Hvíta hliðin á svörtu er plata með íslenska tónlistarmanninnum Bubba Morthens sem kom út 3. nóvember 1996. Hvíta hliðin á svörtu var önnur edrú-plata Bubba í ellefu ár, eða síðan Kona kom út 6. júní 1985. Platan var heldur óhefðbundinn miðað við plötur Bubba sem komu fyrir hana, en á henni söng Bubbi enginn lög, heldur flutti hann ljóð. Undirspilið á plötunni var í höndum þeirra Maariu Olsen, Celo De Carvahlo, Eðvarðs Lárussonar, upptökustóra Bubba til margra átta Eyþórs Gunnarssonar, Guðna Franzsonar og Tómasar R. Einarsson, var spunninn eftir stemmningu í hverju ljóði. Sala á plötunni var sáralítil á mælikvarða Bubba. Eftirbragð ljóðanna - áreiðanlegast allra bragða - er ekki beiskt eða súrt, en víða nokkuð rammt. Tónninn er stundum dökkur og tvístraður, en líka ljúfur og heill.

Kjartan Árnason, gagnrýnandi Morgunblaðsins

Lagalisti
 Fjallakofinn
 Fyrir Austan
 Þvottadagar
 Vertíð
 Ströndin
 Hnefagull
 Mýktin kemur með aldrinum
 Eintal á deildinni
 Það vantar blóð
 Þar sem reipin eru ekki mannheld
 Herbergi 7
 Arfberar
 Stutt stopp
 Vekjum ekki nágrannann
 Rangur slóði
 Þar sem blómin eru
 Ferðalag
 Klukkan átta
 Saga
 Algjört frelsi
 Trú
 Kyssti mig engill
 Náttúruöflin
 Ljóð handa stelpu
 Eftirmæli um ljón sem hafði tennur
 Inúít

Bubbi Morthens
Hljómplötur gefnar út árið 1996

Hvíta hliðin á svörtu


كاينو  ، إقليم فنلندي، يشمل تاريخياً الجنوب الشرقي من منطقة بوهيانما التاريخية. تحد أقاليم بوهيانماالشمالية وسافو الشمالية وكاريليا الشمالية وكذلك جمهورية كاريليا في روسيا. العاصمة الإدارية للإقليم هي مدينة كاياني.

يسكن كاينو حوالي 85.000 نسمة وأعدادهم آخذة في الانخفاض. تتميز طبيعة كاينو بالتلال المشجرة والبحيرات ومساحات شاسعة من الغابات غير المأهولة في جلسته الأكثر شيوعا—95% من مساحة الأراضي الحرجية. مناخ قاري.

سكان كاينو الأصليون من قومية سامي كانو من صيادي الحيونات والأسماك. في القرن السابع عشر، عزز حاكم فنلندا العام بر براهي نمو السكان كاينو من خلال منح إعفاءات ضريبية لمدة عشرة سنوات للمستوطنين. كان من الضروري إسكان كاينو بالمزارعين الفنلنديين لأن المنطقة كانت مهددة من الشرق من قبل الروس. المهاجرون المنتقلون للعيش في كاينو كانت أساساً من سافو ولهذا السبب فإن لهجة كاينو قريبة جداً من لهجة سافو.

حاليا عدد السكان أخذ في الانخفاض بشكل رئيسي لأن أسلوب الحياة تقليدياً زراعي الأمر الذي لم يعد مُربح جداً في هذا الإقليم.

يدفع الاقتصاد في كاينو أيضاً صناعة الخشب، التي توظف 8% من القوة العاملة في الإقليم. وبالإضافة إلى ذلك، تقع بالقرب من كاينو قاعدة لقوات الدفاع الفنلندية.

مراجع

أقاليم فنلندا

كاينو


Folkebevægelsen (, ) var et populistisk venstreparti på Island, der blev etableret i 1994 af en kreds af politikere fra venstrefløjen i Islands Socialdemokratiske Parti  (Alþýðuflokkurinn) omkring den senere statsminister Jóhanna Sigurðardóttir, efter at hun tabte et kampvalg om partiets formandspost. Ved altingsvalget 1995 fik Folkebevægelsen 7,2% af stemmerne og fire mandater.

I 1999 indgik partiet i valgforbundet Alliancen sammen med Islands Socialdemokratiske Parti, Kvindelisten og Islands Socialdemokratiske Parti. Året efter omdannedes valgforbundet til et egentligt parti.

Tidligere politiske partier i Island
Socialdemokratiske partier
Socialistiske partier
Etableret i 1994
Ophørt i 1999

Folkebevægelsen


Herznach-Ueken est une commune suisse du canton d'Argovie située dans le district de Laufenburg.

La commune a été créée le , de la fusion des deux anciennes communes de Herznach et d'Ueken.

Références

Commune du canton d'Argovie
Commune fondée en 2023 en Suisse

Herznach-Ueken


Selahattin Pınar (22 Ocak 1902, Denizli - 6 Şubat 1960, İstanbul), klasik Türk müziği bestecisi, udi ve tanburidir. Eserleri genelde melankolik bir havaya sahiptir.

Hayatı
Aslen Denizli'nin, Çal ilçesinden olup, babası Denizli Mebusu Sadık Bey'in görevi nedeniyle henüz 3 yaşındayken Denizli'lerin yoğun olarak yaşadığı İstanbul'un Altunizade semtine taşınmışlardır. Babasının karşı çıkmasına rağmen 12 yaşında ud çalarak musikiye başladı. Dönemin önemli bestekârlarından ders alan Selahattin Pınar ileriki yıllarda tanbur sazına geçti. "Üsküdar Musıkî Cemiyeti" adını alacak olan "Darü'l-Feyz-i Mûsıkî"nin kurucuları arasında bulundu. Burada Telgrafçı Ata Bey, Udî Sami Bey, Tanburî Cemil Bey'in öğrencilerinden Kadıköylü Fuad Bey gibi kimselerle ciddi çalışmalar yapılırdı. Üsküdar Mûsıkî Cemiyeti olduktan sonra bu çalışmalara Necati Tokyay, Emin Ongan, Şükrü Tunar, Hâfız Burhan ve daha nice isim yapmış ve yapacak olan sanatkârlar katılmıştı. Bestenigâr Ziya Bey, Mızıkalı Celâl Bey, Udî Sami Bey, Hanende Hüsameddin Bey, Kâzım Uz ve Ali Rifat Çağatay hoca olarak görev yapıyordu. Selâhaddin Pınar bütün bu hocaların çeşitli yönlerinden yararlandı. 1919 yılında Tanbur çalmaya yöneldi. Udî Selâhaddin Bey'likten ayrılmış, tanburî Selâhaddin Pınar olmuştu. Aynı zamanda kendine özgü bir uslûp ve boğuk sesi ile okurdu. Bestekârlığa on sekiz yaşlarında başladı. İlk eseri sözleri Adliyeci Senihî'nin olan Kürdilihicazkâr makamından ve aksak usulünde bestelediği "Mülkün ne yaman şule-i ikbâli karardı" güfteli şarkısıdır. En çok bu makamı sevdiğini her fırsatta dile getirdiğini yakınları bilirlerdi. Yıllar ilerledikçe mûsıkî repertuvarımıza birbirinden güzel şarkılar hediye etti. Çok temiz giyinen, zarif, efendi, güzel ve esprili konuşan Selâhaddin Pınar gerek mûsıkî çevrelerinde, gerekse dostları arasında sevilen, sayılan bir kimseydi. Daha sonra ilk Türk ve Müslüman kadın tiyatrocu Afife Jale ile birlikte oldu. Jale'nin psikolojik rahatsızlıkları Pınar'ı çok üzmüştü ve sanat hayatına da etkisi büyük oldu. Bu dönemde ve ayrıldıktan sonra bestelediği şarkılar genelde karşılıksız ve ümitsiz aşkları, ayrılık acılarını içerdi. Jale, rahatsızlığı nedeni ile Pınar'dan ayrılmayı kendisi istemişti.

Afife Jale ile olan birlikteliğinden sonra ölene dek Seyyare Atıfet Pınar ile evliydi ve Afife Jale ile resmî nikahlı bir evlilik yapmamıştı. Alkol bağımlısı olduğu sanılan, asabi fakat içe dönük bir karaktere sahip Selahattin Pınar, 6 Şubat 1960'ta Kadıköy'de Todori'nin lokantasında, yemek yemek üzereyken geçirdiği kalp krizi sonucu hayatını kaybetti. Pınar'ın kalp krizi geçirdiğinde yanında söz yazarı Selim Aru bulunuyordu.

Sabiha Gökçen'in anlattığına göre bestelediği Gel Gitme Kadın şarkısı Atatürk'ün en sevdiği şarkılar arasında yer alır.

İstanbul'un Kalamış, Salacak ve Mecidiyeköy semtlerinde adını taşıyan üç sokak bulunmaktadır.

Bestelediği eserler
Atatürk'ün karşısında da tambur çalan Selahattin Pınar'ın bestelediği eserleri Zeki Müren, Sabite Tur Gülerman gibi birçok önemli sanatçı okudu. 100'e yakın bestesi olduğu sanılmaktadır. Bunlardan, "Nereden sevdim o zalim kadını" ve "Anladım sevmeyeceksin beni sen nazlı çiçek" isimli şarkılarını Afife Jale için bestelediği söylenir. En çok bilinen bestelerine aşağıdaki eserler örnek sayılabilir:

 Anladım sevmeyeceksin beni sen nazlı çiçek (Hicaz) - Söz : Mustafa Nâfiz Irmak
 Bakışı çağırır beni uzaktan (Muhayyer kürdi) Söz : - Fuat Edip Baksı
 Beni de alın ne olur koynunuza hatıralar (Hisar buselik) - Söz : Baki Süha Edipoğlu
 Bir bahar akşamı rastladım size (Hicaz) - Söz : Fuat Edip Baksı
 Gel gitme kadın ruhumu hicranına yakma (Kürdili hicazkâr) - Söz : Celadet Barbarosoğlu
 Hala yaşıyor kalbimin en gizli yerinde (Nihavend) - Söz : Zekai Cankardeş
 Kalbim yine üzgün seni andım da derinden (Bayâtî) - Söz : Yahya Kemâl Beyatlı
 Mülkün ne yaman şule-i ikbâli karardı (Kürdîli hicâzkâr) - Söz : Adliyeci Senihî
 Nereden sevdim o zalim kadını (Kürdîli hicâzkâr) - Söz : Yusuf Ziya Ortaç

Kaynakça

Referans

Dış bağlantılar
 Selahattin PINAR
 Selahattin Pınar hakkında bilgi

1902 doğumlular
Çal doğumlular
1960 yılında ölenler
İstanbul'da kalp krizinden ölenler
Türk tamburiler
Klasik Türk müziği bestecileri
Zincirlikuyu Mezarlığı'na defnedilenler
Denizli doğumlu müzisyenler

Selahattin Pınar


Rumeur publique () est un mélodrame franco-italien coréalisé par Maurizio Corgnati et Goffredo Alessandrini, sorti en 1954.

Synopsis

Fiche technique

 Titre français : Rumeur publique ou Chronique scandaleuse
 Titre original italien :
 Réalisation : Maurizio Corgnati
 Supervision : Goffredo Alessandrini
 Scénario : Maurizio Corgnati, Charles Spaak, , Aldo Rossi
 Photographie : Giovanni Ventimiglia
 Montage : Rodolfo Palermi
 Musique : Bruno Maderna
 Décors : Ubaldo Bonetti
 Production : Stefano Caretta, Antoine de Rouvre, Lucien Masson
 Sociétés de production : Scalera Film • Sirius
 Pays de production :  •
 Langue originale : italien
 Format : Noir et blanc • 1,37:1 • Son mono • 35 mm
 Durée : 92 minutes
 Genre : Mélodrame social
 Dates de sortie :
 Italie :
 France :

Distribution
Daniel Gélin : Paolo Jaier
Delia Scala : Lauretta
Carlo Campanini : Leonide Forgesi
Gianrico Tedeschi : Egisto Bianchi
Renato Salvatori : Mario
Massimo Serato : Massimo Gorini
Luigi Tosi : Attilio

Notes et références

Liens externes

Film italien sorti en 1954
Film français sorti en 1954
Film dramatique italien
Film dramatique français
Mélodrame (cinéma)
Film réalisé par Goffredo Alessandrini
Film scénarisé par Charles Spaak
Film en italien
Film français tourné en italien
Film italien en noir et blanc
Film français en noir et blanc

Rumeur publique


قطنا قد تشير إلى:

 قطنا (مدينة أثرية) مدينة أثرية سورية تقع في حمص في منطقة تل المشرفة.
 مدينة قطنا مدينة سورية تابعة لمحافظة ريف دمشق، قريبة من مدينة دمشق.

قطنا (توضيح)


Košarkaški klub Cedevita Olimpija, poznat i kao samo Cedevita Olimpija, slovenski je profesionalni muški košarkaški klub, koji se natječe u ABA ligi i ULEB Eurokupu.

Povijest
4. lipnja 2019. objavljeno je da se hrvatski klub Cedevita i slovenski klub Olimpija spremaju spojiti i formirati Cedevitu Olimpiju, novi muški profesionalni košarkaški klub sa sjedištem u Ljubljani. KK Cedevita planira se u budućnosti natjecati u hrvatskoj ligi kao "Cedevita Junior". Upravni odbori Cedevite i Olimpije 13. lipnja potvrdili su imenovanje Davora Užbinca generalnim direktorom, a Sanija Bečirovića sportskim direktorom. 25. lipnja Odbor Eurokupa potvrdio je sudjelovanje kluba u sezoni Eurokupa za 2019./20.  Upravni odbori Cedevite i Olimpije posebno su pozvali svoje članove na sastanak Skupštine koji je održan 8. srpnja u Areni Stožice, gdje je i kada je klub i službeno osnovan, a Slaven Rimac potvrđen kao prvi trener momčadi, kao što je i Emil Tedeschi potvrđen za predsjednika kluba.

8. srpnja dovedeno je i prvo pojačanje, slovenski reprezentativac Edo Murić.

Vodstvo kluba
 Predsjednik:  Emil Tedeschi
 Direktor:  Davor Užbinec
 Športski direktor:  Sani Bečirović
 Tehnički direktor:   Krešimir Novosel
 Trener:  Jurica Golemac

uspjesi
 Superkup ABA lige
 finalist: 2019.

Izvori

Vanjske poveznice
 Cedevita Zagreb
 Olimpija Ljubljana

Slovenski košarkaški klubovi
Košarka u Ljubljani

KK Cedevita Olimpija


An Plectrophora zarumensis in uska species han Liliopsida nga ginhulagway ni Dodson ngan P.M.Dodson. An Plectrophora zarumensis in nahilalakip ha genus nga Plectrophora, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Plectrophora

Plectrophora zarumensis


Baudenkmäler nach Ortsteilen

Kastl

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Pirach

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Weitere Ortsteile

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Ehemalige Baudenkmäler

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Siehe auch
 Liste der Bodendenkmäler in Kastl (Landkreis Altötting)

Anmerkungen

Literatur

Weblinks

Kastl
!

Liste der Baudenkmäler in Kastl (Oberbayern)


An Trisetum preslii in uska species han Liliopsida nga syahan ginhulagway ni Carl Sigismund Kunth, ngan ginhatag han pagkayana nga asya nga ngaran ni Étienne-Émile Desvaux. An Trisetum preslii in nahilalakip ha genus nga Trisetum, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Trisetum

Trisetum preslii


Jon Fosse (f. 29. september 1959) er norskur rithöfundur, leikskáld og þýðandi. Hann býr í Grotten, heiðurssetri norska ríkisins fyrir skáld í konungsgarðinum í Ósló. Hann hlaut Nóbelsverðlaunin í bókmenntum árið 2023.

Fosse hefur skrifað rúmlega sjötíu verk, skáldsögur, frásagnir, ljóð, barnabókmenntir, ritgerðir og leikrit og hafa þau verið þýdd á fleiri en fimmtíu tungumál. Leikrit Fosse hafa verið flutt í öllum ríkjum Evrópu, mest í Þýskalandi og Frakklandi, en einnig í Póllandi, Englandi, Bandaríkjunum, Brasilíu, Ástralíu, Kúbu, Kína, Japan og Malaví. Hann hefur jafnframt þýtt fjölda leikrita og fagurbókmennta á norsku.

Hann hefur hlotið mörg verðlaun fyrir bækur og leikrit sín og gjarnan hefur verið talað um hann sem eitt mikilvægasta leikskáld samtíðarinnar.

Verk Fosse einkennast af póstmódernískum mínimalisma og leikrit hans eru kennd við stefnu póstdramatísks leikhúss.

Á síðari árum hafði Fosse oft verið nefndur sem mögulegur Nóbelsverðlaunahafi í bókmenntum. Árið 2010 hlaut hann alþjóðlegu Ibsenverðlaunin og árið 2015 hlaut hann bókmenntaverðlaun Norðurlandaráðs fyrir skáldsöguna Trilogien. Árið 2020 var verkið The Other Name. Septology I-II á langlista og árið 2022 var A New Name. Septology VI-VII á stuttlista alþjóðlegu Booker-verðlaunanna. Síðarnefnda verkið var einnig á lokalista National Book Critic's Circle Awards og National Book Awards árið 2022.

Æviágrip
Jon Fosse fæddist í Haugesund og ólst upp í héraðinu Kvam í Harðangri. Hann flutti síðar til Bergen. Hann útskrifaðist með kandidatsgráðu frá Háskólanum í Bergen árið 1987, þar sem hann nam félagsfræði, heimspeki og bókmenntafræði. Árið 2015 hlaut Fosse heiðursdoktorsgráðu frá Háskólanum í Bergen.

Fosse vann sem blaðamaður hjá Gula Tidend frá 1979 til 1983. Árið 1985 var hann ritstjóri hjá blaðinu Militærnekteren. Hann var kenndi við Ritlistarakademíuna í Hörðalandi frá 1987 til 1993 og var jafnframt í mörg ár aðalráðgjafi hjá Norska samlaginu. Hann var í nokkur ár ritstjóri hjá tímaritinu Bøk ásamt Jan Kjærstad.

Fosse hefur einnig verið meðlimur i bókmenntaráði norska rithöfundasambandsins, stjórnarmeðlimur hjá norska samlaginu og nýnorsku menningarmiðstöðinni og meðlimur í ritgerðaútgáfu norska menningarráðsins.

Frumraun Fosse í bókmenntum var árið 1983 með skáldsögunni Raudt, svart. Fyrsta leikrit hans, Og aldri skal vi skiljast, var frumsýnt 1994. Fosse hefur verið afar virkur sem skáldsagnahöfundur frá 1983 og leikritaskáld frá 1994 og hefur gefið út fjölda skáldsagna, ljóða, barnabókmennta, ritgerða og leikrita. Skáldsögurnarr Morgon og kveld, Trilogien og Septologien eru meðal vinsælustu verka hans, bæði hjá almenningi og meðal gagnrýnenda.

Fyrsta leikrit Fosse, Og aldri skal vi skiljast, var frumsýnt í De Nationale Scene í Bergen árið 1994. Fosse hefur upp frá því samið meira en þrjátíu leikrit sem hafa öll verið uppsett og gefin út á bókum bæði á norsku og ensku. Mörg verkin hafa líka verið gefin út á öðrum tungumálum, alls um fimmtíu. Helstu skáldsögur Fosse hafa líka verið þýddar á rúmlega tuttugu mál, meðal annars ensku, þýsku, frönsku, sænsku og dönsku.

Fosse hefur einnig þýtt eða skrifað útgáfur af fjölda leikrita. Leikrit hans hafa verið sett á svið meira en þúsund sinnum og hann er það norska leikskáld sem hefur verið sett upp næstoftast, á eftir Henrik Ibsen og hann hefur stundum verið kallaður "hinn nýi Henrik Ibsen".

Í leikritum Fosse hefur drama í hefðbundnum skilningi litla merkingu. Söguþráðurinn er yfirleitt drifinn áfram af innri baráttu persónanna fremur en af utanaðkomandi atburðum. Verk hans eru ljóðræn og hefur þeim verið lýst sem póstdramatísku leikhúsi.

Árið 2011 flutti Fosse inn í heiðurssetur norska ríkisins fyrir skáld, Grotten, þar sem hann býr með konu sinni, Önnu, og tveimur börnum þeirra. Anna Fosse er slóvakískur þýðandi, bókmenntafræðingur og germanisti. Hún útskrifaðist með doktorsgráðu í harmleikjum í norrænni samtímaleiklist við Slóvakísku vísindaakademíuna árið 2017 og hefur á seinni árum þýtt mörg höfuðverk norrænnar leiklistar úr norsku, sænsku og dönsku á slóvakísku. Árið 2013 snerist Fosse til kaþólskrar trúar.

Tilvísanir

Handhafar Bókmenntaverðlauna Norðurlandaráðs
Handhafar bókmenntaverðlauna Nóbels
Norsk leikskáld

Jon Fosse


Zagrebačka nogometna zona za sezonu 1987./88. je bila liga šestog ranga natjecanja nogometnog prvenstva Jugoslavije.
Sudjelovalo je 16 klubova, a prvak je bio "Novi Zagreb" iz Zagreba.

Ljestvica

Unutrašnje poveznice
 Prvenstva Zagrebačkog nogometnog podsaveza
 Zagrebački nogometni podsavez
 Regionalna nogometna liga Zagreb – Jug 1987./88.

Vanjske poveznice
 nk-maksimir.hr

Izvori

1987-88 zona
Zagreb-zona
1987-88 Zagreb-zona

Zagrebačka nogometna zona 1987./88.


Maya, Alias firmasınca uzun yıllar geliştirildikten sonra 2006 yılında 7.0 sürümü sonrası Alias firmasına ait diğer tüm yazılım ürünleriyle birlikte Autodesk firmasınca satın alınan komple çözüm sunan bir modelleme paketidir.

Tasarım ve görsel efekt iş ve işlemleriyle uğraşan tüm dünya profesyonellerinin tercih ettiği bir yazılım olmasıyla da bilinir. Tercih edilmesinin bir sebebi de, açık script yapısıdır. Profesyoneller genelde projeye göre hazırladıkları script ve pluginleri Maya'nın açık yapısı sayesinde çok kolayca kullanabilmektedirler.

Maya için birçok özel şirket ve kişi öğrenimi ve eğitimi alanında da etkileşimli ortamda çalışan multimedya ürünleri geliştirmişlerdir. Yazılım sektöründe üzerine yeryüzünde en fazla eğitim desteği verilen bir yazılım olması da önemini anlamak açısından önemlidir.

Dış bağlantılar
 Kişisel Öğrenme Versiyonu
 Maya forumu

Animasyon yazılımları
Grafik tasarım yazılımları
Üç boyutlu bilgisayar grafikleri
Autodesk

Autodesk Maya


Roosevelt County refers to the following counties in the United States:

Roosevelt County, Montana
Roosevelt County, New Mexico

Roosevelt County


Le prieuré Saint-Germain de Faucon est un ensemble de bâtiments religieux, situé sur la commune de Faucon, dans le Vaucluse.

Histoire
Plusieurs campagnes de fouilles ont été menées, depuis 1989, sur le site du prieuré. Au cours de celles-ci, les traces d'une ancienne villa gallo-romaine ont été mises au jour à l'emplacement de l'église du lieu. Elle aurait été abandonné au . L'utilisation du site, au cours du Moyen-age commença par l'implantation d'une nécropole. Un petit établissement monastique est implanté dès le . Rapidement, les ruines de la villa furent réutilisées, pour construire un premier lieu de culte, à nef unique. Il semble que ce bâtiment ai été en fonctionnement jusque l'an mil. Lors de l'acquisition par l'Abbaye Saint-Philibert de Tournus, au , confirmée par une bulle papale de Calixte II, en mai 1119, une nouvelle église est construite, aux murs plus épais, mais gardant l'idée des plans originels du premier bâtiment.

Depuis la vente du domaine au titre des biens nationaux, en 1792, le prieuré est une propriété privée.

Le prieuré est inscrit au titre des monuments historiques, depuis le .

Description
Des bâtiments résidentiels, sont installés au sud-est de l'église Saint-Germain, organisés à l'intérieur d'une clôture, dès le . La taille du domaine, lié au prieuré, lors du Moyen-age, est peu connu. L'inventaire effectué lors de la vente des biens nationaux, en 1792, laisse apparaitre un domaine s'tendant au nord-ouest du prieuré, et autour du village de Faucon, ce qui correspond à peu près au vallon du ruisseau du Gournier. L'église Saint-Germain, édifiée à flanc de coteau, à environ 250 mètres du ruisseau, occupe la pointe méridionale du vallon.

Après arasement de la villa gallo-romaine d'origine, le chevet de l'église primitive, de forme rectangulaire, est adossé murs antiques de la partie orientale du petit enclos funéraire alors implanté. Le mur sud de sa nef était en appui du le mur de l'ancienne villa. Les sépultures de la nécropole se situaient toutes en extérieur de la nef primitives.

La seconde église reprend l'emplacement et le schéma de la première, mais d'une taille légèrement plus important. La nef est augmentée de deux chapelles latérales. Elle a été totalement remaniée, au cours du , intérieurement, pour être transformée en habitation privée, tout en gardant les volumes extérieurs, les voûtes de la nef et de la chapelle méridionale, ainsi que la tour qui la surplombe.

Notes et références

Voir aussi

Bibliographie

 .

Articles connexes
 Liste des monuments historiques de Vaucluse

Liens externes

Monument historique inscrit en 1992
Monument historique en Vaucluse
Prieuré monument historique en France
Faucon (Vaucluse)

Prieuré Saint-Germain de Faucon


O Campeonato Europeu de Futebol Feminino Sub-17 de 2022, comumente referido como UEFA Euro Feminina Sub-17 2022, foi a 13ª edição do Campeonato Europeu de Futebol Feminino Sub-17, campeonato anual de seleções europeias de base organizado pela União das Associações Europeias de Futebol (UEFA) que retorna após três anos depois do cancelamento das edições de 2020 e 2021 da Pandemia de COVID-19.

Assim como as edições anteriores realizadas em anos pares, o torneio funcionou como as eliminatórias da UEFA para a Copa do Mundo de Futebol Feminino Sub-17. As três melhores equipes do torneio se classificaram para a Copa do Mundo de Futebol Feminino Sub-17 de 2022 na Índia como representantes da UEFA.

A Alemanha defendia o título, tendo vencido o último torneio realizado em 2019. Na final, a Alemanha conquistou seu oitavo título ao empatar com a Espanha por 2 a 2, e vencer nos pênaltis por 3 a 2.

Qualificação
O Comitê Executivo da UEFA aprovou em 18 de junho de 2020 um novo formato de qualificação para o Campeonato Feminino Sub-17 e Sub-19 a partir de 2022. O torneios classificatório será disputado em duas fases, com equipes divididas em duas ligas, com promoção e rebaixamento entre as ligas após cada fase semelhante à Liga das Nações.

Um total recorde de 49 (de 55) nações da UEFA entraram nas classificatórias, com a anfitriã Bósnia e Herzegovina também competindo apesar de já está classificada automaticamente, enquanto outras sete equipes se classificarão para a fase final após fim da segunda fase para se juntar a anfitriã. O sorteio da primeira fase foi realizado em 11 de março de 2021, às 13h30 CET (UTC+1), na sede da UEFA em Nyon, na Suíça.

Seleções qualificadas
As seguintes equipes se classificaram para o torneio final.

Sorteio final
O sorteio final foi realizado em 5 de abril de 2022, 18:00 CET, no Hotel Hills em Sarajevo, capital da Bósnia e Herzegovina. As oito equipes foram sorteadas em dois grupos de quatro equipes. Não houve cabeças de chave, com exceção da anfitriã Bósnia e Herzegovina no qual foi atribuída na posição A1 do sorteio.

Locais

Fase de grupos
Os primeiros e segundos colocados dos grupos avançam para as semifinais.

 Critérios de desempate
Na fase de grupos, as equipes são classificadas por pontos (3 pontos por vitória, 1 ponto por empate, 0 pontos por derrota) e, em caso de empate em pontos, são aplicados os seguintes critérios de desempate, na ordem dada, para determinar as classificações (artigos 20.01 e 18.02 do Regulamento):

 Pontos em confrontos diretos entre equipes empatadas;
 Diferença de gols em confrontos diretos entre equipes empatadas;
 Gols marcados em confrontos diretos entre equipes empatadas;
 Se mais de duas equipes estiverem empatadas, e após aplicar todos os critérios de confronto direto acima, um subconjunto de equipes ainda estiver empatado, todos os critérios de confronto direto acima serão reaplicados exclusivamente a esse subconjunto de equipes;
 Saldo de gols em todos os jogos do grupo;
 Gols marcados em todos os jogos do grupo;
 Pênaltis se apenas duas equipes tiverem o mesmo número de pontos, e se enfrentarem na última rodada do grupo e estiverem empatadas após aplicar todos os critérios acima (não usado se mais de duas equipes tiverem o mesmo número de pontos, ou se suas classificações não são relevantes para a classificação para a próxima etapa);
 Disciplinares (cartão vermelho = 3 pontos, cartão amarelo = 1 ponto, expulsão por dois cartões amarelos em uma partida = 3 pontos);
 Posição mais alta no ranking da liga da segunda fase classificatória

Todos os horários são locais, CEST (UTC+2).

Grupo A

Rodada 1

Rodada 2

Rodada 3

Grupo B

Rodada 1

Rodada 2

Rodada 3

Fase final
Na fase eliminatória, a disputa por pênaltis foi usada para decidir o vencedor, caso necessário (não houve prorrogação).

Esquema

Semifinais
As vencedoras se classificaram para a Copa do Mundo de Futebol Feminino Sub-17 de 2022, enquanto as perdedoras disputaram um play-off para o mundial.

Play-off da Copa do Mundo de Futebol Feminino Sub-17
A vencedora se classificou para a Copa do Mundo de Futebol Feminino Sub-17 de 2022.

Final

Equipes classificadas para a Copa do Mundo de Futebol Feminino Sub-17
As três primeiras da competição se classificaram e representarão a UEFA na Copa do Mundo de Futebol Feminino Sub-17 de 2022.

Ligações externas
 Site oficial da competição

Campeonato Europeu de Futebol Feminino Sub-17
2022 no futebol


Jacques Heyman  (1925 - ) es un ingeniero conocido por su labor divulgadora de las estructuras de fábrica, siendo una autoridad en el estudio de las estructuras de catedrales aplicando las teorías modernas del siglo XX. Sus libros han sido traducidos a muchos idiomas .

Biografía
Habiéndose graduado en 1944 en el Departamento de Ingeniería de la Universidad de Cambridge. Obtuvo posteriormente su PhD en la Brown University (de Estados Unidos) en 1946. Tras algunas estancias en Estados Unidos trabaja como profesor en el Departamento de Ingeniería. Durante estos años desarrolla sus estudios centrando su atención en las teorías modernas en estructuras de fábrica. Sus ideas están entrelazadas con las teorías elásticas del acero de Baker, son aplicadas a la piedra. Muchas de estas teorías permiten mejorar el conocimiento sobre rehabilitación de catedrales y templos de periodos clásicos.

Una de sus obras más importantes dentro del terreno de la restauración es la que realiza en la torre de Ely en Cambridgeshire. En ella aplica las ideas y teorías que desarrolló en su vida profesional.  En el año 2008 recibe el "honoris causa" de la Universidad Politécnica de Madrid. Colabora en algunos libros sobre historia de las estructuras con el español Santiago Huerta Fernández.

Referencias

Heyman
Heyman

Jacques Heyman


An implantable cardioverter-defibrillator (ICD) or automated implantable cardioverter defibrillator (AICD) is a device implantable inside the body, able to perform defibrillation, and depending on the type, cardioversion and pacing of the heart. The ICD is the first-line treatment and prophylactic therapy for patients at risk for sudden cardiac death due to ventricular fibrillation and ventricular tachycardia.

"AICD" was trademarked by the Boston Scientific corporation, so the more generic "ICD" is preferred terminology.

Current device batteries last about six to ten years. Advances in technology, such as batteries with more capacity or rechargeable batteries, may allow batteries to last over ten years. The lead (the electrical cable connecting the device to the heart) has a much longer average longevity, but can malfunction in various ways, specifically insulation failure or fracture of the conductor, and require replacement.

The process of implantation of an ICD system is similar to implantation of a pacemaker. In fact, ICDs are composed of an ICD generator and of wires. The first component or generator contains a computer chip or circuitry with RAM (memory), programmable software, a capacitor and a battery; this is implanted typically under the skin in the left upper chest. The second part of the system is an electrode wire or wires that, similar to pacemakers, are connected to the generator and passed through a vein to the right chambers of the heart. The lead usually lodges in the apex or septum of the right ventricle.

Just like pacemakers, ICDs can have a single wire or lead in the heart (in the right ventricle, single chamber ICD), two leads (in the right atrium and right ventricle, dual chamber ICD) or three leads (biventricular ICD, one in the right atrium, one in the right ventricle and one on the outer wall of the left ventricle). The difference between pacemakers and ICDs is that pacemakers are also available as temporary units and are generally designed to correct slow heart rates, i.e. bradycardia, while ICDs are often permanent safeguards against sudden life-threatening arrhythmias.

Recent developments include the subcutaneous ICD (S-ICD) which is placed entirely under the skin, leaving the vessels and heart untouched.

Indications
Implantation of ICD is meant to prevent sudden cardiac death and is indicated under various conditions. Two broad but distinct categories are primary and secondary prevention. Primary prevention refers to patients who have not suffered a life-threatening arrhythmia episode. Secondary prevention has the strongest evidence for benefit and it refers to survivors of cardiac arrest secondary to ventricular fibrillation or hemodynamically unstable sustained ventricular tachycardia after reversible causes are excluded.

Similarly, ICD use in primary prevention is to prevent cardiac death in patients who are at risk for sustained ventricular tachycardia or ventricular fibrillation. This population accounts for the bulk of all ICD implants. There are a multitude of guideline indications for ICD use in primary preventions with varying degree of supporting evidence. Periodically, both the American College of Cardiology (ACC)/American Heart Association (AHA) and European Society of Cardiology provide an update to this guideline. Some of the Class I indications are as follows:

 With LVEF ≤ 35% due to prior Myocardial Infarction (MI) who are at least 40 days post-MI and are in NYHA Functional Class II or III
 With LV dysfunction due to prior MI who are at least 40 days post-MI, have an LVEF ≤ 30%, and are in NYHA Functional Class I
 With nonischemic DCM who have an LVEF ≤ 35% and who are in NYHA Functional Class II or III
 With nonsustained VT due to prior MI, LVEF < 40%, and inducible VF or sustained VT at electrophysiological study
 With structural heart disease and spontaneous sustained VT, whether hemodynamically stable or unstable
 With syncope of undetermined origin with clinically relevant, hemodynamically significant sustained VT or VF induced at electrophysiological study

Clinical trials
A number of clinical trials have demonstrated the superiority of the ICD over AAD (antiarrhythmic drugs) in the prevention of death from malignant arrhythmias.
The SCD-HeFT trial (published in 2005) showed a significant all-cause mortality benefit for patients with ICD. Congestive heart failure patients that were implanted with an ICD had an all-cause death risk 23% lower than placebo and an absolute decrease in mortality of 7.2 percentage points after five years in the overall population.1
Reporting in 1999, the Antiarrhythmics Versus Implantable Defibrillators (AVID) trial consisted of 1,016 patients, and deaths in those treated with AAD were more frequent (n = 122) compared with deaths in the ICD groups (n = 80, p < 0.001). In 2002 the MADITII trial showed benefit of ICD treatment in patients after myocardial infarction with reduced left ventricular function (EF<30).

Initially ICDs were implanted via thoracotomy with defibrillator patches applied to the epicardium or pericardium. The device was attached via subcutaneous and transvenous leads to the device contained in a subcutaneous abdominal wall pocket. The device itself acts as an electrode. Most ICDs nowadays are implanted transvenously with the devices placed in the left pectoral region similar to pacemakers. Intravascular spring or coil electrodes are used to defibrillate.  The devices have become smaller and less invasive as the technology advances.  Current ICDs weigh only 70 grams and are about 12.9 mm thick.

A recent study by Birnie and colleagues at the University of Ottawa Heart Institute has demonstrated that ICDs are underused in both the United States and Canada. An accompanying editorial by Dr. Chris Simpson of Queen's University explores some of the economic, geographic, social and political reasons for this.

History
The development of the ICD was pioneered at Sinai Hospital in Baltimore by a team including Michel Mirowski, Morton Mower, Alois Langer, William Staewen, and Joseph "Jack" Lattuca. Mirowski teamed up with Mower and Staewen and together they commenced their research in 1969 but it was 11 years before they treated their first patient.

The work was commenced against much skepticism even by leading experts in the field of arrhythmias and sudden death. There was doubt that their ideas would ever become a clinical reality. In 1972 Bernard Lown, the inventor of the external defibrillator, and Paul Axelrod stated in the journal Circulation – "The very rare patient who has frequent bouts of ventricular fibrillation is best treated in a coronary care unit and is better served by an effective anti-arrhythmic program or surgical correction of inadequate coronary blood flow or ventricular malfunction. In fact, the implanted defibrillator system represents an imperfect solution in search of a plausible and practical application."

The problems to be overcome were the design of a system which would allow detection of ventricular fibrillation or ventricular tachycardia. Despite the lack of financial backing and grants, they persisted and the first device was implanted in February 1980 at Johns Hopkins Hospital by Dr. Levi Watkins Jr.

The first devices required the chest to be cut open and a mesh electrode sewn onto the heart; the pulse generator was placed in the abdomen.

Working mechanism
ICDs constantly monitor the rate and rhythm of the heart and can deliver therapies, by way of an electrical shock, when the heart rate exceeds a preset number.  More modern devices have software designed to attempt a discrimination between ventricular fibrillation and ventricular tachycardia (VT), and may try to pace the heart faster than its intrinsic rate in the case of VT, to try to break the tachycardia before it progresses to ventricular fibrillation. This is known as overdrive pacing, or anti-tachycardia pacing (ATP).  ATP is only effective if the underlying rhythm is ventricular tachycardia, and is never effective if the rhythm is ventricular fibrillation.

Many modern ICDs use a combination of various methods to determine if a fast rhythm is normal, supraventricular tachycardia, ventricular tachycardia, or ventricular fibrillation.

Rate discrimination evaluates the rate of the lower chambers of the heart (the ventricles) and compares it to the rate in the upper chambers of the heart (the atria). If the rate in the atria is faster than or equal to the rate in the ventricles, then the rhythm is most likely not ventricular in origin, and is usually more benign. If this is the case, the ICD does not provide any therapy, or withholds it for a programmable length of time.

Rhythm discrimination will see how regular a ventricular tachycardia is. Generally, ventricular tachycardia is regular. If the rhythm is irregular, it is usually due to conduction of an irregular rhythm that originates in the atria, such as atrial fibrillation. In the picture, an example of torsades de pointes can be seen; this represents a form of irregular ventricular tachycardia. In this case, the ICD will rely on rate, not regularity, to make the correct diagnosis.

Morphology discrimination checks the morphology of every ventricular beat and compares it to what the ICD knows is the morphology of normally conducted ventricular impulse for the patient.  This normal ventricular impulse is often an average of a multiple of normal beats of the patient acquired in the recent past and known as a template.

The integration of these various parameters is very complex, and clinically, the occurrence of inappropriate therapy is still occasionally seen and a challenge for future software advancements.

Living with an ICD

People who have an implanted cardioverter-defibrillator can live full lives. Usually the ICD does not improve the quality of life of the patient, although it may provide a strong degree of reassurance. As with a pacemaker, however, living with an ICD does impose some restrictions on the person's lifestyle.

A patient who had an ICD fitted in 2016 following cardiac arrest described the ICD as being "half the size of your mobile phone and a little bit thicker, in my chest and has two wires attached to it ... screwed into the bottom of your heart. ... I opted to have it fitted under my pectoral muscle, so you can't see it but you can see the wires in my chest - if you wanted to. Some have them on top of the pectoral muscle, so you can see it."

Physical activities
Almost all forms of physical activities can be performed by patients with an ICD. All forms of sports that do not pose a risk of damaging the ICD or because of the underlying cardiomyopathy can be undertaken by the patient. Special care should be taken not to put excessive strain on the shoulder, arm and torso area where the ICD is implanted. Doing so may damage the ICD or the leads going from the ICD generator to the patient's heart. Particularly to be avoided are exercises that cause the clavicle to be pulled down towards the ribs, such as lifting weights with the arm, on the ICD site, while standing.

Driving
ICD patients are prohibited from professional or commercial driving. A driving abstinence for private drivers is recommended following ICD implantation, but the timeframe is variable depending on the country (between 3 and 6 months for secondary prevention and 1–4 weeks for primary prevention). Following an appropriate ICD-therapy, a driving ban is recommended for 3–6 months depending on the country. After inappropriate ICD-therapy delivered for non-ventricular arrhythmias or due to the device malfunction, driving restrictions usually apply until the cause of the inappropriate therapy has been eliminated.

Electro-magnetic equipment
Equipment using large magnets or generating magnetic fields, or any similar environment, must be avoided by patients with an ICD.
As with other metallic objects, an ICD is normally a contraindication to the use of magnetic resonance imaging (MRI).  However, several ICD manufacturers have recently introduced MR-Conditional ICDs, which allow the use of MRI under specified safe operating conditions.

Quality of life
Implantable cardioverter defibrillators have demonstrated clear life-saving benefits, while concerns about patient acceptance and psychological adjustment to the ICD have been the focus of much research.  Researchers, including those from the field of cardiac psychology, have concluded that the quality of life (QoL) of ICD patients is at least equal to, or better than, that of those taking anti-arrhythmic medications.  The largest study of examined 2,521 patients with stable heart failure in the SCD-HeFT trial.  Results indicated that there were no differences between ICD-treated and medication-treated groups at 30 months in patient-reported QoL. Psychological adjustment following ICD implantation has also been well studied. In rare cases, the ICD can become infected and is usually bacterial in origin but other organisms such as certain fungi have occasionally been implicated. This is more likely to occur in people with diabetes, heart failure, kidney failure, or a suppressed immune system.

Anxiety is a common psychological side effect, with approximately 13–38% of ICD patients reporting clinically significant anxiety. The primary etiological factors contributing to anxiety in ICD patients have not been determined, however. Depressive symptoms are also common, but the incidence of these problems has been shown to be similar to those observed in other cardiac patient groups, with approximately 24–41% of patients with ICDs experiencing depressive symptoms. Problems in psychosocial adjustment to ICDs, including the experience of anxiety, among spouses or other romantic partners are also prevalent. This phenomenon may be related, at least in part, to shared shock anxiety and avoidance of physical and sexual contact.

See also

Artificial cardiac pacemaker
Brugada syndrome
Cardiopulmonary resuscitation (CPR)
Defibrillation
Wearable cardioverter defibrillator

Notes

References
 Bardy GH, Lee KL, Mark DB, et al. for the Sudden Cardiac Death in Heart Failure Trial (SCD-HeFT) Investigators. Amiodarone or an implantable cardioverter-defibrillator for congestive heart failure. N Engl J Med 2005; 352:225–237
 Full text
 Kumar and Clarke.  Internal Medicine.  2009.
 Sears S, Matchett M, Conti J. "Effective management of ICD patient psychosocial issues and patient critical events. J Cardiovasc Electrophysiol 2009; 20(11):1297–304.

External links
A Defibrillator in Action
Information on ICDs/S-ICDs from the charity Arrhythmia Alliance
East Carolina Heart Institute at ECU, Cardiac Psychology Lab, Focus on ICD
Samuel F. Sears, Jr., Ph.D., East Carolina University, Cardiac Psychology, ICD QoL Specialist
 Video, Coping with an ICD

Cardiac electrophysiology
Implants (medicine)
Medical devices
Cardiac procedures

Implantable cardioverter-defibrillator


Nikolaos Dabizas (în , )  un fost fotbalist grec care a jucat pentru Newcastle United, Leicester City, Olympiacos și AEL ca fundaș. El a făcut parte din   echipa națională de fotbal a Greciei care a câștigat Campionatul European de Fotbal din 2004.

Carieră

Pontioi Verias
Dabizas și-a petrecut copilăria jucând fotbal și ajutându-și tatăl la firma acestuia. Primul său contact cu fotbalul a avut loc la vârsta de 16 ani, deși nu a visat niciodată să devină fotbalist profesionist. Cu toate acestea, soarta avea alte planuri pentru el. A jucat timp de un an ca amator la echipa locală din Amydeo numită Hermes, meciurile făcute de el fiind suficient de bune pentru a obține un transfer și primul contract de profesionist la vârsta 18 ani la o echipă din al treilea eșalon grec, Pontioi Veria, unde a rămas timp de trei sezoane consecutiv, jucând un an în divizia a treia și două în al doilea. La 21 de ani avea să primească o ofertă din partea lui Olympiacos, una dintre cele mai mari echipe din Grecia.

Olympiakos
S-a mutat la Pireu și și-a ajutat noua sa echipă să câștige Superliga Greciei de două ori consecutiv, lucru pe nu îl reușise de zece ani. La Olympiakos a participat pentru prima dată în Liga Campionilor UEFA. După trei ani și jumătate cu Olympiacos, a primit o ofertă de la Newcastle United din Premier League.

Newcastle United
În martie 1998, Dabizas a semnat cu Newcastle United, Olympiakos primind în schimbul său 2 milioane de lire sterline. Inițial a semnat un contract pe patru ani care trebuia să expire în 2002, dar acesta a fost prelungit, cu mult timp înainte să expire, până în iunie 2004. El a reușit să înscrie golul victoriei pentru Newcastle în partida încheiată scor 1-0 din derby-ul Tyne-Wear împotriva lui Sunderland de pe Stadium of Light din 24 februarie 2002. La Newcastle United a jucat în două finale de Cupa Angliei din 1998 și 1999.

Fiind lăsat în afara lotului din primăvara anului 2003, Dabizas nu a avut de ales decât să-și caute o nouă echipă la care să joace. Un accident de mașină l-a împiedicat să se transfere în timpul verii. Nu a prins niciun minut pentru Newcastle în următorul sezon, acceptând în cele din urmă o ofertă venită din partea lui Leicester City în ianuarie 2004.

Leicester City și Euro 2004
Dabizas a jucat regulat pentru Leicester, care se lupta să rămână în Premier League, însă echipa nu a reușit să-și îndeplinească obiectivul și a retrogradat în Championship. Părea că va fi un nou sezon dezamăgitor, însă Dabizas a fost convocat la echipa națională a Greciei pentru Campionatul European de fotbal din 2004, însă nu a putut juca în niciun meci din cauza unei accidentări. Spre surprinderea tuturor, Grecia a câștigat turneul. După Euro 2004, Dabizas a ales să rămână la Leicester, în ciuda faptului că avea dreptul să rezilieze unilateral contractul dacă echipa sa retrograda. Dabizas a marcat de două ori în timpul perioadei sale la Leicester, odată împotriva lui Sheffield United, și din nou în Cupa Angliei împotriva lui Charlton Athletic.

AEL
Dabizas a părăsit-o pe Leicester la sfârșitul contractului său în mai 2005. În august 2005, a semnat un acord pe trei ani cu AEL. În 2007, a câștigat cea de-a doua Cupă a Greciei din istoria  lui Larissa, după un meci bun făcut de el în finală, fiind căpitanul echipei. Dabizas a jucat în Cupa UEFA, ajungând în faza grupelor, eliminând-o pe Blackburn Rovers. În sezonul 2008-2009, echipa a terminat pe locul 5 în Superligă și echipa s-a clasat în campionat pe un loc care i-a asigurat participarea în calificările UEFA Europa League, însă a fost eliminată în a doua rundă de calificare de KR Reykjavík (1-1,0-2). Aici, Dabizas a jucat alături de Stelios Venetidis și Stelios Giannakopoulos, doi coechipieri din echipa națională a Greciei din Euro 2004, precum și alături de fostul coleg de echipă de la Newcastle United, Laurent Robert. După un început slab în sezonul 2009-2010, Larissa a terminat în cele din urmă la mijlocul clasamentului, iar Dabizas a semnat o prelungire a contractului pe un an, jucând cei mai mulți ani din carieră pentru Larissa. El și-a anunțat retragerea în 2011.

Cariera administrativă

OMONOIA Lefkosias
Dabizas a fost numit pe 30 martie 2016 director sportiv al echipei Omonoia Lefkosia.

Titluri

Internațional

 Grecia

 UEFA Euro 2004: Campion

Referințe

Legături externe

Nașteri în 1973
Nașteri pe 3 august
Fotbaliști internaționali greci
Fotbaliști ai Premier League
Fotbaliști ai Leicester City FC
Fotbaliști ai Newcastle United FC
Fundași
Fotbaliști greci
Sportivi greci în viață

Nikos Dabizas


Indergarh es una localidad de la India en el distrito de Datia, estado de Madhya Pradesh.

Geografía
Se encuentra a una altitud de 184  a 419 km de la capital estatal, Bhopal, en la zona horaria UTC +5:30.

Demografía
Según estimación 2010 contaba con una población de 21 482 habitantes.

Referencias

Enlaces externos

Localidades de Madhya Pradesh

Indergarh


أيروبوس الأول المقدوني (باليونانية القديمة:Ἀέροπος Αʹ ὁ Μακεδών) كان الملك السابع لمملكة مقدونيا القديمة خلف والده الملك فيليبوس الأول المقدوني على عرش مقدونيا وهو من السلالة الأرغية حكم من العام 602 قبل الميلاد إلى 576 قبل الميلاد خلفه في الملك ابنه ألكيتاس الأول المقدوني.

قصة أيروبوس الصغير
بحسب ماركوس جوليانوس جوستينوس فقد جاء بأن أيروبوس استلم الحكم وهو ما زال طفلا صغيرا في المهد مما شجع الإليريين على الهجوم على الأراضي المقدونية وعندما بدأ المقدونيون بخسارة أراضيهم ظنوا بأن خسارتهم تكمن وراء أن ملكهم ليس معهم فقاموا وأحضروا الطفل مع مهده إلى جبهة القتال إلا أن هذا لم يساعدهم في شيء فالإليريون بقوا منتصرين عليهم ولكن عندما شعر المقدونيون بأن ملكهم الصغير أصبح على وشك الموت على يد الأعداء هبوا جميعا واستطاعوا دحر أعداءهم واستعادة أراضيهم.

مصادر

 هيرودوت التواريخ 8, 139.
 ماركوس جوليانوس جوستينوس (7, 2.)

سنة الولادة غير معروفة
ملوك مقدونيون
ملكيون مقدونيون في القرن 6 ق م
ملكيون مقدونيون في القرن 7 ق م

أيروبوس الأول المقدوني


PLP may refer to:

Science and technology
 Papain-like protease, a family of cysteine protease enzymes
 Phantom limb pain, pain felt as from a missing limb
 Proteolipid protein 1 or proteolipid protein 2, associated with Pelizaeus-Merzbacher disease
 Pyridoxal phosphate, a coenzyme, the active form of vitamin B6

Computing
 Packet Layer Protocol, a network layer protocol
 PL/P, a programming language
 Physical Layer Pipe (PLPs), specified in the DVB-T2 and ATSC 3.0 broadcasting standards

Politics
 Parliamentary Labour Party, a group of British Labour MPs
 Party for Freedom and Progress, a Belgian liberal political party (1961–1992)
 People's Life Party, a Japanese political party
 Pragati Legislature Party, a 1970s political party in Orissa, India
 Progressive Labour Party (disambiguation), several political parties
 Progressive Liberal Party, a Bahamian political party

Other uses
 Premier League Productions
 PLP Architecture, a London, UK firm
 Pamantasan ng Lungsod ng Pasig, a university in the Philippines
 Peace Love & Pitbulls, a Swedish industrial rock band
 Phoenix Living Poets, Chatto & Windus 1960-1983 books
 Prosopographisches Lexikon der Palaiologenzeit, a German-language late Byzantine Empire dictionary

PLP


Etimologija imena
Ime Weezing iskrivljenje je engleske riječi wheezing, što znači hroptanje. Kao i prethodnik Koffing, ime mu je aluzija na simptome nadraživanja dišnog sustava koje otrovni plinovi i onečišćen zrak izazivaju.

Matadogas je složenica od japanskih riječi 又 mata = opet/ponovno, 獰 dō = loše ili 毒 doku = otrov te engl. gas = plin. To zapravo znači "ponovno Koffing", te se riječima aludira na to da je Weezing udvostručenje Koffinga. Matadogas također nalikuje na japanski izgovor engleskog naziva za bojni otrov iperit= mustard gas (JP masutādogasu).

Biološke karakteristike
Weezing je biće koje se sastoji od dvije ljubičaste glave koje spaja treća manja putem dvaju cijevi. Lijeva glava je veća, te ima dva oštra zuba u donjoj čeljusti, i dva tupa u gornjoj. Obje glave imaju tužan izraz lica. Ispod usta veće glave je bijela oznaka mrtvačke glave i prekriženih kostiju, dok manja ima uzorak prstena ispod usta. Svoje otrovne plinove ipušta kroz nekoliko ispupčenih otvora nalik gejzirima. Hrani se plinovima koje otpušta raspad smeća, te nečistim zrakom.

Nastaje miješanjem otrovnih plinova i sporom fuzijom, no moguće je i brže spajanje kao posljedica mutacije.

Weezing ima iste izvore nadahnuća kao i Koffing, iako izgled Weezinga može još podsjećati i na molekulu kemijskog spoja.

U regiji Galar koja se pojavljuje u igrama Pokemon Sword i Shield, Weezing ima regionalni oblik koji nadahnut onečišćenim Londonom 19. i 20. stoljeća odnosno tvorničkim dimnjacima te visokim šeširima koji su se u to vrijeme nosili. Ovaj Weezing ima kao drugi tip Vilinski, te usisava onečišćen zrak, a kroz dimnjake na obje glave ispušta čistu paru.

Pokédex podaci

 Pokémon Red i Blue: Gdje se dvije vrste otrovnih plinova susreću, dva se Koffinga mogu spojiti u Weezinga kroz mnogo godina.
 Pokémon Yellow: Živi i raste upijajući prašinu, klice i otrovne plinove koji su sadržani u otrovnom otpadu i smeću.
 Pokémon Gold :  Ako se jedan od Koffinga blizanaca napuše, drugi se ispuše. Stalno miješa svoje otrovne plinove.
 Pokémon Silver : Vrhunski parfem se pravi koristeći njegove otrovne plinove njihovim razrjeđivanjem do krajnje razine
 Pokémon Crystal : Kada udahne otrovne plinove iz smeća, proširi se, te njegova unutrašnjost smrdi puno gore.
 Pokémon Ruby/Sapphire : (Ruby ) Weezing voli plinove koje otpušta trulo smeće. Ovaj Pokemon će naći prljavu, neodržavanu kuću, te je učiniti svojim domom. Po noći, dok ukućani spavaju, kopat će po smeću. (Sapphire ): Weezing naizmjence napuhuje i ispuhuje svoja tijela da bi miješao otrovne plinove unutra. Što ih više miješa, to plinovi postaju otrovniji. Pokemon također postane smrdljivijim.
 Pokémon Emerald : Razrjeđujući njegove otrovne plinove u posebnom postupku, može se dobiti parfem najviše kvalitete. Weezingu su plinovi koji izlaze iz smeća prava gozba.
 Pokémon FireRed : Vrlo rijetko, iznenadna mutacija može dovesti do toga da dva mala Koffing blizanca postanu spojeni kao Weezing.
 Pokémon LeafGreen : Gdje se dvije vrste otrovnih plinova susreću, dva se Koffinga mogu spojiti u Weezinga kroz mnogo godina.
 Pokémon Diamond/Pearl : Raste hraneći se plinovima koje otpušta smeće. Iako vrlo rijetki, pronađeni su i trojci.

U videoigrama
Weezing je prisutan u Pokemon vili na otoku Cinnabaru, u igrama Pokémon Blue, Pokémon Red, i Pokémon LeafGreen. U igri Pokémon Crystal prisutan je u Spaljenom tornju. U igrama Pokémon Diamond, Pearl i Platinum dostupan je na Stazi 227 i Stark planini. Evoluira iz Koffinga kada dosegne barem razinu 35, te ga je na taj način moguće dobiti i u igrama gdje se sam ne pojavljuje u divljini.

U animiranoj seriji
U Pokemon animiranoj seriji, Koffing Jamesa iz Tima Raketa razvio se u Weezinga u 31. epizodi (Iskopajte te Diglette!). U epizodi Ulovljeni Ego! (A Poached Ego!) Jamesov Weezing i Jessiein Arbok bivaju ostavljeni da štite skupinu Koffinga i Ekansa od krivolovaca. Ash je koristio Weezinga u prijemnom ispitu Pokemon Lige, te je s njim pobijedio instruktorovog Flareona. Kasnije je naredio tom Weezingu da upotrijebi Eksploziju protiv Tima Raketa.

Tehnike

Statistike

Izvori

Otrovni Pokémoni

Weezing


බොහෝමයක් විධිමත් සම්මත සහ අනෙක් තාක්ෂණික පිරිවිතර කිරීම, world wide web, අන්තර් ජාලය හා පරිගණක තොරතුරු හුවමාරුවෙහි වෙනස් ලක්ෂණවල ක්‍රියාකාරිත්වය විග්‍රහ කරයි. බොහොමයක් ලේඛන Berners-Lee  විසින් මෙහෙයවන World Wide Web  මූල්‍යායනනය (W3C) මගින් සිදු කරන නමුත් සමහර ඒවා සකසනුයේ අන්තර්ජාල ඉංජිනේරු කටයුතු බලකාය (IETF)) හා වෙනත් සංවිධාන මගිනි.

සාමාන්‍යයෙන් වෙබ් (Web) සම්මතයන් සාකච්ඡා කිරීමේ දී පහත සඳහන් ප්‍රකාශ පාදම ලෙස යොදා ගනී.

§	W3C හි සලකුණු කිරීමේ (markup) සඳහා නිර්දේශයන් විශේෂයෙන් HTML හා XHTML ය) මෙය අදි පෙළ (hypertext) ලේඛනවල ව්‍යුහය හා අර්ථ වින්‍යාසය නිර්වචනය කරයි.

 W3C හි විලාස පත් (stylesheets) සඳහා නිර්දේශ වන්නේ ප්‍රධාන වශයෙන් CSS ය
 ECMAScript සඳහා Ecma ඉන්ටර්නැෂනල් සම්මතයන් (සාමාන්‍යයෙන් JavaScript ආකාරය වේ.)
 W3C ලේඛන විෂය ආදර්ශ නිර්දේශ

WWW සඳහා වෙනත් අවශ්‍යකරන තාක්ෂණයන් සඳහා වූ පහත අතිරේක ප්‍රකාශ මගින් සපයන අතර එම නිර්වචන මේවාට පමණක් සීමා නොවේ.

විධිමත් සම්පත් හඳුන්වනය (URI) යනු  hypertext ලේඛනය හා අනුරූප (images) වැනි අන්තර්ජාලයේ නිර්දේශක සම්පත් සඳහා සමස්ත පද්ධතයකි. URI වලට URL යැයි කියන අතර IETF' හි RFC 3986 / STD 66:  මගින් නිර්වචනය කරයි.

විධිමත් සම්පත් හඳුන්වනය (URI) පොදුකාරක රීති වගේම එහි පුරෝගාමියා හා බහුල  URL යෝජනා ක්‍රම RFC වලින් නිර්වචනය කරයි. අධිපෙළ හුවමාරු ප්‍රොටෝකෝලය (HyperText Transfer Protocol (HTTP) විශේෂයෙන් RFC 2616 නිර්වචනය කරයි. : HTTP/1.1 හා RFC 2617: වලංගුතාවය එනම් බ්‍රව්සරය හා සර්වරය (server) එකිනෙකා වලංගු වන ආකාරය පෙන්වයි.

ආශ්‍රිත
http://en.wikipedia.org/wiki/World_wide_web#Standards

අන්තර්ජාල සම්මතයන්


Ómar Ingi Magnússon (f. 12. mars 1997) er íslenskur handknattleiksmaður sem spilar með SC Magdeburg í Þýskalandi og íslenska landsliðinu.

Ómar var valinn íþróttamaður ársins árin 2021 og 2022 en hann var markahæstur í þýsku deildinni 2020-2021. Hann varð markahæstur á Evrópumótinu 2022 í Ungverjalandi með 59 mörk. Hann skoraði 10 mörk gegn Frakklandi í þeirra versta tapi á Evrópumóti, þar sem Íslandi vantaði 8 leikmenn vegna COVID-19. Ómar hefur unnið deildartitla og bikartitla í Danmörku og Þýskalandi. Hann vann Evrópudeildina með Magdeburg 2021.

Ómar var valinn besti leikmaðurinn í Þýskalandi tímabilið 2021-2022.

Heimildir

Íslenskir handknattleiksmenn

Ómar Ingi Magnússon


La Revuelta es el décimo álbum de estudio de la banda de rock argentina Bersuit Vergarabat y el primero sin el exlíder Gustavo Cordera. Fue lanzado el 27 de febrero de 2012 en Argentina. Cuenta con la participación de Andrés Calamaro y Vicentico. Su primer corte de difusión es la canción «Cambiar el alma».

Presentación del disco
El álbum fue presentado el 1 de marzo en los estudios "Del Cielito". Interpretaron los temas: "Cambiar el alma", "Afónico", "La revuelta", "No te olvides", "La serpiente" y "Santa Cecilia". En el estudio estuvieron presentes numerosos periodistas y el evento fue transmitido en vivo por la página oficial de TN en la sección La Viola, con una entrevista a la banda. Además, presentaron el disco el 2 de junio en el Luna Park, con bandas invitadas como Los Auténticos Decadentes y La Franela.

Lista de canciones

Músicos
Daniel Suárez: Voz y coros
Germán Sbarbati: Voz y coros
Juan Subirá: Teclados y voz
Alberto Verenzuela: Guitarra y voz
Oscar Righi: Guitarra
Pepe Céspedes: Bajo
Carlos Martín: Batería

Videoclips

"Cambiar el alma"
"No te olvides"
"Dios te salve"
"Así es"

Referencias

Álbumes de 2012
Álbumes de Bersuit Vergarabat
Álbumes de rock de Argentina
Álbumes en español
Álbumes de rock en español
Álbumes de rock

La revuelta


Les Accords de Bella es una película del año 2007.

Sinopsis
La isla Rodrigues, perdida en medio del océano Índico, tiene una peculiaridad: hay más de 500 acordeones para 35.000 habitantes. Las polkas, mazurcas y valses son parte de la historia y del mestizaje de una isla durante mucho tiempo olvidada por todos. Aquí, el acordeón no es un instrumento pasado de moda, al contrario; se mezcla con el sonido de la percusión africana para que bailen jóvenes y viejos. Con la ayuda de Philippe Imbert, un artesano francés, la Asociación de Acordeonistas de Rodrigues se ha lanzado a una nueva aventura: fabricar su propio acordeón. El primero, el prototipo, construido íntegramente en la isla, se llama Bella.

Referencias

Les Accords de Bella


هنا قائمة بالبطولات الأسترالية لكرة المضرب, المعروفة الآن باسم أستراليا المفتوحة لسنة 1947:

الكبار

فردي رجال

 ديني بيلز هزم  جون برومويتش 4-6 6-4 3-6 7-5 8-6

فردي سيدات

 نانسي واين بولتن هزم  نيل هال هوبمان 6-3, 6-2

مراجع

أحداث يناير 1947 الرياضية
البطولات الأسترالية حسب السنة
بطولة أستراليا لكرة المضرب حسب السنة
كرة المضرب في 1947
كرة مضرب أسترالية في 1947
أحداث يناير 1947 الرياضية في أستراليا

البطولات الأسترالية 1947 (كرة مضرب)


Julia Lindenberg (Rio de Janeiro, 11 de dezembro de 1984) é uma atriz, dramaturga, jornalista e pesquisadora brasileira. Formada em Comunicação Social pela PUC-RJ e em Artes Cênicas pela Casa das Artes de Laranjeiras, Julia começou a estudar teatro ainda aos nove anos, na Casa de Cultura Laura Alvin, onde teve como mestre a preparadora de elenco Paloma Riani.

Ao longo da adolescência, compartilhou os estudos da cena com a atividade de sapateadora profissional, que resultou no prêmio na categoria Sapateado Avançado – Grupo no Festival de Joinville de 2004.

Carreira
Por causa de seu curso acadêmico, Julia atuou durante quase dez anos exclusivamente como jornalista até decidir retornar aos estudos de artes cênicas em 2014, no Casa das Artes de Laranjeiras.

De lá pra cá, esteve em mais de 10 projetos teatrais, com destaque para a peça "E Agora, Aonde Vamos?", que ficou em cartaz entre 2016-17 e se inspirava no filme homônimo da diretora libanesa Nadine Labaki. Dirigida por Eduardo Vaccari, a montagem esteve nos Festivais Universitários Festu, no Rio de Janeiro, e FETO, em Belo Horizonte, com Lindenberg interpretando a personagem Takla, mulher que perde um dos filhos para a guerra e esconde a informação para evitar o desentendimento entre os homens da vila isolada em que mora.

Outra peça de destaque em que esteve no elenco foi "Bar Planetário Bergman", dirigida por Celina Sodré, onde a atriz interpretou Karin, inspirada na personagem interpretada por Harriet Andersson em "Através de um espelho", filme clássico do cineasta sueco.

No streaming e em teledramaturgia, Julia começou seus trabalhos com "Lucia Mc'Cartney", minissérie de 2016 inspirada no conto de Rubem Fonseca e dirigida pelo filho do autor, o cineasta Zé Henrique Fonseca. No mesmo ano, participou da quinta temporada de "Me Chama de Bruna", série produzida pela FOX sobre Bruna Surfistinha dirigida por Duda Waisman e Calvito Leal.

Durante a pandemia da Covid-19, Lindenberg atuou no projeto "Histórias Paralelas", conduzido por Miwa Yanagizawa e exibido pela plataforma ZOOM.

Em 2022, trabalhou para a Netflix Brasil na segunda temporada de "Bom Dia, Veronica", onde esteve novamente com o diretor Zé Henrique Fonseca e, em 2023, participou da série "Todo Dia a Mesma Noite", sobre a tragédia criminosa na Boate Kiss, dirigida pela cineasta Júlia Rezende, além de participar da atual novela global em streaming "Todas as Flores".

Atrizes do Brasil
Jornalistas do Brasil

Julia Lindenberg


Gyöngyi Polónyi () a fost o actriță maghiară.

Biografie
Gyöngyi Polónyi s-a născut pe 13 aprilie 1942 la Budapesta. A absolvit Academia de Teatru și Film din Budapesta în 1964, devenind în scurtă vreme o vedetă. A interpretat rolul principal, alături de Ilona Béres, Judit Halász și Teri Tordai, în filmul Fűre lépni szabad (1960), care este încă foarte vizionat la posturile maghiare de televiziune. Dintre cele patru actrițe care și-au început cariera în același timp, Gyöngyi Polónyi a dispărut după aproximativ două decenii de pe scena teatrului maghiar și și-a dedicat viața îngrijirii pro bono a bolnavilor, bătrânilor și persoanelor abandonate în cadrul unui Spital din Pesta.

Gyöngyi Polónyi a obținut primul rol în film încă din ultimul an de liceu și a jucat apoi în numeroase filme de cinema și de televiziune. Printre cele mai cunoscute filme în care a jucat se numără Fűre lépni szabad (1960), Esős vasárnap (1962), Fiii omului cu inima de piatră (1965) și Napló szerelmeimnek (1987). Actrița a fost angajată pentru un sezon la Teatrul Național din Pécs, iar din 1965 a jucat la Teatrul Thália. A interpretat mai multe roluri în perioada studenției la Teatrul Thália, realizând în primii ani câteva roluri feminine puternice pentru ca ulterior să primească roluri mai puțin importante. Printre rolurile interpretate sunt de menționat Kató Reich (Endre Fejes: Rozsdatemető), Irina (Cehov: Trei surori), Flora Tóth (Sándor Bródy: învățătoarea), Maria (Hemingway: Pentru cine bat clopotele), Melinda (József Katona: Bánk bán), Fehérvállú (Szép asszonyok egy gazdag házban), Anna (Karol Wojtyla: Az aranyműves boltja). Gyöngyi Polónyi a jucat pentru la Teatrul Thália, timp de aproape trei decenii.

Numărul rolurilor interpretate potrivit evidențelor teatrale este de 55, dintre care aproximativ douăzeci sunt înregistrate.

Filmografie
 1960 Fűre lépni szabad - Juli Kéri
 1962 Esős vasárnap - Ági Balázs
 1962 Csudapest
 1964 Menazséria
 1965 Fiii omului cu inima de piatră - Edit Liedenwall
 1967 Studiu despre femei (Tanulmány a nőkről), regia Márton Keleti
 1968 Tigris és hiéna (film TV)
 1972 Aranyliba (film TV)
 1973 Karagöz (film TV)
 1987 Napló szerelmeimnek

Note

Bibliografie
 Magyar színházművészeti lexikon. Főszerk. Székely György. Budapest: Akadémiai. 1994. ISBN 9630566354
 Elhunyt Polónyi Gyöngyi - Népszabadság.hu
 Búcsúztató. + Címlapkép a Filmvilág 1965. március 15-i számából

Legături externe
 Színházi adattár
 ISzDb-adatlap

Nașteri în 1942
Decese în 2012
Actrițe maghiare

Gyöngyi Polónyi


An Guzmania herrerae in uska species han Liliopsida nga ginhulagway ni Hans Edmund Luther ngan Walter John Emil Kress. An Guzmania herrerae in nahilalakip ha genus nga Guzmania, ngan familia nga Bromeliaceae.

Mabibilngan ini ha Costa Rica. Waray hini subspecies nga nakalista.

Mga kasarigan

Guzmania

Guzmania herrerae


Gökcan Kaya (født 7. august 1995) er en dansk fodboldspiller af tyrkisk herkomst, der spiller på midtbanen for Manisaspor.

Karriere

Randers FC
I maj 2012 skrev Kaya i en alder af 16 år under på en ungdomskontrakt med Randers FC.

Han fik sin debut for førsteholdet i en cupturneringskamp imod Kolding BK, en kamp som Randers vandt 7-1, hvor han startede på bænken, men blev senere skiftet ind i stedet for Mads Fenger i det 62. minut.

Hobro IK
Hobro IK annoncerede den 10. juni 2015, at Kaya havde skrevet under på en kontrakt med Hobro IK.

Kaya fik sin debut for Hobro den 19. juli 2015 i et 3-0-nederlag imod OB.

Manisaspor
Den 29. august 2016 blev det offentliggjort, at Kaya skiftede til den tyrkiske klub Manisaspor.

Referencer

Eksterne henvisninger

 Gökcan Kaya  på Hobro IK

Fodboldspillere fra Danmark
Fodboldspillere fra Randers FC
Fodboldspillere fra Hobro IK
Fodboldspillere fra Manisaspor

Gökcan Kaya


Valinhos es un municipio del estado de São Paulo, en Brasil. Este municipio es muy recordado, cuando se habla del famoso compositor, cantante y actor Adoniran Barbosa, nacido en esta ciudad el 6 de agosto de 1910, quien compuso trem das onze, escogida en 1965 como la canción más cantada en São Paulo.

Geografía

Topografía
Relieve fuertemente accidentado, formado por las estribaciones de la Serra da Mantiqueira.

Hidrografía

Superficie

Carreteras

Historia
Hasta comienzos del , la región era habitada por pueblos indígenas, de origen tupi-guaraní, que se dedicaban a la producción de maíz y yuca, así como a la caza y la pesca y se organizaban en aldeas compuestas por cabañas circulares.

El actual territorio de Valinhos hacía parte de la sesmaría entregada en concesión a Alexandre Simões Vieira el 2 de diciembre de 1732, otorgada por el entonces presidente de São Paulo, Antonio Luiz de Távora, conde de Sarzedas. El concesionario abrió un camino de Jundiaí a Goiás, en el cual se encontraba el pozo de Pinheiros, en el sitio donde ahora está Valinhos. En 1774 el barrio de Jundiaí fue elevado a la categoría de distrito y el 16 de noviembre de 1797, Campinas se convirtió en municipio. En esa época en el territorio actual de Valinhos se desarrollaron grandes haciendas e ingenios azucareros.

En 1872 ya existía la villa de Valinhos cuando se inició la construcción de la línea de ferrocarril que la unía con Jundiaí. El tráfico ferroviario aumentó en 1888 con la abolición de la esclavitud y la llegada de inmigrantes italianos que iban a trabajar en las fincas de café. En 1889, debido a la epidemia de fiebre amarilla que azotó a Campinas, parte de las oficinas públicas y a población se trasladaron a Valinhos, lo cual aumentó la importancia del poblado. En 1893 se creó el distrito de policía de Valinhos y el 28 de mayo de 1896, la ya próspera villa de Valinhos fue elevada a la categoría de distrito de paz.

El inmigrante italiano Lino Busatto, introdujo la plantación del higo morado en 1901, cuya producción adquirió notoriedad nacional.

El 30 de diciembre de 1953, el gobierno del estado promulgó la ley 2456, que creó el municipio de Valinhos, que el 18 de marzo de 2005 fue elevado a la categoría de comarca.

Economía
Conocido como "la capital del higo morado ('Figo Roxo de Valinhos'), actualmente también se destaca por una gran producción de guayabas. El municipio también produce marañón, uvas, fresas y caquí. Sin embargo en las últimas décadas se ha destacado por el crecimiento urbano y muchas haciendas y fincas agrícolas han sido substituidas por urbanizaciones y conjuntos de propiedad horizontal.

Decenas de empresas industriales químicas, editoriales y de alimentos funcionan en la ciudad, así como un comercio floreciente.

El turismo es actualmente una importante actividad en Valinhos. Desde que el 12 de julio de 1921, el entonces prefecto de Campinas, Orozimbo Maia, fundo el Hotel Hacienda Fonte Sônia, muchos turistas viajaron a Valinhos a disfrutar de sus aguas medicinales y piscinas. Actualmente se desarrolla el agroturismo y el municipio hace parte del "Circuito de las Frutas", el cual integra a la región y cuenta con varios hoteles-hacienda y diversos albergues en el campo.

Referencias

Municipios de São Paulo

Valinhos


LBGT Uganda er en dansk dokumentarfilm instrueret af Ann-Sofie Grarup og Anna Josefine Jakobsen.

Handling
I Uganda er det ulovligt at være i et forhold med en af samme køn. Bliver man opdaget, kan man risikere fængsel på livstid. Udover lovgivningen på området er der næsten fuld garanti for livslang diskrimination, hvis lokalsamfundet finder ud af at man er en LGBT+ person. Det er den virkelighed, vores hovedperson Alexa Human lever i. Filmen er et portræt af 25-årige Alexa, der er transmand og bor i det vestlige Uganda. Fordi han er transmand, har han mange ar på sjælen og er nødt til altid at tænke på sin egen sikkerhed.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark

LBGT Uganda


دايمثوات هو مبيد حشري فوسفاتي عضوي ومبيد للقراد يستخدم على نطاق واسع، وحشرات الحمضيات، وحشرات المجموع الخضري على الحور. تم تسجيل براءة اختراعه وعرضها في الخمسينات من قبل American Cyanamid. مثل غيرها من الفوسفات العضوي، dimethoate هو مثبط أستيل الذي يعطل الكولين، وهو إنزيم ضروري لوظيفة الجهاز العصبي المركزي. يعمل على حد سواء عن طريق الاتصال وعبر الابتلاع. يتم امتصاصه بسهولة وتوزيعه في جميع أنحاء الأنسجة النباتية، ويتحلل بسرعة نسبيا.

يعرف هذا المبيد بأسماء تجارية أخرى مثل: بيرفكثيون Perfekthion 40 ، أكوثوات Acothoate، روكسيون Roxion، كينادون Kinadon ، روغوري Rogori ، سيكوثوات Sycothoate سيستوات Systoate 40 فيراجور Firagor.

المادة الفعالة دايمثوات  وتركيزها 4%.

وصفه
مبيد فوسفوري جهازي يكافح الحشرات والعناكب. يؤثر عن طريق الملامسة والجهازية وله أثر متبقٍ طويل.

أهم الحشرات التي يكافحها
المن، التربس، دودة ثمار التفاح، بسيلا الأجاص، بق الليجوس، حافرات الأوراق، الذباب، ذبابة ثمار الفاكهة بأنواعها، ذبابة ثمار الزيتون، عثة الثمار، الذبابة البيضاء، العناكب، النطاطات، الحشرات القشرية، إلا أن تأثيره على الأخيرة أقل من المبيدات المتخصصة.

أهم المحاصيل التي يستعمل عليها
القطن، الفول السوداني، الشوندر السكري، دوار الشمس، التبغ، القرعيات، الصليبيات، البقوليات، البطاطا، البندورة، فليفلة، أرضي شوكي، التفاحيات، الحمضيات، الزيتون، اللوزيات، كرمة، القمح، الشعير، الذرة.

معدل الاستخدام
يرش بمعدل 80غ/100ل لمكافحة ذبابة ثمار الزيتون وعثة الزيتون و بمعدل 650غ/هـ لمكافحة ذبابة الشوندر وبمعدل 75غ/100 لذبابة البحر المتوسط وعناكب الكرمة والتفاح والمن .

سميته
LD50 225 ملغ/كغ.

ملاحظات وتحذيرات
 ضار بالنحل لذلك لا يستعمل وقت الإزهار.
 بعض أصناف الزيتون حساسة لهذا المبيد عندما يستعمل بطريقة الرش بالحجم المنخفض LV
 الليمون والبرتقال حساسان لهذا المبيد، لذا ينصح بإجراء اختبارات حساسية قبل استعماله ويفضل استعمال المساحيق القابلة للبلل.
 كما ينصح بإجراء اختبارات حساسية عند استعماله على المشمش وأصناف الدراق المبكرة.

مراجع

مثبطات إستيراز الأسيتيل كولين
كاربوكساميدات
مبيدات
مبيدات حشرية فوسفاتية عضوية
مركبات عضوية

دايمثوات


O Prêmio Grammy para Melhor Álbum de Jazz Latino é um prêmio apresentado no Grammy Awards, uma cerimônia que foi criada em 1958 e originalmente chamada de Gramophone Awards, para artistas de música jazz latina. Há honras apresentadas em várias categorias na cerimônia anual pela National Academy of Recording Arts and Sciences dos Estados Unidos de "honrar as realizações artísticas, a proficiência técnica e a excelência global na indústria fonográfica, sem levar em conta as vendas de álbuns ou posição nas paradas".

Originalmente chamado de Prêmio Grammy para Melhor Performance de Jazz Latino, o prêmio foi concedido pela primeira vez a Arturo Sandoval em 1995. O nome da categoria foi alterado para Melhor Álbum de Jazz Latino em 2001; no mesmo ano produtores, engenheiros e/ou mixers associados ao trabalho vencedor tornaram-se premiados, além dos artistas propriamente ditos.

De acordo com a descrição da categoria no 52º Grammy Awards, o prêmio é concedido ao "álbum vocal ou instrumental com pelo menos 51% do tempo de reprodução de música recém-gravada", com a intenção de reconhecer a "mistura" da música jazz com a música argentina, brasileira, ibero-americana e latina. A partir de 1998, os membros da Academia Latina de Artes e Ciências da Gravação (LARAS) podem votar nas categorias latinas, incluindo Melhor Álbum de Jazz Latino.

Chucho Valdés é o maior vencedor da categoria, com cinco premiações. Arturo O'Farrill & The Afro Latin Jazz Orchestra ganharam por quatro oportunidades. Ray Barretto e Wayne Wallace mantém o recorde de maiores números de indicações sem vitória, com quatro indicações.

O prêmio não foi apresentado em 2012 como parte de uma grande reformulação das categorias do Grammy; As gravações de jazz latino foram transferidas para as categorias Melhor Álbum Instrumental de Jazz ou Melhor Álbum Vocal de Jazz. No entanto, após protestos e um processo movido por músicos de jazz latino, a Recording Academy anunciou que traria de volta a categoria para o 55º Grammy Awards.

Vencedores

Ver também

 Grammy Latino para Melhor Álbum de Jazz Latino/Jazz
 Categorias do Grammy Award
 Tango

Referências

jazz latino
Prêmios estabelecidos em 1995
Fundações nos Estados Unidos em 1995

Prêmio Grammy para melhor álbum latino de jazz


පොල්වතුමෝදර දුම්රිය ස්ථානය යනු ශ්‍රී ලංකාවේ බස්නාහිර පළාතේ පොල්වතුමෝදර පිහිටි දුම්රිය ස්ථානය වේ. එය මිරිස්ස සහ වැලිගම දුම්රිය ස්ථාන අතර පිහිටා තිබේ.

මූලාශ්‍ර

ශ්‍රී ලංකාවේ දුම්රිය ස්ථාන

පොල්වතුමෝදර දුම්රිය ස්ථානය


Keydomar Vallenilla (La Guaira, 8 de outubro de 1999) é um halterofilista venezuelano, medalhista olímpico.

Carreira

Vallenilla conquistou a medalha de bronze nos Jogos Olímpicos de Verão de 2020 em Tóquio, após levantar 387 kg na categoria masculina para pessoas com até 96 kg. Ele também ganhou a medalha de bronze no snatch no evento masculino de 89 kg no Campeonato Mundial de Halterofilismo de 2019 realizado em Pattaya, na Tailândia.

Halterofilistas olímpicos da Venezuela
Halterofilistas nos Jogos Olímpicos de Verão de 2020
Medalhistas nos Jogos Olímpicos de Verão de 2020

Keydomar Vallenilla


Robert Kelly Thomas (born February 14, 1972) is an American singer, songwriter, and multi-instrumentalist, best known for being the lead singer of the rock band Matchbox Twenty. Thomas also records and performs as a solo artist, with "Lonely No More" released in 2005 becoming his biggest chart success as lead solo artist. Thomas received three Grammy Awards for co-writing and singing on the 1999 hit "Smooth" by Santana, which was also his first song as a featured solo artist.

He has also been a songwriter for artists such as Willie Nelson, Mick Jagger, Marc Anthony, Pat Green, Taylor Hicks, Travis Tritt, and Daughtry. Since 1996, his band has released a string of hit singles to radio, including "Push", "3AM", "Real World", "Back 2 Good", "Bent", "If You're Gone", "Mad Season", "Disease", "Unwell", "Bright Lights", "How Far We've Come", and "She's So Mean". In 2004, the Songwriters Hall of Fame awarded Thomas its first Hal David Starlight Award, recognizing young songwriters who have already had a lasting influence in the music industry.

Biography

1972–1992: Early life
Thomas was born in Landstuhl, Germany, at Landstuhl Regional Medical Center to Bill Thomas, a United States Army sergeant, and Mamie.
 Thomas has an elder half sister, Melissa, from his mother's previous marriage. The family returned to the United States when Thomas was six months old. His parents divorced when he was two years old. Thomas lived with his mother and sister. They were poor and moved frequently, often staying with Mamie's mother in Lake City, South Carolina. His grandmother was an alcoholic. She owned a small country store and gas station, where she also sold moonshine and marijuana under the counter. He grew up listening to country music and idolized the "big stars who lived ... hard lives", like Johnny Cash and Merle Haggard. Their stories inspired him to be a songwriter.

Thomas and his mother and sister moved to Sarasota, Florida, when he was 10, then settled in the Orlando area the following year. Around this time, Thomas received his first musical instrument, a Casio keyboard. A friend taught him to play, and Thomas practiced by trying to reproduce the songs he heard on the radio. He also acquired a guitar with no strings, which he used as a prop while he pretended he was in a rock band.

His home life was not stable. Thomas describes his mother as an alcoholic who occasionally beat him. When Thomas was 12, his mother was diagnosed with Hodgkins lymphoma and given only six months to live. His sister ran away from home to get married, leaving Thomas to care for their mother on his own. She eventually entered remission. Mamie dated a series of men, some of whom beat her, and she loved wild parties. Thomas sometimes woke up to find "10 strangers sleeping off last night's booze-a-thon in the living room".

He attended Lake Brantley High School in the Orlando suburb of Altamonte Springs. Thomas joined the choir in an unsuccessful attempt to attract the attention of a girl that he liked. His choir teacher told him to keep working, because he saw potential in him. To impress girls at parties, Thomas wrote and played music.

A few months before graduation, Thomas dropped out of high school, saying his "regular life was in such disarray that going seemed ridiculous". He later earned a GED. He was convicted of stealing a Camaro and spent two months in county jail when he was 17. For the next two or three years, Thomas was homeless. Occasionally he'd stay for a few days or weeks at the homes of various friends. At other times, he would hitchhike around Florida and South Carolina.

Soon after getting out of jail, Thomas connected with several local musicians. He played in a series of cover bands and began writing songs in earnest. Thomas said that "in songwriting I felt special for the first time. And all I wanted to do was get out of Florida." One of his bands, Fair Warning, earned a three-week job playing at a hotel in Vero Beach. They were fired three days into the job, after they were caught stealing beer and candy from the hotel. He was, at one point, a member of another band, Tidal Wave, which played mostly surf tunes.

Thomas used drugs, and during one acid trip, he decided to play with dry ice. His hands were burned so badly that doctors initially thought they would require amputation. Thomas' sister recalled that while she was concerned with how Thomas would manage everyday activities, Thomas cried and asked, "How am I going to get these songs in my head out if I can't play them?"

1993–1995: Formation of Matchbox 20
In 1993, Thomas formed the band Tabitha's Secret. Brian Yale was the group's bass player. Paul Doucette earned a spot as drummer after answering an ad. Guitarists Jay Stanley and John Goff rounded out the band. The band was popular in the Orlando area, where they played in bars and nightclubs. Most of their songs were written by Thomas, including "3 A.M." This song, inspired by his time taking care of his mother, was the first that he had ever written and liked. In an effort to recreate that magic, his writing shifted to focus more on emotions inspired from his own life.

Producer Matt Serletic heard them play and was intrigued. The band met him for an introductory meeting, but broke up before any contracts were signed. Thomas worried that he'd never get another chance for a recording contract. Thomas, Yale, and Doucette were still interested in working together, and Serletic introduced them to rhythm guitarist Adam Gaynor and lead guitarist Kyle Cook; together, they formed a new band, Matchbox 20. Serletic sent Thomas to vocal coach Jan Smith to learn how to refine his vocal power.

The band recorded several demo tapes, with Serletic as their producer. Three radio stations in Orlando and Tampa added the songs to their rotations. Executives at Atlantic Records noticed that the songs were being requested frequently. Although the band sounded very green, executives thought the songs were good. The band was soon signed to Atlantic subsidiary Lava Records.

1996–1998: Yourself or Someone Like You
Thomas wrote every song on Matchbox 20's debut album, Yourself or Someone Like You. It was released in October 1996, on the same day that Lava Records folded. The album sold only 600 copies in its first week. The band toured extensively, trying to attract notice. Radio stations were slow to adopt their first single, "Long Day". Thomas and his bandmates were convinced they were soon to be dropped from their contract. Their manager was also worried, and yelled at them to get serious about their performances.

Their fears were well-founded. Officials at Atlantic were close to dropping the band when they noticed that sales had spiked in Birmingham, Alabama. There, radio stations had begun playing another track on the album, "Push". Atlantic released "Push" as a single, and it soon became a Top 5 hit. Its success led the album to be certified gold. Their next single, "3 A.M.", was hugely popular, and the album went multi-platinum. "Real World", and "Back 2 Good" followed.

Nearly seven months after its release, the album reached number 99 on the Billboard 200 chart. It continued to climb, finally reaching as high as number 5. The album was nominated for a Grammy Award and two American Music Awards. In 1997, readers of Rolling Stone named Matchbox 20 the best new band.

Thomas enjoyed his success. When travelling, he'd tell customs officials that his occupation was "rock star", and he often dressed the part, wearing sunglasses and long furry coats. He's described the first few years with Matchbox 20 as a blur, featuring large quantities of alcohol, cocaine, and sexual relationships with women. One of those interludes resulted in a son.

The constant partying took a toll on Thomas and the band. Thomas concedes that the shows were beginning to suffer. He gained more than . The weight gain earned them their first mention in Rolling Stone—an item making fun of Thomas. The band members decided together that they wanted to be more professional and began cleaning themselves up. Cocaine use was no longer tolerated. In 1998, Thomas was named one of People magazine's 50 Most Beautiful People.

1999: "Smooth"
In 1999, Latin guitarist Carlos Santana began putting together his comeback album, Supernatural, a series of duets. He was looking for one last song to complete the album. Songwriter Itaal Shur had given a demo tape to Santana's representatives. Although they liked the music, they thought the lyrics and melody could be strengthened. One of the executives sent the demo to Thomas, asking him if he'd like to work on it.

Thomas had never worked on a song that he didn't intend to perform, and he was interested in the opportunity to try something new. He wrote the song intending for it to be sung by George Michael.

Thomas wrote the verses to the song that became "Smooth", and he and Shur collaborated on the chorus. He was inspired both by his wife, who is half-Spanish and half-Puerto-Rican, and by Santana himself. When he finished the song, he was unsure whether it was any good. His wife listened to the demo and told him, "This is going to be huge." Santana heard the demo and said he couldn't determine at first whether it was a male or female singing. He had no idea who Thomas was, but he liked the voice and asked that Thomas sing on the record. When they first met, Santana asked Thomas if he was married to a Latin woman.

The song was recorded live, in three takes. Thomas was not aware that it was going to be released as a single until he heard it on the radio. It was a massive hit, spending 58 weeks on the Billboard Hot 100 chart. Billboard later named it the number 2 Hot 100 song of all time. It won three Grammy Awards, for Best Record, Best Song, and Best Pop Collaboration with Vocals. Its success earned him instant credibility as a songwriter. BMI named Thomas its 1999 Pop Songwriter of the Year for "Smooth" and his Matchbox 20 songs. "Smooth" would ultimately become the second biggest-selling single of all time, after Chubby Checker's "The Twist."

"Smooth" increased his visibility, and that of Matchbox 20. The song's video, starring Thomas, was played extensively on VH1 and MTV. That exposure launched him out of anonymity. A new set of listeners, older than the band's initial fan base, was exposed to, and liked, Thomas's work. Yourself or Someone Like You continued to sell briskly. After winning at the Grammy Awards, Atlantic took out ads in many industry publications to make executives aware that Thomas had written not only "Smooth", but also all of the songs on the Matchbox 20 album. Ron Shapiro, an executive at Atlantic, said, "It was our intent to get Rob and this band a substantial amount of credibility."

Thomas says that "Smooth" "really opened up the door for me as a songwriter and a solo artist."

2000–2003: Mad Season and More Than You Think You Are
As Matchbox 20 prepared to record their second album, band members had heated discussions over song selection. After flirting with the idea of allowing other band members to provide songs, they chose to record only songs that Thomas had written or co-written. They renamed themselves Matchbox Twenty and, in March 2000, released Mad Season. Its first single, "Bent", reached number 1 on the Billboard Hot 100 chart; it remains the band's only number one hit, despite larger commercial success on previous material. Their tour took them to 87 cities, and they sold out Madison Square Garden in 15 minutes.

Thomas was inducted into the South Carolina Music and Entertainment Hall of Fame in 2001.

When Santana prepared to record his follow-up to Supernatural, he sought to collaborate with Thomas again. Instead of providing vocals, Thomas wrote two songs for the album, which were recorded by Seal and Musiq. Thomas provided songs to other artists as well. Willie Nelson recorded three of Thomas's songs on his 2002 album The Great Divide. One of those, "Recollection Phoenix", had been in contention for the next Matchbox Twenty album before the other band members had decided it wasn't a good fit.

The third Matchbox Twenty album, More Than You Think You Are, wasn't complete until four weeks before its release date, November 19, 2002. For the first time, the band recorded a song not written by Thomas. Two other songs were jointly attributed to Thomas, Cook, and Doucette. As part of the promotion for the album, Thomas and his bandmates were featured on VH1's Behind the Music. When the tour for More Than You Think You Are ended, Thomas, Cook, Doucette, Yale, and Gaynor decided to take a break to focus on their families.

In June 2004, the Songwriters Hall of Fame gave Thomas the inaugural Hal David Starlight Award, which recognizes a young songwriter who has made an outsized impression on the industry.

2004–2007: ...Something to Be and Exile on Mainstream
On April 19, 2005, Thomas began his solo career with the release of ...Something to Be which debuted at number 1 on the Billboard 200 album chart. The album included several songs that the other Matchbox Twenty members had rejected, such as "I Am An Illusion". The album was more pop than Thomas's Matchbox Twenty work, adding quirks like sampling and loops. It earned two Grammy nominations, for Best Male Pop Vocal Performance and Best Solo Rock Vocal Performance.

His first single from the album, "Lonely No More", reached number six on the U.S. Billboard Hot 100 chart. The single debuted in the top 10 of the Australian ARIA singles chart on the week of April 4, 2005. The second single, "This Is How a Heart Breaks", went gold in the US and hit the top 50 in Australia. The third single, "Ever the Same", became a top five Adult Contemporary hit.

On October 5, 2005, he started his first solo tour, the Something to Be Tour. In the summer of 2006, Thomas toured with Jewel and Toby Lightman. In September 2006, Thomas's solo effort received more exposure when ABC started using the song "Streetcorner Symphony" in promotional ads for its popular Thursday night lineup. This song was subsequently released as a single.

In January 2007, Thomas released a single entitled "Little Wonders" from the soundtrack to the Disney animated feature, Meet the Robinsons. "Little Wonders" reached No. 5 on the Mediabase Hot Adult Contemporary chart. Thomas was featured on the June 14, 2007, episode of the long-running PBS series Soundstage.

Thomas reunited with his Matchbox Twenty bandmates in 2007. Gaynor had left the band, leaving only four of them. They decided to release a greatest hits album with a few new songs. They had so much fun collaborating that the new release, Exile on Mainstream, included six new songs. The album released three singles: "How Far We've Come", "All Your Reasons", and "These Hard Times". The album debuted at number 3.

2009–2011: Cradlesong
On September 15, 2008, Thomas told Billboard his second solo album was tentatively called Cradle Songs. Thomas characterized the album as "the usual mish-mosh of styles, but hopefully just holding true to a bunch of good songs." The article also mentioned that the record would nonetheless feature several tracks that "take a more global, rhythmic direction after working with South American and African percussionists." Thomas explained one such experiment:

We started off with the idea of doing a newer version of (Paul Simon's) The Rhythm of the Saints, and that kinda carried us a long way through. It gave us a whole new bed to work with, like 'How do I get my pop sensibility around this and work it into that?' It was a lot of fun. But you go through different phases when you're writing; it took a different turn, and I just followed it, too.

On March 2, 2009, Clark Collis of Entertainment Weekly interviewed Thomas, where he confirmed he had since shelved his initial efforts to evoke The Rhythm of the Saints, and claimed the album was scheduled for a June 30 release. Having played half the forthcoming album to Entertainment Weekly, it was reported that many of the lyrics on Cradlesong were about troubled relationships, and three more song titles were revealed: "Meltdown" (described as "INXS-esque power pop" that stood out as "a possible first single"), "Fire on the Mountain" (an "epic, tribal drum-driven" track inspired by Dave Eggers' book What Is the What) and "Getting Late" (suggested as the "set's likely closer" and what Thomas described as "a little ditty about death.").

On March 11, 2009, Rob Thomas created his own Twitter account and announced via the social application that "Her Diamonds" would be the lead single from Cradlesong.

Thomas has also stated via Twitter that Cradlesong had been mastered and featured fourteen tracks culled from the twenty-four songs recorded during the album sessions. All twenty-four tracks were fully mixed and mastered, leaving plenty of material left over for B-sides, iTunes, or EPs.

On June 9, 2009, Thomas released "Give Me the Meltdown" to the US iTunes Store. Similarly, "Someday" was released on June 16. On June 22, Cradlesong was made available for streaming only on the we7 website, one week ahead of its UK release date.

Thomas promoted the album with his 2009/2010 tour, Cradlesong Tour.

In March 2010, Thomas announced plans to release a four-song digital-only EP entitled the Someday EP. Featuring three new songs, the EP was released to iTunes on March 30, 2010, and all other digital retailers April 6, 2010.

2012–2014: North
After his solo success, many of Thomas's confidants urged him to leave Matchbox Twenty. As Thomas wrapped up his tour for Cradlesong, he began writing songs for consideration for the next Matchbox Twenty album. He gathered in Nashville, Tennessee, with his bandmates to narrow down the work he had already done and develop new material. The group members disagreed on which musical direction the new album should take. For three months, they argued and drank, in what Thomas describes as a "$100,000 bender". Finally, producer Serletic appeared and told them to stop drinking and get to work. The lecture worked. The result was a true collaboration. For the first time, the band recorded several songs written solely by Doucette and Yale.

Matchbox Twenty's next album, North, was released on September 4, 2012, ten years after their last full-length album of new material. It debuted at number 1 on the Billboard Top 200 chart.

2015–present: The Great Unknown, Chip Tooth Smile, and Something About Christmas Time
Thomas performed several new album tracks in early 2015: "Hold On Forever", "Great Unknown", and "Heaven Help Me". Thomas released the first single from The Great Unknown, "Trust You", on May 25, 2015. The Great Unknown was released on August 21, 2015. He spent two years touring it prior. "Hold on Forever" was announced as the album's second single on September 28. The tour for Thomas' album included holographic representations of Thomas produced with vntana technology so that fans could pose for photos with him during the concert.

Thomas announced on February 15, 2019, that his fourth studio album—titled Chip Tooth Smile—would be released on April 26, 2019. The lead single for the album, "One Less Day (Dying Young)", was released on February 20, 2019.

On October 7, 2021, Thomas announced that his first Christmas studio album titled "Something About Christmas Time" will be released on October 22. He recorded the album, which will include both  original and cover songs, in his home studio in New York during the summer.
Matchbox Twenty got back together for "Where the Light Goes" album in May 2023, which is being toured in 2024

Artistry

Music and voice
After spending more than 20 years as part of Matchbox Twenty and more than 10 years working on solo material, Thomas has become adept at navigating the "identity crisis" of two separate musical worlds. Although he does play some Matchbox Twenty songs during his solo tours, they are always reimagined, often as an acoustic version.

As a solo artist, Thomas is known for "emotive radio hits". His solo albums have a much stronger pop feel. His album, The Great Unknown, was "unabashed pop".

His detractors say the music is fluff and too sweet.

Songwriting
Thomas writes all of the time, saying "it's a lot easier to come up with ideas than it is to edit them."

Thomas admits that his songs have "a radio sensibility". He writes songs that he hopes people will like and does not strive to follow or set trends. In his opinion, this is the reason that he has maintained his career; the music never sounds dated. Each of his songs can stand alone without special effects; Thomas wants his listeners to feel the message of a song even if he is just playing it by himself on an acoustic guitar.

Initially, Thomas tried to write epic love songs, in the vein of Lionel Richie. He did not like most of those attempts. After he finished "3 A.M.", which was inspired by his mother's battle with cancer, Thomas realized that he ought to focus events in his own life. Many of his later songs are inspired by his wife and her battle with an autoimmune disease.

Lisa Rockman, music reviewer for the Sydney Morning Herald, wrote, "There is a reason millions of fans across the world relate to lyrics penned by Rob Thomas. His words come from the heart."

Thomas chooses his words carefully, "trying to make my phrases more colourful when I'm writing, trying to find the longest way to get to the point that I'm trying to make as opposed to the quickest way."

As his career has progressed, Thomas has more frequently collaborated with other songwriters in order to "keep things fresh and not feel like I'm going back to the same well and just writing the same songs over and over and over". In 2021 he admitted his songs come to him the same way, and his confidence as a writer comes and goes and he does not want to rip himself off. He describes himself as an "emotional dude".

Personal life

A mutual friend introduced him to model Marisol Maldonado at an afterparty in Montreal in late 1997. They both claim it was love at first sight. Thomas said that, "I knew the second I kissed her that I would never, ever kiss another person." As he was in the midst of an international tour, their initial courtship was via phone. Maldonado was at first reluctant to date Thomas, unsure if she could handle being the wife of a rock star. When he returned to the United States, they went on their first date, to a music festival in Boston. That night, he told her he would marry her, and a month later he proposed. They were married on October 2, 1999, at manager Michael Lippman's ranch in California. Their wedding was broadcast on ABC's Celebrity Weddings in Style. They reside in Bedford, New York.

Thomas has a son, Maison Thomas Eudy, from a previous relationship, born on July 10, 1998. Maison is credited as a songwriter for Thomas's song "I Love It" from his 2019 album Chip Tooth Smile.

Charity work
The Thomases are committed animal lovers and supporters of animal charities. Thomas and his wife have established the Sidewalk Angels Foundation, a non-profit organization created to help needy people in and around America's big cities by partnering with various charities to assist people who cannot afford medical care, and animals that have been abandoned or abused.

Political views
Politically, Thomas considers himself a "fairly liberal guy". He is a strong supporter of gay rights and wrote a piece in favor of legalizing same-sex marriage. He closed the article by writing, "Each of us has a short ride on this earth and as long as we stay in our lane, and don't affect someone else's ride, we should be allowed to drive as we see fit."

Discography

 ...Something to Be (2005)
 Cradlesong (2009)
 The Great Unknown (2015)
 Chip Tooth Smile (2019)
 Something About Christmas Time (2021)

Tours
Headlining
Something to Be Tour
Cradlesong Tour
A Special Intimate Performance with Rob Thomas
The Great Unknown Tour
Chip Tooth Tour

Co-headlining
Counting Crows & Rob Thomas on Tour

Awards and nominations

APRA Music Awards

|-
| 2006
| "Lonely No More"
| Most Performed Foreign Work
|

ASCAP Pop Music Awards

|-
| 2006
| rowspan=2|"Lonely No More"
| rowspan=3|Most Performed Songs
|
|-
| rowspan=2|2007
|
|-
|"Ever the Same"
|

American Music Awards

|-
|style="text-align:center;"|2005
|rowspan="2" style="text-align:center;"| Rob Thomas
| Favorite Pop/Rock Male Artist
|
|-
|style="text-align:center;"|2006
| Favorite Adult Contemporary Artist
|

BMI Pop Awards

|-
| rowspan=4|1999
| Rob Thomas
| Songwriter of the Year
|
|-
| "Push"
| rowspan=3|Award-Winning Songs
|
|-
| "3AM"
|
|-
| "Real World"
|

Billboard Music Awards

|-
| rowspan=3|2000
| rowspan=3|"Smooth"
| Top Hot 100 Song
|
|-
| Top Hot 100 Airplay Track
|
|-
| Top Adult Top 40 Track
|
|-
| rowspan=3|2005
| rowspan="2"|Rob Thomas
| New Artist of the Year
|
|-
| Top Adult Top 40 Artist
|
|-
| "Lonely No More"
| rowspan=2|Top Adult Top 40 Song
|
|-
|rowspan="3"|2006
| "Ever the Same"
|
|-
| rowspan=2|Himself
| Top Hot Adult Contemporary Artist
|
|-
| Top Adult Top 40 Artist
|

Billboard Music Video Awards

|-
| 2000
| "Smooth" (with Santana)
| FAN.tastic Video
|

California Music Awards

|-
| 2000
| "Smooth" (with Santana)
| Outstanding Single
|

Grammy Awards

|-
|rowspan="3"|2000
|rowspan="3"| "Smooth"
|Song of the Year
|
|-
|Record of the Year
|
|-
|Best Pop Collaboration with Vocals
|
|-
| style="text-align:center;"|2001
|"Bent"
|Best Rock Song
|
|-
|rowspan="2"|2006
|"Lonely No More"
|Best Male Pop Vocal Performance
|
|-
|"This Is How a Heart Breaks"
|Best Solo Rock Vocal Performance
|

Teen Choice Awards

|-
| rowspan="4"|2005
| rowspan="2"|Himself
| Choice Music: Male Artist
|
|-
| Choice Music: Breakout Artist - Male
|
|-
| ...Something to Be
| Choice Music: Album
|
|-
| "Lonely No More"
| Choice Music: Single
|

XM Nation Music Awards

|-
| 2005
| Rob Thomas
| Best Solo Career
|

Television
Thomas appeared on the American sitcom It's Always Sunny in Philadelphia in its fourth season, in which he played himself as a deranged patient of a rehabilitation center. He also served as an advisor for Cee-Lo Green's team during the third season of the NBC reality competition series The Voice.

Thomas has noted that he is sometimes mistaken for television writer Rob Thomas, and vice versa. A conversation between the two men on this subject led to Thomas agreeing to perform a musical number as himself in the season two finale  of the TV show iZombie, penned by his namesake. He and his wife were devoted fans of the show. Thomas was killed in the episode.

See also
Matchbox Twenty
List of number-one hits (United States)
List of artists who reached number one on the Hot 100 (U.S.)
List of number-one dance hits (United States)
List of artists who reached number one on the U.S. Dance chart

References

External links

 About Rob Thomas – Fansite
 Interview with Rob Thomas
 Matchbox Twenty Fansite

1972 births
20th-century American singer-songwriters
21st-century American singer-songwriters
Alternative rock guitarists
Alternative rock singers
American alternative rock musicians
American baritones
American dance musicians
American male guitarists
American male pop singers
American male singer-songwriters
American multi-instrumentalists
American philanthropists
American pop rock singers
American rock singers
American rock songwriters
American soft rock musicians
APRA Award winners
Atlantic Records artists
Grammy Award winners
Lake Brantley High School alumni
American LGBT rights activists
Living people
Matchbox Twenty members
People from Lake City, South Carolina
People from Landstuhl
Musicians from Sarasota, Florida
Post-grunge musicians
Singers from Orlando, Florida
Singer-songwriters from Florida
Singer-songwriters from South Carolina

Rob Thomas (musician)