiței de ceașcă
 Yakisoba
 Macaroane
 Supă

Referințe

Legături externe

 Ramen. Cea mai hrănitoare supă din lume, simbol al bucătăriei japoneze (adevărul.ro)

Bucătăria japoneză

Ramen


Itsuki Urata (født 29. januar 1997) er en japansk fodboldspiller, som spiller for den japanske fodboldklub Giravanz Kitakyushu.

Referencer

Eksterne henvisninger

Fodboldspillere fra Japan

Itsuki Urata


Kenji Arai (født 19. maj 1978) er en tidligere japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Albirex Niigata.

Eksterne henvisninger

Fodboldspillere fra Japan

Kenji Arai


القشلق هي قرية لبنانية من قرى قضاء عكار في محافظة الشمال. تقع في تجمع للقرى يسمى الدريب الأوسط.

المراجع

الدريب
قرى لبنان

القشلق


A Pistola Herval foi uma pistola de ação por alavanca fabricada no Brasil. A arma era um protótipo destinado a tropas de cavalaria montadas.

História
A Pistola Herval, que recebeu esse nome por ter sido construída por ordem do Marquês de Herval (General Osório), quando era Ministro da Guerra (1879), nada mais é do que uma Winchester 1873, reduzida, e modificada para para simplificar: por exemplo, a quantidade de componentes foi reduzida de 31 para 19.

Um número muito pequeno delas (certamente foram feitas três, menos de cinco no total, supõe-se) foram feitas à mão na Fábrica de Armas da Conceição, não sendo adotadas. Apesar de puramente experimental, e também fruto da modificação de uma arma já existente, aparece em diversos documentos e livros, talvez pelo fato de ter surgido de uma intervenção pessoal do General Osório, herói da Guerra do Paraguai.

Um exemplo sobrevive até hoje, no Museu do Exército, Forte de Copacabana.

Ver também
Mare's Leg - equivalente fictícia

Pistolas
Fuzis de alavanca
Armas de fogo do Brasil

Pistola Herval


Holly Boyd (* in England) ist eine britische Schauspielerin.

Leben
2001 begann Boyd ihre Schauspielkarriere in dem Film Der vierte Engel, wo sie das Mädchen Julia verkörpert. Zwei Jahre später trat sie im Fernsehfilm The Lost Prince auf. Zuletzt spielte sie im Thriller A Lonely Place to Die – Todesfalle Highlands das serbische Mädchen Anna.

Filmografie
 2001: Der vierte Engel (The Fourth Angel)
 2003: The Lost Prince (Fernsehfilm)
 2011: A Lonely Place to Die – Todesfalle Highlands (A Lonley Place to Die)

Weblinks

Filmschauspieler
Kinderdarsteller
Brite
Geboren im 20. Jahrhundert
Frau

Holly Boyd


Friedrich Karl Rudolf Bergius, (11 Ekim 1884 – 30 Mart 1949) Alman kimyager.

Polonya'nın Breslau şehrinde doğdu. 1931 yılında Carl Bosch ile birlikte yayınladıkları kimyasal basınç teorileri hakkındaki makaleleri ile Nobel Kimya Ödülünü kazandı. II. Dünya Savaşı'ndan sonra Arjantin'e yerleşti ve burada öldü.

Kaynakça

Alman Nobel Ödülü sahipleri
1884 doğumlular
1949 yılında ölenler
Alman kimyagerler
Nobel Kimya Ödülü sahipleri
Nazi Partisi üyeleri
Leipzig Üniversitesinde öğrenim görenler
La Chacarita Mezarlığı'na defnedilenler
20. yüzyıl Alman kimyagerleri

Friedrich Bergius


Seal script, also sigillary script (), is an ancient style of writing Chinese characters that was common throughout the latter half of the 1st millennium BC. It evolved organically out of the Zhou dynasty bronze script. The Qin variant of seal script eventually became the standard, and was adopted as the formal script for all of China during the Qin dynasty. It was still widely used for decorative engraving and seals (name chops, or signets) in the Han dynasty.

The literal translation of the Chinese name for seal script,  (), is "decorative engraving script", a name coined during the Han dynasty, which reflects the then-reduced role of the script in the writing of ceremonial inscriptions.

Types
The general term seal script can be used to refer to several types of seal script, including the large or great seal script ( ; Japanese: ; Korean: ; Vietnamese: ) and the lesser or small seal script ( ; Japanese: ; Korean: ; Vietnamese: ). Most commonly, without any other clarifying terminology, it refers to the latter of these. The term large seal script itself can also cover a broad variety of scripts, including a variation of Qin writing earlier than the small seal characters, but also the earlier Western Zhou forms, or even oracle bone characters as well. Since the term is an imprecise one, not clearly referring to any specific historical script and not used with any consensus in meaning, modern scholars tend to avoid it, and when referring to seal script, generally mean the (small) seal script of the Qin system, that is, the lineage which evolved in the state of Qin during the Spring and Autumn and Warring States period and which was standardized under the First Emperor.

Development
There were several different variants of seal script which developed independently in each kingdom during the Spring and Autumn and Warring States periods. One of these, the "bird-worm" seal script (), is named for its intricate decorations on the defining strokes, and was used in the Kingdoms of Wu, Chu, and Yue. It was found on several artifacts including the Spear of Fuchai and the Sword of Goujian. This seal script variant is very difficult to read.

As a southern state, Chu was close to the Wu-Yue influences. Chu produced broad bronze swords that were similar to Wuyue swords, but not as intricate. Chu also used the bird-worm style, which was borrowed by the Wu and Yue states.

Unified small seal script

The script of the Qin system (the writing as exemplified in bronze inscriptions in the state of Qin before unification) had evolved organically from the Zhou script starting in the Spring and Autumn period. Beginning around the Warring States period, it became vertically elongated with a regular appearance. This was the period of maturation of the small seal script. It was systematized by prime minister Li Si during the reign of the First Emperor of China Qin Shi Huang through elimination of most variant structures, and was imposed as the nationwide standard. Through Chinese commentaries, it is known that Li Si compiled the , a partially-extant wordbook listing some 3,300 Chinese characters in the small seal script. Their form is characterized by being less rectangular and more squarish.

In the popular history of Chinese characters, the small seal script is traditionally considered to be the ancestor of the clerical script, which in turn gave rise to all of the other scripts in use today. However, recent archaeological discoveries and scholarship have led some scholars to conclude that the direct ancestor of clerical script was proto-clerical script, which in turn evolved out of the little-known vulgar or popular writing of the late Warring States to Qin period.

The first known character dictionary was the 3rd century BC , collated and referenced by Liu Xiang and his son Liu Xin. It is no longer extant. Not long after, the  (AD 100–121), the lifework of Xu Shen, was written. Its 9,353 entries reproduce the standardized small-seal script variant for each entry, and for some entries other pre-Han variants from the late Zhou era. Entries are categorized under 540 section headers.

Computer encoding

It has been anticipated that the small seal script will some day be encoded in Unicode. Codepoints U+38000 to U+3AB9F (Plane 3, Tertiary Ideographic Plane) have been tentatively allocated.

See also
 Old Texts ()
 'Phags-pa (Mongolian "Seal" script)

References

Citations

General and cited sources

External links

 Qin Yun Song, Big Seal Script Banner
 Script translation
 Richard Sears on seal script

Chinese heraldry
Chinese script style
Chinese seal art
Logographic writing systems
Seals (insignia)

Seal script


عمر الشرايبي (مواليد 22 أبريل 1961، الدار البيضاء) مخرج مغربي. من بين أفلامه فيلم رحمة.

مسيرته

درس الأدب في الدار البيضاء والتصوير في بلجيكا. نال على شهادة الماستر في فرنسا في علوم وتقنيّات الاتصال في غرينوبل، ثمّ حاز على شهادة في علوم السينما المتقدّمة في فرنسا، وتدرّب في معهد الفيميس. بدأ العمل كمساعد مخرج لعدّة صانعي أفلام مهمّين قبل أن يُخرج ثلاثة افلام قصيرة هي: «لعبة القدر» سنة 1993، و«نور» سنة 1995، و«فابولا» سنة 1996، ثم أفلام طويلة مثل السر المطروز سنة 2001.

أعماله

 2001: السر المطروز
 2003: رحمة
 2007: حديث اليد والكتان

مراجع

روابط خارجية

أشخاص على قيد الحياة
كتاب سيناريو مغاربة
مخرجون مغاربة
مواليد 1380 هـ

عمر الشرايبي


Zdravko Pucak (Lički Ribnik, 13. srpnja 1955. - Karlovac, 31. kolovoza1980.), hrvatski pjesnik

Život
Odmah po rođenju s roditeljima prelazi u Karlovac. Osnovnu i srednju školu polazio je i završio u gradu Karlovcu.

Na filozofskom fakultetu u Zagrebu studirao je jugoslavenske jezike i književnost.

31.8.1980. tragičnom voljom završava život jedva navršivši 25 godina.

Djela
Njegova književna ostavština ima preko 270 pjesama što svjedoči o veoma plodnoj stvaralačkoj aktivnosti ovog pjesnika.

Postumno izdane zbirke poezije:

1. Slomljena krila, Zdravko Pucak,  Zagreb, 1987.

- priredio: Gojko Sušac

- Ilustrirao: Danijel Butala

- izdavači: Ana i Ivan Pucak

2. Plaha intima, Zdravko Pucak, Karlovac, 1991.

- priredio: Gojko Sušac

- Ilustrirao: Danijel Butala

- izdavač: Matica hrvatska

Književna priznanja
26.1.1987. godine Radio Zagreb mu je u emisiji za mlade pod naslovom "Čuđenje u svijetu" prvi objavio neveliku rukovet stihova odškrinuvši tako vrata u jednu stvaralačku izdvojenost ispunjenu mladićkim nemirima jedne samovoljno izabrane samoće.

U spomen na mladog pjesnika i njegovo stvaralaštvo Ogranak Matice hrvatske u Karlovcu i Grad Karlovac  dodjeljuje mladim pjesnicima Hrvatsku književnu nagradu "Zdravko Pucak" još od 1995. godine.

Obitelj
Otac Ivan rođen  je u Donjoj Kupčini, a radio je u unutarnjim poslovima na upravno-pravnim poslovima i u kriminalistici, a majka Ana je bila profesor defektologije.

Izvori

1. Slomljena krila, Zdravko Pucak,  Zagreb, 1987; Bilješke o piscu, Gojko Sušac

2. Oblaci nad zjenicom sreće, Ivan Pucak, Karlovac, 2003, Matica hrvatska; Bilješke o piscu

Hrvatski pjesnici
Životopisi, Karlovac

Zdravko Pucak


José Nelson Westrupp SCI (* 11. September 1939 in Imarui) ist ein brasilianischer Ordensgeistlicher und emeritierter römisch-katholischer Bischof von Santo André.

Leben
José Nelson Westrupp trat der Ordensgemeinschaft der Dehonianer bei, legte am 2. Februar 1962 die Profess ab und empfing am 28. Juni 1964 die Priesterweihe.

Papst Johannes Paul II. ernannte ihn am 11. Mai 1991 zum Bischof von São José dos Campos. Der Apostolische Nuntius in Brasilien, Erzbischof Carlo Furno, spendete ihm am 20. Juli desselben Jahres die Bischofsweihe; Mitkonsekratoren waren Geraldo María de Morais Penido, Erzbischof von Aparecida, und Eusébio Scheid SCI, Erzbischof von Florianópolis. Als Wahlspruch wählte er SEM MIM NADA PODEIS.

Am 1. Oktober 2003 wurde er zum Bischof von Santo André ernannt. Papst Franziskus nahm am 27. Mai 2015 seinen altersbedingten Rücktritt an.

Vom 4. Februar 2017 bis zum 7. Februar 2018 war er Apostolischer Administrator des vakanten Bistums Lages.

Weblinks

Einzelnachweise

Römisch-katholischer Bischof (21. Jahrhundert)
Römisch-katholischer Bischof (20. Jahrhundert)
Dehonianer
Brasilianer
Geboren 1939
Mann
Person (São José dos Campos)

José Nelson Westrupp


Hinter Kaifeck er en tysk Thriller fra 2009. Filmen er  instrueret af Esther Gronenborn og er baseret på Hinterkaifeck-mordene i 1922. Benno Fürmann og Alexandra Maria Lara spille hovedrollerne.

Medvirkende
 Benno Fürmann som Marc Barenberg
 Alexandra Maria Lara som Juliana Lukas
 Henry stang som Tyll Barenberg
 Michael Gwisdek som minister
 Erni Mangold som Alma Lukas
 Monika Hansen som Martha Lukas
 Waldemar Kobus som Franz Kogler
 Manfred Mock som Arno Gäbler
 Andrusch Jung som Dr. Hoff

Eksterne henvisninger

Tyske film fra 2009
Film baseret på virkelige begivenheder
Thrillerfilm fra Tyskland
Tysksprogede film

Hinter Kaifeck


Type 87 (poznat i kao PP87) je kineski srednji minobacač kalibra 82 mm. Nastao je krajem 1980-ih kao nasljednik starijeg modela Type 67. Minobacač koristi HE, osvjetljujuće i dimne granate.

Inačice
Type 87: osnovni model kalibra 82 mm.
W87: model kalibra 81 mm koji je namijenjen izvozu.

Korisnici
: u službi kineske narodno-oslobodilačke armije na razini bojne.
: Type 87 je standardni 82 mm minobacač u bangladeškoj vojsci s ciljem da zamijeni starije 82 mm modele. Osim vojske koristi ga i pogranična garda. Tijekom 2017. dostavljena je prva isporuka od 20 minobacača.

Izvori

Kinesko topničko oružje
Minobacači

Type 87 (minobacač)