Richard Thomas Condon (March 18, 1915 – April 9, 1996) was an American political novelist. Though his works were satire, they were generally transformed into thrillers or semi-thrillers in other media, such as cinema. All 26 books were written in distinctive Condon style, which combined a fast pace, outrage, and frequent humor while focusing almost obsessively on monetary greed and political corruption. Condon himself once said: "Every book I've ever written has been about abuse of power. I feel very strongly about that. I'd like people to know how deeply their politicians wrong them." Condon's books were occasionally bestsellers, and a number of his books were made into films; he is primarily remembered for his 1959 The Manchurian Candidate and, many years later, a series of four novels about a family of New York gangsters named Prizzi.

Condon's writing was known for its complex plotting, fascination with trivia, and loathing for those in power; at least two of his books featured thinly disguised versions of Richard Nixon. His characters tend to be driven by obsession, usually sexual or political, and family loyalty. His plots often have elements of classical tragedy, with protagonists whose pride leads them to destroy what they love. Some of his books, most notably Mile High (1969), are perhaps best described as secret history. And Then We Moved to Rossenarra is a humorous autobiographical recounting of various places in the world where he had lived and his family's 1970s move to Rossenarra, County Kilkenny, Ireland.

Early life
Born in New York City, Condon attended DeWitt Clinton High School.

After service in the United States Merchant Marine, Condon achieved moderate success as a Hollywood publicist, ad writer and Hollywood agent. Condon turned to writing in 1957. Employed by United Artists as an ad writer, he complained that he was wasting time in Hollywood and wanted to write a novel. Without Condon's knowledge, his boss, Max E. Youngstein, deducted money from his salary, then fired him after a year, returning the amount of money he had deducted in the form of a Mexican bank account and the key to a house overlooking the ocean in Mexico. Youngstein told him to write his book. His second novel, The Manchurian Candidate (1959), featured a dedication to Youngstein and was made into a successful film.

Basic theme throughout Condon's books

In Mile High, his eighth novel, one primarily about how a single spectacularly ruthless gangster named Eddie West imposes Prohibition upon an unwary populace, Condon sums up the theme of all his books in a single angry cri de coeur:
Prohibition fused the amateurism and catch-as-catch-can national tendencies of the early days of the republic with a more modern, highly organized lust for violence and the quick buck. It fused the need to massacre twelve hundred thousand American Indians and ten million American buffalo, the lynching bees, the draft riots, bread riots, gold riots and race riots, the constant wars, the largest rats in the biggest slums, boxing and football, the loudest music, the most strident and exploitative press with the entire wonderful promise of tomorrow and tomorrow, always dragging the great nation downward into greater violence and more unnecessary deaths, into newer and more positive celebration of nonlife, all so that the savage, simple-minded people might be educated into greater frenzies of understanding that power and money are the only desirable objects for this life.

"Manchurian Candidate"

Although not perhaps actually originated by Condon himself, his use of "the Manchurian Candidate" made that phrase a part of the English language. Frank Rich, for example, in his column in the "Sunday Opinion" of The New York Times of August 17, 2008, writes about Barack Obama with a reference to both a well-known actress and a well-known plot element (which he gets wrong) in the first movie version of Condon's 1959 book:

[Obama's] been done in by that ad with Britney [Spears] and Paris [Hilton] and a new international crisis that allows [John] McCain to again flex his Manchurian Candidate military cred. Let the neocons identify a new battleground for igniting World War III... and McCain gets with the program as if Angela Lansbury has just dealt him the Queen of Hearts.

"The fiction of information"

Condon's works are difficult to categorize precisely: A 1971 Time magazine review declared that, "Condon was never a satirist: he was a riot in a satire factory. He raged at Western civilization and every last one of its works. He decorticated the Third Reich, cheese fanciers, gossip columnists and the Hollywood star system with equal and total frenzy." The headline of his obituary in The New York Times called him a "political novelist", but went on to say that, "Novelist is too limited a word to encompass the world of Mr. Condon. He was also a visionary, a darkly comic conjurer, a student of American mythology and a master of conspiracy theories, as vividly demonstrated in 'The Manchurian Candidate'." Although his books combined many different elements, including occasional outright fantasy and science fiction, they were, above all, written to entertain the general public. He had, however, a genuine disdain, outrage, and even hatred for many of the mainstream political corruptions that he found so prevalent in American life. In a 1977 quotation, he said that:

...people are being manipulated, exploited, murdered by their servants, who have convinced these savage, simple-minded populations that they are their masters, and that it hurts the head, if one thinks. People accept servants as masters. My novels are merely entertaining persuasions to get the people to think in other categories.

With his long lists of absurd trivia and "mania for absolute details", Condon was, along with Ian Fleming, one of the early exemplars of those called by Pete Hamill in a New York Times review, "the practitioners of what might be called the New Novelism... Condon applies a dense web of facts to fiction.... There might really be two kinds of fiction: the fiction of sensibility and the fiction of information... As a practitioner of the fiction of information, no one else comes close to him."

Quirks and characteristics

Condon attacked his targets wholeheartedly but with a uniquely original style and wit that made almost any paragraph from one of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, playwright George Axelrod (The Seven Year Itch, Will Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote:
The arrival of a new novel by Richard Condon is like an invitation to a party.... the sheer gusto of the prose, the madness of his similes, the lunacy of his metaphors, his infectious, almost child-like joy in composing complex sentences that go bang at the end in the manner of exploding cigars is both exhilarating and as exhausting as any good party ought to be.

Metaphors and similes
From his 1975 novel, Money Is Love, comes a fine example of the "lunacy of his metaphors": "Mason took in enough cannabis smoke to allow a Lipan Apache manipulating a blanket over it to transmit the complete works of Tennyson."

The Manchurian Candidate offers:
The effects of the narcotics, techniques, and suggestions... achieved a result that approximated the impact an entire twenty-five-cent jar of F. W. Woolworth vanishing cream might have on vanishing an aircraft carrier of the Forrestal class when rubbed into the armor plate.

Lists and trivia
Condon was also enamored of long lists of detailed trivia that, while at least marginally pertinent to the subject at hand, are almost always an exercise in gleeful exaggeration and joyful spirits. In An Infinity of Mirrors, for instance, those in attendance of the funeral of a famous French actor and notable lover are delineated as:

Seven ballerinas of an amazing spectrum of ages were at graveside. Actresses of films, opera, music halls, the theatre, radio, carnivals, circuses, pantomimes, and lewd exhibitions mourned in the front line. There were also society leaders, lady scientists, women politicians, mannequins, couturières, Salvation Army lassies, all but one of his wives, a lady wrestler, a lady matador, twenty-three lady painters, four lady sculptors, a car-wash attendant, shopgirls, shoplifters, shoppers, and the shopped; a zoo assistant, two choir girls, a Métro attendant from the terminal at the Bois de Vincennes, four beauty-contest winners, a chambermaid; the mothers of children, the mothers of men, the grandmothers of children and the grandmothers of men; and the general less specialized, female public-at-large which had come from eleven European countries, women perhaps whom he had only pinched or kissed absent-mindedly while passing through his busy life. They attended twenty-eight hundred and seventy strong, plus eleven male friends of the deceased.

Writing about The Whisper of the Axe in the daily book review column of Friday, May 21, 1976, in the New York Times, Richard R. Lingeman praised the book in particular and Condon in general for the "extravagance of invention unique with him."

Not everyone was as exhilarated by Condon's antics, however. In a long Times Sunday review just two days after Lingeman's, Roger Sale excoriated Condon as a writer of "how-to books" in general, this book in particular, and Condon's habit of using lists: "A lot of it is done with numbers arbitrarily chosen to falsely simulate precision."

Real-life names in his books

All of Condon's books have, to an unknown degree, the names of real people in them as characters, generally very minor or peripheral. The most common, which appears in all of his books, is some variation of Franklin M. Heller. Among them are F.M. Heller, Frank Heller, Franz Heller, Marxie Heller, and F. Marx Heller. The real-life Heller was a television director in New York City in the 1950s, '60s, and 70s, who initially lived on Long Island and then moved to a house on Rockrimmon Road in Stamford, Connecticut.<ref>[http://www.dga.org/news/mag_archives/v22-4/frank_heller.htm Remembrance of Frank Heller," by Ira Skutch, at]</ref>  Beginning with Mile High in 1969, mentions of a Rockrimmon Road or Rockrimmon House also began to appear regularly in the novels. Late in life Heller grew a thick white beard and became a devotee of needlework—both traits that the fictional Hellers shared, sometimes to ludicrous effect, as when a battle-hardened Admiral Heller is depicted issuing orders while absorbed in needlework. The real-life Heller made one needlework depiction of the manor house in Ireland in which Condon was living at the time. In Prizzi's Honor, Marxie Heller is a mobster and murder victim; in Prizzi's Family, Franklin Heller is the mayor of New York City; in Prizzi's Glory, the Heller Administration is mentioned, implying that he is the president of the United States.

Condon was a great friend of actor Allan Melvin, having written a nightclub act for him. Condon later became a publicist for The Phil Silvers Show (Sgt. Bilko), on which Melvin played Cpl. Henshaw. Melvin's name shows up in several Condon books, most prominently as hitman Al (the Plumber) Melvini in Prizzi's Honor (a play on Melvin's "Al the Plumber" character in Liquid-Plumr commercials.)   In The Manchurian Candidate, with the exception of Marco, Shaw and Mavole, all of Marco's platoon members are named for the cast/crew of Bilko: (Nat) Hiken, (Maurice) Gosfield, (Jimmy) Little, (Phil) Silvers, (Allan) Melvin, (Mickey) Freeman and (Harvey) Lembeck.

In Prizzi's Honor, a New York City policeman named McCarry is mentioned once; the political thriller writer Charles McCarry was a friend of Condon's and, as a former operative of the CIA, was a occasional source of expertise in the field of espionage for Condon.

In a number of books a character named Keifetz appears, named apparently for Norman Keifetz, a New York City author who wrote a novel about a major league baseball player called The Sensation—that novel was dedicated to Condon.

A.H. Weiler, a film critic for The New York Times, was another friend of Condon's who made several fictional appearances, usually as Abraham Weiler but sometimes as a Dr. Abe Weiler.

In The Oldest Confession, a character has lunch in a Paris bistro and briefly meets two people playing chess at the bar, "Buchwald and Nolan, newspaper and airline peons respectively". Buchwald is certainly Art Buchwald, the celebrated newspaper columnist and humorist, who, at the time of the book's publication, was still working for The International Herald-Tribune, which was published in Paris, where Condon had also lived during the 1950s. The identity of Nolan, however, remains a mystery.

Career in films

For many years a Hollywood publicity man for Walt Disney and other studios, Condon took up writing relatively late in life and his first novel, The Oldest Confession, was not published until he was 43. The demands of his career with United Artists—promoting movies such as The Pride and the Passion and The King and Four Queens—led to a series of bleeding ulcers and a determination to do something else.

His next book, The Manchurian Candidate, combined all the elements that defined his works for the next 30 years: nefarious conspiracies, satire, black humor, outrage at political and financial corruption in the American scene, breath-taking elements from thrillers and spy fiction, horrific and grotesque violence, and an obsession with the minutiae of food, drink, and fast living. It quickly made him, for a few years at least, the center of a cult devoted to his works. As he rapidly produced more and more books with the same central themes, however, this following fell away and his critical reputation diminished. Still, over the next three decades Condon produced works that returned him to favor, both with the critics and the book-buying public, such as Mile High, Winter Kills, and the first of the Prizzi books, Prizzi's Honor.

Of his numerous books that were turned into Hollywood movies, The Manchurian Candidate was filmed twice. The first version, in 1962, which starred Frank Sinatra, Laurence Harvey, Janet Leigh, and Angela Lansbury, followed the book with great fidelity, and is now highly regarded as a glimpse into the mindset of its era. Janet Maslin, writing already over two decades ago, said in The New York Times In 1996 that it was "arguably the most chilling piece of cold war paranoia ever committed to film, yet by now it has developed a kind of innocence."

The Keener's Manual

Beginning with his first book, The Oldest Confession, Condon frequently prefaced his novels with excerpts of verse from a so-called Keener's Manual; these epigraphs foreshadowed the theme of the book or, in several instances, gave the book its title. The Keener's Manual, however, was a fictional invention by Condon and does not actually exist. A "keen" is a "lamentation for the dead uttered in a loud wailing voice or sometimes in a wordless cry"  and a "keener" is a professional mourner, usually a woman in Ireland, who "utters the keen... at a wake or funeral."

Five of Condon's first six books derived their titles from the fictional manual, the only exception being his most famous book, The Manchurian Candidate. The epigraph in The Manchurian Candidate, however, "I am you and you are me /and what have we done to each other?" is a recurring theme in earlier Condon's books: in various forms it also appears as dialog in both The Oldest Confession and Some Angry Angel. Among other epigraphs, the last line of "The riches I bring you /Crowding and shoving, /Are the envy of princes: /A talent for loving." is the title of Condon's fourth novel. His fifth and sixth novels, An Infinity of Mirrors and Any God Will Do, also derive their titles from excerpts of the manual.

Years later, Condon's 1988 novel Prizzi's Glory also had an epigraph from the manual, the first one in at least a dozen books.

Plagiarism charge

In 1998, a Californian software engineer noticed several paragraphs in The Manchurian Candidate that appeared nearly identical to portions of the celebrated 1934 novel I, Claudius by the English writer Robert Graves. She wrote about the apparent plagiarism on her website, but her discovery went unnoticed by most of the world until Adair Lara, a longtime San Francisco Chronicle staff writer, wrote a lengthy article about the accusation in 2003.  Reprinting the paragraphs in question, she also solicited the opinion of a British forensic linguist, who concluded that Condon had unquestionably plagiarized at least two paragraphs of Graves's work. By this time, however, more than seven years had passed since Condon's death, and Lara's article also failed to generate any literary interest outside the Chronicle.

In Some Angry Angel, the book that followed The Manchurian Candidate, Condon makes a direct reference to Graves. In a long, convoluted passage on page 25, Condon reflects on "mistresses" and their relationship—a peripheral one, to the reader—to Graves's writings about "Major Male" Deities and "Major Female" Deities. As Angel was published only a year after Candidate, there is no question, therefore, about Condon's familiarity with the works of Robert Graves.

Works
All novels except as noted:

 The Oldest Confession, Appleton-Century-Crofts, New York, 1958, Library of Congress Catalog Card Number: 58-8662; Longman, London, 1959, as The Happy Thieves The Manchurian Candidate, McGraw-Hill, New York, 1959, Library of Congress Catalog Card Number: 59-8533
 Some Angry Angel: A Mid-Century Faerie Tale, McGraw-Hill, New York, 1960, Library of Congress Catalog Card Number: 60-8826
 A Talent for Loving; or, The Great Cowboy Race, McGraw-Hill, New York, 1961, Library of Congress Catalog Card Number:61-10467; later made into the film version A Talent for Loving (1969) for which Condon himself wrote the script
 An Infinity of Mirrors, Random House, New York, 1964, Library of Congress Catalog Card Number: 64-17935
 Any God Will Do, Random House, New York, 1964, Library of Congress Catalog Card Number: 66-21462
 The Ecstasy Business, The Dial Press, New York, 1967, Library of Congress Catalog Card Number: 67-14467
 Mile High, The Dial Press, New York, 1969, Library of Congress Catalog Card Number: 77-80497
 The Vertical Smile (1971)
 Arigato (1972)
 The Mexican Stove (1973)—cookbook co-written with his daughter Wendy Bennett
 And Then We Moved to Rossenarra: or, The Art of Emigrating, The Dial Press, New York, 1973, PS3553.0487z5—memoir
 Winter Kills (1974)
 The Star-Spangled Crunch (1974)
 Money Is Love (1975)
 The Whisper of the Axe (1976)
 The Abandoned Woman (1977)
 Death of a Politician (1978)
 Bandicoot (1979)
 The Entwining (1981)
 Prizzi's Honor (1982)
 A Trembling upon Rome (1983)
 Prizzi's Family (1986)
 Prizzi's Glory (1988)
 Emperor of America (1990)
 The Final Addiction (1991)
 The Venerable Bead (1992)
 Prizzi's Money (1994)

Films adapted from Condon novels

 The Happy Thieves, from The Oldest Confession (1961)
 The Manchurian Candidate (1962)
 A Talent for Loving (1969)
 Winter Kills (1979)
 Prizzi's Honor (1985)
 The Manchurian Candidate (2004)

Articles
 "'Manchurian Candidate' in Dallas". The Nation'', December 28, 1963.

References

1915 births
1996 deaths
20th-century American male writers
20th-century American novelists
20th-century American screenwriters
American male novelists
Best Adapted Screenplay BAFTA Award winners
DeWitt Clinton High School alumni
Novelists from New York (state)
United States Merchant Mariners
Writers Guild of America Award winners

Richard Condon


An Eriocaulon palmeri in uska species han Liliopsida nga ginhulagway ni Wilhelm Willy Otto Eugen Ruhland. An Eriocaulon palmeri in nahilalakip ha genus nga Eriocaulon, ngan familia nga Eriocaulaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Eriocaulon

Eriocaulon palmeri


El término alférez puede hacer referencia a:

Grado Militar
 Alférez, grado inferior de la oficialidad militar en varias fuerzas armadas. En Venezuela se denomina Alférez al cadete del último año de carrera, en las Academias de formación de Oficiales.
 Alférez de navío es un grado militar de la Armada equivalente a teniente en otros ejércitos.
Alférez de fragata es un grado de oficial en la Armada.
Alférez provisional, durante la Guerra Civil Española en el bando sublevado.

Cargo Cortesano y Gubernamental
 Alférez real, cargo cortesano, empleado también en el cabildo indiano.
 Alférez mayor del pendón de la Divisa del rey. Cargo cortesano hereditario.
 Alférez mayor del pendón de la Orden de la Banda. Cargo hereditario dentro de la Orden de la Banda.
 Alferazgo Real de los Incas, Alferazgo Real de Naturales, o Alferazgo Real de Indios Nobles, tipos de alféreces reales pertenecientes a la nobleza indígena americana.

Cultura
 El alférez real fue una telenovela colombiana realizada por Punch.

Alférez (desambiguación)


Modern Talking'in 1985 senesinde çıkarmış olduğu 2. albümüdür.

Albüm çıkmadan kısa bir süre önce Modern Talking`in 3. albüme koyacağı "Brother Louie" nin kayıtları korsanlar tarafından ele geçirildiğinden, bazı ülkelerde Let`s Talk About Love albümü Brother Louie'nin extended ve instrumantal versiyonları eklenerek piyasaya sürülmüştür.

Albümde Yer alan Parçalar

1. Cheri, Cheri Lady
2. With A Little Love
3. Wild Wild Water
4. You're The Lady Of My Heart
5. Just Like An Angel
6. Heaven Will Know
7. Love Don't Live Here Anymore
8. Why Did You Do It Just Tonight
9. Don't Give Up
10.Let's Talk About Love

Modern Talking albümleri
1985 albümleri

Let's Talk About Love (Modern Talking albümü)


Fahilebo ist ein osttimoresischer Suco im Verwaltungsamt Bazartete (Gemeinde Liquiçá).

Geographie

Der Suco liegt im Süden des Verwaltungsamts. Westlich liegt der Suco Leorema, nordwestlich der Suco Fatumasi, nördlich der Suco Motaulun und östlich der Suco Ulmera. Im Süden grenzt Fahilebo an das zur Gemeinde Ermera gehörende Verwaltungsamt Railaco mit seinem Suco Liho. Die südliche Grenze bildet der Fluss Ermela, der an der Grenze zu Ermera seinen Namen ändert in Anggou und ein Quellfluss des Comoro ist. Im Grenzgebiet zu Fatumasi entspringt der Failebo, der nach Norden entlang der Grenze abfließt. Der Suco Fahilebo hat eine Fläche von 20,00 km² und teilt sich in die drei Aldeias Fatuneso, Tuhilo Craic (Tuhilu Craic, "Unter-Tuhilu") und Tuhilo Leten (Tuhilu Leten, "Ober-Tuhilu").

Im Nordwesten liegt das Dorf Tuhilo Craic, im Südwesten das Dorf Tuhilo Leten und nah dem Zentrum Suco das Dorf Fatuneso. In Fatuneso befinden sich der Sitz des Sucos, eine Grundschule, ein provisorischer Hubschrauberlandeplatz und ein Hospital sowie das "Haus der Riten" (Uma Lisan) von Ligime.

Zu den Parlamentswahlen in Osttimor 2007 fehlten noch größere Straßen, die den Suco an die Außenwelt anschließen. So mussten die Wahlurnen mit Pferden und Trägern zum Wahllokal in der Grundschule gebracht und wieder abgeholt werden.

Einwohner
In Fahilebo leben 1.792 Einwohner (2022), davon sind 954 Männer und 838 Frauen. Im Suco gibt es 282 Haushalte. Über 87 % der Einwohner geben Mambai als ihre Muttersprache an. Über 9 % sprechen Tetum Prasa, Minderheiten Tetum Terik, Idalaka, Isní, Sa'ane und Tokodede. Bei den Wahlen 2016 gewann Marcelino da Cruz.

Politik
Bei den Wahlen von 2004/2005 wurde Felismino Babo dos Santos zum Chefe de Suco gewählt und 2009 in seinem Amt bestätigt.

Weblinks

 Ergebnisse des Zensus 2010 für den Suco Fahilebo (tetum; PDF; 8,2 MB)
 Ergebnisse des Zensus 2015 für den Suco Fahilebo (tetum; PDF)
 Seeds of Life: Suco information sheets Bazartete (tetum)

Einzelnachweise

Suco in Liquiçá (Gemeinde)
Bazartete (Verwaltungsamt)

Fahilebo


Os torneios de Tênis de mesa nos Jogos Olímpicos de Verão de 2024 em Paris, na França estão programados para acontecerem entre os dias 27 de julho a 10 de agosto no Paris Expo Porte de Versailles. Um total de 172 mesatenistas, com distribuição equitativa entre homens e mulheres, vão disputar cinco medalhas (duas por gênero e uma mista) nestes Jogos, mesma quantidade das edições anteriores. Após um grande sucesso em Tóquio 2020, o torneio de duplas mistas permanece no programa de tênis de mesa pela segunda vez nas Olimpíadas.

Qualificação

172 vagas de tênis de mesa, com divisão igual entre homens e mulheres, estão disponíveis para Paris 2024; Os CONs podem inscrever no máximo seis jogadores em cinco eventos de medalhas (individuais masculino e feminino; equipes masculinas e femininas e duplas mistas) com um máximo de dois cada para individual masculino e feminino. A nação sede, França, reserva uma vaga direta para cada uma nas equipes masculina e feminina, respectivamente, com uma por gênero competindo no torneio individual; e nas duplas mistas (anteriormente inauguradas em Tóquio 2020).

Cada evento de equipe apresenta um sorteio de dezesseis CONs com um trio de jogadores de tênis de mesa. A metade inicial das vagas totais será concedida aos jogadores das quartas de final no Campeonato Mundial de Equipes da ITTF 2024, agendado para 16 a 25 de fevereiro em Busan, Coreia do Sul, enquanto seis torneios continentais de qualificação (África, Ásia, Europa e Oceania, com o Américas divididas entre Norte e América Latina para uma competição da ITTF) oferecerá a vaga de equipe masculina e feminina para o CON mais bem classificado de um respectivo continente. Além da nação sede, a vaga restante será atribuída ao CON elegível com a classificação mais alta, com base na lista de Ranking Mundial de Equipes da ITTF de março de 2024.

O torneio de duplas mistas divide o mesmo valor com as equipes, composto por dezesseis CONs com uma dupla de tenistas de mesa. O quarto inicial das vagas totais será concedido aos semifinalistas das competições classificatórias designadas, agendado para março ou abril de 2024, enquanto seis torneios classificatórios continentais (África, Ásia, Europa e Oceania, com as Américas divididas entre Norte e Latina para uma competição da ITTF) oferecerá a vaga de duplas mistas para o CON mais bem classificado de um respectivo continente. Além da nação sede, os cinco pares elegíveis mais bem classificados obterão as vagas restantes para completar o campo com base na lista do Ranking Mundial da ITTF de 7 de maio de 2024.

No individual masculino e no feminino podem participar cerca de 70 mesatenistas, dependendo do número de vagas disponíveis após a distribuição da cota de duplas mistas. Cada CON pode inscrever no máximo quatro atletas (dois por gênero). Trinta e duas vagas estão reservadas para cada uma das equipes masculinas e femininas qualificadas, com mais vinte e duas atribuídas aos indivíduos vindos de CONs sem equipe qualificada através dos encontros continentais organizados pela ITTF (quatro para a África, seis para a Ásia e seis para a Europa , cinco para as Américas e um para a Oceania). Um máximo de quinze jogadores de tênis de mesa garantirá uma vaga na lista do Ranking Mundial de Simples da ITTF de 18 de junho de 2024, respeitando o limite de CON de quatro jogadores (dois por gênero), enquanto as vagas individuais restantes masculinas e femininas têm direito ao elegível Os CONs interessados em ter seus jogadores de tênis de mesa competindo em Paris 2024 sob o sistema de Universalidade.

Calendário

Resumo de medalhas

Tabela de Medalhas

Medalhistas

Ver Também

 Tênis de mesa nos Jogos Asiáticos de 2022
 Tênis de mesa nos Jogos Europeus de 2023
 Tênis de mesa nos Jogos Pan-Americanos de 2023

Ligações externas

  – ITTF

Tênis de mesa nos Jogos Olímpicos


Tablica

Izvori

 Stjepan Kaurić - Nogometni klub Duga Resa 1929. – 2009., Duga Resa 2009.,  (nepotpuna tablica)
 Juraj Katalinić: Nogometni klub  "Ogulin" 1932. – 2012., Ogulin, 2012.
 NK Kupa Donje Mekušje: natjecanja

2004-05
karlovačka-1

1. ŽNL Karlovačka 2004./05.


චලන සැලසුම් කරණය යනු චිත්‍රපට, වීඩියෝ හෝ පරිගණක සජිවිකරණ වැනි චලන රූප සදහා අයත් වන රූප සැලසුම් කරණ කලාවයි. මේ සදහා උදාහරණ ලෙස චිත්‍රපටයක ආරම්භයේ දැකිය හැකි අක්ෂරමය හෝ රූපමය නිර්මාණ, රූපවාහිණිය සදහා වන වැඩ සටහන් ඇරම්භක සැලසුම් හෝ වෙළද දැන්වීමක් අවසානයේ දැකිය හැකි භ්‍රමණය වන ත්‍රිමාණ ලාංඡණය දැක්විය හැකිය. මෙම කලා ක්ෂේත්‍රය දශක ගණනාවක පටන් පැවතුන නමුත් නූතන වසර කිහිපය තුළ එය අති දැවැන්ත ලෙස වර්ධනයවී ඇත. ඔබ වැඩි වශයෙන් රූපවාහිණි නරඹන්නේ නම් හෝ චිත්‍රපට නරඹන්නේ නම් ඒවායේ අඩංගු වන රූපමය නිමැවුම්, අක්ෂර නිර්මාණ සහ දෘෂ්‍ය ප්‍රයෝග  ක්‍රමක් ක්‍රමයෙන් වඩාත් අලංකාර සහ සංකිර්ණ තත්ත්වයට පත්ව ඇති බව ඔබට දැක ගත හැක. මෙම කලා ක්ෂේත්‍රයෙහි වේගවත් සංවර්ධනයට ප්‍රධාන හේතුව වුයේ තාක්ෂණික දියුණුව වෙයි. චිත්‍රපට සහ වී ඩියෝ කර්මාන්තය සදහා නිර්මාණය කල පරිගණක මෘදුකාංග ක්‍රමක් ක්‍රමයෙන් වඩාත් ප්‍රබල තත්ත්වයට පත්ව ඇති අතර ඒවා ලබා ගැනීමද වඩාත් පහසු වී ඇත. චලන රූප සැලසුම් කරුවන් විසින් වඩාත් වැඩි වහයෙන් භාවිත කරන මෘදු කාංගය ලෙස බොහෝ විට Adobe After Effects මෘදු කාංගය හදුනාගත හැක. එමගින් කාලානුරූපව රූප නිර්මාණය හා ඒවා වෙනස් කිරීම කල හැක. Adobe After Effects මෘදු කාංගය ඇතැම් විට ඉංග්‍රීසි බසින් "Photoshop for film" ලෙසද හැදින්වෙයි. චලන රූප සැලසුම් කරන මෘදුකාංග වෙළද පොළ‍ට අලුතින් එක්වු මෘදුකාංගයකි ඇපල් පරිගණක සමාගමේ Motion පර්ගණක වැඩ සටහන. මෙම වැඩ සටහන ඉතා ලාභදායි එමෙන්ම භාවිත කිරීමට පහසු මෘදුකාංගයක් වන අතර ඒ භාවිතයත් සමග චලන රූප සැලසුම් කරුවන් සංඛ්‍යාව විහාල වශයෙන් ඉහළ යනු ඇතැයි අපේක්ෂා කෙරේ. සාමාන්‍යයෙන් චලන සැලසුම් කරුවෙකු යනු සාම්ප්‍රදායික රූප සැලසුම් කරණය පිලිබද පුහුණුව ලැබු තමන් උගත් දෙයට කාලය, ශබ්දය හා අවකාශය පිලිබද අංග අන්තර්ගත කිරීමට උගත් පුද්ගලයෙක් වේ. චිතුපට නිර්මාපක හෝ සජිවි කරණ පසුබිම් සහිතවද චලන සැලසුම් කරුවන් බිහිවිය හැක

චලන රූප සැලසුම් කරණය


St. Jakobus ist die römisch-katholische Pfarrkirche des zu Stegen gehörenden Dorfes Eschbach. Die Pfarrgemeinde gehört zur Seelsorgeeinheit Dreisamtal des Dekanats Neustadt. Die Geschichte der Pfarrei hat Wilhelm Gustenhofen (1832–1908) geschrieben, Pfarrer in Eschbach von 1880 bis 1908, und auf der Grundlage von dessen unpublizierter Chronik Josef Läufer, Pfarrer in Eschbach von 1982 bis 1994.

Geschichte bis 1775

Das Dorf Eschbach feiert im Jahr 2012 sein 900-jähriges Bestehen. Es wird zum ersten Mal im Rotulus Sanpetrinus erwähnt, einem im 12. und 13. Jahrhundert entstandenen Güterverzeichnis des Klosters St. Peter auf dem Schwarzwald. Ob allerdings "Acelinisbach" in einer "VI kalendas Ianuarii, id est in natiuitate sancti Iohannis Euangeliste, Anno dominice incarnationis MCXII" – das ist am 27. Dezember 1111 – datierten Urkunde das Dorf Eschbach meint, ist unsicher. Sicher ist das bei "molendinum unum in Asschebach, quod X solidos annuatim soluit", "einer Mühle in Eschbach, die jährlich 10 Schillinge einbringt" und über die Eppo, Abt des Klosters von 1108 bis 1132, verfügte. Das für das Jubiläum angenommene Gründungsjahr 1112 rührt vermutlich von dem Anno Domini MCXII der Nennung von "Acelinisbach" her, einem Jahr, das auf 1111 umzurechnen ist. Jedenfalls siedelten Menschen hier zu Beginn des 12. Jahrhunderts.

Das Dorf besaß eine Jakobuskapelle, die Abt Philipp Jakob Steyrer in seinem Corpus Iuris Sanct-Petrini 1754 "sacellum antiquissimum" nennt, uralt. Ihr Ursprung sei unbekannt. Abt Gallus (1585–1597) habe sie 1585 gründlich restaurieren und dabei ein in Stein gemeißeltes Jakobusbild über der Tür anbringen lassen mit seinem Wappen und der Inschrift: "Sacellum hoc renovari curavit R. D. Gallus Abbas Mon. S. Petri. Nemo transeat quin munus offerat" – "Diese Kapelle ließ der hochwürdige Abt Gallus vom Kloster St. Peter neu herstellen. Niemand gehe vorüber, ohne ein Opfer zu bringen." Das Relief befindet sich heute außen über der südlichen Seitentür der Pfarrkirche. Unter der von Steyrer zitierten Schrift steht: "ORA PRO NOBIS S. JACOBE."

Zur Zeit Steyrers war die Kapelle wieder baufällig. Der tatkräftige Abt ließ sie 1758, als er den Neubau des Klosterkonvents beendet hatte, abreißen und durch den zur Auer Zunft gehörenden Klosterarchitekten Hans Willam neu errichten. Der Rohbau stand nach elf Wochen, doch erfolgte die Konsekration erst am 30. August 1775. Der Konstanzer Weihbischof Baron von Hornstein weihte tags darauf die Wallfahrtskapelle auf dem Lindenberg in St. Peter (Hochschwarzwald) und noch einmal zehn Tage später die Pfarrkirche St. Nikolaus in Waldau, beide ebenfalls Werke von Hans Willam. Nachdem Eschbach seine eigene Pfarrkirche erhalten hatte, wurde die Kapelle Schule. Heute steht dort ein Wohnhaus, Mitteltal 33. Ein Torbogen, bezeichnet "1727 renofert", blieb von der Vergangenheit.

Die Lindenbergkapelle wird Pfarrkirche in Eschbach
Drastisch griff die Kirchenreform Kaiser Josephs II. in das religiöse Leben des nördlichen Dreisamtals ein. Die Klöster, der "Verfinsterung des Geistes" verdächtigt, sollten beschnitten, "unnütze" Wallfahrtskapellen aufgehoben, dafür neue Pfarreien errichtet werden. Bisher gehörte Eschbach zur Großpfarrei St. Gallus (Kirchzarten), wenn die Bewohner auch von Patres des Klosters St. Peter betreut wurden.
Die Gemeinde wünschte aber eine eigene Pfarrei und wandte sich deswegen wiederholt an die vorderösterreichische Regierung. Man erwog einen Standort in Stegen, wo es eine Sebastianskapelle gab, wählte aber schließlich Eschbach. Zum Ausgleich für die neue Pfarrkirche sollte gemäß einem Angebot des Grafen Heinrich Hermann von Kageneck (1738–1790) die auf seinem Grund stehende Lindenbergkapelle aufgegeben werden. Ein Regierungsdekret vom 30. Dezember 1786 bestimmte deren Abbruch und die Nutzung des Abrissmaterials zum Neubau von Pfarrkirche und Pfarrhaus in Eschbach. Der inzwischen 72-jährige Abt Steyrer musste zustimmen. Am 15. März 1787 wurde das Gnadenbild aus der Lindenbergkapelle in die Kapelle St. Ursula in St. Peter übertragen und anschließend der Abbruch begonnen. "Mit vieler Mühe schaffte man das taugliche Material den Berg herunter nach Eschbach. Vorher zeichneten die Handwerksleute, Steinhauer und Maurer, die verwendbaren Steine, Platten so mit Nummern, welche heute noch sichtbar sind, um sie nach den Nummern wieder leichter zusammensetzen zu können; so insbesondere die Altartreppen, den Bodenbelag mit Platten und die Hausteine, welche am Portal zur Fazete benützt werden konnten."

Um den Bauplatz, die Größe des Pfarrhauses und die Frondienste kam es zwischen dem Kloster und der Gemeinde zum Streit. Trotzdem wurde am 17. April 1788 auf dem von Abt Steyrer gewünschten Platz der Grundstein gelegt. Bauleiter war Josef Bilgeri (* 1740), auch er aus der Auer Zunft. Sein Name und die Namen der St. Petrischen Ordensleute, nämlich von Abt, 24 Patres und zwei Laienbrüdern, wurden auf eine dem Grundstein eingelegte Bleiplatte graviert – es war der höchste Konventualenbestand, den St. Peter jemals hatte. Am 15. Oktober 1789 entschied ein kaiserliches Hofdekret, dass das Kloster der Gemeinde die durch die Platzwahl und die Größe des Pfarrhauses entstandenen Mehrkosten erstatten musste.

Wie einen Teil des Rohbaumaterials lieferte die Lindenbergkapelle auch die Altäre und die Kanzel Matthias Fallers, die Kirchenbänke und die Beichtstühle. Georg Saums Deckengemälde in der Lindenbergkapelle waren allerdings verloren. Steyrer beauftragte Simon Göser, der im Kloster zu seiner Zufriedenheit gewirkt hatte. In Gustenhofers Worten: "Der Abt Phil. Jak. Steyrer ließ die Pfarrkirche, wie zur Sühne für die der Muttergottes angethane Schmach, an Wänden und Decken mit Bildern bemalen, welche alle auf die Ehre und Verherrlichung der Mutter des göttlichen Sohnes abziehlen." Göser, dem sein Sohn half, benötigte 36,5 Wochen. Am 8. September 1790, dem Fest Mariä Geburt, wurde das Gnadenbild aus der St. Peterschen Ursulakapelle feierlich in die Eschbacher Kirche getragen.

Am 1. August 1790 begann laut Verkündbuch das eigenständige pfarrliche Leben in Eschbach. Erster Pfarrer (bis 1799) wurde Franz Steyrer (1749–1831), Neffe Abt Steyrers und Mönch von St. Peter. Im Jahr 1990 konnte daher die Pfarrei – eindeutiger als 2012 die Gemeinde ihr 900-jähriges Jubiläum – ihr 200-jähriges Jubiläum begehen.

Renovierungen erfolgten 1887–1888, 1921, 1960–1968 und 1988–1990. Die Fresken und Altargemälde verdanken ihr heutiges Aussehen der Restaurierung von 1967. "Im Langhaus ist die beschränkte, aber sehr farbige Palette von Göser dank der auch technisch hervorragenden Fresken unverändert erhalten gewesen und wieder zur Geltung gebracht worden. ... Die Bilder des Hauptaltars und der Seitenaltäre erhielten nach Entfernung der nachgedunkelten Firnisschicht ihre frühere Farbigkeit wieder."

Gebäude
Die Kirche, direkt am Eschbach gelegen, ist ein Saal mit eingezogenem, dreiseitig geschlossenem Chor, 35 × 11 Meter, und einer flachen Decke über einer Hohlkehle. Statt vier wie die Lindenbergkapelle hat sie fünf Fensterachsen im Schiff. Philipp Jakob Steyrer hatte sie sich mit zwei Türmen beidseits des Chores gedacht, doch blieb es bei einem Dachreiter. Nördlich ist die Sakristei und das zweiflügelige, zweistöckige Pfarrhaus angebaut, "mit etwa zehn zu Zimmern benützbaren Räumen, mit einem guten, geräumigen Gewölbekeller und mehreren Nebengebäuden. Vermutlich dachte der Abt an ein Ausweichquartier für Katastrophenzeiten." Die Westfassade mit rundbogigem Portal besteht aus unverputztem Sandsteinquadermauerwerk. Viele Steine tragen die beim Abbruch eingemeißelten Zeichen zur leichteren Wiedernutzung; dasselbe gilt für die Bodenplatten in der Sakristei und dem anschließenden Verbindungsgang zum Pfarrhaus. Um den Vorplatz der Kirche stehen das ehemalige Schulhaus, das Haus der Gemeindeverwaltung und das ehemalige Schwesternhaus.

Ausstattung

Den Eindruck im Inneren bestimmen die Werke Matthias Fallers und Simon Gösers.

Altäre, Kanzel und Pietà
Von Faller stammen die Schnitzarbeiten des Hochaltars, eines Säulenaltars, der beiden Seitenaltäre mit nach innen eingebogenen Seiten und der Kanzel, alle reich geschmückt mit Rocaillen und Putten. Der Kreuzaltar ist eine Nachbildung von Fallers 1887 entferntem Original.

Auf dem Hochaltartabernakel umwindet ein Dornenkranz das Heiligste Herz Jesu, aus dem ein Kreuz wächst, so wie in Fallers Predella des rechten Seitenaltars im Kloster St. Märgen. Darüber steht auf Wolken die Wallfahrtsmadonna, im Jahr 2009 restauriert. Sie wird dem Bartholomaeus Winterhalder zugeschrieben. Auf Konsolen stehen links der heilige Gallus mit dem Bären, der ihm Holz bringt, rechts der heilige Ulrich von Zell, wie er einen gelähmten Knaben heilt. Diese beiden Figuren Fallers stammen aus der ehemaligen Jakobuskapelle.

Der linke Seitenaltar zeigt über Reliquiaren Gösers Bild der Maria als Kind mit ihren Eltern Joachim und Anna, im Oberbild die heilige Barbara von Nikomedien. Der rechte Seitenaltar zeigt in enger Entsprechung über Reliquiaren die Heilige Familie in der Darstellung des Heiligen Wandels, im Oberbild den heiligen Sebastian – alles "Göserblätter in sehr geschickter und feiner Ausarbeitung ... im alten Göserschen Farbenschmelz".

Faller schnitzte auch die Pietà an der Nordwand des Kirchenschiffs, eine klare Dreieckskomposition. "Durch die ausgebreiteten Arme schwingt im toten Heiland ein Nachklang der Kreuzigung mit. Jesus wird nicht in kindlicher Verkleinerung, sondern als groß gewachsene Figur gezeigt. Er ist nach vorn gewendet und die Gruppe ganz zum Betrachter geöffnet. Verhaltener, wehmütiger, gebändigter Schmerz bestimmt Haltung und Antlitz der Mutter, sie ist hier nicht die vom Gram Überwältigte, sondern die würdig Trauernde, die dem Gläubigen den Erlöser präsentiert."

Gösers Fresken
Göser malte 14 Fensterumrandungen, dazu ein perspektivisch täuschendes Scheinfenster im Chor. Die Rahmen der Fresken täuschen Stuckprofile vor. Mit wenigen Ausnahmen – dem "PH[ilippus].I[acobus].A[bbas].S[ancti].P[etri]. MDCCXC" unterschriebenen Wappen Steyrers am Chorbogen (Grundriss 25) und der Taufe Jesu über dem Taufbecken im Chor (Südwand, Grundriss 14) – beziehen sich die Fresken auf Maria. Hermann Ginter, der die grundlegende Biographie Gösers und das grundlegende Werkverzeichnis schrieb, vermisst die koloristische Pracht früherer Werke und sieht ein Erlahmen von Gösers Kraft; doch kannte er die Bilder nur vor der 1967er Restaurierung.

Elf Fresken zeigen das Marienleben:

 Mariä Geburt (Decke nah der Südwand, Grundriss 1). Auf hohen Stufen steht das Bett der Mutter Anna, während unten das Bad für das Neugeborene gerichtet und ein Leintuch am Herdfeuer erwärmt wird.
 Mariä Tempelgang oder Opferung (Schiff-Südwand, Grundriss 3). Nach dem Protoevangelium des Jakobus, das auch zum ersten Mal Joachim und Anna als Eltern nennt, wurde die dreijährige Maria von ihren Eltern dem Dienst im Tempel zu Jerusalem geweiht. Maria steigt Stufen hinauf zum Hohen Priester, während unten Joachim und Anna in einem Käfig zwei Tauben als Opfer bringen.
 Mariä Vermählung mit Josef (Schiff-Nordwand, Grundriss 4). Josef steckt vor dem Hohen Priester einen Ring an Marias kleinen Finger, während oben die Taube des Heiligen Geistes schwebt.
 Verkündigung des Herrn (Schiff-Südwand, Grundriss 5). Maria kniet an einem Lesepult mit aufgeschlagenem Buch, während sich der Engel mit einer Lilie in der Hand auf einer Wolke ihr nähert und oben wieder die Taube schwebt. Maria trägt die Züge der Marie-Antoinette, "die auf ihrer Brautfahrt nach Paris (vom 4. bis 6. Mai 1770) in Freiburg Station machte und für die der lange Hals typisch war."

 Mariä Heimsuchung (Chor-Nordwand, Grundriss 6). Perspektivisch geschickt wie das Scheinfenster daneben zeigt das Bild, wie Maria die Stufen zu Elisabet emporschreitet, die sie an der offenen Tür ihres Hauses empfängt.
 Das Weihnachtsbild (Decke nah der Nordwand, Grundriss 10). Um Maria, das Kind und Josef sind fünf Personen versammelt, zwei weitere treten von links hinzu. Ein Mann bringt ein Schaf, eine Frau einen Hahn. Vorn liegt eine Hirtenschippe, dahinter liegen vier Eier in einem Hut – mit Ochs und Esel ein ortstypisches Ambiente. Personen eines benachbarten Hofes haben Modell gestanden.
 Darstellung des Herrn (Schiff-Nordwand, Grundriss 11). Die Szene beruht auf der Erzählung im Lukasevangelium . Maria und Josef, der einen Käfig mit zwei Tauben in der Hand trägt, kommen zum Reinigungsopfer in den Jerusalemer Tempel und übergeben ihr Kind Gott. Der greise Simeon trägt das Kind auf einem Tuch. Er wird nun seinen Lob- und Sterbegesang Nunc dimittis anstimmen. Hinter ihm steht die Prophetin Hanna .
 Flucht nach Ägypten (Schiff-Südwand, Grundriss 13). Für Ginter ist es "ein sehr anmutiges Bild. Gemächlich trabt der gute Esel einher, von St. Joseph geführt, während die Madonna auf ihm sitzt und den Kopf mit einem großen, schattenspendenden Strohhut bedeckt hat."

 Der Tod Mariens (westliches großes Deckenbild, Grundriss 7). Auf einem Podest über Stufen steht das Sterbebett, darum die trauernden Apostel. Oben erscheinen Jesus, dessen Kreuz ein Engel hält, und Josef mit einer Lilie in der Hand, darum Engelsköpfchen.
 Mariä Aufnahme in den Himmel (mittleres großes Deckenbild, Grundriss 8). Die Apostel stehen oder knien um den Sarkophag, einer ist vor ihm niedergestürzt, einer hält das Leichentuch. Maria, schon in einem Wolkenring, entschwebt von Engeln umgeben nach oben. Dies Bild hat Göser als einziges signiert und 1790 datiert. Es zeigt nach Ginter "nicht mehr die geschickt und straff disponierende Hand, wie sie im Fürstensaal zu St. Peter sich äußert."
 Die Krönung Mariens (großes Deckenbild im Chor, Grundriss 9). Gottvater und Jesus krönen die auf Wolken thronende Maria, während über der Gruppe die Taube des Heiligen Geistes schwebt. Auch dieses Bild ist für Ginter "etwas flach".

Acht Grisaille-Fresken, die Eckbilder an der Decke, zeigen Mariensymbole aus der Lauretanischen Litanei:

 Vas insigne devotionis, vortreffliches Gefäß der Andacht (nordwestliche Chorecke, Grundriss 21), ein Weihrauchfass.
 Vas honorabile, ehrwürdiges Gefäß (nordöstliche Chorecke, Grundriss 23), ein Kelch mit einer Hostie.
 Stella matutina, Morgenstern (südöstliche Chorecke, Grundriss 24), ein Stern über einer Waldlichtung mit einem springenden Hund.
 Rosa mystica, geheimnisvolle Rose (südwestliche Chorecke, Grundriss 22), ein Rosenstock in einem Topf.
 Foederis arca, Bundeslade (nordöstliche Ecke des Schiffs, Grundriss 19), die Bundeslade mit Tragestangen im Inneren des Doms des Klosters St. Blasien im Schwarzwald.
 Ianua coeli, Pforte des Himmels (südöstliche Ecke des Schiffs, Grundriss 20), ein rundbogiges offenes Tor, hinter dem das Auge Gottes aufstrahlt.
 Turris Davidica, Turm Davids (südwestliche Ecke des Schiffs, über der Orgelempore, Grundriss 18), "Stück einer Festung mit Harfe, Schwert, Schild, Panzer, Turm, den eine Lanze mit dem aufgespießten Kopf Goliats überragt".
 Salus infirmorum, Heil der Kranken (nordwestliche Ecke des Schiffs, über der Orgelempore, Grundriss 17), ein Blick in eine barocke Apotheke mit Standgefäßen, Mörser und Pistill, wie ihn Göser – wenn die Zuschreibung stimmt – auch in Zusammenhang mit dem Freiburger Totentanz über das Fenster rechts des Eingangs zur St. Michaelskapelle auf dem Alten Friedhof in Freiburg malte.

Drei weitere Fresken zeigen
 Die Gründungslegende der Lindenberg-Wallfahrt (Chor-Südwand, Grundriss 15). Maria erscheint einem Bauern, gibt ihm ein kleines Kreuz und beauftragt ihn, eine größere Kapelle zu bauen.
 Taufe Jesu (Chor-Südwand, Grundriss 14). Eine lebendige Szene mit dem Jordan, in dem Jesus steht, während Johannes der Täufer ihm aus einer Schale Wasser über den Kopf gießt und in einem Strahlenkranz die Geisttaube herabfliegt.

 Wappen Philipp Jakob Steyrers (am Chorbogen, Grundriss 25). Es zeigt im linken (heraldisch rechten) Schild das Wappen der Abtei, darin die gekreuzten Petrusschlüssel für das Kloster selbst, ein Geier für den Weiler Geiersnest, heute zu Bollschweil gehörend, zwei silberne Balken für das Priorat St. Ulrich im Schwarzwald, ein Kreuz auf einem Stern für das Priorat Sölden. Der rechte (heraldisch linke) Schild ist das persönliche Wappen Steyrers mit Hirschgeweihen und rot-silbern-schwarzen Bändern.

Sonstige Ausstattung

Nicht von Faller sind die Madonna mit Kind links und der heilige Jakobus rechts auf Konsolen am Chorbogen. Nicht von ihm sind auch das Kreuz am Chorbogen, ein Werk von etwa 1500, das Pfarrer Gustenhofer 1901 im Kunsthandel erwarb, und der Beichtstuhl, den um 1770 Bruder Egidius Butsch (1725–1785) vom Kloster Ettenheimmünster schnitzte. Der Kreuzweg stammt aus dem Jahr 1819. Auf der Mitte der Brüstung zeigt ein Gemälde Gösers, wie Maria mit dem Kinde dem heiligen Simon Stock ein Skapulier und dem heiligen Dominikus einen Rosenkranz übergibt.

Orgel
Das Instrument wurde 1873 von Johann Heinrich Schäfer aus Heilbronn mit mechanischen Kegelladen und freistehendem Spieltisch erbaut. Verteilt auf zwei Manuale und Pedal besitzt die Orgel zwölf Register. Sie zählt zu den wenigen original erhaltenen Werken aus jener Zeit und stellt klanglich sowie technisch ein wertvolles Zeitdokument des romantischen Orgelbaus dar.

 Koppeln: II/I, I/P

Glocken
Im Dachreiter über dem vorderen Teil der Kirche sind vier Glocken untergebracht, die 1958 von Friedrich Wilhelm Schilling aus Heidelberg gegossen wurden.

Ein elektromechanisches Uhrwerk sorgt für den Uhrschlag, in den alle vier Glocken eingebunden sind: Glocke eins schlägt die vollen Stunden, die übrigen sorgen für den Viertelstundenschlag. Ferner treibt das Uhrwerk die Zeiger auf den beiden Zifferblättern, die am Dachreiter angebracht sind.

Literatur
 Hermann Ginter: Südwestdeutsche Kirchenmalerei des Barock. Dr. Benno Filser Verlag, Augsburg 1929.
 Franz Kern: Philipp Jakob Steyrer, 1749–1795 Abt des Benediktinerklosters St. Peter im Schwarzwald. In: Freiburger Diözesan-Archiv. Band 79, 1959, S. 1–234 (online) (PDF; 17,3 MB)
 Josef Läufer: St. Jakobus Eschbach. Herausgegeben von der Pfarrgemeinde St. Jakobus, Eschbach 1990.
 Dagmar Zimdars: Handbuch der Deutschen Kunstdenkmäler, Baden-Württemberg II, Die Regierungsbezirke Freiburg und Tübingen. Deutscher Kunstverlag, Berlin 1997, ISBN 3-422-03030-1, S. 183.

Weblinks

 Webseite der Pfarrgemeinde St. Jakobus Digitalisat. Abgerufen am 6. Februar 2016.

Einzelnachweise

Eschbach
Stegen, Jakobus
Stegen, Jakobus
Stegen, Jakobus
Stegen, Jakobus
Jakobus
Stegen
Kirchengebäude in Europa
Kulturdenkmal im Landkreis Breisgau-Hochschwarzwald

St. Jakobus (Stegen-Eschbach)


Events from the year 1781 in Canada.

Incumbents
Monarch: George III

Governors
Governor of the Province of Quebec: Frederick Haldimand
Governor of Nova Scotia:
Commodore-Governor of Newfoundland: John Byron
Governor of St. John's Island: Walter Patterson

Events
 February 2 – Ethan Allen receives a further proposal from Col. Robinson; but sends both to Congress, with a request for the recognition of Vermont. Premising loyalty to Congress, he maintains that Vermont may properly treat with Great Britain, to prevent being subjected to another State, by the authority of a Government which Vermonters have helped to establish.
 April – Ira Allen is sent to Canada to arrange an exchange of prisoners.
 May 1 – Receiving proposals for Vermont's independence, Col. Ira Allen temporizes to prevent invasion and enable the farmers to sow seed for another crop.
 August 20 – As a condition of Vermont's admission to the Union, Congress fixes boundaries which offend both Vermont and New York.
 George Washington asks Governor Chittenden whether Vermont chooses to be a Province or in the Union.
 September – British proposals to Vermont include a Legislature of two branches.
 October 19 – Vermont declines Congress' terms.
 November 14 – Governor Chittenden answers General Washington that, notwithstanding Vermont's interest in the common cause, the people would rather join British Canadians than be subject to New York.
 December 18 – Troops sent from New York, to coerce New Hampshire grantees, learn that they will defend their rights.
 American independence is assured by the British surrender at Yorktown. Gen. George Washington leads the Colonial army against the British.
 By the Articles of Confederation, Congress controls the western lands.

Historical documents

American Revolutionary War
"Rebellion [is] so severely felt by many of His Majesty's well-disposed Subjects in the Neighbouring Colonies, [but we] live in Canada undisturbed"

Papers captured with Henry Laurens include plans for two U.S.-French invasions: one against Newfoundland and Halifax, and one into Canada in winter

"So near to Canada and the only land passage into it" - U.S. commander on upper Connecticut River says his sector is in greatest need of defence

Captured correspondence supposedly for Gov. Haldimand from British agent(s) in Albany is part of Canada–New York "chain of Intelligence"

If U.S. takes Nova Scotia, it will make Britain's main source of ship timber available to Spain and France, and also deprive British of fisheries' sailors

Butler's Rangers officer on fires and fights along Mohawk River, with his 400+ force (including 60 Indigenous fighters) engaging superior enemy numbers

Maj. Gen. Heath informs Washington of "a plan of union maturing between the british government in Canada, and some of the leading men of Vermont"

Despite failure to take it, Washington says "possession or destruction of Detroit is the only means of giving peace and security to the Western Frontier"

"True copy" of Washington letter asking Rochambeau for breeches for soldiers "ashamed of exposing their meagre posteriors to the ladies"

Canada
Resident of Canada reports British military and government "have the greatest distrust of the Canadians," many of whom (clergy included) are disaffected

Loyalist "Declaration of Independence" says rebels' fear of Catholics has shifted to promising Canadians "greater religious establishments"

Proclamation requires militia to account for all grain, flour and cattle in Quebec for possible quick movement to secure locations in case of invasion

"British Inhabitants of Montreal, in Town Meeting," thank Gov. Haldimand for warning of possible invasion and intend to find its aiders and abettors

Resident doubts wisdom of Quebec City physician who proposes inoculating people with imported smallpox "matter" after testing it on two children

Merchants ask convoy not to leave 5 days early, as "quantity of Furrs and Peltries from the most distant Posts of the Upper Country" will not have arrived

Two Queen's Loyal Rangers officers (and brothers) accused by commandant of selling military provisions and clothing and stealing soldiers' pay

On May 1, ice breaks up at Quebec City, which takes in "the knowing ones who had guaranteed it till the Spring tides;" several walked there day before

"Bad guinea" appears made of copper, looks like good "George III 1777" coin, but is 13 grains too light and leaves red colour when rubbed on stone

For sale "a Likely, Robust, Active, Healthy Negro Lad[...]; he speaks English and French both remarkably well, and has had the Small-pox"

Either of "two likely, healthy Negro Women" is for sale, "as they disagree together;" one is about 30 and one about 18, and both have had smallpox

Widow Marie Anne Chamaillard and brothers advise public that her son Noel Réaume "is become lunatick, and incapable[...]to manage his own affairs"

Mary Edge announces that she and her son ("lately from Detroit") will take over her late husband's "business of a Black and White-smith" in Montreal

Montreal "Tin-man" announces that his apprentice "Bishop Forsyth, who was brought in a prisoner with his parents from Wyoming," has run away

Evening "Mathematical Class" to run through winter with "Euclid's Elements[...]demonstrated either Geometrically or Algebraically," plus trigonometry etc.

François Grefart announces that his wife "has eloped from his House by stealth" and that he "is giving intimation to all not to trust her a sol marqué"

Nova Scotia
Nova Scotia Assembly to examine "defenceless state of the settlements distant from Halifax," such as plundered towns on or near Minas Basin

Assembly wants Elizabeth Amelia Belcher, "Daughter of the late Worthy Chief Justice Belcher, who is left destitute," to receive £50 per year for life

Prince Edward Island
Legal actions over land must be sued within 20 years of current assembly session; exceptions for minors, married women, Non compos mentis, convicts, absentees

John MacDonald faces loss of St. John's Island lots for quit-rent non-payment, plus tenant and government trouble, all hampering Island's success

Labrador
Moravian missionaries at Nain, Labrador report 22 Inuit killed when avalanche came down hill where they had built their "Esquimaux winter hauss"

Elsewhere
Kitchi Negou and other Ojibwe chiefs sign treaty transferring Michilimackinac Island to Crown for £5,000, recorded on deed and 7-ft. long wampum belt

For "a consideration amounting to about 300 suits of clothing," four Ojibwe and Mississauga chiefs transfer territory just west of Niagara River to Crown

"Before the fatal attack of the small pox[...]in the year 1781, all these nations of Indians [trading to Hudson's Bay] were much more numerous"

Hudson's Bay Company's Fort Albany chief glad that inland post Henley House has no provisions problem, ensuring "success of the upland business"

Acadians are one quarter of Baltimore, Md. population, live in poorest part of town and retain their language and religion, though priests are negligent

References

Canada
81

1781 in Canada


Alexis Kerry Ohanian (født 24. april 1983) er en af to medstiftere af internetportalen Reddit.

Privatliv
Den 29. december 2016 blev Ohanian forlovet med tennisspiller Serena Williams.

Referencer

Internetpersonligheder fra USA

Alexis Ohanian


An Andropogon koleostachys in uska species han Liliopsida nga ginhulagway ni Ernst Gottlieb von Steudel. An Andropogon koleostachys in nahilalakip ha genus nga Andropogon, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Andropogon

Andropogon koleostachys


Giulietto Chiesa (* 4. September 1940 in Acqui Terme; † 26. April 2020) war ein italienischer Journalist und Politiker (Italia dei Valori, ehemals Kommunistische Partei Italiens).

Chiesa legte das humanistische Abitur ab und arbeitete ab 1981 als Journalist. Für die Zeitungen L'Unità und La Stampa berichtete er aus Moskau. Später war er Fellow des Wilson Center.

Chiesa gehörte zunächst dem Nationalsekretariat des Kommunistischen Jugendverbandes Italiens an und war danach Mitglied des Parteivorstands der PCI in der Sektion Genua. Von 1975 bis 1979 war er Vorsitzender der PCI-Fraktion im Provinzrat von Genua. Chiesa gehörte der PCI bis zur Auflösung 1991 an. 2004 wurde er über die unabhängige Lista Di Pietro in das Europäische Parlament gewählt.  Bei den Wahlen 2009 trat er in Lettland auf der Liste der russischen Partei ForHRUL an, scheiterte jedoch damit.

Chiesa war Truther und verbreitete Verschwörungstheorien zu Chemtrails und HAARP.

Im Kaukasuskrieg 2008 kritisierte Chiesa die westlichen Medien und sagte, Russland habe genau das getan, was getan werden musste. Zum Krieg in der Ukraine seit 2014 erklärte er, die Ukraine sei nie ein einheitlicher Staat gewesen, bezeichnete den Euromaidan im Einklang mit der putinistischen Propaganda als vom Westen gesteuerten "nazistischen Staatsstreich" und drohte mit einem Dritten Weltkrieg. In Moskau erhielt er 2016 den Bunin-Preis. Chiesa war - neben dem gleichfalls verschwörungsaffinen österreichischen Publizisten Hannes Hofbauer und dem Schweizer Journalisten, SVP-Lokalpolitiker und Präsidenten der Handelskammer Schweiz-Russland Guy Mettan. - einer der hauptsächlichen Verbreiter des "Russophobie"-Narrativs der putinistischen Propaganda im Westen. Nach der völkerrechtswidrigen Annexion der Krim durch die Russische Föderation 2014 und den darauf reagierenden westlichen Sanktionen publizierten Chiesa, Hofbauer und Mettan fast gleichzeitig Bücher ähnlichen Inhalts, die die Geschichte einer angeblich kontinuierlichen "Russophobie" vom Mittelalter bis in die Gegenwart ("Putinphobie") ausbreiteten. Chiesas Buch Putinfobia erschien neben dem italienischen Original auch in französischer und russischer Übersetzung. Nach dem russischen Überfall auf die Ukraine 2022 benutzte die russische Botschaft in Italien alte Statements von Chiesa posthum zu Propagandazwecken.

Veröffentlichungen
 Obiettivo Teheran. Il bliz di Carter e i suoi retroscena, Bari, De Donato, 1980.
 L'Urss che cambia, con Roj Medvedev, Roma, Editori Riuniti, 1987. ISBN 88-359-3058-8.
 La rivoluzione di Gorbačëv. Cronaca della perestrojka, con Roj Medvedev, Milano, Garzanti, 1989. ISBN 88-11-73993-4.
 Transizione alla democrazia. La nascita delle forze politiche in Urss, Roma, Lucarini, 1990. ISBN 88-7033-386-8.
 Cronaca del golpe rosso, Milano, Baldini & Castoldi, 1991. ISBN 88-85988-02-4.
 Da Mosca. Alle origini di un colpo di Stato annunciato, Roma-Bari, Laterza, 1993. ISBN 88-420-4333-8.
 Russia addio, Roma, Editori Riuniti, 1997. ISBN 88-359-4046-X; 2000. ISBN 88-359-4827-4.
 Roulette russa. Cosa succede nel mondo se la Russia va in pezzi, Milano, Guerini, 1999. ISBN 88-8335-043-X.
 Afghanistan anno zero, con Vauro, Milano, Guerini, 2001. ISBN 88-8335-242-4.
 G8/Genova, Torino, Einaudi, 2001. ISBN 88-06-16170-9.
 La guerra infinita, Milano, Feltrinelli, 2002. ISBN 88-07-71001-3.
 La guerra come menzogna, Roma, Nottetempo, 2003. ISBN 88-7452-024-7.
 Superclan. Chi comanda l'economia mondiale?, con Marcello Villari, Milano, Feltrinelli, 2003. ISBN 88-07-71010-2.
 Invece di questa sinistra, Roma, Nottetempo, 2004. ISBN 88-7452-099-9.
 I peggiori crimini del comunismo, con Vauro, Casale Monferrato, Piemme, 2004. ISBN 88-384-8129-6; 2005. ISBN 88-384-8146-6.
 Cronache marxziane, Roma, Fazi, 2005. ISBN 88-8112-623-0.
 La virtualizzazione del reale e la fucina delle illusioni, in Brandelli d'Italia, Taranto, Chimienti, 2005. ISBN 88-901093-5-1.
 Il libretto rosso, ovvero La cazzata Potiomkin, con Vauro, Casale Monferrato, Piemme, 2006. ISBN 88-384-8669-7.
 Prima della tempesta, Roma, Nottetempo, 2006. ISBN 88-7452-084-0.
 Zero. Perché la versione ufficiale sull'11/9 è un falso, Casale Monferrato, Piemme, 2007. ISBN 978-88-384-6838-4.
 Le carceri segrete della CIA in Europa, con Francesco De Carlo e Giovanni Melogli, Casale Monferrato, Piemme, 2007. ISBN 978-88-384-8945-7.
 Il candidato lettone. Inedite avventure di un alieno in Europa, Milano, Ponte alle Grazie, 2010. ISBN 978-88-6220-123-0.
 Zero 2. Le pistole fumanti che dimostrano che la versione ufficiale sull'11/9 è un falso, a cura di, Casale Monferrato, Piemme, 2011. ISBN 978-88-566-2279-9.

 Invece della catastrofe. Perché costruire un'alternativa è ormai indispensabile, Casale Monferrato, Piemme, 2013. ISBN 978-88-566-3145-6.
 È arrivata la bufera, Casale Monferrato, Piemme, 2015, ISBN 978-88-566-4778-5
 La congiura lituana. Come uccisero l'Urss e cosa accadde a chi tentò di salvarla di Galina Sapožnikova, introduzione di Giulietto Chiesa, Sandro Teti Editore, ISBN 978-88-88249-70-4
 Putinfobia, Casale Monferrato, Piemme, 2016, ISBN 978-88-566-5453-0
 Chi ha costruito il Muro di Berlino?, in Revoluzione, Torino, Uno Editori, 2019, ISBN 978-88-338-0051-6

Einzelnachweise

Weblinks

Journalist (Italien)
Zeitungsjournalist
Auslandskorrespondent
Mitglied des Europäischen Parlaments für Italien
PCI-Mitglied
IdV-Mitglied
Italiener
Geboren 1940
Gestorben 2020
Mann
Vertreter einer Verschwörungstheorie
Propaganda (Russland)

Giulietto Chiesa


Ion Simeon Purec (n. ) este un senator român, ales în 2012 pe listele PP-DD.

Vezi și
 Legislatura 2012-2016 (Senat)
 Parlamentul României

Legături externe
 Activitatea parlamentară

Nașteri în 1950
Senatori români 2012-2016
Politicieni români în viață
Membri ai PP-DD

Ion Simeon Purec


Jake Butler (12 de noviembre de 1984) es un futbolista neozelandés que juega como mediocampista defensivo o central en el Waitakere United.

Carrera

Debutó en 2004 jugando para el Waitakere United. En 2007 se convirtió en el capitán y ganó en cinco oportunidades el Campeonato de Fútbol de Nueva Zelanda, dos veces la Liga de Campeones de la OFC y la Charity Cup 2012.

En 2014 se convirtió en un jugador profesional al firmar con el Tampines Rovers singapurense, aunque a principios de 2015 regresaría al Waitakere. Ese mismo año disputó con el Team Wellington la Liga de Campeones de la OFC, aunque regresaría rápidamente a su antiguo club.

Clubes

Selección nacional
Fue convocado para disputar la OSN Cup 2013, una competición amistosa, en representación de . Más adelante ese año disputó un amistoso ante .

Partidos y goles internacionales

Palmarés

Enlaces externos
Jake Butler en ceroacero
Jake Butler en transfermarkt

Referencias

Futbolistas de Nueva Zelanda
Futbolistas de la selección de fútbol de Nueva Zelanda
Futbolistas del Waitakere United
Futbolistas del Tampines Rovers FC
Futbolistas del Team Wellington

Jake Butler


Anhui (kínverska: 安徽; rómönskun: Ānhuī) er landlukt hérað í austurhluta  Alþýðulýðveldisins Kína. Höfuðborg héraðsins og jafnframt stærsta borg þess er Hefei.
Héraðið er við vatnasvæði Jangtse fljótsins (Bláá) og Huaifljóts og liggur að héruðunum Jiangsu í austri, Zhejiang í suðaustri, Jiangxi í suðri, Hubei í suðvestri, Henan í norðvestri og Shandong í norðri.

Anhui er þéttbýlt, með um 61 milljónir íbúa og er 8. fjölmennasta hérað Kína. Íbúar þess eru einkum Han Kínverjar. Í héraðinu eru 16 borgir. Þrjár stærstu eru Hefei, Wuhu og Anqing.

Nafnið "Anhui" er dregið af nöfnum tveggja borga: Anqing og Huizhou (nú Huangshan-borg).

Hinn fagri Huangshan-fjallgarður ("Gulufjöll") í suðurhluta Anhui -héraðs nær yfir 154 ferkílómetra svæði og eru tindar hans 72 að tölu. Þrír helstu tindarnir heita Lian Hua Feng (1.864 metrar), Guang Ming Ding (1.840 metrar), og Tian Du Feng (1.829 metrar). Í skýjuðu veðri eru tindarnir umluktir leyndardómsfullri skýjaþoku en þegar sólin skín birtist fjallgarðurinn í allri sinni dýrð. Árið 1990 var Gulafjall sett á heimsminjaskrá UNESCO. Huangshan-fjallgarðurinn varð fyrirmynd hinum fljótandi Hallelújafjöllum í kvikmyndinni Avatar sem gerð var árið 2009. Í vísindaskáldskapnum voru Hallelújafjöll í Pandoru, lífvænlegs tungls gasplánetu í Alpha Century stjörnukerfinu.

Tenglar

 Enskur vefur héraðsstjórnar Anhui.  Inniheldur ýmsar upplýsingar t.d. um sögu, skipulag og ferðaþjónustu

Heimildir

Tilvísanir

Héruð í Kína

Anhui


Gnome sort (nicknamed stupid sort) is a variation of the insertion sort sorting algorithm that does not use nested loops. Gnome sort was originally proposed by Iranian computer scientist Hamid Sarbazi-Azad (professor of Computer Science and Engineering at Sharif University of Technology) in 2000. The sort was first called stupid sort (not to be confused with bogosort), and then later described by Dick Grune and named gnome sort.

Gnome sort performs at least as many comparisons as insertion sort and has the same asymptotic run time characteristics. Gnome sort works by building a sorted list one element at a time, getting each item to the proper place in a series of swaps. The average running time is O(n2) but tends towards O(n) if the list is initially almost sorted.

Dick Grune described the sorting method with the following story:

Pseudocode
Here is pseudocode for the gnome sort using a zero-based array:

procedure gnomeSort(a[]):
    pos := 0
    while pos < length(a):
        if (pos == 0 or a[pos] >= a[pos-1]):
            pos := pos + 1
        else:
            swap a[pos] and a[pos-1]
            pos := pos - 1

Example
Given an unsorted array, a = [5, 3, 2, 4], the gnome sort takes the following steps during the while loop. The current position is highlighted in bold and indicated as a value of the variable pos.

Notes

References

External links

 Gnome sort

Sorting algorithms
Comparison sorts
Stable sorts

Gnome sort


غراهام غرين  ممثل كندي من مواليد 22 يونيو 1952.

مواقع خارجية

مراجع

أشخاص على قيد الحياة
أعضاء وسام كندا
الأونيدا
حائزون على جائزة غرامي
رواة كتب صوتية
ممثلو أداء صوتي كنديون
ممثلو أفلام غرب أمريكي
ممثلو أفلام كنديون
ممثلو تلفزيون كنديون
ممثلون من هاميلتون
مواليد 1952

غراهام غرين (ممثل)


Juliette Labous (Roche-lez-Beaupré, Borgonha-Franco-Condado, 4 de novembro de 1998) é uma ciclista profissional francesa. Desde 2017 corre para a equipa neerlandês Team DSM de categoria UCI WorldTeam Feminino.

Palmarés
 2017
 1 etapa do Tour de Feminin-O cenu Českého Švýcarska

 2018
 2.ª no Campeonato da França Contrarrelógio

 2019
 Classificação das jovens do Giro de Itália Feminino

 2020
 Campeonato da França Contrarrelógio

 2021
 2.ª no Campeonato da França Contrarrelógio

 2022
 Volta a Burgos Féminas
 2.ª no Campeonato da França Contrarrelógio
 1 etapa do Giro de Itália Feminino

Referências

Ligações externas

Ciclistas da França

Juliette Labous


Pius "Mau" Piailug (1932 – 12. juli 2010) var en mikronesisk navigator fra Carolinerne fra Satawal, bedst kendt som lærer af traditionel, ikke-instrument vejfinding metoder for åbent-verdenshav rejser. Maus carolinske navigationssystem - som fungerer ved hjælp af navigationelle vink ved at anvende solen og stjerner, vinden og skyer, hav og dønninger, fugle og fisk — blev lært gennem udenadslære videreført gennem læring via mundtlig overlevering. Han erhvervede titlen master navigator (palu) i en alder af 18 år, omkring tiden hvor de første amerikanske missionærer ankom til Satawal. Da han nærmede sig sin middelalder, voksede Maus bekymring om Satawals navigationspraksis ville forsvinde med hans folk akkulturaterede til vestlige værdier. I håbet om at den navigationelle tradition vil blive overført til fremtidige generationer, delte Mau sin viden med Polynesian Voyaging Society (PVS). Med Maus hjælp, anvendte PVS eksperimentiel arkæologi til at genskabe og teste tabte Hawaiianske navigationelle teknikker på Hōkūle'a, en moderne rekonstruktion af en dobbeltskrog Hawaiiansk rejsekano.

Den succesfulde, ikke-instrumentielle sejlads af Hōkūle'a til Tahiti i 1976, viste udbyttet af Maus navigationelle system til verden. Til videnskaben, gav Maus resultater bevis for forsætlig to-vejs rejse gennem Oceanien, hvilket understøtter en hypotese om en asiatisk oprindelse af polynesere. Succesen af den Mikronesiske-Polynesiske kulturudveksling, symboliseret ved Hōkūle'a, havde indvirkning gennem stillehavet. Kulturudvekslingen bidrog til fremkomsten af den anden hawaiiansk kulturrenæssance og til en fremgang af polynesisk navigation og kanobygning i Hawaii, New Zealand, Rarotonga og Tahiti. Kulturudvekslingen har også startet interesse i traditionel vejfinding på Maus hjemø Satawal. Senere i livet, blev Mau respektfuldt kendt som en grandmaster navigator, og han blev kendt som "Papa Mau" af sine venner med hengivenhed. Han modtog en æresgrad fra University of Hawaii - og han blev æret af Smithsonian Institution og Bishop Museum for hans bidrag til maritim historie. Maus liv og arbejde blev udforsket i adskillige bøger og dokumentarfilm - og hans eftermæle fortsætter med at blive husket og fejret af oceaniens indfødte folk.

Mikronesien
Søfolk
Navigation

Mau Piailug


Hans Nansen (28 November 1598 – 12 November 1667) was a Danish statesman.

Biography

The son of a burgher, Evert Nansen, he was born at Flensburg. He made several voyages to the White Sea and to places in northern Russia, and in 1621 entered the service of the thriving Danish Icelandic Company. For many years the whole trade of Iceland, which he frequently visited, passed through his hands, and he soon became equally well known at Glückstadt, the centre of the Iceland trade, and at Copenhagen.

In February 1644, at the express desire of King Christian IV, the Copenhagen burgesses elected him burgomaster. During his northern voyages he had learned Russian, and was employed as interpreter at court whenever Muscovite embassies visited Copenhagen. His travels had begotten in him a love of geography, and he published in 1633 a Kosmografi, previously revised by the astronomer Longomontanus.

During the siege of Copenhagen by the Swedes in 1658 Nansen became prominent. At the meeting between the king and the citizens to arrange for the defence of the capital, he urged the necessity of an obstinate defence. It was he who obtained privileges for the burgesses of Copenhagen which placed them on a footing of equality with the nobility; and he was the life and soul of the garrison till the arrival of the Dutch fleet practically saved the city. These eighteen months of crisis established his influence in the capital once for all and at the same time knitted him closely to Frederick III, who recognized in Nansen a man after his own heart, and made the great burgomaster his chief instrument in carrying through the anti-aristocratic Revolution of 1660. Nansen used all the arts of the agitator with extraordinary energy and success.

His greatest feat was the impassioned speech by which, on 8 October, he induced the burgesses to accede to the proposal of the magistracy of Copenhagen to offer Frederick III the realm of Denmark-Norway as a purely hereditary state. How far Nansen was content with the result of the Revolution—absolute monarchy—it is impossible to say. It appears certain that, at the beginning he did not want absolutism. Whether he subsequently regarded the victory of the monarchy and its corollary, the admittance of the middle classes to all offices and dignities, as a satisfactory equivalent for his original demands; or whether he was so overcome by royal favour as to sacrifice cheerfully the political liberties of his country, is a matter for conjecture.

After the Revolution Nansen continued in high honour, but he chiefly occupied himself with commerce, and less with politics.

Bibliography
 Oluf Nielsen, Københavns Historie, iii (Copenhagen, 1877)
 Julius Albert Fridericia, Adelsvaeldens sidsie Dage (Copenhagen, 1894)
 Danmarks Riges Historie, v (Copenhagen, 1897–1905).

References

1598 births
1667 deaths
17th-century Danish politicians
People from Flensburg

Hans Nansen


UOP LLC, früher bekannt als Universal Oil Products, baut und lizenziert Anlagen für Erdölraffinerien, Erdgasaufbereitung, petrochemische- und verarbeitenden Industrien. Die Wurzeln des Unternehmens reichen zurück bis 1914, als der Erfinder Carbon "Petroleum" Dubbs mit der Entwicklung des thermischen Crackens die technologische Basis für moderne Raffinerieprozesse schuf. In den folgenden Jahrzehnten erwarben UOP Ingenieure Tausende von Patenten, die zu wichtigen Fortschritten in der Prozesstechnik, der Rentabilität und dem Design  von Anlagen führten. UOP ist eine Tochtergesellschaft von Honeywell.

Geschichte

UOP wurde 1914 gegründet, um das Marktpotential von Patenten, die der Erfinder Jesse A. Dubbs und sein Sohn Carbon Petroleum Dubbs hielten, zu erkunden. Vielleicht weil er in Pennsylvania Ölförderzentren geboren wurde, gab Jesse Dubbs seinem Sohn den Vornamen Carbon. Dieser fügte später ein P als mittlere Initiale hinzu, um seinen Namen wohlklingender zu machen. Dies brachte ihm seinen Spitznamen Petroleum ein, den er behielt. Auch seine Söhne und Enkel wurden Carbon genannt, allerdings mit anderen mittleren Namen.

Die Firma wurde 1914 zunächst als National Hydrocarbon Company gegründet. J. Ogden Armour stellte das Gründungskapital zur Verfügung und übernahm die Anfangsverluste, die meist durch Gerichtsverfahren wegen Patentstreitigkeiten. Im Jahr 1919 wurde die Firma in Universal Oil Products umbenannt und Hiram Halle wurde Vorstand. Er gründete 1921 das Riverside Laboratory in McCook (Illinois). Im Jahr 1931 sahen verschiedene Ölfirmen, darunter Shell, Standard Oil Company of California, Standard Oil Company of Indiana, Standard Oil of New Jersey, The Texas Company und BP einen Vorteil darin, die Firma als Gemeinschaftsunternehmen zu übernehmen. Dies führte zu Rechtsstreitigkeiten mit Firmen, die nicht an diesem Konsortium beteiligt waren und die das Justizministerium wegen einer Verletzung der Anti-Trustgesetze anriefen.

In den 1940er Jahren entwickelte hier Vladimir Haensel (später Forschungsdirektor und Vizepräsident der Firma) sein wegweisendes Katalytisches Reforming mit Platin (Platform-Verfahren).

Einzelnachweise

Des Plaines
Verfahrenstechnik
Gegründet 1914
Unternehmen (Cook County, Illinois)

UOP (Unternehmen)


النمذجة الهندسية (geometric modeling), هي اجراءات وعمليات هندسية, تُنفذ في الفراغ الافتراضي (virtual space), بهدف الحصول على تمثيل لنموذج ثلاثي الأبعاد (3d model).

هذة العمليات تعتمد نظرياً على مفاهيم الهندسة الوصفية وتقنياً على قدرة البرمجيات على تحقيق تلك النظريات بشكل دقيق.
ان الخطوات المهمة في عملية النمذجة, تكمن في البحث عن أبسط العناصر التي تحدد ذلك النموذج. مثل نمذجة سطح دوراني, يكفي كيانين هندسيين مستويين، واحد يعمل بمثابة راسم السطح, والاخر بمثابة محور دوران.

الأنواع المستخدمة في النمذجة الهندسية بمعونة الحاسوب:
 نموذج الإطار السلكي wire-frame
 نموذج السطوح surface
 نموذج مجسّم solid

النمذجة الوصفية الهندسية هي تخصص قيم للمعماريين والمصممين الذين يعتمدون على مفاهيم الهندسة الإسقاطية. على وجه التحديد ، يتضمن استخدام عمليات الإسقاط والتقاطع في الفراغ ثلاثية الأبعاد لوصف أشكال هندسية معقدة بدقة. من خلال الاستفادة من الفراغ ثلاثية الأبعاد الذي توفره برمجيات النمذجة، ، والتي يمكن أن تسهل عملية التصميم وإنشاء أسطح هندسية ونماذج مفصلة مثيرة للاهتمام, كالحالات الناتجة عن شروط التماس بين أسطح ثنائية. يسمح هذا النهج لمجموعة واسعة من المهنيين العمل معًا، وليس فقط أولئك الذين لديهم خلفية في الرياضيات.

مراجع

وصلات خارجية
 التصميم بمعونة الحاسوب

تصميم بمساعدة الحاسوب
خوارزميات هندسة رياضية

نمذجة هندسية


Pelycosaur ( ) is an older term for basal or primitive Late Paleozoic synapsids, excluding the therapsids and their descendants. Previously, the term mammal-like reptile had been used, and pelycosaur was considered an order, but this is now thought to be incorrect, and seen as outdated.

Because it excludes the advanced synapsid group Therapsida, the term is paraphyletic and contrary to modern formal naming practice. Thus the name pelycosaurs, similar to the term mammal-like reptiles, had fallen out of favor among scientists by the 21st century, and is only used informally, if at all, in the modern scientific literature. The terms stem mammals, protomammals, and basal or primitive synapsids are used where needed, instead.

Etymology
The term pelycosaur has been fairly well abandoned by paleontologists because it no longer matches the features that distinguish a clade. The modern word was created from Greek  meaning 'wooden bowl' or 'axe' and  meaning 'lizard'. The intended etymology presents a problem, since pelycosaur as created basically means 'basin lizard', but there is a ambiguity between several original Greek words in that  is 'wooden bowl' and  is 'basin', whereas  is 'ax' (like  'double-edged ax').

Pelycosauria is a paraphyletic taxon because it excludes the therapsids. For that reason, the term is sometimes avoided by proponents of a strict cladistic approach. Eupelycosauria is used to designate the clade that includes most pelycosaurs, along with the Therapsida and Mammalia. In contrast to "pelycosaurs", Eupelycosauria is a proper monophyletic group. Caseasauria is a pelycosaur side-branch, or clade, that did not leave any descendants.

Evolutionary history

The pelycosaurs appear to have been a group of synapsids that have direct ancestral links with the mammals, having differentiated teeth and a developing hard palate. The pelycosaurs appeared during the Late Carboniferous and reached their apex in the early part of the Permian, remaining the dominant land animals for some 40 million years. A few continued into the Capitanian, but they experienced a sharp decline in diversity in the late Kungurian. They were succeeded by the therapsids.

Description

Some species were quite large, growing to a length of  or more, although most species were much smaller. Well-known pelycosaurs include the genera Dimetrodon, Sphenacodon, Edaphosaurus, and Ophiacodon.

Pelycosaur fossils have been found mainly in Europe and North America, although some small, late-surviving forms are known from Russia and South Africa.

Unlike lepidosaurian reptiles, pelycosaurs lacked reptilian epidermal scales. Fossil evidence from some varanopids shows that parts of the skin were covered in rows of osteoderms, presumably overlain by horny scutes. The belly was covered in rectangular scutes, looking like those present in crocodiles. Parts of the skin not covered in scutes might have had naked, glandular skin like that found in some mammals. Dermal scutes are also found in a diverse number of extant mammals with conservative body types, such as in the tails of some rodents, sengis, moonrats, the opossums and other marsupials, and as regular dermal armour with underlying bone in the armadillo.

At least two pelycosaur clades independently evolved a tall sail, consisting of elongated vertebral spines: the edaphosaurids and the sphenacodontids. In life, this would have been covered by skin, and likely functioned as a thermoregulatory device or as a mating display.

Taxonomy

In phylogenetic nomenclature, "Pelycosauria" is not used formally, since it does not constitute a group of all organisms descended from some common ancestor (a clade), because the group specifically excludes the therapsids which are descended from pelycosaurs. Instead, it represents a paraphyletic "grade" of basal synapsids leading up to the clade Therapsida.

In 1940, the group was reviewed in detail, and every species known at the time described, with many illustrated, in an important monograph by Alfred Sherwood Romer and Llewellyn Price.

In traditional classification, the order Pelycosauria is paraphyletic in that the therapsids (the "higher" synapsids) have emerged from them. That means Pelycosauria is a grouping of animals that does not contain all descendants of its common ancestor, as is often required by phylogenetic nomenclature. In evolutionary taxonomy, Therapsida is a separated order from Pelycosauria, and mammals (having evolved from therapsids) are separated from both as their own class. This use has not been recommended by a majority of systematists since the 1990s, but several paleontologists nevertheless continue using this word.

The following classification was presented by Benton in 2004.

 Order Pelycosauria*
 Suborder Caseasauria
 Family Eothyrididae
 Family Caseidae
 Suborder Eupelycosauria
 Family Varanopidae
 Family Ophiacodontidae
 Family Edaphosauridae
 Infraorder Sphenacodontia
 Family Sphenacodontidae
 '''Order Therapsida

See also
 Evolution of mammals
 List of pelycosaurs
 Vertebrate paleontology

Notes

References

External links

Synapsids
Paraphyletic groups
Taxa named by Edward Drinker Cope

Pelycosaur


The Adelaide Festival of Arts, also known as the Adelaide Festival, an arts festival, takes place in the South Australian capital of Adelaide in March each year. Started in 1960, it is a major celebration of the arts and a significant cultural event in Australia.

The festival is based chiefly in the city centre and its parklands, with some venues in the inner suburbs (such as the Odeon Theatre, Norwood) or occasionally further afield. The Adelaide Festival Centre and River Torrens usually form the nucleus of the event, and in the 21st century Elder Park has played host to opening ceremonies.

It comprises many events, usually including opera, theatre, dance, classical and contemporary music, cabaret, literature, visual art and new media. The four-day world-music event, WOMADelaide, and the literary festival, Adelaide Writers' Week, form part of the Festival. The festival originally operated biennially, along with the (initially unofficial) Adelaide Fringe; the Fringe has taken place annually since 2007, with the Festival of Arts going annual a few years later, in 2012. With all of these events, plus the extra visitors, activities and music concerts brought by the street-circuit motor-racing event known as the Adelaide 500, locals often refer to the time of year as "Mad March".

The festival attracts interstate and overseas visitors, and generated an estimated gross expenditure of  million for South Australia .

History
The Adelaide Festival began with efforts by Sir Lloyd Dumas in the late 1950s to establish a major arts festival that would bring to South Australia world-class cultural exhibitions. In 1958, Sir Lloyd organised a gathering of prominent members of the Adelaide business, arts and government community. The proposal for an event similar to the Edinburgh International Festival was supported and the first Festival Board of Governors was formed.

The event began to take form when Sir Lloyd partnered with John Bishop, Professor of Music at the University of Adelaide. The two gained the support of the Lord-Mayor and Adelaide City Council and a financial backing of 15,000 pounds. A number of leading businesses sponsored the first festival, including The Advertiser, the Bank of Adelaide, John Martin & Co., the Adelaide Steamship Company, and Kelvinator.

The inaugural Adelaide Festival of Arts ran from 12 to 26 March 1960 and was directed by Bishop with some assistance from Ian Hunter, the artistic director of the Edinburgh Festival. There were 105 shows covering almost all aspects of the arts. In its first year, it also spawned the Adelaide Fringe, which has grown into the largest event of its kind in the world after the Edinburgh Fringe.

The Adelaide Festival continued to grow in successive years with the support of the South Australian Government. It developed a number of incorporated events including Adelaide Writers' Week, Australia's original literary festival; WOMADelaide, the world music festival; and, the Adelaide Festival of Ideas.  The Adelaide International was a curated international contemporary visual arts program held in partnership with the Samstag Museum from 2010 to 2014.

After some difficulties under the directorship of Peter Sellars in 2001–2, it was once again regarded as very strong, with its reputation intact as the pre-eminent event in the country, by 2006.

The Adelaide Festival moved from a biennial to annual event from 2012.

David Sefton was appointed as artistic director for a three-year tenure in 2013, then extended for another year. The 2013 program included for the first time, a three-night "festival within a festival": Unsound Adelaide presented international artists playing multi-dimensional electronic music.

Neil Armfield and Rachel Healy were appointed in 2015 and took over from Sefton as co-artistic directors from the 2017 festival, which included the landmark opera production of Barrie Kosky's Saul. Their contracts were extended twice, and due to finish with the 2023 festival. However, the 2021 and 2022 festivals were affected by frequently changing restrictions imposed by the government due to various waves of the COVID-19 pandemic in South Australia, which was challenging for the organisers, and also Armfield had some health issues.

In March 2022 it was announced that Ruth Mackenzie would be taking over from 2023, although Armfield and Healy had already confirmed or organised most of the major events for the festival. McKenzie has extensive international experience, including as director of the Holland Festival and Manchester International Festival, and overseeing the cultural program for the 2012 London Olympics, the London 2012 Festival.

Governance
In 1998 the Adelaide Festival Corporation was established as a statutory corporation by the Adelaide Festival Corporation Act 1998 (AFC Act), reporting to the Minister for the Arts. From about 1996 Arts SA (later Arts South Australia) had responsibility for this and several other statutory bodies such as the South Australian Museum and the Art Gallery of South Australia, until late 2018, when the functions were transferred to direct oversight by the Department of the Premier and Cabinet, Arts and Culture section. There is a governing board which reports to the minister.  the chair was Judy Potter.

Artistic directors are appointed on fixed contracts for one or more years. Former chief executive Elaine Chia departed in November 2021, with Kath M. Mainland being appointed from April 2022. There is a separate director of Writers' Week.

Funding

In June 2019, it was announced that the Festival would receive  in annual funding over the following three years, to help "continue to attract major performances and events".

Funding is mainly from government sources, but, as a charitable body, the festival also attracts private donors within Australia and internationally. During the tenureship of Neil Armfield and Rachel Healy as co-artistic directors, donations to the festival increased from around  a year in 2017 to A$2 million in 2022.

In August 2023 the South Australian Government announced $2.3 million for the Adelaide Festival over three years for additional performances and events.

Past festivals
Neil Armfield and Rachel Healy hold the record for the most stints as director, with six festivals under their belt.

There were no directors for the festivals of 1966 and 1968, with an advisory board taking on the responsibility. Peter Sellars' brief directorship of the 2002 Adelaide Festival remains the most controversial and he was eventually replaced by Sue Nattrass.

References

Further reading
 50th anniversary (2010) – history (Archived page)
History of the Adelaide Festival of the Arts (Downloadable PDF from archived page)
 Past Adelaide Festival programs

External links

 Adelaide Festival Theatre

Arts festivals in Australia
Festivals in Adelaide
Festivals established in 1960
1960 establishments in Australia
Annual events in Australia
Autumn events in Australia

Adelaide Festival


شريط موبيوس هو سطح بجانب واحد وبعنصر حدودي واحد، وله خاصية الـ (non-orientable) الرياضية (بمعنى أنه إذا مُرر سطح ثنائي الأبعاد (على سبيل المثال، ) على شريط موبيوس ثم أعيد إلى مكانه فإنه يرجع وكأنه صورة مرآة للشكل الأصلي ()). كما يعتبر شريط موبيوس أيضًا سطحًا مسطرًا. اكتشف شريط موبيوس بشكل مستقل بواسطة الرياضيان الألمانيان أوغست فيرديناند موبيوس، وجون بينديكت ليستينج عام 1858.

يمكن صناعة نموذج لشريط موبيوس ببساطة عن طريق قص ورقة على هيئة شريط ثم نعقفه نصف عقفة (180 0)، ثم نربط نهايتي الشريط معًا ليصبح لدينا شريط واحد. وفي الحقيقة فإنه في الفضاء الإقليدي يكون لدينا نوعان من شريط موبيوس اعتمادًا على اتجاه النصف عقفة: إما في اتجاه حركة عقارب الساعة، أو عكس اتجاه حركة عقارب الساعة. ولهذا فإن شريط موبيوس يعتبر متماثلاً، بمعنى أن له «يدوية» (كما هو الحال اليد اليمنى واليد اليسرى).

بذلت محاولات لإيجاد حلول لمعادلات جبرية لها طوبولوجية شريط موبيوس، لكن بشكل عام هذه المعادلات لا تصف نفس الشكل الهندسي الذي نحصل عليه من عقف الورقة كما فُصل فيما سبق. وبشكل جزئي فإن النموذج الورقي المعقوف هو «سطح مطور» (السطح المطور هو سطح منحنى الجاوس له مساو للصفر). وفي 2007 تم نشر منظومة من معادلات جبرية تفاضلية (differential-algebraic equations) تصف نماذج من هذا النوع مع حلولها العددية.

مميزة أويلر (وهو عدد يصف جانبًا واحدًا من الفضاء الطبوغرافي للشكل أو للهيكل) لشريط موبيوس تساوي صفر.

انظر أيضًا

 زجاجة كلاين
 تحويل موبيوس
 مفارقة

المصادر

رياضيات مسلية
سطوح
طوبولوجيا

شريط موبيوس


Germán Pomares Ordóñez (1937 - 1979), conhecido como "El Danto", foi um revolucionário nicaraguense.

Juntamente com Carlos Fonseca, Tomás Borge, Silvio Mayorga, entre outros, foi fundador e membro da Direção Histórica Nacional da Frente Sandinista de Libertação Nacional (FSLN) e um destacado líder militar na luta armada contra o regime da família Somoza em meados do século XX.

Foi homenageado como "Herói Nacional da Nicarágua", com os títulos póstumos de "Comandante Guerrillero"  da FSLN e "Comandante de Brigada" do Exército Popular Sandinista (EPS).

Morreu poucas semanas depois do triunfo revolucionário em uma ação de guerra na colina La Cruz, perto da cidade de Jinotega.

Revolucionários da Nicarágua
Heróis nacionais da Nicarágua

Germán Pomares


Boldogkőújfalu é um município da Hungria, situado no condado de Borsod-Abaúj-Zemplén. Tem  de área e sua população em 2015 foi estimada em 576 habitantes.

Localidades de Borsod-Abaúj-Zemplén

Boldogkőújfalu


Teklanika River er en 146 kilometer (91 mil) lang biflod fra floden Nanana River i den amerikanske stat Alaska. Nenana floden er en udløber af Tanana River, som igen er en del af Yukon River-dræningen fra den centrale del af staten. Flydende nordpå fra udspringet i Cantwell gletsjeren i Alaska Range bjergkæden afvander Teklanika et område der i vidt omgang er besøgt af turiser i nationalparken Denali National Park and Preserve. Parkens eneste vej krydser floden ved Milepæl 31 og et campingområde er beliggende på den østlige bred ved Milepæl 29.

Teklanika River fører nordpå fra kernen af Alaska Range kæden som en flettet flod der bliver hurtig og smal når de fører igennem Primrose Ridge, for igen at flette sig roligere gennem Stampede Trail dalen, indsnævrende igen gennem Tekla Ridge før i sidste ende at bugte gennem en kompleks serie af u-formede sving og søer henover det sydlige Tanana River valley.

Floden krydses af vejene Denali Park Road og Stampede Trail, og blev kraftigt undersøgt i det tidlige 20. århundrede på grund af de mange kul-, guld- og platinaflejringer der fandtes langs dens bred.

Teklanika flodens navn stammer fra en gammel alaskansk dialekt, Lower Tanana (Athabascan), og betyder noget i retningen af "vand-amulet floden".

I populærkultur
I Jon Krakauers bog Ind i Vildmarken (på engelsk Into the Wild) bliver Teklanika River beskrevet som et Rubicon for den amerikanske eventyrer Christopher McCandless. Siden hans berømmelse har floden vist sig som en forhindring i mange vandreres forsøg på at nå over vandet til området og den efterladte bus hvor McCandless levede og døde.

I august 2010 omkom den schweiziske hiker Claire Ackermann i et forsøg på at krydse Teklanika River ved hjælp af et reb som tidligere vandrende havde fastgjort til et træ på hver side af floden. På trods af at hun druknede på statsligt område, blev Ackermann trukket på land af sin franske kæreste et kort stykke længere nede af floden, et område der juridisk hører under Danali National Parks område, hvilket udløste en tvist mellem jurisdiktioner fra henholdsvis nationalparkens betjente og det statslige politi.

Eksterne kilder/henvisninger

 Hvorfor bliver folk ved med at besøge bussen fra 'Into the Wild'? vice.com

Vandløb i Alaska

Teklanika River


Demba Sanyang (* 27. November 1987 in Banjul) ist ein ehemaliger gambischer Fußballspieler.

Karriere

Verein
Sanyang begann seine Karriere in der Heimat beim Steve Biko FC und wechselte von dort 2008 zum finnischen Zweitligisten Kokkolan Palloveikot, wo er jedoch nur ein Jahr spielte und zu drei Ligaeinsätzen kam. Anschließend ging er eine Saison weiter zum schwedischen Amateurverein Sollentuna United FK in die Viertklassigkeit. Sein 2010 auslaufender Vertrag wurde dort nicht verlängert und ein nachfolgender Verein ist nicht mehr bekannt.

Nationalmannschaft
Am 15. Dezember 2012 debütierte Sanyang in der gambischen A-Nationalmannschaft bei einem Testspiel gegen Angola (1:1). Vorher war der Mittelfeldspieler auch schon für die U-20-Auswahl seines Landes aktiv gewesen.

Weblinks

Einzelnachweise

Fußballnationalspieler (Gambia)
Fußballspieler (Steve Biko FC)
Fußballspieler (Kokkolan Palloveikot)
Gambier
Geboren 1987
Mann

Demba Sanyang (Fußballspieler)


Yannick Ferreira Carrasco (født 4. september 1993 i Vilvoorde, Belgien), er en belgisk fodboldspiller (wing). Han spiller for Atletico Madrid i Spanien.

Klubkarriere
Carrasco spillede på ungdomsniveau hos KRC Genk i hjemlandet, inden han debuterede på seniorplan for AS Monaco. I perioden 2012-2015 spillede han 81 Ligue 1-kampe for klubben, hvor hans præstationer tiltrak sig interesse fra de største klubber i Europa. Han blev i sommeren 2015 solgt til Atlético Madrid i Spaniens La Liga for en pris på 20 millioner euro.

I de følgende to et halvt år var Carrasco en vigtig brik på Atléticos hold, og scorede blandt andet klubbens mål i Champions League finalen 2016, hvor holdet alligevel tabte til lokalrivalerne Real Madrid efter straffesparkskonkurrence. Efter 81 La Liga-kampe for klubben blev han i februar 2018 solgt til kinesiske Dalian Yifang.

Landshold
Carrasco spillede i sin ungdomsår for adskillige af de belgiske ungdomslandshold, og nåede blandt andet 11 kampe for U/21-landsholdet i perioden 2013-14. Han debuterede for A-landsholdet 28. marts 2015 i en EM-kvalifikationskamp på hjemmebane mod Cypern. Han var en del af den belgiske trup til både EM 2016 i Frankrig og VM 2018 i Rusland.

Referencer

Eksterne henvisninger

Fodboldspillere fra Belgien
Fodboldspillere fra AS Monaco FC
Fodboldspillere fra Atlético Madrid
Deltagere ved det europæiske mesterskab i fodbold 2016
Deltagere ved verdensmesterskabet i fodbold 2018
Deltagere ved det europæiske mesterskab i fodbold 2020

Yannick Ferreira Carrasco


Baron Ashtown, of Moate in the County of Galway, is a title in the Peerage of Ireland. It was created in 1800 for Frederick Trench, with remainder to the heirs male of his father.

Trench had previously represented Portarlington from 1798 in the Irish House of Commons. He was succeeded according to the special remainder by his nephew, the second Baron (the son of Francis Trench) – see Frederick Trench, 2nd Baron Ashtown. His grandson, the third Baron (son of Frederic Sydney Charles Trench, eldest son of the second Baron), sat in the House of Lords as an Irish Representative Peer from 1908 to 1915. On the death of his younger son, the fifth Baron, this line of the family failed. The late Baron was succeeded by his first cousin once removed, the sixth Baron. He was the grandson of the Hon. William Cosby Trench, younger brother of the third Baron. However, he never married and on his death in 1990 this branch of the family also failed. The title was inherited by his second cousin once removed, the seventh Baron. He was the grandson of Hon. Cosby Godolphin Trench, second son of the second Baron and served as Ambassador to South Korea and to Portugal. , the title is held by the seventh Baron's son, the eighth Baron.

Another member of the Trench family was Sir David Clive Crosbie Trench, Governor of Hong Kong from 1964 to 1971. He was a descendant of John Trench, younger brother of the first Baron Ashtown.

The family seat  was Woodlawn House, near Ballinasloe, County Galway. Woodlawn House was sold by the 4th Baron in 1947 and is still extant, although semi-derelict. It is currently in the process of being gradually restored.

Barons Ashtown (1800)
Frederick Trench, 1st Baron Ashtown (1755–1840)
Frederick Mason Trench, 2nd Baron Ashtown (1804–1880)
Frederick Oliver Trench, 3rd Baron Ashtown (1868–1946)
Robert Power Trench, 4th Baron Ashtown (1897–1966)
Dudley Oliver Trench, 5th Baron Ashtown (1901–1979)
Christopher Oliver Trench, 6th Baron Ashtown (1931–1990)
Nigel Clive Cosby Trench, 7th Baron Ashtown (1916–2010)
Roderick Nigel Godolphin Trench, 8th Baron Ashtown (born 1944)

The heir apparent is the present holder's only son, Hon. Timothy Roderick Hamilton Trench (born 1968), who is unmarried and without heirs.
The next in line to the barony is the present peer's fifth cousin once removed, Jack Ferdinand Chenevix Trench (born 1978, see succession chart below).

Frederick Trench (1724–1797)
 Frederick Trench, 1st Baron Ashtown (1755–1840)Francis Trench (1757–1829) Frederick Trench, 2nd Baron Ashtown (1804–1880)Hon. Cosby Godolphin Trench (1844–1925)Clive Newcombe Trench (1884–1964) Nigel Trench, 7th Baron Ashtown (1916–2010) Roderick Trench, 8th Baron Ashtown (born 1944)
(1). Hon. Timothy Roderick Hamilton Trench (born 1968)Richard Trench (1774–1860)Most Rev. Richard Chenevix Trench (1807–1886)Charles Chenevix Trench (1839–1933)Sir Richard Henry Chenevix Trench (1876–1954)Charles Pocklington Chenevix Trench (1914–2003)Richard Hugh Roger Chenevix Trench (1949–1997)(2). Jack Ferdinand Chenevix Trench (born 1978)
(3). Alexander Ryland Chenevix Trench (born 1986)John Trench (1776–1858)''
male descendants in succession
The simplified chart above lists those individuals in the line of succession who are nearest in consanguinity to the present peer; there are further heirs in descent from the fifth and sixth brothers of the first baron.

References

Baronies in the Peerage of Ireland
Baron
Noble titles created in 1800
Peerages created with special remainders

Baron Ashtown


Filme americane din 1909 — Filme americane din 1910 — Filme americane din 1911
Aceasta este o listă de filme americane din 1910:

Referințe

Legături externe

Listă de filme americane din 1910 la Internet Movie Database

 *Listă
america
Liste de filme americane

Listă de filme americane din 1910


الشريطية الوحيدة أو شريطية الخنزير  هي من الديدان الشريطية حلقيات المحاجم وهي من عائلة الشريطيات الحقيقية.

معرض صور

وصلات خارجية

أصنوفات سماها كارولوس لينيوس
أمراض الخنازير
أمراض منقولة بالغذاء
اضطرابات عصبية
حلقيات المحاجم
حيوانات طفيلية للثدييات
حيوانات وصفت في 1758
ديدان شريطية
ديدان طفيلية للبشر
طفيليات البشر

شريطية وحيدة


Lukashenko (, ) is Belarusian and Ukrainian surname which means "son of Lukash", the native form of the given name Luke. Notable people with this surname include:
 Alexander Lukashenko (1954), president of Belarus since 1994
 Dmitry Lukashenko (1980), second son of Alexander Lukashenko
 Galina Lukashenko (1955), wife of Alexander Lukashenko
 Nikolay Lukashenko (2004), third son of Alexander Lukashenko
 Viktor Lukashenko (1975), first son of Alexander Lukashenko
 Volodymyr Lukashenko (1980), Ukrainian sabre fencer.

See also

Belarusian-language surnames
Ukrainian-language surnames
Patronymic surnames
Surnames from given names

Lukashenko (surname)


An Agrostis laxissima in uska species han Liliopsida nga ginhulagway ni Jason Richard Swallen. An Agrostis laxissima in nahilalakip ha genus nga Agrostis, ngan familia nga Poaceae.

Mabibilngan ini ha Guatemala. Waray hini subspecies nga nakalista.

Mga kasarigan

Agrostis

Agrostis laxissima