is a 1964 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the fourth film in the Godzilla franchise. The film stars Akira Takarada, Yuriko Hoshi, Hiroshi Koizumi, Kenji Sahara, and Emi and Yumi Itō, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, humans beseech the aid of the insect god Mothra to stop Godzilla from destroying Japan.

Due to the success of Mothra (1961) and King Kong vs. Godzilla (1962), Toho chose to pair Godzilla against Mothra for the following film. The film was intended for children as well as adults, as a way to compete with television's growing popularity in Japan. A new Godzilla suit and Mothra prop were built although the 1962 Godzilla suit was used for water scenes. At Tsuburaya's insistence, Toho purchased an Oxberry 1900 optical printer to remove damages in composite photography shots. It is the final film in the franchise's Shōwa era to depict Godzilla as the antagonist.

Mothra vs. Godzilla was released theatrically in Japan on April 29, 1964. An edited version titled Godzilla vs. the Thing was released by American International Pictures in the United States on August 26, 1964. The film received generally positive reviews from early and contemporary American critics. American film historians have praised the film's themes of unity, greed, and Honda's depiction of Godzilla as a "specter of nuclear annihilation" and a symbol of moral judgement.

The film was followed by the fifth film in the Godzilla franchise Ghidorah, the Three-Headed Monster, released on December 20, 1964.

Plot
Kurata Beach is stricken by a typhoon. The following morning, reporter Ichiro Saki and his photographer Junko Nakanishi find a strange blue-gray object amongst the wreckage. Later, a giant egg is found floating near Nishi Beach in Shizunoura. Professor Miura attempts to investigate the egg, only to be pestered with questions by Saki. They soon learn that the villagers had sold the egg to businessman Kumayama for exploitation purposes for his firm Happy Enterprises. At a local hotel, Saki, Junko, and Miura discuss how to legally counter Kumayama's plans, and find him at the lobby. Kumayama meets with his financial backer Jiro Torahata, who reveals his plans to build the Shizunoura Happy Center around the egg. They are visited by the Shobijin, tiny twin fairies, who attempt to convince them to return the egg but have to escape when the businessmen try to capture them. The Shobijin run into Saki, Junko, and Miura, and reveal to them that the egg belongs to the colossal insect god Mothra, the recent typhoon caused it to wash up on Japanese waters, and destruction will follow when the larva emerges. The trio agree to help them retrieve the egg, and try to plead with Kumayama and Torahata but are met with resistance. The Shobijin eventually return home to Infant Island without the egg.

Later, Saki writes scathing articles about Happy Enterprises' insensitivity towards the Shobijin. However, the firm dismisses the articles as slander and open the Shizunoura Happy Center to the public. Kumayama is confronted by the villagers for not paying in full for the egg and renting from their land. Torahata agrees to loan Kumayama additional funds in exchange for putting the egg up as collateral. Kumayama reluctantly accepts and begins incubating the egg. Miura decontaminates Saki and Junko after touching the object they found in the wreckage, revealing it to be highly radioactive. The trio return to Kurata beach to investigate further, but the giant reptilian monster Godzilla emerges from the buried mud. Citizens evacuate as Godzilla wrecks havoc on Yokkaichi and Nagoya. The Japan Self-Defense Forces (JSDF) are deployed to lead Godzilla to the coast to minimize casualties.

At the suggestion from a colleague, the trio travel to Infant Island to appeal with the Shobijin for Mothra's help. When they arrive, they are horrified by the desolation left behind by past nuclear tests. They are captured by the natives and reveal their intentions to ask for Mothra's help against Godzilla. The Shobijin and natives refuse, seeing it as divine retribution on outsiders for ravaging their island with nuclear tests, and not returning the egg. Junko and Saki plead that the innocent are also in danger, that they have no right to decide which lives deserve salvation, and that civilization is flawed, but is trying hard to make the world better. Mothra agrees to help, but the Shobijin warn that she is on her deathbed.

Back in Japan, the JSDF launch multiple campaigns against Godzilla but to no avail. After losing his finances, Kumayama confronts Torahata at his hotel, attacks him, and steals his secret funds. Torahata shoots Kumayama, and attempts to escape with the money but is crushed as Godzilla destroys the hotel. Godzilla reaches Nishi Beach, and prepares to destroy the egg until Mothra intervenes and engages Godzilla in battle. Mothra initially gets the upper hand, but is defeated by Godzilla's atomic breath. Mothra uses her last strength to fly to the egg and die next to it.

As the JSDF resume their attacks on Godzilla, the trio and the Shobijin remain with the egg as the twins attempt to make the egg hatch quicker via musical incantations. Twin larvae emerge from the egg and follow Godzilla to Iwa island. As the monsters battle, the trio join a rescue party to retrieve students and their teacher left behind on Iwa Island. Godzilla is entrapped by the larva's silk, tumbles into the sea and sinks. The students and teacher are returned to safety, and the larvae and Shobijin return to Infant Island. Sakai asserts that humanity will thank them by building a better world.

Cast

Cast taken from Japan's Favorite Mon-Star, except where cited otherwise.

Themes
The film historian Steve Ryfle calls Mothra vs. Godzilla a "classic good-versus-evil stand-off". He says the film raises philosophical questions about unity and humanity's will to put aside their differences for the greater good. Ryfle refers to Godzilla as a "specter of nuclear annihilation", metaphorically casting its shadow over Japan. Ryle also describes Godzilla as a symbol of moral judgement after indirectly killing the film's villains. The director Ishirō Honda had directed the original Godzilla (1954) and Mothra (1961) films, and the actor Hiroshi Koizumi said Honda was able to emphasize his themes better through Mothra than Godzilla, stating, "Mothra's role was a messenger of peace". Kenji Sahara said his character Torahata symbolized greed. Honda purposely chose to portray the film's version of Infant Island as a partial wasteland as a way to "visualize the terror and the power of the atomic bomb".

The film historian David Kalat writes that the film brings the shame of civilized man to the forefront, and says that the film's Japanese character do little to nothing to return Mothra's egg yet travel to Infant Island to ask Mothra for more. Kalat writes that Mothra is the first to respond to Saki's speech about the brotherhood between mankind, adding that Mothra "possesses a more developed faculty of forgiveness than her subjects," thus making Mothra "morally and spiritually superior" than humans.

Production

Crew

 Ishirō Honda – director
 Eiji Tsuburaya – special effects director
 Kōji Kajita – assistant director
 Boku Norimoto – production coordinator
 Sadamasa Arikawa – special effects photography
 Akira Watanabe – special effects art director
 Takeo Kita – art director
 Hiroshi Mukoyama – optical effects

Personnel taken from Japan's Favorite Mon-Star.

Development
After having success with King Kong vs. Godzilla (1962), Toho Co., Ltd. wanted to pair Godzilla with another popular monster and chose Mothra, the title character of a successful 1961 film. Honda and Toho aimed the film towards a general audience due to the rise of television at the time. To prepare for his role, Sahara spent time around "pushy" real-estate agents by posing as a buyer. Tanaka cast the twin sisters Emi and Yumi Itō as the Shobijin due to their popularity as the singing duo The Peanuts, as this would create publicity for the film.

The story in Mothra vs. Godzilla was originally intended to pick up after Mothra, with the Rolisicans, the fictional people of the fictional country Rolisica, re-cast as the villains. The screenwriter Shinichi Sekizawa's earlier drafts have several key difference from the final version: the villain Torahata did not exist; Sakai was accompanied by two scientists, a colleague and a friend's mentor; Godzilla's body washes ashore rather than Mothra's egg; the leads offer themselves as hostages to the Infant Island natives in exchange for Mothra's help; Rolisica was to be attacked by Godzilla; the Frontier Missiles were to be used by the Rolisican military; Himeji Castle was to be destroyed; Godzilla was to move East until reaching close to Tokyo; The artificial lightning tactic is conceived when Godzilla is repelled by electrical towers in Tokyo; Mothra attacks Godzilla when he becomes immune to electricity; Mothra engages Godzilla in a final battle when he stalks the lead characters on a beach. Honda changed much of Sekizawa's original script to accommodate his own vision. Saki's speech about the brotherhood of man was not in Sekizawa's script, but was later added by Honda during filming. The film marks the last time Godzilla is depicted as the antagonist during the franchise's Shōwa era.

Music
The film score was composed by Akira Ifukube. Ifukube adapted elements from Yuji Koseki's "Song of Mothra" theme from the 1961 film into his score. Honda and Ifukube were regular collaborators and held planning sessions to discuss which scenes would feature music. They had a disagreement over a scene which featured Godzilla rising behind a ridge-line. Honda asked for aggressive music for the scene but Ifukube refused, feeling that it was unnecessary due to Godzilla being "impressive enough". Godzilla's theme was eventually added to the scene, which upset Ifukube. The track "The Sacred Springs" was the only track Ifukube wrote for The Peanuts and was intended to lament Infant Island's destruction. For the 1980 re-release, the Japanese pop and rock band Talizman recorded a new song simply titled "Godzilla", which was later included as a bonus feature on Toho's 2014 Blu-ray.

Special effects
Mothra vs. Godzillas special effects were directed by Eiji Tsuburaya. Teruyoshi Nakano served as the assistant special effects director. Mechanical props and puppets were built for both monsters. The Godzilla suit was constructed by Teizo Toshimitsu two months prior to filming, with input from the actor Haruo Nakajima whenever he visited the workshop. The new suit was lighter than previous ones and allowed Nakajima to make more fluid movement. Reinforced heels gave Nakajima freedom to roll and flip without losing his footing. The 1962 Godzilla suit was recycled for water scenes and a shot with Godzilla tumbling off a cliff. For Mothra, a new prop was built, similar to the 1961 prop, with Y-shaped braces attached to the back that allowed the wings to flap. High-powered fans were used to create wind for Mothra's wings. The wing-span for the new Mothra prop was 15 feet. Mechanisms were added that allowed the prop's head and legs to move via remote control.

The larvae were a combination of hand puppetry and motor-driven mechanical props. The larvae's web was made of liquified polystyrene. When the web was shot off-screen, it was poured onto a cup stationed at the center of a heavy industrial fan. The cup was sealed with small gaps around the edges. To shoot the web out of the larvae's mouths, compressed air was run into a sealed tube of liquid polystyrene. At a high pressure level, the liquid polystyrene was forced through a tube that ran through the back of the larvae and into nozzles in their mouths. As long as the nozzle was small, the solution vaporized when first emitted and solidified into the web. Gasoline had to be used to remove the webbing and the suit had to be thoroughly dried to prevent it from combusting.

The larva movements were designed by Soujiro Iijima and used a conveyor belt with rotating gears that allowed the bodies to move up and down. For the scenes with the Shobijin, furniture eight times their size was built to make the Shobijin appear to be 30 centimeters tall. Honda originally intended to depict the wasteland part of Infant Island with more realism and graphic imagery but this idea was dropped due to budgetary issues with the art department. Honda later regretted this decision, saying he should have been more stubborn.

Tsuburaya had Toho purchase an Oxberry 1900 optical printer which was used to remove damages in composite photography shots. The optical printer was also used to create Godzilla's atomic breath. For a scene where Godzilla destroys Nagoya Castle, Nakajima was unable to completely destroy the model of the castle. He attempted to salvage the shot by having Godzilla appear enraged by the Castle's strong fortification, but the filmmakers chose to re-shoot the scene with a rebuilt model designed to crumble more easily. For a scene where Mothra drags Godzilla by the tail, the Godzilla suit was used for medium shots and a prop used for long shots. A sequence featuring the United States military attacking Godzilla with frontier missiles was filmed for the American market, but omitted in the Japanese version of the film.

The Mothra prop used for the New Kirk City scenes in Mothra was recycled for the Infant Island scenes. This prop was smaller compared to the prop built for the new film's adult Mothra. The 1961 model had a motor built into it that flapped the wings at a rapid pace. For the scenes with Godzilla near the cliff face, part of the set's support structure was hidden by using matte painting. The miniature tanks used in the film were purchased from Ihara models rather than typically custom built. The tank models were built to a 1/15th scale and were constructed from aluminum. The antennas were used for remote control.

For the scene where Godzilla destroys the incubator, the scene proved difficult for Nakajima and the wire staff, which required coordination. Close ups of the tail were done with a prop that was operated by two people due to the heavy weight of the tail. The scenes with Godzilla thrashing wildly at Mothra were shot at high speed, then projected at a quicker speed. The end results have been compared to the movement of stop-motion animation. The scene with Godzilla thrashing from the nets was shot with different cameras at once and as a result, the same scene plays over from different angles.

A second egg was produced for the hatching scene. A styrofoam egg was molded and a calcium carbonate substance was mixed with glue and added on top. The styrofoam egg was removed from its interior with a heated wire, which left a hollow form. For the opening typhoon scene, Iijima built a shallow water tank to create the illusion of violent waves. Wider water scenes were filmed at massive pool at Toho's studios.

Rubber glue was blown onto Godzilla's suit by an electric fan for the scene where Mothra's larvae entrap him in silk. In the process of filming, the rubber glue hardened, making it difficult to remove afterwards.

Release

Theatrical
Mothra vs. Godzilla was released in Japan by Toho on April 29, 1964, as a double feature with Operation Anti Hell. Prior to the Golden Week, it sold 3.5 million tickets. According to Henry G. Saperstein, the film grossed $217,000 for three weeks from eight theaters in Tokyo. In 1970, a heavily re-edited version was screened at the Toho Champion Festival, a children's festival centered on marathon screenings of kaiju films and cartoons. The Champion Festival version was edited by Honda, and runs 74 minutes. The Champion Festival release sold 730,000 tickets. In 1980, the film was theatrically re-released in Japan as a double feature with Doraemon: Nobita's Dinosaur. An entirely new poster featuring an illustration of Godzilla by Japanese manga artist Leiji Matsumoto was designed for the 1980 re-release. It sold 3 million tickets (¥2.33 billion), totaling  tickets sold in Japan.

American version
In May 1964, Henry G. Saperstein acquired the American theatrical and television rights to the film, under the proposed working title Godzilla vs. the Giant Moth, and sold the rights to American International Pictures (AIP). AIP released the film as Godzilla vs. the Thing on August 26, 1964, when it premiered in Los Angeles. AIP chose the title Godzilla vs. the Thing purposely to generate curiosity and anticipation for Godzilla's foe. AIP hired Reynold Brown to create a poster that featured Godzilla, but censored the other monster. Brown was paid $350 for his services.

The American version of the film contains footage shot by Toho specifically for the American release. The American version of the film received only a few minor adjustments: the Shobijin song on Infant Island was shortened as was a scene where Sakai, Junko Miura and Makamura wave goodbye to the Mothras swimming home. Removed scenes include one of Kumayama handing out leaflets to attract visitors to the giant egg incubator and one where Torahata shoots Kumayama in a hotel room. New scenes added included a sequence where U.S. military officials help Japan against Godzilla. The American release of the film was double-billed with Voyage to the End of the Universe. Titra Studios dubbed the film into English. The film was followed by Ghidorah, the Three-Headed Monster, released on December 20, 1964.

Critical response
On review aggregator Rotten Tomatoes, the film has an approval rating of 92% based on 13 reviews, with an average rating of 6.80/10.

A 1964 review for Kinema Junpo praised the effects but criticized the military attacking Godzilla, writing, "It's strange that the people don't learn from the past. From the Self-Defense Forces on down, every single person just plain looks stupid." In a contemporary review from the Monthly Film Bulletin, the critic wrote that "In spite of some clumsy model shots, Godzilla's fight with the giant moth and its caterpillar progeny is one of Toho's better efforts". The critic praised Godzilla's design in the film and wrote that the "ineffectual attempts to bring him to a halt are cleverly and spectacularly staged. Unfortunately, nothing else quite matches the special effects", writing that the plot is "ridiculous" and the acting "lamentable, and the two miniature twins' habit of repeating every line of dialogue simultaneously is intensely irksome".

Reviewing the American version, Variety said it was "long on special effect" and lacked "appeal for general trade", and that "in spite of the slick production, the story and acting don't offer enough to attract large general audiences". The review said that the "virtually all-Japanese cast, with unfamiliar faces and broad emoting typical of such Japanese pics, also detracts from general appeal". The review said that Honda's direction and the script "keep story moving at lively pace, building up to tense climactic scenes" and that Tsuburaya "labored mightily to cook up monsters and their battles, the tiny twins and the military assaults against Godzilla".

In 1998, Ryfle praised Mothra vs. Godzilla as it stood "indisputably as the greatest of all the Godzilla sequels, with a fast-paced story and likable characters, the most impressive Godzilla design ever, two of the Big G's most spectacular battles, and an abundance of special-effects "money shots" that evoke the thrills of the 1954 original." In 2017, Ryfle and Godziszewski gave their impression that "[t]he final twenty-plus minutes hint at the genre's impending tilt toward young boys. It's a near nonstop barrage of military hardware and monster action", and added that "Honda seemed to know that kids were now rooting for Godzilla, and so the film never gets too scary".

In his 2007 audio commentary, Ryfle praised the English dubbing for the American version, saying that it is one of the reasons that the film is considered amongst the best Godzilla films. Ryfle said that the English script was "snappy" and "well written" and that the voice performances sounded sincere and pulled with effort, stating, "You'd be hard pressed to find another movie where the dubbing is done as well as it is here." Reviewing the American version in 2017, the film critic Leonard Maltin gave it two and a half out of a possible four stars, praising the "vivid" special effects, which he called the highlight of the film.

Den of Geek ranked Mothra vs. Godzilla at number three in their 2019 ranking of the Shōwa Godzilla films, writing that the film has an "intelligent script that brings together mythology and modern sociopolitical themes is married to some of the best monster action in the series." Screen Rant ranked it at number three on their list of the "Best Kaiju Movies Featuring Mothra", calling the film a "kaiju classic" and a "great time overall" despite a lackluster final battle. Collider ranked the film number three on their Shōwa Godzilla list in 2022, calling the Godzilla suit an "impressive figure", the marionette work and puppeteering done with Mothra and the larvae as "impressive", and describing the battles as the "most unique" in the series.

Home media

Japan
In 1983, the Japanese version of Mothra vs. Godzilla was released on VHS in Japan by Toho, followed by a LaserDisc release in 1986. The Champion Festival cut was given a LaserDisc release in 1992, and the American version was included on a LaserDisc combo pack the following year. Toho released the film on DVD in 2003, and later included the film, along with the rest of the Godzilla films, on the Godzilla Final Box DVD Set in 2005. The film was included along with Godzilla (1954), Godzilla Raids Again (1955), and King Kong vs. Godzilla (1962) on the Godzilla DVD Collection I, released by Toho on January 25, 2008. In 2010, Toho released the film on Blu-ray.

In 2008, Toho remastered the film in High-definition and premiered it on the Japanese Movie Speciality Channel, along with the rest of the Godzilla films also remastered in HD. In 2021, Toho premiered a 4K remaster of the film on the Nippon Classic Movie Channel, along with seven other Godzilla films also remastered in 4K. The film was downscaled to 2K for broadcast.

United States
In 1989, the American version was released on VHS in North America by Paramount Home Video under the title Godzilla vs. Mothra. In 1998, Simitar Video reissued the American version on VHS and DVD, which included a widescreen edition. This release retained the previous title Godzilla vs. Mothra, however, the widescreen side of the DVD featured the original American print with the title Godzilla vs. The Thing. In 2002, Sony Music Entertainment released a pan-and-scan version of the American version on DVD. This release also retained the previous title, Godzilla vs. Mothra.

In 2007, Classic Media released both the Japanese and American versions on a single disc DVD in North America. The special features include an audio commentary by film historians Steve Ryfle and Ed Godziszewski, a featurette on Akira Ifukube's life and career by Godziszewski and Bill Gudmundson, a slideshow, and the film's theatrical trailer. In 2017, Janus Films and The Criterion Collection acquired the film, as well as other Godzilla titles, to stream on Starz and FilmStruck. In 2019, the Japanese version was included in a Blu-ray box set released by the Criterion Collection, which included all 15 films from the franchise's Shōwa era. In May 2020, the Japanese version became available on HBO Max upon its launch.

Notes

References

Sources

External links

 Mothra vs. Godzilla at the official Godzilla website by Toho Co., Ltd.

1964 films
1960s fantasy films
1960s science fiction films
1960s monster movies
Crossover tokusatsu films
Films directed by Ishirō Honda
Films produced by Tomoyuki Tanaka
Films scored by Akira Ifukube
Films set in the 1960s
Films set in 1964
Films set in Nagoya
Films set in Yokkaichi
Giant monster films
Godzilla films
Japanese fantasy films
Japanese science fiction films
Japanese sequel films
1960s Japanese-language films
Kaiju films
Mothra
Toho films
Films with screenplays by Shinichi Sekizawa
Films about fairies and sprites
1960s Japanese films

Mothra vs. Godzilla


Mihail Gheorghiu Bujor (n. 8 noiembrie 1881 – d. 17 iunie 1964) a fost un avocat, jurnalist și militant socialist român. A fost o figură importantă a mișcării muncitorești române și a îmbrățișat cauza comunistă în timpul Primului Război Mondial, organizând detașamente românești înarmate în Odesa pentru a sprijini Revoluția din Octombrie și în speranța de a instiga la revoluție în Regatul României.

A fost deținut politic în România o mare parte din perioada interbelică și în timpul celui de-Al Doilea Război Mondial, după schimbarea de regim din 1948 ocupând mai multe funcții politice minore la sfârșitul anilor '940.

Nașteri în 1881
Nașteri pe 8 noiembrie
Decese în 1964
Decese pe 17 iunie
Politicieni români din secolul al XX-lea
Comuniști români condamnați
Ziariști români
Avocați români
Deținuți ai lagărului de la Târgu Jiu
Activiști români
Membri ai Partidului Comunist Român
Decese în București

Mihail Gheorghiu Bujor


جبل غرة هو جبل يقع بشمال غربي الجمهورية التونسية بولاية جندوبة، قرب الحدود التونسية الجزائرية، شمال مدينة غار الدماء وشمال شرقي قرية عين سلطان. يبلغ ارتفاعه 1209 م.

يعتبر جبل غزة جزءا هاما من جبال خمير وأعلاهم ارتفاعا حيث يصنف كاعلى مرتفع بولاية جندوبة متبوعا بجبل سلطان المحاذي (1150 م).

مراجع

قمم جبلية تونسية
محميات طبيعية في تونس
مناطق محمية أسست في 2010
ولاية الطارف
ولاية جندوبة

جبل غرة


Azərbaycan Premyer Liqası ya da sponsorluk anlaşması gereğince Misli Premyer Liqası, Azerbaycan'daki Azerbaycan Profesyonel Futbol Ligi'nin en üst seviye futbol ligidir.

Lig 1992 yılında SSCB'nin dağılmasından sonra kurulmuştur. Ligin adı, 1992'den 2007'ye kadar "Yüksek Deste" olarak kalmıştır.

Lig Yüksek Deste iken 14 olan takım sayısı, 12'ye düşürülmüştür. 2013-14 sezonunda takım sayısı 10'a inmiştir. 2017 yılından beri 8'e kadar düşmüştür. 2022-23 sezonunda ise takım sayısı tekrar 10'a çıkartılmıştır. Ligi şampiyon bitiren takım Şampiyonlar Ligi'nde ön eleme oynamaya, 2., 3. ve 4. bitiren takımlar ise Konferans Ligi birinci ön eleme turunda oynamaya hak kazanır. Son sıradaki iki takım ise bir alt lige düşer.

En başarılı takım, 10 kez şampiyonluğa ulaşan Karabağ'dır. Ligin tamamlanan son sezonu olan 2022-23 sezonunda ise şampiyonluğa ulaşan takım Karabağ'dır.

UEFA sıralaması
UEFA 2022-23 futbol sezonu ülke katsayıları

Medya ilişkileri

Şampiyonlar ve gol kralları

Kulüp performansları

Dış bağlantılar
 Resmi site
 Azerbaycan Futbol Federasyonu
 Azərbaycan Premyer Liqası şampiyonları

Kaynakça

1992'de Azerbaycan'da kurulan oluşumlar

Premyer Liqa


Radiovittaria, biljni rod iz porodice bujadovki (Pteridaceae) rasprostranjen po tropskoj Americi. Pripadaju mu 10 priznatih vrsta

Rod je smješten u potporodicu Vittarioideae.

Vrste
 Radiovittaria andina A. Rojas
 Radiovittaria gardneriana (Fée) E. H. Crane
 Radiovittaria karsteniana (Mett.) A. Rojas
 Radiovittaria latifolia (Benedict) E. H. Crane
 Radiovittaria minima (Baker) E. H. Crane
 Radiovittaria moritziana (Mett.) E. H. Crane
 Radiovittaria remota (Fée) E. H. Crane
 Radiovittaria ruiziana (Fée) E. H. Crane
 Radiovittaria salvo-tierrana A. Rojas
 Radiovittaria stipitata (Kunze) E. H. Crane

Sinonimi
 Vittaria subgen.Radiovittaria Benedict

Izvori

Vittarioideae

Radiovittaria


Wardell Stephen Curry II ()  un jucător profesionist american de baschet care evoluează la echipa Golden State Warriors din NBA. Este considerat ca fiind cel mai bun aruncător de la distanță din istoria NBA. A devenit în patru rânduri campion NBA cu Golden State Warriors. De două ori a fost desemnat cel mai bun jucător (MVP) al sezonului regulat, în sezonul 2015-16 fiind primul jucător din istoria NBA ales MVP cu unanimitate de voturi.

Tatăl lui Steph, Dell Curry, a fost jucător în NBA, iar fratele său mai mic, Seth Curry, joacă de asemenea în NBA.

Steph Curry a jucat baschet în colegiu pentru Davidson Wildcats, echipa colegiului Davidson din Carolina de Nord. Aici, el a fost numit de două ori Jucătorul Anului în Conferința de Sud și a stabilit recorduri ale colegiului și ale Conferinței privind numărul de puncte marcate în medie pe meci. În timpul anului doi de colegiu, el a stabilit, de asemenea, recordul sezonului în NCAA pentru coșuri de trei puncte (162).

Curry a intrat în NBA în 2009, fiind selectat de Golden State Warriors de pe poziția a șaptea în draft.

În sezonul 2012-13, Curry a stabilit un nou record NBA pentru coșuri de trei puncte - cu 272 de coșuri reușite. El a depășit recordul în 2015 cu 286, și din nou în 2016, cu 402. În sezonul 2013-14, el și coechipierul Klay Thompson a fost porecliți "Splash Brothers", cei doi stabilit un record NBA pentru numărul combinat de coșuri de trei puncte într-un singur sezon, 484, un record doborât sezonul următor (525) și din nou în sezonul 2015-16 (678).

În sezonul 2014–15, Curry a obținut prima dată trofeul MVP și a condus pe Warriors spre primul lor titlu de campioană din anul 1975. În sezonul următor, Warriors au stabilit un nou record NBA de victorii într-o singură stagiune, 73, și au ajuns în finală, pierdută însă în șapte meciuri contra lui Cleveland Cavaliers. Curry a ajutat pe Warriors să ajungă în finala NBA în anii 2017, 2018 și 2019, câștigând titluri în anii 2017 și 2018, dar pierzând în 2019 cu Toronto Raptors. După necalificare în playoff în 2020 și 2021, Curry a obținut al patrulea inel de campion cu Warriors, în 2022, în urma victoriei din finala cu Boston Celtics, fiind desemnat MVP al finalei.

Referințe

Legături externe

 Davidson Wildcats bio

Nașteri în 1988
Creștini afro-americani
Sportivi americani în viață
Baschetbaliști americani
Nașteri pe 14 martie
Sportivi din statul Ohio
Sportivi afro-americani
Sportivi americani din secolul al XXI-lea

Stephen Curry


Branko Maleš (Zagreb, 18. 1. 1949.) hrvatski je pjesnik i esejist te prevoditelj sa slovenskog i njemačkog jezika. Studirao je na Tehnološkom i Filozofskom fakultetu u Zagrebu.

Djela
Radio je kao urednik književnih novina i časopisa (Off, Most, Republika, OKO) te rock-magazina Heroina.

Njegove su pjesničke zbirke Tekst, Praksa laži, Placebo, "biba posavec", Trickster, Vertigo i Mutno. Prva je zbirka (Tekst, 1978.) bliska avangardizmu, strukturalističkim eksperimentima i jezičnom ludizmu, a u sljedećoj zbirci, Praksa laži, poigrava se popkulturnim iskustvom te poetikom videospotova i stripova.

U svojim novinskim kolumnama koje je sabrao u djela Crveni zec (1989.) i Treniranje države (1994.) služi se ironijom, analizira hrvatsku političku scenu i njezine aktere iz pozicije slaba subjekta.

Prema motivima priča R. Carvera napisao je dramski tekst Prozori spavaćih soba (1997.) s M. Živkovićem.

Priredio je više zbiraka suvremene hrvatske proze i pjesništva, a objavio je i knjigu studija o sedam hrvatskih pjesnika pripadnika hrvatskog poetskog moderniteta (Razlog za razliku, 2002.) te esejističku zbirku Poetske strategije kraja 20. stoljeća (2010.).

Priređene knjige

 Zbornik off poezije, Zagreb, 1979.
 Mlađa hrvatska proza u kontekstu poslijeratne prozne produkcije, Republika, Zagreb, 1979.
 Šum krila, šum vode (izbor iz poezije Vesne Parun), 1981.
 Sječivo za nevine (izbor iz poezije Branimira Bošnjaka), 1989.
 Goethe u samoposluživanju (izbor iz novije njemačke poezije), zajedno s D. Karamanom, Zagreb, 1989.
 Konac dana (izbor iz kratkih proza Vladana Desnice), 1990.
 Sredozemlje, sedmi put (izbor iz poezije Ivana Rogića Nehajeva), 1999.
 Orguljaš na kompjuteru (izbor iz poezije Slavka Jendrička), 1999.
 Pustinje neona (izbor iz poezije Ervina Jahića), Bošnjačka nacionalna zajednica Hrvatske, Zagreb, 2005.
 More nosi naranče u luku (izbor iz poezije Vesne Parun), Privlačica, Vinkovci, 2005.

Djela

 Tekst, poezija, Zagreb, 1978., 1989.
 Praksa laži, poezija, Rijeka, 1986.
 Crveni zec, kolumnistika, Zagreb, 1989.
 Placebo, poezija, Zagreb, 1992.
 Treniranje države, kolumnistika, Zagreb, 1994.
 Vani i unutra, dramski tekst, Quorum, 1995.
 "biba posavec", poezija, Zagreb, 1996.
 Prozori spavaćih soba, dramski tekst, zajedno s M. Živkovićem, Zagreb, 1997.
 Trickster, poezija, Zagreb, 1998.
 Male ljubavi, eseji, Zagreb, 2000.
 Sjajno ništa, izbor iz poezije, Zagreb, 2002.
 Viva la vita, izbor poezije na talijanskom jeziku, 2002.
 Razlog za Razliku, studije o sedam hrvatskih pjesnika, Zagreb, 2002.
 Valosag elleni gyakorlatok (valogatott versek (1978. – 1998.), Fiatal Szegedi Irok Kore – Babelpress Bt, Szeged – Veszprem, 2005.
 Poetske strategije kraja 20. stoljeća, eseji 1, Lunapark, Zagreb, 2009.
 Poetska čitanka suvremenoga hrvatskog pjesništva (1950. – 2010.), izbor, Biblioteka Poezija, HDP, Zagreb, 2010.
 Vertigo, pjesme, Fraktura, Zaprešić, 2010.
 Mutno, pjesme, Biblioteka Poezije, HDP, Zagreb, 2017.

Nagrade
Dobio je Brankovu nagradu 1979. godine, nagradu Pavleka Miškine 1980., Goranov vijenac 2002. i nagradu Vladimir Nazor za zbirku Mutno 2017. godine.

Osvojio je Plaketu sv. Kvirina za sveukupan doprinos hrvatskom pjesništvu 2018. godine.

Izvori

Hrvatski pjesnici
Hrvatski književnici
Dobitnici nagrade Vladimir Nazor

Branko Maleš


جبل قتروي يقع غرب بارق جنوب المملكة العربية السعودية، ويبلغ ارتفاعه حوالي 1100 متر فوق سطح البحر، وهو من المعالم الرئيسية لمحافظة  بارق الهادئة . ومما يميز الجبل عوضا عن ارتفاعه الشاهق هو قمته المسطحة والتي تزخر بغطاء نباتي كثيف، بالإضافة إلى مساحات زراعية واسعة في قمته حيث يمتد شعيب خصب و متسع نسبياً السكان يستصلحونه فيما مضى لغرض الزراعة، بالإضافة إلى كون الجبل مثال للتنوع البيئي حيث يعيش فيه أنواع  من الحيوانات المفترسة إلى يومنا هذا كالنمر العربي والضباع واعداد كبيره من قردة البابون بالإضافة إلى الوبر وأنواع مختلفة من الطيور.

انظر أيضا
 قائمة جبال السعودية

محافظة بارق
جبال عسير

جبل قتروي


Henrik Frederik Korn (født 10. april 1844 i København, død 25. marts 1895 i København), var politiinspektør og chef sædelighedspolitiet i København.

H. F. Korn blev i 1886 ansat som chef for det københavnske sædelighedspoliti en organisation. Den 25. marts 1895 skød han sig på politikammeret under domhuset på Nytorv. Det var kulminationen på en korruptionsskandale inden for korpset hvor der under flere år med ham som leder pågik magtmisbrug, korruption, alfonsvirksomhed og pengeafpresning.

Referencer

Politifolk fra Danmark
Personer fra København
Personer der har begået selvmord
Kontroverser omhandlende politiet

Henrik Frederik Korn


Natura 2000 es una red ecológica europea de áreas de conservación de la biodiversidad. Consta de Zonas Especiales de Conservación designadas de acuerdo con la Directiva de Hábitats, así como de Zonas de Especial Protección para las Aves establecidas en virtud de la Directiva de Aves.

Su finalidad es asegurar la supervivencia a largo plazo de las especies y los hábitats más amenazados de Europa, contribuyendo a detener la pérdida de biodiversidad ocasionada por el impacto adverso de las actividades humanas. Es uno de los principales instrumentos para la conservación de la naturaleza en la Unión Europea.

La Red Europea Natura 2000 es una red ecológica coherente de espacios protegidos que han sido creados al amparo de dos directivas complementarias: la Directiva 79/409/CEE, relativa a la conservación de las aves silvestres (también denominada Directiva de Aves), en la que se definen las Zonas de Especial Protección para las Aves (ZEPA), y la Directiva 92/43/CEE, relativa a la conservación de los hábitats naturales y de la fauna y flora silvestres (también denominada Directiva de Hábitats) sobre la base de la cual se seleccionan los Lugares de Importancia Comunitaria (LIC), que posteriormente serán designados como Zonas de Especial Conservación (ZEC). Un mismo lugar puede ostentar la doble clasificación LIC o ZEC y ZEPA.

Sin embargo, su utilidad en España está en entredicho

Antecedentes

La Red en España

En España son las comunidades autónomas las que tienen las competencias en la declaración y gestión mediante los correspondientes instrumentos de planificación de estos espacios y darán cuenta al Ministerio de Medio Ambiente a efectos de presentar el preceptivo informe cada seis años a la Comisión Europea. El Estado se encarga de la gestión de las ZEC y las ZEPA marinas.

La contribución española a la RN2000 es muy relevante, con cerca de un 22,93% de su territorio declarado LIC o un 19,94% en concepto de ZEPA. Es por tanto, uno de los países europeos que aporta una mayor superficie al conjunto de la Red.

En 2020 se denuncian mala gestión e incumplimientos sistemáticos que podrían obligar a España a la devolución de las ayudas percibidas y no recibir financiación en el futuro.

En España los espacios protegidos Red Natura 2000 son:

LIC

Comentario:
 Actualización de la información: La tabla contiene información actualizada en octubre de 2010.
 Fuente: Ministerio de Medio Ambiente y Medio Rural y Marino de España

ZEPA

Comentarios:

 La ZEPA ES0000085 'Ribadeo' es compartida por las comunidades autónomas de Galicia y Principado de Asturias. Está contabilizada una vez en cada comunidad autónoma pero no así en el total nacional.
 La tabla contiene información actualizada en noviembre de 2010
 Fuente: Ministerio de Medio Ambiente y Medio Rural y Marino de España

Véase también
 Global Geosites de España
 Reservas naturales fluviales de España

Referencias

Enlaces externos

Red Natura 2000 en España


Ağcakese, Samsun ilinin Kavak ilçesine bağlı bir mahalledir.

Tarihçe
Ağcakise; idari bölüm olarak daha önceleri köy iken, 2012 yılındaki yasa değişikliğinden sonra mahalle olmuştur.

Nüfus

Kaynakça

Kavak'ın mahalleleri

Ağcakese, Kavak


Irisbus Arway (SFR160) es una clase de buses producidos por Irisbus, división de autobuses de Iveco, en la planta de Vysoké Mýto, República Checa.

El Arway es un bus para rutas suburbanas. Fue diseñado para reemplazar los MyWay (modelo original de Iveco) y Ares (modelo original Renault), con el nombre Arway. Se proporciona con sistema de climatización, sistema Hi-Fi y también, a demanda, medidas de ayuda a personas discapacitadas. Tiene dos puertas, la central disponible en configuración individual o doble.

El motor es un Cursor 8, de normativa Euro 4 estándar, con 7880 cc de desplazamiento, desarrollando  una potencia de 330 o 380 caballos, dependiendo de la versión. El primer Arways fue entregado en Francia en 2006. En Italia está en servicio en las compañías de transporte público de Piacenza, Ferrara, Brescia y Lodi y en España se puede encontrar en compañías de transporte público de, por ejemplo, Madrid.

Arway
Autobuses

Irisbus Arway


Crkva sv. Stjepana s grobljem nalazi se u Prgometu u zaleđu Trogira.

Opis
Crkva je jednobrodna građevina s izduženim prezbiterijem i polukružnom apsidom građena u tradiciji kasnobaroknih crkava Zagore. Pročelje je jednostavno, kameno, sa središnjim ulazom flankiranim četvrtastim prozorima i trodijelnom preslicom za tri zvona na vrhu zabata. U osi ulaza je rozeta, poviše nje uzidan križ, a na vrhu kružni prozor s cvjetnim uzorkom.

Nad bočnim prozorima ugrađena je starija profilacija s polukružnim jastukom. Nad vratima je natpisna ploča s tekstom o gradnji crkve:

Na južnom pročelju je još jedan ulaz, te ulaz u svetište.

Na groblju oko crkve je sačuvano nekoliko ukrašenih stećaka i križeva što ukazuje na kasnosrednjovjekovnu nekropolu koja se zasigurno prostirala oko gotičke crkve.

Interijer
U interijeru je na zapadu betonsko pjevalištena masivnim stupovima. U Tri niše na glavnom oltaru su kipovi sv. Stjepana, sv. Mihovila i sv. Blaža (tirolski). Iza kipa sv. Stjepana je oltarna pala sa slikama "Kamenovanje sv. Stjepana" i "Bogorodica s Djetetom" s apliciranim zavjetnim krunama iz 18. stoljeća. Na oltaru je drveno svetohranište u rokoko maniri. Na bočnom sjevernom oltaru je kip Bezgrešnog začeća BDM, a na južnom drveno raspelo. Od preostalog inventara vrijedi istaknuto još dvije grafike postavljene uz trijumfalni luk: Srce Marijino i Srce Isusovo te slika Bogorodice s Djetetom nekog lokalnog autora. Od obrednih predmeta sačuvan je srebrni kalež iz 16. ili početka 17. stoljeća s čvorom ukrašenim glavicama anđela.

Povijest
Crkva je bila je izgrađena daleko prije 19. stoljeća, ali je bila zapuštena, pa je Pavao Andreis u 17. stoljeću opisuje kao "otrcanu uspomenu". Polovicom 18. stoljećaje bila proširena, ali loše, što je u vizitaciji 1756. zabilježio trogirski biskup Didak Manola. Crkva tada nije imala zvonik nego je zvono visjelo pred vratima na gredama. Imala je srebrni kalež, kožnati antependij i šćavet.

Sadašnja crkva je podignuta 1863., kako je uklesano na natpisu.

Zaštita
Pod oznakom Z-2901 zavedena je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "sakralna graditeljska baština".

Izvori

Stjepan, Prgomet
Stjepan, Prgomet
Prgomet

Crkva sv. Stjepana u Prgometu


Tempisque (špa.: Río Tempisque) je rijeka u Kostarici, provinciji Guanacaste, duga 144 km koji izvire u Kordiljerima u blizini vulkana Orosi, te se u zaljevu Nicoya ulijeva u Tihi ocean.

Značajnije pritoke rijeke Tempisque su rijeke Rebedero, Liberia, Salto, Cañas, Colorado, Las Palmas, Viejo, Belén, Diriá i Bolsón.

Rijeka protječe kroz Nacionalni park Palo Verde te je važno stanište različitih vrsta krokodila, majmuna, iguana i ptica.

U koritu rijeke se nalaze brojne naplavine mulja te je plovnost ograničena.

U povijesti rijeka je bila korištena za spuštanje trupaca do mora, koji su kod otoka Chira skupljani i tovareni na brodove.

Izvori

Rijeke u Kostarici
Tihooceanski slijev (Sjeverna Amerika)

Tempisque


Arturo de Connaught (13 de enero de 1883-12 de septiembre de 1938) fue un miembro de la Familia Real Británica, nieto de la reina Victoria. Tuvo el título de príncipe británico con el tratamiento de Su Alteza Real. También se desempeñó como gobernador general de la Unión Sudafricana de 1920 a 1924.

Primeros años

El príncipe Arturo nació el 13 de enero de 1883 en el Castillo de Windsor. Su padre era el príncipe Arturo, duque de Connaught y Strathearn, hijo de la reina Victoria y del príncipe Alberto de Sajonia-Coburgo-Gotha. Su madre era la princesa Luisa Margarita de Prusia. El príncipe fue bautizado en la Capilla Privada del Castillo de Windsor el 16 de febrero de 1883, sus padrinos fueron: la reina Victoria (su abuela paterna), la emperatriz de Alemania (su tía bisabuela, representada por su tía paterna, la princesa Beatriz), el príncipe Federico Leopoldo de Prusia (su tío materno, representado por el embajador alemán, el conde Münster), la princesa Enrique de los Países Bajos (su tía materna, representada por la condesa de Münster), el duque de Cambridge (primo hermano de la reina), y el duque de Edimburgo (su tío paterno, representado por su hermano el príncipe de Gales).

El príncipe Arturo fue el primer príncipe real en educarse en Eton College. Recibió el sacramento de la confirmación en la capilla privada del castillo de Windsor el 20 de mayo de 1899.

Ejército

Después de terminar la escuela, el príncipe Arturo fue educado en el Real Academia Militar de Sandhurst y enviado al Séptimo Cuerpo de Húsares de la Reina. Durante la Segunda Guerra Bóer, estuvo en servicio activo en el séptimo de Húsares pasando varios meses estacionado en Krugersdorp. En 1907, fue ascendido al rango de capitán en el 2º de Dragones (Royal Scots Greys).
Se convirtió en coronel en jefe honorario de dicho regimiento en 1920.

Durante la Primera Guerra Mundial, el príncipe Arturo se desempeñó como ayudante de campo de los generales sir John French y sir Douglas Haig, jefes sucesivos de la Fuerza Expedicionaria Británica en Francia y Bélgica. Fue ascendido a teniente coronel en 1919 y se convirtió en coronel de reserva en 1922. En octubre de 1922 se ascendió al príncipe Arturo al rango de general de división honorífico y en ayudante de campo de su primo, el rey Jorge V.

Dado que los hijos de Jorge V eran demasiado jóvenes para llevar a cabo funciones públicas hasta después de la Primera Guerra Mundial, el príncipe Arturo llevó a cabo deberes reales en el Reino Unido y en el extranjero.

Matrimonio

El 15 de octubre de 1913, el príncipe Arturo se casó con la princesa Alejandra, duquesa de Fife en la Capilla Real en el Palacio de St. James, Londres. La princesa Alejandra era la hija mayor de Alexander Duff, I duque de Fife y la princesa Luisa, princesa Real, hija mayor del rey Eduardo VII. Como tal, la pareja eran tío y sobrina en segundo grado. La princesa Alejandra tenía el título de duquesa de Fife por derecho propio.

Después de su matrimonio, Arturo y Alejandra fueron llamados Sus Altezas Reales el príncipe y la princesa Arturo de Connaught.

Tuvieron un hijo:

 Príncipe Alastair de Connaught (1914-1943). A Alastair le fue concedido en 1917 el título de cortesía de conde de McDuff, hasta que después de la muerte de su abuelo obtuvo el título de duque de Connaught y Strathearn.

Años después

Tras la ascensión de su primo, el rey Jorge V, el príncipe Arturo fue el miembro varón más longevo de la Familia Real que durante 18 años residiera en el Reino Unido. Como tal, llevó a cabo un gran número de deberes reales en nombre del rey, y actuó como consejero de Estado durante los períodos de ausencia del rey en el extranjero.

En 1918, fue invitado a bordo del crucero japonés Kirishima, en un viaje de Japón a Canadá. En 1920, el príncipe Arturo sucedió al vizconde Buxton como Gobernador general y comandante en jefe de Sudáfrica. El conde de Athlone lo sucedió en ese puesto en 1924. A su regreso a Gran Bretaña, el príncipe Arturo se involucró en una serie de organizaciones caritativas, siendo presidente de la junta directiva del Hospital de Middlesex. Como su padre, el duque de Connaught, fue miembro activo de la masonería, llegando a ser gran maestre de Berkshire en 1924.

El príncipe Arturo de Connaught murió de cáncer de estómago a los 55 años. Fue enterrado en el Cementerio real. Una de sus últimas apariciones públicas fue en la coronación de Jorge VI. Su padre, el duque de Connaught, le sobrevivió cuatro años. Su único hijo, quien utilizaba el título de cortesía de conde de Macduff desde 1917, sucedió a su abuelo paterno como segundo duque de Connaught y Strathearn y conde de Sussex en 1942.

Títulos, estilos y honores

Títulos y estilos

 13 de enero de 1883 - 12 de septiembre de 1938: Su Alteza Real el príncipe Arturo de Connaught.

Honores

 KG: Caballero de la Orden de la Jarretera
 KT: Caballero de la Orden del Cardo
 KP: Caballero de la Orden de San Patricio
 PC: Consejero Privado
 CB: Compañero de la Orden del Baño
 Real Cadena Victoriana
 GCMG: Caballero gran cruz de la Orden de San Miguel y San Jorge
 GCVO: Caballero gran cruz de la Real Orden Victoriana
 GCStJ: Bailío gran cruz de la Venerable Orden de San Juan
 Caballero gran cruz con collar de la Orden de San Olaf
 Caballero Gran Cordón de la Suprema Orden del Crisantemo

Ancestros

Referencias

Príncipes de Reino Unido
Gobernadores y administradores coloniales británicos
Políticos de Sudáfrica del siglo XX
Gobernantes de Sudáfrica
Bailíos grandes cruces de la Orden de San Juan
Condecorados con la Orden del Crisantemo
Caballeros grandes cruces de la Orden de San Miguel y San Jorge
Caballeros grandes cruces de la Real Orden Victoriana
Miembros de la Orden de la Jarretera
Caballeros grandes cruces con collar de la Orden de San Olaf
Sepultados en el Cementerio Real de Frogmore
Caballeros de la Orden de San Huberto
Caballeros grandes cruces de la Orden del Águila Roja
Fallecidos en Londres

Arturo de Connaught


Gherasim Popa (n.? - d.?) a fost un demnitar comunist. Gherasim Popa a fost ministru al Industriei Metalurgice și Construcțiilor de Mașini (1955 - 1957) și Ministrul Industriei Grele (1957 - 1959). Gherasim Popa a fost deputat în Marea Adunare Națională în perioada 1952 -1961. Gherasim Popa a fost membru în CC al PMR în perioada 1955 - 1960.

Note

Miniștri români
Deputați români în Marea Adunare Națională
Membri ai Partidului Muncitoresc Român
Miniștri comuniști români

Gherasim Popa


Innocent Eyes is the debut studio album by Australian singer Delta Goodrem, released in Australia on 24 March 2003. It was later released in the United Kingdom on 30 June 2003. Goodrem co-wrote most of the material, excluding "Throw It Away", "Lost Without You" and "Butterfly". The album features two self-penned songs, "In My Own Time" and "Will You Fall for Me". Goodrem worked with writers and producers such as: Audius Mtawarira, Bridget Benenate, Cathy Dennis, Eliot Kennedy, Gary Barlow, Jarrad Rogers, Kara DioGuardi, Vince Pizzinga and others to create the album with a collection of piano-based pop and ballad tracks.

Five singles were released from the album. Its lead single "Born to Try" was released in November 2002 and became a massive commercial success, peaking atop the ARIA Singles Chart and the New Zealand Singles Chart, becoming Goodrem's most successful single to date. Follow-up singles "Lost Without You", "Innocent Eyes", "Not Me, Not I" and "Predictable" also all reached number one on the ARIA Singles Chart. Goodrem became the first artist to have five number-one singles from a debut album. The first three singles charted within the top 10 in the United Kingdom. To promote the album, Goodrem embarked on The Visualise Tour.

Innocent Eyes debuted at number one on the Australian Albums Chart, making it her first number-one album. Altogether it sold 4.5 million copies worldwide including 1.2 million in Australia alone.
Innocent Eyes is the most successful album in Australia in 19 years. It was the highest-selling album in Australia of the decade and is the second-best-selling Australian album of all time.

Background
In September 2000, Goodrem signed to Sony Music and an album which she planned to release with independent label Empire Records was shelved. A year later, Goodrem released her debut single "I Don't Care" which peaked at number 64 on the ARIA Singles Chart.

Soon after, Goodrem began working on Innocent Eyes. She worked with a range of producers and songwriters, including the True North production and songwriting team: Gary Barlow, Eliot Kennedy (Spice Girls), Ric Wake (Celine Dion, Taylor Dayne, Jennifer Lopez, Mariah Carey), Kara DioGuardi (Kelly Clarkson, Christina Aguilera, Avril Lavigne, Hilary Duff), Matthew Gerrard (Mandy Moore, BBMak), Vince Pizzinga (Midnight Oil, Danielle Spencer), David Nicholas (INXS, Elton John, George) and Mark Holden.
Innocent Eyes is a Pop, pop rock and adult contemporary album which uses mostly live instruments.
Talking about the album, Goodrem said: "I wanted to make an album that reflected me at this time in my life", "Every song takes me to a place where I can remember what happened." She also said: "The album is almost like a diary I have been keeping over the last two years", "Every track has a meaning behind it that's personal to me. I have been looking forward to this day for a long time and I just hope that everyone likes the music as much as I loved making it."

Lawsuit
In 2004, Goodrem had been accused of owing thousands of dollars to songwriter Mark Holden. Holden wanted to clear up the terms of his contract with Goodrem and her record label Sony and requested all consultancy fees owed to him under the agreement.

Critical reception

Innocent Eyes received mostly positive reviews from music critics. Matthew Chisling from AllMusic described Goodrem's presence in the music industry as a "refreshing change". He also said that, "Innocent Eyes reflects a mature yet clean display of true vocal talent". Caroline Sullivan a writer for The Guardian said that "Goodrem sings her aspirational ballads with heartfelt candour, while her co-writer's credit on nearly every song seems to be more than affectation. The lyrics are a bit la-la-floating-on-clouds, but that doesn't dilute their charm".

Release and promotion

Singles
"Born to Try" was the first song from the album released in Australia on 11 November 2002, just a few days after Goodrem's eighteenth birthday. At the time of its release, Goodrem was performing the song on the Australian soap opera Neighbours, as singer Nina Tucker. The song debuted on the Australian Singles Chart on 18 November 2002 at number three. On its second week the song jumped to number two and was accredited platinum by ARIA, by its third week the song had knocked "The Ketchup Song" by Las Ketchup off the top spot and became Goodrem's first number-one single. The song eventually went on to certify triple platinum, becoming the fourth highest-selling single in Australia for 2003. It won three ARIA Awards for Breakthrough Artist – Single, Highest Selling Single and Single of the Year. "Born to Try" also went number-one in New Zealand and Slovenia, top ten in the UK, and top twenty in Ireland and the Netherlands.

"Lost Without You" was the second song released from the album. Released to radio on 14 February 2003, it became the most added song to radio for that week. It was released as a CD single on 3 March 2003 in Australia. The song gave Goodrem her second number one single in Australia on 10 March 2003 debuting at number one. The song eventually went on to certify double platinum, becoming the seventh highest selling single in Australia for 2003. It was nominated for one ARIA Award for Highest Selling Single but lost to herself with "Born to Try". "Lost Without You" also went top ten in New Zealand, Spain and the UK, and became the first of her four Number One singles in Sweden.

On 17 April 2003 it was announced that the third song released from the album was "Innocent Eyes" which was released as a CD single on 9 June 2003. The song debuted on Australian Singles Chart the charts at number two on 16 June 2003, behind "Bring Me to Life" by Evanescence, and was accredited gold. After three weeks in the charts it moved one spot up the charts and became Goodrem's third number-one hit single in Australia. The song went to certify platinum by ARIA, becoming the eighteenth highest selling single in Australia for 2003. It was nominated for one ARIA Award for Highest Selling Single but again lost to herself with Born to Try. "Innocent Eyes" also went top ten in the UK, top twenty in New Zealand and topped the chart in Israel.

"Not Me, Not I" was the fourth song released from the album in Australia on 15 September 2003. The song's music video was directed by Michael Spiccia and was filmed in August 2003. Goodrem was determined to film the music video and to have it completed before she started her second round of chemotherapy for Hodgkin's lymphoma because she said the song is her favourite from the album. The song made its debut on the Australian Singles Chart at number two behind Dido's "White Flag". Ond on its second week it went to number-one, making it Goodrem's fourth number-one single, breaking Kylie Minogue's record of having the most songs released from an album to reach number-one. The single also made history when it topped the chart in Malta, making Goodrem the first Australian artist to have a Number One record (either album or single) in that country.

"Predictable" was the fifth song released from the album and was released as a double A-side with her version of the John Lennon Christmas song "Happy Xmas (War Is Over)". It saw the release to radio on 25 November 2003 and topped the airplay charts, and when it saw its physical release, it became her fifth number-one single.

Tour

Goodrem launched The Visualise Tour in 2005 where she performed songs from Innocent Eyes and her second album Mistaken Identity. She performed 10 arena shows in Australian capital cities. The show on 24 July at Acer Arena in Sydney was filmed for inclusion on the live DVD for the concert tour entitled The Visualise Tour: Live in Concert, which was released on 13 November 2005. The DVD peaked at number one on the Australian ARIA DVD Chart and was certified four times platinum for sales of 60,000 units.

Commercial performance
Innocent Eyes debuted at number one on the Australian ARIA Albums Charts on 31 March 2003 with sales of over 70,000 copies, accrediting platinum and knocking Norah Jones's album Come Away with Me from the top spot. The album went on to spend twenty-nine weeks at number one. This broke John Farnham's record of twenty-five weeks at number one with Whispering Jack (1986). Innocent Eyes was then tied with Neil Diamond's album Hot August Night (1972) for spending the most weeks at number one in Australian history. Its accreditation reached to fourteen times platinum. The album became the highest selling album in Australia for 2003, spent eighty-seven weeks in the top one hundred, and won six ARIA Awards for Highest Selling Album, Best Female Artist, Breakthrough Artist – Album, Best Pop Release and Channel V's Oz Artist of the Year. In 2004 the album again won the award for Highest Selling Album. It went to sell over a million copies in Australia. In the UK, the album debuted on the charts at number two behind Beyoncé Knowles's album Dangerously in Love (2003). It spent thirty-one weeks in the top seventy-five, and became the eighteenth highest-selling album for 2003. Innocent Eyes is the second highest- selling album by an Australian female singer in the 2000s, behind Kylie Minogue's album Fever which sold over six million copies worldwide.

On 23 December 2003 it was announced that the one millionth copy of the album had been released to retail, the disc was specially marked by Sony and the buyer would receive a plaque commemorating the milestone. On 7 January 2010, Innocent Eyes was announced as Australia's top-selling album for the 2000s, for which Goodrem received a special award at the 2010 ARIA No. 1 Awards in Sydney on 22 July 2010.

Track listing

B-sides
The following tracks were not released on the album, but were released on the singles.

Personnel
Delta Goodrem — vocals, writer, producer, piano, keyboards, concept
Mark Russell – production coordination
Mark Fields – arranger, keyboards, producer, engineer, string arrangements, bass, guitar
Matthew Gerrard — arranger, programming, producer, instrumentation
Gary Barlow — keyboards, programming, producer
Eliot Kennedy — producer, guitar
Audius Mtawarira – co-writer, producer
David Nicholas – producer, vocal engineer
Rick Wake — producer
Daniel Denholm – conductor, string arrangements
Mike Ruekberg – guitar (baritone)
Steve MacKay – guitar
Mark Punch – guitar
Phil Solem — guitar
Craig Myers – guitar
Jeremy Meek – bass guitar
Chris Cameron – string arrangements
Vince Pizzinga – cello arrangement
Ameena Maria Khawaja— cello
Richard Sanford – piano
David Falzone – piano
Matt Mahaffey — keyboards, noise
Billy Hawn – percussion
Dorian Crozier — drums
Cathy Dennis — vocals (background)
Ami Richardson – vocals (background)
Bob Cadway – engineer
Chong Lim — vocal engineer
Jim Annunziatto – assistant engineer
Michael Brauer— mixing
Greg Calbi – mastering
Robbie Adams – assistant
Sam Story – assistant
Blair Simmons – assistant

Charts

Weekly charts

Year-end charts

Decade-end charts

Certifications

See also
List of best-selling albums in Australia

References

2003 debut albums
ARIA Award-winning albums
Delta Goodrem albums
Epic Records albums
Albums produced by Ric Wake
Sony Music Australia albums

Innocent Eyes (2003 Delta Goodrem album)


Ostwalds Klassiker der exakten Wissenschaften é uma série de livros contendo importantes obras originais de todas as áreas das ciências naturais. Foi fundada em 1889 pelo físico-químico Wilhelm Ostwald e atualmente publicada pela editora Europa-Lehrmittel.

História
A série foi publicada pela primeira vez por Wilhelm Engelmann em Leipzig e depois pela Akademische Verlagsgesellschaft em Leipzig e, mais recentemente, em reimpressões e novas edições pela Verlag Harri Deutsch em Frankfurt am Main.

O objetivo de Ostwald era remediar a "falta de conhecimento daquelas grandes obras sobre as quais assenta a construção da ciência". O primeiro volume em 1889 foi Über die Erhaltung der Kraft (de 1847), de Hermann von Helmholtz. Em 1894 o físico Arthur von Oettingen assumiu de Ostwald a publicação (e permaneceu como editor até 1920, quando o filho de Ostwald, Wolfgang Ostwald, assumiu o cargo); Ostwald inicialmente continuou a publicar os volumes de química até ser substituído por Richard Abegg. Até 1915 foram publicados 195 volumes; em seguida houve uma interrupção devido à Primeira Guerra Mundial até 1919. A partir de 1919 foram publicados pela Akademische Verlagsgesellschaft, que também publicou edições anteriores. Em 1923 apareceu o doucentésimo volume (obras de Wilhelm Ostwald sobre catálise). De 1938 (volume 244) a 1954 (volume 245) houve uma pausa devido à Segunda Guerra Mundial. A série foi então continuada pela sucessora da Akademische Verlagsgesellschaft na Alemanha Oriental, a Akademische Verlagsgesellschaft Geest & Portig. Esta foi fundida a partir de 1968 com a B. G. Teubner Verlag, que foi, portanto, co-editora da série. A sucessora da Akademische Verlagsgesellschaft na Alemanha Ocidental, com sede em Frankfurt am Main, também publicou uma nova série a partir de 1965 (a editora existiu até 1983), dos quais seis títulos apareceram (a partir do volume 4 em 1968 foram publicados pela Vieweg Verlag em Braunschweig). A partir de 1982 houve reimpressões das antigas séries antes da Segunda Guerra Mundial, na Alemanha Ocidental, pela editora Harri Deutsch de Frankfurt, especializada na publicação de literatura científica da Alemanha Oriental na Alemanha Ocidental. Até 1987 um total de 275 volumes foram publicados.

Volumes pela Akademische Verlagsgesellschaft após a guerra
Após a Segunda Guerra Mundial publicados pela Akademische Verlagsgesellschaft, Harri Deutsch e Europa-Lehrmittel (exceto para reimpressões/novas edições da série antiga):
245 Carl Ramsauer: Wirkungsquerschnitt der Edelgase gegenüber langsamen Elektronen
246 Georg Christoph Lichtenberg: Über eine neue Methode, die Natur und die Bewegung der elektrischen Materie zu erforschen
247 Alexander von Humboldt: Ideen zu einer Physiognomik der Gewächse
248 Alexander von Humboldt: Ideen zu einer Geographie der Pflanzen
249 Eduard Poeppig: Tropenvegetation und Tropenmenschen
250 Wilhelm Ostwald: Volumchemische Studien über Affinität und volumenchemische und optisch-chemische Studien
251 Heinrich Hertz: Über sehr schnelle elektrische Schwingungen
252 Pavel Alexandrov et al.: Die Hilbertschen Probleme
253 Felix Klein: Das Erlanger Programm
254 Francis Crick, Robert Holley, James D. Watson: Abhandlungen zur Molekulargenetik
255 Ejnar Hertzsprung: Zur Strahlung der Sterne
256 Carl Friedrich Gauß: Mathematisches Tagebuch
257 Wilhelm Ostwald: Gedanken zur Biosphäre
258 Ernst Chladni: Über den kosmischen Ursprung der Meteorite und Feuerkugeln
259 Carl Schorlemmer: Ursprung und Entwicklung der organischen Chemie
260 Gerhard Harig: Physik und Renaissance
261 Leonhard Euler: Zur Theorie komplexer Funktionen
262 Max Volmer: Zur Kinetik der Phasenbildung und Elektrodenreaktion
263 Heinrich Hertz: Prinzipien der Mechanik
264 Manfred von Ardenne: Arbeiten zur Elektronik
265 Jacobus Henricus van 't Hoff: Studien zur chemischen Dynamik
266 Jaroslav Heyrovský: Polarographie
267 Wilhelm Ostwald: Zur Geschichte der Wissenschaft. Vier Manuskripte aus dem Nachlaß
268 Karl August Möbius: Zum Biozönose-Begriff. Die Auster und die Austernwirtschaft
269 Peter Simon Pallas: Über die Beschaffenheit der Gebirge und die Veränderungen der Erdkugel
270 R. Klaus Müller (Hrsg.): Dokumente zur Entwicklung der Toxikologie im 19. Jahrhundert
271 Johann Wilhelm Ritter: Entdeckungen zur Elektrochemie, Bioelektrochemie und Photochemie
272: Friedlieb Ferdinand Runge, Raphael Eduard Liesegang, Boris Pavlovich Belousov, Anatol Zhabotinsky: Selbstorganisation chemischer Strukturen
273 Johannes Kepler: Vom sechseckigen Schnee
274 Hermann Sachse, Ernst Mohr: Zur Konformation des Cyclohexans
275 Matthias Jacob Schleiden, Theodor Schwann, Max Johann Sigismund Schultze: Klassische Schriften zur Zellenlehre
276 Ernst Abbe: Briefwechsel mit Adolf Ferdinand Weinhold
277–279 Jean-Baptiste de Lamarck: Zoologische Philosophie 1–3
280 Franz Xaver Zach: Astronomie der Goethezeit
281 Manfred Eigen: Die unmeßbar schnellen Reaktionen
282
283 Joseph von Gerlach: Die Anfänge der histologischen Färbung und der Mikrophotographie
284 Marie Curie: Die Entdeckung des Radiums
285 Siegmund Exner-Ewarten: Entwurf zu einer physiologischen Erklärung der psychischen Erscheinungen
286 Ludwig Boltzmann: Entropie und Wahrscheinlichkeit
287 Alexander Friedmann: Die Welt als Raum und Zeit
288 William Herschel: Über den Bau des Himmels
289 Frederick Soddy: Die Natur des Radiums
290 Walther Nernst: Begründung der Theoretischen Chemie
291 Johann Karl Friedrich Zöllner: Grundzüge einer allgemeinen Photometrie des Himmels
292–294 Michael Faraday: Experimentaluntersuchungen über Elektrizität, 3 Bände
295 Johannes Kepler: Tertius interveniens : Warnung an etliche Gegner der Astrologie, das Kind nicht mit dem Bade auszuschütten
296 Robert Bunsen: Gasometrische Methoden
297 Charles Bonnet: Systemtheorie und Philosophie organisierter Körper
298 Paul Drude: Zur Elektronentheorie der Metalle
299 Max Planck: Über thermodynamische Gleichgewichte
300 Nicolau Copérnico: Über die Umschwünge der himmlischen Kreise
301/302 Pierre-Simon Laplace: Darstellung des Weltsystems 1,2
303 Paul Flechsig, Hans Berger: Gehirn und Seele
304 Georges Lemaître: Von der klassischen Kosmologie zum Quantenkosmos

Volumes pela Akademische Verlagsgesellschaft Frankfurt
Apenas seis volumes apareceram aqui, que como uma nova série não seguiram as antigas séries em termos de numeração:
Volume 1, Simon Stevin: De Thiende
Volume 2, Johann Wilhelm Ritter: Die Begründung der Elektrochemie und Entdeckung der ultravioletten Strahlung
Volume 3, Niels Stensen: Das Feste im Festen
Volume 4, Os nove capítulos da arte matemática
Volume 5, Wilhelm Weber, Rudolf Kohlrausch: Über die Einführung absoluter elektrischer Maße
Volume 6, Gregor Mendel: Versuche über Pflanzenhybriden (erschien schon in der alten Reihe)

Mais volumes foram planejados (como Einführung in die Algebra de François Viète, publicado em outro lugar em 1973).

Bibliografia
Lothar Dunsch (Ed.): Ein Fundament zum Gebäude der Wissenschaften. Akademische Verlagsgesellschaft, 1989 (zur Geschichte der Reihe).

Ligações externas

Seite beim Verlag Europa-Lehrmittel
Bestand der ersten Reihe in der Deutschen Nationalbibliothek

Séries de livros
Fundações em 1889


Le terme « inaliénable » peut faire référence à :
 le droit inaliénable ;
 la  ;
 les .

Autres

 , film américain de 2007 ;
 , album de Discordance Axis de 2000 ;
 le Comité pour l'exercice des droits inaliénables du peuple palestinien, conférence internationale.

Voir aussi

Inaliénable


Le glacier Hubbard, en danois  ou , est un glacier du Groenland situé dans le nord-ouest de l'île. Il constitue l'une des nombreux courants glaciaires de l'inlandsis du Groenland.

Hubbard
Hubbard
Avannaata

Glacier Hubbard (Groenland)


Juan Carlos Romanín SDB (* 4. November 1954 in Sarandí) ist Altbischof von Río Gallegos in Argentinien.

Leben
Juan Carlos Romanín trat der Ordensgemeinschaft der Salesianer Don Boscos bei, legte am 21. Dezember 1978 die Profess ab und empfing am 24. Oktober 1981 die Priesterweihe.

Papst Benedikt XVI. ernannte ihn am 25. Oktober 2005 zum Bischof von Río Gallegos. Der Bischof von Lomas de Zamora, Agustín Roberto Radrizzani, spendete ihm am 17. Dezember desselben Jahres die Bischofsweihe; Mitkonsekratoren waren Esteban María Laxague SDB, Bischof von Viedma, und Alejandro Antonio Buccolini SDB, emeritierter Bischof von Río Gallegos.

Von seinem Amt trat er am 18. April 2012 zurück.

Weblinks

Römisch-katholischer Bischof (21. Jahrhundert)
Römisch-katholischer Geistlicher (20. Jahrhundert)
Salesianer Don Boscos
Argentinier
Geboren 1954
Mann

Juan Carlos Romanín


Till Death Do Us Part deveti je studijski album američkog death metal-sastava Deicide. Diskografska kuća Earache Records objavila ga je 28. travnja 2008.

Popis pjesama

Osoblje

Izvori

Albumi sastava Deicide
Albumi iz 2008.

Till Death Do Us Part (album)


قاديان قرية تقع في شمال الهند في منطقة البنجاب وقد اشتهرت هذه القرية في القرن التاسع عشر بعد أن ظهر بها رجل اسمه ميرزا غلام أحمد الذي إدّعى أنه هو الإمام المهدي والمسيح الموعود.

أعلام

 ميرزا ناصر أحمد
 غلام أحمد القادياني
 مرزا بشير الدين محمود
 ميرزا طاهر أحمد
 نور الدين القرشي

مراجع

قرى الهند
مدن وبلدات في مقاطعة غورداسبور

قاديان


ඩයනා මරියම් කුරියන් (උපත 1984 නොවැම්බර් 18) හෙවත් වඩාත් ප්‍රකටව නයන්තාරා යන වේදිකා නාමයෙන් හැඳින්වෙන්නේ ප්‍රධාන වශයෙන් දකුණු ඉන්දියානු චිත්‍රපටවල පෙනී සිටින ඉන්දියානු නිළියකි.දැනට වැඩිම වැටුපක් ලබන දකුණු ඉන්දිය නිළිය මැය වේ.

නයන්තාරා රංගන වෘත්තියට පිවිසුණේ 2003 මලයාලම් චිත්‍රපටයක් වූ මනස්සිනක්කරේ තුළින් ජයරාම් සමග රංගනයේ යෙදෙමිනි. ඇය දෙමළ සිනමාවට පිවිසියේ අයියා (2005) චිත්‍රපටය තුළින් වන අතර තෙලිඟු සිනමාවට පිවිසියේ ලක්ෂ්මි (2006) චිත්‍රපටය තුළිනි. මෙම චිත්‍රපට ද්විත්වයම සාර්ථක විය. අනතුරුව ඇය චන්ද්‍රමුඛී (2005), ඩුබායි සීනු (2007), තුලසි (2007), බිල්ලා (2007), යාරඩි නී මොහිනී (2008), ආදවන් (2009), අදූර්ස් (2010), සිංහා (2010), බොස් එංගිරා භාස්කරන් (2010), ශ්‍රී රාම රාජ්‍යම් (2011), රාජා රාණි (2013), ආරම්බම් (2013), තනි ඔරුවන් (2015), මායා (2015), නානුම් රෞඩි දාන් (2015), බාබු බංගාරම් (2016) සහ ඉරු මුගන් (2016 වැනි ආර්ථික වශයෙන් සාර්ථක දෙමළ හා තෙලිඟු චිත්‍රපට ගණනාවකට දායක වූවා ය.

අන්තර්ජාතික ඉන්දියානු සිනමා ඇකඩමි සම්මාන|IIFA උත්සවම් සම්මාන

කලෛමාමණි |කලෛමාමණි සම්මාන

ආනන්ද විකතන්|විකතන් සම්මාන

තමිල්නාඩු ස්ටේට් සිනමා සම්මාන

එඩිසන් සම්මාන (දමිළ)|එඩිසන් සම්මාන

ෆිල්ම් ෆෙයාර් සම්මාන (දකුණ)

කේරළ සිනමා විචාර සම්මේලන සම්මාන

නාන්දි සම්මාන

CineMAA සම්මාන

භාරතමුණි සිනමා සම්මාන

උගාදි පුරස්කාර් සම්මාන

TSR-TV9 සිනමා සම්මාන

ඒශියානෙට් සිනමා සම්මාන

දකුණු ඉන්දීය අන්තර්ජාතික සිනමා සම්මාන

සන්තෝෂම් සිනමා සම්මාන

විජෙයි සම්මාන

Sunfeast Tamil Music සම්මාන

Behindwoods රන් පදක්කම්

Behindwoods-රන්-පදක්කම්-2018

සවුත් ස්කෝප් ස්ටයිල් සම්මාන

The Hindu World Of Women සම්මාන

Chennai most desirable women -2015 (පළමු ස්ථනය)

Chennai most desirable women -2016 (පළමු ස්ථනය)

Chennai most desirable women -2017 (දෙවන ස්ථනය).

Kochi most desirable women -2014  (දෙවන ස්ථනය)

Kochi most desirable women -2015. (දෙවන ස්ථනය)

Kochi most desirable women -2016 (දෙවන ස්ථනය)

Kochi most desirable women -2017 (දෙවන ස්ථනය)

නයන්තාරා සම්මාන සහ නිර්දේශයයන්


Richard "Rick" Green,  BSc (born November 4, 1953) is a Canadian comedy writer, producer, director and performer.  He is most well known as co-creator of The Red Green Show, creator of ADD & Loving It?!, creator of History Bites, founder of Rick Wants to Know, and co-founder of comedy troupe The Frantics. Green also hosted Prisoners of Gravity on TVOntario.

Profiles
Green has a Bachelor of Science degree from the University of Waterloo. His first job was as a demonstrator at the Ontario Science Centre, where he worked as a presenter from 1975 until 1979.

In 1979, Green helped found the Toronto-based comedy troupe The Frantics.

In 2009 Green wrote and directed a documentary called ADD & Loving it?!  The film, featuring fellow comedian Patrick McKenna, won a New York Festivals Silver World Medal for Best Medical Documentary and earned Green the CAMH Foundation Celebrity Transforming Lives Award for 2009.

Green has been appointed to the Order of Ontario, and on June 30, 2017, the Governor General of Canada announced Green's appointment as a Member of the Order of Canada for "his contributions to Canadian television as a comedian, actor and writer, and for his efforts to raise awareness and understanding of attention deficit hyperactivity disorder (ADHD)."

See also
 List of University of Waterloo people

References

External links

1953 births
Canadian television hosts
Canadian male television writers
Living people
University of Waterloo alumni
Canadian sketch comedians
Members of the Order of Ontario
Members of the Order of Canada
Canadian male comedians
Comedians from Toronto
Canadian Comedy Award winners
Canadian television producers
Canadian television directors

Rick Green (comedian)


Bae Doona (Hangul: 배두나; n. 11 octombrie 1979, Seul, Coreea de Sud) este o actriță de film/teatru, model și fotograf sud-coreeană.
A devenit cunoscută în afara Coreei pentru rolul său de activist politic Park Chan-wook Sympathy for Mr. Vengeance (2002), Air Doll (2009) și a avut roluri engleze în filmele Wachowski, Cloud Atlas (2012), Jupiter Ascending (2015) și seria TV Sense8 (2015-prezent).

Filmografie

Televiziune

Teatru

Discografie

Carte

Premii si nominalizari

Note

Legături externe
 Site web
 Bae Doona pe HanCinema
 Bae Doona pe Korean Movie Database
 Bae Doona pe IMDb
 Bae Doona pe cinemagia

Nașteri pe 11 octombrie
Nașteri în 1979
Actrițe coreene
Sud-coreeni în viață
Actrițe din secolul al XXI-lea

Bae Doona


Brachytrachelus es un género de insectos coleópteros curculiónidos pertenecientes a la subfamilia Entiminae, tribu Tanyrhynchini.

Especies
 Brachytrachelus opatrinus Lacordaire, T., 1863
 Brachytrachelus opatrinus Schoenherr, 1848
 Brachytrachelus porosus Fåhraeus, O.I., 1871

Referencias

 Bisby F.A., Roskov Y.R., Orrell T.M., Nicolson D., Paglinawan L.E., Bailly N., Kirk P.M., Bourgoin T., Baillargeon G., Ouvrard D. (red.) (2011). Species 2000 & ITIS Catalogue of Life: 2011 Annual Checklist.. Species 2000: Reading, UK.. Retrieved on 24 September 2012.

Enlaces externos

 imperialis.inhs.illinois.edu

Entiminae
Insectos descritos en 1847

Brachytrachelus


Saturnino Romero Chacón (Herrera del Duque, 1941-Madrid, 16 de mayo de 2017) fue un historiador y maestro jubilado.

Trayectoria
Estudió sus primeros años en Herrera del Duque en el antiguo colegio del convento. Realizó sus estudios de bachiller en 1951 en el colegio Corazón de María de Don Benito. En 1954 estudia en magisterio en Badajoz. Tras aprobar las oposiciones primero fue maestro en Fuenlabrada de los Montes y posteriormente fue llamado al servicio militar en Ifni. En el año 1964 volvió y toma posesión en Herrera del Duque durante 40 años hasta el año 2001. Una vez jubilado de sus tareas docentes está comprometido en acciones sociales y escribe sobre su villa natal, Herrera del Duque.

Publicaciones
 "De miajón, roza y jara, estampas de una época, Herrera del Duque, 1940-2000".
 "No ha cementerio en esta villa..., historia de Herrera, de la prehistoria al siglo XIX".
 "Tal como fuimos".

Véase también
 Herrera del Duque

Referencias

Nacidos en Herrera del Duque

Saturnino Romero Chacón


ශ්‍රී ලංකාවේ ජාතික බලශක්ති දිනය ලෙස 2021 වසරේ සිට සෑම වසරක ම ජූනි මස 26 නම් කර තිබේ. ඊට පාදක වී ඇත්තේ 1882 ජූනි 26 වන දින SS Helios නැමැති ජර්මානු නෞකාව කොළඹ වරායට පැමිණි අවස්ථාවේ දී, විදුලි පහනකින් නිකුත් වූ ආලෝකය ප්‍රථම වතාවට ශ්‍රී ලාංකිකයින්ට දැක ගත හැකි වූ දිනය වීමයි.

ජාතික බලශක්ති දිනය (ශ්‍රී ලංකාව)


Eclipse je sedmi studijski album finskog heavy metal sastava Amorphis. Diskografska kuća Nuclear Blast objavila ga je 15. veljače 2006. u Finskoj i dva dana kasnije u ostatku Europe. Prvi je album grupe sa sadašnjim pjevačem Tomijem Joutsenom nakon odlaska dugogodišnjeg pjevača Pasija Koskinena 2004. Ističe se i po povratku death growlova, iako u manjoj količini u usporedbi s albumom Elegy iz 1996., na kojem su posljednji put bili prisutni.

Tekstovi pjesama preuzeti su iz drame Kullervon tarina utemeljene na legendi o Kullervu (koja se nalazi u Kalevali) koju je 1982. napisao finski pjesnik i književnik Paavo Haavikko, čime je ovo postao drugi album grupe nakon Tales from the Thousand Lakesa čije su skladbe bile nadahnute tematikom iz Kalevale.

Budući da je ondje bio prodan u više od 15.000 primjeraka, album je u veljači 2008. postigao zlatnu nakladu u Finskoj.

Snimanje i objava
Nakon što je prethodni pjevač Pasi Koskinen napustio Amorphis u kolovozu 2004., skupina ga je u siječnju 2005. zamijenila Tomijem Joutsenom. Nakon američke turneje početkom ljeta 2005. Eclipse je snimljen u studiju Sonic Pump Studios u Helsinkiju.

Eclipse je objavljen 15. veljače 2006. u Finskoj, dva dana kasnije u Europi, 24. veljače u Njemačkoj, Austriji i Švicraskoj, a 21. ožujka u SAD-u. Black Lodge Records također je objavio ograničenu inačicu uratka 23. lipnja 2006. Prvi singl, "House of Sleep", objavljen je 4. siječnja 2006., prije izlaska albuma. Drugi singl, "The Smoke", objavljen je 7. lipnja 2006. i sastoji se od naslovne skladbu i glazbenog spota za pjesmu "House of Sleep". Budući da je Amorphis napustio diskografsku kuću Virgin Records, album je objavio Nuclear Blast.

Uz normalnu inačicu albuma postoji i ograničena digipak inačica koja sadrži bonus skladbu "Stone Woman", koja je prethodno bila objavljena kao B-strana na singlu "House of Sleep". "Stone Woman" pojavila se i na vinilnoj inačici.

Glazbeni stil, tekstovi i naslovnica

Glazba
S novim pjevačem Tomijem Joutsenom sastav je prvi put od albuma Elegy počeo miješati čiste vokale i death growlove. Eclipse je značajno žešćeg zvuka od prethodnih uradaka skupine, a razlog tome, prema riječima gitarista Ese Holopainena, bio je dolazak novog pjevača:

Na albumu su prisutni i utjecaji psihodeličnog rocka iz 1970-ih, kao i elementi tradicionalne finske glazbe. Amorphis se na albumu ne bavi posve različitim glazbenim stilom, nego spaja elemente s prijašnjih uradaka.

Tekstovi i naslovnica
Poput Tales from the Thousand Lakesa Eclipse je tekstualno povezan s finskim nacionalnim epom Kalevalom. Tekstovi su preuzeti iz Kullervon tarine (iz 1982.) Paava Haavikka, dramske adaptacije priče o Kullervu iz Kalevale. Ciklus opisuje tragični Kullervov život; u djetinjstvu je bio rob i vratio se roditeljima nakon izvršenja osvete. Nakon što je ne znajući zaveo svoju sestru, ona je počinila samoubojstvo. Nakon smrti svojih roditelja Kullervo se također ubija, padajući na svoj mač.

Naslovnicu za Eclipse dizajnirao je Travis Smith, koji je prethodno radio sa skupinom Katatonia. Nadahnula ga je naslovnica albuma Tuonela. Naslovnica prikazuje krug čija je gornja polovica stilizirana da izgleda poput Sunca, dok donja prikazuje Mjesec. Esa Holopainen o takvom je simbolizmu komentirao: "Sunce i Mjesec na slici odražavaju stanje uma našeg protagonista."

Popis pjesama

Uspjeh i recenzije
I album i prvi singl pojavili su se na prvom mjestu finskih ljestvica. Elke Huber za Powermetal.de napisala je: "[To je] album bez značajnih mana, savršeno je raznolik i sadrži određenu količinu napetosti." Metal.de je pak komentirao: "Prekrasne skladbe [... ] i monumentalne melodije od kojih se ježiš čine "Eclipse" prekretnicom u povijesti grupe."

Časopisu The-Pit.de nisu se svidjeli čisti vokali Tomija Joutsena; o prvom je singlu s albuma, "House of Sleepu", časopis komentirao da na njemu Tomi Joutsen "pogotovo u pripjevu tako glatko pjeva da bi se čak i Ville Valo iz HIM-a našao uvrijeđenim." Ostali recenzenti izjavili su da je Tomi Joutsen idealna zamjena za Pasija Koskinena. Laut.de je napisao: "Iako je Pasi bio ključan član Amorphisa zbog svojega glasa, novi čovjek za mikrofonom savršeno se uklopio u zvuk Finaca. Ono što bi inače uništilo ostale skupine Amorphisu je samo bio jedan dodatan korak naprijed."

Osoblje

Amorphis
Tomi Joutsen – vokali
Esa Holopainen – glavna gitara
Tomi Koivusaari – ritam gitara
Santeri Kallio – klavijature
Niclas Etelävuori – bas-gitara
Jan Rechberger – bubnjevi
Dodatni glazbenici
Anu Lilja – dodatni vokali
Eternal Savo Choir – zborski vokali

Ostalo osoblje
Marco Hietala – produkcija (vokala)
Nino Laurenne – snimanje
Tero Kinnunen – snimanje
Mikko Karmila – miksanje
Mika Jussila – mastering
Travis Smith – naslovnica, ilustracije
Ville Juurikkala – fotografija (sastava)

Izvori

Albumi iz 2006.
Albumi sastava Amorphis

Eclipse (album Amorphisa)


Red svetog Mihaela i svetog Jurja (engleski: Most Distinguished Order of Saint Michael and Saint George) britansko je državno viteško odlikovanje koje je utemeljio britanski kralj Đuro IV. u vrijeme dok je još bio regent svoga oca Đure III. Nazvan je prema dvama svecima i britanskim zaštitnicima, svetom Jurju i arkanđelu Mihaelu. Prema uzoru na spomenute svece, odlikovanje se dodjeljuje diplomatima, časnicima, vojnim zapovjednicima, tajnim agentima, policajcima i političarima koji su doprinijeli jačanju bilateralnih odnosa, istaknuli se u diplomaciji, vanjskim poslovima ili na posebnim protuterorističkim zadatcima.

Povijest

Izvorno, Đuro IV. odlikovanje je utemeljio u spomen na britanski protektorat na Jonskim otocima, koji su pod službenim britanskim pokroviteljstvom bili između 1814. i 1817., kada su proglašene Sjedinjene Države Jonskih otoka. Ujedinjeno kraljevstvo zadržalo je protektorat do 1864., kada Sjedinjene Države postaju dio Kraljevine Grčke. Stoga se odlikovanje isprva dodjeljivalo časnicima i zapovjednicma koji su služli na Jonskim otocima ili u drugim britanskim pokroviteljstvima poput onih na Malti ili Gibraltaru. Kasnije je Đuro V. odlikovanje dodjeljivao i pomorcima koji su istaknuli u vojnoj službi na Sredozemlju.

Nakon gubitka protektorata, odlikovanje se nije dodjeljivalo naredne četiri godine. Obnovljeno je 1868. i dodjeljivalo se kolonijalnim guvernerima i časnicima koji su službovali diljem Britanskog kolonijalnog carstva i u državama članicama Britanske zajednice naroda (Commonwealth). Kasnije su odlikovanje primali i britanski diplomati koji su se istaknuli radom u nekom od Commonwealthovih ureda ili organizacija.

Od 1965. dodjeljuje se i ženama, a prva nositeljica reda bila je Evelyn Bark.

Izvori

Odlikovanja Ujedinjenog Kraljevstva

Red svetog Mihaela i svetog Jurja


A bachelor herd is a herd of (usually) juvenile male animals who are still sexually immature or 'harem'-forming animals who have been thrown out of their parent groups but not yet formed a new family group. It may also refer to a group of males who are not currently territorial or mating with females.

Examples include seals, dolphins, lions, and many herbivores such as deer, horses, and elephants. Bachelor herds are thought to provide useful protection for social animals against more established herd competition or aggressive, dominant males. Males in bachelor herds are sometimes closely related to each other. Some animals, for example New Zealand fur seals, live in a bachelor herd all year except for the mating season, when there is a substantial increase in aggression and competition.

In many species, males and females move in separate groups, often coming together at mating time, or to fight for territory or mating partners. In many species it is common for males to leave or be driven from the group as they mature, and they may wander as lone animals or form a bachelor group for the time being. This arrangement may be long term and stable, or short term until they find a new group to join.

Types
The social structure, aggression level, population size, and duration of presence of these herds across species varies greatly. Bachelor herds are most often found in mammals and are especially common in the grasslands.

Impala

Male impala form small bachelor herds during both the wet and dry seasons. These bachelor herds are generally smaller than herds of females, numbering around 4 members, compared to upwards of 10. Juvenile males begin to join bachelor herds at 8 months of age. In the Serengeti, immature or older males will usually form their own bachelor herds, while males of reproductive age are more often in mixed groups with females.

Being actively territorial in the Serengeti is physically demanding for male impala, so males occupy this role for about 3 months. Males will then join a bachelor herd, though this results in them occupying a social dominance status at the bottom of the linear rank hierarchy until their physical condition returns to pre-territorial levels. Bachelor herds may coexist with territorial males in the same area, but these individual males are always dominant above bachelor males.

Within the herds, bachelor males are less territorial toward each other than males in mixed herds. These males maintain, on average, a relatively large distance of approximately  between them. However, bachelor males exhibit reciprocal grooming despite occasional aggressive interactions between bachelors.

Fur seals

Male fur seals, as a family, commonly live in bachelor herds during the non-breeding season. During the breeding season (April–September in the Northern Hemisphere, September–January in the Southern Hemisphere), the size of herds greatly diminishes. These bachelor herds are large in size, ranging from 15,000 to more than 20,000 seals living in one area, referred to as a rookery.

The grounds occupied by fur seal bachelor herds are generally far away from breeding grounds, anywhere from  or more.  Members of the group range from seal that are one year old, called yearlings, up through older seals. There appears to be no rigid social structure during the non-breeding season and there is little competition for food or mates. The male fur seals are also mostly non-aggressive.

Fur seal bachelor herds are frequently targets of the seal hunt due to large populations being concentrated in a relatively small area. There are few regulations in regard to adult male seal hunting due to limited effects on the future population.

Cape mountain zebras
Cape mountain zebra male foals often leave the breeding herd they were born in after the birth of siblings or around age 2, though the stallion of the breeding herd does not force them out. In fact, it has been observed that stallions often try to prevent foals from leaving the herd. These males then often go on to form their own bachelor herd or join an existing one. Males then stay in these bachelor herds until age 5, when they leave to become the stallion of their own breeding herd with one or more mares.

Within Cape mountain zebra bachelor herds, there is usually no social hierarchy. Dominance is given to the more senior members of the herd and when the oldest males leave to form a breeding herd, the next oldest bachelors take on the leadership role. There is minimal intragroup aggression and no observed fighting between members for a higher social position.

Bachelor herds often move with a breeding herd that is occupying a nearby area. At least one member of the bachelor herd in this case is usually the offspring of a mare in the breeding herd. Fillies also often temporarily join bachelor herds after leaving their maternal herd at the onset of their first estrus. The fillies then stay with the group until they join an existing breeding herd or make their own breeding herd with a bachelor male from the herd.

Red deer

Red deer males leave their mothers between 1 and 2 years of age. They then join bachelor herds, in which they spend most of the year. These herds are smaller (less than 50 members) and more unstable than the female herds and they follow a linear dominance hierarchy. This hierarchy is determined by both body size and the size of the stag's antlers, with older stags having on average larger antlers. The older stags in the herd maintain their dominance from one year to the next.

Aggression within the herd is low until the stags shed their antlers, usually in early April. Intragroup clashes then increase as the females go into estrus. Males compete with members of their own bachelor herd for the attention of the females. This is called the "rutting season" and it lasts only a few weeks before males and females separate into their respective herds. The level of aggression within the bachelor herd then decreases substantially.

References

Ethology
Animal sexuality

Bachelor herd


Nattens Madrigal – Aatte Hymne til Ulven i Manden ("Madrigal noći - Osam himni vukovima u čovjeku") treći je studijski album norveškog sastava Ulver. Diskografska kuća Century Media Records objavila ga je 3. ožujka 1997. Konceptualni je album o vukovima, noći, mjesecu i tamnoj strani čovječanstva.

Pozadina

Nattens Madrigal treći je i posljednji album u Ulverovoj trilogiji black metala. Odlikuje se abrazivnim stilom black metala sličnim onom na albumu Bergtatt, napuštanjem akustičnih i atmosferskih elemenata i niskom kvalitetom zvuka. Opisan je "sirovim i mračnim black metalom na najcrnjoj razini".

Urbana legenda u vezi s albumom jest da je skupina potrošila budžet za snimanje na Armanijeva odijela, kokain i Corvette, a da je album snimila na otvorenom u norveškoj šumi na gramofonu s osam pjesama. Pjevač Kristoffer Rygg izjavio je da to nije istina i da je vjerojatno riječ o glasini koju je proširio Century Media.

Metal Injection navodi da "Kveldsanger ne sadrži elektroničke instrumente, Nattens Madrigal ne sadrži akustična glazbala, ali Bergtatt sadrži i akustične i elektroničke instrumente; kao da su elemente iz Bergtatta pretočili u dva odvojena albuma. Ako je to slučaj, Nattens Madrigal stvarno pokazuje black metal-snagu sastava. Album točno objašnjava zašto su ljudi bili toliko ljuti zbog Ulverova prelaska s black metala i zašto su ljudi i danas ogorčeni zbog njegova glazbenog stila".

Popis pjesama

Recenzije
Steve Huey sa sajta AllMusic tvrdi da bit albuma leži u njegovoj "čistoj zvučnoj snazi", što John Chedsey sa sajta Satan Stole My Teddybear smatra neugodnim. Međutim, Chedsey je izjavio da se pjesme odlikuju inventivnim "tour de forceom" ekstremnog black metala.

Deathmetal.org, naprotiv, tvrdi da se Nattens Madrigal može pohvaliti "zamamljivo uglađenim pristupom" estetici black metala, ali da je "klasični ripoff Darkthronea", tj. da pokušava napraviti kompetentan, ali neoriginalan proizvod koji bi bio prihvaćen u glavnoj struji; istaknuo je njegovu srodnost s prethodnim stilovima popularne glazbe.

Godine 2009. IGN je uvrstio Nattens Madrigal na svoju ljestvicu "10 velikih black metal-albuma".

Zasluge

 Ulver

 AiwariklaR – bubnjevi
 Garm – vokal
 Aismal – gitara
 Haavard – gitara
 Skoll – bas-gitara

 Ostalo osoblje

 Anders G. Offenberg Jr. – miks
 Helge Sten – miks
 Audun Strype – mastering
 Tania Stene – naslovnica albuma, fotografije

Izvori

Albumi sastava Ulver
Albumi iz 1997.


බෝගන්විලා (උච්චාරණය බෝගන්වීලියා ලෙසින්: https://forvo.com/search/Bougainvillea/en/ ) ( or ) is a genus of thorny ornamental vines, bushes, and trees with flower-like spring leaves near its flowers.

යොමුව

බෝගන්විලා