إيكهارت تول وتُلفظ أصلًا إيكهارت توله (بالألمانية: Eckhart Tolle).

ولد توله في مدينة ليونين الواقعة شمال دورتموند في منطقة الرور في 16 فبراير 1948 هو متحدث وكاتب ألماني المولد كندي الموطن، هو مؤلف كتاب قوة الآن وكتاب A New Earth أو أرض جديدة.

المسيرة المهنية
انتقل توله إلى إنجلترا في عامه التاسع عشر، حيث قام بتعليم كلا من اللغة الألمانية والإسبانية لمدة ثلاثة أعوام في مدرسة لندن للغات.

«الصحوة الروحانية»
في ليلة في عام 1977، عندما كان يبلغ من العمر 29 عامًا، تحدث توله عن اختباره ل «تحول داخلي».

«لا أستطيع العيش مع نفسي بعد الآن، أثارت هذه الجملة العديد من الأسئلة الوجودية من هذه» الأنا«التي لا أستطيع العيش معها؟ ما هذه النفس؟ شعرت بأنني انسحب للفراغ، لم أكن أعرف في ذلك الوقت أن ما حدث حقًا هو الذات العقلانية، بثقلها ومشاكلها، الذات المذبذبة بين الماضي الغير مرضي والمستقبل القلق قد تحللت واختفت. وفي اليوم التالي استيقظت وبداخلي شعور بالسكينة»

مراجع

وصلات خارجية

 الموقع الرسمي لايكهارت تول

أشخاص على قيد الحياة
أشخاص من لونن
ألمان مغتربون في كندا
تطوير الذات
خريجو جامعة لندن
العصر الجديد
كتاب روحانية ألمان
كتاب غير روائيين ذكور ألمان
لاثنائية
معلمون روحيون
مواليد 1948

إيكهارت تول


Jakov-Anton Vasilj, né le  à Zadar en Croatie, est un footballeur croate qui évolue au poste de milieu offensif au Lokomotiva Zagreb.

Biographie

En club
Né à Zadar en Croatie, Jakov-Anton Vasilj est formé par l'un des clubs de sa ville natale, le NK Zadar, puis par l'Hajduk Split avant de poursuivre sa formation au Dinamo Zagreb, qu'il rejoint en juillet 2017 malgré l'intérêt de plusieurs grands clubs européens comme le Liverpool FC. Son père et lui préfèrent toutefois qu'il continue sa progression dans son pays natal. Il est alors considéré comme le plus grand talent de sa génération par le directeur du Dinamo, Tomislav Svetina, qui le compare notamment à Luka Modrić.

Il joue son premier match en première division, le  contre le HNK Šibenik. Il entre en jeu à la place de Martin Baturina et son équipe s'impose par un but à zéro.

Il devient Champion de Croatie en 2021, le club étant sacré pour la 22 fois de son histoire.

Le , Jakov-Anton Vasilj est prêté pour un an et demi au Lokomotiva Zagreb.

En sélection
De 2018 à 2019, Jakov-Anton Vasilj représente l'équipe de Croatie des moins de 17 ans. Il joue en tout sept matchs et marque trois buts. Il marque un but dès sa première sélection, le 27 octobre 2018 contre l'Arménie (victoire 0-3 de la Croatie) et réalise un doublé dès sa deuxième apparition, le 30 octobre suivant face à Andorre, participant ainsi à la victoire de son équipe (3-0).

Jakov-Anton Vasilj joue son premier match avec l'équipe de Croatie espoirs le 31 mai 2021 face à l'Azerbaïdjan. Il entre en jeu à la place de Ante Palaversa lors de cette rencontre remportée par son équipe sur le score de cinq buts à un.

Palmarès
 Dinamo Zagreb
 Championnat de Croatie (1) :
 Champion : 2020-21.

Notes et références

Liens externes

Footballeur croate
Joueur du Dinamo Zagreb
Joueur du Lokomotiva Zagreb
Naissance en juin 2002
Naissance à Zadar

Jakov-Anton Vasilj


Mæander eller mæanderbort er en bort med en sammenhængende streg, som slynger sig rundt og frem og tilbage.

Eksempler

‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝╚╗╔╝═╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚═¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

__╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╔════╗╔══╗╔══╗╔══╗╔══╗╔══╗╔══╗╚═╗║╚═╗║╚═╗║╚═╗║╚═╗║╚═╗║╚═╗╔═╝║╔═╝║╔═╝║╔═╝║╔═╝║╔═╝║╔═╝══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══╝╚══¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╔╗╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚╝╚¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
════════════════════════════════════════════════════════════════╗ ╔════════════╗ ╔════════════╗ ╔════════════╗ ╔══════════╗ ║ ║ ╔══╗ ╔═══╗ ║ ║ ╔══╗ ╔═══╗ ║ ║ ╔══╗ ╔═══╗ ║ ║ ╔══╗ ╔═╔═╬═╝ ║ ║  ║ ║ ╔═╬═╝ ║ ║  ║ ║ ╔═╬═╝ ║ ║  ║ ║ ╔═╬═╝ ║ ║  ║ ║ ║ ╚═══╝ ╚══╝ ║ ║ ╚═══╝ ╚══╝ ║ ║ ╚═══╝ ╚══╝ ║ ║ ╚═══╝ ╚══╝ ║ ╚════════════╝ ╚════════════╝ ╚════════════╝ ╚════════════╝ ════════════════════════════════════════════════════════════

Ornamenter som muligvis er afledt af mæander
Det er muligvis fra naturfænomenet mæander, at man har dannet et ornamentmønster, også kaldet det mæander, hvor de buede slyng er erstattet af retvinklede knæk på lige linjer. Mønstret ses på masser af keramik fra den græsk-romerske oldtid. Ofte kaldes mønstret derfor også à la grecque-bort eller mæanderbort.

Hvis man sammenligner med de keltiske spiralslyng-ornamenter,  kan der dog anes en anden baggrund for mæanderborten. I så fald skal  betegnelsen nok tolkes som et senere tilføjet navn for et mønster, der  fandtes i forvejen, eller at floderne i oldtiden havde navn efter et  mønster som alle kendte.

Mæanderbort galleri

Kunst
Mønstre
Pyntning

Mæanderbort


Richard Biddulph Martin,  baronnet ( - ) est un banquier britannique et un homme politique du Parti libéral (et plus tard unioniste libéral).

Biographie

Il est l'aîné des deux fils de Robert Martin (1808–1897) d'Overbury Court près de Tewkesbury dans le Gloucestershire et de sa femme, Mary Ann (décédée en 1892), qui est la fille de John Biddulph de la société bancaire Cocks, Biddulph & Co. Son frère cadet  est également banquier et statisticien. Robert Martin est un associé de la Grasshopper Bank, qui devient plus tard la Martins Bank.

Il fait ses études à Harrow School et à Exeter College, Oxford, avant de rejoindre la banque de son grand-père maternel . Il devient plus tard l'un des fondateurs de la British North Borneo Company et de l'Institute of Bankers.

Martin se présente pour la première fois aux élections à la Chambre des communes lors des élections générales de 1868, lorsqu'il est candidat malheureux dans la circonscription orientale du Worcestershire. Il échoue à nouveau lors de sa candidature suivante, aux élections générales de 1880 dans la ville de Londres.

Cependant, 3 mois plus tard, il est élu député de Tewkesbury lors d'une élection partielle tenue en juillet 1880 après que le résultat des élections générales d'avril ait été annulé sur pétition. Plusieurs de ses ancêtres ont occupé le siège dans le passé, mais Richard est le dernier Martin à représenter Tewkesbury . L'arrondissement parlementaire de Tewkesbury est aboli en vertu du Reform Act de 1885 et remplacé par une circonscription de comté plus large du Gloucestershire.

Aux élections générales de 1885, il ne se présente pas aux élections dans la nouvelle circonscription Tewkesbury du Gloucestershire, se présentant à la place à Chelmsford dans l'Essex, mais sans succès.

Lorsque le Parti libéral se divise sur le Home Rule irlandais, il rejoint le Parti unioniste libéral dissident et se présente comme unioniste libéral dans la circonscription d'Ashburton dans le Devon, encore une fois sans succès. Il est finalement élu au Parlement lors des élections générales de 1892 en tant que député de Droitwich dans le Worcestershire, en remplacement du libéral unioniste John Corbett, qui a pris sa retraite. Martin resté députe de Droitwich jusqu'à ce qu'il se retire aux élections générales de 1906.

Il est fait baronnet le 12 décembre 1905, d'Overbury Court, dans le Gloucestershire. Il est mort sans enfant et le titre s'éteint à sa mort.

Il est premier directeur de la Fishmongers 'Company de 1899 à 1900, et président de la Royal Statistical Society de 1906 à 1907 .

Références

Liens externes

Membre du Conseil privé d'Irlande
Président de la Royal Statistical Society
Étudiant du Collège d'Exeter
Élève de Harrow School
Baronnet
Député du 27e Parlement du Royaume-Uni
Député du 26e Parlement du Royaume-Uni
Député du 25e Parlement du Royaume-Uni
Député du 22e Parlement du Royaume-Uni
Décès en août 1916
Naissance en mai 1838
Décès à 78 ans

Richard Martin (1er baronnet)


Mario Alberto Carrillo Inchaústegui (nacido el 17 de octubre de 1963 en Pinotepa Nacional, Oaxaca), es un productor y cantante mexicano, hijo del cantautor oaxaqueño Álvaro Carrillo, en su repertorio interpreta las composiciones que dejó su padre haciendo una fusión de bolero, chilena, jazz, rock y pop,<ref>En su repertorio interpreta todas las composiciones que dejó su padre</ref> actualmente es conocido como el heredero musical de Álvaro Carrillo.

Biografía
Mario Carrillo Inchaústegui, nació en la ciudad de Santiago Pinotepa Nacional un 17 de octubre de 1963, es hijo del extinto cantautor mexicano Álvaro Carrillo y Ana María Inchaústegui , tras la muerte de sus padres quedó al cuidado de sus tíos y tras la influencia musical que su padre había marcado en él decide comenzar su formación musical estudiando canto y guitarra clásica en la Ciudad de México, posteriormente ingresó al  Conservatorio nacional de música de México donde culminó sus estudios musicales, fue hasta el año 2004 que decidió lanzar un álbum grabado de forma independiente titulado Con sabor a mi padre, en el cual incluyó todas la composiciones que dieran fama a Álvaro Carrillo haciendo una mezcla de ritmos como bolero, chilena y pop enfocando este material hacia un público más joven de manera que lograra llamar su atención al incluir sonidos modernos, con este disco obtuvo diversos reconocimientos en México y Estados Unidos. Mario Carrillo ha logrado presentarse en diversos escenarios de México y el mundo en países como Alemania, Austria, España, Colombia y Puerto Rico llevando la música de Álvaro Carrillo, también ha tenido participaciones en proyectos de artistas como: Alejandra Robles, Héctor Infanzón, Geo Meneses, Olinka y Susana Harp, tras una temporada fuera de los escenarios actualmente se encuentra preparando lo que será su próxima producción discográfica que se espera que salga a la venta a finales de 2012.<ref> Mario Carrillo: "Un artista completo".</ref>

Discografía

Álbumes de estudio
2002- Cancionero
2000- Con sabor a mi padre

Álbumes en vivo
2000- Con sabor a mi padre (en vivo)

Estilo y concepto musical
El estilo de Mario Carrillo va desde el bolero, la trova, el rock, música mxicana, jazz, pop hasta la chilena que da un sonido de carácter tropical que complementa la sonoridad de los ritmos de las costas de Oaxaca y Guerrero.

Referencias

Enlaces externos

Nacidos en Pinotepa Nacional
Cantantes masculinos de México
Cantantes de Oaxaca
Cantantes en español
Intérpretes de chilena de México

Mario Carrillo Inchaústegui


Pinhead Gunpowder is an American punk rock band that formed in East Bay, California, in 1991. The band currently consists of Aaron Cometbus (drums, lyrics), Bill Schneider (bass), Billie Joe Armstrong (guitar, vocals) and Jason White (guitar, vocals). The band's name comes from a brand of "high octane" green tea served at the Arcata co-op and discovered by Aaron Cometbus during one of his many dumpster diving adventures.

History
Pinhead Gunpowder was founded in Arcata, California, in January 1991 by Aaron Cometbus and Jon Quittner. Cometbus wanted the name "Pinhead Gunpowder", while Quittner wanted to call it "50 Foot Hesher". Along with vocalist Doug "Douggie Grime" Rogers and bassist David "Atlas" Kimmel, the band played once at a party where Cometbus snapped his bass pedal in half in the middle of the set. Shortly after the show, Cometbus moved back to Berkeley, taking the name of the band and some of the songs with him. Quittner stayed in Arcata with the band and they changed their name to 50 Foot Hesher and acquired a new drummer. A few months later, Quittner left the band and the remaining members changed the name to "Lank".

Back in Berkeley, Cometbus formed the second incarnation of Pinhead Gunpowder with Bill Schneider and Sarah Kirsch of The Skinflutes, and Billie Joe Armstrong of Green Day. In June 1991, they recorded their first EP, Tründle and Spring. It was not until April of the following year that the band played their first live show at Punks With Presses in Oakland along with Rancid and The Gr'Ups. The band then released their second EP, Fahizah. In 1993, Kirsch left the band citing personal differences with Armstrong's decision to sign to a major label with Green Day.  Kirsch was replaced by Jason White of Chino Horde. Shortly after, the band embarked on a week long tour of Northern California, Oregon, and Washington in the winter of 1994.

Pinhead Gunpowder performed for the first time in many years during February 2008, debuting three new songs, "Anniversary Song", "West Side Highway", and "On the Ave" .

The band released their latest EP, West Side Highway through Recess Records on August 19, 2008. This marked the band's first new release in 5 years.

Pinhead Gunpowder released a greatest hits album called Kick Over the Traces on June 19, 2009. Also, Pinhead Gunpowder mentioned that in August or September Recess would re-release on vinyl and CD the albums Jump Salty, Carry the Banner, Goodbye Ellston Avenue, Shoot the Moon and Compulsive Disclosure. All of the albums were re-released in assorted colors in early February 2010 through Recess Records, but quickly recalled and destroyed at the request of the band due to issues with the vinyl pressing. The band last performed at a benefit show at 924 Gilman Street in Berkeley, California on February 12, 2010.

Band member, Sarah Kirsch, died in 2012, who had been had been diagnosed with Fanconi anemia, a genetic disorder that can cause leukemia and other cancers.

In March 2021. the band re-issued their entire discography on vinyl.

Band members
Current members
 Billie Joe Armstrong - guitar, vocals (1991–present)
 Aaron Cometbus - drums (1991–present)
 Bill Schneider - bass, vocals (1991–present)
 Jason White - guitar, vocals (1994–present)

Former members
 Sarah Kirsch - guitar, vocals (1991–1994; died 2012)

Songwriting
Aaron Cometbus is the primary writer of Pinhead Gunpowder's songs. During Pinhead Gunpowder's first incarnation, Cometbus and Quittner wrote a handful of songs together, including "In Control", "Losers of the Year", "Certain Things", "Brother", "I Used To", "Stab You in the Eye", and "Cuidado" (The last two songs released by Quittner and Cometbus under the band name "Mundt"). Cometbus often borrows songs recorded by his other bands to release as Pinhead Gunpowder songs, including "Train Station" from Shotwell Coho, "The Great Divide" from Redmond Shooting Stars, "Asheville" from Cleveland Bound Death Sentence, and "On the Ave" and "Landlords" from Astrid Oto. Only three Pinhead Gunpowder songs have been written by Billie Joe Armstrong, under the name "Wilhelm Fink". Those are "27", "New Blood", and "Anniversary Song".

Influences
The bands influences are Ramones, Joni Mitchell, The Replacements, Generation X, Swiz, Code Of Honor, Avengers, and Cheap Trick. They have also done cover versions of many of the songs by these bands or artists.

Discography

Studio albums

Extended plays

Compilation albums

Compilation appearances

References

External links

 Pinhead Gunpowder profile at Punknews.org (Reviews, News, Biography)
 Pinhead Gunpowder on MySpace

Punk rock groups from California
Musical groups from the San Francisco Bay Area
Musical groups established in 1990
Adeline Records artists
Recess Records artists
Hardcore punk groups from California

Pinhead Gunpowder


Gotha Programı'nın Eleştirisi, Karl Marx ve Friedrich Engels'in yakın iş birliği içerisinde bulundukları Alman Sosyal Demokrat Hareketi'nin Eisenach grubuna 1875'in Mayıs ayının ilk haftalarında Marx'ın yolladığı bir mektuba dayanan bir belgedir. Marx'ın devrim stratejisinin program konuları hakkındaki belki de en detaylı açıklamaları ortaya koyan belge, "proletarya diktatörlüğünü", kapitalizmden komünizme geçiş sürecini, proletarya enternasyonalizmini ve işçi sınıfının partisini tartışmaktadır.

Dış bağlantılar
 Gotha Programı'nın Eleştirisi tam metin

Marksizm
Komünist kitaplar
Karl Marx kitapları
Savaş edebiyatı
Komünizm ile ilgili eserler
Gotha

Gotha Programı'nın Eleştirisi


Edward Acquah (* 23. Juli 1935; † 6. Oktober 2011) war ein ghanaischer Fußballspieler. Der 188 Zentimeter große Angreifer wurde auf Grund seines harten Schusses als "Mr. Sputnik" bezeichnet.

Acquah begann seine Karriere bei Sekondi Eleven Wise. 1959 verließ er den Verein, um beim Aufbau eines neuen Teams, Sekondi Ghana Independence, zu helfen. Im kommenden Jahr kehrte Acquah jedoch wieder zu Sekondi Eleven Wise zurück und gewann mit der Mannschaft, die fortan "Western Show Boys" genannt wurde, die Ghana Premier League. 1961 wurde er von Kwame Nkrumahs Verein Accra Real Republicans verpflichtet, wo er bis zur Vereinsauflösung im Februar 1966 unter Vertrag stand; daher kehrte er nach Sekondi zurück, wo er sich im Management seines Jugendvereins engagierte. Während seiner Vereinskarriere soll Acquah über 400 Tore in Liga- und Freundschaftsspielen geschossen haben.

Mit der Nationalmannschaft nahm Acquah an einer Europareise im Jahr 1961 teil; 1963 konnte man den Gewinn der Afrikameisterschaft im eigenen Land feiern. Mit zwei Toren im Vorrundenspiel gegen Äthiopien sowie im Finale gegen den Sudan hatte er entscheidenden Anteil am Erfolg (die Finaltore werden teilweise auch Sturmpartner Wilberforce Mfum zugerechnet). Beim olympischen Fußballturnier 1964 erzielte der vier Mal eingesetzte Acquah ebenfalls zwei Tore. In seiner von 1953 bis 1964 andauernden Nationalmannschaftskarriere sollen Acquah zeitgenössischen Quellen zufolge in 67 Spielen 170 Tore gelungen sein (auch dem zwischen 1955 und 1963 stürmenden Baba Yara sollen immerhin 51 Tore in 49 Spielen gelungen sein, während der Nationalmannschaftsrekord aus heutiger Sicht bei 51 Toren liegt – Asamoah Gyan, 2003 bis 2019). Rsssf zufolge traf Acquah zwischen 1956 und 1964 45 mal in 41 Spielen.

Acquah verstarb nach langer Krankheit im Alter von 76 Jahren.

Weblinks

Einzelnachweise

Fußballnationalspieler (Ghana)
Olympiateilnehmer (Ghana)
Teilnehmer der Olympischen Sommerspiele 1964
Ghanaer
Geboren 1935
Gestorben 2011
Mann

Edward Acquah


Luperosaurus es un género de geckos de la familia Gekkonidae. Son nocturnos y árboreos, que pasan sus días en los troncos de los árboles en los bosques húmedos, y cazan insectos en la noche. Se encuentran en Malasia, Indonesia y  áreas circundantes.

Especies
Se reconocen las siguientes 13 especies:
 Luperosaurus angliit Brown, Diesmos & Oliveros, 2011.
 Luperosaurus brooksii (Boulenger, 1920).
 Luperosaurus browni Russell, 1979.
 Luperosaurus corfieldi Gaulke, Rösler & Brown, 2007.
 Luperosaurus cumingii (Gray, 1845).
 Luperosaurus gulat Brown, Diesmos, Duya, Garcia & Rico, 2010.
 Luperosaurus iskandari Brown, Supriatna & Ota, 2000.
 Luperosaurus joloensis Taylor, 1918.
 Luperosaurus kubli Brown, Diesmos & Duya, 2007.
 Luperosaurus macgregori Stejneger, 1907.
 Luperosaurus palawanensis Brown & Alcala, 1978.
 Luperosaurus sorok Das, Lakim, Kandaung, 2008.
 Luperosaurus yasumai Ota, Sengoku & Hikida, 1996.

Referencias

Enlaces externos

Géneros de reptiles

Luperosaurus


The Power of Myth is a book based on the 1988 PBS documentary Joseph Campbell and the Power of Myth.  The documentary was originally broadcast as six one-hour conversations between mythologist Joseph Campbell (1904–1987) and journalist Bill Moyers. It remains one of the most popular series in the history of American public television.

Overview
The interviews in the first five episodes were filmed at George Lucas's Skywalker Ranch in California, with the sixth interview conducted at the American Museum of Natural History in New York, during the final two summers of Campbell's life. (The series was broadcast on television the year following his death.) In these discussions Campbell presents his ideas about comparative mythology and the ongoing role of myth in human society. These talks include excerpts from Campbell's seminal work The Hero with a Thousand Faces

Documentary series
The documentary series Joseph Campbell and the Power of Myth was broadcast in six parts:

Episode 1: The Hero's Adventure  (first broadcast June 21, 1988 on PBS)
About Campbell, hero types, hero deeds, Jesus Christ, the Buddha, Krishna, movie heroes, Star Wars as a metaphor, an Iroquois story: the refusal of suitors, dragons, dreams and Jungian psychology, "follow your bliss," consciousness in plants, Gaia, Chartres cathedral, spirituality vs. economics, emerging myths, "Earthrise" as a symbol.

Episode 2: The Message of the Myth (first broadcast June 22, 1988 on PBS)
Creation myths, transcending duality, pairs of opposites, God vs. Nature, sin, morality, participation in sorrow, the Gospel of Thomas, Old Time Religion, computers, religion as "software," the story of Indra: "What a great boy am I!," participation in society.

Episode 3: The First Storytellers (first broadcast June 23, 1988 on PBS)
Animal memories, harmonization with body and life-cycle, consciousness vs. its vehicle, killing for food, story: "The Buffalo's Wife," buffalo massacre, initiation ritual, rituals diminishing, crime increasing, artists, the Shaman, the center of the world.

Episode 4: Sacrifice and Bliss (first broadcast June 24, 1988 on PBS)
Chief Seattle, the sacred Earth, agricultural renewal, human sacrifice, sacrifice of the Mass, transcendence of death, story: "The Green Knight," societal dictates vs. following bliss, "hidden hands" guiding life's work.

Episode 5: Love and the Goddess (first broadcast June 25, 1988 on PBS)
The Troubadours, Eros, romantic love, Tristan, libido vs. credo, separation from love, Satan, loving your enemy, the Crucifixion as atonement, virgin birth, the story of Isis, Osiris and Horus, the Madonna, the Big Bang, the correlation between the earth or mother Goddess and images of fertility (the sacred feminine).

Episode 6: Masks of Eternity (first broadcast June 26, 1988 on PBS)
Identifying with the infinite, the circle as a symbol, clowns and masks, epiphanies and James Joyce, artistic arrest, the monstrous as sublime, the dance of Shiva, that which is beyond words.

Companion book

The companion book for the series, The Power of Myth (Joseph Campbell, Bill Moyers, and editor Betty Sue Flowers), was released in 1988 at the same time the series aired on PBS. In the editor's note to The Power of Myth, Flowers credits Jacqueline Kennedy Onassis, as "the Doubleday editor, whose interest in the ideas of Joseph Campbell was the prime mover in the publication of this book." The book follows the format of the documentary and provides additional discussions not included in the original six-hour release.  Chapters:

 Myth and the Modern World
 The Journey Inward
 The First Storytellers
 Sacrifice and Bliss
 The Hero's Adventure
 The Gift of the Goddess
 Tales of Love and Marriage
 Masks of Eternity
 The Tale of Buddha

The Power of Myth is based on the interviews between Joseph Campbell and Bill Moyers that were the basis for the acclaimed television series. It deals with the universality and evolution of myths in the history of the human race and the place of myths in modern society. Campbell blends accounts of his own upbringing and experience with stories from many cultures and civilizations to present the reader with his most compelling thesis that modern society is going through a transition from the old mythologies and traditions to a new way of thinking where a global mythology will emerge.

Some of the material in the first chapter comes from Campbell's previously published books, The Hero with a Thousand Faces and The Masks of God. The main theme of the book is the universality of myths—what Campbell calls "mankind's one great story"— that occur throughout the history of mankind, no matter which epoch or whichever culture or society is considered. Myths are the body of stories and legends that a people perceive as being an integral part of their culture. Before the invention of writing, these stories and legends were handed down from generation to generation in the form of rituals and oral traditions. The reappearance of certain themes, time and again, in different mythologies, leads to the realization that these themes portray universal and eternal truths about mankind.

Campbell defines the function of a mythology as the provision of a cultural framework for a society or people to educate their young, and to provide them with a means of coping with their passage through the different stages of life from birth to death. In a general sense myths include religion as well and the development of religion is an intrinsic part of a society's culture. A mythology is inevitably bound to the society and time in which it occurs and cannot be divorced from this culture and environment. This is true even though Western society previously learnt from, and was informed by, the mythology of other cultures by including the study of Greek and Roman writings as part of its heritage.

The record of the history of the development of a culture and society is embodied in its mythology. For example, the Bible describes the evolution of the Judeo-Christian concept of God from the time when the Jews were in Babylon and the god they worshiped corresponded to a local tribal god, to when the concept became that of a world savior as a result of the Hebrews becoming a major force in the East Mediterranean region. The geographic context of a specific mythology also plays a role in its evolution. The physical scope of Biblical mythology was limited to the general area of the Middle East but in other parts of the world, Chinese and Aztec religions and cultures emerged as separate and distinct belief systems. When different cultures expand their spheres of influence they eventually come into contact with each other, and the outcome of the collision, be it conquest, subjugation, or amalgamation, will be evident in the resultant mythology.

The form and function of mythology in the modern world is the main topic of this chapter and to illustrate his ideas, Campbell recounts aspects of his own earlier life. Without specifically stating it, the assumption is made that the modern world under consideration is that of Campbell's world—the Christian-based, urbanized culture of North America, the so-called Modern Western Society.

Campbell describes his own upbringing as a Roman Catholic and his early fascination with the myths and stories of the American Indians. He recalls the excitement he felt when he realized that the motifs of creation, death, resurrection, and ascension into heaven, which the nuns were teaching him at his school, also occurred in American Indian myths. This was the beginning of his lifelong interest in comparative mythology. Later on in life he found the same universal themes in Hinduism and in the medieval Arthurian legends.

The discussion considers the role of myth and ritual in contemporary society. Contemporary rituals are carried out to mark special events in private lives, such as an individual's marriage or enlistment in a branch of the armed forces and, on public occasions such as the inauguration of civil and national leaders. In the Introduction to the book, Moyers recalls Campbell's description of the solemn state funeral after the assassination of John F. Kennedy, as an "illustration of the high service of ritual to a society," and where Campbell identifies the ritualized occasion as fulfilling a great social necessity.

In general, however, Campbell and Moyers, reach the conclusion that there is a lack of effective mythology and ritual in modern American society. They find nothing that compares with the powerful puberty rituals of primitive societies. They claim that the exclusion of classical studies from the modern educational syllabus has led to a lack of awareness of the mythological foundations of western society's heritage. This, combined with an increased materialism and emphasis on technology, has led to modern youth in New York, becoming alienated from the mainstream of society and inventing their own morality, initiations and gangs.

Marriage, as an example of a paramount modern social institution, becomes the next subject of discussion. Campbell differentiates between marriage and love affairs and imparts some very lofty ideals to marriage, in contrast to love affairs, that he categorically states inevitably end in disappointment. True marriage, in Campbell's opinion, embodies a spiritual identity and invokes the image of an incarnate God. Campbell and Moyers agree that the main objective of marriage is not the birth of children and the raising of families. They discard the concept of perpetuation of the human species as being the primary function of marriage and relegate this to a first stage. This first stage is followed by a second one where the offspring have departed into the world and only the couple is left. Campbell invokes the image of marriage as being an ordeal in which the ego is sacrificed to a relationship in which two have become one. This, he states, is a mythological image that embodies the sacrifice of the visible for a transcendent good. Campbell labels this stage of marriage as the alchemical stage. On the subject of the ritual of marriage, Campbell and Moyers complain that it has lost its force and has become a mere remnant of the original; they contend that the ritual that once conveyed an inner reality is now merely form.

The interviews between Campbell and Moyers are recorded at George Lucas' Skywalker Ranch. Campbell and Lucas became friends when Lucas publicly acknowledged the influence Campbell's writings had on the development of his hugely successful film "Star Wars." Campbell expresses great enthusiasm for this film; a film that he says conforms to classical mythological legends. So it is not surprising that there are many references to the characters from "Star Wars" throughout the book. In a similar fashion, John Wayne is identified as a modern myth and Campbell recalls Douglas Fairbanks as having been a boyhood hero.

At the beginning of this chapter, and in other parts of the book, Campbell states that modern society lacks the stability it previously derived from being educated in the mythology and legends of the Greek and Roman classics. Campbell and Moyers agree that there is no effective mythology in modern society by which individuals can relate to their role in the world. An analysis of the national symbols of the United States is used by Campbell to illustrate the ability for myths to incorporate the beliefs of a whole society and to provide the mythology to unify a nation. More recently, when the image of the earth, taken from the lunar landings, was published, it led to the universal realization that human beings must identify with the entire planet. This concept of the emergence of a new mythology based on global aspects of life is reiterated several times by Campbell.

Star Wars
In the first episode of the series, The Hero's Adventure, and the fifth chapter of the book, "The Hero's Adventure," Moyers and Campbell discuss George Lucas' report that Campbell's work directly influenced the creation of the Star Wars films.
Moyers and Lucas filmed an interview 12 years later in 1999, modeled after The Power of Myth. It was called the  Mythology of Star Wars with George Lucas & Bill Moyers and further discussed the impact of Campbell's work on Lucas' films.

Errata
The words attributed to Chief Seattle, read by Campbell in the fourth episode of the series, were actually written by Ted Perry for a 1972 ecology film called Home. Perry adapted the text from newspaper accounts that were, in turn, published years after Chief Seattle delivered the actual speech.

Views on religious fundamentalism
During the interview, Campbell reveals his views on religious fundamentalism in the modern world.

Related media
Print
 Moyers, Bill and Joseph Campbell. The Power of Myth (1988). Betty Sue Flowers (ed.). New York: Doubleday, hardcover:

Audio
 Joseph Campbell and the Power of Myth with Bill Moyers (2001). Penguin/Highbridge, .

Video
 Joseph Campbell and the Power of Myth with Bill Moyers (2010). Bonus Interview with George Lucas on Mythology from The Mythology of Star Wars, conversation with Campbell from 1981 Bill Moyers Journal. Acorn Media/Athena.

See also
 The Hero's Journey: The World of Joseph Campbell (1987)
 Comparative Mythology

References

External links
Joseph Campbell Foundation Power of Myth page
About.com review of 2011 DVD (retrieved from web.archive.org)
San Francisco Chronicle review
tv.com
Powell's review (book)

1988 American television series debuts
1988 American television series endings
1980s American documentary television series
Books by Joseph Campbell
Comparative mythology
American documentary television films
PBS original programming

The Power of Myth


Norton est un groupe de rock indépendant portugais, originaire de Castelo Branco. Avec trois albums également sortis au Japon, le groupe compte cinq albums studio et deux albums remixes, soulignant leurs tournées en Europe et au Japon.

Biographie

Débuts (2002—2003)
Norton est formé en 2002 dans la ville de Castelo Branco. Comme ils le racontent dans une interview au journal Inside en , Norton est né de l'agrégation de deux groupes (Alien Picnic et Oscillating Fan). Deux personnes sont parties et le groupe de cinq musiciens est créé au bout de six mois de travail.

Le groupe commence à répéter en mai, et décide en , de se lancer dans l'enregistrement de leur premier EP. En 2003, ils sortent l'EP Make Me Sound sur les labels Bor Land et Skud and Smarty Records. Cet EP contient trois chansons (,  et ) et une piste vidéo avec . Le titre  fait partie de la compilation 007 publiée par Bor Land.

(2004—2006)
En 2004, ils sortent leur premier album, , sous le label Bor Land et Skud and Smarty Records. Avec la production de Paulo Miranda, l'album a été enregistrée à Castelo Branco et comporte des apparitions d'invités, par exemple, Rita Redshoes, Leonel Sousa (Alla Polacca) ou Ricardo Coelho (Loto).

Le guitariste Carlos Nunes décède peu après la sortie de l'album. Le groupe arrête donc ses activités et repense son avenir, comme ils l'ont déclaré dans une interview au journal Inside en ,  et que . Le groupe continuera avec 4 éléments, .

De , le morceau et l'album vidéo , entrent dans la compilation Super Castelo Branco, sortie en , qui rassemble exclusivement des groupes de nouvelle musique du district de Castelo Branco. Swirling Sound fait également partie de la compilation New Portuguese Rock, sortie en 2007 par Chiado Records et Farol Música, et Chocolate intègre la compilation , éditée par Bor Land.

En 2005, Norton invite plusieurs artistes nationaux à remixer des morceaux de leur premier album. Le résultat est Frames > Remixes and Versions, qui comprend des remixes de noms tels que Nuno Gonçalves (The Gift), Loto, Noise Reduction (aka Rui Maia de X-Wife) et Kubik. Le disque présente également quatre chansons acoustique, enregistrées pour l'émission 3 Pistas de la station de radio nationale Antena 3. Parmi elles, une reprise de Sunday Morning par le Velvet Underground. En octobre 2005, Norton participe au Festival international du film pour la jeunesse (IMAGO 2005) avec une réinterprétation en direct, au Casino Fundanense (Fundão), de morceaux d'artistes indépendants (My Bloody Valentine, Sonic Youth) intégrés dans les bandes sonores de plusieurs films.

Kersche (2007—2010)
En , Norton sort son deuxième album, Kersche. L'album est masterisé par Emily Lazar aux studios The Lodge, à New York. En prévision de la sortie, le groupe publie deux chansons sur la plateforme Myspace - le single  et , avec Nuno Gonçalves (The Gift). L'année suivante, l'album sera publié au Japon, par Say Hello To Never Recordings, qui inclura en bonus trois remixes inédits de Roger O'Donnell (The Cure), Jaguar (Portugal) et Leander (Allemagne).

En  sort , un album en format numérique édité par Aerotone, dans lequel des musiciens de diverses régions du monde ont remixé des morceaux de Loto, et atteignant des noms comme FM Belfast (Islande), Muxu (Malaisie), Corwood Manual (Allemagne) ou Cars & Trains (États-Unis). En , ils sortent une reprise du tube des années 1980 Pump Up the Jam de Technotronic. En décembre de la même année, ils effectuent leur première tournée européenne qui les mène en Espagne, en Allemagne, en Hollande, au Luxembourg et en France, le groupe donnant plus de concerts en Espagne qu'au Portugal. Le groupe enregistre un spectacle en direct pour Los Conciertos de Radio 3 pour la télévision publique espagnole TVE2. Entre-temps, le guitariste Manuel Simões rejoint la formation. Simões est un musicien de Caldas da Rainha qui a d'abord joué dans le groupe Plasticine, à l'âge de 14 ans, et qui est lié au groupe Gomo.

Au début de l'année 2010, le chanteur Alexandre Rodrigues quitte le groupe et est remplacé par le guitariste Pedro Afonso au chant principal. Également en 2010 Norton sort Make It Last, un morceau inédit écrit pour le film portugais Um Funeral à Chuva, du réalisateur Telmo Martins.

(2011—2013)
En , le troisième album, , sort chez Skud and Smarty Records, déjà avec Pedro Afonso comme chanteur. L'œuvre comprend des morceaux tels que Two Points, Coastline et . La version japonaise de l'album sorti en juin et comprend trois titres acoustiques live exclusifs : ,  et la version britannique de Paris par les Friendly Fires.

En 2012,  reçoit une édition limitée et numérotée sur vinyle blanc qui inclut également en bonus une version de Paris, et le morceau  intègre la compilation . Cette année, ils sortent le , une œuvre contenant six chansons de  jouées en direct en format acoustique lors d'un  à Lisbonne.

Norton (2014—2018)
En , le groupe sort Norton, le quatrième album, qui comprend comme single de présentation, . Avec huit chansons produites par Eduardo Vinhas, Norton sort en CD et en format numérique et a également une édition vinyle rouge limitée, ainsi qu'une édition japonaise. Une fois encore, la tournée qui suit la nouvelle œuvre extrapole le territoire national en sautant la frontière vers l'Espagne. Début 2015, ils sortent la reprise de Lady (Hear Me Tonight) de Modjo, à l'invitation d'Antena 3 pour la célébration du  anniversaire de la radio publique.

En , ils font leur première tournée au Japon, avec trois spectacles en leur nom propre et, un en tête d'affiche, au festival Spin.Discovery. En , ils clôturent la tournée de l'album par un spectacle au Centro Cultural de Belém à Lisbonne.

(2019)
Cinq ans après la sortie de leur dernier album, le groupe sort le nouveau single  le .  présente un album vidéo tourné dans les paysages de Santa Cruz, Torres Vedras et met en vedette la longboardeuse russe Valeriya Gogunskaya.

(depuis 2020)
Le , le groupe annonce un nouvel album intitulé . Le même jour, ils sortent , le deuxième single de l'album, accompagné d'un clip vidéo avec des images de leur tournée au Japon. Le 11 mars 2020, ils sortent 1997, le troisième premier single du nouvel album.  sort le  et leur tournée de lancement voit presque tous les spectacles annulés ou reportés en raison de la crise sanitaire liée au Covid-19.

Le , le groupe sort , un remix réalisé par Peter Kember / Sonic Boom, ancien membre de groupes comme Spacemen 3 et Spectrum, et producteur de groupes comme MGMT, Beach House ou Panda Bear. En octobre 2021, le groupe présente le nouvel album pour la première fois à Lisbonne (théâtre Maria Matos) et à Porto (auditorium CCOP). Ils sortent également le nouveau single Young Blood (Daylight) avec Filipa Leão, chanteuse du défunt groupe Jaguar. Le , ils sont annoncés comme l'un des 16 groupes invités à participer au festival de la chanson de 2022. Le , ils sortent leur nouveau single Hope, la chanson qu'ils interpréteront au Festival de la chanson de 2022.

Membres

Memrbes actuels
 Pedro Afonso — voix, guitare (depuis 2002)
 Rodolfo Matos — batterie (depuis 2002)
 Leonel Soares — basse (depuis 2002)
 Manuel Simões — guitare (depuis 2009)

Anciens membres
 Carlos Nunes — guitare (2002—2004)
 Alexandre Rodrigues — voix (2002—2010)

Discographie

Albums studio
 2004 :  (CD, numérique - Skud and Smarty Records / Bor Land)
 2007 :  (CD, numérique - Skud and Smarty Records ; 2008, CD (Japon), Say Hello to Never Recordings)
 2011 :  (CD, vinyle, numérique - Skud and Smarty Records ; CD (Japon), This Time Records ; 2012, vinyle, Skud and Smarty Records)
 2014 :  (CD, vinyle, numérique - Skud and Smarty Records ; CD (Japon), This Time Records)

Singles et EP
 2003 : Make Me Sound EP (EP, CD, Bor Land : Skud and Smarty Records)
 2004 : Swirling Sound" (CD, Skud and Smarty, promo)
 2007 : Cinnamon and Wine (CD, Skud and Smarty)
 2009 : Pump Up the Jam (CD, Skud and Smarty)
 2010 : Make It Last (CD, Skud and Smarty)
 2011 : Two Points (CD, Skud and Smarty)
 2011 : Coastline (CD, Skud and Smarty)
 2012 : Charlie (CD, Skud and Smarty)
 2012 : Live Acoustic EP  (CD, Skud and Smarty)
 2014 : Magnets (CD, Skud and Smarty)
 2014 : Brava (CD, Skud and Smarty)
 2015 : Lady (Hear Me Tonight) (CD, Skud and Smarty)
 2019 : Changes (CD, numérique, Skud and Smarty)
 2020 : Passengers (numérique, Skud and Smarty)
 2020 : 1997 (numérique, Skud and Smarty)
 2020 : Madrugada (numérique, Skud and Smarty)
 2021 : Galaxies - New Atlantis (Sonic Boom Remix) (numérique, Skud and Smarty)
 2021 : Young Blood (Daylight) feat. Filipa Leão (numérique, Skud and Smarty)
 2022 : Hope (numérique, Universal Music Portugal, Skud and Smarty)

Compilations
 2003 : 007 (CD, Bor Land), chanson : Blue Song
 2003 : Rock Sound Magazine (CD, Rock Sound)
 2005 : Losing Today Magazine (CD, Losing Today (Italie))
 2005 : Adieu - Snowskate Movie (DVD, Switchfilms (Norvège))
 2005 : Super Castelo Branco (CD, Skud and Smarty Records), avec la chanson et clip Swirling Sound
 2005 : Can Take You Anywhere You Want (2xCD, Bor Land), avec la chanson Chocolate
 2007 : Novo Rock Português (2xCD, Chiado Records : Farol Música), avec la chanson Swirling Sound
 2012 : Indiegente 15 Anos (2xCD + double vinyle, Chaosphere Recordings: Ragingplanet) avec la chanson Into the Lights
 2012 : Dancin' Days (CD, Universal Music, bande-son du feuilleton Dancin' Days), chason Two Points
 2019 : Teenagers from Outer Space Comeback (vinyle, Skud and Smarty Records)
 2022 : Festival da Canção 2022'' (numérique / CD, Universal Music Portugal)

Notes et références

Liens externes

Groupe portugais de rock indépendant
Groupe d'indie pop
Groupe musical portugais
Groupe musical formé en 2002

Norton (groupe)


Lupta de la Praid-Sovata a fost o acțiune militară de nivel tactic, desfășurată pe Frontul Român, în timpul campaniei din anul 1916 a participării României la Primul Război Mondial. Ea s-a desfășurat în perioada 16/29 septembrie - 20 septembrie/3 octombrie 1916 și a avut ca rezultat victoria forțelor române, în ea fiind angajate forțe române din Divizia 7 Infanterie, Divizia 8 Infanterie și Divizia 2 Cavalerie și forțe ale Puterilor Centrale din Divizia 39 Infanterie Honvéd, Divizia 72 Infanterie austro-ungară și Brigada 1 Landstrum ungară. A făcut parte din acțiunile militare care au avut loc în bătălia dintre Olt și Mureș .

Contextul operativ strategic

Forțe participante

Dispozitivul forțelor române

Dispozitivul forțelor inamice

Comandanți

Comandanți români
General Ioan Istrate
General Ioan Pătrașcu
General Grigore Basarabescu

Comandanți ai Puterilor Centrale
General Blasius Dáni von Gyarmata
General Georg Hefelle
Colonel Szabo

Planurile de luptă

Desfășurarea acțiunilor militare

Rezultate și urmări

Note

Bibliografie
 Kirițescu, Constantin, Istoria războiului pentru întregirea României, Editura Științifică și Enciclopedică, București, 1989
 Ioanițiu Alexandru (Lt.-Colonel), Războiul României: 1916-1918, vol I, Tipografia Geniului, București, 1929
 ***, Istoria militară a poporului român, vol. V, Editura Militară, București, 1989

Vezi și

 Participarea României la Primul Război Mondial

Bătălii de pe frontul românesc în Primul Război Mondial

Lupta de la Praid-Sovata (1916)


An Schoenus nitens in uska species han Liliopsida nga syahan ginhulagway ni Robert Brown, ngan ginhatag han pagkayana nga asya nga ngaran ni Johann Jakob Roemer och Schult.. An Schoenus nitens in nahilalakip ha genus nga Schoenus, ngan familia nga Cyperaceae.

Subspecies

Ini nga species ginbahin ha masunod nga subspecies:

 S. n. concinnus
 S. n. nitens

Mga kasarigan

Schoenus

Schoenus nitens


O Memorial de Guerra de Hove é um memorial da Primeira Guerra Mundial projetado por Sir Edwin Lutyens e localizado na Grand Avenue em Hove, parte da cidade de Brighton e Hove, na costa sul da Inglaterra. Hove foi o local de um dos primeiros eventos de recrutamento no início da guerra e, posteriormente, de vários hospitais militares. Mais de 600 homens da cidade foram mortos durante a guerra, um quarto deles apenas do regimento local. Um comité do memorial de guerra foi estabelecido em 1919 e Lutyens foi contratado como arquiteto. Um projeto foi estabelecido em 1920 após duas propostas mal sucedidas; Lutyens escolheu o local entre várias opções.

Lutyens projetou uma coluna toscana numa base de três estágios, encimada por uma estátua de São Jorge, padroeiro da Inglaterra. São Jorge, criado no estúdio de Sir George Frampton, segura uma espada pela lâmina numa mão e um escudo na outra. A mesma estátua, com variações, aparece em vários outros monumentos de Frampton, incluindo o Memorial de Guerra de Fordham em Cambridgeshire, também de Lutyens. A base contém várias inscrições dedicatórias mas nenhum nome, que estão registados em placas na biblioteca da cidade.

O memorial foi inaugurado a 27 de fevereiro de 1921 por Lord Leconfield; Lutyens, na Índia, foi representado pelo seu gerente de escritório. É um edifício classificado de grau II.

Antecedentes
Após a Primeira Guerra Mundial e as suas baixas sem precedentes, milhares de memoriais de guerra foram construídos em toda a Grã-Bretanha. Entre os designers de memoriais mais proeminentes estava o arquiteto Sir Edwin Lutyens, descrito pela Historic England como "o principal arquiteto inglês da sua geração". Lutyens estabeleceu a sua reputação ao projetar casas de campo para clientes ricos por volta da viragem do século XX e mais tarde construiu grande parte de Nova Delhi, contudo a guerra teve um efeito profundo sobre ele. A partir daí, dedicou grande parte do seu tempo a comemorar as baixas da guerra. Tornou-se conhecido por O Cenotáfio em Londres, que se tornou o memorial nacional da Grã-Bretanha, e pelo seu trabalho para a Imperial War Graves Commission.

Localizada na costa sul da Inglaterra, Hove foi o local de uma estação de Reserva Voluntária da Marinha Real antes da Primeira Guerra Mundial. O estabelecimento cresceu em importância com a iminência da guerra e a 1.ª Esquadra de Batalha visitou a cidade em julho de 1914 a convite do presidente da cidade. Hove Town Hall foi palco de um dos primeiros eventos de recrutamento em larga escala no mês seguinte, após a declaração de guerra da Grã-Bretanha à Alemanha e o subsequente esforço para expandir as forças armadas. Longas filas de homens de Hove, Portslade e arredores marcharam para o edifício para se alistarem, tendo sido abordados pelo romancista Sir Arthur Conan Doyle. Hospitais de campanha, incluindo um na Escola de Gramática de Brighton, Hove e Sussex na cidade, foram estabelecidos ao longo da costa sul para cuidar de militares feridos evacuados da França. Outras escolas e grandes edifícios foram ocupados de forma semelhante, e o hospital local tratou de quase 900 homens ao longo da guerra. A cidade também hospedou várias famílias de refugiados belgas e um contingente de prisioneiros de guerra alemães. Mais de 600 homens de Hove morreram na guerra, dos quais 163 serviam no regimento local, o Royal Sussex.

Comissionamento
A proposta de um memorial de guerra em Hove apareceu pela primeira vez na secção de notas da sacristia de um jornal local. Como em muitos lugares, um comité do memorial de guerra foi formado para cuidar das comemorações da cidade e arrecadar fundos, iniciando os seus trabalhos em janeiro de 1919. Houve pedidos de dentro da comunidade para um memorial funcional, como um salão de reuniões - que seria benéfico para os vivos - em vez de um monumento decorativo. Em maio, o comité decidiu alocar uma pequena parte dos seus fundos para um memorial decorativo, com o restante a ser usado para fins práticos, como doações para viúvas de guerra e órfãos. Eles escolheram Lutyens para projetar o monumento, desejando um arquiteto eminente. A primeira proposta de Lutyens foi para um cenotáfio, e ele construiu uma maquete de madeira para exposição pública à beira-mar. O cenotágio foi rejeitado pela opinião pública, assim como a sua proposta seguinte, um obelisco. O projeto de sucesso, para uma estátua e coluna, foi acordado em março de 1920. A primeira escolha de local do comité foi no Jardins Palmeira, mas o proprietário recusou a permissão, deixando o comité com três locais na Grand Avenue. Em junho de 1920, Lutyens visitou Hove e escolheu um local no meio da estrada, próximo ao extremo norte e paralelo à estátua da Rainha Vitória no extremo sul. Lutyens projetou dezenas de memoriais de guerra em toda a Inglaterra, embora o de Hove fosse o único em Sussex. Muitos memoriais de guerra foram adiados por desentendimentos locais ou problemas de arrecadação de fundos, mas o de Hove ocorreu de forma relativamente tranquila depois de o projeto ter sido acordado. O projeto foi um dos primeiros de Lutyen a ser concluído.

Design

O memorial consiste numa estátua de bronze de São Jorge no topo de uma coluna de pedra. A estátua usa uma armadura de estilo renascentista e segura uma espada pela lâmina abaixo do punho na mão direita e um escudo na esquerda. A figura era uma versão modificada de um desenho genérico do estúdio de Sir George Frampton, embora não haja evidências de que o escultor estivesse pessoalmente envolvido. São Jorge fica num pedestal no topo de uma coluna toscana. Na parte inferior da coluna há um dado quadrado de dois estágios (a secção do meio), que contém as inscrições e, abaixo dele, uma base de dois blocos quadrados de pedra. Todo o memorial fica em três degraus rasos de pedra, levando o memorial a uma altura total de 10 metros. Nos cantos do degrau inferior estão postes de amarração baixos de pedra, parte do projeto original; ao lado deles estão os pilares de luminárias de metal, que foram adicionados posteriormente.

A inscrição principal está na face norte:

As datas das guerras estão inscritas acima da dedicação. A face sul ostenta a frase "O seu nome vive para sempre", uma citação bíblica sugerida a Lutyens por Rudyard Kipling e que aparece em muitos dos memoriais de Lutyens. As datas da Primeira e da Segunda Guerra Mundial estão inscritas em algarismos romanos em cada face superior do pedestal: "MCMXIV TO MCMXIX" (1914–1919) nas faces norte e sul e "MCMXXXIX TO MCMXLV" (1939–1945) nas faces leste e oeste. As inscrições relativas à Segunda Guerra Mundial foram adicionadas após esse conflito. Nenhum nome está listado no memorial. Em vez disso, 631 nomes foram gravados numa série de placas de latão, emolduradas em carvalho e montadas na entrada da Biblioteca de Hove.

As colunas eram bastante incomuns como memoriais da Primeira Guerra Mundial na Grã-Bretanha. Onde eles foram encimados por uma escultura, figuras alegóricas como Vitória eram a escolha mais comum, mas vários comités memoriais escolheram São Jorge, o santo padroeiro da Inglaterra. Variações do modelo de Frampton aparecem em vários lugares, o primeiro (um memorial da Guerra dos Bôeres) no Colégio de Radley, em Oxfordshire. Outro encontra-se em Maidstone, em Kent, e Lutyens produziu um projeto quase idêntico para o Memorial de Guerra de Fordham em Cambridgeshire, revelado no mesmo ano que o de Hove. Todos têm alguma semelhança com as estátuas de David do escultor renascentista Donatello. São Jorge era tradicionalmente usado para incorporar tradições de bravura, cavalheirismo e honra, cujas características também eram aplicadas aos mortos de guerra da Grã-Bretanha.

A Guide to the Buildings of Brighton chama o memorial de uma "homenagem elegante e contida aos cidadãos de Hove que morreram durante a Primeira Guerra Mundial" e a Historic England o descreve-o como "uma testemunha eloquente dos trágicos impactos dos eventos mundiais nesta comunidade". Alasdair Glass, num artigo para a Regency Society of Brighton and Hove, comparou-o desfavoravelmente ao vizinho Memorial de Guerra de Lewes. Glass descreveu a coluna como "inexpressiva" e "diminuída pela sua configuração no vazio da Grand Avenue" e a estátua como "formulária e sem originalidade", dada a sua semelhança com outras obras de Frampton. Glass também criticou o posicionamento de São Jorge de costas para o mar, em comparação com o de Lewes, que fica voltado para o leste em direção aos campos de batalha.

História

O custo total do memorial foi de 1537 libras (1920). Foi revelado no dia 27 de fevereiro de 1921 por Charles Wyndham, 3.º Barão Leconfield, Lorde Tenente de Sussex, 11 meses após o artigo de jornal que o motivou. Lutyens estava na Índia, a trabalhar no seu projeto para Nova Delhi, mas enviou o seu gerente de escritório, A. J. Thomas, no seu lugar. Milhares de pessoas locais compareceram à cerimónia de inauguração, incluindo 1000 parentes daqueles que faleceram. A cerimónia terminou com o arriar das bandeiras e quatro corneteiros tocando o "Last Post". Membros do público e organizações locais colocaram coroas de flores e outros tributos florais, incluindo o Brighton & Hove Albion Football Club, que perdeu quatro jogadores e um membro da equipa durante a guerra. A altura do memorial e a inclinação da estrada significam que o memorial tem vista para o mar e para a estátua de Sir Thomas Brock da Rainha Vitória (1901). O seu ambiente era espaçoso e tranquilo quando foi construído, mas desde então ficou ocupado com o tráfego.

Lutyens adaptou o projeto para uma proposta de memorial de guerra em Shere, Surrey, mas o comité do memorial optou por um arquiteto e design diferentes. O Memorial de Guerra de Hove foi designado como edifício classificado de grau II no dia 2 de novembro de 1992, o que significa que é considerado de interesse arquitetónico ou histórico especial. O estatuto da obra classificada fornece proteção legal contra demolição ou modificação contra o propósito ou estética da obra. Em 2015, como parte das comemorações do centenário da Primeira Guerra Mundial, os memoriais de guerra de Lutyens foram reconhecidos como uma coleção nacional e todos os seus memoriais independentes na Inglaterra, incluindo o de Hove, foram classificados ou tiveram as suas entradas de lista atualizadas com novas pesquisas.

Bibliografia

Edifícios e estruturas terminadas em 1921
Hove
Esculturas de 1921
Memoriais da Primeira Guerra Mundial
Monumentos do Reino Unido

Memorial de Guerra de Hove


A bouldering mat or crash pad is a foam pad used for protection when bouldering. Bouldering mats help prevent climbers from injuring themselves when falling from short heights.

Description
Bouldering mats are made in various sizes and styles. The most common is a "bi-fold" mattress, about  thick and about  in size, which can be folded in half for easy transport. There are also bi-fold mats of other sizes and tri-fold pads that fold in thirds (which tend to be larger). Smaller, thinner mats are also used to keep shoes clean, to sit on during sit starts, or to cover gaps between larger mats.

Bouldering mats often contain two or three different kinds of foam. Softer foam below firmer, higher-density foam prevents a climber's foot from sinking through the foam and either impacting the ground or getting stuck in the mat, which would increase the chance of injury. Mats are often used to cover dangerous sections of the ground below a climb, such as protruding rocks or grass tufts. Usually, mats are paired with one or two spotters, who try to ensure that a falling climber lands on the mat and does so safely.

Bouldering mats often have shoulder straps so that they can be worn while hiking to and between boulders. Many mats also often have pockets for storage or straps that allow climbers to turn the pad into a pack by stuffing other gear inside the folds.

Bi-fold mats come in three designs: "taco", "hinge", and "hybrid". Taco mats are a single section of foam that bends in the middle when folded. Hinge mats are two sections of foam connected with a hinge. Hybrid mats feature a single bending section of foam on top of two separate hinge-connected pads.

See also

Rock-climbing equipment

References

External links
Bouldering Mats, UKClimbing (2023)

Climbing equipment
Bouldering

Bouldering mat


Malmøkonventionen var en dansk-preussisk aftale under Treårskrigen. Konventionen blev ingået den 26. august 1848 i Malmø. På det tidspunkt var hele Slesvig (Sønderjylland) på nær Als og Ærø besat af tyske tropper. Ifølge aftalen skuile hertugdømmerne rømmes af de danske og tyske tropper og magten overdrages til en dansk-preussisk fællesregering, som skule afløse insurgenternes provisoriske regering. Fællesregeringen kom dog aldrig til at fungere. Konventionens kommissærere var de to underhandlere Holger Reedtz (Danmark) og von Wildenbruch (Preussen).

Baggrund
Den 24. marts 1848 udråbte tyske slesvig-holstenerne en provisorisk regering i Kiel. Samme dag overtog oprørsstyrker under kommando af den provisoriske regerings krigsminister, Frederik af Nør, den danske fæstning i Rendsborg. Efter overrumplingen af Rendsborg trængte de slesvig-holstenske tropper mod nord, men blev slået tilbage den 9. april i slaget ved Bov. Preussen og det tyske forbund besluttede imidlertid at komme oprørerne til hjælp og den 18. april 1848 erklærede det tyske forbund Danmark krig samtidigt med at preussiske tropper under general Wrangel rykkede op gennem Holsten. I sommeren 1848 var Holsten og store dele af Slesvig (Sønderjylland) besat af tyske (især preussiske) forbundstropper og slesvig-holstenske tropper.

På initiativ af Storbritannien, Rusland og Frankrig kom det i juni 1848 til forhandlinger mellem Preussen og Danmark. Den 2. juli 1848 blev der endelig indgået en aftale om en våbenstilstand og en fælles dansk-tysk regering, som dog ikke kom i stand på grund af grund af general Wrangels modstand og komplikationerne på tysk side. I anden omgang den 26. august 1848 lykkedes det dog af få aftalen på plads. En stor del af de preussiske og danske tropper skulle trækkes ud af hertugdømmerne, den slesvig-holstenske hær skulle skæres ned og splittes op i en slesvigsk og holstensk del. Den provisoriske regering skulle træde tilbage den 26. august 1848 og erstattes af en dansk-preussisk fællesregering, som i samvirke skulle regere begge hertugdømmer. Den provisoriske regerings love skulle kun få gyldighed, hvis fællesregeringen satte den i kraft igen. Våbenstilstanden skulle gælde gælde for syv måneder (og ikke som først aftalt for tre måneder).

Under forhandlingerne foreslog briterne en deling af Slesvig. Det viste sig, at selv de danske nationalliberale var ved at affinde sig med tanken om en deling . Udenrigsminister F.M. Knuth gik ind for en grænsedragning ved linjen Gelting-Nibøl-Husum og Orla Lehmann skitserede i juni en tredeling af Slesvig i en rent dansk (nord for Bov-Møgeltønder), en rent tysk (syd for Slien-Dannevirke-Husum) og en blandet del. I den danske offentlighed vakte forslagene om en deling forargelse. I løbet af september 1848 fremkom der tolv underskriftindsamlinger mod forslaget fra den dansktalende del af Slesvig . Heller ikke fra slesvig-holstensk side var man indstillet på at dele hertugdømmet. Og den 18. september 1848 afviste Frederik 7. tanken om en deling  med ordene Det skal ej ske .

Traktaten blev den 22. februar 1849 opsagt af Danmark. Herefter begyndte anden fase af Treårskrigen.

Litteratur
 Holger Hjeltholt: Om tilblivelsen af fællesregeringen for hertugdømmerne af 22. oktober 1848, i: Historisk Tidsskrift, bind 11, række 6, 196 -1962
 Holger Hjelholt: Sønderjylland under Treårskrigen, i: Historisk Tidsskrift, bind 11, række 6, 196 -1962
 Erling Ladewig Petersen: Martsministeriets Fredsbasisforhandlinger, i: Historisk Tidsskrift, Bind 11. række, 4 (1953 - 1956)

Noter

Treårskrigen

Malmøkonventionen (1848)


es una serie japonesa de manga escrito e ilustrado por Morishige y publicado por Akita Shoten. La historia presenta a un pelotón de combate de seis niñas (Koi Koi Seven) que pertenecen a la Academia Goko en la que deben luchar a diario para proteger la paz de la Tierra y el futuro, así como la esperanza de Tetsuro Tanaka. Koi Koi Siete comenzó su serialización en la revista Shōnen manga Champion Red en 2002 y finalizó en 2006. La serie fue adaptada en una serie de anime de trece episodios de televisión, que emiten entre 4 de abril 2005 y 26 de junio de 2005.

Trama
Tetsuro Tanaka es transferido a Gokoh lleno de grandes expectativas de la Academia. Sin embargo, las expectativas se desvanecen con un mal presentimiento en el momento en que da los pasos en el campus y encuentra que todos los estudiantes excepto él son niñas. Una serie de extraños sucesos caen sobre él. Luego, seis niñas que se llaman Koi Koi Siete aparecen como sus guardianes. Un ejército de helicópteros de combate y cañones antitanque de ataque, Tetsuro no los usaría por ninguna razón en particular en su intento por sobrevivir cada día en la academia. Rodeado por muchas chicas se mete en problemas todos los días porque a menudo las ve desnudas, generalmente por error. En el dormitorio el mismo problema que continúa con el Koi Koi 7 del equipo caminando alrededor de la casa en su ropa interior. Además de esto, Celonious 28 también va tras él todo el tiempo porque quiere estar con él. Además, Asuka Yayoi se siente celosa de él porque lo ama y no quiere que él ande con otras chicas, lo que es muy difícil porque él es el único chico en la escuela y las chicas lo persiguen todo el tiempo. En general, cada chica del equipo de Koi Koi 7 tiene sentimientos secretos hacia Tetsuro, pero no los muestran.

Personajes
 Es el personaje principal masculino de la historia. Se convierte en el foco de atención para toda la escuela ya que es el único estudiante masculino. Parece que no puede recordar la razón por la cual Yayoi siempre quiere estar con él. También trata de una situación difícil cuando por error se ve en el sujetador y las bragas de sus compañeras de cuarto.
 Es la protagonista principal de la historia. Ella es parte de un grupo de chicas que se llaman a sí mismos los "Koi Koi 7". Ella había conocido a Tetsuro, al parecer cuando eran más jóvenes. Ella dice tener una razón para querer estar con él todo el tiempo. A ella le gusta el pan de cangrejo, una característica que a menudo es explotada por Gokoh Cinco. Ella también tiene la capacidad de volar y tiene alas de ángel blanco. Sin embargo a veces se convierte en molesto para Tetsuro que lo llevó a no hacerle caso.
 Ella es una de las compañeras de cuarto Tetsuro. Ella es una experta en armas de fuego y muchas veces se ve tirando de ellos de la nada (incluyendo una bazooka). Ella es la más locuaz y la que siempre se pone a Tetsuro. Ella lo llama Tetsuro "kinky" y trata de expresar sus sentimientos hacia él con ideas kinky de sí misma. Ella siempre se siente cómoda y no le importa caminar desnuda, aunque Tetsuro se encuentre en frente de ella. Esto hace que su personaje principal atractivo en la imaginación de Tetsuro sea ella. Ella también tiene una tendencia a fumar y saltarse las clases y otros creen que es una delincuente.
 Es otra compañera de cuarto de Tetsuro. Ella puede usar su pelo para formar un escudo casi impenetrable o como un arma de ataque. Ella es muy popular en la escuela a pesar de que le resulta molesto. En el anime su formación sigue siendo un misterio, que solo muestra su corte en la muñeca y la sangre fluye hacia fuera. Ella cree que Tetsuro es diferente de los otros chicos porque siempre se preocupa por ella. En otras palabras, ella también siente algo por él. También ha expresado su falta de cuidado de la vida de las otras Koi Koi siete como agarrarlas alrededor de la garganta con su pelo y tirando de ellos a lo largo ya que son demasiado lentas.
 Otra de las compañeras de Tetsuro. Rivalizando con Otome para el pecho más plano, normalmente se calma hasta que la provoca. Ella es la única que es más fuerte que Akiwo. Ella tiende al jardín de la escuela común y generalmente es buena amiga de Akiwo. Había sido muy injusta con Tetsuro mientras ella lo tiró al suelo porque vio su trasero por error.
 Es otra compañera de Tetsuro. Ella es tiene senos muy grandes y tiene el cabello naranja. Ella tiene poderes como "Superman", como super fuerza y la capacidad de volar. Sin embargo, ella ha mencionado que no siempre ha sido así. Ella le dijo a Tetsuro que solía ser alguien que estaba muy débil y tuvo que ser rescatada todo el tiempo. Ella explicó que siempre se decía a sí misma que debía cambiar. También es una gran fan de "Kinorangers", que es más probable que sea parodia de la serie Super Sentai 1980 Denshi Sentai Denjiman desde sus trajes se asemeja a la Suits Denjiman. Ella fue la que ha de venir con el nombre de Koi Koi 7. Ella cree que cada persona puede ser muy fuerte. Así que ella se sentía orgullosa de Tetsuro cuando disparó el monstruo pervertido. Después de que ella comenzó a sentir algo por él también. A menudo se va por su cuenta.
 Es otra de las compañeras de Tetsuro. Ella tiene una personalidad muy tranquila que la hace menos agresiva que las otras chicas en el grupo. En el anime se ha visto "cargar" con un tapón durante el desayuno, también en el grupo que ella es la persona que da las órdenes y la información al resto del grupo después de analizar los datos. Los comentarios de Otome a menudo incluyen palabras como "incomprensible", haciéndola "como un robot". Más tarde, en el anime se revela como un robot. A pesar de que es un robot, que todavía sueña y tiene sentimientos como los sentimientos que ella tiene para Tetsuro, a pesar de que ni siquiera puede comprender los sentimientos de ella. Sin embargo Tetsuro la hizo muy feliz diciéndole que ella es una chica absolutamente normal. Que lleva cintas grandes en el cabello.
Kozoma (la gente que se unió a la escuela en su último año) Este grupo incluye a los seis niñas en el Koi Koi 7, además de Tetsuro.
 (de pelo corto gris, con uniforme negro) una misteriosa chica con un parche en el ojo. Ella cree que es el Yayoi real y que ella y Tetsuro se reunieron en su pasado, debido a que es una parte de un sistema de seguridad nacional diseñada para vigilar y proteger a Yayoi y Tetsuro. Ella fue reconstruida como una ginoide y a través de los acontecimientos de la historia fue destruido en su mayoría. Con toda su memoria borrada es reconstruida como una robot, pero en una forma mucho más joven (como Otome, como lo es en su cuerpo de repuesto), que ahora se llama Gantai, tiene la mentalidad de un niño. Al principio pensó que nadie la quería, pero Tetsuro cambia su opinión cuando le muestra que todo el mundo le ama. Después de que ella trata de hacerse cargo de Tetsuro y hacerlo feliz. La voz de Nana Mizuki.
 La profesora, que también vivía en la residencia estudiantil con Tetsuro y las chicas de Koi Koi 7. Ella tenía sentimientos por el padre de Tetsuro antes de que lograra abrir la puerta del cielo. Ella es también un mecánico.
 El director misterioso que tiene conocimiento oculto acerca de Tetsuro. Su misión es detener al padre de Tetsuro antes de que haga algo malo.
 Es la nieta del fundador de la escuela. Ella es oficiosa y se da auto-importancia. Ella y su pandilla, el Gokoh cinco, están en constante después de Tetsuro.
 Es la segunda al mando en el Gokoh Cinco. Ella también tiene una personalidad secreta como espía en la escuela con el fin de observar los movimientos del padre de Tetsuro.
 Es una miembro del Gokoh Cinco. Ella es muy nerviosa.
 Es una miembro del Gokoh Cinco.
 Es una miembro del Gokoh Cinco. Ella es más lógica y sensible.
 Es una estudiante que está locamente enamorada de Satou. Ella escribió un libro de lesbianas.
 Es una estudiante que está locamente enamorada de Yamada. Al principio ella no quería tener una relación con Yamada, pero al final la ama.

El padre de Tetsuro es un hombre misterioso que está furioso porque el Consejo rechazó su investigación. Y trata de vengarse de los robots como Celonious 28.

Medios

Manga
El Sumomomo Momomo es una serie de manga que fue publicado por primera vez en el manga japonés en la revista Champion Red en 2004, publicado por Akita Shoten. Más tarde, los capítulos individuales fueron recogidos en volúmenes encuadernados, y 9 de estos volúmenes han sido lanzados en Japón. El manga en total tiene 41 capítulos.

Anime
Una adaptación al anime producido por Studio Flag se emitió entre 2 de abril y 25 de junio de 2005. El anime consistió en 13 episodios y dos especiales cortas fueron puestos en libertad con los discos DVD el 27 de enero de 2006.

Los episodios pueden verse en el Anexo:Episodios de Koi Koi 7.

Véase también

Referencias

Enlaces externos
 Koi Koi Seven (manga) en la enciclopedia de Anime News Network.

Manga de 2002
Anime de 2005
Manga publicado en Champion Red
Anime y manga romántico
Anime y manga cómico
Anime y manga harem
Anime y manga fantástico

Koi Koi 7


Die Liste der denkmalgeschützten Objekte in Štiavnické Bane enthält die 11 nach slowakischen Denkmalschutzvorschriften geschützten Objekte in der Gemeinde Štiavnické Bane im Okres Banská Štiavnica.

Denkmäler

Legende

Einzelnachweise

Weblinks

!
Stiavnicke Bane
!


Le vicende d'amore (título original en italiano; en español, Las vivencias de amor) es un intermezzo in musica a cinco voces en dos partes con música de Pietro Alessandro Guglielmi y libreto de Giovanni Battista Neri. Se estrenó en el Teatro Valle de Roma en el carnaval de 1784.

En tiempos modernos el intermezzo fue repuesta por vez primera el 30 de abril de 2006 en el Teatro Comunale Guglielmi de Massa, bajo la dirección de Paolo Biancalana. En esta ocasión fue efectuada también la primera grabación absoluta de esta obra.

Enlaces externos

Óperas de Pietro Alessandro Guglielmi
Óperas en italiano
Óperas de 1784
Óperas estrenadas en Roma

Le vicende d'amore


Katrín Hannesdóttir (1920?). Foreldrar hennar voru Guðrún Björnsdóttir sýslumanns í Ögri og Hannes Eggertsson hirðstjóri sem var af norskum lögmannsættum. Alls eignuðust þau 7 börn en Guðrún bjó með þeim á Núpi í Dýrafirði. Eftir þrjú húsbrot, tvö á Núpi og eitt á Bessastöðum á skömmum tíma fluttust þau til Þýskalands nálægt Hamborg og dvöldu þar nokkur ár. Hannes var ölkær og sagt að hann hafi látist á kamri á Bessastöðum segja aðrir að hafi skeð á fljótabáti á ánni Elbu og Guðrún þá flust heim með börn sín. Eggert, bróðir Katrínar, var í sveinaliði Gissurar Einarssonar sem var fyrsti lúterski biskupinn vígður 1543. Hann bað Karínar og hún verður því fyrsta biskupsfrú í lúterskum sið í Skálholti. Þau höfðu margt sameiginlegt því Gissur hafði lært í þýskalandi á svipuðum tíma og Katrín var þar. Þau eignuðust tvö börn sem létust í frumbernsku. Gissur lést árið 1548. Jón Arason hólabiskup gróf upp lík Gissurar tveimur árum síðar í kirkjunni og setti í poka og huslaði út fyrir garð með svívirðingum því hann taldi hann trúvilling sem hefði vanhelgað kirkjuna og trúna. Katrín hefur að líklindum verið enn í Skálholti þá því hún giftist síðar Þórði Marteinssyni sem var elsti sonur og skiptabússtjóri næstakjörna biskups og þau kynnast þar. Þau bjuggu svo á Breiðabólsstað í Fljótshlíð í tvö ár uns Þórður lést og eftir það flutti Katrín aftur vestur og ánafnaði fátækum þær eigur sem hún átti í skemmu sinni.

Heimildir

Jón Halldórsson í Hítardal, Biskupasögur I, Sögufélagið 1903-10.

Hildur Hákonardóttir, Hvað er svona merkilegt við það að vera biskupsfrú? Forlagið Sæmundur 2019.  ISBN 978-9935-493-20-0

Katrín Hannesdóttir


The Pulitzer Prize for Investigative Reporting has been awarded since 1953, under one name or another, for a distinguished example of investigative reporting by an individual or team, presented as a single article or series in a U.S. news publication.  It is administered by the Columbia University Graduate School of Journalism in New York City.

From 1953 through 1963, the category was known as the Pulitzer Prize for Local Reporting, No Edition Time.  From 1964 to 1984, it was known as the Pulitzer Prize for Local Investigative Specialized Reporting.

The Pulitzer Committee issues an official citation explaining the reasons for the award.

Pulitzer Prize for Local Reporting, No Edition Time

 1953: Edward J. Mowery of New York World-Telegram & Sun, "for his reporting of the facts which brought vindication and freedom to Louis Hoffner."
 1954: Alvin McCoy of The Kansas City Star, "for a series of exclusive stories which led to the resignation under fire of C. Wesley Roberts as Republican National Chairman."
 1955: Roland Kenneth Towery of Cuero Record (Texas), "for his series of articles exclusively exposing a scandal in the administration of the Veterans' Land Program in Texas. This 32-year-old World War II veteran, a former prisoner of the Japanese, made these irregularities a state-wide and subsequently a national issue, and stimulated state action to rectify conditions in the land program."
 1956: Arthur Daley of The New York Times, "for his outstanding coverage and commentary on the world of sports in his daily column, Sports of the Times."
 1957: Wallace Turner and William Lambert of Portland Oregonian, "for their exposé of vice and corruption in Portland involving some municipal officials and officers of the International Brotherhood of Teamsters, Chauffeurs, Warehousemen and Helpers of America, Western Conference. They fulfilled their assignments despite great handicaps and the risk of reprisal from lawless elements."
 1958: George Beveridge of Evening Star (Washington, D.C.), "for his excellent and thought-provoking series, "Metro, City of Tomorrow," describing in depth the urban problems of Washington, D.C., which stimulated widespread public consideration of these problems and encouraged further studies by both public and private agencies."
 1959: John Harold Brislin of Scranton Tribune and Scrantonian, "for displaying courage, initiative and resourcefulness in his effective four-year campaign to halt labor violence in his home city, as a result of which ten corrupt union officials were sent to jail and a local union was embolden to clean out racketeering elements."
 1960: Miriam Ottenberg of Evening Star (Washington, D.C.), "for a series of seven articles exposing a used-car racket in Washington, D.C., that victimized many unwary buyers. The series led to new regulations to protect the public and served to alert other communities to such sharp practices."
 1961: Edgar May of Buffalo Evening News, "for his series of articles on New York State's public welfare services entitled, Our Costly Dilemma, based in part on his three-month employment as a state case worker. The series brought about reforms that attracted nationwide attention."
 1962: George Bliss of Chicago Tribune, "for his initiative in uncovering scandals in the Metropolitan Sanitary District of Greater Chicago, with resultant remedial action."
 1963: Oscar Griffin Jr. of Pecos Independent and Enterprise, "who as editor initiated the exposure of the Billie Sol Estes scandal and thereby brought a major fraud on the United States government to national attention with resultant investigation, prosecution and conviction of Estes."

Pulitzer Prize for Local Investigative Specialized Reporting
 1964: James V. Magee, Albert V. Gaudiosi and Frederick Meyer of Philadelphia Bulletin, "for their exposé of numbers racket operations with police collusion in South Philadelphia, which resulted in arrests and a cleanup of the police department."
 1965: Gene Goltz of Houston Post, "for his exposé of government corruption Pasadena, Texas, which resulted in widespread reforms."
 1966: John Anthony Frasca of Tampa Tribune, "for his investigation and reporting of two robberies that resulted in the freeing of an innocent man."
 1967: Gene Miller of Miami Herald, "for initiative and investigative reporting that helped to free two persons wrongfully convicted of murder."
 1968: J. Anthony Lukas of The New York Times, "for the social document he wrote in his investigation of the life and the murder of Linda Fitzpatrick."
 1969: Al Delugach and Denny Walsh of St. Louis Globe-Democrat, "for their campaign against fraud and abuse of power within the St. Louis Steamfitters Union, Local 562."
 1970: Harold Eugene Martin of Montgomery Advertiser and Alabama Journal, "for his exposé of a commercial scheme for using Alabama prisoners for drug experimentation and obtaining blood plasma from them."
 1971: William Jones of Chicago Tribune, "for exposing collusion between police and some of Chicago's largest private ambulance companies to restrict service in low income areas, leading to major reforms."
 1972: Timothy Leland, Gerard M. O'Neill, Stephen A. Kurkjian and Ann Desantis of The Boston Globe, "for their exposure of widespread corruption in Somerville, Massachusetts."
 1973: The Sun Newspapers Of Omaha, "for uncovering the large financial resources of Boys Town, leading to reforms in this charitable organization's solicitation and use of funds contributed by the public."
 1974: William Sherman of New York Daily News, "for his resourceful investigative reporting in the exposure of extreme abuse of the New York Medicaid program."
 1975: Indianapolis Star, "for its disclosures of local police corruption and dilatory law enforcement, resulting in a cleanup of both the Police Department and the office of the County Prosecutor."
 1976: Staff of Chicago Tribune, "for uncovering widespread abuses in Federal housing programs in Chicago and exposing shocking conditions at two private Chicago hospitals."
 1977: Acel Moore and Wendell Rawls Jr. of The Philadelphia Inquirer, "for their reports on conditions in the Farview (Pa.) State Hospital for the mentally ill."
 1978: Anthony R. Dolan of Stamford Advocate, "for a series on municipal corruption."
 1979: Gilbert M. Gaul and Elliot G. Jaspin of Pottsville Republican (Pennsylvania), "for stories on the destruction of the Blue Coal Company by men with ties to organized crime."
 1980: Stephen A. Kurkjian, Alexander B. Hawes Jr., Nils Bruzelius, Joan Vennochi and Robert M. Porterfield of The Boston Globe, "for articles on Boston's transit system."
 1981: Clark Hallas and Robert B. Lowe of Arizona Daily Star, "for their investigation of the University of Arizona Athletic Department."
 1982: Paul Henderson of Seattle Times, "for reporting which proved the innocence of a man convicted of rape."
 1983: Loretta Tofani of The Washington Post, "for her investigation of rape and sexual assault in the Prince George's County, Maryland Detention Center."
 1984: Kenneth Cooper, Joan Fitz Gerald, Jonathan Kaufman, Norman Lockman, Gary McMillan, Kirk Scharfenberg and David Wessel of The Boston Globe, "for their series examining race relations in Boston, a notable exercise in public service that turned a searching gaze on some the city's most honored institutions including the Globe itself."

Pulitzer Prize for Investigative Reporting
 1985: Lucy Morgan and Jack Reed of St. Petersburg Times (Florida), "for their thorough reporting on Pasco County Sheriff John Short, which revealed his department's corruption and led to his removal from office by voters."
 1985: William K. Marimow of The Philadelphia Inquirer, "for his revelation that city police dogs had attacked more than 350 people - an exposure that led to investigations of the K-9 unit and the removal of a dozen officers from it."
 1986: Jeffrey A. Marx and Michael M. York of Lexington Herald-Leader (Kentucky), "for their series 'Playing Above the Rules,' which exposed cash payoffs to University of Kentucky basketball players in violation of NCAA regulations. However, the UK basketball program did little to reform itself in the wake of the articles; true reform would not come until the program was involved in another cash-for-recruits scandal three years later."
 1987: Daniel R. Biddle, H.G. Bissinger, and Fredric N. Tulsky of The Philadelphia Inquirer, "for their series 'Disorder in the Court,' which revealed transgressions of justice in the Philadelphia court system and led to federal and state investigations." John Woestendiek of The Philadelphia Inquirer for "outstanding prison beat reporting, which included proving the innocence of a man convicted of murder."
 1988: Dean Baquet, William C. Gaines, and Ann Marie Lipinski of Chicago Tribune, "for their detailed reporting on the self-interest and waste that plague Chicago's City Council."
 1989: Bill Dedman of Atlanta Journal and Constitution, "for his investigation of the racial discrimination practiced by lending institutions in Atlanta, reporting which led to significant reforms in those policies."
 1990: Lou Kilzer and Chris Ison of Minneapolis-St. Paul Star Tribune, "for reporting that exposed a network of local citizens who had links to members of the St. Paul fire department and who profited from fires, including some described by the fire department itself as being of suspicious origin."
 1991: Joseph T. Hallinan and Susan M. Headden of The Indianapolis Star, "for their shocking series on medical malpractice in the state."
 1992: Lorraine Adams and Dan Malone of The Dallas Morning News, "for reporting that charged Texas police with extensive misconduct and abuses of power."
 1993: Jeff Brazil and Steve Berry of Orlando Sentinel (Florida), "for exposing the unjust seizure of millions of dollars from motorists - most of them minorities - by a sheriff's drug squad."
 1994: Providence Journal-Bulletin (Rhode Island) staff, "for thorough reporting that disclosed pervasive corruption within the Rhode Island court system."
 1995: Stephanie Saul and Brian Donovan of Newsday, "for their stories that revealed disability pension abuses by local police."
 1996: The Orange County Register staff, "for reporting that uncovered fraudulent and unethical fertility practices at a leading research university hospital and prompted key regulatory reforms."
 1997: Eric Nalder, Deborah Nelson, and Alex Tizon of The Seattle Times, "for their investigation of widespread corruption and inequities in the federally sponsored housing program for Native Americans, which inspired much-needed reforms."
 1998: Gary Cohn and Will Englund of The Baltimore Sun, "for their compelling series on the international shipbreaking industry that revealed the dangers posed to workers and the environment when discarded ships are dismantled."
 1999: The Miami Herald staff, "for its detailed reporting that revealed pervasive voter fraud in a city mayoral election that was subsequently overturned."
 2000: Sang-Hun Choe, Charles J. Hanley, and Martha Mendoza of Associated Press, "for a report on the killings of Korean civilians by American soldiers in the early days of the Korean War."
 2001: David Willman of Los Angeles Times, "for his pioneering exposé of seven unsafe prescription drugs that had been approved by the Food and Drug Administration, and an analysis of the policy reforms that had reduced the agency's effectiveness."
 2002: Sari Horwitz, Scott Higham, and Sarah Cohen of The Washington Post, "for a series that exposed the District of Columbia's role in the neglect and death of 229 children placed in protective care between 1993 and 2000, which prompted an overhaul of the city's child welfare system."
 2003: Clifford J. Levy of The New York Times, "for his vivid, brilliantly written series 'Broken Homes' that exposed the abuse of mentally ill adults in state-regulated homes."
 2004: Michael D. Sallah, Joe Mahr, and Mitch Weiss of Toledo Blade, "for a series on atrocities by the Tiger Force during the Vietnam War."
 2005: Nigel Jaquiss of Willamette Week, Portland, Oregon, "for his investigation exposing former governor Neil Goldschmidt's long concealed sexual misconduct with a 14-year-old girl."
 2006: Susan Schmidt, James V. Grimaldi and R. Jeffrey Smith of The Washington Post, "for their indefatigable probe of Washington lobbyist Jack Abramoff that exposed congressional corruption and produced reform efforts."
 2007: Brett Blackledge of The Birmingham News, "for his exposure of cronyism and corruption in the state's two-year college system, resulting in the dismissal of the chancellor and other corrective action."
 2008 (dual winners): Walt Bogdanich and Jake Hooker of The New York Times, "for their stories on toxic ingredients in medicine and other everyday products imported from China, leading to crackdowns by American and Chinese officials." Staff of The Chicago Tribune, "for its exposure of faulty governmental regulation of toys, car seats and cribs, resulting in the extensive recall of hazardous products and congressional action to tighten supervision."
 2009: David Barstow of The New York Times, "for his tenacious reporting that revealed how some retired generals, working as radio and television analysts, had been co-opted by the Pentagon to make its case for the war in Iraq, and how many of them also had undisclosed ties to companies that benefited from policies they defended."
 2010 (dual winners): Barbara Laker and Wendy Ruderman of Philadelphia Daily News, "for their resourceful reporting that exposed a rogue police narcotics squad, resulting in an FBI probe and the review of hundreds of criminal cases tainted by the scandal." Sheri Fink of ProPublica, in collaboration with The New York Times Magazine, "for a story that chronicles the urgent life-and-death decisions made by one hospital's exhausted doctors when they were cut off by the floodwaters of Hurricane Katrina."
 2011: Paige St. John of Sarasota Herald-Tribune, "for her examination of weaknesses in the murky property-insurance system vital to Florida homeowners, providing handy data to assess insurer reliability and stirring regulatory action."
 2012 (dual winners): Matt Apuzzo, Adam Goldman, Eileen Sullivan and Chris Hawley of Associated Press, "for their spotlighting of the New York Police Department's clandestine spying program that monitored daily life in Muslim communities, resulting in congressional calls for a federal investigation, and a debate over the proper role of domestic intelligence gathering." Michael J. Berens and Ken Armstrong of The Seattle Times, "for their investigation of how a little known governmental body in Washington State moved vulnerable patients from safer pain-control medication to methadone, a cheaper but more dangerous drug, coverage that prompted statewide health warnings."
 2013: David Barstow and Alejandra Xanic von Bertrab of The New York Times, "for their reports on how Wal-Mart used widespread bribery to dominate the market in Mexico, resulting in changes in company practices."
 2014: Chris Hamby of The Center for Public Integrity, Washington, D.C. "for his reports on how some lawyers and doctors rigged a system to deny benefits to coal miners stricken with black lung disease, resulting in remedial legislative efforts."
 2015 (dual winners): Eric Lipton of The New York Times, "for reporting that showed how the influence of lobbyists can sway congressional leaders and state attorneys general, slanting justice toward the wealthy and connected." The Wall Street Journal staff, "for 'Medicare Unmasked,' a pioneering project that gave Americans unprecedented access to previously confidential data on the motivations and practices of their health care providers." The Wall Street Journal team included John Carreyrou, Chris Stewart, Rob Barry, Tom McGinty, Martin Burch, Jon Keegan and Stuart Thompson.
 2016: Leonora LaPeter Anton and Anthony Cormier of Tampa Bay Times and Michael Braga of Sarasota Herald-Tribune, "for a stellar example of collaborative reporting by two news organizations that revealed escalating violence and neglect in Florida mental hospitals and laid the blame at the door of state officials."
 2017: Eric Eyre of Charleston Gazette-Mail, Charleston, West Virginia, "for courageous reporting, performed in the face of powerful opposition, to expose the flood of opioids flowing into depressed West Virginia counties with the highest overdose death rates in the country."
 2018: The staff of The Washington Post, "for purposeful and relentless reporting that changed the course of a Senate race in Alabama by revealing a candidate's alleged past sexual harassment of teenage girls and subsequent efforts to undermine the journalism that exposed it."  Team: Stephanie McCrummen, Beth Reinhard and Alice Crites.
 2019: Matt Hamilton, Harriet Ryan and Paul Pringle of Los Angeles Times, "for consequential reporting on a University of Southern California gynecologist accused of violating hundreds of young women for more than a quarter-century."
 2020: Brian M Rosenthal of The New York Times, "for an exposé of New York City's taxi industry that showed how lenders profited from predatory loans that shattered the lives of vulnerable drivers, reporting that ultimately led to state and federal investigations and sweeping reforms."
 2021: Matt Rocheleau, Vernal Coleman, Laura Crimaldi, Evan Allen and Brendan McCarthy of The Boston Globe, "For reporting that uncovered a systematic failure by state governments to share information about dangerous truck drivers that could have kept them off the road, prompting immediate reforms."
2022: Corey G. Johnson, Rebecca Woolington and Eli Murray of the Tampa Bay Times, "For a compelling exposé of highly toxic hazards inside Florida's only battery recycling plant that forced the implementation of safety measures to adequately protect workers and nearby residents."
2023: Staff of The Wall Street Journal, "for sharp accountability reporting on financial conflicts of interest among officials at 50 federal agencies, revealing those who bought and sold stocks they regulated and other ethical violations by individuals charged with safeguarding the public's interest."

See also
 duPont-Columbia Award (for broadcast journalism)
 Investigative Reporters and Editors Award (for all media)
 George Polk Awards (American journalism)
 Walkley Awards (Australian journalism)

Notes

References
 Pulitzer.org Winners and Finalists – Local Reporting, No Edition Time
 Pulitzer.org Winners and Finalists – Local Investigative Specialized Reporting
 Pulitzer.org Winners and Finalists – Investigative Reporting

Investigative Reporting
Awards established in 1953
Investigative journalism


El churrín de El Oro o churrín ecuatoriano (Scytalopus robbinsi), es una especie de ave paseriforme perteneciente al numeroso género Scytalopus, de la familia Rhinocryptidae. Es endémico de Ecuador.

Distribución y hábitat
Se distribuye por una pequeña área en la pendiente del Pacífico del suroeste de Ecuador en Azuay y El Oro.

Es raro y local en el sotobosque y en los bordes de selvas montanas bajas y de piedemonte a altitudes entre 700 y 1250

Descripción
Se trata de una pequeña ave de 11 centímetros de largo. El pico es negro y bastante pesado. El plumaje es gris con una nuca y cola marrón salvo en los flancos. La cola es negruzca. Las partes inferiores de la hembra son más marrón que las de los machos. El sonido que emiten es una serie de dos notas repetidas durante un minuto.

Estado de conservación
Esta especie ha sido calificada como "en peligro de extinción" por la Unión Internacional para la Conservación de la Naturaleza (IUCN) debido a que su pequeña población total, preliminarmente estimada en 3500 a 15 000 individuos, se sospecha estar en rápida y continua decadencia debido a la pérdida de hábitat causada por la degradación, deforestación y fragmentación en su ya restringida área de distribución. Parte de su rango se encuentra dentro de la protección de la Reserva Buenaventura, pero se ha vuelto rara y su población ha decaído en los últimos 12 años en dicha reserva.

Referencias

Enlaces externos

 Videos, fotos y sonidos de Scytalopus robbinsi en The Internet Bird Collection.
 Sonidos y mapa de distribución de Scytalopus robbinsi en xeno-canto.

robbinsi
Aves endémicas de Ecuador
Animales descritos en 1997
Taxones descritos por Thomas S. Schulenberg
Taxones descritos por Niels Krabbe

Scytalopus robbinsi


Andrea Bajani (n 16 august 1975, Roma, Italia) este un scriitor și jurnalist italian.

Viață
La o vârstă fragedă, Bajani se mută  cu părinții săi la Cuneo, Piemont iar mai târziu la Torino, unde a trăit cu mici întreruperi datorate burselor sau cercetării în străinătate  până în 2013. În anul 2013 va merge la Berlin. După primele două romane, a avut în anul 2005  primul său succes major cu cel de-al treilea roman, Cordiali saluti. Ulterior s-a concentrat pe scrieri pentru teatru și de radio. Ca jurnalist este de atunci activ pentru cotidiene ca La Stampa, L'Unità și Il Sole 24 Ore.

Cu romanul Se consideri le colpe (De vei lua aminte la greșeli), din anul 2007, a câștigat mai multe premii în Italia. După Domani niente scuola urmează, în 2010 romanul Ogni promessa, pentru care în anul 2011 va primi, de asemenea, un premiu.

Premii
 2008: Premio Mondello pentru Se consideri le colpe
 2008: Premio Recanati pentru Se consideri le colpe
 2008: Premio Brancati pentru Se consideri le colpe
 2011: Premio Bagutta pentru Ogni Promessa

Opere
 Morto un papa., Portofranco editori, Fossa 2002.
 Qui non ci sono perdenti., PeQuod 2003.
 Cordiali saluti. Einaudi, Turin 2005, ISBN 88-06-17297-2.
 Mi spezzo ma non m'impiego. Einaudi, Turin 2006.
 Se consideri le colpe. Einaudi, Turin 2007, ISBN 978-88-06-19657-8.
 română: De vei lua aminte la greșeli traducere din italiană de Ileana Bunget și Smaranda Bratu Elian. Editura Humanitas, București 2011, ISBN 978-973-50-2960-9.
 Domani niente scuola. Einaudi, Turin 2008.
 La filia di Isaaco. 2009.
 Ogni promessa. Einaudi, Turin 2010, ISBN 978-88-06-20020-6.
 Presente. (cu Michela Murgia, Paolo Nori și Giorgio Vasta) Einaudi, Turin 2012, ISBN 978-88-06-20945-2.
 La mosca e il funerale. Nottetempo, 2012, ISBN 978-88-7452-354-2.
 Mi riconosci. Feltrinelli, Mailand 2013, ISBN 978-88-07-01943-2.
 La vita non è in ordine alfabetico. Einaudi, Turin 2014, ISBN 978-88-06-21321-3 (2015: ISBN 978-88-06-22617-6).

 Traduceri
 Laurent Graeve: Sono un assassino. (Original: Je suis un assassin, 2002, Éditions du Rocher, Paris 2002), Index Libri, 2003, ISBN 88-461-0048-4.
 Wole Soyinka: Clima di paura (Climate of Fear). Codize edizioni, 2005, ISBN 88-7578-017-X.

Legături externe

 Einaudi-Verlag în italiană
 Interviu în Il Sole 24 Ore în italiană
 în italiană

Referințe

Nașteri în 1975
Italieni din secolul al XXI-lea
Jurnaliști italieni
Italieni în viață
Nașteri pe 16 august

Andrea Bajani


La CA-341 es una carretera autonómica de Cantabria perteneciente a la Red Local.

Nomenclatura

Su nombre está formado por las iniciales CA, que indica que es una carretera autonómica de Cantabria, y el dígito 341 es el número que recibe según el orden de nomenclaturas de las carreteras de la comunidad autónoma. La centena 3 indica que se encuentra situada en el sector comprendido entre la costa al norte, la carretera nacional N-634 al sur, el límite con el Principado de Asturias al oeste y la carretera nacional N-623 al este.

Historia

Esta carretera se compone de la unión del primer tramo, desde Hinojedo hasta la intersección situada en Ongayo, de la antigua carretera SV-4721, identificado como SV-4721-1, y la carretera denominada SV-4723.

Así, la continuidad del recorrido era Hinojedo - Puente Avíos, desviándose en la intersección para seguir por la carretera SV-4723 dirección Tagle. Posteriormente, con las obras del III Plan de Carreteras, se dio continuidad al recorrido entre Hinojedo y Tagle.

Trazado actual

Tiene su origen en la intersección con la CA-132 en el núcleo de Hinojedo, travesía donde recibe el nombre de Avenida de la Constitución, y su final en la intersección con la CA-351 en Tagle, ambas localidades situadas en el término municipal de Suances, término municipal por el discurre la totalidad de la carretera. A lo largo de su recorrido, de 3,8 kilómetros de longitud, atraviesa el núcleo de Ongayo.

En las proximidades de la intersección con la carretera CA-342 en Ongayo, dispone de un área recreativa al borde de la carretera inaugurada en 2009.

La carretera tiene dos carriles, uno para cada sentido de circulación, y una anchura total de 6 metros con un arcén de 1 metro, a la izquierda según el sentido de circulación Hinojedo - Tagle, en tanto, que a la derecha dispone de un carril-bici de 1,50 m de anchura, compartido con los peatones.

La etapa Santander - Santillana del Mar del Camino de Santiago de la Costa tiene dos alternativas para el tramo entre Barreda y Santillana del Mar, una de las cuales transcurre por esta carretera, desde Hinojedo hasta la intersección con la carretera CA-342 para dirigirse por ésta hacia Puente Avíos.

Actuaciones

Durante el período de vigencia del III Plan de Carreteras de Cantabria, 2005 - 2009 y dentro del programa de acondicionamiento de plataforma, se incluyó la actuación en esta carretera.

Transportes

No hay líneas de transporte público que recorran la carretera CA-342.

Recorrido y puntos de interés

Referencias

Enlaces externos
 Mapa Oficial de Carreteras de Cantabria (consultado el 21 de septiembre de 2010)
 Catálogo de la Red Autonómica de Cantabria (consultado el 21 de septiembre de 2010)

341

CA-341


Borgstedt Almanya'nın kuzeyinde Schleswig-Holstein eyaletinde, Rendsburg-Eckernförde iline bağlı bölge. 9,40 km² yüzölçümüne sahiptir. Nüfusu, 31 Aralık 2004 itibarıyla yaklaşık 1426 olarak tespit edilmiştir. Belediye Başkanlığı Gero Neidlinger tarafından yürütülmektedir.

Dış bağlantılar
 www.amt-wittensee.de

Rendsburg-Eckernförde iline bağlı yerleşim birimleri

Borgstedt


Polykleitos the Younger (; fl. ) was an Ancient Greek sculptor of athletes. His greatest achievements, however, were as an architect. Polykleitos the Younger was the architect of the Theatre and Tholos at Epidaurus. Started around 360 BC, the Tholos exhibited elaborate detailing, especially on the Corinthian capitals of its interior columns. These columns would influence most later designs for that order. He was the son of the Classical Greek sculptor Polykleitos, the Elder. Later in his life, Polykleitos built many other works of art, most of his work on athletes.

References

4th-century BC Greek sculptors
Ancient Argives

Polykleitos the Younger


Kıbrıs Lirası ya da modern Yunanca adıyla λίρα ya da çoğulu λίρες, Kıbrıs Cumhuriyeti'nin eski resmi para birimiydi. 1983'e kadar Kıbrıs Türklerinin de resmi muhasebe birimi olan Kıbrıs Lirası, Kıbrıs Türk Federe Devleti'nin 16 Mayıs 1983'te aldığı bir kararla yürürlükten kaldırılmış ve Türkiye'nin para birimi olan Türk lirası, şimdiki Kuzey Kıbrıs Türk Cumhuriyeti'nde tedavülü zorunlu para olarak kabul edilmiştir.

Kıbrıs Cumhuriyeti 1 Ocak 2008'den itibaren ise üye olduğu Avrupa Birliği'nin para birimi Euro (€)'ya geçmiştir.

Banknotların ön yüzü her iki resmi dilde (Türkçe-Yunanca), arka yüzü ise İngilizce yazımlandırılmıştır.

Asya para birimleri
Lira
Euro ile değiştirilen para birimleri
Lira

Kıbrıs lirası


Hamza Sahli (1993-), athlète marocain ;
 Hind Sahli (1990-), mannequin ;
 Lamine Sahli (1976-), joueur international puis entraineur algérien de handball ;
  (1978-), entraineur de football autrichien d'origine tunisienne ;
 Mohand Cherif Sahli (1906-1989), écrivain, historien, militant de la  cause algérienne et ancien ambassadeur algérien ;
  (1948-), jongleur suisse ;
 Wajdi Sahli (1997-),  footballeur tunisien.

Sahli