Le calvaire de Biron est un calvaire située à Biron, dans le département français de la Charente-Maritime en région Nouvelle-Aquitaine.

Historique

Le calvaire est inscrit au titre des monuments historiques par arrêté de .

Références

Voir aussi

Articles connexes
 Liste des monuments historiques de la Charente-Maritime
 Église Saint-Eutrope de Biron

Liens externes

Monument historique inscrit en 1949
Monument historique en Charente-Maritime
Calvaire monument historique en France
Croix en Charente-Maritime

Calvaire de Biron


Academia Romana may refer to:
 Academia Romana (Italy), an Italian academy established in the 15th Century by Julius Pomponius Laetus
 Romanian Academy, known in Romanian as Academia Română, a cultural forum founded in 1866, covering the scientific, artistic and literary domains

Academia Romana


Fibrocit (lat. fibrocytus, TH: H2.00.03.0.01003 )  je vrsta stanice vezivnog tkiva. Predstavlja istu vrstu stanica kao i fibroblast, s time da je fibrocit manje aktivno, a drugo je aktivno stanje, ovisno o metabolizmu tkiva. U znanosti je tendencija oba oblika nazivati fibroblastima. Nastavak "-blast" e koristi u staničnoj biologiji radi označavanja matične stanice ili stanice u aktiviranom stanju metabolizma.

Fibrocit je neaktivna mezenhimska stanica, što znači da je stanica s najmanjom količinom citoplazme, ograničenih količina hrapave endoplazmatske mrežice i nema dostatnih biokemijskih dokaza biosinteze bjelančevina.

Fibroblast (fibrocit) stvara sve dijelove međustanične tvari, a reverzibilno prelazi u fibrocit.

Izvori

Vanjske poveznice
UIUC Histology Subject 240
MedEd na Loyoli

Stanična biologija

Fibrocit


Mahmud Gazan (5. studenog 1271. – 11. svibnja 1304.; mongolski: Газан хаан, perzijski غازان خان, sedmi vladar (ilkan) mongolske ilkanidske dinastije u Perziji. Sin je Argun-kana i unuk Abake-kana, nastavljajući liniju vladara koji vuku izravnu vezu od Džingis-kana. Smatra se najistaknutijim ilkanom. Prekinuo je prevlast budizma, dominantne religije njegovih prethodnika, i u godini kad je stupio na prijestolje prihvatio je sunitski islam. Uveo je šerijatski zakon, a i vojsku je uredio po islamskom principu. U početku je pokazivao i vjersku nesnošljivost, ali je kasnije popustio. Jedna od žena mu je bila mongolska princeza Kokečin, koju mu je poslao njegov stric Kublaj-kan.

U vrijeme svoje vladavine, neuspješno je ratovao s Mamelucima za kontrolu nad Sirijom, te s Čagatajskim Kanatom. Nastavio je diplomatske kontakte s Europom, a njegovi pokušaji da oformi mongolsko-francuski savez bili su neuspješni. Zato je uspio osnažiti gospodarstvo i razviti trgovinu. Gazan je govorio više jezika, imao je mnogo hobija i reformirao je mnoge elemente Ilhanata, posebno u pitanju standardizacije valute i fiskalne politike. Dao je izgraditi brojne džamije i ostale građevine.

Umro je 11. svibnja 1304. godine u Kazvinu, nakon duge bolesti. Budući da nije imao preživjelih sinova, naslijedio ga je brat Aldgeit.

Izvori
Gazan, Mahmud na mrežnoj stranici Hrvatske enciklopedije

Vladari
Ilhanidsko Carstvo

Gazan


عام 1950، وتحديداً في قرية تولوند الدنماركية، اكتشف شخصان كانا يستخرجان الفحم من أحد المستنقعات مومياء لرجل مضطجع داخل المستنقع، اعتقد الاثنان أنهما أمام جريمة قتل حديثة؛ لذلك قاما بإخبار الشرطة. احتار رجال الشرطة في معرفة وقت وفاة صاحب الجثة. فتم استدعاء أحد علماء الآثار الذي أكّد بعد فحصه للجثة أنها تعود لأكثر من ألفي سنة خلت. وأنها على الأرجح قد قُدّمت قرباناً للإله نيرثوس إله الخصوبة في معتقدات شمال أوروبا القديمة، حيث عُثر على العديد من الجثث في مستنقعات في عدة دول أوروبية.
كانت حالة الجثة على قدر كبير من التماسك، فقد أظهرت الفحوصات التي تمت بالأشعة السينية أن الأعضاء الداخلية مثل القلب والكبد والرئتين بحالة جيدة. وأظهر الفحص كذلك أن رجل تولوند شُنِق حتى الموت؛ حيث عثر على بقايا أثر الحبل واضحة على رقبته، وكان يرتدي
لحظة وفاته قبعة من الجلد ويرتدي حزاماً جلدياً حول خصره، أما لحيته فكانت محلوقة وشعرة قصير.

مراجع

وصلات خارجية

 Tollund Man - وجه من الدنمارك ما قبل التاريخ
 رجل تولوند على بي بي إس

 رجل تولوند و رجل تولوند في الربيع بواسطة شيموس هيني
 ناشيونال جيوغرافيك سبتمبر 2007: "حكايا من المستنقعات"
 صورة لإعادة تشكيل الوجه لبيان كيف كان شكل رجل تولوند عندما كان حيّاً

انظر أيضًا
 القديس بيز مان
 أوتزي
 مومياء

الدنمارك في 1950
أحداث مايو 1950
أحداث مايو 1950 في أوروبا
أشخاص في القرن 5 ق م
اكتشافات أثرية في 1950
اكتشافات أثرية في أوروبا
تضحية بشرية
ضحايا قتل ذكور
عصر حديدي ما قبل الروماني
منتوجات جرمانية أثرية
مواليد القرن 4 ق م
مواليد القرن 5 ق م
مومياوات
وفيات القرن 4 ق م
وفيات القرن 5 ق م
وفيات شنقا

مومياء تولوند


La Voz puede referirse a:

Prensa
La Voz (España) periódico de Madrid (España) (1920-1939).
La Voz (1920-1936), periódico de Córdoba (España) (1920-1936).
La Voz (Arizona), periódico en español de Phoenix, Arizona (Estados Unidos).
La Voz de Alcalá, periódico de Alcalá de Guadaíra, Sevilla (España).
La Voz de Almería, periódico de Almería (España).
La Voz de Avilés, periódico de Avilés (España).
La Voz de Asturias, periódico de Asturias (España) (1923-2012).
La Voz de Castilla (1910-1921) periódico de Burgos (España) (1910-1921).
La Voz de Castilla (1945-1976) periódico de Burgos (España) (1945-1976).
La Voz de Córdoba, periódico de Córdoba (España) (1981-1984).
La Voz de Houston, periódico de Houston, Texas (Estados Unidos).
La Voz de Galicia, periódico de Galicia (España).
La Voz de Liébana, periódico de Potes, Cantabria (España) (1904-1917).
La Voz del Interior, periódico de la ciudad de Córdoba (Argentina).
La Voz del Sud, periódico de Villa Mercedes, Provincia de San Luis (Argentina).
La Voz de Navarra, periódico de ideología nacionalista vasca (1923-1936).
La Voz de Miróbriga, semanario comarcal de Ciudad Rodrigo, Salamanca, Castilla y León (España).
La Voz de Cádiz, periódico regional de Cádiz (España).
La Voz de Pinares, periódico de información general y gratuito de Vilviestre del Pinar, Provincia de Burgos](España).
La Voz de Barcelona es un diario digital de Barcelona (España).
La Voz Montañesa (Santander), periódico de tendencia republicana federal de Santander (España) (1872-1895).
La Voz Montañesa (Cuba) periódico dirigido a la población cántabra (España) de Cuba (1910-1918).

Emisoras de radio
La Voz de Rusia (ruso: Голос России) (1929-), radiodifusora internacional de la Federación Rusa y sucesora de Radio Moscú antigua emisora internacional de la Unión Soviética.
La Voz de Valladolid (1936-1978), fue la segunda emisora de radio pionera en Valladolid, España.
La Voz de América (inglés: Voice of America, VOA) (1942-), servicio de radio y televisión internacional del gobierno de los Estados Unidos.
La Voz Dominicana (1943-), fue el nombre de la estación oficial de radio y televisión de la República Dominicana durante el régimen de Rafael Leónidas Trujillo. Actualmente se llama Corporación Estatal de Radio y Televisión CERTV.
La Voz de Chile (diario), diario que circuló en Santiago (Chile) durante 1862 y 1864;
La Voz de Chile (radio), emisora radial que transmitió entre 1973 y 1990.
La Voz de Yopal (1976-), emisora afiliada a RCN Radio, que transmite desde Yopal (Colombia).
La voz de Corea es el servicio exterior de radiodifusión de Corea del Norte.
La Voz (México), radiodifusora mexicana.

Programas de televisión
La voz... Argentina (2012-), programa de telerrealidad argentino.
La voz (España) (2012-), programa de cantoespañol.
La voz Colombia (2012-), programa de telerrealidad colombiano.
La voz Perú (2013-), programa de telerrealidad peruano.
La voz (México) (2011-), programa de telerrealidad mexicano.

La Voz


Euthykles ist der Name mehrerer antiker griechischer Persönlichkeiten:

Euthykles (Komödiendichter), vor dem 5. Jahrhundert v. Chr. lebender athenischer Komödiendichter
Euthykles (Bildhauer), athenischer Bildhauer der 2. Hälfte des 6. Jahrhunderts v. Chr.
Euthykles (Archon), athenischer Archon 398/97 v. Chr.
Euthykles (Gegner des Aristokrates), in der Mitte des 4. Jahrhunderts v. Chr. lebender Athener
Eurykles (Gesandter Agesilaos' II.), 366 v. Chr. spartanischer Gesandter am persischen Hof
Eurykles (Gesandter Agis' III.), 333 v. Chr. Gesandter des spartanischen Königs Agis III. bei Dareios III.
Euthykles (Trierarch), als athenischer Trierarch 330/29 bis 323/22 v. Chr. erwähnt

Euthykles


Le bolonais ou bolognais (bulgnaiṡ) est une langue gallo-italique parlé dans la région de Bologne, en Italie.
C'est une variante dialectale de l'émilien (émilien-romagnol).

L'une des premières références au bolonais en tant que langue distincte a été faite par Dante Alighieri, dans son De vulgari eloquentia, écrit au début du .

Ces derniers temps, le bolonais a connu une période de renaissance avec certains mots, tels que umarell, devenant populaire au-delà de ville de Bologne.

Références

Bibliographie

Voir aussi

Articles connexes

 linguistique
 liste de langues
 langues par famille
 langues indo-européennes
 langues italiques
 langues latino-falisques
 latin
 latin vulgaire
 langues romanes
 langues italo-romanes
 parlers gallo-italiques
 émilien-romagnol
 émilien

Liens externes

Inventaire de langues
Langue en Italie
Dialecte de l'italien
Langue en Émilie-Romagne

Bolonais


Axel Müller-Schöll (* 1960 in Stuttgart) ist ein deutscher Architekt, Innenarchitekt, Designer und Hochschullehrer.

Leben
Nach dem Besuch des humanistischen Gymnasiums und einem ausgedehnten Praktikum in einer Dorfschlosserei in Pont-l'Abbé (Bretagne) bewarb sich Axel Müller-Schöll an der Staatlichen Akademie der Bildenden Künste Stuttgart für Innenarchitektur und Möbeldesign und wurde Student der Professoren Klaus Franz, Robert Haussmann, Heinz Mohl und Arno Votteler. An der Università degli Studi di Firenze studierte er Architektur bei Adolfo Natalini, in dessen Studio (Natalini Architetti) er auch arbeitete.

Während dieser Zeit in Florenz gründete er sein eigenes Büro, das Studio Paretaia – benannt nach der Casa Colonica, in der er während dieser Zeit wohnte. Mit kleineren Umbauten und zahlreichen Wettbewerbsteilnahmen professionalisierte sich das Studio sukzessive und siedelte 1989 nach Stuttgart um, wo er es heute zusammen mit seiner Frau Susanne führt und sich mit Architektur, Innenausbauten, Ausstellungskonzepten, Möbeldesign und der Beratung von Unternehmen beschäftigt.

Mit der Rückkehr nach Stuttgart nahm er eine Assistenz an der Staatlichen Akademie der Bildenden Künste Stuttgart an der Fachgruppe Architektur und Design bei Arno Votteler an und konzipierte mit ihm zusammen am heutigen Weißenhof-Institut mehrere Ausstellungs- und Publikationsprojekte. Nach Gastprofessuren an der École Nationale supérieure des Beaux-Arts de Lyon und Academie of Art and Design Peking wurde Axel Müller-Schöll 1994 als Professor für Entwerfen, Innenarchitektur und Ausbaukonstruktion an die Burg Giebichenstein Kunsthochschule Halle berufen.

1999 gründete er im Fachbereich Design das idea... Institut (Institute for interior design, environment and architecture), das unter seiner Leitung experimentelle und vor allem interdisziplinäre Projekte betreibt, den gestalterischen Nachwuchs fördert und zu übergeordneten Fragen der Gestaltung und den Potenzialen von Räumen publiziert. Von 2002 bis 2006 war Axel Müller-Schöll Dekan des Fachbereichs Design und von 2010 bis 2014 leitete er die Burg Giebichenstein Kunsthochschule Halle als deren Rektor.

Er lebt und arbeitet in Stuttgart, Fiesole und in Halle (Saale).

Axel Müller-Schöll ist der Sohn von Albrecht Müller-Schöll.

Werk (Auswahl)
 Architektur / Innenarchitektur
 Künstlerische Leitung für Globana Village (Re-Design, Vision und Konzepte für das Mitteldeutsche Modezentrum, Airport Hotel und Forum) Leipzig/Schkeuditz
 Farbkonzeption für die Werkshallen des BMW-Werk Leipzig (Intuitive Orientierung mittels Farbe)
 Hauptgeschäftsstelle des Diakonischen Werks der EKD in Stuttgart (Umbau und "Neuinterpretation" eines Verwaltungsgebäudes aus den 1960er Jahren)
 Haus für zwölf Gäste in Wiechs a. Randen (Neubau in denkmalgeschützter Umgebung)
 Umnutzung des ehemaligen Trafogebäudes im UNESCO-Weltkulturerbe Völklinger Hütte in Völklingen zum Eingangsgebäude und Museumsshop
 Haus P. in Stuttgart (Umbau und "Dynamisierung" eines Altbaus)
 Bibliothek und Atelier in Stuttgart (Anbau und "Neuinterpretation" eines Gebäudes aus den 1930er Jahren)

 Ausstellungsarchitektur
 Die Sächsische Nacht, 14.000 Jahre Geschichte in Sachsen im Museum für Vor- und Frühgeschichte, Sachsen, Japanisches Palais zu Dresden
 GaraGe, Industrie- und Handwerkmuseum, Technologiezentrum und Gründerzentrum für Jugendliche, Leipzig/Plagwitz
 Das Doppelte und mehr, Beitrag der Bundesrepublik Deutschland zur XIX. Esposizione Internazionale della Triennale di Milano 1995

 Produktdesign
 Altera, Corporate Safe-Programm, Format-Tresorbau
 Prouvé, Massivholz-Tisch-Programm Prouvé, Holzmanufaktur Stuttgart
 Siestina, Recamiere Draenert, 1992 (im Besitz des Landesmuseum Baden-Württemberg)
 Favorite, Tablettisch, Ausstellungsbeitrag 1997 (im Besitz des Institut für Auslandsbeziehungen)

Publikationen
  Ausbau und dergleichen. Werkbericht, dt/engl. av-edition Stuttgart 2020, ISBN 978-3-89986-337-6.
  Die Burg und BMW. In: Moderne in der Werkstatt. Ausstellungskatalog des Kunstmuseums Moritzburg Halle (Saale), 2015, ISBN 978-3-86105-100-8.
 "Passt schon". Architecture parlante – spricht Architektur auch Dialekt? In: Matthias Götz, Maike Fraas (Hrsg.): Vom Fehler. Schwabe Verlag, Basel 2015, ISBN 978-3-7965-3419-5.
 (Her-) Ausstellen! in: Rudolf Schricker (Hrsg.): Ausgezeichnete Innenarchitektur Callwey, München 2014, ISBN 978-3-7667-2120-4.
 MANUskript / Essentials für den Alltag von Innenarchitekten und Designern. 2., erweiterte und überarbeitete Auflage. Birkhäuser Verlag, Basel/ Boston/ Berlin 2010, ISBN 978-3-0346-0598-4.
 MANUscript / Essentials for the Everyday Use of Interior Architects and Designers. 2., erweiterte und überarbeitete Auflage. Birkhäuser Verlag, Basel/ Boston/ Berlin 2010, ISBN 978-3-7643-7820-2.
 mit Michael Krohn: Formfächer / Formguide. (idea...Institut/Burg Giebichenstein) av-edition, Stuttgart 2010, ISBN 978-3-89986-121-1.
 The colours are a-changin. In: Cumulus Working Papers Saint-Etienne. Kyriiri Oy, Helsinki 2009, ISBN 978-951-558-289-8.
 Wo sich die Pioniere treffen. In: ach. Ansichten zur Architektur Nr. 38. Institut für Öffentliche Bauten, Universität Stuttgart, 2009.
 Von Äpfeln, Birnen und anderen gefühlten Vergleichen. In: Matthias Götz (Hrsg.): Villa Paragone/Ausstellen. Schwabe Verlag, Basel 2008, ISBN 978-3-7965-2421-9.
 mit Hermann Weber (Hrsg.): Heimat.  idea... Institut der Burg Giebichenstein, Halle 2004, ISBN 3-86019-043-1.
 Heimat Yurt. Goethe-Institut. Ankara 2004.
 Mein kleiner Planet. étapes:95/avril, Paris 2003.
 Die Farbe des Schatten. In: Matthias Götz (Hrsg.): Schatten, Schatten / Der Schatten-das älteste Medium der Welt. Schwabe Verlag, Basel 2003, ISBN 3-7965-2016-2.
 Zwischen Tür und Angler. In: Dietmar Danner (Hrsg.): Einverleibt. Alexander Koch Verlag, Stuttgart 2003.
 mit Axel Kufus: smart services – better railing. Publikation der Bauhaus-Universität Weimar, des idea... Institutes an der Burg Giebichenstein HKD Halle und der Deutschen Bahn AG, 2002.
 Auf familiären Spuren. In: Stephan Isphording: Einfamilienhäuser umbauen und erweitern. Callwey, München 2001, ISBN 3-7667-1465-1.

Weblinks
 Webseite des Studio Paretaia, abgerufen am 16. März 2012
 Webseite der Burg Giebichenstein Kunsthochschule Halle, abgerufen am 16. März 2012
 Webseite zur Publikation MANUskript, abgerufen am 16. März 2012
 Rezension zur Publikation MANUskript, abgerufen am 16. März 2012

Architekt (Stuttgart)
Innenarchitekt
Designer
Hochschullehrer (Burg Giebichenstein Kunsthochschule Halle)
Deutscher
Geboren 1960
Mann

Axel Müller-Schöll


أندريس دي أوردانيتا  هو ملاح وناسك أسباني (ولد في غيبوثكوا إسبانيا 30 نوفمبر 1498 – وتوفي في مكسيكو 3 يونيو 1568) تولى مهمة الإبحار إلى الغرب عبر المحيط الهادي للبحث عن أفضل طريق نحو الشرق وساهم في استعمار الفلبين.

درس أوردانيتا اللاتينية والفلسفة، لكنه تيتم بعد موت والده واضطر لأن يكرس نفسه للحياة العسكرية، وحصل على رتبة نقيب في الحروب الإيطالية. عاد إلى إسبانيا حيث بدأ دراسة الرياضيات وعلم الفلك، ما جعله يميل لحياة البحار، الأمر الذي أقنعه بمرافقة المستكشف غارثيا خوفري دي لوايسا في بعثة إلى جزر الملوك عام 1525. وبقي هناك لإحدى عشرة سنة. عاد بعدها إلى أوروبا وحط بسفينته في لشبونة. وهناك قصة تقول أن الحكومة البرتغالية حاكمته بعد أن روى قصة رحلته البحرية عن الجزر عندما عبر إسبانيا الجديدة، إلا أن أن المؤرخين الحديثين لا يقبلون بهذه القصة لما بها من تناقضات. لم يحسن الملك شارل الخامس استقباله، وكانت مغامراته العديدة قد أنهكته، فعاد إلى مدينة المكسيك ودخل جماعة الأخوية الأغسطينية.

مات نائب الملك لويس دي فيلاسكو في عام 1564، وانتقل حكم إسبانيا الجديدة إلى حكومة عامة، وكانت أهم أولويات الحكومة الجديدة هي تجهيز بعثة لغزو واستعمار الجزر الفلبينية. كان الملك فيليب الثاني قد أمر بإعداد البعثة في عام 1559، وقام بتعيين أوردانيتا كقائد، وكان نائب الملك يبحث في المسألة في زمن موته. اعتبر أوردانيتا ملاحا عظيما، وكتب فيليب الثاني رسالة يحث فيها أوردانيتا على الانضمام للبعثة، وعرض عليه القيادة. وافق أوردانيتا على مرافقة البعثة ولكنه رفض استلام القيادة، وتم تعيين دون ميجيل لوبيز دي ليغازبي كقائد للحملة. تكونت البعثة من سفينة «كابيتانا» التي حملت على متنها ليغاسبي وأوردانيتا، والسفن الشراعية «سان بابلو» و«سان بيدرو»، والسفن «سان خوان» و«سان لوكاس»، وأبحرت في 21 نوفمبر 1564.

وصل أوردانيتا إلى جزيرة سيبو في الفلبين في أبريل 1565 حيث بنى ارسالية هناك، بقي الفريق لفترة من الوقت في الفلبين. قرر ليغاسبي أن يبقى، وأرسل أوردانيتا لكي يعود ويبحث عن طريق أفضل من الذي أتوا منه ويرسل بطلب المساعدة من إسبانيا الجديدة للمستعمرة الفلبينية. أبحر أوردانيتا من جزيرة سيبو في يوليو 1565، وكان ملزما بالإبحار حتى خط عرض 36 شمالا ليستفيد من الرياح المواتية. تسلم أوردانيتا القيادة شخصيا، ومات في هذه الرحلة أربعة عشر فردا من طاقمه، وعندما وصلت السفينة إلى ميناء أكابولكو في 3 أكتوبر 1565، كان الطاقم بأكمله منهكا، وكان أوردانيتا وفيليب دي سالسيدو، ابن أخ ليغاسبي، هما فقط من كانت لهما القوة الكافية لإلقاء المراسي. انطلق أوردانيتا من المكسيك إلى أوروبا ليرقم تقريره عن البعثة، وعاد إلى إسبانيا الجديدة وهو ينوى الاستمرار إلى الفلبين، لكن أصدقاءه أقنعوه بالعدول عن الأمر. كتب أوردانيتا سجلان يروي فيهما قصة رحلته؛ روى في أحدهما قصة حملة لوايزا في جزر الملوك وتم نشر هذا السجل لاحقا؛ ويروي السجل الآخر رحلة عودته من الفلبين، وهو موجود على شكل مخطوطة ومحفوظ في أرشيف جزر الهند. وفتح باستعماره الفلبين جميع الأسواق الشرقية أمام منتجات البيرو والمكسيك.

مصادر

أشخاص من إسبانيا الجديدة
أشخاص من مستعمرة الفلبين الإسبانية
أشخاص من مقاطعة غيبوثكوا
الأوغسطينية
الاستعمار المكسيكي
جزر الهند الشرقية الإسبانية في القرن 16
الكنيسة الرومانية الكاثوليكية في الفلبين
الهند الشرقية الإسبانية
إسبان في القرن 16
بحارة طافوا حول الأرض
رومان كاثوليك إسبان
قساوسة كاثوليك رومانيون في القرن 16
مستكشفو آسيا
مستكشفون إسبان للمحيط الهادئ
مستكشفون باسكيون
مستكشفون في القرن 16
مواليد 1498
مواليد 1508
مواليد في أورديثيا
وفيات 1568
وفيات في مدينة مكسيكو

أندريس دي أوردانيتا


Olderup Sogn (på tysk Kirchspiel Olderup) er et sogn i det sydvestlige Sydslesvig, tidligere i Sønder Gøs Herred (Husum Amt), nu i kommunerne Arlevad og Olderup i Nordfrislands Kreds i delstaten Slesvig-Holsten.

I Olderup Sogn findes flg. stednavne:
 Arlevad (Arlewatt)
 Arlevadgaard
 Arlevadhede el. Hedehusene
 Arlevadmark
 Grønsil
 Karlskro (Karlskrug)
 Olderup
 Olderup Mark el. Olderupmark

Litteratur
 M. Mørk Hansen og C. L. Nielsen: Kirkelig Statistik over Slesvig Stift med historiske og topografiske bemærkninger, 3. bind, Kjøbenhavn 1864, s. 41
 Jens Peter Trap: Statistisk-topographisk beskrivelse af hertugdømmet Slesvig, Kjøbenhavn 1864, s. 238

Eksterne henvisninger
 Olderup Menighed / Kirchengemeinde Olderup

Sogne i Sydslesvig

Olderup Sogn


Boogie Woogie er en virksomhedsfilm fra 1961 instrueret af Bent Barfod efter eget manuskript af Bent Barfod.

Handling
Tegnefilm om natur, sø og mennesket. Animationsreklame for motorer, der sejrer over havguden.

Referencer

Eksterne henvisninger

Danske film fra 1961

Virksomhedsfilm fra Danmark

Boogie Woogie


Un monoclu este un tip de lentilă de corecție utilizată pentru a corecta sau îmbunătăți vederea la un singur ochi. El este format dintr-o lentilă circulară, în general, cu un inel de sârmă în jurul circumferinței, care poate fi atașat de un șnur sau de o sârmă. Celălalt capăt al șnurului este atașat apoi de purtător la un articol de îmbrăcăminte pentru a evita pierderea monoclului. Anticarul Philipp von Stosch a purtat un monoclu la Roma în anii 1720 cu scopul de a examina îndeaproape gravurile și pietrele gravate vechi, dar monoclul a devenit un accesoriu purtat de domni abia în secolul al XIX-lea. El a fost introdus în vestimentația dandy-lor în anii 1790 ca un articol de modă.

Purtători
La sfârșitul secolului al XIX-lea și începutul secolului al XX-lea monoclul a fost, în general, purtat de bărbații bogați din clasa superioară. Combinat cu o redingotă și cu un joben, monoclul completa costumul capitalistului tipic al anilor 1890. Monoclurile au fost, de asemenea, accesorii purtate de ofițerii Armatei Germane din această perioadă, mai ales din Primul Război Mondial și din Al Doilea Război Mondial. Printre ofițerii germani cunoscuți că au purtat un monoclu se află Hans Krebs, Werner von Fritsch, Erich Ludendorff, Walter Model, Walter von Reichenau, Dietrich von Saucken, Hans von Seeckt și Hugo Sperrle.

Monoclurile erau destul de răspândite la sfârșitul secolului al XIX-lea, dar sunt rareori purtate astăzi. Acest lucru se datorează, în mare parte, progresele obținute în optometrie care permite o mai bună măsurare a erorii de refracție, astfel încât ochelarii și lentilele de contact pot fi avea dioptrii diferite la fiecare ochi.

Monoclul a câștigat, totuși, mai mulți adepți în cercurile lesbiene elegante de la începutul secolului al XX-lea, atunci când lesbienele îl purtau pentru a atrage atenția. Printre femeile care l-au purtat se numără Una Lady Troubridge, Radclyffe Hall și reporterița germană Sylvia von Harden. (Pictura Portretul jurnalistei Sylvia Von Harden al pictorului expresionist german Otto Dix o prezintă purtând un monoclu.)

Mai multe personalități celebre au purtat monoclu: politicienii britanici Joseph Chamberlain, fiul lui Austen, Henry Chaplin, Angus Maude, Percy Toplis (Răzvrătitul cu monoclu), fondatorul Pakistanului, Mohammed Ali Jinnah, președintele portughez António de Spínola, cineaștii germani Fritz Lang și Erich von Stroheim, celebrul scriitor portughez din secolul al XIX-lea Eça de Queiroz, scriitorul sovietic Mihail Bulgakov, actorul Conrad Veidt, dadaiștii Tristan Tzara și Raoul Hausmann, ezoteristul Julius Evola, politicianul colaboraționist francez Louis Darquier de Pellepoix, poetul Alfred Lord Tennyson, cântărețul Richard Tauber, diplomatul Christopher Ewart-Biggs (a purtat un monoclu cu sticlă fumurie pentru a-și ascunde ochiul de sticlă), maiorul Johnnie Cradock, actorii Ralph Lynn, George Arliss și Martyn Green și Karl Marx. În altă ordine de idei, G. E. M. Anscombe a fost una dintre puținele femei care au purtat, ocazional, un monoclu. Printre celebrii purtători de monoclu din secolul al XXI-lea se află astronomul Sir Patrick Moore și fostul boxer Chris Eubank. Pictorul expresionist Barnett Newman a purtat monoclu în principal pentru a observa mai atent operele de artă. Richard Tauber purta un monoclu pentru a masca strabismul la un ochi.

Note

Moda secolului al XX-lea
Ochelari

Monoclu


Le ministère des finances était un département du gouvernement italien, fusionné en 2001 avec le ministère du trésor, du budget et de la planification économique pour former le ministère de l'économie et des finances.

Histoire
Le ministère des finances a été organisé pour la première fois en 1866, dans le cadre du processus de réorganisation des institutions antérieures à l'unification. En 1877, les compétences relatives à la comptabilité et aux biens de l'État sont confiées à un nouveau ministère, le ministère du Trésor, tandis que le ministère des Finances conserve les fonctions relatives à la fiscalité. Les deux ministères sont à nouveau fusionnés en 1922 et séparés en 1944 ; en 1947, après une nouvelle fusion, ils sont tous deux reconstitués.

En 1991, l'organisation interne du ministère des finances a été profondément réformée. Elle était organisée en trois départements et une direction générale :
 Le département des finances, chargé d'assurer les services de gestion, de recouvrement et de contentieux de tous les impôts directs et indirects de l'État, ainsi que de toutes les autres recettes de l'État et des collectivités locales qui ne sont pas expressément attribuées à d'autres organismes ;
 Le département des douanes et des impôts indirects, dont les compétences sont fixées par des dispositions légales spécifiques ;
 Le département du territoire, qui était chargé du cadastre et des services techniques de l'État, des services relatifs à la gestion productive des biens de l'État et des services de conservation des registres fonciers ;
 La Direction générale des affaires générales et du personnel.

La réforme Bassanini de 1999 a introduit une vaste réforme du ministère des finances et de l'administration fiscale. Tout d'abord, le législateur a créé les agences fiscales, auxquelles ont été transférées les fonctions précédemment exercées par les départements des recettes, des douanes et des terres, ainsi que les fonctions connexes exercées par d'autres bureaux du ministère : l'agence des recettes, l'agence des douanes, l'agence des terres et l'agence des biens d'État ont été créées. Deuxièmement, les bureaux du ministère étaient articulés dans une structure départementale unique, le département des politiques fiscales, spécifiquement prévu dans le cadre réglementaire ultérieur.

En 2001, lorsque le ministère de l'économie et des finances est devenu opérationnel, la structure organisationnelle du ministère des finances a été fusionnée avec celle du ministère du trésor, du budget et de la planification économique (qui avait lui-même été créé en 1998 par l'unification du ministère du trésor et du ministère du budget et de la planification économique) : les cinq départements du nouveau ministère coïncidaient donc avec les structures départementales des deux ministères fusionnés.

Liste des ministres
 Liste des ministres italiens des Finances du Royaume d'Italie à la République italienne.

Références

Source

Lien externe
 (PDF) sur le site legxiv.camera.it.

Finances
Italie
Italie

Ministère des Finances (Italie)


Bucovina de Sud (în ) este denumirea părții de sud a provinciei istorice a Bucovinei, care se află în prezent în România. Cealaltă parte a Bucovinei, Bucovina de Nord, se află în prezent pe teritoriul regiunii Cernăuți din statului Ucraina, divizarea regiunii fiind un efect al ocupării parțiale a acesteia de către Uniunea Sovietică la 28 iunie 1940, după semnarea pactului Ribbentrop-Molotov.

Vezi și
 Bucovina de Nord
 Evacuarea Bucovinei de Sud
 Moldova Occidentală

Județul Suceava
Moldova Occidentală
Bucovina
Județul Botoșani
Regiuni divizate

Bucovina de Sud


Jacques-Henri Laffite (Pariz, Francuska, 21. studenog 1943.) je bivši vozač Formule 1.

U Formuli 1 natjecao se od 1974. do 1986., te u 180 utrka osvojio 6 pobjeda, 7 prvih startnih mjesta i najbržih krugova utrke, 32 podija, te ukupno 228 osvojenih bodova.

Formula 1

Frank Williams Racing Cars (1974. – 1975.)
Laffite je prvi nastup u Formuli 1 upisao na VN Njemačke 1974., za momčad Frank Williams Racing Cars koja je koristila Iso-Marlboro šasiju i Fordov V8 motor. Sljedeće 1975. vozi za istu momčad, ali ovog puta Williams dizajnira vlastitu šasiju. Na stazi gdje je prošle godine ostvario prvi nastup, ove godine 2. mjestom ostvaruje prvi podij i prve bodove u Formuli 1.

Ligier (1976. – 1982.)

Sljedeće 1976. Laffite dolazi u novonastalu francusku momčad Equipe Ligier. Prve dvije utrke odustaje, a na trećoj osvaja prve bodove za Ligier. Na VN Belgije donosi momčadi prvi podij, a još se dva puta, na VN Austrije i VN Italije, penje na pobjedničko postolje. U sezoni 1977., prvi put pobjeđuje u Formuli 1, na stazi Anderstorp na VN Švedske. Na VN Nizozemske utrku završava na 2. mjestu. S 18 bodova na kraju prvenstva, sezona je nešto manje uspješnija nego prethodna. 1978. u sedam utrka uspjeva osvojiti bodove, a na Jarami i Nürburgringu osvaja 3. mjesto. Sezona 1979. je prva u kojoj Laffite ima momčadskog kolego tokom cijele godine. Riječ je o Francuzu Patricku Depailleru, kojeg je kasnije zamijenio Jacky Ickx. Laffite je odlično ušao u sezonu, te u prve dvije utrke, na VN Argentine i VN Brazila, ostvario dvije pobjede. No do kraja sezone više nije pobjeđivao iako je još osvojio četiri podija. Za sljedeću 1980., momčadski kolega mu je Didier Pironi, a Laffite ostvaruje jednu pobjedu te ukupno pet podija. Sezona 1981., vrhunac je Laffitove karijere u Formuli 1. Ligier je te sezone prešao na Matrine motore, a Laffite, iako nije dobro počeo sezonu, u nastavku s ukupno sedam podija i dvije pobjede na VN Austrije i VN Kanade bio konkurent za naslov prvaka do zadnje utkre. Posljednju utrku na Caesars Palaceu završio je na 6. mjestu, a naslov je pripao Nelsonu Piquetu. Sezone 1982., Laffite je skupio tek pet bodova.

Williams (1983. – 1984.)
Laffite je 1983. potpisao za momčad Franka Williamsa. Momčadski kolega mu je bio aktualni svjetski prvak, Finac Keke Rosberg. No Laffite se nije najbolje snašao u novoj momčad. U utrkama koje je završio, uglavnom je osvajao bodove, ali bez ijednog podija i pobjede, dok je Rosberg pobijedio na VN Monaka, te osvojio još jedan podij. S 11 bodova, Laffite je završio na 11. mjestu. Sljedeća 1984. bila je još gora. Osvojio je bodove jedino na dvije VN SAD-a u Detroitu i Dallasu, i s 5 bodova završio na 14. mjestu u ukupnom poretku vozača.

Ligier (1985. – 1986.)
Povratkom u Ligier, Laffite se preporodio. Momčad nije bila tako uspješna kao početkom 80-ih, ali je Laffite uspjeo ostvariti tri podija, što mu u Williamsu nije pošlo za rukom u dvije sezone. Sezonu 1985. je završio na 9. mjestu sa 16 bodova. Sljedeće 1985., Laffite je počeo 3. mjestom na Velikoj nagradi Brazila. U Detroitu je utrku završio na drugom mjestu. Na Brands Hatchu, došlo je do velikog sudara na startu, u kojem je sudjelovalo desetak vozača, među kojima i Laffite. Utrka je prekinuta, a Laffite je otpremljen u bolnicu zbog loma nogu. VN Velike Britanije bila je posljednja utrka u karijeri Formule 1 za Laffitea.

Natjecanje u ostalim kategorijama
Laffite je devet puta nastupao na utrci 24 sata Le Mansa. Prvi put 1972., a posljednji put 1995. Najbolji rezultat ostvario je 1974. kada je u svojoj kategoriji bio peti, a u ukupnom poretku osvojio 8. mjesto. U Formuli 2 natjecao se od 1974. do 1978., a naslov prvaka osvojio je 1975. Nakon Formule 1, proveo je tri sezone u DTM-u te ostvario jednu pobjedu.

U listopadu 2008. testirao je Renault R27 na Paul Ricardu u Francuskoj. Radio je kao televizijski komentator na francuskoj televeziji TF1, a često zaigra i golf kao veliki ljubitelj tog sporta.

Sažetak karijere

Izvori

Na današnji dan-Jacques Laffite  Autoportal, objavljeno 21. studenog 2012. Pristupljeno 9. travnja 2017.

Vanjske poveznice
Jacques Laffite na racing-reference.com
Jacques Laffite F1 statistika na statsf1.com

Francuski vozači Formule 1

Jacques Laffite


එහි ප්‍රමුඛ අධිවාචක වූ  තෝමස් ජෙෆර්සන් අනුව යමින් නම් ලද, ජෙෆර්සනියානු ප්‍රජාතන්ත්‍රවාදය යනු, 1790 ගණන් සිට 1820 ගණන් දක්වා එක්සත් ජනපදය තුල ක්‍රියාත්මකවූ ප්‍රධාන දේශපාලන දර්ශනයන් හා ව්‍යාපාරයන් දෙක අතුරින් එකකි. මෙම පදය පොදු වශයෙන් භාවිතා වූයේ,  ඇලෙක්සැන්ඩර් හැමිල්ටන්ගේ  ෆෙඩරලිස්ට් පක්ෂයට විරුද්ධ ලෙසින් ජෙෆර්සන් විසින් ඇරඹූ  ඩිමොක්‍රටික්-රිපබ්ලිකන් පක්ෂය සඳහාය.ප්‍රජාතන්ත්‍රවාදය හා දේශපාලන ඉඩ ප්‍රස්තාවෙහි සමානාත්මතාවය කෙරෙහි ජෙෆර්සනියානුවෝ  විශ්වාසය පල කර සිටි අතර, විශේෂයෙන්ම  "සුළු ඉඩම් හමි ගොවියා" සහ "සාමාන්‍ය ජනතාව" පිළිබඳ ප්‍රමුඛත්වය ලබා දිය යුතු බව සිතූහ.

ජෙෆර්සනියානු ප්‍රජාතන්ත්‍රවාදය


Usa er en 34 km lang tysk flod i delstaten Hessen. Det er en biflod til Wetter som den løber sammen med tæt på Friedberg. Usingen og Bad Nauheim ligger også ved Usa. Usa er en del af Rhin-systemet via Wetter, Nidda og Main.

Floder i Hessen

Usa (flod i Taunus)


Eric Jeremy Edgar Dier (fæddur 15. janúar 1994) er enskur knattspyrnumaður sem spilar með Tottenham Hotspur  og enska landsliðinu.

Enskir knattspyrnumenn
fólk fætt árið 1994

Eric Dier


Pom, das treue Fohlen (französischer Originaltitel: Pom, le Poulain) ist ein französisch-belgischer Tierfilm unter der Regie von Olivier Ringer aus dem Jahr 2006.

Handlung
In den Ardennen werden auch in heutiger Zeit noch Pferde in der Waldarbeit eingesetzt, um die schweren Baumstämme zu den Lastwagen zu ziehen. Im Familienbetrieb, der vom kaum volljährigen Juniorchef Patrick und seinem Vater geleitet wird, gehört Ardennerstute Mirabelle zu den besten Pferden. Sie ist mit der schweren Arbeit vertraut und führt als Leitpferd die anderen Pferde beim Transport der Stämme an. Sie hat vor kurzer Zeit ihr erstes Fohlen, Pom, zur Welt gebracht, das der ganze Stolz des früheren Baumfällers Julien ist. Der alte Mann kann nicht mehr mit seinen Händen arbeiten, kümmert sich jedoch sensibel um die Pflege der Pferde, die ihm am Herzen liegen. Damit gerät er immer häufiger in Konflikt mit Patrick, der kein Gespür für Pferde hat. Als die Pferde nach langer Schicht eine Pause brauchen und einen schweren Baumstamm nicht mehr vom Fleck bewegen können, will Patrick sie zum Weiterziehen zwingen. Durch seine unbeherrschte, aggressive Art bringt er die Pferde zum Scheuen, den Baumstamm zum Abrutschen und gefährdet damit die an den Baum gebundenen Pferde. Patrick selbst wird bei dem Manöver verletzt. Er muss ins Krankenhaus und beschuldigt vor seinem Vater Mirabelle, die ihn verletzt habe. Sie sei seit der Geburt von Pom gefährlich geworden. Sein Vater, der Patrick nach dem frühen Tod seiner Frau allein aufziehen musste und ihm inzwischen nicht mehr gewachsen ist, gibt nach. Er fordert Julien auf, Mirabelle ins Schlachthaus zu bringen, doch kann Julien durchsetzen, dass Mirabelle stattdessen an einen Wohnwagenvermieter als Zugpferd verkauft wird.

Pom ist nun ein verwaistes Fohlen. Er wurde von Mirabelle noch gesäugt und nimmt die von Julien zubereitete Ersatzmilch nicht an. Patrick quält das Fohlen, indem er es zwangsweise an das Halfter gewöhnen will. Der Chef wiederum verbietet Julien, Pom zu Mirabelle zu bringen, doch wird das Fohlen in kürzester Zeit so schwach, dass es nicht mehr aufstehen kann. Der Tierarzt meint, dass es jeden Lebenswillen verloren habe, und gibt das Tier auf. Julien packt Pom auf einen Wagen und fährt zum Wohnwagenverleih. Mirabelle ist jedoch als Wohnwagenzugpferd seit einigen Tagen mit einer Familie unterwegs. Wohin, weiß der Wohnwagenverleiher nicht. Julien beginnt mit der Suche. Mirabelle konnte sich unterdessen bei einer Rast losreißen und begibt sich auf den Weg zu ihrem Fohlen. Polizisten versuchen vergeblich, die gesichtete Stute zu fangen. Sie kehrt zu einer Weide im Wald zurück, wo Julien mit Pom und den anderen Pferden übernachtet. Pom begrüßt seine Mutter erfreut und bricht aus der Weide aus. Auch die anderen Pferde verlassen das umzäunte Gelände. Am nächsten Morgen findet Julien nur ein Pferd unweit der Weide. Er begibt sich auf die Suche nach den anderen, die für die Holzarbeit gebraucht werden.

Patrick, der die Leitung über die Holzfäller hat, glaubt, dass Julien die Pferde freigelassen habe. Schon lange sucht er nach einem Grund, Julien zu entlassen. Er findet Julien auf einer Wiese bei Mirabelle und Pom, die beim Anblick von Patricks Geländewagen die Flucht ergreifen. Patrick fährt ihnen hinterher und treibt die Tiere in einen Sumpf. Pom bleibt stecken. Patrick bindet Mirabelle mit einem Seil an seinen Geländewagen und treibt das Pferd bei hohem Tempo hinter sich her. Pom lässt er zum Sterben zurück, doch gelingt es Julien, das Fohlen aus dem Sumpf zu retten. Auf dem Rückweg sieht er Patricks Geländewagen über einem Abgrund. Gehalten wird der Wagen, in dem Patrick sitzt, nur noch von Mirabelle, die sich gegen das Seil stemmt, wie sie es bei der Waldarbeit gelernt hat. Sie ist am Ende ihrer Kräfte und Julien droht, das Seil zu durchschneiden, sei ihm doch die Stute wichtiger. Erst nach einer Weile erhört er Patricks Flehen. Mit seinem Reitpferd, Mirabelle und Pom gelingt es, den Wagen vom Abgrund zu ziehen. Mirabelle bricht kurz darauf zusammen. Obwohl Patrick weinerlich seinen Gesundheitszustand beklagt, verpflichtet Julien ihn, sich um Mirabelle zu kümmern, die ihr Leben für ihn riskiert hat. Er geht unterdessen Hilfe holen. Wenig später kommt ein Rettungshubschrauber zum Unfallort. Patrick ist geläutert. Als der Sanitäter ihn ins nächste Krankenhaus bringen will, besteht er darauf, dass stattdessen Mirabelle mitgenommen und behandelt wird. Einige Zeit später ist die Stute genesen und darf zurück auf die Weide zu Pom, der sie freudig begrüßt.

Produktion
Pom, das treue Fohlen wurde 2005 in den Ardennen in Wallonien gedreht. Es war das Spielfilmdebüt des belgischen Regisseurs Olivier Ringer. Die Filmbauten schuf Patrick Dechesne, die Kostüme stammen von Nathalie Leborgne. Die Filmmusik wurde vom Orchestre Symphonique Bel'Arte unter der Leitung von Richard Boudarham eingespielt.

Der Film erlebte am 19. Juli 2006 in Belgien seine Premiere und lief am 4. August 2006 erstmals auf dem Lama Film Festival in Frankreich. In Deutschland erschien der Film am 3. Dezember 2008 direkt auf DVD und lief am 31. Dezember 2009 im ZDF erstmals im deutschen Fernsehen.

Kritik
Der film-dienst nannte Pom, das treue Fohlen einen "Tierfilm als solide Familienunterhaltung, der von tierischen Ur-Instinkten und -Bedürfnissen erzählt: Botschaften, die auch bei den Menschen ankommen." Für 3sat war es ein "zu Herzen gehender Tierfilm aus Frankreich."

Weblinks

Einzelnachweise

Filmtitel 2006
Belgischer Film
Französischer Film
Pferd im Film
Kinderfilm

Pom, das treue Fohlen


The League of the Three Emperors or Union of the Three Emperors () was an alliance between the German, Russian and Austro-Hungarian Empires, from 1873 to 1887. Chancellor Otto von Bismarck took full charge of German foreign policy from 1870 to his dismissal in 1890. His goal was a peaceful Europe, based on the balance of power. Bismarck feared that a hostile combination of Austria-Hungary, France, and Russia would crush Germany. If two of them were allied, then the third would ally with Germany only if Germany conceded excessive demands. The solution was to ally with two of the three. In 1873 he formed the League of the Three Emperors, an alliance of the Kaisers of Germany and Austria-Hungary and the Tsar of Russia. Together they would control Eastern Europe, making sure that restive ethnic groups such as the Poles were kept in control. It aimed at neutralizing the rivalry between Germany's two neighbors by an agreement over their respective spheres of influence in the Balkans and at isolating Germany's enemy, France. The Balkans posed a more serious issue, and Bismarck's solution was to give Austria predominance in the western areas, and Russia in the eastern areas.

The first League of the Three Emperors was in effect from 1873 to 1878. A second one was established June 18, 1881, and lasted for three years. It was renewed in 1884 but lapsed in 1887. Both alliances ended because of continued strong conflicts of interest between Austria-Hungary and Russia in the Balkans. The second treaty provided that no territorial changes should take place in the Balkans without prior agreement and that Austria could annex Bosnia and Herzegovina when it wished; in the event of war between one party and a great power not party to the treaty, the other two parties were to maintain friendly neutrality.

Bismarck was able to temporarily preserve ties with Russia in the Reinsurance Treaty of 1887; but, after his dismissal, this treaty was not renewed, and a Franco-Russian alliance developed.

First agreement (1873)

On 22 October 1873, Bismarck negotiated an agreement between the monarchs of Austria-Hungary, Russia and Germany. The alliance sought to resurrect the Holy Alliance of 1815 and act as a bulwark against radical sentiments that the rulers found unsettling. It was preceded by the Schönbrunn Convention, signed by Russia and Austria–Hungary on 6 June 1873.

Policy

Bismarck often led the League as it assessed challenges, centred on maintaining the balance of power among the states involved and Europe at large. The cornerstone of his political philosophy included preserving the status quo and avoiding war. Despite German victory in the Franco-Prussian War of 1870–1871, violence remained fresh in the new state's memory and made Germany reluctant to antagonize France but keen as ever to limit its power.

According to the coalition, radical socialist bodies like the First International represented one of the other key threats to regional stability and dominance. The League actively opposed the expansion of its influence.

The League also met crisis in the Eastern Europe, where Bulgarian unrest elicited violent reaction from the Ottoman forces there, which, in turn, met with horror from observing states. The account of the insurrection from an Englishman, Sir Edwin Pears, describes the gruesome atrocities and reveals British surprise at their extent.

First dissolution (1878)

The collective initially disbanded in 1878 over territorial disputes in the Balkans as Austria-Hungary feared that Russian support for Serbia might ultimately ignite irredentist passions in the Slav populations. Russian authorities, likewise, feared insurrection if a Pan-Slavist movement gained too much power.

The body's first conclusion in 1879 gave way to the defensive Dual Alliance between Austria-Hungary and Germany to counter potential Russian aggression. In 1882, Italy joined the agreement to form the Triple Alliance.

Revival (1881–1887)

The Treaty of Berlin (1878) made Russia feel cheated of its gains in the Russo-Turkish War. Its key role in European diplomacy was not, however, forgotten by Bismarck. A more formal Three Emperors' Alliance was concluded on 18 June 1881. It lasted for three years, and was renewed at Skierniewice in 1884, but lapsed in 1887. Both alliances ended because of conflicts between Austria-Hungary and Russia in the Balkans. To preserve a common understanding with Russia, Germany signed the mutual Reinsurance Treaty in 1887.

Although the Russians considered it humiliating and prevented them using their Black Sea Fleet elsewhere, the closure of the Straits to foreign warships, included in the treaties of 1881 and 1884, meant there was little reason to maintain their fleet in the Black Sea.

See also
 Holy Alliance
 Eight-Nation Alliance
 International relations (1814–1919)
 Three Emperors' Corner

References

Sources

 Langer, William. European Alliances and Alignments 1870–1890 (2nd ed. 1950), pp. 197–212
 Medlicott, W. N. "Bismarck and the Three Emperors' Alliance, 1881-87," Transactions of the Royal Historical Society Vol. 27 (1945), pp. 61–83 online
 Meyendorff, A. "Conversations of Gorkachov with Andrassy and Bismarck in 1872," The Slavonic and East European Review (1929) 8#23 pp. 400–08. in JSTOR
 Schroeder, Paul W. "Quantitative Studies in the Balance of Power: An Historian's Reaction," The Journal of Conflict Resolution (1977) 21#1 pp. 3–22. in JSTOR
 Taylor, A.J.P. The Struggle for Mastery in Europe 1848–1918 (1954)

1873 in Austria-Hungary
1873 treaties
1873 in Germany
1873 in the Russian Empire
19th-century military alliances
Treaties of Austria-Hungary
Treaties of the German Empire
Treaties of the Russian Empire
Military alliances involving Austria-Hungary
Military alliances involving the German Empire
Military alliances involving Russia
Austria-Hungary–Germany relations
Austria-Hungary–Russia relations
Germany–Russia relations

League of the Three Emperors


أنطونيو رودريغيز مارتينيز  (مواليد 17 ديسمبر 1979 في أليكانتي - إسبانيا) لاعب كرة قدم إسباني يلعب حاليا لصالح نادي الدرجة الثانية ريال سرقسطة الإسباني منذ 2014 في مركز حارس مرمى .

مراجع

وصلات خارجية

لاعبو كرة قدم رجالية إسبان
حراس مرمى كرة قدم رجالية
أشخاص على قيد الحياة
لاعبو الدوري الإسباني
لاعبو الدوري الإسباني الدرجة الثانية
لاعبو الدوري الإسباني الدرجة الثانية ب
لاعبو راسينغ سانتاندير
لاعبو رايو فايكانو
لاعبو ريكرياتيفو
لاعبو فالينسيانا
لاعبو كرة قدم إسبان
لاعبو نادي إلتشي
لاعبو نادي إيركوليس
لاعبو نادي غرناطة
لاعبو نادي مالقا
مواليد 1979
لاعبو كرة قدم من لقنت

أنطونيو رودريغيز مارتينيز


වෙනත් ක්‍රියාකාරී තැන්

විකිපීඩියාවේ සහෝදර ව්‍යාපෘති

විකිපීඩියා භාෂා

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</div>

මුල් පිටුව/Test 2


باروك أو الباروك
قرية لبنانية في قضاء الشوف في جبل لبنان.
تقع قرية الباروك في أعالي تلال الشوف على ارتفاع بين 1000 و1200 متر عن سطح البحر، على سفح جبل الباروك.
تشكل الباروك أحد المراكز السياحية والطبيعية الأفضل في قضاء الشوف كذلك على صعيد لبنان ككل.
يبلغ عدد سكان الباروك حوالي خمسة آلاف نسمة، موزعين على عائلات محمود، حلاوي، الحكيم، كرباج، البستاني، الينطاني، العماطوري، الحلبي، نخلة، حداد، أبو شهلا. معظم سكان الباروك من الموحدون الدروز والمسيحيين خصوصاً من الموارنة والروم الكاثوليك الملكيين.

في الباروك مدرسة رسمية واحدة، مستشفى حكومي واحد ومستوصفين وعدد من المنظمات الاهلية.

في آصل كلمة الباروك: تقول المراجع ان اصل كلمة الباروك يعود إلى واقعة مرور قوافل التجارة عبر البلدة منذ القدم، وكانت الجمال والحيوانات حين تمر بالباروك «تبرك» أي ترتاح عند النبع حيث المياه العذبة والبرودة الطبيعية، لذلك صارت تسمّى الباروك من «برك».

مميزات الباروك:
تشكل الباروك مركز اصطياف مميز في قضاء الشوف كونها تقع على سفح جبل الباروك الذي يضم أكبر محمية طبيعية للأرز اللبناني cidrus libani في لبنان والتي تشكل آخر امتداد للأرز اللبناني في القسم الجنوبي من الكرة الارضية. ففيها أكبر غابة أرز في لبنان تبلغ مساحتها أكثر من 600 هكتار من الارز.

بالإضافة إلى الارز، تنبع من الباروك عدد من الينابيع، أبرزها نبع الباروك الذي يشكل عند مصبه على البحر المتوسط نهر الاولي، أحد أطول إنهار لبنن. كما إن نبع الباروك يؤمن مياه الشفة لكافة بلدات وقرى قضاء الشوف وقضاء عاليه والساحل الجنوبي من بيروت وحتى صيدا.
اشتهرت الباروك زراعيا بزراعة التفاح اللبناني الشهير بطعمه السكري وشكله الجميل، كما ازدهرت فيها زراعة الفواكه على آنواعها، وكانت سابقاً فيما مضى تشتهر بزراعة العنب والتين والكرز، إذ كان في الباروك ما يقارب السبعة معاصر للعنب، والعديد من مطاحن القمح الذي كان أهل البلدة يزرعونه في سفوح الجبل وعلى الروابي المحيطة. وما زالت هنالك ثلاثة مطاحن شاهدة على عصر الوئام بين الإنسان والمحيط الطبيعي.
من الباروك ظهر العديد من المشاهير، وأبرزهم شاعر الوطن، رشيد بك نخلة، الذي وضع النشيد الوطني اللبناني (كلنا للوطن) والذي برز في الزجل اللبناني. إلى جانب رشيد نخلة برز اسم أمين رشيد نخلة أو شاعر القرية الذي ألّف العديد من الدواوين الشعرية والنثريات الجميلة والعذبة. كما برز من الباروك الشيخ أبو حسن عارف حلاوي، أحد المراجع الدينية الابرز في لبنان خلال القرن العشرين والذي تحول منزله حيث يرقد مزاراً يتبارك منه المؤمنون. هذا إلى جانب العديد من الشخصيات التي لعبت دورا على الصعيدين الشوفي والوطني.

ميزة الباروك الاساسية انها نموذج مصغّر عن الوطن اللبناني. ففيها غابة الارز، الشعار الوطني للبنان ولكل لبناني ولكل محب للوطن الصغير. كما ان للباروك الفخر في إنشاد النشيد الوطني من كلمات رشيد نخلة، ابنها البار الذي تربى في آزقتها الصغيرة وشرب من نبعها فكانت كلماته عرفان الباروك للوطن الكبير.
كما ان الباروك تحفظ العيش اللبناني الاصيل، فيها كنيستين للمسيحيين ومجلسين للدروز، وتمّت فيها أول مصالحة وطنية بعد انتهاء الحرب اللبنانية.

المراجع

مواقع خارجية
 الباروك
 محمية ارز الشوف

أماكن مأهولة في قضاء الشوف
أماكن مأهولة في لبنان
تجمعات الروم الملكيين في لبنان
تجمعات درزية في لبنان
تجمعات مارونية في لبنان
مواقع جذب سياحي في لبنان

باروك (لبنان)


Hebert Silva Santos (født 23. maj 1991) er en brasiliansk fodboldspiller, som spiller for den japanske fodboldklub JEF United Chiba.

Referencer

Eksterne henvisninger

Fodboldspillere fra Brasilien

Hebert Silva Santos


El Teatro Principal es un teatro situado en la calle Mayor, n.º 25, de la localidad cántabra de Reinosa (España). Presenta un aforo de 391 localidades, divididas en una sala con palcos y anfiteatro. La fachada del edificio está compuesta por cinco arcos de sillería de medio punto formando unos soportales.

Construido a finales del , abrió sus puertas al público en 1893. Después de ser reacondicionado por el Ayuntamiento de Reinosa, y reinaugurado el 7 de septiembre de 1991, el propio Ayuntamiento es el encargado de su gestión, programando tanto obras de teatro como otras actividades musicales o cinematográficas. Entre otras, destacan las siguientes actividades:
 Muestra Escolar de Teatro (mayo y junio).
 Certamen Nacional de Teatro de Aficionados "Ciudad de Reinosa" (octubre y noviembre).
 Temporada de Teatro de Otoño (noviembre y diciembre).

El Teatro Principal cuenta además con un cine comercial, abierto de septiembre a julio, en el que se realiza un ciclo de cine europeo, además de programar cine comercial. La Filmoteca de Cantabria también realiza ciclos de películas en versión original subtitulada.

Referencias
 Web del Ayuntamiento de Reinosa

Enlaces externos

Arquitectura de Reinosa
Principal
Arquitectura en Cantabria en el siglo XIX

Teatro Principal (Reinosa)


Esta é a lista que reúne as primeiras-damas e os primeiros-cavalheiros do estado do Paraná.

O termo é usado pelo cônjuge do(a) governador(a) do Paraná quando este(a) está exercendo os plenos direitos do cargo. Em uma ocasião especial, o título pode ser aplicado a outra pessoa, quando o(a) governador(a) é solteiro(a) ou viúvo(a). A atual primeira-dama é Luciana Saito Massa, esposa do 57.º governador paranaense Ratinho Júnior.

Ver também

 Lista de governadores do Paraná
 Lista de cônjuges dos governadores das unidades federativas do Brasil

Primeiras-damas do estado do Paraná
Listas de primeiras-damas

Lista de primeiras-damas do estado do Paraná


Vladimir Ivanovici Valuțki (în ) () a fost un scenarist sovietic și rus. Artist emerit al RSFS Ruse (1987). Între anii 1964 și 2013 a scris un număr de 60 de scenarii.

Primii ani
Vladimir s-a născut în Moscova, RSFS Rusă într-o familie mixtă ruso-poloneză. Tatăl său, Ivan Ivanovici (Janovich) Valuțki, s-a mutat din Polonia la Moscova, la începutul Primului Război Mondial, împreună cu mama lui, Maria Ivanovna Valuțkaia, și cu fratele său, Ștefan. A studiat ingineria și a construit aerodromuri în timpul Marelui Război pentru Apărarea Patriei, apoi a lucrat la Gosplan și în diferite ministere. Mama lui Vladimir, Galina Vasilievna Valuțkaia (născută Kolceva), a fost casnică. Părinții ei — Vasili Alexeevici Kolcev și Julietta Ivanovna Racimanova, amândoi proveniți din clasa muncitoare — au sosit la Moscova din guberniile Riazan și Tula.

Valuțki a început să practice scenaristică în timpul școlii când el și cu prietenii lui urmăreau multe filme realizate în timpul războiului. În 1956 el a intrat la VGIK pentru a studia scenaristica sub îndrumarea lui Valentin Turkin. În timpul studiilor a întâlnit-o pe Alla Demidova, care era studentă la Institutul de Teatru Boris Șciukin, și s-a căsătorit cu ea în anul 1961. În același an, el și alți câțiva studenți au fost exmatriculați de la institut în urma unui mare scandal: s-a aflat că ei au scris o parodie a unei piese de teatru revoluționare în care apărea Vladimir Lenin. Vladimir a reușit mai târziu să se înscrie înapoi la VGIK și în cele din urmă a absolvit studiile în 1964 (la cursul lui Evgheni Gabrilovici).

Cariera
A scris în colaborare piesa de teatru Fallen and Alive pentru noul Teatru Taganka, unde soția sa era o actriță principală, deși cenzura a interzis ca romanul său să fie jucat pe scena de teatru. După absolvire s-a cunoscut cu Vitali Melnikov, un tânăr regizor care era în căutarea unui scenarist pentru comedia sa de debut. The Head of Chukotka a fost produs în 1966 și a avut un succes moderat (15,7 milioane de spectatori), dar i-a impulsionat cariera popularului actor de comedie Mihail Kononov. A început, de asemenea, o colaborare de durată între Valuțki și Melnikov. În patru ani ei au făcut un alt film de comedie — Cele șapte mirese ale lui Efreitor Zbruev care s-a transformat într-unul din succesele comerciale ale anului 1971 (locul 11 cu 31,2 milioane de spectatori). Ei au produs în total patru filme între 1966 și 1987.

Valuțki a lucrat în mod regulat cu Igor Maslennikov. Între 1969 și 2009 ei au realizat șapte filme împreună, inclusiv popularul serial TV  Aventurile lui Sherlock Holmes și ale dr. Watson. Serialul Winter Cherry a fost populară la sfârșitul anilor 1980 și s-a clasat pe locul 4 în topul serialelor sovietice cu 32.1 milioane de spectatori, câștigând mai multe premii la Festivalul Unional de Film din 1986 și având parte de două continuări. În martie 2016 Maslennikov a dezvăluit planurile sale de a produce cea de-a patra parte bazată pe un scenariu propriu.

Valuțki a fost unul dintre puținii scenariști sovietici care și-a continuat cu succes cariera după dizolvarea Uniunii Sovietice. Filmul cel mai cunoscut din acea perioadă a fost drama biografică de război Amiralul despre viața amiralului Aleksandr Kolceak. El a obținut încasări de 38.135.878 de dolari, devenind printre cele mai profitabile filme produse în Rusia post-sovietică. Un miniserial TV în 10 episoade ce a reprezentat o versiune mai lungă a filmului a fost prezentată pe Pervîi Kanal în 2009. Valuțki a scris, de asemenea, un scenariu pentru un alt serial biografic Esenin (2005) despre unul dintre cei mai mari poeți ruși ai secolului al XX-lea , Serghei Esenin. Scenariul s-a inspirat din cartea actorului rus Vitali Bezrukov; fiul acestuia, Serghei Bezrukov, a interpretat rolul principal.

Valuți a interpretat roluri mici în două filme: Concertul pentru două viori (1975) și Colierul Charlottei (1984). A predat între anii 1990 și 1995 cursuri de scenaristică la VGIK. În perioada ultimilor săi ani de viață el a scris o carte pentru copii Romuald Tasmanianul despre aventurile unui vombat australian. În ciuda faptului că au trăit împreună timp de 54 de ani, el și soția lui Alla Demidova nu au avut copii.

Vladimir Valuțki a murit pe 14 aprilie 2015, după o boală îndelungată. A fost înmormântat în cimitirul Troiekurovskoie.

Filmografie selectivă

Note

Legături externe

IMDb nameID0885433IMDb nameID0885433
 Main Role.  Vladimir Valutsky  talk show by Russia-K (in Russian)

Nașteri în 1936
Decese în 2015
Scenariști ruși

Vladimir Valuțki


Dansk vejr er en dansk dokumentarfilm fra 1975, der er instrueret af Claus Ørsted.

Handling

Eksterne henvisninger

Danske film fra 1975

Dokumentarfilm fra Danmark

Dansk vejr


North End or Northend may refer to:

Places

Canada
 North End, Hamilton, Ontario
 North End, Halifax, Nova Scotia
 North End St. Catharines, Ontario
 North End, Winnipeg, Manitoba
 North End, Yarmouth, Nova Scotia

South Africa
 North End, a suburb of East London, Eastern Cape
 North End, Port Elizabeth, a suburb of Port Elizabeth

England

 North End, Buckinghamshire
 Northend, Buckinghamshire
 North End, Croydon
 North End, Cumbria
 North End, Essex
 North End, Hampshire
 North End, Bexley, London
North End (Bexley ward)
 North End, Hampstead, formerly in the Municipal Borough of Hendon, London
 North End, Fulham, London
 Northend, Somerset
 Northend, Warwickshire

United States
 North End, a neighborhood of Hartford, Connecticut
 North End (Waterbury), Connecticut
 North End, Boston, Massachusetts
 North End, Springfield, Massachusetts
 North End, Detroit, Michigan
 North End, Saint Paul, Minnesota
 North End, Secaucus, New Jersey
 North End, Niagara Falls, New York

People
 Mary Harrod Northend (1850–1926), American writer

Sport
 North End AFC, a football club in New Zealand
 North End United, now Northern AFC, a football club in New Zealand
 Preston North End F.C., a football club in England

Other uses
 North End (band), an American band 1979–1982
 North End railway station, between Stratford-upon-Avon to Fenny Compton, England, in the 1870s
 North End tube station, London, England, never completed

See also

North End Historic District (disambiguation)

North End


Victor Ben Meen, né le  et mort le , est un géologue canadien.

Il est connu pour avoir démontré que le cratère des Pingualuit était dû à un impact météorique.

Références

Naissance en juillet 1910
Géologue
Décès en janvier 1971
Éponyme d'un objet céleste
Décès à 60 ans

Victor B Meen


تقع ضاحية «وردامة» شمال شرق ليبيا في الجبل الأخضر شرق مدينة البيضاء و لا تستطيع تحديد المسافة لأنها أصحبت متصلة وردامة بمدينة البيضاء وهي تتبع محافظتها .

مواضيع ذات علاقة
 الجبل الأخضر
 محافظتها .
 مدينة البيضاء

مراجع

أماكن مأهولة في شعبية الجبل الأخضر
قرى ومدن الجبل الأخضر

وردامة


William Worth Dickerson (* 29. November 1851 in Sherman, Grant County, Kentucky; † 31. Januar 1923 in Cincinnati, Ohio) war ein US-amerikanischer Politiker. Zwischen 1890 und 1893 vertrat er den Bundesstaat Kentucky im US-Repräsentantenhaus.

Werdegang
William Dickerson besuchte die öffentlichen Schulen seiner Heimat und danach eine Privatschule in Crittenden. Nach einem anschließenden Jurastudium und seiner 1872 erfolgten Zulassung als Rechtsanwalt begann er in Williamstown in diesem Beruf zu arbeiten. Zwischen 1872 und 1876 war er Staatsanwalt im Grant County.

Dickerson war Mitglied der Demokratischen Partei. Zwischen 1885 und 1887 saß er als Abgeordneter im Repräsentantenhaus von Kentucky; von 1887 bis 1891 gehörte er dem Staatssenat an. Nach dem Rücktritt des Abgeordneten John Griffin Carlisle wurde er bei der fälligen Nachwahl im sechsten Wahlbezirk von Kentucky als dessen Nachfolger in das US-Repräsentantenhaus in Washington, D.C. gewählt, wo er am 21. Juni 1890 sein neues Mandat antrat. Nachdem er bei den regulären Kongresswahlen des Jahres 1890 bestätigt worden war, konnte er bis zum 3. März 1893 im Kongress verbleiben.

Für die Wahlen des Jahres 1892 wurde William Dickerson von seiner Partei nicht mehr für eine weitere Amtszeit nominiert. Danach praktizierte er wieder als Anwalt in Williamstown. Im Jahr 1902 zog er nach Cincinnati, wo er ebenfalls in diesem Beruf arbeitete. Dort ist er am 31. Januar 1923 auch verstorben.

Weblinks

Mitglied des Repräsentantenhauses der Vereinigten Staaten für Kentucky
Mitglied des Senats von Kentucky
Mitglied des Repräsentantenhauses von Kentucky
Mitglied der Demokratischen Partei (Vereinigte Staaten)
Staatsanwalt (Vereinigte Staaten)
Rechtsanwalt (Vereinigte Staaten)
US-Amerikaner
Geboren 1851
Gestorben 1923
Mann

William Worth Dickerson


Joseph Coleman (born November 22, 1955) is an American painter, illustrator, actor and performance artist. He has been described as the "walking ghost of Old America" by his wife, photographer Whitney Ward, for his over-riding interest in the historical arcana and personae that often populate his paintings. Of Coleman's work, the New York Times wrote that, "If P. T. Barnum had hired Breughel or Bosch to paint sideshow banners, they might have resembled the art of Joe Coleman." While Berlin's Tagesspiegel said of Coleman, "Like [George] Grosz in the 1920s, he holds a drastic mirror up to his own times."

Coleman lives and works in Brooklyn, New York. His apartment and studio, called the Odditorium, is a living museum to his obsessions; a collection of artifacts, objects and documents from wax museums, crime museums, churches, pathology museums and sideshows.

Early life

Coleman was born in Norwalk, Connecticut, to a World War II-veteran father and the daughter of a professional prizefighter. Coleman's birth date (11/22/55) and childhood home address (99 Ward Street), which all feature palindromic numbers, has fed a lifelong obsession with duality, reflection and symmetry that is represented in his work; as in his 1994 painting ''Mommy/Daddy'', a split portrait of his parents as two halves of the same body, standing over an image of his childhood home and the grave in which they are both buried. Coleman's mother was a devout Catholic and, as a child, Coleman spent many hours in church. He would draw the stations of the cross in pencil using red crayon to represent the blood of the saints and Christ. Around age 5, his mother gave him a book of paintings by Hieronymous Bosch. Also obsessed with comics, especially EC Comics, he began drawing his own. He has said his first collector was Lady Bird Johnson, who bought a painting he made of garbage in 1965 for a children's art collection, as part of her 'beautification' campaign.

In 1973 he moved to New York and supported himself by driving a cab. "Times Square was a red light district," said Coleman. "I was a taxi driver back then, like Travis Bickle, but the stuff I saw in my taxi was way worse than that movie." The street life he saw behind the wheel bled into his paintings and artwork from this period, which he described as 'human-scapes'.

Career

Early work
In 1977, he self-published two mini-comix and produced a portfolio of ten graphite on paper drawings (The Joe Coleman Portfolio) that with its depictions of outsiders, freak shows and both historical and present day tableau, showing life in all its raw, unfiltered, gory detail, set the tone, style and subject matter of his later work. His first professionally published work appeared in issues of Bizarre Sex and Dope Comix, two underground comics titles published by Kitchen Sink Press.

He attended the School of Visual Arts (SVA) in New York for two years. While at SVA he started performing with punk band The Steel Tips, who were immortalized in an early 1979 painting, styled as a sideshow banner. The Steel Tips played at CBGB, as well as in strip clubs, a prison, an insane asylum, and a benefit for female alcoholics held in a church.

In 1982, Coleman self-published a full-length comic book, The Mystery of Wolverine Woo-Bait.

Paintings
Taken as a whole, Joe Coleman's body of paintings presents an ongoing exegesis of his life, influences, obsessions, family and friends with a particular focus on the pathological and the psychological, the sacred and the profane, pop culture and high art, and the inter-relations between them. He has painted portraits of a broad range of figures, both historical and contemporary, that include saints and sinners, writers (Edgar Allan Poe, Hunter S Thompson, Louis-Ferdinand Celine), artists (George Grosz, Adolf Wolfli),  madmen (Charles Manson), actors (Leo Gorcey, Jayne Mansfield), murderers (Ed Gein, Mary Bell, Albert Fish), musicians (Hasil Adkins, Hank Williams, Captain Beefheart), visionaries, freaks (Johnny Eck, Joseph Merrick a.k.a. the Elephant Man). He has also painted portraits of obscure or controversial figures in American history (Boston Corbett; abolitionist John Brown; Swift Runner, a Cree Indian in the thrall of Wendigo psychosis). Over the years, he has also painted portraits of many of his closest friends, including tattoo artist, writer, and painter Jonathan Shaw, and motorcycle builder and stunt rider Indian Larry. He has also produced many self-portraits and numerous portraits of his wife and muse Whitney Ward.

The portrait paintings in particular are the fruit of Coleman's voluminous research into his subjects, which he has often compared to an archeological dig to excavate their true nature. The portraits take the form of a large central figure surrounded by depictions of episodes in the lives of his subjects that contributed to the development of their pathology, and influenced the drives and motivations that determine the course of their lives.

Coleman did the original artwork for the posters for the movies Henry: Portrait of a Serial Killer and Charles Manson Superstar.

He paints mainly using acrylic on wood panel, using a one-hair brush and viewing his work through jeweler's goggles. The smooth surface of the wood panel allows him to paint to an extraordinary level of microscopic detail. Through this painstaking process, he is able to paint an average of one square-inch a day. Coleman does not make sketches or preparatory drawings of his paintings before embarking on them. The paintings usually begin from one detail and grow almost organically. It takes Coleman between one and four years to complete a single painting.

There is a ritualistic aspect to his work and the process by which he completes it. The frames of his paintings are often decorated with symbols from his own personal iconography to contain the forces within. Sometimes items of clothing or other artifacts related to his subject matter are appended to the painting.

Patrons
Rather than sell his work through galleries and the art establishment, Coleman has long relied on a system of patronage common during the medieval and Renaissance periods that inform his work. He has long-standing personal relationships with collectors of paintings, who are often able to view the work-in-progress that they will acquire. His collectors have included Mickey Cartin, Iggy Pop, Johnny Depp, Jim Jarmusch, Leonardo DiCaprio, D.B. Doghouse, H.R. Giger, and Adam and Flora Hanft.

Exhibitions

The first exhibitions of Coleman's paintings were held at Lower East Side and Soho art galleries, Wooster, Chronocide, Limbo and Civilian Warfare, in 1986 and 1987. Chronocide's Bob Behrens would become Coleman's first dealer.  Victoria and Albert Museum curator David Owsley, whom Coleman had met after picking him up his cab, bought a piece from one of his shows at Chronicide and hung it next to a Breughel in his collection. Owsley would also introduce Coleman to Mickey Cartin, who became the biggest collector of his work and convinced him to stop driving a cab and devote himself to painting full-time. In the late '80s and early '90s, Coleman had solo shows at Psychedelic Solution in Greenwich Village and Billy Shire's gallery, La Luz de Jesus, on Melrose Avenue in Los Angeles. His first European show was held in 1998 at London's The Horse Hospital, formerly a Victorian-era stable to house the sick horses of cab drivers.

In 2006, Coleman had a mid-career retrospective at New York's Jack Tilton Gallery entitled Joe Coleman: 30 Paintings and a Selection from the Odditorium, curated by Steven Holmes. Among those who saw it were French journalist Clement Dirie who arranged for the show to travel to the Palais de Tokyo in Paris, in March 2007, and German curator Susanne Pfeffer, who invited Coleman to exhibit at the K-W Institute for Contemporary Art in Berlin and commissioned David Woodard to pen an essay for the accompanying catalog.

For the K-W Institute show, now entitled Joe Coleman: Internal Digging, Pfeffer expanded the exhibit, to include all aspects of Coleman's work, as a painter, performance artist and also as a curator of the Odditorium, his personal museum. Taking over all four floors of the K-W Institute, visitors entered the show by walking into a cavernous ground floor space occupied by the sights and sounds of the Odditorium, largely housed in three German circus wagons. Each subsequent floor featured a different aspect of Coleman's oeuvre. Musician, actor, and outsider artist Bruno S., the star of Werner Herzog's Stroszek, was personally invited by Coleman to play the dinner following the exhibition's public vernissage. The K-W Institute show is the largest and most comprehensive exhibition to date of Coleman's work. New York's Dickinson Gallery exhibited a number of Coleman's paintings together with paintings by Hans Memling and other 15th century early Netherlandish painters, in a 2008 show entitled Devotio Moderno: Joe Coleman/Northern Primitives, to draw attention to both the devotional aspect and use of religious and a personal iconography in Coleman's paintings. The show included the 1999 painting, The Book of Revelations, which depicted Coleman and his wife Whitney Ward, encircled by a rainbow and riding atop a demon. They are surrounded on either side by friends and family who attended their wedding at the American Visionary Art Museum in Baltimore, while their symbolizing enemies are pitching into the fires of hell below them. The frame of the painting is adorned with blood-stained pages of the Book of Revelation from a miniature bible.

Two years later, in 2010, Dickinson put on a solo show by Joe Coleman, Autoportrait, that included the first public viewing of Doorway To Joe, a life-size self-portrait Coleman had painted over the course of four years. Doorway to Joe was exhibited again, with its companion painting Doorway to Whitney, a life-size portrait of Whitney Ward, completed in 2015, and unveiled at Unrealism, a show of figurative art curated by Jeffrey Deitch and Larry Gagosian at Art Basel Miami in December 2015.

The two paintings also formed the center-piece of another large retrospective of Coleman's work, entitled ''Doorway to Joe'', held in 2017 at the Begovitch Gallery, California State University, Fullerton.

Performance art

In the late 1970s Coleman developed a carnival geek/ mad preacher persona for his early performances called Professor Mombooze-o—a name that was an amalgamation of his mother ('Mom') and father ('Booze-0'). Professor Mombooze-o, who was depicted in a 1986 painting, would appear in performance spaces in NY's Lower East Side and, while ranting as a madman preacher, would bite the heads off of live mice and explode on stage.

On October 22, 1989, Coleman staged a performance as Professor Mombooze-o at the Boston Film/Video Foundation (BF/VF). It began with 20 minutes of black and white vintage porn projected onto a screen, at the end of which Coleman burst through the screen hanging upside down on a harness and screaming as fireworks strapped to his chest exploded, like a baby born through a trial of fire and brimstone. After his then-wife Nancy Pivar cut him down, as if cutting the umbilical chord, and extinguished the fire, Coleman ripped the rest of screen apart to reveal a dead goat also hanging upside down. He then pulled two live white mice from his pocket, announcing, 'This is Mommy and Daddy'. He proceeded to bite the head off 'Daddy' and spit it into the audience. Then did the same to 'Mommy', but swallowed the head. "This is Joe Coleman's stone ritualization of his mother's death," a 1990 article in Spin magazine reported about the performance. "Four days earlier, she had died of cancer." Fittingly, this would be the last ever appearance of Professor Mombooze-o.

When police and fireman arrived on the scene, they arrested Coleman, Pivar and BF/VF manager, Jeri Rossi. Coleman was charged under an arcane statute, which had not been used since the 1800s, citing him for "possession of an infernal machine". He was fined $5000 for possessing and exploding fireworks and a further $300 for eating mice. The terms of his probation stipulated that he "not eat any Massachusetts mice for a year".

Since 2017, Coleman has embarked on a series of spoken word performances accompanied by projections of the paintings. These have taken place in June 2017 at Salo Club, Paris, during three nights curated by director and actress, Asia Argento, as part of a show with Lydia Lunch and Weasel Walter's Brutal Measures project at Club Berlin in New York and in November 2017 as part of Le Guess Who? festival in Utrecht, Netherlands.

Film
Alongside his performance art, Joe Coleman has also appeared as an occasional actor, often playing the kind of misfits, outsiders, monsters and murderers who populate his paintings. In the early 1980s while attending the School of Visual Arts, he contributed to several avant-garde films by Manuel DeLanda, as a writer and actor, including Incontinence: A Diarrhetic Flow of Mismatches and Raw Nerves: A Lacanian Thriller.

Coleman appeared in two shorts associated with the Lower East Side film movement, the Cinema of Transgression. playing a serial killer in Jeri Cain Rossi's 1992 short film, Black Hearts Bleed Red, an adaptation of Flannery O'Connor's short story A Good Man Is Hard To Find, and Satan (to Sid Vicious bodyguard Rockets Redglare's portrayal of Jesus) in Tommy Turner and David Wojnarowicz's Where Evil Dwells, based on the 1984 murder of Ricky Kasso.

He played producer Barry Paar, a thinly veiled depiction of Harvey Weinstein, in Asia Argento's 1998 loosely autobiographical directorial debut, Scarlet Diva, in a scene based on her alleged 1997 rape by  Weinstein at the Cannes Film Festival.

Coleman had a cameo as John the Baptist in Dan Fogler and Michael Canzoniero's 2014 feature, Don Peyote, a reimagining of Don Quixote as a stoner comedy, alongside a cast that included Anne Hathaway, Annabella Sciorra, Abel Ferrara, Topher Grace and Wallace Shawn.

In 2016 Coleman appeared as the title character in The Cruel Tale of the Medicine Man, alongside contemporary sideshow and burlesque performers including Mat Fraser and Julie Atlas Muz, directed by James Habacker, founder of New York City neo-burlesque venue, The Slipper Room.

He has also appeared in a number of documentaries, including films about two subjects of his paintings, Albert Fish and Carl Panzram. A performance by Professor Mombooze-o was featured in Harvey Nikolai Keith's 1988 documentary Mondo New York, about the NYC underground art and music scene. The film also featured Lydia Lunch, Phoebe Legere, Ann Magnuson, Emilio Cubeiro and Joey Arias.

Coleman was also the subject of R.I.P: Rest in Pieces, a 1999 feature documentary by filmmaker Robert Adrien Pejo. In one of the film's set pieces, he is shown performing an autopsy on a woman performed in Budapest, Hungary under the guidance of medical examiner Janos Keser, and later in the film visiting rockabilly icon, Hasil Adkins, (whom Coleman had previously made the subject of a 1993 painting) in his West Virginia home, and being interviewed by filmmaker Jim Jarmusch in a church.

2001 "Outsider Art /Music" at the Barbican Theatre, London, England presented two films created by Coleman featuring his paintings. The first film called Humanscapes, was accompanied by the music of Carlo Gesualdo, Coleman's favorite medieval composer and performed by a live choir, The Clerk's Group. The second film called Portraits, was accompanied by specially composed music performed live by The Delgados. A similar performance was presented at the Bergen International Festival in 2002 with an original score composed by the Norwegian band, Motorpsycho.

Joe Coleman & his wife, Whitney Ward are the subjects of a new feature-length documentary film currently in production, entitled Doorway to Joe, directed by Emmy Award-winning filmmaker, Scott Gracheff.

Monographs

Cosmic Retribution: The Infernal Art of Joe Coleman by Joe Coleman (Fantagraphics, 1992, paperback, ; Feral House, 1993, hardcover, ).
The Man of Sorrows by Joe Coleman (Gates of Heck, 1993, hardcover, ; republished in 1998).
Original Sin: The Visionary Art of Joe Coleman by Joe Coleman, John Yau, Jim Jarmusch, Harold Schechter, and Katharine Gates (Heck Editions, 1997, paperback, ).
The Book of Joe by Joe Coleman, Anthony Haden-Guest, Katharine Gates, Asia Argento, Rebecca Lieb, and Jack Sargeant (Last Gasp/La Luz de Jesus Press, 2003, hardcover, ).
Joe Coleman: Internal Digging by Joe Coleman, Susanne Pfeffer, David Woodard, Markus Müller (Walther König, 2008, paperback, ).

References

External links

Robert-Adrien Pejo's 1992 documentary about Joe Coleman, "R.I.P: Rest in Pieces"

1955 births
20th-century American painters
21st-century American painters
21st-century American male artists
American male painters
American performance artists
Fantastic art
Living people
People from Norwalk, Connecticut
20th-century American male artists

Joe Coleman (painter)


Daniil Jurjewitsch Apalkow (; * 1. Januar 1992 in Magnitogorsk) ist ein russischer Eishockeyspieler, der seit Mai 2020 beim HK Sotschi in der Wysschaja Hockey-Liga unter Vertrag steht.

Karriere
Daniil Apalkow begann seine Karriere als Eishockeyspieler in seiner Heimatstadt in der Nachwuchsabteilung des HK Metallurg Magnitogorsk, für dessen zweite Mannschaft er von 2007 bis 2009 in der drittklassigen Perwaja Liga aktiv war. In der Saison 2009/10 gab der Verteidiger sein Debüt für die Juniorenmannschaft des Vereins, Stalnyje Lissy Magnitogorsk, in der neu gegründeten multinationalen Nachwuchsliga Molodjoschnaja Chokkeinaja Liga, in der er auf Anhieb mit seiner Mannschaft den Charlamow-Pokal gewann. Zu diesem Erfolg trug er mit 40 Scorerpunkten, davon 21 Tore, in insgesamt 50 Spielen bei. In der Saison 2010/11 kam er zudem zu seinem Debüt für die Profimannschaft von Metallurg in der Kontinentalen Hockey-Liga, blieb jedoch bei seinen acht Einsätzen punktlos und erhielt zwei Strafminuten, während er parallel weiterhin in der MHL-Mannschaft spielte.

Auch die Saison 2011/12 begann Apalkow zunächst in der MHL-Mannschaft Stalnyje Lissy Magnitogorsk, bei der er als Mannschaftskapitän fungierte, wechselte jedoch im weiteren Saisonverlauf zu Lokomotive Jaroslawl, das nach dem Flugzeugabsturz bei Jaroslawl in der zweitklassigen Wysschaja Hockey-Liga einen Neuanfang startete. Zudem kam er zu einigen Einsätzen für das MHL-Team Loko Jaroslawl.

In den folgenden Jahren entwickelte er sich zu einem Leistungsträger und Führungsspieler innerhalb des Teams, agierte zeitweise als Assistenzkapitän und erhielt regelmäßig Vertragsverlängerungen. Während der Saison 2019/20 wechselte er zum HK Dynamo Moskau und im Mai weiter zum HK Sotschi.

International
Für Russland nahm Apalkow an der U18-Junioren-Weltmeisterschaft 2010 sowie der U20-Junioren-Weltmeisterschaft 2012 teil. Bei der U20-WM 2012 gewann er mit seiner Mannschaft die Silbermedaille.

Erfolge und Auszeichnungen
 2010 Charlamow-Pokal-Gewinn mit Stalnyje Lissy Magnitogorsk
 2012 Silbermedaille bei der U20-Junioren-Weltmeisterschaft
 2012 KHL-Rookie des Monats September

KHL-Statistik

(Stand: Ende der Saison 2018/19)

Weblinks

Eishockeynationalspieler (Russland)
Eishockeyspieler (HK Metallurg Magnitogorsk)
Eishockeyspieler (Lokomotive Jaroslawl)
Eishockeyspieler (HK Dynamo Moskau)
Russe
Geboren 1992
Mann

Daniil Jurjewitsch Apalkow


NRAO VLA Sky Survey
NVIDIA's CUDA Compiler
Northern Virginia Community College
National Vital Statistics System
NVSS 2146+82

NVSS


Stambeno-poslovni objekat Vakufa Hovadža Kemaludina (poznat kao Mekteb), objekat je u središtu Sarajeva. Podignut je na mjestu nekadašnjeg ženskog mekteba Hovadže Kemaludina. Objekat predstavlja jedno od najznačajnijih ostvarenja moderne u Sarajevu iz razdoblja između dva svjetska rata. Ima veliku dokumentarnu vrijednost u sklopu ambijentalne cjeline Ferhadija ulice u najstrožem središtu Sarajeva. Objekat je nacionalni spomenik Bosne i Hercegovine.

Povijest
Ulica Ferhadija, gdje je smješten objekat Vakufa Hovadža Kemaludina (Mekteb), nosi ime po mahali bosanskog sandžakbega Ferhat-bega. Ulica je formirana u 16. vijeku, s tim da je prvo formiran istočni dio u Gazi Husrev-begovoj mahali godine 1531, a duži zapadni dio, nazvan i Mala Ferhadija nastao je oko 1562. godine. Mala Ferhadija je dopirala do mahale Ćemaluša gdje je prije 1515. godine podignuta džamija Hovadže Kemauludin (Ćemaluševa), uz koju se nalazilo mezarje, česma i vakufski ženski mekteb. Krajem tridesetih godina 20. stoljeća srušeni su i džamija i mekteb. Na njihovim mjestima su izgrađeni vakufski objekti. Na mjestu mekteba je napravljena stambeno-poslovna uglovnica, dok je na mjestu džamije podignut kompleksan stambeno-poslovni objekat, u čijem se sastavu nalazi Vakufski neboder.

Tridesetih godina, sa studija arhitekture na nekim od najprestižnijih europskih akademija u Sarajevo se vraća grupa mladih arhitekata školovanih pod utjecajem moderne. Sa studija na Visokoj tehničkoj školi u Pragu, vratili su se braća braća Kadić. Reuf Kadić je studenog 1935. godine počeo raditi u Vakufskoj direkciji u Sarajevu na mjestu voditelja Tehničkog ureda i glavnog arhitekta. Na tom poslu ostao je do augusta 1942. godine. Za Vakufsku direkciju je projektirao i realizirao preko pedeset projekata.

Autor projekta stambeno - poslovnog objekta Vakufa Hovadža Kemaludina (Mekteb), je Reuf Kadić, iako postoji pretpostavka da je zajedničko djelo obojice braće Kadić. Objekat je u vrijeme gradnje spadao u najreprezentativnije i najopremljenije stambene objekte u gradu.  U vrijeme izgradnje, bio je jedan od najopremljenijih stambeno-poslovnih objekata u gradu, Imao je instalacije telefona, električne energije i plina, dok se grijanje vršilo pećima na čvrsto gorivo. Objekat je na katovima imao stambenu funkciju, a u prvobitnoj formi, u prizemlju je radila čuvena sarajevska slastičarna Ramis. U funkcionalnom smislu, objekat je podijeljen na prizemlje gdje se nalaze poslovni prostori i spratove koji imaju stambenu funkciju.

U pogledu oblikovanja fasada, rađena je u duhu moderne. Fasade objekta su podijeljene na prizemni dio gdje se ističu široke ostakljene površine poslovnih prostora i katni dijelovi fasada obloženi su zelenom keramikom, na kojima se pojavljuju konzolni istatci sa trakastim prozorima i širokim ostakljenim površinama lođa.

Izvori

Vanjske povezice
 Sarajevo kroz historiju

Nacionalni spomenici Bosne i Hercegovine
Građevine u Sarajevu

Vakuf Hovadže Kemaludina (Mekteb)


The Tualatin River is a tributary of the Willamette River in Oregon in the United States. The river is about  long, and it drains a fertile farming region called the Tualatin Valley southwest and west of Portland at the northwest corner of the Willamette Valley. There are approximately 500,000 people residing on 15 percent of the land in the river's watershed.

Course
The Tualatin River arises near Windy Point on the eastern side of the Northern Oregon Coast Range. It begins in the Tillamook State Forest in Washington County and flows about  to the Willamette River near West Linn in Clackamas County. Along the way, it falls from about  above sea level to about , most of that occurring in its first . From the unincorporated community of Cherry Grove,  from the mouth, the river falls only about  in meanders that trend generally east across the relatively flat Tualatin Valley.

From its source, the river flows south for about  before turning east to parallel to Blind Cabin Ridge, which is to the river's right. Shortly thereafter, the river plunges over the  Ki-a-Kuts Falls, then receives Maple Creek from the left and then Sunday Creek, also from the left, at river mile (RM) 76.7 (RK 123.4). Lee Creek enters from the left and Patten Creek from the right before the river reaches Hillsboro Reservoir and then Haines Falls at about RM 73 (RK 117). Hillsboro Reservoir Road and Southwest Lee Falls Road run roughly parallel to the river along its left bank from the reservoir to the unincorporated community of Cherry Grove. Over the next stretch, the river runs roughly parallel to Hagerty Ridge, which is on the right. About  further downstream, the river goes over Lee Falls and, shortly thereafter, Little Lee Falls before reaching Cherry Grove, which is on the river's left at the west end of Patton Valley. At Cherry Grove, the river passes under Roaring Creek Road, receives Roaring Creek from the right, passes under Bruce Road and Southwest S Road, and receives Hering Creek from the left. Thereafter, it flows under Northwest Mount Richmond Road and receives Mercer Creek from the left about  from the river's mouth. Below this, Black Jack Creek enters from the left, and the river passes under Oregon Route 47 and flows by the city of Gaston, which is to the right.

Turning north near Gaston and meandering roughly parallel to Route 47 to the west (left), the river receives Wapato Creek, which flows through the former Wapato Lake, from the right and Scoggins Creek, which drains Henry Hagg Lake, from the left at RM 60 (RK 97). Soon, O'Neill Creek enters from the left, and shortly thereafter, the river passes under Southwest Spring Hill Road, then receives Dilley Creek from the left at about RM 57.5 (RK 92.5). At this point, the unincorporated community of Dilley is on the left. At Dilley, the stream meanders east away from the highway and soon receives Carpenter Creek from the left and then Gales Creek. Along this stretch of the river, the city of Forest Grove is north (left) of the river. Meandering generally east, the river passes under Southwest Fern Hill Road, by the city of Cornelius to the left and the unincorporated community of Blooming to the right, and passes under Golf Course Road about  from the mouth. Dairy Creek enters from the left at about RM 45 (RK 72) as the river approaches Hillsboro, which is to the river's left. Wandering through Jackson Bottom and the Jackson Bottom Wetlands Preserve, the river passes under Oregon Route 219 (Southwest Hillsboro Highway), and soon receives Jackson Slough from the left, then Davis Creek from the right at RM 40 (RK 64).

Passing under Minter Bridge Road about  from the mouth, and then Rood Bridge Road, the river wanders by the Meriwether National Golf Course which is on its right and The Reserve Vineyards & Golf Club, which is to the left, and receives Rock Creek, Gordon Creek, and Butternut Creek, all from the left. Flowing south from the vicinity of the golf course, the river runs roughly parallel to River Road, which is on its left. It passes under Harris Bridge, which carries Oregon Route 10 and Oregon Route 208 (Southwest Farmington Road) at the unincorporated community of Farmington. Further downstream, it receives Christensen and Burris creeks from the right and continues south until turning east again at about RM 30 (RK 48). Shortly thereafter, it flows by the unincorporated community of Scholls, where it receives McFee Creek from the right before passing under Scholls Bridge and Oregon Route 210. Entering the Tualatin River National Wildlife Refuge at about RM 25 (RK 40).

Leaving the wildlife refuge about  later, the rivers meanders around the unincorporated community of Bull Mountain, which is on its left (north), passes under Roy Rogers Road, receives Chicken Creek and Rock Creek from the right, then passes under Oregon Route 99W (Southwest Pacific Highway) at King City. The river continues by Avalon Park, which is on its left, flows through Cook Park in Tigard, which is on its left, and forms the north boundary of the Tualatin Country Club, which is on the right. Immediately thereafter, the river receives Fanno Creek from the left just after passing under a Portland & Western Railroad bridge and a pedestrian bridge between Tigard and Durham on the left (north) and Tualatin on the right. Durham City Park is on the left bank, and Tualatin Park is on the right. The stream passes under another Portland & Western Railroad bridge, then under Southwest Boones Ferry Road and then under Interstate 5, the latter at about RM 8 (RK 13), and enters Clackamas County.

Shortly thereafter, the river  passes Browns Ferry Park, which is on the river's right, and then Canal Acres Park, on the left. At the east end of the park, Saum Creek enters from the right, and the Oswego Canal, which carries water from the Tualatin River to Oswego Lake in Lake Oswego, is on the left. Beyond the canal entrance, the river passes River Run Park, which is on the left. Soon Athey Creek enters from the right and Pecan Creek from the left before the river passes under Southwest Stafford Road near the unincorporated area of Wankers Corner and flows past the unincorporated community of Shadowood. In its final , the river receives Wilson Creek from the right, passes under Interstate 205 and then under Southwest Borland Road, and receives Fields Creek from the left. It flows by Swift Shore Park, which is on the left, under Southwest Pete's Mountain Road, by Willamette Park, also on the left, and enters the Willamette River at West Linn, about  from the larger river's confluence with the Columbia River.

Discharge
The highest flow ever recorded in the river was  on February 10, 1996, at the West Linn gage. The lowest flow ever recorded at this gage was  between July 30 and August 2, 1966. This flow does not include the estimated flow of  from the river through the Lake Oswego Canal.

History

The Tualatin River was named by the local Native American band, the Atafalati, that lived in the Tualatin Valley. The name translated as sluggish or lazy. Early settlers called it the "Quality River".

The valley of the Tualatin was an important early farming region in the settlement of Oregon. The building of Canyon Road, a plank road to the Tualatin Valley from Portland, in 1856 is considered by historians to be one of the main reasons for Portland's rise as the dominant city in the region. The valley contains many natural wetlands, some of which have been designated the Tualatin River National Wildlife Refuge, and others are protected at Jackson Bottom Wetlands Preserve.

Pollution
The drainage area of the river is approximately  with 27 creeks feeding into the Tualatin. Its watershed is 15 percent urbanized, 35 percent agricultural, and 50 percent forested. The river drops  in elevation during its first  and then only an additional  for the remaining  of its course. This creates a slow river for the majority of the course, creating problems with pollution. Pollution reached a point that in 1989 local agencies were forced to begin cleaning up the river after the Tualatin failed water quality standards outlined in the Clean Water Act of 1972. It was the first river in the state to fail overall pollution limits.

See also
List of rivers of Oregon
List of longest streams of Oregon
Steamboats of the Willamette River
Tualatin Plains
Chehalem Mountains

References

External links

The Tualatin Riverkeepers
The Tualatin River Watershed Council
Tualatin River National Wildlife Refuge
NWS Advanced Hydrologic Prediction Service
USGS: Tualatin River Basin Water Quality Assessment
"An unexpected river runs through western Washington County" - The Oregonian

Tributaries of the Willamette River
Rivers of Washington County, Oregon
Rivers of Clackamas County, Oregon
Rivers of Oregon
Oregon placenames of Native American origin

Tualatin River


Piedad (en Idioma italiano Pietà) es una cuadro del pintor francés William-Adolphe Bouguereau. Realizado en 1876, pintado al óleo, mide 230 cm por 148 cm, es una representación de la Virgen María sosteniendo el cuerpo fallecido de Jesucristo momentos después de su descendimiento de la cruz; este tema es muy recurrente en el Arte sacro donde a veces es mencionado en italiano como Pietà.

La obra perteneció hasta el año 2010 a la colección del actor estadounidense Mel Gibson que dispuso su venta en la casa de subastas Sotheby's, donde fue adquirida por un coleccionista privado por la cantidad de 2,770,000 dólares.

Descripción

Detalles

Referencias

Pinturas de la Piedad
Cuadros de Francia de los años 1870
Cuadros de 1876
Francia en 1876

Piedad (Bouguereau)


The British Isles are a group of islands off the northwest coast of continental Europe that include the islands of Great Britain and Ireland, and over six thousand smaller islands.  There are two sovereign states located on the islands: the United Kingdom of Great Britain and Northern Ireland (commonly known as the United Kingdom) and Ireland (also described as the Republic of Ireland). The British Isles also include three dependencies of the United Kingdom: the Isle of Man and, by tradition, the Bailiwick of Jersey and the Bailiwick of Guernsey in the Channel Islands, although the latter are not physically a part of the island group.

ආශ්‍රිත

දූපත් රටවල්

බ්‍රිතාන්‍ය දිවයින්


Christian Maccali, né le  à Casseneuil, est un joueur de rugby à XIII dans les années 1970 et 1980 évoluant au poste de talonneur.

Au cours de sa carrière, il évolue dans un premier temps sous les couleurs du club de Villeneuve-sur-Lot décrochant un titre de Coupe de France en 1979 et de Championnat de France en 1980 aux côtés de Philippe Fourquet, Joël Roosebrouck, Michel Mazaré, Max Chantal et Didier Hermet. En 1984, il rejoint le club du Pontet avec la même réussite puisque le club domine ces années là le Championnat avec deux titres en 1986 et 1988 ainsi que deux titres de Coupe de France en 1986 en 1988 aux côtés de José Giné, Marc Palanques, Thierry Bernabé, Denis Bergé, Patrick Rocci, Serge Titeux.

Référence française à son poste et international junior aux côtés des frères Laforgue, Bernard Guasch et Guy Delaunay, Christian Maccali connaît par la suite quinze sélections en équipe de France et prend part au titre de Coupe d'Europe des nations en 1981 avec ses coéquipiers Fourquet, Roosebrouck et Chantal. Il affronte les plus grandes nations de rugby à XIII et compte des victoires contre les sélections du pays de Galles, d'Angleterre et de Grande-Bretagne.

Dans la vie civile, Christian Maccali est entre autres entré dans les fonctions de la police municipale, occupant la fonction de chef de service de la police municipale de la commune de Saint-Saturnin-les-Avignon.

Biographie

Sa fille, Camille Maccali, est journaliste sportive au sein des rédactions de l'Equipe, d'Eurosport et de Bein Sport.

Palmarès

 Collectif :
 Vainqueur de la Coupe d'Europe des nations : 1981 (France).
 Vainqueur du Championnat de France : 1980 (Villeneuve-sur-Lot), 1986 et 1988 (Le Pontet).
 Vainqueur de la Coupe de France : 1979 (Villeneuve-sur-Lot) et 1986, 1988 (Le Pontet).
 Finaliste du Championnat de France : 1981, 1983 (Villeneuve-sur-Lot), 1987 et 1989 (Le Pontet).
 Finaliste de la Coupe de France : 1989 (Le Pontet).

Détails en sélection

Notes et références

Liens externes

International français de rugby à XIII
Naissance en août 1958

Christian Maccali


Michael Bublé, (d. 9 Eylül 1975) İtalyan asıllı Kanadalı müzisyen, pop-caz sanatçısı, aktör. ABD'de büyük başarılar elde ediyor iken, 2003 yılında çıkarttığı aynı adlı albümü ile Kanada'da, Avustralya'da ve İngiltere'de müzik listelerinde ilk 10'a girdi. Özellikle It's Time albümü ile büyük yankı uyandırarak 2005 yılında Grammy Ödülü kazandı.

İlk yıllar
Büyükbabasının caz koleksiyonunda yer alan albümleri dinleyerek büyüdü. Bu olayı da, kendi resmi internet sitesinde, "Büyükbabam benim gerçek arkadaşımdı. Müzik dünyasının kapılarını bana açan kişi odur. Rock & roll ve modern altyapılı eserleri de beğeniyorum; büyükbabam Mills Brothers'ı ilk kez çaldığında büyülü bir şeyler oldu. Sözler çok romantik ve gerçekçiydi... Bu da benim bir parçada aradığım özellikti. Kendi geleceğim gözlerimin önüne geldi. Bir şarkıcı olmak istiyordum ve bu şarkı da benim söyleyeceğim şarkı olmalıydı." şeklinde anlattı.

Bublé'in büyükbabası, kendisinin sevdiği standartları, Bublé'in öğrenmesi konusunda kendisini destekledi ve Vancouver'daki yetenek yarışmasına katılmasını sağladı. Bublé, bu yarışmayı kazandıysa da, küçük yaşta olması nedeniyle; diskalifiye edildi. Ancak bu kendisine engel olamadı ve 17 yaşında iken, Kanada'da düzenlenen bir "Yetenek Yarışması"nda birinci oldu. Ardından, 2000 yılında ise, iki adet Genie Ödülü kazanmayı bildi.

Düğün şarkıcısı: Gerçek müzik kariyerinin başlangıcı
Bublé'in gerçek müzik kariyeri, bir düğün esnasında söylediği "Mack The Knife" adlı eser ile başladı. Düğün sahiplerinden biri olan Brian Mulroney, Bublé'i David Foster ile tanıştırdı ve yaptıkları anlaşma ile, Bublé müzik hayatına başlamış oldu.

İlk albümü adıyla aynı adı taşıyan Michael Bublé oldu ve bu albümde "Fever", "The Way You Look Tonight" ve "For Once In My Life" gibi birçok dönemden 2001 yılına kadar gelmiş birçok standart yer aldı. Albüm, Kanada, İngiltere ve Avustralya müzik listelerinde fırtına gibi eserek, ilk 10'a girdi ve 2004 Juno Ödülleri'nde "En iyi yeni yetenek" ödülünü kazandı. Aynı adlı albümü "Yılın Albümü" kategorisinde de aday olmasına rağmen, bu kategorideki ödüle layık görülmedi.

Sinemaya ilk adım
Bublé, müzik kariyer dışında sinema ile de ilgilenmeye başladı ve geçen birkaç yıl içerisinde birçok filmde rol aldı. "Duets/Düetler" adlı filmde, Gwyneth Paltrow ve Huey Lewis ile aynı sahneyi paylaştı. Ayrıca, "Totally Blonde" ve "The Snow Walker" adlı yapımlarda da yer alarak adından söz ettirdi. Örümcek Adam 2 filmi için, "Spiderman Theme"i seslendirdi.

Tam zamanı: It's time
Bublé'in ikinci stüdyo albümü It's Time, "tam zamanı"nda piyasaya sürülerek; çok büyük bir liste başarısı yakaladı. "Billboard" müzik listelerinde 7 numaraya kadar yükselen albüm, Avustralya müzik listelerinde 2 numaraya yerleşti. Albümde Beatles ve Ray Charles şarkılarının yeniden yorumlamaları ile beraber Home parçası da yer aldı. Birçok caz sanatçısı tarafından baştacı edilen birçok parçayı da yeniden yorumlayan Bublé, caz severlerden büyük destek gördü ve "It's time" albümü sayesinde, "yeni Frank Sinatra" olarak anıldı.
Michael Bublé, albümleri ile, bugüne kadar 10 milyondan fazla kopya sattı ve özellikle Avrupa, Güney Afrika, Brezilya, ABD, Avustralya ve Kanada gibi ülkelerde büyük ilgi gördü.
2006 Juno Ödülleri'nde "Yılın Pop Albümü (It's Time)", "Yılın Single'ı (Home)", "Yılın Albümü (Michael Bublé)" ve "Yılın Sanatçısı" ödüllerine layık görüldü. Özellikle caz müzisyeni Chris Botti ve yine Kanadalı şarkıcı Nelly Furtado ile yaptıkları parçalar ile de adından söz ettirdi.

Diskografi

{| class="wikitable"
! style="background:#efefef;" | Yıl
! style="background:#efefef;" | Albüm adı
|-
|1996
|First Dance
|-
|2001
|Babalu
|-
|2002
|Dream
|-
|2003
|Down With Love
|-
|2003
|Michael Bublé
|-
|2003
|Let It Snow
|-
|2004
|Come Fly with Me
|-
|2005
|It's Time
|-
|2005
|Caught In The Act
|-
|2006
|With Love
|-
|2007
|Call Me Irresponsible
|-
|2009
|Crazy Love
|-

Single'lar
 2004 "Come Fly With Me"
 2004 "The Way You Look Tonight"
 2004 "You'll Never Find Another Love"
 2004 "Sway"
 2004 "How Can You Mend a Broken Heart (Bee Gees ile)
 2005 "Home"
 2006 "Quando, Quando, Quando"
 2006 "Save The Last Dance For Me"

Filmografi
 Duets (2000)
 Totally Blonde (2001)
 The Snow Walker (2003)
 Kath and Kim - Da Kath & Kim Code (2005)

Dış bağlantılar
 Michael Bublé resmi sitesi

Kaynakça

1975 doğumlular
20. yüzyılda Hristiyanlar
Kanadalı erkek şarkıcılar
Kanadalı pop şarkıcıları
Juno Ödülü sahipleri
Yaşayan insanlar
Grammy Ödülü sahipleri

Michael Bublé


حزب اليسار الديمقراطي (باللغة التركيّة:Demokratik Sol Parti)، حزب سياسي قومي يساري تركي شديد العلمانية، حصل الحزب على 20.85% من الأصوات في الانتخابات التركية العامة 2007، وممثل بالبرلمان التركي بثلاثة عشر مقعد.

مراجع

وصلات خارجية
 موقع الحزب الرسمي

العلمانية في تركيا
أحزاب تركيا
أحزاب ديمقراطية اجتماعية
أحزاب قومية في تركيا
تأسيسات سنة 1985 في تركيا

حزب اليسار الديمقراطي (تركيا)