Aceasta este o listă de reviste de literatură științifico-fantastică:

Reviste americane

Defuncte
 A. Merritt's Fantasy Magazine, 1949–1950, 5 numere
 Aboriginal Science Fiction, 1986–2001
 Absolute Magnitude, 1993–2006, 19 numere
 Air Wonder Stories, 1929, 11 numere
 Amazing Stories (sau Amazing Science Fiction), 1926–2005, 607 numere
 Asimov's SF Adventure Magazine, 1978–1979, 4 numere
 Astonishing Stories, 1940–1943, 16 numere
 Avon Fantasy Reader, 1947–1952, 18 numere
 Avon Science Fiction and Fantasy Reader, 1952, 2 numere
 Avon Science Fiction Reader, 1951–1952, 3 numere
 Beyond Infinity, 1967, 1 issue
 Captain Future, 1940–1944, 17 numere
 Cosmic Stories, 1941, 3 numere
 Cosmos, 1953–1954, 4 numere
 Doctor Death, 1935
 Dr. Yen Sin, 1936
 Dream World, 1957, 3 numere
 Dynamic Science Fiction, 1952–1954, 6 numere
 Dynamic Stories, 1939, 2 numere
 Electric Velocipede, 2001–2013, 27 numere
 Eternity SF, 1972–1975, 6 numere, revived 1979–1980
 Famous Fantastic Mysteries, 1939–1953, 81 numere
 Famous Science Fiction, 1966–1969, 9 numere
 Fantastic, 1952–1980
 Fantastic Adventures, 1939–1953
 Fantastic Stories of the Imagination, 2014–2017
 Fantastic Story Magazine, 1950–55
 Fantastic Universe, 1953–1960, 69 numere
 Fantasy Book, 1947–1951, 8 numere
 Fantasy Fiction (sau Fantasy Magazine), 1953, 4 numere
 Flash Gordon Strange Adventure Magazine, 1936, 1 issue
 Forgotten Fantasy, 1970–1971, 5 numere
 Future Fiction (sau Science Fiction), 1939–1943, 17 numere
 Future Science Fiction, 1950 (see Future Fiction)
 Galaxy Science Fiction, 1950–1980, 245 numere
 Galileo, 1976–1980, 16 numere
 Gamma, 1963–1965, 5 numere
 Heliotrope E-Zine, 2006–2009, 5 numere
 Helix SF, 2006–2008, 10 numere
 Ideomancer, 2002–2015
 If (sau Worlds of If), 1952–1974, 175 numere, revived 1987
 Imagination, 1950–1958, 63 numere
 Imaginative Tales (sau Space Travel), 1954–1958, 26 numere
 Infinity Science Fiction, 1955–1958, 20 numere
 International Science Fiction, 1967–1968, 2 numere
 The Internet Review of Science Fiction, 2004–prezent (non-fiction only)
 Jim Baen's Universe, 2006–2010
 Marvel Tales, 1934–1935, 5 numere
 Miracle, 1931, 2 numere
 Oceans of the Mind, 2001–2006
 Odyssey, 1976, 2 numere
 Omni, 1978–1995, 168+ numere
 Orbit Science Fiction, 1953–1954, 5 numere
 Orion's Child Science Fiction & Fantasy Magazine, 1984, revived 2007, 3 numere
 Other Worlds, 1949–1957
 Out of this World, 1950, 2 numere
 Paradox Magazine, 2003–2009
 Planet Stories, 1939–1955, 71 numere
 Polygraff magazine, 2009–2012
 Realms of Fantasy, 1994–2011, 102 numere
 Redstone Science Fiction, 2010–2012
 Rocket, 1953, 3 numere
 Satellite, 1956–1959, 18 numere
 Saturn, 1957–1958, 5 numere
 Sci Fiction, 2000–2005
 Science Fiction, 1939–1941, 17 numere, revived in 1953
 Science Fiction Adventures, 1952–1954, 9 numere
 Science Fiction Adventures, 1956–1958, 12 numere
 Science Fiction Age, 1992–2000, 46 numere
 Science Fiction Digest, 1954, 2 numere
 Science-Fiction Plus, 1953, 7 numere
 Science Fiction Quarterly, 1940–1943, 10 numere, revived 1951–1958
 Science Fiction Stories, 1953–1960
 Science Stories, 1953–1954
 Science Wonder Stories, 1929–1930, 12 numere
 Scifidimensions, 2000–2010
 Space Science Fiction, 1952–1953, 8 numere
 Space Science Fiction Magazine, 1957, 2 numere
 Space Stories, 1951–1953, 5 numere
 Spaceway, 1953–1955, 12 numere, revived 1967–1970
 Star SF, 1958, 1 issue
 Startling Stories, 1939–1955, 99 numere
 Stirring Stories, 1941–1942, 4 numere
 Subterranean Magazine, 2005–2014
 Super Science Fiction, 1956–1959, 18 numere
 Super Science Stories (sau Super Science Novels), 1940–1943, 16 numere, revived 1949–1951
 Sybil's Garage, 2003–2010
 Tales of the Unanticipated, 1986–2014
 Ten Story Fantasy, 1951, 1 issue
 Thrilling Science Fiction (sau Thrilling Science Fiction Adventures), 1966–1975, 42 numere
 Tomorrow Speculative Fiction, 1993–1997, 24 numere
 Tops in SF, 1953, 2 numere
 Two Complete Science Adventure Books, 1950–1954, 11 numere
 Uncanny Tales, 1939–1940
 Unearth, 1977–1978, 8 numere
 Universe, 1953–1955
 Unusual Stories, 1934–1935, 3 numere
 Vanguard, 1958, 1 issue
 Venture Science Fiction Magazine, 1957–1958, 16 numere, revived 1969–1970
 Vertex, 1973–1975, 16 numere
 Vortex, 1953, 2 numere
 Vortex, 1977, 5 numere
 Wonder Stories (later Thrilling Wonder Stories), 1930–1955
 Worlds Beyond, 1950–1951, 3 numere
 Worlds of Fantasy, 1968–1971, 4 numere
 Worlds of Tomorrow, 1963–1967, 26 numere

Curente
 Abyss & Apex Magazine, 2003–prezent
 Analog Science Fiction and Fact (sau Astounding Stories, Astounding Science-Fiction and Analog Science Fact & Fiction), 1930–prezent
 Apex Magazine, 2005–prezent
 Aphelion the Webzine of Science Fiction and Fantasy, 1997–prezent
 Asimov's Science Fiction (sau Isaac Asimov's Science Fiction Magazine), 1977–prezent
 Bards and Sages Quarterly, 2009–prezent
 Bull Spec, 2009–prezent
 Clarkesworld Magazine, 2006–prezent
 Daily Science Fiction, 2010–prezent
 Escape Pod, 2005–prezent, fiction podcast and online
 The Future Fire, 2005–prezent, US/UK
 GUD Magazine 2006–prezent, print/pdf
 Hypnos, 2012–prezent
 InterGalactic Medicine Show, 2005–prezent
 Leading Edge (sau The Leading Edge Magazine of Science Fiction and Fantasy), 1981–prezent
 Lightspeed, 2010–prezent
 The Magazine of Fantasy & Science Fiction (sau The Magazine of Fantasy), 1949–prezent
 Nebula Rift, 2012–prezent
 Not one of us, 1986–prezent
 Perihelion Science Fiction, 1967-1969, revived 2012–prezent
 Planet Magazine, 1994–prezent
 Planetary Stories, 2005–prezent
 Quantum Muse E-Zine, 1997–prezent
 Shimmer Magazine, 2005–prezent
 Space Adventure Magazine, 2011–prezent
 Space and Time Magazine, 1966–prezent
 Strange Horizons, 2000–prezent
 Three-lobed Burning Eye, 1999–prezent
 Uncanny Magazine, 2014–prezent
 Waylines Magazine, 2013–prezent - US/Japonia
 Weird Tales, 1923-1954, revived 1988–prezent

Reviste britanice

Defuncte
 3SF, 2002–2003, 4 numere
 Alien Worlds, 1966
 Authentic Science Fiction, 1951–1957
 Critical Wave, 1987–1996, 2008
 Fantasy Tales, 1977, 1 issue
 Farthing, 2005–2007
 Hub, 2006–213, 147 numere
 Murky Depths, 2007–2011, 18 numere
 Nebula, 1952–1959, 41 numere
 Nemonymous, 2001–2010
 New Worlds, 1946–1971, 201 numere
 Odyssey, 1997–1998, 8 numere
 Outlands, 1946, 1 issue
 Polluto, 2008–2013, 10 numere
 Postscripts, 2004–2009
 Science Fantasy (sau Impulse), 1950–1967
 Science Fiction Adventures, 1963, 32 numere
 Science Fiction Monthly, 1974–1976, 28 numere
 SF Digest, 1976, 1 issue
 Spectrum SF, 2000–2002, 9 numere
 Tales of Wonder, 1937–1942, 16 numere
 Vargo Statten Magazine, 1954–1956 19 numere
 Vision of Tomorrow, 1969–1970, 12 numere
 Whispers of Wickedness, webzine

Curente
 Arc, 2012–prezent
 Doctor Who Magazine, 1979–prezent
 Fever Dreams Magazine, online publication 2012–prezent
 The Future Fire, 2005–prezent – US/UK
 Interzone, 1982–prezent
 Jupiter Magazine, 2003–prezent
 The Third Alternative (later and currently Black Static), 1994–prezent

Reviste din alte țări

Defuncte
 Alef, 1987–1993, Serbia.
 Argonauta, 1953–2004, Portugalia.
 Esli, 1991–2012, Rusia.
 Fantázia, 1997–2007, revived 2008–2011, Slovacia.
 Fenix, 1990–2001, Polonia.
 Fiction, 1953–1990, revived 2005–2015, Franța.
 Häpna!, 1954–1969, Suedia.
 Harbinger Magazine, 1998–1999, Australia.
 Imperija, 2000-2001, Lituania.
 Jules Verne-magasinet, 1940–1947, revived 1972–2010, Suedia.
 Scienza Fantastica 1952-53 Italia
 Sirius (revistă) (1976-1989) (Croația), 164 de numere
 Kaukas, 1991, 1997, Lituania.
 Mitrania, 2002–2010, Suedia.
 Null, 1960–1964, Japonia.
 Sirius, 1976–1989, Croația.
 Uchujin, 1957–2010, Japonia.
 Uncanny Tales,  1940–1943, Canada.
 Anticipația CPSF (1990), România
 Colecția "Povestiri științifico-fantastice" (1955), România
 Revista Quasar (1992), România

Curente
 Albedo One,  1993–prezent, Ireland
 Andromeda Spaceways Inflight Magazine, 2002–prezent, Australia
 Aurealis, 1990–prezent, Australia
 Fantastyka (also known as Nowa Fantastyka), 1982–prezent, Polonia
 Futura, 1992–prezent, Croația
 Galaktika, 1972–1995, revived 2004–prezent, Ungaria
 Helice, 2006–prezent, Spania-America Latină
  Indian SF, 2013–prezent, India
 Kasma Science Fiction, 2009–prezent, Canada (engleză)
 Kosmograd, 2001–prezent, Rusia
 Mir Fantastiki, 2003–prezent, Rusia
  Mithila Review, 2016–prezent, India
 Neo-opsis Science Fiction Magazine,  2003–prezent, Canada (engleză)
 NewFoundSpecFic, 2009–prezent, Canada (engleză)
 Nova Science Fiction, 1982–1987, reînviată 2004–prezent, Suedia
 On Spec, 1989–prezent, Canada (engleză)
 Quarber Merkur Austria
 Portti, 1982–prezent, Finlanda
 RBG-Azimuth, 2006–prezent, Ucraina
 Science Fiction World, 1979–prezent, China
 SF Magazine, 1959–prezent, Japonia
 Sirius B, 2011–prezent, Croația
 Solaris, 1974–prezent, Canada (franceză)
 Tähtivaeltaja, 1982–prezent, Finlanda
 Ubiq, 2007–prezent, Croația
 Universe Pathways, 2005–prezent, Grecia
 Urania, 1952–prezent, Italia
 Usva webzine, 2005–prezent, Finlanda
 Revista Zin, 2017–prezent, România

Note

Vezi și
Listă de reviste de literatură de consum

 **
Liste de reviste

Listă de reviste de literatură științifico-fantastică


Edduverðlaunin 2023 voru veitt í Háskólabíói 19. mars 2023. Kynnar kvöldsins voru Salka Sól Eyfeld og Sólmundur Hólm. Leiknu sjónvarpsþættirnir Verbúðin sópuðu að sér verðlaunum, en Berdreymi var valin besta kvikmyndin. Ágúst Guðmundsson fékk heiðursverðlaun ÍKSA.

Tilnefningar

Leikari ársins í aðalhlutverki

Leikari ársins í aukahlutverki

Leikkona ársins í aðalhlutverki

Leikkona ársins í aukahlutverki

Leikmynd ársins

Leikstjóri ársins

Sjónvarpsmanneskja ársins

Tónlist ársins

Upptöku- eða útsendingastjóri ársins

Sjónvarpsefni ársins (almenningskosning)

Edduverðlaunin
2023

Edduverðlaunin 2023


Salih Memecan (d. 2 Eylül 1952, Giresun), Türk karikatürist. Karikatürleri günlük olarak Sabah gazetesi ve atv'de, haftalık olarak da Aktüel dergisinde yayımlanmaktaydı.

Ankara Orta Doğu Teknik Üniversitesi'nde Mimarlık Fakültesi'ni bitirdikten sonra yine aynı bölümde yüksek lisansını bitirmiştir. Daha sonra Fullbright bursuyla gittiği ABD'de Pennsylvania Üniversitesi'nde doktorasını tamamlamıştır (1983).

Salih Memecan, günlük olarak Sabah gazetesinin ön sayfasında yayınlanan Bizimcity karikatürlerini çizerken bir yandan da yine aynı gazetenin arka sayfasında günlük olarak yayınlanan Sizinkiler bant karikatürlerini çizmektedir. 1998-2007 seneleri arasında New York eyaletinde yaşamış, karikatürlerini de oradaki evinden çizmiştir. Şimdi ise Türkiye'de yaşamaktadır. AK Parti milletvekili Mesude Nursuna Memecan ile evlidir ve 2 çocuk sahibidir.

Salih Memecan 2010 yılında kurulan Medya Derneği'nin de başkanlığını yürütmektedir.

Kaynakça

1952 doğumlular
Giresun doğumlular
Türk karikatüristler
Yaşayan insanlar
Sabah (gazete) kişileri
Türkiye Gazeteciler Cemiyeti Başarı Ödülü sahipleri

Salih Memecan


Kveka Station (Kveka holdeplass) var en jernbanestation på Rørosbanen, der lå i Hamar kommune i Norge.

Stationen blev oprettet som trinbræt 2. juni 1957. Den blev nedlagt 1. juni 1986. Der var sidespor med læsseplads for Kvæken mølle og Statens kornlager.

Litteratur

Eksterne henvisninger

 Rørosbanen , Nebysamlingene.

Stationer på Rørosbanen
Nedlagte jernbanestationer i Norge
Etableret i 1957
Ophørt i 1986
Jernbanestationer i Hedmark

Kveka Station


Bandundu is one of eleven former provinces of the Democratic Republic of the Congo.  It bordered the provinces of Kinshasa and Bas-Congo to the west, Équateur to the north, and Kasai-Occidental to the east.  The provincial capital is also called Bandundu (formerly Banningstad/Banningville).

History
Bandundu was formed in 1966 by merging the three post-colonial political regions: Kwilu, Kwango, and Mai-Ndombe. Under the 2006 constitution, Bandundu was to be broken up again into the aforementioned political regions.
This finally took place in the 2015 repartitioning.  Kwilu province was formed by combining the Kwilu district and the cities of Bandundu and Kikwit, Kwango province from the Kwango district, and Mai-Ndombe province by combining the Plateaux and Mai-Ndombe districts.

Geography

The landscape of Bandundu province consisted primarily of plateaus covered in savanna, cut by rivers and streams that are often bordered by thick forest.
The province was bisected by the Kasai River, which flows into the Congo River on the province's western boundary.
Other major rivers are the Kwango, Kwenge, Kwilu and Lukenie.
Lake Mai-Ndombe is the largest lake, with this lake and the surrounding swamp forest forming the southern portion of the Tumba-Ngiri-Maindombe Ramsar wetlands.

Economy
Most villages are situated on the higher ground, with the villagers practicing shifting slash-and-burn agriculture in the valleys. The main crops are manioc (cassava), maize, squash, and beans.
The villagers raise chickens, ducks, goats, sheep and cattle, and supplement their diet with fish and bushmeat. A few Indian and Chinese business people selling electronics, such as cell phones, televisions and sound systems, have opened shop recently.

Divisions

The province was divided into the cities of Bandundu and Kikwit and the districts of Kwango, Kwilu, Mai-Ndombe and Plateaux.
Cities and towns, with their 2010 populations, are:

Mateko is a town located in the Bandundu Province. The total population of the town in 2,367.
It is located  in the North-West of Idiofa Territory in the Kwilu District. The name Mateko designates: Mateko as a Sector (Collectivite), Mateko as a local municipality (Groupement) and Mateko as a town (Cite). It is about 45 km to Panu, one of the major harbours of Idiofa territory. Mateko is surrounded by beautiful small and big rivers such as Kamuntsha, Diambala river, Madzulu and Kimpele. Kamuntsha river is the nearest big river to Mateko, a tributary of the Kasai river and one of the important rivers of the region that facilitates trading between Mateko and Kinshasa. Kikongo (Kituba) is the main language of Mateko.

Education
University of Bandundu
University of Kikwit

Daily life
Many citizens of Bandundu make their living with small provision shops selling basic food items, various beauty products and other beauty products such as weave hair. There has been an increase in foreign entrepreneurs opening electronics shops and other electronic items increasing the market awareness. Today's bus transportation (costs $30 one way) from Kinshasa (the Capital) to Bandundu is twice a week, but the ferry crossing only operates from 7am to 5 pm. There are two television stations normally showing local news from Kinshasa, religion or the country's national sport; football. Hotels, like the  Hotel Vendome, are slowly evolving in the center of town, offering full services to include its own dedicated internet. Although international visitors are minimal, there are occasional visitors connected to NGOs and local government work. Chez Jacque, an outdoor disco, provides a nightlife of Congolese music for the younger population; however, most citizens prefer the sidewalk cafes with music, grilled goat meat and beer; such as Primus, Mitzig and Doppel. Local transportation in Bandundu is mostly bicycles and motorbikes referred to as "Toleka" meaning "Let's go" in the Lingala language. Traffic flows are closely directed by the street police at each intersection to avoid clashes between the few cars, motor bikes, foot traffic, and push carts. The local cultural center is used for graduations, public services, and church. There are enormous money changing outlets for local and international money, such as Soficom and Western Union. Music is an enormous part of life in the Congo where the love of the rhumba can dominate the dance floor with the likes for King Kester Emeneya, etc., crooning to the old samba beat from a Cuban influence.

Principal languages
Two main trade languages are spoken in the Bandundu Province: Lingala, spoken north of the Kasai River, and Kituba (also called Kikongo ya Leta) spoken south of the river. These languages have become so commonplace that many have grown up using them as their first language. There are also many local dialects such as Lele, Kimbala, Kisamba, and Wongo.

See also
List of governors of Bandundu

References

Former provinces of the Democratic Republic of the Congo (1966–2015)

Bandundu Province


Gümüş martı (Larus cachinnans), martıgiller (Laridae) familyasından 55–67 cm boyunda deniz kıyılarında yaşayan iri bir martı türü. Akdeniz ve Karadeniz kıyılarında yaygındır. Gagası parlak sarıdır ve ucunda kırmızı bir leke bulunur. Kanatlarının üstü ve kanatlarını kapatınca sırtı gridir. Ayrıca kanatlarının ucu siyahtır.

Evlerin çatılarına, bacaların ve ağaç dallarının üstüne yuva yaparlar. Aynı zamanda Çöplükler, kentsel alanlar, deniz kıyıları, göllerde de görülebilirler.

Yavruları Besleme:
Genelde Nisan ayından Temmuz ayının sonuna kadar yavrularını beslemek ile uğraşırlar.

Dahası: Birçok şiirin içinde geçmesi ve başlığı olmasının yanı sıra tiyatroda da adı geçmektedir (Antov Çehov'un Martı adlı tiyatro eseri bulunmaktadır).

Larus
Avrupa kuşları
Türkiye'deki kuşlar
Polonya'daki kuşlar

Gümüş martı


"Katyusha" (  – a diminutive form of , Yekaterina — Katherine), also transliterated as "Katjuša", "Katioucha", or "Katiusza", is a Soviet-era folk-based song and military march composed by Matvey Blanter in 1938, with lyrics in Russian written by the Soviet poet Mikhail Isakovsky. It gained fame during World War II as a patriotic song, inspiring the population to serve and defend their land in the war effort. The song was still popular in Russia in 1995. The song is the source of the nickname of the BM-8, BM-13, and BM-31 "Katyusha" rocket launchers that were used by the Red Army in World War II.

Song
The song is about a Russian woman called Katyusha. Standing on a steep riverbank, she sings a song to her beloved, a soldier serving far away. The theme of the song is that the soldier will protect the Motherland and its people while his grateful girl will keep and protect their love. Its lyrics became relevant during the Second World War, when many Soviet men left their wives and girlfriends to serve in the Soviet Army during World War II, known in Russia as The Great Patriotic War.

Performance history
The song's popularity began to increase with the beginning of Operation Barbarossa launched by Germany against the Soviet Union. The song was sung by female students from a Soviet industrial school in Moscow, bidding farewell to soldiers going to the battle front against Nazi Germany. Its first official performance was by Valentina Batishcheva in the Column Hall of Moscow's House of the Unions, at the State Jazz Orchestra concert in the autumn of 1938. It has since been performed many times by other famous singers, including Lidia Ruslanova, Tamara Sinyavskaya, Georgi Vinogradov, Eduard Khil, Anna German, Ivan Rebroff, Dmitri Hvorostovsky, Joseph Kobzon and more. "Katyusha" is part of the repertoire of the Alexandrov Ensemble.

In other languages
American jazz vocalist Nat King Cole recorded a translated version titled "Katusha" in 1945. This rendition was later released in 1991 under the album The Complete Recordings of The Nat King Cole Trio.

In 1943, the Kingdom of Italy, until then one of the Axis powers, joined the Allies. During the next two years, Italian partisans fought against German forces in Italy and Italian Fascists.  wrote Italian lyrics for "Katyusha". His adaptation, Fischia il vento (The Wind Blows), became one of the most famous partisan anthems, along with La Brigata Garibaldi.

During the last battles on the Eastern Front, the Blue Division used the melody of "Katyusha" for an adaptation called Primavera (Spring), a chant extolling the value of Spanish fascist fighters.

During the Greek Civil War (1946–1949), Greek partisans who fought against the German invasion in 1941 wrote their version of "Katyusha" named Ο ύμνος του ΕΑΜ (The Hymn of EAM). The text to the melody was written by Vassilis Rotas, recorded much later by Thanos Mikroutsikos and sung by Maria Dimitriadi.

It has also been performed by the Syrian Communist Party in Arabic.

The song was translated into Hebrew and performed by 1945, and has been popular ever since in Israel.

Katyusha is also a popular song sung in the People's Republic of China due to influence from the Soviet Union in the second half of the 20th century and is still widely popular. The popularity of these songs even reached a point in China that at the time young people would deem it a great shame if they couldn't sing them. During the 2015 Moscow Victory Day Parade, the Chinese honor guard contingent led by Li Bentao surprised hundreds of locals when they sang Katyusha during their march back to their living quarters during a nighttime rehearsal. That same parade saw the song being performed by the Massed Bands of the Moscow Garrison during the march past of foreign contingents (specifically that of India, Mongolia, Serbia and China).

In Indonesia, the Joko Widodo campaign song Goyang Jempol Jokowi Gaspol uses its melody.

It is a popular song in Iceland (particularly among schoolchildren) where it is known as "" ("Be Ready When Spring Calls"), the lyrics by Tryggvi Þorsteinsson encourage hard work in the hayfields in spring.

In Finland the best known version (in Finnish) of the song is called "Sörkan sällit", which is also quite popular as a student party song.

In popular culture
"Katyusha" has appeared in numerous works, most often in tandem with Russian or Soviet topics, including a level featuring the USSR in the 1989 NES video game Super Dodgeball and in the 2013 album The Circus At The End Of The World by the band Abney Park.

The song is sung during the wedding scene of the 1978 film The Deer Hunter.

A variant of the song appears in the 2018 film Cold War.

In the Girls und Panzer media franchise, the Russian-style academy Pravda High School uses "Katyusha" as their battle song, though this was removed from Western releases due to copyright. Furthermore, the school's commander, Katyusha, was named after the song.

A major key arrangement of the song can be heard in the Tengen version of Tetris, upon completing certain levels. A similar arrangement also appeared in the Bullet-Proof Software version after completing the final level at highest difficulty setting, albeit in its original minor key.

See also

 Role of music in World War II
 War song

References

External links
Valeria Kurnushkina & Red Army Choir performing Katyusha song

Катюша / Katyusha — Lyrics and MP3 song, at the Marxists Internet Archive
Article about the song

1938 songs
Lidia Ruslanova songs
Russian military marches
Russian-language songs
Songs about soldiers
Songs about the military
Songs of World War II
Soviet songs

Katyusha (song)


Kh-22, NATO rapor ismi adıyla AS-4 Kitchen Rusya tarafından Amerikan uçak gemilerine karşı geliştirilmış bir füzedır.

Teknik veriler
Üretici Firma: Raduga Designe Bureau /Rusya

Tipi: Gemiye Karşı Taarruz Füzesi

Güdüm Sistemi: Aktiv Radar

Harp Başlığı:
 1,000 kg Parça Tesirli HE
 350-kT Nükleer
Azami Etkili Menzili: 440 km

Hızı: 4 Mach

İtki Tipi: Sıvı Yakıtlı Roket Motoru

Uzunluk: 11.3 m

Çap: 900 mm

Ağırlık: 5,900 kg

Dış bağlantılar

Füzeler

Kh-22


Wiljan Bischew (, * 3. Januar 1993 in Sofia, Bulgarien) ist ein bulgarisch-US-amerikanischer Fußballspieler auf der Position des Stürmers.

Jugend
Bischew wurde in der bulgarischen Hauptstadt Sofia geboren, wuchs jedoch in den Vereinigten Staaten im kalifornischen Fresno auf.

Karriere

Vereine
Bischew wurde im Juli 2011 für drei Jahre vom englischen Erstligisten FC Liverpool unter Vertrag genommen, nachdem er in Testspielen der U-18-Mannschaft überzeugen konnte.

Ende August 2011 unterzeichnete er einen Einjahresvertrag auf Leihbasis beim deutschen Zweitligisten Fortuna Düsseldorf. Seinen ersten Einsatz für die zweite Mannschaft der Fortuna in der Regionalliga West hatte Bischew am 10. September 2011 im Auswärtsspiel gegen den SC 07 Idar-Oberstein. Seinen einzigen Profieinsatz in Düsseldorf hatte er am 5. April 2012 bei einem Auswärtsspiel gegen Hansa Rostock.

Nach Abschluss der Saison 2011/12 kehrte er zunächst nach Liverpool zurück und wechselte im August 2012 auf Leihbasis bis zum Saisonende 2012 zum norwegischen Zweitligisten Start Kristiansand. Dort debütierte er am 23. September 2012 in der Adeccoligaen im Spiel gegen IL Hødd. Am Ende der Saison belegte er mit dem Verein den ersten Platz.

Im Januar 2013 kehrte er abermals nach Liverpool zurück. Anfang Februar 2013 absolvierte Bischew ein Probetraining beim polnischen Zweitligisten Zawisza Bydgoszcz.

Nationalmannschaft
Von 2010 bis 2012 kam Bischew zu insgesamt neun Einsätzen für die US-amerikanischen Nachwuchsteams der Altersklassen U-18 und U-20. Im Jahr 2013 lief er erstmals für die bulgarische U-21-Nationalmannschaft auf.

Weblinks

Einzelnachweise

Fußballspieler (FC Liverpool)
Fußballspieler (Fortuna Düsseldorf)
Fußballspieler (Start Kristiansand)
Fußballspieler (Slawia Sofia)
Sportler (Sofia)
Person (Kalifornien)
US-Amerikaner
Bulgare
Geboren 1993
Mann

Wiljan Bischew


ولدت القديسة مونيكا  في مدينة طاغاست (سوق أهراس)، في نوميديا (الجزائر) سنة 332 بعد الميلاد، ونتيجة لرعاية أبويها المسيحيين، نشأت القديسة تقية طاهرة، تحت رقابة صارمة لخادمة عجوز.
ومنذ صغرها كانت تحب الذهاب إلى الكنيسة للصلاة، كما كانت تحب الوحدة والتأمل، حتى أنها كانت تقوم من الليل لتلاوة صلواتها، وكانت تفتح قلبها للفقراء وللمرضى، وكانت تزورهم وتعالجهم وتجلب لهم ما تبقى من طعام عائلتها، حتى أنها كانت تغسل أرجل المرضى والمسافرين وكانت مثالا عن التواضع والرقة والسلام.

تزوجت القديسة في سن 22 سنة أي حوالي 354 بعد الميلاد بباتريس وأنجبت طفلا أسمته أوغسطينوس ليصبح بعدها من أهم قديسي المسيحية الغربية.

وانتقلت مع ابنها إلى روما إيطاليا وهناك مرضت وماتت في مدينة أسطيا سنة 388 عن سن يناهز السادسة والخمسين.

نقل جثمان القديسة إلى كنيسة القديس أوغسطينوس بروما سنة 1430 للميلاد.

اختيرت القديسة كعميدة للقديسات المسيحيات.

مراجع خارجية
القديسة مونيكا

معرض صور

المراجع

 تعريف بالقديسة (فرنسية)

أشخاص من الأمازيغ
أشخاص من سوق أهراس
المرأة في الجزائر
تاريخ الأمازيغ
رومان في القرن 4
رومانيات في القرن 4
قديسون أنجليكانيون
قديسون في القرن 4
مسيحيون أمازيغ
مواليد 331
مواليد 332
مواليد عقد 330
مواليد في طاغاست
نساء إفريقيات قديمات
وفيات 387
وفيات 388
وفيات في أوستيا أنتيكا

مونيكا


Liv Grete Skjelbreid (born 7 July 1974) from Hålandsdal, Fusa, near the city of Bergen in western Norway, is a former professional biathlete. On 20 March 2006, Liv Grete announced her retirement, effective at the end of the season which ended on 26 March at the Holmenkollen. She said that she was retiring because of her young daughter, Emma, her family and because she did not have the motivation to continue.

Early career
As a child Skjelbreid spent a lot of her time with her older sisters, and consequently took part in the sports her sisters did. She played football, kayaked in the lake next to the family home, cross-country skied, and she used to run up to the family cottage up in the mountains, touch the wall and run back down.

Skjelbreid excelled in football and biathlon, and first started competing in biathlon when she was nine. She borrowed her father's rifle for her first race. He also built a small shooting range on the family's farm so his young daughters could practice. However, as she was finishing high school, she was undecided as to whether continue with biathlon or to become a hairdresser. She, then, received an offer from a new sports school, which developed young talent, based in Geilo, to train and study there, still she was undecided, but her friends and family succeeded in persuading her to attend the school, and that after the first year if she did not like it, she could then leave. It turned out that Skjelbreid did enjoy the school, and was in the same year as Ole Einar Bjørndalen, and was taught by Odd Lirhus, who would become her coach between 2003 and 2006.

World Cup
Skjelbreid won the IBU overall World Cup once, in the 2003–04 season, it was also the first for Norway since Anne Elvebakk won the event in 1988. She won the overall title by 95 points over Olga Pyleva, and took three of the four individual disciplines, the sprint, pursuit and mass start. She came fourth in the individual. Norway also won the relay.
Her first season was in 1995/96, she finished 30th. In her next season, 1998/99, she shot up the table and came 5th in the end. The year after however she finished 21st. In 2000/01 Skjelbreid finished the season in 2nd place, 217 points behind Magdalena Forsberg. She was 2nd in the sprint, pursuit and mass start, and came 3rd in the individual. Norway won the relay. She also came second the year after, again behind Forsberg, this time by 149 points. She was 2nd in the individual, sprint and pursuit, and 9th in the mass start. Norway came 2nd in the relay. Skjelbreid missed the 2002/03 season because of her pregnancy. However, the year after she captured the crystal globe of the World Cup. Although, 2004/05 was a poor year, Skjelbreid had to retire from the season due to illness, missing the World Championships in the process. She ended up in 22nd place, 532 points behind Sandrine Bailly. She was suffering from a virus closely related to mononucleosis (glandular fever). The virus took away about 15–20 percent of her energy according to Lars Kolsrud, doctor for Norway's biathlon squads.

Skjelbreid finished the 2005/06 season in 12th place, 511 points behind the overall winner Kati Wilhelm. She ended in 21st place in the individual, 64 points down on Svetlana Ishmouratova. She was 12th in the sprint, 190 behind Wilhelm. Her best standing was in the pursuit, where she finished the season in 9th place, 177 points behind Wilhelm, and she finished 13th in the mass start, with 90 points less than Martina Glagow. Norway were 4th in the relay.

Skjelbreid was a steady shooter over the years. Her overall percentage was in the high 70% – low 80%. As with the vast majority of biathletes, her prone shoot was her best, averaging mid 80% shooting, whilst her standing shoot gradually got better, from 65% in 1999/00 to 74% in the 2005/06 season. Skjelbreid achieved 46 podium finishes, 22 in first place, 15 in second, and 9 in third place.

Skjelbreid was coached by Rolf Sæterdal until 2003, when he died suddenly. Then she was coached by Odd Lirhus until 2006, when she retired.

Skjelbreid won the Holmenkollen ski festival biathlon competition four times with two wins each in sprint (2000, 2001) and in mass start (2000, 2004).

 1 × Overall winner (2003/04)
 3 × Discipline World Cup winner:
       - Sprint (1): 2003/04

       - Pursuit (): 2003/04

       - Mass start (1): 2003/04

Individual victories
22 victories (10 Sp, 8 Pu, 1 In, 3 MS)

*Results are from IBU races which include the Biathlon World Cup, Biathlon World Championships and the Winter Olympic Games.

Olympics

Skjelbreid competed in three Olympic games, the first in 1998 in Nagano. She has three medals, two silver and one bronze, two of them (one silver & one bronze) came in the relay (1998 and 2002), the other silver came in the individual in 2002. Her medal count, especially her solo medal count is quite poor for a biathlete of her calibre, though she did come fourth in both the sprint and the pursuit in 2002. Her 2006 results were poor, much in the same pattern as the Norwegian Olympic team on the whole. She finished 9th in the individual, 12th in the sprint, 6th in the pursuit, 18th in the mass start, and 5th in the relay (although Skjelbreid did run a solid anchor leg).

3 medals (2 silver, 1 bronze)

World championships
Skjelbreid has 13 World Championship medals: 8 gold, three silver and two bronze. She won four of her gold medals in a single Championships, in Oberhof in 2004, the first time a biathlete has won four golds in a single World Championships. Her first World Championship medal was a silver in the relay in Brezno-Osrblie, Slovakia in 1997. She then had to wait until 2000 for her first individual medal. She won two golds in Holmenkollen, in the sprint and the mass start. In 2001 in Pokljuka, she won a gold in the pursuit, a silver in the individual, and a bronze in both the sprint and mass start. Her next Championships was in 2004, where she took the four golds. The one event she did not win was the individual where she finished eighth. She suffered from illness in the 2004–05 season, and came 37th in the sprint, and did not start in the pursuit. During the 2003–04 season, Skjelbreid was handed the wrong gold medal after she won Sunday's 7.5 km race. She was given the medal for the 15 km event, which wasn't taking place until Tuesday.

12 medals (8 gold, 3 silver, 2 bronze)

*Team was removed as an event in 1998, and pursuit was added in 1997 with mass start being added in 1999 and the mixed relay in 2005.

Injuries
Skjelbreid suffered a spate of injuries throughout her career. In the summer of 1995 she broke her wrist whilst swinging on monkey bars, then in the summer of 1997 she was jumping on a chair, fell and broke her elbow. She then broke the cast when she crashed while training on roller skis days later.
She also suffers from chronic inflammation, but she has said it had got better since she gave birth. There was also the illness that drained her energy and forced her to finish the 2004/05 season early.

Personal life
Liv Grete Skjelbreid grew up on a dairy farm in Hålandsdal. One of her two sisters Ann Elen also had a career as a biathlete. Ann Elen skied the first leg of the relay in Nagano 1998 when Norway came third, with Liv Grete skiing the anchor leg. Her brother-in-law is Norwegian biathlete Egil Gjelland.

Skjelbreid married French biathlete Raphaël Poirée on 27 May 2000 in Norway. They first met at the 1992 Junior World Championships and began dating in 1996. They have three daughters, Emma (born 27 January 2003), Anna (born 10 January 2007) and Lena (born 10 October 2008).
The family have spent most of their time in Norway and have a house in Eikelandsosen, near Skjelbreid's childhood home. They also kept a small apartment in Villard-de-Lans, France, site of the 1968 Olympic luge venue. In July 2013, the couple announced that they were separating.

The oldest daughter Emma traveled with the Poirées to all of their biathlon events, with a full-time nanny (older sister Ann Elen) for the first two years. But Emma was sick several times over those two seasons, and the family decided she should remain at home during the buildup to the Olympic games in Torino, and only travel with them every third race weekend. So during the 2006 Olympic season Emma stayed with her maternal grandparents.

See also
List of Olympic medalist families

References

External links

 High quality fan site for Liv Grete and Raphael Poiree
 IBU's profile of Liv Grete
 Liv Grete fanlisting
 Holmenkollen biathlon information

1974 births
Living people
Norwegian female biathletes
Biathletes at the 1998 Winter Olympics
Biathletes at the 2002 Winter Olympics
Biathletes at the 2006 Winter Olympics
Olympic biathletes for Norway
Medalists at the 1998 Winter Olympics
Medalists at the 2002 Winter Olympics
Olympic medalists in biathlon
Olympic bronze medalists for Norway
Olympic silver medalists for Norway
Biathlon World Championships medalists
Holmenkollen Ski Festival winners
People from Fusa
Sportspeople from Vestland

Liv Grete Skjelbreid


Jonathan David Coleman (n. 23 de septiembre de 1966) es un político neozelandés adscrito al Partido Nacional de Nueva Zelanda, y que ocupa actualmente los cargos de Ministro de Defensa y Servicios Estatales, además de ser miembro del Parlamento por Northcote desde 2005.

Referencias

Políticos de Nueva Zelanda

Jonathan Coleman (político)


Nikaidō steht für:
 Nikaidō (Klan), japanisches Adelsgeschlecht

Nikaidō ist der Familienname folgender Personen:
 Chihiro Nikaidō (* 1969), japanische Schauspielerin
 Hiroshi Nikaidō (* 1932), japanischer Mikrobiologe und Biochemiker
 Kazumi Nikaidō (* 1974), japanische Sängerin
 Manabu Nikaidō (* 1966), japanischer Skispringer
 Miho Nikaidō (* 1966), japanische Schauspielerin
 Reito Nikaidō (* 1959), japanischer Schriftsteller
 Ren Nikaidō (* 2001), japanischer Skispringer
 Satoshi Nikaidō (* 1966), japanischer Schauspieler
 Nikaidō Susumu (1909–2000), japanischer Politiker
 Yukiko Nikaidō (* 1940), japanische Schauspielerin

Nikaidō


كارلوس أندريس بيريز رودريغيز  (مواليد 27 أكتوبر 1922- وفيات 25 ديسمبر 2010)، سياسي فنزولي، ورئيس الجمهورية لفترتين من 1974 إلى 1979 و1989 حتي 1993. عضو في مجلس الشيوخ (1974-1994) و(1999-2000) ,وعضو في مجلس النواب (1947-1948)و(1958-1960)و(1964-1968)

وفاته
في الخامس والعشرين من ديسمبر عام 2010، أدخل بيريز إلى مستشفى الرحمة في ميامي؛ ولكنه توفي في زوال ذلك اليوم ذاته.

مراجع

وصلات خارجية

أشخاص من ولاية تاتشيرا
خريجو جامعة فنزويلا المركزية
رؤساء حكومات سجنوا لاحقا
رؤساء فنزويلا
سياسيون أدينوا بفساد
سياسيون فنزويليون أدينوا بفساد
سياسيون منفيون
فنزويليون من أصل إسباني
مواليد 1922
وفيات 2010
وفيات بسبب قصور القلب
وفيات في ميامي
وفيات مرتبطة بالمرض في فلوريدا

كارلوس أندريس بيريز


Radulfo de Barcelona (885-ca.948) fue un importante eclesiástico hispano-godo del siglo X.

Era hijo del conde Wifredo el Velloso y de Guinidilda de Ampurias. Tras reconquistar el valle de Ripoll y las montañas de Montserrat, Wifredo en el 880 donó amplios territorios en dichas montañas a la orden Benedictina y fundó el monasterio de Santa María de Ripoll, dejando en el 888 a su hijo Radulfo a cargo del monasterio para que fuera criado y educado según las normas monásticas, y otorgándole en el acto en heredad el valle Matamala. Poco después, Wifredo hizo algo parecido con su hija Emma para la que fundó el monasterio de San Juan de las Abadesas, cercano al de Ripoll.

Radulfo fue años más tarde abad de Ripoll y obispo de Seo de Urgel (914). Asistió a la segunda consagración del Monasterio de Santa María de Ripoll en el año 935 y en el 948 consagró la iglesia de San Miguel de Pons.

Notas y referencias

Obispos de Urgel
Obispos de España del siglo X

Radulfo de Barcelona


Golem (İbranicedeki  gōlem kelimesinden Türkçeye geçmiştir), efsanelerde ruhu olmayan genelde kilden veya topraktan oluşturulan bir varlıktır. Orta Çağ'da tanrının isimlerinin veya sıfatlarının farklı şekillerde söylenmesi, bu kelimeleri oluşturan harflerin farklı şekilde dizilmesi veya bunların bir kağıda yazılarak yapılan muska ve tılsımlarla golem oluşturulmasına ilişkin birçok efsane doğmuştur. Bir Yahudi efsanesinin kahramanıdır, Talmud'da Âdem'in ruh üflenmeden önce bir golem olduğu yazılıdır.

Yahudi folklorunda golemler genellikle insan şekli verilmiş çamurdan yapılırlar. Ruhları yoktur, zekaları düşük seviyededir, ki Golem seviyesi İbranice'de "aptal" kelimesinden türetilmiştir ). Temel amacı yaratıcısını korumaktır. 17. yüzyıl Prag Musevileri arasında antisemitiklere karşı adaleti sağlayan doğaüstü "Prag Golemi" inancı yaygındı.

İnanışa göre haham Judah Loew Ben Bezalel tarafından kilden bir heykel yapıldı ve Musevi halkını koruması için canlandırıldı. Alnına emet (אמת, doğruluk) kelimesi yazıldı. Musevi halkını korudu ve zamanla güçlendi. Fakat cumartesi günleri golem'in çalışması yasaktı bu yüzden de alnından e harfi silinir böylece met (מת, ölüm) kelimesi kalırdı ve golem haraketsiz bir şekilde dururdu. Bir cumartesi e harfini silmeyi unuttular ve golem kontrolden çıkıp her şeyi yıkmaya ve insanlara zarar vermeye başladı. Böylece alnındaki tüm harfleri sildiler ve golem parçalara ayrılıp dağıldı. Parçalarını Prag'daki Altneu sinagogunun altındaki gizli bir odaya mühürledikleri söylenir.

Özellikle fantastik konulu kitap, bilgisayar oyunu ve rol yapma oyunu türlerinde golem'lere sıkça rastlanır. Genelde büyü ve tılsımlarla verilen emirleri yerine getirmesi için canlandırılır. Verilen emri yerine getirene kadar veya belirli bir zaman boyunca kalır ve sonra yok olur. Toprak, kaya, ağaç, ateş, demir, kan gibi çeşitli türleri vardır. Golem hangi maddeden yapılmışsa o şekilde adlandırılır (kaya golemi, demir golemi vb.) ve onun niteliklerine sahip olur.

Kaynakça

Efsanevi yaratıklar

Golem


ANTIFA - bevægelse mod nazisme er en dansk dokumentarfilm fra 1994 instrueret af Helle Hansen.

Handling
På en rejse gennem den anti-facistiske scene i Tyskland fortæller antifacister hvad de gør for at bekæmpe racismen og nazismen, og de viser hvilke midler de tager i brug.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 1994

ANTIFA - bevægelse mod nazisme


Baco (Bacchus) es una ópera en cuatro actos con música de Jules Massenet y libreto en francés de Catulle Mendès. Se estrenó en el Palais Garnier de París el 5 de mayo de 1909.

Personajes

Véase también

Notas y referencias

Óperas en francés
baco
Óperas estrenadas en París
Óperas de 1909
Dioniso en la ópera

Baco (ópera de Massenet)


Das Jugendstiltheater Klagenfurt (JUST) ist ein Kleinsttheater in der Stadt Klagenfurt am Wörthersee in Kärnten.

Theater
Das Theatergebäude hat zehn Sitzplätze und wird vom Verein zur Anregung des dramatischen Appetits (VADA) bespielt. Die Eröffnung fand am 11. Februar 2012 statt.

Gezeigt werden Eigenproduktionen sowie Gastspiele in den Genres Sprechtheater, Theater für junges Publikum und szenische Lesungen. Ein Schwerpunkt liegt in der Aufführung russischer Literatur, die teilweise auch in russischer Sprache erfolgt.

Theatergebäude
Das Theatergebäude ist ein 9,96 m² großer spät-secessionistischer Pavillon, der nach Plänen des Architekten Franz Baumgartner von Baumeister Georg Horčička 1913/1914 im Rahmen des baulichen Ensembles des Klagenfurter Künstlerhauses errichtet wurde. Er diente ursprünglich als Pissoiranlage des Künstlerhauses.

Weblinks
 Homepage Jugendstiltheater Klagenfurt
 Homepage VADA - Verein zur Anregung des Dramatischen Appetits

Einzelnachweise

Kleinbühne
Theater (Kärnten)
Kunst (Klagenfurt am Wörthersee)
Organisation (Klagenfurt am Wörthersee)

Jugendstiltheater Klagenfurt


Kulturstudier er et dansk humanistisk, videnskabeligt og fagfællebedømt tidsskrift. Det publicerer forskning inden for forskellige fag som fx historie, etnologi, folkloristik og beslægtede fagområder. Tidsskriftet opstod – ligesom det historiefaglige tidsskrift Temp – i forbindelse med nyere krav ift. publicering og udgivelse i den danske universitetssektor. Kulturstudier, der er open access og således frit tilgængeligt på nettet, blev skabt som en sammenlægning af Fortid og Nutid og Folk og Kultur.

Referencer

Eksterne henvisninger
 Kulturstudier
 Kulturstudier (open access)

Tidsskrifter om historie
Humanistiske tidsskrifter
Tidsskrifter fra Danmark
Humaniora

Kulturstudier (tidsskrift)


An Pennisetum thunbergii in uska species han Liliopsida nga ginhulagway ni Carl Sigismund Kunth. An Pennisetum thunbergii in nahilalakip ha genus nga Pennisetum, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Pennisetum

Pennisetum thunbergii


هو مسلسل رسوم متحركة كوميدي مصري يتناول شخصية سحلاوي وهو سحلية عالم طبيعة ومغامر والذي يجوب أنحاء مصر ليؤلف كتاب عن الحيوانات والطيور المصرية. العمل من تأليف هيثم خليل والأداء الصوتي لمعوض إسماعيل وعلاء الحريري وإيمان الموسيقي شريف نور وإخراج مصطفى الفرماوي.

انظر أيضا
 قائمة أسماء مسلسلات الرسوم المتحركة العربية.

مراجع

رسوم متحركة عربية

يوميات الاستاذ سحلاوي


Giovanni Labus (, Brescia - , Milan) est un littérateur et archéologue italien.

Biographie
Giovanni Labus naquit le 10 avril 1775 à Brescia, où il fit ses premières études, qu'il alla terminer ensuite à l'Université de Padoue. Il eut d'abord une position importante dans le Véronais, puis il occupa la place de chef de division dans les bureaux de l'intendant général des biens de la couronne, sous le règne de Bonaparte ; mais, dès 1816, il renonça à ces diverses fonctions pour consacrer tout son temps aux lettres et à la science. Il avait, dès avant cette époque, donné quelques dissertations estimées, entre autres : Sopra una colonna letterata di Maguzzano, Brescia, 1812, in-8° ; et Sulla tribù e su i decurioni dell'antico municipio Bresciano, Brescia, 1813, in-8°. II publia, en 1818, une édition des œuvres d'Ennius Quirinus Visconti (Milan, 16 vol. in-4° et in-8°), enrichie de notes ; et, en 1820, Histoire de Milan, de Carlo de' Rosmini (Milan, 4 vol. in-4°), à laquelle il ajouta des commentaires iconographiques, numismatiques et épigraphiques ; et le Musée Chiaramonti, décrit et illustré par Filippo Aurelio Visconti et Giuseppe Antonio Guattani. En 1823, on découvrit à Brescia plusieurs monuments de grande importance, parmi lesquels une statue en bronze doré. Labus fit part de cette découverte dans un écrit intitulé Monuments anciens découverts à Brescia et ses environs (1823). En 1826, interprétant une description latine découverte en Égypte par Giovanni Battista Belzoni, il donna une chronologie de cinquante-six préfets romains de l'Égypte, dans un écrit qui lui mérita les éloges des savants, et qui fut particulièrement applaudi, en France, par Letronne, dans le Journal des savants.
Labus est mort à Milan le . Il était correspondant de l'Académie des sciences de Paris, secrétaire de l'Institut lombard, et membre de diverses académies d'Italie. Son fils a entrepris une édition complète de tous ses ouvrages.

Publications
 I Fasti della Chiesa nella vita dei Santi in ciascun giorno dell'anno, 1824-33, 13 vol. in-8° ;
 Le Chiese principali d'Europa, Milan, in-fol., ouvrage dédié à Léon XII, mais resté inachevé ;
 Il Museo della reale accademia di Mantova, 1835, 3 vol. in-8°, qui lui valut des éloges de Raoul-Rochette, dans le Journal des savants ;
 une monographie sur l'ancienne route romaine du Simplon, 1843, in-4°, illustré de dessins représentant les monuments contemporains ;
 des articles publiés dans divers journaux de l'Italie, et quelques opuscules biographiques et autres.

Bibliographie

Liens externes

Archéologue italien du XVIIIe siècle
Archéologue italien du XIXe siècle

Giovanni Labus


8-OH-DPAT é um composto químico da classe das  desenvolvido na década de 1980, que tem sido amplamente utilizado para estudar a função do receptor 5-HT1A. Foi um dos primeiros agonistas totais do receptor 5-HT1A a ser descoberto.

Primeiramente descrita como uma droga seletiva para o receptor 5-HT1A, posteriormente foram descobertas no 8-OH-DPAT propriedades de que também age como um agonista do receptor 5-HT7 e inibidor da recaptação/agente de liberação de serotonina.

Em estudos com animais, o 8-OH-DPAT demonstrou efeitos antidepressivos, ansiolíticos, , anoréxigenos, antiemético, hipotérmico, hipotensor, bradicárdico, hiperventilativo, e analgésicos.

Fenóis
Agentes de liberação de serotonina
Inibidores de recaptação de serotonina
Agonistas 5-HT1A

8-OH-DPAT


رأس سيدي بوسعيد أو رأس قرطاج وهو الرأس الذي يوجد قرب ضاحية سيدي بوسعيد، ويمكّن من الإشراف على خليج تونس.

سيدي بوسعيد

رأس سيدي بوسعيد


En chimie organique, les guaianolides sont des molécules de type  constituées d'une gamma-lactone et d'un cyclopentane ou d'un cyclopentène, tous deux fusionnés à une structure centrale de cycloheptane ou de cycloheptène.

Il en existe deux sous-classes, des isomères structuraux différant par l'emplacement où une partie de la lactone est liée à l'anneau central, appelés 6,12-guaianolides et 8,12-guaianolides.

Dans la nature, les « guaianolides oxygénées » (penta- et hexa-oxygénées) sont des phytotoxines et de puissants moyens biochimiques de défense synthétisées par un petit groupe de plante (on les a d'abord découvert dans les racines de plantes de la famille des Apiacées, dans le genre Thapsia (chez Thapsia garganica, typiquement, où ces molécules constituent environ 1 % du poids de la racine) puis (plus récemment (2013) chez des plantes du genre Laser et peut être au genre Laserpitium, ou encore dans la famille des Asteraceae chez Saussurea lappa CB Clarke (espèce menacée des hauts plateaux himalayens utilisée comme plante médicinale, mais également toxique et source de brûlures induites par de fortes allergies de contact). Le taux de « guaianolide oxygénées » augmente rapidement dans les tissus de ces plantes quand elles sont physiquement agressées (quand elles sont attaquées par des herbivores en particulier).

De très nombreux articles scientifiques ont été publiés sur les guaianolides qui intéresse beaucoup la chimie synthétique et la Recherche et l'industrie pharmaceutiques. L'une des « guaianolide oxygénées » est testée pour traiter certains cancers et selon un article publié en Décembre 2021, elle pourrait aussi avoir un effet contre la COVID-19, la thapsigargine, inhibitrice de l"enzyme  SERCA (Endo/sarcoplasmique calcium ATPase).

La science s'intéresse aussi aux « homologues » des ou « Pseudoguaianolides » (par exemple récemment étudiés chez Postia bombycina).

Utilisations
Certains des produits (naturels) de cette classe de composés phytochimiques tricycliques se sont avérés toxiques (induction d'allergie de contact réactions immunitaires et de suicide cellulaire) et biologiquement actifs, d'une telle manière qu'ils ont suscité des projets de médicaments, de produits de laboratoire et de synthèse chimique.

L'origine biosynthétique complète de la plupart des guaianolides connus n'a pas été établie, mais la voie est généralement présumée commencer par la formation d'une lactone germacrène dérivée du farnésyl pyrophosphate.

Notes et références

Voir aussi

Bibliographie

Articles connexes
 Thapsia garganica
 Thapsigargine

Composé hétérocyclique à 3 cycles
Lactone sesquiterpénique
Phytotoxine
Composé chimique présent dans les Asteraceae

Guaianolide


Mechanical Animals is the third studio album by American rock band Marilyn Manson. It was released on September 15, 1998, by Interscope Records. The album marked a major shift from the industrial metal and alternative metal styles of the band's earlier efforts, into an experimentation with 1970s glam rock with industrial rock and electronic rock styles. As their first release following the success of their breakthrough album, 1996's Antichrist Superstar, Mechanical Animals themes primarily deals with the trappings of fame and drug abuse.

A rock opera and concept album, Mechanical Animals is the second installment in a trilogy which included Antichrist Superstar and 2000's Holy Wood (In the Shadow of the Valley of Death). After the release of Holy Wood, Manson said that the overarching story within the trilogy is presented in reverse chronological order; Mechanical Animals, therefore, acts as the bridge connecting the two narratives and remains constant whether the trilogy is viewed in reverse or not.

The album has been certified platinum in the United States, Canada, and New Zealand. It spawned the singles "The Dope Show", "Rock Is Dead", and "I Don't Like the Drugs (But the Drugs Like Me)" as well as the promotional single, "Coma White". The album debuted at number one on the Billboard 200, making it the first Marilyn Manson album to do so.

Recording and production

Aborted sessions with the Dust Brothers

Following the conclusion of their year-long Dead to the World Tour in September 1997, the band relocated from Fort Lauderdale, Florida to Hollywood, California. Work on Mechanical Animals began soon after. By early December of that year, the singer began opening up on the then new and unnamed record's development, sitting down with MTV's "Year in Rock" special on December 12. Early on, it was reported the new album would be produced by the Los Angeles-based production team, the Dust Brothers. According to MTV News, "[They] have completed work on a few tracks on the next effort from Marilyn Manson..."

During this early development stage, the band recorded in Manson's home recording studio in the Hollywood Hills which the group had taken to calling "The White Room" after the vocalist painted the space white. Manson explained that the studio "looked out over Hollywood, which kind of represented space to us." Manson also intoned, "the theme of whiteness comes up a lot on the album, representing a void empty of color and feelings and emotions. We were trying to fill that void with the songs."

Billy Corgan involvement
Manson's friend, the Smashing Pumpkins frontman Billy Corgan, served as an unofficial music consultant for the band. After playing a few of the early songs for him, Corgan advised that "This is definitely the right direction" but to "go all the way with it. Don't hint at it." Despite this, almost 20 years after the release of Mechanical Animals, keyboardist Madonna Wayne Gacy (who left the band in the intervening years) disputed "arrogant-yet-whiny ass" Corgan's involvement and claimed "the majority" of the album was "written long before Billy Corgan ever showed up." He went on to describe Corgan as pretentious and "thinks he's Brian Eno."

Sessions with Michael Beinhorn and Sean Beavan
The band subsequently employed Michael Beinhorn as principal producer, co-producing the record with Marilyn Manson. Sean Beavan was also brought in to supply additional production work. According to Manson, the bulk of the material was written and recorded at that house before Beinhorn came on board. "For the most part, I had a very specific vision of what I wanted to do and how to do it."

By May of that year, having completed his obligations for Hole's then-new album, Celebrity Skin, Beinhorn confirmed that the nascent Manson project was halfway complete and on course for a late summer or early fall release. Manson, for his part, spent the early part of the year on break from the studio to promote his autobiography, The Long Hard Road Out Of Hell.

During his February 24, 1998, interview on National Public Radio's Fresh Air radio talk show to promote the book, he divulged that having exhausted the topic of organized religion in the previous record, Mechanical Animals would see a major shift in focus: "Both sonically and lyrically it's about the depression of alienation, rather than the aggressiveness of it. It's about the emptiness." Guitarist Zim Zum divulged that in one instance the band recorded a song a day for two weeks straight during a particular spree of creativity.

Final mixing and post-production took place in a studio in Burbank, California. In July 1998, after having contributed guitar work to 12 of the album's 14 tracks, Zim Zum left the band under amicable terms to pursue his own solo project. He was replaced by the former guitarist of English industrial metal band 2wo, John Lowery (rechristened by the band as John 5).

Concept and themes

In the album, Manson takes on the role of a glam rocking, substance-addicted, gender ambiguous "alien messiah" called Omēga. Much like David Bowie's Ziggy Stardust,  he falls down to earth, is captured, placed with a band called The Mechanical Animals and turned into a rock star product. He has become numb to the world, either lost or high in outer space or the Hollywood Hills, through excessive drug use as a coping mechanism with his life as a product of his corporate masters. Manson's other role is that of Alpha who is based on himself and his experiences around the conclusion of the Antichrist Superstar tour/era. Acting as Omēga's foil, Alpha's emotions have only begun seeping back. Vulnerable and trying to relearn how to use them properly, he despairs about how little emotion other people feel, observing them to be "mechanical animals".

"There is a bit of a love story that exists on this record," Manson admits. "The name I gave to the thing I was in love with was Coma White. It starts as the name of a girl I'm in love with, then ends up to really be a drug I've been taking. So I'm not really sure what I'm in love with."

Subsequently, seven of the 14 songs are from the perspective, lyrically and musically, of Omēga and his fictional band The Mechanical Animals, while the other seven are by Alpha (Marilyn Manson). The Omēga songs are typically those most nihilistic and superficial lyrically, such as "The Dope Show", "User Friendly" and "New Model No. 15". The album artwork features a dual liner note book, in which one half has lyrics for the Omēga songs, and when flipped over, has those for the Alpha songs.

Marilyn Manson later noted in an interview with Rolling Stone magazine that "Mechanical Animals was to represent the point where the revolution got sold out, a hollow shell of what the essence of Marilyn Manson was. It was a satire, and a lot of people interpreted it as 'This is what he really is.' I was making a mockery of what I was, taking a shot at myself."

After the release of Holy Wood (In the Shadow of the Valley of Death), Marilyn Manson revealed that his concept album trilogy is an autobiographical story told in a reverse timeline (chronologically reverse from their actual release dates). That means Holy Wood opens the storyline followed by Mechanical Animals and concluded with Antichrist Superstar. Further, though Antichrist Superstar and Mechanical Animals made sense as individual concept albums on their own, there was a hidden overarching story running through the three releases. In transitioning from Mechanical Animals to Holy Wood (In the Shadow of the Valley of Death), Manson admitted that the character of Omēga, "[...] was a ruse to lure commercial mall-goers into the web of destruction – I've always planned that from the beginning."

Composition and style

Mechanical Animals marked a major shift away from the abrasive and aggressive industrial and alternative metal styles of the band's previous work. Manson explained that he had grown "bored" with that musical aesthetic adding that, "Everything you hear nowadays is an offshoot of NIN, Marilyn Manson, Ministry. There's just no great rock albums anymore. There's a lot of rock music out there, but it's very bland and disposable. A lot of people may say this record is over the top, pretentious and theatrical, but that's what rock music is supposed to be about." Mechanical Animals also marked the first time NIN frontman Trent Reznor provided no production input. In both music and imagery, Mechanical Animals draws heavily from the glam rock genre that dominated the UK Charts in the early 1970s. Rolling Stone noted the songs are marked by shimmering, flamboyant guitar grooves and strong melodic hooks while the lyrics "trade the topic of teen satanism for drug-addled space themes and sci-fi love stories", reflecting "Manson's self-proclaimed new 'glitterati' lifestyle."

Rolling Stone described Manson's crooning as evocative of "the sultry vibe of T. Rex's Marc Bolan". However, both Rolling Stone and Entertainment Weekly noted that while the album drew from glam rock, it did not revel in the "naughty-boy insouciance" and playful hedonism of the genre despite numerous references to drugs, decadence and lurid sexual escapades. Rather, it was "glum and pessimistic" and more preoccupied with the themes of alienation, insincerity and longing (through sci-fi allusions) only hinted at by the genre.

"I just wanted to approach this album from a different point of view. I'd assumed the role of destroyer on the last record. This role is more a savior. I wanted to write songs that were more personal and dealt with specific emotions. The music had to really compliment that, but there wasn't a conscious effort to make more accessible songs. There was simply an effort to write songs that would make people feel differently to the songs on the last album. In a sense that makes it more accessible, but it's not just for the sake of pop. Even if it was, that's okay too. I can appreciate the Spice Girls and Garth Brooks in the Andy Warhol sense of it - pop art."

Its ultimate sources are the goths: Bauhaus, Love and Rockets, and early Cure. 'The Speed of Pain', meanwhile, is redolent of Pink Floyd's 'Welcome to the Machine'.

The song "Great Big White World" raised concerns, among some groups, of possibly being a racially motivated reference until Manson himself cleared up the rumors by stating that it was about cocaine.

"I Don't Like the Drugs (But the Drugs Like Me)" features guitar work by Dave Navarro.

Release and artwork
At a time before the ubiquity of peer-to-peer file sharing, the first singles from both Beinhorn-produced albums were leaked three weeks before their intended release dates and played "nearly a dozen times" on New York radio station WXRK (92.3 FM) and its Los Angeles-based sister station, KROQ-FM (106.7 FM), on the weekend of July 31 to August 2, 1998. Interscope neither confirmed nor denied that the leak originated from them but joined Hole's label, DGC Records, in issuing a cease and desist order to WXRK on August 3.

In spite of this the Manson single, "The Dope Show", was subsequently recorded and converted by a fan into an MP3 and made available on an unofficial fan site for download soon after. The following weekend, San Francisco radio station Live 105 (105.3 FM) played both singles again.

Artwork and packaging

The controversial cover art has won critical acclaim and numerous awards. The infamous photo depicts Manson as an androgynous naked figure with breasts, six fingers and airbrushed genitalia. It is the brainchild of New York City-based photographer Joseph Cultice. Designer Paul Brown has said of the cover, "I'm extremely proud of it. I said more in one of his covers than any novel could. It made people think and cringe." In 2003, VH1 included Mechanical Animals at number 29 in its list of the "50 Greatest Album Covers". It is also featured in Grant Scott's book The Greatest Album Covers of All Time.

Contrary to popular internet rumors, the band leader, Manson, did not undergo any plastic surgery for this androgynous, alien look. The breasts are prosthetic, manufactured specially by Screaming Mad George's SMG Effects  (now out of business). Manson is, in reality, naked and covered head to toe in latex paint, provided by the same movie make-up company. His genitalia are covered by a foam latex appliance to create the androgynous appearance of the alien figure he calls Omēga, which, the singer explained, represents "sexlessness and vulnerability," in addition to his own "affection for prosthetic limbs." Originally the make up consisted of six breasts with nipples. Manson has stated in interviews that his friend, actor Johnny Depp, is the current owner of these prosthetic breasts, which Manson traded for Depp's strawberry-blonde wig worn in the 2001 film Blow.

Kerrang! noted that the cover art text forms an anagram for 'Marilyn Manson Is An Alchemical Man'. The album also features an alternate, less "obscene" cover which is contained on the reverse side of the album liner notes. It is incidentally the cover for an album of the same name by Omēga and the Mechanical Animals, a fictitious band composed of characters played by the members of Marilyn Manson. The photo featured on this alternative cover art includes more of the symbolism surrounding the numeral 15.

The liner notes also contain hidden messages in yellow text, which become viewable when seen through the blue CD packaging or the transparent blue LP. The reader of the liner notes is shown how to read these messages in the booklet: there is a diagram showing a CD case over the booklet, and a message which reads: "Yellow and blue = green."

A limited tour edition of Mechanical Animals was released in the UK (including other locations like Australia and Mexico, where only 100 copies of this edition arrived) with an illustrated hardcover sleeve by Marcus Wild. Though limited edition, the album is easily attainable in certain regions. The packaging is identical to the original version except for the bonus eight-page comic book by Wild, illustrating scenes from the "I Don't Like the Drugs (But the Drugs Like Me)" music video.

Retailer ban

As early as August 14, 1998, a month before the release, the three largest retailers in the United States—K-Mart, Wal-Mart and Target—refused to stock the album citing the offensive cover and the expectation that it will carry a Parental Advisory sticker for violating their policy of not selling material with explicit lyrics or content. In an attempt to appease some of the retailers, Nothing and Interscope discussed plans to cover the "breasts" with a sticker and enclose the entire package in blue cellophane—similar to the brown paper bag tactic employed exactly 30 years before by distributors on the explicitly nude cover of John Lennon and Yoko Ono's Unfinished Music No.1: Two Virgins. Wal-Mart still refused to sell the album, and consequently pulled all previous albums by Manson in light of the Columbine High School massacre on April 20, 1999.

In the intervening two decades since the release of this album, all three retailers have had a change of heart: 2003 saw the mass sale of Manson's fifth LP, The Golden Age of Grotesque in nearly all Wal-Marts; representatives claimed they chose to sell the album because it was "commercially viable" and was "on the Top Ten charts." They now carry the band's entire discography, including this record, in both their online and retail stores.

Promotion and singles
Five days before the album's release, the band performed "The Dope Show" at the 1998 MTV Video Music Awards. The "Ziggy-in-Vegas" performance saw Manson strut into the stage in a blue vinyl coat with a faux-fur collar before stripping down, mid-way into the song, to a blue skin-tight costume with cut-outs that revealed the prosthetic breasts and androgynous genitalia of his Omēga character. The performance also included a trio of "besequined" back-up singers that harmonized with the frontman as he sang along. Rolling Stone remarked that "incontrovertibly, Marilyn Manson stole the show."

The album's most successful song is "The Dope Show", which fared well on both video and single charts in the United States and abroad. "The Dope Show" was written by Manson (lyrics) and Twiggy Ramirez (music). It continues to reign as the band's most commercially successful song. The music video debuted the band's controversial new, androgynous glam rock sound and image to the world. It is inspired by Alejandro Jodorowsky's art film The Holy Mountain as well as the David Bowie film, The Man Who Fell to Earth. Again, Bowie's influence has been enormous on this album, with both influences noted publicly by Manson himself.

The third single, "Rock Is Dead", was featured in the accompanying soundtrack of the film The Matrix—the song is played during the end credits.

Tours

Following the release of Mechanical Animals, Marilyn Manson staged two worldwide stadium tours, titled the Mechanical Animals Tour and Rock Is Dead Tour.

A concert film was recorded depicting both tours, titled God Is in the TV. It was released on November 2, 1999, in VHS format by Interscope Records and features live concert footage of 13 songs culled from various concerts across the world as well as backstage and behind-the-scenes clips.

Mechanical Animals Tour

After declining a headlining slot at the Lollapalooza summer music festival (along with numerous other bands) in early 1998 due to delays in Mechanical Animals release, the band launched the first of their own headlining tours in support of the album. It was originally intended to start on June 25, 1998, with a series of six festival dates in Europe lasting until July 12, 1998. However the planned summer European leg was scrapped and the tour's launch date was rescheduled to October 25, 1998, after drummer Ginger Fish became ill with mononucleosis.

Beginning on October 25, 1998, and lasting until January 31, 1999, the Mechanical Animals Tour included two legs spanning a Fall to Winter World Tour in Europe, Japan, and North America and a 6 show headlining stint at the Big Day Out tour in Australia. In total, the band completed 46 shows out of the 52 originally planned.

Beautiful Monsters Tour and Rock Is Dead Tour

Beginning on February 28, 1999, and lasting until August 8, 1999, the tour included three legs spanning Europe, Japan and North America with a total of 9 completed shows for the Beautiful Monsters Tour and 43 completed shows (out of 46 planned) for the Rock Is Dead Tour.

The tour is particularly notable for a number of incidents that plagued its progress. Following the conclusion of the Mechanical Animals Tour in January 1999, the band was once again offered a headlining slot by the organizers of the Lollapalooza festival for the 1999 summer season (this time as part of an attempt to resurrect the by-then-defunct festival) which they declined. Instead, the band struck a deal with Hole to co-headline the latter's Beautiful Monsters Tour. Immediately, the joint venture began experiencing problems due to disputes between both groups' leaders. After nine shows (spanning a total of two weeks) the tour imploded, resulting in Hole's departure on March 14, 1999, and the tour being renamed Rock Is Dead. Monster Magnet, who were already opening for Manson, assumed Hole's place on the tour's playbill. A minor dispute erupted surrounding the tour's revised nomenclature as Korn and Rob Zombie were already in the middle of another tour with the same name.

The first two performances of the Rock Is Dead Tour were canceled after Manson suffered a hairline fracture on one of his ankles during the final show with Hole at The Forum in Los Angeles. The tour was resumed on March 17, 1999. The tour, however, would stagger yet again following the Columbine High School massacre on April 20, 1999. In the ensuing aftermath, the band was accused of being a cause of the tragedy in Littleton, prompting the group to cancel their remaining North American engagements out of respect for the victims, explaining, "It's not a great atmosphere to be out playing rock 'n' roll shows, for us or the fans."

Critical reception

The album received acclaim from most music critics. Analyzing the album's intentions, Barry Walters of The Village Voice noted, "Mechanical Animals celebrates sexy celebrity in a typically Mansonian bacchanalia of contradictions. He's said all along that dirty media dominance is the cleanest and closest thing to divinity in a world that crucified the god in itself and replaced it with blind faith. Now he understands first-hand that stardom sucks, yet while he lifts a platform boot against its phony fat ass he still can't help reveling in the excess. Antichrist Superstar critiqued fame in order to make him famous. Having been there/done that, Manson wants more because more is the American way he's hell-bent on subverting—even as he's soaking in it." Of the record's musical direction Walters noted, "Flexing far more range than rage, Manson's feminization shifts his vocal power center from a diseased gut to a broken heart. [...] Guitars roar and whine, bass booms, drums race, and synths twitter with a tweeness that's gonna turn Durannie grannie Nick Rhodes's gray roots green."

USA Today praised that "Manson and producer Michael Beinhorn have rediscovered the adrenalin in '70s glam-rock, sprinkling Gary Glitter and Ziggy Stardust over Gothic theatrics." Jon Wiederhorn of Amazon observed that "Mechanical Animals is a brash, decadent, and glittery display of self-indulgent hooks and melodramatic vocals that sounds like Aladdin Sane-era David Bowie and T. Rex at their most boisterous crossed with the more modern sounds of today's industrial nation." According to Ann Powers of Rolling Stone, "Mechanical Animals gets its cavelike spaciousness from [goth] influences and tweaks them with an industrial crunch [...] He and his band approach its terrain the way a 1960s rocker like Eric Clapton approaches the blues, with respect and a sense of entitlement." Annalee Newitz of Salon noted the band's shift from a "dour preoccupation with religious fascism and toward space-age genderfuck chic. The creamy synth sound and drugged-out lyrics that dominate Manson's latest CD prove that two antithetical '80s musical genres—heavy metal and new wave—can indeed be fruitfully combined."

David Browne of Entertainment Weekly wrote, "Looking back in mascara'd anger, Manson and [producer Michael] Beinhorn have fashioned music steeped in glam rock and concept-album bombast but updated with a crunching intensity [...] He layers the songs with cooing backup singers, electronica burbles, skulking guitars, and synths at their most decadently new wavy. The effect is often spectacular." Lorraine Ali of the Los Angeles Times commented "songs swagger with lipstick-wearing attitude, have fun with sleazy subject matter and actually convey some (gasp) human emotion [...] This album is the first time we actually experience Manson as a band, not a phenomenon filtered through Reznor's mixing board wizardry or a freak show accompanied by a soundtrack. An album that's powerful from start to finish is far more surprising than any controversial Manson high jinks [...] this record ensures his further infiltration of teenage America and earns him a new spot in the annals of great, big, pompous pop albums." David Browne describes that the sound of the album "is often spectacular: a lurid cabaret-rock revue for the post-global-economy meltdown." According to NME, Mechanical Animals "marks a total shift in Manson's assault. Where the Antichrist Superstar game plan was about gaining notoriety through outrage, rather than winning souls over on musical grounds, Mechanical Animals aims straight for the singalong heart of stadium-land. And rips it out, and holds it aloft in triumph [...] Of the 14 tracks here, ten could be singles. On this evidence alone, 'Mechanical Animals' is an unashamedly crass bid for total world domination [...] they already have the goth kids. Now, their sights have turned on everyone else."

However, not everyone gave the album a positive review. Music critic Robert Christgau criticized "the feebleness of La Manson's vocal affect" and dismissed the album as a whole as "one more depersonalizing production device with which to flatten willing cerebella [sic] whilst confronting humankind's alienation, amorality, and failure to have a good time on Saturday night." He concluded that "not every icon deserves a think piece." Spin magazine noted the record is "essentially mining the same agitprop territory and 'premillennial' confusion that hipster, highbrow heroes such as Alec Empire and Tricky take for granted. Manson shares with Empire a preference for destroying the master's house with the master's tools. Like Tricky, Manson uses gender confusion as a coping mechanism, less identity politics than identity evasion."

Joshua Klein of The A.V. Club was unconvinced with the sudden musical shift by the band and pointed out that neither will longtime fans. However, he conceded that the album is "more musical than anything Manson has done [...] His music packs both industrial muscle and anthemic conviction, even as it playfully steals from the Bowie songbook" while lamenting that thematically the album played it safe, with lyrics lacking, "any sense of wit, as songs doggedly hammer at safe taboos like drugs, sex, drugs, stardom, drugs, and death. And drugs." Like NME, Klein concluded the record will, nevertheless, help the band pick up new fans. Stephen Thomas Erlewine of AllMusic described the record as "a big, clean rock record" and praised it as a "welcome change of pace" and "more tuneful than his clattering industrial cacophony." However, he also noted that devoid of "the cartoonish menace that distinguished his prior music [...] Marilyn Manson seems a little ordinary [...] Manson should have remembered—demons are never that scary in the light." Despite this, Greg Burk of LA Weekly went on to call Mechanical Animals "one of the greatest albums of its decade."

Accolades
According to Acclaimedmusic.net Mechanical Animals is the 44th best reviewed album of 1998, the 426th greatest record released during the 1990s and the 2209th greatest of all-time. Spin ranked Mechanical Animals the seventh best album on their 1998 End of Year List. Online music magazine Addicted to Noise ranked Mechanical Animals 25th in their 1998 list of the "Albums of the Year". The Village Voice ranked Mechanical Animals 40th in their 1998 list of the "Albums of the Year". Kerrang! ranked Mechanical Animals second on their 1998 list of the Albums of the Year. Q magazine listed Mechanical Animals among their picks for their 1998 Recordings of the Year list. Dutch magazine Muziekkrant OOR ranked Mechanical Animals 18th in their 1998 Albums of the Year list. The record ranked second in the Critics Top 50 and 10th in the Popular Poll of German magazine Musik Express/Sounds in their 1998 "Albums of the Year" list. In 1999, American music journalist Ned Raggett listed Mechanical Animals 78th in his "The Top 136 Albums of the Nineties". Also in 1999, Australian magazine JUICE ranked Mechanical Animals 84th in their 100 Greatest Albums of the '90s. In 2006, sister British magazines Classic Rock and Metal Hammer included Mechanical Animals in The 200 Greatest Albums of the 90s. Also in 2006, Dutch public radio broadcaster VPRO included Mechanical Animals in their 299 Nominations of the Best Album of All Time. The French edition of the British magazine Rock Sound ranked Mechanical Animals 56th in their Top 150 Albums of Our Lifetime (1992–2006) and second in their 1998 Albums of the Year.

In the November 2003 issue of Blender magazine, author Chuck Palahniuk included the album in a list of his favourites, and said: "I met Marilyn Manson on a magazine assignment, and he wanted my advice on a novel he's writing. We drank absinthe once. I'll probably go to his show when he's in town next week. It's so fascinating to see somebody exorcise his demons in such a public way."

Commercial performance

In the United States, Mechanical Animals debuted at number one on the Billboard 200 with first-week sales of 223,000 units, becoming the band's first number-one album on the chart. Propelled by both the first single's heavy rotation on the radio and on MTV as well as the band's main show performance at the 1998 MTV Video Music Awards, the record briefly displaced The Miseducation of Lauryn Hill for the number-one position on the Billboard 200. The following week, the album dropped to number five with 98,200 copies sold. The album also debuted at number one on the Canadian Albums Chart, selling 26,600 units in its first week in Canada.

Although critically acclaimed, Mechanical Animals was initially not too well received by longtime fans who complained about the wilfully radio-friendly sound of the album and surmised that Marilyn Manson had "sold out". It was certified platinum by the Recording Industry Association of America on February 25, 1999, but was the lowest-selling number-one album of 1998 in the United States. Producer Beinhorn said: "When Mechanical Animals came out, the projected sales figure for the first week was 300,000 copies. [The label was] excited, saying, 'We're going to hit No.1 and sell 300k!'. It sold 230,000 and got to No.1, but it wasn't enough. The label lost interest, they took down the huge billboard they had in Times Square for the album, the president of the label called Manson up, screaming at him for having tits on the cover. I think that, and what happened at Columbine, which really affected him emotionally, meant that he never made an album up to the standard of Mechanical Animals or Antichrist Superstar again. He just didn't get the support." As of November 2010, Mechanical Animals sold 1,409,000 copies in the US.

Track listing

CD version

Hidden multimedia track

Notes
 Australian and Korean releases of the album come with an additional DVD that contains the music videos for "The Beautiful People", "The Dope Show", and "Sweet Dreams".
 This album features a hidden track, playable only on a computer; it is untitled and experimental, further playing on the album's theme of the character Omēga and conformity. Upon entering the album into a computer, an autorun file starts a program that displays two of Manson's paintings while the song plays in the background. It is thought to be an experiment in synesthesia.

Vinyl version
When released on vinyl, the record was split into two separately sleeved albums; the first credited to the character of Alpha (portrayed by Manson himself), pressed on opaque white vinyl, and the latter to Omēga and the Mechanical Animals on transparent blue vinyl. The Manson album dealt with songs of love and alienation, while the Mechanical Animals disc contained anthems of sex and drug use. The vinyl edition was reissued in 2012, but on black vinyl instead of white and blue. The track listing, however, remains the same.

Note
 Song length differs from CD version as tracks are not cross faded and appear in full length form with one- to two-second gaps between songs. Additionally, the intro to "I Want to Disappear" is tracked as the final 15 seconds of "Posthuman" on the CD while it appears as part of "I Want to Disappear" on the vinyl version.

Personnel
Credits adapted from the liner notes of Mechanical Animals.

Marilyn Manson
Marilyn Manson – vocals, vocoder , electric drums and syncussion , synthesizer , guitars , piano , photography, production
Zim Zum – guitars , synth-guitar , composer
Twiggy Ramirez – bass , guitars , synth-bass , noises , composer
Ginger Fish – drums , electric drums
Madonna Wayne Gacy – keyboards , piano , mellotron , shaker , electric percussion , sampler , synth-bass , electric drums

Additional musicians
Dave Navarro – guitars on "I Don't Like the Drugs (But the Drugs Like Me)"
Danny Saber – keyboards, clavinet, strings, programming
Rose McGowan – vocals on "Posthuman"
Alexandra Brown – background vocals on "I Don't Like the Drugs (But the Drugs Like Me)"
Lynn Davis – background vocals on "I Don't Like the Drugs (But the Drugs Like Me)"
Dyanna Lauren –  "pornography" on "User Friendly"
Neil Strauss –  scratching on "User Friendly"
John West – background vocals on "I Don't Like the Drugs (But the Drugs Like Me)"

Production
Michael Beinhorn – production
Sean Beavan – additional production, engineering, programming, digital editing
Barry Goldberg – engineering
Tom Lord-Alge – mixing
Joseph Cultice – photography
Ted Jensen – mastering

Charts

Weekly charts

Year-end charts

Certifications

See also
 List of Billboard 200 number-one albums of 1998
 List of number-one albums of 1998 (Australia)
 List of number-one albums of 1998 (Canada)

Notes

References

Bibliography

1998 albums
Albums produced by Marilyn Manson
Albums produced by Michael Beinhorn
Albums produced by Sean Beavan
Albums recorded at Westlake Recording Studios
Glam rock albums by American artists
Interscope Records albums
Marilyn Manson (band) albums
Nothing Records albums
Obscenity controversies in music
Rock operas
Science fiction concept albums

Mechanical Animals


Afroz Shah (Bombaim), é um ambientalista e advogado de Índia que ficou conhecido por ter organizado a maior acção de limpeza de praia do mundo. A ONU nomeou-o Campeão da Terra e inspirou-se no seu trabalho para criar a campanha Mares Limpos.

Percurso
Shah nasceu e cresceu em Bombaim.
Saíu para estudar direito na universidade e ao voltar. Ao regressar, em 2015, foi mudar num apartamento com vista para a praia e deparou-se com uma praia cheia de lixo. Os 2,5 km de extensão, estavam completamente cheios de lixo e não se via a areia, devido ao plástico acumulado que chegava a atingir mais de um metro de altura.

Decidiu recuperar a praia, durante a semana trabalhava como advogado do Tribunal Superior de Bombaim e aos fins de semana limpava a praia, retirando o plástico.

Começou sozinho em outubro de 2015, depois juntaram-se mais duas pessoas, às quais se juntaram mais de 1000 voluntários que durante 85 semanas, quase dois anos, foram todos os fins de semana apanhar o plástico, até o recolherem todo. Ao todo foram retiradas mais de 20 mil toneladas de lixo.

Paralelamente a este trabalho de limpeza, os voluntários, plantaram dezenas de coqueiros e arranjaram dezenas de casas de banho públicas na praia, com o intuito de voltar a transformar a praia numa lagoa com cocos.

Terminada a limpeza da praia Shah voltou as atenções para outra praia de Bombaim, a Dana Pani e o rio Mithi e uniu esforços com a campanha Turning the Tide de Dawoodi Bohra.

Influência
Como resultado desta acção, as tartarugas olivas voltaram a fazer ninho na praia e em Maio de 2019, 80 saíram dos ovos e atravessaram o areal até chegarem ao mar, sob a protecção de Afroz e outros voluntários.

O seu trabalho levou o Programa das Nações Unidas para o Meio Ambiente, a lançar campanha Mares Limpos que tem como objectivo levar as pessoas, os governos e as empresas a lutarem contra a poluição marinha.

Prémios e Reconhecimento
O seu trabalho em prol do meio ambiente, foi reconhecido por várias entidades, nomeadamente:

 2016 - As Nações Unidas nomearam-no Campeão da Terra, na categoria Acção e Inspiração, por ter liderado a  limpeza da  praia de Versova, em Mumbai, considerada a maior do mundo.
 2017 - A CNN considerou-o o Indiano do Ano
 2019 - Integra a lista Top 10 Heroes da CNN
 2019 - A GQ distinguiu-o como Troféu de Eco Warrior Obras

Ligações Externas
Site | Fundação Afroz Shah
The Dawoodi Bohras | Turning The Tide Against Plastic Pollution
Ketto | Afroz Shah: Man Behind The World's Largest Beach Cleaning Project (2019)
Climate Change Leadership Porto 2019| Afroz Shah

Naturais de Bombaim
Advogados da Índia
Ambientalistas da Índia
Poluição da água

Afroz Shah


Giro dell'Emilia er et italiensk endagsløb i landevejscykling som arrangeres hvert år i oktober. Løbet er blevet arrangeret siden 1909. Løbet er af UCI klassificeret med 1.Pro og er en del af UCI ProSeries. Det regnes for et af de største løb i Italien, med en lang historie.

Vindere

Eksterne henvisninger

Giro dell'Emilia


هايكو فيسترمان  (مواليد 14 أغسطس 1983 في ألزيناو في ألمانيا)، هو لاعب كرة قدم ألماني.

كان يلعب لنادي شالكه منذ سنة 2007 وانتقل رسميا إلى نادي هامبورغ الرياضي سنة 2010 مقابل 7,500,000 يورو.

بدأ باللعب مع منتخب ألمانيا لكرة القدم في سنة 2008.

المسيرة الاحترافية

أندية لعب لها
 نادي غرويتر فورت
 أرمينيا بيليفيلد
 نادي شالكه 04
 نادي هامبورغ الرياضي
 ريال بتيس

وصلات خارجية

مراجع

أشخاص على قيد الحياة
أشخاص من آلتسناو اين اونترفرانكن
رياضيون ألمان مغتربون في إسبانيا
لاعبو الدوري الألماني
لاعبو الدوري الألماني الدرجة الثانية
لاعبو الدوري الإسباني
لاعبو الدوري النمساوي
لاعبو الدوري الهولندي الدرجة الأولى
لاعبو أرمينيا بيليفيلد
لاعبو أياكس أمستردام
لاعبو بطولة أمم أوروبا 2008
لاعبو ريال بيتيس
لاعبو شالكه 04
لاعبو غرويتر فورث
لاعبو كرة قدم ألمان
لاعبو كرة قدم رجالية ألمان مغتربون
لاعبو كرة قدم رجالية ألمانيون
لاعبو كرة قدم رجالية مغتربون في النمسا
لاعبو كرة قدم رجالية مغتربون في إسبانيا
لاعبو كرة قدم رجالية مغتربون في هولندا
لاعبو كرة قدم مغتربون ألمان
لاعبو كرة قدم مغتربون في النمسا
لاعبو كرة قدم مغتربون في إسبانيا
لاعبو كرة قدم مغتربون في هولندا
لاعبو كرة قدم من بافاريا
لاعبو كرة قدم من فرانكونيا السفلى
لاعبو مراكز متعددة كرة قدم رجالية
لاعبو منتخب ألمانيا تحت 21 سنة لكرة القدم
لاعبو منتخب ألمانيا لكرة القدم
لاعبو منتخب ألمانيا لكرة القدم للشباب
لاعبو نادي أوستريا فيينا
لاعبو هامبورغ
لاعبو وسط كرة قدم رجالية
مدافعو كرة قدم رجالية
مواليد 1983
مواليد في آلتسناو اين اونترفرانكن

هايكو فيسترمان


Svjetsko prvenstvo u motociklizmu u klasi Moto2 za 2017. godinu je osvojio talijanski vozač Franco Morbidelli na motociklu Kalex Moto2 te u momčadi EG 0,0 Marc VDS.

Raspored utrka i osvajači postolja
2017. godine je bilo na rasporedu 18 trkačih vikenda Svjetskog prvenstva, te su na svima vožene utrke u klasi Moto2.

VN Nizozemske - također navedena kao Dutch TT, odnosno TT Assen
VN Češke Republike - utrka prekinuta nakon 7. kruga radi kišnog nevremena, restartana kao nova utrka od 6 krugova
VN Britanije - također navedena kao VN Velike Britanije
VN San Marina i Rivijere Rimini - također navedena kao VN San Marina
VN Zajednice Valencia - također navedena kao VN Valencije

Poredak za vozače
 Sustav bodovanja
Bodove osvaja prvih 15 vozača u utrci.

{| class="wikitable"  style="font-size: 85%; text-align:center"
|-
!pozicija u utrci
|bgcolor="gold"|1. ||bgcolor="silver"|2. ||bgcolor="goldenrod"|3. ||4. ||5. ||6. ||7. ||8. ||9. ||10. ||11. ||12. ||13. ||14. ||15.
|-
!bodovi
|25 ||20 ||16 ||13 ||11 ||10 ||9 ||8 ||7 ||6 ||5 ||4 ||3 ||2 ||1
|-
|}

{| class="wikitable sortable" style="font-size: 90%"
!mj. !!vozač !!konstruktor !! !!momčad (tim) !!motocikl !!bodova
|- bgcolor="gold"
|1. || Franco Morbidelli ||Kalex ||<center> 21 ||<small> EG 0,0 Marc VDS ||<small> Kalex Moto2 ||align="right"|308
|- bgcolor="silver"
|2. || Thomas Lüthi ||Kalex ||<center> 12 ||<small> Garage Plus Interwetten  CarXpert Interwetten ||<small> Kalex Moto2 ||align="right"|243
|- bgcolor="goldenrod"
|3. || Miguel Oliveira ||KTM ||<center> 44 ||<small> Red Bull KTM Ajo ||<small> KTM Moto2 ||align="right"|241
|-
|4. || Álex Márquez ||Kalex ||<center> 73 ||<small> EG 0,0 Marc VDS ||<small> Kalex Moto2 ||align="right"|201
|-
|5. || Francesco Bagnaia ||Kalex ||<center> 42 ||<small> SKY Racing Team VR46 ||<small> Kalex Moto2 ||align="right"|174
|-
|6. || Mattia Pasini ||Kalex ||<center> 54 ||<small> Italtrans Racing Team  ||<small> Kalex Moto2 ||align="right"|148
|-
|7. || Takaaki Nakagami ||Kalex ||<center> 30 ||<small> Idemitsu Honda Team Asia ||<small> Kalex Moto2 ||align="right"|137
|-
|8. || Brad Binder ||KTM ||<center> 41 ||<small> Red Bull KTM Ajo ||<small> KTM Moto2 ||align="right"|125
|-
|9. || Simone Corsi ||Speed Up ||<center> 24 ||<small> Speed Up Racing ||<small> Speed Up SF7 ||align="right"|117
|-
|10. || Hafizh Syahrin ||Kalex ||<center> 55 ||<small> Petronas Raceline Malaysia ||<small> Kalex Moto2 ||align="right"|106
|-
|11. || Xavi Vierge ||Tech 3 ||<center> 97 ||<small> Tech 3 Racing ||<small> Tech 3 Mistral 610 ||align="right"|98
|-
|12. || Dominique Aegerter ||Suter ||<center> 77 ||<small> Kiefer Racing ||<small> Suter MMX2 ||align="right"|88
|-
|13. || Fabio Quartararo ||Kalex ||<center> 40 ||<small> Pons HP40 ||<small> Kalex Moto2 ||align="right"|64
|-
|14. || Jorge Navarro ||Kalex ||<center> 9 ||<small> Federal Oil Gresini Moto2 ||<small> Kalex Moto2 ||align="right"|60
|-
|15. || Luca Marini ||Kalex ||<center> 10 ||<small> Forward Racing Team  Forward Junior Team ||<small> Kalex Moto2 ||align="right"|59
|-
|16. || Lorenzo Baldassarri ||Kalex ||<center> 7 ||<small> Forward Racing Team  Forward Junior Team ||<small> Kalex Moto2 ||align="right"|51
|-
|17. || Marcel Schrötter ||Suter ||<center> 23 ||<small> Dynavolt Intact GP ||<small> Suter MMX2 ||align="right"|50
|-
|18. || Sandro Cortese ||Suter ||<center> 11 ||<small> Dynavolt Intact GP ||<small> Suter MMX2 ||align="right"|43
|-
|19. || Axel Pons ||Kalex ||<center> 49 ||<small> RW Racing GP ||<small> Kalex Moto2 ||align="right"|27
|-
|20. || Jesko Raffin ||Klex ||<center> 2 ||<small> Garage Plus Interwetten ||<small> Kalex Moto2 ||align="right"|26
|-
|21. || Remy Gardner ||Tech 3 ||<center> 87 ||<small> Tech 3 Racing ||<small> Tech 3 Mistral 610 ||align="right"|23
|-
|22. || Isaac Viñales ||Kalex ||<center> 32 ||<small> BE-A-VIP SAG Team ||<small> Kalex Moto2 ||align="right"|18
|-
|23. || Xavier Siméon ||Kalex ||<center> 19 ||<small> Tasca Racing Scuderia Moto2 ||<small> Kalex Moto2 ||rowspan="2" align="right"|16
|-
|24. || Yonny Hernández ||Kalex ||<center> 68 ||<small> AGR Team ||<small> Kalex Moto2
|-
|25. || Stefano Manzi ||Kalex ||<center> 62 ||<small> SKY Racing Team VR46 ||<small> Kalex Moto2 ||rowspan="2" align="right"|14
|-
|26. || Tetsuta Nagashima ||Kalex ||<center> 45 ||<small> Teluru SAG Team  Teluru MOTOBUM Racing Team ||<small> Kalex Moto2
|-
|27. || Khairul Idham Pawi ||Kalex ||<center> 89 ||<small> Idemitsu Honda Team Asia ||<small> Kalex Moto2 ||align="right"|10
|-
|28. || Andrea Locatelli ||Kalex ||<center> 5 ||<small> Italtrans Racing Team ||<small> Kalex Moto2 ||align="right"|8
|-
|29. || Ricard Cardús ||Speed Up  KTM  Kalex ||<center> 88 ||<small> Speed Up Racing  Red Bull KTM Ajo  CarXpert Interwetten ||<small> Speed Up SF7  KTM Moto2  Kalex Moto2 ||align="right"|7
|-
|30. || Joe Roberts ||Kalex ||<center> 20 ||<small> AGR Team ||<small> Kalex Moto2 ||rowspan="2" align="right"|6
|-
|31. || Augusto Fernández ||Speed Up ||<center> 37 ||<small> Speed Up Racing ||<small> Speed Up SF7
|-
|32. || Alex de Angelis ||Kalex  Suter ||<center> 15 ||<small> Tasca Racing Scuderia Moto2  Dynavolt Intact GP ||<small> Kalex Moto2  Suter MMX2 ||align="right"|5
|-
|33. || Danny Kent ||Suter  Kalex ||<center> 52 ||<small> Kiefer Racing  Dynavolt Intact GP  Garage Plus Interwetten ||<small> Suter MMX2  Kalex Moto2 ||align="right"|3
|-
|rowspan="3"|34. || Edgar Pons ||Kalex ||<center> 57 ||<small> Pons HP40 ||<small> Kalex Moto2 ||rowspan="3" align="right"|2
|-
| Iker Lecuona ||Kalex ||<center> 27 ||<small> Garage Plus Interwetten ||<small> Kalex Moto2
|-
|Ikuhiro Enokido ||Kalex ||<center> 33 ||<small> Teluru MOTOBUM Racing Team ||<small> Kalex Moto2
|-
|rowspan="2"|37. || Tarran Mackenzie ||Suter ||<center> 6 ||<small> Kiefer Racing ||<small> Suter MMX2 ||rowspan="2" align="right"|1
|-
| Federico Fuligni ||Suter  Kalex ||<center> 22 ||<small> Kiefer Racing  Forward Junior Team  Forward Racing Team ||<small> Suter MMX2  Kalex Moto2
|-
|}
 u ljestvici vozači koji su osvojili bodove u prvenstvu

 Poredak za najboljeg novog vozača (rookie)
{| class="wikitable sortable" style="font-size: 90%"
!mj. !!vozač !!konstruktor !! !!momčad (tim) !!motocikl !!bodova
|- bgcolor="gold"
|1. || Francesco Bagnaia ||Kalex ||<center> 42 ||<small> SKY Racing Team VR46 ||<small> Kalex Moto2 ||align="right"|174
|- bgcolor="silver"
|2. || Brad Binder ||KTM ||<center> 41 ||<small> Red Bull KTM Ajo ||<small> KTM Moto2 ||align="right"|125
|- bgcolor="goldenrod"
|3. || Fabio Quartararo ||Kalex ||<center> 40 ||<small> Pons HP40 ||<small> Kalex Moto2 ||align="right"|64
|-
|4. || Jorge Navarro ||Kalex ||<center> 9 ||<small> Federal Oil Gresini Moto2 ||<small> Kalex Moto2 ||align="right"|60
|-
|5. || Stefano Manzi ||Kalex ||<center> 62 ||<small> SKY Racing Team VR46 ||<small> Kalex Moto2 ||align="right"|14
|-
|6. || Khairul Idham Pawi ||Kalex ||<center> 89 ||<small> Idemitsu Honda Team Asia ||<small> Kalex Moto2 ||align="right"|10
|-
|7. || Andrea Locatelli ||Kalex ||<center> 5 ||<small> Italtrans Racing Team ||<small> Kalex Moto2 ||align="right"|8
|-
|8. || Joe Roberts ||Kalex ||<center> 20 ||<small> AGR Team ||<small> Kalex Moto2 ||rowspan="2" align="right"|6
|-
|9. || Augusto Fernández ||Speed Up ||<center> 37 ||<small> Speed Up Racing ||<small> Speed Up SF7
|-
|10. || Iker Lecuona ||Kalex ||<center> 27 ||<small> Garage Plus Interwetten ||<small> Kalex Moto2 ||align="right"|2
|-
|11. || Tarran Mackenzie ||Suter ||<center> 6 ||<small> Kiefer Racing ||<small> Suter MMX2 ||align="right"|1
|-
|}
 u ljestvici vozači koji su osvojili bodove u poretku

Poredak za konstruktore
 Sustav bodovanja
Bodove za proizvođača osvaja najbolje plasirani motocikl proizvođača među prvih 15 u utrci.

{| class="wikitable"  style="font-size: 85%; text-align:center"
|-
!pozicija u utrci
|bgcolor="gold"|1. ||bgcolor="silver"|2. ||bgcolor="goldenrod"|3. ||4. ||5. ||6. ||7. ||8. ||9. ||10. ||11. ||12. ||13. ||14. ||15.
|-
!bodovi
|25 ||20 ||16 ||13 ||11 ||10 ||9 ||8 ||7 ||6 ||5 ||4 ||3 ||2 ||1
|-
|}Kalex''' prvak u poretku konstruktora.

 u ljestvici konstruktori koji su osvojili bodove u prvenstvu

Povezani članci
 Svjetsko prvenstvo u motociklizmu
 Svjetsko prvenstvo u motociklizmu – niže klase

Vanjske poveznice
  motogp.com
  motorsportstats.com, Moto2
  racingmemo.free.fr, LES CHAMPIONNATS DU MONDE DE VITESSE MOTO
  pilotegpmoto.com
  jumpingjack.nl, Alle Grand-Prix uitslagen en bijzonderheden, van 1973 (het jaar dat Jack begon met racen) tot heden.
  the-sports.org, Moto - 250 cc (Moto2)- Prize list
  motorsporttop20.com, Motorcycle Championships
  progcovers.com, Motor Racing Programme Covers / FIM Grand Prix World Championship Programmes / 500cc Class / MotoGP
  it.wikipedia.org, Risultati del motomondiale 2017

Izvori

  motogp.com, GP Results / 2017 / Moto2 / RAC, pristupljeno 20. travnja 2023.
  motogp.com, Championship Standings Moto2™ 2017, pristupljeno 20. travnja 2023.
  resources.motogp.com, Moto2 / GRAN PREMIO MOTUL DE LA COMUNITAT VALENCIANA / World Championship Classification / Rider / Constructor (konačni poredak), objavljeno 12. studenog 2017., preuzeto 20. travnja 2023.
  resources.motogp.com, Moto2 / GRAN PREMIO MOTUL DE LA COMUNITAT VALENCIANA / 2017 Rookie of the Year Classification,  objavljeno 12. studenog 2017., preuzeto 20. travnja 2023.
 resources.motogp.com, Moto2 / After the GRAN PREMIO MOTUL DE LA COMUNITAT VALENCIANA / 2017 Season Statistics - Riders (no wildcards), objavljeno 12. studenog 2017., preuzeto 20. travnja 2023.
  resources.motogp.com, After the GRAN PREMIO MOTUL DE LA COMUNITAT VALENCIANA / 017 Season Statistics - Nations, objavljeno 12. studenog 2017., preuzeto 20. travnja 2023.
  motogp.com, Statistics / 2017 / Moto2 / Grand Prix Race Winners, pristupljeno 25. travnja 2023.
  motogp.com, Statistics / 2017 / Moto2 / Riders stats / Race fastets laps, pristupljeno 25. travnja 2023.
  motogp.com, Statistics / 2017 / Moto2 / Riders stats / Grand Prix podiums, pristupljeno 25. travnja 2023.
  motogp.com, Statistics / 2017 / Moto2 / Riders stats / Poles, pristupljeno 25. travnja 2023.
  motorsportstats.com, Moto2 / 2017 / Summary, pristupljeno 25. travnja 2023.
  motorsportstats.com, Moto2 / 2017 / Calendar, pristupljeno 25. travnja 2023.
  motorsportstats.com, Moto2 / 2017 / Standings, pristupljeno 25. travnja 2023.
  motorsportstats.com, Moto2 / 2017 / Results, pristupljeno 25. travnja 2023.
  the-sports.org, Moto - Moto 2 - 2017 - Detailed results, pristupljeno 25. travnja 2023.
  the-sports.org, Moto : Results and calendar for the season 2017, pristupljeno 25. travnja 2023.
  motorsporttop20.com, FICM 250cc GRAND PRIX EUROPEAN CHAMPIONSHIP (1938-39) / FIM 250cc GRAND PRIX WORLD CHAMPIONSHIP (1949-2009) / FIM MOTO 2 WORLD CHAMPIONSHIP (2010- ), preuzeto 25. travnja 2023.
  progcovers.com, Motor Racing Programme Covers / 2017 MotoGP (FIM Grand Prix World Championship) Programmes, pristupljeno 25. travnja 2023.
  pilotegpmoto.com, PROGRAMMES 2017, preuzeto 25. travnja 2023.

2017 2 Moto2

Svjetsko prvenstvo u motociklizmu 2017. – Moto2


Munții medii sau munți mijlocii (în en. middle mountains, fr. montagnes moyennes, sp. montañas medianas, ger. Mittelgebirge, ru. среднегорье) numiți și munți de înălțime medie, munți cu altitudine medie au altitudini între 1000-2000 m (după unii autori 1500-3000 m). În România includ cea mai mare parte a Carpaților Orientali și se extind peste Carpații de Curbură, Munții Banatului și Munții Apuseni. Sunt acoperiți cu păduri, pășuni secundare și fânețe. Există munți medii și în părțile periferice ale Carpaților Meridionali: Vâlcan (800-1300 m), Platoul Dacic din Șureanu (800-1100 m), munții insulari din sudul Făgărașului (Ghițu, Frunți – de 900-1500 m), Munții Mehedinți (600-1100 m) și Cernei (cu altitudini de 800-1500 m, deși spre nord au vârfuri de 1734 m și 1929 m).

Note

Munți

Munte mediu


Olaylar

Doğumlar
 III. Urbanus, papa (ö. 1187)
 VII. Louis, Frank kralı, öncülü VI. Louis'in oğlu (ö. 1180)
 Salisburyli John, İngiliz din adamı, yazar, eğitimci ve diplomat (ö. 1180)

Ölümler
 25 Kasım - William Adelin, İngiltere Kralı I. Henry ile İskoçyalı Matilda'nın oğlu (d. 1103)
 tarihi bilinmeyen
 Roscelinus - Orta Çağ filozofu (d. 1050)

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