Douglas C. "Doug" Kistler (Radnor, Pensilvania,  - Charlotte, Carolina del Norte, ) fue un jugador de baloncesto estadounidense que disputó una temporada en la NBA. Con 2,05 metros de estatura, jugaba en la posición de alero.

Trayectoria deportiva

Universidad
Jugó durante tres temporadas con los Blue Devils de la Universidad de Duke, en las que promedió 11,5 puntos y 9,3 rebotes por partido. En 1960 fue elegido mejor jugador del Torneo de la Atlantic Coast Conference.

Profesional
Fue elegido en la vigésimo sexta posición del Draft de la NBA de 1961 por Detroit Pistons, pero fue finalmente descartado, fichando meses después por los New York Knicks, donde únicamente llegó a disputar 5 partidos, en los que promedió 1,8 puntos.

Estadísticas de su carrera en la NBA

Temporada regular

Referencias

Enlaces externos

Baloncestistas de Pensilvania
Baloncestistas de la NBA
Baloncestistas de los Duke Blue Devils
Baloncestistas de los New York Knicks
Fallecidos por accidentes de tráfico en Estados Unidos
Fallecidos en Charlotte

Doug Kistler


Diodati ist eine um das Jahr 2000 gegründete Neoklassikband, die aus der Band "Westwerk" hervorging. Zentrales Anliegen und Motiv der künstlerischen Arbeit ist einerseits die Auseinandersetzung mit klassischer Lyrik und Komposition. Daraus folgt eine Verwendung von Zitaten und Versatzstücken im eigenen Schaffen. Andererseits sieht sich Diodati als offenes, künstlerisches "Projekt" und weniger als Band. Um einen festen Kern an Personen wird anderen Musikern und Künstlern die Freiheit gelassen,  sich am kreativen Schaffen zu beteiligen und sich selbst einzubringen.

Geschichte
Diodati gingen mit ihren Gründungsmitgliedern Gwydion und AjNa um 2000 aus der Gothicband "Westwerk" hervor. Zu Beginn beschränkte sich die Band darauf, klassische Texte bekannter Autoren mit klassischer Klaviermusik zu vertonen und damit live aufzutreten. Im Zuge dieser Arbeit entstanden die ersten Aufnahmen und wurden unter dem Titel "I" auf CD zusammengetragen und im Eigenvertrieb veröffentlicht.

Im Lauf der Zeit wurden häufiger eigene Texte vertont und mehr eigene Kompositionen erstellt. So entstand das erste Studioalbum "Souls Lament", ein Konzeptalbum, das wie ein Drama aufgebaut ist und die Unmöglichkeit der Liebe zum Inhalt hat. Mit diesem Album unterzeichneten Diodati m September 2005 ihren ersten Labelvertrag bei "Bright-Light-Records". Gwydion, AjNa und Tysja machten es sich dabei zur Maxime, viele verschiedene Stile und Musikrichtungen miteinander zu verbinden.

2007 beschlossen AjNa und Gwydion erneut eine Klassik-CD im Stile der "I" aufzunehmen. Als roter Faden sollte sich das Thema "Traum" durch die CD ziehen und so entstand "Traumschaudergespinste", die wie die erste Klassik-CD im Eigenvertrieb veröffentlicht wurde.

Nach einer erfolgreichen Zusammenarbeit zogen sich AjNa und Tysja aus dem kreativen Prozess der Liedfindung zurück, blieben dem Projekt aber bei Aufnahmen und auf der Bühne treu. Neue Mitglieder der Band wurden Svyati am Cello und Elias als am Klavier und Kontrabass. Zusammen begannen sie mit der Arbeit am Konzeptalbum "Diem supremum obire" (lat.: 'dem letzten Tag entgegengehen'), das sich mit dem Tod in all seinen Facetten auseinandersetzt. Die Arbeit daran begann bereits 2007 im Zuge des Kennenlernens von Gwydion und Svyati, veröffentlicht wurde die CD aber erst im Oktober 2011 nach einem Labelwechsel zu Körperschall Records.

Schon während der abschließenden Arbeit an "Diem supremum obire" beschäftigte sich die Band mit neuen Kompositionen und Texten und arbeitete nach der Veröffentlichung weiter konstant am nächsten Album. Im November 2013 erschien mit "Susurrus Lake", die erste CD, die kein Konzeptalbum ist. Die Lieder sind nach Angaben der Musiker eher als Collage zu verstehen, die dem Zuhörer erlauben sollen, eigene Geschichten und Bilder dazu zu assoziieren. Als Fixpunkt steht dabei lediglich das Bild des Sees, dass sich auch im Albumtitel wiederfindet (eng.: 'Geflüstersee') und als titelgebendes Stück im Zentrum des Albums steht. Flüstern als Stilmittel zieht sich durch das Album. Auch die sonstige kompositorische Umsetzung unterscheidet sich von den Vorgängern und wird hier durch den Einsatz von elektronischen und Industrial-Elementen ergänzt.

Diskografie
 2003: I – Lesungs CD (Eigenvertrieb)
 2005: Souls Lament –  Album (Bright Light Records)
 2007: Traumschaudergespinste – Lesungs CD (Eigenvertrieb)
 2011: Diem supremum obire – Album (Körperschall Records)
 2013: Susurrus Lake – Album (Körperschall Records)

Personen

Gründungsmitglieder
 Sprache, Gesang: Gwydion Enbarr
 Klavier: AjNa (Angelika Plötz)

Aktuelle Mitglieder
 Sprache, Gesang, Perkussion: Gwydion Enbarr
 Cello, Melodika, Gitarre, Gesang: Svyati (seit 2007)
 Klavier, Akkordeon, Kontrabass, Schlagzeug: Dr. Elias (seit 2008)
 Gesang: Coco Grace (seit 2014)

Ehemalige Mitglieder
 Gesang: Barbara "Tysja" Volpert (2004–2006)
 Klavier: AjNa (Angelika Plötz) (2000–2006)

Gastmusiker/-künstler
 Alexander Kaschte: Mastering (Souls Lament)
 Eva Schinko: Geige (Souls Lament)
 Ophelia: Bassflöte (Souls Lament)
 Stephanie Luzie: Gesang (Souls Lament)
 Stefan "SiS" Siegl: Gesang (Souls Lament)
 Lady Antigone & Sklave: Sprache, Installation (Souls Lament)
 Simon Ritzenberger: Saxophon (Shades)
 Simon Brandl: Audioinstallation (Souls Lament)
 Kreszenz Sieber: Rezitation (Souls Lament)
 Jennifer Pluntke: Artwork (Souls Lament, Diem supremum obire)
 Marcus Testory: Rezitation (Diem supremum obire)
 Christian von Aster: Rezitation (Diem supremum obire)
 Sebastian Wall: Produktion (Traumschaudergespinste, Diem supremum obire)
 Daniel Kratz: Produktion (Diem supremum obire)
 Maximilian Wall: Mischen, Mastering (Diem supremum obire, Susurrus Lake)
 "Madame" Nina: Photographien (Diem supremum obire), Text (Susurrus Lake)
 Florian Speth: Aufnahme, Schlagzeug Gitarre (Susurrus Lake)
 Miss von Extravaganz: Photos (Susurrus Lake)
 Bianca Birr: Artwork (Susurrus Lake)
 Jewgeni Kerschner: Bratsche (Susurrus Lake)
 Sonja Kraushofer: Gesang (Susurrus Lake)

Weblinks
 Offizielle Website
 Facebook Bandseite

Deutsche Band
Dark-Wave-Band

Diodati (Band)


Jean Ronny Johnsen (Sandefjord, Noruega, 10 de junio de 1969) es un exfutbolista noruego, se desempeñaba como defensa o centrocampista defensivo y se retiró en 2008 jugando para el Vålerenga.

Carrera
Nació en Sandefjord, pero pasó su juventud en Stokke, donde jugó con los equipos locales de Sem IF y Stokke IL. En su adolescencia mostró capacidades para ser atleta profesional en carreras de velocidad, pero como no le gustaba lo dejó a los 15 años y se dedicó completamente al fútbol. Debutó como profesional en 1987 jugando como delantero en el Eik IF de la Primera División de Noruega (segunda categoría del fútbol de su país), pero el entrenador Nils Johan Semb lo comenzó a utilizar en el campo como defensa central. Johnsen quería jugar como delantero y tras ser transferido al Lyn de la Eliteserien en 1992 volvió a esa posición.

A mediados de la temporada 1994 fue transferido al Lillestrøm SK, donde jugó más como defensor que delantero, antes de llegar al Beşiktaş en 1995. Tras media temporada en Turquía, el entrenador del Manchester United, Alex Ferguson, se acercó a él con la intención de que fichara por el club. Aunque inicialmente rechazó la oferta, en 1996 firmó un contrato de cinco años con el cuadro inglés por 1.2 millones de libras esterlinas, con lo que se transformó en el defensor noruego más caro de la historia hasta ese momento.

Durante su tiempo en el United ganó cuatro títulos de liga (1996-97, 1998-99, 1999-2000 y 2000-01), la FA Cup de 1998-99 y la Liga de Campeones de la UEFA de 1998-99. Jugó como mediocampista en la victoria sobre la Juventus en Italia por las semifinales del torneo, además de la final disputada en Barcelona, donde hizo dupla en la defensa con el neerlandés Jaap Stam. Marcó su primer gol con el equipo inglés contra el Chelsea por la Community Shield de 1997 y, en un total de seis temporadas, marcó ocho tantos entre todas las competencias. En la temporada 2001-02 dejó el club como agente libre tras finalizar su contrato.

En 2002 realizó una prueba junto a su compañero de selección Øyvind Leonhardsen en el Schalke 04, pero finalmente decidió firmar con el Aston Villa. Con el equipo disputó en un período de dos temporadas un total de 56 encuentros y marcó un único tanto, frente al Leeds United por la Premier League, en febrero de 2004. Pasó por un período de prueba en el Southampton e incluso disputó un amistoso contra el ChievoVerona, pero no logró llegar a acuerdo, por lo que finalmente firmó con el Newcastle, con el que solo estuvo una temporada y disputó un par de partidos hasta ser liberado con dudas sobre su condición física.

En febrero de 2005 anunció su retiro del fútbol profesional, pero cambió de opinión y firmó un contrato de un año con el Vålerenga noruego. Renovó en otras tres ocasiones su vínculo con el club (para las temporadas 2006, 2007 y 2008), hasta que finalmente dejó la actividad el 3 de noviembre de 2008 en la derrota por 1-0 contra el SK Brann.

Estadísticas en clubes
Fuente: TV 2

Palmarés

Campeonatos nacionales

Campeonatos internacionales

Distinciones individuales

Referencias

Enlaces externos

Futbolistas de Noruega en la Copa Mundial de 1998
Futbolistas de la selección de fútbol de Noruega en los años 2000
Futbolistas del FC Lyn Oslo
Futbolistas del Lillestrøm SK
Futbolistas del Beşiktaş Jimnastik Kulübü
Futbolistas del Manchester United Football Club
Futbolistas del Aston Villa Football Club
Futbolistas del Newcastle United Football Club
Futbolistas del Vålerenga Fotball

Ronny Johnsen


Country Grammar is the debut studio album by American rapper and singer Nelly. It was released on June 27, 2000, by Universal Records. The production on the album was handled by Jason "Jay E" Epperson, with additional production by C-Love, Kevin Law, City Spud, Steve "Blast" Wills and Basement Beats. Nelly contributed to all lyrics on the album, with Epperson and City Spud also contributing. The album introduced a unique St. Louis sound, and introduces Nelly's vocal style of pop-rap singalongs and Midwestern, Missouri twang. It was supported by four successful singles: "Country Grammar (Hot Shit)", "E.I.", "Ride wit Me" and "Batter Up". Its lead single, "Country Grammar (Hot Shit)", peaked at number 7 on the Billboard Hot 100 and UK Singles Chart. Its second single "E.I." peaked at number 16 on the Hot 100, number 12 on the UK Singles Chart and number 11 on the ARIA Singles Chart. "Ride wit Me" peaked within the top five on the Hot 100, ARIA Singles Chart, Irish Singles Chart and UK Singles Chart. The album's fourth and final single, "Batter Up" featuring St. Lunatics members Murphy Lee and Ali, achieved moderate chart success.

Country Grammar received positive reviews, with critics praising Nelly's vocal style and the album's production. It topped the US Billboard 200 chart for five consecutive weeks, and the US Top R&B/Hip-Hop Albums chart for six consecutive weeks. It peaked in the top five on the New Zealand Albums Chart and Australian Albums Chart, as well as the top ten on the Canadian Albums Chart and Dutch Albums Chart. The album was certified three times platinum by the Recording Industry Association of New Zealand (RIANZ) and Music Canada (MC). The former denoted shipments of 45,000 copies while the latter denoted 300,000 copies.

In 2016, Country Grammar became the ninth hip hop album to be certified Diamond by the Recording Industry Association of America (RIAA), denoting shipment of 10 million copies in the US. Its commercial success secured Nelly's status as one of the most successful hip hop acts of the 2000s decade. On Billboard decade-end chart, Nelly ranked as the third most successful act of the 2000s decade, due largely to the success of Country Grammar and his follow-up album Nellyville (2002).

Background and production
In his early years, Nelly frequently moved locations around the United States, before residing in the city of St. Louis, Missouri. It was there where he discovered rap artists synonymous inside the city. In his teenage years, Nelly moved to University City, a suburb of St. Louis, where he shifted his aspirations from becoming a baseball player to producing stories and rhymes. Along with some friends from high school: Ali Jones, Torhi "Murphy Lee" Harper, Kyjuan and Lavell "City Spud" Webb, Nelly formed the group St. Lunatics in 1993. Frustrated by the lack of attention from record companies, the group formed the consensus to allow Nelly to pursue a solo career, while Ali and Murphy Lee released their own solo albums. Nelly produced demos, which were sent to national labels, eventually gaining attention from Universal Records who signed a record deal with Nelly and the St. Lunatics in 1999, with Universal releasing the former's debut album, Country Grammar, in 2000. All songs on Country Grammar were recorded by Steve Eigner, and mixed by Rich Travali. Kenny Dystra provided recording assistance and Jason Standard assisted in mixing. Mastering was performed by Herb Powers, with A&R directed by Kevin Law and Coordinated by Craig Yoskowitz. Management was provided by Tony Davis and Courtney Benson, with legality handled by Todd Rubenstein. Creative direction was handled by Sandra Brummels, with design done by BENTO Design and photography done by Jonathen Mannion.

Composition
Much of Nelly's rap style draws from his origins, as it contains Southern drawl with Midwestern, Missouri twang, that incorporates both country and urban styles. In conjunction, Nelly approaches a pop-rap singalong vocal style, which AllMusic's Jason Birchmeier notes present within Country Grammar tracks including "Ride wit Me" and "E.I.". Peter Shapiro described Nelly's singing and rapping as using "unforgettable hooks based on schoolyard songs, double-dutch chants, and nonsense rhymes". Much of Country Grammar tracks are bass-heavy, that are primarily Southern hip-hop based and minimalistic. In the album's self-titled track, Nelly's vocals are slurred and slow, and are a "smooth, slippery-fast instrument" with "reggae inflections". Rolling Stone journalist Kris Ex found the song's lyrics to depict Nelly "riding around town in an expensive SUV with an assault weapon". "Ride wit Me" is a rap and pop crossover that samples DeBarge's 1982 song "I Like It", and its lyrics feature Nelly introspecting. Ex found the chorus of "E.I." to contain the vocal style of rapper The Notorious B.I.G. "Luven Me" samples "Don't Stop (Ever Loving Me)" by One Way and "Whatever You Want" by Tony! Toni! Toné!. Steve Sutherland of NME interpreted "Luven Me" as a "virtual rewrite" of rapper Tupac Shakur's 1995 "Dear Mama".

Singles
"Country Grammar" was released as the album's first single on February 29, 2000 in the US. The song was written by Nelly and Jason "Jay E" Epperson, and produced by the latter. Its lyrics are based on the children clapping game Down Down Baby. "Country Grammar (Hot Shit)" peaked at number seven on the US Billboard Hot 100 and the UK Singles Chart. It also reached number ten on the Canadian Hot 100 and twenty on ARIA Singles Chart. The song was certified gold by the Recording Industry Association of America (RIAA) and Australian Recording Industry Association (ARIA). The second single, "E.I.", was written by Nelly and Epperson and produced by the latter. It reached number sixteen on the Hot 100, number eleven on the UK Singles Chart and number twelve on the ARIA Singles Chart. It was certified gold by the ARIA.

Written by Nelly and Epperson and produced by the latter, "Ride wit Me" was released as Country Grammar third single. The track features City Spud, and reached number three on the Hot 100, the highest-charting song from Country Grammar in the US. It also peaked at number three on the UK Singles chart, number four on the ARIA Singles Chart, Irish Singles Chart, number five on the Dutch Singles Chart and number seven on the Norwegian Singles Chart. It was certified gold by the RIAA and platinum by the ARIA. "Batter Up" was released as the fourth and final single from the album. It features Murphy Lee and Ali, and was written by Nelly, Epperson and Steve "Blast" Wills, while being produced by Wills. "Batter Up" peaked at number eight on the Belgian Singles Chart (Flanders) and number nineteen on the ARIA Singles Chart.

Critical reception

Country Grammar received acclaim by music critics. Steve Sutherland lauded the album in his review for NME, praising Nelly's utilization of vocal characteristics from other rap artists, including Tupac Shakur and Cypress Hill. Sutherland described the album as a "rarity", noting stand-out tracks such as the "seductive rap/pop crossover" "Ride wit Me", while likening "Batter Up" to "DMX with a humour infusion". He closed his review declaring Country Grammar as "album of the year". While writing that Country Grammar demonstrates that "tiresome rap topics" are not restricted to "the coasts", Entertainment Weekly David Browne highlighted Nelly's "smooth, slippery-fast" voice, as well as the album's "appealingly minimalist tracks" and "introspective moments" such as "Ride wit Me".

In The Village Voice, Robert Christgau wrote that Nelly presents an "easy mix of N.O. Bounce, Cleveland thug harmony, and L.A. tweedle-twaddle", finding that Nelly's heavy accent makes his hedonism more accessible. People noted that Nelly implements his own "laid-back charm" to Country Grammar southern hip hop, and that while he shows "limited thematic vocabulary", he articulates escapism to compensate for this. AllMusic's Jason Birchmeier praised the album's "tongue-twisting" self-titled track as "infectious", noting other tracks to contain the same elements, including "Ride wit Me" and "E.I.". Birchmeier wrote that the album transcends regional styles such as southern hip hop to appeal to rap-pop audiences, while praising producer Jason "Jay E" Epperson's contribution to the album.

Reviewing Country Grammar for Rolling Stone, Kris Ex wrote that the album's "liquid bass bumps" interlope well with Nelly's "wordplay-heavy sing-song rhyme-flow", while declaring Country Grammar to be "the best thing to come out of St. Louis" since comedian Redd Foxx. At the 2001 Soul Train Music Awards, Country Grammar earned Nelly the award for Best R&B/Soul or Rap New Artist. Nelly was nominated for four awards at the Online Hip-Hop Awards, for Favorite Music Video, Song of the Year (both for "E.I."), Album of the Year (for Country Grammar) and Outstanding Graphic Design for his official website. He won the awards for Song of the Year and Artist of the Year.

Commercial performance
Country Grammar entered the Billboard 200 on the week of July 15, 2000, at number 3, selling 235,000 copies. The album remained within the top 10 for several weeks before topping it on the week of August 17, 2000, selling 235,000 copies and passing 1.5 million in sales that week. Entertainment Weekly put the album's sales down to its support by its lead single, "Country Grammar (Hot Shit)", as well as the lack of releases from other music artists during that period. The album sold 235,000 copies again the following week, continuing to stay atop the Billboard 200. Country Grammar topped US Top R&B/Hip-Hop Albums chart for six consecutive weeks. On October 30, 2000, the album had sold three million copies, and was certified three-times platinum by the Recording Industry Association of America (RIAA), denoting shipments of three million copies. On June 29, 2002, Country Grammar had sold 7.7 million copies, according to Nielsen SoundScan. On July 21, 2016, the album was certified Diamond by the RIAA, denoting shipment of ten million copies in the US.

Country Grammar entered the New Zealand Albums Chart on the week of September 24, 2000, at number 5. It reached its peak at number 3, for twenty-eight weeks after its debut on the chart, where it remained there for two non-consecutive weeks. It stayed on the chart for forty-two weeks before dropping out. The album was certified Triple Platinum by the Recording Industry Association of New Zealand (RIANZ) for shipments of 45,000 units. On the Australian Albums Chart, Country Grammar debuted at number 45. It re-entered the chart five times, and reached its peak at number 4 on the week of October 7, 2001. The album remained on the chart for thirty-three weeks, and was certified Triple platinum by the Australian Recording Industry Association (ARIA). Country Grammar reached at number 7 on the Canadian Albums Chart, and stayed on the chart for twenty-five weeks before dropping out. It was certified Triple Platinum by Music Canada (MC), denoting shipments of 300,000 copies. On the Dutch Albums Chart, the album peaked at number 8.

On the UK Albums Chart, Country Grammar reached at number 14, and stayed on it for 31 weeks. It was certified Gold by the British Phonographic Industry (BPI), for shipments of 100,000 units. The album peaked within the top thirty on the Belgian Albums Chart (Flanders), Finnish Albums Chart and Danish Albums Chart. It reached number 45 on the German Albums Chart, remaining on it for 43 weeks. It peaked on the Swiss Albums Chart and French Albums Chart at numbers 90 and 109 respectively. Country Grammar topped the US Top R&B/Hip-Hop Albums year-end chart in 2000.

Legacy
According to Billboard, as of 2022, Country Grammar is one of the 15 best-performing 21st-century albums without any of its singles being number-one hits on the Billboard Hot 100. Country Grammar success cemented Nelly's position as one of the most successful hip hop acts of the emerging decade. Vibe emphasized Nelly's expeditious fame, writing that the rapper debuted without the benefit of "guest spots or Pen and Pixel produced teasers on his CD cover". The magazine continued to note the rapper's absence of being associated with a notable group, "he just came out and sold two million records in less than a month". Nelly's success helped in making St. Louis more notable for emerging hip hop acts, increasing the city's general reputation. Country Grammar experienced commercial success, topping the US Billboard 200 chart for five weeks in 2000, eventually going on to sell over 9 million copies in the US, making it the ninth best-selling rap album of all time in the country. It is one of the highest certified albums in the US history, being certified ten times platinum by the Recording Industry Association of America (RIAA). Nelly ranked third on the Billboard 2000–2009 decade-end chart, due to the success of Country Grammar as well as his follow-up album Nellyville (2002). The latter album went on to sell 6,488,000 copies in the US.

Country Grammar was ranked as the 85th best album of all time on the Billboard Top 200 Albums of All Time.

Track listing

Notes
"Ride wit Me" contains a portion of composition from DeBarge's 1982's "I Like It".
"Batter Up" contains a portion of composition from Primal Scream's "Movin' on Up".
"Luven Me" samples elements from One Way's 1984 "Don't Stop (Ever Loving Me)". It also samples elements from Tony! Toni! Toné!'s 1990's "Whatever You Want".

Personnel
Credits adapted from liner notes.
Steve Eigner – recording
Kenny Dykstra – recording, assistant
Rich Travali – mixing
Jason Standard – mixing, assistant
Herb Powers – mastering
Sandra Brummel – creative directing
BENTO Design – design
Jonathen Mannion – photography

20th anniversary live album
For the 20th anniversary of the album, Nelly performed the entire album live at MelodyVR. On February 19, 2021, the rapper released the album Country Grammar Live alongside a documentary film, Country Grammar – A St. Lunatics Story.

Charts

Weekly charts

Year-end charts

Certifications

Release history

See also
List of number-one albums of 2000 (U.S.)
List of number-one R&B albums of 2000 (U.S.)

References

External links
 Country Grammar at Discogs (list of releases)

2000 debut albums
Albums recorded at Unique Recording Studios
Nelly albums
Universal Records albums

Country Grammar


قائمة ببطولات ويمبلدون لسنة 1904:

فردي رجال

 لورنس دوهيرتي هزم  فرانك رايسيلي. النتيجة: 6-1 7-5 8-6

فردي سيدات

 دوروثيا دوجلاس هزمت  شارلوت كوبر. النتيجة: 6-0, 6-3

مراجع

بطولة ويمبلدون 1904
أحداث 1904 الرياضية في لندن
أحداث يونيو 1904 الرياضية
كرة المضرب في 1904

بطولة ويمبلدون 1904


Rasmus "Elk" Olsen er en dansk sangskriver, producer.

Uddannelse og ansættelse
Rasmus Olsen blev i 2001 uddannet som lærer med speciale i musik og billedkunst ved lærerseminariet Blaagaard/KDAS. I 2005 tog han bachelor i kunsthistorik ved KUA. Har undervist i sangskrivning på Rytmisk Musikkonservatorium i København på en workshop i tre måneder i 2013.

Musik
Rasmus har skrevet, sunget og spillet i flere år både alene og sammen med andre ligesom han har været producer for egne produktioner og for andre.

I 00'erne havde Rasmus kontrakt ved Sweet Silence som producer og sangskriver med sit projekt Naut.

I 2011 var han sangskriver på "Truth About Men" og blev sammen med Sandheden Band Robert-nomineret for bedste originalsang: "Like A Leaf" til filmen Sandheden om mænd af Nikolaj Arcel.

I 2012 udgav han sit debut soloalbum "Whitney Is dead", ved A:larm, som fik 5 stjerner i Gaffa.

Rasmus dannede i 2013 bandet Worn Out Sun sammen med sangeren og skuespillerinden Emma Sehested Høeg, og filmkomponisten Jonas Struck og de udgav sammen et album i 2014.

I september 2015 var han producer for vennen Madsons (Frederik Schultz Madsen) fem numre på debut-EP'en Rocket For Your Skyline, som blev optaget i Olsens private stue, og udgivet på Sony/Columbia. I 2020 var han producer for Mob Wars' fulde debut-album "Situvidual".

Af internationale sammenhænge, hvor hans sangskrivning og stemme høres, kan nævnes filmen The Wolfpack og Warner Bros.-serien One Tree Hill.

Blandt kunstnere herhjemme som har brugt, eller sunget sange, der er skrevet af Rasmus Olsen alene eller sammen med Peder Pedersen og Asger Baden i fællesskab, findes Oh Land, Jacob Bellens, Coco O., Claus Hempler, Mikael Simpson, Emma Sehested Høeg og Jonas Struck.

Diskografi
 Naut: In My Sofa: Sweet Silence Records/MBO, 2004 (producer og sangskriver)
 Naut: Traffic Island: Sweet Silence Records/MBO, 2005 (producer og sangskriver)
 The Crocket Spoke "The One You Left Behind", Lizard Shakedown, 2008 (medvirkende sangskriver)
 Peder: Dirt And Gold: Fake Diamond Records, 2010 (medvirkende sangskriver)
 Truth About Men: Soundtrack: Zentropa, 2011 (sangskriver)
 New New York York: Same Shit On The Radio: Fake Diamond Records, 2012 (producer og bandmedlem)
 Rasmus Elk Olsen: Whitney Is Dead: Lizard Shakedown/A:larm, 2012 (soloalbum: producer og sangskriver)
 Peder: Ghost Of A Smile: Lizard Shakedown, 2013 (medvirkende sangskriver)
 Worn Out Sun: Sound By Struck, 2014 (bandmedlem)
 Madson: Rocket For Your Skyline: Sony/Columbia, 2016 (producer og medvirkende sangskriver)
 Peder: Come With Me: Lizard Shakedown Records, 2016 (medvirkende sangskriver)
 Mobwar: Overthinking: Danish Music and Entertainment, 2017 (producer)
 Madson: Visions Of Magnolia Sky, Rocket Interprise Recordings, 2019  (producer og medvirkende sangskriver)
 Mobwar: Situvidual: Danish Music and Entertainment, 2020 (producer)

Musikvideoer
 Worn Out Sun, "Another World".
 Peder Pedersen, "Ghost Of A Smile"
 Peder Pedersen, "Daylight"

Referencer

Eksterne henvisninger

 Rettigheds-info på titler som er relevante for denne artikel

Sangskrivere fra Danmark
Musikproducere fra Danmark

Rasmus Elk Olsen


Abdellah Farah (en ), né le 1er juin 2001 à El Gara au Maroc, est un footballeur marocain évoluant au poste d'attaquant au Raja Club Athletic.

Biographie

Jeunesse et débuts
Abdellah Farah voit le jour le 1er juin 2001 à El Gara, situé dans la Province de Berrechid à 50 km de Casablanca. Il est le fils de l'ancien basketteur Idris Farah, surnommé "Bomzdi".

Il rejoint le centre de formation du Moghreb de Tétouan en 2012 et passe par toutes les catégories des jeunes avant d'atteindre l'équipe junior du club en 2018.

Abdellah Farah est ensuite recruté par le Raja Club Athletic et rejoint donc son centre de formation, où il s'impose rapidement avec l'équipe espoir sous la direction de Abdelilah Fahmi.

Raja Club Athletic (depuis 2021)
À l'été 2021, il est remarqué par le tunisien Lassaad Chabbi qui le convoque en équipe première. Le 26 juin, il dispute son premier match professionnel contre le Difaa d'El Jadida en championnat au Stade Mohammed-V (victoire 2-0).

Le 14 juillet, il entre en seconde mi-temps et inscrit son premier but avec le Raja CA contre le Moghreb de Tétouan grâce à une passe décisive de Soufiane Rahimi (victoire 4-1).

Il rejoint l'équipe pour un stage de préparation d'avant-saison qui s'est tenu entre le 7 et le 17 octobre à Marrakech.

Le 20 octobre, Farah inscrit le deuxième but de sa carrière professionnelle à la  minute au titre de la  journée du championnat contre le Mouloudia Club d'Oujda au Stade d'honneur (victoire 1-3).

Le 23 octobre, Il joue son premier match dans les compétitions continentales lors du deuxième de la Ligue des champions contre les libériens du Liberia Petroleum Refining Company Oilers comme avant-centre. Il délivre la passe du second but à Mahmoud Benhalib (2-0).

Carrière internationale
Le 7 octobre 2020, il est sélectionné avec l'équipe du Maroc -20 ans pour une double confrontation amicale contre la Mauritanie -20 ans au Complexe Mohammed VI à Salé.

En octobre 2021, il figure pour la première fois sur la liste du Maroc olympique concoctée par Hicham Dmii pour un stage de préparation au Centre sportif de Maâmora à Salé du 4 au 12 octobre.

Le 15 septembre 2022, il est convoqué par Hicham Dmii avec le Maroc olympique pour une double confrontation face au Sénégal olympique dans le cadre d'un stage de préparation pour les qualifications aux Jeux olympiques d'été de 2024.

Le 22 mars 2023, il retourne avec le Maroc olympique sous le nouveau sélectionneur Issame Charaï pour un match amical face à la Côte d'Ivoire olympique à Rabat dans le cadre des préparations à la Coupe d'Afrique des nations de football des moins de 23 ans qui se déroulera au Maroc en 2023. Lors de ce match, il est titularisé et est remplacé en deuxième mi-temps par Abdellah Haimoud (défaite, 2-3).

Notes et références

Liens externes

Footballeur marocain
Joueur du Raja Club Athletic
Naissance en juin 2001
Naissance dans la province de Berrechid

Abdellah Farah


Raoul Hirtzler (* 3. Juli 1923 in Karlovac; † Februar 2002) war ein jugoslawischer Mediziner.

Er studierte Medizin an der Universität Zagreb und war ab 1946 Dozent am dortigen Institut für Allgemeine Pathologie und Pathologische Anatomie. Nach Tätigkeiten in Krankenhäusern und einem Forschungsaufenthalt in London erfolgte 1956 die Habilitation an der Universität Zagreb, wo er 1963 außerordentlicher, 1970 ordentlicher Professor wurde. Zu seinen Forschungsschwerpunkten gehörte die Onkologie.

Werke

 Carcinommetastasen in der Milz, In: Zeitschrift für Krebsforschung, Band 59.1953, S. 552–560

Literatur

 Hrvatski Biografski Leksikon, Band 5, S. 583

Einzelnachweise

Mediziner (20. Jahrhundert)
Pathologe
Hochschullehrer (Universität Zagreb)
Absolvent der Universität Zagreb
Jugoslawe
Geboren 1923
Gestorben 2002
Mann

Raoul Hirtzler


Libocedrus chevalieri er sígræn trjátegund af einisætt sem er einlend á Nýju-Kaledóníu.

Tilvísanir

Barrtré

Libocedrus chevalieri


Lawrence Gordon Tesler (New York City, 24. travnja 1945. – Portola Valley, 17. veljače 2020.) bio je američki računarski znanstvenik koji je radio na polju interakcije između čovjeka i računala. Radio je za Xerox PARC, Apple, Amazon i Yahoo!.

Životopis
Dok radio u PARC-u, radio je na Smalltalku (prvi djelomično objektno orijentirani programski jezik) i Gypsyju (prvi program za obradu teksta s grafičkim korisničkim sučeljem za Xerox Alto). S kolegom Timom Mottom osmislio je mogućnosti kopiranja i lijepljenja sadržaja (copy i paste). Dok je bio u Appleu radio je na proizvodima Apple Lisa i Apple Newton, i pomogao razviti Object Pascal.

Dok su radili na Gypsyju, Tesler i njegov kolega Tim Mott počeli su pisati ideje predviđajući budućnost upotrebe računala, s obzirom na trend sve češćeg prebacivanja na grafička korisnička sučelja s ikonama koje predstavljaju dokumente. Tu je osmišljena mogućnost kopiranja i lijepljenja, koja je danas osnovna funkcija u računarstvu.

Bio je veliki pristalica jednostavne upotrebe sučelja za korisnike dok je radio u PARC-u. Tako je vezan i za porijeklo fraze "što vidiš, to dobiješ".

Bio je prisutan prilikom posjeta Stevea Jobsa PARC-u krajem 1979. godine, par godina nakon što je Jobs osnovao Apple Computer. Tesler je Jobsu demonstrirao Xerox Alto, prvi računarski sustav s grafičkim korisničkim sučeljem (GUI). Budući da je Alto bio samo sporedni projekt u Xeroxu, njegov razvoj nikada nije ozbiljno shvaćen. No, Jobs je vidio ogroman potencijal i ubrzo pokrenuo projekt Lisa unutar Applea koji je imao dosta slično sučelje, koje će kasnije prerasti u prvi Macintosh.

Tesler je bio jedan od nekoliko zaposlenika Xerox PARC-a koji su napustili tvrtku 1980. godine da bi se pridružili Apple Computeru. Bio je na različitim položajima, uključujući na mjestu potpredsjednika AppleNeta te potpredsjednika Grupe za napredne tehnologije i glavnog znanstvenika. Umro je 17. veljače 2020.

Izvori

Vanjske poveznice
 Službene web stranice

Američki računalni znanstvenici

Larry Tesler


Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a comparatively wide widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution. Compatible play-back equipment (a projector with modified lens, or a digital video player or set-top box) can then expand the horizontal dimension to show the original widescreen image. This is typically used to allow one to store widescreen images on a medium that was originally intended for a narrower ratio, while using as much of the frame – and therefore recording as much detail – as possible.

The technique comes from cinema, when a film would be framed and recorded as widescreen but the picture would be "squashed together" using a special concave lens to fit into non-widescreen 1.37:1 aspect ratio film. This film can then be printed and manipulated like any other 1.37:1 film stock, although the images on it will appear to be squashed horizontally (or elongated vertically). An anamorphic lens on the projector in the cinema (a convex lens) corrects the picture by performing the opposite distortion, returning it to its original width and its widescreen aspect ratio.

The optical scaling of the lens to a film medium is considered more desirable than the digital counterpart, due to the amount of non-proportional pixel-decimated scaling that is applied to the width of an image to achieve (something of a misnomer) a so-called "rectangular" pixel widescreen image. The legacy ITU-R Rec. 601 4:3 image size is used for its compatibility with the original video bandwidth that was available for professional video devices that used fixed clock rates of a SMPTE 259M serial digital interface. One would produce a higher-quality upscaled 16:9 widescreen image by using either a 1:1 SD progressive frame size of 640×360 or for ITU-R Rec. 601 and SMPTE 259M compatibility a letterboxed frame size of 480i or 576i. Similar operations are performed electronically to allow widescreen material to be stored on formats or broadcast on systems that assume a non-widescreen aspect ratio, such as DVD or standard definition digital television broadcasting.

Film

Many commercial films (especially epics – usually with the CinemaScope 2.35:1 optical sound or the older 4-track mag sound 2.55:1 aspect ratio) are recorded on standard 35 mm ~4:3 aspect ratio film, using an anamorphic lens to horizontally compress all footage into a ~4:3 frame.  Another anamorphic lens on the movie theatre projector corrects (optically decompresses) the picture (see anamorphic format for details).  Other movies (often with aspect ratios of 1.85:1 in the USA or 1.66:1 in Europe) are made using the simpler matte technique, which involves both filming and projecting without any expensive special lenses.  The movie is produced in 1.375 format, and then the resulting image is simply cropped in post-production (or perhaps in the theater's projector) to fit the desired aspect ratio of 1.85:1 or 1.66:1 or whatever is desired.  Besides costing less, the main advantage of the matte technique is that it leaves the studio with "real" footage (the areas that are cropped for the theatrical release) which can be used in preference to pan and scan when producing 4:3 DVD releases, for example.

The anamorphic encoding on DVD is related to the anamorphic filming technique (like CinemaScope) only by name.  For instance, Star Wars (1977) was filmed in 2.39:1 ratio using an anamorphic camera lens, and shown in theaters using the corresponding projector lens.  Since it is a widescreen film, when encoded on a widescreen-format DVD the studio would almost certainly use the anamorphic encoding process.  Monty Python and the Holy Grail was filmed in  1.85:1 ratio without using an anamorphic lens on the camera, and similarly was shown in theaters without the need for the decompression lens. However, since it is also a widescreen film, when encoded on a widescreen-format DVD the studio would probably use the anamorphic encoding process.

It does not matter whether the filming was done using the anamorphic lens technique: as long as the source footage is intended to be widescreen, the digital anamorphic encoding procedure is appropriate for the DVD release.  As a sidenote, if a purely non-widescreen version of the analog-anamorphic Star Wars were to be released on DVD, the only options would be pan and scan or hardcoded 4:3 letterboxing (with the black letterboxes actually encoded as part of the DVD data).

Laserdisc

While not anamorphic widescreen per se, many of the earliest Laserdisc offerings forwent the pan-and-scan cropping typical of home releases at the time, the mastering-technicians opting instead to simply squeeze the film's original aspect ratio down to 4:3. While this resulted in an image that was overly compressed on standard televisions, many later HDTVs can stretch out this picture, thus restoring the correct aspect ratio.

Later during the 1990s, a handful of Laserdiscs were released with proper anamorphic transfers.
Video was stretched vertically to fill the whole 4:3 picture of a Laserdisc (and add more information where black bars would be at the top and bottom) then either un-squeezed horizontally on a 16:9 TV set or using an anamorphic lens on a 4:3 video projector.

DVD Video

A DVD labeled as "Widescreen Anamorphic" contains video that has the same frame size in pixels as traditional fullscreen video, but uses wider pixels. The shape of the pixels is called pixel aspect ratio and is encoded in the video stream for a DVD player to correctly identify the proportions of the video. If an anamorphic DVD video is played on standard 4:3 television without adjustment, the image will look horizontally squeezed. The menus are also anamorphic.

Packaging

Although currently there is no labeling standard, DVDs with content originally produced in an aspect ratio wider than 1.33:1 are typically labeled "Anamorphic Widescreen", "Enhanced for 16:9 televisions", "Enhanced for widescreen televisions", or similar.  If not so labeled, the DVD is intended for a 4:3 display ("fullscreen"), and will be letterboxed or panned and scanned.

There has been no clear standardization for companies to follow regarding the advertisement of anamorphically enhanced widescreen DVDs. Some companies, such as Universal and Disney, include the aspect ratio of the movie.

Blu-ray video
Unlike DVD, Blu-ray supports SMPTE HD resolutions of 720p and 1080i/p with a display aspect ratio of 16:9 and a pixel aspect ratio of 1:1, so widescreen video is scaled non-anamorphically (this is referred to as "square" pixels).

Blu-ray also supports anamorphic wide-screen, both at the DVD-Video/D-1 resolutions of 720×480 (NTSC) and 720×576 (PAL), and at the higher resolution of 1440×1080 (source aspect ratio of 4:3, hence a pixel aspect ratio of 4:3 = 16:9 / 4:3 when used as anamorphic 16:9). See Blu-ray Disc: Technical specifications for details.

Television
Major digital television channels in Europe (for example, the five major UK terrestrial TV channels of BBC One, BBC Two, ITV, Channel 4 and Channel 5), as well as Australia, carry anamorphic widescreen programming in standard definition. In almost all cases, 4:3 programming is also transmitted on the same channel. The SCART switching signal can be used by a set-top-box to signal the television which kind of programming (4:3 or anamorphic) is currently being received, so that the television can change modes appropriately. The user can often elect to display widescreen programming in a 4:3 letterbox format instead of pan and scan if they do not have a widescreen television.

TV stations and TV networks can also include Active Format Description (AFD) just as DVDs can.  Many ATSC tuners (integrated or set-top box) can be set to respond to this, or to apply a user setting. This can sometimes be set on a per-channel basis, and often on a per-input basis, and usually easily with a button on the remote control. However, tuners often fail to allow this on SDTV (480i-mode) channels, so that viewers are forced to view a small picture instead of cropping the unnecessary sides (which are outside of the safe area), or zooming to eliminate the windowboxing that may be causing a small picture, or stretching/compressing to eliminate other format-conversion errors.  The shrunken pictures are especially troublesome for smaller TV sets.

Many modern HDTV sets have the capability to detect black areas in any video signal, and to smoothly re-scale the picture independently in both directions (horizontal and vertical) so that it fills the screen. However, some sets are 16:10 (1.6:1) like some computer monitors, and will not crop the left and right edges of the picture, meaning that all programming looks slightly (though usually imperceptibly) tall and thin.

ATSC allows two anamorphic widescreen SDTV formats (interlaced and progressive scan) which are 704×480 (10% wider than 640×480); this is narrower than the 720×480 of DVD due to 16 pixels being consumed by overscan (nominal analogue blanking) – see overscan: analog to digital resolution issues. The format can also be used for fullscreen programming, and in this case it is anamorphic with pixels slightly taller (10:11, or 0.91:1) than their width.

See also
 Anamorphosis
 Aspect ratio
 Letterbox
 Pan and scan
 Shoot and protect

Notes

References

External links
 Anamorphic vs. Non-Anamorphic DVD
 Anamorphic Laserdiscs released in the USA
 Anamorphic Laserdisc released in Japan
 PAL+ Laserdiscs released in Germany

Film and video technology

Anamorphic widescreen


Ospringe es una parroquia civil y un pueblo del distrito de Swale, en el condado de Kent (Inglaterra).

Geografía
Según la Oficina Nacional de Estadística británica, Ospringe tiene una superficie de 10,42 km².

Demografía
Según el censo de 2001, Ospringe tenía 715 habitantes (50,49% varones, 49,51% mujeres) y una densidad de población de 68,62 hab/km². El 23,36% eran menores de 16 años, el 69,65% tenían entre 16 y 74 y el 6,99% eran mayores de 74. La media de edad era de 38,97 años. Del total de habitantes con 16 o más años, el 21,35% estaban solteros, el 64,6% casados y el 14,05% divorciados o viudos.

El 94,55% de los habitantes eran originarios del Reino Unido. El resto de países europeos englobaban al 3,22% de la población, mientras que el 2,24% había nacido en cualquier otro lugar. Según su grupo étnico, todos los habitantes eran blancos. El cristianismo era profesado por el 79,52%, mientras que el 14,17% no eran religiosos y el 6,31% no marcaron ninguna opción en el censo.

335 habitantes eran económicamente activos, 324 de ellos (96,72%) empleados y 11 (3,28%) desempleados. Había 270 hogares con residentes, 11 vacíos y 3 eran alojamientos vacacionales o segundas residencias.

Referencias

Enlaces externos

Localidades de Kent
Parroquias civiles de Kent

Ospringe


Kofi Awoonor (born George Kofi Nyidevu Awoonor-Williams; 13 March 1935 – 21 September 2013) was a Ghanaian poet and author whose work combined the poetic traditions of his native Ewe people and contemporary and religious symbolism to depict Africa during decolonization. He started writing under the name George Awoonor-Williams, and was also published as Kofi Nyidevu Awoonor. He taught African literature at the University of Ghana. Professor Awoonor was among those who were killed in the September 2013 attack at Westgate shopping mall in Nairobi, Kenya, where he was a participant at the Storymoja Hay Festival.

Biography
George Kofi Nyidevu Awoonor-Williams was born in Wheta, in the Volta region of what was then the Gold Coast, present-day Ghana. He was the eldest of 10 children in the family. He was a paternal descendant of the Awoonor-Williams family of Sierra Leone Creole descent. He was educated at Achimota School and then proceeded to the University of Ghana, graduating in 1960. While at university he wrote his first poetry book, Rediscovery, published in 1964. Like the rest of his work, Rediscovery is rooted in African oral poetry. His early works were inspired by the singing and verse of his native Ewe people, and he later published translations of the work of three Ewe dirge singers (Guardians of the Sacred Word: Ewe Poetry, 1973).

After graduating, Awoonor worked at the Ghana Film Corporation, before long becoming its manager, and e helped to found the Ghana Playhouse, going on to have a significant role in developing theatre and drama in the country. In the 1960s, he edited the literary journal Okyeame and was an associate editor of Transition Magazine.

He was also a Ghanaian diplomat, poet, literary critic, and comparative literature professor. Awoonor received a B.A from University College of Ghana.

He studied literature at University College London (M.A., 1970), and while in England wrote several radio plays for the BBC, and began using the name Kofi Awoonor.

He spent the early 1970s in the United States, studying and teaching at Stony Brook University (then called SUNY at Stony Brook) where he obtained his Phd in 1972. While in the United States he wrote This Earth, My Brother and Night of My Blood, both books published in 1971.

Awoonor returned to Ghana in 1975 as head of the English department at the University of Cape Coast. Within months he was arrested for helping a soldier accused of trying to overthrow the military government and was imprisoned without trial; Awoonor was later released when his sentence was remitted in October 1976. The House by the Sea (1978) is about his time in jail. After imprisonment he became politically active. He continued to write mostly non-fiction.

The early poetry of Awoonor borrows from the Ewe oral tradition, and his grandmother was an Ewe dirge singer. In his critical book Guardians of the Sacred Word and Ewe Poetry, he rendered Ewe poetry in translation (1974). The Breast of the Earth: A Study of the History, Culture, and Literature of Africa South of the Sahara is another work of literary criticism (1975).

Awoonor was Ghana's ambassador to Brazil from 1984 to 1988, before serving as his country's ambassador to Cuba. From 1990 to 1994 Awoonor was Ghana's Permanent Representative to the United Nations, where he headed the committee against apartheid. He was also a former Chairman of the Council of State, the main advisory body to the president of Ghana, serving in that position from 2009 to January 2013.

Death
On 21 September 2013, Awoonor was among those killed in an attack at the Westgate shopping mall in Nairobi. He was in Kenya as a participant in the Storymoja Hay Festival, a four-day celebration of writing, thinking and storytelling, at which he was due to perform on the evening of his death. His nephew Nii Parkes, who was attending the same literary festival, has written about meeting him for the first time that day. The Ghanaian government confirmed Awoonor's death the next day. His son Afetsi Awoonor, who had accompanied him, was also shot, but was later discharged from hospital.

Awoonor's remains were flown from Nairobi to Accra, Ghana, on 25 September 2013.

His body was cremated and buried at a particular spot in his hometown at Wheta in the Volta Region. Also there was no crying or mourning at his funeral all according to his will before death.

Works
Poetry
Rediscovery and Other Poems (Mbari Publications, 1964)
Night of My Blood (Doubleday, 1971) – poems that explore Awoonor's roots, and the impact of foreign rule in Africa
The House By the Sea (Greenfield Review Press, 1978)
The Promise of Hope: New and Selected Poems (Amalion / University of Nebraska Press, 2014)
Ride Me, Memory (1973)

Novels
This Earth, My Brother (Doubleday, 1971) – a cross between a novel and a poem
Comes the Voyager at Last (Africa World Press, 1992)

Non-fiction
 The Breast of the Earth: A Survey of the History, Culture, and Literature of Africa South of the Sahara (Anchor Press, 1975; )
 Ghana: A Political History from Pre-European to Modern Times (Sedco, 1990)
 The African Predicament: Collected Essays (Sub-Saharan Publishers, 2006; )
Poems

 The Cathedral
 The Weaver Bird
 Across A New Dawn
 A Call
 On the Gallows Once
 Lament Of The Silent Sister
 Had Death Not Had Me in Tears
 Songs of Sorrow
 First Circle
 A death Foretold

Understanding and interpreting his works

It is said that Awoonor wrote a great number of his poems as if he was envisioning his own demise.
But he is a peculiar and unique writer, one who strives, almost too hard, to bring his ancestry and culture into his poems, sometimes even borrowing words from the local Ewe dialect.
Being such a strong and avid practitioner of the traditional religion meant that he was of a relict species. Especially for one so highly educated, it was an even rarer phenomenon.
That awareness, not only that he was a relict specimen as an individual, but that the entire culture was suffering entropy, may have come through his poems in a manner that would suggest at first that he was writing about his mortal end.
Besides the personal and cultural lament, Awoonor also shrewdly decried what he would have considered the decadent spectre of Western influences (religions, social organisation and economic philosophy) on the history and fortunes of African people in general. He would lambast the thoughtless exuberance with which Africans themselves embraced such things, and gradually engineered what he would have considered a self-degradation that went far beyond a loss of cultural identity. He would often construct his writings to look at these things through the lens of his own Ewe culture.

Further reading
 Robert Fraser, West African Poetry: A Critical History, Cambridge University Press (1986),
 Kwame Anthony Appiah and Henry Louis Gates (eds), Africana: The Encyclopedia of the African and African American Experience, Basic Civitas Books (1999),  – p. 153.
 Lauret E. Savoy, Eldridge M. Moores and Judith E. Moores (eds), Bedrock: Writers on the Wonders of Geology, (Trinity University Press, 2006).

References

Kofi Awoonor

External links
 Report on the death of Kofi Awoonor, 22 September 2013.
 Paula Kahumbu of Princeton University and director of the Story Moja Hay Festival relates her time with Awoonor the Friday evening before his death
 Biographical details, University of KwaZulu-Natal.
 Interview, Sun newspaper (Nigeria), 18 June 2006.
 Poem: Songs of Sorrow by Kofi Awoonor
 Francis Kwarteng, "A Tribute to Prof. Kofi Awoonor", VibeGhana, 23 September 2013.

1935 births
2013 deaths
20th-century Ghanaian poets
20th-century male writers
20th-century novelists
21st-century Ghanaian poets
21st-century male writers
Alumni of Achimota School
Alumni of University College London
Ambassadors of Ghana to Brazil
Ambassadors of Ghana to Cuba
Awoonor-Renner family
Deaths by firearm in Kenya
Ewe people
Ghanaian male poets
Ghanaian murder victims
Ghanaian non-fiction writers
Ghanaian novelists
Ghanaian people murdered abroad
Male non-fiction writers
Members of the Council of State (Ghana)
People murdered in Kenya
Permanent Representatives of Ghana to the United Nations
Poet-diplomats
Academic staff of the University of Cape Coast
University of Ghana alumni
Academic staff of the University of Ghana

Kofi Awoonor


Aceasta este o listă de filme de groază din 2018.

Referințe

Liste de filme de groază
Filme din 2018

Listă de filme de groază din 2018


Der Hamburg Cup war ein von 1990 bis 1996 jährlich ausgetragenes internationales Badmintonturnier. Die Turnierserie war nach den German Open und dem Victor Cup das bedeutendste internationale Badmintonturnier Deutschlands. Das Turnier wurde ab 1993 zur Ermittlung der Badminton-Weltrangliste herangezogen, während die ersten drei Ausgaben eher nationalen Charakter hatten. Auch 1998 wurde noch einmal ein nationales Elite-Ranglistenturnier namens Hamburg Cup ausgetragen.

Sieger

Weblinks
 Mike Grossman: Hamburg Cup Summary. In: worldbadminton.com (englisch).
 Hamburg Cup 1993 auf tournamentsoftware.com (englisch)
 Hamburg Cup 1994 auf tournamentsoftware.com (englisch)
 Hamburg Cup 1995 auf tournamentsoftware.com (englisch)
 Hamburg Cup 1996 auf tournamentsoftware.com (englisch)

Liste (Badminton)
Erstveranstaltung 1990

Hamburg Cup


ආසියානු කුසලානය යනු පිරිමි එක්දින ජාත්‍යන්තර සහ විස්සයි20 ජාත්‍යන්තර ක්‍රිකට් තරඟාවලියකි.  මෙම තරඟාවලිය සෑම වාරයකට පසුව එක්දින හා විස්සයි20 ලෙස මාරුවෙන් මාරුවට පවත්වයි. මහද්වීපික ලෙස පවත්වන එකම ක්‍රිකට් තරඟාවලිය මෙය වේ.

ඉතිහාසය
ආසියානු කුසලානය 1983 දී ආසියානු රටවල් අතර සුහදතාවය වර්ධනය කිරීමේ පියවරක් ලෙස ආසියානු ක්‍රිකට් කවුන්සිලය විසින් ආරම්භ කරන ලදී.එය වසර දෙකකට වරක් පැවැත්වීමට මුලින් සැලසුම් කර තිබුණි. පසුව සෑම වසර 4කට වරක් එය පැවැත්වීමට තීරණය විය. මෙතෙක් පවත්වන ලද එක්දින තරගාවලි ගණන 14කි. විස්සයි විස්ස තරගාවලි ගණන 2කි.

කණ්ඩායම් වාර්තා (එක්දින තරග)

{| class="wikitable sortable" style="text-align:center"
! Team
!Total Tournaments
!First Tournament
!
! Won
! Lost
!
! Win %
!Best result
|-
| style="text-align:left"|   ඉන්දියාව
|13
|1984
|55
|35
|16
|3
|63.63%
|style="background-color:gold"|Champions
|-
| style="text-align:left"|  ශ්‍රී ලංකාව
|14
|1984
|56
|38
|16
|0
|67.85%
|style="background-color:gold"|Champions
|-
| style="text-align:left"|  පාකිස්තානය
|13
|1984
|50
|28
|20
|2
|56.00%
|style="background-color:gold"|Champions
|-
| style="text-align:left"|  බංග්ලාදේශය
|13
|1986
|48
|9
|39
|0
|18.75%
|style="background-color:silver"|1st Runners up
|-
| style="text-align:left"|  ඇෆ්ගනිස්තානය
|4
|2004
|11
|3
|7
|1
|27.27%
|style="background-color:#cc9966"|Super Four
|-
| style="text-align:left"| හොන්ග් කොන්ග්
|3
|2004
|6
|0
|6
|0
|00.00%
|Group Stage
|-
| style="text-align:left"|  එක්සත් අරාබි එමිරේට්
|2
|2004
|4
|0
|4
|0
|00.00%
|Group Stage
|-
| style="text-align:left"|  නේපාලය
|1
|2023
|2
|0
|2
|0
|00.00%
|Group Stage
|-

ආසියානු කුසලානය


A loud sweet song er en musikvideo, der er instrueret af Ane Mette Ruge efter eget manuskript.

Handling
»A Loud Sweet Song« er en videoopera, der er bygget op over autentiske, lyriske transskriptioner af fuglenes sang på forskellige sprog. Musikken for gamba og tenor skiftevis dominerer og akkompagnerer billedsiden, som har skarpe kontraster mellem det dvælende og det flaksende, naturbeskrivelsen og det abstrakte. Musikken til begge videoer er af Jan Goorissen.

Referencer

Eksterne henvisninger

Musikvideoer og DVD-er
Danske film fra 1991

A loud sweet song


An Papilionanthe biswasiana in uska species han Liliopsida nga syahan ginhulagway ni Birenda Nath Ghose ngan Susil Kumar Mukerjee, ngan ginhatag han pagkayana nga asya nga ngaran ni Leslie Andrew Garay. An Papilionanthe biswasiana in nahilalakip ha genus nga Papilionanthe, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Papilionanthe

Papilionanthe biswasiana


An Panicum heliophilum in uska species han Liliopsida nga ginhulagway ni Mary Agnes Chase, Fernando Omar Zuloaga ngan Osvaldo Morrone. An Panicum heliophilum in nahilalakip ha genus nga Panicum, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Panicum

Panicum heliophilum


الفرذخ قرية تبعد 24 كم جنوب غرب معان في الأردن.  سميت بهذا الاسم نسبه لعين ماء اسمها الفرذخ وتعني وهي كلمة يونانية (المرأة الجميلة الضخمة) وتقع على تلال صغار ومحاطة بعدد من الجبال لذا كانت مكان حصين جغرافيا واستخدمها الرومان لحصانتها. بواقي القرية القديمة التي تقع قرب عين ماء الفرذخ تشهد على هذا.

فيها عيون ماء كثيرة وافرة: العنيق (تصغير عنق)، الدرباسة، أم نقاط، عين الفرذخ، عين ناصر، عين أبو العظام، عين الرويحة العليا، عين الرويحة السفلى وغيرها الكثير ومنها ما ضعف ومنها موسمي حسب سقوط الأمطار. في الفرذخ يقطن السلالمة وهم فخذ من المناجدة النعيمات. والسلالمة هم: الخطاطبة، البداهين، العوضات، الشتاتلة، الفزعات، العودات، الحجرين. تشتهر الفرذخ بالرغم من عدد سكانها القليل نسبيا بارتفاع نسبة حملة الشهادات الجامعية حيث سبقت مثيلاتها. من القرى في هذا المجال حيث يتنوع حملة الشهادات فيها على تخصصات مختلفة مثل الطب والهندسة والتخصصات العلمية والأدبية بشتى مجالاتها.

مراجع

قرى الأردن

الفرذخ


Johan Frederik af Brandenburg-Ansbach (født 18. oktober 1654 i Ansbach, død 22. marts 1686 i Ansbach) var markgreve i det frankiske fyrstendømme Ansbach i Bayern fra 1667 til 1686.

Biografi

Johan Frederik var ældste søn af markgreve Albrecht 2. af Brandenburg-Ansbach (1620-1667) af hans andet ægteskab med Sophie Margarete af Oettingen-Oettingen. Faderen døde i 1667, og Johan Frederik overtog dermed markgrevetitlen som mindreårig, hvorfor der blev nedsat en formynderregering under ledelse af Frederik Vilhelm den Store af Brandenburg-Preussen. Johan Frederik blev uddannet på universiteterne i Strasbourg og Genève og tog efterfølgende på dannelsesrejse, der blandt andet bragte ham til Frankrig.

Først da han i 1672 blev gammel nok, overtog han ledelsen af Brandenburg-Ansbach. Johan Frederik blev betragtet som en tolerant og elskværdig fyrste, men han var samtidig ambitiøs og blev afhængig af sine rådgivere. Han fortsatte sin fars habsburgvenlige politik og hentede franske emigranter til Ansbach og Schwabach, hvilket førte til en økonomisk genopretning af fyrstedømmet. Imidlertid førte hans begejstring for musik som opera og ballet samt forkærlighed for pomp og pragt til finansielle problemer.

Johan Frederik døde som blot 31-årig af kopper og blev begravet i St. Gumbertuskirken i Ansbach.

Familie
Johan Frederik giftede sig i 1672 med Johanne Elisabeth (1651-1680), datter af markgreve Frederik 6. af Baden-Durlach, og fik med hende børnene:
 Leopold Frederik (1674-1676)
 Christian Albrecht (1675-1692), markgreve af Brandenburg-Ansbach
 Dorothea Frederikke (1676-1731), gift med greve Johan Reinhard 3. af Hanau
 Georg Frederik (1678-1703), markgreve af Brandenburg-Ansbach
 Charlotte Sofie (1679-1680)

Efter Johanne Elisabeths død giftede Johan Frederik sig i 1681 med Eleonore (1662-1696), datter af hertug Johan Georg 1. af Sachsen-Eisenach, og med hende fik han børnene:
 Vilhelmine Caroline (1683-1737), gift med kong Georg 2. af Storbritannien
 Frederik August (1685-1685)
 Vilhelm Frederik (1686-1723), markgreve af Brandenburg-Ansbach

Eksterne henvisninger

Markgrever af Brandenburg-Ansbach
Huset Hohenzollern
Tyskere i 1600-tallet
Personer fra Ansbach

Johan Frederik af Brandenburg-Ansbach


بلدية جوايخو دي جاليستيو ، هي بلدية تقع في مقاطعة قصرش والتي تقع في منطقة إكستريمادورا، غرب إسبانيا.

يبلغ عدد سكانها 1.839 نسمة وفقاً لإحصائية سنة (2002).

مراجع

أماكن مأهولة في قصرش
بلديات قصرش

جوايخو دي جاليستيو


Die Dalheimer Mühle ist eine Wassermühle mit einem unterschlächtigen Wasserrad in Wegberg-Dalheim.

Geographie
Die Dalheimer Mühle hat ihren Standort an der Mühlenstraße im Ortsteil Dalheim in der Mittelstadt Wegberg im Kreis Heinsberg. Das Mühlengebäude steht auf der linken Seiten vom Rothenbach. Der Mühle vorgelagert ist ein Mühlenweiher, dessen Wasserspiegel bei  liegt und der vom Helpensteiner Bach gespeist wird. Oberhalb der Dalheimer Mühle liegt die Rödgener Mühle, unterhalb liegt die Gitstapper Mühle auf niederländischem Gebiet.

Gewässer
Der Rothenbach hat seinen Ursprung im Helpensteiner Bach, der in der Nähe des Siemens-Prüfcenters an der Friedrich-List-Allee seine Quelle hat. Die Quellhöhe liegt bei . Der Helpensteiner Bach durchfließt auf seinem Weg den Rödgener Burgweiher, auch Rakyweiher genannt, und versorgte bis 1899 die Rödgener Mühle über ein oberschlächtiges Mühlrad mit Wasser. Der weitere Bachverlauf führt durch waldreiches Gebiet bis hin zur Dalheimer Mühle, wo der Helpensteiner Bach den vorgelagerten Mühlenteich durchfließt und hinter der Mühle als Rothenbach auf einer Strecke von 5,5 Kilometern den Grenzverlauf zwischen den Niederlanden und Deutschland bildet. Auf seinem Weg wird die Gitstapper Mühle mit Wasser versorgt, bevor der Rothenbach bei Vlodrop auf niederländischen Gebiet als "Rode Beek" in die Rur fließt. Die Mündungshöhe liegt bei .

Geschichte
Die Geschichte der Dalheimer Mühle beginnt mit einer Verkaufsurkunde aus dem Jahre 1231. Darin veräußert Heinrich Herr zu Helpenstein den Zisterzienserinnen in Ophoven die Mühle nebst Weiher und einiges an Land. Die Mühle bildet den Grundstock für den Umzug des Klosters nach Dalheim, der 1258 vollzogen wurde. Das heutige bestehende Mühlengebäude wurde nach einem Brand im Jahre 1775 wieder aufgebaut. Die Mühle besaß einen Mahlgang und eine Ölpresse. Mit der Aufhebung des Klosters 1802 durch die französische Regierung gelangte die Mühle in private Hände. Um 1880 wurde an das Mühlengebäude eine Gaststätte angebaut. 1974 wurde die Mühle mit einem neuen Mühlrad  bestückt. Der Mahlbetrieb wurde 1958  eingestellt. Im Jahre 1998 wurde die Dalheimer Mühle durch ein Feuer fast vollständig zerstört. Nach achtjähriger Bauzeit wurde die Dalheimer Mühle im Juli 2008 wieder eröffnet.

Baudenkmal
Langer rechteckiger Baukörper mit dem Wasserrad an der nördlichen Giebelwand; zweigeschossig; im Obergeschoss durchgezapftes Fachwerk, teilweise verbrettert; über dem Mühleneingang Wappenstein datiert "1775"; über dem Wohnteil abgewalmtes Dach; zur Gaststätte aus neuer Zeit. (kein Bestand als Denkmal). Nachtrag vom 24. April 1990: Zugehörig, rückwärtiges eingeschossiges Backsteingebäude, nachträglich verputzt, mit Satteldach, als ehemaliges Backhaus. (Denkmalliste Nr. 34)

Literatur
 Niederrheinische Wassermühlen – Führer von Hans Vogt
 Die Schwalm – Tal der Mühlen von Horst Jungblut – Helmut Elstner
 Heimatbuch der Stadt Wegberg – Zusammengestellt von Heinz Cohnen
 Kulturführer Wegberg

Weblinks

 Webseite der Dalheimer Mühle

Einzelnachweise

Baudenkmal in Wegberg
Wassermühle in Wegberg
Mühle in Europa

Dalheimer Mühle


Teofano Martiniake (grč. Θεοφανώ Μαρτινιακή; † 10. studenog 893.) — poznata i kao sveta Teofano — bila je grčka svetica te bizantska carica kao prva supruga bizantskog cara Leona VI. Mudrog, kojem je rodila samo jedno dijete, kćer imenom Eudokija.

Obitelj carice Teofano
Otac carice Teofano bio je Konstantin Martiniakos, čiji su roditelji nepoznati, premda je Christian Settipani predložio da je Teofanina obitelj bila povezana s Frigijskom dinastijom Bizantskoga Carstva. Postoji i priča prema kojoj je jedan Teofanin rođak bio brakom povezan s carem Teofilom, sinom Mihaela II. i carice Tekle. Prema kronici Šimuna Metafrasta, Teofano se udala za Leona 16. godine vladavine cara Bazilija I., koji je vjerojatno bio Leonov otac, a koji je sam brak i dogovorio. Car Bazilije je umro 29. kolovoza 886. te je Leon postao novi car, a Teofano carica.

Leon se oko 889. zaljubio u ženu zvanu Zoe Zaoutzaina, koja mu je postala priležnica te se Teofano oko 893. povukla u samostan u Carigradu. Nakon njezine smrti 897., Leon je oženio Zoe.

Izvori i bilješke

Pravoslavni sveci
Bizantske carice

Teofano Martiniake


مبارك خميس (1955 -)، ممثل بحريني.

عن حياته
كانت بدايته الفنية في قطر في السبعينات حيث شارك في تأسيس فرقتي السد والأضواء مع الفنانين القطريين أمثال غانم السليطي ومحمد البلم وعبد العزيز جاسم وعلي سلطان وإلى جانب بعض الفنان البحرينين، يعد واحد من الممثلين الكبار في البحرين بحيث انة قد أشتهر بتمثيله بأدوار شريرة كدوره في مسلسل سعدون ودوره في مسلسل سرور ودوره في مسلسل هدوءوعواصف
ومع ذلك فلقد اشتغل أيضا في مسلسلات أخرى وكان دوره فيها دور طيب مثل مسلسل الفجر المستحيل ومسلسل نيران والكثير من الأعمال الجميلة والناجحة·

أعماله

من المسلسلات
 فايز التوش 1984، 1986
 سوالف أم هلال 1990
 البيت العود 1993
 فرجان لول 1994
 حزاوي الدار 1996، 1997
 سعدون 1998
 سرور 1999
 نيران 2000
 السديم 2001
 عويشة 2003
 هدوء وعواصف 2004
 دروب 2005
 عذاري 2005
 القناص 2006
 الفجر المستحيل 2007
 على موتها اغني 2010
 شوية أمل   2011
 أكون أو لا 2012

روابط خارجية

مراجع

أشخاص على قيد الحياة
ممثلون وممثلات بحرينيون
مواليد 1955

مبارك خميس (ممثل)


La Société historique de San Francisco () est une organisation à but non lucratif qui se consacre à la préservation, à l'interprétation et à la présentation de l'histoire de San Francisco et de la région de la baie environnante. Il s'agit d'une organisation basée sur l'adhésion qui organise des programmes de conférences mensuels, des visites à pied de San Francisco et publie des recherches originales. Elle est propriétaire du circuit pédestre  et publie la revue semestrielle Argonaut. En 2021, elle comptait un peu moins de .

Histoire

La  a été fondée en 1988 par l'historien Charles A. Fracchia.

En février 2002, elle a fusionné avec le musée de la ville de San Francisco pour créer la , que le gouvernement municipal de San Francisco a reconnu comme le musée historique officiel de San Francisco. L'un des objectifs de la fusion des deux organisations était d'élaborer une proposition unique pour rénover et exploiter l'ancienne Monnaie de San Francisco en tant que musée historique.

Le musée et société historique de San Francisco a repris la gestion de la Monnaie en 2004, avec l'intention d'en faire le siège permanent du musée. L'organisation a dépensé environ  de dollars pour stabiliser et rénover partiellement le bâtiment. Cependant, le bâtiment nécessitait encore environ  de dollars de travaux supplémentaires, et la ville de San Francisco a conclu que l'organisation ne progressait pas assez rapidement après  de travaux, et a donc ordonné à la SFMHS de libérer le bâtiment en 2015.

En 2019, la Société historique de San Francisco a repris son nom d'origine. En octobre de la même année, elle a emménagé dans son premier espace muséal, au 608 Commercial Street, à San Francisco.

Références

Liens externes

 San Francisco Historical Society

Musée d'art en Californie
San Francisco
Musée fondé en 1988
Histoire de San Francisco

Société historique de San Francisco


جائز / كمرة / عتبة (هندسة).
 طنف بارز عن جدار.
 عارضة مرمى في كرة القدم.
 عارضة أزياء:هي أو هو الشخص الذي يعرض الأزياء أو غيرها من المنتجات لأغراض الفن، الإعلان.
 عارض طفل: يشير إلى الطفل الذي يتم تعيينه لعرض وإعلان وترويج منتجات تجارية.
 عارضة تعري: عملهم بأن يوقفوا أو يقعدون بأشكال وطرق معينة وهم عري أمام الرسامين والمصورين.

أماكن
 العارضة:محافظة في جنوب شرق منطقة جازان.

طالع أيضا
 عرضة

عارضة (توضيح)


Portretul Margueritei Gauthier-Lathuille sau Tânără în alb este o pictură în ulei pe pânză din 1878 realizată de pictorul francez Édouard Manet. Acum se află la Musée des Beaux-Arts din Lyon pe care l-a achiziționat în 1902. Ea nu a pozat niciodată pentru partea finală a lucrării, astfel că Manet s-a bazat pe câteva schițe pe care le-a realizat. Pictura urma să fie un cadou pentru tatăl ei.

În anii 1870, Manet a participat regulat la cabaretul condus de tatăl tinerei pe avenue de Clichy, în cartierul Batignolles din Paris, în apropiere de Café Guerbois, un loc de adunare pentru impresioniști. În 1879 l-a arătat pe fundalul La restaurantul Père Lathuille.

Picturi din 1878
Picturi realizate de Édouard Manet
Lyon


JonBenét Ramsey nume la nastere JonBenét Patricia Ramsey (n. 6 august 1990 Atlanta, Georgia, Statele Unite – d. 25 decembrie 1996 Boulder, Colorado, Statele Unite) a fost o tanara "regină a frumuseții" americană, care a fost ucisă în casa familiei sale din Boulder, Colorado, în noaptea de 25-26 decembrie 1996, la vârsta de șase ani.

Cazul
Tatăl ei, John Ramsey, a găsit corpul lui JonBenét în subsolul casei lor la opt ore după ce a fost raportată că dispăruse. Susține ca a fost craniul spart dintr-o lovitură și fusese strangulată; Un garrote a fost găsit legat în jurul gâtului. Autopsia a arătat cauza oficială a morții, a fost "asfixiată prin strangulare asociată traumei cranio-cerebrale". Moartea ei a fost clasificată drept omor. Cazul a generat interes public și mediatizat la nivel național. Cazul rămâne o investigație deschisă la Departamentul Poliției Boulder.

Poliția a suspectat că moartea lui JonBenét a fost provocată de mama sa, Patsy sau de fratele său în vârstă de nouă ani, Burke, care credeau că nota de răscumpărare și apariția cadavrului au fost organizate de părinți. În anul 1998, atât poliția, cât și procurorul (DA) au declarat că Burke nu era suspect.  Ramsey a oferit mai multe interviuri televizate, dar a rezistat întrebărilor poliției, cu excepția propriilor condiții. În octombrie 2013, documentele judiciare neacoperite au arătat că un juriu mare din 1999 a recomandat acuzațiile împotriva lui John și Patsy pentru a permite copilului să se afle într-o situație amenințătoare și să împiedice descoperirea și urmărirea penală a unei persoane neidentificate  " crima de gradul I și de abuz asupra copilului care are ca rezultat, moartea" Cu toate acestea, DA a stabilit că nu există dovezi suficiente și nu a urmat o acuzare. În 2002, succesorul DA a preluat investigarea cazului de la poliție și a urmărit în primul rând teoriile alternative ale unui intructor non-familial care comite uciderea. În 2003, s-a descoperit că ADN-ul urmărit din hainele victimei aparține unui bărbat necunoscut, determinând DA în 2008 să trimită lui Ramsey o scrisoare de scuză declarând familia "complet curățată". În februarie 2009, Departamentul de Poliție Boulder a reluat dosarul din partea DA și a redeschis ancheta .În plus, față de cariera scurtă, a concursului JonBenét, mediatizarea cazului s-a axat adesea pe bogăția părinților și pe dovezile neobișnuite găsite în acest caz. Rapoartele mass-media au pus la îndoială și problema manipulării de către poliție a cazului. Membrii familiei Ramsey și prietenii lor au depus acuzații de defăimare împotriva mai multor organizații media.

Viața
JonBenét s-a născut în 1990 Atlanta, Georgia, a fost cea mai tânără dintre cei doi copii ai lui Patsy și John Ramsey. Fratele ei mai mare, Burke, era cu trei ani mai în vârstă. Prenumele ei sunt portmanteau feminizat - numele întâi și mijlociu, al tatălui ei. În momentul decesului său, JonBenét era înscrisă la grădiniță la Școala Elementară High Peaks din Boulder, Colorado.

JonBenét a câștigat titlurile Miss Royale, Micul Miss Charlevoix, Micul Miss Colorado, Colorado State All-Star Kids Cover Girl și National Minor Beauty.  Rolul activ al lui JonBenét în concursurile pentru frumusețe pentru copii și comportamentul mamei "Patchy Ramsey" de către Patsy Ramsey au fost raportate de către mass-media după crimă.

Parinții
John Ramsey fost președintele Access Graphics, o companie de sisteme informatice de afaceri care a devenit mai târziu o filială a lui Lockheed Martin. Familia s-a mutat în Boulder, Colorado în 1991, unde se afla sediul "Graphics Access".  John Ramsey fusese de asemenea căsătorit și a avut doi copii adulți care au supraviețuit din acea căsătorie care locuia în altă parte - un fiu și o fiică (altă fiică, Elizabeth, a murit în 1992).

În vara anului 1997, la aproximativ șase luni după moartea lui JonBenet, familia Ramsey a părăsit Boulder și casa de vară din Charlevoix, Michigan, și s-a mutat înapoi în Atlanta, Georgia. Patsy Ramsey a murit de cancer ovarian la vârsta de 49 de ani în 2006 și a fost inmormantata lângă fiica ei.

Mărturisire falsă
John Mark Karr, în vârstă de 41 de ani, profesor la școală primară, a fost arestat în Bangkok, Thailanda, pe 15 august 2006 și a mărturisit fals că o să o ucidă pe JonBenét. El a susținut că a drogat-o, a agresat-o sexual și a ucis-o accidental.  Potrivit CNN, "autoritățile au mai spus că nu au găsit nicio dovadă care să lege [Karr] de locul crimei". El a furnizat numai fapte fundamentale care erau cunoscute în mod public și nu au furnizat detalii convingătoare. Afirmația lui ca a drogat-o pe JonBenét a fost pusă la îndoială pentru că nu au fost găsite droguri în corpul ei în timpul autopsiei. Probele de ADN preluate de la Karr nu se potriveau cu ADN-ul găsit pe corpul lui JonBenét

Procesele de defăimare
Lin Wood, avocatul familiei Ramsey, a intentat procese de defăimare împotriva mai multor persoane și a companiilor care au raportat cazul, începând cu anul 1999. Revista Star și compania-mamă American Media, Inc. au fost acționați în numele fiului lor în 1999. Chestionarele de defăimare au fost depuse de Ramsey și prietenii lor, împotriva mai multor mijloace de comunicare anonime. Un proces de defăimare a fost depus în 2001 împotriva autorilor și editorilor lui JonBenét: în cadrul Investigației Ramsey Murder (en. JonBenét: Inside the Ramsey Murder Investigation) Acțiunea împotriva lui Don Davis, Steven Thomas și a presei  St. Martin's  a fost soluționată în afara instanței în anul următor..

John și Patsy Ramsey au fost acționați în justiție în două procese de defăimare care au rezultat din publicarea cărții lor, "The Death of Innocence". Aceste cauze au fost aduse de două persoane numite în cartea despre care se spune că au fost cercetate ca suspecți de poliția din Boulder. Familia Ramsey a fost apărată în acele procese de Lin Wood și alți trei avocați din Atlanta, James C. Rawls, Eric P. Schroeder și S. Derek Bauer. Ei au obținut destituirea ambelor procese, inclusiv o decizie aprofundată din partea Judecătoriei din SUA Julie Carnes, potrivit căreia "dovezile abundente" din cazul de crimei au indicat un intrus care a comis infracțiunea.

În noiembrie 2006, Rod Westmoreland, un prieten al lui John Ramsey, a depus un proces de defăimare împotriva unui surfer web anonim care a postat două mesaje pe forum-uri de pe internet folosind pseudonimul "undertheradar" care implica Westmoreland în crimă.

În timpul unui interviu din septembrie 2016 cu CBS Detroit și în The Case of: JonBenét Ramsey (documentar JonBenét Ramsey), medicul legist Dr. Werner Spitz l-a acuzat pe Burke de uciderea lui JonBenét. Pe 6 octombrie 2016, Burke Ramsey a depus un proces de defăimare împotriva lui Spitz. Burke și avocații săi, printre care Lin Wood, au căutat un total de 150 milioane dolari în daune punitive și compensatorii. Wood a declarat că va depune, de asemenea, un proces împotriva CBS la sfârșitul lunii octombrie.

Pe 28 decembrie 2016, avocații lui Burke Ramsey au depus un proces civil suplimentar care acuză CBS, precum și compania de producție Critical Content LLC și șapte experți și consultanți ai defăimării. Au cerut 250 milioane dolari pentru despăgubiri compensatorii și 500 milioane dolari pentru daune punitive.

Publicații

Video
 Netflix realizeaza un documentar in cazul lui Casting JonBenet

Note

Legături externe
 JonBenet Ramsey pe IMDb
 JonBenét Patricia Ramsey
 Biografia lui JonBenet Ramsey

Nașteri în 1990
Nașteri pe 6 august
Decese pe 26 decembrie
Omoruri neelucidate
Omoruri nerezolvate în Statele Unite ale Americii
Oameni din Colorado
Oameni care au câștigat concursul de frumusețe

Cazul JonBenét Ramsey


O  T15 é o modelo que a Simca Gordini utilizou entre as temporadas de 1950 e 1953 da Fórmula 1.Teve como pilotos Jean Behra,Georges Berger,Prince Bira,Pablo Birger,Johnny Claes,Paul Frere,Robert Manzon,Robert O'Brien,André Simon e Maurice Trintignant.

Simca Gordini T15


فوسخود  هو برنامج فضائي روسي، وهو ثاني برامج رحلات الفضاء البشرية السوفييتية.

مراجع

انظر أيضا
 سويوز 30
 سويوز 28

برامج رحلات فضائية بشرية

برنامج فوسخود


Bandit Queen  is a 1996 Indian biographical film based on the life of Phoolan Devi as covered in the book India's Bandit Queen: The True Story of Phoolan Devi by the Indian author Mala Sen. It was written,produced & directed by Shekhar Kapur and starred Seema Biswas as the title character. The music was composed by Ustad Nusrat Fateh Ali Khan. The film won the National Film Award for Best Feature Film in Hindi, Filmfare Critics Award for Best Movie and Best Direction for that year. The film was premiered in the Directors' Fortnight section of the 1994 Cannes Film Festival, and was screened at the Edinburgh Film Festival. The film was selected as the Indian entry for the Best Foreign Language Film at the 67th Academy Awards, but was not accepted as a nominee.

References

External links

1994 films
1994 crime drama films
1990s biographical drama films
ඉන්දියානු චිත්‍රපට
Indian biographical drama films
Indian crime drama films
Indian feminist films
Films about organised crime in India
Films about rape in India
Indian rape and revenge films
Films about the caste system in India
Films about women in India
Films directed by Shekhar Kapur
Films featuring a Best Actress National Award-winning performance
1990s Hindi-language films
Cultural depictions of robbers
Cultural depictions of Indian women
Films that won the Best Costume Design National Film Award
Best Hindi Feature Film National Film Award winners
Fictional portrayals of the Uttar Pradesh Police
Films based on Indian novels

බැන්ඩිට් ක්වීන්


Mehmet Tevfik ef. Gerçeker (Bursa, 1898. – Ankara, 16. prosinca 1982.), turski teolog i pravnik, sedmi po redu predsjednik Uprave za vjerske poslove Turske.

Životopis
Mehmet Tevfik Gerçeker je sin Mustafe Fehmija Gercekera, poslanika turskog parlamentu iz Burse. Nakon što je završio medresu Darülhilâfe u Istanbulu, bio je zamjenik šefa Generalne uprave za obrazovanje, u ureda sudačkog suda i u Upravi za vjerske poslove, službenik za vjerska pitanja. U međuvremenu je diplomirao na Pravnom fakultetu Sveučilišta u Ankari 1928. godine.

Poslije je unaprijeđen u asistenta drugog i prvog razreda u Državnoj upravi Şûrâ-yı, gdje je počeo raditi 1932. godine sa svojim pomoćnim osobljem treće klase. Nakon toga, u Apelacioni sud je radio kao glasnogovornik zakona (1946). Godine 1948. je izabran u Vrhovni sud koji je osnovalo Državno vijeće za suđenje ministru carine Suatu Hayri Ürgüplü. Bio je predsjednik 9. odjela Državnog vijeća (1959) i 7. divizije Državnog vijeća (1960). Postao je zamjenik predsjedatelja Ustavnog suda, gdje ga je Vijeće države imenovalo članom 1962., a odatle je otišao u mirovinu (1963). Dana 15. listopada 1964. imenovan je za šefa Uprave vjerskih poslova Turske. Na toj dužnosti je ostao do 16. prosinca 1965. godine.

Umro je u Ankari 28. siječnja 1982. godine.

Izvori

Vanjske poveznice
 Mehmet Tevfik ef. Gerçeker

Predsjednici Uprave za vjerske poslove Turske

Mehmet Tevfik Gerçeker


Doğu Anadolu Bölgesi, Türkiye'nin yedi coğrafi bölgesinden biridir. Anadolu topraklarındaki konumunda doğuda yer alması nedeniyle Birinci Coğrafya Kongresi tarafından 1941 yılında böyle isimlendirilmiştir. Ülkenin, nüfus yoğunluğu ve nüfusu en az olan bölgesidir. Bunda bölgenin yüzölçümünün büyük olması başlıca etkilerindendir.

Doğu Anadolu Bölgesinin yüzölçümü 164.000 km²'dir. Yüzölçümü bakımından Türkiye topraklarının %21′ini kaplar. 2021 yılındaki nüfus sayımına göre bölgenin nüfusu 6.513.106 kişidir. Nüfus bakımından en büyük il Van, yüzölçümü bakımından en büyük il Erzurum'dur. Başlıca geçim kaynakları hayvancılık ve tarımcılıktır.

Doğu Anadolu Bölgesi'nde dört bölüm vardır:
 Erzurum-Kars Bölümü
 Yukarı Fırat Bölümü
 Yukarı Murat-Van Bölümü
 Hakkâri Bölümü

Coğrafya

Ovalar
 Birinci çöküntü kuşağını; Ardahan, Göle ve Çıldır Gölü
 İkinci çöküntü kuşağını; Erzurum, Erzincan, Pasinler, Horasan ve Iğdır ovaları
 Üçüncü çöküntü kuşağını ise; Malatya, Elazığ, Bingöl, Muş ve Van Gölü çanakları ve bunlar içerisinde yer alan ovalar oluşturur.

Göller ve nehirler
Doğu Anadolu Bölgesi'nde yer alan Aras ve Kura nehirleri sularını Türkiye toprakları dışarısında Hazar Denizi'ne dökerler. Fırat, Dicle ve Zap nehirleri ise sularını yine Türkiye dışarısında Basra Körfezi'ne dökerler.

Bölge akarsularının rejimi düzensizdir. Bunun nedeni; yağış rejiminin düzensizliği ve kış yağışlarının kar şeklinde düşmesidir. Kışın yağan karlar erimeden uzun süre yerde kaldığı için akarsuların debileri azalmaktadır. İlkbahar ve yaz aylarında eriyen karlar akarsuların debilerinin yükselmesine ve coşkun bir şekilde akmasına yol açar. Öte yandan bölge akarsularının hidroelektrik enerji potansiyeli yüksektir. Bunun nedeni, yükselti ve eğimlerinin fazla olmasıdır.

Bölgedeki fay hatları üzerinde göller oluşmuştur. Türkiye'nin en büyük gölü olan Van Gölü başta olmak üzere Çıldır, Nazik, Erçek, Hazar, Balık Gölü ve Bulanık gölleri bölge sınırları içerisinde yer alır.

İklim ve bitki örtüsü
Bölgedeki iklim karasal iklimdir. Sadece iki ilde, Elâzığ ve Malatya illerinde bozkır bitki örtüsü görülür. Van Gölü'nün etkisi sayesinde Bitlis ve Van illerinin Van Gölüne kıyısı olan ilçeleri (Tatvan, Ahlat, Adilcevaz, Erciş, Muradiye, Tuşba, İpekyolu, Edremit, Gevaş) ılıman bir iklime sahiptir.
Erzurum ili kışları soğuk olmasına rağmen yazları yeşil bitki örtüsüne sahiptir.

İller

Doğu Anadolu'da 14 tane il vardır. En çok nüfusa sahip il Van'dır.

 Ağrı
 Ardahan
 Bitlis
 Bingöl
 Elazığ
 Erzincan
 Erzurum
 Hakkâri
 Iğdır
 Kars
 Malatya
 Muş
 Tunceli
 Van
 Kahramanmaraş'ın Afşin, Elbistan ve Nurhak ilçeleri
 Diyarbakır'ın Çüngüş ilçesi
 Sivas'ın Gürün ve Divriği ilçeleri
 Adıyaman'ın Çelikhan ve Sincik ilçeleri
 Kayseri'nin Sarız ve Pınarbaşı ilçeleri

Demografi
Doğu Anadolu Bölgesi, Türkiye'nin nüfus yoğunluğu en az olan bölgesidir. Bunda bölgenin yüzölçümünün büyük olması başlıca etkendir. 2021 yılındaki nüfus sayımına göre bölgenin nüfusu 6 milyon 513 bin 106 kişi civarındadır. Türkiye'deki coğrafi bölgeler arasında nüfus miktarı ve yoğunluğu yönünden önemli farklar bulunmaktadır. Bu farkların oluşmasında fiziki faktörler (iklim özellikleri, yer şekilleri, toprak özellikleri) ve beşeri faktörler (sanayileşme, tarım, yeraltı kaynakları, turizm, ulaşım) önemli rol oynarlar.

Diğer bölgelere göçün fazla yaşandığı bölge olan Doğu Anadolu Bölgesi'nde kırsal nüfus, kent nüfusundan fazladır.

Etnik yapı
Doğu Anadolu Bölgesi etnik açıdan çeşitlilik göstermektedir. KONDA'nın 2010'da yürüttüğü bir araştırmaya göre Ortadoğu ve Kuzeydoğu Anadolu olmak üzere ikiye ayrılmış bölgede, Doğu Anadolu Bölgesi'nin güney kısmını oluşturan Ortadoğu kısmında Kürtlerin nüfusun %79.1'ini oluşturduğu, Kuzeydoğu kısmında ise Türklerin baskın olduğu, ancak %32'lik önemli bir Kürt azınlığa sahip olduğu bulunmuştur.

Sanayi
Bölgenin sanayi anlamında en gelişmiş illeri: Elazığ, Malatya ve Erzurum'dur.

Sanayi kuruluşları yetersiz olan Doğu Anadolu Bölgesi halkı geçimini, başta hayvancılık olmak üzere tarımdan sağlar. Bölgenin hayvancılığa çok elverişli olan Erzurum-Kars Bölümü'nde yüksek nitelikli sığırlar yetiştirilir. Çok sayıda küçükbaş hayvan besleyen göçer aşiretler yazın sürülerini bölgenin öteki kesimlerindeki yüksek yaylalarda otlatır.

Bitkisel üretime elverişli alanlar, bölge yüzölçümünün ancak %10'unu kaplar. Bu alanın büyük bölümünde tahıl ekimi yapılır. Tahıldan başka baklagiller, şeker pancarı, meyve, sebze, pamuk ve az miktarda da tütün yetiştirilir. Pamuk yetiştirilen kuytu Iğdır, Malatya ve Elâzığ ovalarının yanı sıra Erzincan Ovası ile Van Gölü çevresinde meyve bahçeleri çok yer tutar.

Yalnızca büyük kentler çevresinde kurulan sanayilerin başlıcaları pamuklu dokuma, iplik, şeker, süttozu, un, peynir, yem, sigara ve çimento fabrikaları ile et kombinalarıdır.

Yeraltı kaynakları bakımından oldukça zengin sayılan Doğu Anadolu Bölgesi'nde; Afşin ve Elbistan'da linyit, Hekimhan ve Divriği yörelerinde demir, Alacakaya yöresinde krom, Maden yöresinde bakır, Keban ve Baskil yöresinde de gümüşlü kurşun Erzurum-Aşkale'de Bor madeni yatakları bulunmaktadır. Keban ve Karakaya hidroelektrik, Afşin-Elbistan A Termik Santrali ve Afşin-Elbistan B Termik Santrali bölgenin başlıca enerji üretim kuruluşlarıdır.

Tarımsal alanları kısıtlı, sanayi işyerleri yetersiz olan bölge halkının artan nüfusu içinde işsiz kalan kesimi, ülkenin ekonomi olanakları daha gelişmiş olan yörelerine göç etmek zorunda kalmaktadır.

Ayrıca bakınız
 Türkiye'nin coğrafi bölgeleri

Kaynakça

Türkiye'nin coğrafi bölgeleri

Doğu Anadolu Bölgesi


Svjetska asocijacija za energiju vjetra (WWEA) je međunarodna neprofitna udruga koja zastupa sektor energije vjetra širom svijeta u više od 100 zemalja. WWEA pruža platformu za komunikaciju svim sudionicima u energiji vjetra širom svijeta, savjetuje i utječe na nacionalne vlade i internacionalne udruge, potiče međunarodni prijenos tehnologije te zagovara budući energetski sustav temeljen na obnovljivoj energiji.

Povijest
Svjetska asocijacija za energiju vjetra je osnovana  1. srpnja 2001. godine u Danskoj. Članovi osnivači su nacionalna udruženja energije vjetra Australije, Austrije, Brazila, Egipta, Njemačke, Indije, Japana, Norveške, Južnoafričke Republike kao i instituti Južne Koreje i Rusije.

WWEA je član Međunarodnog saveza za obnovljivu energiju (IRENA), zajedno s Međunarodnom udrugom hidroelektrana (IHA), Međunarodnog društva za solarnu energiju (ISES), Međunarodne asocijacije za geotermalnu energiju (IGA) te Svjetske udruge za bioenergiju (WBA).

Radna načela WWEA

 Energija vjetra treba biti kamen temeljac i pokretačka snaga za energetski sustav pogonjen obnovljivom energijom koji bi potpuno zamijenio fosilne i nuklearne izvore
 Globalno širenje mrežnih i samostalnih rješenja za energiju vjetra, trebalo bi se oslanjati na iskustva stečena najuspješnijim provedenim strategijama na temelju povoljnih zakonskih, političkih i socijalnih okvirnih uvjeta koje su pokrenule nacionalne udruge; lokalna zajednica trebala bi biti uključena te bi imala direktnu korist
 WWEA potiče i podupire osnivanje nacionalnih i regionalnih udruga za energiju vjetra i potiče nacionalne vlade na postavljanje ambicioznih ciljeva i političkih okvira za stvaranje strategije u korist brzog i održivog razvoja svih obnovljivih izvora energije
 WWEA organizira zajedno s kontinentalnim, nacionalnim i regionalnim udrugama Svjetsku konferenciju o energiji vjetra i međunarodne događaje za mobilizaciju širokog spektra različitih primjena energije vjetra
 WWEA ima aktivnu ulogu u Svjetskom vijeću za obnovljive izvore energije i surađuje s međunarodnim organizacijama obnovljivih izvora energije, kako bi pronašla zamjenu za svu energiju koja uzrokuje onečišćenja i opasan otpad

Članovi
WWEA ima više od 600 članova u 100 zemalja diljem svijeta. Postoji više kategorija članstva:

 obični članovi: udruženja energije vjetra
 znanstveni članovi: znanstveni i istraživački instituti
 korporativni članovi: kompanije i javna tijela
 individualni članovi

Republika Hrvatska je također članica.

Struktura udruženja
Svjetskom asocijacijom za energiju vjetra upravlja odbor kojeg predvodi predsjednik Peter Rae.

Sjedište glavnog ureda nalazi se u Bonnu, Njemačkoj, kojeg vodi glavni tajnik Stefan Gsänger.

Radne skupine WWEA

Pravna radna skupina (LWG)
Svjetska asocijacija za energiju vjetra odlučila je okupiti skupinu odvjetnika, pravnih savjetnika i drugih zainteresiranih osoba s profesionalnom pravnom pozadinom unutar Pravne radne skupine (LWG), kako bi formirala globalnu mrežu usredotočenu na pravna pitanja u sektoru energije vjetra.

Sudjelovanjem u LWG-u, članovi će pridonijeti širenju najboljih pravnih normi među pravnim savjetnicima u sektoru vjetra, čime se ubrzava razvoj energije vjetra. Sudjelovanje će također pružiti članovima izloženost unutar zajednice članova WWEA i pružiti im dodatne poslovne mogućnosti.

Teme koje se obrađuju unutar LWG-a dotiču se više pravnih aspekata u sektoru vjetra, kao što su:

 održive smjernice za razvoj projekata s vjetrom
 certifikacija standarda u industriji vjetra
 ugovore o kupnji energije i tarifama za uvoz
 certifikacija pravnih savjetnika u vjetroenergiji
 uspostava Zelenog klimatskog fonda i Globalnog FIT-a

LWG je organizirao sastanke od 2013. godine tijekom Svjetske konferencije o energiji vjetra na Kubi i 2014. u Šangaju, Kini. U rujnu 2014. održan je sastanak s više od 30 odvjetnika tijekom izložbe WindEnergy  u Hamburgu, Njemačkoj, a u studenom 2014. članovi LWG-a su suorganizirali radionicu u Tel Avivu, Izrael.

LWG koordinira Tobias Natt, odvjetnik i pravni savjetnik iz Njemačke.

Hibridni sustavi
Hibridni energetski sustavi koji uključuju energiju vjetra i druge obnovljive izvore energije su održiva opcija za ruralnu elektrifikaciju u mnogim dijelovima svijeta.

Na Svjetskoj konferenciji o energiji vjetra 2004. godine u Pekingu, stručnjaci iz cijelog svijeta otvorili su put globalnoj mreži za promicanje suradnje u istraživanju i primjeni hibridnog energetskog sustava. WWEA pruža idealnu platformu za ostvarivanje ove međunarodne suradnje u radnoj skupini za hibridni sustav. Svi članovi WWEA pozvani su da se pridruže grupi doprinoseći svojim individualnim znanjem i iskustvom u pogledu tehnologije, provedbe projekta, financiranja, itd.

Ciljevi radne skupine za hibridne sustave:

 podizanje svijesti
 podrška razvoju i realizaciji projekta
 dijeljenje iskustava

 uspostava platforme koja će omogućiti suradnju na području istraživanja i razvoja te njenu razmjenu

 uspostava baze podataka o resursima i opremi
 pokretanje obuke o projektiranju, radu i održavanju sustava
 poticanje vlada za poboljšanjem političkog okvira
 Olakšavanje demonstracije tehnologije hibridnog sustava

Radnu skupinu za hibridne sustave koordinira Nico Peterschmidt.

Svjetska konferencija za energiju vjetra
Svjetska konferencija za energiju vjetra (WWEC) je događaj, osnovan od strane WWEA, koji okuplja zajednicu koja se zalaže za energiju vjetra i obnovljive izvore energije širom svijeta kako bi se pridonijelo razvoju energije vjetra za energetsku tranziciju. Stručnjaci za energiju vjetra iz cijelog svijeta svake godine se okupljaju kako bi razgovarali o novim spoznajama i uspješnim iskustvima u sektoru obnovljive energije.

– WWEC2002 – Berlin, Germany

– WWEC2003 – Cape Town, South Africa

– WWEC2004 – Beijing, China

– WWEC2005 – Melbourne, Australia

– WWEC2006 – New Delhi, India

– WWEC2007 – Mar del Plata, Argentina

– WWEC2008 – Kingston, Canada

– WWEC2009 – Jeju, South Korea

– WWEC2010 – Istanbul, Turkey

– WWEC2011 – Cairo, Egypt

– WWEC2012 – Bonn, Germany

– WWEC2013 – Havana, Cuba

– WWEC2014 – Shanghai, China

– WWEC2015 – Jerusalem, Israel

– WWEC2016 – Tokyo, Japan

– WWEC2017 – Malmö, Sweden

– WWEC2018 – Karachi, Pakistan

Izvori

Vanjske poveznice

Energija vjetra
Međunarodne organizacije

Svjetska asocijacija za energiju vjetra


Luis Armando Hernández Mendoza (Quíbor (Estado Lara), Venezuela, 26 de junio de 1984) es un beisbolista profesional venezolano que juega en la posición de campocorto. En la Major League Baseball ha jugado para los equipos Baltimore Orioles, Kansas City Royals y New York Mets. En el torneo de la Liga Venezolana de Béisbol Profesional en su tierra natal, juega para Tigres de Aragua, quienes se hicieron con sus servicios en marzo de 2010 a través de un canje con Tiburones de La Guaira.

Fue firmado por la organización Atlanta Braves en 2000, pasando en 2006 a la organización Orioles, debutando con su equipo grande en la MLB el 8 de julio de 2007 en un juego donde su equipo perdió como visitante contra los Texas Rangers por 1-2. Entró a reemplazar a su compatriota Melvin Mora en el séptimo inning, pero no logró conectar hit en el único turno al bate que tuvo en ese juego.
En 2008 empezó como titular en Orioles, pero antes del final de la temporada fue bajado a la sucursal AAA y dejado en libertad. Firmó entonces con la organización Kansas City en 2009, subiendo al equipo titular de los Royals, con quienes dejó marca de 15 hits y 4 impulsadas en 73 turnos oficiales.

A principios de 2010, nuevamente como agente libre, firmó con la organización Mets, de la Liga Nacional, empezando la temporada en las sucursales AA y AAA, subiendo luego al equipo mayor, con quienes actuó en 17 encuentros antes de sufrir una lesión en un pie el 18 de septiembre de 2010, tras batear un foul. No obstante la fractura, Hernández fue capaz de conectar un jonrón al siguiente lanzamiento. Fue puesto en libertad por los New York Mets en octubre de 2011.

En Venezuela inicia su carrera con los Tiburones de La Guaira. En 2009 es objeto de un cambio a los Tigres de Aragua por el infielder Luis Rodríguez. En 2014 los bengalíes lo dejan en libertad y finamente en 2015 firma con Caribes de Anzoátegui.

Véase también
 Anexo:Venezolanos en las Grandes Ligas de Béisbol
 Tigres de Aragua

Referencias

Larenses
Beisbolistas de Venezuela
Beisbolistas de Baltimore Orioles
Beisbolistas de Kansas City Royals
Beisbolistas de New York Mets
Beisbolistas de Tigres de Aragua

Luis Hernández (beisbolista)


Hagen-Boele, Almanya'nın Kuzey Ren-Vestfalya eyaletinde, Hagen kentine bağlı idari bölge. 14. yüzyılın sonuna dek Volmestein'e bağlı kaldı. 1808-1813 yılları arasında Fransız güçlerin işgali altında kaldı. Boele 5- 8 Eylül 2002 tarihleri arasında kuruluşunun 750. yılını kutladı.

Hagen'in semtleri

Hagen-Boele


Nine ships and a naval base of the Royal Navy have been named HMS Neptune after the Roman god of the ocean:

  was a 90-gun second rate launched in 1683.  She was rebuilt in 1710 and 1730 before being renamed HMS Torbay in her new incarnation as a third rate in 1750.  She was sold in 1784.
  was a 90-gun second rate launched in 1757.  She was hulked in 1784 and broken up in 1816.
  was a 98-gun second rate launched in 1797.  She fought at the battle of Trafalgar and was broken up in 1818.
 HMS Neptune was to have been a 120-gun first rate.  She was renamed  in 1822, before being launched in 1827. Royal George was sold in 1875.
  was a 120-gun first rate launched in 1832.  She was rebuilt as a 72-gun third rate with screw propulsion in 1859 and was sold in 1875.
  was a coastguard cutter built in 1863 and sold in 1905.
  was an ironclad warship launched in 1874 as Independência, intended for the Brazilian Navy. Acquired by the Royal Navy in 1878, she was sold in 1903.
  was an early dreadnought launched in 1909 and scrapped in 1922.
  was a  light cruiser launched in 1933 and sunk in a minefield off Tripoli in 1941.
 HMS Neptune was a projected  in the 1945 Naval Estimates, but the plans were cancelled in March 1946 and she was never ordered.
HMS Neptune (shore establishment) is the name given to the shore establishment at HMNB Clyde.

See also
 , two submarines of the Swedish Navy

Royal Navy ship names

HMS Neptune