Mission Beach is a community built on a sandbar between the Pacific Ocean and Mission Bay. It is part of the city of San Diego, California.

Mission Beach spans nearly two miles of ocean front. It is bounded by the San Diego River estuary on the south, Mission Bay Park on the east, and the community of Pacific Beach on the north. A boardwalk runs along the beaches on both the ocean and bay sides of the community. The main artery through Mission Beach is Mission Boulevard. The community is divided into South Mission, a peninsula, and North Mission. At the south end of the beach a jetty, with grass, parking and a walk, extends into the ocean.

Land

Many residential structures in Mission Beach were built in the 1930s and '40s as summer cottages and some date as early as the 1920s. The rare airplane bungalow on Manhattan Court was built in 1924. Because of problems to work out with developing on sand, Mission Beach developed later than the neighboring communities of Ocean Beach to the south and Pacific Beach to the north. As a result of a new official subdivision in 1914, encouraged by land sales in those next-door communities and a new wooden bridge linking Mission Beach with Ocean Beach, John D. Spreckels offered small lots for sale. As a result, Mission Beach is the most densely developed residential community in San Diego with a land use designation across the majority of its land area of 36 dwelling units per acre. It also has the smallest lots in the city, ranging from  to . Few have been consolidated to form larger lots. Many of the structures within the community have been redeveloped into two-story homes. The wooden bridge to Ocean Beach was closed to traffic in 1950 and demolished in 1951.

History

Attractions near Mission Beach include SeaWorld in Mission Bay Park and the historic amusement park Belmont Park in South Mission Beach. Belmont Park was originally built as the Mission Beach Amusement Center by John D. Spreckels in 1925 to stimulate real estate sales and to promote his electric railway. Belmont Park now features the original wooden Giant Dipper Roller Coaster as well as newer rides such as the FlowRider at Wave House, Vertical Plunge, Krazy Kars, Tilt-a-Whirl, Liberty Carousel, Crazy Submarine, The Beach Blaster, and The Chaos.

Designed by architect Frank Walter Stevenson, The Mission Beach Plunge in Belmont Park, a -by- saltwater swimming pool, opened in May 1925 as the Natatorium.  The Plunge building enclosing the pool was styled after the Spanish Renaissance architecture of San Diego's Balboa Park structures. The changing rooms appear in the Tom Cruise film Top Gun. Celebrities who once swam at the Plunge include Esther Williams and Johnny Weissmuller. The roof of the building rolled open to make it both an indoor and outdoor pool. The Mission Beach Plunge (now using fresh water) and the Giant Dipper are the only remaining attractions left from Spreckels' original park; the other structures were razed in the late 1980s.  The Plunge has been closed since 2014 due to disrepair. Plans to demolish and rebuild the Plunge were approved in January 2016.

Landfill
Also nearby, immediately east of SeaWorld, is an unlined landfill.  From 1957 to 1962 large amounts of industrial waste, including millions of gallons of chromic, hydrofluoric, nitric, sulfuric, and hydrochloric acids, dichromate, cyanide, and carbon tetrachloride, were deposited into this landfill.  No remediation efforts have occurred.

Activities

Mission Beach offers opportunities to participate in sunbathing, horseshoes, surfing, bicycling, skateboarding, Frisbee tossing, and other outdoor activities. A local skating club, "Skate This!," performs for free on weekends, executing trick skating and dancing on both rollerblades and traditional skates. It is a well known, popular location for engaging in sports, including beach volleyball and basketball, with courts available for both.

There is a public recreation center on Santa Clara Place on the bay side of Mission Beach. At the south end of Belmont Park is the Wave House Athletic Club, a full-service beachside fitness center, complete with cardio equipment, weights, fitness classes, aquatic classes in the Plunge, and beach Bootcamps.

Mission Beach includes Mariner's Point, the original site of the over-the-line softball-on-the-beach tournament.

Thong bikinis are technically illegal on Mission Beach, but lifeguards and local police do not typically enforce the ban on such swimwear. The consumption of alcoholic beverages on the beach is illegal as of April 2008. Nudity is not allowed.

Many beachgoers are local college and university students, but both tourists and permanent residents of the beach and other areas are also frequent visitors to the beach. Weekly and monthly rentals are available during the summer months.

Bars and nightlife
Mission Beach has many well-known bars. Most bars in the neighborhood are relaxed, beach-style gathering places. Some of the more popular venues are Guava Beach, The Sandbar Sports Grill, The Beachcomber, The Pennant in South Mission, The Coaster Saloon, Draft, and the Wave House.

Notable people
 David C. Copley, billionaire, former publisher of San Diego Union-Tribune newspaper
 Mike Gotch, former San Diego City Councilman and California state assemblyman
 Jeanne Lenhart, California Senior Olympian, amateur volleyball player, senior pageant winner
 Bob Mendoza, professional baseball player and coach, San Diego Hall of Champions inductee
Dorian "Doc" Paskowitz (1921–2014), surfer and physician
 Cathy Scott, true crime author
 Curtis Casella, founder of Taang! Records

See also
 List of beaches in San Diego County

References

External links

 City of San Diego Beaches Department
 Mission Beach Volleyball
 Belmont Park
 Wave House

Neighborhoods in San Diego
Beaches of San Diego County, California
Populated coastal places in California
San Diego River
Tourist attractions in San Diego
Culture of San Diego
Landmarks in San Diego
Beaches of Southern California

Mission Beach, San Diego


E55 may refer to:
 European route E55
 Mercedes-Benz E55 AMG, a performance car
 M113 E55, a version of the Mercedes-Benz M113 engine
 The Nokia E55 mobile phone
 Nimzo-Indian Defense, Encyclopaedia of Chess Openings code
 Ocean Ridge Airport (FAA code E55)
 Tokushima-Nanbu Expressway, Anan-Aki Expressway and Kōchi-Tōbu Expressway, route E55 in Japan
 E55 road in United Arab Emirates, from Umm al-Quwain to Al Shuwaib.

E55


The Yampa River flows  through northwestern Colorado, United States. Rising in the Rocky Mountains, it is a tributary of the Green River and a major part of the Colorado River system. The Yampa is one of the few free-flowing rivers in the western United States, with only a few small dams and diversions.

The name is derived from the Snake Indians word for the Perideridia plant, which has an edible root. John C. Frémont was among the first to record the name 'Yampah' in entries of his journal from 1843, as he found the plant was particularly abundant in the watershed.

Course
The headwaters of the Yampa are in the Park Range in Routt County, Colorado as the confluence of the Bear River and Phillips Creek, near the town of Yampa. The Bear River, larger of the two, flows from a source of  at Derby Peak in the Flat Tops Wilderness. The Yampa River then flows north through a high mountain valley, through Stagecoach Reservoir and Lake Catamount, before reaching Steamboat Springs, where it turns sharply west. Below Steamboat Springs, the Yampa flows through a wider valley in the western foothills of the Rockies. It receives the Elk River from the north, then passes the towns of Milner and Hayden.

After entering Moffat County the Yampa passes Craig and is joined by the Williams Fork. West of Craig, the Yampa crosses arid, sparsely populated sagebrush country for about  before reaching Cross Mountain Canyon, where the river slices a  deep gap through the namesake mountain. Below Cross Mountain the Yampa enters the open valley of Lily Park, where it is joined by its largest tributary, the Little Snake River. Further west it enters Dinosaur National Monument, where it traverses more than  of rugged canyons and rapids. The Yampa joins the Green in Echo Park at Steamboat Rock deep within the national monument, about  from the Colorado–Utah border.

Watershed
The Yampa drains  of mostly semi-arid plateau country in northwestern Colorado and a small portion of southern Wyoming. The bulk of the watershed is located between the Park Range, to the east; the Flat Tops, to the south; and the Uinta Mountains, to the west. The Great Divide Basin, an area of closed drainage, borders the Yampa River basin to the north. The Continental Divide runs along the north and east sides of the Yampa basin, separating it from the headwaters of the North Platte River, which flows into the Mississippi River system. On the south, the Yampa River basin is bordered by that of the White River, which like the Yampa flows in a westerly direction to join the Green.

Volume

The Yampa River is a typical Western snow-fed stream, but unlike most other rivers in the western United States its seasonal discharge patterns are not affected by large dams and water projects. The river forms a noticeably wide, shallow braided stream throughout much of its course. The lower three fourths of the Yampa, from the Elk River down, are navigable by small craft. However the meandering, shallow nature of the river can render the river unnavigable during late summer in low water years.

The average flow at the confluence of the Green is , averaging  during the spring runoff of April–July, and falling below  during late summer and autumn. The upper section of the river freezes over between December and March.

According to a U.S. Geological Survey stream gage at Deerlodge Park, about  above the mouth, the average river flow was  between 1983 and 2013. The highest annual mean was  in 2011, and the lowest  in 2002. Monthly recorded average flows were highest in May at  and lowest in September at . The highest recorded peak flow was  during the record snowmelt of May 18, 1984.

Ecology
Because the Yampa River maintains a relatively natural flow pattern, it supports a productive riparian zone environment along much of its course. In addition, much of the river is unconstrained by levees allowing it to maintain its natural floodplain. This is also true of its main tributary, the Little Snake River. The Yampa River Preserve  west of Steamboat Springs protects a rare riparian forest type consisting of narrowleaf cottonwood, box elder and red-osier dogwood that was once more common in the Upper Colorado River Basin. The Yampa's warm, silty waters are an ideal spawning ground for native fish such as the Colorado pikeminnow and humpback chub which have largely disappeared from dammed waterways in other parts of the Colorado River system.

History

Native Americans
Archaeological studies conducted in the Dinosaur National Monument have revealed evidence of human habitation up to 7000 BC. The Fremont culture or Desert Archaic people inhabited the Yampa River basin starting about 800 AD, but disappeared for reasons uncertain during the 1400s. The Fremont created petroglyphs along the Yampa River Canyon, of which more than 300 are still visible today. After the collapse of the Fremont culture, a branch of the Utes moved into the Yampa River basin. The White River Utes inhabited the valleys of the Yampa and White Rivers and the Rockies of northwestern Colorado. The band living in the Yampa River valley was known as the Yamparika or Yapudttka Utes. At times the river also served as a boundary between the Utes and Shoshone peoples to the north; there was also a band of Shoshone called the Yamparika.

The name Yamparika is a Snake Indians word meaning "yampa eaters", "yampa" referring to the edible roots of the Perideridia plant. "Yampa" itself probably meant "water-plant" or "common plant". In 1843 explorer John C. Frémont was among the first to record the name "Yampah", finding this plant to be of particular abundance in the watershed. Some fur traders in the 1800s thought Yampa was the Ute word for "bear", and the Yampa was often called the Bear River on early maps.

Dam and diversion proposals
During the 1960s, the Yampa and Green River canyons were slated to be flooded under a reservoir created by Echo Park Dam, a U.S. Bureau of Reclamation water project. Due to environmentalists' opposition, this dam was never built, and the free-flowing character of the Yampa was retained. However, as part of the compromise to preserve Echo Park, the controversial Glen Canyon and Flaming Gorge dam projects were allowed to move forward, damming the Colorado and Green Rivers, respectively. Today the Yampa remains the only major tributary in the Colorado River system without a single large dam along its course (the moderately sized Stagecoach Dam, built 1989 and several others on the headwaters have only a limited impact on its flow).

In December, 2006, a report proposed to pump water from the Yampa River 200 miles east, under the Continental Divide, to the state's major cities along the Front Range.  The diversion was proposed to start near Maybell,  downstream of Craig, Colorado . The proposal faces widespread opposition because it could lower river flows in late summer due to the diversion.

See also

 Yampa River State Park
 List of rivers of Colorado
 List of tributaries of the Colorado River

References

External links

 Colorado State Parks: Yampa River State Park
 Yampa River State Park — River Access Points

Rivers of Colorado
Tributaries of the Green River (Colorado River tributary)
Tributaries of the Colorado River in Colorado
Rivers of Moffat County, Colorado
Rivers of Routt County, Colorado

Yampa River


بوابة أو هي أداة فك منطقي تعمل وفق جدول الحقيقة الذي بالأسفل، فعند توصيل سلكين أو أكثر ببوابة 'أو' فإن الخرج يكون عاليا (1) إذا كان سلك أو أكثر ذا قيمة عالية.

تسبه وظيفة بوابة أو عملية الجمع العادي لكن الفرق ان 1 أو 1 = 1 (انظر الجدول) لإن النظام هنا نظام عد ثنائي (صفر وواحد فقط).

جدول الحقيقة

انظر أيضا
 تكافؤ منطقي

مراجع

إلكترونيات رقمية
بوابات منطقية
جبر منطقي
دارات متكاملة
منطق

بوابة اختيار


Sergueï Vladimirovitch Savelyev () est un lanceur d'alerte biélorusse. Il s'est fait connaître en octobre 2021 après avoir remis au fondateur du site Gulagu.net, le militant des droits de l'homme Vladimir Ossetchkine, une copie des archives électroniques de vidéos, photographies et documents du réseau informatique du Service pénitentiaire fédéral de Russie, témoignant de l'organisation et de la mise en œuvre de tortures systématiques, d'intimidations, de viols et de dommages physiques délibérés aux organes internes des prisonniers dans les lieux de détention en Russie.

Les documents transférés par Savelyev sont devenus de nouvelles preuves dans l'enquête à long terme de Vladimir Ossetchkine et de son site Web Gulagu.net sur l'usage systématique de la torture dans les prisons russes. Le début de leur publication sur Internet et dans les médias d'un certain nombre de pays ont, entre autres, servi à engager des poursuites pénales en Russie sur la torture de condamnés à l'hôpital pénitentiaire de Saratov. Sergueï Savelyev a néanmoins fait l'objet d'un mandat d'arrêt par le ministère de l'Intérieur de la fédération de Russie dans le cadre d'une plainte pour «obtention illégale d'informations constituant un secret d'État», ainsi que dans le cadre de la violation des conditions de sa libération anticipée .

Biographie
Sergey Savelyev est né en 1989 à Minsk .

En 2013, il vient travailler en Russie. La même année, il est condamné en Russie pour trafic de drogue, accusation qu'il nie encore aujourd'hui mais a fini par avouer après deux mois de passage à tabac et de torture. Il est condamné à 9 ans de prison. Il purge d'abord sa peine dans le territoire de Krasnodar, puis dans la région de Saratov .

À l'hôpital régional de la tuberculose n°1 (OTB-1) de Saratov, l'administration de la prison l'attire officieusement vers un travail non rémunéré en tant que secrétaire et administrateur système, et Sergueï Saveliev passe presque toute sa peine dans l'hôpital de la prison, étant répertorié comme patient. En tant que secrétaire, il est engagé dans la tenue de dossiers officiels, répondant aux plaintes reçues par l'institution. En tant qu'administrateur système, il a accès au réseau informatique du Service fédéral des pénitenciers. Il est également responsable du stockage et de la délivrance des enregistrements vidéo de service. Pendant qu'il purge sa peine, il commence à copier des documents qui se trouvent sur les ordinateurs de l'établissement et dans le réseau départemental (enregistrements vidéo des magnétoscopes de service, caméras de vidéosurveillance, documents divers). Les matériaux ainsi obtenus, copiés sur des supports externes, il réussit à sortir discrètement du territoire de l'institution lors de sa libération le 2 février 2021. La plupart de ces enregistrement sont des vidéos de torture et de viols que la direction des prisons conserve pour faire chanter les prisonniers.

Après sa libération, Savelyev tente d'établir des contacts avec un certain nombre d'organisations de défense des droits de l'homme en Russie, cependant, aucune de ces organisations, à l'exception du projet Gulagu.net qui a émigré de Russie vers la France, ne montre d'intérêt pour les nombreux éléments de preuves offerts par Savelyev sur la torture sévère et systématique dans les lieux de détention en Russie, sur la suppression forcée de divers "aveux" par des viols, y compris avec des dommages physiques délibérés aux organes internes des victimes.

Après cela, au premier semestre 2021, Savelyev décide de transférer les documents copiés au fondateur du projet Gulagu.net, le militant des droits de l'homme Vladimir Ossetchkine. Le 29 juillet 2021, le site web Gulagu.net est bloqué en Russie. Néanmoins, le début de la publication de ces documents par l'équipe de Gulagu.net sur Internet et dans les principaux médias mondiaux en octobre 2021, entre autres, contraint les forces de l'ordre russes à engager un certain nombre d'affaires pénales sur la torture de condamnés dans l'hôpital pénitentiaire de Saratov.

Après qu'Ossetchkine ait commencé à rendre ces archives publiques, Savelyev est harcelé et surveillé par le Service fédéral des pénitenciers et le département «M» du FSB de Russie, qui, en fin de compte, piratent son courrier électronique et lisent sa correspondance électronique en Russie et Biélorussie. Les employés du CSS du Service pénitentiaire fédéral, ayant détenu Savelyev à l'aéroport avant le décollage de l'avion, sans s'identifier, ont tenté de savoir «pour quels services spéciaux étrangers il travaille» et comment ou avec l'aide de qui il a réussi à copier des documents des réseaux informatiques du Service fédéral des pénitenciers. Dans le même temps, sans montrer le moindre intérêt pour les faits mêmes de torture et d'abus dans les lieux de détention, les agents le forcent à la hâte à signer une déclaration selon laquelle il copiait des documents sur la torture prétendument "à des fins lucratives". Après cela, à son arrivée à Moscou, Saveliev s'enfuit immédiatement dans son pays natal en Biélorussie, d'où il s'est envolé pour la France en passant par des pays tiers, où il a demandé l'asile politique et, en attendant l'asile, a rejoint le travail actif du projet Gulagu.net.

Le 14 mars 2022, il est interpellé par la police française pour avoir pénétré par effraction dans une villa à Biarritz, qui est associée à Kirill Chamalov, un homme d'affaires proche de Vladimir Poutine. Il sera relâché en fin de journée. La villa sera quelques semaines plus tard mise sous séquestre par le Ministère français de l'économie et des finances.

Poursuites pénales
Le 23 octobre 2021, le ministère de l'Intérieur de la fédération de Russie inscrit Sergey Savelyev sur la liste fédérale des personnes recherchées, apparemment dans le cadre d'une affaire pénale pour « obtention illégale d'informations constituant un secret d'État », et dans le cadre de la violation des conditions de libération anticipée .

Le 28 octobre 2021, le département du ministère de l'Intérieur de la Russie pour la région de Saratov déclare que Sergey Savelyev est inscrit sur la liste fédérale des personnes recherchées en raison du fait que le 30 septembre 2021, une affaire pénale a été ouverte contre lui en vertu de la partie 2 de l'article 272 du Code pénal de la fédération de Russie ("Accès illégal aux informations informatiques ""). Le même jour, le tribunal de district de Saratov arrête Savelyev par contumace et l'inscrit sur la liste internationale des personnes recherchées.

Le 10 novembre 2021, le bureau du procureur annule la décision d'ouvrir une enquête pour accès illégal à l'information (partie 2 de l'article 272 du code pénal) contre Savelyev.

La liste de Savelyev
Le 1er novembre 2021, l'équipe de Gulagu.net, en collaboration avec Sergey Savelyev, publie la première partie de la liste des responsables de la prison OTB-1 "qui contrôlaient la torture". Le projet a également créé un documentaire intitulé Savelyev's List, dans lequel Gulagu.net a divulgué les noms des fonctionnaires du Service pénitentiaire fédéral russe qui, selon la propre version de l'enquête, sont impliqués dans la torture à l'hôpital de la prison. Dans cette publication, l'équipe du projet Gulagu.net exige que les enquêteurs du Département principal d'enquête du Comité d'enquête de Russie et le Procureur général de la fédération de Russie mènent une enquête approfondie et organisent des poursuites pénales contre tous les fonctionnaires du Service pénitentiaire fédéral pour la région de Saratov, "impliqué dans le convoyeur de torture" dans les prisons OTB-1, SIZO-1 et IK-13 du Service pénitentiaire fédéral de Russie dans la région de Saratov. Dans les 10 premières heures qui ont suivi la publication de la première partie de ce documentaire d'investigation, il a été vu par plus de 400 000 personnes. Le même jour, le compte du fondateur du projet Gulagu.net, Vladimir Ossetchkine, est bloqué sur le réseau social Facebook sans avertissement, avant d'être rétabli le lendemain.

Le 19 novembre 2021, l'équipe du projet Gulagu.net, en collaboration avec Sergey Saveliev, publie la deuxième partie de ce documentaire, qui montre les visages et les titres des employés impliqués dans la torture dans OTB-1, indique les dates et heures précises des tortures, tortures et viols, les faits d'abus de pouvoir avec l'utilisation de moyens spéciaux, ainsi que la négligence des employés. Dans cette publication, l'équipe du projet Gulagu.net a appelé le directeur du Service pénitentiaire fédéral de Russie, le général du FSB Alexander Kalachnikov, à se rendre personnellement à Saratov et à effectuer un contrôle sur place, renvoyant de manière exponentielle toutes les personnes impliquées et transférant du matériel à la Direction principale d'enquête du Comité d'enquête de Russie « pour organiser des poursuites pénales contre tous les sadiques mentionnés ci-dessus ». Au moment où la deuxième partie du film est publiée, le nombre de vues de la première partie avait déjà atteint plus de 1 000 000 de personnes.

Notes

 Tatiana Moskalkova, commissaire aux droits de l'homme de la fédération de Russie, qualifie les actions de Sergei Savelyev de « manifestation de courage ».
 Le journal français Libération a comparé les actions de Savelyev à celles d'Edward Snowden, qui a donné aux médias des informations classifiées de l'Agence américaine de sécurité nationale.
 L'attaché de presse du président russe Dmitri Peskov a refusé d'établir un parallèle entre les révélations de Sergueï Savelyev et celle d'Edward Snowden ou celle du fondateur de WikiLeaks, Julian Assange.

Remarques

Réfugié biélorusse
Lanceur d'alerte
Naissance à Minsk
Naissance en novembre 1989
Pages avec des traductions non relues
Réfugié en France

Sergueï Saveliev (lanceur d'alerte)


An Ophrys sphegodes in uska species han Liliopsida nga ginhulagway ni Philip Miller. An Ophrys sphegodes in nahilalakip ha genus nga Ophrys, ngan familia nga Orchidaceae.

Subspecies

Ini nga species ginbahin ha masunod nga subspecies:

 O. s. aesculapii
 O. s. araneola
 O. s. atrata
 O. s. aveyronensis
 O. s. cretensis
 O. s. epirotica
 O. s. gortynia
 O. s. helenae
 O. s. mammosa
 O. s. passionis
 O. s. sipontensis
 O. s. sphegodes
 O. s. spruneri
 O. s. argentaria

Mga kasarigan

Mga sumpay ha gawas

Image gallery

Ophrys

Ophrys sphegodes


Safrantukan () er en fugl i familien tukaner i ordenen spættefugle. Den lever i det østlige Sydamerika.

Noter
 Avibase - the world bird database

Eksterne henvisninger

Brasiliens fugle
Tukaner

Safrantukan


is a science fantasy  role-playing video game developed and published by Sega for the Sega Genesis. It was released in Japan in 1989, North America in 1990, and in Europe in 1990. It was later ported to a variety of different platforms. An updated remake, , was released for the PlayStation 2 in 2005 in Japan.

Phantasy Star II is the second installment in Sega's acclaimed Phantasy Star series and serves as a sequel to the original Phantasy Star for the Master System. Phantasy Star II takes place 1,000 years after the events of its predecessor and follows the journey of a government agent named Rolf and his friends, who are on a mission to discover why the protector of the planet Mota, Mother Brain, has started malfunctioning.

Phantasy Star II was the first video game to use a 6 mega-bit cartridge, making it the biggest video game on a console at the time. Since its release Phantasy Star II has been the subject of critical acclaim.

Gameplay

Gameplay is similar to the original Phantasy Star, the first game in the series. Its battle system is turn-based as well as menu-based, allowing the player to choose commands for their party of up to four characters. Each of the eight characters has a different set of preferred weapons and armor, as well as techniques, suited to the character's job. The player must defeat enemies in the overworld and in dungeons to advance in the game.

The game abandoned the first-person view that the first game used for dungeons and battles. Phantasy Star II instead uses a top-down perspective for exploration and a third-person view in battles.

Plot
Somewhere deep within the Andromeda Galaxy lies the Algol Star System. The parent star, Algol (referred to as "Algo" by this point in the timeline), has three planets orbiting about it. First is Palm ("Palma"), the home of the government. Governors, treasurers, and great thinkers dwell here in great ivory towers, away from the hubbub of everyday life. Next is Mota ("Motavia"), the shining jewel. Once a dry desert planet infested with ant lions, Mota has been transformed into a blue and green tropical paradise. Domed farms grow crops, and the water is regulated into dammed rivers. Life on Mota is sweet, peaceful, and easy. The people have everything they want and do not need to work. Farthest out is Dezo ("Dezoris"), the ice planet. Little is known about this mysterious and dark planet.

One thousand years have passed since Alis and her friends liberated Algo from the evil Lassic in the previous game; Algo has since prospered under the care of a giant computer called the Mother Brain. The Mother Brain regulates the Climatrol tower which has terraformed Mota, the biosystems lab, and all other things that provide whatever the people in Mota need.

The game begins with the character Rolf recalling a strange recurring nightmare he has been having. In the dream, a young girl who Rolf does not recognize – but who resembles Alis – is battling a demon. Finally, just before the demon would kill her, Rolf awakens. From his home in Paseo, Mota's capital, Rolf goes to the central tower to meet with the head of government on Mota, in order to receive his newest mission.

The first threat is an increase in dangerous biomonsters (biologically altered animals). Rolf sets off with his companion Nei, a humanoid with catlike features, to investigate, accompanied by six others with each different, but same purpose. Along the way, the group discovers a human-biomonster hybrid named Neifirst, who reveals that Nei's origins are the same as her own. Being part biomonster, she is an outcast from society, causing her to loathe mankind and, because of this, sabotage both Mota's climate control system and the biosystems laboratory. Nei confronts Neifirst and battles her in a one-on-one fight, but is defeated and killed. Anguished, Rolf and the remaining party defeat Neifirst, causing the biosystems laboratory to self-destruct and bringing an end to Mota's Biomonster hazard.

However, this sets another incident in motion: the explosion of the lab damages the Climatrol equipment and causes the central lake, the residential reservoir of Mota, to overflow with water. To prevent a massive flood, Rolf and his friends decide to open up the surrounding four dams. After unlocking the last one, they are captured by Mother Brain's security robots, charged with causing the environmental disaster, and sentenced to death upon the Gaira satellite. However, the satellite malfunctions and collides with Palm, destroying both. Rolf and company are rescued in the nick of time by a space pirate, Tyler.

Now the system's most wanted criminals, blamed for Palm's destruction and the deaths of its people, the group boards Mota's last remaining spacecraft – legacy of a space program now falling into ruins – to the mysterious and dangerous Dezo. Located at a far corner of the planet is the Esper Mansion: upon reaching it, Rolf awakens the legendary Lutz from a long sleep. Lutz reveals the secrets of Rolf's past, as well as the dark secret of Mother Brain which relates to the fate and destruction Algo is now facing. In order to save the System, the heroes seek to recover the powerful Nei arsenal, found in four hidden dungeons, capable of defeating the enemies on the spaceship Noah, where Mother Brain resides.

It is eventually revealed that the demon from Rolf's original nightmare – Dark Force, Lassic's true corruptor and Alis' enemy a thousand years ago – has corrupted Noah and been behind every threat Rolf has faced, including Mother Brain itself. Rolf confronts the two evil entities and defeats them. After the final battle, Lutz alerts him that there are still people on the ship: they're the remaining survivors from Earth. They reveal they created Mother Brain to satisfy their greedy lifestyle at the expense of Algo's resources, and a fight between the heroes and the earthmen ensues. The game ends with the outcome unrevealed.

Release

Localization changes
 Lutz, a refugee Esper who lives in the Esper Mansion on Dezo, aids Rolf and friends in their mission. He is supposed to be the same Esper who accompanies Alis in Phantasy Star, but due to the English version of Phantasy Star naming said Esper "Noah," this point is lost.
 In the Japanese version, Ustvestia, a musician who teaches the characters the Musik technique, is openly gay; when requested to teach a male character the Musik technique, he comments, "He looks cute", and charges less than he would for teaching female characters. Any obvious references to this were removed from the American release; he instead comments, "He looks smart" – and still charges less for teaching the male characters.
 While the tracks in the soundtrack are the same for both versions, the snare drums are much louder in the Japanese version.
 In the Japanese version the game is set 942 years after the events of Phantasy Star I.

Ports
Phantasy Star II was re-released as a port in two different forms for the Sega Saturn and Game Boy Advance as part of Phantasy Star Collection. It was also released on the Sega Smash Pack Volume 1 for the Dreamcast. It is also part of the Sega Genesis Collection for PlayStation 2 and PlayStation Portable.  The game is available in Sonic's Ultimate Genesis Collection for Xbox 360 and PlayStation 3.  The game is also included as part of Sega Genesis Classics for Xbox One, PlayStation 4, Nintendo Switch, Microsoft Windows, macOS, and Linux.

The game was made available through Nintendo's Virtual Console service in 2008. On June 10, 2009, it was released on Xbox Live Arcade under the Sega Vintage Collection banner. On August 26, 2010, an iPhone port of the game was released. The port later became available on the iPad and iPod touch as well.  On June 22, 2017, Sega made the game available for free through both iTunes and Android.

In October 1993, Atari Corporation filed a lawsuit against Sega for an alleged infringement of a patent originally created by Atari Corp. in the 1980s, with the former seeking a preliminary injunction to stop manufacturing, usage and sales of hardware and software for both Sega Genesis and Game Gear. On September 28, 1994, both parties reached a settlement in which it involved a cross-licensing agreement to publish up to five titles each year across their systems until 2001. Phantasy Star II was one of the first five titles approved from the deal by Sega in order to be converted for the Atari Jaguar, but it was never released.

Reception and legacy

Contemporary

Its demonstration at the Winter Consumer Electronics Show (Winter CES) in January 1990 received a positive reception.  The original Phantasy Star game was a big game for its time, and because of the advancements in technology between the Master System and Genesis, Phantasy Star II featured a much larger cartridge than its predecessor, holding 6 megabits of data, making it the largest game on any game machine up until that time. RePlay magazine praised the game for providing a lengthy home video game experience not found in arcades, and reported it could take about 250 hours to complete.

The game was well received by critics upon release. In Dragon magazine, Phantasy Star II was described as "one of the best role-playing games yet to be released for any video game system." Wizardry designer Roe R. Adams wrote in Computer Gaming World that Phantasy Star II was a system seller for the Genesis, stating that its "16-bit graphics are gorgeous, but the real fun lies in the science fiction story plot." He concluded that it is a "challenging and enjoyable" game with "superb combat and animated graphics." Raze concluded that it is a "challenging quest packed with gameplay."

Retrospective

Phantasy Star II was a landmark game in its time, "a game of many firsts" according to Nintendo Power. It was the first RPG for the Mega Drive, and was released in the U.S. two months before the original Final Fantasy for the NES, another key game in the genre's popularization in North America.

Phantasy Star II is regarded by many as a forerunner for certain aspects of role-playing video games, such as an epic, dramatic, character-driven storyline dealing with serious themes and subject matter, a strategy-based battle system, and the demand for extensive strategy guides for such games (Phantasy Star II included one with the game itself). Phantasy Star II'''s predominantly science fiction setting was also a major departure for RPGs, which had previously been largely restricted to fantasy or science fantasy settings. The game's science fiction story was also unique, reversing the common alien invasion scenario by instead presenting Earthlings as the invading antagonists rather than the defending protagonists. The game's strong characterization, and use of self-discovery as a motivating factor for the characters and the player, was a major departure from previous RPGs and had a major influence on subsequent RPGs such as the Final Fantasy series. It also made an attempt at social commentary years before the Final Fantasy series started doing the same. Tor.com described the worldbuilding as "fantastic, probably the best in any 16-bit era game."Phantasy Star II has made a number of "greatest games of all time" type lists, including being inducted into GameSpot's list of greatest games of all time in 2005. Mega placed the game at #29 in their "Top Mega Drive Games of All Time" in 1992. In 1997 Electronic Gaming Monthly ranked it the 30th best console video game of all time, saying it was the best RPG on the Genesis due to its characters, story, enemies, and massive length. In 2003, IGN ranked it as the 92nd top game, choosing Phantasy Star II for how it "surprised everyone with the death of a major player 1/3 the way" years before Final Fantasy VII, in addition to "a balanced experience point system, tough-as-nails bosses, and one of the biggest and most difficult RPG quests that we've ever seen." In 2009, Nintendo Power called Phantasy Star II, along with Phantasy Star IV, one of the greatest role-playing games of all time. In 2011, GamePro included it in its list of "20 Games That Defined Role-Playing Games".

Levi Buchanan of IGN reviewed the iPhone version in 2010. He praised it as an "awesome game" with a "real sense of discovery" and one of his "favorite final twists in videogames."

 Remake

A remake, Phantasy Star Generation 2, was released in Japan for the PlayStation 2 as a part of Sega Ages in 2005. Much like Phantasy Star Generation 1, the remake mirrors the events of the original game while adding character development and fleshing out the story in more detail.  It featured enhanced graphics, a revised combat system, and a rearranged soundtrack. Other new features included the ability to play the original Mega Drive version, and to load a system file from Phantasy Star Generation:1 to allow the ability to play as Nei throughout the entire game.

It was originally slated for North American and European release by Conspiracy Entertainment as a part of the Phantasy Star Trilogy, a compilation of the remakes of Phantasy Star, Phantasy Star II, and Phantasy Star IV. The compilation's future is uncertain, however, since Sega reclaimed the publishing rights for North America and Europe. This is evidenced by the fact that the trilogy no longer appears on Conspiracy Entertainment's list of products on their website. Sega has abandoned their plans for a Phantasy Star IV remake in favor of a compilation featuring the original iterations of Phantasy Star I–IV''.

References
Notes

Footnotes

1989 video games
Fiction set around Algol
Alien invasions in video games
Cancelled Master System games
Cancelled Atari Jaguar games
Video games about impact events
IOS games
Overworks games
Phantasy Star video games
PlayStation 2 games
Role-playing video games
Sega Genesis games
Sega video games
Turn-based role-playing video games
Video games featuring female protagonists
Video game sequels
Virtual Console games
Windows games
Xbox 360 Live Arcade games
Video games developed in Japan

Phantasy Star II


Harley William Jessup (* 1954 in Corvallis, Oregon) ist ein US-amerikanischer Szenenbildner und Spezialeffektkünstler.

Leben
Jessup besuchte die Oregon State University und schloss diese mit dem Bachelor of Fine Arts in Grafikdesign ab. Anschließend machte er seinen Master an der Stanford University. Danach arbeitete er als Animator für das Fernsehen, bis er eine Anstellung bei Lucasfilm erhielt, und unter anderem an Ewoks – Die Karawane der Tapferen arbeitete, wofür er mit den Emmy ausgezeichnet wurde. 1986 wechselte er zu Industrial Light & Magic. Dort arbeitete er an den visuellen Effekten von Joe Dantes Die Reise ins Ich, und wurde hierfür mit dem Oscar ausgezeichnet. Eine weitere Oscar-Nominierung erhielt er 1992 für Steven Spielbergs Hook.

Harley verließ 1994 Industrial Light & Magic und arbeitete für Disneys James und der Riesenpfirsich. 1996 erhielt er eine Festanstellung bei Pixar, wo er Storyboards für Das große Krabbeln erstellte. In der Folge arbeitete er an Die Monster AG und Ratatouille, für letzteren wurde er 2008 mit dem Annie Award ausgezeichnet.

Filmografie (Auswahl)

Szenenbild
 1996: James und der Riesenpfirsich (James and the Giant Peach)
 2001: Die Monster AG (Monsters, Inc.)
 2007: Ratatouille
 2011: Cars 2

Ausstattung
 1985: Oz – Eine fantastische Welt (Return to Oz)
 1986: Howard – Ein tierischer Held (Howard the Duck)
 1989: Das dreckige Spiel (True Believer)
 1998: Das große Krabbeln (A Bug's Life)
 2009: Oben (Up)

Visuelle Effekte
 1987: Die Reise ins Ich (Innerspace)
 1989: Ghostbusters II
 1990: Joe gegen den Vulkan (Joe Versus the Volcano)
 1990: Jagd auf Roter Oktober (The Hunt for Red October)
 1991: Hook
 1992: Der Reporter (The Public Eye)

Dekorationsbau
 1983: Twice Upon a Time
 1984: Ewoks – Die Karawane der Tapferen (The Ewok Adventure)

Auszeichnungen
 1985: Emmy für Star Wars: Ewoks – Karawane der Tapferen
 1988: Oscar für Die Reise ins Ich
 1988: Saturn-Award-Nominierung Die Reise ins Ich
 1992: Oscar-Nominierung für Hook

Weblinks

 Biografie (englisch)

Szenenbildner
Spezialeffektkünstler
Oscarpreisträger
US-Amerikaner
Geboren 1954
Mann

Harley Jessup


Manizha (fædd 8. júlí 1991 sem Manizha Dalerovna Khamroyeva) er rússnesk söngkona af tadsíkískum uppruna.

Hún keppti fyrir hönd Rússlands í Söngvakeppni evrópskra sjónvarpsstöðva 2021 með laginu "Russian Woman".

Breiðskífur
 Manuscript (2017)
 ЯIAM (2018)

Tilvísanir

Þátttakendur í söngvakeppni evrópskra sjónvarpsstöðva
Rússneskir söngvarar

Manízha


Hoya nummularia er fjölær jurt í vaxblómaættkvísl.  Útbreiðslan er á Andaman-eyjum, Assam, Bangladesh og Víetnam .

Tilvísanir

Vaxblómaættkvísl

Hoya nummularia


Federico Santiago Valverde Dipetta () cunoscut sub numele de Fede Valverde este un fotbalist profesionist uruguayan care evoluează la clubul spaniol Real Madrid și la echipa națională de fotbal a Uruguayului.

Statistici de carieră

Club

Internațional

Palmares

Peñarol
Primera División: 2015-2016

Real Madrid
Campionatul Mondial al Cluburilor FIFA: 2018

Supercupa Spaniei: 2020
La Liga: 2019-2020
Liga Campionilor: 2021-2022

Note

Legături externe

Fotbaliști uruguayeni
Fotbaliști internaționali uruguayeni
Fotbaliști ai Real Madrid CF
Sportivi în viață
Oameni din Montevideo
Mijlocași
Uruguayeni în viață

Federico Valverde


As competições de tênis de mesa nos Jogos Insulares de 2023 serão disputados em Lé Vale, Guernsey, entre os dias 9 e 14 de julho. Serão realizados um total de seis eventos, entre masculino, feminino, duplas mistas e equipes, e as partidas ocorrerão no Guernsey Table Tennis Centre.

Participantes

  Åland
  Alderney
  Gibraltar
  Gotland
  Gozo
  Groelândia
  Guernsey (Anfitrião)
  Ilha de Man
  Ilha de Wight
  Ilhas Cayman
  Ilhas Faroé
  Ilhas Malvinas
  Jersey
  Minorca
  Shetland

Medalhistas

2023
Jogos Insulares de 2023

Tênis de mesa nos Jogos Insulares de 2023


Jacó Moreira Maciel (Queimadas, 20 de março de 1977) é um comerciante e político brasileiro, atualmente filiado ao União Brasil. Foi deputado estadual pela Paraíba entre 2003 e 2011 (com uma rápida passagem em 2020, como segundo suplente) e prefeito de sua cidade natal entre 2013 e 2016.

Carreira política
Sua primeira eleição foi em 2002, quando, aos 25 anos, foi eleito deputado estadual pelo PPB (atual Progressistas) com 20.627 votos (destes, 11.059 foram dos eleitores de Queimadas), chegando a ter seu mandato cassado em 2004 por abuso de poder econômico, mas reassumiu a vaga pouco depois. Em 2006, foi reeleito com votação quase igual à anterior (20.513, 114 a menos que em 2002).

Em 2008, concorreu pela primeira vez à prefeitura de sua cidade, mas foi derrotado em disputa apertada contra Carlinhos de Tião (9.025 votos do candidato do PTB, contra 8.964 do pedetista). Em agosto de 2010, Jacó Maciel teve seu registro de candidatura à reeleição negada pelo TRE, sendo um dos 3 deputados estaduais que foram impedidos de participar da disputa (os outros foram Márcio Roberto e Verissinho, ambos do PMDB). Mesmo assim, ainda obteve 280 votos (maior parte deles de Sousa, João Pessoa e Campina Grande, ao contrário de Queimadas, com apenas um voto recebido).

Em 2012, disputou novamente a prefeitura de Queimadas, desta vez filiado ao PSD. Foram 12.696 votos, contra 11.717 de Carlinhos de Tião (então no PSC), que tentava se reeleger. Empossado em janeiro de 2013, foi ameaçado de impugnação após uma ação da coligação "Unidos pelo Crescimento", sob a alegação de que ele estava inelegível, mas o TSE manteve Jacó no cargo. Tentou a reeleição em 2016, desta vez sem êxito.

Em 2018, voltou a disputar uma vaga na Assembleia Legislativa pelo Avante. Recebeu 20.381 votos, porém ficou como segundo suplente. Com a morte de Genival Matias em julho de 2020, voltou á ALPB por um curto período.

Em março de 2022, filiou-se ao Republicanos, lançando-se como candidato do partido a deputado estadual e apoiando inicialmente a pré-candidatura de Pedro Cunha Lima ao governo da Paraíba, embora o partido apoiasse a candidatura à reeleição de João Azevêdo (PSB), mas migrou em seguida para o União Brasil, desta vez como candidato a deputado federal.

Em 12 de setembro de 2022, o TRE da Paraíba indeferiu o registro de candidatura de Jacó Maciel devido à reprovação de suas contas pelo Tribunal de Contas da União, juntamente com Douglas Lucena (ex-prefeito de Bananeiras e que também disputava uma vaga na Câmara dos Deputados), porém ambos pretendiam recorrer da decisão. Com 17.145 votos, ficou de fora até da lista de suplentes do União Brasil, que emplacou a reeleição de Damião Feliciano para seu quinto mandato de deputado federal.

Deputados estaduais da Paraíba
Membros do Progressistas da Paraíba
Membros do Partido Social Democrático (2011) da Paraíba
Membros do Partido Democrático Trabalhista
Membros do Republicanos (partido político)
Membros do Avante (partido político)
Membros do União Brasil
Naturais de Queimadas (Paraíba)
Membros do Progressistas
Membros do Partido Social Democrático (2011)

Jacó Maciel


إيرابترا : (باليونانية: Ιεράπετρα)، (بالإنجليزية:Ierapetra)، بلدة يونانية ومركز لبلدية تقع في جنوب البلاد ضمن جزيرة كريت، إدارياً هي تفع في مقاطعة لاسيثي التي تتبع إدارياً لإقليم كريت.

الموقع، والسكان

تقع البلدة على الساحل الجنوبي لجزيرة كريت في الجهة الشرقية من هذه الجزيرة. تبعد البلدة مسافة 25 كيلومتر إلى الجنوب من أغيوس نيكولاوس عاصمة لاسيثي، ومسافة 90 كيلومتر إلى الجنوب الشرقي من إيراكليو عاصمة كريت وأكبر مدينة فيها.
{{خريطة مواقع|اليونان|label=إيرابترا</small>|lat=35.01|long=25.73|caption=موقع إيرابترا}}
يبلغ عدد سكان البلدة وحدها حوالي (12) ألف نسمة، بينما يصبح عدد السكان مع الأقسام التابعة لبلدية إيرابترا حوالي (24) ألف نسمة (الإحصاء السكاني لعام 2001).

وبالتالي تكون إيرابترا رابع أكبر مدينة في كريت بعد إيراكليو، خانيا وريثيمنو. وأكبر مدينة على الساحل الجنوبي لكريت.

 التسمية

يعني اسم البلدة (إيرابترا) الصخرة المقدسة في اللغة اليونانية، وهي مشتقة من (Ιερά=Hiera) وتعني مقدسة، و(πετρα=Petra) وتعني صخرة. يصبح اسم البلدة في اللهجة المحلية غيرابترو (Gerapetro).

الاسم القديم للبلدة هو هييرابيتنا (Hierapytna).

 التاريخ
 الفترة القديمة

يعود تاريخ المدينة إلى الفترة الـمينوية، حيث كانت وقتها بلدة صغيرة ذات نشاط خاص في التجارة بين كريت ومصر. تشير السجلات التاريخية أن إيرابترا أخذت بعد ذلك تتطور بسرعة وأصبحت أكبر مركز تجاري وعسكري في شرق كريت، وكانت مدينة دورية في تلك الفترة وأخذت تنافس آخر المدن الـمينوية في الجزيرة.

اعتمدت البلدة في القرن الثالث قبل الميلاد بأنها تعتمد على القرصنة، ودخلت في الحرب الكريتية إلى جانب فيليب المقدوني ضد كنوسوس ورودس. فقدت إيرابترا استقلاليتها خلال الفترة الـرومانية، ولكنها حافظت نوعاً ما على مكانتها في شرق كريت.

 الفترة البيزنطية والقرون الوسطى

ازدهرت البلدة خلال الفترة الـبيزنطية، وكانت مركزاً أسقفياً، ولكنها تدمرت بفعل زلزال قوي عام 795 م. احتلها العرب بدءاً من العام 824 م. وكانت أول بلدة تسقط بيدهم، ولكنها لم تلعب دوراً مهماً أثناء الفترة العربية، ولم تعدو كونها ميناء يعتمد على القرصنة.

 الفترة الفينيسية والعثمانية

احتلتها البندقية من الـقرن الثالث عشر وحتى الـالسابع عشر، وقاموا بتحصينها جيداً.
سقطت البلدة عام 1647 بيد الـعثمانيين بعد قرن من شنهم الغارات على المدن الساحلية الكريتية.

استقر فيها نابليون في تموز/جونيه عام 1798 م. عندما كان في طريقه إلى مصر، وقد أقام في أحد بيوتها.

 المعالم الأساسية

تقسم البلدة إلى قسمين الأول يدعى كاتو ميرا بمعنى (القسم المنخفض) (Kato Mera) والثاني بانو ميرا (Pano Mera) بمعنى (القسم المرتفع). كاتو ميرا هي البلدة القديمة في إيرابترا وأهم معالمها:
 حصن كاليس (Kales): وهو حصن بناه الـفينيسيون في الـقرن الثالث عشر في نهاية المرفأ، استمر استخدامها كحصن عسكري حتى نهاية الـقرن التاسع عشر من قبل العثمانيين.
 بيت نابليون: وهو بيت تقليدي ضمن المدينة القديمة المميزة بأزقتها الضيقة وطابعها المتوسطي، يعتقد أن نابليون بونابرت أقام فيه أثناء طريقه إلى مصر.
 متحف إيرابترا الأركيولوجي: ويحتل مبنى المدرسة التركية المسماة مجتبه (Mectepe)، وتوجد ضمنه مجموعة أثرية وجدت في البلدة.
 الجامع العثماني: وكان كنيسة القديس يوحنا (آغيوس يوانيس) سابقاً، عندما قام الأتراك بتحويله إلى مسجد
 كنيسة القديس جورج (آغيوس يورغوس): وتعود للعام 1856 م.

 متفرقات
 يعتمد اقتصاد البلدة على السياحة والـزراعات المحمية، وأيضاً إنتاج زيت الزيتون.
 يجري في المدينة وفي كل صيف مهرجان موسيقي يدعى مهرجان كريفيا' (Krivia).
 أهم نادي رياضي في المدينة هو أو أف إي إيرابترا ويلعب فريقه لكرة القدم في دوري الدرجة الثالثة اليوناني (موسم 2007-2008).
 يوجد في البلدة قسم التجارة والتسويق التجاري التابع للمعهد التقاني العالي في كريت.
 تعتير البلدة أقصى مدينة أوروبية من جهة الجنوب، (دون اعنبار قبرص تابعة جغرافياً للقارة الأوربية'').
 صور في الشواطىْ القريبة العديد من مشاهد فيلم زوربا، ومنها المشهد الشهير لـأنتوني كوين عندما كان يرقص السيرتاكي على الشاطئ.

معرض صور

مراجع

وصلات خارجية
 موقع المدينة الرسمي

إيرابترا
أماكن مأهولة في لاسيثي
بلدات ومدن مرفئية متوسطية في اليونان
كريت
مدن اليونان
بلديات كريت

إيرابترا


Philippe de Rothschild (Pariz, 13. travnja 1902. – Pariz, 20. siječnja 1988.), francuski vozač trkačih automobila, proizvođač vina, pjesnik, scenarist, kazališni i filmski producent, barun iz britanskog ogranka bogate bankarske obitelji Rothschilda u Francuskoj. Poznat je kao jedan od najuspješnijih vinara na svijetu.

Rodio se u Parizu početkom 20. stoljeća kao najmlađe od troje djece u obitelji baruna Henri de Rothschild (1872. – 1947.) i Mathilde Sophie Henriette von Weissweiller (1872. – 1926.). Njegov djed bio je Nathan James Edouard de Rothschild (1844. – 1881.), a pradjed Nathaniel de Rothschild (1812. – 1870.), sin britanskog bankara i poduzetnika Nathana Mayera Rothschilda (1777. – 1836.) i Hannah Cohen Rothschild (1783. – 1850.).

U mladosti je živio život playboya, okružen lijepim ženama. Natjecao se u automobilističkim utrkama pod pseudonimom Georges Philippe. Godine 1922. otac mu je prepustio upravljanje vinogradima Château Mouton Rothschild te se počeo baviti uzgojem vinove loze i prozivodnjom visokokvalitetnih vina pod etiketom Mouton Rothschild. Modernizirao je imanje, a 1924. godine počeo je puniti cjelokupni prinos vina u boce, što dotad nije bio običaj. Za vrijeme Drugog svjetskog rata imao je težak životni period. Vlasti Vichyjevske Francuske zaplijenile su mu sva imanja, a supruga Élisabeth Pelletier de Chambure, s kojom se vjenčao 1934. godine, stradala je 1945. godine u njemačkom nacističkom sabirnom logoru Ravensbrück. Po završetku rata uspio je vratiti svoju imovinu, a 1954. godine oženio je Paulinu Fairfax Potter.

Razvio je marketing prodaje vina koristeći usluge vrsnih umjetnika koji su izrađivali etikete za boce njegova vina. Među istaknutim slikarima koji su ilustrirali te etikete bili su Georges Braque, Salvador Dali, Pablo Picasso i Marc Chagall.

Kao izuzetno kreativna osoba, utemeljio je 1929. godine Theatre Pigalle u Parizu, zajedno s ocem Henrijem de Rothschildom, gdje je radio na režiji i produkciji kazališnih djela. Godine 1934. producirao je jedan od prvih francuskih filmova Lac aux Dames.

Mlađe dijete je izgubio uskoro nakon njegova rođenja 1938. godine. Naslijedila ga je kćerka iz prvog braka, barunica Philippine Mathilde Camille de Rothschild (1933. – 2014.).

Bilješke

Vanjske poveznice

 Philippe Georges de Rothschild (1902.-1988.) - family.rothschildarchive.org
 Barun Philippe de Rothschild (1902.-1988.) - www.chateau-mouton-rothschild.com

Životopisi, Francuska
Rothschildi (Ujedinjeno Kraljevstvo)
Rothschildi (Francuska)

Philippe de Rothschild


O acidente na Plataforma de Enchova ocorrido em agosto de 1984 foi o maior (em número de fatalidades) já ocorrido em plataformas de petróleo no Brasil, tendo como resultado 37 óbitos e 23 pessoas feridas à época. A plataforma, de propriedade da Petrobras, localiza-se no campo de Enchova na Bacia de Campos e estava passando pela perfuração de um poço quando ocorreu o vazamento acidental de gás. Este vazamento foi sucedido de incêndio e da evacuação do pessoal da plataforma por meio de baleeiras. Uma delas teve seus cabos rompidos e despencou de uma altura de 18 metros de altura, levando às fatalidades e ferimentos do incidente. Este foi o primeiro acidente de grandes proporções da Bacia de Campos, cuja base operacional é a cidade de Macaé (RJ).

Descrição do acidente
O evento acidental iniciou no dia 16 de agosto de 1984, quando o poço de número 33 no campo de Enchova estava sendo perfurado e apresentou vazamento de gás, com consequente explosão e incêndio. As chamas atingiram uma altura de 20 metros, o que fez o pessoal da segurança da unidade, segundo sobreviventes do evento ocorrido, abandonar a tentativa de combate ao incêndio e recomendar a evacuação das 220 pessoas presentes na unidade por meio das baleeiras (embarcações de fibra de vidro projetadas para fuga segura em caso de cenário acidental).

A plataforma de Enchova continha 5 baleeiras com capacidade para 50 pessoas em cada e eram sustentadas por dois cabos de aço que, em caso de necessidade de evacuação, permitiam a descida destas embarcações. Porém, no dia do acidente durante a descida de uma dessas baleeiras, os cabos de sustentação não suportaram o peso e se romperam, fazendo-a despencar em queda livre por cerca de 18 metros de altura. A queda repentina desse equipamento de fuga, possivelmente ocasionada pela quantidade excessiva de pessoas (57 tripulantes) durante a emergência, foi a causa das fatalidades ocorridas no evento.

Segundo estudos, o motivo do incêndio foi um blowout ocorrido durante a perfuração, concretizando um vazamento de gás de forma descontrolada. Verificou-se que os alarmes de emergência e o Blowout Preventer (dispositivo conhecido como BOP e responsável por fechar um poço quando houver problemas durante a sua perfuração) não estavam funcionando corretamente durante o dia do evento, propiciando a ocorrência da explosão seguida de incêndio, que durou cerca de 16 horas, e da necessidade de abandono da unidade. O incêndio só foi debelado cerca de 16 horas após o sinistro, sendo totalmente extinto apenas no dia posterior ao início do evento.

Consequências
Segundo informações da Marinha do Brasil, além das vítimas envolvidas no acidente, o evento teve como consequência a parada de produção na plataforma por cerca de um mês, interrompendo a produção diária de cerca de 40 mil barris de petróleo. Essa paralisação afetou o fornecimento de gás destinado ao Rio de Janeiro pela Petrobras, gerando prejuízo de cerca de Cr$147 mil diários à época, ainda que não houvesse impacto à Companhia Estadual de Gás (CEG) do Rio de Janeiro.

A repercussão do ocorrido gerou tensão na população da cidade de Macaé, que pedia por informações precisas sobre as consequências do evento acidental. Além disso, a Petrobras teve de lidar com quedas na bolsa de valores e a necessidade de reconstituir a plataforma danificada, que teve sua torre de perfuração derretida pelas chamas e caiu sobre as instalações, destruindo o guincho de um dos guindastes, a mesa rotativa e um dispositivo de segurança que poderia ter evitado a continuidade do vazamento de gás. Cerca de três dias após o evento, foram realizados testes de carga em todas as baleeiras de unidades de perfuração localizadas na Bacia de Campos.

A decisão final do Tribunal Marítimo, no ano de 1989, foi de que o acidente havia sido consequência de problemas de manutenção dos equipamentos de abandono e falhas no treinamento e capacitação das equipes envolvidas em situações de emergência. Como conclusão da decisão, a empresa operadora da plataforma foi multada e decidiu-se que a Diretoria de Portos e Costas faria um estudo sobre a especificação de baleeiras e seus respectivos dispositivos associados ao lançamento durante situação de emergência.

1984 no Brasil
Acidentes e incidentes industriais no Brasil
Explosões no Brasil
Petrobras
Incêndios em 1984
Incêndios no Brasil
Desastres no Espírito Santo

Acidente na Plataforma de Enchova em 1984


Rayón ist der Name folgender Orte in Mexiko:

 Rayón (Chiapas)
 Rayón (San Luis Potosí)
 Rayón (Sonora)

Rayón ist der Familienname folgender Personen:
 Fernando Rayón (* 1959), spanischer Schriftsteller

Siehe auch:
 Municipio Rayón
 Rayon
 Rajon, Verwaltungseinheit in der ehemaligen Sowjetunion und in Bulgarien

Rayón


Randolph Severn "Trey" Parker III (d. 19 Ekim 1969, Conifer, Kolorado, ABD), animatör, senarist, film yönetmeni, seslendirme sanatçısı, aktör ve müzisyendir. Animasyon komedi dizisi olan South Park'ın iki yapımcısından birisidir. Seslendirdiği karakterler arasında "Eric Cartman, Timmy, Randy Marsh, Stan Marsh" vardır. Babasının adı Randy'dir.

1969 doğumlular
Colorado doğumlular
Amerikalı film yapımcıları
Amerikalı film yönetmenleri
Amerikalı senaristler
Amerikalı erkek seslendirme sanatçıları
Amerikalı agnostikler
Amerikalı liberteryenler
Peabody Ödülü sahipleri
Din eleştirmenleri
Yaşayan insanlar
21. yüzyılda Amerikalı erkek oyuncular
Amerikalı erkek dizi oyuncuları
21. yüzyıl Amerikalı yazarları
21. yüzyılda Amerikalı şarkıcılar
Amerikalı erkek şarkıcı-şarkı yazarları
BAFTA Los Angeles Britanya Ödülleri sahipleri
BAFTA Ödülü sahipleri
Tony Ödülü sahipleri
Annie Ödülü sahipleri
The Game Awards ödülü kazananlar
En İyi Orijinal Müzik Tony Ödülü sahipleri

Trey Parker


La HMS Forte fue una fragata de hélice de la Royal Navy de propulsión mixta que operó como buque insignia en varias estaciones navales británicas en el Atlántico desde mediados del  hasta 1872.

Historia
La HMS Forte, tercera nave de ese nombre en la armada británica, fue botada el 29 de mayo de 1858 en los astilleros de Deptford.

Con casco de madera, tenía 64,6 m de eslora, 15,2 de manga, 3456 toneladas de desplazamiento y una tripulación de 515 hombres. Era un buque de propulsión mixta, contaba con aparejo de fragata y una máquina de vapor que impulsaba una hélice. Montaba 51 cañones.

Entre el 25 de enero de 1860 y junio de 1861, al mando del capitán Edward Winterton Turnour, fue destinada al Cabo de Buena Esperanza como buque insignia del contralmirante Henry Keppel.
El 30 de abril zarpó de Sheerness y el 22 de septiembre arribó a Table Bay. Tras recorrer las costas de Madebourg y Simon's Bay el 2 de enero de 1861 inició un nuevo recorrido por la costa suroccidental y la isla Ascensión.

En junio de 1861 Keppel transfirió su insignia al HMS Emerald y zarpó de regreso a Inglaterra. Entre esa fecha y noviembre de 1862, al mando del capitán Thomas Saumarez, operó como buque insignia del contralmirante Richard Laird Warren en la costa sudoriental de Sudamérica. Allí la detención de tres de sus oficiales fue uno de los principales detonantes de la llamada Cuestión Christie, grave conflicto que llevó a la ruptura de relaciones diplomáticas entre el Imperio de Brasil y Gran Bretaña.

Entre el 12 de noviembre de 1862 y el 8 de septiembre de 1864 permaneció con similar afectación pero al mando del capitán Arthur Mellersh, operando entre Río de Janeiro, el Río de la Plata y las islas Malvinas.

Iniciando su regreso a Gran Bretaña, el 12 de julio de 1864 arribó a Bahía, el 9 de agosto a Fayal, a Portsmouth el 28 para estacionarse finalmente en Sheerness.

Entre el 21 de agosto de 1868 y fines de 1869, al mando del capitán John Hobhouse Inglis Alexander, sirvió como buque insignia del comodoro Leopold George Heath en la estación naval de East Indies.

En septiembre de 1870 pasó al mando del capitán Arthur Mellersh, permaneciendo con similar afectación, esta vez bajo la bandera del contralmirante James Horsford Cockburn.

Realizó su última comisión para la Royal Navy en 1872, pasando a Chatham (Kent), donde sufrió modificaciones en 1879 para cumplir tareas de transporte y en 1894 pasó a servir como depósito de carbón. El 23 de noviembre de 1905 ardió mientras permanecía en puerto con 1800 toneladas de carbón a bordo y fue hundido por botes del buque escuela de torpedos HMS Acteon para evitar que el incendio se propagara.

Referencias

Bibliografía utilizada
 Foreign Office, British and foreign state papers, 1863-1864, Volumen LIV, William Ridgway, Londres, 1869
 The Brazil correspondence in the cases of the Prince of Wales and officers of the Forte, William Ridgway, Londres, 1863

Enlaces externos
 HMS Forte (1858), en pdavis.nl
 HMS Forte (1858), en battleships-cruisers.co.uk
 HMS Forte (1858), en britainsnavy.co.uk

Fragatas de hélice del Reino Unido

HMS Forte (1858)


الأكاديمية المصرية بروما هي أكاديمية تختص بدراسة الفنون المختلفة من خلال خلق مزيج بين الإبداع المصري بالإبداع الإيطالي، وأيضا التعريف بالحضارة المصرية في روما، وتوجد الأكاديمية بين أكثر من 17 أكاديمية عالمية في المدينة وتم انشائها بواسطه الحكومة المصرية بتكلفه مليار ونصف يورو وتم افتتاحها من قبل الرئيس مبارك.

نشأة الأكاديمية
في منتصف القرن الثامن عشر، نبتت فكرة إقامة الأكاديمية المصرية الملكية للفنون في ذهن المصور الشاب راغب عيــاد، وكان مبعوثاً في روما على نفقة الأمير يوسف كمال، عندما لاحظ اهتمام العديد من الدول الأوروبية بإقامة أكاديميات لأبنائها من شباب الفنانين في رومــا، حيث يجدون مكاناً لإبداعهم ورعاية مواهبهم تحت إشراف فنانين متخصصين.
كتب «راغب عـياد» في يوليو 1924 خطاباً إلى أحمد ذو الفقار وزير مصر المفوض في روما آنذاك، شرح فيه تاريخ وحضارة مصر العظيمة، وأشاد بآثارها الخالدة المنتشرة في أنحاء العالم، وحكى له: «يوجد لمعظم الأمم الراقية في روما نوعاً خاصاً من الأكاديميات يضم طلاب الفنون لإتمام دراستهم، وهو عبارة عن بناء فخم يحتوى على مراسم لكل نوع من أنواع الفنون حجرة خاصة، ثم أماكن لسكن المشتغلين بالفن، وتقوم الحكومات بكافة النفقات اللازمة لإرسالياتها، علاوة على ذلك فإنها تمنحهم مبالغ معينة للوازمهم الخاصة، وفي نهاية كل سنة يقام معرض توضع فيه أعمال الفنانين التابعين لكل أكاديمية، ويفتتح هذا المعرض ملك إيطاليا مع وزرائه فيمتعون الأنظار بها ويشجعون الطلبة. وأطلب أن تتوسطوا لدى حكومتنا لكى تجعل لها معهداً على الطراز الموجود لسائر الحكومات في رومــا يضم بين جدرانه الفنانين الذين على أهبة الاستعداد للالتحاق به، ويكونون قد أتموا دراستهم الأولية في مدارس مصر، وبهذه الوساطة يجدون مجالاً للتوسع في تعليم الفنــون ومعرفة وقائعها»
لقى هذا التقرير قبول وزير المعارف، وموافقة مجلس الوزراء على إنشاء أكاديمية بروما أسوة بباقى الدول التي لها معاهد فنية مثل: فرنسا وإنجلترا وأمريكا وألمانيا وبلجيكا وأسبانيا ورومانيا والدنمارك وغيرها، تكون مركزاً للنابغين من طلاب الفنون الجميلة الذين يوفدون إليها.

نبذة تاريخية
كان مولد الأكاديمية المصرية الملكية للفنون عام 1929، عندما أختير أول موقع لها على أطراف منطقة «حدائق بورجيزى» يسمى «جناح الساعة»، وبقيت في هذا الموقع لمدة عام واحد فقط، نقلت بعده إلى قصر «كوللو أوبيو» عام 1930، وهو مبنى قديم يقع وسط حدائق واسعة تقع على أطلال سراى الإمبراطور نيرون باسم القبة الذهبية بالقرب من الكولوسيوم. وعين الفنان سحاب رفعت ألمظ مسئولاً عن الأكاديمية، وكان وقتئذ مبعوثاً لدراسة الفنون على نفقة الملك فؤاد الأول. وفي نفس العام، قدمت البعثة الدبلوماسية الإيطالية بالقاهرة مذكرة للحكومة المصرية ذكرت فيها: «أن حكومة صاحب الجلالة ملك إيطاليا مستعدة لمنح مساحة من الأرض في وادى جوليا، حيث توجد مبانى معظم الأكاديميات، وذلك لبناء الأكاديمية المصرية، مقابل مساحة أرض تمنح من حكومة صاحب الجلالة ملك مصــر لإيطاليا لإقامة معهد لدراسة الحفريات في القاهرة.»
وقد عرفت الأكاديمية بأنها: «مؤسسة حكومية تابعة لوزارة المعارف المصرية الملكية، تقدم للفنانين المصريين المختارين –من خلال مسابقة – الفرصة للإتصال بزملائهم من الجنسيات المختلفة، وليدرسوا في روما التاريخ والأعمال الفنية الكلاسيكية الإيطالية وعلى وجه الخصوص عصر البداية». يمكث الموفدين مدة لا تقل عن عامين ينتجون خلالها أعمالاً فنية تعرض سنوياً في معرض تنظمه الوزارة بالقاهرة. وتتولى الإدارة العامة للفنون الجميلة بالقاهرة وضع البرنامج الأكاديمى الذي يتعين على الموفدين إتباعه بالإضافة إلى مقررات في اللغة والتاريخ، منح دراسية تقدم للرسامين والمثالين والمعماريين ممن أنهوا دراستهم في روما تتمثل في رحلات علمية لمدة شهرين في المدن الإيطالية التي تضم أهم الأعمال في المجال الفنى.
جانب كبير من النفقات اللازمة لهؤلاء الفنانين الموفدين إلى رومــا، خصصها الأمير يوسف كمــال كهبة، وهو الذي أنشأ مدرسة الفنون الجميلة بالقاهرة عام 1908 وأنفق عليها حتى عام 1925.

وفي عام 1930 بدأ العام الأول، بإيفاد خمسة من الفنانين الشبان (إثنين من المعماريين، وإثنين من المثالين، ومصــور)وكان احدهم الدكتور صلاح نايل والذي توفى في 1999 بعد أن تدرج في وظائف الكلية والجامعة حتى كان نائب رئيس الجامعة لشئون التعليم والطلاب وحاز على العديد من الاوسمه تقديرا لمجهوداته، قدم المعماريون مشروعات مختلفة تناولت الفن المعمارى الكلاسيكى للعصر المتقدم، والذي تغتنى به رومــا، كما تابعوا أعمــال الترميمات لبعض الآثار الرومانية والرسومات المائية والمناظر الطبيعية، أما المثالون والمصور فقد تابعوا نماذج من الفن الكلاسيكى القديم، ودرسوا حقائق التكوين والنماذج المختلفة من أجمل معالم الحضارة والتقدم في الفن الإيطالى، واضعين دائماً وجهات نظرهم وإحساسهم الفنى. وفي الأعوام التالية، قدم شباب آخرين وإزدادت أعدادهم وكونوا الرعيل الأول للفنون.
استغرقت المراسلات بين الحكومتين المصرية والإيطالية مدة خمس سنوات، وظل هذا المبنى مقراً للأكاديمية حتى أوائل الستينات، عندما انتقلت إلى مقرها الجديد ب وادى جوليا.

محطات تاريخية
 1929 : الحكومة المصرية تنشئ الأكاديمية الملكية المصرية للفنون الجميلة بروما، واختيار مقرها الأول ب جناح الساعة بحديقة فيلا بورجيزي
 1930 : مقر الأكاديمية ينتقل إلى قصر كوللي اوبيو.
 1938 : تعيين المشرف الأول للاكاديمية الملكية المصرية للفنون بروما الفنان سحاب رفعت الماظ.
 1947 : أول مدير للأكاديمية المصرية للفنون، الفنان محمد ناجي والذي كان مديرا لمتحف الفن الحديث بالقاهرة.
 1950 : تعيين الفنان المثال عبد القادر رزق مديرا للأكاديمية والذي بمساعدة من د. طه حسين وزير المعارف آنذاك تم إعادة مشروع الاتفاقية بين مصر وإيطاليا.
 1952 : تعيين الفنان محمد حسـن مديرا للأكاديمية لمدة ثلاث شهور.
 1956 : السيد صلاح يوسف كامل مديرا للأكاديمية المصرية للفنون بروما، ومستشار ثقافى لمصر في إيطاليا.
 1956 : تأجيل الاتفاقيات بين مصر وإيطاليا بسبب ثورة يوليو 1952، التي رأت إسرافاً في مرافق الإدارات الحكومية.
 1957 : إعادة مشروع الاتفاقية بين مصر وإيطاليا.
 1958 : نجاح السيد صلاح يوسف كامل بمعاونة السيد ثروت عكاشة سفير مصر في إيطاليا آنذاك في تقديم المشروع مرة أخرى.
 1959 : توقيع الاتفاقية الثقافية بين مصر وإيطاليا.
 1961 : وضع حجر الأساس، والشروع في بناء مبانى الأكاديمية.
 1965 : انتهاء أعمال البناء بالأكاديمية ومقرها في شارع «أوميرو» بفالي جيوليا، بحدائق فيلا «بورجيزى» وهو من أرقي مناطق المدينة، ومن أهم ما تم تحقيقه في هذا الوقت هو تخصيص ميــدان صغـير بالقرب من الأكاديمية يحمل إسـم أميــر الشعراء أحمد شوقي ويطل على هذا الميدان تمثال الشاعر المصري الذي نفذه المثال الشهير جمال السجيني.
 1970 : إدارة الأكاديمية صارت تابعة لوزارة الثقافة المصرية.
 1979 : مدير دار الأوبرا المصرية السابق صالح محمد غنيم عبدون مديراً للأكاديمية.
 1983 : الفنان فاروق حسـنى مديراً للأكاديمية المصرية للفنون بروما.
 1988 : مدير المركز القومى للفنون سابقا د. مصطفى عبد المعطي مديرا للأكاديمية.
 1995 : الدكتور مجدى قناوي مديراً للأكاديمية المصرية للفنون بروما.
 2000 : الدكتور فاروق وهبه مديراً للأكاديمية المصرية للفنون بروما.
 2002 : سمير غريب مدير دار الكتب بالقاهرة الأسبق مديراً للأكاديمية.
 2008 : الدكتور أشــرف رضـا أستاذ العمارة الداخلية بكلية الفنون الجميلة بالقاهرة مديراً للأكاديمية المصرية للفنون بروما.
 2008 : البدأ في مشروع ترميم وتحديث مبانى الأكاديمية.

أهداف الأكاديمية

تهدف الأكاديمية المصرية للفنون بروما إلى نشر وتعريف الفنون والثقافة المصرية والعربية في إيطاليا، ومزج الإبداع المصري بالفنــون الإيطالية بشكل متواصل، وذلك من خـلال تنظيم خطة للنشـاط الثقـافى والفـنى كل عام، وتقديم هذه الأنشطة إلى الجمهور الايطالى، كإقامة معارض الفنون التشــكيلية المصـرية المعاصـرة: كالتصــوير والنحـت والجـرافيك والخـزف والتصوير الفوتوغرافى وفنون العمارة، وكذا معارض للحرف التقليدية المصرية كصناعة السجاد والكليم والحلى والأزياء... وغيرها، وتقديم العروض الموسيقية سواء للموسيقى الكلاسيكية أو العـربية من دار الأوبرا المصرية وكونسرفتوار القاهرة، وعروض للفنون الشعبية من الفولكلور المصري، وعروض خاصة لأفلام السـينما المصرية والمشاركة في المهرجانات السينمائية الدولية بحضور المخرجين المصريين، والعروض المسرحية المعاصرة، وتقديم محاضرات عن علوم الآثار المصرية، وكذلك محاضرات للتاريخ والأدب المصري والعربي باللغتين العـربية والإيطـالية.
بالإضافة إلى ماتقوم به الأكاديمية من تقديم هذه الأنشطة الفنية والثقافية المصرية بفروعها المختلفة للجمهور الإيطالى والأوروبى والعربي الموجود في إيطاليا، تقوم أيضاً بالمشاركة في المهرجانات الفنية المتنوعة والمؤتمرات الثقافية والندوات والعروض الفنية في المدن الإيطالية المختلفة، وكذلك تقوم بتنفيذ قـانون جـائزة الدولـة للإبـداع الفـنى الذي صدر أولاً عام 1975 من أجل تشجيع النابهين في مجال الفــنون الجمــيلة، إلا أنه لم يستفد منه إلا عدد ضئيل من الفنانين المصريين في مجالات محدودة، فتم تعديله بالقانون الصادر رقم 49 لعام 1984، ليتغير الهدف منه ويصبح شامــلاً للفنــون الجمــيلة بالإضافة إلى فنـون الموسـيقى والمســرح والسينما، وينص على إيفاد عدد من شباب الفنانين المصريين الواعد سنوياً في مجالات الفنون المختلفة، وذلك للدراســة والاحتكاك بنظرائهم الإيطاليين، واكتساب الخبرات الممكنة لتطوير الإبداع الفنى والحياة الثقافية في مصر، وتستقبل الأكاديمية عشرة فنانين شبان كل عام، يقومون بتنفيذ مشروعاتهم الفنية وتقديمها في نهاية المدة، لتحكيمها من خلال اللجنة القائمة على الإشراف على الجائزة، واختيار من يحصل منهم على هذه الجائزة.
كمـا تلعب الأكاديمية المصرية للفنون بروما دوراً رئيسياً في انتظام مشاركـة مصر في بينالى فينيسيا حيث تقوم كل عام بالاشتراك في تنسيق الجناح وتنظيم المعروضات ومتابعة المكاتبات الخاصة باشتراك مصــر في هذا المعرض الهام.

و بينــالى فينيــسيا هو المعرض العالمي للفنــون «بينالى البندقية» أشهـر وأعرق المعارض الدورية في العالم، بدأ في إقامته منذ عام 1895، وتشغل مبانى هذا المعـرض جزءاً كبيراً من حدائق جزيرة «كاستيللو» إحدى جزر مدينة فينيسيا العائمة، حيث تمتلك كل دولة مبنًا خاصاً أو جناحـاً لعرض فنونها، وتمتلك مصــر جناحاً خاصاً قامت بشرائه من دولة سويسرا عام 1952، بالرغم من أنها تشارك بانتظام في البينالى منذ الثلاثينات، والجدير بالذكر أن مصــر هي الدولة العربية الوحيدة التي تمتلك جناحاً خاصاً بالبينالى.

المصادر
 الموقع الرسمي للأكاديمية المصرية للفنون بروما
 المجلس الأعلي للثقافة - مصر
 سحاب رفعت ألمظ «إقامة الأكاديمية الملكية المصرية في روما» ـ معهد الدراسات الرومانية ـ 1938
 الأداء الوظيفى والعمارة الداخلية، دراسة إعادة توظيف الحيز الداخلي للأكاديمية المصرية للفنون بروما (بحث منشور) مؤتمر مئوية الفنون الجميلة، محمد أشـرف أحمد رضـا، 2008

وصلات خارجية
 موقع وزارة الثقافة المصرية
 AL-AHRAM

أكاديميات الفنون
أكاديميات حكومية مصرية
أكاديميات فنون
تأسيسات سنة 1929
ثقافة إيطالية
ثقافة مصرية
مبان ومنشآت في روما

الأكاديمية المصرية للفنون بروما


Alexandru Gligor (n. 18 februarie 1877, Voiniceni – d. 22 aprilie 1959, Dumbrăveni) a fost un deputat în Marea Adunare Națională de la Alba Iulia, organismul legislativ reprezentativ al "tuturor românilor din Transilvania, Banat și Țara Ungurească", cel care a adoptat hotărârea privind Unirea Transilvaniei cu România, la 1 decembrie 1918.

Biografie
Urmează studiile teologice la Blaj. Între 1901 și 1906 este administrator parohial la Sântandrei. Începând cu 1906 profesează ca preot în Șardu Nirajului. Din 1911 este membru al Despărțământului Târgu Mureș al "Astrei". În 1915 este întemnițat de către autoritățile austro-ungare timp de un an și jumătate, fiind acuzat de trădare de patrie.

Moare la Dumbrăveni, județul Sibiu.

Activitate politică
La 8 decembrie 1918 devine președintele Consiliului Național Român din Miercurea Nirajului.

Note

Bibliografie
 Mircea Vaida-Voievod, Gelu Neamțu, 1 decembrie 1018, Mărturii ale participanților, Editura Academiei Române

Lectură suplimentară
 Gelu Neamțu, Mircea Vaida-Voevod, 1 decembrie 1918. Mărturii ale participanților, Editura Academiei Române, 2005. (ISBN 973-27-1258-9)
 Ioan I. Șerban, Nicolae Josan, Dicționarul Personalităților Române. Trimișii românilor transilvăneni la Marea Adunare Națională de la Alba Iulia, Alba Iulia, 2003. (ISBN 973-8141-90-7)
 Daniela Comșa, Eugenia Glodariu, Maria M. Jude, Clujenii și Marea Unire, Cluj Napoca, 1998. (ISBN 973-0007-24-1)

Legături externe
 Centenarul Marii Uniri: Au fost și la Alba Iulia
 Adunarea de la Alba Iulia, organ reprezentativ și democratic al poporului român din Transilvania
 Centenar 100. Marii oameni politici ai României

Vezi și
 Lista delegaților la Marea Adunare Națională de la Alba Iulia

Nașteri în 1877
Decese în 1959
Delegați la Marea Adunare Națională de la Alba Iulia
Preoți români

Alexandru Gligor


San Plácido (Placitus), es un mártir y santo cristiano. Junto a san Eutiquio (Euticius), Vitorino y sus hermanas Flavia, Donata, Firmata el diácono, Fausto, y otros treinta cristianos, han sido venerados como mártires por la Iglesia Católica. Según la tradición, fueron martirizados por los piratas de Mesina o bajo órdenes del emperador Diocleciano.

La festividad de los santos mártires entró en el calendario tridentino, pero se incluyó en el Calendario Romano desde 1588 hasta 1969, a celebrar el 5 de octubre, junto con la de dos monjes que fueron discípulos de San Benito de Nursia desde su niñez: San Mauro y San Plácido. (Martyrologium) Algunos católicos, vinculados a la liturgia romana del rito extraordinario, continúan observando calendarios anteriores a 1950 con la memoria de San Plácido y compañeros mártires el 5 de octubre. Otros, que igualmente siguen el rito extraordinario, celebran a San Plácido, el monje, el 15 de enero, junto con San Mauro debido a que en los años cincuenta se rectificó la fiesta del monje.
En 1586, durante el pontificado de Sixto V se encontraron las presuntas reliquias de este santo.

San Plácido monje
En sus Actas, este Plácido () es confundido con un santo del mismo nombre, seguidor de san Benito.

Hay un monje benedictino del  llamado Plácido. Este monje es famoso por aparecer con san Mauro en la vida de san Benito, siendo considerados ambos los primeros discípulos. En especial se narra que siendo aun un joven novicio, un niño, fue enviado al lago de Subiaco a recoger agua pero la corriente lo arrastró. San Benito envió a Mauro a rescatarle y este sin darse cuenta caminó en el agua y salvó al joven, quien testificó no haber visto a Mauro sino a Benito mientras le asía de los cabellos para rescatarle. Posteriormente, fundó un monasterio en Mesina, del que fue abad, y donde se dice que fue martirizado en el 541 junto con treinta y dos compañeros.

No hay más noticias de él, pero la tradición lo identificó con el mártir de Mesina hasta que diversos estudios descartaron la posibilidad de que ambos santos fueran la misma persona. Los benedictinos, antes de las reformas litúrgicas de Anibale Bugnini, suprimieron la fiesta de San Plácido el 5 de octubre y la unieron a la de San Mauro el 15 de enero sin mencionar el martirio, quedando sólo como discípulo de San Benito y confesor.

Referencias

Gregorio Magno. Libro 2º de los Diálogos. Vida y milagros de Benito.

Enlaces externos
Catholic Online: Saint Flavia

Santos católicos
Mártires cristianos de la Antigua Roma del siglo IV
Santos cristianos de la Antigua Roma del siglo IV
Nacidos en Mesina
Fallecidos en la provincia de L'Aquila

Plácido (mártir)


Općinska nogometna liga Daruvar je bila liga šestog stupnja nogometnog prvenstva Jugoslavije u sezoni 1975./76.
Sudjelovalo je 12 klubova, a prvak je bio klub "Sokol" iz Sokolovca.

Sustav natjecanja
12 klubova je igralo dvokružnu ligu (22 kola).

Ljestvica

 "Sokol" Sokolovac – prvak zbog bolje gol-razlike
 Miokovićevo – tadašnji naziv za Đulovac
 Maslenjača, odnosno Mala Maslenjača – tada samostalno naselje, od 2001. dio naselja Maslenjača
 Daruvarski Brestovac – također iskazan kao Brestovac Daruvarski, skraženo Brestovac

Rezultatska križaljka

 Izvori:

Povezani članci
 Međupodsavezna nogometna Daruvar – Virovitica 1975./76.

Vanjske poveznice

Izvori

 Duško Kliček: Nogometni klub "Slavonija" Prekopakra 1975.-2015., Pakrac, 2015., str. 12-13
 Duško Kliček: 60 godina nogometa u Siraču 1937. - 1997., Sirač, 1997., str. 15-16

1975-76
Daruvar
1975-76 Daruvar

Općinska nogometna liga Daruvar 1975./76.


Ingeniørerne graver Skandser og udfører Sprængninger er en dansk dokumentarisk optagelse fra 1907, der er instrueret af Peter Elfelt.

Handling
Ingeniørsoldater træder an til arbejde og udfører sprængninger i landskabet.

Referencer

Eksterne henvisninger

Danske film fra 1907
Dokumentariske optagelser
Danmark i 1900'erne
Hæren


A guerra contra as gangues () ou repressão das gangues hondurenhas, referida em Honduras como Régimen de Exception, começou em dezembro de 2022 depois que as autoridades suspenderam partes da constituição hondurenha para combater os grupos criminosos no país.

Anúncio
Em 24 de novembro de 2022, o governo de Honduras declarou estado de emergência em relação à violência das gangues no país. Em 3 de dezembro de 2022, o governo anunciou que alguns direitos constitucionais seriam suspensos nas cidades de Tegucigalpa e San Pedro Sula para reprimir gangues criminosas nesses locais, particularmente a Mara Salvatrucha (MS-13) e a Mara Barrio 18. Nessas cidades, as gangues são acusadas de extorquir moradores em troca de proteção contra a violência e de matar pessoas que se recusam a pagar. De acordo com a Associação para uma Sociedade Mais Justa, as gangues ganham cerca de US$ 737 milhões por meio de extorsão. Gustavo Sánchez, comissário da Polícia Nacional, afirmou que o estado de exceção duraria 30 dias.

Xiomara Castro, presidente de Honduras, condenou o uso de extorsão pelas gangues, afirmando: "[a extorsão] é uma das principais causas de insegurança, migração, deslocamento, perda de liberdade, mortes violentas e fechamento de empresas de pequeno e médio porte. Com a estratégia abrangente contra a extorsão e crimes relacionados anunciada hoje pela polícia nacional, este governo do socialismo democrático declara guerra à extorsão." Segundo Leandro Osorio, ex-comissário da Polícia Nacional, as autoridades "realizariam ações repressivas" e "penetrariam" nas quadrilhas para capturar seus líderes. Raúl Pineda Alvarado, analista de segurança hondurenho, afirmou que a repressão seria uma "imitação" das medidas similares contra gangues em El Salvador, iniciada em março de 2022.

Repressão
As medidas severas contra a criminalidade tiveram inicio no dia 6 de dezembro de 2022 às 18h00. quando 2.000 policiais entraram em áreas controladas pelas gangues em Tegucigalpa e San Pedro Sula.

Ver também
Mara (criminalidade)
Guerra contra as gangues em El Salvador
Crise de segurança no Equador de 2021-2022

Conflitos do crime organizado
Criminalidade em Honduras
2022 em Honduras

Guerra contra as gangues em Honduras


Vasile (Lică) Manea Drăgulin () a fost un procuror general al României, numit în funcție în 1993 de Ion Iliescu. În 1996, Vasile Manea Drăgulin a fost numit ambasador al României în Republica Cehă.

Cariera profesională
La sfârșitul anului 1989 era procuror șef adjunct însărcinat cu urmărirea penală la Procuratura Municipiului București și secretarul PCR al instituției.

A fost procuror general al României între 26 aprilie 1993 și 27 august 1996. În data de 22 august 1996, la scurt timp înainte de pensionare, a formulat un recurs în anulare împotriva dec. civ. 833/1996 a Curții de Apel Craiova, prin care a fost decisă în mod definitiv și irevocabil restituirea Bisericii dintre Brazi din Sibiu către Biserica Română Unită cu Roma, Greco-Catolică. Deși recursul în anulare formulat de Manea Drăgulin a fost respins în anul 1999, acesta a tergiversat restituirea respectivului lăcaș de cult.

Vasile Manea Drăgulin a murit în data de 11 decembrie 2017.

Cazul Gheorghe Ursu
Potrivit inginerului Andrei Ursu, fiul disidentului Gheorghe Ursu, procurorul Manea Drăgulin a mușamalizat în anul 1985 uciderea lui Gheorghe Ursu de către Securitate. Astfel, în anul 1985 Manea Drăgulin, deși existau indicii în sensul morții violente a lui Ursu, a stabilit că moartea ar fi fost nonviolentă și a dispus neînceperea urmăririi penale. De-abia în anul 2000, după mai multe răsturnări de situație, un infractor de drept comun, aflat în detenție împreună cu Ursu, a fost condamnat pentru uciderea acestuia.

Note

Legături externe
 Vasile Manea Drăgulin - Foto Mediafax

Decese în 2017
Comuniști români
Procurori români
Membri ai Partidului Comunist Român
Ambasadori ai României în Republica Cehă

Vasile Manea Drăgulin


Algade 4 er en dokumentarfilm fra 1973 instrueret af Gunner Petersen efter manuskript af Teddy West.

Handling
En protest mod et vanvittigt bankbyggeri.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 1973

Algade 4


යෙලෝස්ටෝන් යමහල් ආවාටය හෝ යෙලෝස්ටෝන් කල්දේරාව යනු,  බටහිර එක්සත් ජනපදයෙහි යෙලෝස්ටෝන් ජාතික වනෝද්‍යානයෙහි පිහිටි යමහල්මය කල්දේරාවක් සහ සුපිරි යමහලක් වන අතර, සමහරවිට යෙලෝස්ටෝන් සුපිරි ගිනිකන්ද ලෙසින්ද හැඳින්වෙයි. යමහල් ආවාටය සහ වනෝද්‍යානයෙන් බොහෝ කොටසක් පිහිටා ඇත්තේ  වයෝමිං ජනපදයෙහි වයඹ දිග කෙළවරෙහිය.  යමහල් ආවාටයෙහි ප්‍රධාන භූමි ලක්ෂණ ප්‍රමාණය දිගින් සහ පළලින් සැතපුම් 34 සහ 45 (55 සහ 72 කිමී) වෙයි.

මූලාශ්‍ර

යෙලෝස්ටෝන් යමහල් ආවාටය


Mitja Smiljanić (Varaždin, 18. ožujka 1987.) je hrvatski kazališni, televizijski i filmski glumac.

Filmografija

Televizijske uloge

 "Zakon!" kao mladić u autu (2009.)
 "Crveni kamen" kao Marek Szczesny (2018.)

Filmske uloge
 "Veza" kao osuđenik (2007.)
 "Daša" kao Dima (2008.)
 "Da mogu..." kao čovjek #1 (2009.)
 "BloodRayne: Treći Reich" kao njemački vojnik (2011.)
 "Blubberella" kao njemački vojnik (2011.)
 "Zaboravljena zemlja" kao Florian Gabriel Tone (2017.)
 "Ispaštanje" kao Gerard Butler (2017.)
 "Pisanje kući" kao prodavač (2017.)
 "Crna '47" kao seljak (2017.)
 "Edgar" kao Edgar (2020.)

Sinkronizacija
 "Šepavo janje" kao Joshua
 "Princeza sunca" kao Tut (2007.)
 "Astralni ritam" kao Chris Rock
 "Dječjih 10 Božjih zapovijedi" kao tele Jakov i Efron
 "Sretni patuljak" kao Lil' Farley
 "Kenny, morski pas" kao Kenny
 "Speed Racer" kao Speed Racer Jr. i X Racer
 "Dinotopia: Potraga za starim rubinom" kao mornar (2005.)
 "Divlji valovi" (2007.)
 "Miki Maus i prijatelji" kao Miki Maus (2007.)
 "Zvončica kao Tibor (2008.)
 "Grom" kao Tom (2008.)
 "Pinokio" kao Lampy (2008.)
 "Osvetnici: Nova generacija" kao James Rogers (2008.)
 "Zvončica i izgubljeno blago" kao Tibor (2009.)
 "Fantazija" kao Miki Maus (2010.)
 "Fantazija 2000" kao Miki Maus (2010.)
 "Zvončica i veličanstveno vilinsko spašavanje" kao Tibor (2010.)
 "Kako izdresirati zmaja" kao Štucko (2010.)
 "Konferencija životinja" kao Bob i Sup (2011.)
 "Rango" kao Waffles (2011.)
 "Škola za vampire" kao Oskar Von Horrificus (2011.)
 "Žaboglavi Živko" (2011.)
 "Štrumpfovi 1, 2" kao Trapavi (2011., 2013.)
 "Crvene kapice" kao Yotan (2011.)
 "Štrumpfovi: Božićna priča" kao Trapavi (2011.)
 "Zvončica i tajna krila" kao Tibor (2012.)
 "Miki Maus: Nabavi si konja" kao Miki Maus (2013.)
 "Svemogući Spider-Man"" kao Peter Parker/Spider-Man (2014.)
 "Ratovi zvijezda: Pobunjenici" kao Ezra Bridger (S1-2) (2015., 2017., 2019.)
 "Klub Mikija Mausa" kao Miki Maus (2015.-2020.)
 "Ratchet i Clank" kao Rachet (2016.)
 "Kako izdresirati zmaja 3: Skriveni svijet" kao Štucko (2019.)

Vanjske poveznice

Hrvatski filmski glumci
Hrvatski kazališni glumci
Hrvatski televizijski glumci
Hrvatski kazališni redatelji
Životopisi, Varaždin

Mitja Smiljanić


The Hakim Rifle is a gas operated semi-automatic rifle.  It was originally designed by Sweden and produced as the Ag m/42 for the Swedish Army.  The tooling and design were later sold to Egypt, and the Hakim was produced there during the 1950s and early 1960s. It was replaced in the mid-1960s by the Maadi AK-47 (a licensed copy of the Soviet rifle) but was stored in military reserve arsenals. In more recent years, it has been observed in use by some Egyptian police units. Around 70,000 were made.

A shortened carbine version of this rifle called the Rasheed Carbine was manufactured in limited numbers in Egypt using the smaller 7.62x39mm cartridge.

Due to its age, the Hakim is designated as a Curio and Relic firearm by the United States Bureau of Alcohol, Tobacco, Firearms and Explosives.

History
"The Hakim," an Arabic term signifying "judge, ruler, or governor," refers to an enhanced Egyptian iteration of the Swedish Ljungman rifle, also known as the Automatgevär m/42. After the 1952 Egyptian Revolution, General Gamal Abdul Nasser initiated a campaign to modernize the Egyptian military. This involved procuring manufacturing equipment and initial technical support from Sweden to construct an Egyptian variant of the Ljungman AG-42. This marked the inception of Egypt's domestic small-arms industry.

A total of around 70,000 rifles would be produced.

Design
Egypt introduced an adjustable gas operated system, whereas the Ag m/42 had been non-adjustable. The Hakim system is adjustable by use of a special tool and is a simple, direct impingement type whereby the flow of gas impacts directly on the front face of the bolt carrier, propelling it to the rear, which unlocks and moves the bolt as it does so. The Hakim features a Tokarev-pattern tipping bolt system as used in the FN-49, SKS and MAS-49 rifles.

While the Ag m/42 fired the 6.5×55mm cartridge, Egypt owned large stockpiles of 8×57mm Mauser ammunition, much of it left behind from World War II. To take advantage of the large stockpile, the Hakim was further re-engineered to accept the larger cartridge, which also necessitated the addition of a permanent, non removable muzzle brake to help reduce the concurrent greater recoil. Some internet sites have incorrectly referred to this as a flash suppressor; the two are distinctly different features that serve entirely different functions: a muzzle brake is designed to reduce recoil (thereby reducing stress on the operator, as well as wear on the rifle itself), whereas a flash suppressor is designed to reduce the bright muzzle flash so that it does not blind the operator when firing in dark conditions.

The Hakim features a 10-round magazine intended to be loaded from the top breech with 5-round stripper clips.

Users

 :
 : Hakim rifles were officially adopted by Togolese Armed Forces and were used at least until 1990

References

External links
 Hakim Operation and Maintenance Manual
 Differences between the AG42 and the Hakim

7.92×57mm Mauser semi-automatic rifles
Firearms of Egypt
Rifles of the Cold War
Military equipment introduced in the 1950s
Infantry weapons of the Cold War
Egypt–Sweden relations

Hakim Rifle


Kaygısızlar, senaryosunu Tükenmezkalem Film Grubu'nun yazdığı, 1994-1998 yılları arasında sırasıyla Kanal D, Star TV, Kanal 6, tekrar Kanal D ve son olarak tekrar Star TV'de yayımlanmış olan komedi türündeki Türk televizyon dizisidir. Toplam 4 sezondan oluşan dizi, 121. bölümü ile sona erdi.

Konu
Memnun Kaygısız, Ordu'lu (Gölköy) ve çapkın biridir. Sabriye onun ilk karısıdır. Birkaç yıl sonra çeşmenin başında Terbiye'yi görür ve o an ona âşık olur. Yine birkaç yıl geçmeden tarlada Kafiye'yi görür. Bu üç eşinden tam 36 çocuğu olur. Evi geçindirmek konusunda ne yapacağını bilmeyen Memnun'un aklına, asker arkadaşı ve tertibi İsmail'in yanına, yani İstanbul'a gitmek gelir. Artık İsmail'in başı Memnun, 3 karısı ve 36 çocuğu ile derttedir. Tabii hanımı Zeynep ve ev sahipleri Hacı Gaffur Bey'in de.

Oyuncu kadrosu ve karakterler

Yayın takvimi

 Dizi, 18 Ekim 1994 tarihinde  Kanal D'de yayınlanmaya başladı. 10 Ocak 1995 tarihinde yayınlanan 13. bölümün ardından Star TV'ye transfer olmuştur. İlk 13 bölümde Hostes'i Zinnur Karaca canlandırmıştır. Tuluğ Çizgen, Sabriye'nin kız kardeşi Fıskiye karakterine hayat vermiştir.
 19 Ocak 1995 ile 29 Haziran 1995 tarihleri arasında Star TV'de 23 bölüm boyunca yayında kalmıştır. Bu bölümlerde diziye Yılmaz Köksal, Erol Durak, Mustafa Arslan ve Damla Özen dâhil olmuştur. Kültigin karakterini Şoray Uzun, Hostes karakterini ise Bilge Parlak devralmıştır. İlk sezonun sonunda toplamda 36 bölüme ulaşmıştır.
 Dizi, 2. sezonda Kanal 6'ya transfer olmuştur. 21 Ekim 1995 tarihinde yayınlanmaya başlamıştır. 9 Aralık 1995 tarihine kadar 8 bölüm boyunca aralıksız yayınlanıp 3 hafta tekrar bölümleri ile ekranlara gelmiştir. 6 Ocak 1996 ile 27 Ocak 1996 tarihleri arasında yayınlanan 4 yeni bölümün ardından 3 Şubat 1996 tarihinde tekrar bölümüyle ekranlara gelmiştir. 10 Şubat 1996'da yayınlanan 2. sezonun 13. bölümüyle dizinin Kanal 6 macerası sona ermiştir. Dizi toplamda 49 bölüme ulaşmıştır.
 Star TV ve Kanal 6 bölümleri defalarca ekranlara gelip büyük ilgi görmüştür.
 7 aylık aranın ardından dizinin 3. sezonu Kanal D'de yayınlanmaya başlamıştır. Yeni bölümlerde Hostes'i Dolunay Soysert, Terbiye'yi Süeda Çil, Eleman'ı Kubilay Karslıoğlu canlandırmıştır. Dizi, 3. sezonda stüdyo ortamında ve sesli olarak çekilmiştir. 3 Eylül 1996 tarihinde yayınlanmaya başlamıştır. 4, 5 ve 7 Eylül 1996 tarihlerinde akşam kuşağında yayınlanan bölümlerin ardından dizinin yayınına ara verilmiştir. 4-29 Kasım 1996 tarihleri arasında saat 18.00'de yayınlanmış ve diziye yeniden ara verilmiştir. 6 Ocak 1997 ve 13 Ocak 1997 tarihlerinde saat 21.50'de yayınlanan bölümlerin ardından uzunca bir süre ara vermiştir. 2-11 Haziran 1997 tarihleri arasında haber öncesi kuşağında yayınlanan bölümlerin ardından ara veren dizi, son olarak 6-10 Ekim 1997 tarihleri arasında 17.00'de, 13-31 Ekim 1997 tarihleri arasında da 16.10'da yayınlanmıştır. Son zamanlarda 2'şer bölüm yayınlanan dizinin 3. sezonu 65 bölüm sürmüştür. 65 bölümün tamamı 1996'da çekilmiştir. Yayınlanması 1997'ye kadar sarkmıştır. Toplamda 114 bölüme ulaşmıştır.
 4. sezon, 18 Nisan 1998 tarihinde Star TV'de yayınlanmaya başlamıştır. Son sezonda Eleman'ı Serkan Ercan, Terbiye'yi Betül Arım, Zeynep'i Zeyno Eracar, Hostes'i Sibel Seyhan, Fenasi'yi Murat Coşkuner canlandırmıştır. Şenay Gürler ve Ayten Erman da kadroya dâhil olmuştur. İlk 3 bölüm 18 Nisan, 25 Nisan ve 2 Mayıs 1998 Cumartesi akşamı yayımlanmış, ardından dizinin yayın günü Pazartesiye alınmıştır. 4, 11 ve 18 Mayıs 1998 Pazartesi akşamları 4, 5 ve 6. bölüm yayınlanmıştır. 25 Mayıs 1998 tarihinde Star TV'nin kapatma cezası alması nedeniyle son sezonun son bölümü olan 7. bölüm 1 Haziran 1998 tarihinde yayınlanmıştır. Sonraki hafta bu bölümün tekrarı yayınlanmıştır. Son sezon, 7 bölüm sürmüştür. Dizi, toplamda 121 bölüme ulaşmıştır.
 Kanal D ve Star TV bölümlerinin yayın hakları Dizismart Max'tadır; iflas eden Kanal 6'da yayımlanan bölümlerinin yayın hakları ise atv'dedir. Kanal 6, atv'ye satıldığı dönemde kanalın kuruluşundan 1998'e kadar olan tüm arşivi atv'ye satılmıştır. Fakat Kanal 6  bölümlerinin tekrar hakkı artık yapımcıda olduğu için tekrarları yayımlanamamıştır.

Seslendirme

Yapım ekibi

Kaynakça

Dış bağlantılar
 Instagram'da Kaygısızlar
 Twitter'da Kaygısızlar
 YouTube'da  Kaygısızlar
 Facebook'da Kaygısızlar
 IMDb'de  Kaygısızlar
 SinemaTürk'de Kaygısızlar
 Sinemalar'da Sinemalar'da Kaygısızlar

Türk durum komedisi televizyon dizileri
Kanal D dizileri
Kanal 6 dizileri
Star TV dizileri
Absürt komedi türündeki Türk dizileri
1994'te başlayan Türk televizyon dizileri
1998'de sona eren Türk televizyon dizileri
İstanbul'da çekilmiş televizyon dizileri
1990'larda Türkçe televizyon dizileri

Kaygısızlar (dizi)


The Rat, Prison Break dizisinin ondördüncü bölümüdür. İlk gösterimi 20 Mart, 2006 tarihinde Amerikan Fox kanalında olmuştur. Türkiye'de 1 Haziran 2006 tarihinde CNBC-e kanalında ilk olarak gösterilmiştir. Bölümün yazarı Matt Olmstead, yönetmeni ise
Kevin Hooks 'dır.

Bölüm Özeti
Kaçış takımı Michael'ın planının hatalı olduğunu fark eder.
Değiştirilen boruyu başka bir bopru yardımı ile yerinden sökmeye çalışırlarken
boru klırılır ve zemine düşer. O sırada oradan geçmekte olan bir gardiyan sesi duyar.
Gardiyan kaçacakları odaya gelmeden oradan ayrılırlar.

Yüzbaşı Bellick onları kontrole gider. Westmoreland diğerlerinden daha yaşlıdır ve yolu zamanında tamamlakta zorlanır. Onlar bütün gece boyunca etrafı temizleyememiştir. Onlara hakaret ederek diğer gardiyanlarla birlikte hücrelerine geri götürmek ister. Bellick hemen birinin eksik olduğunu fark eder ve odaya geri döner, Westmoreland'ı odada ayakkabısını bağlarken bulur. Takım, hücrelerine geri gönderilir.

Sucre ve Westmoreland Michael'ı avutmaya çalışır. Michael'a endişelenmemesini Lincoln'nün yardım etmeye çalıştığını bildiğini söylemeye çalıştılar. Westmoreland'da ona abisinin birkaç hafta zorluk çekeceğini söyler ve ekler ölümün en kötüsü ölümü beklemektir. Michael, eğer elektrikli sandalyeyi çalıştıran sistemde bir hata oluşursa, sistemin tekrar çaıştırılması için idamın üç hafta ertelenebileceğini bilmektedir. Michael bu sıkıntıdan kurtulmak için tünele girer ve elektrik panosunun içine fare yakalamak için yem yerleştirir.

Tweener ve Bellick konuşmaktadır. Tweener patates kızartmasını milkshake'e batırıp yemektedir, bu durum Bellick'in hoşuna gider, ve ondan bilgi ister. Tweener bir şey bilmediğini söyler. Bellick sinirlenir ve hamburger ve patates kızartmsı için ondan 100$ ister, Tweener'da ona Michael ve Westmoreland'ın sandalye ile ilgili bir şey konuştuklarını söyler.

Bellick sandalyenin tekrar kontrol edilmesini ister ve hatayı fark eder. Elektrik panosunu kontrol ederken içinde fare ölüsü bulurlar. Tekniker bunu rapor etmesi gerektiğini söyler, Bellick sigortanın hemen değiştirilip sistemin çalışır hale getirilmesi için onları zorlar. Michael ışıkların yanıp söndüğünü görünce korkar, sistem mükemmel çalışmaktadır.

Michael son ziyaret için Lincoln'nün yanına gider. Lincoln temyiz hakkında konuşmak istemez, Michael'a infazın gerçekleşeceğini söyler. Bu konu hakkında daha fazla konuşmak istemez. Michael yenildiklerini kabul eder. Beraber kâğıt oynayıp, yabanmersinli gözleme yediler, O son yemeği olarak bunu istemişti.

Nick ve Veronica Lincoln'nü temize çıkarmak için yargıçla konuşur. Michael özür diler, Dr. Tancredi Veronica ve Nick'le konuşmaya gider. Sara vali olan babasına Lincoln'nün dava dosyasından bahseder
ve oda bundan daha yeni haberi olduğunu söyler. Vali ona mahkûmların onu kullandığını söyler ve vali seçilme nedeninin bu gibi durumlardaki katı tutumu olduğunu belirtir. Sara ona, bilgiyi verenin kızı değil de herhangi biri olarak görmesini ve dosyayı ona göre değerlendirmesini ister.

Müdür ve birkaç gardiyan Lincoln'ü infaz odasına götürürken vali telefonla arar. Birkaç dakika Michael, Lincoln, Sara ve Veronica birbirlerine bakarlar, müdür devam etmeleri gerektiğini söyler. Vali telefonu kapadığında yanında bulunan Başkan Yardımcısı ona bu yaptığını asla unutmayacaklarını söyler.

Grup ölüm odasına doğru yürümeye devam eder. Bellick şaşırtıcı bir şekilde Veronica'nın sarı çizgiyi geçip Lincoln'le vedalaşmasına izin verir. Veronica, Lincoln'e onu ilk gördüğü andan itibaren sevdiğini söyler. Müdür'ün emriyle Bellick Michael'ın kelepçesini çıkartır, kardeşinin yanına gider ve ona sarılır. Kardeşi ölüme giderken Michael göz yaşlarını tutamaz. Bölüm, Lincoln sandalyeye bakarken son bulur.

Notlar
 Peter Stormare (John Abruzzi) ana oyuncu kadrosundan çıkmış, Rockmond Dunbar (C-Note) konuk oyunculuktan, ana oyuncu kadrosuna terfi etmiştir.

Dış bağlantılar
 Sezon 1 Bölüm 14 - Fox

Büyük Kaçış bölümleri

The Rat (Büyük Kaçış bölümü)