Luigi Bottiglia Savoulx (Cavour, 16 de fevereiro de 1752 - Roma, 14 de setembro de 1836) foi um cardeal italiano.

Nascimento
Nasceu em Cavour em 16 de fevereiro de 1752. Filho caçula de Francesco Andrea Bottiglia (+1752), dos condes de Savoulx, e Gaspara Gotti di Salerano. Seu nome de batismo era Giovanni Giuseppe Francesco Luigi Antonio.

Educação
Obteve o doutorado in utroque iuris , tanto em direito civil quanto em direito canônico, em 26 de fevereiro de 1794.

Sacerdócio
Ordenado em 26 de dezembro de 1791. Prelado doméstico de Sua Santidade, 1791. Governador de Todi, 1796. Relator da SC da Sagrada Consulta . Consultor da SS.CC. do Conselho Tridentino e do Índice. Protonotário apostólico. Delegado Apostólico em Benevento, ca. 1812. Clérigo da Câmara Apostólica, 1816; reitor.

Episcopado
Eleito arcebispo titular de Perge na Panfília Secunda, em 15 de março de 1826. Consagrado em 2 de abril de 1826, na igreja dos Premonstratenianos, em Roma, pelo cardeal Giuseppe Spina, auxiliado por Ignazio Nasalli, arcebispo titular de Cirro, núncio na Suíça, e por Rodolfo Brignole Sale, bispo titular de Assura.

Cardinalado
Criado cardeal sacerdote no consistório de 23 de junho de 1834; recebeu o chapéu vermelho em 26 de junho de 1834; e o título de S. Silvestro in Capite, 1º de agosto de 1834. Prefeito do Tribunal da Assinatura da Graça, 27 de novembro de 1834.

Morte
Morreu em Roma em 14 de setembro de 1836. Exposto e enterrado em seu título.

Cardeais nomeados pelo papa Gregório XVI

Luigi Bottiglia Savoulx


Hercegovačka nogometna zona, također i kao Hercegovačka zonska liga, Mostarska zona, je bila liga trećeg stupnja nogometnog prvenstva Jugoslavije u sezoni 1963./64.  Sudjelovalo je 12 klubova, a prvak je bio "Leotar" iz Trebinja .

Ljestvica

 Novi članovi u sezoni 1964./65.:
 Jadran Ploče
 Hercegovac Bileća
 Duvno – tadašnji naziv za Tomislavgrad
 Lištica – tadašnji naziv za Široki Brijeg
 klubovi iz Hrvatske: Dubrovnik, GOŠK Dubrovnik, Neretva Metković, Jadran Ploče
 Leotar (Trebinje) sudjelovao je u kvalifikacijama za Drugu saveznu ligu - Zapad. Ispao je od Igmana (Konjic)''.

Rezultatska križaljka

 Izvori:

Povezani članci
 Međuzonska liga Bosne 1963./64.

Vanjske poveznice

Izvori

 Ivan Jurić: Narona / Neretva : 1919 - 1994, Metković, 1995., , str. 209
 Dubravko Cota: "Plamen" - GOŠK : 1919 - 1979., Dubrovnik, 1979., UDK: 796.332(497.5 Dubrovnik)(091) * 061.237(497.5 Dubrovnik):796.332](067.5), str. 83
 Ešref Selimović, Mate Kelava: Povijest nogometa u Tomislavgradu : od Tomislava do Tomislava, Tomislavgrad, 2014.,   (Matica hrvatska)  (Naša ognjišta), str. 188-192
 arhiv.slobodnadalmacija.hr, "Slobodna Dalmacija", 1963. godina
 arhiv.slobodnadalmacija.hr, "Slobodna Dalmacija", 1964. godina

1963-64 1a Hercegovina
1963-64 1a Hercegovina
1963-64 1a Hercegovina
BIH 1a Hercegovina

Hercegovačka nogometna zona 1963./64.


La Galería de Arte Contemporáneo de Vancouver es una organización independiente, sin fines de lucro, localizada en Vancouver, Canadá. Se realizan exposiciones de artistas locales, nacionales e internacionales, y principalmente de emergentes que ofrecen arte contemporáneo canadiense. En la galería se han presentado obras de artistas célebres de Vancouver como Stan Douglas, Ian Wallace, Rodney Graham, Magor Liz, y Jungen Brian, y otra serie de artistas locales como Damián Moppett, Oksanen Shannon, Pratt Elspeth, MacLeod Myfanwy, entre muchos otros. Entre los artistas de talla internacional que han tenido exposiciones en la Galería de Arte Contemporáneo se encuentran Dan Graham, Christopher Williams, Rachel Harrison, Hans-Peter Feldmann y Ceal Floyer. Otras personalidades que han realizado escritos para la galería incluyen a Douglas Coupland, Beatriz Colomina, Arden Roy y Welchman Juan. Aparte de la exposición de arte visual, edita publicaciones, facilita programas de educación y divulgación, charlas y visitas a programas de artistas. También se encuentra una biblioteca.

Véase también
 Galería de arte
 Exposición

Referencias

Bibliografía
 Poll, Rosemary. "The CAG's First Ten Years." Ten Years Later. Contemporary Art Gallery, Vancouver, BC, 1986. (ISBN 0-920751-10-5).

Enlaces externos
 Sitio web oficial

Museos de Canadá

Galería de Arte Contemporáneo (Vancouver)


Bruuns Bro i Aarhus er en vejbro der forbinder Banegårdspladsen med bydelen Frederiksbjerg på den sydlige side af Banegraven. Baneterrænet ligger nedenfor på broens vestre side, mens Aarhus Hovedbanegård ligger overdækket på den østre side med Bruuns Galleri i gadeniveau. Bruuns Bro er en del af M.P. Bruuns Gade, og er således ikke en selvstændig postadresse. Den 24. marts 1875 indeholdt Aarhus Stiftstidende en begejstret omtale af en ny bro, der var ved at blive opført over baneterrænet umiddelbart vest for banegården til den dengang nye bydel Frederiksbjerg. Broen, som blev døbt Banegårdsbroen, skulle senere blive kendt som Bruuns Bro.

Den knap 8 meter brede bro skulle dog snart vise sig for smal til trafikken, i takt med at byen fik vokseværk. Den nuværende bro blev bygget 1921-22 i forbindelse med udvidelsen af baneterrænet. Siden ind mod Hovedbanegården kom til at huse en række basarbutikker og en danserestaurant, mens den anden side blev udvidet med en platform til cykelparkering i 1987. Den nuværende butiksarkade blev opført i forbindelse med opførelsen af Bruun's Galleri 2003. I 2016 fremsatte DSB en plan om en højere bro uden butikker og cykler for at gøre plads til eldrevne tog.  Denne plan blev dog skudt ned af Regeringen og togfondspartierne i oktober 2017, hvilket gør at Bruuns Bro bevares i sin nuværende form.

En ny bydel
Bruuns Bro og M.P. Bruuns Gade har navn efter fabrikanten Mads Pagh Bruun. I 1852 opkøbte Bruun nogle jordarealer syd for Aarhus i området Frederiksbjerg, som dengang hørte til Viby Sogn. Her anlagde han en klædefabrik og bosatte sig på Jægergården, hvor kommunens administrationsbygning af samme navn ligger i dag.

I 1872 blev Aarhus Kommune og Viby Sogneråd enige om at ansøge indenrigsministeriet om indlemmelse af Frederiksbjerg i Aarhus. Byen havde behov for at ekspandere mod syd, mens Viby Sogn ikke magtede at holde orden i den slumby, der var opstået langs den nye jernbane. En del aarhusianere så nemlig en fordel i at bosætte sig på landet, hvor der kun betaltes jordskatter. En indlemmelse ville sætte en stopper for den stadige "frem- og tilbageflytning" mellem Aarhus og Frederiksbjerg, som gav problemer for politiet og de sociale myndigheder. Ansøgningen gik igennem og den 1. januar 1874 blev bygrænsen flyttet syd til det nuværende Ingerslevs Boulevard og Odensegade.

Den første Bruuns Bro
Da der efter anlægget af jernbanen i 1862 kun var adgang til Frederiksbjerg via Spanien eller Frederiksbroen, havde kommunen indgået kontrakt med M. P. Bruun om den bro og den gade, som i dag bærer hans navn. Kommunen forpligtede sig til at bygge en bro over banelinjen vest for banegården og Bruun afstod jorden til anlægget af gaden fra broen op til Jægergårdsvej. Med gas- og vandledninger var det hele kalkuleret til at koste 21.500 rigsdaler, hvoraf Bruun lovede at refundere 3000, når han fik solgt Jægergårdens marker. Forslaget var vedtaget i byrådet med 11 stemmer imod 6. Mindretallet mente, at det var unødvendigt og for dyrt at indlemme Frederiksbjerg i Aarhus. Alene broen kunne nemt komme til at koste 20.000 og desuden havde Bruun langt mere gavn af forbindelsen end byen.

Så dyr blev broen trods alt ikke. Den 10. juli 1874 kunne udvalget til byens udvidelse meddele byrådet, at man efter licitation havde modtaget et tilbud fra Aalborg-firmaet Brødrene Vang på opførelse af en 75 fod lang og 25 fod bred jernbro for 15.200 rigsdaler. Den 24. marts 1875 kunne Aarhus Stiftstidende berette, at der var opført en smuk og solid bro, men at hårdt vintervejr havde gjort det svært at opstille og sammennitte de to hoveddragere. Broen åbnede den 22. juni, men da Brødrene Vang havde indgået kontrakt om levering den 28. februar, blev de idømt en bøde på 1000 rigsdaler. Broen blev døbt Banegårdsbroen, men blev snart kendt som Bruuns Bro i folkemunde.

Overvældende færdsel
Fra 1875 til 1900 voksede Frederiksbjerg fra 2.000 til 10.000 indbyggere og det kunne mærkes på trafikken over Bruuns Bro. Ud over opløb af fulde arbejdsmænd og nærgående prostituerede kunne Aarhus Stiftstidende ofte berette om dramatiske trafikuheld på den smalle bro. Et par gange kom det til et par farlige situationer med hestevogne, når hestene stejlede ved lyden af fløjten fra et afgående tog. I 1896 begyndte hestetrukne omnibusser at køre i fast rutefart over broen. I 1904 blev busserne afløst af en sporvognslinje, som ikke gjorde det mindre farligt at færdes på broen til fods eller på cykel.

I et læserbrev fra 1906 blev der klaget over "den til tider overvældende færdsel" på Bruuns Bro. For at aflaste trafikken foreslog forfatteren, at man skulle opføre en ny bro mellem Helgolandsgade og Orla Lehmanns Allé. I byrådet var man enig om, at trafikforholdene var "uheldige", men da der var planer om at udvide baneterrænet, nøjedes man med at udvide broens østlige fortov i 1907. Den gamle bro blev dermed stående, indtil ændringerne af banegårdsområdet kunne sættes i værk i 1920.

Store planer
Fra 1870 til 1900 steg indbyggertallet i Aarhus fra 15.000 til 50.000 indbyggere. For at udvide togkapaciteten blev det tidligt diskuteret at udvide baneterrænet, så Bruuns Bro måtte forlænges. Til det formål fik statsbanerne i 1916 eksproprieret halvdelen af den daværende Halls Gade og påtog sig derfor at opføre den nuværende Bruuns Bro mod, at kommunen bidrog med 50.000 og anlægget af gaden over broen.

I forbindelse med statsbanernes plan om at opføre en ny banegård, fremsatte udvalget til byens udvidelse i 1917 et ambitiøst forslag til "en smuk og værdig indgang til Aarhus by". Da den daværende banegård lå neden for nogle stejle bakker i samme niveau som banelinjen, blev det foreslået at hæve terrænet og anlægge en banegård i to etager. Med i planen indgik anlægget af Park Allé i direkte forlængelse af Bruuns Bro. På vestsiden af den nye bro ville kommunen bygge en buegang med nogle basarer, der forventedes at "kunne give en meget god forretning". I 1918 indgik kommunen kontrakt med statsbanerne om anlægget af det nye banegårdsområde. I 1920 forelå der en færdig plan for området, som vi kender det i dag. Et forslag om at overdække banen mellem Bruuns Bro og Frederiksbro til et nyt "handelscentrum" blev dog ikke til noget.

Den anden Bruuns Bro
I 1920 opførte statsbanerne først en midlertidig bro af træ og rev den gamle Bruuns Bro ned. I 1921 begyndte arbejdet på den ny bro, som blev udført af murermester N.M. Bak for 397.240 kr. I et par reportager skrev Aarhus Stiftstidende, at den nye bro ville blive adskilligt længere og mere dekorativ end den gamle bro. Broen blev opført i jernbeton og hvilede på 88 søjler af jernbeton, som blev beskrevet som "statelige og rene i stilen". Broen skulle have været færdig ud på efteråret, men en lockout og hård frost gjorde, at den først kunne åbnes for trafikken i august 1922.

Som Stiftstidende begejstret skrev i en reportage om åbningen af den ny Bruuns Bro, kunne man her se det nye Aarhus gro frem. Straks efter begyndte kommunen nemlig arbejdet med den nye banegårdsplads. På hjørnet af Banegårdspladsen og Bruuns Bro opførte statsbanerne en midlertidig banegård af træ, som var i funktion indtil åbningen af den nye hovedbanegård i 1929.

Basarbygningerne
For at bevare udsigten "ud mod landet" på vestsiden af broen og skærme for udsynet til Oliemøllen, var det blevet besluttet at opføre de planlagte basarbygninger på østsiden. Kommunen tøvede imidlertid med at opføre bygningerne, da statsbanerne påtænkte at føre trappeopgange op til denne side af broen. Derfor gik kommunen med til at lade et privat konsortium opføre nogle interimistiske basarer af træ. I 1929 opsagde konsortiet imidlertid lejemålet, da kommunen krævede basaren malet og bedre vedligeholdt. Herefter blev barakkerne administreret af kommunen, som helst ville opføre en ny basar i samme stil som de basarbygninger, statsbanerne var ved at opføre på stykket mellem den nye banegård og Bruuns Bro. Her havde kommunen krævet mindst 4 meter til fortov, så der ville ikke blive plads til en buegang som oprindeligt planlagt.

I 1935 fremlagde stadsarkitekt Draiby en plan til permanente basarbygninger i forlængelse af statsbanernes. Basaren ville blive 107 meter lang med plads til 12 butikker og et udstillingslokale med ovenlys på første etage af en toetagers bygning, der skulle skjule "de uskønne gavle på statsbanernes perrontage". Basaren skulle opføres af konsortiet A/S Nipa – senere A/S Bruunsbro, som fik ret til at leje basaren i 40 år mod en lejeafgift til kommunen. Projektet var nær ikke blevet til noget, da statsbanernes krav til konstruktionen fordyrede projektet. I 1936 åbnede imidlertid den basar, som kom til at ligge på broen indtil 2003.

Forretningsliv
Efter opførelsen af basarbygningerne i 1936 opstod nogle mere permanente butikker på Bruuns Bro. En af de første var chokoladebutikken Broen, som "kagebager og sukkervarefabrikant" samt "automatfabrikant" Tage Lunding drev til sin død i 1980. Butikken var forud for sin tid med sine tag-selv-slikautomater og storkøbstilbud. I 1989 etablerede Steen Mengel en filial af Sukkerstokken i Broens gamle lokaler. Af andre bropionerer kan nævnes H. C. Frosts gavemagasin, Ejnar Kjærs manufakturhandel og trikotage- og lingeriforretningen Bromagasinet. I 1942 åbnede desuden i "lyse festlige lokaler" Hejndorf Radio, hvor man kunne købe radioer, grammofoner og grammofonplader.

Natteliv
I 1941 åbnede "Restaurant Rico" i udstillingshallen på første sal af to-etagers bygningen midt på Bruuns Bro. I begyndelsen som cafe og afholdsrestaurant, men efter en brand i 1949 indrettede ejer Johannes Lassen en "mere storstadsmæssigt indrettet" danserestaurant med "stilfuld indirekte belysning". De næste årtier blev Rico et populært sted at gå i byen med live musik af tidens populære orkestre. Her begyndte blandt andre Flemming Bamse Jørgensens karriere som forsanger i et pigtrådsband i slutningen af 1960'erne. Rico blev til et pizzeria i 1974, men i 1979 blev lokalerne indtaget af "nostalgidiskoteket" Locomotion.

Cykelkaos
I 1987 gik DSB og kommunen sammen om at udvide broen med en overdækket cykelbalkon med plads til 500 cykler for at komme det stigende "cykelkaos" omkring banegården til livs. For at motivere cyklisterne til at parkere på broen, forsynede man balkonen med trappenedgange til perronerne, som det i 1923 havde været planen at føre ned fra den modsatte side. Dog fortsatte de kaotiske forhold på Banegårdspladsen, da DSB ikke åbnede for billetsalg på perronerne. I 1988 måtte man forhøje rækværket på den nye balkon, da der gik sport blandt byens natteravne i at smide cykler ned på perronerne. I 2009 satte kommunen et toetagers cykelstativ op med plads til 500 flere cykler og iværksatte en kampagne mod ulovligt parkerede og herreløse foran banegården. Det planlægges nu at anlægge et parkeringshus til cykler ud over banelegemet ved Hallssti.

Bruuns Arkade
I 1981 fremlagde DSB en plan om at rive basarbygningerne ned for at give plads til en indkørsel til en ny parkeringsplads ovenover perronerne. Forslaget blev drøftet så sent som 1992, hvor Steen Mengel på vegne af broens handlende klagede over ikke at blive taget med på råd.

I 2001 opstod der atter frygt for basarbutikkernes fremtid i forbindelse med NCC's anlæg af Bruuns Galleri. Ud over at skulle afgive 21 meter af broen til det nye butikscenters indgang, kunne butikkerne kun få forlænget deres lejemål af kommunen for et år af gangen. Derfor tilbød et interessentskab anført af Mengel at opføre en ny butiksarkade mod garanti for at kunne blive på broen. Arkaden var tegnet af arkitekten Johannes Exner og inspireret af Ponte Vecchio i Firenze. Da NCC forsøgte at købe arealet af DSB for at få indflydelse på byggeriet, blev kommunens jurister sat til at afklare hvem, der havde dispositionsretten over broen. Det stod klart, at DSB ejede broen, men at de handlende kun kunne siges op af kommunen. Dog enedes DSB og kommunen om at godkende opførelsen af Bruuns Arkade, som åbnede omtrent samtidig med Bruun's Galleri i 2003. Exners plan om at fjerne cykelbalkonen blev dog ikke til noget.

Kilder og henvisninger

Aarhus
Vejbroer i Danmark

Bruuns Bro


El río Manzanas (), nace en la freguesía de Aveleda e Rio de Onor, de Braganza, (Portugal). Es un afluente de la margen izquierda del río Sabor, a su vez, afluente del río Duero.

Los ríos Manzanas, Tuela y Támega, junto con algún otro de menor caudal de la Galicia suroriental, pertenecen al grupo de afluentes septentrionales del Duero  portugués. Todos ellos difieren de los afluentes del Duero en el tramo español en que estos últimos confluyen con el Duero aguas arriba del gigantesco escalón conformado en los Arribes del Duero, materializado por el sistema de cañones en el área fronteriza con Portugal de las provincias de  Zamora y  Salamanca.

Sirve de frontera entre España y Portugal en dos tramos diferentes, primero entre las  hitos fronterizos 415 y 416 y, más al sur, entre los hitos 437 y 438, desde las aldeas de Manzanas y Petisqueira hasta Outeiro e Pinelo.

Pasa por las aldeas de Petisqueira, Deilão, São Julião, Quintanilha, Paradinha, Outeiro, Pinelo, Argozelo, Carção, Vimioso, Campo de Víboras, Santulhão, Algoso y Junqueira en la parte portuguesa.

Manzanas
Manzanas
Manzanas
Lugares de importancia comunitaria de Portugal
Manzanas
Sierra de la Culebra
Figueruela de Arriba

Río Manzanas


මිශ්‍ර ලෝහයක් යනු,  ලෝහයක් සහ වෙනත් මූලද්‍රව්‍යයකින් සමන්විත  මිශ්‍රණයක් හෝ ඝන ද්‍රාවණයකි. මිශ්‍ර ලෝහයක් වෙත පහත තුනෙන් එකක් හෝ වැඩි ගණනක් අඩංගු වෙයි: මූලද්‍රව්‍යයන්ගේ ඝන ද්‍රාවණයක් (තනි කලාපයක්); ලෝහමය කලාපයන්ගේ මිශ්‍රණයක් (ද්‍රාවණයන් දෙකක් හෝ වැඩි ගණනක්); කලාප අතර ප්‍රභින්න මායිම් නොමැති අන්තර් ලෞහික සංයෝගයක්. ඝන ද්‍රාවණ මිශ්‍ර ලෝහ විසින් තනි ඝන කලාප සූක්ෂ්ම ව්‍යුහයක් ලබා දෙන අතර,  ද්‍රව්‍යයේ (රත් පිළියම) ඉතිහාසය මත රඳාපවතින පරිදී, ව්‍යාප්තිය  සමජාතීය හෝ එසේ නොවන හෝ කලාප දෙකක් හෝ වැඩි ගණනක් හෝ අර්ධ ද්‍රාවණ විසින් දක්වයි. අන්තර් ලෞහික සංයෝගයක් වෙත පවතින්නේ, අනෙකුත් ශුද්ධ ලෝහයක් තුල එම්බා ඇති එත් වෙනත් මිශ්‍ර ලෝහයක් හෝ ශුද්ධ ලෝහයක් හෝ වෙයි.

සමහරක් උපයෝජ්‍ය තුල  මිශ්‍ර ලෝහ භාවිතා වන්නේ, කිසියම් දෙන ලද උපයෝජ්‍යයක් සඳහා, ශුද්ධ සංඝටක මූලද්‍රව්‍යයන්හී ගුණාංගයන්ට වඩා ඒවායේ ගුණාංග උත්තරීතර වන විටය. මිශ්‍ර ලෝහ සඳහා නිදසුන් වන්නේ,  වානේ, පාහනය, පිත්තල, පිව්ටර්, පොස්පර් ලෝකඩ සහ සංරසයක් වෙති.

මිශ්‍ර ලෝහ සංඝටක සාමාන්‍යයෙන් මනිනු ලබන්නේ ස්කන්ධය අනුවය. මිශ්‍ර ලෝහය තනන පරමාණුක  පිළියෙළ පරිදී පදනම්ව, ආදේශන හෝ අන්තරාල හෝ ලෙසින් මිශ්‍ර ලෝහ වර්ගීකරණය කෙරෙයි. ඒවා තවදුරටත් වර්ගීකරණය කල හැක්කේ,  සමජාතීය (තනි කලාපයකින් සමන්විත) හෝ, විෂමජාතීය (කලාප දෙකකින් හෝ වැඩි ගණනකින් සමන්විත) හෝ අන්තර් ලෞහික (කලාප අතර ප්‍රභින්න මායිම් නොමැති) ලෙසිනි.

හැඳින්වීම

මිශ්‍ර ලෝහයක් යනු, ශුද්ධ හෝ තරමක් ශුද්ධ රසායනික මූලද්‍රව්‍යයන්ගේ මිශ්‍රණයක් වන අතර, එය විසින් ලෝහයක ගතිලක්ෂණ පවත්වා ගෙන යන්නාවූ අශුද්ධ ද්‍රව්‍යයක් (සම්මිශ්‍රණය) තනයි. මිශ්‍ර ලෝහයක් අශුද්ධ ලෝහයකින් ප්‍රභින්න වෙන්නේ, සිද්ධ යකඩ වැනි ඒවා සැලකූ කල, මිශ්‍ර ලෝහයක, එකතු කල අපද්‍රව්‍ය සාමාන්‍යයෙන් අභිමත ඒවා වන අතර දර්ශීය වශයෙන් කිසියම් ප්‍රයෝජනවත් ප්‍රතිලාභයක් සලසන බැවිනි. මිශ්‍ර ලෝහ තැනෙන්නේ මූලද්‍රව්‍ය දෙකක් හෝ වැඩි ගණනක් මිශ්‍ර කිරීමෙනි; එයින් අවම වශයෙන් එකක් හෝ ලෝහයක් වෙයි. මෙය සාමාන්‍ය වශයෙන් ප්‍රාථමික ලෝහය ලෙසින් හෝ පදනම් ලෝහය ලෙසින් හෝ හැඳින්වෙන අතර, මෙම ලෝහයේ නම, මිශ්‍ර ලෝහයේ නමද විය හැක. අනෙකුත් සංඝටක, ලෝහයන් වීම හෝ ලෝහයන් නොවීම හෝ විය  හැකි අතර, විලීන පදනම් ලෝහය හා සමගින් මිශ්‍ර කල විට, ඒවා මිශ්‍රණයට ද්‍රාව්‍ය වීම සිදුවෙයි. මිශ්‍ර ලෝහය සිසිල් වී ඝනීභවනයවත්ම ( ස්ඵටිකීකරණයවත්ම), බොහෝ විට එහි යාන්ත්‍ර විද්‍යාත්මක ගුණාංග, එහි ප්‍රත්‍යක සංඝටකයන්ට වඩා අතිශයින් වෙනස් විය හැක. සාමාන්‍යයෙන් අතිශයින් මෘදු සහ ආහන්‍ය, ඇලුමිනියම් වැනි ලෝහයක්, කොපර් වැනි, අනෙකුත් මෘදු ලෝහයක් හා සමගින් මිශ්‍ර ලෝහයක් තැනීමට සැලසීමෙන්, වෙනසට භාජනය කල හැක. ලෝහ දෙකම අතිශයින් මෘදු සහ තන්‍ය වුවද, මෙහිදී තැනෙන ඇලුමිනියම් මිශ්‍ර ලෝහය, වඩාත් දැඩි සහ ප්‍රබල වනු ඇත. අලෝහයක් වන කාබන් කුඩා ප්‍රමාණයක්  යකඩ වෙත එක් කිරීමෙන් වානේ නම් මිශ්‍ර ලෝහයක් තනා ගත හැක.

නාමකරණය

ප්‍රාථමික සංඝටකය ලෝහයක් වන, පරමාණු මිශ්‍රණයකට මිශ්‍ර ලෝහය යන පදය යෙදෙයි.

භාවිතයෙහිදී, සමහරක් මිශ්‍ර ලෝහයන් ඒවායේ පාදම ලෝහය වෙනුවෙන් කෙතරම් ප්‍රමුඛතර ලෙසින් භාවිත කරන්නේද යත් ප්‍රාථමික සංඝටකයෙහි නාමය මිශ්‍ර ලෝහයෙහි නාමය ලෙසින්ද යෙදෙයි. නිදසුනක් ලෙසින්, කැරට් 14  (පරිශුද්ධිය)රත්රන් යනු රත්රන් සමග අනෙකුත් මූලද්‍රව්‍යයන් යෙදෙන මිශ්‍ර ලෝහයකි. එලෙසින්ම, ස්වර්ණාභරණයන්හී භාවිත වන රිදී මෙන්ම ගොඩනැගිලි ව්‍යුහාත්මක ද්‍රව්‍යයක් ලෙසින් භාවිත වන ඇලුමිනියම්ද මිශ්‍ර ලෝහයන් වෙති.

මිශ්‍ර ලෝහය සඳහා වන ඉංග්‍රීසි වදන වන "ඇලෝයි" යන්න සමහර විට එදිනෙදා කථන භාවිතයෙහිදී යම් මිශ්‍ර ලෝහයක් වෙනුවට පර්යාය පදයක් ලෙසින් භාවිත වෙයි. නිදසුනක් ලෙසින්, ඇලුමිනියම් මිශ්‍ර ලෝහය භාවිතයෙන් තැනෙන මෝටර් රථ රෝද සාමාන්‍ය ව්‍යවහාරයේ හඳුන්වන්නේ  සරල අයුරින් "මිශ්‍ර ලෝහ රෝද" යන අරුත් දෙන "ඇලෝයි වීල්" යනුවෙනි. මෙම භාවිතය පැහැදිලි ලෙසින් අවිනිශ්චිත බවක් දරන්නේ, ප්‍රායෝගික භාවිතයෙහි පවතින වානේ සහ බොහෝ අනෙකුත් ලෝහද මිශ්‍ර ලෝහ වන බැවිනි.

සිද්ධාන්තය
කිසියම් ලෝහයක් මිශ්‍ර ලෝහයක් බවට පත්කෙරෙනුයේ, අනෙකුත් ලෝහ හෝ අලෝහ හෝ එකක් හෝ වැඩි ගණනක් සමගින් සුසංයෝග කිරීමෙන් වන අතර, එය මගින් ගුණාංග උසස් කෙරුමක් ඩොහෝ විට සිදු වෙයි.

එක් ලෝහයක්, තවත් ලෝහ(යක්) හෝ අලෝහ(යක්) හෝ හා සමග මිශ්‍ර කෙරුමෙන් බොහෝවිට එහි ගතිගුණ වැඩි කිරීමට අවකාශ සලසා ගනියි.
නිදසුනක් ලෙසින්, එහි ප්‍රාථමික මූලද්‍රව්‍යය වන යකඩවලට වඩා, වානේ දැඩිය. මිශ්‍ර ලෝහයක ඝනත්වය, ප්‍රතික්‍රීයකතාවය(රසායන විද්‍යාව)ප්‍රතික්‍රීයකතාවය, යංග් මාපාංකය, සහ විද්‍යුත් සන්නායකතාවය විද්‍යුත් සහ තාපජ සන්නායකතාවය වැනි භෞතික ගුණාංගයන්, එහි සංඝටක මූලද්‍රව්‍යයන්හි එම ගුණාංගවලින් බොහෝ සෙයින් වෙනස් නොවුනද,ආතන්‍ය ප්‍රබලතාවය සහ ව්‍යාකෘති ප්‍රබලතාවය වැනි ඉංජිනේරුමය ගතිගුණයන්, එහි සංඝටක ද්‍රව්‍යයන්ගේ එම ගතිගුණවලින් බොහෝ ලෙසින් වෙනස් වීමට ඉඩ ඇත.මිශ්‍ර ලෝහවල ඇති පරමාණු විවිධ වූ විශාලත්වයන් ගෙන් යුක්තය. එම නිසා විශාල පරමාණු විසින් ඒවාට සාමන්ත පරමාණු වෙත සම්පීඩක බලයන්ද යොදන අතර කුඩා පරමාණු විසින් ඒවායේ සමීප (සාමන්ත) පරමාණු වෙත ආතන්‍ය බලයන් යොදයි.ඒ විරූපණයට එරෙහි වීමට හැකියාවක් මිශ්‍ර ලෝහ වෙත ලබා දීම නිසාය. එක් මූලද්‍රව්‍යයක ඉතා කුඩා ප්‍රමාණයක් පැවතීම නිසාවෙන් වුව පැවැත්මෙහි මහත් වෙනසක් මිශ්‍ර ලෝහයක් මගින් පෙන්නුම් කෙරුමට අවකාශ ඇත. නිදසුනක් ලෙසින්, වයිට්, හෝගන්, සුහ්ල්, වියාන් ඇබ්රී සහ නකාමුරා විසින් මුලින් පුරෝකථනය කළ පරිදි,ෆෙරෝචුම්බක මිශ්‍ර ලෝහවල පවතින අශුද්ධ ද්‍රව්‍යය නිසාවෙන් වෙනස්වූ ගතිගුණ ඇතිවෙයි.
සමහරක් මිශ්‍ර ලෝහ තැනෙනුයේ දෙකක් හෝ වැඩි ගණනක් ලෝහ ද්‍රව කොට මිශ්‍ර කෙරුමෙනි. පිත්තල යනු තඹ සහ සින්ක් වලින් සැදෙන මිශ්‍ර ලෝහයකි.බෙයාරිම (යාන්ත්‍රික විද්‍යාව) පිළිමයන්, අබරණ (වාස්තුවිද්‍යාව) සහ දේවස්ථාන සීනුව සඳහා භාවිත කෙරෙන ලෝකඩ යනු, තඹ සහ ටින් වල මිශ්‍ර ලෝහයකි.

බොහෝ මිශ්‍ර ලෝහ සඳහා සංශුද්ධ ලෝහවලට මෙන් තනි ද්‍රවාංකයක් නැත. ඒ වෙනුවට, ඒවා සතුව ඇත්තේ ද්‍රවාංක පරාසයකි. එය තුළදී ද්‍රව්‍යය ඝන හා ද්‍රව කලාපයන්හී මිශ්‍රණයක්ව පවතියි. විලයනය ආරම්භ වන උෂ්ණත්වය හැඳින්වෙනුයේ ඝන වක්‍රය (රසායන විද්‍යාව)ඝන වක්‍රය ලෙසින් වන අතර, විලයනය අවසන් වන උෂ්ණත්වය හැඳින්වෙනුයේ ද්‍රව වක්‍රය ලෙසිනි.කෙසේවෙතත්, බොහෝ මිශ්‍ර ලෝහයන් සඳහා, සංඝටකයන්හී (විරල අවස්ථාවන්හී දෙකක) කිසියම් අනුපාතයක් සඳහා තනි ද්‍රවාංකයක් පවතියි. මෙය හැඳින්වෙන්නේ මිශ්‍ර ලෝහයෙහි සුද්‍රාව්‍ය මිශ්‍රණය ලෙසිනි.

ඉතිහාසය

මානවයන් විසින් මිශ්‍ර ලෝහ භාවිතය ඇරඹුනේ, ස්වභාවිකව පවතින නිකල් හා යකඩ මිශ්‍ර ලෝහයක් වන යකඩ උල්කා යකඩ භාවිතයද හා සමගිනි. නිකල් වෙතින් යකඩ වෙන් කිරීමට කිසිදු ලෝහ විද්‍යාත්මක ක්‍රමවේදයක් භාවිත නොකෙරුණු නිසාවෙන් මිශ්‍ර ලෝහය එලෙසින්ම භාවිතා කෙරිණි.

උල්කාපාත යකඩ

නිකල් සහ යකඩ යන ලෝහයන්ගේ ස්වභාවිකව හමුවන මිශ්‍ර ලෝහයක් වන උල්කාපාත යකඩ භාවිතයත් සමගම,  මානවයන් විසින් මිශ්‍ර ලෝහ භාවිතය ඇරඹුනි. යකඩ හා නිකල් වෙන්කිරීමට ලෝහ විද්‍යාත්මක  ක්‍රමවේදයක් භාවිතා නොකෙරුණු බැවින්, මෙම මිශ්‍ර ලෝහය එලෙසින්ම භාවිතා කෙරිණි. උල්කාපාත යකඩ රක්තතාප කල විට පට්ටල වැඩ එය මත සිදු කල හැකිවූ අතර, එය විසින් මෙවලම්, ආයුධ සහ, ඇණ තැනිය හැකි විය. බොහෝ සංස්කෘතින්හීදී, එය රත් නොකොටම මිටියෙන් තලා හැඩ ගන්වා, පිහි සහ හී තුඩ  සාදා ගන්නා ලදි. ඒවා බොහෝ විට කිණිහිරි වශයෙන්ද භාවිතා කර ඇත. උල්කාපාත යකඩ බෙහෙවින් දුලබ සහ වටනා වූ අතර, ඒවා මත පට්ටල වැඩ කිරීම, පුරාතනයන්ට බෙහෙවින් දුෂ්කර කාර්යයක් විය.

ආශ්‍රිත

මෙයද බලන්න
 මිශ්‍ර ලෝහ ලැයිස්තුව
 අන්තර්ලෝහිතයන්
 රත් පිලියම
 CALPHAD (ක්‍රමය)

බාහිර සබැඳි

 Surface Alloys

ලෝහවේදය
රසායන විද්‍යාව

මිශ්‍ර ලෝහ


is a village located in Hata District, Kōchi, Japan.

On April 10, 2005, Nishitosa, along with the city of Nakamura, was merged to create the city of Shimanto.

Geography
The population of Nishitosa was 3,492 people as of May 31, 2008. The total area was . It is approximately  from the capital city of Kōchi. As per a 2010 Natural Census, a total area of 7105 square kilometers, Kochi is the largest prefecture of the four on Shikoku Island and 18th largest in Japan. 84% of this land area is covered in forest, with a population of 764,456.

Access
The main train station, Ekawasaki station on the JR Shikoku Yodo Line, sees only a few local trains each day. There are two other smaller stations, Nishigahō Station and Hage Station.

It is accessible from Ehime prefecture and the town of Shimanto by route 381 and from Nakamura via route 441. It is roughly 3 hours by car to Kōchi city.

There is also a limited bus service, centered on Ekawasaki Station.

Temperature
In the summer, the temperatures reach an average of 32 °C in the day and about 26 °C at night. In Kōchi, typhoon season lasts from July until September. In the winter, temperatures average 13 °C in the daytime and 5 °C at night. It occasionally snows in the winter and many people use kerosene heaters to keep warm.

Tourism
The area is known for the views of the Shimanto river, said to be the cleanest river in Japan, and for the ayu fish. Tourists flock to the area in the summer for camping and canoeing.

The area is also good for firefly viewing. In June, there is a firefly festival, and fireflies can easily be seen from many of the "chinkabashi" (Low water crossing).

Wildlife

Wild boars, deer, tanuki, rabbits and monkeys are frequently seen in the area. Deer in particular are a pest to farmers, and can be seen on many of the roads at night.

Education
Prior to April 2012, there were seven elementary schools, one junior high school, one high school and three nursery schools in the former village's area. However, due to falling student numbers, the elementary schools merged into one school, Nishitosa Elementary School, and one of the nursery schools closed. Currently, the junior high school, elementary school, and two nursery schools are visited regularly by one resident ALT, as part of the JET Programme. The high school is visited by a separate, privately contracted ALT.

External links
 Official website of Nishitosa in Japanese
 Official website of Shimanto in Japanese

Dissolved municipalities of Kōchi Prefecture
Shimanto, Kōchi (city)

Nishitosa, Kōchi


Giansandro Rudan (Rovinj, 23. siječnja 1953. ), hrvatski plivač. Natjecao se za Jugoslaviju.

Natjecao se na Olimpijskim igrama 1972. Nastupio je u prednatjecanju na 100 i 200 metara, slobodnim stilom.

Na Mediteranskim igrama 1971. osvojio je brončane medalje u štafetama 4 x 100 metara i 4 x 200 metara, slobodno. Na MI 1975. osvojio je srebro na 200 metara slobodno.

Bio je član rovinjskog Delfina.

Izvori

Hrvatski plivači
Životopisi, Rovinj
Šport u Rovinju

Giansandro Rudan


Faces in the Crowd (El rostro del asesino en España) es una película escrita, coproducida en Canadá, Estados Unidos y el Reino Unido y dirigida por Julien Magnat, protagonizada por Milla Jovovich, Julian McMahon, David Atrakchi, Michael Shanks, Sandrine Holt, y Sarah Wayne Callies.

Sinopsis
Anna Marchant (Milla Jovovich), lleva una vida feliz con su pareja, Bryce, y trabajando como maestra en una escuela. En la ciudad, un asesino en serie llamado "Jack, el llorón" siembra el terror matando mujeres. Su último ataque es visto por Anna sin querer. Al darse cuenta de que Anna está viendo su ataque, la persigue por un puente. Anna cae al mar, salva su vida, pero se golpea la cabeza. Al despertar en el hospital no reconoce ni a su novio ni a sus amigas. En su desesperación le dicen que padece una enfermedad llamada prosopagnosia que no le permite diferenciar los rostros de las personas. Recurre a distintos médicos hasta que acude a la doctora Langenkamp (Marianne Faithfull), quien la ayuda a reconocer a las personas mediante sus gestos y movimientos. Esto la ayuda a seguir su vida. El detective Sam Kerrest (Julian McMahon), que está a cargo del caso, se enamora inesperadamente de Anna. Luego de unos días con miedo, Anna va a la comisaría de policía y se da cuenta de que al único que sigue reconociendo es al detective.

Con la capacidad que adquiere de reconocer a las personas por los gestos y la ropa, le hace creer a su novio que se recuperó de su enfermedad y éste, al descubrir luego que no es así, se separa de ella. El asesino ataca otra vez durante el cumpleaños de Anna, matando a una de sus mejores amigas, por lo que Sam se lleva a Anna a una isla donde él creció. Allí, Anna se da cuenta de que por algo lo reconoce sólo a él y duermen juntos.

Al otro día, Sam se afeita la barba y Anna se da cuenta de que solo lo reconocía por eso. Vuelven a la ciudad y Anna se queda en el departamento de él. Le llega un mensaje de texto de Bryce, diciendo que quiere verla al menos para hablar. Ella decide ir y le deja un mensaje de voz en el celular a Sam, diciendo la dirección del lugar. Allí se encuentra con Bryce, quien le propone matrimonio, el cual Anna rechaza. Bryce se queda sorprendido ya que ella "le mandó un mensaje diciendo que lo amaba". Bryce se va al baño y Anna lee el mensaje del móvil de Bryce, y se da cuenta de que en realidad el mensaje había sido enviado por el asesino. En el baño, el asesino mata a Bryce y le saca su ropa, y vuelve a la mesa con Anna. Ella, creyendo que se trata de Bryce, le dice que el asesino está en el lugar y que deben irse. Salen del restaurante y Sam atando cabos se da cuenta de que el asesino es su compañero, Lanyon y va en busca de Anna. Cuando los encuentra, Lanyon se saca la ropa de Bryce y tiene la misma ropa que Sam. Anna no los puede reconocer por lo que huye de ambos. Sam, con la cara ensangrentada se marca una barba en la cara y así Anna lo reconoce. Le dispara a Lanyon y durante un forcejeo ambos se disparan. Anna llora sobre Sam, diciéndole que no la puede abandonar. La lluvia cae sobre la sangre de Sam, borrando todo signo de barba, haciendo que su rostro sea uno más del resto. Anna se muda a la isla donde estuvo con Sam, trabaja en la escuela, y tiene una hermosa niña fruto de su amor con Sam.

Elenco
 Milla Jovovich como Anna Marchant.
 Julian McMahon como Detective Kerrest.
 David Atrakchi como Lanyon.
 Michael Shanks como Bryce.
 Sarah Wayne Callies como Francine.
 Sandrine Holt como Nina #6.
 Marianne Faithfull como Dra. Langenkamp
 Valentina Vargas como Nina.
 Anthony Lemke como Bryce #3.
 Nels Lennarson como Detective Kerrest #1.
 Chris Kalhoon como Kerrest #2.
 David Ingram como Bryce #2.
 Medina Hahn como Nina #4.

Producción

Esta película es el segundo largometraje del escritor y director Julien Magnat. La producción comenzó el 8 de mayo de 2010 en los alrededores de Chicago Illinois, Winnipeg, Manitoba, Canadá, y la fotografía principal quedó finalizada el 13 de junio del mismo año.

Referencias

Películas de asesinos en serie
Películas rodadas en Canadá
Cine de terror de los años 2010
Películas de terror de Canadá
Películas de terror de Estados Unidos
Películas de terror de Reino Unido

Faces in the Crowd


Seva este un fluid transportat în vasele conducătoare ale speciilor vegetale, care are scopul de a distribui apă și nutrienți în organismul plantei . Trebuie diferențiată de latex, mucilagiu sau de rășină, alți produși vegetali, cu componente și funcții diferite de cele ale sevei.

Tipuri de sevă
Cele două tipuri de sevă, seva brută și seva elaborată, sunt transportate în organismul vegetal prin intermediul fasciculelor libero-lemnoase:

Seva brută
Seva brută este seva transportată prin xilem și este alcătuită în principal din apă, elemente minerale și substanțe reglatoare ale procesului de creștere. Transportul acestui tip de sevă are loc dinspre partea inferioară, din rădăcină, către organele superioare, adică spre frunze, și se realizează prin vasele conducătoare lemnoase.

Seva elaborată
Seva elaborată este seva transportată prin floem și este alcătuită în principal din glucide, hormoni și elemente minerale dizolvate în apă. Transportul acestui tip de sevă are loc dinspre organele fotosintetizatoare, unde are loc biosinteza de carbohidrați sau din organele de depozitare a acestora, spre organele care necesită surse de energie. Se realizează prin vasele conducătoare liberiene.

Vezi și
 Gomoză
 Latex
 Rășină

Referințe

Fiziologie vegetală

Sevă


Dawnstar (Zora Zvijezda) su indie rock sastav iz Mađarske, Budimpešte. Originalna postava benda uključuje tekstopisca Attila Wind (vokal/gitara), Bálint Hamvas (bas) i Viktor Albert (bubnjevi). Zvuk benda uglavnom je mješavina glatkih i deformiranih gitara, pulsirajućih basova i očaravajućih melodija na tipkovnici. Dawnstar predstavlja mješavinu sredinom 1960-ih psihodelične, kasnih 1970-ih Goth, sredinom 1980-ih grunge i 1990-ih indie rock u indie glazbenoj sceni Budimpešte.

Povijest

Formiranje
Attila Wind, rođen od engleskog oca iz Sunderlanda i mađarske majke iz Budimpešte, susreo je Bálint Hamvas sredinom 1990-ih u gimnaziji Teleki Blanka u Budimpešti. Godine 1999. osnovali su Anselliju, nazvanu po istoimenoj orhideji, kao duo projekt i snimili svoj prvi demo, Eunomia. 2000. godine Attila Wind je skladao osam novih skladbi koje su snimljene u Piliscsabi. Ova demonstracija pod nazivom Vanity (hrvatski: taština) pomogla je bendu da regrutira Viktora Alberta koji je bio Bálint Hamvašev kolega iz Budimpeštanske poslovne škole (Budapest Business School). Nakon nekoliko koncerata u lokalnim klubovima, bend je u proljeće 2001. godine počeo koristiti ime Dawnstar, koje je kombinacija "zore" i "zvijezde" kao alternative za Jutarnju zvijezdu ili Veneru, umjesto Ansellije. Svoj prvi koncert s tim novim imenom održali su 13. prosinca 2002. u klubu Woodoo u Csepelu. Na rani zvuk benda utjecala je grunge revolucija iz Seattla. Međutim, kasnije je bend počeo miješati svoj zvuk s mnogim različitim glazbenim žanrovima poput psihodelije, post-punka i garažnog rocka. Dawnstar je 2002. godine snimio svoj treći demo, Under Your Wings (hrvatski: Pod Tvojim Krilima), u Pick-up studijima u Budimpešti. Rezultat je bila mješavina lepršavih stihova i iskrivljenih refrena uspostavljajući prepoznatljiv zvuk benda.

Change The World
Dana 30. studenog 2007., Dawnstar je objavio svoj prvi EP, Change The World (hrvatski: Promijeniti Svijet), uključujući tri pjesme: naslovnu pjesmu Change The World, Scarlet i Don't Die A Martyr For Me (hrvatski: Nemoj umrijeti mucenikom za mene). Bend se za zvučne inženjere ploče odlučio za Zoltán Takács iz Heaven Street Seven i László Philip. Bend je proveo dva dana snimajući u studijima Abnormal u studenom 2007.

Dana 22. siječnja 2017. godine pjesma benda pod nazivom Don't Die A Martyr For Me uvrštena je među antiratne pjesme na talijanskoj web stranici Antiwar Songs.

Dana 6. srpnja 2009., Dawnstar je svirao na Festivalu Donaukanaltreiben u Beču, Austrija. Bend je na web stranici zajednice Myspace primijetio Heidimarie Pyringer, koja je koncert organizirala za bend u glavnom gradu Austrije.

Dana 10. travnja 2010., Dawnstar je svirao na Fringe festivalu u Pečuhu koji je iste godine izabran za Europsku prijestolnicu kulture. Sljedeće godine, 1. travnja 2011., Dawnstar je treći put nastupio na festivalu u Budimpešti.

Saturnine Valentines

Godine 2012., Dawnstar je počeo snimati svoj prvi cjelovečernji studijski album pod nazivom Saturnine Valentines u Abnormal Studios u Budimpešti. Bend je angažirao Dávid Schram, koji je prethodno radio na Shell Beach This Is Desolation i FreshFabrik MORA, kao inženjera miješanja i masteringa za njihov album.

Dana 19. svibnja 2013., Dawnstar je prenio tri pjesme (Love's Gonna Be Tender, In Heaven We Meet Again, Ophelia ) sa svog nadolazećeg studijskog albuma na YouTubeu i SoundCloud a tri mjeseca kasnije cjelovita ploča bila je dostupna na Bandcamp.

U prosincu 2013. Dawnstar je predstavljen u Queer Music Heritageu JD Doylea. Istog mjeseca Love's Gonna Be Tender emitiran je na OutRadio.

Dana 19. siječnja 2016., prvi video spot benda, In Heaven We Meet Again, premijerno je prikazan u Underground Magazinu. Video je snimljen u Ürömu u prosincu 2015., a režirao ga je Attila Wind. Video je nadahnut psihološkim horor filmom Blair Witch Project Daniela Myricka i Eduard Sánchez.

Dana 12. veljače 2016. bend je svirao emisiju u Szilvuplé Bár és Varieté u Budimpešti s trojicom gostujućih vokala, uključujući: Viktória Wind (rođena Bordács), Zsófia Toporczy (Plüssnapalm) i Viktóra Sereg. Bilo je to prvi put da su gosti vokali pozvani da podrže bend.

Dana 17. lipnja 2016., Dawnstar je objavio svoj drugi video naslov pod nazivom London Nights. U videu Vjetar luta ulicama Londona u Ujedinjenom Kraljevstvu prolazeći pored nekih poznatih znamenitosti poput Tower Bridge i katedrale sv. Pavla. Ostali članovi benda, Viktor Albert i Bálint Hamvas nestrpljivo čekaju da Wind stigne u sobu za probe. Na kraju spota Wind stiže u sobu za probe i bend počinje zajedno svirati pjesmu. Londonske scene snimljene su 13. srpnja 2013., dok je ostatak videozapisa snimljen u Budimpešti, Mađarska, 22. svibnja 2016.

Dana 26. kolovoza 2016. bend je debitirao na Rádió Rock 95.8 sa svojom pjesmom In Heaven We Meet Again. Nekoliko dana kasnije, 9. rujna 2016., na radiju je emitirana još jedna pjesma iz Saturnine Valentines, London Nights.

Dana 17. studenog 2017. bend je svirao emisiju pod nazivom Saturnine Nights u Szilvupléu u Budimpešti.

Dana 27. studenog 2016. s bendom je razgovarao Ádám Rédl na Rádió Rock 95.8. Tijekom jednosatnog razgovora na radiju je emitirano 5 pjesama, uključujući Love's Gonna Be Tender, Ophelia, Almost Every Flame Will Fade Away (Gotovo svaki plamen će nestati) i dvije prethodno odsvirane pjesme: In Heaven We Meet Again i London Nights .

Članovi benda

Trenuta postava
Viktor Albert – bubnjevi (2001–)
Bálint Hamvas – bas gitara, vokali (2001–)
Attila Wind – vokali, gitara (2001–)

Bivši članovi
Zsombor Havass – gitara (2006)
Anna Mitropulos – tipkovnica (2005-2011)
Zsolt Szemenyei – tipkovnica (2017)

Obilazeci clanove
Nikolett Poór – violoncelo
Viktória Wind (rođena Bordács) – vokali
Zsófia Toporczy – vokali
Viktória Sereg – vokali

Vremenska crta

Diskografija

 Albumi

 Chaneg The World (Promijeni svijet) (2007)
 Saturnine Valentine (2013)

 Samci

 Love's Gonna Be Tender (Ljubav će biti nježna) (2013)

Videografija

 Glazbeni spotovi

 In Heaven We Meet Again (U nebu se ponovno susrećemo) (2016.)
 London Nights (2016)

Izvori

Vanjske poveznice
 Dawnstar (službena web stranica)
 Dawnstar na YouTubeu
 Dawnstar u SoundCloudu
 Dawnstar na festivalu Donaukanaltreiben

Stranice s nepregledanim prijevodima
Mađarski glazbenici
Indie

Dawnstar


මානව සම්පත් යන්න බොහෝ සංවිධාන තුළ සම්ප්‍රදායික පරිපාලන සේවක සහ කාර්ය ඵල කළමණාකාරීත්ව ආශ්‍රිත විවිධ සංවිධාන තුළ විස්තර වෙන සංයුතියකි. සේවක සබඳතා සහ සම්පත් සැලසුම්කරණයද ඊට අඩංගු වේ. කාර්මික සහ සංවිධානාත්මක මනෝවිද්‍යාවේදී සංවර්ධනය කරන ලද සංකල්ප මත එය රඳා පවතී. සන්ධර්භය අනුව මානව සම්පත් යන්නට අවම වශයෙන් අදාල තේරුම් ගැනීම් දෙකකි. මුල් භාවිතය දේශපාලන ආර්ථික සහ ආර්ථික විද්‍යාවෙන් පැවතේ. එහිදී එය සම්ප්‍රදායානුකූලව ශ්‍රමය ලෙස හැඳින්වේ. එය නිෂ්පාදන සාධක හතරෙන් එකක්ද විය. වඩා ප්‍රචලිත සංස්ථා සහ වානිජ භාවිතයේදී එය ගැනෙන්නේ සමාගමක් තුළ සිටින පුද්ගලයන් ලෙසය. එම සංවිධානයේ බඳවාගැනීම්, අස්කිරීම්, පුහුණුව සහ වෙනත් සේවා කටයුතු පිළිබඳව ක්‍රියා කරන කොටසට අයත්වේ. මෙම ලිපියට නිර්වචන දෙකම අඩංගු වේ.
මානව සම්පත් යන්නෙහි ඉලක්කය වන්නේ සංවිධානයේ මානව ප්‍රාග්ධනයෙන් උපරිම ලාභයක් ලබාගැනීමටත් මූල්‍යමය අවධානය අවම කිරීමත්ය. මෙම කාර්යභාරයන් බලපාන ආකාරයට නිත්‍යානුකූලව සාධාරණව සහ සමාන ආකාරයට සිදුකිරීම මානව සම්පත් කළමනාකරුවන්ගේ වගකීම වේ. මානව සම්පත් කළමනාකරණය පහත දැක්වෙන අත්‍යාවශ්‍ය ශ්‍රිතයන් ඉටු කරයි.

බඳවා ගැනීමේ උපක්‍රම සැලසුම් කිරීම.
බඳවා ගැනීම් ක්‍රියාවලි.
තෝරාගැනීම.
පුහුණුව සහ සංවර්ධනය.
කාර්ය ඵල ආගයීම සහ කළමනාකරණය.
උසස්වීම්.
සමතිරික්තය.
කාර්මික සහ සේවක සබඳතා.
පෞද්ගලික දත්තවල සියලූම වාර්තා තබාගැනීම.
වන්දි, විශ්‍රාම වැටුප්, වෙනත් ප්‍රතිලාබ ගෙවීම් අංශයත් සමග එකට කිරීම.
අභ්‍යන්තර සේවාදායකයින්ට වැඩ පිළිබඳ ගැටළුවලට රහසිගත උපදෙස් ලබාදීම.
වෘත්තීය සංවර්ධනය.

මානව සම්පත පිළිබඳ නව සංකල්ප
මානව සම්පත අතීතයේ පටන් ව්‍යාපාර වලට යොදා ගැනුනත්, එය කළමනාකරණය පිළිබඳ  අදහස "Fedric. W. Teylor" ගෙ සංකල්පයක් අනුව 1900 යුගයේ සිට ආරම්භ විය. 1920 වන විට ඇමරිකාවේ මානසික හා ව්‍යවසායකත්වය පිළිබඳ විශේෂඥවරුන්, ව්‍යාපාරයේ සේවකයාගේ හා ආයතනයේ සම්බන්ධතාව හා මානසික ස්ථායිතාවට ව‍ඩා ඉඩ ලබා දුනි.  20 වැනි සියවස මැද පැමිණි "නායකයා" සංකල්පය, සේවකයන් අතර කණ්ඩායම් හැගීම ඇති කිරීම ආදිය ආයතනයේ සාර්ථකත්වයට තුඩු දෙන හේතුන් ලෙස හඳුනාගන්නා ලදී.

කෙසේ වුවත් මෙම සංකල්ප, මිනිසා තදින් පාලනය කළ යුතු බව කියන හා ලාභ පදනම් කරගත් සංකල්ප සමග ගැටීම් ඇති වේ.  ආයතනයක එබැවින් ඕනෑම ආයතනයක මෙම සංකල්ප, කල්පනාකාරීව භාවිතා කළ යුතුය.

මානව සම්පත් කළමනාකරණය

මානව සම්පත්


نوتنغهامشير  تسمى اختصاراً نوتس  في الإقليم الشرق أوسطي تحاذي مقاطعة جنوب يوركشير و ثلاث مقاطعات أخرى .

توأمة
لنوتنغهامشير اتفاقيات توأمة مع كل من:
 بوزنان
 تشيليابنسك (2000 - )

أعلام

 فرد وليامز
 بيرتي مي
 هيو ادوين ستريكلاند
 صموئيل بتلر
 دوق بورتلاند
 إدموند ألنبي
 غراهام بيل
 جون بارنز
 هيلين كريسويل
 أربيلا ستيوارت

مراجع

نوتنغهامشير
العلوم والتكنولوجيا في نوتنغهامشير
مقاطعات إنجليزية أسست في العصور القديمة
مقاطعات لاحضرية
ميدلاند الشرقية

نوتنغهامشير


Kadıncık, Kahramanmaraş ilinin Pazarcık ilçesine bağlı bir mahalledir.

Tarihçe

Coğrafya
Kahramanmaraş iline 25 km, Pazarcık ilçesine 20 km uzaklıktadır.

Nüfus

Pazarcık'ın mahalleleri

Kadıncık, Pazarcık


أنغوجا  وتسمى أيضا بجزيرة زنجبار وهي أكبر جزر التابعة لزنجبار، وتسمى الأخرى جزيرة بمبا وهي ثاني أكبر جزيرة وتبعد عنها بحوالي 48 كم، وجزيرة هاديمو وتومباتو.

وتقسم الجزيرة إداريا إلى ثلاث مناطق وهي مركز زنجبار/جنوب وشمال زنجبار وزنجبار المدينة/غرب. وتقع مدينة زنجبار بوسط الساحل الغربي، وهي العاصمة وأكبر مدن زنجبار وأيضاً منطقة لزنجبار المدينة/غرب.

يقع الساحل الرئيسي لتنزانيا شمال غرب الجزيرة، ويفصل بينهما مضيق زنجبار وهي قريبة جدا من البر التنزاني ومدينة دار السلام. وتحيط بها مجموعة جزر ويوجد أيضاً الشعب المرجانية التي تقع جنوب غرب الجزيرة.

تتمركز المواقع التجارية والسياحية بالعاصمة وأماكن أخرى مثل: امبويني ومانجابواني وتشواكا ونونجوي. وكذلك يزخر تاريخ الجزيرة بمواقع أثرية متعددة، وكما هو بجزر أخرى.

أعلام
 علي بن سعيد
 عبد الله بن خليفة
 خليفة بن سعيد
 محمد غريب بلال
 علي حسن مويني

مراجع

أرخبيل زنجبار
جزر زنجبار

جزيرة أنغوجا


القفيصة أو كابسيد capsid     هي القشرة البروتينية للفيروس.
يتكون من عدة وحدات فرعية هيكلية أوليغميرات  مكونة من بروتين يسمى البروتومرات. تسمى الوحدات الفرعية المورفولوجية ثلاثية الأبعاد التي يمكن ملاحظتها.
ويمكن ملاحظة البنية ثلاثية الأبعاد للبنية التحتية ، التي قد تتوافق أو لا مع البروتينات الفردية، وتسمى القسيمات القفيصية. وتحوي القفيصة النووية nucleocapsid المواد الوراثية للفيروس .

اقرأ أيضا
دوبلودنافيريا (فيروسات)

مراجع

علم الفيروسات
مركبات بروتينية

قفيصة


Das Justizgebäude Reichenspergerplatz ist ein historisches Gebäude in Köln-Neustadt-Nord (Reichenspergerplatz 1, 50670 Köln). Das Gebäude, in dem sich heute das Oberlandesgericht Köln, die Generalstaatsanwaltschaft Köln und Teile des Amtsgerichts Köln (Grundbuchamt, Handelsregister, Nachlassgericht, Hinterlegungsabteilung, Kirchenaustrittsstelle, Zwangsversteigerungsgericht und Zahlstelle) befinden, steht unter Denkmalschutz. Seit Ende 2017 ist das Gebäude zudem Sitz der Opferschutzbeauftragten des Landes NRW.

Geschichte

Das Oberlandesgericht Köln wurde am 21. Juni 1819 durch König Friedrich Wilhelm III. als Rheinischer Appellationsgerichtshof gegründet. Seinen heutigen Namen Oberlandesgericht erhielt es mit dem Inkrafttreten der Reichsjustizgesetze am 1. Oktober 1879. Das Gebäude wurde nach unter der Leitung des Geheimen Oberbaurats Paul Thoemer ausgearbeiteten Entwürfen des preußischen Ministeriums der öffentlichen Arbeiten erbaut. Der Planer Thoemer, ein auf Gerichtsgebäude spezialisierter Berliner Architekt, hatte bereits 1893 das Justizgebäude am Appellhofplatz errichtet. Dessen Kapazitäten reichten bereits 1907 nicht mehr aus. Deshalb wurde für das Oberlandesgericht sowie für die Zivilkammern des Landgerichts ein ebenfalls von Paul Thoemer entworfener Gerichtsneubau geplant, das Projekt "Justizgebäude am Reichensperger Platz". Mit der örtlichen Bauleitung waren der Baurat Reinhold Ahrns und die Regierungsbaumeister Hans Erberich sowie Hans Lucht betraut und mit den Bildhauerarbeiten der Bonner Karl Menser. Der Bauplan sah einen Plenarsaal, 35 Sitzungssäle und 400 Geschäftszimmer sowie einige Wohnungen für Bedienstete vor. Er war damals mit einer Grundfläche von 12.500 m² das größte Profangebäude in Köln. Am 10. Oktober 1907 wurde mit den Ausschachtungsarbeiten begonnen, das Gerichtsgebäude wurde am 7. Oktober 1911 seiner Bestimmung übergeben.

Es ergänzte das Justizgebäude am Appellhofplatz, in welchem heute das Verwaltungsgericht Köln und das Finanzgericht Köln untergebracht sind. Zur Zeit der Einweihung im Jahre 1911 war das Gerichtsgebäude das größte in Deutschland und hatte die modernste Ausstattung, mit elektrischem Licht, Fernsprechsammelanlage, Aufzug und elektrischer Entstaubungsanlage.

Nach dem Zweiten Weltkrieg war das Gebäude eine Ruine. In den 1950er Jahren wurde es wiederaufgebaut, wobei große Teile des Fassadenschmucks nicht wiederhergestellt wurden. In den 1980er und 1990er Jahren fand eine umfangreiche Sanierung des Gebäudes statt, bei der das Haupttreppenhaus in seiner originalen Form mit Kuppel wiederhergestellt wurde.

Architektur
Der historistische Bau mit Souterrain umfasst einen ganzen Häuserblock und wird von fünf Straßen umgeben. Die Hauptfassade mit der Eingangsfront zum Reichenspergerplatz, benannt nach dem Juristen und Politiker August Reichensperger, ist als konkaver Viertelbogen ausgebildet. Es handelt sich um einen feudalen fünfgeschossigen Baukomplex in neobarocker Formensprache, dessen Mittelrisalit durch zwei vorschwingende Seitenflügel gerahmt wird, die gleichfalls in pavillonartigen Risaliten enden. Der speziell auf Wunsch Kaiser Wilhelms II. angebrachte 72 Meter hohe Dachreiter wurde im Zweiten Weltkrieg zerstört und danach nicht mehr aufgebaut. In der Mitte dieser Fassade befindet sich der reich ausgestaltete Risalit mit dem Hauptportal. Der Schmuck besteht aus Säulen, Pilastern, Kapitellen, Konsolen und Skulpturen. Drei große Höfe (Hof A, B und C) und vier kleine Innenhöfe belichten die Innentrakte des Gebäudes. Eine weitere Sehenswürdigkeit innerhalb des Gebäudes ist das Ehrenmal für die gefallenen Justizmitarbeiter des Ersten Weltkrieges, welches sich im ersten Obergeschoss in Flur H befindet.

Über dem Hauptportal ist in einem Fries Justitia dargestellt, die Göttin der Gerechtigkeit. Nach dem Hauptportal gelangt man in die hohe Eingangshalle, die – wie bei vielen Gerichtsgebäuden jener Zeit – mit ihren offenen symmetrischen Treppenläufen den Höhepunkt der Innengestaltung bildet. Über das Zentraltreppenhaus mit Oberlicht erreicht man die Sitzungssäle und Geschäftszimmer. Ferner besitzt das Gebäude sieben weitere Treppenhäuser, jeweils an den Gebäudeecken und den Außenflurmitten, um in ein anderes Geschoss zu gelangen. Die Flure mit einer Gesamtlänge von mehr als vier Kilometer verbinden die Gebäudetrakte. Weiterhin sind innerhalb des Gebäudes mehrere Aufzüge vorhanden.

Bunker
Vor dem Gebäude unter dem Rasen des Reichenspergerplatz liegt ein Luftschutzbunker von 1942, bestehend aus einer mehrfach abknickenden M-förmigen Röhre von 1,50 m Breite und 2,20 m Höhe und etwa 200 m² Grundfläche. Die nicht eisenbewehrte Betondecke ist ca. 30 Zentimeter dick und liegt etwa 30 Zentimeter unter der Rasenkante. Der Bunker war offiziell für 180 Personen zugelassen. Das Oberlandesgericht Köln nutzte die Anlage bis 1979 als Aktenlager. Er wurde erst 2009 wiederentdeckt und ist nun jeweils am ersten Sonntag des Monats zu besichtigen.

Literatur
 Georg Dehio, bearbeitet von Claudia Euskirchen, Olaf Gisbertz, Ulrich Schäfer: Handbuch der deutschen Kunstdenkmäler. Nordrhein-Westfalen I Rheinland. Deutscher Kunstverlag München/Berlin 2005, ISBN 3-422-03093-X, S. 754.
 Wolfgang Meyer: Das Justizgebäude Reichenspergerplatz in Köln… Hrsg. vom Oberlandesgericht Köln, 2011 (12 Seiten)

Siehe auch
 Justizzentrum Köln

Weblinks

 Internetpräsenz des Oberlandesgerichts Köln
 Informationsblatt zum Röhrenbunker auf welt.unter.koeln (PDF; 1,7 MB)

Einzelnachweise

Baudenkmal in Köln
Neustadt-Nord (Köln)
Justizgebäude in Köln
Neobarockes Bauwerk in Nordrhein-Westfalen
Koln, Justizgebaude Reichenspergerplatz
Bauwerk von Paul Thoemer

Justizgebäude Reichenspergerplatz


Sara Ballesteros (Madrid, 19 de agosto de 1987) es una actriz española, popularmente conocida por su trabajo en series de televisión.

Biografía
Sara Ballesteros debuta en televisión protagonizando El secreto de Puente Viejo junto a Megan Montaner, Álex Gadea, y María Bouzas, donde da vida a Angustias; una mujer casada de la alta sociedad, embarazada y con problemas mentales. Al final de la primera temporada el personaje se suicida. Poco después, Antena 3 la trae de nuevo para interpretar a la hermana de su personaje, Calvario; quien resulta ser una falsa monja,  que busca venganza tras la muerte de su hermana.

Estudió Arte Dramático en la escuela de Arte Teatral Ángel Gutiérrez en el conocido Teatro de Cámara Chéjov y en el Laboratorio William Layton. Compaginó sus estudios de interpretación con la universidad. Es licenciada en Periodismo por la Universidad Complutense de Madrid y licenciada en Comunicación Audiovisual por la Universidad Rey Juan Carlos. Más tarde realizaría un Máster de Artes Escénicas en el Instituto de Danza "Alicia Alonso" y la URJC, lo que le daría el acceso al doctorado de Artes Escénicas.

Con un extenso recorrido en el teatro y con grandes conocimientos en las artes escénicas y dramáticas; ha interpretado papeles emblemáticos como  Lady Macbeth en "Macbeth", Dunia en "Crimen y Castigo", Adela en "La casa de Bernarda Alba" y Julieta en "El Público".

En 2016, la actriz debuta en el teatro londinense con "Dante´s Inferno: A Modern Telling" de Craff Theatre Company, Compañía Británica de Teatro Físico dónde ha trabajado como artista residente. La obra estuvo en el off de Londres y en el Greenbelt Festival (Reino Unido).

En 2017, Sara Ballesteros presentó Forgive me del director iraquí Laith Sami en el Beverly Hills Films Festival en Los Ángeles (2017) y dio vida a la Marquesa de Urrutia en la serie de sobremesa Acacias 38, extendiendo sus colaboraciones hasta 2018.

En 2018, Sara será Olga en la serie "Hospital Valle Norte" de José Frade Producciones para TVE 1.

En 2021 se incorpora en el reparto de la serie de Netflix "Si lo hubiera sabido" (If only) interpretando a la psicóloga Mabel.

Filmografía

Videoclip

Teatro

Referencias

http://www.imdb.com/name/nm4340441/ IMDb Sara Ballesteros

http://www.saraballesteros.net/  Website oficial de Sara Ballesteros

Enlaces externos
 WEBSITE
 Entrevista Pizquita.com, info web de series.
 Entrevista MiZonaTV
 Antena 3 Calvario Osorio
 Videoencuentro Antena 3 Sara Ballesteros 1ªparte

Actrices de televisión de España
Actrices de cine de España
Nacidos en Madrid
Españolas del siglo XXI

Sara Ballesteros


An Eragrostis variegata in uska species han Liliopsida nga ginhulagway ni Friedrich Welwitsch ngan Alfred Barton Rendle. An Eragrostis variegata in nahilalakip ha genus nga Eragrostis, ngan familia nga Poaceae.

Mabibilngan ini ha Angola. Waray hini subspecies nga nakalista.

Mga kasarigan

Eragrostis

Eragrostis variegata


Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s.

As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene.

Characteristics
Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder.  Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks.
 The genre's tempo ranges between 120 and 140 beats per minute. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved from one source which is not an expert musical reference, but a sociological study of dance culture. Lyrics tend to be overtly camp, kitschy, tongue-in-cheek, sexually suggestive with double entendres but also occasionally sentimental or maudlin.

The sound of high energy dance tracks, particularly electronic dance or disco, is immediately identifiable by its iconic basslines, pioneered by producer Giorgio Moroder, often programmed in repeating bass sequences, particularly 16th notes, which is characteristic of the hi-NRG electronic dance sound as in "I Feel Love" performed by Donna Summer and produced by Moroder.
The rhythm is characterized by an energetic, staccato, sequenced synthesizer sound of octave basslines or/and where the bass often takes the place of the hi-hat, alternating a more resonant note with a dampened note to signify the tempo of the record. There is also often heavy use of the clap sound found on drum machines.

One form of hi-NRG, as performed by Megatone Records artists and Ian Levine, is any uptempo disco and dance music, whether containing octave basslines or not, that often features covers of "classic" Motown hits (Boys Town Gang) and torch songs, and is often "theatrical" in performance, featuring female (and male) musicians with facetious diva personas and male musicians sometimes in "drag" (Sylvester, Divine), cabarets/musical theater (Vicki Sue Robinson, Sharon Redd). This style, that Stock Aitken Waterman were influenced by,<ref>Brewster, Bill & Broughton, Frank (April 12, 2011). The Record Players: DJ Revolutionaries. Page 81. Grove/Atlantic, Inc. Retrieved June 30, 2018.</ref> had a large cult following among LGBT club-goers in the 1980s, especially San Franciscan black and white gay men.

A second form, a precursor of Italian/Japanese "Eurobeat", with influences of techno and early Chicago house, primarily focuses on its characteristic sequenced "octave-jumping basslines" above anything else and in this form hi-NRG managed to surge into the mainstream with Stacey Q, Kim Wilde, and Laura Branigan. The octave basslines are also found in electroclash and in both cases may be traced to synth-pop and even further back to Giorgio Moroder ("I Feel Love").

 Terminology
Donna Summer was interviewed about her single "I Feel Love", which was a mostly electronic, relatively high-tempo Euro disco song without a strong funk component. In the interview, she said "this song became a hit because it has a high-energy vibe". Following that interview, the description "high-energy" was increasingly applied to high-tempo disco music, especially songs dominated by electronic timbres. The tempo threshold for high-energy disco was around 130 to 140 BPM. In the 1980s, the term "high-energy" was stylized as "hi-NRG". Eurobeat, dance-pop and freestyle artists such as Shannon, Stock Aitken & Waterman, Taylor Dayne, Freeez and Michael Sembello were also labeled as "hi-NRG" when sold in the United States.

In the 1980s, "hi-NRG" referred not just to any high-tempo disco/dance music, but to a specific genre, only somewhat disco-like.

Ian Levine, a hi-NRG DJ, the in-house DJ at London's Heaven nightclub in its early years and subsequently a record producer, defines hi-NRG as "melodic, straightforward dance music that's not too funky." Music journalist Simon Reynolds adds "The nonfunkiness was crucial. Slamming rather than swinging, hi-NRG's white European feel was accentuated by butt-bumping bass twangs at the end of each bar."

 History
High-tempo disco music dates back to the mid-1970s. The first hi-NRG song was Donna Summer's "I Feel Love" from 1977. Other early examples include several British disco songs by Biddu and Patrick Hernandez ("Born to Be Alive") in 1979.

In the early 1980s, high energy music found moderate mainstream popularity in Europe; while opposing both Euro disco and electro on the dance scene, it became mainstream in the gay community in the United States. Hi-NRG was reliant on technology and was all about "unfeasibly athletic dancing, bionic sex, and superhuman stamina". The freedom associated with it seemed to be embodied by a literal escape from human embodiment, and synchrony with technology. However, this was generally limited to the bodies of men as evidenced by songs titled "Menergy", and "So Many Men, So Little Time". Producers such as Bobby Orlando and Patrick Cowley created "an aural fantasy of a futuristic club populated entirely by Tom of Finland studs."

During the same period, a genre of music styled as "hi-NRG" (EDM) became popular in Canada and the UK. The most popular groups of this style are Trans-X and Lime. The genre is also closely related to space disco; bands of this genre include Koto, Laserdance, and Cerrone. The hi-NRG sound also influenced techno and house music.

 Commercial success
In 1983 in the UK, music magazine Record Mirror began publishing a weekly hi-NRG chart. The style entered the British mainstream, with hits on the UK pop and dance charts (followed by the US dance charts), such as Hazell Dean's "Searchin' (I Gotta Find a Man)" and Evelyn Thomas's "High Energy".

In the mid-1980s, hi-NRG producers in the dance and pop charts included Ian Levine and Stock Aitken Waterman, both of whom worked with many different artists. Stock Aitken Waterman had two of the most successful hi-NRG singles ever with their productions of Dead or Alive's "You Spin Me Round (Like a Record)" (UK #1, CAN #1, US #11 in 1985) and Bananarama's "Venus" (US #1, CAN #1, UK #8 in 1986).  They also brought the genre full-circle, in a sense, by writing and producing Donna Summer's 1989 hit "This Time I Know It's for Real" (UK #3, CAN #7, US #7).

American music magazine Dance Music Report'' published hi-NRG charts (and related industry news) in the mid- to late 1980s, as the genre reached its peak.  By 1990, however, techno and rave music had superseded hi-NRG in popularity in many dance clubs. Despite this, hi-NRG music is still being produced and played in various forms, including many remixed versions of mainstream pop hits, some with re-recorded vocals. Later in the 1990s, nu-NRG music, a form of trance music evolved from hi-NRG, was born.

Artists

References

External links

 Dance Music Reports Hi-NRG Top 200 of the 1980s
  Hazell Dean interview on hi-NRG, Record Mirror, August 1984
 Eurodance Magazine

1980s in music
Disco music genres
Electronic dance music genres
LGBT-related music
American styles of music
British styles of music

Hi-NRG


Hrafninn (latína: Corvus) er stjörnumerki á suðurhimni og eitt af 48 stjörnumerkjum fornaldar sem Kládíus Ptólmæos lýsti á 2. öld. Fjórar björtustu stjörnur merkisins mynda óreglulegan ferhyrning. Hrafninn situr á baki Vatnaskrímslisins (Hýdru).

Tenglar
 Hrafninn á Stjörnufræðivefnum

Stjörnumerki

Hrafninn (stjörnumerki)


බර්නාර්ඩෝ ඇල්බර්ටෝ උසේ (අප්‍රේල් 10, 1887 – සැප්තැම්බර් 21, 1971) යනු සතුන්ගේ රුධිර සීනි (ග්ලූකෝස්) ප්‍රමාණය නියාමනය කිරීම වෙනුවෙන් පිටියුටරි හෝර්මෝන වල භූමිකාව සොයාගැනීම සඳහා 1947දී,  කායික විද්‍යාව හෝ වෛද්‍ය විද්‍යාව හෝ සඳහා නොබෙල් ත්‍යාගයෙන් අඩක් ලැබූ ආර්ජන්ටිනානු කායික විද්‍යාඥයෙකි.
විද්‍යාඥයෝ
1887 උපත්
1971 මරණ

බර්නාර්ඩෝ උසේ


مضيق ملقا (بالجاوية: سلت ملاك) ممر مائي يقع في جنوب شرق آسيا بين شبه جزيرة ماليزيا وجزيرة سومطرة
الأندونيسية، يصل بين بحر أندمان في المحيط الهندي من جهة الشمال الغربي، وبين بحر الصين من جهة الجنوب الشرقي.
يقدر طول مضيق ملقا بحوالي 800 كم، بينما يتراوح عرضه بين 50 و 320 كم، وتكمن أهمية المضيق الاستراتيجية في كونه الممر الأساسي لتزويد كلا من الصين واليابان بالنفط حيث يعتبران من أكبر المستهلكين في العالم لهذه المادة الحيوية. أكبر الموانئ المطلة على مضيق ملقا: ملقا وسنغافورة.

الأهمية الجيو-إستراتيجية

مضيق ملقا هو واحد من أكثر الممرات المائية حيوية في العالم من ناحية حركة السفن (تقدر حركة الملاحة فيه مكافئة لتلك التي تعرفها قناة السويس بمصر)، بحيث يصل بين أربعة من أكثر البلدان كثافة سكانية (الصين، الهند، اليابان، إندونيسيا) والأرقام التالية تشير إلى الأهمية الجيو-إستراتيجية للمضيق:
 أكثر من 50000 سفينة تعبره سنويا.
 يمثل ما بين 20 و 25% من الملاحة البحرية العالمية.
 نصف تجارة النفط في العالم تمر عبر المضيق (أكثر من 11 مليون برميل يوميا في 2003، أي حوالي 1700000 متر مكعب)، وهذه الحركية في تزايد مستمر كونها مرتبطة بنمو الاقتصاد الصيني.

إن الأهمية الاقتصادية والموقع الاستراتيجي للمضيق جعل منه منطقة مفضلة لعمليات القرصنة، وهدف محتمل لتهديدات إرهابية. فالقرصنة أصبحت المشكلة الأساسية التي تهدد أمن واستقرار الملاحة البحرية والتعاملات الاقتصادية خاصة بين الدول المطلة عليه.

بالاستناد على الإحصائيات نلاحظ ارتفاع مهم لعمليات القرصنة في السنوات الأخيرة، بحيث انتقلت من 25 عملية في 1994، إلى حوالي 220 سنة 2000، لتنخفض بعدها إلى 150 عملية في 2003.

و للحد من تنامي ظاهرة القرصنة قررت كل من الدول الثلاثة المطلة على المضيق (إندونيسيا، ماليزيا، سنغافورة) زيادة عمليات الحراسة والتفتيش بالاستعانة ببواخر حربية.

مواضيع ذات صلة

 القرصنة في مضيق ملقا
 قائمة مضائق العالم

مراجع

الحدود الإندونيسية التايلندية
الحدود الإندونيسية الماليزية
بحر أندامان
تضاريس تايلاند
تضاريس جوهر
تضاريس سومطرة
جنوب تايلاند
جنوب شرق آسيا البحرية
شبه الجزيرة الماليزية
شبه جزيرة ملايو
مضائق المحيط الهندي
مضائق تايلاند
مضائق سنغافورة
مضائق ماليزيا
مضايق آسيا
مضايق أندونيسيا
مضايق بحر الصين الجنوبي
مضايق دولية
نقل بحري في آسيا

مضيق ملقا


An Bulbostylis meruensis in uska species han Liliopsida nga ginhulagway ni Bernard Verdcourt. An Bulbostylis meruensis in nahilalakip ha genus nga Bulbostylis, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Bulbostylis

Bulbostylis meruensis


An Lepanthes fulva in uska species han Liliopsida nga ginhulagway ni John Lindley. An Lepanthes fulva in nahilalakip ha genus nga Lepanthes, ngan familia nga Orchidaceae.

Mabibilngan ini ha Cuba. Waray hini subspecies nga nakalista.

Mga kasarigan

Lepanthes

Lepanthes fulva


Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954.

Overview
Since the program did not have a regular sponsor like Suspense (a sister program that often used the same actors and scripts), it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950.

Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees:
"Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!"

Following the opening theme, a second announcer (usually Roy Rowan) would add:
"Escape! Designed to free you from the four walls of today for a half-hour of high adventure!"

Adaptations
Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz".

John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello.

Other actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted de Corsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, Dee J. Thompson, Shep Menken, Frank Gerstle, George Neise, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber, and Will Wright.

Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The primary announcer was Roy Rowan, while the introductory signature voice (the dramatic "voice of Escape") was played most often by either Paul Frees or William Conrad, with other actors filling in at various times.

A television counterpart aired on CBS TV for a few months during 1950.

The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

List of episodes

See also
Audio theatre
Old-time radio

Listen to
Escape and Suspense
OTR Network Library: Escape (203 episodes)
Theater of the Ears: Escape
Internet Archive: Escape

References

Terry Salomonson's Audio Classics Archive Broadcast Log: Escape
Jerry Haendiges Vintage Radio Logs: Escape

External links

The Definitive: Escape! article and log (archived)
OTR Plot Spot: Escape – plot summaries and reviews.

1940s American radio programs
1950s American radio programs
Anthology radio series
Fantasy radio programs
Horror fiction radio programmes
American science fiction radio programs
American radio dramas
1947 radio programme debuts
1954 radio programme endings
CBS Radio programs
Radio programs adapted into television shows

Escape (radio program)


was a town located in Takashima District, Shiga Prefecture, Japan. It was the center of the district.

As of 2003, the town had an estimated population of 14,018 and a density of 114.21 persons per km2. The total area is 122.74 km2.

On January 1, 2005, Imazu, along with the towns of Takashima, Adogawa, Makino and Shin'asahi, and the village of Kutsuki (all from Takashima District), was merged to create the city of Takashima.

Climate

References

Dissolved municipalities of Shiga Prefecture
Takashima, Shiga

Imazu, Shiga


WVEE (103.3 FM, "V-103") is a commercial radio station in Atlanta, Georgia. It is owned by Audacy, Inc. and airs an urban contemporary radio format. WVEE is one of the highest-rated stations in the Atlanta radio market according to Nielsen Audio, reaching number one on many reports. Its studios and offices are located in Colony Square on Peachtree Street in Midtown Atlanta, along with its sister stations WAOK, WSTR and WZGC.

WVEE has an effective radiated power of 100,000 watts. It shares a tower off New Street NE, with WABE-TV, as well as with WSB-FM, which is owned by Cox Radio. The two radio stations' transmitters are diplexed together, so that they feed to the antenna instead of into each other.

History

1940s
The station that became WVEE first signed on the air on July 1, 1948. Its original call sign was WAGA-FM, simulcasting a country music radio format with WAGA (590 AM, now WDWD). They were owned by Storer Broadcasting, a company that owned several top stations in large American cities.

The following year, television station WAGA-TV was added as a CBS-TV network affiliate and is now a Fox Television owned and operated station.

1950s and 1960s
In 1959, WAGA-AM-FM were acquired by Plough Broadcasting, a subsidiary of a pharmaceutical company that decided to invest in radio stations. Their call letters were switched to WPLO and WPLO-FM, and the two stations continued to simulcast WPLO's successful country programming.

In the late 1960s, the Federal Communications Commission (FCC) began requiring AM stations in larger cities to end full-time simulcasts, promoting new programming on FM stations. WPLO had Georgia State University students program and host a free form "underground" format, giving the students academic credit instead of pay. The arrangement allowed Plough to have an inexpensive FM presence in the years before FM came to dominate the radio spectrum. It created enough interest among the student body that the Georgia Board of Regents obtained a construction permit and license for its own station at the university, WRAS-FM.

Plough management believed the music programmed by the Georgia State students could become a profitable commercial format if presented professionally. By 1969, WPLO-FM was billing itself as "Atlanta's Alternative High," and described its 103.3 frequency as "103-and-a-third." Program directors in this progressive rock era included Ed Shane, Steve Hosford, and Chris Morgan.

1970s
In 1974, as more listeners were switching from AM to FM for music listening, Plough-Shearing changed WPLO-FM's format. Keeping the same call letters, WPLO-FM flipped to country music to build on the AM station's popularity. The AM station continued to have more personality, with frequent news and weather updates, while the FM station went in a more-music, limited DJ chatter direction.

In October 1976, Schering-Plough recognized Atlanta's growing middle-class African-American market by changing WPLO-FM to urban contemporary under the "V-103" moniker and new call sign WVEE. It briefly aired a disco music format in the late 1970s.

When disco fever cooled, WVEE-FM returned to urban contemporary, and became one of the Atlanta radio market's top stations under the leadership of program director Scotty Andrews. As the first urban station on the FM dial in Metro Atlanta, the "V-103" brand eventually saw other stations around the U.S. follow its formula, including Baltimore sister station WXYV, also known as "V-103", and a Chicago "V-103" (WVAZ, now owned by iHeartMedia).

1980s-1990s
In the early 1980s, DKM Broadcasting Corporation purchased WVEE-FM and WAOK. On January 1, 1988, WVEE-FM was sold, along with other DKM-owned properties in Baltimore, Denver, Springfield, Lincoln, Akron, Dayton, and Dallas, for $200 million to The Summit Communications Group, Inc. In March 1995, Summit sold its interests in WVEE FM and WAOK AM to Granum Communications, Inc., owned by Herbert W. McCord, Peter Ferrara, and Michael Weinstein.

In March 1996, Granum Communications sold both stations to Infinity Broadcasting, which was later folded into CBS Radio. Infinity already owned WZGC, which it owned since 1992, that made the three stations a trio-poly.

2000s
In 2000, V-103, after many years of operating as an urban contemporary station that only played R&B and classic soul throughout the day and only played hip hop music during early evening hours, added hip-hop music full-time to compete with WHTA ("Hot 97.5," now "Hot 107.9") and WALR-FM (Kiss 104.7, now Kiss 104.1), and to appeal more to the 18-34 demographic alongside the original 25-54 demo. With the gain of more competition, WVEE was one of three adult urban stations between 1998 and 2000 when WAMJ (Majic 107.5) took to the air, although WVEE never called itself an urban AC station.

In 2003, "V-103" changed its longtime station slogan from "The People's Station" to "Atlanta's BIG Station" to signify its dominance of Atlanta urban radio. WVEE-FM was often #1 or #2 in the Arbitron ratings, along with WSB. In 2008, WVEE-FM reverted to the previous slogan "The People's Station" to signify its commitment to the African-American community.

Since autumn 2006, WVEE had aired an HD Radio digital subchannel for playing urban adult contemporary (specifically neo-soul) music, with no branding other than "V-103 HD-2". On February 28, 2020, WVEE-HD2 changed their format to international hits, branded as "V-103 International". The HD3 channel is a simulcast of sister station WAOK.

On February 2, 2017, CBS Radio announced it would merge with Entercom. The merger was approved on November 9, 2017, and was consummated on the 17th.

Programming
V-103 has a playlist consisting of a balance of current R&B, soul, and hip-hop songs along with throwbacks and recurrents during most parts of the day. During late night hours from Sunday through Thursday, the station airs slow jams from current and old school R&B and soul songs during its "Quiet Storm" program. WVEE airs a Sunday morning gospel program the entire morning hours, and during the early morning hours on weekdays. On Saturday mornings and Sunday afternoons, the station airs a show dedicated exclusively to classic and contemporary soul music (particularly neo-soul).

WVEE-FM has maintained a strict balance of serving both younger adults and middle-aged listeners since its inception in 1976. This is rare among larger-market urban stations which serve either the Mainstream Urban or Urban Adult Contemporary audience. Its programming puts it in direct competition with Urban AC stations WALR-FM and the simulcast of WAMJ/WUMJ, as well as Mainstream Urban stations WHTA-FM, W233BF, and WRDG. In recent years, the station occasionally spins hit crossover pop songs when they are hot on the Top 40 charts.

WVEE was the largest urban station under CBS Radio ownership, and the only CBS Radio urban outlet in the top 10 American radio markets. As of December 2014, WVEE was the only CBS Radio Urban property remaining. Two former CBS urban stations had shifted to Rhythmic Contemporary: WPGC-FM in Washington, D.C., an Urban-leaning Rhythmic, and WJHM Orlando, which switched formats from Urban to Rhythmic Contemporary in February 2012 (and to top 40 as of February 2014). A third CBS urban station, WPEG Charlotte, was sold to the Beasley Broadcasting Group via a multi-market swap on December 1, 2014. Under Audacy ownership, WVEE is still considered the co-flagship urban station (along with WPGC-FM), but now the largest urban station as WPGC-FM Washington has shifted back to the urban format as of 2018.

Morning shows
From 1998 to 2012, WVEE had been home for Frank Ski and Wanda Smith in the Morning (originally named The Frank Ski Morning Show), when Ski took over the reins from Mike Roberts and Carol Blackmon, after Roberts retired and Blackmon left radio temporarily (now at WAMJ/WUMJ). It consistently maintained one of the highest ratings in the Atlanta region, often finishing as #1 or #2 among morning shows in Atlanta. While the show has almost always been local, it was briefly syndicated to Baltimore (Ski's adopted hometown) on sister station WXYV, as well as in Charleston, South Carolina. Ski was a former host on WXYV (then known as V103) before relocating to Atlanta in 1998 after a two-year stint at rival Baltimore urban station WERQ.

In 2008, WVEE entered a partnership with WUPA to broadcast the Frank and Wanda Television Show, recapping highlights from Frank and Wanda in the Morning for television viewers each night. The theme song for both programs is performed by singer and Atlanta native Monica.

On December 13, 2012, Ski and Smith announced that they both would be leaving WVEE after 14 years. Both said they wanted to concentrate on other ventures. Ski wanted to focus more on family and continue to run his restaurant, while Smith wanted to return to stand up comedy. There were talks with CBS Radio on syndicating the show to other cities but WVEE wanted it to stay focused on Atlanta.  The last Frank and Wanda in the Morning show aired on December 20, 2012.

On January 2, 2013, former afternoon host Ryan Cameron was chosen to replace them and assume duties as host of The Ryan Cameron Morning Show. In January 2014, Wanda Smith returned to the station to co-host the morning drive alongside Cameron. As for Frank Ski, he continues to reside in the Atlanta region although he returned to radio as afternoon host for Washington, D.C. station WHUR until August 2015.  As of June 2016, Ski returned to WVEE to host weekend shows for the station. On February 2, 2018, Ryan Cameron left the station to pursue opportunities outside of radio.

On February 13, 2018, Frank Ski returned to host mornings alongside Wanda Smith and comedian Joe "Miss Sophia" McIntosh. In January 2019, Smith and McIntosh exited, and the morning drive show was renamed The Morning Culture, hosted by Frank Ski, Jade Novah, and J.R. in February 2019. In July 2020, Ski once again exited WVEE to return to hosting the afternoon drive on WHUR in Washington, D.C. On August 17, 2020, Big Tigger took over hosting the morning drive with the show titled The Morning Culture with Big Tigger.

Awards
In 1990, 1992, 1995 and 1998, the station was honored by the National Association of Broadcasters with the Marconi Award for "Urban Station of the Year." In 2000, it tied for the honor with WUSL Philadelphia.

WVEE won the award on its own again in 2010 and in 2013.

In popular culture
 V-103 was mentioned in the 1998 movie The Players Club directed by hip-hop rapper/actor Ice Cube.
 V-103 was shown in Tyler Perry's 2009 movie  "Madea Goes to Jail".

See also

 KPRS
 WBLK
 WDKX
 WPGC-FM

References

External links

Urban contemporary radio stations in the United States
VEE
Radio stations established in 1948
1948 establishments in Georgia (U.S. state)
Audacy, Inc. radio stations

WVEE


Gbodja est un prénom féminin de l'ethnie Fon au Bénin.

Ce prénom est donné aux faux jumeaux, des enfants jumeaux mais qui ne ressemblent pas du tout.

Notes et références

Voir aussi

Prénom africain

Gbodja


Arzachena (sardisk: Alzachèna, Altzaghèna) er en by og en kommune (comune) i provinsen Sassari i regionen Sardinien i Italien. Byen ligger i 85 meters højde og har 13.650 indbyggere (2016). Kommunen har et areal på 230,85 km² og grænser til kommunerne Luogosanto, Luras, Olbia, Palau, Tempio Pausania og Sant'Antonio di Gallura.

Referencer

Henvisninger

Kommuner i provinsen Sassari

Arzachena


Gottfried Klaus von Bredow (né le  à Fürstenwalde et mort le  à Berlin-Halensee) est un général de division et écrivain militaire prussien.

Biographie
Klaus von Bredow est le plus jeune fils du lieutenant-colonel prussien Wilhelm von Bredow (1799-1871) et de sa seconde épouse Marie, née Busse (1825-1858). L'administrateur d'arrondissement  (1768-1836) est son grand-père

Carrière militaire
Klaus von Bredow sert comme sous-lieutenant, il rejoint le 13 juin 1866 en tant qu'enseigne  dans le  escadron du  de hussards. Pendant la guerre contre la France, il rejoint le 10 septembre 1870 l'état-major de la  d'infanterie comme officier d'ordonnance et reçoit la croix de fer de 2e classe pour son action. En 1893, il est major dans le  et adjudant au commandement général du  d'armée.

À partir du 20 mai 1897, Bredow est commandé pour le royaume de Wurtemberg et est tout d'abord chargé de diriger le  jusqu'au 17 juin 1897. Promu lieutenant-colonel, il est ensuite nommé commandant du régiment. En cette qualité, il reçoit en novembre 1899 la croix d'honneur de l'Ordre de la Couronne de Wurtemberg ainsi que, lors de la fête de l'Ordre en janvier 1901, l'Ordre de la Couronne de 2e classe. Le 18 août 1901, Bredow est relevé de son commandement pour le Wurtemberg et, avec l'autorisation de porter l'uniforme du  de dragons, il est chargé de diriger la  de cavalerie à Sarrebourg. Avec sa promotion au rang de général de division, il est nommé commandant de cette grande unité le 18 avril 1903, jusqu'à ce qu'il soit finalement mis à disposition le 7 janvier 1904, en approbation de sa demande de départ avec pension.

Après sa retraite, Bredow, qui a déjà travaillé comme écrivain militaire pendant son service actif, est rédacteur en chef du tout nouveau  de juillet 1910 à octobre 1911.

Famille
Le 3 septembre 1871, il épouse Helene Seyffarth (née en 1851) à Trèves. Après le divorce en mai 1907, il épouse Maud Schueler (née en 1872) à Meiningen la même année. Le mariage produit neuf enfants.

Publications
 Geschichte des 2. Rheinischen Husaren-Regiments Nr. 9. Mittler & Sohn, Berlin 1889.
 Das Husaren-Buch: Geschichte der preußischen Husaren von ihrer Entstehung bis auf die Gegenwart. Püttmann, 1894.
 Historische Rang- und Stammliste des deutschen Heeres. Verlag August Scherl, Berlin 1905.
 Seydlitz: Preußens größten Reiterführers kurze Lebensbeschreibung. F. Engelmann, 1908.

Bibliographie
 Gothaisches Genealogisches Taschenbuch der Uradeligen Häuser. Der in Deutschland eingeborene Adel (Uradel). 1919. Zwanzigster Jahrgang, Justus Perthes, Gotha 1918, S. 161–162.

Références

Liens externes

Generalmajor prussien
Militaire allemand de la guerre franco-allemande de 1870-1871
Cavalier militaire prussien
Écrivain militaire
Chevalier de 2e classe de l'ordre de la Couronne (Prusse)
Récipiendaire de 2e classe de la croix de fer
Récipiendaire de la croix d'honneur de l'ordre de la Couronne de Wurtemberg
Naissance en avril 1850
Naissance à Fürstenwalde
Naissance dans la province de Brandebourg
Décès en décembre 1913
Décès à Berlin
Décès à 63 ans

Claus von Bredow


The Charleston Dirty Birds are an American professional baseball team based in Charleston, West Virginia. They are a member of the South Division of the Atlantic League of Professional Baseball, a partner league of Major League Baseball. The Dirty Birds have played their home games at GoMart Ballpark since 2005.

Team history

Before current era (1910–1983)
The history of professional baseball in Charleston, dates back to , and a team known as the Charleston Statesmen of the long-forgotten Class D Virginia Valley League. In , the Statesmen moved to the Class D Mountain State League, and then folded after that year. A new team, the Charleston Senators was formed in 1914 and lasted three seasons in the Class D Ohio State League. In , a new Senators team joined the Class C Mid-Atlantic League as an affiliate of the Cincinnati Reds. This team lasted until . In , the Senators were reformed as a member of the Class A Central League. In , the city was granted a franchise in the Triple-A American Association. At first, this team was affiliated with the Chicago White Sox, then the Detroit Tigers, and finally the Washington Senators. In , the Charleston Senators won the American Association championship. The franchise ceased operations after the  season.

In , the city had no team, but the Triple-A International League San Juan Marlins, affiliated with the St. Louis Cardinals, moved to the city but on May 19 the team was deemed not financially viable. In , the Charleston Indians, affiliated with the Cleveland Indians, moved to the city in the Class-A Eastern League, and in  that league was elevated to Double-A. The team folded after the  season.

Baseball returned to the city in  with the Charleston Charlies of the Triple-A International League. The Charlies played in the International League from 1971 to 1983. The team had previously been the Columbus Jets. The Charlies were affiliated with the Pittsburgh Pirates, Houston Astros, Texas Rangers, and finally the Cleveland Indians. The team won the International League championship in  and . The Charlies left for Maine following the  season, and, after relocating to Moosic, Pennsylvania in 1989, the team is now known as the Scranton/Wilkes-Barre RailRiders.

Today, the Dirty Birds sell nostalgic "throwback" merchandise from the Pittsburgh-affiliated era of the Charlies, which is generally considered the pinnacle of baseball in the city.

Revival era (1987–2020)
In , the city resumed minor league baseball after a three-year absence. The new team was first called the Charleston Wheelers, so named for the city's history of stern- and side-wheeled boats. The Wheelers began as a co-op team, with players from several Major League Baseball franchises including the Los Angeles Dodgers, Detroit Tigers, Chicago White Sox, Chicago Cubs, Philadelphia Phillies, and Atlanta Braves.

In 1988, the franchise became the Chicago Cubs' third full-season Class A franchise (the other two being Peoria in the Midwest League and Winston-Salem in the Carolina League). The only two players on that 1988 squad to reach the Major Leagues were SS Alex Arias and C Matt Walbeck.

The Wheelers won the Class A South Atlantic League championship in , the only league title for the franchise. By that point, they had changed affiliation to the Cincinnati Reds. SAL Northern Division championships followed in 1991 and 1992, with the Wheelers losing the championship series both years.

In late , the Wheelers were purchased from then-owner Dennis Bastien by a conglomerate of local owners led by Charleston businessman Michael Paterno. The team changed its name to the Charleston Alley Cats in 1995 and switched colors from blue and green to red and black. The team was purchased in  by Tom Dickson and Sherrie Myers. In , the team changed affiliation to the Kansas City Royals, again in  to the Toronto Blue Jays, to the Milwaukee Brewers after the  season, joined the Pirates in 2009, and finally the Seattle Mariners in 2018. Prior to the  season, they adopted the West Virginia Power name. To quote the team's announcement following their decision to change the team name:

West Virginia is and will continue to be recognized as one of the leading energy providers for the country. The energy production from coal, natural gas, and hydro-electric sources, combined with the fact that Charleston serves as the center for the state's political and economic powers led us to the name of the team. We felt it was extremely important that the name reflect the entire region and are excited about the tremendous marketing opportunities that will go along with the name.

The Power won the 2007 SAL Northern Division title, but lost in the league championship series to the Columbus Catfish in three-straight games.

2021 and beyond
In conjunction with Major League Baseball's reorganization of the minors after the 2020 season, the Mariners opted to discontinue their affiliation with West Virginia, leaving them in need of a new affiliate for 2021. It was later confirmed that the Power would be dropped from affiliated baseball, with the team stating its intent to continue playing for 2021 and beyond in another league.

On February 24, 2021, the team announced that it had been sold to a new ownership group led by Andy Shea, also owner of the Power's former South Atlantic League rivals the Lexington Legends. The Power joined the Legends in the Atlantic League of Professional Baseball, an independent MLB Partner league, for the 2021 season and beyond.

On September 28, 2021, the team officially changed their name to the Charleston Dirty Birds, a reference to the canary in a coal mine. Charleston won the second-half Southern Division championship, but fell short in the playoffs, losing to the eventual league champion Lexington Legends in the decisive third game of their playoff series.

Roster

Season-by-season records

Ballparks
The Alley Cats and their predecessors played in Watt Powell Park in the Kanawha City neighborhood of Charleston. Seating approximately 4,500 fans, Watt Powell Park was bordered by MacCorkle Avenue on the front (north) side, 35th Street on the east, and South Park Road on the west. On the south side of the park, a ridge of hills formed a natural boundary. Fans who would otherwise have had to pay to see the games periodically watched the action from a CSX railroad line hard up against the south wall of the stadium.

The Dirty Birds now play their home games in GoMart Ballpark at the east edge of downtown Charleston, a little more than a mile across the Kanawha River from the former site of Watt Powell Park. Most of the financing for the $25 million stadium came from the state, and the city, although the ownership team put up approximately $5 million. The original cost of the ballpark was supposed to be $20 million but cost overruns put the figure at $25 million. The city's share came mostly from the sale of Watt Powell Park to the nearby University of Charleston, which immediately sold two-thirds of the land to Charleston Area Medical Center, the region's largest hospital. Originally, the new park was to be completed for the 2004 season, but politically induced delays in securing state funds forced construction to be put off for a year. The new park opened in April 2005.

Notable Charleston/West Virginia alumni

Jeremy Affeldt
Ryan Braun
Lorenzo Cain
Rodolfo Castro
Tony Cogan
Carlos Corporán
Robinzon Díaz
Alcides Escobar
Yovani Gallardo
Mat Gamel
Jason Gilfillan
Jimmy Gobble
Trevor Hoffman
Norris Hopper
Hernán Iribarren
Jarred Kelenic
Matt LaPorta
Jason LaRue
Starling Marte
Dave Parker
Gregory Polanco
Scott Pose
Pokey Reese
Alex Ríos
Julio Rodriguez
Ángel Salomé
Jameson Taillon
Joe Thatcher
Mike Tonis
Dan Wilson

SAL records
Six Power home runs in one inning versus the Lexington Legends (South Atlantic League record)
Ten home runs in one game versus the Lexington Legends (Seven home runs by Power, also a SAL record)

References

External links

 Statistics from Baseball-Reference

Atlantic League of Professional Baseball teams
Baseball teams established in 1987
Defunct South Atlantic League teams
Sports in Charleston, West Virginia
Professional baseball teams in West Virginia
Seattle Mariners minor league affiliates
Pittsburgh Pirates minor league affiliates
Milwaukee Brewers minor league affiliates
Toronto Blue Jays minor league affiliates
Kansas City Royals minor league affiliates
Cincinnati Reds minor league affiliates
Chicago Cubs minor league affiliates

Charleston Dirty Birds


Castle Morpeth was a local government district and borough in Northumberland, England.  Its administrative centre was the town of Morpeth.

The district was formed on 1 April 1974 by the merger of the borough of Morpeth and Morpeth Rural District, along with part of Castle Ward Rural District.

The district council was abolished as part of the 2009 structural changes to local government in England effective from 1 April 2009 with responsibilities being transferred to Northumberland County Council, a unitary authority.

Settlements and parishes

The district includes the settlements and parishes of (towns highlighted in bold):

Belsay
Capheaton, Cresswell
East Chevington, Ellington and Linton
Hartburn, Hebron, Heddon-on-the-Wall, Hepscott
Longhirst, Longhorsley, Lynemouth
Matfen, Meldon, Mitford, Morpeth
Netherwitton
Pegswood, Ponteland
Stamfordham, Stannington, Stobswood
Thirston
Ulgham
Wallington Demesne, Whalton, Widdrington
Tritlington and West Chevington
Widdrington Station and Stobswood

Transport
Castle Morpeth is located along the vital East Coast Main Line rail artery stretching from London to Edinburgh. The rail line offers services to other major intermediate cities such as Newcastle and Peterborough.

Mayors

 1974–75: Dr George Cormack
 1975–76: Geoffrey F. Brown
 1976–77: J Dalton Hutchinson
 1977–78: W. Laurie Hill
 1978–79: Tom Brown
 1979–80: David Adams
 1980–81: Mrs M. Alice Rowe
 1981–82: W. John Lough
 1982–83: Geoffrey F. Brown
 1983–84: Miss Isobel Smail [
 1984–85: M. George Green
 1985–86: Mrs Dorothy McBryde
 1986–87: Barnaby J. Dunn
 1987–88: Iain McConnell-Wood
 1988–89: Ian Hunter (Honorary Alderman 1999)
 1989–90: Roger Errington (High Sheriff of Northumberland 1993)
 1990–91: Clive Temple
 1991–92: Jim Turnbull
 1992–93: Trevor Hulbert
 1993–94: M. George Green (2nd term)
 1994–95: Iain McConnell-Wood (2nd term)
 1995–96: Tom Simpson (Honorary Alderman 2003)
 1996–97: Mrs Kay Morris
 1997–98: Mrs Sheila Campbell (Honorary Alderman 2005)
 1998–99: Neil Weatherly (Honorary Alderman 2003)
 1999–00: Ernie Coe (Honorary Alderman 2008)
 2000–01: Frank Harrington (Honorary Alderman 2009)
 2001–02: Bill Cuthbertson
 2002–03: Alan Taylor
 2003–04: Derek Thompson
 2004–05: Mrs Kay Morris (2nd term, Honorary Alderman 2009)
 2005–06: Milburn Douglas
 2006–07: Geoff Proudlock (Honorary Alderman 2008)
 2007–08: Milburn Douglas (2nd term, Honorary Alderman 2009)
 2008–09: Mrs Irene Brumwell

Irene Brumwell became the last Mayor of Castle Morpeth Borough as structural changes to local government in England effective on 1 April 2009 abolished the borough.

See also
Castle Morpeth Borough Council elections

External links
Statistics about the Castle Morpeth borough from the Office for National Statistics Census 2001
Castle Morpeth website
Morpeth Town Council website

English districts abolished in 2009
Former non-metropolitan districts of Northumberland
Former boroughs in England

Castle Morpeth


Morlaye Sylla, né le  à Conakry, est un footballeur international guinéen qui joue au poste de milieu de terrain pour le club portugais Arouca FC.

Biographie

Parcours

Carrière en club
Morlaye sylla fait un temps avec le Fello Star de Labé entre 2017 et 2018, de 2018 en 2019 pour le club olympique de Coyah puis de 2019 en 2022, il jouer pour le Horoya Athlétic Club.

Après une expérience en 2016, Morlaye sylla est rappelé par le club portugais Arouca FC en 2022.

Carrière internationale
Avec les moins de 17 ans, il participe à la Coupe d'Afrique des moins de 17 ans en 2015. La Guinée se classe troisième de cette compétition organisée au Niger, en battant le Nigeria lors de la "petite finale". Il dispute ensuite la même année la Coupe du monde des moins de 17 ans qui se déroule au Chili. Lors du mondial junior, il joue trois matchs. Il se met en évidence en marquant un but contre le Brésil. Avec un bilan d'un nul et deux défaites, la Guinée est éliminées dès le premier tour.

Avec les moins de 20 ans, il participe à la Coupe d'Afrique des moins de 20 ans en 2017. Il se met en évidence lors de la phase de groupe, en marquant deux buts et en délivrant une passe décisive contre le Mali. La Guinée se classe troisième de cette compétition organisée en Zambie, en battant l'Afrique du Sud lors de la "petite finale". Il dispute ensuite la même année la Coupe du monde des moins de 20 ans qui se déroule au Chili. Lors du mondial junior, il joue trois matchs. Avec un bilan d'un nul et deux défaites, la Guinée est éliminée dès le premier tour.

Morlaye Sylla réalise ses débuts avec l'équipe de Guinée lors d'une défaite 1-0 rentrant dans le cadre des qualifications pour le championnat d'Afrique des nations 2020, contre le Sénégal, le 21 septembre 2019.

En début d'année 2021, il participe au championnat d'Afrique des nations 2020 qui se déroule au Cameroun. Il joue cinq matchs lors de ce tournoi, et s'illustre en marquant trois buts : un en phase de poule contre la Namibie, un autre en quart face au Rwanda, et enfin un dernier lors de la "petite finale" gagnée face au pays organisateur. Il a été l'homme du match à quatre reprises lors du championnat d'Afrique des nations au Cameroun.

En , il est retenu par le sélectionneur Kaba Diawara afin de participer à la Coupe d'Afrique des nations 2021 organisée au Cameroun.

Palmarès

En club
 Arouca FC

 Horoya AC
 Championnat de Guinée (1) :
 Champion : 2020-21.

En équipe nationale

Récompenses individuelles
Il fait partie de l'équipe-type de la Membre de l'équipe-type de la CAN U20 2017

Références

Liens externes

 Profil Horoya

Joueur du Horoya AC
Footballeur international guinéen
Naissance en juillet 1998
Naissance à Conakry

Morlaye Sylla