Rage (written as Getting It On) is a psychological thriller novel by American writer Stephen King, the first he published under the pseudonym Richard Bachman. It was published in 1977 and then it was collected in the 1985 hardcover omnibus The Bachman Books.

The novel describes a school shooting, and has been associated with actual high school shooting incidents in the 1980s and 1990s. In response, King allowed the novel to fall out of print, and, in 2013, he published a non-fiction, anti-firearms violence essay titled "Guns".

Plot summary
Charlie Decker, a Maine high school senior, is called to a meeting with his principal about a previous incident in which he struck his chemistry teacher with a pipe wrench, leading to the teacher's hospitalization and Charlie's suspension. Charlie then subjects the principal to a series of insulting remarks, resulting in his expulsion. Charlie storms out of the office and retrieves a pistol from his locker, then sets the contents of his locker on fire. He then returns to his classroom and fatally shoots his algebra teacher, Miss Jean Underwood. The fire triggers an alarm, but Charlie forces his classmates to stay in the room, killing a history teacher, Mr. Peter Vance, when he attempts to enter. As the other students and teachers evacuate the school, the police and media arrive at the scene.

Over the following four hours, Charlie toys with the authority figures who attempt to negotiate with him, including the principal, the school psychologist, and the local police chief. Charlie gives them certain commands, threatening to kill students if they do not comply. Charlie admits to his hostages that he does not know what has compelled him to commit his deeds, believing he will regret them when the standoff is over. As his fellow students start identifying with Charlie, he unwittingly turns the class into a sort of psychotherapy group, causing his schoolmates to semi-voluntarily tell embarrassing secrets regarding themselves and each other.

Interspersed throughout are flashbacks to Charlie's troubled childhood, particularly his tumultuous relationship with his abusive father Carl. Other incidents include a violent disagreement between two female students and a police sniper's attempt to shoot Charlie through the heart. However, Charlie survives due to having earlier put the combination lock from his locker into the breast pocket of his shirt, where it stops the bullet.

Charlie finally realizes that only one student is really being held against his will: a seeming "Big Man On Campus" named Ted Jones, who is harboring his own secrets. Ted also realizes this and attempts to escape the classroom, but the other students brutally assault him, driving him into a battered catatonic state. At 1:00 p.m., Charlie releases the students, but Ted is unable to move under his own power and remains. When the police chief enters the classroom, the now-unarmed Charlie feigns shooting him, attempting suicide by cop. The chief shoots Charlie, but he survives and is later found not guilty by reason of insanity and committed to a psychiatric hospital in Augusta, Maine until he can answer for his actions.

The final chapters contain an inter-office memo concerning Ted's treatment and prognosis at the hospital where he is now a patient, and a letter from one of Charlie's friends describing developments in the students' lives during the months following this incident. The story ends with Charlie addressing the reader: "That's the end. I have to turn off the light now. Good night."

Connections to actual school shootings
The plot of Rage vaguely resembles actual high school shootings and incidents of hostage-taking that have transpired since its publication. As a result, King became uncomfortable with the idea of having it remain in print, for fear that it might inspire further such occurrences ("[Rage is] now out of print, and a good thing"). The novel has been associated with several events:

Jeffrey Lyne Cox, a senior at San Gabriel High School in San Gabriel, California, took a semi-automatic rifle to school on April 26, 1988, and held a humanities class of about 60 students hostage for over 30 minutes. Cox held the gun to one student when the teacher doubted Cox would cause harm and stated that he would prove it to her. At that time three students escaped out a rear door and were fired upon. Cox was later tackled and disarmed by another student. A friend of Cox told the press that Cox had been inspired by the Kuwait Airways Flight 422 hijacking and by the novel Rage, which Cox had read over and over again and with which he strongly identified.
Dustin L. Pierce, a senior at Jackson County High School in McKee, Kentucky, armed himself with a shotgun and two handguns and took a history classroom hostage in a nine-hour standoff with police on September 18, 1989, that ended without injury. Police found a copy of Rage among the possessions in Pierce's bedroom, leading to speculation that he had been inspired by the novel.
On September 11, 1991, Ryan R Harris walked into a math class at Stevens High School in Rapid City, South Dakota, pulled out a sawed-off shotgun, and ordered the teacher to leave. The teacher complied and Harris held the rest of the class hostage for the next four hours. Harris had been inspired by Stephen King's novella Rage. Harris demanded pizza and cigarettes, which were delivered, and $1 million and a helicopter, which were not. He fired a total of 10 shots in the room, at objects such as the overhead projector and intercom. No students or faculty were injured or killed. Upon receiving the cigarettes he had demanded, Harris set down his shotgun to pull out a lighter and light his cigarette. In this moment 17-year-old senior Chris Ericks picked up the shotgun and police swarmed in bringing the stand off to an end.
On January 18, 1993, Scott Pennington, a student at East Carter High School in Grayson, Kentucky, took a .38-caliber revolver that was owned by his father and fatally shot his English teacher Deanna McDavid in the head, during her seventh-period class. He subsequently shot and killed the school's custodian Marvin Hicks and held the class hostage for 20 minutes before releasing them. Just before the shooting, he had written an essay on Rage and was upset that McDavid had given it a C grade.
In December 1997, Michael Carneal shot eight fellow students, three of them fatally, at a prayer meeting at Heath High School in West Paducah, Kentucky. He had a copy of Rage in his locker as part of the Richard Bachman omnibus. This was the incident that moved King to allow the book to go out of print.
One school shooting was compared to Rage due to inaccurate reporting. Barry Loukaitis, a student at Frontier Middle School in Moses Lake, Washington, walked from his house to the school on February 2, 1996, and entered his algebra classroom during fifth period. He opened fire on students, killing two and wounding another. He then fatally shot his algebra teacher Leona Caires in the chest. As his classmates' shock turned to panic, Loukaitis reportedly said, "This sure beats algebra, doesn't it?"—a line erroneously reported to be from Rage. (No such line appears in King's story. The closest is when Charlie Decker quips, "This sure beats panty raids.") However, subsequently, Stephen King in his essay "Guns" wrote that it was a quote from the novel. Upon hearing the gunshots, gym coach Jon Lane entered the classroom. Loukaitis was holding his classmates hostage and planned to keep one hostage to safely exit the school. Lane volunteered to be the hostage, and Loukaitis kept Lane at gunpoint with his rifle. Lane grabbed the weapon from Loukaitis, wrestled him to the ground, and then assisted the evacuation of students.

End of publication
When King decided to let Rage fall out of print in the United States, it remained available only as part of The Bachman Books. In contrast, the other novels that appeared in that compilation—The Long Walk, Roadwork, and The Running Man—are available separately in the US. Rage remained available in the United Kingdom and other countries in The Bachman Books for a time, but later appeared to become unavailable. New editions of The Bachman Books do not include Rage.

In a footnote to the preface of the novel Blaze, dated January 30, 2007, King wrote of Rage: "Now out of print, and a good thing."

King said, in his keynote address at the VEMA Annual Meeting on May 26, 1999: "The Carneal incident was enough for me. I asked my publisher to take the damned thing out of print. They concurred." King went on to describe his view on this subject, which acknowledged the role that cultural or artistic products such as Rage play in influencing individuals, particularly troubled youths, while also declaring that artists and writers should not be denied the aesthetic opportunity to draw upon their own culture—which is suffused with violence, according to King—in their work. King went on to describe his inspiration for stories such as Rage, which drew heavily upon his own frustrations and pains as a high school student.

In an article on the ominous writings of Virginia Tech shooter Seung-Hui Cho for Entertainment Weekly, King said: "Certainly in this sensitized day and age, my own college writing—including a short story called 'Cain Rose Up' and the novel Rage—would have raised red flags, and I'm certain someone would have tabbed me as mentally ill because of them..." After the Sandy Hook Elementary School shooting, he elaborated in a non-fiction essay, titled "Guns" (2013), on why he let Rage go out of print. King's website states: "All profits from 'Guns' will benefit the Brady Campaign to Prevent Gun Violence."

Notes

References

External links
Identification characteristics for first edition copies of Rage by Richard Bachman (Stephen King)—Bookpoi

1977 American novels
American novellas
American thriller novels
Novels by Richard Bachman
Novels set in Maine
Psychological thriller novels
Self-censorship
Novels set in high schools and secondary schools
Novels about mass murder
Literature controversies
Signet Books books

Rage (King novel)


රංගනය
බන්දු සමරසිංහ
දිල්හානි ඒකනායක
සෝනියා දිසානායක
රෙක්ස් කොඩිප්පිලි
ඩුක් යාසීන්
මනාෂා සිතාර රාජපක්ෂ
තක්ෂිලා මධුභාෂිණි
සුරේෂ් ගමගේ
දයානන්ද ජයවර්ධන
රවීන්ද්‍ර යසස්
සමන් හේමරත්න
ජනේෂ් සිල්වා
චතුර පෙරේරා
මානෙල් චන්ද්‍රලතා
චාන්දනී සිල්වා
ලක්මාල් ෆොන්සේකා
අර්ජුන කමලනාත්
එරික් ප්‍රැන්සිස්
ප්‍රේමදාස විතානගේ
ලාල් පීරිස්
හේමචන්ද්‍ර ගලහිටියාව
ගුණවර්ධන හෙට්ටිආරච්චි
එඩී අමරසිංහ
යූ. ඩී. ප්‍රියලාල්
කපිල සිගේරා
සිරිමත් එදිරිසිංහ
ආනන්ද විජේසිංහ
රෝයි ජයවර්ධන
ප්‍රියලාල් මෙන්ඩිස්
තිලාන් කුරුප්පු
පී. ඩී. ඩයස්
සිසිර කුමාරතුංග
ඩී. එස්. ධර්මසිරි
දීපානී ප්‍රියදර්ශනී
රෝසි ප්‍රනාන්දු
සන්ධ්‍යා හේරත්
ටෙඩී විද්‍යාලංකාර
පියතිලක අතපත්තු
සමන් අල්මේදා
රාජු ගමගේ
දෙමටගොඩ චව්වා
ශ්‍රී ලාල් සමරසේකර

ගීතයන්
ගීත ප්‍රබන්ධය - හේමසිරි හල්පිට
ගීත ගායනය - එච්.ආර්. ජෝතිපාල, ඇන්ජලින් ගුණතිලක, බන්දු සමරසිංහ,
චූටි මගෙ පොඩි පැට්ටෝ - බන්දු සමරසිංහ සහ පිරිස

නිෂ්පාදනය
ගීත හා පසුබිම් සංගීතය පටිගත කිරීම - මර්වින් බෙන්ස් (නෙකෝ)
සහාය අධ්‍යක්ෂණය සහ කලා අධ්‍යක්ෂණය - සුරේෂ් කුමාරසිංහ
කැමරා සහාය - ලලිත් තෝමස්, අජිත් ගලගෙදර, ප්‍රැන්ක්ලින් රූප්, ඒ. ඩී. ප්‍රේමදාස
අංග රචනය - රොහාන් මුදන්නායක සහාය සංජීව රුක්මල්
සටන් අධ්‍යක්ෂණය - ටෙඩී විද්‍යාලංකාර නැටුම් අධ්‍යක්ෂණය - නන්ද කුමාර
ශබ්ද පරිපාලනය - ලයනල් ගුණරත්න
ශබ්ද සහාය - විමල් රණවක,ඩබ්ලිව්. ජී. පොඩිරත්න, කේ. වී. නන්ද කුමාර, ප්‍රසන්න ධර්මප්‍රිය
රසායනාගර නිලධාරි - තිලක් අබේසිංහ
රසායනාගාර සහාය - චමින්ද එස්. පෙර්රා, රංග සමරදිවාකර, මධුර ප්‍රභාත්', නිමල් පෙර්රා, සුමිත් දිසානායක, එච්. ඒ. ඇල්බට්
අතිරේක ශබ්ද - ජෝර්ජ් මනතුංග
නිෂ්පාදන කළමනාකරණය - අනුර විජේසිරිවර්ධන (සිසිර)
නිෂ්පාදන අධිකාරි - කරු දිසානායක
නිෂ්පාදන සහාය - ප්‍රෑන්ක් කුරුකුලසූරිය
නාමාවලිය - සාලිය ඩයස්
පොලිස් ඇඳුම් සැපයුම - ශ්‍රීනාත් මල්දෙනිය
ඇඳුම් නිර්මාණය - සන්ඩ්‍රි පැෂන් හවුස්, කුසුමා සමරසේකර, ශ්‍රීලාල් සමරසේකර
කොණ්ඩා සැරසිලි - ඉන්දික උදාර ලංකා, සරත් රණවීර
ප්‍රචාරක නිලධාරීන් - චන්ද්‍ර විජේවර්ධන සිල්වා, යූ. ඩබ්. ප්‍රේමරත්න, රංජිත් කරුණාතිලක
කැමරා උපකරණ හා සංස්කරණ මැදිරිය - සෝනියා දිසා

කවුද බොලේ ඇලිස්


Sir Roger George Moore (d. 14 Ekim 1927, ö. 23 Mayıs 2017), İngiliz sinema oyuncusu. 1991 yılından itibaren ölümüne kadar UNICEF elçiliği yapmıştır. 1973 ile 1985 arasındaki 7 filmde James Bond karakterini canlandırmıştır.

Moore 23 Mayıs 2017 yılında ölmüştür.
Cenazesi yakılarak Monaco'da icra olunmuştur.

Filmografi

Kaynakça

Cenazesi yakılarak icra olunan kişiler
1927 doğumlular
Lambeth doğumlular
İngiliz erkek dizi oyuncuları
İngiliz erkek oyuncular
İngiliz erkek tiyatro oyuncuları
2017 yılında ölenler
Akciğer kanserinden ölenler
Amerika Birleşik Devletleri'nde kanserden ölenler

Roger Moore


The Annunciation (from the Latin ), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is, according to the Gospel of Luke, the announcement by the archangel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Immanuel, meaning "God is with us".

Two separate churches, both in Nazareth but around half a mile apart, are venerated as believed locations of the event – the Catholic Basilica of the Annunciation and the Greek Orthodox Church of the Annunciation.

According to Luke 1:26, the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus.
The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. A work of art depicting the Annunciation is sometimes itself called an Annunciation.

Religious sources

Gospel of Luke
The Gospel of Luke contains the longest description of the Annunciation to the Blessed Virgin Mary:

The archangel Gabriel's greeting to Mary forms the first part of the prayer Hail Mary. Mary's response to the archangel forms the second versicle and response of the Angelus prayer. Various Bible translations also give Gabriel's salutation as a variation on: "Greetings, you who are highly favored!" (Luke 1:28, NIV).

Gospel of Matthew
A separate, briefer and different annunciation is that given to Joseph in Matthew 1:18:

Apocryphal Gospel of James
There is a different version contained in the apocryphal Gospel of James, which includes a first appearance of the archangel at the well.

Manuscript 4Q246

Manuscript 4Q246 of the Dead Sea Scrolls reads:

It has been suggested that the similarity in content is such that Luke's version may in some way be dependent on the Qumran text.

In the Quran

The Annunciation is described in the Quran, in Surah Al Imran, verses 45–51:

Surah Maryam, verses , also refers to the Annunciation.

Location
Both the Roman Catholic and Eastern Orthodox Churches hold that the Annunciation took place at Nazareth, but slightly differ as to the precise location. Catholic tradition holds that the Annunciation occurred in Mary's home, while Eastern Orthodox tradition holds that it occurred at the town well, known as Mary's Well. The Basilica of the Annunciation marks the site preferred by the former, while the Greek Orthodox Church of the Annunciation marks that preferred by the latter.

Feast day

Catholicism

The feast of the Annunciation is usually held on 25 March. It is moved in the Catholic Church, Anglican and Lutheran liturgical calendars when that date falls during Holy Week or Easter Week or on a Sunday. The Eastern Orthodox Church, Oriental Orthodoxy, and Eastern Catholic Churches do not move the feast. Instead they have special combined liturgies for those years when the Annunciation coincides with another feast. In these churches, even on Good Friday a Divine Liturgy is celebrated when it coincides with the Annunciation.

When the calendar system of Anno Domini was first introduced by Dionysius Exiguus in AD 525, he assigned the beginning of the new year to 25 March since, according to Catholic theology, the era of grace began with the Incarnation of Christ. The first certain mentions of the feast are in a canon of the 656 Council of Toledo, where it is described as celebrated throughout the church. The 692 Council of Constantinople "in Trullo" forbade observance of any festivals during Lent, excepting Sunday and the Feast of the Annunciation. An earlier origin had been claimed for it on the grounds that it appeared in manuscripts of the sermons of Athanasius and Gregory Thaumaturgus but they were subsequently discovered to be spurious.

Along with Easter, 25 March was used as the New Year's Day in many pre-modern Christian countries. The holiday was moved to January 1 in France by Charles IX's 1564 Edict of Roussillon. In England, the feast of the Annunciation came to be known as Lady Day, and Lady Day marked the beginning of the English new year until 1752. Also in England, the 1240 Synod of Worcester banned all servile work during the Feast of the Annunciation, making it a day of rest.

Eastern Christianity

In the Eastern Orthodox, Eastern Catholic, and Oriental Orthodox Churches, the Feast of the Annunciation is one of the twelve "Great Feasts" of the liturgical year, and is among the eight of them that are counted as "feasts of the Lord". Throughout the Orthodox Church, the feast is celebrated on 25 March. In the churches that use the new style Calendar (Revised Julian or Gregorian), this date coincides with 25 March on the civil calendar, while in those churches using the old style Julian calendar, 25 March is reckoned to fall on 7 April on the civil calendar, and will fall on 8 April starting in the year 2100. Greek Independence Day is celebrated on the feast of the Annunciation and 25 March is also a national holiday in the Lebanon.

The traditional hymn (troparion) for the feast of the Annunciation goes back to Athanasius of Alexandria. It runs:

As the action initiating the Incarnation of Christ, the Annunciation has such an important place in Orthodox Christian theology that the festal Divine Liturgy of St. John Chrysostom is always celebrated on the feast, even if it falls on Great and Holy Friday, the day when the crucifixion of Jesus is remembered. The Divine Liturgy is celebrated on Great and Holy Friday only when the latter coincides with the feast of the Annunciation. If the Annunciation falls on Pascha (Easter Sunday) itself, a coincidence which is called , then it is celebrated jointly with the Resurrection, which is the focus of Easter. Due to these and similar rules, the rubrics surrounding the celebration of the feast are the most complex of all in Orthodox Christian liturgics.

Ephraim the Syrian taught that the date of the conception of Jesus Christ fell on 10 Nisan on the Hebrew calendar, the day in which the passover lamb was selected according to Exodus 12 (Hymn 4 on the Nativity). Some years 10 Nisan falls on 25 March, which is the traditional date for the Feast of the Annunciation and is an official holiday in Lebanon.

In art

The Annunciation has been one of the most frequent subjects of Christian art. Depictions of the Annunciation go back to early Christianity, with the Priscilla catacomb including the oldest known fresco of the Annunciation, dating to the 4th century. It has been a favorite artistic subject in both the Christian East and as Roman Catholic Marian art, particularly during the Middle Ages and Renaissance, and figures in the repertoire of almost all of the great masters. The figures of the virgin Mary and the angel Gabriel, being emblematic of purity and grace, were favorite subjects of Roman Catholic Marian art, where the scene is also used to represent the perpetual virginity of Mary via the announcement by the angel Gabriel that Mary would conceive a child to be born the Son of God.

Works on the subject have been created by artists such as Sandro Botticelli, Leonardo da Vinci, Caravaggio, Duccio, Henry Ossawa Tanner, Jan van Eyck, and Murillo among others. The mosaics of Pietro Cavallini in Santa Maria in Trastevere in Rome (1291), the frescos of Giotto in the Scrovegni Chapel in Padua (1303), Domenico Ghirlandaio's fresco at the church of Santa Maria Novella in Florence (1486), and Donatello's gilded sculpture at the church of Santa Croce, Florence (1435) are famous examples.

Music
Hans Leo Hassler composed a motet Dixit Maria, setting Mary's consent. Johann Sebastian Bach and others composed cantatas for the feast of the annunciation which is still celebrated in the Lutheran Church, such as Wie schön leuchtet der Morgenstern, BWV 1.

See also
 Angelus
 Annunciade, religious order
 Annunciation of Ustyug
 Basilica of the Annunciation
 Chronology of Jesus
 Expectation of the Blessed Virgin Mary
 Greek Orthodox Church of the Annunciation, Nazareth
 Incarnation (Christianity)
 Order of the Most Holy Annunciation
 Roman Catholic Marian art
 Perpetual Virginity of Mary

Notes

Citations

References

Further reading

External links

 The Annunciation Icons
  The Annunciation at art-threads

1st-century BC Christianity
Angelic apparitions in the Bible

Christian terminology
Gabriel
Gospel of Luke
Joyful Mysteries
Mary, mother of Jesus
Nativity of Jesus in worship and liturgy
New Testament miracles
Vulgate Latin words and phrases

Annunciation


O reacție reversibilă este un tip de reacție chimică în care reactanții formează produși de reacție ce reacționează între ei cu refacerea reactanților, până la stabilirea unui echilibru chimic (care este un echilibru de tip dinamic).

Ecuația generală a unei reacții chimice reversibile se poate scrie:

 {\mathit aA} + \mathit bB <=> {\mathit cC} + \mathit dD

Acizii și bazele slabe dau reacții de ionizare reversibile în soluție. De exemplu, acidul carbonic trece reversibil în ion hidrogenocarbonat și ion hidroniu:
H2CO3 (l) + H2O(l) ⇌ HCO−3 (aq) + H3O+(aq).

Proprietăți

Vezi și
 Echilibru chimic
 Activitate termodinamică
 Precipitare (chimie)
 Echilibru termodinamic
 Sistem termodinamic

Referințe

Reacții chimice
Cinetică chimică

Reacție reversibilă


La zona supralitoral, también conocida como la zona supramareal (, también splash zone, spray zone o supralittoral  zone), en costas y estuarios, es el área que se encuentra sobre la línea más alta de las mareas vivas y que se ve salpicada regularmente, pero que no queda sumergida por el agua del mar, que solamente llega a estas áreas elevadas durante aquellas tormentas que coincidan con las mareas altas.

Los organismos que viven en esta zona deben de lidiar también con la exposición al aire, el agua dulce de la lluvia, el frío, el calor y la depredación de animales terrestres y aves marinas.  En la parte superior de esta zona, parches de líquenes oscuros pueden aparecer como costras sobre las rocas.  Algunos tipos de  caracoles, Neritidae y detritus alimentan isopoda que comúnmente habitan en el supralitoral inferior.

Véase también
Zona litoral
Zona intermareal
Zona sublitoral

Notas

Referencias
 El artículo de la Wikipedia en inglés recoge como referencias:
 Thurman H.V. and Trujillo A.P. 1993.Essentials of Oceanography.Upper Saddle River, NJ:Prentice Hall
 Yip, Maricela and Madl, Pierre (1999) Littoral University of Salzburg.

Enlaces externos

Mareas
Accidentes costeros y oceánicos

Zona supramareal


El Campeonato de Europa sub-20 masculino de la FIBA, es una competición anual de baloncesto, de selecciones europeas masculinas de categoría sub-20 (jugadores menores de 20 años). Está organizada por FIBA Europa y se disputa desde el año 1992. Hasta 2004, se celebraba cada dos años; a partir de 2005, pasó a celebrarse cada año teniendo dos divisiones: la división A, con las mejores selecciones del continente, y la división B.

Equipos participantes
La división A, está compuesta por las siguientes selecciones:

Ediciones

Medallero
 Actualizado hasta Heraclión 2023

MVP (desde 1996)

Véase también
Eurobasket Sub-16
Eurobasket Sub-18
EuroBasket
Eurobasket Femenino Sub-20

Referencias

Campeonato Europeo de Baloncesto Masculino Sub-20


Paolina Secco Suardo, comtesse Grismondi, née le  à Bergame, morte dans la même ville le , est une poète italienne. Elle est également connue sous le pseudonyme de Lesbia Cidonia.

Biographie
Son père, le comte Bartolomeo, et sa mère, Caterina, de la famille noble des Terzi de Bergame, encouragent très tôt leur fille à étudier et à se consacrer à la poésie.

En , elle épouse le comte Luigi Grismondi. Elle fréquente les salons littéraires et s'intéresse à l'art dramatique. Elle crée une petite troupe théâtrale et, entre 1775 et 1777, séjourne à Vérone afin de se former auprès d' et de Girolamo Pompei. Dans cette même ville, elle devient l'amie du poète Ippolito Pindemonte. En partie grâce à l'appui de ce dernier, elle est élue  à l'Académie d'Arcadie, où elle prend le pseudonyme de Lesbia Cidonia, surnom peut-être suggéré par Pindemonte dans le texte , lettre en vers qu'il lui adresse.

Références

Annexes

Bibliographie
 .

Liens externes

Poétesse italienne
Poète italien du XVIIIe siècle
Écrivain italien du XVIIIe siècle
Membre de l'Académie d'Arcadie
Naissance en mars 1746
Décès en mars 1801

Paolina Secco Suardo


Blue Money heißen die Filme
 Blue Money (1984), britische Gangsterkomödie
 Blue Money, Originaltitel des US-amerikanischen Sexfilms Stoßverkehr (Film)
 Blue Money, Alternativtitel des italienischen Erotikthrillers Wallstreet Woman

Blue Money


La Copa Tarjeta Línea Propia de Telefónica CTC Chile 2003 fue una competencia amistosa de fútbol disputada dos veces en ese año y en la que participaron Colo-Colo, Everton y Universidad de Chile.

En la primera edición se enfrentaron Everton y Colo-Colo, con triunfo de este último por 3-2, mientras que en la segunda edición tuvo lugar el Superclásico, con victoria por 3-0 de Universidad de Chile. Ambos encuentros se disputaron en enero.

Equipos participantes
  Colo-Colo
  Everton
  Universidad de Chile

Primera edición
El partido, disputado en enero en el Estadio Sausalito de Viña del Mar, lo ganó Colo-Colo por 3-2, obteniendo así su segundo título de la Copa Tarjeta Línea Propia de Telefónica CTC Chile.

El cotejo fue transmitido en directo por Canal 13.

Campeón

Segunda edición
El partido, disputado en enero en el Estadio Germán Becker de Temuco, lo ganó Universidad de Chile por 3-0, obteniendo así su tercer título de la Copa Tarjeta Línea Propia de Telefónica CTC Chile.

El cotejo fue transmitido en directo por Canal 13.

Campeón

Referencias

Fútbol en 2003
Temporada 2003 de fútbol en Chile
Torneos amistosos de fútbol de Chile


Logic (født Sir Robert Bryson Hall II, 22. januar 1990) er en amerikansk rapper, sanger, streamer, forfatter og youtuber, også kendt som Young Sinatra. Hans mest populære sang er "1-800-273-8255". Logic har gennem sin karriere udgivet 8 albums og 7 mixtapes.

Logic udgav i starten af hans rap-karriere sine Young Sinatra mixtapes, som endte med at give ham en pladekontrakt hos Def Jam Recordings.Efter udgivelsen af Vinyl Days i 2022, er han ikke længere artist hos Def Jam.

Den 16. juli 2020 offentligegjorde Logic, at han gik på pension og hans sidste udgivelse ville blive albummet No Pressure, som er efterfølgeren til hans første album, Under Pressure. Logic blev dog ved med at udgive musik efterfølgende og i juni 2021 bekendtgjorde han sit comeback som rapper med singlen "Intro" Siden da, har han udgivet Bobby Tarantino III i 2021 og Vinyl Days i 2022.

Diskografi
Albums:

 Under Pressure (2014)
 The Incredible True Story (2015)
 Everybody (2017)
 YSIV (2018)
 Confessions of a Dangerous Mind (2019)
 No Pressure (2020)
 Vinyl Days (2022)

Mixtapes:

 Young, Broke and Infamous (2010)
 Young Sinatra (2011)
 Young Sinatra: Undeniable (2012)
 Young Sinatra: Welcome To Forever (2013)
 Bobby Tarantino (2016)
 Bobby Tarantino II (2018)
 Bobby Tarantino III (2021)

Soundtracks:

 Supermarked (2019)

Privatliv
Logic blev i 2015 gift med Jessica Andrea, men i marts 2018 offentliggjorde Logic via sin Twitter-profil at parret var gået fra hinanden.

I september 2019 blev han gift med Brittney Noel, som han i februar 2020 fik en søn med.

Referencer

Eksterne henvisninger

Rappere fra USA

Logic


පුරාතන ඊජිප්‍තුවේ පසුකාලීන යුගය යනුවෙන් හැඳින්වෙන්නේ තෙවන අන්තර්මධ්‍ය යුගයට පසු, පළමුවන සාම්ටික් රජු විසින් ඇරඹූ 26වන රාජවංශයේ ස්වදේශික ඊජිප්තු පාලකයන්ගේ නැගී ඒම සිදුවූ සමයයි. නමුත් මෙයට ක්‍රි.පූ. 525 දී දෙවන කැම්බයිසීස්ගේ ඊජිප්තු ආක්‍රමණයෙන් පසුව සිදුවූ ඇකිමේනීය පර්සියානු පාලන යුගය ද ඇතුළත් වේ. මෙම පසුකාලීන යුගය ක්‍රි.පූ. 664 සිට ක්‍රි.පූ. 332 තෙක් පැවති මෙම පසුකාලීන යුගයෙහි ආරම්භය සනිටුහන් වන්නේ විදේශික නුබියානු 25වන රාජවංශයේ පාලන සමය සහ කෙටිකාලීන නව-ඇසිරියානු පාලන සමයයෙන් පසුව, ඔවුන් යටතේ පාලනය කළ පළමුවන සාමිටික්ගේ නැගී ඒමත් සමඟයි. මහා ඇලෙක්සැන්ඩර් විසින් පර්සියානු අධිරාජ්‍යයය යටත් කරගැනීමෙන් පසු ඔහුගේ සෙන්පති ටොලමි I සෝටර් විසින් ටොලමියානු රාජවංශය පිහිටුවීමත් සමඟ මෙම යුගය අවසන් විය. මෙලෙසින් ක්‍රි.පූ. 4වන සියවසේ අවසන් අර්ධයේ මැසිඩෝනියානු ග්‍රීක ආක්‍රමණය සමඟ හෙලනිස්තික ඊජිප්තුව ඇරඹිණි.

ආශ්‍රේයයන්

ග්‍රන්ථාවලිය

Roberto B. Gozzoli: The Writing of History in Ancient Egypt During the First Millennium BCE (ca. 1070–180 BCE). Trend and Perspectives, London 2006,
Lloyd, Alan B. 2000. "The Oxford History of Ancient Egypt, edited by Ian Shaw". Oxford and New York: Oxford University Press. 369–394
Quirke, Stephen. 1996 "Who were the Pharaohs?", New York: Dover Publications. 71–74

ප්‍රධාන මූලාශ්‍ර
 Herodotus (Histories)
 Fragments of Ctesias (Persica)
 Thucydides (History of the Peloponnesian War)
 Diodorus Siculus (Bibliotheca historica)
 Fragments of Manetho (Aegyptiaca)

පුරාතන ඊජිප්තුවේ පසුකාලීන යුගය


Premiile Attila József sunt premii literare acordate anual scriitorilor maghiari începând din 1950. Ele poartă numele poetului maghiar Attila József. În afară de premiul Attila József, alte premii literare prestigioase acordate scriitorilor maghiari sunt Premiul Kossuth și Premiul Baumgarten.

Câștigători
 Printre laureații notabili se numără:

 Mihály Földes (1950 și 1954)
 László Németh (1951)
 Géza Képes (1952)
 Sándor Dallos (1953)
 Lajos Áprily (1954)
 Magda Szabó (1959 și 1972)
 Sándor Csoóri (1954)
 István Fekete (1960)
 Margit Szécsi (1960)
 Endre Illés (hu) (1963)
 Endre Fejes (1963)
 Béla Vihar (1966)
 János Pilinszky (1971)
 Menyhért Lakatos (1976)
 Miklós Szentkuthy (1977)
 Ágnes Gergely (1977 și 1987)
 Anna Dániel (1983)
 Zsuzsa Rakovszky (1987)
 Menyhért Lakatos (1993)
 Zsófia Balla (1996)
 Zsófia Bán (2008)
 Attila György (2011)
 László Sári (2011)

Note

Literatura maghiară

Premiul Attila József


Hamilton Dawson Jukes (né le  à Winnipeg, mort le  à San Diego) est un joueur britannique de hockey sur glace.

Biographie
Jukes grandit à Winnipeg, où il apprend le hockey sur glace.

Après sa carrière militaire, il devient ingénieur dans l'industrie pétrolière, ce qui lui donne l'occasion de longues présences en Amérique du Sud (Pérou, Colombie). Il occupe un poste de responsable des ventes en Californie au moment de sa mort, un suicide par balle.

Carrière

Militaire
En , il s'engage pour le service militaire et intègre le Corps expéditionnaire canadien et le Lord Strathcona's Horse. On l'envoie au Royaume-Uni puis sur le front occidental. Avec le grade de lieutenant, devenu invalide pour le combat en 1917, il s'installe à Newcastle upon Tyne.

Sportive
Hamilton Jukes participe au match de sélection de l'équipe de Grande-Bretagne pour les Jeux olympiques le  avec l'équipe "Rest of England" et marque un but.

Il fait partie de l'équipe nationale de Grande-Bretagne qui remporte la médaille de bronze aux Jeux olympiques de 1924 à Chamonix. Jukes marque deux fois lors du premier match britannique, une victoire 19 à 3 contre la Belgique, ce sont les seuls buts qu'il marque lors de son seul tournoi international.

Notes et références

Liens externes

Naissance en mai 1895
Naissance à Winnipeg
Décès en janvier 1951
Décès à San Diego
Décès à 55 ans
Sportif suicidé
Suicide par arme à feu aux États-Unis
Joueur canadien de hockey sur glace
Joueur international britannique de hockey sur glace
Joueur de hockey sur glace aux Jeux olympiques d'hiver de 1924
Médaillé de bronze olympique britannique
Défenseur de hockey sur glace
Militaire britannique de la Première Guerre mondiale

Hamilton Jukes


Guylaine Massoutre est une essayiste, critique culturelle et enseignante québécoise.

Biographie
Guylaine Massoutre détient un doctorat en littérature québécoise de la Sorbonne. Elle enseigne la littérature au Cégep du Vieux Montréal.

De 1997 à 2017, Guylaine Massoutre collabore au cahier Livres du Devoir. Elle est aussi critique de danse pour les Cahiers de théâtre Jeu. En plus de faire partie du comité de rédaction de la revue Spirale, elle signe des essais et des textes de création chez les Éditions Nota bene, Fides et les Éditions du Noroît.

Comme essayiste, elle fait paraître Itinéraires d'Hubert Aquin : chronologie (BQ, 1992), Escale océan (Éditions du Noroît, 2003), L'atelier du danseur (Fides, 2004), Matière noire : les constellations de la bibliothèque (Éditions Nota bene, 2013), Pavane : danse, écriture et création (Éditions du Noroît, 2017) ainsi que Nous sommes le soleil : femmes sous la dictature (Argentine 1976-1983) (Varia, 2019).

Massoutre publie également une fiction qui s'intitule Renaissances : vivre avec Joyce, Aquin, Yourcenar (Fides, 2007) dont la critique soulignera « la virtuosité de l'écriture, qui donne constamment l'impression de couler librement tel le flot de la conscience, de même que la connaissance approfondie, chez l'auteur, du monde de l'art, sous toutes ses formes, qui donne à l'ouvrage un remarquable relief ».

Récipiendaire du Prix Raymond-Klibansky (1996) ainsi que du Prix Spirale-Eva-le-Grand (2004), elle est finaliste au Prix du Gouverneur général (2020).

Œuvres

Essais
Itinéraires d'Hubert Aquin : chronologie, Saint-Laurent, BQ, 1992,
Le rivage des Syrtes, Julien Gracq, Bertrand-Lacoste, 1993, 126 p.
Escale océan, Montréal, Éditions du Noroît, 2003, n.p.
L'atelier du danseur, Montréal, Fides, 2004,
Matière noire : les constellations de la bibliothèque, Montréal, Éditions Nota bene, 2013,
Pavane : danse, écriture et création, avec des photographies de Ginelle Chagnon, Montréal, Éditions du Noroît, 2017,
Nous sommes le soleil : femmes sous la dictature (Argentine 1976-1983), avec des images de Eva Quintas, Montréal, Varia, 2019,

Fiction
Renaissances : vivre avec Joyce, Aquin, Yourcenar, Montréal, Fides, 2007,

Prix et honneurs
1996 - Récipiendaire : Prix Raymond-Klibansky (pour Itinéraires d'Hubert Aquin)
2004 - Récipiendaire : Prix Spirale Eva-Le-Grand (pour L'atelier du danseur)
2020 - Finaliste : Prix du Gouverneur général (pour Nous sommes le soleil. Femmes sous la dictature (Argentine 1976-1983)

Notes et références

Voir aussi

Articles connexes
 Hubert Aquin
 Revue Spirale
 Éditions du Noroît
 Éditions Nota Bene
 Le Devoir

Liens externes

Femme de lettres québécoise
Essayiste québécois
Écrivain suivi par le projet Arts littéraires québécois

Guylaine Massoutre


أبو إسحاق إبراهيم بن أحمد بن إسحاق المروزي هو فقيه شافعي، وأستاذ الفقه في زمانه، إمام في الفتوى والتدريس. درس الفقه علي يد أبي العباس بن سُرَيج، وكتب كتبا كثيرة. كان من أصحاب المزني وشرح مختصره. عاش أغلب عمره ببغداد –وإليه ينسب درب المروزي– ثم ذهب لمصر في أواخر عمره حيث دفن فيها.

توفي في 9 رجب سنة 340هـ، الموافق الخميس 11 ديسمبر 951 م ودفن بالقرب من مدفن الإمام الشافعي.

التعريف به وحياته
الإمام الكبير، شيخ الشافعية، وفقيه بغداد أبو إسحاق إبراهيم بن أحمد المروزي، صاحب أبي العباس بن سريج، وأكبر تلامذته.

اشتغل ببغداد دهرا، وصنف التصانيف، وتخرج به أئمة كأبي زيد المروزي، والقاضي أبي حامد أحمد بن بشر المروروذي مفتي البصرة، وعدة.

شرح المذهب ولخصه، وانتهت إليه رئاسة المذهب أي رئاسة مذهب الشافعية في مصر.

ثم إنه في أواخر عمره تحول إلى مصر، فتوفي بها في رجب في تاسعه، وقيل في حادي عشره سنة أربعين وثلاثمائة ودفن عند ضريح الإمام الشافعي ولعله قارب سبعين سنة.

وإليه ينسب ببغداد درب المروزي الذي في قطيعة الربيع.

وذكر ابن خلكان -رحمه الله - أن أبا بكر بن الحداد صاحب «الفروع» من تلامذة أبي إسحاق المروزي فلعله جالسه وناظره، وإلا فابن الحداد أسن منه، ولكنه عاش بعد المروزي قليلاً.

وذكر ياقوت الحموي في معجم البلدان أن له كتابا في أصول الفقه وكتابا في الشروط.

المصادر

أشخاص من بغداد
فقهاء عراقيون
وفيات 340 هـ
وفيات 951

أبو إسحاق المروزي


Galerija Zvonimir zagrebačka je likovna galerija.

Galerija djeluje u sastavu Odjela za kulturno-društvene djelatnosti Službe za odnose s javnošću i informiranje Ministarstva obrane Republike Hrvatske. Organizira izložbe tematski vezane uz Domovinski rat, obljetnice postrojbi te obilježavanje važnijih datuma iz novije hrvatske povijesti.

Također organizira i likovne izložbe te surađuje s drugim kulturnim ustanovama i pojedincima. Priređuje i likovne i izložbe fotografija djelatnika ili umirovljenih djelatnika Ministarstva obrane. Kao sastavni dio Ministarstva obrane ustupa prostor i za razne humanitarne akcije, izložbe i druga događanja.

Izvori
Bilješke i literatura
 Galerija "Zvonimir" , www.morh.hr, pristupljeno 14. prosinca 2017.

Vanjske poveznice
Mrežna mjesta
 Galerija Zvonimir , na mrežnim stranicama MORH-a

Umjetnički muzeji i galerije u Zagrebu

Galerija Zvonimir


Sen Yarattın Beni, Aylin Urgal'ın ilk ve tek stüdyo albümüdür.

 1- Sen Yarattın Beni
 2- Mutluyum Ben
 3- Nerelerdeydin
 4- Nedir Bu Halin
 5- Paran Pulun Senin Olsun
 6- Hasret Şarkısı
 7- Yardan Haber Yok
 8- Güneş de Doğar
 9- Al Beni
 10- Yiğit

Türkçe albümler
Pop albümleri
1977 albümleri

Sen Yarattın Beni


Dasypogonaceae, biljna porodica iz reda palmolike (Arecales) kojoj pripadaju 4 roda s ukupno 16 vrsta manjeg drveča ili grmova, rjeđe zeljastog bilja, sve u endemi iz Australije. Najpoznatiji predstavnik je Kingia australis.

Nekada je činila samostalni red Dasypogonales Doweld, 2001.

Rodovi

Sinonimi
 Calectasiaceae Endlicher

Izvori

Vanjske poveznice

 The Plant List
 Systematic Placement of Dasypogonaceae Among Commelinid Monocots: Evidence from Flowers and Fruits

Palmolike

Dasypogonaceae


Banova draga, arheološko nalazište u Bajagiću, na području Grada Sinja, zaštićeno kulturno dobro

Opis dobra
Vrijeme nastanka je od 8. do 9. stoljeća. Prigodom proširivanja mjesnog groblja u Bajagiću, na položaju Banova draga, nedaleko župne crkve sv. Nikole Putnika slučajno su otkriveni ranosrednjovjekovni grobovi. Položaj nije arheološki istražen. U grobovima su pronađeni različiti prilozi: keramičke posude, strelice, ostruge, noževi, koplja i srpovi. S obzirom na nalaze s velikom se vjerojatnošću može pretpostaviti da je riječ o grobovima s poganskim načinom pokapanja.

Zaštita
Pod oznakom Z-5025 zavedeno je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "arheološka baština".

Izvori

Zaštićene kopnene arheološke zone i nalazišta u Splitsko-dalmatinskoj županiji
Sinj

Banova draga (arheološko nalazište)


Lactococcus virus P008 is a phage specific to Lactococcus lactis, a lactic acid bacteria used in the first stage of making cheese. P008 and related species are responsible for important loss each year in cheese factories.

References

Bacteriophages

Lactococcus virus P008


Monfort Heights é um lugar designado pelo censo localizado no condado de Hamilton no estado estadounidense de Ohio. No Censo de 2010 tinha uma população de 11.948 habitantes e uma densidade populacional de 780,17 pessoas por km².

Geografia
Monfort Heights encontra-se localizado nas coordenadas . Segundo o Departamento do Censo dos Estados Unidos, Monfort Heights tem uma superfície total de 15.31 km², da qual 15.31 km² correspondem a terra firme e (0%) 0 km² é água.

Demografia
Segundo o censo de 2010, tinha 11.948 habitantes residindo em Monfort Heights. A densidade populacional era de 780,17 hab./km². Dos 11.948 habitantes, Monfort Heights estava composto pelo 90.07% brancos, 6.59% eram afroamericanos, 0.09% eram amerindios, 1.3% eram asiáticos, 0.02% eram insulares do Pacífico, 0.42% eram de outras raças e o 1.52% pertenciam a duas ou mais raças. Do total da população 0.89% eram hispanos ou latinos de qualquer raça.

Referências

Ligações externas

Regiões censitárias do Ohio
Localidades do condado de Hamilton (Ohio)

Monfort Heights (Ohio)


Edip Cansever, tam adıyla Ömer Edip Cansever, (8 Ağustos 1928, İstanbul - 28 Mayıs 1986, İstanbul), Türk şairdir. Tam adı Ömer Edip Cansever olsa da, Ömer adını ilk şiirleri ve ilk şiir kitabı dışında hiç kullanmadı.

Hayatı
8 Ağustos 1928'de İstanbul'un Fatih ilçesinin Soğanağa semtinde doğdu. Annesi ve babası, Çankırı'nın Atkaracalar köyünde doğmuşlar. Ailenin üç kız ve bir erkek, toplam 4 çocuğunun üçüncüsü olarak doğdu.

İlkokulu İstanbul'da 56'ıncı İlkokul'da tamamladı. İkinci Dünya Savaşı'nda havacı çavuş olarak İstanbul'a tayin edilen babası, askerlik vazifesini tamamladıktan sonra İstanbul'da kalmış, Kapalıçarşı'da ticaret ile iştigal ediyormuş.

Ortaokul ve liseyi 1946 yılında İstanbul Erkek Lisesi'nde tamamladı. Yüksek Ticaret Mektebi'ne kaydoldu. Aynı dönemde babasının Kapalıçarşı'daki dükkânında çalışmaya başladı. 12 Nisan 1947'de, aile dostları tarafından tanıştırıldığı Mefharet Hanım'la evlendi. Çiftin bu evlilikten, Nuran ve Ömer adını verdikleri iki çocukları oldu.

1950 yılında yedek subay olarak askerlik hizmetini tamamladı. Askerlik dönüşünde Kapalıçarşı'da babadan kalma dükkânda turistik eşya ve halı ticareti yapmaya başladı. 1954'te meydana gelen Kapalıçarşı yangınında dükkânının yanması üzerine Jak Salhoşvili ile ortak olup, asma katlı bir başka dükkâna geçti. Ortağı alım satım işlerini yönetirken, Cansever tüm zamanını asma katta okuyup şiir yazmaya ayırdı. Edip Cansever, Kapalıçarşı'da otuz yılını geçirdi ve bu zaman zarfında dokuz şiir kitabı neşredildi.

1964'te üyesi olduğu Türkiye İşçi Partisi'nden güncel politikadan anlamadığı gerekçesiyle ayrıldı. 1975 yılında Kapalıçarşı'daki antikacı dükkânını sattı ve ticârî hayatını sonlandırdı. Bundan sonraki dönemde kış aylarını İstanbul'da, yaz aylarını da Akdeniz sahillerinde geçirdi. Akdeniz'in doğasının hem ruhuna hem de sanatına yansıttığı olumlu etkiler sebebiyle 1986 yılında Bodrum'a yerleşti. Ancak Bodrum'a geldikten sadece yirmi gün sonra bir beyin kanaması geçirdi ve İstanbul'a getirildi. Acilen alındığı ameliyattan sağ çıkamayarak, 28 Mayıs 1986'da İstanbul'da öldü. 30 Mayıs 1986'da Aşiyan Mezarlığı'na defnedildi.

Edebî hayatı
Henüz ortaokul yıllarında Fatih'teki Millet Kütüphanesi'nde eski sanat dergilerini okuyup notlar alarak başlayan şiir yazma isteği, İstanbul Erkek Lisesi'nde okuduğu yıllarda artarak devam etti. Okulun Babıâli'ye oldukça yakın oluşu sebebiyle akşamüstleri Marmara, ABC ve Yokuş kitabevlerine uğrayarak yeni şiir anlayışını tutkuyla izledi. Millî Eğitim Bakanlığı yayınlarından çıkan kitaplar aracılığıyla Yunan ve Lâtin klâsiklerini, dünya edebiyatınının klasiklerini okudu. İlerleyen yaşlarında Marksizm ve sol düşünce ile tanıştı.

İlk şiiri 1944'te İstanbul dergisinde yayınlandı. Yücel, Fikirler, Edebiyat Dünyası, Kaynak dergilerinde çıkan ilk gençlik şiirlerini İkindi Üstü başlıklı kitapta topladı. Bu şiirlerde varlıklı, her şeye yaşama sevinciyle bakan bir gencin avarelikleri, duyguları ön plandaydı.

1951'de Nokta dergisini çıkardı. Bu dergi, genç şairlerle ve yazarlarla tanışmasını sağladı. İlk kitabından 7 yıl sonra yayınladığı Dirlik Düzenlik bu dönemin ürünüdür. Bu kitaptaki şiirlerde düşünceyi dil içinde eritmeye yönelen, özlü bir söyleyiş ve çarpıcı biçim arayan, toplumsal eleştiri için mizah aracını kullanan bir tutum görüldü. 1957'de yayınlanan Yerçekimli Karanfil ile kendisine özgü bir şiir evreni kurdu. İkinci Yeni akımının özgün örneklerini verdi. Yenilik, Pazar Postası, Yeni Dergi gibi dönemin sanat yayınlarında şiirsel canlılığı besleyen şairlerden biri oldu. Şiirinde zamanla sevinç yerini bunalıma, toplumsal dengesizlikleri eleştirme kaygısı yerini yıkıcı bir umutsuzluğa bıraktı. "Dize işlevini yitirdi" gerekçesiyle yeni arayışlara yöneldi. Şiirde tiyatrodan esinlenen diyaloglar kullandı. Nerde Antigone, Tragedyalar, Çağrılmayan Yakup bu dönemin ürünleridir. Yine de İkinci Yeni içindeki bazı şairler gibi anlamsızlığı savunmadı. Kapalı, anlaşılması güç, yine de anlamdan ayrılmayan bir şiire yöneldi. Çok farklı imgeler kullanırken bile düşünce öğesini göz ardı etmedi. Yapıtlarına tutarlı bir bütünlük kazandırdı. Şiirinde düzyazı olanaklarını kullanmaktan da çekinmedi. Yalnız şiirleriyle değil tepkileri ve yaşama biçimiyle de kendisinden söz ettirdi. Sürekli yazan, yayınlayan bir şair olarak ilgileri hep üstünde tuttu.

Edip Cansever'in sağlığında yayımlanan son kitabı, Oteller Kenti oldu. 1985-1986 yılları arasında yazdığı fakat yayımlanmayan şiirleri, bazı düzyazıları, hakkında yazılanlar ve bazı konuşmalar, ölümünden sonra Gül Dönüyor Avucumda (1988) başlığıyla neşredildi. 1990'da yayımlanmış tüm şiir kitapları, Yerçekimli Karanfil/Toplu Şiirleri I ve Şairin Seyir Defteri/Toplu Şiirleri II başlığıyla yeniden yayımlandı. 2005'te bütün şiirleri, Sonrası Kalır I-II başlığıyla Yapı Kredi Yayınları tarafından yayımlandı. Cansever'in çeşitli dergilerde yayımlanan, ancak şiir kitaplarına almadığı şiirleri, Mehmet Can Doğan tarafından derlendi ve 2009'da Öncesi de Kalır başlığıyla neşredildi.

Eserleri

Şiir Kitapları ve Eserleri

 1947: İkindi Üstü
 1954: Dirlik Düzenlik
 1957: Yerçekimli Karanfil
 1958: Umutsuzlar Parkı
 1959: Petrol
 1961: Nerde Antigone
 1964: Tragedyalar
 1966: Çağrılmayan Yakup
 1970: Kirli Ağustos
 1974: Sonrası Kalır
 1976: Ben Ruhi Bey Nasılım
 1977: Sevda ile Sevgi
 1980: Şairin Seyir Defteri
 1981: Yeniden
 1982: Bezik Oynayan Kadınlar
 1984: İlkyaz Şikayetçileri
 1985: Oteller Kenti
 2005: Sonrası Kalır I, Bütün Şiirleri (ISBN 978-975-08-0938-6)
 2005: Sonrası Kalır II, Bütün Şiirleri (ISBN 978-975-08-0939-4)
 2008: Gelmiş Bulundum

Düzyazı

 1987: Gül Dönüyor Avucumda (Ölümünden sonra)
 2009: Şiiri Şiirle Ölçmek: Şiir Üzerine Yazılar, Söyleşiler, Soruşturmalar. Hazırlayan: Devrim Dirlikyapan. Yapı Kredi Yayınları

Ödüller
 1958: Yeditepe Şiir Armağanı - Yerçekimli Karanfil
 1977: Türk Dil Kurumu Şiir Ödülü - Ben Ruhi Bey Nasılım
 1981: Sedat Simavi Edebiyat Ödülü - Yeniden

Ayrıca bakınız
 Mendilimde Kan Sesleri
 MEB 100 Türk Edebiyatçısı

Kaynakça

Dış bağlantılar

 Devrim Dirlikyapan'ın "İkinci Yeni Dışında Bir Şair: Edip Cansever" başlıklı tezi
 Devrim Dirlikyapan'ın "Phoenix'in Evrimi: Edip Cansever'de Dramatik Monolog" başlıklı doktora tezi
 Edip Cansever - Portreler Galerisi , TRT Belgesel

1928 doğumlular
Fatih doğumlular
İstanbul doğumlu yazarlar
İkinci Yeni şairleri
Yeditepe Şiir Armağanı
İstanbul Erkek Lisesinde öğrenim görenler
Sedat Simavi Ödülü sahipleri
Türk Dil Kurumu Şiir Ödülü sahipleri
20. yüzyıl Türk şairleri
1986 yılında ölenler
İstanbul'da ölenler
Aşiyan Mezarlığı'na defnedilenler

Edip Cansever


Spiraea prunifolia, es una especie de arbusto perteneciente a la familia de las rosáceas. Se encuentra en Japón, Corea, y China.

Descripción
Es un arbusto que alcanza un tamaño de hasta 3 m de altura. Las ramillas de color marrón rojizo, que se vuelve gris-marrón y negro-marrón cuando son viejas, delgadas, ligeramente inclinadas, pubescentes al principio, luego poco a poco glabrescentes; las yemas ovoides, pequeñas, con varias escalas, glabras. Pecíolo de 2-4 mm, pubescente; láminas de las hojas de ovadas a oblongo-lanceoladas, de 1.5-3 × 0.7-1.4 cm, pubescentes en ambas superficies, inicialmente, luego glabrescentes adaxialmente o en ambas superficies,con venas pinnadas, base cuneada, el margen  marcadamente aserrados desde la base o por encima de la media hasta el ápice. Las inflorescencias en umbelas sésiles, de 2-3 x 1,5-3 cm, con 3-6 de flores, con unas pocas hojas agrupadas en la base; pedicelos 10-24 mm, pubescente; brácteas con forma de hoja, 4-7 × 3-5 mm. Las flores con hipanto campanulado, más corto que los sépalos, pubescentes o glabros abaxialmente. Sépalos triangulares o triangular-ovadas, 1,5-2 mm, más cortos que los pétalos, ápice agudo. Pétalos blancos, obovados o suborbiculares. Los frutos en folículos glabros o pubescentes a lo largo de la sutura adaxial. Fl. Mar a mayo.

Distribución y hábitat
Se encuentra en matorrales, pendientes, rocas, acantilados escarpados, lugares secos y soleados también comúnmente cultivada (var. prunifolia ), desde el nivel del mar hasta los 1500 metros, en Anhui, Fujian, Guizhou, Guangdong, Henan, Hubei, Hunan, Jiangsu, Jiangxi, Shaanxi, Shandong, Sichuan, Taiwán, Xizang, Zhejiang en china y en Japón y Corea.

Taxonomía
Spiraea prunifolia fue descrita por Siebold & Zucc. y publicado en Flora Japonica 1: 131–132, pl. 70, en el año 1835.
Sinonimia
var. hupehensis (Rehder) Rehder
Spiraea hypericifolia var. hupehensis Rehder
var. prunifoliaSpiraea prunifolia var. plena C.K. Schneid.var. pseudoprunifolia (Hayata ex Nakai) H.L.LiSpiraea pseudoprunifolia Hayata ex Nakai var. simpliciflora (Nakai) Nakai 	Spiraea prunifolia f. simpliciflora Nakai	Spiraea simpliciflora'' (Nakai) Nakai

Referencias

Enlaces externos

 http://www.centralpark2000.com/database_shrubs/bridal_wreath.htm
 http://trees.stanford.edu/ENCYC/SPIRpru.htm

prunifolia

Spiraea prunifolia


Nagrada Grada Skradina (poznata kao "Trke priko Krke"), hrvatsko međunarodno brdsko automobilističko natjecanje. Organizira ju AK Mihovil iz Šibenika. Skradinska staza slovi kao jedna od najljepših staza u Hrvatskoj. Na ovoj utrci u svojim su kategorijama pobjeđivali Dejan Dimitrijević (Seat Leon R32T), Istvan Kavecz, Domagoj Pereković ( Mitsubishi Lancer Evo IX), Laszlo Szasz, Mario Jurišić (Opel Vectra STW 2.0), Filip Križanić-Bijelić (Mitsubishi Lancer Evo VIII), Saša Radola (Honda Civic TypeR), Duško Banjeglav (Peugeot 106 GTI 1.6), Mladen Sigurnjak (VW Golf I Gti 1.8) i dr. Rekord staze držali su Domagoj Pereković i Siniša Krainc. Nagrada se boduje u konkurenciji državnih prvenstava Hrvatske i Bosne i Hercegovine, te Kupa Bnih i Prvenstva Regije Jug HAKS-a. i dr.

Izvori

Hrvatska automobilistička natjecanja
Skradin

Nagrada Grada Skradina (automobilizam)


Mahasiddha (Sanskrit: mahāsiddha "great adept; ) is a term for someone who embodies and cultivates the "siddhi of perfection". A siddha is an individual who, through the practice of sādhanā, attains the realization of siddhis, psychic and spiritual abilities and powers.

Mahasiddhas were practitioners of yoga and tantra, or tantrikas. Their historical influence throughout the Indian subcontinent and the Himalayas was vast and they reached mythic proportions as codified in their songs of realization and hagiographies, or namtars, many of which have been preserved in the Tibetan Buddhist canon. The Mahasiddhas are the founders of Vajrayana traditions and lineages such as Dzogchen and Mahamudra.

Robert Thurman explains the symbiotic relationship between Tantric Buddhist communities and the Buddhist universities such as Nalanda which flourished at the same time.

Genealogy and historical dates
The exact genealogy and historical dates of the Mahasiddhas are contentious. Dowman (1986) holds that they all lived between 750 and 1150 CE.

Primary tradition

Abhayadatta Sri is an Indian scholar of the 12th century who is claimed to have recorded the hagiographies of the eighty-four siddhas in a text known as The History of the Eighty-four Mahasiddhas (Sanskrit: Caturasitisiddha pravrtti; ).

Dowman holds that the eighty-four Mahasiddha are spiritual archetypes:

Reynolds (2007) states that the mahasiddha tradition "evolved in North India in the early Medieval Period (3–13 cen. CE). Philosophically this movement was based on the insights revealed in the Mahayana Sutras and as systematized in the Madhyamaka and Chittamatrin schools of philosophy, but the methods of meditation and practice were radically different than anything seen in the monasteries. He proffers that the mahasiddha tradition "broke with the conventions of Buddhist monastic life of the time, and abandoning the monastery they practiced in the caves, the forests, and the country villages of Northern India. In complete contrast to the settled monastic establishment of their day, which concentrated the Buddhist intelligenzia [sic.] in a limited number of large monastic universities, they adopted the life-style of itinerant mendicants, much as the wandering Sadhus of modern India."

The charnel ground conveys how great mahasiddhas in the Nath and Vajrayana traditions such as Tilopa (988–1069) and Gorakshanath (fl. 11th – 12th century) yoked adversity to till the soil of the path and accomplish the fruit, the "ground" (Sanskrit: āśraya; ) of realization:

In his study of the Hevajra Tantra, David Snellgrove outlines the typical tantric siddha or yogi. After experiencing the consummation of enlightenment in the embrace of a female consort:
Thereafter the pupil is free to pursue the practice of strenuous meditation and physical self-control, and after five years or more he will perhaps succeed. He receives the five symbolic adornments, crown, ear-rings, necklace, bracelets, girdle, signs of his success. These he wears on those set occasions, the eighth or fifteenth day of the dark-fortnight, when perfected yogins and yoginis come together, to consume the flesh and wine, to sing and dance, and realize their consummation of bliss. He is free from all conventions and wanders as he pleases, knowing no distinction between friend or foe, clean or unclean, good or evil.

Other traditions
According to Ulrich von Schroeder, Tibet has different traditions relating to the mahasiddhas. Among these traditions, two were particularly popular, namely the Abhayadatta Sri list and the so-called Vajrasana list. The number of mahasiddhas varies between eighty-four and eighty-eight, and only about thirty-six of the names occur in both lists. In many instances more than one siddha with the same name exists, so it must be assumed that fewer than thirty siddhas of the two traditions actually relate to the same historical persons. In the days when the siddhas of the later Tibetan traditions flourished in India (i.e., between the 9th and 11th centuries), it was not uncommon for initiates to assume the names of famous adepts of the past. Sometimes a disciple would have the same name as his guru, while still other names were based on caste or tribe. In such a context the distinction between siddhas of the same name becomes blurred. The entire process of distinguishing between siddhas with the same name of different texts and lineages is therefore to large extent guesswork. The great variation in phonetic transcription of Indian words into Tibetan may partly be the result of various Tibetan dialects. In the process of copying the Tibetan transcriptions in later times, the spelling often became corrupted to such an extent that the recognition or reconstitution of the original names became all but impossible. Whatever the reasons might be, the Tibetan transcription of Indian names of mahasiddhas clearly becomes more and more corrupt as time passes.

Geographical sites
Local folk tradition refers to a number of icons and sacred sites to the eighty-four Mahasiddha at Bharmour (formerly known as Brahmapura) in the Chaurasi complex.  The word chaurasi means "eighty-four".

A number of archaeological sacred sites require iconographic analysis in the Chaurasi complex in Chamba, Himachal Pradesh. Although it might be hagiographical accretion and folk lore, it is said that in the reign of  Sahil Varman:

Caturāsiti-siddha-pravrtti

The Caturasiti-siddha-pravrtti (CSP), "The Lives of the Eighty-four Siddhas", compiled by Abhayadatta Sri, a Northern Indian Sanskrit text dating from the 11th or 12th century, comes from a tradition prevalent in the ancient city-state of Campa in the modern state of Bihar. Only Tibetan translations of this Sanskrit text seem to have survived. This text was translated into Tibetan by sMon grub Shes rab and is known as the Grub thob brgyad cu rtsa bzhi'i lo rgyus or "The Legends of the Eighty-four Siddhas". It has been suggested that Abhayadatta Sri is identical with the great Indian scholar Mahapandita Abhayakaragupta (late 11th–early 12th century), the compiler of the iconographic compendiums Vajravali, Nispannayogavali, and Jyotirmanjari.

The other major Tibetan tradition is based on the list contained in the Caturasiti-siddhabhyarthana (CSA) by Ratnakaragupta of Vajrasana, identical with Bodhgaya (Tib.: rDo rje gdan) located in Bihar, Northern India. The Tibetan translation is known as Grub thob brgyad cu rtsa bzhi'i gsol 'debs  by rDo rje gdan pa. There exist several Tibetan versions of the list of mahasiddhas based on the Vajrasana text. However, these Tibetan texts differ in many cases with regard to the Tibetan transcriptions of the Indian mahasiddhas names.

Eighty-Four Mahasiddhas

By convention there are eighty-four Mahasiddhas in both Hindu and Tibetan Buddhist traditions, with some overlap between the two lists. The number is congruent with the number of siddhi or occult powers held in the Indian Religions. In Tibetan Buddhist art they are often depicted together as a matched set in works such as thangka paintings where they may be used collectively as border decorations around a central figure.

Each Mahasiddha has come to be known for certain characteristics and teachings, which facilitates their pedagogical use. One of the most beloved Mahasiddhas is Virūpa, who may be taken as the patron saint of the Sakyapa sect and instituted the Lamdré (Tibetan: lam 'bras) teachings. Virupa (alternate orthographies: Birwapa/Birupa) lived in 9th century India and was known for his great attainments.

Some of the methods and practices of the Mahasiddha were codified in Buddhist scriptures known as Tantras. Traditionally the ultimate source of these methods and practices is held to be the historical Buddha Shakyamuni, but often it is a transhistorical aspect of the Buddha or deity Vajradhara or Samantabhadra who reveals the Tantra in question directly to the Mahasiddha in a vision or whilst they dream or are in a trance. This form of the deity is known as a sambhogakaya manifestation.  The sadhana of Dream Yoga as practiced in Dzogchen traditions such as the Kham, entered the Himalayan tantric tradition from the Mahasiddha, Ngagpa and Bonpo. Dream Yoga or "Milam" (T:rmi-lam; S:svapnadarśana), is one of the Six Yogas of Naropa.

Four of the eighty-four Mahasiddhas are women. They are:
Manibhadra, the Perfect Wife
Lakshmincara, The Princess of Crazy wisdom
Mekhala, the elder of the 2 Headless Sisters
Kanakhala, the younger of the 2 Headless Sisters

List of the Mahasiddhas

In Vajrayana Buddhism there are eighty-four Mahasiddhas. The list (in alphabetical order) below includes their name and their epithet. An asterisk after their name denotes a female Mahasiddha.

Many Mahasiddhas practiced specific tantras, for example Brahman Kukkuripa (34th in Abhyadatta's list) of Kapilaśakru practiced Cakrasaṃvara Tantra, Monk Virūpa (3) of Somapuri practiced Hevajra for 12 years, Monk Karṇaripa (Aryadeva) (18) of Nālandā practiced Guhyasamāja.

Acinta, the "Avaricious Hermit";
Ajogi, the "Rejected Wastrel";
Anangapa, the "Handsome Fool";
Aryadeva (Karnaripa), the "One-Eyed",(fl. 3rd century CE), Nalanda;
Babhaha, the "Free Lover";
Bhadrapa, the "Exclusive Brahmin";
Bhandepa, the "Envious God";
Bhiksanapa, "Siddha Two-Teeth";
Bhusuku (Shantideva), the "Idle Monk";
Camaripa, the "Divine Cobbler";
Champaka, the "Flower King";
Carbaripa (Carpati) "the Petrifyer";
Catrapa, the "Lucky Beggar";
Caurangipa, "the Dismembered Stepson";
Celukapa, the "Revitalized Drone";
Darikapa, the "Slave-King of the Temple Whore";
Dengipa, the "Courtesan's Brahmin Slave";
Dhahulipa, the "Blistered Rope-Maker";
Dharmapa, the "Eternal Student" (c.900 CE);
Dhilipa, the "Epicurean Merchant";
Dhobipa, the "Wise Washerman";
Dhokaripa, the "Bowl-Bearer";
Dombipa Heruka, the "Tiger Rider";
Dukhandi, the "Scavenger";
Ghantapa, the "Celibate Bell-Ringer";
Gharbari or Gharbaripa, the "Contrite Scholar" (Skt., pandita);
Godhuripa, the "Bird Catcher";
Goraksha, the "Immortal Cowherd";
Indrabhuti, the "Enlightened Siddha-King";
Jalandhara, the "Dakini's Chosen One";
Jayananda, the "Crow Master";
Jogipa, the "Siddha-Pilgrim";
Kalapa, the "Handsome Madman";
Kamparipa, the "Blacksmith";
Kambala (Lavapa), the "Black-Blanket-Clad Yogin";
Kanakhala*, the younger Severed-Headed Sister;
Kanhapa (Krishnacharya), the "Dark Siddha";
Kankana, the "Siddha-King";
Kankaripa, the "Lovelorn Widower";
Kantalipa,  the "Ragman-Tailor";
Kapalapa, the "Skull Bearer";
Khadgapa, the "Fearless Thief";
Kilakilapa, the "Exiled Loud-Mouth";
Kirapalapa (Kilapa), the "Repentant Conqueror";
Kokilipa, the "Complacent Aesthete";
Kotalipa (or Tog tse pa, the "Peasant Guru";
Kucipa, the "Goitre-Necked Yogin";
Kukkuripa, (late 9th/10th Century), the "Dog Lover";
Kumbharipa, "the Potter";
Laksminkara*, "The Mad Princess";
Lilapa, the "Royal Hedonist";
Lucikapa, the "Escapist";
Luipada, the "Fish-Gut Eater";
Mahipa, the "Greatest";
Manibhadra*, the "Happy Housewife";
Medhini, the "Tired Farmer";
Mekhala*, the Elder Severed-Headed Sister;
Mekopa, the "Guru Dread-Stare";
Minapa, the "Fisherman";
Nagabodhi, the "Red-Horned Thief'";
Nagarjuna, "Philosopher and Alchemist", a Brahmin, (c. 150 – c. 250 CE);
Nalinapa, the "Self-Reliant Prince";
Nirgunapa, the "Enlightened Moron";
Naropa, the "Dauntless";
Pacaripa, the "Pastrycook";
Pankajapa, the "Lotus-Born Brahmin";
Putalipa, the "Mendicant Icon-Bearer";
Rahula, the "Rejuvenated Dotard";
Saraha, the "Great Brahmin", the teacher of Nagarjuna, eastern India;
Sakara or Saroruha;
Samudra, the "Pearl Diver";
Śāntipa (or Ratnākaraśānti), the "Complacent Missionary";
Sarvabhaksa, the "Glutton";
Savaripa, the "Hunter", held to have incarnated in Drukpa Künleg;
Syalipa, the "Jackal Yogin";
Tantepa, the "Gambler";
Tantipa, the "Senile Weaver";
Thaganapa, the "Compulsive Liar";
Tilopa, the "Great Renunciate"
Udhilipa, the "Bird-Man";
Upanaha, the "Bootmaker";
Vinapa, the "Musician";
Virupa, the "Dakini Master";t neutral.
Vyalipa, the "Courtesan's Alchemist";

Names according to the Abhayadatta Sri tradition
According to Ulrich von Schroeder, Tibet has different traditions relating to the mahasiddhas. Among these traditions, two were particularly popular, namely the Abhayadatta Sri list and the so-called Vajrasana list. The number of mahasiddhas varies between eighty-four and eighty-eight, and only about thirty-six of the names occur in both lists. It is therefore also wrong to state that in Buddhism are 84 Mahasiddhas. The correct title should therefore be Names of the 84 Mahasiddhas according to the Abhayadatta Sri Tradition. It should also be clearly stated that only Tibetan translations of this Sanskrit text Caturasiti-siddha-pravrtti (CSP) or The Lives of the Eighty-four Siddhas seem to have survived. This means that many Sanskrit names of the Abhayadatta Sri tradition had to be reconstructed and perhaps not always correctly.

Identification
According to Ulrich von Schroeder for the identification of Mahasiddhas inscribed with Tibetan names it is necessary to reconstruct the Indian names. This is a very difficult task because the Tibetans are very inconsistent with the transcription or translation of Indian personal names and therefore many different spellings do exist. When comparing the different Tibetan texts on mahasiddhas, we can see that the transcription or translation of the names of the Indian masters into the Tibetan language was inconsistent and confused. The most unsettling example is an illustrated Tibetan block print from Mongolia about the mahasiddhas, where the spellings in the text vary greatly from the captions of the xylographs. To quote a few examples: Kankaripa [Skt.] is named Kam ka li/Kangga la pa; Goraksa [Skt.]: Go ra kha/Gau raksi; Tilopa [Skt.]: Ti la blo ba/Ti lla pa; Dukhandi [Skt.]: Dha khan dhi pa/Dwa kanti; Dhobipa [Skt.]: Tom bhi pa/Dhu pi ra; Dengipa (CSP 31): Deng gi pa / Tinggi pa; Dhokaripa [Skt.]: Dho ka ra / Dhe ki ri pa; Carbaripa (Carpati) [Skt.]: Tsa ba ri pa/Tsa rwa ti pa; Sakara [Skt.]: Phu rtsas ga'/Ka ra pa; Putalipa [Skt.]: Pu ta la/Bu ta li, etc. In the same illustrated Tibetan text we find another inconsistency: the alternate use of transcription and translation. Examples are Nagarjuna [Skt.]: Na ga'i dzu na/Klu sgrub; Aryadeva (Karnaripa) [Skt.]: Ka na ri pa/'Phags pa lha; and Ghantapa [Skt.]: Ghanda pa/rDo rje dril bu pa, to name a few.

Concordance lists
For the identification of individual mahasiddhas the concordance lists published by Ulrich von Schroeder are useful tools for every scholar. The purpose of the concordance lists published in the appendices of his book is primarily for the reconstitution of the Indian names, regardless of whether they actually represent the same historical person or not. The index of his book contains more than 1000 different Tibetan spellings of mahasiddha names.

Tibetan mahasiddhas

Tibetan Buddhist masters of various lineages are often referred to as mahasiddhas (grub thob chen po or tul shug). There is a long tradition of hagiographies of these Tibetan adepts, called namtar. Their deeds were first documented in the 12th century in the Vajryana text Caturasitisiddha - pravrtti.

Important Tibetan mahasiddhas include:

 Padmasambhava, who is said to have brought Buddhism to Tibet and tamed the harmful spirits of Tibet, converting them to Buddhism.
 Yeshe Tsogyal, Padmasambhava's consort
 Marpa the translator (1012–1097), a lay scholar-yogi who is a key figure in the Kagyu lineage
 Machig Labdrön (1055-1149), a female mahasiddha, the founding figure of the Chöd (Wylie: gcod) lineage.
 Milarepa (c. 11th - 12th century), a wilderness yogi, one of the most revered figures in Tibetan Buddhism
 Longchenpa, a key figure of the Nyingma school
 Je Tsongkhapa, is considered a mahasiddha in the Gelug school
 Thangtong Gyalpo
 Drukpa Kunley
 Tsangnyön Heruka "The Madman Heruka from Tsang", (1452-1507)
 Shabkar Tsokdruk Rangdrol (1781-1851)
 Jigme Lingpa, an important terton (treasure revealer)

See also

Notes

References

Citations

Works cited

Further reading
 Also in Dowman (1986).

External links
The 84 Indian Adepts of Abhayadatta System
Mahasiddha: Buddhist Tantric Teachers of India

Buddhist titles

Religious leadership roles

Mahasiddha


An Stelis rufobrunnea in uska species han Liliopsida nga syahan ginhulagway ni John Lindley, ngan ginhatag han pagkayana nga asya nga ngaran ni Louis Otho Otto Williams. An Stelis rufobrunnea in nahilalakip ha genus nga Stelis, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Stelis (Orchidaceae)

Stelis rufobrunnea


Picnic at Hanging Rock (dansk: Udflugten) er en australsk dramafilm fra 1975, instrueret af Peter Weir. Filmens manuskript er baseret på romanen med samme navn fra 1967, skrevet af Joan Lindsay. I hovedrollerne ses Vivean Gray, Dominic Guard, Anne-Louise Lambert, Helen Morse og Rachel Roberts.

Handling
Filmen fortæller om nogle skolepiger og en af deres lærere, der på mystisk vis forsvinder fra det eksklusive Appleyard College under en picnic på Hanging Rock, ved Mount Macedon. En solbeskinnet lørdag eftermiddag på Valentinsdag, den 14. februar 1900, forlader nogle af deltagerne resten af gruppen og klatrer højere op på bjerget, og de fleste af dem ses aldrig mere. Filmen behandler også den virkning, som begivenheden efterfølgende fik på det lokale samfund i delstaten Victoria, i Australien.

Om filmen
Filmen er udgivet på DVD, også i en "Directors Cut"-version, hvor Weirhar forkortede den oprindelige film på cirka 115 minutter til omkring 108 minutter.

Musik
Musikken i filmen spilles overvejende af Gheorghe Zamfir: Doina Sus Pe Culmea Dealului. Desuden anvendes uddrag af Ludvig van Beethovens klaverkoncert nr. 5 (Kejserkoncerten) (Adagio un poco mosso).

Rolleliste

 Anne-Louise Lambert - Miranda St. Clair
 Rachel Roberts - Mrs. Appleyard
 Dominic Guard - Michael Fitzhubert
 Helen Morse - Mlle. de Poitiers
 Margaret Nelson - Sara Waybourne
 John Jarratt - Albert Crundall
 Wyn Roberts - Sgt. Bumpher
 Karen Robson - Irma Leopold
 Christine Schuler - Edith Horton
 Jane Vallis - Marion Quade
 Vivean Gray - Miss McCraw
 Martin Vaughan - Ben Hussey
 Kirsty Child - Miss Lumley
 Jacki Weaver - Minnie
 Frank Gunnell - Mr. Whitehead
 Tony Llewellyn-Jones - Tom
 John Fegan - Doc. McKenzie
 Kay Taylor - Mrs. Bumpher
 Peter Collingwood - Col. Fitzhubert
 Garry McDonald - Const. Jones
 Olga Dickie - Mrs. Fitzhubert
 Jenny Lovell - Blanche

Eksterne henvisninger

 Picnic at Hanging Rock

Engelsksprogede film
Film fra 1975
Film fra Australien

Udflugten


Le Championnat du monde moins de 18 ans de hockey sur glace 2022 est la  de cette compétition de hockey sur glace organisée par la Fédération internationale de hockey sur glace. Il a lieu du 23 avril au  2022 à Landshut et Kaufbeuren, dans le sud de l'Allemagne.

Les six divisions inférieures sont disputées indépendamment du groupe élite.

Format de la compétition

Le groupe principal (Division Élite) regroupe 10 équipes réparties en deux poules de 5 qui disputent un tour préliminaire. Les 4 premiers de chaque poule sont qualifiés pour les quarts de finale et les derniers de chaque poule s'affrontent en 2 matchs gagnants où le perdant est relégué en Division IA.

Pour les autres divisions, les équipes s'affrontent entre elles et, à l'issue de la compétition, le premier est promu dans la division supérieure et le dernier est relégué dans la division inférieure, sauf en Division IIIB où il n'y a pas de relégation.

Lors des phases de poule, les points sont attribués ainsi :
 victoire : 3 points ;
 victoire en prolongation ou aux tirs de fusillade : 2 points ;
 défaite en prolongation ou aux tirs de fusillade : 1 point ;
 défaite : 0 point.

Division Élite
La Division Élite regroupe 10 équipes, réparties en deux groupes :

La Biélorussie et la Russie sont excluent de la compétition en raison de l'invasion de l'Ukraine.

Les 8 équipes restantes sont réparaties dans les 2 groupes et seront toutes qualifiées pour les quarts de finale. Le tour de relégation est supprimé et aucune équipe ne sera reléguée en Division IA.

Officiels
20 officiels ont été désignés pour officier lors de cette compétition :

Tour préliminaire

Groupe A

Matchs

Classement

Groupe B

Matchs

Classement

Phase finale

Tableau

Légende

Quarts de finale

Demi-finales

Match pour la troisième place

Finale

Classement final

Récompenses individuelles

Équipe type IIHF :
 Meilleur gardien : Hugo Hävelid (Suède)
 Meilleur défenseur : Lane Hutson (États-Unis)
 Meilleur attaquant : Logan Cooley (États-Unis)

Statistiques individuelles

Autres Divisions

Division I

Groupe A

La compétition se déroule du 11 au 17 avril 2022 à Spišská Nová Ves en Slovaquie.

Légende :

Groupe B

La compétition se déroule du 25 avril au  à Asiago en Italie.

Légende :

Division II

Groupe A

La compétition se déroule du 3 au 9 avril 2022 à Tallinn en Estonie.

Légende :

Groupe B

La compétition se déroule du 21 au 24 mars 2022 à Sofia en Bulgarie.

L'Australie et la Chine déclarent forfait en raison de la pandémie de Covid-19.

Légende :

Division III

Groupe A

La compétition se déroule du 11 au 17 avril 2022 à Istanbul en Turquie.

Légende :

Groupe B

La compétition se déroule du 17 au 22 avril 2022 à Sarajevo en Bosnie-Herzégovine.

Hong Kong et la Nouvelle-Zélande ont déclaré forfait en raison de la pandémie de Covid-19.

Comme il ne reste que 3 équipes dans le groupe, elle jouent chacune l'une contre l'autre  deux fois, leur permettant ainsi de disputer 4 matches.

Légende :

Références et feuilles de matchs

Références

Feuilles de matches (Division Élite)

Articles connexes
 Championnat du monde
 Championnat du monde junior
 Championnat du monde féminin
 Championnat du monde féminin moins de 18 ans

Liens externes

 Site web de la compétition

2022
Hockey sur glace moins de 18 ans
Monde moins 18 2022
Monde moins 18
Championnat du monde en Allemagne
Sport en avril 2022
Sport en mai 2022
Sport en Allemagne en 2022


USS Detroit may refer to:

 USS Detroit (1813), a 20-gun ship captured from the British during the Battle of Lake Erie, 10 September 1813, laid up almost immediately, and sold in 1825.
 Detroit, a screw steamer, was laid down at the New York Navy Yard in 1865 but canceled in 1866 and broken up on the stocks
  was a sloop-of-war named so from 15 May to 10 August in 1869. Before and after she was known as the first Canandaigua.
  was a cruiser in use from 1893 to 1904
  was a light cruiser in service from 1923 to 1946
  was a fast combat support ship commissioned in 1970 and decommissioned in 2005
  is a  launched in 2014 and in active service

United States Navy ship names

USS Detroit