Re-Flex est un groupe de techno allemand, composé de cinq producteurs depuis la fin des années 1990.

Biographie
Re-Flex s'est fait connaître avec des titres comme Lui (2000), Ubap et Babadeng (2001), qui se sont tous classés dans le top 100 du hit-parade allemand. Ubap a été la chanson la plus populaire de Re-Flex, qui a atteint la  place.

Dans les clips vidéo de ces singles diffusés sur les chaînes musicales allemandes VIVA et MTV, le groupe est soutenu par une performance de danse et de feu de l'artiste Petra Quednau. En 2007, le morceau Lui est sort à nouveau en un remix de Special D. et Mike Brings.

Discographie
 2000 : Lui (Clubbgroove / Kontor) ( place en Allemagne
 2001 : Ubap (Clubbgroove / Kontor) ( place en Allemagne,  en Autriche,  en France)
 2001 : Babadeng (Clubbgroove / Kontor)
 2002 :  (Clubbgroove / Kontor)
 2004 :  (Alphabet City / Dropout)
 2008 :  (Ministry of Sound)

Notes et références

Liens externes

Groupe allemand de musique électronique
Groupe de techno

Re-Flex (groupe allemand)


Echipa feminină de handbal a Greciei este echipa națională care reprezintă Grecia în competițiile interțări oficiale sau amicale de handbal feminin.

Palmares
Trofeul Challenge IHF/EHF
 medalie de argint în 2002
 medalie de bronz în 2014

Rezultate

Rezultate olimpice
Până în prezent, echipa națională de handbal feminin a Greciei nu s-a calificat decât la un turneu olimpic.

Rezultate la Jocurile Mediteraneene

Rezultate

Rezultate la Trofeul Challenge IHF/EHF
Conform paginii oficiale a EHF:

Handbaliste în All-Star Team la Trofeul Challenge IHF/EHF
Lena Mourne (cel mai bun intermediar stâng, 2014), Ariadni Masmanisou (cel mai bun pivot, 2014), Lamprini Tsàkalou (cel mai bun apărător, 2014)

Echipa

Componența
Lotul convocat de antrenorul Panagiotis Messinis pentru calificările la Campionatul European de Handbal Feminin din 2022:

Banca tehnică

Foști antrenori

Note

Grecia
Sportive elene

Echipa națională de handbal feminin a Greciei


Doña Ángela de Cárdenas y de Velasco (? – Cardona, 1576.) bila je španjolska plemkinja koja je brakom postala vojvotkinja Segorbea i Cardone, barunica Entençe, markiza Pallarsa Sobire, vikontesa Villamura te grofica Pradesa i Empúriesa.

Obitelj
Njezini su roditelji bili Doña Izabela de Velasco y Guzmán i njezin muž, Don Bernardino de Cárdenas y Pacheco.

Ángela se udala za Don Franju od Cardone, ali nisu imali djece te je tako Franju naslijedila njegova mlađa sestra, Doña Ivana II. od Empúriesa.

Smrt i pokop
1576. Ángela je umrla u Cardoni te je prvo pokopana u katedrali u Segorbeu, ali su njezine kosti kasnije prenijete u samostan Poblet.

Izvori

Vojvode Cardone
Grofovi Empúriesa

Ángela de Cárdenas y de Velasco


Jacob Harry Maguire (født 5. marts 1993) er en engelsk fodboldspiller, der spiller for Premier League-klubben Manchester United og det engelske landshold.

Klubkarriere

Sheffield United
Maguire startede sin seniorkarriere hos Sheffield United i sin fødeby, hvor han også spillede som ungdomsspiller. Han debuterede for klubbens førstehold 12. april 2011, i en alder af 18 år, i en Championship-kamp mod Cardiff City. Han etablerede sig som fast mand på holdet og nåede at spille 134 ligakampe for klubben inden han i 2014 skiftede til Hull City for en pris på 2,5 millioner britiske pund.

Hull City
Maguire spillede de følgende to år, afbrudt af et lejeophold hos Wigan, hos Hull, hvor han blandt andet i 2016 var med til at sikre klubben oprykning til Premier League.

Leicester City
I sommeren 2017, efter at Hull igen var rykket ud af Premier League, solgte klubben Maguire til Leicester City for en pris på 12 millioner pund.

Manchester United
Efter stor succes hos Leicester og på det engelske landshold, var Maguire i søgelyset for flere af de største klubber, og 5. august 2019 skiftede han til Manchester United F.C., hvor han fik en 6-årig kontrakt og gjort til den dyreste forsvarsspiller nogensinde.

Maguire blev efter kun seks måneder i klubben gjort til anfører efter at Ashley Young havde forladt klubben.

Landshold

Ungdomslandshold
Maguire har spillet en enkel kamp for Englands U/21-landshold.

Seniorlandshold
Maguire debuterede for det engelske landshold8. oktober 2017 i et opgør mod Litauen.

Han var en del af det engelske hold til VM 2018 i Rusland, hvor han scorede sit første landskampmål i kvartfinalen mod Sverige.

Maguire var del af Englands trup til EM 2020, hvor at England nåede til finalen men tabte til Italien.

Referencer

Eksterne henvisninger

Fodboldspillere fra England
Fodboldspillere fra Sheffield United F.C.
Fodboldspillere fra Leicester City F.C.
Fodboldspillere fra Hull City A.F.C.
Fodboldspillere fra Wigan Athletic F.C.
Fodboldspillere fra Manchester United F.C.
Deltagere ved det europæiske mesterskab i fodbold 2020
Deltagere ved verdensmesterskabet i fodbold 2018
Deltagere ved verdensmesterskabet i fodbold 2022
Personer fra Sheffield

Harry Maguire


Bernardo Pérez de Robles fue un escultor y cantero nacido en Salamanca hacia 1621 y fallecido en 1683. Trabajó en España, más concretamente en Salamanca y Sevilla y en Perú, en Lima y Arequipa, donde se conservan muchas de sus obras.

Biografía
Bernardo Pérez de Robles nació en Salamanca, España, hacia 1621. Hijo del escultor Jerónimo Pérez de Lorenzana, inició su carrera artística junto a su padre en su ciudad natal. Hacia 1642 se trasladó a Sevilla, posiblemente atraído por el notable número de encargos que se recibían de América, adonde pretendía emigrar. En 1644, tras dilatarse las gestiones para poder salir hacia América por un periodo de dos o tres años, logró embarcarse hacia las Indias. Arribó al puerto limeño de Callao, donde contactó con otros salmantinos que le ayudaron a establecerse en talleres de otros artistas. En 1646 comenzó a esculpir por cuenta propia. En 1648 contrajo matrimonio con la limeña Ana Ximénez Menacho, con la que tuvo seis hijos, tres varones y tres mujeres. Estableció una asociación con el arquitecto y ensamblador Asensio de Salas y con el dorador Francisco Vázquez, con quienes realizó numerosos retablos. Se tienen noticias de su estancia en Lima hasta 1657. En 1662 se halla establecido en Arequipa, donde ejecutó importantes obras como el Cristo de la Vera Cruz. Según se refleja en varias donaciones que realizó en esta época, y por las dotes que dio para los matrimonios de sus hijas, había logrado amasar una pequeña fortuna y vivía de manera desahogada. En 1671 regresó a su ciudad natal, Salamanca, donde pasó el resto de su vida y donde realizó sus últimas obras escultóricas, como las imágenes del Retablo Mayor de la iglesia de Villares de la Reina o el Cristo de la Agonía de la Convento de San Francisco (Salamanca) Fallece el once de julio de 1683.

Obra
La obra de Bernardo Pérez de Robles se centra en la temática religiosa, fundamentalmente retablos e imágenes de devoción en las que empleó la técnica de madera tallada y posteriormente estofada y policromada, al uso de la época. Realizó también algunos trabajos de cantería y de tasación de obras de arte.

Su formación tuvo lugar junto a su padre, el escultor Jerónimo Pérez de Lorenzana, en Salamanca, donde estuvo en contacto con obras de escultores del foco castellano y salmantino como Gregorio Fernández y Pedro Hernández. Durante su estancia en Sevilla es más que probable que conociera las obras de escuela andaluza, sobre todo las de Juan de Mesa y las de su discípulo Sebastián Rodríguez, así como las de Juan de Herrado Beces. Con estos dos últimos entabló amistad.

Como señala Ramos Sosa, se detecta en su estilo influencia de las escuelas andaluza y castellana, que Pérez de Robles reúne y resuelve con maestría. Esta mezcla estilística hizo que algunas de sus obras fueran atribuidas a Juan Martínez Montañés en el pasado.

En su etapa de formación en Salamanca, hasta 1642, realizó algunos trabajos de cantería:

 Capiteles en piedra para el Convento de las Agustinas

En Lima entre 1646 - 1657, se pueden destacar las siguientes obras:

 Virgen del Pilar (1646)
 Escudo en piedra con las armas de la Casa Real para la Catedral de Lima (1648)
 Retablo de la capilla de la Concepción de la Catedral de Lima (1656 - 1658)
 Virgen de la Inmaculada concepción realizada para el retablo anterior (1655)
 Calvario del retablo del Convento de Santa Clara (1651?)
 Santo Domingo, y San Francisco de Asís del retablo anterior, (1651?)
 Inmaculada con el Niño o Virgen de la Peña de Francia (1651)
 San Guillermo y San Pedro de Verona (sin datar)
 Crucificado de la iglesia de San Sebastián de Lima (sin datar)

En Arequipa realizó, entre 1662 y 1671:

 Cristo de la Vera Cruz (1662)
 Cristo Yacente de la Cofradía del Santo Sepulcro de la iglesia de Santo Domingo
 San Francisco y Santo Domingo en la iglesia de los Frailes Menores
 El Crucificado de la Compañía de Jesús

En Salamanca esculpió entre 1671 y 1683:

 Cristo de la Agonía de la Convento de San Francisco (Salamanca) (1671)
 Cristo del Perdón del Convento de las Bernardas (sin datar)
 Cristo de la Expiración de la Iglesia del Espíritu Santo (sin datar)
 San Pedro de Alcántara de la Iglesia de la Vera Cruz (atribuido)
 Cristo del Amparo de la Iglesia del Carmen de Arriba (atribuido)
 Numerosas esculturas de madera policromada en la Iglesia Parroquial de San Silvestre en Villares de la Reina(1677)

Véase también
 Escultura en el Virreinato de Perú

Referencias

Enlaces externos

Bibliografía
 Gómez-Moreno, Mª. E.: Escultura del S. S. XVII, tomo XVI de Ars Hispanie, Madrid, 1958
 Ramos Sosa, R.: "Un especialista en crucificados: la obra del escultor Bernardo Pérez de Robles en Arequipa" en Laboratorio de Arte, n.º 12, pags. 153 - 162. Universidad de Sevilla, 1999
 Ramos Sosa, R.: "Nuevas noticias del escultor Bernardo Pérez de Robles en Perú" en Laboratorio del Arte, n.º 16, pags. 453-464, Universidad de Sevilla, 2003
 Velasco Morgado, R.:  Lignum Crucis [catálogo de la exposición del V centenario de la Cofradía de la Vera Cruz de Salamanca]. Salamanca, Cofradía de la Vera Cruz, 2006.
 Rodríguez G. de Ceballos, A.: "El escultor indiano Bernárdo Pérez de Robles" en Boletín del Seminario de Estudios de Arte y Arqueología: Tomo 37, págs. 311-325, BSAA, 1971.

Canteros de España
Escultores de España del siglo XVII
perez
Escultura en el Virreinato de Perú

Bernardo Pérez de Robles


Fugitivos puede referirse a:
 Plural de fugitivo, prófugo.
 Fugitivos (película de 1958), película de 1958 protagonizada por Tony Curtis.
 Fugitivos (álbum), álbum de la banda chilena Rama.
 Fugitivos (película de 2003), película de 2003.
 Fugitivos (Lost), episodio de la serie Lost.
 Fugitivos (serie de televisión) serie colombiana.

Fugitivos


La  de la Coupe du monde de biathlon se déroule entre le  et le . La compétition se compose de neuf étapes, la première à Kontiolahti en Finlande, la dernière à Oslo en Norvège. Elle est ponctuée en février par les championnats du monde 2023 à Oberhof.

En raison de l'Invasion de l'Ukraine par la Russie en 2022, les athlètes russes et biélorusses sont interdits de compétition pour toute la saison.

Programme

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Attribution des points

Le 21 juin 2022, l'IBU prend la décision de modifier le barème d'attribution des points pour les courses individuelles à compter de la saison 2022-2023, afin de revaloriser les points gagnés par le top 6 de chaque course. Parmi les autres changements notables, la règle des deux plus mauvais résultats retirés en fin de saison disparait, et les courses des Championnats du monde ne rapportent désormais plus de points pour les classements individuels et des relais mais continuent cependant d'en rapporter pour la Coupe des nations.

Classements des disciplines
Pour les classements spécifiques à chaque discipline (individuel, sprint, poursuite, mass-start, relais), l'attribution des points est la suivante :

Classement général
Le classement général de la coupe du monde est établi en additionnant les points obtenus lors des disciplines individuelles (individuel, sprint, poursuite et mass-start). Une non-participation, un abandon ou une disqualification en course ne rapportent aucun point.

Les résultats obtenus lors des Championnats du monde 2023 ne sont pas comptabilisés dans le classement général de la Coupe du monde.

Coupe des Nations
Le classement général de la coupe des Nations est obtenu en additionnant les points de chaque athlète obtenus lors des épreuves de l'individuel, de sprint, ainsi que lors des relais. Pour les épreuves de l'individuel et de sprint, ne sont pris en compte que les points des trois athlètes les mieux classés par nation.

 Pour chaque épreuve de l'individuel ou du sprint, les points sont attribués selon le tableau suivant :

Puis de 1 point en 1 point jusqu'à la , et de 2 en  pour arriver à 1 point pour la . Toutes les places suivantes obtiennent 1 point.

 Pour chaque relais, les points sont attribués selon le tableau suivant :

 Pour les relais simples mixtes et les relais mixtes, les points sont partagés à moitié entre le classement général de la coupe des Nations féminin et le masculin. Chacun reçoit alors des points selon le tableau suivant :

Déroulement de la saison

Classements

Classements généraux

Coupe des Nations

Classement par discipline

Individuel

Sprint

Poursuite

Mass Start

Relais

Globes de cristal et titres mondiaux

Calendrier et podiums

Hommes

Épreuves individuelles

Relais

Femmes

Épreuves individuelles

Relais

Mixte

Tableau des podiums

Biathlètes

Épreuves individuelles uniquement

Hommes

Femmes

Nations

Tableau des primes distribuées par l'IBU

Montants en Euros (€).

Hommes

Femmes

Gains par nation

Retraites sportives
Les biathlètes suivants prennent leur retraite sportive au cours ou à l'issue de cette saison.

 Hommes
  Jules Burnotte
  Serafin Wiestner
  Erlend Bjøntegaard

 Femmes
  Vanessa Hinz
  Denise Herrmann-Wick
  Mari Eder
  Anaïs Chevalier-Bouchet
  Federica Sanfilippo
  Marte Olsbu Røiseland
  Tiril Eckhoff (absente de toute la saison)
  Nastassia Kinnunen

Notes et références

Notes

Références

Liens externes
 Site officiel de l'IBU (en)
 Résultats (en)

2022-2023
Biathlon

Coupe du monde de biathlon 2022-2023


Pedro Maia (11 de novembro de 1962) é Artista Plástico, Investigador e Professor da Faculdade de Belas Artes da Universidade do Porto (FBAUP), Professor Associado e Coordenador da Área Científica de Desenho do Mestrado de Arquitetura da Universidade Lusófona do Porto (ULP) e Membro Integrado do ARQ.ID, Universidade Lusófona. Licenciatura em Artes Plásticas - Pintura, Escola Superior de Belas Artes do Porto, 1988, com bolsa da Fundação Calouste Gulbenkian (1986-1988). MFA - Fine Arts/Painting, University of Massachusetts, Amherst, U.S.A., 1990, com bolsas da Fundação Calouste Gulbenkian, Fundação Luso-Americana para o Desenvolvimento e Fullbright. Television Workshop, Amherst Public Television, U.S.A. (1990). Doutoramento em Desenho (PhD), Faculdade de Belas Artes da Universidade do Porto, 2010, especializando-se na Facultat de Belles Arts at the Universitat de Barcelona, 2006-2008, Bolsas da Fundação para a Ciência e Tecnologia (FCT) e Fundo Social Europeu. Pós-doutoramento (em curso), Facultat de Belles Arts da Universitat de Barcelona, Bolsa Sabática da Fundação Ciência e Tecnologia (setembro de 2015 a janeiro de 2016) e apoio de estadia da Fundação Oriente em Goa (Outubro de 2015). Interesses principais: Artes, Pintura, Fotografia, Vídeo e Desenho.

Projetos de Investigação

2021-2024. El paisaje que habla. Marco teórico y referencias culturales interdisciplinares. México, Portugal y España como escenarios(2021-2024). Referência: PID2020-120553GB-I00/AEI/ 10.13039/501100011033

2017-2021: ARS & URBS – Representación Pisctórica de la Ciudad, del siglo XVI al siglo XIX: Perspectivas, Corografias y Panoramas– Projecto de investigação com a Universidad de Ganada, Universitat de Barcelona, Universidad de Sevilla, Universidad Illes Balears e Faculdade de Belas Artes da Universidade do Porto.

2012-2016: Atlas & Vocabulário do Desenho. I2ADS, FBAUP, Porto.

2012: Furor Mechanicus, Inventions Catalogue (Glossary for Drawing Instruments), Wikiprojects, Istituto e Musei di Storia della Scienza, Florence, Italy (colaborador):

Principais Projetos do Passado

2009-2011 Fundador, Membro e Comissário para o Lófte – Associação Cultural (em parceria com a FBAUP), Porto, Portugal

2001-2004 Comissário e Direção Artística para o Maushábitos – Espaço de Intervenção Cultural, Porto, Portugal.

Artigos em revistas, capítulos de livros e textos

Maia, Pedro. Paisagem, Apropriação e Ruído: Uso da Fotografia na Representação do Espaço in: Geografias Culturais da Música do Som e do Silêncio. Guimarães: Universidade do Minho, 2022.

Maia, Pedro, Organic versus Geometric: The Impact of the 1755 Lisbon Eartquake, in: La Città Palinsesto, Napoli: Federico II University Press, 2021, Vol. I. ISBN 978-88-99930-06-6, pp.963-969

Maia, Pedro.  Nos Bastidores do Desenho: Viagens com a Câmara Clara, PSIAX, 2ª Série Nº 4, 2021.

Maia, Pedro. Assembly of perspectives: on the Grande Vista de Lisboa – Anima Loci, Verona, Outubro de 2019

Maia, Pedro. A Theory on Clouds, Projecto Artístico para Atlântida – Revista de Cultura, Edições: Instituto Açoriano da Cultura, Angra do Heroísmo, Portugal, 2018

Maia, Pedro. Into The Wild, texto para a Exposição (cartaz e online), Lugar do Desenho, Fundação Júlio Resende, Porto, 2018

Maia, Pedro. Projeções 2018, Texto para a Exposição (brochura), Lugar do Desenho, Fundação Júlio Resende, Porto, 2018

Maia, Pedro. Performative Jewellrey, texto de introdução de Catálogo/Livro Teeuwen, Yvette. Performative Jewellrey, Haia, Holanda, novembro de 2017.

Maia, Pedro. Projeções 2017. Introdução para brochura, Lugar do Desenho, Fundação Júlio Resende, Porto, 2017

Maia, Pedro. Projeções 2016. Introdução para brochura, Lugar do Desenho, Fundação Júlio Resende, Porto, 2016

Maia, Pedro. Projeções 2014. Introdução para brochura, Lugar do Desenho, Fundação Júlio Resende, Porto, 2014

Maia, Pedro. Introdução para catálogo, Exposição Final das Licenciaturas, FBAUP, Porto, 2013.

Maia, Pedro. Projeções 2013. Introdução para brochura/desdobrável, Lugar do Desenho, Fundação Júlio Resende, Porto, 2013.

Maia, Pedro. Delimitação de Escala, texto para catálogo de exposição de João Pedro Trindade e Horácio Frutuoso, Galeria Painel (FBAUP), Porto, 2013.

Maia, Pedro. As Meta-forias de Constança Araújo Amador, texto para catálogo, Galeria do Leões, University of Porto, 2013.

Maia, Pedro. Energy Portraits, texto para livro de Yvette Teeuwen: Energie portretten, Haia, 2013.

Maia, Pedro. A História do Homem Montanha e a Menina dos Lápis de Cera, texto para exposição de Pascal Ferreira, Galeria dos Leões, Universidade do Porto, 2013.

Maia, Pedro. Projeções 2012. Introdução para brochura/desdobrável, Lugar do Desenho, Fundação Júlio Resende, Porto, 2012.

Maia, Pedro; Moura, Mário; Marques, Jorge; Carvalhais, Miguel. Introdução de Catálogo da Exposição Final das Licenciaturas, FBAUP, Porto, 2012

Machado, Graciela; Maia, Pedro. Introdução do Catálogo Interecycling, Museu do Caramulo, 2012

Maia, Pedro. O Carácter Demonstrativo das Experiências de Brunelleschi e o seu Impacto na Concepção e Utilização de Dispositivos de Captura entre os Séculos XV e XVII. Actas do Simpósio La práctica de la perspectiva. Perspectiva en los talleres artísticos europeos. Universidade de Granada, Granada, 2011, publicação 2013 (refere internacional)

Maia, Pedro. Investigar em Desenho: Máquinas de Desenho e a Representação da Realidade. O Mundo Visto por uma Janela. PSIAX # 1 (Vol. 2) – Estudos e Reflexões sobre Desenho e Imagem. Porto/Guimarães: Departamento de Arquitectura da Universidade do Minho, Faculdade de Arquitetura da Universidade do Porto, Faculdade de Belas Artes da Universidade do Porto, 2009/2010

Maia, Pedro. O Véu de Alberti. PSIAX # 5 – Estudos e Reflexões sobre Desenho e Imagem, Porto/Guimarães: Faculdade de Arquitectura da Universidade do Porto, Departamento de Arquitetura da Universidade do Minho, 2006

Maia, Pedro. Alberti's Veil and the Origin of Drawing Machines. Barcelona, 2007 (published on author's site)

Maia, Pedro. As Máquinas de Desenho. PSIAX # 4 – Estudos e Reflexões sobre Desenho e Imagem, Porto: Faculdade de Arquitetura da Universidade do Porto, 2005

Maia, Pedro. A Herança de Taccola. Margens e Confluências # 4, Guimarães: Escola Superior Artística do Porto, 2002

Comunicações

2021: El Panorama de Lisboa: Arte, Cartografia, Dibujo, Apropriación y Collage, DrawCivitas, Colóquio Internacional, Palacio la Madraza, Granada, 2 de dezembro de 2021 (conferência por convite)

2021: Organic versus Geometric: The Impact of the 1755 Lisbon Eartquake, Ciclo de Conferências Internacionais (refere internacional), Nápoles, 11 de junho de 2021 (conferência online devido à pandemia covid 19).

2019: Representación de Ciudades Portuguesas: El Panorama de Lisboa, Universidade de Granada, Espanha, 7 de novembro de 2019

2017: Projections & Premonitions - O Trabalho de Investigação versus o Trabalho Artístico (mesa redonda), mediação de Carlos Luís Bessa, Instituto Açoriano da Cultura, Angra do Heroísmo, 15 de setembro 2017

2017: Ciudades de Portugal Vistas por los Pintores (ss. XVI-XIX), Actividad Formativa del Programa de Doctorado en Artes, Departamento de Dibujo, Universidad de Granada, 9 de junho de 2017.

2016: O Ensino do Desenho em Arquitetura, Ordem dos Arquitetos, Porto, 15 de Dezembro 2016

2016: The Recovery of the Camera Lucida in the Digital Age, Fundação Oriente, Panjim, Goa, Índia, 14 de Novembro de 2016

2016: On the Uses of the Camera Lucida, Architecture Department, Altinho, Goa, Índia, 12 de Novembro de 2016

2016:  A Câmara Clara e sua Utilização no Desenho de Levantamento, Mestrado em Arte e Design para o Espaço Público, Faculdade de Belas Artes da Universidade do Porto, 19 de Outubro 2016

2016: Desenho, Imagem, Apropriação, Desvio & Ruído, Seminário Campos e Funções do Desenho, Mestrado em Desenho e Técnicas de Impressão, Faculdade de Belas Artes da Universidade do Porto, 11 de Maio 2016

2016:  A Câmara Clara – Velho e Novo Mídia, Sweatbox, Imagens para uma Estratégia Plural e(m) Desenho, Faculdade de Belas Artes da Universidade do Porto, Abril 2016

2016: On the Uses of the Camera Lucida, Rachana Sansad College of Applied Art & Craft, Bombaim, Índia, Janeiro 2016

2016: The Camera Lucida – Visual Dialogues from Portugal in India, Faculty of Visual Arts, Banaras Hindu University, Varanasi, Índia, Janeiro 2016

2015: Drawing Teaching Approaches in School of Fine Arts, University of Porto, Rachana Sansad College of Applied Art & Craft, Bombaim, Índia, Novembro 2015

2013: Moderador para D.U.H., Desenho na Universidade Hoje – D.U.T., Drawing in University Today, Conferência Internacional em Desenho, FBAUP/FAUP, Porto, Portugal, Maio 2013

2013: Mediação Tecnológica e a Representação da Paisagem, Geografia, Cinema & Cultura Visual, Departamento de Geografia, Universidade do Minho, 2013

2012: Atlas & Vocabulário de Desenho - Encontros de Desenho I, Faculdade de Belas Artes da Universidade do Porto, Março de 2012

2009: Investigar em Desenho: Metodologia utilizada no estudo de máquinas de desenho, Investigar em Desenho, Faculdade de Belas Artes da Universidade do Porto, Março de 2009

2004: Máquinas de Desenho, Seminário de Pós-graduação em Desenho, Faculdade de Belas Artes da Universidade do Porto, 2004

Exposições Individuais

2019: Chasing Shadows – Playlist #31 Comissariada por Nuno Ramalho, Café Candelabro, Porto, Fevereiro de 2019.

2019: Aftermath, Caos – Casa das Artes e Ofícios, Viseu, Janeiro de 2019

2019: Desenhos da Índia – A Recuperação da Câmara Clara na Era Digital, Lugar do Desenho, Fundação Júlio Resende, Fevereiro de 2019

2018: The Drama Series (exposição retrospectiva 2013-2018, Espaço Campanhã, Porto, outubro de 2018

2017: Projections & Premonitions, Instituto Açoriano da Cultura, Angra do Heroísmo, Portugal, 15 de setembro 2017

2017: Projections & Premonitions, Galeria Patch, Porto, Portugal, 29 Abril – 5 de junho de 2017

2016: The India Drawings, Galeria da Fundação Oriente, Panjim, Goa, Índia, Novembro/Dezembro 2016

2015: Under the Skin, Galeria Adorna Corações, Porto, Portugal

2015: After Lapse, Poste Vídeo Art, Galeria Extéril, Porto, Portugal

2010: Panther Woman, Espaço Campanhã, Porto, Portugal

2004: Galeria CUBIC – Arte Contemporânea, Lisboa, Portugal

2003: Galeria Ao Quadrado, Vila da Feira

2003: Galeria Extéril, Porto

2001: Galeria Extéril, Fecundação in_exteril, Porto, Portugal

1999: Galeria Paula Fampa, Braga, Portugal

1996: Galeria Módulo, Porto, Portugal

1995: Galeria do Banco Português do Atlântico, Braga, Portugal

1994: Galeria Módulo, Porto, Portugal

1994: Parque de Exposições, European Peptid Simposium, Braga, Portugal

1994: Galeria Módulo, Lisboa, Portugal

1990: Herter Gallery, University of Massachusetts, Amherst, USA

1990: Galeria Módulo, Porto, Portugal

1989: Galeria Módulo, Porto, Portugal

1989: Galeria Módulo, Lisboa, Portugal

1989: South Gallery, Greenfield Community College, Greenfield, USA

1988: Galeria Roma & Pavia, Porto, Portugal

1988: Galeria Diferença, Lisbon, Portugal

1987: Museu Nogueira da Silva, Braga, Portugal

1987: Anikibóbó, Porto, Portugal

Outros Projetos

2020: Caleidoscópio, projeto vídeo-arte para Palavras à Mesa (2 concertos) com Alexandre Soares e Ana Deus (Três Tristes Tigres), Maushábitos Espaço Cultural, Porto, Novembro de 2020

2020: The Creation of God, projeto vídeo-arte. Criação, edição e montagem vídeo e áudio a partir de conceito de José Cruzio. 23ème Rencontres Internationale Traverse, Toulouse, 23 Janeiro, 2020

2019: The Creation of God, projeto vídeo-arte. Criação, edição e montagem vídeo e áudio a partir de conceito de José Cruzio. Art Language and New Vision of Video Art. 2nd International Video Art Forum, SASC Damman, Saudi Arabia, 11-15 November.

2019: The Creation of God, projeto vídeo-arte. Criação, edição e montagem vídeo e áudio a partir de conceito de José Cruzio. Selecionado para o 19º Festival Internacional de Cine de Lanzarote (2019) e Festival e Exposição em FORM9 – CICA Museum (Czong Institut of Contemporary Art), Seoul, Coreia do Sul (2019)

2019: The Creation of God, projeto vídeo-arte. Criação, edição e montagem vídeo e áudio a partir de conceito de José Cruzio, Eighthwonder 2019 '(a)muse', 44AD Artspace, Bath, UK, 8th-18th August 2019.

2019: Comissário e organizador de INT_EXT – Exposição de Projetos de Intervenção no SMAS, Porto, Julho e Agosto de 2019.

2019: Co-organizador de ENTRE_TANTO – Exposição Final de Ano de estudantes do MAP – FBAUP, C.A.C.E., Porto, 8 a 21 de junho de 2019.

2019: Comissário para Projeções 2019 – O Desenho na FBAUP, Lugar do Desenho – Fundação Júlio Resende, 8 a 21 de junho de 2019.

2019: The Chaos – Video-clip para o álbum Distant Voice do compositor Britânico Sean Khan, BBE TV, Londres, Lançamento a 15 Novembro de 2019: Link

2019: Chasing Shadows – Edição em papel de 20 exemplares numerada e assinada, lançamento Café Candelabro, Porto, Fevereiro de 2019.

2018: Said - Video-clip para o Compositor Britânico Sean Khan, Londres, Dezembro de 2018.

2018: Banda sonora para o documentário Imagens do Corpo Interior, colaboração entre a Faculdade de Belas Artes da Universidade do Porto e o Instituto de Ciências Biomédicas Abel Salazar.

2018: Coordenador, Organizador e Tutor da Residência Artística em Desenho Into The Wild, Quinta da Bouça Nova, Marco de Canaveses, Portugal, 5 a 13 de maio de 2018

2018: Comissário para Into The Wild, Lugar do Desenho - Fundação Júlio Resende, Porto, Portugal, Junho 2018

2018: Comissário para Projeções 2018 (FBAUP), Lugar do Desenho - Fundação Júlio Resende, Porto, Portugal

2017: Comissário para Projeções 2017 (FBAUP), Lugar do Desenho - Fundação Júlio Resende, Porto, Portugal

2016: Comissário para Projeções 2016 (FBAUP), Lugar do Desenho - Fundação Júlio Resende, Porto, Portugal

2014: Comissário para Projeções 2014 (FBAUP), Lugar do Desenho - Fundação Júlio Resende, Porto, Portugal

2013: Cocoordenação para Atlas: Gabinete de Desenho & Gravura, Investigação e Exposição, FBAUP, I2ADS (patrocinado pela FBAUP & Fundação Calouste Gulbenkian, Porto, Portugal, 2012/2013.

2013: Cocomissário e organização para D.U.H. Exposição Internacional, Desenho na Universidade Hoje, FBAUP, FAUP, Porto, Portugal

2013: Comissário para Projeções 2013 (FBAUP), Lugar do Desenho - Fundação Júlio Resende, Porto, Portugal

2013: Comissário para a exposição de Constança Araújo Amador: Greguerías, Galeria dos Leões, Universidade do Porto, Porto, Portugal

2013: Comissário para A História do Homem Montanha e a Menina dos Lápis de Cera, exposição de desenho de Pascal Ferreira, Galeria dos Leões, Universidade do Porto, Porto, Portugal

2012: Comissário de It's not just about Rabbits and the Bears, da autoria de Maja Babic Kosir, Novembro, Galeria dos Leões, University of Oporto, Oporto.

2012: Coordenador e Comissário de Futuro, Não Futuro, Exposição Finalistas 2011, Palacete Pinto Leite, Porto, Portugal

2012: Comissário de Projeções 2012 (FBAUP), Lugar do Desenho - Fundação Júlio Resende, Porto, Portugal

2012 Comissário para Before We Die (David Penela, Maja Babic Kosir, Mariana a Miserável e José Cardoso), Abril, Galeria dos Leões, Universidade do Porto, Porto.

2012: Zootropio Video Festival, Lófte, Porto, Portugal

2011: Cocomissário e organizador de Exposição Finalistas 2011, Faculdade de Belas Artes da Universidade do Porto, Portugal

2005: Coordenador e Comissário para 100 Desenhos, com Jorge Marques e Paulo Luís Almeida, Maushábitos, Porto, Portugal e Convento Corpus Christi, Vila Nova de Gaia, Portugal

2004: Pintura Mural para Centro Médico, Braga, Portugal

2002: Texturas de Lugar – Projeto Multimédia com Jonathan Uliel Saldanha encomendado pelo Departmento de Geografia, Universidade do Minho, Guimarães, Portugal

2001: INT-EXT-INT – Instalação com Michele Gigante e Cristiano Bartolini, Maus Hábitos, Porto, Portugal

2001: Mausábitos 1930/2030, Projeto Utópico de Arquitetura com Teresa Aguiar e Nuno Malheiros, Maus Hábitos, Porto, Portugal

1990: Série, Edição desdobrável com Tiago Estrada e José Carlos Costa, Museu Nogueira da Silva, Braga, Portugal

1990: Projecto Secreto I, Instalação Multimédia concebida para R.A.T. (Research, Art & Technology), uma colaboração com Michael McCune, Hampden Gallery, Massachusetts, Amherst, USA

1986: Pintura Mural com Carlos Figueiredo e Tiago Estrada, Anikibóbó, Porto, Portugal

2001-2004: Comissário para Maus Hábitos, Porto, Portugal

2001: Autor e Comissário para In_bloc, um projeto multidisciplinar para Maus Hábitos, Portugal

1998: Diretor Artístico para a Enterprise, Produção de Eventos, Semana Académica, Universidade do Minho, Braga, Portugal

1988: Diretor Artístico para a Green Action Party, Ponta Delgada, São Miguel, Portugal

1988: Projecto Secreto II (5 Noites, 5 Sentidos), Projeto Multimédia para a EXPO 98, Sony Jumbo Trom, Lisboa, Portugal

1997: Diretor Artístico para Nocturno adaptação dos "Fragmentos de Novalis", Instituto de Arte Dramática, Teatro Municipal de Estarreja, Portugal

Artistas plásticos de Portugal

Pedro Maia (artista plástico)


Arnulfo de Soissons o Arnoldo de Oudenburg (Tiegem, Brabante, ca. 1040 - Oudenburg, 1087) fue un monje benedictino, sacerdote y obispo de Soissons. Es venerado como santo por la Iglesia católica.

Biografía

Arnuldo nació en el Brabante flamenco, hijo del caballero Fulbert. Hizo carrera militar hasta que se hizo benedictino en la abadía de Saint-Médard de Soissons. Pasó los tres primeros años como eremita y después fue nombrado abad en contra de su voluntad, pues se consideraba indigno del cargo, e incluso huyó del monasterio; según la leyenda, un lobo le obligó a volver. Ordenado sacerdote, hacia el 1080, fue obispo de Soissons, honor que también pretendió rehusar.

Se retiró a un monasterio cuando otro obispo ocupó la sede, y fundó la abadía de Sint-Peter en Oudenburg. (La abadía desapareció durante la Revolución francesa.) En ella comenzó a fermentar cerveza, bebida esencial en la zona en aquel tiempo, y animó a los campesinos a beber como "don de salud", ya que introdujo al proceso de fabricación el agua hervida, evitando así la transmisión de enfermedades. (La misma historia se narra sobre San Arnulfo de Metz, también patrón de los cerveceros.)

Veneración

Se le atribuyen milagros, la mayoría en su tumba, que fueron reconocidos por un concilio en Beauvais en 1121; sus reliquias se llevaron a la iglesia de Sint-Peter de Oudenburg en 1131. Su fiesta es el 8 de julio, aunque en el Martirologio romano consta como el 14 de agosto. Es el santo patrón de los cerveceros.

Notas

Enlaces externos
Arnulfo y otros patrones cerveceros

Benedictinos de Francia del siglo XI
Abades benedictinos
Religiosos de Flandes
Santos de la Comunión anglicana
Santos católicos de Bélgica del siglo XI
Obispos de Francia del siglo XI
Anacoretas de Francia
Flamencos del siglo XI
Benedictinos de Bélgica
Santos benedictinos
Obispos santos de Francia
Religiosos de Bélgica del siglo XI
Personas canonizadas por Calixto II

Arnulfo de Soissons


7699 Božek este un asteroid din centura principală de asteroizi.

Descriere
7699 Božek este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Observatorul Kleť de Antonín Mrkos. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 2,39 ua, o excentricitate de 0,16 și o înclinație de 5,7° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 7001-8000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 1989
Centura de asteroizi

7699 Božek


Gri ya da boz, kara ve ak renklerin değişik oranlarda karıştırılması ile oluşan bir renktir.

Gri renginin hex değeri "#808080", RGB değeri "128, 128, 128", ve CMYK değeri "0, 0, 0, 50" dir.

Kelimenin kökeni
Açık kül renginin adı olan gri de Fransızca "duman" anlamındaki "gris"ten gelmiştir. Türkçe boz sözcüğünün bir anlamı da gridir.

Kaynakça

Dış bağlantılar
 Boz(Türk Dili Dergisi'nde). Gri ile ilgili sözcüklerinin etimolojisi hakkında.

Renkler
Web renkleri

Gri


Nuneham House est une villa du  de style palladien, située dans un parc à Nuneham Courtenay dans l'Oxfordshire, en Angleterre. Elle appartient actuellement à l'Université d'Oxford et est utilisée comme centre de retraite par la Brahma Kumaris World Spiritual University. En septembre 2016, la maison et mille acres de parc et de terres agricoles environnantes, notamment le village de Nuneham Courtenay, sont mis en vente en trois lots distincts pour un total de  de livres sterling.

Histoire
La maison est construite en 1756 sur le site d'une propriété antérieure et du village environnant par  pour Simon Harcourt,  comte Harcourt. Les intérieurs sont conçus par James Stuart et Lancelot "Capability" Brown conçoit les terrains paysagers. Il s'agit d'un bâtiment classé Grade II*.

Lord Harcourt démolit le village d'origine de Nuneham Courtenay dans les années 1760 afin de créer un parc paysager autour de sa nouvelle villa. Il enlève le village existant dans son intégralité, le reconstruisant et détournant la route principale d'Oxford à Londres (maintenant l'A4074).

Dans les années 1760, Oliver Goldsmith est témoin de la démolition d'un ancien village et de la destruction de ses fermes pour défricher des terres pour devenir le jardin d'un homme riche. Son poème The Deserted Village, publié en 1770, exprime la crainte que la destruction des villages et la conversion des terres de l'agriculture productive en jardins paysagers ornementaux ne ruinent la paysannerie. Il donne à son village déserté le pseudonyme "Sweet Auburn", mais ne révèle pas le vrai village auquel il se réfère. Cependant, il indique que c'est à environ  de Londres et on pense généralement qu'il s'agissait de Nuneham Courtenay.

La maison est modifiée par Henry Holland en 1781-1782, notamment l'élévation des ailes. En 1789, le  comte Harcourt reconstruit le bâtiment "Carfax Conduit" dans une position bien en vue dans le parc. Il a dû être déplacé de Carfax au centre d'Oxford, où il constituait un obstacle à la circulation.

En 1904, après la mort de Sir William Harcourt, Nuneham House passe à son fils, Lewis Harcourt, connu par beaucoup sous le nom de "Loulou". Il épouse Mary Ethel Burns, une nièce du financier et banquier américain JP Morgan. Le domaine hérité par le jeune couple a besoin d'une rénovation majeure, ce qu'ils ne peuvent pas se permettre. Morgan accorde une ligne de crédit de  () auprès de sa banque londonienne pour sa nièce, dont il lui dit qu'elle n'avait pas besoin d'être remboursée. Les Harcourt utilisent ces fonds pour rénover les anciens bâtiments et terrains.

Pendant la Seconde Guerre mondiale, Nuneham House et son parc environnant sont réquisitionnés par le ministère de la Défense et deviennent RAF Nuneham Park, un PRIU ou unité d'interprétation de reconnaissance photographique. Des photographies prises par des avions de la RAF Benson et d'autres aérodromes au-dessus du territoire ennemi sont examinées ici par des officiers de la RAF ainsi que par de petits contingents de l'armée, de la Royal Navy et de l'USAAF. Des huttes Nissen et d'autres bâtiments plus grands sont érigés à côté du manoir, notamment un cinéma de camp auquel les villageois sont invités à assister. La station de la RAF continue après la guerre dans le même rôle jusqu'au milieu des années 1950, lorsque les bâtiments et les routes ajoutés sont démolis et que le domaine est rendu à la famille Harcourt, qui le vend à l'Université d'Oxford.

Le Harcourt Arboretum, qui fait partie de la collection d'arbres et de plantes du Jardin botanique de l'université d'Oxford, occupe une partie de ce qui était le terrain de Nuneham House.

Le parc paysager et les jardins d'agrément entourant la maison sont classés Grade I au Registre des parcs et jardins historiques .

Le domaine comprend l'ancien presbytère privé de deux étages, construit en 1759 à la limite nord par le premier comte. Il est classé Grade II en 1963 dans le cadre du "Nuneham Courtney Park and Garden".

Références

Liens externes

Monument classé de Grade II dans l'Oxfordshire

Nuneham House


Philip Charles Harris, Baron Harris of Peckham (born 15 September 1942), is an English businessman and politician. A prominent Conservative Party donor, Harris is a member of the House of Lords.

He is the sponsor of a large multi-academy trust, the Harris Federation.

Interests

Business

Harris is currently an advisor and shareholder of Tapi Carpets, a flooring retailer set up recently by a number of the old Carpetright management team. Harris was the Chairman of Carpetright plc and has over fifty years' experience in carpet retailing. Harris left Carpetright in 2014, sold all of his shares and he is no longer associated with the company.

He was chairman and chief executive of Harris Carpets. Harris Carpets acquired Queensway in 1977 to become Harris Queensway plc until the company was taken over in 1988.

Harris was also a non-executive director of Great Universal Stores plc for 18 years, retiring from the GUS Board in July 2004. Harris became a non-executive director of Matalan in October 2004.

Football
He was appointed to the board of Arsenal Football Club as a non-executive director in November 2005.

Equestrian interests
Harris is the co-owner of the horse Hello Sanctos, which won a gold medal with Scott Brash in the team show jumping event at the London 2012 Summer Olympics.

Harris and Lord Kirkham bought the horse for an estimated €2 million at the start of 2012.
They are also co-owners of the horses Hello Sailor, Hello Unique and Hello Boyo.

Politics

Conservative Party donations

Harris has been a donor to the Conservative Party since the 1980s and was a great admirer of Margaret Thatcher. He also made donations to David Cameron as leader of the Conservative Party and Michael Gove.

Comments on Theresa May
In a September 2017 interview with The Times he described Theresa May as very indecisive, hopeless during the general election campaign which she should have won easily, and leading a weak, directionless government.
Other comments made included his opposition to an expansion of grammar schools, May u-turning on too many decisions such as the so-called dementia tax, and the Home Office not reducing net migration to the tens of thousands as repeatedly promised. Harris spoke about potential candidates on who could succeed May as Conservative Party Leader.

Harris Federation academies

He has contributed extensively to education and as a result, many schools and colleges (such as Harris Manchester College, Oxford) bear his name.  Through the Harris Federation, many secondary schools in South London have received Harris donations.  In the London Borough of Croydon, he helped to found the Harris City Technology College, Harris Academy South Norwood and Harris Academy Merton, Harris Academy Purley, Harris Academy Chafford Hundred, Harris Academy Peckham although many local residents are angered that the original name of the Harris Girls' Academy East Dulwich, Stanley Technical High School, was dropped in place of the Harris name.

In recent years, the forced change to academy status has placed additional schools under the management of the Harris Federation despite considerable opposition from Boards of Governors and parents.

Personal life

Sunday Times Rich List

Harris ranked 206th in the Sunday Times Rich List, with an estimated wealth of £285m.

Honours
Harris was knighted in 1985. He was made a life peer as Baron Harris of Peckham, in the London Borough of Southwark on 11 January 1996.

His wife, Pauline, was created a Dame Commander of the Order of the British Empire (DBE) in 2004.

References

Harris of Peckham
British businesspeople
Arsenal F.C. directors and chairmen
Fellows of King's College London
Knights Bachelor
1942 births
Living people
Conservative Party (UK) donors
People associated with Harris Manchester College, Oxford
Life peers created by Elizabeth II

Philip Harris, Baron Harris of Peckham


الإتيربيوم عنصر كيميائي له الرمز Yb والعدد الذري 70 في الجدول الدوري وهو من اللانثانيدات.

المراجع

عناصر كيميائية
لانثانيدات
ماسخات محتملة

إتيربيوم


Stade de la Mosson Fransa'nın Montpellier şehrinde çok amaçlı olarak inşa edilen bir stadyum

Çoğunlukla futbol müsabakalarının yapıldığı stadyum, 31.250 seyirci kapasitelidir.

Fransa'daki stadyumlar
1998 FIFA Dünya Kupası stadyumları

Mosson Stadyumu


{{Infobox settlement
| name                            = Balikpapan
| official_name                   = City of Balikpapan
| native_name                     =
| settlement_type                 = City
| image_skyline                   =
| image_flag                      =
| image_shield                    = Coat of arms of Balikpapan.svg
| nicknames                       = id: Balikpapan Kota Beriman
(Balikpapan, City of Believers)
| motto                           = bjn: Gawi Manuntung Waja Sampai Kaputing
(Hard Work until Finish)
| anthem                          = Hymne Balikpapan"
| image_map1                      =
| map_caption1                    = Interactive Map of Balikpapan
| image_map                       = Lokasi Kalimantan Timur Kota Balikpapan.svg
| map_caption                     = Location within East Kalimantan
| pushpin_map                     = Indonesia_Kalimantan#Indonesia
| pushpin_label_position          = left
| pushpin_map_caption             = Location in Kalimantan and Indonesia
| coordinates                     =
| subdivision_type               = Country
| subdivision_name               =
| subdivision_type1               = Region
| subdivision_type2               = Province
| subdivision_name1               = Kalimantan
| subdivision_name2               =  East Kalimantan
| established_title               = Established
| established_date                = 10 February 1897
| government_type                 = City
| governing_body                  = City of Balikpapan Government
| leader_title                    = Mayor
| leader_name                     = Rahmad Mas'ud
| area_total_km2                  = 503.3
| area_land_km2                   =
| area_water_km2                  = 160.1
| area_water_percent              =
| elevation_m                     = 52
| elevation_ft                    =
| population_total                = 703611
| population_as_of                = mid 2022 estimate
| population_density_km2          = auto
| population_urban                =
| population_metro                =
| demographics_type1              = Demographics
| timezone                        = WITA
| utc_offset                      = +8
| timezone_DST                    =
| utc_offset_DST                  =
| demographics1_title1            =
| postal_code_type                = Postal Code
| postal_code                     =
| area_code                       = (+62) 542
| blank_name_sec1                 = HDI (2019)
| blank_info_sec1                 =  0.801 ()
| registration_plate              = KT
| blank_name_sec2                 = Airport
| blank_info_sec2                 = Sultan Aji Muhammad
Sulaiman Sepinggan International Airport
| website                         = balikpapan.go.id
| footnotes                       =
| leader_title2                   = Vice Mayor
| leader_name2                    = Vacant
| demographics1_info1             =
| demographics1_info2             = Islam 89.50% Protestanism 7.51% Catholic 1.78% Buddhism 0.95% Hinduism 0.12% Confucianism 0.01%  Others 0.01%
| demographics1_title2            =
| etymology                       = id: Balik (Behind) and Papan (Plank)
}}

Balikpapan is a seaport city in East Kalimantan, Indonesia. Located on the east coast of the island of Borneo, the city is the financial center of Kalimantan. Balikpapan is the city with the largest economy in Kalimantan with an estimated 2016 GDP at Rp 73.18 trillion. The city has the third busiest airport in Kalimantan after that in Banjarmasin and Pontianak, namely Sultan Aji Muhammad Sulaiman Sepinggan Airport. Port of Semayang was the second busiest seaport in East Kalimantan, after that in Samarinda.

With a population of 688,318 according to the 2020 census, and an official estimate of 703,611 as at mid 2022, Balikpapan is the second most populous city in East Kalimantan, after Samarinda. Balikpapan has been consistently ranked as the most liveable city in Indonesia. However in 2022, Balikpapan conceded this to Samarinda.

Balikpapan was originally a fishing village built by Buginese people in the 19th century. The first oil drilling began in Balikpapan on 10 February 1897, which was later set as the anniversary of the city. In 1899, the Dutch East Indies colonial administration granted a township status to Balikpapan. In 1907, Bataafsche Petroleum Maatschappij (BPM) made the city as its headquarters and imported skilled laborers, engineers, and managers from overseas. Subsequently, numerous multi-national companies came to Balikpapan to invest in the oil industry. This resulted in the economic boom of Balikpapan and attracted many migrants and expatriates.

During World War II, the Empire of Japan occupied the city in 1942, as part of the occupation of the Dutch East Indies, and it was bombed by the Allies in first Balikpapan Battle in 1942 and second battle in 1945. The battles impacted critical infrastructure, including the oil refinery stations and seaport which were completely burned to the ground. Upon Indonesia's independence, BPM extended its activities in Balikpapan until 1965 when Pertamina, the Indonesian state-owned oil company, took control over the ownership of BPM and its oil exploration activities.

Etymology and nicknames
There are several popular stories and legends explaining the origin of Balikpapan:

 The 10 pieces of board returned to Jenebora from the 1,000 pieces requested by the Sultan of Kutai as donations of building materials for the construction of the New Kutai Palace. The ten boards that were returned were referred to by the people of Kutai as Balikpapan Tu. So that the area along Balikpapan Bay, precisely in Jenebora is called Balikpapan.
 Tribe of Pasir Balik (native people of Balikpapan) is a descendant of grandfather and grandmother named Kayun Kuleng and Papan Ayun. So that the area along Balikpapan Bay by its descendants is called Kuleng-Papan or means Balikpapan (in Paser, Kuleng means Balik).
 In other legends it is also mentioned the origin of Balikpapan, namely from a daughter who was released by her father a king who did not want his daughter to fall into the hands of the enemy. The daughter who was still a toddler was tied up on several pieces of board in a state of lying. Because it was carried away and hit by waves, the board was reversed. When the board was stranded on the shore found by a fisherman and so it turned out that there was a daughter who was still bound. It is said that the princess was named Putri Petung who came from the Kingdom of Sand. So that the area where it was found was called Balikpapan.

The city has had several nicknames throughout its history such as the Oil City, City of Believers (Kota Beriman), which uniquely "BERIMAN" word is acronym from: BERsih (clean), Indah (magnificent), dan nyaMAN (comfortable).

History

Before the oil boom of the early 1900s, Balikpapan was an isolated Bugis fishing village. Balikpapan's toponym (balik = "behind" and papan = "plank") is from a folk story in which a local king threw his newborn daughter into the sea to protect her from his enemies. The baby was tied beneath some planks that were discovered by a fisherman. An alternative story is that, at the time of the Kutai sultanate, Sultan Muhammad Idris sent 1000 planks to aid the Paser Kingdom to build a new palace. The planks were shipped from Kutai to Paser along the Borneo shoreline by roping all the planks together. 10 out of the 1000 planks that were originally shipped resurfaced in a place currently called Balikpapan.

Oil development
On 10 February 1897, a small refinery company, Mathilda, began the first oil drilling. Building of roads, wharves, warehouses, offices, barracks, and bungalows started when the Dutch oil company Bataafsche Petroleum Maatschappij (BPM) arrived in the area.

Second World War

On 24 January 1942, a Japanese invasion convoy arrived at Balikpapan and was attacked by four United States Navy destroyers that sank three Japanese transports. The Japanese army landed and met with no opposition by the Dutch troops, which had been ordered to evacuate after destroying the oil installations. In responds to this, the Japanese massacred 78 Dutch POWs and civilians.

Royal Australian Air Force (RAAF) intelligence determined that half of all lubricating oils used by the Japanese military and 60 percent of all their aviation fuel came from refineries in Balikpapan, and it was therefore an extremely important target. The American 380th Bombardment Group under the command of the RAAF, including the famous B-24 Liberator Shady Lady, attacked the oil refineries in August 1943 from Darwin, Australia. Amazingly, there were no aircraft losses, despite the crash landing and subsequent repair of the Shady Lady.

In September and October 1944, the 5th and 13th Air Forces under the command of General George Kenney launched a series of five raids from Morotai and  Noemfoor Islands. Kenney was a strong advocate for using the powerful B-29 Superfortress for this raid but was forced to use the B-24 Liberator instead. Unbeknownst to the Allied forces, the Japanese Air Force had conserved many of its dwindling numbers of fighters to protect the important oil refineries. The first two raids did not have fighter cover and suffered severe losses.

The 1945 Battle of Balikpapan concluded the Borneo campaign and Allied forces took control of Borneo island. Extensive wartime damage curtailed almost all oil production in the area until Royal Dutch Shell completed major repairs in 1950.

CIA air raid
In 1958, the CIA attacked Balikpapan and stopped oil exports. The US was running a CIA covert mission to undermine President Sukarno's government by supporting right-wing rebels in Indonesia. The CIA, Taiwan and the Philippines had provided the Permesta rebels in North Sulawesi with an insurgent air force, the Angkatan Udara Revolusioner (AUREV). On 28 April 1958, a CIA pilot, William H. Beale, flying a B-26 Invader bomber aircraft that was painted black and showing no markings, dropped  of four bombs on Balikpapan. The first damaged the runway at Sultan Aji Muhammad Sulaiman Airport, the second set the British oil tanker  on fire and sank her and the third bounced off the British tanker  without exploding. Beale's fourth bomb set on fire and sank the Indonesian Navy  KRI Hang Tuah, killing 18 crew and wounding 28. Before attacking Hang Tuah, Beale also machine-gunned the oil pipes to Shell's wharf.

The CIA had orders to attack unarmed foreign merchant ships in order to drive foreign trade away from Indonesia and weaken its economy, with the intention of undermining Sukarno's government. The day before attacking Balikpapan, Beale had also damaged a Shell complex at Ambon, Maluku. His Balikpapan raid succeeded in persuading Shell to suspend tanker services from Balikpapan and withdraw shore-based wives and families to Singapore. However, on 18 May Indonesian naval and air forces off Ambon Island shot down an AUREV B-26 and captured its CIA pilot, Allen Pope. The US immediately withdrew support for Permesta, whose rebellion rapidly diminished thereafter.

Subsequent history
Shell continued operating in the area until Indonesian state-owned Pertamina took it over in 1965. Lacking technology, skilled manpower, and capital to explore the petroleum region, Pertamina sublet petroleum concession contracts to multinational companies in the 1970s.

With the only oil refinery site in the region, Balikpapan emerged as a revitalized center of petroleum production. Pertamina opened its East Borneo headquarters in the city, followed by branch offices established by other international oil companies. Hundreds of laborers from Indonesia, along with skilled expatriates who served as managers and engineers, flocked into the city.

Geography

Topography
Topography of Balikpapan is generally hilly (85%), with only small areas of flat land (15%), mostly along the coast and surrounding the hilly areas. The hills are less than  higher than the adjacent valleys. The altitude of Balikpapan ranges from 0 to  above sea level. The city proper itself is located on eastern side of Bay of Balikpapan.

Most of the soil in Balikpapan contains yellow-reddish podsolic soil and alluvial and quartz sand, making it extremely prone to erosion.

Climate
Balikpapan features a tropical rainforest climate (Af) as there is no real dry season in Balikpapan. The city sees an average of  of rain per year. Balikpapan generally shows little variation in weather throughout the course of the year. The city does not have significantly wetter and drier periods of the year and average temperatures are nearly identical throughout the course of the year, averaging about  throughout the year.

Ecology

In Wain River Protection Forest, which is the main water catchment area and habitat for endangered species of Borneo, the community begins to encroach on how to burn it so that during the dry season some areas become barren and damage 40%. The area of Wain River forest reaches , slowly but surely continues to decrease, leaving  with forest conditions that are still good at only 63 percents. Residents around looked for wood to cook in the forest even though the surrounding area had been lined with wire. Previously between 2000 and 2001, illegal logging occurred in 10 to 15 points in the Wain River forest, and in 2009 this forest was hit by a fire along with the Manggar River forest which made  of forest area engulfed in fire. The threat of coal mining from the surrounding area which provides mining permits such as Paser and Kutai Kartanegara also disrupts the border ecosystem of Wain River forest.

The urban forest in Telagasari, which was inaugurated in 1996 with an area of , has now shrunk to just around . The forest in the middle of this city has been surrounded by residential areas. The protected forest of the Manggar River also suffered considerable damage, which is around 60%. The reservoirs in this forest are also threatened because coal mining fields and brick mills were set up so close that there was siltation of reservoir water. The majority of those who founded it were even known to be immigrant communities. In addition, the construction of the Samarinda-Balikpapan toll road planned by the East Kalimantan government which divides the forest for 8 kilometers across the reservoir could damage the quality of the clean water reserve in Balikpapan.

Forest damage resulted in Balikpapan being easily hit by floods and landslides when it was hit by heavy rains. Clean water supply is also decreasing because water absorption is narrowing, erosion is easily to occur and sediment from mining sites that flow into the river worsens and lowers reservoirs, coupled with Balikpapan conditions has few rivers and less fertile land. The population of the Balikpapan's mascot, the sun bear is fewer and only 50 are left. This is due to coal mining which narrows the habitat of sun bears, so its are reluctant to reproduce. In addition to sun bears, other Balikpapan animals that are declared endangered are proboscis monkeys, borneo gibbon, bornean orangutans, pangolin and otter civet. Whereas extinct animals in Balikpapan are Bornean Banteng (Bos javanicus lowi).

Administrative divisions
Balikpapan is bordered by Kutai Kartanegara Regency to the North, by the Makassar Strait to the South and East, and by Penajam North Paser Regency to the West. The city is divided into 6 districts (kecamatan) subdivided into 34 urban villages (kelurahan) tabulated below with their 2010 and 2020 Census populations, together with the official estimates as at mid 2022.

Demographics
During the Suharto dictatorship Balikpapan achieved unprecedented economic growth by attracting foreign investments, particularly in the exploitation of natural and mineral resources. The policy was heavily criticized for uncontrolled environmental damage and corrupt bureaucrats and politicians, but it significantly boosted urban development in resource-rich cities. In the 1970s Balikpapan experienced 7% population growth annually, while exports of timber and petroleum increased dramatically.

The indigenous tribe of Balikpapan is the Balik ethnic group which is a minority. Based on its origin, migrants come from neighbouring islands such as Java, Madura and Sulawesi. Residents mainly from ethnic migrants who have long settled in Balikpapan, namely from the ethnic Banjar, Bugis, Makassar, and Javanese. Other migrants including ethnic Minahasan, Gorontaloan, Madurese, and Sundanese. At the beginning of June 2014, the population reached 684,339 people with the number of arrivals during 2012 of 21,486 people, the highest number in the past three years. The number of migrants was able to exceed the number of newcomers who entered in Singapore in the same year which was as many as 20,693 inhabitants. The highest number of arrivals came from Java, which was 30%, then followed by Banjar and Bugis each by 20%, Toraja by 11%, Madura by 8%, Buton by 7% and Betawi by 4%.

Indonesian Most Liveable City
Based on Indonesian Most Liveable City Index which measured 27 indicators in every 2 years, Balikpapan is the best city for living in 2013 and toppled Yogyakarta as the best in 2011 and 2009. Balikpapan mainly maintained city management aspects and environment wellbeing. As part of the Earth Hour City Challenge, the city of Balikpapan, Indonesia was recognized as the Most Loveable City for 2015. In 2016, Balikpapan was nominated for the second time as the most lovable and sustainable city, pending final judgement. However, in 2022, Balikpapan no longer in the top 10, leaving Samarinda in top spot.

Economy

Some multinational corporations operate in East Borneo. Companies including Baker Hughes (US), ChevronTexaco (US), Halliburton (US), Pertamina (Indonesia), Schlumberger (France), Thiess (Australia), TotalEnergies (France) and Weatherford International (US) use Balikpapan as their base of operations in the region. Governmental public services including Bank Indonesia, the Finance Department, Angkasa Pura 1, the Port of Semayang, and several others also attract many people to work in this area.

Balikpapan has been chosen as the site of some important governmental agencies such as Komando Daerah Militer VI Tanjungpura and Kepolisian Daerah Kaltim.

Balikpapan oil refinery is on the shore of Balikpapan Bay and covers an area of . Founded in 1922, it is the oldest refinery in the area. The Allies destroyed it in the Second World War and Shell re-built it in 1950. The refinery has two subunits, Balikpapan I and Balikpapan II.

Balikpapan I has two raw oil refinery units that produce naphtha, kerosene, gasoline, diesel fuel, and residue and one high-vacuum unit that produces  of paraffin oil distillate (POD), used as raw material for wax factories. The wax itself has various grades and is sold domestically and internationally.

Opened on 1 November 1983, Balikpapan II has a hydro-skimming and hydro-cracking refinery and produces petrol, LPG, naphtha, kerosene, and diesel fuel.

Indonesian government and their Pertamina planning as for 2017 expanding the oil refinery including the area of Persiba Balikpapan FC (old) stadium and Pertamina residents near the refinery. Balikpapan's former mayor Rizal Effendi ask for primarily using Balikpapan peoples as worker that Pertamina needed up to 20.000 new employers.

Tourism
As a coastal city, Balikpapan has many beaches, including Manggar Beach, Segara Beach, Monument Beach, Kemala Beach, and Brigade Mobile Beach near the police academy. Melawai Beach is the most popular for local citizens.

Balikpapan is a departure point for nature tourism. Wain River Protected Forest, a Balikpapan natural reserve covering 10,000 hectares and also the habitat to a number of endangered animals, like the Beruang Madu (honey bear) which are sun bears endemic to the area, Orangutans and Proboscis monkeys or Bekantan. Wain river reserve, moreover, houses a number of endangered plants. Near Balikpapan is also a crocodile farm called Teritip, in Lamaru.

There is also a well-known forest site which has been developed for visitors at Bukit Bangkirai rainforest, about 45 minutes by car from Balikpapan.

A mangrove forest at Kariangau is a worthwhile tourist attraction at Balikpapan. There are still some Japanese artillery sites from World War II, and there is a military monument at Kampung Baru.

Balikpapan Botanical Garden
It is the first Botanical Garden in Kalimantan as a part of Hutan Lindung Sungai Wain (Wain River Conservation Forest) with total area  and still has orangutan, sunbear, deer, and some endemic species of Kalimantan birds. Balikpapan Botanical Garden, which is located at kilometer 15 on Jalan Soekarno Hatta, was officially opened on 20 August 2014. It has 1,200 types of lowland hardwood trees, covers  and is known as the "green open space" of the city. At the opening ceremony, Forestry Minister Zulkifli Hasan expressed the hope that the Botanical Garden would rival Gardens by the Bay in Singapore.

Shopping
As one of the fastest developing cities in the nation, Balikpapan has been supported by the rise of shopping centers. There are six major shopping malls in town which are Plaza Balikpapan, Balikpapan Superblock, Pentacity Mall Balikpapan, Balcony City, Mall Fantasy in Balikpapan Baru, and Plaza Kebun Sayur.

Transport

Airport

Balikpapan is served by Sultan Aji Muhammad Sulaiman Airport, which was previously known as Sepinggan airport. The airport has capacity to serve 10 million passengers per year, as well as immigration, passenger convenience, company reps offices, restaurants, shopping and many others. The airport is equipped with 11 aerobridges and four-level parking garages.

Seaports
There are several public and private sea ports located at Balikpapan Bay. Semayang seaport serves commercial boats to many destinations to Indonesia including Jakarta, Makassar, Manado, Pare Pare and Surabaya. In the 1990s maritime transport was very popular. Today, due to more affordable and efficient airplane travel, more people choose to fly. Taking the ferry is a main choice for traveling to Penajam. Kariangau Seaport was built to serve containers and all other industrial needs. It is located in km.13, as part of Kariangau Industrial Estate.

Public transport
There are various kinds of local transport, including angkot, ojek, taxicabs and shuttle bus service. Online transportation are also available.

Bus terminal
There is main bus terminal is Terminal Batu Ampar (located in Batu Ampar, Balikpapan Utara) and one of major destination rute is Samarinda.

Balikpapan-Samarinda Toll Road
Balikpapan is connected by Trans-Kalimantan Highway Southern Route. From Balikpapan to Samarinda, the highway runs in parallel with the first controlled-access expressway in Borneo, the Balikpapan–Samarinda Toll Road was operational by the beginning of 2020 in section 2–4, and opened in section 1 and 5 in May 2021.

Notable people

 Hefri Olifian, actor and model (played Ustadz Addin in the soap opera Lorong Waktu'' seasons 3 to 6)
 Bima Sakti, former National Footballer and coach of Indonesia national under-17 football team
 Mr. Gamayel, Police Officer and Comic 3rd-place winner of Stand Up Comedy Indonesia edition 6
 , Indonesian rapper, singer and actor
 , reform hero and student of Trisakti University, who was a victim of Trisakti shooting
 , former Indonesian footballer

Notes

References

External links

 JoTravelGuide.com  – A comprehensive up to date travel guide to Balikpapan

Cities in East Kalimantan

Balikpapan


Boniface Choi Ki-san (coreano 최기산, Kyeonki, Coréia do Sul, 16 de maio de 1948 - 30 de maio de 2016) foi bispo de Incheon.

Bonifácio Choi Ki-san recebeu o Sacramento da Ordem em 6 de dezembro de 1975.

Em 29 de outubro de 1999, o Papa João Paulo II o nomeou Bispo Coadjutor de Incheon. O Bispo de Incheon, William John McNaughton MM, o consagrou em 27 de dezembro do mesmo ano; Os co-consagradores foram o Bispo de Cheongju Gabriel Chang Bong-hun e o Bispo Militar da Coreia Peter Lee Ki-heon. Em 25 de abril de 2002, Boniface Choi Ki-san tornou-se bispo de Incheon, sucedendo William John McNaughton MM, que renunciou por motivos de idade.

Em 9 de novembro de 2002 foi nomeado como membro do Pontifício Conselho para o Diálogo Inter-Religioso.

Ver também

Bispos católicos da Coreia do Sul

Boniface Choi Ki-san


Frano (Vinkov) Maroević, Frano V. Maroević (Stari Grad, 4. listopada 1908. — 6. ožujka 1939.), hrvatski pomorski pisac i publicist i književnik. Zbog bogata opusa i stručna doprinosa hrvatskom pomorstvu uvršten je u Pomorsku enciklopediju. Smatra ga se jednim od najtalentiranijih mladih ljudi i stručnjaka javnog života u razdoblju između dvaju svjetskih ratova. Sinovac je kulturnog radnika, profesora matematike i fizike i književnika Frane.

Životopis
Rodio se je u Starom Gradu na Hvaru u poznatoj obitelji brodovlasnika i pomoraca koja je održavala trgovačke veze s mnogim sredozemnim zemljama. Nakon osnovne upisao je klasičnu gimnaziju. U Zagrebu je studirao pravo. Već kao studentu izašli su mu prvi članci na temu pomorske problematike. Tijekom studija i nakon njega otišao je na daleka putovanja. Diplomiravši zaposlio se je u ondašnjoj Direkciji pomorskog saobraćaja. Zatim je bio tajnik Radničke komore. Doktorirao je i u Engleskoj specijalizirao pomorsko pravo. Namjeravao se je baviti temama brodskih havarija. Iza sebe ostavio je bogat publicistički i književni rad. Osim kao pisac, angažirao se na području udruživanja brodovlasnika kao i pomoraca. Supokretačem je Udruženja brodovlasnika motornih brodova, kojem je poslije bio tajnik. Također nije zapustio ni socijalnu sastavnicu radništva u pomorsokj struci. Radi poboljšanja socijalnog položaja pomoraca, zalagao se je za izgradnju pomorskih domova, zakonsko normiranje starosnog i invalidskog osiguranja pomoraca, kao i uvjeta rada. U svijetu je stekao ugled pa su ga delegirali za Međunarodnu tripartitnu tehničku konferenciju u Ženevi 1935. godine. Aktivan u kulturnom i javnom životu grada Splita. Sudjelovao na književnim večerima, predavanjima, član više splitskih društava (Jadranska straža) i ostalo. Godine 1928. zajedno sa Zvonkom Krstićem pokrenuo je tjednik Suvremene vidike. Iznenadna smrt prekinula ga je u daljnjem radu. Umro je 6. ožujka 1939. godine.

O životu i radu Frane V. Maroevića veliku monografiju su 2020. objavile akademica HAZU Hrvojka Mihanović-Salopek i povjesničarka umjetnosti i pedagogica Jeniđe Maroević-Kulaga naslova  Maritimne sfere Frane V. Maroevića.

Spisateljski rad
Članke je objavio u nizu dnevnih listova i časopisa kao što su Jadranski Lloyd, Novo doba, Hrvatski glasnik, Hrvatski pomorac, Jadranski dnevnik, Jadranska straža i inima iz Splita, Jugoslavenski Lloyd i još nekim listovima iz Zagreba) te u beogradskim dnevnicima Vreme, Život i rad, Socijalni arhiv i dr.). Još kao školarac radovi su mu izašli u dnevniku Novom dobu i reviji Jadranskoj straži i inima. Nadahnuća je nalazio u pričama oca i djeda, obojica kapetana škunera, kao i u vlastitim pomorskim zgodama.
Godine 1922. uredio je Spomen knjigu o Petru Hektoroviću Starograđaninu (1487-1572) : prigodom 350-godišnjice njegove smrti i otkrića spomen-ploče na Tvrdalju Objavio je brošuru Starigrad (u izdanju Društva za poljepšavanje i unapredjenje Starogagrada, 1929.), uredio Tjedan naših jedara : 23 -29 jula 1930. jedriličarskog kluba Labuda (1930.).

Znanstveni interes
Proučavao je pomorsko tržište. Izučavao je položaj domaće trgovačke mornarice, osobito malih brodova. Najviše se je zanimao za pomorsko-pravnu problematiku u svezi s pomorskim havarijama. U Radovima Instituta HAZU u Zadru godine 1968. objavljen mu je posmrtno članak Dva procesa u Hvarskoj komuni

Književni rad
Napisao je novele, putopise, pjesme i drame. Zanimao se je za raznolika područja od povijesti, arheologije, umjetnosti, botanike, a svima je zajednička crta njegova strast za morem i pomorskim životom, što se sve pretočilo u njegov književnički rad.

Objavio je Jeniđe : pripovijest iz carigradskog života (1927.). U Čakavskoj riči izašla mu je posmrtno pomorska novela Posljednje putovanje (1993.) Ističe se i novela Razbojnici zaljeva Bukindro.

Izvori

Vanjske poveznice
Digitalizirani članci Frane Vinkova Maroevića Metelgrad.

Životopisi, Stari Grad
Hrvatski publicisti
Hrvatski dramatici
Hrvatski novelisti
Hrvatski pjesnici
Hrvatski putopisci
Hrvatski pravnici
Pomorsko pravo

Frano Vinkov Maroević


Peter Heusch (* 9. März 1938 in Halle; † 13. April 2014 in Frankfurt am Main) war ein deutscher Schauspieler, Regisseur, Rundfunkautor, Hörspielsprecher und Synchronsprecher.

Leben
Heusch wuchs im Allgäu auf, ließ sich in Hannover zum Schauspieler ausbilden und war seit 1964 als Schauspieler in Theater und Fernsehen tätig.

Unter anderem war er in den Krimiserien Ein Fall für zwei (1987, 1989) und Tatort: Der kalte Tod (1996) zu sehen. Im Theater trat er unter anderem bei den Münchner Kammerspielen auf, ehe er ab 1982 als Regisseur und Autor für verschiedene Theater arbeitete. Ab 1987 war Heusch Rundfunkautor. Zudem arbeitete er als Regisseur und Sprecher bei den Sendern NDR, HR, SWR, WDR, ZDF, ARTE und 3sat. So fungierte er als Erzähler in der Dokumentationsserie Hitlers Frauen. Als Synchronsprecher war Heusch in dem Film Auf den Spuren von Batman zu hören.

Fast 20 Jahre lang las Heusch in Peter Härtlings Sendung Literatur im Kreuzverhör auf hr2-kultur Auszüge aus den Werken vor, die Gegenstand der literarischen Rätsel waren. Dreizehn Jahre lang las er im Literaturhaus Frankfurt den vollständigen Roman Auf der Suche nach der verlorenen Zeit von Marcel Proust. Zudem war er in Videospielen wie Ratchet & Clank (als Clank), Die Siedler, Stronghold 1 sowie Stronghold Crusader, Gothic 1, 2 und 3 und als Erzähler in den Spongebob-Schwammkopf-Hörspielen zu hören.

Ab 1988 war Heusch Dozent für Sprache an der Hochschule für Musik und Darstellende Kunst Frankfurt am Main. Seit 1994 übte er diese Tätigkeit auch am Sprachinstitut II der Johann-Wolfgang-Goethe-Universität Frankfurt am Main sowie am Institut für Angewandte Theaterwissenschaft der Justus-Liebig-Universität Gießen aus.

Heusch lebte zuletzt in Frankfurt am Main, wo er im Alter von 76 Jahren verstarb.

Hörspiele
 1974: Tankred Dorst: Auf dem Chimborazo – Regie: Ulrich Gerhard (Hörspiel (Kunstkopf) – BR/RIAS Berlin/SDR)

Weblinks

Einzelnachweise

Theaterschauspieler
Filmschauspieler
Synchronsprecher
Hörspielsprecher
Theaterregisseur
Deutscher
Geboren 1938
Gestorben 2014
Mann

Peter Heusch


අයනයක් () යනු, පරමාණුවක මුළු  ඉලෙක්ට්‍රෝන ගණන එහි  මුළු ප්‍රෝටෝන ගණනට සමාන නොවීම නිසා,  එයට දළ ධන හෝ සෘණ හෝ විද්‍යුත්මය ආරෝපණයක් ලබා දී ඇති  පරමාණුවක් හෝ අණුවකි.

භෞතික හෝ රසායනික හෝ ක්‍රම වලින් අයන තැනිය හැකි වෙයි. රසායනික භාවිතයෙහිදී, උදාසීන පරමාණුවක්  විසින්, එකක් හෝ වැඩි ගණනක් ඉලෙක්ට්‍රෝන අහිමි කර ගනී නම්, එය වෙත දළ ධන ආරෝපණයක් හිමි වන අතර එවැන්නක්  කැටායනයක් ලෙසින් හැඳින්වෙයි. පරමාණුවක් විසින් ඉලෙක්ට්‍රෝන ග්‍රහණය කර ගනී නම්, එය වෙත දළ සෘණ ආරෝපණයක් හිමි වන අතර එවැන්නක් ඇනායනයක් ලෙසින් හැඳින්වෙයි. තනි පරමාණුවක් සහිත අයනයක් පරමාණුක හෝ  ඒකපරමාණුක අයනයක් වෙයි; එය පරමාණු දෙකකින් හෝ වැඩි ගණනකින් සමන්විත වෙයි නම්, එය අණුක හෝ බහුපරමාණුක අයනයක් වෙයි.

වායුවක් වැනි මාධ්‍යයක් භෞතික වශයෙන් අයනීකරණය කිරීමේදී, අයන ගැටීම නිසාවෙන් "අයන යුගල" ලෙසින් හඳුන්වන්න තැනෙන අතර එක් එක් යුගලය සමන්විත වන්නේ නිදහස් ඉලෙක්ට්‍රෝනයක් සහ ධන අයනයකිනි.

අනායන සහ කැටායන

ප්‍රෝටෝනයක් වෙත ඇති විද්‍යුත් ආරා්පණය විශාලත්වය අතින් ඉලෙක්ට්‍රෝනයක ආරෝපණයට සමාන බැවින්, අයනයක් වෙක ඇති දළ විද්‍යුත් ආරෝපණය, එහි ඇති ප්‍රෝටෝන ගණන සෘණ ඉලෙක්ට්‍රෝන ගණනට සමාන වෙයි.

"ඉහළ" යන අදහස දෙන,  ἄνω (ඇනෝ) යන ග්‍රීක වචනයෙන් බිඳී එන, ඇනායනයක් (−) යනු, ප්‍රෝටෝන වලට වඩා ඉහළ සංඛ්‍යාවක් ඉලෙක්ට්‍රෝන තිබීම නිසා, දළ  සෘණ ආරෝපණයක් (ඉලෙක්ට්‍රෝන සෘණ ආරෝපිත සහ ප්‍රෝටෝන ධන ආරෝපිත නිසා) සහිත අයනයකි.

"පහළ" යන අදහස දෙන, κατά (කැටා) යන ග්‍රීක වචනයෙන් බිඳී එන, කැටායනයක් (+) යනු , ප්‍රෝටෝන වලට වඩා පහළ සංඛ්‍යාවක් ඉලෙක්ට්‍රෝන තිබීම නිසා, දළ  ධන ආරෝපණයක් පවතින අයනයකි.

බහු ගුණ සංඛ්‍යාවක් ආරෝපණ පවතින අයන සඳහා අමතර නම් පවතියි.  නිදසුනක් ලෙසින්, −2 ආරෝපණයක් පවතින අයනයක් හැඳින්වෙන්නේ ද්වීඇනායනයක් ලෙසින් වන අතර +2 ආරෝපණයක් පවතින අයනයක්  ද්වීකැටායනයක් ලෙසින් හැඳින්වේ.  ද්වීකායනයක් යනු අණුව තුල වෙනස් තන්හී ධන සහ සෘණ ආරෝපණ පවතින උදාසීන අණුවකි.

සොයාගැනීමේ ඉතිහාසය
අයනය  යන්නට ඉංග්‍රීසි පදය වන අයන් යන වචනය, ιεναι, ienai, "යෑමට" යන්නෙහි මිශ්‍ර ක්‍රියාව වන ග්‍රීක ιον (යාම) යන්නෙන් බිඳී එයි. එක්  ඉලෙක්ට්‍රෝඩයක්  වෙතින් අනෙකකට ජලීය මාධ්‍යයක් තුලින් යන  එකල-නොහඳුනන විශේෂිතය සඳහා 1834දී ඉංග්‍රීසි භෞතික විද්‍යාඥ සහ රසායන විද්‍යාඥ මයිකල් ෆැරඩේ විසින් මෙම පදය හඳුන්වාදෙන ලදි.  මෙම විශේෂිතයන්ගේ ස්වභාවය ෆැරඩේ විසින් නොදැන සිටි නමුදු, එක් ඉලෙක්ට්‍රෝඩයක් වෙතෙහි ලෝහ දියවී ද්‍රාවණයට එක් වන බවද, ද්‍රාවණය වෙතින් නව ලෝහයක් අනෙක් ඉලෙක්ට්‍රෝඩය වෙතෙහිදී පැමිණෙන බවද දැන සිටි හෙතෙම, එක් තැනක සිට තවත් තැනකට පදාර්ථය ගෙන යමින්, කිසියම් ආකාරයක ද්‍රව්‍යයක් ධාරාවක ස්වභාවයෙන් ද්‍රාවණය තුලින් ගමන් කරන බැව් දැන සිටියේය.

සෘණ ආරෝපිත අයනයකට ඇනායනය යන වචනයද, ධන ආරෝපිත අයනයකට කැටායනය යන වචනයද ෆැරඩේ විසින් හඳුන්වා දුනි. ෆැරඩේගේ නාමකරණයට අනුව, ගැල්වානික උපකරණයක කැතෝඩය වෙත ආකර්ෂණය වන නිසා කැටායන වලට එම නමද  ආනෝඩය වෙත ආකර්ෂණය නිසා ඇනායන වලට එම නමද ලැබුණි.

ගුණාංග
ඔවුන්ගේ වායු-වැනි තත්ත්වයෙහිදී අයන අතිශයින් සක්‍රීය වන අතර, ගිනි දැල්, අකුණු, විදුලි පුළිඟු, සහ අනෙකුත් ප්ලාස්මාවන්හිදී හැර, පෘථිවිය මත විශාල ප්‍රමාණ වලින් ඇති නොවෙයි. මෙම වායු-වැනි අයන විගසින් ප්‍රතිවිරුද්ධ ආරෝපණ අයන හා ප්‍රතික්‍රියා කරන්නේ උදාසීන අණු හෝ අයනික ලවණ තැනීමටය. ලවණ වර්ග ද්‍රාවක (නිදසුනක් වශයෙන්, ජලය) සමග අන්තර්ක්‍රියා කරමින් "ද්‍රාවක අයන" සදන විටදී, ද්‍රව සහ ඝණ අවස්ථාවෙහි පවතින අයන තැනෙන අතර, ද්‍රවය සමග අන්තර්ක්‍රියා සිදුකිරීම සඳහා එකිනෙක වෙතින් අයන ඈත් වීම හා සම්බන්ධ ශක්ති හා   එන්ට්‍රොපි වෙනස්කම් වල සංකලනයක් වන හේතු කරුණු නිසා ඒවා වඩාත් ස්ථායි වෙති.  මෙම ස්ථායී විශේෂිතයන් සාමාන්‍ය වශයෙන් අඩු උෂ්ණත්ව පරිසරයන්හී දක්නට ලැබේ. සුලබ නිදසුනක් වන්නේ, මුහුදු ජලයේ දක්නට ඇති, ද්‍රාව්‍ය අයන වලින් ව්‍යුත්පන්නව ඇති,  අයන වෙයි.

සියළු අයන ආරෝපිත වන අතර, එයින් ගම්‍ය වන්නේ ආරෝපිත සියළු වස්තූන් මෙන්ම, ඒවාද:
විරුද්ධ ආරෝපණ වලට (සෘණ වෙත ධන, සහ සහ ප්‍රතිලෝම වශයෙන්) ආකර්ෂණය වෙති,
 සමාන ආරෝපණ වලින් විකර්ෂණය වෙති
 චලනය වන විට,  චුම්බක ක්ෂේත්‍රයකින් උත්ක්‍රමය කල හැකි පථයන්හී ගමන් කරති.

එහි කුඩා ප්‍රමාණය සහ පදාර්ථ තරංග ලෙසින් එහි අවකාශ-පිරවීමේ මහත් ගුණාංගය නිසා, කුමන හෝ ප්‍රමාණයක ඉලෙක්ට්‍රෝන අඩංගු පරමාණු සහ අණුවල විශාලත්වය තීරණය කිරීම ඉලෙක්ට්‍රෝන විසින් සිදු කෙරෙයි. එමනිසා, ඇනායන (සෘණ ආරෝපිත අයන) එහි පිතෘක අණුව හෝ පරමාණුවට වඩා විශාල වන්නේ, අතිරික්ත ඉලෙක්ට්‍රෝන (ය) එකිනෙක විකර්ෂණය කරන නිසා සහ, එහි  ඉලෙක්ට්‍රෝන වලාවේ ප්‍රමාණය විසින් එහි විශාලක්වය තීරණය කරන නිසා, අයනයේ භෞතික විශාලත්වය අධික වීම සිදු වන බැවිනි. මෙම හේතුව නිසා පොදු ලෙසින්, අදාල පිතෘක පරමාණු හෝ අණුවලට වඩා කැටායන කුඩා වන්නේ ඉලෙක්ට්‍රෝන වලාවේ කුඩා විශාලත්වය නිසාය. එක් සුවිශේෂී කැටායනයක් (හයිඩ්‍රජන් හී) ඉලෙක්ට්‍රෝන රහිත වන අතර, එම නිසා පිතෘක හයිඩ්‍රජන් පරමාණුවට වඩා  බෙහෙවින් කුඩා වෙයි.

ස්වභාවික පැවතීම්
ස්වභාවධර්මයේ සාර්වචක්‍රවර්තික වන අයන, සූර්යයාගේ සංදීප්තියෙහි සිට පෘථිවියෙහි අයනගෝලය පැවැත්ම දක්වා විවිධවූ සංසිද්ධීන් ගණනාවකට වගකියයි. අයනික අවස්ථාවෙහි පවතින පරමාණු, උදාසීන පරමාණු වලට වඩා වෙනස් පැහැයක් ගත හැකි අතර, එබැවින්, ලෝහ අයන වලින් ආලෝකය අවශෝෂණය කිරීම නිසා  මැණික් වලට වර්ණය ලබා දෙයි.

මේවාත් බලන්න

 Air ionizer
 Aurora
 Electrolyte
 Gaseous ionization detectors
 Ioliomics
 Ion beam
 Ion exchange
 Ionizing radiation
 Stopping power of radiation particles

ආශ්‍රිත

භෞතික රසායන විද්‍යාව
ආරෝපණ වාහක

අයන


Rue Saint-Maur () is a station on Paris Métro Line 3, located in the 11th arrondissement of Paris.

Location
The station is located under Avenue de la République, between Rue Saint-Maur and Rue Servan. Approximately oriented along an east–west axis, it is located between the Parmentier and Père Lachaise stations.

History
The station opened on 19 October 1904 as part of the first section of line 3 between Père Lachaise and Villiers.

The Rue Saint-Maur  is named after Saint Maurus, a disciple of Saint Benedict of Nursia, who is said to have saved Saint Placid from drowning. It owes its initial name of Saint-Maur to its proximity to rue Saint-Maur, which corresponds to an old path which led from the Abbey of Saint-Maur to the Abbey of Saint-Denis. Until the early years of the 21st century the station was called Saint-Maur, but on 1 September 1998 its name was changed to avoid confusion with stations on RER line A in Saint-Maur-des-Fossés in the southeastern suburbs of Paris.

Like a third of the stations on the network, between 1974 and 1984 the station's platforms were renovated in the Andreu-Motte style, orange in this case. As part of the RATP's Renouveau du métro program, the station's corridors were renovated in the course of the 2000s.

In 2018, 3,065,770 travelers entered this station which placed it at 181st position of the metro stations for its usage.

Passenger services

Access
The station has four entrance points established on Avenue de la République:
 entrance 1 – Rue Saint-Maur, consisting of a fixed staircase adorned with a Guimard ironwork listed as historic monument on 29 May 1978, leading to the right of no. 74 on the avenue;
 entrance 2 – Rue Servan, consisting of an escalator allowing only an exit to street level, located opposite No. 90 bis of the avenue;
 entrance 3 – Rue Saint-Hubert, consisting of a fixed staircase embellished with a mast with a yellow M inscribed in a circle, also located at the right of No. 90 bis of the avenue;
 entrance 4 – Rue des Bluets, also consisting of a fixed staircase, leading to no 79 on the avenue.

Station layout

Platforms
Rue Saint-Maur is a standard configuration station. It has two platforms separated by metro tracks and the vault is elliptical. The decoration is in the Andreu-Motte style with two orange-brown light strips, benches and some openings in the corridors treated with flat brown tiles with Motte seats in orange. The bevelled white ceramic tiles cover the walls, the vault, the tunnel exits, and the rest of the corridors. The advertising frames are metallic, and the name of the station is written in Parisine font on enamelled plates.

Bus connections
The station has no connections with the RATP Bus Network.

Nearby
 ESCP Business School
 Lycée Voltaire
 Square Maurice-Gardette

Gallery

References

Roland, Gérard (2003). Stations de métro. D'Abbesses à Wagram. Éditions Bonneton.

Paris Métro stations in the 11th arrondissement of Paris
Railway stations in France opened in 1904

Rue Saint-Maur station


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Islamska zajednica  Bošnjaka u Norveškoj

Reis-ul-ulemaHusein ef. Kavazović
glavni imamglavni imam Islamske zajednice Bošnjaka u Norveškoj
|-
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SjedišteOslo
Država Norveška
|}

Islamska zajednica Bošnjaka u Norveškoj (IZBN) je vjerska organizacija Bošnjaka muslimana na području Norveške.

Najviši predstavnik Islamske zajednice Bošnjaka u Norveškoj je glavni imam. Islamska zajednica Bošnjaka u Norveškoj je do danas u okviru Islamske zajednice u Bosni i Hercegovini na nivou medžlisa. Kao takva, sastavni je dio Mešihata Islamske zajednice Bošnjaka u Zapadnoj Europi, zbog čega je reis-ul-ulema vrhovni poglavar Bošnjaka muslimana i u Švedskoj.

Sjedište Islamske zajednice Bošnjaka u Norveškoj nalazi se u Oslu.

Organizacija
U sastavu Islamske zajednice Bošnjaka u Norveškoj se nalazi 19 registriranih džemata. Rad i aktivnosti usklađeni su s važećim zakonima Norveške i pravnim aktima Islamske zajednice u Bosni i Hercegovini.

Izvori

Vanjske poveznice
 Islamska zajednica Bošnjaka u Norveškoj

Islamska zajednica u Bosni i Hercegovini
Religija u Norveškoj

Islamska zajednica Bošnjaka u Norveškoj


Neratov (în ), acum parte a localității Bartošovice v Orlických horách, a fost situat în districtul Rychnov nad Kněžnou din regiunea Hradec Králové. Înainte de cel de-al Doilea Război Mondial, a fost o localitate separată cu propria sa zonă administrativă.

Istoric
Prima mențiune documentară a satului Neratov datează din 1550, când apariția lui a coincis cu dezvoltarea industriei sticlăriei, care datează începând din secolul al XV-lea în legătură cu colonizarea cu germani a zonei Orlické hory. Anterior celui de-al Doilea Război Mondial, satul alpin avea câteva sute de locuitori.

După Expulzarea germanilor din Cehoslovacia, care a avut loc după cel de-al Doilea Război Mondial în 1945-1946, comunitatea aproape că a dispărut. În 1989 Neratov avea doar doi rezidenți permanenți.

În 1992, preotul local Josef Suchár de la Biserica Adormirea Maicii Domnului, o biserică în stil baroc construită între anii 1723 și 1733, a fondat Asociația Neratov cu scopul de a restabili satul prin înființarea concomitentă a unei comunități vii pentru adulții cu dizabilități mintale din întreaga țară. În 2016, cartierul Neratov al localității Bartošovice v Orlických horách era locuit de aproximativ 60 de locuitori permanenți și a fost umplut cu turiști veniți cu rulote în timpul lunilor de iarnă și de vară.

Neratov a devenit unul dintre cei mai mari trei angajatori ai persoanelor cu probleme psihice din Republica Cehă. Principalele surse de ocupație ale acelor persoane sunt grădinăritul și fabricarea de produse de panificație expediate zilnic la Praga.  Preotul Suchár a spus în 2017: "Noi oferim locuri de muncă în operațiunile de asamblare pentru persoanele cu dizabilități mintale și urmează să deschidem și o fabrică de bere". În plus, Suchár este considerat cel care a transformat satul obscur din trecut într-o atracție turistică.

Galerie

Referințe

Orașe din Cehia

Neratov v Orlických horách


Randy Smith ist der Name folgender Personen:

* Randy Smith (Basketballspieler) (1948–2009), US-amerikanischer Basketballspieler
 Randy Smith (Baseballfunktionär) (* 1963), US-amerikanischer Baseballfunktionär
 Randy Smith (Eishockeyspieler) (* 1965), kanadischer Eishockeyspieler und -trainer
 Randy Smith (Spieleentwickler) (* 1974), US-amerikanischer Spieleentwickler und Manager

Randy Smith


Solrød Kommune er sveitarfélag í Sjálandshéraði í Danmörku. Sveitarfélagið varð til við sameiningu tveggja sveitarfélaga árið 1970. Helstu bæir eru Solrød Strand, sem liggur við Køge Bugt, og Havdrup, innar í landinu. Íbúar voru um 24 þúsund árið 2023.

Sveitarfélög í Danmörku

Solrød Kommune


Abigail Cunha de Almeida Sousa (São Francisco, 05 de janeiro de 1967), é deputada estadual, filiada ao Partido Liberal (PL), eleita pelo estado do Maranhão.

Biografia
Começou sua carreira política no Partido da Social Democracia Brasileira (PSDB) se candidatando a prefeitura de Jenipapo dos Vieira, no Maranhão, na qual não se elegeu.

Pelo Partido Liberal (PL) candidatou novamente à Deputada Estadual do Maranhão, sendo eleita após receber 48.025 votos.

Desempenho eleitoral

Vida pessoal
É casado com o também político Rigo Teles.

Nascidos em 1967
Naturais de São Francisco (Minas Gerais)
Membros do Partido Liberal (2006)
Membros do Partido da Social Democracia Brasileira
Mulheres de Minas Gerais na política
Deputados estaduais do Maranhão

Abigail Cunha de Almeida Sousa


Brucehalvøen () er en halvø i provinsen Ontario i Canada. Den ligger mellem Georgian Bay og hoveddelen af Lake Huron. Halvøen strækker sig i nordvestlig retning fra resten af det sydlige Ontario op mod Manitoulin Island, som den er adskilt fra med sundet som knytter Georgian Bay til resten af Huronsøen. På den nordlige del af Brucehalvøen ligger nationalparken  Bruce Peninsula National Park, Fathom Five National Marine Park.

Eksterne kilder
Guide til Brucehalvøen

Ontario
Halvøer i Nordamerika
Canadas geografi

Brucehalvøen


Ortaköy, Samsun ilinin Kavak ilçesine bağlı bir mahalledir.

Tarihçe

Coğrafya
Samsun iline 60 km, Kavak ilçesine 12 km uzaklıktadır.

Nüfus

Kavak'ın mahalleleri

Ortaköy, Kavak


Lord Lovat () is a title of the rank Lord of Parliament in the Peerage of Scotland. It was created in 1458 for Hugh Fraser by summoning him to the Scottish Parliament as Lord Fraser of Lovat, although the holder is referred to simply as Lord Lovat.   It was a separate title from the Scottish feudal lordship of Lovat, already held by the highland Frasers.  In 1837 they were created a third title, Baron Lovat, of Lovat in the County of Inverness, in the Peerage of the United Kingdom. The holder is separately and independently the Chief of the highland Clan Fraser of Lovat.

The first Lord Lovat was one of the hostages for James I of Scotland on his return to Scotland in 1424, and in 1431 he was appointed high sheriff of the county of Inverness. The second Lord Lovat, Thomas, held the office of Justiciary of the North in the reign of James IV of Scotland, and died 21 October 1524.

The title descended in a direct line for nine sequential generations from 1458 until the death of the ninth Lord in 1696. He was succeeded by his great-uncle, the tenth Lord. In 1697 the latter's son, Simon Fraser, 11th Lord Lovat, known as Simon "the Fox", kidnapped and forcibly married the late ninth Lord's widow, the former Lady Amelia Murray, only daughter of John Murray, 1st Marquess of Atholl. Lady Lovat's powerful family, the Murrays, were angered, and prosecuted Fraser, who fled the country. Fraser was convicted in absentia, attainted, and sentenced to death. Fraser supported the Government against the Jacobite rising of 1715 and was rewarded by being pardoned for his crimes. In 1730, he won litigation to confirm his title of Lord Lovat. In 1745 Lord Lovat participated in the Jacobite rising of 1745 (the '45) against the Crown and was sentenced to death. He was beheaded on 9 April 1747, aged 80, on Tower Hill in London, the last man to be executed in this manner. His titles were forfeit. Fraser had been created Duke of Fraser, Marquess of Beaufort, Earl of Stratherrick and Upper Tarf, Viscount of the Aird and Strathglass and Lord Lovat and Beaulieu in the Jacobite Peerage of Scotland by James Francis Edward Stuart (titular King James III of England and VIII of Scotland) in 1740.

His eldest son and namesake General Simon Fraser of Lovat became a general in the British Army. He obtained a full pardon but was not restored to the title. His younger brother Archibald Campbell Fraser was a colonel in the Army and would have succeeded but for the attainder. On his death in 1815 the title was claimed by his kinsman Thomas Fraser, a descendant of Thomas Fraser, second son of the fourth Lord. In 1837 he was created Baron Lovat, of Lovat in the County of Inverness, in the Peerage of the United Kingdom. The attainder of the eleventh Lord was reversed in 1854, and Thomas Fraser became the twelfth Lord Lovat. He was succeeded by his son, the thirteenth Lord, who served as Lord Lieutenant of Inverness. His eldest son, the fourteenth Lord, was a soldier and politician and notably held office as Under-Secretary of State for Dominion Affairs from 1926 to 1927. He was succeeded by his eldest son, the fifteenth Lord. He was a prominent soldier and distinguished himself during the Second World War.  the titles are held by his grandson, the sixteenth Lord, who succeeded in 1994.

The Conservative politician Sir Hugh Fraser was the younger son of the fourteenth Lord. Another member of the family was Sir Ian Fraser, Chairman of Rolls-Royce Motors. He was the son of Hon. Alastair Thomas Joseph Fraser, younger son of the thirteenth Lord.

The family seats are Beaufort Lodge and Balblair House, near Beauly, Inverness-shire.

Clan Fraser of Lovat
The Lordship of Lovat has for some time been linked to the Chiefship of Clan Fraser of Lovat. The former family seat was Beaufort Castle in northern Scotland. The numbering of the Scottish Lordship used by Clan Fraser of Lovat differs from the legal numbering in that it ignores the attainder of 1747–1854, with the result that the 16th Lord is termed by them "18th Lord Lovat".

Lairds of Lovat

According to John Anderson and Alexander Mackenzie
19th century historians John Anderson, writing in 1825, and Alexander Mackenzie, writing in 1896, list the Lairds of Lovat as follows, but this is different to modern research as given by the Clan Fraser of Lovat organization.

 Simon Fraser, 1st Laird of Lovat (son of Andrew Fraser and was killed at the Battle of Halidon Hill in 1333)
 Simon Fraser, 2nd Laird of Lovat (wounded at the Battle of Durham in 1346 and died in 1347)
 Hugh Fraser, 3rd Laird of Lovat (died in 1397 and buried at Beauly)
 Alexander Fraser, 4th Laird of Lovat (succeeded in 1415).

According to James Balfour Paul

James Balfour Paul writing in 1908 in his The Scots Peerage gives the following Fraser Lairds of Lovat before the family succeeded as Lords Lovat:

Hugh Fraser of Lovat and Kinnell (on record 1367-1410)
Alexander Fraser of Lovat (died before March 1415-16)
Hugh Fraser of Lovat (son of Hugh Fraser of Lovat and died before 20 July 1440)
Thomas Fraser of Lovat (died before 20 May 1455)

According to the modern Clan Fraser of Lovat

The modern Clan Fraser of Lovat records the Lairds of Lovat as follows:

Sir Simon Fraser (son of Andrew Fraser and was killed at the Battle of Halidon Hill in 1333)
Alexander Fraser (died 1361)
Hugh Fraser, 1st Laird Lovat (died before 1410)
Hugh Fraser, Laird of Lovat (died 1440)
Thomas Fraser, Laird of Lovat (died by 1455)

Lords Fraser of Lovat (1458); Barons Lovat of Lovat (1837)

Mackenzie also records the names of the subsequent Lords Lovat differently, when compared to the accepted modern version given below. Anderson lists the same lineage as given below, but his designation of which sons actually succeeded to the title of the Lordship is different, when compared to the accepted modern version given below. Bernard Burke, in his 1869 A Genealogical And Heraldic Dictionary of The Peerage And Baronetage of The British Empire, lists the first two Lords as Hugh Fraser, 1st Lord Lovat and Hugh Fraser, 2nd Lord Lovat with Hugh Fraser, 3rd Lord Lovat, being the same person listed as Hugh Fraser, 1st Lord Lovat in the accepted modern version given below. The Clan Fraser of Lovat organization also recognises the two sons of the 11th Lord Lovat, Simon and Archibald, as the 12th and 13th Lords Lovat respectively, ignoring the attainder for the 11th Lord having supported the Jacobite rising of 1745 and therefore they recognize the current 16th Lord Lovat as the 18th Lord Lovat. The following is also in accordance with James Balfour Paul's 1908 volume 5 of The Scots Peerage which lists the aforementioned Simon and Archibald as the "de jure" 12th and 13th Lords Lovat before reverting to Thomas Alexander Fraser, 12th Lord Lovat proper who was from the Fraser of Strichen cadet branch.

 Hugh Fraser, 1st Lord Lovat (c.1436-1501)
 Thomas Fraser, 2nd Lord Lovat (c.1461-1524)
 Hugh Fraser, 3rd Lord Lovat (c.1494-1544)
 Alexander Fraser, 4th Lord Lovat (c.1527-1557)
 Hugh Fraser, 5th Lord Lovat (c.1545–1577)
 Simon Fraser, 6th Lord Lovat (1570–1633)
 Hugh Fraser, 7th Lord Lovat (1591-1646)
 Hugh Fraser, 8th Lord Lovat (1643–1672)
 Hugh Fraser, 9th Lord Lovat (1666–1696)
 Thomas Fraser, 10th Lord Lovat (1631–1699)
 Simon Fraser, 11th Lord Lovat (c. 1667–1747) (lordship forfeited in 1746)
 heirs but for the attainder:
 Simon Fraser of Lovat (1726–1782)
 Archibald Campbell Fraser of Lovat (1736–1815)
 Thomas Alexander Fraser, 12th Lord Lovat, 1st Baron Lovat (1802–1875) (lordship restored in 1854; barony of Lovat created in 1837)
 Simon Fraser, 13th Lord Lovat, 2nd Baron Lovat (1828–1887)
 Simon Joseph Fraser, 14th Lord Lovat, 3rd Baron Lovat (1871–1933)
 Simon Christopher Joseph Fraser, 15th Lord Lovat, 4th Baron Lovat (1911–1995)
 Simon Christopher Joseph Fraser, 16th Lord Lovat, 5th Baron Lovat (b. 1977)

The heir presumptive is the present holder's brother Hon. Jack Hugh Fraser, Master of Lovat (b. 1984)

Arms

References

External links
 Fraser of Lovat official website
 Kidd, Charles, Williamson, David (editors). Debrett's Peerage and Baronetage (1990 edition). New York: St Martin's Press, 1990.

Clan Bissett
Clan Fraser
Lordships of Parliament

Noble titles created in 1458

Lord Lovat


Meråker er sveitarfélag í Þrændalögum í Noregi. Í sveitarfélaginu eru 2.399 íbúar (2022).

Stjórnsýslumiðstöð sveitarfélagsins er þéttbýlið  Midtbygda, sem er eina þéttbýlið í sveitarfélaginu.

Sveitarfélagið Meråker á landamæri að sveitarfélögunum Verdal í norðri, Stjørdal í vestri og Selbu og Tydal í suðri. Í austri liggur sveitarfélagið að Svíþjóð.

Sveitarfélög í Þrændalögum

Meråker (sveitarfélag)


Irma Katz (* 1888; † 1933) war eine österreichische Porträtmalerin.

Leben und Werk
Irma Katz studierte bei Karl Karger an der Wiener Kunstgewerbeschule und bei Ferdinand Schmutzer und schuf zahlreiche repräsentative Porträts. In einem zeitgenössischen Artikel aus dem Jahre 1931 wurde sie als "eine der gesuchtesten Porträtistinnen Wiens" apostrophiert, deren Bildnisse "nicht nur schätzenswerte Kunstwerke" seien, sondern "wirkliche Porträts, die Leben atmen, Leben und Persönlichkeit wiedergeben".

Katz stellte 1925 auf der 46. Jahresausstellung im Wiener Künstlerhaus aus. Eines ihrer Porträts ist heute im Wiener Heeresgeschichtlichen Museum in Wien ausgestellt.

Werke (Auswahl)
 Porträt Johann Schober, um 1921/22. Öl auf Leinwand, ca. 120×85 cm, Heeresgeschichtliches Museum Wien

Literatur
 Heinrich Fuchs: Die österreichischen Maler. Die Geburtsjahrgänge 1881–1900. Band 1. Selbstverlag, Wien 1976, S. K124.

Einzelnachweise

Weblinks
 Frauenbiografien auf der Webpräsenz der Universität Wien (Lebensdaten; abgerufen am 10. April 2012)

Maler (Österreich)
Person (Österreich-Ungarn)
Österreicher
Geboren 1888
Gestorben 1933
Frau

Irma Katz


فرانشيسكو موديستو (مواليد 16 فبراير 1982 في كروتوني - إيطاليا)  لاعب كرة قدم إيطالي يلعب حاليا لصالح نادي الدرجة الأولى جنوى الإيطالي منذ 2008 في مركز قلب الدفاع . .

روابط خارجية

مراجع

مدافعو كرة قدم رجالية
أشخاص على قيد الحياة
أشخاص من كروتوني
رياضيون من قلورية
لاعبو الدوري الإيطالي
لاعبو الدوري الإيطالي الدرجة الثانية
لاعبو الدوري الإيطالي الدرجة الرابعة
لاعبو أسكولي
لاعبو بارما
لاعبو باليرمو
لاعبو بسكارا 1936
لاعبو بولونيا
لاعبو جنوى
لاعبو ريجينا
لاعبو كروتوني
لاعبو كرة قدم إيطاليون
لاعبو كرة قدم من كالابريا
لاعبو نادي بادوفا
مدربو الدوري الإيطالي الدرجة الثالثة
مدربو الدوري الإيطالي الدرجة الثانية
مدربو كرة قدم إيطاليون
مدربو نادي فيتشينزا
مواليد 1982
مواليد في كروتوني

فرانشيسكو موديستو