In classical Euclidean geometry, a point is a primitive notion that models an exact location in space, and has no length, width, or thickness. In modern mathematics, a point is considered as an element of some set, a point set. A space is a point set with some additional structure. An isolated point has no other neighboring points in a given subset.

Being a primitive notion means that a point cannot be defined in terms of previously defined objects. That is, a point is defined only by some properties, called axioms, that it must satisfy; for example, "there is exactly one line that passes through two different points".

Points in Euclidean geometry

Points, considered within the framework of Euclidean geometry, are one of the most fundamental objects. Euclid originally defined the point as "that which has no part". In the two-dimensional Euclidean plane, a point is represented by an ordered pair (, ) of numbers, where the first number conventionally represents the horizontal and is often denoted by , and the second number conventionally represents the vertical and is often denoted by . This idea is easily generalized to three-dimensional Euclidean space, where a point is represented by an ordered triplet (, , ) with the additional third number representing depth and often denoted by . Further generalizations are represented by an ordered tuplet of  terms,  where  is the dimension of the space in which the point is located.

Many constructs within Euclidean geometry consist of an infinite collection of points that conform to certain axioms. This is usually represented by a set of points; As an example, a line is an infinite set of points of the form
where  through  and  are constants and  is the dimension of the space. Similar constructions exist that define the plane, line segment, and other related concepts. A line segment consisting of only a single point is called a degenerate line segment.

In addition to defining points and constructs related to points, Euclid also postulated a key idea about points, that any two points can be connected by a straight line. This is easily confirmed under modern extensions of Euclidean geometry, and had lasting consequences at its introduction, allowing the construction of almost all the geometric concepts known at the time. However, Euclid's postulation of points was neither complete nor definitive, and he occasionally assumed facts about points that did not follow directly from his axioms, such as the ordering of points on the line or the existence of specific points. In spite of this, modern expansions of the system serve to remove these assumptions.

Dimension of a point

There are several inequivalent definitions of dimension in mathematics. In all of the common definitions, a point is 0-dimensional.

Vector space dimension

The dimension of a vector space is the maximum size of a linearly independent subset. In a vector space consisting of a single point (which must be the zero vector 0), there is no linearly independent subset. The zero vector is not itself linearly independent, because there is a non-trivial linear combination making it zero: .

Topological dimension

The topological dimension of a topological space  is defined to be the minimum value of n, such that every finite open cover  of  admits a finite open cover  of  which refines  in which no point is included in more than n+1 elements. If no such minimal n exists, the space is said to be of infinite covering dimension.

A point is zero-dimensional with respect to the covering dimension because every open cover of the space has a refinement consisting of a single open set.

Hausdorff dimension
Let X be a metric space. If S ⊂ X and d ∈ [0, ∞), the d-dimensional Hausdorff content of S is the infimum of the set of numbers δ ≥ 0 such that there is some (indexed) collection of balls  covering S with ri > 0 for each i ∈ I that satisfies

The Hausdorff dimension of X is defined by

A point has Hausdorff dimension 0 because it can be covered by a single ball of arbitrarily small radius.

Geometry without points
Although the notion of a point is generally considered fundamental in mainstream geometry and topology, there are some systems that forgo it, e.g. noncommutative geometry and pointless topology. A "pointless" or "pointfree" space is defined not as a set, but via some structure (algebraic or logical respectively) which looks like a well-known function space on the set: an algebra of continuous functions or an algebra of sets respectively. More precisely, such structures generalize well-known spaces of functions in a way that the operation "take a value at this point" may not be defined. A further tradition starts from some books of A. N. Whitehead in which the notion of region is assumed as a primitive together with the one of inclusion or connection.

Point masses and the Dirac delta function

Often in physics and mathematics, it is useful to think of a point as having non-zero mass or charge (this is especially common in classical electromagnetism, where electrons are idealized as points with non-zero charge). The Dirac delta function, or  function, is (informally) a generalized function on the real number line that is zero everywhere except at zero, with an integral of one over the entire real line. The delta function is sometimes thought of as an infinitely high, infinitely thin spike at the origin, with total area one under the spike, and physically represents an idealized point mass or point charge. It was introduced by theoretical physicist Paul Dirac. In the context of signal processing it is often referred to as the unit impulse symbol (or function). Its discrete analog is the Kronecker delta function which is usually defined on a finite domain and takes values 0 and 1.

See also

Accumulation point
Affine space
Boundary point
Critical point
Cusp
Foundations of geometry
Position (geometry)
Point cloud
Point process
Point set registration
Pointwise
Singular point of a curve
Whitehead point-free geometry

Notes

References

. 2004 paperback, Prometheus Books. Being the 1919 Tarner Lectures delivered at Trinity College.

External links

Point (geometry)


Le  est le nom générique de différentes céréales ou légumineuses cuites dans l'eau, consommées dans diverses parties du continent américain.

Grain de blé

Épluchage
La façon la plus courante de manger les grains de blé est de les éplucher. Pour cela, le grain de blé est bouilli avec des cendres ou de la chaux. En Argentine, on les fait bouillir avec de la . Au Mexique et en Amérique centrale, ce processus appliqué au maïs est appelé nixtamalisation, et est principalement utilisé pour produire la pâte à tortilla. Le maïs est également bouilli directement, sans aucun additif et après cuisson il sert d'accompagnement au , on l'appelle .

Préparations
En Argentine, le  est principalement consommé dans la région nord, et moins fréquemment à Cuyo et en Patagonie. En dehors de cette grande zone du pays, sa consommation se limite aux restaurants dédiés à la cuisine tellurique ou dans les  de province. Il s'agit d'un  (c'est l'une des principales différences avec le ) fait à partir de  (pour cette raison, on dit de façon quelque peu risible que « le  est à mi-chemin entre le  et le  »). Les grains sont généralement accompagnés de petits morceaux de viande (camélidé sud-américain, chèvre, mouton, bovin, porc, volaille).

Article connexe
 Motemei

Notes et références

Cuisine argentine
Cuisine bolivienne
Cuisine colombienne
Cuisine équatorienne
Cuisine péruvienne
Cuisine vénézuélienne

Mote (cuisine)


Florin Cârciumaru () este un politician român, fost primar al municipiului Târgu Jiu și ales senator în 2016.
Florin Cârciumaru este membru în grupurile parlamentare de prietenie cu Republica Portugheză, Republica Arabă Egipt și Regatul Spaniei.

Vezi și
 Legislatura 2016-2020 (Senat)
 Parlamentul României

Legături externe
 Activitatea parlamentară

Nașteri în 1956
Politicieni români în viață
Senatori români 2016-2020
Primari din România
Membri ai Uniunii Social-Liberale
Membri ai Partidului Social Democrat

Florin Cârciumaru


Gönül Yazar (d. Mürşide Gönül Özyeğiner, 12 Ağustos 1936, İzmir), Türk sanat müziği şarkıcısı ve sinema oyuncusu. Türk müzik tarihinde yer alan en uzun soluklu isimlerden biridir.

Hayatı ve kariyeri
Gönül Yazar, 12 Ağustos 1936 tarihinde, Erzincanlı yol müteahhidi Mehmet Bey ile Yugoslav göçmeni Fatma Aras'ın ikinci çocuğu olarak İzmir'in Kestelli semtinde doğdu. Belma ve Belkıs adlı kardeşleri vardır. İlkokul yıllarından itibaren müziğe ilgi duymaya başladı. Ortaokula başladığı yıllarda Türk Musikisi Cemiyeti'nde Mehmet Kasabalı'dan dersler aldı. Sanat hayatına 1952 yılında 15 yaşındayken girdiği Ege Ses Kraliçesi Yarışması'nda birinci seçilerek atıldı. Aynı yıl sahne soyadını aldığı Necdet Yazar'la evlenerek Ankara Radyosu imtihanlarına girdi ve 60 kişi arasından Sevim Deran ve Nermin Demirçay ile birlikte kabul edildi. Fahri Kopuz, Suphi Ziya Özbekkan, Melahat Pars gibi hocalardan 1 yıl ders alıp ismini radyodan Türkiye'ye duyurdu. 1954 yılında Ankara Radyosu'ndan İstanbul sahnelerine geçti. 1958 yapımı Günah Yolcuları filminden itibaren birçok filmde şarkılar seslendirdi.

1962'de yayınladığı "Aman Aman Gül Pembe / Kalemi Al Eline" 78'liği sanatçının ilk kaydı oldu. Daha sonra iki kez taş plak kaydı yayınladı. İlk 45'liği ise 1965'te yayınladığı "Maksadım Sana Naz Yapmak / Gönül Yazar Diyorlar"dır. Yönetmenliğini Hulki Saner'in yaptığı; başrolünü Göksel Arsoy'la paylaştığı Taş Bebek filminin ardından "Taş Bebek" lakabı ile anıldı. İlk filminin ardından başrollerini devrin en ünlü aktörleriyle paylaştığı birçok filmde rol aldı. Karaca Tiyatrosu'nun sahnelediği "Papazlar Trafiği" isimli bir İngiliz piyesinde Gülriz Sururi ve Adile Naşit ile birlikte rol aldı. Alaturka sahne sanatçısı olan Yazar, okuduğu pop müzik tarzdaki plaklarıyla ve programlarıyla da ilgi gördü. Yaşar Güvenir'in "Sensiz Saadet Neymiş" isimli bestesini seslendirdiği 45'liği kendisine altın plak kazandırdı. 1979 yılında yayınladığı "Taş Bebek" ve 1989 yılında yayınladığı "Gönül'den Gönüllere" albümleri oldukça beğenildi.

1968 yılında Erol Simavi ile olan birlikteliğinden, 1970 yılında Yasemin adlı bir kızı oldu.

Gönül Yazar 25 yıl aradan sonra İstanbul'da Büyük Kulüp'te sahne aldı. 18 Ocak 2020'de nostaljik 'Aile Gazinosu' konseptiyle gerçekleşen etkinlikte sanatçıya sahnede Gülden Karaböcek, Seyyal Taner, Semiha Yankı, Ersan Erdura, İskender Doğan, Rana Alagöz gibi isimler eşlik etti.

Evlilikleri
Gönül Yazar, yakın dostu ses sanatçısı ve yazar Onur Akay'a 6 kere evlendiğini açıkladı. Her yerde evlendiği yazılan futbolcu Metin Oktay'la ilgili gerçeği Akay'a anlatan Yazar, "Ben 6 kere evlendim. Metin Oktay'la da evlendiğimi yazıyorlar ama bu doğru değil. Ben Metin Oktay'la sadece bir filmde rol aldım. Eğer evlenmiş olsaydım bunu gururla söylerdim. Ben Metin Oktay'la evlenseydim bütün Türkiye'ye yayardım. Stadyuma gelen Galatasaraylıların, "Gönül Yenge, Gönül Yenge" demesi bana yeterdi. Metin Oktay saklanacak bir adam değil, ben iftiharla söylerdim" ifadelerini kullandı.

1. evliliğini 1952 yılında 14 yaşında iken mahkeme kararı ile yaşını büyüterek kendisinden 14 yaş büyük Necdet Yazar ile yaptı. İki yıl sonra ayrıldılar.

2. evliliğini 1956 yılında 47 yaşındaki Bedi Çapa ile yaptı.

3. evliliğini 1963 yılında Özden Çelik ile yaptı.

4. evliliğini 1972 yılında iş insanı Ercan Akın ile yaptı. Bu evliliğinin 10 gün sürdüğünü açıkladı.

5. evliliğini 1979 yılında Sinan Bilsel ile yaptı. Yazar, bu evliliği ile ilgili Onur Akay'a şu açıklamayı yaptı:
"Evleneli 6 ay olmuştu ve ben bir sahne programına gittiğimde ailesi ile Avustralya'ya gitmiş. Aylarca nereye gittiğinden haberim bile olmadı. Onun için boşanmamız 2 yıl sürdü."

6. evliliğini 1997 yılında Fahrettin Akçınar ile yaptı. Bu evliliği ile ilgili de Onur Akay'a konuşan Yazar, "Kilisede evlendik ama Green Card işlemlerine başlamadı. Evi ben kiraladım, eşyaları ben aldım. Hep yuva kurmak için fedakarlık yaptım. Olmadı eşyaları sattım geri döndüm." ifadelerini kullandı.

Diskografi

78'lik ve 45'likler
 Aman Aman Gül Pembe / Kalemi Al Eline (Şençalar - 1962)
 Bak Bir Varmış / Takamadım Başıma Yıldızlardan Tacımı (Şençalar - 1962)
 Kimbilir / Şerefe (Prozit) (Şençalar - 1963)
 Maksadım Sana Naz Yapmak / Gönül Yazar Diyorlar (Şençalar - 1965)
 Sonbahar Mevsimi / Yollar Uzak Gelemedim (Şençalar - 1965)
 Senede Bir Gün / Nazende Sevdiğim (Şençalar - 1965)
 Bağ Ayrı Bostan Ayrı / Acımadın Mı Bana (Şençalar - 1965)
 Kelebeğim Hayran Olurum / Aşkı Bilene (Şençalar - 1965)
 Halime / Kalemi Al Eline (Şençalar - 1965)
 Benim De Canım Var / Sarhoş (Arya - 1967)
 Agora Meyhanesi / Ağlasam Kucağında (Arya - 1967)
 Arkadaşımın Aşkısın / Kederli Günlerimde (Regal - 1967)
 Akşamdan Sabaha Kadar / Sus Sus Sus (Regal - 1967)
 Ellerim Hep Böyle Boş - Yeni Bir Aşk Arıyorum / Hatırlarmısın - Para Eder Çulum Yok (Televizyon - 1968)
 Niçin Baktın Bana Öyle / Aşk Katili (Arya - 1968)
 Seni Hatırlıyorum / Kader Torbası (Arya - 1968)
 Son Mektup / Ela Gözlerine (Arya - 1968)
 Aşk Masalı / Çapkın Kız (Arya - 1968)
 Bağdat Yolu / Altın Tasta Üzüm Var (Arya - 1968)
 Sen Başkasın / Kara Kedi Geçti (Arya - 1968)
 Sevenler Ölmez / Rüzgar Gibi Geçti (Arya - 1968)
 Gel Desen Gelemem Ki / Şıpsevdi (Arya - 1968)
 Buruk Acı / Sen Bensiz-Ben Sensiz (Arya - 1969)
 Dertleri Zevk Edindim / Ne Senin Aşkına Muhtaç (Arya - 1970)
 Açık Bırak Pencereni / Hancı (Arya - 1970)
 Bırakın Seviyorum / Aşkına Lanet Olsun (Arya - 1970)
 Bilemezsin Ki / Nasıl Geçti Habersiz (Arya - 1970)
 Sevmekten Kim Usanır / Oyun Bitti (Arya - 1970)
 Dudaklarında Arzu / Kaybettim Mi Seni Ben (Arya - 1970)
 Senden Başkası Haram Olsun / Aşkımla Başbaşa (Arya - 1970)
 Bekle Beni Geliyorum / Bitti Mi Aşkımız (Arya - 1970)
 Ayrılık Şarkısı / Hatıralar (Arya - 1970)
 Nisan Yağmuru / Sabah Yıldızı (Televizyon - 1970)
 Senin Yüzünden / Aşkım Bahardı (Televizyon - 1970)
 Büyük Aşk / Uykusuz Geceler (Özlüyorum) (Televizyon - 1970)
 Reyhan / Dönme Bana (Arya - 1971)
 Mektubumu Buldun Mu / Dönemez Ki Bana (Arya - 1971)
 Özlediğim Sevgili / Çalsın Sazlar (Arya - 1971)
 Affet Beni / Hayat Geçiyor Hemen (Arya - 1971)
 Aşk Hikayesi / Bu Ne (Arya - 1971)
 İki Yüzlü Sevgilim / Geçti Yıllar (Arya - 1971)
 Meyhanelerde Akşam / Daldı Gönlüm Hayaline (Arya - 1971)
 Ağlama Değmez Hayat / Hatıra (Türkofon - 1971)
 Arım Balım Peteğim / Aşkın Kanunu (Türkofon - 1971)
 Gökyüzünde Yalnız Gezen Yıldızlar / Yarım Kalan Aşk (Türkofon - 1971)
 Olursa Olsun Senden Başkası Haram Bana / Aşkımla Başbaşa (Türkofon - 1971)
 Aynı Yerde Aynı Gün / Yalnızlık (İstanbul Plak - 1972)
 O Ağacın Altı - Elveda Meyhaneci / Gurbet - Ne Birleştik Ne Ayrıldık (İstanbul Plak - 1972)
 Sen Kimseyi Sevemezsin / Anlatılmaz Bin Dert İle (İstanbul Plak - 1972)
 Tövbeler Tövbesi / İçsek De Yolcuyuz İçmesek De (İstanbul Plak - 1972)
 Kapandı Birer Birer Bıraktığım Pencereler / Hangi Rüzgar Attı Seni (İstanbul Plak - 1972)
 Sevenlerin Kaderi / Laf Aramızda (İstanbul Plak - 1972)
 Ağlar Gezerim / İntizar (Yavuz - 1973)
 Artık Bu Solan Bahçede / Yalancı Yarim (Yavuz - 1973)
 Seni Sevmek İçin Ölmek Mi Lazım / Şikayetim Aşktan (Atlas - 1973)
 Senden Uzak Günlerim / Nihansın Dideden (Atlas - 1974)
 Seni Sordum / Senin Gibi (Yavuz - 1974)
 Bir Dünya Yarattım / Tadı Yok Sensiz Geçen (Yavuz - 1974)
 At Kadehi Elinden / Bir Gece Ansızın Gelebilirim (Yavuz - 1974)
 Tanrım Beni Baştan Yarat / Bak Yeşil Yeşil (Yavuz - 1974)
 Dert Şarkısı / Kadehinde Zehir Olsa (Yavuz - 1974)
 Yeter Ki Gel / Beni Dertler Öldürmüş (Yavuz - 1975)
 Sen Mevsimler Gibisin / Aramıza Kara Kedi Girdi (Yavuz - 1975)
 Albümdeki Resimler / Yeşil Gözlerinden Muhabbet Kaptım (Yavuz - 1975)
 Her Şeyimdin Benim / Kader Ağlattı Bizi (Yavuz - 1975)
 Toprak Alsın Muradımı / Bir Tanrıyı Bir De Beni Unutma (Elenor - 1978)

Albümler
 Gönül Yazar (Arya - 1970)
 Gönül Yazar (Televizyon - 1970)
 Gönül Yazar (Şençalar - 1971)
 Mini Long Play (Arya - 1971)
 45 Devirli Mini Long Play (Arya - 1971)
 Büyük Aşk- Bitti Mi Aşkımız - Olursa Olsun / Uykusuz Geceler - Bekle Beni - Aşkınla Başbaşa (EP) (Atlas - 1971)
 Artık Bu Solan Bahçede (Atlas - 1973)
 Çakıl Galası'nda (İstanbul Plak - 1974)
 Gönül Yazar (Yavuz - 1974)
 Gönül Yazar'dan Seçmeler (Yavuz - 1974)
 Gönül Yazar'dan Seçmeler 2 (Yavuz - 1975)
 Gönül Yazar/Süper Midi Play (Yavuz - 1975)
 Aldırma Gönül (Elenor - 1978)
 Taş Bebek (Elenor - 1979)
 Kader Ağlattı Bizi (Türküola - 1979)
 İşte Benim Dünyam (Elenor - 1983)
 Gönül Defterim (Elenor - 1985)
 Ne Yazar (Harika - 1986)
 Mühürledim Kalbimi (Harika - 1986)
 Gönül'den Gönüllere (Emre - 1989)
 Sevmek İstiyorum (Elenor - 1993)
 En İyileriyle Gönül Yazar (2006) (Ossi Müzik)
 Forever (2010) (Ossi Müzik)

Filmografisi

 Altın Kefes (1982)
 Bitmeyen Şarkı (1976)
 Ayyaş (1974)
 Vurgun, (1973)
 Gel Desen Gelemem Ki, (1969)
 Ölüme Giden Yol, (1969)
 Kara Gözlüm Efkarlanma, (1968)
 Aslan Yürekli Reşat, (1967)
 Trafik Belma, (1967)
 Beyoğlu'nda Vuruşanlar, (1966)
 Fakir Bir Kız Sevdim, (1966)
 Halime'yi Samanlıkta Vurdular, (1966)
 İdam Mahkumu, (1966)
 Kanlı Mezar, (1966)
 Mezarını Hazırla, (1966)
 Namus Kanla Yazılır, (1966)
 Dudaktan Kalbe, (1965)
 Taçsız Kral, (1965)
 65 Hüsnü, (1965)
 Adım Çıkmış Sarhoşa, (1965)
 Bilen Kazanıyor, (1965)
 Bir Garip Adam, (1965)
 Hüseyin Baradan-Çekilin Aradan, (1965)
 Kocamın Nişanlısı, (1965)
 Yalancının Mumu, (1965)
 Cımbız Ali, (1964)
 Köye Giden Gelin, (1964)
 Sahte Sevgili, (1964)
 Şu Kızların Elinden, (1964)
 Var mı Bana Yan Bakan, (1964)
 Kelepçeli Aşk, (1963)
 Ateşli Kan, (1962)
 Bir Gecelik Gelin, (1962)
 Bir Bahar Akşamı, (1961)
 Taş Bebek, (1960)

Dış bağlantılar
IMDB Sayfası
BBC Türkçe ile 1986 yılında yapılan röportaj

 Tatlı ve Huysuz Show - Gönül Yazar (2002)

Kaynakça

Yaşayan insanlar
1936 doğumlular
İzmir doğumlu kadın şarkıcılar
1950'lerin şarkıcıları
1960'ların şarkıcıları
1970'lerin şarkıcıları
1980'lerin şarkıcıları
1990'ların şarkıcıları
2000'lerin şarkıcıları
Klasik Türk müziği şarkıcıları
20. yüzyılda Türk kadın oyuncular
Türk kadın sinema oyuncuları
Devlet Sanatçıları
İstanbul Plak sanatçıları
Elenor Müzik sanatçıları
Emre Plak sanatçıları
Ossi Müzik sanatçıları
20. yüzyılda Türk kadın şarkıcılar
21. yüzyılda Türk kadın şarkıcılar

Gönül Yazar


Vinko Galić (Bijača, 1931. - Ljubuški, 17. travnja 2021.), akademski kipar i profesor.

Životopis
Akademiju likovnih umjetnosti u Sarajevu završio je 1958. Predavao je u osnovnoj školi i Gimnaziji u Ljubuškom, a 1960. otišao je u Pulu gdje je radio kao kao profesor u eksperimentalnoj školi "Neven Kisac". Nakon smrti supruge 2005. vratio se u rodno mjesto. Nakon povratka osnovao je likovnu koloniju čija je većina umjetničkih djela pohranjena u franjevačkom samostanu na Humcu.

Dobitnik je Nagrade općine Ljubuški za životno djelo za 2018. godinu.

Izvori

Vanjske poveznice
 Vinko Galić: Sve što bih u životu promijenio su dva prokleta rata ljubuski.net (objavljeno 9. travnja 2014., pristupljeno 20. travnja 2021.)

Hrvatski kipari iz Bosne i Hercegovine
Životopisi, Ljubuški

Vinko Galić (kipar)


Charlottes rejse til Grønland er en dansk dokumentarfilm fra 2012 instrueret af Birgitte Kristensen.

Handling
Charlottes rejse til Grønland baserer sig på en rejse til Grønland, som jeg gennemfører i en anden persons sted. Min veninde Charlotte døde af kræft, inden hun nåede at komme afsted på sin planlagte tur til Grønland. Efter hendes død besluttede jeg mig for at gennemføre rejsen i hendes sted. Som en gestus til hende - et umuligt ønske om, at hun alligevel skulle få lov til at opleve Grønland. Filmen er skabt på baggrund af en videoinstallation med samme titel. Filmen skærer i løbet af sine 10 minutters varighed ind til benet af denne særlige rejses betydning og de store spørgsmål om identitet, forsvinding og glemsel, som historien rejser.

Referencer

Eksterne henvisninger

Dokumentarfilm fra Danmark
Danske film fra 2012

Charlottes rejse til Grønland


Sheboygan may refer to:

Places in Wisconsin
 Sheboygan, Wisconsin, city
 Sheboygan (town), Wisconsin, town
 Sheboygan County, Wisconsin, county
 Sheboygan Falls, Wisconsin, city
 Sheboygan Falls (town), Wisconsin, town
 Sheboygan River

See also
 Cheboygan, Michigan
 Cheboygan (disambiguation)
 Sheberghan, Jowzjan Province, Afghanistan
 The Creature That Ate Sheboygan, a science fiction board game

Sheboygan


Aurore Richel, née à Liège le , est un docteur en sciences chimiques belge, spécialisée dans la chimie verte et des ressources renouvelables. Elle est professeur ordinaire à l'Université de Liège où elle dirige le Laboratoire de Biomasse et Technologies Vertes. Ses travaux portent actuellement sur la production de nouvelles solutions énergétiques (hydrogène, et carburants alternatifs pour le transport routier ou aérien ) et de matériaux innovants (nouveaux matériaux plastiques), à faible impact environnemental.

Elle est élue en 2023 membre titulaire de l'Académie Royale des Sciences, des Lettres et des Beaux-Arts de Belgique.

Education
Elle est diplômée en sciences chimiques de l'Université de Liège, elle possède un doctorat en sciences.

Projets actuels
Son laboratoire est actif dans la chimie des ressources renouvelables et les technologies associées. Elle est impliquée dans plus de 15 projets nationaux et internationaux en lien avec la production de bio-énergie et de bio-produits. Elle a créé, en 2018, une plateforme internationale dédiée à la formulation de nouvelles solutions "biomasse-énergie" en collaboration avec l'Université de Kobé (Japon) et Texas A&M (États-Unis).

Références

Liens externes

Professeur à l'université de Liège
Professeur belge
Chimiste belge du XXe siècle
Chimiste belge du XXIe siècle
Membre de l'Académie royale des sciences, des lettres et des beaux-arts de Belgique
Étudiant de l'université de Liège

Aurore Richel


I Hate My Teenage Daughter es una sitcom estadounidense que se estrenó en Fox el miércoles 30 de noviembre de 2011. La serie fue cancelada por Fox el 10 de mayo de 2012.

Sinopsis
La serie sigue a dos madres que temen que sus hijas se estén convirtiendo en el tipo de chicas que las atormentaban en la escuela secundaria. Los miedos se manifiestan cuando Annie Watson (Jaime Pressly), quien creció en una familia conservadora muy estricta, comienza a notar que ella ha permitido que su hija Sophie (Kristi Lauren) haga lo que quiera, lo que provoca que aproveche de burlarse y avergonzar a su madre; mientras que su mejor amiga Nikki Miller (Katie Finneran), quien creció sin ser popular y con sobrepeso, comienza a notar qué tan manipuladora se ha vuelto su hija Mackenzie (Aisha Dee). Incluso los exmaridos no son buenos padres: El ex de Annie, Matt, también es despistado, lo que provoca que su hermano abogado Jack, aparezca (y se convierta en un interés amoroso de Annie), en tanto el ex de Nikki, Gary, está dejando que su complicada relación se torne aún más difícil en el tema de la crianza de los hijos. Estas situaciones revelan los grandes retos que Annie y Nikki tienen que enfrentar para hacer que sus hijas no se transformen en las personas a las que ellas temían cuando tenían la edad de sus hijas.

Elenco

Elenco principal
 Jaime Pressly como Annie Watson.
 Katie Finneran como Nikki Miller.
 Kristi Lauren como Sophie Watson.
 Aisha Dee como Mackenzie Miller.
 Eric Sheffer Stevens como Matt Gutierrez.
 Chad L. Coleman como Gary.
 Kevin Rahm como Jack.

Elenco recurrente
 Wendi McLendon-Covey como Deanna Dunbar.

Personajes

Annie Watson
Annie es la madre de Sophie, la exesposa de Matt, y la mejor amiga de Nikki. Una madre soltera, Annie creció en un hogar estricto y religioso donde cada verano ella tenía que asistir al campamento de Biblia. Ella intenta seguir las reglas cuando está cerca de Sophie, permitiéndole que tenga un toque de queda y espera que asista su hija a la escuela privada. Aunque Annie está más asustada del snob que creó, ella tiene más control sobre Sophie de lo que Nikki tiene con Mackenzie. Annie trabaja para darle a Sophie libertad, mientras que Nikki quiere ser la amiga de Mackenzie. Annie tiene un enamoramiento con su ex-cuñado, Jack. Se revela la razón del porqué ella y Matt se divorciaron, porque él la estaba engañando.

Sophie Watson
Sophie es la mejor amiga de Mackenzie y la hija de Matt y Annie. Mientras Annie es una madre dedicada a Sophie, ella admira más a su padre. Ya que Matt no está tan cerca, Sophie a menudo se relaciona en su Tío Jack como una figura paterna. La insensibilidad de Sophie la ha hecho una de las chicas populares. Hay muchas veces cuando Sophie se muestra como mala, pero otras veces se muestra qué aprecia a su madre. Sophie es muy protectora de Mackenzie, y las dos son cercanas.

Nikki Miller
Nikki es la mejor amiga de Annie, la exesposa de Gary, y la madre de Mackenzie. Nikki era una paria de niña debido a su sobrepeso, y rastros de su niñez arruinada a menudo se filtran en su capacidad como madre. Mackenzie a menudo critica a Nikki en sus problemas de alimentos, algo que pone triste a Nikki. Sin embargo, Nikki sólo le desea lo mejor a Mackenzie y es muy protectora con ella. Nikki está asustada de Mackenzie, quién actúa más como su madre que a la inversa. A Nikki le encanta burlarse de Annie sobre su enamoramiento por Jack.

Mackenzie Miller
Mackenzie es la mejor amiga de Sophie y el resultado de la relación fallida de Nikki y Gary. Debido a que Nikki es blanca y Gary es un afroamericano, ella es una chica birracial. Mackenzie es libre de hacer lo que quiere y usa ejemplos del pasado horrible de su madre para hacerla sentir mal como manera de obtener poder. Mackenzie se relaciona con su madre para que le de dinero para ropa y tecnología, lo que por lo general sale del bolsillo de Gary.

Matt Gutierrez
Matt es el exesposo de Annie y el padre de Sophie. Es un padre irresponsable cuya carrera musical a menudo se interpone en el camino al ser tutor de su hija. Él y Annie se divorciaron porque él la estaba engañando, e incluso después de su divorcio Matt, descuida sus funciones como padre, aunque se muestra que desea esforzarse más.

Gary
Gary es el exesposo de Nikki y el padre de Mackenzie. La relación con Nikki a menudo se interpone en el camino para enseñarle a Mackenzie. Él y Nikki discuten a menudo, y para compensar por su divorcio, Gary le da dinero a Mackenzie en lugar de ser un padre verdadero a Mackenzie aunque como Matt, él intenta.

Jack
Jack es el hermano de Matt, el ex-cuñado y enamoramiento de Annie, y el tío de Sophie. Es un abogado de alto perfil quién a menudo piensa que sabe todo e intenta darle a las mujeres consejos de padres, algo que enoja a Annie. El enamoramiento de Annie con Jack pasa desapercibido, a pesar de la tartamudez cuando él está cerca. Debido a que Matt nunca está cerca, Jack actúa como el padre de Sophie.

Deanna Dunbar
Deanna es la directora de la secundaria de Mackenzie y Sophie. Hermosa e intrigante, ella acosaba a Nikki en la secundaria y ella comenzó un rumor en que ella una vez se comío su propio gato.

Episodios
Artículo principal: Anexo:Episodios de I Hate My Teenage Daughter

Producción
Fox anunció el 10 de enero de 2011, durante la gira de prensa de Television Critics Association que había dado luz verde al proyecto de los escritores Sherry Bilsing y Ellen Kreamer.

La serie fue ordenada a la condición de serie el 10 de mayo de 2011. El 16 de mayo de 2011, Fox anunció que la serie saldría al aire el miércoles después de The X Factor en el otoño. La serie se estrenó en Fox el miércoles 30 de noviembre de 2011.

Índices de audiencia
El estreno tuvo una clasificación de 2.9 con adultos de 18-49, y un total de 6.8 millones de espectadores. Sin embargo, el segundo episodio cayó a una clasificación de 2.1 entre adultos de 18-49, y 5.38 millones de espectadores.

Transmisores

Referencias

Series de televisión de Estados Unidos de los años 2010
Series de televisión de Fox
Series de televisión canceladas

I Hate My Teenage Daughter


San Salvatore (oder Santa Giulia) ist ein ehemaliges Kloster in Brescia in der Lombardei, das heute als Museum genutzt wird. Der monastische Komplex ist wegen seiner architektonischen Vielfalt bekannt, die Bauten aus römischer, vorromanischer und romanischer Zeit sowie der Renaissance umfasst. Im Jahr 2011 wurde San Salvatore unter der Bezeichnung Die Langobarden in Italien, Orte der Macht (568 bis 774 n. Chr.) ins UNESCO-Weltkulturerbe aufgenommen. Der Überlieferung nach ist San Salvatore der Ort, an dem Desiderata, die Tochter des Langobarden-Königs Desiderius und Ehefrau Karls des Großen nach der Auflösung der Ehe 771 lebte.

Geschichte
San Salvatore wurde 753 von Desiderius, dem späteren König der Langobarden, und seiner Ehefrau Ansa als Frauenkloster gegründet. Ihre Tochter Anselperga wurde die erste Äbtissin. Trotz der Niederlage der Lombarden gegen Karl den Großen behielt San Salvatore seine Privilegien als königliches Kloster und konnte sogar seinen Besitz ausweiten.

Ab Mitte des 9. Jahrhunderts war San Salvatore eine der Abteien, die der Versorgung von Angehörigen der karolingischen Herrscher Italiens dienten:
 Gisla, † 860, 851/860 Äbtissin von San Salvatore, Tochter Kaiser Lothars I.
 Gisla, † vor 28. April 868, 861 Äbtissin von San Salvatore, Tochter Kaiser Ludwigs II.
 Engelberga, † 890/891, 868 Äbtissin von San Salvatore, Ehefrau Kaiser Ludwigs II.
 Ermengarde, † 896, 878 Äbtissin von San Salvatore, Tochter Kaiser Ludwigs II., Ehefrau von Boso von Vienne, Mutter Kaiser Ludwigs III.

Im 12. Jahrhundert wurden die meisten der Bauwerke im romanischen Stil restauriert oder neu errichtet, sowie das Oratorium Santa Maria in Solario gebaut. Im 15. Jahrhundert wurden alle Teile der Anlage erneut restauriert und ein Dormitorium angefügt. Im Jahr 1599 wurde die Kirche Santa Giulia vollendet.

Die Abtei wurde 1798 nach der Besetzung der Lombardei durch Frankreich aufgelöst. Die Gebäude wurden als Kaserne genutzt, danach dem Verfall preisgegeben. 1882 wurde der Komplex zum Museum für die Zeit des Christentums. Der Verfall konnte jedoch erst 1956 mit den letzten Restaurierungsarbeiten beendet werden. 1998 wurde es um das Museo di Santa Giulia ergänzt.

Architektur
Zur Abtei San Salvatore gehören:
 Die Chiesa di San Salvatore, eine Basilika etwa aus dem 9. Jahrhundert mit einem Hauptschiff und zwei Seitenschiffen; sie wurde über einer älteren Kirche errichtet, die aus einem Hauptschiff und drei Seitenschiffen bestand; diese wiederum wurde auf einem römischen Gebäude aus dem 1. Jahrhundert vor Christus errichtet, das im 5. Jahrhundert zerstört wurde. Im Glockenturm aus dem 13.–14. Jahrhundert befinden sich Fresken von Girolamo Romanino. Im Inneren der Kirche befinden sich Fresken von Paolo da Cailina dem Jüngeren neben Fresken aus der Zeit der Karolinger. Das den Nonnen vorbehaltene Presbyterium wurde im 16. Jahrhundert gebaut und war vorher der aus dem Jahr 1466 stammende Chor für die Nonnen.
 Die Chiesa di Santa Maria in Solario wurde um 1150–80 erbaut. Sie ist eine doppelstöckige Kapelle auf rechteckigem Grundriss mit einer oktogonalen Laterne auf dem Dach und einer kleinen Loggia am Außenbau. Im Inneren wurde sie in der Renaissancezeit (1518–20) mit Fresken von Floriano Ferramola ausgestattet, die neben mariologischen Themen im oberen Teil Szenen aus dem Leben Jesu enthalten.
 Die Chiesa di Santa Giulia stammt aus dem 16. Jahrhundert
 Das Museum mit Fundstücken von der Bronzezeit bis zur Zeit der Römer, darunter die berühmte Geflügelte Victoria. In der Mittelalter-Abteilung befindet sich ein Kruzifix, das Desiderius gehört haben soll. Des Weiteren werden Bruchstücke von heute zerstörter Architektur Brescias ausgestellt, zum Beispiel Fresken aus dem Broletto, eine Faustina-Statue sowie ein Freskenzyklus von Alessandro Moretto.
 Auf einer den Nonnen vorbehaltenen Streuobstwiese wurden Häuserfundamente aus der Römerzeit ausgegraben.

Literatur
 Renata Stradiotti (Hrsg.): San Salvatore – Santa Giulia a Brescia. Il monastero nella storia (2001)

Weblinks

 Basilika San Salvatore auf den Seiten der Stadt Brescia (ital.)

Sakralbau in Brescia
Kloster in der Lombardei
Museum in der Lombardei
Archäologische Sammlung in Italien
Organisation (Brescia)
Karolingische Architektur
Römisch-katholisches Frauenkloster
Die Langobarden in Italien, Orte der Macht
Christentum (Lombardei)
Brescia
Brescia
Brescia
Brescia
Ehemaliges Kloster in Italien
Kloster (8. Jahrhundert)
Sakralbau in Europa

Abtei San Salvatore (Brescia)


دافيدي بومبارديني  (مواليد 21 يونيو 1974 في فاينسا - إيطاليا) لاعب كرة قدم إيطالي يلعب حاليا لصالح نادي بولونيا وهو نادي إيطالي في الدرجة الأولى منذ 2007 في مركز الجناح الأيسر كما يجيد اللعب في مركز الجناح الأيمن، الوسط المهاجم، والظهير الأيسر .

مراجع

لاعبو وسط كرة قدم رجالية
أشخاص على قيد الحياة
رياضيون من إميليا-رومانيا
لاعبو أتالانتا
لاعبو الدوري الإيطالي
لاعبو باليرمو
لاعبو بولونيا
لاعبو بيزا
لاعبو الدوري الإيطالي الدرجة الثانية
لاعبو روما
لاعبو ريجينا
لاعبو ساليرنيتانا
لاعبو كرة قدم إيطاليون
لاعبو نادي بينيفينتو
مواليد 1974
لاعبو كرة قدم من إميليا-رومانيا

دافيدي بومبارديني


"Empok Nor" is the 122nd episode of the television series Star Trek: Deep Space Nine, the 24th episode of the fifth season. The episode aired on television on May 19, 1997. The screenplay was written by Bryan Fuller and Hans Beimler, and it was directed by Mike Vejar.

Set in the 24th century, the series follows the adventures of the crew of Deep Space Nine, a space station near the planet Bajor, as the Bajorans recover from a brutal decades-long occupation by the imperialistic Cardassians. In this episode, Miles O'Brien, Deep Space Nine's chief of operations, leads a team to the abandoned Cardassian space station Empok Nor to salvage equipment for Deep Space Nine. To accomplish this mission it is necessary to overcome booby traps, including two Cardassian soldiers lying in wait on the station to eliminate intruders.

Writing
This episode was one of the first written by Bryan Fuller, who went to write dozens more episodes in the Star Trek franchise. Other series he wrote for include Star Trek: Voyager and Star Trek: Discovery. Fuller got his start as a writer through the open submission policy of Star Trek at that time, and his submission for a Deep Space Nine plot was accepted. After his second script for DS9 was accepted, he was hired as a writer for Star Trek: Voyager.

Plot
Chief O'Brien needs to replace a failing component of Deep Space Nine's machinery. The only way to obtain a replacement is by salvaging it from Empok Nor, an abandoned Cardassian space station built to the same design as Deep Space Nine. The salvage team consists of O'Brien, Cardassian ex-spy Garak, cadet Nog, engineers Pechetti and Boq'ta, and security officers Stolzoff and Amaro. As Cardassians routinely booby-trap abandoned facilities against non-Cardassian intruders, Garak is brought along to help disarm the security measures, and Garak uses the time to bring up O'Brien and his actions as a soldier on Setlik III against Cardassians.

On the abandoned station, the team discovers two empty and recently deactivated stasis tubes and a third one with a dead Cardassian soldier, whose uniform marks him as a member of an elite and ruthless battalion. Suddenly, the away team's runabout detaches from the station and explodes, stranding them inside with no means to send for help and under threat from the two recently-awoken Cardassians. The team splits into groups to continue the salvage and attempt to establish communications.

The Cardassian soldiers methodically ambush and eliminate Pechetti and Stolzoff. Garak decides to go on the offensive and track down the enemy soldiers himself. He returns after killing one of them, and relays his discovery that the soldiers had been subjected to psychotropic drugs which amplify their natural xenophobic tendencies. The second soldier ambushes Boq'ta, but Garak emerges and kills him before he can kill Amaro, only to then stab Amaro himself.

O'Brien and Nog discover Amaro, who tells them what happened, before dying from his injuries. O'Brien realizes Garak has been affected by the same drug as the soldiers, and sets out to stop him. Garak captures Nog, using him to draw O'Brien out. O'Brien consents to lay down his weapons and face Garak in hand-to-hand combat, but disables him with his own trap, having rigged his phaser to explode.

The three are rescued after collecting the parts they needed. Back on DS9, O'Brien visits Garak in the infirmary. Garak expresses his sincere regret over his actions; O'Brien informs him there will be an inquest, but it will be made clear that Garak was not responsible for his actions. Garak remarks that he was lucky the phaser did not kill him, but O'Brien admits that he had intended for it to do just that.

Cast

In addition to the regular Deep Space Nine cast, this episode features recurring characters Garak, played by Andrew J. Robinson, and Nog, played by Aron Eisenberg. Guest stars include Tom Hodges as Pechetti, Andy Milder as Boq'ta, Marjean Holden as Stolzoff, and Jeffrey King as Amaro.

Reception
Keith DeCandido of Tor.com gave the episode 4 out of 10.
Zack Handlen of The A.V. Club called it "creepy, thrilling, and horrifying by turns; the script's only real failing is in a refusal to go much deeper under the surface of its premise than tension requires."

Den of Geek ranked this episode the 13th best written by Bryan Fuller, in a review of episodes by him.

In 2017 this episode was noted as featuring scary or eerie Star Trek content by H&I. In 2018, TheGamer ranked this one of the top 25 creepiest episodes of all Star Trek. They categorized this episode as a psychological thriller and slasher genre.

In 2019, ScreenRant ranked this the tenth best episode for the character Nog, noting how he helps Miles O'Brien despite being a hostage. In 2021, they ranked "Empok Nor" the 7th scariest episode of all Star Trek franchise television episodes, remarking "Empok Nor is one of the most unsettling Star Trek episodes of all time".

References

External links

Star Trek: Deep Space Nine (season 5) episodes
1997 American television episodes
Television episodes about drugs
Television episodes written by Bryan Fuller

Empok Nor


Realul (realul concret) se referă în filosofie la ceea ce este autentic, inalterabil adevăr în relația - în același timp - lui "a fi" și a dimensiunii externe a acelei experiențe (de "a fi").

Într-o primă abordare a conceptului, trebuie să pornim de la ceea ce percepem în primul rând prin expresia real, pentru a ne putea mai apoi să ne apropiem de complexitatea conținutului acestui concept.

Un copil, si persoane care nu si-au supus  experiența lor și gândirea lor unei auto-reflecții științifice sau filozofice, considera că ceea ce este real este: "asta. . . ce este aici afara"; înțelegând prin "afară" ceea ce numim, lumea exterioara, mai târziu , odată cu maturizarea conștienței, diferențiem o lume interioară (sau mintea), pe care o identificam cu conceptul de "eu".

Depurarea acestui concept numit real  presupune depurarea limbajului care construiește in vreo forma percepția și înțelegerea acestei lumi exterioare în propria noastră minte și propria noastră relație cu propriul nostru sine (cu propriul și personalul nostru eu).

Deja filosofii din antichitate au apreciat / perceput aceasta diferența între "lumea perceputa, lumea reală și lumea exprimata într-un limbaj. Fiecare dintre modurile de înțelegere sunt, probabil, pietre de temelie a diferselor filozofii care au fost de-a lungul istoriei. Fiecare lucru real este acceptat

Conceptul
 Gândirea metafizică, care consideră că cunoașterea este în conformă și adecvata realului, manifestă adevăr în gândire și în limbaj și pentru asta, i se poate recunoaște cu relativa ușurință valabilitatea logica
 Gândirea sceptică (scepticismul filozofic), care consideră că cunoașterea este un instrument valabil numai pentru nevoile noastre, atât individuale, cât și sociale, dar nu are un conținut de adevăr cu privire la ceea ce este real, ci un conținut practic și convențional.
 Gandirea interpretativa, inițiat la începuturile  Modernitatii, fiind interpretarea un rezultat al modului de interacțiune al minții cu "realul". Diversele sisteme de interpretare și de explicare în ce constă și cum este produsa interpretarea dă naștere la diverse școli și la diverse teorii.

Necesități
Aceasta este baza în epistemologie pentru definirea instrumente pentru a fi utilizate de către știință. Având în vedere că în naturala și umana condiție a creierului există situații  psihologice și filozofice, care face imposibilă diferențierea între viziunile visate, halucinații și ceea ce percepem prin proprii noștri ochi, este de o importanță vitală in a stabili dacă obiectul analizat este ideatic, este propriu gândirii, sau din contra, interacționează de vreo maniera cu cevva mai mult decât subiectul pe care il conceptualizează.

Filosofia generală
Astăzi, în general, se considera depasit conceptul de conotație mistica sau de conotație metafizica (de exemplu: s-au luat foarte in serios filozofi ce au considerat conceptele "Real" si "Tao" –"Dao", în conformitate cu transcrierea Pinyin– sau cei ce au recurs la o Realitate Transcendentă  imposibila (în fapt) de cunoscut pentru a explica această realitate a lumii ca realitate efectiv cunoscuta). Se consideră că acest mod de înțelegere și experimentare (trăire) a realului nu aparține unui domeniu cognoscitiv, ci unui domeniu al convingerii sau ideologiei, încadrate într-un discurs sau narare socială de identitate culturala și, prin urmare, în afară, vecină cu știința.

Chestiunea conceptului numit "real" apare a fi tratat într-un mod complet diferit încă din începuturile perioadei denumit modernitate.

Una dintre primele abordări ale subiectului denumit real la limita cu metafizica este facuta de către Kant , atunci când distinge conceptul fenomen de conceptul noúmeno (în germană "Das Ding în sich" sau, în spaniolă "lucrul-în-sine").

Kant consideră că ceea ce este perceput ca fenomen se află supus unor condiții subiective de către sensibilitatea internă și externă (spațiu și timp); iar înțelegerea lucrurilor prin priceperea condiționată a mecanismului lor ca concepte a priori sau categorii proprii minții umane,  categorii care împiedică accesul cunoașterii conceptului realca noúmeno.

Dar Kant, gânditor din secolul al XVIII-lea, atât de genial cât a fost, nu a putut scăpa de paradigme, și de episteme, dominante într-a sa cultura, astfel încât, pe calea rațiunii practice a restaurat transcendenta moralității și a lui Dumnezeu.

Lacan distinge realul de realitate. Realitatea este ceea ce subiectul (Filozofia) percepe și înțelege (sau "înțelege că înțelege") din concretul real; realitatea este, in principal, echivalentul "bunului simț", dar bunul simț poate fi adevărat sau greșit: spre ex: sute de mii de ani, bunul simț i-a spus omului că "Soarele se învârte în jurul Pământului".

Pe aceasta, Lacan o numește "realitate". Realitatea poate coincide cu realul concret în măsura în care avansează intelectul și conștiința, dar în același timp, realul (la concret), ca doar detectat într-un fel sau altul de către Registrul de Lo Real  este "imposibil" -pentru moment - să transduci complet figurarile (acestea întâlnite in Registru al Imaginarului), și chiar mai puțin in ce privește cuvintele sau alte simboluri (de exemplu, în Registrul Simbolicului). Conceptul de Lo Real (realul concret) este cu adevărat pragmatic: de exemplu, permite profundizarea acolo unde auto-denominatul pozitivism, se încurcă. Și, realul, permite profundizarea menținându-se în criteriile raționaliste și științifice.

Realul este acela care nu poate fi simbolizat, acela care este imposibil de "a-l pricepe" și care nu are nimic de-a face cu conceptul de "realitate". De exemplu, unul dintre Real-ii cu care toate ființele umane sunt relationate este Moartea. Moartea este o Real-itate, pentru că ea nu poate fi explicata, sau nu se știe ce se întâmplă în ea, și, prin urmare, din cauza lipsei de semnificație, un lucru Real devine terifiant. Halucinațiile din psihoză sunt revenirea din Lo Real în Subiect.

Dinamica sistemelor
În dinamica sistemelor, realul (realul concret) este acela care-si exprimă proprietățile într-o formă discretă, adică acela care necesita atenția noastră pentru al conceptualiza, procesul de conceptualizare fiind un proces de învățare, care ne instruieste cum să beneficiem de proprietățile exprimate de o astfel de realitate.

Vezi și
 Real, imaginar și simbolic
 Realitate

Psihanaliză
Terminologie filozofică

Realul


Les Championnats d'Afrique de cyclisme sur route 2022 ont lieu du 23 au  à Charm el-Cheikh en Égypte.

Déroulement des championnats
188 athlètes de 24 nations africaines participent à ces championnats, à savoir l'Égypte, l' Algérie, l'Angola, l'Éthiopie, le Bénin, le Botswana, le Burkina Faso, le Burundi, la Côte d'Ivoire, l'Érythrée, l'Eswatini, la Guinée, la Guinée-Bissau, le Cameroun, le Mali, le Maroc, Maurice, le Nigéria, le Rwanda, le Zimbabwe, l'Afrique du Sud, la Tanzanie, la Tunisie et l'Ouganda.

Certains des coureurs les plus forts d'Afrique du Sud et d'Erythrée n'ont pas pu participer aux championnats car ils étaient également engagés pour leurs équipes professionnelles dans les courses de l'UCI World Tour, où Biniam Girmay est devenu le premier Africain à remporter une grande classique avec son succès sur Gand-Wevelgem. La participation de l'équipe mauricienne, qui allait remporter quatre médailles, a longtemps été mise en suspens après le vol de leurs vélos lors d'un camp d'entraînement en Afrique du Sud.

Les courses féminines et masculines incluent les catégories d'âge « moins de 23 ans » (espoirs)  et « élites ». Dans chacune de ces courses, il y a un classement général avec les deux catégories d'âge et un classement séparé pour les moins de 23 ans. Pour les deux classements, il y a une cérémonie de remise des prix avec la remise des maillots et des médailles.

Comme l'année précédente, le maillot du vainqueur est blanc dans les catégories masculines et rose dans les catégories féminines.

Podiums masculins

Podiums féminins

Podium mixte

Tableaux des médailles

Notes et références

Liens externes
 Détails de la compétition
 Site de la Confédération africaine de cyclisme
 Résultats

2022
Cyclisme
Cyclisme 2022
Afrique 2022
Afrique
Sport en Égypte en 2022
Cyclisme en mars 2022


I love you love me love er en dansk dokumentarfilm fra 1990, der er instrueret af Lasse Spang Olsen.

Handling
Live-optagelser med orkestret og Master Fatman, sidstnævnte i karakteristiske situationer: Arriverende i sin Opel Kaptajn med 4 bodyguards af værste skuffe, i skumbad med sin yndlingspige, på sin røde Puch Maxi med en alt for tætsiddende styrthjelm, fodret med budding af friske spejderpiger... En mini-odyssé med Master Fatman.

Referencer

Eksterne henvisninger

Danske film fra 1990

Dokumentarfilm fra Danmark

I love you love me love


Antoine Paucard fue un poeta y escultor francés, nacido el  en Saint-Salvadour y fallecido el  en la misma localidad. De formación autodidacta,  a su vez agricultor, albañil, revolucionario, viajero, también es un creador de canciones  lemusinas.

Datos biográficos

Hijo de un molinero, Antoine Paucard nació en 1886 en Saint-Salvadour. Buen estudiante, asistió a la escuela primaria hasta obtener un certificado de estudios en 1897. En agosto de 1906, se alistó en el Ejército francés y fue asignado al Regimiento 3 de cazadores de África (:fr:Chasseurs d'Afrique en francés) . Herido en Marruecos por una coz de su caballo, perdió un ojo y se desmovilizó en 1909. A continuación, pasó algunos años en París antes de regresar a  Saint-Salvadour para casarse en 1915 con Françoise Cérézat. Agricultor, se convirtió en albañil después de la Primera Guerra Mundial y le dedicó una canción a cada una de las casas que construyó. En 1931, respondió al llamamiento del gobierno francés, que buscaba establecer a una familia en la isla desierta de Clipperton , pero su candidatura no es aceptada. Después de unirse al Partido Comunista en 1930, hizo un viaje a la URSS en 1933, de  donde regresó desilusionado.  Publicó un libro en 1934, Un mois en Russie, par un paysan de la Corrèze -Un mes en Rusia, por un campesino de Corrèze - que marcó su ruptura con el partido.  Durante la Segunda Guerra Mundial, se unió a la resistencia francesa, pasando a la clandestinidad en 1943 y participó en la batalla de La Servantie. Después de la guerra, fue alcalde de Saint-Salvadour durante un año. Decepcionado con la política tanto de los rusos como de los americanos, poco a poco pierde el interés para dedicarse a la escultura. Durante un largo período de su vida, consignó sus pensamientos, recuerdos, poemas y canciones en cuadernos, fechados , para aquellos que lo están, desde 1930 hasta 1975.

Obras

Antoine Paucard dejó treinta esculturas y 120 cuadernos de notas.

En sus cuadernos, hay todo tipo de pensamientos y notas personales, poemas, aforismos y 143 canciones .

Sus esculturas, hechas principalmente de granito, se presentan en un pequeño museo que él mismo construyó en su pueblo de Saint-Salvadour. Representante del arte marginal, retratan personajes emblemáticos ( Richelieu , el más grande jefe del estado, Napoleón , Carlomagno , Vercingétorix y la madre del artista ...) o figuras alegóricas, símbolos o aforismos (Mujeres del mañana: la gran esperanza de la humanidad, Jean que ríe y Jean que llora, Fertilidad, Eva, madre de todos nosotros ...). También es el arquitecto de su tumba en el cementerio de la aldea.

En 2008, el museo Paucard pasó a ser  propiedad del municipio. Se encuentra ubicado en las coordenadas:

Notas y referencias

 Bibliografía
 Françoise Etay, Les chansons du temps de mon grand-père, in L'ethnomusicologie de la France, Editions L'Harmattan, 2008, pp. 225–226 ISBN 978-2-296-06981-7
 Robert Joudoux, Évocation d'Antoine Paucard, écrivain, sculpteur et chansonnier limousin de Saint Salvadour, Lemouzi, n°147, juillet 1998, p. 21

 Enlaces externos

Enlaces externos

Escultores de Francia del siglo XX
Escultores de Nueva Aquitania
Poetas de Francia del siglo XX
Arte marginal
Miembros de la Resistencia francesa
Nacidos en Corrèze

Antoine Paucard


Saim Gazanfer Özcan (27 Ocak 1931, İstanbul - 17 Şubat 2009, İstanbul), Türk oyuncu ve seslendirme sanatçısı.

Hayatı
27 Ocak 1931'de İstanbul'da doğdu. Babası Cemalettin Özcan, annesi Seniha Saliha Özcan'dır. İlkokulu Cihangir Firuzağa İlkokulunda, ortaokulu Beyoğlu Ortaokulunda, liseyi ise Vefa Lisesinde tamamladı. Lisedeyken oynadığı "Hisse-i Şayia" adlı oyundaki Bican Efendi rolüyle tiyatroyla tanıştı. İstanbul Şehir Tiyatroları'nın Çocuk Bölümü'ne katıldı. 1955 yılında Komedi Tiyatrosu'nda oynanan Mahallenin Romanı oyunu tiyatro yaşamının dönüm noktası oldu. Bu oyunda rahatsızlanan Reşit Gürzap'ın yerine sahneye çıkıp başarılı olunca kadroya girdi. 1962 yılına kadar hem çocuk tiyatrosunda, hem yetişkin oyunlarında görev aldı. 1962 yılında Gönül Ülkü ile evlendi ve "Gönül Ülkü - Gazanfer Özcan Tiyatrosu"nu kurdu. 1950'li ve 1960'lı yıllarda çok sayıda sinema filminde de rol alan Gazanfer Özcan, uzun bir süre sinemaya ara verdikten sonra 2000 yılında çevrilen Komser Şekspir filmi ile sinemaya döndü. Pek çok dizide de rol aldı. Kuruntu Ailesi adlı dizideki Hüsnü Kuruntu rolü ile tanındı, pek çok yapımda ailenin babası rolünü üstlendi. Avrupa Yakası adlı dizideki Tahsin Bey rolü ile de "baba" rolünü sürdürdü. atv'de yayımlanan Avrupa Yakası dizisinde 2004-2009 yılları arasında üst üste 6 sezon başrol oynadı.

Gazanfer Özcan 1998 yılında Türkiye Cumhuriyeti Kültür Bakanlığınca verilen Devlet sanatçısı unvanına layık görüldü.

Ölümü ve sonrası

Gazanfer Özcan, kronik akciğer rahatsızlığı ve damar tıkanıklığı nedeniyle 1,5 ay boyunca tedavi gördüğü özel hastanede 17 Şubat 2009 tarihinde 78 yaşında hayatını kaybetti. İlk olarak Kadıköy Haldun Taner Sahnesi'nde geniş katılımlı bir tören düzenlendi ve naaşı Karacaahmet Mezarlığı'na defnedildi. 23 Nisan 2010 tarihinde Kadıköy Belediyesi Kozyatağı Kültür Merkezi'ndeki Gazanfer Özcan Sahnesi'ni hizmete sunmuştur.

Tiyatro oyunları

Filmografisi

Filmler
 1952: İngiliz Kemal Lawrence'a Karşı
 1953: Çeto Salak Milyoner
 1954: Fındıkçı Gelin
 1954: Aramızda Yaşayamazsın
 1954: Şimal Yıldızı
 1958: Allı Yemeni
 1959: Sevdalı Gelin
 1959: Garipler Sokağı
 1961: Biz İnsan Değil miyiz?
 1961: İki Damla Gözyaşı
 1961: Utanmaz Adam
 1961: Naciyem
 1961: Minnoş
 1961: Yedi Günlük Aşk
 1961: Külkedisi
 1962: Damat Beyefendi
 1962: Şaka Yapma
 1963: Avare Şoför
 1970: Vur Patlasın Çal Oynasın
 1971: Çılgın Yenge
 1975: Televizyon Çocuğu
 1975: Ah Nerede Vah Nerede
 1975: Dam Üstüne Çul Serer
 1975: Tamam mı Devam mı
 1977: Gülünüz Güldürünüz
 1992: Burnumu Keser misiniz?
 2000: Komser Şekspir
 2005: Keloğlan Karaprens'e Karşı
 2007: Beyaz Melek

Diziler
 1985: Bu Nasıl İş?
 1985: Kuruntu Ailesi (Hüsnü Kuruntu)
 1991: Ben Olsaydım (Saffet)
 1991: Karışık İşler
 1991-1992: Karışık İş
 1991-1992: Kimse Durduramaz (Abidin Bey
 1992- Kahraman Damat (Karadenizli Müteahhit)
 1992-1993: Ortaklar
 1992-1993: Burnumu Kesermisiniz?
 1994: Hüsnü Bey Amca (Hüsnü Kuruntu/Hüsnü Bey Amca)
 1997: Bizim Kuruntu Ailesi (Hüsnü Kuruntu)
 2001: Huzursuzlar (Muhteşem Bey/Muhteşem Bey Amca)
 2002: Başımıza Gelenler (Masum Bey)
 2003: Baba (Baba)
 2004: Avrupa Yakası (Tahsin Sütçüoğlu) Not: (Dizinin, Gazanfer Özcan vefat ettikten sonraki bölümlerinin jeneriğinde Gazanfer Özcan'ın adı geçmektedir.)

Not: ( Bu Nasıl İş, Ben Olsaydım, Karışık işler, Karışık İş, Kimse Durduramaz, Kahraman Damat, Ortaklar, Burnumu Kesermisiniz?, Hüsnü Bey Amca, Huzursuzlar ve Başımıza Gelenler gibi dizilerin televizyonda nostalji kuşağı olarak ve de Youtube'de yayınlanması istenmiş ama henüz daha geri dönüş sağlanmamıştır.)

Seslendirdiği Oyuncular
 1975: Hababam Sınıfı Sınıfta Kaldı (Akil Öztuna)
 1975: Hababam Sınıfı Uyanıyor (Akil Öztuna)
 1975: Hababam Sınıfı (Akil Öztuna)
 1975: Çalkala Yavrum Çalkala (İlhan Daner)
 1976: Tosun Paşa (Akil Öztuna)
 1978: Vahşi Gelin (Mümtaz Ener)
 1980: Gerzek Şaban (Ahmet Kostarika)
 1982: Talih Kuşu (Tevhit Bilge)

Kaynakça

Dış bağlantılar
 https://web.archive.org/web/20111129235708/http://gazanferozcan.com/

 'Gazanfer Özcan' - sinemalar.com tanıtım sayfası
 Erol Günaydın Gazanfer Özcan'ı Anlatıyor, 2009 BBC Türkçe
Gazanfer Özcan , Artist dergisi, 1961, Sayı: 25

1931 doğumlular
2009 yılında ölenler
Türk erkek sinema oyuncuları
Türk erkek tiyatro oyuncuları
Türk erkek dizi oyuncuları
Türk erkek seslendirme sanatçıları
Devlet Sanatçıları
İstanbul Şehir Tiyatroları sanatçıları
Vefa Lisesinde öğrenim görenler
İstanbul doğumlu erkek oyuncular
Karacaahmet Mezarlığı'na defnedilenler
Nisa Serezli Aşkıner Özel Ödülü kazananlar
Türkiye'de kardiyovasküler hastalıktan ölenler

Gazanfer Özcan


An Eragrostis vacillans in uska species han Liliopsida nga ginhulagway ni Alfred Barton Rendle. An Eragrostis vacillans in nahilalakip ha genus nga Eragrostis, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Eragrostis

Eragrostis vacillans


Der Bellheimer Wald zwischen Landau in der Pfalz und Germersheim ist ein Wald auf dem Schwemmfächer der Queich, eines Baches, der vom Pfälzer Wald Richtung Rhein strebt. Der namensgebende Ort Bellheim grenzt unmittelbar südlich an den Wald an.

Geologische Entstehung während und am Ende der letzten Eiszeit
Von den Randgebirgen des Oberrheingrabens streben zahlreiche Bäche dem Rhein zu, so auch vom Pfälzerwald über den Haardtrand in östlicher Richtung. In der letzten Eiszeit und mit deren Rückgang stand reichlich Schmelzwasser zur Verfügung, das große Mengen abgetragenen Gesteinsschuttes und Sande aus dem Gebirge in die Rheinebene transportierte. In der Ebene verteilte sich das Wasser und so lagerten sich Kiese und Sande dort ab und bildeten sogenannte Schwemmfächer. Der Name kommt von der dreieckigen Form, die sich in die Ebene zum Rhein hin ausweitet.

Im Falle des Bellheimer Waldes ist der Ausgangspunkt der Austritt der Queich aus dem Pfälzerwald bei Albersweiler über die Haardt bei Godramstein in die Rheinebene.

Weil der überwiegend sandige Boden für den Ackerbau wenig interessant, weil wenig ertragreich war, konnten sich auf diesen Schwemmfächern auch nach Durchsetzung der Landwirtschaft als Wirtschaftsform Waldgebiete erhalten, während die Lößgebiete früh gerodet wurden.

Germersheimer Düne
Je weiter die Bäche in die Ebene flossen, desto mehr verteilte und verlangsamte sich das Wasser, sodass sich das mitgeführte Material ablagern konnte. Zuerst blieb das schwerere Material liegen. Kleinere Steine und Sand wurden weitertransportiert, bis auch sie sich ablagerten. Am Ende der Schwemmfächer finden sich daher besonders feine Sande. Diese wurden in trockenen Perioden teilweise zu Dünen aufgeweht, von denen sich einige erhalten haben, auch am Ostrand des Bellheimer Waldes.

Die Germersheimer Düne genannt "Schindereck" ist etwa 15 Hektar groß. Auf der Binnendüne hat sich ein Komplex aus Sand- und Halbtrockenrasen entwickelt. Eine der dort vorkommenden seltenen Pflanzenarten ist der Fünfmännige Spark (Spergula pentandra). Ausgedehnte Silbergrasrasen sind Lebensraum der Steppenbiene (Nomioides minutissimus), die erst vor wenigen Jahren nach über 140-jähriger Abwesenheit in Rheinland-Pfalz wiederentdeckt wurde. Auch die in Mitteleuropa immer seltener werdende Heidelerche nutzt die Binnendüne als Lebensraum. Das Lied der Heidelerche in Frühsommer-Nächten gilt als eines der eindrucksvollsten Hörerlebnisse in der Natur West- und Mitteleuropas. Auf der Germersheimer Binnendüne wurden 15 Heuschreckenarten, darunter bedrohte Arten wie Westliche Beißschrecke (Platycleis albopunctata), Grüne Strandschrecke (Aiolopus thalassinus), Blauflügelige Ödlandschrecke (Oedipoda caerulescens) und Rotleibiger Grashüpfer (Omocestus haemorrhoidalis) nachgewiesen. Auch der in Mitteleuropa sehr seltene Johanniskraut-Schmalprachtkäfer (Agrilus hyperici) wurde gefunden.

Folgende geschützte Tierarten kommen im Bellheimer Wald vor:

Fledermäuse
Bechsteinfledermaus (Myotis bechsteini)
Großes Mausohr (Myotis myotis)
Amphibien
Kamm-Molch (Triturus cristatus)
Fische
Schlammpeitzger (Misgurnus fossilis)
Insekten
Hirschkäfer (Lucanus cervus)
Grüne Keiljungfer (Ophiogomphus cecilia)
Helm-Azurjungfer (Coenagrion mercuriale)
Dunkler Wiesenknopf-Ameisenbläuling (Maculinea nausithous)
Großer Feuerfalter (Lycaena dispar)
Heller Wiesenknopf-Ameisenbläuling (Maculinea teleius)
Russischer Bär (Euplagia quadripunctaria)

Verkehrswege
Durchschnitten wird der Wald in Nord-Süd-Richtung durch die
L 540 von Zeiskam nach Bellheim und die
L 438 von Westheim nach Bellheim,
Die vierspurig ausgebaute Bundesstraße 9 durchschneidet den Wald von Germersheim Richtung Südwesten nach Bellheim.

Die Bahnstrecke Schifferstadt–Wörth durchschneidet den Wald in Ost-West-Richtung von Bellheim nach Sondernheim.

Literatur
Keller, P. (2007): Modellprojekt im Bellheimer Wald und Queichtal. Gebietsmanagement im Natura 2000-Gebiet. GNOR Info 104: 31–34.
Keller, P. (2007): Modellprojekt zum Schutzgebietsmanagement im Natura 2000-Gebiet "Bellheimer Wald und Queichtal". Pollichia-Kurier 23(4): 49–51.

Quellen
Steckbrief zum FFH-Gebiet 6715-302 – Bellheimer Wald mit Queichtal

Einzelnachweis

Siehe auch
Aktion Pfalzstorch

weitere linksrheinische Wälder auf Schwemmfächern:
Speyerer Wald
Bienwald

Weblinks
Naturschutz
Steckbrief zum FFH-Gebiet 6715-302 – Bellheimer Wald mit Queichtal
Datenblatt des FFH-Gebietes 6715-302 – Bellheimer Wald mit Queichtal (PDF; 125 kB)
Karte des FFH-Gebietes 6715-302 – Bellheimer Wald mit Queichtal

Steckbrief zum Vogelschutzgebiet 6715-401 – Offenbacher Wald, Bellheimer Wald und Queichwiesen
Datenblatt zum Vogelschutzgebiet 6715-401 – Offenbacher Wald, Bellheimer Wald und Queichwiesen (PDF; 117 kB)
Karte zum Vogelschutzgebiet 6715-401 – Offenbacher Wald, Bellheimer Wald und Queichwiesen

Wandern
Wandern im Bellheimer Wald
Plan der Wanderwege im Bellheimer Wald, ein Angebot der Gemeinde Bellheim (PDF; 1,7 MB)

Landschaft in Rheinland-Pfalz
Waldgebiet in Rheinland-Pfalz
Geographie (Pfalz)
Vorderpfalz
Südpfalz

Bellheimer Wald


Gustave Aimard, seudónimo de Olivier Groux (París, 13 de septiembre de 1818-ib., 20 de junio de 1883), fue un novelista francés.

Biografía

Abandonado al nacer por sus padres, no aceptó a la pareja que lo adoptó y a los nueve años escapó de la casa y marchó a América del Sur. En 1835 se enroló en la Marina Real, de donde desertó en 1839 durante una estadía en Chile. Participó en las luchas contra el dictador argentino Rosas y se trasladó posteriormente a Estados Unidos, donde convivió con los cheyenes.

De vuelta en Europa en 1847, viajó por España, Turquía y el Cáucaso. Después de la Revolución de 1848, su deserción de la Marina Real le quedó perdonada y pudo regresar a Francia. En 1852 volvió a América, pero en 1854 regresó definitivamente a Francia y comenzó a escribir a partir de 1856. Sus experiencias le sirvieron para escribir numerosas novelas del oeste que se hicieron muy populares en Francia y Estados Unidos, aunque también es autor de novelas al estilo de James Fenimore Cooper y otras marítimas y patrióticas.

El plagio de Amalia, de José Mármol

El editor Artheme Fayard publicó en 1867, en París, un nuevo libro de Aimard titulado La Mas-Horca. El 12 de agosto de 1875, el periódico La Nación publicaba una nota llamada Un robo literario, donde acusaba a Aimard de haber plagiado las primeras tres partes de la novela Amalia, de José Mármol. Aimard publica también una cuarta parte, titulada Rosas, que es una traducción textual de los últimos capítulos de la novela de Mármol.

Sucesivas publicaciones en revistas y diarios dan cuenta de la polémica que se generó alrededor de La Mas-Horca. En octubre de 1923, la revista Nosotros publica una carta del escritor peruano Ventura García Calderón dirigida al argentino Julio Noé, donde le comenta el hallazgo de la novela Rosas, y la discusión que Calderón mantuvo con el francés Albert Savine, quien aseguraba que en la primera edición de la novela se había aclarado que la Amalia de Mármol había sido la fuente de inspiración de la novela.

En 1935, Víctor Bouilly hace una comparación entre La Mas-Horca, en una edición de 1883, y la obra de Mármol, y publica los resultados de dicho ejercicio en el diario La Nación. En 1936, recibe un ejemplar de Rosas, y al igual que en el caso anterior, publica los cotejos en el mismo diario. Curiosamente, se le informa también que en la Biblioteca de la Universidad de La Plata existía una traducción al español de los dos libros de Aimard, traducidos por Luis Calvo y editados en Barcelona por Torcuato Tasso, calle del Arco del Teatro, MDCCCLXVII, Biblioteca de El Plus Ultra, hechas en el mismo año de la edición francesa.

Si bien Aimard cambia títulos y nombres de personajes y suprime una parte importante de las consideraciones políticas de Mármol, agilizando también las partes excesivamente descriptivas y largas, el cotejo indica que se trataba indudablemente de un plagio.

ObraLes Trappeurs de l'Arkansas,  1858La Ley de Lynch, 1859
Le cherceur de pistes, 1858
La fièvre de l'or, 1860
Le Guaranis, 1864
La Mas-Horca, 1867
La guerre sainte en Alsace, 1871
Par mer et par terre, 1879
Les bandits de l'Arizona, 1882

Referencias

Escritores en francés del siglo XIX
Novelistas de Francia del siglo XIX
Nacidos en París
Fallecidos en París

Gustave Aimard


An Isachne globosa in uska species han Liliopsida nga syahan ginhulagway ni Carl Peter Thunberg, ngan ginhatag han pagkayana nga asya nga ngaran ni Carl Ernst Otto Kuntze. An Isachne globosa in nahilalakip ha genus nga Isachne, ngan familia nga Poaceae. Waray hini subspecies nga nakalista.

Mga kasarigan

Mga sumpay ha gawas

Isachne

Isachne globosa


الوردة الأخيرة مسلسل سوري أنتج في عام 2006 من بطولة وائل رمضان وصبا مبارك من إخراج المخرج محمد فردوس أتاسي.

قصة المسلسل
تدور قصة المسلسل في مدينة حلب أيام الاحتلال الفرنسي في الأربعينات من القرن الماضي حول ضابط فرنسي قام بدوره وائل رمضان، يقع في حب فتاة سورية قامت بدورها صبا مبارك صاحبة الشخصية القوية والوجه الحسن وعازفة البيانو لكن شقيقها يعتقل بسبب مقاومته للاحتلال ويستلم قضيته هذا الضابط فيقع في حيرة بين حبه لهذه الفتاة وبين مهمته الوطنية إلا أنه يختار الركض وراء عواطفه وإنقاذ شقيق حبيبته من الإعدام والتخلي عن مهمته كضابط فيتم حبسه وتجريده من الجيش ونفيه إلى جزر القمر فيتم اللقاء الاخير بين العاشقين في محطة القطار أثناء ذهابه إلى النفي وتعطيه الوردة الأخيرة وينتهي المسلسل بفراقهما.

أبطال المسلسل

 وائل رمضان في دور الضابط الفرنسي فرنسوا.
 صبا مبارك في دور ردينة.
 وفاء موصللي في دور أم مهدي.
 فارس الحلو في دور مهدي شقيق ردينة.
 نضال نجم في دور وحيد.

مسلسلات تلفزيونية سورية

الوردة الأخيرة (مسلسل)


Pacífico FC es un club de fútbol peruano del distrito limeño de San Martín de Porres. Fue fundado el 1 de enero del 1960.

Historia
Fue fundado el 1 de enero de 1960 usando como indumentaria el color rosado para el uniforme titular y el blanco para el alternativo, en homenaje al Palermo de Italia.

Campañas en la Copa Perú
El club estuvo participando en la Segunda Distrital de San Martín de Porres, teniendo como figura a Danny "Danito" Ochoa, seleccionado peruano quien fue retirado por una lesión en el muslo. En el año 2008 en que obtiene el subcampeonato y logra acceder a la Liga Distrital de San Martín de Porres.

En el 2009, el club se estrenó en la Liga Distrital de San Martín de Porres, quedando al final de temporada en 3° lugar y a un punto de clasificar a las Interligas de Lima.

Mientras que en el 2010, el cuadro rosado dejó una buena impresión en el Interligas, donde quedó fuera de carrera en la Cuarta Eliminatoria a manos de Tornado FC de Ate Vitarte. En esta temporada, con una mayor inyección económica, lograron formar un plantel acorde a las exigencias del caso, apto para luchar por ser uno de los cuadros más poderosos de Lima y de la Región IV.

La gran campaña en la Copa Perú y ascenso a la Segunda División
En la temporada 2011, al mando de Ramón Quiroga, participó en las Interligas de Lima luego de ser subcampeón en su Liga Distrital por detrás de Atlético Peruanos Juniors. Llegó al cuadrangularfinal de las Interligas siendo campeón por delante del Deportivo Municipal, Independiente Miraflores y Estudiantil Ascope. Luego cambiaría de técnico por Moisés Barack. Ya en la Etapa Departamental, sería eliminado por Independiente Miraflores por un global de 4-2: 1-1 en la ida y 1-3 en la vuelta.

Sin embargo, el club hizo un reclamo en contra de DIM aduciendo que el equipo albo utilizó al jugador Raúl Maguiña, que estaba inhabilitado de jugar por acumular 3 tarjetas amarillas, con lo cual el equipo rosado clasificó a las Semifinales de la Etapa Departamental de Lima donde luego derrotaría a San Lorenzo Porococha (coincidentemente este equipo contó con varios exjugadores del DIM) y clasificó a la final de la Etapa Departamental, donde sería Subcampeón Departamental luego de caer en los Tiempos Suplementarios ante Estudiantes Condestable. Al llegar a la final, le valió la clasificación por primera vez a la Etapa Regional.

Una vez en la Etapa Regional, con Octavio Vidales como entrenador, se volvería a enfrentar nuevamente con el Estudiantes Condestable, con quien empató 0-0 en el partido de ida y vuelta de la Primera Fase, clasificando como mejor perdedor luego de caer por penales 5-3. Luego empataría 1-1 en el partido de ida de la Semifinal, pero en el partido de vuelta lo terminaría ganando 1-0 con lo que le valió su histórica clasificación a la Etapa Nacional, clasificando como campeón de la Región IV luego de vencer en la final a Géminis.

Inició su participación en los octavos de final de la Etapa Nacional de la Copa Perú empatando 0-0 en Iquitos contra Los Tigres y ganando 4-1 en Lima. En ese partido de revancha jugado en Lima, al final del primer tiempo, hubo una disputa entre el jugador Pedro Salguero y el técnico Vidales, lo que originó la salida del entrenador del club, siendo reemplazado Octavio Vidales por Mario Flores. En los cuartos de final, eliminaría a la Universidad Nacional de Ucayali por un global de 2-0: 0-0 en Pucallpa y 2-0 en Matucana. Luego en semifinales, su próximo rival a eliminar sería Los Caimanes por un global de 2-1: 1-1 en Matucana y 0-1 en Chiclayo. Luego de este resultado, el equipo rosado llegaría por primera vez en su historia a la final, donde su rival sería Real Garcilaso. En el partido de ida, Real Garcilaso se impuso por 3-1. Pacífico FC debía ganar por 2-0 o más para ser campeón. Ya en el partido de vuelta, apenas ganó por 1-0, lo que significó el subcampeonato y el acceso a la Segunda División 2012.

Campeón de la Segunda División y ascenso a la Primera División
Para la temporada 2012, Pacífico se iba a reforzar con jugadores de experiencia como Germán Carty (campeón de la Copa Sudamericana 2003 con Cienciano), Juan Montenegro (goleador del equipo en esa temporada), el paraguayo Carlos Pérez, Frank Rojas, entre otros. Al principio de la temporada empezó bien debutando con un triunfo sobre Deportivo Coopsol con un marcador de 3:1. Sin embargo, luego de algunas fechas, su entrenador Michael Guzmán renunciaría y sería reemplazado por Walter Chinchay.

Al equipo no le fue tan bien, obteniendo resultados adversos que lo ubicarían a mitad de tabla. Antes de terminar la primera parte del campeonato, Walter Chinchay sería reemplazado por el debutante entrenador Juan Carlos Bazalar, técnico que fue campeón nacional con Universitario de Deportes, Alianza Lima y campeón de la Copa Sudamericana 2003 con Cienciano en su época de futbolista. Los resultados buenos empezaron a llegar al elenco rosado con un debut y triunfo de Bazalar contra Atlético Torino por 1:0 en Lima.

Al terminar el campeonato, Pacífico quedó primero en la tabla de posiciones luego de vencer en la penúltima fecha al Atlético Torino en Talara por 1:2 y ganar por walkover a Hijos de Acosvinchos (equipo que fue inhabilitado por sus deudas); solamente esperaba al encuentro entre Atlético Minero y Sport Ancash (su escolta), ya que dicho encuentro fue reprogramado por la Federación Peruana de Fútbol. En dicho partido, Atlético Minero se impuso por 3:1 sobre Sport Ancash, dándole el campeonato a Pacífico y el soñado ascenso a la Primera División.

Temporada en la Primera División
Ya en la Primera División del Perú del 2013, el Pacífico debutó en la primera fecha venciendo por 1-0 al Juan Aurich con gol de Christian Guevara. También, logró ser el último equipo en perder el invicto. En el transcurso de la Primera etapa del Campeonato el club hizo una campaña irregular finalizando en la casilla 13. En la Segunda etapa del Campeonato Descentralizado le tocó integrar la Liguilla A; haciendo una pésima campaña y finalizando último de su Liguilla, lo que lo condenaba al descenso. Al haber empatado en puntos con Unión Comercio, ambos clubes se vieron forzados a jugar un partido por salvar la categoría. El encuentro se desarrolló en el Estadio Francisco Mendoza Pizarro de Olmos, donde finalmente venció el cuadro del Unión Comercio por el marcador de 1-0, haciendo así  que el Pacífico jugase el año 2014 en la Segunda División del Perú.

Descenso y retiro
Pacífico jugaría la temporada 2014 en Segunda División, donde terminaría en el décimo lugar. Al año siguiente, antes de comenzar la temporada 2015, decidió retirarse del fútbol, como medida de protesta, debido a que la Federación Peruana de Fútbol invitara a equipos de la Copa Perú a jugar en la Segunda División. Y desde su retiro hasta la actualidad, no ha vuelto a participar nuevamente en el fútbol profesional. Juega en su liga de origen en San Martín de Porres.

Cronología

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Uniforme
 Uniforme titular: Camiseta rosada con rayas parciales negras en los costados, pantalón negro con rayas rosadas y medias negras.
 Uniforme alternativo: Camiseta blanca, pantalón blanco y medias blancas.

Evolución del uniforme

Indumentaria y patrocinador

Curiosidades
En el partido de vuelta de la final de la Copa Perú 2011 jugado en el Estadio San Martín de Porres, el equipo rosado llevó la frase En San Martín de Porres, sí se puede, lema de la Municipalidad de San Martín de Porres.

Datos del club
 Temporadas en Primera División: 1 (2013).
 Temporadas en Segunda División: 2 (2012; 2014).
 Mayor goleada conseguida:
 En campeonatos nacionales de local: Pacífico FC 5:0 Coronel Bolognesi (11 de agosto del 2012)
 En campeonatos nacionales de visita: Escuela Boca Juniors 1:8 Pacífico FC (13 de marzo del 2011).
 Mayor goleada recibida:
 En campeonatos nacionales de local: Pacífico FC 1:5 Alianza Lima (24 de noviembre del 2013)
 En campeonatos nacionales de visita: Sporting Cristal 5:0 Pacífico FC (27 de octubre del 2013)
 Mejor puesto en Primera División: 15°
 Peor puesto en Primera División: 15°
 Mejor puesto en Segunda División: 1°.
 Peor puesto en Segunda División: 10°.
 Máximo goleador: Juan Montenegro, 8 goles en 1 temporada.

Estadio
Pacífico no tiene un estadio propio por lo que juega de local en distintas canchas de la capital. En algunas ocasiones empleó el Estadio Alberto Gallardo, cuando estuvo en Segunda División lo usó el Estadio de la UNI. En Primera División jugó una parte del campeonato en el Estadio Miguel Grau del Callao aunque finalmente se asentó en el Estadio Segundo Aranda Torres de Huacho.

Jugadores

Palmarés

Torneos nacionales

Torneos regionales

Referencias

Enlaces externos

Equipos de fútbol de Lima Metropolitana
Equipos de fútbol fundados en 1960
Equipos de fútbol desafiliados de Perú

Club Deportivo Pacífico F. C.


Murmansklegionen, også kendt som den finske legion, var en militær styrke organiseret af den britisk kongelige flåde (Royal Navy) under den allierede nordrussiske intervention i 1918-1919. Legionen var sammensat af finske røde gardister, der var flygtet efter den finske borgerkrig fra det nordlige Finland kontrolleret af De Hvide til Sovjetrusland og nogle finner, der arbejdede på Murmanskbanen. Legionen bekæmpede Viena-ekspeditionen i 1918 og sikrede sammen med britiske tropper Murmanskbanen mod at komme under finsk kontrol.

Finske frivillige havde startet deres militære kampagne i marts 1918. Målet var at annektere Hvidekarelen fra det da bolsjevistisk kontrollerede Rusland og forene området med et selvstændigt Finland. Royal Navy havde invaderet Murmansk på samme tid for at forhindre tyskerne (og deres finske frænder) i at vinde kontrollen over Hvidehavskysten og Murmanskbanen.

Murmansklegionen var bevæbnet med britisk udstyr og havde britiske uniformer. Legionen blev ledet af Oskari Tokoi og Verner Lehtimäki, som begge blev forfremmet til oberster af den britiske flåde. Legionens styrke nåede sit højdepunkt i februar 1919 og var da omkring 1.200 mænd. Murmansklegionen blev først godkendt af Lenin, men blev senere fordømt af ham og af kommunister, der fortsat befandt sig i Finland, eftersom briterne var på den hvide bevægelses side i borgerkrigen, selvom finnerne nægtede at kæmpe mod bolsjevikkerne.

Murmansklegionen blev opløst i 1919, da de britiske tropper trak sig tilbage. Den finske regering betragte legionens medlemmer som forrædere, men Storbritannien og USA gjorde deres anerkendelse af finsk uafhængighed betinget af, at legionærerne enten måtte blive benådet eller fik lov til at drage i eksil til Canada. I efteråret 1919 vendte de fleste af murmansklegionens krigere tilbage til Finland, men et 20-tal rangerede officerer som Tokai, Lehtimäki og Aarne Orjatsalo flygtede til Nordamerika. Nogle legionærer sluttede sig senere til de internationale brigader i den spanske borgerkrig, og nogle af de yngste kæmpede endda i den finske hær under 2. verdenskrig.

Noter

Finlands historie
Karelens historie

Murmansk-legionen


Hiroshi Nakano (født 23. oktober 1983) er en japansk tidligere professionel fodboldspiller.

Han har spillet for flere forskellige klubber i sin karriere, herunder Albirex Niigata, Yokohama FC og Tochigi SC.

Eksterne henvisninger

Fodboldspillere fra Japan

Hiroshi Nakano


Abies balsamea or balsam fir is a North American fir, native to most of eastern and central Canada (Newfoundland west to central Alberta) and the northeastern United States (Minnesota east to Maine, and south in the Appalachian Mountains to West Virginia).

Description
Balsam fir is a small to medium-size evergreen tree typically  tall, occasionally reaching a height of . The narrow conic crown consists of dense, dark-green leaves. The bark on young trees is smooth, grey, and with resin blisters (which tend to spray when ruptured), becoming rough and fissured or scaly on old trees. The leaves are flat and needle-like,  long, dark green above often with a small patch of stomata near the tip, and two white stomatal bands below, and a slightly notched tip. They are arranged spirally on the shoot, but with the leaf bases twisted so that the leaves appear to be in two more-or-less horizontal rows on either side of the shoot. The needles become shorter and thicker the higher they are on the tree. The seed cones are erect,  long, dark purple, ripening brown and disintegrating to release the winged seeds in September.

Medicinal
For thousands of years Native Americans used Balsam fir for medicinal and therapeutic purposes. The needles are digested directly off the tree by many animals and humans. Higher content dosage is ingested in tea. Balsam Fir contains vitamin C, which has been studied for its effects on bacterial and viral infections.

Reproduction
The male reproductive organs generally develop more rapidly and appear sooner than the female organs. The male organs contain microsporangia which divide to form sporogenous tissue, composed of cells which become archesporial cells. These develop into microspores, or pollen-mother cells, once they are rounded and filled with starch grains. When the microspores undergo meiosis in the spring, four haploid microspores are produced which eventually become pollen grains. Once the male strobilus has matured the microsporangia are exposed at which point the pollen is released.

The female megasporangiate is larger than the male. It contains bracts and megasporophylls, each of which contains two ovules, arranged in a spiral. These then develop a nucellus in which a mother cell is formed. Meiosis occurs and a megaspore is produced as the first cell of the megagametophyte. As cell division takes place the nucleus of the megaspore thickens, and cell differentiation occurs to produce prothallial tissue containing an ovum. The remaining undifferentiated cells then form the endosperm.

When the male structure releases its pollen grains, some fall onto the female strobilus and reach the ovule. At this point the pollen tube begins to generate, and eventually the sperm and egg meet at which point fertilization occurs.

Varieties
There are two varieties:
 Abies balsamea var. balsamea (balsam fir) – bracts subtending seed scales short, not visible on the closed cones. Most of the species' range.
 Abies balsamea var. phanerolepis (bracted balsam fir or Canaan fir) – bracts subtending seed scales longer, visible on the closed cone. The southeast of the species' range, from southernmost Quebec to West Virginia. The name Canaan fir derives from one of its native localities, the Canaan Valley in West Virginia. Some botanists regard this variety as a natural hybrid between balsam fir and Fraser fir (Abies fraseri), which occurs further south in the Appalachian mountains.

Ecology

Balsam firs are very shade tolerant, and tend to grow in cool climates, ideally with a mean annual temperature of , with consistent moisture at their roots. They typically grow in the following four forest types:
 Swamp – swamp forest types never completely dry out, so balsam firs have constant access to water. The ground is covered in sphagnum and other mosses. In swamps, balsam firs grow densely and slowly, and are slender.
 Flat – sometimes referred to as "dry swamps," these areas are better drained than swamps but still retain moisture well. Fern moss covers the ground and there is a possibility of ground rot. In flat areas balsam fir grows fast, tall, and large, mixed with red spruce.
 Hardwood slope – ground rot is common in this well-drained area, and leaf litter covers the forest floor. Balsam firs grow fast, tall, and large along with big hardwood trees such as yellow birch, sugar maple and beech.
 Mountain top – On mountain tops, stands of balsam fir occasionally develop fir waves. They often grow at an elevation of  in pure strands, or in association with black spruce, white spruce, and trembling aspen. The development is similar to that in swamps with slow growth resulting in slender, short trees. Some of the low branches touch the ground, and may grow roots to produce an independent tree.

The foliage is browsed by moose and deer. The seeds are eaten by American red squirrels, grouse, and pine mice; the tree also provides food for crossbills and chickadees, as well as shelter for moose, snowshoe hares, white-tailed deer, ruffed grouse, and other small mammals and songbirds. The needles are eaten by some lepidopteran caterpillars, for example the Io moth (Automeris io).

Abies balsamea is one of the most cold-hardy trees known, surviving at temperatures as low as  (USDA Hardiness Zone 2). Specimens even showed no ill effects when immersed in liquid nitrogen at .

Conservation Status
It is listed as endangered in Connecticut. This status applies to native populations only.

Pests
The balsam fir is the preferred main host of the eastern spruce budworm, which is a major destructive pest throughout the eastern United States and Canada. During cyclical population outbreaks, major defoliation of the balsam fir can occur, which may significantly reduce radial growth. This can kill the tree. An outbreak in Quebec in 1957 killed over 75% of balsam fir in some stands.

The needles of balsam fir can be infected by the fungus Delphinella balsameae.

Cultivation

Christmas trees
Both varieties of the species are very popular as Christmas trees, particularly in the northeastern United States. Balsam firs cut for Christmas are not taken from the forest, but are grown on large plantations. The balsam fir is one of the greatest exports of Quebec and New England. It is celebrated for its rich green needles, natural conical shape, and needle retention after being cut, and it is notably the most fragrant of all Christmas tree varieties.

Many of these plantations are family farms handed down from generation to generation. The techniques of shearing, growing, and other cultivation secretly passed down from grandparents to grandchildren. Families like the Rousseau's of Quebec, Rose of New Brunswick, and Kessler's (North Pole Xmas Trees) of New Hampshire have kept family traditions for almost a century.

The balsam fir was used six times for the US Capitol Christmas Tree between 1964 and 2019.

In northern areas of Minnesota, Michigan, and Wisconsin balsam fir branches (boughs) are used to make Christmas wreaths.

Horticulture
Abies balsamea is also grown as an ornamental tree for parks and gardens. Very hardy down to  or below, it requires a sheltered spot in full sun. The dwarf cultivar A. balsamea 'Hudson' (Hudson fir), grows to only  tall by  broad, and has distinctive blue-green foliage with pale undersides. It does not bear cones. It has gained the Royal Horticultural Society's Award of Garden Merit.

Other cultivars include:

 'Angustata'
 'Argentea'
 'Brachylepis'
 'Coerulea'
 'Columnaris'
 'Glauca'
 'Globosa'
 'Longifolia'
 'Lutescens'
 'Macrocarpa'
 'Marginata'
 'Nana'
 'Nudicaulis'
 'Paucifolia'
 'Prostrata'
 'Pyramidalis'
 'Variegata'
 'Versicolor' Other uses

The resin is used to produce Canada balsam, and was traditionally used as a cold remedy and as a glue for glasses, optical instrument components, and for preparing permanent mounts of microscope specimens. Given its use as a traditional remedy and the relatively high ascorbic acid content of its needles, historian Jacques Mathieu has argued that the balsam fir was the "aneda" that cured scurvy during the second expedition into Canada of Jacques Cartier. The wood is milled for framing lumber (part of SPF lumber), siding and pulped for paper manufacture. Balsam fir oil is an EPA approved nontoxic rodent repellent. The balsam fir is also used as an air freshener and as incense.

Prior to the availability of foam rubber and air mattresses, balsam fir boughs were a preferred mattress in places where trees greatly outnumbered campers. Many fir limbs are vertically bowed from alternating periods of downward deformation from snow loading and new growth reaching upward for sunlight. Layers of inverted freshly cut limbs from small trees created a pleasantly fragrant mattress lifting bedding off the wet ground; and the bowed green limbs were springs beneath the soft needles. Upper layers of limbs were placed with the cut ends of the limbs touching the earth to avoid uncomfortably sharp spots and sap.

Native American ethnobotany
The Native Americans use it for a variety of medicinal purposes.

The Abenaki use the gum for slight itches and as an antiseptic ointment. They stuff the leaves, needles and wood into pillows as a panacea.

The Algonquin people of Quebec apply a poultice of the gum to open sores, insect bites, boils and infections, use the needles as a sudatory for women after childbirth and for other purposes, use the roots for heart disease, use the needles to make a laxative tea, and use the needles for making poultices.

The Atikamekw chew the sap as a cold remedy, and use the boughs as mats for the tent floor.

The Cree use the pitch for menstrual irregularity, and take an infusion of the bark and sometimes the wood for coughs. They use the pitch and grease used as an ointment for scabies and boils. They apply a poultice of pitch applied to cuts. They also use a decoction of pitch and sturgeon oil used for tuberculosis, and take an infusion of bark for tuberculosis. They also use the boughs to make brush shelters and use the wood to make paddles.

The Innu people grate the inner bark and eat it to benefit their diet.

The Iroquois use a steam from a decoction of branches as a bath for rheumatism and parturition, and ingest a decoction of the plant for rheumatism. They take a compound decoction for colds and coughs, sometimes mixing it with alcohol. They apply a compound decoction of the plant for cuts, sprains, bruises and sores. They apply a poultice of the gum and dried beaver kidneys for cancer. They also take a compound decoction in the early stages of tuberculosis, and they use the plant for bedwetting and gonorrhea.

The Maliseet use the juice of the plant as a laxative, use the pitch in medicines, and use an infusion of the bark, sometimes mixed with spruce and tamarack bark, for gonorrhea. They use the needles and branches as pillows and bedding, the roots as thread, and use the pitch to waterproof seams in canoes.

The Menominee use the inner bark as a seasoner for medicines, take an infusion of the inner bark for chest pain, and use the liquid balsam pressed from the trunk for colds and pulmonary troubles. They also use the inner bark as a poultice for unspecified illnesses. They also apply gum from plant blisters to sores.

The Miꞌkmaq use a poultice of inner bark for an unspecified purpose, use the buds, cones and inner bark for diarrhea, use the gum for burns, colds, fractures, sores and wounds, use the cones for colic, and use the buds as a laxative. They also use the bark used for gonorrhea and buds used as a laxative. They use the boughs to make beds, use the bark to make a beverage, and use the wood for kindling and fuel.

The Ojibwe melt the gum on warm stones and inhale the fumes for headache. They also use a decoction of the root as an herbal steam for rheumatic joints. They also combine the gum with bear's grease and use it as an ointment for hair.
They use the needle-like leaves in as part of ceremony involving the sweat bath, and use the gum for colds and inhale the leaf smoke for colds. They use the plant as a cough medicine. The gum is used for sores and a compound containing leaves is used as wash. The liquid balsam from bark blisters is used for sore eyes. They boil the resin twice and add it to suet or fat to make a canoe pitch. The bark gum is taken for chest soreness from colds, applied to cuts and sores, and decoction of the bark is used to induce sweating. The bark gum is also taken for gonorrhea.

The Penobscot smear the sap over sores, burns, and cuts.

The Potawatomi use the needles to make pillows, believing that the aroma prevented one from getting a cold. They also use the balsam gum as a salve for sores, and take an infusion of the bark for tuberculosis and other internal afflictions.

 Tree emblem
Balsam fir is the provincial tree of New Brunswick.

 See also
 Balsam of Peru
 Fraser fir

 Gallery

 References

Further reading

 Karen Legasy, Shayna LaBelle-Beadman & Brenda Chambers. Forest Plants of Northeastern Ontario''. Lone Pine Publishing / Queen's Printer for Ontario, 1995.

External links

 Gymnosperm Database: Abies balsamea
 Winter ID pictures
 Compiled images
 Interactive Distribution Map of Abies balsamea
 Conifer Database

balsamea
Flora of Eastern Canada
Flora of Western Canada
Trees of the Northeastern United States
Trees of the North-Central United States
Trees of the Great Lakes region (North America)
Plants used in traditional Native American medicine
Trees of humid continental climate
Least concern plants
Provincial symbols of New Brunswick
Plants described in 1753
Taxa named by Carl Linnaeus
Least concern flora of the United States
Taxa named by Philip Miller

Abies balsamea


1 Mai este un cartier din Sectorul 1 al Bucureștiului. Numele cartierului 1 mai vine de la Bulevardul Ion Mihalache, care se numea în trecut 1 mai.

Referințe

Cartiere din București
Sector 1

1 Mai (cartier)


Mit dem Simón-Bolívar-Preis (engl.: International Simón Bolívar Prize) würdigte die UNESCO herausragende Verdienste, die im Einklang mit den Zielen des südamerikanischen Unabhängigkeitskämpfers Simón Bolívar zur "Freiheit, Unabhängigkeit und Würde der Völker und zur Stärkung einer neuen internationalen wirtschaftlichen, sozialen und kulturellen Ordnung beitragen", wobei die Verdienste auf intellektuellem, künstlerischem oder sozialem Gebiet oder durch die Mobilisierung der öffentlichen Meinung erworben werden konnten. Die 1978 auf Anregung des damaligen venezolanischen Staatspräsidenten Carlos Andrés Pérez ins Leben gerufene Auszeichnung wurde zum ersten Mal im Jahr 1983 verliehen und zuletzt im Jahr 2004. Eine Reaktivierung ist in der Diskussion.

Die Verleihung des Preises sollte laut den zugrundeliegenden Richtlinien alle zwei Jahre um den 24. Juli erfolgen, den Geburtstag Simón Bolívars. Tatsächlich erfolgten zwischen 1983 und 2004 neun Preisverleihungen, in den Jahren 1983, 1985, 1988, 1990, 1992, 1996, 1998, 2000 und 2004. Das Preisgeld wurde von der venezolanischen Regierung gestiftet und von dieser im Einvernehmen mit dem Generaldirektor der UNESCO festgesetzt. Zuletzt war der Preis mit 25.000 US-Dollar dotiert. Die Laureaten wurden durch einstimmiges Votum einer internationalen Jury gewählt, die neben fünf Vertretern der verschiedenen Regionen der Welt, eine von der venezolanischen Regierung bestimmte Person und einen Vertreter des Generaldirektors der UNESCO umfasste.

Preisträger

Einzelnachweise

Weblinks
 Informationen über den Simón-Bolívar-Preis auf der Website der UNESCO (englisch)

Auszeichnung der UNESCO

Simón-Bolívar-Preis


The Vistula Spit (; ; ; ) is an aeolian sand spit, or peninsular stretch of land that separates Vistula Lagoon from Gdańsk Bay, in the Baltic Sea, with its tip separated from the mainland by the Strait of Baltiysk. The border between Poland (Pomeranian Voivodeship) and Kaliningrad Oblast, a semi-exclave of Russia, bisects it, politically dividing the spit in half between the two countries. The westernmost geographical point of Russia is located on the Vistula Spit. The Polish part contains a number of tourist resorts, incorporated administratively as the town of Krynica Morska.

Geography

Situated in the Gdańsk Bay this narrow headland (spit) is on average only few hundred meters wide (widest point is ) and with the total length of  twice as long as the better known and more populous Hel Peninsula in the western part of the Gdańsk Bay. The Vistula Spit stretches in a north-easterly direction and separates the Vistula Lagoon from the southern Baltic Sea. It is separated from the Sambia Peninsula by the Strait of Baltiysk. The spit consists of 10 to 12 meter high marine sand, accumulated during three dune generations.
The highest peaks of the Vistula Spit are Wielbłądzi Grzbiet (49.5 m, 162 ft) on the Polish side of the peninsula and the smaller  high shifting sand dune of Narmeln on the Russian side of the border.

The border between Poland (Pomeranian Voivodeship) and Russia (Kaliningrad Oblast) runs across the spit, with its south-western part in Poland and the north-eastern part in Russia. The Polish part includes, from west to east, the villages of Kąty Rybackie, Skowronki, and the town of Krynica Morska, the largest locality on the Polish side, and a popular tourist destination. Since 1991, Krynica Morska includes in its municipal borders formerly separate villages of Przebrno and Nowa Karczma, the latter being the easternmost inhabited locality on the Polish side of the Spit.

The Russian part of the Vistula Spit is only inhabited in its northernmost part, which belongs to the port town of Baltiysk and lies on the southern side of the Strait of Baltiysk. The Russian airbase Noytif (originally built as a German Luftwaffe airbase Neu Tief) was located there.

History

Until the 13th century, the spit had navigable straits in the middle, which allowed the city of Elbing (Elbląg), part of the monastic State of the Teutonic Knights, direct access to the Baltic Sea. The natural closing of the straits in the late 13th century reduced Elbing's status as an important trading seaport. This and the Teutonic takeover of Danzig (Gdańsk) and Polish Pomerania in 1308 led to the increased importance of Gdańsk. In 1454, King Casimir IV Jagiellon re-incorporated the region to the Kingdom of Poland upon the request of the anti-Teutonic Prussian Confederation. In 1466, the Teutonic Knights renounced any claims to the region and recognized it as part of Poland.

During World War II, Przebrno was the location of a subcamp of the Stutthof concentration camp, in which the Germans imprisoned 200 people as forced labour at a time. There is a monument to the victims at the site. In the final stages of the war, the spit became the last holdout of the remaining German soldiers in the province of East Prussia, although the Soviets simply bypassed the spit after the East Prussian Offensive was decisively concluded, training their sights on the more important goal of capturing Berlin. The last Wehrmacht soldiers laid down their arms after the German Instrument of Surrender was signed.

Kursenieki

Historically Vistula Spit was populated by Kursenieki people (also known as Kuršininkai), an Old Prussian tribe, related to modern day Latvians. This nearly extinct Baltic ethnic group once made Vistula Spit, coastal zone of the Sambia Peninsula, and the Curonian Spit their home. In 1649 the Kuršininkai zone of settlement still spanned all the way from Memel (Klaipėda) to Gdańsk encompassing a narrow littoral  strip of territory best suitable for their lifestyle, cultural preferences and dominant economic activity (fishing). The majority of Kuršininkai were eventually assimilated by the Germans. Only on the Curonian Spit a few scattered rural settlements survive to the present day. The Kuršininkai were considered Latvians until after World War I when Latvia gained independence from the Russian Empire, a consideration based on linguistic arguments. This was also the rationale for Latvian claims over the Curonian Spit, Memel, and other territories of Prussia in the aftermath of the WWI. Those claims would later be dropped.

Transport

The Polish side of the peninsula is accessible using .  There is at present (2016) no border crossing between Poland and Russia on the peninsula.

Vistula Spit canal

In 2019, the Polish government started the building of a ship canal across the peninsula, which will permit ships to enter the Vistula Lagoon and the port of Elbląg, bypassing the current transit route through the Russian Strait of Baltiysk. The canal was opened in September 2022.

See also
 Language: Nehrungisch

References

External links

 Vistula Spit
 , Radio Free Europe/Radio Liberty, published on Mar 28, 2019

Landforms of Poland
Spits of Russia
Peninsulas of Poland
Spits of the Baltic Sea
Landforms of Pomeranian Voivodeship

Vistula Spit


Coluber, Colubridae familyasından bir yılan cinsi. Bu cinsin üyeleri ince yapılı, hızlı hareket edebilen yaygın görülen yılanlardır.

Dünyada geniş yayılışa sahip olan bu yılanlar çok çeşitli habitatlarda farklı davranışlar içinde olur. Geçmişte bütün yılan türleri Coluber cinsine dahil ediliyordu. Öyle ki bir kobra türü Coluber naja olarak adlandırıldı. Modern çalışmalar sonucunda bu cinsin üyeleri kendi içinde su yılanları ile sınırlandırılmıştır.  Yine de bazı türler (su yılanları) diğerleri gibi bu cinse ait olmadığından Dolichophis cinsine ayrılır.
Bu yılanların dış etkenlere karşı kendini koruduğu zehiri yoktur.

Taksonomi
Coluber cinsine bağlı türler:
 Coluber anthonyi - (Stejneger, 1901)
 Coluber aurigulus - (Cope, 1861)
 Coluber barbouri - Van Denburgh ve Slevin, 1921
 Coluber bilineatus - (Jan, 1863)
 Coluber constrictor - Linnaeus, 1758
 Coluber flagellum - Shaw, 1802
 Coluber fuliginosus - (Cope, 1895)
 Coluber lateralis - (Hallowell, 1853)
 Coluber mentovarius - (A. M. C. Duméril, Bibron and A. H. A. Duméril, 1854)
 Coluber schotti - (Baird ve Girard, 1853)
 Coluber slevini - (Lowe ve Norris, 1955)
 Coluber taeniatus - (Hallowell, 1852)

Dış bağlantılar

Kaynakça

Colubrinae
1758'de tanımlanan taksonlar
Carl Linnaeus tarafından adlandırılmış taksonlar

Coluber


Mads Falborg Iversen (født d. 1. januar 1999) er en dansk ishockeyspiller. Han spiller i øjeblikket for Frederikshavn White Hawks.

Iversen er født og opvokset i Aalborg, hvor han spillede for Aalborg Pirates som ungdomsspiller. Han spiller til dagligt som back i Frederikshavn White Hawks

Metal Ligaen

Aalborg Pirates

Sæsonen 2016-17

Sæsonen 2017-18

Sæsonen 2018-19

Frederikshavn White Hawks

Sæsonen 2020-21

Referencer

Eksterne henvisninger

Ishockeyspillere fra Danmark
Ishockeyspillere fra Aalborg Pirates

Mads Falborg Iversen


Les Segregatospumellaceae sont une famille d'algues de l'embranchement des Ochrophyta  de la classe des Chrysophyceae et de l'ordre des Segregatospumellales.

Ce biflagellé appartient à une lignée phylogénétique très particulière au sein des Chrysophycées.

Étymologie
Le nom vient du genre type Segregatospumella, dérivé du latin segregatio-, séparation, spumo, écume, et du suffixe ella, petit, littéralement « petite écume isolée », qui indique la non-relation phylogénétique de ce taxon avec toutes les autres lignées connues de Chrysophyceae. Ce genre est interprété, par les microbiologistes, comme le point d'origine taxonomique de ce qu'ils nomment « Spumella-like Flagellates » / « flagellés de type Spumella ».

Description
Segregatospumella est un biflagellé bactérivore, non photosynthétique, non colonial, non écailleux.

Liste des genres
Selon  :
 Segregatospumella  Boenigk & Grossmann, 2016

Notes et références

Notes

Références

Liens externes

Chrysophyceae
Famille d'algues (nom scientifique)

Segregatospumellaceae