is a Japanese manga series created by Kaishaku. The series centers on the exploits of a race of pet cats, drawn as catgirls and the occasional catboy.

A 12-episode anime television series adaptation animated by Madhouse and TNK aired from July 5, 2001, to September 27, 2001.

Summary
Taruto is a little catgirl who at the beginning of the series moves to a new house in a huge city with her human owner Iori Monaka and his teenage niece Kinako. Taruto spends her days making friends and exploring her new home town; in reality Taruto is a legendary princess with special magic powers. Almost none of Taruto's friends believe that she's capable of using magic or that she's a princess from a faraway kingdom, but Taruto is determined to prove it to them no matter what happens.

Characters

Animals

 The protagonist of the story, Taruto is believed to be the legendary Kinka princess. She often is found goofing around and talking with her master, Iori, who she admires deeply, to the point she has a crush on him despite Iori's being human and calls him her fiancé.  She loves adventure, and she is often bullied by Charlotte.  She says "meow" ("nyan") after almost every phrase she says, though she is the only cat who does this. Taruto usually has frustration when Iori doesn't understand her when she tries to communicate. In the final episode it is revealed that the Kinka kingdom had two princesses. Taruto is the older sister of the twins.

 Charlotte's past remains mysterious, as to her name was given by an elder, but it is known that she escaped from the pound.  Because of this past, she has shown great disliking of caged, or as she thinks of it, "imprisoned" animals. Charlotte is known for her stubborn attitude, and doubts that Taruto is really the Kinka princess. Charlotte has however tried to be kind to Taruto, such as trying to help her escape from Anzunko, though she only did this because she claimed it was her "duty."

 She has a quiet and graceful personality and seems very much the epitome of the proper Japanese girl, wearing an all-day green kimono as her everyday clothing-wear. She seems bubbly and particularly joyful. But even though she is very polite, Chitose never hesitates to speak her mind. She once had a lady cat who named Tort, but she passed on. She Chitose has a rather strange fixation with Taruto's tail. Even though their personalities are quite different, she is best friends with Charlotte.

 Ever since he was trapped in Iori's ceiling and Taruto rescued him, Kakipi has been Taruto's trusted sidekick. He appears to be a flying squirrel, but has difficulty flying. He was the one who came up with the idea that Taruto may be the Kinka princess, and believes this with all of his heart. He is usually trying to break Taruto of her lazy habits, but finds this job very difficult.

 Chips is the leader of her mall team with her brother Nachos. Her name in Japanese, Potechi roughly translates to "Potato Chips." She is a "rebel", and has an obsession with collecting shiny objects. She dislikes Taruto, believing that she is "weak". She has somewhat of a boyish appearance. She has one way or another an annoyance to her brother's attraction to Taruto. Chips once stole Iori's good luck charm, a small bottle, but after Nachos broke one of Chips' collected bottles, she realized how bad Iori must feel, and she reluctantly returns it.

 Nachos' gender is often confused because of his appearance, but he is actually a boy. He is calm and laid-back, and is Chips' partner and brother, who refers to his sister Chips as "boss". And he will always do what she says. He has a crush on Taruto, and even helps her and the group, such as when he came up with a plan to rescue a cat which was trapped in a house.

 The wise and long-lived Chiffon is often found with her face in a book. She is very knowledgeable about all kinds of subjects. She is always seen when there is a problem, for her knowledge always comes up with a good solution. Chiffon was the one who took Charlotte in when she was a stray, and also gave Charlotte her name.

 Rakugan is a very old cat, possibly as old as Chiffon or older, and calls himself a master of magic. In reality, he only knows a few ninja tricks (such as his smoke bomb, which he commonly uses for escapes and entrances). In a way, Taruto wants him to be his teacher in magic. He is the one who taught Taruto to use the "Hail Tiger" spell, and is willing to give advice despite the fact it doesn't always work the way she expects.

Humans

 Iori is Taruto's kind master.  He is very gentle but easy-going. His hobby is making all kinds of sweets and foods, and he is very good at it. He is very affectionate towards Taruto, but, since he is a human, cannot understand her and sometimes frustrates her when she is trying to communicate with him, but he seems to only hear cat language because he cannot understand her. He is smitten with Anzuko Domyoji, but she shows no interest in him whatsoever.

 Kinako is Iori's niece, and is very fond of him. She has a vibrant, independent, tomboyish personality, and likes to go on all sorts of adventures. Kinako feels lonely when Iori, whom she lives with for unknown reasons, ignores her and spends his time trying to impress Anzuko. Though they were once rivals, she is good friends with Geppei.

 Anzuko is a cat collector, and once she has set her eyes on a cat, she will go to great lengths to catch it, possibly being the stereotype of a crazy cat lady. The first time she saw Taruto, she has wanted her for her cat collection. Since Iori would not give Taruto to her (despite his crush on Anzuko), so she decided to capture Taruto instead. Any time she sees Taruto she will give chase - even cutting through people's lawns, breaking other people's belongings, or pushing people forcibly out of her way. Her nickname that mostly close friends call her is "Anko."

 Geppei Okaki thinks he is better than everyone else, and acts like he is the boss of the town. However, his ex-rival, Kinako, set him straight. When they first met, they were enemies, but soon put their differences aside and became close friends, and often go on adventures together. Gallette, one of the few cat boys in the series, is his pet and goes everywhere with him. He has a pet cat named Gelette, who Taruto usually talks to for questions.

Episode list

Theme songs

Opening theme

 Lyrics by: Masaaki Taniguchi
 Composition and arranged by: Masumi Itō
 Song by: Masumi Itō

Ending theme

 Lyrics by: Masaaki Taniguchi
 Composition and arranged by: Masumi Itō
 Song by: Magical Nyan Nyan (Hisayo Mochizuki, Masayo Kurata, Maria Yamamoto)

References

External links
 Bandai Channel Official website
 Kyou no Hana - A Magical Nyan Nyan Taruto Fansite

2001 anime television series debuts
Bandai Entertainment anime titles
Kemonomimi
Madhouse (company)
Seinen manga
Shueisha franchises
Shueisha manga
TNK (company)
Wowow original programming

Magical Meow Meow Taruto


Furtuna este un film românesc din 1960 regizat de  Andrei Blaier și Sinișa Ivetici. Rolurile principale au fost interpretate de actorii Ion Manta, Toma Dimitriu, Nicolae Praida, Mitzura Arghezi, Ion Besoiu și Jules Cazaban. A avut premiera la 8 iunie 1960.

Prezentare

Povestea are loc într-un orășel din Ardeal, imediat după 23 august 1944.

Distribuție

Producție
Filmările au avut loc în perioada 16 mai – 11 decembrie 1959, exterioare la Sibiu, interioare la Buftea. Cheltuielile de producție s-au ridicat la  6.314.000 lei.

Primire
Filmul a fost vizionat de 2.176.419 de spectatori în cinematografele din România, după cum atestă o situație a numărului de spectatori înregistrat de filmele românești de la data premierei și până la data de 31 decembrie 2014 alcătuită de Centrul Național al Cinematografiei.

Note

Legături externe

 http://aarc.ro/newfilm/film/furtuna-1960

Vezi și
 1960 în film
Listă de filme românești despre cel de-al Doilea Război Mondial

Filme din 1960
Filme românești
Filme politice românești
Filme în limba română
Filme regizate de Andrei Blaier
Filme regizate de Sinișa Ivetici
Filme de război românești
Filme despre Al Doilea Război Mondial
Filme românești despre Al Doilea Război Mondial

Furtuna (film din 1960)


مدرسة الفاخورة هي مدرسة تابعة لمنظمة غوث و تشغيل اللاجئين الفلسطينيين الأونرو تقع في قطاع غزة في مخيم جباليا.

اشتهرت هذه المدرسة بعد ارتكاب مجزرة فيها من قبل القوات الإسرائيلية خلال الهجوم على قطاع غزة (ديسمبر 2008 - يناير 2009)، راح ضحية هذه المجزرة 43 شهيد كان لاجئيين في هذه المدرسة.

مصادر و مراجع

وصلات خارجية
 بعد بحر البقر 1970.. مذبحة الفاخورة 2009، إسلام أون لاين، 6 يناير 2009

فلسطين في 2009
ضربات جوية
قطاع غزة
مذابح ضد الفلسطينيين

مدرسة الفاخورة


Penelope (Penélope en español) es una ópera en dos actos con música de Domenico Cimarosa y libreto en italiano de Giuseppe Maria Diodati. Se estrenó en el teatro del Fondo de Nápoles el 26 de diciembre de 1794. El tema está sacado de la Odisea de Homero. Fue dedicada al rey Fernando IV.

Cimarosa recicló parte de la música en el drama sacro San Filippo Neri che risuscita Paolo Massimi ("San Felipe Neri que resucita a Paolo Massimi").

Personajes

Piezas escénicas
Va', non ti temo barbaro (aria de Penelope - acto I)
Non ho più costanza (dúo entre Penelope y Telemaco - acto I)
Ma se il labbro (recitativo y aria de Telemaco - acto I)
Barbari alfin cadeste (recitativo y aria de Ulisse - acto I)
Smarrita quest'alma (aria de Ulisse - acto II)
Da questo lido sgombri (dúo entre Ulisse y Evenore - acto II)

Notas

Penelope
Óperas en italiano
Óperas de 1794
Óperas estrenadas en Nápoles
Penélope (ópera)

Penelope (Cimarosa)


Bischofberg heißen folgende geographische Objekte:

 Bischofberg (Gemeinde Völkermarkt), Ortschaft bei Völkermarkt und Berg, 801/796 m, der Lavanttaler Alpen, Kärnten
 Bischofberg (Gemeinde Neumarkt), Rotte von Sankt Georgen bei Neumarkt, Gemeinde Neumarkt in der Steiermark, Steiermark
 Bischofberg (Ybbstaler Alpen), 751 m, Berg an der oberösterreichischen Landesgrenze in der Eisenwurzen, Niederösterreich

Siehe auch:
 Bischofsberg, Bischofberger

Bischofberg


La  est une église située dans la paroisse civile Catedral de Caracas, capitale du Venezuela, à laquelle l'Église catholique donne les statuts de basilique mineure et de sanctuaire national. Elle est rattachée à l'archidiocèse de Caracas, dans le doyenné de la cathédrale Sainte-Anne. Elle est inspirée de la Sainte-Chapelle de Paris.

Historique
Un premier ermitage est créé à cet emplacement en 1567, à la fondation de la ville par le conquistador espagnol Diego de Losada. Il est dédié initialement à saint Sébastien, patron des archers, pour la protection contre les flèches des Indiens. L'édifice est détruit par un incendie en 1600 et reconstruit.

En 1640, il est mis sous le patronage de saint Maurice. L'année suivante, il est à nouveau détruit, cette fois par un tremblement de terre. Il faut attendre 1667 pour le voir reconstruit en briques. Ce troisième édifice est encore détruit par un tremblement de terre, en 1812. Il est en partie reconstruit.

En 1883, le président Antonio Guzmán Blanco commande à l'architecte  une nouvelle église, inspirée de la Sainte-Chapelle de Paris. Elle est partiellement détruite en 1921 par un tremblement de terre, et reconstruite. Le , le pape  la fait basilique mineure.

Illustrations

Références

Lieu de pèlerinage catholique
Édifice religieux au Venezuela
Basilique
Sanctuaire au Venezuela

Basilique Sainte-Chapelle de Caracas


Johann Weikhard Freiherr von Valvasor (esloveno Janez Vajkard Valvasor) o simplemente Valvasor (Carniola, bautizado el 28 de mayo de 1641-Krško, Carniola, septiembre u octubre de 1693) fue un noble, científico, polímata de Carniola y miembro de la  Royal Society de Londres.

Biografía
No se sabe ni la fecha ni el lugar exactos de su nacimiento, sólo que fue bautizado en la  catedral de San Nicolás de Liubliana y que fue el duodécimo hijo de Bartholomäus y Anna Maria Freiin von Rauber, residentes tanto en el Castillo Medija en Izlake y en la parte vieja de Libliana.

Su padre falleció cuando tenía 12 años y estudió en un colegio jesuita graduándose en 1658. En vez de seguir su formación académica en una universidad, decidió embarcarse en un viaje de 14 años por toda Europa y el norte de África para expandir horizontes. Durante este periodo, se alistó en la armada durante la Guerra otomano-hasbúrgica.

Poco después, casó con Anna Rosina Grafenweger en 1672, adquiriendo el Castillo Bogenšperk cerca de Litija, donde estableció una tienda de artesanías de pinturas, grabados, impresiones y escritos, y donde dilapidó su fortuna publicando sus libros y hubo de vender el castillo a la Archidiócesis católica de Zagreb, la cual trasladó la biblioteca y 7300 dibujos a Croacia donde forman parte de los archivos estatales de Croacia. Valvasor murió en 1693 en Krško.

Legado
Su obra más importante es sin duda La Gloria del Ducado de Carniola (en alemán: Die Ehre deß Herzogthums Crain, en esloveno,  Slava vojvodine Kranjske), de 1689, con 15 tomos, 3532 páginas, 528 ilustraciones y 24 apéndices, que ofrece una descripción de la Carniola de la época. Además, documentó por primera vez la leyenda de un vampiro de Istria llamado Jure Grando; fue pionero en hablar del karst, y su extenso trabajo de 1687 sobre la hidrología del intermitente Lago Cerknica le propició ser nombrado miembro de la Royal Society.

Obra
 Dominicae passionis icones, 1679, reimpresa en 1970
 Topographia arcium Lambergianarum id est arces, castella et dominia in Carniolia habita possident comités a Lamberg; Bagenspergi (Bogenšperg), 1679, reimpresa en 1995
 Topographia Archiducatus Carinthiae modernae: das ist Controfee aller Stätt, Märckht, Clöster, undt Schlösser, wie sie anietzo stehen in dem Ertzhertzogthumb Khärnten; Wagensperg in Crain (Bogenšperg), 1681; Nürnberg, 1688
 Carniolia, Karstia, Histria et Windorum Marchia, Labaci (Ljubljana) 1681
 Theatrum mortis humanae tripartitum: figuris aeneis illustratum : das ist: Schau-Bühne des menschlichen Todts in drey Theil : mit schönen Kupffer-Stichen geziehrt vnd an Tag gegeben; Laybach, Saltzburg (Ljubljana, Salzburg); 1682
 Topographia Archiducatus Carinthiae antiquae & modernae completa: Das ist Vollkommene und gründliche Land - Beschreibung des berühmten Erz - Herzogthums Kärndten; Nürnberg 1688
 Opus insignium armorumque ... ;(1687-1688)
 Die Ehre dess Hertzogthums Crain: das ist, Wahre, gründliche, und recht eigendliche Belegen- und Beschaffenheit dieses Römisch-Keyserlichen herrlichen Erblandes; Laybach (Ljubljana) 1689

Referencias

Enlaces externos

 J.W.F. Valvasor Digital Library on scribd.com

Científicos de Eslovenia
Escritores de Eslovenia
Escritores en latín
Escritores en alemán
Escritores en esloveno
Miembros de la Royal Society
Escritores del siglo XVII
Eslovenos del siglo XVII
Nacidos en Liubliana

Janez Vajkard Valvasor


El pico Cão Grande (Pico Perro Grande) es un notable cuello volcánico con forma de aguja en Santo Tomé y Príncipe, ubicado en el sur de la isla de Santo Tomé en el parque nacional Obo. Se eleva espectacularmente a más de 300 m por encima del terreno circundante y la cumbre alcanza los 663 m sobre el nivel del mar.

Referencias

Enlaces externos

Montañas de Santo Tomé y Príncipe
Cuellos volcánicos

Pico Cão Grande


في 6 يوليو 1982 أقلعت طائرة ايروفلوت الرحلة 411 من طراز من إليوشن إل-62 ذات الأربع محركات من مطار شيريميتييفو الدولي بالعاصمة السوفييتية موسكو، متوجهة إلى مطار داكار الدولي بالعاصمة السنغالية داكار، وعلى متنها 82 راكباً و8 من أفراد الطاقم، وبعد إقلاع الطائرة بفترة قصيرة وعلى بعد عدة كيلومترات من المطار سقطت الطائرة وتحطمت بعد اشتعال النيران فيها، ونتج عن هذا التحطم وفاة جميع ركاب الطائرة وجميع أفراد الطاقم.

بعد إقلاع الطائرة بفترة وجيزة من المطار لاحظ قائد الطائرة وجود حريق بمحركين من المحركات - إلا أن بعض التقارير الصحفية أفادت بأن رواية اشتعال النيران في المحركين كانت كذبة وتلفيق، وأن الطائرة تحطمت لسبب آخر غير معروف - فقام قائد الطائرة على الفور بإغلاق المحركين وقرر العودة مرة أخرى إلى مطار شيريميتييفو، وأثناء محاولة قائد الطائرة العودة مرة أخرى للمطار باستخدام المحركين الأثنين الباقيين؛ فقد الطيار السيطرة على طائرة الإليوشن 62، وسقطت بسرعة كبيرة في أحد الحقول المجاورة للمطار وتحطمت وأشتعلت النيران فيها، وأدى ذلك إلى مقتل جميع من كانوا على متنها.

انظر أيضاً
 قائمة حوادث الطائرات المدنية

مراجع

الاتحاد السوفيتي في 1982
أحداث يوليو 1982 في أوروبا
حوادث الطيران في الاتحاد السوفيتي
حوادث طيران في 1982
حوادث طيران في روسيا
حوادث وأحداث إيروفلوت
حوادث طائرات بسبب فشل الجهاز
كوارث في روسيا 1982

الخطوط الجوية الروسية رحلة 411


Hausbreitenbach ist ein Ortsteil der Stadt Werra-Suhl-Tal im Wartburgkreis in Thüringen. Bereits am 1. Juli 1946 war Hausbreitenbach nach Herda eingemeindet worden.

Geografie
Hausbreitenbach liegt 2 km östlich vom Verwaltungssitz Berka/Werra entfernt am Unterlauf der Suhl. Die geographische Höhe des Ortes beträgt .

Geschichte
Bodenfunde beim Sand- und Kiesabbau am Eichelberg und unweit der Werraaue belegen die frühgeschichtliche Besiedlung der Flur.
Die Wasserburg Breitenbach war Ursprung des Ortes Hausbreitenbach und seit dem Hochmittelalter der Verwaltungssitz des zum Kloster Hersfeld gehörenden Amtes Hausbreitenbach. Die Wohnsitze der Burgmannen lagen dicht südlich der Wasserburg Hausbreitenbach an der heutigen Hauptstraße. Aus der Kirchenchronik von Fernbreitenbach ist ein Ort Oberbreitenbach als Wüstung bekannt, der sich an der Fernbreitenbacher Flurgrenze befunden hat.

Mit dem Abt von Hersfeld schlossen die thüringischen Landgrafen 1354 einen Vertrag, dem zufolge das Haus und Amt zu Breitenbach mit dem Dorf Berka gemeinschaftlich verwaltet wurde. Der thüringische, später sächsische Amtmann hatte seinen Sitz in Hausbreitenbach, später Gerstungen, der hersfeldische wohnte in Berka/Werra.

Im 16. Jahrhundert war die Region um Herda ein Zentrum der Täuferbewegung. Als Anführer dieser Bewegung wurde der freie Bauer Fritz Erbe gefangen genommen und zunächst in der Wasserburg Hausbreitenbach eingekerkert, dann nach Eisenach überstellt, wo er abgeurteilt wurde und später im Kerker der Wartburg verstarb.
Von C. Kronfeld wurden 1879 landeskundliche und statistischen Angaben zum Ort publiziert: Hausbreitenbach ist ein Dorf mit 16 Wohnhäusern und 88 Einwohnern. Die Gesamtfläche des Dorfes beträgt 220,63 ha, davon entfallen auf Hofstellen und Gärten 5,94 ha, Wiesen 21,4 ha, Ackerland 163,7 ha, Wald 3,5 ha, Teiche, Bäche und Flüsse 1,7 ha, Wege, Triften und Obstgehölze 24,1 ha. Der Viehbestand umfasst 19 Pferde, 97 Rinder, 367 Schafe, 31 Schweine und 7 Ziegen.

Das Rittergut am nördlichen Ortsrand war einer der größten Landwirtschaftsbetriebe im Raum Berka/Werra. Vom verstaatlichten Gut sind noch einige Nebengebäude erhalten geblieben.
Hausbreitenbach lag nach dem Zweiten Weltkrieg im Grenzgebiet zu Hessen, die 1954 vollzogene Kreis- und Gebietsreform führte zum Zusammenschluss mit dem Nachbarort Herda zu Herda-Hausbreitenbach. Die enge Bindung zu Herda besteht bis heute, inzwischen sind die beiden Ortsteile durch Neubauten enger zusammengerückt.

Durch die Thüringer Verordnung vom 16. Februar 1994 erfolgte die Auflösung der Gemeinden Fernbreitenbach, Gospenroda, Herda, Horschlitt und Vitzeroda und ihre Eingliederung in die Stadt Berka/Werra. Diese ging zum 1. Januar 2019 in der Stadt Werra-Suhl-Tal auf.

Literatur
 Elisabeth Ziegler: Das Territorium der Reichsabtei Hersfeld von seinen Anfängen bis 1821 (= Schriften des Instituts für geschichtliche Landeskunde von Hessen und Nassau. Stück 7, ). Kommissionsverlag N. G. Elwertsche Buchhandlung, Marburg 1939, S. 135–140.
 Gemeinde Berka (Werra), Burgstelle. In: Thomas Bienert: Mittelalterliche Burgen in Thüringen. 430 Burgen, Burgruinen und Burgstätten. Wartberg-Verlag, Gudensberg-Gleichen 2000, ISBN 3-86134-631-1, S. 319.
 Hausbreitenbach. In: Michael Köhler: Thüringer Burgen und befestigte vor- und frühgeschichtliche Wohnplätze. Jenzig-Verlag Köhler, Jena 2001, ISBN 3-910141-43-9.

Einzelnachweise

Weblinks

Geographie (Werra-Suhl-Tal)
Ort im Wartburgkreis
Ehemalige Gemeinde (Wartburgkreis)

Hausbreitenbach


Emily Sonnett (Marietta, 25 de novembro de 1993) é uma futebolista estadunidense que atua como zagueira. Atualmente joga pelo Washington Spirit.

Carreira

Sonnett, junto com sua irmã gêmea, começou a jogar pela North Atlanta Soccer Association (NASA) em 2003. Em 15 de janeiro de 2016, Sonnett foi selecionada pelo Portland Thorns FC como a primeira escolha geral no NWSL College Draft 2016. Um ano antes, em 16 de outubro, ela recebeu sua primeira convocação sênior para a seleção feminina de futebol dos Estados Unidos.

Títulos
 Washington Spirit
 NWSL Champions: 2021
 Portland Thorns FC
 NWSL Champions: 2017
 NWSL Shield: 2016
 Kopparbergs/Göteborg FC
 Damallsvenskan: 2020
 Estados Unidos
 SheBelieves Cup: 2016, 2018, 2020, 2021
 Campeonato Feminino: 2018
 Torneio das Nações: 2018
 Copa do Mundo: 2019
 Jogos Olímpicos: 2020 (medalha de bronze)

Ligações externas

Futebolistas dos Estados Unidos
Jogadoras da Seleção Estadunidense de Futebol Feminino
Futebolistas olímpicos dos Estados Unidos
Futebolistas nos Jogos Olímpicos de Verão de 2020
Medalhistas nos Jogos Olímpicos de Verão de 2020
Jogadoras da Copa do Mundo de Futebol Feminino de 2023

Emily Sonnett


حجر روك الروني (بالسويدية: Rökstenen; ) هو واحد من أكثر أحجار روني شهرة. ومنحوت على سطحه أطول نحت روني في الصخر. الحجر موجود في كنيسة روك باسترجوتلاند في السويد. ويعتبر حجر روك أول شيء يكتب في الأدب السويدي وبذلك يحدد بداية تاريخ الأدب السويدي.

حول الحجر

اكتشف الحجر مبنيا داخل جدار الكنيسة في القرن التاسع عشر ثم أزيل من جدار الكنيسة بعد مرور عدة عقود.

مراجع

أدب العصور الوسطى
أدب سويدي
تراث شعبي إسكندنافي
أساطير نوردية

حجر روك الروني


Arusiano Mesio (Arusianus Messus  o Arusianus Messius floruit en 395) fue un gramático romano que vivió en el . Probablemente era de origen aristocrático.

Obra
Fue autor de una pequeña obra que ha sobrevivido intitulada Exempla Elocutionum («Ejemplos de estilo»), dedicada a los cónsules del año 395, Olibrio y Probino. Contiene una lista alfabética, principalmente de citas de obras de Virgilio, Salustio, Terencio y Cicerón. Sirvió para el estudio de retórica y fue utilizada más tarde por Casiodoro.

Los cuatro autores mencionados son llamados Quadriga Messi («"cuadriga» de Mesio"). Sus obras fueron utilizadas como libros didácticos desde la Antigüedad tardía hasta el Renacimiento. Los Exempla también son importantes porque contienen fragmentos de las Historias de Salustio que no han pervivido de otra manera.

Referencias

Bibliografía

 Michael von Albrecht. Geschichte der römischen Literatur. Von Andronicus bis Boëthius. Mit Berücksichtigung ihrer Bedeutung für die Neuzeit. Volume 2: Literatur der frühen Kaiserzeit, Literatur der mittleren und späten Kaiserzeit, Überlieferungsbedingungen der römischen Literatur (= dtv. 30099, 2). 3. Auflage. Deutscher Taschenbuch-Verlag, Múnich 2003, ISBN 3-423-30099-X, S. 1171.
 Heinrich Keil. Grammatici Latini. volumen 7. Teubner, Leipzig 1880.
 WHD Suringar, Historia Critica Scholiastarum Latinorum (1834–1835)
 Van der Hoeven, Specimen Literarium (1845)

Enlaces externos

Escritores de la Antigua Roma
Escritores en latín
Gramáticos del latín
Escritores del siglo IV
Antiguos romanos del siglo IV
Gens Mesia

Arusiano Mesio


أرييل أرنالدو أورتيغا ، من مواليد 4 مارس 1974 في سان مارتن في الأرجنتين، لاعب كرة قدم أرجنتيني معتزل.

لعب مع منتخب الأرجنتين لكرة القدم بين عامي 1993 و2004، وشارك معهم في 86 مباراة وسجل 17 هدف.

روابط خارجية

مراجع

لاعبو كرة قدم رجالية مغتربون في إيطاليا
لاعبو كرة قدم رجالية مغتربون في تركيا
أرجنتينيون فازوا بالميدالية الفضية الأولمبية
أشخاص على قيد الحياة
أشخاص من خوخوي
حاصلون على ميداليات أولمبية في كرة القدم
حائزون على ميداليات في الألعاب الأولمبية الصيفية 1996
رومان كاثوليك أرجنتينيون
رياضيون أرجنتينيون مغتربون في إسبانيا
رياضيون أرجنتينيون مغتربون في إيطاليا
رياضيون أرجنتينيون مغتربون في تركيا
رياضيون من خوخوي
فائزون بميداليات ذهبية في دورة الألعاب الأمريكية من الأرجنتين
فائزون بميداليات في دورة الألعاب الأمريكية 1995
فائزون بميداليات في دورة الألعاب الأمريكية في كرة القدم
لاعبو الدوري الإسباني
لاعبو الدوري الإيطالي
لاعبو الدوري التركي الممتاز
لاعبو انديبندينتي ريفاديفا
لاعبو بارما
لاعبو دوري الدرجة الأولى الأرجنتيني
لاعبو ريفر بليت
لاعبو سامبدوريا
لاعبو فنار باغجه
لاعبو كأس العالم 1994
لاعبو كأس العالم 1998
لاعبو كأس العالم 2002
لاعبو كأس الملك فهد 1995
لاعبو كرة قدم أرجنتينيون
لاعبو كرة قدم أرجنتينيون أولمبيون
لاعبو كرة قدم رجالية أرجنتينيون
لاعبو كرة قدم رجالية أرجنتينيون مغتربون
لاعبو كرة قدم رجالية مغتربون في إسبانيا
لاعبو كرة قدم في الألعاب الأولمبية الصيفية 1996
لاعبو كرة قدم في دورة الألعاب الأمريكية 1995
لاعبو كرة قدم مغتربون أرجنتينيون
لاعبو كرة قدم مغتربون في إسبانيا
لاعبو كرة قدم مغتربون في إيطاليا
لاعبو كرة قدم مغتربون في تركيا
لاعبو كرة قدم من خوخوي
لاعبو كوبا أمريكا 1995
لاعبو كوبا أمريكا 1999
لاعبو منتخب الأرجنتين لكرة القدم
لاعبو نادي فالنسيا
لاعبو نيولز أولد بويز
مهاجمو كرة قدم رجالية
مواليد 1974

أرييل أورتيغا


Le tempérament de Bach est censé être la manière dont le compositeur Jean-Sébastien Bach lui-même devait accorder son clavicorde, pour l'interprétation entre autres de son chef-d'œuvre Le Clavier bien tempéré (1722 / 1740-1742).

Il n'existe aucune certitude sur la façon dont ce tempérament était conçu, car Bach n'a laissé aucune instruction écrite sur la façon dont il accordait. Il était reconnu pour sa capacité à accorder son clavier avec rapidité et facilité, mais on ignore comment . Il faut garder présent à l'esprit que l'éducation musicale de Bach était basée sur le tempérament mésotonique, méthode d'accord de clavier dominante durant la période baroque (de 1600 à 1750 environ).

Interprétations
La source probablement la plus ancienne est la publication en 1753 de Versuch über die wahre Art das Clavier zu spielen de Carl Philipp Emanuel Bach. Cet ouvrage décrit comment accorder les quintes légèrement différentes de la pureté, accompagnées d'un contrôle auditif des tierces majeures et mineures, et des accords complets, de sorte que l'on puisse jouer proprement dans les vingt-quatre tonalités. Il ressort clairement de la description qu'il s'agit d'un mode d'accord purement auditif, mais cette prescription n'est pas suffisamment concluante pour aboutir à une reconstitution univoque du tempérament prescrit.

Johann Philipp Kirnberger a publié en 1771 L'Art de l'écriture pure en musique. En tant qu'élève de Bach, il prétend suivre les enseignements de Bach. Cependant, cet ouvrage ne fournit pas non plus une certitude complète sur la manière dont Bach aurait accordé un clavier.

Friedrich Wilhelm Marpurg a publié en 1776 Versuch über die musikalische Temperatur. Il suggère que Bach aurait appliqué le tempérament égal (TE). Cette supposition a été largement reprise dans nombre de publications, mais la grande majorité des publications scientifiques dans ce domaine ne soutient plus cette hypothèse depuis Kelletat (1960).

Johann Nikolaus Forkel a publié en 1802 Leben, Kunst und Kunstwerke de Über Johann Sebastian Bach. Forkel non plus, qui était de bons amis avec les fils de Bach et donc une importante source d'informations, n'indique pas exactement comment Bach accordait le clavier. Forkel savait par ses échanges de courrier avec Kirnberger que ce dernier n'était pas du tout d'accord avec son ancien élève Marpurg.

Robert Holford Macdowall Bosanquet (1876) doute de que Bach aurait pu appliquer le tempérament égal .

Herbert Kelletat  (1960) fut probablement le premier a suggerer que le Kirnberger III aurait pu être le tempérament de Bach, ou tout autre tempérament similaire.

Sparschuh A., mathématicien, est le premier à proposer une hypothèse relative à la méthode d'accord de Bach en 1998, basée sur l'interprétation de la rangée de boucles qui décore la page de titre du Clavier bien tempéré. Son hypothèse conduisant à un diapason alternatif, est donc incertaine, et de fait, il proposa par la suite quelques autres alternatives.

Le claveciniste Bradley Lehman publia une hypothèse alternative en 2005, également basée sur l'interprétation de la rangée de boucles décoratives qui surplombe le titre Clavier bien tempéré. Ainsi, il a élaboré une autre procédure envisageable. Cette idée a également incité d'autres auteurs, tels que John O'Donnell et John Francis, à adopter leur propre interprétation des «boucles», aboutissant à des tempéraments alternatifs.

Le facteur de clavecin Emile Jobin a publié en 2005 une nouvelle vision dans laquelle deux tierces majeures sont pures et trois quintes très légèrement agrandies de manière peu conventionnelle (celles sur La bémol, Mi bémol et Si bémol). Cette configuration des quintes conduit à une très bonne correspondance des caractéristiques des quintes avec les caractéristiques des boucles correspondantes sur le graffiti de Bach.
La définition précise de l'accord de Bach reste encore floue.

La seule certitude concernant le Tempérament de Bach est devenue qu'il doit être « bien tempéré », et en tout cas, inégal.

Bibliographie
 Bach C. Ph. E. (1753) : Versuch über die wahre Art das Clavier zu spielen. Enleitung. Pag. 10, § 14.
 Kirnberger J. (1771) : "Die Kunst des reinen Satzes in der Musik" (L'Art de l'écriture pure en musique) . Cet ouvrage indique quelles propriétés selon Bach étaient souhaitables pour un bon tempérament, mais pas comment celles-ci sont concrètement mises en œuvre  sur la base d'instructions d'accord.
 Marpurg F. (1776) : "Versuch über die musikalische Temperatur" . Proposition : le tempérament égal.
 Forkel J. N. (1802) : Über Johann Sebastian Bachs Leben, Kunst und Kunstwerke. Hoofdstuk III. Page 17.
 Kelletat H. (1966) : Zur musikalischen Temperatur, I. Johann Sebastian Bach und seine Zeit (1960, 1981, . Proposition : Kirnberger III, ou n'importe quel tempérament semblable, ou une proposition qui lui est propre (1966).
 Kellner H. (1977) : « Eine Rekonstruktion der wohltemperierten Stimmung von Johann Sebastian Bach » (Das Musikinstrument 26/1, p. 33–35).
 Barnes J. (1979–4)
 Billeter B. (1979) : Anweisung zum Stimmen von Tasteninstrumenten in verschiedenen Temperaturen .
 Lindley M. (1994) : "A Quest for Bach's Ideal Style of Organ Temperament" (M. Lustig, ed., Stimmungen im 17. und 18. Jahrhundert, Michaelstein, 1997).
 Sparschuh A. (1998) : "Stimm– Arithmetic des wohltemperierten Klaviers von J. S. Bach" (Deutsche Mathematiker Vereinigung, Jahrestagung 1999, Mainz, S. 154–155).Il s'agit probablement de la première approche de reconstruction d'un Tempérament de Bach, basé sur une figure bouclée, dessinée par J. S. Bach, en haut d'une partition de « Das wohltemperirte Clavier », comme le montre la figure ci-jointe. Viennent ensuite toute une série de textes aux interprétations variées.
 Jira M. (2000) : "Musikalische Temperaturen und Musikalischer Satz in der Klaviermusik von J. S. Bach" (2000, Hans Schneider – Tutzing, .
 Zapf M. (2001) : klavecimbel-kenner, "Handing down the Tradition: The survival of Bach's Finger Technique in an Obscure Nineteeht-Century Clavier Tutor". (De Clavicoridio V, sept. 2001, p. 39-44). Il s'agit d'une proposition mise à jour basée sur Sparschuh
 Francis J. C. (2004–6) : "The Keyboard Temperament of J. S. Bach". Inspiré de Sparschuh (Eunomios).
 Lehman B. (2005–2) : "Bach's extraordinary temperament: our Rosetta Stone – 1 ; – 2" (Early Music, vol. 33, No 1, feb 2005, p.3-23 ; vol. 33, No 2, mai 2005 p. 211-231). Inspiré d'une interprétation des boucles de Bach, différente de l'interprétation de Sparschuh.
 Allain-Dupré P. (2005) : "Justesses et Tempéraments" (academis.edu) variante de la proposition Lehman.
 Francis J. C. (2005–2) : "Te Esoteric Keyboard Temperaments of J. S. Bach". Nouvelle interprétation inspirée de Sparschuh (Eunomios).
 Jencka D. (2005) : Brief aan Early Music (2005–8, p. 545), en réponse à Lehman
 Jobin E. (2005–8) : "BACH et le Clavier bien Tempéré" ; (site internet de "Clavecin en France"). Inspiré d'une nouvelle interprétation des boucles de Bach, basée sur des calculs de cents
 Maunder R. (2005–8) : Brief aan Early Music (2005–8, p. 545–546), en réponse à Lehman
 Mobbs K., MacKenzie A. (2005–8) : Brief aan Early Music (2005–8, p. 546–547), en réponse à Lehman
 Lucktenberg G. (2005–12) : kort artikel "Light Reading for the Winter", in Newsletter of Southeastern Historical Keyboard Society (SEHKS),
 Francis J. C. (2005–7) : "Das Wohltemperirte Clavier, Pitch, Tuning and Temperament Design", une révision de sa première proposition de 2004 (Eunomios)
 O'Donnell J. (2006–11) : "Bach's temperament, Occam's razor, and the Neidhardt factor" ; (Early Music, 2006–11, p. 625-633)
 Lindley M., Ortgies I. (2006-11) : "Bach style keyboard tuning" ; (Early Music, 2006-11, p. 613-623).
 Lehman B. (2006–4) : "Bach's Art of Temperament" ; (site internet de Microstick)
 Spanyi M. (2006) : "Kirnberger's Temperament and its Use in Today's Musical Praxis" ; (Clavichord international – 11 (2007-5), 1, pages 15-22).
 Interbartolo G., Venturino P. (2007-07) : Bach 1722, "Il temperamento de Dio" ; {ISBN A000068628).
 Billeter B. (2008-3) : "Zur 'Wohltemperirten' Stimmung von Johann Sebastian Bach: Wie hat Bach seine Cembali gestimmt?" ; (Ars Organi Zeitschrift, 2008-3, p. 18-21).
 Di Veroli C. (2008-11) : "Unequal Temperaments: Theory, History and Practice" (e-book).
 Amiot E. (2008) : Discrete Fourier Transform and Bach's Good Temperament
 Broekaert J. (2021) : « Le Mésotonique tempéré de Bach » (Pianistik n° 111, déc. 2020, p. 4-19) ; nouvelle version traduite : (academia.edu, 2021–11) The Well Tempered Meantone. Inspiré de Jobin, avec des battements égaux sur les quintes et les tierces majeures.

Sources

Notes et références

Jean-Sébastien Bach

Tempérament de Bach


Patrick Bruneteaux , né le  à Viry-Chatillon (Essonne), est chercheur en sociologie politique au CNRS et membre du Centre européen de sociologie et de science politique (CESSP-CRPS, CNRS/Paris 1). Il a étudié et publié sur les domaines suivants : le maintien de l'ordre, la question sociale, les violences sociales, les politiques sociales envers les SDF, l'anthropologie et plus particulièrement la Martinique.

Biographie
Il est titulaire d'un doctorat et de deux habilitations à diriger des recherches (HDR). L'une en science politique de l'Université de Paris I - Sorbonne (1993), l'autre en sociologie de l'université de Strasbourg en 2016 (sous la direction de Vincent Dubois).

Il est membre du Réseau scientifique TERRA depuis 2009 .

Domaines de recherche
Il consacre une première série de recherches en sociologie politique à la problématique du maintien de l'ordre en France.
Par la suite, après son entrée au CNRS, il se concentre sur l'étude de la pauvreté et notamment du sous-prolétariat - pris au sens des personnes exclues du salariat de droit commun - et sur les politiques sociales axées sur les sans-abri (en particulier les mesures d'urgence). Dans le cadre de recherches ethnographiques, il s'est attaché à détailler leurs stratégies de survie, soit dans la rue, soit dans les hébergements d'urgence. Ses recherches ont donné lieu à de nombreux articles et rapports .
Il travaille également sur le sujet de la pauvreté et de la précarité à la Martinique, vus sous l'angle de l'Altermondialisme et du Néocolonialisme.

Enfin, il a étudié le mécanisme de scission (du point de vue de l'anthropologue) et notamment dans les cas des camps d'extermination, des méthodes de bourreaux et des effets sécularisateurs de l'Occident

Publications

Ouvrages
 Maintenir l'ordre: Les transformations de la violence d'État en régime démocratique, Presses de Sciences Po, mars 1996, 345 p.
 Devenir un Dieu : le nazisme comme nouvelle religion politique, Publibook/Société des écrivains, mars 2004,
 La rue : Rêve et réalité, Le Temps des Cerises, janvier 2005,
  Le colonialisme oublié : De la zone grise plantationnaire aux élites mulâtres à la Martinique, Editions du Croquant, mai 2013, 315 p.
 Les mondes rêvés de Georges: Fabrications identitaires et alternatives à la domination, Presses universitaires de Rennes, juillet 2016, 335 p.

Ouvrages collectifs
 (avec Daniel Terrolle), L'arrière-cour de la mondialisation : Ethnographie des paupérisés, Editions du Croquant, septembre 2010, 403 p.
 (avec Norah Benarrosh-Orsoni), Intégrer les Rroms?: Travail militant et mobilisation sociale auprès des familles de Saint-Maur (Val-de-Marne), Editions L'Harmattan, décembre 2012, 214 p.
 Patrick Bruneteaux (dir.), Les Enfants de Don Quichotte, Presses universitaires de Vincennes, juin 2013, 256 p.
 (avec Olivier Pulvar), Les métropolitains à la Martinique : une migration de confort, K. Editions, Coll. Sociologie, 2022, 576 pages

Notes et références

Liens externes

Chercheur au CNRS
Naissance en 1964

Patrick Bruneteaux


Žilava ljuskavica (lat. Pholiota lenta) je nejestiva gljiva iz porodice strnišnica Strophariaceae.

Opis
 Klobuk žilave ljuskavice je širok od 4 do 7 centimetara, konveksan, gladak, za vlažna vremena jako mazav i ljepljiv, u mladosti prekriven finim vlaknastim čehicama bijele boje što se osobito ističe za suha vremena; čehice su prema rubu sve gušće, u pravilu je bjelkast, sredina je ilovasto oker boje, prilično mesnat, tvrd.
 Listići su gusti, najprije bjelkasti, zatim poprime ilovastu boju; nejednako dugi, prirasli za stručak ili kao da se naizmjenično i bez pravila lagano spuštaju po stručku.
 Stručak je visok od 5 do 8 centimetara, debeo od 0,7 do 1 centimetar, valjkast, pri dnu najčešće svinut i lagano zadebljan, pun, bijel, na osnovi smeđast ili žućkast; do visine vjenčića prekriven vlaknasto bijelim i uzdignutim čehicama, po vlažnom vremenu čehice nisu osobito vidljive.
 Meso je bjelkasto, žilavo, na osnovi stručka smeđasto; nema osobit miris, okus podsjeća na rotkvicu.
 Spore su glatke, eliptično duguljaste, gotovo svinute, 6 – 7 x 3 - 4 μm; otrusina je oker boje.

Kemijske reakcije
Meso se u dodiru s kalijevom lužinom i amonijevim hidroksidom oboji žuto, sa željeznim sulfatom trenutačno pozeleni, dok s fenolanilinom meso postaje vinsko crveno.

Stanište
Žilava ljuskavica raste krajem ljeta i u jesen po šumama na otpalom lišću, odnosno na otpalim iglicama i ostacima drva.

Upotrebljivost
Žilava ljuskavica vjerojatno nije jestiva.

Sličnosti
Žilava ljuskavica se može naći u Maksimirskoj šumi na otpalim granama hrasta. Ako žilavu ljuskavicu nađemo po suhom vremenu, ne bi trebalo biti problema s determinacijom. Međutim, ako u vrijeme njezina rasta padaju jake kiše, tada se donekle izgube karakteristična svojstva, kao što je čehavi stručak i čehavi klobuk što bi moglo stvarati izvjesnu zabunu.

Slike

Izvori

Vanjske poveznice

Agaricales
Nejestive gljive

Žilava ljuskavica


The Grand River () is a tributary of the Missouri River in South Dakota in the United States. The length of the combined branch is 110 mi (177 km). With its longest fork, its length is approximately 200 mi (320 km).

Variant names
According to the Geographic Names Information System, it has also been known historically as:
Creek of the Rees
Marapa River
Palanat Palanata Wakpa Ree
Ree River
Riviere au Corn
We tar hoo River

Course
It is formed by the confluence of the North Fork (which rises in North Dakota) and the longer South Fork (which rises in South Dakota and passes through the town of Buffalo) in northwestern South Dakota near Shadehill in Perkins County, near several parcels of the Grand River National Grassland. Shadehill Reservoir is located at this confluence. It flows east, through the Standing Rock Indian Reservation  and joins the Missouri in Lake Oahe, approximately  northwest of Mobridge. The lower  of the river form an arm of the Lake Oahe reservoir. It is the northernmost of South Dakota's major West River streams: the Grand, Moreau, Cheyenne, Bad, and White. Draining about  of the northern plateaus of the state, the Grand receives most of its water from snowmelt. Water quality is high in sodium, and is therefore less appropriate for irrigation. At Wakpala, the river has a mean annual discharge of

History
In 1823, Henry Leavenworth fought the Arikara a few miles north of the mouth of the Grand River during the Arikara War.

Sitting Bull (1831–1890), a Hunkpapa Lakota holy man who led his people as a tribal chief, was born on the Grand River in or nearby Dakota Territory. Decades later, he was killed by Indian agency police on the Standing Rock Indian Agency at his camp near the Grand River, as the police tried to arrest him.

The forks of the Grand was the site of a noted 1823 attack by a grizzly bear on frontiersman Hugh Glass, the inspiration for the 2015 film The Revenant.

See also
List of rivers of North Dakota
List of rivers of South Dakota

References

 Grand River and certain tributaries' uses at SD Legislative Research Council

Rivers of South Dakota
Tributaries of the Missouri River
Rivers of Perkins County, South Dakota

Grand River (South Dakota)


O Prêmio Bartolomé de las Casas é uma distinção conferida pela Secretaria Geral de Cooperação Internacional da Espanha em conjunto com a organização Casa de América, com o objetivo de destacar pessoas, instituições e organizações que se empenham na defesa dos povos indígenas da América, promovendo a proteção dos seus direitos e o conhecimento, entendimento e respeito dos seus valores e culturas do passado e do presente.

O prêmio é concedido desde 1991 na forma de um valor monetário e uma medalha, e seu nome é uma referência ao frei dominicano Bartolomé de las Casas (1484-1566), que se tornou conhecido pela defesa que fez dos indígenas americanos. Em 2016 o prêmio foi de 50.020 euros em dinheiro e uma medalha com a efígie do frei Bartolomé de las Casas.

No Brasil já receberam o prêmio o líder Davi Kopenawa Yanomami e o Conselho Indígena de Roraima. Outros que receberam a distinção foram a peruana Ruth Buendia, líder do povo Ashaninka, a guatemalteca Alma Gilda López Mejía, líder do povo maia Kiche, e a organização norte-americana Indigenous Women for Conservation, Research and Harnessing of Natural Resources in Mexico.

Prêmios da Espanha
Povos ameríndios

Prêmio Bartolomé de las Casas


Rick Law (born December 15, 1969) is an American entertainment illustrator and producer, best known for his career with The Walt Disney Company. His work has spanned across all forms of popular entertainment media: films, TV, music, theme park, print, toys, and video games.

Early life
Law was born in Maryland, and had a turbulent early childhood, before moving at age 11 with his family to Salinas, California, where he attended Salinas High School and graduated a year and 1/2 early.
As a 15 year old, Law created a t-shirt design that caught the attention of music artist Steve Taylor and won Law a record company promotion. In 1986, at age 16, Law first attended San Diego Comic-Con where he was further inspired by other artists and creators he met there.

Career
Law's first professional job came at age 17, designing logos for a real estate company. Law's previous interaction with Taylor and his record company, eventually led Law to additional opportunities in creating art and working with others in the music industry including Amy Grant, MTV, Arista Records, Tower Records, Mariah Carey, The Choir and Pat Boone.

Law's early efforts at producing included arranging concerts for performer Rich Mullins in Salinas. Law was also a founder and created the original logo art for the Spirit West Coast music festival in Monterey, CA.

Law's initial foray into Hollywood came about during a 1988 trip to Los Angeles with a friend. Seeking a way to sneak into the Paramount Pictures movie studio became a chance encounter with director Richard Donner who allowed Law permission to visit his Scrooged set and access to the studio lot.

In 1989 Law was a consultant for The Arsenio Hall Show. One of his observations on the initial shows' studio audience was to highlight those audience members who had less than optimal seating. The result was the creation of the recurrent "Dog Pound" comedy bit.

Law's first movie poster design was for the 1992 Paramount Pictures film Leap of Faith starring Steve Martin.

In 1995 Law created the supernatural themed black & white comic series Beyond the Veil, both writing and illustrating the series.

In 1996, Law illustrated Pond and Stream : Habitats  for children's educational publisher Evan-Moor.

Law began working with The Walt Disney Company in 1993. Over the course of his diverse career as a content creator with the company he has held a variety of roles. Law created cover art for a number of the studio's video, DVD, & Blu-Ray releases. Some of those include: The Adventures of Ichabod and Mr. Toad; The Lion King II: Simba's Pride; Mulan; The Rescuers Down Under; 101 Dalmatians; Tinker Bell; Piglet's Big Movie; Winnie the Pooh: Springtime with Roo; Tarzan & Jane; Mickey's Once Upon a Christmas, and the first three 'Buddies' films: Air Buddies, Snow Buddies, and Space Buddies. He has been a story contributor; and created or developed a myriad of products for the company and it's licensees. In 2009, Law started designing toys with his reinterpretations of Disney characters via toy manufacturer MINDstyle. In support of the release of Toy Story 3 in Asia, Law was a primary artist for the Alien Invasion Tour, which debuted at Times Square mall in Hong Kong, with artistic reinterpretations of the Toy Story alien character.
Law was a creative lead in the design and launch of Disney English and was a consultant in the development of Shanghai Disneyland Park. As Creative Manager for Disney Learning, his responsibilities involved animation direction and creative oversight of all educational products globally, such as the first series designed for communicatively challenged children. In 2013, he was responsible for the creation of the Disney I Classici collectible trading card set with licensee Conad distributed throughout Italy.

He's been instrumental in fostering projects respective of both animation and the Disney legacy including the documentary Floyd Norman: An Animated Life, and exhibitions  including the Walt Disney Family Museum exhibit: Awaking Beauty: The Art of Eyvind Earle.

As an independent producer, Law was an Associate Producer of the films: Drew: The Man Behind the Poster; Blue Like Jazz; Leonard Knight: A Man & His Mountain; and Executive Producer of the rock album Goliath by Steve Taylor & The Perfect Foil. In 2017, Law created cover artwork for the King Never World War I themed EP All These Things and in 2020 he created cover artwork for the band's single Stick In The Mud.

Law has been a speaker at venues including The Walt Disney Family Museum, CTN Animation Expo, and San Diego Comic-Con. He is a member of the Comic Art Professional Society (CAPS) and has served as a board member of The Society of Illustrators of Los Angeles.

Filmography

Television

Discography

Games

References

External links
 Official website

 International Comiclopedia listing for Rick Law

1969 births
Living people
American illustrators
American fantasy writers
Disney people
American male novelists
American film producers

Rick Law


Twilight of the Idols (puni naslov: Twilight of the Idols - In Conspiracy with Satan) šesti je studijski album norveškog black metal-sastava Gorgoroth. Diskografska kuća Nuclear Blast Records objavila ga je 12. kolovoza 2003. godine. Jedini je album s bubnjarom Einarom "Kvitrafn" Selvikom.

Prvi je album sastava na kojem Infernus nije bio glavni skladatelj. Autori glazbe su basist King ov Hell i bubnjar Kvitrafn. Na naslovnici album je bila izgorjela crkva, no zbog kontroverziji nova naslovnica sadrži fotografije članovi sastava.

Popis pjesama

Osoblje
Gorgoroth
 King ov Hell - bas-gitara
 Gaahl - vokali
 Infernus - gitara
 Kvitrafn - bubnjevi
Ostalo osoblje
 May Husby – naslovnica, dizajn
 Peter Beste – fotografije
 Herbrand Larsen – inženjer zvuka, outro (na pjesmi 7.)
 Brynjulf – inženjer zvuka

Izvori

Albumi sastava Gorgoroth
Albumi iz 2003.

Twilight of the Idols


ISO 15919 "Transliteração de Devanagari e scripts índicos relacionados em caracteres latinos" é uma das séries de padrões internacionais estabelecidos para romanização pela Organização Internacional de Padronização (ISO).

Foi publicado em 2001 e usa diacríticos para mapear o conjunto muito maior de consoantes e vogais em escritas brahmicas para o alfabeto latino.

Descrição geral

Normas ISO

ISO 15919


200025 Cloud Gate este un asteroid din centura principală de asteroizi.

Descriere
200025 Cloud Gate este un asteroid din centura principală de asteroizi. A fost descoperit pe  la Observatorul Lulin de Chi-Sheng Lin și Ye Quan-Zhi. Asteroidul prezintă o orbită caracterizată de o semiaxă mare de 3,15 ua, o excentricitate de 0,07 și o înclinație de 5,8° în raport cu ecliptica.

Vezi și
 Lista planetelor minore: 200001-201000
 Centura de asteroizi

Referințe

Obiecte astronomice descoperite în 2007
Centura de asteroizi

200025 Cloud Gate


La Institución Educativa Juana Alarco de Dammert es un colegio nacional, situado en el Distrito de Miraflores, en Lima, Perú. Fue fundada en 1945 y lleva el nombre de una notable peruana, que fue filántropa y benefactora de la infancia peruana: Juana Alarco de Dammert (1842-1932), conocida como la "abuelita de los niños".

Sucesivamente se denominó Colegio Nacional Experimental Reducto de Miraflores, Primer Colegio Nacional de Mujeres de Miraflores y Gran Unidad Escolar; actualmente tiene la categoría de Institución Educativa Emblemática y Municipalizada.

Historia

El local original, denominado Colegio Nacional Experimental Reducto de Miraflores, fue construido en el año de 1945 durante el gobierno del Presidente Manuel Prado Ugarteche e inaugurado por el entonces ministro Jorge Basadre. Se convirtió en el Primer Colegio Nacional de Mujeres de Miraflores, siendo su primera directora Adriana Cabrejos, comenzando sus clases con sólo 76 alumnas y 15 maestras.

Durante el gobierno del general Manuel A. Odría (1948-1956), se constituyó en una Gran Unidad Escolar, una de las tantas que fueron inauguradas por el régimen militar, llamado después el Ochenio, en el marco de un vasto plan de apoyo a la educación pública, uno de cuyos aspectos más vistosos fue precisamente la construcción de modernos y amplios locales escolares, y la ampliación e implementación de otros ya existentes.

Se constituyó en Colegio Municipalizado en el 2007 (Nivel Primaria) y  2008 (Nivel Secundaria).

Por su trayectoria fue categorizado como Colegio Emblemático, al igual que otras antiguas Grandes Unidades Escolares, por lo que se empezó su remodelación en el año 2009, tiempo durante el cual sus alumnas fueron reubicadas temporalmente en tres colegios del distrito de Surquillo: Ricardo Palma (secundaria), Nuestra Señora de Lourdes y La Divina Providencia (inicial y primaria).

Los trabajos se realizaron a paso acelerado, siendo concluidos casi en su totalidad al iniciarse el año lectivo del 2010. Se invirtieron más de doce millones de soles en las obras. El 31 de marzo del 2010, el Presidente Alan García Pérez y el Ministro de Educación José Antonio Chang inauguraron la nueva infraestructura. El renovado colegio cuenta con modernos talleres de confección industrial y del vestido, industria alimentaria, cosmetología y secretariado ejecutivo; así como un gimnasio, tópico, cafetería, y servicios adicionales. Asimismo, está dotado con las nuevas tecnologías de la información y comunicación, y modernos laboratorios de física, química y biología; además de una muy bien equipada biblioteca y un renovado auditorio.

Fuentes
 MINEDU.GOB.PE. Portal de transparencia del Ministerio de Educación del Perú.
 EDUCACIONENRED.PE. Portal de noticias referentes al sector educativo en el Perú.
 Guerra, Margarita: Historia General del Perú. Tomo XII, p. 209. La República Contemporánea (1919-1950). Primera Edición. Editorial Milla Batres. Lima, Perú, 1984. ISBN 84-499-4818-5
 Planos del nuestra Institución Educativa

Juana
Juana
Epónimos de personas de Perú
Perú en 1945

Institución Educativa Emblemática Juana Alarco de Dammert


Tablica

Rezultati

Bilješke
Utakmica je odgođena za 8. listopada 2008. godine
Utakmica registrirana službenim rezultatom od 3:0
Utakmica prekinuta u 45. minuti

Izvori
 Županijski nogometni savez Vukovarsko-srijemske županije (podatci dobiveni na osobni upit)
 Vinkovački list #2824 Rezultati 1. kola
 Vinkovački list #2825 Rezultati 2. kola
 Vinkovački list #2826 Rezultati 3. kola
 Vinkovački list #2827 Rezultati 4. kola
 Vinkovački list #2828 Rezultati 5. kola
 Vinkovački list #2829 Rezultati 6. kola
 Vinkovački list #2830 Rezultati 7. kola
 Vinkovački list #2831 Rezultati 8. kola
 Vinkovački list #2832 Rezultati 9. kola
 Vinkovački list #2833 Rezultati 10. kola
 Vinkovački list #2834 Rezultati 11. kola
 Vinkovački list #2854 Rezultati 12. kola
 Vinkovački list #2855 Rezultati 13. kola
 Vinkovački list #2856 Rezultati 14. kola
 Vinkovački list #2857 Rezultati 15. kola
 Vinkovački list #2858 Rezultati 16. kola
 Vinkovački list #2859 Rezultati 17. kola
 Vinkovački list #2860 Rezultati 18. kola
 Vinkovački list #2861 Rezultati 19. kola
 Vinkovački list #2862 Rezultati 20. kola
 Vinkovački list #2863 Rezultati 21. kola
 Vinkovački list #2864 Rezultati 22. kola

2008-09
vukovarsko-srijemska-2-županja

2. ŽNL Vukovarsko-srijemska NS Županja 2008./09.


An Amorphophallus salmoneus in uska species han Liliopsida nga ginhulagway ni Wilbert Leonard Anna Hetterscheid. An Amorphophallus salmoneus in nahilalakip ha genus nga Amorphophallus, ngan familia nga Araceae.

Mabibilngan ini ha Philippines. Waray hini subspecies nga nakalista.

Mga kasarigan

Amorphophallus

Amorphophallus salmoneus


Formula 1 - sezona 1951. je bila 2. sezona u prvenstvu Formule 1. Vozilo se 8 utrka u periodu od 27. svibnja do 28. listopada 1951. godine, a prvak je postao Juan Manuel Fangio u bolidu Alfa Romeo. Ovo je bila prva sezona u Formuli 1 za Stirlinga Mossa i Jeana Behru.

Sažetak sezone

Juan Manuel Fangio osvojio je svoj prvi naslov svjetskog prvaka u Formuli 1, pobijedivši u tri utrke ove sezone. Branitelj naslova Nino Farina s jednom pobjedom završio je na 4. mjestu. Argentinac José Froilán González ostvario je svoju prvu pobjedu na Silverstoneu na VN Velike Britanije. Bila je to ujedno i prva pobjeda za momčad Ferrari u Formuli 1. Svjetski prvak iz 1952. i 1953., Talijan Alberto Ascari ostvario je prvu pobjedu u Formuli 1 na Nürburgringu na VN Njemačke, također u bolidu Ferrarija.

Na VN Francuske, na Reims-Guexu, Luigi Fagioli u bolidu Alfa Romeo, odvozio je prvih 20 krugova. Nakon toga dao je svoj bolid Fangiu, a Fagioli je uskočio u Fangiov Alfa Romeo. Fangio je u Fagiolovom bolidu odvozio sljedećih 57 krugova i pobijedio. Tako je 8 bodova bilo podjeljeno između Fagiolija i Fangija. Fagioliju je ovo bila jedina pobjeda u Formuli 1, te je i danas najstariji vozač koji je ikad pobijedio na Velikoj nagradi.

Amerikanac Lee Wallard pobijedio je na utrci 500 milja Indianapolisa, gdje i ove godine nije bilo nijednog europskog vozača niti europske momčadi.

Uoči posljednje utrke na Pedralbesu na VN Španjolske, Fangio je imao 2 boda više od Ascarija. Ascari je osvojio prvu startnu poziciju i vodio utrku kada je njegov bolid pogodio niz mehaničkih problema, te je na kraju završio utrku tek na 4. mjestu s 2 kruga zaostatka.

Vozači i konstruktori
{| class="wikitable" style="font-size: 85%"
|-
! Konstruktor
! Momčad / Sudionik
! Šasija
! Motor
! Gume
! Vozač
! Utrke
|-
!rowspan=7|   Alfa Romeo
|rowspan=7| Alfa Romeo SpA
|rowspan=7| Alfa Romeo 158/159
|rowspan=7| Alfa Romeo 158 1.5 L8s
|rowspan=7 align="center"|
|  Nino Farina
| 1, 3–8
|-
|  Juan Manuel Fangio
| 1, 3–8
|-
|  Toulo de Graffenried
| 1, 7–8
|-
|  Consalvo Sanesi
| 1, 3–5
|-
|  Luigi Fagioli
| 4
|-
|  Felice Bonetto
| 5–8
|-
|  Paul Pietsch
| 6
|-
!rowspan=10|   Ferrari
|rowspan=4| Scuderia Ferrari
|rowspan=4| Ferrari 375
|rowspan=4| Ferrari 375 4.5 V12
|rowspan=4 align="center"|
|  Luigi Villoresi
| 1, 3–8
|-
|  Alberto Ascari
| 1, 3–8
|-
|  Piero Taruffi
| 1, 3, 6–8
|-
|  José Froilán González
| 4–8
|-
|Ecurie Espadon
|Ferrari 212
|Ferrari 212 2.5 V12
|align="center"|
|  Rudi Fischer
| 1, 6–7
|-
|Peter Whitehead
|Ferrari 125
|Ferrari 125 1.5 V12s
|align="center"|
|  Peter Whitehead
| 1
|-
|Graham Whitehead
|Ferrari 125
|Ferrari 125 1.5 V12s
|align="center"|
|  Peter Whitehead
| 4
|-
|rowspan=2| GA Vandervell
|rowspan=2| Ferrari 375 tw
|rowspan=2| Ferrari 375 4.5 V12
|rowspan=2 align="center"|
|  Reg Parnell
| 4
|-
|  Peter Whitehead
| 5
|-
|Francisco Landi
|Ferrari 375
|Ferrari 375 4.5 V12
|align="center"|
|  Chico Landi
| 7
|-
!rowspan=14|   Talbot-Lago
|Ecurie Belge
|Talbot-Lago T26C
|Talbot 23CV 4.5 L6
|align="center"|
|  Johnny Claes
| 1, 3–8
|-
|Philippe Étancelin
|Talbot-Lago T26C
|Talbot 23CV 4.5 L6
|align="center"|
|  Philippe Étancelin
| 1, 3–4, 6, 8
|-
|rowspan=2|Yves Giraud-Cabantous
|rowspan=2| Talbot-Lago T26C
|rowspan=2| Talbot 23CV 4.5 L6
|rowspan=2 align="center"|
|  Yves Giraud-Cabantous
| 1, 3–4, 6–8
|-
|  Guy Mairesse
| 1, 4
|-
|rowspan=3|Ecurie Rosier
|rowspan=3| Talbot-Lago T26C
|rowspan=3| Talbot 23CV 4.5 L6
|rowspan=3 align="center"|
|  Louis Rosier
| 1, 3–8
|-
|  Henri Louveau
| 1
|-
|  Louis Chiron
| 3–8
|-
|José Froilán González
|Talbot-Lago T26C
|Talbot 23CV 4.5 L6
|align="center"|
|  José Froilán González
| 1
|-
|rowspan=2|Ecurie Belgique
|rowspan=2| Talbot-Lago T26C
|rowspan=2| Talbot 23CV 4.5 L6
|rowspan=2 align="center"|
|  André Pilette
| 3
|-
|  Jacques Swaters
| 6–7
|-
|Pierre Levegh
|Talbot-Lago T26C
|Talbot 23CV 4.5 L6
|align="center"|
|  Pierre Levegh
| 3, 6–7
|-
|Eugène Chaboud
|Talbot-Lago T26C
|Talbot 23CV 4.5 L6
|align="center"|
|  Eugène Chaboud
| 4
|-
|Duncan Hamilton
|Talbot-Lago T26C
|Talbot 23CV 4.5 L6
|align="center"|
|  Duncan Hamilton
| 5–6
|-
|Georges Grignard
|Talbot-Lago T26C
|Talbot 23CV 4.5 L6
|align="center"|
|  Georges Grignard
| 8
|-
!rowspan=7|   Maserati
|rowspan=3| Enrico Platé
|rowspan=3| Maserati 4CLT/48
|rowspan=3| Maserati 4CLT 1.5 L4s
|rowspan=3 align="center"|
|  Louis Chiron
| 1
|-
|  Harry Schell
| 1, 4
|-
|  Toulo de Graffenried
| 4, 6
|-
|Scuderia Ambrosiana
|Maserati 4CLT/48
|Maserati 4CLT 1.5 L4s
|align="center"|
|  David Murray
| 5–6
|-
|John James
|Maserati 4CLT/48
|Maserati 4CLT 1.5 L4s
|align="center"|
|  John James
| 5
|-
|Philip Fotheringham-Parker
|Maserati 4CL
|Maserati 4CLT 1.5 L4s
|align="center"|
|  Philip Fotheringham-Parker
| 5
|-
|Antonio Branca
|Maserati 4CLT/48
|Maserati 4CLT 1.5 L4s
|align="center"|
|  Toni Branca
| 6
|-
!rowspan=2|   HWM-Alta
|rowspan=2| Hersham and Walton Motors
|rowspan=2| HWM 51
|rowspan=2| Alta 2.0 L4s
|rowspan=2 align="center"|
|  George Abecassis
| 1
|-
|  Stirling Moss
| 1
|-
!  Veritas
|Peter Hirt
|Veritas Meteor
|Veritas 2.0 L6
|align="center"|
|  Peter Hirt
| 1
|-
!rowspan=4|  Simca-Gordini
|rowspan=4| Equipe Gordini
|rowspan=4| Simca-Gordini 15Simca-Gordini 11
|rowspan=4| Gordini 15C 1.5 L4s
|rowspan=4 align="center"|
|  Robert Manzon
| 4, 6–8
|-
|  Maurice Trintignant
| 4, 6, 8
|-
|  André Simon
| 4, 6–8
|-
|  Aldo Gordini
| 4
|-
!rowspan=3|   Maserati-Speluzzi
|rowspan=3| Scuderia Milano
|rowspan=3| Maserati 4CLT/50Maserati 4CLT/48
|rowspan=3| Speluzzi 1.5 L4s
|rowspan=3 align="center"|
|  Onofre Marimón
| 4
|-
|  Paco Godia
| 8
|-
|  Juan Jover
| 8
|-
!   Alta
| Joe Kelly
| Alta GP
| Alta 1.5 L4s
|align="center"|
|  Joe Kelly
| 5
|-
!rowspan=4|   BRM
|rowspan=4| BRM Ltd
|rowspan=4| BRM P15
|rowspan=4| BRM P15 1.5 V16s
|rowspan=4 align="center"|
|  Reg Parnell
| 5, 7
|-
|  Peter Walker
| 5
|-
|  Ken Richardson
| 7
|-
|  Hans Stuck
| 7
|-
!rowspan=2|   ERA
|Bob Gerard
|ERA B-Type
|ERA 1.5 L6s
|align="center"|
|  Bob Gerard
| 5
|-
|Brian Shawe-Taylor
|ERA B-Type
|ERA 1.5 L6s
|align="center"|
|  Brian Shawe-Taylor
| 5
|-
!  OSCA
|OSCA Automobili
|OSCA 4500G
|OSCA 4500 4.5 V12
|align="center"|
|  Franco Rol
| 7
|-
!   Maserati-OSCA
|Birabongse Bhanudej
|Maserati 4CLT/48
|OSCA 4500 4.5 V12
|align="center"|
|  Prince Bira
| 8
|-
| colspan="23" align="center" style="background:#C9FFE5;"| Vozači i konstruktori koji su nastupali na 500 milja Indianapolisa|-
!rowspan=15|   Kurtis Kraft-Offenhauser
|Belanger Motors
|Kurtis
|Offenhauser 4.5 L4
|align="center"|
|  Lee Wallard
| 2
|-
|Jim Robbins
|Kurtis
|Offenhauser 4.5 L4
|align="center"|
|  Mike Nazaruk
| 2
|-
|rowspan=2|Hinkle
|rowspan=2| Kurtis Kraft 3000
|rowspan=2| Offenhauser 4.5 L4
|rowspan=2 align="center"|
|  Jack McGrath
| 2
|-
|  Manny Ayulo
| 2
|-
|Automobile Shippers
|Kurtis Kraft 3000
|Offenhauser 4.5 L4
|align="center"|
|  Carl Folberg
| 2
|-
|Brown Motor Co.
|Kurtis Kraft 2000
|Offenhauser 4.5 L4
|align="center"|
|  Gene Force
| 2
|-
|Chapman
|Kurtis Kraft 2000
|Offenhauser 4.5 L4
|align="center"|
|  Bill Schindler
| 2
|-
|Schmidt
|Kurtis Kraft 3000
|Offenhauser 4.5 L4
|align="center"|
|  Sam Hanks
| 2
|-
|Granatelli-Bardahl
|Kurtis Kraft 3000
|Offenhauser 4.5 L4
|align="center"|
|  Fred Agabashian
| 2
|-
|McNamara
|Kurtis Kraft 2000
|Offenhauser 4.5 L4
|align="center"|
|  Carl Scarborough
| 2
|-
|Wynn's Friction Proofing
|Kurtis Kraft 3000
|Offenhauser 4.5 L4
|align="center"|
|  Johnnie Parsons
| 2
|-
|John Zink
|Kurtis Kraft 3000
|Offenhauser 4.5 L4
|align="center"|
|  Cecil Green
| 2
|-
|Agajanian Featherweight
|Kurtis Kraft 2000
|Offenhauser 4.5 L4
|align="center"|
|  Troy Ruttman
| 2
|-
|Federal Engineering
|Kurtis Kraft 3000
|Offenhauser 4.5 L4
|align="center"|
|  Walt Brown
| 2
|-
|Morris
|Kurtis Kraft 2000
|Offenhauser 4.5 L4
|align="center"|
|  Cliff Griffith
| 2
|-
!rowspan=2|   Kurtis Kraft-Novi
|rowspan=2| Novi Purelube
|rowspan=2| Kurtis
|rowspan=2| Novi 3.0 L8C
|rowspan=2 align="center"|
|  Duke Nalon
| 2
|-
|  Chet Miller
| 2
|-
! rowspan=4|   Deidt-Offenhauser
|Mobilgas
|Deidt
|Offenhauser 4.5 L4
|align="center"|
|  Duane Carter
| 2
|-
|Mobiloil
|Deidt
|Offenhauser 4.5 L4
|align="center"|
|  Tony Bettenhausen
| 2
|-
|Pennzoil
|Deidt
|Offenhauser 4.5 L4
|align="center"|
|  Mauri Rose
| 2
|-
|Tuffanelli-Derrico
|Deidt
|Offenhauser 4.5 L4
|align="center"|
|  Mack Hellings
| 2
|-
!rowspan=2|   Schroeder-Offenhauser
|Blakely Oil
|Schroeder
|Offenhauser 4.5 l4
|align="center"|
|  Bobby Ball
| 2
|-
|Brown Motor Co.
|Schroeder
|Offenhauser 4.5 l4
|align="center"|
|  Duke Dinsmore
| 2
|-
!   Silnes-Sherman-Offenhauser
|Leitenberger
|Silnes
|Offenhauser 4.5 L4
|align="center"|
|  Andy Linden
| 2
|-
!   Moore-Offenhauser
|Blue Crown Spark Plug
|Moore
|Offenhauser 4.5 L4
|align="center"|
|  Henry Banks
| 2
|-
!   Kuzma-Offenhauser
| Agajanian Grant Piston Ring
| Kuzma
| Offenhauser 4.5 L4
| align="center"|
|  Walt Faulkner
| 2
|-
!   Silnes-Pawl-Offenhauser
| Parks
| Silnes
| Offenhauser 4.5 L4
| align="center"|
|  Jimmy Davies
| 2
|-
!   Stevens-Offenhauser
| Karl Hall
| Stevens
| Offenhauser 4.5 L4
| align="center"|
|  Bill Mackey
| 2
|-
!   Marchese-Offenhauser
| Bardahl
| Marchese
| Offenhauser 4.5 L4
| align="center"|
|  Chuck Stevenson
| 2
|-
!   Bromme-Offenhauser
| Deck Manufacturing Co.
| Bromme
| Offenhauser 4.5 L4
| align="center"|
|  Rodger Ward
| 2
|-
!   Trevis-Offenhauser
| Central Excavating
| Trevis
| Offenhauser 4.5 L4
| align="center"|
|  Bill Vukovich
| 2
|-
!   Lesovsky-Offenhauser
| Blue Crown Spark Plug
| Lesovky
| Offenhauser 4.5 L4
| align="center"|
|  George Connor
| 2
|-
!   Maserati-Offenhauser
| W & J
| Maserati 8CTF
| Offenhauser 4.5 L4
| align="center"|
|  Johnny McDowell
| 2
|-
!   Watson-Offenhauser
| Bob Estes Lincoln-Mercury
| Watson
| Offenhauser 4.5 L4
| align="center"|
|  Joe James
| 2
|}

 Kalendar

 Sažetak sezone

 Utrke

Sistem bodovanja
Sistem bodovanja u Formuli 1

 Samo 4 najbolja rezultata u 8 utrka su se računala za prvenstvo vozača.

Rezultati utrka

 VN Švicarske Indianapolis 500 VN Belgije VN Francuske VN Velike Britanije VN Njemačke VN Italije VN Španjolske' Poredak vozača

 Juan Manuel Fangio je osvojio ukupno 37 bodova, ali samo 31 bod osvojen u četiri najbolje utrke se računao za prvenstvo vozača.
 Alberto Ascari je osvojio ukupno 28 bodova, ali samo 25 bodova osvojenih u četiri najbolje utrke su se računali za prvenstvo vozača.
 José Froilán González je osvojio ukupno 27 bodova, ali samo 24 boda osvojena u četiri najbolje utrke su se računala za prvenstvo vozača.
 Nino Farina je osvojio ukupno 22 boda, ali samo 19 bodova osvojenih u četiri najbolje utrke su se računali za prvenstvo vozača.
 Luigi Villoresi je osvojio ukupno 18 bodova, ali samo 15 bodova osvojenih u četiri najbolje utrke su se računali za prvenstvo vozača.

Statistike

Vodeći vozač u prvenstvu
U rubrici bodovi, prikazana je bodovna prednost vodećeg vozača ispred drugoplasiranog, dok je žutom bojom označena utrka na kojoj je vozač osvojio naslov prvaka.

Utrke koje se nisu bodovale za prvenstvo

 Izvori

 Vanjske poveznice

 Službena stranica Formule 1
 Formula 1 1951. StatsF1 Indianapolis 500 1951. RacingReference''

 1951

Formula 1 – sezona 1951.


Agrilus transitorius é uma espécie de inseto do género Agrilus, família Buprestidae, ordem Coleoptera.

Foi descrita cientificamente por Kerremans, 1897.

Referências

transitorius

Agrilus transitorius


Risløkka Station (Risløkka stasjon) er en metrostation på Grorudbanen på T-banen i Oslo. Stationen ligger lige nord for Østre Aker vei i bydelen Bjerke. Den er delvist placeret på en bro over Risløkkallee med banen kommende over jorden fra Økern og fortsættende sådan til Vollebekk.

Statens vegvesen og Oslo trafikkstasjon ligger på den sydlige side af stationen.

Eksterne henvisninger

T-banestationer i Oslo
Etableret i 1966

Risløkka Station


1939 දී සෝවියට් සංගමය, මොන්ගෝලියාව, ජපානය සහ මැන්චුකුවෝ අතර සටන් වැදුණු ප්‍රකාශයට පත් නොකළ සෝවියට්-ජපාන දේශසීමා ගැටුම්වල තීරණාත්මක මැදිහත්වීම් වූයේ ඛල්කින් ගොල් සටනයි. මෙම ගැටුම නම් කර ඇත්තේ යුධ පිටිය හරහා ගමන් කරන ඛල්කින් ගොල් ගඟේ නමිනි. ජපානයේ දී, ගැටුමේ තීරණාත්මක සටන මොන්ගෝලියාව සහ මැන්චූරියාව අතර මායිමේ පිහිටි අසල ගම්මානයක් වන නොමොන්හාන්ට පසුව නොමොන්හාන්   ලෙස හැඳින්වේ. සටන්වල ප්‍රතිඵලය ලය වූයේ ජපානයෙ හයවන හමුදාව පරාජය වීමයි.

1931 දී ජපානය මැන්චූරියාව අත්පත් කර ගැනීමෙන් පසුව, ජපානය සිය හමුදා අවශ්‍යතා එම ප්‍රදේශවලට මායිම් වූ සෝවියට් ප්‍රදේශ වෙත යොමු කළේය. පළමු ප්‍රධාන සෝවියට්-ජපාන දේශසීමා සිදුවීම වන කසාන් විල සටන 1938 දී ප්‍රිමෝරි හිදී සිදුවිය . ජපන් හා සෝවියට් හමුදා අතර ගැටුම් නිතරම මැන්චූරියාවේ දේශ සීමාව අසලදී සිදුවිය.

1939 දී මැන්චූරියාව ජපානයේ රූකඩ රාජ්‍යයක් වූ මැන්චුකුඕ ලෙස හැඳින්වූ අතර මොන්ගෝලියාව සෝවියට් සංගමය සමඟ සන්ධානගත වූ කොමියුනිස්ට් රාජ්‍යයක් වූ අතර එය මොන්ගෝලියානු මහජන ජනරජය ලෙස හැඳින්වේ. මැන්චුකුඕ සහ මොන්ගෝලියාව අතර දේශ සීමාව බුවර් විලට ගලා යන ඛල්කින් ගොල් (ඉංග්‍රීසි බසින් "ඛල්කා ගඟ") බව ජපන් ජාතිකයෝ පැවසූහ. ඊට වෙනස්ව, මොන්ගෝලියානුවන් සහ ඔවුන්ගේ සෝවියට් සහචරයින් කියා සිටියේ දේශ සීමාව  ගඟට නැගෙනහිරින්, නොමොන්හාන් ගම්මානයට නැගෙනහිරින් පවතින බවයි.

මැන්චුකූඕ හි ප්‍රධාන වශයෙන් කඳවුරු ලා ගෙන සිටි හමුදාව වූයේ 1939 දී ජපානයේ ක්වාන්ටුන්ග් හමුදාවයි . කෙසේ වෙතත්, මැන්චුකෝඕ හි බටහිර කලාපය ජෙනරාල් මිචිටාරා කෝමාට්සුබරා යටතේ හයිලාර් හි සාපේක්ෂව අලුතින් පිහිටුවන ලද 23 වන පාබල සේනාංකය විසින් ආරක්‍ෂා කරන ලදී. හයවන හමුදාවේ සෘජු අණ යටතේ මැන්චු හමුදාව සහ දේශසීමා ආරක්ෂක ඒකක. 23 වන ස්ථානය සමස්ත ක්වාන්ටුන්ග් හමුදාවේ නවතම හා අවම පළපුරුදු අංශය විය. මීට අමතරව, 23 වන සේනාංකය යල් පැන ගිය උපකරණ වලින් සමන්විත විය. ජපාන හමුදා විශේෂ experts යන් 23 වන සේනාංකයේ සටන් හැකියාව "මධ්‍යම මට්ටමට වඩා අඩු" ලෙස ශ්‍රේණිගත කර ඇති අතර එය චීනයේ වාඩිලා ගැනීමේ රාජකාරිය පිළිබඳ ආරක්ෂක බලකායක් සමඟ සැසඳිය හැකිය.

සෝවියට් හමුදා 57 වන විශේෂ බලකායෙන් සමන්විත වූ අතර , ට්‍රාන්ස්-බයිකල් හමුදා  එම දිස්ත්‍රික්කයෙන් යොදවා තිබුණි. සයිබීරියාව සහ මැන්චූරියාව අතර දේශ සීමාව ආරක්ෂා කිරීමේ වගකීම ඔවුන් සතු විය. මොන්ගෝලියානු භට පිරිස් ප්‍රධාන වශයෙන් අශ්වාරෝහක සේනාංක සහ සැහැල්ලු කාලතුවක්කු ඒකක වලින් සමන්විත වූ අතර ඒවා ඵලදායී හා කඩිසර බව ඔප්පු කළ නමුත් ප්‍රමාණවත් තරම් ආයුධ සහ මිනිස්බල නොමැති විය.

1939 ජුනි 2 වන දින ජෝර්ජි ෂුකොව්ට ආරක්ෂක කොමසාරිස් ක්ලිමෙන්ට් වොරොෂිලොව් විසින් ස්ටාලින්ට ප්‍රාදේශීය අණ දෙන නිලධාරියා ගැන සෑහීමකට පත් නොවන බවත්, ඔහු පිටත මොන්ගෝලියාවට ගොස් 57 වන විශේෂ බලකායේ අණදෙන නිලධාරියා ලෙස කටයුතු කරන බවත්, අධිරාජ්‍යයට තීරණාත්මක පසුබෑමක් ඇති කරමින් ජපාන ප්‍රකෝප කිරීම් තුරන් කළ යුතු බවත් පැවසීය. ජපාන හමුදාව (ජුනි 1 වන දින මොස්කව් වෙත කැඳවූ විට ඔහු එන්කේවීඩී විසින් අත්අඩංගුවට ගෙන ප්‍රශ්න කරනු ඇතැයි ඔහු බිය විය).

In 1939, the Japanese Cabinet sent instructions to the Kwantung Army to strengthen and fortify Manchukuo's borders with Mongolia and the Soviet Union. Additionally, the Kwantung Army, which had long been stationed in Manchuria far from the Japanese Home Islands, had become largely autonomous and tended to act without approval from, or even against the direction of, the Japanese government.

මැයි : ස්කිර්මිශස්.

 Topographic Map of the Khalkhin Gol battle area
 Videos of the Nomonhan War Museum
 Warbird Forum – Japan vs. Russia, 1939
 "On the Road to Khalkhin Gol", Part 1 and Part 2, by Henry Sakaida
 Парад в Монголии в честь 80-летия победы на Халхин-Голе
CS1 රුසියානු-භාෂා මූලාශ්‍ර (ru)
ජපන්-භාෂා පෙළ ඇතුළත් ලිපි

Battles of Khalkhin Gol


Liste des présidents du Sénat belge
 Liste des présidents du Sénat (Italie)

Liste des présidents du Sénat


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Kao i u drugim profesionalnim hrvačkim promocijama, WWE ne odnosi se na "stvarno" natjecanje u hrvanju, nego se isključivo temelji na zabavljanju publike, s radnjom i događajima koji se izvršavaju prema određenom scenariju. Unatoč tome, hrvačka natjecanja često uključuju rizične pokrete koji mogu dovesti izvođače do ozbiljnih ozljeda, ako se ne izvode pravilno. Predeterminirani aspekt hrvanja javno je priznao vlasnik WWE-a Vince McMahon 1989. godine kako bi izbjegao plaćanje poreza atletskim savezima. WWE javno predstavlja svoj proizvod kao oblik sportske zabave koji korijenski dolazi od športa i glume.

Trenutni većinski vlasnik tvrtke je njen predsjednik i generalni izvršni direktor Vince McMahon. Zajedno sa suprugom Lindom, djecom Shane i Stephanie i zetom Paul "Triple H" Levesquem, obitelj МcMahonov posjeduje oko 42 % dionica tvrtke i 70,5 % glasačkih prava.

Trenutna organizacija, registrirana 21. veljače 1980., ranije je bila poznata pod nazivom Titan Sport, Inc., a osnovana je u South Yarmothu, u saveznoj državi Massachusetts. Titan Sport akvizirao je Capitol Wrestling Corporation Ltd. koja je posjedovala prava za World Wrestling Federation (WWF), do 1982. godine prethodno poznata pod nazivom World Wide Wrestling Federation (WWWF). 1999. godine Titan Sports je preuzeo ime World Wrestling Federation Inc., a nakon toga 2002. godine ime World Wrestling Federation Entertainment Inc. Od 2011. godine kompanija nastupa pod imenom World Wrestling Entertainment Inc. (WWE), iako njezino pravno ime nije promijenjeno.

Povijest tvrtke

Capitol Wrestling Corporation (1953. – 1963.)
Povijest WWE kompanije počinje 7. siječnja 1953. kada je predstavljen prvi hrvački događaj održan od strane Capitol Wrestling Corporation (CWC). Nije točno poznato tko je osnovao CWC. Neki izvori tvrde da je to bio Vincent James McMahon (Vince McMahon Senior), dok je prema drugim izvorima njegov otac Jess McMahon osnivač CWC-a. CWC je kasnije postao dio National Wrestling Alliance (NWA) i uskoro nakon toga poznati njujorški profesionalni hrvač i promotor Toots Mondt koji je revolucionarizirao hrvačku industriju se pridružio CWC-u.

World Wide Wrestling Federation (1963. – 1979.)
Vincent J. McMahon i Toots Mondt bili su vrlo uspješni i ubrzo su nadzirali oko 70 % hrvačkih događanja pod okriljem NWA. 1963. godine McMahon i Mondt sukobili su se s vodstvom NWA oko "Nature Boy" Buddy Rogersa koji je u tom trenutku posjedovao titulu NWA World Heavyweight Championship. Mondt i McMahon bili su menadžeri Rogersu i optuženi su od strane ostalih NWA promotora kako se Rogersu pogodovalo tako da je branio titulu samo u gradovima u kojima su Mondt i McMahon vodili hrvačko događanje čime su monopolizirali svjetsku titulu NWA World Heavyweight Championship. Ova situacija dovela je do toga da je NWA 24. siječnja 1963. poslao pet hrvača koji su prijašnje držali titulu svjetskog prvaka kako bi oduzeli pojas (titulu) Rogersu. Među njima je bio i Lou Thesz s iskustvom u profesionalnom hrvanju. Rogers je prihvatio da bude poražen i izgubio je titulu. Mondt i McMahon su prvotno odlučili samo ignorirati ovu promjenu naslova. Od siječnja do travnja 1963. Rogers je na njihovim hrvačkim događanjima i dalje bio NWA World Champion, tj. World Heavyweight Champion. Zbog ove situacije Mondt i McMahon napuštaju NWA i osnivaju World Wide Wrestling Federation (WWWF). Uz njih, NWA je napustio i Willie Gilzenberg, dugogodišnji promotor boksa i hrvanja koji u lipnju 1963. postaje prvi direktor WWWF-a što formalno označava početak povijesti WWWF-a. Svemu je uslijedilo "održavanje" fiktivnog natjecanja u Rio de Janeiru gdje je 25. travnja 1963. Rogers porazio Antonina Roccu, poznatog Capitol Sports hrvača. U stvarnosti borba nikad nije ni održana, Rogers je u to vrijeme bio u bolnici u Ohiju gdje se oporavljao od srčanog udara koji je doveo i do kraja njegove karijere. Mondt je krajem 1960ih napustio Capitol i iako je WWWF prvotno napustila NWA zbog spora 1964., 1971. WWWF ponovno postaje dio NWA pod vodstvom Vince McMahon Seniora.

World Wide Wrestling Federation (1979. – 2002.)

Zlatno Doba (1979. – 1982.)
Sin Vincenta J. McMahona, Vincent Kennedy McMahon i njegova žena Linda osnovali su kompaniju Titan Sports, Inc. 1980. godine u South Yarmouthu, Massachusetts i uspostavili promociju s kraticom "WWF" (World Wrestling Federation). Mlađi McMahon otkupio je Capitol od svog oca 1982. godine, preuzimajući kontrolu nad kompanijom. Glavni cilj Vincenta K. McMahona bila je ekspanzija poslovanja koja će WWF učiniti primarnom hrvačkom promocijom u državi, a kasnije i u svijetu. Veći zamah u popularnosti WWF-a nastao je kada je McMahon regrutirao hrvačkog talenta Hulka Hogana iz američke hrvačke promocije AWA (American Wrestling Promotion) koji je bio popularan i izvan hrvačkih krugova ponajviše zbog svog pojavljivanja u filmu "Rocky III".

Naslovi i prvaci

Raw

SmackDown Live

NXT

NXT UK

Izvori

Profesionalno hrvanje u SAD-u

WWE


Cet article répertorie les équipes confirmées pour le Champions Trophy féminin 2018 qui se tiendra à Changzhou, en Chine, du 17 au 25 novembre 2018.

Chine
La composition suivante de la Chine pour le Champions Trophy 2018.

Entraîneur :

Pays-Bas
La composition suivante des Pays-Bas pour le Champions Trophy 2018.

Entraîneur :  Alyson Annan

Grande-Bretagne
La composition suivante de la Grande-Bretagne pour le Champions Trophy 2018.

Entraîneur :  David Ralph

Australie
La composition suivante de l'Australie pour le Champions Trophy 2018.

Entraîneur :

Argentine
La composition suivante de l'Argentine pour le Champions Trophy 2018.

Entraîneur :

Japon
La composition suivante du Japon pour le Champions Trophy 2018.

Entraîneur :

Références

Champions Trophy
Hockey sur gazon en 2018
Sport en Chine en 2018
Hockey sur gazon en Chine
Changzhou
Sport en novembre 2018

Composition des équipes féminines de hockey sur gazon au Champions Trophy 2018


What Should Not Be Unearthed osmi je studijski album američkog death metal-sastava Nile. Diskografska kuća Nuclear Blast Records objavila ga je 28. kolovoza 2015. godine. Posljednji je album koji je skupina snimila s gitaristom Dallasom Toler-Wadeom; napustio ju je 2017. godine.

Dana 7. srpnja 2015. objavljen je popis pjesama s albuma, a naknadno su objavljena i dvije pjesme, popraćene videozapisima s tekstovima pjesama.

Popis pjesama

Zasluge

 Nile

 Karl Sanders – gitara, bas-gitara, vokal
 Dallas Toler-Wade – gitara, bas-gitara, vokal
 George Kollias – bubnjevi

 Dodatni glazbenici

 Pete Hammoura – bubnjevi, dodatni vokali
 Jon Vesano – dodatni vokali
 Mike Breazeale – dodatni vokali
 Brad Parris – dodatni vokali
 Jason Hagan – dodatni vokali
 Robert Dirr – dodatni vokali
 Rick Ballenger – dodatni vokali
 Larry Gore – dodatni vokali
 Dion Sweatt – dodatni vokali
 Rob Crouch Matthew Kay – dodatni vokali
 Jason Moon – dodatni vokali
 Shawn Allen – dodatni vokali
 Matt Nations – dodatni vokali
 Zach Guttery – dodatni vokali
 Briklo Fusillo – dodatni vokali
 Dana Bryant – dodatni vokali
 Chris King – dodatni vokali
 Justin Wilbanks – dodatni vokali
 Aaron Morris – dodatni vokali

 Ostalo osoblje

 Bob Moore – inženjer zvuka (bubnjevi)
 Alan Douches – mastering
 Neil Kernon – miks
 Michał "Xaay" Loranc – naslovnica, grafički dizajn

Izvori

Albumi sastava Nile
Albumi iz 2015.

What Should Not Be Unearthed


El accidente ferroviario de Benavídez de 1970 fue la mayor tragedia ferroviaria de la historia de Argentina. Fue protagonizado por dos trenes del Ferrocarril Mitre en el «km 36» del ramal Retiro Mitre - Rosario Norte, cerca de Benavídez, provincia de Buenos Aires. Ocasionó la muerte de 236 personas y dejó heridas a más de 400.

Hechos

El hecho se produjo a las 20:30 del domingo 1 de febrero de 1970 cuando un convoy del Ferrocarril Mitre proveniente de San Miguel de Tucumán embistió por detrás a otro que se encontraba detenido cerca de Benavídez, en una zona despoblada y con escasa iluminación.

Las investigaciones posteriores concluyeron que el maquinista del primero de los trenes no alcanzó a advertir que otra formación, que había salido de Zárate también con destino a Retiro, se hallaba detenida por una falla en mecanismos.

La colisión fue advertida por vecinos del lugar quienes de inmediato iniciaron los pedidos de auxilio y los primeros auxilios.

El tren número 1016 que viajaba desde Tucumán había partido con destino a Retiro a las 20:00 del día anterior y llevaba en el momento del accidente 48 minutos de atraso. El choque se produjo con el tren número 3832 que había partido de Zárate a las 18:50 y llevaba más de 40 minutos detenido mientras el maquinista y el mecánico trataban de reparar el inconveniente.

La locomotora del tren 1016 se incrustó en el último Coche del tren 3832 destrozándolo casi totalmente y elevándolo sobre la cabina de motores. Como consecuencia del violento impacto no solamente descarrilaron locomotoras y vagones, sino que además el penúltimo y antepenúltimo vagón del tren que se encontraba detenido solo detuvieron su marcha, separados del que quedó unido con la locomotora, a unos 80 m del lugar del accidente.

Referencias

Véase también
Accidente ferroviario de Sa Pereira de 1978
Accidente ferroviario de Once de 2012
Estación Benavídez

Enlaces externos

Benav
Benav
Argentina en 1970
Desastres en 1970

Accidente ferroviario de Benavídez de 1970


Thomas Anthony Brown (North Yorkshire, 21 de junio de 1977), más conocido como Tom Lister, es un actor inglés, conocido por haber interpretado a Carl King en la serie Emmerdale Farm.

Biografía
Es hijo de Tom Brown y Jean Lister, tiene dos hermanas mayores Sally y Rosemary Lister y un gemelo Daniel Lister.

Tom tomó el apellido "Lister" de su madre como nombre artístico.

Es muy buen amigo de los actores Nick Miles y Matt Healy.

En el 2004 se casó con Jenny Brown una maestra de primaria, la pareja le dio la bienvenida a su primer hijo juntos, Benjamin Thomas Brown en septiembre del 2006 y a su segundo hijo, Samuel Harry Brown en octubre del 2008.

Carrera
Tom participó en 24 Hours Emmerdale > EastEnders junto a los actores James Thorton, Rik Makarem, Kelvin Fletcher,  el productor Steve November y Ed Gration.

El 6 de febrero de 2004 se unió a la exitosa serie británica Emmerdale Farm donde interpretó a Carl King, hasta el 17 de octubre de 2012 luego de que su personaje fuera asesinado por Cameron Murray luego de que lo golpeara en la cabeza con un ladrillo matándolo instantanemente.

En diciembre del 2006 apareció en el programa Stars in Their Eyes como Jamie Cullum.

En el 2009 concursó en el programa All Star Family Fortunes junto a Lucy Pargeter, Nick Miles, Kelsey-Beth Crossley & Nicola Wheeler durante el episodio "Coronation Street vs. Emmerdale".

Filmografía

Televisión

Películas

Teatro

Apariciones

Premios y nominaciones

Referencias

Enlaces externos

 Digital Spy > Celebrity News > Tom Lister
 Tom Lister on TV.com

Actores de televisión de Inglaterra

Tom Lister


Pollee bezeichnet ein mobiles Frauenurinal, das 2011 von dem dänischen Designbüro UiWE zusammen mit Nuala Collins und Sara Nanna entwickelt wurde und speziell für den Einsatz bei Veranstaltungen mit großem Menschenaufkommen wie Versammlungen, Konzerten oder Festivals konzipiert ist.

Entwicklung
Im März 2011 wurde von den Veranstaltern des Roskilde-Festivals, eines der größten Musikfestivals in Europa, eine Konferenz unter dem Motto "Backstage: Piss-Off" abgehalten, die sich mit dem Problem des Urinierens auf Festivals auseinandersetzte. Lange Schlangen vor den öffentlichen Toiletten sowie zunehmendes Wildpinkeln setzen die Veranstalter unter Handlungsdruck und trieben die Suche nach möglichen Lösungen voran.

Die Konferenz führte zu dem Projekt "Developing human solutions to peeing in public space for both sexes", wobei nach Lösungen für Männer und Frauen gesucht werden sollte, den Vorgang des Urinierens einfacher zu gestalten. Aus diesem Projekt ging Pollee hervor, ein "kontaktfreies open-air Urinal für Mädchen" als Alternative zu den oft unhygienischen mobilen Toilettenkabinen mit langer Warteschlange.

Konzept

Die Idee hinter Pollee ist die Entwicklung einer sauberen und bequemen Alternative zu mobilen Toiletten auf Festivals. Während Männern bereits portable Urinale zur Verfügung standen, blieb diese Option Frauen bisher verwehrt.

Zusammen mit den Designerinnen Sara Nanna und Nuala Collins wurden drei Prototypen entworfen, denen eine kreuzweise Anordnung von dreieckigen Urinalen um einen Mittelholm zugrunde lag. Pollee kann somit von vier Personen – Rücken dem Zentrum zugewandt – gleichzeitig genutzt werden. Umgeben werden die Urinale durch, je nach Typ im Ausmaß variierende, Trennwände und -blenden. Diese sind mit Haltegriffen versehen. Die Benutzung erfolgt in einer Teil-Hockposition ("Skifahrerhaltung").
Eine Endversion wurde erstmals auf dem Roskilde-Festival 2011 präsentiert und zur Benutzung freigegeben. Die Einführung wurde als Erfolg betrachtet. Pollee wurde von vielen Frauen benutzt und positiv aufgenommen.

Siehe auch
 Urinella

Quellen

Weblinks

 Pee better: Offizielle Website
 Pollee – the female urinal at Roskilde Festival – Video bei Vimeo

Sanitärtechnik
Frauen
Urin

Pollee


භ්‍රිංගේස්වර ශිව දේවාලය භුබනේස්වර්හි ගිනිකොනදිග ප්‍රදේශයේ ඛාටුවපාදා ගම්මානයේ ධෞලි කඳු අසල දායා ගංගාවේ වම් ඉවුරේ ය. බටහිරට මුහුණලා පිහිටි මෙම දේවාලයේ වන්දනාවට ලක්වූ ප්‍රධාන දේව ප්‍රතිමාව වන්නේ මධ්‍යයේ සිදුරක් ඇති වෘත්තාකාර යෝනි පීඨයයි. මෙය ලා අළු පැහැ වැලිගලින් නිර්මාණය කොට ඇත. මෙම දේවාලය එහි පැරණි අමුද්‍රව්‍ය යොදා ගනිමින් පහළ සිට ඉහළට නවීකරණය කොට ඇත. වර්තමානයේ මෙම දේවාලය ඔරිස්සා ප්‍රාන්ත පුරාවිද්‍යා දෙපාර්තමේන්තුවේ ආරක්ෂාව යටතේ පවතියි. මෙම දේවාලය අතීතයේ භෛරංගේස්වර දේවාලය ලෙස ද හැඳින්විණි.

ශිවරාත්‍රී, කාර්තික් පූර්ණිම, රාජ සංක්‍රාන්ති, ජාලසය උත්සවය වැනි විවිධාකාර චාරිත්‍ර සහ වතාවත් මෙම දේවාලයේ දී සිදු කෙරේ. එසේම නූල් උත්සවය, මුන්දන, විවාහ මංගල්‍ය වැනි උත්සව ද මෙම දේවාලයේ සිදු කෙරේ. එපමණක් නොව ගම්මානයේ මහජන රැස්වීම් සඳහා  මෙම දේවාලය යොදා ගැනේ.

ගෘහනිර්මාණ ශිල්පය
මෙම දේවාලය නැගෙනහිරින් ධෞලි කඳුගැටයෙන් මායිම් වේ. බටහිරින් ගම්මානය වෙත දිවෙන මාර්ගයෙනුත් මායිම් වේ. මෙම දේවාලය බටහිරට මුහුණලා පිහිටයි. මෙම දේවාලය ගොඩනගා ඇත්තේ දිගින් 26.50 m වන, පළලින් 22.10 m සහ උසින් 2 m වන උස් වූ වේදිකාවක් මත ය. සැලැස්ම අනුව, මෙම දේවාලයේ සතරැස් විමානයක් සහ 08.35 m දිගැති ඉදිරි ද්වාර මණ්ඩපයක් ඇත. (විමානයේ උස 7.10 m වන අතර, ඉදිරි ද්වාර මණ්ඩපයේ උස 1.25 mකි). විමානයේ සතරැස් ගර්භගෘහයක් ඇති අතර එහි ක්ෂේත්‍රඵලය 2 m2 කි. විමානය පංචරථ සැලැස්මෙන් යුත් අතර, එහි මධ්‍ය රාහයක්, අනුරථ පාග යුගලක් සහ රාහයේ දෙපස වූ කණික පාග දැකගත හැක. උච්චත්වය අතින් විමානය රේඛා සම්ප්‍රදායයෙන් යුත් අතර, එහි උස 11.14 m කි. දේවාලයේ බාදා කොටස 4.14 m උසැති අතර එහි කැටයම් මෝස්තරවලින් තොර බොරදම් පහක් ඇත. පභාගය 1.08 m වන අතර, තල ජංඝය 0.95 m ද, බන්ධනා කොටස 0.31 m, උපර ජංඝය 0.90 m සහ බරන්ද කොටස 0.95 m ප්‍රමාණයෙන් යුක්ත වේ. පභාගයේ ඛුර, කුම්භ, පට සහ බසන්ත යන පාදම් බොරදම් හතර දැකගත හැක. ගන්දි කොටසේ උස 4.50 m වන අතර, එහි රාහ පාග කොටසේ තුන් පැත්තෙහි වූ උද්‍යෝත සිංහ රූ සහ බටහිර බිත්තියේ ගජක්‍රාන්ත රූ හැර වෙනත් මෝස්තර දක්නට නොලැබේ. මස්තකයේ බේකි, ආම්ලක, ඛාපූරි, කලස සහ ආයුධ යන අංග දක්නට ලැබෙන අතර එහි උස 2.50 m කි.

රාහ නිකේතන සහ පාර්ශ්ව දේවතා
තල ජංඝ කොටසේ වූ රාහ පාග අංගයේ උතුරු, බටහිර සහ දකුණු යන පැති තුනෙහි පාර්ශ්වදේවතා නිකේතන දැකගත හැක. මේ සෑම එකක්ම උස 1.06 m, පළල 0.57 m සහ ගැඹුර 0.39 m යන මිනුම්වලින් යුක්ත ය. මෙහි දකුණු නිකේතනයේ ගනේෂ රප්‍රතිමාවකුත්, උතුරු නිකේතනයේ මහීෂාසුරමර්දිනී රුවකුත් දැකගත හැක. පද්ම පීඨයක් මත ත්‍රිභංග ඉරියව්වෙන් සිටගෙන සිටින ගනේෂ සිය පහළ දකුණතින් අක්ෂමාලාවකුත්, පහළ වමතින් සෙංකෝලයකුත් දරා සිටියි. ප්‍රතිමාවේ ඉහළ අත් යුගල කැඩී ගොසිනි. මෙහි ඔහු ජටාමකුටයක් හිසෙහි පැළඳ සිටින අතර, පූජනීය නාග හුයක් (නාගෝපබිත) ද පැළඳ සිටියි. ඔහුගේ හිසට පසුපසින් ත්‍රිපත්‍ර චෛත්‍ය මෝස්තරයක් දැකගත හැකි අතර, සහායකයන් දෙදෙනකු වරකා පූජා කරන අයුරුත්, පියාඹන විද්‍යාධරයන් මල් මාලා දරා සිටින අයුරුත් දැකගත හැක.

මේවාත් බලන්න
 භුබනේස්වර්හි දේවාල ලැයිස්තුව

සටහන්

ආශ්‍රේයයන්
L. S.S. O' Malley, Bengal District Gazetter Puri, Calcutta 1908, P.
M.M. Ganguly, Orissa and Her Remains, Calcutta, 1912, P. 269.
N. K. Sahu (Ed), A History of Orissa, Vol. II, Delhi, 1980, P. 270.
R. L. Mitra. The Antiquities of Orissa, Vol. II, Calcutta, 1963, P. 118-121.

ඔඩිෂාවේ ශිව දේවාල
භුබනේස්වර්හි හින්දු දේවාල
8වන සියවසේ හින්දු දේවාල

භ්‍රිංගේස්වර ශිව දේවාලය


Constantin Dimache () a fost un pilot român de aviație, as al Aviației Române din cel de-al Doilea Război Mondial.

Adjutantul av. Constantin Dimache a fost decorat cu Ordinul Virtutea Aeronautică de război cu spade, clasa Crucea de Aur (19 septembrie 1941) pentru că "a doborît un avion în ziua de 12 Iulie 1941, în lupta aeriană pe teritoriul com. Gelogani, jud. R. Sărat" și, post-mortem, cu clasa Crucea de Aur cu prima și a doua baretă și clasa Cavaler (toate trei la 6 octombrie 1944).

Decorații
  Ordinul "Virtutea Aeronautică" de război cu spade, clasa Crucea de aur (19 septembrie 1941)
  Ordinul "Virtutea Aeronautică" cu spade, clasa Crucea de Aur cu o baretă (6 octombrie 1944)
  Ordinul "Virtutea Aeronautică" cu spade, clasa Crucea de Aur cu 2 barete (6 octombrie 1944)
  Ordinul "Virtutea Aeronautică" cu spade, clasa Cavaler (6 octombrie 1944)

Note

Nașteri în 1915
Decese în 1944
Ași ai aviației române din cel de-al Doilea Război Mondial
Decorați cu Ordinul Virtutea Aeronautică
Oameni din județul Buzău
Oameni uciși în Al Doilea Război Mondial

Constantin Dimache


Jeomorfoloji veya yüzey bilimi, anabilim dalı yer bilimi olan ve yerin yüzey şekillerinin tanımlanmasını ve oluşum süreçlerinin açıklanmasını konu edinen bilim dalıdır. Jeomorfoloji, karalar üzerinde ve denizaltında yer kabuğunun yüzeyinde görülen şekilleri inceleyen, oluşum ve evrimlerini açıklayan, bunları kendi yöntembilimi içerisinde sınıflandıran, coğrafî dağılım ve gruplandırmalarını, nedenleriyle birlikte araştıran bir bilim dalıdır. Bu tanım doğrultusunda jeomorfoloji, bir anabilim dalı olan yerbilimlerinin bir dalını oluşturur.

Konusu ve bölümleri
Jeomorfoloji konusu bakımından bazı ülkelerde (ABD, Kanada) yer bilimleri içerisinde, yer kabuğunun yapısı ve dinamiğiyle ilgili jeolojinin, bazılarında ise (Türkiye, Fransa) insan-doğal çevre koşulları arasındaki ilişkiyi inceleyen fiziki coğrafyanın alt dalıdır. Fiziki coğrafya yaklaşımında jeomorfolojinin konusu olan yerşekilleri, iklim, sular ve doğal canlılarla birlikte değerlendirilir. Jeolojik açıdan ise Yerkürenin cansız elemanları olan yer yapısı, yer şekli, iklim ve sular (fizyografya) jeomorfolojinin konusunu oluşturur. Jeoloji, jeofizik, haritacılık, toprak bilimi, paleontoloji ve taş bilimi jeomorfolojinin yararlandığı başlıca bilim dallarıdır. Jeomorfoloji incelediği konulara göre alt dallara ayrılır. "Akışkan jeomorfoloji" akarsuların oluşturduğu yeryüzü şekillerini, "karst jeomorfolojisi" kireçtaşları üzerinde oluşan şekilleri, "kıyı jeomorfolojisi" deniz ve göl kıyılarındaki şekilleri, "buzul jeomorfolojisi" buzullar tarafından oluşturulan yeryüzü şekillerini inceler.

Yukarıdaki tanımdan da anlaşılabileceği gibi jeomorfoloji, yer kabuğunda güncel olarak süregiden yer şekillenmesi süreçleri ile uğraşır ve nihai olarak jenetik yaklaşımla bu şekillenmenin tarihçesini ortaya koymaya çalışır. Yer kabuğu ve yer yapısında güncel olarak meydana gelen olay ve değişimler aynı zamanda jeolojinin de konusudur ve jeoloji bilimi bunlardan topladığı bulgularla Yerküre'nin zaman içerisinde geçirdiği evrimi aydınlatmayı hedefler. Bu kapsamda jeomorfoloji bugünün jeolojisi, jeoloji ise geçmişin jeomorfolojisi olarak değerlendirilebilir. Jeomorfoloji bilimi fiziksel coğrafya ve jeoloji araştırma yöntemlerinin her ikisini birden kullanır. Jeomorfolojik araştırma ve anlatımlar genelde sistematik ve analitik olmak üzere iki türde yapılır. Uygulamalı jeomorfoloji araştırmalarında ise jeolojideki mühendislik alt disiplini araştırmalarına benzer yöntemler uygulanır. Sistematik yaklaşımda () yer şekilleri görünüm ve büyüklüklerine göre ana yerşekili gruplarından başlanarak en küçük şekillere kadar taksonomik bir sınıflandırmaya tabi tutulur ve tanımlanır. Analitik yaklaşımda () ise yerşekilleri oluşum süreçlerine göre ayırt edilir.

Yukarıda anlatılanlar genel olarak klasik jeomorfoloji konuları içerinde sayılan olgulardır. Günümüzde jeomorfoloji oldukça fazla gelişme göstermiş ve nitel yorum bilim aşamalarından sonra nicel ve bilimsel bir kimliğe kavuşmuştur.

Farklı bakış açıları
Jeomorfoloji, her ülkede farklı bir görev üstlenmektedir. Doğu Bloku'ndaki ülkelerde, genelde plütonist veya yapısalcı bir bakış açısıyla yaklaşıldığından, her zaman ekonomik getirisi olan sahalarda kullanılmaya çalışılmaktadır. Bu çalışmalara en iyi örnek, petrol ve doğalgaz kaynaklarının tespitidir. Batı'da ise neptünist, yani iklimin hakim olduğu bir yaklaşım vardır ve burada genel olarak paleocoğrafik evrimi anlamaya, geçmiş ortamı analiz etmede kullanılmaktadır. Türkiye'deki jeomorfoloji betimlemeden öteye gitmemektedir. Yapılan en iyi çalışmalar, çok iyi jeolojik araştırması yapılan yerlerde, paleocoğrafik evrimin oluşturulmasıdır.

Uygulamaları
Jeomorfoloji, uygulamalı olarak çalışıldığında
 Arkeolojik sahaların paleocoğrafik evrimini yapmak,
 Erozyon tespiti (tarım alanı, mera, orman)
 Heyelan risk alanları tespiti (Türkiye'de yapılmış tüm heyelan çalışmaları, meydana gelen heyelanları analiz eder, oysa aslolan; heyelan gerçekleşmeden bu sahaların tespitini yapmak ve gereklli yerleri uyarmaktır)
 Taşkın ovalarında, taşkın esnasında su altında kalabilecek yerlerin tespitini yapmak,
 Yol yapımı (demir ve karayolu ve marina)

Bunun yanında teorik olarak da çalışılabilir.

Kaynakça

Dış bağlantılar

 Jeomorfoloji Derneği
 yerbilimleri.com
 Jeomorfoloji

Fiziki coğrafya
Coğrafya dalları

Jeomorfoloji