The flag of the Isle of Man or flag of Mann () is a triskelion, composed of three armoured legs with golden spurs, upon a red background. It has been the official flag of the Isle of Mann since 1 December 1932 and is based on the Manx coat of arms, which dates back to the 13th century.

The three legs are known in Manx as  ("the three legs"). The triskelion is an ancient symbol, used by the Mycenaeans and the Lycians.
It represents movement, as do all symbols of this type.

History

Crovan dynasty
Until 1265 the Isle of Man formed part of the Kingdom of the Isles, ruled by the Crovan dynasty. The last member of that ruling family died in 1265 without a legitimate heir, when the Isle passed into the possession of Alexander III, King of Scotland (d.1286). In 1266 sovereignty of the Isle of Man and the Hebrides was formally transferred from the King of Norway to King Alexander III of Scotland (1241–1286). The heraldic era in England and Scotland started in about 1215, slightly earlier in Western Europe, and members of the Crovan dynasty are known to have borne ships and lions on their seals, and no evidence exists of their use of the triskeles. It is possible that the origin of the Manx triskeles is a knotted device depicted on the coinage of their 10th-century Viking predecessors on the Isle. However, that device is dissimilar to the Manx triskeles, and the nearly 300-year gap between its use and the appearance of the Manx triskeles suggests that there is no connection between the symbols.

Sicilian connection

The appearance on the Isle of Man of the Triskeles in the last third of the 13th century may well be connected with the regime change on the Isle in 1265, from Crovan to Scots kings. The symbol is anciently closely associated with Sicily, well known as a tri-cornered island, and is attested there in proto-heraldry as early as the 7th century BC.
The most ancient name for Sicily, then a Greek province was 'Trinacria', meaning in Greek three-cornered, triquetra, referring to the triangular shape of the island.

In 1250 the Germanic Frederick II, Holy Roman Emperor, died after having ruled Sicily for 52 years. He was King of Sicily from 1198, King of Germany from 1212, King of Italy and Holy Roman Emperor from 1220 and King of Jerusalem from 1225. His mother Constance was Queen of Sicily and his father was Henry VI of the House of Hohenstaufen. Although there is no evidence that the triskeles was used in Sicily in the 13th century, there is architectural evidence of its use in Austria at that time, almost certainly relating to a personal emblem of Frederick, and almost certainly stemming from his Sicilian connection.

Four years after Frederick's death the pope invested the Sicilian kingship in Edmund Crouchback (died 1296), the second surviving son of Henry III, King of England (died 1272), and for about ten years afterwards Edmund was styled "King of Sicily". Henry invested considerable political capital in his son's new position, and in his efforts to raise funds from taxation to support the dignity of that kingship made himself extremely unpopular with his English nobles, who eventually rebelled.

The wife of Alexander III, King of Scotland, was Margaret of England (died 1275), a daughter of King Henry III. This familial connection between the English and Scottish royal families might account for the introduction of the triskeles as a symbol of the Isle of Man. If so, it may well have been adopted as a means to reinforce the regime change on the island.

Following English domination of the isle in 1346, the triskelion was retained and endured as a symbol of the Isle of Man.

By the mid-19th century the Manx flag began appearing on merchant ships from the Isle of Man. However, such usage of the flag was not sanctioned by the Board of Trade and the Admiralty under Section 105 of the 1854 Merchant Shipping Act in favour of the Red Ensign. This decision was reversed by the Admiralty on 4 March 1889 and Manx merchant ships were permitted to fly the Flag of the Isle of Man.

The flag was officially adopted between 1928 and 1932, however sources differ.

In July 1968 steps were taken to standardise the flag. The feet of the triskelion were all to be facing in a clockwise direction and was to be balanced with one leg directly facing to the bottom. On 27 August 1971 a civil ensign for the Isle of Man was approved by royal proclamation. This flag featured a red field with the Union Jack in the canton. The triskelion of Mann is emblazoned off centre towards the fly. Another Manx flag in use is the flag of Tynwald, the legislature of the Isle of Man, which has flown outside the Legislative Buildings since 1971.

Other flags
Certain parishes on the Isle of Man have flags. Those are: Onchan, Maughold, Douglas and Malew.

Gallery

See also

 Coat of arms of the Isle of Man
 Flag of Sicily, a similar flag with a triskelion

References

Flags introduced in 1932
Flag
National flags
Isle

Flag of the Isle of Man


A lista de bens tombados da cidade do Rio de Janeiro reúne itens do patrimônio cultural e histórico do Rio de Janeiro separados por regiões administrativas e estão disponíveis em páginas específicas. Os atos de promoção e proteção desses patrimônios a nível municipal é de responsabilidade do Instituto Rio Patrimônio da Humanidade (IRPH), antiga Subsecretaria do Patrimônio Cultural, Intervenção Urbana, Arquitetura e Design (SUBPC). Os tombamentos estaduais foram realizados pelo Instituto Estadual do Patrimônio Cultural (INEPAC). Algumas construções são também reconhecidas pelo IPHAN, no contexto de preservação do patrimônio cultural e histórico brasileiro.

Centro

Para não tornar esta página demasiado pesada, o patrimônio histórico registrado nos bairros da zona central da cidade do Rio de Janeiro foi transcluído para uma lista própria.

Zona Sul

Para não tornar esta página demasiado pesada, o patrimônio histórico registrado nos bairros da zona sul da cidade do Rio de Janeiro foi transcluído para uma lista própria.

Zona Norte

Para não tornar esta página demasiado pesada, o patrimônio histórico registrado nos bairros da zona norte da cidade do Rio de Janeiro foi transcluído para uma lista própria.

Zona Oeste

Para não tornar esta página demasiado pesada, o patrimônio histórico registrado nos bairros da zona oeste da cidade do Rio de Janeiro foi transcluído para uma lista própria.

Cultura do Rio de Janeiro (cidade)
Listas do Rio de Janeiro (cidade)
Patrimônio histórico do Rio de Janeiro
Listas de patrimônio do Brasil

Lista de bens tombados no Rio de Janeiro (cidade)


John Paul Tate, né le  à Sydney et mort le  à Freshwater sur l'ile de Wight, est un acteur australien actif à la radio et au cinéma.

Biographie
John Tate est né à Sydney le .

Il commence sa carrière comme acteur de vaudeville. Il joue ensuite dans plusieurs films et séries télévisées australiens. Après son divorce, il déménage en Angleterre. Il est surtout connu pour son rôle dans Le Dernier Rivage de Stanley Kramer en 1959.

Vie privée
John Tate épouse l'actrice et régisseuse australienne  en 1940. Ils ont un fils, Nick, qui deviendra également acteur. John et Neva divorcent en 1954.

Filmographie

Cinéma
 1944 : First Victory Loan: Return Journey
 1946 : Smithy : Charles Ulm
 1958 :  : Dave Rudge
 1959 : Le Dernier Rivage : Amiral Bridie
 1962 :  : Officier de prison responsable du parloir
 1963 :
La Révolte des Triffides : Capitaine SS Midland
: Julian Singleton
 1965 :  : Dundy
 1966 : Bindle (One of Them Days)
 1970 : Jules César : Clitus
 1976 : The Autobiography of a Flea : un prêtre

Télévision
 1958 : His Excellency
 1959 : Thunder of Silence
 1962 : The Slaughter of St Teresa's Day : Charlie
 1967 :  : Magwitch
 1969 :  : Jack Mason

Notes et références

Voir aussi

Liens externes

Naissance en janvier 1915
Naissance à Sydney
Acteur australien de cinéma
Décès en mars 1979
Décès à 64 ans

John Tate (acteur)


Mehmet Yurdadön, (d. 2 Haziran 1954, Kars), Türk milli rekortmen atlet ve maraton koşucusu.

Hakkında
Sarıkamış'ta 8 çocuklu bir ailenin, 3. oğlu olarak 2 Haziran 1954 tarihinde dünyaya geldi. Annesi ev kadını, babası Devlet Demiryolları'nda makinist olan Yurdadön, 6 yaşından itibaren ormanda odun toplayarak ve hayvan otlatarak ailesine destek oldu. 12 yaşında ilkokul son sınıfı okumak üzere Kars merkeze taşındı ve trenlerde su satarak, tuğla ocaklarında çalışarak ve hamallık yaparak geçimini sağladı. Orta ve lise eğitimini de Kars'ta tamamladıktan sonra 1973'te Ankara'ya geldi. 1976'da Ankara'da 19 Mayıs Gençlik ve Spor Akademisi'nde eğitimine başladı.

1983 yılında evlendi. İki kız babasıdır.

Spor Hayatı

Lise yıllarında basketbol, futbol, voleybol ve kayak gibi çeşitli spor dallarında okulda ve kulüplerde amatör olarak oynadı. Bir gün beden eğitimi dersinde performansı beden eğitimi öğretmeninin dikkatini çekti. Ardından okulun koşu takımına girmek istememesi üzerine, öğretmeninden tokat yedi. Yediği tokat üzerine takıma giren Yurdadön'ün atletizm kariyeri böyle başladı. İlk katıldığı okullar arası Türkiye Şampiyonası'nda açık ara birinci oldu.

1500 m, 3000 m, 5000 m, 10000 m, yarı maraton (21 km) ve maraton (42 km) dallarında yarıştı. Özellikle kır koşularında (Kros) başarılı olması sebebiyle, "usta" ve iyi taktik uyguladığı için de Balkanlar'da "Sakallı Şeytan" olarak anıldı. Sık sık Türkiye rekorları kıran Yurdadön, uluslararası yarışlardan çoğu kez altın madalya ile döndü.

1983'ten sonra Fenerbahçe, 1985'ten sonra ise Şişecam Paşabahçe adına yarıştı.

Mehmet Yurdadön, 1990'da atletizmi  bıraktı.

Kariyeri

1976-1985 yılları arasında Ankara Gençlik ve Spor İl Müdürlüğü'nde görev yaptı. Profesyonel sporculuk dışında, kulüp yöneticiliği, yerel yönetimlerde sportif organizasyon yöneticiliği, yarışma koordinatörlüğü ve spor danışmanlığı yaptı. Uluslararası Cezmi Or Atletizm Yarışmaları, İstanbul Haliç Yarı Maratonu, Babaeski Trakya Yarı Maratonu, Üsküdar Ata'yı Anma Koşusu, Bakırköy Özgürlük ve Dayanışma Koşusu ve Sarıyer Uğur Mumcu Koşusu'nu düzenledi. Daha sonra sırasıyla Gençlik ve Spor Genel Müdürlüğü'nde spor uzmanlığı, Spor Kontrolörleri Kurulu Başkanlığı, Şube Müdürlüğü ve 2000-2004 arası Türkiye Atletizm Federasyonu Başkanlığı yaptı. Bu sırada Türkiye Paralimpik Komitesi Yönetim Kurulu Üyesi oldu.
Bu görevlerin yanı sıra Amatör Sporcular Derneği ile çeşitli dernekler ve vakıflarda başkanlık ve yöneticilik yaptı. Halen Türkiye Milli Olimpiyat Komitesi ve Paralimpik Oyunları üyesidir.

2017 yılında emekliye ayrıldı. Yerel yönetimlerde spor alanında danışmalık yapmaya devam etmektedir. Üniversite ve belediyelerde söyleşilere katılarak spor meraklılarıyla buluşmaktadır.

Yarışlar

 1974- Okullar arası Kros Türkiye 1.si-Denizli
 1974- 10.000 metre Federasyon deneme Yarışı 1.si Ankara
 1975- Türkiye Şampiyonası 5.000 ve 10.000 metre Türkiye 1.si
 1975- Uluslararası Yarışma İtalya 10.000 metre 1.si
 1975- Türkiye Salon Yarışmaları(İzmir) 1.500 ve 3.000 metre 1.si
 1975- Uluslararası Kros Şampiyonası(Bulgaristan-Tornova) 10.000 metre 1.si
 1975- Spor Yazarları(İstanbul) 3.000 metre 1.si
 1975- 27 Aralık Büyük Atatürk Koşusu(Ankara) 1.si
 1975- Uluslararası Yugoslavya yarışması 1.500 metre 1.si
 1975- Uluslararası Yarışma 5.000 metre 1.si(13.56.8 Yeni TR)
 1975- (Bulgaristan-Sofya) Uluslararası yarışma 5.000m 1.si
 1975- Uluslararası Polonya Yarışması 5.000 metre 1si
 1976- Türkiye Kros Şampiyonası(Ankara) 1.si
 1976- Balkan Kros Şampiyonası(Bulgaristan) 1.si
 1976- Uluslararası(Polonya) 5.000 metre 1.si
 1976- Montreal Olimpiyatları katılımcısı
 1976- Büyük Atatürk Koşusu(Ankara) 1.si
 1977- Balkan Kros Şampiyonası(Yunanistan-Tripoli) 3.sü
 1977- Avusturya, Cezayir, Çekoslovakya, Irak'ta yapılan 5.000 ve 10.000 metre yarışmaların 1.si ve 2.si
 1978- Türkiye Kros Şampiyonası 1.si
 1978- Balkan Kros Şampiyonası 1.si
 1978- Uluslararası Yarışma(Romanya-Bükreş) (Yeni TR 13,52,4)
 1978- Uluslararası Yarışma(Dusseldorf) 5.000 1.si (TR 13,48,8)
 1978- Üniversiteler Dünya Kros Şampiyonası 3.sü
 1978- 27 Aralık Atatürk Büyük Koşusu(Ankara) 1.si
 1978- Uluslararası Yarışma(Yugoslavya) 5.000 metre 1.si
 1978- Uluslararası Yarışma(Finlandiya) 3.000 metre 2.si
 1978- Uluslararası Yarışma(Sarayova) 4.500 metre 1.si
 1978- Uluslararası Yarışma(Finlandiya) 3.000 metre 1.si
 1978- Türkiye Birinciliği-İzmir 10.000 metre 1.si
 1978- Uluslararası Yarışma Finlandiya 5.000 1.si
 1979- 27 Aralık Atatürk Koşusu 1.si
 1980- 27 Aralık Atatürk Koşusu 1.si
 1980- Türkiye Kros Şampiyonası 1.si
 1980- Balkan Kros Şampiyonası 1.si
 1980- Berlin(Batı Almanya) 25 km 1.si
 1980- 19 Mayıs Maratonu(Samsun) 1.si
 1981-  Balkan Pist Yarışması (Zagrep) 3.sü
 1981- Uluslararası 10.000 metre(Yeni TR 28,49,9)
 1982- Uluslararası Pist Şampiyonası(Lappeenranta-Finlandiya) 5.000 1.si(Yeni TR 13.33.7)
 1982- Türkiye Kros Şampiyonası 1.si
 1982- Üniversite Oyıunları 10.000 2.s
 1982- Büyük Atatürk Koşusu 1.si
 1982- Balkan Kros Şampiyonası(Atina) 1.si
 1983- Dünya Kros Şampiyonası(İngiltere) 12.si
 1983- Türkiye Kros Şampiyonası 1.si
 1983- Balkan Kros Şampiyonası 1.si
 1984- Los Angeles Olimpiyatlarına katıldım.
 1984- Türkiye Pist Şampiyonası 10.000 metre 1.si
 1985- Kulüpler Avrupa Kros Şampiyonası(İtalya) takım 3.sü
 1985- Türkiye Şampiyonası 10.000 1.si

Kaynakça

1954 doğumlular
Yaşayan insanlar
Türk erkek uzun mesafe koşucuları
Türk erkek maraton koşucuları
Türk Olimpiyat atletleri
1984 Yaz Olimpiyatları atletleri
Galatasaray SK sporcuları
Fenerbahçe SK atletleri

Mehmet Yurdadön


Jonas Iversby Hvideberg (Rolvsøy, 9 de fevereiro de 1999) é um desportista norueguês que compete no ciclismo na modalidade de rota. Ganhou uma medalha de ouro no Campeonato Europeu de Ciclismo em Estrada de 2020, na prova de rota sub-23.

Medalheiro internacional
align="center"|

</center>

Palmarés
 2020
 2.º no Campeonato da Noruega em Estrada
 Campeonato Europeu em Estrada sub-23

 2021
 Paris-Tours sub-23

Resultados em Grandes Voltas

—: não participa
Ab.: abandono

Referências

Ligações externas

 Ficha em sitiodeciclismo.net.

Ciclistas da Noruega

Jonas Iversby Hvideberg


Zimirina  est une espèce d'araignées aranéomorphes de la famille des Prodidomidae.

Distribution
Cette espèce est endémique de la Grande Canarie aux îles Canaries en Espagne. Elle se rencontre vers Pinar de Tirajana.

Description
La femelle holotype mesure .

Systématique et taxinomie
Cette espèce a été décrite par Wunderlich en 1992.

Étymologie
Son nom d'espèce, composé de grancanari[a] et du suffixe latin , « qui vit dans, qui habite », lui a été donné en référence au lieu de sa découverte, la Grande Canarie.

Publication originale
 Wunderlich, 1992 : « Die Spinnen-Fauna der Makaronesischen Inseln: Taxonomie, Ökologie, Biogeographie und Evolution. » Beiträge zur Araneologie, , .

Liens externes

Notes et références

Prodidomidae
Espèce d'araignées (nom scientifique)
Faune endémique de Grande Canarie

Zimirina grancanariensis


The Fens, također imena Fenland(s) je prirodna močvarna pokrajina u istočnoj Engleskoj. Većina od ovih tresetišnih mokrih tala isušena su prije nekoliko stoljeća, čime je ovo postalo ravno, suho i nizinsko poljodjelsko područje. Danas je jedno od najsuhljih krajeva Engleske zahvaljujući sustavu drenažnih kanala i rijeka koje su djelo ljudskih ruku (jarci i slijevni kanali) te automatiziranih crpnih postaja. Često je krivo shvaćanje da su "fen-ovi" suhi.

Na lokalnom engleskom fen je ime za dio močvare ili bivšeg močvarnog tla a također je oznaka za močvarni teren svojstven ovom kraju, koji je neutralne ili alkalne vode i relativno velikih količina otopljenih minerala i malo inih nutrijenata za biljke.

Fenland se najvećim dijelom prostire oko obale the Washa; doseže do četiri ceremonijske grofovije: Lincolnshirea, Cambridgeshirea, Norfolka i mali dio Suffolka, kao i povijesna grofovija Huntingdonshire. Ukupno obuhvaća površinu od približno 3900 km2.

The Fens se naziva "svetom zemljom Engleza" zbog crkava i katedrala u Elyju, Ramseyu, Crowlandu, Thorneyu i Peterboroughu.
Ostala bitnija naselja u the Fensu su Boston, Spalding i Wisbech.

Izvori

Povijest Engleske

The Fens


.

Trijaṭā () est une rakshasa (démone) dans l'épopée hindoue Ramayana, chargée de garder Sītā, enlevée par Ravana, le roi de Lanka. Dans les dernières adaptations du Ramayana, Trijaṭā est décrite comme une fille de , le frère de Ravana.

Dans le Ramayana, Trijaṭā apparaît comme une vieille et sage rakshasi, qui rêve de la destruction de Ravana et de la victoire de Rāma, le mari de Sītā qui fait la guerre à Ravana pour sauver celle-ci. Trijaṭā accompagne Sītā lors d'une enquête sur le champ de bataille de la guerre entre Rama et Ravana, et rassure Sita sur le bien-être de Rama lorsque Sītā voit son mari inconscient et le présume mort. Dans les adaptations ultérieures du Ramayana, Trijaṭā devient la fille de Vibhishana, le frère de Ravana qui prend parti pour Rāma. Elle joue un rôle beaucoup plus important dans les versions ultérieures, notamment celles de l'Asie du Sud-Est.

À quelques exceptions près, lorsque Trijaṭā est considérée comme l'agent de Ravana, elle est généralement décrite comme une amie et une compagne loyale de Sītā dans l'adversité. En de nombreuses occasions, elle le réconforte et lui apporte des nouvelles du monde extérieur ; elle dissuade également Sītā de se suicider. Après la victoire de Rāma et la mort de Ravana, Trijaṭā est richement récompensée par Sītā et Rāma. Alors que certaines adaptations du Ramayana mentionnent qu'elle était une dévote de Rāma, les versions de l'Asie du Sud-Est la dépeignent souvent comme l'épouse du général vanara de Rāma, Hanuman, à qui elle donne un fils. Elle est vénérée comme une déesse locale à Varanasi et Ujjain ; tous deux en Inde.

Noms
Alors que les versions indienne, javanaise et balinaise du Ramayana l'appellent Trijaṭā, elle est connue sous le nom de Punukay dans le Phra Lak Phra Lam laotien, Benyakai () dans le Ramakien Thai et Devi Seri Jali dans le  malais.

Le Ramayana
Dans le Ramayana original de Valmiki, Trijaṭā est décrite comme une vieille rakshasi (démone) qui est mise en avant dans deux incidents. Le premier a lieu dans le , le cinquième livre de l'épopée. La princesse Sītā, enlevée, est emprisonnée dans l de Lanka. Le roi-démon de Lanka, Ravana, a ordonné aux raskshasis qui gardent Sītā de la convaincre de l'épouser par tous les moyens, car Sītā refuse catégoriquement et reste fidèle à son mari Rāma. Après le départ de Ravana, les rakshasis commencent à harceler Sītā pour la contraindre à changer sa volonté. La vieille Trijaṭā intervient et raconte un rêve prophétique qui prédit la fin de Ravana et la victoire de Rama.

Dans son rêve, Trijaṭā voit Rāma et son frère Lakshmana chevauchant l'éléphant céleste Airavata vers Sītā. Rama prend Sītā sur ses genoux et s'élève haut dans le ciel, permettant à Sītā de toucher le Soleil et la Lune. Puis le trio se rend à Lanka et monte dans le Pushpaka Vimana, (char aérien de Ravana) pour s'envoler vers le nord, tandis que Ravana, trempé d'huile et au teint rouge, est allongé au sol. Ravana se dirige ensuite vers le sud sur un âne et tombe dans une fosse de fumier. Une femme noire, vêtue d'un sari rouge, le traîne vers le sud. D'autres membres de la famille de Ravana, comme son frère Kumbhakarna et son fils , connaissent des destins similaires. Le frère de Ravana, Vibishana, est vu dans des vêtements blancs royaux, chevauchant un éléphant à quatre défenses près du Pushpaka Vimana. La ville de Lanka se noie dans l'océan et un vanara) messager de Rama brûle la ville. Trijaṭā conseille aux rakshasis de se réfugier auprès de Sītā et de lui présenter des excuses ; en retour, Sītā promet que si le rêve de Trijaṭā se matérialise, elle protégera ses gardes rakshasis.

Trijaṭā et Vibhishana
Dans le Ramayana, Sītā a peu d'autres bienfaiteurs rakshasi en dehors de Trijaṭā. Lorsque Hanuman - le "vanara" - général de Rama chargé de retrouver Sītā - la rencontre à Lanka, elle lui dit que la femme de Vibhishana (le frère de Ravana qui se range du côté de Rāma dans la guerre) a envoyé un message à Sītā qui a envoyé sa fille Kala (dans d'autres recensions du Ramayana, connue sous le nom de Nanda ou Anala) pour proclamer l'intention de Ravana de ne pas livrer Sītā à Rāma, malgré les conseils du sage ministre Avindhya et de Vibhisana. Une autre amie, Sarama, console Sītā lorsque Ravana lui montre une tête coupée illusoire de Rāma. Elle l'informe également du bien-être de Rāma et de son entrée à Lanka avec son armée. Dans certaines versions du Ramayana, un chant interpolé mentionne que Sarama raconte également à Sītā l'incendie de Lanka par Hanuman après sa rencontre avec elle. Mandodari, la femme de Ravana, est décrite comme ayant sauvé Sītā dans certaines versions, lorsque Ravana tente de la tuer. Dans la littérature ultérieure centrée sur Rāma, Sarama est identifiée comme l'épouse de Vibishana, tandis que Trijata est considérée comme sa fille.

L'épopée tamoule "Kamba Ramayana", le commentaire de Govindaraja sur le Ramayana (Bhushana), le Balaramadasa Ramayana en Oriya. Balaramadasa Ramayana ", le javanais "" la Seri Rama malaise accorde le statut de fille de Vibhishana à Trijaṭā, une tendance généralement suivie par la littérature postérieure au Ramayana. Bien que le commentaire de Govindaraja sur le Ramayana indique que Trijaṭā est la fille de Vibhishana dans l'épopée, Goldman considère cela comme "étrange" étant donné son âge avancé dans l'épopée originale.

Quelques ouvrages relient Trijaṭā à Vibhishana dans une position autre que celle de sa fille. L Ananda Ramayana et le Bhavartha Ramayana Marathi d'Eknath considèrent Trijaṭā comme l'épouse et la sœur de Vibhishana (donc sœur de Ravana) respectivement; La version Jain, le Vasudevahindi de Samghadasa Gani, dit que Trijaṭā est une sœur de Ravana, Vibhishana, Kumbhakarna et Shurpanakha. Le commentaire de Jayamangala sur le Bhaṭṭikāvya décrit également Trijaṭā comme la sœur de Ravana.

Trijaṭā et Sītā

Dans la littérature ultérieure, Trijaṭā joue les rôles qui étaient attribués à Kala, Sarama et Mandodari dans le Ramayana original. Elle devient un personnage plus important dans les versions du Ramayana en Asie du Sud-Est, notamment dans les reprises indonésiennes telles que le Kakawin Ramayana.

Dans le Ramopakhyana (le récit de Rāma dans l'épopée Mahabharata), Sītā informe Hanuman que Trijaṭā lui a apporté un message d'Avindhya sur le bien-être de Rāma, et que lui et Lakshamana viendront bientôt la sauver de Lanka. Trijaṭā assume ainsi le rôle attribué à Kala dans le Ramayana original . Le Raghuvamsa, le Setubandha, le Balaramadasa Ramayana, le Kakawin Ramayana et le Seri Rama remplacent tous Sarama par Trijaṭā dans l'épisode où la vérité de la tête illusoire de Rāma est révélée à Sītā. Dans le Prasannaraghava, Trijaṭā informe Sītā de l'incendie de Lanka, à la place de Sarama. Le Balaramadasa Ramayana fait de Trijaṭā la sauveuse de Sītā, lorsqu'elle empêche Ravana de la tuer dans l'Ashoka Vatika ; ce rôle était initialement attribué à Mandodari. Trijaṭā sauve à nouveau la vie de Sītā lorsqu'un Ravana vengeur se précipite pour tuer sa captive après que son fils Indrajit a été tué à la guerre. Dans le Ramayana, Suparshva - un ministre de Ravana - l'arrête, tandis que d'autres adaptations attribuent cet acte à Avindhya ou Mandodari.

En plus de créditer Trijaṭā pour des actes attribués à d'autres dans l'épopée originale, la littérature ultérieure ajoute de nouveaux éléments qui lui accordent un rôle plus important. Dans le Ramayana, juste avant de rencontrer Hanuman, la pensée du suicide traverse l'esprit de Sītā, mais elle ne le tentera jamais. Dans le Prasannaraghava, Trijaṭā et Sītā engagent une "conversation amicale" avant que Ravana ne vienne à sa rencontre. Après le départ de Ravana, Sītā fait part à Trijaṭā de son intention de se suicider et la presse de l'aider à créer un bûcher. Trijaṭā, cependant, refuse, disant qu'il n'y a pas assez de bois de chauffage. Le Kakawin Ramayana raconte également que, lorsque Sītā voit les têtes coupées illusoires de Rāma et Lakshmana, elle prépare un bûcher. Trijaṭā est prête à mourir avec Sītā, mais veut d'abord informer son père Vibhishana. Elle revient avec la nouvelle du bien-être de Rāma. Plus tard, après avoir vu Rāma et Lakshmana liés par le Nagapasha d'Indrajit, Sītā demande à Trijaṭā de préparer à nouveau un bûcher, mais Trijaṭā attend de pouvoir confirmer la vérité auprès de son père et revient avec la nouvelle que Rāma est vivant.

De nombreuses adaptations du Ramayana racontent l'amitié et la camaraderie développées entre Trijaṭā et Sītā. Trijaṭā remplit deux objectifs importants : elle réconforte Sītā et la tient constamment au courant des événements de la guerre et du bien-être de Rāma. Le Balaramadasa Ramayana décrit Trijaṭā apaisant le chagrin de Sītā lorsqu'ils apprennent qu'Indrajit a blessé Rāma et Lakshmana une seconde fois. Dans le Balaramayana de Rajasekhara, Trijaṭā emploie deux rakshasas pour lui apporter des nouvelles du champ de bataille. LAnanda Ramayana raconte qu'en entendant le son de la conque de Lakshmana, Sītā presse Trijaṭā de découvrir ce qui s'est passé. Trijaṭā apprend la mort d'Indrajit par Lakshmana et transmet la nouvelle à Sītā. Le Ramcharitmanas de Tulsidas représente également Trijaṭā annonçant la nouvelle de la mort d'Indrajit à Sītā, à sa demande. Dans un autre épisode du texte, les deux discutent du duel imminent entre Rāma et Ravana le dernier jour de la guerre. Sītā craint que le Ravana à dix têtes ne soit invincible et que ses têtes coupées ne repoussent comme par magie. Trijaṭā rassure Sītā en lui disant que Rāma tuera Ravana en tirant une flèche dans le cœur du roi-démon. Le texte souligne que Trijaṭā est une dévote de Rāma, une caractéristique que l'on retrouve également dans le Bhavartha Ramayana.

Le Kakawin Ramayana raconte que, lorsque Sītā est tourmentée par ses 300 gardes rakshasi, seule Trijaṭā vient à son secours et lui offre du réconfort, lui tenant compagnie et jouant avec elle. Dans le Seri Rama, Trijaṭā (ici appelée "Dewi Srijati") est chargée de la garde de Sītā à Lanka. Celle-ci dit à Ravana qu'elle ne considérera même pas la proposition de mariage de Ravana tant que son mari est vivant, et qu'elle ne croira qu'il est mort que si elle voit sa tête dans les mains de Ravana. Pour tromper Sītā, Ravana lui rend visite avec deux têtes et proclame qu'elles appartiennent à Rāma et Lakshmana, mais Trijaṭā l'arrête et lui demande de revenir le lendemain. Elle présente les têtes à Sītā, qui décide de se suicider, mais Trijaṭā lui demande d'attendre jusqu'à ce qu'elle puisse vérifier la vérité. Portant la bague de Sītā, elle rencontre Rāma et reçoit en retour de celui-ci un fourreau tissé par Sītā. Elle est ramenée à Lanka par Hanuman. Lorsque Ravana arrive le lendemain, Trijaṭā le réprimande pour sa tromperie et l'informe qu'elle a elle-même rencontré Rāma la veille. Ravana, furieux, tente de tuer Trijaṭā, qui s'enfuit et cherche refuge auprès de Sītā, qui est blâmée. Trijaṭā est démise de ses fonctions et Sītā transférée dans un château de fer, gardé par une armée commandée par l'un des ministres de Ravana.

Trijaṭā comme agent de Ravana

Alors que Trijaṭā est généralement dépeinte sous un jour positif, les premières versions Jain du Ramayana l'ignorent ou la diabolisent comme agent de Ravana. Le Paumacriu de Svayambhudeva, ainsi que le Yogashastra et le Ramayana de Hemachandra disent que lorsque Hanuman rencontre Sītā et lui montre la chevalière de Rāma, Sītā est ravie ; Trijaṭā rapporte cela à son maître Ravana. Hemachandra souligne que le rôle de Trijaṭā était de "tenter" Sītā sur l'ordre de Ravana. Le , probablement influencé par les récits jaïns, dépeint Trijaṭā faisant appel à Sītā pour épouser Ravana et régner en tant que reine de Lanka ; c'est Sarama qui fait office d'amie de Sītā dans cette version.

Après la guerre
De nombreuses adaptations du Ramayana rapportent la gratitude de Sītā et Rāma qui récompense richement Trijaṭā.Dans la version du Mahabharata, Trijaṭā est récompensée et honorée par Rāma à la fin de la guerre.

Le Balaramayana mentionne qu'après la guerre, Trijaṭā accompagne Sītā vers son royaume d'Ayodhya dans le Pushpaka Vimana ; Rāma utilise le Pushpaka Vimana pour retourner à Ayodhya. Dans l' Ananda Ramayana, Trijata et Sarama se rendent tous deux à Ayodhya dans le Pushpaka Vimana. Plus tard, lorsque Sītā visite Lanka, elle dit à Sarama de traiter Trijaṭā comme elle la traiterait. Le Kakawin Ramayana mentionne comment Trijaṭā est honorée avec de riches cadeaux par Sītā à Ayodhya en tant que son fidèle compagnon et son réconfort, et celui qui lui a sauvé la vie deux fois.

Le plus ancien manuscrit indien à mentionner la présence de Trijaṭā à Ayodhya est le Paumacriu. Beaucoup suggèrent qu'après l'exil de Sītā et la bataille qui s'ensuit entre Rāma et ses fils, Sītā est de nouveau acceptée par Rāma. Trijaṭā et Lankasundari sont appelées de Lanka pour attester de la chasteté de Sītā et toutes deux suggèrent une épreuve pour convaincre le monde de sa pureté.

Dans le Ramakien thaïlandais, Hanuman aide Vibhishana (ici appelé Phipek) à tuer un démon. Hanuman épouse ensuite Trijaṭā (Benchakai) ; leur union donne naissance à un fils, Asurapada, un démon à tête de singe. Dans la version malaise, après la grande guerre, Vibhishana demande à Hanuman d'épouser sa fille Trijaṭā (Seri Jati). Hanuman accepte, à la condition qu'il ne reste avec elle qu'un mois. Alors que Hanuman part pour Ayodhya avec Rāma, Trijaṭā donne naissance à son fils Hanuman Tegangga (Asurapada). La tradition des marionnettes Wayang javanaise et sundanaise présente également Trijaṭā comme l'épouse de Hanuman.

Souvenir et évaluation
On se souvient de Trijaṭā comme d'une amie et d'une compagne loyale de Sītā dans les moments difficiles. Camille Bulcke, spécialiste de la littérature de Rāma, résume son caractère :
Pendant plus de vingt siècles, les poètes, qui ont raconté l'histoire de Rāma, ont traité avec amour de l'amitié de Trijatā pour Sītā. [...] [Trijatā] a conquis le cœur de ces poètes, et à travers eux, le cœur de tous ceux qui prennent connaissance de l'histoire de Rāma. [...] les poètes du Rāmāyana [...] ont conféré à l'humble Trijatā la faveur de l'immortalité. Aucun rêve n'est mieux connu en Inde que celui de Trijatā, qui vivra à jamais dans le cœur de millions de personnes comme l'idéal d'une véritable amie, parce qu'elle a réconforté Sītā dans son heure la plus sombre : "Un ami dans le besoin est vraiment un ami".

Un temple dédié à Trijaṭā (appelée Tirjaṭā dans cette région) se trouve près du temple de Kashi Vishwanath, le temple le plus important de Varanasi. Selon la tradition locale, Trijaṭā voulait accompagner Sītā à Ayodhya, mais Sītā lui a répondu qu'elle ne serait pas admise à Ayodhya car elle était une démone. Sītā lui suggére de visiter Varanasi et d'atteindre moksha (émancipation) et lui donne la bénédiction d'être vénérée comme une déesse. Trijaṭā bénéficie d'un culte quotidien en tant que déesse locale. Des fleurs et des légumes verts sont offerts pour l'apaiser. Les femmes qui se rendent au sanctuaire pendant sept mercredis consécutifs sont censées recevoir la bénédiction d'avoir une progéniture et de voir leur famille protégée par la déesse. De nombreux dévots affluent au sanctuaire , le dernier jour du mois hindou de Kartika et son lendemain, le premier jour du mois de Mārgashīrsha. On croit que la déesse exaucera les souhaits de tous ceux qui se prosternent dans son sanctuaire, après avoir rendu hommage au temple de Kashi Vishwanath le jour de Kartik Poornima. Le premier jour de Margashirsha, les fidèles qui ont observé un vrata (jeûne) dans le mois précédent de Kartik concluent le vrata en se baignant dans le Gange au Dashashwamedh Ghat au nom de Trijaṭā. La tradition locale veut que Rāma a accordé une faveur à Trijaṭā : ceux qui ne se baignent pas en son honneur après avoir observé le vrata perdront tout le mérite (punya) - acquis grâce au jeûne - envers elle

Un temple de Trijaṭā existe également dans le complexe du temple de Balveer Hanuman, Ujjain. Une puja spéciale (rituels de culte) est offerte à la déesse pendant 3 jours, à partir de Kartik Poornima

Dans le Télougou Sita Puranamu,  représente Trijaṭā comme la fille du dravidien Vibhishana et de l'aryenne Gandharva Sarama. Trijaṭā, une demi-aryenne, est qualifiée de traître, car elle trahit son oncle Ravana et aide Sītā. La trahison de Vibhishana envers son frère et sa défection pour Rāma sont également imputées à sa femme aryenne.

Notes et références

Sources

Divinité hindoue
Personnage du Ramayana
Déesse hindoue

Trijaṭā


Lynchville bezeichnet mehrere

Orte in den Vereinigten Staaten:
 Lynchville (Maine)
 Lynchville (Pennsylvania)
 Lynchville, ehemaliger Name von San Ramon (Kalifornien)

Lynchville


Haworthia chloracantha es una especie de planta suculenta perteneciente a la familia Xanthorrhoeaceae. Es originaria de Sudáfrica.

Descripción
Es una planta suculenta perennifolia que alcanza un tamaño de 2 a 20 cm de altura. Se encuentra a una altitud de 500 a 1000 metros en Sudáfrica.

Taxonomía
Haworthia chloracantha fue descrita por Adrian Hardy Haworth y publicado en Saxifragearum Enumeratio. . . accedunt revisiones plantarum succulentarum 2: 57, en el año 1821.
Variedades aceptadas

 Haworthia chloracantha var. denticulifera (Poelln.) M.B.Bayer
 Haworthia chloracantha var. subglauca Poelln.
Sinonimia
 Aloe chloracantha (Haw.) Schult. & Schult.f.
 Catevala chloracantha (Haw.) Kuntze

Referencias

Enlaces externos

chloracantha

Haworthia chloracantha


Ladeur ist der Familienname folgender Personen:

 Axel LaDeur (* 1966), Kirchenmusiker
 Karl-Heinz Ladeur (* 1943), Rechtswissenschaftler

Ladeur


August Förster GmbH est une fabrique de pianos allemande basée à Löbau.

Histoire

L'entreprise est fondée par le facteur de pianos et menuisier saxon  (1829-1897) à Löbau le 1er avril 1859. Après sa mort, son fils Caesar Förster reprend la direction. En 1900, il fonde une succursale à Georgswalde (Bohême). Cette dernière est expropriée et nationalisée par le gouvernement tchécoslovaque après la fin de la Seconde Guerre mondiale en 1945. Pendant le régime communiste, la société tchèque de fabrication de pianos Petrof continue à produire des pianos dans cette usine sous la marque August Förster. Pendant la RDA en 1972, l'usine de Löbau devient une partie de l'entreprise publique VEB Flügel- und Pianobau Löbau. L'entreprise traditionnelle appartient à nouveau à la famille Förster depuis 1991 et est dirigée par Annekatrin Förster depuis 2008.

Instruments

Environ 260 instruments sont fabriqués à la main par 40 employés chaque année. Le portefeuille se compose (à partir de 2016) de pianos de trois hauteurs différentes : 116 cm, 125 cm et 134 cm, ainsi que de pianos à queue de quatre longueurs différentes : 170 cm, 190 cm, 215 cm et 275 cm. Les tables d'harmonie Förster sont aujourd'hui fabriquées en épicéa rouge (Picea abies), qui provient de la vallée de Fiemme du Tyrol du Sud - où le luthier Antonio Stradivari se fournissait déjà en bois de résonance.

Constructions spéciales
Parmi les instruments historiques intéressants, on trouve un électrochord des années 1920 et 1930, plusieurs étapes de l'évolution des pianos de concert à quarts de tons ainsi qu'un piano à quarts de tons.

Bibliographie
 Gabriel Wandt: Musik in den Händen: Die Pianomanufaktur August Förster. in:  Heft 3/2017, S. 256–259

Liens externes

 Site de la fabrique de pianos August Förster

Facteur de piano
Entreprise de facture instrumentale
Entreprise ayant son siège en Saxe
Entreprise fondée en 1859
Löbau

August Förster (entreprise)


Dschabra Ibrahim Dschabra (, Ǧabrā Ibrāhīm Ǧabrā; * 1920 in Betlehem, Palästina; † 1994 in Bagdad, Irak) war ein palästinensischer Schriftsteller.

Biografie

Dschabra Ibrahim Dschabra stammt aus einer christlichen Familie und verbrachte seine Kindheit in Betlehem, seine Jugend in Jerusalem. 1939 erhielt er ein Stipendium für ein Studium in England. Er studierte zuerst in Exeter, dann in Cambridge bis 1934 englische Literatur.

"Der zionistische Terror veranlasste seine Familie, 1948 nach Betlehem zurückzugehen".

Kurz darauf ging er ins Exil in den Irak und unterrichtete an einer Universität in Bagdad. Später ging er in die USA und unterrichtete in Harvard und Berkeley. Er arbeitete in der Informationsabteilung der irakischen Erdölgesellschaft. Er heiratete in Bagdad und lebte dort bis zu seinem Tod. Einer seiner Söhne lebt in den USA, der andere in Neuseeland.

Bedeutung

Dschabra Ibrahim Dschabra ist ein wichtiger arabischer Dichter und Schriftsteller. Neben seinen Gedichten und Romanen verfasste er zahlreiche Übersetzungen aus dem Englischen ins Arabische, darunter von Samuel Becketts Warten auf Godot, William Faulkners Schall und Wahn, Oscar Wildes Der glückliche Prinz und andere Märchen sowie zahlreiche Werke von William Shakespeare, darunter Hamlet, König Lear, Macbeth, Coriolanus, Der Sturm und Was ihr wollt, dazu literaturwissenschaftliche Sekundärliteratur.

Werke (Auswahl)
 Tammūz fī al-madīnah (Tammūz in der Stadt). 1959.
 Al-ḥurrīyah wa-at-tūfān. 1960.
 Hunters in a Narrow Street. 1960.
 Al-madār al-muġlaq (Der geschlossene Kreis). 1964.
 Ar-riḥlah aṯ-ṯāminah. 1967.
 As-safīnah (Das Schiff). 1970.
 Französische Übersetzung: Le navire. Presses de l'UNESCO, 1997. ISBN 9232033720. Arcantères, 1999. ISBN 2843420008.
 Englische Übersetzung von Adnan Haydar und Roger Allen: The Ship. Three Continents, 1985. ²1995, ISBN 0894103296.
 'Araq wa-qiṣaṣ uḫrā ('Araq und andere Erzählungen). 1974.
 Ṣarāḫ fī layl ṭawīl (Ein Schrei in einer langen Nacht). 1974.
 Ǧawād Sālim wa-nuṣb al-ḥurrīyah.
 An-nār wa-al-ǧawhar. 1975.
 Al-baḥṯ 'an Walīd Mas'ūd (Die Suche nach Walīd Mas'ūd). 1978.
 Englische Übersetzung von Roger Allen und Adnan Haydar: In Search of Walid Masoud. Syracuse University Press, 2000, ISBN 081560646X.
 Yanābi' ar-ru'yā. 1979.
 Law'at aš-šams (Das Brennen der Sonne). 1981.
 'Ālam bi-lā ḫarā'iṭ (Eine Welt ohne Karten). 1982. Gemeinsam mit Abd ar-Rahman Munif.
 Al-ġuraf al-uḫrā (Die anderen Räume). 1986.
 Deutsche Übersetzung von Heiko Wimmen: Das vierzigste Zimmer. Lenos, Basel, 1999, ISBN 3-85787-277-2
 Al-bi'r al-ūlā (Der erste Brunnen). 1987.
 Deutsche Übersetzung von Kristina Stock: Der erste Brunnen. Eine Kindheit in Palästina. Lenos, Basel, 2001, ISBN 3857876611.
 Malik aš-šams (Der König der Sonne). 1988.
 The Grass Roots of Iraqi Art. Wasit Graphic, 1983.
 Deutsche Übersetzung: Die erste Sprache der Welt. Moderne irakische Kunst. Diwan, Berlin, 2004, ISBN 3000150889.

Literatur

  Heinz Odermann, Wolfgang Skillandat (Herausgeber): Kurzbiografie Djabra Ibrahim Djabra;  in: Erkundungen – 16 palästinensische Erzähler. Verlag Volk und Welt Berlin 1983, Seite 237 f.

Fußnoten

Autor
Literatur (20. Jahrhundert)
Literatur (Arabisch)
Roman, Epik
Lyrik
Palästinenser
Geboren 1920
Gestorben 1994
Mann

Dschabra Ibrahim Dschabra


Kaos er en dansk kortfilm fra 2010 instrueret af Mads Mengel efter eget manuskript.

Handling
En historie om det forfærdelig og vidunderlige kaos, mellem to mennesker. Det handler om kærlighed.

Medvirkende
 Morten Lindemann Olsen, Mand
 Sandra Elsfort, Kvinde

Referencer

Eksterne henvisninger

Kortfilm fra Danmark
Danske film fra 2010

Kaos (film)


An Phreatia taiwaniana in uska species han Liliopsida nga ginhulagway ni Noriaki Fukuyama. An Phreatia taiwaniana in nahilalakip ha genus nga Phreatia, ngan familia nga Orchidaceae.

Mabibilngan ini ha Taiwan. Waray hini subspecies nga nakalista.

Mga kasarigan

Phreatia

Phreatia taiwaniana


مراد مغني   لاعب كرة قدم جزائري. ولد في 16 أفريل 1984 بباريس,كان يلعب في فريق نادي بولونيا وهو الآن ينشط في فريق نادي شباب قسنطينة الجزائري فاز مع منتخب فرنسا تحت 17 سنة بكأس العالم سنة 2001 كما أنه لعب في منتخب فرنسا تحت 21 سنة لكنه في أوت 2009 تم استدعائه للعب في صفوف منتخب الجزائر أول مرة في مباراة ودية ضد الأوروغواي بقيادة رابح سعدان.

لعب مع المنتخب الجزائري لحد الآن 9 مباريات.
متزوج من فرنسية وفي سنة 2009رزق بمولود سماه عمران نسبة إلى سورة ال عمران

السيرة الذاتية
مراد مغني ابن لوالد جزائري ولد بالجزائربمدينة أولاد هداج الرغاية وأم جزائرية الاصل تعيش في البرتغال.وقيل انها من عائلة عياد في ولاية سيدي بلعباس. وله شقيق أكبر اسمه سعيد هو أقرب شخص لمراد (يعتبر مراد مغني معشوق الكرة الجزائرية بدون منازع بدخوله قلوب الملاين بدرجة انهم احبو مراد الشخص أكثر من الاعب).

البدايات
بدأ مراد مداعبة الكرة في أحياء العاصمة الفرنسية باريس قبل أن ينضم للمدرسة التكوينية الأكبر من نوعها في فرنسا كليرفونتين التي أخرجت نجوم كبار كتيري هنري ونيكولاس أنيلكا... الخ من اللاعبين الكبار.

احترافه
عندما بلغ مراد الـ16 سنة من عمره وبعد أن أبهر فرنسا بإمكانياته انتقل إلى نادي بولونيا الإيطالي الذي لعب له في الفريق الثاني، وكان في كثير من الأحيان يلعب للفريق الأول ويلعب مباريات كبيرة حتى سنة 2006 حين أعير إلى نادي سوشو الفرنسي بعد أن لعب 37 مباراة مع نادي بولونيا في الدوري الإيطالي خلال ثلاث سنوات، سجل خلالها 5 أهداف.

و بعد أن أعير إلى نادي سوشو تابعته كل وسائل إعلام فرنسا وأقنع الجميع بإمكانياته خلال موسم واحد جعل نادي بولونيا يعيد مراد بسرعة ويضمه للفريق الأول للنادي الإيطالي.
و تألق مراد بشكل أكبر في الموسم الأول في إيطاليا بعد رجوعه من فرنسا حيث لعب جميع المباريات مع فريقه بمجموع 35 مباراة سجل خلالها هدفين وأعطى 08 تمريرات حاسمة جعلت مراد تحت الأضواء في إيطاليا وهو في سن الـ23 ربيعا. فانتقل لنادي أكبر وهو نادي العاصمة الإيطالية روما وهو لازيو روما مقابل مليوني يورو.
في لازيو روما قدم مراد الكثير خاصة في موسمه الأول (2007/2008) حيث كان النادي الإيطالي مدعو للمشاركة في دوري الأبطال الأوروبية، حيث أمتع أوروبا بفنياته خاصة عندما لاقى نادي ريال مدريد في سانتياغو برنابيو ولعب مراد في أول موسم له مع لازيو 23 مباراة وسجل أولى أهدافه ضد نادي باوك سالونيكا اليوناني. في الموسم الثاني قدم مراد أداء جيد على العموم حيث لعب 22 مباراة مع ناديه وأحرز كأس إيطاليا وكأس السوبر الإيطالية وأعطى 5 تمريرات حاسمة. وفي هذا الموسم لعب مراد 7 مباريات مع ناديه وسجل هدف وحيد ضد نادي ليفسكي صوفيا في بطولة الدوري الأوروبي وهو بالنسبة للجزائريين الامل الوحيد لكرتهم في الوقت الراهن وتبلغ درجة حبه عندهم إلى حد عدم لعبه واكتفائهم فقط بمشاهدته في التعداد ليزيد من عزيمة جمهورة وانصاره مثلما كاد ان يحدث في كاس العالم الأخيرة عندما كان مراد مصابا لكن الجماهير طالبت باخده ضمن التعداد الدي خاض كاس العالم رغم اصابته وتفائلا به ولعب مع أم صلال والخور وعاد لاصلال والان في اعارة لفريق لخويا مدة 6 شهور.

مع المنتخب
 لعب مراد مغني للمنتخب الفرنسي وأحرز معه كأس العالم لأقل من 17 سنة وكان أفضل لاعب فيها وتقمص في عدة مرات ألوان المنتخب الأولمبي قبل أن يرفض دعوة المنتخب الأولمبي الفرنسي واتصل برئيس الاتحادية الجزائرية محمد روراوة لإيجاد حل ليمثل مراد منتخب بلاده الأصلي وهذا ما فعله رئيس الاتحادية حيث أتاح لمراد فرصة تقمص ألوان المنتخب الجزائري وهذا ما تحقق بداية من لقاء الأوروغواي في أوت 2009و شارك في تصفيات كأس العالم لكرة القدم 2010 مع المنتخب الوطني وشارك في مباراة الفاصلة أمام المنتخب المصري في 18 نوفمبر وبعدها تأهل المنتخب الوطني ولكأس أفريقيا 2010 وكأس العالم 2010 وشارك مصابا في كأس أفريقيا 2010 حيث تفاقمت له الإصابة واضطر إلى إجراء عملية جراحية أبعدته 10 أشهر عن الملاعب والتي بددت له المشاركة في كأس العالم 2010.
 وينتظر عودته في الأيام القادمة، وبداع تلقيه الإصابة التي أبعدته عن الميادين أكثر من ستة ونصف أشهر تلقى العلاج في قطر وبعدها أمضى في نادي الوصل القطري.

تتويجاته
 وصيف بطل أوروبا سنة 2000 مع منتخب فرنسا تحت 16 سنة.
 كأس العالم سنة 2001 مع منتخب فرنسا تحت 17 سنة.
 كأس إيطاليا سنة 2009 مع نادي لاتسيو.
 كأس السوبر الإيطالي سنة 2009 مع نادي لاتسيو.
 التأهل لكأس العالم 2010 بجنوب أفريقيا مع المنتخب الجزائري.
 بطل العالم اليوم وكل يوم.
 نائب بطل أوروبا تحت 21 و 17 سنة 2001.

المهمة صعبة، لكنها ليست مستحيلة
عاد مراد مغني إلى التدريبات مع ناديه لازيو منذ شهر، شهر تدرب خلاله الدولي الجزائري بصفة طبيعية دون أي مضاعفات أو أي آلام، لكن هذا لم يكن كافيا حتى يحصل على ثقة مدربه ريجا، فهو إلى حد الآن لم يحصل على فرصته بالمشاركة في مباراة رسمية، وضعية لا تقلق اللاعب الجزائري، ما دام أنه يعرف مسبقا أن الأمور لن تكون سهلة من أجل ذلك. الصحفيون والمتتبعون الذين اقتربنا منهم، أكدوا لنا أن مهمة مغني في العودة وفرض نفسه في الفريق ستكون في غاية التعقيد، خاصة أنه في ظل الموسم الجيد الذي يحققه فريق العاصمة بفضل خط وسط مدعم بلاعبين مميزين للغاية يجعلون من مهمة مغني في اللعب صعبة جدا. محدثونا أكدوا لنا أن المدرب ريجا ليس مستعدا لتغيير خططه ولا تشكيلته من أجل منح الفرصة لـ مغني خلال الفترة المقبلة، والأمور ستتعقد أكثر مع عودة بعض اللاعبين الأساسيين الغائبين مؤخرا بسبب الإصابة.

وصلات أخرى

وصلات داخلية
 المنتخب الجزائري لكرة القدم

وصلات خارجية
 البطاقة الشخصية من موقع Goal

روابط خارجية

المصادر

لاعبو كرة قدم رجالية مغتربون في إيطاليا
لاعبو كرة قدم رجالية فرنسيون
لاعبو كرة قدم رجالية مغتربون في قطر
أشخاص على قيد الحياة
جزائريون من أصل برتغالي
رياضيون جزائريون مغتربون في إيطاليا
رياضيون جزائريون مغتربون في قطر
رياضيون فرنسيون من أصل جزائري
رياضيون من باريس
فرنسيون من أصل برتغالي
فرنسيون من أصل جزائري
لاعبو الدوري الإيطالي
لاعبو الدوري الإيطالي الدرجة الثانية
لاعبو الدوري الفرنسي
لاعبو الرابطة الجزائرية المحترفة الأولى لكرة القدم
لاعبو بولونيا
لاعبو دوري نجوم قطر
لاعبو سوشو
لاعبو شباب قسنطينة
لاعبو كان
لاعبو كأس الأمم الإفريقية 2010
لاعبو كرة قدم جزائريون
لاعبو كرة قدم جزائريون مغتربون
لاعبو كرة قدم رجال جزائريون
لاعبو كرة قدم فرنسيون
لاعبو كرة قدم مغتربون في إيطاليا
لاعبو كرة قدم مغتربون في قطر
لاعبو كرة قدم من باريس
لاعبو لاتسيو
لاعبو منتخب الجزائر لكرة القدم
لاعبو منتخب فرنسا تحت 21 سنة لكرة القدم
لاعبو منتخب فرنسا لكرة القدم للشباب
لاعبو نادي الخور
لاعبو نادي الدحيل
لاعبو نادي أم صلال
لاعبو وسط كرة قدم رجالية
لاعبون من مركز كليرفونتين
مواليد 1404 هـ
مواليد 1984
مواليد في باريس
لاعبو كرة قدم رجال جزائريون مغتربون

مراد مغني


إكونوم كان ملكاً على الإمبراطورية الآشورية بين عام 1867 قبل الميلاد وعام 1860 قبل الميلاد حيث كان ابناً ل (لوشوما).

عرف هذا الملك لأجل بنائه معبد لله باسم (نينكيجال) لتقوية التحصينات لمدينة آشور كما عُنِي بصيانة الستعمرات التجارية في آسيا الصغرى وتركيا.

ملاحظات
 Rogers, Robert (2003). A History of Babylonia and Assyria, Lost Arts Media. .
 Bertman, Stephen (2005). Handbook to Life in Ancient Mesopotamia. New York: Oxford UP. p. 88.

المراجع

 Bertman, Stephen (2005). Handbook to Life in Ancient Mesopotamia. New York: Oxford UP.

حكام القرن 19 ق م
سنة الولادة غير معروفة
ملوك آشوريون
وفيات القرن 19 ق م
وفيات القرن 20 ق م

إكونوم


Ivana Massetti (* in Paris) ist eine italienische Filmregisseurin.

Massetti, der auch fälschlicherweise einige Actionfilme der 1980er Jahre zugeschrieben werden, debütierte nach der Inszenierung einiger Musikvideos 1988 (so für Pooh) für das Kino mit Domino sucht Liebe; den sie auch geschrieben hatte. Nach einigen Fernsehaufträgen folgte zehn Jahre später Nadro über den ivorischen Künstler Frédéric Bruly Bouabré.

Sie ist mit dem Amerikaner John Sperry verheiratet, mit dem sie auch mehrere Projekte der gemeinsamen Gesellschaft "Nomads Entertainment" gemeinsam verwirklichte.

Filmografie (Auswahl)
 1988: Domino sucht Liebe (Domino)
 1998: Nadro

Weblinks

Einzelnachweise

Filmregisseur
Drehbuchautor
Italiener
Geboren im 20. Jahrhundert
Frau

Ivana Massetti


Privolni  es un jútor del raión de Labinsk del krai de Krasnodar, en el sur de Rusia. Está situado en la orilla izquierda del río Kuksa, afluente del Labá, tributario del Kubán, 18 km al sureste de Labinsk y 159 km al sureste de Krasnodar, la capital del krai. Tenía 159 habitantes en 2010

Pertenece al municipio Vladímirskoye.

Enlaces externos y referencias

Este artículo contiene datos geográficos extraídos de Google Earth y el mapa de Rusia de Yandex.ru, accesible desde este enlace.
Este artículo es en parte una traducción de su correspondiente en la edición en ruso de Wikipedia, Привольный (Лабинский район).
Información sobre el municipio en un sitio web no oficial del raión .
Mapa topográfico soviético en maps.vlasenko.net

Localidades del raión de Labinsk del krai de Krasnodar

Privolni (Labinsk, Krasnodar)


Alameşe, Kahramanmaraş ilinin Andırın ilçesine bağlı bir mahalledir.
Köy 104 haneden oluşmaktadır.

Ateşler, Merkez ( Çukur ), Gökçe kayrak, Bozalan obalarıdır.

Coğrafya
Kahramanmaraş iline ? km, Andırın ilçesine ?17 km uzaklıktadır.

Nüfus

Dış bağlantılar

Andırın'ın mahalleleri

Alameşe, Andırın


Johannes Kühn ist der Name folgender Personen:

* Johannes Kühn (Historiker) (1887–1973), deutscher Historiker
 Johannes Kühn (Schriftsteller) (1934–2023), deutscher Schriftsteller
 Johannes Kühn (Schauspieler) (* 1981), deutscher Schauspieler und Sprecher
 Johannes Kühn (Biathlet) (* 1991), deutscher Biathlet

Siehe auch:
 Johann Kühn
 Hans Kühn
 Johannes Kuhn
 Johann Kuhn
 Hans Kuhn

Johannes Kühn


Potemkin Zırhlısı, 1925 Sovyetler Birliği yapımı sessiz filmdir. Özgün adı Bronyenosyets Potyomkin (Броненосец «Потёмкин») olan film Türkiye'de ilk kez 1927'de gösterilmiştir.

Rusya'nın ve Avrupa'nın en eski ve büyük film stüdyosu olan Mosfilm tarafından yapılan filmin yönetmeni Sergei Eisenstein'dır. Yönetmenin ikinci filmi olan Potemkin Zırhlısı konusunu Potemkin Zırhlısı Ayaklanması olarak bilinen gerçek bir olaydan almıştı. Filmde, 1905 yılında Rusya'nın Karadeniz filosuna bağlı Savaş Gemisi Potemkin'de dayanılmaz yaşama şartlarından bezmiş mürettebatın Çar rejimine bağlı subaylara karşı başlattıkları bir ayaklanmanın sonunda gemiyi ele geçirmeleri ve sonrasında gelişen olaylar dramatize edilerek
anlatılmıştır.

"Potemkin Zırhlısı Ayaklanması" 1917'de gerçekleşecek olan Ekim Devrimi'nin bir provası niteliğinde olduğu için film, 1925 yılında Sovyet hükûmeti tarafından bir devrim propagandası filmi olması için özellikle ısmarlandı. Ama Sergei Eisenstein bunun çok ötesine geçerek filmde kurgu (montaj) ile ilgili kuramlarının tamamını deneme fırsatı buldu. Ortaya sinemasal açıdan da devrimci bir film çıktı, artık sinemada kurgunun hayati bir önemi olduğu anlaşılmıştı.

Potemkin Zırhlısı tüm zamanların en etkileyici filmlerinden biridir ve 1958 yılında Belçika'nın Brüksel şehrinde açılan Dünya Fuarında "tüm zamanların en büyük filmi" olarak ilan edilmişti.

Filmin tarzı ve genel bakış

Kasıtlı bir şekilde devrim propaganda filmi olarak çekilmiştir. Eisentein  bu filmde montaj yeteneklerini de test etmiştir. Rus Devrimci film yapımcılarının okulu Kuleşov film yapımı okulu daha seyirciler üzerinde montaj tekniğini hazmetmeye çalışırken, Eisenstein filmdeki montajlarıyla seyirci üzerinde muhteşem bir duygusal düşünceler oluşturmayı başarıp böylece çarlık rejimi altında ezilen insanlar için sempati oluşmasını (özellikle devrimci zırhlı gemi "Potemkin") ve cani çarlık rejimi için de nefret beslenmesini sağlamıştır ve bu etkileme düzeni o kadar kusursuz kurulmuştur ki seyirci ister istemez bir sempati oluşturur.

Eisenstein'in deneyi mükemmel bir başarı elde etmişti. "Potemkin bütün Rusya'da sinemalarda oynamasına rağmen, mahkeme kararıyla diğer ülkelerin sinemalarında fazla gözükmedi. Fakat Rusya'daki ve uzakdenizlerdeki seyircileri şok eden sadece politik olaylar değildi. O zamanın teknikleriyle gerçekleştirilen üstün şiddet ve vahşet sahneleriydi. Nazi propaganda elçisi (Joseph Goebbels) bile film için "Eşi benzeri olmayan şaheser. Bu filmi izleyen insan bir Bolşevik olabilir." demiştir.

Filmin bölümleri
Film beş bölümden oluşmuştur:
 "İnsanlar ve kurtçuklar" (Люди и черви): Bu bölümde gemide kurtlu ve kokuşmuş et yemeye zorlanan mürettebatın protestoları gösterilir.
 "Limandaki dram" (Драма на тендре): Gemi mürettebatının isyanı ve liderleri Vakulinçuk'un öldürülmesinin anlatıldığı bölümdür.
 "Ölü bir adam adalet arıyor" (Мёртвый взывает): Vakulinçuk'un cenazesinin Odessa'ya getirilmesi ve şehir halkının mürettebatla birlikte onun yasını tutmaları anlatılır.
 "Odessa merdivenleri" (Одесская лестница): Çar'ın Kazak askerlerinin Odessa şehrinin ünlü merdivenlerinde isyan eden sivil halkı katlettiği sahnedir.
 "Filo ile randevu" (Встреча с эскадрой): Potemkin Zırhlısı'nı yakalamak için Çar'ın gönderdiği Karadeniz donanmasına ait bir filonun taraf değiştirerek Potemkin'in mürettebatının yanında yer alması anlatılır.

Oyuncu kadrosu

Odessa Merdivenleri sahnesi

Filmin en meşhur sahnesi Odessa merdivenlerindeki kıyımdır (Primorski (Potemkin) Merdivenleri). Çarlık askerleri beyaz yazlık tunikleriyle sanki havada süzülürcesine ve çok ritmik bir şekilde -makine gibi- merdivenlerden inerken, merdivenlerde askerlerden kaçan sivil insanların katledildiği sahnedir.

Bu sahne Eisensteinin montaj tekniğine en iyi örnek olabilir. Ayrıca Leni Riefenstahl İradenin Zaferi (Almanca, Triumph des Willens) adlı filminde aynı montaj tekniğini uygulamaya çalışmıştır.

Bu teknik bundan sonra gelecek olan birçok filmde yer almıştır. Örnek olarak Francis Ford Coppola'nın Babasında, Brian De Palma versiyonu olan The Untouchablesında, Terry Gilliam'ın Brazil filminde, Çıplak Silah 33⅓  ve en yeni örneği olarak da Yıldız Savaşları: Bölüm III - Sith'in İntikamını gösterebiliriz (askerlerin "yukarı" çıkma sahnesi hariç).

Ayrıca yönetmenliğini komedyen Woody Allen'ın yaptığı Bananas filminde bu sahne ufak bir şaka olarak kullanılmıştır.

Fakat Eisenstein'nın merdivenlerde görüntülediği kıyımda bir mantık hatası vardır. Askerler insanları kıyıma uğrattığı halde merdivenler sapasağlam durmaktadır.

Eski sansürler ve genel yenilemeler

Film Rusya'da yayınlandıktan sonra Alman yayıncılar tarafından bazı sahneler (kıyım ve şiddet sahneleri) makaslanıp sinemalara çıktı. Ruslar,  Leon Troçki'nin yazdığı Rusça film tanıtımında Josef Stalin hakkında kafasında takıldığı ve yazdığı yazılarıda kesmişlerdir. Daha sonra film Naziler tarafından yasaklanıp yayından kaldırılmıştır. Ardından da filmin devrim'e kışkırtıcı propaganda olduğunu düşünen İngiltere ve Fransa yasaklamıştır.

2004 yılında filmin üç yıl süren yeniden yapılandırılma aşaması tamamlandı. Vahşet sahneleri teker teker düzeltildi. İsyancı denizcilerin dudak hareketlerinden ne konuşmaya çalıştığı çıkartılıp düzgün ve başlıklara uyacak bir şekilde İngilizceye tercüme edilmeye çalışılmıştır.

Müzikler Hakkında

Orijinal müzikler Edmund Meisel tarafından bestelenmiştir. Premieri 1926 yılında  Berlin'de bir salon orkestrasıyla yapılmıştır. Orkestra; flüt/pikolo, trompet, trombon, harmonyum, çeşitli perküsyon aletleri ve yaylı çalgılardan (viyolalar hariç) oluşmaktaydı. Meisel bütün besteyi 20 gün ve gece süresinde yazdı. Fakat diğer ülkelerde sansür sorunları çıkınca bütün besteleri tekrar gözden geçirip değişiklikler yaptı. Besteci ve orkestra şefi olan Mark-Andreas Schlingensiepen bütün şarkıları tekrar besteledi ve geliştirilmiş haline orijinal piyano notalarını da ekledi.
21yi yüzyılda film tekrar yapılmaya karar verilince Pet Shop Boys 2004  yılında yeni bir soundtrack yaparlar ve bu şarkıyı Dresdner Sinfoniker orkestrası çalar. Soundtrack 2005 yılında Battleship Potemkin adında çıkar.

Diğer ülkelerdeki isimleri ve gösterim tarihleri

Filmin Posterleri

 posterlerin kaynağı

Film hakkında notlar
 "Potemkin Zırhlısı" nın 1925 yılında Moskova'da gösterime girdiği hafta, Douglas Fairbanks'in başrolünü oynadığı 1922 yapımı ABD filmi Robin Hood da henüz sinemalarda gösterilmekteydi. Her iki film arasında bir gişe rekabeti yaşanıyordu, yetkililer Sovyet filminin kazanmasını arzuluyorlardı ama çok küçük bir farkla Robin Hood gişede Potemkin Zırhlısı'nı geçti.
 Charles Chaplin bu filmin en çok beğendiği film olduğunu söylemişti.
 Çalışan sınıfları isyana teşvik edeceğinden korkularak 1926 yılında İngiltere'de filme gösterim sertifikası verilmeyerek yasaklandı. Bu gösterim yasağı 1954 yılına kadar sürdü, bu tarihte de ancak X sertifikası ile gösterilmesine izin verildi.
 2004 yılında ise İngiliz pop grubu Pet Shop Boys'dan bu sessiz film için yeni bir müzik bestelemeleri istendi. Grup kısa sürede ısmarlanan müziği besteledi ve film bu yeni müziği ile Londra'nın Trafalgar Meydanı'nda 12 Eylül 2004 tarihinde canlı bir konser eşliğinde dev ekrana projeksiyonu yapılarak izleyicilere gösterildi.
 Gerçek "Potemkin Zırhlısı" 1897'de Çar Hükûmeti tarafından Japon tehlikesine karşı Ukrayna'daki Nikolayev  Tersaneleri'nde kızağa koydurulmuştu. Aynı anda inşasına başlanan "Retvizan" adında bir ikizi vardı. Ancak Retvizan'ın yapım mukavelesi ABD'de Philadelphia Donanma Tersanelerine verilmişti. O gemi ABD'de 3 yılda bitirilirken "Potemkin" in inşası Rusya'da 6 yılda tamamlanabildi.(Bazı kaynaklar Potemkin'in de ABD'de yapıldığını belirtmişerdir). Potemkin 1904'te Rus Donanması'na teslim edildi. Filmde kullanılan ve Potemkin olarak gösterilen gemi de gerçek Potemkin zırhlısı değil, ondan daha eski bir gemi olan "Dvenadstat Apostolov" (Oniki Havari) adlı bir gemiydi. Sergei Eisenstein istese de gerçek Potemkini kullanamazdı, çünkü gemi 1922 yılında hurdaya çıkartılarak sökülmüştü.

Dış bağlantılar
 'Tr-Wikipedia 'da ilgili link' Ekim Devrimi
 posterlerin kaynağı
 Video - Odessa Merdivenleri Sahnesi
 KURGU YÖNTEMLERİ - (Film Biçimi "Sergey M. Eisenstein" Çeviren: Nijat Özön)
 Sergey M. Eisenstein'ın Kitabı "Film Duyumu" Önsözü - Nijat Özön
 Allmovie.com'da "Battleship Potemkin"

Kaynakça

1925 çıkışlı filmler
Sovyet Deniz Kuvvetleri
Sovyetler Birliği sessiz filmleri
Gerçek olaylara dayanan filmler
Epik filmler
Sovyetler Birliği propaganda filmleri
Kamu malı olmuş filmler
Mosfilm filmleri
Sergey Ayzenştayn'ın yönettiği filmler
Sovyetler Birliği siyah-beyaz filmleri
Sovyet tarihî filmleri

Potemkin Zırhlısı (film)


Le maïs farineux (Zea mays var. amylacea) est une variété de maïs à péricarpe fin et dont l'albumen est riche en amidon. Il est utilisé principalement pour faire de la farine. Cette variété est trouvée fréquemment dans les tombes incas et aztèques. Elle est couramment cultivée dans les zones sèches des États-Unis, à l'ouest de l'Amérique du Sud et en Afrique du Sud. Les épis à gros grains sont utilisés au Pérou pour la préparation d'une boisson nommée chicha. En Afrique du Sud, cette variété sert à la préparation de l'ugali.

Les six variétés principales de maïs sont le maïs denté, le maïs corné, le Zea mays var. tunicata, le pop-corn, le maïs farineux et le maïs doux.

Notes et références

Maïs
Ingrédient de la cuisine de l'Amérique précolombienne

Maïs farineux


Lorne Michaels (Toronto, 17 de noviembre de 1944) es un productor ejecutivo, escritor, y comediante de televisión canadiense, más conocido por crear el programa de comedia y variedad Saturday Night Live para la National Broadcasting Company (NBC), y para producir los diversos proyectos de cine y televisión que se derivaron del mismo.

Primeros años
Michaels nació como Lorne David Lipowitz en Toronto, Ontario, Canadá, el hijo de Florence (née Baker) y Henry Abraham Lipowitz, un peletero. Fue el mayor de los niños en la familia Lipowitz. Su hermana Barbara Lipowitz actualmente reside en Toronto, y su hermano Mark Lipowitz murió de un tumor cerebral. Michaels asistió al Forest Hill Collegiate Institute en Toronto y graduó del University College de la Universidad de Toronto, donde especializó en la idioma inglés, en 1966. Michaels empezó su carrera como un escritor y presentador para CBC Radio. Trasladó a Los Ángeles de Toronto en 1968 para trabajar como un escritor para Rowan & Martin's Laugh-In y The Beautiful Phyllis Diller Show. Protagonizó en The Hart and Lorne Terrific Hour, una serie de comedia canadiense que se emitió brevemente a principios de los años 1970. A finales de los años 1960, Michaels casó a Rosie Shuster (la hija del comediante famoso Frank Shuster, compañero de Johnny Wayne), quien posteriormente trabajó con él en Saturday Night Live como una escritora.

Carrera
En 1975, Michaels, junto con Dick Ebersol y Herb Schlosser, creó el programa de televisión NBC's Saturday Night, que en 1977 cambió su nombre a Saturday Night Live. El programa, que se lleva a cabo enfrente de la audiencia en el estudio, inmediatamente estableció una reputación por su imprevisibilidad, y se convirtió en un vehículo para lanzar las carreras de unos de los comediantes más exitosos en Estados Unidos. Durante el transcurso de su carrera en SNL (con lo que ha trabajado por todos de sus temporadas con excepción de cinco, de la sexta a la décima), Michaels ha servido como un productor y escritor, y posteriormente se convirtió en el productor ejecutivo. A lo largo de su historia, el programa ha ganado 18 Premios Emmy, y se ha otorgado consistentemente con unos de las calificaciones más altas en la historia de la televisión nocturna.

Michaels ha también aparecido ocasionalmente en la plantilla en episodios de SNL, entregando una dosis de humor seco. La más famosa de tales apariciones ocurrió en la primera temporada, cuando ofreció una suma deliberadamente insignificante de $3,000 a The Beatles para su reunión en el programa, pero el dinero nunca fue reclamado.

Fuera de Saturday Night Live, Michaels ha producido otros programas, incluyendo The Kids in the Hall y The New Show, y es el fundador de la empresa de producción Broadway Video, que ha producido SNL y otros programas. También ha servido como el productor ejecutivo de varios programas de NBC además de SNL, incluyendo tales programas como Late Night, 30 Rock, y Up All Night.

Vida personal

Michaels se convirtió en ciudadano de los Estados Unidos en 1987.

Tiene tres niños: Henry, Edward, y Sophie. Se ha casado tres veces, sus cónyuges siendo Rosie Shuster, entonces una escritora en SNL (1967-1980); la modelo Susan Forristal (1984-1987); y actualmente, su asistente anteriora Alice Barry (1991-presente).

A lo largo de los años, Michaels ha proporcionado dinero para las campañas de los senadores Barack Obama, Chris Dodd, Sonny Landham, y John McCain.

Honores
En 1999, Michaels fue inducido en la Television Academy Hall of Fame. En 2002, Michaels fue nombrado Miembro de la Orden de Canadá por su trayectoria, y honrado con una estrella en el Paseo de la Fama de Hollywood. El siguiente año, también obtuvo una estrella en el Paseo de la Fama de Canadá.

En 2004, Michaels fue presentado con el Mark Twain Prize for American Humor por el Centro John F. Kennedy para las Artes Escénicas. Hablando en la ceremonia de premiación, Dan Aykroyd, uno de los miembros originales del reparto de Saturday Night Live, describió a Michaels como "la voz principal satírico de la nación."

En 2021 recibió el Premio Kennedy.

Programas producidos
Estos son algunos de los programas más exitosos producidos.
 Saturday Night Live (1975–1980; 1985–presente) (creador, productor ejecutivo)
 Late Night with Conan O'Brien (1993–2009) (productor ejecutivo)
 30 Rock (2006–2013) (productor ejecutivo)
 Late Night with Jimmy Fallon (2009–2014) (productor ejecutivo)
 Portlandia (2011–2018) (productor ejecutivo)
 Up All Night (2011–2013) (productor ejecutivo)
 The Tonight Show Starring Jimmy Fallon (febrero de 2014-presente) (productor ejecutivo)
 Late Night with Seth Meyers (febrero de 2014-presente) (productor ejecutivo)

Referencias

Enlaces externos
Sitio web oficial
Lorne Michaels en National Public Radio
The Museum of Broadcast Communications - Encyclopedia of Television "Saturday Night Live"

Humoristas de Estados Unidos
Productores de cine de Estados Unidos
Productores de televisión de Estados Unidos
Guionistas de televisión de Estados Unidos
Humoristas de Canadá
Productores de cine de Canadá
Productores de televisión de Canadá
Saturday Night Live
Miembros de la Orden de Canadá
Alumnado de la Universidad de Toronto
Paseo de la Fama de Canadá
Nacidos en Toronto
Ganadores del Premio Kennedy

Lorne Michaels


Oberscharführer a fost un grad în organizațiile paramilitare SS și SA ale Partidului Nazist care a existat între anii 1932 și 1945. Tradus ca "șef de echipă superior", Oberscharführer a fost folosit pentru prima dată ca grad în cadrul Sturmabteilung (SA) și a fost creat datorită extinderii sistemului de grade cerute de creșterea numărului de membri ai SA la sfârșitul anilor 1920 și începutul anilor 1930. Gradul de Oberscharführer din cadrul SA era superior celui de Scharführer și inferior celui de Truppführer.

Încă de la început gradele din Schutzstaffel (SS) au fost identice cu gradele din SA. Oberscharführer a fost creat ca un grad SS în același timp în care gradul a fost creat în cadrul SA. Inițial, gradul de SS-Oberscharführer era egal cu gradul omolog din SA; cu toate acestea, acest lucru s-a schimbat în 1934 în urma Nopții cuțitelor lungi.

La acel moment, sistemul de grade SS a fost reorganizat și au fost înființate noi grade, apărând discontinuități față de sistemul de grade din cadrul SA. Gradul de SS-Oberscharführer a crescut în importanță, prin urmare, și a devenit egal cu un SA-Truppführer. Însemnele de grad din SS au fost schimbate, devenind două romburi argintii în contrast cu însemnele SA pentru Oberscharführer care era un singur romb cu o dungă argintie.

În cadrul SA, un Oberscharführer era de obicei un șef de echipă, răspunzând în fața unui ofițer comandant de pluton. Responsabilitățile variau pe o gamă mai largă în cadrul SS, în special între un Oberscharführer din Allgemeine SS (SS general) și unul care deținea aceeași poziție în Waffen-SS (SS înarmat).

După 1938, când SS-ul a adoptat uniformele de teren gri ca ținută standard, SS-Oberscharführer avea pe umăr epoleți de Feldwebel din Wehrmacht. Gradul de SS-Oberscharführer era inferior celui de SS-Hauptscharführer.

Însemne de grad

Note

Bibliografie

Vezi și
 Tabel cu gradele și însemnele din Waffen-SS

Grade ale SS

Oberscharführer


Cleber Alexandre Gomes (født 7. maj 1976) er en tidligere brasiliansk fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Mito HollyHock.

Eksterne henvisninger

Fodboldspillere fra Brasilien

Cleber Alexandre Gomes


بلدية كاستروبول (بالإسبانية: Castropol) هي بلدية تقع في منطقة أستورياس شمال غرب إسبانيا.

الديموغرافيا
بلغ عدد سكان بلدية كاستروبول 3.762 نسمة عام 2011 (وفقاً للمعهد الوطني للإحصاء الإسباني).

مراجع

مصادر
  الموقع الرسمي لبلدية كاستروبول

بلديات أشتورية

كاستروبول


The year 1980 in architecture involved some significant architectural events and new buildings.

Buildings and structures

Buildings

 The Hopewell Centre, Hong Kong, is completed.
 Balneological Hospital in Druskininkai, Lithuania is completed.
 The Tallinn TV Tower in Tallinn, Estonia is completed for the 1980 Summer Olympics in Moscow.
 The Vilnius TV Tower in Vilnius, Lithuania is completed on the last day of the year.
 The Telstra Tower in Canberra, Australia is completed.
 The Western City Gate in Belgrade, Serbia is completed.
 The 2 Fevrier Sofitel Hotel in Lomé, Togo is completed.
 Thorncrown Chapel in Eureka Springs, Arkansas, USA is completed.
 Tower 42 in London, England, is completed.
 Ganter Bridge in Switzerland, designed by Christian Menn, is completed.

Events
 August 23 – Demolition of Wallis, Gilbert and Partners' Art Deco Firestone Tyre Factory (1928) on the 'Golden Mile' of London's Great West Road a week before its designation as a listed building.

Awards
 Aga Khan Prize – Hassan Fathy.
 Architecture Firm Award – Edward Larrabee Barnes Associates.
 Grand prix national de l'architecture – Paul Chemetov.
 Pritzker Prize – Luis Barragán.
 RAIA Gold Medal – John Andrews.
 RIBA Royal Gold Medal – James Stirling.
 Twenty-five Year Award – Lever House.

Births
 Jing Liu, Chinese-born architect

Deaths
 January 1 – Ernest Cormier, Canadian architect (born 1885)
 January 23 – Paul Williams, American architect (born 1894)
 February 14 – Victor Gruen, Austrian architect (born 1903)
 April 19 – Amyas Connell, New Zealand-born architect (born 1901)
 November 27 – F. Burrall Hoffman, American architect (born 1882)

References

20th-century architecture

1980 in architecture


محمد جواد خليفة (1961  -)، سياسي وطبيب لبناني.

حياته العلمية والعملية
 درس الطب وتخصص في الجراحة العامة في مستشفى الجامعة الأميركية في بيروت، وأنهى دراسته فيها عام 1990 ، وانتقل بعدها إلى «جامعة واتفورد» في المملكة المتحدة لإكمال دراسته العليا وذلك بالفترة من عام 1990 و1991 ، وبعدها تابع اختصاصه في جراحة الشرايين والأورام في مدرسة الطب المتحدة «بمستشفى سان توماس» في جامعة لندن بالفترة الممتدة من عام 1991 إلى عام 1993 ، عمل بعدها كأستاذ محاضر في الجراحة في ذات الجامعة، كما التحق «بجامعة كينغز كولج» وذلك لغاية عام 1998. التحق بعد عودته إلى لبنان بكلية الطب في مستشفى الجامعة الأميركية في بيروت، ويرأس حاليًا قسم الجراحة العامة وجراحة وزراعة الكبد.
 في 27 مارس 2004 حاز على وسام الاستحقاق الوطني برتبة ضابط وذلك تقديرًا لإنجازاته الطبية والعلمية.
 عين وزيرًا في عدة حكومات:
 وزيرًا للصحة العامة من 26 أكتوبر 2004 إلى 19 أبريل 2005 في حكومة الرئيس عمر كرامي في عهد الرئيس إميل لحود.
 وزيرًا للشؤون الاجتماعية ووزيرًا للصحة العامة من 19 أبريل 2005 إلى 19 يوليو 2005 في حكومة الرئيس نجيب ميقاتي في عهد الرئيس إميل لحود.
 وزيرًا للصحة العامة من 19 يوليو 2005 إلى 11 يوليو 2008 وذلك في حكومة الرئيس فؤاد السنيورة في عهد الرئيس إميل لحود، وكان قد استقال من منصبة في 11 نوفمبر 2006 مع الوزراء الشيعة الآخرين.
 وزيرًا للصحة العامة من 11 يوليو 2008 إلى 9 نوفمبر 2009 وذلك في حكومة الرئيس فؤاد السنيورة في عهد الرئيس ميشال سليمان.
 وزيرًا للصحة العامة من 9 نوفمبر 2009 إلى 13 يونيو 2011 في حكومة الرئيس سعد الدين الحريري في عهد الرئيس ميشال سليمان.

حياته الأسرية
متزوج من سوزي أسعد يونس، وأنجبا:
 جواد.
 جونا.
 ليا.

المراجع

سياسيو حزب الله
أشخاص على قيد الحياة
أطباء لبنانيون
خريجو الجامعة الأمريكية في بيروت
سياسيون من جبل عامل
شيعة لبنانيون
مواليد 1961
وزراء شؤون اجتماعية لبنانيون
وزراء صحة لبنانيون
وزراء لبنانيون

محمد جواد خليفة


Wickersdorf ist ein Ortsteil der Stadt Saalfeld/Saale im Landkreis Saalfeld-Rudolstadt in Thüringen.

Geographie
Wickersdorf ist der südlichste Ortsteil der Stadt. Der in der Gemarkung des Dorfes liegende Mühlberg misst 609 m über NN. Die Gemarkung des Dorfes liegt im Mittel bei 614 m über NN. Die hauptsächlich mit Grünland bestandene Flur des Dorfes ist rundum bewaldet. Über die Bundesstraße 281 erreicht man am Abzweig Wickersdorfer Kreuz südlich hinter Hoheneiche die Zufahrt über die Kreisstraße 140 zum Dorf.

Geschichte
Am 19. Oktober 1454 wurde der Ort erstmals urkundlich genannt. Das 229 Einwohner zählende Dorf wurde durch die Freie Schulgemeinde Wickersdorf bekannt und geprägt. Es war ein reformpädagogisches Schulprojekt von Gustav Wyneken, Paul Geheeb, August Halm, Martin Luserke, Rudolf Aeschlimann und Fritz Hafner, das 1906 begann. Die Domäne in Wickersdorf wurde Paul Geheeb zuliebe von Staatsrat Schaller am 10. Juli 1906 vorgeschlagen. Nach 1945 führte die DDR eine Internatsschule ein, die stark der damaligen gesellschaftlichen Entwicklung folgte. Sie war eine Spezialschule mit erweitertem Russisch-Unterricht und Patenschaftsvertrag zur Dienststelle des MfS in Saalfeld. Sie galt als Kaderschmiede und "roter Versuchsacker". Die Eltern der Schüler gehörten überwiegend zur DDR-Elite.  Nach dem erfolglosen Versuch, 1990 mit einer Neugründung der Tradition der Freien Schulgemeinde wieder zu folgen, wurde die Schule 1991 geschlossen.
Jetzt nutzt die anthroposophische Lebensgemeinschaft Wickersdorf das Grundstück.

Von 1991 bis 1996 gehörte Wickersdorf der Verwaltungsgemeinschaft Saalfelder Höhe an. Mit Umwandlung dieser in die Einheitsgemeinde Saalfelder Höhe wurde auch Wickersdorf ein Ortsteil dieser. Diese wurde am 6. Juli 2018 nach Saalfeld eingemeindet.

Bekannte Personen mit Bezug zu Wickersdorf
 Ernst Putz (1896–1933), Reichstagsabgeordneter

Weblinks

Einzelnachweise

Geographie (Saalfeld/Saale)
Ort im Landkreis Saalfeld-Rudolstadt
Ehemalige Gemeinde (Landkreis Saalfeld-Rudolstadt)
Ersterwähnung 1454
Gemeindeauflösung 1997

Wickersdorf (Saalfeld)


Agrilus civacoatlae é uma espécie de inseto do género Agrilus, família Buprestidae, ordem Coleoptera.

Foi descrita cientificamente por Fisher, 1938.

Referências

civacoatlae

Agrilus civacoatlae


"SHOCK" (ショック) is a series of musical works starring Domoto Koichi (from the duo KinKi Kids), who is also in charge of the planning, music, story, and production under Johnny Kitagawa's direction. SHOCK was originally based on the musical "PLAYZONE '91 SHOCK" (1991, starring Shonentai), and premiered at the Imperial Theater in November 2000 under the title "MILLENNIUM SHOCK". It has been performed at the same theater every year since, with different modifications in the title, cast, plot and programs each year. In 2005, it was revamped entirely as "Endless SHOCK", which has been its title until now. SHOCK's annual performances are greatly anticipated, and it is dubbed "the stage of which tickets are the hardest to get in Japan" by the media.

SHOCK reached its 400th performance in 2006, and its 499th performance in 2007, attracting more than 80,000 audiences up until that point. SHOCK is the solo-starring stage play to achieve this feat in the shortest time at the Imperial Theater.

April 2008, "Endless SHOCK" received the Grand Prize Award at the 33rd "Kikuta Kazuo Drama Award" for high achievements in stage performance. This was the first time a musical starring an idol from Johnny & Associates won such an honor.

March 2009, Domoto Koichi set a new record for the highest number of solo-starring musical performances at the Imperial Theater.

March 21, 2013, 12 years 5 months after its premiere, SHOCK reached its 1,000th performance, became the solo-starring musical play to achieve this in the shortest time in Japan.

In April 2020, Domoto Koichi alone was awarded the Grand Prize of the 45th Kazuo Kikuta Drama Awards for his achievement for leading SHOCK series for twenty years, becoming the youngest single winner of this award.

Until 2021, SHOCK has been performed for more than 1,800 times, becoming the 2nd most-performed musical with the same leading actor in Japan, after Mori Mitsuko's "Hourouki" (performed 2,017 times).

Overview
SHOCK is about the conflicts happening in a theater company, interspersed with the shows performed by said company - a "play within a play". The series focuses on the theme "Show must go on" with KOICHI, the company's leader as the protagonist. Through his collaborations, conflicts, and reconciliations with the company members, the musical portrays a "stage of life" where even life is sacrificed for the ultimate performances. Domoto Koichi said "I'm completely different from KOICHI", but they both share an unyielding, uncompromising attitude to the stage, even when facing injuries or accidents. Domoto Koichi himself also stated that he was able to cultivate such mindset thanks to continuously performing this play.

The play has a diverse combination of famous musical numbers and original songs in various style, from New York Broadway to traditional Japanese. Aside from difficult choreographies, SHOCK also includes numerous flashy, dangerous acts such as flying, falling down an 8-metre high staircase... , and is said to be able to "surprise the audience every 5 minutes".

Under Johnny Kitagawa's production, SHOCK was originally intended to be a play that can impress the audiences even if they don't understand the speech. However, as an actor, Domoto Koichi wanted the stage to convey deeper meaning, and asked Kitagawa to make thorough changes, including the plot. With Kitagawa's approval ("Just do what you like."), Koichi started taking a substantial role in screenwriting, music composing and producing since 2005.

After Endless SHOCK 2006, there were plans to end the SHOCK series and start a new play in 2007, also with Domoto Koichi as the producer and lead actor. However, due to high demand (demand for tickets was 14 times higher than supply), it was decided that the play would be performed again in 2007. SHOCK continues to be performed every year since, and is said to be "the stage of which tickets are the hardest to get in Japan".

During the noon performance on January 23, 2008, due to electricity failure, the play was cancelled and moved to another date (February 17, 2008) for the first time. Domoto Koichi deeply regretted this, and wrote on the official site:  "It is truly regrettable that the performance couldn't continue like the theme 'Show must go on'. To the audiences who was looking forward to the stage, I sincerely apologize." After the cancellation decision was made, all the cast came out to see the audiences off to the last one. The night performance that day still went on as scheduled.

March 11, 2011, the Great Tohoku earthquake occurred during the noon performance's intermission. The audiences and some of the cast were evacuated to Koukyogaien, and the performance - incidentally, also SHOCK's 800th performance - was cancelled. Due to aftershocks and planned power outage, performances could not resume as planned, and the rest of the performances that year were also cancelled. Cancellation announcement was made before the performance on the 13th by Domoto Koichi himself. He then shook hand with and saw all the audiences off.

During the noon performance on March 19, 2015, a 650 kg LED panel used in stage setting collapsed, injured 6 people:  Johnny's Jr. Kishi Takayoshi, 2 dancers, 2 acrobat actors, and 1 staff member. The two performances that day were cancelled, and Domoto Koichi came out in full stage costume to apologize to the audiences for the accident and the cancellation. Performance restarted the next day without the use of LED panel and part of the program changed. There were mixed opinions about restarting performances so soon after such a serious accident, but the decision was made with support from the cast and staff, even the injured ones, to convey the theme of the play:  continue to move forward despite unfavorable circumstances. May 20, 2015, Toho announced that the accident was caused by an inclination due to partial failure of the stage floor, and that reinforcement work was planned to correct this. Toho also officially prohibit future use of mobile LED panels on its stage for caution's sake.

On September 17 of the same year, during the Osaka tour, the actress who played the owner role, Maeda Bibari, fell and broke her left shoulder while walking to Umeda Arts Theatre from her hotel. She still acted in two performances on the 17th, but was hospitalized after the night performance and was told to rest for 1.5 month for the break to heal. Uekusa Katsuhide from Shonentai, who played the owner during 2009 - 2012, stepped in for Maeda from the performance on the 18th until the last one in 2015. Uekusa received direct appeal from Johnny Kitagawa and Domoto Koichi on the evening of the 17th, arrived in Osaka around noon on the 18th, and only had 4 hours to practice with all the cast. Nevertheless, the performances went on smoothly as usual.

In April 2020, Koichi alone was awarded the Grand Prize of the 45th Kazuo Kikuta Drama Awards for his achievement for leading SHOCK series for twenty years, becoming the youngest single winner of this award.

Until 2021, SHOCK has been performed for more than 1,800 times, becoming the 2nd most-performed musical with the same leading actor in Japan, after Mori Mitsuko's "Hourouki" (performed 2,017 times).

MILLENNIUM SHOCK (2000)

Performance period
November 2–26, 2000 (Imperial Theatre) (38 performances)

Story
KOICHI, leader of a travelling theatre company, decides to carry on performances despite the injuries of fellow member TSUBASA, and this brings about conflicts with other members of the  company. At such a time, the company receives an invitation to perform at Broadway - where KOICHI's older brother died 3 years before. Despite opposition from others, KOICHI pushes on to Broadway, and meets a mysterious person who claimed to be his deceased brother's friend...

Cast
 Domoto Koichi
 Higashiyama Noriyuki
 Tsubasa Imai
 Akasaka Akira
 Suzuki Honoka
 Sasai Eisuke
 Akiyama Jun
 Machida Shingo
 Yonehana Tsuyoshi
 Yara Tomoyuki
 Ueda Tatsuya
 Nakamaru Yuuichi
 Akanishi Jin

SHOW 劇・SHOCK (2001 - 2002)

Performance period
 December 1, 2001 - January 27, 2002 (Imperial Theatre) (76 performances)
 June 4–28, 2002 (38 performances)

Story
To fulfill his deceased brother's wish, KOICHI continues performing every day with "Show must go on" in mind. His performances are popular, and he receives invitation to perform at the Broadway theatre Imperial Garden Theatre. However, he faces strong opposition from the company because it was where his brother died, and because he wants to leave behind TSUBASA, whose future as a dancer was abruptly cut off due to an accident when performing. Still, KOICHI leaves for New York, leaving behind his brother's ex-wife SAKIHO, SAKIHO's current husband TAKU, and a disappointed TSUBASA. A lot of troubles are waiting for KOICHI there...

Cast
 Domoto Koichi
 Juri Sakiho
 Imai Tsubasa
 Nishikido Ryou
 Kon Takuya
 Akiyama Jun
 Machida Shingo
 Yonehana Tsuyoshi
 Yara Tomoyuki
 Kamenashi Kazuya
 Akanishi Jin
 Ueda Tatsuya
 Taguchi Junnosuke
 Hagesawa Jun
 Totsuka Shouta
 Toushin Yoshikazu
 Tatsumi Yuudai
 Koyama Keiichirou
 Yabu Kota

SHOCK is Real Shock (2003)

Performance period
January 8 - February 25, 2003 (Imperial Theatre) (76 performances)

Story
Almost the same as SHOW 劇・SHOCK, but with some changes in characters' names (characters are named based on the casts' real names) and the mastermind.

Cast
 Domoto Koichi
 Mii
 Ikuta Toma
 Inoue Jun
 Akiyama Jun
 Machida Shingo
 Yonehana Tsuyoshi
 Yara Tomoyuki
 Toushin Yoshikazu
 Kazama Shunsuke
 KAT-TUN
 A.B.C.

Shocking SHOCK (2004)

Performance period
February 6–29, 2004 (Imperial Theatre) (38 performances)

Story
Generally the same as SHOCK is real Shock (different production).

Cast
 Domoto Koichi
 Imai Tsubasa
 Iori Naoka
 Bitou Isao
 Toushin Yoshikazu
 Akiyama Jun
 Machida Shingo
 Yonehana Tsuyoshi
 Yara Tomoyuki
 Kazama Shunsuke
 Totsuka Shouta

Endless SHOCK (2005 - 2020)
Plot and characters were significantly changed. Starting 2013, the owner's role was changed to a woman, new songs and programs were added, but the main storyline remains the same.

Performance period
 2005:  January 8 - February 28 (Imperial Theatre) (76 performances)
 2006:  February 6 - March 29 (Imperial Theatre) (76 performances)
 2007:  January 6 - February 28 (Imperial Theatre) (81 performances)
 2008:  January 6 - February 26 (Imperial Theatre) (76 performances)
 2009:  February 5 - March 30 (Imperial Theatre) (76 performances)
 2010:  February 14 - March 30, July 4 - 31st (Imperial Theatre) (100 performances) (first time the play was performed in summer as Endless SHOCK)
 2011:  February 5 - March 10 (Imperial Theatre) (48 performances) (performances from March 11 cancelled due to the Great Tohoku earthquake)
 2012:
 January 7–31 (Hakataza) (34 performances) (first time SHOCK was performed in another province outside Tokyo)
 February 7 - April 30 (Imperial Theatre) (105 performances)
 2013:
 February 4 - March 31 (Imperial Theatre) (76 performances)
 April 8–30 (Hakataza) (29 performances)
 September 2–29 (Umeda Arts Theater) (35 performances) (first time SHOCK was performed in Osaka)
 2014:
 February 4 - March 31 (Imperial Theatre) (76 performances)
 September 8–30 (Umeda Arts Theater) (30 performances)
 October 8–31 (Hakataza) (30 performances)
 2015:
 February 3 - March 31 (Imperial Theatre) (73 performances)
 September 8–30 (Umeda Arts Theatre) (30 performances)
 October 7–31 (Hakataza) (30 performances)
 2016:  February 4 - March 31 (Imperial Theatre) (75 performances)
 2017:
 February 1 - March 31 (Imperial Theatre) (78 performances)
 September 8–30 (Umeda Arts Theatre) (30 performances)
 October 10–31 (Hakataza) (30 performances)
 2018: February 4 - March 31 (Imperial Theatre) (70 performances)
 2019
 February 4 - March 31 (Imperial Theatre) (70 performances)
 September 11 - October 5 (Umeda Arts Theatre) (31 performances)
 2020: February 4–26 (Imperial Theatre) (26 performances) (performances from February 27 cancelled due to coronavirus pandemic)

Story
The show KOICHI performs at his childhood friend's small off-Broadway theater (starting 2013, the childhood friend setting was removed) receives high acclaim on the newspaper. This opens up a way to go on-Broadway for the theater. KOICHI who sets his heart on Broadway, the owner (name changed depended on the cast) who wants to protect his theater, the fellow company member (name changed depended on the cast) who considers KOICHI as his rival, RIKA who blindly worships KOICHI,... Each of them pursued their own ambition, and the company that used to be so close to each other starts falling apart. One day, the rival member who often clashes with KOICHI switches the prop sword used on stage for a real one to test KOICHI's creed of beliefs "Show must go on"...

Cast

Endless SHOCK 2005
 Domoto Koichi (KOICHI)
 Tsubasa Ima / Nishikido Ryo (double cast as the rival)
 Kuroki Meisa / Komiyama Mika (double cast as RIKA)
 Akiyama Jun (the owner)
 Machida Shingo (MACHIDA)
 Yara Tomoyuki (YARA)
 Yonehana Tsuyoshi (YONEHANA)
 Goseki Kouichi
 Totsuka Shouta
 Tsukada Ryouichi
 Kawai Fumito
 Takaki Yuuya
 Nakajima Yuuto
 Arioka Daiki
 Ishikawa Naoki

Endless SHOCK 2006
 Domoto Koichi (KOICHI)
 Tsubasa Ima / Nishikido Ryo (double cast as the rival)
 Tabata Aya (RIKA)
 Akiyama Jun (AKIYAMA - the owner)
 Machida Shingo (MACHIDA)
 Yara Tomoyuki (YARA)
 Yonehana Tsuyoshi (YONEHANA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Ishikawa Naoki

Endless SHOCK 2007
 Domoto Koichi (KOICHI)
 Ikuta Toma (TOMA - the rival)
 Matsumoto Marika (RIKA)
 Akiyama Jun (AKIYAMA - the owner)
 Machida Shingo (MACHIDA)
 Yara Tomoyuki (YARA)
 Yonehana Tsuyoshi (YONEHANA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Ishikawa Naoki

Endless SHOCK 2008
 Domoto Koichi (KOICHI)
 Yara Tomoyuki (YARA - the rival)
 RiRiKA (RIKA)
 Okura Tadayoshi (OKURA - the owner)
 Machida Shingo (MACHIDA)
 Yonehana Tsuyoshi (YONEHANA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Ishikawa Naoki

Endless SHOCK 2009
 Domoto Koichi (KOICHI)
 Yara Tomoyuki (YARA - the rival)
 Satou Megumi (RIKA - the owner's daughter)
 Uekusa Katsuhide (UEKUSA - the owner)
 Machida Shingo (MACHIDA)
 Yonehana Tsuyoshi (YONEHANA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Ishikawa Naoki

Endless SHOCK 2010
 Domoto Koichi (KOICHI)
 Yara Tomoyuki (YARA - the rival) (February and March performances)
 Uchi Hiroki (UCHI - the rival) (July performances)
 Uekusa Katsuhide (UEKUSA - the owner)
 Satou Megumi (RIKA)
 Machida Shingo
 Yonehana Tsuyoshi
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Ishikawa Naoki

Endless SHOCK 2011
 Domoto Koichi (KOICHI)
 Uchi Hiroki (UCHI - the rival)
 Uekusa Katsuhide (UEKUSA - the owner)
 Harada Natsuki (RIKA)
 Machida Shingo
 Yonehana Tsuyoshi
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Ishikawa Naoki

Endless SHOCK 2012
 Domoto Koichi (KOICHI)
 Uchi Hiroki (UCHI - the rival)
 Uekusa Katsuhide (UEKUSA - the owner)
 Kanda Sayaka (RIKA)
 Machida Shingo
 Yonehana Tsuyoshi
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Ishikawa Naoki

Endless SHOCK 2013
 Domoto Koichi (KOICHI)
 Maeda Bibari (MAEDA BIBARI - the owner)
 Yara Tomoyuki (YARA - the rival) (February - April performances)
 Uchi Hiroki (UCHI - the rival) (September performances)
 Santos Anna (RIKA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Yamamoto Ryota
 Kishi Yuuta
 Ishikawa Naoki

Endless SHOCK 2014
 Domoto Koichi (KOICHI)
 Mori Kumiko (MORI KUMIKO - the owner)
 Yara Tomoyuki (YARA - the rival) (February - March performances)
 Uchi Hiroki (UCHI - the rival) (September - October performances)
 Iriki Mari (RIKA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Tatsumi Yuudai
 Koshioka Yuuki
 Yamamoto Ryota
 Kishi Yuuta (February - March performances)
 Nishihata Daigo (September - October performances)
 Ishikawa Naoki

Endless SHOCK 2015
 Domoto Koichi (KOICHI)
 Maeda Bibari (MAEDA BIBARI - the owner) (until the night performance of September 17)
 Uekusa Katsuhide (UEKUSA - the owner) (since September 18)
 Yara Tomoyuki (YARA - the rival) (February - March performances)
 Uchi Hiroki (UCHI - the rival) (September - October performances)
 Miyazawa Ema (RIKA) (February - March performances)
 Kikuchi Mika (RIKA) (September - October performances)
 Fukuda Yuuta (February - March performances)
 Koshioka Yuuki (February - March performances)
 Tatsumi Yuudai (September - October performances)
 Matsuzaki Yuusuke (September - October performances)
 Nozawa Yuuki
 Kishi Yuuta (February - March performances)
 Morohoshi Shouki
 Kishi Takayoshi
 Matsukura Kaito (September - October performances)
 Ishikawa Naoki

Endless SHOCK 2016
 Domoto Koichi (KOICHI)
 Maeda Bibari (MAEDA BIBARI - the owner)
 Yara Tomoyuki (YARA - the rival)
 Kominami Mayuko (RIKA)
 Tatsumi Yuudai (February performances)
 Koshioka Yuuki (February performances)
 Fukuda Yuuta (March performances)
 Matsuzaki Yuusuke (March performances)
 Nozawa Yuuki
 Morohoshi Shouki
 Kishi Takayoshi
 Matsukura Kaito
 Ishikawa Naoki

Endless SHOCK 2017
 Domoto Koichi (KOICHI)
 Maeda Bibari (MAEDA BIBARI - the owner)
 Yara Tomoyuki (YARA - the rival) (February - March performances)
 Uchi Hiroki (UCHI - the rival) (September - October performances)
 Matsuura Miyabi (RIKA)
 Fukuda Yuuta (February - March performances)
 Matsuzaki Yuusuke (February - March performances)
 Tatsumi Yuudai (September - October performances)
 Koshioka Yuuki (September - October performances)
 Hamanaka Bunichi
 Teranishi Takuto
 Matsuda Genta
 Matsukura Kaito
 Ishikawa Naoki (February - March and October performances)

Endless SHOCK 2018

Domoto Koichi (KOICHI)
 Kuno Akiko (KUNO AKIKO - the owner)
 Nakajima Yuuma (YUMA - the rival)
 Takimoto Miori (RIKA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
Tatsumi Yuudai (September - October performances)
 Teranishi Takuto
 Matsuda Genta
 Matsukura Kaito
Kawashima Noeru
 Ishikawa Naoki

Endless SHOCK 2019

Domoto Koichi (KOICHI)
 Maeda Bibari (MAEDA BIBARI - the owner)
Uchi Hiroki (UCHI - the rival) (February - March performances)
 Nakajima Yuuma (YUMA - the rival) (September - October performances)
 Umeda Ayaka (RIKA)
 Fukuda Yuuta
 Matsuzaki Yuusuke
 Koshioka Yuuki
 Teranishi Takuto
 Matsuda Genta
 Matsukura Kaito
 Ishikawa Naoki

Endless SHOCK 2020

Domoto Koichi (KOICHI)
 Maeda Bibari (MAEDA BIBARI - the owner)
Ueda Tatsuya (Tatsuya - the rival)
 Umeda Ayaka (RIKA)
 Matsuzaki Yuusuke
 Koshioka Yuuki
 Teranishi Takuto
 Takada Sho
Tsubaki Taiga
Matsui Minatio
 Ishikawa Naoki

Endless SHOCK -Eternal- (2020 - 2021)
A spin-off of the original Endless SHOCK to comply with the prevention of coronavirus. The musical is shortened to 2 hours, and some of the performances are deleted (such as falling down the staircase and some flying).

Performance Period

 2020: September 15 - October 12 (Umeda Arts Theater) (31 performances)
 2021: February 4 - March 31 (Imperial Theatre) (60 performance)

Story
Three years after KOICHI's death, the same members gathered again to mourn KOICHI and looked back to what happened during that period.

Cast

Domoto Koichi (KOICHI)
 Maeda Bibari (MAEDA BIBARI - the owner)
Ueda Tatsuya (Tatsuya - the rival)
 Umeda Ayaka (RIKA)
 Matsuzaki Yuusuke
 Koshioka Yuuki
 Teranishi Takuto
 Takada Sho
Tsubaki Taiga
Matsui Minatio
 Ishikawa Naoki

"Play within a play"
Mainly famous scenes from popular works, including:
 Hamlet
 Richard III
 Romeo and Juliet
 Electra
 The Love Suicides at Sonezaki
 Shinsengumi
 Notre Dame de Paris
 Yotsuya Kaidan
 Chushingura
 Mobydic
 West Side Story

Musical numbers
 Take the 'A' Train
 Carmina Burana
 BROADWAY MELODY

Endless SHOCK
 OVERTURE(INST)
 Composition / Arrangement:  Sato Yasumasa
 So Feel It Coming
 Lyrics:  3 + 3, Composition:  Domoto Koichi, Arrangement:  Sato Yasumasa
 NEW HORIZON
 Lyrics: Kubota Youji, Composition: Iida Takehiko, Arrangement: Funayama Motoki
 Yes we can (Yes my dream)
 Lyrics: Domoto Koichi, Composition: Chujo Misa
 ONE DAY
 Lyrics: Shirai Yuuki, Composition / Arrangement: Sato Yasumasa
 DANCING ON BROADWAY
 Lyrics: Hasegawa Masahiro, Composition / Arrangement: Sato Yasumasa
 AMERICA
 Lyrics: 3+3, Composition / Arrangement: Funayama Motoki, Co-arrangement: Chino Yoshihiko
 Love and Loneliness
 Lyrics / Composition: Anders Barren / Nina Woodford / Jany Schel, Arrangement: Funayama Motoki / Japanese lyrics: Shirai Yuuki / Arata Mika
 Solitary
 花魁 (INST)
 Composition / Arrangement: Sato Yasumasa
 戦車 (INST)
 Composition / Arrangement:Sato Yasumasa
 合戦 (INST)
 Composition / Arrangement: Sato Yasumasa
 死闘 (INST)
 Composition / Arrangement: Sato Yasumasa
 罠 (INST)
 Composition / Arrangement: Sato Yasumasa
 In the Cemetery
 Lyrics: Kubota Youji, Composition / Arrangement: Iwata Masayuki
 戻れない日々
 Lyrics: Shirai Yuuki / Arata Mika, Composition: Domoto Koichi
 Why don't you dance with me?
 Lyrics: Shirai Yuuki / Arata Mika, Composition: Domoto Koichi Arrangement: ha-j / Yoshioka Taku
 Higher
 Lyrics: Shirai Yuuki, Composition:  Kawada Ruka, Arrangement : Funayama Motoki / 中西裕之
 Flying2 (INST)
 Composition / Arrangement: Sato Yasumasa
 マスク (INST)
 Composition / Arrangement: Sato Yasumasa
 夜の海
 Lyrics: Shirai Yuuki / Arata Mika, Composition: Domoto Koichi, Arrangement: ha-j / Yoshioka Taku
 大桜 (INST)
 Composition・Arrangement: Sato Yasumasa
 CONTINUE
 Lyrics: Kubota Youji, Composition: Domoto Koichi, Arrangement: Takahashi Testuya

Related products

DVD / BD
 KOICHI DOHMOTO SHOCK DIGEST (June 19, 2002)
 Koichi Domoto SHOCK (January 16, 2003) (recording date: June 25th 2002)
 Endless SHOCK (February 15, 2006) (recording date: February 22nd 2005)
 Endless SHOCK 2008 (October 29, 2008) (recording date: February 6th 2008)
 Document of Endless SHOCK 2012 -明日の舞台へ- (February 6, 2013)
 Endless SHOCK 2012 (September 18, 2013) (recording date: April 21st 2012)
 Endless SHOCK 1000th Performance Anniversary (September 17, 2014) (recording date: March 23rd 2013 - the 1,001st performance)

CD
 KOICHI DOMOTO Endless SHOCK Original Sound Track (January 11, 2006)
 KOICHI DOMOTO 「Endless SHOCK」Original Sound Track 2 (April 19, 2017)

References

2000 musicals
Japanese musicals

Shock (musical)