Dereli, Giresun ilinin bir ilçesidir. Giresun ilinin güneyinde, Şebinkarahisar yolunun 32. km. sinde Aksu Vadisi üzerinde yer alır.

Dereli 1926'da nahiye, 1 Nisan 1958 yılında da ilçe olmuştur. Daha önceleri aynı yerde birkaç ev ile Türk ve Rum esnafın dükkânının bulunduğu Dölçukuru denen bir köy bulunmaktaydı.

Tarihi
Başbakanlık Devlet Arşivi'nde Dölçukuru Köyü YarAli Bey isimli bir Türkmen  beyinin  tımarı olarak 1500'lü yıllarda kayıtlı olduğu ve 400 has akçe vergi ödediği görülmektedir.
Dereli'nin tarihini Giresun'un tarihi içinde incelemek ve değerlendirmek  gerekir. Giresun 1397 yılında Türkmen beyi BayramŞah'ın torunu  Emir Oğlu Süleyman bey tarafından fethedilmiş ve Türk yurdu haline getirilmiştir. Bu tarihten sonra Giresun ve çevresinde yoğun Türk nüfusun yerleşmeye başladığı görülür.
Ancak Dereli civarında Giresun Merkez'den çok daha önceki yıllarda  Türklerin var olduğu burada Kuşlu Han ve Zırhlı Han isimli iki Türkmen beyinin hakimiyetinde olduğu çeşitli kaynaklarda yazar..Dereli'ye iki koldan (Kuşluhan ve Zırhlıhan) gelmişlerdir. Orta Asya Horasan'dan (bak. Horasan Erenleri) gelen Oğuz Türkmen boyları, Kelkit vadisi boyunca Şebinkarahisar'a  ve Dereli'nin güneyine yerleşmeye başladılar. Diğer kol Harşit Vadisi'ne yerleşmiş olup, bunlardan bir kısmı ilçe çevresine gelerek yerleşmişlerdir. İstanbul'un Haçlıların eline geçmesinden sonra Sinop çevresindeki Çepni adlı Oğuz boyları doğuya doğru ilerleyerek Giresun çevresi ve Dereli ilçesine de yerleşmişlerdir.

Dereli ve civarına gelen Türkmenler Selçuklu döneminde bölgeye yerleşmişlerdir. 1398 tarihinde Yıldırım Beyazıt yöreyi Osmanlılara bağlamak üzere yapmış  olduğu seferde Canik Beyliği'nin merkezi Samsun'u ele geçirmiştir. Bu olay üzerine Dereli ve çevresinde yaşayan Türkler Osmanlılara katılmışlardır. Ankara Savaşı'ndan sonra Timur yöreyi Türkmen Hacı Emiroğlu Süleyman Bey'e iade etmiştir. Bu dönemlerde Dereli çevresinde Akkoyunlu Türkmen Hükümdarı tarafından şahıslara vakfedilmiş topraklar bulunmaktadır. Dereli ve çevresi Selçuklular'dan bu yana Türk toprağıdır.Düşman işgali görmemiştir.
Prof.Dr.Faruk Sümer'in Oğuzlar/Türkmenler isimli eserinde Dereli de içinde olmak üzere
Giresun ve Trabzon'un bir bölümünün 1515 yılındaki tahrir defterlerinde Vilayeti Çepni
olarak ayrı bir bölge olarak gösterildiğini ve buralardaki köylerin isimlerinin hep
Türkçe oldugunu ve buralarda yaşayan Türkmenlerin Hacı Bektaşi Veli'nin müridleri oldugunu yazar.

Dereli ve çevresi Giresun kazasının bir köyü olarak, Tanzimat dönemi'ne kadar Trabzon'a bağlandı. Tanzimattan sonra Karahisar'ı Şarki (Şebinkarahisar) Sancağı'na, sonra yine salnamelere göre Trabzon'a bağlı kaldı. Gürcistan'ın Ruslar tarafından işgal edilmesiyle müslüman Gürcüler göç ederek 1892 yılında ilçeye bağlı bazı köylere yerleşmişlerdir. Cumhuriyet döneminde 1926 yılında Dereli, Giresun'a bağlı bir nahiye yapıldı. 1 Nisan 1958 yılında 7033 sayılı kanunla Dereli ilçesi kurulmuştur.

Coğrafya
Giresun ilinin güneyinde, Şebinkarahisar yolunun 32. km. sinde kurulan ilçe Aksu Vadisi üzerine yerleşmiştir. Doğuda Keşap, Yağlıdere, batıda ise Bulancak ilçeleri yer almaktadır.İlçe "yaylalar diyarı" diye anılır.

Giresun'un diğer ilçeleri gibi son derece dik ve engebeli bir araziye sahip olan Dereli, 3000 metre yükseklikteki Karagöl-Kırklar Dağı'nın rakımına kadar ulaşabilmektedir.Giresun Dağları'nın en yüksek tepesi Olan Abdal Musa Tepesi'nin rakımı 3331 metredir. İç Anadolu Bölgesi'ne doğru geçiş, Eğribel Geçidi üzerinden yapılmaktadır. İlçenin yüzölçümü yaklaşık 820 km2 dir. İlçedeki yağış ortalaması 1300 mm. ye ulaşmaktadır.

Ekonomi
İlçede herhangi bir fabrika, önemli üretim tesisi yoktur ancak yeni hidroelektrik santrali kurulmaktadır.
İlçe halkı genellikle gurbetçidir. İlçeyi sahile bağlayan Şebinkarahisar karayolu asfalt olup tüm köy yolları stabilizedir. Son zamanlarda bazı köy yollarında betonlama çalışmaları yapılmaktadır.

Bölgede fındık en önemli tarım ürünüdür. İlçenin bazı köyleri orman köyü olduğundan, orman köylüsünü kalkındırma amaçlı kooperatifler bulunmaktadır.

Ayrıca bölgede büyük ve küçükbaş hayvan yetiştiriciliği yanında, tatlı su balıkçılığı da yapılmaktadır. Fazla ticari olmasa da kümes hayvanları yetiştirilmekte ve arıcılık yapılmaktadır.

Dereli ilçesi organik tarıma uygun olmasına karşın bölge nüfusunun sürekli olarak göç vermesi sebebiyle uygulanamamaktadır.

Nüfus

Eğitim

İlçede tahsilli insan oranı yüksektir.3 lise, 1 ortaokul ve 1 ilkokul bulunmaktadır. Sağlık Meslek Lisesi kapatılmıştır. İlçe halkının yüzde 98'i okuma yazma bilir. İlçeye Giresun Üniversitesi'ne bağlı Meslek Yüksek Okulu kurulmuştur.

Turizm
İlçede turizm henüz tam gelişmemiş olup ekonomiye katkısı sınırlıdır. Daha çok iç turizm, doğa ve yayla turizmi hakimdir. Doğu Karadeniz'in en önemli yaylalarından Kümbet ve Bektaş yaylaları ilçe sınırları içinde bulunmaktadır. Turizmi geliştirmek için her yaz Temmuz ayının ikinci pazar günü  Kümbet Yaylası'nda  yayla şenlikleri düzenlenmektedir. Diğer taraftan yüzyıllardır  her yıl Mayıs ayının altıncı günü Hıdırellez Şenlikleri'nin düzenlenmektedir.

İlçenin önemli tarihi eserleri arasında, Hisar Köyü'ndeki Meryem Ana Manastırı, Kuşluhan Kalesi, Yavuzkemal Köyü hanlarını ve tarihi ören yeri, Akkaya Köyü'ndeki Çobankayası resimleri ve çok sayıda kemer köprüler, tekkeler ve ocak yerleri  bulunmaktadır.

Yaylacılık

Göçebe Türkmen Çepnilerin Orta Asya'dan bu yana getirdikleri adetlerden olan yaylacılık ilçede yaygın olup, hayvanlarını otlatmak için yöre halkı yaylaya çıkmaktadır. Bektaş ve Kümbet yaylalarının ilçe sınırları içinde olması dolayısıyla yayla şenliklerinin yapıldığı aylarda ilçede sosyal ve kültürel açıdan bir canlılık yaşanmaktadır.

Kümbet Yaylası Şenliği, Temmuzun ikinci haftası (Cuma-Pazar) Kümbet Yaylası'nda yapılmaktadır.

Bektaş Yaylası Şenliği, Ağustos ayının ilk haftası (Cuma-Pazar) Bektaş Yaylası'nda yapılamaktadır.

Örf ve adetler
İlçe örf ve adet bakımından Giresun iline benzerlik göstermekte olup, Türkmen/Çepni boylarına has geleneksel giysiler halk tarafından özel günlerde giyilmektedir. Yeni takvimle 20 Mayıs'a tekabül eden Mayıs Yedisi Kutlamaları Aksu Deresi'nin denize döküldüğü yerde yapılmaktadır. Mayıs ayının altıncı gününe raslayan Hıdırellez Şenlikleri de ilçenin, civar köylerin ve Karadeniz'in muhteşem manzarasına sahip Guskun Tepesi'nde yapılmaktadır.

Cenazelerde talkım verilmekte ve 3 gece mezar başında ateş/ışık yakılmakta, 4 cumalık  ve 52. güne karsılık gelen 52 duası okunmaktadır.
Ramazan boyunca Tömbelekçi denen ve genellikle çocuklardan oluşan gruplar maniler söyleyerek evlerin kapısını çalar ve yiyecek yufka/tatlı başta olmak üzere çeşitli hediyeler toplarlar.Muharrem ayında Aşure dağıtılır.

Efsaneler arasında Elik Keçi, Kuyu, otbitmez, bereket, su çobankayası, cami yeri efsaneleri ünlüdür.
Alevi/Bektaşi inançlarına uygun olarak  ocak yerleri ziyaret edilir,hastalara şifa,dertlere deva aranır, sacayaktan atlanır.
Bilindiği üzere Türkmen Çepniler Hacıbektaş Veli'nin ilk müridleri olup Alevidirler. Bu konuda Prof.Faruk Sümer'in
Oğuzlar isimli eserinde Trabzon yöresi Çepnileri bölümünde ayrıntılı bilgi mevcuttur.

Zırhlıhan ve Saltuk  köylerinde Alevi yurttaşların yaptırmış olduğu Cem Evi bulunmaktadır.

Kuzukulağı yemeği, gücükdene çorbası, galdirik turşusu, armut ballaması, çökelik yöresel yemeklerdir.

Kültür
İlçede sosyal yaşam zayıftır. Eğitim seviyesi ortaokul düzeyindedir. Dereli eskiden yerleşik Rumların ve göçebe Türklerin yaşam alanı olduğu için ortaya çıkan ortak kültür günümüzde yaşanmaktadır.
İlçe Giresun ilinin en çok ozan yetişen bölgesidir. Bilhassa Bahçeli ve Saltuk köylerinden birçok
halk ozanı çıkmıştır.

Galeri

Kaynakça

Dış bağlantılar
 Kaymakamlık sitesi
 Belediye sitesi

Dereli


The rostra () was a large platform built in the city of Rome that stood during the republican and imperial periods. Speakers would stand on the rostra and face the north side of the comitium towards the senate house and deliver orations to those assembled in between. It is often referred to as a suggestus or tribunal, the first form of which dates back to the Roman Kingdom, the Vulcanal.

It derives its name from the six rostra (plural of rostrum, a warship's ram) which were captured following the victory which ended the Latin War in the Battle of Antium in 338 BC and mounted to its side. Originally, the term meant a single structure located within the Comitium space near the Roman Forum and usually associated with the Senate Curia. It began to be referred to as the Rostra Vetera ("Elder Rostra") in the imperial age to distinguish it from other later platforms designed for similar purposes which took the name "Rostra" along with its builder's name or the person it honored.

History

Magistrates, politicians, advocates and other orators spoke to the assembled people of Rome from this highly honored, and elevated spot. Consecrated by the Augurs as a templum, the original Rostra was built as early as the 6th century BC. This Rostra was replaced and enlarged a number of times but remained in the same site for centuries.

In 338 BC the Rostra got its name when, following the defeat of Antium by the consul Gaius Maenius, the Antiate fleet was confiscated by Rome, of which the prows (literally rostra in Latin) of six ships were set upon the Rostra.  Maenius paid for it out of his share of war booty.  He also erected a victory column, the Columna Maenia, close to the Rostra.

Julius Caesar rearranged the Comitium and Forum spaces and repositioned the Senate Curia at the end of the republican period. He moved the Rostra out of the Comitium. This took away the commanding position the curia had held within the whole of the forum, having advanced extremely close to the Rostra during its last restoration. Augustus, his grand-nephew and first Roman emperor,  finished what Caesar had begun, as well as expanded on it. This "New Rostra" became known as the Rostra Augusti. What remains in the excavated forum today, next to the Arch of Septimius Severus, has endured several restorations and alterations throughout its historical use. While a few different honorary names are attributed to those restorations, scholars, archeologists and the government of Italy recognise this platform as the "Rostra Vetera" encased inside the "Rostra Augusti".

The term rostrum, referring to a podium for a speaker is directly derived from the use of the term "Rostra". One stands in front of a Rostrum and one stands upon the Rostra. While, eventually, there were many rostra within the city of Rome and its republic and empire, then, as now, "Rostra" alone refers to a specific structure.
Before the Forum Romanum, the Comitium was the first designated spot for all political and judicial activity and the earliest place of public assembly in the city.  A succession of earlier shrines and altars is mentioned in early Roman writings as the first suggestum. It consisted of a shrine to the god Vulcan, that had two separate altars built at different periods. This early Etruscan mundus altar originally sat in front of a temple that would later be converted into the Curia Hostilia.

During the late Republic the rostra was used as a place to display the heads of defeated political enemies. Gaius Marius and consul Lucius Cornelius Cinna captured Rome in 87 BC and placed the head of the defeated consul, Gnaeus Octavius, on the Rostra. The practice was continued by Sulla and Mark Antony, who ordered that Cicero's hands and head be displayed on Caesar's Rostra after the orator's execution as part of the Proscription of 43 BC.

Caesar spoke from the Rostra in 67 BC in a successful effort to pass, over the opposition of the Senate, a bill proposed by the tribune Aulus Gabinius (the lex Gabinia) creating an extraordinary command for Pompey to eliminate piracy in the Mediterranean. Brutus and Cassius spoke from the Rostra to an unenthusiastic crowd in the Forum after the assassination of Caesar in 44 BC. Millar comments that during the late Republic, when violence became a regular feature of public meetings, physical control and occupation of the Rostra became a crucial political objective.

Tribal assemblies and tribunals
Until about 145 BC, the Comitium was the site for tribal assemblies (comitia tributa) at which important decisions were taken, magistrates were elected and criminal prosecutions were presented and resolved by tribal voting. Before an assembly, the convening magistrate, acting as augur, had to take the auspices in the inaugurated area (templum) on the Rostra from which he was to conduct the proceedings. If the omens were favorable and no other magistrate announced unfavorable omens, the magistrate summoned other magistrates and senators and directed a herald to summon the people. Heralds did so from the Rostra and from the City walls. During an assembly, magistrates, senators and private citizens spoke on pending legislation or for or against candidates for office. Before bills were presented for voting, a herald read them to the crowd from the Rostra. At the culmination of the process, the tribes were each called up to the templum on the Rostra to deliver their votes. After about 145 BC, the voting population of Rome grew too large for the Comitium, and tribal assemblies were then held at the opposite end of the Forum around the Temple of Castor, the steps of which served as an informal Rostra.

The Rostra was also used for meetings of courts. In Republican Rome, criminal prosecutions took place in the Forum either before a tribal assembly with a magistrate prosecuting (a procedure specified in the Twelve Tables and the normal mode of prosecution in the middle Republic) or in a jury-court (quaestio de repetundis) established by statute and presided over by a magistrate with a jury (after 70 BC) of about 50-75 jurors. For trials held in the Comitium, the Rostra served as the tribunal upon which the magistrate sat in his curule chair with a small number of attendants. "This was enough in itself to establish a court, though it was supplemented by benches (subsellia) for the jurors, the parties to the case, and their supporters." The circle of onlookers (corona) either stood or sat on nearby steps.

The original structure was built during the middle years of the Roman Republic in approximately 500 BC It subsequently became known as the "Rostra" after the end of the Latin War in 338 BC when it was adorned by Gaius Maenius with naval rams (rostra) of ships captured at Antium as war trophies.

The Rostra was located on the south side of the Comitium opposite the Curia Hostilia (the original Senate house), overlooking both the Comitium and the Roman Forum. In addition to the prows of captured ships, the Rostra bore a sundial and, at various times,  statues of such important political figures as Camillus, Sulla and Pompey.  Private citizens also erected a number of honorary columns and monuments on the Rostra and throughout the forum. At one point, the Senate threatened to have them removed if the donors did not do so themselves.

Rostra Vetera

In form, the original Rostra may have been a simple raised platform made of wood, similar to the Roman tribunal. The Rostra had a curved form, possibly along the outer south rim of an amphitheatre. The structure was described by Christian Charles Josias Bunsen, based on his examination of two Roman coins depicting the Rostra, as "a circular building, raised on arches, with a stand or platform on the top bordered by a parapet; the access to it being by two flights of steps, one on each side. It fronted towards the Comitium, but later speakers often faced in the opposite direction to address larger audiences in the Forum. The Rostra Vetera's form has been in all the main points preserved in the ambones, or circular pulpits, of the most ancient churches, which also had two flights of steps leading up to them, one on the east side, by which the preacher ascended, and another on the west side, for his descent. Specimens of these old churches are still to be seen at Rome in the churches of San Clemente al Laterano and San Lorenzo fuori le Mura.

As part of his reconstruction of the Roman Forum in 44 BC, Julius Caesar is believed to have moved the republican Rostra Vetera. This Rostra, referred to as the "Rostra Nova" or "Caesarian Rostra", reused and incorporated nearly all of the original Rostra. Located on the southwest side of the new Julian Forum (Forum Iulium), the new Rostra was no longer subordinated to his new Senate House, the Curia Julia (still standing); Caesar had it placed on the central axis of the Forum, facing toward the open space. Left uncompleted at Caesar's death, Augustus finished and extended the new Rostra into a rectangle at the front, the dimensions being  long,  broad and  above the level of the forum pavement. Traces of this Rostra can be seen today.

At the opposite end of the open Forum, the Temple of Caesar, completed by Augustus in 29 BC, included another Rostra at the front of its elevated base, facing the Caesarian Rostra. This Rostra was decorated with the rams from the Battle of Actium. John E. Stambaugh, professor of classics at Williams College, described the new arrangement as "a reflection of contemporary taste and the relentless Augustan desire for order."

In contemporary news
In November 2008 heavy rain damaged the concrete covering that has been protecting the Vulcanal and its monuments located in the Imperial comitium space since the 1950s. This includes the stele accorded the name of "The Black Rock" or Lapis Niger. The marble and cement covering is a mix of the original black marble, said to have been used to cover the site by Sulla, and modern cement used to create the covering and keeping the marble in place.

Professor Angelo Bottini, Superintendent of Archeology in Rome, stated that an awning or tent covering is in place to protect the ancient relics until the covering is repaired, giving tourists of this millennium a look at the original suggestum for the first time in 50 years.

Other known Rostra

In 29 BC Augustus ordered the construction of another Rostra in front of the Temple of Caesar, at the opposite end of the Forum Iulium from Caesar's Rostra. This was used as a tribunal and was adorned with the prows of galleys captured at the Battle of Actium.

See also

References

Sources

External links
Plan showing location in the Forum Romanum
Coin depicting the ships prows attached to the rostra, and photograph showing the length of the rostra
Further on the history of the rostra in the Forum Romanum
Graphic reconstruction of the view of the rostra with the ships prows

Buildings and structures completed in the 1st century BC
Roman Forum
Rome R. X Campitelli

Rostra


Mehndi () is a form of temporary skin decoration using a paste created with henna. In the West, mehndi is commonly known as henna tattoo, although it is not a permanent tattoo.

Mehndi is a popular form of body art in South Asia and resembles similar traditions of henna as body art found in North Africa, East Africa and the Middle East. There are many different names for mehndi across the languages of South Asia.

There are many variations and designs. Women usually apply mehndi designs to their hands and feet, though some, including cancer patients and women with alopecia, occasionally decorate their scalps. The standard color of henna is brown, but other design colors such as white, red, black and gold are sometimes used.

In South Asia, Mehndi is applied on the body during both Hindu and Muslim weddings. Hindu women apply Mehndi during festivals like Karva Chauth, Vat Purnima, Diwali, Bhai Dooj, Navratri, Durga Puja, and Teej. Muslim women use mehndi during occasions like Eid al-Fitr and Eid al-Adha.

At Hindu and Sikh festivals, women often have henna applied to their hands, feet and sometimes the backs of their shoulders. Conversely, men usually have it applied on their arms, legs, back, and chest. For women, it is usually drawn on their palms, backs of their hands and on feet, where the design will be clearest due to contrast with the lighter skin on these surfaces, which naturally contains less of the pigment melanin.

Etymology
The origin of "mehndi" is from the Sanskrit word "mendhika," which refers to the henna plant that releases a red dye. According to A Dictionary of Urdu, Classical Hindi and English Mehndi also refers to "the marriage-feast on the occasion of the bride's hands and feet being stained with henna."

Origins

Earliest use of henna dye can be traced back to ancient Babylon and Egypt. In India It was in prevalent use by the 4th century, which is evidenced by the cave arts of Deccan region.

Process
The paste is made from the powdered dry leaves of the henna plant, Lawsonia inermis.

Mehndi paste is usually applied to the skin using a plastic cone, a paintbrush, or a stick. Fifteen to twenty minutes after application, the mud will dry and begin to crack. The painted area is then wrapped with tissue, plastic, or medical tape to lock in body heat, creating a more intense colour on the skin. The wrap, which is not a traditional method, is worn for two to six hours, or sometimes overnight, and then removed.

When first removed, the henna design is pale to dark orange in colour and gradually darkens through oxidation, over the course of 24 to 72 hours. The final color is reddish brown and can last anywhere from one to three weeks depending on the quality and type of henna paste applied, as well as where it was applied on the body (thicker skin stains darker and longer than thin skin).

Likely due to the desire for a "tattoo-black" appearance, some people add the synthetic dye p-Phenylenediamine (PPD) to henna to give it a black colour. PPD may cause moderate to severe allergic reactions when applied to skin.

Usage
Mehndi is a ceremonial art form common in India, Pakistan, Bangladesh, Nepal and Afghanistan. It is typically applied during weddings for Sikh, Muslim and Hindu brides. In Rajasthan, the grooms are given designs that are often as elaborate as those for brides. In Assam, apart from marriage, it is broadly used by unmarried women during Rongali Bihu.

Popular mehndi patterns

Arabic mehndi designs
This pattern is drawn on the palm. Generally, it starts from one corner of the wrist and ends at finger tip on the opposite corner. Vine, lace, and flowers are the main elements of this pattern.

Mandala mehndi designs
Mandala is a geometric configuration of symbols used in various spiritual traditions including Hinduism, Buddhism, Jainism and Shinto. Various configurations of Mandala are drawn on the center of palm in this mehndi pattern.

See also
 Alta
 Masonjoany
 Body painting
 Temporary tattoo

References

Body art
Hindu wedding rituals
Arab culture
Iranian culture
South Asian culture
Indian wedding
Marriage in Pakistan
Nepalese art
Articles containing video clips
Marriage in Nepal

Mehndi


Arriba-Atallo (Arribe-Atallu en euskera y de forma oficial) es un concejo de la Comunidad Foral de Navarra, España perteneciente al municipio de Araiz e integrado por las localidades de Arriba y Atallo.

Está situado en la Merindad de Pamplona, en la comarca de Norte de Aralar, y a 44,5 km de la capital de la comunidad, Pamplona. Su población en  fue de  habitantes (INE), su superficie es de  km² y su densidad de población de  hab/km².

Geografía física

Situación
El concejo de Arriba-Atallo está situado en la parte oriental del municipio de Araiz a una altitud de 220  Su término concejil tiene una superficie de  km² y limita al norte con el municipio de Gaztelu y Oreja ambos en la provincia de Guipúzcoa y la comunidad autónoma del País Vasco y el de Areso; al este con el concejo de Gorriti en el municipio de Larráun; al sur con el municipio de Betelu y al oeste con los concejos de Uztegui y Azcárate.

Demografía

Evolución de la población

Distribución de la población
El concejo se divide en las siguientes entidades de población, según el nomenclátor de población publicado por el INE (Instituto Nacional de Estadística). Los datos de población se refieren a

Véase también
 Araiz
 Lista de concejos de Navarra

Referencias

Enlaces externos
 Datos del Concejo de Arriba-Atallo - Gobierno de Navarra - Información y datos de entidades locales de Navarra.

Concejos de Araiz
Municipios desaparecidos de Navarra

Arriba-Atallo


Hümeze Suresi (Arapça: سورة الهمزة), Kur'an'ın 104. suresidir. Sure 9 ayetten oluşur.

Mekke'de indirildiğine inanılmaktadır. Sure, ismini ilk ayette geçen ve başkalarını arkasından çekiştirip kötülemeyi huy edinen kimse anlamına gelen hümeze kelimesinden alır.

Hümeze Suresi'nde, insanlar arasındaki ilişkilerde temel olan ahlak ilkelerinin bir kuralına dikkat çekmektedir. İnsanları arkalarından çekiştirip kötülemek ve karalamak, yüzlerine karşı hakaret edip, küçük düşürmeye çalışmak, sözlü olarak veya el kol, kaş göz işaretleri yaparak onların şeref ve haysiyeti ile oynamanın çok kötü davranışlar olduğu, bu kötü huy sahiplerinin cezalandırılacakları bu surede belirtilmiştir.

Kaynakça

Sureler

Hümeze Suresi


Helminthocladia, nom. cons., rod crvenih algi iz porodice Liagoraceae. Taksonomski je priznat kao zaseban rod. Postoji dvadeset priznatih vrsta.

Tipična je Helminthocladia purpurea (Harvey) J.Agardh, sinonim za H. calvadosii (J.V.Lamouroux ex Duby) Setchell

Vrste
 Helminthocladia andersonii Searles & S.M.Lewis
 Helminthocladia australis Harvey
 Helminthocladia batrachopus J.Agardh
 Helminthocladia beaugleholei Womersley
 Helminthocladia calvadosii (J.V.Lamouroux ex Duby) Setchell
 Helminthocladia cassei P.Crouan & H.Crouan
 Helminthocladia densa (Harvey) F.Schmitz & Hauptfleisch
 Helminthocladia dotyi Womersley
 Helminthocladia hainanensis Tseng & Li
 Helminthocladia hudsonii J.Agardh
 Helminthocladia kempii Popolizio, C.W.Schneider & Chengsupanimit
 Helminthocladia nizamuddinii Afaq-Husain & Shameel
 Helminthocladia pinnata Tseng & Li
 Helminthocladia reyesii O'Dwyer & Afonso-Carrillo
 Helminthocladia rhizoidea Doty & I.A.Abbott
 Helminthocladia senegalensis Bodard
 Helminthocladia simplex Doty & Abbott
 Helminthocladia sreeramului Umamaheswara Rao
 Helminthocladia stackhousei (Clemente) J.Cremades
 Helminthocladia yendoana Narita

Izvori

Liagoraceae

Helminthocladia


Luvale (também escrito Chiluvale, Lovale, Lubale, Luena, Lwena) é uma língua banta falada pelo povo de mesmo nome de Angola e Zâmbia. É reconhecida como uma língua regional para fins educacionais e administrativos na Zâmbia, onde cerca de 168 mil pessoas a falam (2006).

Luvale está intimamente relacionado com a Língua chócue.

Escrita
A forma do alfabeto latino usada pelo Luvale não usa as letras B, D, G, Q. Usam-se as formas Ly, Mb, Mw, Nd, Ndw, Nj, Ng, Ngw, Ny, Sh, Zw

Amostra de texto
Vatu vosena vasemuka yapwa hohamwe nakweseka mukuyoya chavo. Vatwama nachiyoyelo chalusesa chajingolo chakuzanga kulivwashana muchiyoyelo chavo.

Português

Todos os seres humanos nascem livres e iguais em dignidade e direitos. Eles são dotados de razão e consciência e devem agir uns para com os outros com espírito de fraternidade. (Artigo 1º da Declaração Universal dos Direitos Humanos)

Notas

Bibliografia

Ligações externas

Moses C.B. Mulongesa, Vishimo vya Kuuko, Lubuto Library Special Collections, accessed May 3, 2014.
Luvale language books, Lubuto Library Special Collections
OLAC resources in and about the Luvale language
Luvale em Ethnologue
Luvale em Zamtransiternational
Luvale em Phoible
Luvale em Omniglot.com

Luvale
Luvale
Luvale

Língua luvale


Ill Communication ist das vierte Studioalbum der Hip-Hop-Band Beastie Boys. Es wurde im Mai 1994 von Capitol Records und dem bandeigenen Label Grand Royal Records veröffentlicht. Ill Communication wird vom Magazin Rolling Stone zu den "Essential Recordings of the 90s" gezählt.

Geschichte
Das Album entstand 1993/94 und wurde erneut mit Koproduzent Mario Caldato Jr. aufgenommen. Musikalische Kooperationen gab es mit Mark Ramos Nishita alias Money Mark, Eric Bobo, Wendell Timothy Fite alias DJ Hurricane und Amery "AWOL" Smith. Q-Tip und Biz Markie steuerten zusätzliche Rap-Spuren bei. Es war das zweite Album der Beastie Boys, das Platz 1 der Billboard 200 erreichte. Mitverantwortlich dafür war der große Erfolg der Single Sabotage.

Das Cover-Foto stammt vom Magnum-Fotografen Bruce Davidson und wurde 1964 in Los Angeles geschossen.

Kritik

Ill Communication wurde positiv rezensiert. Stephen Thomas Erlewine bezeichnet es als "Beinahe-Meisterwerk" und ein Highlight des Alternative Rocks der 1990er. Der New Musical Express wählte es auf Platz 3 der 50 besten Alben des Jahres 1994. Das Magazin Spin nahm es in die Auswahl der 20 besten Alben des Jahres auf.

Titelliste
Alle Songs von den Beastie Boys, außer wo angegeben.

 Sure Shot (Beastie Boys/Caldato/Wendell Timothy Fite) – 3:19
 Tough Guy (AWOL/Beastie Boys) – 0:57
 B-Boys Makin' with the Freak Freak – 3:36
 Bobo on the Corner (Beastie Boys/Bobo/Money Mark) – 1:13
 Root Down – 3:32
 Sabotage – 2:58
 Get It Together (feat. Q-Tip) (Beastie Boys/Davis) – 4:05
 Sabrosa (Beastie Boys/Bobo/Money Mark) – 3:29
 The Update (Beastie Boys/Caldato/Money Mark) – 3:15
 Futterman's Rule (Beastie Boys/Money Mark) – 3:42
 Alright Hear This – 3:06
 Eugene's Lament (Beastie Boys/Bobo/Gore/Money Mark) – 2:12
 Flute Loop (Beastie Boys/Caldato/Klemmer) – 1:54
 Do It (feat. Biz Markie) (Beastie Boys/Caldato/Money Mark) – 3:16
 Ricky's Theme (Beastie Boys/Bobo/Money Mark) – 3:43
 Heart Attack Man (AWOL/Beastie Boys) – 2:14
 The Scoop (Beastie Boys/Caldato) – 3:36
 Shambala (Beastie Boys/Bobo/Money Mark) – 3:40
 Bodhisattva Vow (Beastie Boys/Caldato) – 3:08
 Transitions (Beastie Boys/Money Mark) – 2:31

Bonustracks (Japan-Veröffentlichung)
  Dope Little Song – 1:51
 Resolution Time – 2:49
 Mullet Head – 2:52
 The Vibes – 3:06

Bonustracks (2009 Remastered Edition)
 Root Down (Free Zone Mix) – 3:49
 Resolution Time – 2:49
 Get It Together (Buck-Wild Remix) – 4:18
 Dope Little Song – 1:50
 Sure Shot (European B-Boy Mix) – 2:59
 Heart Attack Man (Unplugged) – 2:22
 The Vibes – 3:07
 Atwater Basketball Association File No. 172-C – 1:27
 Heart Attack Man (live) – 2:10
 The Maestro (live) – 3:16
 Mullet Head – 2:53
 Sure Shot (European B-Boy Instrumental) – 2:58

Einzelnachweise

Album (Hip-Hop)
Album 1994
Nummer-eins-Album
Mehrfach-Platin-Album (Vereinigte Staaten)
Beastie Boys

Ill Communication


Pastel de nata (flertal: pastéis de nata), er en portugisisk æggetærte-wienerbrød, der oprindeligt stammer fra Portugal, men som også findes i Brasilien og andre lande, hvor der er en stor andel af portugisiske immigranter.

Historie

Pastéis de nata blev skabt før 1700-tallet af katolske munke på Eremitklostret i freguesia Santa Maria de Belém i Lissabon. Munkene stammede oprindeligt fra Frankrig, hvor denne type kager blev bagt af lokale bagere. På dette tidspunkt brugt man store mængder æggevide til at stive tøj. Æggeblommerne var tilbage, og disse brugt munkene til at lave søde kager.

Efter den religiøse orden uddøde, begyndte munkene at sælge pasteis de nata efter revolutionen i 1820 ved et nærliggende sukkerraffinaderi. I 1834 blev klostret lukket og opskriften blev solgt til sukkerraffinaderiet, hvis ejere åbnede Fábrica de Pastéis de Belém i 1837. Det er fortsat efterkommere af de oprindelige ejere, der driver virksomheden i dag.

Pastéis de Belém blev i 2009 nævnt af The Guardian som den 15. mest lækre delikatesse i verden.

Se også
 Torta de nata
 Æggetærte

Referencer

Litteratur

Eksterne henvisninger
 Pastéis de Belém: Hot on the Trail of a Legend  fra Leite's Culinaria

Mad fra Portugal
Kager

Pastel de nata


Karl Barth (10 Mayıs 1886, Basel – 10 Aralık 1968, Basel), çağdaş İsviçreli protestan teolog. Tanrı'nın insandan tümüyle farklı olduğunu, insanın çabasıyla ya da akıl yoluyla bilinemeyeceğini, insanın Tanrı'nın kurtuluş planına güvenmesi gerektiğini belirten Barth, gizemciliğiyle ün kazanmıştır.

Ödülleri
1963 Sonning Ödülü
1968 Sputnik Özel Ödülü
1972 Alman Filozoflar Jüri Ödülü
1973 Simpson's ödülü

1886 doğumlular
Basel doğumlular
1968 yılında ölenler
Basel'de ölenler
İsviçreli Hristiyanlar
Hristiyan ilahiyatçılar
20. yüzyılda Hristiyan ilahiyatçılar
Protestan ilahiyatçılar
İsviçreli Protestanlar
İsviçreli Protestan ilahiyatçılar
Kalvenist ilahiyatçılar
Varoluşçu ilahiyatçılar
Anglikan azizler
İsviçreli filozoflar
Varoluşçular
Din filozofları
Duke Üniversitesi öğretim üyeleri
Bonn Üniversitesi öğretim üyeleri
Göttingen Üniversitesi öğretim üyeleri
Amerikan Bilim ve Sanat Akademisi üyeleri

Karl Barth


Manesar (en hindi: मानेसर ) es una ciudad de la India en el distrito de Gurgaon, estado de Haryana.

Geografía
Se encuentra a una altitud de 252  a 321 km de la capital estatal, Chandigarh, en la zona horaria UTC +5:30.

Demografía
Según estimación 2011 contaba con una población de 18 511 habitantes.

Referencias

Enlaces externos
 Este artículo contiene datos geográficos extraídos de Google Earth.

Localidades de Haryana

Manesar


Cüce, Samsun ilinin Ladik ilçesine bağlı bir mahalledir.

Tarihçe

Coğrafya
Samsun il merkezine 94 km, Ladik ilçesine 13 km uzaklıktadır.

Nüfus

Ladik'in mahalleleri

Cüce, Ladik


9398 Bidelman este un asteroid din centura principală de asteroizi.

Descriere
9398 Bidelman este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Kitt Peak National Observatory în cadrul proiectului Spacewatch. El prezintă o orbită caracterizată de o semiaxă mare de 3,35 ua, o excentricitate de 0,14 și o înclinație de 1,2° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 9001-10000
 Centura de asteroizi

Referințe

Asteroizi Cybele

Obiecte astronomice descoperite în 1994
Centura de asteroizi

9398 Bidelman


Rhacodactylus leachianus, commonly known as the New Caledonian giant gecko, Leach's giant gecko, Leachianus Gecko, or simply Leachie, is the largest living species of gecko and a member of the family Diplodactylidae. It is native to most of New Caledonia.

Taxonomy
The specific name, leachianus, is in honor of English zoologist William Elford Leach. Historically, there have been three recognized subspecies of R. leachianus (including the nominotypical subspecies): R. l. aubrianus, R. l. henkeli (first described by Seipp and Obst in 1994), and R. l. leachianus. However, based on recent molecular data, no populations of R. leachianus are granted subspecies status at the present time. Instead, locality based morphotypes are used to distinguish populations of R. leachianus.

Description

R. leachianus is the largest extant gecko in the world and is considered an example of island gigantism. R. leachianus of the Grande Terre localities are capable of growing  long, with a weight range between 250 and 500 grams. R. leachianus of the Insular localities are capable of growing 9–12" (23–30 cm) long, and weighting between 150 and 300 grams. It has a heavy body, loose skin, and a small, stumpy tail. It is variable in color, coming in shades of mottled green, gray, and brown, sometimes with highlights of white, orange, and/or pink. It was only exceed in size by the now extinct Gigarcanum delcourti known from a single specimen 50% longer and probably several times heavier than the largest R. leachianus specimens, which also originated from New Caledonia.

Distribution and habitat
R. leachianus is found in all of the southern and eastern portions of the main island of New Caledonia, as well as on several of the smaller islands in the group. Topographical and ecological differences observed at each locality may have contributed to the phenotypical and morphological differences seen in R. leachianus. The insular locality of Duu Ana is thought to no longer have an extant population of R. Leachianus.

Localities of R. leachianus
R. Leachianus often show locality-specific phenotypical coloration, size, and morphological differences called morphotypes. The largest locality group of R. leachianus are those found on the main island of New Caledonia, Grande Terre. The localities associated with Grande Terre, often referred to as the "mainland localities", include the Yate locale, the Mount Khogis locale, the Goro locale, the Poindimie locale, and the Mount Humboldt locale. Early on, a typing system was created in attempt to group phenotypical traits seen on Grande Terre together. This typing system included Type A, Type B, and Type C R. leachianus. However, this typing system is no longer considered an accurate means of locale identification, but is still commonly used for generalization within the pet trade. Type A R. leachianus were those that had little to no patterning on the laterals, containing a dark, solid or webbed background coloration. Type B R. leachianus were those that displayed lateral patterning in the form of linear blotches, or solid-colored vertical bars, commonly paired with a dark base coloration. Type B R. leachianus were said to be the most patterned of the various types. Type C R. leachianus were those that are slow growing, large geckos, commonly paired with light blotching and a dark base color. Type C R. leachianus are reported to grow up to 17 inches in length.

R. leachianus are also found on the neighboring islands of Grant Terre, commonly referred to as the "insular localities". These Insular localities include the Isle of Pines locale, the Nuu Ami locale, the Nuu Ana locale, the Duu Ana locale, the Moro locale, the Bayonnaise locale, the Brosse locale, and the Caanawa locale.

Yate (mainland)

R. leachianus found in the Yate region are recognized as one of the largest localities, being heavy bodied, bulky animals. They often have elongated tails in comparison to most other locales. Yate R. leachianus can reach above 400 grams, and grow up to 15 inches in length. they are found to have a base coloration that can range from a dark brown to golden yellow. Dark netting or thin webbing is also commonly found accompanying the base coloration. Thin, white lines may also be present on the laterals.

Mount Khogis (mainland)
R. leachianus found in the Mount Khogis region are also among the largest of the locales, commonly reaching over 300 grams. Mount Khogis R. leachianus display base colorations that range from jet black to olive green. These individuals may possess enlarged scales that run the length of the snout ridges, which can be used as a differentiating factor for this locale. White blotches may also be present on the laterals, varying widely in size.

Goro (mainland)
R. leachianus found in the Goro locality are a large locale, reaching up to 17 inches in length and 500 grams. Goro R. leachianus are dark in coloration, with accompanying white blotches that run vertically in rows along the lateral sides. White specking may also be present along the entire body of the individual.

Poindimie (mainland)
R. leachianus found in the Poindimie region are often longer and leaner than other mainland localities. Poindimie R. leachianus are one of the largest localities, reaching over 400 grams. Base coloration is often variable, including greens, blacks, yellows, and browns. Little to no patterning is seen in the Poindimie locale, however, yellow or white spotting may occur with age.

Mount Humboldt (mainland)

R. leachianus found in the Mount Humboldt region are large bodied, bulky individuals. Base coloration is often described as variable, ranging from blacks to browns and greens. White blotches may be present, commonly covering the laterals and occasionally on the dorsal. Mount Humboldt R. Leachianus may reach up to 420 grams in weight.

Brosse (Insular)
R. leachianus found on the island Brosse are often referred to as one of the larger insular forms with a robust shape. The coloration is often yellow or green, with large pink or white blotching, accompanied by black flecking. this locality may be referred to as the "stripped neck" locale, due to bars that begin just after the head and continue down the neck area. Brosse Locality R. leachianus can weigh roughly 250g, and measure up to 10 inches in length. The island of Brosse is also referred to as "Isle D".

Bayonnaise (Insular)
R. leachianus found on the island Bayonnaise are characterized by a yellow-green base color, often displaying banding that covers the laterals and dorsal. This banding can range from thinner blotched white band to larger pink, purple, or white bands. The Island of Bayonnaise is also known as "Isle C".

Nuu Ana (Insular)
R. leachianus found on the island of Nuu Ana is the smallest recorded locality of R. leachianus. Nuu Ana individuals often have shorter limbs with an overall robust appearance. The Nuu Ana locale may reach up to 9 inches in length, and remain under 200 grams. The base color can range from various shades of greenish yellow, often with large colorful blotching or barring along the entire body of the gecko. The island of Nuu Ana is also known as "Isle G".

Nuu Ami (Insular)

R. leachianus found on the island of Nuu Ami are a small locale, reaching up to 200 grams. Nuu Ami R. leachianus often display a darker gray iris in comparison to other localities. Base coloration may range from deep greens to bright yellows, commonly accompanied by white or pink blotching. Nuu Ami locality R. leachianus may also have spots or blotching arranged in a "W" shape along the dorsal area. The island of Nuu Ami is also known as "Isle H".

Duu Ana (Insular)
R. leachianus found on the island of Duu Ana are characterized by their dark green-brown base coloration, along with light colored barring that lines the laterals of the gecko. Barring may also be present along the dorsal. Duu Ana R. leachianus often display morphological traits, such as larger legs in comparison to other insular localities. It is speculated that this locality may eat crabs, due to low availability of fruit matter on the island. The Duu Ana locale is thought to be extinct in the wild, though, evidence is needed. Smaller breeding populations remain in captivity. The island of Duu Ana is also known as "Isle I".

Caanawa (Insular)
R. leachianus found on the island of Caanawa are a larger insular locality. The base coloration is often variable, ranging from browns to light green. The patterning on Caanawa R. leachianus often display deep purple blotching or barring, with a significant amount of black peppering. The island of Caanawa is also known as "Isle K".

Isle of Pines (Insular)
R. leachianus found on the Isle of Pines are the largest of the Insular localities, reaching up to 12 inches in length and surpassing 300 grams. The Isle of Pines locality is often characterized by large head and neck regions, with a robust appearance. Base coloration is often deep green, but also can range from brown to yellow. This is accompanied by white blotches present on the laterals and dorsal area of the gecko. The Isle of Pines can also be referred to as "Pine Island".

Moro (Insular)
R. leachianus found on the Island of Moro is one of the largest insular localities, reaching up to 12 to 13 inches in length. The Moro locality often displays a green base color, with large pink or white blotching. The head shape for the Moro locality is large with a snout that is squared off. The island of Moro is also known as "Isle E".

Biology

R. leachianus is an arboreal species; it is primarily nocturnal and remains hidden in tree hollows during the day. it has a diet that includes insects, spiders, small vertebrates, fruit, nectar, and sap. The most common component of R. leachianus diet consists of the fruit from Cassine curtipendula, a small fruit with a large seed that is often seen in fecal matter. It is speculated that the elongated snouts of mainland locality R. leachianus suggest a diet model that contains more vertebrate and insect matter than their insular locality counter-parts. Records of cannibalism among R. leachianus have been recorded, but this phenomenon could be attributed to territorial defense. These giant geckos can climb vertically up glass surfaces. This is due to adhesive pads on their feet called lamellas, which are made up of tiny hairs which increase friction force when applied to surfaces. R. Leachianus also possess large claws that aid in climbing as well. R. leachianus are capable of dropping their tail, a self-amputation process known as autotomy. Unlike Correlophus cilliatus, R. leachianus are capable of tail regeneration through a process known as epimorphosis. Males and females of R. leachianus display differentiating morphological characteristics known as sexual dimorphism. Male R. leachianus display a hemipenal bulge at the base of the tail, whereas females do not have this bulge. R. leachianus is observed to have temperature dependent sex determination. In captivity, eggs with a sustained incubated at 85 °F will often result in male offspring, and eggs that have a sustained incubation temperature of  will result in female offspring.

Mating Behavior and Reproduction
R. leachianus pair monogamously. A compatible pair of R. leachianus may pair-bond for a single breeding season, or remain paired for several years. Breeding behavior involves biting and thrashing that can become violent, often accompanied with locking jaws. this is thought to be a mechanism to test for pair compatibility and physical capability of a mate. A bonded pair will commonly reside in an unoccupied tree hollow, which the pair will defend by displaying territorial behavior, such as vocalization. Tree hollow related behavior is similar to that of hollow nesting birds. Mate identification thought to be done through a process called scent marking. Adult females of R. leachianus lay up to two eggs at a time, having up to 10 clutches per year. Older females in captivity may not lay clutches in a breeding season, even when paired with a compatible male, However, older females can lay clutches over the course of their entire adult lifespan. Pair incompatibility in a previously compatible pair may occur, often indicated by aggressive territorial behavior and injury. Parthenogenesis is also observed in unpaired females in captivity.

Vocalization
R. leachianus have the widest range of vocalizations of any member of the gekkonidae family. R. leachianus can make a loud growling noise, and local people call it "the devil in the trees". This growling vocalization is speculated to be a warning call is often made in the presence of a predator or a rivaling R. leachianus. Clucking is another common vocalization, commonly associated with mate calling, often heard at night. A light whistle sound is used to display discomfort, or mild stress. Bird-like chirping is seen in the larger mainland localities, which incorporates a heightened stance and a gaping mouth for a threat display, often followed by a lunging motion.

Coloration and Camouflage
Like many chameleons, New Caledonian Geckos can change the color of their skin. This is due to pigment containing cells called chromatophores. This is a form of camouflage and can help the gecko blend into their environments. Factors such as humidity, stress level, and amount of sunlight are among the causes that alter skin coloration.

Folklore
Some of the indigenous Kanak people of New Caledonia fear Leach's giant gecko. This is because of an old superstition which purports that it has the ability to cling to a person's body and pull out that person's soul.

Conservation status
Populations of the species R. leachianus have likely been reduced by habitat destruction and degradation. This process is still a threat to the species. It also faces predation by introduced species such as cats and various rodents. It is also poached. It can be electrocuted when it travels along power lines. This species is protected and it lives in several nature reserves.

In captivity
The New Caledonian giant gecko is occasionally kept as a pet. Individuals in the pet trade are propagated with captive breeding; wild populations are protected. This species may live over 20 years in captivity, with some individuals reaching up to 50 years old. Selective breeding for the pet trade has continued to maintain pure locality R. leachianus in captivity, with the addition of locality cross-breeding to create desirable phenotypes, such as dramatic coloration, size, and structure.

References

Rhacodactylus
Geckos of New Caledonia
Endemic fauna of New Caledonia
Reptiles described in 1829
Taxa named by Georges Cuvier

Rhacodactylus leachianus


Događaji
 Tahark nasljeđuje na egipatskom prijestolju faraona Šabatoku.
 Sanherib, kralj Asirije, osvojio je i opljačkao Babilon.

Rođenja

Smrti

689. pr. Kr.


Michael Foreman (né le ) est un auteur et illustrateur britannique, l'un des créateurs de livres pour enfants les plus connus et les plus prolifiques. Il a remporté les médailles Kate Greenaway de 1982 et 1989 pour l'illustration de livres pour enfants britanniques et il a été cinq fois récompensé.

Il a été nommé au Royaume-Uni en 1988 et à nouveau en 2010 pour le prix biennal international Prix Hans-Christian-Andersen, la plus haute distinction offerte aux créateurs de livres pour enfants, dans la Catégorie Illustration.

Biographie

Il est né et a grandi à Pakefield, près de Lowestoft, Suffolk, où sa mère tenait la boutique du village. Son père est décédé un mois avant sa naissance. Quand il avait trois ans, la maison familiale a été détruite dans un bombardement, mais il a survécu avec sa mère et ses deux frères aînés. Il a étudié à la Lowestoft School of Art, puis à Londres au Royal College of Art, où il a remporté une bourse pour les États-Unis.

Approche de l'illustration
Foreman a appris à répondre instantanément au texte en tant qu'étudiant en art. Après avoir dessiné pour les journaux et pour la police, dessiné des suspectes alors que les Portrait Robots ne s'adressait qu'aux hommes, il a acquis une précieuse expérience du dessin. Une bourse de voyage l'a emmené partout dans le monde, dessinant des paysages, de l'architecture et de la faune. Bien que nombre de ses livres présentent des aquarelles lumineuses, c'est le dessin qu'il considère comme essentiel : « Tout est dans le dessin et l'illustration. Il s'agit de créer un autre monde, crédible en soi. Je pense que j'ai eu beaucoup de chance d'avoir commencé une école d'art si jeune quand ils enseignaient l'art. C'était une formation rigoureuse - pas seulement de la peinture et du dessin d'après nature - mais des heures d'anatomie et de perspective. ... cela vous a vraiment appris à comprendre ce que vous regardiez."  Son but dans l'illustration est de rendre crédibles, réels les mondes créés : « Je continue d'essayer de rendre les choses plus réelles, non pas dans un sens photographique littéral, mais dans un sens émotionnel, racontant une histoire en capturant l'essence de la situation, en lui donnant un peu de sens."

Œuvres choisies

années 1960
 1961 Comic Alphabets: Their origin, development, nature (illustrateur) Routledge & Kegan Paul , by Eric Partridge
 1961 The General (illustrateur) Routledge & Kegan Paul, by Jane Charters
 1962 Poems by Children 1950–61 (illustrateur) Routledge & Kegan Paul
 1963 The King Who Lived on Jelly (illustrateur) Routledge & Kegan Paul
 1966 Huit Enfants et un Bebe (illustrateur) Abelard-Schuman
 1966 Making Music (illustrateur) Longman
 1966 The Bad Food Guide (illustrateur) Routledge & Kegan Paul
 1967 I'm for You, and You're for Me (illustrateur) Abelard-Schuman
 1967 The Perfect Present (author/illustrateur) Hamish Hamilton
 1967 The Two Giants (author/illustrateur) Brockhampton Press
 1968 Let's Fight! and Other Russian Fables (illustrateur) Pantheon (U.S.)
 1968 The Great Sleigh Robbery (author/illustrateur) Hamish Hamilton
 1969 Essex Poems, 1963–67 (illustrateur) Routledge & Kegan Paul

années 1970
 1970 Adam's Balm (illustrateur) Bowmar (U.S.)
 1970 Horatio (author/illustrateur) Hamish Hamilton
 1970 The Birthday Unicorn (illustrateur) Gollancz
 1971 James and the Giant Peach (an adaptation) (illustrateur) Penguin
 1971 Moose (author/illustrateur) Hamish Hamilton
 1971 The Living Arts of Nigeria (illustrateur) Studio Vista
 1973 Alexander in the Land of Mog (illustrateur) Brockhampton Press
 1973 Mr Noah and the Second Flood (illustrateur) Gollancz
 1973 The Living Treasures of Japan (illustrateur) Wildwood House
 1973 The Pushcart War (illustrateur) Hamish Hamilton
 1974 War and Peas (auteur et illustrateur) Hamish Hamilton
 1975 Private Zoo (illustrateur) Collinsn
 1975 Rainbow Rider (illustrateur) Collins
 1976 Hans Andersen: His Classic Fairy Tales (illustrateur) Gollancz
 1976 Monkey and the Three Wizards (illustrateur) Collins
 1976 The Stone Book (illustrateur) Collins
 1977 Granny Reardun (illustrateur) Collins
 1977 Panda's Puzzle (author/illustrateur) Hamish Hamilton
 1977 Teeny-Tiny and the Witch-Woman (illustrateur) Andersen Press
 1977 Tom Fobble's Day (illustrateur) Collins
 1978 Borrowed Feathers and Other Fables (illustrateur) Hamish Hamilton
 1978 Mickey's Kitchen Contest (illustrateur) Andersen Press
 1978 Popular Folk Tales (illustrateur) Gollancz, newly translated from Brothers Grimm by Brian Alderson —a Greenaway runner up
 1978 The Aimer Gate (illustrateur) Collins
 1978 The Princess and the Golden Mane (illustrateur) Collins,
 1978 The Selfish Giant (illustrateur) Kaye & Ward
 1979 Alan The Three Golden Heads of the Well (illustrateur) Collins
 1979 How to Catch a Ghost (illustrateur) Holt (U.S.)
 1979 The Golden Brothers (illustrateur) Collins
 1979 Winter's Tales (author) Benn

années 1980
 1980 After Many a Summer (illustrateur) Folio Society
 1980 Alan Garner's Fairytales of Gold (illustrateur) Collins
 1980 City of Gold and Other Stories from the Old Testament (illustrateur) Gollancz, retold by Peter Dickinson, who won the Carnegie Medal —a Greenaway runner up (Highly Commended)
 1980 The Faithful Bull (illustrateur) Hamish Hamilton
 1980 The Pig Plantagenet (illustrateur) Hutchinson
 1980 The Tiger Who Lost his Stripes (illustrateur) Andersen Press
 1981 Fairy Tales (illustrateur) Pavilion, by Terry Jones
 1981 Over the Bridge (illustrateur) Viking Kestrel
 1981 Panda and the Old Lion (author/illustrateur) Hamish Hamilton
 1981 The Nightingale and the Rose (illustrateur) Kaye & Ward
 1981 Trick a Tracker (author/illustrateur) Gollancz
 1982 Land of Dreams (author/illustrateur) Andersen Press
 1982 Long Neck and Thunder Foot (illustrateur) Viking Kestrel, by Helen Piers —joint winner of the Kate Greenaway Medal for British children's book illustration
 1982 Sleeping Beauty and other favourite fairy tales (illustrateur) Gollancz, selected and translated from Perrault and Le Prince de Beaumont by Angela Carter —joint winner of the Greenaway Medal and winner of the Kurt Maschler Award for integration of writing et illustration in a British children's book
 1982 The Crab That Played with the Sea (illustrateur) Macmillan
 1982 The Magic Mouse and the Millionaire (illustrateur) Hamish Hamilton
 1983 A Christmas Carol: A Ghost Story of Christmas (illustrateur) Gollancz
 1983 Poems for 7-Year-Olds and Under (illustrateur) Viking Kestrel
 1983 The Brontosaurus Birthday Cake (illustrateur) Methuen
 1983 The Saga of Erik the Viking (illustrateur) Pavilion, by Terry Jones —a Greenaway runner up
 1983 Treasure Island (illustrateur) Puffin
 1984 A Cat and Mouse Love Story (illustrateur) Heinemann Quixote
 1984 Cat and Canary (author/illustrateur) Andersen Press
 1984 Panda and the Bunyips (author/illustrateur) Hamish Hamilton
 1984 Poems for 9-year-olds (illustrateur) Viking Kestrel
 1984 Poems for Over 10-year-olds (illustrateur) Viking Kestrel
 1985 Charlie and the Chocolate Factory (illustrateur, revised edition) Allen & Unwin, by Roald Dahl
 1985 I'll Take You to Mrs Cole (illustrateur) Andersen Press
 1985 Nicobobinus (illustrateur) Pavilion
 1985 Poetic Gems (illustrateur) Folio Society
 1985 Seasons of Splendour: Tales, myths, and legends of India (illustrateur) Pavilion, Madhur Jaffrey —a Greenaway runner up
 1986 Ben's Box: A Pop-up Fantasy (author/illustrateur) Hodder & Stoughton
 1986 Charlie and the Great Glass Elevator (illustrateur) Allen & Unwin
 1986 Early in the Morning: A Collection of New Poems (illustrateur) Viking
 1986 Letters from Hollywood (illustrateur) Harrap
 1986 Panda and the Bushfire (author/illustrateur) Hamish Hamilton
 1986 Tales for the Telling (illustrateur) Pavilion
 1987 Ben's Baby (author/illustrateur) Andersen Press
 1987 Brontosaurus Superstar (illustrateur) Magnet
 1987 du Maurier's Classics of the Macabre (illustrateur) Gollancz
 1987 Fun (illustrateur) Gollancz
 1987 Adventures of Charlie and Mr Willy Wonka (illustrateur) Unwin Hyman
 1987 The Jungle Book (illustrateur) Puffin
 1988 Edmond Went Far Away (illustrateur) Walker Macmillan
 1988 The Angel and the Wild Animal (author/illustrateur) Andersen Press
 1988 The Curse of the Vampire's Socks (illustrateur) Pavilion
 1988 The Magic Ointment (illustrateur) Macmillan
 1988 The Night Before Christmas (illustrateur) Viking
 1988 Peter Pan and Wendy (illustrateur) Pavilion
 1988 Worms Wiggle (author/illustrateur) Carnival
 1989 Land of the Long White Cloud (illustrateur) Pavilion
 1989 Once Upon a Planet (illustrateur) Puffin
 1989 The Sand Horse (illustrateur) Andersen Press
 1989 War Boy: a country childhood (author/illustrateur) Pavilion —memoir, winner of the Kate Greenaway Medal, —also entitled War Boy: a wartime childhood

années 1990
 1990 Michael Foreman (author/illustrateur) Beetles
 1990 Michael Foreman's Mother Goose (illustrateur) Walker
 1990 Michael Foreman's World of Fairy Tales (illustrateur) Pavilion
 1990 One World (author/illustrateur) Andersen Press
 1990 The Brothers Grimm: Popular Folk Tales (illustrateur) Gollancz
 1991 Busy! Busy! Busy! (illustrateur) Andersen Press
 1991 Michael Foreman's Nursery Rhymes (illustrateur) Walker
 1991 The Boy Who Sailed with Columbus (author/illustrateur) Pavilion
 1991 The Puffin Book of Twentieth-Century Stories (illustrateur) Viking
 1991 The Puffin Book of Twentieth-Century Verse (illustrateur) Viking
 1991 The Young Man of Cury and Other Poems (illustrateur) Macmillan
 1992 Fantastic Stories (illustrateur) Pavilion
 1992 Jack's Fantastic Voyage (author/illustrateur) Andersen Press
 1992 Spider the Horrible Cat (illustrateur) Pavilion
 1992 The Arabian Nights (illustrateur) Gollancz
 1992 The Echoing Green (illustrateur) Viking
 1992 Wyvern Winter (illustrateur) Andersen Prensiess
 1993 A Fish of the World (illustrateur) Pavilion
 1993 Funnybunch: A New Puffin Book of Funny Verse (illustrateur) Viking
 1993 Grandfather's Pencil (author/illustrateur) Andersen Press
 1993 The Beast with a Thousand Teeth (illustrateur) Pavilion
 1993 The Long Weekend (illustrateur) Andersen Press
 1993 There's a Bear in the Bath (illustrateur) Pavilion
 1993 War Game (author/illustrateur) Pavilion —a Greenaway runner up
 1993 Wyvern Spring (illustrateur) Andersen Press
 1994 Arthur, High King of Britain (illustrateur) Pavilion/The National Trust
 1994 Dad! I Can't Sleep (author/illustrateur) Andersen Press
 1994 Sarah and the Sandhorse (illustrateur) Andersen Press
 1994 The Fly-by-Night (illustrateur) Pavilion
 1994 The Sea Tiger (illustrateur) Pavilion
 1994 Wyvern Fall (illustrateur) Andersen Press
 1994 Wyvern Summer (illustrateur) Andersen Press
 1995 After the War was Over (author/illustrateur) Pavilion
 1995 Peter's Place (illustrateur) Andersen Press
 1995 Shakespeare Stories II (illustrateur) Gollancz
 1995 Surprise! Surprise! (author/illustrateur) Andersen Press
 1995 The Little Prince (illustrateur) Pavilion
 1996 A Child's Garden of Verses (illustrateur) Gollancz
 1996 Peter Pan and Wendy (illustrateur) Pavilion
 1996 Robin of Sherwood (illustrateur) Pavilion
 1996 Seal Surfer (author/illustrateur) Andersen Press
 1996 The Little Reindeer (author/illustrateur) Andersen Press
 1996 The Songs My Paddle Sings (illustrateur) Pavilion
 1996 There's a Bear in the Classroom (illustrateur) Pavilion
 1997 Creation: Stories from Around the World (illustrateur) Walker
 1997 Farm Boy (illustrateur) Pavilion
 1997 Look! Look! (author/illustrateur) Andersen Press
 1997 The Knight and the Squire (illustrateur) Pavilion
 1997 The Little Ships (illustrateur) Pavilion
 1998 Chicken Licken (illustrateur) Andersen Press
 1998 Cockadoodle-doo Mr Sultana! (illustrateur) Scholastic
 1998 Jack's Big Race (author/illustrateur) Andersen Press
 1998 Joan of Arc (illustrateur) Pavilion
 1999 Kensuke's Kingdom (illustrateur) Heinemann
 1999 Michael Foreman's Christmas Treasury (author/illustrateur) Pavilion
 1999 The Little Red Hen (author/illustrateur) Andersen Press
 1999 The Merrymaid of Zennor (illustrateur) Orchard
 1999 The Rainbow Bear (illustrateur) Doubleday
 1999 The Shining Princess and Other Japanese Legends (illustrateur) Andersen Press
 1999 The Story of Millennia the Angel (illustrateur) Orchard
 1999 The Wonderful Wizard of Oz (illustrateur) Pavilion

années 2000
 2000 Billy the Kid (illustrateur) Pavilion
 2000 Cat in the Manger (author/illustrateur) Andersen Press
 2000 Memories of Childhood (author/illustrateur) Pavilion
 2000 Rock-a-doodle-doo! (author/illustrateur) Andersen Press
 2000 The Lady and the Squire (illustrateur) Pavilion
 2000 Why Bear has a Stumpy Tail (illustrateur) Walker
 2001 Out of the Ashes (illustrateur) Macmillan
 2001 Saving Sinbad (author/illustrateur) Andersen Press
 2001 The Wind in the Willows (illustrateur) Pavilion
 2001 Tom and the Pterosaur (illustrateur) Walker
 2001 Toro! Toro! (illustrateur) Collins
 2002 Bedtime Stories (illustrateur) Chrysalis
 2002 Cool! (illustrateur) Collins
 2002 Dinosaur Time (author/illustrateur) Andersen Press
 2002 Evie and the Man who Helped God (author/illustrateur) Andersen Press
 2002 Michael Foreman's Playtime Rhymes (author/illustrateur) Walker
 2002 The Last Wolf (illustrateur) Doubleday
 2002 The Sleeping Sword (illustrateur) Egmont
 2002 Wonder Goal (author/illustrateur) Andersen Press
 2003 Bobby, Charlton and the Mountain (illustrateur) Andersen Press
 2003 Cat on the Hill (author/illustrateur) Andersen Press
 2003 Hello World (author/illustrateur) Walker
 2004 Dolphin Boy (illustrateur) Andersen Press
 2004 Gentle Giant (illustrateur) Collins
 2004 Sir Gawain & the green knight (illustrateur) Walker
 2004 Alice's adventures in Wonderland (illustrateur) Sterling
 2004 One world (author/illustrateur) Anderson Press
 2004 Christmas crimes (illustrateur) Folio Society
 2005 Classic fairy tales (illustrateur) Sterling
 2005 The amazing story of Adolphus Tips (illustrateur) Harper Collins
 2005 Can't Catch Me!, author/illustrateur, Andersen Press
 2006 Beowulf, illustrateur, Candlewick
 2006 Fox Tale, author/illustrateur, Andersen Press
 2006 Mia's Story, author/illustrateur, Walker
 2006 Norman's Ark, author/illustrateur, Andersen Press
 2007 Michael Foreman's Classic Fairy Tales, adapter/illustrateur, Pavilion
 2007 Say Hello, illustrateur, Walker
 2007 Soggy the Bear, illustrateur, Mabecron Books
 2007 Soggy to the Rescue, illustrateur, Mabecron Books
 2007 Team Trouble, illustrateur, Andersen Press
 2007 The Mozart Question, illustrateur, Walker
 2007 White Owl, Barn Owl, illustrateur, Candlewick
 2008 Kaspar, illustrateur, HarperCollins
 2008 Soggy and the Mermaid, illustrateur, Mabecron Books
 2008 The Lion Who Ate Everything, illustrateur, Walker
 2008 The Little Dinosaur, author/illustrateur, Walker
 2009 A Child's Garden: A Story of Hope, author/illustrateur, Walker
 2009 Pirates Ahoy!, illustrateur, Andersen Press
 2009 The Littlest Dinosaur's Big Adventure, author/illustrateur, Walker
 2010 Why the Animals Came to Town, author/illustrateur, Walker
 2015 The Tortoise and the Soldier, author/illustrateur, Henry Holt
 2021 Noa and the Little Elephant, author/illustrateur, HarperCollins Children's Books in association with Tusk Trust

Prix et distinctions

 2010 : Sélection Prix Hans-Christian-Andersen, catégorie Illustrateur
 1997 Nestlé Smarties Book Prize (Prix d'argent)
 1996 : (international) « Honour List » de l'IBBY pour War Game
 1993 Prix du livre Nestlé Smarties (Prix d'or)
 1989 Médaille Kate Greenaway
 1988 :
 1982 Médaille Kate Greenaway
 1982 Prix Kurt Maschler
 1980 Prix du graphisme de la Foire du livre pour enfants de Bologne
 1977 Prix Francis Williams pour l'illustration
 1977 Prix d'illustration de la Bibliothèque nationale d'art
 1972 Prix Aigle d'Argent du Festival International du Livre
 1972 Prix d'illustration de la Bibliothèque nationale d'art
 1971 Prix Francis Williams pour l'illustration

Références

Liens externes
 Michael Foreman chez March House Books (concessionnaire), une longue liste de livres avec préface

Naissance en 1938
Étudiant du Royal College of Art
Illustrateur britannique
Auteur britannique de littérature d'enfance et de jeunesse

Michael Foreman (illustrateur)


Freeke Moes est une joueuse de hockey sur gazon néerlandaise née le 29 novembre 1998 aux Pays-Bas. Elle a remporté avec l'équipe des Pays-Bas la médaille d'or du tournoi féminin aux Jeux olympiques d'été de 2020 à Tokyo.

Références

Liens externes

Joueuse néerlandaise de hockey sur gazon
Joueuse de hockey sur gazon aux Jeux olympiques d'été de 2020
Championne olympique de hockey sur gazon
Championne olympique néerlandaise
Naissance en novembre 1998

Freeke Moes


O revezamento do biatlo nos Jogos Olímpicos de Inverno de 2022 foi disputado no Hualindong Ski Resort, em Yanqing, em Pequim, em 5 de fevereiro.

Medalhistas

Resultados

A prova foi disputada às 17h no horário local. As duas primeiras pernas foram executadas pelas mulheres que percorreram o trajeto de 6 quilômetros cada, enquanto que as duas pernas finais foram percorridas por homens que percorreram 7,5 quilômetros. Cada atleta passou pela estação de tiro duas vezes, a primeira atirando deitado e a segunda em pé.

Revezamento misto

Biatlo nos Jogos Olímpicos de Inverno de 2022 - Revezamento misto


Eşittir işareti günümüzdekine benzer şekli ile ilk kez 1557 yılında Galli matematikçi Robert Recorde tarafından kullanılmış olan işarettir.

Bir işlemin neye eşit olduğunu göstermek için kullanılır.

Tarihçe
16. yüzyıla kadar bütün matematikçiler kendilerine has eşittir işaretleri kullanırlardı ve ortak bir gösterim biçimi olmaması birbirlerini anlamalarını zorlaştırmaktaydı. Robert Recorde 1557 tarihli The Whetstone of Witte adlı yapıtında : "Eşittir sözcüğünü bıktırıcı bir biçimde tekrar tekrar kullanmaktansa genelde çalışırken yaptığım gibi paralel iki çizgi koyacağım, çünkü paralel iki çizgiden daha eşit bir şey olamaz" diyerek ilk kez kullanmıştır.

Kaynakça
 Adrian Berry, Sonsuzluğun Kıyıları - Tübitak Yayınları / 2001 , ISBN 975-403-248-3

Noktalama işaretleri
Matematiksel gösterim

Eşittir işareti


Crkva sv. Ivana Krstitelja je katolička crkva u Budvi. Nalazi se u Starom gradu. Posvećena je sv. Ivanu Krstitelju, zaštitniku Budve. U predmletačko doba, gradski grb i zastava iz 15. stoljeća nosili su lik sv. Ivana Krstitelja. Budvanski statut propisivao je da se na blagdan sv. Ivana imperatoru mora platiti 100 perpera i 4 denara.

Povijest
Spada među najstarije crkve u primorskom dijelu Crne Gore. Znanstvenici smatraju da je sagrađena oko 1200. godine. Zbog raznih razloga više je puta rekonstruirana. Bilo je i više dogradnja. 1667. godine razorni potres je pogodio područje Budve i vrlo je oštetio crkvu, zbog čega je obnovljena u 17. stoljeću. Crkva danas izgleda najvjerojatnije po stanju nakon te obnove. To nije bio jedini, nego su brojni potresi rušili ovu crkvu. Također je i zbog osmanskog osvajanja pretrpila rušenje.
U crkvu je uoči dolaska Napoleonove vojske 1807. godine prenesena ikona Maria in Punta. Do 1828. godine u biskupskom dvoru bila je katedrala odnosno sjedište Budvanske biskupije, koja je te godine ukinuta. 1867. podignut je zvonik na sjevernoj strani crkve.

Karakteristike
Najstariji građevni materijal datira iz 11. stoljeća. S južne strane je biskupski dvor čiji je pogled prema Citadeli. Zvonik je na sjevernoj strani crkve. Visok je 36 metara. Nacrte je izradio tirolski arhitekt Lucchini.

Unutar crkve čuva se Budvanska Gospa, ikona Blažene Djevice Marije s Kristom, prava imena Madona in punta. Jedna je od najstarijih ikona u Crnoj Gori i šire. Najveća je svetinja Starog grada. Vjerojatno je nastala još u 12. stoljeću. Hrvatski slikar Ivo Dulčić oslikao je veliki mozaik u staklu. Prikazan je lik sv. Ivana Krstitelja. Mozaik je iza glavnog oltara.

U crkvi su očuvani ostatci freskoslikarstva (pictores graeci) iz 14. stoljeća, datiranje koje je potvrdio nalaz grobne ploče s godinom 1330., pronađene u prezbiteriju. Na crkvi je postavljen nad vratima nad glavnim portalom zapadne fasade natpis na latinskom, datiran u 1640. godinu. Natpis je sa stare crkve ugrađen u novu, obnovljenu, nakon potresa 1667. godine. Slobodni prijevod natpisa je:

Izvori

Vanjske poveznice
RadioDux Proslava sv. Ivana Krstitelja, nedjelja, 23. lipnja 2013.

Građevine u Budvi
Katoličke crkve u Crnoj Gori
Budva

Crkva sv. Ivana Krstitelja u Budvi


Cefpodoxima este un antibiotic din clasa cefalosporinelor de generația a treia, utilizat în tratamentul unor infecții bacteriene. Este utilizat în tratamentul infecțiilor de tract respirator, otitelor, infecțiilor cutanate și infecțiilor de tract urinar. Calea de administrare disponibilă este orală.

Molecula a fost patentată în anul 1980 și aprobată pentru uz medical în anul 1989.

Reacții adverse
Printre reacțiile adverse se numără reacțiile alergice și inflamația la locul administrării.

Note

Vezi și
 Cefiximă
 Ceftriaxonă
 Ceftazidimă
 Cefotaximă

Cefalosporine
Tiazoli
Oxime

Cefpodoximă


Mihai Eșanu, né le  à Bucarest, est un footballeur roumain. Il joue au poste de gardien de but au Dinamo Bucarest.

Biographie

Il fait ses débuts avec le Dinamo Bucarest le , contre Chindia Târgoviște dans le championnat de Roumanie. Il entre en début de seconde période et le match se solde par une défaite 1-0.

En 2018, il est prêté au CS Balotești.

Notes et références

Liens externes

Footballeur roumain
Gardien de but au football
Joueur du Dinamo Bucarest
Naissance en juillet 1998
Naissance à Bucarest

Mihai Eșanu


Persepolis (Pers dilinde: Parsa, Farsça: تخت جمشید/پارسه, Takht-e Jamshid / Taht-ı Cemşid), İran'ın Fars Eyaleti'ndeki  Şiraz şehrinin 70 km kuzeydoğusundadır.

Kuruluşu
Pers İmparatorluğu'nun başkenti olan Persepolis, MÖ 6. yüzyıl sonlarına doğru Pers Kralı I. Darius (Dara) tarafından kurulmuştur. Darius'dan sonra tahta çıkan I. Serhas (Xerxes) ve Artakserkses (Ardaşir) şehri büyüterek çeşitli anıtlarla doldurmuşlardır.

Anlatım

Saray
Persepolis'te kral sarayları taşıma toprakla yapılan, tepesi 473 metre uzunlukta, 86 metre genişlikte ve 13 metre yüksekliği olan yapay bir tepe üzerinde bulunmaktaydı. Sarayların bulunduğu bu taraçaya iki geniş merdivenle çıkılıyordu. Merdivenlerin yan duvarları kabartma heykellerle doludur. Gerek Kiros'un Pasargadai'daki anıtsal mezarında, gerekse Persepolis'teki büyük saray kompleksinde Yunan mimarlar ve taş ustaları çalışmışlardır.

Serhas'in taht salonunda, her biri 20 metre yükseklikte olan ve üzerinde 2 metre yükseklikte başlıkları olan 100 sütun bulunuyordu. Başlıklar boğa ve insan şeklindeydi. Sarayın iki büyük sütunla tutturulan kapısının yüksekliği 11 metredir. Kapıdaki sütunların önünde, yüzleri insan şeklinde olan iki boğa heykeli vardır.

Tören salonu
Darius'un Mısır'daki ocaklardan getirilen blok taşlarla yapılmış "Apadana" denilen tören salonu 10.000 kişi alıyordu. Bu kadar büyük bir kapalı salon başka hiçbir sarayda görülmemiştir. Hazine sarayının geniş avlusuna açılan 4 büyük ahşap kapısı vardı ve bunlar renkli ve süslü alçılarla kaplıydı.

Persepolis'te büyük sütun kaideler üzerinde, Perslerin inançlarını yansıtan heykeller vardır. Bunlar iyilik sembolü olan yarı insan bir savaşçı ile kötülük sembolü olan bir canavarın mücadelesini ve iyilik sembolünün zaferini gösterir.

Kral mezarları
Persepolis'in yakınındaki kayalık dağın yamaçlarında birbirinden 8–10 km uzaklıkta, kayalar oyularak yapılan ve saray görünümlü iki kaya mezar vardır. Frigya kral mezarlarına benzeyen bu mezarlar "Taht-ı Cemşid" ve "Nakş-ı Rüstem" olarak anılırlar. Bunlardan biri I. Darıus'un mezarıdır.

MÖ 331'de Büyük İskender Persleri yenerek şehri yaktı. Bundan sonra şehir toprak yığınları altında kendi haline terkedildi. 1930'larda başlayan arkeolojik çalışmalarla şehir yeniden ortaya çıkarılmıştır.

Kaynakça

Dış bağlantılar
 Persepolis
 Persepolis, Şiraz

Pers İmparatorluğu
Ahameniş İmparatorluğu'nda kurulan oluşumlar
Şiraz
Fars Eyaleti'ndeki yapılar
İran'daki arkeolojik sitler
İran'daki Dünya Mirasları
İran'daki antik kentler
İran'da kültür
Yıkılmış merkez noktaları
MÖ 6. yüzyılda tamamlanan yapılar

Persepolis


فيما يلي قائمة بشعارات التي تستخدمها دول وأقاليم آسيا.

الدول

الدول ذات الاعتراف المحدود

التبعيات والأقاليم

انظر أيضًا
 معرض شعارات الدول

آسيا
شعارات الدول
شعارات وطنية
قوائم متعلقة بآسيا

شعارات دول آسيا


Jökulsá á Fjöllum er Islands næstlængste elv med 206 km. Den har en middelvandføring på 183 m3/s og et afvandingsområde på 7.750 km2, hvilket er Islands største.

Den løber fra gletsjeren (jøkelen) Vatnajökull mod nord til Grønlandshavet. Undervejs ligger vandfaldene Selfoss, Dettifoss og Hafragilsfoss. Dettifoss er 44 m højt, og er af geloger ved Edinburgh Universitet kaldt Europas mest kraftfulde vandfald.

Referencer

Floder i Island

Jökulsá á Fjöllum


Franz Heinrich Kaiser (25.4.1891 Wiesbaden, 13.3.1962 Wiesbaden) fue un astrónomo  y meteorólogo alemán.

Trabajó en el observatorio de Heidelberg-Königstuhl desde 1911 hasta 1914 mientras preparaba su doctorado en físicas, el cual obtuvo en 1915. Durante este tiempo, Heidelberg fue un centro importante en el descubrimiento de asteroides dirigido por Max Wolf, y Kaiser descubrió algunos de ellos durante su estancia allí.

En noviembre de 1925 funda en su ciudad natal una sociedad astronómica, la Astronomische Gesellschaft URANIA, la cual dirigiría hasta su muerte.

Asteroides descubiertos
Kaiser descubrió o codescubrió 21 asteroides.

Reconocimientos
El asteroide (3183) Franzkaiser fue nombrado en su honor.

Véase también
 Objetos astronómicos descubiertos por Franz Kaiser

Referencias

Nacidos en Wiesbaden
Fallecidos en Wiesbaden
Astrónomos de Alemania
Descubridores de asteroides

Franz Kaiser


Biserica Intrarea în Biserică a Maicii Domnului din Ciuta este un ansamblu de monumente istorice aflat pe teritoriul satului Ciuta, comuna Măgura. În Repertoriul Arheologic Național, monumentul apare cu codul 47355.01.

Ansamblul este format din două monumente:
 Biserica "Intrarea în Biserică a Maicii Domnului" ()
 Clopotniță ()

Note

Monumente istorice din județul Buzău


Rachael Karker, née le , est une skieuse acrobatique canadienne spécialiste de half-pipe. Elle est médaillée de bronze en half-pipe lors des Jeux olympiques de 2022 à Pékin.

Carrière
Lors des Jeux olympiques d'hiver de 2022, elle remporte la médaille de bronze du half-pipe derrière Gu Ailing et Cassie Sharpe.

Palmarès

Jeux olympiques

Championnats du monde

Coupe du monde
 1 petit globe de cristal :
 Vainqueur du classement half-pipe en 2023.
14 podiums dont 2 victoires.

Références

Liens externes

Skieuse acrobatique canadienne
Naissance en septembre 1997
Médaillée de bronze olympique canadienne
Médaillée aux Jeux olympiques d'hiver de 2022
Skieuse acrobatique aux Jeux olympiques d'hiver de 2022

Rachael Karker


Lawrence "Larry" Richard Walters (født 19. april 1949 i Los Angeles, død 6. oktober 1993 i Angeles National Forest, Californien), med kælenavnet "Lawnchair Larry" eller "Lawn Chair Pilot", var en amerikansk lastbilchauffør som tog en flyvetur den 2. juli 1982 i sin hjemmealvede luftballon. Med navnet Inspiration I bestod hans flyvemaskine af en almindelig havestol med 45 heliumfyldte vejrballoner. Walters svævede op i en højde på omkring 4.600 m, og fløj fra sit begyndelsessted i San Pedro i Californien i i et kontrolleret luftrum tæt ved Los Angeles International Airport. Hans flyvetur blev beskrevet af mange medier.

Refereencer

Personer fra USA

Larry Walters


Gölgerişi, Sinop ilinin Durağan ilçesine bağlı bir köydür.

Tarihçe
Köy, 1928 yılından beri aynı adı taşımaktadır.

Coğrafya
Köy, Sinop il merkezine 165 km, Durağan ilçe merkezine 40 km uzaklıktadır.

Nüfus

Kaynakça

Dış bağlantılar

Durağan belde ve köyleri

Gölgerişi


Arlington Ulusal Mezarlığı (İngilizce: Arlington National Cemetery), I. ve II. Dünya Savaşları, Kore, Vietnam ve Körfez Savaşı'nda ölen askerlerin anısına yapılmıştır.

Mezarlık bir asker tarafından korunmakta ve saat başı nöbet değişimi gerçekleşmektedir. Ziyaretçiler kendi başlarına ya da rehber eşliğinde tur yapabilirler. Nisan & Eylül ayları arası yaz döneminde öö 08:00 – ös 07:00 saatleri arasında, diğer aylarda öö 08:00 – ös 05:00 saatleri arası ziyaret edilebilir.

ABD yasaları gereği Arlington Ulusal Mezarlığı'na gömülme hakkına sahip bulunan kişiler şunlardır:
 muharip askerler ve aile fertleri;
 ABD Silahlı Kuvvetleri'nde hizmet yapmış olan askerler;
 emekli askerler;
 Cumhurbaşkanları;
 Yüksek Mahkeme Başkanları;
 Aşağıdaki devlet nişanlarından herhangi birine sahip bulunan kişiler:
 Mor Kalp Madalyası
 ABD Onur Madalyası
 ABD Gümüş Yıldız Madalyası
 ABD Üstün Hizmet Madalyası
Yine ABD yasaları gereği, idam ya da ömür boyu hapis cezasını gerektiren suçları işlemiş olan kişiler, Arlington Mezarlığı'na gömülmek için aranan şartları haiz olsalar bile, buraya gömülemezler.

Arlington Ulusal Mezarlığı'nda Gömülü Ünlü Kişiler

William Howard Taft 27. ABD Başkanı

John F. Kennedy 35. ABD Başkanı

Jacqueline Kennedy Onassis 35. ABD Başkanı John F. Kennedy'nin eşi

Robert F. Kennedy Senatör, 64. ABD Başsavcısı, 35. ABD Başkanı John F. Kennedy'nin kardeşi

Edward Kennedy Senatör, 35. ABD Başkanı John F. Kennedy'nin kardeşi

Clark McAdams Clifford ABD Savunma Bakanı (1968-1969)

Dwight F. Davis 49. ABD Savaş Bakanı

John Foster Dulles 52. ABD Dışişleri Bakanı

Robert Todd Lincoln 35. ABD Savaş Bakanı

John Wingate Weeks 48. ABD Savaş Bakanı

Edmund Sixtus Muskie 58. ABD Dışişleri Bakanı

William Pierce Rogers 55. ABD Dışişleri Bakanı, 63. ABD Başsavcısı

Richard Helms CIA Başkanı (1966-1973)

Robert McNamara 8. ABD Savunma Bakanı

Lee Marvin Akademi ödüllü Amerikalı sinema oyuncusu

Glenn Miller Amerikalı müzisyen ve besteci

Ignacy Jan Paderewski Polonya Başbakanı

Dashiell Hammett Amerikalı yazar

George C. Marshall Marshall Planı'nın yaratıcısı, 3. ABD Savunma Bakanı, 50. ABD Dışişleri Bakanı

Robert Edwin Peary Kutup araştırmacısı

Ulusal mezarlıklar

Arlington Ulusal Mezarlığı


Das Damendoppel der French Open 1980 war ein Tenniswettbewerb in Paris.

Titelverteidigerinnen waren Betty Stöve und Wendy Turnbull. Das Finale bestritten Kathy Jordan und Anne Smith gegen Ivanna Madruga und Adriana Villagrán, das Kathy Jordan und Smith in zwei Sätzen gewann.

Setzliste

Hauptrunde

Halbfinale, Finale

Obere Hälfte

Obere Hälfte 1

Obere Hälfte 2

Untere Hälfte

Untere Hälfte 1

Untere Hälfte 2

Weblinks

Damendoppel
1980

French Open 1980/Damendoppel


Ilıcaköy, Sakarya ilinin Geyve ilçesine bağlı bir mahalledir.

Coğrafya
Sakarya il merkezine 47 km, Geyve ilçesine 15 km uzaklıktadır.

Nüfus

Dış bağlantılar
 Yerelnet

Geyve'nin mahalleleri

Ilıcaköy, Geyve


كأس السوبر المصري هي بطولة سوبر مصرية في كرة قدم تجرى سنويًا، تقام بين بطل الدوري المصري الممتاز والفائز بكأس مصر، وفي حالة كون الفريق الفائز بالدوري هو نفسه الفريق الفائز بالكأس يلعب الفريق الفائز بالإثنان مع وصيف الدوري بعد تعديل لائحة المسابقات لاتحاد الكرة المصري 2020، وبدأت البطولة في موسم 2001-2002.

سجل المباريات حسب الموسم

ملحوظة: في بطولة 2005 كان من المفترض أن تكون المباراة ضد الزمالك، فقد كان الأهلي فائزًا ببطولة الدوري المصري الممتاز وكذلك كأس مصر (بعد الفوز على منافسه الزمالك في النهائي 3-0). وقواعد الاتحاد المصري لكرة القدم تقرر أنه في حال كان الفريق الفائز بالدوري والكأس واحدًا (الأهلي في هذه الحالة) فإن كأس السوبر يقام بين هذا الفريق ووصيفه في الدوري (الزمالك في هذه الحالة)، إلا أنه بسبب عدم رغبة الزمالك بأداء اللقاء كونه لم يفز بأي من البطولتان، قرر الاتحاد المصري لكرة القدم أن يكون طرف اللقاء الآخر هو إنبي.

سجل الأبطال حسب النادي

انظر أيضًا
 الدوري المصري الممتاز
 كأس مصر
 الاتحاد المصري لكرة القدم

المراجع

الاتحاد المصري لكرة القدم
كؤوس سوبر كرة قدم وطنية
منافسات كؤوس كرة قدم في مصر

كأس السوبر المصري


Američko numizmatičko društvo američka je udruga posvećena proučavanju numizmatike. Osnovana je 1858. godine u New Yorku, gdje se i danas nalazi njezino sjedište. Društvo posjeduje najveću numizmatičku zbirku u Sjedinjenim Američkim Državama s više od 800.000 primjeraka novčanica i kovanica iz svih dijelova numizmatičke povijesti, posebno iz vremena Zlatne groznice koja je vladala Kalifornijom i dovela do proizvodnje kovanica različitih vrijednosti i veličina. Osim novca u knjižnici zbirke čuvaju se i čekovi, mjenice, bankarski papiri i vrednosnice, dionice i platne liste. Dio zbirke čine i športske medalje, državna odlikovanja i odličja.

Vanjske poveznice
 Službene stranice Američkog numizmatičkog društva

Numizmatika
Organizacije u SAD-u

Američko numizmatičko društvo


Seyfe, Suluova - Amasya ili Suluova ilçesine bağlı köy
 Seyfe, Çorum - Çorum ili merkez ilçesine bağlı köy
 Seyfe, Mucur - Kırşehir ili Mucur ilçesine bağlı köy

Seyfe


Gig Young (født Byron Elsworth Barr; 4. november 1913, død 19. oktober 1978) var en amerikansk skuespiller og manuskriptfordatter.

Biografi
Young voksede op i Washington D.C. og medvirkede i flere skolekomedier. Han modtog et stipendium til Pasadena Playhouse og fik småroller i film under sit rigtige navn Byron Barr. Han fik sit gennembrud i 1942 i The Gay Sisters, hvor han blev kaldt "Gig Young" og han bibeholdte så dette navn.

Han var en talentfuld og alsidig skuespiller, der kombinerede venlighed og oprigtighed med elegance, altid med en nem vejmine.

Young vandt en Oscar i 1970 for sin rolle som ceremonimester i filmen Jamen, man skyder da heste?.

Young døde under tragiske og mystiske omstændigheder. Politiet fandt Youngs lig i hans lejlighed på Manhattan i New York, ved siden af liget af sin kone liggende på tredje uger, 34 år yngre tyske skuespillerinde Kim Schmidt. Young holdt en pistol i hånden - tilsyneladende havde han først skudt sin kone og derefter begået selvmord.

Filmografi
 1941 – De døde med støvlerne på
 1942 – The Gay Sisters
 1943 - Old Acquaintance
 1948 - De tre musketerer
 1951 - Den sidste drink
 1959 - Nattens alibi
 1962 - Sig det med mink
 1964 - A/S Storsvindlerne (TV-serie)
 1970 - Jamen, man skyder da heste?
 1975 - Hindenburg
 1975 - Killer Elite
 1976 – Sherlock Holmes i New York

Eksterne henvisninger

Skuespillere fra USA
Oscar for bedste mandlige birolle
Personer fra Minnesota
Amerikanere i 1900-tallet
Personer der har begået selvmord
Pseudonymer

Gig Young


The Nestlé Children's Book Prize, and Nestlé Smarties Book Prize for a time, was a set of annual awards for British children's books that ran from 1985 to 2007. It was administered by BookTrust, an independent charity that promotes books and reading in the United Kingdom, and sponsored by Nestlé, the manufacturer of Smarties candy. It was one of the most respected and prestigious prizes for children's literature.

There were three award categories defined by audience ages 0 to 5 years, 6 to 8 years, and 9 to 11 years (introduced in 1987 after two years with no single prize). Silver and bronze runners-up in each category were introduced in 1996 and designation of one overall winner was abandoned at the same time.

Eligible books were written by UK citizens and residents and published during the preceding year (not precisely the calendar year). The shortlists were selected by a panel of adult judges, finally chaired by Julia Eccleshare, children's books editor for The Guardian. First, second, and third places were determined by British schoolchildren—at least finally, by vote of "selected school classes"

The prize was discontinued in 2008 by what was described as a "mutual" decision from BookTrust and Nestlé, with "no hostility". Explaining their reasons for this decision, BookTrust stated it had "been reviewing the organisation's priorities and how prizes and awards fit in with its strategic objectives", while Nestlé was "increasingly moving its community support towards the company strategy of nutrition, health and wellness." Additionally, they said that it was a "natural time to conclude" and that they were "confident that increased importance has been placed on children's books."

Winners
There were 65 winning books in 23 years and 72 silver or bronze runners-up in the last twelve years.

1980s

1990s
Beginning in 1996, the awards included silver and bronze winners rather than a single overall winner.

2000s

See also

 Carnegie Medal
 Children's Book Council of Australia Awards
 Dorothy Canfield Fisher Children's Book Award
 Gelett Burgess Children's Book Award
 Guardian Children's Fiction Prize
 Kate Greenaway Medal
 Newbery Medal

Notes

References

1985 establishments in the United Kingdom
2008 disestablishments in the United Kingdom
Awards disestablished in 2008
Awards established in 1985
British children's literary awards
English-language literary awards

Nestlé Smarties Book Prize


Google Play Music fue un servicio de almacenamiento y sincronización de música en la nube que operó Google como parte de su línea de servicios de Google Play. El servicio fue anunciado el 10 de mayo de 2011. Después de estar por un periodo de 6 meses en fase beta por invitación, el servicio fue lanzado al público el 16 de noviembre de 2011 en Estados Unidos.

En agosto de 2020, Google anunció que el servicio comenzaría a cerrarse gradualmente en septiembre y sería reemplazado por YouTube Music y Google Podcasts en diciembre de 2020.

Historia
El servicio musical de Google fue sugerido por primera vez durante la conferencia Google I/O en 2010, donde el entonces vicepresidente Vic Gundotra mostró una sección de "música" del entonces llamado Android Market en una presentación.

Un servicio de música fue anunciado durante la conferencia de desarrolladores Google I/O del 10 de mayo de 2011, bajo el nombre "Music Beta".
Inicialmente, el servicio tenía una funcionalidad limitada, y solo se podía acceder desde Estados Unidos y a través de invitación; el servicio presentaba un "casillero de música" sin costo para el almacenamiento de hasta  canciones, pero no había ninguna tienda de música presente durante la versión beta, ya que Google aún no llegaba a acuerdos de licencia con los principales sellos discográficos.

Después de estar por un periodo de 6 meses en fase beta, Google lanzó el servicio de manera pública en los Estados Unidos el , bajo el nombre "Google Music". En el evento donde Google anunció su lanzamiento público se presentaron varias características del servicio, incluyendo una tienda de música integrada en el entonces llamado Android Market, el intercambio de música a través de la red social Google+, y páginas donde los artistas podían publicar su propia música.

En marzo de 2012, Google cambió el nombre de Android Market y sus servicios de contenido digital como "Google Play". Con este cambio, el servicio de música pasó a llamarse "Google Play Music".

Google Play Music fue una de las primeras cuatro aplicaciones compatibles con Chromecast, reproductor de medios digitales de Google lanzado en julio de 2013.

En junio de 2018, Google anunció sus planes para la transición de sus suscriptores de Google Play Music al servicio YouTube Music. En mayo de 2020, la aplicación de  agregó una opción para transferir colecciones, listas y preferencias provenientes de Google Play Music. En agosto de 2020, Google anunció el cierre del servicio, comenzando de manera progresiva a finales de agosto y concluyendo en diciembre del mismo año. El servicio fue discontinuado en diciembre de 2020, siendo reemplazado por Youtube Music y Google Podcasts.

Características
El servicio era accesible vía navegador, cliente de escritorio y smartphones con Android, aunque también se puede acceder desde otros sistemas operativos móviles siempre y cuando soporten Adobe Flash.

El servicio permitía el almacenamiento gratuito de canciones propias hasta por un total de , que al sincronizarse en la nube, se podía acceder desde cualquier punto. Otras características eran la posibilidad de crear listas manuales o inteligentes, dejando que el gestor musical haga listas automáticas sobre la base de coincidencias.

Disponibilidad
Google Play Music se encontraba disponible en dispositivos con sistema operativo Android e iOS, en los siguientes países: Alemania, Argentina, Australia, Austria, Bélgica, Bielorrusia, Bolivia, Bosnia y Herzegovina, Brasil, Bulgaria, Canadá, Chile, Chipre, Colombia, Costa Rica, Croacia, Dinamarca, Ecuador, El Salvador, Eslovaquia, Eslovenia, España, Estados Unidos, Estonia, Finlandia, Francia, Grecia, Guatemala, Honduras, Hungría, Irlanda, Islandia, Italia, Japón, Letonia, Liechtenstein, Lituania, Luxemburgo, Macedonia del Norte, Malta, México, Nicaragua, Noruega, Nueva Zelanda, Países Bajos, Panamá, Paraguay, Perú, Polonia, Portugal, Reino Unido, República Checa, República Dominicana, Rumania, Rusia, Serbia, Sudáfrica, Suecia, Suiza, Ucrania, Uruguay y Venezuela.

A partir de diciembre de 2020, se empezó a mostrar avisos en los que ya no permitía abrir la aplicación, esto debido a la finalización de los servicios de Google Play Music. En este aviso, el usuario aún podía hacer una migración de su información a YouTube Music.

Véase también
 Libro electrónico

Referencias

Google
Software de Google
Software para Android
Sitios web de música
Productos introducidos en 2011
Software para iOS
Software de 2011
fr:Google Music
he:Google music

Google Play Music


Filmbulletin – Zeitschrift für Film und Kino ist eine Schweizer Filmzeitschrift, die seit 1959 erscheint, aktuell in sechs Ausgaben pro Jahr. Sie gehört zu den führenden deutschsprachigen Filmzeitschriften. In der deutschsprachigen Schweiz ist es die einzige, periodisch erscheinende Filmzeitschrift. Bis zum Jahrgang 57 [2015, No 4] war der Titelzusatz: Filmbulletin – Kino in Augenhöhe.

Beschreibung
Herausgegeben wird die Zeitschrift von der Stiftung Filmbulletin in Zürich. Ursprünglich ins Leben gerufen wurde sie 1959 vom katholischen Filmkreis Schweiz; theologische Themen und Betrachtungen spielen heute aber keine Rolle mehr. Die Ausgaben für die Bundesrepublik Deutschland werden durch den Schüren Verlag in Marburg vertrieben.

Filmbulletin beleuchtet nicht nur aktuelle Themen und neue Filme im Kino, sondern wendet sich oftmals den kreativen, doch meist unbekannteren Mitarbeitern unter den Filmautoren und Regisseuren zu. Daher ist die Maxime des Filmbulletins eine , um die Arbeit der Kameraleute, Filmeditoren, Tongestalter, Filmkomponisten, Szenenbildner oder Drehbuchautoren weiter in den Mittelpunkt zu rücken. Filmbulletin versteht sich als Plattform für die kritische, historisch und theoretisch fundierte Beschäftigung mit Film und Kino.

Des Weiteren finden sich Rezensionen zu aktuellen Kinofilmen, DVD-Editionen oder Buchpublikationen in den einzelnen Heften. Filmbulletin ist daher mit weiteren namhaften Filmzeitschriften wie epd Film, film-dienst, Cargo und Ray vergleichbar.

Weblinks
 Website von Filmbulletin – Zeitschrift für Film und Kino. In: filmbulletin.ch, mit Heft-Index

 Filmbulletin – Kino in Augenhöhe.  bei WorldCat
 Eintrag beim Goethe-Institut:  auf goethe.de
 Patrick Fiekers: . In digitalvd.de, 24. Mai 2008
 Pressestimmen auf filmbulletin.ch

Einzelnachweise

Zeitschrift (Schweiz)
Filmzeitschrift
Medien (Winterthur)
Deutschsprachige sechswöchentliche Zeitschrift
Ersterscheinung 1958


La Limite du péché () est un film dramatique franco-italien réalisé par  et sorti en 1969.

Synopsis
Marco Baroni a passé quatre ans dans une école anglaise. Lorsqu'il rentre à Rome, il est pris au dépourvu par le comportement des membres de sa famille : son père, sa mère et sa sœur Marzia ont tellement changé qu'il ne les reconnaît plus. Ils lui apparaissent cyniques, alcooliques et hypocrites. Lors d'une fête, Marco tue sa sœur en la noyant dans la piscine.

Fiche technique
 Titre français : La Limite du péché
 Titre original italien :
 Réalisateur :
 Scénario :  et Guy Pérol
 Photographie :
 Montage :
 Musique : Don Backy et Detto Mariano
 Décors :
 Costumes :
 Maquillage : Lolli et Sandro Melaranci
 Sociétés de production : Pro-Di Cinematografica (Rome), Radius Productions (Paris)
 Pays de production :  -
 Langue originale : italien
 Format : Couleur - 2,35:1 - Son mono - 35 mm
 Durée : 90 minutes
 Genre : Drame
 Dates de sortie :
 Italie :

Distribution
Peter Lawford : Papa Baroni
Françoise Prévost : Cristiana, la mère
Paolo Turco : Marco Baroni
Paolo Carlini : don Luigi
Tery Hare : Marzia Baroni
Corinne Fontaine : Lona Streiber
Carla Romanelli : Nicoletta
Germano Longo : Nani
Alicia Brandet : Diane
Giuseppe Castellano : sergent de police
Janine Hendy : Pilla
Don Backy : Jumpy
Bernard Blier : Andrea Brusa
Franco Giacobini
Umberto D'Orsi
Carole André
Barbara Carroll
Eleonora Morana
Anna Orso
Léa Nanni
Rodolfo Licari
Claudio Trionfi

Tournage
Le film a été tourné dans les lieux suivants :
 Villa à Monte Mario (Scene dans la villa de la famille de Marco Baroni)
 Accademia Britannica di piazzale Winston Churchill à Rome (scène de la faculté)
 Via del Faro a Isola Sacra (Fiumicino, Rome) (scène sur la plage)
 Ristorante Mastrostefano, piazza Navona à Rome (scène du restaurant)
 Chiesa di San Pio X, piazza della  à Rome (scène dans l'église)

Notes et références

Liens externes

Film italien sorti en 1969
Film français sorti en 1969
Film dramatique italien
Film dramatique français
Film en italien
Film français tourné en italien
Premier long métrage sorti en 1969
Film avec une musique composée par Detto Mariano
Film tourné à Rome
Film se déroulant à Rome

La Limite du péché


Sekundærrute 221 er en rutenummereret landevej på Amager.

Ruten strækker sig fra Tårnby til Dragør.

Rute 221 har en længde på ca. 7 km.

Kilder

221

Sekundærrute 221


Forventningens glæde er en dansk kortfilm fra 2004, der er instrueret af Esben Larsen.

Handling
En kort og meget visuel film uden dialog, der er baseret på en delvist sand historie.

Referencer

Eksterne henvisninger

Danske film fra 2004
Kortfilm fra Danmark

Forventningens glæde


Malus asiatica, es una especie del género Malus, perteneciente a la familia Rosaceae. Es nativa de China.

Descripción
Es un árbol pequeño, que alcanza un tamaño de 4-6 m de altura. Las ramitas de color marrón violáceo cuando envejece, cilíndricas, robustas, densamente pubescentes cuando jóvenes, glabras cuando son viejas, brotes de color rojo grisáceo, de forma ovoide, en un principio densamente pubescente, posteriormente glabrescentes. Estípulas caducas, lanceoladas, pequeñas, de 3-5 mm, membranosas; las láminas de las hojas elípticas, 5-11 × 4-5,5 cm,  la base redondeada o anchamente cuneada, serrulado el margen, el ápice agudo o acuminado. la inflorescencia en corimbos en los ápices de las ramitas, de 3-5 cm de diámetro, con 4-7 (-10) flores, brácteas caducas. Flores de 3-4 cm de diám. Hipanto densamente pubescente. Sépalos triangular-lanceoladas, de 4-5 mm, ligeramente más largos que el hipanto, ambas superficies densamente pubescentes. Pétalos de color rosa, de 0.8-1.3 cm. Estambres 17-20, desiguales, más cortos que los pétalos. El fruto es un pomo de color amarillo o rojo, ovoide o subgloboso, de 4-5 cm de diámetro. Fl. abril-mayo, fr. agosto-septiembre.

Distribución y hábitat
Se encuentra en las pistas abiertas, los suelos arenosos de las llanuras, desde el nivel del mar a los 2800 metros en Gansu, Guizhou, Hebei, Henan, Hubei, Jiangsu, Liaoning, Mongolia Interior, Qinghai, Shaanxi, Shandong, Shanxi, Sichuan, Xinjiang, Yunnan y Zhejiang.

Cultivo
Esta especie es un árbol frutal famoso en el norte y noroeste de China. Durante su largo período de cultivo, muchos cultivares han sido criados, el fruto de los cuales difieren en la forma, el  color, tamaño y maduración.

Taxonomía
Malus asiatica fue descrita por Takenoshin Nakai y publicado en Icones Plantarum Koisikavenses 3: 19, pl. 155, en el año 1915.
Citología
El número de cromosomas es de 2n = 34 *, 51 *, 68
Sinonimia
Malus domestica var. asiatica (Nakai) Ponomar.
Malus domestica var. rinki (Koidz.) Ohle
Malus dulcissima var. asiatica Koidz.
Malus dulcissima var. rinki (Koidz.) Koidz.
Malus matsumurae Koidz.
Malus prunifolia var. rinki (Koidz.) Rehder
Malus pumila var. rinki Koidz.
Pyrus matsumurae (Koidz.) Cardot
Pyrus ringo Wenz.

Referencias

Enlaces externos

asiatica

Malus asiatica


Martín Domingo de Guzmán y Niño  (Madrid, 25 de febrero de 1658-Madrid, 11 de mayo de 1722), IV  marqués de Montealegre,  marqués de Quintana del Marco, fue un aristócrata español que sirvió en la Real Casa.

Vida y familia

Hijo de Pedro Núñez de Guzmán, III marqués de Montealegre y de María Petronila Niño de Porres Enríquez de Guzmán,  condesa de Villaumbrosa. Su familia arrastraba largos servicios a la corona habiendo sido su bisabuelo camarero mayor del emperador Fernando I de Habsburgo y su padre Presidente del Consejo de Castilla entre 1669 y 1677.

Ya joven empezó a servir en la Real Casa pues en 1674 fue nombrado bracero de la Reina Mariana de Austria y, un año más tarde,  Gentilhombre de la Real Cámara. Murió su padre en 1678 heredando sus títulos nobiliarios y, en 1681, casó con Teresa Spínola y Colonna, hija de Pablo Spínola Doria, III  marqués de los Balbases.

En 1690 fue nombrado capitán de la Guardia Alemana. El rey Carlos II, queriendo premiar su devoción, le concedió el 5 de octubre de 1698 la Grandeza de España y, un año más tarde, le hizo Capitán de la Guardia española. Confirmado por Felipe V como gentilhombre,  mantuvo en 1705 la capitanía de la Guardia el ser ésta reorganizada según el modelo francés.

Como Gentilhombre más antiguo y por estricta razón de veteranía, el rey lo designó su Sumiller de Corps interino entre 1709 y 1715, siendo el 18 de julio de este último año nombrado con carácter de titular, cargo que desempeñaría hasta su fallecimiento.

Bibliografía

 Archivo General de Palacio (AGP) . Patrimonio Nacional. Sección Personal

Grandeza de España
Nobles de España del siglo XVII
Nobles de España del siglo XVIII
Sumilleres de Corps del rey

Martín Domingo de Guzmán y Niño


Dværgjorte (Tragulidae) er en familie af firemavedrøvtyggere i ordenen Parrettåede hovdyr (Artiodactyla).

 Familie Dværghjorte (Tragulidae)
 Slægt Hyemuscus
 Vanddværghjort Hyemoschus aquaticus
 Slægt Moschiola
 Moschiola indica
 Srilankansk plettet dværghjort Moschiola meminna
 Moschiola kathygre
 Slægt Tragulus
 Asiatisk dværghjort Tragulus javanicus
 Lille dværghjort Tragulus kanchil
 Tragulus napu
 Tragulus nigricans
 Tragulus versicolor
 Tragulus williamsoni

Dværghjorte


An Dimeria eradii in uska species han Liliopsida nga ginhulagway ni N. Ravi. An Dimeria eradii in nahilalakip ha genus nga Dimeria, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Dimeria

Dimeria eradii


Néa Kallísti, en , est un village du dème Komotiní dans le district régional de Rhodope en Macédoine-Orientale-et-Thrace en Grèce.

Selon le recensement de 2011, la population du village s'élève à .

Notes et références

Voir aussi

Liens externes

Village en Macédoine-Orientale-et-Thrace
Localité en Rhodope (district régional)

Néa Kallísti