Kanowna steht für:

 Kanowna (Western Australia), eine Geisterstadt der Goldgräber in Western Australia
 TSS Kanowna, ein australischer Dampfer, der 1929 sank
 Kanowna-Belle-Goldmine, ein Goldbergbau in Western Australia
 Kanowna Island, eine Insel vor der Küste von Victoria in Australien

Kanowna


La  est l'une des sept circonscriptions législatives que compte la préfecture d'Ibaraki au Japon. Cette circonscription comptait  électeurs en date du .

Description géographique

La cinquième circonscription de la préfecture d'Ibaraki regroupe les villes de Hitachi, Takahagi et Kitaibaraki ainsi que le district de Naka.

Députés

Notes et références

Voir aussi

Articles connexes
 Chambre des représentants du Japon

Circonscription législative au Japon

Cinquième circonscription de la préfecture d'Ibaraki


Gaularfjellet er et bjergområde på grænsen mellem kommunerne Gaular, Balestrand og Førde i Vestland fylke i Norge. Den højeste top er Sunnfjordbjørnen  (). Den højeste i nærheden af vejen er Gottopphesten der er   ()

Fylkesvei 13 går over Gaularfjellet. Vejen, som blev åbnet for trafik i 1938, er et kendt turistmål og er en af de . Den hurtige overgang fra fjord til fjeld, og svingene opi  Bårddalen fra Vetlefjorden lokker mange til. Højeste punkt på fjeldovergangen er 748 moh.

Se også
Rørvikfjellet

Kilder og henvisninger

 Gaularfjellet - i fosseland - Informationsside for nationale turistveje

Gaular
Førde
Balestrand
Bjerge i Vestland

Gaularfjellet


محرك دنيا  هو محرك للألعاب الفيديو تم تصميمه بواسطة أحد موظفي شركة كرايتيك «كرمان أبوبكر». الاسم والذي يعني «العالم» بعدة لغات تتضمن العربية، الإندونيسية، البنغالية، الهندية، الملايو، الفارسية، البنجابية، الأردوية، السواحلية والتركية.
المحرك مستند على النسخة الأولى من كراي إنجن ولكن تم تعديله بشكل كبير من قبل يوبي سوفت مونتريال للعبة فار كراي 2.

معلومات تقنية

مميزات محرك دنيا:
 . مناخ ديناميكي
 . انتشار للنيران بشكل ديناميكي تحت تأثير المناخ
 . نيران واقعية
 . خواص فيزيائية مثل تحريك الأشياء حتى الجثث
 . دورات كاملة للنهار والليل
 . نظام موسيقي ديناميكي
 . دعم لخرائط كبيرة بدون التقيد بمستويات
 . ذكاء اصطناعي غير مبرمج
 . نظام إضاءة واقعي غير الإضاءة المباشرة

مراجع

برمجيات 2008
فار كراي
محركات ألعاب فيديو
يوبي سوفت

محرك دنيا


János Rajz, Reisz () a fost un actor maghiar, laureat al premiilor Kossuth și Jászai Mari, distins cu titlurile de artist emerit și maestru al artei.

Biografie
Era fiul lui Ödön Rajz (Jenő Reisz) și al Gizellei Vámossy. Provenea dintr-o familie de actori, părinții și frații lui, Irén Rajz și Ferenc Rajz, au fost, de asemenea, actori. Numele de familie Reisz a fost schimbat în 1918 în cel de Rajz. A început să joace ca actor în 1924, pe când avea vârsta de 17 ani, la Debrețin, neavând absolvite cursuri de teatru.
A jucat ca actor la teatrele din Szeged (1925-1927), Debrețin (1927-1928), câteva orașe din provincie (1928-1929), la Teatrul Regal (1929-1930), la Bratislava (1930-1931), Košice (1931-1933), Miskolc (1933-1939), Košice (1939-1940), Pécs (1940-1941), Debrețin (1941-1943), Subotica (1943-1944), Debrețin (1944-1945), Teatrul Național din Szeged (1945-1951), Teatrul Armatei Poporului din Ungaria (1951-1952).

În 1952 a fost angajat la Teatrul Național, de unde s-a pensionat în 1976.

Pe 2 iunie 1943 s-a căsătorit la Debrețin cu Margit Süli, cu zece ani mai tânără.

Personaje
Și-a început cariera ca dansator-comedian, mai ales în operete, dar a jucat ca actor timp de mai mulți ani. Capacitatea sa de creare a personajelor i-a fost apreciată cel mai mult pe scena Teatrului Național. Era o figură umilă, cu comportament simplu, o voce răgușită și umor, ceea ce făcea ca personajele create de el să fie memorabile.

A apărut în numeroase filme și seriale de televiziune, a dublat voci și a jucat în piese de teatru radiofonic. (A preluat rolul lui Ernő Szabó în serialul radiofonic A Szabó család  în 1966, după moartea predecesorului său, jucându-l timp de 15 ani, până la moartea sa, în aproximativ 750 de episoade).

În 1976 a înființat Fundația Rajz János.

Roluri în piese de teatru
Numărul rolurilor interpretate potrivit evidențelor teatrale este de 116. Printre acestea se numără următoarele:
 Petrovics hadnagy (Kálmán Imre: A cirkuszhercegnő)
 Inas (Szigeti József: Rang és mód)
 Celestin (Hervé: Nebáncsvirág)
 Hlesztakov (Gogol: Revizorul)
 George (John Steinbeck: Șoareci și oameni)
 Dudás (Shakespeare: Visul unei nopți de vară)
 Scapin (Molière: Vicleniile lui Scapin)
 Balga (Vörösmarty Mihály: Csongor și Tünde)
 Corvino (Ben Jonson: Volpone)
 Írnok (Németh László: Galilei)
 1. gyilkos (Shakespeare: Macbeth)
 Kikiáltó (Peter Weiss: Marat/Sade)
 Bíró (Peter Weiss: Vizsgálat)
 Tiszteles (Shaw: Warrenné mestersége)
 Harpagon (Molière: Avarul)

Filmografie

Filme de cinema

 A város alatt (1953)
 Liliomfi (1954)
 Dandin György, avagy a megcsúfolt férj (1955)
 A 9-es kórterem (1955)
 1955 Accidentul (Gázolás), r. Viktor Gertler
 Böske (1955)
 Budapesti tavasz (1955)
 A csodacsatár (1956)
 A császár parancsára (1956)
 Az eltüsszentett birodalom (1956)
 Gábor diák (1956)
 1956 Papa Dolar (Dollárpapa), r. Viktor Gertler
 Nehéz kesztyűk (1957)
 Két vallomás (1957)
 A nagyrozsdási eset (1957)
 1958 Umbrela Sfântului Petru (Szent Péter esernyője), r. Frigyes Bán, Vladislav Pavlovic
 1958 Floarea de fier (Vasvirág), regia János Herskó
 Felfelé a lejtőn (1958)
 Don Juan legutolsó kalandja (1958)
 Pár lépés a határ (1959)
 1959 Poznașa (Kölyök), regia Miklós Markos, Mihály Szemes
 Szerelem csütörtök (1959)
 Tegnap (1959)
 1959 Sabie și zar (Kard és kocka), regia Imre Fehér
 Égrenyíló ablak (1959)
 Álmatlan évek (1959)
 Három csillag (1960)
 1960 Două etaje de fericire (Két emelet boldogság), regia János Herskó
 Felmegyek a miniszterhez (1961)
 Puskák és galambok (1961)
 1961 Două reprize în iad (Két félidő a pokolban)
 Sínek között (1961)
 1963 Un nou Ghilgameș (Új Gilgames), regia Mihály Szemes
 Hattyúdal (1963)
 Párbeszéd (1963)
 Tücsök (1963)
 1963 Diplomatul gol (Meztelen diplomata), regia György Palásthy
 1964 Logodnicele văduve (Özvegy menyasszonyok)
 Már nem olyan időket élünk (1964)
 Miért rosszak a magyar filmek? (1964)
 Mit csinált felséged 3-tól 5-ig? (1964)
 Álmodozások kora (1964)
 1965 Fiii omului cu inima de piatră (A kőszívű ember fiai)
 1965 Povestea prostiei mele (Butaságom története)
 Különös házasság (1965)
 Tízezer nap (1965)
 Az orvos halála (1965)
 Utószezon (1966)
 1967 Cele trei nopți ale unei iubiri (Egy szerelem három éjszakája), r. György Révész
 A beszélő köntös (1968)
 1968 Stelele din Eger (Egri csillagok) seria I-II
 Az utolsó kör (1968)
 Isten hozta, őrnagy úr! (1969)
 Utazás a koponyám körül (1970)
 A halhatatlan légiós - akit csak Péhovardnak hívtak (1970)
 Csak egy telefon (1970)
 Nyulak a ruhatárban (1971)
 A fekete város I-II. (1971)
 Lila ákác (1972)
 Egy srác fehér lovon (1973)
 1974 Pălărie tare și nas de cartof (Keménykalap és krumpliorr), r. István Bácskai Lauro
 1979 Iarba crește până la cer (Égigérő fű), regia György Palásthy

 Filme de televiziune

 Dublaje de voce
 Cartouche (1962) A marsall - Lucien Raimbourg
 Tűz van, babám! (1967) Josef - Josef Kolb

 Teatru radiofonic
 Tóték (1974)

 Premii
 Premiul Jászai Mari (1957)
 Premiul Kossuth (1958)
 Artist emerit (1965)
 Maestru al artei (1973)

 Note

 Bibliografie
 Magyar színházművészeti lexikon. Főszerk. Székely György. Budapest: Akadémiai. 1994. ISBN 9630566354
 Magyar életrajzi lexikon IV: 1978–1991 (A–Z)''. Főszerk. Kenyeres Ágnes. Budapest: Akadémiai. 1994. ISBN 963056422X
 Színészkönyvtár
 Színházi adattár . Országos Színháztörténeti Múzeum és Intézet

Legături externe
 HMDB
 magyarszinhaz.hu  A Rajz János-díj

Nașteri în 1907
Decese în 1981
Actori maghiari
Oameni din Budapesta

János Rajz


Santa María del Camí, Batı Akdeniz'de, İspanya'nın doğu sahiline yakın, İspanya'nın özerk bölgesi olan Balear Takımadaları'na ait bir belediye. Mayorka Adası'nda olup nüfusu; 4,998'dir. (2002)

Consell, Santa Eugenia, Palma, Marratxí, Bunyola ve Alaró ile sınır komşusudur.

Dış bağlantılar

 Belediye resmi sitesi* Resmi olmayan portal

Santa María del Camí


යූසුෆ් පතාන් (උපත 17 නොවැම්බර් 1982) යනු ඉන්දීය හිටපු ක්‍රිකට් ක්‍රීඩකයෙකි.

යූසුෆ් පතාන්


بَلَدِيَّةُ الحَنَشِ ، هي إحدى بلديات مقاطعة بطليوس، التي تقع في منطقة إكستريمادورا، والتي تقع في غرب إسبانيا.

يبلغ عدد سكانها 2.038 نسمة وفقاً لإحصائية سنة (2002).

المراجع

أماكن مأهولة في بطليوس
بلديات بطليوس
أماكن ذات اسم عربي الأصل في شبه الجزيرة الإيبيرية

الحنش (إسبانيا)


بلدية ماتاديبيرا (بالكاتالانية: Matadepera) هي إحدى بلديات مقاطعة برشلونة، والتي تقع في منطقة كاتالونيا، شرق إسبانيا.

يبلغ عدد سكانها 8.266 نسمة وفقاً لإحصائية سنة (2007).

أعلام
 سيرجي إنريكي
 ريكي بويج
 أريادنا سابرول
 جوليا بونس

مراجع

بلديات في مقاطعة برشلونة
بلديات في فالس أوكيدنتل

ماتاديبيرا


Euterpe espiritosantensis é uma planta pertencente ao gênero de Euterpe, pertencente à família Arecaceae.

Taxonomia

Descrição
A planta Euterpe espiritosantensis foi descrita pela primeira vez no ano de 1989, pelo pesquisador Helio de Queiroz Boudet Fernandes, vinculado ao Museu de Biologia Professor Mello Leitão Santa Teresa, localizado no interior do estado Espírito Santo. A planta foi descrita pela primeira vez na revista científica Acta Botanica Brasilica, revista vinculada ao Sociedade Botânica do Brasil (SBB).

Originária do Brasil, na descrição de Hélio Fernandes, sua primeira descrição foi realizada no município de Santa Teresa.

Características
Podem chegar a possuir a altura de vinte metros, possuindo variações entre cinco e quinze metros. Suas folhas variam entre oito e nove metros com manchas dispersas amareladas e um diâmetro do caule com de cinco a oito centímetros.

Ver também

 Euterpe
 Museu de Biologia Professor Mello Leitão
 Santa Teresa

Referências bibliográficas

 MARTINS, Cibele Chalita. Isoenzimas na diferenciação de sementes de três espécies do gênero Euterpe. Revista Árvore, v. 31, p. 51-57, 2007.
 HENDERSON, Andrew; GALEANO, Gloria. "Euterpe, Prestoea, and Neonicholsonia (Palmae)." Flora Neotropica v. 72, p. 1-89, 1996.
 FERNANDES, Helio de Queiroz Boudet. New species of Euterpe (Palmae - Arecoideae - Areceae). Acta Botanica Brasilica. v. 3, n. 2, p. 43-19, 1989.
 BOVI, M. L. A.. Floral biology and reproductive system of Euterpe espiritosantensis Fernandes. In: I International Symposium on Ornamental Palms 360. 1993. p. 41-56.

Plantas descritas em 1989
Euterpe
Flora do Espírito Santo (estado)
Espécies citadas na Lista Vermelha de Ameaça da Flora Brasileira
Espécies citadas na Lista de Espécies da Flora Ameaçadas do Espírito Santo

Euterpe espiritosantensis


ජීවයේ සියළු අධිරාජධානියන්ට අයත් (ආකියා, බැක්ටීරියා, යූකැරියා) සියළු සෙෙලයන්හී සෙෙල සැකිල්ල දැකගත හැකිවේ. එය න්‍යෂ්ටියේ සිට ප්ලාස්ම පටලය දක්වා සෙෙල ප්ලාස්මය පුරා විහිදී යන, අන්තර් සම්බන්ධිත තන්තු සහ නාලිකා සමූහයකින් තැනුනු සංකීර්ණ ජාලයක් ලෙස පවතී. විවිධ ජීවීන්ගේ සෙෙල සැකිලි පද්ධතියන්, සමාන වූ ප්‍රෝටීන වර්ග වලින් තැනී තිබේ. සූන්‍යෂ්ටිකයන්ගේ සෙෙල සැකිලි පූරකය ප්‍රධාන ප්‍රෝටීන වර්ග තුනකින් තැනුනු ගතික ව්‍යුහයක් වන අතර, ඒවාට නිශ්චිත කාල පරාසයක් තුලදී සෙෙලයේ අවශ්‍යතාව අනූව වේගවත් වර්ධනය වීමක් සිදුකිරීමට හෝ කොටස් වලට වෙන්වී යාමේ හැකියාවක් පවතී. ජීවියා සහ සෙෙල වර්ගය මත පදනම්ව සෙෙල සැකිල්ලෙහි ව්‍යුහය, කෘත්‍යය සහ ගතික හැසිරීම් එකිනෙකින් ඉතා වෙනස් විය හැකිය. වෙනත් ප්‍රෝටීන සමග සහසම්බන්ධ වීම මගින් එක් සෙෙලයක් තුලදීම පවා සෙෙල සැකිල්ල වෙනස් විය හැක.

මූලාශ්‍ර

සෙෙල සැකිල්ල


Die evangelische Stadtkirche ist ein denkmalgeschütztes Kirchengebäude am St.-Georg-Kirchplatz 1 in Lünen, einer Stadt im Kreis Unna (Nordrhein-Westfalen).

Geschichte und Architektur

Die Kirche wurde den Heiligen Georg und Katharina geweiht. Die Halle von drei Jochen steht auf einem fast quadratischen Grundriss. Der Chor im 5/8-Schluss ist einjochig. Das Gebäude mit einem Westturm wurde von 1360 bis 1366 errichtet und von 1512 bis 1521 nach einem Brand wiederhergestellt. Der Außenbau ist verputzt und durch Eckquaderung und dreibahnige Fenster gegliedert. Der Ostgiebel ist aus Fachwerk gebaut. Das Langhaus wurde 1521 mit Fischblasenmaßwerk verziert. Der Chor mit dem bekrönenden Dreipass ist im Bogendreieck mit 1366 bezeichnet. Im gedrungenen Innenraum ruhen Rippengewölbe über Rundpfeilern und Wandkonsolen. Die Wandmalereien wurden von 1905 bis 1908 aufgedeckt und von 1957 bis 1958 restauriert. Im Mittelschiffgewölbe sind der Sündenfall und das Jüngste Gericht vom Anfang des 16. Jahrhunderts zu sehen. Der Engel mit den Leidenswerkzeugen wurde 1908 ergänzt. Der stehende Apostel vom 15. Jahrhundert, zwischen den beiden Chorfenstern, wurde stark erneuert. Der Heilige an der Langhausnordwand ist kaum noch erkennbar.

Ausstattung

Flügelaltar
Der bedeutende Flügelaltar aus der Zeit um 1470 ist im Umkreis des Meisters von Liesborn entstanden. Auf den beiden Mitteltafeln sind die Kreuzigung mit Kreuztragung sowie die Kreuzabnahme mit Christus in der Vorhölle und die Grablegung dargestellt. Der linke Flügel zeigt die Verkündigung, die Geburt Jesu, den Besuch der Heiligen Drei Könige und die Darstellung Jesu im Tempel. Der rechte Flügel zeigt die Auferstehung, Christi Himmelfahrt, das Pfingstereignis und das Weltgericht. Auf den Außenseiten/Rückseiten werden die Heiligen Georg im Kampf mit dem Drachen und Johannes der Täufer mit der Madonna gezeigt.

Orgel

Die Orgel wurde 1958/1960 von dem Orgelbauer Kemper (Lübeck) mit über 2250 Pfeifen erbaut. Die 32 Register sind verteilt auf drei Manual- und ein Pedalwerk mit rein mechanischen Trakturen. Der Prospekt mit Schnitzwangen, Wappen und Posaunenengeln stammt von einem Instrument des Orgelbauers Gerhard von Holy aus dem Jahr 1725; von dem damaligen Instrument ist bis auf das Gehäuse nichts erhalten geblieben.

 Koppeln: Rp/Hw, Ow/Hw, Rp/Pw, Hw/Pw als Tritt

Seit 1990 ist Jutta Timpe (* 1964, Kulturpreisträgerin der Stadt Lünen 2012) als Kantorin an der Stadtkirche tätig.

Sonstige Ausstattung

 Die beiden steinernen Leuchterengel auf polygonalen Stützen sind vom Ende des 15. Jahrhunderts.
 Das Sakramentshaus mit einem Fialenaufsatz ist eine Arbeit vom Ende des 15. Jahrhunderts. Es ist reich mit Maßwerk und den Skulpturen der Heiligen Petrus und Paulus geschmückt.
 Um 1500 wurde der achteckige Taufstein mit gedrehten Säulchen und unter Arkaden paarweisen Apostelreliefs geschaffen.
 Das Triumphkreuz aus Holz wurde um 1470 geschnitzt.
 Die Empore mit Schnitzwerk am Unterbau ist mit 1607 bezeichnet.
 Die Brüstung mit Ornamentfeldern und Evangelistensymbolen ist mit 1661 bezeichnet, sie wurde 1957 umgebaut, die Fassung wurde nach Befund erneuert.
 Das große Gemälde mit der Grablegung Christi wurde im 19. Jahrhundert nach einem Gemälde von Caravaggio kopiert.
 Die Glocke von 1472 wurde Johannes von Dortmund zugeschrieben.
 Die Glocke von 1601 wurde von Dirk Sluter gegossen.
 1923 erhielt die Kirche ein neues Gussstahlgeläut der Gießerei Lauchhammer, gestimmt auf ais°-cis′-e′-g′. Das Geläut wurde 1975 ausgebaut und durch ein fünfstimmiges Bronzegeläut der Glockengießerei Rincker in Sinn (Hessen) mit der Tonfolge e′-g′-a′-h′-d″ ersetzt. Die große Glocke (e′) erklingt nur an den hohen Feiertagen.

Literatur
 Georg Dehio, unter wissenschaftlicher Leitung von Ursula Quednau: Handbuch der deutschen Kunstdenkmäler. Nordrhein-Westfalen II, Westfalen. Deutscher Kunstverlag, Berlin/München 2011, ISBN 978-3-422-03114-2.
 Walter Thelitz (Hrsg.): 600 Jahre Stadtkirche St. Georg Lünen. Lünen 1960 (Inhaltsverzeichnis mit Links auf PDF-Dateien).
 Ev. Kirchengemeinde Lünen (Hrsg.): 650 Jahre Stadtkirche St. Georg Lünen. Lünen 2010.

Weblinks

 umfangreiche Dokumentation, abgerufen am 14. Mai 2012
 teilweise tägliche Youtube-Orgelspots während der COVID-19-Pandemie

Einzelnachweise

Lunen
Baudenkmal in Lünen
Lunen
Lunen
Erbaut in den 1360er Jahren
Lunen
Lunen
Bauwerk in Lünen
Lünen

Evangelische Stadtkirche Lünen


Gerling were an Australian electronica, alternative rock trio formed in 1993. From early 1997 the members were Darren Cross on guitar and lead vocals, Presser (real name Paul Towner) on drums and Burke Reid on guitar and vocals. Their second album, When Young Terrorists Chase the Sun (September 2001), reached the ARIA Albums Chart top50. It provided a top50 single, "Dust Me Selecta" (August 2001). The group disbanded in 2007.

History

Gerling were formed as a guitar pop trio in 1993 in western Sydney with the line-up of Darren Cross (aka Darren E. Spielberg-Cross) on guitar and lead vocals, Presser (real name Paul Towner) on drums and Brad Herdson on guitar and vocals. With only two guitars and drums, the group initially played cover versions of W.A.S.P. material. Then they focussed on creating experimental guitar pop, with their debut single, "Sedatives for Dead Radars", issued in 1995 on Steven Stavrakis' Fellaheen label.

It was followed by a seven-track extended play, A Day of Research, in 1996. It reached No.13 on the ARIA Alternative Albums Chart. Australian musicologist, Ian McFarlane, felt it was a "mix of early Pavement-style lo-fi guitar pop and idiosyncratic backing, it garnered widespread interest among the indie cognoscenti." Some of its tracks received high rotation on national youth radio station, Triple J.

Early in 1997 Herdson left to form Sonic Emotion Explosion, with Liz Payne from Spdfgh. He was temporarily replaced in Gerling by Ben Lee for their gig at Big Day Out, Sydney, in late January. Herdson's long-term replacement, on guitar, was Canadian-born, Burke Reid. In February 1998 the group issued a four-track 7-inch EP, Bachelor Pad on the Trifekta label. The label had been partly established in the previous year by Towner.

In October 1998 they issued, "Death to the Apple Gerls", on Festival's in-house indie label Reliant – which was set up by Bruce Milne (former CEO of Au Go Go Records). In the following month they released their debut album, Children of Telepathic Experiences, which peaked at No.21 on the ARIA Alternative Albums Chart. McFarlane noticed "an entertaining mix of Gerling's live punky-pop sound and a background of layered electronica." For the first time the group incorporated electronica in their music, they also built a recording studio, Gerlog, in Alexandria where band members produced and remixed tracks.

Their next single, "Enter, Space Capsule" (April 1999), provided four versions of the song, including one at Gerlog by band members and one mixed by Josh Abrahams. McFarlane saw this as the group's "move deeper into the realms of abstract electronica." At the ARIA Music Awards of 1999 Gerling were nominated in three categories: Breakthrough Artist – Album and ARIA Award for Best Alternative Release for Children of Telepathic Experiences and Breakthrough Artist – Single for "Enter, Space Capsule". Another single, "Ghost Patrol", followed in September, which featured guest lead vocals by Naoko Matsumoto of Sydney-based group Funky Terrorist.

During 2000 they toured the United Kingdom where they recorded, "G-House Project", with lead vocals provided by Kylie Minogue. Gerling issued a single late in the year, "The Deer in You", which peaked at No.12 on the ARIA Alternative Singles Chart. Cameron Webb of Oz Music Project described as "Hovering somewhere between the frantic mesh of screaming and guitars of 'Death to the Apple Gerls' and electro blips and beats of 'Enter, Space Capsule', 'The Deer in You' provides an enticing glimpse at their new recordings. The single doesn't suggest any great departure musically, just a reminder of what Gerling do best – pop music." At the ARIA Music Awards of 2001 they were nominated for Best Video for Paul Butler and Scott Walton's directorial work on "The Deer in You".

Gerling's second studio album, When Young Terrorists Chase the Sun, was released on 24 September 2001 after being postponed due to the September 11 attacks earlier that month and a title change to the less controversial, Head2Cleaner, for international markets. It peaked in the ARIA and New Zealand Albums Chart Top50s. Oz Music Project's Nick Coppack felt it was a "stunning follow-up", which "blends the band's love for electronic sounds and dance music with fuzzy guitars and aggressive vocals, which stem from the band's early punk roots."

The band became increasingly electronic they had success in the dance scene and mainstream charts with the earlier single, "Dust Me Selecta" (August 2001), which reached the ARIA Singles Chart Top50. Lou Lou of Oz Music Project praised it as "Keeping it fresh and funky... just when you've got your head around this disco funk, the booming synth voice jumps in, slaps you in the face and reminds you that it is indeed Gerling @ the controls." At the ARIA Music Awards of 2002 they received three more nominations: Best Dance Release and Best Video (directed by Jolyon Watkins) for "Dust My Selecta", and Producer of the Year for When Young Terrorists Chase the Sun (by Gerling and Magoo).

On 18 August 2003 they released their third studio album, Bad Blood!!!, which peaked in the Top60. They had recorded it at Gerlog with Magoo producing. Oz Music Project's Semone Maksimovic felt the group were "dipping their hand into the increasingly popular electro clash, disco punk bucket to fill their hands with both dirt and glitter to throw our way... [it is] more indicative of their capricious live shows, danceable, loud, catchy, energetic and easy to digest, it's a record that will go down well in clubs or to help liven up a party, even a good driving record, but one rule remains, it has to be up loud!" The album marked a return to form as guitars returned to the mix, whilst still retaining an electronic edge. The lead single, "Who's Ya Daddy?" (March 2003), reached the Top100. Maksimovic described it as "a mighty fine slice of sexy, trashy disco punk for us all to enjoy... [it] brings to mind The Detroit Grand Poobah's 'Sandwiches' am"

Their fourth studio album, 4, was released on 20 March 2006, which reached the Top100. The original recording was carried out in the function room of the Annandale Hotel, Sydney, before being re-recorded and mastered in Los Angeles. It was produced by Ethan Johns, who also worked on Aha Shake Heartbreak with Kings of Leon. "Turning the Screws" was the iTunes featured download of the week in February 2006.

The band have been on an indefinite hiatus since September 2007.

Post-hiatus

After disbandment, Cross spent four years (from 2007 to 2010) as the E.L.F., writing and performing dance music. From 2012 he turned to folk and alt-country traditional song writing structures and styling, releasing and touring as a solo artist. He received a positive review from No Depression for his album, No Damage. He also performed and recorded in a folk Noir duo, Jep and Dep (2012–2019), with Jessica Cassar. Jep and Dep's debut album, Word Got Out received 4 out of 5 stars from The Sydney Morning Heralds Bernard Zuel and Rolling Stone Australia As of 2022, Cross has released three instrumental guitar albums under the moniker D.C Cross, Ecstatic Racquet (2019),Terabithian (2020) and Hot-wire the Lay-low (2022). Tone Deafs Tyler Jenke observed "Terabithian is a high watermark of instrumental music".

In 2012 Cross also launched music and film production company, Bernstein Studios (Sydney) and has co-written songs with Jagwar Ma.

Towner produces visual art under the moniker, Dead Galaxy, and Reid has a career in music production.

Discography

Studio albums

Extended plays

Singles

Awards

ARIA Music Awards
The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987. Gerling were nominated for ten awards.

|-
| rowspan="3"| 1999
| rowspan="2"| Children of Telepathic Experiences
| ARIA Award for Best Adult Alternative Album
|
|-
| ARIA Award for Breakthrough Artist - Album
|
|-
|  "Enter, Space Capsule"
| ARIA Award for Breakthrough Artist - Single
|
|-
| 2001
| Paul Butler and Scott Walton for Gerling "The Deer in You"
| ARIA Award for Best Video
|
|-
| rowspan="3"| 2002
| "Dust Me Selecta"
| ARIA Award for Best Dance Release
|
|-
| Jolyon Watkins for Gerling "Dust Me Selecta"
| Best Video
|
|-
| Gerling and Magoo for Gerling When Young Terrorists Chase the Sun
| ARIA Award for Producer of the Year
|
|-
| rowspan="3"| 2003
| "Who's Ya Daddy?"
| Best Dance Release
|
|-
| Paul Butler, Scott Walton & 50 / 50 Films for Gerling – "Who's Ya Daddy?"
| Best Video
|
|-
| Gerling and Magoo for Gerling Bad Blood!!!
| Producer of the Year
|
|-

References

Musical groups from Sydney
Flying Nun Records artists
Musical groups established in 1993
1993 establishments in Australia

Gerling


චුලපුර (චුලිපුරම්) ශ්‍රී ලංකාවේ යාපනය දිස්ත්‍රික්කය තුල පිහිටි ගම්මානයකි.

යාපනය දිස්ත්‍රික්කය

චුලපුර


Speed, ulični je naziv za prilično širok spektar kemijske obitelji metamfetamina. Ulična imena, još su meth i chalk. Učinci su, na središnji živčani sustav, jači nego kod amfetamina.

Povijest
Dugo su se ovi spojevi upotrebljavali kao legalni lijekovi za smanjivanje tjelesne težine, prehlade, astmu, migrene, epilepsiju... Posebno je interesantna njihova uloga u Drugom svjetskom ratu, kad su se dijelili vojnicima britanskih, njemačkih i japanskih formacija. U američkoj vojsci korišteni su tijekom Korejskog i Vijetnamskog rata. Poznato je i to da je Hitler bio na speedu; redovito si je ubrizgavao doze nekoliko puta dnevno od 1942. godine.
Restriktivnijim zakonima sedamdesetih godina prestala je legalna prodaja. Danas se na ilegalnom tržištu speed pojavljuje najčešće u dvije solucije, kao amfetamin (prah amfetamin sulfata) i metamfetamin (prah metamfetamin klorida - naziv; crank). Standardna pakovanja prozirne su najlonske vrečice s prahom ili s kristalićima. Prodaje se i u obliku tableta, masne stvrdnute paste i kapsula. Čistoća praha je 6 do 10%. Kristalići (metamfetamin), slični ledu (ice) izazivaju jaču reakciju i imaju dugotrajno djelovanje (maksimalno i do 30 sati).
Speed nije toliko čest niti raširen kao ecstasy. Ulični speed redovito je razrijeđen, pomiješan sa sodom bikarbonom ili sa šećerom u prahu da bi se dobio veći volumen i težinu. Speed je najčešće u prahu (sličan je kokainu) - bijele je boje i ima grudice koje se mrve prije upotrebe.
Jedan gram speeda dovoljan je jednoj osobi za cijelu noć. Problem za konzumenta je to što se mora uzimati u nekoliko navrata, ako je slabijeg djelovanja, pa nije zgodan za uporabu u klubovima, jer konzument ga tad mora nositi sa sobom i riskira biti uhvaćen, za razliku od "bombona" koji se proguta i tako ga lakše skriva. Detekcija u mokraći moguća je kod amfetamina 8 do 72 sata od upotrebe, a kod metamfetamina 2 do 3 dana.
Uobičajena upotreba je šmrkanjem, ali može se konzumirati u hrani i piću (tada mu je djelovanje slabije i početak djelovanja je kasniji). Rjeđe se upotrebljava pušenjem. Moguće je ubrizgavanje i to je najsvrsishodniji način u postizanju ugode. Ubrizgavanje je najopasnije, posebice zbog rizika predoziranja i zbog zaraze korištenim iglama.
Djelovanje speeda počinje nakon 15 - 30 minuta. Trajanje je različito (od 3 sata do čak 12 sati, ići će i do 30 sati) i zavisi od čistoće i dodataka, ali i o osobnosti konzumenta (težina, tolerancija i dr.)

Opći simptomi
Opći simptomi su povećana živahnost, povećana agresivnost, isušena usta, povećan tlak, raširene zjenice i moguće povraćanje.

Posljedice
Posljedice su teški poremećaji bubrega i pluća, oštećenje jetre, neishranjenost, pojave čireva, smanjeni imunitet, srčane smetnje, nesanica i oštećenje mozga.

Studenti na većini sveučilišta SAD dobiju materijale o štetnosti speeda, u kojima piše da amfetamini i metamfetamini uzrokuju ubrzan puls i ubrzano disanje, povišen krvni tlak, nesanicu i gubitak apetita, može doći do znojenja, glavobolje, zamagljenja vida, vrtoglavice i tjeskobe, moguća su trajna oštećenja bubrega i dišnog sustava, i dugotrajno uzimanje velikih doza može dovesti do psihoze, koja uključuje halucinacije, opsjene i paranoju te su mogući smrtni slučajevi.

Znakovi uporabe
Znakovi uporabe su bočice tableta raznih boja i smeđi do bijeli prah u malim plastičnim vrećicama.

Izvori

Vanjske poveznice
(nje.) Drugcom.de Speed

Psihoaktivne droge

Speed (droga)


A categoria peso galo feminino ou até 54 kg do boxe nos Jogos Europeus de 2015 foi disputada entre 20 a 26 de junho, no Baku Crystal Hall, em Baku, Azerbaijão.

Calendário
Horário de verão do Azerbaijão (UTC+5).

Medalhistas

Resultados
Os resultados foram os seguintes.

Eventos do boxe nos Jogos Europeus de 2015

Boxe nos Jogos Europeus de 2015 - Peso galo feminino


Miriam "Miri" Regev (em hebraico: מִרְיָם "מִירִי" רֶגֶב; nascida Miriam Siboni em 26 de maio de 1965) é uma política israelense e ex-brigadeira-general das Forças de Defesa de Israel, nas quais atuou como porta-voz. Atualmente exerce as funções de Ministra dos Transportes, Infraestruturas Nacionais e Segurança Rodoviária, tendo anteriormente exercido o cargo de Ministra da Cultura e Desporto. Em 14 de junho de 2017, ela foi nomeada primeira-ministra interina de Israel sempre que o primeiro-ministro Benjamin Netanyahu precisava estar no exterior.

Início de vida
Regev nasceu em Qiryat Gat em 1965, filho de imigrantes judeus sefarditas. Seu pai, Felix, era do Marrocos e sua mãe, Mercedes, era da Espanha. Em 1983, ela ingressou no programa militar isralense Gadna, onde se tornou comandante de pelotão, servindo no cargo até 1986. Ela se formou em Educação Informal e possui MBA pelo Ono Academic College.

Carreira política
Em novembro de 2008, Regev ingressou no partido Likud, dizendo que apoiava o partido há muitos anos. Ela conquistou o vigésimo sétimo lugar na lista do partido para as eleições de 2009, apenas o suficiente para entrar no Knesset, já que o Likud conquistou 27 assentos. Nas eleições de 2015, Regev foi reeleita, depois de ficar em quinto lugar na lista nacional do Likud. Ela foi posteriormente nomeada pelo primeiro-ministro Benjamin Netanyahu como ministra da Cultura e Esportes no novo governo.

Revital Madar, um escritor tunisino-israelense do Haaretz, afirmou que Regev enfrentou discriminação devido às suas origens marroquinas, e seu comportamento franco é percebido como sendo estereotipado de Mizrahi.

Ministra da Cultura
Em seu cargo de Ministra da Cultura, Regev frequentemente equipara a liberdade de expressão artística com o poder do governo de retirar seu financiamento, usando o termo "Liberdade de Financiamento". Regev também argumentou que artistas ou organizações financiados pelo estado devem mostrar "lealdade" ao estado de Israel. Ela chamou isso de iniciativa de "Lealdade na Cultura" e propôs uma legislação tornando "o apoio a uma instituição cultural dependente de sua lealdade ao estado de Israel". Ela disse que o grupo Breaking the Silence "prejudica a imagem de Israel" e acusou uma galeria que havia hospedado uma palestra do grupo de "manter atividades políticas".

Ministra dos Transportes
Em maio de 2020, Regev recebeu a carteira do Ministério dos Transportes, Infraestrutura Nacional e Segurança Rodoviária para a primeira metade do 35º governo de Israel e a pasta do ministro das Relações Exteriores durante a segunda metade do mandato do novo governo. Ela foi empossada para este cargo em 17 de maio de 2020. Ela foi substituída por Merav Michaeli após a formação do 36º governo em 14 de junho de 2021.

Em 29 de dezembro de 2022, Regev foi nomeada para o cargo pela segunda vez por Benjamin Netanyahu durante a formação do trigésimo sétimo governo de Israel.

Notas

De tradução

Referências

Políticos de Israel
Ministros de Israel

Miri Regev


Okuryazarlık; bir dilin yazınlarını okuyabilme, okunan ögeleri algılama ve kavrama yetisine sahip olunmasıdır.

UNESCO'nun tanımına göre okuryazarlık; değişik türdeki yazılı kaynakları, kayıtları kullanarak tanımlama, anlama, yorumlama, bir araya getirme, iletişim kurma ve hesap yapma yeteneğidir. Toplumun geniş bir kitlesine hitap edebilmesi, bilgisini ve gücünü geliştirerek hedeflerine ulaşabilmesi için bireye olanak veren olgudur.

Günümüzde her yıl 8 Eylül günü Dünya Okuryazarlık Günü olarak kutlanır.

Dünyada okuryazarlık

Pek çok araştırmacı okuma yazma bilme oranının direkt olarak insan için hayati önem taşıdığını öne sürer. Bu iddiayı savunanlara göre, köle pazarlarında okuma yazma bilenlerin daha pahalıya satılması, Hindistan'da 1960'ta yapılan eğitim reformunun ardından anne-bebek ölüm oranlarının hızla düşüş göstermesi bunun en açık kanıtıdır.

Dünya üzerinde okuryazarlık oranlarının en düşük olduğu bölgeler Güney Asya, Arap ülkeleri ve iç Afrika ülkeleridir. Bu bölgelerde okuryazar olmayan nüfus %40-50'lere kadar varmaktadır. Okuryazarlık oranının yakın zamana kadar çok düşük olduğu Çin, Vietnam gibi ülkelerde bugün okuryazarlık oranları hâlâ düşükken, Brezilya, Endonezya gibi gelişmekte olan ülkelerde bu oran hızla artış göstermektedir. Okuryazarlık oranlarının en yüksek olduğu ülkeler Avrupa ülkeleri ve SSCB'nin dağılması ile ortaya çıkmış olan Gürcistan, Ermenistan, Azerbaycan, Belarus gibi devletlerdir.

Okuryazarlığın tarihi

Okuryazarlık kavramının geçmişi binlerce yıl öncesine dayanır fakat okuryazarlığın dünya üzerinde yaygınlık kazanması çok yeni tarihlere, Endüstri Devrimi'nin yapılması ile kâğıt ve matbaanın ucuzlaması ile kitapların daha kolay ulaşılır hâle gelmesine dayanır. Bu nedenle okuryazarlık oranında çok hızlı bir artış yaşanmıştır. Avrupa'da okuryazarlığın hızla yayılmasının sebebi İncil'i kendi başına okuyabilme isteği idi. 1840'lı yıllarda İngiltere'de evlilik kâğıtlarını parmak boyaları ile işaretleyen erkeklerin oranı %33 iken, kadınlarda bu oran %44 idi. Fakat bu oranlar ucuz kitap kolaylığının doğmasına denk gelen zamanda artmaya başladı.

Okuryazarlık geçmişte halkı sınıflandırmak ve kolayca yönetmek için kullanılmıştır. Geçmişte Amerika Birleşik Devletleri'nde oy kullanma hakkına sahip olabilmek için kişinin okuryazar olma şartı var idi.

Eski çağlarda okuryazarlık

Okuryazarlığın yavaş yayılımına bakıldığında, lacivert renkle gösterilmiş bölgelerde M.Ö. 2300'lerde, koyu yeşil ile gösterilmiş bölgelerde M.Ö. 1800'lerde, açık yeşil ile gösterilmiş bölgelerde de M.Ö. 300'lerde okuryazarlığın hâkim olduğunu söyleyebiliriz. Dünyanın diğer yerlerine kıyas ile okuryazarlık oranının çok yüksek olduğu bu alanlarda bile okuryazarlık sadece belli bir statüye erişebilmiş elit kesimin öğrenmeye güç yetirebildiği zor bir olguydu. (Aynı dönemlerde okuryazarlığın yaygın olduğu Japonya, Çin gibi alanlar haritada gösterilmemiştir.)

Pompei gibi bazı eski Roma şehirlerinde duvar kalıntıları üzerinde bulunan grafiti ve tabelalar bir dönem buralarda da halkın tabelalar ile yönlendirilebilecek kadar okuryazar olduğunu gösterir.

Bunun yanında semavi dinlerden olan İslam'a göre okumak Tanrı'nın ilk buyruğudur. Buna göre İslamiyet kişinin okumasını, daha da fazlası ilim öğrenmesini emreder. Büyük İslamî kişiliklerden biri olan Ali (halife) ise; "Bana bir harf öğretenin kırk yıl kölesi olurum." diyerek okuma yazma hakkındaki görüşlerini belirtmiştir. Araplar, İslamiyet'in doğuşunu müteakip birkaç yüzyıl boyunca dünyada en fazla okuryazar nüfusa sahip millet idi.

Orta Çağ'da, Avrupa'da okuryazar Yahudilerin oranı, Hristiyan nüfusa oran ile çok daha yüksek idi. Birçok Yahudi en azından İbranice okuma ve yazmayı öğrenirdi. Yahudilik Tanah ve Talmud'u okumayı emrettiği ve okunmasına büyük önem verdiği için birçok Yahudi o zamanlarda okuma ve yazma bilirdi.

İngiltere'de okuryazarlık 17. yüzyılın ikinci yarısında %50'lerin üzerindeydi. Bu oran 1710'da %70'i aştı. Amerikan Devrimi zamanında %90'ları buldu. Bu artışın sebebi İncil'i her zaman her yerde okuyabilme isteği idi. Öyle ki Griffth Jones adlı bir devrimcinin Galler'deki okullarda başlattığı, herkesi İncil'i okuyabilir hâle getirme amacı sayesinde 1750'lerde Galler bölgesi dünyada okuryazar nüfus oranının en yüksek olduğu yerdi.

Okuma yazma öğrenimi

Okuma yazma öğretmenin çeşitli yöntemleri vardır. Bunlardan en yaygını heceleme ve ayrık harf özellikleridir. Buna göre ayrık harf yönteminde her harf sahip olduğu sese göre öğretilirken, heceleme özelliğinde harfler cümle içinde bulunabilecekleri durumlara göre öğretilir.

ba, be, bo, bö, bu, bü, bı, bi...

Her dilde okuma yazma zorluğu, kullanılan alfabeye, yazım sistemine göre değişkenlik gösterir. Latin1, Kiril², Yunan³ alfabelerinde olduğu gibi ayrıntısız ses göstergelerine sahip olunabileceği gibi, Çincedeki4 gibi karmaşık karakterlerde olabilir. Japonca5 gibi bazı dillerde harfler ba, so, he, zu gibi heceleri ifade ederken, Arap6 alfabesinde olduğu gibi bir sesli harf cümle içinde kullanımına göre birkaç sesi karşılayabilir.

1. Latin harfleri : K, U, R, W, J, G, I

2. Kiril harfleri : Б, Д, Я, Л, Й, З, Ж

3. Yunan harfleri : β, Π, Γ, Ω,Ψ, Ξ, Θ

4. Çin harfleri : 疵, 疑,畖, 痒, 疗, 疇, 畑

5. Japon harfleri : ぺ (pe), ゴ (go), ヅ (zu), く (ku), プ (pu), ギ (gi), い (i)

6. Arap harfleri : ت (tu), ر (ru), ك (k) (harfleri ile oluşturulan تُرُك birleşimi ile Türk ve Tork yazılabilir).

Türkiye'de okuryazarlık

1 Kasım 1928 tarihinde gerçekleştirilen Harf Devrimi ile Türkiye'de okuryazarlık için Latin kökenli Yeni Türk Alfabesi alfabesi kabul edilmiştir.

Türkiye'de 2013 yılı itibarı ile okuryazarlık oranı %95.78'dir.  Ülke genelinde düzenlenen pek çok kampanya, belediye kurslarının açılması, kırsal kesimde kızların okula gönderilme çalışmaları sayesinde bu oran her geçen yıl artmaktadır.

Okuryazarlığın en yüksek olduğu ülkeler

Okuryazarlığın en düşük olduğu ülkeler

Ayrıca bakınız
 Eğitim
 Hızlı yazı okuma tekniği
 Okuryazarlık oranına göre ülkeler listesi

Dış bağlantılar
 Okuryazarlık
 Okuryazarlık MEB

Okuryazarlık


Armistead Thomson Mason (August 4, 1787February 6, 1819), the son of Stevens Thomson Mason, was a U.S. Senator from Virginia from 1816 to 1817. Mason was also the second-youngest person to ever serve in the US Senate, at the age of 28 and 5 months, even though the age requirement for the US Senate in the constitution is 30 years old.

Early life and education
He was born at Armisteads in Louisa County, Virginia, graduated from the College of William and Mary in 1807 and engaged in agricultural pursuits until he became colonel of Virginia Volunteers in the War of 1812 and subsequently brigadier general of Virginia Militia.

Political career
He was elected as a Republican to the United States Senate to fill the vacancy caused by the resignation of William Branch Giles, despite being constitutionally underage for the office. Mason served from January 3, 1816, to March 4, 1817. He then moved to Loudoun County, Virginia where he was an unsuccessful candidate for election to the Fifteenth Congress (1817). It was a bitter campaign that gave rise to several duels: Mason himself was later killed in a duel with his second cousin, John Mason McCarty, at Bladensburg Duelling Field, Maryland, as a result of this campaign. He is buried in the churchyard of the Episcopal Church at Leesburg, Virginia.

Marriage and children
Mason married on 1 May 1817 to Charlotte Eliza Taylor (died 1846) at Dr. Charles Cocke's in Albemarle County, Virginia. The couple had one son:

Stevens Thomson Mason (1819–14 June 1847)

Relations
Armistead Thomson Mason was the grandnephew of George Mason (1725–1792); grandson of Thomson Mason (1733–1785); son of Mary Elizabeth "Polly" Armistead Mason (1760–1825) and Stevens Thomson Mason (1760–1803); nephew of John Thomson Mason (1765–1824); second cousin of Thomson Francis Mason (1785–1838) and James Murray Mason (1798–1871); brother-in-law of William Taylor Barry (1784–1835); brother of John Thomson Mason (1787–1850); uncle of Stevens Thomson Mason (1811–1843); and first cousin of John Thomson Mason, Jr. (1815–1873).

Ancestry

References

External links
Armistead Thomson Mason. Find a Grave.

|-

1787 births
1819 deaths
People from Louisa County, Virginia
Mason family
Episcopalians from Virginia
Democratic-Republican Party United States senators from Virginia
American planters
United States senators who owned slaves
18th-century American Episcopalians
19th-century American Episcopalians
People from Loudoun County, Virginia
College of William & Mary alumni
American militiamen in the War of 1812
People from Virginia in the War of 1812
American politicians killed in duels
Deaths by firearm in Maryland

Armistead Thomson Mason


BYMS bezeichnet:

 Bathurst Young Muslims Society, Partei in Gambia
 British Motor Minesweeper, siehe YMS-Klasse

Abkürzung

BYMS


Obveznice indeksirane inflacijom (eng. inflation-indexed bonds, također inflation-linked bonds, kolokvijalno linkers)  su obveznice čija je otkupna cijena - za njene kupone (dijelovi koji periodično dospijevaju na naplatu, npr. svakih 6 mjeseci) ili za obveznicu u cjelini - vezana uz određeni indeks inflacije.

U široku uporabu uvedene su takve obveznice 1981. godine u Velikoj Britaniji, kao odgovor na nespremnost investitora da kupuju obveznice državnog duga u uvjetima visoke inflacije: makar su prinosi na državne dionice bili veći od 10 posto, u uvjetima visoke inflacije, to je bilo nedovoljno da pokrije realni pad vrijednosti novca. Danas je takva vrsta državnih obveznica uobičajena kod raznih država, te su 2019. godine Sjedinjene Američke Države financirale njima 1.455 od ukupno 16.899 milijardi eura ukupnog državnog duga; u toj zemlji je Ministarstvo financija (United States Department of the Treasury, USDT) obveznice indeksirane inflacijom (eng. Treasury Inflation Protected Securities, TIPS) počelo izdavati 1997. godine.

Investitori koriste takve obveznice za premošćivanje rizika (engl. hedge, još hedging) inflacije, a osobitost je da prinos na te obveznice često negativan, naime imatelji obveznica moraju izvršiti periodične uplate u državni proračun, u svim slučajevima u kojima je inflacija manja od prinosa na obveznicu.

Postoje burzovni fondovi (eng. exchange traded fund, ETF) koji su specijalizirani za zaštitu vrijednosti novca svojih ulagača od inflacije, putem ulaganja u obveznice indeksirane inflacijom.

Izvori

Gospodarstvo
Financije
Investiranje
Novac

Obveznice indeksirane inflacijom


Nogometni klub Vrgorac (NK Vrgorac; Vrgorac) je bio nogometni klub iz Vrgorca, Splitsko-dalmatinska županija.

O klubu
Klub je osnovan 1984. godine kao sekcija pri Sportskom društvu Vrgorac. Klub se natjecao u Općinskoj ligi Ploče-Metković-Vrgorac.
Klub nije imao domaće igralište, nego je utakmice igrao u Ljubuškom, a posljednje sezone na igralištu Rastok u Velikom Prologu.

Poveznice
 Vrgorac

Vanjske poveznice

Izvori
 nogomet.lzmk.hr, Nogometni leksikon, Vrgorac
 Jurica Gizdić: 90 godina Splitsko-dalmatinskog nogometnog saveza, Split, 2010., , str. 201

Vrgorac
Vrgorac
Vrgorac

NK Vrgorac


Marco Montironi (* 10. November 1959) ist ein ehemaliger san-marinesischer Fußballspieler.

Montironi spielte unter anderem für die italienischen Vereine AC Citta di Castello und AS Vis San Prospero. Für die Nationalmannschaft von San Marino absolvierte er zwischen 1986 und 1991 neun Länderspiele.

Weblinks

 Profil auf www.eu-football.info
 Profil auf www.scoreshelf.com
 [ Profil auf www.national-football-teams.com]

Fußballnationalspieler (San Marino)
San-Marinese
Geboren 1959
Mann

Marco Montironi


Sunnlandsfjorden er en fjord på nordsiden af Austvågøya i Vågan kommune i Lofoten, i Nordland  fylke  i Norge. Den går 5,5 kilometer i sydøstlig retning af Vesterålsfjorden. Medregnet fjordarmen Indrefjorden,  er længden 7,6 kilometer.

Fjorden har indløb mellem Festvågneset, ved Brenna, i sydvest og Klubban, syd for Laukvik, i nordøst. På østsiden går et kort sund ind til fjordarmen Vatnfjorden. Mellem  sundet og mundingen ligger en række øer, holme og skær som er en del af Laukvikøerne naturreservat der i 2013 blev udpeget til ramsarområde.

Der er gårde i Vatnfjorden, mellem Nordpollen og Sunnlandsfjorden, med vejforbindelse. Der går en opmærket  sti langs hele vestsiden omkring Festvågtinden og langs Durmålstinden og forbi gården på Nedreneset.

Kilder og henvisninger

 Miljøstatus i Nordland: Laukvikøyene naturreservat
  Festvåg, nilleder og turbeskrivelse fra turliv.no

Fjorde i Nordland

Vågan
Austvågøya

Sunnlandsfjorden


En náutica, el pañol de pólvora, o también santabárbara, es el pañol (compartimento) que se sitúa bajo el tablado de la santabárbara y se extiende desde la parte de proa del cabrestante mayor hasta la popa absoluta del navío. En galeras y galeotas se llama gabon.

Descripción
El tablado de este pañol se apoya a derecha e izquierda sobre los piques, o más bien sobre las varengas del fondo. La altura a que este tablado debe colocarse está fijada al tercio de la comprendida entre la quilla y la cara superior de los baos de la primera cubierta (barco). El número de los baos es relativo a lo largo del pañol. Dichos baos tienen por lo regular su ancho y grueso proporcionados a su largo. Deben ser de madera ligera, y sus extremos asegurados sobre los miembros del buque; se les da de vuelta el sexto de su largo reducido a pulgadas. Los baos que tienen mayor extensión están sostenidos en su centro por pequeños puntales que se encajan por la cara baja de los baos mediante sus respectivas mechas, y vienen a parar sobre la cara alta de la sobrequilla.

Los baos del tablado del pañol de pólvora se cubren con tablones de pino, cuidando de forrar el interior del pañol con tablas muy delgadas y que se clavan con clavos pequeños de cobre sin cabeza: hacia la parte de popa de este pañol se colocan varios cajones para conservar los cartuchos. Este pañol está separado del resto de la bodega por un doble mamparo interior y exterior formado sobre puntales. Con el fin de evitar todo accidente de fuego, se rellena con yeso y ladrillo el hueco entre estos dos mamparos; el suelo se cubría con una lona para recoger con mayor facilidad la pólvora que podía caer al suelo.

Partes del pañol de pólvora
El pañol y los cajones para cartuchos están guarnecidos de lona para recibir la pólvora que pudiese derramarse, y para limpiar con más seguridad el pañol cuando el navío desembarca su pólvora. En algunos barcos existía un compartimento separado dentro del pañol de pólvora para guardar los cartuchos cargados llamado caja de cartuchos.

La iluminación del pañol se realizaba mediante un farol llamado farol de mano que se guardaba dentro del pañol del farol, o caja del farol del pañol de pólvora; un compartimento que se forraba con plomo u hoja de lata para evitar el peligro del fuego en la cámara llena de explosivo. La separación entre el compartimento del farol y el pañol de pólvora se hacía de cristal para que pasara la luz.

Los marineros encargados de la gestión de los pañoles y de los materiales y armas guardados allí se llaman pañoleros; y en concreto los del pañol de pólvora, que son soldados artilleros, se denominan pañoleros de Santa Bárbara.

Referencias

División de un barco
Obuses de artillería

Pañol de pólvora


En geometría, un antiprisma hexagonal es el cuarto elemento de un conjunto infinito de antiprismas formado por una secuencia de seis pares de triángulos laterales cerrado por dos tapas en forma de hexágono. Dos vértices adyacentes de cada base estáconectado con el vértice correspondiente en la otra base.

Si todas sus caras son regulares, dos hexágonos regulares en las bases y 12 triángulos equiláteros laterales, es un poliedro semirregular.

Véase también
 Antiprismas
 Octaedro, un antiprisma triangular apuntado
 Antiprisma cuadrado
 Antiprisma pentagonal
 Antiprisma octogonal

Notas

Enlaces externos
 Modelo de papel de un antiprisma hexagonal. Modelos de papel de poliedros. Gijs Korthals Altes.
 Clasificación de poliedros convexos.  Juan Carlos Serruya.
 Weisstein, Eric W., "Antiprism". MathWorld.
 Modelo interactivo de antiprisma hexagonal.
Virtual Reality Polyhedra www.georgehart.com: The Encyclopedia of Polyhedra (en inglés)
 Modelo VRML
 Notación de Conway para los poliedros Véase: "A6" (en inglés)

Prismatoides

Antiprisma hexagonal


Ovaj članak je podtema članka: 4. rang HNL-a 2000./2001.#1. ŽNL Dubrovačko-neretvanska

1. ŽNL Dubrovačko-neretvanska u sezoni 2000./2001. predstavlja ligu četvrtog ranga hrvatskog nogometnog prvenstva. Prvak je bio Konavljanin koji se plasirao u viši rang natjecanja, 3. HNL – Jug.

Sudionici ovog natjecanja su nogometni klubovi na području najjužnije hrvatske županije, Dubrovačko-neretvanske. Sudjelovalo je 13 klubova koji su igrali ligu od 24 kola dvokružnim sistemom. Pobjednik je bio NK Konavljanin Čilipi koji se plasirao u treći razred hrvatskog nogometa.

Sudionici

 BŠK Zmaj Blato - Korčula
 NK Croatia – Gabrili, Konavle
 NK Gusar – Komin, Ploče
 NK Hajduk Vela Luka – Vela Luka
 NK Konavljanin – Čilipi, Konavle
 NK Maestral – Krvavac, Kula Norinska
 ONK Metković – Metković
 NK Neretvanac - Opuzen
 NK Orebić – Orebić
 NK Omladinac  Lastovo (promocija iz 2. ŽNL)
 HNK Slaven – Gruda
 NK Sokol – Dubravka, Konavle
 NK Žrnovo – Žrnovo, Korčula
 NK Župa Dubrovačka – Čibača, Župa dubrovačka

Ljestvica

 Izbori:
 80 godina nogometa u Grudi : 1921. Grom – Slaven 2001.

Povezani članci
 1. ŽNL Dubrovačko-neretvanska
 3. HNL – Jug 2000./01.
 1. ŽNL Splitsko-dalmatinska 2000./01.

Vanjske poveznice

Izvori

2000-01
Dubrovačko-neretvanska-1

1. ŽNL Dubrovačko-neretvanska 2000./01.


Takafumi Hori (født 10. september 1967) er en tidligere japansk fodboldspiller og træner.

Han har spillet for flere forskellige klubber i sin karriere, herunder Toshiba, Urawa Red Diamonds og Shonan Bellmare.

Han har tidligere trænet Urawa Red Diamonds.

Eksterne henvisninger

Fodboldspillere fra Japan
Fodboldtrænere fra Japan

Takafumi Hori


As proteínas morfogenéticas ósseas (bone morphogenetic proteins ou BMPs em inglês) são um grupo de fatores de crescimento também conhecidos como citocinas e como metabológenos.  Originalmente descobertas por sua capacidade de induzir a formação de osso e cartilagem, as BMPs são agora considerados um grupo de sinais morfogenéticos essenciais, orquestrando a arquitetura dos tecidos em todo o corpo.  O importante funcionamento dos sinais de BMP na fisiologia é enfatizado pela multiplicidade de funções da sinalização desregulada de BMP em processos patológicos. O câncer geralmente envolve a má regulação do sistema de sinalização BMP. A ausência de sinalização de BMP é, por exemplo, um fator importante na progressão do câncer de cólon,  e, inversamente, a superativação da sinalização de BMP após esofagite induzida por refluxo provoca o esôfago de Barrett e, portanto, é fundamental para o desenvolvimento de adenocarcinoma esofágico.

As BMPs humanas recombinantes (rhBMPs) são usadas em aplicações ortopédicas, como fusões espinhais, não uniões e cirurgia oral.

Usos médicos
As BMPs para uso clínico são produzidas usando tecnologia de DNA recombinante. BMP-2 e BMP-7 recombinantes são atualmente aprovados para uso humano.

Referências

Proteínas
Fatores de crescimento

Proteína morfogenética óssea


Bojenișki Urvici (în ) este o cetate ruinată, amplasată pe panta nordică a crestei Lakavișki, în vestul munților Balcani, la 3 km sud de satul Bojenița și la 20 km de orașul Botevgrad, Bulgaria. Este situată la altitudinea de 750 m deasupra nivelului mării.

Către locul de recreere Urvici duce un drum asfaltat. De acolo, o cărare marcată duce la rămășițele cetății. Calea durează în jur de 20 de minute pe jos. Secretele cetății au ieșit la suprafață în 1918, când, după o furtună, a fost descoperită o inscripție medievală printre rădăcinile unui copac doborât.

Inscripția Bojenișki a fost citită și interpretată pentru prima dată de către academicianul . Expertul a observat că autorul inscripției (cioplitorul în piatră) "nu a ținut cont de dimensiunea tabletei; acesta a început cu litere de dimensiuni mari, dar când a observat că nu îi mai rămâne loc, a început să scrie tot mai mărunt și mai mărunt...". Inscripția poartă următorul mesaj:
Аз Драгомир писах. Аз, севаст Огнян, бях при цар Шишман кефалия и много зло патих. В това време турците воюваха. Аз поддържах вярата на Шишмана царя.  (bulgară)"Eu, Dragomir, am scris. Eu, sevast Ognian, am fost un kefal al Regelui Șișman și am suferit mult. În același timp, se luptau turcii. Am păstrat credința în Regele Șișman."

Potrivit exploratorilor, "valoarea istorică și filologică a inscripției Bojenișki a sevastului Ognian îmbogățește «arhiva de piatră» a Bulgariei medievale".

Potrivit cercetărilor arheologice efectuate în 1972, locul era locuit încă din preistorie, dar primele structuri ale cetății datează din secolele V-VI, când cetatea era una din unitățile sistemului de apărare a Imperiului Bizantin timpuriu. Apogeul dezvoltării cetatea l-a cunoscut în secolele XIII-XIV, în timpul celui de-al Doilea Imperiu Bulgar, când a fost ridicat zidul exterior. Acesta din urmă avea rolul unei bariere, la nord, unde este situată unica intrare dinspre satul Bojenița. Până la sfârșitul secolului al XIV-lea, cetatea a fost sediul boierului Ognen (Ognian), un guvernator local () în timpul domniei Regelui Ivan Șișman (anii de domnie 1371-1395).

Unul din cele mai importante puncte de interes este o cisternă de apă de 10 m adâncime, precum și o capelă rupestră în interiorul cetății. Un tezaur de monede de argint, datând din timpul domniei lui Ivan Șișman, a fost descoperit în apropierea porților, la adâncimea de 0,2-1,5 m. Sute de capete de săgeți și sulițe, precum și schelete ale soldaților, au fost dezgropate în apropierea zidurilor. Ele atestă lupta dintre sevastul Ognian și turci, în jurul anului 1395.

În 1966, cetatea medievală a fost declarată sit de importanță națională.

Note

Legături externe

Munții Balcani
Castele din Bulgaria

Bojenișki Urvici


Kineton  is a village and civil parish on the River Dene in south-east Warwickshire, England. The village is part of Stratford-on-Avon district, and in the 2001 census it had a population of 2,278, increasing to 2,337 at the 2011 Census.

Kineton is about ten miles (16 km) from the towns of Banbury to the south-east, Warwick and Leamington Spa to the north, and Stratford-upon-Avon to the west. Nearby is the large village of Wellesbourne with its historic water mill, Compton Verney House art gallery, the British Motor Museum at Gaydon, the Burton Dassett Hills country park and the battlefield of Edgehill.  Kineton, in the district historically known as the Vale of the Red Horse, can also be considered to be part of the informal area of Banburyshire.

Kineton district council ward covers Gaydon, Lighthorne, Lighthorne Heath, Compton Verney, Combrook, Little Kineton and Chadshunt, a population of 4,228 according to the 2001 census, rising to 4,320 at the 2011 census. The village has some areas of light industry but is largely agricultural; many residents commute to nearby towns and cities for employment, including Banbury, Warwick and Stratford-upon-Avon.

History

The first recorded reference to Kineton was in 969, when Saxon King Edgar granted some land here to a trusted counsellor.

The village is mentioned in the Domesday Book as Kington. On the outskirts of the village, at the foot of Pittern Hill, are the remains of the earthworks of a motte-and-bailey castle, known as King John's Castle, so called because it is believed that King John held a Court Leet there. Kineton gave its name to the area of south-east Warwickshire known as Kineton Hundred.

Early in the 13th century, Stephen de Segrave had a Tuesday market in his manor of Kineton, and a fair on the eve and day of St Peter and St Paul. The market died out by 1840, when the market house was pulled down and a school built on its site, but the fair on 5 February continued until recently.

For a period of the English Civil War, Kineton was looted by Prince Rupert with part of the Royalist army. This was after he had defeated Sir James Ramsay, from the Parliamentarians, and by doing this he failed to aid the rest of his army, thus leading to a neutral ending to the Battle of Edgehill on 23 October 1642. A year later, in July 1643, King Charles met with Queen Henrietta Maria at Kineton.

John Newton who lived from 1725 to 1807 and for a while lived in the village of Kineton where he is rumoured to have written the words to "Amazing Grace" in 1772 but there is no contemporary evidence for this.

William Kendall, co-builder of Birmingham Town Hall and subsequent Warwick County Surveyor and Steward to the Earl of Warwick, lived in Little Kineton in 1841.

Military connections

During the Second World War, Kineton served as a transit camp, with Polish and Czechoslovakian troops stationed there.

One of the UK's main military ammunition depots is located partially within Kineton parish, and is known as the Defence Storage and Distribution Agency (DSDA), Kineton. It extends to several hundred acres and is linked to the main Network Rail system by a branch line. The depot also stores spare railway carriages and trains on behalf of the various UK train operating companies.

Partially within Kineton parish, from 1942 until 1977, RAF Gaydon operated as both a training unit and a front-line bomber base. In 1978, the site passed into civilian ownership and today contains the British Motor Museum, the headquarters and factory of sports car manufacturer Aston Martin, and the Jaguar Land Rover Gaydon Centre.

Present
 Near the centre of the village stands St Peter's Church. Work on the current building, which replaced an earlier church on the same site, began in the 13th century. A completed church was consecrated in 1315. Of this new building only the fine tower remains.

The rest of the building has been rebuilt and remodelled over the centuries. In the 18th century Sanderson Miller enlarged the nave and added two transepts. A further remodelling campaign, which transformed the building into its current form, took place in the 19th century.

In 2008, three new bells were cast to augment the bells to eight, one replacing an existing bell. Taylors Eayre & Smith Ltd of Loughborough carried out the work. The eight bells were rung for the first time on 5 November 2008.

The village also has a 19th-century Methodist chapel and a 20th-century Roman Catholic church. Pittern Hill Mill, north-west of the village, is a stone windmill of the 18th century.

Village shops include a Co-op store, a traditional butcher, a flower shop, an optician, an artisan bakery, a barber, hairdresser as well as the Nifty Needle curtain and soft furnishings/fabrics shop and workroom. There is a post office/convenience store and had a branch of HSBC Bank now converted into a pharmacy (2017). The village has a veterinary practice,two estate agents, a café, a fish and chip shop, two public houses, "The Swan", newly refurbished, and The Carpenters Arms (which has a Chinese take-away inside) and a restaurant, Shukur's Brasserie (which offers Bangladeshi and Indian cuisine).

The village and surrounding area are served by Kineton Church of England Primary School and Kineton High School, which takes students aged 11–19.

Transport
Kineton is close to the Fosse Way Roman Road and the M40 motorway which links it to Birmingham and London.

Regular bus services to Stratford upon Avon, Banbury and Leamington Spa are operated by Stagecoach and other independent companies.

The village was once served by the Stratford-upon-Avon and Midland Junction Railway between Stratford-upon-Avon and Towcester. Kineton railway station opened on 1 June 1871 and was situated on the Broom to Fenny Compton line. The station closed in 1963 due to the Beeching Axe and the line itself closed two years later.

Sports
Kineton Sports and Social Club hosts football, cricket and bowls teams. The football team competes in the Leamington & District Sunday Football League, affiliated to the Birmingham FA and the cricket side competes in the Cotswold Hills League. Kinetonbcycle are a group cycling from Little Kineton at 19:15 on Wednesday nights covering around 25 miles with on and off-road routes and including a pub stop.
Kineton Hign School is the home of Wellesbourne Badminton Club who play in the Leamington and Banbury Leagues and have a club night every Tuesday from 7.30 pm, and South Warwickshire Junior Badminton Club who are a Badminton England Affiliated Club playing on a Friday night at 6.30 pm.

Name connection
The town of Kyneton in Victoria, Australia was named after Kineton in the 19th century.

See also
 Banburyshire

References

External links

 Kineton Community site
 Kineton News
 Kineton High School site
 Kineton Primary School site
 Kineton Playgroup site
 Kineton village appraisal and plan 2003
 Defence Storage Distribution Agency at Villagebuzz
 Kineton photo galleries
 Kineton & District Local History Group
Wellesbourne Badminton Club

Stratford-on-Avon District
Villages in Warwickshire

Kineton


Galleria may refer to

Shopping centres named Galleria

Australia
Galleria Shopping Centre (Perth), Morley, Western Australia
Galleria Shopping Centre (Melbourne), Melbourne, Victoria

Canada
Allen Lambert Galleria, Toronto, Ontario
Galleria Shopping Centre (Toronto), Toronto, Ontario
Galleria Mall, London, Ontario

Finland
Galleria (Espoo shopping centre), Leppävaara, Espoo

Hong Kong
Luk Yeung Galleria, above Tsuen Wan MTR Station

India
 Galleria, Hiranandani Gardens, Powai, Mumbai

Italy
 Galleria Vittorio Emanuele II, Milan
 Galleria Umberto I, Naples

Japan
 Galleria of Tokyo Midtown

Korea
 Galleria Department Store, a franchise owned by Hanwha Group

Philippines
 Robinsons Galleria, Quezon City
 Robinsons Galleria Cebu, Cebu City
 Robinsons Galleria South, San Pedro, Laguna

South Africa
 Galleria Shopping Mall, a shopping mall in Amanzimtoti near Durban

Turkey
 Galleria Adana, Adana
 Galleria Ankara, Ankara
 Galleria Ataköy, Istanbul

United Kingdom
 The Galleria, Hatfield, Hertfordshire
 Hay's Galleria, Bankside, London

United States (by state)
 Riverchase Galleria, Birmingham, Alabama
 Galleria at Tyler, Riverside, California
 Glendale Galleria, Glendale, California
 Sherman Oaks Galleria, Sherman Oaks, California: outdoor mall, but formerly enclosed
 South Bay Galleria, Redondo Beach, California
 Westfield Galleria at Roseville, Roseville, California
 The Galleria at Fort Lauderdale, Florida
 Cobb Galleria, Atlanta, Georgia
 Galleria Center, Algonquin, Illinois: outdoor mall
 Galleria (Lexington), Kentucky; proposed in the 1980s but never built
 The Galleria (Metairie, Louisiana)
 CambridgeSide Galleria, Cambridge, Massachusetts
 Silver City Galleria, Taunton, Massachusetts
 Galleria Edina, Edina, Minnesota
 Saint Louis Galleria, St. Louis, Missouri
 Galleria at Sunset, Henderson, Nevada
 Galleria at Crystal Run, Walkill, New York
 Galleria at White Plains, White Plains, New York
 Poughkeepsie Galleria, Poughkeepsie, New York
 Walden Galleria, Cheektowaga, New York
 The Galleria at Erieview, Cleveland, Ohio
 The Johnstown Galleria, Johnstown, Pennsylvania
 Galleria at Pittsburgh Mills, Tarentum, Pennsylvania
 York Galleria, York, Pennsylvania
 Cool Springs Galleria, Franklin, Tennessee
 Wolfchase Galleria, Memphis, Tennessee
 Galleria Dallas, Dallas, Texas
 The Galleria, Houston, Texas
 Tysons Galleria, Tysons Corner, Virginia

Other uses
 Galleria (moth), a snout moth genus containing only the greater wax moth (G. mellonella)
 Galleria degli Uffizi, an art gallery in Florence, Italy
 Galleria Kunstfestival, an art festival in Norway
 The Galleria (Portland, Oregon), a United States mixed-use building (and former shopping mall)

See also

 Galleria Mall (disambiguation)
 Gallery (disambiguation)

Italian words and phrases

Galleria


SRAM Corporation er en amerikansk producent af udstyr til cykelsport. Selskabet blev grundlagt i 1987, og var oprindelig centreret om et produkt, Grip Shift derailleur-gearskifteren.

Eksterne henvisninger

 SRAM Corporations officielle websted

Sportsudstyrsproducenter fra USA
Etableret i 1987

SRAM Corporation


Slavnica este o comună slovacă, aflată în districtul Ilava din regiunea Trenčín. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 815 locuitori.

Istoric
Localitatea Slavnica este atestată documentar din 1379.

Note

Legături externe

Localități din Slovacia

Slavnica


An Crypsis aculeata in uska species han Liliopsida nga syahan ginhulagway ni Carl von Linné, ngan ginhatag han pagkayana nga asya nga ngaran ni William Aiton. An Crypsis aculeata in nahilalakip ha genus nga Crypsis, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Crypsis

Crypsis aculeata


Dragestil er en arkitektonisk stil, der opstod i Norge i slutningen af 1800-tallet, og som var særligt udbredt fra 1880 til 1910. Den har rødder i nationalromantikken og J.C. Dahls arbejde for at bevare stavkirkerne. Desuden blev vikingeskibene Tuneskibet, Gokstadskibet og Osebergskibet udgravet på denne tid. Dragestilen kan ses som en naturlig afslutning på 1800-tallets tilbageskuende stiludvikling.

Baggrund

Dragestilen var resultatet af de første bevidste bestræbelser på at skabe en national norsk træarkitektur. Inspirationen kom især fra stavkirkerne med deres ornamentik, der blev formidlet af illustreret arkæologisk arkitektur, og ikke mindst fra Lorentz Dietrichsons bog om stavkirkerne fra 1892. Arkitekterne foretog også egne studierejser. De gik ikke ud fra en bestemt stavkirke eller portal, men Urnes stavkirke og især Borgund stavkirke var vigtige forbilleder. Motiverne med ranker og drageslyng blev til at begynde med kopieret efter forbilleder fra middelalderen men senere også udviklet mere frit efter fantasien. Der blev gerne placeret dragehoveder på spidsen af gavlene og nederst på vindskederne efter forbillede fra mange af stavkirkerne, deraf stilens populære navn. Der blev også hentet byggemåder fra gårde i bygder inde i landet, især fra lofter, fadebure og svalegangsbygninger fra 1700-tallet og begyndelsen af 1800-tallet.

Stilen benyttede sig også af træk fra schweizerstilen, så som høje grundmure, ofte i natursten, asymmetrisk grundplan og dekorative snedkerier på gavle og svalegange. Konstruktionerne var en blanding af lafte- og stavteknik.

De vigtige eksempler på dragestilen er Frognerseteren restaurant fra 1890 og Holmenkollen Turisthotell, der blev bygget i 1889, men som brændte i 1895. De blev begge tegnet af arkitekten Holm Munthe. Dalen Hotel i Telemark, der blev opført i 1894 efter tegninger af Haldor Larsen Børve, er af Riksantikvaren blevet betegnet som et nationalt umisteligt eksempel på dragestilshoteller fra forrige århundredskifte.

I begyndelsen af 1900-tallet kom der en reaktion mod dragestilen blandt ledende arkitekter, og den gik snart af mode. Nogle arkitekter, der arbejdede indenfor jugendstilen, benyttede sig af elementer fra dragestilens ornamentik. Arkitekten Henrik Bull inkorporerede dragestilsornamenter i regeringsbygningen fra 1904.

Dragestilens faser
Dragestilen kan inddeles i to faser.

Den første fase

Stilen opstod i 1870'erne i Sverige, hvor den kaldes fornnordisme. Efter 1880 blev den taget i brug af norske arkitekter med tilknytning til nationalromantikken. Den førende arkitekt var Holm Hansen Munthe, der kom hjem fra studier i Tyskland under Hase i 1878. Han havde et bevist forhold til træarkitekturen, og i løbet af de næste femten år skabte han dragestilen som et arkitektonisk stilbegreb. To af hans tidligere værker er ventesalen for dampskibspassagerer i Pipervika og Saugbrugsforeningens portal ved Den norske industri- og kunstutstilling i Slottsparken, begge fra 1883 og begge senere flyttet og genopført i det nuværende Norsk Folkemuseum. Hans vigtigste værker blev skabt i perioden efter 1889, da han tegnede flere bygninger for Holmenkol-Voxenkol-Selskabet, heriblandt Peisestuen og Holmenkollen Turisthotell og Sanatorium fra 1889 (brændt 1895), og sportsstuer på Holmenkollen og Frognerseteren. For Kristiania kommune opførte han Frognerseteren restaurant i 1890 med udvidelse i 1907-1090 og restauranterne Hasselbakken i St. Hanshaugen i 1891 (brændt 1936). Den tyske kejser Wilhelm 2. blev under sit statsbesøg i 1890 så begejstret for Holm Munthes bygninger, at han lod arkitekten tegne sit jagtslot med stavkirkeinspireret kapel i Rominten i det daværende Østpreussen (ødelagt i 1945) og Matrosenstation Kongsnæs i Potsdam, hvoraf nogle bygninger overlevede krigen.

Dragestilen kom på mode og blev videreført efter Munthes død i 1908, blandt andet af hans assistenter fra udbygningen på Holmenkollen, Henning Kloumann, Balthazar Lange og Ole Sverre.

Bygningerne blev tilpasset terrænet og blev lavere end bygninger i schweizerstil. Et karakteristisk træk var en stærk uregelmæssig og varieret grundplan. Arkitekterne var også optaget af, at materialerne skulle være ægte, og de brugte derfor sokler af natursten og foretrak at tjære bygningerne udvendigt og fernisere dem indvendigt, sådan at træets struktur blev fremhævet.

Bygningerne havde også svalegange med små rundbuede arkader, fremstående overetager og lave gavle. Gavlene kunne være dekoreret med nygotiske eller schweizisk inspirerede detaljer, og de kunne stikke langt udenfor væggen som på mange af schweizerstilens bygninger. Bygningerne blev også udsmykket med drager og romanske ranker. Det blev gjort bevidste forsøg på at finde frem til et norsk stiludtryk. Denne første fase var fantasifuld, national og urationel. Den varede til omkring 1905.

Den anden fase
Den anden fase regnes for at være fra ca. 1910 til 1915. Den er mindre fantasipræget og har stilistisk forbindelse til jugendstil. Dragestilens egentlige afslutning falder sammen med afslutningen på den anden, da de blev forladt af arkitekterne. Men indenfor den mere folkelige byggeskik blev der opført dragestilsprægede huse flere steder i landet til langt op i mellemkrigstiden.

Karakteristiske kendetegn ved dragestil
 Tømmervægge uden paneler. På denne måde blev der genoptaget elementer fra den gamle norske laftetradition.
 Dekorationer fra stavkirker og vikingetiden i form af blandt andet dragehoveder.
 Ofte stejle tage og store tagudhæng.

Eksterne henvisninger

 Byggenytt
 Dragestilen som nasjonalsymbol

Litteratur
 Tschudi-Madsen, Stephan; Veien hjem, Norsk arkitektur 1870–1914 i Norges kunsthistorie bind 5 s. 7–108 Oslo 1981
 Tschudi-Madsen, Stephan; Dragestilen i Honnør til en hånet stil s. 19—45, Oslo 1993
 Tschudi-Madsen, Stephan; Vandringer på en utstilling og i en jaktvilla i Honnør til en hånet stil s. 99—110, Oslo 1993
 Dietrichson, Lorentz og Munthe, Holm Hansen; Die Holzbaukunst Norwegens in Vergangenheit und Gegenwart (plancher med tegninger af stavkirker og Holm Munthes egne værker), Berlin 1893.

Arkitektur
Kunsthistorie
Norges historie

Dragestil


Plateliai (samogitski: Plateliu ežers) je jezero u Litvi, najveće je u litvanskoj regiji Samogitiji. Nalazi se u nacionalnom parku Žemaitija.

Jezero zauzima površinu od 1205 hektara. Prosječna dubina je 10,5, dok je najveća dubina 50 metara. Nalazi se na 146,5 metara nadmorske visine. Iz jezera ističe rijeka Babrungas.

Izvori

Jezera u Litvi

Plateliai


English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom.

Medieval English painting, mainly religious, had a strong national tradition and was influential in Europe. The English Reformation, which was antipathetic to art, not only brought this tradition to an abrupt stop but resulted in the destruction of almost all wall-paintings. Only illuminated manuscripts now survive in good numbers.

There is in the art of the English Renaissance a strong interest in portraiture, and the portrait miniature was more popular in England than anywhere else. English Renaissance sculpture was mainly architectural and for monumental tombs. Interest in English landscape painting had begun to develop by the time of the 1707 Act of Union.

Substantive definitions of English art have been attempted by, among others, art scholar Nikolaus Pevsner (in his 1956 book The Englishness of English Art), art historian Roy Strong (in his 2000 book The Spirit of Britain: A narrative history of the arts) and critic Peter Ackroyd (in his 2002 book Albion).

Earliest art
The earliest English art – also Europe's earliest and northernmost cave art – is located at Creswell Crags in Derbyshire, estimated at between 13,000 and 15,000 years old. In 2003, more than 80 engravings and bas-reliefs, depicting deer, bison, horses, and what may be birds or bird-headed people were found there. The famous, large ritual landscape of Stonehenge dates from the Neolithic period; around 2600 BC. From around 2150 BC, the Beaker people learned how to make bronze, and used both tin and gold. They became skilled in metal refining and their works of art, placed in graves or sacrificial pits have survived. In the Iron Age, a new art style arrived as Celtic culture and spread across the British isles. Though metalwork, especially gold ornaments, was still important, stone and most likely wood were also used. This style continued into the Roman period, beginning in the 1st century BC, and found a renaissance in the Medieval period. The arrival of the Romans brought the Classical style of which many monuments have survived, especially funerary monuments, statues and busts. They also brought glasswork and mosaics. In the 4th century, a new element was introduced as the first Christian art was made in Britain. Several mosaics with Christian symbols and pictures have been preserved. England boasts some remarkable prehistoric hill figures; a famous example is the Uffington White Horse in Oxfordshire, which "for more than 3,000 years ... has been jealously guarded as a masterpiece of minimalist art."

Earliest art: gallery

Medieval art
After Roman rule, Anglo-Saxon art brought the incorporation of Germanic traditions, as may be seen in the metalwork of Sutton Hoo. Anglo-Saxon sculpture was outstanding for its time, at least in the small works in ivory or bone which are almost all that survive. Especially in Northumbria, the Insular art style shared across the British Isles produced the finest work being produced in Europe, until the Viking raids and invasions largely suppressed the movement; the Book of Lindisfarne is one example certainly produced in Northumbria. Anglo-Saxon art developed a very sophisticated variation on contemporary Continental styles, seen especially in metalwork and illuminated manuscripts such as the Benedictional of St. Æthelwold. None of the large-scale Anglo-Saxon paintings and sculptures that we know existed have survived.

By the first half of the 11th century, English art benefited from lavish patronage by a wealthy Anglo-Saxon elite, who valued above all works in precious metals. but the Norman Conquest in 1066 brought a sudden halt to this art boom, and instead works were melted down or removed to Normandy. The so-called Bayeux Tapestry - the large, English-made, embroidered cloth depicting events leading up to the Norman conquest - dates to the late 11th century. Some decades after the Norman conquest, manuscript painting in England was soon again among the best of any in Europe; in Romanesque works such as the Winchester Bible and the St. Albans Psalter, and then in early Gothic ones like the Tickhill Psalter. The best-known English illuminator of the period is Matthew Paris (c. 1200–1259). Some of the rare surviving examples of English medieval panel paintings, such as the Westminster Retable and Wilton Diptych, are of the highest quality. From the late 14th century to the early 16th century, England had a considerable industry in Nottingham alabaster reliefs for mid-market altarpieces and small statues, which were exported across Northern Europe. Another art form introduced through the church was stained glass, which was also adopted for secular uses.

Medieval art: gallery

16th and 17th centuries
Nicholas Hilliard (c. 1547–7 January 1619) – "the first native-born genius of English painting" – began a strong English tradition in the portrait miniature. The tradition was continued by Hilliard's pupil Isaac Oliver (c. 1565–bur. 2 October 1617), whose French Huguenot parents had escaped to England in the artist's childhood.

Other notable English artists across the period include: Nathaniel Bacon (1585–1627); John Bettes the Elder (active c. 1531–1570) and John Bettes the Younger (died 1616); George Gower (c.1540–1596), William Larkin (early 1580s–1619), and Robert Peake the Elder (c. 1551–1619). The artists of the Tudor court and their successors until the early 18th century included a number of influential imported talents: Hans Holbein the Younger, Anthony van Dyck, Peter Paul Rubens, Orazio Gentileschi and his daughter Artemisia, Sir Peter Lely (a naturalised English subject from 1662), and Sir Godfrey Kneller (a naturalised English subject by the time of his 1691 knighthood).

The 17th century saw a number of significant English painters of full-size portraits, most notably William Dobson 1611 (bapt. 1611–bur. 1646); others include Cornelius Johnson (bapt. 1593–bur. 1661) and Robert Walker (1599–1658). Samuel Cooper (1609–1672) was an accomplished miniaturist in Hilliard's tradition, as was his brother Alexander Cooper (1609–1660), and their uncle, John Hoskins (1589/1590–1664). Other notable portraitists of the period include: Thomas Flatman (1635–1688), Richard Gibson (1615–1690), the dissolute John Greenhill (c. 1644–1676), John Riley (1646–1691), and John Michael Wright (1617–1694). Francis Barlow (c. 1626–1704) is known as "the father of British sporting painting"; he was England's first wildlife painter, beginning a tradition that reached a high-point a century later, in the work of George Stubbs (1724–1806). English women began painting professionally in the 17th century; notable examples include Joan Carlile (c. 1606–79), and Mary Beale (née Cradock; 1633–1699).

In the first half of the 17th century the English nobility became important collectors of European art, led by King Charles I and Thomas Howard, 21st Earl of Arundel. By the end of the 17th century, the Grand Tour – a trip of Europe giving exposure to the cultural legacy of classical antiquity and the Renaissance – was de rigueur for wealthy young Englishmen.

16th and 17th centuries: gallery

18th and 19th centuries

In the 18th century, English painting's distinct style and tradition continued to concentrate frequently on portraiture, but interest in landscapes increased, and a new focus was placed on history painting, which was regarded as the highest of the hierarchy of genres, and is exemplified in the extraordinary work of Sir James Thornhill (1675/1676–1734). History painter Robert Streater (1621–1679) was highly thought of in his time.

William Hogarth (1697–1764) reflected the burgeoning English middle-class temperament  — English in habits, disposition, and temperament, as well as by birth. His satirical works, full of black humour, point out to contemporary society the deformities, weaknesses and vices of London life. Hogarth's influence can be found in the distinctively English satirical tradition continued by James Gillray (1756–1815), and George Cruikshank (1792–1878). One of the genres in which Hogarth worked was the conversation piece, a form in which certain of his contemporaries also excelled: Joseph Highmore (1692–1780), Francis Hayman (1708–1776), and Arthur Devis (1712–1787).

Portraits were in England, as in Europe, the easiest and most profitable way for an artist to make a living, and the English tradition continued to show the relaxed elegance of the portrait-style traceable to Van Dyck. The leading portraitists are: Thomas Gainsborough (1727–1788); Sir Joshua Reynolds (1723–1792), founder of the Royal Academy of Arts; George Romney (1734–1802); Lemuel "Francis" Abbott (1760/61–1802); Richard Westall (1765–1836); Sir Thomas Lawrence (1769–1830); and Thomas Phillips (1770–1845). Also of note are Jonathan Richardson (1667–1745) and his pupil (and defiant son-in-law) Thomas Hudson (1701–1779). Joseph Wright of Derby (1734–1797) was well known for his candlelight pictures; George Stubbs (1724–1806) and, later, Edwin Henry Landseer (1802–1873) for their animal paintings. By the end of the century, the English swagger portrait was much admired abroad.

London's William Blake (1757–1827) produced a diverse and visionary body of work defying straightforward classification; critic Jonathan Jones regards him as "far and away the greatest artist Britain has ever produced". Blake's artist friends included neoclassicist John Flaxman (1755–1826), and Thomas Stothard (1755–1834) with whom Blake quarrelled.

In the popular imagination English landscape painting from the 18th century onwards typifies English art, inspired largely from the love of the pastoral and mirroring as it does the development of larger country houses set in a pastoral rural landscape. Two English Romantics are largely responsible for raising the status of landscape painting worldwide: John Constable (1776–1837) and J. M. W. Turner (1775–1851), who is credited with elevating landscape painting to an eminence rivalling history painting. Other notable 18th and 19th century landscape painters include: George Arnald (1763–1841); John Linnell (1792–1882), a rival to Constable in his time; George Morland (1763–1804), who developed on Francis Barlow's tradition of animal and rustic painting; Samuel Palmer (1805–1881); Paul Sandby (1731–1809), who is recognised as the father of English watercolour painting; and subsequent watercolourists John Robert Cozens (1752–1797), Turner's friend Thomas Girtin (1775–1802), and Thomas Heaphy (1775–1835).

The early 19th century saw the emergence of the Norwich school of painters, the first provincial art movement outside of London. Short-lived owing to sparse patronage and internal dissent, its prominent members were "founding father" John Crome (1768–1821), John Sell Cotman (1782–1842), James Stark (1794–1859), and Joseph Stannard (1797–1830).

The Pre-Raphaelite Brotherhood movement, established in the 1840s, dominated English art in the second half of the 19th century. Its members — William Holman Hunt (1827–1910), Dante Gabriel Rossetti (1828–1882), John Everett Millais (1828–1896) and others — concentrated on religious, literary, and genre works executed in a colorful and minutely detailed, almost photographic style. Ford Madox Brown (1821–1893) shared the Pre-Raphaelites' principles.

Leading English art critic John Ruskin (1819–1900) was hugely influential in the latter half of the 19th century; from the 1850s he championed the Pre-Raphaelites, who were influenced by his ideas. William Morris (1834–1896), founder of the Arts and Crafts Movement, emphasised the value of traditional craft skills which seemed to be in decline in the mass industrial age. His designs, like the work of the Pre-Raphaelite painters with whom he was associated, referred frequently to medieval motifs. English narrative painter William Powell Frith (1819–1909) has been described as the "greatest British painter of the social scene since Hogarth", and painter and sculptor George Frederic Watts (1817–1904) became famous for his symbolist work.

The gallant spirit of 19th century English military art helped shape Victorian England's self-image. Notable English military artists include: John Edward Chapman 'Chester' Mathews (1843–1927); Lady Butler (1846–1933); Frank Dadd (1851–1929); Edward Matthew Hale (1852–1924); Charles Edwin Fripp (1854–1906); Richard Caton Woodville, Jr. (1856–1927); Harry Payne (1858–1927); George Delville Rowlandson (1861–1930); and Edgar Alfred Holloway (1870–1941). Thomas Davidson (1842–1919), who specialised in historical naval scenes, incorporated remarkable reproductions of Nelson-related works by Arnald, Westall and Abbott in England's Pride and Glory (1894).

To the end of the 19th century, the art of Aubrey Beardsley (1872–1898) contributed to the development of Art Nouveau, and suggested, among other things, an interest in the visual art of Japan.

18th and 19th centuries: gallery

20th century

Impressionism found a focus in the New English Art Club, founded in 1886. Notable members included Walter Sickert (1860–1942) and Philip Wilson Steer (1860–1942), two English painters with coterminous lives who became influential in the 20th century. Sickert went on to the post-impressionist Camden Town Group, active 1911–1913, and was prominent in the transition to Modernism. Steer's sea and landscape paintings made him a leading Impressionist, but later work displays a more traditional English style, influenced by both Constable and Turner.

Paul Nash (1889–1946) played a key role in the development of Modernism in English art. He was among the most important landscape artists of the first half of the twentieth century, and the artworks he produced during World War I are among the most iconic images of the conflict. Nash attended the Slade School of Art, where the remarkable generation of artists who studied under the influential Henry Tonks (1862–1937) included, too, Harold Gilman (1876–1919), Spencer Gore (1878–1914), David Bomberg (1890–1957), Stanley Spencer (1891–1959), Mark Gertler (1891–1939), and Roger Hilton (1911–1975).

Modernism's most controversial English talent was writer and painter Wyndham Lewis (1882–1957). He co-founded the Vorticist movement in art, and after becoming better known for his writing than his painting in the 1920s and early 1930s he returned to more concentrated work on visual art, with paintings from the 1930s and 1940s constituting some of his best-known work. Walter Sickert called Wyndham Lewis: "the greatest portraitist of this or any other time". Modernist sculpture was exemplified by English artists Henry Moore (1898–1986), well known for his carved marble and larger-scale abstract cast bronze sculptures, and Barbara Hepworth (1903–1975), who was a leading figure in the colony of artists who resided in St Ives, Cornwall during World War II.

Lancastrian L. S. Lowry (1887–1976) became famous for his scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as "matchstick men".

Notable English artists of the mid-20th century and after include: Graham Sutherland (1903–1980); Carel Weight (1908–1997); Ruskin Spear (1911–1990); pop art pioneers Richard Hamilton (1922–2011), Peter Blake (b. 1932), and David Hockney (b. 1937); and op art exemplar Bridget Riley (b. 1931).

Following the development of Postmodernism, English art became in some respect synonymous toward the end of the 20th century with the Turner Prize; the prize, established in 1984 and named with ostensibly credible intentions after J. M. W. Turner, earned for latterday English art a reputation arguably to its detriment. Prize exhibits have included a shark in formaldehyde and a dishevelled bed. Critic Matthew Collings observes that: "Turner Prize art is based on a formula where something looks startling at first and then turns out to be expressing some kind of banal idea, which somebody will be sure to tell you about. The ideas are never important or even really ideas, more notions, like the notions in advertising. Nobody pursues them anyway, because there's nothing there to pursue."

While the Turner Prize establishment satisfied itself with weak conceptual homages to authentic iconoclasts like Duchamp and Manzoni, it spurned original talents such as Beryl Cook (1926–2008). The award ceremony has since 2000 attracted annual demonstrations by the "Stuckists", a group calling for a return to figurative art and aesthetic authenticity. Observing wryly that "the only artist who wouldn't be in danger of winning the Turner Prize is Turner", the Stuckists staged in 2000 a "Real Turner Prize 2000" exhibition, promising (by contrast) "no rubbish".

20th century: gallery

21st century

The sculptor Antony Gormley (b. 1950) expressed doubts a decade after winning the Turner Prize about his "usefulness to the human race", and work including Another Place (2005) and Event Horizon (2012) has achieved both acclaim and popularity. The pseudo-subversive urban art of Banksy, has been much discussed in the media.

A highly visible and much praised work of public art, seen for a brief period in 2014 was Blood Swept Lands and Seas of Red, a collaboration between artist Paul Cummins (b. 1977) and theatre designer Tom Piper. The installation at the Tower of London between July and November 2014 commemorated the centenary of the outbreak of World War I; it consisted of 888,246 ceramic red poppies, each intended to represent one British or Colonial serviceman killed in the War.

Leading contemporary printmakers include Norman Ackroyd and Richard Spare.

English art on display
 British Museum
 Delaware Art Museum
 National Gallery
 National Portrait Gallery
 Tate Britain
 Victoria and Albert Museum
 Walker Art Gallery
 Yale Center for British Art

See also

 Art of the United Kingdom
 Arts Council England
 British art
 English underground
 Insular art
 List of British painters
 Museums in England
 Neo-romanticism
 Royal Collection

Further reading
David Bindman (ed.), The Thames and Hudson Encyclopaedia of British Art (London, 1985)
Joseph Burke, English Art, 1714–1800 (Oxford, 1976)
William Gaunt, A Concise History of English Painting (London, 1978)
William Gaunt, The Great Century of British Painting: Hogarth to Turner (London, 1971)
Nikolaus Pevsner, The Englishness of English Art (London, 1956)
William Vaughan, British Painting: The Golden Age from Hogarth to Turner (London, 1999)
Ellis Waterhouse, Painting in Britain, 1530-1790, 4th Edn, 1978, Penguin Books (now Yale History of Art series)

References

English art


Brčak (lat. Vulpia), nekadašnji biljni rod iz porodice trava kojemu je pripadalo dvadesetak vrsta jednogodišnjeg raslinja raširenog po znatnim dijelovima Europe, Azije, Afrike i Sjeverne i Južne Amerike.

Danas se vodi kao sinonim za rod Festuca Tourn. ex L.. Opisao ga je Carl Christian Gmelin 1805.

U Hrvatskoj također raste nekoliko vrsta, to su: mišji brčak (Festuca myuros, sin. V. myuros), Festuca ligustica (sin. V. ligustica), troprašnički brčak (Festuca fasciculata, sin. V. fasciculata), ovsikasti brčak ili slamica ( Festuca bromoides, sin. V. bromoides) i trepavičavi brčak (Festuca ambigua, sin. V. ciliata), primorska klasolika (Festuca unilateralis, sin. V. unilateralis), njezin bazionim je Triticum unilaterale L.. Latinski naziv roda klasolika je Nardurus, kamo je također bila svojevremeno klasificirana.

 Vulpia alopecuros
 Vulpia alpina
 Vulpia antucensis
 Vulpia australis
 Vulpia brevis
 Vulpia bromoides
 Vulpia ciliata
 Vulpia cynosuroides
 Vulpia delicatula
 Vulpia elliotea
 Vulpia fasciculata
 Vulpia fontquerana
 Vulpia geniculata
 Vulpia gracilis
 Vulpia gypsophila
 Vulpia ligustica
 Vulpia litardiereana
 Vulpia membranacea
 Vulpia microstachys
 Vulpia muralis
 Vulpia myuros
 Vulpia octoflora
 Vulpia pectinella
 Vulpia persica
 ?Vulpia unilateralis

Izvori

Sistematika

Brčak


"Općinska A nogometna liga Ludbreg" za sezonu 1984./85. je bila prvi stupanj općinske lige ONS Ludbreg, te liga šestog stupnja nogometnog prvenstva Jugoslavije.
Sudjelovalo je 12 klubova, a prvak je bila "Sloga" iz Slokovca.

Ljestvica

Rezultatska križaljka

 Izvori:

Povezani članci
 Općinska B liga Ludbreg 1984./85.

Vanjske poveznice

Izvori
 Franjo Vrtulek: "Nogomet u ludbreškom kraju", Varaždin, 1999., , str. 90
 library.foi.hr, "Ludbreški list"
 library.foi.hr, "Ludbreški list", br. 49, izdano 28. lipnja 1985., str. 11, preuzeto 6. kolovoza 2019.

Ludbreg-A
1984-85 A
1984-85 Ludbreg

Općinska A nogometna liga Ludbreg 1984./85.


جغين إحدى مناطق القبائل العربية في ساحل مكران وخاصة القحطانيين من عمان واليمن ودورهم في صراع مملكة هرمز، كذلك استقر بها لفترة قبائل الرند بقيادة الأمير شاكر ولهم قلعة بها قبل مغادرتهم إلى (سيوي) وكانت مسيطرة عليها من قبل التاجو دركانيين احفاد الرند منذ قدوم جدهم مير محمد مير عامر مير بكر مير حسن الرند حتى انضمامهم مع أبناء عمومتهم حكام ساحل مكران الغربي آل طاهر.

المصادر

بلوش
مناطق مكران

جغين


An Vanda limbata in uska species han Liliopsida nga ginhulagway ni Carl Ludwig von Blume. An Vanda limbata in nahilalakip ha genus nga Vanda, ngan familia nga Orchidaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Vanda

Vanda limbata


La Pequeña Copa del Mundo de Clubes de 1955 —oficialmente Copa Coronel Marcos Pérez Jiménez— fue la cuarta edición de la Pequeña Copa del Mundo, un torneo celebrado en Venezuela , entre los años 1952 y 1957, por cuatro equipos participantes, dos de Europa y dos de América del Sur.

Participantes

Tabla de posiciones

Referencias

Deporte en Venezuela en 1955
Fútbol en 1955
Pequeña Copa del Mundo de Clubes

Pequeña Copa del Mundo de Clubes 1955


Yuichi Yoda (født 25. juni 1977) er en tidligere japansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Vissel Kobe og JEF United Chiba.

Eksterne henvisninger

Fodboldspillere fra Japan

Yuichi Yoda


Através do Plano Ferroviário Nacional, que foi apresentado no dia 17 de novembro de 2022, no Laboratório Nacional da Engenharia Civil, em Lisboa, foram anunciados vários investimentos na ferrovia, destacando-se os investimentos na ferrovia de alta velocidade em Portugal, para no futuro serem usados de serviços de passageiros e mercadorias. Os objectivos dos investimentos na ferrovia de alta velocidade são servir as 10 maiores cidades do país, competir a ferrovia de alta velocidade com o carro e avião nas ligações das grandes cidades portuguesas e ligar a rede ferroviária nacional com a rede de alta velocidade espanhola, ligando assim Portugal com o resto da Europa.

A primeira construção de uma linha de alta velocidade em Portugal é a nova linha ferroviária entre Évora e Elvas, na região do Alentejo, para não só aproximar as duas cidades, mas sim para servir como uma ligação entre Lisboa e Madrid, criando assim uma Linha de Alta Velocidade Lisboa-Madrid, que será conluída em 2023. Já a Linha de Alta Velocidade Porto-Lisboa estará em operação pós 2030.

Linhas de alta velocidade

Porto-Lisboa
A linha ferroviária de alta velocidade entre as duas maiores cidades nacionais, Porto e Lisboa, tem como missão, não só aproximar as duas áreas metropolitanas, mas sim servir também as cidades ao longo do seu percurso, como Gaia, Aveiro, Coimbra e Leiria, e as cidades que ficam de fora do percurso, mas chegam através da nova linha ferroviária mais rápido às duas grandes cidades nacionais. O projeto está incluído no Plano de Investimentos 2030 e estará em operação até 2030. A duração da circulação entre as duas cidades, sem paragem, será de 1h20 minutos.

Os de procura apontam para um volume de passageiros compatível com um mínimo de 2 comboios por hora e por sentido, com eventual necessidade de reforço nas horas de ponta. Assim, considerou-se esse padrão de serviços mínimo com 2 comboios por hora por sentido entre o Porto e Lisboa. Um dos serviços seria direto entre Lisboa e Porto com prolongamentos para Norte, até Braga e Guimarães, e o outro efetuaria paragem nas estações intermédias e terminaria no Aeroporto Francisco Sá Carneiro, logo que o acesso a este fosse construído.

Exemplo de padrão de serviços de Alta Velocidade possível com a Linha de Alta Velocidade Porto-Lisboa, e respetivos tempos de viagem totais e parciais. Neste exemplo, existem 2 comboios por hora e sentido entre o Porto e Lisboa e as cidades de Leiria, Coimbra e Aveiro têm, pelo menos, 1 comboio por hora em ambos os sentidos.

Lisboa-Madrid
A linha ferroviária de alta velocidade entre as duas capitais da península ibérica, Lisboa e Madrid, irá aproximar as duas cidades e cidades ao longo do seu percurso, como Évora, Badajoz, Mérida e Plasencia, ligando as duas capitais em três horas em 2023.

Porto-Vigo

Aveiro-Salamanca

Trás-os-Montes
A linha ferroviária de alta velocidade de Trás-os-Montes irá ligar as cidades de Bragança e Vila Real, pertencendo às Terras de Trás-os-Montes e ao Douro, com o litoral da Região do Norte, com o Porto e o Aeroporto Francisco Sá Carneiro, ligando o interior com o litoral.

Évora-Faro

Linhas de alta velocidade de Portugal

Linhas de alta velocidade em Portugal


An Brocchinia wurdackiana in uska species han Liliopsida nga ginhulagway ni Bruce K. Holst. An Brocchinia wurdackiana in nahilalakip ha genus nga Brocchinia, ngan familia nga Bromeliaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Brocchinia

Brocchinia wurdackiana


مايكل فان دي كوربوت  ، من مواليد 18 سبتمبر 1956 ، لاعب كرة قدم هولندي سابق.

لعب مع منتخب هولندا لكرة القدم.

روابط خارجية

مراجع

لاعبو كرة قدم رجالية هولنديون مغتربون
لاعبو كرة قدم رجالية مغتربون في إيطاليا
لاعبو كرة قدم رجالية مغتربون في بلجيكا
لاعبو كرة قدم رجالية مغتربون في ألمانيا
لاعبو كرة قدم رجالية هولنديون
مدافعو كرة قدم رجالية
أشخاص على قيد الحياة
أشخاص من دريميلين
رياضيون هولنديون مغتربون في ألمانيا
رياضيون هولنديون مغتربون في إيطاليا
رياضيون هولنديون مغتربون في بلجيكا
لاعبو الدوري الألماني
لاعبو الدوري الإيطالي
لاعبو الدوري الهولندي الدرجة الأولى
لاعبو بطولة أمم أوروبا 1980
لاعبو بيرسخوت
لاعبو تورينو
لاعبو فاينورد
لاعبو كرة قدم مغتربون في ألمانيا
لاعبو كرة قدم مغتربون في إيطاليا
لاعبو كرة قدم مغتربون في بلجيكا
لاعبو كرة قدم من شمال برابنت
لاعبو كرة قدم هولنديون
لاعبو كرة قدم هولنديون مغتربون
لاعبو كولن
لاعبو منتخب هولندا لكرة القدم
كوربوت
مواليد في دريميلين

مايكل فان دي كوربوت


James W. "Jim" Davis (Muncie, Indiana, -Windsor, Ontario, 27 de diciembre de 2018) fue un baloncestista estadounidense que disputó ocho temporadas en la NBA y 3 más en la EPBL. Con 2,05 metros de estatura, jugaba en la posición de pívot.

Trayectoria deportiva

Universidad
Jugó durante tres temporadas en los Buffaloes de la Universidad de Colorado en Boulder, en las que promedió 14,4 puntos y 11,2 rebotes por partido. En todas ellas fue incluido en el mejor quinteto de la Big 8 Conference, siendo el artífice en dos títulos de conferencia ganados por los Buffaloes.

Profesional
Fue elegido en la vigésimo séptima posición del Draft de la NBA de 1964 por Detroit Pistons, pero fue despedido antes del comienzo de la temporada, jugando durante tres años en la EPBL. En  fichó como agente libre por St. Louis Hawks, donde jugó 4 temporadas, las tres últimas ya en Atlanta, llegando a ser titular en la 69-70, en la que promedió 13,6 puntos y 9,7 rebotes por partido. Esa temporada también destacó en el aspecto negativo, ya que fue el jugador de toda la liga en hacer más faltas personales, con 335, más de 4 por partido.

Poco después de comenzada la temporada 1971-72 fue traspasado junto con John Vallely a Houston Rockets a cambio de Larry Siegfried y Don Adams, de donde, tras disputar 12 partidos, fue enviado a Detroit Pistons a cambio de una futura ronda del draft. Allí jugó durante cuatro temporadas como suplente de Bob Lanier, siendo la más destacada de todas la primera, en la que promedió 5,9 puntos y 3,8 rebotes por partido.

Estadísticas de su carrera en la NBA

Temporada regular

Playoffs

Referencias

Enlaces externos

Baloncestistas de Indiana
Baloncestistas de la NBA
Baloncestistas de los Colorado Buffaloes
Baloncestistas de los Sunbury Mercuries
Baloncestistas de los St. Louis Hawks
Baloncestistas de los Atlanta Hawks
Baloncestistas de los Houston Rockets
Baloncestistas de los Detroit Pistons
Fallecidos en Windsor (Ontario)

Jim Davis (baloncestista)