Ixhuatlán del Café is a city in the Mexican state of Veracruz. It serves as the municipal seat of the municipality of the same name.

The municipality covers a total surface area of 134.07 km2 and, in the 2000 census, reported a population of 19,945.
It is located at .

Its chief products are corn, coffee and fruits.

External links
Municipal website

Populated places in Veracruz

Ixhuatlán del Café


Kako je Potjeh tražio istinu, jedna od pripovijetki iz zbirke "Priče iz davnine" (1916.) Ivane Brlić-Mažuranić. Bavi se temama sazrijevanja, obiteljske odanosti, sloge, i potrage za smislom. Kao i ostale priče iz zbirke, ima obilježja bajke i elemente nadnaravnoga i mitskoga. Likovi su iz pretkršćanske, slavenske mitologije.

U središtu radnje je pravedni starac Vjest koji živi s trojicom unuka, poodraslih momaka po imenu Ljutiša, Marun i Potjeh. Jednog proljetnog dana djed pošalje mladiće u šumu, na mjesto gdje su godinu ranije vadili med, da provjere jesu li pčele izašle iz zimskog sna. Ukazuje im se Svarožić koji savjetuje momcima da ostanu uz djeda i da ga služe. Radnju zapliće Bjesomar, vladar šumskih bjesova, koji je mrzio Vjesta jer je ovaj "na krčevini zaveo sveti oganj, da se nikad ne ugasi". Čuvši Svarožićeve riječi i ne želeći da ga momci poslušaju, Bjesomar im šalje bjesove da ih opsjedaju, ne bi li ih pobunio protiv djeda.

Pripovijetka je već ranih 1920-ih dostupna u New Yorku i Londonu ("How Quest Sought the Truth"), gdje su "Priče iz davnine" objavljene u prijevodu F. S. Copelanda.

Izvori

Vanjske poveznice
 Kako je potjeh tražio istinu, Ivana Brlić-Mažuranić: Priče iz davnine, eLektire.skole.hr
 Boston Public Library: Croatian Tales of Long Ago, by Ivana Brlić-Mažuranić, translated by F. S. Copeland; 1922; Frederick A. Stokes Co., New York.

Priče iz davnine

Kako je Potjeh tražio istinu


An Loudetiopsis thoroldii in uska species han Liliopsida nga syahan ginhulagway ni C.F.Hubb., ngan ginhatag han pagkayana nga asya nga ngaran ni James Bird Phipps. An Loudetiopsis thoroldii in nahilalakip ha genus nga Loudetiopsis, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Loudetiopsis

Loudetiopsis thoroldii


Talbot ili Clément-Talbot Limited bila je tvrtka smještena u Londonu, osnovana 1903.g. i bavila se proizvodnjom automobila. Osnivači tvrtke su bili Charles Chetwynd-Talbot i Adolphe Clément-Bayard.

Proizvodi tvrtke su se nazivali Talbot, iako je naziv tvrtke bio "Clément-Talbot Limited" sve do 1938.g. kada je tvrtka preimenovana u Sunbeam-Talbot Limited.

Povijest
Nakon završetka prvog svjetskog rata, na kraju 1919.g. tvrtku "Clément-Talbot Limited" je kupio britanski dio grupe, francuskog proizvođača automobila Darracq (koji se nazivao "Darracq and Company (1905) Limited"). Kasnije, u lipnju 1920.g., je ista tvrtka kupila i tvrtku "Sunbeam Motor Car Company Limited".

Tako je u kolovozu 1920. promijenjen naziv grupacije u S T D Motors Limited kako bi naglasili spajanje Sunbeama, Talbota i Durracqa.

Nakon spajanja automobili Sunbeam su se nastavili proizvoditi u Wolverhamptonu, Talbot automobili u Londonu, a Darracq automobili u Francuskoj, mjesto Suresnes (kraj Pariza).

Ubrzo nakon udruživanja francuski proizvodi tvrtke STD Motors dobili su naziv Talbot-Darracq, ali je 1922. naziv Darracq izostavljen.

Tijekom sredine 1930-ih godina grupa STD Motors zapale je u financijske probleme te nije mogla vratiti dugove. Dijelovi grupe su rasporodani. Tako je britanska tvrtka "Rootes Goupe" je kupila profitabilnu tvornicu Talbota u Londonu, te tvornicu Sunbeama.

Francuski dio je kupio talijanski poduzetnik, koji je i radio u STD Motors, Antonio Lago. Tako je grupa "S T D Motors" sredinom 1936.g. likividrana.

Lago je proizvodio automobile pod nazivom Talbot i Talbot-Lago. Proizvodio je sportske automobile i visoko kvalitetne luksuzne autmobile. Uveo je Talbot automobile u automobilska natjecanja. Lago je tvornicu u Parizu zatvorio 1958.g., a brand Talbot prodao je tvrtki Simca. Tvrtku Simca je 1970. kupila grupacija Chrysler Europa, a godine 1978.g. brand je preuzela grupacija PSA Peugeot Citroën kada je preuzela tvrtku Chrysler Europa. Tvrtka PSA koristila je Talbot oznake na bivšim modelima tvrtki Simca i Chrysler.

Rootes grupa je kupila tvornicu u Londonu 1935.g. Nastavila je proizvodnju dotadašnjih modela uz sve veću ugradnju novih dijelovi. Uz Talbot modele prodavala je i luksuzne modele automobila tvrtke "Sunbeam Motor Car Company Limited". Ubrzo je došlo do preimenovanja Clément-Talbot Limited i nastanka Sunbeam-Talbot Limited 1938.g.
Godine 1954. prestala je koristiti ime Talbot kako bi izbjegli zabunu s francuskom tvrtkom, te je ostao naziv Sunbeam.

Izvori

 Stranice kluba vlasnika Talbot automobila, pristupljeno 17.03.2019.
 STD registar, pristupljeno 17.03.2019.

Britanski proizvođači automobila
Gospodarstvo Londona

Talbot


Strathmore est une petite localité de l'intérieur de la région de Taranaki, dans la partie ouest de l'île du Nord de la Nouvelle-Zélande.

Situation
Elle est localisée sur le trajet de la route , à  à l'est de la ville de Stratford.

Voir aussi

Liste des villes de Nouvelle-Zélande

Notes et références

Autres lectures

District de Stratford
Taranaki

Strathmore (Nouvelle-Zélande)


Baker's Keyboard Lounge ist ein Jazzclub in Detroit.

Der Nachtclub Baker's Keyboard Lounge (20510 Livernois Avenue) in Detroit gehört zu den ältesten Jazzclubs weltweit; er wurde 1933 von Chris und Fannie Baker als Sandwich-Restaurant eröffnet. Zu einem Jazzclub wurde er, als Clarence Baker ihn von seinem Vater 1939 übernahm und den lokalen Pianisten Pat Flowers als Hausmusiker einstellte, der dort von 1940 bis 1954 spielte. Ab 1954 traten in den Club landesweit bekannte Künstler wie Art Tatum (der hier im April 1956 seinen letzten Auftritt vor seinem Tod hatte), sowie Yusef Lateef, George Shearing, Dave Brubeck, Ella Fitzgerald, Miles Davis, Gerry Mulligan, Barbra Streisand oder Pat Metheny dort auf. In dem 100 Sitzplätze umfassenden Club befindet sich auch ein Steinway-Flügel, der von Art Tatum ausgesucht worden war. Mehrere Livemitschnitte aus dem Club erschienen als Schallplatten, darunter von Johnny O'Neal und James Carter. Der Sänger Eddie Jefferson wurde 1979 erschossen, als er den Club verließ. In den 1970er und 1980er Jahren erlebte der Club einen Niedergang; Clarence verkaufte Baker's Keyboard Lounge 1996 an John Colbert. 2011 wurde der Club erneut verkauft.

Diskographische Hinweise
 1978: Johnny O'Neal at Baker's Keyboard Lounge with Dave Young & Terry Clarke
 2004: James Carter Live at Baker's Keyboard Lounge

Weblinks
 Photo Slideshow Baker's Keyboard Lounge through the years, in Detroit Free Press
  in The Detroit News

Einzelnachweise

Veranstaltungsort (Jazz)
Musik (Detroit)
Veranstaltungsstätte in Michigan
Spielstätte für Musik (Vereinigte Staaten)

Baker’s Keyboard Lounge


Small Crimes est un film américain réalisé par E. L. Katz, sorti en 2017, adapté d'un roman du même nom de Dave Zeltserman, publié en français en 2011 sous le titre de Crimes sans importance.

Synopsis
Un ex-policier condamné pour tentative de meurtre sort de prison après avoir purgé six ans de peine.

Fiche technique
 Titre : Small Crimes
 Réalisation : E. L. Katz
 Scénario : E. L. Katz et Macon Blair, d'après le roman Crimes sans importance de Dave Zeltserman
 Musique : Brooke Blair et Will Blair
 Photographie : Andrew Wheeler
 Montage : Josh Ethier
 Production : David Lancaster et Stephanie Wilcox
 Société de production : Rumble Films, Rooks Nest Entertainment, Fairmount Films, Backup Media et Paradise City
 Pays :  et
 Genre : Policier, drame et thriller
 Durée : 95 minutes
 Dates de sortie :
Netflix :

Distribution
 Nikolaj Coster-Waldau : Joe Denton
 Robert Forster : Joe Denton Sr.
 Jacki Weaver : Irma Denton
 Molly Parker : Charlotte Boyd
 Gary Cole : Dan Pleasant
 Macon Blair : Scotty Caldwell
 Michael Kinney : Phil Coakley
 Daniela Sandiford : Cara Coakley
 Shawn Lawrence : Manny Vassey
 Pat Healy : Junior Vassey

Accueil
Le film a reçu un accueil mitigé de la critique. Il obtient un score moyen de 60 % sur Metacritic.

Notes et références

Liens externes

Film américain sorti en 2017
Film canadien sorti en 2017
Film policier américain
Film policier canadien
Film dramatique américain
Film dramatique canadien
Thriller (film) américain
Thriller (film) canadien
Film distribué par Netflix
Adaptation d'un roman américain au cinéma

Small Crimes


Larnaka Tuz Gölü, Kıbrıs Cumhuriyeti sınırları içinde kalan Kıbrıs Adası'nda Limasol Tuz Gölü'nden sonra en büyük ikinci göldür. Yüzölçümü 2,2 kilometrekare olan göl, Limasol Havaalanı yolu üzerinde bulunur. Kış ayları boyunca su biriken gölde, yaz aylarında sular çekilir ve tuz kalıpları ortaya çıkar. Güney Kıbrıs'ın dış satımının büyük bir kısmını bu gölden elde edilen tuz oluşturur. Gölde üreme dönemlerine önemli oranda flamingo popülasyonu bulunur.

Ayrıca bakınız
 Oluşumlarına göre Türkiye'nin gölleri listesi
 Türkiye'deki göller

Kaynakça

Dış bağlantılar

Kıbrıs Cumhuriyeti'ndeki göller

Larnaka Tuz Gölü


المواطنة تعني الفرد الذي يتمتع بعضوية بلد ما، ويستحق بذلك ما ترتبه تلك العضوية من امتيازات. وفي معناها السياسي، تُشير المواطنة إلى الحقوق التي تكفلها الدولة لمن يحمل جنسيتها، والالتزامات التي تفرضها عليه؛ أو قد تعني مشاركة الفرد في أمور وطنه، وما يشعره بالانتماء إليه. ومن المنظور الاقتصادي الاجتماعي، يُقصد بالمواطنة إشباع الحاجات الأساسية للأفراد، بحيث لا تشغلهم هموم الذات عن أمور الصالح العام، وفضلاً عن التفاف الناس حول مصالح وغايات مشتركة، بما يؤسس للتعاون والتكامل والعمل الجماعي المشترك.

العناصر الأساسية للمواطنة
تتكون المواطنة من ثلاثة عناصر أساسية، هي:

العنصر المدني
يتضمن الحرية الفردية، وحرية التعبير والاعتقاد والإيمان، وحق التملك، والحق في العدالة، وتحقيق العنصر المدني في المواطنة في المؤسسات القضائية.

العنصر السياسي
يعني الحق في المشاركة في الحياة السياسية بوصف المواطن عنصراً فاعلاً في السلطة السياسية، من خلال البرلمان.

العنصر الاجتماعي
يعني تمتع المواطن بخدمات الرفاهية الاجتماعية وإشباع حقوقه الاقتصادية، والتي تتضمن التعليم، وحسن الرعاية الصحية، على سبيل المثال لا الحصر.
ولهذا يُقال عن كل كائن بشري أنه يتمتع بالمواطنة، إذا كان يتمتع بخصائص اجتماعية معينة، لها معناها السياسي المعتد به قانوناً، مثل الحقوق والواجبات، والالتزامات، والحرية في اتخاذ القرارات، التي تمثل شأناً يتصل بمصلحته الخاصة، وفي المشاركة في المصالح العامة، وكذلك المشاركة في المجتمع المدني. ويُصطلح على تسمية هذه المواطنة "بالمواطنة الأساسية أو الفعلية"، وذلك في مقابل التمتع بالمواطنة الرسمية، وهو المصطلح الذي أصبح من المعتاد في هذا العصر أن يقتصر معناه على كون الفرد عضواً في دولة قومية.

ويقتضي تمتع الفرد بالمواطنة في معناها الأول، أن يشكل هذا الفرد جزءاً من كيان سياسي اجتماعي، وأن تلك الحقوق والواجبات وغيرها من الأمور، التي من حق الفرد، أن يحوزها في صورتها الحسية الملموسة ، وكذلك في صورتها المعنوية، استناداً إلى كونه عضواً في هذا الكيان.
ولا تكون صفة المواطنة إلا لمن يكون ـ طبقاً للدستور والقانون ـ له الحق في المشاركة في حكم بلاده، من خلال مؤسسات الحكم السياسية والقانونية والدستورية. أما الأفراد المقيمون على أرضٍ ويُجبرون على الانصياع للأوامر الصادرة إليهم دون أن يسهموا، بشكل ما، في إعدادها أو إصدارها، مثل الأجانب، مع إمكانية تمتعهم بالحقوق المدنية، فهذه الفئة لا يعدون مواطنين، أي أعضاء أصلاً في الجماعة السياسية يسهمون في توجيه حياتها. ويعد وعي الإنسان بأنه مواطن أصيل في بلاده وعي أصيل بالمواطنة وبأنه ليس فقط مُقيماً يخضع لنظام معين، دون أن يشارك في صنع القرارات داخل هذا النظام.

يُعد هذا الوعي بالمواطنة نقطة البدء الأساسية في تشكيل نظرة الفرد إلى نفسه، وإلى بلاده، وإلى شركائه في صفة المواطنة. وعلى أساس هذه المشاركة يكون الانتماء إلى الوطن. ومن خلال المشاركة تأتي المساواة؛ فلكل مواطن الحقوق نفسها وعليه الواجبات ذاتها. فلصفة المواطن ثلاثة أركان: الانتماء للأرض، والمشاركة، والمساواة أي الندية.

ومن ثم يأتي جهد الشخص في إطار الجماعة السياسية لممارسة صفة المواطنة، والتمسك بها، والدفاع عنها؛ وحينما تنجح الجماعة في استخلاص حقوق الوطن والمواطن، تظهر اللحظة الدستورية؛ فتتحول الأرض إلى وطن، والإنسان، الذي يحيا عليها ويشارك في صياغة حياتها، إلى مواطن.
وعلى ذلك فالوطن هو ما يؤسس فكرة المواطن، وثم من بعدها فكرة المواطنة. فالمواطنة في حقيقته التامة ــ الجماعة الوطنية التي تستكمل التعبير عن شخصيتها وإرادتها بالدولة الواحدة المستقلة. والمواطن في حقيقته التامة هو الفرد بوصفه عضواً بالفعل في دولة وطنية. وهنا يجب التمييز بين الوطنية والمواطنة.

الوطنية
ظاهرة نفسية اجتماعية مركبة، قوامها حُب الوطن أرضاً وأهلاً، والسعي إلى خدمة مصالحه. أو بعبارة أخرى: ظاهرة نفسية فردية وجماعية، تدور على التعلق بالجماعة الوطنية وأرضها ومصلحتها وتراثها والاندماج في مصيرها.

المواطنة (المواطنية)
ظاهرة مركبة محورها الفرد، من حيث هو عضو مشارك في الجماعة الوطنية، وفي الدولة التي هي دولتها. وهذا الفرد وهو بهذه الصفة خاضع لنظام محدد من الحقوق والواجبات. وبعبارة أخرى: الوطنية والمواطنة وجهان متباينان من وجوه الارتباط بالجماعة الوطنية، ووجودها السياسي.

وفي الحقيقة حينما نتحدث عن المواطنة، كنظام حقوق وواجبات، فإننا نعني، في الوقت ذاته، حقوق المواطن وواجباته في الدولة، وواجباتها للمواطنين؛ فحقوق المواطنين هي واجبات على الدولة، وحقوق الدولة هي واجبات على المواطنين. لذا، حدد مارشال المواطنة بوصفها المكانة التي تيسر الحصول على الحقوق والقوى المرتبطة بها. وفي محاولة توضيح هذه الحقوق يرى أنها تتشكل من الحقوق المدنية، التي تضم حرية التعبير والمساواة أمام القانون، والحقوق السياسية، التي تشمل:
الحق في التصويت
الحق في الانضمام إلى أي تنظيمات سياسية مشروعة.
الحقوق الاجتماعية والاقتصادية، التي تحتوي على الرفاهية الاقتصادية والأمان الاجتماعي.

شروط المواطنة ومقوماتها الأساسية
توجد بعض الشروط والمقومات الأساسية، التي لا غنى عنها في اكتمال وجود المواطنة، ويُشار إليها على النحو التالي:

المقوم الأول
يعد اكتمال نمو الدولة ذاتها بُعداً أساسياً من أبعاد نمو المواطنة، ويتحدد نمو الدولة بامتلاكها لثقافة تلك الدولة، التي تؤكد على المشاركة والمساواة أمام القانون. وعلى هذا النحو، فإن الدولة الاستبدادية لا تتيح الفرصة الكاملة لنمو المواطنة؛ لأنها تحرم قطاعاً كاملاً من البشر من حقهم في المشاركة، أو أن الدولة ذاتها قد تسقط فريسة حُكم القلة التي تسيطر على الموارد الرئيسية للمجتمع، ومن ثم تحرم بقية الأفراد من حقوقهم في المشاركة، أو الحصول على نصيبهم من الموارد. الأمر هذا يدفعهم، بداهة، إلى التخلي عن القيام بواجباتهم والتزاماتهم الأساسية، وهو ما يعني تقلص مواطنتهم بسبب عدم حصول المواطن على جملة الحقوق والالتزامات الأساسية، التي ينبغي أن تتوافر له. وهذا يوضح أن ثمة رابطة عضوية بين اكتمال نمو الدولة واقترابها من النموذج المثالي للدولة الحديثة، والمجتمع القوي المتماسك، وبين اكتمال المواطنة في مستوياتها غير الناقصة.

المقوم الثاني
ارتباط المواطنة بالديموقراطية، وذلك بوصف أن الديموقراطية هي الحاضنة الأولى لمبدأ المواطنة. وفي هذا الإطار تعني الديموقراطية التأكيد على لا مركزية القرار، في مقابل اختزال مركزية الجماعة. كما تعني أن الشعب هو مصدر السلطات، إضافة إلى التأكيد على مبدأ المساواة السياسية والقانونية بين المواطنين، بصرف النظر عن الدين أو العُرف أو المذهب أو الجنس. وحتى تكون المواطنة فعالة، فمن الضروري أن يتوافر لها قدر من الوعي المستند إلى إمكانية الحصول على المعلومات من مصادرها المختلفة، بحيث تُصبح هذه المعرفة قاعدة القدرة على تحمل المسؤولية، كما تشكل أساس القدرة على المشاركة والمساءلة.

المقوم الثالث
تمتع المواطنين، بكافة الحقوق السياسية والقانونية والاجتماعية والاقتصادية والثقافية. وهذا يعني قيام عقد اجتماعي يؤكد على أن المواطنة في الأمة، هي مصدر كل الحقوق والواجبات، وأيضاً مصدراً لرفض أي تحيز فيما يتعلق بالحقوق والواجبات وفق أي معيار، سواء الجنس أو الدين أو العرق أو الثروة أو اللغة أو الثقافة. في نطاق ذلك، فإنه من الضروري تأكيد التلازم بين الحقوق والواجبات القانونية والسياسية، والحقوق الاجتماعية والاقتصادية والثقافية، وذلك حتى تتحقق الديموقراطية الكاملة. وفي هذا الإطار يتطلب التأكيد على المواطنة التأكيد على المساواة والعدل الاجتماعي، فيما يتعلق بتوزيع الفرص الاقتصادية والاجتماعية والثقافية، وبطبيعة الحال السياسية.

المقوم الرابع
يُعد الفرد البالغ العاقل أحد المكونات الأساسية للمواطنة، وذلك بوصف أن هذا الفرد يخضع لعملية التنشئة الاجتماعية والثقافية والسياسية، التي تقوم بها مؤسسات المجتمع المختلفة، بإشراف الدولة وسيطرتها. وتساعد عملية التنشئة ــ في حالة اكتمالها ــ الفرد على أن يستوعب أهداف الجماعة وتراثها، ويعبّر عن مصالحها، ويتعايش مع الجماعة، دون أن يذوب في إطارها.

المقوم الخامس
يُعد إشباع الحاجات الأساسية للبشر، في أبعادها الاقتصادية والسياسية والاجتماعية والثقافية، أحد المقومات الرئيسية للمواطنة. وفي هذا الإطار تواجه المواطنة أزمة إذا تخلت الدولة عن القيام بالتزاماتها المتعلقة بتهيئة البيئة الملاءمة لتحقيق الرفاهية الاجتماعية والاقتصادية للبشر. ومن الطبيعي أن يؤدي عدم إشباع الحاجات الأساسية للبشر إلى ظواهر عديدة، تُشير في مجملها إلى تآكل الإحساس بالمواطنة. وتبدأ هذه الظواهر بالانسحاب من القيام بالواجبات، ما دامت الحقوق قد تآكلت مروراً بعدم الإسهام أو المشاركة الفعالة على كافة الأصعدة، وحتى الهروب من المجتمع، والبحث عن مواطنة جديدة، أو التمرد على الدولة والخروج عليها، والاحتماء بجماعات وسيطة، أو أقل من الدولة. وتؤدي كل هذه الظواهر إلى تآكل المواطنة، بسبب تآكل إشباع الحاجات الأساسية.

المصادر والمراجع

أندرو إدجار، بيتر سيدجويك، "موسوعة النظرية الثقافية: المفاهيم والمصطلحات الأساسية"، ترجمة هناء الجوهري، المركز القومي للترجمة، القاهرة، 2009.
شبل بدران، "التربية المدنية (التعليم والمواطنة وحقوق الإنسان)"، مكتبة الأسرة، القاهرة، 2009.
علي جلبي وآخرون، "القاموس العصري في العلم الاجتماعي"، مطبعة البحيرة، الإسكندرية، 2007.
علي ليلة، "المجتمع المدني (قضايا المواطنة وحقوق الإنسان)"، مكتبة الأنجلو المصرية، القاهرة، 2007.
موضوعات نفسية واجتماعية، المواطنة، موسوعة مقاتل من الصحراء.

جنسية
حكومة
سياسة مقارنة
قانون الهجرة
مفاهيم سياسية
هجرات بشرية

مواطنة


Jorge Edgardo D'Ascenzo (Mataderos, Ciudad de Buenos Aires, Argentina, 17 de junio de 1937- 15 de julio de 2010) fue un jugador de fútbol argentino.

Trayectoria
Llegó al Club Atlético Independiente procedente de Nueva Chicago donde había formado delantera junto a Julio San Lorenzo, Norberto Calandria, Alberto Dacquarti y Oscar Casanova, donde jugó en 1957 y 1958. En Independiente jugó, entre 1960 y 1962 y en 1964. Disputó 73 partidos convirtiendo 33 goles (uno de ellos, el número 2000 de Independiente). Fue campeón de liga en 1960, convirtiéndose en el segundo goleador del equipo detrás de Walter Giménez. Fue internacional siete partidos, anotando dos goles. Disputó el Sudamericano de Perú en 1962.

También jugó en Chacarita Juniors y en el Green Cross-Temuco de Chile. Disputaron un partido contra la Selección de fútbol de la Unión Soviética en 1965 con un gol suyo, batiendo a Víktor Bánnikov sustituto de Lev Yashin.

Referencias

Futbolistas de la Ciudad de Buenos Aires
Futbolistas del Club de Deportes Temuco en los años 1960

Jorge Edgardo D'Ascenzo


El área de seguridad compartida o de seguridad conjunta (también conocido por su denominación en inglés Joint Security Area o sus iniciales JSA) es el único sector de la zona desmilitarizada de Corea (ZDC) en donde fuerzas militares de Corea del Norte y Estados Unidos tienen contacto directo. Desde su creación el JSA es utilizado para que las dos Coreas (Corea del Sur en representación de Estados Unidos) mantengan contactos diplomáticos, y hasta marzo de 1991 también fue el emplazamiento de negociaciones militares entre el Comando de las Naciones Unidas y Corea del Norte. El área de seguridad compartida está situado en las coordenadas  en plena carretera Pyongyang-Seúl, en el término municipal de la antigua aldea de Panmunjom.

La villa original de Panmunjom, anterior a la Guerra de Corea, abarcaba un área mayor que las actuales instalaciones militares del área de seguridad compartida y estaba compuesta principalmente por granjas y terrenos de cultivo. Las instalaciones levantadas después fueron situadas a unos 800 metros al sur de donde se asentaba Panmunjom. La cercanía a esta antigua aldea es la razón por la cual se suele confundir al área de seguridad compartida con el topónimo Panmunjom. Dicha aldea ya no existe ya que fue destruida durante la Guerra, aunque en la actualidad, en el mismo lugar donde antes se encontraba, ahora se levanta el Museo de la paz de Corea del Norte. Corea del Norte no permite que se edifiquen nuevas viviendas en su sector de la zona desmilitarizada, la aldea no fue reconstruida, pero su nombre sigue empleándose para referirse al área de seguridad compartida. El nombre de Panmunjom ganó notoriedad tras la firma del Armisticio que puso fin a las hostilidades. Los generales Nam Il, norcoreano, y William Harrison Jr, estadounidense, firmaron el documento el 27 de julio de 1953 en un improvisado pabellón ubicado en las ruinas de Panmunjom, hoy en territorio norcoreano. Posteriormente, el general estadounidense y comandante en jefe del Comando de las Naciones Unidas Mark Wayne Clark refrendó el documento del acuerdo del Armisticio en una ceremonia separada celebrada en Munsán, aproximadamente 18 kilómetros al sur de la zona desmilitarizada; mientras que el mariscal norcoreano y Comandante Supremo del Ejército Popular de Corea Kim Il-sung, acompañado del comandante chino Peng Dehuai hizo lo propio en otra ceremonia separada que se desarrolló en Kaesong, unos 10 kilómetros al norte de la ZDC.

El área de seguridad compartida ha sido el lugar de numerosos acontecimientos desde su creación en 1953, comenzando por la repatriación de prisioneros de guerra después del fin de las hostilidades utilizando para ello el llamado Puente sin retorno en las proximidades del JSA. La notoriedad que alcanzó el JSA le han llevado a ganarse el sobrenombre de "el pueblo de la tregua" dado por la prensa internacional, e informalmente por medios especializados. El JSA ha sido utilizado también como trasfondo de una película surcoreana del 2000 que lleva el mismo nombre.

Referencias

Geografía de Corea del Norte
Geografía de Corea del Sur
Guerra de Corea
Zona desmilitarizada de Corea

Área de seguridad conjunta


Die Dreifaltigkeitskathedrale von Blaj in der siebenbürgischen Stadt Blaj ist die Bischofskirche des rumänischen griechisch-katholischen Großerzbistums Făgăraș und Alba Iulia. Sie wurde zwischen 1738 und 1765 auf Veranlassung des Bischofs Inocențiu Micu nach Plänen der Architekten Anton Erhard Martinelli und Johann Baptist Martinelli errichtet und 1756 geweiht. 1837, unter Bischof Ioan Lemeni, wurde die Fassade durch das Aufsetzen der beiden Türme ergänzt.

Die Kathedrale ist die erste Barockkirche der Rumänen, zurückzuführen auf die Zugehörigkeit Siebenbürgens zur Habsburgermonarchie im 18. Jahrhundert.

Literatur
 Cornel Tatai-Baltă: Alle Gesehenen werden nach dem Kreuz gefragt. Neue Daten betreffs der namengebender Ikone der Ikonostase aus der Kathedrale von Blaj. In: Perspective. Jg. 30 = Nr. 83, Mai/September 2009, , S. 3–14 (PDF; 7,4 MB).
 Marius Porumb: Catedrala Sfânta Treime din Blaj la 1751. In: Acta Musei Napocensis. Bd. 32, 1995, , S. 353–357.

Weblinks

Blaj
Blaj
Barockbauwerk in Rumänien
Blaj
Erbaut in den 1740er Jahren
Blaj
Blaj
Bauwerk im Kreis Alba
Religion (Kreis Alba)

Kathedrale von Blaj


Die 7. Emmy-Verleihung fand am 7. März 1955 im Moulin Rouge Nightclub in Hollywood, Kalifornien, USA statt. Die von Steve Allen moderierte Zeremonie wurde über NBC erstmals national ausgestrahlt.

Nominierungen und Gewinner

Programmpreise

Regiepreise

Drehbuchpreise

Technikpreise

Musikpreise

Darstellerpreise

Moderatorenpreise

Weblinks
 7th Primetime Emmys Nominees and Winners (Emmys)
 Emmy Awards: 1955 (IMDb)

1955
Preisverleihung 1955
Filmjahr 1955
Preisverleihung in Los Angeles
Hollywood

Primetime-Emmy-Verleihung 1955


Børns billeder er en dansk dokumentarfilm fra 1982, der er instrueret af Bodil Havskov.

Handling
Om mindre børns spontane billedskabende virksomhed, der når sit højdepunkt omkring 4-5 års alderen, men som oftest stagnerer samtidig med, at barnet har tilegnet sig læse- og skrivefærdighed. Det skyldes antagelig ikke den nye færdighed, men snarere den indlæringsmetode, der foregår ved hjælp af fremmedgørende (voksen)illustrationer.

Referencer

Eksterne henvisninger

Danske film fra 1982

Dokumentarfilm fra Danmark

Børns billeder


Halil Rifat Paşa (1827, Selanik - 1901, İstanbul) II. Abdülhamid saltanatında, 7 Kasım 1895-9 Kasım 1901 tarihleri arasında sadrazamlık yapmış, bunun öncesinde de Sivas ve İzmir valilikleri hizmetlerinde bulunmuş bir Osmanlı devlet adamıdır.

Hayatı
Osmanlı Devleti'nin 1827 yılında Selanik vilayetinin Siroz sancağına bağlı Lika köyünde "Bölükbaşı ailesi" olarak tanınan bir ailenin çocuğu olarak doğmuştur.

Osmanlı bürokrasi kademesinin en altı olan tahrirat kaleminden, en üst makam olan Sadrazamlığa kadar yükselmiş önemli bir devlet adamıdır. Sıbyan mektebinde yeteneği fark edilip bölge eşrafından bir zatın himayesinde İstanbul'da Mülkiye Mektebi'nde eğitimini tamamlamıştır. Kâtip olarak memuriyete başlayarak bürokrasi içinde yetişti. Çeşitli vilayetlerde divan kâtipliği, mektupçuluk, mutasarrıflık, valilik ve sonra Dahiliye Nazırlığı ve Sadrazamlık vazifelerinde bulundu.

Memuriyet hayatındaki en parlak icraatlarını Sivas, Aydın (İzmir) ve Manastır valilikleri dönemlerinde gerçekleştirdi. Balkanlarda eşkıyaya karşı orijinal mücadele taktikleri ve Anadolu'da bayındırlık alanında vatandaş-devlet iş birliği ile gerçekleştirdiği çalışmalarla şöhrete ulaştı.

1882'de  o devirde eyalet merkezi olan Sivas'a vali olarak gönderilmiştir. Yol, içme suyu, tarım, orman alanlarında bölgeye çok hizmet vermiştir.
 Trabzon-Canik (Samsun) Elazığ-Malatya-Hasançelebi sınırına kadar 410 kilometrelik Bağdat yolunu yaptırmış;
 Bu yol üzerinde 314 köprü ve 829 menfez inşa edilmiş;
 Çamlıbel'e kendi parası ile bir çeşme yaptırmış;
 Tokat-Niksar-Ünye'ye kadar olan 76 kilometrelik şoseyi yaptırmış;
 Kelkit Çayı üzerinde 630 metre uzunluğunda 41 gözlü Hamidiye Köprüsü'nü yaptırmıştır.
 Bunlar dışında 55 köprü ile 32 menfez inşasını gerçekleştirmiştir.
 Yozgat-Çorum sınırına kadar 63 kilometre yol açtırmış ve köprüler yaptırmıştır.
 Merzifon-Osmancık ilçesi arası yolu 59 kilometrelik bir şose ile bağlattırmıştır;
 Şebinkarahisar'dan Trabzon ve Giresun illerine kadar, 64 kilometrelik bir yol ile Sivas-Hafik-Zara-Koyulhisar-Mesudiye ve Ordu illerine kadar 212 kilometrelik şose, 92 köprü, 300'den fazla menfez yaptırmıştır.
 Ayrıca Sivas'ın kasabalarının ve birçok köyün yollarını inşa ettirmiştir.

Yol davasındaki şu sözü tarihe geçmiştir: Gidemediğin yer senin değildir. Bütün bu hizmetleri sonunda Sivas'tan görev icabı ayrılarak İzmir'e tayin olmuştur. 1885-86 ve 1889-1891 yılları arasında iki dönem İzmir valiliği yapmıştır.

19. yüzyıldaki yüzlerce vali arasında özellikle yol yapımı konusunda isim bırakan tek şahsiyettir.

Dahiliye Nazırlığı ve Sadrazamlığının ilk yıllarında en fazla meşgul olduğu mesele Ermeni isyanlarıydı. Dahiliye Nazırlığı görevindeyken başlattığı Darülaceze projesinin sadrazamlığının altıncı ayında tamamlanmasıyla resmi açılışını bizzat yapabilmiştir. Bir idare binası, sekiz aceze dairesi, çocuk yuvası, revir ve hastane, cami, kilise, sinagog, iş ocakları, aş ocağı, fırın, hamam, çamaşırhane, gasilhane, berberhane, hemşire ve bakıcılar için personel lojmanları, rehabilitasyon merkezi, hayvan kesimhanesi, demirbaş eşya deposu, kuru gıda ambarı, yaş sebze ve meyve muhafaza deposu, buzhane gibi üniteleri içine alan 20 binadan oluşan Darülaceze din, mezhep, dil, ırk, sınıf ve cinsiyet farkı gözetmeksizin bakıma muhtaç kimsesiz, yaşlı ve sakat insanlarla, sokağa terk edilmiş 0-6 yaş arası çocuklar ücretsiz olarak, her türlü ihtiyaçları karşılanarak barındırılmak amacı ile kurulmuştu.

II. Abdülhamid döneminde bütün işlerin saraydan yürütüldüğü ve Sadrazamların nispeten az rolünün bulunduğu bir zamanda, yumuşak huyluluğu ve Padişaha sadakati sayesinde 9 Kasım 1901'de vefat edene kadar makamını muhafaza edebilmiştir. 6 yıllık bu sadrazamlık görevi esnasında da başarılı hizmetlere imza atmıştır.

1901 yılında vefat etmiş, Eyüpsultan'da kendisini yetiştiren Hüsrev Paşa'nın yanına defnedilmiştir. Türbesi Bostan İskelesi Sokağı ile Boyacı Sokağının birleştiği yerdedir.

Sivas Merkezde adını taşıyan bir lise kurulmuştur.
Sivas Merkezde adını taşıyan bir mahalle bir ortaokul ve lise vardır.
Ayrıca Sivasın önemli caddelerinden birinede adı verilmiştir.

Popüler Kültürdeki Yeri
Sadrazam Halil Rıfat Paşa bir karakter olarak Elveda Rumeli dizisinde de canlandırılmıştır.

Kaynakça

Dış bağlantılar

 Birinci, Ali, "Halil Rifat Paşa", (1999), Yaşamları ve Yapıtlarıyla Osmanlılar Ansiklopedisi, İstanbul:Yapı Kredi Kültür Sanat Yayıncılık A.Ş. C.1 s.520-521 ISBN 975-08-0072-9
 Birol, Nurettin (2009),  "Halil Rıfat Paşa Dönemi ve İcraatı" Ankara: Cedit Neşriyat.
 Halil Rifat Paşa (biyografi.pdf) Nurettin Birol - Sivas Cumhuriyet Üniversitesi, Sosyal Bilimler Dergisi, Aralık 2003.
 Mercan, Mehmet, 'Sivas Valisi Halil Rıfat Paşa'nın Eğitim ve İmar Faaliyetleri', Atatürk Üniversitesi, Türkiyat Araştırmaları Enstitüsü Dergisi, Cilt 11, Sayı 23, 2004.

1827 doğumlular
Selanik doğumlu siyasetçiler
19. yüzyılda Osmanlılar
20. yüzyılda Osmanlılar
Osmanlı sadrazamları
Osmanlı Aydın valileri
Osmanlı Sivas valileri
Osmanlı Kosova valileri
Dahiliye nâzırları
1897 Osmanlı-Yunan Savaşı'nda Osmanlılar
1901 yılında ölenler
İstanbul'da ölenler
İstanbul'da defnedilenler

Halil Rifat Paşa


Svijet

Filmovi
 Daleko od očiju, američki film

Događaji

Osnivanja

Nagrade i priznanja

Rođenja

Smrti

Hrvatska i u Hrvata

Filmovi

Događaji

Osnivanja

Nagrade i priznanja

Rođenja

Smrti

Izvori

Vanjske poveznice

Film u 1998.


باتيك  هي إحدى طرق الصباغة الفنية، تشتهر بها أندونيسيا للحصول على التصميمات الملونة على الأقمشة القطنية. تعتمد هذه الطريقة على تغطية القماش بطبقة من الشمع، وبعد جفاف الشمع على القماش يشرَّخ إلى الدرجة المطلوبة، ثم يصبغ القماش فيظهر اللون في الأماكن غير المغطاة بالشمع (المشرخة).

يستخدم للعملية خليط شمع النحل وشمع البرافين. يفيد شمع النحل في ثبات الخليط على القماش، بينما يفيد شمع البرافين في التشريخ وهو ميزة الباتيك. يمكن استخدم عدة ألوان من خلال سلسلة من عمليات الصباغة والتجفيف والتشميع. ترسم خطوط الشمع الدقيقة على القماش باستعمال إبرة منحنية، مجهزة بمقبض خشبي مع كأس معدني صغير ذو ميزاب صغير ينز منه الشمع. هناك طريقة أخرى للتشميع بمهر القماش باستعمال كتلة خشبية أو معدنية مجهزة بأسلاك مدهونة بالشمع.

يستعمل القماش المصبوغ بطريقة الباتيك الأندونيسي لألبسة ذات الرسوم المعقدة. وهناك رسمات خاصة بالنبلاء. ونجد الرسوم والشعارات الغامضة، بالإضافة إلى رسوم الحيوانات.

ما هو باتيك؟
كما أن "الباتيك ينسج"، مثل الملابس، وأغطية المائدة، وجوه الوسائد، وأغطية الجدران، والشالات، والأوشحة، وملابس الأطفال تجتذب أيضا انتباه العالم بأسره اليوم.نسمي النسيج "باتيك المنسوجات"، والتي يتم تشكيلها من قبل الصباغة على أي نسيج مسطح من خلال تشكيل نمط.منفذ الباتيك هو تقنية إندونيسية، قديمة قدمها قرون.كانت هذه هي المرة الأولى التي يقوم فيها المسافر في القرن السادس عشر بتغطية فنية عالية من الباتيك.ومنذ القرن التاسع عشر، دخلت تقنية الباتيك الحرف اليدوية الأوروبية.في تصاميم الباتيك، والزهور الطبيعة، الفراشات الملونة، والطيور الجنة هي منمقة وتستخدم كزخارف.في جاوا، يفضل عادة الأقمشة القطنية لفساتين الباتيك، وفي أوروبا، يفضل الأقمشة القطنية المنسوجة.في الوقت الحاضر، فإنه ليس من الممكن لجعل واحدة مماثلة، لذلك لا يزال الحفاظ على وزن الملابس والبطاطا الزخرفية.

كيف يستخدم الباتيك
في أعمال الباتيك، يتم رسم الأنماط على النسيج الأبيض وفقا للنمط.يتم تغطية الأماكن غير المرغوب فيها الملونة مع الشموع.يتم تلوين النسيج في مربع صبغ.ديسند هو الملونة من قبل الصبح عدة مرات حتى يتم الحصول على الألوان المفضلة.سيكون هناك فواصل في شمعة في سياق العمل، ويتم خلط بعض الألوان معهم.هذا هو سمة من التمارين الباتيك.عند اختيار النسيج، ونوع النسيج يختلف اعتمادا على حيث يتم استخدام بالوعة.وتستخدم جميع أنواع الأقمشة في صنع العناصر الزخرفية.ويمكن تقييم الدراسات على الحرير الطبيعي.الباروكات، فروع، أغطية الرأس يمكن أن تكون مصنوعة من الحرير الطبيعي.يمكن إجراء دراسات الباتيك مع أي نمط.مطلوب عمليات خاصة عند العمل مع الألوان المتناقضة.ويفضل في الألوان تكمل بعضها البعض في الدراسات.على سبيل المثال الأبيض والأصفر والبني والأحمر، بورجوندي، أسود.

أنواع الباتيك
 مشمع باتيك
 كشط باتيك
 الباتيك مع العفن
 تجليد باتيك (خشبية باتيك)
 ليناليوم باتيك
 قالب باتيك
 ورقة باتيك
 تدفق باتيك

الباتيك طلاء، مقاوم للحرارة، يبقى لونه مشرقا حتى بعد غسله.يمكن الحصول على الوان جديده عن طريق خلط الألوان مع بعضها البعض.وينبغي استخدام الدهانات الملونة الزاهية في صنع الباتيك.بالإضافة إلى النسيج، ويمكن الحصول على أوراق الزخرفية المختلفة من خلال تطبيق طيات مختلفة للورق.يجب أن تكون ثابتة الباتيك رسمت (ثابتة) من خلال أخذ الشمعة، تبخير على الإطلاق وتمريرها من خلال عمليات مختلفة.إذا لم يتم ذلك أو هناك أي قصور في العمليات، سيتم فقدان ميزة الباتيك.

اقرأ أيضا
 ممانعة الصباغة
 خطوط عريضة للحرف

ثبت المراجع

اختراعات إندونيسية
ثقافة إندونيسية
رموز إندونيسيا الوطنية
روائع التراث الشفهي اللامادي للإنسانية
صناعة كيمياء النسيج
طباعة
فنون النسيج
ملابس إندونيسية
نسج
هندسة النسيج

باتيك


Evald Vassilievich Ilyenkov (; 18 February 1924 – 21 March 1979) was a Marxist author and Soviet philosopher.

Biography
Evald Ilyenkov did original work on the materialist development of Hegel's dialectics, notable for his account of concrete universals. His works include Dialectical Logic (Russian, 1974; English trans. 1977), Leninist Dialectics and the Metaphysics of Positivism (Russian, 1980 (posthum.); English trans. 1982) and The Dialectics of the Abstract and Concrete in Marx's Capital (Russian, 1960; English trans. 1982). Ilyenkov committed suicide in 1979.

David Bakhurst wrote in his article; "Meaning, Normativity and the Life of Mind":

An abridged version of his article, "Marx and the Western World," was published in English in a book of the same name in 1967, but this work is little known.

On the other hand, Ilyenkov's work (especially his masterpiece, the study on Dialectics of the Abstract and the Concrete in Marx's Capital from 1960, and the collection of essays entitled Dialectical Logic from 1974) deeply influenced the reception of Marx' economic writings from the 1960s onwards, in the Soviet Union and the GDR as well as in the West. His influence can be witnessed in the international research effort concerned with the publication of Marx' economic manuscripts (in Marx/Engels: Gesamtausgabe, or MEGA, section II, 1976 ff.). His influence is also evident in the intense debates on economic reform that was going on in the Soviet Union in the 1970s (e.g., in the works of A. K. Pokrytan).

Ilyenkov's works have been published in about 20 languages. His Dialectical Logic (1974) was published in English by Progress Publishers in Moscow in 1977. A German translation of his Dialectics of the Abstract and the Concrete in Marx's Capital (1960), was published by the same publisher in 1979 (and simultaneously by Das europäische Buch, West Berlin); an English translation of the book was published by Progress Publishers in Moscow in 1982. Leninist Dialectics and the Metaphysics of Positivism (first published in Russian in 1980) was published by New Park Publications in 1982.

Bibliography (English translations)
Books:
2018. Intelligent Materialism: Essays on Hegel and Dialectics
1960. Dialectics of the Abstract & the Concrete in Marx's Capital
1974. Dialectical Logic, Essays on its History and Theory
1979. Leninist Dialectics and the Metaphysics of Positivism

Articles:
1974. Activity and Knowledge
1974. From the Marxist-Leninist Point of View
1974. The Universal
1974. A Contribution to a Conversation About Esthetic Education
1975. A Contribution to a Conversation About Meshcheriakov
1975. Humanism and Science
1976. Dialectics of the Ideal
1977. Concept of the Ideal
1979. The problem of contradiction in logic (fragment)
1979. Materialism Is Militant and Therefore Dialectical
Date unknown. Psychology
Date unknown. Our Schools Must Teach How to Think!
Date unknown. A Contribution to the Discussion on School Education
Date unknown. On the Nature of Ability
Date unknown. The Biological and the Social in Man
Date unknown. A Contribution on the Question of the Concept of "Activity" and Its Significance for Pedagogy
Date unknown. Knowledge and Thinking
Date unknown. Ideals (Social, Esthetic, Moral)
Date unknown. Mind and Brain (An Answer to D. I. Dubrovskii)
Date unknown. The Question of the Identity of Thought and Being in Pre-Marxist Philosophy

See also
 Philosophy in the Soviet Union
 Aleksandr Zinovyev
 Merab Mamardashvili
 György Lukács
 Lev Vygotsky
 Bertell Ollman

References
 Ilyenkov, E.V., The Ideal in Human Activity, includes "Dialectical Logic" and essays on the ideal and activity, such as "The Universal," "Activity and Knowledge" and "The Concept of the Ideal," published by Erythrospress, see Erythrospress.com/Ilyenkov

Further reading
Dialectics of the Ideal: Evald Ilyenkov and Creative Soviet Marxism (Historical Materialism Book Series) by Alex Levant
Evald Ilyenkov's Philosophy Revisited, (Kikimora publications) by Vesa Oittinen (Dec 2000)
Consciousness and Revolution in Soviet Philosophy: From the Bolsheviks to Evald Ilyenkov, by David Bakhurst (Jun 28, 1991)
E. Ilyenkov and the Deaf-Blind Children:Soviet Psychologists Show Pavlov the Door, by Susan Welsh (1977).
Spinoza, Ilyenkov & Western Marxism – meeting the challenges of the global crisis, by Corinna Lotz and Penny Cole (2012).
On trends in the status of dialectical logic: A brief study of Lefebvre, Ilyenkov and Wald, by Claude M. J. Braun (1989)
A philosopher under suspicion, by Sergey Mareev (1990)
Review of E.V. Ilyenkov, "The Ideal in Human Activity", by Alex Levant (2011)
Symbols, tools, and ideality in Ilyenkov, by Peter Jones (1998)
Ideality, Symbols, and the Mind(Response to David Bakhurst), by Peter Jones (1998?)
Re-reading Soviet philosophy: Bakhurst on Ilyenkov, by Brendan Larvor (1992)
Lessons from Ilyenkov, by David Bakhurst (1995)
Review-essay: From the History of Soviet Philosophy: Lukacs-Vygotsky-Ilyenkov, by Alex Levant (2011)
From the History of Soviet Philosophy: Lukács – Vygotsky – Ilyenkov, by Sergey Mareev, Moscow:Kul'turnaia revoliutsiia, 2008 [Russian]
About the Last Soviet Marxist, by Aleksey Tsvetkov (2013) [Russian]
E.V. Ilyenkov and Creative Soviet Theory: An Introduction to Dialectics of the Ideal, by Alex Levant (2012)
Evald Ilyenkov's  Cosmology: The Point of Madness of Dialectical Materialism, by Slavoj Žižek
Finding Evald Ilyenkov: How a Soviet philosopher who stood up for dialectics continues to inspire, by Corinna Lotz (2019)

External links
Evald Ilyenkov Archive at Marxist Internet Archive
Biography including Archive of Writings in English/Russian
Evald Ilyenkov in the Gallery of Russian Thinkers
A Philosopher Under Suspicion by Sergei Mareyev
International Friends of Ilyenkov https://ilyenkovfriends.org/

1924 births
1979 suicides
20th-century Russian philosophers
Materialists
Marxist theorists
Russian communists
Russian Marxists
Russian people of World War II
Soviet military personnel of World War II
Soviet philosophers
Suicides in the Soviet Union
Spinoza scholars
Spinozist philosophers
1979 deaths

Evald Ilyenkov


Moran est une ville américaine située dans le comté d'Allen, au Kansas. Selon le recensement de 2010, sa population est de .

Liens externes

Ville au Kansas
Comté d'Allen (Kansas)

Moran (Kansas)


An Aechmea manzanaresiana in uska species han Liliopsida nga ginhulagway ni Hans Edmund Luther. An Aechmea manzanaresiana in nahilalakip ha genus nga Aechmea, ngan familia nga Bromeliaceae. Ginklasipika han IUCN an species komo nangangarat-an.

Mabibilngan ini ha Ecuador. Waray hini subspecies nga nakalista.

Mga kasarigan

Aechmea

Aechmea manzanaresiana


මේඝනාද හෙවත් ඉන්ද්‍රජිත්, රාමායණය නම් හින්දු කාව්‍යයේ එන තවත් එක් චරිතයකි. එවැනිම චරිත වූ රාවණ රජුගේ සහ මන්දෝදරී බිසවගේ වැඩිමහල් දරුවා ලෙස දක්වේ. ඔහු උපන් මොහොතේ හැඩූ ශබ්දය අකුණු හඬ පරදා ඇසුණු බැවින් කුමරුට මේඝනාද යැයිද ඉන්ද්‍ර දෙවියන් සමඟ යුද්ධ කර පරාජය කළ හෙයින් ඉන්ද්‍රජිත් ලෙසද රාවණා රජු විසින් නම් තැබූ බව කතාවල කියවේ.

ආශ්‍රිත ලිපි
 රාවණ රජු

රාවණා රජ

ඉන්ද්‍රජිත්


9543 Nitra este un asteroid din centura principală de asteroizi.

Descriere
9543 Nitra este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Piszkesteto de Milan Antal. El prezintă o orbită caracterizată de o semiaxă mare de 3,00 ua, o excentricitate de 0,07 și o înclinație de 8,6° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 9001-10000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1983
Centura de asteroizi

9543 Nitra


Lord of Arcana es un videojuego producido por Square Enix para PlayStation Portable en el año 2010. Es una apuesta de Square Enix para aprovechar el género de caza de monstruos propulsado por Capcom con Monster Hunter al que se le añaden toques de RPG estilo Final Fantasy como una subida progresiva de nivel, hechizos e invocaciones.

Características
Este juego es de combate en tiempo real, y destaca por los espectaculares combates contra los jefes finales, los cuales deberemos derrotar a base de un QTE (Quick Time Events. Para que lo entendais, salen botones que deberemos pulsar en un pequeño espacio de tiempo para conseguir encadenar los ataques, estilo God of War) después de una larga batalla a base de espadazos. En este juego la dinámica consiste en derrotar monstruos menores en diversas misiones para obtener materiales y con ello fabricar armas, armaduras y demás ítems que te serán útiles en la lucha, y hay que decir que cientos de armas las que podremos encontrar, teniendo en cuenta cada tipo de arma, las diferentes armas de cada tipo, y las mejoras que podremos hacer en estas y en la armadura, compuesta por traje, casco y escudo.
El nivel del juego es bastante difícil así que no es recomendable para gente que se estresa fácilmente ya que muchas de las misiones del juego conseguirán que nos ardan los dedos para después acabar muriendo y tener que volver a empezar la misión con una nueva estrategia.
Eso sí, para los amantes de este tipo de juego es todo una obra de arte, así que si os gusta juegos estilo Final Fantasy y monster hunter este es vuestro juego.
Historia
En un reino lejano el caos se está apoderando de todo ya que el poder de arcana está dividido entre los señores oscuros y estos están aburridos, y tu eres el elegido, serás transportado desde tu mundo a este reino para intentar hacerte con ese poder y de esta manera convertirte en el monarca del reino, el único que puede traer de nuevo la tranquilidad así que no nos queda otra que coger la espada y ponernos manos a la obra e ir eliminando uno a uno a los señores oscuros para obtener su parte de poder, y una vez reunido todo el poder de las piedras arcana la calma volverá.
La historia queda en un segundo plano ya que no se habla mucho de ella, para entenderla mejor habrá que hablar con todos los personajes de Puerto carillo cada vez que empecemos un nuevo capítulo, pero esto no impide que el juego enganche al usuario. El afán por superarse, conseguir un nuevo y mejor equipo para derrotar a monstruos cada vez más poderosos es suficiente para esto.

Desarrollo
Inicialmente este juego tiene un tutorial donde se indican los controles generales del juego,
una vez familiarizados con los controles os recomiendo que uséis o la espada a una mano dada su velocidad y técnicas o la espada a 2 manos que es un poco más lenta pero tiene un gran poder, además cuando consigáis la última técnica de esta arma la velocidad aumenta significativamente, es cierto que hay monstruos en los que se nos facilitará mucho el trabajo si elegimos una buena equipación.
También están Easter Eggs dentro el juego como los son Bahamut, Ommiehola, y diversas referencias a la Saga de Final Fantasy

Videojuegos para PlayStation Portable
Videojuegos de Square Enix
Videojuegos de acción
Videojuegos de 2010
Videojuegos con protagonistas de género seleccionable

Lord of Arcana


Scott K. Irwin (14 de mayo de 1952-5 de septiembre de 1987) fue un luchador profesional estadounidense. Fue más conocido por hacer dupla con su hermano Barney "Bill" Irwin.

Muerte

El 5 de septiembre de 1987, Irwin murió a causa de un tumor cerebral.

En lucha
Movimientos finales

Superplex

Mánagers
Skandor Akbar
Oliver Humperdink

Apodos
Scott "Hog" Irwin

Campeonatos y logros
Cauliflower Alley Club
Posthumous Award (2007) with Betty Joe HawkinsChampionship Wrestling from FloridaNWA Florida Tag Team Championship (1 vez) – con Bugsy McGraw
NWA Southern Heavyweight Championship (Florida version) (1 vez)
NWA United States Tag Team Championship (Florida version) (1 vez) – con Jos LeDucGeorgia Championship WrestlingNWA National Heavyweight Championship (1 vez)
NWA National Tag Team Championship (3 veces) – con Big John Studd (1), Masked Superstar (1), y Bill Irwin (1)Lutte InternationaleCanadian International Tag Team Championship (1 vez) – con Bill IrwinPro Wrestling IllustratedSituado en el puesto #77 de los "100 tag teams PWI" con The Masked Superstar en 2003Mid-South Wrestling AssociationMid-South Louisiana Heavyweight Championship (1 vez)
Mid-South Tag Team Championship (1 vez) – con The GrapplerWorld Class Championship WrestlingNWA American Tag Team Championship (4 veces) – con Super Destroyer #1/Bill Irwin
WCCW Television Championship (2 veces)World Wide Wrestling FederationWWWF World Tag Team Championship (1 vez) – con Yukon PierreWrestling Observer Newsletter awards
Best Wrestling Maneuver (1982) Superplex

Referencias

Luchadores profesionales de Estados Unidos
Nacidos en Duluth (Minnesota)

Scott Irwin


Indigosoli ili leukoesteri reduktivnih bojila su soli estera sumporne kiseline s leukospojevima koji nastaju redukcijom karbonilnih skupina indigoidnih i antrakinonskih bojila. Karakterizira ih prisutnost grupacije Me03S0—C=C—C=C—OSO3Me (Me = kalij ili natrij). Vežu se iz neutralne kupelji na pamuk ili iz slabo kisele kupelji na vunu i svilu, a zatim se u drugoj kupelji, koja sadrži kiselinu, izvrši hidroliza estera i zbog prisutnosti oksidirajućih sredstava (natrijeva nitrita, natrijeva dikromata, feriklorida) istodobno oksidira hidroksilna grupa u karbonilnu. Njihove postojanosti odgovaraju postojanostima onih reduktivnih bojila od kojih se izvode. Upotrebljavaju se najčešće za bojanje pamuka, lana, regeneriranih celuloznih vlakana, a rjeđe za vunu i svilu. Odlikuju se izvanrednom sposobnošću egalizacije (izjednačivanja) i prodiranja u tkivo, pa se zato upotrebljavaju za pastelne nijanse, a vrlo se dobro primjenjuju i za bojanje komadne robe. Stanovitu upotrebu imaju i u bojanje kod štampanja (tisak).

Objašnjenje
Leukoesteri reduktivnih bojila ili indigosoli ne čine zapravo neku posebnu kemijsku grupu nego se svrstavaju uz antrakinonska i indigoidna bojila od kojih se izvode. Pripremaju se većinom djelovanjem klorsulfonske kiseline na reduktivno bojilo u prisutnosti praha metalnog željeza ili bakra i nekog tercijarnog amina (piridina, pikolina i tako dalje). Mogu se upotrijebiti i u kombinaciji s onim bojilima s kojima se reduktivna bojila ne mogu kombinirati zbog visokog alkaliteta otopina leukospojeva. Prednost im je također što prodiru u vlakna i dobro izjednačuju (egaliziraju), pa i na teškim tkaninama. Prvi proizvod ove grupe bio je Indigosol O, C.I. 73002, kojemu je matično bojilo indigo. Ostali su važniji produkti ove grupe građeni analogno, a proizvode se polazeći od odgovarajućih reduktivnih bojila.

Umjetna bojila

Umjetna bojila ili sintetska bojila pojavljuju se nakon sinteze mauveina iz anilina (W. H. Perkin, 1856.). Njihova se tržišna primjena temeljila na proizvodnji velikih količina anilina iz katrana kamenog ugljena kao sirovine (otuda naziv katranske, odnosno anilinske boje). Nakon otkrića diazotacije i alizarinske sinteze u drugoj polovici 19. stoljeća, ostvarena je industrijska sinteza indiga, kongo-crvenila, indantrena i mnogih drugih bojila. Disperzijska bojila uvedena su 1923., a reakcijska 1956. Bojila za tekstil u Hrvatskoj proizvodi od 1950. zagrebačka tvornica "Chromos – Organske boje". Umjetna bojila su jeftinija i velike učinkovitosti, stoga danas drže vodeći položaj u proizvodnji.

Sintetska bojila mogu se podijeliti prema materijalu koji se njima bojaju na bojila za tekstil, za kožu, za papir, za plastične mase, za hranu, za ulja, masti, voskove, tekuća goriva i maziva, za premazna sredstva i naliče i za druge specijalne svrhe. Bojila za tekstil mogu se podijeliti na bojila za biljna vlakna, za životinjska vlakna, za sintetička vlakna i za miješana vlakna ili tkanine. Među bojila za specijalne svrhe idu bojila za mikroskopiju, za fotografiju, za kozmetiku, za pirotehniku, za farmaceutske svrhe, za kemijsku analizu (indikatori).

Prema svojstvima bojanja dijele se bojila u ove grupe:
 bojila topljiva u vodi:
 bazna,
 kisela,
 močilna,
 metalkompleksna,
 supstantivna (direktna),
 reaktivna,
 leukoesteri reduktivnih bojila (indigosoli);
 bojila topljiva u alkoholu;
 bojila netopljiva u vodi:
 bojila koja se redukcijom mogu prevesti u leukospojeve topljive u vodi (reduktivna i sumporna bojila),
 disperziona bojila,
 bojila topljiva u mastima i uljima,
 pigmentna bojila,
 bojeni lakovi;
 bojila koja se grade na vlaknu (materijalu):
 naftol-AS bojila,
 acetatna bojila za razvijanje,
 oksidaciona bojila,
 bojila koja nastaju u diazotipiji,
 bojila za višeslojnu fotografiju u bojama.

Izvori

Pigmenti

Indigosoli


Ultima zi este un film românesc din 2016 regizat de Gabriel Achim. Rolurile principale au fost interpretate de actorii Doru Ana, Mimi Brănescu, Adrian Văncică.

Prezentare

Distribuție
Distribuția filmului este alcătuită din:

Note

Legături externe

Vezi și
 2016 în film

Filme românești
Filme în limba română
Filme din 2016
Filme de comedie românești

Ultima zi


Cangrejeros de Santurce, Spanish for "Santurce Crabbers", refers to several teams based in San Juan, Puerto Rico:

 Cangrejeros de Santurce (baseball), baseball team of the Puerto Rico Baseball League
 Cangrejeros de Santurce (basketball), basketball team of the Baloncesto Superior Nacional league

Cangrejeros de Santurce


Gökçeağaç, Çorum ilinin Uğurludağ ilçesine bağlı bir köydür.

Tarihçe
Köyün adı, 1928 yılı kayıtlarında Karaavdar olarak geçmektedir. Daha önceleri İskilip ilçesine bağlıyken, 4 Temmuz 1987'de Uğurludağ ilçesine bağlandı.

Coğrafya
Köy, Çorum il merkezine 59 km, Uğurludağ ilçe merkezine 8 km uzaklıktadır.

Nüfus

Kaynakça

Dış bağlantılar

Uğurludağ belde ve köyleri

Gökçeağaç, Uğurludağ


Captain Pugwash is a fictional pirate who appears in a series of British children's comic strips, books and television shows created by John Ryan.

The eponymous hero – Captain Horatio Pugwash – sails the high seas in his ship called the Black Pig, assisted by cabin boy Tom, pirates Willy and Barnabas, and Master Mate. His mortal enemy is Cut-Throat Jake, captain of the Flying Dustman.

History
At John Ryan's wedding in 1950, he was introduced by a friend to Marcus Morris, who was launching Eagle, and asked the artist to create a strip for it. When John returned home, he claimed that Captain Pugwash appeared without explanation. It ran for the first nineteen issues of Eagle, but was dropped due to being considered too childish, and John replaced it with Harris Tweed.

The first Captain Pugwash picture book, subtitled A Pirate Story and featuring Tom's debut, was rejected by twelve publishers until The Bodley Head picked it up in 1957. The book became successful, and was translated around the world. That same year, the BBC commissioned it to be adapted into an animated short film, made using "captions". This was a form of cutout animation that involved levers attached to the back of characters.

All the voices were provided by Peter Hawkins, who had to be hidden behind a monitor due to his facial expressions made while recording being too distracting for the animators. What this did mean was that he could write notes in his script about incidental characters and be reminded of them as they appeared onscreen. Further short films would be produced and broadcast until 1966, and in 1960 a popular and regularly released Radio Times strip was launched to promote the series, running until 1965. In 1974 a new colour series was commissioned, with Peter Hawkins reprising his roles, and wider-reaching than its sporadically produced predecessor.

In 1997, John Ryan licensed the franchise to John Cary Films, followed by The Britt Allcroft Company purchasing the rights to the character, with the intensions of producing a revival series. The new series of 26 episodes, animated traditionally, aired in 1998.

A related book by John Ryan is Admiral Fatso Fitzpugwash, in which it is revealed that Pugwash had a medieval ancestor who was First Sea Lord but was terrified of water.

Characters

Captain Pugwash
The pompous but likeable captain of the Black Pig. Although he boasts of being the "bravest buccaneer", he is actually quite cowardly and stupid. His greed often gets him into trouble. Nevertheless, he usually wins the day – either with the help of Tom the Cabin Boy or by sheer luck. Despite being a pirate, he is rarely seen committing any acts of piracy.

The Mate/Master Mate/Mr. Mate
A somewhat dopey character, who has a tendency to use malapropisms and to mispronounce common words. He has a teddy bear in his bunk and is quite mild-mannered. It is not entirely clear why he is the mate, as he does not appear to have any authority over the rest of the crew. He was present in the first ever Pugwash story, in which he was depicted as being constantly sleepy.  Pugwash's adenoidal pronunciation of Master Mate's name appears to be the main source of the urban legend about characters' sexually suggestive names.

Barnabas
The most aggressive of the pirates, but in reality just as harmless. He is quite rebellious and grumpy, and is perhaps marginally more intelligent than Willy, the Mate or the Captain. He was not present in the 1998 series.

Willy
A simple sailor from Wigan. He appears to be the youngest crew member (apart from Tom). He is against using violence, and has been the crew's saviour on occasion (more by luck than by design).

Tom the Cabin Boy
It might be argued that without Tom, Pugwash would have been sunk long ago. He is the most intelligent and resourceful member of the crew, the only one who can cook and the only one who can actually sail a ship. Although Pugwash never admits it, Tom's ability to think up schemes is probably the only thing that prevents him from being a total failure as a pirate, though Tom is never angry at him stealing the spotlight. The rest of the crew also found they were unable to operate without Tom, after he left with the captain when the crew mutinied. Tom is an expert concertina player, despite this being a 19th-century anachronism for an 18th-century pirate, and part of his repertoire is "The Trumpet Hornpipe" (the Captain Pugwash theme).

He was portrayed with a Home Counties accent in the first television adaptation, and with an Irish accent in the 1998 series.

Cut-Throat Jake
Captain Pugwash's fearsome arch-enemy, captain of the Flying Dustman (a pun on the Flying Dutchman combined with a reference to the occupation of dustman). When he is not scheming to bring about Pugwash's downfall, he is a rather more competent pirate than his enemy, and always seems to have plenty of treasure. He speaks with a stereotypical West Country accent, and is easily recognisable by his eye patch and enormous black beard.

Characters added in the 1998 series
 Jonah
This character replaced pirate Barnabas, who was in the earlier series. His catchphrase is "No good will come of this, mark my words!" Jonah appears to be of Jamaican origin. He is the tallest of the crew so he often hits his head on the ceiling of the ship's lower deck. He is also one of the strongest of the crew as he is the Black Pig's carpenter.
 Governor of Portobello
This character lives at the top of the island in a mansion covered in vines. He talks very quietly and his head of guard, Lt. Scratchwood, usually acts as a megaphone. He is deeply in love with Donna Bonanza and attends to her every need.
 Donna Bonanza
An infamous opera singer who is the love of the Governor of Portobello and has her own group of security guards. She owns a cat named Franco.
 Toni
Tom the Cabin Boy's best friend, who works for barber Betty, and has dreams of becoming a member of the Black Pig.
 Dook
A member of Jake's crew who somewhat resembles Barnabas, but is less aggressive in the 1998 series. This character appeared in the original series, but was never named.
 Swine
An Australian pirate who works for Jake. He almost always has a mug of grog in his hand. Like Dook, he appeared in the original series but was unnamed.
 Stinka
A Mexican who works for Jake, who sometimes finds him annoying. Again, this character was unnamed in the earlier series.
 Jake's Mum
The mother of Cut-Throat Jake, who serves as the Flying Dustman's cook.
 Lieutenant Scratchwood Toddington
The voice for the governor and the law for the town of Portobello. In charge of the guard and collecting taxes, he also spends his time chasing thieves.
 Rook
Portobello's merchant, who sometimes works for Cut-Throat Jake.

Libel case regarding double entendres
In 1991, the Pugwash cartoonist John Ryan successfully sued the Sunday Correspondent and The Guardian newspapers for inaccurately claiming that some Pugwash character names were double entendres.

Pugwashisms
Captain Pugwash is renowned for his exclamations, owing something to the style of Captain Haddock in The Adventures of Tintin:
 "Dolloping doubloons/dolphins!"
 "Coddling catfish!"
 "Lolloping landlubbers!"
 "Suffering seagulls!"
 "Staggering stalactites!"
 "Nautical nitwits!"
 "Plundering porpoises!"
 "Kipper me capstans!"
 "Tottering turtles!"
 "Dithering dogfish!"
 "Scuttling cuttlefish!"
 "Stuttering starfish!"
 "Blistering barnacles!"
 "Shuddering sharks!"

Cut-Throat Jake has occasionally been known to utter the similar exclamation, "Scupper me skull-and-crossbones!"

Theme music
The series' signature tune was the "Trumpet Hornpipe", a folk dance that dates to at least the early nineteenth century. Some early versions of the tune refer to it as "Lascelles Hornpipe" and "Baloon Hornpipe". The composer and country of origin are unknown.

The original black-and-white episodes of Captain Pugwash used a solo rendition by the accordionist Tom Edmondson, who had learned the tune from watching Jimmy Shand's band in Northumberland as a teenager. Edmondson's version was recorded in the front room of his home in Harbottle, Northumberland, on 12 July 1954. The recording was made by the folklorist Peter Kennedy as part of the BBC's Folk Music and Dialect Recording Scheme and Edmondson was paid £1.50 (30s) for his efforts. The track was transferred to disc for the BBC Sound Library and, according to John Ryan, it was later chosen as the Captain Pugwash theme by "a genius at the BBC", whose name he could not remember.

For the colour Captain Pugwash episodes, a new recording of the "Trumpet Hornpipe" was commissioned from Johnny Pearson in 1973. This version used accordion, bass and acoustic guitar, and the finished piece was retitled "Shipshape". The recording was published by KPM and was later added to the KPM Recorded Music Library which gave Pearson the composer credit. Pearson's arrangement of the theme is also used as the goal theme for Fleetwood Town FC.

For the 1998 series, a new arrangement of the theme was created by Philip Lane. Another arrangement appears in the audiobook versions.

The Trumpet Hornpipe itself is in the code of BBC Micro computer game Frak! and Acorn Electron game Zalaga, intended to be played when a pirated version of the game was loaded, a reference to Captain Pugwash.

Captain Pugwash books

Original Series
 Captain Pugwash: A Pirate Story (1957)
 Pugwash Aloft (1958)
 Pugwash and the Ghost Ship (1962)
 Pugwash in the Pacific (1973)
 Pugwash the Smuggler (1976)
 Pugwash and the Sea Monster (1976)
 Pugwash and the Buried Treasure (1980)

Colins Cub series
 Captain Pugwash and the Ruby (1976)
 Captain Pugwash and the Treasure Chest (1976)
 Captain Pugwash and the New Ship (1976)
 Captain Pugwash and the Elephant (1976)

Strip cartoon series
 The Captain Pugwash Cartoon Book (1977)
 The Quest of the Golden Handshake (1983)
 The Battle of Bunkum Bay (1984)
 The Secret of San Fiasco (1985)

Black-and-white series
 Captain Pugwash and the Fancy Dress Party (1982)
 Captain Pugwash and the Mutiny (1982)
 Pugwash and the Midnight Feast (1984)
 Pugwash and the Wreckers (1984)
 Captain Pugwash and the Huge Reward (1991)
 Captain Pugwash and the Pigwig (1991)
 Captain Pugwash and the Birthday Party (1997)

Audiobooks
In 1987, BBC Cover to Cover released various stories published in the 1980s on one cassette, read by the voice of Pugwash in the television series, Peter Hawkins. In 2012, the original picture book series was released on CD, with Jim Broadbent narrating.

Television episodes

1957–1966 series
Produced and directed by Gordon Murray.

Captain Pugwash – 8 October 1957
The Firework Party – 21 February 1960
Surprise Attack – 6 March 1960
The Highwayman – 20th March 1960
The Captain's Dream – 3rd April 1960
Gold Dust – 1 May 1960
Abandon Ship – 15 May 1960
The Flying Buccaneer – 29 May 1960
A New Ship – 7 May 1961
The Cuckoo Clock – 21 May 1961
The Powder Magazine – 4 June 1961
Ivory Cargo – 18 June 1961
New Sails – 2 July 1961
On Trial – 16 July 1961
The Map – 30 July 1961
Night Attack – 4 February 1962
Ghost Ship – 18 February 1962
The Test – 4 March 1962
The Secret Weapon – 18 March 1962
The Crown Jewels – 1 April 1962
The Doctor – 15 April 1962
Press Gang – 29 April 1962
Man Overboard – 13 May 1962

From 3 October 1962, series 4–6 of Captain Pugwash were repeated (skipping only "The Powder Magazine" and "Ivory Cargo"). The twenty episodes ran until 29 March 1963.

King of the Barbary Pirates – 5 April 1963
Arctic Circle – 12 May 1963
The Smugglers – 19 May 1963
Tug-of-War – 26 May 1963
Solid Gold – 2 June 1963
Heads or Tails – 9 June 1963
Mobertory Bay – 23 June 1963
Secret Mission – 30 June 1963
Pleasure Cruise – 7 July 1963
Black Pepper – 29 March 1964
Home Grown – 5 April 1964
Pirate Romance – 12 April 1964
The Fortune-Teller – 19 April 1964
The Wreckers – 26 April 1964
Twins – 3 May 1964
A Cure for Hiccups – 17 May 1964
High Society – 24 May 1964
The Secret of the Stinkas – 10 March 1965
The Submarine – 4 April 1965
The Haunted Reef – 11 April 1965
The Moon of Muddipore – 18 April 1965
The Escape – 25 April 1965
A Hairy Affair – 2 May 1965
Hero Willy – 9 May 1965
Total Eclipse – 16 May 1965
The Dragon of Pop Sing Ho – 23 May 1965
The Vanishing Island – 30 May 1965
Captain Moonshine – 6 June 1965
Carnival – 13 June 1965
Cruise of the Flying Pig: Part 1 – 8 May 1966
Cruise of the Flying Pig: Part 2 – 15 May 1966
Cruise of the Flying Pig: Part 3 – 22 May 1966
The Open Day – 29 May 1966
The Man in the Iron Mask: Part 1: The Three Musketeers – 5 June 1966
The Man in the Iron Mask: Part 2: Battle Royal – 12 June 1966
The Curse of the Pugwashes: Part 1: Ghastleigh Grange – 19 June 1966
The Curse of the Pugwashes: Part 2: Family Fortune – 26 June 1966

From 1 January 1973 to 19th April 1974 20 episodes dating from series 6-10 were repeated, preceding the 1974-1975 series.

1974–1975 series
 Down The Hatch
 Monster Ahoy
 Mouse Amidships
 The Showboat
 Pirate Picnic
 Flood Tide
 Fishmeal
 Mutiny on the Black Pig
 A Shot Across The Bows
 The Great Bank Robbery
 Wedding Bells
 Diamonds on Ice
 Stung!
 The Birthday Cake
 The Riddle of the Rubies
 Six Foot Deep
 The Cannon Ball
 Witches Brew
 The Golden Trail
 Pirate of the Year
 Easy Money
 The Plank
 Voyage of Discovery
 Fair Exchange
 Smugglers' Cove
 The Flying Buccaneer
 The Island of the Dodos
 Caught in the Act
 A Tell Tale Tail
 Off With His Head

1998 series
 The Stowaway Sheep
 The Portobello Plague
 The Doubledealing Duchess
 The Emperor's New Clothes
 The Boat Race
 The Dingly Dangly Crab
 Chest of Drawers
 The Vanishing Ship
 Hot Chocolate
 The Fat Cat
 The Pandemonium Parrot
 The Brush With Art
 A Hair-Raising Day
 Fiddle De Diamonds
 The Melodious Mermaid
 The Titanic Teapot
 The New Cabin Boy
 Treasure Trail
 Peppercorn Pistols
 Sticky Moments
 Muddling Monsters
 The Megamango Monkeys
 King Pugwash
 The Devil's Dog
 Perfumes of Arabia
 The Admiral's Fireworks

Planned film
In May 2017, a live-action film adaptation was announced, to be directed by John Hay, produced by Atticus Films  and starring Nick Frost as Captain Pugwash and Jason Flemyng in an unknown role. Production was set to begin in 2018, with the plot following Captain Pugwash travelling to Botany Bay, where he eventually finds himself at the helm of The Black Pig on a mission to rescue Tom the Cabin Boy's father, who is marooned on a volcanic island. In March 2021, Frost said that he believes the film will be unlikely to be produced because of budget issues, however the following year Isabel Ryan, daughter of creator John, said she wants the film to have the involvement of Rye.

Stage adaptations
On 17th December 1973, a theatre show, Captain Pugwash, written by Ryan and John Kennett, opened at the King's Road Theatre in Chelsea, London. Directed by John Ingram and designed by John Marsh, the entertainment for children played twelve performances a week (twice daily, Monday to Saturday) until 12 January 1974. Edward Philips as Pugwash headed a cast of live actors playing characters including Tom and Cut-Throat Jake. The following year a second play was performed, entitled Captain Pugwash and the Inca Treasure, from 19 December 1974 to 18 January 1975. In 2008 a new show was performed with Richard Alan in the title role.

In popular culture
In a 1990 episode of The 8.15 from Manchester, Captain Pugwash was a special guest.

In a 2002 issue of The League of Extraordinary Gentlemen, Pugwash and Tom the Cabin Boy attended The Pirates' Conference, alongside Captain Clegg of Doctor Syn, Long John Silver and Captain Hook.

Ed Hartwell's 2005 short film Time Looters was made using a similar "caption" style of cutouts. All the voices were provided by Joe Grossi, in a similar way to Peter Hawkins.

In a 2006 That Mitchell and Webb Look sketch, Robert Webb criticises the 1974-1975 series, however he finds he is sitting next to the cardboard cutout who played Pugwash.

In a 2007 Dead Ringers sketch parodying BBC Two's loss of The Simpsons, a ripoff entitled The Stimpsons was created, however the characters were quickly revealed to be Captain Pugwash, Mr. Benn, Charley the Cat and Bagpuss.

The Norwegian band Kaptein Kaliber, founded in 1996, was named after the Norwegian name for the character. Their first album in 1999 featured Pugwash on the cover, limited to twenty copies.

Merchandise
According to Isabel Ryan, her father John did not partake in merchandising unless somebody had created something for him. Waves of merchandise were first produced with the 1974 series, including badges, T-shirts, and jigsaw puzzles. In 1981, Corgi Toys produced a model of the Black Pig, complete with stand-up figures of Pugwash and Tom the Cabin Boy. John himself remarked that the franchise did not sell well in the United States due to the titular character being "too innocuous". For the 1998 series, Vivid Imaginations created many more toys, including miniatures and plushies, both in eight inches and fourteen inches. Six inch Happy Meal plushies were also available as part of the Children's Favourites line.

Home video releases
The first VHS release of the 1974 series was in 1982, courtesy of RPTA Video. The tape was also released on CED Videodisc. In 1987 Tempo Video released a new tape, which was also sold in Australia via Thorn EMI and the US via Family Home Entertainment.

Between 1990 and 1991 BBC Video released eighteen episodes across two tapes.

For the 1998 series, VCI Home Video released three tapes.

In 2005 HIT Entertainment released 6 episodes on DVD.

This was followed in 2006 by all 26 episodes across three discs exclusive to Australia, and in 2007 by a single release of all 30 episodes of the 1974 series.

See also
 List of animated television series

References

External links
 Pugwash website by HIT Entertainment

 Toonhound Captain Pugwash page
Toonhound The Adventures of Captain Pugwash page
Captain Pugwash at Nostalgia Central
 Captain Pugwash at Don Markstein's Toonopedia

1950 comics debuts
BBC children's television shows
British children's animated adventure television series
British children's animated comedy television series
British comic strips
Pugwash, Captain
Pugwash, Captain
Adventure comics
Humor comics
Nautical comics
Comics adapted into television series
Comics adapted into animated series
Fiction set in the Golden Age of Piracy
Pugwash, Captain
Pugwash, Captain
Television series set in the Golden Age of Piracy
ITV children's television shows
1957 British television series debuts
1966 British television series endings
1974 British television series debuts
1975 British television series endings
1998 British television series debuts
2001 British television series endings
1950s British children's television series
1960s British children's television series
1970s British children's television series
1990s British children's television series
2000s British children's television series
Pirate comics
Fictional sailors
Television shows based on children's books
British television shows featuring puppetry
Television series by Mattel Television
English-language television shows
1970s British animated television series
1990s British animated television series
2000s British animated television series
Television series set in the 18th century
Comics set in the 18th century
Gullane Entertainment

Captain Pugwash


Joël Pourbaix, né en 1958 à Montréal, est un poète québécois.

Biographie
Joël Pourbaix est né en 1958 à Montréal d'un père belge et d'une mère luxembourgeoise. Il a fait paraitre son premier recueil Séquences initiales en 1980 aux Éditions de l'Université d'Ottawa. La majorité de son œuvre, quatorze recueils de poésie, est publiée aux Éditions du Noroît.

Son recueil Le mal du pays est un art oublié, paru en 2015, s'est mérité un des prix littéraires du Gouverneur général et a été finaliste au prix des librairies. En 2021, les Éditions du Noroît ont fait paraitre une anthologie de l'œuvre de Pourbaix, L'intimité nomade : choix de poèmes, 1980-2014. « Réflexion sur l'espace et la temporalité », la poésie de Pourbaix « joue volontiers du contraste entre vers et prose, de même qu'entre poème en prose et prose poétique, diffractant sa recherche d'altérité dans ses thèmes autant que dans ses formes ».

Parmi ses influences, Pourbaix cite L'eau et les rêves: Essai sur l'imagination de la matière de Gaston Bachelard, ainsi que Paul Chamberland, François Charron, Ernesto Sabato, Guy Debord, H.P. Lovecraft, et les Romantiques allemands. Il vit à Montréal.

Œuvres

Poésie
 Séquences initiales, avec des illustrations de Marc Rochon, Ottawa, Éditions de l'Université d'Ottawa, L'Astrolabe, 1980, 55 p.
 Sous les débris du réel, Saint-Lambert, Éditions du Noroît, 1985, 70 p.
 Vous oublierez de nous séduire, en collaboration avec Dominique Robert, Dixit 01; 1986.
 Dans les plis de l'écriture, Montréal, Éditions Triptyque, 1987, 118 p.
 Le Simple geste d'exister, avec six tableaux de Michel Casavant, Saint-Lambert, Éditions du Noroît, 1989, 79 p.
 Passage mexicain, Montréal, Éditions Triptyque, 1989, 72 p.
 Voyages d'un ermite et autres révoltes, Montréal, Éditions du Noroît ; Rennes, Résonance, 1992, 85 p.
 La survie des éblouissements, Montréal, Éditions du Noroît, 1994, 77 p.
 On ne naît jamais chez soi, Saint-Hippolyte, Éditions du Noroît, 1996, 92 p.
 Les enfants de Mélusine - 10 jours au Luxembourg, Saint-Hippolyte, Éditions du Noroît, 1999, 128 p.
 Disparaître n'est pas tout, Montréal, Éditions du Noroît, 2001, 110 p.
 Labyrinthe 5, Montréal, Éditions du Noroît, 2003,
 Les morts de l'infini, Montréal, Éditions du Noroît, 2005, 102 p.
 Dictature de la solitude, Montréal, Éditions du Noroît, 2008, 117 p.
 Le mal du pays est un art oublié, Montréal, Éditions du Noroît, 2014, 141 p.
 Quelle mémoire plisse leur visage suivi de Souffles, Montréal, Éditions du Noroît, 2017, 150 p.
 La rivière - Initiations Outaouaises, Montréal, Éditions du Noroît, 2019, 171 p.

Anthologie
 L'intimité nomade : choix de poèmes, 1980-2014, Montréal, Éditions du Noroît, 2021, 202 p.

Prix et honneurs

 2015 - Prix littéraires du Gouverneur général pour Le mal du pays est un art oublié
 2015 - Finaliste prix des librairies pour Le mal du pays est un art oublié
2015 - Finaliste au prix Alain-Grandbois pour Le mal du pays est un art oublié

Notes et références

Voir aussi

Articles connexes

 Éditions du Noroît
 Éditions Triptyque
 Prix littéraires du Gouverneur général

Liens externes

Écrivain québécois
Poète québécois
Naissance à Montréal
Naissance en 1958
Écrivain suivi par le projet Arts littéraires québécois

Joël Pourbaix


Skátafélagið Hafernir (stofnað 1974) er skátafélag í Breiðholti, Reykjavík. Skátafélagið býður upp á skátastarf fyrir börn á aldrinum 7-15 ára. Skátafélagið er aðili að Bandalagi íslenskra skáta og Skátasambandi Reykjavíkur.

Saga
Skátafélagið Hafernir var stofnað þann 23. nóvember 1974, um leið og félagsmiðstöðin Fellahellir tók til starfa. Starfið byrjaði af þrótti og eftir aðeins eitt ár í starfi voru 230 börn í félaginu, þó aðeins væru 6 fullorðnir leiðbeinendur. Um tíma sameinaðist félagið tveimur öðrum félögum í Breiðholti, skátaafélaginu Urðaköttum og Skátafélaginu Segli, en félagið starfar nú undir eigin stjórn.

Skátasveitir
Í félaginu starfa þrjár skátasveitir:

 Drekaskátasveitin Arnarungar fyrir 3.-4. bekkinga
 Fálkaskátasveitin Söfuglar fyrir 5.-7. bekkinga
 Dróttskátasveitin Næturgalar fyrir 8-10. bekkinga

Heimildir

Skátafélög í Reykjavík

Skátafélagið Hafernir


Fidel Francisco Martínez Tenorio (Nueva Loja, Sucumbíos, Ecuador; 15 de febrero de 1990) es un futbolista ecuatoriano naturalizado mexicano. Juega como extremo por ambas bandas o mediapunta y su equipo actual es Barcelona Sporting Club de la Serie A de Ecuador. Ha sido internacional con la selección de fútbol de Ecuador.

Trayectoria

Deportivo Quito
A mitad de la temporada el 9 de julio del  2010, Deportivo Quito lo confirma como su nueva contratación tras haber tenido pocas oportunidades con el Cruzeiro. Con Deportivo Quito obtiene el Campeonato 2011 y la clasificación a la Copa Libertadores 2012 y Copa Sudamericana 2012.

A inicios del 2012, el Barcelona Sporting Club de Ecuador nuevamente lo intenta contratar, pero finalmente el jugador continúa en Deportivo Quito jugando así la Copa Libertadores de ese año y clasificando a octavos de final, donde sería eliminado por la Universidad de Chile.

Club Tijuana

El 1 de mayo del   2012 el jugador es anunciado como la nueva contratación del Club Tijuana de México pedido expresamente por Antonio Mohamed. Tuvo un buen inicio, pero con el transcurso de los partidos el jugador fue relegado a la banca. Pese a no haber anotado goles en el Apertura 2012, el jugador anotó en un partido de la Copa MX en un empate 5-5 frente a los Pumas de la UNAM y uno en los cuartos de final de la Copa MX en un empate 5-5 frente a los Correcaminos de la UAT de la liga de Ascenso, partido en el cual fallaría un penal y el Club Tijuana sería eliminado.

Con el paso de las jornadas en la Liga MX, Fidel fue ganándose un lugar en el cuadro titular del Turco Mohamed hasta tener una Liguilla espectacular. Le abrió a Xolos el camino a la final anotando el primer tanto en el juego de vuelta en contra del León, que después resultara en un marcador de 3-0 a favor del Club Tijuana. De igual manera fue parte esencial del equipo fronterizo en la final contra el Toluca, donde anotó en el partido de ida en el estadio Caliente y ayudara de manera indirecta en el primer gol en el estadio Azteca cuando la defensa le comete una falta que posteriormente al cobrarse resulta en gol. Un minuto después asiste al colombiano Duvier Peralta, quién anota el segundo gol y le da a los Xolos de Tijuana su primer campeonato en el fútbol mexicano (Liga MX).

Fidel se ganó la confianza del equipo y de la afición, siendo una de las promesas más importantes del club tijuanense. Debido al traspaso de Raúl Enríquez a Dorados de Sinaloa, Fidel se convierte en el número "10" del club fronterizo.

Leones Negros
En junio del 2014 se oficializa su traspaso a los Leones Negros de la U. de G., equipo donde era titular indiscutible y donde gracias a sus dos primeros goles, el equipo de la U. de Guadalajara pudo ganar sus dos primeros partidos tras su regreso a la máxima categoría futbolística mexicana. Sin embargo, en su segundo torneo tuvo un rendimiento discreto con los tapatíos y terminó descendiendo con el club.

Pumas de la UNAM

Fidel llegó a los Pumas de la UNAM, procedente de los Leones Negros, producto de su casta goleadora y esperando que ese año fuera de total rédito para su ambición de gol. En su primer torneo con los universitarios se convirtió en líder de asistencias y contribuyó a que su equipo fuera el superlíder del certamen, su equipo Pumas era uno de los candidatos para llevarse el título de liga y también fue finalista, pero después de un dramático marcador de empate a 4 goles en dos partidos fueron derrotados en la gran final por Tigres UANL 4-2 en penales, Fidel erró el primero de ellos.

Club Atlas de Guadalajara
Fidel llega procedente de los Pumas de la UNAM el 14 de diciembre de 2016 para el Clausura 2017. Su estancia en Atlas fue discreta.

C. A. Peñarol
El 16 de enero de 2018 se concreta su préstamo por seis meses al Club Atlético Peñarol de la Primera División de Uruguay. Haría su debut oficial diez días más tarde, donde enfrentaría a Nacional por la final de la Supercopa Uruguaya 2018, marcando el primer tanto del partido al minuto de juego. El aurinegro ganaría por 3 a 1 y se coronaría campeón de la primera edición de la Supercopa Uruguaya.
Además en este club, se consagró Campeón Uruguayo, al participar en dos torneos (Apertura e Intermedio, le faltó jugar el Clausura) del Campeonato Uruguayo 2018.

Barcelona Sporting Club
En el 2019 se confirma su incorporación al elenco amarillo, Debuta el la primera fecha de la LigaPro ante El Nacional con un doblete en la victoria de su equipo 5 a 2. Finalizada la etapa regular del torneo culmina con 27 partidos disputados en los cuales anotó 16 tantos y repartió 5 asistencias, previo a los play-offs del torneo.

En el 2020, Fidel Martínez participa con Barcelona en las tres rondas previas de Copa Conmebol Libertadores, donde gracias a su gran performance convierte ocho goles en seis partidos ayudando al equipo a pasar a la fase de grupos del año 2020. Adicionalmente Fidel participa con Barcelona en seis partidos de la LigaPro 2020 donde registró tres goles previo a su transferencia al Shanghái Shenhua de China.

Barcelona Sporting Club, debido a su gran actuación en el primer trimestre de 2020, le otorga a Fidel Martínez la medalla de campeón de la LigaPro 2020, acreditando su participación en el torneo.

El 19 de junio de 2022 se confirmó su regreso al equipo torero por un año con opción a renovación.

Selección nacional

En 2013 fue convocado para el último partido de la Eliminatoria Sudamericana frente a . En este encuentro tuvo una gran actuación y en septiembre fue nuevamente convocado por Reinaldo Rueda para dos partidos amistosos contra  y . En 2014 fue convocado para el partido contra la selección de , marcando uno de los cuatro tantos de su selección.

El 13 de mayo de 2014 Rueda incluyó a Martínez en la lista preliminar de 30 jugadores que representarán a  en la Copa Mundial de Fútbol de 2014. Fue confirmado en la nómina definitiva de 23 jugadores el 2 de junio.

Participaciones en Copas del Mundo

Participaciones en eliminatorias

Participaciones en Copa América

Partidos internacionales
 Actualizado al último partido disputado el .

Goles internacionales

Estadísticas

Clubes
 Actualizado al último partido disputado el .

Palmarés

Títulos nacionales

Títulos internacionales

(*) Incluye la selección.

Distinciones individuales

Referencias

Enlaces externos
 Ficha en Soccerway

Futbolistas de Ecuador en el extranjero
Futbolistas de la Sociedad Deportivo Quito
Futbolistas del Club Tijuana
Futbolistas de los Leones Negros de la Universidad de Guadalajara
Futbolistas del Club Universidad Nacional en los años 2010
Futbolistas del Club Atlas de Guadalajara en los años 2010
Futbolistas del Club Atlético Peñarol
Futbolistas del Barcelona Sporting Club
Futbolistas del Shanghái Greenland Shenhua
Futbolistas de Ecuador en la Copa Mundial de 2014
Futbolistas de Ecuador en la Copa América 2015
Futbolistas de Ecuador en la Copa América Centenario
Futbolistas de Ecuador en la Copa América 2021
Futbolistas nacionalizados en México
Emigrantes ecuatorianos hacia México
Futbolistas del Club Atlético Peñarol en los años 2010

Fidel Martínez (futbolista)


Teatrul Național Academic Armean de Operă și Balet Alexandru Spendiaryan ( (Aleksandr Spendiaryani anvan ōperayi yev baleti azgayin akademiakan t'atron)) din Erevan a fost deschis oficial pe 20 ianuarie 1933, cu spectacolul de operă Almast de Alexandru Spendiaryan. Clădirea operei a fost proiectată de arhitectul armean Alexandru Tamanian. Este alcătuită din două săli de concerte: Sala de concert Aram Haciaturian  cu 1.400 de locuri și Teatrul de Operă și Balet Alexandru Spendiaryan cu 1.200 de locuri.

Istoria
Deschiderea șantierului operei a avut loc la 28 noiembrie 1930 în timpul festivităților de aniversare a 10 ani de Armenia Sovietică. Pe 20 ianuarie 1933, clădirea a fost deschisă oficial. Curând după înființare, o trupa de balet a fost creată, primul spectacol de balet prezentat fiind Lacul lebedelor de Piotr Ilici Ceaikovski în 1935.

Bazat pe proiectul lui Tamanian și sub supravegherea fiul acestuia sala de teatru a fost finalizată în 1939, iar clădirea operei a fost redenumit după Alexandru Spendiaryan. Construcția completă nu s-a încheiat decât în 1953, când întreaga clădire a fost în cele din urmă finalizată în forma sa actuală.

Deschiderea teatrului a dus la crearea operei și a baletului național. Primul balet armean a fost Fericirea de Aram Haciaturian. Acest balet a stat la baza creării unei alte opere a compozitorului Gayane care a fost prezentat peste tot în lume. Mulți alți armeni compozitori au scris opere și balete. De-a lungul anilor, acești artiști au lucrat la teatru: cântăreții Gohar Gasparyan, Tatevik Sazandaryan, Mihran Erkat, Pavel Lisizian, Aikanush Danielyan, Nar Hovhannisyan, Gegham Grigorian, Anahit Mekhitarian; dirijorii Konstantin Saradjev, Mihail Tavrizjan, Aram Katanyan, Yuri Davtyan; marii maeștri ai baletului A. Petrosyan, M. Chmshkyan, Vanush Khanamiryan, Vilen Galstyan; pictorii Martiros Saryan, Minas Avetisyan.

Din 1935 o singură operă armeană, Anoush de Armen Tigranian, a fost prezentată la opera din Erevan. A fost un mare pas în istoria operei armene operă de istorie. Anoush este în repertoriul teatrului și astăzi.

De la deschidere, Opera și Baletul Național Armean au prezentat mai mult de 200 de diferite opere și balete ale unor compozitori armeni, ruși și vest-europeni. Compania de teatru a prezentat spectacole în mai mult de 20 de țări, de exemplu în Rusia, Spania, Liban, SUA, Grecia, Germania. În 1956, teatrul a primit statutul de Teatrul de Operă și Balet Național Academic .

Teatrul a găzduit, de asemenea, concerte susținute de Charles Aznavour, Ian Anderson, John McLaughlin, Akvarium și mulți alții.

Galerie

Note

Legături externe
 Ministerul Culturii al Republicii Armenia

Erevan
Erevan
Fondări în 1933

Opera din Erevan


Cinsel organ veya üreme organı, bir hayvan vücudunun cinsel üreme ile ilgili herhangi bir parçasıdır. Üreme organları birlikte üreme sistemini oluşturur. Erkekte testis ve dişilerde yumurtalık, birincil cinsel organlar olarak adlandırılır. Kalan kısımlar ise ikincil cinsel organlardır ve bunlar, dış cinsel organlar ve iç cinsel organlar içinde yer alır. Yosunlar, eğrelti otları ve bazı benzer bitkiler, gametofitin bir parçası olan üreme organları için gametangia'ya sahiptir. Çiçekli bitkilerin çiçekleri polen ve yumurta hücreleri üretir ancak cinsel organlarının kendileri polen ve ovül içindeki gametofitlerin içindedir.

Penis

Penis, erkek cinsel organı. Latincede "kuyruk" anlamına gelir. Penis uyarıldığında damarlar kanla dolarak büyür ve sertleşir. Buna sertleşme (ereksiyon) denir. Sertleşen penis içindeki meninin dışarı atılmasına boşalma (ejakülasyon) denir.

Vajina

Vajina ya da vajen, kadın cinsel organı. Vajina girişi ile başlayan ve uç kısmında rahim ağzının yer aldığı içi boş silindir şeklinde ve normal halde yaklaşık 7-10 santimetre uzunluğunda, 3 santimetre genişliğinde bir yapıdır.

Kaynakça

Cinsel organ


An Spathiphyllum montanum in uska species han Liliopsida nga syahan ginhulagway ni R.A.Baker, ngan ginhatag han pagkayana nga asya nga ngaran ni Michael Howard Grayum. An Spathiphyllum montanum in nahilalakip ha genus nga Spathiphyllum, ngan familia nga Araceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Spathiphyllum

Spathiphyllum montanum


Rudgea coronata é uma espécie de planta do gênero Rudgea e da família Rubiaceae.

Taxonomia
A espécie foi descrita em 1876 por Johannes Müller Argoviensis.
Os seguintes sinônimos já foram catalogados:
 Rudgea basiostylis  Müll.Arg.
 Psychotria coronata  Vell.
 Uragoga coronata  (Vell.) Kuntze

Forma de vida
É uma espécie terrícola, arbustiva e arbórea.

Descrição

Conservação
A espécie faz parte da Lista Vermelha das espécies ameaçadas do estado do Espírito Santo, no sudeste do Brasil. A lista foi publicada em 13 de junho de 2005 por intermédio do decreto estadual nº 1.499-R.

Distribuição
A espécie é encontrada nos estados brasileiros de Espírito Santo, Paraná, Rio de Janeiro e São Paulo.
Em termos ecológicos, é encontrada no domínio fitogeográfico de Mata Atlântica, em regiões com vegetação de mata ciliar, floresta estacional semidecidual, floresta ombrófila pluvial e restinga.

Notas
Contém texto em CC-BY-SA 4.0 de Rudgea  in Flora e Funga do Brasil.

Ligações externas
 Rudgea coronata no projeto Flora e Funga do Brasil
 Rudgea coronata no portal do Centro Nacional de Conservação da Flora (Brasil)

Rudgea
Plantas descritas em 1876
Flora do Espírito Santo (estado)
Espécies citadas na Lista Vermelha de Ameaça da Flora Brasileira
Espécies citadas na Lista de Espécies da Flora Ameaçadas do Espírito Santo

Rudgea coronata


Domenico Cancian FAM (* 6. April 1947 in Mareno di Piave) ist ein italienischer Ordensgeistlicher und emeritierter römisch-katholischer Bischof von Città di Castello.

Leben

Domenico Cancian trat der Ordensgemeinschaft der Söhne der barmherzigen Liebe bei, legte die Profess am 15. August 1971 ab und empfing am 18. Juli 1972 die Priesterweihe. Das Ordenskapitel wählte ihn am 15. Juli 2004 zum Generalsuperior.

Papst Benedikt XVI. ernannte ihn am 16. Juni 2007 zum Bischof von Città di Castello. Der Erzbischof von Florenz, Ennio Kardinal Antonelli, spendete ihm am 15. September desselben Jahres die Bischofsweihe; Mitkonsekratoren waren Pellegrino Tomaso Ronchi OFMCap, Altbischof von Città di Castello, und Giovanni Scanavino OESA, Bischof von Orvieto-Todi. Die Amtseinführung im Bistum Città di Castello fand am 23. September 2007 statt. Als Wahlspruch wählte er Sicut Dilexi Vos.

Am 7. Mai 2022 nahm Papst Franziskus seinen altersbedingten Rücktritt an.

Weblinks

Einzelnachweise

Römisch-katholischer Bischof (21. Jahrhundert)
Römisch-katholischer Geistlicher (20. Jahrhundert)
Generalsuperior
Ordensangehöriger (römisch-katholisch)
Italiener
Geboren 1947
Mann

Domenico Cancian


Sponsianus, also known in English as Sponsian, may have been a Roman usurper during the third century. His existence is implied by a series of coins bearing his name, ostensibly part of a hoard excavated in the eighteenth century. No corresponding figure named Sponsianus is mentioned in any ancient sources, and the coins are widely believed to be the work of modern forgers. A study of wear marks on the coins published in November 2022 concluded that the coins were authentic, supporting Sponsian's existence as a historical figure. However, the study's methodology and conclusions have been criticized by a number of scholars.

If there were a historical Sponsianus, he might have been active during the Crisis of the Third Century, most likely in the province of Dacia. He could have proclaimed himself emperor in the 260s, after Dacia was cut off from the rest of the Empire during the reign of Gallienus. Another possibility is that he was active earlier, during the reign of Philip the Arab or his son, Philip II.

Discussion
The sole evidence for the existence of Sponsianus is his name on a few double-aurei and a silver coin reportedly uncovered in a coin-hoard in Transylvania in 1713, and subsequently dispersed among several collections. One was kept in the Hunterian Museum at Glasgow University, which also held three other coins from the original hoard. Another entered the bequest of Baron Samuel von Brukenthal, a Habsburg governor of Transylvania. The hoard included other coins bearing the names of Philip the Arab and Gordian III, among others.

The traditional opinion of numismatists has been to regard the coins as non-authentic: In 1868, the French numismatist Henri Cohen dismissed them as "very poor quality modern forgeries". The problems with the aurei are twofold: firstly, the obverse of the coin is "barbaric and strange" as described by Roman Imperial Coinage, a British catalogue of Roman Imperial currency, while the reverse of the coin is a copy of a Republican denarius struck in 135 BC. The coins are also unusually heavy, and appear to have been cast, instead produced using the more usual stamping process, while the inscriptions do not follow the conventions of the time. However, according to numismatist Wayne Sayles, as the usurpers and emperors of the time were often ephemeral, the lack of further coins and the unusual qualities of those that are extant should not be seen as evidence that Sponsianus did not actually exist.

After further study in 2022, a group of scientists argued that scratch marks on one coin bearing Sponsianus' name and image, visible under an electron microscope, proved that it circulated in antiquity. Paul Pearson of University College London led the research and said that he was astonished by the confirmation that the coin had been used. Jesper Ericsson stated that a chemical analysis of the earth deposits found in the coin's recesses showed that the coins had been buried in soil for hundreds of years. On the basis of the above analysis, another coin bearing Sponsianus' name, in the Brukenthal Museum in Sibiu in Transylvania, has also been reclassified as genuine.

In the aftermath of Pearson's analysis, several researchers have criticized the study and its conclusions. In an article for the Times Literary Supplement, Mary Beard suggests that the unusual features of the Sponsianus coin are better explained by its being an eighteenth-century forgery. Richard Abdy, the curator of the collection of Roman coins at the British Museum, condemned the study, stating "they've gone full fantasy." In the Journal Antigone, Alfred Deahl also argues that the coins are forgeries: he cites the unusual weight of the Sponsianus coins, the poor lettering and use of the genitive instead of the usual nominative case, the highly irregular casting process used to produce them, the imitation of a republican reverse, and the oddness of the other coins purportedly found in the same hoard. These doubts are echoed by Aleksander Bursche and Kyrylo Myzgin, who add that the very early finding and low gold content may count against the coins' authenticity. Alice Sharpless from the American Numismatic Society summarized criticism of the Pearson study by writing "the evidence of wear and of surface deposits cannot be shown conclusively not to have occurred in the modern period... Unless further study can provide more certain answers, it seems that these coins should continue to be regarded as modern forgeries."

Pearson's study has also attracted significant attention from Romanian numismatists and classicists. Emanuel Petac, President of the Romanian Numismatic Society, stated that the coin "has nothing to do with the Roman world." On the basis of the design, which he characterizes as rudimentary and bizarre, and the inscription, he concludes that the coin could not have been minted by an emperor. Petac notes that the legend irregularly excludes his praenomen and cognomen, or whose son or grandson he is. Another Romanian academic, Florian-Matei Popescu, highlighted the lack of written attestations of Sponsianus or his name—though the name Sponsianus is attested in the Roman world in inscriptions, these are very rare. Popescu argues that if the coins are real, which he deems unlikely, they date to the reign of Philip the Arab, who opened a mint in Dacia making low-value bronzes to pay the army.

The name Sponsianus
The name Sponsianus is an authentic, but exceedingly rare, Roman name, derived from the Latin word spondere, to solemnly promise.  Pearson notes only one instance, from a funerary inscription naming an obscure person called Nicodemus Sponsianus, dating from the early first century. This inscription was not published until 1726, several years after the supposed discovery of Sponsian's coins, and Pearson regards this as an argument for their authenticity: a forger would not have known of the name.  Two other instances appear in the Corpus Inscriptionum Latinarum, a catalogue of known Latin inscriptions, all dating from the same period, while a further two inscriptions give the abbreviated form Sposianus; all five inscriptions are from Rome.  One of the latter was published by Jan Gruter well before the first known appearance of the coins, and other examples are known besides these, so a forger might still have been aware of or guessed at the existence of such a name.

Theories
Scholars have proposed several possibilities for when and where Sponsianus would have been active. One explanation, based upon the other coins found with the aurei, would date Sponsian's activity to the 240s, during the rule of Gordian III (AD 238–244) or Philip the Arab (AD 244–249). Based upon the location of his aurei, some scholars posit that he may have staged a revolt in Pannonia. Ilkka Syvänne places the revolt early in Philip's reign, and identifies Sponsianus with the obscure Severus Hostilianus mentioned in later Byzantine histories (though he notes the evidence is circumstantial).

Another explanation is that he was a military commander who crowned himself as emperor when Dacia was cut off from the rest of the empire around 260. With an ongoing pandemic and civil war, and the empire being fragmented at the time, Sponsianus may have assumed supreme command to protect the military and civilian population of Dacia until order was restored. The Romans eventually evacuated Dacia between 271 and 275. According to Jesper Ericsson:

The Roman Empire in this period was highly unstable; many peripheral areas were left to fend for themselves. Dacia in particular was abandoned in the 270s by Aurelian after it was deemed too difficult to defend. Sponsianus may have found himself responsible for thousands of people, without support from the central regime of the empire, and surrounded by hostile tribes; in this context, Sponsianus taking the title of emperor has been characterized as an attempt to maintain order. He would have had access to a military force consisting of two legions there and their associated auxiliary personnel, totalling tens of thousands of soldiers. No other evidence has been found of Sponsianus' rule, and if he did exist, this would seem to indicate that Sponsianus was either uninterested or unsuccessful in expanding his territory.

See also
 Pacatian
 Ingenuus
 Regalianus

Notes

References

Further reading

3rd-century Roman usurpers
Ancient Romans from unknown gentes
Year of birth unknown
Place of birth unknown
People whose existence is disputed

Sponsianus


Tutku Açık (1 Eylül 1980, Silvan),  Gaziantep Basketbol antrenörü ve Türk eski basketbolcudur. Oyunculuk kariyeri boyunca Oyun kurucu pozisyonunda görev almıştır.

Basketbol kariyeri
Basketbola Ülkerspor altyapısında başladı. İlk kez 1997'de A Takıma çıktı ancak iki sezon boyunca kaldığı Ülkerspor'da kadro derinliği nedeniyle çok fazla oynama şansı bulamadı. İki sezon sonra 1999-00'de Ankara kulübü Kolejliler'e kiralandı. Bu takımda uzun süreler alma imkânı buldu ve tecrübe kazanarak bir sezon sonra tekrar Ülkerspor'a döndü.

2000-2001 sezonunda özellikle ligin sonlarında ve play-off'larda oldukça başarılı bir performans sergileyerek Ülkerspor'un şampiyon olmasında önemli rol oynadı. 2005 yılına kadar Ülkerspor'da oynayan Tutku Açık, 2005-2006 sezonu başında Türk Telekom'a transfer oldu. 2010 yılının başında ise Galatasaray Medical Park'a transfer olmuştur.

Spektekuler pasları ve oyunu iyi okumasıyla tanınan Tutku Açık, ceza şutlarını da iyi sokan bir oyuncudur. Türkiye Basketbol Ligi'nde asist kategorisinde ilk 3'te yer alır.

2012-2013 sezonundan itibaren Beşiktaş mücadele etti. Beşiktaş ile birlikte, takımın tarihinde bir ilk olan Cumhurbaşkanlığı Kupası'nın 28. sini kazanmışlardır. 2012-13 sezonunda Beşiktaş forması ile TBL, Türkiye Kupası ve EuroLeague'de mücadele etmiştir.

Sezon sonunda Anadolu Efes SK ile anlaştıktan sonra, maç programı daha hafif olan bir takımda oynamak istemesi üzerine, Trabzonspor ile 1 yıllık sözleşme imzalamıştır. 2016-2017 sezonu öncesi uzun bir sakatlık döneminin ardından Ankara DSİ basketbol kulübüyle anlaşmaya vararak tekrar basketbola geri dönmüştür.

Takımlar
 1997-1999: Ülkerspor
 1999-2000: Mydonose Kolejler
 2000-2005: Ülkerspor
 2005-2010: Türk Telekom
 2010-2012: Galatasaray Medical Park
 2012-2013: Beşiktaş
 2013-2014: Trabzonspor
 2016-2017: Ankara DSİ

Kaynakça

Dış bağlantılar
 TBLStat.net Oyuncu Profili

Yaşayan insanlar
Bosna-Hersek asıllı Türkler
1980 doğumlular
Oyun kurucu basketbolcular
Türk erkek basketbolcular
Bosnalı basketbolcular
Boşnak asıllı Türkler
Ülkerspor basketbolcuları
Türk Telekom GSK basketbolcuları
Galatasaray SK basketbolcuları
Beşiktaş JK basketbolcuları
Diyarbakır doğumlu sporcular
Trabzonspor basketbolcuları

Tutku Açık