Tubular Bells II is the fifteenth studio album by English guitarist and songwriter Mike Oldfield. It was released on 31 August 1992 by Warner Music UK and is the successor to his debut album Tubular Bells (1973). After his contract with Virgin Records ended at the end of 1991, Oldfield signed with Warner and started work on a sequel to Tubular Bells. The album charted at number 1 in the UK as did its precursor. It is Oldfield's third number-one album (after Tubular Bells and Hergest Ridge).

Background
In January 1991, Oldfield's contract with Virgin Records expired, thus ending a partnership that had lasted since 1972 as the first musician signed to the label. Virgin had pressed Oldfield to produce a sequel to his debut album Tubular Bells (1973) for a number of years but Oldfield resisted, partly due to his increasing dissatisfaction in Virgin's efforts to promote his albums and his rift with co-founder Richard Branson. Oldfield also felt that making a sequel in the 1970s, so soon after its release, would have been "far too obvious" and may lead to creative burnout. The album became Oldfield's best selling album which had continued to sell around 100,000 each year. After releasing Heavens Open (1991), his final album for Virgin, Oldfield felt the time was right to start on a sequel to Tubular Bells. At the same time he signed a two album recording deal with Warner Music UK following negotiations with chairman Rob Dickins. Oldfield praised management at Warner for expressing interest in his music and offering constructive suggestions that would help sales without feeling "tied by them", as opposed to Virgin.

Writing and recording
Before Oldfield started to write music for the album, he revisited Tubular Bells and mapped out its composition into different coloured sections. He kept a progress chart in his home studio, writing directly onto the wallpaper in pen; his first entry was in June 1991 when he recorded the first piano figure for the album.

To produce the album, Oldfield chose Trevor Horn with assistance from Tom Newman, who had also helped to produce Tubular Bells. In 2018, Newman stated that when Horn was brought into the project, he insisted that the instruments be sequenced rather than played by hand, which led to a major falling-out between Newman and Horn. Horn was based in Los Angeles at this time, so Oldfield rented a mansion off Doheny Drive for nine months to record the album and had his home studio equipment and mixing desk shipped to Los Angeles via the Panama Canal. Oldfield gave Horn the nickname Dr. Click, because of his insistence in having each part played in time. Oldfield credited Horn in giving the album "rhythm and groove" which he considered a weak spot in his technique and something that the original Tubular Bells had lacked. Oldfield also credited Horn in encouraging him to play with "more feeling [and] love", as he had become accustomed to playing in an angry way. "When I did, the music started to sing instead of growling at you."

When it came to recording the tubular bells for the album, Oldfield underwent a search to find a set he deemed satisfactory enough as he had destroyed the original bells used on Tubular Bells. He was close to giving up until he visited a percussion shop in London's East End, where he "Found a little set, almost like a toy set. And I hit them once and said, 'yeah, that's it'".

Master of Ceremonies
The original Tubular Bells featured a section where Vivian Stanshall was the Master of Ceremonies who calls out instruments being played. For Tubular Bells II, Oldfield and the production team were unsure whether to include a similar part for the sequel and various takes were made, including one of Oldfield doing the part, another featuring Horn in a Scouse accent, a "Disneyland-type voice", and the computer HAL 9000 from 2001: A Space Odyssey (1968). In the end, Oldfield enlisted English actor Alan Rickman to introduce the instruments at the end of "The Bell", which concludes the first half. He was chosen for the "Shakespearean" style of his voice. Rickman's role is credited as "a strolling player", because he had not been chosen to take part when the artwork had been completed. On alternative mixes of "The Bell" released as single B-sides, Billy Connolly and Stanshall each played the Master of Ceremonies. On two alternative language B-sides, German comedian MC Otto and Spanish musician MC Carlos Finaly played the Master of Ceremonies in German and Spanish, respectively.

Songs
"Early Stages" which is an early version of what would become "Sentinel" was included as a B-side to the single version of "Sentinel". "Early Stages" has a somewhat darker mood and is from the pre-Trevor Horn development of the album, possibly showing the kind of influence that Horn had.

Unlike the original album there is a recurring theme in Tubular Bells II, first appearing at the end of "Sentinel" that reappears throughout the album, though it is most obvious at the end of "The Bell".

Some of the track titles for the album were taken from Arthur C. Clarke's short stories, including "The Sentinel" and "Sunjammer". Other track titles could just be references to science-fiction or space in general, such as "Dark Star" and "Weightless". Dark Star is also the title of a sci-fi film by John Carpenter which was released in the same year as the original Tubular Bells, 1973.

Oldfield has occasionally called some of the tracks on the album by different names in interviews, such as once when he performed "Red Dawn" on BBC Radio 2 he called it "Russian". The title "Russian" was also later given to the equivalent piece on the re-recorded version of the original Tubular Bells, Tubular Bells 2003.

Artwork
Tubular Bells II again uses the bent metallic tube (representing a bent tubular bell) as the focus of the album artwork. The bell is a golden colour on a dark blue background as opposed to Tubular Bells grey/silver bell on top of a sea/skyscape. Both the photos for Tubular Bells and Tubular Bells II were produced by Trevor Key.

 Release and reception

The album reached number 1 in the chart in the UK and Spain.

Critical reception to the album was mixed. Writing in Q magazine, Mat Snow described it as a "more consistent but less tune-happy musical sequence than TBI" and praised "producer Trevor Horn's fairy dust" as an advantage.

Live performance
The album was supported with a live concert on the esplanade at Edinburgh Castle on 4 September 1992 with 6,000 people in attendance, which aired on national television one hour after its conclusion. It featured Scottish actor John Gordon Sinclair as the Master of Ceremonies. In October 1992, the show was released on home video as Tubular Bells II: The Performance Live at Edinburgh Castle. Oldfield toured the album with his Tubular Bells II 20th Anniversary Tour 1992/93, which visited the US and Europe between March and October 1993.

Track listing
All songs written and composed by Mike Oldfield.

Personnel
 Mike Oldfield – acoustic guitars, twelve-string guitar, banjo, classical guitar, electric guitar, bass guitar, flamenco guitar, glockenspiel, Lowrey organ, Hammond organ, Farfisa organ, mandolin, percussion, piano, synthesisers, timpani, tubular bells, vocals
 Alan Rickman (credited as "A Strolling Player") – Master of Ceremonies
 Sally Bradshaw – vocals
 Celtic Bevy Band – bagpipes
 Eric Caudieux – programming and digital sounds
 Edie Lehmann – vocals
 Susannah Melvoin – vocals
 Jamie Muhoberac – keyboards, special effects
 Steve Payne – bass guitar
 Pipers from the Los Angeles Police Department (credited as P.D. Scots Pipe Band to avoid controversy following the 1992 Los Angeles riots) – bagpipes
 John Robinson – drums on "Altered State"

Charts

Weekly charts

Year-end charts

Certifications and sales

ReferencesSources'

Mike Oldfield albums
1992 albums
Albums produced by Trevor Horn
Instrumental albums
Warner Music Group albums
Albums produced by Tom Newman (musician)
Reprise Records albums
Sequel albums

Tubular Bells II


Ortak olasılık veya birleşik olasılık kavramı, iki A ve B olayının birlikte gerçekleşme olasılığını ifade eder.  veya P(A,B) ile gösterilir.

Bağımsız olaylar
Söz konusu A ve B olayları birbirlerinden bağımsız iseler, ortak olasılıkları basit bir çarpım halini alır:

Bağımlı olaylar
Söz konusu A ve B olayları birbirlerinden bağımsız değilseler, ortak olasılıkları koşullu olasılıkları yardımıyla elde edilebilir:

ve

Birbirini dışlayan olaylar
Söz konusu A ve B olaylarının biri, diğeri gerçekleştiği takdirde gerçekleşemiyor ise, birinin diğerini dışladığından söz edilir, ve bu durumda ortak olasılıkları sıfırlanır:

Ayrıca bakınız
 Olasılık kuramı
 Koşullu olasılık

Olasılık

Ortak olasılık


An Carex pseudohumilis in uska species han Liliopsida nga ginhulagway ni Fa Tsuan Wang, Yui Liang Chang ngan Pei Chun Qiong Li. An Carex pseudohumilis in nahilalakip ha genus nga Carex, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Carex

Carex pseudohumilis


NGC 62 este o galaxie spirală din constelația Balena. Este localizată la RA 00h 17m 05.4s, dec −13° 29′ 15", și are o magnitudine aparentă de 13,5. NGC 62 a fost descoperită de către Édouard Stephan în 8 octombrie 1883.

Note

Vezi și
 NGC 61
 NGC 63

Galaxii spirale
Obiecte NGC
Constelația Balena
Obiecte astronomice descoperite în 1883
Obiecte astronomice descoperite de Édouard Stephan

NGC 62


Petawawa ist eine Stadt, die im östlichen Gebiet des südlichen Teils der Provinz Ontario, Kanada liegt. Sie liegt am Ottawa-Fluss und hat 17.187 Einwohner (Stand: 2016).

Geographie
Die Stadt liegt an der Mündung des Petawawa in den Ottawa gegenüber der Laurentinische Bergen und östlich des Algonquin Provincial Park. Petawawa ist ein beliebter Zwischenstopp für Angler, Bergwanderer und Kanuwanderer.

Geschichte
Die frühesten Aufzeichnungen über eine Besiedlung in der Region zeigen auf, dass die Region Anfang des 20. Jahrhunderts von Algonkin besiedelt wurde. Der Name Petawawa entspringt der Muttersprache der Algonkin aus, biidaawewe, und bedeutet etwa: "Wenn jemand ein Geräusch hört wie dieses".

Im späten 19. Jahrhundert wurde die Region zunehmend von Einwanderern aus Schottland, Irland und Deutschland besiedelt. Das kanadische Militär kaufte einen größeren Teil 1905. Daraus entwickelte sich die heutige Canadian Forces Base Petawawa. Während des Zweiten Weltkriegs befanden sich Kriegsgefangenenlager für Deutsche auf dem Militärstützpunkt. Als während des Zweiten Weltkrieges die Internierung von Japanern und japanischstämmigen Kanadiern erfolgte, war die Gemeinde einer der Orte die dafür ausgewählt wurden. Nach dem Krieg war an dem Standort, bis zu seiner Auflösung 1995, ein Fallschirmjäger-Regiment stationiert. Heute ist der Standort einer der größeren Stützpunkte der kanadischen Streitkräfte.

Wirtschaft
Petawawas primäre Arbeitgeber sind staatliche Behörden und Regierungseinrichtungen. Die meisten der Einwohner arbeiten als Zivilangestellte oder als Militärangehörige auf der Canadian Forces Base Petawawa. Auf dem Stützpunkt ist das Hauptquartier der 2 Canadian Mechanized Brigade Group mit über 5.000 Soldaten angesiedelt. Der zweitgrößte Arbeitgeber ist das Chalk River Laboratories der Atomic Energy of Canada Limited (AECL), Kanada's größtem Nuklear- und Technologie-Forschungszentrum in der benachbarten Kleinstadt Chalk River.

Söhne und Töchter der Stadt
 Rick Hillier (* 1955), General
 Matthew Peca (* 1993), Eishockeyspieler
 Ray Sheppard (* 1966), Eishockeyspieler

Weblinks

 Town of Petawawa, Ontario Official Website
 Department of National Defence Canada - CFB Petawawa

Einzelnachweise

Ort in Ontario
Renfrew County

Petawawa


Kozmetoloji, insan vücudunun epiderma, tırnaklar, kıllar, saçlar, dudaklar ve dış genital organlar gibi değişik dış kısımlarına, dişlere ve ağız mukozasına uygulanmak üzere hazırlanmış, tek veya temel amacı bu kısımları temizlemek, koku vermek, görünümünü değiştirmek ve/veya vücut kokularını düzeltmek ve/veya korumak veya iyi bir durumda tutmak olan saç boyaları ve saç açıcılar da dahil bütün preparatları veya maddeleri inceleyen ve geliştiren bilim dalıdır

Eczacılık
Kozmetik

Kozmetoloji


يوسف فخر الدين (15 يناير 1935 - 27 ديسمبر 2002)، ممثل مصري.

عن حياته
ولد بحي مصر الجديدة في القاهرة لأم مجرية وأب مصري، وهو شقيق الفنانة مريم فخر الدين.

في عام 1955 حصل على الثانوية العامة وقد توقف عن الدراسة في السنة الثانية الجامعية، تزوج من الممثلة نادية سيف النصر وقد توفيت في عام 1974 في حادث سير ما جعله يصاب بحالة اكتئاب شديدة وابتعد عن الأضواء وفضّل السفر خارج البلاد حيث استقر في اليونان وصار من رجال الأعمال وتزوج من سيدة يونانية ولم يعد إلى مصر إلا في عام 1997 في زيارة خاطفة من أجل الاطمئنان على صحة شقيقته الفنانة مريم فخر الدين، ثم عمل في هذه الفترة موظف استقبال في أحد الفنادق.

أعماله

في السينما

روابط خارجية

المراجع

مصريون من أصل مجري
ممثلو أفلام مصريون
ممثلون مصريون في القرن 20
مواليد 1353 هـ
مواليد 1935
مواليد في القاهرة
وفيات 1423 هـ
وفيات 2002
وفيات في أثينا
وفيات بعمر 67
يوسف فخر الدين

يوسف فخر الدين


Kırıkuşağı, Adana ilinin Feke ilçesine bağlı bir mahalledir.

Tarihçe
Mahallenin adının nereden geldiği ve tarihçesi hakkında bilgi yoktur.

Coğrafya
Adana iline 142 km, Feke ilçesine 20 km uzaklıktadır.

Nüfus

Dış bağlantılar
Yerelnet

Feke'nin mahalleleri

Kırıkuşağı, Feke


Deporteringen af Ingermanland-finner var en række massedeportationer af den Ingermanland-finske befolkning af sovjetiske myndigheder. Deportationer fandt sted fra slutningen af 1920'erne til slutningen af 2. verdenskrig.

Baggrund

Lutheranske finner havde boet i Ingermanland i over 400 år siden den svenske periode. De havde immigreret der fra Finland og Det Karelske Næs og begyndte efterhånden at henvise til sig selv som Ingermanland-finner. I 1919 var den Ingermanland-finske befolkning 132.000 i Ingermanland og yderligere 10.000 i Petrograd. Den finsk-sovjetiske fredsaftale fra 1920 havde givet Ingermanland-finnerne en vis grad af national autonomi. Et nationalt distrikt blev oprettet i 1928, og finsk blev brugt i skoler, radio og administration.

Deportationer

Sovjetundertrykkelsen af de ingermanlandske finner startede samtidig med den tvungne kollektivisering i Sovjetunionen i 1928. Mellem 1929 og 1931 deporterede de sovjetiske myndigheder 18.000 mennesker fra områder nær den finske grænse, der rummede op til 16% af den samlede ingermanland-finske befolkning. Alle resterende finner i fire grænsesogne blev deporterede i 1936 og erstattet med russere. I 1937 blev alle finsksprogede skoler, publikationer, udsendelser og ingermanlandske lutherske kirker lukket. I løbet af 1937-1938 blev omkring 4.000 Ingermanland-finner skudt og over 10.000 deporteret til fængselslejre. I 1939 var den ingermanland-finske befolkning faldet til omkring 50.000, hvilket var omkring 43% af befolkningstallet i 1928, og det Ingermanland-finske selvstyreområde blev nedlagt.

Efter den tyske invasion af Sovjetunionen og begyndelsen af Belejringen af Leningrad begyndte alle de 20.000 Ingermanland-finner der var tilbage i Sovjet-kontrolleret område i begyndelsen af 1942 at blive deporteret til Sibirien. De fleste af Ingermanland-finnerne sammen med votere og ingrere, der boede i tyskbesat område, blev evakueret til Finland i 1943-1944. Efter, at Finland søgte fred med Sovjetunionen, blev det tvunget til at udlevere de evakuerede. Sovjetiske myndigheder tillod ikke de 55.733 mennesker, der blev overdraget i forbindelse med udleveringen, at bosætte sig i Ingermanland, men deporterede dem i stedet til de centrale regioner i Rusland. De vigtigste områder af de Ingermanland-finske tvangsbosættelser blev lagt i de indre områder af Sibirien, det centrale Rusland og Tadsjikistan.

Efterspil

Deportationerne førte til den hurtige etniske assimilering af Ingermanland-finnerne. Efter 1956 var tilbagevenden til Ingermanland officielt tilladt, men umulig i praksis. Som følge heraf bosattes mange i de nærliggende regioner i Estland og Karelen. I 1989 var der 18.000 finner i Ingermanland og Leningrad, og i alt 67.813 i hele Sovjetunionen, hvor kun 34,7 % erklærede at have finsk som deres hovedsprog. Ingermanland-finner og andre finnere blev ikke differentieret i den officielle folketælling. Med Sovjetunionens sammenbrud begyndte forsøgene at genoplive det arktiske finske kulturliv i Ingermanland, men samtidig flyttede mange af dem til Finland.

Noter

Litteratur

Finlands historie
Rusland i 1900-tallet

Deporteringen af Ingermanland-finner


Far til fire i solen er en dansk spillefilm fra 2018 instrueret af Martin Miehe-Renard.

Handling
Familien er på ferie sydpå, men ved ankomsten opdager de, at de skal kæmpe mod en anden familie om titlen: "Årets Solfamilie" - og far nægter. Han synes konkurrence er fjollet og proklamerer: "Vi er gode nok, som vi er". Det varer dog kun lige, til han ser, hvem der er patriark i den anden familie: Bjørn, som mobbede far igennem hele deres skoletid. Det, der var tænkt som en hyggelig dyst, bliver snart til en desperat kamp - for ære og oprejsning. Det er kun ved børnenes kærlige og opfindsomme indgriben, at han bliver klogere og indser, at han og hans familie ikke behøver forstille sig. De er vitterlig gode nok - præcis som de er!

Medvirkende

 Elton Rokahaim Møller, Lille Per
 Laura Lavigne Bie-Olsen, Mie
 Mingus Hassing Hellemann, Ole
 Coco Hjardemaal, Søs
 Martin Brygmann, Far
 Thomas Bo Larsen, Onkel Anders
 Lukas Toya, Peter
 Naja Münster, Olivia

Referencer

Eksterne henvisninger

Spillefilm fra Danmark
Danske film fra 2018
i solen
Dansksprogede film

Far til fire i solen


Abla, İspanya'nın on yedi özerk bölgesinden en kalabalık ikinci bölge olan Endülüs'e bağlı; İspanya'nın güneyinde bulunan Almería eyaletine bağlı belediye. 2009 yılındaki nüfusu; 1,504 kişidir. Belediye, 45,24 km²'lik bir alanı kaplamaktadır.

Nüfus

Kaynak: INE (Spain)

Dış bağlantılar
  Abla - Diputación Provincial de Almería

Almería belediyeleri

Abla, Almería


Nogometni klub Bravo (NK Bravo; Bravo Ljubljana; Bravo) je nogometni klub iz Ljubljane, regija Središnja Slovenija, Republika Slovenija.
U sezoni 2020./21. "Bravo" je član "Prve slovenske lige".

O klubu
NK "Bravo" je osnovan 2006. godine. Do 2015. godine se klub natjecao u nižim ligama kao što su "Regionalna Ljubljanska liga" i "Liga MNZ Ljubljana".
U sezonama 2015./16. i 2016./17. su nastupali u "3. slovenskoj ligi – Centar", a 2017./18. počinju igrati u "2. slovenskoj ligi", koju osvajaju u sezoni 2018./19. te su u sezoni 2019./20. prvi put članovi "1. slovenska liga".
Klub je također djelovao pod nazivima "Bravo-Belinka" (spojili se s ranijim klubom "Belinka"), Bravo Publikum", "Bravo ŠTUDENT" te AŠK "Bravo".
Početkom 2010.-ih "Bravo" je imao suradnju s klubom "Interblock", te su u sezoni 2011./12. nastupali kao "Bravo 1 Interblock" u "2. slovenskoj ligi", ali su se klubovi potom opet razdvojili.

NK "Bravo" od 2008. godine tradicionalno organizira turnir "Ljubljana Open" (za U-14 dobnu kategoriju).

Stadion
NK "Bravo" nastapa na stadionu "Športni park Ljubljana", koji se nalazi u ljubljanskoj četvrti Šiška.

Uspjesi
 2. slovenska liga
 prvajk 2018./19.

 3. slovenska liga – Centar
 prvak: 2016./17.
 doprvak: 2015./16.

 Regionalna Ljubljanska liga
 prvak: 2014.15.
 drugoplsdrsni: 2010./11.

 Liga MNZ Ljubljana
 prvak: 2013./14.

 Kup MNZ Ljubljana
 pobjednik: 2017./18.

Pregled plasmana

Unutarnje poveznice
 NK Interblock
 Ljubljana

Vanjske poveznice
 nk-bravo.si
 NK Bravo, facebook stranica
  prvaliga.si, BRAVO (1. SNL)
  nzs.si, BRAVO (2. SNL)
  nzs.si, BRAVO (3. SNL - Center)
  nzs.si, BRAVO (Pokal Slovenije)
  int.soccerway.com, NK Bravo
  worldfootball.net, NK Bravo
 transfermarkt.com, NK Bravo
   mnzljubljana-zveza.si, KLUBI MNZ LJUBLJANA
  national-football-teams.com, Bravo Ljubljana

Izvori

  nk-bravo.si, Klub, pristupljeno 11. listopada 2020.
  weltfussballarchiv.com, NK Bravo , pristupljeno 11. listopada 2020.
  , pristupljeno 11. listopada 2020.
  futbolas.lietuvai.lt, NK Bravo, pristupljeno 11. listopada 2020.
  siol.net, NK Bravo, pbjavljeno 18. lipnja 2019., pristupljeno 11. listopada 2020.

Slovenski nogometni klubovi
Nogomet u Ljubljani

NK Bravo Ljubljana


Xenozoic Tales is an alternative comic book by Mark Schultz set in a post-apocalyptic future. Originally published by Kitchen Sink Press, the series began in 1986 with the story "Xenozoic!" which was included in the horror comics anthology Death Rattle #8. This was shortly followed by Xenozoic Tales #1 in February 1987. Kitchen Sink published 14 issues between 1987 and 1996 and it has since been reprinted by several publishers, including Marvel Comics, Dark Horse Comics, and Flesk Publications.

The series was well-received and in the early 1990s it won four Harvey Awards and three Eisner Awards. Despite this, issues started to be released further apart, eventually ceasing mid-story arc in issue #14.

Xenozoic Tales also proved moderately successful under the title Cadillacs and Dinosaurs and spawned an animated series on CBS, an arcade game from Capcom, a Sega CD video game from Rocket Science Games, action figures, candy bars, and a Twilight 2000 system role-playing game. The comic book reprints from Kitchen Sink and Marvel, and the continuation from Topps Comics, also used the Cadillacs and Dinosaurs name. The title Cadillacs and Dinosaurs and the likenesses of classic Cadillac automobiles were used with the consent of General Motors, which holds the phrase "Cadillacs and Dinosaurs" as a trademark and has licensed it for the comic books, the video game and the animated series.

Schultz's illustrated novella, Storms at Sea, published in 2015 with Flesk Publications, includes details which appear to provide a back-history of the circumstances that led to the creating of the world as shown in Xenozoic Tales.

Publication history

Xenozoic Tales (Kitchen Sink Press): 1987–1996
The original publication of Xenozoic Tales ran irregularly from 1987 until 1996, often with multiple years taking place between issues. The final issue, #14, ends in the middle of a story arc. While there is no time-frame, in 2012 Flesk Publications revealed they had tentative plans with Mark Schultz to create an additional 80 pages of story to complete the current story arc. The most recent mention of this is in the last pages of the Flesk collection Xenozoic where it states: "The adventures of Hannah Dundee & Jack Tenrec will continue. Look for more mystery, mayhem, & intrigue in future Xenozoic stories!"

Cadillacs and Dinosaurs (Marvel Comics): 1990–1991
In 1990, under the banner of Epic Comics, Marvel Comics began reprinting Xenozoic Tales in full color under the title Cadillacs and Dinosaurs. These editions had completely new covers, but only the first six issues were reprinted and the series ceased publication in April 1991. As of yet, these colorized versions have never been released in a collected form.

Cadillacs and Dinosaurs (Topps Comics): 1994

In 1994, Topps Comics began running their own continuation of Xenozoic Tales, also under the title Cadillacs and Dinosaurs. The series only ran for one year, in which they released nine issues. The stories were designed to complement the original series, taking place between in the midpoint of the story "Lords of the Earth" in Xenozoic Tales #10, right after Wilhelmina Scharnhorst is elected governor, but before Jack has been driven into exile. In the original story, that moment lasts for only a few minutes, but Topps Comics sought the permission of Mark Schultz to turn it into a "moment that stretches". While Mark Schultz did not write or draw any of the comics released by Topps, he was consulted on some of the story arcs to make sure they were kept as true to his vision as possible.

The series ran three main story arcs over the course of nine issues before "going on hiatus" right before the release of Xenozoic Tales issue #13. A fourth storyline titled "Hammer of the Gods" was in the works, being drawn by David Roach, but was never released.

Story
In the storyline, Earth has been ravaged by pollution and natural disasters of all sorts in the 1990s. To escape this, humanity built vast underground cities in which they lived for approximately 500 years. Upon emerging, the humans found that the world had been reclaimed by previously extinct lifeforms (most spectacularly, dinosaurs and prehistoric mammals). In the new 'Xenozoic' era, technology is extremely limited and those with mechanical skills command a great deal of respect and influence.

The two main characters of the series are mechanic Jack Tenrec and scientist/love interest, Hannah Dundee. Tenrec operates a garage in which he restores cars, particularly Cadillacs. Given that the post-apocalyptic world no longer possesses the ability to refine oil, Tenrec modifies his cars to run on dinosaur guano. These cars, of course, are frequently chased by rampaging dinosaurs in pulp style action-adventure stories.

Other characters include various criminals, politicians, scientists, and inventors who populate the dystopian world of tomorrow. There is also a race of reptilian humanoids called the Grith who cannot speak in a human language but instead communicate by spelling words with Scrabble tiles. These creatures have befriended Tenrec, and apparently have the ability to communicate telepathically with the dinosaurs. Added into the mix is Hermes, a half-tamed Allosaurus Jack raised, and who basically acts as the most threatening guard dog one could ask for.

Characters
 Jack Tenrec – an old blood mechanic who runs a garage. Old bloods are a group of people who repair machines that were left over from the great cataclysm that forced humanity to live underground. Despite his gruff and stubborn behavior, he is considered leader by the people in the City in the Sea (formerly Manhattan) more than their governors; he starts an on/off relationship with the beautiful Wasoon ambassador and scientist Hannah Dundee.
 Hannah Dundee – a beautiful scientist and ambassador from Wasoon (formerly Washington, D.C.). She came to the City in the Sea in order to build relations with her people, as not many trust them. Over the course of the comics, she becomes the love interest of Jack Tenrec despite their different views on things.
 Hermes – an Allosaurus who Jack raised after his mother was killed by poachers; although he can be vicious to others, he is gentle with Jack and Hannah. He first appeared when he saved his beloved master after he was being threatened by one of the Terhunes.
 Remfro Rhynchus – a reclusive yet obsessed expert on zekes and their flying patterns, he soon builds an engineless plane that relies on thermal updrafts to keep afloat. He also befriends Dundee and a close ally.
 Mustapha Cairo – an engineer and a mechanic who is a good friend to Jack. He becomes one of their allies in their fight for survival in the post-apocalyptic world overrun by dinosaurs and saber-toothed tigers.
 Kirgo – an elderly mechanic who is a friend to Jack. He seems to know why some people hate Jack and want him dead.
 Ryder Corbett – an expert tracker who is a rival to Jack Tenrec. He is intelligent and crafty. Able to make a rifle powerful enough to kill a Shivat; also has a robotic prosthetic arm with 2 claws that looks like a Shivat hand. He is killed later by a mutated Shivat after a last stand in the Garage against Tenrec.
 The Terhunes – a family of poachers who are the enemies of Jack Tenrec; they have tried many times to kill him, but always fail.
 Mother Terhune - leader of The Terhune Clan, she is small, old, and frail compared to her 3 sons. She is intelligent, short-tempered, and violent, and also seems to hate Tenrec and Dundee. She is also known to smoke many cigars.
 Hammer Terhune – an overweight poacher who despises Jack Tenrec, indicating that they have met before, but on very bad terms. He tries to kill Jack and Hannah many times, but always fails. He has two brothers named Wrench and Vice. He was later shot by Hannah after he took Jack hostage while escaping from an enraged woolly mammoth.
 Wrench Terhune – Hammer's younger brother who is the middle child of the Terhune family. Previously, Wrench and some other poachers had murdered a Wasoon patrol. In the first issue, they plotted to kill the visiting Wasoon ambassador, in the belief that the Wasoons were coming after the murderers. When Jack intervened, Wrench tried to kill him, but Hermes came to Jack's rescue and bit Wrench to death before flinging his corpse through a window.
 Vice Terhune – the youngest brother of the Terhune family. Like his two older brothers, he is a poacher and has a huge dislike of Jack Tenrec. He appears in two issues, the first when he finds an old case which he believes has gold in it, but later discovers that it has old American dollars instead. Later he turns to thieving, after the City in the Sea imposes a hunting license on all hunters.
 Mikla Von Ermine – Vice's raving girlfriend who is obsessed with Vice, despite his domineering behavior and rival to Hannah.
 Wilhelmina Scharnhorst – the leader of the "Moles", a group of people who search the ancient ruins in and under the City in the Sea. She despises the old blood mechanics, as she believes that they are nothing but nuisances who stand in the way of progress. She runs for Governor of the City, after the death of Gov. Gorgostamos.
 The Grith – a mysterious race of intelligent lizard men who cannot communicate in a human language, but can communicate with Scrabble tiles. They are said to be descendants from an unknown species of dinosaur. They are allies with Jack for some unknown reason and, later, they ally with Hannah as well.
 Hobbs – Jack's contact in the Grith. He appears when Hannah was taken by the Grith, then informs them that a settlement is about to be destroyed by an earthquake.
 Wild Child – a human teenager who was raised by the Grith who wears a loincloth and animal hide boots. He wandered away from his home when he was only three years old and was then attacked by a pack of cave hyenas, but was saved by the Grith, who then raised him as one of their own. Ten years later, Hannah discovered Wild Child and tried to take him back, but eventually knew that he belonged with the Grith. Hannah reluctantly told the boy's mother that she had found nothing.

Prehistoric animals
In the Xenozoic Tales universe, the humans have developed their own names for prehistoric creatures. Below are the names used in the comics and the real-life creatures they refer to:
 Slither – a generic term for any dinosaur or prehistoric reptile.
 Cutter – Allosaurus. A mid-sized carnivore, relatively common. Hermes, Jack's half-tame dinosaur, is a juvenile.
 Cave bear – same name. Large and mostly peaceful bear, though dangerous if threatened.
 Harvestman / Cogspider – giant opilione. Lives deep underground in huge colonies. If exposed to pressure at sea level, it will slowly die.
 Hornbill – Parasaurolophus. A peaceful and gentle species of hadrosaurs, travels in herds.
 Horses – one of the few modern animals still existing in the Xenozoic Era, they are used as mounts by many of the surviving humans.
 Crawler – Ankylosaurus. Peaceful but dangerous plant eating Ankylosaurs with body armor and a club tail.
 Bonehead – Pachycephalosaurus. A species of Pachycephalosaur with a bony skull on its head.
 Mack – a general term for ceratopsians, generally used for Triceratops or Styracosaurus. Easily startled herd animal.
 Mammoth / Big Woolly / Tusker – Woolly Mammoth who are ill-tempered elephants. Hannah tried to catch one, and in a rage it followed them back to Jack's garage, before being killed in a run-in with a Mack herd.
 Sabre-Tooth Cat – Smilodon. Cats with knife-like canines, hunts animals such as Macks and Mammoths.
 Sambuck – Apatosaurus. Large sauropod, lives in herds and startles easily.
 Tri-colored Sambuck – Diplodocus. Large sauropod, lives in herds and startles easily much like Sambucks.
 Tree Grazer – Brachiosaurus. The largest herbivore in the world, lives in small herds.
 Sailback – a general term used for sailed synapsids such as Dimetrodon and Edaphosaurus.
 Shark – Cretoxyrhina. A species of shark that is mostly found in the waters surrounding the City in the Sea.
 Shivat – Tyrannosaurus rex. The largest carnivore in the world, sticks to the higher regions. Mates for life. A mutated specimen possessed chameleonlike abilities and an ultra-tough hide. Its genitals are highly prized on the black market.
 Shrike – Deinonychus. Small pack Dromaeosaurs. Also referred to as a Harrier.
 Thresher – Mosasaur. Large sea hunter, possesses sonar.
 Triton – Trilobite. An early arthropod, in real life they were usually 3–6 cm long, but in the comic they can grow as long as 2 metres.
 Wahochuck – Stegosaurus. A fairly common animal.
 Zeke – Pteranodon. Scavenger sensitive to underwater predators. A flock was drawn to the city to warn of attacks on fishing boats by Threshers.

Locations
The setting of Xenozoic Tales is along the Eastern coast of North America during the mid-27th century, most of America's cities having been destroyed during the Great Cataclysm, with a few surviving:
 The City in the Sea – the remains of Manhattan and the series' main setting. As its name implies, it consists of several buildings that survived when Manhattan was flooded during the Great Cataclysm. The Empire State Building was one of the surviving buildings.
 Jack's Garage – a large garage that is both the home and workshop of Jack Tenrec.
 Wassoon – the home of Hannah Dundee, located in the south and the remains of Washington, D.C. Its people the Wassoon are a tribe of scholars, but they are treated with disdain by many other surviving humans for reasons unknown. They sent Hannah to the City in the Sea with the hopes of gaining access to their library.
 Calhoon Mines – a copper mine located a few days from the City in the Sea. It is where the copper for the City in the Sea is mined; it was once besieged by a man-eating Shivat until it was killed by Jack and Hannah.
 Fessenden's Station - a scientific research station that is a several-days journey from the City in the Sea, deep within the treacherous jungles, and established by Dr. Phileas Fessenden, a scientist highly revered by the city. Jack and Hannah discover the grisly fate of Fessenden and all his staff there, and the place is torched and declared forbidden. The Grith later secretly inform Jack that the abandoned station is the "key to everything".

Animated television series
In 1993 Nelvana adapted Xenozoic Tales into an animated television show for CBS Kids. The show lasted for one season of thirteen episodes. While not a direct adaptation of the comic book series, many of the episodes featured stories taken directly from Xenozoic Tales. The show has developed a cult following and is currently available to watch in the U.S. through Amazon Video.

Collected editions
The original series has been collected multiple times, starting with Kitchen Sink Press in 1989, Dark Horse Comics in 2003, and eventually being collected in a single volume by Flesk Publications in 2013. Flesk also released a limited edition hardcover of the book after raising funds through Kickstarter. An Artists Edition was released by IDW Publishing in August 2013 and contains oversized reprints of the original art from issues #9–14 of the series. While these collections all contain the complete original series written by Mark Schultz, only the Kitchen Sink Press releases contain the backup stories drawn by Steve Stiles, though in 2012 Flesk Publications made it clear they were hunting for the original art from his stories for a future release.

The Epic Comics colorized issues and the Topps Comics series have never been released in collected form.

Awards
Mark Schultz has won five Harvey Awards for his work on Xenozoic Tales. He won three times for Best Artist or Penciller (1990, 1992, 1993), once for Best Inker (1997), and once for Best Single Issue or Story (Xenozoic Tales #11, 1992).

Xenozoic Tales also received two Eisner Awards: one for Best Short Story (Xenozoic Tales #12 "Two Cities" 1992) and one for Best Black and White Series (1991).

References

External links

 Cadillacs and Dinosaurs a.k.a. Xenozoic Tales at Don Markstein's Toonopedia. Archived from the original on April 13, 2012.

 Prehistoric Pulp: review of Xenozoic Tales a.k.a. Cadillacs and Dinosaurs

1987 comics debuts
Cadillac
Comics adapted into television series
Comics adapted into video games
Dark Horse Comics titles
Defunct American comics
Dinosaurs in comic books
Marvel Comics titles
Post-apocalyptic comics
Topps Comics titles

Xenozoic Tales


Helminthora, nom. cons., rod crvenih algi iz porodice Liagoraceae. Taksonomski je priznat kao zaseban rod. Postoji osam priznatih vrsta.

Tipična je morska alga H. divaricata (C.Agardh) J.Agardh

Vrste
 Helminthora anomala Vélez & Vega
 Helminthora australis J.Agardh ex Levring
 Helminthora divaricata (C.Agardh) J.Agardh – tip
 Helminthora furcellata (Reinbold ex Tyson) M.T.Martin
 Helminthora guadelupensis P.Crouan & H.Crouan
 Helminthora lindaueri Desikachary
 Helminthora nipponica Narita
 Helminthora stricta N.L.Gardner

Izvori

Liagoraceae

Helminthora


Um shock site (tradução: ) é um site com a intenção de ser ofensivo ou perturbador para seus visualizadores, embora também possa conter elementos de humor ou evocar excitação sexual. Sites orientados para chocar geralmente contêm material como pornográfico, coprológico, racista, sexista, graficamente violento, insultuoso, vulgar, profano ou de outra natureza provocativa. Sites que são principalmente fixados em morte real e violência gráfica são particularmente referidos como gore sites. Alguns sites de choque exibem uma única imagem, animação, videoclipe ou pequena galeria e são divulgados por e-mail ou disfarçados em postagens em sites de discussão como uma brincadeira ou pegadinha. Steven Jones distingue esses sites daqueles que coletam galerias onde os usuários buscam conteúdo chocante, como o Rotten.com. Sites de galerias podem conter decapitações, execução, eletrocussão, suicídio, assassinato, apedrejamento, mortes em fogueiras, brutalidade policial, enforcamentos, terrorismo, violência de cartéis de drogas, afogamento, acidentes de trânsito, vítimas de guerra, estupro, necrofilia, mutilação genital e outros crimes sexuais.

Alguns sites de choque também ganharam suas próprias subculturas e se tornaram memes da internet por conta própria. Goatse.cx apresentava uma página dedicada a fan arts enviadas por fãs e homenagens ao hello.jpg do site, e uma paródia da imagem foi involuntariamente mostrada por um noticiário da BBC como uma alternativa para o então recém-revelado logotipo para os Jogos Olímpicos de Verão de 2012. Um vídeo chocante de 2007 conhecido como 2 Girls 1 Cup também rapidamente se tornou um fenômeno da Internet, com vídeos de reações, homenagens e paródias amplamente postados em sites de compartilhamento de vídeos como o YouTube.

Exemplos

Goatse.cx

Foi um dos primeiros e mais conhecidos shock sites. Era um site cuja página principal apresentava a imagem de um homem nu esticando seu ânus com as duas mãos. O site foi fechado em 2004; no entanto, ainda existem vários mirrors do site com a imagem.

Meatspin
Meatspin é um site contendo um vídeo em loop (definido para tocar "You Spin Me Round (Like a Record) de Dead or Alive") de duas pessoas praticando sexo anal, enquanto o pênis do parceiro receptor gira sem parar. Embora frequentemente relatado como pornografia gay, foi mencionado que o clipe foi derivado de um filme de pornografia transgênero. Um contador registra quantos "giros" o espectador assistiu. O site foi lançado pela primeira vez em 10 de março de 2005. A partir de 2017, o domínio agora é meatspin.cc.

2 Girls 1 Cup

Filme pornográfico brasileiro em que há interação erótica de duas atrizes pornográficas defecando em um copo e consumindo o excremento, além de também vomitarem uma na outra.

Ver também
2 Girls 1 Cup
4chan
Elsagate
Fan service
Pornografia na internet
Privacidade na internet
Trol (internet)
Lista de fenômenos da Internet
Pânico moral
Not safe for work
Regra 34

Internetês
Fenômenos da Internet

Shock site


Aminata Sophie Dièye (Aminata Zaaria, Ndèye Takhawalou) est une écrivaine, dramaturge, actrice et journaliste sénégalaise née en 1973 à Thiès et morte à Dakar en 2016.

Femme de lettres, elle écrit pour plusieurs journaux sénégalais dont Sud Quotidien, Le Cafard libéré et L'Observateur sous le nom de Ndèye Takhawalou. Sa pièce Consulat zénéral, présentée en 2002, est jouée dans plusieurs pays d'Afrique et en France. Elle publie en 2004 sous le nom d'Aminata Zaaria La Nuit est tombée sur Dakar et tient plusieurs rôles au cinéma, notamment dans La Petite vendeuse de soleil de Djibril Diop Mambety et Lili et le baobab de Chantal Richard.

Biographie

Jeunesse et débuts
Aminata Sophie Dièye est née en 1973 à Thiès au Sénégal. Fille non légitime d'un inspecteur des impôts, elle est élevée par sa mère. À vingt-et-un ans, elle déménage seule pour l'île de Ngor où elle commence à travailler comme pigiste pour le journal Sud Quotidien.

Journalisme
Durant toute sa vie, Aminata Sophie Dièye ne cesse d'écrire pour les journaux, pour Sud Quotidien et Le Cafard libéré mais aussi pour L'Observateur, le quotidien le plus lu du pays. Elle y tient une chronique chaque samedi sous le pseudonyme de Ndèye Takhawalou (jeu de mots sur « mère errante » ou le prénom féminin « Ndèye », signifiant « errant nulle part ») et sous-titré Sénégalaise, , toujours dans le pétrin.

Consulat zénéral
Formée au Conservatoire national de musique, de danse et d'art dramatique (CNMDAD) du Sénégal, Aminata Sophie Dièye fait ses débuts sur scène en 2002 avec Consulat zénéral, une comédie qu'elle a écrite en 2000 et mise en scène par Lucio Mad avec qui elle partage sa vie.  Elle y campe le rôle d'une vieille femme analphabète en quête d'un visa d'entrée pour la France. La pièce est jouée dans cinq pays africains et en France.

La Nuit est tombée sur Dakar
Aminata Sophie Dièye signe son premier roman sous le nom d'Aminata Zaaria. Publié en 2004, La Nuit est tombée sur Dakar raconte l'histoire de deux jeunes Sénégalaises qui quittent leur village natal pour la capitale en vue d'améliorer leur existence en vivant aux crochets d'Européens. Elles y rejoignent deux blancs qui ont l'âge de leurs grands-parents mais les choses ne se passent pas comme elles l'avaient prévu. Le roman reçoit le prix Emmanuel Roblès de la ville de Blois et doit être porté à l'écran par la cinéaste Angèle Diabang Brener.

Aminata Sophie Dièye perd son mari l'année suivante en 2005 d'un cancer fulgurant.

Cinéma
Aminata Sophie Dièye a également tenu quelques rôles au cinéma dont La Petite vendeuse de soleil de Djibril Diop Mambety sorti en 1998 et Lili et le baobab de Chantal Richard sorti en 2006.

Aminata Sophie Dièye meurt le 17 février 2016, à Dakar des suites du diabète.

Publications

Filmographie

 1998 - La Petite Vendeuse de soleil de Djibril Diop Mambety
 2006 - Lili et le baobab de Chantal Richard

Bibliographie

.
.

Références

Liens externes

Naissance en 1973
Naissance à Thiès
Femme de lettres sénégalaise
Décès à Dakar
Décès en février 2016
Écrivain sénégalais du XXIe siècle
Romancière sénégalaise
Écrivain sénégalais francophone

Aminata Sophie Dièye


Rosenskovmærke er en lav, krybende staude med tynde skud og kransstillede, nåleagtige blade. Blomsterne er lyserøde, og planten bruges i haver og parker som bunddække i fuld sol.

Kendetegn
Rosenskovmærke (Phuopsis stylosa) er en staude med en krybende til opstigende vækst. Skuddene er firkantede i tværmål, klæbrige tynde og furede med få eller ingen hår. Bladene er kransstillede og nåleagtigt smalle med hel bladrand. Begge bladsider er klæbrige, hårløse og lysegrønne. Blomstringen foregår i juni-august. Blomsterne er samlet i endestillede, kuglerunde til halvkugleformede stande. De enkelte blomster er regelmæssige og 5-tallige med lyserøde eller næsten hvide kronblade, langt kronrør og en griffel, der rager langt frem foran kronbladene. Frugterne er spaltefrugter, der bliver til to nødder.

Rodsystemet består af mange, tynde hovedrødder. Skud, som kommer i vedvarende jordkontakt, sætter rødder fra undersiden.

Rosenskovmærke når en højde på 20 cm og en bredde på ca. 50 cm.

Hjemsted
Rosenskovmærke arten (og dermed slægten) er en relikt, der hører hjemme i skovlysninger, krat og på klippeflader i Azerbaijan og i det nordvestlige Iran, mens den findes dyrket i det vestlige Kina (provinsen Shaanxi). I det nordlige Iran, dvs. langs det Kaspiske Hav, findes uberørte, hyrcane skove med løvfældende og nålebærende træarter. I højder mellem 1.200 og 2.200 m er jorden sandet eller leret med et 35-60 cm tykt muldlag. Her vokser arten sammen med bl.a. Almindelig Ask, Almindelig avnbøg, Almindelig bingelurt, Almindelig brunelle, Almindelig ene, Almindelig gyldenris, Almindelig hundegræs, Almindelig merian, Almindelig mistelten, Almindelig Sanikel, Almindelig taks, Bakkestilkaks,  Berberis integerrima, Bupleurum marschallianum (en art af hareøre), Bærperikon, Campanula involucrata (en art af klokke), Cornus australis (en art af kornel), Crataegus microphylla (en art af hvidtjørn), Digitalis nervosa (en art af fingerbøl), Dueskabiose, Echinops koeltzii (en art af tidselkugle), Erythronium caucasium (en art af hundetand), Filtet soløje, Finnet bispehue, Fruesegl, Fuglekirsebær, Geranium purpureum (en art af storkenæb), Giftig kronvikke, Hamphjortetrøst, Humlesneglebælg, Iransk el, Jødekirsebær, Kaspisk eg, Kastanjeeg, Kirtelbjergmynte, Klæbrig salvie, Korbær, Kristtorn, Lammeøre, Laurbærkirsebær, Lilium ledebourii (en art af lilje), Lægeærenpris, Malus orientalis (en art af æble), Mispel, Navr, Orientalsk avnbøg, Orientalsk bøg, Orientalsk kronvikke, Paeonia wittmanniana (en art af pæon), Papegøjebusk, Plantago atrata (en art af vejbred), Pibekvalkved, Pilealant, Polejmynte, Pragttidløs, Prunus divaricata (en art af blomme), Pyrus hyrcana (en art af pære), Rosa boissieri (en art af rose), Rosenkrave, Rubus persicus (en art af brombær), Rød hestehov, Sevenbom, Skovelm, Skovjordbær, Skovmærke, Skovstar, Skovstilkaks, Stor fladstjerne, Storbladet lind, Sød astragel, Tandrod, Tarmvridrøn, Tidlig alpeviol, Trifolium canescens og Trifolium tumens (arter af kløver), Tyrkisk løn, Tørst, Vicia crocea og Vicia subvillosa (arter af vikke), Vincetoxicum scandens (en art af svalerod), Vårfladbælg og Ædelkortlæbe.

Galleri

Note

Lyserøde blomster
Flerårige urter
Haveplanter

Rosenskovmærke


An Carex litorhyncha in uska species han Liliopsida nga ginhulagway ni Adrien René Franchet. An Carex litorhyncha in nahilalakip ha genus nga Carex, ngan familia nga Cyperaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Carex

Carex litorhyncha


Crkva sv. Ane  je rimokatolička crkva u općini Lobor zaštićeno kulturno dobro.

Opis dobra
Barokno-klasicistička jednobrodna crkva smještena je uz glavnu cestu u naselju Lobor. Crkvu, izvana poligonalnog oblika, čine pravokutna lađa, ravno zaključeno svetište, snažan zvonik koji izlazi iz korpusa crkve ispred glavnog pročelja i sakristija južno od svetišta. Sagrađena je u razdoblju od 1807-1830. g. Svojim neuobičajenim oblikovanjem vanjskih zidova predstavlja model novog arhitektonskog rješenja u Hrvatskom zagorju. Katnica župnog dvora nalazi se na uzvisini, istočno od župne crkve. Sagrađena je 1803. g. prema pojednostavljenoj kasnobaroknoj tradiciji izgradnje župnih kurija. Dominantnim položajem nad naseljem i jednostavnošću oblikovanja ostvaruje visoku ambijentalnu vrijednost.

Zaštita
Pod oznakom Z-2367 zavedena je kao nepokretno kulturno dobro - pojedinačno, pravnog statusa zaštićena kulturnog dobra, klasificirano kao "sakralna graditeljska baština".

Izvori

Nepokretna pojedinačna kulturna dobra u Krapinsko-zagorskoj županiji
Katoličke crkve u Hrvatskoj

Crkva sv. Ane u Loboru


Liangpíng (, pinyin: Liángpíng xiàn). Es un condado bajo la administración del municipio de Chongqing, en el centro de la República Popular China. Se ubica a 30°40′27″N y 107°48′08″E. Su área es de 1890 km² y su población en 2006 880.000.

Administración
La ciudad-condado de Liangpíng se divide en 25 poblados,8 villas ,28 juntas y 664 pueblos.

Poblados

Liángshān zhèn, hé xìng zhèn, rén xián zhèn, jīn dài zhèn, jù kuí zhèn, lǐràng zhèn, míngdá zhèn, lóngmén zhèn, xīnshèng zhèn, wénhuà zhèn, píng jǐn zhèn, huí lóng zhèn, yīn píng zhèn, yúnlóng zhèn, hé Lín zhèn, yuán yì zhèn, bì shān zhèn, hǔ chéngzhèn, zhúshān zhèn, qīxīng zhèn, fú lù zhèn, shí ān zhèn, bǎi jiā zhèn, dàguān zhèn, pán lóng zhèn.

Villas

Chéngběi xiāng, fù píng xiāng, chéng dōngxiāng, ān shèng xiāng, tiě mén xiāng, lóng shèng xiāng, qū shuǐxiāng, zǐ zhào xiāng.

Clima
Liangpíng tiene un monzón influenciado por el clima húmedo subtropical ,con cuatro estaciones bien diferenciadas: los inviernos son cortos y secos ,mientras que el verano es largo caliente y húmedo. Las temperaturas media en enero es de 5C y en julio es de 27C y agosto el más caliente. Alrededor del 70% de la precipitación cae de mayo a septiembre.

Referencias

Condados del municipio de Chongqing

Liangping


José de Zúñiga y la Cerda (1654-1725) fue un noble español, maestre de campo, gobernador de la Florida y gobernador de Cartagena de Indias.

Biografía
Sirvió veintisiete años en los tercios españoles de Flandes, llegando al grado de maestre de campo. Participó en la defensa de la plaza de Melilla sitiada por los moros.

El rey Carlos II de España lo nombró el 30 de enero de 1699 gobernador y capitán general de la Florida. El juramento de cumplir con su deber y con las instrucciones dadas en el nombramiento lo otorgó ante el Tribunal (Presidente y jueces oficiales) de la Casa de Contratación de Sevilla, el 20 de mayo de 1699. Se le dio licencia para llevar cuatro criados solteros. Se embarcó en la flota a Nueva España al mando del general Manuel de Velasco y Tejada el 23 de mayo de 1699.

Fue Gobernador de la Florida desde 1700 hasta el año de 1712. Durante su gobierno hizo mejorar el castillo y defensas de la ciudad de San Agustín, capital de la gobernación. Entre el 10 de noviembre y el 26 de diciembre de 1702 el castillo fue sitiado por tropas inglesas al mando del coronel Moore. Quien no pudiendo tomarlo debido a la tenaz defensa del gobernador don José de Zúñiga, hizo en venganza poner fuego a la ciudad. Los ingleses y sus aliados indios se dieron a la fuga con la llegada de una flotilla de socorro mandada por don Esteban de Berroa y por el capitán don Lope de Solloso, al frente de un destacamento integrado por reclutas gallegos y milicianos habaneros.

A la muerte del gobernador de Cartagena de Indias Juan Díaz Pimienta en 1706 fue nombrado gobernador de Cartagena de Indias, cargo que tomó en posesión en 1712 y ejerció hasta 1718.
Regreso a España en el único barco que se salvó de la desgraciada flota del almirante Antonio Ubilla, que se perdió en las Bahamas.

Referencias

Bibliografía

Zúñiga
Nobles de España del siglo XVII
Historia de América
Gobernadores coloniales españoles de la Florida
Gobernadores de Bolívar (Colombia)
Nobles españoles en América
Nobles de España del siglo XVIII
Nacidos en La Habana
Novohispanos

José de Zúñiga y la Cerda


×Agroelymus, hibridni rod trava smješten u podtribus Hordeinae, dio tribusa Hordeeae. Formula: Agropyron × Elymus.

Vrste
 ×Agroelymus bowdenii B.Boivin
 ×Agroelymus cayouetteorum B.Boivin
 ×Agroelymus hultenii Melderis

Izvori

Hordeinae

×Agroelymus


Les travaux d'aiguille sont la décoration d'objets d'artisanat textiles avec l'aide d'aiguilles.

Types de travaux d'aiguille
Les travaux d'aiguille incluent la couture, la broderie, la dentelle, la tapisserie et le tricot.

Histoire
Aux Jeux olympiques antiques, les jeunes femmes sont encouragées à participer aux épreuves de course ou à tisser le voile de Héra. Il est possible que la Vénus de Milo ait été représentée tenant une quenouille, et les tisseuses et fileuses sont un topos récurrent de la mythologie grecque et romaine. Dans l'Odyssée, notamment, Pénélope tisse en attendant le retour d'Ulysse.

Les brodeuses du Moyen-Âge sont de haute lignée. À partir du douzième siècle, les récits abondent d'héroïnes tissant avec des fils d'or, d'argent, et les cheveux de leur être aimé ; les autres broderies ont vocation religieuse le plus souvent. Dans la réalité, les  sont associés à un statut social élevé dès les années 1530 et Catherine de Médicis reçoit des patrons d'ouvrages en 1587. En 1554, Frederigo Luigini écrit que les travaux d'aiguille sont le propre des femmes, quelle que soit leur classe sociale, ajoutant que les pauvres y trouvent une utilité et que les grandes dames y . Au seizième siècle, quelques œuvres représentent des femmes maniant l'aiguille, notamment l'Industria de Jacques Ier Androuet du Cerceau et Les Brodeuses de Jan van der Straet, mais elles sont des figures allégoriques ne correspondant pas forcément à la réalité pratique. La broderie se pratique en groupe féminin, ce qui est au centre de l'histoire de Berthe aux grands pieds.

Au dix-septième siècle, il semble que les aristocrates ne brodent plus et se tournent vers la peinture, la musique et la littérature. Les brodeuses sont alors de milieu plus modeste. À la fin de l'Ancien Régime, on trouve des premières traces de femmes ayant fait des travaux d'aiguille leur profession. En 1657, les Filles de l'Instruction Chrétienne obtiennent l'autorisation de former les orphelines aux travaux d'aiguille pour leur permettre de sortir de la pauvreté en travaillant. En 1675, une corporation de couturières voit le jour à Paris.

À la fin du dix-huitième siècle, la broderie redevient une activité prisée, mais se tourne vers la satisfaction de l'époux plutôt que vers la foi. En 1782, les femmes couturières reçoivent l'autorisation de fabriquer des vêtements et accessoires pour hommes. C'est la seule compétence monnayable de nombreuses femmes, et l'enseignement des travaux d'aiguille devient obligatoire en France en 1836 et étendu aux écoles mixtes en 1867. L'inspecteur A. J. Viaud imagine, pour l'Exposition universelle de 1867, un apprentissage systématique des arts textiles. Il distingue les travaux nécessaires et indispensables (couture et tricot), les travaux utiles et agréables (broderie, tapisserie et dentelle) et les travaux de simple agrément. Les deux grandes catégories d'hommes maniant l'aiguille sont les galériens et les militaires.

Dans la deuxième moitié du dix-neuvième siècle, en France, le nombre d'employées du secteur textile augmente rapidement. Entre 1850 et 1870, la machine à coudre fait son apparition ; elle est trop chère pour les ouvrières mais se répand rapidement dans les couvents et les prisons, qui apportent une concurrence à très bas prix aux indépendantes. Celles-ci doivent se rendre à l'usine, où elles travaillent dans des conditions effroyables. Les travaux d'aiguille ne sont plus un passe-temps ou une activité de loisir, en raison des cadences imposées. Les couturières prennent une place de plus en plus importante dans les mouvements socialistes, constituant 4 des 5 femmes intervenant au Congrès ouvrier de Marseille en 1879. Honoré de Balzac décrit abondamment les travaux d'aiguille, qu'il associe à la stabilité du foyer parce qu'ils se déroulent assise dans un lieu clos.

Au début du vingtième siècle, la couture est enseignée dans les écoles pour filles comme une alternative au travail des ouvrières d'usine. En 1923, les écoles pour filles françaises en font un enseignement régulier. La couture est un travail productif et non rémunéré dans le cadre familial, symbolisant la vertu de la famille au même titre que la cuisine. Chez les féministes de la première vague, les travaux d'aiguille sont souvent invisibles ou critiqués.

À partir de 1968, la  est mise en avant et les féministes de la seconde vague se réapproprient les travaux d'aiguille avec une visée militante, notamment avec la fabrication de patchwork. Les travaux d'aiguille modernes deviennent à nouveau un art, avec notamment une exposition consacrée en 1974 au musée d'art moderne de Montréal. À partir de cette époque en Europe et en Amérique du Nord, les travaux d'aiguilles remplissent une double fonction économique et artistique. En France, la couture quitte le programme d'école des jeunes filles à la fin des années 1970.

Dans les années 1980, on observe un mouvement mondial de brodeuses féministes.

Dans les années 1990, les femmes mormones de l'Utah se regroupent pour créer des patchworks et financer des organismes caritatifs religieux grâce à la vente de leurs produits. Le patchwork est un élément essentiel de la culture anglo-saxonne et notamment nord-américaine.

Dans les années 2000, l'Organisation des Nations unies mobilise les travaux d'aiguille pour l'émancipation des femmes et pour les aider à témoigner sur leurs conditions de vie, notamment avec un groupe congolais où des participantes brodent des représentations des viols de guerre qu'elles ont subis et que des bénévoles américaines transforment ensuite en patchwork.

Fonctions des travaux d'aiguille

Économie

Les travaux d'aiguille, en particulier les ajustements de prêt-à-porter, ont un intérêt économique parce qu'ils coûtent moins cher que la confection de vêtements sur mesure. Il en est de même pour le raccommodage.

Les travaux d'aiguille sont fortement liés à l'accès des femmes au travail et permet l'émancipation sociale et économique de femmes.

Féminisme

Les travaux d'aiguille sont une activité historiquement essentiellement féminine. Ils ont été interprétés à la fois comme un asservissement des femmes et comme un outil de contestation.

Chez les féministes de la première vague, les travaux d'aiguille sont souvent invisibles ou critiqués. Les suffragettes britanniques sont souvent employées du secteur.

À partir de 1968, la  est mise en avant et les féministes de la seconde vague se réapproprient les travaux d'aiguille avec une visée militante, notamment avec la fabrication de patchwork. Les travaux d'aiguille modernes deviennent à nouveau un art, avec notamment une exposition consacrée en 1974 au musée d'Art moderne de Montréal. En France, Raymonde Arcier est une artiste textile et militante féministe, créant en artiste autodidacte des objets tricotés représentants symboliquement l'asservissement des femmes à travers les tâches domestiques. Elle agrandit les sacs de courses, les serpillières et tous objets pour signifier l'importance des tâches qu'ils représentent.

La mobilisation des travaux d'aiguille à visée féministe devient commune à la fin du vingtième siècle.

Socialisme
Dans la deuxième moitié du dix-neuvième siècle, en France, le nombre d'employées du secteur textile augmente rapidement. Elles doivent se rendre à l'usine, où elles travaillent dans des conditions effroyables, et prennent une place de plus en plus importante dans les mouvements socialistes, constituant 4 des 5 femmes intervenant au Congrès ouvrier de Marseille en 1879. Les employées du textile sont très nombreuses dans les rangs des femmes de la Commune de Paris.

Notes et références

Voir aussi

Bibliographie

Art textile

Travaux d'aiguille


Stor gultoppet kakadu (latin: Cacatua galerita) er en fugl i familien kakaduer i ordenen papegøjer. Den lever på Ny Guinea og i Australien.

Kilder
 Avibase - the world bird database

Eksterne henvisninger

Fugle fra Australien
Fugle fra Melanesien

Papegøjer

Stor gultoppet kakadu


Leyla Erbil (d. 12 Ocak 1931, İstanbul - ö. 19 Temmuz 2013, İstanbul), Türk yazar.

Türk edebiyatının 1950 kuşağı yazarlarındandır. Eserlerinde orta sınıf ahlakını, bireyleşmeyi, bireyin iç dünyasındaki psikanalitik derinliği ve kadın-erkek ilişkilerini ele aldı; söz dizimi kurallarını değiştirdi; "Leylâ işaretleri" dediği kendine özgü bir noktalama işareti sistemi, yeni ve deneysel bir kelime haznesi kullandı.   Edebiyat ve siyasi yaşam içinde aktif rol aldı; Türkiye Yazarlar Sendikası'nın kurucu üyelerinden biri oldu. 2002 yılında  Nobel Edebiyat Ödülü'ne aday gösterilen Erbil, Türkiye'den bu ödüle aday gösterilen ilk kadın yazardır.

Yaşamı
1931 yılında İstanbul'da doğdu. Orta sınıf bir ailenin üç kız kardeşten ortancası idi. Babası Trabzon'a yerleşmiş Rumeli kökenli bir ailenin oğlu olan  vapur baş makinisti Hasan Tahsin Bey (Bilgin); annesi ise Balkan Savaşı mübadelesi sırasında İzmir'e taşınmış Arnavut kökenli, Selanik doğumlu Emine Huriye Hanım'dır. Dedesi Mehmet Efendi'nin Fatih'teki konağında  doğan Leyla Erbil'in ailesi konağın bir yangında yanmasından sonra Beşiktaş'a taşındı. Çocukluğunda babasının görevli olduğu şileple dünya seyahatine çıkma imkanı buldu ve bu seyahat onun  dünya görüşüne, bilgi ve algısına katkı sağladı. Deniz ve vapur, eserlerinde önemli bir yer teşkil etti.

Sırasıyla  Esma Sultan İlkokulu, Beşiktaş İkinci Kız Ortaokulu, Beyoğlu Kız Lisesi'nde okudu. Ailesinin Caddebostan'a taşınması nedeniyle lise son sınıfa Kadıköy Kız Lisesi'ne geçti ve bu okuldan mezun oldu. Lisede döneminde kısa öyküler ve şiirler yazmaya başladı.

İstanbul Üniversitesi'nde İngiliz Edebiyatı bölümünde eğitim gördü. Üniversitedeki ilk yılının ardından Aytek Şay'la kısa süren bir evlilik yaptı ve eğitimine ara verdi. Bir yıl sonra okula geri döndü. Öğrenimi sırasında edebiyata ilgisi arttı ve aynı üniversitede öğrenci olan ablasının (Mürvet Toksöz) katkısı ile edebiyat çevresi ile tanıştı. Çeşitli işlerde çalıştı. İskandinav Havayolları'nda sekreter olarak çalıştığı sırada, öykülerine hayranlık duyduğu Sait Faik ile tanıştı; onun etkisiyle şiir yerine düzyazıya yönlendi. Sait Faik'in 1954'teki ani ölümüne dek yakın arkadaş olarak kaldı. Sait Faik'in ölümünden sonra onu teselli etmek için Ahmet Arif'in yazdığı mektup, şairin 1954-1957 arasında Erbil'e göndereceği, edebiyat tarihinde yer edinecek mektuplarının başlangıcı oldu.

Üniversite öğrenimini son sınıfta iken bırakıp 1954 yılında mühendis Mehmet Erbil'le evlendi ve Ankara'ya yerleşti. Çalışma hayatına Devlet Su İşleri'nde devam etti. Vüs'at O. Bener, Nezihe Meriç, Can Yücel, Orhan Peker ve İlhan Berk'in de aralarında olduğu birçok sanatçı ile Ankara'da tanıştı. 1950 yılında yazdığı ancak yayımlatmadığı ilk kısa öyküsü "Uğraşsız"'ı, arkadaşlarının cesaretlendirmesiyle okuyucuya sundu. Bu öykünün 1956'da Seçilmiş Öyküler dergisinde yayımlanması ile aktif yayın hayatı başladı. Öykülerini daha sonra  Ataç, Dost, Dönem, Papirüs, Türk Dili, Türkiye Defteri, Yeditepe, Yelken, Yeni a, Yeni Dergi ve Yeni Ufuklar gibi dergilerde yayımladı.

Ticarete başlayan eşi ile 1957'de İzmir'e taşındılar, kızı Fatoş 1960 yılında dünyaya geldi. Aynı yıl ilk öykü kitabı Hallaç yayımlandı. Varoluşçuluk felsefesini yakından inceleyen yazar, kitapta bu felsefenin etkisi altında yazılmış öykülere yer verdi. Yabancılaşma, yalnızlık, suç işleme, bunalım, tabular, önyargılar, intihar, umutsuzluk, anlam arayışı, cinsellik gibi konularını ele aldı; bilinç akışı yöntemini kullandı. Hallaç'taki öyküleri, o dönemde okurdan fazla ilgi görmedi ancak Memet Fuat ve Behçet Necatigil gibi edebiyatçıların beğenisini kazandı.

1961'de eşinin mobilyacılık işleri iflasla son bulunca ailesi ile İstanbul'a döndü. O yıl kurulan Türkiye İşçi Partisi'ne üye oldu ve Fethi Nacii yönetiminde, Edip Cansever ve Ahmet Oktay'la partinin Sanat ve Kültür Bürosu'nda görev aldı.

1967'de Zürih'e giderek kısa bir süre Türk Konsolosluğu'nda kâtip olarak çalıştı. İstanbul'a dönünce çeşitli yerlerde çevirmen ve sekreter olarak çalıştı. Bu arada  Edebiyatçılar Birliği yönetim kurulunda görev aldı.  Çok ses getireceğine inandığı ikinci öykü kitabı Gecede'yi 1968'de Nurer Uğurlu ve Metin Eloğlu'nun da yardımlarıyla kendisi bastırdı. Sait Faik Hikâye Armağanı için başvurduysa da ödül o yıl Orhan Kemal ve Faik Baysal arasında paylaştırılınca arkadaşları Selim İleri, Hayati Asılyazıcı, Naci Çelik, Demir Özlü ve Fikret Ürgüp ile birlikte Sait Faik Abasıyanık'ın mezarı başında buluşup yarışmalara katılmama kararı aldı. Bu eylemden sonra yayınlanan her kitabınızn ilk sayfasında "Bu kitap hiçbir 'ödül'e katılmamıştır" ibaresine yer verdi.

Bulgaristan Yazarlar Birliği'nin daveti ile 1969 yılında Bulgaristan'a konuk yazar olarak davet edildi, Bulgar yazar ve okurlarla bir araya geldi.

1970 yılında Arnavutköy'e yerleşti ve işinden ayrılarak tam zamanlı yazarlık yapmaya başladı. Türkiye Sanatçılar Birliği'nin (1970), Türkiye Yazarlar Sendikası'nın (1974) kurucularında birisi olarak toplum yaşamında daha aktif yer almaya başladı. İlk  romanı Tuhaf Bir Kadın 1971 yılında  yayınlandı. Roman, toplumun değerlerine, dini otoritelere ve tabulara kadının başkaldırışını anlatmasıyla yoğun ilgi gördü.

Üçüncü öykü kitabı Eski Sevgili 1977'de yayımlandı. 1979 yılında Amerikan Kültür Merkezi'nin projesi kapsamında Iowa Üniversitesi'nden davet aldı ve dört ay süreli ABD Uluslararası Yazarlar Atölyesi çalışmalarına katıldı; Türkçe edebiyat üzerine seminer verdi. Iowa Üniversitesi'nin onursal üyesi seçildi.

Alzheimer hastası annesini 1984 yılında kaybettikten sonra  annesinin hastanede geçirdiği yıllarda yaşadıklarıyla ilgili otobiyografik öğeler taşıyan Karanlığın Günü (1985) romanını yayımladı. Romanda, 1930-1980 arasında Türkiye'nin gündelik hayatına, idamlara, banker krizine, inanışlarına, yemek kültürüne kadar pek çok konuyu işledi. 1986'da yakın arkadaşı Tezer Özlü'yü kaybetti ve onunla birlikte tasarladıkları üçüncü romanı Mektup Aşkları'''nı Özlü'nün anısına 1988'de  yayımladı.  Aynı yıl Moskova, Leningrad ve Litvanya'ya gitti. Tezer Özlü'nün kendisine yazdığı mektupları Özlü'nün vasiyeti üzerine Tezer Özlü'den Leylâ Erbil'e Mektuplar (1995) adlı bir kitapta topladı. Aynı yıl, dostu  Onat Kutlar'ın bombalı saldırıda öldürülmesi onu derinden sarstı.

1996 yılında F-tipi cezaevleri ve açlık grevlerine dikkat çekmek için ölüm orucunun 69. gününde yayımladığı bildiri, yüz kadar şair ve yazarın imzasını aldı. 1998'de  Zihin Kuşları adlı deneme kitabını yayımladı. Bu kitabı 1954'ten itibaren çeşitli dergilerde yayımlanmış olan yazıları, kendisiyle yapılan söyleşiler ile daha önce yayımlanmamış olan bazı yazılarının toplamından oluşmaktaydı.

1999 yılı Türkiye genel seçimlerinde Özgürlük ve Demokrasi Partisi'nden (ÖDP) milletvekili adayı oldu. Seçimlerden sonra partinin üyeliğinden ayrıldı. 2001 yılında Cüce adlı romanı yayımlandı. Eserde, erkeklik ve kadınlık kavramlarını eleştirel biçimde ele aldı.

2000- 2001 yılı Ankara Edebiyatçılar Derneği Onur Ödüllerini kabul eden sanatçı, 2002 yılında ise üyesi olduğu PEN Yazarlar Derneği tarafından Nobel Edebiyat Ödülü'ne aday gösterildi. Bu ödüle Türkiye'den aday gösterilen ilk kadın oldu. Adaylık sırasında "Türk dili ve edebiyata egemenliği, aynı zamanda insana, hayata ve dünyaya karşı sorumlu aydın tavrı" vurgulanmıştır.

2005'ten sonra ağır bir hastalıkla (Langerhans Cell Histiocytosis) mücadele etti. 2005'te yazarın "novella" adını verdiği Üç Başlı Ejder yayımlandı. Bu tarihten sonra Erbil'e olan ilgi giderek arttı; hakkında sempozyum, panel gibi pek çok etkinlik düzenlendi.

2011'de Kalan, 2013'te ise hasta yatağında kaleme aldığı son romanı Tuhaf Bir Erkek yayınlandı. 2013'te PEN Kısa Öykü Ödülü'ne layık görüldü. E

19 Temmuz 2013 tarihinde 82 yaşında ölen Leyla Erbil, Zincirlikuyu Mezarlığı'nda defnedildi. Cenazesinde "Vapur" isimli öyküsünden bölümlerin yazılı olduğu kırmızı kağıttan gemiler okurları dağıtılarak uğurlanmıştır.

Ahmet Arif'in kendisine yazdığı mektupları Arif'in ölümünden sonra Leylim Leylim: Ahmet Arif'ten Leylâ Erbil'e Mektuplar'' adıyla yayımlamış; Almanca, İngilizce, Fransızca, Kürtçe ve Rusça'ya çevrilmiştir.

Koleksiyonu
Erbil'in 1940 yılından ölümüne dek yazdığı 40 kadar defterini, yayımlanmış çeşitli yazılarını, dostlarıyla mektuplaşmalarını, el yazısı notlarını, kişisel evrakını, afiş-resimlerini, gazete-dergi kupürlerini,  ödüllerini ve birtakım objeleri içeren koleksiyonu, kızı Fatoş Erbil tarafından Boğaziçi Üniversitesi bünyesindeki Nâzım Hikmet Kültür ve Sanat Araştırma Merkezi'ne bağışlanmış ve dijital ortama aktarma çalışmaları 2018 yılında başlamıştır.

Eserleri

Öykü
 Hallaç (1961)
 Gecede (1968)
 Eski Sevgili (1977)

Roman
 Tuhaf Bir Kadın (1971)
 Karanlığın Günü (1985)
 Mektup Aşkları (1988)
 Cüce (2001)
 Üç Başlı Ejderha (2005)
 Kalan (2011)
 Tuhaf Bir Erkek (2013)

Diğer eserleri
 Tezer Özlü'den Leylâ Erbil'e Mektuplar (1995)
 Düşler Öyküler (1997)
 Zihin Kuşları (1998)

Dış bağlantılar
 Leyla Erbil'in romanlarında cinsellik sorunsalı , Hülya Dündar, Bilkent Üniversitesi, 2004
</div>

Kaynakça

<div style="font-size: 90%">

1931 doğumlular
20. yüzyıl Türk yazarları
21. yüzyıl Türk yazarları
İstanbul doğumlu yazarlar
2013 yılında ölenler
Zincirlikuyu Mezarlığı'na defnedilenler
20. yüzyıl Türk kadın yazarları

Leyla Erbil


True Love er en kortfilm instrueret af Heidrik á Heygum efter manuskript af Heidrik á Heygum.

Handling
I gang med dagens gerning møder Døden en betagende ung kvinde. Døden bliver dybt fascineret og forelsket i den unge kvinde, og hun i ham. Men Døden indser, at det er et umuligt kærlighedsforhold, da alting, han rører ved, visner og går til. Døden er dybt fortvivlet over at måtte give slip på sin elskede. Hvad skal Døden gøre for at blive en del af livet?

Referencer

Eksterne henvisninger

Danske film fra 2013

Kortfilm fra Danmark

True Love


WLK steht für:
 Weichenlaufkette
 Bahnhof Löcknitz (DS100-Code)
 Selawik Airport (IATA-Code), Flugplatz von Selawik (Alaska), Alaska

Wlk ist der Familienname folgender Personen:
 Jelena Wlk (* 1993), deutsche Volleyballspielerin

wlk steht für:
 Wailaki (ISO-639-3-Code), athapaskische Sprache der Round Valley Indian Reservation in Mendocino County, Kalifornien

Abkürzung

WLK


Acetatul de amoniu este o sare a acidului acetic, cu formula chimică CH3COONH4. Este un solid alb, higroscopic și solubil în apă, care poate fi obținut prin reacția dintre amoniac și acid acetic.

Obținere

Utilizări
Acetatul de amoniu este principalul precursor pentru producerea acetamidei:
NH4CH3CO2  →  CH3C(O)NH2  +  H2O

De asemenea, mai este utilizat pentru proprietățile sale diuretice.

Referințe

Compuși ai amoniului
Amo
Substanțe higroscopice și delicvescente

Acetat de amoniu


A República - diálogo socrático escrito por Platão, filósofo grego, no século IV a.C.

Jornais brasileiros
 A República (Ceará) - extinto
 A República (Rio de Janeiro) - extinto
 A República (Rio Grande do Norte)

Desambiguação

A República (desambiguação)


La Voz de Houston es un periódico semanal en español del Houston Chronicle en Houston, Texas, Estados Unidos. El periódico tiene su sede en la maquinaria de Houston Chronicle cerca de la intersección de Interstate 610 (Q) y U.S. Route 59 (Q). La maquinaria era la sede de Houston Post (Q). Antes de la adquisición del Chronicle, La Voz Publishing Corp., con sede en Houston, ha publicado el periódico.

Historia
En 1979 Armando y Olga Ordóñez, refugiados de Cuba, establecieron La Voz de Houston. Una casita era las oficinas del periódico. Armando y Olga escribieron artículos y dirigieron el periódico. Sus niños, Carlos y Laura, asistieron a la producción. En 1984 Armando Ordóñez se murió. Olga se convirtió la única propietaria de La Voz de Houston. Bajo la dirección de Olga, La Voz ganó una circulación de 100.000, incluyendo 35.000 que se distribuye los miércoles a los suscriptores del Houston Chronicle. Antes de la adquisición, La Voz tenía 14 empleados. Antes de la adquisición, durante 13 años La Voz y el Houston Chronicle tenían una asociación. El Chronicle imprimió y se distribuye La Voz, vendió anuncios y compartió algunos artículos.

El Jueves 2 de diciembre de 2004 Chronicle compró La Voz. Ordóñez, que continúo siendo la editora, comenzó a informar a Jack Sweeney, el editor del Chronicle. Las oficinas de La Voz se mudaron a la maquinaria del Chronicle. Los empleados de La Voz se convirtieron en empleados del Chronicle. Con la venta, La Voz comenzó a recibir apoyo editorial de Chronicle y ventas de publicidad.

Contenido
El periódico está escrito en un idioma español de corriente porque hispanos y latinos de muchos fondos nacionales se pueden entender fácilmente el periódico. En 2004, tenía una circulación de 100.000. Las secciones de La Voz son noticias, comida, deportes, y entretenimiento.

Véase también
 Al Día
 El Día
 El Nuevo Herald
 La Opinión

Notas

Enlaces externos
 La Voz de Houston
 Archivo del periódico - chron.com/spanish/
 Archivo del periódico - lavozdehouston.com

Periódicos en español
Periódicos de Texas
Cultura de Houston
Publicaciones fundadas en 1979
Estados Unidos en 1979
Cultura hispana y latinoamericana en Texas

La Voz de Houston


Hartonymus es un  género de coleópteros adéfagos de la familia Carabidae.

Contiene dos especies que se encuentran en el Neártico.

Especies
Comprende las siguientes especies:

 Hartonymus alternatus (Leconte, 1863)
 Hartonymus hoodi Casey, 1914

Referencias

Enlaces externos
 ION
 Nomenclator Zoologicus

Harpalina

Hartonymus