La Estación Ferroviaria de Estarreja, más conocida como Estación de Estarreja, es una plataforma de la línea del Norte, que sirve a la localidad de Estarreja, en Portugal.

Descripción

Localización y accesos
La estación se encuentra junto a la localidad de Estarreja, en frente de la avenida Vizconde Salreu.

Vías y plataformas
En enero de 2011, poseía seis vías de circulación, con longitudes entre los 448 y 632 metros; las plataformas presentaban todas 220 metros de extensión y 90 centímetros de altura.

Historia

Inauguración
La construcción de la línea del Norte, realizada por la Compañía Real de los Caminhos de Ferro Portugueses, avanzó en dos frentes, a partir de Entroncamento hacia el Norte y de Vila Nova de Gaia hacia el Sur; este último frente alcanzó hacia Estarreja el 8 de julio de 1863, habiendo la línea continuado hacia el Sur a partir de esta estación, llegando a Taveiro el 10 de abril de 1864. Después de la inauguración del tramo hasta Taveiro, fueron organizados servicios mixtos entre Coímbra y Vila Nova de Gaia, transitando por todas las estaciones en este tramo, incluyendo Estarreja.

El presupuesto de la Compañía Real para 1903 incluyó, entre otros ítems, la ampliación de las vías y de las plataformas, en el interior de esta estación.

El 1 de agosto de 1926, fue inaugurado un servicio de transporte viario, para el transporte de pasajeros, mercancías y equipajes, entre esta estación y el despacho central en Pardelhas, sirviendo, por el camino, las localidades de Veiros, Santa Luzia, Monte y Murtosa; realizado por autobuses, este servicio era prestado por la Empresa de Transportes de la Murtosa Ld.ª. En junio de 1934, la Compañía de los Caminhos de Ferro Portugueses inauguró un servicio propio de transporte viario, entre esta estación y Murtosa, donde fue instalado un despacho central.

En 1933, la Compañía de los Caminhos de Ferro Portugueses realizó obras de reparación y mejora en el edificio de pasajeros de esta estación.

Véase también
 Historia de la línea del Norte

Referencias

Enlaces externos
 Página con fotografías de la Estación de Estarreja, en ña web de Railfaneurope
 Fotografía de la Estación de Estarreja, en ela web de Panoramio
 Página oficial de la Estación de Estarreja, en la web de la Red Ferroviaria Nacional

Estarreja
Estarreja

Estación de Estarreja


Holice (bis 1948 slowakisch "Gala"; ungarisch Gelle oder Egyházgelle) ist eine Gemeinde im Südwesten der Slowakei, mit  Einwohnern (Stand ). Sie liegt im Okres Dunajská Streda, einem Teil des Trnavský kraj.

Geographie
Die Gemeinde liegt auf der Großen Schüttinsel (Žitný ostrov), einem Teil des slowakischen Donautieflands. Das Ortszentrum ist 11 Kilometer von Dunajská Streda und 38 Kilometer von der Hauptstadt Bratislava entfernt.

Geschichte
Die Gemeinde setzt sich aus den folgenden Katastralgemeinden zusammen: Beketfa, Čéfa, Kostolná Gala, Malá Budafa, Póšfa, Stará Gala, Veľká Budafa und Čentöfa. Diese sind weitgehend mit den 7 Gemeindeteilen identisch, bis aus Čéfa, das als Gemeindeteil Čechová heißt und ist zudem mit der Katastralgemeinde Čentöfa fusioniert. Jedes Dorf hat eine eigenständige Geschichte.

Der Hauptort wurde zum ersten Mal 1250 als Galla schriftlich erwähnt

Bis 1919 gehörte alle Orte im Komitat Pressburg zum Königreich Ungarn und kamen danach zur Tschechoslowakei. Durch den Ersten Wiener Schiedsspruch kamen 1938–45 sie erneut zu Ungarn.

1948 wurde der Ortsname aus nationalpolitischen Gründen in die heute noch gültige slowakisierte Form abgewandelt.

Bevölkerung
Ergebnisse nach der Volkszählung 2001 (583 Einwohner):

Sehenswürdigkeiten
 römisch-katholische Peter-und-Paul-Kirche

Weblinks

Einzelnachweise

Ort in der Slowakei

Holice (Slowakei)


The third HMS Illustrious of the British Royal Navy was a  pre-dreadnought battleship. The ship was built at the Chatham Dockyard; her keel was laid down in March 1895, her completed hull was launched in September 1896, and she was commissioned into the fleet in April 1898. She was armed with a main battery of four  guns and a secondary battery of twelve  guns. The ship had a top speed of .

Illustrious was assigned to the Mediterranean Fleet until 1904. Transferred to the Channel Fleet (which was subsequently reorganised to the Atlantic Fleet) she underwent a refit which was duly completed in early 1906. Rendered obsolete by the emergence of the new dreadnoughts, she served with the Home Fleet from 1908. One of the oldest battleships in the Royal Navy when World War I broke out, she served as a guard ship at various regions around Northern England until late 1915. Her main armament was removed and she then served as a store ship for the remainder of the war. She was decommissioned in 1919 and scrapped the following year.

Design

Illustrious was  long overall and had a beam of  and a draft of . She displaced up to  at full load. Her propulsion system consisted of two 3-cylinder triple-expansion steam engines powered by eight coal-fired, cylindrical fire-tube boilers. By 1907–1908, she was re-boilered with oil-fired models. Her engines provided a top speed of  at . The Majestics were considered good seaboats with an easy roll and good steamers, although they suffered from high fuel consumption. She had a crew of 672 officers and ratings.

The ship was armed with a main battery of four BL  Mk VIII guns in twin-gun turrets, one forward and one aft. The turrets were placed on circular barbettes, unlike six of her sisters, which retained earlier pear-shaped barbettes. Illustrious also carried a secondary battery of twelve QF  /40 guns. They were mounted in casemates in two gun decks amidships. She also carried sixteen QF 12-pounder guns and twelve QF 2-pounder guns for defence against torpedo boats. She was also equipped with five  torpedo tubes, four of which were submerged in the ship's hull, with the last in a deck-mounted launcher.

Illustrious and the other ships of her class had 9 inches (229 mm) of Harvey steel in their belt armour, which allowed equal protection with less cost in weight compared to previous types of armour. This allowed Illustrious and her sisters to have a deeper and lighter belt than previous battleships without any loss in protection. The barbettes for the main battery were protected with  of armour, and the conning tower had the same thickness of steel on the sides. The ship's armoured deck was  thick.

Service history

The keel for HMS Illustrious was laid down at the Chatham Dockyard on 11 March 1895 and the ship was launched on 17 September 1896. She commissioned at Chatham for service in the Fleet Reserve on 15 April 1898, Captain Sir Richard Poore in command. She went into full commission there on 10 May 1898 for service in the Mediterranean Fleet.

While in the Mediterranean, Illustrious participated between September and December 1898 in the operations at Crete of the International Squadron, a multinational force made up initially of ships of the Austro-Hungarian Navy, French Navy, Imperial German Navy, Italian Royal Navy (Regia Marina), Imperial Russian Navy, and Royal Navy that intervened between February 1897 and December 1898 in the 1897-1898 Greek Christian uprising against the Ottoman Empire′s rule on the island. By the time Illustrious joined the squadron, Austria-Hungary and the German Empire had withdrawn from the squadron, but the other four countries remained active in it. Its senior admirals formed an "Admirals Council" that governed Crete during the intervention, and the admirals decided in early September 1898 that the British should take control of the customs house at Candia (now Heraklion) in order to exact an export duty to fund the administration of the island. This resulted in a violent riot by Cretan Turks against British soldiers, sailors, and Christian civilians in Candia on 6 September 1898, which in turn prompted a flood of reinforcements to the town by the International Squadron. Illustrious was among the ships that arrived in the harbour in mid-September 1898 to help maintain order in the wake of the riot.

Captain Frank Finnis was appointed in command in February 1900, and in 1901 she underwent a refit at Malta. Captain Francis John Foley was appointed in command on 24 March 1902, and the following June she was the lead ship in a coronation fête at Gibraltar. In July 1904, Illustrious transferred to the Channel Fleet. As a result of a reorganisation on 1 January 1905, the Channel Fleet became the Atlantic Fleet, and she became an Atlantic Fleet ship. Illustrious ended her Atlantic Fleet service in September 1905 and began a refit at Chatham.

Emerging from the refit, she commissioned into the Reserve at Chatham on 14 March 1906, then went into full commission for service in the new Channel Fleet (formerly the Home Fleet) on 3 April 1906, serving as Flagship, Rear Admiral. She collided with schooner Christa in the English Channel in fog on 13 June 1906. She was relieved as flagship and ended her Channel Fleet service on 1 June 1908, paying off at Chatham. Illustrious recommissioned at Chatham on 2 June 1908 for service with the Portsmouth Division of the new Home Fleet. On 22 March 1909 she collided with third-class cruiser  in Portsmouth Harbour, but suffered no damage. She suffered another mishap on 21 August 1909 when she damaged her bottom by striking a reef in Babbacombe Bay. She underwent a refit in 1912, and later that year was transferred to the 3rd Fleet and participated in manoeuvres as Flagship, Vice Admiral, 7th Battle Squadron.

In late July 1914, the Royal Navy began a precautionary mobilisation, as war seemed imminent. The  ships were by then the oldest and least effective battleships in service in the Royal Navy. At first, it was planned that Illustrious would pay off to provide crewmen for the new dreadnought battleship , but instead she was placed in full commission to serve as a guard ship for the Grand Fleet once World War I began in August 1914. She began guard ship duty at Loch Ewe on 23 August 1914, transferring to Loch Na Keal on 17 October 1914, to the Tyne in November 1914, and to Grimsby on the Humber in December 1914. She remained on guard ship duty on the Humber until November 1915.

Illustrious paid off at Grimsby on 26 November 1915 to be converted to a disarmed harbour ship; two of her 12-inch (305-mm) guns were re-used in the Tyne Turrets. Her conversion was completed in March 1916. She served at Grimsby in her new role until August 1916, when she transferred to Chatham. Illustrious commissioned there on 20 November 1916 for use as a munitions storeship, and on 24 November 1916 she transferred to the Tyne to serve in this role. In November 1917, she transferred to Portsmouth to continue service as a munitions storeship there. Illustrious paid off on 21 April 1919 and was placed on the sale list at Portsmouth on 24 March 1920. She was sold for scrapping on 18 June 1920, and was broken up at Barrow.

Footnotes

Notes

Citations

References

External links

 Maritimequest HMS Illustrious Photo Gallery

Majestic-class battleships
Ships built in Chatham
1896 ships
Victorian-era battleships of the United Kingdom
World War I battleships of the United Kingdom

HMS Illustrious (1896)


Viktor Amadeus 1. af Savoyen-Carignano (født 1. marts 1690, død 4. april 1741) var titulær fyrste af Carignano i 1709–1741.

Forfædre
Viktor Amadeus 1. var oldesøn af hertug Karl Emanuel 1. af Savoyen, og han var tipoldesøn af hertug Emanuele Filiberto af Savoyen, kong Filip 2. af Spanien, Elisabeth af Valois og Ludvig 1. af Bourbon-Condé.

Ægteskab
Viktor Amadeus 1. var gift med Maria Vittoria af Savoyen-Carignano (1690 – 1766). Hun var datter af Viktor Amadeus 2. af Sardinien-Piemont, der var Sardiniens første konge.
De fik fem børn. Deres ældre overlevende søn var:
 Luigi Vittorio af Savoyen-Carignano, han blev forfader til de italienske konger.

Huset Savoyen

Viktor Amadeus 1. af Savoyen-Carignano


يقع حي الورديان داخل مدينة الإسكندرية المصرية العريقة وبالتحديد في حي غرب الإسكندرية، وتعد الظهير الأساسي لميناء الإسكندرية، وهي من أفضل المناطق الشعبية من حيث التقسيم الميدانى لشوارعها والتخطيط الفني لها، وهي منطقة نموذجية من حيث توافر جميع الخدمات، فلا تكاد تخلو شوارعها من توافر معظم الخدمات الرئيسية بالشارع الواحد.

كما تتميز هذه المنطقة بكثرة العائلات والجو الاجتماعي والترابط بين افرادها.

تعد الورديان أحد لمناطق الأثرية حيث توجد بها "مقبرتا الورديان"، ويرجح أنها ترجع إلى عام 300 ق.م. وهي جزء من مقابر جبانة الورديان والتي جرى نقلها إلى منطقة كوم الشقافة إنقاذاً للمقبرة، وتتميز بأسلوب معماري فريد من نوعه.

أصل التسمية بالورديان

يوجد أكثر من رأي بشأن أصل تسمية المنطقة بـ«الورديان»:
 أحد الآراء يرجع التسمية نظراً لأن الجمارك كانت في أيدي الأنجليز فقد كانوا يطلقون على المخازن وارد وتطورت إلى ورديان.
 وهناك رأي آخر يرى انها تعني حرس الدفاع عن الواردات خصوصا الدخان.
 والراجح من تسمية الورديان بهذا الاسم أن هذه التسمية جاءت في زمان الحملة الفرنسية من تاريخ 1798 والتي انتهت 1801 والتي كان قائدها نابليون بونابرت فقد قام بزراعة غرب الإسكندرية بحدائق وبساتين الفاكهة لتغذية جنود الحملة، وكانت بها العديد من المشاتل في شكل صوبات زجاجية وهي ما سماها الإنجليز فيما بعد بـ"Wardian" باللغة الإنجليزية.

ميادين الورديان

أشهر ميادين الورديان هو «ميدان الصينية» وكانت الورديان أحد مناطق اللاجئين اليهود المفضلة خلال الحرب العالمية الأولى.
ميدان الصنية
شارع المكس
شارع الامان
شارع المتراس
شارع القفال
شارع الإسناوي

التعليم في الورديان

تعد الورديان أحد مناطق النهضة والتنوير في الإسكندرية حيث كانت نبوية موسى رائدة تعليم الفتيات في مصر الحديثة ناظرة لمدرسة معلمات الورديان بالإسكندرية، وظلت في هذه الوظيفة حتى عام 1920، وكما يقول د. محمد أبوالإسعاد في كتابه «نبوية موسى ودورها في الحياة المصرية» حين رأى الإنجليز لأسباب سياسية ترقيتها مفتشة للتعليم الأولي بالوزارة، لكن لم يكن لنبوية موسى عمل فعلي في الوزارة.

مدارس الورديان
 مدرسة المتراس الخاصة
 مدرسة الورديان الصناعية - بنات وهي مدرسة المعلمات سابقا التي كانت نبوية موسى ناظرة لها.
 مدرسة الورديان الصناعية -بنين- نظام الخمس سنوات.
 الورديان الثانوية للبنين.
 مدرسة طاهر بك الاعدادية للبنين
 مدرسة الجلاء.
 مدرسة الورديان الاعدادية للبنات.
 مدرسة خالد بن الوليد الخاصة الابتدائية.
 مدرسة الطليعة الابتدائية.
 مدرسة صلاح الدين الابتدائية.
 مدرسة الأمير لؤلؤ الابتدائية.
 مدرسة السيدة عائشة الابتدائية.
 مدرسة شجرة الدر.
 مجمع مدارس الإخلاص.
 مدرسة أبو الهول.
 مدرسة الإسلام.
 مدرسة الأمان.
 مدرسة المروة الخاصة الابتدائية.
 مدرسة خالد بن الوليد الخاصة الابتدائية.
 مدرسة العروبة الابتدائية.

أحياء الإسكندرية
أماكن مأهولة في محافظة الإسكندرية

الورديان


Senoco de Tours (fl. 526 -576) fue un abad Taifal. Es venerado como santo por la Iglesia católica.

Biografía
Senoco nació en Tiffauges, en Poitou. Fundó el monasterio en 536, y fue su primer abad. Se estableció para él mismo un lugar que ahora es llamado Saint-Senoch, sobre unas ruinas romanas. Senoco fue famoso por sus actos de austeridad, como mostrarse asiduo a las vigilias, la oración y la caridad hacia los siervos y encerrarse en espacios tan pequeños que no le permitían siquiera girarse.

Senoco conoció a San Eufronio, obispo de Tours, y a su sucesor San Gregorio de Tours.

Referencias

Enlaces externos
 Saints of October 24: Senoch

Santos católicos de Francia del siglo VI
Abades
Religiosos de Francia del siglo VI

Senoco de Tours


Slovenia a participat la Jocurile Olimpice ca țară independentă începând cu ediția din 1992. Codul CIO este SLO.

Medalii după olimpiadă

Medalii la Jocurile de vară

Medalii la Jocurile Olimpice de iarnă

Sportivii cei mai medaliați

Referințe
  Slovenia la Comitetul Internațional Olimpic
  Rezultate olimpice ale Sloveniei  pe Sports Reference

Slovenia la Jocurile Olimpice


Der Dominikanertriel (Burhinus bistriatus) ist eine Watvogelart aus der Familie der Triele. Er kommt in vier Unterarten in Mittelamerika, in der Karibik und in Südamerika vor.

Merkmale
Der Dominikanertriel ist ein mittelgroßer Vogel mit langen Beinen und einem langen Hals. Er erreicht eine Körperlänge von 43 bis 48 cm. Die Oberseite ist fein graubraun gestrichelt. Hals und Brust sind heller braun. Der Bauch ist weiß. Am Kopf verläuft ein starker weißer Überaugenstreif, der von einem schwarzen Scheitelstreifen begrenzt ist. Die juvenilen Vögel ähneln den Altvögeln. Bei ihnen ist die Oberseite etwas brauner und der Hals ist weißlich.

Verbreitung
Die Nominatform Burhinus b. bistriatus kommt von Südmexiko südlich bis ins nordwestliche Costa Rica vor. Burhinus b. dominicensis lebt auf Hispaniola. Das Verbreitungsgebiet von Burhinus b. pediacus ist auf das nördliche Kolumbien beschränkt. Burhinus b. vocifer ist in Venezuela, Guyana und im äußerten Norden Brasiliens verbreitet. Der Dominikanertriel wurde als Irrgast auf Trinidad, Curaçao und in den Vereinigten Staaten festgestellt.

Lebensraum
Der Dominikanertriel bewohnt offenes Grasland und Buschsavannen, häufig in halbtrockenen oder trockenen Regionen. Auch auf Farmland mit trockenen Feldpfaden wurde die Art beobachtet. Der Dominikanertriel bevorzugt flache Landschaften mit oder ohne vereinzelte Bäume oder Büsche, jedoch immer mit einem offenen Charakter.

Lebensweise
Der Dominikanertriel ist ein Standvogel. Vereinzelte Irrgäste wurden jedoch schon in Curaçao (Juli 1934) und Texas (Dezember 1961) beobachtet. Er ist nicht gesellig, manchmal bildet er jedoch kleine vereinzelte Trupps. Der Dominikanertriel ist dämmerungs- und nachtaktiv. Den Tag über ruht er unauffällig. Das Nest ist eine einfache Mulde im Boden, manchmal wird auch ein Hufabdruck genutzt. Das Gelege besteht aus zwei braunen Eiern. Der Dominikanertriel fliegt nur selten. Bei Gefahr nimmt er meist eine Hockstellung ein und vertraut auf seine Tarnung.

Status
Über den Populationsstatus des Dominikanertriels liegen keine Daten vor. BirdLife International stuft ihn in die Kategorie "nicht gefährdet" (least concern) ein. In Südmexiko, Guatemala und Costa Rica ist er lokal ziemlich häufig bis häufig. Dort ist er ein typischer Vogel der Westpazifikküste. Auf Hispaniola, wo er früher weit verbreitet war, ist er selten geworden. Der Rückgang ist vor allem auf übermäßige Bejagung und Lebensraumverluste zurückzuführen. In Kolumbien ist er an der Karibikküste und in den Ostanden relativ häufig. Im Westen des Landes ist er weniger häufig und sein Vorkommen örtlich begrenzt. Häufig werden Dominikanertriele Opfer von nächtlichen Verkehrsunfällen. Manche Farmer halten sich halbdomestizierte Triele zur Insektenbekämpfung.

Fossilfunde
1958 fanden die Paläontologen Joshua Clifton Dickinson und Walter Auffenberg in den pleistozänen Ablagerungen der Banana Hole auf der Bahamas-Insel New Providence die fossilen Überreste einer Trielart, die Pierce Brodkorb 1959 als Burhinus nanus beschrieb. Bei einer Neubetrachtung des Knochenmaterials im Jahr 1982 fanden die Paläontologen Storrs L. Olson und William B. Hilgartner heraus, dass es sich um eine Unterart des Dominikanertriels handelt und vergaben die neue Kombination Burhinus bistriatus nanus.

Literatur
 Peter Hayman, John Marchant & Tony Prater: Shorebirds - an identification guide to the waders of the world. 2., überarbeitete Auflage, A & C Black, 1991, ISBN 0713635096.
 Josep del Hoyo et al.: Handbook of the Birds of the World (HBW). Band 3: Hoatzin to Auks. Lynx Edicions, Barcelona 1996, ISBN 84-87334-20-2, S. 362.

Weblinks

Einzelnachweise

Regenpfeiferartige

Dominikanertriel


Onthophagus willameorum é uma espécie de inseto do género Onthophagus, família Scarabaeidae, ordem Coleoptera.

Foi descrita cientificamente por Walter & Cambefort em 1977.

Referências

Ligações externas

willameorum
Coleópteros descritos em 1977

Onthophagus willameorum


Le temple funéraire de Mérenptah est un temple de l'Égypte antique situé dans la nécropole thébaine, sur la rive ouest du Nil, près du village actuel de Qurna, en face de la ville de Louxor. Il s'agit du temple des millions d'années du pharaon Mérenptah, fils et successeur de . Ce monument est aujourd'hui presque entièrement détruit.

Description

Le temple est situé dans la même zone que les autres temples funéraires de la nécropole thébaine, à environ quatre-cents mètres au sud du Ramesséum et à environ sept-cents mètres au nord du temple de . L'alignement de ces édifices suggère qu'ils ont été construits le long d'un canal ou d'un bras du Nil aujourd'hui disparu. Le temple de Mérenptah se situe à l'angle nord-ouest de l'Amenophium dont il empiète sur l'enceinte. En fait, le temple de Mérenptah a été presque entièrement construit de pierres provenant du temple funéraire d'.

Le complexe funéraire mesure environ cent-vingt mètres de long pour cent mètres de large. La partie principale, construite en pierre (calcaire et grès), est organisée selon un plan relativement classique : un premier pylône ouvre sur une première cour, puis un second pylône donne accès à une autre cour. Depuis la seconde cour, on accède à l'intérieur du temple. Celui-ci se compose de deux salles hypostyles successives et finalement du sanctuaire. Le reste du temple a été construit en briques et se compose d'un palais et de diverses pièces de stockage et d'entretien.

Histoire

Construction et destruction
Le temple fut construit en quelque cinq années, aux alentours de -1210. Ce temple était censé assurer le culte du pharaon Mérenptah après sa mort et assurer l'immortalité de son âme. Les ouvriers employèrent de nouveaux matériaux pour la construction mais réutilisèrent aussi largement ceux provenant de l'Amenophium voisin. Bien que construit à peine cent-cinquante ans plus tôt, le temple funéraire d' était déjà en grande partie détruit sous le règne de Mérenptah, probablement la conséquence d'un séisme majeur. Les ouvriers de Mérenptah auraient alors entrepris le démontage de l'Amenophium de manière systématique et rationnelle. Ainsi, les matériaux réutilisés inclurent aussi bien des pierres employées dans la construction du temple que les briques utilisés dans les parties annexes et les murs d'enceintes. Stèles et statues furent aussi réutilisées. Ces éléments furent alors redécorés, les blocs de pierre étant par exemple plâtrés et resculptés tandis que le verso des stèles était gravé de nouveaux textes.

La période exacte de la destruction du temple est inconnue mais elle est antérieure à la période ptolémaïque puisque le temple était utilisé comme carrière de calcaire sous la dynastie lagide. En fait, certains blocs de pierre du temple de Mérenptah furent utilisés dans la construction du temple funéraire de  à la dynastie suivante. De plus, certains récits de bataille de  contre les peuples de la mer, sculptés sur les murs de son temple, pourraient être des copies de textes décorant originellement le temple funéraire de Mérenptah.

Redécouverte et conservation

Lorsque les savants français de la Commission des sciences et des arts visitèrent la nécropole thébaine lors de la campagne d'Égypte de Bonaparte (1798-1801), le temple était déjà entièrement ruiné et utilisé comme source de pierre calcaire par les habitants des environs pour la fabrication de la chaux. Le temple funéraire de Mérenptah ne fut véritablement découvert que plusieurs décennies plus tard. Les vestiges du temple furent d'abord attribués à  en raison de l'importante réutilisation de pierres provenant de l'Amenophium. Le temple fut étudié pour la première fois par Flinders Petrie en 1896. L'égyptologue britannique souhaitait à l'origine fouiller le temple des millions d'années d' mais la concession de ce dernier fut réservée à Jacques de Morgan, directeur du Service des antiquités de l'Égypte. Petrie dût se contenter du petit temple voisin qu'il attribua à Mérenptah. Le Britannique dégagea les vestiges de l'édifice qu'il fouilla en détail et en dressa les plans. Petrie excava un certain nombre d'objets dont des morceaux de sphinx, des statues divines et royales, des effigies de chacals, des stèles, des ostraca et de la poterie. Ironiquement, le Britannique découvrit plus de pièces provenant de l'Amenophium dans le temple de Mérenptah que Morgan dans le temple même d'. Des blocs du temple d' démontés et utilisés tels quels dans les fondations du temple de Mérenptah furent particulièrement bien préservées et conservèrent leurs décorations et reliefs d'origine. Petrie découvrit également dans le temple la fameuse stèle de la Victoire, une stèle de granite également empruntée à  dont le verso vierge fut sculpté sous Mérenptah. Le texte inscrit sur la stèle, relatant les victoires militaires de Mérenptah, a été le sujet de nombreux débats car il pourrait contenir l'une des plus anciennes mentions d'Israël.

Plus récemment, le temple funéraire de Mérenptah a été étudié et restauré par une équipe de l'Institut suisse de recherches architecturales et archéologiques de l'Ancienne Égypte dirigée par Horst Jaritz. Après dix-sept ans de travaux échelonnés entre 1971 et 2002, le monument a été officiellement ouvert au public en avril 2002.

Notes et références

Bibliographie

Index égyptologique
Mérenptah
Mérenptah

Temple funéraire de Mérenptah


Čierne nad Topľou este o comună slovacă, aflată în districtul Vranov nad Topľou din regiunea Prešov. Localitatea se află la , se întinde pe o suprafață de  și în 2017 număra 752 de locuitori.

Istoric
Localitatea Čierne nad Topľou este atestată documentar din 1399.

Note

Legături externe

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Čierne nad Topľou


පරිත්‍යාගයේ මංගල්‍යය, මහා මංගල්‍යය, මහා ඊඩ්, කුර්බාන් බයිරාම් (; සර්බෝ-ක්‍රොඒට්-බොස්නියානු: කුර්බාන්-බජිරාම්), හෝ ඊඩ් ඉ කුර්බාන්() ලෙසින්ද හැඳින්වෙන, ඊඩ් අල් අධ්හා ( යනු, ලොව පුරා  මුස්ලිම්වරුන් විසින් සමරනු ලබන වැදගත්  ආගමික නිවාඩු දිනයක් වන අතර, අල්ලාහ් මැදිහත්වී එය වෙනුවට  බිලි පූජාවක් වශයෙන් බැටළු පැටවකු ඔප්පු කරන ලෙස නියම කරන තුරු, අල්ලාහ්ගේ අණ පරිදී  ආදි පිතෘ ඉබ්‍රාහිම් (ආබ්‍රහම්)  විසින් ඔහුගේ ළමා පළමු-පුතු  ඉස්මයිල් (ඉස්මායෙල්) බිලි පූජාවක් ලෙස ඔප්පු කිරීමට කැමති වීම සහ එසේ ඔප්පු වීමට ඔහුගේ පුතුගේ කැමැත්ත පල වීම මෙදිනදී සිහිපත් කෙරෙයි.

ආබ්‍රහම්ගේ ජීවිතයේ එක් ප්‍රධාන පරීක්ෂණයක් වූයේ තම ආදරණීය පුත්‍රයාව පූජා කිරීමෙන් දෙවියන් වහන්සේගේ අනට මුහුණ දීමයි. ඉස්ලාමයේ, ආබ්‍රහම් තම පුත් ඉෂ්මායෙල්ව පූජා කරන බවට සිහින දුටුවේ ය. මෙය දෙවියන් වහන්සේගෙන් ලද අනක් බව ආබ්‍රහම් දැන සිටි අතර ඔහු තම පුත්‍රයාට අල් කුර්ආනයේ සඳහන් පරිදි "අනේ පුතේ, මම ඔබව මරා දමන බව සිහින දකිමි" යනුවෙන්  කී විට පුත්‍රයා  පිළිතුරු දුන්නේ. "පියාණෙනි, ඔබට කිරීමට අණ කළ දේ කරන්න. ආබ්‍රහම් දෙවියන් වහන්සේගේ කැමැත්තට යටත් වීමට සූදානම් වූ අතර ඇදහිල්ල හා දෙවියන් වහන්සේට කීකරු වීමක් ලෙස තම පුත්‍රයා පූජා  කිරීමට සූදානම් විය. මෙම සූදානම අතරතුර, ෂයිතාන් ආබ්‍රහම් සහ ඔහුගේ පවුලේ අයව දෙවිගේ අන ඉටු කිරීමෙන් වලක්වා ගැනීමට උත්සාහ කළ අතර, ආබ්‍රහම් සාතන්ට ගල් කැට විසි කර දැමුවේය. සාතන් ප්‍රතික්ෂේප කිරීම සිහිපත් කිරීම සඳහා, හජ් චාරිත්‍ර අතරතුර යක්ෂයාට ගල් ගැසීම සංකේතාත්මක කුළුණු වලට ගල් ගසනු ලැබේ.

ආබ්‍රහම්
ආබ්‍රහම් තමාට ආදරය කරන දේ පූජා කිරීමට කැමති බව පිළිගත් සර්වබලධාරි දෙවි ආබ්‍රහම්ට හා ඉෂ්මායෙල්ට ගෞරව කළේය. ජිබ්රීල් (ගේබ්‍රියෙල්) ඒබ්‍රහම්ව හැඳින්වූයේ "ඕ ආබ්‍රහම්, ඔබ හෙළිදරව්ව ඉටු කර ඇත" යනුවෙනි. ඉශ්මායෙල් වෙනුවට ආබ්‍රහම් අනාගතවක්තෘවරයා බටලු  පැටවෙකු පූජා කළේය. ලොව පුරා මුස්ලිම්වරු ඊද් අල් අදා සමරන්නේ ආබ්‍රහම්ගේ   හා  ඉෂ්මායෙල්ගේ   භක්තිය සිහි  කිරීම සඳහා ය.

මෙම කථාව යුදෙව් ආගමේ අකේඩා (ඊසාක් බන්ධනය) ලෙස හැඳින්වෙන අතර එය ආරම්භ වන්නේ මෝසෙස්ගේ පළමු පොත වන ටෝරාහි ය [30] (උත්පත්ති, පරි. 22). අල් කුර්ආනය අකේඩා ගැන පහත සඳහන් පරිදි සඳහන් කරයි:

100 "මාගේ ස්වාමීනි, මට ධර්මිෂ් (පුතෙක්) දෙන්න!"

101 එබැවින් දුක් විඳීමට සහ ඉවසීමට සූදානම් පිරිමි ළමයෙකුගේ ශුභාරංචිය අපි ඔහුට ලබා දුන්නෙමු.

102 එවිට (පුතා) ඔහු සමඟ (බැරෑරුම්) වැඩ කරන විට, "මාගේ පුත්‍රය, මම ඔබට පූජා ඔප්පු කරන බව දර්ශනයෙන් දකිමි: දැන් බලන්න ඔබේ අදහස කුමක්ද!" (පුතා) "මාගේ පියාණෙනි, ඔබට අණ කළ පරිදි කරන්න. අල්ලාහ් (දෙවියන්) එසේ කරන්නේ නම් ඉවසීම හා ස්ථාවරභාවය පිළිපැදීමට යමෙක් කැමති නම් ඔබ මාව සොයාගනු ඇත!

103 එබැවින් ඔවුන් දෙදෙනාම තම කැමැත්ත (අල්ලාහ්ට) ඉදිරිපත් කර, ඔහුගේ නළල මත වැඳ වැටී (පූජා කිරීම සඳහා),

104 අපි ඔහුට කතා කොට "ආබ්‍රහම්!

105 "ඔබ දැනටමත් දර්ශනය සම්පූර්ණ කර ඇත!" හරි දේ කරන අයට අපි විපාක දෙන්නෙමු.

මක්නිසාද යත් මෙය පැහැදිලිවම අත්හදා බැලීමකි.

107 අපි ඔහුව ඉතා වැදගත් පූජාවකින් මුදවාගත්තෙමු.

108 පසු කලෙක දී අපි ඔහුට මෙම ආශීර්වාදය පරම්පරා ගණනාවක් අතර තැබුවෙමු.

109 "ආබ්‍රහම්ට සාමය හා ආචාරය!"

110 හරි දේ කරන්නන්ට අපි විපාක දෙන්නෙමු.

11 මන්ද, ඔහු අපේ ඇදහිලිවන්ත සේවකයෙකි.

112 ධර්මිෂ්යන්ගෙන් කෙනෙකු වූ අනාගතවක්තෘවරයෙකු වූ ඊසාක්ගේ ශුභාරංචිය අපි ඔහුට ලබා දුන්නෙමු.

- අල් කුර්ආනය, සූරා 37 (Aṣ-Ṣāffāt), āyāt 100–112

අල් කුර්ආනයේ පස්වන සූරත වන අල්-මයිඩා හි "ඊද්" යන වචනය වරක් සදහන්  අතර එහි අර්ථය "බැරෑරුම් උත්සවය" යන්නයි.

පූජා කිරීමේ අරමුණ
ඊද් අල්-අදාහි පූජා කිරීමේ අරමුණ අල්ලාහ් තෘප්තිමත් කිරීම සඳහා ලේ වැගිරීම නොවේ. එය අල්ලාහ් කෙරෙහි තම භක්තිය පෙන්වීම සඳහා බැතිමතුන් වඩාත්ම ආදරය කරන දෙයක් කැප කිරීමයි. පූජා කරන ලද සත්වයාගේ මස් සමාන කොටස් තුනකට බෙදා ගැනීම අනිවාර්ය වේ - පවුල, නෑයන්  සහ මිතුරන් සහ දුප්පතුන් සඳහා.  සැමරුමට භක්තිය, කරුණාව සහ සමානාත්මතාවය පිළිබඳ පැහැදිලි පණිවිඩයක් ඇත. මස් අල්ලාහ් වෙත ළඟා නොවන බවත්, රුධිරය නොලැබෙන බවත් කියනු ලැබේ, නමුත් ඔහු වෙත ළඟා වන්නේ බැතිමතුන්ගේ භක්තියයි.

ඊද් යාච්ඤා

බැතිමතුන් පල්ලියේදී ඊද් අල්-ආදා යාච්ඤා  කරති. ඊද් අල්-ආඩා යාච්ඤා  සිදු කරනු ලබන්නේ ඕනෑම වේලාවක සූර්යයා නැඟී සිට සුහර් වේලාවට පිවිසීමට මොහොතකට පෙර, ධු අල්-හිජ්ජා 10 වන දින ය. බලහත්කාරයෙන් (උදා: ස්වාභාවික විපත්තියක්) සිදුවුවහොත්, යාච්ඤා  ධු අල්-හිජ්ජා හි 11 වනදා දක්වාත් පසුව 12 වනදා සිට අල් අල්-හිජ්ජා දක්වාත් ප්‍රමාද විය හැකිය.

සමූහය  තුළ ඊද් යාච්ඤා  කළ යුතුය.  කාන්තාවන්ගේ සහභාගීත්වය ප්‍රජාවෙන් ප්‍රජාවට වෙනස් වේ. එය පළමු රාකාහි තක්බීර් හතක් සහ දෙවන රාකාහි තක්බීර් පහක් සහිත රාකාත් දෙකකින් සමන්විත වේ. ෂියා මුස්ලිම්වරුන් සඳහා, සලාත් අල්-ඊද් දිනපතා යාච්ඤා  පහට වඩා වෙනස් වන්නේ ඊද් යාච්ඤා  දෙක සඳහා කිසිදු ආධාන් (යාච්ඤාවට  කැඳවීම) හෝ ඉකාමා (ඇමතුම) නොකියන බැවිනි.  සලාතයට (යාච්ඤා ) පසුව කුමාබා නොහොත් දේශනය ඉමාම් විසින් අනුගමනය කරනු ලැබේ.

එය අවසානයේදී මුස්ලිම්වරු එකිනෙකා සමඟ සුබ පැතුම් හුවමාරු කර ගනිති (ඊද් මුබාරක්), තෑගි ලබා දෙමින් එකිනෙකා බැලීමට. ඉස්ලාමය සහ මුස්ලිම් සංස්කෘතිය පිළිබඳව වඩාත් හොඳින් දැන හඳුනා ගැනීම සඳහා බොහෝ මුස්ලිම්වරු තම මිතුරන්, අසල්වැසියන්, සම සේවකයින් සහ පංතියේ ළමයින්ට ඔවුන්ගේ ඊද් උත්සවවලට ආරාධනා කිරීමට ද මෙය අවස්ථාවක් කර ගනිති.

ආශ්‍රිත
https://en.m.wikipedia.org/wiki/Eid_al-Adha

ඊඩ් අල් අධ්හා


Søster Palsang Amor er en dansk dokumentarfilm fra 2004 instrueret af Anne Hovad Fischer og Malene Choi Jensen.

Handling
Filmen tager med os med højt op Himalaya til et buddhistisk kloster, hvor vi møder nonnen, søster Palsang Amor: hun tager os med rundt i omgivelserne og ind i klostret for at følge hverdagen. Filmen kan ses som et billede af buddhismens religiøse kultur med arbejde og bøn, men den kan også knyttes til den sammenhæng vi får ved landets geografiske placering og dets natur og kultur.

Referencer

Eksterne henvisninger

Danske film fra 2003
Oplysningsfilm fra Danmark

Søster Palsang Amor


සහශ්‍රවර්ෂයක්  යනු  වර්ෂ  1000කට සමාන වන කාල පරිච්ඡේදයකි.  එය සමහරවිට, එනමුදු සැම විට නොව, කිසියම් කාලමාන ක්‍රමයකට ආශ්‍ර වෙයි.

සමහරවිට, සලකා බැලෙන දින දසුනෙහි ඇරඹුම් ස්ථානය (මුල් සමුද්දේශ ස්ථානය) (දර්ශීය වශයෙන් වසර "1") වෙතින් ඇරඹෙන හෝ,  පසුකාලීන වසර වලදී,  අවුරුදු දහස් ගණනේ පූර්ණ සංඛ්‍යා ගුණාකාර වලින් පසුව පැමිණෙන ස්ථාන වෙතින් ඇරඹෙන හෝ, අවුරුදු දහස් ගණනේ කාල සීමාවන් සඳහා මෙය භාවිතා වෙයි. ඕනෑම දිනයකින් ඇරඹෙන කාල පරාසයක් සඳහාද මෙම පදය භාවිතා විය හැක. පසු අවස්ථාවෙදී නිරන්තරයෙන්ම  (සහ පළමු අවස්ථාවෙහිදී සමහරවිට) එය වෙත ආගමික හෝ දේවධර්මීය හෝ ගම්‍යාර්ථ තිබිය හැක (සහශ්‍රවර්ෂවාදය බලන්න).  "සහශ්‍රවර්ෂයක්" ලෙසින් හැඳින්වෙන කාල පරාසයක්, සමහරවිට, අතිශය නිශ්චිත නොවන ලෙසින්, එනම් සැමවිටම  වසර 1000 දිගු නොවන අයුරින් භාවිතා විය හැක. නිදසුන් ලෙසින්, එය  1050, 1500, ආදි ලෙසින් විය හැක.

කාලය මැනීමේ ඒකක
කාලානුක්‍රමය
සහස්‍රවර්ෂ

සහස්‍රවර්ෂ


Trenul merge spre răsărit (titlul original: în )  este un film de comedie sovietic, realizat în 1948 de regizorul Iuli Raizman,  protagoniști fiind actorii Lidia Dranovskaia, Leonid Gallis, Maria Iaroțkaia.

Conținut

În seara zilei de 9 mai 1945, când mii de oameni au sărbătorit  Ziua Victoriei în piețele și străzile din Moscova, trenul spre Vladivostok a plecat din Gara de Nord. O tânără absolventă a Academiei de Agronomie, Zina Sokolova, și un ofițer naval, Lavrentiev din Leningrad, s-au întâlnit într-un compartiment al trenului. La început, cei doi nu se plac, dar în una din stații pierd trenul și ajung în diferite situații amuzante. În timpul călătoriei forțate pe care au făcut-o amândoi, tinerii s-au îndrăgostit unul de celălalt.

Distribuție
 Lidia Dranovskaia – Zinaida Sokolova
 Leonid Gallis – Lavrentev
 Maria Iaroțkaia – Maria Zakharova
 Mihail Vorobliov – Boris Berezin
 Konstantin Sorokin – șeful de tren
 Vladimir Liubimov – directorul fabricii
 Vladimir Lepko – crainicul stației
 Andrei Petrov – Goncearenko
 Alexandr Hvîlia – Matvey Ivanovici
 Vladimir Dorofeiev – unchiul Egor
 Mariya Andrianova – Praskovia Stepanovna
 Valentina Teleghina – Pașa
 Vladimir Belokurov – ofițerul

Referințe

Vezi și
 Listă de filme străine până în 1989

Legături externe

Filme din 1947
Filme de comedie
Filme în limba rusă
Filme regizate de Iuli Raizman
Filme sovietice

Trenul merge spre răsărit


I-See-You.Com ist eine US-amerikanische Komödie aus dem Jahr 2006, welche die moderne Internetwelt und Fernsehformate wie Big Brother parodiert.

Handlung

Der Verkäufer Harvey Bellinger und die Börsenmaklerin Lydia Ann Layton leben in zweiter Ehe mit ihren Kindern Colby Allen und Audrey Bellinger in wohlhabenden Verhältnissen in einer Villa und genießen ihr Leben in vollen Zügen. Doch als Harvey seinen Job verliert und Lydia sich an der Börse verspekuliert, droht ihnen die Pleite. Colby kommt eine Idee: Er stattet die gesamte Villa – ohne das Wissen seiner Eltern und seiner Schwester – mit Kameras aus und stellt das Familienleben gegen Gebühr ins Internet. Was anfangs nur als kleiner Nebenverdienst geplant war, entwickelt sich nach kurzer Zeit zu einem sehr einträglichen Geschäft. Insbesondere durch die freizügige Audrey erlangt die Website mehr und mehr Aufmerksamkeit. Die Familie wird schließlich so bekannt, dass sich die Aktion nicht mehr geheim halten lässt und Colby seiner Familie alles beichten muss. Zunächst ist der Schock groß, aber Colby kann sie schließlich durch das hohe Einkommen davon überzeugen, die Website weiterhin zu betreiben.

Nachdem die Quoten anfänglich sinken, da sich die Familie erkennbar unnatürlich verhält, beschließen sie, weitere "Familienmitglieder" zu integrieren. Zunächst einen angeblichen gutaussehenden italienischen Austauschstudenten namens Ciro, dann eine attraktivere (Schein-)Freundin für Colby. Das Konzept scheint aufzugehen und die Quoten steigen wieder. Jedoch verlieben sich Mutter und Tochter in Ciro. Es geht schließlich nur noch um die Quote und so verlieren sich die Familienmitglieder in ihren Rollen und sind nicht mehr sie selbst.

Kritiken

Weblinks
 Offizielle Website (englisch)

Einzelnachweise

Filmtitel 2006
Filmkomödie
US-amerikanischer Film

I-See-You.Com


The Underdog é uma canção da banda de indie rock Spoon. Foi lançada como o primeiro single de seu sexto álbum de estúdio, Ga Ga Ga Ga Ga, em 5 de julho de 2007. A música foi escrita pelo vocalista Britt Daniel e produzida por Jon Brion junto com a banda.

A banda tocou a música no episódio de 6 de outubro de 2007 da 33ª temporada do Saturday Night Live. A música também apareceu nos filmes Cloverfield,  I Love You, Man e 17 Again, na cena de abertura e encerramento do filme de 2011 Horrible Bosses e no filme de 2017 Spider-Man: Homecoming.

O videoclipe foi dirigido por Keven McAllester.

Paradas musicais

Ligações externas
 Spoon - Site Oficial

Canções de 2007
Singles de 2007

The Underdog


Islote Pedregalhttp://mapcarta.com/19528598 es el nombre de una pequeña isla en las coordenadas georgráficas  ubicada en el lago Petén Itzá al norte del territorio Guatemalteco. Administrativamente depende del Departamento de Petén. Se encuentra 183 kilómetros al norte del centro geográfico de Guatemala y a 265 kilómetros al norte de la capital Ciudad de Guatemala.

Véase también
Islote El Hospital
Islote Gayón
Islote Laja Branca
Islote Mare

Referencias

Enlaces externos
 Mapa de localización de la isla

Departamento de Petén
Islas lacustres de Guatemala

Islote Pedregal


The year 1795 in science and technology involved some significant events.

Astronomy
 December 13 – A meteorite falls to Earth at Wold Newton, East Riding of Yorkshire, England, the first to be recognised in modern times.

Botany
 National Botanic Gardens (Ireland) opened by the Royal Dublin Society.

Mathematics
 The 18-year-old Carl Friedrich Gauss develops the basis for the method of least squares analysis.

Medicine
 The British Royal Navy makes the use of lemon juice mandatory to prevent scurvy, largely due to the influence of Gilbert Blane.

Metrology
 April 7 – The gram is decreed in France to be equal to "the absolute weight of a volume of water equal to the cube of the hundredth part of the metre, at the temperature of melting ice."

Paleontology
 Georges Cuvier identifies the fossilised bones of a huge animal found in the Netherlands in 1770 as belonging to an extinct reptile.

Technology
 November 30 – Joseph Bramah is granted a British patent for hydraulic machinery, notably the hydraulic press.

Zoology
 Johann Matthäus Bechstein publishes his treatise on songbirds Naturgeschichte der Stubenvögel ("Natural History of Cage Birds") in Gotha.
 Étienne Geoffroy Saint-Hilaire publishes "Histoire des Makis, ou singes de Madagascar", introducing his theory of the unity of organic composition.

Publications
 Leonhard Euler's Letters to a German Princess, On Different Subjects in Physics and Philosophy are first translated into English by Scottish minister Henry Hunter, targeted at women, whom Hunter felt Euler intended to educate.

Awards
 Copley Medal: Jesse Ramsden

Births
 January 6 – Anselme Payen, French chemist (died 1878)
 May 5 – Pierre Louis Alphée Cazenave, French dermatologist (died 1877)
 June 24 – Ernst Heinrich Weber, German physician, psychologist (died 1878)
 June 30 – Joseph Bienaimé Caventou, French chemist (died 1877)
 July 5 – Georg Ernst Ludwig Hampe, German pharmacist, botanist and bryologist (died 1880)
 July 10 – Jean-Baptiste Guimet, French industrial chemist (died 1871)
 November 12 – Thaddeus William Harris, American naturalist (died 1856)
 December 8 – Peter Andreas Hansen, Danish astronomer (died 1874)
 December 21
 Francisco Javier Muñiz, Argentine physician and paleontologist (died 1871)
 Jack Russell, English dog breeder (died 1883)

Deaths
 January 21 – Samuel Wallis, English navigator (born 1728)
 March 21 – Giovanni Arduino, Italian geologist (born 1714)
 May 6 – Pieter Boddaert, Dutch physician and naturalist (born 1730)
 June 1 – Pierre-Joseph Desault, French anatomist and surgeon (born 1744)
 June 9 – François Chopart, French surgeon (born 1743)
 June 17 – Gilbert Romme, French politician and mathematician  (born 1750)
 June 18 – Marie Marguerite Bihéron, French anatomist (born 1719)
 June 24 – William Smellie, Scottish naturalist and encyclopedist (born 1740)
 July 3 – Antonio de Ulloa, Spanish explorer (born 1716)
 August 14 – George Adams, English scientific instrument maker (born 1750)
 October 1 – Robert Bakewell, English agriculturalist and geneticist (born 1725)
 December 28 – Eugenio Espejo, Ecuadorian medical hygienist, lawyer and journalist (born 1747)

References

18th century in science
1790s in science

1795 in science


«Eternally» es una canción con música de Charles Chaplin y letra, en inglés, de Geoffrey Parsons y John Turner. El tema fue compuesto para la película Candilejas, de 1952. El film ganó un Óscar a la mejor banda sonora en 1972.<ref>[http://www.imdb.com/title/tt0044837/awards Premios de Candilejas (película) en IMDb] (en inglés)</ref>

La canción fue grabada por Petula Clark (These Are My Songs, 1967), Michel Legrand, Sarah Vaughan, Roger Whittaker, Engelbert Humperdinck e Il Volo, entre otros.

También fue interpretada en español por Julio Iglesias, José Augusto y José José con el título Candilejas''.

La canción también fue interpretada en acordeón por John Serry Sr. con el título "Terry's Theme" en 1956 ("Squeeze Play" - Dot Records # DLP-3024, 1956).

Referencias

Canciones de Estados Unidos
Canciones de 1952
Canciones en inglés

Candilejas (canción)


Ayumu Seko (født 7. juni 2000) er en japansk fodboldspiller, som spiller for den japanske fodboldklub Cerezo Osaka.

Referencer

Eksterne henvisninger

Fodboldspillere fra Japan

Ayumu Seko


Kidist Hailu Degaffe plus connue sous le nom de Degaffe est une artiste visuelle éthiopienne née en , connue pour son combat pour les droits des femmes. Elle signe Degaffe en hommage aux héros tombés à la bataille de Maichew. Ses oeuvres font partie de la collection du Musée National d'Éthiopie et de la galerie Brulhart en Suisse.

Biographie
Degaffe a fait une partie de ses études en Éthiopie. Elle est diplômée de l'Université d'Addis-Abeba en anglais et littérature en 1992.

Elle a travaillé dans le transport aérien et les communications avant de se consacrer à des études dans une école d'art du sculpteur Alem Teklu Kidanu. Elle y obtient un diplôme et lance sa carrière d'artiste sous l'influence de ses enseignants Dereje Demissie, Yonas Sahle et Girma Agegnehu Engida, fils de Agegnehu Engida.

Collection dans un musée national

Ses oeuvres font partie de la collection du Musée National d'Éthiopie.

Engagement
Degaffe s'intéresse à la cause des femmes.

En 2008, elle participe à une campagne contre le mariage précoce en Éthiopie, organisée par le Fonds des Nations unies pour la population.

Depuis 2006, elle s'engage dans le concept de la Journée internationale des femmes qui se déroule chaque 8 mars. Elle s'exprime dans ses œuvres dans la lutte contre la fistule obstétricale.

Expositions individuelles
2005 : Portraits and Principles of the Red Cross, CICR
2005 : Collection, Degaffesart studio
2006 : Cross at Zebras, Maskal Square
2006 : Cherish their dream, Degaffesart studio
2008 : Regard de l'Ethiopie, Galerie Basta, Lausanne, Suisse
2009 : Tirer le portrait, la petite Galerie, Lutry, suisse
2010 : Sous le pinceau, l'émotion, Galerie du Magasin du Monde, Vevey
2011 : Une vision de l'art au Sud, Pôle Art-Exposition, Sud Côte d'Azur, France
2012 : Harmonie, fondation claire magnin, vevey, Suisse
2014 : Endurance, Centre Culturelle Nelson Mandela, France
2015 : Paysages du Léman, Chexbres
2016 : Vibrant figuratif, Vevey
2017 : Reflets du Léman, La Tour de Peilz
2018 : Traces d'émotions, Attalens, Vevey
2019 : Sous le pinceau!, Morges
2020 : Visages, France

Expositions collectives
2005 : The plight of stranded migrants, Instituto Italiano di Cultura, I.O.M Day
2005 : Fine arts certificate holders, Alliance-Ethio Française
2006 : 8 mars journée de la femme, Commission économique des Nations unies pour l'Afrique
2006, 2008 : She II, Alliance Ethio-Française
2006, 2007 : Harmonie, Da_birhan Art Studio
2007 : Paysage et portraits, Centre de Conférence des Nations Unis
2008 : Paysages, ArtAir Genève, Genève
2008 : End early marriage, 100 meters canvas, Ethiopia
2008 : Addis Ababa école des beaux-arts
2009 : Flon Street Painting, Lausanne Flon, Suisse
2009 : Art International Zurich, Zurich
2010 : Vermont Studio Centre, USA
2010 : Skoto Gallery, New York
2010 : Galerie Kleiner Prinz, Baden-Baden
2010 : Association of Artists, ARVA, La Tour-de-Peilz, Suisse
2012 : Park Art Fair International, Genève, Suisse
2013 : Place Suisse des Arts, Lausanne, Suisse
2014 : Atelier-galerie ARVA, Vevey, Suisse
2014 : Salon du Chocolat, Zurich, Paris
2015 : Espace Culturelle Casona Latina, Lausanne
2016 : Atelier-Galerie ARVA, Vevey
2016 : The Artbox.Projects, Miami 1.0, Spectrum-Miami
2017, 2019 : Atelier-Galerie ARVA, Vevey
2020 : Elles II, France

Expositions en binôme
 2007 : Connection, Olyimpiacos Greek Community
 2008 : Revivre Mizuno, artiste japonais, Ambassade du Japon
 2017 : Humanités africaines, France

Distinctions
 2011 : Médaille d'Honneur, Talents des Arts d'Aujourd'hui, France
 2010 : Artist's Grant , Vermont Studio Center, USA

 2007 : Special Prize, International Postage Stamp Design Contest, Republic of Korea
 2006 : Certificate of recognition, the National Museum of Ethiopia
 2005 : Certificate of Appreciation, USAID, I.O.M.
 2008 : Letter of recommendation, Embassy of Japan, Addis Ababa
 2006 : Letter of recommendation, Embassy of the State of Palestine
 2007 : Certificate of recognition, Ministry of Transport & Communication, Ethiopia

Notes et Références

Liens externes

Voir aussi

Articles connexes
 Patti Endo

Artiste éthiopienne
Plasticienne
Naissance en 1969
Naissance en Éthiopie

Kidist Hailu Degaffe


Ghost Fever est un film américain réalisé par Lee Madden, sorti en 1986.

Synopsis
Buford et Benny sont deux policiers du comté de Greendale en Géorgie. Ils doivent remettre un avis d'expulsion sur un plantation historique. Deux fantômes, Andrew Lee l'ancien propriétaire, et Jethro, un ancien esclave, décident d'empêcher la saisie de la maison.

Fiche technique
 Titre : Ghost Fever
 Réalisation : Lee Madden (sous le nom d'Alan Smithee)
 Scénario : Oscar Brodney
 Musique : James Hart
 Montage : James Ruxin et Earl Watson
 Production : Edward Coe, Poemandres Rich et Ron Rich
 Société de production : Infinite Productions
 Société de distribution : Miramax (États-Unis)
 Pays :  et
 Genre : Comédie horrifique et fantastique
 Durée : 86 minutes
 Dates de sortie :
 :  (vidéo)
 :

Distribution
 Sherman Hemsley : Buford / Jethro
 Luis Avalos : Benny
 Jennifer Rhodes : Madame St. Esprit
 Deborah Benson : Linda
 Diana Brookes : Lisa
 Myron Healey : Andrew Lee
 Joe Frazier : Terrible Tucker
 Pepper Martin : le shérif Clay

Accueil
Le film a reçu la note de 1/5 sur AllMovie.

Notes et références

Liens externes

Film américain sorti en 1986
Film mexicain sorti en 1986
Comédie horrifique américaine
Comédie horrifique mexicaine
Comédie fantastique américaine
Film fantastique mexicain
Film de fantômes
Film réalisé par Wong Jing

Ghost Fever


No se lo digas a nadie es la primera novela del escritor peruano Jaime Bayly. De temática homosexual, fue publicada por Seix Barral en 1994 y, más tarde, llevada al cine por Francisco Lombardi. La película homónima, estrenada en 1998, estuvo protagonizada por Santiago Magill y Christian Meier, y fue la primera película peruana de tema gay.

Reseña
El libro consta de tres partes, desde el inicio de los estudios de Joaquín en el colegio Markham hasta la residencia de este en Cayo Vizcaíno, Miami, en los años 1990. En la primera parte se narra la adolescencia de Joaquín; en la segunda, su juventud y en la tercera, su temprana adultez.

Primera parte
Comienza cuando Jaime , hijo de Elsa  y Luis Felipe, a los doce años ingresa a los estudios secundarios en el colegio Markham. Allí conocerá a Jorge Bermúdez, con quien tendrá una especie de romance, truncado por la ingenuidad de Joaquín y la severidad de las autoridades colegiales. Luego, se relata el campamento que realiza Joaquín con los chicos del Saeta, grupo de jóvenes del Opus Dei, donde se pondrá al descubierto el oscuro problema de la corrupción del clero a través de los acosos que sufren Joaquín y Juan Manuel por parte de los sacerdotes. En el siguiente capítulo, se narra el cumpleaños de Joaquín y la propuesta de su padre para ir con él a un burdel de Miraflores para convertirlo en hombre: Luis Felipe pensaba que su hijo era homosexual por los excesivos mimos de su madre Maricucha, mujer religiosa y activa militante del Opus Dei. La experiencia sexual con una prostituta fracasa y Joaquín se siente agobiado por su homosexualidad, aunque él todavía no lo reconoce. Luego se narra la cacería que hacen solos Joaquín y su padre en el lugar llamado el Aguerrido, donde conocerá a Sixto y a su hijo Dioni. Con este tendrá una experiencia sexual que luego será severamente reprendida por Luis Felipe. También, en el Aguerrido, Joaquín descubrirá la infidelidad de su padre, quien mantiene relaciones sexuales con Marita, hija de Sixto. El último capítulo, "La fuga", relata la huida de Joaquín de su casa porque se descubre su homosexualidad ya que él tocó indebidamente a su hermano menor Fernando, él es reprendido por Maricucha y Luis Felipe. Él huye de su casa en Chaclacayo, y se tendrá que sobreponer a su ingenuidad frente a todos los problemas que se presentan en la Lima de los indigentes. Concerá a un gigoló o "flete" [como se cuenta en la novela] con quien vivirá en un departamento y luego de muchas experiencias que acentuarán su homosexualidad, Joaquín y el "flete" tendrán relaciones, finalizando así la primera parte.

Segunda parte
La segunda parte comienza con la invitación que le hace Ximena a su hermano Joaquín, quien acepta y va a la casa después de haber consumido cocaína, lo cual hace ver un problema de drogadicción del personaje, problema que se verá a lo largo de la obra. A pesar del resentimiento hacia sus padres, Joaquín va a la casa de Chaclacayo donde le confiesa su homosexualidad a su padre, su madre, su hermana y su cuñado, esposo de su hermana. Luego se describe a Joaquín como un estudiante nada aplicado, por lo que es expulsado de la universidad junto con su compañero [hasta el momento desconocido] Alfonso. Joaquín toma unos días de vacaciones en la casa de Alfonso, quien le comenta que sus padres [de Alfonso] que han viajado a Europa, no saben nada de esta situación. Se genera un romance entre Joaquín y Alfonso, que pasará por diferentes experiencias desde relaciones sexuales hasta drogadicción, finaliza con la boda de Alfonso con una mujer venezolana, con el pleno consentimiento y aprobación de Joaquín. Luego se narra la relación que tiene Joaquín con su amiga Alejandra López de Romaña, en medio de un supuesto embarazo, el uso de anticonceptivos, drogadicción, homosexualidad y lesbianismo, la severa represión por parte de los padres de ella, y otros más que harán que este romance no dure y se vea truncado por la falta de compatibilidad entre los jóvenes que terminan siendo amigos. Después se narra las relaciones sentimentales homosexuales de Joaquín con un futbolista, un actor, un hombre canadiense en República Dominicana y un amigo con el cual realizará un viaje a Madrid (España). Aparte se narra una experiencia que tiene Joaquín con otros amigos que lo incitan a probar drogas y maltratar homosexuales que se prostituían en las calles de Lima. Esta parte de la obra finaliza con el viaje de Joaquín e Ignacio a Madrid.

Tercera parte
En la última parte de la obra, se muestra a un Joaquín Camino, que ahora es un joven-adulto que reside en Key Biscayne (Miami) alejado de la severidad e incomprensión de sus padres, la crisis económica en Perú en el año 1990 y el creciente terrorismo que ya cobraba víctimas en Lima. Se narra la visita al departamento de Joaquín de su padre, que decide ir allá para alejarse del terrorismo y de Maricucha, su esposa y madre de Joaquín, de quien decide separarse. Luego, el padre de Joaquín mantendrá una relación amorosa con una mujer cubana, hecho que será reprendido por Maricucha, que también visita a Joaquín y su padre en Miami, con el objetivo de salvar su matrimonio. La tercera parte, muestra una reflexión del personaje sobre su vida, sus experiencias homosexuales y sus padres. La obra termina con la reconciliación de los padres de Joaquín, luego que ambos admiten la homosexualidad de su hijo, pero luego tratan de hacer las pases con Joaquín. También se relata la relación de Joaquín Camino y un trabajador de hotel, que al finalizar la obra, lo llama para visitarlo. En ese mismo momento el padre de Joaquín le llama aclarando que lo estima como hijo y le está enviado una cierta cantidad de dinero, que Joaquín desprecia y lanza afuera de su carro pero llorando por todo lo sucedido, concluyendo así la obra.

Referencias

Novelas de 1994
Obras literarias con temática LGBT de 1994
Obras literarias en español
Novelas ambientadas en Lima
Novelas ambientadas en Estados Unidos
Literatura LGBT en Perú
Novelas debut

No se lo digas a nadie (libro)


In literature and writing, stylistically elements are the use of any of a variety of techniques to give an auxiliary meaning, ideas, or feeling to the literalism or written.

Figurative language
A figure of speech is any way of saying something other than the ordinary way. Figurative language is language using figures of speech.

Simile
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms.
Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet Potato Pie," Eugenia Collier)
Example: The beast had eyes as big as baseballs and teeth as long as knives.
Example: She put her hand to the boy's head, which was steaming like a hot train.

Metaphor
A metaphor is a comparison that does not use the words "like" or "as". Metaphors can span over multiple sentences.

Example: "That boy is like a machine." is a simile but "That boy is a machine!" is a metaphor.

Synecdoche
Synecdoche occurs when a part of something is used to refer to the whole. Many examples of synecdoche are idioms, common to the language.
Example: Workers can be referred to as 'pairs of hands', and a vehicle as one's 'wheels'.

Metonymy
Metonymy is similar to synecdoche, but instead of a part representing the whole, a related object or part of a related object is used to represent the whole. Often it is used to represent the whole of an abstract idea.
Example: The phrase "The king's guns were aimed at the enemy," using 'guns' to represent infantry.
Example: The word 'crown' may be used metonymically to refer to the king or queen, and at times to the law of the land.

Personification

Giving human or animal characteristics to inanimate objects.

Example: The wind whistled through the trees. (Wind cannot whistle, humans whistle.)

Apostrophe

Similar to 'personification' but direct. The speaker addresses someone absent or dead, or addresses an inanimate or abstract object as if it were human.

Charactonym
This is when the name of a character has a symbolic meaning. For example, in Dickens' Great Expectations, Miss Havisham has a sham or lives a life full of pretense. In Hawthorne's The Scarlet Letter, Rev. Dimmesdale metaphorically fades away (dims) as the novel progresses, while Chillingworth has a cold (chilled) heart.

Symbol
A symbol may be an object, a person, a situation, an action, a word, or an idea that has literal meaning in the story as well as an alternative identity that represents something else. It is used as an expressive way to depict an idea. The symbol generally conveys an emotional response far beyond what the word, idea, or image itself dictates.
Example: A heart standing for love. (One might say "It broke my heart" rather than "I was really upset")
Example: A sunrise portraying new hope. ("All their fears melted in the face of the newly risen sun.")

Allegory
An allegory is a story that has a second meaning, usually by endowing characters, objects or events with symbolic significance. The entire story functions symbolically; often a pattern relates each literal item to a corresponding abstract idea or principle. Although the surface story may have its interest, the author's major interest is in the ulterior meaning.

Imagery

This is when the author invokes sensory details. Often, this is simply to draw a reader more deeply into a story by helping the reader visualize what is being described. However, imagery may also symbolize important ideas in a story.

For example, in Saki's "The Interlopers", two men engaged in a generational feud become trapped beneath a fallen tree in a storm: "Ulrich von Gradwitz found himself stretched on the ground, one arm numb beneath him and the other held almost as helplessly in a tight tangle of forked branches, while both legs were pinned beneath the fallen mass." Readers can not only visualize the scene but may infer from it that it is the feud that has trapped him. Note also the diction used within the imagery: words like "forked" and "fallen" imply a kind of hell that he is trapped in.

Motif

When a word, phrase, image, or idea is repeated throughout a work or several works of literature.

For example, in Ray Bradbury's short story, "There Will Come Soft Rains", he describes a futuristic "smart house" in a post-nuclear-war time. All life is dead except for one dog, which dies in the course of the story. However, Bradbury mentions mice, snakes, robins, swallows, giraffes, antelopes, and many other animals in the course of the story. This animal motif establishes a contrast between the past, when life was flourishing, and the story's present when all life is dead.

Motifs may also be used to establish mood (as the blood motif in Shakespeare's Macbeth), for foreshadowing (as when Mary Shelley, in Frankenstein, mentions the moon almost every time the creature is about to appear), to support the theme (as when, in Sophocles' drama Oedipus Rex, the motif of prophecy strengthens the theme of the irresistibility of the gods), or for other purposes.

Paradox
In literary terminology, a paradox is an apparent contradiction that is nevertheless somehow true. Paradox can take the form of an oxymoron, overstatement or understatement. Paradox can blend into irony.

Sound techniques

Rhyme

The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry.

For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other.
 Loveliest of trees, the cherry now
 Is hung with bloom along the bough

Alliteration

Alliteration is the repetition of consonant sounds at the beginning of words.
Example: "...many a man is making friends with death/ Even as I speak, for lack of love alone." (Edna St. Vincent Millay's "Sonnet 30").

Alliteration is used by an author to create emphasis, to add beauty to the writing style, and occasionally to aid in shaping the mood. It is also used to create a rhythm and musical effect on the reader's mind as well.

Assonance

Similar to alliteration, in which vowel sounds are repeated. They are usually in the middle of a word.
Example: "batter that mattered", "the blue bulging plug."

Consonance

Similar to alliteration, but the consonants are at the ends of words.

Example: "odds and ends", "short and sweet".

Rhythm
It is most important in poetry, but also used in prose for emphasis and aesthetic gain.

Example: The fallibly irrevocable cat met its intrinsic match in the oppositional form of a dog.

Onomatopoeia

This includes words that sound like their meaning or imitations of sounds.

Example: "The bees were buzzing"

Structure

Formal structure
Formal structure refers to the forms of a text. In the first place, a text is either a novel, a drama, a poem, or some other "form" of literature. However, this term can also refer to the length of lines, stanzas, or cantos in poems, as well as sentences, paragraphs, or chapters in prose. Furthermore, such visible structures as dialogue versus narration are also considered part of formal structure.

Storyline and plot
The storyline is the chronological account of events that follow each other in the narrative. The plot includes the storyline, and is more; it includes how elements in the story interact to create complexity, intrigue, and surprise. The plot is often created by having separate threads of storyline interact at critical times and in unpredictable ways, creating unexpected twists and turns in the overall storyline.

Plot structure
Plot structure refers to the configuration of a plot in terms of its exposition, rising action, climax, falling action, and resolution/denouement. For example, Dickens' novel Great Expectations is noted for having only a single page of exposition before the rising action begins, while The Lord of the Rings by J. R. R. Tolkien has an unusually lengthy falling action. The plot can also be structured by the use of devices such as flashbacks, framing, and epistolary elements.

Flashback
A flashback (which is one of the most easily recognized utilization of plot structure) is a scene in writing which occurs outside of the current timeline, before the events that are occurring in the story. It is used to explain plot elements, give background and context to a scene, or explain characteristics of characters or events.

For instance, one chapter may be at present in a character's life, and then the next chapter might be the character's life years ago. The second chapter gives meaning to the first, as it explains other events the character experienced and thus puts present events in context. In Khaled Hosseini's The Kite Runner, the first short chapter occurs in the narrative's real-time; most of the remainder of the book is a flashback.

Frame story
When there is a lengthy flashback comprising more than half of the text, a frame story is the portion outside the flashback. For example, Mary Shelley's Frankenstein uses the adventures of a sea captain as a frame story for the famous tale of the scientist and his creation. Occasionally, an author will have an unfinished frame, such as in Henry James's "The Turn of the Screw". The lack of a finishing frame in this story has the effect of leaving the reader disoriented, adding to the disturbing mood of the story.

Foreshadowing

This is when the author drops clues about what is to come in a story, which builds tension and the reader's suspense throughout the book.
Example: The boy kissed his mother and warmly embraced her, oblivious to the fact that this was the last time he would ever see her.

Allusion

Allusion is a reference to something from history or literature.

Irony

Verbal irony
This is the simplest form of irony, in which the speaker says the opposite of what he or she intends. There are several forms, including euphemism, understatement, sarcasm, and some forms of humor.

Situational irony
This is when the author creates a surprise that is the perfect opposite of what one would expect, often creating either humor or an eerie feeling. For example, in Steinbeck's novel The Pearl, one would think that Kino and Juana would have become happy and successful after discovering the "Pearl of the World", with all its value. However, their lives changed dramatically for the worse after discovering it.

Similarly, in Shakespeare's Hamlet, the title character almost kills King Claudius at one point but resists because Claudius is praying and therefore may go to heaven. As Hamlet wants Claudius to go to hell, he waits. A few moments later, after Hamlet leaves the stage, Claudius reveals that he doesn't mean his prayers ("words without thoughts never to heaven go"), so Hamlet should have killed him after all.

The way to remember the name is that it's for an ironic situation.

Dramatic irony
Dramatic Irony is when the reader knows something important about the story that one or more characters in the story do not know. For example, in William Shakespeare's Romeo and Juliet, the drama of Act V comes from the fact that the audience knows Juliet is alive, but Romeo thinks she's dead. If the audience had thought, like Romeo, that she was dead, the scene would not have had anywhere near the same power.

Likewise, in Edgar Allan Poe's "The Tell-Tale Heart", the energy at the end of the story comes from the fact that we know the narrator killed the old man, while the guests are oblivious. If we were as oblivious as the guests, there would be virtually no point in the story.

The way to remember the name is that dramatic irony adds to the drama of the story.

See Irony for a more detailed discussion, and definitions of other forms of irony.

Register

Diction
Diction is the choice of specific words to communicate not only meaning, but emotion as well. Authors writing their texts consider not only a word's denotation but also its connotation. For example, a person may be described as stubborn or tenacious, both of which have the same basic meaning but are opposite in terms of their emotional background (the first is an insult, while the second is a compliment). Similarly, a bargain-seeker may be described as either thrifty (compliment) or stingy (insult). An author's diction is extremely important in discovering the narrator's tone, or attitude.

Syntax

Sentences can be long or short, written in the active voice or passive voice, composed as simple, compound, complex, or compound-complex. They may also include such techniques as inversion or such structures as appositive phrases, verbal phrases (gerund, participle, and infinitive), and subordinate clauses (noun, adjective, and adverb). These tools can be highly effective in achieving an author's purpose.

Example: The ghetto was ruled by neither German nor Jew; it was ruled by delusion. (from Night, by Elie Wiesel)

In this sentence, Wiesel uses two parallel independent clauses written in the passive voice. The first clause establishes suspense about who rules the ghetto, and then the first few words of the second clause set up the reader with the expectation of an answer, which is metaphorically revealed only in the final word of the sentence.

Voice
In grammar, there are two voices: active and passive. These terms can be applied to whole sentences or verbs.
Verbs also have tense, aspect and mode.
There are three tenses: past, present, and future.
There are two main aspects: perfect and progressive. Some grammarians refer to aspects as tenses, but this is not strictly correct, as the perfect and progressive aspects convey information other than time.
There are many modes (also called moods). Some important ones are: declarative, affirmative, negative, emphatic, conditional, imperative, interrogative and subjunctive.

Tone
Tone expresses the writer's or speaker's attitude toward the subject, the reader, or herself or himself.

See also
Rhetorical device
 Hypotyposis

References

Bibliography

External links
 Lexique des figures de style de l'Office québécois de la langue française

Rhetorical techniques

Stylistic device


Pax Romana (MÖ 27 - MS 180), Latince "Roma Barışı" anlamına gelir. Roma İmparatorluğu'nun uzun soluklu barış dönemi için kullanılır. Terim, Roma yönetimi ve Roma hukuku altında, aralarında kavga eden rakip liderlerin ve eyaletlerin, bazen sert bir şekilde, barıştırılmasından çıkmıştır. Roma'da "Pax Romana"yı sağlayan lider Augustus Caesar'dır.

Karakteristik özellikleri
Bu süre boyunca Romalılar hala devamlı olarak komşu devletler ve kabilerle özellikle de Cermen kabileleri ve Perslerle savaşmaya devam etti. Aynı zamanda soylu aileler arasındaki politik huzursuzluk da devam ediyordu. Bununla beraber, "Pax Romana" Roma'da ne MS 3. yüzyıldaki gibi sürekli kan dökülen büyük çaplı iç savaşların olmadığı ne de üç yüzyıl önceki İkinci Pön Savaşı'nda olduğu gibi ciddi bir istilanın bulunmadığı görece bir sükûnet dönemidir.

Dönemin, Augustus'un MÖ 27'de 1. yüzyıldaki "Büyük Roma İç Savaşı"nın bitişinin ilanıyla başladığı ve İmparator Marcus Aurelius'un ölümü MS 180 ya da oğlu Commodus'un ölümü MS 192 ile sona erdiği kabul edilir. Bu dönemde Roma'da ticaret korsanlar tarafından engellenmeden ya da düşman kuvvetleri tarafında yağmalanmadan yapılabilmiştir. Yine de her zaman barış hâkim değildi. Sık sık isyancılar ortaya çıktıysa da hemen bastırıldı. Örneğin Britanyalı kabileler (Queen Boudica ve Iceni) MS 60'ta insafsız Roma yönetimine karşı isyan etti ve Büyük Britanya bozgununun ardından kılıçtan geçirilen ve açlıktan ölenler hariç en az 150.000 kişi hayatını kaybetti.

Buna ek olarak, bu süre boyunca her iki sınırda da çatışmalar ve Roma zaferleri devam etti. Trajan, yönetimi sırasında Perslerle ciddi bir mücadeleye girişti ve Marcus Aurelius yönetiminin neredeyse son on yılının tamamını imparatorluğun mevziilerini koruyarak geçirdi. Aslında Roma'nın Pax Romana boyunca sürekli çatışmalar içinde olduğu söylenebilir. Ne var ki, iç eyaletler savaşlardan büyük ölçüde uzak kaldılar, böylece de imparatorlukta barış görüntüsü hâkim oldu.

Pax Romana'nın "Beş İyi İmparatoru"

 Nerva
 Trajan
 Hadrianus
 Antoninus Pius
 Marcus Aurelius

Ayrıca bakınız
"Pax Romana" terimi, dünyada gerçek ya da kurgusal istikrar dönemlerinin tanımlanmasına da etki etmiştir. Örnek olarak:
 Pax Americana (1945-günümüz)
 Pax Britannica (1815-1914)
 Pax Europeana (1945-günümüz)
 Pax Germanica (Eğer Almanya II. Dünya Savaşı'nı kazansaydı yaşanabilirdi.)
 Pax Hispanica (1598-1621)
 Pax Mongolica (1200-1400)
 Pax Ottomana (1500-1700)
 Pax Praetoriana (Güney Afrika'nın komşuları üzerindeki etkisi.)
 Pax Sinica (MÖ 206 - MS 1644. Çin Barışı)
 Pax Syriana (1990-2005. Suriye işgali nedeniyle Lübnan'da görece istikrar.)
 Pax Carthagena (MÖ 460 - MÖ 146. Kartaca, Pön Savaşları'nda Roma'ya yenilene kadar Akdeniz'in başat gücüydü.)
 Pax Khazarica (9. yüzyıl. Hazar Türk Devleti zamanı)

Notlar
 Ara Pacis ya da "Barış Sunağı" 'Augustan' barış çağını kutlamak için masrafları Roma Senatosu tarafından karşılanarak dikilmiştir.
 Roma şehri Pax Iuliae ("gens Julia Barışı") bugünkü Beja, Portekiz.

Kaynakça

Dış bağlantılar
 www.unrv.com/early-empire/pax-romana.php
 Pax Romana tartışma grubu

Roma İmparatorluğu
Roma İmparatorluğu tarihi
Latince politika deyişleri
Romana
1. yüzyılda Roma İmparatorluğu
2. yüzyılda Roma İmparatorluğu
1. yüzyılda uluslararası ilişkiler
2. yüzyılda uluslararası ilişkiler

Pax Romana


التمويل الشخصي هو تطبيق لمبادئ التمويل في القرارات المالية التي تتعلق بفرد أو بعائلة. إنها تحدد كيف يتعامل الأفراد أو العائلات مع الحصول ووضع ميزانية وادخار وإنفاق الموارد المالية عبر الوقت، مع الأخذ بالإعتبار المخاطر المالية وأحداث الحياة المستقبلية. من عناصر التمويل الشخصي الحسابات الجارية وحسابات التوفير وبطاقات الائتمان والقروض الشخصية والاستثمار في الأسهم وحسابات التقاعد (إن وجد) والضمان الاجتماعي والتأمين وإدارة الضرائب.

التخطيط المالي الشخصي

أحد المكونات الأساسية في في التمويل الشخصي هو التخطيط المالي الشخصي، وهي عملية ديناميكية تحتاج إلى متابعة وإعادة تقدير بشكل مستمر، بشكل عام يكون التخطيط في خمس خطوات:

 تقدير القيمة: في حالة التخطيط المالي لفرد أو عائلة، يجب استعمال نسخ مبسطة من ورقة رصيد الحساب وقائمة الدخل. رصيد حساب فردي يتضمن الممتلكات (مثل سيارة ومنزل وملابس وأسهم وحساب في بنك) بالإضافة إلى الديون (مثل دين بطاقات الائتمان وقرض البنك وقرض المنزل). قائمة الدخل الشخصية تتضمن المدخولات والمصروفات.
 وضع الأهداف: مثالين على ذلك «التقاعد في سن 65 عام مع مبلغ وقدره 200000 دولار» و«شراء منزل في 3 سنوات ودفع الأقساط الشهرية والتي لا تدزين عن 25% من دخلي»، من الطبيعي أن يمتلك الشخص عدة أهداف قصيرة الأمد وطويلة الأمد، وضع الأهداف يساعد على وضوح التخطيط المالي.
 وضع خطة: الخطة المالية توضح كيف يمكن للشخص أن يصل إلى تلك الأهداف، مثلا من خلال اقتطاع المصروفات غير المهمة وزيادة الدخل أو الاستثمار في الاسهم.
 التنفيذ: وهذه الخطة قد تحتاج إلى شيء من الانضباط والمواظبة. الكثير من الناس يستعينون بالمحترفين أمثال المحاسبين والمحاميين والمخططين الماليين ومستشاري الاستثمارات.
 المراقبة وإعادة تقدير القيمة: مع مرور الوقت، يجب أن يتم مراقبة الخطة المالية لأي تعديل ممكن أو إعادة تقدير قيمة.

معظم أهداف البالغين تتركز على دفع بطاقات الائتمان وقرض الطالب (إن وجد) والتقاعد وتكاليف الجامعة للأبناء والنفقات الصحية والتخطيط العقاري. إن التخطيط يمثل فلسفة واحدة من فلسفات التمويل الشخصي، توجد فلسفات لا تتطلب تخطيط من الموجود أعلاه.

مقالات ذات علاقة

 تمويل

الوصلات الخارجية

 التمويل الشخصي للعرب

المراجع

تمويل شخصي
تمويل

تمويل شخصي


Et oversættelseslån er et sammensat ord, der er indført i sproget ved direkte oversættelse fra et andet sprog. På dansk gælder det for eksempel fjernsyn efter television (af græsk tele og latin vision) og hjemmeside efter engelsk homepage.

Oversættelseslån opfattes ofte som en undergruppe af låneord, men dette er upræcist. Mens et oversættelseslån er opbygget af allerede kendte og anvendte ord (der i sig selv kan være enten arveord eller låneord), er et låneord en lydligt og grammatisk tilpasset variant af et ord, der stammer fra et andet sprog.

Ordtyper

Oversættelseslån


Lili Lozan, cu numele complet Lilia Lozan, cunoscută și ca Lily Lozan (n. 4 octombrie 1986, satul Izvoare, raionul Orhei) este o jurnalistă, prezentatoare de televiziune din Republica Moldova. În prezent, este gazda matinalului "Prima Oră" de la postul privat de televiziune Prime, alături de Eugen Bulgaru.

Biografie
Lili Lozan s-a născut în satul Izvoare, raionul Orhei. Este fiica lui Veaceslav și a Vioricăi Lozan.  Are un frate, Vlad Lozan. A urmat cursurile Gimnaziului din satul Izvoare, apoi cele ale Liceului cu Profil Pedagogic "Vasile Lupu" din orașul Orhei. A absolvit Facultatea de Jurnalism și Științe ale Comunicării (Universitatea de Stat din Moldova), nivel licență. Este magistru în Drept Economic, în urma absolvirii studiilor de master la Universitatea de Studii Europene din Moldova. Este căsătorită cu Adrian Dașchevici, din anul 2014.

Carieră
În 2007, Lili Lozan și-a început activitatea la revista "Gustos", în calitate de reporter. Apoi, a moderat programul de dedicații și cel de weekend la postul de radio  Kiss FM. În continuare, a făcut parte din echipa de prezentatori ai reality-show-ului "Fabrica de Staruri", difuzat de Prime. La același post de televiziune, a devenit gazda matinalului "Prima Oră". Au urmat 2 ani în care jurnalista a prezentat emisiunea de autor "Live cu Lili Lozan", la postul privat Publika TV.  A deținut funcția de producător general la Muz TV. Ulterior, a revenit la Prime, în calitate de prezentatoare a emisiunii"Prima Oră", pe care o moderează și în prezent, alături de Eugen Bulgaru și care a fost desemnată "Cea mai bună emisiune de divertisment" în anul 2017, de către revista VIP Magazin.

Premii
2017:   Premiul pentru "Cea mai bună emisiune de divertisment prezentată", decernat de revista VIP Magazin;

2016:  Premiul "Omul Anului 2016", decernat de revista VIP Magazin;

2015:  Premiul pentru "Cea mai bună prezentatoare de divertisment", oferit de Revista Aquarelle;

2015:  Premiul pentru "Cea mai stilată prezență TV", decernat de Revista Fashion Vip.

Note

Legături externe
Lili Lozan: pagina oficială de facebook
http://arhiva.vipmagazin.md/tabu/Lily_Lozan/
http://diez.md/2017/02/10/lista-castigatorilor-premiului-omul-anului-2016-de-vip-magazin/
http://www.alllady.md/302-events/120290

Interviuri
Lili Lozan: Universul meu
Avon Love Stories. Lili Lozan
Lili Lozan - cea mai matinală fashion jurnalistă de la Prime TV
Lili Lozan: Fericirea este atunci cînd...

Nașteri în 1986
Nașteri pe 4 octombrie
Absolvenți ai Universității de Stat din Moldova
Femei din Republica Moldova
Prezentatori de televiziune din Republica Moldova

Lili Lozan


Det græske monarki blev afskaffet af det daværende militærregime den 1. juni 1973, en handling, der blev bekræftet ved prædikant den 8. december 1974 efter regimets fald. Titlen som konge brugtes af den sidste regerende monark, Konstantin II (r. 1964-1973). Hans søn, kronprins Pavlos, som blev født i 1967, har været tronprætendant siden Kong Konstantin 2.s død 10. januar 2023. Det er dog uvist, om han vil bruge titlen som konge, eller stadig vil kalde sig kronprins.

Nuværende tronfølge
 Kong Paul I (1901–1964)
 Kong Konstantin II (1940-2023)
 Kronprins Pavlos/"Kong Pavlos II" (f. 1967)
 (1) Prins Konstantine-Alexios (f. 1998)
 (2) Prins Achileas-Andreas (f. 2000)
 (3) Prins Odysseus-Kimon (f. 2004)
 (4) Prins Aristidis-Stavros (f. 2008)
 (5) Prinsesse Maria-Olympia (f. 1996)
 (6) Prins Nikolaos (f. 1969)
 (7) Prins Philippos (f. 1986)
 (8) Prinsesse Theodora (f. 1983)
 (9) Prinsesse Irene (f. 1942)

Tronfølge i juni 1973
 Kong Paul I (1901–1964)
 Kong Konstantin II (born 1940)
 (1) Kronprins Pavlos (b. 1967)
 (2) Prins Nikolaos (b. 1969)
 (3) Prinsesse Alexia (b. 1965)
 (4) Prinsesse Irene (b. 1942)

græske tronfølge, den
Huset Glücksburg
Kongelige fra Grækenland

Den græske tronfølge


Konso (también conocida como Karati) es una localidad al suroeste de Etiopía, ubicada a orillas del río Sagan. Esta ciudad, centro administrativo del distrito especial de Konso de las Naciones, Nacionalidades y Pueblos del Sur, se encuentra a 1650 metros sobre el nivel del mar. Algunos habitantes de los pueblos vecinos la conocen con el nombre de Pakawle.

Patrimonio de la Humanidad
Konso, cuyo nombre proviene del grupo étnico homónimo, es conocida por sus tradiciones religiosas, sus esculturas y los fósiles de homínidos que se han encontrado en las cercanías. El sitio fue agregado a la Lista Tentativa de la Unesco para ser considerado Patrimonio de la Humanidad el 30 de enero de 1997, debido a su importancia cultural universal, y alcanzó la categoría de manera oficial en 2011.

Economía
El fotógrafo Philip Briggs sugiere que la ciudad de hoy en día "puede describirse de manera prosaica como un círculo de tráfico de dimensiones cómicamente vastas, rodeado por una estación de servicio solitaria y unos cuantos hoteles dispersos". Según la Oficina de Finanzas y Desarrollo Económico de las Naciones, Nacionalidades y Pueblos del Sur, a 2003 las comodidades de Konso incluían acceso a telefonía digital, servicio postal, electricidad producida por un generador y una pequeña organización de microfinanzas. Las industrias locales son la apicultura, la tejeduría de algodón y la agricultura. El mercado abre de lunes a jueves y se encuentra a dos kilómetros del pueblo, por la calle Jinka.

En 2007, se instaló al norte de la ciudad una granja de permacultura, Strawberry Fields Eco-Lodge, que trabaja con voluntarios internacionales y escuelas locales para cultivar alimentos, promover el ecoturismo y enseñar la aplicación de sistemas de permacultura.

Demografía
Según los datos recolectados por la Agencia Central de Estadística de Etiopía en 2005, Konso tiene una población local estimada de 4593 habitantes, de los cuales 2258 son hombres y 2335 mujeres. El censo nacional de 1994 había reportado que había 2535 habitantes en el pueblo: 1250 hombres y 1285 mujeres.

Véase también
 Anexo:Patrimonio de la Humanidad en Etiopía

Referencias

Enlaces externos

 El pueblo de Konso
 Strawberry Fields Eco-Lodge

Localidades de Etiopía
Patrimonio de la Humanidad en Etiopía

Konso


Les  ou  sont une famille éteinte d'insectes hyménoptères de la famille des formicidés (fourmis) qui vivait au Crétacé et dont on a retrouvé des traces en Afrique et en Asie.

Liste des genres
Selon  :
 genre  Armania Dlussky, 1983
 genre  Baikuris Dlussky, 1987
 genre  Boltonimecia Borysenko, 2017
 genre  Cretomyrma Dlussky, 1975
 genre  Dlusskyidris Bolton, 1994
 genre  Gerontoformica Nel & Perrault, 2004
 genre  Orapia Dlussky, Brothers & Rasnitsyn, 2004
 genre  Pseudarmania Dlussky, 1983
 genre  Sphecomyrma Wilson & Brown, 1967
 genre  Sphecomyrmodes Engel & Grimaldi, 2005
 genre  Zigrasimecia Barden & Grimaldi, 2013

Selon  :
 genre  Archaeopone Dlussky, 1975
 genre  Armania Dlussky, 1983
 genre  Armaniella Dlussky, 1983
 genre  Cretopone Dlussky, 1975
 genre  Dolichomyrma Dlussky, 1975
 genre  Petropone Dlussky, 1975
 genre  Poneropterus Dlussky, 1983
 genre  Pseudarmania Dlussky, 1983

Liens externes

Notes et références

Références taxonomiques

Sous-famille de Fourmis (nom scientifique)
Fourmi préhistorique (nom scientifique)
Taxon fossile décrit en 1983
Paléontologie en Russie
Paléontologie au Kazakhstan
Paléontologie au Botswana

Armaniidae


Glenea longula é uma espécie de escaravelho da família Cerambycidae. Foi descrita por Stephan von Breuning em 1964.

Referências

Borneo catalog 2005

longula
Coleópteros descritos em 1964

Glenea longula


විදුහල්පති නාමාවලිය

ක්‍රීඩා

 මලල ක්‍රීඩා
 බැඩ්මින්ටන්
 පැසි පන්දු
 ක්‍රිකට්
 රගර්

 චෙස්
 ජිම්නාස්ටික්
 අත්පන්දු
සටන් කළාව -  වූෂූ

 පාපන්දු
 පිහිනුම්

නිවාස
ගැමුණු
පරාක්‍රම
තිස්ස
විජය

මේවාද බලන්න
 ශ්‍රී ලංකාවේ අධ්‍යාපනය
 ශ්‍රී ලංකාවේ නිදහස් අධ්‍යාපනය
 ශ්‍රි ලංකාවේ පාසල් ලැයිස්තුව
 ශ්‍රී ලංකාවේ ජාතික පාසල් ලැයිස්තුව
 ශ්‍රී ලංකාවේ පළාත් පාසල් ලැයිස්තුව
 ශ්‍රී ලංකාවේ රජයේ පාසැල් ලැයිස්තුව

අඩවියෙන් බැහැර පිටු
මධ්‍ය මහා විද්‍යාලය පිළියන්දල - නිල ජාල අඬව්ය

ශ්‍රී ලංකාවේ පිහිටි පාසල්
Public schools in Sri Lanka
Schools with a Cadet Corps
Schools in Sri Lanka
Educational institutions established in 1887

පිළියන්දල මධ්‍ය මහා විද්‍යාලය


Linda Ann Hopkins (d. 25 Temmuz 1976; Great Falls, Montana) Amerikalı pornografik film oyuncusu.

Hayatı
Linda Ann Hopkins, 25 Temmuz 1976 tarihinde Great Falls, Montana'da Asyalı bir annenin ve Avrupalı bir babanın kızı olarak dünyaya geldi. 10 yaşındayken annesi tarafından terk edilince babası David Hopkins ile birlikte hippi yaşam tarzıyla yaşayarak San Francisco, Kaliforniya yakınlarında büyüdü. 12 yaşındayken Ford Modellik Ajansı tarafından keşfedildi ve bu ajansla bir kontrat imzaladı. Daha sonra New York'a taşınmasıyla modellik kariyeri başladı fakat 18 yaşına geldiğinde modelliği bıraktı ve bir okula yazıldı. 2 senelik eğitimin sonunda kayıtlı bir hemşire oldu. 1990'ların sonuna gelindiğinde modelliğe geri döndü fakat bu sefer çıplak ve erotik çekimlerde oynadı. 1999 yılında Andrew Blake tarafından yönetilen Aroused filmiyle porno endüstrisine geçiş yaptı. Defalarca kez Playboy ve Penthouse dergilerinin kapaklarında yer aldı. 2002 yılında Digital Playground ile sorunlar yaşamaya başladı. 2003 yılında parasını alamadığını iddia ederek Vivid Entertainment ile 2 yıllık bir sözleşme imzaladı ve Vivid kızı oldu. 9 Ocak 2004 tarihinde Biohazard'ın vokalisti Evan Seinfeld ile evlendi. 30 Eylül 2009 tarihinde evliliklerini sonlandırdıklarını açıkladı. 25 Şubat 2012 tarihinde bir kız çocuğu dünyaya getirdi. 6 Eylül 2018 tarihinde Holly Randall ile yaptığı röportajda kızıyla birlikte İtalya'ya taşındığını ve burada bir İtalyan savunma avukatıyla evlendiğini belirtti.

Ödülleri

Kaynakça

Dış bağlantılar

Vivid Kızları
1976 doğumlular
Yaşayan insanlar
21. yüzyılda Amerikalı kadın oyuncular
Amerikalı kadın pornografik film oyuncuları

Tera Patrick


Branko Kujundžić (Ivanbegovina, 1934. — 2002.), hrvatski iseljenički djelatnik i istaknuti politički emigrant.

Životopis
Rodio se je u Ivanbegovini. Zbog hrvatskih stavova bio je 1957. prisiljen napustiti Hrvatsku i ondašnju Jugoslaviju. Prvo je utočište našao u Parizu. Malo potom preselio je u Los Angeles u SAD. Ondje je postao predsjednikom HOP-a. U Pokretu se je bavio politikom. S obzirom na to da je hrvatska politička emigracija imala problema s infiltriranim pripadnicima UDBE, Kujundžić se bavio i razotkrivanjem njih i postigao značajne rezultate. Početkom srpsko-crnogorske agresije na Hrvatsku prikupljao je aktivno novac te je kao pojedinca i preko HOP-a hrvatskoj domovini donirao velike iznose. U domovinu se je prvi put vratio 1991. godine. Javno je prozivao djelatnike Udbe i KOS-a koji su djelovali u hrvatskim političkim vodama.  Umro je 2002. godine i pokopan je u Hrvatskoj na groblju Sv. Ane u imotskim Poljicima.

Nagrade i priznanja
Za zasluge Hrvatskoj nagradio ga je počasnim pištoljem ministar obrane RH Gojko Šušak.

Izvori

Hrvati u SAD-u
Podbablje
Hrvatska politička emigracija (1945. – 1989.)

Branko Kujundžić


Jukka Poika (* 1980 in Haukipudas; eigentlich Jukka Rousu) ist ein finnischer Reggaesänger.

Biografie
Bis 2002 war Poika Sänger der Soul Captain Band, mit der er 2001 auch in den finnischen Charts war. Danach beschloss er, sich anderen Projekten zu widmen. Er veröffentlichte unter Namen wie Kapteeni Ä-ni, Kompostikopla und Jenkkarekka und arbeitete dabei unter anderem mit den alten Bandkollegen Antti Hakala, Joakim Bachmann, Seppo Salmi und Tommi Tikkanen zusammen.

Das erste richtige Soloalbum von Jukka Poika erschien 2007. Mit Äänipää brachte er es bis in die Top 10 der finnischen Charts. Das Album Kylmästä lämpimään brachte ihn drei Jahre später schon bis auf Platz 2 der Charts und mit Mielihyvää hatte er seinen ersten Singlehit. Der ganz große Erfolg kam 2011 mit dem Lied Silkkii. Mit sechs Wochen auf Platz 1 war es eines der erfolgreichsten Stücke des Jahres in Finnland. Bei der Emma-Verleihung, dem wichtigsten finnischen Musikpreis, wurde es als Lied des Jahres 2011 ausgezeichnet, Poika bekam eine weitere Trophäe als bester Live-Künstler.

Sein nächstes Album Yhdestä puusta erschien im März 2012 und stieg auf Platz 1 der Albumcharts ein.

Diskografie
Alben
 Parhaat (Kapteeni Ä-ni, 2002)
 Jukka Poika & Kompostikopla (2003)
 Vapautunut viihdyttäjä (Jukka Poika & Jenkkarekka, 2004)
 Apajilla (Jukka Poika & Jenkkarekka, 2006)

Solo
 Äänipää (2007)
 Laulajan testamentti (2008)
 Kylmästä lämpimään (2010)
 Yhdestä puusta (2012)
 Kokoelma (2013)
 Elämäntyyli (2015)

Lieder (solo)
 Ei kilpailuu (2004)
 Matalaenergiamies (2008)
 Mielihyvää (2010)
 Ikirouta (2010)
 Kylmästä lämpimään (2011)
 Silkkii (2011)
 Älä tyri nyt (2012)

Quellen

Weblinks

 offizielle MySpace-Seite

Reggae-Sänger
Finne
Geboren 1980
Mann

Jukka Poika


Jose Aldo da Silva Oliveira, Jr. (născut pe 9 septembrie din 1986) este un luptător brazilian de arte marțiale mixte , care în prezent concurează în categoria pană în Ultimate Fighting Championship. Aldo a fost primul campion la greutatea pană din UFC, precum și al patrulea și ultimul campion pană din WEC. Aldo este cel mai bun luptator la categoria pană în lume pentru Sherdog, și a fost, de asemenea, numit Luptătorul Anului 2009.

Viața personală
Aldo are o cicatrice pe partea stângă a feței lui, care i-a făcuto surorile lui atunci când i-au pus un grătar, în timp ce mama lui a fost distrasă in acel moment, Aldo a fost cunoscut sub numele de "Scarface".
Aldo este căsătorit. Soția lui are o centură mov în jiu-jitsu și a luptat de două ori ca profesional în Muay Thai. În Brazilia, este cunoscut pentru talentul său și susținător al asociației de fotbal Clube de Regatas do Flamengo.A fost creat si un film in memoria tatalui sau.

Campionate și realizări
 Ultimate Fighting Championship
 Campion la Greutatea Pană UFC (o dată, primul)
 Lupta Noptii (de Trei ori)

 World Extreme Cagefighting
 Campion la Greutate Pana din WEC (o dată, ultima)
 KO Noptii (de Trei ori)
 Cele mai multe victorii consecutive din istoria WEC (8)
 Neînvins în WEC (8-0)

 FIGHT! Magazine
 Luptător din Anul (2009)

 Sherdog
 Luptător din Anul (2009)

Rezultate în arte marțiale mixte

|-
|Victorie
|align=center|30–7
|Pedro Munhoz
|Decizie (unanimă)
|UFC 265
|
|align=center|3
|align=center|5:00
|Houston, Texas, United States
|
|-
|Victorie
|align=center|29–7
|Marlon Vera
|Decizie (unanimă)
|UFC Fight Night: Thompson vs. Neal
|
|align=center|3
|align=center|5:00
|Las Vegas, Nevada, United States
|
|-
|Înfrângere
|align=center|28–7
|Petr Yan
|TKO (punches)
|UFC 251
|
|align=center|5
|align=center|3:24
|Abu Dhabi, United Arab Emirates
|
|-
|Înfrângere
|align=center|28–6
|Marlon Moraes
|Decizie (split)
|UFC 245
|
|align=center|3
|align=center|5:00
|Las Vegas, Nevada, United States
|
|-
|Înfrângere
|align=center|28–5
|Alexander Volkanovski
|Decizie (unanimă)
|UFC 237
|
|align=center|3
|align=center|5:00
|Rio de Janeiro, Brazilia
|
|-
|Victorie
|align=center|28–4
|Renato Moicano
|TKO (knee and punches)
|UFC Fight Night: Assunção vs. Moraes 2
|
|align=center|2
|align=center|0:44
|Fortaleza, Brazilia
|
|-
|Victorie
|align=center|27–4
|Jeremy Stephens
|TKO (punches)
|UFC on Fox: Alvarez vs. Poirier 2
|
|align=center|1
|align=center|4:19
|Calgary, Alberta, Canada
|
|-
|Înfrângere
|align=center|26–4
|Max Holloway
|TKO (punches)
|UFC 218
|
|align=center|3
|align=center|4:51
|Detroit, Michigan, Statele Unite
|
|-
|Înfrângere
|align=center|26–3
|Max Holloway
|TKO (punches)
|UFC 212
|
|align=center|3
|align=center|4:13
|Rio de Janeiro, Brazilia
|
|-
|Victorie
|align=center| 26–2
|Frankie Edgar
|Decizie (unanimă)
|UFC 200
|
|align=center|5
|align=center|5:00
|Las Vegas, Nevada, Statele Unite
|
|-
|Înfrângere
| align=center| 25–2
| Conor McGregor
| KO (punch)
| UFC 194
|
| align=center| 1
| align=center| 0:13
| Las Vegas, Nevada, Statele Unite
|
|-
|Victorie
| align=center| 25–1
| Chad Mendes
| Decizie (unanimă)
| UFC 179
|
| align=center| 5
| align=center| 5:00
| Rio de Janeiro, Brazilia
|
|-
| Victorie
| align=center| 24–1
| Ricardo Lamas
| Decizie (unanimă)
| UFC 169
|
| align=center| 5
| align=center| 5:00
| Newark, New Jersey, Statele Unite
|
|-
| Victorie
| align=center| 23–1
| Chan Sung Jung
| TKO (punches)
| UFC 163
|
| align=center| 4
| align=center| 2:00
| Rio de Janeiro, Brazilia
|
|-
| Victorie
| align=center| 22–1
| Frankie Edgar
| Decizie (unanimă)
| UFC 156
|
| align=center| 5
| align=center| 5:00
| Las Vegas, Nevada, Statele Unite
|
|-
| Victorie
| align=center| 21–1
| Chad Mendes
| KO (knee)
| UFC 142
|
| align=center| 1
| align=center| 4:59
| Rio de Janeiro, Brazilia
|
|-
| Victorie
| align=center| 20–1
| Kenny Florian
| Decizie (unanimă)
| UFC 136
|
| align=center| 5
| align=center| 5:00
| Houston, Texas, Statele Unite
|
|-
| Victorie
| align=center| 19–1
| Mark Hominick
| Decizie (unanimă)
| UFC 129
|
| align=center| 5
| align=center| 5:00
| Toronto, Ontario, Canada
|
|-
| Victorie
| align=center| 18–1
| Manvel Gamburyan
| KO (punches)
| WEC 51
|
| align=center| 2
| align=center| 1:32
| Broomfield, Colorado, Statele Unite
|
|-
| Victorie
| align=center| 17–1
| Urijah Faber
| Decizie (unanimă)
| WEC 48
|
| align=center| 5
| align=center| 5:00
| Sacramento, California, Statele Unite
|
|-
| Victorie
| align=center| 16–1
| Mike Brown
| TKO (punches)
| WEC 44
|
| align=center| 2
| align=center| 1:20
| Las Vegas, Nevada, Statele Unite
|
|-
| Victorie
| align=center| 15–1
| Cub Swanson
| KO (running knee and punches)
| WEC 41
|
| align=center| 1
| align=center| 0:08
| Sacramento, California, United States
|
|-
| Victorie
| align=center| 14–1
| Chris Mickle
| TKO (punches)
| WEC 39
|
| align=center| 1
| align=center| 1:39
| Corpus Christi, Texas, Statele Unite
|
|-
| Victorie
| align=center| 13–1
| Rolando Perez
| KO (knee and punches)
| WEC 38
|
| align=center| 1
| align=center| 4:15
| San Diego, California, Statele Unite
|
|-
| Victorie
| align=center| 12–1
| Jonathan Brookins
| TKO (punches)
| WEC 36
|
| align=center| 3
| align=center| 0:45
| Hollywood, Florida, Statele Unite
|
|-
| Victorie
| align=center| 11–1
| Alexandre Franca Nogueira
| TKO (punches)
| WEC 34
|
| align=center| 2
| align=center| 3:22
| Sacramento, California, Statele Unite
|
|-
| Victorie
| align=center| 10–1
| Shoji Maruyama
| Decizie (unanimă)
| Pancrase: 2007 Neo-Blood Tournament Finals
|
| align=center| 3
| align=center| 5:00
| Tokyo, Japonia
|
|-
| Victorie
| align=center| 9–1
| Fábio Mello
| Decizie (unanimă)
| Top Fighting Championships 3
|
| align=center| 3
| align=center| 5:00
| Rio de Janeiro, Brazilia
|
|-
| Victorie
| align=center| 8–1
| Thiago Meller
| Decizie (majoritară)
| Gold Fighters Championship 1
|
| align=center| 3
| align=center| 5:00
| Rio de Janeiro, Brazilia
|
|-
| Înfrângere
| align=center| 7–1
| Luciano Azevedo
| Submission (rear-naked choke)
| Jungle Fight 5
|
| align=center| 2
| align=center| 3:37
| Manaus, Brazil
|
|-
|-
| Victorie
| align=center| 7–0
| Micky Young
| TKO (punches)
| FX3: Battle of Britain
|
| align=center| 1
| align=center| 1:05
| Reading, Anglia
|
|-
| Victorie
| align=center| 6–0
| Phil Harris
| TKO (doctor stoppage)
| UK-1: Fight Night
|
| align=center| 1
| align=center| N/A
| Portsmouth, Anglia
|
|-
| Victorie
| align=center| 5–0
| Anderson Silverio
| Submission (soccer kicks)
| Meca World Vale Tudo 12
|
| align=center| 1
| align=center| 8:33
| Rio de Janeiro, Brazilia
|
|-
| Victorie
| align=center| 4–0
| Aritano Silva Barbosa
| KO (soccer kicks)
| Rio MMA Challenge 1
|
| align=center| 1
| align=center| 0:20
| Rio de Janeiro, Brazilia
|
|-
| Victorie
| align=center| 3–0
| Luiz de Paula
| Submission (arm-triangle choke)
| Shooto Brazil 7
|
| align=center| 1
| align=center| 1:54
| Rio de Janeiro, Brazilia
|
|-
| Victorie
| align=center| 2–0
| Hudson Rocha
| TKO (doctor stoppage)
| Shooto Brazil
|
| align=center| 1
| align=center| 5:00
| São Paulo, Brazilia
|
|-
| Victorie
| align=center| 1–0
| Mario Bigola
| KO (head kick)
| EcoFight 1
|
| align=center| 1
| align=center| 0:18
| Macapá, Brazilia
|

Referințe

Nașteri în 1986
Practicanți de arte marțiale

José Aldo


Ombrograf (grč. ὄμβρος: kiša) ili pluviograf (lat. pluvia: kiša) je uređaj ili mjerni instrument za stalno (kontinuirano) bilježenje trajanja i jakosti (intenziteta) oborine u tekućem stanju. Osniva se na prikupljanju oborine preko lijevka u posudu (kišomjer) s plovkom; visina plovka u posudi mehanizmom je povezana sa zapisnim uređajem. Kada se posuda napuni, automatski se isprazni. Električni ombrograf ima kao mjerne osjetnike (senzore) dvije male posudice, pražnjenje kojih se bilježi električnim putem. Za registraciju napadaloga snijega koristi se nifograf, koji ima posudu za sakupljanje snijega smještenu na zdjelici vage, pa se njezin položaj zapisuje na isti način kao u ombrografa.

Objašnjenje
Ombrografi ili pluviografi služe za stalno (kontinuirano) bilježenje (registriranje) količine oborina, a i za određivanje jakosti (intenziteta) oborina. Oborinska voda slijeva se u cilindričnu posudu i u njoj podiže plovak. Podizanje plovka, to jest količina oborina sakupljena u cilindru, registrira se na bubnju što ga pokreće satni mehanizam. Prema nagibu zabilježene krivulje može se odrediti jakost (intenzitet) oborina u određenom razdoblju (5, 10, 30, 60, 120 minuta). Kad se cilindar napuni vodom, automatski se isprazni, pa se plovak i pisaljka vrate na nulti položaj, pri čemu pisaljka zabilježi okomitu liniju. Zimi se ombrografi griju, ali ispravne registracije snježnih oborina dobivaju se takozvanim nifografima, koji bilježe težinu palog snijega.

Mjerenje snijega svodi se na određivanje visine snježnog pokrivača i na mjerenje gustoće snijega. Visina snijega određuje se snjegomjernom letvom i izražava se u centimetrima, dok se gustoća snijega mjeri takozvanom snjegomjernom vagom i izražava se u g/cm3. Snijeg i oborine mjere se obično svaki dan u 7 sati izjutra, a gustoća snijega svakog petog dana u mjesecu.

Izvori

Meteorološki instrumenti i oprema

Ombrograf


Çamlıca, Sinop ilinin Durağan ilçesine bağlı bir köydür.

Tarihçe
Köyün adı, 1487 ve 1925 yılı kayıtlarında Kösedik olarak geçmektedir.

Coğrafya
Köy, Sinop il merkezine 170 km, Durağan ilçe merkezine 45 km uzaklıktadır. Köy sınırları içinde bir Roma Dönemi nekropolü bulunur.

Nüfus

Kaynakça

Dış bağlantılar

Durağan belde ve köyleri

Çamlıca, Durağan


Împărat german era numele șefului de stat al Imperiului German din 1871 până în 1918 pe baza articolului 11 al Constituției imperiale bismarckiene din 1871.

Împărat german


Ole "Lodret" Jørgensen (død 14. juli 2009) var en dansk typograf, trommeslager, vinbonde og statist.

Som trommeslager spillede han blandt andre sammen med Max Brüel (saxofon) og Jørgen Ryg (trommeslager). Han  blev fuldtidsmusiker efter at han blev kontaktet af Bruno Martino, en italiensk orkesterleder. Han optrådte i flere lande sammen med sit italienske orkester, blandt andet i Nimb i Danmark. Tilnavnet "Lodret" skyldtes, at han i en periode stillede sit bækken lodret, men satte det senere tilbage til vandret, under et påskud om, at ellers kunne pigerne blandt publikum ikke se ham.

Blandt publikum mødte han en italiensk kvinde, som han endte med at gifte sig med. De slog sig først ned i København, hvor han fandt arbejde hos først en musikhandler og senere i reklamebranchen. De endte dog med at flytte til først Napoli og sidenhen til hustruens fødeby i det sydlige Italien, hvor de slog sig ned som vinbønder i en årrække. Han fortsatte dog med at spille musik, og underviste derudover børn i musik. Han oprettede også et turistbureau for nordiske turister og deltog som statist i Fellinifilm.

Referencer

Typografer fra Danmark
Trommeslagere fra Danmark

Ole Jørgensen


Aikaterini Laskaridou (em grego: Αικατερίνη Λασκαρίδου) (Viena, 1842 – Atenas, 1916) foi uma pedagoga e professora grega, precursora do ensino infantil na Grécia.

Tendo lançado as bases para o ensino infantil e, principalmente, feminino, na Grécia, Laskaridou foi uma das figuras mais proeminentes de seu tempo.

Biografia
Laskaridou nasceu em Viena, em 1842. Era filha de Konstantínos Christomános e María Kazási, originários de Melnik, hoje parte da Bulgária. Estudou na Academia Pedagógica de Viena, onde se especializou nas áreas de filosofia, história e pedagogia. Foi assim que descobriu o sistema de Fröbel, referente ao pedagogo Friedrich Fröbel, um dos primeiros educadores a considerar o início da infância como uma fase de importância decisiva na formação das pessoas. Em 1858, casou-se com Laskaris Laskarides, um comerciante de Bursa.

Influenciada por Fröbel, Lascaridou se empenhou na criação de jardins de infância em seu país. Defendia a ideia de que a pré-escola deve ser a base do sistema educacional que contribuiria significativamente para a educação das crianças. Por um ano e meio, viajou pela Europa de maneira a se familiarizar com o funcionamento das escolas europeias. Ao retornar à Grécia, introduziu o método de Fröbel, algo que antes era indiscutível na sociedade grega.

Em 1864, fundou a escola grega para meninas em Atenas, onde introduziu o método de ensino de Fröbel, até então inédito. O primeiro diretor foi a filósofa Fani M. Hill, com Lascaridou como vice-diretora desde o início. Ela sucedeu à Sra. Hill e assumiu a gestão da escola em 1867. A escola encerrou suas atividades em 1970.

Morte
Laskaridou morreu em 1916, aos 74 anos, devido a um acidente automobilístico em Atenas. Deixou três filhas, Melpomene, Sophia Laskaridou, famosa pintora impressionista grega e Eirini Laskaridou, que fundou uma casa para cegos em Caliteia, introduzindo o método Braille como método de ensino para cegos na Grécia.

Naturais de Viena
Educadores da Grécia
Professores da Grécia

Aikaterini Laskaridou


Hvad er der med hende er en dansk eksperimentalfilm fra 2004 med instruktion og manuskript af Allan de Waal.

Handling
Sammenklipning af novellefilmen Livredder (1966) og prøveoptagelser til ikke en realiseret spillefilm.

Referencer

Eksterne henvisninger

Danske film fra 2004

Eksperimentalfilm fra Danmark

Hvad er der med hende