Jef Geeraerts, de nombre completo Joseph Adriaan Anna Geeraerts (Amberes, 23 de febrero de 1930 - 11 de mayo de 2015), fue un escritor belga neerlandófono.

Trabajó como administrador colonial en Yandongi y Bumba en el Congo belga. De regreso a Bélgica en 1960 se dedicó a la escritura y siguió unos cursos de filología germánica en la Universidad Libre de Bruselas.

Bibliografía

Ik ben maar een neger (1962)
Schroot (1963)
Zonder clan (1965)
Het verhaal van Matsombo (1966)
De troglodieten (1966)
De zeven doeken der schepping (1967)
Gangreen 1. Black Venus (1968)
Indian summer (1969)
Avondspelen (1970)
Concerto (1970)
Tien brieven over liefde en dood (1971)
Avondspelen (1971)
Gangreen 2. De goede moordenaar (1972)
De fotograaf (1972)
Ode aan Ignatius (1972)
Verhalen (1973)
Reizen met Jef Geeraerts (1974)
Gangreen 3. Het teken van de hond (1975)
Kongo en daarna (1975)
Dood in Bourgondië (1976)
De heilige kruisvaart (1976)
Gangreen 4. Het zevende zegel (1977)
Gedachten van een linkse bourgeois (1977)
De zaak Jespers (1978)
Kodiak.58 (1979)
De coltmoorden (1980)
Laatste brief rondom liefde en dood (1980)
Jagen (1981)
Diamant (1982)
Over gedichten vol liefde en verrukking (1982)
Drugs (1983)
De trap (1984)
Anovlar (1984)
De zaak Alzheimer (1985)
Marcellus (1985)
Het Sigmaplan (1986)
Romeinse suite (1987)
Gesprekken (1987)
Zand (1988)
Schieten (1988)
Het huis genaamd "Les Hêtres" (1989)
Sanpaku (1989)
Double-face (1990)
Z 17 (1991)
Het Rashomon-complex (1992)
Op avontuur met jef Geeraerts (1992)
Achttien verhalen (1992)
De Cu Chi case (1993)
De nachtvogels (1994)
Goud (1995)
Brieven (1996)
De PG (1998)
De ambassadeur (2000)
Dossier K (2002)
Geld (2004)
Cro-Magnon (2006)

Referencias

Enlaces externos

Escritores de Bélgica del siglo XX
Escritores de Flandes
Escritores en neerlandés
Escritores de Bélgica del siglo XXI
Nacidos en Amberes

Jef Geeraerts


Hartwig von Spanheim (né vers 1070, mort le ) est à partir de 1105 le dix-neuvième évêque de Ratisbonne et proche confident de l'empereur Henri V. Il participe à la première campagne de l'empereur à Rome en 1111 et, par son influence, assure que Lothaire de Supplinbourg soit élu roi et plus tard empereur du Saint-Empire romain germanique. Hartwig est l'un des signataires du concordat de Worms, qui met fin à la querelle des Investitures en 1122. Après sa mort en 1126, il fut enterré dans la cathédrale de Ratisbonne.

Biographie
Hartwig de Spanheim est le fils du comte Engelbert  (mort en 1096) et d'Hedwige de Saxe (morte vers 1112) à une date inconnue. Il y a peu d'informations sur son enfance. Tout ce que l'on sait, c'est qu'il est d'abord clerc de la cathédrale de Salzbourg et, à partir de 1104, prévôt de la cathédrale de Magdebourg.

Hartwig est destiné par l'empereur Henri IV à remplacer l'archevêque Henri, fidèle au pape, en tant que nouvel archevêque de Magdebourg. Cependant, en 1104, quand lui, avec son oncle, le burgrave Hermann, et Eisilio, le prévôt de l'abbaye Saint-Sébastien de Magdebourg, rejoignant Henri IV, sont arrêtés par le comte Dietrich III de Katlenburg, partisan de Henri V. L'Empereur entreprend alors une expédition punitive contre Dietrich le . Il n'y assiste pas en raison des événements de Fritzlar, lorsque le fils de l'empereur quitte secrètement le camp militaire. À la suite de cette expédition punitive, la rébellion d'Henri V contre l'Empereur commence.

Le , Hartwig devient un proche de Henri V à Nordhausen. Dans les disputes entre Henri V et son père, Henri IV, Hartwig est toujours du côté de son fils. De cette façon, Hartwig gagne sa confiance et, en remerciement de sa loyauté, est installé par Henri V comme évêque de Ratisbonne en 1105. Il n'est consacré qu'en 1106 par l'archevêque Ruthard de Mayence, mais le , il était déjà impliqué dans l'établissement de l'archevêque Gebehard de Salzbourg par Henri V, il était donc déjà influent avant la consécration.

Même plus tard, l'évêque est encore dans le voisinage d'Henri V. Il participe à la campagne contre Robert II de Flandre à Liège en 1107 et à l'expédition contre les Hongrois en 1108. Sa participation à la première expédition d'Henri V à Rome en 1111 est particulièrement remarquable.

Même après le bannissement de Henri V, Hartwig lui reste fidèle. Il est l'invité de son mariage à Mayence avec Mathilde, 12 ans, en 1114. En 1115, Hartwig sert de médiateur entre Henri V, qui fut entre-temps couronné empereur, et les Saxons qui lui avaient tourné le dos.

Hartwig ne participe pas à la deuxième campagne à Rome en tant que soldat actif. Qu'il est un proche confident de l'empereur est prouvé par le fait que les deux sont en constante correspondance. Une fois de plus, il prouve sa fidélité à Henri V en refusant de participer à un synode convoqué par l'archevêque fugitif Konrad, opposé à Henri V.

Le fait que Hartwig est l'un des signataires du concordat de Worms le , qui met fin à la querelle des investitures entre l'Empereur et l'Église, prouve jusqu'où s'étend l'influence de Hartwig. Il est prouvé qu'il participe aussi au premier concile du Latran en , au cours duquel les décisions du concordat précédemment signé sont confirmées.

Une autre preuve de son influence importante dans l'empire est sa participation à l'élection de Lothaire de Supplinbourg comme roi des Romains le  à Mayence. C'est Hartwig qui, par ses efforts, persuade l'adversaire de Lothaire, Frédéric II de Souabe, de renoncer à l'élection. Le roi désormais couronné remercie Hartwig pour sa loyauté en se rendant à Ratisbonne le  de la même année et en honorant personnellement Hartwig.

Son premier acte enregistré en tant qu'évêque est la restauration de l'abbaye de Mondsee. L'une de ses plus grandes réalisations, cependant, est la promotion de la vie monastique : il reconstruit l'abbaye bénédictine de Prüll en 1100 et fait construire la première église-halle romane dans la région de Ratisbonne. Il est également responsable de la nouvelle construction de l'abbaye Saint-Jacques de Ratisbonne (1100 à environ 1120). L'évêque de Ratisbonne fait en sorte que Weltenbourg soit transformé en monastère augustinien.

Encore plus importante et significative est la participation de Hartwig à la fondation de monastères appartenant à l'évêque Othon de Bamberg dans le diocèse de Ratisbonne. Non seulement Othon mais aussi Hartwig participent à la fondation de l'abbaye de Mallersdorf. Il consacre l'église abbatiale.

Dès 1117, Hartwig fait campagne pour le bénédictin Erminold, qui est le premier abbé de Prüfening. Hartwig procède plus tard personnellement à son enterrement et consacre Erbo lui-même comme nouvel abbé le .

Hartwig montre son accord avec la politique ecclésiastique contemporaine en construisant de nombreuses abbayes, qui sont le centre et le symbole des mouvements de renouveau ecclésiastique du . Mais il reste fidèle à sa propre tradition, puisque son père, le comte Engelbert , a fondé l'abbaye Saint-Paul du Lavanttal en 1091 et l'installe avec des moines de Hirsau.

Notes et références

Liens externes

Évêque de Ratisbonne
Évêque catholique du XIIe siècle
Date de naissance non renseignée (XIe siècle)
Décès en 1126

Hartwig Ier de Spanheim


Narlıören, Adana ilinin Yumurtalık ilçesine bağlı bir mahalledir.

Coğrafya

Adana iline 69 km,Ceyhan ilçesine 18 km, Yumurtalık ilçesine 15 km uzaklıktadır.

Nüfus

Yumurtalık'ın mahalleleri

Narlıören, Yumurtalık


, ජපානයේ පිහීටි ප්‍රාන්තයකි.

ආශ්‍රිත
 ජපානය

ජපානය
හ්‍යෝගෝ ප්‍රාන්තය
කන්සායි කලාපය
ජපානයේ ප්‍රාන්ත

හ්‍යෝගෝ ප්‍රාන්තය


المُرْبِكَة  هي أحجية أو لغز تتطلب مجهود ذهني وإبداع فني لحلها. عادة تكون المربكة على شكل صورة أو مجسم مجزء لعدة أجزاء ويتطلب حلها تجميع هذه الأجزاء لتشكيل الصورة أو المجسم الصحيح.

انظر أيضا
 مكعب روبيك
 سودوكو
 الكلمات المتقاطعة

أحجيات
حل المشكلات

مربكة


Gindri, Afrika mitolojisinde bir baş tanrı.

Zaire çevresine ait olan Gindri inancına göre Gindri Tanrı'dır, her şeyin yaratıcısıdır. Hayatı ve ölümü o yaratmıştır, hayat veya ölümü canlılara bahşedendir. Ayrıca insanlar şifa bulsun diye iyileştirici, şifalı bitkileri yarattığına inanılır.

Afrika mitolojisi
Ölüm tanrıları

Gindri


Le domaine de Bort est situé dans la commune de Saint-Priest Taurion, en Haute-Vienne, dans la région Nouvelle Aquitaine. Le domaine contient un château datant du .

Histoire
La construction du château débute au . En 1783, Léonard Muret rachète le château. En 1848, lors de la révolution, le château est pillé. Durant les années 1850 à 1860, Pierre-Edmond Teisserenc de Bort rénove le château, lui conférant un style néogothique.

Description du domaine

Le domaine de Bort fait .

Notes et références

Liens externes

Château dans la Haute-Vienne

Domaine de Bort


Știința dreptului sau știința juridică este disciplina umanistă care are ca obiect studiul, interpretarea, integrarea și codificarea unui sistem juridic pentru justa lui aplicare.

Nume
Cele mai frecvent utilizate expresii, pentru a se face referință la această disciplină, sunt cele deja menționate mai sus (știința dreptului sau științe juridice); dar de multe ori, de asemenea, li se mai atribuie și următoarele denumiri:
 Știința dogmatică a Dreptului;
 Filosofia dreptului;
 Teoria Dreptului;
 Jurisprudența;
 Sistematică juridică;
 Dreptul științific (Juridica științifică)

Vezi și:
 Trialismul
 Tetraedrul dreptului

Bibliografia
 Torré, Abelardo (1997). Introducción al Derecho. Buenos Aires: Perrot.
Științe juridice

Știința dreptului


Les Micronectidae sont une famille d'insectes hétéroptères (punaises). Ce sont des petits insectes aquatiques des eaux stagnantes et saumâtres présent sur l'ensemble du globe à l'exception de l'Antarctique dont les mâles sont capables de striduler.

Description
Les Micronectidae ont de très petites antennes implantées sous la tête, invisibles en vue dorsale. Leur rostre est court triangulaire, fusionné avec la tête, et sans segmentation apparente. L'abdomen des mâles est modifié et asymétrique. Les Micronectidae se distinguent des autres Corixoidea par leur petite taille (entre ), des antennes à seulement trois articles (un seul chez les Synaptogobiinae), l'absence d'ocelles, et le fait que leur scutellum est visible, non recouvert par leur pronotum.

Répartition
La sous-famille des Micronectinae est cosmopolite, à l'exception de l'Antarctique, avec la plus grande diversité dans les zones tropicales et subtropicales. Elles sont absentes de Nouvelle-Calédonie et des îles adjacentes. Elles sont naturellement absentes de Nouvelle-Zélande, mais une espèce y a été introduite accidentellement avec des plantes d'aquarium. La sous-famille des Synaptogobiinae est restreinte à l'Amérique du Sud.

Habitat
La plupart des espèces habitent les eaux stagnantes, notamment le fond des étangs et lacs peu profonds, ou dans la végétation des bords des cours d'eau. La majorité vivent en eau douce, mais certaines espèces sont adaptées aux eaux saumâtres. Comme elles volent bien, elles peuvent également occuper des plans d'eau temporaires: flaques dans des ornières de chemin, rizières, drains ou aquariums d'extérieur. Elles semblent préférer les fonds sablonneux ou argileux avec peu ou pas de débris de plantes.

Biologie

On connaît encore mal leur biologie et leur alimentation.

Les Micronectidae sont capables de striduler. Les mâles frottent leur pénis contre l'abdomen pour attirer les femelles. Ils peuvent se synchroniser et former des chœurs. La puissance de cette stridulation est considérable: chez Micronecta scholzi, elle atteint en moyenne  à un mètre de distance, avec des pics à , soit la puissance d'un orchestre puissant lorsqu'on est assis au premier rang des spectateurs! Le son peut être entendu par les humains depuis la rive d'une mare. En rapportant cette puissance à la taille de l'insecte, d'environ , Micronecta scholzi dépasse de loin les productions sonores de tous les animaux connus, y compris les éléphants et les baleines. On comprend mal encore le phénomène, sachant que le mécanisme d'émission ne dépasse pas .

Systématique
Les Micronectidae sont classés dans l'infra-ordre des Nepomorpha et la super-famille des Corixoidea.

Elles ont été considérées d'abord comme une sous-famille des Corixidae, mais à partir des travaux de Nieser & Chen 1999, de nombreux auteurs ont estimés qu'il fallait lui donner le rang de famille à part entière. Selon les découvertes de fossiles, les Micronectidae auraient divergé vers 182 à  d'années.

Arbre phylogénétique des Corixoidea

Liste des sous-familles et des genres
Selon  et , les Micronectidae comptent deux sous-familles, sept genres et 228 espèces, dont 2 seulement dans la sous-famille des Synaptogobiinae:

 sous-famille Micronectinae Jaczewski, 1924
 genre Austronecta Tinerella, 2013
 genre Micronecta Kirkaldy, 1897
 genre Monogobia Nieser & P. Chen, 2006
 genre Papuanecta Tinerella, 2008
 genre Synaptonecta Lundblad, 1934
 genre Tenagobia Bergroth, 1899
 un genre fossile †Acromocoris Bode, 1953, deux espèces du Toarcien (Jurassique inférieur).
 sous-famille Synaptogobiinae Nieser & P. Chen, 2006
 genre Synaptogobia Nieser & P. Chen, 2006

Espèces présentes en Europe
Selon Fauna Europaea, un seul genre, Micronecta, est présent en Europe, avec huit espèces:
 3 espèces dans la majeure partie de l'Europe: M. scholzi, M. griseola, et M. poweri
 2 espèces dans la zone méditerranéenne: M. minuscula (Espagne à Italie), M. leucocephala (Baléares, Corse, Sardaigne).
 3 espèces dans les Balkans et/ou l'est de l'Europe: M. pusilla, M. carpatica, M. minutissima.

Notes et références

Liens externes

Nepomorpha
Famille d'Hétéroptères (nom scientifique)
Taxon décrit en 1924

Micronectidae


Un homme pressé  é um filme de comédia dramática francês de 2018 dirigido por Hervé Mimran.

A história é inspirada no livro J'étais un homme pressé: AVC, un grand patrono témoigne de Christian Streiff, ex-CEO da Airbus e do grupo PSA, uma autobiografia na qual ele conta sua doença e sua lenta recuperação. Na França, o filme foi lançado nos cinemas em 7 de novembro de 2018, na Itália, o filme foi lançado nos cinemas em 21 de fevereiro de 2019, no Brasil, o filme foi lançado no streaming em 29 de maio de 2019 e em Portugal, o filme foi lançado nos cinemas em 4 de julho de 2019.

Sinopse
Alain é um homem focado apenas em seu trabalho, a ponto de esquecer sua família. Ele sofre um derrame que causa graves problemas de memória e linguagem. Durante sua reabilitação conhece Jeanne, que lhe abrirá um caminho de reflexão sobre sua vida.

Elenco

Notas

Bibliografia

Filmes da França de 2018
Filmes de comédia dramática da França
Filmes em língua francesa

Un homme pressé


Dantchiao (auch: Dan Tchiao, Dan Tchiaou, Dantchio) ist eine Landgemeinde im Departement Magaria in Niger.

Geographie

Dantchiao liegt in der Großlandschaft Sudan und grenzt im Süden an den Nachbarstaat Nigeria. Die Nachbargemeinden in Niger sind Bandé im Nordwesten, Dungass im Nordosten, Dogo-Dogo im Südosten und Magaria im Westen. Bei den Siedlungen im Gemeindegebiet handelt es sich um 57 Dörfer und 75 Weiler. Der Hauptort der Landgemeinde ist das Dorf Dantchiao.

Geschichte
Dantchiao kam Anfang des 20. Jahrhunderts zunächst unter britische, ab 1906 unter französische Kontrolle. Die Franzosen richteten 1908 einen Kanton in Dantchiao ein. Im Jahr 2002 ging im Zuge einer landesweiten Verwaltungsreform aus dem Kanton Dantchiao die Landgemeinde Dantchiao hervor.

Bevölkerung
Bei der Volkszählung 2012 hatte die Landgemeinde 71.018 Einwohner, die in 10.856 Haushalten lebten. Bei der Volkszählung 2001 betrug die Einwohnerzahl 41.430 in 6966 Haushalten.

Im Hauptort lebten bei der Volkszählung 2012 3529 Einwohner in 546 Haushalten, bei der Volkszählung 2001 1505 in 250 Haushalten und bei der Volkszählung 1988 1569 in 338 Haushalten.

In ethnischer Hinsicht ist die Gemeinde ein Siedlungsgebiet von Daurawa, Fulbe, Kanuri und Sossébaki. Die Hausa-Untergruppe Daurawa betreibt vor allem Ackerbau, während die Fulbe auf Agropastoralismus spezialisiert sind. Die 1936 anerkannte Fulbe-Gruppierung Peulh de Dan Gouchi ist im Dorf Dan Gouchi Peulh ansässig.

Politik
Der Gemeinderat (conseil municipal) hat 19 gewählte Mitglieder. Mit den Kommunalwahlen 2020 sind die Sitze im Gemeinderat wie folgt verteilt: 8 PNDS-Tarayya, 5 RDR-Tchanji, 3 ANDP-Zaman Lahiya, 1 ARD-Adaltchi Mutunchi, 1 MPR-Jamhuriya und 1 PSD-Bassira.

Jeweils ein traditioneller Ortsvorsteher (chef traditionnel) steht an der Spitze von 49 Dörfern in der Gemeinde.

Wirtschaft und Infrastruktur
Wochenmärkte werden in den Dörfern Bangaya und Koundiri abgehalten. Das staatliche Versorgungszentrum für landwirtschaftliche Betriebsmittel und Materialien (CAIMA) unterhält eine Verkaufsstelle im Hauptort. Die Gemeinde liegt in jener schmalen Zone entlang der Grenze zu Nigeria, die von Tounouga im Westen bis Malawa im Osten reicht und in der Bewässerungsfeldwirtschaft für Cash Crops betrieben wird. In Dantchiao wachsen in hoher Dichte Affenbrotbäume (Adansonia digitata), deren Blätter, Früchte und Samen zu beliebten Nahrungsmitteln und Kosmetika weiterverarbeitet werden. Es gibt eine Niederschlagsmessstation im Hauptort.

Im Hauptort ist ein Gesundheitszentrum des Typs Centre de Santé Intégré (CSI) vorhanden. Der CEG Dantchiao ist eine allgemein bildende Schule der Sekundarstufe des Typs Collège d'Enseignement Général (CEG). Beim Centre de Formation aux Métiers de Dantchiao (CFM Dantchiao) handelt es sich um ein Berufsausbildungszentrum.

Die 78,1 Kilometer lange Nationalstraße 13 zwischen Tinkim und der Staatsgrenze zu Nigeria, eine moderne Erdstraße, verläuft durch den Hauptort.

Literatur

Weblinks

Einzelnachweise

Ort in Niger
Zinder (Region)
Ort in Afrika

Dantchiao


The Six Shooter is a United States Western old-time radio program starring James Stewart as a gunfighter. It was created by Frank Burt, who also wrote many of the episodes, and lasted only one season of 39 episodes on NBC (Sept. 20, 1953–June 24, 1954). Initially, it was broadcast on Sundays at 9:30 pm Eastern Time, through October 11. Then it was heard at 8:30 pm for three weeks. Finally, on November 8, 1953, through March 21, 1954, it was broadcast Sundays at 8 pm; beginning April 1, 1954, through the final episode, it was on Thursdays at 8:30 pm.   One old-time radio directory called the program "a last, desperate effort by a radio network (NBC) to maintain interest in adventure drama by employing a major Hollywood movie star in the leading role."

Stewart starred as Britt Ponset, a drifting cowboy in the final years of the wild west. Episodes ranged from straight Western drama to whimsical comedy. A trademark of the show was Stewart's use of whispered narration during tense scenes that created a heightened sense of drama, and relief when the situation was resolved.

Some of the more prominent actors to perform on the program included Parley Baer, Virginia Gregg, Harry Bartell, Howard McNear, Jeanette Nolan, Dan O'Herlihy, Alan Reed, Marvin Miller, and William Conrad (often credited as "Julius Krelboyne" because he was also the star of CBS's radio show Gunsmoke, playing Marshall Matt Dillon at the time). Some did multiple episodes playing different characters.

Each episode opened with the announcer (Hal Gibney; John Wald in later episodes) stating: "The man in the saddle is angular and long-legged. His skin is sun-dyed brown. The gun in his holster is gray steel and rainbow mother-of-pearl, its handle unmarked. People call them both 'the Six Shooter'."

The haunting theme music was "Highland Lament", arranged by series composer Basil Adlam and written by British film composer Charles Williams. Jack Johnstone was the producer-director for NBC Radio, in association with Revue Productions.

The final episode, "Myra Barker", provided a satisfying (if melancholy) finale to the series. Ponset falls in love with Myra, and proposes marriage. Myra, after thinking it over, appears to accept, but then tells Britt she has heard that Sheriff Jennings of Eagle Falls has asked for his help, and Britt admits that he feels obligated to go. Myra tells Britt to go and not come back, telling him some adventure will always call him, and he will always go, or regret not going. Britt goes, resuming his wanderings, but not before revealing to the audience that he knows he was *not* needed in Eagle Falls, and knows Myra knows that, too. The moment comes across as a moment of supreme self-realization by Britt that he always will be a wanderer.

Episodes

Adaptation
James Stewart filmed a television pilot episode titled The Windmill featuring Barbara Hale, John McIntire, and Edgar Buchanan, but it somehow failed to sell. A perfect copy of the episode exists, however. The program was later successfully adapted for television in 1957 with John Payne as the star; by that time, Stewart's career had completely recovered from his initial postwar slump, and he was no longer available. An article in a trade publication reported that 39 "half-hour tv films" would be produced "for a series titled The Six Shooter." Frank Burt was the consultant for all episodes of the adaptation. The pilot episode, titled "The Restless Gun", aired on 29 March 1957 as an episode of the anthology series Schlitz Playhouse of Stars. John Payne, who went on to star in the series, played the lead character, Britt Ponsett.  By the time the series, also called The Restless Gun, debuted the following fall, though, the main character's name had been changed to Vint Bonner, "a slightly altered rendition of Britt Ponset".

Trivia
 An episode of the anthology Hollywood Star Playhouse on NBC entitled "The Six Shooter", was broadcast April 13, 1952. This used the "Ben Scofield" script, which was also used for the audition episode and (with a slightly different opening) the seventh episode of the series.
 The unaired audition episode, recorded July 15, 1953, includes a personal message by James Stewart in the middle and end trying to sell the program to potential sponsors.
 Stewart revived the Ponset character for the Feb. 10, 1957, episode of the television anthology program General Electric Theater titled "The Town with a Past". The script was based on the "Silver Annie" episode of the radio show. Stewart, however, declined to appear on a weekly TV version, and the proposed series was offered to John Payne.
 The Dec. 15, 1957, episode of G.E. Theater, "The Trail to Christmas", was based on the radio episode "Britt Ponset's Christmas Carol", although in this instance, Stewart's character was renamed Bart, and the Dec. 15, 1959, episode of the television anthology program Startime, "Cindy's Fella", was based on the radio episode "When the Shoe Doesn't Fit". Stewart took the role of peddler Azel Dorsey, while George Gobel played an unnamed drifter in place of Ponset.
 Ponset's horse was named Scar.
Although Liggett & Myers Tobacco Co. was interested in underwriting the program, James Stewart refused to accept, believing that it did not coincide with his public image. Jack Johnstone was quoted as saying, "Chesterfield begged and begged and begged for months trying to get sponsorship, but Jim didn't feel that, because of his screen image, it would be fair for him to be sponsored by a cigarette". Coleman eventually bought commercial time during the first four episodes, but no other advertisers sustained the series after that.

References

External links

Audio
The Six Shooter 1953-07-15 (Audition Show) The first episode of The Six Shooter radio show starring Jimmy Stewart with commentary by Mr. Stewart.

Logs
Annotated episodic log of The Six Shooter from Jerry Haendiges Vintage Radio Logs
Annotated episodic log of The Six Shooter from RadioGOLDINdex.

American radio dramas
1950s American radio programs
NBC radio programs
Western (genre) radio series

The Six Shooter


El melófono es un instrumento de viento de la sección de los metales. Se utiliza habitualmente en lugar de la trompa en bandas de marcha o en ensambles de tambor y corneta. En algunos casos el melofono es reemplazado por el bombardino o el eufonio.

Se comienza a utilizar primeramente fuera de la música de concierto y no hay mucha literatura de solos para el melófono más que la usada dentro de los ensambles de tambor y bugle.

Características
El Melófono actual tiene tres válvulas, operadas con la mano derecha. La digitación del  Melófono es diferente a la de una trompeta. El Melófono suelen ser ejecutado en la tonalidad de Fa. La serie armónica es una octava por encima de la trompa en Fa, es exactamente como tocar la parte inferior de una trompa en Fa.

La dirección de la campana, así como la cantidad muy reducida de tubos (en comparación con una trompa) hace que el  Melófono se vea como una trompeta grande.

Historia
Hay que distinguir entre:
Melófonos tradicionales con una campana mirando hacia atrás
Melófonos de marcha

El instrumento tradicional está visualmente inspirado en la trompa y tiene una campana mirando hacia atrás. A diferencia de la tompa, tiene los puntos de campana a la izquierda del intérprete en vez de a la derecha. Fue utilizado como una voz de contralto tanto en exteriores como en interiores por las bandas de la comunidad y la escuela en lugar de la trompa. Estos instrumentos todavía se hacen hoy en día, pero en general se carece de calidad, ya que no hay un mercado profesional para ellos. Estos están más estrechamente relacionados con los "alto horns" utilizados comúnmente en bandas de música.

Los Melófonos Cornetas fueron fabricados desde aproximadamente la década de 1950 y en el año 2000 la "Drum Corps International" cambió las reglas para permitir los instrumentos de metal en cualquier clave. Debido a los cambios de reglas en los últimos años, las cornetas han sufrido muchos cambios. En los años 1970 las cornetas tenían una válvula de pistón horizontal (1 tono) y una válvula rotativa (medio tono) operada por los pulgares. Cuando desaparecieron las normas que prohibían pistones verticales, la corneta recibió dos válvulas de pistón vertical. En 1989, las reglas aprobaron incluir un tercer pistón vertical para hacer los cuerpos de los Cornos por primera vez totalmente cromáticos.

Los Melófonos Cornetas introducidos en G se utilizaron principalmente hasta 2000, cuando se  permitieron las reglas en cualquier tonalidad.

Los Melófonos modernos de marcha están más directamente relacionados con la Cornos-corneta, como el fliscorno, bombardino y tuba. Su diseño es radicalmente más cónico que el Corno, produciendo un sonido que generalmente se considera más adecuado para la música marcial, un  Melófono tiende a ser más fácil de tocar fuertemente como es requerido en la música marcial.

Diferencia con el Corno
El melófono de marcha se utiliza en lugar de la trompa para la marcha, ya que es un instrumento de campana frontal que permite la proyección del sonido en la dirección que el intérprete se enfrenta. Esto es especialmente importante con el tambor y bandas de marcha porque la audiencia está típicamente de pie o sentado a un solo lado de la banda.

Instrumentos de viento metal

Melófono


Pejote (pejote kaktus, lofofora, lat. Lophophora), rod od tri vrste kaktusa
. Najpoznatiji je pejote kaktus, L. williamsii, iz Meksika i Teksasa, važan u religijskim obredima Indijanaca sjevernog Meksika i američkog jugozapada (pejote kult). Iz Meksika su ga navodno Carrizo Indijanci prenesli Komančima u Teksas.

Najjužniji predstavnik ovog roda je L. fricii iz sjeveroistočne Argentine.

Vrste
 Lophophora diffusa (Croizat) Bravo
 Lophophora fricii Haberm.
 Lophophora williamsii (Lem.) J.M.Coult.

Izvori

Cacteae

Pejote


Robert Ian Fulford (born 1969) is a leading English croquet player who has dominated the sport since the turn of the 1990s.

Life and career
Born in Colchester, England, he was educated at Colchester Royal Grammar School and Durham University followed by the University of Essex.

Fulford also coaches croquet, particularly in Australia and the Chattooga Club in North Carolina. Robert has made  croquet videos with Australian croquet expert Kevin Brereton in which Robert teaches both basic and advanced break tactics. He has won the Association Croquet World Championship 6 times:
1990 at The Hurlingham Club, England
1992 at the International Tennis Hall of Fame, Newport, Rhode Island, USA
1994 at Carden Park, Cheshire, England
1997 at the Moorabinda Croquet Club, Bunbury, Western Australia
2002 in Wellington, New Zealand
2023 at The Hurlingham Club, England

Fulford has also won the President's Cup twelve times (1989, 1998, 1999, 2001, 2002, 2006, 2008, 2009, 2010, 2011, 2012 and 2018), the Open Championship eleven times (1991, 1992, 1996, 1998, 2003, 2004, 2006, 2007, 2008, 2014 and 2015) and the Men's Championship four times (1990, 1998, 2006, 2011).

Career statistics

Major tournament performance timeline

* The 1989 and 2001 World and Open Championships were combined events.

The President's Cup is played as a 8/10 player round-robin and the number indicates the final position achieved.

Major championship finals: 41 (26 titles, 15 runners-up)

Style
Fulford's playing style includes the ability to play a range of shots. His tactic of peeling an opponent's ball through hoop 1 makes a triple peel as hard as possible for the opponent. His sextuple peels are also more frequent than those of any other player. Robert Fulford uses an Irish grip [rather like a golf grip] and employs "casting" [swinging mallet over the ball] about three times before each shot. He has strong wrists which makes the Irish grip work for him without it causing the R.S.I. that the grip is sometimes blamed for. In fact, Robert admits that he has quite a wrist-dominated technique which contradicts most coaching manuals that advise minimal wrist involvement.

World Championship results
Fulford has played in the following AC World Championships:
1989: Round 4: (lost to John Prince +26tp, -17, -26tp)
1990: won (beat Mark Saurin +26, +24tp)
1991: S/F (lost to John Walters -14otp, -26tp)
1992: won (beat John Walters -5tp, +4tp, +12tp)
1994: won (beat Chris Clarke -12tpo, +12tp, +18tp, +13)
1995: runner-up (lost to Chris Clarke -18tp, +12tpo, -26tp, +26tp, -26)
1997: won (beat Stephen Mulliner +17, -3tpo, +9otp, +11otp)
2001: runner-up (lost to Reg Bamford +16tp, -17sxp, +3, -26sxp, -26qp)
2002: won (beat Toby Garrison +26tp, +26tp, -17tp, +15tp)
2005: runner-up (lost to Reg Bamford -17tp, -26sxp, -17sxp)
2008: S/F (lost to Chris Clarke +26tp, +26tp, -11tpo, -17, -26)
2009: Round 3: (lost to Ben Rothman -14, -15tp, -17)
2012: Round 3: (lost to Marcus Evans +26tp, -20tp, +26sxp, -3tp, -25qnp)
2013: Round 3: (lost to Andrew Johnston +17tp, +12tp, -26, -15, -15)
2023: won (beat Matthew Essick -17tp, -17tp, +4tp, +26tp, +8otp)

References

External links
 The Croquet Records site

1969 births
Living people
English croquet players
Alumni of the University of Essex
People educated at Colchester Royal Grammar School
Alumni of St Aidan's College, Durham
Sportspeople from Colchester

Robert Fulford (croquet player)


Fredrick Chomba "Fred" Gituku (* 2. September 1973) ist ein kenianischer Badmintonspieler.

Karriere
Fred Gituku siegte 1994, 1996 und 1998 im Herrendoppel mit Abraham Wogute bei den Kenya International. 2006 und 2010 nahm er an den Commonwealth Games teil.

Sportliche Erfolge

Referenzen

Badmintonspieler (Kenia)
Geboren 1973
Mann
Kenianer
Teilnehmer an den Commonwealth Games (Kenia)

Fred Gituku


Die Liste der Flüsse im Yukon-Territorium ist nach Einzugsgebieten geordnet.

Arktischer Ozean

 Mackenzie River (Nordwest-Territorien)
 Liard River
 Rancheria River
 Little Rancheria River
 Tootsee River
 Frances River
 Hyland River
 Coal River
 La Biche River
 Peel River
 Ogilvie River
 Blackstone River
 Hart River
 Wind River
 Bonnet Plume River
 Snake River
 Firth River
 Malcolm River
 Trail River
 Babbage River
 Blow River

Beringmeer
 Yukon River
 Marsh Lake
 McClintock Creek
 Tagish River
 Teslin River
 Teslin Lake
 Nisutlin River
 Wolf River
 Dän Tàgé
 Morley River
 Takhini River
 Big Salmon River
 Nordenskiold River
 Pelly River
 Hoole River
 Ross River
 Macmillan River
 South Macmillan River
 Stewart River
 Beaver River
 Hess River
 McQuesten River
 White River
 Donjek River
 Kluane River
 Kluane Lake
 Slims River
 Nisling River
 Sixtymile River
 Indian River
 Klondike River
 Bonanza Creek
 Fortymile River
 Porcupine River
 Miner River
 Fishing Branch
 Bell River
 Eagle River
 Old Crow River
 Bluefish River

Pazifischer Ozean
 Alsek River
 Kaskawulsh River
 Jarvis River
 Dusty River
 Disappointment River
 Dezadeash River
 Kathleen River
 Aishihik River
 Tatshenshini River
 Klukshu River
 Blanchard River

Siehe auch
 Liste der Flüsse in Kanada

Flusse, Yukon
!

Liste der Flüsse im Yukon-Territorium


Bunar u Grodi, bunar u predjelu Grodi u gradu Hvaru, zaštićeno kulturno dobro.

Opis dobra
Komunalni bunar sagrađen u predjelu imena Groda 1475. godine, ima kamenu monolitno klesanu krunu osmerokutnog tlocrta s kružnim otvorom, dimenzije 160 cm, a visine 80 cm. Pod jednostavnom profilacijom na vrhu krune trakasto duž svih poligonalnih polja bio je uklesan natpis, koji je kasnije radiran. Na svakoj plohi poligona nalazi se po jedan reljef, među kojima se posebno ističe sjeverno polje s reljefom krilatog lava sa zatvorenom knjigom sv. Marka, navodno znamenom rata, nad kojim je uklesana godina 1475. Na si i sz polju je grb u obliku štita tipologije "konjska glava", središnje je polje grba radirano, a bočno su inicijali I. B. koji upućuju na tadašnjeg kneza (Iulius Bolani). Na istočnom, južnom i zapadnom polju reljefno je isklesan cvijet, a na ji i jz polju je znak ljiljana.

Zaštita
Pod oznakom Z-6975 zaveden je kao nepokretno kulturno dobro - pojedinačno, pravna statusa zaštićena kulturnog dobra, klasificirano kao "profana graditeljska baština".

Izvori

Zaštićena urbana oprema u Splitsko-dalmatinskoj županiji
Građevine u Hvaru
Bunari

Bunar u Grodi u Hvaru


Bonduel bezeichnet

 Bonduel (Wisconsin), Gemeinde im US-amerikanischen Bundesstaat Wisconsin

Bonduel ist der Familienname von

 Amaury Bonduel (* 1999), französischer Automobilrennfahrer
 Frans Bonduel (1907–1998), belgischer Radrennfahrer

Bonduel


الملك خنت دجر أو خنت (جر) هو فرعون من الأسرة المصرية الأولى وهو غير معروف; حكم في حوالي سنة 3050 ق م خلف الملك حور عحا وخلفه الملك دجت (وارجى) وعلى الأغلب أنه حكم لمدة 57 سنة ويعتقد أنه قام بحملات في بلد النوبة وليبيا.
اسمه يكتب بطريقتين الأولى مقترنة باسم حورس (حورس جر) ومز جر بالهيلوغريفي كيس من الصوف. أما الاسم الثاني آيتي ويوجد في أبيدوس وعلى الأغلب كان هذا اسمه عند الولادة.

وتوجد مقبرته بأبيدوس بجانب مقبرة زوجته مرنيث التي يعتقد أنها تولت الحكم لما كان ابنه قاصرا وعند اكتشاف مقبرته عثر على اربع اسوار كانت مربوطة فوق ساعد امرأة، ملفوف بالكتان. ولعلها كانت زوجة الملك خنت دجر، أو من أعضاء الأسرة المالكة.
وكانت الأساور مربوطة بأربطة من كتان، في موضع يمكننا من استنتاج الترتيب الأصلي لها.
وقد تكونت ثلاثة منها من أنواع مختلفة من الخرز، من ذهب وفيروز ولازورد وجمشت، وهو الأماتست.
أما الرابع فيتألف من سبع وعشرين لويحة، تمثل واجهة القصر، يعلوها الصقر حورس.
وتوضح تقدم قدماء المصريين في الصناعة في هذا الوقت المبكر من هذه الحضارة.

هويته

عهده
تميز عهد الملك ((جر)) بعدم وقوع أي اضطرابات داخلية٫ كما تميز بتقدم الفنون والصناعات.

قام الملك ببناء مقبرته في أبيدوس وقد وجد له مقبرتين كبار في مدينة أبيدوس وسقارة.
شارك الملك دجر الملك عحا في غزواته ضد النوبة وانشاء حكمة حتى وصل إلى الجندل الثاني وهذه الأحداث تم تسجيلها على لوحة صغيرة من الحجر تم العثور عليها في منطقة جبل الشيخ سليمان حوالي 11 كم جنوب وادى حلفا. هذه اللوحة تم قطعها ونقلها إلى الخرطوم وهي الآن في حديقة متحف في الخرطوم وهذه اللوحة توضح اهتمام ملوك الأسرة الأولى بتأمين الحدود الجنوبية لمصر.
وفي عمليات حفر أخيرة أجريت في منطقة سقارة تم العثور على مقبرة كبيرة ترجع إلى حير نيت يعتقد أنها زوجة الملك دجر.

عائلته

المقبرة
على غرار والده حور عحا، دفن جر في أم العقاب في أبيدوس. مقبرة جر "O" من بيتري. قبره يحتوي على رفات 318 من الخدم الذين دفنوا معه. بدايتًا من الأسرة الثامنة عشر، كان التبجيل لمقبرة حور عحا كما تبجل مقبرة أوزوريس، ومجمع دفن الأسرة الأولى، والذي يتضمن مقبرة جر على حد سواء، كان من التقاليد الدينية المصرية المُهمة.

تم العثور على العديد من الأغراض في مقبرة جر:
لوحة جر، والآن في متحف القاهرة ربمَّا أتت من أبيدوس.
بطاقات ذكر اسم قصر واسم ميرت نيث.
شظايا لمزهريتين منقوش عليها اسم الملكة نبث حوتب.
تم العثور إسوار ملكة في جدار المقبرة.

المكتشفات من المقابر الثانَوِيّه:
لوحات لعدة أفراد
حاجيات من العاج مع اسم نبث حوتب عليها.
ألواح من العاج.

أشار مانيتو إلى أن الأسرة الأولى حكمت من ممفيس - وبالفعل دفنت حور نيث، واحدة من زوجات جر، بالقرب من سقارة.

معرض صور

مصادر

مراجع

 Toby A. H. Wilkinson, Early Dynastic Egypt, Routledge, London/New York 1999, ISBN 0-415-18633-1, 71-73
 Toby Wilkinson, Royal Annals of Ancient Egypt: The Palermo Stone and Its Associated Fragments, (Kegan Paul International), 2000.

جر (فرعون)
أبيدوس
القرن 31 ق.م في مصر
حكام في القرن 31 ق م
حور عحا
فراعنة الأسرة المصرية الأولى
فراعنة القرن 30 ق م

جر (فرعون)


Monique Genest LeBlanc est une ethnologue spécialisée en fléché (et ceinture fléchée), née en 1927 à Montréal, au Québec.

Biographie

Formation
Monique Genest LeBlanc fait ses études à l'École normale Jacques-Cartier, puis poursuit sa carrière comme infirmière à l'hôpital Notre-Dame. Elle se marie à Gaston Alphée Leblanc, docteur en psychologie. Quatre enfants naissent de cette union.

De 1965 à 1970, elle étudie l'allemand à la Maison Goethe. Elle suit des cours de sculpture au Centre des Arts visuels de Westmount.

De 1991 à 1996, Monique Genest LeBlanc termine sa maîtrise en ethnologie à l'Université Laval et publie son mémoire intitulé La Ceinture fléchée au Québec : présences et particularités. En 1996, elle obtient un doctorat dans la même discipline et publie sa thèse Introduction de la ceinture fléchée chez les Amérindiens : création d'un symbole de statut social.

Vie active de flécherande

Monique Genest LeBlanc découvre la ceinture fléchée en visitant l'Exposition universelle de 1967.  L'année suivante, elle s'inscrit à des cours de fléché à Longueuil, dont l'instigatrice est Madeleine l'Heureux.

En 1972, Lucien Desmarais, licier professionnel, accompagné de personnes impliquées dans la mise en valeur du patrimoine québécois, fonde l'Association des artisans de ceinture fléchée du Québec. Monique G. LeBlanc adhère comme membre à cette toute première association de flécherands qui existait officieusement depuis 1970. Elle occupe le rôle de responsable des expositions, et plus tard, de secrétaire.

Recherches
Durant toute sa carrière, Monique Genest LeBlanc mène une recherche terminologique et historique entourant le fléché. Elle tente d'identifier les premières personnes ayant confectionné et porté des ceintures fléchées au Canada. Elle entreprend des recherches sur l'histoire et le parcours des ceintures fléchées.

Lors de voyages hors Québec et en Europe, elle visite des musées qui présentent des ceintures fléchées, notamment au Musée des Affaires indiennes de New York; aux musées anthropologiques des universités Simon Fraser et British Columbia ainsi que le musée historique de Vancouver, en Colombie-Britannique; au musée provincial à la Citadelle à Halifax. Elle consulte des bibliothèques dans plusieurs provinces canadiennes, notamment à l'Université Dalhousie ainsi qu'au Manitoba, les livres traitant de la traite des fourrures dans l'Ouest par la Compagnie de la Baie d'Hudson. Elle consulte aussi les archives de la compagnie de la Baie d'Hudson à Winnipeg. Dans les années 1970, elle consulte les archives manuscrites des Sœurs Grises de Saint-Boniface venues enseigner aux autochtones de l'ouest canadien.

En Angleterre, elle visite la ville de Coventry d'où étaient censé provenir les ceintures tissées au métier vouées à l'exportation vers le Canada. Monique Genest LeBlanc poursuit ses recherches à la bibliothèque du musée de Londres et de la Bibliothèque Bodléienne de l'Université Oxford. Se rendant à Boston en 1986, elle poursuit ses recherches à la bibliothèque nationale; elle visite du musée ethnologique de l'Université Harvard et du Musée Peabody de Salem. Elle visite des musées de textile et mènent des recherches à la bibliothèque nationale de Vienne en Autriche. En 1988, à Washington, elle fait des recherches à la Bibliothèque du Congrès et visite le Musée des textiles. Ses connaissances en allemand lui servent pour la correspondance avec le Bayerisch Statbiblio de Munich pour repérer des écrits non publiés de soldats allemands présents au Québec en 1777 et plus.

Débuts comme autrice

En 1973, elle rédige un manuscrit pour les personnes dans l'incapacité d'assister à des cours afin de leur permettre d'apprendre à flécher. En résulte la publication de l'ouvrage J'apprends à flécher paru chez l'éditeur René Ferron de Montréal. En 1977, elle publie chez Fides, Parle-moi de la ceinture fléchée, un livre destiné aux enfants.

Présence publique

En 1974, elle fait la démonstration du tissage aux doigts de la ceinture fléchée au centre culture La Chasse-Galerie de Toronto durant une semaine dans le cadre de l'événement « Movement Caroussel ». En 1975, elle enseigne le tissage aux doigts de la ceinture fléchée à l'Université de Moncton durant une semaine du stage des «Arts et Traditions populaires». En 1976, elle fait des démonstrations de la ceinture fléchée durant les Jeux olympiques de Montréal.

Lors d'un séjour en France dans le cadre d'un échange culturel avec la Fédération France-Québec / francophonie en 1977, elle fait une tournée de démonstrations et d'enseignement du tissage aux doigts de la ceinture à Dijon, Gourin et Vannes.

En 1978, elle participe au Festival du Voyageur à St-Boniface, Manitoba. Elle retourne en France et fait la démonstration et l'enseignement du tissage aux doigts de la ceinture fléchée à Lyon, St-Étienne, Puy-en-Velay, ainsi qu'à Paris, à la Manufacture des Gobelins. De nouveau au Manitoba, elle fait des démonstrations aux écoliers au Musée de Saint-Boniface durant une semaine. En 1979, elle est invitée à donner des ateliers de fléché moderne (classes de maître) à Montréal et à Québec.

En 1980, elle est invitée à participer au Stratford Art Festival puisqu'une de ses murales, fléchée, a été retenue lors d'un concours. La même année, elle fait la démonstration de fléché à l'Université d'Ottawa pour les élèves de la région. En 1982, trois guildes d'artisanes (West Island Guild of Weavers, Lakeshore Guild of Weavers et Lachine Guild Weavers) l'invitent à prononcer une causerie sur la ceinture fléchée.

Dans les années 1980, elle travaille comme recherchiste pour la ville de Montréal pour l'exposition Parti en flèche présentée à la Maison de la culture Notre-Dame-de-Grâce par l'Association des artisans ceinture fléchée du Québec. L'exposition sera aussi présentée à la bibliothèque Gabrielle-Roy de Québec en 1985.

En 1987, elle donne un atelier de fléché à Issoire, en Auvergne, France. Les ancêtres de sa famille Genest viennent de cette région.

À Montréal, en 2005 À Montréal, elle donne une causerie aux guides du musée du Château Ramezay sur l'histoire de la ceinture fléchée. L'expérience se répète l'année suivante au Musée McCord.

À Québec, en septembre 2007, elle est l'invitée d'honneur pour le projet Génération-transmission. Elle prononce une causerie pour les flécherands de Québec et offre démonstrations aux visiteurs de l'Atelier du Patrimoine vivant, présenté par le Centre de valorisation du patrimoine vivant (ès Trad).

Dix ans plus tard, en 2017, elle publie un texte d'opinion dans la revue Rabaska concernant l'explication erronée des origines de la ceinture fléchée que fait la Banque du Canada sur les billets de 10 dollars canadien. La Banque associe la « ceinture de l'Assomption » à la culture métisse alors qu'elle est strictement québécoise.

Reconnaissances et distinctions

En octobre 1997, Monique Genest LeBlanc reçoit le Prix Arts et traditions (Prix Félix-Antoine-Savard) décerné par le Centre Félix-Antoine-Savard en collaboration avec la Faculté des Lettres de l'Université Laval et la Papeterie Saint-Gilles, pour sa contribution exceptionnelle à la connaissance de l'héritage culturel du Québec.

En 2013, elle reçoit un certificat de reconnaissance de la Société québécoise d'ethnologie remis à six artisanes du fléché.

Publications

 J'apprends à flécher. René Ferron, Montréal, 1973, 127 pages.
 Parle-moi de la ceinture fléchée. Fides, Montréal, 1977, 107 pages.
 Le tissage aux doigts. Solar, Paris, 1981, 63 pages.
 Une jolie cinture à flesche. Presses de l'Université Laval, Québec, 2003.
 « Krieghoff et les ceintures fléchées ». Rabaska, 8 (2010), p. 69-76.
 « Ceintures fléchée : l'envers du décor ». Rabaska, 14 (2016), p. 79-89.
 « Ceintures fléchées : iconographie 1778-1928 ». Rabaska, 15 (2017), p. 111-121.
 « Ceinture fléchée : son origine québécoise éclipsée par la Banque du Canada ». Rabaska, 15 (2018), p. 196-198.
 « Ceinture fléchée ». Encyclopédie du patrimoine culturel de l'Amérique française.

Notes et références

Articles connexes
 Ceinture fléchée
 Ethnologie

Liens externes
Michelin, Yvette, 2015, Fléché traditionnel et actuel. sous titre: L'art du fléché québécois de la ceinture à la parure
Notices d'autorité : ISNI
« Monique Genest LeBlanc retrace l'histoire de la ceinture fléchée », Radio-Canada, Ici Première, audio fil du mardi 12 février 2019.

Ethnologue canadien
Culture québécoise
Folklore québécois
Patrimoine culturel du Québec
Flécherand

Monique Genest LeBlanc


Ernst Braun (* um 1700 in Hannover; † nach 1762) war ein Baumeister des Barocks in Hannover.

Leben
Braun war wahrscheinlich ein Sohn des Artillerieobersten Ernst Eberhard Braun, der zwischen 1700 und 1722 in Hannover bezeugt ist. Für Ernst Braun ist ab 1738 die Leitung von Baumaßnahmen in Hannover nachweisbar. Er war Militärangehöriger im Ingenieurcorps, seit 1741 im Rang eines Hauptmanns. Von 1742 bis 1751 war er Hannoverscher Stadtbaumeister, ab 1749 auch Festungsbaumeister. Aus der Zeit nach 1762 liegen keine Dokumente mehr über sein Wirken vor.

Werke
Ernst Braun war überwiegend als Landvermesser und Kartograf tätig. Zu den wichtigsten von ihm entworfenen Bauten zählen:
 Katharinenkirche in Duingen (1735–1739)
 Kreuzkirche in Sehnde (1736–1739)
 Christuskirche in Harpstedt (1742–1747)

Weblinks
Beschreibung der drei Kirchen und biografische Daten (Stefan Amt; PDF-Datei; 332 kB)

Baumeister des Barock
Militärperson (Hannover)
Geboren im 17. oder 18. Jahrhundert
Gestorben im 18. Jahrhundert
Mann
Ingenieur, Erfinder, Konstrukteur (18. Jahrhundert)

Ernst Braun (Baumeister)


Østrup steht für folgende geografischen Objekte in Dänemark:

 Østrup Sogn, Kirchspielgemeinde auf Fyn, Nordfyns Kommune
 Østrup (Nordfyns Kommune), Ort in Østrup Sogn
 Østrup (Vesthimmerlands Kommune), Ort in der Vesthimmerlands Kommune

Østrup ist der Familienname folgender Personen:

 Lauritz Christian Østrup (1881–1940), dänischer Fechter

Østrup


CNY eller cny har flere betydninger:
 Renminbi - CNY er ISO 4217 koden for Renminbi, valutaen i Kina.
 City of New York - en by i staten New York, USA.
 CNY (IATA-kode) - for Canyonlands Field lufthavn tæt på Moab i Grand County, Utah, USA.
 Kinesisk nytår (Chinese New Year) - en traditionel festival.
 Central New York - det centrale område af det øvre af staten New York, USA.
 ConnectNY - et konsortium af 18 college biblioteker i staten New York plus det national Center for Research Libraries i Chicago.

CNY


"North Star" is the 61st episode of the American science fiction television series Star Trek: Enterprise, the ninth episode of the third season. It first aired on November 12, 2003 on UPN. It was written by David A. Goodman and directed by David Straiton.

Set in the 22nd century, the series follows the adventures of the first Starfleet starship Enterprise, registration NX-01. In this episode, the crew of the Enterprise discover a lost colony of humans in the Delphic Expanse. The colony originated from a wagon train from the American Old West in the 1860s which was abducted as slave labor by an alien race called the Skagarans. The humans overthrew the Skagarans and now treat them as second-class citizens.

Goodman wrote the episode after he was set a challenge by executive producer Rick Berman, and wrote in references to the 1940 film Santa Fe Trail and The Original Series episode "Spectre of the Gun". The episode was mostly filmed on the Western town set nicknamed "Six Points Texas" at the Universal Studios lot. Critical response to the episode was mixed, but the ratings held steady from the previous episode with a 2.6/4% share.

Plot
While in the Delphic Expanse, Enterprise discovers a planet inhabited by 6,000 humans who are living in the fashion of the 1860s American frontier alongside an alien race called Skagarans. Captain Archer, Commander Tucker and Sub-Commander T'Pol beam-down to the surface in period costume to investigate. They head into one of the numerous towns to observe the humans and aliens first-hand, and while Tucker and T'Pol acquire a horse, Archer stops Deputy Bennings from belittling a "Skag" waiter in the town's tavern. After questioning Archer on his plans and intentions, Sheriff MacReady tells Bennings to keep a close eye on Archer.

Archer, wishing to learn more about the Skagarans, enters the house of a teacher named Bethany he had seen earlier. The two depart for "Skag Town", the remnants of a 300-year-old wrecked spacecraft, but the deputy notices them leave. They arrive and meet Tucker and T'Pol, who had arrived earlier. Tucker and T'Pol travel back to Enterprise to investigate some data logs found in the wreckage, while Archer stays behind. On Enterprise Ensign Sato discovers that the humans overthrew their Skagaran masters after being abducted from Earth by them and brought to the planet centuries earlier. Bennings arrests and imprisons Bethany for teaching the Skagaran children. Archer helps her to escape, but she is shot by Bennings. Archer orders an emergency beam-up in front of Bennings and other locals.

Doctor Phlox treats her injury and discovers that she is one-quarter Skagaran. Meanwhile, back on the planet, Bennings hands in his deputy badge after MacReady orders him not to take further action against the Skagarans. Archer returns in a shuttlepod along with T'Pol and a security crew, led by Lieutenant Reed — all wearing their modern uniforms. Landing in the center of town, he informs the Sheriff that he is from Earth and will return to take them back to Earth once their mission is over. Bennings then shoots MacReady, starting a firefight. In the chaos, Archer is also shot by Bennings, but finally overpowers him in a fistfight. Enterprise then departs, but not before returning Bethany to the surface, and providing her with a PADD to educate the local children about Earth's recent history.

Production
"North Star" was the season's third episode directed by David Straiton, while writer David A. Goodman had previously written the episodes "Judgment" and "Precious Cargo". (He also wrote the Star Trek themed Futurama episode "Where No Fan Has Gone Before".) Goodman explained that he was inspired by The Original Series episodes "A Piece of the Action" and "Patterns of Force" after executive producer Rick Berman set him the challenge of writing a "parallel Earth" story similar to those featured in TOS but that would fit with Enterprise. These types of stories, where humans had evolved societies on other planets similar to our own, featured in Gene Roddenberry's original pitch for Star Trek to NBC.

Goodman also added a reference to the TOS episode "Spectre of the Gun" with the naming of the character Cronin, but said that the character Kitty was named after a character in the film Santa Fe Trail (1940) rather than the radio/television series Gunsmoke. He later described "North Star" as his favourite episode of the series. It was the third Western-themed Star Trek episode, after The Original Series "Spectre of the Gun" and The Next Generation "A Fistful of Datas". This episode included a number of guest cast members: Emily Bergl (Bethany) previously appeared in the miniseries Taken. Glenn Morshower (Sheriff MacReady) previously appeared in episodes of The Next Generation and Voyager. James Parks (Deputy Bennings) also appeared in Voyager.

It was the first episode filmed on location during season three, but the production only moved from the Paramount Studios lot to the Universal Studios backlot where the Western town set "Six Points Texas" was used. The shoot there started on the second day of filming, over a five-day period, and used a number of sets including the main street, livery stable, saloon and schoolhouse. The sets have been in more movies than any others in the world; the livery stable, in particular, was in the film My Little Chickadee (1940). A shuttlepod set-piece was brought over from Paramount Studios.

Twelve horses were used, and stunt doubles replaced main cast members whose characters were depicted riding. The episode included a number of stunts, supervised by Vince Deadrick, Jr. Scenes using the standing sets at Paramount were filmed on the first and last days of shooting, which overlapped with the first day of shooting of the following episode, "Similitude".

The commentary track on the DVD includes the first below-the-line commentary track in Star Trek history, featuring first assistant director Michael DeMeritt. Among many details it includes provided is how the overall sepia look was achieved by director of photography Marvin Rush, a process of the physical film age called bleach bypass.

First Assistant Director (AD) Jerry Fleck died during preparations for North Star. He joined season six of Star Trek: The Next Generation and was with the Star Trek franchise for eleven years. Production was shut down on September 15 out of respect, and the episode "Extinction" was dedicated to his memory.

Reception
"North Star" was first aired on November 12, 2003, on UPN. It received a 2.6/4% share among adults between the ages of 18 and 49. This means that it was seen by 2.6 percent of all 18- to 49-year-olds, and 4 percent of all 18- to 49-year-olds watching television at the time of the broadcast. This was the same as the ratings received by the previous episode entitled "Twilight," but showed a loss of 200,000 viewers overall. "North Star" received lower ratings than the following episode "Similitude," which received a ratings share of 3.0/5%.

In 2003, Michelle Erica Green writing for TrekNation  said that she was expecting something similar to The Original Series episode "Spectre of the Gun", but was pleased to find it was more similar to Voyager "The 37's." She said that, "because the episode is stylish and beautifully paced, the morality play doesn't get too heavy-handed or silly," but felt that it was one-sided because of the lack of information on the Skagarans. She summed up the "North Star" by describing it as a "fun, throw away" episode. Jamahl Epsicokhan on his website Jammer's Reviews described it as a "shallow Trek adventure by the numbers" which was "all about setting and rarely about substance." He gave it a score of two out of four. When Epsicokhan was summing up the whole of season three, "North Star" was described as one of the mediocre episodes in the season.

In 2014, High Def Digest said this was a "fun episode," but acknowledged it's not for everyone.

Home media release
"North Star" was released as part of the season three DVD box set, released in the United States on September 27, 2005. The season was released on Blu-ray in the United States on January 7, 2014.

Jay Chattaway's music for the episode was released as part of the four disc Star Trek: Enterprise Collection on December 2, 2014, including the orchestral piece "Hangin' Offense".

See also

 "The 37's" – a second season episode of Star Trek: Voyager based on the same premise of humans abducted from Earth by aliens for slave labor and then revolting in a take-over.
 Stargate (Humans taken in the past by aliens is also a foundational premise of the Stargate sci-fiverse)
 The Star Trek: Strange New Worlds novel The High Country references this episode and contains another appearance by the Skagarans.

References

Footnotes

Bibliography

External links

2003 American television episodes
Star Trek: Enterprise (season 3) episodes
Television episodes about alien abduction
Television episodes directed by David Straiton

North Star (Star Trek: Enterprise)


Zita Funkenhauser () este o fostă scrimeră germană de origine română specializată pe floretă. A fost campioană olimpică pe echipe la Los Angeles 1984 și la Seul 1988, fiind laureată în total cu patru medalii olimpice din trei participări. A fost și triplă campioană mondială pe echipe în 1985, 1989 și 1993, și a câștigat clasamentul general al Cupei Mondiale de Scrimă în 1989.

Carieră
S-a născut în Satu Mare într-o familie de etnie șvabă. Bunicii săi vorbeau încă dialectul șvăbesc, ci nu părintii, din cauza maghiarizării în timpul celui de-al Doilea Război Mondial. Tatăl său, László, era un tehnician într-o mare fabrică, în timp ce mama sa, Éva, era anestezistă într-un spital. Împreună cu sora sa mai mică Hedwig, s-a apucat de scrimă din copilărie, familia sa locuind pe lângă sala de scrimă "Alexandru Csipler" din Satu Mare. Când avea 12 ani, Zita a devenit campioană națională la categoria de vârstă.

În anul 1978 a primit tatăl sa autorizația de emigrare și a plecat singur. Și-a găsit de lucru la fabrica Mercedes din Sindelfingen și în anul următor a putut aduce și familia în Germania. Părintii săi au ales Tauberbischofsheim, unul dintre centrele importante ale scrimei din Germania, pentru că fiice lor să se adapteze ușor la viața de acolo. Astfel au devenit prima familie din Transilvania în orașul. La Fecht-Club Tauberbischofsheim a fost descoperită de antrenorul Emil Beck, care a înscris-o pe ea la pensionatul sportiv din orașul.

La vârstă de 18 ani a fost selecționată în echipa națională a Germaniei de Vest pentru Jocurile Olimpice din 1984 de la Los Angeles. Germania a trecut de Italia în semifinală, apoi de România, cucerind medalia de aur, prima medalie ei la o competiție de anvergură. În anul următor a obținut medalia de aur pe echipe la Campionatul Mondial de la Barcelona. În anul 1987 a devenit vicecampioană mondială la individual, după ce a fost învinsă în finala de românca Elisabeta Tufan.

La Seul 1988, cea de-a doua participare la Jocurile Olimpice, a ajuns în semifinală, unde a pierdut cu conaționala sa Sabine Bau. Apoi a învins-o pe unguroaica Zsuzsa Jánosi în "finală mică" . Astfel, Germania de Vest a ocupat întregul podium: Anja Fichtel cu aurul, Sabine Bau cu argintul și Zita Funkenhauser cu bronzul. La proba pe echipe s-a confirmat monopolul german: echipa a trecut de Uniunea Sovietică, apoi de Italia, și a fost laureată cu aur. În anul următor a cucerit bronzul la individual la Campionatul Mondial de la Denver și a obținut un al doilea titlul mondial pe echipe.

La Budapesta 1992 s-a clasat pe locul 13 la individual. La proba pe echipe Germania a cucerit medalia de argint după un meci greu cu Italia. În anul următor s-a desfășurat Campionatul Mondial "acasă" în Essen. La proba individuală a cucerit medalia de bronz. La proba pe echipe, Germania a întâlnit în finala România, considerată ca favorită după ce a trecut categoric de Italia în semifinală. După un meci greu, care au durat peste două ore, Funkenhauser a reușit în ultimul releu tușa decisivă, adjudecându-se cel de-al treilea titlul mondial pe echipe. În paralel, sora sa Hedwig a cucerit argintul la proba de spadă pe echipe.

În anul 1996 s-a retras din carieră sportivă, după o medalie de bronz la Campionatul Mondial din 1995, cea de-a 13-a medalie într-un mare campionat.

Viață personală
În paralel cu cariera sportivă a studiat ea la Universitatea din Würzburg pentru a deveni medic dentist, absolvind în anul 1994. În prezent are un cabinet propriu în Tauberbischofsheim și este dentista echipelor olimpice ale Germaniei. În această calitate a participat la Jocurile Olimpice din 2008 de la Beijing și la ediție din 2012 de la Londra.

În anul 1993 s-a căsătorit cu fostul floretist Matthias Behr, campion olimpic pe echipe la Jocurile Olimpice din 1976, apoi director sportiv al clubul de scrimă din Tauberbischofsheim. Împreună au două copii, gemenii Leandra și Greta, născute în 1996. Amândouă fetele sunt floretiste, membre echipei Germaniei la juniori.

Note

Legături externe

Scrimeri olimpici germani
Scrimeri la Jocurile Olimpice de vară din 1984
Scrimeri la Jocurile Olimpice de vară din 1988
Scrimeri la Jocurile Olimpice de vară din 1992
Medaliați olimpici cu aur din Germania de Vest
Medaliați olimpici cu bronz din Germania de Vest
Medaliați olimpici cu argint germani
Floretiști
Șvabi sătmăreni
Sătmăreni

Zita Funkenhauser


Allar áttir er plata með Bubba Morthens sem kom út 20. nóvember 1996, eða tveimur vikum áður en hann gaf út ljóðaplötu sína Hvíta Hliðin á svörtu. Að lokinni afmælistónleikaröð sem Bubbi fór í tilefni fertugsafmælis Bubba hugðist Bubbi drífa af tvær plötur, fyrst, eins og hann orðaði það í viðtali við Alþýðublaðið í maílok 1996, "klassíska Bubbaplötu" sem væri tilbúin að mestu leyti. Síðan átti að taka upp plötu með ljóðalestri.Ég er að afgreiða dópveröldina sem maður dvaldi áAllar áttir vann Bubbi með Eyþóri Gunnarsyni, samstarfsmanni sínum síðan að platan Von kom út 1992. Heiti plötunnar átti upprunalega að vera ekkert annað en vinnuheiti, en þegar Bubbi hlustaði á plötuna þegar hún var tilbúinn þá heyrði hann að nafnið passaði svo sannarlega  við plötuna. Platan... er nefnilega eins og nafnið gefur til kynna einhvers konar uppgjör við flest það sem Bubbi hefur verið að fást við á sínum sextán ára útgáfuferli, en virkar jafnframt líka sem visst upphaf, að kappinn Bubbi sé aftur kominn á byrjunarreit í glímu sinni við listagyðjuna.

Gagnrýnandi Dags-TímansPlatan, sem var fyrsta edrú plata Bubba síðan að platan Kona kom út 6. júní 1985, seldist í um 7-8.000 eintökum.

Lagalisti
 Ég elska bækur
 Það er aðeins ein
 Sá sem gaf mér ljósið
 Þú ert ekki lengur
 Hverjum geturðu treyst
 Hann elskar mig ekki
 Röng borg
 Með vindinum kemur kvíðinn
 Hvað er töff við það í snöru að hanga
 Alla daga
 Jarðarför Bjössa

Bubbi Morthens
Hljómplötur gefnar út árið 1996

Allar áttir


Svijet

Događaji

Rođenja

Smrti

Hrvatska i u Hrvata

Događaji

 10. svibnja – Stipe Božić se po drugi put popeo na Mount Everest

Rođenja

Smrti

Izvori

Vanjske poveznice

Planinarstvo u 1989.


Constanța Dunca-Șchiau (născută Constanța Dunca; ) a fost o scriitoare română, profesoară, publicistă, fiica cunoscutului avocat moldovean Ștefan Dunca. A semnat și cu pseudonimul Camille d'Alb.

Cariera
A studiat la Collège de France unde a obținut certificatul de "studii înalte", și s-a specializat în pedagogie. În unele publicații apare că aceasta și-a terminat specializarea în Viena, în altele la Paris, în 1862. Constanța a colaborat cu publicații franțuzești din toată țara în perioada cât a trăit la Paris.

A fost una din primele scriitoare feministe din România. Alexandru Ioan Cuza i-a dat acordul pentru înființarea unei școli pentru fete, premiindu-I memoriul "Fiicele poporului". Aceasta a prezentat un proiect de lege în fața domnitorului despre învățământul pentru fete, ce a fost luat în considerare în înfăptuirea legiii învățământului public în 1864.

Proiectul de lege a fost  publicat în serial în Amicul Familiei, anul I, nr. 2-14, 1863. O altă pledoarie a Constanței Dunca a fost adresată Ministrului Cultelor și Instrucțiunii Publice, în favoarea educației fetelor și creșterii contribuției statului la dezvoltarea învățământului pentru fete.

A organizat Școala Centrală de fete din București, unde a fost și profesoară începând cu 1863, unde avea sub tutelă catedra de morală și pedagogie, până în 1872.

Constanța a colaborat cu diverse publicații românești. A făcut parte din cercul Convorbirilor literare. În martie 1863 a înființat publicația "Amicul familiei", ce a funcționat până în 1868. Revistă literară și pedagogică, atingea multe aspecte din viața socială, însă nu și politică, deși avea o atitudine inovatoare, și milita pentru egalitatea dintre femei și bărbați. Pe lângă publicarea propriilor opere, Constanța traducea nuvele, încuraja dramaturgia și punerea în scenă a diverselor opere, și colabora cu scriitori contemporani.

Constanța a ținut o serie de conferințe despre femei și educație prin țară, însă și în Viena și Budapesta.

Printre lucrările sale se numără:

 Martira inimei (1870), piesă de teatru – condamna lipsa de răspundere a bărbatului față de copil și tolerarea statului prin legea ce oprea urmărirea paternală
 Motiv de despărțenie sau Ce deputat! (1870) – pe tema puterii femeii asupra bărbatului
 Elena (1862) în franceză, tradus apoi ca și Elena Mănescu în "Amicul familiei" – roman de dragoste, cu tente de satiră socială
 O familie din București. Iezuiții României (1865) și seria de nuvele Sub vălul Bucureștilor – inspirate din moravurile bucureștene.
 Scria și pentru publicația "Familia" împreună cu alte scriitoare (precum Maria Bosco-Suciu, Sofia Nădejde ș.a.), despre problemele pe care femeile le întâmpinau.
 Feminismul în România (1904)

A  tradus din Malherbe, Ossian, Pușkin, J.B. Rousseau.

Note

Bibliografie

Institutul de Lingvistică, istorie literară și folclor al Universității AL. I. Cuza Iași (1979). Dicționarul literaturii române de la origini până la 1900. Editura Academiei Republicii Socialiste România, București. P. 35, 308-309
Mihăilescu, Ștefania (2002). Din istoria feminismului românesc: antologie de texte: 1838-1929. Polirom. Iași.
Popescu, Liliana (2004). Politica Sexelor. Editura Maiko

Nașteri în 1843
Decese în 1923
Scriitoare române
Femei din România
Botoșăneni
Traducători români

Constanța Dunca-Șchiau


"Truth" er en sang af den aserbajdsjanske sanger Chingiz. Den repræsenterede Aserbajdsjan i Eurovision Song Contest 2019 i Tel Aviv, Israel.

Referencer

Sange fra 2019
Sange fra Eurovision Song Contest 2019
Eurovision Song Contest-sange fra Aserbajdsjan

Truth (Chingiz-sang)


Premiul publicului pentru cel mai bun actor este un premiu cinematografic acordat în perioada 1997-2005 de Academia Europeană de Film.

Câștigători
1997 – Javier Bardem
1998 – Antonio Banderas (The Mask of Zorro)
1999 – Sean Connery (Entrapment)
2000 – Ingvar E. Sigurdsson (Angels of the Universe)
2001 – Colin Firth (Bridget Jones's Diary)
2002 – Javier Camara (Hable Con Ella)
2003 – Daniel Brühl (Good Bye Lenin!)
2004 – Daniel Brühl (Love in Thoughts)
2005 – Orlando Bloom (Kingdom Of Heaven)

Legături externe
European Film Academy archive

Premiile Academiei Europene de Film

Premiul publicului pentru cel mai bun actor (Academia Europeană de Film)


بيوس العاشر (باللاتينية: Pius X)؛ (2 يونيو 1835 - 20 أغسطس 1914)، هو بابا الكنيسة الكاثوليكية بالترتيب السابع والخمسون بعد المائتان من 1903 وحتى 1914؛ وهو أول بابا يعتبر قديس منذ البابا بيوس الخامس. ولد باسم جيوسيبي سارتو عام 1835 في شمال إيطاليا، وعرف عنه الميل للمحافظة، ومعاداة النزعات التحديثية في الكنيسة الكاثوليكية والعالم، إذ أراد الحفاظ على «التقليد والعقيدة الكاثوليكية نقية وصافية». أهم الإصلاحات التي قام بها البابا كانت توحيد قوانين الكنيسة الكاثوليكية في الإدارة والمعروفة باسم «الحق الكنسي» في قانون واحد، وركّز في تعليمه الاجتماعي على «انعكاس القيم المسيحية على الحياة»، وكذلك فقد ركز البابا على التعليم المريمي واعتبر أنه عبر مريم تم «تجديد كل شيء في المسيح»؛ وهو ما اتخذه شعارًا لحبريته.

بيوس العاشر كان البابا الوحيد خلال القرن العشرين المنحدر من بيئة ريفية، صرّح البابا: «لقد ولدت فقيرًا، وأعيش فقيرًا، وأود أن أموت فقيرًا»؛ وقد رفض ترقية أقاربه في السلك الكنسي محتفظين بالرتب الدنيا. اعتبر بيوس العاشر مثل بيوس التاسع خطيبًا مفوهًا وذي شخصية قوية، وكسلفه ليون الثالث عشر ركّز في الفلسفة على توما الإكويني والمدرسة التومانية في الفلسفة، مقابل الفلسفات الحديثة كالوضعية. شخصيته وتاليمه، اعتبرت غير مدعومة في الأوساط الأرستقراطية الأوروبية خلال مرحلة ما قبل الحرب العالمية الأولى؛ كما أن خلفه بندكت الخامس عشر بدء بعملية تحديث الكنيسة فلسفيًا وفي شرح العقيدة على مستوى السبب والنتيجة، لجعلها أقوى بوجه المادية والوضعية.

وصف البابا من قبل كثيرين بكونه «بابا عظيم وشخص قديس»، وذي شعبية بين الكاثوليك. بعد فترة وجيزة من وفاته، بدأت عملية تطوبيه، التي توجت بإعلانه قديسًا عام 1954، على يد البابا بيوس الثاني عشر.

النشأة والكهنوت
ولد جوزيبي ملكيوري سارتو في ريزي، مملكة لومباردي- فينيتيا، الإمبراطورية النمساوية (الآن في مقاطعة تريفيزو، فينيتو، إيطاليا)، عام 1835. كان ثاني مولود لعشرة أبناء لجيوفاني باتيستا سارتو (1792-1852)، ساعي البريد في القرية، ومارجريتا سانسون (1813-1894). عُمِّد في 3 يونيو 1835. على الرغم من فقره، إلا أن والديه أوليا التعليم أهمية كبيرة، وكان جوزيبي يمشي 6 كيلومترات إلى المدرسة كل يوم.

لدى جوزيبي ثلاثة إخوة وست أخوات: جوزيبي سارتو (مواليد 1834؛ توفي بعد ستة أيام)، أنجيلو سارتو (1837-1916)، تيريزا بارولين-سارتو (1839-1920)، روزا سارتو (1841-1913)، أنطونيا داي باي- سارتو (1843-1917)، ماريا سارتو (1846-1930)، لوسيا بوششين-سارتو (1848-1924)، آنا سارتو (1850-1926)، بيترو سارتو (مواليد 1852؛ توفي بعد ستة أشهر). بصفته بابا، رفض أي نوع من الخدمات لعائلته: ظل شقيقه كاتبًا للبريد، وظل ابن أخيه المفضل كاهن قرية، وعاشت أخواته الثلاث العازبات معًا بحالة فقر في روما، بنفس الطريقة التي يعيش بها الآخرون من خلفية متواضعة في روما.

كان جوزيبي، الذي غالبًا ما تطلق عليه والدته لقب بيبي، متحمسًا للحياة إذ كانت طبيعته عظيمة لدرجة أن معلمه كان يضطر في كثير من الأحيان إلى ضربه بالعصا للتحكم في تصرفاته المفعمة بالحيوية. على الرغم من ذلك، كان طالبًا ممتازًا ركز على واجباته المدرسية قبل الانخراط في أي هوايات أو استجمام. في المساء بعد ممارسة الرياضة أو الألعاب مع الأصدقاء، كان يقضي عشر دقائق في الصلاة قبل العودة إلى المنزل. خدم سارتو أيضًا كفتى مذبح. في سن العاشرة، كان قد أكمل فصلين ابتدائيين في مدرسة قريته، بالإضافة إلى دراسة اللغة اللاتينية مع كاهن محلي؛ ومن ذلك الوقت فصاعدًا، كان على سارتو أن يمشي أربعة أميال إلى صالة المدرسة الداخلية لمزيد من الدروس. على مدى السنوات الأربع التالية، كان يحضر القداس قبل الإفطار ومسيرته الطويلة إلى المدرسة. غالبًا ما كان يحمل حذائه بيديه ليجعله يدوم لفترة أطول. عندما كان فتى فقيرًا، غالبًا ما كان متضايقًا بسبب وجبات الغداء الضئيلة والملابس المتهالكة، لكنه لم يشكو من ذلك أبدًا لمعلميه.

في عام 1850 حصل على رخصة جز شعره من أسقف تريفيزو، وحصل على منحة من أبرشية تريفيزو لارتياد مدرسة بادوفا حيث أنهى دراساته الكلاسيكية والفلسفية واللاهوتية بامتياز.

في 18 سبتمبر 1858، رُسم سارتو كاهنًا من قبل جيوفاني أنطونيو فارينا (رُسم قديسًا لاحقًا)، وأصبح قسيسًا في تومبولو. أثناء وجوده هناك، وسع سارتو معرفته باللاهوت، ودرس كل من توما الأكويني والقانون الكنسي، بينما كان ينفذ معظم وظائف القس قسطنطيني، الذي كان مريضًا جدًا. في كثير من الأحيان، سعى سارتو إلى تحسين خطبه بناءً على نصيحة قسطنطيني، الذي أشار إلى واحدة من أقدم خطاباته على أنها هراء. في تومبولو، نمت شهرة سارتو في القداسة كثيرًا بين الناس لدرجة أن البعض اقترح أن يُلقّب دون سانتو.

في عام 1867، عُيّن كرئيس كاهن سالزانو. هنا رمم الكنيسة ووسع المستشفى، والأموال تأتي من الصدقات وثروته وعمله. كسب تعاطف الناس عندما عمل لمساعدة المرضى خلال وباء الكوليرا في أوائل سبعينيات القرن التاسع عشر. اختير لدراسة قانون للكاتدرائية ومستشار أبرشية تريفيزو، كما شغل مناصب مثل المدير الروحي وعميد مدرسة تريفيزو، وممتحن رجال الدين. كمستشار، جعل من الممكن لطلاب المدارس العامة تلقي التعليم الديني. ككاهن ولاحقًا أسقف، غالبًا ما كافح لحل مشاكل تقديم التعليم الديني لشباب الريف والمدن الذين لم تتح لهم الفرصة للالتحاق بالمدارس الكاثوليكية. في إحدى المراحل، اشتعلت النيران في كومة كبيرة من القش بالقرب من كوخ، وعندما وصل سارتو خاطب الناس المذهولين، لا تخافوا، سنطفئ النار وسننقذ منزلك! في تلك اللحظة، تحولت ألسنة اللهب في الاتجاه الآخر، تاركة الكوخ وحده. على الرغم من واجباته العديدة، غالبًا ما كان سارتو يقضي وقتًا في نزهة مسائية مع الأطفال الصغار لتحضير المناولة الأولى.

في عام 1879، توفي المطران فيديريكو ماريا زينيلي، وانتُخب سارتو نائبًا لرعاية الأبرشية حتى تولي أسقف جديد في يونيو 1880.

بعد عام 1880، درس سارتو اللاهوت العقائدي واللاهوت الأخلاقي في معهد تريفيزو. في 10 نوفمبر 1884، عينه ليو الثالث عشر أسقفًا لمانتوا. رُسم بعد ستة أيام في روما في كنيسة سان أبوليناري في روما من قبل الكاردينال لوسيدو باروتشي بمساعدة بيترو روتا وجيوفاني ماريا بيرينغو. عُيّن في المنصب الفخري لمساعد العرش البابوي في 19 يونيو 1891. طلب سارتو الإعفاء البابوي من البابا ليون الثالث عشر قبل التكريس الأسقفي لأنه كان يفتقر إلى الدكتوراه، ما جعله آخر بابا بدون دكتوراه حتى البابا فرانسيس.

عندما سافر سارتو إلى مسقط رأسه من روما بعد تكريسه، ذهب على الفور لزيارة والدته. هناك، قبلت خاتمه مرارًا وتكرارًا وقالت له: لكنك لم تكن لتحصل على هذا الخاتم الجميل، يا بني، لو لم يكن لدي هذا، وأظهرت له خاتم زواجها.

انظر أيضًا
 أخوية القديس بيوس العاشر الكهنوتية.
 بابوية كاثوليكية.
 قائمة بابوات الكنيسة الكاثوليكية.

روابط خارجية

المراجع

 القديس بيوس العاشر - التعليم.
 القديس بيوس العاشر - الموسوعة العربية المسيحية.

أساقفة من مانتوفا
إيطاليون في القرن 19
إيطاليون معادون للشيوعية
باباوات
باباوات إيطاليون
باباوات روما
باباوات كاثوليك قديسون
بابوات فرنسيسكان
بابوات في القرن 20
بندكت الخامس عشر
جان دارك
رؤساء أساقفة رومان كاثوليك القرن 19
قديسون رومان كاثوليك إيطاليون
قديسون مسيحيون في القرن 20
مدفونون في كاتدرائية القديس بطرس
ملكيون إيطاليون
مواليد 1835
وفيات 1914
وفيات بسبب نوبة قلبية
وفيات في القصر الرسولي

بيوس العاشر


An Austrofestuca triticoides in uska species han Liliopsida nga syahan ginhulagway ni Carl Bernhard von Trinius, ngan ginhatag han pagkayana nga asya nga ngaran ni Evgenii Borisovich Alexeev. An Austrofestuca triticoides in nahilalakip ha genus nga Austrofestuca, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Austrofestuca

Austrofestuca triticoides


Margaretha Christina Verheus (1905-1990) era uma artista holandesa.

Biografia
Verheus nasceu no dia 16 de novembro de 1905, em Amsterdão. Ela estudou na Rijksinstituut tot Opleiding van Tekenleraren (Escola Nacional Normal para Professores de Desenho) em Amsterdão e estudou com Henri Frédéric Boot e Huib Luns. Ela foi casada com o pintor Willem August van der Colk. O seu trabalho foi incluído na exposição e venda de 1939 Onze Kunst van Heden (A Nossa Arte de Hoje) no Rijksmuseum em Amsterdão. Ela era um membro do Kunst zij ons doel e Kunstenaarsvereniging Sint Lucas.

Verheus faleceu no dia 15 de setembro de 1990, em Haarlem. O seu trabalho encontra-se na coleção do Rijksmuseum.

Mortos em 1990
Nascidos em 1905
Artistas dos Países Baixos

Margaretha C. Verheus


Der St Thomas's Tower, umgangssprachlich Traitors' Gate, ursprünglich St Thomas's Gate oder Water Gate, ist ein ehemaliges Wassertor in der Festungsanlage des Tower of London. Der aus dem 13. Jahrhundert unter Edward I. gebaute Turm bildete für viele Jahrhunderte den Hauptzugang von der Themse zum Tower. Benannt ist er nach dem Londoner Stadtheiligen Thomas Beckett. Die direkte Verbindung zur Themse ist mittlerweile zugemauert. Seit dem späten 20. Jahrhundert ist das Becken im Tor aber wieder mit Wasser gefüllt.

Baugeschichte

Edward I. ließ den gesamten Tower of London in seiner Regierungszeit verstärken. Dazu gehörte auch die Errichtung eines neuen Festungsringes, der sich außerhalb der bisherigen Festung befand. Das bisherige Tor zur Themse, der Bloody Tower war somit in dieser Funktion obsolet geworden. Edward ließ einen neuen Turm errichten, der in die Themse hineinreichte und mittels eines Beckens per Boot erreicht werden konnte.

Der Bau begann 1275, bereits im Januar 1276 begann Edward auf die Fertigstellung zu drängen und stellte zusätzliche Mittel zur Fertigstellung bereit. Im Jahr 1279 war der Bau beendet. Die Form des niedrigen mit Türmchen geschützten Baus, der nach vorne aus der Mauer herausragt ist, hat keine Entsprechung in England und ist in seiner Art ein Solitär. Möglicherweise ist seine Form der Form des 50 Jahre älteren Zwingers am alten Louvre in Paris orientiert. Der Zugang zur oberen Kammer erfolgte entweder über einen Eingang aus dem Becken oder durch eine Brücke vom Wakefield Tower aus. Die Turmseite des Beckens war durch eine Wand mit Schießscharten geschützt, eine Treppe führte in das Becken.

Im oberen Stockwerk befanden sich ursprünglich die Wohnräume von Edward I. Sie waren vermutlich durch eine Tür im Nordosten des St Thomas's Towers direkt durch eine Wendeltreppe mit dem Beckenbereich des Turms verbunden. Das obere Stockwerk hatte 34 bewegliche Fenster mit getönten Scheiben, Bänke und "vier große Tische". Die Fensterläden und Wände waren aufwendig bemalt, Steinstatuen wandten sich dem Fluss zu. Der Boden war mit Steinfliesen belegt. Es ist unbekannt, ob und wie oft der König diese wirklich benutzte.

Bereits im Mittelalter wurde der großzügige Beckenbereich, der ursprünglich nur drei Meter vom Bloody Tower entfernt war, verkleinert. Er rückte zwei Meter nach Süden. Herausgefunden wurde dies durch Ausgrabungen von 1957.

Umfangreiche Umbauten und Reparaturen erfolgten in der Zeit Heinrichs VIII., der den Tower of London vor seiner Hochzeit mit Anne Boleyn herrichten ließ und eine starke Betonung auf den repräsentativen Charakter des Gebäudes legte. Die Arbeiten am St Thomas's Tower fielen in die Jahre 1532 und 1533. Mittlerweile marodes Fachwerk aus dem Mittelalter wurde für 120 Pfund von James Nedeham durch neues ersetzt. Nedeham gestaltete die Ausstattung im oberen Stockwerk neu. Bei diesen Umbauten verschwanden auch die letzten Spuren der mittelalterlichen Inneneinrichtung. Im Jahr 1532 ließ Heinrich die Holzwände durch James Nedeham entfernen, um Platz für die Beherbergung von John de Vere, 15. Earl of Oxford und William Sandys, 1. Baron Sandys zu machen.

Nedeham baute ein kleines Haus an der westlichen Landseite des Towers, das auf Stelzen im Becken aufgebaut war. Seine Funktion ist nicht mehr nachvollziehbar. Die Stelzen sind unterhalb des Wasserspiegels noch im Becken erhalten.

Im Jahr 1735 ersetzte das Board of Ordnance die mittelalterlichen Fenster durch zeitgenössische Schiebefenster. Etwa in diese Zeit fällt auch der Verlust der mittelalterlichen Feuerplätze. Bei den Umbauten im Geist des Gothic Revival durch Anthony Salvin wiederum mussten die Schiebefenster steinernen Fensterrahmen weichen.

Die mittelalterliche Brücke, die das Obergeschoss des St Thomas's Tower mit dem Obergeschoss im Wakefield Tower verband, verschwand im 18. Jahrhundert.

Das Ostende des Turms stürzte im 19. Jahrhundert aufgrund der Vibrationen durch die Kanonenproduktion ein. Es wurde durch den neogotischen Baumeister Anthony Salvin zwischen 1862 und 1869 wieder aufgebaut. Von Salvin stammt auch fast die gesamte Fassade des St Thomas's Towers, die Erker auf der Landseite und das aufgemauerte Fachwerk.

Architektur

Außenbereich

Eine überdachte Brücke verbindet den St Thomas's Tower mit dem Wakefield Tower. Diese ist ein neogotischer Bau des 19. Jahrhunderts, der sich in seinen Form eng an eine mittelalterliche Brücke anlehnt, die im 19. Jahrhundert einstürzte.

Tor, Becken und Türmchen

Der Turm aus Stein bildete den Zugang des Towers zur Themse und überbrückte den Graben des Towers. Der Zugang verlief durch einen schmalen Kanal in der später gebauten Tower Wharf zum eigentlichen Turm.

Dieser bildet in der Innenseite einen breiten Bogen mit flacher Spitze, der die gesamte Breite des Turms einnimmt. Es handelt sich um den breitesten mittelalterlichen Bogen im Vereinigten Königreich. Zur Themse hin ist der Bogen spitz und schmaler als an der Innenseite. Er wird im Osten und Westen von zwei Türmchen überragt. Das Tor ist breit genug, damit Boote hindurch fahren können. Im Untergeschoss des St Thomas's Towers befinden sich ein Becken und eine Anlegestelle, von der aus die Boote entladen werden konnten. Von der Water Lane im Tower bis zum Beckengrund führt eine Treppe. Das Tor war durch ein Fallgitter gesichert. Um den König nicht in seinen Gemächern zu stören, erfolgte die Aufbewahrung in einem abgetrennten Teil der oberen Kammer und die Bedienung durch ein eigenes Türmchen oder vom Dach des Gebäudes aus.

Vom Tor Edwards I. sind noch der Torbogen und die West-Süd- und Nordwand der oberen Halle erhalten, auch wenn diese mittlerweile mit neogotischen Fenstern und einer Inneneinrichtung aus dem späten 20. Jahrhundert versehen ist. Die Kammer über dem Tor ragte auf der Nord-(Land-)seite ursprünglich einen Meter über den Torbogen hinaus. Seit Heinrich VIII. und Anthony Salvin bildet sie aber eine durchgehende Linie mit dem Torbogen.

Einzig auf der Westseite des westlichen Turms an der Wasserseite ist noch Naturstein aus dem 13. Jahrhundert erhalten.

Obere Räume

Das Obergeschoss ist zur Themse hin sowie aus der Ost- und Westseite aus Naturstein gemauert. Auf der Innenseite des Obergeschosses ist eine Fachwerkkonstruktion mit Backstein. Die gesamte Fassade stammt aus dem späten 19. Jahrhundert.

Ebenfalls war bereits beim Bau eine Unterteilung der oberen Halle durch Holzwände gegeben. Dabei befanden sich die privaten Räume des Königs (camera) auf der Westseite des Turms, während die große Empfangshalle (aula) sich im Osten befand. Im Westen existieren noch Reste des königlichen Umkleideraums. An der Süd-(Fluss-)seite des St Thomas's Towers fanden Archäologen Reste von zwei Feuerstellen. Diese wurden im Laufe der Jahrhunderte abgerissen. Seit den 1990ern sind die Räume in einer Nachbildung des mittelalterlichen Zustands wieder durch Holz getrennt, wobei unbekannt ist, wo die ursprünglichen Wände waren.

Nutzung

Die meisten Aufenthalte des Königs in der Festung fanden in den Jahren vor 1280 statt, um den Bau der äußeren Festungsmauer zusammen mit dem St Thomas's Tower zu überwachen. Nachdem der St Thomas's Tower 1280 fertiggestellt war, war Edward I. nur noch insgesamt 27 Tage im Tower anwesend und lebte sonst an anderen Orten. Nachdem Heinrich dort Besucher beherbergt hatte, diente das Obergeschoss später als Wohnraum für Offiziere im Tower, später als Kaserne und als Spital. Im durch Salvin neu errichteten östlichen Abschnitt des Towers, war die Wohnung des Keepers der Kronjuwelen.

Aus dem Jahr 1554 existieren Dokumente im Zusammenhang mit der Wyatt-Verschwörung, die von Geschützen sprechen, die auf dem Traitors' Gate angebracht waren. Die Konstruktion des Turms ist stabil genug, um solche Geschütze zu halten. Bauunterlagen von 1564 erwähnen den Ersatz einer Kanonenplattform.

Da Gefangene im Tower seit dem 16. Jahrhundert meist aus Sicherheitsgründen von Westminster über den Fluss zur Festung transportiert wurden, erhielt das Tor über die Jahrhunderte einen Ruf als furchteinflößender Eingang in ein dunkles Gefängnis. Weil im Tower meist ausschließlich Gefangene in Staatsangelegenheiten saßen, war dies das Tor, durch das die Verräter in den Tower gelangten. Es erlangte in den Jahrhunderten seiner Existenz den Namen Traitors' Gate (Tor der Verräter).

Das Becken unter dem St Thomas's Tower diente lange Zeit zur Wasserversorgung des gesamten Towers of London. Seit dem 19. Jahrhundert trockengelegt, ist es seit 1970 wieder mit Wasser gefüllt. Zeitweise nutzten die englischen Könige die Gezeitenkraft im Becken, um dort eine Fabrik zum Ausbohren von Kanonen einzurichten. Die Erschütterungen, die diese Arbeiten auslösten, führten zum Einsturz des östlichen St Thomas's Towers.

Seit 1993 ist der obere Teil des Towers der Öffentlichkeit zugänglich. Während die große Kammer weitgehend im Originalzustand belassen wurde, in der sie sich 1993 befand, wurde der Vorraum zusammen mit dem Wakefield Tower üppig in mittelalterlichem Ambiente wieder hergerichtet. Zusammen mit dem Wakefield Tower bildet er einen Teil der Installation "mittelalterlicher Tower", in der Schauspieler versuchen, einen Eindruck vom mittelalterlichen Leben im Tower zu geben.

Anmerkungen

Literatur
 Simon Bradley, Nikolas Pevsner: London 1, The city of London, 1997, London: Penguin. ISBN 0140710922, S. 361–362
 Geoffrey Parnell: English Heritage Book of the Tower of London. Batsford, London 1993, ISBN 0-7134-6864-5.

Weblinks

Tower of London
Turm in England
Bauwerk im London Borough of Tower Hamlets
Erbaut in den 1280er Jahren
Turm in Europa

St Thomas’s Tower


Norm Macdonald (17. október 1959 – 14. september 2021) var kanadískur gamanleikari og þekktastur fyrir hlutverk sitt sem Lucky í Dr. Dolittle.

Tenglar

Tilvísanir

Macdonald, Norm

Norm Macdonald


La gare d'Orbec est une ancienne gare ferroviaire de la ligne de La Trinité-de-Réville à Lisieux, située sur la commune d'Orbec, dans le département du Calvados en région Normandie.

Situation ferroviaire
Établie à  d'altitude, la gare d'Orbec était située au point kilométrique (PK) 14,8 de la ligne de La Trinité-de-Réville à Lisieux, entre les haltes de La Folletière et d'Orbiquet.
La gare était constituée de deux voies.

Histoire
La ligne de chemin de fer de Lisieux à Orbec a été déclarée d'intérêt public le  et a été mise en service le , comprenant donc la gare d'Orbec. La ligne a été prolongée jusqu'à La Trinité-de-Réville le . La gare d'Orbec fut fermée au trafic voyageurs le , avec la totalité de la ligne, et au trafic marchandises le . La ligne d'Orbec à Lisieux est déclassée en 1969.

Patrimoine ferroviaire
Le bâtiment voyageurs d'origine est toujours présent, réaffecté il est occupé par la société des eaux Saur.

Notes et références

Voir aussi

Articles connexes
 Liste de gares en France
 Ligne de La Trinité-de-Réville à Lisieux

Liens externes

Orbec
Orbec

Gare d'Orbec


Enzo Maiorca (21 June 1931 – 13 November 2016) was an Italian free diver who held several world freediving records. Born Vincenzo Maiorca on 21 June 1931 in Syracuse, Sicily, he died on 13 November 2016 in the same city.

Biography
Maiorca was born in Syracuse, Sicily, where he also died in 2016. Maiorca was a vegetarian.

In 1977, Maiorca was initiated into Scottish Rite Freemasonry at the "Archimede di Siracusa" Lodge in Italy. With the agreement of the Grand Orient of Italy lodge, this element of his biography was publicly revealed in 2017.

Freediving
Maiorca learned to swim at age 4 and soon began to dive, although expressing a great fear of the sea. In 1956 a friend showed him an article about a new depth record of 41 meters set by spearfishing champions Ennio Falco and Alberto Novelli. Maiorca was led by the article to begin competing in order to achieve the title of the "man who reaches the deepest." He achieved this in 1960, when he reached 45 metres to beat Brazilian Americo Santarelli. That same year, however, Santarelli reclaimed the title by reaching 46 metres, which Maiorca soon surpassed at 49 metres.

In 1967 Maiorca ceased spearfishing, while still competing in freediving. He explained in an interview why he abandoned spearfishing:
 "It all happened suddenly. I was diving in the shallows not far from the cape that reaches out to the open sea south of the bay of Syracuse. That morning I happened to spear a grouper. A strong and combative grouper. On the bottom a real titanic struggle broke out, between me who wanted to take its life and the grouper who tried to save itself. The grouper was caught in a cavity between two rocks; trying to understand its position, I ran my right hand down the fish's belly. Its heart was pounding in terror, mad with fear. And with that pulsing of blood I realized that I was killing a living being. Since then my speargun lies like a derelict, an archaeological item, in the dusty basement of my house. That was in 1967."

On 22 September 1974, in the Bay of Ieranto (or 'Jeranto') at the western end of the Gulf of Salerno, Maiorca attempted to establish a new world record for freediving, aiming for 90 metres. The event was televised live, for the first time in the history of RAI (the Italian national broadcaster). Just 6 metres into his dive, Maiorca bumped into Enzo Bottesini, an expert scuba instructor, and upon resurfacing he let out a string of strong expletives, many of which were clearly audible to the television audience. His outburst led to a television ban for many years, and led to his retirement from competition for more than a decade.

In 1988, Maiorca returned to free diving and set his final record of 101 metres.

Maiorca's main rivals were the Brazilian Amerigo Santarelli (who retired from the sport in 1963), Teteke Williams, Robert Croft, and Jacques Mayol.

Post-diving
From 1994 to 1996, Maiorca was elected to the Senate for the right-wing Alleanza Nazionale party. Maiorca also appeared on Lineablu, a RAI broadcast news series, from 2000 to 2002. The character Enzo Molinari, portrayed by Jean Reno, in the 1988 Luc Besson film The Big Blue was based on Maiorca.

Prizes

Variable buoyancy

Constant weight

Awards
Gold Medal of the President of the Republic (1964) for athletic prowess
Ustica Golden Trident
CONI's Literary Award for his book Headlong into the Blue (1976)
Sport merits Gold Star from CONI
Gold Medal of Merit Marina (not only for sports but also for the defence of the environment, 2006)
His 80th birthday was celebrated in La Spezia with the conferring of the Award of the Maritime Festival.

Bibliography
Maiorca was the author of several books:
Headlong into the Blue: The Life and Business of a World Record. Milan, ed. Murcia, 1977.
School Apnea. Rome, ed. Cuba, 1982.
The Sea with a Capital S. Lights, 2001.
Under the Sign of Tanit. Milan, Murcia, 2011

Film and music
Maiorca co-starred as himself in the film Challenge on the Bottom (1975), directed by Melchiade Coletti.
The rivalry between Maiorca and Jacques Mayol inspired the 1988 film The Big Blue by Luc Besson. The movie was not shown in Italy until 2002 due to Maiorca's objections. Recognizing his own caricature in the character of Enzo Molinari, Maiorca considered the portrayal detrimental to his image. After the death of Jacques Mayol in 2001 and Maiorca's retirement from competitions, he relented, and the film was shown.
Quoted by the protagonist of the film I Am Self Sufficient (1976) by Nanni Moretti.
Mentioned in the song "The Ballad of Cimino" by Davide Van de Sfroos.
Cited by the plaintiff Guido Nickel in the film Monte Carlo Grand Casino.

See also
 Legends of Italian sport - Walk of Fame
 The Big Blue

References

 Dialogue on 50 years of television among Marino Bartoletti and Paul Limits (3rd chapter). TV Smiles and Canzoni.com, 7 January 2004. Retrieved on 24 November 2010.
 card activity to the Senate
 Umberto Veronesi, Towards the vegetarian choice, Giunti Editore, 2011, p. 8.
 Quoted in Lawrence Guadagnucci, Remain Animals, Terre di mezzo, Milan, 2012, p. 72.

External links

1931 births
2016 deaths
Italian freedivers
Italian Freemasons
People from Syracuse, Sicily
Sportspeople from the Province of Syracuse

Enzo Maiorca


Ahmet Suphi Furat (d. 22 Şubat 1940, Uzunköprü, Edirne)

1961 yılında İ.Ü. Edebiyat Fakültesi'nin o zamanki adıyla Arap-Fars Filoloji'sinden mezun oldu. Ertesi yıl (1962) aynı fakültenin adı geçen filolojisinde asistan olarak göreve başladı. 1966 yılında el-Hatib el-İskafi ve Kitab el-Mecalis'i adlı çalışmasıyla Arap Dili ve Edebiyatı dalında doktor oldu. "al-Mubarred, Arap Filolojisindeki yeri, dil ve edebiyat hakkındaki çalışmaları" adlı doçentlik tezini 1971 yılında tamamladı. 1978 yılında profesör oldu. Bu sefer "el-Firuzabadi'nin el-Sıhah'ı Tenkidi" adlı bir profesörlük tezi hazırlamıştı.

Kitapları
 al-Hatib al-İskafi ve Kitab al-Mecalis'i 571 sayfa, birinci bölüm (s. 1-177), Türkçe. İkinci bölüm (s. 178-571) Arapça metin. Doktora tezi, basılmamıştır.
 al-Mubarrad, Arap Filolojisindeki yeri, dil ve edebiyat hakkındaki çalışmaları. 131 sayfa, 1971. Doçentlik tezi, basılmamıştır.
 al-Firuzabadi'nin es-Sihah'ı Tenkidi (birinci bölüm 91 sayfa; ikinci bölüm Arapça metin: Mecma su'alat min Sihah el-Cevheri, 50 sayfa), 1978. Profesörlük tezi, basılmamıştır.
 el-İktirah fi ilm el-usul en-nahv (dil felsefesi), es-Suyuti, İstanbul, 1978.
 Taşköprülü-zade ve eş-Şeka'ik en-nu'maniye fi ulema ed-devle el-Osmaniye'si, İstanbul, 1985
 Arap Edebiyatı Tarihi I (Başlangıçtan XVI. Asra Kadar), İstanbul, 1996.
 Arap Edebiyatı Tarihi II, İstanbul, 2007.

20. yüzyıl Türk yazarları
21. yüzyıl Türk yazarları
Türk edebiyat akademisyenleri
1940 doğumlular
Yaşayan insanlar
Uzunköprü doğumlular
Resim aranan yazarlar
İstanbul Üniversitesi Edebiyat Fakültesinde öğrenim görenler
İstanbul Üniversitesi öğretim üyeleri

Ahmet Suphi Furat


Helene Anna Held (19 March 1872 – 12 August 1918) was a Polish-French stage performer on Broadway. While appearing in London, she was spotted by impresario Florenz Ziegfeld, who brought her to America as his common-law wife. From 1896 through 1910, she was one of Broadway's most celebrated leading ladies, presented in a succession of musicals as a charming, coquettish Parisian singer and comedienne, with an hourglass figure and an off-stage reputation for exotic behavior, such as bathing in 40 gallons of milk a day to maintain her complexion. Detractors implied that her fame owed more to Ziegfeld's promotional flair than to any intrinsic talent, but her audience allure was undeniable for over a decade, with several of her shows setting house attendance records for their time. Her uninhibited style also inspired the long-running series of popular revues, the Ziegfeld Follies.

Early life

Born in Warsaw, Congress Poland, Russian Empire, Held was named Helene Anna Held, daughter of a German Jewish glove maker, Shimmle (aka Maurice) Held, and his French-Jewish wife, Yvonne Pierre.

Sources list a variety of birth years, ranging from 1865 to 1873, but 1872 has been accepted in general. In 1881, anti-Semitic pogroms forced the family to flee to Paris, France. When her father's glove manufacturing business failed, he found work as a janitor, while her mother operated a kosher restaurant. Held began working in the garment industry, then found work as a singer in Jewish theatres in Paris and, later, after her father's death, London, where her roles included the title role in a production by Jacob Adler of Abraham Goldfaden's Shulamith; she was also in Goldfaden's ill-fated Paris troupe, whose cashier stole their money before they ever played publicly.

As a young woman in France, Held converted to Roman Catholicism.

Career

Early years

Her vivacious and animated personality proved popular and her career as a stage performer gained momentum as she became known for her risqué songs, flirtatious nature and willingness to show her legs on stage. In 1894, she married the much-older Uruguayan playboy Maximo Carrera, with whom she had a daughter, Lianne (1895–1988), who was also an actress and producer, sometimes billed as Anna Held Jr.

Touring through Europe, Held was appearing in London in 1896, when she met Florenz Ziegfeld, who asked her to return to New York City with him. He set about creating a wave of public interest in her, feeding stories to the American press, such as her having had ribs surgically removed. By the time Held and Ziegfeld arrived in New York, she was already the subject of intense public speculation. When she finally performed in a revival of A Parlor Match, the critics were dismissive, but the public approved.

Broadway success

David Monod of Wilfrid Laurier University has suggested that Held succeeded more on image than talent, the illusion she presented to  post-Victorian era audiences who were beginning to explore new social freedoms. From 1896, Held enjoyed several successes on Broadway, including The Little Duchess (1901) and A Parisian Model (1906–1907). These, apart from bolstering Ziegfeld's fortune, made her a millionaire in her own right. Ziegfeld's talent for creating publicity stunts ensured that Held's name remained well known.

Held influenced the format for what would eventually become the famous Ziegfeld Follies in 1907, and she helped Ziegfeld establish the most lucrative phase of his career. Held could not perform in the first Follies when she become pregnant by Ziegfeld in late 1908. Held's daughter Lianne later claimed in her unpublished memoirs that Ziegfeld forced Held to have an abortion because he did not want her pregnancy interfering with Miss Innocence, a show in which she would star in 1908–09. The claim was repeated in an autobiography by Held entitled Anna Held and Flo Ziegfeld, however, Richard and Paulette Ziegfeld, (authors of The Ziegfeld Touch) concluded that Held never wrote her memoirs, and Lianne was the real author of the autobiography. Eve Golden, Held's biographer, wrote that Lianne's abortion claim was likely a lie designed to demonize Ziegfeld, whom Lianne loathed.

In 1909, Ziegfeld began an affair with the actress Lillian Lorraine; Held remained hopeful that his fascination would pass, and he would return to her, but instead he turned his attentions to another actress, Billie Burke, whom he married in 1914.

Film
New York entertainment entrepreneur Oliver Morosco cast Held in the lead for Madame la Presidente in 1916. According to an interview she gave to Hector Ames for Motion Picture Classic, she was paid $25,000 for her performance.

Later years and death
After Miss Innocence, Held left Broadway. She spent the years of World War I working in vaudeville and touring France, performing for French soldiers and raising money for the war effort. She was considered a war heroine for her contributions, and was highly regarded for the courage she displayed in traveling to the front lines, to be where she could do the most good.

The year 1917 was one of constant touring for Held; she toured the United States in a production of Follow Me until ill health caused her to close the show in January 1918. She then checked into the Hotel Savoy in New York City where her health continued to decline. Held had been battling multiple myeloma, a cancer of plasma cells, for a year. News coverage began reporting that it had been caused by her practice of excessive lacing of her corsets to give her a tiny waist.

According to the Washington Times, Held had been in and out of consciousness for about a week. On 12 August 1918, her doctor pronounced her dead, and the media was alerted. Approximately two hours later, Held revived, and the media notified she was still alive, only to have Held finally die shortly thereafter.

Held's funeral was held at St. Patrick's Cathedral in Manhattan on 14 August.  Florenz Ziegfeld did not attend as he had a phobia about death and never attended funerals. Held is interred at Cemetery of the Gate of Heaven in Hawthorne, New York.

Legacy

The MGM film The Great Ziegfeld (1936) tells a sanitized version of the Ziegfeld-Held relationship. Luise Rainer won an Academy Award for her performance as Held. Ziegfeld and Burke were played by William Powell and Myrna Loy.
In 1978, Columbia Pictures released a made-for-television film on NBC, Ziegfeld: The Man and His Women. Held was portrayed by Barbara Parkins.
The American poet Carl Sandburg wrote a memorial poem for Anna Held, An Electric Sign goes Dark, in the collection Smoke and Steel.
In 1976, Held's daughter Lianne Carrera opened a museum of her mother's personal and stage items in San Jacinto, California.

Stage

Filmography

References

Further reading
 Eve Golden, Anna Held and the Birth of Ziegfeld's Broadway, Lexington: University Press of Kentucky, 2000

External links

 New York Times article announcing Held's death
 Article about Held in Theatre Magazine
Anna Held picture gallery
Anna Held portraits (New York Public Library)
Portrait gallery (University of Washington, Sayre collection)
 Anna's 1901 film; "Champagne"(Wayback Machine)
Anna Held  driving her Maxwell motorcar

1872 births
1918 deaths
19th-century French actresses
20th-century French actresses
Actresses from Paris
Burials at Gate of Heaven Cemetery (Hawthorne, New York)
Deaths from cancer in New York (state)
Converts to Roman Catholicism from Judaism
Deaths from multiple myeloma
French emigrants to the United States
19th-century French women singers
French film actresses
French musical theatre actresses
French Roman Catholics
French silent film actresses
French stage actresses
Emigrants from the Russian Empire to France
Jewish French actresses
Jewish women singers
20th-century American women singers
20th-century American singers
Vaudeville performers
Ziegfeld girls

Anna Held