La  de l'Assemblée nationale populaire est un cycle parlementaire chinois qui s'ouvre le , à la suite des élections législatives de 2017 et 2018.

La législature est prévue pour cinq ans, entre 2018 et 2023, dont est prévue la convocation de plusieurs sessions au cours de cette période, se déroulant chaque année au début du mois de mars, jusque 2023 et la convocation de la .

Lors de l'ouverture de cette nouvelle législature, en mars 2018, les quatre postes clés de l'État sont élus. Le président Xi Jinping est réélu, le vice-président Wang Qishan est élu, le Premier ministre Li Keqiang est réélu et le président du Comité permanent Li Zhanshu également.

Composition de l'exécutif

Président de la République populaire

Premier ministre

Présidence de l'Assemblée

Composition

Première session (2018)

Amendement de la Constitution

La première session de la  législature de l'Assemblée nationale populaire a lieu entre le 5 et 20 mars 2018 au Palais de l'Assemblée du Peuple à Pékin.

Pour la première fois depuis 2004, au cours de cette session, le Parti communiste chinois souhaite amender la Constitution en inscrivant les « Perspectives scientifiques sur le développement », et surtout la pensée de Xi Jinping dans le préambule. L'autre élément important de cette réforme est la suppression de la disposition selon laquelle le président et le vice-président « serviront pas plus de deux mandats consécutifs » de la Constitution, laissant Xi Jinping libre d'être dirigeant indéfiniment de l'État chinois.

Afin d'adopter cet amendement, il faut un vote à la majorité des deux tiers de tous les membres de l'Assemblée (Article 64 de la Constitution). Le 11 mars 2018, l'Assemblée adopte l'amendement lors de la troisième séance de la session de 2018, avec 2 958 voix pour, deux contre, et trois abstentions.

Élections

Le 17 mars 2018, Xi Jinping, secrétaire général du Parti communiste chinois est réélu à l'unanimité en tant que président de la république populaire de Chine, tandis que Li Zhanshu est élu pour la première fois à l'unanimité en tant que président du Comité permanent de l'Assemblée nationale populaire.

Le lendemain, le 18 mars 2018, Li Keqiang est nommé premier ministre par Xi Jinping, et est élu à l'unanimité par l'Assemblée nationale populaire.

Li Keqiang nomme la composition de sa seconde administration et ses vice-premier ministres, c'est-à-dire Han Zheng, Sun Chunlan, Hu Chunhua et Liu He. Ils sont approuvés par l'Assemblée le 19 mars 2018.

Seconde session (2019)

La seconde session de la  législature de l'Assemblée nationale populaire a lieu entre le 8 et 20 mars 2019 au Palais de l'Assemblée du Peuple à Pékin.

Au cours de la seconde session, le président du comité permanent Li Zhanshu présente le rapport d'activité annuelle du comité. Le vice-président du comité  présente également le projet de loi sur la Loi sur les investissements étrangers de la république populaire de Chine.

Lors du rapport d'activité du gouvernement, présenté par le Premier ministre Li Keqiang, il évoque une réduction de l'objectif de croissance du PIB à 6 à 6,5%, notamment en raison de la guerre commerciale entre les États-Unis et la Chine, un endettement déjà élevé et de goulot d'étranglement pour le financement des entreprises privées.

Troisième session (2020)

La troisième session de la  législature de l'Assemblée nationale populaire, qui devait initialement se tenir en mars 2020, qui est reportée en raison de la pandémie de Covid-19 en Chine, s'est tenue entre le 22 et 28 mai 2020 dans des conditions très particulières.

Cette session est appelée par le régime chinois comme la réunion des « deux sessions », puisque l'Assemblée nationale populaire et Conférence consultative politique du peuple chinois sont les deux institutions convoquées.

En raison de la crise sanitaire, la session ne dure qu'une semaine, contre deux habituellement durant les précédentes sessions. Les milliers de députés présents ont également été tous testés et placés à l'isolement avant la convocation, et la plupart des évènements avec les journalistes se sont déroulés lors de conférence en ligne.

Lors de la remise de son rapport de travail du gouvernement devant l'Assemblée, le premier ministre Li Keqiang n'annonce pas, contrairement aux précédentes sessions, d'objectif sur le PIB. Cependant, il annonce une augmentation de 6,6% des dépenses militaires.

Loi sur la sécurité nationale

Le 22 mai 2020, l'Assemblée nationale populaire approuve une décision autorisant le NPCSC à promulguer une Loi sur la sécurité nationale de Hong Kong, si Hong Kong ne « légiférait pas la loi sur la sécurité nationale conformément à la Loi fondamentale dans les plus brefs délais ».

La décision autorise le NPCSC à promulguer des lois pour « un système juridique solide » sur le territoire hongkongais, et interdit la sédition, la sécession et la subversion envers le gouvernement de Pékin. Un député de la NPCSC affirme que les dispositions législatives de l'article 23 doivent encore être adoptées d'ici août 2021.

Après l'adoption de la décision, les citoyens de Hong Kong ont commencé à chercher des moyens d'émigrer, estimant que la loi porterait fondamentalement atteinte à leurs droits d'expression et de liberté. Dix fois le nombre habituel de recherches sur le Web concernant l'émigration a été enregistré après l'annonce de la décision. À la suite de l'annonce britannique de l'ouverture vers la citoyenneté britannique aux Hongkongais nés sous la domination britannique, un regain d'intérêt pour les propriétés au Royaume-Uni, en Australie et au Canada s'est produit.

Quatrième session (2021)

La quatrième session de la  législature de l'Assemblée nationale populaire s'est tenue entre le 5 et 11 mars 2021 au Palais de l'Assemblée du Peuple à Pékin, soit une nouvelle fois d'une durée d'une semaine.

Comme lors de la troisième session, il y a la réunion des « deux sessions », puisque l'Assemblée nationale populaire et Conférence consultative politique du peuple chinois sont les deux institutions convoquées.

En raison de la pandémie de Covid-19, l'Assemblée a tenue sa session à huis clos, avec l'interdiction des journalistes d'y assister, et comme lors de la session précédente, les de députés ont été testé et isolés et les évènements avec les journalistes se sont déroulés lors de conférence en ligne.

Lors de la remise de son rapport de travail du gouvernement, le premier ministre Li Keqiang annonce, évoqué comme « conservateur » par rapport aux années précédentes, un objectif de croissance du PIB de 6%, bien qu'aucun objectif à partir de 2020 n'ait pas été fixé en raison du Covid-19.

l'Assemblée nationale populaire, lors de cette session, examine le 14e plan quinquennal. Selon le journal Foreign Policy, le plan est évoqué comme ne pouvant répondre aux inégalités régionales et structurelles en Chine, avec un risque d'accroitre les inégalités économiques. De plus, la Chine fait face à une faible natalité, en baisse de 15%, un taux de mariage en baisse , des taux de divorce en hausse et freins financiers d'avoir plus d'un enfant. En conséquence, Li Keqiang s'est engagé à « travailler pour atteindre un taux de natalité approprié ».

Selon l'Institut du développement durable et des relations internationales, ce 14e plan quinquennal ne parviendrait pas à atteindre l'objectif de neutralité carbone à 2060, fixé par Xi Jinping, puisqu'il n'évoque que de premiers ébauches des orientations du plan, et ne donne aucun projet ou objectifs à l'échelle structurelle et provinciale.

Cinquième session (2022)

La cinquième session de la  législature de l'Assemblée nationale populaire s'est tenue entre le 5 et 11 mars 2022 au Palais de l'Assemblée du Peuple à Pékin, soit pour la troisième fois d'une durée d'une semaine.

Le 5 mars 2022, lors de la remise du rapport de travail du gouvernement devant l'Assemblée, le premier ministre Li Keqiang réduit à nouveau les attentes quant à la croissance du PIB, avec un objectif de 5,5% contre 6% en 2021. Le PIB durant l'année précédente eut une croissance de 8,1%, due à l'effet d'un rattrapage à la suite des ralentissements de la production causée par la Covid-19. Ce rythme de croissance prévu en 2022 serait le plus faible depuis les années 1990.

Néanmoins, dans le contexte de l'invasion de l'Ukraine par la Russie, que la Chine refuse de condamner en raison de l'amitié et des liens avec la Russie, le premier ministre annonce une hausse du budget militaire, à 7,1% soit la plus forte progression depuis 2019 (+7,9%).

l'Assemblée décide également lors de cette session une plus grande représentation des minorités ethniques (fixée à 12%) et évoquant la nécessité d'avoir davantage de femmes élues lors de la XIV législature, fixée à janvier 2023. Néanmoins, cette réforme quant aux femmes n'est évoqué uniquement comme un « principe », avec aucune mesure.

Références

Liens externes

Politique en Chine
 Republique populaire
Gouvernement de Chine

XIIIe législature de l'Assemblée nationale populaire


An Trias rosea in uska species han Liliopsida nga syahan ginhulagway ni Henry Nicholas Ridley, ngan ginhatag han pagkayana nga asya nga ngaran ni Gunnar Seidenfaden. An Trias rosea in nahilalakip ha genus nga Trias, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Trias

Trias rosea


An Epilaeliopsis yumanensis in uska species han Liliopsida nga ginhulagway ni Carl Leslie Withner. An Epilaeliopsis yumanensis in nahilalakip ha genus nga Epilaeliopsis, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Epilaeliopsis

Epilaeliopsis yumanensis


هروب الدجاج  هو فيلم رسوم متحركة بريطاني من إنتاج عام 2000 صدر عن إستديوهات أردمان للرسوم المتحركة التي قامت بإنتاج فيلم والاس وجروميت: لعنة الأرنب المستذئب الذي فاز بجائزة الأوسكار للعام 2005.

قصة الفيلم

تبدأ القصة بدجاج في مزرعه يحاولون الهروب بشتى الوسائل لكن من دون جدوى بسبب حارس المزرعة وكلابه وذات يوم بعد الإحباط سقط ديك اسمه روكي قادم من سيرك وكانت صورة السيرك وصورته هو فيها وكان يطير فظنوا انه يستطيع الطيران إلا أنه لم يكن كذلك فقد كان يخرج من مدفع ويظنون انه قادر على الطيران وأخيرا اتت لهم خطة جديدة وهي ان يدربهم الديك (روكي)على الطيران بشرط إلا أن الا يخبروا احدا انه هارب من السيرك وبما أنه لا يستطيع الطيران فقد أصبح يتعذر بذراعه المجروح إلا أن شفي فهرب من المزرعة من دون علم أحد بينما كانوا ينتظرونه للتدريب وصدموا لانهم لم يجدوه وارسلت السيدة تويدي في طلب آلة فطائر دجاج نظرا لعدم كسبها أي مال من بيض الدجاج وظن الدجاج ان هذه نهايته قبل أن يتوصلوا إلى فكرة من الصعب فعلها الا بسبب ارادتهم القوية وكانت الفكرة هي صناعة طائرة من بيوتهم الكبيرة ومعدات آلة السيدة تويدي واستطاعوا تعطيل آلة السيدة تويدي لوقت بينما يصلحون طائرتهم ولكن آلة السيدة تويدي صلحت قبل أن تكتمل الطائرة لذلك قالوا انهم يجب أن يختاروا من الخيارين :اما ان يموتون كدجاج حر واما ان يموتون وهم يحاولون واستطاعوا الهرب وأصبحوا يعيشون في الحشائش بدلا من المكان الذي كانوا فيه وعاد روكي وساعدهم في الهروب.

مراجع

وصلات خارجية
  الموقع الرسمي

أفلام آردمان انيمشنز
أفلام أخرجها بيتر لورد
أفلام أخرجها نيك بارك
أفلام أطفال أمريكية
أفلام أطفال بريطانية
أفلام أطفال فرنسية
أفلام أطفال كوميدية بريطانية
أفلام أطفال كوميدية فرنسية
أفلام أطفال كوميدية في عقد 2000
أفلام أطفال مغامرات في عقد 2000
أفلام أمريكية
أفلام أمريكية في عقد 2000
أفلام أولى للمخرج لعام 2000
أفلام إخراجية أولى
أفلام إنتاج 2000
أفلام باثي
أفلام باللغة الإنجليزية
أفلام باللغة الإنجليزية في عقد 2000
أفلام بريطانية
أفلام بريطانية في عقد 2000
أفلام بيئية
أفلام تدور أحداثها في مزرعة
أفلام تضم شخصيات مؤنسة
أفلام تقع أحداثها في إنجلترا
أفلام تقع أحداثها في عقد 1950
أفلام تقع أحداثها في عقد 1960
أفلام تقع أحداثها في يوركشاير
أفلام حركة كوميدية
أفلام حولت إلى ألعاب فيديو
أفلام دريم ووركس
أفلام دريم ووركس أنيمايشن
أفلام رسوم متحركة أطفال أمريكية
أفلام رسوم متحركة أطفال بريطانية
أفلام رسوم متحركة أطفال كوميدية أمريكية
أفلام رسوم متحركة أطفال مغامرات أمريكية
أفلام رسوم متحركة أمريكية في عقد 2000
أفلام رسوم متحركة بريطانية
أفلام رسوم متحركة بريطانية في عقد 2000
أفلام رسوم متحركة تقع أحداثها على جزر
أفلام رسوم متحركة طينية
أفلام رسوم متحركة عن الانتقام
أفلام رسوم متحركة عن الحيوانات
أفلام رسوم متحركة عن الدواجن
أفلام رسوم متحركة عن الطيور
أفلام رسوم متحركة عن طيران
أفلام رسوم متحركة فرنسية
أفلام رسوم متحركة فرنسية في عقد 2000
أفلام رسوم متحركة في 2000
أفلام رسوم متحركة كوميدية
أفلام رسوم متحركة للأطفال في عقد 2000
أفلام سجلها جون باول
أفلام سجلها هاري جريجسون ويليامز
أفلام طويلة 2000
أفلام طيران أمريكية
أفلام طيران بريطانية
أفلام طيران فرنسية
أفلام عائلية
أفلام عن الدواجن
أفلام عن السجون بريطانية
أفلام عن الفلاحين
أفلام عن جرذان
أفلام عن حقوق الحيوان
أفلام فرنسية
أفلام فرنسية في عقد 2000
أفلام كوميديا إنتاج عقد 2000
أفلام كوميدية في 2000
أفلام مغامرات أطفال بريطانية
أفلام مغامرات كوميدية أمريكية
أفلام مغامرات كوميدية إنتاج عقد 2000
أفلام مغامرات كوميدية بريطانية
أفلام مغامرات كوميدية فرنسية
أفلام مغامرة إنتاج عقد 2000
أفلام من إنتاج بيتر لورد
أفلام من إنتاج نيك بارك

هروب الدجاج


La direction interrégionale des services pénitentiaires de Rennes est le service déconcentré de l'administration pénitentiaire française chargé de coordonner l'activité des établissements pénitentiaires et des services pénitentiaires d'insertion et de probation sur le territoire des régions Bretagne, Normandie et Pays-de-la-Loire. Elle est l'une des dix directions interrégionales des services pénitentiaires présentes sur le territoire métropolitain et ultramarin.

Organisation
Les locaux du siège de la direction interrégionale des services pénitentiaires de Rennes sont situés au 18 Bis Rue de Châtillon à Rennes (Ille-et-Vilaine).

Le directeur interrégional des services pénitentiaires de Rennes est Marie-Line Hanicot (nommée le ).

Ressort

Établissements pénitentiaires
La direction interrégionale des services pénitentiaires est compétente pour coordonner l'activité des vingt-cinq établissements pénitentiaires situés dans son ressort :

Région Bretagne

Maisons d'arrêt

 Maison d'arrêt de Brest
 Maison d'arrêt de Saint-Brieuc

 Maison d'arrêt de Saint-Malo
 Maison d'arrêt de Vannes

Centres pénitentiaire

 Centre pénitentiaire de Lorient-Ploemeur
 Centre pénitentiaire de Rennes
 Centre pénitentiaire de Rennes-Vézin le Coquet

Région Normandie

Maisons d'arrêt

 Maison d'arrêt de Caen
 Maison d'arrêt de Cherbourg
 Maison d'arrêt de Coutances
 Maison d'arrêt d'Evreux
 Maison d'arrêt de Rouen

Centres de détention

 Centre de détention d'Argentan
 Centre de détention de Val-de-Reuil

Centres pénitentiaire

 Centre pénitentiaire d'Alençon-Condé-sur-Sarthe
 Centre pénitentiaire de Caen
 Centre pénitentiaire de Caen-Ifs
 Centre pénitentiaire du Havre

Région Pays-de-la-Loire

Maisons d'arrêt

 Maison d'arrêt d'Angers
 Maison d'arrêt de Fontenay-le-Comte
 Maison d'arrêt de La Roche-sur-Yon
 Maison d'arrêt de Laval
 Maison d'arrêt du Mans-Les-Croisettes

Centres pénitentiaire

 Centre pénitentiaire de Nantes

Établissements pénitentiaires pour mineurs

 Établissement Pénitentiaire spécialisé pour Mineurs d'Orvault

Services pénitentiaires d'insertion et de probation

Sièges
La direction interrégionale des services pénitentiaires de Rennes est compétente pour coordonner l'activité de ses quatorze services pénitentiaires d'insertion et de probation dont les sièges départementaux sont situés à Angers, Argentan, Brest, Caen, Coutances, Évreux, Laval, La Roche-sur-Yon, Le Mans, Lorient, Nantes-Saint-Herblain, Rennes, Rouen, Saint-Brieuc.

Antennes ou résidences administratives
La direction interrégionale des services pénitentiaires de Rennes est également compétente pour coordonner l'activité des antennes ou résidences administratives des services pénitentiaires d'insertion et de probation situées à Alençon, Argentan, Avranches, Bernay, Brest, Caen, Cherbourg, Coutances, Dieppe, Évreux, Guingamp, La Roche-sur-Yon-Fontenay-le-Comte, Le Havre, Les Sables-d'Olonne, Lisieux, Lorient, Morlaix, Nantes, Quimper, Rennes, Rouen, Saint-Brieuc, Saint-Malo, Saint-Nazaire, Val-de-Reuil et Vannes.

Notes et références

Voir aussi

Articles connexes

 Prison en France
 Administration pénitentiaire en France

 Direction interrégionale des services pénitentiaires

Liens externes

Rennes
Rennes Métropole
Service déconcentré de l'État en Bretagne
Normandie
Pays de la Loire
Justice en Bretagne

Direction interrégionale des services pénitentiaires de Rennes


Klettaeinir (fræðiheiti: Juniperus scopulorum) er tegund af barrtré í einisætt. Hann er ættaður frá vesturhluta Norður-Ameríku.

Tilvísanir

Einisætt

Klettaeinir


An Cymbopogon procerus in uska species han Liliopsida nga syahan ginhulagway ni Robert Brown, ngan ginhatag han pagkayana nga asya nga ngaran ni Karel Domin. An Cymbopogon procerus in nahilalakip ha genus nga Cymbopogon, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Cymbopogon

Cymbopogon procerus


NGC 5978 est une galaxie spirale située dans la constellation de la Balance. Sa vitesse par rapport au fond diffus cosmologique est de , ce qui correspond à une distance de Hubble de . NGC 5978 a été découverte par l'astronome américain Francis Leavenworth en 1885.

Notes et références

Voir aussi

Articles connexes
 Liste des objets du New General Catalogue

Liens externes

 NGC 5978 sur le site du professeur C. Seligman

5978
Constellation de la Balance
Galaxie spirale
Galaxie découverte en 1885
Objet céleste découvert par Francis Leavenworth

NGC 5978


The University of Crete (UoC; Greek: Πανεπιστήμιο Κρήτης) is a multi-disciplinary, research-oriented institution in Crete, Greece, located in the cities of Rethymno (official seat) and Heraklion, and one of the country's most academically acclaimed and reputable universities.

There are 16 main undergraduate degree programmes corresponding to the university's departments and more than 30 master's programmes.

As of 2017, there is a student population of 16.000 registered undergraduates and 2.500 registered postgraduates, more than 500 Faculty members as well as approximately 420 administrative staff.

The university ranked 62nd in The Times Higher Education (THE) 2018 list of the top universities aged 50 years or under.

Overview
The University of Crete was established in 1973 and started functioning in the academic year 1977–78.

As with all universities in Greece, the University of Crete is a public university and as such it operates under the supervision of the state and all its educational activities, as well as a part of its research activities, rely upon government funding. The supreme administrative body of the university is the Senate, which is presided over by the rector of the university. The head of the university is the rector, who is assisted by three vice-rectors in the exercise of his duties; all four together form the institution's high authority. They are elected for a period of four years by the teaching staff and representatives of the student body.

Although still very young, the University of Crete has already shown its commitment in the evolving process of European integration, and it operates as an integral member of the European Research and Education Areas. It is currently coordinating and participating in European Union programs and activities such as ERASMUS, LINGUA, and TEMPUS and has important links and cooperations with other Mediterranean and Eastern European countries as well as with many American universities and colleges, through international programmes.

The university encourages active participation in cultural and athletic activities. The student union also operates a radio station.

Emblem of the University of Crete
The emblem of the University of Crete is based on a Hellenistic coin found in Gortyn (430-300 B.B.) and depicts Europa in reflecting stance while sitting on olive tree branches. The emblem was designed in a medal by the sculptor Aspasia Papadoperaki.

Faculties and departments

The university has sixteen departments organised in five schools according to related disciplines.

Its two campuses are located near two towns on the north coast of the island, Galos in Rethymnon and Voutes in Heraklion.

Research

The University of Crete is well known both nationally and internationally for its state of the art research and graduate programmes.

It is considered one of the best universities in Greece mainly due to its research influence: it ranks in the top 400 Universities of the World by The Times Higher Education list, and also in the top 100 universities under 50 years by the QS World University Rankings.

On several research topics the University of Crete collaborates closely with FO.R.T.H.

The Natural History Museum of Crete, established in 1981 at Heraklion, is also part of the University of Crete.

Academic evaluation

An external evaluation of all academic departments in Greek universities was conducted by the Hellenic Quality Assurance and Accreditation Agency (HQAA) in the years 2008–2014 and, according to these results, the University of Crete, was characterised as a "Center of Excellence".

In 2016 the external evaluation of the institution cited University of Crete as Worthy of merit.

The reports are publicly available.

See also
 List of universities in Greece
 Technical University of Crete
 Foundation for Research & Technology – Hellas
 Open access in Greece

References

External links
 University of Crete Official Website
 University of Crete Internal Quality Assurance Unit
 Hellenic Quality Assurance and Accreditation Agency (HQA)
 Kallipos (e-books Greek academic publishing)
 Greek Research & Technology Network (GRNET)
 okeanos (GRNET's cloud service)
 synnefo – Open Source Cloud Software (GRNET)
 Hellenic Universities Rectors' Synod
 Hellenic Universities Faculty Association
 Job Fair Athens

University of Crete
Universities and colleges established in 1973
1973 establishments in Greece

University of Crete


Aeropalinoloji, havada sıklıkla rastlanan polen ve sporların ait olduğu cinsleri araştırır. Polen toplama sayma ve örnekleme teknikleri gibi işlemlerle uğraşır. Çalışılan istasyonun alerjen bitki ve mantar cinsleri tespit edilir. Meteorolojik kaynaklarıda kullanarak polenlerin ve sporların havadaki miktarının mevsimsel değişimi hakkında bilgi verir. Aeropalinolojinin temel amacı polen takvimleri oluşturmaktır. Polen ve sporların yanında havada bulunabilen alerjenik etkiye sahip birçok mantar cinsini (airborne fungi) ve özellikle iç ortamlarda bulunan akarları da (mikroskobik böcek türü) inceler.

Palinoloji

Aeropalinoloji


Bert Ruiter (Ámsterdam, 26 de noviembre de 1946-24 de marzo de 2022) fue un músico neerlandés, particularmente conocido por ser el bajista de la banda neerlandesa de rock progresivo Focus, en la que ingresó reemplazando a Cyril Havermans.

Biografía
Comenzó con la música cuando tenía doce años. Si bien su madre, pianista, le enseñó los primeros pasos, Ruiter fue principalmente autodidacta; aprendió y se perfeccionó escuchando y tocando con otros músicos. Su primer grupo fue The Spectacles. Tuvo su debut profesional a los 19 años con los Jay-Jays, que estuvieron de gira por Holanda durante un año. Junto con un guitarrista amigo creó un grupo llamado Full House, y posteriormente tocaron en teatros y clubes nocturnos en Holanda, Bélgica y Alemania durante varios meses. Antes de integrarse en Focus, Ruiter formaba parte del grupo Angelflight Railways, que tocaba en clubes de Ámsterdam.

Referencias

Nacidos en Ámsterdam
Bajistas de los Países Bajos
Bajistas de rock

Bert Ruiter


محطة الرمل تعد أشهر ميادين مدينة الإسكندرية في مصر وأقدمها.
يقع في وسط المدينة حيث يشبه إلى حد كبير ميادين في مدن أوروبية، حيث تنتشر به العمارات الضخمة المبنية على الطراز المعماري الفلورنسي. كما يطل الميدان على كورنيش الإسكندرية على ساحل البحر المتوسط.

معالم

تشتهر محطة الرمل بوجود ساحة في وسطها بها محطة ترام الإسكندرية المركزية في المدينة، ومكتب البريد والاتصالات التابع للمصرية للاتصالات، كما كان يوجد أسفل المحطة مجمع الجمعيات الاستهلاكية (مغلق حاليا). كما تنتشر به دور السينما. وتتفرع منه عدة شوارع رئيسية منها شارع صفية زغلول وشارع سعد زغلول، الذي يوجد به مبنى متجر عمر أفندي الشهير، وكذلك يقع قربه ميدان سعد زغلول. وبه جامع القائد إبراهيم. ومبنى القنصلية الإيطالية بالمدينة ومبنى إدارة كلية الطب بجامعة الإسكندرية وتعتبر من أهم المزارات لمرتادي الإسكندرية بل كانت في وقت من الأوقات المنطقة الأهم للمصيفين.

معرض الصور

أحياء الإسكندرية
أماكن مأهولة في محافظة الإسكندرية

محطة الرمل


Presidencia del Consejo o Presidente del Consejo puede referirse a:

 Presidencia del Consejo de la Unión Europea, órgano interno del Consejo de la Unión Europea.

 Presidente del Consejo Europeo, una de las más altas posiciones institucionales de la Unión Europea, y sin duda la más simbólica, cuya dimensión política interna se vuelca sobre el Consejo Europeo.

 Presidente del Consejo de Ministros de España, nombre con el que genéricamente se conoce al Jefe de Gobierno en España durante la llamada Edad Contemporánea.

 Presidente del Consejo de Ministros del Perú, comúnmente llamado o bien Premier (fórmula de tratamiento, el de habla culta o el que debiera serlo) o bien Primer Ministro.

 Presidente del Consejo de Ministros de Italia, es el jefe de Gobierno del país, y quien ocupa uno de los siguientes cinco cargos.

Presidencia del Consejo (desambiguación)


Letters from Iwo Jima () er en Oscar-belønnet japansksproget amerikansk krigsfilm fra 2006. Den er instrueret af Clint Eastwood og handler om slaget om Iwo Jima (februar-marts 1945) set med japanske øjne, særligt fra en almindelig japansk soldats og fra den japansk øverstkommanderendes synsvinkel. Den komplementerer Eastwoods film Flags of Our Fathers som handler om det samme slag, set fra amerikansk synspunkt. Filmens dialog er næsten udelukkende på japansk, men blev produceret af et amerikansk filmselskab.

Filmen havde premiere i Japan 9. december 2006 (硫黄島からの手紙) og blev udgivet nogle få steder i USA elleve dage efter, så den skulle kunne komme i betragtning til Oscaruddelingen for 2006-film. I januar 2007 fik filmen premiere generelt i USA. Den fik premiere i Danmark 23. februar 2007, på årsdagen for amerikanernes erobring af øens højeste punkt på Suribachibjerget.

Filmen blev nomineret til fire Oscar under den 79. Oscar-uddeling for bedste film, bedste instruktør og bedste originale manuskript og desuden bedste lyd som filmen vandt prisen for.

Rolleliste

Eksterne henvisninger
 Japansk trailer.
 Letters from Iwo Jima Fansite
 Letters from Iwo Jima Official Site
 Letters From Iwo Jima
 Soundtrack Review  på Tracksounds

Dramafilm fra USA
Krigsfilm fra USA
Film om 2. verdenskrig fra USA
Historiske film fra USA
Film instrueret af Clint Eastwood
Amerikanske film fra 2006
Japansksprogede film
Japanske film fra 2006

Letters from Iwo Jima


An Dendrobium trilobulatum in uska species han Liliopsida nga ginhulagway ni Paul J. Kores. An Dendrobium trilobulatum in nahilalakip ha genus nga Dendrobium, ngan familia nga Orchidaceae.

Mabibilngan ini ha Fiji. Waray hini subspecies nga nakalista.

Mga kasarigan

Dendrobium

Dendrobium trilobulatum


28340 Yukihiro este un asteroid din centura principală de asteroizi.

Descriere
28340 Yukihiro este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Yatsuka de Hiroshi Abe (astronom). Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 3,01 ua, o excentricitate de 0,15 și o înclinație de 11,8° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 28001-29000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1999
Centura de asteroizi

28340 Yukihiro


Events from the year 1924 in Canada.

Incumbents

Crown
 Monarch – George V

Federal government
 Governor General – Julian Byng
 Prime Minister – William Lyon Mackenzie King
 Chief Justice – Louis Henry Davies (Prince Edward Island) (until 1 May) then Francis Alexander Anglin (Ontario)
 Parliament – 14th

Provincial governments

Lieutenant governors
Lieutenant Governor of Alberta – Robert Brett
Lieutenant Governor of British Columbia – Walter Cameron Nichol
Lieutenant Governor of Manitoba – James Albert Manning Aikins
Lieutenant Governor of New Brunswick – William Frederick Todd
Lieutenant Governor of Nova Scotia – MacCallum Grant
Lieutenant Governor of Ontario – Henry Cockshutt
Lieutenant Governor of Prince Edward Island – Murdock MacKinnon (until September 8) then Frank Richard Heartz
Lieutenant Governor of Quebec – Louis-Philippe Brodeur (until January 1) then Narcisse Pérodeau (from January 8)
Lieutenant Governor of Saskatchewan – Henry William Newlands

Premiers
Premier of Alberta – Herbert Greenfield
Premier of British Columbia – John Oliver
Premier of Manitoba – John Bracken
Premier of New Brunswick – Peter Veniot
Premier of Nova Scotia – Ernest Howard Armstrong
Premier of Ontario – George Howard Ferguson
Premier of Prince Edward Island – James D. Stewart
Premier of Quebec – Louis-Alexandre Taschereau
Premier of Saskatchewan – Charles Avery Dunning

Territorial governments

Commissioners
 Gold Commissioner of Yukon – George P. MacKenzie
 Commissioner of Northwest Territories – William Wallace Cory

Events

January 3 – First session of the British Columbia Older Boys' Parliament (now the British Columbia Youth Parliament) held in Victoria, British Columbia.
January 10 – Narcisse Pérodeau becomes Quebec's 14th Lieutenant Governor.
January 26 – An Order in Council mandates the use of the Canadian Red Ensign on Canadian government buildings outside Canada. It the first officially allowed use of the flag on land, although it has been used unofficially for many years.
April 1 – The Royal Canadian Air Force is formed.
May 1 – Prince Edward Island changes from driving on the left to the right.
May 24 – Prohibition ends in Alberta.
June – Rodeo's first one-hand bareback rigging is designed and made by rodeo cowboy and saddle maker Earl Bascom at the Bascom Ranch in Stirling, Alberta
July 3 – The Chateau Lake Louise burns down
October 24 – Former provincial treasurer Peter Smith and financier Aemilius Jarvis are found guilty in connection with the Ontario Bond Scandal.
October 29 – An explosion kills Doukhobor leader Peter Verigin and eight other passengers on a CPR train from Brilliant to Grand Forks, British Columbia.  Ten others are injured. Although never proven, it is alleged that Verigin was assassinated using a time bomb.

Arts and literature

Science and technology
August – Mars is closer to Earth than it has been for many years and mysterious wireless signals are picked up at a Vancouver wireless station. It is thought by some to be evidence of martian contact.
October 21 – CFYC carried a speech made by Prime Minister Mackenzie King from the Denman Arena, considered to be Canada's first federal political broadcast.

Sports

Basketball
The Edmonton Grads win their first international basketball tournament held as part of the 1924 Summer Olympics in Paris. As it was only a demonstration sport, no medals were awarded. The Grads would dominate women's basketball tournaments from 1924 to 1936.

Hockey
The Toronto Granite Club win the gold medal at the first Winter Olympics in Chamonix. The Canadian team beat the American team 6–1 after a ferocious, injury-filled game.
March 25 – the National Hockey League's Montreal Canadiens win their second Stanley Cup by defeating the Western Canada Hockey League's Calgary Tigers 2 games to 0. The deciding game was played in Ottawa's Ottawa Auditorium.
March 26 and 28 – Ontario Hockey Association's  Owen Sound Greys won their first Memorial Cup by defeating Calgary City Junior Hockey League's Calgary Canadians 7 to 5 in 2 game aggregate played at Shea's Amphitheatre in Winnipeg
November 29 – The Montreal Forum opens

Football
 November 29 – Queen's University wins their third and final Grey Cup by defeating the Toronto Balmy Beach Beachers 11–3 in the 12th Grey Cup played at Toronto's Varsity Stadium

Births

January to March
January 5 – Gerry Plamondon, ice hockey player (d. 2019)
January 10 – Ludmilla Chiriaeff, ballet dancer, choreographer and director (d. 1996)
January 29 – Marcelle Ferron, painter and stained glass artist (d. 2001)
January 29 – Lois Marshall, soprano (d. 1997)
February 3 – Martial Asselin, politician and Lieutenant Governor of Quebec (d. 2013)
February 7 – Ivor Dent, politician and mayor of Edmonton (d. 2009)
February 18 – Nicolo Rizzuto, Italian-Canadian mobster (d. 2010)
February 24
 Remi De Roo, Roman Catholic bishop (d. 2022)
 Douglas Jung, politician and first Chinese Canadian MP in the House of Commons of Canada (d. 2002)
 Erik Nielsen, politician (d. 2008)
March 11 – Eva Von Gencsy, dancer (d. 2013)
March 18 – Johnny Papalia, mobster (d. 1997)

April to June
April 5 – Orville Howard Phillips, politician and Senator (d. 2009)
April 20 – Guy Rocher, sociologist and academic
April 29 – Al Balding, golfer (d. 2006)
May 26 – Nancy Bell, senator (d. 1989)
May 28 – Paul Hébert, actor (d. 2017)
June 2 – June Callwood, journalist, author and social activist (d. 2007)
June 3 – Colleen Dewhurst, actress (d. 1991)
June 22 – Larkin Kerwin, physicist, President of the Canadian Space Agency (d. 2004)
June 14 – Arthur Erickson, architect and urban planner (d. 2009)
June 21 – Wally Fawkes, Canadian-born jazz clarinettist and cartoonist (d. 2023 in the United Kingdom)

July to September
July 11 – Eugene Whelan, politician and Minister (d. 2013)
July 20 – Mort Garson, electronic musician (d. 2008)
July 21 – Lynn R. Williams, labour leader (d. 2014)
July 29 – Lloyd Bochner, actor (d. 2005)
July 30 – Roland Penner, politician (d. 2018)
September 13 – Léonel Beaudoin, politician (d. 2021)
September 19 – Don Harron, comedian, actor, director, journalist, author and composer (d. 2015)

October to December
October 18 – Buddy MacMaster, fiddle player (d. 2014)
November 1 – Jean-Luc Pépin, academic, politician and Minister (d. 1995)
November 10 – Danny Cameron, politician (d. c2009)
November 11 – Evelyn Wawryshyn, baseball player
November 24 – Lorne Munroe, Canadian-American cellist and educator (d. 2020)
December 6 – Donald Jack, novelist and playwright (d. 2003)
December 15 – Robert B. Salter, surgeon (d. 2010)
December 19 – Doug Harvey, ice hockey player (d. 1989)
December 20 – Judy LaMarsh, politician and Minister, lawyer, author and broadcaster (d. 1980)
December 22 – A. Edison Stairs, businessman and politician, New Brunswick MLA (1960–1978) and Minister of Finance (1974–1976), natural causes (d. 2010)

Deaths
January 23 – James Wilson Morrice, painter (b.1865)
May 1 – Louis Henry Davies, lawyer, businessman, politician and 3rd Premier of Prince Edward Island (b.1845)
June 6 – Laure Conan, novelist (b.1845)
August 13 – Joseph Bolduc, politician, Speaker of the Senate (b. 1847)
September 21 – Edouard Deville, cartographer and Surveyor General of Canada (b.1850)
October 29 – Peter Verigin, philosopher, activist and leader and preacher of the Doukhobors (b.1859)
December 9 – Judson Burpee Black, physician and politician (b.1842)

See also
 List of Canadian films

Historical documents
House banking committee decides government should have audited Home Bank before it failed, and clients have moral claim for redress

Immigration pamphlet calls Canadian climate "particularly suited to the white race" in "a British country, with British customs and ideals"

Kiuga hereditary chief describes inequalities since 1924 imposition of elective council system on First Nations

Metis man's memories of buffalo hunts and 1885 resistance

Alberta Presbyterians object to undemocratic process for union with Methodist and Congregational churches

Lethal smallpox epidemic in Windsor, Ont. stopped by vaccination

"Swoile" (seal), "insides" (underwear), "tizzie" (dry cough), "skipper" (youngest son), "wellaway" (rich) and other Labrador lingo

Professor of English speaks on feeling sorry for ourselves

Photo: Arctic traveller's snapshot of Inuit dancing in "Victoria Land" (Victoria Island), Northwest Territories

Film: sailing and baseball - on ice

References

Years of the 20th century in Canada
Canada
1924 in North America
1920s in Canada

1924 in Canada


Minstrel in the Gallery is the eighth studio album by British rock band Jethro Tull, released in September 1975. The album sees the band going in a different direction from their previous work War Child (1974), returning to a blend of electric and acoustic songs, in a manner closer to their early 1970s albums such as Benefit (1970), Aqualung (1971) and Thick as a Brick (1972). Making use of a newly constructed mobile recording studio commissioned and constructed specifically for the band, the album was the first Jethro Tull album to be recorded outside of the UK, being recorded in tax exile in Monte Carlo, Monaco.

It was the last Jethro Tull album to feature bassist Jeffrey Hammond, who left the band upon completion of the album's touring in late 1975 and was replaced by former Carmen bass player John Glascock.

Background
In late 1974, upon completion of touring for the band's seventh album War Child, the band returned to the idea of recording outside of the UK with frontman Ian Anderson commissioning the creation of a mobile studio to allow the band to record anywhere they wished. The mobile studio, constructed by engineer Robin Black and Morgan Studios engineer Pete Smith, was christened the Maison Rouge Mobile Studio and was transported in April 1975 to Monte Carlo, Monaco, where the band would record the album in the Prince of Wales Hotel. Anderson rented a home in Los Angeles in December 1974 to finish writing of the album, where he was joined by orchestral arranger (and future Jethro Tull keyboardist) Dee Palmer to assist in finalizing string arrangements for the album.

Recording
Recording began on 15 May 1975, recording "Minstrel in the Gallery", "Cold Wind to Valhalla", "Black Satin Dancer" and "One White Duck" and ended on 7 June 1975, finishing "Requiem". The majority of the album was recorded live by the whole band, with overdubs being added later. Many of the song's backing tracks were completed in a single take. The band made use of novel technical recording developments on the album, such as the Eventide 1745 digital delay processor to create the illusion of double tracked instruments on various tracks. The band originally hired a local Monte Carlo orchestra to record the string material on the album; however, the orchestra's unfamiliarity in working with a rock band made the recording difficult, and as a result a British string quartet which the band had previously worked with on the War Child Tour were used instead.

Anderson believed that the band were undergoing a tense period during the recording of the album and were not getting along well, a recollection that other band members have disagreed with. In particular, Anderson felt that the rest of the band was distracted by the seaside resort setting of Monaco: "I was full of industry and activity, writing songs and working very hard. I think the others felt as though it was a holiday as well as a recording session." Challenging Anderson's recollection, guitarist Martin Barre stated that "However we behaved, we were in a very alien situation, so you can't just think 'we're here to work, nothing else.' But the band got on great, and I don't recall any great frictions at all. It's just that Ian took it all very, very seriously." Drummer Barrie Barlow agreed, describing the time in Monaco as "happy days". Anderson found himself unhappy in Monaco, with his ire drawn mostly from the residents: "It made me sick getting up in the morning and watching all these people lying on the beach with their amazing vanity. Most of them are really ugly people, physically grotesque; the women are unattractive and the men are obscene. And they do nothing. I get very aggressive in that sort of situation because I've got a lot of things to do."

Musical styles and themes
The album's title refers to the use of a minstrel's gallery in the great hall of castles or manor houses, inspired by a balcony in the recording space which is shown in a photo of the band on the back cover of the original LP. The minstrel analogy is used thematically in the lyrics of the title track and "Baker St. Muse". "Cold Wind to Valhalla" is based on elements of Norse mythology, such as the afterlife hall of Valhalla mentioned in the song's title and lyrics. The cover art of the album is an alteration of the 1838 oil painting Twelfth Night Revels in the Great Hall, Haddon Hall, Derbyshire by artist Joseph Nash, depicting a group of minstrels (altered from the original painting to represent the five members of the band) performing to a raucous crowd of revelers at the Haddon Hall country estate.

Critics have described Minstrel in the Gallery's lyrics and subject matter as showing an introspective and cynical air, possibly the byproduct of Anderson's recent divorce from first wife Jennie Franks. However, Anderson has denied the divorce as inspiration for the album, saying that the album's subject matter is "like everything else, you mix a bit of personal stuff with a bit of fantasy."

Stylistically the album is varied, exemplary of Jethro Tull's progressive-influenced hard rock performances, with long instrumental passages, invested with elements of British folk and archaic, pre-Elizabethan sounds. Team Rock called Minstrel in the Gallerys musical style a "heavy metal take on the obsessively ornamented style of A Passion Play".

Releases
Minstrel in the Gallery was remastered with five additional bonus tracks in November 2002, including incomplete live-in-the-studio renditions of "Minstrel in the Gallery" and "Cold Wind to Valhalla", some tracks that appeared only on maxi-singles ("Pan Dance", "March the Mad Scientist") and "Summerday Sands" which was the B-side of the "Minstrel in the Gallery" single.

In 2015, commemorating the 40th anniversary of Minstrel in the Gallery, it was released as a box set with two CDs and two DVDs, named La Grande Edition. The box contains rare and previously unreleased tracks (such as alternate takes from "Requiem", "Grace" and "One White Duck") including new stereo mixes by Steven Wilson and a live presentation, from 1975 in Palais des Sports, remixed by Jakko Jakszyk. Also, an 80-page booklet featuring track-by-track annotations by Ian Anderson, a history of the group and recollections of life on tour by road crew member Kenny Wylie, maintenance engineer Pete Smith and string section musician Liz Edwards. Heavyweight vinyl and standard CD editions of the album were also announced.

Critical reception

Rolling Stone gave a negative review to Minstrel in the Gallery, stating that "The fact that Ian Anderson and the lads have once again plundered the British secular music tradition signifies little and delivers less." The review recalled the music in terms as "a wash of lugubrious string passages", the "anachronisms of Jeffrey Hammond-Hammond's mechanical bass lines" and "Martin Barre's hysterical electric guitar montages". They considered the lyrics "contrary to the LP's basic concept [...] instantly forgettable".

AllMusic ran a favourable retrospective review, stating that the album is the "most artistically successful and elaborately produced album since Thick as a Brick". Analysing the music, it said: "Martin Barre's attack on the guitar is as ferocious as anything in the band's history, and John Evan's organ matches him amp for amp, while Barriemore Barlow and Jeffrey Hammond-Hammond hold things together in a furious performance. Anderson's flair for drama and melody come to the fore in "Cold Wind to Valhalla," and "Requiem" is perhaps the loveliest acoustic number in Tull's repertoire, featuring nothing but Anderson's singing and acoustic guitar, Hammond-Hammond's bass, and a small string orchestra backing them". Paul Stump's History of Progressive Rock called the album "a searching and accomplished effort. Diffuseness was now distilled into a sprightly, idiosyncratic collection of powerful numbers." He suggested that Jethro Tull's usage of additive rhythms on this album "proceeds to a level unmatched elsewhere in rock." He also found the music had greater emotional intensity and approved of the use of folksy acoustic guitar throughout.

Cash Box said of the title track that it "is a deft return to the density and meaty substance that characterized earlier works" and that "lots of heavy riffing effectively compliments Anderson's vocal posturing while his unobtrusive flute runs stab at the periphery."

Track listing1975 original release'''

2015 40th Anniversary: La Grande Édition

Personnel
Credits are adapted from Minstrel in the Gallery'' liner notes.

Jethro Tull
 Ian Anderson – vocals, flute, acoustic guitar
 Martin Barre – electric guitar
 John Evan – piano, organ
 Jeffrey Hammond – bass guitar, string bass
 Barriemore Barlow – drums, percussion

Additional personnel
 Dee Palmer – string quintet arrangements and conducting
 Rita Eddowes, Elizabeth Edwards, Patrick Halling and Bridget Procter – violin
 Katharine Tullborn – cello
 Brian Ward – photographs
 Ron Kriss and J.E. Garnett – front cover, based on a print by Joseph Nash
 Robin Black – sound engineering

Charts

Certifications

References

External links
  (with Bonus Tracks)
 Jethro Tull – Minstrel in the Gallery (1975/2002 Remaster) review & credits at ProgressiveWorld.net
 Jethro Tull – Minstrel in the Gallery (1975) album releases & credits at Discogs.com
 Jethro Tull – Minstrel in the Gallery (1975) album review by Chris at SputnikMusic.com
 Jethro Tull – Minstrel in the Gallery (1975/2002 Remaster) album to be listened as stream at Play.Spotify.com
 Jethro Tull – Minstrel in the Gallery (1975/2015, 40th Anniversary La Grande Edition, Steven Wilson & Jakko Jakszyk remix) album to be listened as stream at Play.Spotify.com

Jethro Tull (band) albums
1975 albums
Chrysalis Records albums
Island Records albums
Capitol Records albums
Albums produced by Ian Anderson

Minstrel in the Gallery


Alakart () restoranlarda, menünün sunulduğu tabldot yerine bir restoranda bir menüden istenilen her şeyi özgürce sipariş etme yöntemidir. Sözcük, "menüye göre" anlamına gelir.

Kaynakça

Ayrıca bakınız
 Tabldot

Fransızca deyişler
Lokantalar

Alakart


Ausgegraben ist die 15. Folge der Fernsehfilmreihe Wilsberg. Die Erstausstrahlung erfolgte am 19. November 2005 beim ZDF. Regie führte Peter F. Bringmann, das Drehbuch wurde von Timo Berndt geschrieben.

Handlung
Georg Wilsberg wird von Ekkehardt Talkötter, einem Steuerprüfer des Finanzamtes Münster, aufgesucht, der seine Geschäftsbücher prüfen will. Während der Steuerprüfung betritt die Kundin Sabine Köhler Wilsbergs Antiquariat, um sich nach einem Buch, das sich mit keltischen Schmuckfunden im Münsterland befasst, zu erkundigen. Alex Holtkamp, Wilsbergs Patentochter, macht sich unterdessen auf den Weg zum Schloss Evenbrock, an dem sie einen Aushilfsjob als Kellnerin erhalten hat. Auf dem nächtlichen Rückweg stürzt sie mit dem Fahrrad, weil sie von einem Sportwagen geschnitten wird. Sie erhascht dabei einen Blick auf den Beifahrersitz und erkennt dort die Kundin, die Wilsberg am Vortag besucht hat, allerdings weist diese Würgemale am Hals auf und ist tot.

Tags darauf wird die tote Sabine Köhler an der Straße nach Dülmen gefunden. Kommissarin Springer und ihr Assistent Overbeck stellen den auffälligen keltischen Halsschmuck sicher, den die Tote trägt. Ebenso finden die beiden eine von Wilsbergs Visitenkarten in den Taschen der Toten und vernehmen Georg Wilsberg daraufhin. Zwar hat Alex den Fahrer des Wagens, in dem die Tote gesessen hat, nicht erkannt, doch der Mörder hat davon keine Kenntnis. So fängt er die Zeugin, die ihn vermeintlich belasten könnte, des Nachts ab und versucht, sie ebenfalls zu erwürgen. Ekki und Wilsberg eilen ihr zu Hilfe und können den Angreifer in die Flucht schlagen, der bei seiner Flucht ein keltisches Schmuckstück verliert. Wilsbergs und Ekkis Interesse für den Fall ist geweckt. Sie ziehen das Keltenbuch sowie eine Karte des Münsterlands zu Rate, auf dem Schmuckfunde verzeichnet sind, um dem Fundort des keltischen Halsschmucks auf die Spur zu kommen.

Das Keltenbuch ist in der Stadtbücherei vergriffen; die einzige Ausgabe ist seit langer Zeit von Karsten Scherer, einem Händler für Outdoor Equipment, entliehen. Wilsberg gelingt es, eine Verbindung zwischen Scherer und der Toten herzustellen. Scherer hat Sabine Köhler vor einiger Zeit einen teuren Metalldetektor verkauft. Diese gab das Gerät Timm Thake, einem insolventen Landwirt, um von ihm im Scharhofer Forst gefundene Schmuckstücke erwerben zu können. Ihr Mann, der Arzt Michael Köhler, unterstützte finanziell ihr kostspieliges Hobby, wohlwissend, dass es illegal ist, die Funde privater Grabungen zu erwerben. Im Hinterzimmer Scherers Geschäftsräume findet Wilsberg nicht nur keltischen Schmuck, den Scherer als Hehler verkaufte, sondern auch ein Foto von Timm Thake nebst seinem Geländewagen. Mit Ekkis Hilfe kann Wilsberg Thakes Adresse über die Kfz-Zulassungsstelle in Erfahrung bringen.

In Thakes Geländewagen findet Wilsberg einen Hinweis, der ihn zum Schloss Evenbrock führt. Dort erfährt er, dass Timm Thake und Sabine Köhler ein Verhältnis miteinander hatten. Es stellt sich heraus, dass Timm Thake im Geschäft von Karsten Scherer Sabine Köhler kennenlernte, die bis dahin ihre Sammlerstücke bei Scherer erworben hatte. Aufgrund seiner Geldnot verkaufte Thake fortan seine Grabungsfunde an Sabine Köhler.

Als Wilsberg erneut Thakes Hof aufsucht, findet er Thake, der sich in der Scheune aufgehängt hat. Wilsberg glaubt jedoch nicht an einen Suizid. Er verdächtigt Dr. Köhler, hinter das Verhältnis zwischen dessen Frau und Timm Thake gekommen zu sein. Daraufhin sucht er Dr. Köhler in dessen Krankenhaus auf, um ihm mitzuteilen, dass Alex Holtkamp, die sich nach einer Messerattacke durch den mutmaßlichen Mörder von Sabine Köhler im Krankenhaus aufhält, in Kürze eine Aussage bei der Polizei machen werde, die Sabine Köhlers Mörder belasten werde. Dr. Köhler, der befürchtet, Alex könne ihn bei ihrer nächtlichen Kollision erkannt haben, schleicht sich in ihr Krankenzimmer, um ihr eine tödliche Injektion zu verpassen. Wilsberg stellt ihn dabei auf frischer Tat.

Scherer wird wegen Hehlerei festgenommen. Ekki kann den flüchtenden Dr. Köhler stellen, so dass Kommissarin Springer den Arzt wegen des Mordes an seiner Frau sowie des Verdachts auf Mord an Timm Thake und versuchten Mordes an Alex Holtkamp festnehmen kann.

Hintergrund
Die Folge wurde vom 17. April 2005 bis zum 27. Juni 2005 in Westfalen und Köln gedreht. Am Antiquariat Solder in der Frauenstraße entstanden die Aufnahmen, die das Antiquariat Wilsberg zeigen. Ebenso ist hier die Überwasserkirche zu sehen. Am 23. Mai 2007 besuchten 20 Schüler der Münsteraner Martini-Grundschule im Rahmen des vom Amt für Schule und Weiterbildung organisierten Projekts "Kulturstrolche" das Filmset in der Frauenstraße. Die Szenen, die das Polizeirevier zeigen, wurden am Bispinghof gedreht. Der nächtliche Überfall auf Alex Holtkamp wurde am Geisbergweg zwischen der Rothenburg und dem Domplatz in Szene gesetzt. Die Aufnahmen in der Tankstelle entstanden in Münster-Roxel. Weiterhin wurde in der Stadtbücherei Münster gedreht, wo bei Außenaufnahmen die Lambertikirche zu sehen ist. Ekkis Arbeitsplatz wurde in der Stadtverwaltung im Stadthaus mit Blick über den Platz des Westfälischen Friedens auf die Rückseite des Rathauses eingerichtet.

In dieser Folge ist erstmals Oliver Korittke in der Rolle des Ekkehardt Talkötter zu sehen.

Am 1. März 2006 wurde die Folge zusammen mit der 16. Folge Callgirls von Polarfilm auf DVD mit FSK-12-Freigabe veröffentlicht. Die DVD enthält neben den beiden Hauptfilmen als Bonusmaterial ein Making-of sowie ein Porträt über die Stadt Münster.

Der Running Gag Bielefeld verweist in dieser Folge auf Manfred Höch, Wilsbergs Schulfreund, der in Anspielung auf die vorherige Folge Todesengel Wilsbergs Aussage zufolge aus beruflichen Gründen nach Bielefeld gezogen ist.

Rezeption

Einschaltquoten
5,69 Millionen Zuschauer sahen die Folge Ausgegraben bei ihrer Erstausstrahlung im ZDF, was einem Marktanteil von 18,1 % entspricht. Es schalteten 1,61 Millionen Zuschauer zwischen 14 und 49 Jahren zu und bescherten dem Sender damit eine Einschaltquote von 12,4 %.

Kritik
Die Redaktion von TV Spielfilm urteilte, die Wilsberg-Folge stelle "Krimikult mit trockenem Witz" dar. Dies bestätigte Andreas Markhauser von quotenmeter.de, der insbesondere Leonard Lansink lobte. Die Handlung sei "gut geknüpft und bis zum Ende spannend", auch die Auflösung sei "gut durchdacht". Die Folge Ausgegraben sei "insgesamt ein unterhaltsamer Krimi, der es versteht, seinen Zuschauern bis zur letzten Minute Spannung zu bieten und mit netten Dialogen für Abwechslung sorgt". Ekki Talkötter, der "markante Steuerprüfer", sei die "Ideallösung" für die Neubesetzung von Wilsbergs Sidekick, ließ Frank Rauscher verlauten. Diese Meinung teilte die Redaktion von Prisma, die Korittke einen "gelungenen Einstand" attestierte und die Folge mit drei von fünf Sternen bewertete. Auch Tilmann P. Gangloff  ist bei kino.de der Meinung, Korittkes Darstellung sei "sehenswert", da er seiner Rolle "unerwartete Seiten" abzugewinnen wisse. Allerdings werde er "Schafmeisters Sympathiewerte wohl kaum erreichen", so die Prognose von Gangloff.

Einzelnachweise

Weblinks

 Ausgegraben bei beruehmtedetektive.de

Filmtitel 2005
Deutscher Film
Fernsehfilm (ZDF)
Ausgegraben

Wilsberg: Ausgegraben


Krista, iç membranın mitokondri boşluğu içinde olan bir takım karışık uzantılar. Diğer bir deyişle, mitokondrideki kıvrımlı iç zardır.

Krista iki tiptir:

Tubulus (Tüp) şeklinde mitokondri Uzantılar küçük tüp ya da mikrovillus biçimindedir. Bunlara genellikle hayvanlarda steroit tipte salgı yapan endokrin organlarda, plasenta ve ovaryum hücrelerinde rastlanır. Enine kesitleri yuvarlak boşluklar halindedir. Tüpleri oluşturan zarlar arasında genişlik düzenlidir. Tüpler bazen genişlemiş boşluklar (Succalus) oluşturur. Tüplerin çok sık olduğu durumlarda enine kesitleri bal peteği görünümündedir.

Krista (Yassı) mitokondri Mitokondri boşluğunda birbirine paralel uzanan değişik uzunlukta yassı kristalar bulunur. Boşluk, bölmelere ya da kompartımanlara ayrılmıştır. Kristalar genellikle mitokondrinin uzun eksenini enine bölecek biçimde uzanırlar.

Hücre biyolojisi

Krista


Michel Desaedeleer était un citoyen belge et américain, inculpé de crimes de guerre et de crimes contre l'humanité dans le cadre de la guerre civile en Sierra Leone. Il fut plus particulièrement accusé d'avoir pris part au pillage de ce qui fut ensuite nommé les « diamants du sang ».

Michel Desaedeleer est mort en détention en  avant d'avoir pu être jugé.

Procédure
Michel Desaedeler a été arrêté en  à Malaga, à la suite d'un mandat d'arrêt européen à son encontre. Il était soupçonné d'avoir participé, avec Charles Taylor et les rebelles sierra-léonais du RUF, au commerce illicite de diamants. Il fut inculpé de crimes de guerre et de crimes contre l'humanité. Dans le cadre de l'exploitation des mines de diamants, dans le district de Kono, les rebelles du RUF avait réduit en esclavage des civils.

Notes et références

Criminel de guerre
Décès en septembre 2016
Décès à Saint-Gilles (Bruxelles)

Michel Desaedeleer


El Fundacionalismo es una teoría del conocimiento en gnoseología y en epistemología (concretamente en la teoría de la justificación) que consiste en la identificación de un conjunto de creencias de las que se tiene certeza (denominadas creencias básicas o creencias fundacionales) para emplear este conjunto en la fundamentación de otras nuevas creencias.

De esta forma el fundacionalismo consiste en sostener las siguientes premisas. Se intenta con esta teoría resolver el problema regresivo planteado en epistemología denominado diallelus. Una creencia cualquiera, según esta teoría, se apoya en otras creencias, y éstas, sucesivamente en otras hasta que se alcanza a las creencias fundacionales (razón fundacional). Dichas creencias son tan evidentes que todo el mundo las acepta: auto-evidencias (o proposición autoevidente) así como infalibles. Las creencias que no son básicas se denominan derivadas o superestructurales. La estructura de las creencias es piramidal, estando en la base de las mismas las creencias básicas o auto-evidentes.

Variedades
Cualquier filósofo que haya pretendido encontrar los fines últimos del obrar y del saber humano es considerado fundacionalista. De esta forma Platón, Aristóteles, San Agustín son categorizados de esta forma. No obstante la división principal entre los fundacionalistas se realiza en dos grupos: los internalistas y los externalistas. Los filósofos fundacionalistas internalistas creen que las razones básicas proceden de eventos mentales, o estados. Tal y como pueden ser las experiencias. Los filósofos fundacionalistas externalistas (denominados confiabilistas) se fundamentan en la idea de que las evidencias básicas pueden ser ciertas no teniendo por qué ser consciente de las características peculiares que justifican su creencia. Según los filósofos externalistas, es posible poseer algún tipo de conocimiento aunque se fuera incapaz de justificar la creencia a través de la introspección y la reflexión.

Referencias

Teorías epistemológicas

Fundacionalismo


König Artus und der Astronaut ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr 1979. Der Kinofilm ist eine Literaturverfilmung des Romans Ein Yankee am Hofe des König Artus von Mark Twain und durch die frühere Verfilmung des Romans Ritter Hank, der Schrecken der Tafelrunde inspiriert. Der Film wurde in den USA als Unidentified Flying Oddball wiederveröffentlicht.

Handlung
Die NASA will ihre gefährliche Forschungsmission Stardust nicht verlieren. Das Militär will keine Menschen mit Überlichtgeschwindigkeit fliegen lassen, weswegen Dr. Zimmerman Tom Trimble darum bittet, einen Roboter zu entwickeln, um die 30-jährige Mission zu absolvieren. Unglücklicherweise baut er diesen zu gut, sodass Hermes, der Android, Angst vor seiner Mission hat. Trimble klettert an Bord der Rakete, um Hermes zu überzeugen zu starten. Da aber zeitgleich ein Blitz in das Triebwerk einschlägt, startet die Rakete auf einmal und Trimble befindet sich mittendrin in der Mission, die nicht abgebrochen werden kann. Mit Überlichtgeschwindigkeit fliegt er durch das All und manipuliert die Steuerung, sodass er nicht nur vom Kurs, sondern auch von der Zeit abkommt und im Jahr 508 in England landet.

Dort begegnet er der netten Schönheit Alisande und dem miesen Sir Mordred, der ihn sofort als Gefangenen nimmt, um ihn als Monster bei Artus vorzuführen. Trimble nimmt seinen Helm ab und zeigt, dass auch er nur ein Mensch aus der Zukunft sei, der Artus sofort vor Mordreds Machenschaften warnt. Aber man glaubt ihm nicht, weswegen man ihn wegsperrt. Im Kerker wird er von Alisande besucht, die ihm seine Henkersmahlzeit bringt. Am nächsten Tag soll Trimble auf dem Scheiterhaufen verbrannt werden. Doch da ihn sein Raumanzug vor Hitze schützt, kann er unversehrt fliehen. Trimble schnappt sich Excalibur und schafft es, Mordreds Schwert zu magnetisieren, sodass dieses metallene Gegenstände anzieht, immer schwerer wird und Trimble das Duell gegen Mordred gewinnen kann. Dadurch hört Artus Trimble zum ersten Mal zu, als er ihn vor Mordreds Plänen ihn zu stürzen, warnen will. Da er aber keinen Beweis hat, fühlt sich Mordred beleidigt und fordert Trimble zu einem Turnier-Kampf heraus. Um auch diesen Kampf zu gewinnen, besticht Trimble den Pagen Clarence mit einem Playboyheftchen. So tritt Hermes an, um gegen Mordred zu kämpfen, während Trimble gemeinsam mit Clarence im Schloss nach Beweisen für Mordreds Pläne sucht. Nachdem er fündig wird, flüchtet Mordred und Trimble muss Hermes, der seinen Kopf, seinen Arm und fast seinen ganzen Torso verloren hat, reparieren.

Anschließend zeigt Trimble Artus, wie er das Schloss mit seiner Laserwaffe verteidigen könnte. Dabei beeindruckt er nicht nur ihn, der Trimble warnt, seine Waffe gut zu verstecken, sondern auch Merlin, der diese erfolgreich stehlen kann, um sie, gemeinsam mit der entführten Alisande, Mordred zu bringen. Trimble hat eine Idee und leiht sich Artus' Rüstung, um mit seinem Rover zu Mordreds Lager zu fahren. Die Rüstung ist dabei so spiegelglatt geputzt, dass sie den Laserstrahl reflektiert und die Waffe unbrauchbar macht. Mit Hilfe seines Raketensitzes aus dem Rover kann er Alisande retten und nach Camelot fliegen, wo der Angriff von Mordreds Truppen bereits im vollen Gange ist. Aus der Luft heraus und mit Hermes im Raumschiff können sie den Kampf gegen dessen Truppen gewinnen. Als Belohnung erhält Trimble einen Platz an Artus' Tafelrunde. Trimble bricht auf und muss seine geliebte Alisande zurücklassen. Erst als er auf dem Flug zurück in die Zukunft ist, merkt er, dass man dadurch nicht altert und stirbt, sodass er umkehrt, um Alisande mit zu sich zu nehmen.

Kritik

Veröffentlichung
Der Film hatte seine Uraufführung am 10. Juli 1979 in Großbritannien, bevor er am 26. Juli 1979 in amerikanischen und am 22. Mai 1980 im deutschen Kinos anlief. Der Film ist sowohl als deutschsprachige VHS als auch als DVD erhältlich.

Weblinks

Einzelnachweise

Filmtitel 1979
US-amerikanischer Film
Science-Fiction-Film
Fantasyfilm
König Artus im Film
Culture-Clash-Komödie
Zeitreisen im Film
Mark-Twain-Verfilmung
Keltische Mythologie im Film

König Artus und der Astronaut


An Trichloris crinita in uska species han Liliopsida nga syahan ginhulagway ni Mariano Lagasca y Segura, ngan ginhatag han pagkayana nga asya nga ngaran ni Parodi. An Trichloris crinita in nahilalakip ha genus nga Trichloris, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Trichloris

Trichloris crinita


En lille død er en dansk ungdomsfilm fra 2005, der er skrevet og instrueret af Kaspar Munk.

Handling
Filmen handler om den 12-årige Christian, der sammen med sin ven bliver inviteret hjem til den lidt ældre Janus. I kælderen introduceres Christian både for Janus' kongeboa og pornoblade, der flyder på gulvet. Mens Christian går på opdagelse i bladene, nærmer kongeboaen sig langsomt en intetanende mus på gulvet, og spændingen stiger effektfuldt i sekvensen, der kulminerer med Christians første udløsning.

Referencer

Eksterne henvisninger

Danske film fra 2005

Ungdomsfilm fra Danmark

En lille død


أحياء قليلة التغذية  عبارة عن متعضيات تستطيع النمو في بيئات تحوي تراكيز قليلة جداً من الكربون. معظم هذه المتعضيات القليلة التغذية هي من الجراثيم. وتتميز بنمو بطئ ومعدل استقلاب منخفض وبشكل عام تواجد غير مكثف. تنتشر البيئات الحاوية على مصادر قليلة من الكربون بشكل واسع حيث تكون إما في قاع المحيطات والكهوف والقطب المتجمد والطبقات العميقة في التربة ومياه المحيطات وطبقات المياه الجوفية.

مراجع

علم البحيرات
علم البيئة المائي
علم تأثير التربة
قليلات التغذية
ميكروبات

أحياء قليلة التغذية


Termenul "antonomază" aparține la origine retoricii, apoi s-a încetățenit în stilistică, și este de asemenea folosit în lingvistică. Desemnează, în sensul său originar și general, o figură de stil prin care se folosește un substantiv comun în locul unui substantiv propriu, sau invers, un substantiv propriu în locul unuia comun. Unii autori consideră antonomază și folosirea unei perifraze în locul unui substantiv propriu.

Pe lângă celelalte figuri de stil, și antonomaza a fost practicată încă din Antichitate, în discursuri, opere literare și alte diverse scrieri. Însuși termenul provine din limba greacă veche (ἀντονομασία antonomasia, de la verbul ἀντονομάζειν, antonomazein "a numi cu un nume diferit"). Și în prezent antonomaza este foarte productivă, cu deosebire în presă.

Categorii de antonomaze

Antonomazele se deosebesc în primul rând după caracterul comun sau propriu al substantivelor care le constituie. Exemple cu substantiv comun în loc de substantiv propriu sunt  l'Orateur "Oratorul" pentru Cicero sau  the Almighty "Atotputernicul" pentru Dumnezeu. Ca perifrază folosită în locul unui substantiv propriu se poate aminti  le vainqueur de Darius "învingătorul lui Darius" pentru Alexandru Macedon sau  the eternal city "cetatea eternă" pentru Roma.

Un substantiv propriu poate înlocui ca antonomază un substantiv comun, dar și un alt substantiv propriu. De pildă se poate spune  Cette femme / Marie est une Pénélope "Femeia aceasta / Marie e o Penelopă sau, într-o perifrază,  the Paris of de West "Parisul vestului" pentru San Francisco.

Din punctul de vedere al relației cu alte figuri de stil, există de asemenea două categorii de antonomaze. Unele pot fi considerate drept constituente ale unei subclase a metonimiei, adică metonimii care implică un substantiv propriu, bunăoară un Picasso pentru un tablou al lui Picasso. Alte antonomaze se apropie de metaforă, de pildă un Attila pentru șobolani, fiind vorba de o pisică.

Semantismul antonomazei

Substantivul propriu în sine nu are sens lexical, dar ca antonomază dobândește un sens noțional și stabilește o categorie, în urma intrării sale într-un proces de lexicalizare, adică de trecere în clasa substantivelor comune. Acest proces este treptat, de la un stadiu în care sensul său este strâns legat de substantivul propriu originar până la dispariția acestei legături din conștiința utilizatorilor.

Gradul de lexicalizare a substantivului propriu depinde și de caracterul metaforic sau metonimic al antonomazei. Cel folosit metaforic nu-și pierde niciodată statutul de substantiv propriu, dar dobândește un sens special, bogat, care conține tot ceea ce semnifică acesta în conștiința utilizatorilor. De exemplu, în fraza  Un virtuose viennois n'est pas du voyage : Mathias Sindelar, le « Mozart du football », a été éconduit "Un virtuoz vienez nu participă la călătorie: Mathias Sindelar, «Mozartul fotbalului», a fost refuzat", numele propriu "Mozart" semnifică virtuozitatea și reprezintă o întreagă categorie de indivizi care au această calitate.

În schimb numele proprii devenite nume comune prin procedeul antonomazei metonimice pot fi complet lexicalizate, pierzând orice legătură cu numele proprii originare. De exemplu, un vorbitor oarecare al limbii franceze poate să nu știe că renard "vulpoi" este la origine numele propriu Renart al vulpoiului personaj al Romanului lui Renart din Evul Mediu, care a înlocuit substantivul goupil "vulpoi" din franceza veche. Este și cazul a numeroase obiecte și produse al căror nume comun provine din nume proprii de persoane, toponime sau denumiri comerciale:  drujbă (nume uzual al fierăstrăului mecanic manual, de la denumirea comercială Družba,  poubelle "pubelă" (de la Eugène René Poubelle (1831-1907), prefect al Parisului care a introdus obiectul în uz), camembert (de la Camembert, localitate unde se produce brânza respectivă),,  jersey (țesătură al cărei nume vine de la cel al insulei Jersey, sandwich "sandvici" (de la al IV-lea lord de Sandwich, presupusul inventator al produsului).

Sensul antonomazei substantiv comun și cel al antonomazei substantiv propriu metaforică depinde strict de contextul situațional al comunicării, în special de componenta culturală a acestuia. Într-adevăr, o asemenea antonomază are sens numai pentru un receptor al mesajului care deține aceeași informație ca emițătorul mesajului despre numele propriu pe care îl implică antonomaza. În acest sens, o antonomază poate fi efemeră, adică să aibă sens numai într-o anumită epocă istorică. De pildă, când în Franța secolului al XV-lea se spunea le philosophe "filozoful", se înțelegea "Aristotel", singurul care era studiat în școli, pe când în prezent "filozoful" nu poate fi o antonomază.

Comportamentul gramatical al antonomazei

Antonomaza a ajuns să fie și obiect de studiu al lingvisticii mai ales din cauza procesului de lexicalizare a substantivului propriu, care constituie o sursă de îmbogățire a lexicului. Antonomaza substantiv propriu interesează nu numai semantica, lexicologia și lexicografia, ci și gramatica, în măsura în care primește trăsături morfologice și sintactice ca urmare a lexicalizării.

Există mai multe mărci ale transformării din substantiv propriu în substantiv comun.

Una dintre aceste mărci este dobândirea categoriilor gramaticale proprii substantivului comun, precum genul și numărul, dacă ne limităm la o limbă ca franceza.

În franceză, toate numele proprii folosite în antonomază primesc un gen gramatical. În cazul antonomazei metaforice, genul depinde de sexul persoanei în cauză:  un Harpagon (masculin), une Pénélope (feminin). Cât privește numele de obiecte și produse provenite din nume proprii, genul acestora nu prezintă o asemenea dependență: du macadam "macadam" (masculin, de la John Loudon McAdam, inginerul care a introdus această îmbrăcăminte rutieră), une poubelle (feminin).

În ceea ce privește numărul, în cazul englezei, limbă în care marca pluralului se aude, aceasta este considerată generală sau chiar obligatorie: Edisons and Marconis may thrill the world with astounding novelties "Este posibil ca Edisonii și Marconi să electrizeze lumea cu noutăți asurzitoare". În franceză, în general neauzindu-se marca pluralului, ci fiind doar scrisă, există numai recomandări ale gramaticilor, de aceea uneori apare, alteori nu. Ezitarea există mai ales la numele proprii folosite metaforic: les Mécènes, dar Un Auguste aisément peut faire des Virgile "Un Augustus poate face ușor scriitori ca Vergilius" (Nicolas Boileau, Epistola I). În cazul antonomazei metonimice, numele de obiecte și produse, fiind cele mai lexicalizate, primesc toate marca pluralului, dar la numele de autori folosite pentru operele lor există de asemenea ezitare, unele gramatici admițând două forme: J'ai deux Virgile/Virgiles "Am două opere de-ale lui Vergilius".

O marcă sintactică a substantivului propriu devenit comun este folosirea sa de regulă cu un determinant abstract. Este întotdeauna cazul antonomazei metonimice și în general al celei metaforice:  articol hotărât (les Cassandres "Casandrele"), articol nehotărât (un Viêt-nam mental "un Vietnam mintal"), adjectiv demonstrativ (ces Rambos "acești Rambo"), adjectiv posesiv (ma véritable Sorbonne "adevărata mea Sorbonă"), adjectiv nehotărât (aucun Newton de l'informatique "niciun Newton al informaticii").

O marcă ortografică a lexicalizării substantivului propriu este pierderea majusculei inițiale în scris. În această privință se observă multă ezitare în limba franceză, de exemplu, neexistând reguli precise, ci doar recomandări ale lingviștilor. În general, ezitarea este mai mare în cazul antonomazei metaforice. Se întâlnește, de pildă, un Mécène "un Mecena", dar și un mécène. În ceea ce priveștea antonomaza metonimică, substantivul format prin ea se scrie mai degrabă cu minusculă: batiste "batist" (țesătură al cărei nume vine de la cel al țesătorului Baptiste Cambray care ar fi fost primul care a realizat-o). Fac excepție numele de autori folosite pentru operele lor, care își păstrează majuscula: Les Raphaëls du Vatican "Picturile lui Rafael de la Vatican".

Note

Surse bibliografice

Surse directe

 Academia Română, Institutul de lingvistică "Iorgu Iordan", Dicționarul explicativ al limbii române, ediția a II-a, București, Univers Enciclopedic, 2009 (DEX '09); online: Dexonline (accesat la 14 august 2018)
  Bussmann, Hadumod (coord.), Dictionary of Language and Linguistics (Dicționarul limbii și lingvisticii), Londra – New York, Routledge, 1998, ISBN 0-203-98005-0 (accesat la 14 august 2018)
 Constantinescu-Dobridor, Gheorghe, Dicționar de termeni lingvistici, București, Teora, 1998; online: Dexonline (accesat la 14 august 2018)
  Dubois, Jean et al., Dictionnaire de linguistique (Dicționar de lingvistică), Paris, Larousse-Bordas/VUEF, 2002
  Leroy, Sarah, Entre identification et catégorisation, l'antonomase du nom propre en français (Între identificare și categorisire, antonomaza numelui propriu în franceză), teză de doctorat, Monpellier, Universitatea "Paul Valéry" – Montpellier III, 2001 (accesat la 14 august 2018)

Surse indirecte

  Beauzée, N., Grammaire générale ou exposition raisonnée des éléments nécessaires du langage, pour servir de fondement à l'étude de toutes les langues (Gramatică generală sau expunere rațională a elementelor necesare limbajului, pentru a servi ca fundament la studiul tuturor limbilor), Stuttgart-Bad Cannstatt, F. Frommann, 1974 (ediția originală 1767)
  Dauzat, A., Grammaire raisonnée de la langue française (Gramatica rațională a limbii franceze), Lyon, I.A.C., 1948
  Fontanier, P., Les Figures du discours (Figurile discursului), Paris, Flammarion, 1968 (ediția originală 1830)
  Grevisse, Maurice, Le Bon usage (Folosirea corectă a limbii), ediția a IX-a, Gembloux (Belgia), Duculot, 1969
  Jespersen, O., La Philosophie de la grammaire (Filozofia gramaticii), Paris, Minuit, 1971 (ediția originală 1924)
  Lamy, B., La Rhétorique ou l'Art de parler (Retorica sau Arta de a vorbi), Brighton, Sussex Reprints, 1969 (ediția originală 1696)
  Le Bidois, G. și Le Bidois, R., Syntaxe du français moderne (Sintaxa francezei moderne), Paris, Picard, 1968 (ediția originală 1935–1938)
  Roig-Miranda, M., "L'antonomase vue de France et d'Espagne" (Antonomaza văzută din Franța și din Spania), Verbum nr. 1–3, 1993, pp. 119–124
  Suhamy, H., Les Figures de style (Figurile de stil), Paris, Presses Universitaires de France, 1981
  Wagner, R.L. și Pinchon, J., Grammaire du français classique et moderne (Gramatica francezei clasice și moderne), Paris, Hachette, 1962

Vezi și

 Figuri de stil
 Metaforă
 Metonimie

Lingvistică
Stilistică

Antonomază


The long-tailed weasel (Neogale frenata), also known as the bridled weasel, masked ermine, or big stoat, is a species of mustelid distributed from southern Canada throughout all the United States and Mexico, southward through all of Central America and into northern South America. It is distinct from the short-tailed weasel (Mustela erminea), also known as a "stoat", a close relation in the genus Mustela that originated in Eurasia and crossed into North America some half million years ago; the two species are visually similar, especially the black tail tip.

Taxonomy
The long-tailed weasel was originally described in the genus Mustela with the name Mustela frenata by Hinrich Lichtenstein in 1831. In 1993, the classification, Mustela frenata, was accepted into the second edition of the Mammal species of the world: a taxonomic and geographic reference, which was published by the Smithsonian Institution Press. The species, with classification and name Mustela frenata, was accepted into the Global Biodiversity Information Facility. Later, in a study published in 2021 in the Journal of Animal Diversity, Bruce Patterson et al. reclassified the long-tailed weasel into the genus Neogale along with 2 other former Mustela species, as well as the two species formerly classified in Neovison.

Evolution

The long-tailed weasel is the product of a process begun 5–7 million years ago, when northern forests were replaced by open grassland, thus prompting an explosive evolution of small, burrowing rodents. The long-tailed weasel's ancestors were larger than the current form, and underwent a reduction in size to exploit the new food source. The long-tailed weasel arose in North America 2 million years ago, shortly before the stoat evolved as its mirror image in Eurasia. The species thrived during the Ice Age, as its small size and long body allowed it to easily operate beneath snow, as well as hunt in burrows. The long-tailed weasel and the stoat remained separated until half a million years ago, when falling sea levels exposed the Bering land bridge, thus allowing the stoat to cross into North America. However, unlike the latter species, the long-tailed weasel never crossed the land bridge, and did not spread into Eurasia.

Description
The long-tailed weasel is one of the larger weasels (comprising both Neogale and Mustela) in North America. There is substantial disagreement both on the upper end of their size and difference in size by sex by source: one indicates a body length of  and a tail comprising 40–70% of the head and body length. It adds that in most populations, females are 10–15% smaller than males, thus making them about the same size as large male stoats, according to a second source. A third states they range from 11 to 22 inches (280–560 mm) in length, with the tail measuring an additional 3 to 6 inches (80–150 mm). It maintains the long-tailed weasel weighs between 3 and 9 ounces (85-267 g) with males being about twice as large as the females.

The eyes are black in daylight, but glow bright emerald green when caught in a spotlight at night. The dorsal fur is brown in summer, while the underparts are whitish and tinged with yellowish or buffy brown from the chin to the inguinal region. The tail has a distinct black tip. Long-tailed weasels in Florida and the southwestern US may have facial markings of a white or yellowish colour. In northern areas in winter, the long-tailed weasel's fur becomes white, sometimes with yellow tints, but the tail retains its black tip. The long-tailed weasel moults twice annually, once in autumn (October to mid-November) and once in spring (March–April). Each moult takes about 3–4 weeks and is governed by day length and mediated by the pituitary gland. Unlike the stoat, whose soles are thickly furred all year, the long-tailed weasel's soles are naked in summer. The long-tailed weasel has well-developed anal scent glands, which produce a strong and musky odour. Unlike skunks, which spray their musk, the long-tailed weasel drags and rubs its body over surfaces in order to leave the scent, to mark their territory and, when startled or threatened, to discourage predators.

Identification

Tracks and scat
The footprint of a long-tailed weasel is about 1 inch (25 mm) long. Although they have five toes, only four of them can be seen in their tracks. The only exception to this is when walking in the snow or mud, all five of their toes are shown. Their footprints will also appear heavier if the weasel is carrying food. Another way to determine the presence of a weasel is by looking for wavy indents made by their tails in the snow.

The long-tailed weasel uses one spot to leave their feces. This spot is usually near where they burrow. They'll continuously use this spot for their droppings until it gets covered by environmental changes.

Distinguishing features

A black-tipped tail, yellowish-white belly fur, and brown fur on its back and sides are distinguishing for the long-tailed weasel. Additionally, the long-tailed weasel has long whiskers, a long narrow body, and a long tail that is approximately half the length of the body and head of the weasel. Compared to the short-tailed weasel the long-tailed weasel lacks a white line on the insides of its legs.

Behaviour

Reproduction and development
The long-tailed weasel mates in July–August, with implantation of the fertilized egg on the uterine wall being delayed until about March. The gestation period lasts 10 months, with actual embryonic development taking place only during the last four weeks of this period, an adaptation to timing births for spring, when small mammals are abundant. Litter size generally consists of 5–8 kits, which are born in April–May. The kits are born partially naked, blind and weighing , about the same weight of a hummingbird. The long-tailed weasel's growth rate is rapid, as by the age of three weeks, the kits are well furred, can crawl outside the nest and eat meat. At this time, the kits weigh . At five weeks of age, the kit's eyes open, and the young become physically active and vocal. Weaning begins at this stage, with the kits emerging from the nest and accompanying the mother in hunting trips a week later. The kits are fully grown by autumn, at which time the family disbands. The females are able to breed at 3–4 months of age, while males become sexually mature at 15–18 months.

Denning and sheltering behaviour
The long-tailed weasel dens in ground burrows, under stumps or beneath rock piles. It usually does not dig its own burrows, but commonly uses abandoned chipmunk holes. The  diameter nest chamber is situated around  from the burrow entrance, and is lined with straw and the fur of prey.

Defense
The enemies of the long-tailed weasel are usually coyotes, foxes, wildcats, wolves, and the Canadian lynx. The weasel will give off its musky odor, however, this is not primarily used when encountering other creatures. When leaving an area they were just in, they will leave their odor behind. This is done by the weasels taking themselves and hauling their bodies across surfaces they just interacted with. The long-tailed weasel does this to "discourage predators" from coming back to the area, possibly indicating that the weasel considers this a safe haven for return. This type of reaction is also reserved for when the weasel feels it is in danger, or when it is looking for a mate. Tree-climbing is another type of defense mechanism that long-tailed weasels utilize against predators on the ground. These weasels will climb up a reasonable height of a tree when they sense that they are in danger. They will then sit silent and "motionless", while looking at their presumed predator. These weasels keep their guard up like this until the predator leaves, and when the weasel considers itself no longer in danger.

Another common defense of long-tailed weasels is its black-tipped tail, which differs in color from the rest of the body. When the long-tailed weasel becomes more white in the winter, this defense mechanism is especially used. The black-tipped tail distracts predators from the rest of the body, as it is more visible to the eye of a predator. This causes the visibility of the actual weasel to be rather difficult and makes the predator attack the tail instead of the weasel. The weasel is allowed to escape the predator because of this.

Diet

The long-tailed weasel is a fearless and aggressive hunter which may attack animals far larger than itself. When stalking, it waves its head from side to side in order to pick up the scent of its prey. It hunts small prey, such as mice, by rushing at them and killing them with one bite to the head. With large prey, such as rabbits, the long-tailed weasel strikes quickly, taking its prey off guard. It grabs the nearest part of the animal and climbs upon its body, maintaining its hold with its feet. The long-tailed weasel then manoeuvres itself to inflict a lethal bite to the neck.

The long-tailed weasel is an obligate carnivore which prefers its prey to be fresh or alive, eating only the carrion stored within its burrows. Rodents are almost exclusively taken when they are available. Its primary prey consists of mice, rats, squirrels, chipmunks, shrews, moles and rabbits. Occasionally, it may eat small birds, bird eggs, reptiles, amphibians, fish, earthworms and some insects. The species has also been observed to take bats from nursery colonies. It occasionally surplus kills, usually in spring when the kits are being fed, and again in autumn. Some of the surplus kills may be cached, but are usually left uneaten. Kits in captivity eat from a quarter to half of their body weight in 24 hours, while adults eat only one fifth to one third. After killing its prey, the long-tailed weasel laps up the blood, but does not suck it, as is popularly believed. With small prey, also the fur, feathers, flesh and bones are consumed, but only some flesh is eaten from large prey. When stealing eggs, the long-tailed weasel removes each egg from its nest one at a time, then carries it in its mouth to a safe location where it bites off the top and licks out the contents or if they have babies in the den they may hold it in their mouth all the way back to them.

Subspecies
, 42 subspecies are recognised.

Cultural meanings
In North America, Native Americans (in the region of Chatham County, North Carolina) deemed the long-tailed weasel to be a bad sign; crossing its path meant a "speedy death".

References

Notes

Bibliography

External links

Weasels
Carnivorans of North America
Carnivorans of Central America
Carnivorans of South America
Mammals of Canada
Mammals of Colombia
Mammals of Ecuador
Mammals of Mexico
Mammals of Peru
Mammals of the United States
Mammals of Venezuela
Least concern biota of North America
Least concern biota of South America
Mammals described in 1831
Taxobox binomials not recognized by IUCN
Taxa named by Hinrich Lichtenstein

Long-tailed weasel


නිල වශයෙන් ඕර්තඩොක්ස් කතෝලික සභාව  ලෙසින් මෙන්ම ඕර්තඩොක්ස් සභාව සහ  ඕර්තඩොක්ස් ආගම ලෙසින්ද හැඳින්වෙන,, නැගෙනහිර ඕර්තඩොක්ස් සභාව    යනු, ප්‍රාථමික වශයෙන් නැගෙනහිර සහ  අග්නිදිග යුරෝපයෙහි සහ මැද පෙරදිග ප්‍රදේශ වල, ඇස්තමේන්තුගත 225–300 මිලියන සැදැහැවතුන් ගණනක් සමගින්, ලෝකයේ දෙවන විශාලතම ක්‍රිස්තියානි සභාව වෙයි. බෙලාරූස්, බල්ගේරියාව, සයිප්‍රසය, ජෝර්ජියාව, ග්‍රීසිය, මැසඩෝනියාව, මෝල්ඩෝවා, මොන්ටිනිග්‍රෝ, රුමේනියාව, රුසියාව, සර්බියාව, සහ යුක්‍රේනය යන රටවල ජනගහණයෙහි බහුතර ප්‍රමාණයක ආගමික ඇදහිල්ල එය වෙයි; සැලකිය යුතු සුළුතරයක්  ජෝර්දානයේ,  ඊශ්‍රායෙලයේ,  ලෙබනනයේ සහ   සිරියාවේ සිටිති.

සටහන්

ආශ්‍රිත

නැගෙනහිර ඕර්තඩොක්ස් සභාව


'Libertas' (ce qui signifie  en latin) est un cultivar de rosier grimpant obtenu par le rosiériste allemand Hans Jürgen Evers en 1999 et mis au commerce en 2015 par la maison Tantau. Cette nouvelle variété connaît un grand succès, d'autant qu'elle a obtenu le certificat ADR en 2013. 'Libertas' a été baptisé à l'occasion du bicentenaire du haut tribunal du Palatinat à Deux-Ponts.

Description
Ce rosier spectaculaire se présente sous la forme d'un haut arbuste aux rameaux souples pouvant être conduit en haut buisson ou en grimpant atteignant  à . Son feuillage sain est vert foncé brillant. Il montre une multitude de petites roses simples de 3 ou , de couleur rose magenta au cœur blanc, laissant voir de longues étamines jaunes, fleurissant en bouquets généreux de juin à octobre.

'Libertas' supporte les hivers froids et est insensible aux maladies. Il nécessite une situation ensoleillée, mais tolère la mi-ombre.

Il est spectaculaire sur des pergolas, pour couvrir des arceaux, des treillages, des clôtures ou former de hauts buissons au fond des massifs. Il est plébiscité pour les jardins privés contemporains à l'anglaise, et aussi pour les jardins publics urbains, par sa vigueur et le coloris très vif de ses roses.

Récompenses
Rosier ADR, 2013
Prix d'honneur de la ville de Deux-Ponts
Médaille d'argent de Baden-Baden

Notes et références

Liens externes
Catalogue Bruno Parterre

Cultivar de rosier
Rosier polyantha

Libertas (rose)


Zegel (în ) este o stație a premetroului din Antwerpen, care face parte din rețeaua de tramvai din Antwerpen. Stația este situată în districtul Borgerhout, sub strada Turnhoutsebaan, la intersecția cu Zegelstraat și Sint-Janstraat. Mulți ani la rând Zegel a fost o stație fantomă, fiind situată pe o secțiune închisă a premetroului. Începute în 1977, lucrările la stație au fost stopate în 1981 și au fost reluate abia în 2013. Zegel a fost inaugurată pe 18 aprilie 2015, odată cu Tunelul Reuzenpijp pe care este situată.

Istoric
Stația a fost inițial proiectată pentru tramvaiele care rulează la suprafață pe Turnhoutsebaan, linia  spre Deurne și linia , care circulă pe Stenenbrug către cimitirul Silsburg din Deurne. Lucrările la stație au început în 1977, odată cu cele la tunelul Reuzenpijp, dar fost stopate în 1981 și puse de atunci în conservare.

Pe 3 aprilie 2008, ministrul flamand pentru Lucrări Publice, Energie, Mediu și Natură, Hilde Crevits, a răspuns unei interpelări a parlamentarului Ludwig Caluwé că stațiile Drink și Zegel vor fi deschise în cadrul Planului Pegasus, iar liniile de tramvai rapid 10 și 24 vor fi prelungite de la Wijnegem la Malle, respectiv de la Borsbeek la Ranst.

Pe 28 august 2008, Ministrul Flamand al Mobilității, Kathleen Van Brempt, a vizitat tunelul și stația Zegel. La sfârșitul vizitei ea a declarat că tunelul Reuzenpijp, abandonat timp de trei decenii, va fi pus în exploatare.

Pe 1 martie 2013, noul ministru al Mobilității, Hilde Crevits, a anunțat anul 2015 ca dată de deschidere a tunelului Reuzenpijp și a stației Zegel.

În cadrul proiectului LIVAN I, pe 4 martie 2013 au început lucrările de amenajare și utilare a Reuzenpijp. În 2014, în tunel au fost montate șinele și catenara, au fost instalate semnalizarea și iluminatul de urgență. Inaugurarea a avut loc pe 18 aprilie 2015, iar Zegel (Livan I RVP 4) a fost singura stație de pe traseu care a fost deschisă. Tunelul și stația Zegel sunt deservite de tramvaiele liniei , care circulă prin premetrou între centrul orașului Antwerpen și rampa de ieșire la suprafață din strada Herentalsebaan, continuând apoi până la parcarea P+R de la sensul giratoriu din Wommelgem.

Caracteristici
Zegel este cea mai estică stație în exploatare de pe ramura de est a premetroului din Antwerpen. Holul de la nivelul -1 are o lungime de peste 200 de metri și comunică spre exterior prin intermediul a două intrări: una de nord, situată la intersecția străzilor Turnhoutsebaan și Sint-Janstraat, și una de sud, la intersecția Turnhoutsebaan cu Zegelstraat. Precum în majoritatea stațiilor situate pe Reuzenpijp, cele două linii de tramvai se află la niveluri diferite. Linia către ieșirea din oraș este cea mai adâncă, fiind construită la aproximativ 25 de metri sub nivelul străzii.

Cele două peroane au 60 de metri lungime fiecare. Stația este accesibilă persoanelor cu mobilitate redusă cu ajutorul a două ascensoare.

Note

Vezi și
Premetroul din Antwerpen

Imagini

Stații de premetrou din Antwerpen

Zegel (stație de premetrou din Antwerpen)


Voskresenski  es un jútor del ókrug urbano de la ciudad-balneario de Anapa del krai de Krasnodar, en el sur de Rusia. Está situado en la orilla izquierda del arroyo Tsybanova, que desemboca en el mar Negro, 8km al norte de la ciudad de Anapa y 130km al oeste de Krasnodar. Tenía 954 habitantes en 2010.

Pertenece al municipio rural Primórskoye.

Transporte
Por la localidad pasa la carretera federal M25 Novorosíisk-Puerto Kavkaz.

Referencias

 Este artículo contiene datos geográficos extraídos de Google Earth y el mapa de Rusia de Yandex.ru, accesible desde  este enlace.

Enlaces externos
 Mapa topográfico en maps.vlasenko.net .

Localidades de la Ciudad de Anapa del krai de Krasnodar

Voskresenski (Rusia)


Ølundgaards Inddæmning er et naturområde der er genskabt i en tidligere afvandet fjordarm i vestsiden af Odense Fjord, cirka ca. 4 km øst for Otterup. Området blev inddæmmet af to omgange, med 45 hektar i 1811 og 41 hektar i 1833. Digerne blev forstærket i 1921, og området fik statsstøtte til jordforbedringer i 1943-46.

22. februar 1993 var der en voldsom stormflod der oversvømmede alle de inddæmmede marker og saltvandet ødelage afgrøderne. Det førte til at Fyns Amt og Danmarks Naturfredningsforening opfordrede Aage V. Jensens Fonde til at gå ind i naturgenopretning i området. Den erhvervede i 1999 godt 90 hektar ved Firtals Strand, og senere yderligere 68 ha i området, så det samlede areal nu er på 158 ha.

Man gik i gang med en genskabelse af en del af det tidligere vådområde, med en hævelse af grundvandspejlet så der dannedes lavvandede søer, men sådan at digerne ud mod Odense Fjord blev bevaret. blev hævet. Diger og pumper blev anlagt for at naboerne ikke skulle påvirkes med gener fra det højere vandspejl. De små morænehøje, der før afvandingen lå som øer i Odense Fjord, var stadig bevaret efter opdyrkning i årtier. Disse morænehøje fremtræder nu atter som øer i det nye vådområde.

Den genskabte natur ved Ølundgaard er blevet et af Fyns vigtigste yngleområder for vadefugle og en fremragende rasteplads for grågås, stor regnspove, lille kobbersneppe og mange andre. Der er opsat 2 fugletårne, hvorfra man har et godt overblik over området.

Eksterne kilder og henvisninger
 Ølundgård, Lavvandede søer genskabte et af Fyns vigtige yngleområder  på Aage V. Jensen Naturfonds websted
 Ølundgaard, Lammesø og Firtalsstranden på visitnordfyn.dk
 Naturens store comeback ved Ølundgårds Inddæmning på dettabteland.dk
 Ølundgård Inddæmningen på dofbasen.dk

Inddæmningsprojekter i Danmark
Vådområder i Danmark
Lokaliteter i Nordfyns Kommune
Odense Fjord
Naturgenopretning i Danmark

Ølundgaards Inddæmning


El tordo músico (Agelaioides badius), también llamado tordo bayo o simplemente músico, es una especie de ave paseriforme de la familia Icteridae propia de América del Sur. En la actualidad se clasifica en el género Agelaioides, pero tradicionalmente se la había colocado en el género Molothrus. Se encuentra en la mitad norte de Argentina, Bolivia, Uruguay, el sur de Paraguay y centro de Brasil, con registros, posiblemente fruto de escapes de aves de jaula, en la zona central de Chile.

Descripción y comportamiento

Tiene una longitud total de aproximadamente 18 cm. En general es de color ceniza marrón con un negro contrastante y alas rojizas.

Es un ave social y suele reunirse en pequeños grupos. A diferencia del «verdadero» tordo del género Molothrus, esta especie no parasita nidos. En cambio, el tordo de pico corto parasita nidos del tordo músico y mientras los tordos de pico corto adultos son en general negruzcos, los tordos de pico corto jóvenes se parecen mucho al tordo músico.

Hábitat y estado de conservación
Se encuentra en una amplia gama de hábitats semi-abiertos, incluyendo matorrales y bosques. Por lo general es bastante común, por lo tanto BirdLife International y la UICN lo consideran de menor preocupación.

Galería

Referencias

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Enlaces externos

 Greyish bawing en el portal Fauna Paraguay .
 Tordo bayo en el portal Aves de Chile.

Animales descritos en 1819
badius
Paseriformes de América del Sur
Fauna endémica de América del Sur
Taxones descritos por Louis Pierre Vieillot

Agelaioides badius


Rendez-vous à minuit (It All Came True) est un film américain réalisé par Lewis Seiler, sorti en 1940.

Synopsis
Chips Maguire, propriétaire véreux d'une boite de nuit, après avoir tué un informateur de la police, exerce un chantage sur son pianiste, Tommy Taylor. Il parvient ainsi à se planquer dans la pension de famille tenue par Nora Taylor, mère du pianiste...

Fiche technique
Titre : Rendez-vous à minuit
Titre original : It All Came True
Réalisation : Lewis Seiler
Scénario : Michael Fessier, Lawrence Kimble et Delmer Daves (non crédité), d'après l'histoire courte Better Than Life de Louis Bromfield
Musique : Heinz Roemheld (non crédité)
Directeur de la photographie : Ernest Haller
Effets spéciaux : Edwin B. DuPar et Byron Haskin (non crédités)
Montage : Thomas Richards
Directeur artistique : Max Parker
Costumes féminins : Howard Shoup
Producteur : Mark Hellinger
Société de production et de distribution : Warner Bros.
Genre : Comédie musicale criminelle
Noir et blanc - 97 min
Dates de sortie :
 :
 :

Distribution

 Ann Sheridan : Sarah Jane Ryan
 Jeffrey Lynn : Tommy Taylor
 Humphrey Bogart : Chips Maguire alias Grasselli
 ZaSu Pitts :  Flint
 Una O'Connor : Maggie Ryan
 Jessie Busley : Nora Taylor
 John Litel : « Doc » Roberts
 Grant Mitchell : René Salmon
 Felix Bressart : Le Grand Boldini
 Charles Judels : Henri Pepi de Bordeaux
 Brandon Tynan :  Van Diver
 Howard Hickman :  Prendergast
 Herbert Vigran : Monks
Acteurs non crédités
James Flavin : le portier du Roaring 90's Club
Bess Flowers : une spectatrice à l'audience
Edward Gargan : un sergent de police

Liens externes

Film américain sorti en 1940
Film américain en noir et blanc
Film de Warner Bros
Film musical américain des années 1940

Rendez-vous à minuit


فرانكافيلا فونتانا  ، مدينة إيطالية في مقاطعة برينديزي ضمن إقليم بوليا . عدد سكانها حوالي 37.000 نسمة.

السكان

في سنة 1861 بلغ عدد السكان  نسمة، وتطور العدد ليصل في سنة 2011 لـ  نسمة.

أعلام
 جياكومو ليون

المراجع

بلديات سالينتو
بلديات مقاطعة برينديزي
قلاع في إيطاليا
مدن وبلدات في بوليا

فرانكافيلا فونتانا


25 er det tredje studiealbum fra den britiske sangerinde Adele. Det blev udgivet den 20. november 2015 via XL Recordings og Columbia Records. Det var næsten fem år efter meget succesfulde 21 (2011), og titel reflekterer over hendes liv i en alder af 25 år. Teksten omhandler temaer om Adeles "længsel efter hendes gamle jeg, hendes nostalgi", og "melankoli over tidens gang" ifølge et interview med sangeren i Rolling Stone, samt temaer om moderskab og fortrydelse. I kontrast til Adeles tidligere arbejde blev produktionen af 25 indkorporeret med elektronisk elementer og kreative rytmiske mønstre med elementer fra 1980'erne moderne R&B og orgeler. Ligesom 21 arbejdede Adele sammen med producer og sangskriver Paul Epworth og Ryan Tedder, samt et nyt samarbejde med Max Martin og Shellback, Greg Kurstin, Danger Mouse, the Smeezingtons, Samuel Dixon og Tobias Jesso Jr.

Ved udgivelsen af albummet modtog de positive anmeldelse, der roste Adeles vokale præstation og albummet produktion. Det var en massiv kommerciel succes og debuterede som nummer et i 32 lande og slog rekorden for flest solgte eksemplarer i den første uge i adskillige lande, heriblandt torbritanien og USA. I USA solgte albummet over 3,38 eksemplarer i den første uge, hvilket gjorde albummet til det mest sælgende i en enkelt uge siden Nielsen SoundScan begyndte at registrere pladesalg i 1991. 25 endte med at blive det bedst sælgende album i 2015 med 17,4 mio. eksemplarer, og de thar siden solgt mere end 22 mio. eksemplarer på verdensplan, hvilket gør det til et af verdens bedst sælgende albums. Efter 21 blev det certificeret diamant af Recording Industry Association of America (RIAA), som gives for salg over 10 mio. eksemplarer i USA, hvilket gør Adele til den eneste kunster i 2010'erne, der har denne certifikation på to albums.

Globalt var 25 det bedst sælgende album i både 2015 go 2016, og mange journalister krediterede denne udgivelse til at have påvirket musikindustrien idet det fik skabt fornyet interesse for at købe fysiske albums frem for at downloade eller streame. Ligesom 21 blev det også krediteret for at redde de faldende salg i både Storbritannien og USAs musikindustri. 25 modtog BRIT Award for British Album of the Year, mens førstesinglen "Hello" vandt prisen British Single of the Year. Ved Grammy Award i 2017 vandt albummet prisen for årets album og bedste popalbum; "Hello" vandt også grammier for årets indspilning, årets sang og pop solopræstation.

Spor

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Referencer

Album fra 2015
Adele-album

25 (album)


Parú (rijeka u Venezueli)
 Paru (rijeka u Brazilu)
 Paru, Semnan, selo u iranskoj pokrajini Semnan
 Paru, Fars, selo u iranskoj pokrajini Fars

Paru