La Pfalz est un édifice disparu ayant servi de siège à l'administration de la République de Strasbourg de sa construction en 1321 à sa destruction en 1780. Elle est ainsi le premier bâtiment du cœur administratif de la ville établi autour de ce qui deviendra la place Gutenberg, qui se voit complété plus tard par la Monnaie au nord, la Chancellerie à l'ouest et le Neubau au sud-ouest, tandis que le trésor est mis à l'abri dans la Tour aux Pfennigs, à une centaine de mètres de là.

Emplacement
Aucun élément de la Pfalz n'est plus visible en surface . Par rapport à la topographie du , elle se trouvait dans la moitié nord de la place Gutenberg, au débouché de la rue des Hallebardes.

À l'origine, la Pfalz est construite le long du côté nord du cimetière Saint-Martin, dépendant de l'église Saint-Martin, qui occupe elle-même le long du côté ouest. Le bâtiment municipal borde également la chapelle du cimetière, installée dans son angle nord-est, voire est construit directement contre elle. Le bâtiment se trouve au centre de la ville et au point de rencontre de deux importantes voies de communication : la rue des Grandes-Arcades mène vers le nord-ouest à la Pfennigturm, qui abrite le trésor de la ville, en longeant la Münze, l'hôtel de la monnaie ; de l'autre côté, la rue du Vieux-Marché-aux-Poissons se dirige vers la porte des Bouchers en passant devant la Grande Boucherie.

Sources
Il n'existe aucune image de la Pfalz antérieure au . La représentation la plus ancienne se trouve en effet sur le Plan de la ville de Strasbourg dessiné en 1548 par Conrad Morant. Il faut ensuite attendre près d'un siècle et demi pour la retrouver sur une gravure de Schmuck réalisé en 1682. Les représentations se font ensuite plus nombreuses au , avec le plan-relief en 1725, une gravure de Weiss en 1744 et enfin un dessin anonyme exécutée vers 1780, juste avant sa démolition. L'édifice ayant inspiré les artistes du , la majeure partie du corpus iconographique est donc postérieure à sa disparition : les œuvres de Frédéric Piton, Édouard Eissen, Adolphe Seyboth, etc. sont ainsi essentiellement basées sur les représentations antérieures, avec plus ou moins de détails inventés.

La maquette conservée au musée historique a été réalisée en 1895, plus d'un siècle après la destruction de l'édifice. Elle est basée en partie sur le plan-relief et en partie sur les dessins de Seyboth et Eissen et est donc à ce titre une source assez peu fiable.

Historique
Après l'émancipation de la ville de Strasbourg de la tutelle épiscopale à la suite de la bataille de Hausbergen en 1262, la nouvelle administration municipale occupe d'abord le Fronhof, l'ancien palais épiscopal. D'après le chroniqueur de Koenigshoffen, qui écrit plusieurs décennies après les faits, la construction d'un nouveau bâtiment s'expliquerait par la querelle entre deux familles patriciennes, les Zorn et les Mullenheim, qui se disputaient le pouvoir. Les premiers s'étant plaint que le territoire des Mullenheim était plus proche du Fronhof que le leur, ce qui les avantageait lors des rixes, il aurait été décidé de construire un nouvel hôtel de ville à égale distance entre les deux. En réalité, cette construction découle plus probablement d'un manque de place dans un Fronhof devenu trop étroit pour abriter des services municipaux de plus en plus nombreux.

Le nouveau bâtiment est construit en 1321 en bordure du cimetière Saint-Martin. Dès la construction, ou peu après, le Magistrat s'approprie la chapelle du cimetière, qui appartient pourtant à l'évêché, et y fait plus tard construire un étage pour accueillir la salle de séance du Petit Sénat. De nombreuses modifications et remaniements semblent avoir lieu par la suite, mais la pauvreté des sources ne permet pas d'en établir ni la chronologie, ni la teneur exacte. La salle du Petit Sénat à probablement fait l'objet d'importants travaux après 1548, ayant été ravagée à cette date par un incendie. Un projet de démolition des tourelles d'angle, jugées « trop cléricales », est par ailleurs lancé en 1556, mais n'aboutit pas. Les travaux de la fin du  sont mieux documentés : entre 1588 et 1590 une partie du bâtiment, qui faisait saillie devant le nouvel immeuble du Neubau et en masquait la vue, est démolie, puis la façade arrière reconstruite de manière à être symétrique avec la façade avant.

Au cours du , l'administration municipale cherche à élargir et à rendre plus rectiligne le tracé des rues. Dans les années 1760, l'architecte Jacques-François Blondel se voit ainsi confier le réaménagement de la place, qu'il souhaite plus grande et rectangulaire. Le principal obstacle à ce projet est la Pfalz, mais Blondel n'a guère de difficultés à convaincre le Magistrat de la nécessité de remplacer l'ancien hôtel de ville par une nouvelle construction, la disposition intérieure étant considérée comme peu pratique et le style gothique méprisé à cette époque. Blondel livre les plans d'un nouveau bâtiment en 1766, mais le projet se bloque alors, la municipalité ayant des difficultés à déménager ses services. Le déplacement du très grand volume d'archives se trouvant à la Pfalz pose notamment problème, la Ville ne trouvant pas de lieu de stockage adapté. La démolition est ainsi repoussée pendant près de quinze ans, mais la Pfalz finit toutefois par être rasée à la fin de l'année 1780.

Fonctions

Fonction politique
La fonction première de la Pfalz est de servir de siège au pouvoir politique de la ville impériale libre de Strasbourg : à l'exception des corporations, qui disposent chacune de leur poêle, c'est là que siègent les institutions constitutives du Magistrat. Le corps principal abrite ainsi à l'étage la chambre des XIII, qui s'occupe des affaires militaires et de la politique étrangère, celle des XV, chargés des finances, des travaux publics et des corporations, et celles des XXI, ou Grand Conseil.

Fonction judiciaire
Outre les salles des assemblées délibérantes, la Pfalz abrite également dans le petit bâtiment le tribunal du Petit Sénat, chargé de juger les litiges civils pouvant donner lieu à mille livres d'indemnité au maximum. Par ailleurs, les sentences capitales décidées par le Grand Sénat, qui juge les affaires criminelles, sont proclamées du haut de l'escalier des Zorn, bien que les exécutions n'aient pas lieu sur place.

D'autres châtiments corporels on toutefois lieu devant la Pfalz. Parmi les sentences plus légères figure l'exposition publique, qui se fait au moyen des Halsîse, ou « colliers de fer », ancrés dans la façade au pied de l'escalier des Zorn ou sur la Lasterstein, « pierre d'infamie », qui se trouve d'abord devant la Monnaie avant d'être déplacée en 1738 à côté des Halsîse. Les peines de flagellation publique sont également exécutées au pied de l'escalier.

Fonction commerciale
La Pflaz n'est pas entièrement destinée à l'administration : les arcatures du rez-de-chaussée et tous l'espace disponible le long des murs et sous les escaliers sont loués à des commerçants. La plupart des métiers sont représentées, des imprimeurs aux boulangers, en passant par les marchands de draps. Cela donne lieu à de fréquents litiges avec l'administration, les locataires ayant tendance à ne pas le loyer ou à déborder de l'espace qui leur est alloué. Les activités commerciales se poursuivent sans interruption jusqu'en 1779, date à laquelle les contrats de location sont dénoncés en prévision de la démolition du bâtiment.

Architecture

Dispositions générales
Au moment de sa démolition, la Pfalz est composé d'un corps principal rectangulaire orienté nord-est-sud-ouest. Un bâtiment secondaire est accolé à son flanc sud ; celui-ci est un peu plus court et sa toiture moins haute que celle du corps principal. Les dimensions exactes demeurent incertaines : Frédéric Piton indique  de long par  de large et  de haut pour le grand bâtiment et  de long par  pour le petit bâtiment, mais n'indique pas comment il est parvenu à ce résultat alors qu'il n'a jamais pu voir le bâtiment, détruit avant sa naissance. En partant du principe que l'ensemble du plan-relief est au 1/600 le petit bâtiment ferait  de long, mais ce postulat est incertain : il est en effet avéré que son auteur a utilisé une échelle différente sur les bâtiments importants, comme la cathédrale, pour les mettre en exergue. La comparaison avec le plan de Conrad Morant semble indiquer que la Pfalz a été traitée de manière similaire et son échelle pourrait se rapprocher plutôt de 1/500.

Les dessins d'Eissen et la maquette du musée historique montrent un bâtiment construit majoritairement en pierre de taille, mais il s'agit probablement d'une interprétation erronée. La Pfalz apparaît en effet clairement sur le plan-relief recouverte d'un enduit blanc, or il n'est pas d'usage d'appliquer de l'enduit sur ce type de surface. En outre, à l'exception de la cathédrale, les constructions en pierre de taille sont rares à Strasbourg au Moyen Âge en raison du coût important que représente le transport du matériau depuis la région de Saverne. Il est donc plus probable que le bâtiment ait été érigé de la même manière que la plupart des autres constructions de la ville, avec des façades en brique recouvertes d'enduit, seuls les encadrements de fenêtres et parties sculptées étant en grès.

Grand bâtiment
En élévation, le corps principal est composé d'un rez-de-chaussée et d'un étage, surmonté de trois niveaux de combles. Les façades occidentale et orientale se terminent par un pignon à redents occupant toute la largeur de la façade, tandis qu'au nord il n'en prend qu'environ les trois-quarts. Les angles sont occupés par des tourelles d'escalier assurant la desserte des étages supérieurs, dont les petites fenêtres sont cintrées, tandis que celles du premier étage, rectangulaires et à meneaux, se distinguent par leurs grands gâbles à fronton trilobé.

L'accès au premier étage se fait par deux grand escaliers extérieurs couverts implantés sur les façades nord et sud. L'escalier nord prend son départ à l'angle nord-ouest et rejoint en une pente simple la porte percée au milieu de la façade. Il s'achève et se prolonge devant celle-ci par un auvent large de deux travées ouvrant sur l'extérieur par une arcature composée d'arcs brisés à trilobes inscrits. L'escalier est doté d'une balustrade ajourée à motifs de triangles et le mur décoré au moins à partir de 1501 par une peinture de saint Christophe. La base de l'escalier est percée d'une rangée d'arcades abritant des commerces, jusqu'à ce qu'elles soient murées en 1727. Brodant sur le conflit entre les Zorn et les Mullenheim rapporté par le chroniqueur de Koenigshoffen, Specklin prétend que la présence de ces deux escaliers opposés s'explique par le fait que chaque famille disposait du sien, afin de ne pas se croiser.

Petit bâtiment
Alors que le grand bâtiment semble être resté inchangé dans ses dispositions générales depuis sa construction, le petit bâtiment a subi des transformations importantes depuis sa construction, dont la date n'est pas non plus assurée. Alors que les auteurs du  considèrent qu'il s'agit d'une construction postérieure, la recherche moderne a montré qu'il s'agit plutôt d'une survivance de la chapelle du cimetière Saint-Martin. Celle-ci est antérieure à la Pfalz, qui y a été accolée lors de sa construction et l'a incorporée dès l'origine ou peu de temps après. Des documents de la fin du  évoquent en effet les réclamations de l'évêché concernant l'appropriation de la chapelle, tandis que la gravure de Weiss montre clairement des fenêtres à plusieurs lancettes caractéristiques d'un édifice religieux.

Mobilier

La Freiheitstafel de la chambre des XIII
La salle du conseil des XIII était orné d'une peinture conçue par Sébastien Brant vers 1510, la Freiheitstafel, ou « Tableau de la Liberté ». Cet œuvre est uniquement connue par un manuscrit rédigé par Brant lui-même à l'attention du peintre et lui décrivant les scènes à peindre. L'identité du peintre n'est pas connue avec certitude, mais il pourrait s'agit de Hans Baldung Grien, qui arrive justement à Strasbourg en 1509 et connaît au moins indirectement Sébastien Brant. Il n'est pas impossible que Hans Baldung ait même joué un rôle dans la conception du programme rédigé par Brant.

Étant donné la densité du programme, l'œuvre était probablement de grande taille, au minimum cinq mètres de large et plus de deux mètres de haut, et donc sans doute une fresque plutôt qu'un tableau en tant que tel. D'après le programme décrit par Brant, la fresque comporte cinquante-deux scènes, chacune accompagnée d'un texte en vers. Une de ces scènes, la louve avec Romulus et Rémus, se trouve au centre dans un médaillon et une autre, deux paysans, en-dessous, ce qui permet d'imaginer que les cinquante autres se déployaient symétriquement de chaque côté. Les scènes représentent pour la plupart un putto avec un animal ou un objet, tandis que les textes racontent une histoire du monde moralisée depuis sa création jusqu'aux événements contemporains de l'œuvre. Le choix des moments décrits par les textes est articulé autour du thème de la perte de liberté et de l'importance de défendre sa liberté : dans la première scène l'homme est créé libre par Dieu, mais perd cette liberté à cause du Diable, plus loin Rome perd sa liberté à cause de César et les Grecs deviennent esclaves des Trucs parce qu'ils ne se sont pas défendus, à l'inverse des Vénitiens qui défendent avec succès leurs libertés, etc.

Le choix d'un programme vantant l'importance de la liberté politique dans la salle de réunion des XIII, chargés de la politique extérieure et de la guerre, ne doit rien au hasard et est à remettre dans le contexte de l'époque. Strasbourg est en effet alors la plus libre de toutes les villes libres d'Empire : non seulement elle bénéficie de nombreux droits, mais elle ne prête même pas le serment annuel à l'Empereur. Pour Brant, cette liberté est liée au Saint-Empire romain germanique, qui est alors affaibli par les dissensions et les menaces venues de l'Ouest : après le duc de Bourgogne Charles le Téméraire c'est au tour du roi de France Louis XII de lorgner sur l'Alsace. Hostile à la France, Sébastien Brant craint qu'il en soit fait des libertés strasbourgeoises si les Français s'emparent de l'Alsace, d'où ce rappel aux XIII que les libertés doivent être défendues.

Les allégories de la salle d'audience

La grande salle d'audience était ornée de plusieurs tableaux représentant des allégories en lien avec l'idée de bon gouvernement. Ceux-ci étaient au moins au nombre de trois, mais la commande originale aurait pu en comporter jusqu'à cinq. Ils semblent avoir été un cadeau du Magistrat de Berne à son homologue strasbourgeois fait dans les années 1560, peut-être en remerciement d'un important prêt d'argent réalisé cette année-là pour aider les Bernois dans leur guerre contre la Savoie. Ils sont ensuite restés à leur place jusqu'à la destruction du bâtiment. Après être restés un temps en dépôt, ils ont été acheté en 1791 par un collectionneur strasbourgeois, Sigismond Langer, qui les décrit dans un petit fascicule publié en 1794. Au moins l'un de ces tableaux passe par la suite entre les mains du collectionneur Jean Cottini et est donné après sa mort au musée des Beaux-Arts de Lille. Il s'agit du seul tableau de la série à avoir été retrouvé et identifié à la fin du .

Le tableau conservé est l'allégorie de la Justice et il était accompagné au moins de l'allégorie de l'Injustice et de celle de l'Autorité. Ces trois tableaux sont tous organisés de la même manière, avec l'allégorie principale au centre, entourée d'allégorie secondaires et de symboles, par exemple sur l'Allégorie de la Justice se trouve à droite le juge Samuel tenant la statuette de la Vérité et piétinant l'Envie et l'Avarice. Un quatrième tableau, l'allégorie de la Politique, n'est pas décrit comme faisant partie du cadeau bernois, mais est organisé exactement de la même manière et faisait probablement partie des toiles exposées dans la salle d'audience.

Références

Annexes

Bibliographie
 .
 .
 .
 .
 .

Articles connexes
 Chancellerie de Strasbourg
 Neue Bau
 Tour aux Pfennigs

Bâtiment détruit à Strasbourg

Pfalz (Strasbourg)


Whose Streets? é um documentário norte-americano dirigido pelos cineastas Sabaah Folayan e Damon Davis e lançado no ano de 2017. O documentário foi gravado durante os manifestos pela morte a tiros do jovem afro-americano Michael Brown pela polícia de Ferguson.

Sinopse
No dia 9 de agosto de 2014, em Ferguson, no Missouri, o jovem Michael Brown foi morto com 12 tiros pela polícia norte-americana, enquanto estava desarmado. E seu corpo demorou 4 horas para ser levado para o necrotério. O Departamento de Justiça disse que o policial não violou os direitos constitucionais de Brown. O caso obteve repercussão nacional, gerando protestos em Ferguson contra a violência policial norte-americana com pessoas negras.

Os diretores Sabaah Folayan e Damon Davis acompanham de perto os protestos pela perspectiva dos manifestantes; registram cenas de violência da polícia contra as pessoas na linha de frente e a tensão na região; e entrevistam os manifestantes e ativistas participantes.

Prêmios

 Crested Butte Film Festival - Melhor documentário (2017)
 Minneapolis St. Paul International Film Festival - Melhor documentário (2017)

Ligações externas

 Site oficial de Whose streets?

Documentários dos Estados Unidos
Black Lives Matter
Documentários de 2017
Filmes dos Estados Unidos de 2017
!Mais Teoria da História na Wiki (Negres)

Whose Streets


Bronzlaşma, güneşten (ya da solaryum) kaynaklanan ultraviyole ışık ile deri renginin (özellikle açık ciltlerin) doğal bir fizyolojik cevap ile kararmasıdır. Güneşte fazla kalmak ile güneşlenilen bölgede güneş yanığı da oluşabilir.

Derinin koyulaşması, ultraviyole ışığa maruz bırakılan deri hücreleri içine melanin pigmentinin salınımı veya miktarının artması ile olur. Melanin, melanosit denen hücrelerce üretilir ve vücudu fazla güneş ışınlarından korurur.

Ultraviyole türleri ve etkileri
Bronzalaşmaya neden olan ultraviyole frekansları genellikle UVA ve UVB olarak ayrılır.

UVB
 Yeni melaninin yapımını uyarır ve cilte salınımını sağlar.
 DNA bantlarına ciddi hasar verir.
 Ben oluşmasına ve bazı cilt kanseri tiplerine (melenoma haric) neden olur.
 Cildin yaşlanmasına neden olur (UVA'den çok daha az olmak üzere)
 D Vitamininin oluşumunu uyararak, hastalıklara ve ironik olarak cilt ve diğer kanserlere karşı korur.
 UVA'dan daha kolay güneş yanığına yol açar, ancak ölçülü dozu sağlıklı olabilir.
 Hemen hemen tüm güneş koruyucuları ile engellenir.

UVA
 Melanositlerde daha önceden üretilmiş olan melaninin salınımı sağlar.
 Cildin hızlı yaşlanmasına neden olur.
 UVB'ye kıyasla daha az kansere neden olduğu düşünülmekle birlikte diğer cilt kanserlerinden daha tehlikeli olan melanoma neden olur.
 Birçok güneş koruyucu tarafından engellenememektedir ancak giysi ile bir miktar engellenebilir.
 UVB'ye kıyasla sezon ve gün boyu daha istikrarlı bir seviyede bulunur.

Yararları
İnsanların istatistik olarak yeterli güneş ışığı alamaya bağlı D vitamini eksikliği yüzünden, melonomların açtığı sorunlara kıyasla çok daha fazla sorun yaşadığı bilinmektedir. Ancak açık ciltlilerin günde bir-iki dakika yaz güneşine maruz kalmaları ve kısında D vitamini ekli süt ya da vitamin almaları ile bu durum önlenebilir.

Güneş ışığı, insan psikolojisi üzerindeki olumlu etkileri vardır. Güneş ışığının az olduğu kış dönemlerinde intihar sıklığı da artmaktadır.

Güneş ışığı kısa dönemlde akneleri iyileştirmeyi ya da gizlemeyi sağlasa da araştırmalar uzun süreli maruz kalmalarda akneyi şiddetlendirmektedir.

Ayrıca fototerapi maddesine bakınız.

Ayrıca bakınız
 Çiller
 Cilt kanseri
 Solaryum

Dış bağlantılar

 History of Suntanning
 BBC info page on tanning
 Calculate how long sunscreen protects you
 Alternative tanning methods

Bronzlaşma


Josip Ilić, hrvatski reprezentativni rukometaš

Igrač RK Metković.

S mladom reprezentacijom 2006. osvojio je zlato na europskom prvenstvu.
S mladom reprezentacijom 2007. osvojio je srebro na svjetskom prvenstvu. Hrvatska mlada reprezentacija je za taj uspjeh dobila Nagradu Dražen Petrović.

Izvori

Hrvatski rukometaši
Rukometaši RK Metkovića
Životopisi, Metković

Josip Ilić


Girls' Generation (Coreano: 소녀시대; RR: Sonyeo Sidae) é o álbum de estreia autointitulado do girl-group sul coreano Girls' Generation. Foi lançado pela SM Entertainment em 1° de novembro de 2007. Um relançamento intitulado Baby Baby foi subsequentemente lançado em 13 de março de 2008. A turnê Girls' Generation Asia Tour Into the New World, iniciada em 19 de dezembro de 2009 no Olympic Fencing Gymnasium, Seoul, Coreia do Sul e finalizada em 17 de outubro de 2010, Taipei Arena, Taipei, Taiwan, foi utilizada para promover o álbum, ao lado da divulgação realizada em vários programas musicais antes da turnê.

Singles
"Into the New World" foi inicialmente lançada como single de estreia de Girls' Generation, em 2 de agosto de 2007. O grupo começou a divulgação da canção no programa musical The Music Trend, da SBS, em 5 de agosto, e, eventualmente, atingiu a primeira posição do M! Countdown da Mnet em 11 de outubro.

O segundo single, "Girls' Generation", escrita e produzida por Lee Seung-Chul e Song Jae Jun, foi lançado em 1° de novembro de 2007. A canção foi originalmente lançada por Lee Seung-Chul na década de 1980. A cantor original posteriormente apareceu no M! Countdown da KM, junto ao grupo, para performar a canção.

No início de 2008, Girls' Generation iniciou a divulgação de seu terceiro single, "Kissing You". A canção rendeu ao grupo sua primeira vitória nas paradas sul-coreanas, após atingir a primeira posição da parada musical de fevereiro do Music Bank da KBS. A canção também atingiu a primeira posição em três grandes rankings de programas musicais de TV: Inkigayo da SBS, M! Countdown da Mnet e Music Bank da KBS.

O quarto single, "Baby Baby", foi lançada em 17 de março de 2008. Foi o primeiro single do relançamento de mesmo nome. O clipe da canção contém cenas dos bastidores das gravações do clipe de "Girls' Generation", e filmagens dos membros trabalhando em seu álbum de estreia.

Desempenho comercial
Durante seu primeiro mês de lançamento, o álbum vendeu 49.438 cópias e foi o segundo álbum mais vendido de novembro de 2007 na Coreia do Sul, ficando atrás apenas de Don't Don de Super Junior. O álbum vendeu um total de 56.804 cópias em 2007, tornando-se o 12º álbum mais vendido do ano no país. O álbum ultrapassou a marca de 100.000 cópias vendidas em março de 2008, fazendo de Girls' Generation o primeiro girl-group, em seis anos, a alcançar tal feito, desde S.E.S.

Em setembro de 2008, as vendas totais do álbum combinadas com o relançamento, Baby Baby, haviam ultrapassado 126.269 unidades.

Lista de faixas

Equipe e colaboradores
Créditos de Girls Generation são adaptados do AllMusic.

 Girls' Generation – artista primário
 K Strings – performer, cordas
 Sam Lee – guitarras

Tabelas musicais

Tabelas semanais

Tabelas mensais

Tabelas de fim de ano

Histórico de lançamento

Referências

Álbuns de Girls' Generation
Álbuns lançados pela SM Entertainment
Álbuns de 2007

Girls' Generation (álbum)


The Dukedom of Albemarle () has been created twice in the Peerage of England, each time ending in extinction. Additionally, the title was created a third time by James II in exile and a fourth time by his son the Old Pretender, in the Jacobite peerage. The name Albemarle is derived from the Latinised form of the French commune of  in Normandy  ( meaning 'White Marl', marl being a type of fertile soil), other forms being Aubemarle and Aumerle. It arose in connection with the ancient Norman Counts of Aumale of Aumale in Normandy. See also Earl of Albemarle.

Dukes of Albemarle (Aumale), first creation (1397)
Edward of Norwich, Duke of Aumale (Albemarle) (1373–1415), grandson of Edward III, was deprived of this dukedom in 1399. He later succeeded his father as Duke of York.

Dukes of Albemarle, second creation (1660)

also Earl of Torrington, Baron Monck of Potheridge, Beauchamp and Teyes (England, 7 July 1660)
George Monck, 1st Duke of Albemarle (1608–1670) was rewarded with his peerages for his part in the Restoration.
Christopher Monck, 2nd Duke of Albemarle (1653–1688), only son of the 1st Duke, died childless.

Dukes of Albemarle, first Jacobite creation (1696)
also "Earl of Rochford" and "Baron Romney" (Jacobite, 1696)
 Henry FitzJames, "1st Duke of Albemarle" (1673–1702), illegitimate son of James II was created a peer by his father in exile.

Dukes of Albemarle, second Jacobite creation (1722)

also "Marquess Monck and Fitzhemon", "Earl of Bath", "Viscount Bevil" (Jacobite, 1722), Baron Lansdowne (Great Britain, 1712) and "Baron Lansdown of Bideford" (Jacobite, 1722)
 George Granville, 1st Baron Lansdowne, "1st Duke of Albemarle" (1666–1735), a notable Tory, was made a Jacobite peer by The Old Pretender, which creation was not recognised within the Kingdom of Great Britain.
 Bernard Granville, "2nd Duke of Albemarle" (1700 – 2 July 1776), nephew of Lord Lansdowne, allegedly succeeded his uncle in said Jacobite peerage. Never married.

Family tree

Notes

References

Extinct dukedoms in the Peerage of England
Extinct dukedoms in the Jacobite Peerage
Noble titles created in 1397
Noble titles created in 1660
Noble titles created in 1696
Noble titles created in 1722

Duke of Albemarle


دوغلاس دي سي - 2 ، هي إحدى الطائرات التجارية التابعة لشركة دوغلاس وهي طائرة ثنائية المحرك، انطلقت في عام 1934 وكانت تتنافس مع بوينغ 247. أنتجت دوغلاس في عام 1935 نسخة أكبر سمتها دي سي-3 والتي أصبحت واحدة من أنجح الطائرات في التاريخ.

الأصل
دوغلاس دي سي - 2، هي نتيجة حرب تجارية بين شركتا طيران أمريكيتين، وهما يونايتد إيرلاينز، و ترنس وورلد إيرلاينز (TWA). أول استعمال لطراز طائرة بوينغ 247 ثنائية المحرك كان غير متوفر لدى شركة (TWA)، وطالبت بطائرة ثلاثية المحرك أحسن من نوع فورد تري موتور عقب حادث التحطم التابع لرحلة الطيران TWA 599، بسبب تخلخل الهيكل الخشبي من طراز فوكر أف 10 ثلاثية المحرك.

دي سي - 1
وأخيرا، اقترحت شركة دوغلاس طائرة ثنائية المحرك، وتم توقيع عقد في 30 سبتمبر 1932. وكانت أول رحلة في غرة يوليو 1933، ويمكن أن تحمل 14 راكبا في مقصورة فسيحة أكثر من منافستها، تجاوزت دي سي - 1 جميع الطلبات فيما عدا طلب واحد من قبل شركة (TWA) والتي طالبت بطائرة ثلاثية المحرك بينما دوغلاس صنعت طائرة ثنائية المحرك. تسلمتها شركة (TWA) في سبتمبر وكلفت بتطوير هذا النموذج حتى عوضت بـدوغلاس دي سي - 2.

دي سي - 2
حلقت لأول مرة في 11 مايو في عام 1934، واستعملتها شركة (TWA) للرحلة الفاصلة بين نيويورك ولوس أنجلس واستغرقت الرحلة 18 ساعة.
وقد حققت دي سي - 2 نجاحا كبيرا في أوروبا وصنعت أكثر من 200 نسخة والتي لم تتوقف في الصنع إلا عند إنتاج دوغلاس دي سي - 3 وكان ذلك عام 1936 واعتبر هذا المشروع في حد ذاته نجاحا باهرا. لا يوجد سوى نسخة واحدة من دي سي - 2 لا تزال تستعمل من أجل القيام بالرحلات القصيرة، وتوجد في متحف الطيران آفيودروم وهو مكرس في المقام الأول لحفظ تاريخ الطيران المدني ويقع في مدينة لاليستاد في هولندا.

الخصائص
 باع الجناح:25.91 م.
 مساحة الجناح: 940 م².
 الطول: 18.90 م.
 الارتفاع: 4.96 م.
 المحركات: محركان من صنع شركة رايت.
 الوزن عند الإقلاع: 8165 كغم.
 الوزن فارغة: 5650 كغم.
 الوزن عند الشحن: 8420 كغم.
 السرعة: 273 كم/س.
 الارتفاع في الجو: 7200 م.
 المسافة: 1930 كم.
 الأفراد: 2-3 من الطاقم/14 من الركاب.

نسخ عسكرية
 إكس - سي 32: 16 مكانا، تم صنع نسخة واحدة، وتستخدم من مركز القيادة.
 سي 32 - آي: 24 دي سي - 2.
 سي - 33: نسخة تحتوي على باب للشحن، 18 نسخة تم صنعها.
 سي - 34: نسخة لنقل الشخصيات البارزة.
 سي - 38: نسخة من نموذج سي 39، نسخة واحدة تم صنعها.
 سي - 39: هي نسخة من دي سي 2 مع دمج عدة عناصر من دي سي 3، مع محركات رايت آر-1820، 35 نسخة تم صنعها.
 دوغلاس آر دي - 2: نسخة للنقل تم صنعها خصيصا لبحرية الولايات المتحدة.

المشغلون

مشغلو النسخة المدنية
 جمهورية الصين
 شركة الصين الوطنية للطيران.
 تشيكوسلوفاكيا
 الخطوط الجوية التشيكية.
 فنلندا
 الطيران الفنلندي.
 لوفتهانزا
 اليابان اليابان للنقل الجوي.
 ماندشوكو الخطوط الجوية المانشورية.
 المكسيك المكسيكية للطيران.
 هولندا الخطوط الجوية الملكية الهولندية. وطلبت 18 طائرة.
 بولندا الخطوط الجوية البولندية.
 الجمهورية الإسبانية الخطوط الجوية البريدية الإسبانية. وطلبت 5 طائرات.
 سويسرا سويسرا للطيران.
 الولايات المتحدة الخطوط الجوية الأمريكية، استخدمت دي سي - 2 في رحلاتها بين نيويورك ولوس أنجلس.
 الخطوط الجوية الشرقية، طالبت بـ 14 طائرة وتستعملها في جهة الساحل الشرقي.
 الخطوط الجوية للبلدان الأمريكية، طالبت بـ 16 طائرة واستعملتها في منطقتي الكاراييبي وأمريكا الجنوبية.
 الخطوط الجوية عبر العالم (TWD).
 مشغلو النسخة العسكرية
 أستراليا القوات الجوية الملكية الأسترالية.
 فنلندا القوات الجوية الفنلندية.
 القوات الجوية الألمانية.
 اليابان
 الخدمات الجوية للجيش الإمبراطوري الياباني.
 الجمهورية الإسبانية
 القوات الجوية الأسبانية، وطالبت 5 طائرات دي سي - 2 من الخطوط الجوية الإسبانية البريدية.
 المملكة المتحدة
 سلاح الجو الملكي.
 الولايات المتحدة
 فيلق الجيش الجوي الأمريكي.
 جيش القوات الجوية الأمريكية.
 قوات مشاة البحرية الأمريكية.
 بحرية الولايات المتحدة.

مراجع

وصلات خارجية
 مقالة حول دي سي - 2.
 الذكرى المئوية للطيران لكل من دي سي - 1 و 2.
 .
 دي سي - 2.
 صور لدي سي - 2.
 صور أخرى لدي سي - 2.

طائرات خطوط جوية أمريكية 1930–1939
طائرات دوغلاس
طائرات ذات أجنحة سفلية
طائرات قامت بأول رحلة في عام 1934
طائرات بمحركات جر مروحية مكبسية مزدوجة

دوغلاس دي سي-2


Roger Keith Crouch (born September 12, 1940) is an American scientist and astronaut who flew as a payload specialist on two NASA Space Shuttle missions in 1997.

Personal
Born September 12, 1940, in Jamestown, Tennessee, Crouch currently resides in Washington, D.C., with his wife, the former Anne Novotny. He has three grown children, Melanie, Kevin and Kenyon. His mother, Maxine Crouch, resides in Jamestown, Tennessee. He enjoys traveling, photography, sports, camping, hiking, fishing and whitewater rafting. Crouch is an Eagle Scout.

Education
Crouch attended high school at Alvin C. York Institute. He earned a Bachelor of Science in physics from Tennessee Polytechnic Institute in 1962, Master of Science and a Doctor of Philosophy in physics from Virginia Polytechnic Institute in 1968 and 1971, respectively.

Career
On loan from MIT to NASA Headquarters as the Senior Scientist for the International Space Station since 2000; prior to that, on loan from MIT as the Senior Scientist for the Office of Life and Microgravity Sciences, NASA-HQ, 1998–2000; crew training, flight and post-flight activities 1996–1998; Lead Scientist of the Microgravity Space and Applications Division since 1985–1996. He served as Program Scientist on five different Spacelab flights. In addition, he helped organize and has served as co-chair for Microgravity Science Working Groups between NASA and space agencies from the European Union, France, Germany, Japan, and Russia. He was the founding co-chair of the International Microgravity Science Strategic Planning Group consisting of these space agencies plus Canada. He was principal investigator on an experiment that flew in the Materials Experiment Apparatus on the D-1 mission in 1985. Group leader and researcher, NASA Langley Research Center, 1962–1985. Leader of a research group investigating the effects of convection on semiconductor materials' properties. He was a principal investigator in the MSAD flight program from 1986–1997. He has done research in various techniques and types of semiconductor crystal growth, electric and optical properties of materials, electronic devices for remote sensing and flat panel displays, and heat shield protection for atmospheric reentry of space vehicles. This research resulted in the publication of over 40 technical paper and over 50 technical conference reports. He trained as the Alternate Payload Specialist for STS-42 (First International Microgravity Laboratory) which flew in January 1992.

Spaceflight experience
Flew as a payload specialist on STS-83 (April 4–8, 1997) and STS-94 (July 1–17, 1997) and logged over 471 hours in space. STS-83, the Microgravity Science Laboratory (MSL-1) Spacelab mission, was cut short because of problems with one of the Shuttle's fuel cell power units. Mission duration was 95 hours and 12 minutes, traveling 1.5 million miles in 63 orbits. STS-94 was a reflight of the MSL-1 and focused on materials and combustion science research. Mission duration was 376 hours and 45 minutes, traveling 6.3 million miles in 251 orbits of the Earth.

Special honors and organizations
Distinguished Alumni Achievement, Virginia Tech, 1998; Distinguished Alumnus 1997, Tennessee Technological University; NASA Exceptional Performance Award, 1989; NASA Special Achievement Award, 1983; Certificates for Patents/applications 1975, 85, 86, 87; Certificates for innovative technology 1973, 76, 79, 80, 81, 85, 86, 87; Floyd Thompson Fellowship 1979–80.

Member of American Physical Society, American Association for Crystal Growth, Sigma Pi Sigma, Kappa Mu Epsilon, Pi Kappa Phi.

References

External links

Spacefacts biography of Roger K. Crouch

1940 births
Living people
People from Jamestown, Tennessee
Virginia Tech alumni
NASA civilian astronauts
Space Shuttle program astronauts
Tennessee Technological University alumni

Roger K. Crouch


III. A zona prvenstva Hrvatske, također i pod nazivima  III. zona – Bjelovarska grupa, III. zona – A grupa, Zona Varaždin – Bjelovar – skupina A, Međupodsavezna liga Bjelovar – Daruvar  je bila jedna od zona Prvenstva Hrvatske, te liga trećeg stupnja nogometnog prvenstva Jugoslavije u sezoni 1960./61.
Sudjelovalo je 10 klubova, a prvak je bio "Hajduk" iz Pakraca.

Ljestvica

 Podravska Slatina – tadašnji naziv za Slatinu

Rezultatska križaljka

 Izvori:

Za prvaka III. zone

 Izvori:

Povezani članci
 III. B zona nogometnog prvenstva Hrvatske 1960./61.
 Nogometna zona Rijeka – Pula 1960./61.
 Slavonska nogometna zona 1960./61.
 Zagrebačka nogometna zona 1960./61.
 Podsavezna nogometna liga Bjelovar 1960./61.
 Podsavezna nogometna liga Daruvar 1960./61.

Vanjske poveznice

Izvori
 Godišnjak FSJ 1960-61, Beograd, 1961., ISSN: 0351-2894
 library.foi.hr, "Bjelovarski list"
 sportnet.hr forum, Ligaški vremeplov , objave od 7. studenog 2012., pristupljeno 9. ožujka 2018.

1960-61 III A
III A
1960-61 III A

III. A zona nogometnog prvenstva Hrvatske 1960./61.


Museum for Papirkunst er et museum beliggende i Hune ved Blokhus og Nordens eneste museum udelukkende med det formål at vise papirkunst. Museet udstiller forskellige typer kunst herunder psaligrafisk kunst, unika med udgangspunkt i papir, papirobjekter og kunst, som på anden vis inddrager papir. Museet er etableret af den anerkendte psaligraf og papirkunstner Karen Bit Vejle og har til formål at udbrede viden om og interesse for psaligrafi og papirkunst blandt den bredere befolkning. Museet rummer dels en fast udstilling, dels skiftende udstillinger.

Museet åbnede den 23. marts 2018.

Fast udstilling
Museets faste udstilling viser et bredt udvalg af papirkunstværker skabt af Bit Vejle og hendes saks gennem hendes levetid. I kerneudstillingen bliver værkerne præsenteret og vist frem i samspil med en ganske speciel belysning specifikt designet til udstillingen og disse værker. Endvidere gennemfører museet en månedlig slow art belysning, hvor kerneudstillingen kan opleves i unikke rammer og hvor fordybelsen og kontemplationen er i centrum.

Særudstillinger
Udover den faste udstilling præsenterer museet nye særudstillinger halv- eller helårligt, der alle har temaer med forbindelse til papirmaterialet. Disse særudstillinger har til formål at præsentere publikum for kunstnere, designere og andre med forskellige tilgange til papirmaterialet.

Faciliteter
Museet har desuden en café og at papirværksted, hvor børn og voksne kan føle sig inspireret og selv kan prøve at klippe under kyndig vejledning.

Noter

Eksterne henvisninger
Museets hjemmeside
Grethe Hagensen: "En eventyrlig historie – Nyt center for papirkunst i Nordjylland" (Kunstavisen, 21. januar 2018)

Jammerbugt Kommune
Museer i Region Nordjylland

Museum for papirkunst


The Phil Silvers Show, originally titled You'll Never Get Rich, is a sitcom which ran on the CBS Television Network from 1955 to 1959. A pilot titled "Audition Show" was made in 1955, but it was never broadcast. 143 other episodes were broadcast – all half-an-hour long except for a 1959 one-hour live special. The series starred Phil Silvers as Master Sergeant Ernest G. Bilko of the United States Army.

The series was created by Nat Hiken and won three consecutive Emmy Awards for Best Comedy Series. The show is sometimes titled Sergeant Bilko or simply Bilko in reruns, and it is very often referred to by these names, both on-screen and by viewers. The show's success transformed Silvers from a journeyman comedian into a star and writer-producer Hiken from a highly regarded behind-the-scenes comedy writer into a publicly recognized creator.

Production

By 1955, the American television business was already moving westward to Los Angeles, but Nat Hiken insisted on filming the series in New York City. He believed this location was more conducive to comedic creativity and the show's humor. Early episodes were filmed at Dumont's television center in New York City – now home to WNYW-TV – with later episodes shot at the CBS "Hi Brown" Studios in Chelsea, Manhattan.

Most of the series was filmed to simulate a live performance. The actors memorized their lines and performed the scenes in sequence before a studio audience. Thus, there are occasional flubs and awkward pauses. Actor Paul Ford, playing Bilko's commanding officer, was notorious for forgetting his lines; when he would get a blank expression on his face, Silvers and the rest of the cast would improvise something to save the scene, like "Oh, you remember, Colonel, the top brass is coming..." At that point, Ford would pick up where he left off.

Creator Nat Hiken wrote or co-wrote 70 of the first 71 episodes, missing only episode 70 (the third-season finale.)  He left the show after that season.  In the fourth and fifth seasons there were numerous staff writers, and gaining prominence as the show went on was Neil Simon.  Simon wrote or co-wrote 20 episodes, including the series finale.

Later episodes were filmed in California. Producer Mike Todd, making a guest appearance, insisted that his show should be filmed like a movie, out of sequence. The cast and crew tried it and soon found that Todd's way was easier. Production continued in this manner until the series ended in 1959.

The fact that Silvers and Hiken were both sports fans inspired some of the character names. Bilko was named after Steve Bilko, a minor league baseball player (it also had the connotation, to bilk someone). Cpl Barbella was named after middleweight boxing champion Rocky Graziano (whose birth name was Rocco Barbella). Pvt Paparelli was named after the baseball umpire Joe Paparella. According to Silvers, Pvt Doberman was so named because actor Maurice Gosfield resembled a doberman pinscher.

Premise

The series was originally set in Fort Baxter, a sleepy, unremarkable U.S. Army post in the fictional town of Roseville, Kansas. It was centered on the soldiers of the Fort Baxter motor pool under Master Sergeant Ernest G. Bilko.  Bilko and his men seemed to spend little time performing their duties: Bilko in particular spent most of his time trying to wheedle money through various get-rich-quick scams and promotions, or to find ways to get others to do his work for him.

While Bilko's soldiers regularly helped him with his schemes, they were just as likely to become "pigeons" in one. Nevertheless, Bilko exhibited an odd paternalism toward his victims, and he would doggedly shield them from all outside antagonists. The sergeant's attitude toward his men has been described thus: "They were his men and if anyone was going to take them, it was going to be him and only him." Through it all, the platoon was generally loyal to Bilko, despite their wariness of his crafty nature, and they would depend on him to get them out of any military misfortune. If one of his boys was treated unfairly or was cheated in any way, Bilko always helped the injured party, using the same psychological guile and chicanery he used to outwit his suckers. This benevolent side of Bilko was toned down in the series's later seasons (with scripts, significantly, by different writers); Bilko became strictly mercenary, willing to swindle anyone for a fast buck.

Bilko's swindles were usually directed toward (or behind the back of) Col. John T. Hall, the overmatched and beleaguered post commander who had early in his career been nicknamed "Melon Head". Despite his flaws and weaknesses, Col. Hall would get the best of Bilko just often enough to establish his credentials as a wary and vigilant adversary. The colonel would frequently be shown looking out his window, worried without explanation or evidence, simply because he knew that Bilko was out there somewhere, planning something. The colonel's wife, Nell (Hope Sansberry), had only the kindest thoughts toward Bilko, who would shamelessly flatter her whenever he met her.

Bilko and Hall were not always adversaries. In an episode entitled "The Court Martial" (1956), Bilko tries to assist the colonel in setting a speed record for inducting new recruits, which accidentally results in a private's pet chimpanzee being enrolled. The animal's failure to answer when addressed by the phrase "Hurry! Speak Up!" is soon misheard and interpreted as being his name, "Harry Speakup", continuing the error and the imposture. Harry passes the medical and psychiatric exams, receives a uniform, and is formally sworn in. With the superior officers in a panic, Bilko saves the day by orchestrating an honorable discharge for the chimpanzee.

The show's setting changed with the fourth season, when the men of Fort Baxter were reassigned to Camp Fremont in California. This mass transfer was explained in storyline as being orchestrated by Bilko, who had discovered a map showing a gold deposit near the abandoned army post. One reason for the change from Kansas was so that the series could more plausibly bring in guest stars from nearby Hollywood, such as Dean Martin, Mickey Rooney, Diana Dors and Lucille Ball. Silvers played himself in one hourlong episode.

Cast

Bilko's right-hand men were Cpl. Rocco Barbella (Harvey Lembeck) and Cpl. Steve Henshaw (Allan Melvin), and his long-suffering superior was Col. John T. Hall (Paul Ford). Bilko's motorpool platoon included Herbie Faye (a former burlesque crony of Silvers) as Cpl. Sam Fender, Maurice Gosfield as Pvt. Duane Doberman, Billy Sands as Pvt. Dino Paparelli, Mickey Freeman as diminutive Pvt. Fielding Zimmerman, Tige Andrews (billed under his given name, Tiger Andrews) as Pvt. Gander, Jack Healy as the tough-talking Pvt. Mullen, Maurice Brenner as Pvt. Irving Fleischman, Karl Lukas as Pvt. Stash Kadowski, former middleweight boxer Walter Cartier as botany fiend Pvt. Claude Dillingham, and Terry Carter as Pvt. Sugarman. Carter was African American and regularly appeared in the series at a time when American society (and television) was largely segregated. The Army was desegregated under President Harry Truman.

Other recurring characters included Hope Sansberry as Mrs. Hall, Harry Clark as camp cook Sgt. Stanley Sowici; after Clark's death the role of cook was played by burlesque comic Joe E. Ross as Sgt. Rupert Ritzik; Beatrice Pons as loud-mouthed Mrs. Ritzik, Ned Glass as quartermaster Sgt. Andy Pendleton, Jimmy Little as Sgt. Francis Grover, Nicholas Saunders as Hall's adjutant Captain Barker, and John Gibson as an unnamed Chaplain that Sgt. Bilko addressed as "Padre". Some episodes gave Bilko a romantic interest, Elisabeth Fraser as Sgt. Joan Hogan.

The series frequently featured so many secondary cast members, with so many speaking parts, that the show ultimately became too expensive to sustain. It was this factor more than any significant decline in ratings that led to the show's demise in 1959. Though The Phil Silvers Show was never a huge ratings magnet, it was considered the top television comedy of its time.  The show was nominated for Emmy Awards for both Comedy Writing and Best Series in all four of its seasons, winning both awards in 1956, 1957, and 1958. The series received nine other nominations during its run, with Silvers winning one individual Emmy for his performance and Nat Hiken winning one for direction. As Silvers later recalled, "We went out at our height."

Guest stars included Alan Alda, Bea Arthur, Orson Bean, Peggy Cass, Dick Cavett, Arthur Duncan, Constance Ford, Eric Fleming, Dodie Goodman, Fred Gwynne, Bob Hastings, Paul Lynde, Julie Newmar, Tom Poston, Charlotte Rae, Paul Reed, Darryl Richard, Mark Rydell, Suzanne Storrs and Dick Van Dyke, then near the beginning of their careers. Later episodes used a wealth of veteran Hollywood character actors, including Harold Huber, Margaret Hamilton, Marjorie Gateson, Natalie Schafer and Frank Albertson.

George Kennedy was the show's US Army technical adviser; he had roles as a military policeman in several episodes.

Finale
In the series finale, "Weekend Colonel", Bilko discovers a short-order cook named Charlie Clusterman who is the exact double of Colonel Hall. Bilko hires the cook to impersonate the colonel, so he can cheat the other officers in a bogus charity effort. The real Colonel Hall learns of the scam, and Bilko, Henshaw, and Barbella end up being locked in the guardhouse. As Colonel Hall looks at his prisoners on a newly installed closed-circuit TV system, he quips: "It's a wonderful show, and as long as I'm the sponsor, it will never be cancelled."  The camera cuts to Bilko and his henchmen finally behind bars. Bilko waves to the camera and says, "Th-th-that's all, folks!"

Episodes

Aftermath
Following the show's cancellation, CBS shortsightedly sold the rights to NBC: the rival network immediately aired reruns five days a week to great financial returns.  Some of the show's other actors were recruited by "Bilko" producer Edward J. Montagne to appear in Nat Hiken's follow-up sitcom Car 54, Where Are You? and in McHale's Navy.

Silvers was able to parody, or play off, his enduring Bilko persona for the rest of his career. In 1963–1964, he starred in The New Phil Silvers Show, which attempted to transplant his mercenary character to a factory setting, but the result proved unpopular.  Silvers frequently guest-starred on The Beverly Hillbillies as a character called Honest John.  He also played unscrupulous Broadway producer Harold Hecuba on an episode of Gilligan's Island, stealing the castaways' concept for a musical version of Hamlet.  In an episode of The Lucy Show, Silvers was a demanding efficiency expert; at one point, Lucy's boss Mr. Mooney (Gale Gordon), remarks that Silvers reminds him of a sergeant he used to know.  Silvers also portrayed greedy connivers in various movies, such as It's a Mad, Mad, Mad, Mad World (1963), in which Paul Ford had a supporting role as a colonel, though they shared no scenes,  and A Funny Thing Happened on the Way to the Forum (1966). The British film Follow That Camel (1967) cast him as a scheming sergeant, this time in the French Foreign Legion.

The original You'll Never Get Rich program, which was filmed in black-and-white, was widely rerun into the 1970s. The advent of color television rendered it and many similar programs less marketable than they had been previously. The series reemerged in the late 1980s on the fledgling cable channel Comedy Central, then again on Nick at Nite for a short time during the 1990s (serving as charter programming for TV Land in 1996), and MeTV. In the United Kingdom the show enjoyed intermittent showings for many years, finally being broadcast on the BBC Two channel in 2004. Currently, it can be seen on Decades TV (a network broadcast on secondary television channels in many markets, and a sister channel to Me-TV, with CBS Television Stations owning the network with the owner of Me-TV, Weigel Broadcasting).

Legacy
The Bilko persona was borrowed by the Hanna-Barbera animation studio for its television cartoon series Top Cat, which drew on elements from The Phil Silvers Show. Maurice Gosfield from the original platoon voiced Benny the Ball. Hokey Wolf was another Hanna-Barbera production that borrowed heavily from The Phil Silvers Show. The episode of The Flintstones that introduced Dino gave the pet dinosaur a Sgt. Bilko-styled voice and character.  After this atypical debut, Dino never spoke again. Another episode recruited Fred Flintstone and Barney Rubble into the army, where they were conned by an unnamed Bilko-like character into becoming astronaut test pilots.

The film The Manchurian Candidate (1962) used the names of several people associated with Sgt Bilko for the members of a Korean War patrol – Cpl Allan Melvin, Pvt Silvers, Pvt Hiken, and Pvt Lembeck. The characters also appear in the novel The Manchurian Candidate, which has been plagued with multiple assertions of plagiarism.

In 1987, a British tourist visited Tibet wearing a Phil Silvers "Sgt Bilko" T-shirt. Chinese soldiers attempted to rip it off her because they thought the picture was the Dalai Lama.

Larry David, creator and star of Curb Your Enthusiasm, has called The Phil Silvers Show his favorite television show.

From June 1957 to April 1960, DC Comics published a Sergeant Bilko comic book which lasted 18 issues and a Sergeant Bilko's Private Doberman series that lasted 11 issues. Most of the covers and inside artwork were by Bob Oksner.

Broadcast history
 September 1955-October 1955 – Tuesdays at 8:30-9:00 pm on CBS
 November 1955-January 1958 – Tuesdays at 8:00-8:30 pm on CBS
 February 1958-September 1959 – Fridays at 9:00-9:30 pm on CBS

Reception

Broadcast ratings

Primetime Emmy Award Nominations and Wins

1955 (presented March 17, 1956)
 Best Comedy Series – Won
 Best Actor (Continuing Performance): Phil Silvers – Won
 Best Comedy Writing: Nat Hiken, Barry Blitzer, Arnold Auerbach, Harvey Orkin, Vincent Bogert, Arnold Rosen, Coleman Jacoby, Tony Webster and Terry Ryan – Won
 Best Producer (Film Series): Nat Hiken – Nominated (Winner: Walt Disney, Disneyland)
 Best Director (Film Series) Nat Hiken – Won

1956 (presented March 16, 1957)
 Best Series (Half Hour or Less) – Won
 Best Continuing Performance by a Comedian in a Series: Phil Silvers – Nominated (Winner: Sid Caesar, Caesar's Hour)
 Best Supporting Performance by an Actor: Paul Ford – Nominated (Winner: Carl Reiner, Caesar's Hour)
 Best Comedy Writing (Variety or Situation Comedy): Nat Hiken, Billy Friedberg, Tony Webster, Leonard Stern, Arnold Rosen and Coleman Jacoby – Won

1957 (presented April 15, 1958)
 Best Comedy Series – Won
 Best Continuing Performance by an Actor in a Leading Role in a Dramatic or Comedy Series: Phil Silvers – Nominated (Winner: Robert Young, Father Knows Best)
 Best Continuing Supporting Performance by an Actor in a Dramatic or Comedy Series: Paul Ford – Nominated (Winner: Carl Reiner, Caesar's Hour)
 Best Comedy Writing: Nat Hiken, Billy Friedberg, Phil Sharp, Terry Ryan, Coleman Jacoby, Arnold Rosen, Sydney Zelinka, A.J. Russell and Tony Webster – Won

1958–1959 (presented May 6, 1959)
 Best Comedy Series – Nominated (Winner: The Jack Benny Show)
 Best Actor in a Leading Role (Continuing Character) in a Comedy Series: Phil Silvers – Nominated (Winner: Jack Benny, The Jack Benny Show)
 Best Supporting Actor (Continuing Character) in a Comedy Series: Maurice Gosfield – Nominated (Winner: Tom Poston, The Steve Allen Show)
 Best Writing of a Single Program of a Comedy Series: Billy Friedberg, Arnie Rosen and Coleman Jacoby for "Bilko's Vampire" - Nominated (Winner: Sam Perrin, George Balzer, Hal Goldman and Al Gordon for The Jack Benny Show: "Jack Benny Show with Ernie Kovacs")

UK broadcasts
The series was shown weekly on BBC Television during its original run from 20 April 1957 onwards, in varying timeslots, with the final first-run episode "Weekend Colonel" airing on 15 January 1961. The series returned in repeats on BBC Television (later BBC1) from June 1961 to March 1967, after which it was absent from the screen until April 1973, when it returned in a late-night timeslot (although listed in Radio Times as Sergeant Bilko/Bilko), becoming a staple of BBC1's post-11pm late-night schedule throughout the 1970s and 1980s, usually appearing immediately prior to the channel's signoff (before BBC One, as the channel was now rendered, became a 24-hour broadcaster in November 1997). The series was moved to an early evening timeslot on BBC2, beginning a repeat run of all four seasons in broadcast order from 7 November 1984. This repeat run continued through to 22 November 1991, at which point the BBC had aired all available episodes. Episodes continued to be shown, although no longer in their original broadcast order, from 1993 to 2004, with the BBC's last broadcast episode, "Bilko and the Flying Saucers", appearing on 5 November 2004.

The UK publication Radio Times Guide to Comedy ranked The Phil Silvers Show as its top TV sitcom in 2003.

Phil Silvers as Sergeant Bilko appeared on the B.B.C's Tommy Trinder series The Trinder Box during June 1959. The Radio Times of 12 June 1959 had a full cover photo of Phil Silvers as Bilko.

Home media
In May 2006, CBS DVD released a 50th anniversary collection entitled The Phil Silvers Show: 50th Anniversary Edition. The three-disc set features 18 episodes from the series.

On July 27, 2010, CBS DVD (distributed by Paramount) released the first season of The Phil Silvers Show on DVD in Region 1 format. A region 2 release followed on September 6 of the same year.

On August 5, 2014, it was announced that Shout! Factory had acquired the rights to the series in Region 1 and would release Sgt. Bilko -The Phil Silvers Show: The Complete Series on November 4, 2014.

In 2015, they began releasing individual season sets, season 2 was released on April 28, 2015  followed by season 3 on August 4, 2015.  The fourth and final season was released on November 17, 2015.

In Region 2, Mediumrare Entertainment has acquired the rights in the UK and released Sgt. Bilko – The Phil Silvers Show: - Complete Collection on DVD on September 22, 2014.

In other media

Film

The Phil Silvers Show was the basis of a critically and commercially unsuccessful movie, Sgt. Bilko (1996), starring Steve Martin as Bilko, Dan Aykroyd as Colonel Hall, Max Casella as Paparelli, and Eric Edwards as Doberman, with Phil Silvers' daughter, Cathy Silvers, at Lt. Monday. The plot centers around an investigation into wrongdoings in Fort Baxter by Major Thorn (played by Phil Hartman), an old rival of Bilko's, who will stop at nothing to get the better of Bilko.

References

External links

 The Phil Silvers Show at the Museum of Broadcast Communications

1950s American sitcoms
1955 American television series debuts
1959 American television series endings
Black-and-white American television shows
CBS original programming
English-language television shows
Military comedy television series
Military humor in film
Jewish comedy and humor
Primetime Emmy Award for Outstanding Comedy Series winners
Television series by CBS Studios
Television shows filmed in New York City
Television shows set in California
Television shows set in Kansas
Television series about the United States Army

The Phil Silvers Show


Inginerul de sunet sau sunetistul reglează și operează cu echipament de sunet în teatre, studiouri de film, radio și emisiuni de televiziune. Acesta lucrează pe echipamente pentru reproducerea sunetului, echipamente de emisie și echipamente de studio și computer.

Legături externe
 Sunetist - DEX

Ocupații în muzică
Ocupații în televiziune

Inginer de sunet


La Coupe de Chamonix 1911 est la  de la Coupe de Chamonix. Elle se déroule du 16 au 19 janvier 1911.

Il s'agit du dernier tournoi international de l'hiver 1911, se déroulant après le tournoi de Bruxelles et de celui des Avants.

Règlement du tournoi

Effectifs

Arbitres

Résultats des matchs et classement

Liens externes
 Article sur hockeyarchives

Notes et références

Sport en France en 1911
Hockey sur glace en 1911
Janvier 1911
Sport à Chamonix-Mont-Blanc

Coupe de Chamonix 1911


Mount Isa er en by i Queensland i Australien. Byen blev grundlagt i 1923 og havde i 2015 en befolkning på 21.821.

Referencer

Eksterne henvisninger

Byer i Queensland

Mount Isa


A rond peut être :
 une variante de la lettre A, dans certains styles d'écriture ;
 la lettre alpha latin  ;
 la lettre A réfléchi .

Voir aussi
 Å (lettre), a rond en chef

A rond


Međuopćinska nogometna liga Doboj je bila liga petog stupnja nogometnog prvenstva Jugoslavije u sezoni 1985./85.  Sudjelovalo je 14 klubova, a prvak je bio "Borac" iz Kotorskog.

Ljestvica

 Ljestvica bez rezultata jedne utakmice

Rezultatska križaljka

 Izvori:

Povezani članci

Vanjske poveznice

Izvori

 Vladimir Ravlić: Priča o jednoj Mladosti --- : nogometni klub "Mladost" Modran : 1952. – 2012. : monografija, Zagreb, 2012.,

1985-86 Doboj
MOL Doboj
1985-86 MOL Doboj

Međuopćinska nogometna liga Doboj 1985./86.


Franz Blei () a fost un scriitor, traducător și critic literar austriac. S-a remarcat, de asemenea, în calitate de bibliofil, redactor-șef și editor de reviste, precum și un membru important al intelectualității evreiești din Austria. A fost prieten și colaborator al lui Franz Kafka.

Biografie
Era fiul unui fabricant de încălțăminte evreu austriac și a învățat inițial la școala Abației Melk. A urmat studii la Viena, Zurich, Geneva și Berna, unde a obținut tilul de doctor în economie în 1895 cu o teză despre Ferdinando Galiani. În anul 1900 a devenit redactorul ziarului Die Insel. A fost unul dintre prietenii lui Alfred Adler.

În prima parte a carierei sale s-a remarcat ca un prolific editor al unor reviste cu tiraj redus. Din decembrie 1905 până în noiembrie 1906 a fost redactorul revistei Der Amethyst (publicată de editura Hans von Weber) și apoi al revistei Die Opale, care erau disponibile doar prin abonament și erau ușor pornografice. În aceste reviste au apărut lucrările artistice ale lui Aubrey Beardsley și Felicien Rops, poeziile simboliste ale lui Jules Laforgue, proza erotică tradusă a lui Paul Verlaine și poezii și piese de teatru erotice clasice din întreaga lume. Fiecare număr a avut un tiraj de numai 800 de exemplare numerotate, iar tânărul Kafka a avut un abonament. Die Opals a fost prima care a publicat fragmente din Bebuquin de Carl Einstein, primul roman expresionist german. Aceste publicații literare cu tiraj mic, cunoscute timp de mai multe decenii mai ales de cercetătorii operei lui Kafka pentru multe decenii, au devenit sursele de inspirație ale unei povești de presă apărute în 2008 în ziarul The Times din Londra, atunci când un romancier a promovat o carte nouă, pretinzând că a descoperit "secretul pornografiei secrete" a lui Kafka printre documentele sale arhivate.

Din 1908 până în 1909 Blei a coeditat, împreună cu Carl Sternheim, revista bilunară cu apariție meteorică Hyperion, unde au fost publicate primele scrieri ale tânărului Franz Kafka. În primul număr al revistei a fost publicat un scurt fragment din povestirea kafkiană "Beschreibung eines Kampfes". Alte două capitole ale povestirii au fost publicate în ultimul număr al revistei Hyperion din primăvara anului 1909. Fragmente din alte șapte scrieri ale lui Kafka au fost publicate, de asemenea, în revistă. Acolo au apărut, de asemenea, fragmente din operele literare ale lui Carl Einstein, Robert Walser și Robert Musil.

Franz Blei a dobândit celebritate ca eseist, dar și ca autor de texte erotice și de eseuri despre pornografie, folosind numeroase pseudonime: Medardus, Dr. Peregrinus Steinhövel, Amadée de la Houlette, Franciscus Amadeus, Gussie Mc-Bill, Prokop Templin, Heliogabal, Nikodemus Schuster, L.O.G., Hans Adolar etc. Lucrarea sa cea mai cunoscută este Das große Bestiarium der deutschen Literatur, unde îi descrie ironic pe cei mai importanți autori, în ordine alfabetică, ca animale exotice. Unele dintre piesele sale de teatru sau traducerile pieselor de teatru au fost puse pe muzică, precum Nuschi Nuschi de Paul Hindemith sau Der König Kandaules de Alexander von Zemlinsky după piesa Le Roi Candaule a lui André Gide.

A tradus, de asemenea, în limba germană operele literare ale lui Walt Whitman, Molière, Charles Baudelaire, Paul Claudel, Pierre Choderlos de Laclos, Marcel Schwob, André Gide, Nathaniel Hawthorne, Oscar Wilde și Edgar Allan Poe și a publicat, de asemenea, o monografie proprie despre picturile artistului simbolist Felicien Rops. În anii 1920 a fost un important contribuitor al publicației Der Querschnitt. În volumul Conversații cu Kafka (Gespräche mit Kafka) publicat de Gustav Janouch, Kafka l-a descris astfel: "Franz Blei este mult mai inteligent și mai mare decât ceea ce scrie."

Blei a locuit pe rând la München, Berlin și Viena înainte de a emigra în insula Mallorca din motive financiare și politice. Când a izbucnit Războiul Civil Spaniol, el a început o lungă odisee, oprindu-se pentru anumite perioade la Viena, Florența, Lucca, Cagnes-sur-Mer, Marsilia și Lisabona, iar în 1941 a ajuns în cele din urmă la New York.

A fost căsătorit cu medicul dentist Maria Franziska Lehmann, cu care a avut doi copii: Maria Eva Sibylla și Peter Maria.

Scrieri (selecție)

 Die Puderquaste. Ein Damen-Brevier. Aus den Papieren des Prinzen Hippolyt. Verlag Hans von Weber, München, 1908
 Vermischte Schriften. 6 vol. München, Georg Müller-Verlag, 1911
 Der Knabe Ganymed. Moralische Erzählungen, 1923
 Das große Bestiarium der Literatur, 1923
 Frauen und Abenteurer, 1927
 Glanz und Elend berühmter Frauen, 1927
 Himmlische und irdische Liebe in Frauenschicksalen, 1928
 Ungewöhnliche Menschen und Schicksale, 1929
 Erzählung eines Lebens, 1930 (autobiografie; reeditare de Paul Zsolnay, Viena, 2004, )
 Männer und Masken, 1930
 Die göttliche Garbo – mit einem Nachwort von Greta Garbo, 1930
 Die Lust der Kreatur, 1931
 Talleyrand oder der Zynismus, 1932
 Zeitgenössische Bildnisse, 1940
 Franz Blei: Briefe an Carl Schmitt 1917-1933. În colaborare cu Wilhelm Kühlmann și explicații scrise de Angela Reinthal. Manutius Verlag, Heidelberg, 1995, .
 Franz Blei – André Gide. Briefwechsel (1904-1933), 1997

Note

Lectură suplimentară
 Paul Raabe, "Franz Kafka und Franz Blei", în: F. Kafka. Ein Symposium. Datierung, Funde, Materialien, Verlag Klaus Wagenbach, Berlin 1965, pp. 7–20.
 Ulrich E Bach, "Franz Bleis einsames Exil", în: Deutschsprachige Exilliteratur seit 1933 3/I USA Supplement. Ed. John M. Spalek, Konrad Feilchenfeldt and Sandra H. Hawrylchak. Berlin: De Gruyter, 2010: 3-13.
 Ulrich E Bach, "«Das Formierte der Erotik»: Franz Blei und der erotische Buchhandel". Christine Hauck, Johannes Frimmel and Anke Vogel (eds.), Erotisch-pornographische Lesestoffe: Das Geschäft mit Erotik im deutschen Sprachraum vom 18. Jahrhundert bis zur Gegenwart. Wiesbaden: Harrassowitz 2015. 143-158.

Legături externe

Nașteri în 1871
Decese în 1942
Critici literari austrieci
Dramaturgi austrieci
Scriitori austrieci
Traducători austrieci

Franz Blei


هنا قائمة ببطولات أستراليا المفتوحة لسنة 2003:

الكبار

فردي رجال

 أندريه أغاسي هزم  راينر شتلر, 6-2, 6-2, 6-1

فردي سيدات

 سيرينا ويليامز هزم  فينوس ويليامز, 7-6, 3-6, 6-4

زوجي رجال

 ميشيل لودرا و فابريس سانتورو هزم  مارك نوليز و دانييل نيستور, 6-4, 3-6, 6-3

زوجي سيدات

 سيرينا ويليامز و فينوس ويليامز هزم  فيرجينيا روانو باسكال و باولا سواريز, 4-6, 6-4, 6-3

زوجي مختلط

 مارتينا نافراتيلوفا و ليندر بايز هزم  تود وودبريدج و إيلايني دانيلايدو, 6-4, 7-5

الشباب

فردي أولاد
ماركوس باجداتيس () هزم فلوران ميرجا (), 6-4, 6-4

فردي بنات
باربورا سترايكوفا () هزم فيكتوريا كوتوزوفا (), 0-6, 6-2, 6-2

زوجي أولاد
سكوت أودسيما وفيليب سايموندز ()

زوجي بنات
كيسي ديلأكوا وأدريانا سزيلي ()

ملاحظات

أحداث يناير 2003 الرياضية في أوقيانوسيا
بطولات أستراليا المفتوحة حسب السنة
ملبورن في عقد 2000
كرة مضرب أسترالية في 2003
أحداث يناير 2003 الرياضية في أستراليا

أستراليا المفتوحة 2003


Mohammad Ali Jinnah (Karachi, 25. prosinca 1876. – Karachi, 11. rujna 1948.) bio je odvjetnik, političar i osnivač Pakistana. Bio je vođa Sveindijske muslimanske lige od 1913. do pakistanske neovisnosti 14. kolovoza 1947. i prvi pakistanski generalni guverner od neovisnosti do svoje smrti. U Pakistanu ga poštuju kao velikog vođu i oca nacije. Njegov se rođendan slavi kao državni praznik.

Mohammad Ali Jinnah rođen je u Karachiju, a studirao je za odvjetnika u Lincolns Inn u Londonu. U prvim desetljećima 20. stoljeća, njegov je utjecaj u Indijskom nacionalnom kongresu rastao. U prvim godinama svoje političke karijere, Mohammad Ali Jinnah je zagovarao jedinstvo hindusa i muslimana i pomogao definirati ugovor iz Lucknowa iz 1916. godine između Indijskog nacionalnog kongresa i Sveindijske muslimanske lige, stranke u kojoj je bio istaknuti član. Mohammad Ali Jinnah postao je jedna od najvažnijih figura Saveza za sveindijsku samoupravu i predložio plan za ustavnu reformu u 14 točaka kako bi osigurao politička prava muslimana. Međutim, napustio je Indijski nacionalni kongres 1920. godine, kada je prihvatio slijediti pokret satyagraha (nenasilni otpor), kojeg je predstavljao Mahatma Gandhi, utjecajni vođa Indijskog nacionalnog kongresa.

Do 1940., Mohammad Ali Jinnah zaključio je, da indijski muslimani trebaju imati svoju zasebnu državu. Tih je godina Muslimanska liga, na čelu s njim, usvojila Lahoreovu rezoluciju koja je tražila odvojenu državu. Tijekom Drugog svjetskog rata, Muslimanska liga jačala je sve dok čelnici Indijskog nacionalnog kongresa nisu bili zatvoreni, a na izborima neposredno nakon rata Muslimanska liga osvojila je najviše mjesta rezerviranih za muslimane. Na kraju se Indijski nacionalni kongres i Muslimanska liga nisu mogli dogovoriti oko načina raspodjele moći u ujedinjenoj Indiji, pa su se sve stranke složile o posebnoj neovisnosti pretežno hinduističke Indije i države s većinskom muslimanskom većinom, koja će dobiti ime Pakistan.

Kao prvi pakistanski generalni guverner, Mohammad Ali Jinnah radio je na uspostavljanju vlade i zakona nove države i pomaganju milijunima muslimanskih migranata, koji su se doselili iz novonastale Indije u Pakistan nakon podjele. Osobno je nadgledao uspostavljanje izbjegličkih kampova.

Preminuo je u 71. godini života u rujnu 1948., nešto više od godinu dana nakon stjecanja neovisnosti od Britanskog Carstva. U Pakistanu je ostavio duboko i cijenjeno naslijeđe, a u Indiji nije cijenjen.

Izvori

Pakistanski političari
Političari između dva svjetska rata
Pravnici

Muhammad Ali Jinnah


Die Saison 2002/03 war die 1. Spielzeit des von der ULEB ausgetragenen ULEB Cup, der heute als EuroCup firmiert.

Den Titel gewann Pamesa Valencia aus Spanien.

Modus
Es nahmen 24 Mannschaften aus elf Nationen teil. Die Saison begann am 15. Oktober 2002 und endete mit dem Final-Rückspiel am 24. April 2003. In der Gruppenphase spielten die 24 Teams in vier Gruppen mit je sechs Teams. Es wurde eine Doppelrunde jeder gegen jeden gespielt. Die ersten vier jeder Gruppe erreichten das Achtelfinale. Die Sieger in diesem, sowie im Viertelfinale, im Halbfinale und im Finale, wurden in Hin- und Rückspiel ermittelt.

Teilnehmer an der Hauptrunde

Gruppenphase

Gruppe A

Gruppe B

Gruppe C

Gruppe D

Achtelfinale

Viertelfinale

Halbfinale

Finale

Finals (MVP)

  Dejan Tomašević (Pamesa Valencia)

Weblinks
 Offizielle Website
 Eurobasket.com

2002
Basketballsaison 2002/03

ULEB Cup 2002/03


Yannick Mantese, né le  à Villeneuve-sur-Lot, est un joueur français de rugby à XIII. Il évolue au poste de talonneur.

Au cours de sa carrière, il joue sous les couleurs de Tonneins, Paris-Châtillon et Albi, et compte deux sélections en équipe de France.

Palmarès

Détails en sélection

Liens externes

International français de rugby à XIII
Naissance en mai 1961

Yannick Mantese


ذوق مكايل هي قرية لبنانية من قرى قضاء كسروان في محافظة جبل لبنان.

توأمة
لذوق مكايل اتفاقيات توأمة مع:
 روي-مالميزون (1971 - )

أعلام
 فؤاد نفاع
 فيليب تقلا
 علي مزهر
 أنطون قازان

المراجع

أماكن مأهولة في قضاء كسروان
أماكن مأهولة في لبنان
تجمعات الروم الملكيين في لبنان
تجمعات مارونية في لبنان
مدن لبنان

ذوق مكايل


Albert Seerig (* 26. April 1797 in Rudolstadt; † 7. März 1862 in  Königsberg i. Pr.) war ein deutscher  Chirurg und Hochschullehrer.

Leben
Nach dem Besuch des Gymnasiums in Rudolstadt bezog Seerig am 28. Oktober 1817 die Universität Jena, um ein Studium der medizinischen Wissenschaften zu absolvieren. Seine Studien setzte er an der Friedrich-Wilhelms-Universität zu Berlin und später an der  Schlesischen Friedrich-Wilhelms-Universität fort, wo er 1822 zum Doktor der Medizin promoviert wurde. In Breslau fand er eine Wirkungsstätte als Prosektor am anatomischen Theater, an dem er sich 1825  habilitierte. Als Privatdozent wurde er 1826 zum  a.o. Professor an der medizinisch-chirurgischen Lehranstalt der Hochschule berufen.

Er widmete sich in Breslau der Bekämpfung der Cholera und trat als Autor medizinischer Schriften in Erscheinung. 1836 wurde er zum  o. Professor der Chirurgie und Direktor der chirurgisch-ophthalmologischen Klinik an die Albertus-Universität Königsberg berufen. Er beteiligte sich an den organisatorischen Aufgaben der Hochschule und wurde für das Wintersemester 1839/40 zum  Rektor gewählt. Er war ordentliches Mitglied (1842) und Ehrenmitglied (1851) des medizinischen Kollegiums der Provinz Preußen, aus welchem er 1857 ausschied. 1858 ernannte man ihn zum  Geh. Medizinalrat. Er war Mitglied vieler Gelehrtengesellschaften.

Werke
 Ueber angeborenen Verwachsung der Finger und Zehen und Ueberzahl derselben. Eine Gelegenheitsschrift. Breslau 1824.
 Anatomische Demonstrationen, oder Sammlung kolossaler Abbildungen aus dem Gebiete der medicinischen Anatomie. Breslau 1830 m. Atlas, englisch übersetzt 1831.
 Armamentarium chirurgicum oder Beschreibung chirurgischer Instrumente älterer und neuerer Zeit. Breslau 1835, 2. Bde. Mit Atlas von 145 Tafeln, 1838 2. Bd. (Online)
 Diss. de pseudarthrosi a fractura proficiscente, 1838.
 Bericht über das klinisch-chirurgisch-augenärztliche Institut der Universität Königsberg für die Jahre 1836–44. Königsberg 1844.

Literatur
 August Hirsch, Ernst Julius Gurlt: Biographisches Lexicon der hervorragenden Aerzte aller Zeiten und Völker. Urban & Schwarzenberg, Wien und Leipzig, 1887, Bd. 5, S. 340.

Einzelnachweise

Mediziner (19. Jahrhundert)
Hochschullehrer (Albertus-Universität Königsberg)
Rektor (Albertus-Universität Königsberg)
Hochschullehrer (Universität Breslau)
Geheimer Medizinalrat
Chirurg
Person (Rudolstadt)
Deutscher
Geboren 1797
Gestorben 1862
Mann
Absolvent der Universität Breslau

Albert Seerig


The Tupolev Tu-80 () was a Soviet prototype for a longer-ranged version of the Tupolev Tu-4 bomber, an unlicensed, reverse engineered copy of the Boeing B-29 Superfortress. It was cancelled in 1949 in favor of the Tupolev Tu-85 program which offered even more range. The sole prototype was used in various test programs before finally being used as a target.

Development
The Tu-80 was designed as a modernized and enlarged Tu-4 with greater range. This was to be achieved by the use of more fuel-efficient engines, better aerodynamics and added fuel tanks. It was intended to have a range of  and carry a maximum bombload of  with a top speed of . Work began on the design in February 1948 and this was confirmed by a Council of Ministers order of 12 June that required the prototype be ready for State acceptance trials in July 1949.

The forward portion of the fuselage was redesigned with an airliner-style stepped windscreen and the fuselage was lengthened by almost  which allowed the bomb bays and their doors to be lengthened. The radar and its operator were moved into the forward pressurized compartment and the radar itself was located in the "chin" position in a new streamlined fairing. The wings were enlarged to a total of  and the rubber deicing boots were replaced by more efficient and aerodynamic bleed air deicers. The engine nacelles were redesigned with smaller cross-sections with less drag. Originally, Shvetsov ASh-2TK or Dobrynin VD-3TK engines were considered, but neither engine was ready so the Shvetsov ASh-73TKFN was used. Fully feathering propellers were also used. All of these changes increased the lift/drag ratio to 18 from the 17.0 of the Tu-4.

Construction of the Tu-80 began in November 1948, using as many Tu-4 components as possible to speed up construction, but the first flight was not until 1 December 1949, after the Council of Ministers had canceled the program on 16 September 1949 in favor of the Tu-85 which was expected to have much better performance. The Tu-80 became a research aircraft, testing reversible-pitch propellers and structural deformation in heavy aircraft, before eventually became a target on a bombing and gunnery range.

Specifications

See also

References

Bibliography

Tu-0080
1940s Soviet bomber aircraft
Abandoned military aircraft projects of the Soviet Union
Soviet Union–United States relations
Four-engined tractor aircraft
Tu-80
Mid-wing aircraft
Aircraft first flown in 1949
Four-engined piston aircraft

Tupolev Tu-80


مصطلح الغرب الأمريكي «الويسترن»  له مدلول واسع الأهمية في الثقافة الأمريكية جزء من تشكيل الشخصية الأمريكية , ويتجاوز حدود كونه فئة من الأفلام التتي تتناول الحياة في الغرب الأمريكي القديم (أو ما كان يدعى بالغرب المتوحش) بأشكال أخرى من الثقافة الشعبية مثل الأعلانات و كتب القصص المصورة و الموسيقى الشعبية. وقصص غزو مناطق الهنود الحمر وبطولات رعاة البقر , وتدور أحداث هذه الأفلام عادةً في النصف الثاني من القرن التاسع عشر، وقد تمتد المساحة الجغرافية للويسترن لتشمل المكسيك وغرب كندا وآلاسكا وحتى أستراليا.ولعل من أبرز النجوم الذين ساهموا في أفلام الغرب الأمريكي الممثل والمنتج والمخرج كلينت إيستوود وجون واين والعديد من نجوم هوليوود

المراجع

انظر أيضًا
 الغربي الإيطالي

وصلات خارجية
 500 Classic Western Films on DVD
 Most Popular Westerns at قاعدة بيانات الأفلام على الإنترنت
 Western Writers of America website
 The Western, St. James Encyclopedia of Pop Culture, 2002
 I Watch Westerns, معهد ميزس
 Film Festival for the Western Genre website

أعمال تقع أحداثها في القرن 19
أنواع الأفلام
أنواع فنية
الغرب الأمريكي القديم
ثقافة غرب الولايات المتحدة
خيال حسب النوع الفني
غرب أمريكي (نوع فني)
غرب الولايات المتحدة في الخيال
قصص المغامرات الخيالية

غرب أمريكي (نوع)


Ringvej Syd  er en omfartsvej som går syd om Horsens, og er en del af primærrute 52

Omfartsvejen går imellem Vestvejen sekundærrute 451, og Bjerrevej primærrute 52.

Vejen er en to sporet motortrafikvej og skal være med til at lede den tunge trafik, der ikke har ærinde i det sydlige Horsens til at køre uden om, så byen ikke bliver belastet af for meget gennemkørende trafik.

Finansieringen af vejen er lidt speciel da det ikke kun Horsens Kommune der finansiere den, men også Hedensted Kommune. Normalt må en kommune ikke være med til at finansiere et vejprojekt i en anden kommune. Derfor skulle Hedensted Kommune have tilladelse fra Statsforvaltningen, for at Hedensted Kommune kunne være med til at finansiere projektet.

Horsens Kommune har finansieret projektet med med henholdvis 46,7 millioner mens Hedensted Kommune har givet ca. 6 millioner.

Kilder

Motortrafikveje i Danmark
Transport i Horsens
Bygninger, konstruktioner og anlæg i Horsens

Ringvej Syd (Horsens)


Rosane Mattos Kaingang (? — Brasília, 16 de outubro de 2016) também chamada de Kokoj (do tupi: "beija-flor") foi uma ativista indígena brasileira integrante da etnia Kaingang, considerada uma das lideranças indígenas mais respeitadas e influentes do Brasil.

Durante a sua trajetória, Rosane participou da fundação da Articulação dos Povos Indígenas do Brasil (Apib), da Articulação dos Povos Indigenas da Região Sul (ArpinSul) e do Conselho Nacional de Mulheres Indígenas (Conami). Entre os anos de 2005 e 2007, foi coordenadora geral de Desenvolvimento Comunitário na Fundação Nacional do Índio (FUNAI), onde desevolveu projetos para incentivar a organização política de mulheres indígenas.

Rosane Kaingand foi casada com Álvaro Tukano, uma das principais lideranças indígenas durante as décadas de 80 e 90. Faleceu em 16 de outubro de 2016, vítima de um câncer. No dia 3 de junho de 2022 foi homenageada pela empresa Google, através de um Doodle presente na página inicial do mecanismo de busca oferecido pela companhia.

Biografia
Rosane/Kokoj é descendente da etnia indígena Kaingang, presente na região Sul do Brasil. Foi casada com Álvaro Tukano, outra liderança indígena brasileira na década de 1980.

O nome indígena da ativista é Kokoj, que lhe foi dado em homenagem à sua bisavó que morreu aos 120 anos, que em sua língua, Kokoj significa beija-flor.

Em junho de 1992, seu movimento começou oficialmente, ao participar da Conferência das Nações Unidas sobre Meio Ambiente e Desenvolvimento (ECO-92/Rio-92) que ocorreu no Rio de Janeiro.

Em setembro de 1995, foi umas das fundadoras do Conselho Nacional das Mulheres Indígenas (Conami).

Em 2001, juntou-se à Fundação Nacional do Índio (FUNAI), uma agência brasileira de proteção aos interesses e cultura indígena. Entre 2005 e 2007, foi coordenadora de Desenvolvimento Comunitário, de onde incentivou à organização política mulheres indígenas e apoiou projetos. Uma das responsáveis por uma missão do Conselho Nacional de Direitos Humanos (CNDH) que investigou as condições de vida e violações aos direitos dos indígenas da região Sul brasileira.

Em 2009. participou da fundação Articulação dos Povos Indígenas do Brasil (Apib). Em seguida trabalhou na articulação política da Arpinsul e da Apib, participando de reuniões, seminários, audiências e mobilizações das delegações indígenas, em especial a Mobilização Nacional Indígena e o Acampamento Terra Livre.

A ativista brasileira faleceu aos 54 anos em 2016 após lutar contra um câncer durante três anos.

Ver tambem

 Azelene Kaingang
 Ângelo Kretã

 Vãngri Kaingáng
 Terras indígenas do Brasil

Ligações externas

Kaingang
Ativistas dos direitos indígenas do Brasil
Ativistas dos direitos humanos do Brasil
Líderes indígenas do Brasil
!Mais Teoria da História na Wiki (Wikiconcurso de edição)
!Mais Teoria da História na Wiki (Povos originários)
!Mais Teoria da História na Wiki (Mais Povos Originários)

Rosane Kaingang


Formel 1 2017 var 2017-sæsonen af verdensmesterskabet i Formel 1. Det var 68. gang mesterskaberne blev afholdt. Der var 10 deltagende konstruktører, og 20 kørere, som begyndte sæsonen 26. marts på Albert Park i Melbourne, og sluttede 26. november på Yas Marina Circuit i Abu Dhabi.

Serien administreres af Formula One Group, og har Fédération Internationale de l'Automobile som øverste myndighed, Det er den største løbsserie for formelbiler.

Hold og kørere
De følgende hold og kørere har deltog i Formel 1 2017.

Foreløbig sæsonkalender
Følgende 20 Grand Prixer fandt sted i 2017:

Resultater

Stillingen i kørermesterskabet

Noter:
† – Kørere afsluttede ikke Grand Prix'et, men blev klassificeret fordi de gennemførte mere end 90 % af løbsdistancen.

Referencer

Eksterne henvisninger

 Fédération Internationale de l'Automobile

Formel 1 2017


Schweigaard er et efternavn, der henviser til blandt andre:

 Anton Martin Schweigaard (1808–1870) – norsk jurist og politiker
 Christian Homann Schweigaard (1838–1899) – norsk jurist og politiker

Schweigaard


Richard Furman Reeves (November 28, 1936 – March 25, 2020) was an American writer, syndicated columnist, and lecturer at the Annenberg School for Communication at the University of Southern California in Los Angeles.

Life and career
Reeves was born in 1936 in New York City, the son of Dorothy (Forshay), an actress, and Furman W. Reeves, a judge in Hudson County, New Jersey. He received his Mechanical Engineering degree from Stevens Institute of Technology in 1960. After graduation, he spent a year working as an engineer for Ingersoll-Rand, after which he moved to journalism. From 1961–1965, Reeves co-founded and worked for the Phillipsburg Free Press (New Jersey), then worked for Newark Evening News and the New York Herald Tribune before being assigned the post of Chief Political Correspondent for The New York Times in 1966.  In 1971, Reeves left the Times to lecture at Hunter College.

The opinions of Reeves generally had a liberal bent—he opposed the war to topple Saddam Hussein as "stupid and unnecessary" (column, March 19, 2003)—but shunned "extreme" leftist positions. He paid close attention to happenings overseas and often filled his columns with explanations of current trends based on history. Many of his columns focused on the world's reaction to political actions of the United States.

He also published nine books, mostly about American politics.  In 1993, he appeared in the film Dave, one of several journalists who played themselves in the film.

Reeves' weekly column, carried by Universal Press Syndicate, appeared in more than 160 newspapers across the United States after 1979. He also wrote a monthly column from Paris in Travel and Leisure magazine.

He was married to Catherine O'Neill, founder of the Women's Commission for Women and Children Refugees. Together they had five children and divided their time between Los Angeles and New York City.

In October 2004 in an article entitled "To begin with, the President is a fool", he shared his belief that John Kerry would win the 2004 presidential election. In the article, Reeves indicated that he voted absentee for the Democrat. He then shared his bias by saying: "Biased? Of course. That's why I write this column: to share my bias. I am always amazed when I get letters, many of them, accusing me of being a 'liberal' or, a lot worse, an 'elitist.' Yes, I am. Hello!"

In November 2005, Reeves stated that George W. Bush could be regarded as the worst president in U.S. history, noting: "The History News Network at George Mason University has just polled historians informally on the Bush record. Four hundred and fifteen, about a third of those contacted, answered, making the project as unofficial as it was interesting. These were the results: 338 said they believed Bush was failing, while 77 said he was succeeding. Fifty said they thought he was the worst president ever."

Reeves died on March 25, 2020, in Los Angeles from cardiac arrest.

Bibliography
A Ford, Not a Lincoln, Harcourt Brace, 1975, ,
Old Faces of 1976, Harper and Row, 1976, ,
Convention, Harcourt Trade Publishers, 1977, ,
American Journey: Traveling with Tocqueville in Search of Democracy in America, Simon & Schuster, 1982, ,
Jet Lag: The Running Commentary of a Bicoastal Reporter, Andrews McMeel Publishing, LLC, 1982, ,
Passage to Peshawar: Pakistan: Between the Hindu Kush and the Arabian Sea, Simon & Schuster, 1983, ,
The Reagan Detour, Simon & Schuster, 1984, ,
President Kennedy: Profile of Power, Simon & Schuster, 1993, ,
Running in Place: How Bill Clinton Disappointed America, Andrews McMeel Publishing, LLC, 1996, ,
Family Travels -- Around the World in 30 (Or So) Days, Andrews McMeel Publishing, LLC, 1997, ,
Do the Media Govern?, SAGE Publications, 1997, , , (with Shanto Iyengar)
What The People Know: Freedom and the Press, Harvard University Press, 1998, ,
President Nixon: Alone in the White House, Simon & Schuster, 2001, ,
President Reagan: The Triumph of Imagination, Simon & Schuster, 2005, ,
, about New Zealand born physicist Ernest Rutherford
Daring Young Men: The Heroism and Triumph of The Berlin Airlift - June 1948-May 1949, Simon & Schuster, 2010, ,
Infamy: The Shocking Story of the Japanese-American Internment in World War II, Henry Holt and Co., 2015,

Awards
1978: Silver Gavel, American Bar Association
1980: Emmy, for Lights, Camera, Politics!, ABC News
1982: Christopher Award
1983: Book of the Year, Christophers
1983: Columbia-Dupont Award, for Struggle for Birmingham, PBS
1984: George Foster Peabody Award, for Red Star over Khyber, PBS
1984: Peabody Award, Columbia University
1993: Book of the Year, Washington Monthly
1993: Non-Fiction Book of the Year, PEN
1997: Goldman Lecturer on American Civilization and Government, Library of Congress
1998: Carey McWilliams Award (distinguished contributions to the understanding of American politics), American Political Science Association
1998: Lifetime Achievement Award, National Society of Newspaper Columnists
Literary Lion, New York Public Library

Honorary degrees
 Stevens Institute of Technology
 Drew University
 St. Joseph's College

References

External links
 John F Kennedy Presidential Library and Museum

Booknotes interview with Reeves on President Kennedy: Profile of Power, December 12, 1993.

1936 births
2020 deaths
Writers from New York City
American political writers
American male non-fiction writers
American columnists
Stevens Institute of Technology alumni
American biographers
Hunter College faculty

Richard Reeves (American writer)


Paul Blart: Mall Cop es una película estadounidense de 2009 escrita y protagonizada por Kevin James y dirigida por Steve Carr. La película fue estrenada el 23 de febrero de 2009 por Columbia Pictures.

Argumento
Paul Blart tiene aspiraciones de unirse a la policía estatal de Nueva Jersey, y mientras entrena en la academia de policía, su condición de hipoglucemia hace que se derrumbe durante el examen de ingreso, lo que frustra sus posibilidades de pasar el corte final. Para preparar las cosas para su decadente carrera, acepta un trabajo como guardia de seguridad en un centro comercial local.

A medida que avanzan sus días, Paul patrulla el centro comercial usando un segway. De manera uniforme, comienza a entrenar a Veck Simms, un guardia de seguridad recientemente contratado que parece tener poco interés en su nuevo trabajo. Más tarde, Paul conoce a Amy Anderson, vendedora de un quiosco en el centro comercial. Paul expresa sentimientos románticos con Amy y decide encontrarse con ella una noche en un restaurante donde otros trabajan en diferentes lugares dentro del centro comercial. Después de tener un concurso de comidas con Leon, Paul bebe unas margaritas y su comportamiento se vuelve tan errático que termina cayéndose por la ventana.

El viernes negro, el centro comercial está repleto de turistas y un grupo que se hace pasar por ayudantes de Papá Noel inicia un atraco. Paul decide tomar un descanso dentro de una sala de juegos, sin saber que el centro comercial ha sido asediado por la pandilla que se hizo pasar por ayudantes de Papá Noel. Veck, que tiene que convertirse en el autor intelectual de la pandilla, toma como rehenes a Amy y a otros trabajadores del centro comercial dentro de una oficina cercana.

Mientras la policía asalta el exterior del centro comercial, Paul emerge, y cuando se entera de que Amy está retenida como rehén en el interior, decide luchar solo contra la pandilla. Paul puede someter a la tripulación uno tras otro y escolta a los rehenes a través de un respiradero, pero se detiene después de que se demuestra que Leon es demasiado engorroso. Veck trae a Amy y Maya con él, con la intención de huir a las Islas Caimán. Paul saca de contrabando una furgoneta del centro comercial y persigue a Veck.

Cuando la persecución llega a un pequeño avión, Paul puede someter a Veck. James Kent, que estaba al mando de la policía, confiesa que en realidad estaba aliado con Veck y es detenido. Con su heroísmo, a Paul le ofrecen unirse a la policía estatal, pero él lo rechaza y decide retomar sus funciones en el centro comercial. En el epílogo, Paul y Amy están casados y discuten sus planes sobre lo que quieren hacer en el futuro.

Reparto

Producción
La película comenzó a grabarse a finales de febrero de 2008 en Boston.<ref>«A Mall Cop by any other name ». Boston Herald..

Referencias

Enlaces externos

Películas de Columbia Pictures
Películas de Relativity Media
Películas rodadas en Massachusetts

Paul Blart: Mall Cop


Victor Pop (n. 14 ianuarie 1883, Chereluș – d. 25 ianuarie 1942, Arad) a fost un deputat în Marea Adunare Națională de la Alba Iulia, organismul legislativ reprezentativ al "tuturor românilor din Transilvania, Banat și Țara Ungurească", cel care a adoptat hotărârea privind Unirea Transilvaniei cu România, la 1 decembrie 1918.

Biografie
Victor Pop a fost fiul protopopului Ioan Pop. A urmat cursurile primare la școala din sat iar clasele secundare la Oradea și Beiuș, luându-și bacalaureatul în 1901. Studiază teologia la facultatea din Budapesta, absolvind în 1905, după care funcționează aici ca catihet 2 ani de zile. În anul 1909 a fost hirotonit ca preot și numit administrator parohial la Chet (județul Bihor), iar în 1914 a fost numit administrator protopopial în Holod, Bihor, începând cu 1918 fiind și președinte al despărțămâtului Astrei. În 1924 a fost numit paroh în Seitin și protopop al districtelor Mureș-Simand și Sebiș.

În 1928 a fost decorat cu Ordinul național "Steaua României" în gradul de cavaler, iar în 1931 a primit cu titlul onorific de arhidiacon.

Activitatea politică
A fost delegat la Marea Adunare Națională de la Alba Iulia.

Recunoașteri

Note

Bibliografie

 Ioan I. Șerban, Dorin Giurgiu, Ionela Mircea, Nicolae Josan, Dicționarul personalităților Unirii. Trimișii românilor transilvăneni la Marea Adunare Națională de la Alba Iulia, Muzeul Național al Unirii, Alba Iulia, 2003, ISBN 973-8141-90-7
 Gelu Neamțu, Mircea Vaida-Voevod, 1 decembrie 1918. Mărturii ale participanților, vol. I-II, Editura Academiei Române, București, 2005, ISBN 973-27-1258-9 (vol. I); ISBN 973-27-1264-3 (vol. II)

Lectură suplimentară

 Daniela Comșa, Eugenia Glodariu, Maria M. Jude, Clujenii și Marea Unire, Muzeul Național Transilvania, Cluj-Napoca, 1998
 Florea Marin, Medicii și Marea Unire, Editura Tipomur, Târgu Mureș, 1993
 Silviu Borș, Alexiu Tatu, Bogdan Andriescu, (coord.), Participanți din localități sibiene la Marea Adunare Națională de la Alba Iulia din 1 decembrie 1918, Editura Armanis, Sibiu, 2015

Vezi și

 Lista delegaților la Marea Adunare Națională de la Alba Iulia

Legături externe

  Membrii de drept ai Marii Adunării Naționale de la Alba-Iulia din 1 decembrie 1918, lista publicată în "Gazeta Oficială", Sibiu, nr. 1, 1/14 decembrie 1918
  1 decembrie 1918, Marea Unire de la Alba Iulia. Mărturii, documente și semnificații

Nașteri în 1883
Decese în 1942
Delegați la Marea Adunare Națională de la Alba Iulia
Protopopi români
Cavaler al Ordinului Steaua României

Victor Pop (preot)


Kritičan graf je onaj graf za koji vrijedi

Kritični grafovi su povezani, inače bi svaka komponenta povezanosti imala isti kromatski broj kao čitav graf. Vrijedi li da je kritičan graf  -kromatski, onda ga nazivamo -kritičnim. Svaki graf kromatskog broja  ima kritičan podgraf kromatskog broja  -kromatski. Za minimalni stupanj  -kritičnog grafa  vrijedi da je

Izvori

Teorija grafova

Kritičan graf


Siniša Tumbas Loketić (Subotica, 10. ožujka 1987.) katolički je svećenik.

Životopis

Rođen u Subotici 10. ožujka 1987. godine. Kršten je u župi Isusova uskrsnuća u rodnom gradu. Nakon srednje Politehničke škole u Subotici upisuje Katolički bogoslovni fakultet u Đakovu. Za đakona je zaređen u Subotici 5. listopada 2014. godine, a za svećenika 6. travnja 2015. zaredio ga je mons. Ivan Penzeš. Obavljao je dužnost župnog vikara u Novom Sadu do svibnja 2016. god. od kada preuzima dužnost upravitelja župe Presvetog Trojstva u Selenči. Tokom godinu i pol dana boravka u Novom Sadu gdje je bio kapelan, uređuje emisiju za mlade "Na slobodu pozvani" na valovima Radio Marije. Jedan je od osnivača i urednika katoličke internet stranice www.svjetlo-vjere.com. Dužnost glavnog urednika katoličkog lista "Zvonik" preuzima 6. studenoga 2016. godine, a uređuje ga do travnja 2018. godine kada glavnim urednikom biva imenovan vlč. Vinko Cvijin.

Izvori

Vanjske poveznice
 Članci Siniše Tumbasa Loketića, Svjetlo vjere

Hrvatski katolički svećenici
Hrvatski novinari
Katoličanstvo u Srbiji
Životopisi, Subotica

Siniša Tumbas Loketić


Nibiru (babilonska astronomija)
Nibiru, planet u Zvjezdanim stazama
Nibiru Sociedad Astronómica, astronomska skupina iz Meksika
Land of Nibiru, pjesma Aminate Savadogo na albumu Inner Voice
NiBiRu: Age of Secrets, igra u Windowsima
Nibiru (hipotetski planet), pseudoznanstveni vanjski planet unutar Sunčeva sustava autora Zaharije Sitčina
sraz s Nibiruom, pseudoznanstvena teza o strahovitom srazu Zemlje i velikoga nebeskog tijela

Nibiru


An Epidendrum torraense in uska species han Liliopsida nga ginhulagway ni Eric Hágsater ngan Silverst.. An Epidendrum torraense in nahilalakip ha genus nga Epidendrum, ngan familia nga Orchidaceae.

Mabibilngan ini ha Colombia. Waray hini subspecies nga nakalista.

Mga kasarigan

Epidendrum

Epidendrum torraense


Lars Karlsson (né le  à Kiruna en Suède) est un joueur professionnel de hockey sur glace qui évoluait à la position de défenseur gauche.

Biographie

Carrière en club
Il commence sa carrière dans son club natal de Kiruna puis il est transféré à Leksands IF en 1979. Après avoir joué pendant cinq saisons à Leksand, il rejoint l'IF Björklöven avec qui il remporte le championnat de Suède en 1987. Il a joué à Björklöven jusqu'en 1993 et termine sa carrière à Lycksele SK.

Carrière internationale
Il représente la Suède au niveau international notamment dans les années 1987-1988 lors du sacre aux Championnats du monde de 1987 ou des Jeux olympiques de Calgary de 1988 , où il remporte une médaille de bronze olympique.

Notes et références

Naissance en juin 1960
Naissance à Kiruna
Joueur du Leksands IF
Joueur du IF Björklöven

Médaillé de bronze olympique suédois
Joueur de hockey sur glace aux Jeux olympiques d'hiver de 1988
Défenseur de hockey sur glace
Joueur international suédois de hockey sur glace

Lars Karlsson (hockey sur glace)