Ganddal Station (Ganddal stasjon) er en jernbanestation på Jærbanen, en del af Sørlandsbanen, der ligger i Sandnes kommune i Norge. Stationen består af to spor med to perroner, en stationsbygning i træ og en mindre parkeringsplads. Den ligger i nærheden af udflugtsområdet omkring Stokkalandsvatnet.

Stationen åbnede som holdeplads sammen med Jærbanen 1. marts 1878. Oprindeligt hed den Høiland, men den skiftede navn til Ganddalen 1. juli 1917 og til Ganddal i april 1921. Omkring 1914 blev en opgraderet til station. 7. juli 1964 blev den fjernstyret, og 1. maj 1965 blev den gjort ubemandet.

1. juli 1924 åbnedes Ålgårdbanen mellem Ganddal og Ålgård. Persontrafikken på banen blev indstillet 1. november 1955 og det meste af godstrafikken i 1988. De første tre kilometer fra Ganddal til Foss-Eikeland forblev dog i brug som forbindelse til en cementfabrik frem til 2001.

Eksterne henvisninger

Stationer på Jærbanen
Etableret i 1878

Ganddal Station


تويوتا حافلة - قطار أو مركبة مزدوجة الوضعية  هي مركبة تجمع بين خصائص الحافلة والقطار طورتها شركة تويوتا للسيارات وفرعها هينو بالتعاون مع سكك حديد اليابان (هوكايدو).

تاريخ

تعمل شركة تويوتا على تطوير أحدث التقنيات خصوصاً تلك التي تخدم البشرية بأقل قدر ممكن من الوقود وقامت ومن أحدث هذه التقنيات هي تقنية الهجين التي زودت عدد من طرازاتها بها، وكذلك قام فرع هينو للسيارات بتزويد هذه التقنية بعدد من شاحناتها وحافلاتها. من هنا أتت هذه الفكرة مع سكك حديد اليابان لتطوير مركبة تقوم بخدمة العامة مع استهلاك أقل للوقود ولكن أيضاً مع زيادة عدد الأفراد الذين تخدمهم هذه المركبة. أتت هذه المركبة كبداية اختبارية في مطلع عام 2007م لفئة مزدوجة جديدة من المحتمل أن تكون هي وسيلة مواصلات المستقبل.

خصائص

تم تزويد المركبة بستة إطارات مطاطية، اثنان منهم على محور أمامي وأربعة على محور خلفي، وأربعة إطارات حديدية. تقوم المركبة بالسير طبيعياً على الطرق مثل الحافالت التقليدية وتستغرق من 10 إلى 15 ثانية للتحول إلى القضبان حيث يقوم نظام هيدروليكي بخفض الإطارات الحديدة حتى تستقر على القضبان ومن ثم رفع الإطارات المطاطية وعلى السائق توجيهها للصعود على القضبان وتستغرق تقريباً نفس المدة في حالة الرجوع لوضع السير على الطرق.

بإمكان هذه المركبة نقل 25 شخصاً وتستهلك ربع الوقود الذي تستهلكه نظيراتها من الحافلات التقليدية. اعتمدت في تصميمها على تويوتا ميكروباص في الجسم الخارجي وقامت هينو للسيارات بصنع المحاور  لتنتج مركبة تتمتع بتعدد استخدامات الحافلة وسرعة القطار الصغير وتوفير في استهلاك الوقود أفضل من الإثنين.

الاختبارو التطوير

تقوم سكك حديد اليابان بخدمات القطارات بجزيرة هوكايدو والتي بدورها قامت باختبار المركبة على خطوطها لتقليل التكلفة دون خفض مستوى الخدمة. تقوم شركة تويوتا وهينو بمساعدتها حالياً لزيادة سرعة تطوير المركبة وزيادة عدد ركابها تطلعاً لإ نتاجها تجارياً ولتسويقها خارج اليابان مستقبلاً عند اكتمال تطويرها. وقد صرح المتحدث باسم شركة هينو كينيشيرو بابا (Kenichiro Baba)  «من المتوقع أن تكون مساهمتنا هذه هي خطوة أخرى تجاه استخدام أكثر عملية من المركبة المزودوجة الوضعية».

انظر أيضاً
 حافلة
 قطار
 تويوتا

مصادر
 It's a Bus. It's a Train. It's Both!
The Toyota Bus-Train*

تويوتا

تويوتا حافلة - قطار


Mirko Primc (Zagreb, 1948.), hrvatski matematičar, član suradnik HAZU od 2016. godine. Jedan je od vodećih stručnjaka u svijetu za primjene teorije reprezentacija Liejevih algebri u kombinatorici.

Životopis
Rođen je 1948. u Zagrebu. Sada je redoviti profesor u trajnom zvanju na Matematičkom odsjeku Prirodoslovno-matematičkog fakulteta u Zagrebu. Bio je gostujući član, odnosno gostujući profesor tri puta po godinu dana u vodećim svjetskim matematičkim centrima, i to na Institutu za napredno istraživanje (Institute for Advanced Study) u Princetonu, na Institutu za matematička istraživanja (Mathematical Sciences Research Institute) u Berkeleyu i na Sveučilištu u Lundu (University of Lund). Dobitnik je Nagrade Ruđer Bošković i Nagrade HAZU. Obavljao je brojne važne funkcije. edan je od vodećih stručnjaka u svijetu za primjene teorije reprezentacija Liejevih algebri u kombinatorici. Njegova otkrića daju teorijska objašnjenja i sustavan način dobivanja novih kombinatornih identiteta, kakve je prvi proučavao veliki indijski matematičar Srinivasa Ramanujan. Ta iznimno složena matematička otkrića važna su i s gledišta teorijske fizike. Rezultati profesora Primca objavljeni su u vrlo opsežnim radovima koji su publicirani u nekim od najuglednijih matematičkih časopisa i serija. On je u hrvatskoj sredini formirao školu iz Liejevih algebri i njihove primjene u kombinatorici i teorijskoj fizici. Od njegova izbora za člana suradnika pod njegovim je vodstvom obranjeno pet doktorskih disertacija.

Izvori

Hrvatski matematičari
Životopisi, Zagreb
Dobitnici_nagrade_HAZU

Mirko Primc


Meclis-i Mebûsan 3. dönem mebusları listesi, 1908 Osmanlı genel seçimleri ile Meclis-i Mebûsan'a seçilen mebusların tam listesidir. 17 Aralık 1908 - 18 Ocak 1912 tarihleri arasında görev yaptı.

Mebuslar

Notlar

Kaynakça

Konuyla ilgili yayınlar
 Meşrutiyet ve Cumhuriyet mebusları - Hakan Yılmaz (Boğaziçi Üniversitesi)
 Meclis-i Mebusan Zabıt Ceridesi, Cilt: I, Devre: I, İçtima Senesi: I, TBMM Basımevi, Ankara, 1982.

3


Duffelcoat er en varm, kort frakke eller overfrakke som er lavet af duffel, der er et tykt, groft uldmateriale. En duffelcoat lukkes med pinde lavet af horn, ben, træ eller plast, som indsættes i tilhørende stropper. Frakken er typisk udstyret med en hætte og bruges som overtøj af både mænd og kvinder.

Baggrund og brug

Duffelcoaten regnes normalt for britisk, og den stammer oprindeligt fra 1890, hvor en engelsk klædefabrikant begyndte at markedsføre vintertøj fremstillet af duffel-tekstil fra Belgien. Duffelcoaten blev særligt populær som overtøj for britiske marinesoldater under første og anden verdenskrig. Hætten blev lavet stor og bred nok til at kunne trækkes over en matroshue, og pindene som lukker jakken, blev valgt sådan at man kunne håndtere dem iført vanter.

Duffelcoater har siden 1960'erne også været vældig populære i Frankrig.

Duffel er et glat eller diagonalvævet uldstof. Ordet stammer fra stoffets oprindelse i byen Duffel i Belgien.

Referencer

Eksterne henvisninger
Duffle Coat history by Gloverall

Frakker

Duffelcoat


El Global Forecast System, en castellano Sistema Global de Predicción, (más conocido por sus iniciales GFS) es un modelo numérico de predicción meteorológica creado y utilizado por la Administración Nacional Oceánica y Atmosférica estadounidense. Este modelo matemático se actualiza cuatro veces al día con predicciones que alcanzan los 16 días (384 horas), pero su resolución espacial y temporal decrece con el tiempo. Por lo general se acepta que las predicciones del GFS no ofrecen demasiada fiabilidad a más de 7 días vista, siendo mayoría los institutos y agencias de meteorología nacionales los que prescinden de los resultados ofrecidos por el GFS que vayan más allá de 10 días (principalmente debido a que no hay otros modelos a 16 días para comparar las predicciones). El GFS es, junto a los modelos Integrated Forecast System del Centro Europeo de Previsiones Meteorológicas a Plazo Medio, el Global Environmental Multiscale Model canadiense y el Navy's Operational Global Atmospheric Prediction System de la Armada de los Estados Unidos; uno de los cuatro modelos más utilizados para la predicción meteorológica a medio plazo y a escala sinóptica.

El modelo GFS ofrece dos tipos de modelizaciones (también conocidas como actualizaciones o simplemente "salidas"): la primera corresponde a predicciones de hasta 7 días (192 horas), la llamada "predicción a una semana", de mayor resolución y por lo tanto precisión; mientras que las salidas a 7-15 días (192-382 horas) ofrecen una resolución menor. La resolución del modelo varía: en la horizontal, la superficie terrestre está dividida en una malla que es de 35 o 70 kilómetros por celda; en la vertical la atmósfera está dividida en 64 capas y en la dimensión temporal, el GFS produce predicciones de 3 en 3 horas vista hasta las primeras 192 horas (H+3,6,9...192) y después con una resolución de 12 horas (H+204,216, 228...384). El GFS también se utiliza para generar modelos de predicción estadísticos (MOS), tanto a corto plazo (cada 3 horas hasta las 72 primeras horas) como a medio plazo (cada 12 horas hasta los 8 primeros días).

Además del modelo principal y de los modelos de predicción estadísticos, el GFS sirve además de modelo base para 20 modelos de predicción por conjuntos (o ensambles) que se ofrecen con la misma periodicidad que el GFS y a las mismas escalas espaciales. Se denominan al conjunto de estos productos como Global Ensemble Forecast System (GEFS) o Medium Range Forecast (MRF).

El GFS es el único de los modelos con cobertura global cuya producción de salidas de predicción están disponible gratuitamente y bajo dominio público a través de Internet. Igualmente el propio modelo está a disposición de empresas de meteorología como Weather Wunderground, AccuWeather, The Weather Channel o MeteoGroup; y también para agencias e institutos meteorológicos nacionales, como la Agencia Estatal de Meteorología española, para que puedan generar sus propios productos de predicción derivados.

Referencias

Enlaces externos
Global Forecast System  NOAA (en inglés)

Predicción meteorológica

Global Forecast System


مختارات إيرانية هي دورية شهرية تصدر باللغة العربية منذ أغسطس 2000، عن مركز الأهرام للدراسات السياسية والإستراتيجية وهي من أوائل الإصدارات الثقافية العربية التي تسعى لتقديم معرفة علمية عن المجتمع والدولة في إيران.

رئيس تحريرها محمد عباس ناجي

وتضم مجلة مختارات إيرانية أربعة أقسام أساسية، الأول خاص بالتفاعلات الداخلية في إيران على الأصعدة المختلفة سياسيا وأمنيا وثقافيا واجتماعيا واقتصاديا، أما القسم الثاني فيختص بالعلاقات الإقليمية لإيران وتفاعلات إيران مع الأحداث والقوى الإقليمية خاصة في الخليج والعالم العربي ومجمل دول الشرق الأوسط، وكذلك دول بحر قزوين وآسيا الوسطى وجنوب آسيا.

يهتم القسم الثالث بالعلاقات الدولية لإيران سواء مع القوى الدولية أو المنظمات الدولية. أما القسم الرابع فيحمل عنوان رؤى عربية ويهتم بتقديم رؤى وتحليلات ووجهات نظر عربية في أحداث وتطورات وكذلك تعليقات على أفكار ورؤى إيرانية.

انظر أيضا
 الدراسات الإيرانية

وصلات خارجية
 مختارات إيرانية الموقع الرسمي

تأسيسات سنة 2000 في مصر
مجلات أسست في 2000
مجلات شهرية مصرية
مؤسسة الأهرام

مختارات إيرانية (مجلة)


Malibu may refer to:

Places
 Malibu, California, a United States city
Malibu High School
Malibu Lake
Malibu Creek
 Malibu, British Columbia, a locality in Canada
 Baja Malibu, a beach in Rosarito Beach Municipality, Baja California, Mexico

Arts, entertainment, and media

Music
 Malibu (album), 2016, by Anderson Paak
 "Malibu" (Hole song), 1998
 "Malibu" (Miley Cyrus song), 2017
 "Malibu" (Kim Petras song), 2020
 "Malibu", a jazz standard written by Benny Carter, included in Benny Carter Songbook Volume II
 "Malibu", a 1978 song by Patricia Paay
 "Malibu", a 1964 song by The Tymes
 "Malibu", a song by Trixie Mattel from the album Barbara, 2020
 Malibu Nights, a 2018 album by LANY
 "Malibú", a 1999 song by Jagúar
 "Malibu", a song by Migos and Polo G from Culture III, 2021
 Malibu (album), 2021, by Aftertaste

Other arts, entertainment, and media
 Malibu (film), a 1983 television miniseries
 Malibu, a character played by Sharon Tate in the film Don't Make Waves
 Malibu, CA (TV series), an American sitcom that aired between 1998 and 2000
 Malibu Comics, a comic book publisher
 Malibu Barbie, a variant of Barbie doll launched in 1971
 Malibu Stacy, a fictional plastic doll in the television series The Simpsons
 Lisa vs. Malibu Stacy, the episode of the television series The Simpsons

Transportation and sports
 Malibu, a type of surfboard
 Chevrolet Malibu, an automobile
 Malibu Boats, a boat manufacturer
 Moyes Malibu, an Australian hang glider design
 Piper PA-46, a single engine aircraft
 M/V Malibu, a yacht

Other uses
 Roger Joseph Manning Jr. (born 1966), American electronic music artist known as Malibu
 Malibu (rum), a coconut-flavored liqueur
 Malibu languages, a group of extinct languages once spoken in Colombia
 Malibu Moon (1997–2021), an American thoroughbred horse

See also
 2000 Malibu Road, a 1992 American sitcom
 Malibu Country, an 2012 American sitcom

Malibu


The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar.

History

The ICA was founded by Roland Penrose, Peter Watson, Herbert Read, Peter Gregory, Geoffrey Grigson and E. L. T. Mesens in 1946. The ICA's founders intended to establish a space where artists, writers and scientists could debate ideas outside the traditional confines of the Royal Academy. The model for establishing the ICA was the earlier Leeds Arts Club, founded in 1903 by Alfred Orage, of which Herbert Read had been a leading member. Like the ICA, this too was a centre for multi-disciplinary debate, combined with avant-garde art exhibition and performances, within a framework that emphasised a radical social outlook.

The first two exhibitions at the ICA, 40 Years of Modern Art and 40,000 Years of Modern Art, were organised by Penrose, and reflected his interests in Cubism and African art, taking place in the basement of the Academy Cinema, 165 Oxford Street. The Academy Cinema building included the Pavilion, a restaurant, and the Marquee ballroom in the basement; the building was managed by George Hoellering, the film, jazz and big band promoter. In 1968 Jasia Reichardt curated the exhibition on computer generated art and music: Cybernetic Serendipity at the ICA.

With the acquisition of 17 Dover Street, Piccadilly, in May 1950, the ICA was able to expand considerably. Ewan Phillips served as the first director. It was the former residence of Vice Admiral Horatio Nelson. The gallery, clubroom and offices were refurbished by modernist architect Jane Drew assisted by Neil Morris and Eduardo Paolozzi. Paolozzi decorated the bar area and designed a metal and concrete table with student Terence Conran.

Ewan Phillips left in 1951, and Dorothy Morland was asked to take over temporarily, but stayed there as director for 18 years, until the move to the more spacious Nash House.
The critic Reyner Banham acted as assistant Director during the early 1950s, followed by Lawrence Alloway during the mid- to later 1950s. In its early years, the Institute organised exhibitions of modern art including Picasso and Jackson Pollock. A Georges Braque exhibition was held at the ICA in 1954. The first woman to exhibit there was Fahrelnissa Zeid in 1956. It also launched Pop art, Op art, and British Brutalist art and architecture. The Independent Group met at the ICA in 1952–1962/63 and organised several exhibitions, including This Is Tomorrow.

With the support of the Arts Council, the ICA moved to its current site at Nash House in 1968. For a period during the 1970s the institute was known for its often anarchic programme and administration. Norman Rosenthal, then director of exhibitions, was once assaulted by a group of people who were living in the upper floors of the building: a bloodstain on the wall of the administrative offices is preserved under glass, with a note reading "this is Normans's blood". Rosenthal claims the group which assaulted him included the actor Keith Allen.

Bill McAllister was ICA Director from 1977 to 1990, when the Institute developed a system of separate departments specializing in visual art; cinema; and theatre, music and performance art. A fourth department was devoted to talks and lectures. Iwona Blazwick was Director of Exhibitions from 1986 to 1993. Other notable curatorial and programming staff have included Lisa Appignanesi (deputy director of ICA and Head of Talks, 1980–90), James Lingwood (Exhibition Curator, 1986–90), Michael Morris (Director of Theatre), Lois Keidan, (Director of Live Arts, 1992–97), Catherine Ugwu, MBE (deputy director of Live Arts, 1991–97), Tim Highsted (deputy director of Cinema, 1988–95) and Jens Hoffmann (Director of Exhibitions, 2003–07).

Mik Flood took over as director of the ICA in 1990 after McAllister's resignation. Flood announced that the Institute would have to leave its Mall location and move to a larger site, a plan that ultimately came to nothing. He also oversaw a sponsorship scheme whereby the electrical goods company Toshiba paid to have their logo included on every piece of ICA publicity for three years, and in effect changed the name of the ICA to ICA/Toshiba. He was replaced as Director in 1997 by Philip Dodd. In 2002, the then ICA Chairman Ivan Massow criticised what he described as "concept art", leading to his resignation.

Following the departure of Dodd, the ICA appointed Ekow Eshun as artistic director in 2005. Under Eshun's directorship the Live Arts Department was closed down in 2008, the charge for admission for non-members was abandoned (resulting in a reduction of membership numbers and a cash shortfall), the Talks Department lost all its personnel, and many commentators argued that the Institute suffered from a lack of direction. A large financial deficit led to redundancies and resignations of key staff. Art critic JJ Charlesworth saw Eshun's directorship as a direct cause of the ICA's ills; criticizing Eshun's reliance on private sponsorship, his cultivation of a "cool" ICA brand, and his focus on a cross-disciplinary approach that was put in place "at the cost", Charlesworth wrote "of a loss of curatorial expertise." Problems between staff and Eshun, sometimes supported by the Chairman of the ICA Board, Alan Yentob, led to fractious and difficult staff relations. Eshun resigned in August 2010, and Yentob announced he would leave.

In January 2011, the ICA appointed as its Executive Director Gregor Muir, who took up his post on 7 February 2011. Muir stepped down in 2016 and was replaced by former Artists Space director Stefan Kalmár.

Notable exhibitions, events and film festivals

1948: 40 Years of Modern Art, the ICA's first exhibition organised by Herbert Read and Roland Penrose (10 February to 8 March, at Academy Hall, Oxford Street, W1).
1948: 40,000 Years of Modern Art, the ICA's second exhibition organised by Herbert Read and Roland Penrose.
1950: London-Paris: New Trends in Painting and Sculpture launched the Geometry of Fear sculptors.
1952 Sixteen Young Sculptors, organised by David Sylvester.
1952: Formation of the Young Group, consisting of artists Nigel Henderson, Toni del Renzio, Reyner Banham and Richard Lannoy, facilitated by the ICA Director Dorothy Morland.
1953: Herbert Read delivers four lectures under the title "The Aesthetics of Sculpture".
1953: Alfred Barr, Director of New York City's Museum of Modern Art (MoMA) delivers a lecture entitled "They hate Modern Art or Patterns of Philistine Power".
1953: The Independent Group, including the sculptor Eduardo Paolozzi, begins meeting at the ICA. This leads ultimately to the launch of British Pop Art. The leading theorist of the group, Lawrence Alloway, lectures on "The Human Head in Modern Art".
1953: Jackson Pollock features in a show called Opposing Forces.
1955: Public discussion on the works of Francis Bacon with Lawrence Alloway and Victor Willing.
1956: Richard Wollheim delivers a lecture entitled "Art and Theory".
1956: Meyer Shapiro delivers a lecture entitled "Recent Abstract Painting in America".
1956: Ernst Gombrich delivers a lecture entitled "Aspects of Communication through Painting".
1956: Richard Hamilton, Anthony Hill and Colin St. John Wilson in public discussion "Revaluation of Duchamp", the first revaluation of Marcel Duchamp in Britain after the Second World War.
1957: First UK screening of the French film Hurlements en Faveur de Sade by Guy Debord, which caused riots when shown in Paris because it mostly featured a black screen and silence.
1957: Paintings by Chimpanzees, curated by future ICA director Desmond Morris.
1966–68: Yoko Ono contributes to Destruction in Art Symposium orchestrated by Gustav Metzger.
1967: Ian Dury, Pat Douthwaite, Herbert Kitchen and Stass Paraskos exhibition Fantasy and Figuration. Dury was to become a celebrated punk rock musician, and Stass Paraskos had, in 1966, been the last artist in Britain to be successfully prosecuted for showing obscene paintings under the Vagrancy Act 1838.
1968: The inaugural exhibition in the Nash building The Obsessive Image features a waxwork model of a dead hippie by Paul Thek. The Cybernetic Serendipity exhibition features computers, pulsing TV screens and a mosaic floor made of coloured lights.
1976: Mary Kelly exhibits the first part of Post-Partum Document, an exploration (developed between 1973 and 1979) of the mother-child relationship. Each section highlights a formative moment in her son's mastery of language, along with the artist's sense of loss. Informed by feminism and psychoanalysis, the work alternately adopts the voice of the mother, the child, and an analytic observer. The installation provoked tabloid newspaper outrage because of stained (but laundered) nappy liners incorporated in "Documentation I".
1976: A retrospective of COUM Transmissions (a performance group whose core subsequently formed Throbbing Gristle) entitled Prostitution features sanitary towels and explicit photographs. The exhibition was held concurrently with Mary Kelly's Post-Partum Document.
1977: Adam and the Ants, at this point known simply as The Ants, perform their official debut concert in the restaurant. Singer Adam Ant's stage costume at this point includes a bondage hood and other leather garments.  The performance is aborted by venue staff after one song, "Beat My Guest" (later the B-side of major hit single "Stand and Deliver"), but is resumed and completed later that day in the main theatre during the interval of a performance by John Dowie and Victoria Wood.
1980: Sees several important feminist art exhibitions:
4–26 October, Women's Images of Men (curated by Joyce Agee, Jacqueline Morreau, Catherine Elwes, Pat Whiteread);
30 October–9 November: About Time: Video, Performance and Installation by 21 Women Artists (curated by Catherine Elwes, Rose Garrard, Sandy Nairne);
14 November–21 December: Issue: Social Strategies by Women Artists (curated by Lucy R. Lippard).
1981: Roger Westman exhibited his scheme Walls: A Framework for Communal Anarchy.
1986: Helen Chadwick's artwork Carcass, consisting of composting vegetation in a perspex tower, is removed after the gasses from the compost caused the tower to give way. The smell led to complaints from neighbours and a visit by health inspectors. The main part of the exhibition, 'The Oval Court' (a major installation of sculptural forms, photocopies of animals, vegetation and the artist's body) was bought by the Victoria and Albert Museum for its permanent collection.
1988: Taking Liberties: AIDS and Cultural Politics, organised by Erica Carter and Simon Watney, tackles cultural and activist responses to the AIDS crisis. A book of the same name is published by Serpent's Tail in 1989.
1989: Gerhard Richter shows black-and-white oil paintings of the Baader-Meinhof gang inspired by contemporary newspaper and police photographs.
1990: Vaclav Havel launches Censored Theatre, a programme of readings of suppressed plays. The first reading of Death and the Maiden by the young Chilean playwright Ariel Dorfman is performed by actors including Juliet Stevenson. Harold Pinter, in the audience, said the play "felt like it was a sequel to his own 1984 play One for the Road, which also revolved around a woman who had been raped and tortured".
1991: Damien Hirst's International Affairs, his first solo exhibition in a public gallery, features glass cases containing items such as a desk, cigarette packets and an ashtray.
1992: The conference Preaching to the Perverted, organised with The Spanner Trust asks: "Are fetishistic practices politically radical?"
1993: The exhibition Bad Girls, curated by Kate Bush and Emma Dexter, celebrates a new spirit of playfulness, tactility and perverse humour in the work of six British and US women artists: Helen Chadwick, Dorothy Cross, Rachel Evans, Nicole Eisenman, Nan Goldin and Sue Williams.
1994: A video camera is set up in the men's toilets of the ICA, and real-time images of urinating visitors are relayed to a screen in the theatre in a piece by Rosa Sanchez.
1994: The world's first cybercafe is held in the ICA theatre.
1995:  Bear and Five Easy Pieces, films by future Turner Prize-winning artist Steve McQueen, are included in the exhibition Mirage: Enigmas of Race, Difference and Desire, curated by David A. Bailey and organised with InIVA. Other artists whose work is included are Sonia Boyce, Eddie George and Trevor Mathison of Black Audio Film Collective, Renée Green, Lyle Ashton Harris, Isaac Julien, Marc Latamie, and Glenn Ligon. An accompanying symposium, Working with Fanon, debates the legacy of Frantz Fanon within the context of art and visual representation. Speakers include Homi K. Bhabha, Paul Gilroy, Stuart Hall, bell hooks, Isaac Julien, Kobena Mercer, Raoul Peck, Ntozake Shange, Françoise Versages, and Lola Young.
1996: Jake and Dinos Chapman display Tragic Anatomies, sculptures of children with genitalia in place of facial features, as part of their exhibition Chapman World.
1996: The Onedotzero digital film festival is hosted at the ICA for the first time.
1996: Incarcerated with Artaud and Genet traces the legacies of the avant-garde French writers in a weekend event with participants including the writer and musician Patti Smith, writer Tahar Ben Jelloun, film maker Alejandro Jodorowsky, and theatre director Peter Sellars.
1997: Four female models, naked apart from high-heeled shoes, stand in mute silence in an upstairs gallery for a piece by Italian artist Vanessa Beecroft as part of the show Made in Italy.
2000: The annual Beck's Futures prize is set up to celebrate the work of emerging artists, and continues at the ICA until 2005.
2006: The Alien Nation exhibition is presented with inIVA, exploring the complex relationship between science fiction, race and contemporary art. Among the featured artists are Laylah Ali, Hew Locke and Yinka Shonibare.
2008: Over a six-month period, and as part of the ICA's 60th-birthday year, the exhibition Nought to Sixty presents 60 emerging artists based in Britain and Ireland.
2010: The first major solo exhibition of cult figure, artist, musician and writer Billy Childish is presented at the ICA.
2011: The ICA hosts Bruderskriegsoundsystem, a project from Edwin Burdis, Mark Leckey, Kieron Livingston and Steven Claydon. Pablo Bronstein's exhibition Sketches for Regency Living takes over the entire ICA building for the first time in its history.
2015: The ICA hosts fig-2, a one-year series of week-long exhibitions curated by Fatoş Üstek that included the artists Laura Eldret, Charles Avery, Rebecca Birch, Annika Ström, Young In Hong, Beth Collar, Tom McCarthy, Shezad Dawood, Suzanne Treister, Jacopo Miliani, Kathryn Elkin, Marjolijn Dijkman, Ben Judd, Karen Mirza, Oreet Ashery, Eva Grubinger, Melanie Manchot, Bruce McLean, Vesna Petresin, and duo Wright and Vandame.
2016: The first edition of FRAMES of REPRESENTATION (FoR) film festival was launched on the 20th of April 2016. FoR was conceived to engage with new visions of cinema through the presentation of innovative and politically aware cinematic languages situated at the intersection between fiction and non-fiction. Throughout its ongoing annual event, the festival presented international and UK premieres of films by Roberto Minervini, Khalik Allah, Salome' Lamas, Wang Bing, Clement Cogitore, Teddy Williams, Nele Wohlatz, Betzabe' Garcia, Anna Zamecka, Gürcan Keltek, Pietro Marcello, Zhao Liang, Yalda Afsah, Rosa Barba, Ana Vaz, Isabel Pagliai, Dorian Jespers, Alexander Abaturov, Zhu Shengze to mention a few; masterclasses, workshops and conversations with speaker guests such as Walter Murch, Gianfranco Rosi, Laura Poitras, Joshua Oppenheimer and Carlos Reygadas amongst many others. The fifth edition of the festival originally planned for April 2020 was postponed due to the COVID-19 pandemic but due to taking place at the end of 2020.
2019: Image Behaviour with works from Nora Turato, Marianna Simnett, Hannah Quinlan + Rosie Hastings, Keiken, Lawrence Lek + Clifford Sage, Andros Zins-Browne, Lexachast (Amnesia Scanner, Bill Kouligas, Harm van den Dorpel), Ken Okiishi, Julie Béna, Patrick Staff, and others.

Organisation
Membership of the ICA is available to the general public. The ICA is constituted as a private limited company and registered charity, run by a 13-member Board and led by a Director.

ICA Directors

 Ewan Phillips 1948–1951
 Dorothy Morland 1951–1967
 Desmond Morris 1967–1968
 Michael Kustow 1968–1970
 Peter Cook 1970–1973
 Ted Little 1973–1977
 Bill McAlister 1977–1990
 Mik Flood 1990–1997
 Philip Dodd 1997–2004
 Ekow Eshun 2005–2010
 Gregor Muir 2011–2016
 Stefan Kalmar 2016–2021
 Bengi Unsal 2022–present.

See also
 Artangel, founded by former Exhibition Curator James Lingwood and Director of Performance Michael Morris.
 Live Art Development Agency, founded by former Director of Live Arts Lois Keidan.

References

External links

The ICA Website from 1994-98 reproduced on third-party site
sounds.bl.uk

Art museums established in 1947
Performing arts in London
Art museums and galleries in London
Contemporary art galleries in London
Cinemas in London
Theatres in the City of Westminster
Arts centres in London
Tourist attractions in the City of Westminster
Museums in the City of Westminster
1947 establishments in England
Buildings and structures on The Mall, London

Institute of Contemporary Arts


Osborne Earl "Ozzie" Smith (* 26. Dezember 1954 in Mobile, Alabama) ist ein ehemaliger US-amerikanischer Baseballspieler, der von 1978 bis 1996 in der Major League Baseball (MLB) für die San Diego Padres und die St. Louis Cardinals aktiv war.

Leben
Smith wurde als zweites von sechs Kindern von Clovis und Marvella Smith in Mobile, Alabama geboren. Er hatte vier weitere Brüder und eine Schwester, mit denen er in Watts, einem Stadtteil von Los Angeles, aufwuchs, nachdem er als Sechsjähriger mit seiner Familie dort hinzog. Seine Mutter arbeitete in einem Pflegeheim, während sein Vater als Fahrer für Safeway arbeitete. Smith spielte in seiner Kindheit unterschiedliche Sportarten, wobei er sich später auf Baseball konzentrierte. Er wurde Fan der Los Angeles Dodgers. Während seiner Schulzeit an der Locke High School spielte er nur noch Basket- und Baseball. Mit dem späteren NBA-Spieler Marques Johnson spielte er in der Basketballmannschaft und mit dem späteren MLB-Spieler Eddie Murray in der Baseballmannschaft. Ab 1974 studierte er mit einem Teilstipendium an der California Polytechnic State University und hatte den Status als Walk-on, also eines Studenten, der sich um die Aufnahme in den Hochschulsport bewirbt. Als sich der Shortstop in der Mitte der Saison 74 sein Bein brach, sprang Smith für ihn ein. Als er 1977 seinen Abschluss machte, hatte er die Rekorde mit den meisten At bats (754) und Stolen Bases (110) aufgestellt.

Karriere
1976, im vorletzten Jahr, wurde Smith beim MLB Draft 1976 in der siebten Runde von den Detroit Tigers gedraftet. Allerdings konnten man sich nicht auf einen Unterschriftenbonus einigen, während die Tigers lediglich 8.500 US-Dollar boten, wollte Smith 10.000 US-Dollar haben. Also ging Smith wieder an die Uni und wurde im folgenden Jahr, beim MLB Draft 1977, bereits in der vierten Runde, als 86. Spieler, von den San Diego Padres unter Vertrag genommen. Dieses Mal mit einem Unterschriftenbonus von 5.000 US-Dollar.

Hitting

Fielding

Werke

Literatur

Weblinks

 Ozzie Smith in der Baseball Hall of Fame (englisch)

Einzelnachweise

Baseballspieler (San Diego Padres)
Baseballspieler (St. Louis Cardinals)
Mitglied der Baseball Hall of Fame
US-Amerikaner
Geboren 1954
Mann

Ozzie Smith


An Yushania longissima in uska species han Liliopsida nga ginhulagway ni Ke Fu Huang. An Yushania longissima in nahilalakip ha genus nga Yushania, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Yushania

Yushania longissima


Molfsee Almanya'nın kuzeyinde Schleswig-Holstein eyaletinde, Rendsburg-Eckernförde iline bağlı bölge. 7,17 km² yüzölçüme sahiptir. Nüfusu, 31 Aralık 2004 itibarıyla yaklaşık 4988 olarak tespit edilmiştir. Belediye Başkanlığı Roman Hoppe tarafından yürütülmektedir.

Dış bağlantılar
 www.molfsee.de

Rendsburg-Eckernförde iline bağlı yerleşim birimleri

Molfsee


El Palpana es un volcán que pertenece a la cuenca del Río Loa. Hasta la fecha no ha entregado mayor información sobre su nacimiento y desarrollo.

Se ubica en la precordillera andina de la Puna de Atacama en pleno territorio chileno, y pertenece a un lineamiento cordillerano que corre de Norte a Sur, paralelo a la frontera con Bolivia.

Datos
Tiene como referencia en el Oeste el Río Loa y al Este los salares de Carcote y de Ascotán, y es parte de la "Reserva Nacional del Alto Loa", "la cuarta reserva natural más grande del país". El paisaje que puede apreciarse desde la cumbre es sobrecogedor, con una perspectiva que se extiende hasta el nacimiento del Río Loa.

Mide 6023 metros de altitud, en la Región de Antofagasta, en Chile.

Ascensión
Su primera ascensión fue en 1977, por los señores J. Ambrus y J. Sepúlveda.

Véase también
Palpana en Andeshandbook
 Seismiles de Salta

Referencias

Palpana
Calama
Seismiles andinos de Chile

Volcán Palpana


Crkva sv. Mihovila u Krašiću, rimokatolička crkva u mjestu Gornje Prekrižje, općina Krašić, zaštićeno kulturno dobro.

Opis dobra
Crkva sv. Mihovila sagrađena je na uzvisini, povrh sela Gornje Prekrižje, zamijenivši drvenu kapelu koja je na tom mjestu izgorjela 1633. godine. Građena je u dvije faze, točnije 1683. g. kada je zabilježeno zidanje svoda nove crkve i gradnja predvorja, a zatim sredinom 18. st. kada je popločen pod, rastvoreni su prozori lađe i srušeno predvorje. Zamjenjuje ga zvonik te se izvodi portal s uklesanom godinom završetka radova (1759.). Riječ je o ranobaroknom tipu jednobrodne građevine s poligonalno zaključenim užim svetištem i bačvastim svodom sa susvodnicama. Crkva sv. Mihovila svojim oblikovanjem i skladnim proporcijama značajan je primjer ranobarokne dvoranske crkve.

Zaštita
Pod oznakom Z-1777 zavedena je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "sakralna graditeljska baština".

Izvori

Zaštićene sakralne građevine u Zagrebačkoj županiji
Krašić
Katoličke crkve u Hrvatskoj
Gornje Prekrižje

Crkva sv. Mihovila u Gornjem Prekrižju (Krašić)


An Cyperus intricatus in uska species han Liliopsida nga ginhulagway ni Heinrich Adolph Schrader ngan Schult.. An Cyperus intricatus in nahilalakip ha genus nga Cyperus, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Cyperus

Cyperus intricatus


Die Herren von Buer (auch: Bure, Buir, Buyr, Buyre, Buyren, Buren, Büren sowie ab dem 16. Jahrhundert ebenso Bawyr, Bawir, Bavier, Baur o. ä.) waren ursprünglich Ministeriale des Klosters Werden. Sie stammten wie die Herren von Landsberg von den Herren von Werden ab, die im 13. Jahrhundert den Werdener Stadtvogt stellten und selbst wiederum von den Herren von Bornheim aus Bornheim (Rheinland) abstammten.

Namensgebung
Die Familie leitete ihren Namen von ihrem Stammsitz Burg Buer im heutigen Gelsenkirchen-Buer ab. Bis 1400 besaßen sie Buer als Lehen des Klosters Werden. Bereits gegen Ende des 16. Jahrhunderts kannten die Familienmitglieder den Namensursprung nicht mehr und "übersetzten" das niederdeutsche Buer/Buir in das hochdeutsche Bawyr/Baur, obwohl der Ortsname Buer unverändert blieb.

Geschichte

Erstmals erscheint der Familienname im Jahr 1292 mit einem kurkölnischen Ministerialen ... dicto Schillinc de Bure, der wohl mit Ritter Wilhelm Schilling, Sohn des Werdener Vogts Wessel von Werden, gleichzusetzen ist. Die gesicherte Stammfolge der Herren von Buer beginnt mit Wilhelms mutmaßlichem Sohn, Ritter Johann von Buer (domini Iohannis de Bure, militis), urkundlich 1292–1333, der mindestens sechs Söhne hatte: Everhard, Rotger, Friedrich, Ludekin, Johann und Werner. Von Friedrich stammt eine Vestische Linie, die bis 1497 nachverfolgt werden kann. Ludekins gleichnamiger Sohn begründete die Bergische Linie. Diese blühte bis in das 19. Jahrhundert.

1681 bekam Johann Friedrich von Bawyr (* ca. 1636, † 1689) zu Böckum, jülich-bergischer Hofkammerrat, Oberst der Kavallerie, Amtmann zu Löwenburg/Lülsdorf, durch kaiserliche Bestätigung das um das Wappen der Herren von Frankenberg vermehrte Wappen verliehen. Im Jahr 1713 wurden dessen zu diesem Zeitpunkt noch lebende Kinder aus erster Ehe mit Anna Maria Katharina von Weichs († 1672), 2 Töchter und 3 Söhne, in den Grafenstand erhoben. Die Söhne blieben kinderlos, so dass dieser Zweig der bergischen Linie im Mannesstamm ausstarb.

Die letzte Person des Adelsgeschlechts, die den Familiennamen führte, war Maria Anna von Bawyr, sie starb am 8. Januar 1813 in Deidesheim in der Pfalz. Ihr Bruder Carl von Bawyr, königlich-bayerischer Major, war der letzte des Geschlechts im Mannesstamm. Er starb bereits am 15. August 1809. Sie waren Kinder des kurpfälzischen Hauptmanns Franz von Bawyr zu Caspersbroich und der Johanna Katharina geb. Leyser von Lambsheim. Dieses Paar wird als "von unbändigem Temperament, aufbrausendem Jähzorn und großer Streitlust" charakterisiert. Beide seien überdies von einer enormen Jagdleidenschaft besessen gewesen, die schließlich dazu führte, dass der Ehemann († 1779) einen Jagdfrevel und einen Totschlag beging, wofür er von Kaiser Franz I. 1764 schwer bestraft wurde. Sie bewohnten den "Bawyrschen Hof" in Deidesheim, den französische Revolutionäre 1794 einäscherten. Es existiert davon lediglich noch das Gartenhaus, im Volksmund Altes Zollhäuschen genannt.

Besitzungen
Die oben genannte Vestische Linie hatte neben Dorf und Burg Buer auch Besitz in Stiepel, Rechen, Kirchhellen und insbesondere Hattingen. Die Bergische Linie besaß unter anderem die folgenden Häuser und Güter:

Haus Bavier, Erkrath
Haus Böckum, Duisburg-Huckingen
Schloss Caspersbroich, Solingen-Ohligs
Schloss Hellenbroich, Mettmann
Haus Hohenholz, Bedburg
Haus Kastein, Mettmann
Haus Latum, Lank-Latum. Der an das Haus angrenzende Bach wird noch heute Buersbach genannt.
Haus Laubach, Mettmann
Haus Ober-Frohnrath, Aachen-Horbach
Haus Rommeljans, Ratingen
Vogtei über das Kloster Burtscheid, Aachen

Wappen
Blasonierung des Stammwappens: In Gold ein silbernes Gitter auf rotem Balken. Auf dem Helm ein goldener Brackenkopf mit Halsband wie der Balken auf dem Schild. Die Helmdecken sind rot-golden.

Ein Teil der Bergischen Linie, nämlich derjenige, der auf den Häusern Böckum und Rommeljan saß, nahm im 17. Jahrhundert den Namen Frankenberg (Bawyr von Frankenberg), nach der Burg Frankenberg, an und vermehrte das Wappen mit dem Wappen der Herren von Merode-Frankenberg, das 5-4-3-2-1 Goldmünzen in Schwarz zeigt. Hintergrund war ein Erbschaftsstreit mit der Familie Merode-Hoffalize um die Vogtei über die Abtei Burtscheid.

Persönlichkeiten
 Ludekin (Sen.) de Bure (urkundl. 1343–1361), Drost der Abtei Werden
 Ludekin (Jun.) de Bure (urkundl. 1354–1412), Drost der Abtei Werden
 Johann Hermann von Bawyr zu Böckum, Rommeljans, Hohenholz und Frankenberg (* 1585, † 1647), Vogt der Abtei Burtscheid, Landkommissar, Kämmerer, Abgeordneter des Herzogtums Berg, kurbrandenburgischer Kommissar zu Kleve
 Johann Christoph von Bawyr (* 1598, † 1676), pfalz-neuburgischer Hofmeister, Stallmeister von Ludwig I. Fürst von Anhalt-Köthen
 Johann von Bawyr zu Böckum, Rommeljans, Hohenholz und Frankenberg (* 1609, † 1647), Vogt der Abtei Burtscheid, Bergischer Marschall
 Friedrich von Bawyr zu Caspersbroich (* um 1600, † 1667), kurfürstlich-brandenburgischer Generalleutnant
 Johann Friedrich von Bawyr (* ca. 1636, † 1689), jülich-bergischer Hofkammerrat, Oberst der Kavallerie, Amtmann zu Löwenberg/Lülsdorf
 Friedrich Ferdinand Ignatz Graf (Bawyr) von Frankenberg (* 1662, † 1726), Amtmann Löwenberg/Lülsdorf, bergischer Pfennigmeister, Generalleutnant der Kavallerie
 Maria Sophia Clara Evergisla Gräfin (Bawyr) von Frankenberg (* 1667, † 1737), Äbtissin St. Caecilien Köln
 Franz Anton Graf (Bawyr) von Frankenberg (* 1668, † 1735), kurpfälzischer Rat, Amtmann Löwenberg/Lülsdorf, Generalleutnant, Interimsgouverneur von Düsseldorf, Gouverneur von Jülich

Literatur
 Dietmar Ahlemann: Die Herren von Buer – Ein vestisches Ministerialengeschlecht mit edelfreien Wurzeln im Rheinland, in: Vestische Zeitschrift, Band 105, Jg. 2014/15, Recklinghausen 2015, S. 151–198.
 Dietmar Ahlemann: Der ursprünglich dynastische Familienverband Bornheim-Werden-Landsberg-Buer, in: Unser Buer – Beiträge zur Geschichte, Band 31, Jg. 2012/13, Gelsenkirchen-Buer 2013, S. 5–30.
 Dietmar Ahlemann: Die Herren von Buer – Eine westdeutsche Familiengeschichte vom Hochmittelalter bis in das 19. Jahrhundert. In: Westdeutsche Gesellschaft für Familienkunde e.V. (Hrsg.): Jahrbuch 2012, Band 274, Köln 2012, S. 213–300.
 Dietmar Ahlemann, Bernd Braun: Die Familie von Bawyr zu Böckum, Rommeljan und Hohenholz – Zwei Briefe und ein Rechtsstreit aus dem Jahr 1661. In: Düsseldorfer Geschichtsverein (Hrsg.): Düsseldorfer Jahrbuch – Beiträge zur Geschichte des Niederrheins. Band 82, Essen 2012, S. 183–195.
 Max von Spießen: Wappenbuch des Westfälischen Adels, Band 1, Görlitz 1901–1903, S. 24 (Buer; Büren V); Band 2, Görlitz 1903, Tafel 54 (Buer) und 59 (Büren V).

Einzelnachweise

Linie eines Adelsgeschlechts
Westfälisches Adelsgeschlecht
Bergisches Adelsgeschlecht

Buer (Adelsgeschlecht)


Kanowna is a ghost town in the Goldfields region of Western Australia,  about  east of Kalgoorlie. It is sited on Maduwongga tribal lands. At the 2016 census, Kanowna had a population of 10 people.

After the discovery of gold in the area in 1893, the townsite was gazetted in 1894. and the population grew from 2,500 in 1897 to over 12,500 by 1899.
However, the alluvial gold supply was rapidly exhausted and underground mines following the outcropping vein produced decreasing amounts of gold, resulting in a slow but steady decrease in the population. The railway station was closed during the Great Depression, and by 1953 the town had been abandoned. The railway station platform, two cemeteries and mine workings are all that is left of the original town of Kanowna. Signs erected by the Eastern Goldfields Historical Society mark the sites of significant buildings.

Increasing gold prices in the late 1970s sparked renewed interest in exploring the geology of the area for new sources of gold. The discovery of a large amount of gold, previously undiscovered because the vein did not reach the surface, made gold mining in the region economically viable again. Mining recommenced in 1986, initially as open-cut mining, before moving to underground mines. As of 2002, the Kanowna Belle mine employed more than 300 people.

It formerly had its own local government: the Municipality of Kanowna (1896-1917) represented the township proper and the North East Coolgardie Road District (1896-1922) represented the surrounding area. The municipality merged into the road district in 1917, at which time the road district was renamed Kanowna.

See also
 Electoral district of Kanowna

References

Further reading
 Laurie, Kris (Kristien Elizabeth) (1993) Kanowna heritage trail : commemorating Kanowna's centenary, 1893–1993. Kalgoorlie, W.A : Kalgoorlie-Boulder Tourist Centre for Delta Gold N.L.
 Baugh, Robert (2016), Wealth for the Willing: The Story of Kanowna. 4/67 McCallum Lane, Victoria Park, Western Australia. ISBN 978-0-646-96359-4

Ghost towns in Western Australia

Kanowna, Western Australia


Mastodontul este un film românesc din 1975 regizat de Virgil Calotescu. Rolurile principale au fost interpretate de actorii Toma Caragiu, Gheorghe Dinică și Liviu Ciulei.

Rezumat

Distribuție
Distribuția filmului este alcătuită din:

 Toma Caragiu — Ilie Gogan, maistru la rafinăria Vega, șeful grupului de activiști comuniști trimiși în satul Ardepământ ca să vândă gaz țăranilor și să ducă muncă politică
 Gheorghe Dinică — Ilarie Micu, cârciumarul reacționar din satul Ardepământ, fiul fostului primar al comunei, proprietarul localului "La Hai noroc și Doamne-Ajută"
 Liviu Ciulei — Vogoride, reprezentantul societății anonime "Columbiana", care a efectuat forări în zonă și este interesat de harta zăcământului de petrol
 Olga Tudorache — duduca Hortensia, urmașa unei familii de moșieri, soția bătrânului geolog
 Jean Constantin — Mitică "D.K.W.", fost motociclist la "zidul morții", șoferul autocisternei DKW care-i transportă pe muncitorii de la rafinăria Vega
 Ernest Maftei — Petre Alexiu, muncitor la rafinăria Vega, activist comunist
 Emil Botta — ing. Oscar Ocolescu, geologul petrolist care a descoperit scheletul unui mastodont într-un zăcământ de petrol
 Dan Nuțu — Trică, muncitor la rafinăria Vega, un tânăr utecist care a devenit ulterior inginer petrolist
 Dorina Lazăr — Floarea, țărancă văduvă și săracă din Ardepământ, simpatizantă comunistă
 Constantin Codrescu — ing. Emilian Enciu, geologul petrolist chemat de ing. Ocolescu să cerceteze zăcământul de petrol
 Grigore Gonța — Panait, muncitor la rafinăria Vega, activist comunist
 Colea Răutu — Lache, primarul comunist al comunei
 Constantin Rauțchi — Mutul, un țăran sărac care-l ajută pe ing. Ocolescu
 Dumitru Rucăreanu — Toboșarul, crainicul satului
 Zephi Alșec — Mărcuș, agentul societății anonime "Columbiana"
 Ștefan Mihăilescu-Brăila — Lixandru, ajutorul cârciumarului Micu
 Virgil Platon — Penescu, agentul societății anonime "Columbiana" care moare în urma prăbușirii puțului
 Ion Anghel — Ananie Păun, finul cârciumarului Micu
 Sebastian Radovici — Kish, agentul societății anonime "Columbiana"
 Gheorghe Novac — nea Făsui, țăranul știrb și sărac care are nevoie de plug
 Ștefan Georgescu

Primire
Filmul a fost vizionat de 1.474.038 de spectatori în cinematografele din România, după cum atestă o situație a numărului de spectatori înregistrat de filmele românești de la data premierei și până la data de 31 decembrie 2014 alcătuită de Centrul Național al Cinematografiei.

Note

Legături externe

Vezi și
 1975 în film

Filme din 1975
Filme regizate de Virgil Calotescu
Filme românești
Filme în limba română
Filme dramatice românești
Filme cu ilegaliști

Mastodontul


Richard Ramirez bio je američki serijski ubojica, silovatelj i lopov koji je ubio petnaest ljudi u krvavom pohodu koji je trajao par mjeseci, usred proljeća i ljeta 1985. godine. Za svoja zla djela koristio je razna oružja, te za ubojstva nikada nije iskazao kajanje niti empatiju.

Životopis
Ricardo "Richard" Leyva Muñoz Ramirez rođen je 29. veljače 1960. godine u gradu El Paso, Teksas, Ramirez je bio najmlađi od sveukupno petero djece. Odrastao u El Pasu, 1974. godine, Ramirez počinje pohađati srednju školu Jefferson, ali se ispiše nešto prije svog sedamnaestog rođendana. S petnaest godina Ramirez počinje raditi u hotelu, gdje bi se ušuljao svaku noć da bi opljačkao ljude koji su spavali u sobama. Ramirezu je dan otkaz nakon pokušaja silovanja mlade žene.

Prije četvrte godine života Ramirez je pretrpio dvije jake ozljede na glavi te mu je dijagnosticirana epilepsija. Kao tinejdžer, Ramirez postaje ovisan o drogi: počinje konzumirati LSD i marihuanu, zajedno sa svojim rođakom, Miguelom Vallesom. Ramirez postaje potišten i povlači se od svojih vršnjaka nakon što svjedoči smrti vlastite tete, koju je Miguel upucao nakon svađe.

S 22 godine Ramirez se preselio u Los Angeles u  Kaliforniji, gdje spava u ofucanim motelima, neke noći čak i u autu kojeg bi ukrao. Ramirez postaje višestruki lopov, pljačkaš i ovisnik o kokainu. Jednog ljeta u Los Angelesu Ramirez je također svezao i seksualno napastovao ženu. U 1984. godini, Ramirez je uhićen za krađu automobila i oružanu pljačku jedne trgovine u južnom Los Angelesu.

Ramirez je prevezen u bolnicu 1983. godine, nakon ozljeda u tuči između njega i još jednog beskućnika.

Ubojstva
Jennie Vincow, 78; izbodena nožem u vlastitoj kući usred noći, 28. lipnja, 1984.

Dayle Okazaki, 34; ubijena jednim hicem iz pištolja kalibra .22 u vlastitom apartmanu dana, 17. ožujka, 1985.

Tsai-Lian Yu, 30; upucana dvaput usred ceste dana, 17. ožujka, 1985.

Vincent Zazzara, 64; upucan u sljepoočnicu pištoljem kalibra .22 u vlastitom domu usred noći 27. ožujka, 1985.

Maxine Zazzara, 44; upucana tri puta u prsa pištoljem kalibra. 22 u vlastitom domu usred noći 27. ožujka, 1985.

William Doi, 66; pretučen do smrti metalnom polugom u vlastitom domu, 14. svibnja, 1985.

Mabel Bell, 83; pretučena do smrti čekićem u vlastitom domu, 29. svibnja, 1985.

Patty Elaine Higgins, 32; silovana, potom izbodena kuhinjskim nožem usred noći u svom stanu, 27. lipnja, 1985.

Mary Louise Cannon, 75; izbodena nožem u vlastitom domu usred noći, 2. srpnja, 1985.

Joyce Nellie Nelson, 60; pretučena do smrti u vlastitom domu usred noći, 7. srpnja, 1985.

Maxon Kneiding, 68; upucan u glavu jednom usred noći u vlastitom domu, 20. srpnja, 1985.

Lela Kneiding, 66; upucana četiri puta usred noći u vlastitom domu, 20. srpnja, 1985.

Chainarong Khovananth, 32; upucan u sljepoočnicu jedanput u vlastitom domu u 4:15 ujutro, 20. srpnja, 1985.

Elyas Abowath, 35; upucan u zatiljak jednom u vlastitom domu, 8. kolovoza, 1985.

Peter Pan, 66; upucan u desno oko jednom u vlastitom domu, 18. kolovoza, 1985.

Istraga i suđenje
Ramirez bi provaljivao u kuće Los Angelesa usred noći, te je imao metodu gdje bi ubio muškarca hicem iz pištolja, potom mučio i seksualno napastovao ženu i djecu. Mediji su Ramireza nazvali "Noćni vrebač" (eng. The Night Stalker) ili "Uljez doline" (eng. Valley Intruder). Ramirez postaje poznat nakon što je počeo ostavljati sotonističke simbole u kući svojih žrtava; većinom crtajući pentagram. Kasnije na svom suđenju Ramirez je uviknuo: "Slava Sotoni!"

Ramirez je napokon uhvaćen 31. kolovoza, nakon što su mu našli otiske prstiju u Toyoti koju je ukrao, te nakon što su ga identificirali detektivi Frank Salerno i Gilbert "Gil" Carrillo; oko podne, Ramirez bježi preko autoceste u istočni Los Angeles, gdje je pretučen potom uhvaćen, nakon što su ga stanovnici Hubbard ulice prepoznali i pretukli. Ramirez iskazuje svoju nevinost na suđenju, iako je drugom zatvoreniku priznao preko 20 ubojstava.

Godine 1989. Ramirez je osuđen na smrtnu kaznu, nakon što ga je porota proglasila krivim. Godine 1996., Ramirez se oženio u zatvoru, no  supruga je zatražila razvod 2009. godine, nakon što se ispostavilo, kada je policija obavila DNA test, da je Ramirez kriv za silovanje i ubojstvo devetogodišnjakinje u San Franciscu 1984. godine.

Smrt

Ramirez umire 7. lipnja, 2013., od zatajenja jetre dok je iščekivao pogubljenje, u svojoj 53. godini života. Ramirez je više od 27 godina proveo u kalifornijskom zatvoru San Quentin, gdje je također preminuo.

Američki kriminalci

Richard Ramirez


est une chanson du rappeur palestino-canadien Belly en trio avec le chanteur canadien The Weeknd et le rappeur américain Young Thug, sortie le  sous les labels XO et Republic Records, apparaissant sur l'album See You Next Wednesday de Belly.

Contexte

Clip
Un clip est sorti en même temps que la chanson le . La vidéo est la première de deux parties, et elle comprend des voitures de luxe autopilotées. Belly brûle avec des bâtiments en feu, The Weeknd conduit une McLaren P1, et Young Thug est vu avec un camion-citerne vert gluant.

Classement

Références

Chanson de 2021
Chanson interprétée par The Weeknd
Single publié par XO
Single publié par Republic Records

Better Believe


මයෝකාඩියම () යනු හෘත් බිත්තියේ ස්තර තුනෙන් (3) එකකි.

හෘද බිත්තියේ මධ්‍ය ස්තරය මයෝකාඩියම නම්වේ. මෙය හෘත් පේශියයි. මෙය කොලැජන් සැකිල්ලකින් වටවූ අනිච්ඡානුග විලිඛිත පේශි පටකයකි. මෙම හෘත් පේශි රටාව දර්ශනීය සහ සංකීර්ණ ය. පේශි සෛල හෘදයේ කුටීර වටා සුළි ලෙස සර්පිලාකාරව සකස්වන අතර, පිටත පේශි කර්ණිකා ව‍ටා සහ මහා රුධිර වාහිනීවල පාදම වටා 8 ඉලක්කමේ හැඩයට සකස් වී ඇත. ඇතුළු පේශි ද කෝෂිකා දෙක වටා 8 ඉලක්කමේ ආකාරයට සකස් වී අග්‍රය දෙසට යොමුවී ඇත. මෙම සංකීර්ණ සුළි ආකාර රටාව හේතුවෙන් හෘදයට රුධිරය වඩාත් කාර්යක්ෂමව පොම්ප කිරීමට හැකියාව ලැබී ඇත.

මෙය හෘදයේ පමණක් දක්නට ලැබෙන හෘත් පේශි වලින් තැනී ඇත. හෘදයේ විද්‍යුත් සංඥා සම්ප්‍රේෂණය සඳහා වැදගත් වනවිශේෂිත වූ සන්නයන සන්නයනය තන්තු සහිත ජාලයක් ද myocardium හරහා දිව යයි.

මූලාශ්‍ර

මයෝකාඩියම


The Nine Lives of Chloe King es una serie de televisión estadounidense de drama sobrenatural adolescente, basada en la saga literaria del mismo nombre de la autora Liz Braswell. El drama sigue a Chloe King, una joven normal hasta que de repente, comienza a aflorar su auténtica naturaleza de Mai, una raza antiquísima con ciertas habilidades y poderosos enemigos. La primera temporada fue estrenada en el canal ABC Family el 14 de junio de 2011 y finalizada el 16 de agosto del mismo año.

El 15 de septiembre, ABC Family anunció la cancelación de la serie por las bajas audiencias.

Argumento

Al cumplir dieciséis años, Chloe, una chica aparentemente ordinaria comienza a descubrir ciertos poderes felinos que habían estado dormidos en su interior: incluidas nueve vidas, aumento de la velocidad, fuerza superior, oído hipersensible, agilidad sobrehumana, visión nocturna y transformar sus uñas garras retráctiles felinas, junto con la capacidad de sentir las emociones humanas. Cuando Chloe se da cuenta de que una misteriosa figura está siguiendo, ella va a descubrir que ella es descendiente de una antigua raza llamada Mai.

Personajes
 Skyler Samuels como Chloe King.
 Benjamin Stone como Alek Petrov.
 Amy Pietz como Meredith King.
 Grace Phipps como Amy.
 Ki Hong Lee como Paul.
 Alyssa Diaz como Jasmine.
 Grey Damon como Brian Rezza.

Producción
La serie está escrita por Daniel Berendsen y está basada en la serie de libros para jóvenes adultos de Alloy Entertainment, escrita por Elizabeth J. Braswell (publicado originalmente bajo el seudónimo de Celia Thomson). Alloy produce la serie.

Promoción
En preparación para el estreno, ABCFamily.com lanzado "The Nine Paths of Chloe King" (Los nueve caminos de Chloe King), un juego en línea alentando a los usuarios a descubrir los secretos de los Mai y encontrar el unificador con el fin de desbloquear contenido exclusivo y participar para ganar la oportunidad de visitar el estudio de grabación.

Recepción

Recepción de la crítica
La serie ha recibido críticas en su mayoría positivas, obteniendo una puntuación de 68/100 en Metacritic. Troy Patterson alabó la serie, que calificó de "encantadora", mientras que hace la observación de que cubre un terreno familiar.

Recepción del público
El episodio piloto atrajo más de 2 millones de espectadores cuando se estrenó en junio de 2011. El final de temporada, y en última instancia, final de la serie había caído cerca de la mitad de esa audiencia inicial, con poco más de 1 millón de espectadores.

Referencias

Enlaces externos

Series de televisión de Estados Unidos de los años 2000
Series de televisión de Estados Unidos de los años 2010
Series de televisión rodadas en Estados Unidos
Series de televisión de ABC
Series de televisión canceladas

The Nine Lives of Chloe King


Katolička Crkva u Francuskoj Polineziji dio je svjetske Katoličke Crkve pod duhovnim vodstvom pape i rimske kurije.

Katolici su druga najbrojnija vjerska zajednica u Francuskoj Polineziji te čine više od 38% stanovništva. Većinski su zastupljeni na Markižanskom otočju, Tuamotuu, Gambieru i Tahitiju.

Katolički misionari u više su navrata posjećivali polinezijske otoke s nizozemskim, francuskim, portugalskim i britanskim istraživačima, a stalna nazočnost katoličkih svećenika počinje dolaskom francuskih misionara na Tahiti 1834.

Ustrojena je u Nadbiskupiju Papeete i sufragansku Nadbiskupiju Talohae i Tefenuaenata. Na prostoru Francuske Polinezije Crkva je podijeljena u 57 župa. Pristune su dvije redovničke zajednice, Družba Presvetih srca Isusova i Marijina te Braća kršćanske poduke iz Ploërmela (Braća la Mennais). Prvostolna crkva je Katedrala Bezgrješnoga začeća Naše Gospe u Papeeteu.

Izvori

Francuska Polinezija
Katoličanstvo u Francuskoj

Katolička Crkva u Francuskoj Polineziji


Joseph Stiller (* vor dem 5. März 1731 in Ettringen; † 12. Juni 1771 in Lamerdingen) war ein Stuckateur, Maurer und Bauhandwerker.

Leben
Er war der Sohn des Stuckateurs Michael Stiller und dessen zweiter Ehefrau Teresia Lang beziehungsweise der Enkel von Matthäus (auch Matthias), dem Baumeister der Pfarrkirche St. Nikolaus in Großaitingen. Er erstellte der Kurfürstlichen Hofkammer im Herzogtum Bayern einen Kostenvoranschlag für die Maurerarbeiten an der Kirche St. Magnus im oberschwäbischen Unterrammingen und führte den Auftrag von 1767 bis 1768 aus. Er starb durch Blitzschlag am Turm der Pfarrkirche St. Martin in Lamerdingen, die sein Vater 1736/37 barockisiert hatte.

Literatur

Einzelnachweise

Maurer
Stuckateur
Geboren im 18. Jahrhundert
Gestorben 1771
Mann

Joseph Stiller


Vladimir Arzumanyan (n. Stepanakert, República de Nagorno Karabaj, 26 de mayo de 1998) es un cantante y bailarín armenio. Representó a Armenia en el Festival de la Canción de Eurovisión Junior 2010 con la canción de Mama (Մամա en armenio). En la final, Vladimir ganó, convirtiéndose en el primer cantante armenio que ha ganado este festival. La canción fue producida por el productor musical armenio-canadiense: DerHova.

Referencias

Cantantes de Armenia
Ganadores de Eurovisión Junior

Vladimir Arzumanyan


El Valle de Styx (en inglés: Styx Valley) se encuentra adyacente a la Reserva Natural de Tasmania un Sitio Patrimonio de la Humanidad en la isla y estado de Tasmania al sur de Australia. El río Styx es el principal sistema de drenaje del valle. Se encuentra a unos 100 km al noroeste de Hobart, siendo maydena el pueblo más cercano.

Los Bosques templados y húmedos de eucaliptos en la región son el hogar de las plantas más altas del mundo con flores, llamadas Eucalyptus regnans.
En 2002, el árbol más grande de Australia, apodado «El Grande», fue descubierto allí. Por desgracia, fue destruido en un incendio en el otoño de 2003.

Véase también
 Geografía de Australia
 Geografía de Oceanía

Referencias

Valles de Australia

Valle de Styx


The Big Chill is a 1983 American comedy-drama film directed by Lawrence Kasdan, starring an ensemble cast consisting of Tom Berenger, Glenn Close, Jeff Goldblum, William Hurt, Kevin Kline, Mary Kay Place, Meg Tilly, and JoBeth Williams. The plot focuses on a group of baby boomers who attended the University of Michigan, reuniting after 15 years when their friend Alex dies by suicide. Kevin Costner was cast as Alex, but his performance was entirely cut from the film. Only nondescript parts of him appear during the opening titles as Alex's corpse, which is being dressed in a casket for his funeral service.

It was filmed in Beaufort, South Carolina.

The soundtrack features soul, R&B, and pop-rock music from the 1960s and 1970s, including tracks by Creedence Clearwater Revival, Aretha Franklin, Marvin Gaye, The Temptations, the Rolling Stones, and Three Dog Night.

The Big Chill was adapted for television as the short-lived series Hometown. Later, it influenced the TV series thirtysomething and A Million Little Things.

Plot
After Alex Marshall dies by suicide, his fellow University of Michigan alumni and close friends attend his funeral at the Tidalholm plantation in Beaufort, South Carolina. During the visit, everyone stays with Sarah and Harold Cooper.

His other friends include Sam Weber, a television actor; Meg Jones, once a public defender and now a real estate attorney; Michael Gold, a journalist for People magazine; former talk-radio psychologist Nick Carlton, now an impotent Vietnam vet with a drug addiction; and Karen Bowen, an unfulfilled writer unhappily married to Richard, a conservative advertising executive. Also present is Chloe, Alex's younger girlfriend of four months.

While out jogging early the next morning, Harold, violating SEC rules, tells Nick that a large corporation is about to buy his small company, which will make him rich and triple the value of the stock. He told Alex, making it possible for him to buy property in the area. Harold suggests Nick use the tip to get into a new line of work. During their conversation, it is revealed that Sarah and Alex had a brief affair five years earlier, which all the friends knew about. Nick comforts Harold by saying she did not marry Alex. Harold, Sarah, and Alex moved past it, but Sarah tells Karen her friendship with Alex was harmed by the affair.

Richard goes home the next day, but Karen stays. Harold, Nick, Michael, and Chloe drive out to see the old house that Chloe and Alex were renovating. Meanwhile, Meg tells Sarah she is fed up with failed relationships and intends to have a child on her own. Believing she is ovulating, she plans to ask Sam to be the father of her child. (She approaches Nick first, thus becoming the last to know about his impotency.) Michael, who continually flirts with Chloe, needs investors for a New York nightclub. At dinner, Sarah becomes tearful and wonders if their fervent '60s idealism was "just fashion." Later that night, Meg approaches Sam, but he declines, feeling fatherhood is too great a responsibility as he already has an estranged child. Nick shares his drugs, with varying effects.

The next day, Harold, a running shoe entrepreneur, gives everyone running shoes. Nick goes to the old house and sits on the porch for hours, missing the Michigan football game. Michael offers to sire Meg's child, alluding to their one-time encounter in college.

During a halftime game of touch football, a local police officer escorts a sullen Nick back to the house after he runs a red light and becomes belligerent. Recognizing Sam, the officer offers to drop charges if he will hop into Nick's Porsche 911 the way his J. T. Lancer character does on TV. Sam tries and fails, injuring himself slightly. Nick angers Harold by accusing him of being friendly with cops. Harold chastises Nick, reminding him that this is his home and Nick's recklessness could put his reputation in danger.

Karen tells a surprised Sam that she is in love with him and wants to leave Richard. He tells her his first marriage failed because of boredom and he does not want her to make the same mistake. Feeling led on, Karen angrily stomps off.

Meg tells Sarah that Michael is the wrong choice. Sarah observes the warm phone conversation between her young daughter and Meg. Later, the group, confused over Alex's death, regrets losing touch with him. To everyone but Sam, it seems that Alex withdrew deliberately. Nick is particularly cynical and bitter about life, love, and friendship. Karen follows Sam outside to mollify him, and they have sex. Sarah pulls Harold aside, embracing him, telling him she has a favor to ask: "It's about Meg..." Meg goes to him and they make love, tenderly. Chloe asks Nick to spend the night in the room she shared with Alex.

The next morning, Harold announces that Nick and Chloe will stay on to renovate the old house. Karen packs to return home to Richard. Michael ditches his nightclub plans. Nick shows everyone an old column that Michael wrote about Alex declining a prestigious fellowship. As the friends prepare to depart, Michael jokingly tells the Coopers they have taken a secret vote: They are never leaving.

Cast

Production
According to a Newsday article, Lawrence Kasdan and Barbara Benedek began writing The Big Chill in September 1980, five months after the release of Return of the Secaucus 7 They wrote the screenplay as a semi-autobiographical story inspired by their optimistic political activism while attending university in the 1960s and then their disillusionment at society in the 1970s. While attending the University of Michigan, Kasdan lived at the Eugene V. Debs Cooperative House in the late 1960s, and his experiences at the co-op informed the direction of the screenplay. Many of the characters were based on his housemates, and the ways in which they cook communal meals and share their house echo the culture of Ann Arbor cooperatives. Kasdan and Benedek worked on the screenplay as Kasdan was directing Body Heat. While the other characters in the film weren't written with any specific actors in mind, Kasdan wrote the role of "Nick" for Body Heat's star, William Hurt, who gave Kasdan a commitment to do The Big Chill.

Kasdan first pitched the story to The Ladd Company but was rejected. Richard Fischoff unsuccessfully tried to convince Paramount Pictures to film the screenplay after reading it in the summer of 1982. When this failed he turned the screenplay to Marcia Nasatir, who had recently departed her executive positions at United Artists and Orion Pictures to cofound Carson Productions with Johnny Carson. Fischoff convinced Nasatir to finance the film as the studio's first production, and took over as supervising producer after she left the studio to work at 20th Century Fox.

Production on the film began on November 8, 1982, in Atlanta. Filming primarily took place at the Edgar Fripp House (called "Tidalholm") in downtown Beaufort, South Carolina, where the film was set.

Kasdan's wife Meg was placed in charge of compiling period-appropriate songs for the soundtrack. She heard "I Heard It Through the Grapevine" for the first time in many years while picking her son up at camp, listening to a Marvin Gaye cassette, and was struck by how the song with no dialogue would make a perfect start to the film.

It was decided before filming that "Ain't Too Proud to Beg" by The Temptations would be used for the cleanup after dinner scene, so the cast were given earbuds so that they could hear the song during filming, making it easier for them to keep the beat.

JoBeth Williams recalled filming a scene flashing back to the characters in 1968. "It was just wonderful to shoot", she said. "They rented this big house in Atlanta and installed bead curtains, rock posters, incense, 1968 Life magazines—it was a real time warp." Williams says that, in the scene, her character was living with William Hurt's character and ignoring Tom Berenger's. The Alex character, played by Kevin Costner "looking like a scruffy James Dean", was also in the scene. "That turned out to be the problem... Nobody could live up to that role after the build-up through the film, and audiences said they didn't want to see anybody try. So the last 10 minutes of the film were just cut out." Filming concluded on February 7, 1983.

According to Kasdan, it was his decision to axe the scenes which were to appear at the end of the film as a flashback. "It didn't work," he said in an interview with the Toronto Star. "I felt so bad about it." Costner was given a role in Kasdan's next film, the 1985 western Silverado (film), as Jake, the younger brother of Emmett, played by Scott Glenn, alongside fellow Big Chill cast member Kevin Kline, who played Paden.

Reception

Critical response
On Rotten Tomatoes, the film has an approval rating of 71% based on reviews from 41 critics, with an average rating of 6.2/10. The site's critical consensus reads "The Big Chill captures a generation's growing ennui with a terrific cast, a handful of perceptive insights, and one of the decade's best film soundtracks." On Metacritic, the film has a weighted average score of 61 out of 100 based on reviews from 12 critics, indicating "generally favorable reviews".

At the time, Richard Corliss of Time described The Big Chill as a "funny and ferociously smart movie", stating:

Vincent Canby of The New York Times wrote that the film was a "very accomplished, serious comedy" and an "unusually good choice to open this year's [New York Film Festival] in that it represents the best of mainstream American film making."

Roger Ebert of the Chicago Sun-Times gave the film two and a half stars out of four,  observing "The Big Chill is a splendid technical exercise. It has all the right moves. It knows all the right words. Its characters have all the right clothes, expressions, fears, lusts, and ambitions. But there's no payoff and it doesn't lead anywhere. I thought at first that was a weakness of the movie. There also is the possibility that it's the movie's message."

The film was parodied by T. Coraghessan Boyle in his short story The Little Chill. The story begins "Hal had known Rob and Irene, Jill, Harvey, Tottle, and Pesky since elementary school, and they were all 40 going on 60."

Accolades

In 2004, "Ain't Too Proud to Beg" finished #94 in AFI's 100 Years...100 Songs poll.

Soundtracks
Ten of the songs from the film were released on the soundtrack album; four additional songs not from the film were added to the original CD release as "additional classics from the era". The rest of the film's songs (aside from the Rolling Stones' "You Can't Always Get What You Want"), as well as the "additional classics" from the original soundtrack CD were released in 1984 on a second soundtrack album, titled More Songs from the Big Chill. Both albums were re-mastered in 1998; the track list of the first album mirrored the original LP, without the "additional classics". In 2004, Hip-O Records released a Deluxe edition, containing 16 of the 18 songs from the film (again excluding "You Can't Always Get What You Want" and newly omitting "Quicksilver Girl" by the Steve Miller Band) and three additional film instrumentals. A second "music of a generation" disc of 19 additional tracks was included as well. Some of those tracks had appeared on the More Songs release.

Original Motion Picture Soundtrack

Charts

Certifications

More Songs from the Big Chill

*Selections not in the motion picture The Big Chill.

Charts

See also

 List of American films of 1983
 Return of the Secaucus 7

References

External links

 The Big Chill: Surviving an essay by Harlan Jacobson at the Criterion Collection

1983 films
1983 comedy-drama films
American comedy-drama films
Carson Productions films
Films about class reunions
Columbia Pictures films
1980s English-language films
Films about suicide
Films directed by Lawrence Kasdan
Films set in South Carolina
Films shot in South Carolina
Midlife crisis films
Films shot in Atlanta
1980s American films
Toronto International Film Festival People's Choice Award winners
Films with screenplays by Lawrence Kasdan

The Big Chill (film)


Payday 3 est un jeu de tir à la première personne développé par Overkill Software et Starbreeze AB et édité par Prime Matter, sorti le 21 septembre 2023.

Trame
Le jeu se déroulera après la fin de Payday 2 où les braqueurs se sont séparés et laissé leur vie de crime, mais le gang est contraint de continuer leur vie de braquage. Overkill a confirmé que l'équipe originale de personnages issus de Payday: The Heist ("Dallas", "Chains", "Wolf" et "Hoxton") seront dans Payday 3, qui aura lieu principalement à New York. Les premiers jeux se déroulent dans les années 2010, mais Payday 3 aura lieu dans les années 2020, avec des différences comme une surveillance de masse ou la montée en puissance de la cryptomonnaie.

Développement
Overkill Software est un studio de Starbreeze après l'acquisition de 30 millions de dollars d'Overkill et de la propriété intellectuelle de Payday, mais ils ont eu des problèmes financiers avec la réalisation de Payday 3, mais le projet était de nouveau en développement après que Starbreeze a signé un contrat de 50 millions d'euros en 2021 pour coéditer le jeu avec Koch Media. Payday 3 est développé avec Unreal Engine 4 et prévoit de passer à la version 5 après sa sortie, contrairement aux jeux précédents où ils utilisent Diesel de Grin. Le , le studio Starbreeze a confirmé la sortie du jeu sur PC et console pour l'année 2023.

À la suite d'une conférence Xbox Showcase, la date de sortie du jeu a été annoncée au 21 septembre 2023.

Références

Liens externes

Jeu Xbox Series
Jeu Windows
Jeu vidéo se déroulant à New York
Jeu vidéo développé en Suède
Jeu d'infiltration
Jeu PlayStation 5
Jeu vidéo sur le crime organisé
Jeu Nintendo Switch
Jeu Linux
Jeu de tir à la première personne
Jeu vidéo sorti en 2023

Payday 3


NGC 48 este o galaxie spirală barată localizată la aproximativ 79,3 milioane de ani-lumină de Soare, în constelația Andromeda.

Note

Vezi și
 Listă a obiectelor NGC

Legături externe

Galaxii spirale barate
48
Constelația Andromeda

NGC 48


O modelo HEXACO de estrutura da personalidade é um modelo de seis dimensões da personalidade humana que foi criado por Ashton e Lee e explicado em seu livro, The H Factor of Personality, baseado em descobertas de uma série de estudos lexicais envolvendo várias  línguas europeias e asiáticas. Os seis fatores de personalidade, ou dimensões, incluem Honestidade-Humildade (H), Emocionalidade (E), Extroversão (X), Amabilidade (A), Conscienciosidade (C) e Abertura à Experiência (O). Cada fator é composto por traços com características que indicam níveis altos e baixos do fator. O modelo HEXACO foi desenvolvido através de métodos semelhantes a outras taxonomias de características e baseia-se no trabalho de Costa e McCrae e Goldberg. O modelo, portanto, compartilha vários elementos comuns com outros modelos de traços. No entanto, o modelo HEXACO é único principalmente devido à adição da dimensão Honestidade-Humildade.

O modelo de personalidade HEXACO

O modelo de personalidade HEXACO conceitua a personalidade humana em termos de seis dimensões.

O modelo foi desenvolvido a partir de vários estudos lexicais independentes anteriores. Taxonomias baseadas na linguagem para traços de personalidade têm sido amplamente utilizadas como um método para desenvolver modelos de personalidade. Esse método, baseado na lógica da hipótese lexical, utiliza adjetivos encontrados na linguagem que descrevem comportamentos e tendências entre os indivíduos. A análise fatorial é usada nos adjetivos para identificar um conjunto mínimo de grupos independentes de traços de personalidade.

Os estudos de pesquisa baseados na hipótese lexical descrita acima foram realizados pela primeira vez na língua inglesa. Estudos lexicais subsequentes foram conduzidos em outros idiomas e, comparando os resultados, seis fatores emergentes foram revelados de forma semelhante em todos os idiomas testados, incluindo o inglês.

A personalidade é frequentemente avaliada usando um inventário de auto-relato ou um inventário de relatório de observador. Os seis fatores são medidos por meio de uma série de perguntas elaboradas para avaliar um indivíduo nos níveis de cada fator. Ashton e Lee desenvolveram formulários de auto-relato e de observação do HEXACO Personality Inventory-Revised (HEXACO-PI-R). O HEXACO-PI-R avalia os seis amplos fatores de personalidade HEXACO, cada um dos quais contém quatro "facetas", ou características de personalidade mais restritas. (Uma 25ª faceta adicional, chamada Altruísmo, também está incluída e representa uma mistura dos fatores Honestidade-Humildade, Emocionalidade e Amabilidade).

Os seis fatores, suas facetas e os adjetivos descritivos da personalidade que normalmente pertencem a esses seis grupos são os seguintes:

 Honestidade-Humildade (H):
 Facetas: Sinceridade, Justiça, Evitar a Ganância, Modéstia
 Adjetivos: {sincero, honesto, fiel, leal, modesto/despretensioso} versus {astuto, enganoso, ganancioso, pretensioso, hipócrita, jactancioso, pomposo}
 Emocionalidade (E):
 Facetas: Medo, Ansiedade, Dependência, Sentimentalismo
 Adjetivos: {Emocional, hipersensível, sentimental, medroso, ansioso, vulnerável} versus {corajoso, duro, independente, seguro de si, estável}
 Extroversão (X):
 Facetas: Auto-estima social, ousadia social, sociabilidade, vivacidade
 Adjetivos: {Extrovertido, animado, sociável, falante, alegre, ativo} versus {tímido, passivo, retraído, introvertido, quieto, reservado}
 Amabilidade (A):
 Facetas: Perdão, Gentileza, Flexibilidade, Paciência
 Adjetivos: {paciente, tolerante, pacífico, suave, agradável, indulgente, gentil} versus {mal-humorado, briguento, teimoso, colérico}
 Conscienciosidade (C):
 Facetas: Organização, Diligência, Perfeccionismo, Prudência
 Adjetivos: {organizado, disciplinado, diligente, cuidadoso, completo, preciso} versus {desleixado, negligente, imprudente, preguiçoso, irresponsável, distraído}
 Abertura à Experiência (O):
 Facetas: Apreciação estética, curiosidade, criatividade, não convencional
 Adjetivos: {intelectual, criativo, não convencional, inovador, irônico} versus {superficial, sem imaginação, convencional}

História e desenvolvimento
O Modelo de Personalidade HEXACO começou seu desenvolvimento inicial em 2000. Foi derivado de modelos de personalidade usados anteriormente, como os Cinco Grandes fatores abordados no NEO-PI. Esses cinco grandes traços de personalidade (conscienciosidade, amabilidade, abertura à experiência, neuroticismo/emocionalidade e extroversão) foram o resultado de estudos lexicais anteriores da personalidade e foram popularizados na década de 1980. No entanto, quando estudos lexicais semelhantes foram realizados em vários outros idiomas, em vez de apenas em inglês, surgiu um sexto fator, chamado de fator Honestidade-Humildade. As outras línguas em que os novos estudos lexicais foram conduzidos incluíam: holandês, francês, coreano, polonês, croata, filipino, grego, alemão, italiano, húngaro e turco. Além disso, os estudos lexicais em outras línguas revelaram diferentes subfacetas dos fatores Emocionalidade e Amabilidade do que o modelo original de cinco fatores sugerido. Hoje, o modelo HEXACO tornou-se um modelo de personalidade amplamente utilizado.

Relações com os fatores de personalidade "Cinco Grandes"
Atualmente, o modelo de estrutura de personalidade mais utilizado também é baseado em análises de adjetivos descritivos de personalidade. Este modelo consiste nos cinco fatores de personalidade conhecidos coletivamente como os "Cinco Grandes" (Big Five em inglês). Três dos Cinco Grandes fatores são semelhantes aos fatores Extroversão, Conscienciosidade e Abertura à Experiência do modelo HEXACO. Os dois fatores restantes, chamados Amabilidade e Neuroticismo (com o pólo oposto do último fator sendo Estabilidade Emocional), são semelhantes aos fatores Amabilidade e Emocionalidade do modelo HEXACO – mas com algumas diferenças no conteúdo dos fatores. Amabilidade e Emocionalidade no modelo HEXACO representam variantes rotacionadas de suas contrapartes no Big Five, por exemplo, características relacionadas a um temperamento explosivo estão associadas a Neuroticismo ou baixa Estabilidade Emocional na estrutura Big Five, mas com baixa Amabilidade na estrutura HEXACO. Portanto, a Amabilidade do Big Five e a Amabilidade da HEXACO não são idênticas. Os fatores Big Five não incluem um fator Honestidade-Humildade, mas algumas das características pertencentes à Honestidade-Humildade são incorporadas ao fator Amabilidade dos Cinco Grandes. Embora investigações anteriores tenham encontrado apenas os cinco grandes fatores, estudos mais recentes conduzidos em vários idiomas (incluindo inglês) com conjuntos maiores de adjetivos recuperaram seis fatores, conforme resumido acima. Os nomes de quatro dos fatores HEXACO (todos, exceto Honestidade-Humildade e Emocionalidade) foram adotados de rótulos existentes para os Cinco Grandes fatores. Os nomes dos fatores foram selecionados com base no significado comum das características dentro de cada fator. Ainda assim, outros estudos que comparam os dois mostram que alguns traços podem ser analisados usando o modelo HEXACO em vez do Big Five. A título de exemplo, traços como narcisismo ou manipulação podem ser avaliados com o traço honestidade-humildade incluído no modelo.

Pesquisa relacionada ao modelo HEXACO

Base teórica de Amabilidade, Honestidade-Humildade e Emocionalidade
O modelo HEXACO é frequentemente utilizado em pesquisas quando comportamentos ou traços encontrados nas dimensões Amabilidade, Honestidade-Humildade e Emocionalidade são de interesse específico. Os fatores de Amabilidade, Honestidade-Humildade e Emocionalidade são diferentes de suas contrapartes no Modelo de Cinco Fatores. Honestidade-Humildade, Emocionalidade e Amabilidade são propostas como medidas de comportamento Altruísta versus Antagônico. Honestidade-Humildade e Amabilidade medem dois aspectos diferentes do altruísmo recíproco, cujos altos níveis indicam uma propensão para o comportamento de ajuda e cooperação em oposição à exploração dos outros. O fator Honestidade-Humildade representa a tendência de uma pessoa para comportamentos altruístas pró-sociais, enquanto Amabilidade indica a tendência de um indivíduo a perdoar e mostrar tolerância. A emotividade é uma medida de altruísmo de parentesco, ou seja, a tendência de mostrar empatia e apego aos parentes.

Honestidade-Humildade e a Tríade Sombria
O fator Honestidade-Humildade tem sido usado em uma variedade de estudos como medida de comportamento ético ou pró-social (Ver Ashton e Lee 2008 para mais detalhes). Baixos níveis do fator Honestidade-Humildade estão associados a maiores níveis de materialismo, práticas comerciais antiéticas e comportamento sexual desviante. O fator Honestidade-Humildade foi encontrado para prever o endosso de práticas comerciais antiéticas e até mesmo o grau em que uma pessoa assumirá riscos de saúde e segurança (mesmo em relação a colegas de trabalho). Um indivíduo com pontuação baixa no fator Honestidade-Humildade pode ter uma propensão a atos anti-sociais. Quais atos anti-sociais um indivíduo provavelmente cometerá podem estar relacionados ao seu perfil de personalidade junto com os outros fatores do modelo HEXACO. Por exemplo, alguém com pontuação baixa em Honestidade-Humildade e baixa em Conscienciosidade e Amabilidade tem maior probabilidade de se envolver em delinquência no local de trabalho.

A tríade sombria da personalidade consiste em psicopatia, maquiavelismo e narcisismo. A psicopatia é identificada por características como falta de remorso, antissocialidade e egoísmo. O maquiavelismo consiste no egoísmo e na manipulação. O narcisismo também pode ser definido como egoísmo, mas é diferente, pois essa pessoa se consideraria de maior importância do que aqueles ao seu redor. No entanto, esses construtos não são totalmente representados em modelos comuns de cinco fatores de personalidade. A Tríade Sombria pode ser conceituada como estando no polo oposto da Honestidade-Humildade (Sincero, Fiel, Leal etc.), o que significaria que baixos níveis de Honestidade-Humildade correspondem a níveis mais altos de psicopatia, maquiavelismo e/ou narcisismo. Os construtos de personalidade da Tríade Sombria tendem a se correlacionar apenas com amabilidade no Inventário dos Cinco Grandes, caso contrário, eles são representados de forma inconsistente nas medidas dos traços dos Cinco Grandes. Por esse motivo, vários pesquisadores têm utilizado o modelo HEXACO para obter uma compreensão mais detalhada das características de personalidade de indivíduos que apresentam traços/comportamentos que seriam considerados na dimensão da Tríade Negra.

Ver também
 Psicologia da personalidade
 Teoria dos traços de personalidade
 Hipótese lexical
 Cinco grandes traços de personalidade

Traços de personalidade
Psicologia
Personalidade

Modelo HEXACO de estrutura da personalidade


Johann Jakob Morff (* 1736; † 28. Dezember 1802 in Stuttgart) war württembergischer Bauhof- und Theatermaler von Herzog Karl Eugen v. Württemberg.

Familie
Die Familie Morff stammte vermutlich aus der Schweiz. Für das Jahr 1736 ist ein Prediger namens Salomo Morff (auch Salomon Morf, 1702–1756) im Landhaus in Stuttgart erwähnt. Der Kunstmaler Johan Jakob Morff war ein naher Verwandter von ihm. Morffs Vater war ein Landwirt aus Enzweihingen. Morff heiratete Magdalene Wilhelmine (geborene Merck, 1730–1791), sie hatten einen Sohn, Gottlob Wilhelm Morff, dessen Lehrer er war. Er war 1772 unter anderem im Schloss Solitude tätig. Von ihm gab es ein Selbstporträt, das sich gemeinsam mit dem von August Friedrich Oelenhainz gefertigten  "außerordentlich lebendige" Gemälde aus dem Jahr 1786 im Besitz des Malers W. Pilgram befunden hatte. Beide Bilder waren bei der Stuttgarter Porträtausstellung 1881 zu sehen. Das Porträt Nr. 326 gilt seit 1938 als verschollen.

Wirken
Morff war in Stuttgart durch seine dekorativen Malereien (Architekturmalerei) sowie seine figürlichen Darstellungen bekannt geworden. Er schuf "Bildnisse neben seinen dekorativen Arbeiten,  allegorischen Darstellungen mit bäuerlichen Gestalten in unverstandener antiker Gewandung". Zu seinen Werken zählte das Deckengemälde im Heilbronner Rathaussaal von 1779 und Allegorien "auf die Lehrabteilungen" der Hohen Karlsschule im Stuttgarter Schloßmuseum.

Zeichnungen
Eine Grundriss- und zwei Fassadenzeichnungen der Evangelischen Kirche auf der Solitude mit Datierungsvorschlag 1773 werden ihm zugeschrieben.

Porträt Freiherr Alexander von Buwinghausen-Wallmerode
Sein mehrfach wiederholtes Porträt des Freiherrn Alexander von Buwinghausen-Wallmerode aus den Jahren 1787 und 1792 (1938 im Stuttgarter Heeresmuseum), zeigt den "Alten Reiteroffizier in puppig unbeholfener Haltung". Das Gemälde von 1792 befindet sich heute im Schloss Solitude.

Deckengemälde "Justitia"
Der damalige Senator und Oberbaumeister Eberhard Ludwig Becht beauftragte den Stuttgarter Hofmaler Johann Jakob Morff (1736–1802) für ein Entgelt von 150 Gulden, ein Deckengemälde für den Heilbronner Gemeinderatssaal zu schaffen, das 1779 fertiggestellt wurde. Das Bild stellte die Göttin Justitia dar, die die Waage der Gerechtigkeit in ihren Händen trug und von Figuren umgeben wurde, die das Gute und das Böse symbolisierten. So trägt eine Frauengestalt auf der linken Seite einen Kranz auf dem Kopf und hält Früchte in ihren Händen. Damit symbolisiert diese Figur das Gute und den Wohlstand der ehemaligen Reichsstadt. Die Frauengestalten auf der rechten Seite fallen in einen tiefen Abgrund, weil diese eben auch das Böse symbolisieren. Helmut Schmolz beschreibt das realisierte Gemälde als "Tafelbild ähnliche[s] Kunstwerk".

Entwurf f. Deckengemälde "Merkur"
Ein abgelehnter Entwurf von Morff für den Heilbronner Gemeinderatssaal war wesentlich umfangreicher und machte Heilbronn als Wirtschaftsstandort zum Gegenstand des Gemäldes – "unter anderem sehen wir hier einen Merkur, den Gott des Handels, ein Hinweis auf die Blüte Heilbronns als Handelssstadt". An den Ecken befindliche Ovalmedaillons stellten Allegorien der Wissenschaft, der Musik sowie der Landwirtschaft dar. Das letzte Bild zeigte im Hintergrund den Wartberg mit dem Wartbergturm.

Literatur

 Württembergische Kommission für Landesgeschichte, Württembergischer Geschichts- und Altertumsverein, Kommission für Geschichtliche Landeskunde in Baden-Württemberg (Hrsg.):  Zeitschrift für Württembergische Landesgeschichte. Band 67, Kohlhammer, Stuttgart 2008, , S. 270, 296 und 307.
 Werner Fleischhauer: Das Bildnis in Württemberg 1760–1860. Geschichte, Künstler und Kultur. Stuttgart 1939, S. 28, 43, 104.

Weblinks

Einzelnachweise

Bühnenmaler
Deutscher
Geboren 1736
Gestorben 1802
Mann

Johann Jakob Morff


Clara Tauson (nascida em 21 de dezembro de 2002) é uma tenista profissional dinamarquesa.

Em 2016, aos 13 anos, ela se tornou a mais jovem campeã dinamarquesa de tênis. Caroline Wozniacki detinha o recorde anterior quando venceu aos 14 anos. A classificação mais alta de sua carreira é a 33ª posição mundial em simples e a 432ª em duplas, alcançadas em fevereiro de 2022. Ela ganhou três títulos WTA, todos em 2021 e em quadra dura.

Como júnior, ela jogou torneios amadores de 2013 a 2019 e começou a misturar isso com torneios com premiação em dinheiro em 2017, com três torneio de US$ 15.000.

Seu melhor resultado amador foi ter sido a vencedora do Australian Open de 2019. No mesmo ano, ela se tornou a primeira garota dinamarquesa a liderar o ranking mundial júnior. No circuito profissional da ITF, ela conquistou quatorze títulos, o primeiro aos 14 anos.

Sua estreia no WTA Tour ocorreu em abril de 2019 no WTA 250 de Lugano onde passou pela qualificatória mas perdeu na primeira rodada da chave principal para Evgeniya Rodina em três sets.

Sua estreia em um Grand Slam como sênior ocorreu no Aberto da França de 2020 onde ela passou pela qualificatória, na chave principal passou na primeira rodada por Jennifer Brady e perdeu na segunda para Danielle Collins.

Ela também representou a Dinamarca na Fed Cup com um recorde de vitórias e derrotas de 9–4 em simples. Ela terminou seus primeiros anos (2020) entre as 200 primeiras no ranking WTA.

Em 2021, seu primeiro ano como sênior, ela conquistou seus dois primeiros títulos de simples WTA no Open de Lyon e no Luxembourg Open, além de uma vitória no Challenger de Chicago e duas vitórias em torneios ITF uma nos Emirados Árabes e outra na Alemanha. Ao mesmo tempo, ela alcançou o top 50 no ranking WTA.

Sua temporada de 2022 foi marcada por lesões, no entanto, ela conseguiu passar seu primeiro milhão de dólares em prêmios em dinheiro.

Vida pessoal
De 2019 a 2022 ela frequentou a academia de tênis de Justine Henin na Bélgica. O ex-tenista Michael Tauson é seu tio.

Carreira

Visão geral
O talento de Clara Tauson para o tênis foi descoberto quando ela tinha seis anos. Aos 10 anos, ela deixou a escola local para frequentar uma que lhe permitiria se concentrar no tênis.

No início, ela era frequentemente comparada a Caroline Wozniacki, a melhor jogadora da Dinamarca na época. Ela não se considerava o mesmo tipo de jogadora que Wozniacki, a quem ela via mais como uma jogadora de linha de base. Clara Tauson começou a jogar torneios juniores em 2013, aos 10 anos. Sua família a financiou até 2017, quando ela começou a jogar torneios profissionais. Em 2019, ela se tornou uma profissional em tempo integral. Ela se concentra na modalidade de simples, mas também jogou em torneios de duplas e na Fed Cup.

2009–2016: Início de carreira e campeã dinamarquêsa
Tauson começou a jogar tênis aos seis anos. Em 2011, ela venceu o torneio Sub-9 no campeonato da Zelândia e o campeonato de clubes Sub-10. Ela estreou na turnê júnior da  em 26 de agosto de 2013. Em 2014, ela se tornou tricampeã sub-12 dinamarquesa, vencendo simples femininas, duplas femininas e duplas mistas com Holger Rune.

Sua primeira vitória em torneio veio em 2015. Em fevereiro de 2016, Tauson estreou no ITF Junior Circuit, o principal nível de competição mundial entre tenistas sub-18. Durante o ano ela chegou a cinco finais, vencendo uma. Em duplas femininas, ela chegou a quatro finais, vencendo uma. Em agosto de 2016, aos 13 anos, ela venceu o Campeonato Dinamarquês de Tênis, derrotando  na final e quebrando o recorde de Caroline Wozniacki, que o conquistou aos 14 anos. Ela foi premiada como a melhor jogadora de tênis dinamarquesa do ano em 2016 por seu desempenho geral.

2017–2020: Profissionalismo júnior e top 200
Em 2017, Tauson fez sua estreia pela . Ela perdeu seus jogos de duplas, mas a Dinamarca venceu a disputa. No European Youth Olympic Festival em julho, ela ganhou o torneio de tênis como cabeça-de-chave. Em setembro, ela fez sua estreia no Grand Slam na competição júnior do US Open, mas não chegou à chave principal. No mesmo mês, ela estreou no Circuito Feminino ITF profissional. Em outubro, ela entrou no ranking mundial da WTA quando alcançou sua primeira final da ITF. No mês seguinte, ela conquistou seu primeiro título da ITF.

Suas maiores vitórias em 2018 foram o Campeonato Europeu Júnior em simples femininas e a Osaka Mayor's Cup, sua primeira vitória em um torneio júnior de nível A. Ela conseguiu um contrato de patrocínio com a produtora japonesa de equipamentos esportivos Yonex. No final do ano, ela ganhou o bronze no ITF Junior Masters.

Ela jogou sua primeira chave principal do Junior Grand Slam no Australian Open de 2019, onde foi a primeira cabeça de chave no individual feminino e ganhou o título - a primeira garota dinamarquesa a fazê-lo. Na semana seguinte, ela também se tornou a primeira dinamarquesa a liderar o ranking mundial de simples. Em abril de 2019, ela entrou em seu primeiro torneio do WTA Tour como "wild card" na qualificatória. Ela chegou à chave principal mas perdeu a partida da primeira rodada. Em maio, ela jogou seu último torneio amador, tornando-se profissional em tempo integral.

Em fevereiro de 2020, ela ajudou a trazer a Dinamarca de volta ao Grupo I da Europa/África na Fed Cup. Devido à pandemia de COVID-19, sua carreira ficou suspensa até agosto. Em setembro, ela entrou no top 200 da WTA pela primeira vez em sua carreira. Isso permitiu que ela entrasse na qualificatória para o Aberto da França. O Aberto da França, que foi adiado devido à pandemia, foi sua primeira participação em um Grand Slam no nível sênior. Depois de vencer suas partidas na qualificatória, Tauson venceu a número 25 do mundo, Jennifer Brady, dos Estados Unidos, em sua primeira partida da chave principal antes de perder na segunda rodada para Danielle Collins, outra americana.

2021: Primeiros títulos WTA e top 50
Após vitórias em dois torneios da ITF, Tauson entrou no Lyon Open vinda da qualificatória no final de fevereiro. Lá, ela ganhou seu primeiro título WTA, derrotando a cabeça de chave Ekaterina Alexandrova no caminho, e sua companheira de qualificatória Viktorija Golubic na final. Com a vitória, Tauson entrou no top 100 pela primeira vez, tornando-se a segunda jogadora mais jovem entre as 100 primeiras, atrás de Coco Gauff. Na semana seguinte, ela se classificou para seu primeiro torneio WTA 500 no St. Petersburg Throphy, antes de perder para a eventual campeã Daria Kasatkina na primeira rodada.

Na abertura da temporada de quadra de saibro em abril, ela entrou como cabeça de chave pela primeira vez no WTA Tour na Copa Colsanitas. Porém, perdeu para a vinda da qualificatória Daniela Seguel, na primeira rodada. Sua próxima competição foi o evento WTA Charleston 2. Ela chegou às quartas de final, mas teve que desistir contra Camila Osorio, devido à uma lesão no joelho. A lesão a impediu de participar do Madrid Open um torneio WTA 1000. Em vez disso, ela participou do Open de Saint-Malo em simples e duplas. Embora ela tenha sido eliminada no início na competição de simples, ela conseguiu chegar às semifinais em duplas com sua parceira Aliaksandra Sasnovich da Bielorrússia. Em maio, ela entrou na chave principal do Aberto da França, perdendo para Victoria Azarenka na segunda rodada.

Em julho, ela entrou em seu primeiro Torneio de Wimbledon em simples e duplas. Mais tarde naquele mês, devido a cancelamentos, ela recebeu uma oferta de participação no Torneio Olímpico em Tóquio, mas recusou devido a uma lesão. Na preparação para o US Open, Clara Tauson venceu o Chicago Challenger, derrotando Emma Raducanu na final. No US Open, ela entrou na chave principal e venceu sua partida da primeira rodada contra , da França, na rodada seguinte perdeu para a número 1 do mundo, Ashleigh Barty. Duas semanas depois, ela conquistou seu segundo título WTA no Luxembourg Open, derrotando a defensora do título Jeļena Ostapenko na final. Embora uma lesão a tenha mantido fora dos torneios nas duas semanas seguintes, os pontos ganhos a ajudaram a subir para o top 50. Ela terminou a temporada como vice-campeã no Courmayeur Open.

2022: Estreia no Australian Open e lesões nas costas
Tauson fez sua estreia na chave principal do Australian Open como sênior, derrotando Astra Sharma na primeira rodada. Ela então derrotou Anett Kontaveit, sexta cabeça de chave, em dois sets, marcando sua primeira vitória entre as dez primeiras. Ela perdeu na rodada seguinte para a eventual vice-campeã Danielle Collins em três sets equilibrados, encerrando assim seu melhor torneio de Grand Slam até aquele momento. De fevereiro a março, Tauson jogou três torneios WTA 1000 consecutivos: Qatar Open, Indian Wells e Miami Open. O torneio no Catar marcou sua estreia na chave principal de um WTA 1000 ao derrotar a campeã olímpica Belinda Bencic na primeira rodada, antes de perder para a terceira cabeça de chave Paula Badosa, em dois sets. Em Indian Wells, ela entrou na segunda rodada como cabeça de chave e chegou à terceira, onde perdeu para a eventual campeã Iga Świątek, em três sets. Em Miami, ela se retirou na primeira rodada contra Zhang Shuai.

Em Madri, ela perdeu na primeira rodada. Mais tarde, ela desistiu do que poderia ter sido seu quinto torneio WTA 1000, o Aberto da Itália, devido a uma lesão nas costas. Isso também a manteve fora do Aberto da França. Da mesma forma em Wimbledon, seu próximo torneio, ela teve que desistir na primeira rodada.

No Washington Open, ela jogou e perdeu sua primeira partida completa desde Wimbledon. Sua primeira vitória desde março veio no Thoreau Tennis Open contra . No US Open, ela perdeu na primeira rodada contra a nona cabeça-de-chave Garbiñe Muguruza. Em agosto, ela jogou e perdeu três partidas de duplas: em Washington com Emma Raducanu, em Cleveland com Camila Osorio e em Flushing Meadows com  como parceira. No mesmo mês, ela também ultrapassou seu primeiro milhão em prêmios em dinheiro.

Depois de chegar a 140º lugar no ranking em outubro, ela voltou aos torneios e ao top 100 em dezembro, quando chegou à final em Limoges apenas para sofrer uma nova lesão, desta vez no pé, que a manteria fora do Australian Open de 2023. Ao mesmo tempo, ela teve que interromper a cooperação com seu treinador desde 2019 devido à falta de verba.

2023
Ela voltou aos torneios no final de janeiro no Lyon Open, mas não passou pela qualificatória. Sua primeira vitória na chave principal veio em 8 de fevereiro como uma "lucky loser" em Linz contra a terceira cabeça de chave Irina-Camelia Begu.

Ligações externas

Tenistas da Dinamarca

Clara Tauson


La fosse lacrymale (ou gouttière lacrymo-nasale ou gouttière lacrymale) est une dépression lisse et profondément concave sur l'os lacrymal sur la paroi médiale de la cavité orbitaire.

Elle est formée par la jonction des sillons lacrymaux de l'os lacrymal et du processus frontal du maxillaire.

Elle est limitée à l'arrière par la crête lacrymale postérieure et à l'avant par la crête lacrymale antérieure.

Elle se poursuit en bas par le canal naso-lacrymal.

Elle contient le sac lacrymal qui reçoit le surplus lacrymal de l'œil par les canalicules lacrymaux supérieur et inférieur, et se déverse dans le conduit naso-lacrymal.

Notes et références

Crâne

Fosse du sac lacrymal


Olaylar
 Lucius Fabius Cilo ve  Marcus Flavius Annius Libo Roma'da konsül oldular.
 Ye Savaşı: Cao Cao Ye'i kuşattı ve Ye'nin merkezinde Yuan ailesini yakaladı.

Doğumlar
 Dong Jue, Shu Han generali
 Philippus, Roma İmparatoru (ö. 249)
 Wei Zhao, Çinli bilgin (ö. 273)

Ölümler

204


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