Hadenfeld er en by og kommune i det nordlige Tyskland, beliggende i Amt Schenefeld i den nordvestlige del af Kreis Steinburg. Kreis Steinburg ligger i den sydvestlige del af delstaten Slesvig-Holsten.

Geografi
Hadenfeld ligger ved Bundesstraße B430 sydvest for Schenefeld. Vandløbene Mühlenau, Steenfurthsbach og Agethorster Au løber gennem kommunen.

Eksterne kilder/henvisninger

 Kommunens side  på amtets websted
 Statistikamt Nord – Bevölkerung der Gemeinden in Schleswig-Holstein 4. Quartal 2014 (XLSX-Data) (Fortschreibung auf Basis des Zensus 2011)

Byer i Slesvig-Holsten
Byer i Kreis Steinburg

Hadenfeld


عائلة زيزي فيلم كوميدي مصري تم إنتاجه عام 1963، من إخراج فطين عبد الوهاب و بطولة سعاد حسني و أحمد رمزي و فؤاد المهندس و عقيلة راتب.

فريق العمل
إخراج: فطين عبد الوهاب
تأليف:
 السيد بدير (حوار)
 لوسيان لامبير (قصة وسيناريو)
إنتاج: عباس حلمي

تمثيل
 سعاد حسني - "سناء"
 أحمد رمزي - "سامي"
 فؤاد المهندس - "سبعاوي"
 عقيلة راتب - "الأم"
 ليلى شعير - "ليلى"
 عدلي كاسب - "أبو ليلي"
 محمد سلطان - "قام بدور يوسف مخرج سينمائي "
 إكرام عزو - "زيزي"

روابط خارجية

مراجع

أفلام مصرية بالأبيض والأسود
أفلام أحمد رمزي
أفلام سعاد حسني
أفلام عدلي كاسب
أفلام عقيلة راتب
أفلام فؤاد المهندس
أفلام كوميدية مصرية
أفلام مصرية إنتاج 1963

عائلة زيزي (فيلم)


Jerolim (Jeronim) Bizanti (Kotor, 1533. – Lepant, 7. listopada 1571.), hrvatska vojna osoba iz Crne Gore. Bio je zapovjednik bokeljskog brodovlja u mletačkoj službi i sudionik bitke kraj Lepanta u kojoj je poginuo.

Iz obitelji Bizanti, plemićke obitelji Hrvata iz Kotora.

Jerolimova je obitelj dala nekoliko zaslužnih pomoraca-vojnika (npr. Marin, druga pol. 14. st., te Juraj i Marin, XV st.). Kao zapovjednik bokeljskog brodovlja u mletačkoj službi istaknuo se u više bitaka protiv Turaka i gusara na Sredozemlju. Zapovijedajući kotorskom ratnom galijom »San Trifone«, sudjelovao je i poginuo u bitci kod Lepanta.

Izvori

Hrvati u Crnoj Gori
Crnogorska vojna povijest
Bizanti
Mletački vojni zapovjednici u mletačko-osmanskim ratovima

Jerolim Bizanti


Carvalhópolis es un municipio brasileño del estado de Minas Gerais. Su población estimada en 2004 era de 3.353 habitantes. El municipio fue creado en 1953, y se llamaba Caña del Reino.

Su principal fiesta es la de São Sebastião.

Referencias

Localidades de Minas Gerais

Carvalhópolis


Venecijanski geto bio je dio grada Venecije koji su 29. ožujka 1516. godine vlasti Mletačke Republike, Vijeće umoljenih i dužd Leonardo Loredan dodijelile Židovima  kao područje grada u kojem su morali stanovati. Nazvali su ga Geto (tal. Ghetto, na venecijanskom dijalektu Ghèto).

To nije bio prvi put da su Židovi u Veneciji bili prisiljeni živjeti u odvojenom dijelu grada. Godine 1555. Venecija je imala 160 208 stanovnika, uključujući 923 Židova koji su uglavnom bili trgovci.

Godine 1797. Francuska vojska u Italiji pod vodstvom je dvadesetosmogodišnjeg generala Napoleona Bonapartea okupirala Veneciju, prisilila Mletačku Republiku da se raspusti 12. svibnja 1797. i okončala odvajanje geta od grada 11. srpnja iste godine. U 19. stoljeću geto je preimenovan u Contrada dell'unione.

Današnji pojam geto za područje nekog grada u kojem živi diskriminirano stanovništvo dobio je naziv venecijanskom Getu, čiji su primjer kroz povijest preuzeli i drugi gradovi.

Izvori
Povijest Venecije

Venecijanski geto


Wir sassen im Boot er en film instrueret af Niels Lomholt.

Referencer

Eksterne henvisninger

Danske film fra 1985

Eksperimentalfilm fra Danmark

Wir sassen im Boot


Mirel Bîrlan / Mirel Birlan (n. 1963, Vieru, comuna Putineiu, județul Giurgiu, România) este un astronom român.

Studii și lucrări
A obținut diploma de bacalaureat la liceul Ion Maiorescu din Giurgiu (actualmente devenit Colegiu Național). În 1986 a absolvit Facultatea de Fizică a Universității din București, iar în 1997 a obținut titlul de doctor în științe în specialitatea Astronomie cu lucrarea intitulată: Proprietăți de rotație și compoziția mineralogică a asteroizilor. Majoritatea subiectelor științifice abordate în cursul carierei sale sunt în domeniul planetologiei.

Este autor si coautor a 115 articole în reviste cu referenți, coordonator pentru 9 teze de doctorat în astronomie și planetologie, reprezentant național pentru România la Uniunea Astronomica Internațională și la Societatea Astronomică Europeană, precum și Președintele Comitetului Național Român de Astronomie.

Este cercetător la Institutul de Mecanică Cerească și Calculul Efemeridelor din Paris al Observatorului Astronomic din Paris, Franța, iar din a doua parte a anului 2021 este director la Institutul Astronomic al Academiei Române.

În data de 14 octombrie 2019, la Biblioteca Județeană "I. A. Bassarabescu" din Giurgiu, a avut loc lansarea volumului "Introducere în lumea asteroizilor", de Mirel Bîrlan și Adrian Șonka.

În 2020 în Colecția Biblioteca Giurgiuveană a fost publicat volumul Universul Aurorei. Dialoguri despre Lună, de Mirel Bîrlan, cu ilustrații de Cristina Diana Enache.

Onoruri
Asteroidul 10034 Birlan, descoperit pe 30 decembrie 1981 de către Edward L. G. Bowell, a primit numele în onoarea astronomului Mirel Bîrlan.

La propunerea lui Mirel Bîrlan și Richard Binzel, un asteroid din sistemul nostru solar, descoperit pe 1 martie 1981, a primit numele de "România".

Din anul 2018 este membru corespondent al Academiei Internaționale de Astronautică (IAA). În anul 2021 a fost ales membru cu drepturi depline al IAA.

Note

Legături externe
 Bibliographical link
 Uniunea Astronomică Internațională: Mirel Birlan

Vezi și
 Listă de astronomi

Nașteri în 1963
Giurgiuveni
Astronomi români din secolul al XX-lea
Astronomi români din secolul al XXI-lea

Mirel Bîrlan


රයිගම් ටෙලීස් හොඳම ටෙලිනාට්‍ය සහය නළුවාට හිමි සම්මානය වාර්ෂිකව ශ්‍රී ලංකාවේ රූපවාහිනී තිරයේ හොඳම ශ්‍රී ලාංකේය සහය නළුවා සඳහා බොහෝ වාණිජ සන්නාම සමඟ සම්බන්ධ කිංඩම් ඔෆ් රයිගම් විසින් පිරිනමනු ලැබේ.

මෙම සම්මානය ප්‍රථම වරට ලබා දුන්නේ 2005 වසරේදීය. එතැන් සිට මෙම කීර්තිමත් ශූරතාව දිනාගත් අයගේ ලැයිස්තුවක් පහත දැක්වේ.

සෑම වසරකම සම්මාන ලැයිස්තුව

යොමු කිරීම්


The Clock (bra O Ponteiro da Saudade) é um filme de drama romântico estadunidense de 1945 dirigido por Vincente Minnelli e estrelado por Judy Garland e Robert Walker. Este foi o primeiro papel dramático de Garland em um filme.

Garland reprisou o seu papel para uma versão no programa de rádio Lux Radio Theatre, que foi ao ar em 28 de janeiro de 1946.

Elenco
 Judy Garland ...Alice Maybery
 Robert Walker ...Cabo Joe Allen
James Gleason ...Al Henry
Keenan Wynn ...The Drunk
Marshall Thompson ...Bill
Lucile Gleason ...Sra. Al Henry
Ruth Brady ...Helen
Robert Homans ...Oficial (sem créditos)
 Jack Mower ...Segundo Oficial do Metrô (sem créditos)
 Larry Steers ...homem no ônibus (sem créditos)

Filmes dos Estados Unidos de 1945
Filmes de drama dos Estados Unidos
Filmes de romance dos Estados Unidos
Filmes dirigidos por Vincente Minnelli
Filmes da Metro-Goldwyn-Mayer
Filmes em preto e branco

The Clock


Die Liste der denkmalgeschützten Objekte in Bíňa enthält die vier nach slowakischen Denkmalschutzvorschriften geschützten Objekte in der Gemeinde Bíňa im Okres Nové Zámky.

Denkmäler

Legende

Einzelnachweise

!
Bina


روابط إضافية

 Berrer Recent Match Results
 Berrer World Ranking History

أشخاص على قيد الحياة
رياضيون من شتوتغارت
لاعبو كرة مضرب ألمان
مواليد 1980
أعلام كرة مضرب من بادن-فورتمبيرغ

مايكل بيرر


Paradise er en kortfilm fra 1999 instrueret af Anne Alix efter eget manuskript.

Handling
En mand, der holder af botaniske haver, fascineres af en mærkelig plante, som han aldrig før har set. Han begynder at besøge den hver dag...

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 1999

Paradise (fra 1999)


São Mateus de Oliveira Portekiz'de Vila Nova de Famalicão belediyesine bağlı olan, 2,85 km² yüzölçümüne sahip, 3.075 nüfuslu (2001) bir bucaktır (Portekizce: freguesia).

Portekiz'in freguesiaları
Vila Nova de Famalicão

São Mateus de Oliveira


La aldo-ceto reductasa familia 1, miembro C1 es una enzima que en los humanos está codificada por el gen AKR1C1.

Este gen codifica un miembro de la superfamilia aldo/ceto reductasa, que consta con más de 40 enzimas y proteínas conocidas. Estas enzimas catalizan la conversión de aldehídos y cetonas a sus alcoholes correspondientes mediante la utilización de NADH y/o NADPH como cofactores. Las enzimas muestran una especificidad de sustrato coincidentes pero distintas. Esta enzima cataliza la reducción de la progesterona a la forma inactiva 20-alfa-hidroxi-progesterona. Este gen comparte una alta identidad de secuencia con tres miembros de otros genes, y está agrupado con esos tres genes en el cromosoma 10p15-p14.

Referencias

Proteínas humanas

AKR1C1


Nada (* 17. November 1953 als Nada Malanima in Rosignano Marittimo, Provinz Livorno) ist eine italienische Sängerin. International bekannt wurde sie durch den Nummer-eins-Hit Ma che freddo fa aus dem Jahr 1969.

Karriere
Zu einer national bekannten Sängerin avancierte Nada (Spitzname: Il Pulcino di Gabbro; übersetzt: das Küken aus Gabbro) bereits im Teenageralter. Ihr auf dem Sanremo-Festival 1969 vorgetragener Debütsong Ma che freddo fa ging preislich gesehen zwar leer aus. Das eingängige, von Claudio Mattone komponierte und von Franco Migliacci getextete Stück eroberte allerdings die italienischen Charts und avancierte international zu einem Kassenschlager des italienischen Pop der End-1960er. Die italienischsprachige Version wurde von zahlreichen Interpreten gecovert. Nada selbst nahm unter anderem eine französische (Et pourtant j'ai froid) und eine spanischsprachige Version auf (Hace frío ya). 1970 nahm die Sängerin sowohl am Sanremo-Festival als auch an Canzonissima teil.

Ihren Durchbruch auf dem Sanremo-Festival hatte sie 1971 mit dem Hit Il cuore è uno zingaro, dort präsentiert zusammen mit Nicola Di Bari. Weitere erfolgreiche Singles der frühen 1970er waren Una chitarra ed un'armonica und Il re di denari (bei Sanremo 1972). Trotz ihrer Chart-Erfolge verlegte sich Nada im Lauf der folgenden Jahre mehr und mehr auf eine kommerziell weniger einträgliche, künstlerisch gesehen jedoch befriedigendere Form der Karriere. Mehr und mehr arbeitete sie mit aufstrebenden Songwritern wie Riccardo Cocciante, Antonello Venditti, Claudio Baglioni und Paolo Conte zusammen. Ebenso stieg die Anzahl der Eigenkompositionen. 1977 gab sie ihr Debüt als Theaterschauspielerin. Unter anderen spielte sie Rollen in Stücken von Giulio Bosetti und Dario Fo.

Parallel zur künstlerischen Umorientierung sank die Präsenz in den Single-Charts, ebenso der Absatz der Studioalben. Mit Amore disperato gelang ihr 1983 ein weiterer Top-fünf-Erfolg, nachdem das Lied die Wettbewerbe Festivalbar, Azzurro und Vota la Voce gewonnen hatte. Mit ihrem vergleichsweise vielseitigen, von Schlager über Pop und Folk bis hin zu traditionellen Canzones wie La porti un bacione a Firenze oder Maremma reichenden Repertoire waren anhaltende Charterfolge jedoch nur schwer zu vereinbaren. In den 1990er-Jahren intensivierte sie ihre Zusammenarbeit mit Piero Ciampi, einem gleichfalls aus der Region um Livorno stammenden Cantautore. Mit dem Titel Guardami negli occhi nahm sie 1999 erneut am Festival von Sanremo teil. 2000 sang sie im Duett mit Adriano Celentano den Song Il figlio del dolore – eine düstere Ballade, welche das Thema Vergewaltigungen im Krieg zur Sprache bringt.

2003 erschien Nadas erstes Buch, der Gedichtband Le mie madri. Im Jahr 2007 kehrte Nada, nach einer Reihe weiterer Albenveröffentlichungen, zum Sanremo-Festival zurück, wo sie das selbst geschriebene Lied Luna in piena präsentierte, es jedoch nicht unter die ersten Zehn schaffte. Im Anschluss erschien das Album Tutto a posto, gefolgt 2008 vom Livealbum Stazione birra. Gleichzeitig erschien die Autobiographie Il mio cuore umano, die 2009 auch als Theaterstück und später als Fernsehfilm adaptiert wurde. 2009 hatte Nada außerdem zusammen mit Carmen Consoli, Paola Turci und Marina Rei einen gefeierten Auftritt auf dem Amiche-per-l'Abruzzo-Konzert im Mailänder Stadion San Siro – einem von italienischen Musikerinnen und Sängerinnen bestrittenen Benefizkonzert für die Erdbebenopfer in der umbrischen Stadt L'Aquila.

Für künstlerisches Aufsehen sorgte in den letzten Jahren ihr 1997 gegründetes Projekt Nada Trio – eine akustische Mini-Combo mit Fausto Mesolella und Ferruccio Spinetti (von Avion Travel), mit der sie alte und neue, fremde und eigene Lieder einspielt. Mit genreübergreifenden Gastauftritten – etwa zusammen mit der Folk- und Alternativrock-Band Ardecore – sorgte sie ebenfalls für Aufmerksamkeit. Daneben setzte sie ihre künstlerische Produktion ununterbrochen fort: Es folgten die Alben Vamp (2011) und Occupo poco spazio (2014), unterbrochen von der Romanveröffentlichung La grande casa (2012). Das bislang letzte Album L'amore devi seguirlo erschien 2016, ebenso der Roman Leonida.

In The Young Pope, einer italienischen Fernsehserie in englischer Sprache, die 2016 von Paolo Sorrentino für Sky Atlantic, HBO und Canal+ produziert wurde, spielt Nadas Song Senza un perché (2004) eine hervorgehobene Rolle, wodurch er einem internationalen TV-Publikum bekannt wurde.

Diskografie

Studioalben
 1969 – Nada
 1970 – Io l'ho fatto per amore
 1973 – Ho scoperto che esisto anch'io
 1974 – 1930: Il domatore delle scimmie
 1976 – Nada
 1983 – Smalto
 1984 – Noi non cresceremo mai
 1986 – Baci Rossi
 1992 – L'anime nere
 1999 – Dove sei sei
 2001 – L'amore è fortissimo e il corpo no
 2004 – Tutto l'amore che mi manca
 2007 – Luna in Piena
 2011 – Vamp
 2014 – Occupo poco spazio
 2016 – L'amore devi seguirlo

Livealben
 1998 – Nada Trio
 2005 – L'apertura (Nada & Massimo Zamboni)
 2005 – CD Live Brescia ("Mucchio Selvaggio Extra" supplement)
 2008 – Live Stazione Birra

Kompilationen
 1994 – Malanima: Successi e inediti 1969-1994
 2006 – Le mie canzoncine 1999-2006

Singles
 1969 – Les bicyclettes de Belsize
 1969 – Ma che freddo fa
 1969 – Biancaneve
 1969 – Che male fa la gelosia
 1969 – L'anello
 1970 – Pà diglielo a mà
 1970 – Bugia
 1970 – Io l'ho fatto per amore
 1971 – Il cuore è uno zingaro
 1972 – Re di denari
 1972 – Una chitarra e un'armonica
 1973 – Brividi d'amore
 1978 – Pasticcio universale
 1981 – Dimmi che mi ami che mi ami che tu ami che tu ami solo me
 1982 – Ti stringerò
 1983 – Amore disperato
 1984 – Balliamo ancora un po
 1987 – Bolero
 1992 – Guarda quante stelle
 1999 – Guardami negli occhi
 1999 – Inganno
 2004 – Senza un perché
 2004 – Piangere o no
 2006 – Scalza
 2007 – Luna in piena
 2007 – Pioggia d'estate
 2008 – Stretta
 2008 – Novembre
 2011 – Il comandante perfetto
 2011 – La canzone per dormire
 2011 – Stagioni

Bücher
 Le mie madri. Fazi, Rom 2003, ISBN 88-8112-413-0.
 Il mio cuore umano. Fazi, Rom 2008, ISBN 978-88-8112-964-5.
 La grande casa. Bompiani, Mailand 2012, ISBN 978-88-452-7035-2.
 Leonida. Atlantide, Rom 2016, ISBN 978-88-99591-05-2.

Quellen

Weblinks
 [ Biografie von Nada bei allmusic.com] (englisch)
 Offizielle Website von Nada Malanima (italienisch)
 Nada bei Rockol.it (italienisch)

Interpret eines Siegerbeitrags zum Sanremo-Festival
Popsänger
Rocksänger
Songwriter
Italiener
Geboren 1953
Frau

Nada Malanima


An Epidendrum yungasense in uska species han Liliopsida nga ginhulagway ni Robert Allen Rolfe ngan Henry Hurd Rusby. An Epidendrum yungasense in nahilalakip ha genus nga Epidendrum, ngan familia nga Orchidaceae.

Mabibilngan ini ha Bolivia. Waray hini subspecies nga nakalista.

Mga kasarigan

Epidendrum

Epidendrum yungasense


Peabody Museum of Archaeology and Ethnology er et museum tilknyttet Harvard University beliggende i Cambridge, Massachusetts. Peabody Museet, grundlagt i 1866, er et af de ældste og største museer der fokuserer på antropologisk materiale. Museet har et særligt fokus på etnografi og arkæologi i Amerika. Museet forvalter over 1.2 millioner objekter, omkring 900 lineære dokumentmål, 2000 kort og masterplaner og omkring 500.000 fotografier. Museet ligger ved Divinity Avenue på Harvard University campus. Museet er en af de fire Harvard Museums of Science & Culture, der er åbne for offentligheden.

Historie
Museet blev grundlagt den 8. oktober 1866 efter en gave fra George Peabody en rig amerikansk finansmand og filantrop, hvis fødeby var South Danvers (nu Peabody). Peabody forpligtede 150.000 amerikanske dollars, i henhold til trustens betingelser, til at danne stillingen Peabody Professor-kurator, til at købe artifekter, og til at bygge en bygning, der skal huse dens samlinger. Peabody instruerede sine trustee'er om at organisere byggeiet af "en egnet brandsikker museumsbygning på land, der skal gives til dette formål, fri for omkostninger eller leje, af Harvard College's Præsident og lærerstab."  Museet åbnede i 1866 sin første udstilling, som bestod af et lille antal forhistoriske artefakter fra Merrimackdalen. Den længeventede museumsbygning var i 1877 færdig og klar til at blive taget i brug. Bygningen der huser Peabody blev udbygget i 1888 og igen i 1913.

Referencer

Eksterne henvisninger

 Peabody Museets hjemmeside

Museer i USA
Museer etableret i 1866

Peabody Museum of Harvard University


Alvimiantha, monotipski biljni rod iz porodice pasjakovki. Jedina vrsta je brazilski endem A. tricamerata, koju Christopher Grey-Wilson opisuje kao puzavicu sa zelenim orbikularnim plodovima.

Izvori

Pasjakovke

Alvimiantha


قد تشير القصة أو القصص إلى:

الاستخدامات الشائعة

 القصة هي سرد لأحداث واقعية أو خيالية، وللقصص أنواع عديدة ومنها :
 قصة قصيرة ، وهي عبارة عن خيال نثري يمكن قراءتها في جلسة واحدة.
 قصة إخبارية ، وهي الحدث أو الموضوع الذي تنقله مؤسسة إخبارية.

وسائل التواصل الاجتماعي

 قصص وسائل التواصل الاجتماعي، هي مجموعة من الرسائل أو الصور أو مقاطع الفيديو يُطلق عليها ثريد، غالبًا ما يتم حذفها أو إزالتها من قبل الموقع أو المستخدم .
 قصص الفيسبوك، عبارة عن الصور القصيرة التي ينشؤها المستخدم أو قد تكون مجموعة من الفيديو التي يمكن تحميلها على فيسبوك .
 قصص الإنستغرام، وهي خاصية في الإنستغرام تتيح للمستخدم نشر صور عمودية قد تختفي في غضون 24 ساعة
 قصص سناب شات، وهي خاصية في سناب شات تسمح للمستخدمين بتجميع اللقطات في تسلسل زمني، ويمكن لجميع المتابعين الوصول إليها، وتختفي بعد مرور 24 ساعة.

السينما والتلفزيون والراديو

 قصة (البرنامج تلفزيوني) ،مثل برنامج تلفزيوني بنيوزيلندي من 2015 إلى 2016
 القصة (فيلم وثائقي قصير) مثل فيلم قصير تم تصويره عام 2000 لجون ليتل.

ألبومات
هناك العديد من الألبومات المصورة على شكل قصص مثل :

 قصة (ألبوم أمورفيس) ، تجميع، 2000
 قصة (ألبوم إيريك كلابتون) ، تجميع، 1991
 القصة ، 1970 ألبوم Honeybus
 قصة ، 1997 ، ألبوم يوكو أونو، سجل عام 1974
 قصص (ألبوم Addison Road) ، 2010
 قصص (ألبوم Avicii) ، 2015
 قصص (EP) ، و EP لكريس Brokaw
 قصص (ألبوم جلوريا جاينور) ، 1980
 قصص (ألبوم مايومي إيزوكا) ، 2008
 قصص (ألبوم راندي ستونهيل) ، تجميع
 قصص ، ألبوم لجون مايال وبلوز بريكرز، 2002
 القصص ، ألبوم The Bunny the Bear ، 2013
 القصة (ألبوم براندي كارليل) ، 2007
 القصة (ألبوم Runrig) ، 2016
 القصة ، ألبوم بيزي بون، 2006
 قصص (ألبوم ميلفورد جريفز) ، 2000

أماكن

أستراليا
بعض الأماكن التي لها قصص خاصة :

 جسر القصة، بريسبان، كوينزلاند

الولايات المتحدة الأمريكية

 قصة، أركنساس
 قصة، إنديانا
 قصة، نبراسكا
 ستوري، وايومنغ
 قصة مقاطعة آيوا

اشخاص
قصص لبعض الأشخاص :

 قصة (اللقب)
 قصة Musgrave (مواليد 1935) ، طبيب ورائد فضاء أمريكي
 قصة Tweedie-Yates (مواليد 1983) ، لاعب تنس أمريكي محترف

استخدامات أخرى

 قصة (مجلة) ، مجلة أدبية أمريكية نُشرت في الأعوام 1931-1961 و1989-2000
 القصة: الجوهر والبنية والأسلوب ومبادئ كتابة السيناريو، دليل كتابة السيناريو لعام 1997 بقلم روبرت ماكي
 القصص ، بقلم جين جاردام ، 2014
 قصة المستخدم ، نشاط تخطيطي في تطوير البرمجيات
 Ray-Ban Stories ، النظارات الذكية التي تم إصدارها في سبتمبر 2021

مراجع

انظر أيضا

 التاريخ (توضيح)
 طوابق (توضيح)

صفحات توضيح أسماء أماكن

قصة


کاشنو  قرية صغيرة تتبع ناحية كوخرد  (بالفارسية: بخش كوخرد)  من
توابع مدينة بستك وتقع في محافظة هرمزگان في جنوب غرب إيران. نقع هذه القرية أسفل هضبة كاشنو.

السكان
يبلغ عدد سكان هذه القرية حسب تعداد السكان لعام 2006 للميلاد، (35) نسمة تشكل (5) عائلة، من أهل السنة والجماعة وعلى المذهب الشافعي. يتكلمون الفارسية باللهجة المحلية.

منهة السكان
يمتهن سكان هذه القرية بمهنة تربية المواشي والأغنام، والجمال. بالإضافة إلى تربية المواشي والجمال كذلك يستفيدون من أشجار الجبال المحيطة بهم لجلب الحطب وكذلك الأعشاب الطبية الموجودة على سفح الجبل وبيعها في القرى المجاورة لهم.

المصادر

 الكوخردى، محمد، بن يوسف، (كُوخِرد حَاضِرَة اِسلامِيةَ عَلي ضِفافِ نَهر مِهران kookherd، an Islamic District on the bank of Mehran River) الطبعة الثالثة، دبى: سنة 1997 للميلاد.
 محمدیان، كوخردى، محمد.  « شهرستان بستک وبخش کوخرد »  ج1. چاپ أول، دبی: سال انتشار 2005 میلادی. (فارسي)
 عباسی، قلی، مصطفی،  «بستک وجهانگیریه»، چاپ أول، تهران : ناشر: شرکت انتشارات جهان معاصر، سال 1372 خورشیدی.
 سلامى، بستكى، أحمد.  (بستک در گذرگاه تاریخ)  ج2 چاپ أول، 1372 خورشيدى.
 عباسی، قلی، مصطفی،  «بستک وجهانگیریه»، چاپ أول، تهران : ناشر: شرکت انتشارات جهان معاصر، سال 1372 خورشیدی.
 محمدیان، كوخردى، محمد،  (شهرستان بستک وبخش کوخرد) ، ج1. چاپ أول، دبی: سال انتشار 2005 میلادی.
 بالود، محمد.  (فرهنگ عامه در منطقه بستک)  ناشر همسايه، چاپ زيتون، انتشار سال 1384 خورشیدی.
 بنى عباسيان، بستكى، محمد اعظم،  « تاريخ جهانگيريه»  چاپ تهران، سال 1339 خورشيدى.
 بختيارى، سعيد، ،  « اتواطلس إيران » ، " مؤسسه جغرافيايى وكارتگرافى گيتا شناسى، بهار 1384 خورشيدى

انظر أيضاً
  كوخرد حاضرة إسلامية على ضفاف نهر مهران

وصلات خارجية
 التقسيمات الادارية لمحافظة هرمزگان
 التقسيمات الادارية لمحافظة هرمزگان (بلده كوخرد)

أماكن مأهولة في مقاطعة بستك
بلدة كوخرد
مدن إيران

كاشنو


කුමාර පොකුණ යනු ශ්‍රී ලංකාවේ පුරාණ පොළොන්නරුව නගරය තුල, ඇතුල් නුවර රාජ සභා මණ්ඩපයට ආසන්නව ප්‍රාකාරයෙන් පිටතට වන සේ ඉදිකොට ඇති පැරණි පොකුණකි. පැරණි වංශ කතා හී මෙම පොකුණ "ශිලා පොක්කරණී" යන නමින් හදුන්වා දී තිබේ.

විශාලත්වය
කුමාර පොකුණ දිගින් අඩි 44 ක් පමණ සහ පළලින් අඩි 38 පමණ වේ. පොකුණට බැසීම සදහා ශිලාමය පඩි පෙලක් නිර්මාණය කොට තිබෙන අතර  පොකුණ මධ්‍යයේ කුඩා වෘත්තාකාර ගල් වේදිකාවක් දැකගත හැකි වේ. දෙපස වූ කැටයම් සහිත ගල් පිලී දෙකක් මගින් පොකුණට ජලය සැපයෙන අතර පොකුණේ වූ අපිරිසිදු ජලය ඉවත් කිරීම වෙනුවෙන් නිර්මාණය කෙරූ හතරැස් විවරයක්ද ඇත.

පොකුණට ආසන්නයෙන් සළු මණ්ඩපය නමින් හඳුන්වන කුඩා ගොඩනැගිල්ලක නෂ්ඨාවශේෂ දැකගත හැකි වේ.

මේවාද බලන්න
 නෙලුම් පොකුණ

මූලාශ්‍ර

පොළොන්නරුව දිස්ත්‍රික්කයේ පුරාවිද්‍යා ආරක්‍ෂිත ස්මාරක

කුමාර පොකුණ


Šumadijsko-vojvođanski dijalekt je dijalekt štokavskoga narječja. Pripada novoštokavskim dijalektima. Govori se na sjeveru Republike Srbije, a naziv je dobio po prostiranju na područjima Šumadije i Vojvodine. Obuhvaća središnje dijelove Šumadije, do Mačve i Pocerine prema zapadu, dok prema sjeveru obuvaća cijeli Srijem, veći dio Bačke, kao i srednje i sjeverne dijelove Banata. U središtu područja ovoga dijalekta nalazi se Beograd, glavni grad Srbije. Također se govori među Srbima u Rumunjskoj, kao i među Srbima u Mađarskoj. Govori Hrvata iločkoga područja dio su šumadijsko-vojvođanskoga dijalekta.

Osobine dijalekta

 novoštokavski četvoronaglasni sustav s pomakom naglaska na inicijalni slog
 genitiv množine s nastavkom -a
 ujednačavanje nastavaka za dativ, instrumental i lokativ množine na -ima/-ama
 ekavski ostvaraj jata
 izostanak glasa h
 kontrakcija -ao u o: pevo, čito

Izvori

Dijalekti štokavskog narječja
Srpski jezik
Crnogorski jezik
Ilok

Šumadijsko-vojvođanski dijalekt


إن السحابة الجزيئية هي نوع من السدم فهي عبارة عن سحب من الغاز (غالبا الهيدروجين) والغبار الكوني تشكل حاضنات للنجوم وهي من الأماكن الأساسية التي تولد فيها النجوم.

تكون السحب الجزيئية

حركة المجرات

استطاع العلماء أن يحددوا شكل مجرتنا بالرصد باستخدام الموجات الراديوية، واستطاعوا معرفة أن شكل مجرتنا شكل منتنظم وهو متناظر ومن النوع الحلزوني ذي الأذرع، وطبعاً فإن مجرتنا تدور حول نفسها فلو أن ذلك لا يحدث فسوف تسقط كل الأجرام السماوية التي في المجرة نحو مركز المجرة، والكواكب أيضاً سوف تتساقط نحو الشمس إذا لم تكن تدور حولها، وهناك أمر هام آخر وهو أنه كما تستغرق دورة
بلوتو حول الشمس وقتا أكثر من دورة الأرض لأنه أبعد وهذا ينطبق على النجوم في المجرة أيضاً، وبالتالي فبعد بضعة دورات فقط فسوف يصبح شكل المجرة غير منتظم وسوف تتبعثر النجوم هنا وهناك ولن يعود هناك أذرع للمجرة، وقد شكل هذا معضلة محيرة للعلماء...

موجات الكثافة

بعد ذلك اقترح العالم السويدي بيرتل ليندبلاد أن تكون الأذرع الحلزونية هي نمط متحرك بين النجوم مثل موجات الماء. إن موجات الماء ليست إلاَّ نمطا لتحرك الماء وهنا يصبح الأمر متعلقاً بـموجات الكثافة، إن ما يسبب ترابط النجوم في مجرة هو قوة الجاذبية وفي الموجات المائية والضوئية المسؤول عن تناغم حركة الجزيئات هو القوى الجزيئية، وإذا أحد النجوم في المجرة إلى عامل اضطراب (قوة أخرى تجذبه غير المجرة تسبب اضطراباً في دورته) فإنه يدور في مدار شبه تام الدائرية حول مركز المجرة، أما إذا أثر فيه عامل اضطراب فسوف ينحرف عن مساره ويضطرب مداره، وأحياناً يزداد عدد النجوم المتقاربة في حيز ما يسبب تأثيراً كبيراً على الغاز و الغبار الكوني الموجودين في الحيز، وسوف تسبب زيادة عدد النجوم زيادة في قوة الجاذبية (الثقالة).

تكون السحابة

لن تؤثر هذه الجاذبية على النجوم والكتل الكبيرة لكن ما سيتأثر هو الجزيئات و الذرات، وهذه سوف تشكل موجات الكثافة التي سوف تتحرك بسرعة 30 كم في الثانية بينما الغاز الذي في الفضاء لا يستطيع تمرير شيء سرعته تتجاوز 10 كم في الثانية (مهما كان نوعه وضغطه)، وهكذا فسوف يعاني الغاز والغبار بين النجوم من انضغاط شديد بصورة فجائية مما سيؤدي إلى بداية عملية تكوين نجم جديد.

ومن الممكن أن تنضغط سحابة كبيرة في شكل عنقود نجمي وينضغط كل نجم منها تحت تأثير جاذبيته مما يسبب ارتفاعا هائلاً في درجة الحرارة والكثافة لهذه النجوم الأولية إلى درجة يشتعل فيها الاندماج النووي وتشع ضوءاً بنفسجيا يكفي لجعل الغازات المحيطة به تتوهج .

ولادة النجوم

اكتشف العلماء أنه توجد أجزاء ضمن السحب الجزيئية أكثر كثافة من أجزاء أخرى مما يكوِّن المكان الأكثر ملاءمة لتكون نجم جديد في حال وجود عاملٍٍ يجمع ويضغط هذه السحب مع بعضها (لأنها دون أن تنضغط من الممكن أن يكون قطر سحابة واحدة 600 سنة ضوئية)، وبعد أن درس العلماء التركيب الفيزيائي لهذه السحب تمكنوا من وصف طريقتين من الممكن أن تتكون بهما النجوم داخل السحابة الجزيئية.

الآلية الأولى
يسببها مرور السحابة بإحدى أذرع مجرة ما تتسبب في ضغط السحابة وبالتالي تصغير حجمها وزيادة كثافتها، وتتكرر هذه العملية كلما تعبر السحابة إحدى الأذرع، إلى أن تصل في النهاية إلى الدرجة التي تنهار فيها تحت تأثير الثقالة مكونةً النجوم، وهذا يفسر وجود النجوم الفتية في أذرع المجرات الحلزونية.

الآلية الثانية
أما الآلية الثانية فيسببها انفجار المستعر الأعظم، فعندما ينفجر نجم بجانب سحابة جزيئية يحرر الانفجار كمية هائلة من الطاقة تظهر على شكل موجة هائلة تصدم السحابة وتضغطها مسببة انهياراً ثقالياً وبالتالي ولادة نجم جديد، وبما أن معظم انفجارات النجوم (المستعر الأعظم) تكون في أذرع المجرات فهذا يفسر وجود النجوم الفتية في هذه الأماكن من المجرة.

الولادة الجماعية
تتراوح كتلة السحابة الجزيئية ما بين 1000 و 60,000 ضعف كتلة الشمس، لذا فإنها أثناء انهيارها الثقالي تتجزأ إلى مجموعات عديدة مما يؤدي إلى ولادة العديد من النجوم في آن واحد، والنجوم المولودة بهذه الطريقة الجماعية تشكل ثلث نجوم المجرة.

أنواع السحابات الجزيئية

السحب الجزيئية الصغيرة

كتلتها أقل من بضعة مئات الأضعاف من كتلة الشمس وتسمى كرة بوك.

اقرأ أيضا
 غبار كوني
 منطقة هيدروجين II
 منطقة هيدروجين I
 سديم الشرنقة
 سي بي 230
 التبخر الضوئي

مراجع

سحب جزيئية
سدم
غبار كوني

سحابة جزيئية


The Defence Evaluation and Research Agency (DERA) was a part of the UK Ministry of Defence (MoD) between 1995 and 2 July 2001. At the time it was the United Kingdom's largest science and technology organisation. It was regarded by its official history as 'a jewel in the crown' of both government and industry.

Formation and operation
DERA was formed in April 1995 as an amalgamation of:
Defence Research Agency (DRA) which was set up in April 1991 and comprised
Royal Aerospace Establishment (RAE)
Admiralty Research Establishment (ARE)
Royal Armament Research and Development Establishment (RARDE)
Royal Signals and Radar Establishment (RSRE)
Defence Test and Evaluation Organisation (DTEO)
Chemical and Biological Defence Establishment (CBDE at Porton Down), which became part of the Protection and Life Sciences Division (PLSD)
Centre for Defence Analysis (CDA).

The chief executive throughout DERA's existence was John Chisholm. DERA's staffing level was around 9,000 scientists, technologists and support staff.

Dissolution
DERA was split into two organisations, based on short-lived transition bodies known as PDERA ("privatised" DERA) - becoming a commercial firm, QinetiQ - and "RDERA" ( "retained" in Government DERA) - becoming the Defence Science and Technology Laboratory (Dstl).

At the split, QinetiQ was formed from the majority (about 3/4 of the staff and most of the facilities) of DERA, with Dstl assuming responsibility for those aspects which were best done in government. A few examples of the work undertaken by Dstl include nuclear, chemical, and biological research. In the time since the split both organisations have undergone significant change programmes. QinetiQ has increased its focus on overseas research with a number of US and other foreign acquisitions, whereas Dstl has a major rationalisation programme.

References

External links
 The former DERA website (Internet Archive link)
 QinetiQ website
 Dstl website

Government munitions production in the United Kingdom
Evaluation
Government agencies established in 1995
Government agencies disestablished in 2001
2001 disestablishments in the United Kingdom
Defence agencies of the United Kingdom
Defunct executive agencies of the United Kingdom government
1995 establishments in the United Kingdom

Defence Evaluation and Research Agency


Anserineae, tribus štirovki, dio potporodice Chenopodioideae. Jedini predstavnici tribusa su špinat (Spinacia) i Blitum  (sin. Anserina; po kojemu je tribus dobio ime).

Rodovi
 Spinacia L. (3 spp.)
 Blitum Hill (9 spp.)

Izvori

Lobodovke

Anserineae


وسام النسر للطيران هو وسام تمنحه الدولة اللبنانية.

 أنشئ بموجب نظام الأوسمة (المرسوم الاشتراعي 122 تاريخ 12/6/1959)
 يشتمل على أربع درجات: ممتازة درجة أولى، درجة ثانية، درجة ثالثة.

انظر أيضًا
 الوسام البحري
 وسام الأرز

المراجع

نسر

وسام النسر للطيران


Sporothrix brasiliensis é um fungo comumente encontrado no solo. É um patógeno fúngico emergente que está causando doenças em humanos e gatos, principalmente no Brasil e em outros países da América do Sul.

Semelhante a outras espécies do gênero Sporothrix, esse fungo causa a doença esporotricose. No entanto, foi observado que a doença mais grave resulta da infecção pelo Sporothrix brasiliensis em comparação com outras espécies. O fungo é um fungo termicamente dimórfico, pois é encontrado na fase de micélio à temperatura ambiente e como levedura nas temperaturas mais quentes dos corpos hospedeiros.

Morfologia
As duas morfologias apresentadas pelo Sporothrix brasiliensis são uma forma de hifa que ocorre no ambiente e uma forma de levedura que ocorre em temperaturas mais altas (36 - 37 °C), como dentro dos corpos dos mamíferos.

Fase hifálica
A forma hifálica do S.brasiliensis ocorre em temperatura ambiente. O nível de melaninização da forma hifálica pode variar de fenótipos claros (albinos) a escuros (pigmentados). Os conídios simpodiais são de forma obovóide com aparência vítrea (hialina), enquanto os conídios sésseis são de cor escura e globosos.

Fase de Levedura
A forma leveduriforme de S.brasiliensis ocorre em temperaturas mais elevadas. Micromorfologicamente, a levedura assume a forma de um charuto alongado.

Habitat e Ecologia
S.brasiliensis é comumente encontrado no solo e é saprofítico em sua fase de micélio. Acredita-se que o principal vetor do patógeno sejam os gatos, que espalham o fungo por meio de mordidas e arranhões, bem como lesões encontradas nos corpos dos gatos. Acredita-se que a origem do patógeno venha da ingestão de ratos por gatos, onde se espalhou zoonoticamente para humanos.

Epidemiologia
Sporothrix brasiliensis foi descrito pela primeira vez na região sudeste do Brasil e a esporotricose causada pelo fungo era endêmica da região antes de 1990. No entanto, a doença se espalhou rapidamente para outras partes do Brasil e países vizinhos da América do Sul, com casos relatados na Argentina, Paraguai, Bolívia, Colômbia e Panamá. Uma revisão em 2015 relatou que de 5.814 casos de esporotricose no Brasil, 88% dos casos foram causados por S.brasiliensis. O fungo foi isolado de amostras fecais intestinais e felinas, o que sugere que as fezes de gatos infectados podem contaminar o solo e contribuir para a disseminação da doença.

Esporotricose

A esporotricose é tradicionalmente associada à exposição subcutânea de propágulos de Sporothrix, geralmente por meio de ferimentos leves ao entrar em contato com plantas, solo ou matéria orgânica. No entanto, a transmissão zoonótica por gatos, principalmente por meio de arranhadura, mordedura ou contato com lesões cutâneas, tem sido a principal forma de transmissão do S.brasiliensis, constituindo a atual epidemia na América do Sul. Embora a infecção cutânea seja mais comum, também pode ocorrer esporotricose pulmonar por inalação de conídios e esporotricose disseminada, principalmente em indivíduos imunocomprometidos. Acredita-se que o S.brasiliensis seja mais virulento do que outras espécies causadoras de esporotricose como o S.schenckii e resulte em lesão maior e mais duradoura com maior grau de inflamação local e sistêmica como demonstrado em camundongos. Um relatório de maio de 2020 relatou um caso fatal de esporotricose pulmonar causada por S.brasiliensis em um paciente sem histórico de trauma cutâneo ou imunocomprometimento, apoiando ainda mais a noção de virulência fúngica aumentada em S.brasiliensis em relação a S.schenckii.

Tratamento
A esporotricose causada por S.brasiliensis é de difícil tratamento devido à resistência às principais terapias antifúngicas. As recomendações atuais de tratamento para felinos e humanos incluem principalmente o antifúngico itraconazol. Terapias alternativas incluem o uso de terbinafina e iodo de potássio para infecção cutânea e anfotericina B para formas pulmonares graves e disseminadas de infecção.

Problemas com tratamento
Embora o itraconazol tenha demonstrado eficácia moderada contra o S.brasiliensis, foram documentadas linhagens do fungo que apresentam resistência à droga. Além disso, o tratamento de felinos é particularmente difícil, pois os cuidados requerem intervalos prolongados de tempo diariamente e muitos gatos não respondem bem às terapias. Como tal, o abandono dos tratamentos é frequente e ocorre tipicamente com a observação de cicatrização das lesões cutâneas. Devido a isso, a recorrência da doença pode ocorrer tipicamente com maior gravidade, aumentando as chances de desenvolvimento de cepas de resistência antifúngica. A falha em completar os regimes de tratamento também contribui para a disseminação contínua da doença para outros gatos e humanos.

Ophiostomatales
Fungos descritos em 2007

Sporothrix brasiliensis


Le temple protestant de Cognac est un lieu de culte situé 9 rue du temple à Cognac, en Charente. La paroisse du Cognaçais, qui gère également les temples de Jarnac et Segonzac, est membre de l'Église protestante unie de France.

Historique

Sous l'Ancien régime
À la Renaissance, Cognac est la ville de naissance des premiers Maison de Valois, le roi de France  et sa sœur aînée Marguerite de Valois-Angoulême, qui favorise l'Humanisme et la Réforme protestante. Le Réformateur français Jean Calvin est accueilli dans la région en 1534. Il réside à Angoulême, et prêche dans les villes qui bordent la Charente. Certains lieux en gardent la mémoire, comme la La Chaire-à-Calvin, un abri sous roche orné de sculptures pariétales monumentales datant du Paléolithique. Des églises réformées sont dressées à Segonzac, Cognac, Saint-Même, Jarnac par des pasteurs itinérants formés à Genève, comme Philibert Hamelin. De 1558 à 1684, le premier temple de Jarnac est situé dans les bâtiments du prieuré de l'église Saint-Pierre de Jarnac, rue Basse. Le céramiste Bernard Palissy est accueilli à Saintes, Théodore Agrippa d'Aubigné naît en 1552 au château de Saint-Maury près de Pons.

Pendant les guerres de Religion, les armées royales et huguenotes s'affrontent pour la maîtrise de ce territoire. Le , à la bataille de Jarnac, est assassiné le chef de l'armée protestante, . En mémoire, une colonne monumentale est élevé en 1770 à Triac-Lautrait, et l'avenue centrale de Jarnac s'appelle depuis la rue de Condé. En  est assiégée Saint-Jean-d'Angély, place forte réformée. En 1570, la paix de Saint-Germain-en-Laye classe Cognac comme place de sureté protestante, comme La Rochelle. En 1571 est adoptée la Confession de La Rochelle, première confession de foi des Églises réformées.

Le massacre de la Saint-Barthélemy, le , rallume la guerre civile. Plus de  protestants sont assassinés, à commencer par l'amiral , chef des protestants. Henri de Navarre, futur , prend la tête du parti huguenot. En 1586, Catherine de Médicis rencontre les chefs du parti protestant au château de Saint-Brice, à  à l'est de Cognac, pour tenter de trouver une issue pacifique. La paix n'est établie qu'avec le sacre d' et la signature de l'édit de Nantes en 1598.

Le   est assassiné par François Ravaillac, un catholique fanatique d'Angoulême. Les rois suivants établissent la monarchie absolue et restreignent les libertés accordées par l'édit de Nantes. Le  commence le siège de La Rochelle, ordonné par  et commandé par le cardinal de Richelieu. La région est pillée et la place forte protestante capitule le . Sous , les persécutions s'intensifient, avec la généralisation des dragonnades. Le , le roi signe l'édit de Fontainebleau, qui révoque l'édit de Nantes. La région, caractérisée par le négoce océanique du sel et du vin, et les relations commerciales avec l'étranger est marquée par l'exil de son élite protestante, dans les pays du Refuge, en Hollande, Royaume-Uni, États-Unis et Afrique du Sud.

Des assemblées clandestines, au , ont lieu aux environs de Pons et de Segonzac. Des pasteurs itinérants, formés au séminaire français de Lausanne, en Suisse, soutiennent les fidèles. Des  sont installées par les pasteurs Louis Gibert puis Jean Jarousseau, comme à Jarnac, dès 1761, dans l'ancienne grange de Jean Ranson de Bois-Blanchard. À la Révolution française, on compte encore  protestants.

Depuis la Révolution
La liberté de culte est rétablie par la Déclaration des droits de l'homme et du citoyen de 1789. Des protestants charentais s'investissent dans la Révolution française, comme le député Gustave Dechézeaux. Les protestants participent au développement économique de la région. Ils s'investissent en particulier dans le négoce du cognac : ils ont longtemps eu l'interdiction de posséder des terres et vivent en ville, sont en moyenne plus lettrés que la population locale, et ont établi des réseaux familiaux avec la diaspora huguenote. Le protestant James Delamain, né en 1738 à Dublin et rentré en France en 1759, fonde en 1763 à Jarnac une maison de négoce qui subsiste jusqu'à aujourd'hui sous le nom de Delamain et de Hine. Les chais de Delamain sont situés à l'emplacement du premier temple de Jarnac.

Avant la construction du temple de Cognac, les protestants célèbrent leur culte dans un local de la rue de la Richonne. Le temple actuel est construit de 1838 à 1840. Son architecte est Paul Abadie, architecte du département. L'orgue est installé en 1914 par la maison Maille, de Bordeaux. Le temple de Segonzac est construit de 1864 à 1869 sur les plans de l'architecte Demenieux, avec une façade imitant celui de Cognac. C'est le plus grand de Charente. À Jarnac, la maison d'oraison construite de 1761 est rehaussée et percée de fenêtres en demi-cercle en 1820 par François-Nicolas Pineau, sous le contrôle de Paul Abadie. Sa façade néo-classique, ordonnancée comme les deux précédents, ne comporte pas de bas-relief.  C'est une des premières constructions protestantes du XIXe siècle en Poitou-Charentes. en 1888, l'architecte Albert Cochot remplace la charpente et réaménage l'intérieur, plafond, sacristie, tribune, vitraux aux motifs de feuilles d'acanthe.

Du 24 au , le pasteur Matthieu-A Ducros (père du pasteur Pierre Ducros) accueille au temple de Jarnac une assemblée de 130 pasteurs et laïcs qui souhaitent la réunification des Églises réformées en France, déchirées entre les courants du calvinisme orthodoxe, du Réveil protestant francophone, et du protestantisme libéral. Se forme alors l'« Union de Jarnac », qui prépare l'établissement de l'Église réformée de France en 1938.

En , est installé le pasteur Cyrille Payot, ancien pasteur de l'Église protestante francophone de Washington. Il réside à Saintes, en Charente-Maritime, et sa femme est pasteure de l'église du temple protestant de Saintes.

Pasteurs

 Rodolphe Kowal (2011-2017)
 Cyrille Payot (depuis 2021)

Architecture
Le temple est un édifice de plan rectangulaire, élevé en pierre de taille. La façade est encadrée par deux colonnes à pilastre. Au-dessus de la porte est gravée .

Sur le fronton est sculpté une Bible ouverte, symbole habituel des temples réformés qui encouragent à sa lecture en français à une époque où l'Église catholique en interdit l'accès à ses fidèles. Elle repose sur un bas-relief représentant des rayons de lumière. Sur ses pages sont gravées une citation de l'Évangile selon Matthieu 24, 35 .

L'intérieur est sobre, sans décoration. Deux rangs de bancs sont alignés face à un ensemble de boiseries comprenant une chaire à prêcher et une table de communion. Sur la table est peint , extrait d'un verset de l'Évangile selon Luc 22, 19.

Notes et références

Annexes

Articles connexes
 Temple protestant de La Rochelle
 Protestantisme en France

Liens externes

Cognac
Cognac (Charente)

Temple protestant de Cognac


ඩෙන්සල් හේයිස් වොශින්ග්ටන්

උපත දෙසැම්බර් 28, 1954  (වයස 55)

වර්නන් කඳුකරය, නිව්යොර්ක්, ඇමෙරිකා එක්සත් ජනපදය

රැකියාව	නළුවෙකි, අධ්යක්ෂකවරයෙකි, තිරරචකයෙකි ,නිෂ්පාදකවරයෙකි

නියුතු අවධිය	1977– වර්තමානය දක්වා

භාර්යාව	පෝලෙට්ටා පියර්සන් (1983– වර්තමානය දක්වා)

ඩෙන්සල් වොශින්ග්ටන් (උපත දෙසැම්බර් 28, 1954 )ඇමෙරිකානු ජාතික නළුවෙකි අධ්යක්ෂකවරයෙකි, තිරරචකයෙකි ,නිෂ්පාදකවරයෙකි ඔහු වඩාත්ම ප්රසිද්ධි යට පත්වුයේ 1990 සිටය as Steve Biko, Malcolm X, Rubin Carter, Melvin B. Tolson, Frank Lucas, හා Herman Boone යන චරිත වල රඟ පෑමෙන් පසු ඔහු ඉතා ජනප්රියට හා ඇගයීමට ලක්විය.3 වරක් ගෝල්ඩ්න් ග්ලෝබ් සම්මානයෙන් හා 2 වරක් ඇකඩමි සම්මානයෙන් පුද ලද වොශින්ග්ටන් හොඳම නළුවා සඳහා වු ඇකඩමි සම්මානයෙන් පුදලද අප්රිකානු සම්බවයක් ඇති 2 වෙනි පුද්ගලයා වන්නේය. ඒ Training Day  චිත්රපටියේ රඟපෑම් වලටය.

ඩෙන්සල් වොශින්ග්ටන් උපන්නේ නිව්යොර්ක්  හී වර්නන් කඳුකරය ආසන්නයේය, ඒ 1954 දීය. ඔහුගේ මව Lennis වු අතර ඇය රූපලාවන්ය මඩ්යස්තානයක හිමිකාරියක් වූවාය.ඔහුගේ පියා Denzel Washington පූජක වරයකු විය. වොශින්ග්ටන් කුඩාකල Pennington-Grimes Elementary School ට ඇතුලත් විය, ඒ 1968 දීය.පසුව ඔහුව Oakland Military Academy සහ Mainland High School පාසැල් වලට ඇතුලත් කෙරිනි.1977 දී ඔහු නාට්ය සහ ජනමාධ්ය සඳහා උපාධියක් ලබාගත්තේය.ඔහු කලක් ක්වුන්සල් වරයකු ලෙස සේවය කලේය, එහෙදි කල රඟපෑමක් හේතුවෙන් මිතුරන් ඔහුව රoඟනයට යොමු කලේය.ඉන්පසුව Fordham වෙත පැමින Lincoln Center campus ඇතුලත් වී ඔතෙලෝ නාටයේ රඟපෑමෙන් ඔහුට  ශිෂ්යත්වයක් ප්රදානය කල අතර ඉන් ඔහු American Conservatory Theatre School ට අතුලත් වී වැඩිදුර හැදෑරු වේය.

1954 උපත්

ඩෙන්සල් වොශින්ග්ටන්


Le Père Paul est un tableau de Claude Monet réalisé en 1882. Il représente le propriétaire de l'hôtel-restaurant qui l'héberge lors de son séjour à Pourville en février-mars de cette même année.

Le contexte
Monet se rend à Dieppe, puis à Pourville mi-février 1882 pour faire une série de paysages de la région. Il a besoin d'argent pour assurer les ressources du ménage qui s'est constitué de fait avec Alice Hoschedé dans un contexte économique difficile. Le crack de l'Union générale vient de se produire et Paul Durand-Ruel, son marchand, est en difficulté car il ne dispose plus auprès de cette banque des facilités de trésorerie qu'elle lui accordait. Le peintre a dû quitter Vétheuil fin 1881 pour s'installer à Poissy. Alice Hoschedé l'a accompagné mais il ne s'y plaît pas. Il décide de partir pour la Normandie. Son arrivée à Dieppe ne le départit pas de son humeur maussade. Le temps est mauvais et il trouve la pension chère. Il quitte rapidement son premier logement pour s'installer à Pourville au  Casino-hôtel  dont le restaurant À la Renommée des Galettes est tenu par un couple de réfugiés alsaciens, les Graff, dont le mari, Paul, officie aux fourneaux. Le prix modeste de la pension, l'ambiance familiale chaleureuse et les opportunités de toiles à proximité redonnent du cœur à l'ouvrage au peintre malgré le temps qui reste souvent perturbé. Il commence pourtant une quarantaine d'œuvres pendant son séjour, représentant notamment les falaises des environs. Elles ont aussi pour sujet la vie à la pension des Graff. Ainsi la mère et le père Paul, ainsi que leur chien et les fameuses galettes eurent les honneurs du peintre.

Histoire de l'œuvre
Elle appartient d'abord à Paul Graff puis, après un passage par plusieurs marchands, elle a été acquise en 1903 par la Moderne Galerie à Vienne, la même année que son ouverture.  La collection de la Moderne Galerie a par la suite intégré la Österreichische Galerie Belvedere.

Le tableau a fait partie de l'exposition "Développement de l'impressionnisme dans la peinture et la sculpture" qui s'est tenue au Palais de la Sécession en 1903.

Notes et références

Liens externes

Tableau de Claude Monet
Tableau réalisé en 1882
Portrait d'homme
Œuvre conservée à l'Österreichische Galerie Belvedere

Le Père Paul


Àngels Gonyalons (n. Barcelona, 1963) es una actriz de teatro y musicales principalmente, aunque también ha trabajado en cine, televisión y doblaje.

Trayectoria
Inició su carrera teatral en 1980, en las compañías de teatro infantil de Carles Lloret y Joan Guasch, con obras como Les arrecades de la reina o El Príncep i l'Aviador.

En 1984 se unió a la compañía de Paco Morán donde trabajó durante dos años y con la que por Media Naranja-Medio Limón obtuvo el Premio Joanot de Teatro en 1985. En este mismo año trabajó en la Compañía Montserrat Salvador, en Fedra de Racine que se presentaba en el Teatro de El Escorial en Madrid. En 1986 formó parte de la orquesta Santsfaina como cantante y, el mismo año, estrena en el Teatro Regina de Barcelona Torna-la a tocar, Sam.

En 1987 interpretó a Audrey en la versión catalana de La tienda de los horrores, a Blanca en la adaptación musical de Mar i cel en 1988, papel por el que se le otorgó el Premi de l'Associació d'Actors i Directors de Catalunya a la Mejor actriz del año, y Estan tocant la nostra cançó en 1990 representada en Barcelona y Madrid, musical por el que ganó el Premi Memorial Margarida Xirgu. Posteriormente realizó los espectáculos Memory, un recopilatorio de musicales (1991), Tots Dos, un recopilatorio de canciones de Stephen Sondheim junto a Carles Sabater (1993), Germans De Sang (1994), Blues En La Nit (1995) y Àngels.

Se trasladó a Madrid, donde representó Chicago interpretando a Velma Kelly (1999), Palabras encadenadas de Jordi Galceran (2000) con Carlos Sobera y dirigidos por Tamzin Townsend, y vuelve al musical con la adaptación de la película Cuando Harry encontró a Sally con Josema Yuste (2002).

En 2003, después de más de 3 años sin actuar en Barcelona, vuelve con Acosta't de Patrick Marber junto con Ramon Madaula y Àlex Casanovas. En 2005 estrena el nuevo musical de Jordi Galceran y Albert Guinovart, Paradís y en 2014 interviene en el montaje del musical Sister Act.

En 1994 creó junto con Ricard Reguant la Escuela de Teatro Musical Memory, la primera escuela de teatro musical en España, en Barcelona y posteriormente en Madrid.

En televisión ha actuado en diversas series como Crònica Negre, Quart Segona, I ara què, Xènia?, Sota el signe de... Peixos y El cor de la ciutat en TV3, Condenadas a entenderse y Un chupete para ella en Antena 3 y El comisario en Tele 5, así como escasas incursiones en el mundo del cine, siendo Orgasmo caliente (1981), Bom Bom -Premio Sant Jordi de Cinematografía- (1990), Un plaer indescriptible (1992) y Xtrems (2009) las únicas películas en las que ha actuado.

Teatro

Enlaces externos

 Página de Àngels Gonyalons
 Escola Memory (Àngels Gonyalons)
 Àngels Gonyalons (doblaje)

Actores de teatro musical de España
Actrices de teatro de España
Actrices de cine de España
Actrices de televisión de España
Actores de voz de España
Actores de voz de Cataluña
Nacidos en Barcelona

Àngels Gonyalons


Lauren Drummond es una actriz británica, más conocida por haber interpretado a Chantelle Lane en la serie Holby City.

Biografía
Drummond asistió al Bramhall High School antes de entrar en el Performing Arts Course en la escuela Mid Cheshire.

Carrera
En 2001 apareció por primera vez en la serie médica Doctors, donde interpretó a Kirsty Matthews durante el episodio "A Twist of Fate"; más tarde apareció de nuevo en la serie interpretando a Amy Faulkner en el episodio "Daddy Cool", poco después apareció de nuevo interpretando a Charlotte Peel en el episodio "Out with the Bathwater" y por último apareció en 2010, cuando interpretó a Sophie Stanyard en el episodio "Digging for Gold". En 2006 se unió de forma recurrente al elenco de la serie Waterloo Road, donde interpretó a Mika Grainger hasta el final de la tercera temporada en 2007.

Entre 2009 y 2011 apareció como invitada en varios episodios de la serie médica The Royal, donde interpretó a la enfermera principal Faye Clark.

El 7 de junio de 2011, se unió al elenco principal de la serie británica Holby City, donde interpretó a la enfermera Chantelle Lane hasta el 12 de noviembre de 2013. Anteriormente había interpretado a la joven paciente diabética Hannah Sharpe durante el episodio "Any Port in a Storm" en 2008.

Filmografía
Series de televisión

Películas

Teatro

Referencias

Enlaces externos

 Digital Spy > Celebrity News > Lauren Drummond
 Lauren Drummond on TV.com

Actrices de televisión de Inglaterra

Lauren Drummond


An Carex chathamica in uska species han Liliopsida nga ginhulagway ni Donald Petrie. An Carex chathamica in nahilalakip ha genus nga Carex, ngan familia nga Cyperaceae.

Mabibilngan ini ha Chatham Is.. Waray hini subspecies nga nakalista.

Mga kasarigan

Carex

Carex chathamica


Browsholme Hall /ˈ b r uː z əm / est une maison Tudor privée dans la paroisse de Bowland Forest Low dans l'arrondissement de Ribble Valley, Lancashire (bien qu'historiquement dans le West Riding of Yorkshire), en Angleterre. On prétend qu'il s'agit de la plus ancienne maison familiale encore existante dans le Lancashire . Depuis 1954, elle est classée Grade I par English Heritage.

Histoire
Au , Edmund Parker est le gardien du parc de Radholme Laund, à l'ouest de Browsholme, l'un des deux grands parcs à cerfs de la forêt de Bowland . En 1393, ses fils Richard et John sont parkers adjoints de Radholme, mais à partir de 1380, ils ont un bail du vaccary (ferme médiévale de bétail) de Browsholme. Richard construit probablement la maison d'origine sur le site actuel à cette époque .

Lorsqu'en 1507, le roi Henri VII déboise Bowland , Edmund Parker obtient un droit sur Nether Browsholme et commence la maison actuelle. Thomas Parker, achète la pleine propriété de Browsholme à la Couronne en 1603 et améliore la maison, qui a été agrandie par son père . On pense que son petit-fils, également appelé Thomas, ajoute un jardin à la française en 1674 .

À la mort de son père, John Parker en 1797, Thomas Lister Parker hérite du domaine Browsholme. En 1804 et 1805, il apporte des modifications à la maison, reconstruisant l'aile ouest, puis il fait des ajouts sous la direction de Sir Jeffry Wyatville. Il a le goût du jardinage paysager et, entre 1797 et 1810, dépense de grosses sommes pour aménager le terrain. Dans la maison, il expose une collection d'antiquités et de tableaux, en partie constituée par lui-même. Il fait acheter une importante série de dessins et d'estampes lors d'une tournée sur le continent en 1800 et 1801, à Moscou, Venise et Paris ; une grande collection de dessins de châteaux et manoirs par John Chessell Buckler, et des portefeuilles de ses propres dessins. Il possède également des tableaux de l'école flamande et des œuvres de James Northcote et Thomas Gainsborough. Thomas Lister Parker fait finalement faillite et est contraint de transmettre le domaine à un cousin.

 (1857–1938) est un soldat et historien impliqué dans de nombreuses sociétés de comté. Son fils, Robert Goulbourne Parker (1900-1975), répare Browsholme en 1958 avec l'aide du Conseil des bâtiments historiques et, à partir de 1957, ouvre la maison au public, donnant des visites guidées personnellement .

En 2010, les propriétaires actuels, Robert et Amanda Parker, restaurent la grange aux dîmes du  pour en faire un espace événementiel . En avril 2015, Amanda Parker devient High Sheriff of Lancashire .

En octobre 2021, le bâtiment est l'un des 142 sites à travers l'Angleterre à recevoir une partie d'une injection de 35 millions de livres sterling dans le Culture Recovery Fund du gouvernement .

Références

Liens externes

Monument classé de Grade I dans le Lancashire

Browsholme Hall


Mistel (German for "mistletoe", a parasitic plant) was the larger, unmanned component of a composite aircraft configuration developed in Germany during the later stages of World War II. The composite comprised a small piloted control aircraft mounted above a large explosives-carrying drone, the , and as a whole was referred to as the Huckepack ("Piggyback"), also known as the Beethoven-Gerät ("Beethoven Device") or Vati und Sohn ("Daddy and Son").

The most successful of these used a modified Junkers Ju 88 bomber as the Mistel, with the entire nose-located crew compartment replaced by a specially designed nose filled with a large load of explosives, formed into a shaped charge. The upper component was a fighter aircraft, joined to the  by struts. The combination would be flown to its target by a pilot in the fighter; then the unmanned bomber was released to hit its target and explode, leaving the fighter free to return to base. The first such composite aircraft flew in July 1943 and was promising enough to begin a programme by Luftwaffe test unit KG 200, code-named "Beethoven", eventually entering operational service.

Other Mistel composites included the Ta 154/Fw 190, Ar 234/Fi 103, Do 217K/DFS 228 and Si 204/Lippisch DM-1. Projects included the Ju 287/Me 262 and Ar 234C/Arado E.377.

Design and development
Initial experiments in Nazi Germany concerning composite aircraft of any type were performed with the DFS 230 troop glider as the "lower" component and using established, piston engine-powered Luftwaffe aircraft, such as the Focke-Wulf Fw 56 or the Messerschmitt Bf 109E, as the upper component in an attempt to provide the troop glider with a longer range than if it were simply towed in the conventional manner.

Later, the technique became more refined, and the bomber component (which was often a new aircraft rather than surplus) was fitted with a specialised 1,800 kg (3,960 lb.) warhead. The final stage of Mistel development was of specialised purpose-built jet-powered bomber components, including ones developed from the Messerschmitt Me 262, the Junkers Ju 287 and the entirely new Arado Ar 234. None of these ambitious schemes, with the exception of the Me 262 , had left the drawing board before the end of the war.

Warhead and operational history

The definitive  warhead was a shaped charge weighing nearly two tonnes (the weight of a blockbuster bomb) fitted with a copper or aluminium liner. The use of a shaped charge was expected to allow penetration of up to seven meters of reinforced concrete.

Some 250  of various combinations were built during the war, but they met with limited success. They were first flown in combat against the Allied invasion fleet during the Battle of Normandy, targeting the British-held harbour at Courseulles-sur-Mer. An RCAF Mosquito piloted by Walter Dinsdale was first to shoot down a  over Normandy, causing it to crash behind enemy lines and cause a large explosion. The night-fighter ace described the Bf 109 and Ju 88 composite as "lumbering" and a "cinch to shoot down".

While Mistel pilots claimed hits, none of these match Allied records; they may have been made against the hulk of the old French battleship Courbet, which had been included as a component of the Mulberry harbour at Arromanches and specially dressed up as a decoy by the Allies. Serious blast and shrapnel damage from a near-miss was suffered by HMS Nith, a River-class frigate being used as a floating headquarters, on 24 June. Nine men were killed and 26 wounded, and Nith was towed back to England for repairs.

A second opportunity to use the , in Scapa Flow in 1944, was abandoned after the sinking of the German battleship Tirpitz led to the departure of all of the Royal Navy's major surface units from the target.

As part of Operation Iron Hammer in late 1943 and early 1944,  were selected to carry out key raids against Soviet weapons-manufacturing facilities—specifically, electricity-generating power stations around Moscow and Gorky. These plants were known to be poorly defended by the Soviets and irreplaceable. However, before the plan could be implemented, the Red Army had entered Germany, and it was decided to use the  against their bridgehead at Küstrin instead. On 12 April 1945,  attacked the bridges being built there, but the damage caused was negligible and delayed the Soviet forces for only a day or two. Subsequent Mistel attacks on other bridges being thrown across the Oder were similarly ineffective.

Survivors

A Focke-Wulf Fw 190 (Werk Nr. 733682), preserved at the Royal Air Force Museum Cosford, was the fighter part of a Mistel system. It was one of four  that were captured by British forces at Tirstrup in Denmark in 1945. In service, it had been flown by a unit that trained Mistel crews. After capture, the aircraft were flown as a combined pair in Allied hands as they were ferried to Schleswig Air Base, along with two other captured Mistels, The Fw 190 was later flown to Britain while its Ju 88 partner is thought to have been scrapped.

The Fw 190 retains its Kugelverschraubung mit Sprengbolzen ("ball joints with explosive bolts"), fittings that attached it to the other aircraft.

The aircraft became the property of the RAF Museum in 1998 when its title was transferred from the United Kingdom Ministry of Defence. It was put on display at the RAF Museum Cosford in 2013 after previously being on long-term loan to the Imperial War Museum

Variants
Variants of the Mistel included:
Mistel Prototype: Ju 88 A-4 and Bf 109 F-4
Mistel 1: Ju 88 A-4 and Bf 109 F-4
Mistel S1: Trainer version of Mistel 1
Mistel 2: Ju 88 G-1 and Fw 190 A-8 or F-8
Mistel S2: Trainer version of Mistel 2
Mistel 3A: Ju 88 A-4 and Fw 190 A-8
Mistel S3A: Trainer version of Mistel 3A
Mistel 3B: Ju 88 H-4 and Fw 190 A-8
Mistel 3C: Ju 88 G-10 and Fw 190 F-8
Mistel Führungsmaschine: Ju 88 A-4/H-4 and Fw 190 A-8
Mistel 4: Ju 287 and Me 262
Mistel 5: Arado E.377A and He 162

Mistel combinations

Operational
Ju 88 A-4/Bf 109 F-4
Ju 88 A-4/Fw 190 A-8

Projected
Ju 88 G-1/Fw 190 A-6
Ju 88 A-6/Fw 190 A-6
Ju 88G-1/Fw 190F-8
Ju 88H-4/Fw 190A-8
Ju 88H-4/Fw 190F-8

Design proposals
Ju 88 G-7/Ta 152H
Ta 154/Fw 190
Ar 234/Fi 103
Do 217K/DFS 228
Si 204/Lippisch DM-1
Ju 287/Me 262

Operators
Germany
 Luftwaffe

See also
 Operation Aphrodite

References

Further reading
 Green, William and Gordon Swanborough. "Prelude to 'Stand-Off'". Air Enthusiast, Thirty-four, September–December 1989. Bromley, UK: Fine Scroll. ISSN 0143-5450. pp. 43–47, 80.

External links

 Short description with Mistel photography
 Photograph of Mistel aircraft from Spiegel Online
 Mistel Composite Aircraft at Luftwaffe Resource Center

Composite aircraft
Military equipment introduced from 1940 to 1944

Mistel


Sarayören, Eskişehir ilinin Seyitgazi ilçesine bağlı bir mahalledir.

Tarihçe

Mahallenin diğer adı Alpanos'tur. Bu isim bu mahallesi bulan kişinin isminden geldiği düşünülmektedir.Mahallede oldukça fazla tarihi eser bulunmaktadır. Tarihi "Alpanos Hamamı", höyük ve birçok değerli taş bulunmaktadır.

Coğrafya
Eskişehir iline 28 km, Seyitgazi ilçesine 17 km uzaklıktadır.

Nüfus

Dış bağlantılar
 Yerelnet

Seyitgazi'nin mahalleleri

Sarayören, Seyitgazi


J. R. R. Tolkien'in kurgusal Orta Dünya evreninde bir insan soyu.

Numenor İnsanları'na, özellikle onların soyundan gelen Arnor ve Gondor halklarına verilen isimdir. Numenor soyundan gelen insanlara uzun ömür verilmiştir. Elendil ve oğulları tarafından İkinci Çağ'ın sonunda Orta Dünya'da iki büyük ve kadim Dunedain Krallığı kurulmuştu: Kuzey Krallığı Arnor ve Güney Krallığı Gondor. Önceleri iki krallık daha büyük bir Dúnedain halkı için oluşturulmuş ve Annûminas'taki bir Yüksek Kral tarafından yönetilmesi düşünülmüştü. Bu dönemde Yüksek Kral Arnor'da yaşamakta olan Elendil'in kendisiydi. Ancak Elendil'in oğlu Isildur'un ölümünün ardından Arnor ve Gondor birbirinden ayrılıp tarih içinden birbirinden farklı yollar izlediler.

Dúnedain'in Kuzey Krallığı Arnor, Isildur'un doğrudan vârisleri tarafından yönetildi. İlk Kral da Isildur'un en küçük oğlu Valandil'di. Ancak toprakları her zaman kargaşa içinde oldu. İç karışıklıklar ve Angmar ile yapılan savaş sonunda Arnor önce dağıldı, ardından tamamen yok edildi. Böylece Kuzey Dúnedain yavaş yavaş küçülen, önemini kaybeden ve oradan oraya dolaşan bir insan topluluğu haline geldi.

Yine de Isildur'un kanı bu insanların Reis'lerinde devam etti. Aragorn II Elessar, Isildur'un 39. vârisiydi ve 3000 yıllık ayrılıktan sonra Dunedain Krallıkları'nı birleştiren de o oldu. Sonradan evlendi. Dunedianları uzun süre korudu.

Orta Dünya insanları

Dúnedain


Juan Camer Padula (nacido el 22 de marzo de 1922 en Campana, Buenos Aires, Argentina) es un ex-futbolista argentino. Jugaba de delantero y su primer club fue Tigre.

Carrera

Comenzó su carrera en 1940 jugando para Tigre. Jugó para el club hasta 1943. En 1944 se trasladó a Newell's Old Boys. Juega para el equipo rojinegro hasta 1946. Ese año pasó a Racing Club, manteniéndose firme hasta 1947. En ese año se fue a Rosario Central. Juega para el equipo auriazul hasta 1948. Ese año se fue a España para formar parte de las filas de RCD Espanyol. Formó parte del equipo catalán hasta 1950. Ese año se traslada a CD Málaga, en donde juega hasta el año 1951, cuando se retira finalmente del fútbol profesional.

Clubes

Enlaces externos

 Juan Camer en BDFA

Futbolistas de Campana
Futbolistas del Club Atlético Tigre
Futbolistas del Club Atlético Newell's Old Boys
Futbolistas del Racing Club en los años 1940

Futbolistas del Club Atlético Rosario Central en los años 1940
Futbolistas del Real Club Deportivo Espanyol en los años 1940
Futbolistas del Real Club Deportivo Espanyol en los años 1950
Futbolistas del Club Deportivo Málaga
Futbolistas de las inferiores del Club Atlético Tigre

Juan Camer


L'étoile de Margon est une étoile chimiquement particulière de la constellation de la Balance. Elle a été premièrement identifiée par B. Margon  dans un article paru en 1984. Elle est une étoile carbonée très froide de type spectral C-CH.

Références

Constellation de la Balance
Objet du catalogue Gaia
Étoile chimiquement particulière
Étoile de type spectral C
Objet du catalogue 2MASS

Étoile de Margon


Piélagos, İspanya'nın on yedi özerk bölgesinden, ülkenin kuzey sahilinde Kantabria Denizi olarak da anılan Atlas Okyanusu'nun Fransa ile İspanya arasındaki bölümüne kıyısı bulunan, Kantabria otonom bölgesine bağlı belediye. Piélagos belediyesinin nüfusu 2015 yılı sayımına göre 23.080 kişidir.

Kaynakça

Piélagos


Postdigitalizam, u umjetničkoj praksi, jest stav koji se više fokusira na to da se bude čovjekom, nego da se bude digitalan, sličan konceptu "nedigitalnog" koji je uveden 1995. godine,  gdje tehnologija i društvo napreduju izvan digitalnih ograničenja kako bi postigli potpuno fluidnu multimedijalnu stvarnost koja ne sadrži artefakte digitalnog računanja (šum kvantizacije, pikselizacija, itd.)  .

Potdigitalizam se bavi našim odnosima s digitalnom tehnologijom i umjetničkim oblicima koji su se rapidno promijenili i još uvijek se mijenjaju. Ako netko propituje tekstualnu paradigmu konsenzusa, suočava se sa sljedećim izborom: "postdigitalno" društvo ili ima intrinzično značenje ili je ono kontekstualizirano u paradigmu konsenzusa koja uključuje umjetnost kao cjelinu.

Teorija
Giorgio Agamben (2002) opisuje paradigme kao stvari s kojima razmišljamo, a ne stvari o kojima razmišljamo. Poput računalnog doba, postdigitalno je također paradigma, ali kao i kod posthumanizma, postdigitalizam ne pokušava opisati život nakon digitalnog, već pokušava opisati priliku današnjeg vremena da se istraže posljedice digitalnog i računalnog doba. Dok je računalno doba povećalo ljudske mogućnosti privlačnim i neobičnim pomagalima, postdigitalno doba može pružiti paradigmu pomoću koje bi bilo moguće ispitati i razumjeti ovakvo poboljšanje.

Kroz Budućnost umjetnosti u postdigitalnom dobu, Mel Alexenberg definira "postdigitalnu umjetnost" kao umjetnička djela koja se bave humanizacijom digitalnih tehnologija kroz međudjelovanje između digitalnih, bioloških, kulturnih i duhovnih sustava, između kibernetičkog i stvarnog prostora, između utjelovljenih medija i mješovitih stvarnosti u društvenoj i fizičkoj komunikaciji, između high-tech i high-touch doživljaja, između vizualnih, haptičkih, slušnih i kinestetičkih medijskih iskustava, između virtualne i proširene stvarnosti, između korijena i globalizacije, između autoetnografije i naracije zajednice, između vršnjački produciranog wikiart-a i umjetničkih djela nastalih uz pomoć alternativnih medija kroz sudjelovanje, interakciju i suradnju u kojoj je redefinirana uloga umjetnika, te između taktilne umjetnosti i NFT-a. Mel Alexenberg predlaže da se postdigitalno doba definira u Wiredu od strane direktora medijskog centra MIT-a Nicholasa Negropontea: "Poput zraka i pitke vode, biti digitalan će se primijetiti samo u njegovoj odsutnosti, a ne u njegovoj prisutnosti. Suočite se s time – Digitalna Revolucija je završila."

Glazba
Kim Cascone koristi izraz u svojem članku The Aesthetics of Failure: "Post-digital" Tendencies in Contemporary Computer Music.  Članak počinje citatom cyberpundita MIT Media Laba Nicholasa Negropontea : " Digitalna revolucija je završila." Cascone nastavlja objašnjavajući izraz kao 'post-digitalnu' liniju pokreta u glazbi koja je također poznata kao glitch ili mikrozvučna glazba, primjećujući da 's elektroničkom trgovinom kao prirodnim dijelom poslovnog zapadnog svijeta i Hollywooda koji izbacuju digitalne mucice po gigabajtu, medij digitalne tehnologije sam po sebi manje fascinira skladatelje'.

Kroz Umjetnost poslije tehnologije, Maurice Benayoun navodi moguće puteve za "postdigitalnu" umjetnost s obzirom na to da je digitalna poplava promijenila čitav socijalni, ekonomski, umjetnički krajolik, a stav umjetnika će se kretati u smjeru koji pokušava pobjeći iz tehnološkog područja bez da ga pritom potpuno odbaci. Od niske tehnologije do biotehnologije i kritičke fuzije – kritičnog upada fikcije u stvarnost – novi oblici umjetnosti nastaju na temelju digitalne ere.

Daljnje čitanje

 Alexenberg, Mel, (2019.), Through a Bible Lens: Biblical Insights for Smartphone Photography and Social Media. Nashville, Tennessee: HarperCollins; .
 Alexenberg, Mel, (2011.), The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness. Bristol i Chicago: Intellect Books/University of Chicago Press; .
 Alexenberg, Mel, ur. (2008.), Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture. Bristol i Chicago: Intellect Books/University of Chicago Press, 344 str. . (postdigitalna poglavlja Roya Ascotta, Stephena Wilsona, Eduarda Kaca i drugih)
 Ascott, R. (2003.), Telematic Embrace. (E.Shaken, ur.) Berkeley: University of California Press.
 Birnbaum, D i Kuo (2008.) More than Real: Art in the Digital Age, 2018. Verbier Art Summit . London: Koenig Books.
 Berry, DM (2014.) Critical Theory and the Digital, New York: Bloomsbury.
 Berry, D.M. i Dieter (2015) Postdigital Aesthetics: Art, Computation and Design, London: Palgrave.
 Barreto, R. i Perissinotto, P. (2002), Kultura imanencije, u Internet umjetnosti. Ricardo Barreto i Paula Perissinotto (org. ). São Paulo, IMESP..
 Benayoun, M. (2008.), Art after Technology sažetak teksta koji je napisao Maurice Benayoun u Technology Review - francusko izdanje, br. 7 lipanj–srpanj 2008., MIT, ISSN 1957-1380

 Wikiversity.org. (2019.). Postdigital (Giorgio Agamben, Ryota Matsumoto) ''Koncept postdigitalnog . Tokio, japanski tekst.
 Benayoun, M., he Dump, 207 Hypotheses for Committing Art, dvojezično (engleski/francuski), Fyp éditions, Francuska, srpanj 2011., .
 Toshiko, Saneoki. (2019.). Postigitalna teorija Giorgia Agambena, Ryote Matsumota, Kim Casconea, Japanska umjetnost i dizajn . Hachimato, Tokijski institut za umjetnost, Tokio, Japan.
 Bolognini, M. (2008), Postdigitale, Rim: Carocci.
 Ferguson, J. i Brown, AR (2016). "Poticanje post-digitalne avangarde: poučavanje glazbene tehnologije pod vodstvom istraživanja" . Organizirani zvuk, 21 (2), 127–137.
 Pepperell, R. i Punt, M. (2000.), The Postdigital Membrane: Imagination, Technology and Desire, Intellect Books, Bristol, UK, 182 str.
 Wilson, S. (2003.), Information Arts: Intersections of Art, Science, and Technology.

Vanjske poveznice

 Google Books: Postdigitalna membrana
 Što je paradigma Giorgia Agambena
 Post-digitalne humanističke znanosti: računalstvo i kulturološka kritika u umjetnosti i humanističkim znanostima
 Monoskop: Zbirka izvora vezanih za post-digitalnu estetiku
 Časopis Postdigital Science and Education
 Serija knjiga Postdigitalna znanost i obrazovanje

Vidi također

 Circuit bending
 Databending
 Digital Art
 Glitch
 New Aesthetic
 New media art

Izvori

Umjetnički pravci

Postdigitalizam


Isla Violín es el nombre que recibe una isla marítimo-fluvial del país centroamericano de Costa Rica frente al océano Pacífico en la desembocadura del río Sierpe. Se ubica en las coordenadas geográficas  y posee una superficie de 15,7 kilómetros cuadrados

Administrativamente es parte del distrito de Sierpe, en el cantón de Osa, provincia de Puntarenas.

La isla Violín posee varios riachuelos y está cubierta de vegetación, lo que ha atraído a turistas. Al norte de ella se encuentran las pequeñas islas Zacate mientras que por el sur están la boca del río Sierpe y la boca Ganadito

Véase también
 Anexo:Islas de Costa Rica
 Geografía de Costa Rica
 Geografía de América

Referencias

Enlaces externos
 Mapa de localización de la isla

Archipiélagos e islas del océano Pacífico de Costa Rica
Osa

Isla Violín


Blod i mobilen er en dokumentarfilm fra 2010 instrueret af Frank Piasecki Poulsen efter manuskript af Jens Arentzen.

Handling
Det afrikanske kontinent er kendt for sin rigdom på mineraler. I Congo findes bl.a. et mineral, som bruges i produktionen af vores mobiltelefoner. Landet plages af en borgerkrig, som allerede har kostet 4 millioner liv. Med livet som indsats drager instruktøren og aktivisten Frank Poulsen til Congo for at finde sandheden om vores mobiltelefoner. Han får adgang til en mine i det nordøstlige Congo, hvor børn arbejder i dagevis under jorden i smalle gange. Minen styres på skift af konkurrerende militser. Filmen er en rejse ind i skyggesiden af vores forburgersamfund og stiller en række spørgsmål: hvor langt rækker ansvar? Føler mobilselskaberne ansvar? Gør vi som forbrugere? Og helt konkret: kan forholdene i minen ændres?

Referencer

Eksterne henvisninger

Film fra Danmark (administrationskategori)
Dokumentarfilm fra Danmark
Danske film fra 2010

Blod i mobilen


Red mercury is a discredited substance, most likely a hoax perpetrated by con artists who sought to take advantage of gullible buyers on the black market for arms.  These con artists described it as a substance used in the creation of nuclear weapons; because of the secrecy surrounding nuclear weapons development, it is difficult to disprove their claims completely.  However, all samples of alleged "red mercury" analyzed in the public literature have proven to be well-known, common substances of no interest to weapons makers.

History
References to red mercury first appeared in major Soviet and western media sources in the late 1980s. The articles were never specific as to what exactly red mercury was, but nevertheless claimed it was of great importance in nuclear bombs, or that it was used in the building of boosted fission weapons. Almost as soon as the stories appeared, people started attempting to buy it. At that point, the purported nature of the substance started to change, and eventually turned into anything the buyer happened to be interested in. As New Scientist reported in 1992, a Lawrence Livermore National Laboratory report outlined that:

When red mercury first appeared on the international black market 15 years ago, the supposedly top secret nuclear material was 'red' because it came from Russia. When it resurfaced last year in the formerly communist states of Eastern Europe it had unaccountably acquired a red colour. But then, as a report from the US Department of Energy reveals, mysterious transformations are red mercury's stock in trade.

The report, compiled by researchers at the Los Alamos National Laboratory, shows that in the hands of hoaxers and conmen, red mercury can do almost anything the aspiring Third World demagogue wants it to. You want a short cut to making an atom bomb? You want the key to Soviet ballistic missile guidance systems? Or perhaps you want the Russian alternative to the anti-radar paint on the stealth bomber? What you need is red mercury.

An article in the daily Russian newspaper Pravda described in 1993, claiming to be informed by leaked top-secret memos, red mercury as:

[A] super-conductive material used for producing high-precision conventional and nuclear bomb explosives, 'Stealth' surfaces and self-guided warheads. Primary end-users are major aerospace and nuclear-industry companies in the United States and France along with nations aspiring to join the nuclear club, such as South Africa, Israel, Iran, Iraq, and Libya.

Two TV documentaries about red mercury were made by British Channel 4 television, airing in 1993 and 1994; Trail of Red Mercury and Pocket Neutron, which claimed to have "startling evidence that Russian scientists have designed a miniature neutron bomb using a mysterious compound called red mercury".

Samuel T. Cohen, an American physicist who worked on building the atomic bomb, said in his autobiography that red mercury is manufactured by "mixing special nuclear materials in very small amounts into the ordinary compound and then inserting the mixture into a nuclear reactor or bombarding it with a particle-accelerator beam." When detonated, this mixture allegedly becomes "extremely hot, which allows pressures and temperatures to be built up that are capable of igniting the heavy hydrogen and producing a pure-fusion mini neutron bomb."

Red mercury was offered for sale throughout Europe and the Middle East by Russian businessmen, who found many buyers who would pay almost anything for the substance, even though they had no idea what it was. A study for the Bulletin of the Atomic Scientists published in 1997 has perhaps the most factual summary of red mercury:

The asking price for red mercury ranged from $100,000 to $300,000 per kilogram. Sometimes the material would be irradiated or shipped in containers with radioactive symbols, perhaps to convince potential buyers of its strategic value. But samples seized by police contained only mercury(II) oxide, mercury(II) iodide, or mercury mixed with red dye – hardly materials of interest to weapons-makers.

Following the arrest of several men in Britain in September 2004, on suspicion that they were trying to buy a kilogram of red mercury for £900,000, the International Atomic Energy Agency made a statement dismissing claims that the substance is real. "Red mercury doesn't exist," said the spokesman. "The whole thing is a bunch of malarkey." When the case came to trial at the Old Bailey in April 2006, it became apparent that News of the Worlds "fake sheikh" Mazher Mahmood had worked with the police to catch the three men (Dominic Martins, Roque Fernandes and Abdurahman Kanyare). They were tried for "trying to set up funding or property for terrorism" and "having an article (a highly dangerous mercury-based substance) for terrorism". According to the prosecutor, red mercury was believed to be a material which could cause a large explosion, possibly even a nuclear reaction, and whether or not red mercury actually existed was irrelevant to the prosecution. All three men were acquitted in July 2006.

Analysis
Several common mercury compounds are indeed red, such as mercury sulfide (from which the bright-red pigment vermilion was originally derived), mercury(II) oxide, and mercury(II) iodide, and others are explosive, such as mercury(II) fulminate. No use for any of these compounds in nuclear weapons has been publicly documented. "Red mercury" could also be a code name for a substance that contains no mercury at all.

A variety of different items have been chemically analyzed as putative samples of "red mercury" since the substance first came to the attention of the media, but no single substance was found in these items. A sample of radioactive material was seized by German police in May 1994. This consisted of a complex mixture of elements, including about 10% by weight plutonium, with the remainder consisting of 61% mercury, 11% antimony, 6% oxygen, 2% iodine and 1.6% gallium. The reason why somebody had assembled this complex mixture of chemicals is unknown; equally puzzling was the presence of fragments of glass and brush bristles, suggesting that someone had dropped a bottle of this substance and then swept it up into a new container.

In contrast, an analysis reported in 1998 of a different "red mercury" sample concluded that this sample was a non-radioactive mixture of elemental mercury, water and mercury(II) iodide, which is a red colored chemical. Similarly, another analysis of a sample recovered in Zagreb in November 2003 reported that this item contained only mercury. One formula that had been claimed previously for red mercury was Hg2Sb2O7 (mercury(II) pyroantimonate), but no antimony was detected in this 2003 sample.

Explanations
Red mercury was described by many commentators, and the exact nature of its supposed working mechanism varied widely among them. In general, however, none of these explanations appear to be scientifically or historically supportable.

Background
Traditional staged thermonuclear weapons consist of two parts, a fission "primary" and a fusion/fission "secondary". The energy released by the primary when it explodes is used to (indirectly) compress the secondary and start a fusion reaction within it. Conventional explosives are far too weak to provide the level of compression needed.

The primary is generally built as small as possible, because the energy released by the secondary is much larger, and thus building a larger primary is generally inefficient. There is a lower limit on the size of the primary, known as the critical mass. For weapons grade plutonium, this is around . This can be reduced through the use of neutron reflectors or clever arrangements of explosives to compress the core, but these methods generally add to the size and complexity of the resulting device.

Because of the need for a fission primary and the difficulty of purifying weapons-grade fissile materials, the majority of arms control efforts to limit nuclear proliferation rely on the detection and control of the fissile material and the equipment needed to obtain it.

Shortcut to fissionable material
A theory popular in the mid-1990s was that red mercury facilitated the enrichment of uranium to weapons-grade purity. Conventionally, such enrichment is usually done with Zippe-type centrifuges, and takes several years. Red mercury was speculated to eliminate this costly and time-consuming step. Although this would not eliminate the possibility of detecting the material, it could escape detection during enrichment as the facilities hosting centrifuges normally used in this process are very large and require equipment that can be fairly easily tracked internationally. Eliminating such equipment would in theory greatly ease the construction of a clandestine nuclear weapon.

Shortcut to fusible material
A key part of the secondary in a fusion bomb is lithium-6-deuteride. When irradiated with high-energy neutrons, Li-6 creates tritium, which mixes with the deuterium in the same mixture and fuses at a relatively low temperature. Russian weapon designers have reported (1993) that red mercury was the Soviet codename for lithium-6, which has an affinity for mercury and tends to acquire a red colour due to mercuric impurities during its separation process.

Red mercury as a ballotechnic
Samuel T. Cohen, the "father of the neutron bomb", claimed for a long time that red mercury is a powerful explosive-like chemical known as a ballotechnic. The energy released during its reaction is allegedly enough to directly compress the secondary without the need for a fission primary in a thermonuclear weapon. He claimed that he learned that the Soviet scientists perfected the use of red mercury and used it to produce a number of softball-sized pure fusion bombs weighing as little as , which he claimed were made in large numbers.

He went on to claim that the reason this is not more widely known is that elements within the US power structure are deliberately suppressing or hiding information due to the frightening implications such a weapon would have on nuclear proliferation. Since a red mercury bomb would require no fissile material, it would seemingly be impossible to protect against its widespread proliferation given current arms control methodologies. Instead of trying to do so, they simply claim it does not exist, while acknowledging its existence privately. Cohen also claimed that when President Boris Yeltsin took power, he secretly authorized the sale of red mercury on the international market, and that fake versions of it were sometimes offered to gullible buyers.

Critics argue Cohen's claims are difficult to support scientifically. The amount of energy released by the fission primary is thousands of times greater than that released by conventional explosives, and it appears that the "red mercury" approach would be orders of magnitude smaller than required.

Additionally, it appears there is no independent confirmation of any sort of Cohen's claims to the reality of red mercury. The scientists in charge of the labs where the material would have been made have publicly dismissed the claims (see below), as have numerous US colleagues, including Edward Teller.

According to Cohen, veteran nuclear weapon designer Frank Barnaby conducted secret interviews with Russian scientists who told him that red mercury was produced by dissolving mercury antimony oxide in mercury, heating and irradiating the resultant amalgam, and then removing the elemental mercury through evaporation. The irradiation was reportedly carried out by placing the substance inside a nuclear reactor.

Stealth paint
As mentioned earlier, one of the origins of the term "red mercury" was in the Russian newspaper Pravda, which claimed that red mercury was "a super-conductive material used for producing high-precision conventional and nuclear bomb explosives, 'stealth' surfaces and self-guided warheads." Any substance with these sorts of highly differing properties would be suspect to most, but the stealth story continued to have some traction long after most had dismissed the entire story.

Nuclear "sting" operations
Red mercury is thought by some to be the invention of an intelligence agency or criminal gang for the purpose of deceiving terrorists and rogue states who were trying to acquire nuclear technology on the black market. One televised report indicated that the Soviet Union encouraged the KGB and GRU to arrange sting operations for the detection of those seeking to deal in nuclear materials. The Soviet intelligence services allegedly created a myth of the necessity of "red mercury" for the sorts of nuclear devices that terrorists and rogue governments might seek. Political entities that already had nuclear weapons did nothing to debunk the myth.

In 1999 Jane's Intelligence Review suggested that victims of red mercury scams may have included Osama bin Laden.

Red mercury in southern Africa
Organizations involved in landmine clearance and unexploded munitions disposal noted a belief amongst some communities in southern Africa that red mercury may be found in certain types of ordnance. Attempting to extract red mercury, purported to be highly valuable, was reported as a motivation for people dismantling items of unexploded ordnance, and suffering death or injury as a result. In some cases it was reported that unscrupulous traders may be deliberately promoting this misconception in an effort to build a market for recovered ordnance.

An explosion in Chitungwiza, Zimbabwe, that killed five people is attributed to a quest to reclaim red mercury from a live landmine.

Saudi Arabia
In April 2009 it was reported from Saudi Arabia that rumors that Singer sewing machines contained "red mercury" had caused the prices of such machines to massively increase in the Kingdom, with some paying up to SR200,000 for a single machine which could previously have been bought for SR200. Believers in the rumor claimed that the presence of red mercury in the sewing machines' needles could be detected using a mobile telephone; if the line cut off when the telephone was placed near to the needle, this supposedly proved that the substance was present.

In Medina there was a busy trade in the sewing machines, with buyers seen using mobile phones to check the machines for red mercury content, while it was reported that others had resorted to theft, with two tailors' shops in Dhulum broken into and their sewing machines stolen. At other locales, there were rumors that a Kuwait-based multinational had been buying up the Singer machines, while in Al-Jouf, the residents were led to believe that a local museum was buying up any such machines that it could find, and numerous women appeared at the museum offering to sell their Singer machines.

There was little agreement among believers in the story as to the exact nature or even color of the red mercury, while the supposed uses for it ranged from it being an essential component of nuclear power, to having the ability to summon jinn, extract gold, or locate buried treasure and perform other forms of magic. The official spokesman for the Riyadh police said that the rumors had been started by gangs attempting to swindle people out of their money, and denied the existence of red mercury in sewing machines.

Fictional references
 In the 1995 PlayStation game Warhawk, red mercury is used by the mad warlord Kreel in his bid for world domination.
 Red mercury is the basis of a 2005 film of the same name.
In the 2006 video game Tom Clancy's Splinter Cell: Double Agent, Red Mercury is used by the terrorist group JBA, to create multiple nuclear devices intended to bomb three major American cities.
 The 2013 Bruce Willis movie Red 2 features a nuclear weapon containing red mercury as the main explosive component.
 A Bengali adventure film Sagardwipey Jawker Dhan was released in 2019 where Bimal-Kumar begin their hunt for the chemical Red Mercury to save an alien child.

See also
 Dimethylmercury
 Fogbank
 Mercury(II) oxide
 Meson bomb
 Nuclear isomer
 Philosopher's stone

References

Further reading

  This book made the claim that South Africa had made red mercury, and used it to construct a thousand miniature tactical nuclear weapons, that were now in the hands of non-governmental South African right-wing elements which intended to make use of them in the near future (of 1995).
  Citing sources from above, Stevens makes a case that Germany may have developed technology of red mercury during World War II.

Fictional materials
Fictional weapons
Hoaxes in science
Mercury (element)
Nuclear weapons
Pseudoscience
Science and technology-related conspiracy theories
Urban legends

Red mercury


යනු, කූරෙහි ඇමුණුනු සහ පුළුස්සන ලද ගොවිපොළෙහි ඇති කල සතුන්ගේ මස් හෝ එසේ නොවන ආහාර කොටස් යන දෙවගයටම භාවිතා වන පොදු පදයකි. සමහරවිටෙක, ආපනශාලා විසින් මේවා,  සහ යකිමොනො (焼き物) ලෙසින් කාණ්ඩගත කෙරෙයි.

යකිතොරි සහ කුෂීයකි

කූරෙහි ඇමිණුනු මස් සඳහා සාමුහිකව යකිතොරි සහ කුෂීයකි යන පද දෙවගයම ජපාන සමාජය තුල අතුරුමාරු වශයෙන් භාවිතා වෙයි; කෙසේවෙතත්, විශේෂිත අයිතමයක් පිළිබඳ සඳහන් කරන විටෙක, ප්‍රධාන මස් වර්ගය කුකුළු මස් නොවේ නම් යකිතොරි යන්න භාවිතා නොවෙයි.

කුෂීයකි


Tora! Tora! Tora! er en amerikansk krigsfilm fra 1970, der handler om angrebet på Pearl Harbor. Filmen søger at vise angrebet set i perspektiv fra både Japan og USA.

Filmen modtog en Oscar for bedste visuelle effekter og var nomineret til en Oscar i kategorierne lyd, klipning, fotografering og scenografi.

"Tora" betyder på japansk "tiger", men er i filmen anvendt som kodeord, der angiver, at der er opnået et overraskelseselement.

Eksterne henvisninger

Krigsfilm fra USA
Amerikanske film fra 1970
Film om 2. verdenskrig
Film fra Japan

Tora! Tora! Tora!